Woolley & Wallis Jewellery July 2012 by Jamm Design Ltd

Woo l le y & Wa l li s SA L I S B U R Y SA L E R O O M S

Jewellery Thursday 19th July 2012

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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424505

ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Clare Durham — Tim Wright (Consultant)

424506 424591 424507

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS & OFFICE MANAGER Janice Clift —

424500

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GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite

CLOCKS Will Hobbs — Richard Price (Consultant)

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SALEROOM MANAGER David Jordan

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424500

PRESS & PUBLICITY Kate Williams

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BOOKS & MANUSCRIPTS Liz Merry (Consultant)

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 John Axford MRICS ASFAV — 424506 Sophie Lister — 424591 FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush

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339752 411854 339161 339752

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PAINTINGS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Grazier

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Members of The Society

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director Willi Verdon-Smith

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

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FRICS FRSA

FRICS

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

Jewellery Thursday 19th July 2012 at 11.00am Viewing Times Saturday 14 July Monday 16 July Tuesday 17 July Wednesday 18 July Thursday 19 July

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

Special Jewellery Notices Not all images are to scale. Most lots are illustrated and can be enlarged at www.woolleyandwallis.co.uk Weights and measurements in the catalogue are approximate only. Condition reports are available from the department but not on multiple lots. Saturday collections by appointment only. COLOURED STONES It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within TWO WEEKS of the sale date.

ENQUIRIES Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

Free internet bidding on all lots

Catalogue £10.00 (£12.00 by post) Front cover: Lot 1861 Inside front cover and above: Lot 1718 Back cover: Lot 1843

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

1500. Ten jewellery books including The Illustrated Dictionary of Jewellery, Harold Newman. Antique and 20th Century jewellery, Vivienne Becker. Gem Stones of the World, Walter Schumann. International Silver Hallmarks, Tardy. Peter Carl Fabergé, Henry Charles Bainbridge. Fabergé Court Jeweller to the Tsars, Solodkoff and Hapsburg. £80-120

1501. Assorted jewellery boxes.

£60-80

1502. A gold brooch set with a moonstone cabochon within a surround of sapphires, with a similar pair of cabochon moonstone and sapphire set earrings. A gold ring set with a sapphire and two diamonds, size P 1/2. A synthetic sapphire and white stone set cluster ring, and a pair of stone set gold earrings. £200-300

1503. A Scottish hardstone bracelet, formed with gold mounted faceted cylinders of hardstone with a stone set padlock clasp, an Art Nouveau silver pendant by Charles Horner with blue and green enamel plaque, on fine link neck chain, and various items of jewellery, costume jewellery etc. £400-500

1504. A leather jewellery casket with two fold out trays, dilapidated silk lining. Containing various items of jewellery including a diamond full circle platinum eternity ring, Size M. A small diamond set 9ct white gold full circle eternity ring, size L 1/2. A platinum full circle eternity ring, alternately set with diamonds and sapphires. Size M. And an emerald and six diamond set ring, a three colour 9ct gold Russian wedding ring. Six assorted brooches and various items of jewellery. £400-600

1505. Two coral necklaces and and assortment of brooches, silver jewellery, a miniature hand mirror, a propelling pencil, a pair of glove stretchers and assorted hat pins. £80-120

1506. A leather jewellery case, with hinged fold down front and fold out hinged double trays to each side, with Bramah lock and key. Containing assorted coins, £1 note etc. 28 x 22.5 x 14cm high. £200-300

1507. Four shoe buckles set with white paste stones, a green and white paste bracelet with matching necklace, five paste set brooches, a blue and white paste set cluster ring, and a pear shaped white paste pendant. £200-300

1508. A gold ring and three gold bangles, 31g. A cased half sovereign gold coin and various items of gold jewellery and costume jewellery etc. £300-400

1509. Sixteen items of Masonic gold and gold plated jewellery etc, including pendants, a fob seal and a ring. £200-300

1510. A micromosaic brooch, depicting ruins on blue ground and gold frame. An Edwardian peridot and seed pearl set gold star brooch, an engraved gold arrow brooch, and other items of jewellery, costume jewellery etc. £400-600

1511. A Victorian gold hinged locket, with ruby and pearl laurel decoration to one side and applied with initials to the other. Fitted case. A Victorian brooch centred with a garnet, a quarterfoil locket pendant centred with a cabochon garnet, a Celtic form silver brooch, a white paste set brooch, probably converted from a shoe buckle and a carved cameo mounted gold brooch. And a cased set of three gold studs with white enamel decoration. £300-500

1512. A single row graduated coral bead necklace, four further coral necklaces, a pair of coral earrings and a carved coral cameo brooch mounted in gold, cased. £100-200

1513. Various items of stone set gold jewellery, costume jewellery etc. £800-1,200

1514. An 18ct gold cased compass pendant, a small platinum and gold bar brooch set with calibre cut sapphires and rose cut diamonds in fitted case. A pair of amethyst set gold foliate earrings, and seven assorted gold stick pins, eighteen assorted pendants, some with neck chains. £200-300

1515. A carved shell cameo brooch, depicting a girl with flowers in gold frame. Another carved cameo in a scroll gilt mount. A silver gilt foliate brooch mounted with five cabochon garnets and a pair of silver gilt drop earrings mounted with cabochon garnets. £100-150

1516. A six row seed pearl choker length necklace, one strand broken. A gold clasp set with a rose cut diamond in seed pearl cluster. A Victorian Etruscan revival style brooch set with five oval shaped aquamarines. A pair of matching gold earrings, set with four blue stones. A pink garnet and seed pearl cluster mounted gold bar brooch, three stone set gold stick pins. £400-600

1517. A pair of Victorian gold drop earrings, each centred with an oval banded agate. A pair of gold scroll earrings set with peridots and seed pearls and a shaped oval carved hardstone cameo brooch depicting the profile of a lady wearing a bonnet with gold mount. 3.2cm high. £300-400

1518. A Victorian gold bow brooch, mounted with cushion shaped garnets and decorated with foliate engraving and with a glazed locket compartment containing hair to the reverse. 4.5cm wide. A 9ct gold brooch mounted with an oval shaped amethyst, two gold brooches set with aquamarines, cased and three Edwardian gold brooches set with graduated seed pearls. £300-400

1519. A diamond and seed pearl set gold bar brooch, a blue stone set gold bracelet with additional link, a gold ring set with three blue stones and four small diamonds, a gold pendant mounted with an ancient Greek style medallion. A pair of cultured pearl set gold earrings and a silver ring, signed. £100-150

1520. A gold foliate brooch set with a ruby and five small diamonds, a gold brooch formed as two owls perched on a bamboo bar, a gold stick pin mounted with a bird set with diamonds, two gold stick pins set with diamonds and two star form gold brooches. £300-400

1521. A pair of ornate gold earrings mounted with two oval shaped aquamarines and converted to a bar brooch, fitted case. And a Regency amethyst and cannetille gold brooch, an Edwardian seed pearl set gold brooch pendant, a gold spinning fob seal and two gold Mizpah rings. £500-700

1522. A 9ct gold gatelink braclet, 24g. Three brooches, two rings, and two pendants all set with various stones. £400-600

1523. A gold hinged bangle mounted with a turquoise matrix cabochon, a pair of 18ct gold lorgnette with slide release to the gold stem handle, a pair of silver cuff links with damaged enamel decoration, a turquoise set gold open crescent brooch, cased. A seed pearl set gold locket slide and a chain. £100-200

1524. A pair of oval gold cuff links, engraved with initials and in Collingwood case. A pair of 9ct gold plain oval cuff links in Mappin & Webb box and a pair of gilt metal cuff links with enamel colours for Trinity college Oxford. £200-300

1525. Two unset round brilliant cut diamonds, with reports from EGL stating that both diamond weighs 0.40cts, and have G colour with SI1 clarity. £400-600

1526. A quantity of small diamonds, 17.00cts in total. Two unset opals, a gem set gold hand clasp. Assorted gem stone beads, a large cultured pearl, two intaglios, a diamond set gold slide and a coral bead necklace. £200-300

1527. A diamond set gold pendant on a fine link gold chain, four rings, two pendants, a brooch and a pair of earrings all set with various stones. £400-600

1528. A chrysoberyl catseye and rose cut diamond set gold cluster ring, and seventeen other stone set gold rings. 60g in total. £200-300

1529. A gold cluster ring, set with diamonds and cabochon pear shaped stones. Size J. And 18 other gold rings set with assorted stones. 57g in total. £200-300

1530. A sapphire and four diamond set gold ring, size Q. £300-400

1531. A three section gold ring, set with seed pearls and sapphires, and four other gold rings. 15g. £200-300

1532. A diamond solitaire ring, the circular cut diamond is set in gold. Size T. £200-300

1533. A gold ring mounted with a sovereign, size O 1/2. A gold wedding ring, size K and a gold chain necklace. 23g in total. £300-400

1534. A pair of emerald and diamond cluster ear studs, the circular cut emeralds are each set with eight circular cut diamonds in white gold and platinum. And an oval shaped emerald and diamond cluster ring in gold. Size M 1/2. £1,000-1,500

1535. A late Victorian gold pendant, mounted with an oval shaped amethyst and seed pearl border. A gold brooch set with a green stone and small diamonds to the open work shoulders, size N. And a Victorian gold ring, set with a garnet and seed pearl cluster with pierced scroll shoulders. Size Q. £200-300

1536. A gold locket pendant, mounted with turquoise cabochons within a cannetille frame and with glazed locket compartment to the reverse. Fitted case. 3.2cm high. £200-300

1537. David Andersen. A silver gilt necklace with blue enamel decoration to the double leaf design, with conforming earrings. The necklace 38cm. £80-120

1538. An Edwardian seed pearl set gold pendant on a fine link gold neck chain. £100-150

1539. A diamond set bicycle brooch, set in yellow and white gold with moving wheels. £550-650

1540. A bracelet alternately mounted with citrines and amethysts, 18cm long. £300-400

1541. A pair of coral, black onyx jade and diamond drop earrings, set in white gold. £800-1,200

1542. A white gold floral spray brooch, set with small diamonds and oval shaped rubies. 4cm high. £200-300

1543. A gold stylised fern brooch, the stem set with graduated circular cut diamonds. And a yellow and white gold stylised ribbon brooch set with rubies, with folding pendant loop. 38g in total. £600-800

1544. A gold and enamel pansy pendant, realistically formed and painted in violet, white and black enamel and centred with a cultured pearl and signed to the reverse Sabbini. £550-650

1545. A stylised pheasant brooch, the body mounted with a baroque shaped untested pearl set with diamonds and emeralds. 6.5cm high. A yellow gold foliate brooch, with seven leaves pavé set with small round brilliant cut diamonds. 28g. And a gold bangle set with a line of seed pearls. £500-700

1546. A gold stick pin with a gold hand clasping a pearl, fitted case by Carrington. And another stick pin with a head applied with seed pearls on a blue enamel ground (damaged). £100-150

1547. A 19th Century gold mourning ring. Navette shaped with glazed locket compartment containing hair and within a seed pearl border. Black enamel bar decoration to the shoulders. Makers mark RN and 15 struck three times. Size T. Fitted case. With two gold stick pins, one cased. £200-300

1548. A pair of emerald and diamond cluster earrings, the pear shaped emeralds are set within a cluster of small circular cut diamonds in yellow gold. £200-300

1549. A pair of diamond cluster ear studs, set in white gold. £200-300

1550. A pair of pink sapphire and diamond set drop earrings, the pear shaped pink sapphires are set within a surround of diamonds in white gold. £550-650

1551. A pair of ruby and diamond drop earrings, each set with a pear shaped ruby and millegrain set within a surround of small brilliant cut diamonds within a stylised feather white gold mount. £600-800

1552. A gold racehorse and jockey brooch, the horse millegrain set with rose cut diamonds and the jockey with enamel decoration. 5cm. £450-550

1553. An oval shaped aquamarine set gold brooch, with gold safety chain. £100-200

1554. A white gold bracelet set with cultured pearls and diamond set shield shaped links with matching diamond set white gold cultured pearl earrings. £500-700

1555. An oval shaped aquamarine set white gold bar brooch, and a blue topaz set yellow gold brooch. £100-150

1556. A Russian yellow and white gold lozenge shaped open-work scroll brooch centred with a circular cut diamond, Russian marks. 4.3cm wide. And an Art Nouveau Russian gold brooch set with green and red stones. £250-350

1557. A realistically formed two colour gold leaf form brooch set with a circular cut diamond. 4cm high. £200-300

1558. A two row graduated cultured pearl necklace with a diamond set pierced circular white gold clasp. £600-800

1559. A two row matched cultured pearl necklace, the gold clasp set with a cluster of circular cut diamonds within a cultured pearl border. 41cm. £500-700

1560. A single row graduated cultured pearl necklace with a rose cut diamond set white gold clasp. £150-250

1561. A three row graduated cultured pearl necklace, on a white stone set clasp. One strand broken. £200-300

1562. A single row graduated cultured pearl necklace, with a marcasite set silver clasp. £100-200

1563. A three row matched cultured pearl necklace, with a cultured pearl set gold clasp (one pearl missing). £300-400

1564. A single row jade bead necklace, 53cm. A three row cultured pearl necklace and a citrine mounted silver gilt brooch. £100-150

1565. A gold oval link long guard chain, 144cm, 23g. £250-300

1566. An ancient Egyptian inspired gold Falcon pendant, set with a circular coral and with enamel decoration on a gold chain. 23g. £300-400

1567. A gold necklace, mounted with assorted gold nuggets on an oval link neck chain. 36cm. 28g. £300-400

1568. An 18ct gold graduated hinged lattice link necklace, 42.5cm. 33g. £400-600

1569. A yellow gold anchor-link necklace, 60cm. 52g. £800-1,200

1570. A gold charm bracelet, the 9ct gold curb link bracelet is mounted with assorted gold charms. 9ct gold padlock clasp. 46g. £400-600

1571. A gold charm bracelet, the 9ct gold curb link bracelet is mounted with assorted charms. 174g in total. £1,800-2,500

1572. A gold charm bracelet, the 9ct gold curb link bracelet with a 9ct gold padlock clasp and suspending assorted gold lockets and charms. 42g in total. £450-600

1573. A 9ct two colour gold strap form bracelet, 52g. £400-600

1574. A gold open work stylised rope bracelet, with a central line alternately set with small sapphires and seed pearls. 17.5cm. 58g. £800-1,200

1575. A 9ct gold curb link watch chain, with a 9ct gold compass fob mounted with a hardstone horseshoe plaque carved with a horses head. 40cm. 44g in total. £250-300

1576. A gold double circular link necklace, 48cm, 20g. And four other fine link gold neck chains. 15g (4) £200-300

1577. A 9ct gold watch chain, with 9ct gold cigar piercer (damaged) 26g. A 9ct gold graduated curb link watch chain. 29g. 38cm. And a single cuff link mounted with a gold sovereign. £600-800

1578. A pair of gold Etruscan style earrings, fitted case. A gold bracelet with assorted charms, two gold stock pins, a 9ct gold Bakers Pointers pencil and a gold bean pendant. £300-400

1579. A 9ct gold circular compact case with mirror, 83g in total. With three gold pendants, two gold bracelets, a three colour gold ‘Russian wedding ring’, a white stone set gold bar brooch and a gold watch key in the form of a revolver with stone set butt, damaged. £400-600

1580. A French gold calendar pendant and various items of jewellery etc. £1,500-2,000

1581. A pair of 9ct gold oval cuff links engraved with initials, cased. Another pair of 9ct gold oval shaped cuff links engraved with initials. A pair of 9ct gold cuff links engraved with initials, swivel backs. And a stock pin. The cuff links weigh 26g in total. £250-350

1582. A 15ct gold heavy watch chain with 15ct gold spinning fob seal mounted with a carnelean and bloodstone, 100g in total. And various gold and gold plated chains. 173g in total. £2,000-2,500

1583. A 9ct gold bracelet, a 9ct gold necklace, a fine link gold chain, two stick pins and a pearl set gold ring. £250-350

1584. A pair of 19th Century gold hinged bangles, each mounted with a spade guinea gold coin for 1788 and 1799. 44g in total. £600-800

1585. A sovereign, 1912. A gold mounted sovereign pendant, 1910. A drilled sovereign pendant, Melbourne 1903 and a half sovereign, 1914. £600-800

1586. A 9ct gold retractable swizzle stick, 14cm extended. £100-150

1587. A 9ct gold retractable swizzle stick, 13.5cm extended. Cartier case. £80-120

1588. A Victorian gold necklace, suspending three gold mounted treffoil pendants, each mounted with cabochon garnets. £200-300

1589. A Victorian banded agate brooch, the oval agate centred with a star design set with a diamond and seed pearls, within an elaborate mount with black enamel decoration. Glazed locket compartment to the reverse containing hair and memorial inscription dated 1872. 4.5cm wide. Fitted case. £200-300

1590. A 19th Century carved shell cameo brooch, the classical scene depicts a girl playing symbols amongst clouds and fruiting vines, gold frame. The cameo 5.5cm high. Fitted case. £200-300

1591. A 19th Century moss agate plaque necklace, the octagonal graduated plaques are mounted in silver with conforming brooch. The necklace 45cm long. £200-300

1592. A 19th Century carved shell cameo brooch depicting Abundantia with a cornucopia and attended by Putti. Gold plated frame. 5.5cm high. £150-200

1593. John Henning, a glass portrait cameo. Depicting a gentleman looking right and signed 1804, Henning and F. 5.2cm high. £200-300

1595. A 9ct gold rectangular cigarette case, with engine turned decoration. 161g. £1,000-1,500

1594. A rectangular gold plated cigarette lighter by Dupont, 4.7cm high. Case. And a gold plated rectangular cigarette lighter by Dunhill. 6.5cm high. £80-120

1596. A 9ct gold cigarette case, with Asprey slide hinge. Engraved with signatures to the interior. Engine turned pattern overall. 13.9cm long. 198g. £1,500-2,000

1597. Six assorted wristwatches and a gold fob watch. £200-300

1598. A lady’s diamond set platinum wristwatch on a black silk band, an Art Deco lady’s two colour 18ct gold dress wristwatch, the movement signed Dreadnaught. White gold mesh band (damaged) and a lady’s white gold rectangular dress watch with pink gold dial. £100-150

1599. An Omega 18ct yellow gold open faced dress pocket watch, mechanical winding with a fine fancy link yellow and white gold watch chain and a gold propelling pencil with blue enamel calendar to the case. £300-400

1600. An 18ct gold wristwatch by Omega, the signed dial marked for Seamaster and with sweep seconds hand and date aperture. Automatic movement. Associated leather band, and three other watches by Omega, Seiko and Ingersol. £200-300

1601. A lady’s yellow gold wristwatch by Rolex, the signed white enamel dial with alternate batton and Arabic numerals. On a Rolex integrated yellow gold band (damaged). £300-400

1602. A lady’s 9ct gold wristwatch by Rotary, the circular signed dial with baton numerals on an integrated 9ct gold band. £200-300

Jewellery Thursday 1st November 2012 Entries are now being accepted for this sale

ENQUIRIES Jonathan Edwards FGAA Tel: 01722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: 01722 424595 mariellewhiting@woolleyandwallis.co.uk

To be included, a pearl and diamond lavalier necklace, cased by Mellerio Estimate ÂŁ40,000 â&#x20AC;&#x201C; 60,000

1603. Boucheron, a silver gilt small circular desk clock, the white enamel dial with Roman numerals to the centre of a flower head design. Stylised lattice sides and signed to the base Boucheron, Paris. French control marks. 4cm wide. £200-300

1604. An 18ct pink gold Reverso wristwatch by Jaeger Le Coultre, the rectangular silvered and signed dial with black Arabic numerals, subsidiary seconds dial, day aperture and sweep date hand. Mechanical winding movement. The dial 2.3cm high. Black leather band with 18ct gold Jaeger Le Coultre deployant clasp. Original case. £2,000-3,000

1605. An Art Deco wooden clip watch by Van Cleef & Arpels, with white rectangular signed dial applied with gold Arabic numerals. 3.4cm high. £200-300

1606. A 19th Century fob watch, white enamel dial with blue Arabic numerals. The case decorated with shaded enamel rural scene (damaged). 2.7cm wide. £80-120

1607. Franck Muller, Master Square Relief, 18ct pink gold wristwatch. The 3.5cm wide square signed dial with guilloche decoration. Pink gold Roman numerals, sweep seconds hand and date aperture. Mechanical self-winding movement. Numbered to the reverse 393. Black leather band with signed gold buckle. Original case. £8,000-12,000

1608. Cartier, a lady’s gold tonneau shaped wristwatch. Signed ‘Paris’ and silvered dial with Roman numerals. Manual winding. French control marks, numbered 12122. Leather band with gold buckle and with French control marks. The dial 1.8cm high. £800-1,200

1609. A Cartier gold ‘Love’ wristwatch, the circular silver dial with black Roman numerals, the wide bezel pavé set with six circular cut diamonds in 18ct white gold. Manual winding. Case numbered 139264MX. Black silk and leather band with Cartier 18ct white gold buckle. £500-700

1610. A lady’s 18ct gold cameleon wristwatch by Rolex, the signed circular Orchid dial with batton numerals. With seven interchangeable vari-coloured Rolex bands. £200-300

1611. An early 19th Century dress pendant watch, white enamel dial with black Arabic numerals within a blue guilloche enamel border and further surround of diamonds. Cabochon sapphire winder with French control mark and London import marks for 1909. With conforming enamel and diamond decoration to the reverse. Diamond set pendant loop, 2.6cm wide. £1,200-1,500

1612. A steel wristwatch by Tudor, Oyster Prince Date Day. Rotor self winding, with date and day apertures, sweep seconds hand. Batton numerals. The reverse inscribed Original Oyster case by Rolex, steel band with deployant clasp with Rolex logo. £300-400

1613. A lady’s gold wristwatch by Rolex, signed square white dial with gold Arabic numerals. Associated gold integrated band. £200-300

1614. A Rolex Oyster Perpetual wristwatch, steel case and band. Superlative chronometer. Engraved to the reverse with name and date. £400-600

1607

1603

1608 1604

1609 1605

1606

1610

1611 1613

1612

1614

1615. Van Cleef & Arpels, a rectangular lattice form 18ct gold cigarette case signed and numbered 70793 and slightly obscured inventory number (possibly 7004) 12.5cm wide. 138g. £2,600-3,000

1616. A 9ct gold minaudiere, the rectangular case with fluted decoration overall, calibre cut sapphire thumbpiece, centre opening section to the body with two folding handles. Missing mirror. London marks for 1935. 7.2cm wide. 117g. £1,000-1,500

1617. Van Cleef & Arpels, an 18ct gold lattice form cigarette case. Signed and numbered 78433 and slightly obscured inventory number possibly 3025. French control marks and VC&A makers lozenge. 8.5cm wide. 94g. £1,800-2,500

1618. A 9ct gold rectangular cigarette case with engine turned pattern overall, patented Asprey slide hinge and London marks for 1934. Engraved with name and initials and 1935. In leather case by The Goldsmiths and Silversmiths company. £1,000-1,500

1619. A 9ct gold rectangular small covered hinged box, engraved with undulating engine turned pattern and cabochon sapphire thumbpiece. London marks. 5cm wide. 28g. £200-300

1620. Van Cleef & Arpels, an 18ct gold lattice form circular compact. Signed and with inventory number 75866. French control marks and slightly obscured inventory number (possibly 3008) 7.5cm wide. 104g in total. £1,000-1,500

1621. Boucheron, a small lattice form 18ct yellow gold hinged box, signed 4.1cm wide. Black leather case. 28g.

£500-700

1616

1615

1617

1618

1619

1621

1620

1622. An Art Nouveau style diamond set white gold ring, size N.

£450-550

1623. A cabochon ruby and diamond cluster ring, the ruby showing faint signs of asterism and is set within a surround of fourteen circular cut diamonds in gold. Size I 1/2. £400-600

1624. A diamond five stone ring, the round brilliant cut diamonds weigh approximately 1.50cts and are set in white gold. Size N. £1,200-1,500

1625. An aquamarine and diamond set ring, the baguette shaped aquamarine is set with three graduated baguette shaped diamonds to each shoulder in white gold. Size N 1/2. £800-1,200

1626. A diamond set half hoop ring, set with nine graduated circular brilliant cut diamonds in white gold. Size R 1/2.

£200-300

1627. A pearl and diamond ring, the untested pearl is set with six round circular cut diamonds in white gold, size L 1/2.

£400-600

1628. A sapphire and diamond set cluster ring, the oval shaped sapphire is set within a surround of twelve circular cut diamonds in yellow and white gold. Size N 1/2 £1,000-1,500

1629. A diamond cluster ring, the circular cut diamonds weigh approximately 0.90cts and are set in white gold. Size O.

£750-850

1630. A diamond five stone ring, the graduated cushion shaped diamonds are set in gold. Size O 1/2.

£200-300

1631. An emerald and diamond five stone ring, set with three oval shaped emeralds and two circular cut diamonds in 18ct yellow gold. Size Q 1/2. £200-300

1632. An emerald and diamond three stone ring, the emerald cut emerald is set with two small circular cut diamonds in 18ct yellow gold, size R. £200-300

1633. An emerald and diamond five stone ring, the three oval shaped emeralds are set with two cushion shaped diamonds in yellow gold. Size P 1/2. £500-700

1634. A diamond set full circle eternity ring, set with old circular cut diamonds in platinum. With two internal sizing pellets. Size I. £200-300

1635. A diamond solitaire ring, the circular cut diamond weighs approximately 1.45cts and is set in platinum and gold. Size P.

£1,500-2,000

1636. A ruby and diamond cluster ring, the pear shaped ruby is set within a surround of circular brilliant cut diamonds in gold. size P. £1,000-1,500

1637. A diamond solitaire ring, the circular cut diamond weighs approximately 0.85cts and is set with four small circular cut shoulder diamonds in platinum. Cased. Size O 1/2. £300-400

1638. An emerald and diamond nine stone ring, the three square shaped emeralds are set with six small circular cut diamonds in gold. Size N. £300-400

1639. An 18ct gold ring set with a ruby and two small diamonds, Birmingham marks. Size Q. And a Regency diamond set gold locket ring, the glazed locket containing hair within a border of old cut diamonds and foliate engraved shoulders. Size S. £200-300

1640. An opal and diamond cluster ring, the circular cut white opal cabochon is set within a surround of old circular cut diamonds in 18ct gold. Birmingham marks for 1899. Size O 1/2. £250-350

1622

1623

1625

1624

1626

1627

1628

1629

1631

1632

1633

1635

1630

1634

1637 1636

1638

1639 (part)

1640

1641. Arthur Gaskin, a silver heart shaped pendant set with coral. Surmounted with a treffoil of two circular sections of shell and a further coral. The fine link silver chain terminates with two birds. Initial G engraved to the reverse. £400-600

1642. An Early 20th Century insect form pendant, with iridescent blue pate de verre body with parcel gilt metal wings, marked DEPOSE. 7cm wide. On fine link neck chain. £150-200

1643. A Russian gold Art Nouveau pendant by Ivan Flink, set with diamonds and cabochon sapphires. 56 zolotnik and Moscow mark. Fine link gold neck chain. £500-700

1644. An amethyst bracelet with matching earrings, the millegrain set amethysts are mounted on foliate silver panels with green enamel decoration overall. Makers mark BI. £200-300

1645. Cartier, the oval shaped white gold brooch is set with a centre lapis lazuli rectangular plaque and a line of circular cut diamonds, signed and numbered 59340. 5.2cm wide. £2,500-3,000

1646. An Art Nouveau silver pendant, of foliate form and decorated with blue enamel. Fine link neck chain and marked for Birmingham 1909 and JF for James Fenton. £150-250

1647. An Art Nouveau pendant and necklace with plique à jour enamel decoration. Of scroll design with green and blue plique à jour enamel decoration and set with graduated circular cut diamonds and rubies. The square link gold chain mounted with six plique a jour enamel and ruby sections. Unusual millegrain work overall and some damage. The pendant 4cm wide. 41cm long. £3,000-5,000

1648. An Art Nouveau silver and enamel pendant, centred with a blister pearl on a blue and green enamel ground with further enamel to the two stylised lovers knot upper sections and suspending a pear shaped pearl. On a fine link silver chain. Marked for Birmingham 1908 and makers mark GV & Co for Gordel Vales & Co. £250-350

1649. An amethyst set gold bracelet, each cushion shaped amethyst is joined by two tapered cylindrical sections.

£200-300

1641 1643

1642

1644 (part)

1645

1648

1646

1647

1644 (part)

1649

1650. A sapphire and diamond set cluster ring, the oval shaped sapphire is millegrain set within a surround of small circular cut diamonds in platinum. Size R 1/2. £600-800

1651. A diamond cluster ring, the circular cut diamonds are set in white gold. Size O 1/2.

£850-950

1652. An opal set ring, the oval solid black opal is set in gold. Size P.

£200-300

1653. A diamond solitaire ring, the round brilliant cut diamond weighs approximately 0.60cts and is set in yellow gold and platinum. Size O 1/2. £400-600

1654. A ruby and diamond seven stone ring, alternately set with cushion cut rubies and diamonds and set in yellow gold. Size P. £200-300

1655. A peridot and diamond set ring, the emerald cut peridot is set with four small shoulder diamonds in white gold. Size O 1/2. £400-600

1656. A yellow sapphire and diamond three stone ring, the rectangular sapphire is set with two round brilliant cut diamonds set in white gold. Size O. £1,300-1,500

1657. A diamond three stone ring, the three graduated circular cut diamonds are set in platinum and white gold. Size N.

£400-600

1658. A ruby and diamond cluster ring, the oval shaped ruby is set within a surround of cushion shaped diamonds in gold. Size Q. £1,500-2,000

1659. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of ten circular cut diamonds in 18ct white gold. Size K 1/2. £300-400

1660. An emerald and diamond three stone ring, the emerald cut emerald is set with two baguette shaped diamonds in yellow gold. Size N. £200-300

1661. A diamond full circle eternity ring, set with square French cut diamonds in platinum. Size N.

£1,000-1,500

1662. An emerald and diamond half hoop ring, set with a central line of rectangular cut emeralds within borders of graduated circular cut diamonds in white gold. Size N. £600-800

1663. A pearl ring, the natural pearl is set with six small shoulder diamonds in white gold. Size L.

£500-700

With report number 03722 from The Gem and Pearl Laboratory dated 5th February 2011 stating that the part-drilled pearl measures 8.6 – 9.1 x 8.9mm deep and is natural (saltwater)

1664. A diamond full circle eternity ring, the square French cut diamonds are set in platinum. Size M 1/2.

£300-400

1665. A diamond five stone ring, the circular cut diamonds are set in yellow and white gold, size Q 1/2.

£550-650

1666. A diamond five stone ring, the five graduated circular brilliant cut diamonds are set in yellow and white gold. Size O.

£1,000-1,500

1667. An Art Deco style aquamarine and diamond cluster ring, the square shaped aquamarine is set within rows of circular cut diamonds in white gold. Size O. £600-800

1650

1651

1653 1652

1654

1656

1655

1658

1660

1659

1661

1662

1657

1663

1664

1666

1665

1667

1668. An Art Nouveau gold brooch set with a turquoise cabochon, a seed pearl and suspending a further turquoise. Marked 15ct and MB&Co in circle for Murrle Bennett & Co. £200-250

1669. An Art Nouveau gold hinged brooch, set with three turquoise cabochons and three seed pearls, marked 15ct and MB&CO for Murrle Bennett & Co with additional designer mark for Christian Ferdinand Morawe who also designed for Theodore Fahrner. 3.2cm high. £450-550

1670. An Art Nouveau style silver framed mother of pearl pendant with further partially worn marks. 6.5cm high.

£100-150

1671. An Art Nouveau silver glazed photo locket pendant, with blue and green enamel decoration to the foliate form and containing a photograph of a child within a gold bezel. Marked for JBB & Co for John Baker Bennett. Illustrated in a Liberty sketch book, Archibald Knox design. 4.5cm high. With associated Liberty case. £350-450

1672. An Art Deco clip brooch, mounted with a rectangular section of carved lapis lazuli to the yellow and white gold pierced abstract mount. 4cm high. Fitted case. £200-300

1673. An Arts and Crafts style pendant, depicting a snake. Decorated with polychrome enamel and holding a light blue stone in its mouth (damaged). Silver chain. £80-120

1674. An English Arts and Crafts stone set gold festoon necklace, of pierced scroll form terminating with stylised pomegranates and set with cabochon amethysts, opals and garnets. On a fine link neck chain. 42cm. Fitted case. £1,000-1,500

1675. A gold scroll pendant, set with opals and garnets, the two oval shaped opal cabochons set with five garnets and with green guilloche enamel decoration to the gold mount. £500-700

1676. A gold open work necklace. Mounted with cabochon emerald, shell and sapphire pendants. French control marks. 19.5cm. 27g. £200-300

1677. A French 18ct gold ornate foliate scroll bracelet, French control marks. 19.5cm. 27g.

£800-1,200

1678. An Art Nouveau silver brooch, of foliate form and decorated with blue and green enamel, marked silver and WHH for William Hair Haseler, supplier to Liberty. 3.5cm wide. £150-250

1668

1672

1669

1671

1670

1675 1674 1673

1676

1678 1677

1679. A Regimental brooch for the Royal Army Medical Corps, designed as a crowned Caduceus set with small diamonds, rubies and an emerald in white gold. 3cm high. And a RAF brooch set with small diamonds and decorated with red and green enamel in white gold. 5.5cm wide. £200-300

1680. An early 19th Century gold perfume bottle pendant, with heavily carved foliate scroll decoration and centred with a small diamond, sapphire and ruby. Suspended from a gold fleur-de-lys form brooch with gold chain. 7cm high. £500-700

1681. A French gold and lapis lazuli desk seal formed as a lapis lazuli column with green and white enamel decoration to the octagonal base which is engraved with the crest for Furness. Surmounted with a diamond set fluted urn with diamond set foliate finial. French control marks. 6.2cm high. £600-800

1682. A Regimental badge for the Royal Army Medical Corps, the crowned Caduceus set overall with small diamonds and with red enamel decoration. In 18ct white gold. 3.2cm high. £300-400

1683. A gold locket pendant containing a reliquary order, with Armenian hand written notes to the border. It has been suggested that origins of this reliquary may be connected to the Portuguese Military Order of Christ, one of Christendom’s most ancient orders of chivalry founded in 1318. 4.3cm high. £2,000-3,000

1684. A gold charm bracelet, the double row 9ct gold curb link bracelet suspends three gold mounted sovereign pendants and two gold mounted half sovereign pendants and glazed gold lockets containing £20, £10, £5 and a ten shilling note. 70g in total. £1,200-1,500

1685. A pair of French 18ct yellow gold cuff links set with calibre cut sapphires, French control marks and London hallmarks. 13g in total. £200-300

1686. A pair of palette and paintbrush form dearest gold cuff links, each link is rub over set with seven gem stones spelling the word dearest. £800-1,200

1687. A pair of 18ct gold knot form cufflinks, each link centred with a cabochon sapphire marked for London 1971. 13g.

£200-300

1688. A pair of signed circular reverse carved crystal intaglio cuff links, depicting flighting mallards and standing cock pheasants. Painted on shell. 1.4cm wide. £1,000-2,000

1689. A tortoiseshell parasol handle, with pink guilloche gold band centred with a line of seed pearls beneath the spherical tortoiseshell handle. Applied with gold initials JB. Brigg, London. 28cm. £200-300

1690. A set of six shakudo studs, all depicting pheasants amongst foliage. In yellow and white metal mounts. The largest studs 2.7cm wide. £600-800

1691. A pair of gold cuff links centred with a cabochon stone on shell ground with white enamel decoration, case.

£600-800

1679 (2) 1681 1680

1682

1683

1690

1685 1684

1689 1688

1687 1691 1686

1692. A diamond set white gold pendant, the two graduated circular cut diamonds are set in white gold, fine link white gold neck chain. £1,000-1,200

1693. A large diamond set heart shaped gold locket pendant, pavé set with graduated circular brilliant cut diamonds in yellow and white gold. 2.5cm wide. Fine link gold chain. £3,500-4,000

1694. A pair of diamond studs earrings, the two old circular cut diamonds weigh approximately 2.25cts in total and are set in white gold with screw fittings. Box. £2,000-3,000

1695. A diamond set gold necklace, the graduated round brilliant cut diamonds weigh approximately 4.90cts in total. The yellow gold necklace weighs 32g. £4,000-5,000

1696. A pair of yellow sapphire set drop earrings, the six graduated oval shaped sapphires are set in gold.

£1,500-2,000

1697. A pair of South Sea cultured pearl, diamond and ruby cluster earrings. The gold earrings each centred with a cultured pearl measuring 13.40 and 13.30mm wide. Set within a surround of circular brilliant cut diamonds and a further border of circular cut rubies, one missing. £1,500-2,000

1698. A novelty brooch depicting two monkeys kissing under a pearl set mistletoe. 2.1cm wide.

£100-150

1699. Two novelty brooches, a two colour gold owl brooch with red stone eyes and and enamel and silver brooch shaped and decorated with enamel to depict a cat playing with roses in a sack. 4cm wide. £100-150

1700. A white gold open link necklace, with a diamond set white gold clasp. 28g in total.

£500-700

1701. A pair of emerald and diamond drop earrings, the two pear shaped emeralds weigh approximately 6.30cts in total and are set within borders of graduated circular cut diamonds and suspend from a larger diamond, set in white gold. 3cm high. £15,000-20,000

1702. A gold half hoop ring, pavé set with four rows of invisibly set square shaped green garnets. Signed Tiffany. Size P 1/2.

£750-1,000

1703. A diamond set yellow gold line bracelet, the scroll links are set with modern brilliant cut diamonds 17cm. 12g.

£1,000-1,500

1704. A coloured stone set gold necklace, set with various oval shaped stones in ‘spectacle’ mounts. 48cm.

£1,000-1,500

1694

1693

1695

1692

1696

1697

1700

1702

1699

1701

1698

1703

1704

1705. A gold mounted jade pendant, carved as a pea-pod. 4cm high.

£200-300

1706. A jade and pink tourmaline bead pendant, the jade plaque pierced and carved as a bird within foliage and bamboo. 5.5cm high. Suspended from a pink tourmaline and two jade beads on black silk. Fitted Case. £2,000-3,000 With report number 05672 dated 18th May 2012 from the Gem and Pearl Laboratory stating that the jadeite jade measures 55.4 x 39.4 x 6.8mm and no evidence of treatment was observed.

1707. A jade, diamond and ruby set gold frog brooch, realistically formed with ruby eyes. 4cm wide.

£1,500-2,000

1708. A jade and diamond set brooch, the oval shaped pierced jade in stylised lattice carving within a circular and kite shaped diamond set white gold frame. The jade 3.8cm wide. £1,000-1,500

1709. A jade and diamond brooch, the pierced jade section carved as a pagoda amongst foliage with diamonds set to the white gold mount. 5cm wide. £3,000-4,000 With report number 5637 from the Gem and Pearl Laboratory dated 11th May 2012 which states than no evidence of treatment was observed in the jadeite jade.

1710. An early 20th Century open work web form pendant, set with three jade sections and old cut diamonds in white gold. Suspended from a fine link platinum neck chain mounted with seven jade cabochons. £1,000-1,500

1711. A jade cylinder bar brooch, with rose cut diamond set pierced terminals with pearls and a central band of foliate mounted rose cut diamonds. 7.2cm wide. £1,000-1,500

1712. A jade and diamond set white gold double clip brooch, formed with two tapered sections of pierced and engraved jade. 6cm wide. £200-300

1713. A gold mounted heart shaped jade pin.

£400-600

With certificate from the Gem and Pearl Laboratory dated 20th April 2012 stating that the jadeite jade measures 23 - 24 x 18 - 19 x 4.3mm and no evidence of treatment was observed.

1714. A French diamond and jade arrow form jabot pin, the arrow head set with diamonds and the feathers formed as a section of pierced and carved jade in white gold. French control marks. 7cm long. £400-600

1715. An Art Deco jade and diamond bracelet, formed with five square octagonal jade panels, pierced and engraved with foliate decoration. Each panel joined with a white gold section set with a line of circular cut diamonds, set in platinum and white gold and with inventory number 554. £600-800

1705 1707

1708

1709 1710 (part)

1711

1706

1710 (part)

1712

1715 1714

1713

1716. A diamond cluster ring, the oval shaped diamond weighs approximately 2.01cts and is set within a surround of twelve smaller diamonds in yellow and white gold. Size N. £3,000-4,000

1717. A citrine and amethyst mounted yellow gold ring, the emerald cut citrine is set with two shield shaped amethysts. Size L. £450-550

1718. A gem set Union Jack flag brooch, set with sapphires, rubies and diamonds in white and yellow gold. 3.5cm wide.

£600-800

1719. A ruby and diamond cluster ring, the circular old cut diamond is set in a six sided surround of calibre cut rubies. Within a border of millegrain set circular diamonds and pear shaped rubies in white gold with six small shoulder diamonds. Size Q. £1,600-1,800

1720. A large tanzanite and diamond cluster ring, the oval shaped tanzanite weighs approximately 8.40cts and is millegrain set within a surround of round brilliant cut diamonds which weigh approximately 1.80cts in white gold. Size Q. £4,500-5,500

1721. A sapphire and diamond line bracelet, the vari-coloured oval shaped sapphires are each set with a smaller circular brilliant cut diamond in white gold. 17cm long. £800-1,200

1722. A pair of emerald and diamond cluster earrings, the oval shaped emeralds are millegrain set within a surround of round brilliant cut diamonds in white gold. £1,500-2,000

1723. A diamond solitaire ring, the circular brilliant cut diamond weighs approximately 1.20cts. Set in platinum. Size I.

£2,000-3,000

1724. An emerald and diamond pendant, the emerald cut emerald weighs approximately 5.30cts and is rub-over set in yellow gold within a border of sixteen round brilliant cut diamonds. £4,000-5,000

1725. A diamond solitaire ring, the baguette shaped diamond weighs approximately 0.85cts and is set in platinum and white gold. Size R. Case. £1,000-1,500

1726. A pair of diamond and rubelite drop earrings, the pear shaped tourmalines suspend from a single diamond and a white gold leaf pavé set with further circular cut diamonds. 5cm high. £3,500-4,500

1727. An emerald and diamond cluster ring, the emerald cut emerald weighs approximately 3.30cts and is rub-over set in yellow gold within a border of fourteen round brilliant cut diamonds. 18ct yellow gold shank. Size Q. £4,000-5,000

1728. A fire opal and diamond ring, the oval shaped opal is set in white gold and with small diamonds millegrain set to the trifurcated shoulders. Size O. £1,000-1,500

1729. A pair of citrine and diamond drop earrings, the marquise shaped citrines suspend from diamond set stylised fleur-de-lys and are set within a surround of circular brilliant cut diamonds in white gold. £800-1,200

1717 1718

1716

1720

1719 1721

1723

1722

1726

1725

1724 1728 1729

1727

1730. An Edwardian gold quarterfoil brooch, centred with a circular cut peridot and seed pearls to the scroll border, and a gold angel harp brooch, realistically formed and set with six graduated circular cut demantoid garnets. £200-300

1731. An Edwardian peridot and seed pearl set gold pendant, the centre stylised shamrock is set with three heart shaped peridots within the seed pearl set gold frame and suspending a further pear shaped peridot. With gold chain. £200-300

1732. A late Victorian sapphire and diamond brooch, the stylised foliate brooch is set with three sapphires and graduated diamonds in silver and gold. £400-600

1733. An Edwardian lattice form gold necklace, set with pink topaz, peridots and seed pearls. Fine link gold neck chain.

£600-800

1734. A ruby and diamond set gold circle brooch, alternately set with circular cut rubies and trefoils of circular cut diamonds.

£300-400

1735. An Indian antique gold bracelet, formed with rectangular gold panels each set with a gem stone, including two diamonds, possibly shellac in octagonal mounts with further stones to each corner (one turquoise missing). The back and sides with Jaipur foliate enamel decoration. £400-600

1736. A Victorian foliate brooch set with diamonds, with two flower heads and tied at the stems and set in silver and gold. 6cm high. £300-400

1737. A diamond solitaire ring, the old circular cut diamond is set with ten graduated cushion shaped shoulder diamonds in platinum and gold. Size P. £1,000-1,500

1738. A diamond solitaire ring, the old circular cut diamond weighs approximately 1.10cts and is set in platinum with ten small shoulder diamonds. Size O 1/2. £800-1,200

1739. A pair of Russian two stone diamond drop earrings, the circular old cut diamonds are set in yellow and white gold. Rub over colets. The diamonds weigh approximately 2.50cts in total. £3,000-4,000

1740. A diamond and sapphire five stone ring, the three graduated cushion shaped diamonds are set with two circular cut sapphires in gold with carved shoulders. Size R 1/2. £600-800

1741. A cushion shaped diamond solitaire ring, the diamond weighs approximately 2.10cts and is set with six smaller graduated shoulder diamonds in platinum, size L. £3,500-4,500

1742. A diamond solitaire ring, the cushion shaped diamond weighs approximately 1.10cts and is rub-over set in yellow gold. Size O. £1,500-2,000

1743. A pair of ruby and diamond drop earrings, set in platinum and gold. Cased.

£600-800

1731

1730

1733

1732

1734

1736

1739 1735 1737 1738

1740 1743

1741

1742

1744. An early 19th Century gold swivel ring, mounted with a cartouche shaped section of rock crystal engraved with Hebrew writing and the ancient five cross symbol of Jerusalem. Size P. £150-200 1745. A late 18th Century ring mounted with an oval shaped agate double intaglio ring, depicting comedy and tragedy. Size I 1/2. £1,400-2,000 1746. A small gold ring mounted with an oval shaped carved greenstone intaglio. Depicting a standing man. Possible Roman. Size D. £200-300 1747. A gold ring mounted with an intaglio, probably Roman. The carved banded agate intaglio depicting a warrior. 1cm high. Later gold mount. Size Q. £300-500 Provenece. Ex Guilohou collection. Illustrated De Ricci ‘Ancient Rings’ Number 83. 1748. A circular gold mounted reverse carved crystal brooch, depicting a basket of flowers within white enamel border (some enamel damaged). 2.5cm wide. £300-400 1749. A ruby and diamond set plaque ring, set with a centre line of seven oval shaped rubies within borders of cushion shaped diamonds in platinum and gold. Rubbed mark to the exterior, probably French control, size L. £600-800 1750. A gold posy ring, engraved to the interior ‘All Perfect Love Is From Above’ makers mark RG. 3g. Size P. And another gold posy ring, engraved to the interior ‘God above Increase Our Love’ 0.8g. Size M 1/2. £400-600 1751. A French early 19th Century gold posy ring, set with six small rectangular cut emeralds and white enamel decoration spelling ‘Mon Coeur Est A Vouz’ meaning my heart is yours. Size M 1/2. £600-800 1752. A gold posy ring, engraved to the interior ‘Thus (heart pierced by and arrow) For Thy Sake’ foliate scroll engraving to exterior with the remains of white and green enamel. 0.8g. Size S. £300-400 1753. A gold posy ring, engraved to the interior ‘God Above Send Peace And Love’ 7g. Size H 1/2.

£400-600

1754. A gold posy ring, engraved to the interior ‘Gods Providence Is Our Inheritance’ 2g. Size K.

£300-400

1755. A gold posy ring, engraved to the interior ‘God Above Increase Our Love’ 5g. Size N.

£400-600

1756. A gold posy ring, engraved to the interior ‘Unite In One By Christ Alone’ 9g. Size R.

£400-600

1757. A pair of early 20th Century drop earrings set with white paste stones. 6.5cm high. Cased.

£80-120

1758. A Regency gold locket pendant, of circular form and centred with a ruby within a surround of six turquoise cabochons to the two colour gold foliate ground. The reverse with pelet clusters to the lattice form ground. Hinged. 2cm wide. Fine link gold neck chain. £300-400 1759. A pair of white paste set silver drop earrings. Fitted box by Mrs Newman.

£200-300

1760. A Renaissance style gold cruciform pendant set with diamonds and dark coloured stones. 3.6cm high.

£600-800

1761. A Victorian pearl, emerald and diamond brooch, in the form of a stylised snowflake and centred with an octagonal cut emerald within a surround of pearls diamonds and further emeralds in silver and gold. Detachable pendant loop set with an emerald and two pearls. 4cm wide. £800-1,200 1762. An early 19th Century amethyst set gold brooch, the cushion shaped amethyst is set in an ornate mount with small emeralds. 4.5cm wide. £200-300 1763. An emerald and diamond bar brooch, set with three emeralds and twelve graduated old circular cut diamonds in white gold. £600-800 1764. A George III diamond set half hoop ring, the five graduated cushion shaped diamonds are set in silver colets on a blue guilloche enamel oval shaped ground. Gold shank. Size L. £800-1,200

1750 (2)

1744 1748

1751 1752 1746 1745 1749 1754

1753 1747 1755

1756

1757 1759

1758

1761 1762

1764

1760

1763

1765. A pair of diamond drop earrings, millegrain set with circular brilliant cut diamonds in articulated white gold mounts. The diamonds weigh approximately 1.00cts in total. 5cm high. £800-1,200

1766. An emerald and diamond set three stone ring, the octagonal cut emerald weighs approximately 3.20cts and is set with two trillion cut shoulder diamonds in 18ct yellow and white gold. Size S. £3,000-4,000

1767. A diamond set half hoop cluster ring, pavé set with small circular cut diamonds in platinum. Size I.

£400-600

1768. A diamond solitaire ring, the emerald cut diamond weighs approximately 1.00cts and is set in platinum. Engraved to the interior 1.02. Size M 1/2. £1,500-2,000

1769. A pair of diamond and emerald cluster pendant earrings, each earring centred with a millegrain set circular cut diamond within a surround of pear shaped emeralds, each separated with two small diamonds and within a border of diamonds. Suspended from a circular cut diamond in gold. Fitted case. £2,000-3,000

1770. An aquamarine and diamond brooch, centred with an emerald cut aquamarine within a diamond border and millegrain set with open foliate scroll decoration set with further diamonds. 5.8cm wide. £600-800

1771. A heart shaped white gold pendant, pavé set with circular cut diamonds to one side and sapphires to the other. On a fine link white gold neck chain. £400-600

1772. An emerald and diamond set yellow gold pendant, the emerald cut emerald is set with a triangular cut diamond to the pear shaped yellow gold pendant on a fine link yellow gold neck chain. £600-800

1773. A pair of Russian amethyst and diamond girondolle earrings, each earring with three pear shaped amethysts in cut down gold colets suspending from a diamond set folaite body suspended from a further circular cut amethyst within diamond border, set in silver and gold. 5cm high. £3,000-5,000

1774. A pair of emerald and diamond cluster studs, the emerald cut emeralds are set within a surround of round brilliant cut diamonds in platinum. £1,000-1,500

1775. A pair of sapphire and diamond ear studs, the heart shaped sapphires are each set within a surround of circular brilliant cut diamonds in white gold. £800-1,200

1776. A pair of ruby and diamond cluster earrings, each stud centred with a circular cut ruby within a border of six round brilliant cut diamonds in white gold. £200-300

1777. An emerald and diamond pendant, the emerald cut emerald is set within a surround of small round brilliant cut diamonds and suspends from a line of similar diamonds. The top section and bale also set with small diamonds in white gold. 4.5cm high. £2,500-3,500

1778. A pair of diamond drop earrings, the oval and circular rose cut diamonds suspend from the white gold body millegrain set with further smaller circular cut diamonds. 4.5cm high. £5,500-6,500

1779. A diamond bracelet, centred with a cluster of seven round brilliant cut diamonds with a further four round brilliant cut diamonds to each shoulder. Set in white gold with white gold chevron link band. 16.5cm long. £600-800

1766 1769

1765 1767

1768

1770

1776 1771

1775

1772

1774

1773 1778

1777

1779

1780. A late Victorian diamond crescent brooch, the open crescent set with a line of graduated old circular cut diamonds to the outer edge and smaller diamonds to the inner, set in silver and gold. 6.5cm wide. Fitted case. £500-700

1781. A late Victorian diamond set star brooch, set with graduated cushion shaped diamonds to each ray. 3.5cm wide.

£1,000-1,500

1782. A late Victorian diamond set star brooch, set with graduated circular cut diamonds in silver and gold. 4cm wide.

£800-1,200

1783. A pair of Victorian gold drop earrings, the Etruscan revival gold mounts suspending a hinged cylindrical section. Case. 5cm high. £300-400

1784. A heart shaped gold locket pendant, pavé set with rose cut diamonds and centred with an emerald, with a hinged internal glazed locket compartment on a fine link gold neck chain. Fitted case. £800-1,200

1784A. A pair of pearl and diamond drop earrings. Each earring is set with three natural pearls and three cushion shaped diamonds in silver and gold. £6,000-8,000

1785. A diamond set gold heart shaped pendant, 2.3cm high.

£300-400

1786. An Edwardian diamond set foliate gold bar brooch, suspending diamond festoons with fine link gold chains. 4.7cm wide. £600-800

1787. A carved hardstone cameo brooch, depicting a seated woman contemplating an urn on a pedestal. The gold circular mount set with eight rose cut diamonds. The cameo 2.5cm wide. £500-700

1788. A diamond set crowned double heart bar brooch, the two hearts are surmounted with a seed pearl set stylised coronet. Cased. £200-300

1789. A 19th Century carved shell cameo pendant, depicting a young man with curly hair and with gold frame, on a gold long guard chain. The chain 170cm and 44g. The cameo 4cm high. £500-700

1789A. An early 20th Century diamond cross over ring. The two principle cushion shaped diamonds weigh approximately 3.20cts in total. Millegrain set with eight smaller diamonds in platinum and gold. Size Q £4,000-5,000

1790. A Victorian oval gold locket brooch, centred with a star form section set with pearls and diamonds and within a half pearl border decorated with blue enamel. Glazed locket compartment to the reverse. 4.5cm wide. £200-300

1791. A late Victorian gold hinged bangle, applied with a star form mount set with graduated seed pearls. 23g in total.

£300-400

1792. A Victorian gold Etruscan revival style circular brooch, centred with a star form motif set with graduated pearls. Glazed locket compartment to the reverse with pendant loop. 3.2cm wide. Fitted case. £100-150

1781 1782 1784 1783

1780

1784A

1785

1786

1789A

1791

1787

1789 1790 1788 1792

1793. A French pink gold ring, set with an octagonal cut tourmaline and four small shoulder diamonds. Circa 1940. Size M. And a gold ring mounted with a light green coloured oval shaped cabochon stone. Size S. £500-700

1794. A diamond and emerald set white gold scroll brooch, set with graduated old circular cut diamonds and two emeralds. With matching emerald and diamond set white gold earrings, circa 1950. £1,500-2,000

1795. A white gold ring mounted with calibre cut rubies and a double scroll of graduated circular cut diamonds, circa 1940. Size O. £750-1,000

1796. A diamond scroll ring. Set with circular and tapered baguette shaped diamonds in platinum, circa 1930. Size O.

£1,400-1,800

1797. A diamond moonstone and gold ring, the sugarloaf shaped moonstone is set with twenty four circular cut shoulder diamonds in pink gold. Size L. £1,500-2,500

1798. A diamond scroll brooch, set overall with graduated round brilliant cut and baguette shaped diamonds in platinum, circa 1950, 7cm high. £7,500-10,000

1799. A sapphire set gold floral brooch, set with clusters of blue and yellow sapphires with further small diamonds in yellow gold, circa 1950. 7cm wide. 43g. £1,000-1,500

1800. A diamond and emerald pendant, set with baguette shaped diamonds and the articulated drops terminating with four pear shaped diamonds, one also with a larger pear shaped cabochon emerald. Platinum, circa 1950. 6cm high. Fitted case by S.J.Phillips. £8,000-12,000

1801. Boucheron, a diamond and coral brooch designed as blossom. The three flower heads with carved coral petals and centred with circular cut diamonds, on a realistically formed gold stem with diamond set leaf. Signed. 6.5cm. Boucheron box. £2,500-3,500

1802. A gold Cadenas wristwatch, of typical form with articulated cylinder link strap and with calibre cut emerald decoration to the body and clasp. The plain rectangular dial with disc numerals. 18cm long. £2,000-3,000

1803. A pair of ruby and diamond scroll earrings, each earring is set with graduated circular cut diamonds and a pear shaped ruby in white gold. £2,500-3,500

1804. A pair of moonstone and gold scroll earrings by Lalaounis. The scrolls terminate with a cabochon moonstone. Signed. 4cm. £1,500-2,500

1795

1794

1793 (part)

1796

1797

1798

1800

1799

1802 1801

1803 1804

1805. A moonstone and diamond pendant, the oval shaped moonstone is millegrain set within a border of graduated circular cut diamonds in white gold. On a fine link white gold neck chain. Fitted case. £1,000-2,000 1806. An Art Deco rectangular rock crystal brooch, the two terminals each set with an oval shaped citrine and circular cut diamonds in platinum. Signed Cartier and numbered 25639. 6.5cm wide. £8,000-12,000 1807. An Art Deco diamond set double clip brooch, set overall with graduated old circular cut and baguette shaped diamonds in platinum. 4.2cm wide. With additional white gold buckles to be sewn onto fabric. Cartier case. £1,500-2,000 1808. A rectangular diamond open work brooch, millegrain set in white gold with circular cut diamonds to the rectangular frame and with a tied section of four diamonds to the centre. Fitted case. £600-800 1809. A pair of open work diamond set drop earrings, the centre shaped kite section is set overall with graduated circular cut diamonds and suspends from a foliate and scroll hinged section set with smaller circular diamonds in white gold. 6cm high. £3,500-4,500 1810. A diamond and sapphire cluster ring, the circular old cut diamond weighs approximately 2.10cts and is set within a surround of calibre cut sapphires and further border of circular cut diamonds in platinum and white gold. Size N. £2,500-3,500 1811. An early 20th Century flat sapphire and diamond set ring, the oval shaped flat sapphire is millegrain set in platinum with rose cut diamonds and with engraved yellow gold shank. French control marks the the exterior. Size K 1/2. £1,800-2,500 1812. A red spinel and diamond set cluster ring, set in silver and gold. Size L.

£500-700

1813. A ruby and diamond half hoop ring, set with a centre line of square cut rubies and borders of slightly graduated circular cut diamonds. Size O. £1,000-2,000 1814. A French circular brooch, set with diamonds and rubies. The centre old circular cut diamond weighs approximately 1.30cts and is millegrain set within a surround of calibre cut rubies. Within a swirling open work section of rose cut diamonds (some missing) and a border of larger calibre cut rubies in platinum and yellow gold. French control marks. 3cm wide. Case by S.J. Phillips. £4,000-5,000 1815. A diamond ring, the cushion shaped diamond is set with six graduated baguette shaped diamonds to each shoulder within a black onyx border in platinum. Pierced shoulders. Size N. £2,500-3,500 1816. A diamond two stone cross-over ring, the two circular cut diamonds are set in gold. Size P.

£800-1,200

1817. An Edwardian sapphire and diamond cluster ring, the cushion shaped sapphire is millegrian set in platinum and yellow gold within a surround of twelve old circular cut diamonds. Size Q 1/2. £400-600 1818. A sapphire and diamond cluster ring, the circular cut sapphire is set within a surround of modern brilliant cut diamonds in white gold. Size K. £1,000-1,500 1819. A stylised comet stick pin, set with a cabochon ruby and a trail of small diamonds and rubies in yellow and white gold. Fitted case by Skinner. £200-300 1820. A diamond set platinum dress wristwatch, the rectangular dial with black Arabic numerals, diamond millegrain set bezel, on a white gold mesh adjustable band. £300-400 1821. A diamond set 18ct white gold dress watch, movement by Rolex. Movement signed Rolex Prima. 15 rubies. Timed six positions. Case signed Rolex and RWC Ltd and import marks for Glasgow 1926. Reverse of case numbered 106 and 2632. The pierced foliate shoulders set with diamonds. Adjustable 18ct white gold mesh bracelet. £500-700 1822. A pair of diamond cluster earrings, each stud is millegrain set with seven round brilliant cut diamonds within a border of smaller diamonds in white gold. The diamonds weigh approximately 1.70cts in total. £1,000-1,500

1806

1807 1805

1808

1809

1810

1811

1812

1813

1815 1814 1816

1817

1818

1821

1819 1822 1820

1823. An unusual late Victorian diamond and pearl scroll brooch, the lines of circular cut diamonds each with an untested pearl terminal. Set in silver and gold. 5.5cm wide. Fitted case. £1,000-1,500 1824. An Edwardian diamond and pearl set circular brooch, alternately set with pearls and foliate trefoils of circular cut diamonds in gold. Fitted case. £300-400 1825. A late Victorian diamond and pearl brooch, the centre pearl and diamond cluster is set within diamond scrolls and suspends a further pearl. Set in silver and gold. £800-1,200 1826. A conch pearl, diamond and emerald pendant, the pearl measures approximately 10.85 by 8.31 by 6.80mm deep. Millegrain set with an emerald and graduated cushion shaped diamonds in platinum and white gold. Fine link platinum neck chain. Case. £5,000-7,000 1827. An Edwardian pearl and diamond pendant necklace, of garland design and set with small diamonds in platinum. Mounted with four circular natural pearls and suspending a pear shaped natural pearl, on a fine link platinum neck chain with diamond set clasp. £4,000-6,000 With report number 05447 dated 30th March 2012 from the Gem and Pearl Laboratory stating that the largest pearl measures 9.9-10.9 by 15-17mm long and is a natural saltwater pearl. One loose button shaped pearl as a sample of four is also natural saltwater. 1828. An Edwardian pearl and diamond plaque ring, of pierced foliate form and millegrain set with graduated circular cut diamonds and three pearls. Platinum mount. Size P 1/2. £1,400-1,800 1829. A late Victorian pearl and diamond ring, the three untested pearls are set with four circular cut diamonds in yellow gold. Carved shank. Size O. £300-400 1830. A pearl and diamond cluster ring, the untested oval shaped pearl is set within a surround of circular cut diamonds in gold. Size M. £500-700 1831. A pearl and diamond half hoop ring, set with five graduated half pearls each spaced with a pair of circular cut diamonds in gold. Carved shoulders. Size P. £200-300 1832. A natural pearl set ring, the pearl measures 9.15mm and is set in platinum with four small graduated shoulder diamonds. Size E. £200-300 With report number 05774 from The Gem and Pearl Laboratory dated 1st June 2012 stating that the pearl measures 9.1mm diameter and is natural (saltwater). 1833. A two row graduated pearl necklace, the gold clasp set with three rows of rose cut diamonds. £600-800 With report number 05752 from the Gem and Pearl Laboratory stating that the pearls graduate from 2.3 to 5.9mm with one bead-nucleated cultured pearl and the remainder are all natural saltwater. 1834. A five row seed pearl necklace, spaced with twenty four graduated larger pearls. Gold barrel clasp. 47.5cm long.

£1,000-1,500

1835. A single row graduated pearl necklace, the fifty seven natural pearls graduate from 5.2 to 10.2mm. the gold clasp set with a pearl and two cushion shaped diamonds. 45cm. 30.43g in total. £5,000-7,000 With report number 5518 form the Gem and Pearl Laboratory dated 20th April 2012 stating that the pearls are natural (saltwater). 1836. A single row slightly graduated pearl necklace, the clasp set with a rose cut diamond. £400-600 With report number 05753 from the Gem and Pearl Laboratory stating that the pearls graduate from 3.6 - 3.7 to 5.5 - 5.9mm and are all natural saltwater. 1837. A single row graduated pearl necklace, the oval shaped clasp set with small diamonds. £800-1,200 With report number 05670 from the Gem and Pearl Laboratory dated 18th May 2012 stating that the 135 pearls graduate from 2.2mm - 6.0-6.1mm, with one bead-nucleated cultured pearl and the remainder are all natural saltwater pearls. 1838. A single row graduated pearl necklace, the platinum clasp set with a pearl and two diamonds. £300-400 With report number 05735 from the Gem and Pearl Laboratory stating that the 117 pearls graduate from 1.8-1.9 to 5.4mm and are all natural saltwater. 1839. A single row graduated pearl necklace, the navette shaped white gold clasp set with small diamonds. £200-300 With report number 05736 from the Gem and Pearl Laboratory stating that the 96 pearls graduate from 2.8 to 4.7-4.8mm with one beadnucleated cultured pearl and the remainder are all natural saltwater pearls. 1840. A single row graduated pearl necklace, the lozenge shaped white gold clasp set with a diamond and two shield shaped sapphires. £1,500-2,000 With report number 05671 dated 18th May 2012 from the Gem and Pearl laboratory stating that the pearls graduate from 1.7mm to 5.2-5.3mm and all are natural saltwater pearls. 1841. A single row graduated pearl necklace, the open work white gold clasp set with small diamonds. £300-400 With report number 05737 from The Gem and Pearl Laboratory stating that the 145 pearls graduate from 1.2 to 4.0-4.4mm. With one beadnucleated cultured pearl and the remainder are natural saltwater pearls. 1842. A seed pearl and diamond set panel bracelet, each panel set with lines of seed pearls within diamond set frames with scroll engraved sides. Platinum and white gold. French control marks. 18cm. £3,000-4,000 1843. An early 20th Century pearl pendant, the pear shaped natural pearl suspends from a gold foliate cap decorated with green enamel, suspended from a realistically formed faience scarab. Engraved to the reverse with hieroglyphics. Mounted within a snake form frame decorated with green enamel, on a chain alternately formed with green enamel gold bar links and seed pearls. Green enamel decoration to the gold swivel clip. 16cm in total. £10,000-15,000 With report number 05448 from The Gem and Pearl Laboratory dated 21st October 2011 stating that the part drilled pearl measures 10.5-11.5mm wide by 17-19mm long and is natural (saltwater). 1844. A gold pendant mounted with three natural pearls and a diamond. 5.5cm high. £600-800 With report number 20001903 from Anchorcert dated 14th March 2012 stating that the natural pearl measures 10.89 x 8.47 and weighs 5.00cts. And with report number 20002534 from Anchorcert dated 2nd April 2012 stating that the natural pearl measures 7.17 x 9.29mm and weighs 3.70cts.

1826

1831 1823 1829

1832 1827 1824

1830

1825 1828

1833

1834

1835

1836

1837

1838

1839

1840

1841

1842

1843

1844

1845. An Art Deco diamond set clip brooch, centred with a marquise shaped diamond which weighs approximately 2.50cts. Set in platinum with graduated circular cut and baguette shaped diamonds overall. £5,000-7,000 1846. A lady’s diamond set dress wristwatch, the oval dial with black Arabic numerals. The bezel set with circular cut diamonds and further diamonds to the chevron shoulders. Set in platinum on a white gold mesh band. Case. £600-800 1847. A sapphire and diamond ring, set with five circular cut sapphires and graduated old cut diamonds in open work platinum and white gold. Size L 1/2. £1,400-1,800 1848. An Edwardian aquamarine and diamond jabot pin, the cushion shaped aquamarine is millegrain set within a surround of circular cut diamonds, the terminal set with a circular cut zircon and four further diamonds. 6.6cm long. £3,000-4,000 1849. A diamond set dress wristwatch, the square dial with black Arabic numerals, the shoulders set with baguette shaped and circular cut diamonds in platinum. The band alternately mounted with marquise shaped and pairs of circular cut diamonds in platinum. The movement signed Eterna and numbered 2627225. 17cm. £6,000-8,000 1850. A diamond cluster ring, the three principle circular old cut diamonds weigh approximately 1.50cts in total, set with two baguette shaped diamonds and scrolls of smaller circular cut diamonds in platinum and white gold. Size M. £4,000-5,000 1851. An unusual sapphire and diamond ring, the octagonal cut sapphire changes from violet to blue and is set with two baguette shaped diamonds in platinum. Size S. £2,000-3,000 With report number 05773 from the Gem and Pearl Laboratory dated 1st June 2012 stating that the natural sapphire measures 10.3 by 9.2 x 5.4mm and is of Sri Lankan origin. The sapphire appears blue in daylight and purple in incandescent light. 1852. A diamond cross over ring, the two principle old circular cut diamonds weigh approximately 2.00cts in total. Set with ten smaller shoulder diamonds in platinum and gold. Size M. £2,500-3,000 1853. An aquamarine pendant, set with two oval shaped aquamarines and joined with a circular cut diamond in white gold, on a fine link white gold neck chain. £600-800 1854. An unusual diamond and emerald plaque ring, the six sided diamond is millegrain set in platinum and gold within a border of small diamonds and emeralds. Size M. £3,000-40,00 1855. A diamond and emerald cluster ring, the cushion shaped diamond measures approximately 9.52 by 8.77 by 6.31mm deep and estimates to weighing 3.20cts. Set within a surround of calibre cut emeralds and a further border of small circular cut diamonds in platinum. £8,000-12,000 1856. An Art Deco diamond set platinum stylised tank track bracelet, centred with a circular cut and two baguette shaped diamonds with further diamonds set to the articulated links. With partially rubbed makers mark, possibly French. 17.5cm. Fitted case by Nicaud of Dinard. £7,000-10,000 1857. An Edwardian ruby and diamond line bracelet, alternately set with graduated square shaped rubies and old circular cut diamonds in white gold. Foliate engraved sides. £800-1,200 1858. A diamond bracelet, each platinum link is millegrain set with circular cut diamonds. 18cm.

£3,500-4,500

1859. An emerald and diamond bracelet, the oval sections are millegrain set with circular cut diamonds and joined with lines of square shaped emeralds in white gold. 18cm long. £2,000-3,000 1860. A diamond line bracelet, the circular cut diamonds are millegrain set in square platinum collets. 17.5cm.

£3,500-4,500

1861. A pair of Art Deco emerald diamond and black onyx clip brooches, each clip centred with a cushion shaped emerald within a surround of graduated cushion shaped diamonds and highlighted with sections of carved black onyx in platinum. 3.7cm wide. With Cartier box. £10,000-15,000 Family tradition holds that the original owner commissioned Cartier to make this piece from stones provided by herself. END OF SALE

1847

1846

1861 1848 1845

1850

1851

1854

1852

1855

1853

1856

1857

1858

1859

1860

1849

Jewellery Thursday 1st November 2012 Entries are now being accepted for this sale

ENQUIRIES Jonathan Edwards FGAA Tel: 01722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: 01722 424595 mariellewhiting@woolleyandwallis.co.uk

A pair of early 20th Century natural pearl and diamond earrings. Sold for: ÂŁ1,618,000

Furniture, Tribal & Works of Art Tuesday 3rd July 2012

A near pair of Victorian walnut display cabinets attributed to William Baker & Sons of Bath. Estimate: ÂŁ4,000 - ÂŁ6,000

ENQUIRIES Will Hobbs Tel: 01722 339752 willhobbs@woolleyandwallis.co.uk Mark Richards Tel: 01722 411854 markrichards@woolleyandwallis.co.uk

Silver Tuesday 17th & Wednesday 18th July 2012

ENQUIRIES Rupert Slingsby Tel: 01722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Grazier Tel: 01722 424594 lucygrazier@woolleyandwallis.co.uk

A fine Edwardian silver-gilt Monteith punch bowl, by Elkington and Co, Birmingham 1907, presented to Lieutenant Alan Jerrard. V.C by The Staffordshire Territorial Force Association, in recognition of a great service and in appreciation of a very gallant action. Estimate: ÂŁ8,000 - ÂŁ12,000

Paintings & Prints Wednesday 5th September 2012 Entries are now being accepted for our June sale

From a large collection of prints to be included in this sale After Joseph Wright of Derby (1734-1797) An Iron Forge Mezzotint by Richard Erlom, published by J. Boydell, January 1778 48 x 59.5cm Estimate ÂŁ200-300

ENQUIRIES Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

20th Century Design Wednesday 3rd October 2012 Closing date for entries 1st August

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

‘Nach Der Saison’ a rare double size original artwork by Dodo Burgner, for Ulk magazine 22nd February 1929, dated 1929. Estimate: £600 - £1,000

Furniture & Works of Art Tuesday 16th October 2012 We are currently accepting entries for this sale.

Recent highlights from our April 2012 Sale:

ENQUIRIES Will Hobbs Tel: 01722 339752 willhobbs@woolleyandwallis.co.uk Mark Richards Tel: 01722 411854 markrichards@woolleyandwallis.co.uk

1. An early 19th century Italian micromosaic. Sold for £2,684 2. A giltwood mirror after a design by William & John Linnell. Sold for £3,172 3. An early ivory Staunton pattern chess set by Jaques, London. Sold for £2,928 4. A Shona carved wood headrest. Sold for £4,392

Asian Art Wednesday 14th November 2012 Entries now being accepted for our November sale.

A rare Chinese carved 'landscape' bamboo bitong, Kangxi 1662-1722, 16.2cm high x 14.5cm dia. Provenance: from a deceased West Country estate. Sold for ÂŁ360,000 hammer.

ENQUIRIES John Axford MRICS ASFAV Tel: 01722 424506 johnaxford@woolleyandwallis.co.uk

NOTES

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter. PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clientâ&#x20AC;&#x2122;s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

woo l le y & wa l li s Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Thursday 19th July 2012 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

aucTion calendar FURNITURE & WORKS OF ART 3rd July 2012 16th October 2012 Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards 01722 411854 • markrichards@woolleyandwallis.co.uk SILVER 17th & 18th July 2012 30th & 31st October 2012 Rupert Slingsby 01722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Grazier 01722 424594 • lucygrazier@woolleyandwallis.co.uk JEWELLERY 19th July 2012 1st November 2012 Jonathan Edwards 01722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting 01722 424595 • mariellewhiting@woolleyandwallis.co.uk 20TH CENTURY DESIGN 3rd October 2012 – 20th Century Design 28th November 2012 – British Art Pottery Michael Jeffery 01722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS 5th September 2012 12th December 2012 Victor Fauvelle 01722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler 01722 424592 • jobutler@woolleyandwallis.co.uk ASIAN ART 14th & 15th November 2012 John Axford 01722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister 01722 424 591 • sophielister@woolleyandwallis.co.uk BOOKS & MANUSCRIPTS 12th December 2012 Liz Merry 01722 424500 • lizmerry@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 2nd October 2012 Clare Durham 01722 424507 • claredurham@woolleyandwallis.co.uk • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk