Rosebery's by Jamm Design Ltd

MODERN & CONTEMPORARY BRITISH ART Tuesday 24 September 2019

MODERN & CONTEMPORARY BRITISH ART INCLUDING PROPERTY FROM THE COLLECTION OF THE LATE ROBERT HELLER

Tuesday 24 September 2019 Starting at 12 noon Order of sale: Modern & Contemporary British Art [lots 1-217] Property from the collection of the late Robert Heller [lots 218-354]

VIEWING Friday 20 September 1pm-5pm Sunday 22 September 10am-2pm Monday 23 September 9:30am-5:30pm Tuesday 24 September 9:30am-11:30am Specialist: Helena Anderson Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Front Cover: Lot 157 | Back Cover: Lot 137 Inside Front Cover: Lot 252 | Inside Back Cover: Lot 19

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys. Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have. Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots. New Bidders New buyers are required to register before bidding. This can be done in person at reception, or via email to clientservices@roseberys.co.uk. Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

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The buyer shall pay the hammer price together with a premium thereon of: 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

• Commission bid: If you are unable to attend the auction, commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction. Clients are also able to leave a commission bid via our website on individual lot pages. These bids are actioned on your behalf by our in-house bidding software RoseberysLive, and are not visible to the auctioneer. • Online bidding: You can follow all our auctions live online and bid via the internet using RoseberysLive, our in-house live bidding platform. RoseberysLive is a secure online bidding platform provided by Roseberys to enable our clients to bid online from anywhere in the world. You can register to use the service or view the auction through our website www.roseberys.co.uk. There is no charge to use this service.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional. It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction. • Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000. To make a payment of over £1000 please make a bank transfer or visit the auction house in person. • Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.) Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613. • Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements. Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding. Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 120

1 1 Augustus Edwin John OM RA, British 1878-1961 Dorelia pastel on paper, 25 x 38cm (ARR) Provenance: with Rebecca John, London; Bonhams, London, 12 March 2008, lot 65 £3,000 - 5,000* 2 Charles Ginner CBE ARA, British/French 1878-1952 Backs of Gardens, Oxted, Surrey oil on board, signed, 19 x 16.5cm (ARR) Provenance: gifted by the artist to Jane Moncur and thence by descent; Christie’s, London, 11 November 1988, lot 319; Sotheby’s, London, 22 November 2017, lot 118 £1,200 - 1,800* 2

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3 Dame Laura Knight DBE RA RWS, British 1870-1977

4 Elyse Ashe Lord, British 1900-1971

Mme (Anna) Pavlova, 1920

Vaslav Nijinsky as Petrouschka

pen and ink on paper, signed and dated, 33 x 18.5cm (ARR)

pen and ink and watercolour, signed with monogram and inscribed, 20 x 9.5cm (ARR)

Provenance: with L R Nightingale, Norwich, according to the label attached to the reverse of the frame which states it came from the collection of Anna Pavlova in 1931 (the year of her death); collection of Ladywell Lodge, Sedgeford, Norfolk; private collection Note: When Anna Pavlova, the famous ballet dancer, lived in Golders Green, Laura Knight was one of her frequent visitors. According to Knight’s account in her autobiography ‘Oil Paint and Grease Paint’, she was first invited to Pavlova’s home in order to complete drawings of her for a book, but Pavlova enjoyed her company so much that she kept inviting her back. Knight describes Pavlova as appearing every morning ‘dressed in tights and a Grecian dress of pale pink heavy crêpe de chine, cut on the cross out of a square, elastic holding it under the breasts and below the waist; thus the drapery fell in traditional Grecian folds, with zigzag edge, such as is often seen in ancient sculpture’. Perhaps this is the outfit she is wearing in the present work, or it may depict her in her costume for ‘Autumn Bacchanal’ which Knight saw her perform several times. Knight also praises Pavlova’s heavily-lidded eyes which ‘had a look not belonging to this world’ and ‘her exceptionally long, full throat, her little body, her tapering limbs’ which inspired her teacher Enrico Cechetti to proclaim that ‘no one has ever had the line of Pavlova, and no one ever will!’

Provenance: private collection, London £800 - 1,200* 5 Sir William Rothenstein, British 1872-1945 Lady holding the hem of her dress, 1894 lithograph on beige laid paper, signed and inscribed in ink, 42 x 23.5cm £300 - 500*

£600 - 800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

6 Charles Mills Sheldon, American 1866-1928 The Blasts of War ‘mid the Blasts of Winter watercolour, gouache en grisaille on paper, signed, 34.5 x 34.5cm Note: this work is an original illustration design for J.A. Hammerton’s ‘The War Illustrated Album De Luxe’, Vol. II, The Winter Campaign, 1914-15, published in London in 1915 and illustrated on page 395 of that publication. Charles M. Sheldon was an American journalist and illustrator who worked as a correspondent for several British periodicals and the Associated Press during the First World War. £400 - 600*

7 British School, early 20th century Portrait of a World War I soldier oil on canvas, 30.6 x 25.7cm (ARR) Note: During the First World War, official government-sponsored schemes were established for artists to record the war. The Imperial War Museum was established by an Act of Parliament in 1917 and was given the task of collecting material, including art, that related to the war. The government also directly commissioned and purchased art documenting the war from the best artists of the day, including Sir William Orpen, Paul Nash, Sir Stanley Spencer, Wyndham Lewis, CRW Nevinson, David Bomberg and John Singer Sargent, among many others. The present picture is reminiscent of the modeled faces and long stares in Eric Kennington’s celebrated painting ‘The Kensingtons at Laventie’, now in the Imperial War Museum.

£300 - 500*

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8 Wilfred Gabriel de Glehn RA, British 1870-1951 Pines of Sunset, Frejus watercolour over pencil, signed in charcoal, 32 x 50cm (ARR) Exhibited: Goupil Salon, according to the label attached to the reverse of the frame Provenance: the artist’s estate; Jonathan Green, Esq., London; private collection since the 1990s £400 - 600*

9 Wilfred Gabriel de Glehn RA, British 1870-1951 Beach scene with figures watercolour over pencil, 32 x 51cm (ARR) Provenance: the artist’s estate; Jonathan Green, Esq., London; private collection since the 1990s £200 - 300* 10 Wilfred Gabriel de Glehn RA, British 1879-1951

On the Colne, Essex watercolour, bears studio stamp numbered 632, 39.5 x 49.5cm (ARR) Provenance: with David Messum Fine Art, according to the label attached to the reverse of the frame £300 - 400* 11 Edward Henry Windred, British 1875-1953 Pair of portraits of racing pigeons, ‘Darkey II’ and ‘Darkie III’, c. 1933 oils on canvas, two, each extensively inscribed and signed, each 45.5 x 45.5cm, (2, one unframed) (ARR) Provenance: in the same private collection for three generations £1,200 - 1,800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

12 Gladys Vasey ARCA SWA, British 1889-1981 Aberaeron Harbour, c. 1972 oil on card, 16 x 21cm (ARR) Literature: Aberystwyth, The National Library of Wales, ‘Gladys Vasey: A Retrospective’, 1991, listed in the second appendix on the last page of the catalogue

Provenance: purchased from the artist’s studio in Aberaeron c. 1970s by John Penny Jones; given by Mr Jones to Mr John Davies; thence by descent. £100 - 200* 13 Gladys Vasey ARCA SWA, British 1889-1981 Summer Afternoon, 1939 oil on board, signed, 40.5 x 50.5cm (ARR) Provenance: purchased from the exhibition ‘Portraits and Other Paintings by Gladys Vasey’ at the National Library of Wales, Aberystwyth, 1973

Exhibited: Manchester Academy of Fine Arts, 1939; ‘Portraits and Other Paintings by Gladys Vasey’, National Library of Wales, Aberystwyth, 1973, cat. no. 18; ‘Gladys Vasey: A Retrospective Exhibition’, National Library of Wales, Aberystwyth, 1991, cat. no. 86 as ‘Elms and Clouds’ £200 - 300* 14 Gladys Vasey ARCA SWA, British 1889-1981 The Stream at Beddgelert, c. 1950 oil on board, signed, 44.4 x 45.7cm (ARR) Provenance: purchased from the exhibition ‘Portraits and Other Paintings by Gladys Vasey’ at the National Library of Wales, Aberystwyth, 1973 Exhibited: ‘Portraits and Other Paintings by Gladys Vasey’, National Library of Wales, Aberystwyth, 1973, cat. no. 23; ‘Gladys Vasey: A Retrospective Exhibition’, National Library of Wales, Aberystwyth, 1991, cat. no. 96

£200 - 300*

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15 Samuel John Lamorna Birch RA RWS, British 1869-1955 Rocks and Trees watercolour, gouache and pencil, signed, 24.5 x 34.5cm (ARR) Provenance: purchased from Abbott & Holder, London, c. 1970s £400 - 600*

15 16 Thomas Howard Somervell OBE FRCS, British 1890-1975 On Berker Moor gouache on paper, signed, 26.5 x 35.5cm (ARR) £400 - 600*

16 17 Frank Jameson, British 1899-1968 Sail boats in a harbour oil on panel, signed, 35.5 x 45.5cm (ARR) £300 - 400*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

18 18 Jessica Dismorr, British 1885-1939 House and trees oil on canvas laid down on canvas, signed, 33x41.2cm (unframed) ÂŁ300 - 500*

19 19 George Hammond Steel, British 1900-1960 Mousehole oil on board, signed, 20.5x58cm (ARR) Provenance: with Ernest, Brown & Phillips Ltd at The Leicester Galleries, London, according to the label attached to the reverse ÂŁ4,000 - 6,000* 10

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20 Edward Ardizzone CBE RA, British 1900-1979 Two figures lying on a grassy bank pen and ink on paper, bears studio stamp, 21.5x12.5cm (ARR) ÂŁ300 - 500* 21 Charles James McCall, Scottish 1907-1989 Nude with face hidden pencil on paper, signed, 25x48.7cm (unframed) (ARR) ÂŁ100 - 150*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

22 Leon Underwood, British 1890-1975 Nude figure doing the splits, 1923 red and black chalk on sketch book page, signed and dated in pencil, further dated in ink, 25.5 x 42cm (ARR) Provenance: the artist’s estate; thence by descent £400 - 600* 22 23 Leon Underwood, British 1890-1975

24 Leon Underwood, British 1890-1975

25 Leon Underwood, British 1890-1975

Seated female nude,1925

Standing male nude with right leg on step, 1932

Life study of a woman lying on her front, 1952

conte on paper, signed and dated, 54 x 37.6cm (ARR)

pencil on paper, signed and dated, 45 x 36.5cm (ARR)

Provenance: the artist’s estate; thence by descent

£600 - 800*

£400 - 600*

sanguine, black ink and wash, signed and dated, 37 x 25cm (ARR)

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26 Leon Underwood, British 1890-1975 Seated female nude with a hand in her leg, 1935 watercolour, signed and dated, 36 x 48.5cm (ARR) Provenance: the artist’s estate; thence by descent £300 - 500*

26 27 Leon Underwood, British 1890-1975

29 Leon Underwood, British 1890-1975

Nude lying on her back with an arm behind her head, 1922

The Old Tree, 1922

pencil and white chalk on beige paper laid on card, signed and dated, bears inscription ‘8 1919 Slade’ on card, sheet 34.5 x 46cm (unframed) (ARR)

watercolour on paper laid on card, signed, titled, and dated, 39 x 51cm (unframed) (ARR) Provenance: the artist’s estate; thence by descent £200 - 300*

Provenance: the artist’s estate; thence by descent

30 Leon Underwood, British 1890-1975

£200 - 300* 28 Leon Underwood, British 1890-1975

Manor House, Hanbury, 1942

Bait Store, Iceland, 1923 watercolour, signed and dated, bears inscription on the reverse, 27.5 x 35.5cm (unframed) (ARR) Provenance: the artist’s estate; thence by descent

watercolour and ink, signed and dated, bears inscription to the reverse, 27.5 x 38.5cm (mounted/unframed) (ARR) Provenance: the artist’s estate; thence by descent £200 - 300*

£200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

32 31 Edward Bawden CBE RA, British 1903-1989, Cloak and Dagger pen and ink, signed, 16.5 x 11.5cm (ARR) Provenance: with Arthur Tooth & Sons, London according to label attached to the reverse of the frame £400 - 600* 32 Gerald Leslie Brockhurst RA, British 1890-1978 Henry Rushbury, No. 2, 1930 [Fletcher 66] etching, 13th (final) state, signed in pencil, titled, dated, and signed within the plate, plate 25 x 18.4cm, (ARR)

£500 - 700*

33 Gwen Raverat SWE, British 1885-1957 Ely Cathedral, c.1935 woodcut on wove, a design for a poster for the London & North Eastern Railway (LNER), plate 62 x 51cm (ARR) £200 - 300*

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34 34 Jacob Kramer, Ukrainian/British 1892-1962

36 Henry Mayo Bateman, British 1887-1970

Head of a bearded man, 1918

How’s Things?

brush and black ink on brown paper, signed and dated in pencil, 29.5 x 23cm (ARR)

pen and ink, signed with initials and titled, 21.2 x 14.5cm (ARR)

£400 - 600*

Provenance: purchased from Abbott & Holder, London, in the 1970s

35 Henry Mayo Bateman, British 1887-1970 The Fault Finder pen and ink on paper, signed with initials and titled, 16 x 10cm (ARR) Provenance: purchased from Abbott & Holder, London, in the 1970s

£300 - 500* 37 J Feldman, early 20th century Nude woman in crowded changing room oil on canvas, signed, 65 x 43.5cm (ARR) £300 - 500*

£300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

38 William Robson, Scottish 1868-1952 No 1 A Study/Oriental Still Life oil on canvas, signed, 67 x 58cm (ARR) Provenance: with Falle Fine Art Limited, Jersey, according to card accompanying this lot £600 - 800*

38 39 Donald Towner, British 1903-1985

40 Frederick Victor Bailey, British 1919-1997

Still life of flowers in a basket, 1973

Still life of fruit, 1955

oil on canvas, signed and dated, 53.5 x 71.5cm (ARR)

oil on canvas, signed and dated, 41 x 51cm (ARR)

£150 - 250*

£300 - 400*

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41 41 Thomas Bromley Blacklock, Scottish 1863-1903 The Picnic oil on canvas, signed, 46 x 61cm Provenance: Christie’s, Edinburgh, 26th October 2000, lot 16, where purchased by the present owner Note: Thomas Bromley Blacklock, born in Kirkcudbright, became known for his paintings of scenes of children playing, regularly using the local landscape around him as the setting. For a similar painting see ‘The Nest’ in The Stirling Smith Art Gallery & Museum collection (no. 8120). £2,000 - 3,000* 42 Frederick Stratton, British 1870-1960 Portrait of a lady, seated half-length in a white dress oil on canvas, signed, 61 x 51cm (ARR)

£200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

43 John Archibald Alexander Berrie, British 1887-1962 Portrait of Sir Winston Churchill oil on canvas, signed, 76 x 63.5cm (ARR) £3,000 - 5,000* 44 British School, mid 20th century Portrait of Louis Mountbatten, 1st Earl Mountbatten of Burma oil on canvas, 56 x 46cm: together with a copy of the biography of Lord Mountbatten by Philip Ziegler (2) £300 - 500* 45 Reginald Brill, British 1902-1974 Portrait of a woman wearing a cap

pen, ink and pastel, signed, 37.5 x 25.5cm (unframed/mounted) (ARR) Exhibited: with Phoenix Gallery, Suffolk, according to the label from previous framing attached to the reverse of the mount £400 - 600*

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46 Ronald Searle CBE HRWS, British 1920-2011 Hugh Griffith as Belmann at the Arts Theatre, 1954 (recto); Characters from ‘The Dark is Light Enough’ (verso) pencil on paper, 22 x 16cm (ARR) Provenance: Chris Beetles Ltd, London Exhibited: Chris Beetles Ltd, London, ‘Ronald Searle Remembered’, May-June 2012, no. 79 £300 - 500* 47 Norman Thelwell, British 1923-2004 ‘Everybody who remembers the old days agrees that modern machinery has taken all the colour...out of country life’ ink and watercolour images on paper, two, in a shared mounted, signed and titled, each 16 x 26cm (ARR) Exhibited: The British Art of Illustration 1850-2000, Chris Beetles Ltd, London, 2000, cat. no. 774 £300 - 500*

48 Dr Mary Nicol Neill Armour RSA, British 1902-2000

Sailors ashore oil on card laid on board, signed, 83.5 x 115.5cm (ARR) Note: this painting is one of a series painted to decorate the Mess of HMS Cochrane (founded 1938), Rosyth. £800 - 1,200* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

49 Cecil Osborne, British 1909-1996 St Pancras & Kings Cross; Camden, Highgate & Hampstead; and Bloomsbury & Fitzrovia, 1964 oil on canvas, three, each signed and dated, 162 x 172cm, 164 x 178cm and 166 x 176cm respectively (3) (ARR) Provenance: St Pancras Borough Council Note: Cecil Osborne, who exhibited with the East London Group, created this triptych of panels as murals to decorate the small Assembly Room of St Pancras Town Hall, now Camden Town Hall, on Euston Road. The three works were completed over a number of years and include fascinating details of different neighbourhoods in the former Borough of St Pancras, many of which still adorn this area of London such as Kenwood House, while others are now lost such as the Doric Arch at Euston Station. Osborne used his own children as models, as well as the children from the Bisto advertisement. The triptych was later moved to the lending library on Brecknock Road, near Kentish Town, and later disappeared before reemerging at auction in Bayswater in the 1990s. They have been in a private collection since that time. ÂŁ1,500 - 2,500*

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50 Dora Holzhandler, French/British 1928-2015 A rabbi, 1999 watercolour and felt tip, signed with initials and dated, 19.5 x 13cm (ARR) £300 - 500* 51 Dora Holzhandler, French/British 1928-2015 Head of a girl with grapes in the background, 1980 ink and watercolour, signed and dated, 15.5 x1 5.5cm (ARR) £300 - 500*

51 52 Dora Holzhandler, French/British 1928-2015

53 Dora Holzhandler, French/British 1928-2015

54 Dora Holzhandler, French/British 1928-2015

Girl and butterfly

Rabbi with a white bird

Athene, 1990

ink and watercolour, 13.7 x 13.7cm (ARR)

gouache on card, signed, 16.2 x 10.2cm (ARR)

ink and watercolour, signed and dated, 17 x 11cm (ARR)

£300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

55 Philip Naviasky, British 1894-1983 Portrait of a child oil on board, signed, 49 x 36cm (ARR) ÂŁ300 - 500* 56 Josef Herman OBE RA, Polish/British 1911-2000 Feeding the Birds, 1956 pastel and pencil on paper, signed and dated to the reverse of the frame, 19.5 x 24.5cm (ARR) Provenance: with New Grafton Gallery, London, 1998, according to the label attached to the reverse of the frame Note: Agi Katz has kindly confirmed the authenticity of the work ÂŁ400 - 600* 55

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57 57 Josef Herman OBE RA, Polish/British 1911-2000 The Donkey Cart oil on board, 21 x 26cm (ARR) Provenance: with Roland, Browse, and Delbanco, according to the label attached to the reverse Note: Agi Katz has kindly confirmed the authenticity of the work ÂŁ2,000 - 4,000* 58 Feliks Topolski RA, Polish/British 1907-1989 The Explorers ink, watercolour and gouache, titled, 104 x 137.5cm (ARR) Provenance: from the collection of Maurice Collis (1889-1973), author, playwright and administrator in Burma ÂŁ800 - 1,000* 58

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

59 59 John Armstrong ARA, British 1893-1973 Pan, triptych, c.1925 watercolour on paper laid on three panels, signed on the central panel, 46.5 x 46.5cm max, (3) (in shared mount) (ARR) Provenance: Estate of Mary Spencer Watson; Christie’s, South Kensington, 17 Nov 2010, lot 74 Note: The work was originally created to decorate an overmantel in Dunshay Manor, and was possibly painted on site. £1,000 - 1,500* 60 John Armstrong ARA, British 1893-1973 Surrealist figure in a wooded landscape, 1969 watercolour and gouache on paper, signed and dated, 39.2 x 24cm (ARR) £1,000 - 1,500*

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61 Desmond Morris, British b. 1928 Rebel Figure (recto), with a small ink sketch (verso) ink and watercolour on paper, signed with initials and dated 85, 28 x 20.5cm (unframed) (ARR) Provenance: acquired directly from the artist by the present owner Literature: Silvano Levy, ‘Desmond Morris: Analytical Catalogue Raisonné 1944-2000’ (Petraco-Pandora, Antwerp) p. 312, ill., cat. no. 1985/7 £800 - 1,200* 62 Grace Pailthorpe, British 1883-1971 UNC 537, 28 November 1935 watercolour, signed, 27.5 x 38.5cm (ARR) Provenance: Peter Nahum Ltd; Christie’s London, The Poetry of Crisis: The Peter Nahum Collection of British Surrealism, 15 Nov 2006, lot 89; Dreweatts 1759, London, 24 Feb 2009, lot 127; private collection £400 - 600* 61

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

63 Reuben Mednikoff, British 1906-1975 Untitled abstract, 1940 watercolour and black ink, dated and inscribed in biro to the reverse of the frame, 27 x 38cm (ARR) Exhibited: Oliver Bradbury & James Birch Fine Art, London, ‘Reuben Mednikoff and Grace Pailthorpe’, 1984 £400 - 600*

63 64 Reuben Mednikoff, British 1906-1975 Surrealist Head, 1950 black ink, dated in biro to the reverse of the frame, 27 x 38cm (ARR) Provenance: previously with Jesus College Art Collection, according to the label attached to the reverse of the frame Exhibited: Oliver Bradbury & James Birch Fine Art, London, ‘Reuben Mednikoff and Grace Pailthorpe’, 1984; Mayor Gallery, 1998. 64

£300 - 400* 65 Rowland Suddaby, British 1912-1972Winter landscape with pond gouache on board, signed, 51 x 72cm (ARR) Provenance: J Leger & Son, Old Bond Street, Sept 1958; with Austin Desmond Fine Art, according to labels attached to the reverse £500 - 700*

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66 66 John Bellany CBE RA, Scottish 1942-2013 Homage to Goya, 1981 oil on canvas, signed and dated,153 x 173cm (ARR) Provenance: Bonhams, Edinburgh, 29 Nov 2017, lot 33 ÂŁ4,000 - 6,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

67 67 Fred Yates, British 1922-2008 Figures in a country lane oil on board, signed, 44.5 x 58cm (ARR) £700 - 1,000* 68 Fred Yates, British 1922-2008 Distant view of St Michael’s Mount oil on canvas, 41 x 30.5cm (ARR) £700 - 900*

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69 Anthea Craigmyle, British 1923-2016 Airor with Chickens oil on canvas, signed with initials, 30.5 x 40cm (ARR) Provenance: purchased from the New Grafton Gallery, London, according to the label attached to the reverse £200 - 300* 70 Hugh Verschoyle Cronyn, British 1905-1996 Flora by the Water oil on canvas, signed, 40.5 x 51cm (ARR) £200 - 300* 71 John Randall Bratby RA, British 1928-1992 Two sculptures on plinths oil on canvas, 45.7 x 35.7cm (ARR) Provenance: purchased from the Modern British Gallery by the present owner £500 - 800*

72 No Lot

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

73 James Neal, British 1918-2011

74 Reg Gammon, British 1894-1997

Path to a castle gate, 1954

Country landscape

ink, watercolour, and pastel on crumpled tissue paper laid down on paper, signed and dated, 46.5 x 27cm (unframed) (ARR)

oil on board, signed, 28 x 38cm (ARR)

Provenance: purchased from the Modern British Gallery by the present owner

Provenance: purchased directly from the artist’s studio by the previous owner £200 - 300*

£100 - 150*

75 John G Boyd RP RGI, British 1940-2001 Group of figures in a field oil on board, signed, 20.2 x 25.3cm (unframed) (ARR) £300 - 500*

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76 76 Ben Sunlight, British 1935-2002

77 Ben Sunlight, British 1935-2002

Topless, 1970

L’Invitation, 1965

oil on canvas, signed and dated, bears partial exhibition label to the reverse, 76 x 63.5cm (unframed) (ARR)

oil on canvas, signed and dated, bears inscribed label to the reverse, 63.5 x 76cm (ARR)

£200 - 300*

£100 - 150* 78 Ben Sunlight, British 1935-2002 One Flesh, 1965 oil on canvas, signed and dated, bears label to the reverse, 61 x 51cm (ARR) Provenance: with The Portico Library and Gallery, Manchester, according to the label attached to the reverse £200 - 300* 79 John Melville, British 1902-1986 Artist in a Woodland, 1968 oil on canvas, signed and dated, 102 x 76.2cm (ARR) Provenance: private collection, London, since 2003 £400 - 600* 79

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

Clarke Hutton began his career in the art world working as a scene painter and assistant to Carl Wilhelm at the Empire Leicester Square. Following an extended trip to Europe in the late 1920s, he enrolled as a mature student at the Central School of Arts and Crafts under the tutelage of A.S. Hartrick. On Hartrick’s retirement three years later, Hutton took over teaching his lithography classes and was appointed head of the department. He was a prolific illustrator of around seventy books, as well as a passionate and accomplished painter. Although reluctant to exhibit, he did hold a few one man exhibitions, and exhibited work at the Royal Academy, Redfern Gallery, Zwemmers Gallery, and Michael Parkin Gallery. Lots 80-84 are from the artist’s estate.

80 Clarke Hutton, British 1898-1984 Untitled abstract (turquoise), 1983 mixed media on panel in artist’s frame, signed and dated to the reverse of the frame, 13.5 x 19cm (ARR) £200 - 300*

81 Clarke Hutton, British 1898-1984 Untitled abstract (yellow, black and red), 1983 mixed media on panel in artist’s frame, signed and dated to the reverse of the frame, 20 x 15cm (ARR) £200 - 300*

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82 Clarke Hutton, British 1898-1984

83 Clarke Hutton, British 1898-1984

84 Clarke Hutton, British 1898-1984

Untitled abstract (red, pink, yellow and green), 1983

Geometric line drawings, 1966

Abstract watercolour compositions, 1963

mixed media on panel in artist’s frame, signed and dated to the reverse of the frame, 16.3 x 27.8cm (ARR)

pen and ink, three, two dated, each 33 x 45.5cm (3) (mounted/unframed) (ARR) £300 - 400*

£300 - 400*

watercolour, felt tip, pastel and pencil, three, each signed with initials and dated, each 45.5 x 33cm (3) (mounted/unframed) (ARR) £300 - 400*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

85 Alistair Grant RBA ARCA, British 1925-1997 Marie-Marie oil on canvas, bears title on the reverse of the stretcher, 30 x 30cm (ARR) Provenance: with Brompton Gallery, London, according to the label attached to the reverse of the frame £300 - 500*

85 86 Rodney Gladwell, British 1928-1979 Florence, 1968 gouache on paper, signed and dated, 53 x 74cm (ARR) Provenance: with J P Lehmans Gallery 23 Grafton Street London W1X 3LD, according to label attached to the reverse of the frame £200 - 300*

86 87 John H Selway, British 1938-2017 Butterfly Brooch No 1 oil on canvas, signed and titled to the reverse, 76 x 76cm (ARR) £200 - 300*

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88 88 Albert Irvin OBE RA, British 1922-2015 Serpent’s Tooth, 1968 acrylic on paper, titled and dated, 32 x 52cm (ARR) Provenance: Christie’s, London, 14th July 2011, lot 221 £1,000 - 1,500* 89 Alan Davie RA, Scottish 1920-2014 Dantes, 1970 watercolour with brush and ink, signed and dated, bears inscription to the reverse of the frame, 26 x 17.5cm (ARR) £600 - 800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

90 Derrick Latimer Sayer, British 1917-1992

92 Derrick Latimer Sayer, British 1917-1992

Siamese Cat, 1991;

Eastbourne, 1991;

mixed media on paper, signed, dated, and inscribed in black ink, 20.1 x 25cm: together with a collection of drawings and studies mainly of cats, many relating to the book by the author Beverly Nichols 1898-1983 which was illustrated by Sayer, to include some related printed material, (a lot) (unframed) (ARR)

mixed media on paper, signed, titled and dated in black ink, 25 x 20cm: together with twenty-five further mixed media studies of boats and abstract subjects by the same artist, variously signed and dated, max 21 x 29.5cm, (26) (unframed) (ARR)

£150 - 200*

93 Derrick Latimer Sayer, British 1917-1992

91 Derrick Latimer Sayer, British 1917-1992 Anatomy of a man, 1948; pen and black ink and watercolour on buff coloured wove paper, signed and dated in pencil, extensively inscribed in ink, 37.5 x 25cm: together with three other anatomical studies in ink and watercolour and a further small quantity of theatrical sketches in pen and black ink, variously signed and inscribed, (a lot) (unframed) (ARR) £150 - 200*

£200 - 400*

Untitled, 1984 pen and black ink and watercolour on paper, signed and dated, 20.2 x 32.2cm: together with thirteen other mixed media works on paper by the same artist, variously signed and dated, max 20.2 x 32.2cm, (14) (unframed) (ARR) £300 - 500* 94 Derrick Latimer Sayer, British 1917-1992 Autumn, 1979 mixed media on brown paper, signed, titled, inscribed and dated, 58.5 x 83.5cm (ARR) Provenance: from the collection of the Chelsea and Westminster Hospital, London £200 - 300* 95 Derrick Latimer Sayer, British 1917-1992 Untitled mixed media on brown paper, 83 x 58cm (ARR) Provenance: from the collection of the Chelsea and Westminster Hospital, London

£200 - 300*

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96 Derrick Latimer Sayer, British 1917-1992

100 Derrick Latimer Sayer, British 1917-1992

Untitled (no. V), 1980

Landscape with rock forms, 1982;

mixed media on brown paper, signed, inscribed and dated, 83 x 58cm (ARR)

pen and blue ink on paper, signed, inscribed and dated, 20 x 32.5cm: together with a large quantity of drawings in pen and black and/or blue ink on paper by the same artist, variously signed, inscribed and dated, 21.5 x 33cm max, (a lot) (unframed) (ARR)

Provenance: from the collection of the Chelsea and Westminster Hospital, London £200 - 300* 97 Derrick Latimer Sayer, British 1917-1992 Natura Naturand, 1980 mixed media on brown paper, signed, titled and dated, 58 x 83cm (ARR)

£200 - 300* 101 Derrick Latimer Sayer, British 1917-1992 A collection of photographs of the artist’s work

98 Derrick Latimer Sayer, British 1917-1992

gelatin silver print, 21.2 x 18cm: together with further gelatin silver prints of documentation of previous work by the artist, ephemera relating to the artist’s practice, and a further large quantity of printed matter, ephemera and colour photographs of the artist’s work many mounted in plastic sleeves and folders, (a lot) (ARR)

Abstract composition

£100 - 200*

Provenance: from the collection of the Chelsea and Westminster Hospital, London £200 - 300*

pastel in colours on paper, 58.5 x 84cm, (unframed) (ARR) Provenance: from the collection of the Chelsea and Westminster Hospital £200 - 300* 99 Derrick Latimer Sayer, British 1917-1992 Downland L/Scape, 1982 pen and black ink on paper, signed, inscribed and dated, 20.7 x 29.7cm: together with a large quantity of drawings in pen and black ink on paper by the same artist, predominantly from 1982, average 20.7 x 29.7cm (a lot) (unframed) (ARR)

£200 - 300* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

102 102 Geoffrey Raymond Reeve ARCA, British b. 1936 Single fabric repeat in Union Jack pattern, 1960 cotton fabric on backboard, signed on backboard, 47 x 91cm (ARR) Note: this is a single printed repeat of a cotton fabric produced in 1960 and shown at the graduation diploma show at the Royal College of Art in 1961. The full length of the design features in the catalogue for ‘The 60s Art Scene in London’ Barbican Art Gallery, 1993. The artist has kindly confirmed the authenticity of this work. £300 - 500* 103 Anthony Benjamin FRSA RE, British 1931-2002 Untitled (green, red and black abstract) watercolour and gouache on paper, bears estate stamp in margin and to the reverse, 21.5 x 24cm (unframed/mounted) (ARR) Provenance: purchased from the Modern British Paintings by the present owner £300 - 500*

103

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104 104 Kenneth Rowntree, British 1915-1997 Sheet from an Australian sketch book, 1985 watercolour and gouache on paper, signed and dated, 27.5 x 33cm (ARR) Provenance: Kenneth Rowntree Studio Sale, September 2009; Modern British Gallery where purchased by the present owner ÂŁ1,200 - 1,800* 105 Philip Morsberger, British b. 1933 Abstract composition, 1974 oil on canvas, signed, dedicated, and dated on the reverse, 99.5 x 110.5cm (unframed) (ARR)

105

Provenance: purchased directly from the artist by the previous owner; thence by descent ÂŁ500 - 800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

Born in Hertfordshire, Christie moved to Glasgow aged 12. He took up an apprenticeship as a lithographic draughtsman before serving in the Scottish Rifles during WWII. After the war, Christie returned to Glasgow to study mural painting at the Glasgow School of Art, winning the Newberry Medal in 1950 as well as a year’s post-diploma study. He won several important mural commissions including for Glasgow University and Iona Community House. His oil painting and draughtsmanship were less well-known parts of his oeuvre until an exhibition held at Woodlands Gallery shortly before his death in 1979, and subsequent exhibitions at Cyril Gerber Fine Art, Fairhurst Gallery, Glasgow School of Art, Bethnal Green Museum of Childhood, and Wimpole Hall. A copy of the monograph ‘Nature and Humanity: The Work of Fyffe Christie 1918-2004’ accompanies lots 106-110.

106

108

106 Fyffe Christie, British 1918-1979

107 Fyffe Christie, British 1918-1979

109 Fyffe Christie, British 1918-1979

Four Figures in Sun Landscape, 1974

Reclining Figure in a Red Landscape, 1975

Three Figures by a Lake, 1975

oil on canvas, signed and dated, further inscribed to the reverse, 49 x 90cm (ARR)

oil on board, signed and dated, 62.5 x 110.5cm (ARR)

oil on board, signed and dated, 49.5 x 59cm (ARR) Literature: illustrated on p. 26 of ‘Nature and Humanity: The Work of Fyffe Christie’, 2004. £300 - 500*

£300 - 500* 108 Fyffe Christie, British 1918-1979 Farm and Fields in Spring, 1977 oil on canvas, signed and dated, 57 x 59.5cm (ARR) £300 - 500*

£300 - 500* 110 Fyffe Christie, British 1918-1979 Three Figures in a Woodland, 1974 oil on board, signed and dated, 120 x 80cm (ARR) Literature: illustrated on p. 17 of the monograph ‘Nature and Humanity: The Work of Fyffe Christie’, 2004. £300 - 500*

110 40

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111 John Christopherson, British 1921-1996 Westgrove Lane in Snow, 1969 oil on board, signed with initials, inscribed and bears artist’s label to the reverse, 25.3 x 30.5cm (unframed) (ARR) £300 - 500* 112 John Christopherson, British 1921-1996 Gardens at Night, Greenwich, 1972 oil on board, signed with initials, inscribed and bears artist’s label to the reverse, 31.7 x 27cm (unframed) (ARR) £300 - 500* 113 John Piper CH, British 1903-1992 Eye and Camera: Red and Black [Levinson 183], 1972

111

screenprint in colours on wove, signed and numbered 62/70 in pencil, image 48 x 69cm (ARR) £250 - 350*

113 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

114 114 Ransome Stanley, British/German b.1953

115 Ransome Stanley, British/German b.1953

Presence Africaine, Paris Dakar

Untitled

mixed media on board, signed in pencil, 23 x 44.5cm (ARR)

oil on canvas, 28 x 45cm (ARR)

Note: Ransome Stanley was born in 1953 in London to a Nigerian father and German mother, and currently lives and works in Munich, Germany. £300 - 500*

£500 - 700* 116 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Jib Centre F collage, graphite and crayon on sketchbook page, 24 x 34cm (ARR) Provenance: gifted by the artist to the present owner £700 - 900*

116

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117 117 Mary Potter OBE, British 1900-1981 Reflections, 1970 oil on canvas, signed and dated on the reverse, inscribed on the stretcher, 45.5 x 40cm, (ARR) Note: The New Art Centre has kindly confirmed the authenticity of this work; we are grateful for their assistance with the cataloguing of this lot. ÂŁ2,500 - 3,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

118 John Walker, British b.1939 Study for ‘The Lesson’, 1984 oil on canvas, signed, titled and dated on the reverse, 30 x 40cm (ARR) £700 - 1,000*

118 119 Anthony Frost, British b. 1951 Purple Blue Floating Red, 1998; Permanent Blue Rocker, 1999; and Yellow Turquoise Rocker, 1998 acrylic on paper, three, each signed and dated, and signed, dated and inscribed to the reverse of the frames, each 20 x 23cm (3) (ARR) Provenance: private collection, London Note: the artist has kindly confirmed the authenticity of these works £300 - 500*

119

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120 120 Gillian Ayres CBE RA, British 1930-2018 Silk Road III, 1995-96 oil on canvas, signed with initials, further signed, inscribed, and dated on the reverse, 30.5 x 30.5cm (unframed) (ARR) Provenance: presented as a gift by the artist to the present owner ÂŁ5,000 - 7,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

121 121 Gavin Turk, British b. 1967 Black Paper, c. 1993 gouache on black paper, signed and titled, 27.5 x 37cm (unframed) (ARR) £800 - 1,200*

122 Joe Tilson RA, British b. 1928 Study for ‘Dionysus Phleys (Abundance)’ oil and pencil on paper, titled and inscribed, 23 x 31cm; together with a copy of the catalogue ‘Joe Tilson: Recent Works 1985-7’ published by Waddington Galleries, London in 1988, signed, dated and dedicated by the artist on the title page and with further sketches inside the back cover (2) (part framed) (ARR) Note: the artist has kindly confirmed the authenticity of this work 122

£400 - 600*

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123 123 Michael Kenny RA, British 1941-1999

124 Michael Kenny RA, British 1941-1999

Untitled I, & Et In Arcadia Ego (Study) II, 1989

El Pasa de la Muerte, 1995

mixed media on paper, two, each signed, titled, and dated, 29 x 39cm and 36 x 25cm respectively, (2) (ARR)

mixed media on paper, signed and dated, 121.5 x 152cm (ARR)

Provenance: gifted by Susan Kenny, the artist’s widow, to the present owner

£600 - 1,000*

£700 - 1,000*

124

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

125

126

125 Marc Vaux, British b. 1932

126 H G McKeown, British late 20th century

Untitled, 1997

Time Before Winter

watercolor, coloured chalks on paper, signed and dated, 76 x 56.5cm (ARR)

mixed media and oil on canvas, signed and inscribed on the stretcher, 205 x 181cm (unframed) (ARR)

Provenance: Bloomsbury, London, 20 November 2007, lot 222A

Purchased directly from the artist; Private UK collection; gifted to the present owner in 1996

£400 - 600*

£400 - 600* 127 Izgan Baz, Turkish/British 1919-? Untitled abstract composition, 1958 oil on board, signed and dated, 81 x 63cm (ARR) £300 - 500* 128 Nick Bodimeade, British b.1957 Untitled, from the Sussex Landscape Series, 1993 mixed media on paper, signed and dated in pencil, 27 x 39.5cm (ARR) Note: the artist has kindly confirmed the authenticity of this work £150 - 200*

127

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129

129 Alexis Harding, British b. 1973 Broken Line (black and white), 2008 oil and household gloss paint on MDF, signed, titled and dated on the reverse, 153 x 153cm (unframed) (ARR) Provenance: purchased from Mummery & Schnelle Gallery in 2010 by the present owner, bears label to the reverse ÂŁ800 - 1,200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

130 John Charles Clark, British b.1941 Random Pattern with Star, 1991 oil on canvas, signed, titled and dated on the stretcher, 183 x 175.5cm (unframed) (ARR) Provenance: purchased directly from the artist at his St Ives, Cornwall studio in the early 1990s by the present owner £200 - 400*

131 John Charles Clark, British b.1941 Untitled abstract in light blue enamel on canvas, 182 x 57.5cm (unframed) (ARR)

130

Provenance: purchased directly from the artist at his St Ives, Cornwall studio in the early 1990s by the present owner £150 - 200* 132 John Charles Clark, British b.1941 Grid, 1992 enamel on canvas, signed, inscribed and dated on the reverse, 91 x 91cm, (unframed) (ARR) Provenance: purchased directly from the artist at his St Ives, Cornwall studio in the early 1990s by the present owner £300 - 500*

132

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133 133 John Charles Clark, British b.1941 Random Patterns, 1968-1990 enamel on canvas, signed, dated and inscribed on the reverse, 71.5 x 122.5cm (unframed) (ARR)

Provenance: purchased directly from the artist at his St Ives, Cornwall studio in the early 1990s by the present owner £200 - 300*

134 Danny Rolph, British b.1967 BA, 1993-1994 signed on the reverse, signed, inscribed and dedicated on the stretcher, 91.5 x 91.5cm (unframed) (ARR) Provenance: purchased directly from the artist by the present owner in the 1990s £300 - 500* 135 Danny Rolph, British b.1967 TMV, 98 oil on canvas, signed and titled on the stretcher, 91.5 x 76.5cm (unframed) (ARR) Provenance: purchased directly from the artist by the present owner in the 1990s £300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

135

136 136 Maggi Hambling CBE, British b. 1945 Venice Sunset, April 1987 oil on canvas, signed and dated on the reverse, 53 x 43cm (ARR) Provenance: Christieâ&#x20AC;&#x2122;s, South Kensington, July 14, 1999, lot 124 Exhibited: Serpentine Gallery, London, 1987 no. 66, according to the label attached to the reverse. This lot is accompanied by a copy of the catalogue for this exhibition. ÂŁ2,500 - 3,500*

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137 137 Maggi Hambling CBE, British b. 1945 Punch and Judy, 1975 oil on canvas, signed, inscribed and dated on the reverse, 106 x 91cm (ARR) ÂŁ6,000 - 8,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

138 138 Robin Philipson RA RSA FRSE RSW, British 1916-1992

139 Clifford Hall RBA ROI, British 1904-1973

Companions XXVII, 1984

Crouching Girl

pastel on sandpaper, bears the artist’s inscribed label to the reverse of the frame, 23 x 28cm (ARR)

acrylic varnished with wax on board, signed, inscribed to the reverse, 71 x 92cm (ARR)

Provenance: with Beaux Arts, Bath, according to the label attached to the reverse of the frame

Provenance: Woolley & Wallis, 13 June 2012, lot 422 £400 - 600*

£1,000 - 1,500*

139

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140 140 Adrian George, British b.1944 Classical Study pencil, signed, 41.5 x 30.5cm: together with an exhibition poster, ‘Adrian George Drawings 1978-1980’, Francis Kyle Gallery, 22 April - 16 May 1980, 66 x 41cm, (2) (ARR) Provenance: Francis Kyle Gallery, London according to the label attached to the reverse of the frame; Bonhams, Knightsbridge, 20 Jan 2004, lot 227

141

141 Mireille Spademan, French/British, late 20th/early 21st century

142 Mireille Spademan, French/British, late 20th/early 21st century

Male figure studies

Two male figures, 1987

charcoal drawings on paper, five, one signed and one inscribed, various dimensions, 83.5 x 57.5cm (max), (5) (ARR)

oil on canvas, signed and dated on the reverse, 117 x 147cm, (unframed) (ARR)

Provenance: purchased directly from the studio of the artist

Provenance: purchased directly from the studio of the artist £250 - 350*

£350 - 450*

£400 - 600* 143 Adrian Heath, British 1920-1992 Sketch of a reclining figure, 1969 pencil on laid paper, dedicated ‘for Dorothy from Adrian, Nov. 69’, 30.5 x 45.5cm (unframed) (ARR) Provenance: purchased from the Modern British Gallery by the present owner £300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

142

144 Adrian Heath, British 1920-1992 Black and Orange Composition, 1963 gouache on paper, signed and dated, 59.1 x 43.8cm (ARR) Provenance: Christie’s, South Kensington, 6 January 2009, lot 350 £1,200 - 1,800* 145 Bryan Ingham, British 1936-1997 St Ives from Porthmeor Workshops, 1970 pencil and ink on paper, inscribed and dated to the reverse, 52 x 69cm (unframed) (ARR) £200 - 300* 146 Rodrigo Moynihan RA, British 1910-1990 River landscape, c.1966

144

ink, charcoal and watercolour on paper, inscribed, 35.5 x 48.5cm (unframed/mounted) (ARR) Provenance: purchased from Modern British Gallery by the present owner Note: this lot is accompanied by a copy of the catalogue for the artist’s 1978 retrospective exhibition at the Royal Academy of Arts, London £200 - 300*

146

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147 Dame Elizabeth Blackadder DBE RA RSA, Scottish b.1931 Hibiscus & Cats, 1985 etching in colours on wove, signed and numbered 47/50 in pencil, published by Glasgow Print Studio, plate 61 x 45cm (ARR) ÂŁ250 - 350*

147

148 148 Blair Hughes-Stanton, British 1902-1981 Song ink and watercolour, signed and dated 45, 25 x 34.5cm, (ARR) Provenance: with Blond Fine Art Ltd, London, catalogue no. 22, 18 May 1984, and thence by descent; bears label on the reverse of the frame ÂŁ800 - 1,200* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

149

151

149 Norman Stevens ARA, British 1937-1988

151 Cherry Pickles, British b.1950

French Curve, Fronds and Clapboard House Again, 1972

Daffodils

graphite and coloured pencils, signed, titled and dated in black ink, 45.5 x 56cm (ARR)

oil on canvas, 30.5 x 30.5cm (ARR)

Notes: Norman Stevens ARA is currently showing in ‘The Printed Line’, a touring exhibition of prints drawn from the Arts Council Collection, London, until 15 November 2019. Stevens’ Clapboard House with Fronds will be among the prints on display. The etching was inspired by Stevens’ 7,000mile bus tour of the USA in 1965, where he met up with Hockney, Patrick Procktor and Colin Self, which culminated in a show at the Hanover Gallery, London, in 1968. Stevens returned in 1969, staying with Hockney in California. He was struck by the intensity of the sunlight, and how it emphasised the contrasting forms of the natural plant-life and the manmade clapboards. Stevens made several prints of clapboard houses, as well as large-scale paintings including Porch, which was purchased for the Tate in 1972. £200 - 400*

Exhibited: Royal Academy Summer Exhibition, 1986, according to the label attached to the reverse £200 - 300* 152 Diana Sylvester RWA ROI, British 1924-2009 Orange Myott oil on panel, signed, 40.7 x 34cm (ARR) Exhibited: Royal Academy Summer Exhibition, 1985, according to the label attached to the reverse £200 - 300*

150 Lady Joan Zuckerman, British 1918-2000 Pink Asters gouache on board, signed with initials, inscribed on the reverse of the frame, 23 x 19cm (ARR) Provenance: with Fortescue Swann Galleries, London, according to the label attached to the reverse £200 - 300*

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153

153 Tony O’Malley HRHA, Irish 1913-2003 Still-life with vase and lemon, 1962 oil on board, signed with initials and dated, 40 x 50.2cm (ARR) Provenance : Christie’s, South Kensington, 15 December 2011, lot 58 £3,000 - 5,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

154 Charlotte Verity, British/German b.1954 The Bell, 1983 oil on canvas, dated to the reverse, 78 x 153cm (ARR) Exhibited: Wingfield Gallery, Suffolk, April-June 1985 £400 - 600*

154

155 Frederick Cress, British 1938-2009 Apple Plate, 1989 coloured chalks on textured wove, signed, dated and titled in pencil, 75.5 x 56cm, (unframed) (ARR) £150 - 200* 156 Patrick Procktor RA, British 1936-2003 The Photographer, 1964 pastel, gouache, coloured pencil, inscribed and dated in pencil, 76 x 55.5cm, (ARR) Provenance: The Redfern Gallery Ltd, and Railings Gallery, according to labels attached to the reverse £1,500 - 2,000*

156

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157 157 Patrick Procktor RA, British 1936-2003 Woman and Child, 1977 oil on canvas, signed, 75.5 x 62.5cm, (ARR) Literature: John McEwan, ‘Patrick Procktor’, Scolar Press, Aldershot, 1997, ill. p. 14 £10,000 - 20,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

159 158 Norman Alexander, British 1915-?

159 Janina Ede, British 1937-2018

160 Sophie Ryder, British b. 1963

Street scene

Mary Plain Goes to America, 1972

watercolour and gouache on paper, signed, 26.5 x 34cm (ARR)

gouache on card, three, each 39 x 54cm, (unframed) (3) (ARR)

Sleeping Lady-Hare in a Forest, 2004

£150 - 200*

Notes: These illustrations were made to accompany the programme Jackanory on BBC 1 in 1972. A photocopy of the script for this episode is included with this lot.

charcoal on paper, signed and dated, 40 x 57cm (unframed) (ARR) £800 - 1,200*

£500 - 800*

160

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161 Andrew Martin, British mid/late 20th century Fantasy, 1971-1973 pen, brush, ink and gouache on card, signed and inscribed to the reverse, 78 x 109cm (ARR) £200 - 300*

161 162 Jack Vettriano, Scottish b.1951

163 Jack Vettriano, Scottish b.1951

Cocktails & Broken Hearts, 2003

An Imperfect Past, 2003

screenprint in colours on wove, signed and numbered 151/275 in pencil, plate 69.5 x 56cm (ARR)

screenprint in colours on wove, signed and numbered 150/275 in pencil, 71 x 56.5cm (ARR) £300 - 500*

£300 - 500*

162

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

163

164 Norman Gilbert, Scottish b. 1926 Hallowe’en, 1965 oil on board, bears inscribed label attached to the reverse of the frame, 80 x 120cm (ARR) Provenance: with Lyver & Boydell Galleries, Liverpool, according to label attached to the reverse £300 - 400*

164 165 Aneela Majid, British b. 1963

166 Anita Taylor, British b.1961

Woman in white

Remnants (to rest), 1990

oil on canvas, 183 x 152cm (ARR)

oil on canvas, signed and dated to the reverse, inscribed on the stretcher, 208 x 183cm (ARR)

Note: Aneela Majid was an RA Schools student from 1987-1990. Her work is on display in Gallery Oldham and is included in the Bradford Museums & Galleries exhibition ‘Women Artists: Act 1’ September 2019 - January 2020.

Provenance: Bruton Street Gallery, London £400 - 600*

Provenance: Bruton Street Gallery, London £300 - 500*

165

166

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167

169

167 Laura Matthews, British b.1964

170 Derek Dalton, British b. 1929

Hephzibah - Girl in Green, c.1987

Thirlmere Slots

oil on canvas, signed on the reverse in black marker pen, 148 x 77.5cm (ARR)

watercolour on textured paper, signed, titled and dated indistinctly, 57 x 75.7cm, (mounted/unframed) (ARR)

Exhibited: Abbott & Holder, London, 1987 £500 - 700*

£200 - 300*

168 Morwenna Thistlethwaite, British 1912-2000 Lady seated at a table reading a newspaper in an interior with chequered floor oil on board, signed with monogram, 53 x 50.5cm (ARR) Provenance: purchased directly from the artist at her St Ives, Cornwall studio in the early 1990s by the present owner £150 - 250* 169 Bob Brown NEAC, British b.1936 Woman reading oil on canvas, signed, 51 x 61cm (ARR) £800 - 1,200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

170

171

172

173

171 Philip Matthews, British 1916-1984

173 Tessa Newcomb, British b. 1955

Porto Ercole, 1972

Horse Above House, 2009

oil on canvas, signed with initials and dated, 63.5 x 76.5cm (ARR)

oil on board, signed with initials and dated, inscribed to the reverse of the frame, 27 x 10cm (ARR)

£200 - 300* 172 Sally Heywood, British b. 1964

Provenance: with Chappel Galleries Fine Art, Essex, according to the label attached to the reverse of the frame £200 - 300*

White Trees, c. 1985 oil on board, 44 x 74cm (ARR) Note: the artist has kindly confirmed the authenticity of this work £200 - 300*

www.roseberys.co.uk

174 Thomas John Coates, British b.1941 Model at the New Art Centre oil on canvas board, signed with monogram, 38.5 x 29cm (ARR) Provenance: purchased from Jonathan Thorpe Art Consultants in 1990 ÂŁ200 - 400* 175 Bernard Dunstan RA, British 1920-2017 The Shuttered Room, 1976 oil on board, signed with initials, titled and dated to the reverse, 33 x 31.7cm (ARR) ÂŁ1,500 - 2,000*

174

175

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

176

177

176 Ken Howard OBE RA, British b.1932

178 Ken Howard OBE RA, British b.1932

Limmat Composition I, 2013

Royal Exchange, 1982

oil on canvas board, signed, inscribed on the reverse, 25 x 30.3cm (ARR)

watercolour on laid, signed and dated, 16.5 x 23.2cm (ARR)

£600 - 800*

£300 - 400*

Lots 177-182 were commissioned by the present owner and exhibited at The Pennybank Gallery, St. John’s Square, London in the show ‘Artist’s View of the City’ from the 6-10 December 1982.

179 Ken Howard OBE RA, British b.1932 Stock Exchange, 1982

177 Ken Howard OBE RA, British b.1932 Blackfriars Bridge from Southwark, 1982

watercolour over traces of pencil on wove, signed, 35 x 52.7cm (ARR) £500 - 700*

watercolour on laid, signed and dated, 13.5 x 20cm (ARR) £300 - 400*

178

179

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180 Ken Howard OBE RA, British b.1932 Baltic Exchange, 1982 watercolour over traces of pencil on wove, signed in pencil, 35.2 x 48cm (ARR) £500 - 700*

180

181 Ken Howard OBE RA, British b.1932 Lloyds Building Interior, 1982 watercolour on laid, signed and dated, 23.5 x 30.5cm (ARR) £500 - 700*

181

182 Ken Howard OBE RA, British b.1932 Royal Exchange from Bank Station, 1982 watercolour on laid, signed and dated, 14 x 20.5cm (ARR) £300 - 400*

182

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

183 James Longueville PS RBSA, British b. 1943 Rainy Day, Venice pastel on paper, signed, 39 x 59.5cm (ARR) Provenance: with Sarah Samuels Fine Paintings, Chester, according to the label attached to the reverse of the frame £300 - 500*

183 184 Stephen Brown RBA, British b. 1947 The Salute oil on board, signed with initials, 49.5 x 62.3cm (ARR) Provenance: with Clifton Gallery, Bristol, according to the label attached to the reverse of the frame £800 - 1,200*

184 185 David Shepherd CBE FRSA, British 1931-2017 Landscape with trees oil on canvas, signed, 20.5 x 28cm (unframed) (ARR) Note: this work is accompanied by the artist’s business card from the 1950s, inscribed verso ‘paid £8, Embankment, 1958’ £600 - 800*

185

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186

186 James Hart Dyke, British b. 1966

187 Ken Bushe, Scottish 1954-2016

188 Claude Heath, British b. 1964

Chiu Gompa on Lake Mansarovar, Tibet, 2002

Colour Study 1

Untitled, 1995

oil on gesso, signed with initials, 18 x 21.3cm (ARR)

monotype, signed, dated and inscribed, 60 x 44cm (ARR)

£200 - 300*

£600 - 800*

oil on canvas, signed and dated, 14 x 44cm (ARR) Provenance: with Tom Bell Fine Art, Troon, Ayrshire, according to the label attached to the reverse £200 - 300*

187

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

188

189 Chris Drury, British b. 1948 Eagle, 1982 photo collage, triangle 90.5 x 90.5 x 90.5cm (in customised framed) (ARR) £300 - 500*

189 190 Hayden Kays, British b. 1985

191 Julie Westbury, British b.1944

Love is Hypnotic, 2010

Margate, 2018

printed and hand drawn black ink on paper, signed, 16 x 10cm (ARR)

colour photographic postcards, signed, titled and dated in ink, also signed and numbered 1/1 on the reverse of the frame, 69 x 69cm (ARR)

Note: the artist has kindly confirmed the authenticity of this work

£300 - 400*

£200 - 300*

190

Note: the artist has kindly conﬁrmed the authenticity of this work

191

www.roseberys.co.uk

192 Hadrian Pigott, British b.1961 Sidekick (Roadside Series 2/no 1 Wales July 1999) c-print on aluminium, signed, dated and numbered 1 from the edition of 3 on label attached to the reverse, 120 x 160cm (unframed) (ARR) Exhibited: Percy Miller Gallery, London, ‘Hadrian Pigott, Outside’, 14 Oct-20 Nov 1999 according to the label attached to the reverse £500 - 700* 192

193 Steve Johnston, British b.1956 Untitled composition, 2004 oil and acrylic on canvas, signed and dated, 60 x 60cm (unframed) (ARR) £500 - 700*

193

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

194 Rourke Van Dal, British b. 1969 Sinderella Rockerfella, 2008 acrylic and spray paint on canvas, signed, titled and dated on the reverse, 76 x 51cm (unframed) (ARR) ÂŁ800 - 1,200*

194 195 Rourke Van Dal, British b. 1969 Monroe, 2017 stencil and spray paint on canvas, signed, inscribed, dated, titled and numbered 9/10 on the reverse, 61 x 61cm, (unframed) (ARR) ÂŁ1,000 - 1,500*

195

www.roseberys.co.uk

196 Patrick Hughes, British b.1939 Untitled composition, 2016 acrylic, permanent marker and pencil on canvas, signed in pencil, and signed and dated on the reverse in black marker pen, 20 x 20cm (unframed) (ARR) Note: this work was created for the charity auction 'Stars on Canvas, 2016' to raise funds for the Willow Foundation. A certificate of authenticity from the Willow Foundation accompanies this lot. ÂŁ1,500 - 2,000* 197 Patrick Hughes, British 1939 Perfect Present, 2013 wood, gloss paint, oil paint, paper and string in a perspex box, signed, dated and titled in black marker pen on the reverse, 49.5 x 77.5 x 13.2cm, (ARR)

196

ÂŁ5,000 - 7,000*

197

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

Bonar Dunlop was born in Dunedin, New Zealand, and studied in Vienna, Paris, Stockholm and at the Royal Academy Schools in London. After serving in various capacities during the war, including with the Finnish Volunteers and as an RAF pilot, he worked as a commercial and fashion illustrator for many years. In the 1970s, Dunlop began to combine two of his lesser-explored passions, sculpture and rugby. The result was a series of dynamic figurative sculptures in his first one-man exhibition in 1975. This led to subsequent commissions including the Leprechaun Trophy, portraits of Sid Going and Ian Kirkpatrick, and a trophy bust of Mervyn Davies for Swansea’s Sportsmen’s Club. Dunlop also explored horse racing, swimming, and cricket in his work. One late commission was a series of Chaucer’s Canterbury pilgrims for the outside of a Canterbury theatre (examples of ‘The Wife of Bath’ and ‘The Squire’ are offered here as lots 198, 199, and 200). Lots 198-208 are from the artist’s estate. 198 John Bonar Dunlop ARBS, New Zealander/British 1916-1992 Wife of Bath, from the Canterbury Tales bronze, cast signature to base, 30 x 28.5 x 12cm (ARR) £400 - 600*

198

200

199 John Bonar Dunlop ARBS, New Zealander/British 1916-1992 The Squire, from the Canterbury Tales bronze resin, 32 x 35 x 15cm (ARR) £300 - 500* 200 John Bonar Dunlop ARBS, New Zealander/British 1916-1992 The Squire, from The Canterbury Tales aluminium resin, 32 x 35 x 15cm (ARR) £300 - 500*

201

201 John Bonar Dunlop ARBS, New Zealander/British 1916-1992 Head of a Girl and Two Figures in Motion plaster sculptures, three, dimensions variable, max 28 x 21 x 14cm for one (3) (ARR) £300 - 400*

202

202 John Bonar Dunlop ARBS, New Zealander/British 1916-1992 Three steeplechase figures resin with granite bases, three, two signed on base, tallest 15.5cm (3) (ARR) £250 - 350*

www.roseberys.co.uk

204

205

203 John Bonar Dunlop ARBS, New Zealander/British 19161992

205 John Bonar Dunlop ARBS, New Zealander/British 19161992

207 John Bonar Dunlop ARBS, New Zealander/British 19161992

Old man with arms crossed, Kneeling woman, and Swimmer

Witch and horse’s tail from ‘Tam O’Shanter’ by Robert Burns

Three rolling horses

three sculptures made of plaster, marble resin, and painted plaster with marble base respectively, 22 x 8 x 6cm, 23 x 15.5 x 12cm, and 17 x 12 x 29cm respectively (3) (ARR)

bronze on stone base, signed and numbered 2/9 to base, 17.5 x 20 x 8cm (ARR)

£300 - 400* 204 John Bonar Dunlop ARBS, New Zealander/British 19161992 Horse race bronze on a marble base, signed on base, 12 x 25.3 x 10.2cm (ARR)

bronze with unattached marble base, 8 x 13 x 28cm (ARR)

£300 - 500* 206 John Bonar Dunlop ARBS, New Zealander/British 19161992 No. 5, Standing rugby player resin on marble base, signed to base, 40 x 16 x 14cm (ARR)

£250 - 350* 208 John Bonar Dunlop ARBS, New Zealander/British 19161992 Front Row, & Ball Loose painted plaster, two, 47 x 17.5 x 37.5cm and 35 x 49 x 36cm respectively (2) (ARR) £400 - 600*

£250 - 350*

£300 - 500*

207

206 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

208

209 Andrew Thomas, British b.1963 The Journey, 2014 patinated and polished bronze, signed with monogram and numbered 2/7, cast at the Talos Foundry, 20 x 34 x 15cm (ARR) Provenance: The Walker Galleries, Harrogate Note: we are grateful to the artist for his assistance with the authentication and cataloguing of this work £800 - 1,200* 209

210 British School, mid 20th century

211 Attributed to Bertram Eaton, British 1912-1978

Abstract stone sculpture in three interlocking pieces

Curved and rounded form, c 1960s

limestone, 59 x 31 x 39cm Provenance: the collection of Alan Roger (19091997), Trustee of the National Galleries of Scotland, from his home at Dundonnell; thence by descent

rosewood on steel rod with wooden base, total height 70cm, base 25 x 21cm (ARR) £400 - 600*

£300 - 500*

210 211

www.roseberys.co.uk

212

212 Deborah Van der Beek, British b. 1952 Tiny Boar bronze with composite stone base, bears cast initials and numbered 2/25, 7.5 x 4 x 3cm (ARR) £400 - 600*

213 213 Philip Jackson FRBS FRSA CVO, Scottish b. 1944 The Centaur bronze, signed and bears Morris Singer Foundry mark, numbered 14/15, 22.5 x 28 x 13.5cm (ARR) £2,000 - 3,000*

214 Lee Tribe, British/American b. 1945 Eve’s Eye, 1981 steel with a wooden base, 64 x 105 x 35cm (ARR) Provenance: purchased by the previous owners from Madeleine Carter Fine Art, Boston, USA in the 1980s Note: the artist has kindly confirmed authenticity of this work £600 - 800*

214

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

216

215

215 John Clinch, British 1934-2001

216 Anna Gillespie, British b. 1964

Horseplay, 1988

Standing and Seated Forms from ‘The Gathering Project’ series, 2007

bronze, signed with initials, inscribed AC, from an edition of 4, 74 x 62 x 45cm (ARR) Exhibited: Royal Academy Summer Exhibition, 1988 according to the label attached to the underside of the base. £2,000 - 3,000*

tree bark and plaster, two, each signed and dated, 102x26x16cm and 75 x 43 x 22cm respectively (ARR) Note: the artist has kindly conﬁrmed the authenticity of this work £1,000 - 2,000*

www.roseberys.co.uk

217 217 Sir Antony Gormley OBE, British b. 1950 Set of four Peckham bollards (Penis, Snowman, Oval, Peg) naturalised cast iron, designed in 2001, cast by Hargreaves Foundry, each bearing foundry mark and artist’s initials ‘AG’ to the foot, each 100 x 43 x 43cm above ground, plus 30cm supporting foot (4) Note: these bollards were designed by the sculptor Antony Gormley as part of the £60 million Peckham regeneration project begun in 1994. The artist was commissioned to design bollards, lamp posts and other elements of street furniture to decorate the south London neighbourhood. The first set of bollards were installed in Bellenden Road, where Gormley has his studio, but the design caused controversy and the local council subsequently withdrew funding. Local traders intervened and raised the funds to continue installation. They remain a distinctive feature of the Peckham area to this day. The present set belonged to the Heaton Arms pub, a local hub for artists and the creative community on Rye Lane, until it was demolished c. 2005. They have been in a private collection since. The ferrous cast iron is intended to weather naturally over time and has incredible durability and longevity. The geometric designs work equally well as practical street furniture and as outdoor sculpture, and their height means they do not require planning permission to install. £6,000 - 10,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

Property from the Collection of the Late Robert Heller (1932-2012) Robert Heller, known as Bob, was a man of wide-ranging interests and talents. He was an accomplished journalist, management consultant, businessman, and author in addition to his passionate study and collecting of contemporary art. Born in 1932 in north London, Heller read History at Cambridge before beginning his journalistic career with the Financial Times in 1955, and later The Observer. In 1966 he was recruited to join Haymarket Publishingâ&#x20AC;&#x2122;s new venture, the magazine Management Today. Under his guidance as founding editor, it was a major success. In addition to editing a magazine in the sector, Heller also wrote several books on business practice and management, around 80 titles in total. These included books such as The Naked Manager (1972), Achieving Excellence (1999) and The Managerâ&#x20AC;&#x2122;s Handbook (2002). In these works, Heller promoted the idea that management was a subject that could be learned, practiced, and mastered.

Aside from his career in journalism and business, Heller was also passionately interested in contemporary art. He began collecting art and acting as a patron of the arts early in his adult life, but became even more deeply involved in the art world when he met emerging London gallerist Angela Flowers in 1970. At the time, she was showing the artist Tom Phillips, in whom Heller had taken an interest. Heller became a director of Flowers gallery in 1971 and backed the businessâ&#x20AC;&#x2122;s ambitious expansion project as it evolved into what is now an international trio of contemporary art galleries. Heller and Flowers married in 2003. Heller was a discerning collector with a keen eye, a strong aesthetic sense, and a sense of humour, as is evident in the works illustrated in the following section of this catalogue. He also took great academic and personal interest in the artists whose work he collected. Heller published several distinguished monographs of artists including Peter Howson, John Kirby, Derek Hirst, and Josef Herman, examples of whose work can be found within the sale. The provenance of all items in lots 218 to 354 is Flowers Gallery, London.

218

219

218 Jane Ackroyd FRSS, British b. 1957

219 Glenys Barton, British b. 1944-

Nagaina, c.1985

Head with relief figures, 1976-1977

iron and crystal quartz, 150 x 70 x 65cm (ARR) (VAT charged on hammer price)

slip-cast bone china sculpture in two parts, produced by Wedgwood, height 12cm (ARR) (VAT charged on hammer price)

£300 - 500*

£500 - 800*

220

221

222

220 Glenys Barton, British b. 1944-

221 Glenys Barton, British b. 1944-

222 Glenys Barton, British b. 1944-

Untitled, 1990

Portrait of Bob Heller

Spirit Bottle, 2001

red earthenware with green glazing, signed and dated in pencil on the base, 23 x 10cm (ARR) (VAT charged on hammer price)

red earthenware with traces of glazing, signed, dated and numbered 97/16 and 1, 25.5 x 23cm (ARR) (VAT charged on hammer price)

glazed stoneware, signed, dated and numbered 2, 32cm high (ARR) (VAT charged on hammer price)

£200 - 400*

£300 - 500*

www.roseberys.co.uk

223 223 Glenys Barton, British b. 1944Bob Heller, 1994

224

stoneware with glazing, signed and dated, 37cm high, (ARR) (VAT charged on hammer price) £300 - 500* 224 Glenys Barton, British b. 1944Multifaced Head I, 1990 stoneware with turquoise glaze, 28 x 20 x 25cm (ARR) (VAT charged on hammer price) £300 - 500* 225 Neville Boden, South African/British 1929-1996 Untitled silver 11 x 15 x 15cm (ARR) (VAT charged on hammer price) £200 - 400* 225

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

226

226 Clive Barker, British b.1940 Van Goghâ&#x20AC;&#x2122;s Ear, 1967 [Fermon 54] chrome-plated bronze and chrome-plated copper box, edition of 10, 3.5 x 8 x 6.4cm (ARR) (VAT charged on hammer price) ÂŁ2,000 - 3,000*

www.roseberys.co.uk

227

227 Clive Barker, British b.1940 Tom Bruen’s Teeth, 1967 [Fermon 55] mixed media, 13 x 17.8 x 7.5cm (ARR) (VAT charged on hammer price) £3,000 - 5,000* 228 Clive Barker, British b.1940 Erotic Still Life, 1972 [Fermon 140] bronze with brown patina and synthetic fur, titled and dated on the plaque on the base, 18 x 15 x 18cm (ARR) (VAT charged on hammer price) £1,800 - 2,200 228

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

229

230

229 Boyd & Evans, British b. 1944/1945

230 Boyd & Evans, British b. 1944/1945

Untitled, 1989

oil on canvas, signed and dated to the reverse, 35 x 25.5cm (ARR) (VAT charged on hammer price)

oil on canvas, signed and dated to the reverse, 35.x 25.5cm (ARR) (VAT charged on hammer price)

£300 - 500*

£300 - 500* 231 Boyd & Evans, British b. 1944/1945 Untitled, 1992 oil on canvas, signed and dated to the reverse, 30 x 39cm (unframed) (ARR) (VAT charged on hammer price) £400 - 600*

231

www.roseberys.co.uk

232

233

232 Boyd & Evans, British b. 1944/1945

233 Boyd & Evans, British b. 1944/1945

234 Boyd & Evans, British b. 1944/1945

Washington Square, 1980

Another Place, 1973

Passing Through, 1980

acrylic on canvas, signed, titled and dated to the reverse, 61 x 92cm (ARR) (VAT charged on hammer price)

acrylic on canvas, 61 x 61cm (ARR) (VAT charged on hammer price)

photomontage, 20 x 60.5cm (ARR) (VAT charged on hammer price)

£400 - 600*

£300 - 500*

£500 - 800*

234 235 Boyd & Evans, British b. 1944/1945 The Hanger, 1971 acrylic and spray paint on board, signed, titled and dated to the reverse, 87.5 x 57.4cm, (ARR) (VAT charged on hammer price) £500 - 800*

235 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

236

237

236 Boyd & Evans, British b. 1944/1945

237 Boyd & Evans, British b. 1944/1945

238 Boyd & Evans, British b. 1944/1945

Millennium, 1999

No Entry, 1971-72

Behind the Sign, 1988

oil on canvas, signed, titled and dated to the reverse, 18 x 23cm, (ARR) (VAT charged on hammer price)

oil on canvas, titled and dated on the reverse, 60.5 x 60.5cm (ARR) (VAT charged on hammer price)

acrylic on canvas, signed, titled and dated on the reverse, 70 x 121.5cm (ARR) (VAT charged on hammer price)

£300 - 500*

£400 - 600*

£800 - 1,200*

238

www.roseberys.co.uk

239

239 Boyd & Evans, British b. 1944/1945 The Swimmer’s Tale, 1986; acrylic on canvas, signed and titled on the reverse, 122 x 182.5cm, (ARR) (VAT charged on hammer price) £1,000 - 1,500* 240 Boyd & Evans, British b. 1944/1945 Sundial, 1990 pencil on paper 43 x 53cm (ARR) (VAT charged on hammer price) £300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

240

241

242

241 Boyd & Evans, British b. 1944/1945

242 Boyd & Evans, British b. 1944/1945

Scarecrow, 1990

Trap, 1990

pencil on paper, 66 x 91cm (ARR) (VAT charged on hammer price)

pencil on paper, 42 x 53cm (ARR) (VAT charged on hammer price)

£400 - 600*

£300 - 500* 243 Boyd & Evans, British b. 1944/1945 Closing In, 1991 oil on canvas, signed, titled and dated on the reverse, 182 x 152cm, (ARR) (VAT charged on hammer price) £1,000 - 1,500*

243

www.roseberys.co.uk

244

245

244 Boyd & Evans, British b. 1944/1945

245 Boyd & Evans, British b. 1944/1945

Pursuit, 1990

Interlude, 1990

pencil and pastel on paper, 57 x 77cm, (ARR) (VAT charged on hammer price)

pencil on paper, 42.5 x 52.5cm (ARR) (VAT charged on hammer price)

£300 - 500*

246 Boyd & Evans, British b. 1944/1945

247 Boyd & Evans, British b. 1944/1945

In Hand, 1990

Search, 1990

pencil on paper 43 x 53cm (ARR) (VAT charged on hammer price)

pencil on paper, 43 x 53cm (ARR) (VAT charged on hammer price)

£300 - 500*

246

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

247

248

249

248 Boyd & Evans, British b. 1944/1945

249 Boyd & Evans, British b. 1944/1945

Gravity, 1990

Return, 1990

Master of Activities, 1990

pencil on paper 43 x 53cm (ARR) (VAT charged on hammer price)

pastel in colours on paper, 43 x 53cm (ARR) (VAT charged on hammer price)

acrylic on canvas, signed, titled and dated on the reverse in pen, 123.5 x 185cm, (ARR) (VAT charged on hammer price)

£300 - 500*

250 Boyd & Evans, British b. 1944/1945

£1,000 - 1,500*

250

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251

251 Boyd & Evans, British b. 1944/1945 The Steps’ Tale, 1986 acrylic on canvas, signed and dated, 120 x 182cm (ARR) (VAT charged on hammer price) £1,000 - 1,500* 252 Boyd & Evans, British b. 1944/1945 Shelter, 1986 acrylic on canvas, signed and dated, 152 x 152cm (ARR) (VAT charged on hammer price) £1,000 - 1,500*

252

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

253

254

253 Laurence Burt, British 1925-2015

254 Stephen Chambers RA, British, b. 1960

Heart, 1967

Man on Chair with box, c. 1989

mixed media on paper, signed and dated in black ink, 38 x 30.5cm, (ARR) (VAT charged on hammer price)

oil on board, 30.5 x 31.5cm, (ARR) ( VAT charged on hammer price) £400 - 600*

£200 - 400*

255 Stephen Chambers RA, British, b. 1960 I’m talking dog, 1995 watercolour on paper, signed with initials and dated, 22.5 x 29cm, (ARR) (VAT charged on hammer price) £200 - 400*

255

www.roseberys.co.uk

256 Stephen Chambers RA, British b. 1960 1:6, 1992 oil on canvas, signed, dated and titled to the reverse, 142.5 x 117.5cm, (unframed) (ARR) (VAT charged on hammer price) ÂŁ800 - 1,200*

256 257 Eileen Cooper OBE RA, British b. 1953 The Journey, 1988 acrylic and mixed media on paper, 54 x 74cm, (ARR) (VAT charged on hammer price) ÂŁ400 - 600*

257

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

258

259

260

258 Anthony Daley, British b.1960

259 Anthony Daley, British b.1960

260 Anthony Daley, British b.1960

Still Life Saskia

Egginess, 1992

Yellow Option, 1991

oil on canvas, signed and titled on the reverse of stretcher, 168 x 182cm, (unframed) (ARR) (VAT charged on hammer price)

oil on canvas, signed and dated on the reverse of the stretcher, 112 x 97cm (ARR) (unframed) (VAT charged on hammer price)

oil on canvas, 98.5 x 98.5cm, (unframed) (ARR) (VAT charged on hammer price)

£200 - 400*

£150 - 200*

261 Philip Diggle, British b.1956

262 Philip Diggle, British b.1956

263 Philip Diggle, British b. 1956

Untitled composition

Untitled abstract composition

New House, 1985

gouache on coloured paper, 65 x 50cm, (ARR) (VAT charged on hammer price)

acrylic on paper, 65 x 50cm, (ARR) (VAT charged on hammer price)

£200 - 400*

oil on canvas, signed and dated on the reverse, 155 x 127cm, (unframed) (ARR) (VAT charged on hammer price)

£200 - 400*

261

262

263

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264 264 Kenneth Draper RA, British, b.1944

265 Edward Dutkiewicz, British 1961-2007

Light Shadow, 1985

Figure I, 1993

mixed media on paper, signed, dated and titled on the reverse, 17 x 22cm, (ARR) (VAT charged on hammer price)

bronze, 77cm high, (ARR) (VAT charged on hammer price) £200 - 400*

£200 - 400* 266 Edward Dutkiewicz, British 1961-2007

267 Jeffery Edwards, British b.1945

Tiresias, 1990

Vanishing Point

oil on board, 80 x 68cm, (ARR) (VAT charged on hammer price)

acrylic and pencil on paper, signed with initials, 13.5 x 16cm, (ARR) (VAT charged on hammer price)

£150 - 200*

265

£300 - 500*

266

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

267

268

269

268 Amanda Faulkner, British b. 1953

269 Amanda Faulkner, British b. 1953

Woman III, 1982

Heroes, 1986

pastel and charcoal on paper, signed and dated, 101 x 75cm, (ARR) (VAT charged on hammer price)

pastel and charcoal on paper, signed and dated in pencil, 101 x 76cm, (ARR) (VAT charged on hammer price)

£700 - 900*

£800 - 1,200* 270 Amanda Faulkner, British b. 1953 Ceremony, 1984 pastel and charcoal on paper, signed and dated in pencil, 105 x 136cm, (ARR) (VAT charged on hammer price) £1,000 - 1,500*

270

100

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271 271 Amanda Faulkner, British b. 1953 Dressing II, 1987 pastel and charcoal on paper, signed and dated in pencil, 76 x 109cm, (ARR) (VAT charged on hammer price) ÂŁ1,000 - 1,500* 272 Amanda Faulkner, British b. 1953 Old Romance, 1985 pastel on paper, signed in pencil, 102 x 76cm (ARR) (VAT charged on hammer price) ÂŁ700 - 900*

272

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

101

273 Derrick Greaves, British b.1927 Untitled, 1961 mixed media on paper, signed and dated in pencil, 90 x 60cm (ARR) (VAT charged on hammer price) ÂŁ2,000 - 4,000*

273

274 David Grice, British b.1946 Surrealist painting, 1970 oil on board, signed and dated, 70 x 90cm (ARR) (VAT charged on hammer price) ÂŁ200 - 400*

274

102

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275 Dennis Hawkins, British 1925-2001 Untitled, 1964 mixed media on paper, signed and dated in pencil, 76.5 x 57cm, (ARR) (VAT charged on hammer price) £150 - 200* 276 Vicky Hawkins, British b.1948 A Vast Delight in Small Things, 2001 mixed media construction with a hidden inscription in the base, 21cm height x 14cm diameter (ARR) (VAT charged on hammer price)

275

276

£200 - 400* 277 David Hepher, British b.1935 Study, 1993 mixed media with concrete, acrylic, oil & spray paint on canvas, 33 x 76.5cm, (unframed) (ARR) (VAT charged on hammer price)

277

£300 - 500* 278 Josef Herman OBE RA, Polish/British 1911-2000 Untitled - Seated on Water’s Edge watercolour on paper, 25 x 20cm, (ARR) (VAT charged on hammer price) £800 - 1,200*

278 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

103

279 Josef Herman OBE RA, Polish/British 1911-2000 Carrying The Sack, c. 1965 oil on board, bears partial label with inscribed title and artist’s name on the reverse, 25 x 30cm (ARR) (VAT charge on hammer price) £1,500 - 2,000*

279

280 280 Josef Herman OBE RA, Polish/British 1911-2000 Reclining nude, 1987 oil on board, 25 x 53.5cm (ARR) (VAT charged on hammer price) £2,500 - 3,500*

104

www.roseberys.co.uk

281 Nicola Hicks MBE, British b.1960 Untitled, c. 1989 charcoal and chalk on brown paper, 98 x 140cm (ARR) (VAT charged on hammer price) ÂŁ1,500 - 2,000*

281

282 Nicola Hicks MBE, British b.1960 Bill, 1991 painted bronze, from an edition of 6, 56 x 48 x 51cm (ARR) (VAT charged on hammer price) ÂŁ2,500 - 3,500*

282

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

105

283

284

283 Derek Hirst, British 1930-2006

284 Derek Hirst, British 1930-2006

Estuary IV, 1983

For Hokusai: No. XI

pencil on paper, signed, titled and dated, 29 x 34cm (ARR) (VAT charged on hammer price)

mixed media on paper, signed and titled, 57.5 x 77cm, (ARR) (VAT charged on hammer price)

£100 - 150*

£200 - 400*

285 Derek Hirst, British 1930-2006

286 Derek Hirst, British 1930-2006

Study for Romanesque, 1968

Untitled composition

mixed media on paper, signed, titled and dated in pencil, 75 x 49cm, (ARR) (VAT charged on hammer price)

oil on canvas, laid down on board, signed in pencil on the stretcher, 93.5 x 70.7cm (unframed) (ARR) (VAT charged on hammer price)

£300 - 500*

285

106

286

www.roseberys.co.uk

287

288

287 Derek Hirst, British 1930-2006 White Mountain, 1986 cryla on panel, signed, titled and dated on the reverse, 120 x 122cm (unframed) (ARR) (VAT charged on hammer price) £200 - 400* 288 Derek Hirst, British 1930-2006 December/January V, 1988 watercolour dye on paper, signed, titled and dated on the mount 47 x 77cm (ARR) (VAT charged on hammer price) £200 - 400* 289 Derek Hirst, British 1930-2006

289

Untitled, 1975 oil on canvas, 127 x 102cm (unframed) (ARR) (VAT charged on hammer price) £400 - 600*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

107

290

291

290 Derek Hirst, British 1930-2006

291 Derek Hirst, British 1930-2006

Puerta De Oro. No.IX, 1997-98

Monument to Jaime Isern, 1962

mixed media on board, signed, titled and dated on the reverse, 53.5 x 55.5cm (unframed) (ARR) (VAT charged on hammer price)

cryla and mixed media, signed, titled, and dated on the reverse, 101 x 91.5cm (ARR) (VAT charged on the hammer price)

£300 - 500*

£400 - 600* 292 Derek Hirst, British 1930-2006 Mi Casa Es Su Casa, 1963 cryla and mixed media on board, 122 x 101cm (ARR) (VAT charged on hammer price) £500 - 800*

292

108

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293 Carole Hodgson FRSS, British b,1940 Untitled (Landscape II), 1975 bronze sculpture in three parts., 5 x 15 x 15cm (ARR) (VAT charged on hammer price) £150 - 200*

293

294 Carole Hodgson FRSS, British b,1940 Untitled (Figure) bronze, 15 x 26 x 16cm (ARR) (VAT charged on hammer price) £100 - 150*

294

295 Carole Hodgson FRSS, British b,1940 Untitled, 1986 bronze with green patina, bears artists initials and dated, 13 x 18 x 5cm (ARR) (VAT charged on hammer price) £200 - 300*

295

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

109

296 296 Peter Howson OBE, Scottish b.1958 Portrait of Bob Heller oil on canvas, diptych, both signed, ea. 61 x 46cm, (2) (ARR) (VAT charged on hammer price) ÂŁ1,500 - 2,000* 297 Peter Howson OBE, Scottish b.1958 Rosie, 1986 pastel on paper, signed and dated indistinctly, 73 x 53cm, (ARR) (VAT charged on the hammer price) ÂŁ500 - 800*

297

110

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298 Peter Howson OBE, Scottish, b.1958 The Man in the Striped T Shirt oil on canvas, signed, 36 x 28cm, (ARR) (VAT charged on hammer price) £1,500 - 2,000* 299 Peter Howson OBE, Scottish b.1958 The Street Parade conte crayon, signed in crayon, 44 x 29cm (ARR) (VAT charged on hammer price) £300 - 500* 300 Peter Howson OBE, Scottish, b.1958 Ring O Roses; conte on paper, signed in pencil, 30 x 44.5cm, (ARR) (VAT charged on hammer price) £300 - 500*

298

299

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

300

111

301 Peter Howson OBE, Scottish b.1958 The Fight, 1994 pastel on paper, signed, 63 x 47.5cm, (ARR) (VAT charged on hammer price) ÂŁ400 - 600* 302 Peter Howson OBE, Scottish b.1958 Last Man On Earth, 1989 oil on canvas, signed, 61 x 91cm (ARR) (VAT charged on hammer price) ÂŁ2,500 - 3,500*

301

302

112

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303 Peter Howson OBE, British b. 1958 On Stage II, 1986 oil on paper, signed, 88 x 70cm, (ARR) (VAT charged on hammer price) ÂŁ2,000 - 4,000*

303 304 Peter Howson OBE, Scottish b.1958 The Embrace, c. 1986 acrylic on card, 127 x 101.8cm (ARR) (VAT charged on hammer price) ÂŁ4,000 - 6,000*

304

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

113

305

306

305 Don Jackson, British late 20th century

306 Neil Jeffries RA, British, b.1959

Onward Ever Onward, 1984-85;

Self Portrait, 2000

oil on canvas, signed and titled on the reverse of the canvas, 110cm x 144cm, (unframed) (ARR) (VAT charged on hammer price)

painted aluminium, signed and dated in pencil, 25 x 14 x 14cm (ARR) (VAT charged on hammer price)

Note: Don Jackson was selected by Terry Setch as an Artist of the Day at the Flowers Gallery in 1985

£400 - 600*

£100 - 150* 307 Lucy Jones, British b.1955 Self portrait oil on canvas, signed on the reverse, 122 x 86cm, (ARR) (VAT charged on hammer price) £500 - 800*

307

114

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308 308 Lucy Jones, British b.1955

309 Lucy Jones, British b.1955

310 Lucy Jones, British b. 1955

I Saw Some Boats, 2000

Tree Northbank, 1987

Lucy Jones, 1986

oil on canvas, 127 x 168cm, (unframed) (ARR) (VAT charged on hammer price)

oil on canvas, signed on the reverse, 175 x 213cm, (unframed) (ARR) (VAT charged on hammer price)

oil on canvas, signed on the reverse, 122 x 86.5cm (unframed) (ARR) (VAT charged on hammer price)

£1,000 - 1,500*

£600 - 800*

£800 - 1,200*

309

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

310

115

311

312

313 311 John Keane, British b.1954 The Negotiators, 1985 acrylic on paper, signed, titled and dated, 76 x 55cm (ARR) (VAT charged on hammer price) £300 - 500*

314

315

312 John Keane, British b.1954

314 John Keane, British b. 1954

The Secret, 1985

Truth, Doubt and Propaganda, 1987

oil on paper, signed and dated, 103.5 x 82.5cm, (ARR) (VAT charged on the hammer price)

mixed media on paper, 75.5 x 56cm, signed, dated and titled, (ARR) (VAT charged on hammer price)

£400 - 600*

£200 - 400*

313 John Keane, British b. 1954

315 John Keane, British b.1954

Watching the Sinn Fein video about RUC interference in Republican funerals for the seventeenth time, 1989

Colossus; Technology, Faith and Martyrdom, 1989

acrylic and collage on paper, signed, titled and dated in black, 114 x 84cm, (ARR) (VAT charged on hammer price)

oil on canvas, signed, dated and titled, additional inscribed to the reverse, 247 x 173cm, (unframed) (ARR) (VAT charged on hammer price) £600 - 800*

£400 - 600*

116

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316

317

316 Michael Kenny RA, British 1941-1999 2000AD, 1999 mixed media on paper, signed and dated, 18 x 23cm, (ARR) (VAT charged on hammer price) £200 - 300* 317 Morris Kestelman, British 1905-1998 Lovers, 1950 gouache on paper, signed, 19.5 x 24cm, (ARR) (VAT charged on hammer price) £300 - 500* 318 Morris Kestelman, British 1905-1988 Yellow and Brown oil on canvas, signed, titled on the reverse of the canvas, 121.5 x 92cm, (ARR) (VAT charged on hammer price) £800 - 1,200* 318

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

117

319 319 Dave King, British b.1956

320

Days of the Week, 1979 wooden wall relief, signed, titled and dated in pencil on the reverse, 23 x 28 x 18cm (ARR) (VAT charged on hammer price) £200 - 300* 320 John Kirby, British b.1949 Happy Days (For Bob), 1996 pencil and crayon on paper, signed and dated, 17.5 x 13.5cm (ARR) (VAT charged on hammer price) Note: The work bears a further inscription written by the artist on the reverse reading; ‘A man grows older, Embracing many changes, Happy Birthday Bob! best wishes John (Kirby)’. £500 - 800* 321 John Kirby, British b. 1949 Woman In a Landscape, 2004-2005 oil on canvas, signed, titled and dated, 91 x 71cm (ARR) (VAT charged on hammer price) £1,200 - 1,800*

321

118

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322 322 John Kirby, British b. 1949 Parental Rites, 1989 oil on canvas, signed, titled and dated on the reverse, 122 x 96.5cm (ARR) (VAT charged on hammer price) ÂŁ1,500 - 2,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

119

323 Tim Lewis, British b.1961 Untitled (Typewriter/Fire) Metal mixed media, 46 x 31 x 20cm, (ARR) (VAT charged on hammer price) £1,500 - 2,000* 324 Tim Lewis, British b.1961 Because We’re Small, 1998 mixed media construction with electric motor, 19.5 x 30.5 x 19cm (ARR) (VAT charged on hammer price) £1,500 - 2,000*

323

324

120

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325

326

325 John Loker, British b.1938

326 John Loker, British b.1938

Four Extracts V, 1979

Bloc/Transfer, 1991

oil and acrylic on canvas, signed and titled on the reverse, 153 x 244cm (ARR) (VAT charged on hammer price)

oil on paper, signed and dated, bears further inscription on the reverse, 21.5 x 27cm, (ARR) (VAT charged on hammer price)

£150 - 200*

£200 - 300*

327 John Loker, British b.1938

328 John Loker, British b.1938

The Way Down, 1988

Horizontal Shifts 3, 1981

oil on paper, signed and dated, 73 x 103cm (ARR) (VAT charged on hammer price)

oil and acrylic on canvas, signed, titled and dated on the reverse of the stretcher, 173 x 221.5cm, (ARR) (VAT charged on hammer price)

£100 - 150*

£150 - 200*

327

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

328

121

329 Charles Mason RA, British b. 1962 Figure, c. 1989 bronze, signed and numbered 1/5, 34cm high (ARR) (VAT charged on hammer price) £200 - 400* 330 Brendan Neiland RA, British b. 1941 Untitled, 1974 acrylic on paper, signed and dated on mount, 47 x 70cm, (ARR) (VAT charged on hammer price) 329

£300 - 500* 331 Brendan Neiland RA, British b.1941 Untitled, 1971 acrylic on canvas, 116 x 337cm (unframed) (ARR) (VAT charged on hammer price) £700 - 900*

330

331

122

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332 Brendan Neiland RA, British b.1941 Veranda, 1976 oil on canvas, 139 x 216cm (ARR) (VAT charged on hammer price) £600 - 800*

333 Brendan Neiland RA, British b. 1941 Blue Base

332

oil on canvas, 73 x 121cm, (unframed) (ARR) (VAT charged on hammer price) £500 - 800*

334 Michael Pennie, British 1936-2019 Gregynog, 1970 pencil on paper, signed, dated and titled, 24.5 x 19cm, (ARR) (VAT charged on hammer price) 333

£150 - 200*

335 Tom Phillips CBE RA, British b.1937 Una Ex Illis Ultima gouache on paper, 17.5 x 12cm, (ARR) (VAT charged on hammer price) £200 - 300*

334

335

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

123

336 Carol Robertson, British b. 1955 Voices No.1, 2000 oil on canvas, signed, titled and dated on the reverse, 94 x 94cm, (unframed) (ARR) (VAT charged on hammer price) £200 - 300*

336

337

338

337 Michael Rothenstein RA, British 1908-1993

338 Michael Rothenstein RA, British 1908-1993

Still life of fruit in a ceramic dish

The Candle

watercolour, signed in pencil, 37.2 x 47.5cm, (ARR) (VAT charged on hammer price)

watercolour on paper, signed in pencil, 76.5 x 55cm, (ARR) (VAT charged on hammer price)

£400 - 600*

£500 - 800*

124

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339 339 Michael Rothenstein RA, British 1908 - 1993 Forest Birds 2, 1990 acrylic and collage on board, 113 x 77cm (ARR) (VAT charged on hammer price) ÂŁ1,800 - 2,200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

125

340 Tai-Shan Schierenberg, British b.1962 Andrew II, 1996 oil on canvas, 25 x 30cm, signed to the reverse, (ARR) (VAT charged on hammer price) ÂŁ700 - 900*

340

341 Tai-Shan Schierenberg, British b.1962 Girlfriends, 1992 oil on canvas, signed, dated and titled to the reverse, 35.5 x 46cm, (ARR) (VAT charged on hammer price) ÂŁ700 - 900*

341

126

www.roseberys.co.uk

342

343

342 Kevin Sinnott, Welsh b. 1947

343 Jack Smith, British 1928-2011

Study for Musicians, 1993

Eighteen Elements, 1970

oil on board, 19.5 x 25.5cm, (ARR) (VAT charged on hammer price)

mixed media on paper, signed, dated and titled on the reverse, 15.5 x 22cm (ARR) (VAT charged on hammer price)

£400 - 600*

£200 - 400*

344 Jack Smith, British 1928-2011 Cascade (Electric), 1996 oil on canvas, signed, titled and dated on the reverse of the canvas, 92 x 92cm, (ARR) (VAT charged on hammer price) £800 - 1,200*

344

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

127

345 345 Jack Smith, British 1928-2011 Summer Song 2, 1995 oil on canvas, signed, dated and titled on the reverse, 92 x 92cm, (ARR) (VAT charged on hammer price) ÂŁ800 - 1,200* 346 Jack Smith, British 1928-2011 Inside, Outside 2, 1979 oil on board, signed and dated on the reverse, 60 x 60cm (ARR) (VAT charged on hammer price) ÂŁ300 - 500* 346

128

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347 Renny Tait, Scottish b.1965 Basilica of Maxentius, 1992 oil on board, signed, dated and titled on the reverse, 25 x 30cm, (ARR) (VAT charged on hammer price) £300 - 500*

347 348 Renny Tait, Scottish b.1965 Catania, 1990 oil on canvas, signed, dated and titled on the reverse, 39 x 48cm, (ARR) (VAT charged on hammer price) £400 - 600*

348 349 Renny Tait, Scottish b.1965 Galileo’s Tower, 1995 oil on canvas, signed and inscribed on the reverse, 91.5 x 91.5cm (unframed) (ARR) (VAT charged on hammer price) £500 - 800*

349

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

129

350 Wendy Taylor CBE FRSS, British b. 1945 Untitled construction mixed media relief on board, bears inscription to the reverse, 76.3 x 57.3cm (ARR) (VAT charged on hammer price) £200 - 400* 351 Jonathan Waller, British b.1956 Edge of Town II, 1990, oil on canvas, signed, titled and dated on the reverse, 71 x 164cm (ARR) (VAT charged on hammer price) £300 - 500*

350 352 Jonathan Waller, British b.1956 Spikes, 1991-93 oil on canvas, signed on the reverse, 210 x 305cm (unframed) (ARR) (VAT charged on hammer price) £300 - 500* 351

352 130

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353

353 Jonathan Waller, British b.1956 Copulation 1, 1990 oil on canvas, 28 x 66cm, (ARR) (VAT charged on hammer price) ÂŁ200 - 400* 354 Sarah Wenden, British b. 1952 Evening, Groombridge Place, 1987 oil on board, signed, dated, titled and inscribed on the reverse, 28.5 x 36cm, (ARR) (VAT charged on hammer price)

354

ÂŁ200 - 400*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

131

INDEX OF ARTISTS Clinch, John

215

Hawkins, Vicky

276

Ackroyd FRSS, Jane

218

Coates, Thomas John

174

Heath, Adrian

143, 144

Alexander, Norman

158

Cooper OBE RA, Eileen

257

Heath, Claude

188

Hepher, David

Ardizzone CBE RA, Edward Armstrong ARA, John

20 59, 60

Ashe Lord, Elyse

Ayres CBE RA, Gillian

120

B Bailey, Frederick Victor Barker, Clive Barton, Glenys

40 226, 227, 228

219, 220, 221, 22, 223, 224

Bateman, Henry Mayo

35, 36

Bawden CBE RA, Edward Baz, Izgan

31 127

Bellany CBE RA, John

Benjamin FRSA RE, Anthony

103

Berrie, John Archibald Alexander 43 Bertram, Attributed to Eaton

15 Blackadder DBE RA RSA, 147

Blacklock, Thomas Bromley

Cress, Frederick Cronyn, Hugh Verschoyle

225

Bodimeade, Nick

128

Boyd & Evans 229, 230, 231, 232, 233,

Daley, Antony

258, 259, 260

Dalton, Derek

170

Davie RA, Alan

Hirst, Derek

172 281, 282

283, 284, 285, 286, 287,

288, 289, 290, 291, 292

De Glehn RA, Wilfred Gabriel 8, 9, 10

Hodgson FRSS, Carole 293, 294, 295

Diggle, Philip

Holzhandler, Dora 50, 51, 52, 53, 53,

261, 262, 263 18

Draper RA, Kenneth

264

Howard OBE RA, Ken 176, 177, 178,

Drury, Chris

189

Dismorr, Jessica

Dunlop ARBS, John Bonar 198, 199,

179, 180, 181, 182 Howson OBE, Peter

200, 201, 202, 203, 204, 205, 206, 207, Dunstan RA, Bernard Dutkiewicz, Edward

296, 297, 298,

299, 300, 301, 302, 303, 304

208

Hughes, Patrick

175

Hughes-Stanton, Blair

265, 266

196, 197

Hutton, Clarke

148

80, 81,82, 83, 84

159

Ingham, Bryan

Edwards, Jeffery

267

Irvin OBE RA, Albert

75 71, 72

272

Feldman, J Frost, Anthony

140

Gillespie, Anna

216

Burt, Laurence

253

Bushe, Ken

187

Gormley OBE, Sir Antony Grant RBA ARCA, Alistair Greaves, Derrick Grice, David

305

Jameson, Frank

Jeffries RA, Neil

306

John OM RA, Augustus Edwin 74 164

184

119

Gilbert, Norman

Gladwell, Rodney

Brown RBA, Stephen

J Jackson, Don

George, Adrian

Ginner CBE ARA, Charles

169

Jackson FRBS FRSA CVO, Philip 213 F

Brown NEAC, Bob

145

Faulkner, Amanda 268, 269, 270, 271,

Gammon, Reg

250, 251, 252

Ede, Janina

Brockhurst RA, Gerald Leslie

279, 280 Hicks MBE, Nicola

242, 243, 244, 245, 246, 247, 248, 249,

Brill, Reginald

56, 57, 278,

234, 235, 236, 237, 238, 239, 240, 241,

Bratby RA, John Randall

277

Herman OBE RA, Josef Heywood, Sally

Boden, Neville

Boyd, John G

155

211

Birch RA RWS, Samuel John Lamorna

Dame Elizabeth

Craigmyle, Anthea

2 86 217 85

Johnston, Steve Jones, Lucy

307, 308, 309, 310

K Kays, Hayden Keane, John

190 311, 312, 313, 314, 315

Kenny RA, Michael

123, 124, 316

Kestelman, Morris

317, 318

273

King, Dave

319

274

Kirby, John

320, 321, 322

Knight DBE RA RWS, Dame Laura H

Kramer, Jacob

Hall RBA ROI, Clifford

139

Chambers RA, Stephen 254, 255, 256

Hambling CBE, Maggi

136, 137

Christie, Fyffe 106, 107, 108, 109, 110

Harding, Alexis

129

Lewis, Tim

Christopherson, John

Hart Dyke, James

186

Loker, John

Hawkins, Dennis

275

Longueville PS RBSA, James

Clark, John Charles

132

131, 132, 133

3 34

111,112

1 193

L 323, 324 325, 326, 327, 328 183

www.roseberys.co.uk

Piper CH, John

113

Majid, Aneela

165

Potter OBE, Mary

117

Tait, Renny

Martin, Andrew

161

Procktor RA, Patrick

Mason RA, Charles

329

Matthews, Philip

171

Matthews, Laura

167

McCall, Charles James

McKeown, H G

126

Mednikoff, Reuben

63, 64

Melville, John

Morris, Desmond

Morsberger, Philip

105

Moynihan RA, Rodrigo

146

R Raverat SWE, Gwen

Reeve ARCA, Geoffrey Raymond 102 Robertson, Carol

336

Robson, William

Rolph, Danny

134, 135

Rothenstein RA, Michael 337, 338,339 Rothenstein, Sir William

Rowntree, Kenneth

104

Ryder, Sophie

160

347, 348, 349

Taylor CBE FRSS, Wendy

350

Taylor, Anita

166

Thelwell, Norman

Thistlethwaite, Morwenna

168

Thomas, Andrew

209

Tilson RA, Joe

122

Topolski RA, Feliks

Towner, Donald

Tribe, Lee

214

Turk, Gavin

121

U Underwood, Leon 22, 23, 24, 25, 26,

Naviasky, Philip Neal, James Neiland RA, Brendan

156, 157

Sayer, Derrick Latimer 90, 91, 92, 93,

94, 95, 96, 97, 98, 99, 100, 101

330, 331, 332, 333

Neill Armour RSA, Dr Mary Nicol Newcomb, Tessa

48 173

Osborne, Cecil

Schierenberg, Tai-Shan Searle CBE HRWS, Ronald Selway, John H Sheldon, Charles Mills Shepherd CBE FRSA, David

O Oâ&#x20AC;&#x2122;Malley HRHA, Tony

27, 28, 29, 30

153 49

Sinnott, Kevin Smith, Jack

340, 341 87

Vasey ARCA SWA, Gladys 12, 13, 14

6 185 342

16 62

194, 195

Somervell OBE FRCS, Thomas Howard Pailthorpe, Grace

Van Dal, Rourke Van der Beek, Deborah

343, 344, 345, 346

Vaux, Mark Verity, Charlotte Vettriano, Jack

212 125 154 162, 163

W Walker, John Waller, Jonathan

118 351, 352, 353

Spademan, Mireille

141, 142

Wenden, Sarah

354

Paolozzi CBE RA, Sir Eduardo

116

Stanley, Ransome

114, 115

Westbury, Julie

191

Pennie, Michael

334

Steel, George Hammond

Phillips CBE RA, Tom

335

Stevens ARA, Norman

Phillipson RA RSA FRSE RSW, Robin

19 149

Stratton, Frederick

138

Suddaby, Rowland

Pickles, Cherry

151

Sunlight, Ben

Pigott, Hadrian

192

Sylvester RWA ROI, Diana

76, 77, 78 152

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

Windred, Edward Henry

Y Yates, Fred

67, 68

Z Zuckerman, Lady Joan

150

133

EXPLANATION OF CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable. 1.

‘Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by the artist.

‘Attributed to Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, probably a work by the artist.

‘Studio of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work likely to come from the studio of the artist or closely associated with the artist.

‘Circle of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style and during the period of the artist’s life.

‘Follower of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style, contemporary or near contemporary.

‘School of Peter Paul Rubens, Flemish 17th century’ * In our opinion, a work executed during this period and in the style associated with that artist.

‘Flemish School, 17th century’ * In our opinion, a work executed during this period and in the style associated with that location.

‘Manner of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style but at a later date, although not of recent execution.

‘Style of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style and of recent execution.

10.

‘After Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a copy by an unidentified artist of a named work by the artist.

11.

A picture catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.

12.

The terms ‘signed’, ‘dated’, ‘inscribed’ means that in our opinion these are by the artist’s hand.

13.

The terms ‘bears signature’, ‘bears date’, ‘bears inscription’ means that in our opinion that these have been added by another hand other than the artist.

14.

All references to signature, inscriptions and dates refer to the present state of the work.

15.

Dimensions are given in centimetres, height before width and are measured from the edges of the work if these are visible and if not, from the front.

16.

All pictures are framed, unless otherwise stated in the catalogue.

17.

Catalogue and website images may not be a true representation of an item due to printing or photographing processes.

18.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional. It applies to lots with a hammer value over €1,000 as follows: 0 to €50,000 - 4% €50,001 to €200,000 - 3% €200,001 to €350,000 - 1% €350,001 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500. Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

Lot 315

www.roseberys.co.uk

SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Luke Axford Junior Cataloguer Paintings, Prints & Frames lukeaxford@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts fionabaker@roseberys.co.uk Mark Bowis Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD Complimentary valuations Monday to Friday: 9.30am to 5.00pm +44 (0) 20 8761 2522 clientservices@roseberys.co.uk

Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk Bill Forrest Head of Department Asian Arts billforrest@roseberys.co.uk Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk Tess Oâ&#x20AC;&#x2122;Brien Specialist Impressionist, Modern, Post War and Contemporary Art tessobrien@roseberys.co.uk

Central London OfďŹ ce Valuations by appointment.

Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk

Lot 3

Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk

TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London. 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%. 3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken. 4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold. Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing. 5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate. 7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it. 11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges. 12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate. (c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate. 5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax. 6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank. 7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician. 9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment. 10. Export of goods. Buyers intending to export goods should

ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. 11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website. These bids are executed via the RoseberysLive software and there is no surcharge. 13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website. 14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment. 15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6.

Payment

(1) (a) (b)

Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us. Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(2)

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction. A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction. Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid. 8. (1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system. By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 â&#x20AC;&#x153;information to buyersâ&#x20AC;?. Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term. Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement. We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system. General 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable. 19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting. 21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 23. English law applies to the interpretation of these Conditions. These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS:

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Cost of annual Subscription including Europe postage

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Design: Decorative Arts 1860 to Present Day

£37.50

£45

£52.50

Chinese, Japanese & South East Asian Art

£25

£30

£35

Impressionist, Modern, Post-War & Contemporary Art

£25

£30

£35

Fine & Decorative

£37.50

£45

£52.50

Islamic & Indian Arts/ Art of India

£37.50

£45

£52.50

Jewellery & Watches

£37.50

£45

£52.50

Modern & Contemporary British Art

£25

£30

£35

Modern & Contemporary Prints

£25

£30

£35

Print & Multiples

£25

£30

£35

Old Master, 18th & 19th Century Pictures

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£45

£52.50

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Subscription Offer: Buy 2 or more subscriptions save 20% on prices listed Total cost of subscription: Method of Payment: Payment can be made by credit or debit card over the phone or in person, alternatively by bank transfer or cash in person. Payment is accepted via bank transfer to the following account (International bank transfers are subject to a £25 administration fee.): Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, IBAN GB80NWBK60300636952613. I would/would not like to receive online catalogues and notifications of the sales that I am interested in as indicated on this form (delete as appropriate). Signed:

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

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All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts. Please see catalogue or website for important information for buyers and our full conditions of sale or ask a member of staff for a copy. I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I conﬁrm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

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AUCTION CALENDAR 2019 October Art & Antiques Saturday 5 October

Old Master, 18th & 19th Century Pictures Thursday 21 November

Prints & Multiples Monday 14 October

Fine & Decorative Friday 22 November

Islamic & Indian Arts Friday 25 October

Modern & Contemporary British Art: An Online Only Auction Monday 11 â&#x20AC;&#x201C; Thursday 28 November

November Design: Decorative Arts 1860 to the Present Day Monday 4 November Chinese, Japanese & South East Asian Arts Monday 11 November Jewellery & Watches Wednesday 20 November

December Urban & Contemporary Art in association with Artsy Monday 18 November â&#x20AC;&#x201C; Monday 2 December Impressionist, Modern, Post War & Contemporary Art Wednesday 4 December

70/76 Knights Hill, London SE27 0JD +44 (0)20 8761 2522 clientservices@roseberys.co.uk

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70/76 Knights Hill London SE27 0JD +44 (0) 20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk