Roseberys by Jamm Design Ltd

MODERN & CONTEMPORARY BRITISH ART Tuesday 11 February 2020

MODERN & CONTEMPORARY BRITISH ART TO INCLUDE IRISH ART

Tuesday 11 February 2020 Starting at 11am

VIEWING Friday 7 February 9.30am-5.30pm Sunday 9 February 10am-2pm Monday 10 February 9.30am-5.30pm Tuesday 11 February 9.30am-10.30am Specialist: Helena Anderson Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Cover: Lot 145 Inside Front Cover: Lot 162 Inside Back Cover: Lot 393

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys. Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have. Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots. New Bidders New buyers are required to register before bidding. This can be done in person at reception, or via email to clientservices@roseberys.co.uk. Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

Alternatively, online bidding is available through www.thesaleroom.com and www.invaluable.com, successful online bidders are charged an additional premium of 5% + VAT. Bidders must register by 9am on the morning of the auction to be able to buy online. You will be asked to complete the registration process prior to approval. • Telephone bidding: A limited number of phone lines for lots in the auction are available for bidders subject to a minimum threshold. A member of staff would telephone you during the auction and bid live on your behalf. Please contact reception if you would like to enquire about booking a phone line. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. Buyer’s Premium

New International Bidders In addition to providing proof of identity, new international bidders must leave a £500 deposit the first time they register and before bidding. Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

The buyer shall pay the hammer price together with a premium thereon of: 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

• Commission bid: If you are unable to attend the auction, commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction. Clients are also able to leave a commission bid via our website on individual lot pages. These bids are actioned on your behalf by our in-house bidding software RoseberysLive, and are not visible to the auctioneer. • Online bidding: You can follow all our auctions live online and bid via the internet using RoseberysLive, our in-house live bidding platform. RoseberysLive is a secure online bidding platform provided by Roseberys to enable our clients to bid online from anywhere in the world. You can register to use the service or view the auction through our website www.roseberys.co.uk. There is no charge to use this service.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional. It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction. • Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000. To make a payment of over £1000 please make a bank transfer or visit the auction house in person. • Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.) Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613. • Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements. Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding. Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 106

1 1 Sir William Russell Flint RA PRWS, Scottish 1880-1969 Victoria and her guitar black and red brown conte, signed, 32.5x21.5cm (ARR) Provenance: The Fine Art Society, London, sold November 1954 (bears label to the reverse of the frame) ÂŁ1,500 - 2,000*

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2 2 Walter Richard Sickert ARA, British 1860-1942 Mackerel oil on canvasboard, signed, 45x14.7cm Provenance: with Durand-Ruel et Fils, Paris, 1904; with Roland, Browse & Delbanco, London, 1947 (bears label to the reverse of the frame); Pamela Harris; Sotheby’s, 15 May 1985, lot 77; Phillips London, 7 March 2000, lot 22; Bonhams London, 30 May 2012, lot 37 Exhibited: probably Paris, Durand-Ruel et Fils, Société Nouvelle des Peintres et Sculpteurs, February 1903, no.141 or 142 (as Bodegone); Paris, Bernheim Jeune, ‘Walter Sickert’, 1-10 June 1904, no.94, on loan from Durand-Ruel et Fils; London, Rowland, Browse & Delbanco, ‘Sickert. Forty of his Finest Paintings’, 20 June-4 August 1951, no.19, where lent by Miss Pamela Harris; Edinburgh, Scottish Committee of the Arts Council, Diploma Galleries of the Royal Scottish Academy, ‘An Exhibition of Paintings and Drawings by Walter Sickert’, January 1953, no.100 (as Two Mackerel and a Herring) Literature: Wendy Baron, ‘Sickert, Paintings and Drawings’, Yale University Press, New Haven & London, 2006, listed under cat. no. 426 (a related painting), p.414 £6,000 - 8,000*

3 Walter Richard Sickert ARA, British 1860-1942 The School for Girls, Chesham Place pencil on buff, signed and inscribed in brown/black ink, addressed to ‘Mr[s?] Forster, 8 Chesham Place’ verso, 11.5x19cm £1,000 - 1,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

4 Charles Ginner ARA, British 1878-1962 The Rib, Standon, c. 1939 pencil drawing squared in red ink, 30.5x38cm (ARR) Exhibited: The Arts Council of Great Britain, ‘Charles Ginner’, touring memorial exhibition 1953-1954, cat. no. 37, lent by Anton Lock, Esq. Note: this work is a study for the painting by the same title now in the Arts Council Collection [AC66] £250 - 350*

5 5 Charles Ginner ARA, British 1878-1962 Shipley Church pencil on buff paper squared in red ink, titled, inscribed in red pen, 25x35cm (ARR) Note: inscribed ‘oil sold to Edward Le Bas’ £300 - 500*

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6 James Bolivar Manson NEAC, British 1879-1945 Mary black and red conte crayon, signed and dated Nov 28th 1920, bears label with inscription and date to the reverse of the frame, 33x25cm £100 - 200* 7 James Bolivar Manson NEAC, British 1879-1945 Still life with Peonies oil on canvas, signed, 101x78cm Note: bears two James Bourlet framing labels to the reverse of the frame, one identifying the owner as Miss M. Manson £800 - 1,200* 8 James Bolivar Manson NEAC, British 1879-1945 The Gateway oil on canvas board, bears title, 32x39.5cm

Note: bears inscription by the artist’s daughters verso; “This is the work of our Father J. B. Manson certified by His daughters Mary Manson and Jean Goullet” £500 - 700* 9 James Bolivar Manson NEAC, British 1879-1945 Sutton Courtenay watercolour on paper, signed, titled and dated ‘08, 28x39cm £150 - 250*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

10 Gwen John, British 1876-1939 Two female heads pencil and watercolour, bears the artist’s studio stamp, 6.5x5cm Provenance: collection of Edwin John (EJ 610); Phillips London, 17 July 2001, lot 30; Bonham’s London, 30 June 2010, lot 108 Exhibited: Anthony D’Offay, London, ‘Gwen John Centenary Exhibition’, 3-26 March 1976, cat. no. 54 £2,500 - 3,500*

11 Gwen John, British 1876-1939 Profile of Bourgeois black chalk on brown paper, bears the artist’s studio stamp, 17x14cm Provenance: collection of Edwin John (EJ 82); Abbott & Holder Ltd., London (bears label to the reverse of the frame) Exhibited: Matthieson Gallery, London ‘Gwen John Memorial Exhibition’, 1946, cat. no. 114 (bears label to the reverse of the frame) £1,500 - 2,000*

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12 Henri Gaudier-Brzeska, French 1891-1915 Study for Madonna, 1912 pencil on paper, 13x9cm Provenance: Mercury Gallery, London, where purchased by Thomas Busha, Esq. 27 May 1977 (bears label to the reverse of the frame); Bonham’s London, 19 May 2009, lot 97 £800 - 1,200* 13 Henri Gaudier-Brzeska, French 1891-1915 Head of Horace Brodzky charcoal on paper, signed, c.1913, 25x18.5cm Provenance: Abbott & Holder Ltd., London (bears label to the reverse of the frame) Exhibition: Entwistle Gallery, London, 1989 £1,000 - 1,500* 14 Henri Gaudier-Brzeska, French 1891-1915

Towers, Germany watercolour on paper, a pair, each 20x12.4cm (2) Provenance: Bonham’s London, 23 March 2010, lot 240 £700 - 1,000* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

15 Dame Laura Knight DBE RA RWS, British 1877-1970 Behind the Scenes at the Old Vic charcoal on paper, signed, 35x25cm (ARR) Provenance: Michael Wright Fine Art, Bristol, where purchased by the previous owner 26 September 1996 £500 - 800*

16 Dame Laura Knight DBE RA RWS, British 1877-1970

Portrait of a boy charcoal, signed, 35.5x25cm (ARR) Provenance: Christie’s London, 2 March 1978, lot 15 £500 - 700*

17 Dame Laura Knight DBE RA RWS, British 1877-1970

18 Dame Laura Knight DBE RA RWS, British 1877-1970

A Tyrolian

Portrait of Rae Robertson

charcoal, signed with initials and titled, 35.5x25cm (ARR)

charcoal on paper, signed and inscribed, 36x25.5cm (ARR)

Provenance: Christie’s London, 2 March 1978, lot 15

Note: this work likely dates from 1923, when Laura and her husband Harold travelled to the village of Madonna di Campiglio on the Italian side of the Tyrol, where they painted and sketched the locals and the scenery.

Note: Ethel Bartlett and Rae Robertson were a famous classical piano duo during the 1930s and 1940s. Bartlett was a frequent model for both Laura Knight and her husband Harold. The present sitter, Rae Robertson, was Bartlett’s husband.

£500 - 700*

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19 19 Edward Seago RWS RBA, British 1910-1974 Torremolinos, Spain watercolour on paper, signed, 26.5x36.5cm (ARR) Provenance: The Taylor Gallery, London (bears label to the reverse of the frame); Christie’s South Kensington, 12 March 2014, lot 114 £2,000 - 3,000* 20 H M F Taylor NEAC, British exh. 1921 Figures and head studies six drawings in red and black chalk on paper in a shared mount and frame, largest 27.5x15cm, 93x50.5cm overall mount (ARR) £400 - 600* 21 H M F Taylor NEAC, British exh. 1921

A crowded street scene oil on canvas, signed and inscribed on the stretcher verso, 115x91cm (ARR) £1,500 - 2,500* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

22 George Sheringham, British 1884-1937 Nymphs of the Stream watercolour and body colour with gold on buff paper, feigned tondo, signed, 25x25cm Exhibited: Chris Beetles Gallery, London, ‘The Illustrators, The British Art of illustration 1800-1992’, 28 November - 23 December 1992, no. 308 (bears label to the reverse of the frame) £300 - 400*

23 Dod Procter RA, British 1891-1972

24 Sir Stanley Spencer CBE RA, British 1891-1959

The Party Frock

Study for Adoration of Old Men, c.1930

oil on canvas, sketch with two figures verso, signed and inscribed on the salvage, 51x43cm (ARR)

pencil and watercolour on buff coloured paper, signed and inscribed, 30.5x20cm (ARR)

Provenance: The Orion Gallery, Penzance (bears label to the reverse of the frame)

Provenance: Archeus Fine Art, London, ref 3534; Bonham’s London, 18 May 2010, lot 180

Exhibited: Royal Academy Summer Exhibition, 1949, no. 541

Note: bears the Stanley Spencer Studio Sale stamp (verso)

£2,500 - 3,500*

£500 - 800*

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Gerald Kelly was educated at Cambridge before travelling to Paris to study. He met many Impressionist and PostImpressionist painters including Degas, Monet and Renoir, travelled around the world, and painted British and French society figures. He was a friend of Somerset Maugham and appears as a character under various pseudonyms in a number of his books. In the 1930s and 40s he was a favourite portraitist of the Royal Family, painting several members including the Coronation Portraits of King George VI and Queen Elizabeth.

25 Sir Gerald Festus Kelly PRA, British 1879-1972 Sketch for a portrait of King George V oil on canvas laid down on panel, 70.5x45.5cm (unframed) (ARR)

£300 - 500* 26 Sir Gerald Festus Kelly PRA, British 1879-1972 Study for a portrait of King George VI oil and pencil on paper laid on board, 55x43cm (ARR) Note: bears James Bourlet & Sons label and The Rowley Gallery Ltd (frame makers) label to the reverse of the frame £300 - 500* 27 Sir Gerald Festus Kelly PRA, British 1879-1972 Study for a Portrait of George VI standing full length in robes

oil and pencil on board, 53x36cm (ARR) Note: bears James Bourlet & Sons label and The Rowley Gallery Ltd (frame makers) label to the reverse of the frame £300 - 500* 28 Sir Gerald Festus Kelly PRA, British 1879-1972 King XI (Portrait of King George VI) oil on board, titled to the reverse of the frame, 77.5x51.5cm (ARR) Note: bears labels for James Bourlet & Sons and The Rowley Gallery, Glasgow, to the reverse of the frame £600 - 800* 28

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

29 Sir George Clausen RA, British 1852-1944 Two heads charcoal on grey paper, 21.5x14cm Provenance: New Grafton Gallery, London, where exhibited in 1976; gifted by Mary Manson to the former owner (bears inscription to reverse of the frame stating ‘To Vic from Mary Manson and Jean Goullet with love’) £100 - 200*

30 Attributed to Vanessa Bell, British 1879-1961 Portrait of Sir Leslie Stephen oil on canvas, 67x60cm (ARR) Note: Sir Leslie Stephen, father of Virginia Woolf and Vanessa Bell, was an eminent man of letters and the editor of the first 26 volumes of the Dictionary of National Biography. £1,500 - 2,000*

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31 Roger Fry, British 1866-1934 St Francis giving his cloak to a destitute nobleman, after Giotto oil on canvas, 48x46cm Note: The present picture is a copy after a fresco by Giotto in the Upper Basilica of San Francesco in Assisi. In 1917 Fry organised an exhibition at the Omega Workshops called ‘Copies and Translations of Old Masters’, to which he invited all the artists who were associated with the Omega to contribute. The intention was to encourage young artists not to make perfect copies of the originals, but rather to learn new things while making a loose copy or study of an Old Master painting. Fry chose to copy Giotto. He later hung some of these copies in among his collection of paintings in his home at 48 Bernard Street in London. A photograph of his dining-room, reproduced on p. 260 of Frances Spalding’s Roger Fry: Art and Life, shows a copy of a Giotto fresco hanging on the wall.

We are grateful to Dr Frances Spalding for her assistance with the cataloguing of this lot. £800 - 1,200* 32 Angelica Garnett, British 1918-2012 Charleston Farm pastel on paper, signed with initials, 18x27cm (ARR) Provenance: New Grafton Gallery, London (bears label to the reverse of the frame) £100 - 150* 33 Angelica Garnett, British 1918-2012 Studio still life, 1973

oil pastel and mixed technique on paper, bears title, inscription and date on the label on the reverse of the frame, 24x16.5cm (ARR) Provenance: with Gallery Edward Harvane, London; Mrs Binnie (bears label to the reverse of the frame) £150 - 200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

34 Gabriel White BA CBE, British 1902-1988 Crystal Palace oil on canvas, signed on the stretcher verso, 49x57cm (ARR) £200 - 300*

34 35 Rowland Hilder OBE, British 1905-1993 The North Downs, Kent watercolour and pen, signed, 17.5x32.7cm (ARR) Provenance: purchased by the present owner from Duncan Campbell Fine Art in 1993 £300 - 500* 35

36 Keith Baynes, British 1887-1977 View of a mill oil on canvas, signed, bears further inscription on a label to the reverse of the frame, 61x51cm (ARR) Provenance: The Lefevre Galleries, London (bears label to the reverse of the frame) £300 - 500* 36

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37 James P. Barraclough, British 1891-1942 River landscape with a stone bridge oil on canvas laid down on board, signed and dated 1924, 28x39cm £200 - 300* 38 James Brown, British 1863-1943 Sidings at Ashford watercolour, signed P Conway, dated 1917, 22x28.5cm Provenance: Phipps & Company, London (bears label to the reverse of the frame)

Note: The artist James Brown signed his paintings using the pseudonym ‘P. Conway’ for a number of years. £100 - 150* 39 Elliot Seabrooke LG, British 1886-1950 A view of Battersea Park oil on canvas, signed verso, 43x52cm (ARR) £200 - 300* 40 Thomas Adolphus Falcon RBA, British 1872-1944

December sunset oil on board, signed, 27.5x37.5cm Note: bears James Bourlet & Sons label, an inscribed label, and a partial inscribed label for the 1940 United Artists’ Exhibition at the Royal Academy £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

42 41 Thomas W Holgate RBA, British 1869-1954 Evening, near Porthleven Cornwall oil on canvasboard, signed, further signed and dated 1925 verso, 25x35.3cm (ARR) £100 - 200* 42 Colin Hayes RA, British 1990-2003 Spanish Mountain Village oil on canvas, signed, 76x101cm (ARR) Provenance: Christie’s London, 10 June 1983, lot 110 £800 - 1,200* 43 Edward le Bas RA, British 1904-1966 Venetian Canal oil on board, signed, further signed and titled verso, 49.5x37cm (ARR) £1,000 - 1,500* 43

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44 Maxwell Balfour, British 1874-1914 Beccles, Suffolk watercolour on buff paper, bears inscription to the reverse of the frame, 9.5x17cm Provenance: Agnews & Sons Ltd, London (bears label to the reverse of the frame) £300 - 500* 44 45 Philip Wilson Steer OM NEAC, British 1860-1942 Study of landscape with trees and figures by stream (recto), Study of houses in landscape (verso) oil on canvas, 35x45cm Provenance: with The Fine Art Society, London (bears a partial gallery label to the reverse of the frame) £400 - 600* 46 Roland Vivian Pitchforth RA ARWS, British 1895-1982 Tugboat at Sea

watercolour, signed, 42.5x57cm: together with two further watercolours by the same artist, ‘Misty Seascape’ and ‘Estuary’, both signed, 14.5x22cm and 40x55.5cm respectively (3) (ARR) £200 - 300* 47 Amy Katherine Browning ROI SWA, British 1882-1970 Forever England, Étaples oil on panel, signed, titled verso, 24x33cm (ARR) £150 - 250* 46

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

48 Amy Katherine Browning ROI SWA, British 1881-1978 Mountain landscape oil on panel, signed, 34x44cm (ARR) £200 - 300*

48 49 Amy Katherine Browning ROI SWA, British 1881-1978 Fields and tree oil on board, signed, 36.5x44cm (ARR) £200 - 300*

49 50 Amy Katherine Browning ROI SWA, British 1881-1978 Portrait of Dame Ethel M Smythe oil on canvas, signed, further inscribed and titled verso, 43x33cm (ARR) £600 - 800*

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51 Ronald Ossory Dunlop RBA, Irish 1894-1973 Portrait of a woman turned to the right oil on paper, signed twice, 48.5x36cm (unframed) (ARR) £200 - 300* 52 Ronald Ossory Dunlop RBA, Irish 1894-1973 Seated female nude pastel and charcoal, signed, 28.5x24cm (ARR) 54

£100 - 150* 53 Reginald Rex Vicat Cole ROI, British 1870-1940

54 Arthur Burgess ROI, Australian/British 1879-1957

Evening by the Lock, 1929

The Launch

oil on board, signed, 29x39cm

oil on canvas, signed, stamped with artist’s name and address to stretcher verso, 46x61cm (ARR)

Exhibited: The Royal Institute of Oil Painters (bears label to the reverse of the frame) £250 - 350*

Provenance: Whitford Fine Art, London (bears label verso) £600 - 800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

55 55 Dorothea Sharp RBA ROI, British 1874-1955 Children playing in the sea oil on unstretchered canvas laid down on board, signed with initials, 19.5x23cm (ARR) Note: bears label for John B Smith 117 Hampstead Road, London to the reverse of the frame £2,000 - 3,000* 56 Edmond Xavier Kapp, British 1890-1978 Versailles oil on canvasboard, signed with initials, 17.5x24.8cm (ARR) £100 - 150* 57 Bernard Meninsky, Ukrainian/British 1891-1950 Portrait of a young man oil on canvas, signed, 51x41cm (ARR) 57

£1,000 - 2,000*

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58 Adrian Paul Allinson ROI RBA, British 1890-1959 Portrait of a Spanish lady smoking a cigarette oil on canvas, signed, 80x61.5cm (ARR) Provenance: Christie’s London, 19 October 1979, lot 81 £1,000 - 1,500*

58 59 Colin Corﬁeld, British 1910-1991 Portrait of a noblewoman seated three-quarter length oil on canvas, signed and dated 1968, 126x100cm (ARR) £250 - 350*

59 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

62 60 Frank Ernest Beresford, British 1881-1967

63 Michael Gilbery, British 1913-2000

Field Marshal - The Viscount Montgomery of Alamein

The Rabbi

oil on canvas, signed, dated 1955 and inscribed, further inscribed verso, 64x76cm (unframed) (ARR) £300 - 500*

oil on canvas, signed, 76.5x58.5cm (ARR) Exhibited: Royal Society of Portrait Painters, 1961 ( bears label to the reverse of the frame) £500 - 800*

61 Frank Ernest Beresford, British 1881-1967 63

Hallway of a country house

64 Michael Gilbery, British 1913-2000

oil on canvas, signed, 51x40cm (unframed) (ARR)

Taking Torah Scrolls from the Ark

£100 - 150*

oil on canvas, signed, 92x71cm (ARR)

62 Frank Ernest Beresford, British 1881-1967

£500 - 800*

Interior of Park House, St Johns Wood oil on canvas, signed, 59x49cm (ARR) £100 - 150*

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65 65 Sydney William Carline, British 1888-1929 Portrait of a lady in a red robe seated half length

67 68 Patrick Lambert Larking RP ROI, British 1907-1981 Portrait of a lady, half length

oil on canvas, signed and dated 1924, 76x63.5cm

oil on canvas, signed, 61x45.5cm (ARR)

£400 - 600*

£150 - 200*

66 Sydney William Carline, British 1888-1929

69 Peter Greenham RA CBE, British 1909-1992

Jesus healing Jairus’s daughter

Portrait of Liz Kikrwood

graphite on laid paper, signed and dated 1922, 44x53.5cm

oil on canvas, signed with initials, 81.5x61.5cm (ARR)

£100 - 150*

Provenance: the artist; collection of Liz Kirkwood, by whom gifted to the present owner

67 Peter Kuhfeld, British b.1952

£500 - 800*

Anne oil on board, 46x29cm (ARR) Provenance: the artist; collection of Liz Kirkwood, by whom gifted to the present owner Exhibited: New Grafton Gallery, London, December 1986 £700 - 900*

70 Kenneth Green, British 1905-1986 Portrait of the actor Elwyn Brook Jones oil on canvas, signed, 59.5x49.5cm (ARR) Provenance: Property of George Behrend, Jersey; private collection

£100 - 150*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

71 George Harcourt RA RBA RP, Scottish 1868-1947 Full length seated portrait of Sir Reginald MacLeod KCB oil on canvas, signed and dated 1926, 127x102cm Note: The sitter is Sir Reginald MacLeod KCB (1847-1935) of Dunvegan Castle, Isle of Skye, 27th Chief of the Clan MacLeod, Under Secretary for Scotland. Bears James Bourlet & Sons label to the reverse of the frame. £800 - 1,200* 72 Arthur Ralph Middleton Todd RBA RA RE, British 1891-1966 Portrait of a Man; and Rural buildings ink and watercolours, two, 15.2x11.3cm and 17.2x12cm respectively (mounted/unframed) (ARR) 71

Note: both works bear a stamp reading ‘From the Innes family archive. An original work by: Arthur Ralph Middleton Todd 1891 - 1966, from the sale at Barbara Kirk Auctions, Penzance, 21/10/2014’. £200 - 400* 73 Cyril Edward Power, British 1872-1951 Study IV for ‘Whence and Whither?’, c.1930 pencil on paper, inscribed verso, 25.2x20.2cm (mounted/unframed) (ARR) Provenance: the artist’s family; The Redfern Gallery, London, where sold 24/12/93 (bears label to the reverse of backing board); Bonham’s London, 14 July 2009, lot 149 £1,500 - 2,000*

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74 Cyril Edward Power, British 1871-1951 Lavenham, Suffolk watercolour and pencil, 27x34cm (ARR) Provenance: given to the previous owner c. 1990 by the artist’s graddaughter; thence by descent £600 - 800* 75 Cyril Edward Power, British 1872-1951 Study for Traffic - Piccadilly Circus II, c.1930 wax crayon on tracing paper, 31.5x37cm (ARR)

Provenance: The Artist’s Estate; The Redfern Gallery, London (bears label to the reverse of the frame) £800 - 1,200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

76 76 Peter Lanyon, British 1918-1964 Landscape with Houses, Italy, 1944 watercolour with traces of pencil, signed and dated 10/5/44, 17x25cm (ARR) Provenance: private collection, St. Ives; thence by descent £1,800 - 2,400* 77 Denis Mathews, British 1913-1997 Wine is stored in another barrel, c. 1953 monotype finished in Chinese ink and watercolour, signed, image 30x36cm (ARR) Note: exhibited in ‘Wine Making in Burgundy’, Leicester Galleries, November 1955 (bears exhibition label to the reverse of the frame). This work was made to illustrate ‘A Book of Burgundy’, 1958, written by Pierre Poupon and Pierre Forgeot. £200 - 300* 77

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78 Edward Ardizzone CBE RA, British 1900-1979 Courting Couples Watched by Boys pen and ink, signed with initials, 12.5x18cm (ARR) Provenance: Abbott & Holder, London (bears label attached to the reverse of the frame) £200 - 400*

78 79 Edward Ardizzone CBE RA, British 1900-1979 Two Barristers ink wash on paper, signed with initials, 15x24cm (ARR) Provenance: New Grafton Gallery, London, where purchased by the previous owner 28/2/1975 (bears label to the reverse of the frame) £200 - 300* 79

80 Lord Paul Ayshford Methuen RA RWS, British 1886-1974 St John’s College Gateway, Cambridge; 30th May 1949 charcoal and gouache on light blue coloured paper, signed, inscribed and dated, 42x29cm (ARR) Provenance: Thomas Agnew & Sons Ltd., London, (bears label to the reverse of the frame) £400 - 600* 80

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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81 Leon Underwood, British 1890-1975

86 Leon Underwood, British 1890-1975

Female nude half-length turned to the left

Standing nude with hands behind back

pencil drawing, signed and dated 50, 56x38cm: together with another pencil drawing of a nude half length turned to the right by the same artist, inscribed by Mary Underwood verso, 56x38cm (2) (unframed) (ARR)

pencil and heightening, signed, 51x38.5cm (unframed) (ARR)

Provenance: The Artist’s Estate; thence by descent

87 Leon Underwood, British 1890-1975

£300 - 500* 82 Leon Underwood, British 1890-1975 Standing nude turned three quarters to the left charcoal, signed, 56x38cm (unframed) (ARR) Provenance: The Artist’s Estate; thence by descent

Provenance: The Artist’s Estate; thence by descent £200 - 300*

Man and Bird, 1962 bronze, signed, dated 62, and numbered II/X, 38x24x20cm (ARR) Provenance: Bonham’s London, 2 November 2010, lot 181 £2,000 - 3,000*

£200 - 300* 83 Leon Underwood, British 1890-1975 Seated nude in chair red sanguine drawing with wash, signed, 56x38cm (unframed) (ARR) Provenance: The Artist’s Estate; thence by descent £200 - 300* 84 Leon Underwood, British 1890-1975 Standing nude with hands clasped behind back watercolour, inscribed by Mary Underwood (the artist’s wife) verso, 57x39cm (unframed) (ARR) Provenance: The Artist’s Estate; thence by descent £150 - 200* 85 Leon Underwood, British 1890-1975 Standing dancer wearing pointe shoes sanguine and pencil on paper, signed twice and dated 53, 55.5x38cm (unframed) (ARR) Provenance: The Artist’s Estate; thence by descent £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

88 Sir Alfred James Munnings KCVO PPRA, British 1878-1959 Man with a champagne coupe and a rearing horse, c.1951 graphite on paper, signed, 25.5x19.5cm (ARR) Provenance: purchased from Graves Gallery, Birmingham in the 1950s; thence by descent Note: this sketch is an original design relating to the illustration on the back cover of ‘The Second Burst’, volume II of the artist’s autobiography. The book was first published in November 1951. £800 - 1,200*

88 89 Martin Bloch, Polish/British 1883-1954 Harbour scene charcoal on buff paper, signed, 26x32.5cm (ARR) £200 - 300*

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90 Jacob Kramer, Ukrainian/British 1892-1962 Portrait of a man charcoal, signed, 48x38cm: together with another charcoal drawing by the same artist, Profile Study, also signed, 43x38.5cm (2) (ARR) £100 - 150* 91 Frank Auerbach, British b.1931 Primrose Hill (study),1960 pencil and oil paint on brown paper, 24x36cm (ARR) Exhibited: Arts Council, London, ‘Drawing Towards Painting’, 1962, illustrated p. 21 of catalogue Provenance: Sotheby’s London, David Sylvester Sale, 26 February 2002, lot 39 (bears label to the reverse of the frame); Rosebery’s London, 12 March 2008, lot 110; Richard Saltoun, London (bears label to the reverse of the frame)

£2,500 - 3,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

92 92 David Bomberg LG, British 1890-1957 The Tent Family watercolour and gouache on paper, signed and dated 1920, 48x54cm (ARR) Provenance: Dinora Davies-Rees; from whom purchased in 1987 by a private collector; Bonham’s London, 15 March 2016, lot 132 Note: bears label signed by Dinora Davies-Rees to the reverse of the frame £2,000 - 3,000* 93 David Bomberg LG, British 1890-1957 Festivity oil on paper, signed, with further painting verso, also signed, titled and dated 1920, 45.5x33.5cm (ARR) Provenance: Sotheby’s London, 18 July 1990, lot 144 93

£800 - 1,200*

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94 Frank Dobson RA, British 1888-1963 Parkland, 1943 black chalk and watercolour, signed and dated ‘43, 21.5x28cm (ARR) Provenance: The Redfern Gallery, London £500 - 700* 95 Josef Herman OBE RA, Polish/British 1911-2000 Carrying The Sack, c. 1965 oil on board, bears partial label with inscribed title and artist’s name on the reverse, 25x30cm (ARR) (VAT charged on hammer price)

Provenance: Flowers Gallery, London; The Robert Heller Collection £1,000 - 1,500* 96 Josef Herman OBE RA, Polish/British 1911-2000 Reclining nude, 1987 oil on board, 25x53.5cm (ARR) (VAT charged on hammer price) Provenance: Flowers Gallery, London; The Robert Heller Collection £1,500 - 2,000* 95 97 Lilian Holt, British 1898-1983 Nude oil on board, signed and dated 47, 65x49cm (ARR) £250 - 350*

96 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

99 98 Leon Kossoff, British 1926-2019

100 Philip Naviasky, British 1894-1983

From Rubens

Portrait of a boy

black and brown chalk over pencil on paper, titled and inscribed ‘for Naomi with love from Leon and Peggy’, 41x52.5cm (ARR)

oil on panel, signed, 46x35.5cm (ARR)

Provenance: a gift from the artist to a private collection; Bonham’s Knightsbridge, 5 November 2011, lot 323 £1,000 - 1,500* 100

99 Leon Kossoff, British 1926-2019 Head of Father (1979) No 1 etching on wove, signed, titled, inscribed AP and dated 82 in pencil, 26.5x20.5cm (ARR)

Provenance: T & R Annan & Sons, Glasgow (bears label to the reverse of the frame) £150 - 250* 101 Philip Naviasky, British 1894-1983 Still life with tulips (recto), Woman in a landscape (verso) oil on board, signed, 49.5x39.5cm (ARR) £200 - 300*

Provenance: Fischer Fine Art, London (bears label to the reverse of the frame) £200 - 300*

101

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L.S. Lowry began attending evening classes at the Manchester Municipal College of Art in 1905. He studied life drawing under the tutelage of Adolphe Valette, a French painter with links to the Impressionists. The following lots (102 - 105) are rare examples of early works by Lowry, some of which were completed in Valette’s classes, as indicated by the artist’s careful inscriptions: ‘av’ for Adolphe Valette, and a notation of how long the drawings took to complete (eg ‘45 min’).

102 102 Laurence Stephen Lowry RA RBA, British 1887-1976 Study of a Female Head sanguine on buff paper, 21x18.5cm (ARR) Provenance: private collection, Salford; Grove Fine Art, Manchester (bears label to the reverse of the frame) Note: this work is accompanied by a signed statement by Martin Summers, former Managing Director of the Lefevre Gallery, London, confirming the authenticity of this work £8,000 - 12,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

103 Laurence Stephen Lowry RA RBA, British 1887-1976 Female Bust charcoal on paper, 46x35.5cm (ARR) Provenance: private collection, Salford; Grove Fine Art, Manchester (bears label to the reverse of the frame) Note: this work is accompanied by a signed statement by Martin Summers, former Managing Director of the Lefevre Gallery, London, confirming the authenticity of this work £10,000 - 12,000*

103 104 Laurence Stephen Lowry RA RBA, British 1887-1976 Niobe pencil on paper, signed, dated 1911, titled and inscribed ‘av’ and ‘2 hrs’ , 43.5x35.5cm (ARR) Provenance: private collection, Salford; Grove Fine Art, Manchester (bears label to the reverse of the frame) Note: this work is accompanied by a signed statement by Martin Summers, former Managing Director of the Lefevre Gallery, London, confirming the authenticity of this work £8,000 - 12,000*

104

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105

106

105 Laurence Stephen Lowry RA RBA, British 1887-1976

106 Laurence Stephen Lowry RA RBA, British 1887-1976

Female Nude

Male Figure holding a Pole

conte on paper, signed, dated 1914, and inscribed ‘45 min/av’ and ‘P.M. 6:30’, 54.5x35.5cm (ARR)

pencil on buff paper, signed with initials, dated 1919, and inscribed ‘av’, 36.5x14.5cm (ARR)

Provenance: private collection, Salford; Grove Fine Art, Manchester (bears label to the reverse of the frame)

£15,000 - 20,000*

Note: this work is accompanied by a signed statement by Martin Summers, former Managing Director of the Lefevre Gallery, London, confirming the authenticity of this work £7,000 - 10,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

108

109

107 Adrian Maurice Daintrey RWA, British 1902-1988

108 Adrian Maurice Daintrey RWA, British 1902-1988

109 Marcus Ford, British 1914-1988

Coastal Scene

Village landscape

Salthouse, Norfolk, c. 1969

oil on canvas, signed with initials ‘AMD’ on the salvage, 26x46cm (ARR)

oil on canvas, 31x36cm (ARR)

oil on canvas, signed, inscribed verso on tacking edge, 45.7x61cm (ARR)

£100 - 150*

Provenance: Christie’s London, 19 September 1991, lot 111 £300 - 400*

Note: this painting is accompanied by a signed letter dated 3/6/1969 from the artist to the previous owner, inviting her to visit his studio £300 - 400* 110 Robert Buhler RA, British 1916-1989 Autumn Garden oil on unstretchered canvas laid down on board, signed, 29.5x34cm (ARR) Note: bears inscribed label to the reverse of the frame stating ‘To be collected for Amnesty International [signed] Robert Buhler’ £700 - 1,000*

110

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112 111 Robert Buhler RA, British 1916-1989

112 Robert Buhler RA, British 1916-1989

Portrait of a man head and shoulders

Pimlico, Alderney Street

oil on canvas board, signed, 49x34cm (ARR)

oil on canvas, signed and dated 1969, 71x91cm (ARR)

£200 - 300*

£700 - 1,000* 113 Margaret Green, British 1925-2003 Marshmallow in Sussex oil on board, signed, 15.5x23.4cm (ARR) Provenance: New Grafton Gallery, London, where purchased by J.T. Burns in June 1972 (bears label to the reverse of the frame) £200 - 300* 113

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

115

114 114 Carel Weight CH CBE RA, British 1908-1997

115 Carel Weight CH CBE RA, British 1908-1997

116 Carel Weight CH CBE RA, British 1907-1997

Sussex Road

Chelsea Garden

Rain in the Country

oil on card, signed, 41x51cm (ARR)

oil on board, signed, 28x19cm (ARR)

Provenance: Abbott & Holder Ltd., London (bears label verso)

Provenance: with Brandler Galleries, Brentford, Essex (bears label to the reverse of the frame); Bonham’s London, 19 May 2009, lot 188

oil on canvas, signed, dated 1953, and titled verso, 30x50.8cm (ARR)

£1,000 - 2,000*

Provenance: Sotheby’s London, 18 July 1990, lot 301 £1,000 - 2,000*

£800 - 1,200*

116

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117 117 Frederick Gore CBE RA, British 1913-2009

118 Stuart Scott Somerville, British 1908-1983

119 Adrian Ryan, British 1920-1998

Kos Town Avenue, Greece, 1954

African figures

Still life of lemons and apples

oil on board, signed and dated, 39.5x48.5cm (ARR)

oil on board, signed, 35.5x26cm (ARR)

oil on canvas, signed, 24x39cm (ARR)

Provenance: Mr & Mrs A.L. Fratton; Ex-Collection of the Training College (likely La Sainte Union), Southampton (bears label to the reverse of the frame)

£200 - 300*

Provenance: Leon Suddaby Fine Art, Penzance (bears label to the reverse of the frame) £400 - 600*

£1,500 - 2,000*

118

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119

120 Cathleen Mann RP ROI, British 1896-1959 Girl Writing, c. 1950 oil on canvas, signed verso and inscribed on stretcher, 76x63cm (ARR) Note: bears James Bourlet & Sons label to the stretcher £1,500 - 2,000*

120 121 Margaret Garland, British 1893-1976 Angel, c. 1940 watercolour over pencil on paper, 35x21cm (ARR) Note: bears unidentified gallery label to the reverse of the frame £100 - 150* 122 Stephen Tennant, British 1906-1987 Don’t Tell Mother pen and ink and watercolour, 28x19.5cm (ARR) Provenance: The Maclean Gallery, London (bears label to the reverse of the frame); Christie’s London, 14 May 1993, lot 99 £300 - 400*

122 44

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123

124

123 Ruskin Spear CBE RA, British 1911-1990 Recumbent female nude black ink and wash with touches of white on paper, signed and dated 1938, 30x41.5cm (ARR) £200 - 300* 124 Ruskin Spear CBE RA, British 1911-1990 Still Life with Mushrooms oil on canvas laid down on board, signed and dated 1952, 47x69cm (ARR) Provenance: Crane Kalman Gallery, London, where sold December 1972 (bears label verso) £300 - 500* 125 Robert Colquhoun, Scottish 1914-1962 Bull pen and black ink on grey paper, signed and dated 55, 35.5x26cm (ARR)

125

Exhibited: City of Edinburgh Museums and Art Gallery, ‘Robert Colquhoun’, May-September 1981, cat. no. 79 £300 - 500* 126 Morris Kestelman, British 1905-1998 Boys at Cinema oil on canvas laid down on board, signed, 39x47cm (ARR) Provenance: Bonham’s Knightsbridge, 25 January 2011, lot 191 £300 - 500* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

126 45

127 Feliks Topolski RA, Polish/British 1907-1989 Figures having a conversation pen and black ink, signed, dedicated and dated 1942, 31.5x38.5cm (ARR) £100 - 150* 128 Feliks Topolski RA, Polish/British 1907-1989 127

Joshua Percy Parsons in ‘Thunder Rock’ pen, brush and black ink on buff paper, signed and titled, 39.5x27.5cm (ARR) Provenance: ex-collection of Sir Michael Redgrave (bears label to the reverse of the frame) £100 - 150* 129 Feliks Topolski RA, Polish/British 1907-1989 Herbert Marshall producer of ‘Thunder Rock’ pen, brush and black ink on buff paper, signed and titled, 39.5x27.5cm (ARR) Provenance: ex-collection of Sir Michael Redgrave (bears label to the reverse of the frame) £100 - 150* 130 Feliks Topolski RA, Polish/ British 1907-1989

128

Two Sketches of Michael Redgrave as Charleston in ‘Thunder Rock’ ink and wash on paper, two, both signed with initials and inscribed, one 16.5x12.5cm and the other 17x17cm (2) (ARR) Provenance: ex-collection of Sir Michael Redgrave (both bear labels to the reverse of the frames) £100 - 150*

130

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131 Sir Kyfﬁn Williams KBE RA, Welsh 1918-2006 Farmer at Rhoscolyn charcoal and watercolour, signed with initials, 34x48cm (ARR) Provenance: Thackeray Gallery, London, where purchased by Mercantile & General Reinsurance Company 9/9/82 (bears label to the reverse of the frame); private collection, UK; Bonham’s Knightsbridge, 19 November 2008, lot 58 £1,500 - 2,000*

131

132 Sir Matthew Smith CBE, British 1879-1959 Untitled landscape tondo, 1954 watercolour and gouache, signed in pencil, inscribed verso ‘With all Best Wishes to Cecil from Matthew, Christmas 1954’, 14cm diameter (ARR) Provenance: Collection of Betty Newmarch; Abbott & Holder Ltd., London (bears label to the reverse of the frame) £300 - 500* 133 Mary Potter LG, British 1900-1981

132

Blue Sea through an open Aldeburgh Window, 1958 watercolour on a sheet of sketchbook paper, 12.5x17.5cm (ARR) Provenance: Abbott and Holder, London (bears label to the reverse of the frame) Note: this watercolour is a preliminary work for one of Potter’s most oil paintings ‘Window (The Blue Sea)’, completed in 1960. £250 - 350*

133 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

134

135

134 Keith Vaughan, British 1912-1977

135 Keith Vaughan, British 1912-1977

Three figures

Abstract figurative composition

pencil, signed with initials, 10x12.5cm (ARR)

pencil, signed with initials, 14x10cm (ARR)

Note: Anthony Hepworth has kindly confirmed the authenticity of this work

£400 - 600*

136 Keith Vaughan, British 1912-1972 Standing Figure, 1960 gouache and chalks, dated 60 verso, 49x33cm (ARR) Provenance: Agnew’s Fine Art Dealers, London (bears label to the reverse of the frame); Bonham’s London, 2 July 2002, lot 170 Note: Anthony Hepworth has kindly confirmed the authenticity of this work £3,000 - 5,000*

136 48

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137 William Gear RA RBSA, Scottish 1915-1997 Standing female nude, c. late 1930s ink and watercolour, 46.5x28.5cm (ARR) Provenance: Estate of Rendall Wells; Bonham’s London, 28 June 2000 £600 - 800* 138 Sir Terry Frost RA, British 1915-2003 Bloom around Red, 1990 monotype in colours on Bockingford 400gsm wove, printed by Hugh Stoneman and Alan Cox at the Print Centre, London, 120x119cm (ARR) Provenance: Austin Desmond, London; Private collection, London Exhibited: ‘Terry Frost Monotypes for a 75th Birthday’ Austin Desmond Gallery, 1990, No. 9 (a copy of this catalogue accompanies this lot) £2,000 - 3,000*

137

138

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139

140

141

139 Sir Terry Frost RA, British 1915-2003 Figure study pencil on paper, signed, 17x12cm (ARR) £400 - 600* 140 Sir Terry Frost RA, British 1915-2003 Figure study pencil, signed and dated 51, 26.5x7.5cm (ARR) Provenance: David Lay Auctioneers, 26 July 1990 £300 - 400* 142 141 Patrick Procktor RA RWS, British 1936-2003

142 Anthony Whishaw RA, British b.1930

143 Anthony Whishaw RA, British b.1930

A collection of ten life studies

Three Standing Figures

Head of a woman

ten charcoal and pastel drawings, nine signed and dated 59 and 60, various dimensions, max. 72x58cm, (10) (mounted/unframed) (ARR)

oil on board, signed and dated 1959 verso, 123x100cm (ARR)

oil on board, 92x60.5cm (ARR)

£800 - 1,200*

£100 - 200*

Provenance: Molton Gallery, London (bears label to the reverse of the frame) £250 - 350*

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144 Roger Hilton, British 1911-1975 Head of a woman oil on unstretchered canvas, 11.5x9cm (ARR) Provenance: Christie’s South Kensington, 11 April 1983, lot 4 £700 - 1,000* 145 Donald McIntyre RCA, British 1923-2009 The Wave, Porth Cwyfan oil on canvas laid on board, signed, further signed and inscribed verso, 60.9x122cm (ARR) Provenance: Christie’s London, 20 March 2014, lot 131 £4,000 - 6,000* 144

145 146 Jack Pender, British 1918-1998 Fishing Boats oil on board, bears inscription verso, 26x29.5cm (ARR) £300 - 500*

146 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

147

148

147 Thelma Hulbert, British 1913-1995

148 Thelma Hulbert, British 1913-1995

The Sea, Early Morning, Ischia

Untitled

oil on canvas laid down on panel, signed and dated 58, 30.5x40.5cm (ARR)

oil on canvas, signed, 41x51cm (ARR) £150 - 250*

Exhibited: The Leicester Galleries, London, December 1958 (bears label to the reverse of the frame) £100 - 200*

149 149 Peter de Francia, British 1921-2012 Figures in an orchard by a village oil on panel, signed and dated ‘58, 44x97cm (unframed) (ARR) £800 - 1,200*

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150

151

150 David Carr, British 1915-1968 Still life oil on canvas, unfinished sketch verso, 61x30.5cm (unframed) (ARR) £200 - 300* 151 Peter Haigh, British 1914-1994 Abstract Composition (May ‘94) oil on canvas, signed and dated verso, 38x45.5cm (ARR) 152

£500 - 700* 152 Peter Haigh, British 1914-1994

153 Dennis Hawkins, British 1925-2001

Abstract Composition (May ‘87)

Blue Line Relief, 1969

oil on canvas, signed and dated verso, 40.5x50.5cm (ARR)

acrylic on wood, signed, dated, titled, and inscribed verso, 62x53cm (ARR)

£500 - 700*

Provenance: Flowers Gallery, London; The Robert Heller Collection £100 - 150*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

154 Gerald Wilde, British 1905-1986 Street scene gouache on buff paper, signed and dated 41, 36x53cm (ARR) £700 - 1,000*

154 155 Francis Davison, British 1919-1984 Fields and Enclosures collage on Essex board, bears studio stamp on label verso and numbered A189, 47x61cm (ARR) Exhibited: Kettle’s Yard, Cambridge, ‘Francis Davison: Collages and early works’, 24 November 200720 January 2008 £2,000 - 3,000*

155 156 Henry Inlander, Austrian/British 1925-1983 Hillside at Sunset oil on canvas, signed, 94.5x110cm (ARR) Provenance: Christie’s London, 7 June 1985, lot 131 Exhibited: Leicester Galleries, London, June 1961 (bears label to the reverse of the frame) £300 - 500*

156

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157 Henry Inlander, Austrian/British 1925-1983 Man in tree oil on canvas, signed and dated 57, 123x91cm (ARR) £1,500 - 2,000* 158 John Loker, British b. 1938 Untitled, 1970 collage, signed and dated Aug 70, 65x46cm (ARR) Provenance: Flowers Gallery, London; The Robert Heller Collection £100 - 150* 159 Maurice Cockrill RA FBA, British 1936-2013 Pool, 2000 oil on board, signed, titled and dated verso, 24x47cm (ARR) Provenance: Wilson Stephens Fine Art (bears label verso); Bonham’s Knightsbridge, 23 March 2010, lot 4

157

£350 - 450* 160 Maurice Cockrill RA FBA, British 1936-2013 When Did You Last See Your Father? collage and mixed media on paper triptych, signed and dated 1975, 32x70cm: together with another mixed media work on paper by the same artist, a drawing of the Walker Art Gallery entrance, signed and dated 1974, 27.8x20cm (2) (ARR)

159

£300 - 500*

160

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161 161 Richard Smith CBE, British 1931-2016 Red abstract composition oil on board in two parts, signed and dated 57, 185x124.5cm overall (ARR) Provenance: the artist; collection of the architect Margaret Dent (Mrs Stephen); thence by descent Note: this work was cut into two pieces at a later date, presumably by the artist ÂŁ4,000 - 6,000*

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162

162 Richard Smith CBE, British 1931-2016 Noplace oil on board in two parts, signed and dated 58, inscribed verso with artist’s name and address and ‘Art Galler [sic] Portland Building University Park Nottingham’, 125x184cm (ARR) Provenance: the artist; collection of the architect Margaret Dent (Mrs Stephen); thence by descent Exhibited: Arts Council of Great Britain, Cambridge, Newcastle and London, ‘Abstract Impressionism’, 1958, cat. no. 25 (in one piece; this work was split in two at a later date, presumably by the artist) Note: Born in Hertfordshire in 1931, Richard Smith studied at the Royal College of Art, London from 195457. His work was included in the 1958 exhibition ‘Abstract Impressionism’ organised by Lawrence Alloway and Harold Cohen with the goal of bringing together artists from England, France, and the United States whose work represented both abstraction and a painterly interest in colour, touch, light and space. The following year, Smith received the Harkness Fellowship to travel to New York where he began to explore elements of both Abstract Expressionism and Pop art in his own work. £4,000 - 6,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

163 Stephen Gilbert, Scottish 1910-2007 Abstract composition brush and black ink on paper, signed and dated 50 on the backing card, 20x13.7cm (ARR) £300 - 500* 164 William Newcombe, Canadian/British 1907-1969 Ristoney, 1958 watercolour and bodycolour, signed, 16x72cm (ARR) Provenance: Zwemmer Gallery; Christie’s South Kensington, 9 May 2007, lot 124; Bonham’s London, 2 November 2010, lot 93 £150 - 250*

163

164

165 John Robinson, British 1935-2007 Sarah, figure of a young girl patinated bronze, signed and numbered 3/9, 54x34x38cm (ARR) £400 - 600*

165

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166 Dora Gordine, Estonian/British 1895-1991 Sea Rose bronze with marble base, 26.5x40x16cm (ARR) Exhibited: Leicester Galleries, London, 1950 Provenance: Nancy Balfour; Abbott & Holder, London, where purchased by the previous owner in 2000 £700 - 1,000*

166

167 Marcus Cornish, British b.1964

168 Sophie Dickens, British b.1966

Portrait of Rachel

Rolling Dogs

terracotta sculpture, 38cm high (ARR)

bronzes, two, signed with initials and numbered 8/9, 13.5cm high (2) (ARR)

£200 - 400*

Provenance: The Millinery Works Gallery, London, where purchased February 2011 by the previous owner £300 - 500*

168 167

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Geoffrey Harris was born in Nottingham in 1928 and studied at Leeds College of Art and the Royal College of Art. He worked as an assistant for Leon Underwood, David John, and William Bloye and lectured at several art colleges including Birmingham, Stourbridge, Bromley, and Ravensbourne. However, he is perhaps best known for, and his work most influenced by, his period working as a studio assistant for Henry Moore from 1957-1960. Harris had solo exhibitions at the Leicester Galleries and the Queen’s Square Gallery in 1964. Lots 169 to 180 all come from the artist’s studio. Photo: Henry Moore (l) and Geoffrey Harris (r) in Top Studio, 1956. Reproduced by permission of the Henry Moore Foundation.

169 Geoffrey Harris, British 1928-2019

171 Geoffrey Harris, British 1928-2019

Divide II, 1968

Crevice, 1963

Portland stone, 102x35x17cm (ARR)

Portland stone, 49.5x16x28cm (ARR)

Note: this lot is accompanied by an archival photograph of this sculpture taken by Hugh Gordon, with cataloguing details verso.

Exhibited: The Leicester Galleries, London, ‘Geoffrey Harris: an exhibition of recent sculpture and drawings’, February-March 1964, cat. no. 14

£500 - 800*

Note: this lot is accompanied by an archival photograph of this sculpture taken by Hugh Gordon, with cataloguing details verso. £500 - 800*

170 Geoffrey Harris, British 1928-2019 Divide, 1974

172 Geoffrey Harris, British 1928-2019

Portland stone, 53x17x16cm (ARR)

Enclave, 1963

Note: this lot is accompanied by an archival photograph of this sculpture taken by Hugh Gordon, with cataloguing details verso.

Portland stone, 49x22x16cm (ARR)

£400 - 600*

Exhibited: The Leicester Galleries, London, ‘Geoffrey Harris: an exhibition of recent sculpture and drawings’, February-March 1964, cat. no. 15 Note: this lot is accompanied by an archival photograph of this sculpture taken by Hugh Gordon, with cataloguing details verso. £500 - 800*

169 60

170

171

172 www.roseberys.co.uk

173 Geoffrey Harris, British 1928-2019 Stone Cross on Wood Table, 1980 Portland stone and wood, 88x42.5x32.5cm: together with another stone cross sculpture in Portland stone on a wooden base by the same artist (2) (ARR) Note: this lot is accompanied by an archival photograph of this sculpture with cataloguing details verso. £700 - 1,000* 174 Geoffrey Harris, British 1928-2019 Four sculptures two Portland stone and two slate, various dimensions, max. 38x30x23cm (ARR) 173

£500 - 700* 175 Geoffrey Harris, British 1928-2019 Maquette for ‘Cathedral’, c. 1963 resin, 72.5x40x26cm (ARR) Note: this work is a maquette for a bronze sculpture titled ‘Cathedral’ made in 1963. The bronze was exhibited at the Leicester Galleries, London, ‘Geoffrey Harris: exhibition of recent sculpture and drawings’, February-March 1964, cat. no. 13. £400 - 600*

174

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175

176

177

176 Geoffrey Harris, British 1928-2019

177 Geoffrey Harris, British 1928-2019

Maquette for ‘Headland’, c. 1962

Maquette for ‘Generations’, c. 1964

resin on wood base, 61x112x33cm (ARR)

resin, 30x19x25.5cm (ARR)

Note: this lot is accompanied by an archival photograph of the bronze after this maquette (Headland, 1962) taken by Hugh Gordon. The bronze was exhibited at the Leicester Galleries, London ‘Geoffrey Harris: exhibition of recent sculpture and drawings’, February-March 1964, cat. no. 7 £500 - 700*

Note: this is the maquette for a large public sculpture commissioned by London County Council for the Maitland Park Estate in the Borough of St Pancras (now Camden), London as part of their Patronage of the Arts scheme. The sculpture was completed and installed in 1964. It celebrates the theme of community and multigenerational families that was embodied by the newly built estates around London, and shares similarities with Henry Moore’s ‘Family Group’ sculpture. This lot is accompanied by an archival photograph of the public sculpture in situ. £500 - 700*

178 Geoffrey Harris, British 1928-2019 Bronze figure, Two stone figures embracing, and two resin maquettes of figures in doors four sculptures/maquettes in bronze, stone, and resin respectively, various dimensions, max. 33x41x13cm (ARR) 178

£400 - 600*

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179

180

179 Geoffrey Harris, British 1928-2019 A collection of small portrait bust sculptures thirteen clay head and one carved stone head, various dimensions, max. 20x9x11cm (ARR) £300 - 500*

180 A signiﬁcant collection of archival material relating to the artist Geoffrey Harris (1928-2019), consisting mostly of gelatin prints by Hugh Gordon of the artist’s sculptures and drawings, as well as photographic negatives and Kodak envelopes of small prints (two envelopes inscribed ‘Mr Henry Moore’) and a copy of the catalogue from the artist’s 1964 solo exhibition at the Leicester Galleries, London. Also included is a resin maquette for a small relief sculpture of two figures by the artist, 28.5x16cm (ARR) £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

181 Bryan Kneale RA, British b.1930 Untitled bronze, signed and dated 1998, 43cm long (ARR) Provenance: Bonham’s Knightsbridge, 26 January 2010, lot 100 181

£150 - 250*

182 Bryan Kneale RA, British b.1930 Praxis patinated brass on wooden base, signed and dated 07, 38x17x17cm (ARR) Provenance: Hart Gallery, London, where purchased by the previous owner in 2007 £800 - 1,200* 183 Geoffrey Clarke RA, British 1924-2014 Plateau sterling silver, hallmarked 1974, stamped with artist’s initials GC, 6.5cm diameter (ARR) Provenance: Pangolin Gallery, London, where purchased by the previous owner in 2013 £700 - 1,000*

182

183

www.roseberys.co.uk

184 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Prototype Tower, c.1990 welded copper with oxidised patina, 70x18x16.5cm (ARR) Provenance: Whitfield Fine Art, London, where purchased by the previous owner in 2008 £3,000 - 5,000* 185 Terence Coventry, British b.1938 Jackdaw, 2008 sterling silver, hallmarked, stamped with artist’s initials and numbered 4/10, 18.5x28.5x17cm (ARR) Exhibited: Pangolin Gallery, Terence Coventry Birds & Beasts, 28 May-27 June 2014 £1,500 - 2,500*

184

185

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

186

187

186 John Erskine Milne, British 1931-1978

187 John Erskine Milne, British 1931-1978

Storm Lifting, 1968 [JM70]

Delphi [JM62]

cold cast aluminium relief, signed with initials and numbered 1/6 verso, 27x32cm (ARR)

cold cast aluminium relief, signed with initials, numbered 3/9 and dated 1969 verso, 28x31cm (ARR)

£800 - 1,200*

188

188 Michael Ayrton, British 1921-1975 Icarus Transformed I, 1961 bronze, 20x58.5x32cm (ARR) Provenance: Bonham’s Knightsbridge, 15 March 2016, lot 44 Literature: Michael Ayrton, ‘Michael Ayrton Drawings and Sculpture’, London, 1962, no.107 (another cast); P. Cannon-Brookes, ‘Michael Ayrton An Illustrated Commentary’, Birmingham, 1978, p.83, no.143 (another cast) £3,000 - 5,000*

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189 Bernard Meadows, British 1915-2005 Maquette for Large Crab Relief [BM124] polished bronze, inscribed with artist’s mark and numbered 2/6, 8.3x16.5x3.7cm (ARR) Provenance: Bonham’s London, 18 March 2009, lot 51 £1,500 - 2,500*

189

190 Alan Brazier, British 1956-2016 Two figures embracing bronze, 57x23x23.5cm (ARR) £600 - 800* 191 Alan Brazier, British 1956-2016 The Embrace black painted plaster sculpture, signed, 58x24.5x24.5cm (ARR) £150 - 250* 192 Alan Brazier, British 1956-2016

190

191

192

193

Standing figure Portland stone, 40x31x31cm (ARR) £600 - 800* 193 Alan Brazier, British 1956-2016 Two figures Portland stone, 53x33x25cm (ARR) £700 - 1,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

194 Michael Stallard, British b.1944 Untitled carved marble, signed and dated 70, 37x19x29cm including cylindrical plinth (ARR) £800 - 1,200* 195 Michael Stallard, British b.1944 Untitled carved marble on wooden base, signed and dated 69, 88x22x11cm (ARR)

194 195

£1,000 - 1,500* 196 Raymond Arnatt, British 1934-2004 Untitled bronze rectangular relief, 13x31cm (ARR) £300 - 500* 197 Raymond Arnatt, British 1934-2004 Untitled bronze, 24.2cm high (ARR) £300 - 500*

196

197

198 Peter Randall-Page RA, British b.1954 Little Secret iron, bears artist’s stamp and numbered 21 from the edition of 50, 5cm high x 6cm diameter (ARR) Provenance: Pangolin Gallery, London, where purchased by the previous owner in September 2014 £150 - 250*

198

www.roseberys.co.uk

200

199

199 British school, mid 20th century

202 Robert Cook, British b.1921

Two flying bird sculptures

Skyward

bronzes on bases, two, 144cm and 91cm high respectively

bronze on stone base, signed and dated 91, unique cast, 33cm high (ARR)

£150 - 250*

201

£150 - 250* 200 Robert Cook, British b.1921 Abstract mobile silver plated metal on metal wire, 25.5x25x16cm (ARR) £150 - 250* 201 Robert Cook, British b.1921

203 Robert Cook, British b.1921 Australian Sketch bronze on wooden base, signed and dated 64, unique cast, 32.5x6.5x14cm (ARR) £150 - 250* 202

Fishy bronze on wooden base, signed twice, dated 07, and titled, 42x34x20cm (ARR) £150 - 250*

203

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

204

205

206

204 Robert Cook, British b.1921

207 Robert Cook, British b. 1921

Static Moment

Silver Sphere

bronze on stone base, signed, unique cast, 39cm high (ARR)

hammered silver plated metal on wooden base, signed and dated 97, 19x12x15cm (ARR)

£150 - 250*

£200 - 300* 205 Robert Cook, British b.1921 207

Rapa Girl bronze on stone base, signed and dated 80, edition 3/8, 24cm high (ARR) £100 - 200*

208 Robert Cook, British b.1921 Balancing carved wood on plexi base, signed and dated 55, 110x77x83cm (ARR) £300 - 400*

206 Robert Cook, British b.1921 Graces I bronze on stone base, signed and dated 07, 33.5x17.7cm (ARR) £150 - 250* 208

www.roseberys.co.uk

210

209

209 Robert Cook, British b.1921 Girl as Landscape, 1965 bronze on wooden base, signed, unique cast, 27.5x33x27cm (ARR) £150 - 250* 210 Robert Cook, British b.1921 Flying Figure bronze, signed and dated 07, 38x21x10cm (ARR) £150 - 250* 211 Robert Cook, British b. 1921 Abstract form bronze with green patina on stone base, signed and dated 65, 112x63x70cm (ARR) £1,500 - 3,000*

211

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

212 Halima Cassell FRSS, Pakistani/British b. 1975 Rubicon bronze, edition 2/8, 76cm high (ARR) Provenance: Bluecoat Display Centre, Liverpool, where purchased by the previous owner in 2012 £1,000 - 2,000* 213 Lee Borthwick, Scottish 20th/21st century Untitled relief painted wood and silver birch, 17x10.5x4cm (ARR) Provenance: Royal College of Art, Stewarts Law RCA Secret 2014 £200 - 300* 214 Paul Mount, British 1922-2009 Rubik Cube 212

stainless steel and mirrored glass on granite base, signed on base and on two of the elements, 15.5x10x10.5cm (ARR) Provenance: The George Dannatt Collection; Waterhouse & Dodd, London, where purchased by the previous owner in 2017 £1,000 - 2,000* 215 Michael Pennie, British 1936-2019 Untitled perspex, signed and dated 1970, 22.8x31.5x14cm (ARR) Provenance: The Flowers Gallery, London; The Robert Heller Collection

213

214

£300 - 500*

215

www.roseberys.co.uk

216 Oliver Bevan, British b. 1941 Expansion kinetic chromotropic sculpture made of a lightbox with coloured gels on acrylic discs with electric motor, 32.5x23.26.5cm (ARR) Provenance: London Arts Gallery, where purchased by the present owner in 1974 Note: the artist has kindly confirmed the authenticity of this work £600 - 800* 216 217 John McLean, British 1939-2019 Kermesse painted aluminium, signed with stamped initials and dated 09, 27.5x37x40cm (ARR) £800 - 1,200* 218 John McLean, British 1939-2019 Portrait of Mrs Berthe Wallis pastel, signed and dated 1998, 50x40cm (ARR) £150 - 250* 217 219 John McLean, British 1939-2019 Du bist die Ruh acrylic on paper, signed, titled and dated 2006 on the reverse of frame, 75x56cm (ARR) Note: bears Singer & Friedlander/Sunday Times Watercolour Competition 2006 label attached to the reverse of the frame £500 - 800*

219

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

220 Albert Houthuesen, Dutch/British 1903-1979 White Moon acrylic on canvas, signed, further inscribed and dated 1968 on the reverse, 63.5x76cm (ARR) £800 - 1,200* 221 Albert Houthuesen, Dutch/British 1903-1979 Wave Against Orange Boulder

220

oil on canvas, signed, titled verso, 62.8x78.6cm (ARR) £600 - 800* 222 Albert Houthuesen, Dutch/British 1903-1979 Wave Against Storm Sky acrylic on canvas, signed, further signed, titled and dated 1968 verso, 50x60cm (ARR) £800 - 1,200* 223 Albert Houthuesen, Dutch/British 1903-1979 The Wrestle

221

acrylic on canvas, signed, further inscribed and dated 1970 verso, 41x51cm (unframed) (ARR) £500 - 700* 224 Albert Houthuesen, Dutch/British 1903-1979 Sun over rock oil on canvasboard attached to a stretcher, signed, 40.5x50.5cm (unframed) (ARR) £500 - 700*

223

www.roseberys.co.uk

225 Albert Houthuesen, Dutch/British 1903-1979 Breaking Wave oil on canvas, signed, titled verso, 41x51cm (unframed) (ARR) £500 - 700* 226 Albert Houthuesen, Dutch/British 1903-1979 Evening sun

225

oil on canvas, signed with initials, further signed, titled and dated 64 on the stretcher, 31.5x49cm (ARR) £500 - 700* 227 Albert Houthuesen, Dutch/British 1903-1979 Evening Tide Coming in over Sandy Beach acrylic on board, signed, inscribed, and dated 1969 verso, 26x36cm (ARR)

226

Provenance: with the Mercury Gallery London, where sold March 1969, according to the label attached to the reverse of the frame £300 - 400* 228 Albert Houthuesen, Dutch/British 1903-1979 Pierrot watercolour and black felt tip pen on paper, signed, 54x45cm (ARR)

227

£200 - 300* 229 Albert Houthuesen, Dutch/British 1903-1979 Sun Over Rock oil on board, signed, further titled and inscribed verso, 35.5x45cm (ARR) £500 - 700*

229

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

230

231 230 Albert Houthuesen, Dutch/British 1903-1979 Mexican Poppy acrylic on board, signed, inscribed and dated 1975 verso, 45.5x35.5cm (ARR) £500 - 700* 231 Albert Houthuesen, Dutch/British 1903-1979 Painter pastel, signed, also titled and inscribed on the reverse of the frame, 76x54cm (ARR) £300 - 500*

234 232 Albert Houthuesen, Dutch/British 1903-1979

233 Albert Houthuesen, Dutch/British 1903-1979

234 Albert Houthuesen, Dutch/British 1903-1979

Collier

The World Upside Down

Magician

black chalk on buff paper, signed with initials and dated 1935, 72x51cm (ARR)

red conte and black chalk on paper, signed inscribed and dated Aug 5th 1960, further signed, dated and titled to the reverse of the frame, 66x81cm (ARR)

felt tip pen and watercolour, titled, dated June 74 and inscribed to the reverse of the frame, 48x43.5cm (ARR)

Note: bears inscription to reverse of frame ‘To Vik from Albert & Catherine 1979’ £300 - 500*

£200 - 300*

£300 - 500*

www.roseberys.co.uk

235

237

235 Albert Houthuesen, Dutch/British 1903-1979 Pierrot, Under Amber Light acrylic and oil on board, signed, further signed with initials, titled, and dated Sept 74 verso, 51x40cm (ARR) £300 - 500* 236 Albert Houthuesen, Dutch/British 1903-1979 Pantaloon II acrylic on board, signed, also signed, inscribed and dated Sept 74 verso, 51x40.5cm (ARR) £600 - 800* 237 Albert Houthuesen, Dutch/British 1903-1979 Confessor oil on collaged canvas laid down on board, signed, also titled, dated 74, and inscribed verso, 76x64cm (ARR) £300 - 500*

238 238 Albert Houthuesen, Dutch/British 1903-1979 White Faced Clown in Yellow Hat acrylic on board, signed, also inscribed and dated ‘74 verso, 51x40.5cm (ARR) £300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

240

239

241

239 Catherine Dean, British 1905-1983

241 Carole Hodgson, British b. 1940

Clowns Marionettes Greeting

Location Lane, 1981

oil on board, signed, further signed and titled verso, 49x20cm (ARR)

watercolour, pastel, and mixed media on paper, signed and dated, further signed, titled, and dated to the reverse of the frame, 62x78.5cm (ARR)

Note: Catherine Dean was the wife of Albert Houthuesen. £150 - 200* 240 Alan Davie RA, Scottish 1920-2014 Celtic Dream Boat II lithograph in colours on wove, signed, dated ‘65 and numbered 59/75 in pencil, sheet 57x80cm (ARR) Provenance: Lyon & Turnbull, Deloitte Art Collection Sale, 10 January 2008, lot 239

Provenance: Flowers Gallery, London; The Robert Heller Collection £100 - 150* 242 Judy Buxton, British b.1961 Object Group (Umber), 2002 oil on canvas, signed with initials and dated, inscribed verso, 47x49cm (ARR) £300 - 500*

£250 - 350* 78

www.roseberys.co.uk

243 Judy Buxton, British b.1961 Carleon Cove, Autumn I oil on board, 25.5x30cm (ARR) Provenance: Abbott & Holder Ltd., London (bears label to the reverse of the frame) Note: photograph, presumably displaying the reverse of the board, attached to the reverse of the frame £100 - 200* 244 Judy Buxton, British b.1961

243

Poltesco Head, and Scilly Isles: St Agnes a set of four mixed media works on paper, two titled ‘Poltesco Head’ and two titled ‘Scilly Isles: St Agnes’, each 26x27cm, (4) (mounted/unframed) (ARR) Provenance: Abbott & Holder Ltd., London, (bear labels to the reverse of each of the mounts) £150 - 250* 245 Judy Buxton, British b.1961 Trevassack Croft Evening Light, 2007 mixed media on paper, signed, titled and dated to the reverse of the frame, 15x19cm: together with another work on paper by the same artist titled ‘Tremayne Inlet IV’ also signed, titled and dated to the reverse of the frame, 11x15cm (2) (ARR)

245

£150 - 250* 246 Judy Buxton, British b.1961 River Light oil on canvas, signed, titled and dated 2007/8 to the reverse of the frame, 80x100cm (ARR) Provenance: New Millenium Gallery, St. Ives, where purchased in 2008 by the previous owner £800 - 1,200*

246

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

247 Barbara Rae CBE RA FRSE, Scottish b.1943 Achill Tide mixed media on paper, signed, 28x31cm (ARR) Provenance: Adam Gallery, London (bears label to the reverse of the frame) £700 - 1,000* 248 Carol Robertson, British b. 1955 Severn Sky oil on canvas, signed, titled and dated 2004 on the reverse, 25.5x25.5cm (unframed) (ARR) 247

£100 - 150* 249 Norman Ackroyd OBE RA, British b.1938 Bantry Bay watercolour on paper, signed, titled and dated 1987, 50x63cm (ARR) Provenance: Abbott & Holder Ltd., London (bears label to the reverse of the frame) £500 - 800* 250 Norman Ackroyd OBE RA, British b.1938 St Kilda - the Gap

249

watercolour and pastel on paper, signed, titled and dated 2010, 22x47cm (ARR) Provenance: purchased directly from the artist by the previous owner £300 - 500*

250

www.roseberys.co.uk

251 251 Norman Ackroyd OBE RA, British b.1938 Roareim, Flannan oil on canvas, 30x90cm (ARR) Provenance: purchased directly from the artist by the previous owner £800 - 1,200* 252 Louis Le Brocquy, Irish 1916-2012 Peach, 1968 oil on board, signed, inscribed and dated on the reverse, 13x15cm (ARR)

252

Provenance: Dawson Gallery, Dublin; Bonham’s Knightsbridge, 10 March 2015, lot 166 £3,000 - 5,000* 253 Martyn Brewster, British b.1952 Shadows and Light Study 1 acrylic on canvas laid on card, signed and dated ‘17, 44x39cm (ARR) Provenance: Waterhouse & Dodd, London (bears label to the reverse of the frame) £300 - 500*

253 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

254 Putrisha Lawlor, British b.1959 Liguria oil on canvas, signed, titled and dated 1987 verso, 53x59.5cm (ARR) £100 - 200* 255 Putrisha Lawlor, British b.1959 Deposition oil on board, signed, titled and dated 1985 to the reverse of the frame, 76x62cm (ARR) £100 - 200* 254 256 Jane O’Malley, Canadian/British/Irish b. 1944 Country table - Autumn oil on board, signed, titled and dated 1985 verso, 45.5x76.2cm (ARR) £300 - 500*

256 257 Andrew Stahl, British b.1954 Golden Ram oil on canvas, signed and titled verso, 122x152.6cm (unframed) (ARR) £100 - 150* 258 Christopher Cook, British b.1959 Visitation, c. 1985 oil on primed paper, 102.5x75cm (ARR) £250 - 350*

258

www.roseberys.co.uk

259 Christopher Cook, British b.1959 Fall and Rise, 1986 oil on primed paper, 78x105.5cm (ARR) £200 - 300*

259

261 260 Christopher Cook, British b. 1959

261 William Bowyer RA RWS RP, British 1926-2015

Scene in Tangier

Richmond Runner

oil on panel, signed, inscribed and dated 1991 verso, 81x61cm (unframed) (ARR)

oil on canvas, signed and dated 87, 101.5x127cm (ARR)

£150 - 200*

£1,500 - 2,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

262 David Tindle RA, British b.1932 Pre-study for The Table, Early Morning, 1991 acrylic and gouache on paper, signed, bears inscription on a label to the reverse of the frame, 41x30cm (ARR) Provenance: Abbott & Holder Ltd., London; Fischer Fine Art Ltd., London (bears labels to the reverse of the frame) £1,000 - 2,000* 263 David Tindle RA, British b.1932 Harley Street oil on canvas, signed and dated 60, inscribed on stretcher verso and stamped with artist’s name and studio address, 64.5x95cm (ARR) Note: bears framing label for David Hendricks Gallery to the reverse of the frame £800 - 1,200* 262

263 264 David Tindle RA, British b.1932 Leather Coat pencil and watercolour with heightening on grey paper, signed with initials, 28x27cm (ARR) £250 - 350*

www.roseberys.co.uk

265

266

265 David Tindle RA, British b.1932 Tide Coming In, Arbroath Beach with Buildings oil on canvas, signed and dated 57, further signed, titled, and dated verso on stretcher, 39x49cm (ARR) £500 - 700* 266 David Tindle RA, British b.1932 Sleeping Head oil on canvas, signed and dated 1960, also signed, dated, and titled verso on stretcher, 64x76cm (ARR) Provenance: The Piccadilly Gallery, London (bears label verso on the stretcher) £500 - 700* 267 David Tindle RA, British b. 1932 St Paul’s Cathedral seen from the Thames oil on canvas, signed and dated 56, 152.4x101.5cm (ARR) Provenance: Christie’s South Kensington, 16 October 2013, lot 72

267

£2,000 - 3,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

268 Paul Feiler, British 1918-2013 Sekos 6 XVI gouache on paper, signed, inscribed and dated 78 in pencil, 9x9cm (ARR) Provenance: collection of Peter Lanyon; thence by descent; Bonham’s London, 22 March 2011, lot 181 £800 - 1,200*

268 269 Paul Feiler, British 1918-2013

270 Paul Feiler, British 1918-2013

271 Norman Stevens ARA, British 1937-1988

Adytum 52

Aduton SII

screenprint in colours, signed, numbered 6/75 and dated ‘73, 80x57.5cm (ARR)

screenprint in colours, signed, numbered 4/75 and dated ‘73, 79x58cm (ARR)

Louvered Shutter (Morning), 1972

Provenance: Arthur Anderson & Co. Art Collection; Anthony Dawson Modern and Original Prints and Paintings, London; Lyon & Turnbull, Deloitte Art Collection Sale, 10 January 2008, lot 188

Provenance: Arthur Anderson & Co. Art Collection; Anthony Dawson Modern and Original Prints and Paintings, London £200 - 300*

mixed media on paper, signed, titled, and dated, 38.5x56.5cm (ARR) Provenance: Flowers Gallery, London; The Robert Heller Collection £100 - 150*

£200 - 300*

269

270

271

www.roseberys.co.uk

272

273

272 Eliot Hodgkin, British 1905-1987 A collection of botanical drawings pencil on paper, all bearing the artist’s studio stamp, various dimensions, some unframed, some in four shared mounts which are 81x63cm, (a lot) (unframed/mounted) (ARR) £1,000 - 2,000* 273 Eliot Hodgkin, British 1905-1987 A collection of botanical and still life drawings pencil, all bearing the artist’s studio stamp, various dimensions in four shared mounts which are 81x63cm (a lot) (unframed/mounted) (ARR) £1,500 - 2,500* 274 Eliot Hodgkin, British 1905-1987 Four still life drawings

274

pencil on paper, four, two with further drawings verso, all bearing studio stamp, max 28x41cm (4) (ARR) £600 - 800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

275 275 Elizabeth Ann Grey, British mid-late 20th century Portrait of Mrs Michael Comninos

276

278

276 Anthony Daley, British b.1960

277 Anthony Daley, British b. 1960

278 Gary Hume RA, British b. 1962

Lamentation of Christ After Giotto, 1988

Untitled

Monkey

ink and wash on paper, 76.58.5cm (ARR)

ink on wove paper, 38x28cm (ARR)

Provenance: Flowers Gallery, London; The Robert Heller Collection

Provenance: given by the artist to the present owner (a relative of the artist) c. 1996

oil on canvas, signed, 101x76cm (ARR)

oil on canvas, 20.7x20.7cm, (unframed) (ARR)

Exhibited: The Royal Society of Portrait Painters, 1978 (bears label verso)

Provenance: Flowers Gallery, London; Robert Heller Collection

£300 - 500*

£100 - 150*

£400 - 600*

279 Desmond Morris, British b. 1928 Daydreamer oil, ink and watercolour on paper, signed with initials and dated 88, 20.5x29cm (unframed) (ARR) Provenance: acquired directly from the artist by the present owner

279

Literature: Michel Remy, The Surrealist World of Desmond Morris (London: Jonathan Cape, 1991), p. 163, ill.; Silvano Levy, Desmond Morris Analytical Catalogue Raisonné 1944-2000 (Antwerp: PetracoPandora, 2001) p. 345, cat. no. 1988/88, ill. £700 - 900*

www.roseberys.co.uk

280 Cyril Reason RCA, British b. 1931 Roman Triumph oil on canvas, 105x139cm (ARR) Provenance: Beaux Arts Gallery, London (bears label to the stretcher verso) £100 - 200* 281 Mark Lancaster, British b. 1938 Boondocks

281

acrylic on two attached canvases, signed, titled and dated 1965 verso, 122x182.5cm overall (unframed) (ARR) Provenance: Waddington Galleries, London (bears label verso) £1,500 - 2,000* 282 Mark Lancaster, British b. 1938 Hood acrylic on canvas, signed, titled, and dated 1965 verso, 152x152cm (unframed) (ARR) Provenance: Waddington Galleries, London (bears label to the reverse) £800 - 1,200* 283 Jane Harris, British b. 1956

282

Separate and Separating 2, 2015 pencil on paper, 56x76cm (ARR) £800 - 1,200*

283

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

284

285

284 Thérèse Oulton, British b.1953

285 Derrick Greaves, British b.1927

The Passions, no. 9

Untitled, 1961

oil on canvas, signed, titled and dated May ‘84 verso, 55.5x46cm (unframed) (ARR)

mixed media on paper, signed and dated in pencil, 90x60cm (ARR)

£700 - 1,000*

Provenance: Flowers Gallery, London; The Robert Heller Estate £1,200 - 1,800*

286

287

288

286 Anthony Robert Klitz, British/Irish 1917-2000

287 Trevor Grimshaw, British 1947-2001

288 Trevor Grimshaw, British 1947-2001

River Scene

Church in Landscape

Church and Chimneys

oil on canvas, signed, 61x91cm (unframed) (ARR)

graphite on paper, signed, 22.9x33cm (ARR)

graphite on paper, signed, 25.4x30.5cm (ARR)

£150 - 250*

Provenance: Messum’s London (bears label attached to the reverse of the frame) where purchased by the present owner

Provenance: Messum’s London (bears label to the reverse of the frame), where purchased by the present owner

£400 - 600*

www.roseberys.co.uk

289 289 John Houston OBE RSA RSW, Scottish 1930-2008 Bass Rock, Windy Day, 2001 ink and wash, signed, 17x22cm (ARR) Exhibited: The Scottish Gallery, Edinburgh, ‘John Houston Memorial Exhibition’, 6-30 May, 2009, cat. no. 66 (bears label to the reverse of the frame) Provenance: The Artist’s Estate; The Scottish Gallery, Edinburgh

290

290 Neale Worley RP NEAC, British b.1962 Red and White Rose oil on canvas, signed and dated 93 to the reverse, 30.5x26cm (ARR) Provenance: Waterman Fine Art Limited, London; Mr G C A Thom (bears label to the reverse of the frame) £300 - 500*

£500 - 800*

291 Martin Battersby, British 1914-1982 Small Feathered Sphinx gouache on paper and painted mount, signed and dated 1964, 19.5x24cm (ARR) Provenance: Grosvenor Gallery, London (bears label to the reverse of the frame) £800 - 1,200*

291

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

293

295

296

292 Jean Pierre Trevor, British b.1948

295 Peter Jones, British b. 1951

Russian dreams

One Eye Monkey in Green, 2006

oil on canvas, signed with initials and dated 98, further signed, titled and inscribed verso, 75.5x101cm (ARR)

oil on canvas, inscribed verso, 30.5x25.5cm (ARR)

£400 - 600* 293 Jan Boddington, British late 20th century Seated figures pastel and watercolour on paper, 76.5x55.5cm (ARR) Provenance: Flowers Gallery, London; The Robert Heller Collection £200 - 400* 294 Edward Dutkiewicz, British 1961-2007

Exhibited: FRED London, ‘Monkey Paintings’, 2006 Provenance: given by the artist to the present owner Note: The present work is part of a series created by Peter Jones using antique toy monkeys which he has carefully collected for many years as models. Inspired by Henry Tonks’ pastels of wounded World War I soldiers, Jones treats these ‘portraits’ with great sensitivity and emotional depth, allowing the viewer to read into each work the history of the toy and the person who made or owned it. £400 - 600* 296 Donald Hamilton Fraser RA, British 1929-2009 Toy Pig with Musician

Self Portrait, 1989

watercolour and oil on paper, signed, 27.5x22cm (ARR)

oil on canvas, signed with initials and dated 89, 58x46cm (unframed) (ARR)

Provenance: Christie’s London, 15 July 1998, lot 150

Provenance: Flowers Gallery, London; The Robert Heller Collection

£400 - 600*

£100 - 150*

www.roseberys.co.uk

298

297 297 Antonio Argenio, British b. 1961

299 Eileen Cooper RA OBE, British b. 1953

Two standing figures

Boy in the Bottle

oil on paper, 84x58.5cm; together with two further oils on paper the same size, one of a woman on a raft, and the other of a mother with a baby (3) (ARR)

gouache on paper, signed and dated 2001, 16x21cm (ARR)

Provenance: ‘Two standing figures’ purchased Bonham’s London, 5 June 1991, lot 147; ‘Woman on a raft’ purchased Bonham’s London, 9 October 1990, lot 173 £200 - 300* 298 Boyd & Evans, British b. 1944/1945 Lessons in Fear, 1980 acrylic and collaged photographic prints on canvas, signed, titled and dated verso, 64x74.5cm (ARR) Provenance: Flowers Gallery, London; The Robert Heller Collection

Provenance: Flowers Gallery, London; The Robert Heller Collection £200 - 300* 300 Joe Tilson RA, British b.1928 Metamorphosis of Daphne, 1987 screenprint with woodcut in colours on wove, signed, dated 1987, and numbered 5/35 in pencil, sheet 124.5x108cm (ARR) Provenance: Arthur Anderson & Co. Art Collection; Lyon & Turnbull, Deloitte Art Collection sale, 10 January 2008, lot 235 £250 - 350*

£300 - 500*

299

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

300

301 John Kirby, British b. 1949 All The Days Of Our Lives oil on canvas, signed, titled, and dated 1989 verso, 213.5x183cm(unframed) (ARR) (VAT charged on hammer price) Provenance: Flowers Gallery, London; The Robert Heller Collection £2,000 - 4,000*

301 302 Peter Kennelly, British b.1965

303 Peter Kennelly, British b.1965

304 John Keane, British b. 1954

9 Men

The Brood

Two figures

oil on canvas, signed, titled and dated 28 Sept 1989 verso, 41x41cm (ARR)

oil on canvas, signed, titled and dated July 1989 verso, 85x100.5cm (ARR)

mixed media on paper, signed and dated 1986, 76x56cm (ARR)

£100 - 150*

£150 - 200*

303

£800 - 1,200*

304

www.roseberys.co.uk

305

306

305 Peter Howson OBE, Scottish b.1958 The Embrace, c. 1986 acrylic on card, 127x101.8cm (ARR) (VAT charged on hammer price) Provenance: Flowers Gallery, London; The Robert Heller Collection £2,500 - 3,500* 306 Peter Howson OBE, Scottish b. 1958 On Stage II, 1986 oil on paper, signed, 88x70cm, (ARR) (VAT charged on hammer price) Provenance: Flowers Gallery, London; The Robert Heller Collection £1,200 - 1,800*

307

307 Peter Howson OBE, Scottish b. 1958 Liz pastel and charcoal on paper, signed, 50.5x41.5cm (ARR) Provenance: Flowers Gallery, London, where purchased by the present owner £600 - 800* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

308 John Keane, British b. 1954 Order oil on canvas, signed, titled and dated June 1989 verso, 214x153cm (unframed) (ARR) (VAT charged on hammer price) Provenance: Flowers Gallery, London; The Robert Heller Collection £600 - 800* 309 John Bellany CBE RA, Scottish 1942-2013 Homage to Goya, 1981 oil on canvas, signed and dated,153x173cm (ARR) Provenance: Bonham’s Edinburgh, 29 November 2017, lot 33 308

£2,500 - 3,500*

309

www.roseberys.co.uk

310

312

313

310 Vicky Hawkins, British b. 1948 Untitled (portrait of a woman) acrylic on paper, 51x35cm (ARR) Provenance: Flowers Gallery, London; The Robert Heller Collection £100 - 150* 311 Lee Williams, British late 20th/early 21st century Decoy oil on canvas, signed on the stretcher verso, 147x119cm: together with another oil on canvas by the same artist titled ‘The Dress Rehearsal (the monkey’s tail)’, signed on stretcher verso,153x125cm (2) (unframed) (ARR)

314

£100 - 200* 312 Ken Kiff RA, British 1935-2001

313 Ken Kiff RA, British 1935-2001

314 Bernadette Kerr, British b.1958

Street, 1978

Man and Fish

Blue Tower

watercolour over traces of pencil, 15.5x9.5cm (ARR)

woodcut in colours on wove, signed and numbered 23/35 in pencil, image 48x37cm (ARR)

signed, titled and dated July 85 verso, 91x71cm (ARR)

Provenance: Nicola Jacobs Gallery, London (bears label to the reverse of the frame) Exhibited: Arts Council of Great Britain, ‘Ken Kiff: Paintings 196585’, 1986, cat. no. 80 (bears label to the reverse of the frame) £400 - 600*

Provenance: Arthur Anderson & Co. Art Collection (bears label to the reverse of the frame); Marlborough Fine Art, London; Lyon & Turnbull, Deloitte Art Collection Sale, 10 January 2008, lot 281

Provenance: Contemporary Art Society Market (bears label verso) £100 - 150*

£600 - 900*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

316 315 Attributed to Patrick Hayman RA, British 1915-1988 Untitled pastel on paper, 52x38.5cm (ARR) £100 - 200* 316 Patrick Hayman RA, British 1915-1988 Anthony & Cleopatra (At Home) oil on board, signed, further signed, inscribed and dated ‘74 on the reverse of the frame, 17x33cm (ARR) £1,000 - 1,500* 317 Patrick Hayman RA, British 1915-1988 Jacob’s Ladder (Jacob’s Dream) oil on board, signed, further signed, inscribed and dated 1963 to the reverse of the frame, 60x25cm (ARR) £800 - 1,200*

317

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319

320

318 Patrick Hayman RA, British 1915-1988

320 Richard Livingtone, British 1951-2010

The Family, c. 1970

Heads We Win, Tails You Lose

coloured wax crayon and watercolour, signed, further signed, inscribed and dedicated to the reverse of the frame, 27.5x19cm (ARR)

ink, oil, and sand on paper, signed and titled, further inscribed verso, 63.5x51.5cm (unframed) (ARR)

Note: dedicated ‘For Derek & Mary from Patrick, Easter 1970’ to the reverse of the frame £200 - 300*

£150 - 200* 321 Derek Hirst, British 1930-2006 Shaft No 1, 1975

319 Patrick Hayman RA, British 1915-1998 Cornish Harbour pencil and watercolour, signed and dated 56, titled and dedicated verso, 22x12cm (ARR)

acrylic on canvas on board, signed, dated, titled, and inscribed verso, 166x11.5cm (unframed) (ARR) Provenance: Flowers Gallery, London; The Robert Heller Collection £300 - 500*

Note: dedication verso reads ‘for Derek & Mary from Patrick June 1974’ £300 - 500*

321

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

322

324

322 Derek Hirst, British 1930-2006

323 Derek Hirst, British 1930-2006

324 Michael Tyzack, British 1933-2007

Puerto de Oro V, 1997

Untitled interior, c. 1967

Double Red Triangles

mixed media on board, signed verso, 28x30cm (ARR)

pencil on paper, signed, 65x55cm (ARR)

Provenance: Flowers Gallery, London; The Robert Heller Collection

mixed media and collage on paper, signed and dated 70, 57x82.5cm (ARR)

£200 - 400*

£150 - 200*

325

326

£400 - 600*

327

325 Simon Willis, British 1933-2003

326 Simon Willis, British 1933-2003

327 Simon Willis, British 1933-2003

Cobalt & Lemon Sequence #5

Untitled (yellow, purple, green)

acrylic on board, signed, titled, and dated 5/6/89 verso, 89x61cm (unframed) (ARR)

acrylic on canvas, signed and dated 24.11.86 on stretcher, 132x132cm (unframed) (ARR)

acrylic on canvas, signed, titled, and dated 1991 on stretcher, 122x122cm (unframed) (ARR)

Provenance: The Artist’s Estate

£200 - 300*

100

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329

328 328 Jim Bird, British 1937-2010

329 Victoria Crowe OBE FRSE RSA, Scottish b.1945

Untitled, 1981

Pentland Odyssey, Light & Snow

acrylic on canvas laid on board, signed, dated 81, and inscribed verso, 100x100cm (ARR)

etching and aquatint with gouache on wove, signed and titled, 38x45cm sheet (ARR)

£400 - 600*

Provenance: The Scottish Gallery, Edinburgh, where purchased in 2010 by the previous owner £250 - 350*

330

331

330 Ishbel McWhirter RCA, British b. 1927

331 Geoffrey Chatten, British b.1938

Woman in a green dress

Cobham Bank

watercolour on paper, signed and dated 1989, 95x65cm (ARR)

oil on board, signed, titled verso, 61x76cm(ARR)

£200 - 300*

Provenance: The Bruton St Gallery, London (bears label to the reverse of the frame) £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

101

332 William Foreman, British b.1939 Bathing Tents, Deauville oil on canvas, signed, 45.5x40.5cm (ARR) Provenance: Richmond Gallery, London (bears label to the reverse of the stretcher) £200 - 300* 333 William Foreman, British b.1939 Figures in a garden oil on canvas, signed, 40x45.5cm (ARR) 332

£200 - 300* 334 William Foreman, British b.1939 Steadings in the Snow oil on canvas, signed, 50.5x61cm (ARR) Provenance: The Bruton St Gallery, London, no. B25 (bears label to the reverse of the frame) £200 - 300* 335 William Foreman, British b.1939 Snowy village street

333

oil on canvas, signed, 50.5x61cm (ARR) £300 - 500* 336 William Foreman, British b.1939 Petite rue, Villefranche oil on canvas, signed, 55.5x45cm (ARR) Provenance: Richmond Gallery, London, bears label to the reverse of the frame £250 - 300*

335

102

www.roseberys.co.uk

337

338

337 Diana Armﬁeld RA, British b.1920

338 Ken Howard RA, British b.1932

Malvern

Sunrise Mousehole, July 09

oil on board, signed with initials, inscribed verso, 23x15cm (ARR)

oil on canvasboard, signed, 20x25cm (ARR)

£700 - 1,000*

Provenance: Bonham’s London, 18 November 2009, lot 102/2 £700 - 1,000*

339

340

339 Ken Howard RA, British b.1932

340 Ken Howard RA, British b.1932

Rocks Off Mousehole, 09

Rio del Mosche

oil on canvasboard, signed, 20x25cm (ARR)

watercolour, signed, 28.5x36cm (ARR)

Provenance: Bonham’s London, 18 November 2009, lot 102/2

Provenance: Bankside Gallery, London (bears label to the reverse of the frame)

£1,000 - 1,500*

£400 - 600*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

103

341 Bernard Dunstan RA, British 1920-2017 Pensione Garibaldi Siena oil on canvas laid down on board, initialled, with further inscription and dated October 1976 verso, 37.5x32.5cm (ARR) Provenance: Thomas Agnew & Sons Ltd, London; Collection of Liz Kirkwood, by whom gifted to the present owner £800 - 1,200*

341 342 Bernard Dunstan RA, British 1920-2017 Bathers Surprised oil on canvas laid down on board, signed with initials, also titled and dated ‘81 to the reverse of the frame, 29.5x24cm (ARR) Provenance: Thomas Agnew & Sons Ltd, London, no. 44748 (bears label to the reverse of the frame) £1,500 - 2,000*

342

104

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343 Bernard Dunstan RA, British 1928-2017 Decoration: Trying on Dresses oil on canvas, signed with initials, further signed and titled verso, 101x127cm (ARR) £3,000 - 5,000*

343

344

346

344 Stephen Goddard, British b.1959

345 Ken Moroney, British b. 1949

346 Ken Moroney, British b. 1949

View of Tuscany, 1993

Children playing on a beach

Young girl seated on a beach

oil and marble dust on overboard, 22x25cm (ARR)

oil on board, signed, 34x40cm (ARR)

oil on canvas, signed, 51x61cm (ARR)

Provenance: Waterman Fine Art Limited, London; Mr & Mrs Thom (bears label to the reverse of the frame)

£300 - 500*

£600 - 800*

£200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

105

347 Roy Petley, British b.1950 Figures walking along the beach oil on board, signed and dated 1986, 25.5x20.5cm (ARR) £300 - 400* 348 Roy Petley, British b.1950 Cromer Beach, Norfolk, The Sea of the North Coast oil on board, signed, titled to the reverse of the frame, 40.5x61cm (ARR) £800 - 1,200* 349 Roy Petley, British b.1950 Landscape with a windmill 347

oil on canvas, signed and dated 75, 29.5x44.5cm (ARR) £300 - 500* 350 Roy Petley, British b.1950 Park walkway oil on canvas, signed, 30.5x45.5cm (ARR) £300 - 500*

348

351 Roy Petley, British b.1950 Still life with a vase of flowers oil on canvas, signed and dated ‘78, 33x23cm (ARR) £300 - 400*

350

106

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352 Roy Petley, British b. 1950 Cromer beach, Norfolk, 1978 oil on canvas, signed and dated, 31x46.5cm (ARR) £800 - 1,200*

352

354 353 Roy Petley, British b.1950

355 Roy Petley, British b.1950

Women at a fruit market

The Young Ballerina

oil on board, signed, bears date of March 1989 on the reverse of the frame, 34x24cm (ARR)

oil on board, signed with initials, 33x23cm (ARR)

£250 - 350*

356

Provenance: Mistral Galleries, London (bears label to the reverse of the frame) £300 - 500*

354 Roy Petley, British b.1950 Figures on a beach promenade oil on canvas, signed, 31x46cm (ARR) £300 - 500*

356 Roy Petley, British b.1950 Norfolk view, storm brewing oil on board, signed, 41x61cm (ARR)

355

£500 - 700*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

107

357 Matthew Alexander, British b.1953 Greenwich, The Cutty Sark, 1998 oil on board, signed, 17.8x25.4cm (ARR) Exhibited: David Messum Fine Art, London, ‘Summer Exhibition’, 1999, no. 86 (bears label to the reverse of the frame) £300 - 500*

357

358 Matthew Alexander, British b.1953 Eilean Donan Castle, Scotland oil on board, signed, 17.8x25.4cm (ARR) Exhibited: David Messum Fine Art, London, ‘Summer Exhibition’, 1999, no. 19 (bears label to the reverse of the frame) £300 - 500* 359 Matthew Alexander, British b.1953 Montmartre oil on board, signed, 19x27cm (ARR)

358

Exhibited: David Messum Fine Art, London, ‘Summer Exhibition’, 1999, no. 18 (bears label to the reverse of the frame) £300 - 500* 360 Matthew Alexander, British b.1953 Winter Sunlight oil on board, signed, 20x30cm (ARR) Provenance: Thompson’s Marylebone, London (bears label to the reverse of the frame)

360

108

£300 - 500*

www.roseberys.co.uk

361 Tom Coates PRBA RP, British b.1941 Back Light oil on board, signed with initials, bears further inscription to the reverse of the frame, 33.5x23.5cm (ARR) £300 - 500*

361 362 Michael D’Aguilar, British 1924-2011 A la plage, un souvenir oil on canvas board, signed, further signed and titled to the reverse, 35.5x51cm (ARR) Provenance: The Bruton St Gallery, London (bears label attached to the reverse of the frame) £200 - 300*

362 363 Hugh Boycott Brown RSMA, British 1909-1990 Port Haluguen, Quiberon, Brittany; and Low Tide, Pin Mill, 1986 two oils on board, both signed, 20.5x24.5cm and 18x25cm respectively (ARR) £400 - 600*

363

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

109

364 Robert Maclaurin, Scottish b. 1961 Self Portrait with an Alfred Wallis, 1984 oil on board, signed verso, 14.8x22.5cm (ARR) Provenance: Contemporary Art Society Market (bears label verso) £100 - 150*

364 365 Tessa Newcomb, British b.1955 Fruit, 2005 oil on board, signed with initials, inscribed verso, 20x19cm (ARR) Provenance: Crane Kalman Gallery, London (bears label to the reverse of the frame) £200 - 300*

365 366 Nicolas Granger-Taylor, British b.1963 Morning, Regent’s Park (II) oil on board, signed with initials and dated 1987-88, bears further inscription verso, 23.5x25.5cm (ARR) £150 - 250*

366

110

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367 Nicolas Granger-Taylor, British b.1963 Nude Woman by Lamplight oil on hardboard, initialed and dated ‘87-8, bears further inscription verso, 38.5x27.5cm (ARR) £150 - 250* 368 Nicolas Granger-Taylor, British b.1963 Floral still life oil on canvas, signed and dated 1988, 35x44.5cm (ARR) £150 - 250* 369 Fergus Lyons, Irish b. 1950 Fair Green, Ballinasloe

367

oil on canvas laid down on board, signed, further signed, titled and inscribed on the reverse of the frame, 61x81cm (ARR) £500 - 800*

369

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

111

Born in Hertfordshire, Christie moved to Glasgow aged 12. He took up an apprenticeship as a lithographic draughtsman before serving in the Scottish Rifles during WWII. After the war, Christie returned to Glasgow to study mural painting at the Glasgow School of Art, winning the Newberry Medal in 1950 as well as a year’s post-diploma study. He won several important mural commissions including for Glasgow University and Iona Community House. His oil painting and draughtsmanship were less well-known parts of his oeuvre until an exhibition held at Woodlands Gallery shortly before his death in 1979, and subsequent exhibitions at Cyril Gerber Fine Art, Fairhurst Gallery, Glasgow School of Art, Bethnal Green Museum of Childhood, and Wimpole Hall.

371 370 Fyffe Christie, British 1918-1979

371 Fyffe Christie, British 1918-1979

372 Fyffe Christie, British 1918-1979

Moored Ship on the Thames, Aug 1977

The Brown Chair

Two resting figures in a classical landscape

watercolour and black ink on paper, signed and dated, 39.5x41cm (ARR) £100 - 150*

oil on panel, 31x22cm (ARR) Provenance: Tom Bell Fine Art, Troon (bears labels to the reverse of the frame)

oil on canvas, signed and dated Mar 1977, 39.5x75cm (ARR) £300 - 500*

Note: bears label confirming the authenticity of the painting by the artist’s widow £200 - 300*

372

112

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373 Fyffe Christie, British 1918-1979 Five figures resting in a pink background oil on canvas, signed and dated May 1976, 104.5x79cm (ARR) £500 - 700*

373 374 Fyffe Christie, British 1918-1979 Blackheath Park, Spring oil on canvas, signed and dated Apr. 1978, 81.5x76cm (ARR) £300 - 500*

374 375 Fyffe Christie, British 1918-1979 Figure in a Garden oil on canvas, signed and dated Nov. 1977, 101x125cm (ARR) £300 - 500*

375 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

113

376 Alexander Graham Munro RSW, Scottish 1903-1985 A group of views of Marrakech and other North African scenes watercolour and pastel on paper, a lot, some signed and titled, various dimensions, max. 30x36cm (35) (unframed) (ARR) £800 - 1,200* 377 Robert Kelsey DA PAI, Scottish b.1949 The Red Book oil on canvas, signed, bears further inscription on a label to the reverse of the stretcher, 45.5x40.5cm (ARR) Provenance: Thompson’s Gallery, London (bears label to the reverse of the frame) £800 - 1,200*

376

378 Robert Kelsey DA PAI, Scottish b.1949 Still Life with Pansies oil on canvas, signed, bears further inscription on labels to the reverse of the frame, 30.5x30.5cm (ARR) Provenance: The City Gallery, London (bears label to the reverse of the frame) £800 - 1,200*

377

114

www.roseberys.co.uk

379

380

379 Henry Dawnay, British b.1969

380 Lucy Jones, British b.1955

Flowers 1

Self portrait

acrylic on canvas, signed with initials, 60x50cm (ARR)

oil on canvas, inscribed ‘Art’ and dated 90 verso, 122x91.7cm (unframed) (ARR)

Note: The artist has kindly confirmed the authenticity of this work.

£500 - 800*

£300 - 500*

381 Lucy Jones, British b. 1955 Tree Northbank, 1988 oil on canvas, 194x257cm (unframed) (ARR) (VAT charged on hammer price) Provenance: Flowers Gallery, London; The Robert Heller Collection £1,200 - 1,800*

381

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

115

382 Simon Henwood, British b. 1965 Body and soul oil on canvas, signed and dated 2011 verso, 140x100.5cm (unframed) (ARR) £100 - 150* 383 Simon Henwood, British b. 1965 Two girls 382

oil on canvas, signed and dated 1999 verso, 90.5x70cm (unframed) (ARR)

383

£100 - 150* 384 Mary Lloyd Jones, Welsh b.1934 Landmines Kill mixed media on paper, signed and inscribed, 67x107cm (unframed) (ARR) £200 - 400*

384

385 Steven T. Barraclough, Irish 1953-1987 Untitled, 1986 handmade Chinese paper and pigment, 116x87cm (ARR) Provenance: Flowers Gallery, London; The Robert Heller Collection £150 - 200*

385

116

www.roseberys.co.uk

386 Nicola Hicks MBE, British b.1960 Untitled, c. 1989 charcoal and chalk on brown paper, 98x140cm (ARR) Provenance: Flowers Gallery, London; The Robert Heller Collection £1,000 - 1,500*

386

387

388

387 Ian Breakwell, British 1943-2005

388 Denis Masi, British b.1942

Ssshhh: a portrait of the artist’s mother done from memory, 1992

Untitled

ink and collage on card, 25x20cm (ARR) Provenance: Flowers Gallery, London; The Robert Heller Collection

c-print, 50.5x50.5cm, (ARR) Provenance: Flowers Gallery, London; The Robert Heller Collection £150 - 200*

£400 - 600*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

117

389 Simon Hennessey, British b. 1973 Angelina (Saint or Sinner): Side A and B two oils on canvas, a diptych, signed, titled, and dated Feb 06 verso, each 99.5x59.5cm (2) (unframed) (ARR) £600 - 800*

389 390 Richard Whadcock, British b. 1967 North & East two oils on canvas laid on board, a pair, 30.5x36.5cm (2) (unframed) (ARR) Provenance: Adam Gallery, Bath and London (both works bear labels verso) £400 - 600*

390 391 Martin Taylor, British b.1954 Snow near Walgrave watercolour, signed, 28x29cm (ARR) Provenance: The Catto Gallery, London (bears label attached to the reverse of the frame) £200 - 300*

391

118

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392 Joseph Connolly, British late 20th/early 21st century Hard Times Coming oil and pencil on primed canvas, signed, titled, and dated 2018 verso, 105x69cm (unframed) (ARR) ÂŁ300 - 500* 393 Dominic Shepherd, British b. 1966 All Fall Down oil on canvas, signed, inscribed and dated 2007 verso, 138x183cm (unframed) (ARR) ÂŁ3,000 - 5,000*

392

393

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

119

INDEX OF ARTISTS A

Clarke RA, Geoffrey

Ackroyd OBE RA, Norman 249, 250, 251

Clausen RA, Sir George

Alexander, Matthew 357, 358, 359, 60

Coates, Tom

Allinson, Paul Adrian

Cockrill RA FBA, Maurice

Anthony Robert Klitz

286

Ardizzone CBE RA, Edward Argenio, Antonio Armfield RA, Diana Arnatt, Raymond

78, 79

361 159, 160

Cole ROI, Reginald Rex Vicat

Balfour, Maxwell

Barraclough, James P.

Barraclough, Steven T.

385

Battersby, Martin

291

Baynes, Keith

Bell, Attributed to, Vanessa

30 309 60, 61, 62

Bevan, Oliver

216

Bird, Jim

328

Bloch, Martin

Boddington, Jan

293

Bomberg, David

92, 93

Borthwick, Lee

213

Bowyer RA RWS RP, William

261

Boyd & Evans

298

Brazier, Alan

190, 191, 192, 193

Breakwell, Ian

387

Brewster, Martyn

253

Brown RSMA, Hugh Boycott

363

Brown, James

Browning ROI SWA, Amy Katherine 47, 48, 49, 50 Buhler RA, Robert

110, 111, 112

Burgess, Arthur

54 242, 243, 244, 245, 246

113

258, 259, 260

205, 206, 207, 208, 209, 210, 211 299 59

Cornish, Marcus

167

Coventry, Terence

185

Crowe OBE FRSE RSA, Victoria

329

Carline, Sydney William

65, 66

Greenham RA CBE, Peter

Dâ&#x20AC;&#x2122;Aguilar, Michael

362

275

Grimshaw, Trevor

287, 288

H Haigh, Peter

151, 152

Hamilton Fraser RA, Donald

296

Harcourt RA, George

173, 174, 175, 176, 177, 178, 179, 180

Daintrey RWA, Adrian Maurice 107, 108

Harris, Jane

283

Daley, Anthony

276, 277

Hawkins, Dennis

153

Davie RA, Alan

240

Hawkins, Vicky

310

Dawnay, Henry

379

Hayes RA, Colin

De Francia, Peter

149

Hayman RA, Patrick

Dean, Catherine

239

Dickens, Sophie

168

Dobson RA, Frank

Dunlop RBA, Ronald Ossory Dunstan RA, Bernard

51, 52

341, 342, 343

Dutkiewicz, Edward

294

F Falcon RBA, Thomas Adolphus Feiler, Paul

268, 269, 270

Ford, Marcus Foreman, William

42 316, 317, 318, 319, 320

Hayman, Attributed to, Patrick

315

Hennessey, Simon

389

Henwood, Simon

382, 383

Herman OBE RA, Josef

95, 96

Hicks MBE, Nicola

386

Hilder OBE, Rowland

109 332, 333, 334, 335

Francis Davison, Francis Frost RA, Sir Terry Fry, Roger

Garland, Margaret

Carr, David

150

Garnett, Angelica

Cassell FRSS, Halima

212

Gaudier-Brzeska, Henri

155 138, 139, 140 31

Hilton, Roger

144

Hirst, Derek

321, 322, 323

Hodgkin, Eliot

272, 273, 274

Hodgson, Carole

241

Holgate RBA, Thomas W

Holt, Lilian

Houston OBE RSA RSW, John

289

Houthuesen, Albert 220, 220, 221, 222, 121

223, 224, 225, 226, 227, 228, 229, 230,

32, 33

231, 232, 233, 234, 235, 236, 237, 238

12, 13, 14

Howard RA, Ken

338, 339, 340 305, 306, 307

Gear RA RBSA, William

137

Howson OBE, Peter

370, 371, 372, 373,

Gilbert, Stephen

163

Hulbert, Thelma

374, 375

Gilbery, Michael

63, 64

331

Grey, Elizabeth Ann

Harris, Geoffrey 169, 170 170, 171, 172,

Chatten, Geoffrey

Green, Margaret

Cook, Robert 200, 201, 202, 203, 204,

Corfield, Colin

Beresford, Frank Ernest

Green, Kenneth

Cook, Christopher

Bellany CBE RA, John

117

337

Cooper RA, Eileen

166

285

392

Gordine, Dora

Greaves, Derrick

125

188

4, 5 344

Connolly, Joseph

196, 197

Ginner ARA, Charles Goddard, Stephen

Gore CBE RA, Frederick

Colquhoun, Robert

Ayrton, Michael

Christie, Fyffe

297

Auerbach, Frank

Buxton, Judy

183

Hume, Gary

147, 148 278

I Inlander, Henry

156, 157

Meadows, Bernard

189

Seago RWS RBA, Edward

Meninsky, Bernard

Sharp RBA ROI, Dorothea

Methuen RA RWS, Lord Paul Ayshford J

John Keane

304

John, Gwen

10, 11

Jones, Lucy

380, 381

Jones, Peter

295

Milne, John Erskine

186, 187

Moroney, Ken

345, 346

Morris, Desmond

279

Mount, Paul

214

Kapp, Edmond Xavier

Keane, John

308

Kelly PRA, Sir Gerald Festus 26, 27, 28 Kelly, Gerald

Kelsey DA PAI, Robert

377, 378

Ken Kiff RA, Ken

312, 313

Kennelly, Peter

302, 303

393

Sheringham, George

Sickert ARA, Walter Richard Smith CBE, Richard

Sir Alfred James

Munro RSW, Alexander Graham

376

Smith CBE, Sir Matthew

132 123, 124

Spencer CBE RA, Sir Stanley

Naviasky, Philip

100, 101

Newcomb, Tessa

365

Newcombe, William

164

Nicolas Granger-Taylor 366, 367, 368

Stahl, Andrew

257

Stallard, Michael

2, 3 161, 162

Spear CBE RA, Ruskin

Munnings KCVO PPRA,

Shepherd, Dominic

194, 195

Steer OM NEAC, Philip Wilson Stevens ARA, Norman

45 271

T Taylor, HMF NEAC

20, 21

Kerr, Bernadette

314

Kestelman, Morris

126

Kirby, John

301

O’Malley, Jane

256

Tennant, Stephen

122

Oulton, Thérèse

284

Tilson RA, Joe

300

Paolozzi CBE RA, Sir Eduardo

184

Tindle RA, David

Kneale RA, Bryan

181, 182

Knight DBE RA RWS, Dame Laura

Taylor, Martin

15, 16, 17, 18 Kossoff, Leon

98, 99

267

Pender, Jack

146

Kuhfeld, Peter

Pennie, Michael

215

Peter Lanyon, Peter

Lancaster, Mark

281, 282

Larking RP ROI, Patrick Lambert Lawlor, Putrisha Le Bas RA, Edward

Le Brocquy, Louis

252

Lloyd Jones, Mary Loker, John

347, 348, 349, 350, 351, 352, 353, 354, 355, 356

Pitchforth RA ARWS, Roland Vivian 46 Potter LG, Mary

133

Power, Cyril Edward

73, 74, 75

384

Procktor RA, Patrick

141

158

Procter RA, Dod

Todd RA RE, Arthur Ralph Middleton 72 Topolski RA, Feliks 127, 128, 129, 130 Trevor, Jean Pierre

292

Tyzack, Michael

324

U Underwood, Leon

81, 82, 83, 84, 85, 86, 87

V Vaughan, Keith

Lowry RA RBA, Laurence Stephen 102, 103, 104, 105, 106 Lyons, Fergus

Petley, Roy

254, 255

262, 264, 265, 266,

Kramer, Jacob

391

369

247

Randall-Page RA, Peter

198

Weight CH CBE RA, Carel 114, 115, 116

Reason RCA, Cyril

280

Whadcock, Richard

Rae CBE RA FRSE, Barbara

Maclaurin, Robert

364

Robertson, Carol

248

Whishaw RA, Anthony

Mann RP ROI, Cathleen

120

Robinson, John

165

White BA CBE, Gabriel

Manson, James Bolivar

6, 7, 8, 9

Masi, Denis Mathews, Denis McIntyre RCA, Donald McLean, John McWhirter RCA, Ishbel

388

Russell Flint RA, Sir William Ryan, Adrian

1 119

77 145 217, 218, 219 330

134, 135, 136

S Scott Somerville, Stuart Seabrooke, Elliot

118 39

390 142, 143 34

Wilde, Gerald

154

Williams KBE RA, Sir Kyffin

131

Williams, Lee

311

Willis, Simon

325, 326, 327

Worley RP NEAC, Neale

290

EXPLANATION OF CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable. 1.

‘Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by the artist.

‘Attributed to Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, probably a work by the artist.

‘Studio of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work likely to come from the studio of the artist or closely associated with the artist.

‘Circle of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style and during the period of the artist’s life.

‘Follower of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style, contemporary or near contemporary.

‘School of Peter Paul Rubens, Flemish 17th century’ * In our opinion, a work executed during this period and in the style associated with that artist.

‘Flemish School, 17th century’ * In our opinion, a work executed during this period and in the style associated with that location.

‘Manner of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style but at a later date, although not of recent execution.

‘Style of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style and of recent execution.

10.

‘After Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a copy by an unidentified artist of a named work by the artist.

11.

A picture catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.

12.

The terms ‘signed’, ‘dated’, ‘inscribed’ means that in our opinion these are by the artist’s hand.

13.

The terms ‘bears signature’, ‘bears date’, ‘bears inscription’ means that in our opinion that these have been added by another hand other than the artist.

14.

All references to signature, inscriptions and dates refer to the present state of the work.

15.

Dimensions are given in centimetres, height before width and are measured from the edges of the work if these are visible and if not, from the front.

16.

All pictures are framed, unless otherwise stated in the catalogue.

17.

Catalogue and website images may not be a true representation of an item due to printing or photographing processes.

18.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional. It applies to lots with a hammer value over €1,000 as follows: 0 to €50,000 - 4% €50,001 to €200,000 - 3% €200,001 to €350,000 - 1% €350,001 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500. Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

Lot 375

SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Bill Forrest Associate Director Head of Department Asian Arts billforrest@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts fionabaker@roseberys.co.uk Mark Bowis FGA DGA FSA Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk Sophie Hetherton Junior Cataloguer & Departmental Assistant Paintings & Prints sophiehetherton@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD

Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk

Complimentary valuations Monday to Friday: 9.30am to 5.00pm

Tess Oâ&#x20AC;&#x2122;Brien Specialist Impressionist, Modern, Post War and Contemporary Art tessobrien@roseberys.co.uk

+44 (0)20 8761 2522 clientservices@roseberys.co.uk

Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk

Central London OfďŹ ce Valuations by appointment.

Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Elizabeth Wormald Cataloguing Assistant & Administrator Prints & Multiples / Japanese Arts elizabethwormald@roseberys.co.uk

Lot 377

Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk

Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk Geoff Young FGA DGA Senior Consultant Jewellery geoffyoung@roseberys.co.uk

TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London. 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%. 3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken. 4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold. Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing. 5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate. 7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it. 11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges. 12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate. (c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate. 5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax. 6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank. 7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician. 9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. 11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website. These bids are executed via the RoseberysLive software and there is no surcharge. 13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website. 14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment. 15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6.

Payment

(1) (a) (b)

Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us. Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(2)

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction. A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction. Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid. 8. (1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system. By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 â&#x20AC;&#x153;information to buyersâ&#x20AC;?. Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term. Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement. We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system. General 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable. 19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting. 21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 23. English law applies to the interpretation of these Conditions. These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS:

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SUBSCRIPTION OPTIONS Auction Title

Number of auctions annually

Cost of annual Subscription including UK postage

Cost of annual Subscription including Europe postage

Cost of annual Subscription including rest of world postage

Design: Decorative Arts 1860 to Present Day

£37.50

£45

£52.50

Chinese, Japanese & South East Asian Art

£25

£30

£35

Impressionist, Modern, Post-War & Contemporary Art

£25

£30

£35

Fine & Decorative

£37.50

£45

£52.50

Islamic & Indian Arts/ Art of India

£37.50

£45

£52.50

Jewellery & Watches

£37.50

£45

£52.50

Modern & Contemporary British Art

£25

£30

£35

Modern & Contemporary Prints

£25

£30

£35

Print & Multiples

£25

£30

£35

Old Master, 18th & 19th Century Pictures

£37.50

£45

£52.50

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Subscription Offer: Buy 2 or more subscriptions save 20% on prices listed Total cost of subscription: Method of Payment: Payment can be made by credit or debit card over the phone or in person, alternatively by bank transfer or cash in person. Payment is accepted via bank transfer to the following account (International bank transfers are subject to a £25 administration fee.): Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, IBAN GB80NWBK60300636952613. I would/would not like to receive online catalogues and notifications of the sales that I am interested in as indicated on this form (delete as appropriate). Signed:

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

ABSENTEE BID FORM PLEASE COMPLETE THE FORM IN FULL IN CAPITAL LETTERS AND PLACE YOUR BIDS AT LEAST ONE HOUR PRIOR TO THE START OF THE RELEVANT SECTION OF THE AUCTION

FULL NAME: ADDRESS:

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Lot number

GBP £ bid price excluding premium

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All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts. Please see catalogue or website for important information for buyers and our full conditions of sale or ask a member of staff for a copy. I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I conﬁrm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

Signed:

Date:

AUCTION CALENDAR 2020 February Modern & Contemporary British Art Tuesday 11 February March Design: Decorative Arts 1860 to the present day Tuesday 3 March Jewellery & Watches Tuesday 24 March Old Master, 18th & 19th Century Pictures Wednesday 25 March

Fine & Decorative Thursday 26 March April Traditional & Modern Home Saturday 4 April Islamic & Indian Auction Friday 24 April May Prints & Multiples Auction Tuesday 5 May Chinese, Japanese & South East Asian Tuesday 19 May

70/76 Knights Hill, London SE27 0JD +44 (0)20 8761 2522 clientservices@roseberys.co.uk

www.roseberys.co.uk

70/76 Knights Hill London SE27 0JD +44 (0) 20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk