Roseberys Auctioneers by Jamm Design Ltd

FINE & DECORATIVE Thursday 26 March 2020

FINE & DECORATIVE Thursday 26 March 2020 Starting at 11am VIEWING Sunday 22 March 10am-2pm Monday 23 March 9.30am-5.30pm Tuesday 24 March 9.30am-5.30pm Wednesday 25 March 9.30am-5.30pm Thursday 26 March 9.30am-10.30am Specialists: Peter Greenway, Mark Longley, Nigel Dawson-Ellis Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Front Cover: Lot 161 Back Cover: Lot 414 Inside Front Cover: Lots 20, 23, 31 & 38 Inside Back Cover: Lot 181

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk

Online bidding available at:

RoseberysLive

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys. Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have. Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots. New Bidders New buyers are required to register before bidding. This can be done in person at reception, or via email to clientservices@roseberys.co.uk. Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

Alternatively, online bidding is available through www.thesaleroom.com and www.invaluable.com, successful online bidders are charged an additional premium of 5% + VAT. Bidders must register by 9am on the morning of the auction to be able to buy online. You will be asked to complete the registration process prior to approval. • Telephone bidding: A limited number of phone lines for lots in the auction are available for bidders subject to a minimum threshold. A member of staff would telephone you during the auction and bid live on your behalf. Please contact reception if you would like to enquire about booking a phone line. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. Buyer’s Premium

New International Bidders In addition to providing proof of identity, new international bidders must leave a £500 deposit the first time they register and before bidding. Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

The buyer shall pay the hammer price together with a premium thereon of: 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

• Commission bid: If you are unable to attend the auction, commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction. Clients are also able to leave a commission bid via our website on individual lot pages. These bids are actioned on your behalf by our in-house bidding software RoseberysLive, and are not visible to the auctioneer. • Online bidding: You can follow all our auctions live online and bid via the internet using RoseberysLive, our in-house live bidding platform. RoseberysLive is a secure online bidding platform provided by Roseberys to enable our clients to bid online from anywhere in the world. You can register to use the service or view the auction through our website www.roseberys.co.uk. There is no charge to use this service.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional. It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

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Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction. • Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000. To make a payment of over £1000 please make a bank transfer or visit the auction house in person. • Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.) Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613. • Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements. Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding. Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 139

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1 Two small silver dishes, London, c.1896, James Dudley, each with repousse scene to base depicting a centaur and fruiting vines, 12.3cm dia., together with two openwork silver trellis dishes, Birmingham, c.1945, A & J Zimmerman Ltd., 13.3cm dia., total weight approx. 11.8oz (4) £100 - 150 2 Four silver Armada dishes, two London, c.1970, CJ Vander Ltd., the bases with repousse ship design, 12cm dia., one London, c.1973, Asprey & Co., 11.5cm dia., and one Birmingham c.1972, Garrard & Co., 11cm dia., together with a silver pin dish, London, c.1969, Mappin & Webb, also with ship design to base, 8cm dia., and a set of six Asprey silver plated dishes, each initialled AK, 8cm dia., total weight approx. 13.3oz (11) £120 - 180 3 A silver cigarette box, Birmingham, c.1947, W. Garner Ltd., with striated pattern to lid and wood-lined interior, together with four armada dishes, one of 12.2cm dia., Sheffield, c.1993, Elkington & Co., three of 8.2cm dia., London, c.1968, William Comyns & Sons, total weighable weight approx. 8.2oz (5) £150 - 250 4 A fox and bird design silver gift set, by Asprey & Co., Birmingham, c.1970, Albert Edward Jones, comprising spoon, dish, jug and bowl, each chased with running fox and bird scene, total weight approx. 16.3oz (4) £150 - 250 5 A quantity of silver eggcups and napkin rings, all in individual boxes, comprising: five silver and silver gilt eggcup and spoon sets, one initialled, one eggcup, spoon and napkin ring set, and four individual silver napkin rings, total weight approx. 18.4oz (10 boxes) £100 - 200

6 Five silver Christening spoon sets, together with a set of six coffee spoons with cultured pearl terminals, two Christening sets, a napkin ring, a spoon, fork and napkin ring set, a wine taster, a Georg Jensen 1973 silver gilt commemorative spoon and a brush and comb set, all in individual boxes, total weight approx. 13.4oz (11 boxes) £100 - 200 7 Two silver porringers, one decorated with duck and duckling scene, the other with a family of bears, Sheffield, c.1966 and 1988, Elkington, together with a further porringer, four christening mugs, various dates and makers, a sugar basket with blue glass liner, London, c.1972, CJ Vander, and a coin-set pin dish, total weight approx. 44oz (9) £250 - 350

www.roseberys.co.uk

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8 A cased silver Queen Elizabeth II wedding anniversary bowl, by Asprey & Co., London, c.1972, of circular scalloped form, the foot and body with commemorative engraving, 15.8cm dia., together with two cased silver porringer and spoon sets, both Garrard & Co., one London, c.1971, the body engraved, the other, without engraving, Birmingham, c.1972, total weight approx. 24.5oz (3) £200 - 300 9 An oval silver bowl, by Buccellati, of hammered design, the scalloped edge to crimped body raised on an oval foot, 15cm long, together with a pin dish designed to resemble flower petals, stamped 925, total weight approx. 12.3oz (2) £150 - 250

10 A silver swing-handled pierced dish, Birmingham, c.1912, Williams Ltd., the pierced sides decorated with foliate patterns to a crimped rim, the body raised on a spreading oval foot, 29.5cm long, total weight approx. 16.3oz £150 - 250 11 A large silver pierced comport, Shefﬁeld, c.1933, Viner’s Ltd., the scalloped rim to pierced sides, the body raised on a circular spreading foot, 24cm dia., approx. weight 15.2oz £150 - 250

12 A silver coffee pot, London, c.1943, CJ Vander, of plain tapering form with carved wooden scroll handle, the body with engraved armorial to a raised, stepped lid topped with bell finial, approx. weight 20oz (inc. handle) £200 - 300 13 A silver coffee pot, Birmingham, c.1962, the body of cuboid form raised on a cut-cornered rectangular foot, the angular synthetic handle to hinged lid topped with finial, maker’s mark rubbed, together with two cased sets of six silver coffee spoons, one Birmingham, c.1851, IS Greenberg & Co, the other London, c.1930, Robert Pringle & Sons and a silver hand mirror (mirror deficient), total weight approx. 25.6oz £250 - 350 12

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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14 A silver presentation bowl, Shefﬁeld, c.1905, Levesley Brothers, the halflobed twist repousse bowl raised on a single circular foot to body engraved with the words, ‘Father and Mother from Willie, 1882-1907, the scroll-design scalloped edge with floral decoration, 21.5 dia., approx. weight 17.5oz £150 - 250 15 A small silver tazza, Shefﬁeld, c.1929, James Dixon & Sons., the gadrooned rim to two scrolling handles with lion head detail, the tazza raised on a circular foot, together with two Edwardian pierced posy vases, London, c.1902, William Hutton & Sons Ltd., each raised on a pierced and scalloped foot to fluted body with pierced scroll rim, total weighable weight approx. 22.7oz (3) £150 - 250

16 A scalloped silver tazza with shell points, Birmingham, c.1922, Mappin & Webb, together with a pierced silver oval bread basket, of half-lobed design, Sheffield, c.1898, Harrison Brothers & Howson, total weight approx. 25oz (2) £150 - 250 19

17 An assortment of ﬁve silver cream jugs, various dates and makers, including one raised on a circular foot with reeded edge, London, c.1803, Thomas Streetin, the largest jug, with scalloped rim and raised on three feet, est. 1906 (date mark rubbed), Birmingham, Stewart Dawson & Co, the smallest, Birmingham, c.1912, T H Hazlewood & Co, total weight approx. 14.1oz (5) £180 - 220

18 A three-piece tea and coffee service, Birmingham, c.1922, Alexander Clark & Co., comprising a tea pot, coffee pot and sugar dish, each decorated with a shallow, pierced gallery and raised on four paw feet, the tea and coffee pots with wooden handles and finials to hinged lids, together with a further silver hot water pot, London, c.1899, William Hutton & Sons, of bulbous, half-lobed design, total weight approx. 65.2oz (inc. handles) (4) £600 - 1,000

19 A scalloped silver dish, London, c.1920, Herbert William Gooding, the edge with crimp detail to plain, flat base, 22cm dia., together with a silver salver raised on four ball and claw feet, London, c.1903, Lambert & Co., 26cm dia., and a silver butter dish with pierced edge, glass lining and removal lid, Sheffield, c.1939, Viner’s Ltd., weighable weight approx. 49.3oz (3) £400 - 600

www.roseberys.co.uk

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20 Two cased silver wine goblets, by Asprey & Co., London, c.1972, the first, a limited edition goblet numbered 29 (of 500) commemorating the 25th wedding anniversary of HM the Queen and HRH The Duke of Edinburgh, with gilt crown decoration and baluster stem, the second decorated with fruiting vines and presentation engraving, both with gilt wash interiors and decoration, 15.7cm high, total weight approx. 20.2oz (2) £200 - 400

21 A three piece silver tea set, Shefﬁeld, c.1923, Alexander Clark & Co., comprising a teapot, sugar dish and milk jug, all of rectangular form with single band to body, the teapot with wooden handle and finial to hinged lid, total weight approx. 34.3 oz (inc. handle) (3) £200 - 400 23

22 A silver wine beaker, London, c.1971, Garrard & Co., raised on a quatrefoil foot decorated with fruiting vines to a cylindrical body with personalised presentation engraving, double band engraved beneath lip, 11cm high, approx. weight 10oz £150 - 250 23 A pair of silver tumblers with gilt wash interiors, London c.1972, one Garrard & Co., the other CJ Vander Ltd., both with personalised engraving, one to base, the other to body, 7.5cm dia., total weight approx. 9.8oz (2) £200 - 300 24 A Victorian silver Christening cup, London, c.1867, John Robert Harris, decorated with repousse floral designs, together with a quantity of small silver items including: a silver cream jug, Sheffield, c.1924, Mappin & Webb, six silver napkin rings, a collection of silver flatware, six pale blue guilloche enamel coffee spoons, an egg cup, a blue-glass lined mustard and pepper, and a small quantity of silver plated flatware, weighable weight approx. 26.6oz (a lot) £150 - 250

26 25 A silver dragon-handled mug, London, c.1972, Wakely & Wheeler, together with a beaker decorated with repousse acanthus leaves, London, c.1910, HL, a porringer by Garrard & Co., a small Indian bowl raised on three fish-styled feet, a pepper shaker, a gilt bowl and three teaspoons, total weight approx. 24.3oz (9) £200 - 300 26 Three silver tankards, two with reeded decoration, one London, c.1811, maker’s marks rubbed, the other London, c.1942, CJ Vander Ltd., and one of plain baluster form with personalised engraving, Birmingham, c.1968, JB Chatterley & Sons, total weight approx. 36.5oz (3) £300 - 500

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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31 27 A large silver dish with pierced border, Shefﬁeld, c.1928, James Deakin & Sons., raised on a pierced, rectangular foot, the rim with gadroon decoration to pierced foliate-design band, 23.5cm long, 10.5cm high, approx. weight 14.3oz £150 - 250 28 A pierced silver basket, London, c.1913, the Goldsmiths and Silversmiths Co., of rounded square form, with pierced sides and a fixed, curving handle, 17.7cm dia., together with two pierced, round silver dishes, Sheffield, c.1908 and 1913, one James Dixon & Sons, both with pierced upper sides and raised on three feet, 20.5cm dia. and 16.5cm dia., total weight approx. 29oz (3) £250 - 400 29 A pierced silver bonbon dish, Birmingham, c.1904, William Aitken, raised on a circular foot, with shell and scroll rim, together with a further four smaller bonbon dishes, all Mappin & Webb, two of scalloped, scale design with coronation marks, raised on a low circular foot, the other two with pierced sides, both Sheffield, c.1952 and c.1912, total weight approx. 20.9oz (5) £200 - 300

30 A pierced silver dish, Shefﬁeld, c.1913, Mappin & Webb, raised on four lion paw feet, the perimeter decorated with shell and scroll motifs to a scalloped, plain base, 29.3cm long, 9cm high, approx. 21.2oz £150 - 250 31 Two limited edition commemorative silver chalices, London, c.1989, Hector Miller, of circular, tapering form, the stems pierced with religious figures to a spreading circular foot, the bases engraved Number 81 and Number 82 of a limited edition of 500 made by order of the Dean and Chapter of Canterbury to commemorate the 900th anniversary in 1989 of the death of Archbishop Lanfranc, 16.5cm high, total weight approx. 22oz (2) £400 - 800 32 A four-piece silver tea and coffee service, Shefﬁeld, c.1941, William Hutton & Sons, comprising a tea pot, coffee pot, sugar dish and milk jug, all of rectangular form and raised on four ball feet, the tea and coffee pots with wooden handles and finials to lids, total weight approx. (inc. handles) 59.3oz £500 - 800

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33 A three-piece silver tea set, London, c.1868, Goldsmiths Alliance Ltd. (Samuel Smily), comprising a teapot, bonbon dish and milk jug, all of bulbous form and raised on a circular foot with beaded edge, the body of each engraved with initials and elaborate floral and foliate designs to squared handles, finial to hinged lid of teapot, the bonbon dish and jug with gilt wash interiors, total weight approx. 47.3oz (3) £600 - 1,000 34 A pair of Victorian silver candlesticks, London, c.1890, William Hutton & Sons., each raised on a spreading oval foot with reeded ring decoration to baluster knopped stem and oval drip pans with reeded edge, 29cm high, bases filled £400 - 600 35 Two pairs of silver candlesticks, one pair of low, twin candelabra design, Sheffield, c.1905, Fordham & Faulkner, with octagonal tapering bases and sconces, drip pans fixed, the other, a pair of George V balustershaped candlesticks, Birmingham, c.1919, Sanders & Mackenzie, with knopped stems spreading to circular feet, both pairs with filled bases £200 - 400

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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36 Two pairs of white metal candlesticks, the first, designed as ladies carrying urns raised on a stepped circular foot to tree stump pedestal, 29cm high, the second pair, of baluster form, elaborately decorated with foliate and scroll designs and slightly raised on four feet, bases filled, removable drip pans, 31.5cm high £300 - 500

37 A set of four George III silver candlesticks, three London, c.1775, probably John Carter II, one Sheffield, c.1793, John Parsons & Co., all of Corinthian columnar design, the square bases chased with lion masks and pendant patera framed by swags, the tops of the columns decorated with scrolls, removable drip pans with punch-bead perimeters, the candlesticks with filled bases, approx. 28cm high (4) £800 - 1,200 38 A pair of silver plated candlesticks in the manner of Omar Ramsden, the tapering stems to hexagonal bases with rope design border, the central knops decorated with four cabochon garnets and chased with grapevine detail, both candlesticks with circular drip pans and removable sconces, bases unmarked, approx. height 20.2cm £500 - 1,000 39 A rounded cut glass decanter raised on a silver stand, London, c.1973, Asprey & Co., the silver stand supported by three curved, reeded feet with acanthus leaf detail, the decanter with diamond-cross pattern and stepped neck to rounded cut glass stopper, 34cm high (on stand), weighable weight approx. 11oz £200 - 400

www.roseberys.co.uk

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40 A cased set of three Irish silver goblets and a silver tumbler, by the Royal Irish Silver Co., for Garrard & Co., Dublin, c.1973, each goblet, with gilt interior, raised on a circular foot to patterned stem, the tumbler textured to resemble bark, total weight approx. 34.4oz £200 - 400

41 An Irish crested Britannia silver bowl Dublin, c.1885, maker’s mark MH, the bowl raised on a single circular foot, with bright cut engraving to foot and engraved shamrock pattern to upper perimeter, the body with a single griffin crest within bright-cut border, 18cm dia., approx. weight 10.7oz £500 - 1,000

42 Five assorted silver salvers, the largest decorated with shell and scroll border and raised on three bracket feet, Birmingham, c.1902, William Aitken, 32.2cm dia, the smallest, London, c.1871, George Fox, 19cm dia., together with a scalloped, scale-design salver raised on a circular foot, a smaller salver engraved with armorial, and a salver with gadroon border and three claw feet, total weight approx. 83.3oz (5) £800 - 1,200

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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43 A large quantity of silver comprising: a five piece tea and coffee service, complete with tray, tea pot, coffee pot, milk jug, sugar dish, and tongs, Birmingham, c.1905, Jones & Crompton, the tray c.1898, Matthew John Jessop; a four piece tea and coffee service, London, c.1928, Goldsmiths & Silversmiths Co., comprising a tea pot, coffee pot, sugar dish and milk jug; a sugar caster, Chester, c.1911, Stokes & Ireland Ltd.; a pair of baluster candlesticks, Birmingham, c.1966, WI Broadway & Co.; a Victorian milk jug, London, c.1844, Edward, Edward Jr, John & William Barnard; a small pierced dish; a small Dutch vinaigrette; a miniature cream jug; a cased set of Victorian spoons, Exeter, c.1846 John Stone; a cased set of six coffee spoons and tongs, London, c.1910, Robert Stebbings; a cased Christening set, Birmingham, c.1856, Owen & Boon; a Georg Jenson commemorative spoon; and a selection of silver cruets, some glass lined, weighable weight approx. 143oz (a lot) £800 - 1,200

44 A group of seven Victorian and later pierced bonbon dishes, the largest, c.1900 with scalloped rim and putti mask points, 20cm long, one dish with articulated handle, London, c.1907, Comyns of London, two sets of paired, navette-shaped dishes, and a further dish with floral rim, London, c.1906, CS Harris & Sons, total weighable weight approx. 20.2oz (7) £200 - 300 45 A Victorian silver tea caddy, Chester, c.1896, George Nathan & Ridley Hayes, of octofoil form, with hinged lid, together with a cream jug raised on a square foot, London, c.1900, Haseler Brothers, four Greek silver petal-design dishes, a small dish designed as a scallop shell and seven small Greek silver condiment spoons total weight approx. 16.7oz (a lot) £120 - 180

www.roseberys.co.uk

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46 A Victorian silver salver, London, c.1864, Alexander Macrae, together with a silver card tray, Sheffield, c.1923, James Dixon & Sons, the salver raised on three scroll and leaf bracket feet and engraved with foliate band and roundels to raised shell and scroll rim, the card tray with beaded perimeter and laurel leaf decoration, total weight approx. 29.6oz (2) £200 - 400 47 A Victorian silver-mounted etched glass ewer, Shefﬁeld, c.1864, WG Sissons, the body engraved with Roman chariot scenes and decorative bands of leaves and geometric patterns, the handle with acanthus leaf detail to a hinged lid with thumb piece, the silver mount with engraved cartouche and elaborate floral decoration to beaded edges, approx. 25cm high £500 - 1,000

48 A Victorian silver wine ewer, London, c.1857, Edward & John Barnard, the handle designed as an ibex, with horns tapering to a hinged lid with flower finial, the body of the ewer engraved with floral garlands and two oval cartouches (one engraved with initials), raised on a circular foot, 27cm high, approx. weight 21.5oz £300 - 500 49 A Victorian silver teapot with wooden stand, London, c.1851, Edward, John & William Barnard, the globular body, engraved with armorial, to a faceted spout and hinged lid with stylised acorn finial, together with two silver dishes, Sheffield, c.1936, Cooper Bros & Sons, a milk jug, London, c.1975, Edward Barnard & Sons and two blue glass-lined silver salts, London, c.1846, total weight approx. 36.4oz (6) £300 - 400

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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50 52

50 A Victorian ‘castle top’ silver calling card case, possibly Yapp & Woodward (unmarked), Birmingham, c.1842, one side depicting Windsor Abbey in relief, the reverse with a view of York Minster, both surrounded by foliate and scroll decoration, hinged lid, 10cm long, approx. weight 3.4oz £400 - 600 51 A Victorian silver snuff box, Birmingham, c.1838, Francis Clark, of rectangular form, the box decorated with a crisscross pattern and the hinged lid engraved with a shield bearing the inscription, ‘From a Friend to J.R. Ross, 1859’, 7.5cm x 4cm, approx. weight 3.2oz £200 - 300

52 A Victorian calling card case, by Nathaniel Mills, Birmingham, c.1854, chased with floral and foliate pattern, together with a further five cases and boxes including a cigarette case c.1906, John Round & Son, a presentation cigar case, Birmingham c.1879, a squeeze-open tobacco box, Birmingham, c.1905 and two white metal calling card cases, weighable weight approx. 7.4oz (6) £200 - 300 53 A George III silver and blue glass mustard pot, by Andrew Fogelberg, London, c.1770, with repeating quatrefoil openwork pattern to a hinged lid with scrolling thumbpiece, the mustard with Victorian silver spoon, together with a George III sugar caster, London, c.1794, Henry Green, the vase-shaped body engraved with armorial, total weight approx. 8.5oz (2) £200 - 400 54 A George III small silver sauce boat, London, c.1775, William Cattell, designed with a punch-bead border to an acanthus leaf-capped handle and raised on three shell-shouldered hoof feet, 13cm long, approx. weight 2.6oz £80 - 120

www.roseberys.co.uk

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55 A George III silver teapot, London, c.1819, William Bateman I, the body of stepped rectangular form, raised on four ball feet and engraved with the initial ‘E’, the rim with gadroon and shell decoration to a silver handle with acanthus leaf point, approx. weight 23.6oz £300 - 500 56 A pair of George III silver sauce boats, London c.1762, Fuller White, each raised on three shell-shouldered feet to plain body with scalloped edge to acanthus leaf handle, one side of each engraved with tiger motif, total weight approx. 12.9oz (2) £300 - 500 57 A George III silver salver, London, c.1816, J E Terrey & Co., raised on four paw and bracket feet, the gadrooned rim decorated with shell and foliate motifs, 26.5cm dia., approx. weight 22.3oz £200 - 300

58 Two George III silver salvers, London c.1792 and 1806, William Fountain & Daniel Pontifex and Thomas Hannam & John Crouch II, one with with gadrooned border, coat of arms and three scroll feet, 21.5cm dia., the other with beaded perimeter sloping to a flat base engraved with a griffin bearing a sword, raised on four feet, 19.5cm dia., total weight approx. 27.7oz (2) £500 - 700 59 A George II silver salver, London, c.1758, James Morison, raised on three scroll feet to a border decorated with shell and scroll motifs, the base engraved with coat of arms, 25cm dia., approx. weight 16.5oz £250 - 350

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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60 60 A Georgian, Scottish teapot and bonbon dish, Dumfries, c.1820, John McKenzie, together with later cream jug, London, c.1897, each of octagonal, baluster form and engraved with floral and foliate designs around vacant cartouches, C scroll handles, the teapot with hinged lid topped with finial, each item raised on four embellished, scrolling feet, total weight approx. 50oz (3) £400 - 600 61 An Edwardian silver cycling trophy, Shefﬁeld, c.1901, Walker & Hall, the large goblet-shaped cup chased with floral and foliate designs and engraved with the words, ‘The Leon Meredith Memorial Trophy, presented to the West London Cycling Association’, the stem with beaded knop spreading to a circular foot engraved with scallop and crisscross patterns, 28cm high, approx. weight 18oz £120 - 180 62 An Edwardian silver sauce boat, Birmingham, c.1901, William Devenport, with scalloped border and raised on three shell feet, together with a further two silver sauce boats, Birmingham, c.1922, Alexander Clark & Co., and Sheffield, c.1923, Harrison Brothers & Howson, the latter with gadroon border and acanthus leaf handle, total weight approx. 21oz (3) £150 - 250

64 An Edwardian silver cup vase, London, c.1901, The Goldsmiths and Silversmiths Co., decorated with repousse garlands and foliate detail, together with two short silver columnar candlesticks, Sheffield, c.1904, James Dixon & Son, four silver plated bottle stoppers and a silver-capped match holder with strike-pad sides (8) £100 - 150 65 Two Edwardian silver sugar casters, one Chester, c.1903, George Nathan & Ridley Hayes, of vase form and raised on a square base, the other London, c.1901, decorated with ribbon garlands and a half-lobed lower half, together with two pierced silver blue glass-lined bowls, one with articulated handle (damaged foot), London, c.1910, the other, London, c.1906, with acanthus leaf and fleur-de-lis motifs and removable lid, weighable weight 25.3oz (4) £200 - 400 66 An Edwardian navette-shaped silver bowl, London, c.1907, Josiah Williams & Co., raised on a single, oval foot, the body with two vacant cartouches and decorated with elaborate scroll, shell and foliate designs, 15.5cm long, approx. weight 8.3oz £200 - 400

63 An Edwardian silver salver, London, c.1901, Harrison Brothers and Howson, raised on four scroll feet, the border decorated with shell and scroll detail stepping to a plain, flat base, 20.2cm dia., approx. weight 14.8oz £150 - 250 66

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67 A large Edwardian silver oval dish, Shefﬁeld. c.1902, Atkin Brothers, raised on a single, oval foot, with gadroon borders to rim and base, together with a pair of smaller silver dishes, Sheffield, c.1898, George Wish, with half-lobed repousse sides and foliate scroll borders, and a large silver-mounted cut glass bowl, Birmingham, c.1923, Alexander Clark & Co., total weight approx. 24.4oz (4) £200 - 400 68 A pair of George III silver bottle coasters, London, c.1808, with turned wooden bases to plain sides and gadrooned, scalloped borders, the side of each coaster engraved with a single armorial, felt undersides, maker’s marks rubbed (2) £150 - 250 69 Five silver wine bottle coasters with turned wooden bases, two of matching design, Birmingham, c.1967, Mappin & Webb, with pierced sides and gadroon rim, another with pierced trellisdesign sides and initialled disc to base, and two with plain sides, one shallower (5) £120 - 180 70 A set of twelve silver waiters, stamped Jezler 800, each of plain, circular form with gadroon border, 13.5cm dia., total weight approx. 41oz (12) £200 - 400 71 Two gilded silver ice buckets, London, c.1993, Clive Burr, each of domed form and raised on a low circular foot, the body patterned with longitudinal bands to a rounded lip, 16.2cm x 14.7cm and 18.7cm x 16.6cm, total weight approx. 48oz (2) £500 - 800

70 72 Two miniature German silver swans, both with flat bases and realistically chased with feathers, together with a boxed silver eggcup and spoon set and a pair of novelty miniature white metal peppers with coloured handles, weighable weight approx. 1.36oz (6) £100 - 150 73 A silver model of a canoe, Chester, c.1896, Stokes & Ireland Ltd., 18cm long, together with two guilloché blue enamelled silver ashtrays, with cigarette rests at either end, Birmingham, c.1924, Henry Matthews, total weight approx. 4.4oz (3) £100 - 200

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74 A group of items including: a cased set of silver cruets, Birmingham, c.1924, Ernest Druiff & Co., a cased set of repousse silver gilt spoons, London, c.1836, James Beebe, two silver napkin rings, a set of six silver plated knives and a large silver plated salver with raised rim decorated with foliate and scroll designs, weighable weight approx. 11.5oz (a lot) £80 - 120 75 A pair of silver toast racks, Birmingham. c.1901 and 1902, both Marples & Co., together with a boxed set of four silver napkin rings, Birmingham, c.1921, Barclay Brothers, each with initialled cartouche, and two silver ashtrays, one square, the other in the shape of a heart, approx. weight 9.8oz (5) £150 - 250 76 A boxed set of silver buttons, London, c.1924, Robert Friederich, together with a small silver dish, designed as a scallop shell, a small openwork silver dish, a selection of silver cruets, six silver vesta cases engraved with various designs, four silver sugar tongs, two napkin rings and a selection of flatware, together with a number of silver plated items of flatware and buckles, weighable weight approx. 25oz (a lot) £200 - 300

77 A group of silver items, comprising: a sauce boat raised on three curved feet, Sheffield, c.1937, Viner’s Ltd., a circular sugar bowl with scalloped rim, Chester, c.1896, Stokes & Ireland Ltd, a pair of coin-set silver dishes, London, c.1974, a porringer, stamped Lunt Sterling, a pair of Greek sugar bowls with scroll handles, three pin dishes and a circular pot with removable lid, total weight approx. 20oz (exc. coin dishes) (11) £150 - 250 78 A group of small silver, including an Edwardian sugar sifting spoon, Sheffield, c.1936, Viners Ltd., a tea strainer, London c.1875, Viner’s Ltd, a small silver tumbler, London, c.1875, Viners Ltd., a small presentation trophy engraved ‘Park Lodge Stables Riding Competition’ a selection of miscellaneous silver flatware, three silver napkin rings, and several silver plated items, weighable weight approx. 15.8oz (a lot) £100 - 200 79 A pierced silver inkstand with squared cut glass inkwells, Birmingham, c.1906, S. Glass, the inkstand raised on four ball feet, the sloping scallop-rim sides with pierced floral decoration to a plain base with pen stand and inkwell holders, 24.5cm x 17cm, weighable weight approx. 19oz £150 - 250

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80 An eight piece silver-backed vanity set, comprising six brushes and two hand mirrors complete with matching tray, Birmingham, c.1923, I.S Greenberg & Co., together with two cut glass vanity pots with silver lids and a further silverbacked hand mirror, weighable weight approx. 12oz (12) £80 - 120 81 A seven-piece silver dressing table set, London, c.1912, Charles Fox & Co., comprising a mirror, three silver-backed brushes and three silver capped glass jars, together with two white metal purses (9) £150 - 200 82 A collection of silver items, comprising: five various silver pill boxes with engraving; a silver ashtray, Chester, c.1921, James Deakin & Sons; a Harrods silver open salt with blue glass lining; Birmingham, c.1965, and a Greek silver bowl with sun motif base, weighable weight approx. 5.9oz (8) £100 - 150

85 A silver photograph frame, Birmingham, c.1909, J.Aitken & Son, with wooden back and floral decoration, together with a silver-plated frame, a silver and mother-of pearl handled penknife, Sheffield, c.1917, William Needham and a silver match case with engraving to front, Birmingham, c.1901, Henry Matthews, and a white metal refillable pencil (lead deficient) (5) £80 - 120 86 Fourteen various photograph frames, four silver: three of circular and one of rectangular form, the largest circular frame, Birmingham, c.1973, Sanders & Mckenzie, measuring 15.2cm dia., the rectangular frame (16.2cm x 12.3cm) with personalised engraving, together with a further ten frames of various designs and dimensions (14) £100 - 150

83 A French silver powder compact, with striated pattern and push-button opening, together with a French silver cigarette case with lacquer detail, a German silver trinket box chased with various scenes, a Dutch filigree design silver trinket box and a Dutch tea caddy spoon with rotating windmill terminal, total weight approx. 9.2oz (5) £150 - 250

84 A George VI silver powder compact, Birmingham, c.1940, W H Manton, of square form, with engine-turned pattern and push-button clasp, together with a further white metal powder compact, of rectangular form with a gilded thumbpiece (2) £100 - 200

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87 A boxed canteen of silver-gilt cutlery by Carrington & Co., London, the spoons hallmarked London, c.1920, Carrington & Co., and the knives and forks hallmarked London, c.1968, Francis Higgins, the twenty four spoons of rattail pattern, the twenty four knives and forks with rounded handles, likely filled. Weight excluding knives and forks 40.5oz, total weight approx. 130oz ÂŁ2,000 - 3,000

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89 88 A silver mounted antler horn carving set, Shefﬁeld, c.1891, by Mappin Bros., the five-piece set comprising two knives, two carving forks and a knife sharpener, each with silver collar and terminal, in fitted case £100 - 200 89 A boxed part-canteen of silver plated cutlery, together with a silver mustard spoon with bone handle, London, c.1836, a white metal vesta case and a Dutch silver spoon with windmill terminal, the canteen of cutlery, mainly of shell pattern, to include: thirty dessert forks, twenty one table forks, sixteen dessert spoons, twelve serving spoons, a set of six each fish knives and forks, eight each dessert knives and table knives, and a selection of other flatware (a lot) £200 - 300 90 A silver plated wine cooler, together with four small silver items (two spoons, two napkin rings), the silver plate to include a wooden boxed canteen of cutlery, two wine coasters with wooden bases, a large wine cooler, a tea pot with stand and heater, a coffee pot, two pairs of candlesticks, several oval dishes and a miscellaneous selection of flatware, weighable weight approx. 6.3oz (a lot) £100 - 150

92 91 A quantity of silver plate, including four large circular dishes, each raised on a circular foot, three with handles; a teapot with wooden handle; a sugar bowl with gadroon border; a boxed condiment set and a large salver with presentation engraving (a lot) £80 - 120 92 Two silver plated vases, by Christoﬂe, of tall, tapering form with pointed collars, 21cm and 37cm high, together with two small silver bonbon dishes, one Birmingham, c.1917, Fenton, Russel & Co Ltd., the other Sheffield, c.1972, James Dixon & Sons, and a silver beaker with twist design body, weighable weight approx. 8.8oz (5) £100 - 150 93 A large silver plated twin-handled tray, signed Harrods, together with a quantity of silver plated items including a rounded, lobed water jug, a pair of sauce boats, various dishes, a candle holder designed as a beehive, two candlestick holders in the form of flower petals, two silver capped shells, and a selection of other items (a lot) £150 - 250

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94 A large silver plated tray, with pierced sides, together with a number of silver plated items including a pierced round dish raised on a single circular foot, two tureen dishes, several smaller pierced dishes, two large oval serving dishes, and a number of other items (a lot) £80 - 120 95 A small Dutch silver tea caddy, with import marks for London, c.1903, the body and lid with repousse scenes within scroll borders, together with a small silver mug, Birmingham, c.1824, John Bettridge, chased with foliate scrolls and initialled cartouche (ML), and a silver trinket box, Birmingham, c.1911, Mappin & Webb, of circular form and raised on three curved feet (one damaged) (3) £150 - 250 96 An early twentieth century German silver blue glass lined dish, Lazarus Posen, stamped 800, the pierced stand raised on four scroll bracket feet, the body decorated with trellis and floral patterning to scalloped scroll rim, foliate handles to each terminal, empty cartouches to either side, 28cm long, silver stand approx. 11oz £200 - 300 97 Six German silver-mounted cut glass swan salts and bonbon dishes, two larger, four smaller, each designed with pierced, pivoting silver wings that open and close to form lids, together with a silver pepper mill and a pair of silver mounted cut glass cruets, London, c.1906 (9) £150 - 250

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98 An Ilias Lalaounis Greek silver cup, the hammered body repoussé with serpentine pattern to a large loop handle, together with a George III silver pepper shaker, London, c.1786, Richard Palmer, a small silver banded wooden pepper mill and a blue glass lined salt and mustard, each with spoon, weighable weight approx. 13.4oz (5) £100 - 150 99 Two Tiffany & Co. ﬁnger bowls, the plain dipped body raised upon a circular foot, 7cm high, together with a pair of Asprey saucers, Birmingham, c.1929, and and two circular pin dishes, London, c.1960, Wakely & Wheeler, total weight approx. 10oz (6) £100 - 150 100 An Austrian silver sugar box, Vienna, c.1870 designed as a chest raised on four feet, the body decorated with repousse scrolls and flowers to hinged lid with articulated handle, 11.5cm high, 13cm long, together with a silver tea caddy, London, c.1891, of globular form, richly chased with scrolls and foliate designs, and an Austrian silver cream jug, Vienna c.1844, with wooden handle and repousse floral designs to body, total weight approx. 23oz (inc. wooden handle) (3) £250 - 350 101 An Italian silver ornate stoop, the scalloped semi-circular raised bowl suspended above a hammered concave base, the backplate decorated with star motifs and the head of a putti within folding scroll border, framed by two moulded acanthus leaves, the apex of pyramidal design with star finial (detached), the stoop mounted on a Perspex base and support, 36cm high, 32.3cm wide £150 - 200

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102 A Russian silver and cloisonné enamel hand mirror, the reverse stamped with 88 zolotniki mark, the brightly coloured floral enamelling with silver filigree and gilt detail to both the handle and reverse of the mirror, 25.8cm long £800 - 1,200

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103 A Russian cut glass dish raised on a silver stand, by Faberge, the navette-shaped cut glass dish, probably later, with scalloped edges and sides decorated with stars fitted to a twin-handled silver stand raised on four knopped circular feet, the handles and base with reed and cross-ribbon pattern, the upper rim designed to resemble a band of laurel, 39cm x 19.5cm, weight (of stand) approx. 42.7oz £3,000 - 5,000 104 An impressive Russian silver tazza, by Ivan Khlebnikov, Moscow c.1888, assay master Anatoly Artsybashev, the circular bowl with pierced sides to a beaded perimeter raised upon an engraved knopped stem spreading to a stepped circular foot, the tazza raised upon a detachable base with four fan-shaped points, the perimeter of the base engraved with repeating quatrefoil pattern, 34cm high, bowl dia. 28.5cm, approx. weight 73.8oz £1,000 - 2,000 104 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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106 108 A pair of South African silver dishes, both limited edition and numbered 1/10, one decorated with water buffalo, the other decorated with lions, the rims of both with tribal motifs, 18.5cm dia., total weight approx. 21.8oz (2) £100 - 200

105 A set of twelve silver spoons, by Faberge, Moscow, c.1880, in fitted, signed box, the spoons with spiral twist stems, gilt bowls and rococo-style scroll terminals, total weight approx. 4.6oz £400 - 600 106 A silver mounted cut glass water pitcher, , bears marks, the cylindrical cut glass body with hobnail and chevron patterns to a squared handle, the collar of the pitcher decorated with a garland and ribbon patterned band, the hinged lid with laurel wreath loop and rim, 29cm high £800 - 1,200

109 Eight Indian barrel beakers, seven stamped T100 for silver, each designed as a barrel and decorated with star motifs, together with a cylindrical silver vase with floral decorative band, 11cm high, and a pair of Indian white metal vases with crimped rims, 11.5cm high, total weight approx. 26.6oz (11) £200 - 300

107 Two Asian silver trinket boxes, of quatrefoil form, decorated with brightly enamelled butterflies, 6.0cm high, total weight approx. 9.8oz (2) £200 - 300

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110 A three-piece Indian silver tea set, comprising a tea pot, milk jug and sugar pot, each raised on four hoof feet to foliate shoulders, the rims decorated with fruiting vines, together with a three-footed Indian silver bowl with undulating gadrooned rim, and a six-piece Isle of Man decimal coin set, total weight approx. 45.8g (inc. teapot handle) (5) £150 - 250 111 Six Indian silver water beakers, of waisted form, two with personalised engraving to lip, together with nine Queen Elizabeth Silver Jubilee commemorative silver crowns, each in presentation case, total weight approx. 31.6oz (15) £200 - 300 112 An Indian silver bowl, raised on a wooden stand to a circular foot, the body chased with elaborate floral and foliate scrolls to a lotus-design rim, 15cm dia., 14cm high, approx. weight (inc. wooden base) 13.7oz £100 - 200

112 113 A nineteenth century Ottoman silver ﬁligree cupholder, with turquoise-set floral points, together with five nineteenth century Ottoman silver zarf, and a selection of Egyptian and other silver, including a sugar pot raised on three lion feet, the removable lid with owl finial, and a cup and saucer, approx. weight 17oz (11) £150 - 250

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116 A small Staffordshire pottery whistle in the form of a dog’s head, 19th century, 3.3cm long £100 - 150

116 114 A George III drinking glass, with inverted bell form bowl, on white and lattice twist form stem, on spreading foot, 16.5cm high, together with a collection of five thick blown drinking glasses, 19th century, 12.5cm high, with in addition a rummer, engraved Hustead Vine, Kentish Town, a pair of drinking glasses and three similar smaller glasses with double folded foot, each with cone form bowl and stem with air inclusion and a smaller engraved glass (13) £200 - 300 115 A tin glazed blue and white earthenware ﬁgure of a lady, 19th century, modelled seated in a bath, with two holes inserted in her skirts, decorated overall with flowers and trailing vine, painted initials to base, 15cm high, together with a Dutch blue and white tin glazed earthenware bottle vase, 18th century, decorated in the Chinese manner with birds and flowers, marks to base for PK 14, 25cm high (2) £150 - 200

117 A collection of four Staffordshire pottery pastille burners, in the form of houses, 19th century, the tallest 19cm high, together with a pair of miniature Staffordshire dogs holding baskets in their mouths, together with two pairs of Staffordshire dogs with applied textured fur, two single Staffordshire dogs and a modern pair of porcelain dogs (14) £100 - 200 118 A Copeland white glazed model of the Portland vase, 19th century, impressed mark to the base Copeland, 26.5cm high £200 - 300 119 A Royal Worcester majolica wall shelf, from the Four Seasons, representing Winter, late 19th/early 20th century, moulded as a woman wrapped in a blanket within a blue glazed cave space, impressed marks to back, impressed numbers 5/2, 25cm high £150 - 250

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120 An extensive Royal Worcester ‘Balmoral’ dinner service, decorated with celadon and gilt banding, gilt marks to base, to comprise two large oval dishes 44cm wide, three oval platters 40cm wide, with three others 33.5cm wide, one large circular dish 31.5cm, twenty two dinner plates 27cm diameter, twenty four plates 24cm diameter, twenty four side plates 20.5cm diameter, twenty four soup dishes 23cm diameter, twelve bread plates 18cm diameter, twenty three small plates 15.5cm diameter, twenty five soup bowls with handles 10cm diameter, three vegetable tureens and covers, one soup tureen and cover, a spare lid, two gravy boats with stands, a tea pot and coffee pot with covers, two milk jugs, three sugar bowls, ten tea cups, five coffee cans with nine saucers and thirty five saucers/soup bowl stands (a lot) £400 - 600

121 A collection of Worcester blue and white printed porcelain tea wares, circa. 1751-1780, each printed with floral and butterfly decorative designs, most bearing a crescent mark to base, to comprise teapot and cover, six tea bowls, and eight saucers, teapot, 16cm wide, saucer 12.6cm diameter, tea bowl 7.5cm diameter (15) £400 - 600

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122 123 A Chamberlain’s Worcester porcelain pot pourri basket, early 19th century, the lid with a branch form handle and pierced domed top, applied with bands of roses and leaves, the rectangular tapering body with looping handles, on paw feet, decorated with bands of pink roses, signed Chamberlain’s Worcester to the interior lid, 17cm high £100 - 200 124 A Royal Crown Derby porcelain twin handled vase, 20th century, decorated in the Imari palate, printed marks to base, pattern no. 1128, 43cm high, with a presentation box £250 - 350 124 122 A Worcester blue and white porcelain bowl, 18th century, decorated to the exterior with two vignettes of Chinese style buildings in gardens, with a similar garden scene to the interior and cross hatched border to the rim, 19cm diameter £200 - 300

125 A quantity of Royal Crown Derby Imari pattern porcelain tableware, late 19th century, printed and impressed marks to base, to comprise two tazze, a shell shaped dish, a square dish with canted corners, a large circular plate 26cm diameter and twelve plates 22cm diameter (17) £200 - 300

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126 A Jasperware copy of the Portland vase, in the manner of Wedgwood, 19th century, impressed marks to base for H L or HH, 7 78, 21cm high £200 - 400 127 A Torquay motto puzzle jug, inscribed with the motto, Here Gentlemen come try your skill, I’ll hold a wagef if you will, That you dont drink this liquor all, Without you spill or lets some fall, with scroll and spot decoration, 18cm high £80 - 120 128 A large English pearlware pottery printed platter, 19th century, of octagonal form, decorated with Neoclassical motifs, 48cm wide, together with a larger dish of similar design, with old rivets, with four other plates of similar design, a chestnut basket and a Spode drainer (8) £100 - 150 126 129 A pair of Wedgwood type printed creamware shaped plates, 18th century, with scroll form rims, printed in black with peacock and birds, with vignettes of birds to the rims, together with an Amhurst Japan stone ware plate (3) £150 - 200 130 A George Jones and Sons Ltd. porcelain coffee set, 20th century, decorated with Sang-de-Boeuf glaze and gilt lining, printed marks to base, mounted with silver cup holders, to comprise six cups and saucers, in a presentation case £100 - 200 131 A Minton single blue and gilt porcelain candlestick, 19th century, moulded in the form of a cherub holding aloft an urn, classically draped and seated on a fluted, beaded and leaf cast column, pink printed mark, 24cm high £150 - 200

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132 A Minton majolica tea pot and cover, 19th century, in the form of a monkey clasping a fruit, impressed marks to base, damages, 16cm high £150 - 200

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133 A Lippert and Haas porcelain campana urn on a plinth, early 19th century, the urn decorated with a reserve of the Charles bridge, Prague, with the inscription Dec Alt =und Neustadt zu Prag underneath, with gilt scrolling on white grounds, with conforming decoration to the square plinth. impressed marks to base, Lippert & Haas in Schlaggenwald, 22cm high £200 - 300 134 An amber glass scent bottle (ﬂacon de perfume) by Bernard Perrot, late 17th century, moulded to one side with three fleur-de-Lys within laurel swags over a crown, with three heart shaped motifs within laurel swags over a flower to the reverse, with pewter screw top, lacking lid, together with a book entitled Bernard Perrot et les Verreries Royale du Duche d’ Orleans, the bottle 9cm tall (2) £200 - 300 135 A Russian Gardner porcelain ﬁgure of a dancing man in a tall hat, late 19th century, printed and impressed marks to base, 22cm high, together with a Gardner figure of lady in a green apron and pink dress, 19.5cm high (2) £1,000 - 1,500

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136 A German porcelain ﬁgure of a female pug, 20th century, modelled seated wearing a collar with bells attached to its collar, printed Dresden mark to base, impressed marks for B1454T, 22.5cm long £200 - 300

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138 137 A pair of German porcelain twin handled urns and covers, late 19th/early 20th century, with square handles, painted with reserves of courting couples in natural forest landscapes and flowers on yellow grounds, framed within gilt scrolling borders, with marks for Augustus Rex to the plinths, 35cm high (2) £400 - 600

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138 A pair of German Dresden porcelain vases and covers, late 19th/early 20th century, decorated with vignettes of courting couples, and floral panels on turquoise grounds, within gilt floral and scrolling borders, painted marks for Dresden, 40cm high (2) £200 - 300 139 A Dresden porcelain still life painting of a lady at her toilet by L Sturm, 19th century, depicting a young woman being dressed by her maid in a lavish interior, probably after a painting by Alexandre Cabanel, French, 1823-1889, colours on porcelain plaque, inscribed to reverse, La Toilette by Cabanel Paris L Sturm Dresden Prayer St I., in a beaded and moulded frame, the plaque 35 x 30cm £800 - 1,200 140 A Continental Meissen style porcelain ﬁgure group, late 19th century, set in a natural landscape, a basket on a tree stump to the centre, with a country man and his companion wrapped in swags of flowers, watching a pair billing doves perched on rocks, with a young woman playing a mandolin, on a circular base, bearing blue crossed swords to the base, 25cm high £300 - 500 141 A pair of Meissen porcelain allegorical candlesticks, probably candelabra bases, late 19th century, moulded with figures representative of Ganymede and a female companion, he holding a club with a dog and pan pipes at his feet, she holding a cup aloft, each with eagles behind supported on exotic columns with foliate tops and urn form candle cups, blue cross swords marks to the base, incised marks for K 49 and K50, 30cm high (2) £300 - 500 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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145 142 142 A Meissen porcelain model of a Guinea fowl, 18th century, modelled standing on a floral encrusted base, 16.5cm high £300 - 500 143 A Meissen dry blue glazed cup and saucer, 18th century, with shaped rim to cup and saucer, painted with floral sprays, blue crossed swords to bases, the saucer 14,5cm diameter, the cup 7.5cm high £100 - 200 144 A Meissen porcelain cup and saucer, 19th century, moulded with a basket weave texture to the rims, the cup decorated with a herder moving cattle, and a shepherd resting with sheep and horse, with flower sprays, blue crossed swords to the bases of cup and saucer, the saucer 11.5cm diameter, the cup 5cm high £200 - 300

145 A French gilt metal cylindrical frame, in the Louis XVI taste, 20th century, with four perfume bottles and stoppers, each with engraved decoration of baskets and musical instruments, hung with ribbons and flowers, 16.5cm high, together with a pair of Bohemian glass vessels, engraved with deer in forest settings, on pedestal foot (3) £150 - 250 146 A pair of Continental glass bottles and stoppers, 19th century, decorated with panels of bulrushes on gilt grounds within shaped reserves, on foliate gilt and ruby grounds, 21cm high, together with a green glass bottle and tulip form stopper, 19th century, highlighted with gilt flowers and leaves (3) £200 - 300 147 A pair of Sevres porcelain saucers, 18th century, possibly with later decoration, painted to the centres with vignettes of birds, framed within floral sprays and blue and gilt ribbon devices with gilt foliate fronds and beading to the rims, crossed LL’s to base with date letters for 1761 and 1767, together with a Sevres style tea bowl, a Sitzendorf porcelain equestrian model of Czarina Elizabeth, after JJ Kandler, 20th century, two other Sitzendorf porcelain figures of a man with a dog and a young lady with a hat, damages and a pair of Japanese porcelain bowls, 19th century, with wavy edges, decorated with a band of crayfish within weeds, 12cm diameter, damages (a lot) £120 - 180

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The following lots 148-158 are part of a private collection of porcelain that were subject to restitution after they were looted by the Einsatzstab Reichsleiter Rosenberg (ERR – the Nazi military group charged with the seizure of works of art from Jewish owners) from the Chenue depositary in Paris in 1942. The collection was ascribed to Lucy Sophie Yvonne de Jonquet, born in 1878, in Peckham. Her older brother, Adolphe Ambrose married a Rosamond Taylor, who may have had an acquaintance with a lady of title, the Countess d'Etchegoyen, who introduced Lucy to London society. In 1895 Lucy married a wealthy industrialist, John Graham. Unfortunately, he died suddenly and at the age of 20 Lucy appears to be a widow living off her husband’s income. She appears later in Paris, having married a Josef Hieronyme Rudolf Ferdinand Franz Maria, the Prince Colloredo-Mannsfeld, a hereditary prince of Austro-Hungarian origin. This marriage was dissolved by divorce in 1925 as there were questions regarding Lucy’s family history. Apparently only women of noble birth could marry into the Colloredo-Mannsfield family and her lineage was not distinguished enough to allow her to be presented at court. Possibly via her marriage she acquired this collection of porcelain which was stored at the Chenue depositary prior to the Second World war. It is known that she moved to Italy, and that she died on 11 April 1940 in Rome. On the 6th February 1942 the Einsatzstab Reichsleiter Rosenberg corps visited the warehouses and the collection of porcelain was moved to the Jeu de Paume Museum for documentation before being sent to Seisenegg castle in Austria. After the war it was removed from there and by 1950 was laid in the storerooms of the Sevres Museum in Paris before finally being traced to the heirs of Lucy’s estate and released on the 13th February 2020. We are indebted to the vendor for these details and there is a much fuller family history available to any purchasers of these lots. Two services fitting the description of the plates were sold in 1761,and so these plates either come from a set delivered to Florent-Louis-Marie, Comte du Châtelet-Lomont, Commander of the elite Guards unit of the Royal Military Household, or from the one delivered to Claude Bonnet, the Paris agent/dealer of the Duke and Duchess of Parma. On 1st August 1761 the Comte du Châtelet purchased a dessert service, painted in lapis caillouté, for 6.642 livres, and which comprised 106 pieces. On 28th November 1761 a service also described as lapis caillouté was delivered to Claude Bonnet, a Paris dealer and the agent for the Duke and Duchess of Parma (Don Filippo and Madame Elisabeth, Infanta of Spain). This service cost 8.250 livres and comprised 192 pieces.

148 148 A pair of Sevres porcelain shaped plates, 18th century, decorated to the centre with large sprays of flowers and grapes with a butterfly, with three shaped vignettes of flowers to the rims, within gilt acanthus leaf frames, on deep blue and gilt caillouté grounds, feint blue crossed LL’s to base, date letter H , inventory no. CLXXVII 2 and 3, with probable labels 5604 applied by the Einsatzstab Reichsleiter Rosenberg , 24cm diameter (2) In Sevres Plates and Services, by David Peters, 2005, II, p. 327 and 331, Peters mentions two services produced in 1761 by the Sèvres factory with this decoration described as “lapis caillouté”, and with “reserves containing polychrome bouquets of flowers or groups of flowers and fruit”. £2,000 - 3,000 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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149 A pair of Sevres porcelain shaped plates, 18th century, decorated to the centre with large sprays of flowers and grapes with a butterfly, with three shaped vignettes of flowers to the rims, within gilt acanthus leaf frames, on deep blue and gilt cailloute grounds, feint blue crossed LL’s to base, date letter H, with painters mark, inventory no. CLXXVII 1 and 4, Labels of Einsatzstab RR Col 13b and 5604, 24cm diameter (2) £1,200 - 1,800

150 An early Meissen tall beaker, 18th century, with a gilt line to the slightly everted rim, decorated with two panels of landscapes of a ship leaving harbour and ships being unloaded from land, within gilt line and purple glazed borders, with iron red acanthus leaves, inventory no. CLXIV to base, 7cm high £1,000 - 1,500

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151 151 A Meissen porcelain boat shape condiment tray, 18th century, with moulded decoration of flowers and rococo lobed banding, with two handles in the form of hunting hounds, on four scroll feet, decorated with flower sprays, blue crossed swords mark to base, inventory no. CLX to base, 8.5cm high £500 - 800 152 A Meissen mounted porcelain and steel knife and fork, 18th century, the porcelain decorated with flowers, the steel blade of the knife with gilt engraving G G F ZS. G Afgr. V. B , with a set of armorials to the reverse, the handles 7cm long (2) £150 - 250

153 A Meissen porcelain quatrefoil shaped saucer, 18th century, decorated to the centre with a tulip on a white ground, and to the rims with two panels of ladies with children in country parks, between two panels of flowers on yellow grounds, with finely gilt foliate borders, blue crossed swords to base, inventory no. CLXVII and other marks, 13.7cm wide, together with a Frankenthal milk jug, with a naturally moulded handle, on three feet, decorated with swags of ribbon tied roses, to a fretwork type rim border, with gilding to the rim, blue underglaze mark to base, inventory no. CXXXX (2) £300 - 500

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154 A Meissen ﬂorally encrusted and painted porcelain ecuelle, cover and stand, 18th century, the lid with naturally modelled handle and floral finial, the interior with a circular vignette of a lady and gentleman in a natural landscape painted in purple hues, on a gilded ground, the bowl with two handles, the conforming stand with a central vignette of a lady playing a guitar in a classical landscape, blue crossed swords marks to bases of bowl and stand, bears paper labels, inventory numbers CLXXII, the saucer 17.8cm diameter, the whole 13.5cm high (2) £2,000 - 3,000

156 A Hoscht porcelain spoon tray, 18th century, of shaped outline with gilt rim, the centre decorated with a scene of a man on a horse drinking, with a landlord on foot holding a flagon, within trees and fences, underglaze wheel mark to base, inventory no. CLXVII, 8.5cm wide £200 - 300

155 A Vienna porcelain tapering two handled cup and cover, 18th century, the lid decorated with a floral and leaf finial, painted en grisaille and gilt with Neoclassical geometric banding between circular bosses, the body painted with two en grisaille medallions of figures representing Hercules and a man holding a ball, with further Neoclassical banding, under glazed blue bee hive mark to base, inventory no. CLXV on label to base and lid, 11.5cm high £300 - 500 155

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157 A Hochst porcelain tea pot and cover, mid/late 18th century, of globular form with c scroll handle and curving spout, the lid with a floral finial, decorated with two vignettes of a lady seated with two musicians in a wooded landscape and bearded man with two itinerants at a serving table, underglaze blue wheel to base, inventory no. CLXXI, 12.5cm high ÂŁ400 - 600

158 A Hochst porcelain trembleuse cup and saucer, 18th century, the cup with entwined handle, decorated with two panels of exotic birds, with gilt and pink scale grounds, the saucer of conforming design, blue underglaze marks to base of cup and saucer, inventory no. CLXVI, 7cm high, the cup 6.7cm high, the saucer 12.5cm diameter, together with two miniature Hoscht cups and saucers, decorated with sprays of flowers, gilt wheel marks to three pieces, inventory no. CLXIX,CLXX, and CLXIX to base, the cup 3.21cm high, the saucers 7.7cm diameter (3) ÂŁ300 - 500

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159 A late Victorian onyx mantel clock, the case of architectural design with a brass domed finial to the top and strap moulded and chevron applied brass pilasters to the sides, flanking a white enamel chapter ring with Arabic numerals and brass centre, with pierced black steel hands, on a stepped base, the brass barrel movement with pendulum and gong strike, 38cm high £100 - 150 160 A mahogany grandmother clock, late 19th century/early 20th century, the hood with arched cornice, with arched glazed door flanked by columns with brass Corinthian columns, the trunk with ogee arched door, on square panelled plinth, on stile feet, the brass dial with silvered Roman and Arabic numeral chapter ring, with arched date aperture, flanked by pierced spandrels, with a circular name disc for David Herbert 1735, with two weights, winder and a pendulum, 167cm high £500 - 800 161 A Regence ormolu and boulle cased bracket clock by De Lorme of Paris, circa. 1735, the top mounted with a figure of a winged trumpeter riding a hippocampus, with a domed top and gently curving body applied with bronze corner mounts of griffons emerging from foliate terminals, with winged female caryatid feet, the apron between applied with floral and foliate swags, with a central female mask above a shaped glazed door applied with a frieze of two cherubs representing astronomy, holding a scroll and seated on a rococo bench, with glazed sides, the large circular gilt metal dial with blue and white enamel Roman numeral chapter plaques, with engraved Arabic numerals to the radius for seconds and a central reserve with a cherub mask sun motif and flowers and floral scroll work, the interior of the case with floral boule work, the square brass five pillar twin barrel movement with recoil escapement, the outside count wheel strike on a bell above, the backplate engraved De Lorme Paris, 110cm high, with key and pendulum, with a large bracket applied with female masks to the corners in the manner of Charles Cressent, with further boule work of ornate flowers and scrolling acanthus leaves, with a satyr mask to the pendant corbel, 48cm high £5,000 - 10,000 162 An Edwardian rosewood and line inlaid lancet shaped mantel clock by Robert Leamington, with bats wing patera to the façade, with brass side handles, on brass feet, the silvered dial with Roman and Arabic numeral chapter ring, engraved Robert Leamington, with matted centre, the minute hand with Fleur-de-Lis end, the brass movement with double hammer and gong strike, stamped WH Son, with pendulum and key, 33.5cm high £200 - 300 160

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163 An Empire /Charles X gilt bronze mantel clock, the dial signed Kinable Palais Royal No. 131, the case mounted with two figures representing Cupid and Psyche, he with wings plucking a lyre and she modelled seated on a chair holding her hands to her breast, flanking a superstructure with a torch and rose on the top, the structure with central white enamel dial with Roman numeral chapter ring , with black steel hands, signed Kinable Palais Royal No. 131, within an ornate façade with bands of roses to the bezel, torches and laurel leaves to the top and musical instruments flanked by swans to the base, the whole mounted on a rectangular stepped platform with an additional ornate façade featuring representations of Cupid and Psyche kneeling in an embrace, flanked by mouldings of billing doves with laurel wreaths, swags and flaming torches, on ball feet, the brass barrel movement with count wheel and bell strike and silk suspension pendulum, 54cm high £500 - 800 164 A circular walnut wall clock, late 19th/early 20th century, the white painted dial with Roman numeral chapter ring, with inscription to centre, W T Payne, 12 Little Queen St., Holborn , the brass movement, potentially later with steel gut fusee movement, with pendulum, 39cm diameter £200 - 300 165 A Black Forest walnut, parquetry and ebonised wood cuckoo clock, 19th century, the top mounted with a spread eagle finial, with further urn finials flanking a raised superstructure containing a pair of small doors, the main case of architectural design, with scroll balusters to the canted corners and geometric veneering to the stepped base, the dial with Roman numeral horn or bone chapter ring and hands, with brass and wooden movement, complete with bellows and pendulum, with steel gong to loose back, 67cm high £700 - 900 166 A George III mahogany and line inlaid wheel barometer by P. Mantova, Luton, 100cm high £100 - 150

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167 167 A George III oak long case clock by Thomas Shilling, the hood with a pagoda top with arched glazed door flanked by columns, with plain door to trunk, on plinth base, the painted dial with Roman and Arabic numeral chapter ring, and subsidiary dials for date and seconds, with ribbon tied swag style spandrels, signed to the arch Thomas Shilling Boughton, with two weights and a pendulum, 208cm high ÂŁ300 - 500

168 168 A George III oak longcase clock by Robert Higginson, Chester, the hood with blind fret cornice, the square glazed door flanked by Corinthian capital columns, with shaped door to plain trunk on stepped plinth base, with bracket feet, the brass dial with Roman and Arabic chapter ring, with subsidiary dial for seconds and a date aperture with pierced blackened hands and engraved centre, flanked by pierced spandrels, with two weights and a pendulum, 192cm high ÂŁ400 - 600

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169 An oak longcase clock by R Marshall, 18th century, the hood with scroll form cornice and beaded decoration, with arched glazed door flanked by half foliate turned columns, with conforming design to the trunk, on a tall plinth, the painted dial with Roman numeral chapter ring with pierced brass hands, with subsidiary dials for seconds and date, the dial painted with pheasant and spaniel spandrels and a shooting scene to the arch, with pendulum and weights, 217cm high £200 - 300 170 A French oak long case clock, 18th /19th Century, the arching hood with carved basket of flowers, the arched brass dial signed ‘Le Blan a Braine Le Comte’, the open frame 30 hour movement with counter wheel strike, the panelled front and ribbon carved door over swag carved plinth, 253cm high, 48cm wide £100 - 150

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171 A French champlevé and brass mantel clock, 20th century, mounted with an urn finial, the glazed sides applied to the front and sides with columns, on turned feet, the white enamel dial with Arabic numeral chapter ring, decorated with swags of flowers, with pierced gilt metal hands, with gong strike and mercury bob pendulum, with a key, 41cm high £400 - 600 172 A French enamelled cloisonné repeating carriage clock, late 19th century, the case of architectural design with four corner Corinthian columns, on a plinth base, with Roman numeral chapter ring, the enamel with coloured birds in gilt branches on blue grounds, the brass movement with gong strike, 14.5cm high including handle £500 - 1,000

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173 A French gilt bronze mantel clock, late 19th/early 20th century, the case mounted with a large urn finial with flaming top, hung with chains and flowers, the case with two side scrolls applied with a central mask corbel and goats heads to the corners, the breakfront base applied with laurel leaves and berries, with formal flowers and scrolls, on five turned feet, the white enamel dial with Roman and Arabic numeral chapter ring, with gilt pierced hands, the barrel movement with count wheel and bell strike, with key and pendulum, 42cm high, together with a pair of matched two branch candelabra, late 19th/ early 20th century, moulded with laurel leaves, berries and fruit, 22.5cm high (3) ÂŁ700 - 1,000

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174 A Chinese yuan style celadon glazed ewer, with gently curving spout and reeded looping handle, the body of gourd form, 30.5cm high £300 - 500 175 A pair of Chinese blue and white porcelain ﬁsh bowls or planters, 20th century, with stylised lotus to the rims, with a continuous frieze of peonies and flowers to the bodies, on moulded feet (2) £300 - 500 176 A near pair of Japanese blue and white jardinières, 20th century, decorated with landscapes of gardens, with cockerels and pheasant, extensive frost damage and repairs, 51cm high x 67cm diameter and 50cm high x 63cm diameter (2) £200 - 400 177 A Indonesian carved and pierced wood sculpture of a lady, probably an architectural fragment, carved with her right foot resting on a beast, with multiple arms, holding a staff, 49cm high, on a later black stand £800 - 1,200

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178 A pair of Royal doors, Eastern European or Russian, early 19th century, the right hand door mounted with a double eagle finial above snake form cornice, with central carved leaf and berry moulding, the doors inset with two oval painted panels of the sacrifice of Isaac and Moses with the brass snake, within gilt leaf form frames, with scroll and leaf form decoration, on blue grounds, 56 x 88cm (2) £1,000 - 1,500

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179 A Russian icon of the Cruciﬁxion, 19th century, with Christ on the Cross flanked by Mary, mother of God, Mary Magdalene, and Mary of Cleofas, with Saint John and Ekatondarchos, with panels above of scenes from the life of the Saints and Mary Mother of God between angels, tempera on panel, 35.5 x 31cm, together with an icon of five Saints with the veil of St. Veronica, both bearing label’s to reverse for Maria Andipa’s Icon Gallery, an icon of St Nicholas the Miracle worker and an icon of Mary, Mother of God with the saints, all tempera on panel (4) £500 - 800

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180 A Grand Tour bronze model of the Vatican wrestlers, 19th century, on a rectangular red marble plinth, 12.5cm high, together with a Grand Tour bronze model of Spinaro, 19th century, on an octagonal wooden base, 18cm high (2) £200 - 400 181 An Italian micro mosaic Grand Tour picture of an Italianate landscape with a colonnaded temple and house, 19th century, with a lady carrying a basket along a path, in a Dutch ebonised frame with ripple moulded frieze, plain top knull and eared corners, with later strut added to reverse, the mosaic 19.8 x 25.5cm £1,000 - 1,500

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182 A Grand Tour type oval ivory carved medallion of a classical goddess, 19th century, wearing a helmet applied with a dragon, on a wood ground, with ebonised oval frame, the medallion 5.5 x 4.4cm, together with two other Grand Tour ivory oval medallions of a Roman statesman and a bearded philosopher, both on rosewood grounds, framed, both 19th century (3) £100 - 200 183 A Grand Tour fragmentary serpentine marble model of the Vatican wrestlers, 19th century, 23cm high £300 - 500 183 46

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184 A Grand Tour fragmentary serpentine marble ﬁgure group of the Abduction of Persephone by Pluto, 19th century, 41cm high Note: There is a work by Francois Girardon (1628-1715) of the same subject matter from which this group may have been influenced as a Grand tour souvenir. The Abduction of Proserpine by Girardon was originally conceived as part of a commission for four marble groups of allegorical subject matter of the four elements in 1674. Commissioned by JeanBaptiste Colbert on behalf of Louis XIV, most of the details, from the conception and preliminary drawings were left to the King’s first painter, Charles Le Brun. £300 - 500 185 A Grand Tour type plaster torso of a man, late 19th/ 20th century, on a rectangular plinth, 110cm high £400 - 600

186 A collection of four specimen marble spheres, of recent date, 19cm diameter, with a smaller rock crystal specimen, a single smaller marble sphere and three similar sized spheres, 10cm diameter, together with a rectangular green marble plinth and two other plinths and a specimen quartz crystal node (13) £200 - 300 187 A Continental Grand tour type plaster allegorical frieze of Goodness, late 19th century/ early 20th century, a classical maiden cradling a dove between two Corinthian capital columns, with stepped cornices and base, the base with inscription Bonte, signed Rude, 100cm high, 63cm wide £400 - 600

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191 188 A cylindrical pottery pedestal, 19th century, with black capitals, the shaft decorated to imitate pink marble, 52.5cm high, together with a pink and white veined marble dish, 46cm diameter (2) £200 - 300

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189 A Fluorspar specimen egg, 14cm high, on a black and veined marble stand (2) £200 - 300 190 A Grand Tour type white marble obelisk, 20th century, with foliate bronze finial, inset with specimen marble roundels, mounted on small models of tortoises, with a tapering sienna marble plinth, on a stepped black marble base, 58cm high, together with a Parian porcelain and gilt metal lamp base, the body moulded with a frieze of classical maidens (2) £150 - 200 191 A Wedgwood black basalt model of a sphinx, late 20th century, seated on a rectangular plinth, impressed marks for Wedgwood Made in England A 79, 23.5cm high £300 - 400 192 An Italian patinated bronze ﬁgure of the Dancing Faun of Pompeii, in the manner of the Chiurazzi foundry, late 19th/early 20th century, on a rectangular base, 78cm high £1,000 - 1,500

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193 Appa Joseph, an Innuit grey brown soapstone carving of a seal, signed to base Appa Joseph Lake Harbour, gallery label to base for Eskimo Art Canada, 16cm long, together with a black soapstone carving of a walrus signed to the base Eddie Omnik, a green soap stone model of a seal by the same artist, and a green soapstone carving of an owl perching on a stump, indistinctly signed (4) £200 - 300 194 A Senufo carved wood equestrian ﬁgure, the figure modelled holding a spear with bangles on his arm, riding a horse on a circular base, 65cm high, on a rectangular stand £200 - 300 195 A Dan tribal mask, mounted to the forehead with a cowrie shell, with horizontal slit eyes and heavy lids, straight nose and pursed lips, with drilled holes to the rim, 26cm high, on a plastic museum stand, with two further masks, probably Bambara, one applied with metal mounts and two carved male heads, one of a bearded gentleman (5) £400 - 600 196 An Ikat Chapan, Bukhara, late 19th/early 20th century, together with three Chapan, Istanbul, the four coats dyed with abstract patterns in multiple colours, 134cm long (4) £200 - 400

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198 197 An Ikat Chapan, Bukhara, late 19th//early 20th century, together with three Chapan, the four coats dyed with abstract patterns in multiple colours, 134cm long (4) £200 - 300

198 A collection of Turkish embroidered linen towels and cloths, mostly early 20th century, together with two pairs of woven trousers (a lot) £200 - 300

199 Two Ottoman ladies jackets, late 19th century, one with pink and gold strips elaborated with foliate designs, the other with pink, blue and yellow stripes, elaborated with floral motifs, 140cm long (2) £150 - 200

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200 A pair of Nigerian Benin bronze leopards, 20th century, modelled standing, 30cm high £400 - 600 201 A tribal steel sword, of axe shaped form, with a waist form wire grip, 47cm long, together with another steel sword with crescent moon teeth and a waisted grip (2) £300 - 500 202 A Mahongwe Betwe reliquary figure, Gabon, 20th century, on a metal museum stand, 60cm high £500 - 800 203 A Tribal hardwood fertility figure, Ashanti, 32cm high, together with a fragmentary darkened hardwood figure of a woman, probably a fertility figure, on a stand, a tribal scoop with a round bowl and a figural handle, with woven grip and a tribal bust with an elongated hair piece (4) £800 - 1,200 204 A Tribal hardwood carved figural spoon, Senufo, the handle carved with a squatting female fertility figure, to a cylindrical shaft terminating in a round bowl, together with a Baule red painted figure, and a carved hardwood maternity figure (3) £800 - 1,200

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205 A Tribal hardwood mask, decorated with a pair of horns to the top, flanked by two round eyes and a star form tubular mouth, 32cm high, together with a cast bronze tribal staff finial of a man with a club, on a wooden display block (2) £500 - 800 206 A hardwood Tribal mask, Dan, 20th century, with flaring nostrils and mouth, 25cm high, together with a collection of four tribal hardwood masks, 20th century, to include a monkey form mask with white pigment to the eyes, another shaped mask with white pigmentation to the brows and face with a square mouth and one other (4) £800 - 1,200

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209 207 A Tribal pottery mask, 20th century, with stylised headdress and grass adornment, overall decorated with incisions and black and red paintwork, 33cm high, together with two other tribal masks, one with an annotated jaw with steel comb teeth (3) £200 - 300 208 A bronze cat, Ghana, 20th century, modelled standing, 8cm high, together with an Ashanti bronze lion (2) £200 - 300 209 An Indian bronze box and cover, West Bengal, Dokra, late 19th century, with hinged cover, 19.5cm high £300 - 500

213 210 A Nigerian bronze maternity ﬁgure, 20th century, modelled standing cradling a child and carrying a pot on her head, standing on a tapering pedestal, 25.5cm high £300 - 500 211 A Tribal bronze model of a horse and cart, 20th century, the cart with a domed cover, on pierced wheels, with bells to the shafts, the horse with a rider, 18cm high £150 - 200 212 An Indian betel nut box, 20th century, moulded in the form of a bird, on four feet, 23cm high £150 - 250 213 Two Pre-Columbian terracotta ﬁgures, one of a female with face, torso and lower body, wearing a necklace and loin skirt, on a marble stand, the figure 13cm high, the other a seated male figure, Chinesco, 11.5cm high (2) £150 - 200 214 A Tribal hardwood heddle pulley, mounted with a head with a crested hairpiece, 20cm high, together with a carved wood bust of an Indonesian man (2) £150 - 250 215 A Benin bronze head of a man, in the 18th century style for the alters of Oba, 20th century, 16cm high, together with another tribal bronze head (2) £400 - 600

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216 216 A bronze female head, Yoruba, in the 14th century style, 20th century, her face carved with striations, 28cm high £300 - 500 217 A Tribal headdress, Yoruba, Nigeria, of conical form with a bird finial at the top and bands of birds below, with oval designs of geometric shapes and faces, in coloured beads of white, red, blue, black and yellow, 55cm high £600 - 1,200

218 220 A Solomon Island paddle club, with a fine line moulding to the tip, 114cm long, together with a club of canoe form, with a curving prow, decorated with stylised pen work patterns and faces, 87cm long (2) £1,000 - 1,500

218 A Tribal headdress, Yoruba, Nigeria, of conical form with a bird finial at the top and bands of birds below, with an oval design of two green faces with black eyes and red scar marks to the sides, in coloured beads of white, red, blue, black and yellow, 49cm high £600 - 1,200

221 A large buffalo skull and horns, 43cm high x 98cm wide £150 - 250

219 A Tribal headdress, Yoruba, Nigeria, of conical form with a bird finial at the top and bands of birds below, with oval designs of geometric shapes and faces, in coloured beads of white, red, blue, black and yellow, 55cm high £600 - 1,200

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226 223 222 A Tribal hardwood ﬁgure of a man, 20th century, modelled with a comb form hair coif, with nail form eyes and geometric carving to the body, 14cm high, together with a bronze pierced plaque featuring two figures with crossed legs, within an arched bower, moulded with geometric designs (2) £150 - 200 223 An Indian bronze bell, 20th century, with a figural handle, 20.5cm high £100 - 150 224 An oval tribal hardwood shield, 20th century, carved with a face within a beaded border, 95 x 54cm £100 - 150

225 A tribal hardwood ﬁgure of a woman, Senufu, modelled standing with a conical head, with decorative rings to the neck, 36cm high, together with a hardwood box and cover, with a bird finial, overall geometrically carved, with six legs on a ring support and a boat shaped vessel with incised circular decoration to the body (3) £300 - 500 226 A large coco de mer seed pod, Lodoicea maldivica, 37cm high £200 - 400 227 Two rectangular Indian hardwood chests, 18th/19th century, one of panelled design with lifting lid, with a metal hasp, the interior with a storage tray and concealed storage below, accessed by a door, on turned feet, 22cm high x 40cm wide x 29cm deep, together with another similar box with chip carved geometric decoration, and an iron bound chest with handles (3) £400 - 600

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228 Two African hardwood flasks, of turned cylindrical form and flaring necks, with stoppers, 21 and 19cm high, together with a pale gourd flask, incised with flowers and leaves, a hide covered miniature drum and two terracotta items of pottery, probably pre-Columbian (5) £200 - 300 229 A tribal hardwood carved finial of a crouching man, possibly Luba, modelled with his hands in front of his heart, on a square pedestal, 16cm high, together with two other finials of standing figures (3) £400 - 600 230 A Benin style bronze figure of a Chieftain, modelled standing holding a ceremonial paddle and quoit, wearing a necklace and decorated helmet, standing on a tapering dais, 31cm high £400 - 600

232

231 An African ﬁgure group of two male drummers, modelled standing wearing horned helmets, on a crescent shaped base, 35cm high, together with three smaller bronze figures with stylised tattooed bodies, and an equestrian figure of a man with a spear (5) £300 - 500 232 A large Ikat design silk spread, 20th century, with stylised motifs on a yellow ground with red and burgundy border stripes, 114 x 476cm, together with a large collection of similar design spreads and materials (a lot) £150 - 200 233 A Corinthian ﬂat-bottomed oinochoe, early 6th Century B.C., decorated with a band of deer and lions within geometric borders, 19.5cm high £600 - 800 233

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234 A red earthenware pottery ryhton in the form of a stag, probably Amlash style, 27cm long £500 - 800 235 A pair of ﬁgural dummy boards of a young man and his companion, early 19th century, he wearing a lace enriched suit and fur lined coat, she wearing a dress with a floral corset, both supported with bracket foot behind, 104 and 111cm high (2) £2,000 - 3,000

234

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236 A painted pine ﬁgural dummy board,18th/19th century, portraying a young girl wearing a white apron and holding an apple, her neck in a white ruff, her hair in a coif, with hinged easel back, 89.5cm high £300 - 500

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237 A pierced gesso and painted wood overmantel panel, 18th/19th century, with three roundels occupied by Saints, two holding scrolls, with pierced foliage work to the edges, 43 x 48.5cm wide £300 - 400 238 A needlework picture of St. Jerome, late 18th/early 19th century, depicted with a skull seated in the wilderness with an angel appearing in a vision, in coloured silks, framed and glazed, 33.5 x 27cm £150 - 200 239 An embroidered still life picture, in the manner of the Dutch Old masters, 19th century, depicting a vase of flowers and leaves, worked in coloured silks and wools, framed, 50 x 38cm, together with a William IV sampler by Sophie West, dated 6th April 1835, worked in silks with a religious meditation, within a border of flowers and animals, 43.5 x 34cm (2) £150 - 200

238

240 An embroidered picture of an allegorical scene of a woman feeding warriors within a wooden landscape, 19th century, within a black and gilt glass slip applied with the inscription, Judith Phillips Endid this work the 13th year of her age 1806, framed, 36 x 43cm, together with two other embroideries of the discovery of Moses and a scene of a country girl with sheep and a child gathering wood (3) £200 - 300

239 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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241 A pair of Dutch taste circular brass pierced wall lights, late 19th/early 20th century, pierced and decorated with embossed fruit and with central figure motifs of a man and woman, each with two branches extending from a fist corbel, 31.5cm diameter(2) £150 - 250

242 A salt glazed stoneware bottle, probably German, late 17th/early 18th century, with a looping handle, 23cm high £100 - 150 243 A painted circular glass panel bearing a coat of arms of the Order of the Garter, 20th century, within a wooden frame, 41cm diameter £200 - 300 244 Spanish/Colonial School, 17/18th century, a portrait of Saint Joseph and the Christ child, oil on paper, laid down to board, the image 73 x 53cm, the board 83 x 62cm (VAT charged on the hammer price) £400 - 600

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245 245 A large oak refectory table, 19th century, the triple plank top, with cleated ends, on turned legs, joined by single stretcher, raised on squat bun feet, 76cm high, 253cm wide, 83cm deep £600 - 800 246 A large elm refectory table, second half 20th Century, the rectangular two plank top, raised on square legs, united by stretchers, 76cm high, 212cm wide, 76cm deep £300 - 500 247 A matched set of ash and elm Windsor armchairs, 19th Century and later, the hooped backs, with shaped and pierced splat, above saddle moulded seats, raise on turned legs joined by crinoline stretchers (8) £1,500 - 2,000

246

247 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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248 A North European oak strong box, 19th Century, with two ring handles and shaped iron strapwork, with shaped iron clasp, 41cm high, 70cm wide, 42cm deep £300 - 500

252 An ebony walking cane, late 19th/early 20th century, the finial in the form of an African man’s head, the shaft of twig form terminating in a metal ferule, 83.5cm long £200 - 300

249 A Dutch brass bound peat bucket, 19th century, with ring turned body and brass collar and swing handle, with a brass liner, 33cm high £300 - 500

253 A Tunbridge ware sewing box, 19th century, inlaid to the centre lid with a view of a Gothic castle representing Nonsuch Palace, within borders of flowers, with geometric motifs to the sides, the interior with quilted section to the lid and paper lined lifting tray, with compartments for storage, three lifting lids and eight cotton reels, all with Tunbridge ware decoration, 14cm high x 31cm wide x 25.5cm deep, together with other Tunbridge ware decorated items, to comprise a domed glove box, a smaller rectangular sewing box with a specimen parquetry inlaid top and a clothes brush (4) £250 - 350

250 A Dutch walnut and ebonised wood peat bucket, 19th century, with a brass liner, 32cm high £180 - 220 251 Four turned treen wooden curtain tie backs, late 19th/early 20th century, the tops carved in the form of stylised artichoke hearts, 18cm high, together with a similar styled set of four tie backs, a turned treen tobacco jar, 19th century, lacking cover, a pair of children’s shoe lasts and a coffee grinder (12) £200 - 300

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254 A Tunbridge ware tea caddy, 19th century, decorated to the top with a view of a Gothic castle representing Nonsuch palace, within geometric borders, the body with bands of flowers, with lifting lid to reveal two compartments for tea with lids, 12cm high x 22cm wide x 11cm deep, together with other Tunbridge ware decorated items to comprise a smaller tea caddy with a geometrically decorated panel, and two hexagonal parquetry ware mats, applied with specimen woods (4) £200 - 300 255 A Tunbridge ware rectangular games box, 19th century, decorated with a scene of a Gothic castle, within geometrically inlaid borders, the interior divided into two sections containing a pack of De La Rue and Co. London playing cards, together with two bezique markers boards and two pegs, 5cm high x 17cm wide x 12.5cm deep, together with other Tunbridge ware decorated items, to include a cribbage board, a small casket with a slightly domed top, decorated with flowers and geometric banding, and a square box with a floral panel to the lid, the interior lined in paper with the label for Thomas Barton successor to Edmund Nye, Inlaid and Mosaic wood manufacturer, to her Majesty & the Royal Family Mount Ephraim,and Parade, Tunbridge Wells (4) £200 - 300

256

258 A Viennese gilt metal and enamel ink well, in the form of a canape, late 19th/early 20th century, the back rail with a pierced pair of billing doves, decorated with courting lovers and figures in an Arcadian landscape, the lid lifting to reveal further landscapes of a castle in trees, with two glass inkwells and a dipped area, overall engraved with scrolls and leaf work, with further enamelwork to the seat rail, on cabriole legs, 9.5cm high, together with a Continental brown agate and gilt metal mounted dish, 20th century, the agate bowl with white and brown striations, with a pair of entwining double snake head handles with jewelled eyes, on scrolling feet, 19cm wide x 10.5cm high (2) £100 - 150

256 A Tunbridge ware desk thermometer, 19th century, in the form of an obelisk, with ivory indicator board, 19.5cm high, together with other Tunbridge ware decorated items,to include a stamp box, a desk stand with a pen rest and two stamp boxes with lids, lacking the bottle, a ruler, a needle case with pin cushion to the lid, a string box and a bangle (7) £300 - 500 257 A pair of mahogany urn form knife boxes, in the George III style, mid/late 20th century, the lids lifting to reveal a baize lined cylindrical space, the base with slit openings, the bodies of polygonal waisted form hung with swags, to square plinths, 71cm high (2) £300 - 500 257 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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259 A Vienna enamel panelled miniature table cabinet, late 19th/early 20th century, with a model of a seated figure to the domed top, with two doors opening to a pair of drawers, on a moulded rectangular base, with metal bracket feet, applied with coloured enamel panels of scenes of arcadia and antiquity, 16cm high x 11cm wide x 9cm deep £600 - 800

259

260 A French ormolu and porcelain encrier desk stand, elements 18th century, to comprise a sand pot, inkwell and central well, with a bird flanked by two candle cups emitting from a bocage of flowers and metal leaves, on a shaped base with acanthus leaf edges, on pierced scroll form feet, damages, 23cm high , 27cm wide £400 - 600

261 261 A Continental silver and ivory desk seal, late 19th/early 20th century, the finial in the form of a carved female nude, her hair decorated with flowers, the stem in the form of leaves, stamped 800, 10.5cm high £200 - 300 262 An Edwardian four division brass and mesh magazine rack, on curving feet, 71cm high £150 - 200

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263 A pair of Victorian Jennens and Bettridge lacquered papier-mache and shell inlaid panels, decorated with wreaths of flowers and leaves, within gilt line borders, the corners with elaborate leaf shaped spandrels, both stamped to the reverse Jennens & Bettridge, framed, 63.5x38cm £200 - 300 264 A Georgian silver mounted coconut tea caddy, the lid with a knop form finial with petal form escutcheon plate, the body with a silver collar engraved with a coat of arms, marks rubbed, 15.5cm high £200 - 300

263 (part)

264 265 A pair of Regency black japan and gilt papier-mache coasters, 19th century, decorated to the rims with floral bands and butterflies, 14.5cm diameter, together with an ostrich egg on a plastic stand (3) £150 - 200 266 A George III shagreen and silver etui case, the interior lacking, 13.3cm long, together with a green shagreen covered cigarette case, a smaller white shagreen case and a collection of three faux shagreen enamelled or printed items to comprise two cigarette cases and a compact in the form of a handbag (6) £250 - 350

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

266

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268 A large Victorian papier mache oval tray, decorated to the centre with a spray of fruit and leaves, with gilt banding to the edges, 78 x 62cm £100 - 200 269 A Victorian taxidermists model of three red squirrels, formed in a natural setting with bracket and branches, in a glazed case, 48cm high x 45cm wide x 18.5cm deep, together with a similar diorama containing a seated coot and a Victorian taxidermists model of three birds in a grass land diorama (3) £150 - 250

267

267 A Regency tole peinte oval tray, painted to the centre with an oval vignette of a boy with two doves,in a arcadian landscape, with gilded vermicule frame, with four roundels, on a black ground, decorated with moths and floral sprays, with a thick band to the rim decorated with conforming panels of Chinoiserie figures, half paterae and vermicule decoration, on later stand, 49.5cm high, 71cm wide, 55cm deep £500 - 800

270 A Victorian silk ﬂower arrangement, in a glass bead vase, under a large glass dome, with an ebonised wooden stand, 57cm high together with another smaller similar arrangement with a cylindrical glass dome (2) £200 - 400 271 A pair of round wax relief portraits of two gentlemen, 19th century, each in a red lacquered frame with suspension ring, with written attribution to the back papers for Judge Blackham and Judge Jeffries, the miniatures 5.5cm diameter, together with a wax oval relief portrait of a lady, possibly a Mrs Hannah More, inscription to back and a Parian relief bust of Napoleon (4) £300 - 500 272 A pair of silhouette portraits of a husband and wife, 19th century, in matching maple veneered frames, feint attributions to backboards, 9 x 7.3cm, together with two further silhouette portraits, one attributed to be Lieutenant Colonel George Dyke of the Coldstream guards, both oval, one in a rectangular frame (4) £100 - 200 273 A pair of French Aubusson tapestry panels, late 19th/early 20th century, woven with forest scenes with baskets of flowers, above panels of ribbon tied musical instruments, with a linen backing, 243 x 84cm (2) £500 - 800

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274

274 A set of three arched stained glass windows, 18th/19th Century, with foliate design above, an arrangement of geometric panels in coloured and clear glass, 132cm high, 98cm wide, together with a similar pair of arched stained glass windows, 186cm high, 83cm wide, a group of six rectangular metal and wood window panels, 19th Century, each with six panels of glass, etched with geometric designs, in clear and blue glass, 81cm high, 39.8cm wide, a group of seven assorted stained glass window panels, 18th/19th Century, each with an arrangement of geometric panels in coloured and clear glass and a collection of fragmentary stained glass panels, 18th/19th Century, to include some window panels with initials ‘SL’ and other mixed (a lot) Provenance: formerly from the manor house at Clifton, Hampden, the home of Christopher Gibbs Esq, purchased by the current vendor from Christies, 25th-26th Sept 2000 £1,500 - 2,500

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275 A large green serpentine carving of a bird, in the Shona style, 20th century, modelled with spreading wings, on a domed base, 58cm high £200 - 300 276 A painted terracotta ﬁgure of Mary Magdalene, Bolognese School, late 15th /early 16th Century, probably from a Lamentation figure group, 70cm high Note: This sculpture bears a similarity to the work of Guido Mazzoni (circa 1445-1518), particularly the Mary Magdalene figure from the group at the church of S. Anna dei Lombardi in Naples, and therefore may be regarded as by a follower or contemporary of Mazzoni. £3,000 - 5,000 277 Alan Brazier, British 1956-2016, Crouching figure, alabaster, 97cm high (ARR) £800 - 1,200 275

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278 James Osborne, British 1940-1992, Becher’s Brook, a bronze model of a horse and rider in the Grand National, on a marble base, with label to the base The National Horseracing Museum in celebration of the Grand National 150th Anniversary sculpture 1839-1989, 24.5cm high (ARR) £150 - 250 279 Ginette Bingguely-Lejeune, French, 18951969, a bronze portrait bust of a young lady, with a slight smile over her lips, signed to cast, Ginette Bingguely-Lejeune , raised on a marble plinth, with plinth 49cm high (ARR) £300 - 500

280 Circle of John Buncombe, British act.1825-1857Silhouette portrait of a British officer, traditionally held to be Captain Henry Waterman of the 13th (Somerset) Light Infantry, half-length turned to the right wearing red uniform tunic, with yellow facings, silver epaulettes, red sash and Belgian shako with helmet plate, rectangular, in a glazed rectangular gilded hand-tolled reverse profile moulding frame, the reverse bearing inscription, 11.5x7.5cm: British School, early 19th century, silhouette portrait of a British officer, traditionally held to J N Lawrance, 4th King’s Own Regiment of Infantry, half-length turned to the right, wearing scarlet uniform with yellow facings, gold epaulettes, white shoulder belt with shoulder belt plate, gilt buttons and red sash, oval, in a glazed oval ebonized moulding frame, 9.5x8.9cm., (2) £200 - 300 281 Sir William Reid Dick KVCO RA, British 1879-1961, A portrait bust of Lord Kemsley, bronze on marble plinth, signed and dated 1942 to the cast, 49cm high including plinth (ARR) £400 - 600

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282 282 Follower of Robert Dodd, British 1748-1815The Quebec and Surveillante in Action, 6 October 1779; enamel on steel panel, 51x74.5cm Provenance: John Denham Gallery, London, where purchased in 1997 Note: This is a copy of the painting of the same title by Robert Dodd, held in the National Maritime Museum Greenwich (ref. BHC0426). HMS Quebec of the British Royal Navy is portrayed as the ship ablaze and dismasted on the right, with the frigate Surveillante of the French Navy on the left. Robert Dodd was one of the principal recorders of the famous naval battles within the American Revolutionary Wars. ÂŁ3,000 - 5,000

283 A pair of Continental rectangular ivory plaques of Leda and Zeus and Antiope and Jupiter, late 19th/early 20th century, both ladies lying naked on sheets, each holding a branch or a water pot, with a swan or an eagle at their feet, 5.3 x 18.5cm (2) ÂŁ400 - 600

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284 A bronze and ivory ﬁgure of a man, 19th century, wearing a hooded cloak, signed Chopard to the cast, 22cm high £200 - 300 285 A pair of French porcelain and gilt metal mounted vases, late 19th century, the lids with acorn finials, the vases with pierced galleries and female mask mounts, on beaded shaped bases, the porcelain decorated with vignettes of a man and woman in 18th century dress to the front and buildings in gardens to the reverse, within gilt frames, on deep blue grounds, the lids bearing Sevres printed marks, 32.5cm high £150 - 250

286

286 A Viennese iron armada chest,18th Century, the lid with architectural form lock plate cover, with beaded and mask form decoration, flanked by two chevrons, the body with two handles and strap clasps, the interior lock marked with an engraved plate, KK priv Schofser waaren fabrick Niederlagen Wagler & Schuster No. 775 in Wien, together with a padlock, stamped F. Werthen & Co Wien and two keys contained in a leather pouch, 51cm high, 73cm wide, 49cm deep. £1,000 - 1,500 287 A large wirework bird cage, of architectural form, late 19th/20th century, with an octagonal form cupola, with arched windows, the façade with three pierced triangular gables, with two levels of arcades and grilled sides with a panelled back, with grilled base, 116cm high, 72cm wide, 38cm deep and a French wire metal bird cage, late 19th/early 20th century, made in the form of a house with a shaped roof and chimney, with two doors with balconies above, on a rectangular tray base, with bracket feet, 55cm high (2) £200 - 300 288 An Austrian painted terracotta ﬁgure of an Egyptian girl, late 19th/early 20th century, carrying a large water pot, signed to the base F Koenig, 93cm high £300 - 500 288

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289 A pair of Louis XIV style andirons, 19th century, applied with a male mask to the front representing Neptune, overall moulded with strapwork, on lions paw feet, 60cm high (2) £600 - 1,000 290 A George III style brass and iron serpentine ﬁre grate, with urn finials, the front with shaped bars and pierced frieze, 61cm high, together with a copper three leaf mesh fire guard and a set of polished steel and brass fire tools to comprise poker, tongs and spade, the spade 69cm long (5) £200 - 300 291 A gold mounted violin bow by W. H. Hill and Sons, stamped to the shank, 74.5cm long, together with a violin by E. R. Conkerton, label to interior for 1920, in a wooden case £800 - 1,200

289

292 A polished section of fossil Orthoceras Belemite (Cephalopod), in two parts, 28 and 16cm long (2) £150 - 200

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293 A Great War, Imperial Service Medal and Trio awarded to PNR. W. G. Beverage R.E. comprising: 1914-1915 star, British War and Victory Medals, Imperial service medal, also named to William George Beveridge (the G in Beveridge struck as a C): two Masonic medals, a Royal Antediluvian Order of Buffaloes medal, a RAOB Justice, Truth medal, a St. John Ambulance Association medal, a Sherwood foresters badge, a Coronation medal, an RAF cap badge, four commemorative coins and two Royal crown Derby tie pins £100 - 150 294 A large bass drum for the 8th Battalion Devonshire regiment by George Potter and Co., early/mid 20th century, painted with the arms and battle honours of the regiment, makers mark of George Potter and Co., Potter’s Corner, Aldershot, branded mark for Potter’s Aldershot, 79cm diameter £100 - 150

296

295 ‘Blow-Up’ ﬁlm poster, French version, 1970s; offset lithograph in colours, design by Georges Kerfyser, printed by Lalande, sheet 116 x 156cm (framed) £150 - 200 296 James Bond Live and Let Die, a ﬁlm poster, United Artists, 1973, 97 x 67cm £300 - 500 297 A photograph of the actor Boris Karloff, titled Boris Karloff Universal, together with a signature attributed to be of Karloff, signed in ink, framed, 27.4 x 22cm £200 - 300 298 Zorro rides again, Le Retour de Zorro, French Moyenne Movie Poster, Imp. Delattre, framed and glazed, 80.5 x 60cm £150 - 200

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299 299 Chateau Lynch Barges 1990, 6 bottles, seals and labels good, ullages to low/middle neck (6) £400 - 600 300 Domaine Armand Rousseau, GevreyChambertin, Les Cazetiers, 2000 Premier Cru, Côte de Nuits, 3 bottles, and Chateau Pindefleurs 2000, Saint Emilion Grand Cru, three bottles, all bottles labels and seals good, ullages to neck(6) £400 - 600

300 301 Billecart Salmon 1995, one bottle, Pol Roger 1996, one bottle and six bottles Charles Gardet 1996 (6) £100 - 150 302 Chateau Langoa Barton, 1993, Saint Julien, two bottles, with Haut Bailly, 1988, Pessac Leognan , Volnay Domaine Y. Clerget, Chateau La Lagune, 1990 Haut-Medoc, Grande Vins de Leoville 1970, St Julian, Nuits-St-Georges 1970 Confuron Cotetidot Premier cru, Chateau L’Enclos 1994 Pomerol, Crozes Hermitage 1998 Domaine de Thalabert Paul Jaboulet, La Sizeranne 1999 Hermitage M. Chapoutier, all single bottles, and Chateau Roudier, 1998, Montagne-Saint-Emilion, France, twelve bottles, some slight tears to labels, good seals, ullages good to neck in most cases (23) £150 - 200 303 A quarter veneered burr wood humidor, 20th century, 15.5cm high x 24.5cm wide x 22.5cm deep, with thirteen Vegas Robaina cigars £150 - 250

304

304 Earth Views, c. 1970s; sixty-eight vintage gelatine silver pints, a collection of satellite images of the Earth, 30 issued by NASA ATS-3, and 38 by the European Space Agency Meteosat-1, each image approx. 29 x 26cm (unframed)(68) £300 - 500 305 Roger Fenton, British, 1819-1869, View of a horse and carriage at the porch of a Gothic building, signed in ink lower right, albumen print, in an arched mount, 34x42cm £1,000 - 1,500

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306 A pair of French ormolu candlesticks, late 19th/early 20th century, the columns with cast foliate nozzles and stems, with trailing branches and leaves to a slightly domed base, with stepped milled edges, the drip pans with beaded rims, 14cm high, together with an oval glass and gilt metal mounted cache pot, in the Empire taste, late19th/early 20th century, with lions paw feet (3) £100 - 200 307 A pair of French ormolu and white marble three branch candelabra, early/ mid 20th century, the bases in the form of cassolettes with floral and grape moulded nozzles, on rams head monopodia legs, with circular beaded bases, with three gilt metal scrolling branches emitting from the nozzle applied with leaves and porcelain flowers terminating in rose form petalled candle cups, 36cm high (2) £800 - 1,200

307

308 A pair of French Empire style wall lights, 20th century, the backplates formed as Neoclassical arrow quivers, with gilt metal arrow heads and a wood sheath body, emitting a pair of scrolling arms with stiff leaf decoration and swans head terminals, with cylindrical candle cups and covers, 52cm high (2) £200 - 300 309 A set of four Louis XVI style three branch wall lights, 20th century, each with urn form finial to a tapering fluted back plate, terminating in a berried and leaf form terminal, each with Neoclassical rams head decoration, emitting three leaf form scrolling branches hung with acorn leaf swags, terminating in circular drip pans and cylindrical moulded candle cups, 53cm high (4) £2,000 - 4,000

309

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310 A French gilt bronze and glass lantern, after a model from Versailles, 19th century, the corona moulded in the form of sun rays and clouds, with stiff leaf and pierced body, the bulb of facetted form, with pendant pierced base terminating with an inverted pineapple form finial, 63cm high Provenance: From a Family estate in Belgium. £500 - 800 311 A Continental gilt metal and pink marble oil lamp base, converted to a lamp, 19th century, with Corinthian capital , on tapering column, with stepped base, on scrolling feet, 53cm high including fitting, together with another gilt metal and pink marble lamp base (2) £200 - 300 312 A Victorian silver-plated oil lamp, with brass burner fittings above a glass reservoir, the column of classical design with wreaths to the pedestal, on stepped base, with glass chimney and shade, 70cm high £600 - 1,000 313 A pair of bronze and gilt bronze table lamps, in the style of Empire ﬁve light candelabra, late 20th century, with a central electric lamp fitting surrounded by five ivy leaf moulded candle cups, with fluted columns, on lions monopodia feet, 62cm high (2) £200 - 300

310

314 A set of ﬁve cream and gilt painted toleware style lamps, of recent design, of baluster shape with decorative piercings, 60cm high, together with five shades decorated in the same manner (10) £150 - 250

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315 A gilt metal mounted serpentine table lamp, in the Louis XVI style, 20th century, with two swan form and laurel leaf mounted handles, on spreading pedestal with leaf moulded square base, 54.5cm high including fitting £80 - 120 316 A Continental Empire style three branch bouillotte lamp, mid/late 20th century, the three swan form branches emitting from a central vase shape boss, with column support and dish form base, the cream painted shade with rise and fall action to a cylindrical stem terminating with a wreath finial, 60.5cm high £80 - 120 317 A pair of Victorian brass sinumbra lamps, early/mid 19th century, each with pierced Gothic tracery galleries with goats head, beaded and scroll supports, on cylindrical column bases with lobed decoration, later converted to electricity, with later glass shades of differing taste, the bases including fitting 38cm high (2) £300 - 500

317

318 A pair of large French cylindrical white pottery lamps, 20th century, with extending brass fittings, 98cm high, together with a white pottery lamp base, with crackleware surface, with a Luminator Francais reflector, a sang-de-boeuf glazed lamp with a unicorn to the belly, a sangde-boeuf glazed lamp with ridges to the body, an octagonal facetted wooden lamp base and a French brass candlestick, probably 18th century, converted to a lamp (7) £100 - 150 319 A glass three light chandelier, late 19th/early 20th century, with a tall central baluster stem, hung with chains of lustres, the scrolling branches emitting from the base, terminating in circular drip pans hung with lustres, with a dish form lustre hung suspended shade, 106cm high £500 - 1,000

319

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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320 A pair of Continental silvered brass candelabra, late 19th/early 20th century, the bases pierced with scrolls and flower work on scroll feet, with a central scroll column issuing two acanthus leaf branches terminating in vase form candle cups with pierced drip trays, 25cm high (2) £150 - 250 321 A pair of gilt bronze and white marble candelabra bases, in the Louis XVI style, 19th century, later converted to lamps, each modelled with a seated cherub on cloud forms, on a white pedestal, applied with swags of flowers, the bases applied with beaded edge and inset plaques of stylised foliage, on four feet, 68cm high including fitting (2) £1,500 - 2,500

321

322 A pair of French bronze and marble two light candelabra, late 19th century, moulded with figures of a boy and girl in the manner of Clodion, each standing or sitting by a stump emitting grape applied branches terminating in vase form fluted candle cups, signed to the casts, on circular white marble bases applied with friezes of entwined laurels, on turned feet, later converted to electricity (2) £300 - 500 323 A pair of Empire style wall lights, 20th century, with circular lobed and palmette and wheat sheaf back plates, with a centrally applied ball emitting two flower moulded trumpet form scrolling arms, terminating with circular candle cups with stiff leave decoration, 37cm high (2) £200 - 300

322

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324 A pair of French three branch wall lights, in the Louis XVI taste, 19th century, the backplates formed as a classical quiver of arrows, emitting three curving branches of writhen body, with vase form candle cups, with circular beaded wall mounts, 42cm high (2) £600 - 1,000 325 A pair of French gilt bronze twin light wall lights, 20th century, with a scrolling and foliate backplate emitting a single branch that divides into two acanthus leaf formed branches terminating in rococo form candle cups with foliate drip pans, 46cm high (2) £150 - 250 326 A pair of French Louis XVI style silvered metal two branch wall lights, late 19th/early 20th century, with central pole with pine apple finial, entwined with ivy leaves and berries, the branches with ribbon tied centre of scrolling form, terminating in urn form candle cups, 55cm high (2) £300 - 500

324

326

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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327 (part)

327 A carved oak coffer, 17th Century and later, the hinged lid enclosing storage compartment, above triple panel front, profusely carved with arcades, rosettes and geometric designs, raised on square feet, 72cm high, 125cm wide, 53cm deep together with a Georgian oak dresser plate rack, 117cm high, 161cm wide, 14cm deep (2) ÂŁ400 - 600 328 A carved oak court cupboard of diminutive proportions, incorporating 17th Century elements, the upper section with two cupboard doors, richly carved with lunette and foliate decoration, on figural supports, to undertier, raised on front cup and cover legs, 122cm high, 98cm wide, 34cm deep ÂŁ2,000 - 3,000

328

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329 A William and Mary style walnut cabinet on stand, early 20th Century, with recessed serpentine front, having two cupboard doors, on turned legs, joined by X shaped stretcher, raised on braganza feet, 123cm high, 71cm wide, 51cm deep £300 - 500 330 A stained beech and caned highback chair, 17th Century and later, the top rail with carved and pierced c-scroll decoration, above caned panel backrest, flanked by turned supports to caned seat, on turned legs joined by stretchers, raised on front scrolling feet £60 - 80 331 A George I walnut kneehole desk, the rectangular top above frieze drawer and blind frieze drawer over kneehole with recessed cupboard door enclosing one shelf, flanked by two banks of three drawers, raised on shaped bracket feet, 85cm high, 84cm wide, 55cm deep £1,000 - 2,000 329

330

331

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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332

332 A George I walnut secretaire chest on chest, the moulded cornice above three short and three long graduated drawers, the lower section with four long graduated drawers, the top secretaire drawer with fall front enclosing an arrangement of drawers and pigeon holes, raised on shaped bracket, 180cm high, 95cm wide, 52cm deep ÂŁ2,000 - 3,000

333

333 A George II mahogany bureau bookcase, with pierced and fret carved swan neck pediment, centred by brass ball finial, above two astragal glazed doors, enclosing three shelves, over fall enclosing seven drawers and eight pigeon holes about a central cupboard door, above two short and three long graduated drawers, raised on shaped bracket feet, 234cm high, 97.5cm wide 54cm deep ÂŁ400 - 600

www.roseberys.co.uk

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334 A George II mahogany oval drop leaf dining table, raised on cylindrical tapering legs to pad feet, 73cm high, 131cm wide, 124cm deep, together with six George III mahogany dining chairs (7) £300 - 500 335 A George II style gilt mirror, 20th Century, the pierced crest with carved ho ho bird and scrolling foliate decoration above a rectangular mirror plate with conforming carved spandrels and apron, 131cm high, 81cm wide £200 - 400 336 A George II style mahogany and parcel gilt wall mirror,19th Century, the swan neck pediment with carved rosettes, above rectangular bevelled plate, set within a gilt slip and border, above shaped apron, 134cm high, 70cm wide £600 - 800

335

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

334

336

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337 A George II style mahogany ‘Holkham’ console table by Jamb, early 21st Century, with rectangular Breche Violette marble top, above plain frieze, raised on cabriole legs to raised pad feet, 91cm high, 130cm wide, 47cm deep £600 - 1,000 337 338 A George II walnut chest of drawers, with two short over three long graduated drawers, having pine sides, raised on squat bun feet, 85cm high, 95.5cm wide, 53cm deep, together with a pair of Georgian mahogany dining chairs and a pair of Edwardian shield back dining chairs (6) £200 - 300

338 (part)

www.roseberys.co.uk

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339 A giltwood and gesso wall mirror, in the Chippendale taste, 18th Century, the pierced frame with carved rocaille and c-scroll decoration, about a rectangular plate, 135cm high, 81cm wide £800 - 1,200 340 A George III and later commode cupboard, the hinged top, above two cupboard doors and single fall front drawer, enclosing storage space, over one faux drawer, raised on shaped bracket feet, 81cm high, 62cm wide, 48cm deep £80 - 120 341 A George III mahogany and line inlaid sideboard, with two drawers, each having geometric inlay, the top drawer baize lined and with divisions for cutlery, raised on square tapering legs, 90cm high, 110.5cm wide, 49cm deep £250 - 350 339

340

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

341

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342

343

342 A George III mahogany linen press, the moulded top above two paneled doors enclosing five linen drawers, the base section with two short and one long drawer, raised on bracket feet, 177cm high, 126cm wide, 62cm deep £300 - 500 343 An unusual George III mahogany tall chest of drawers, possibly Irish, with three long graduated drawers above twin faux drawer fronted secretaire compartment, enclosing slide out writing surface, seven drawers and eight pigeon holes about a central cupboard door, over three further long graduated drawers, raised on shaped bracket feet, 150cm high, 99cm wide, 55cm deep £1,000 - 2,000 344 A George III mahogany linen press, the moulded cornice above two flame veneered and line inlaid cupboard doors, enclosing three linen drawers, above three graduated drawers, raised on splayed bracket feet, 200cm high, 98cm wide, 50cm deep £200 - 300

344

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346

345 345 A George III mahogany tilt top occasional table, the circular pie crust top above tapering stop fluted column to tripod legs, terminating in carved claw and ball feet, 68.5cm high, 76cm diameter £800 - 1,200

346 A mahogany two tier tea trolley in the Georgian taste, by Arthur Brett, second half 20th Century, with two galleried rectangular tiers on square legs, raised on rubber casters, labelled to underside - Made by Arthur Brett, Norwich England’, 72.5cm high, 76cm wide, 51cm deep £100 - 200

347 A pair of early George III and later mahogany side chairs, with foliate carved serpentine crest rail, above interlaced ribbon and floral carved splat, with black upholstered drop in seats on square legs, united by stretchers (2) £300 - 500

347

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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348 A George III satinwood crossbanded and line inlaid card table, the fold over top enclosing grey baize lined playing surface, raised on square tapering legs, branded stamp to underside ‘Claremont’, together with applied paper label ‘HRH The Duchess of Albany’, 74cm high, 91cm wide, 43cm deep Note : According to the stamp and label underneath, this table is believed to have come from the property of H.R.H. Princess Helen (d.1922), Duchess of Albany, who lived at Claremont until 1922, wife of H.R.H. Prince Leopold (d.1884), Duke of Albany, youngest son of Queen Victoria, who occupied Claremont from 1882. £200 - 300

348

349 A George III style mahogany twin pedestal dining table, second half 20th Century, the rounded rectangular top, with two additional leaves, raised on turned column supports, with outswept legs terminating in brass caps and casters, 74cm high, 306cm wide extended, 108cm deep, together with a harlequin set of eight George III style dining chairs (9) £800 - 1,200

349

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351

350 A George III twin pedestal dining table, the rounded rectangular top with two additional leaves, on baluster turned supports to outswept reeded terminating in brass caps and casters, 72.5cm high, 232.5cm width extended, 106.5cm deep £600 - 800

352

351 A George III wingback armchair, with serpentine wings, upholstered in red velvet, raised on square front legs £500 - 700

352 A George III wingback armchair, with serpentine wings, upholstered in red floral pattern fabric, with loose seat cushion, on front stile legs, with Hshaped stretchers, raised on brass casters, together with an oak and upholstered footstool (2) £600 - 800

350

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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353

353 A George Ill Sheraton sofa, upholstered in cream damask pattern upholstery, raised on front turned legs, with ceramic casters, 84cm high, 194cm wide, 75cm deep together with an oak and upholstered stool, early 20th century (2) £1,000 - 1,500 354 A George IV and later mahogany bookcase cabinet, the top section with raised shaped back, above open compartment with one shelf over one drawer, the base section with two pleated fabric panel doors enclosing one shelf, raised on turned feet, 164cm high, 64cm wide, 40cm deep £250 - 350

355 A George IV rosewood library cabinet, the rectangular top inset with green leather writing surface above open compartment with two shelves, flanked on either side by two cupboard doors and bank of six drawers, raised on plinth base, 73cm high, 75cm wide, 55cm deep £1,000 - 1,500 356 A George IV style mahogany Canterbury by Mines of Downley, late 20th Century, with four divisions, above single drawer, raised on turned feet with brass caps and casters, 51cm high, 45cm wide, 38cm deep £100 - 200 357 A Regency gilt framed circular wall mirror, the carved eagle crest with chain suspended ball finials, above convex plate set within ebonised slip, with carved patera and ball finials to border, 106cm high, 80cm wide, together with another gilt framed circular mirror, 19th Century, 103cm high, 63cm wide (2) £800 - 1,200

355

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358 A Regency library armchair, with square back and curved armrests, upholstered in green leather, having loose back and seat cushions, raised on curved legs to brass caps and casters £700 - 900 359 A Regency mahogany chest of drawers, with two short over two long cock beaded drawers, raised on splayed bracket feet, 91.5cm high, 91.5cm wide, 48.5cm deep £100 - 200 360 A Regency mahogany narrow cupboard, with brass handles to sides, the later mirrored door enclosing one shelf, raised on plinth base, 97cm high, 32.5cm wide, 38cm deep £100 - 200

358

361 361 A Regency mahogany sofa, the top rail with raised gadrooning, having carved scrolling arms, upholstered in red fabric, with loose seat cushion and two bolster cushions, raised on shaped feet, with brass caps and casters, 85cm high, 208cm high, 66cm deep £500 - 700

362 A Regency mahogany writing table, the rounded rectangular top inset with green leather writing surface, above three frieze drawers, with three opposing drawers, raised on reeded legs with brass caps and ceramic casters, one drawer stamped ‘W. Priest, 1 & 2 Tudor St. Blackfriars’, 78cm high, 182cm wide, 117cm deep £500 - 800 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

362

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363 363 A Regency rosewood inverted breakfront side cabinet, the later green marble top above central open compartment with two adjustable shelves, flanked by two pleated fabric panel doors, each enclosing two shelves, raised on plinth base, 92cm high, 152cm wide, 39.5cm deep £700 - 900 364 A Regency rosewood open bookcase, the top surmount with later green marble top, above two shelves, flanked by carved capital column supports, raised on plinth base, 92cm high, 87cm wide, 35.5cm deep £250 - 350

365 A Regency rosewood tilt top centre table, the circular top with bead moulded edge, on triform support to trefoil base, raised on disc feet with metal casters, 71cm high, 125cm diameter £800 - 1,200 366 A Regency style faux rosewood painted waterfall bookcase, 20th Century, with two open shelves above single frieze drawer, painted with grey key motif, over three pigeon holes, raised on square tapering legs, 124cm high, 60.5cm wide, 27cm deep £300 - 500

365 90

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368 367 A Regency style gilt framed circular wall mirror, 20th Century, the convex plate set within ebonised slip, with ball finials to border, 48cm diameter £100 - 150 368 A set of six Regency mahogany bar back dining chairs, the bar back top rails with carved gadrooning, over fawn upholstered overstuffed seats, raised on front turned and reeded legs (6) £300 - 500

369 A William IV rosewood framed sofa, the serpentine top rail centred by carved scrolling foliate and c-scroll decoration, above green velvet upholstered backrest and seat, raised on acorn and foliate carved front legs, with brass casters, 97cm high, 170cm wide, approx. 90cm deep £300 - 500 370 A mahogany break front open bookcase, 19th Century, with three open compartments, each having two fixed shelves, raised on plinth base, 99cm high, 203cm wide, 40cm deep £300 - 500

369

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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371 371 A mahogany breakfront credenza, 19th Century and later, with three open brass lattice work panel doors, enclosing five shelves in total, raised on plinth base, 90cm high, 138cm wide, 38cm deep £400 - 600

372 A mahogany Pembroke table, 19th Century, the rectangular top, with two drop leaves, the frieze drawer with bead and reel moulding, raised on splayed and reeded legs to brass lion’s paw feet and casters, 71cm high, 109cm wide, 104cm open £150 - 250 373 A mahogany Pembroke table, 19th Century, the rectangular top with two drop leaves, above single frieze drawer, raised on square tapering legs, with brass caps and casters, 75cm high, 96cm wide, 95.5cm open £100 - 200 374 A Victorian carved mahogany knee hole desk, the inverse breakfront top inset with green leather writing surface, above an arrangement of eight drawers, the sides with carved acanthus paterae panels, raised on carved paw feet, 77cm high, 152cm wide, 77cm deep £200 - 400 375 A Victorian ebonised pier cabinet, the inverse breakfront top above single frieze drawer, over two glazed doors, enclosing mirror backed compartment, flanked by two stop fluted column supports raised on disc feet, 105cm high, 93cm wide, 40cm deep £400 - 600

375

376 A Chinoiserie black and red lacquer side table, 19th Century, overall decorated with figural scenes and floral designs, the hinged top, enclosing three storage compartments, raised on pierced baluster form end supports, joined by stretcher, raised on carved and gilded paw feet, 67cm high, 52cm wide, 35cm deep £300 - 500

www.roseberys.co.uk

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377 A mahogany and brass bound dumb waiter, 19th Century, with three graduated drop leaf tears, on central ring turned column to splayed tripod legs, terminating in brass caps and casters, 121cm high, 60cm diameter £250 - 350 378 A Victorian gilt and gesso overmantle mirror, with central cabochon cresting, flanked by laurel leaves with stiff leaf, berry and beaded decoration to frame edge, terminating in acanthus leaf spandrels to base, 148cm high, 115cm wide £200 - 300 379 A Victorian mahogany corner washstand, the curved top shelf with shaped splash back, over undertier with central drawer flanked by two dummy drawers, on turned legs, 111cm high, 65cm wide, 43cm deep £100 - 150 380 An Anglo Indian teak Planter’s chair, 19th Century, with floral carved top rail above caned seat, with elongated arms, raised on front acanthus carved baluster form legs and turned feet £200 - 400 381 A Victorian mahogany linen press, the moulded cornice above two crossbanded doors, enclosing five linen drawers, the base section with two short over two long drawers, raised on splayed bracket feet, 219cm high, 135cm wide, 55cm deep £150 - 250 382 A Victorian mahogany tea table, the shaped fold over top, above turned and carved column to quatrefoil base, raised on splayed legs terminating in brass lion’s paw feet and casters, 73cm high, 92cm wide, 45.5cm deep £250 - 350

377

383 A Victorian rosewood breakfast table, the circular and brass inlaid tilt top, on central baluster column to carved outswept legs, terminating in lion’s paw feet and casters, 73cm high, 136cm diameter £500 - 800

383 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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386 384 A Victorian walnut and inlaid games table, the rounded rectangular top inlaid with chessboard, on spiral turned supports, joined by turned stretcher, raised on turned and tapered feet, 66.5cm high, 78cm wide, 36.5cm deep £80 - 120 385 A set of six Victorian mahogany dining chairs, the shaped open backs with carved and padded central splats, above mustard upholstered overstuffed seats, raised on front turned and tapering legs (6) £200 - 400 386 A large Victorian carved giltwood overmantle mirror, of rectangular form with pierced and carved scrolling foliate decoration, 176cm high, 127cm wide £800 - 1,200 387 A set of Victorian shelves, having three graduated tiers, with turned baluster supports, raised on squat bun feet, 62cm high, 105cm wide, 23cm deep £60 - 80

391 388 A mahogany bidet, 19th Century, the shaped top, with blue and white ceramic liner, reinforced with brass strapwork, raised on square tapering legs, 44cm high, 48cm wide, 33cm deep £60 - 80 389 A Gothic Revival bookcase on associated stand, late 19th Century/early 20th Century, of architectural design, the top with crocketed finials and ogee arches with tracery, above glazed door enclosing two shelves, flanked by carved niches and stepped buttresses, over three frieze drawers, raised on associated stand, formerly a card table, 185cm high, 89cm wide, 42.5cm deep £400 - 600 390 A faux tortoise shell painted and parcel gilt overmantle mirror, late 19th/early 20th Century, of arched form, the frame with carved scrolling foliate motif to border, 120cm high, 101cm wide £30 - 50 391 A carved mahogany plinth, early 20th Century, the square top above carved Corinthian capital, on square tapered column to stepped plinth base, 123cm high £200 - 300

www.roseberys.co.uk

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392

392 An Edwardian salon suite, comprising two seat sofa and two matching tub armchairs, the beech frames inlaid with paterae, raised on front square tapering legs to spade feet (3) £150 - 250 393 An Edwardian three tier mahogany and inlaid cake stand, with carved and turned handle above three graduated circular tiers, inset with green felt, raised on square tapering supports, united by turned stretchers, centred by pendant finial, 91cm high, 28cm wide £100 - 200

394 An Edwardian mahogany and marquetry inlaid revolving bookcase, the square top centred by dolphin and foliate inlaid decoration, above two shelves, raised on ceramic casters, 80cm high, 50cm square £200 - 300

394

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

395 A mahogany and parcel gilt breakfront triple wardrobe, early 20th Century, the moulded cornice above central mirrored door enclosing four linen drawers above three drawers, flanked by two cupboard doors each enclosing hanging space, raised on turned feet, 210cm high, 210cm wide, 60cm deep £200 - 300

395

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396 A near pair of Edwardian mahogany and parcel gilt bedside cupboards by Gillow & Co, the square tops surmounted with raised pierced and fretwork backs, one cupboard inset with Jasperware plaque to door, the second inset with ebonised plaque depicting Bacchus, both raised on square tapering supports to undertier, on square tapered feet, each 90cm high, 37.5cm wide, 36cm deep (2) £250 - 350 397 A wrought iron club fender, 20th Century, with fretwork frame, the ends upholstered in blue buttoned leather, 53cm high, 165cm wide, 50cm deep £300 - 400 396 398 Schiedmayer & Soehne, Stuttgart, a walnut grand piano, early 20th Century, with serial no. 21417, applied label to interior - ‘Supplied by Harrods Ltd, London, no. H48464’, 100cm high, 150cm wide, 200cm deep, together with a piano stool (2) £1,000 - 1,500

397

398

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399

399 Steinway & Sons, a model ‘Z’ upright walnut piano, c.1958, serial no. 359711, 114cm high, 144.5cm wide, 59cm deep, together with a piano stool (2) £2,000 - 3,000 400 An oak artist’s studio easel, mid 20th Century, of typical form, with adjustable rest and clamp, having ratchet action, raised on pad feet, together with winding handle, 240cm high, 68cm wide £300 - 500

400

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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401

401 A Continental carved giltwood mirror, 19th century and later, of rectangular form, the pierced frame with foliate and c-scroll decoration, about a bevelled mirror plate, 79cm high, 87cm wide £300 - 500 402 A Continental mahogany, ebonised and parcel gilt jardinière stand, 19th Century, the oval top, with removeable metal liner, on twin end column supports, with splayed feet joined by flat stretcher with foliate central boss, 78.5cm high, 61cm wide, 41.5cm deep £200 - 300

403 A Continental mahogany and parcel gilt sofa, 19th Century, the top rail with foliate carved design, upholstered in cream and green damask pattern fabric, the padded armrests on carved swan head supports, raised on cylindrical tapering legs, 94.5cm high, 137cm wide, approx. 65cm deep together with a nest of three occasional tables (2) £1,000 - 1,500 404 A Continental painted corner cupboard, 19th century, the two cupboard doors painted with an allegorical scene within a classical building, enclosing three shelves, 109cm high, 58cm wide, 39cm deep £400 - 600

403 404 98

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406

405 A pair of large Continental earthenware baluster vases, late 19th/early 20th century, decorated with continuous friezes of exotic birds and figures within bamboo and prunus landscapes, with impressed armorials to bases, extensive damage and repairs, 104cm high, together with a lacquer and bamboo table (3) £100 - 150 406 A Continental walnut and marquetry inlaid sofa, 19th Century, with shaped back, upholstered in pink and white Damask pattern fabric, with two bolster cushions, having curved and scrolling armrests, raised on splayed legs with brass lion’s paw feet, 85cm high, 185cm wide, 60.5cm deep £150 - 250

407

407 An Italian neoclassical commode in the manner of Giuseppe Maggiolini (1738-1814), Lombardy, late 18th Century, the rectangular top with oval floral marquetry medallion, above four long drawers, with marquetry panel depicting a man chopping timber, raised on square tapering legs, 96cm high, 129cm wide, 61cm deep £1,000 - 1,500 408 A North Italian walnut and marquetry inlaid commode, 18th Century, the rectangular top centred by acanthus leaf panel, above three long graduated drawers, raised on square tapered feet, 87cm high, 118cm wide, 55cm deep £500 - 800 408

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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409 A pair of Italian giltwood and gesso girandole mirrors,18th Century, with foliate and flowerhead decoration to the frames, having brackets for sconces, 69cm high (2) £300 - 500 410 A pair of Italian walnut and marquetry inlaid side tables, 18th Century, the canted rectangular top, with scrolling foliate inlaid decoration, above single frieze drawer, raised on X shaped end supports, joined by turned stretcher, 78cm high, 132cm wide, 71cm deep (2) £400 - 600 411 A pair of Venetian style carved giltwood mirrors, early 20th Century, the cresting centred by carved acanthus leaves, the frame with overall c-scroll decoration, above apron with grotesque mask, each 112cm high, 74cm wide (2) £600 - 1,000

409

412 An Italian olivewood and marquetry inlaid desk, 18th Century, the rectangular quarter veneered top centered by acanthus leaf marquetry panel, with guilloche motif border, above single frieze drawer, raised on square tapering legs to spade feet, 77.5cm high, 102cm wide, 52.5cm deep £300 - 500

410 (part) 412

100

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413 An Italian walnut and inlaid games table, 18th Century, the fold over top inlaid with chessboard flanked by floral inlaid panels, enclosing red baize lined playing surface, above slide out storage compartment, raised on square tapering legs, 73cm high, 78cm wide, 39cm deep £300 - 500 414 An Italian carved walnut day bed, late 19th Century, the curved headboard surmount with finials and carved female mask terminals, the conforming footboard with carved male mask terminals, above cartouche with eagles flanked by carved scrolling decoration, with loose upholstered cushion, 120cm high, 225cm long, 98cm deep £1,000 - 1,500

413

414

415 An Italian carved walnut Sgabello chair, late 19th Century, the pierced back with carved caryatids and scrolling foliate decoration, above conforming support, raised on front lion’s paw feet £100 - 200 416 A Continental olive wood and inlaid bow front chest of drawers, possibly Maltese,18th century, with overall parquetry and geometric inlay, the bow front top over three long drawers, raised on bracket feet, 76cm high, 81cm wide, 53cm deep £1,500 - 2,500 417 A pair of Louis XIII style ‘Os de Mouton’ walnut armchairs, 20th Century, upholstered in cream fabric, with downward scrolling arms, raised on curved legs, united by conforming stretchers (2) £200 - 300 416 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

101

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418 A Louis XIV style gilt-bronze mounted pewter, ebony, birch and tortoiseshell Boulle marquetry tripod table, late 19th century incorporating earlier elements, the rectangular top with circular panel of foliate and C scroll design, with further scrolling leaves to the spandrels, with brass cushioned edge, on a triangular section tapering stem, on scrolling feet, 73.5cm high, 41.3cm wide, 36cm deep £1,500 - 2,500

418 (top) 418 419 A Régence mahogany desk, early 18th Century, the leather covered top with polished brass edge, the kneehole frieze with five brass mounted drawers, upon shaped legs with foliate cast pieds-de-biche sabots, 79cm high, 126cm wide, 61cm deep £1,500 - 2,000

419

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420 422 A pair of Louis XV style grey painted fauteuils, 19th Century, the cartouche shaped backrest with floral carved top rail, above scrolling arms, upholstered in cream and green Damask pattern fabric, raised on carved cabriole legs, together with a Louis XV style giltwood and upholstered footstool, early 20th Century (3) £500 - 800

420 A set of four Louis XV beech fauteuils by Jacques-Pierre Letellier, mid 18th Century, each chair stamped ‘J.P Letellier JME’, the cartouche shaped backs centered by floral carving, with padded and downward scrolling arms, upholstered in floral pattern fabric, raised on carved cabriole legs (2) Note: Letellier received his mastership as a menuisier in 1747 £1,000 - 1,500

423 A Louis XV beech and caned fauteuil, mid 18th Century, the cartouche shaped backrest, having carved shell and acanthus leaf decoration, the caned back and seat, with loose seat cushion, above carved c-scroll and foliate apron, on acanthus carved cabriole legs, together with two matching side chairs (3) £60 - 100

421 A pair of Louis XV beech fauteuils by Jean Boucault, mid 18th Century, one chair stamped ‘Boucault’, the cartouche shaped backs centered by floral carving, with padded and downward scrolling arms, upholstered in silk fabric, raised on carved cabriole legs (2) Note: Jean Boucault received his mastership as a menuisier in 1728 £200 - 300

422

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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424 A Louis XV tulipwood and gilt metal mounted secretaire by Pierre-Francois Guignard, overall mounted with Sevres style porcelain plaques, the later marble top above fall front, enclosing green velvet inset writing surface and open compartment above three pigeon holes and four drawers, over two further cupboard doors enclosing one shelf, raised on short cabriole style feet, twice stamped ‘P F Guignard, JME’, 111.5cm high, 55cm wide, 31cm deep Note: Guignard received his mastership as a Menusier in 1767 £2,500 - 3,500 425 A pair of Louis XV serpentine kingwood, parquetry and ormolu mounted encoignures, mid 18th Century, with Breche d’Alep marble tops, above two cupboard doors, enclosing shelves, raised on short tapered feet with ormolu sabots, 94cm high, 79cm wide, 53cm deep £2,000 - 3,000

424

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426

426 A pair of Louis XV style wingback armchairs, 20th Century, upholstered in green fabric with loose seat cushion, having carved scrolling arms, above shaped apron, with conforming scrolled feet (2) £500 - 800

428 A French gilt metal mounted and silk vitrine, late 19th Century, the shaped cornice, above glazed door, enclosing green velvet lined interior with two glass shelves, raised on stand with cabriole legs, 158cm high, 65cm wide, 39cm deep £500 - 800

427 A Napoleon III ebonised and Boulle work card table, late 19th Century, with serpentine fold over top, enclosing green baize lined playing surface, the frieze with central mask plaque flanked by conforming female mask mounts over gently curved cabriole legs, 79cm high, 88cm wide, 45cm deep £1,000 - 2,000

427

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

428

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429 A large Rococo taste grey and green painted overmantle mirror, late 19th/ early 20th Century, of arched form, the frame with carved scrolling foliate decoration, with two mirror plates, 209cm high, 138cm wide £300 - 500 430 A French provincial fruitwood armoire, 19th Century, the moulded top above two panelled cupboard doors, enclosing hanging space and one shelf, raised on shaped bracket feet, 200cm high, 147cm wide, 66cm deep £300 - 500 431 A Charles X mahogany lit en bateau, with scroll end headboard and footboard, raised on later casters, 112cm high, 230cm length, 137cm deep £300 - 500 432 A French marble topped and gilt metal mounted side table, late 19th Century, the square top inset with grey marble above single frieze drawer, raised on square supports to undertier, over square plinth base, 74cm high, 45cm square £100 - 150

429

433

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433 A French walnut folio rack, late 19th Century, with two foliate carved and caned dividers, on C-scroll supports and stretchers with scrolling feet, 92cm high, 57cm wide, 43cm deep £300 - 500

432

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434

434 A Dutch ﬂoral marquetry display cabinet on chest, 19th Century, the shaped moulded cornice above two glazed doors, enclosing three shelves, over two short and two long drawers, raised on shaped bracket feet, 244cm high, 224cm wide, 49cm deep £500 - 1,000 435 A North European mahogany desk, early 20th Century, the rectangular top inset with red leather writing surface, above three frieze drawers, raised on square tapering legs to brass caps and casters, 77cm high, 123cm wide, 66cm deep £300 - 500 436 A Chinese hardwood and marble inset occasional table, mid/late 20th Century, the quatrefoil shaped top above profusely carved and pierced foliate frieze, raised on gently curved legs, joined by stretchers, on paw feet, 48.5cm high, 43cm wide £200 - 300 436

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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437 437 A Regency white painted cast iron garden bench, with shaped openwork back and slat seat, having reeded arms, on straight legs with upturned feet, 101cm high, 184cm wide, 55cm deep £300 - 600

438 438 A set of four re-constituted stone seated lions, 20th century, together with a pair of re-constituted stone lions clasping armorial shields, a pair of re-constituted stone urns with Greek key designs to the rim, with a single urn moulded with grapes, a pair of bench ends and four octagonal plinths (15) £600 - 1,000

439 439 A set of four Victorian cast iron campana urns, 57cm high (4) £400 - 600 108

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440

440 A white marble well ,19th century, the body carved with four open mouthed lions masks, with swag form friezes running between each mask, and foliate panels hanging below, framing four panels of Classical equestrian figures, on a round stiff leaf carved base, with a black painted wrought iron superstructure and hanging bucket, 222cm high £2,000 - 3,000

441

441 A green patinated bronze Armillary sphere, parts late 19th/ 20th century, mounted on a Portland stone column with domed top above a Corinthian capital with fluted column and lobed base, on an octagonal stepped base, on an octagonal plinth, inscribed to the facets, 236cm high £1,200 - 1,800

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

442

442 A large carved sandstone herm of Pan, 18th/ 19th century, he modelled with curly hair and beard, laughing merrily with Pan pipes and a rustic branch below, on a tapering column, with block base, 206cm high £800 - 1,200

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443 A West Persian medallion carpet, late 20th Century, with floret filled field , 288cm x 202cm together with a Turkman deep red carpet with three rows of octagons, 345cm x 236cm (2) £250 - 350 444 A Qashqai rug, mid/late 20th Century, with medallion in deep red field with step edged spandrels, 283cm x 180cm, together with an Afghan rug with eight star medallions, 192cm x 125cm (2) £200 - 300

446

445 A Kashan rug, mid/late 20th Century, with ivory and blue medallion in red foliate decorated field, 301cm x 196cm, together with a modern Indian carpet, of Agra design with all over design in brown field, 394cm x 278cm (2) £200 - 400 446 A Tabriz silk rug, mid/late 20th Century, with floral pattern pole medallion in a deep red field with corner spandrels and deep blue border, 275cm x 180cm £500 - 700 447 A Tabriz silk rug, mid/late 20th Century, with dusty pink medallion in deep blue floral decorated field, 270cm x 182cm, together with a modern silk rug with lozenge shaped main panel in an ivory field, 178cm x 123cm (2) £400 - 600

447

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448 448 A Heriz carpet, early 20th Century, the deep red field with symmetrical all over design enclosed by deep blue main border, 318cm x 224cm £300 - 500 449 A Kazak rug, mid 20th Century, with four lozenge medallions in deep blue field, with ivory main border, 230cm x 121cm , together with a Fereghan runner with red Herati pattern field enclosed by deep blue main border, 361cm x 65cm (2) £200 - 300

452 A Hamadan rug, early 20th Century, with pole medallion in red field, with ivory main border, 197cm x 117cm, together with a West Persian rug with cruciform medallion, 150cm x 115cm (2) £200 - 300

450 A Kazak runner, early 20th Century, with five medallions in a blue field, enclosed by double barbers pole border, 412cm x 85cm, together with a modern Ziegler runner, 280cm x 75cm (2) £200 - 300 451 A Tekke Ensi, mid/late 20th Century, with five rows of guls in a claret field, 130cm x 70cm, together with a Turkman Ensi with three rows of guls, 130cm x 80cm (2) £200 - 300

452 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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455

453 A Turkish rug, early 20th Century, with hook edged pole medallion and multiple border, 228cm x 135cm, together with a Caucasian rug with three medallions in deep blue field, 140cm x 115cm (2) £200 - 300 454 A Bijar rug, early 20th Century, with rows of Botehs in deep red field and with multiple border, 177cm x 117cm, together with a Caucasian rug, the red field with medallion and blue main border, 199cm x 112cm (2) £200 - 300 455 A Kashan carpet, late 20th Century, the red field with entwined scrolling foliate all over design with deep blue main border and vine decorated guard stripes incorporating signature at one end, 350cm x 250cm £300 - 500 454

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456

456 An Ushak carpet, early 20th Century, the medallion in faded brick field with stepped green spandrels, 454cm x 416cm ÂŁ400 - 800

457 A Kashan hunting rug, mid/late 20th Century, with huntsman on horseback chasing wild beasts, 233cm x 149cm, together with a Kashan rug with pole medallion in red field, 190cm x 127cm (2) ÂŁ200 - 300

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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Inviting Consignments DESIGN: DECORATIVE ARTS 1860 TO THE PRESENT DAY WEDNESDAY 1 JULY ENTRY DEADLINE THURSDAY 21 MAY

Carlo Bugatti (1856-1940), a walnut, ebonized wood, pewter and brass inlaid and hammered brass cabinet, c.1900. Sold for Â£13,750

For further information or a complimentary valuation please contact Head of Department Fiona Baker | fionabaker@roseberys.co.uk +44 (0) 20 8761 2522 | www.roseberys.co.uk

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Inviting Consignments IMPRESSIONIST, MODERN, POST WAR & CONTEMPORARY ART TUESDAY 30 JUNE ENTRY DEADLINE THURSDAY 14 MAY

Leo Gestel, Dutch 1881-1941, Gezicht op een baai, Mallorca, 1914, oil on canvas. Sold for £110,000

For further information or a complimentary valuation please contact Head of Sale Tess O’Brien | tessobrien@roseberys.co.uk +44 (0)20 8761 2522 | www.roseberys.co.uk

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Inviting Consignments MODERN & CONTEMPORARY BRITISH ART TUESDAY 16 JUNE ENTRY DEADLINE THURSDAY 7 MAY

Richard Smith CBE, British 1931-2016 Noplace oil on board in two parts, signed and dated 58. Sold for Â£102,500

For further information or a complimentary valuation please contact Vicki Wonfor | vickiwonfor@roseberys.co.uk +44 (0) 20 8761 2522 | www.roseberys.co.uk

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JEWELLERY & WATCHES Inviting Consignments TUESDAY 14 JULY ENTRY DEADLINE WEDNESDAY 3 JUNE

An important antique natural pearl, diamond pendant and Belle Epoque platinum and diamond necklace. Sold for Â£187,500

For further information or a complimentary valuation please contact Head of Department Mark Bowis FGA, DGA, FSA | markbowis@roseberys.co.uk +44 (0)20 8761 2522 | www.roseberys.co.uk

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EXPLANATION OF CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable. 1.

‘Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by the artist.

‘Attributed to Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, probably a work by the artist.

‘Studio of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work likely to come from the studio of the artist or closely associated with the artist.

‘Circle of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style and during the period of the artist’s life.

‘Follower of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style, contemporary or near contemporary.

‘School of Peter Paul Rubens, Flemish 17th century’ * In our opinion, a work executed during this period and in the style associated with that artist.

‘Flemish School, 17th century’ * In our opinion, a work executed during this period and in the style associated with that location.

‘Manner of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style but at a later date, although not of recent execution.

‘Style of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style and of recent execution.

10.

‘After Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a copy by an unidentified artist of a named work by the artist.

11.

A picture catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.

12.

The terms ‘signed’, ‘dated’, ‘inscribed’ means that in our opinion these are by the artist’s hand.

13.

The terms ‘bears signature’, ‘bears date’, ‘bears inscription’ means that in our opinion that these have been added by another hand other than the artist.

14.

All references to signature, inscriptions and dates refer to the present state of the work.

15.

Dimensions are given in centimetres, height before width and are measured from the edges of the work if these are visible and if not, from the front.

16.

All pictures are framed, unless otherwise stated in the catalogue.

17.

Catalogue and website images may not be a true representation of an item due to printing or photographing processes.

18.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional. It applies to lots with a hammer value over €1,000 as follows: 0 to €50,000 - 4% €50,001 to €200,000 - 3% €200,001 to €350,000 - 1% €350,001 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500. Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

Lot 442

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SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Bill Forrest Associate Director Head of Department Asian Arts billforrest@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts fionabaker@roseberys.co.uk Mark Bowis FGA DGA FSA Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk Sophie Hetherton Junior Cataloguer & Departmental Assistant Paintings & Prints sophiehetherton@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD

Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk

Complimentary valuations Monday to Friday: 9.30am to 5.00pm

Tess Oâ&#x20AC;&#x2122;Brien Specialist Impressionist, Modern, Post War and Contemporary Art tessobrien@roseberys.co.uk

+44 (0) 20 8761 2522 clientservices@roseberys.co.uk

Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk

Central London OfďŹ ce Valuations by appointment.

Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Elizabeth Wormald Cataloguing Assistant & Administrator Prints & Multiples / Japanese Arts elizabethwormald@roseberys.co.uk

Lot 219

Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk

Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk Geoff Young FGA DGA Senior Consultant Jewellery geoffyoung@roseberys.co.uk

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TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London. 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%. 3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken. 4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold. Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing. 5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate. 7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

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TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it. 11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges. 12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate. (c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

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INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate. 5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax. 6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank. 7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician. 9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. 11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website. These bids are executed via the RoseberysLive software and there is no surcharge. 13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website. 14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment. 15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

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CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6.

Payment

(1) (a) (b)

Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us. Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(2)

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction. A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction. Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid. 8. (1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

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CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system. By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 â&#x20AC;&#x153;information to buyersâ&#x20AC;?. Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

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CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term. Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement. We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system. General 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable. 19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting. 21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 23. English law applies to the interpretation of these Conditions. These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS:

TELEPHONE:

EMAIL:

SUBSCRIPTION OPTIONS Auction Title

Number of auctions annually

Cost of annual Subscription including UK postage

Cost of annual Subscription including Europe postage

Cost of annual Subscription including rest of world postage

Design: Decorative Arts 1860 to Present Day

£37.50

£45

£52.50

Chinese, Japanese & South East Asian Art

£25

£30

£35

Impressionist, Modern, Post-War & Contemporary Art

£25

£30

£35

Fine & Decorative

£37.50

£45

£52.50

Islamic & Indian Arts/ Art of India

£37.50

£45

£52.50

Jewellery & Watches

£37.50

£45

£52.50

Modern & Contemporary British Art

£25

£30

£35

Modern & Contemporary Prints

£25

£30

£35

Print & Multiples

£25

£30

£35

Old Master, 18th & 19th Century Pictures

£37.50

£45

£52.50

Tick to subscribe

Subscription Offer: Buy 2 or more subscriptions save 20% on prices listed Total cost of subscription: Method of Payment: Payment can be made by credit or debit card over the phone or in person, alternatively by bank transfer or cash in person. Payment is accepted via bank transfer to the following account (International bank transfers are subject to a £25 administration fee.): Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, IBAN GB80NWBK60300636952613. I would/would not like to receive online catalogues and notifications of the sales that I am interested in as indicated on this form (delete as appropriate). Signed:

Date:

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

ABSENTEE BID FORM PLEASE COMPLETE THE FORM IN FULL IN CAPITAL LETTERS AND PLACE YOUR BIDS AT LEAST ONE HOUR PRIOR TO THE START OF THE RELEVANT SECTION OF THE AUCTION

FULL NAME: ADDRESS:

POSTCODE:

EMAIL:

BIDDER NUMBER: TELEPHONE:

Lot number

GBP £ bid price excluding premium

Lot number

GBP £ bid price excluding premium

All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts. Please see catalogue or website for important information for buyers and our full conditions of sale or ask a member of staff for a copy. I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I conﬁrm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

Signed:

Date:

AUCTION CALENDAR 2020 March

June

Jewellery & Watches Tuesday 24 March

Traditional & Modern Home Saturday 6 June

Old Master, 18th & 19th Century Pictures Wednesday 25 March

Modern & Contemporary British Art Tuesday 16 June

Fine & Decorative Thursday 26 March

Arts of India Wednesday 17 June

April Islamic Art & Manuscripts Friday 3 April Traditional & Modern Home Saturday 25 April

Impressionist, Modern, Post War & Contemporary Art Tuesday 30 June July

May

Design : Decorative Arts 1860 to the Present Day Wednesday 1 July

Prints & Multiples Tuesday 5 May

Jewellery & Watches Tuesday 14 July

Chinese, Japanese & South East Asian Tuesday 19 May

Old Master, 18th & 19th Century Pictures Wednesday 15 July Fine & Decorative Thursday 16 July

70/76 Knights Hill, London SE27 0JD +44 (0)20 8761 2522 clientservices@roseberys.co.uk

www.roseberys.co.uk

70/76 Knights Hill London SE27 0JD +44 (0) 20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk