Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery

Thursday 23rd October 2014

JEWELLERY

Thursday 23rd October 2014 at 11.00am Viewing Times Saturday 18th October Monday 20th October Tuesday 21st October Wednesday 22nd October Thursday 23rd October

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

LIVE BIDDING

Please register by 5pm on Wednesday 22nd October. There is no surcharge for using this service.

Front cover: Lot 1517 Inside front: Lots 1349, 1350 and 1351 Back cover: Lot 1326 Above: Lot 1413 Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Amanda Lawrence

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424505 329477

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Doméracki Freya Yuan

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424506 424591 424583 424589

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 Amanda Lawrence — 329477 FURNITURE Mark Richards Jim Gale Anna Brown JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA PAINTINGS Victor Fauvelle Jo Butler SILVER Rupert Slingsby Lucy Chalmers

ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

424500 424599

MARKETING Tamzin Corbett

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424590

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424500

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424500

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan

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411854 339161 411854

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424504 424595

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

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424503 424592

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424501 424594

TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs — Gemma Bush —

339752 339752

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

â&#x153;Ł Lots marked with this symbol contain gemstones including rubies, sapphires and jade of Burmese origin and are not permitted for import by The United States of America.

CITES REGULATIONS Please note that lots marked Îť may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

1001 1000. A large red leather jewellery casket by Asprey, with two removable velvet lined draws. Applied with initials to the handle. With another smaller alligator skin jewellery box. £200-300 1000 1001. Hackenbroch, Y., Renaissance Jewellery. Oman, C., British Rings 800 - 1914. Anderson Black, J., A History of Jewels, with dust cover. Gere, C., Victorian Jewellery Design (2). Tate, H., and Gere, C., The Jeweller's Art, An Introduction to the Hull Grundy Gift to the British Museum. Gere, C., European and American Jewellery 1813 - 1914 (2) And fifty-one other hard bound and soft bound jewellery related books and journals. £80-120

1002

1003 1002. A textured gold double curb link bracelet, 17g. Two cruciform pendants set with garnets, a gold locket mounted with two miniature portraits and on gold neck chain. A carved shell cameo brooch depicting cupid and psyche and various other items of jewellery etc. £500-700 1003. A gold brooch set with a sapphire and two diamonds, cased. A graduated seed pearl necklace, a gold bracelet mounted with assorted charms. A gold hinged bangle mounted with a diamond. A gold brooch set with graduated pearls and rubies. A gold pendant set with a diamond and seed pearls on a gold chain. An aquamarine mounted gold pendant on a fine link gold chain. A navette shaped gold locket brooch set with seed pearls. An aquamarine and seed pearl set gold brooch, a fine link gold chain, a pearl set gold stick pin and other items. £400-600 1004. A 9ct gold strap form necklace, 43g. A bloodstone and agate mounted gold spinning fob seal and various items of gold jewellery, costume jewellery etc. £1,000-1,500

1004

1006 1005 1005. A gold fringe necklace suspending mixed cut purple paste pendants, an amethyst and diamond set gold bracelet, four stone set gold rings, two stone set gold pendants, a pair of garnet and seed pearl earrings and a Victorian heart shaped amethyst set gold brooch. £400-600 1006. A late Victorian artists palette style brooch, mounted with a small ruby, diamond and sapphire and applied with foliate decoration. 3.9cm wide. A Chinese silver gilt brooch mounted with pink and green stones. Three brooches mounted with lava cameos. An insect brooch mounted with two amethysts, a chrysoprase mounted bangle and two further brooches and a faceted rock crystal cruciform pendant, with foliate engraved gilt metal mounts. 7.5cm high. An oval rock crystal pendant carved with the profile of a man in a gilt metal sun in splendour style mount. £80-120 1007. A 9ct gold wristwatch with gemset scroll pierced hinged cover. The movement signed Bueche-Girod. On a 9ct articulated gold band. A large oval citrine mounted gold brooch, a cameo brooch and a lorgnette. £200-300 1008. A 9ct gold ring pavé set with coloured stones and small circular cut diamonds. Size N. And a gold ring mounted with three graduated oval shaped amethyst cabochons. Size O. £200-300

1007

1008

1010

1009 1009. Fourteen assorted diamond and gem set rings etc, 50g in total. £600-800

1010. Nineteen assorted diamond and gem set gold rings. £200-300

1011. A George III gold ring set with half pearls, size M, a seven section gold ring mounted with rubies, opals, sapphires, diamonds, emeralds, pearls and turquoise, a sapphire and diamond set gold cluster ring, diamond three stone ring and a Victorian gold ring set with turquoise cabochon and pearl flower head with the pierced scroll shoulders. £300-400

1011

1012. A diamond pendant, the circular brilliant cut diamond weighs approximately 0.75cts and is set in gold on a fine link 18ct yellow gold neck chain. With an 18ct gold wedding ring and a pair of small diamond stud earrings. £800-1,200

1012

1013. A yellow gold floral brooch, set with rubies, diamonds and calibre cut emeralds. Fitted case. A white gold brooch designed as an armored helmet, set overall with circular and rose cut diamonds and two cultured pearls. A pair of white metal cufflinks and a large pear shaped white stone mounted ring, size P. £400-600 1013

1014. A gold horseshoe stickpin mounted with gem stones. A gold fox mask stick pin with ruby eyes. Four untested pearl mounted stick pins and six further gold stick pins. £200-300

1014

1015. A gold foliate brooch, each flower head centred with a turquoise cabochon. A gold ring set with a cultured pearl and six square shaped rubies and a two colour gold wedding ring, size P ½. £300-400 1016. A gold bar brooch mounted with a cluster of diamonds. A gold bar brooch mounted with an emerald and two diamonds and a gold bar brooch formed as a fruiting vine with seed pearls. £300-400

1015

1016 1017. A gold ring mounted with an oval shaped sapphire and two coral shoulder cabochons, size S. A gold pendant suspending a carved blue stone (probably sapphire) bird pendant and a small oval intaglio. A gold pendant mounted with a Tassie cameo and a pair of silver cufflinks mounted with Wedgwood basalt circular plaques depicting Roman Emperors. £200-300 1018. A pair of A-form gold cufflinks, a pair of diamond set yellow and white gold cufflinks and a pair of cylinder form cufflinks. £600-800 1018

1017

1019. A gold hinged bangle alternately mounted with bands of calibre cut sapphires and circular cut diamonds. With similar sapphire and diamond set gold ring. Size M. £300-400 1020. A yellow gold leaf form brooch set with four small diamonds, and a pair of 18ct yellow gold scroll earrings each set with three circular cut diamonds. 15g in total. £200-300

1019 1020

1023 1022

1021

λ 1021. A circular carved ivory cameo depicting Minerva, mounted as a brooch. A carved ivory cameo mounted oval brooch, signed with initials GJ 1857 to reverse. A carved ivory pendant depicting a medieval soldier and a further cameo pendant. £200-300 1022. A gold fancy link necklace, suspending a gold book form double locket pendant mounted with turquoise cabochons. And a large gold circular locket pendant. 82g in total. £300-400 1023. A gold plated mounted Scottish hardstone bracelet, alternately mounted with square shaped links quartered with various hardstones and with pairs of faceted cylinder links of assorted hardstones. With gold plated padlock clasp. A silver watch chain mounted with five faceted cylindrical hardstone links and a collection of four miniature fob seals with assorted matrix including an amethyst carved with a sailing ship in rough seas with rocks in the background and the saying ‘such is life’. And a watch key on a gold split ring. £200-300

1025

1026

1024 1024. A sapphire and diamond set gold and platinum cluster ring, size K. A pair of cultured pearl and diamond set cluster ear studs. A gold line bracelet set with small diamonds. A green stone mounted gold bracelet with enamel decoration to the scroll panels. A three row cultured pearl necklace with gold clasp. A pair of sapphire and diamond set scroll earrings. A cruciform pendant. Assorted strands of freshwater cultured pearls etc. £400-600

1027

1028

1025. A single row cultured pearl necklace, the cultured pearls graduate from 4.20 to 7.92mm. With a sapphire and diamond set foliate cluster clasp. 54cm long. £100-200 1026. A two row cultured pearl necklace, the graduated pearls measure 54 and 52cm long, with a paste set silver clasp.

£200-300

1027. A single row cultured pearl necklace, the matched pearls measure approximately 8.5mm diameter. With navette shaped cultured pearl set silver clasp. 134cm long. £200-300 1028. A three row cultured pearl necklace, the matched pearls measure approximately 7.5mm diameter. With a diamond set flower head clasp in white gold. 43cm (longest). £300-400

1029. A gold graduated curb link watch chain, suspending an 1820 sovereign pendant, and a gold mounted 1871 sovereign pendant. 42g in total. £400-600 1030. A 9ct gold gate-link bracelet mounted with a sovereign, a sovereign mounted gold pendant on a gold chain with t-bar and a gold mounted pendant on a fine link gold chain. £800-1,200 1031. A sovereign mounted gold ring, two gold pendants and a gold brooch, each mounted with a sovereign and two gold pendants, each mounted with a gold half sovereign. £600-800

1029

1032. A gold charm bracelet, the fancy link gold bracelet suspends various gold charms. 19cm long. 90g. £500-700

1030

1033. A 9ct gold curb link bracelet with 9ct gold padlock clasp and six assorted gold charm pendants. 93g in total. £600-800 1034. A 19th century pierced bell form gold seal, the carnelian carved with the profile of a boy with curly hair. £200-300 1035. An early 19th century three colour gold fob seal, with pierced foliate decoration overall and mounted with a carnelian carved with a lion passant over a Ducal crown. 2.8cm high. £300-400 1031 1032

1036. A 19th century gold fob seal, the amphora shaped stem decorated with stylised fleur de lys, with further foliate scroll decoration, the bloodstone seal carved with arms and crest. 3cm high. £150-200 1037. Five fob seals on a gold split ring, two seals carved with arms motto and cockerel with spurs crest, another with the same crest within a motto, another with the same crest and initials. With a gold watch chain. £1,000-1,500

1034

1033

1035

1038. A Victorian gold fob seal mounted with a carnelian carved with arms and motto translating to ‘neither rashly nor timidly’. 3.8cm high. A mid 18th century three sided steel spinning fob seal carved with arms believed to be for Count Dahlberg Bishop of Worms. 5cm high. A 17th century steel fob seal carved with a mounted round head with sword. 3cm high. A late Victorian gold navette shaped swivel fob seal mounted with a carnelian to one side and agate to the other. And a stirrup form fob seal mounted with a carnelian carved with arms. £200-300 1039. A 17th century steel fob seal with faceted body, carved with a sword, olive branch, and snake, and with motto. 3.2cm high. And a fob seal mounted with a seated figure with flowing robes on a blank agate matrix. £80-120 1040. A 19th century fob seal, foliate decoration overall and with blank chalcedony matrix. 3.5cm high. And and early 19th century stirrup form fob seal with shell decoration to the base, the banded agate seal engraved with initials. £80-120

1036

1037

1041. A Victorian gold stirrup form fob seal, mounted with a carnelian engraved with initials. 3.2cm high. And two other fob seals, one mounted with a crystal matrix carved with a crest and initials. The other with a blank carnelian. £200-300

1041

1038

1039

1040

1042 1043 1042. A gold mounted three sided crystal spinning fob seal, part faceted and one side engraved with initials and a crest. The motto translating to ‘ready’. A foliate engraved fob seal mounted with a carnelian carved with arms of Simpson and a motto translating to ‘I will never forget’. 3cm high. And a fob seal mounted with a brown stone (possibly Tassie) carved with a man’s head. £200-300 1043. A gold fob seal mounted with an octagonal citrine carved with initials and crest, 2.2cm high. A gold stirrup form fob seal mounted with a carnelian carved with initials within foliate cartouche. 2cm high. A 19th century pierced gold bell form fob seal mounted with a carnelian carved with initials. 4.3cm high. A small stirrup form gold fob seal mounted with a blank carnelian and a stirrup form fob seal mounted with a carnelian carved with arms and a crest. £200-300

λ 1044. A Victorian turned ivory desk seal, elaborately engraved with the Viscount’s arms and motto which translates to ‘God given right’. 8cm high. Fitted case by Jauner Wien. And a Victorian turned wood travelling desk seal. The steel seal engraved with coat of arms and a motto. Signed Carl Braun, Wien. The desk seal unscrews to detatch from its cylindrical wooden cover. 7cm high. £100-150 λ 1045. A Victorian turned ivory desk seal, mounted with a dark green stone seal engraved with a classical form man’s head. 6.7cm high. A banded agate desk seal with metal mounts and set with two hardstones. 6cm high. A silver mounted cylindrical banded agate perfume bottle. Marked S. M. And silver mounted colourless Tassie seal depicting a small figure. 5cm high. £100-150

1044

λ 1046. A Victorian turned ivory desk seal, the circular steel seal engraved with arms of Vivian and motto ‘Live with the breath of God’. 9cm high. And a tooth form desk seal with circular steel seal engraved with crest of Warner and motto ‘We are not born for ourselves alone’. £100-150 λ 1047. A late 18th century turned ivory desk seal, with oval shaped steel seal engraved with coat of arms and motto. And a smaller 19th century ivory desk seal mounted with a carnelian engraved seal engraved with coat of arms for Forbes and motto. 8cm high. £100-150 λ 1048. A Victorian turned ivory desk seal, mounted with an oval carnelian intaglio depicting a female warrior. 7.8cm high. With a smaller banded agate desk seal mounted with an octagonal carnelian engraved with a crest and initials, 4.5cm high. And a silver desk seal cum sealing wax container mounted with a Tassie seal terminal depicting Hope. And engraved with calendar days and dates. 10.7cm high. And a cylindrical ivory desk seal mounted with an oval shaped carnelian engraved with a man’s head. 7cm high. £100-150

1045

1048 1046

1047

1051

1049 1050

1054 1053

1052

1049. Three carved jade pendants, a cultured pearl and jade disc cufflink, a jade bead mounted gold keyring, and a chrysoprase mounted egg form gold pendant. £300-400 1050. A carved coral and gold mounted buddha pendant, a carved coral and gold mounted mask pin, a carved coral cameo mounted gold ring, and a carved coral and seed pearl pendant. £100-150 1051. A sovereign mounted gold pendant, on a fine link gold chain. With a coral bead necklace and a small pair of studs.

£200-300

1052. A pair of carved coral mounted gold cufflinks, two coral bead necklaces, an Arts and Crafts carved coral and coral bead and seed pearl mounted silver foliate pendant, and an orange bead necklace. £200-300 1053. A navette shaped bar brooch set with a circular cut sapphire and graduated rose cut diamonds in platinum and gold. A gold bar brooch mounted with five circular coral cabochons and a graduated coral bead necklace. £300-400 1054. A single row slightly graduated coral bead necklace, 50cm. 88g.

£500-700

1055. A single row slightly graduated coral bead necklace, with an 18th century gold locket clasp. 105cm. 58g.

£100-150

1056. A carved amber egg. Engraved overall with foliate decoration. 5cm high. 39g.

£200-300

1057. A necklace formed with graduated and large unpolised pieced of amber of different shapes and colour. 75cm. 349g in total. £1,000-1,500 1058. An amber bead necklace with amber pendant, the eleven ovoid beads are each separated with smaller beads. 133g in total. The abstract form pendant 43g. With fine link chain. £800-1,200

1058

1057

1055

1056

1060

1062 1061 1059

1059. A slightly graduated amber bead necklace. 62cm. Two broken amber bead necklace sections and seventeen unmounted amber beads. 127g in total. £600-800 Accompanied by report number 10098 dated 27th June 2014 from the Gem and Pearl Laboratory, stating that the necklace weighs 86.0g in total and samples were found to be natural amber, with no evidence of treatment. Accompanied by report number 10105 dated 27th June 2014 from the Gem and Pearl Laboratory, stating that the necklace weighs 41.9g in total and samples were found to be natural amber, with no evidence of treatment. 1060. A graduated amber bead necklace, 108cm. 85g.

£400-600

Accompanied by report number 10097 dated 27th June 2014 stating that the necklace weighs 85.8g and is natural amber with no evidence of heat treatment. 1061. A graduated amber bead necklace, 67cm. 92g in total.

£400-600

1062. A long amber bead necklace 196cm. 110g.

£500-700

Accompanied by report number 10096 dated 27th June 2014 from The Gem and Pearl Laboratory London stating the amber weighs 110.3g and is natural amber with no evidence of treatment. 1063. A single row amber bead necklace, 13g. And a single row amber bead necklace. 48g

£300-400

Accompanied by report number 20018512 dated 27th August 2014 from Anchorcert stating that the 51 beads weigh 48.94g in total and were found to be amber. Accompanied by report number 20018513 dated 27th August 2014 from Anchorcert stating that the 49 beads weigh 13.37g in total and were found to be amber. 1064. An early 20th century graduated oval shaped amber bead necklace, 96cm. 190g.

£800-1,200

1065. A single row amber necklace, with six additional amber beads. 91g in total.

£400-600

Accompanied by report number 20018511 dated 27th August 2014 from Anchorcert stating that the 55 beads weigh 91.18g and were found to be amber. 1066. A single row large amber bead necklace, with silver extension chain. 111.6g in total.

£500-700

Accompanied by report number 20018514 dated 27th August from Anchorcert stating that the 14 beads weigh 111.64g in total and were found to be amber.

1063

1064

1065

1066

1067. A yellow gold textured box, hinged lid and engraved with initials WHG. 9cm high. 123g. £700-900 1068. A yellow gold rectangular cigarette case. Engine turned pattern overall and thumb piece set with three rectangular cut sapphires. 11.2cm long. 161g. £1,500-2,000 1069. A diamond pendant, set with ten circular cut diamonds on articulated knife edge white gold links. Fine link white gold neck chain. The diamonds weigh approximately 1.65cts in total. £1,200-1,600 1070. A graduated emerald bead necklace. Each bead is separated with a rondel. 58cm.

£1,000-1,500

1071. A 19th century gold long guard chain, the fancy link chain spaced with six coral beads. 120cm long. With another gold long guard chain with rectangular blue enamel panels. 90cm long. 57g total. £400-600 1072. An unusual gold wristwatch by Omega, the small circular white dial with gold baton and Arabic numerals. Hinged to one side and concealed within gem-set covers, on a graduated and engraved gold strapwork bracelet. 78g in total. £800-1,200 1073. A circular gold link necklace with five ovoid gold pendants, four set with cabochon stones. 45cm. 66g. £600-800 1074. A 9ct gold textured strap bracelet set with five small sapphires to the clasp. 18cm. 56g. £400-600 1075. A gold flat curb link necklace, mounted with diamond set sections and dividing in to two bracelets. 39cm. 47g in total. £600-800 1076. A lady’s diamond and sapphire set dress wristwatch, the oval dial with black Arabic numerals, the bezel set with circular cut diamonds. The shoulders set with square shaped sapphires and diamonds. £400-600 1077. A gold faceted oval link bracelet, suspending five gold coins and medallions. 167g in total. £1,500-2,000 1078. A gold wristwatch by Tissot, the signed dial marked Seastar Seven. Baton numerals and sweep seconds hand. Automatic movement. Associated leather band. Tissot case. £600-800 1079. A gold curb link bracelet, with nine sovereign pendants mounted in gold. 96g in total. £1,500-2,000 1080. A pair of coral and diamond ear studs, the coral carved as a flower head with a central rose cut diamond on gold disc earrings. 2cm wide. £100-150 1081. A diamond bar brooch, the circular cut diamond weighs approximately 0.40ct set with smaller rose cut diamonds in white gold. 5.2cm wide. £100-200 1082. A pair of diamond cluster earrings, the central circular cut diamond is set within a surround of smaller circular cut diamonds in platinum. £400-600 1083. A pair of diamond stud earrings, the two brilliant cut diamonds weigh approximately 0.70cts in total and are set in white gold. Cased. £400-600 1084. An early 20th century diamond set cocktail watch, the octagonal white dial with Arabic numerals is millegrain set with circular cut diamonds in white gold. 17.5cm long. The dial 1.5cm wide including winder. £100-200 1085. A gem-set dragonfly pendant, realistically formed and the wings set with circular cut diamonds and sapphires, the body with aquamarines, an opal and ruby eyes. Set in silver and gold. Fine link gold neck chain. £1,200-1,600 1086. An Art Deco diamond brooch, of geometric design and millegrain set with circular cut diamonds in platinum. 4cm wide. £400-600

1067

1068

1069

1070 1071 (2)

1072

1073

1074

1076 1075

1077

1086

1078

1081 1082

1083

1080

1085

1079

1084

not actual size

1087. A three row natural pearl necklace, the pearls graduate from 2.4 to 4.1mm, with a ruby and diamond flower head clasp set in silver and gold. 50cm (longest). £600-800 Accompanied by a copy of report number AA 51179 dated 13th February 2013 from GDL, Australia stating that the pearls are natural. 1088. A Victorian aquamarine mounted gold scroll brooch, suspending a conforming gold pendant set with two further aquamarines. Fitted case. £100-200 1089. A paste set silver necklace, alternately mounted with green and white pastes. And a green and white paste silver girondolle pendant. £150-200 1090. A lady’s Art Deco diamond set dress wristwatch, the rectangular dial signed Dores. The bezel and shoulders millegrain set with circular cut diamonds in platinum and white gold. Damaged mesh band. Case. £300-400 1091. A yellow gold oval anchor-link neck chain. 90cm. 138g.

£1,500-2,000

1092. A gold bracelet, formed with two lines of scroll shaped motifs. 20.5cm. 76g.

£1,500-2,000

1093. A 9ct gold fancy link bracelet, with textured and stylised anchor links. London import marks for 1970. 19cm long. 31g. £150-250 1094. A Victorian pearl and garnet set brooch/pendant, suspending three pearls from rose cut diamond and cushion shaped garnet pendants from a scrolling quarterfoil plaque in silver and gold. 4.5cm long. £300-400 1095. A circular gold compact, a hinged cover mounted with a rose cut diamond and with interior mirror. Carved with initials to reverse. £300-400 1096. A synthetic sapphire and diamond cluster ring. Size M.

£80-120

1097. A textured yellow gold hinged bangle, mounted with an oval shaped ruby, the shoulders are each set with three circular cut diamonds and a smaller ruby. 41g in total. £600-800 1098. A pair of aquamarine and diamond set drop earrings, the 18ct yellow gold arboresque mounts suspend marquise shaped aquamarines and navette shaped drops, each set with three graduated round brilliant cut diamonds. With detachable pendant earrings. London marks for 1972. £600-800 1099. A Queen Anne bracelet mounted with oval shaped and foil backed blue pastes in gilt metal settings. £400-600 1100.

A pair of diamond cluster earrings, set with circular and rose cut diamonds in platinum. £500-700

1101. A diamond set stylised flower head brooch, in white gold. Set overall with graduated circular cut and baguette shaped diamonds to the pierced mount. £800-1,200 1102. A late 18th century lozenge shaped memorial brooch (converted from a ring). The glazed compartment contains hair and gold initials with crest. Within a diamond set blue enamel surround and further border of seed pearls. Engraved to the reverse with inscription dated 1786. 3cm high. £300-400 1103. A diamond line bracelet, set with circular cut diamonds in white gold box mounts. The diamonds weigh approximately 5.25cts in total. £3,000-4,000 1104. A single row graduated pearl necklace. 53cm.

£300-500

Accompanied by report number 06772 dated 20th November 2012 from The Gem and Pearl Laboratory, London stating that the 204 pearls graduate from 1.8 to 4.9mm, weigh 4.04g (total) and are natural saltwater pearls. 1105. An untested pearl and diamond bracelet, the rose cut diamonds alternately set with a circular cut diamond and a pearl, with a central pearl and diamond cluster in silver and gold. 17.5cm long. £300-400 1106. A gold necklace mounted with graduated oval shaped citrines. 55cm. 54g in total.

£500-600

1107. A diamond set gold bangle, the flexible bangle of geometric design and set with circular cut diamonds. 60g. £800-1,200 1108. A gold long guard chain spaced with cultured pearls, 142cm long, and a similar gold long guard chain spaced with banded agate beads, 78cm long. 86g in total. £400-600 1109. A pair of pink topaz mounted gold closed back drop earrings, and a pair of light blue stone mounted drop earrings. £200-300

1087

1091

1092 1093

1089 (2)

1090

1096

1095

1097 1088

1094

1099 1101

1098 1100 1103

1102 1104

1105

1108 (2)

1106 1107

1108 (2)

1109 (2)

not actual size

Jewellery is now being accepted for the 30th April 2015 sale.

A pair of natural pearl and diamond drop earrings, the pearls weigh 15.57 and 15.22cts. Estimate: ÂŁ80,000 - ÂŁ120,000 To be included in the 30th April sale.

✣ An Art Deco 6.17ct Burmese ruby and diamond ring. Estimate: £50,000 - £70,000 To be included in the 30th April sale.

ENQUIRIES Marielle Whiting FGA Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

1110. A ruby and diamond plaque ring, the oval ruby cabochon within pierced millegrain set diamond surround. French control marks. Size O. £600-800 1111. A ruby and diamond cluster ring, the central brilliant cut diamond within a surround of circular cut rubies and smaller circular cut diamonds, in white gold. Size M ½. Case. £300-400 1112. An aquamarine and diamond set three stone cluster ring, set in white gold. Size M ½.

£400-600

1113. A ruby and diamond three stone ring, the oval shaped ruby is set with two old circular cut diamonds in carved platinum mount. Size P. £600-800 1114. A ruby and diamond ring, the emerald cut ruby is set within baguette cut diamond shoulders in platinum. Size N ½. 1115. A diamond cluster ring, the nine circular cut diamonds are set in white gold. Size N

£800-1,200 £1,500-2,000

1116. An onyx and diamond ring, the onyx cabochon is millegrain set above diamond trefoils and onyx and diamond shoulders in platinum. Size K ½. £200-300 1117. An emerald and diamond three stone ring, the emerald cut emerald is set within two circular cut diamonds in platinum. Size M. £600-800 1118. A natural pearl and diamond flower head ring, the pink pearl set within a surround of cushion shaped diamond petals in platinum and gold. Size N. £400-600 Accompanied by report number 06034 dated 20th July 2012 from The Gem and Pearl Laboratory, London stating that part-drilled rounded light brown pearl measures 7.6 - 8.2mm, weighs 3.43ct and is a natural saltwater pearl. 1119. An opal and diamond cluster ring, the oval opal cabochon is set within a surround of cushion shaped diamonds in platinum and yellow gold. Size M ½. £600-800 1120. An aquamarine ring, the emerald cut aquamarine is set in yellow gold. Size P.

£200-300

1121. An abstract design opal and diamond ring by Jane Sarginson, the three graduated oval shaped opals set within scrolling gold wirework design and three diamonds. Marked J.S and London 1991. Approximate size S. £300-400 1122. An 18ct gold cross-over ring, set with a plain yellow gold band and the white gold band pavé set with circular cut diamonds. Size S. £300-400 1123. A diamond cluster ring, the thirteen graduated round brilliant cut diamonds are set in 18ct gold. Size M.

£400-600

1124. A diamond cluster ring, the central circular cut diamond is set within a surround of smaller circular cut diamonds in platinum and yellow gold. Size K. £200-300 1125. A synthetic sapphire and diamond three stone ring, the circular cut synthetic sapphire set within two circular cut diamonds in white gold. Size M. £150-200 1126. An emerald and diamond set gold cluster ring, the oval shaped emerald is set within a surround of ten circular brilliant cut diamonds. Size P. £400-600 1127. An emerald and diamond cluster ring, the ring centered with a square shaped emerald within a surround of twelve circular cut diamonds in white gold. Size O. £600-800 1128. A zircon and diamond ring, the emerald cut zircon within millegrain set birfucated diamond shoulders, in platinum. Size N. £300-400 1129. A diamond solitaire ring, the old circular cut diamond weighs approximately 0.95cts within millegrain set diamond shoulders and pierced and engraved platinum shank. Size K. £800-1,200 1130. A diamond solitaire ring, the old circular cut diamond weighs approximately 1.30cts, with millegrain set graduated circular cut shoulder diamonds in platinum. Size L. £1,000-1,500 1131. A diamond full circle eternity ring, the circular cut diamonds millegrain set in white gold. Size L.

£300-400

1132. A diamond three stone ring, the graduated circular cut diamonds are set within scrolling diamond set shoulders in platinum and gold. Size O. £300-400 1133. A diamond solitaire ring, set in platinum with eight small circular cut shoulder diamonds. Size L.

£600-800

1134. A full circle diamond eternity ring, set with circular cut diamonds in platinum, size M ½. A full circle sapphire eternity ring set with calibre cut sapphires in platinum. Size M. And a foliate engraved platinum wedding band. Size N ½. £300-400 1135. A diamond solitaire ring, the old circular cut diamond is set with six small circular cut shoulder diamonds in platinum. Size N ½. And an oval shaped aquamarine and rose cut diamond set ring in silver and gold. Size M ½. £400-600

1110

1111

1114

1118

1124

1119

1112

1115

1120

1113

1116

1121

1130

1131

1134 part

1122 1123

1125 1126

1117

1127

1132

1128

1129

1133

1135 (2)

1136. No Lot 1137. A pair of emerald and diamond cluster earrings, the oval shaped emeralds are set within a surround of circular cut diamonds in white gold. £4,000-6,000 1138. A large pair of citrine drop earrings, the briolette shaped drop earrings suspend from an oval shaped citrine with gold mounts. £800-1,200 1139. A substantial French ruby and diamond ring, the two bombé sections surmounted with an oval shaped ruby above ruby and diamond flower head surround and a further scallop edged surround of graduated circular cut diamonds in platinum and white gold. French control marks and obscured maker’s lozenge. £1,500-2,000 1140. A pair of sapphire and diamond drop earrings, the upper cluster sections each centred with a circular brilliant cut diamond within a surround of smaller diamonds and suspending a cabochon sapphire within a surround of smaller diamonds and three further articulated diamonds above. Case. £2,000-3,000 1141. A butterfly brooch, the wings formed from carved sections of dyed banded agate, the body set with sapphires and the head with diamonds in white gold. 5cm wide. Fitted case by Dibdin. £600-800 1142. A pair of untested pearl and diamond earrings, the pearls set in two realistically formed leaves with baguette shaped and circular cut diamonds in platinum. 2.5cm (longest). £400-600 1143. An unusual gold fish ring mounted with a cabochon amethyst and a cabochon citrine, and set with smaller diamonds and rubies. Size K. 23g. Similar to lot 1147. £300-400 1144. A pair of ruby and diamond cluster earrings, the circular cut rubies are set within a surround of small millegrain set diamond scrolls in white gold. £800-1,200 1145. A pair of morganite and diamond drop earrings, the pear shaped morganites are each millegrain set within a surround of circular cut diamonds and suspend from three further articulated circular cut diamonds and a diamond set cluster in yellow gold. £4,000-6,000 1146. A pair of ruby and diamond cluster earrings, the oval shaped rubies are each set within a surround of ten circular cut diamonds in white gold. £1,500-2,000 1147. A pair of gem-set gold fish earrings, set overall with diamonds and citrine, amethyst and peridot mounted pendants. 36g in total. Similar to lot 1143. £800-1,200 1148. A gem-set gold bee brooch, the body alternately set with lines of diamonds and black enamel with a turquoise cabochon and ruby eyes. Further diamonds set to the wings. 3cm long. £500-700

1137 1139

1138 1142

1146

1141

1140 1145

1144

1147

1143

1148

1149. A ruby and diamond three stone ring, the circular cut ruby is set with two round brilliant cut diamonds in platinum. Size N. £1,800-2,500 1150. A tanzanite and diamond three stone ring, the rectagular cut tanzanite is set with two triangular cut diamonds in 18ct gold. Boodle and Dunthorne. Size N. £300-400 1151. A 19th century diamond five stone ring, the graduated cushion shaped diamonds are set in carved and pierced yellow gold mount. Size O. £300-500 1152. A diamond cluster ring, set with nine graduated circular cut diamonds in yellow and white gold. Size E ½.

£400-600

1153. An emerald and diamond cluster ring, the oval shaped emerald is set within a surround of circular cut diamonds in platinum, with a further six smaller graduated shoulder diamonds. Size M. £2,000-2,500 1154. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of round brilliant cut diamonds in platinum with a further six shoulder diamonds. Size L ½. £1,500-2,000 1155. An aquamarine mounted 9ct white gold ring, size M ½.

£400-600

1156. A diamond dress ring, the graduated marquise, baguette and circular cut diamonds of scrolling form in white gold. Size K ½. £800-1,200 1157. An amethyst and diamond ring, the oval shaped amethyst set either side with pavé set bombé shaped shoulders in white gold. Size L ½. £600-800 1158. A diamond and black onyx cluster ring, the centre round brilliant cut diamond is set within a surround of faceted black onyx and a further border of smaller diamonds in platinum. Size M ½. £1,500-2,000 1159. An emerald and diamond three stone ring, set with an octagonal cut emerald and two round brilliant cut diamonds in platinum. Size L. £400-600 1160. A ruby and diamond ring, the oval shaped ruby is set with six baguette shaped shoulder diamonds in platinum. Size L. 1161. A diamond full circle eternity ring, set with round brilliant cut diamonds in platinum. Size O.

£850-1,500 £400-600

1162. An aquamarine and diamond ring, the emerald cut aquamarine is millegrain set with three circular cut shoulder diamonds in white gold. Size P. £600-800 1163. A cultured pearl, diamond and enamel flower head ring, the millegrain set diamond swags surround iridescent enamel and green enamel spheres in platinum and yellow gold. Size L ½. £300-400 1164. An octagonal cut emerald and diamond set cluster ring, set in gold. Size N.

£400-600

1165. A diamond solitaire ring, the circular cut diamond weighs approximately 1.25cts set with smaller circular cut shoulder diamonds in platinum and gold. Size O. £2,000-2,500 1166. A sapphire and diamond ring, the oval shaped sapphire is set within scrolling baguette shaped and single cut diamonds in platinum. Size K. £600-800 1167. A diamond two stone cross-over ring, the old circular cut diamonds weigh approximately 1.30cts in total and are set in platinum. Size P. £1,200-1,600 1168. A platinum square shaped ring set with two sapphires and two cushion shaped diamonds. Size L ½.

£350-450

1169. A yellow and white gold ring, mounted with two baroque pearls (untested) and set with graduated circular cut diamonds. Size E. £200-300 1170. An opal and diamond cluster ring, centred with a circular opal within a surround of twelve circular diamonds in yellow and white gold. Size K 1/2. £150-250 1171. A sapphire and diamond five stone ring, set with graduated old cushion cut sapphires and circular cut diamonds in 18ct gold. Size M ½. £200-300 1172. A late Victorian opal and diamond set 18ct gold ring, the three opal cabochons and two old circular cut diamonds with scroll carved shoulders. London marks for 1895. Size K. With red leather Tiffany ring box and marked ‘Carol’. £300-400 1173. An aquamarine and diamond set ring, the cushion shaped aquamarine is set in 18ct yellow gold with seven round brilliant cut diamonds. London marks for 1969. Size L (including re-sizing jacket). £800-1,200 1174. A diamond cluster ring, the centre circular cut diamond is set within a surround of ten smaller circular cut and two baguette shaped diamonds in white gold with eight smaller shoulder diamonds in white gold. Size P ½. £1,800-2,000

1149

1150

1151

1153

1152

1156 1154

1155

1158

1157

1165 1160

1159

1162

1167

1164 1163 1166

1161 1170

1168

1169 1172

1171

1173

1174

1175. A gold floral brooch, formed as a rose with bud, with shaded enamel decoration and the flower head centred with a pearl. 3.8cm high. £300-400 1176. A pretty Edwardian diamond set ring, the kite shaped diamond is millegrain set within a surround of graduated circular cut diamonds in platinum and gold. Size H. Box. £1,000-1,500 1177. An early 20th century diamond, demantoid garnet and pearl brooch, the old circular cut diamonds set within a circular cut demantoid garnet and two pink pearls in pierced foliate platinum and yellow gold surround. 2.2cm wide. £800-1,200 1178. An Edwardian natural pearl and diamond set necklace, of geometric design combining floral sections and set with graduated circular cut diamonds overall. Centred with a pearl and suspending a larger drop-shaped pearl. On a fine link platinum neck chain. £10,000-15,000 1179. An Edwardian diamond pendant, the foliate pierced pendant is centred with a closed crescent, and bow designed beneath. Millegrain set overall with graduated circular cut diamonds in platinum. With three diamond set pendants on fine link platinum neck chain. Fitted case. £1,000-1,500 1180. An Edwardian amethyst and seed pearl pendant, the cushion shaped amethyst is set within a surround of seed pearls below and stylised seed pearl trefoil and suspending a further seed pearl drop in yellow gold. 4.3cm long. £200-300 1181. A peridot, diamond and seed pearl pendant, the oval peridot within millegrain set pierced diamond surround and a further border of seed pearls. In platinum and gold. 2.2cm wide. £800-1,200 1182. An Edwardian diamond set bow brooch, pavé set overall with graduated circular cut diamonds in platinum and gold. Articulated ribbon terminals. 3.5cm wide. £1,200-1,500 1183. An early 20th century yellow gold fine link mesh bracelet, alternately mounted with lines of small sapphires, rubies, diamonds and demantoid garnets (some missing). and lines of seed pearls. 19cm. Fitted case. £1,200-1,500 1184. An Edwardian diamond set target brooch, centred with an old circular cut diamond within foliate and scroll borders and two circles of smaller diamonds in platinum and gold. 2.8cm wide. £1,000-1,500 1185. An Edwardian pearl and diamond buckle brooch, of quarterfoil form, the millegrain set diamonds within a seed pearl border in platinum and gold. 3cm wide. £300-400

1176

1177

1175 1181

1180 1179

1182

1178

1183

1185

1184

1186. A diamond set cluster ring, the seven old circular cut diamonds are set in yellow gold. Size O ½.

£1,000-1,500

1187. An opal and diamond ring, the three cabochon opals alternately set with two circular cut diamonds in yellow gold. Size N. £100-200 1188. A gold ring set with eight graduated turquoise cabochon and seven circular cut diamonds. Size V ½.

£300-400

1189. A fire opal and diamond set ring, the oval shaped opal is set with six small circular cut shoulder diamonds in 18ct gold. Size Q. £300-400 1190. A diamond solitaire ring, the old circular cut diamond weighs approximately 0.65cts and is set in yellow gold. Size P.

£600-800

1191. 1191: A diamond two stone cross over ring, the two circular brilliant cut diamonds are set in white gold. Size O.

£600-800

1192. An aquamarine and diamond ring, the aquamarine is set within circular cut diamond shoulders in white gold. Size J.

£800-1,200

1193. A diamond and ruby target cluster ring, centred with a circular cut diamond set within a border of calibre cut rubies and further surround of smaller circular cut diamonds in yellow and white gold. Size O. £1,000-1,500 1194. A bombé shaped diamond dress ring, set with three rows of graduated cushion shaped diamonds in platinum. Size N. 1195.

£400-600

An emerald and diamond cluster ring, the emerald cut emerald within circular and tapered baguette square surround in white gold. Size R. £1,000-1,500

1196. A sapphire and diamond cluster ring, the cabochon sapphire is set within a surround of circular cut diamonds and a demantoid garnet set to each shoulder in yellow gold. Size L ½. £400-600 1197. A large oval shaped citrine ring, set in yellow gold. Size G.

£300-400

1198. A pearl and diamond cluster ring, the grey/pink pearl is set within a surround of old cushion cut diamonds in yellow gold. Size I. £300-400 1199. An aquamarine and diamond ring, the mixed cut aquamarine with diamond set claws and further diamonds to the white gold shoulders. Size I. £300-400 1200. A large amethyst and diamond cluster ring, the cushion shaped amethyst is set within a surround of round brilliant cut diamonds in white gold. Size K ½ (with resizing balls). £1,000-1,500 1201. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of ten circular cut diamonds and four smaller diamonds set to the shoulders in white gold. Size O. £1,000-1,500 1202. A pink sapphire and diamond five stone ring, the oval shaped pink sapphire is set within four old cushion cut diamonds in yellow gold. Size L. £600-800 1203. An aquamarine and diamond ring, the large pear shaped aquamarine is set with three circular cut diamonds to each shoulder in white gold. Size R. £800-1,200 1204. A diamond solitaire ring, the round brilliant cut diamond weighs approximately 1.02cts and is set in platinum with two tapered baguette shaped shoulder diamonds. Size R. £1,100-1,500 1205. A diamond five stone ring, the five graduated round brilliant cut diamonds weigh approximately 2.15cts in total and set in white gold. Size O. £2,000-2,500 1206. An early 20th century sapphire and diamond set half hoop ring, set with three sapphires and two diamonds in 18ct gold with carved scroll shoulders. Chester marks for 1901. Size N. £400-600 1207. A diamond full circle eternity ring, millegrain set with round brilliant cut diamonds in platinum. Size Q.

£1,100-1,500

1208. A diamond plaque ring, the central circular cut diamond is set within a rectangular surround of smaller circular cut diamonds in platinum and yellow gold. Size Q ½. £200-300 1209. An emerald and diamond set platinum ring, the rectangular cut emerald is set with eight small shoulder diamonds. Size N. £800-1,200 1210. An amethyst and diamond cluster ring, the oval shaped amethyst is set within a surround of round brilliant cut diamonds in 14ct yellow and white gold. Size M ½. £400-600 1211. A ruby and diamond ring, the oval shaped ruby is set within baguette shaped diamond shoulders and further scrolling diamond surround in platinum. Size H. £1,000-1,500

1189

1186

1188 1187

1190 1192

1191

1194

1195

1193

1198 1197

1196

1202

1201 1199 1200

1205

1204

1207 1203 1206

1208

1209

1211

1210

1212. A diamond pendant, centered with a pear shaped rose cut diamond within a surround of round brilliant cut diamonds and further border of larger round brilliant cut diamonds in yellow gold. Closed back mount and suspended from three graduated circular cut diamonds and with a fine link gold neck chain. Set with four small diamonds. £3,500-4,500 1213. A pair of South Sea cultured pearl and diamond drop earrings, each pearl measures 17.0 x 15.00mm and 16.5 x 15.4mm. The white gold tops set with circular and baguette shaped diamonds. £2,000-3,000 1214. A coral and diamond set gold crab brooch, the stylised crab with coral body and diamond set eyes with textured yellow gold claws. 3.5cm wide. £400-600 1215. A gem set gold stylised duck brooch, with a bluestone cabochon body, diamond wings and a pearl head mounted on top of a calibre cut ruby collar in yellow gold. French control marks and unidentified maker’s lozenge. 3.4cm high. Pouch. £300-400 1216. A round brilliant cut diamond mounted gold lattice form pendant.

£600-800

1217. A heart shaped diamond set gold pendant, the diamond weighs approximately 1.02cts. French control mark. £2,000-3,000 1218. A fire opal and diamond set cluster ring, the oval shaped opal is set within a surround of circular cut diamonds in 18ct yellow gold. Size M ½. £800-1,200 1219. An amethyst and gem set 18ct gold cluster ring, set with an oval shaped amethyst. The claws decorated with diamonds, emeralds and rubies. Size N. £400-600 1220. A French gem-set cluster ring by Chanel, centred with a cultured pearl and with four citrine cabochons, two pink tourmalines and two amethysts in gold with circular cut diamond border. Signed Chanel and numbered 8N1172 55 and with French control marks. Size N. £1,000-1,500 1221. An aquamarine and peridot mounted gold cluster ring, the oval shaped aquamarine is set within a surround of baguette and circular cut aquamarines and peridots. Size R. £300-400 1222. A four row cultured pearl necklace, the pearls graduate from 6.0 to 6.5mm. The gold clasp is centred with a large oval shaped amethyst set within a surround of cushion shaped diamonds. 59cm. £1,000-1,500 1223. A cultured pearl necklace, the single row pearl necklace is mounted with diamond set white gold rondels and with a spherical white gold clasp set with small diamonds. 47cm. £400-600 1224. A fancy link gold bracelet, set with alternating textured and plain lozenge links and screw clasp. 16.5cm long. 32g. £300-400 1225. A pair of diamond set stud earrings, the round brilliant cut diamonds are set in white gold and weigh approximately 1.60cts. £1,000-1,500

1214

1216

1215

1221

1213

1220

1219

1212 1218

1222

1217 1223

1224

1225

1226. A diamond set white gold butterfly brooch, with tremblant antennae and the pierced wings millegrain set with circular cut and baguette shaped diamonds. Centre hinge enabling partial separation of the wings. Probably Chinese. 7.5cm high. £5,000-7000 1227. An early 20th century jade and diamond ring, the saddle form jade section is set within a surround of graduated circular cut diamonds in platinum. Size N. £1,000-1,500 1228. A two row jade bead necklace, comprising 39 and 45 beads graduating from 12.25 to 12.30mm. With a diamond clasp of target form, the centre old circular cut diamond set within two rows of further circular old cut diamonds in silver and gold. 56cm. £4,000-6,000 1229. A jade, diamond and rock crystal shield brooch, millegrain set with graduated old circular cut diamonds and three navette shaped jade panels on rock crystal surround and platinum frame. 2.7cm wide. £600-800 Accompanied by report number 04671 dated 15th October 2011 from The Gem and Pearl Laboratory, London stating that one of the marquise-shaped cabochons taken as a sample measures 7.32 x 6.55 x 1.72mm and is jadeite jade with no evidence of treatment observed. 1230. A jade, coral, chrysoprase and onyx bead necklace, with a moonstone and white stone set silver and gold clasp. 53cm long. £200-300 1231. A graduated jade bead necklace, with small gold clasp set with three diamonds. 62cm. £2,000-3,000 Accompanied by report number 10066 dated 24th June 2014 from The Gem and Pearl Laboratory, London stating beads graduate from 4.1 to 9.9mm, weigh 43.05g (total) and of the sample tested were found to be jadeite jade with no evidence of treatment observed. 1232. A jade and diamond ring, mounted with an oval jade cabochon with three fancy baguette shaped diamonds to each shoulder in platinum. Size M. £5,000-7000 Accompanied by report number 1112273760 dated 20th October 2009 from GIA stating that the oval cabochon measures 15.75 x 11.85 x 5.40mm and is translucent green jadeite jade with natural colour and no evidence of impregnation. 1233. An early 20th century jade and diamond pendant, the drop shaped jade pendant suspends from a diamond set mount and a fine link platinum neck chain. £2,000-3,000 Accompanied by report number 10044 dated 17th June 2014 from The Gem and Pearl Laboratory, London stating that the mottled green, drop-shaped polished jadeite jade measures 10.8 - 11 x 29.2, weighs 6g (total) with no evidence of treatment observed. 1234. A gold open work bracelet, mounted with five pierced and carved circular jade sections. 18cm. £400-600 1235. A gold mounted jade brooch, the jade carved and pierced with a boat and pagoda. Gold wave form mount. 4.5cm wide. £500-700 1236. A carved jade pendant, suspended from a white gold plaque centred with a stylised Minnie Mouse. Set with diamonds, rubies and black onyx, the frame set with further circular cut diamonds. The jade plaque 4.5cm high. £1,000-1,500 1237. A carved jade pendant, within a textured gold foliate surround. 8.2cm long.

£600-800

1227

1228 1226

1230

1231 1229

1232

1233

1234

1235

1236

1237

1238. A George IV 18ct gold mourning ring, the central black enamel band spelling out ‘In memory of’ between foliate scroll and shell carved borders. Engraved to the interior The Honble D.Langley. Died 13 Apr 1824. Maker CR. London marks for 1823, size R. Red leather box. And a George III gold locket mourning ring, the glazed compartment with plaited hair and black enamel decoration overall. The interior engraved with inscription dated 1813. Size O. £300-400 1239. An opal and diamond set five stone ring, the five graduated oval shaped opals are each set with rose cut diamond pointers in yellow gold with scroll carved shoulders. Size M. £200-300 1240. A George III ruby and seed pearl viniagrette ring, the hinged top section opening to reveal a viniagrette with carved and pierced grille, on foliate engraved yellow gold shank. Size N ½. £200-300 1241. A 19th century gold memorial ring, set with a grey oval star sapphire, pierced and scroll shoulders with presentation inscription dated 1811. Size X. £400-600 1242. An early 20th century diamond five stone ring, the five graduated old circular cut diamonds are each set with rose cut diamond pointers in a yellow gold mount with scroll carved shoulders. Size N. £800-1,200 1243. A diamond set gold snake ring, set with five graduated cushion shaped diamonds and with ruby eyes. Size P. Case. £800-1,200 1244. A pair of pear shaped citrine mounted gold drop earrings.

£200-300

1245. An 18th century gold double sided glazed locket, one side with Hope, leaning on an anchor, the other with initials. Surmounted with a seed pearl and ruby. Fine link gold chain. £200-300 1246. A George III patriotic brooch, designed as oak leaves and acorns, set overall with rose cut diamonds in silver and gold and with four pearl set acorns with diamond cups. Closed back mount. 4cm wide. £2,500-3,000 1247. A pair of antique amethyst and diamond drop earrings, each earring suspends a briolette cut amethyst suspending from a conforming scroll frame set with small diamonds. £1,800-2,500

1248 internal locket 1248. An early 19th century circular gold memorial pendant, the hinged cover mounted with a miniature painting of flowers in a basket within a turquoise cabochon and seed pearl border. With foliate decoration and the glazed internal compartment with ten hair sections each marked with initials. £300-400 1249. An early 19th century octagonal gold brooch, mounted with an amusing miniature painting of a duck pulling a small chariot and being driven by a butterfly. Glazed. 2.1cm wide. £400-600 1250. An oval shaped gold locket pendant, the cover decorated with red guilloche enamel and centred with an emerald within a gold star and eight rose cut diamonds. Crystal back sections. 3cm high. £300-400

1239 1242

1241

1240

1243

1238 (2)

1246

1245

1249 1244

1248

1247

1250

1251. An early 20th century gem set dragon brooch, the realistically formed gold dragon within diamond and foliate gold closed crescent, with ruby set eyes. 2.5cm wide. £300-400 1252. An abstract three pointed gold brooch by Georg Jensen, signed Georg Jensen within oval pellet border. Initialled GJ Ltd and 18ct gold import marks for London 1974. 7.8cm wide. 19g. £500-700 1253. A pair of amethyst mounted gold earrings in the style of Archibald Knox, see Stephen Martin, Archibald Knox, P250, model 8008 with Liberty style box. £300-400 1254. A late 19th century gem set pendant by Child & Child, of open scroll design and set with two rubies and six demantoid garnets in silver and gold. Signed to the reverse with marigold. Fine link gold neck chain. Fitted Child & Child case. £600-800 1255. A Jugendstil silver and gold pendant marked for Murrle Bennett & Co and Theodor Fahrner, decorated with blue and green enamel and an opal set pierced gold surmount, suspending a further oval opal cabochon. The pendant 5cm long. On fine link silver neck chain, 40cm long, Marked 950, TF and MB&Co to reverse. £800-1,200 1256. An Art Nouveau pendant by Murrle Bennet & Co, the gold mount centred with an oval shaped turquoise cabochon and suspending a pearl. Signed to the reverse with monogram. £400-600 1257. A silver brooch with blue enamel decoration by Theodor Fahrner, the upper circular disc applied with a classical scene with chariot figures and horses, suspending a smaller conforming circular disc and three pearls. Signed with initials to reverse. 3.3cm wide. £400-600 1258. An Art Nouveau floral pendant, set with a sapphire and rose cut diamonds in gold. The petals decorated with shaded enamel. 5cm high. £2,500-3,000 1259. A set of six Art Nouveau circular silver buttons. Each chased with a girl reading a book with lillies. Birmingham marks for 1901. Maker AW. 1.9cm wide. £100-150 1260. An Arts and Crafts silver bracelet by Bernard Instone, the pierced foliate panels with clasp stamped with initials B.I. 18.5cm long. £200-300 1261. An Arts and Crafts gold brooch by Murrle Bennett & Co, mounted with two cabochon emeralds and four seed pearls. Signed with monogram to reverse. 4cm wide. £400-600 1262. An Arts and Crafts peacock feather brooch, centred with a blue paste on green enamel ground. 4.5cm. £200-300

1251

1252

1253

1256

1255 1254

1258 1259

1260

1257

1261 1262

1263. A French Art Nouveau pendant, set with peridots, diamonds and small pearls to the knife edge platinum and gold foliate scroll mount. On a fine link platinum neck chain mounted with seed pearls. French control marks. 5.5cm wide. £1,500-2,000 1264. A large silver and enamel plaque, the polychrome enamel depicting sailing boats at sea, in the style of Fleetwood Varley. Within silver twisted rope border on fine link silver chain. 9.5cm high (including frame). £600-800 1265. An Arts and Crafts silver pendant, mounted with orange cabochon stones to the laurel mount, suspending a blister pearl, on a fine link silver chain mounted with a further orange stone. 4.5cm wide. £800-1,200 1266. An Art Nouveau silver necklace by Arthur & Georgie Gaskin, the pierced scrolling links alternately set with pairs of turquoise cabochons and smaller silver flowerhead links. Suspending a further turquoise and green quartz cabochon pendant. Signed ‘G’ (rubbed) to reverse. 60cm long (total). £800-1,200

1263 1265

1264

1266

1267. An 18ct yellow gold square form wristwatch by Cartier, guilloche signed dial with black Roman numerals. Manual winding. French control marks to the reverse and numbered 7353823.145756.025529. With associated yellow gold mesh band. 17cm. The dial 2.2cm wide. With Cartier box. £1,800-2,500 1268. A small rectangular form silver mantle clock. The oval dial with black Arabic numerals, the hands set with small diamonds. The face, sides and top decorated with pink guilloche enamel within plain white borders. On a carved green stone plinth. Numbered to the reverse 10254, Geneva clock company. Maker GS and London import marks for 1924. Apertures for winding, hands and slow/fast adjustment. 7cm high. With fitted travel box containing a key and the dilapidated silk linking marked for Asprey, 166 Bond Street, London. £200-300 1269. A yellow gold open faced dress pocket watch by International Watch Company, Schaffhausen. The signed dial with black Arabic numerals and subsidiary seconds dial. Engine turned pattern to reverse. With a fancy link gold watch chain. £400-600 1270. An 18ct yellow gold wristwatch by The International Watch Company Schaffhausen, signed plain dial with baton numerals and sweep seconds hand. Automatic winding. The movement numbered C8548.1999074. The inside case signed and numbered 2001409.R818A. Black leather IWC band. £800-1,200 1271. A French Art Deco open faced dress wristwatch by Van Cleef & Arpels, The signed dial applied with platinum Arabic numerals, the movement signed Vacheron & Constantin. Numbered 39672. The case marked 10376. The case stamped with French control marks. 4cm wide. £1,000-1,500 1272. An 18ct white gold dress wristwatch, the square dial (1.9cm) signed Audemars Piguet. Case numbered 18760 on an 18ct integrated white gold band. Damaged. £300-400 1273. A lady’s diamond set yellow gold dress wristwatch by Audermars Piguet, the signed plain gold dial with gold hands and diamond set bezel. The gold mesh bracelet set with further diamonds. Case numbered B57714. 16.5cm £1,000-1,500 1274. A gentleman’s 18ct white gold Cartier Tank Americaine wristwatch, the rectangular signed dial (3cm long) with date aperture, swing seconds hand and black Roman numerals. Automatic winding and the signed case numbered 779219CD 1741. 18ct white gold rectangular links with 18ct white gold deployant clasp signed Cartier. Set overall with round brilliant cut diamonds. With Cartier red velvet pouch. £20,000-25,000

1267

1268

1269

1270

1271 1274 1272

1273

1275. A styptor, gold and diamond minaudière, by Van Cleef & Arpels, of rectangular form, the styptor minaudière with a clasp designed as a bullet-shaped rose gold plaque and a pavé-set diamond panel, opening to reveal a fitted mirror, a cigarette numbered 48041, a compact numbered 48040, a lipstick holder, and two additional compartments, 15 x 12cm. Signed La Minaudiere De Van Cleef & Arpels and stamped 2456. In a black silk fitted Van Cleef and Arpels pouch. With a gold quizzing glass £800-1,200

λ 1276. A Japanese beaten silver book form compact, the hinged cover mounted with a rectangular carved ivory plaque depicting various characters and signed. The reverse engraved with initials DRH. 8.5cm high. Fitted case for Okubo Bros, Imperial Hotel Arcade, Tokyo. £200-300 1277. An Art Deco silver gilt minaudière, with a carved jade disc and diamond thumbpiece, black enamel to the front and back and a central border of green and white enamel panels. Containing two compartments and a lipstick holder. French control marks, maker’s mark AP and inventory number 3187. 7.8cm widest. £300-400 1278. An Art Deco gilt metal cigarette case, each side divided into three sections with red enamel decoration and a central black section with fragmented white segments. 8.5cm wide. £60-80 1279. A gold circular pill box, mounted with an emerald, the hinged cover mounted with a foliate carved circular cut emerald, the base also carved with a stylised flower head. The box 4cm wide. £2,500-3,000

1275

1276

1277

1278

1279

1280. A pair of French gold ruby set cufflinks, the pierced links are each set with a cushion shaped ruby and with French control marks. £1,000-1,500 1281. A pair of reverse carved crystal cufflinks, the oval discs depicting dogs and a wild boar in yellow gold mounts. £600-800 1282. A Regency gold stick pin set with a baguette shaped diamond in a foliate carved mount. Case by S.J.Phillips. £600-800 1283. A pair of circular yellow and white gold dress cufflinks, each centred with a circular cut sapphire on mother of pearl ground. With cased matching pair of dress studs. £300-400 1284. An 18ct gold lift-arm lighter by Dunhill, the tall fluted body with an oval shaped sapphire set to the hinged extinguisher. Screw action flint container and detachable hinged cover for gas reservoir at the base. Numbered 70 + 113 and signed Dunhill Paris with French gold control marks. 6.2cm high. £400-600 1285. A silver gilt travel clock cum lighter, the clock’s black enamel dial signed Asprey, and with pink gold Arabic numerals. Manual winding. One of the terminals pulls out to reveal the lighter. Rectangular cartouche signed with initials HS. Glasgow import marks for 1938. 7.2cm long. Fitted case by Asprey. £150-250 1286. A pair of early 20th century white gold folding lorgnette, the handle set with baguette shaped and circular cut diamonds, on a fine link platinum neck chain. £400-600 1287. A Regimental brooch for the Royal Engineers, set overall with circular cut diamonds and decorated with blue and red enamel. Fitted case by Garrard. £300-400 1288. A pair of blue and white enamel cufflinks, of geometric design in octagonal silver gilt mounts. With a pair of circular silver gilt cufflinks applied with pink and black enamel design. £300-400 1289. A pair of French diamond and sapphire set circular dress cuff links, each link centred with a circular cut diamond within calibre cut sapphire surround and further diamonds to the border in platinum and gold. French control marks. With three conforming diamond and sapphire set gold dress studs. Each stud marked with H R and maker’s mark L C. £1,200-1,500 1290. A pair of white gold folding lorgnette, the handle set with diamonds and a circular cut ruby. £800-1,200 1291. A gold fishing rod and silver salmon brooch, the fish with enamel decoration. 6.7cm long. Fitted case. £100-200

1281

1282 1283

1280

1284

1287 1286

1285

1290

1288

1289

1291

1292. A 19th century natural pearl and diamond set pendant and centre piece, centred with an oval shaped pearl within a diamond set cruciform centre section and four further pearls. The border mounted with four principal cushion shaped diamonds which weigh approximately 4.00cts in total and further graduated cushion shaped diamonds in silver and gold. £14,000-16,000 Accompanied by report number 04518 dated 2nd September 2011 from The Gem and Pearl Laboratory, London stating that the two pearls (7.70ct and 2.45ct) tested as a sample are natural saltwater pearls. 1293. A late 19th century diamond five stone ring, the five old circular cut diamonds graduate to approximately 0.70cts and are set in yellow gold with rose cut diamond pointers (one missing) in gold with scroll carved shoulders. Size P ½. £1,000-1,500 1294. A late 19th century diamond three stone ring, the three old circular cut diamonds weigh approximately 2.25cts in total and graduate to approximately 1.10cts. Set in gold with scroll carved shoulders and six diamond pointers. Size N. £800-1,200 1295. A 19th century diamond and natural pearl bow shaped brooch, set overall with graduated old circular cut diamonds and centred with a conical pearl and suspending a smaller oval pearl pendant. Set in silver and gold. £2,000-3,000 Accompanied by report number 10150 dated 11th July 2014 from The Gem and Pearl Laboratory, London stating that the two part-drilled pearls, one oval, one high-domed button shaped measure 6.8 x 8-9mm and 8.5 - 8.6 x 9.5mm (4.01ct). Both are natural saltwater pearls. 1296. A Victorian gold hinged bangle, set with three rubies and graduated rose cut diamonds on a blue guilloche enamel ground. Case by Collingwood. £3,000-4,000 1297. A 19th century gold brooch pendant, mounted with a circular portrait of a lady looking over her left shoulder and wearing her hair up in a kokoshnik style head ornament. The frame alternately mounted with rose cut diamonds and seed pearls, folding pendant loop. The reverse engraved I.E. April 10th 1888. Mme Pallien. Jaques & Marcus. 3cm wide. £600-800 1298. A circular miniature portrait believed to be of King Louis XVI in a gilt metal frame with hinged strut support by Alph. Giroux Paris, and with pendant loop. The painting 1.8cm wide. £100-150 1299. A ruby and diamond heart shaped pendant, the diamond set heart within a surround of pear shaped and cushion cut rubies in silver and white gold. With ruby and diamond set detachable bale. 2.2cm wide. £2,500-3,000 1300. A late 18th century gold pendant, mounted with an oval miniature painting of a lady, her hair worn up and wearing a lace trimmed yellow dress. Within blue guilloche enamel border repeated to the reverse and centred with an octagonal glazed section containing hair and marked firstborn. Seed pearl border. The miniature 4.8cm high. £800-1,000 1301. A 19th century oval brooch depicting an Indian gentleman within ropetwist and textured border. 5.8cm wide. Fitted case. £400-600

1293

1294

1295

1292

1296

1299

1297 1298

1301 1300

1302. A carved hardstone cameo depicting the profile of a woman with flowing hair and a carved hardstone cameo mounted gold brooch. £200-300 1303. A carved ruby bead, applied with a diamond set gold flower head and carved flower to the reverse. 2.5cm wide. £100-150 1304. A gold ring mounted with an oval carved sardonyx intaglio, 3rd/4th century AD. Depicting the winged figure of Victory. 1.7cm high. Size M ½. £200-300 1305. A gold ring mounted with an oval banded agate intaglio, 17th century, after the classical style. Carved with two recumbent animals, possibly lions. 1.2cm wide. Size N. £300-400 1306. A gold pendant in the Renaissance style, mounted with a cameo depicting a putti in a chariot drawn by two lions in polychrome enamel frame, with cabochon ruby with two pearls. Enamel decoration continued to the reverse. 7cm. £600-800 1307. A 19th century cameo brooch, the well detailed carved shell cameo depicts two crusade inspired warriors on horses. The gold snake frame mounted with an emerald to each head. The cameo 5.5cm high. £1,200-1,500 1308. A silver pendant mounted with an oval bloodstone intaglio depicting Abraham with the attempted sacrifice of Jacob, second half of 17th century. 3.5cm high. The contemporary silver frame bearing remnants of an inscription. £600-800 1309. A 19th century carved shell cameo brooch, depicting a quadrigated chariot being driving by a man with flowing robes on a cloud. Mounted in a gold fine wirework frame. The cameo 5.5cm wide. £100-150 1310. A late 19th century diamond set flower head brooch pendant, detachable brooch fitting. Set in silver and gold. A circular carved hardstone cameo depicting a gryllus of two bearded men and a woman. Gold mount. And a pair of gold drop earrings. £200-300 1311. A carved green stone cameo pendant, depicting the profile of a woman in the classical manner and mounted in a gold Etruscan style frame with fine bead and wirework decoration. 6cm high. £600-800 1312. A carved hardstone cameo depicting the profile of a woman, her hair tied up with fruiting vines. 2.3cm high. And another oval shaped cameo depicting the profile of a man. £200-300 1313. An early 19th century carved agate portrait cameo depicting the profile of Alexander the Great, his flowing hair tied with a band. Signed Cerbara (probably Giuseppe) in French gold frame with foliate and scroll border and blue enamel decoration. The cameo 2.4cm high. £2,000-3,000

1303

1302 (2) 1305

1304

1308

1307

1306

1310 part

1309

1311

1312 part 1313

1314. A George III bloodstone snuffbox, the hinged cover applied with a diamond set lion standing on a line of emeralds and within a circular border of rubies. The thumbpiece mounted with a line alternately set with emeralds, diamonds and surmounted with two further rubies. Gold mounts. 7cm wide. £5,000-7000

λ 1315. An early 19th century French tortoiseshell box, the rectangular box with gold interior, maker’s lozenge PATM and French control marks. The hinged cover applied with two hardstone cameos, the octagonal mounts with foliate decoration on textured ground within blue enamel borders. The cameos believed to be depicting the two philosophers Plato (left) and his pupil Aristotle (right). 8.7cm wide. Fitted case. £8,000-10,000 1316. An early 19th century carved bloodstone snuff box. Foliate engraved gold mounts. Applied with an enamel miniature portrait of the 6th Duke of Bedford, possibly by William Essex (1784? – 1869) and after Sir Thomas Lawrence. Applied with an internal oval gold plaque engraved John Duke of Bedford 1823. The box 6.9cm wide. The portrait 3.1cm x 2.8cm. Fitted leather case. £5,000-7000 John Russell, 6th Duke of Bedford KG MP (1766 - 1839) was a Whig politician and served under Lord Grenville as Lord Lieutenant of Ireland in the Ministry of All the Talents. His son, John Russell became Prime Minister. He had ten children with his wives The Hon. Georgiana Byng and Lady Georgiana Gordon. He is survived by the current and 15th Duke, Andrew Russell.

John Russell, 6th Duke of Bedford, after Sir Thomas Lawrence. With thanks to the Tavistock Subscription Library where the picture remains, having been donated by the Duke who was a Patron in 1810. The original portrait is believed to be at Woburn Abbey.

1314

1315

1316

Lots 1317 to 1326 are from a the collection of the late Gertrud Seidmann Gertrud Seidmann was a leading scholar in Britain on matters concerning British neo-classical gem-engravers. Born in Vienna in 1919, she came to Britain and took a degree in French and German, then a Master’s degree in Musicology at Queen’s University, Belfast. Continuing teaching in London schools and at Southampton and Oxford she founded the British Association of Teachers of German. She was awarded the Goethe medal in 1968 in recognition of her services to the study of German in Britain. She had already developed a deep interest in engraved gems, especially those of the neo-classical period, and particularly in the work of artists in Britain as well as gaining a wide knowledge of gemmology. In Oxford she became an Honorary Research Associate of the Institute of Archaeology and a central figure in the study of gems which had become a major interest in the university through the resources of the Beazley Archive. There she played a major role in the arrangement of a large collection of casts acquired from the Wellcome Collection. Her best known published work is a study of the 18th-century British engraver, Nathaniel Marchant. A full bibliography of her books and articles (over 50) appeared in a Festschrift. She was awarded a special Certificate of Graduate Attainment by Oxford University, in a very select ceremony in the Divinity School in 2011. With thanks to The Society of Jewellery Historians for their assistance with the above information about Gertrud Seidmann. www.societyofjewelleryhistorians.ac.uk

1317. A gold pendant mounted with an oval carved oyster shell cameo, late 18th century. Backed on pitch and slate. Carved with the scene of the baby Achilles being dipped in to the river styx by his nymph mother Thetis. 5.5cm high. £400-600 1318. A 19th century gold brooch mounted with a banded agate oval intaglio depicting Eros plunging an arrow into a bleeding heart. second half of 17th century. 4.4cm high. £300-400 1319. A gold pendant mounted with an agate cameo, 16th century, after the classical style. Cracked. Carved with the scene of King Priam begging Achilles for the return of his favourite son Hector’s body which had been ceremoniously dragged around Troy. 5.5cm high. £400-600 1320. A gold ring mounted with an oval hardstone ‘nicolo’ intaglio, 3rd century AD, Sasanian. Carved with figures beneath an inscription. Depicting the ancient myth of Romulus and Remus, with at least one figure appearing to suckle the surrogate mother wolf. 1.5cm wide. With a letter explaining the inscription. £300-400 1321. A gold ring mounted with an oval hardstone Gryllus cameo, Roman. Depicting the conjoined heads of three men and a horned ram. 2.3cm wide. Size 2.2cm. £600-800 1322. A gold ring mounted with an oval chalcedony intaglio, late 18th/early 19th century. Carved with a standing satyr, probably Pan. 1.9cm high. £200-300

1318 1317

1320

1321

1319

1322

1324

1323

1326

Impressions

1324

1325 1323

1326

1323. A gold ring mounted with an oval carnelian intaglio, 18th century, after the antique style. Carved with a chariot race and letter LCEI. The drivers of the quadrigated cars with raised whips. 2cm wide. £600-800 With documentation explaining that the gem was carved to commemorate a particular race and also with a brief provenance, none of which can be verified. 1324. A gold pendant mounted with a hexagonal banded agate intaglio, second half of 17th century, depicting Hercules slaying Cacus, son of Vulcan. 4cm high. £800-1,200 The left sides of the frame follow the lines of the naturally formed hexagonal colour banding of the agate which is accentuated by the carved rock and foliage. 1325. An early 20th century gold fede ring designed as a pair of hands, clasping an oval domed sapphire intaglio depicting the female figure Fortuna. The sapphire, late 19th century, 1.7cm high. With two inscriptions, to the inside EFFRENATIO (lust) and to the outside COERCITIO (restraint). The ring was apparently made for Gabriele D'Annunzio, 1863 - 1938, the famous Italian politician. £1,000-1,500 With a copy of notes from Gertrud Seidmann. 1326. A gold swivel ring with fluted shank and mounted with an early 19th century oval shaped, orange coloured and slightly striated carnelian intaglio. Finely carved with the standing figure of Jason holding The Golden Fleece and bearing the spurious Greek signature of Dioskourides (C 40 BC - C AD10). 3cm high, 1.7cm wide. £1,000-1,500 Similar to those commissioned by Prince Stanislas Poniatowski (1754 - 1833) and possibly carved by Giovanni Calandrelli (1748 - 1852). Cades includes a copy of a similar but unsigned gem in his section for the engraver Giovanni Callandrelli (Cades, Libro 74, no.916) kept in The German Institute in Rome. Dioskourides was a famous Greek gem engraver working principally in Italy and especially for the Caesar family including the Emperor Augustus. The figure of Jason is inspired from the monumental statue created by Bertel Thorvaldsen (1770 - 1844) and completed in 1828. In 1999, an extract written by Gertrud Seidmann appeared in the Babesch Journal in which she demonstrated the inspiration of this figure of Jason as proof that the gem could not have been of Classical origin, as had been believed in New York in 1995. Relevant information and images are available in The Beazley Archive, The Ashmolean, Oxford.

1327. An emerald and diamond pendant, the octagonal cut emerald is mounted in white gold and suspends from a circular cut diamond on a fine link white gold neck chain. £1,200-1,600 1328. A large emerald and diamond cluster ring, the marquise shaped emerald is set within a surround of fourteen circular cut diamonds in white gold. Size M ½. £8,000-12,000 1329. A garnet and diamond dress ring, the large cushion shaped garnet is set within an octagonal gold mount, flanked either side by two rows of circular cut diamonds in platinum and yellow gold. French control marks. Size K. £400-600 1330. An orange zircon and diamond pendant, the circular cut zircon is set below a pavé set diamond mount and suspended from a diamond set bale in platinum. 2.3cm high. £200-300 1331. A zircon and diamond cluster ring, the oval shaped green zircon is set within a surround of round brilliant cut diamonds in gold. Size J. £300-400 1332. An emerald and diamond cluster ring, the oval shaped emerald is set within a surround of circular cut diamonds in platinum. With further smaller diamonds set to the underbezel. Size M. £8,000-12,000 1333. An emerald and diamond cluster ring, the octagonal cut emerald is set within a surround of old circular cut diamonds in platinum. Size Q ½. £6,000-8,000 1334. A 19th century garnet and diamond ring, the emerald cut hessonite garnet is set within a surround of small rose cut diamonds in yellow gold. Size O ½. £300-400 1335. A spinel and diamond cluster ring, the cushion shaped spinel is millegrain set within a surround of old circular cut diamonds in platinum. With scroll carved underbezel. Size P. £1,500-2,000 1336. A sapphire and diamond ring, the octagonal cut sapphire weighs 5.71cts and is set with six small diamonds to each triangular shoulder in platinum. Size M. £5,000-8000 Accompanied by report number 75940 dated 20th August 2014 stating that the step cut sapphire measures 10.72 x 8.73 x 5.77mm, weighs 5.714ct, with blue of medium saturation. The natural sapphire shows no indication of heating. Origin: Ceylon (Sri Lanka). Accompanied by report number 09614 dated 21st March 2014 from The Gem and Pearl Laboratory, London stating that the emerald cut sapphire measures 10.7 x 8.7 x 5.7mm, weighs 5.71ct. With no evidence of treatment observed. Origin opinion: Sri Lanka. 1337. An early 20th century opal and diamond ring, the solid black oval shaped opal is set within a surround of single cut diamonds in platinum. Size M ½. £3,000-5,000 1338. A pair of emerald and diamond drop earrings, the emerald cut emeralds are each set within two long baguette shaped diamonds and smaller circular and baguette shaped diamonds. Suspending from a line of three graduated circular cut diamonds in white gold. £10,000-20,000 Accompanied by report number CDC 1405180/1&2 dated 20th May 2014 from C. Dunaigre, Switzerland stating that the emeralds measure 10.30 x 7.25 x 5.80mm and 10.25 x 8.45 x 5.45mm and weigh approximately 6.0cts in total and are natural emeralds with indications of minor clarity enhancement. Origin opinion: Colombian. 1339. A yellow sapphire and diamond ring, the cushion shaped sapphire weighs approximately 6.50cts, within diamond set platinum and yellow gold bombé shoulders. Size J. £600-800 1340. An opal and diamond set platinum ring, the oval shaped solid black opal is set with three rows of circular and baguette shaped shoulder diamonds. Size N ½. £7,000-9,000 1341. A sapphire and ruby bracelet, alternately mounted with polished sapphires and square shaped rubies. 17cm long. £400-600 1342. A gem set bracelet, the textured metal mounts are set with two diamonds, a sapphire, a ruby, an emerald, pink tourmaline and rutilated quartz, spaced with circular cut diamonds and yellow gold links. 20cm long (maximum). £600-800 1343. A blue zircon and diamond cluster ring, the circular cut zircon is set within a surround of old circular cut diamonds in yellow gold. Size M. £300-400

1327

1330

1329

1328 1334

1332 1335

1333

1331

1337 1336 1341

1340

1339 1338 1343

1342

1344. A French diamond set gold brooch, C1940, designed as a ribbon with articulated tails. Set overall with graduated circular cut diamonds in yellow and white gold. French control marks. £3,000-4,000 1345. A shakudo buckle, the two plaques depicting riverside herons amongst foliage. 7cm wide (total). £200-300 1346. Two gold shishi dog menuki brooches, one designed as a single shishi the other with two shishis playing. 3.5cm wide. £400-600 1347. A French oval shaped gold and shakudo pendant, the shakudo panel depicting a dancing girl, within carved and pierced yellow gold border set with four pearls. French control marks. 3cm wide. £600-800 1348. A circular gold mounted shakudo brooch, depicting a bird amongst foliage. Within a gold ropetwist border. 2.8cm wide. £200-300 1349. A gold bracelet C1940, of geometric triangular and semi cylindrical diamond set links. 62g. 18cm long. Centre smaller links tarnished. £400-600 1350. A fancy link gold bracelet C1940, of geometric design. 19cm long. 50g.

£500-700

1351. A gold bracelet C1940, of stylised tank track designs in yellow gold. 29cm long. 108g. £1,000-1,500

1344 1345

1346

1348 1347

1349

1350

1351

1352. A late Victorian heart shaped gold pendant, the central glazed locket section within a blue and white enamel border, rose cut diamond and gold rope-twist pattern outer section applied with seed pearls. Inscription to reverse dated 1900. Case by Watherston & Son. With a 19th century amethyst and seed pearl filigree gold pendant. £300-400 1353. An early 20th century diamond set scroll brooch clip. Set overall with graduated diamonds in platinum and gold. Later clip fitting. £1,000-1,500 1354. A 19th century brooch, set with graduated rose cut diamonds and three pearls and suspending a larger pearl. £1,500-2,000 Accompanied by report number 08387 dated 23rd August 2013 from The Gem and Pearl Laboratory, London stating that the part-drilled drop shaped pearl measures 8.5 - 8.7 x 10 - 12mm and is a natural saltwater pearl. 1355. An early 20th century diamond clip brooch, set overall with graduated circular cut diamonds to the symmetrical scroll design in 18ct white gold. Engraved with inventory number 2503. Fitted case by Tessier. £800-1,200 1356. An Art Nouveau diamond and pearl pendant, set overall with graduated circular cut diamonds and two untested pearls in silver and gold. On a fine link platinum neck chain. With detachable gold brooch fitting. £400-600 1357. A scroll pendant mounted with two untested pearls, the scroll section set with graduated small circular cut diamonds and with larger circular cut diamonds to the terminals. Fine link platinum chain mounted with a diamond. £1,500-2,000 1358. A late 19th century pearl, diamond and enamel brooch, the circular enamel panel depicting the profile of a woman, within pearl and diamond surround in silver and gold. 3.2cm wide. £600-800 1359. An Edwardian pink topaz, diamond and pearl pendant, of scroll design and set overall with small diamonds. Some in green enamel flower head mounts, with black and white enamel decoration and suspending a cushion shaped topaz and a pearl. Set in silver and gold. With a fine link silver chain and fitted case by Spink. £600-800 1360. A 19th century diamond set scroll brooch, set overall with graduated circular cut diamonds in silver and gold. Detachable brooch fitting. £700-900 1361. A diamond cluster ring, the centre old circular cut diamond weighs approximately 0.90cts and is set within a surround of seven further diamonds which weigh approximately 1.75cts in total. Set in platinum and white gold. Size M ½. £600-800 1362. A 19th century enamel and diamond brooch, applied with red guilloche enamel within diamond border and further enamel, diamond and pearl surround in silver and gold. With removable locket section to reverse. 4cm wide. £600-800 1363. A late Victorian sentimental brooch, designed as a heart with two birds with an untested pearl. Set overall with circular and rose cut diamonds in silver and gold. 4cm wide. £600-800 1364. A French early 20th century diamond set bracelet, set with nine graduated cushion shaped diamonds within surrounds of smaller diamonds and joined with links each set with six diamonds. Set in platinum with foliate engraved shoulders. 18.5cm. £3,000-5,000 1365. A pair of diamond cluster ear studs, the central old circular cut diamond is millegrain set within a surround of further old cut diamonds in platinum and gold. £400-600

1353 1352

1354

1357

1355

1356

1358

1359

1361

1360

1365

1363 1362 1364

1366. An Edwardian circular scroll pendant, set with five graduated circular cut demantoid garnets, seed pearls, and four sections of three small circular cut diamonds. 3cm wide. £500-700 1367. A natural pearl and diamond set pendant, the baroque shaped drop pearl suspends from a diamond set articulated pendant on a fine link platinum neck chain. £3,000-4,000 Accompanied by report number 20018509 dated 27th August 2014 from Anchorcert stating that the partdrilled pearl measures 11.12 - 9.28 x 14.4mm and is a natural saltwater pearl. 1368. An Edwardian aquamarine and diamond pendant, the circular pendant contains millegrain set diamond swags and a line of three oval shaped aquamarines in platinum and yellow gold. 2.7cm wide. On a fine link gold neck chain, 56cm long. £400-600 1369. An Edwardian diamond and enamel circular gold pendant, the mauve guilloche enamel millegrain set with a diamond flower and suspending a pearl. With locket compartment to reverse containing a photograph. On fine link gold neck chain. 3cm wide. Fitted case. £500-700 1370. An early 20th century pearl and diamond wreath brooch, set with diamond trefoils between pearls in yellow gold. 2.2cm wide. £500-700 1371. A French Art Deco ruby and diamond set platinum and gold bracelet, alternately formed with ruby and diamond set links and joined with diamond set shield form smaller links. French control marks and an indistinct maker’s lozenge. Indistinct inventory number. 17.7cm. £5,000-10,000 1372. An Edwardian natural pearl and diamond set brooch pendant, the centre pearl set within a surround of small diamonds and a scroll border of graduated diamonds suspending a smaller pearl. £1,000-1,500 Accompanied by report number 20018508 dated 27th August 2014 from Anchorcert stating that the partdrilled pearls measure 4.87 - 4.95mm and 7.40 - 8.51mm are natural saltwater pearls. 1373. An Edwardian pearl and diamond brooch, the seed pearl flower with diamond leaves is set within an oval shaped gold surround. 3cm wide. Fitted case by The Goldsmiths & Silversmiths Company Ltd. £150-200 1374. An Edwardian sapphire and diamond brooch, the millegrain set diamond scallop edged brooch with rose cut diamond and sapphire cabochon terminals, in platinum and gold. 6.8cm wide. £600-800 1375. An early 20th century sapphire and diamond cluster ring, the oval shaped sapphire is set in a surround of graduated circular cut diamonds in platinum. Size M ½. £800-1,200 1376. An early 20th century zircon, sapphire and diamond brooch, the old circular cut zircon is set within a calibre cut, navette shaped sapphire (one missing) border and a further swirling quarterfoil border of circular cut diamonds in platinum. 4.2cm wide. £1,000-2,000 1377. A demantoid garnet and diamond set arrow brooch. 3.2cm wide.

£200-300

1366 1367

1368

1369

1370

1371

1373

1372

1375 1374

1376

1377

1378. A late 19th century ruby and diamond set closed crescent gold brooch, set with an outer row of graduated oval shaped rubies and an inner row of graduated circular cut diamonds. Detachable brooch fitting. 3.8cm wide. £600-800 1379. A Victorian conical shaped garnet pendant, in two sections and with diamond set mount and suspending from a fine link gold chain. £200-300 1380. An early 19th century insect brooch, the body set with rose cut diamonds and an oval shaped sapphire, and further rose cut diamonds set to the wings and eyes. Set in silver on gold. Detachable brooch mount. 6cm wide. £1,000-1,500 1381. A 19th century insect brooch, set overall with graduated pearls and cushion shaped diamonds in silver and gold. Cabochon ruby eyes. £5,000-7,000 Accompanied by report number 09228 dated 14th January 2014 stating that the two part-drilled (one with two drill holes) pearls measure 7.8 - 7.9 x 7.4mm and 7.0 - 7.7 x 8.2mm and are natural saltwater pearls. 1382. A late Victorian gem-set bee brooch, the body alternately set with lines of small diamonds and black enamel. And a tiger’s eye cabochon. Further diamonds set to the head and wings. Detachable brooch fitting. Fitted box. 2.5cm long. £1,000-1,500 1383. A late 19th century peridot and diamond brooch, the oval shaped peridot is set in silver and gold within a surround of small cushion shaped diamonds. £600-800 1384. A 19th century diamond set cruciform brooch pendant, set with five larger cushion shaped diamonds and with smaller diamonds set in silver on gold. £1,500-2,000 1385. A George III agate bracelet, the six graduated octagonal cut agates set in gold. 18.5cm. £1,000-1,500 1386. A pair of amethyst and diamond drop earrings, the pear shaped amethysts are each set within a surround of graduated circular cut diamonds in gold. £1,000-1,500 1387. A 19th century silver pendant depicting one of Aesop’s Fables, mounted with a large octagonal cut green Beryl with silver fox and emerald set vine leaves and suspending ‘pearl’ grapes. 6cm high. £400-600 1388. A 19th century cruciform gold brooch, centred with a sepia drawing of Brittania. Mounted with a cabochon turquoise to each terminal. £300-350

1380

1378 1382 1379

1381

1383

1385

1384

1387

1388

1386

1389. A three row pearl necklace, set with graduated clam pearls, natural pearls and diamonds and suspending two further clam pearl drops in white gold. £800-1,200 1390. A five row graduated natural pearl necklace, with an untested pearl and diamond cluster clasp. 55cm. £12,000-15,000 Accompanied by report number 73094 dated 24th March 2014 from SSEF, Switzerland stating that the 819 pearls graduate from 2.95 - 6.75mm, are a white to light cream, partly with rose and green overtones. The necklace weighs 57.1g (total) and the pearls are natural saltwater pearls. 1391. A natural pearl and diamond ring, the button shaped pearl weighs 10.88cts and is set with four small circular cut diamonds in white gold. Size P. £5,000-10,000 Accompanied by report number 306114 dated 4th September 2014 from Laboratoire Français de Gemmologie, Paris stating that the white/cream half-drilled button-shaped pearl measures 11.7 - 13.6 x 9.2mm, weighs 10.88cts (43.52 grains) and is a natural saltwater pearl. 1392. A ten row choker length grey pearl necklace, the round navette shaped clasp alternately set with rows of calibre cut sapphires and rose cut diamonds. 49cm. £4,000-5,000 Accompanied by report number 10312 dated 13th August 2014 from The Gem and Pearl Laboratory, London stating that iridescent cream/white, yellow/brown, grey and grey/black pearls graduate from 1.1 - 4.0mm, weigh 44.07g (total) and of the sample taken are natural saltwater pearls. 1393. An early 20th century seed pearl sautoir, formed as a long twisted two row necklace, the terminals set with small diamonds and six graduated pearls and seed pearl tassels. 121cm. £3,000-4,000 Accompanied by report number 20017728 dated 17th July 2014 from Anchorcert stating that of the two larger pearls tested the pearl measuring 7.23 - 7.25 x 7.7mm is a natural saltwater pearl. The other is a beaded cultured pearl. 1394. An Edwardian seed pearl necklace, formed of six rows of seed pearls separated by larger pearls. With a white enamel and pearl navette shaped gold clasp. 52cm long. Fitted case by The Goldsmiths and Silversmiths Company. £200-300 1395. Kunz, George Frederick and Charles Hugh Stevenson. The Book of the Pearl, The History, Art, Science, and Industry of the Queen of Gems. New York, The Century Co, 1908, large octavo. Original gilt stamped green buckram cloth with gilt top edge, others deckle edged, colour frontispiece of Tsarina Alexandra with tissue guard, many plates, some colour, maps, minor foxing to free endpapers. Bookplate of Eben Mac Burney Byers. £1,000-2,000

1395

1389

1391

1390 1392

1393

1394

1396. A Victorian diamond and half pearl set brooch, of quarterfoil design the half pearls are set within diamond set foliate scrolls and a further border of graduated old cushion cuts in silver and gold. 4cm wide. £2,000-3,000 1397. An early 19th century gold dove brooch, pavé set with rose cut diamonds and three pear shaped emeralds, mounted en tremblant. £4,000-5,000 1398. A George III emerald and diamond brooch, the oval shaped emerald is set within a cushion shaped and rose cut diamond surround in silver and gold. 2.5cm wide. £500-700 1399. An early 19th century amethyst and green paste set gold comet brooch. 2.2cm.

£150-200

1400. A late Victorian diamond set heart brooch, pavé set with graduated old circular cut diamonds in silver and gold. 2.2cm wide. £2,000-3,000 1401. A late Victorian diamond brooch/pendant, the graduated old circular cut diamonds are set in silver and gold, the principle diamond weighs approximately 1.10cts. With detachable hair pin fitting in gold. Fitted case. £4,000-6,000 1402. A Victorian gold hinged locket ring, engraved sides open to reveal a locket compartment around the ring and containing plaited hair. Size X. £200-300 1403. A late George III gold long guard chain, the circular links chased with granulated pattern. The gold clasp set with amethysts and turquoise cabochons. 98cm. £1,000-1,500 1404. A George III matted gold clasp in the form of a hand, wearing an emerald ring and with foliate decoration to the wrist. 2.6cm. With another similar gold hand clasp wearing a turquoise ring and a small hand brooch with red stone ring and holding a bird. £300-400 1405. A late 18th century cannetille gold brooch, centred with a miniature eye portrait within a surround of four rubies and four white stones. The reverse engraved Thomas 26 Decr 1796. £600-800 1406. A late 18th century cannetille gold pendant, set with an octagonal cut sapphire within a surround of six seed pearls. On a fancy link gold neck chain. The chain 52cm. £1,000-1,500 1407. A gold posy ring, engraved to the interior United hearts death only parts. Misshapen. Probably 17th century. £300-400 1408. An 18th century copy of a medieval ring, the gold ring with scalloped border and shoulders extending into small claws, mounted with an oval shaped turquoise cabochon. Engraved with inscription which has been worn to mere illegibility but contains the word ‘Flodden’. Size X. £1,000-1,500 This ring is believed to be a replica of a ring proported to have been taken from James IV of Scotland at the battle of Flodden Field by The Duke of Norfolk in 1513. The original ring was then presented to The College of Arms in London in 1681 by The 6th Duke of Norfolk, where it remains today.

Reproduced by permission of the Kings, Heralds and Pursuivants of Arms

A similar 15th century turquoise mounted gold ring was discovered in the Fishpool hoard which is now housed in the Victoria & Albert museum. 1409. A ruby mounted gold ring. Probably 14th century. The oval shaped cabochon ruby is pavé set with six additional small claws. Size I ½. £1,000-1,500 1410. A late Elizabeth I point cut diamond set gold ring. The sloping sides of the box-shaped bezel decorated with black enamel. Possibly later shank with black enamel hatched decoration. Size L ½. £800-1,200 There is a similar ring in the Victoria & Albert Museum collection.

1398 1397

1399 1396

1403

1400

1404 (3) 1401

1404 (3)

1402

1408

1406 1405

1407

1410

1409

1411. A 19th century diamond foliate brooch, set with graduated old circular cut diamonds in gold. 7cm high. £500-700 1412. A 19th century diamond and pearl foliate brooch, each spray centred with a pearl in silver and gold. 7.7cm high. £600-800 1413. A Victorian diamond set wild rose form corsage brooch, mounted en tremblant in silver and gold. The flower heads each centered with cushion shaped diamonds with pear shaped and cushion shaped diamonds to the heart shaped petals. Separating into various smaller pieces. 18cm long. £15,000-20,000 1414. An emerald and diamond floral brooch, centred with a circular cut emerald within a flower head set with marquise shaped and circular cut diamonds, with further diamonds set to the leaves in platinum. £1,500-2,000

1411

1412

1413

1414

1415. A Russian demantoid garnet and shaded enamel foliate pendant, the three leaves applied with pink and green enamel amongst scrolling demantoid garnet set yellow gold surround. Russian marks for 56 zolotnik and AC 6cm high. £600-800 1416. A Russian 19th century sapphire and diamond cluster ring, centred with an oval shaped sapphire within cushion shaped diamond surround. Gold pierced floral mount. Maker’s mark A*B, 72 zolotnik and 1856 beneath the St Petersburg anchors mark. Size O ½. £4,000-5,000 1417. A Russian Art Nouveau emerald and diamond set navette shaped ring, centred with a cabochon emerald within graduated calibre cut emerald straps and diamond set border in gold. French control marks and 72 zolotnik mark. Size N. In damaged box from St Petersburg. £800-1,200 1418. A gold scroll brooch mounted with a cabochon amethyst by Fabergé. Moscow 1896 - 1908. Stamped to the reverse with cyrillic KF and kokoshnik, repeated to the gold pin and numbered 23948. 2.8cm wide. £3,000-4,000 1419. A Russian gold coin mounted brooch by Fabergé, workmaster Oskar Pihl. The Catherine II five rouble 1773 gold coin has pink guilloche enamel decoration to the obverse and is mounted in gold with a rose cut diamond border and five cabochon emeralds. Marks - on the pin hook 56 and rubbed OP. On the pin, two obscure marks possibly Moscow and OP. 2.8cm wide. With fitted wooded box, the silk lining stamped K. Fabergé in Cyrillic beneath the Imperial eagle. £15,000-20,000 Referred to in Bainbridge, Peter Carl Fabergé, page 56 when the brooch was in the possession of Mrs John Piper and Mrs Constance Sturrock. Exhibited Wartski, 138 Regent Street, London. November 8th - 25th 1949. Exhibit number 152, as lent by Mrs J. Piper. A gold five Rouble Piece. Enamelled a flame colour, set with five cabochon emeralds and rose diamonds mounted as a brooch. With an invitation to Mrs Sturrock to the Wartski exhibition. And an exhibition announcement card. And correspondence from Wartski to Mrs Piper. The original catalogue and documents to be included with this lot. 1420. A Russian diamond set gold and enamel brooch, C1900 centred with a diamond set Great Imperial Crown on oyster coloured guilloche enamel oval ground within a tied laurel two colour gold wreath. The shoulders millegrain set with graduated diamonds. Kokoshnik to rim. The pin with obscure mark, probably a Kokoshnik. £5,000-7,000 The Great Imperial Crown indicates that the brooch was probably a presentation piece. 1421. A gold shield shaped double locket pendant by Fabergé, workmaster August Hollming. The cover mounted with an oval shaped spinel within a burst of graduated rose cut diamonds. Opening to reveal two lockets. 3.5cm high. Marks - inside the back locket, workmaster’s initials. AH with star between and kokoshnik with 56 zolotnik mark and St Petersburg alpha. In wooded box with later fitted section and the silk lining marked for Fabergé in Cyrillic beneath Imperial eagle. £8,000-12,000 Provenance: From the same collection as lot 1419. 1422. A Russian gold locket pendant. The front mounted with a diamond and a turquoise and diamond set insect. The reverse engraved with initials and dated 1877. The interior marked with 56 zolotnik, St Petersburg anchors and indistinct maker’s initials. 3cm high. £400-600 1423. A pair of diamond set Imperial Crown cufflinks, C1900. The back sections marked 56 and BA. Some diamonds missing and some replaced. £2,000-3,000

1416

1415 1420

1417

1419

1418 1422

1421

1423

1424. A diamond solitaire ring, the old circular cut diamond weighs approximately 2.00cts, millegrain set with diamond shoulders in platinum. Size M ½. £7,500-9,000 Accompanied by report number 2,0001865 dated 2nd March from Anchorcert, Birmingham stating that the Old English Brilliant Cut diamond measures 7.98 - 8.28 x 4.60mm, weighs 2.05ct, with K colour VS1 clarity. 1425. A diamond solitaire ring, the circular cut diamond weighs approximately 4.70cts and is set in platinum. Size O. £12,000-15,000 1426. A sapphire and diamond cluster ring, the cushion shaped sapphire measures approximately 11.30 x 10.10 x 8.43mm deep and weighs approximately 8.00cts and is set within a surround of fourteen old circular cut diamonds in platinum and gold. Size O. £3,500-4,000 1427. A spinel and diamond cluster ring, the cushion shaped light mauve spinel is set within surrounds of marquise shaped and circular cut diamonds in white gold. Size O. £600-800 1428. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of rose cut diamonds in gold. Size K ½. £1,500-2,000 1429. A sapphire set ring, the cushion shaped sapphire weighs approximately 3.30cts and is set in yellow gold. Size K. £2,000-2,500 Accompanied by report number 10087 dated 27th June 2014 from The Gem and Pearl Laboratory London stating that sapphire measures 10 x 8 - 9 x 4.8mm and is a natural sapphire with no evidence of heat treatment. Origin opinion: Sri Lanka. 1430. A pair of diamond and ruby set cluster earrings, each white gold earring is set with three round brilliant cut diamonds and graduated circular cut rubies. £5,000-7,000 1431. A sapphire and diamond set circular pendant, centred with a circular cut yellow sapphire, the border millegrain set with scroll pierced circular cut diamonds and four foliate sections of small sapphires in platinum. 3.5cm wide. £1,500-2,000 1432. A diamond cluster ring, the round brilliant cut diamond weighs approximately 1.37cts and is millegrain set with smaller diamonds to the shoulders in platinum. Size K. £3,600-4,000 1433. A large sapphire and diamond cluster ring, the cushion shaped sapphire measures 14.15 x 12.7 x 7.61mm deep and weighs approximately 11.00cts and is millegrain set within a surround of sapphires and diamonds in a geometric pattern. Set with eight small shoulder diamonds in white gold and platinum. Size P ½. £10,000-15,000 1434. An impressive sapphire and diamond ring, the oval shaped sapphire weighs approximately 9.00cts with a triangular cluster of circular diamonds to the shoulders within two yellow gold bands. Marked C.G and London 2007. Size L (approximately). £3,000-4,000 1435. A pink sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of twelve cushion shaped diamonds and the V-form shoulders set with further diamonds in gold. Size L ½. £4,000-5,000 Accompanied by report number 20018510 dated 27th August 2014 from Anchorcert, Birmingham stating that the sapphire measures 8.55 x 6.61 x 4.29mm and is a natural sapphire with no evidence of treatment observed. 1436. A 19th century brooch mounted with a sapphire and white stones, the oval shaped sapphire is mounted within a cutdown collet and a surround of small white stones. The sapphire measures approximately 13.44 x 11.06 x 6.07mm deep and is estimated to weigh 7.50cts. £2,000-3,000 1437. A diamond three stone ring, the central cushion shaped diamond weighs approximately 1.85cts, the two circular brilliant cut shoulder diamonds weigh approximately 2.10cts in total. Set in platinum and yellow gold. Size L. £4,000-6,000

1430

1429

1428

1424

1427

1425

1426

1431

1433 1432 1435

1437 1434

1436

1438. A ruby and diamond set flower head brooch, centred with a cluster of graduated circular cut rubies and diamonds with yellow gold petals. The stem set with baguette shaped and circular cut diamonds and a ruby. Indistinctly signed to the reverse, possibly Cartier. London. Case. £5,000-7,000 1439. An Art Deco diamond set white gold bracelet by Cartier, the plain rectangular and oval links are joined with diamond set sections. Signed Cartier, Paris, London New York. 18cm. In Cartier case. £8,000-12,000 1440. A diamond and black onyx mounted lady’s dress wristwatch by Cartier, the plain rectangular dial signed Cartier France and with black Roman numerals. The Bezel and shoulder set with circular cut diamonds and sections of black onyx in platinum. Reverse of the case numbered 20733.2942 and 29449. Associated black cord band. The watch 4.3cm long. £5,000-7,000 1441. A carved emerald pendant by Cartier, the fluted emerald bead suspended from a diamond set collar and hinged bale. Signed Cartier with inventory number 2818259. 2.3cm long. £1,000-1,500 1442. A diamond set gold clip brooch by Cartier (Monture), set with three graduated old circular cut diamonds to the yellow gold scroll mount. Signed Cartier Monture, inventory number V6153. French control marks. Cartier box. £4,500-5,500 1443. An enamel gold cat pendant by Cartier, bearing the inscription to the reverse ‘ou J’entre le bonheur me suit’ meaning ‘where I go happiness follows’. Signed Cartier NY. £300-400

1438

1443

1439

1442

1440

1441

1444. A diamond set cocktail watch, the plain dial with Arabic numerals, within baguette shaped and circular cut diamond case in platinum. The case 1cm wide (including winder). £600-800 1445. A stylised dog brooch by Boucheron, formed with twisted gold rope wires and with cabochon green stone and circular cut diamond eye and black onyx nose. Signed to the reverse, Boucheron Paris, with various French control marks and numbered 16615. 3.5cm high. £2,500-3,000 1446. An Edwardian sapphire and diamond set plaque ring, the cushion shaped sapphire is set within a surround of circular and baguette shaped diamonds in platinum. Size N. £300-400 1447. A stylised dog brooch by Mauboussin, the fluted brooch with cabochon ruby eyes and sapphire nose and centred with a turquoise cabochon. Signed Mauboussin and number 5045 and with French control marks. 3cm high. £1,000-1,500 1448. An Edwardian diamond and sapphire set platinum and gold rectangular plaque ring, pavé set with circular cut diamonds, a central line of three graduated and larger circular cut diamonds, and two vertical lines of calibre cut sapphires (one missing). Size O. £600-800 1449. A fire opal and diamond set white gold ring, the octagonal cut opal is set with six graduated circular cut shoulder diamonds. Size K ½. £1,000-1,500 1450. A 1940s diamond set dress ring, set with two trapeze cut diamonds and smaller circular and baguette shaped diamonds in white gold. Later textured shank. Size K. £1,000-1,500 1451. A diamond set Buddha jabot pin, the green glass Buddha clutching a diamond and with Chinese style halo set with rose cut diamonds. The pin terminating with arrow feathers set with rose cut diamonds. Signed to reverse with Chinese style monogram, probably for Lacloche Frères. French control marks and numbered indistinctly ?6030.A1661. 6.8cm. £1,000-1,500 1452. A carved amethyst Buddha clip, with millegrain set diamond terminals in platinum. 3.5cm high. £200-300 1453. A tourmaline and diamond ring, centred with an octagonal cut tourmaline within borders of graduated circular cut diamonds, millegrain set in white gold. Size M ½. £400-600 1454. An aquamarine and diamond pendant, the kite shaped aquamarine suspends from a circular cut diamond, a baguette shaped aquamarine and a baguette shaped diamond in platinum. On a fine link platinum neck chain. £2,500-3,500 1455. An early 20th century pearl, diamond and black onyx brooch, the geometric design with fleur de lys terminals and a central cushion shaped diamond, millgrain set in platinum. French control marks. 5.5cm wide. £600-800 1456. An Art Deco diamond and emerald set geometric design brooch, formed with two interlocking rectangles each millegrain set with circular cut diamonds and a stylised star form center section set with calibre cut emeralds in platinum and gold. Fitted case. £400-600 1457. An Art Deco brooch, C1935, set with diamonds and emeralds. The geometric shape pavé set overall with graduated circular cut diamonds and with a centre line of graduated baguette shaped diamonds and further baguette shaped diamonds to the cabochon emerald mounted platinum terminals. 5.8cm wide. Fitted case by Harvey & Gore. £3,000-4,000 1458. An Art Deco sapphire and diamond set platinum bracelet, mounted with seven oval shaped sapphires each separated with stylised stitch sections of square shaped sapphires and pavé set overall with graduated circular cut diamonds. Scroll engraved shoulders. French control mark on tongue. 19cm. £12,000-15,000 1459. A sapphire and diamond set Art Deco style white gold panel bracelet, formed with three octagonal open work panels each centred with an oval shaped sapphire and millegrain set with graduated circular cut diamonds. With further rectangular diamond set panels joined with square sections set with a central line of baguette shaped diamonds and square shaped sapphire borders. 19.5cm. £10,000-15,000

1446

1445

1448

1449

1447

1450

1454 1453

1452

1455

1451

1444

1456

1457

1458 1459

1460. A natural pearl and diamond ring, the button shaped pearl measures 12.8mm (widest) and is set within cushion shaped diamond scroll pierced lozenge surround in yellow gold. Size O. £5,500-7,000 Accompanied by report number 04164 dated 27th May 2011 from The Gem and Pearl Laboratory, London stating that part-drilled button shaped pearl measures 12.1 - 12.8 x 10.0mm, weighs 11.30ct and is a natural saltwater pearl. 1461. A natural pearl and diamond cluster ring, the pearl is set within a surround of sixteen old circular cut diamonds in silver and gold. Size Q. £1,800-2,500 Accompanied by report number 1/22338-001 dated 23rd May 2011 from Anchorcert stating that the part-drilled button-shaped pearl measures 10.7 x 7.7mm, weighs 6.53cts and is a natural pearl. 1462. A single row graduated natural pearl necklace, with a gold clasp set with four small rubies. 45cm. £1,000-1,500 Accompanied by report number 20018507 dated 27th August 2014 from Anchorcert stating that the 178 pearls graduate from 2.34 - 6.47mm, weigh 7.64g in total and are natural saltwater pearls. 1463. A single row graduated natural pearl necklace, the gold clasp set with three circular cut diamonds. 50cm. £800-1,200 Accompanied by report number 09879 dated 16th May 2014 from The Gem and Pearl Laboratory, London stating that the 156 pearls graduate from 2.2 to 5.9mm, weigh 9.7g in total and are natural saltwater pearls. 1464. No Lot 1465. A single row graduated natural pearl necklace, the pearls graduate from 2.0 to 5.9mm. Diamond set lozenge form platinum and white gold clasp. 43cm. £2,000-3,000 Accompanied by report number 1142630310 dated 9th May 2012 from GIA stating that the 122 pearls graduate from 2.02 to 5.96mm, weigh 7.60g (in total) are white in colour and are natural saltwater pearls. 1466. A single row graduated natural pearl necklace, 73cm. The gold clasp set with a square shaped emerald within a surround of cushion shaped diamonds. £5,000-7,000 Accompanied by report number 09510 dated 1st March 2014 from The Gem and Pearl Laboratory, stating that 120 pearls measure 4.2 to 5.6mm, weigh 24.82g in total and are natural saltwater pearls. 1467. A pair of natural pearl and diamond set drop earrings, each earring mounted with an oval shaped pearl, within a surround of small diamonds suspending from a diamond set bow and further natural pearl and diamond cluster in gold with damaged black enamel decoration. £2,000-3,000 Accompanied by report number 20018459 dated 28th August 2014 stating that the two pear shaped and two off round part drilled pearls measure 8.48 - 8.50mm and 6.07 - 6.65mm and 8.21 - 8.32mm and 6.73 - 6.13mm. All are natural saltwater pearls.

1461

1460

1467 1462

1463 1466 1465

1468. A yellow sapphire solitaire ring, the slightly oval shaped sapphire weighs 5.22ct and is set in platinum. Size P ½. £3,000-5,000 Accompanied by report number 09795 dated 2nd May 2014 from The Gem and Pearl Laboratory, London stating that the square cushion shaped sapphire measures 10.0 x 9.8 x 6.5mm, weighs 5.22ct and is a natural sapphire with no evidence of heat treatment observed. Origin opinion: Sri Lanka. 1469. A ruby and diamond set gold ring, the old circular cut diamond weighs approximately 3.15cts and is set with eight tapered baguette shaped shoulder rubies in gold. Size M. £12,000-15,000 1470. A diamond solitaire ring, the old circular cut diamond weighs approximately 4.05cts and is set in platinum with pierced scroll shoulders set with small diamonds and graduated tapered baguette shaped sapphires. Size N (with two resizing balls). £15,000-20,000 1471. A pair of sapphire and diamond earrings, the cushion shaped sapphires weigh approximately 13.00cts in total and are set within four circular cut diamonds in white gold. £1,000-1,500 Accompanied by report number 09190 dated 1st January from The Gem and Pearl Laboratory, London stating that the two sapphires measure 11.51 x 9.40 x 5.05mm (6.17ct) and 11.64 x 9.38 x 6.09mm (6.85ct) and are natural sapphires with no evidence of heat treatment. Origin opinion: Sri Lanka. 1472. A diamond solitaire ring, the round brilliant cut diamond weighs approximately 1.50cts and is set in platinum with six baguette shaped shoulder diamonds. Size L ½. £5,250-6,000 1473. A pair of diamond stud earrings, the two round brilliant cut diamonds weigh 1.04 and 0.97cts and are set in white gold. £6,000-8,000 1474. A diamond solitaire ring, the cushion shaped diamond weighs approximately 4.05cts and is set with three graduated baguette shaped diamonds to each shoulder in white gold. Size L. £10,000-15,000 1475. A sapphire and diamond ring, the cushion shaped sapphire weighs approximately 7.00cts and is set with six small shoulder diamonds in white gold. Size N. £2,000-3,000 1476. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of circular cut diamonds in platinum and white gold. Size J. £2,000-3,000 1477. A sapphire and diamond ring, the oval shaped sapphire weighs 9.11ct and is set with two marquise and one baguette shaped diamond to each shoulder in platinum. £8,000-12,000 Accompanied by report number 03439 dated 16th November 2010 from The Gem and Pearl Laboratory, London stating that the rectangular cushion shaped sapphire measures 12.70 x 9.82 x 8.60mm, weighs 9.11ct and is a natural sapphire with no evidence of heat treatment. Origin opinion: Sri Lanka. 1478. A sapphire and diamond cluster ring, the oval shaped sapphire weighs 10.10ct and is set within a surround of round brilliant cut diamonds in platinum and gold. Size R ½. £8,000-12,000 Accompanied by report number 04749 dated 30th October 2011 from The Gem and Pearl Laboratory, London stating that the oval shaped sapphire measures 14.97 x 12.14 x 6.54, weighs 10.10ct and is a natural sapphire with no evidence of heat treatment. 1479. A diamond set pendant centred with a large circular cabochon grey star sapphire, C1930. The sapphire weighs approximately 70.00cts. Set in platinum, on a fine link platinum neck chain. £6,000-8,000

1469

1472 1471

1468

1474 1470

1473

1476

1475

1477

1478

1479

1480. A French gold snake ring, the realistically formed snake with carved scales and ruby eyes and holding an untested pearl in its mouth. French control mark and maker’s mark HCP. Size I ½. £1,200-1,500 1481. A slightly graduated natural pearl single row necklace, with a pearl and small diamond set clasp. 45cm. £10,000-15,000 Accompanied by report number 10220 dated 25th July 2014 stating that the 85 pearls graduate from 3.8 to 5.6mm, weigh 10.78g (total) and are natural saltwater pearls. 1482. A 19th century natural pearl and diamond brooch, the baroque shaped pearl is surmounted with a diamond set stylised coronet in silver and gold. £6,000-8,000 Accompanied by report number 07454 dated 30th March from The Gem and Pearl Laboratory, London stating that the part-drilled irregular button-shaped pearl measures 11.5-12.5 x 10.5mm, weighs 10.73ct and is a natural saltwater pearl. 1483. A pair of natural pearl and diamond earrings, each button shaped pearl suspends from an old circular cut diamond, the pearls measure approximately 9.5mm. £3,500-4,500 1484. A pair of natural pearl and diamond earrings, each pearl is set with a circular cut diamond in gold. £3,000-4,000 Accompanied by report number 09229 dated 14th January 2014 from the Gem and Pearl Laboratory stating that the part-drilled button shaped pearls measure 8.1 - 8.2 x 7-8mm and 8 x 8mm, both are natural saltwater pearls. 1485. A natural pearl and diamond pendant, the pearl suspends from a line of four small diamonds on a fine link platinum chain mounted with a further two diamonds and eight seed pearls. £5,000-7,000 Accompanied by report number 10219 dated 25th July 2014 fro the Gem and Pearl Laboratory stating that the part-drilled flattened oval shaped pearl measures 9.0 - 10.3 x 12-13mm and is a natural saltwater pearl. 1486. A pair of natural pearl and diamond drop earrings, each drop shaped pearl with rose cut diamond set cap and suspending from a cushion shaped diamond in gold. £8,000-12,000 Accompanied by report number 09127 dated 13th December 2013 from The Gem and Pearl Laboratory, London stating that part-drilled drop-shaped pearls measure 8.1 - 8.5 x 13 - 15mm and 7.7 - 8.3 x 13 - 15mm, both are natural saltwater pearls. 1487. A single row graduated natural pearl necklace, the eighty five pearls graduate from 7.29 to 3.13mm. The 18ct white gold clasp set with an emerald and small diamonds. 45cm. £3,000-4,000 Accompanied by report number 20018506 dated 27th August from Anchorcert stating that the 85 pearls graduate from 3.13 to 7.29mm, weigh 13.52g in total and are natural saltwater pearls. 1488. A single row graduated natural pearl necklace, the gold clasp set with an oval shaped emerald within a surround of cushion shaped diamonds. 50cm. £800-1,200 Accompanied by report number 09966 dated 1st June 2014 from the Gem and Pearl Laboratory, stating that the 121 pearls graduate from 2.3 to 6.3mm, weigh 11.56g (total) and are natural saltwater pearls. 1489. A two row graduated natural pearl necklace, 38cm long. With seed pearl set gold flower head clasp. £2,000-3,000 Accompanied by report number 09751 dated 25th April 2014 from The Gem and Pearl Laboratory, London stating that the pearls graduate from 3.9 (excluding seed pearls) to 8.7mm, weigh 29.27g (total) and are natural saltwater pearls. 1490. A single row graduated natural pearl necklace, with diamond set clasp. 54cm.

£600-800

Accompanied by report number 09880 dated 16th May 2014 from The Gem and Pearl Laboratory, London stating that the 118 pearls measure 3.1 to 6.0mm, weigh 10.09g (total) and are natural saltwater pearls.

1482

1483

1484

1485

1486

1487

1481 1488

1480

1489

1490

1491. A pair of French diamond and ruby cluster earrings, each earring mounted with ten circular cut diamonds within surround of circular cut rubies in yellow gold. French control marks. Case. £1,000-1,500 1492. A pair of sapphire and diamond set gold flower head earrings, each earring centred with a cluster of seven circular cut diamonds within the ‘invisibly’ set calibre cut sapphires. 2.3cm wide. £6,000-8,000 1493. A pair of French pearl and ruby cluster earrings, formed as flower heads and set overall with graduated pearls and cabochon rubies in gold. French control mark. Fitted case by Garrard. £1,000-1,500 1494. A spherical pendant pavé set with rows of oval and cushion shaped rubies with diamond set cap, suspended from a platinum and white gold chain necklace set with rose cut diamonds. 42cm. £1,000-2,000 1495. A diamond full circle eternity ring by Boucheron. Set with baguette shaped diamonds in platinum. Signed Boucheron Paris and numbered 1135961. Size J ½. With Boucheron leather pouch. £2,000-3,000 1496. A ruby and diamond bracelet, mounted with five octagonal cut rubies, each within a border of four pear shaped diamonds and joined with five links of baguette shaped diamonds in platinum. 17.5cm. £10,000-15,000 1497. An Art Deco diamond and black onyx jabot pin by Janesich, millegrain set with sections of black onyx and pavé set overall with rose cut diamonds in platinum. Signed Janesich and numbered 12872. £500-700 1498. A ruby and diamond set stylised foliate double clip brooch, mounted with diamond centred flower heads with ruby petals and lines of graduated baguette shaped diamonds and further circular cut diamonds to the stems. Separating into two sections. Case by Van Cleef & Arpels. £6,000-8,000

1491

1492

1493

1495 1494

1497 1496

1498

1499. A diamond and natural freshwater pearl set swirling white gold brooch, C1950, the pink pearl is set within scrolls of baguette shaped and circular cut diamonds in white gold. 7cm long. £2,500-3,000 Accompanied by report number 2125851050 dated 1st December 2010 stating that the partially drilled pink button shaped pearl measures 10.82 x 9.62mm, weighs 8.25ct and is a natural freshwater pearl. 1500. A single row graduated natural pearl necklace. The navette shaped platinum clasp set with a marquise shaped diamond within circular cut diamonds. 51.5cm long. £20,000-30,000 Accompanied by report number 09967 dated 1st June from the Gem and Pearl Laboratory, stating that the 87 pearls graduate from 3.4 to 8.7mm, the necklace weighs 22.74g (total) and with the exception of one bead-nucleated cultured pearl (14th from the end) the remainder are natural saltwater pearls. 1501. A late 19th century diamond set shield shaped floral brooch, centred with a pink conch pearl and set in silver on gold.

£600-800

1502. A pair of natural pearl earrings, both earrings measure approximately 11.5mm and are mounted in simple French white gold screw settings. £10,000-20,000 Accompanied by report number 10290 dated 8th August 2014 from The Gem and Pearl Laboratory, London stating that two rounded part-drilled pearls measure 11.4 - 11.7 (10.67ct) and 11.6 - 11.8 (11.06ct) and are both natural saltwater pearls. 1503. An early 20th century sapphire, diamond and conch pearl scroll brooch, set with graduated old circular cut diamonds and suspending five sapphire and conch pearl pendants with a further conch pearl and sapphire in yellow gold and platinum. 5.8cm wide. £2,500-3,000 1504. A natural pearl and diamond set ring, the pearl is mounted with diamond set stylised fleur de lys shoulders in platinum. French control marks. Size O. £4,000-5,000 Accompanied by report number 299268 dated 4th October 2013 stating that the half-drilled button shaped pearl measures 9.8 - 10.2 x 9.6mm and is a natural saltwater pearl. 1505. A natural pearl and diamond cluster ring, the pearl is set within a surround of ten old brilliant cut diamonds in yellow gold with stylised fleur de lys shoulders. Size O. £5,500-6,500 Accompanied by report number 983932 dated 24th July 2007 from The Precious Stone Laboratory, London stating that the part-drilled, round ‘bouton’ pearl measures 9.61 - 9.65 x 8.72, weighs 5.59cts (22.38 grains) and is a natural saltwater pearl. 1506. A natural pearl and diamond set platinum ring, the drop shaped pearl weighs 10.73ct and is set with small diamonds. Size J. £25,000-30,000 Accompanied by report number 75666 dated 17th July 2014 from SSEF, Switzerland stating that the slightly cream drop-shaped half-drilled pearl measures 10.37 - 10.39 x 14.40mm weighs 10.73ct (43.06 grains) and is a natural saltwater pearl. Accompanied by report number 09968 dated 1st June 2014 from the Gem and Pearl Laboratory, stating that the drop-shaped part-drilled pearl measures 10.3 x 14.4, weighs 10.79ct and is a natural saltwater pearl.

1507 (not to scale)

1507. A loose fancy purple-pink pear shaped diamond, weighing 0.17ct, a loose fancy yellow oval shaped diamond weighing 0.46ct. A loose fancy brown-pink rectangular cut diamond weighing 0.25cts. A loose fancy light pinkish brown pear shaped diamond weighing 0.73ct and a loose fancy brownish/greenish/yellow oval shaped diamond weighing 0.71ct. £2,000-3,000 Accompanied by GIA report number 2155079941 dated 13th November 2012 stating that the natural diamond weighs 0.17ct, with fancy purplepink colour, VS2 clarity. Accompanied by GIA report number 1139507464 dated 29th June 2012 stating that the natural diamond weighs 0.46ct, with fancy yellow colour, internally flawless. Accompanied by GIA report number 2115816370 dated 24th March 2010 stating that the natural diamond weighs 0.25ct, with fancy brown-pink colour. Accompanied by GIA report number 2135415667 dated 16th June 2011 stating that the natural diamond weighs 0.73ct, with light pinkish brown colour. Accompanied by GIA report number 1136103102 dated 1st March 2011 stating that the natural diamond weighs 0.71ct, with fancy brownish greenish yellow colour. SI2 clarity.

1499

1500

1501

1504 1503

1505

1502

1506

✣ 1508. A large oval shaped Burmese pink sapphire and diamond cluster ring, the sapphire weighs 11.01cts and is set within a surround of twelve old circular cut diamonds in gold. Size O.

£15,000-20,000

Accompanied by report number 56688 dated 28th June 2010 from SSEF, Switzerland stating that the antique cushion cut pink sapphire measures 13.29 x 12.06 x 6.61, weighs 11.017ct, and is a natural pink sapphire with no evidence of treatment. Origin: Burma.

✣ 1509. A Burmese ruby and diamond cluster ring, the oval shaped ruby weighs 4.33cts and is set within two rows of graduated round brilliant cut diamonds and further diamonds pavé set to the shoulders in platinum. Size Q ½. £15,000-20,000 Accompanied by report number 75910 dated 14th August 2014 from SSEF, Switzerland stating that the oval shaped ruby measures 9.90 x 7.91 x 5.45mm, weighs 4.330ct and is a natural ruby, with red of strong saturation, no indications of heating. Origin: Burma. 1510. A Kashmir sapphire and diamond cluster ring, the oval shaped sapphire weighs 1.27cts and is set within a surround of circular cut diamonds in gold. £2,000-5,000 Accompanied by report number 09989 dated 7th June 2014 from The Gem and Pearl Laboratory, London stating that sapphire measures 6.0 x 4.7 x 4.4mm, weighs 1.27cts and is a natural sapphire with no evidence of heat treatment. Origin opinion: Kashmir.

✣ 1511. A Burmese sapphire and diamond ring, the slightly oval shaped sapphire weighs 3.64cts and is set in platinum with three small diamonds to each shoulder. Size N. £12,000-15,000 Accompanied by report number 75939 dated 20th August 2014 from SSEF, Switzerland stating that the oval brilliant cut sapphire measures 9.07 x 8.50 x 5.51mm, weighs 3.647ct, with blue of medium strong saturation. The natural sapphire with no indications of heating. Origin Burma. Accompanied by report number 13100297 dated 7th November 2013 from Gubelin, Switzerland stating that oval brilliant cut sapphire shows no evidence of heating. Origin: Burma. 1512. A Kashmir sapphire and diamond ring, the cushion shaped sapphire weighs 1.59cts and is set with six baguette shaped and small circular cut diamonds in platinum. Size L ½. £15,000-20,000 Accompanied by report number 76042 dated 29th August 2014 from SSEF, Switzerland stating that the antique cushion cut sapphire measures 6.59 x 5.97 x 3.99mm, weighs 1.589ct and is a natural sapphire with no indications of heating. Origin: Kashmir.

✣ 1513. A Burmese sapphire and diamond ring, the oval shaped sapphire weighs 5.65cts and is set with two baguette shaped diamonds to each shoulder in platinum. Maker’s lozenge with initials LC and French control mark. Size M ½. £20,000-30,000 Accompanied by report number 303061 dated 23rd April 2014 from Laboratoire Francais de Gemmologie stating that the cushion shaped sapphire measures 11.60 x 8.46 x 5.90mm, weighs 5.65cts and is a natural sapphire with no indications of heat treatment: Origin: Burma. 1514. A briollette shaped Kashmir sapphire pendant weighting 5.33cts, on a fine link white gold neck chain. £6,000-8,000 Accompanied by report number 71533 dated 6th November 2013 from SSEF, Switzerland stating that pearshaped twice drilled briollette measures 10.92 x 8.29 x 6.55mm, weighs 5.331ct, with blue of weak saturation, no evidence of heating. Origin opinion: Kashmir.

1509

1508

1514

1513

1512

1511

1510

1515. A pair of natural pearl and diamond drop earrings, the pearls are mounted with a conical cap set with graduated circular cut diamonds and suspend from a drop shaped mount millegrain set with graduated circular cut diamonds. Suspended from a further five marquise shaped diamonds and larger circular cut diamond in platinum ÂŁ20,000-30,000 Accompanied by report number 76117 dated 3rd September 2014 from SSEF, Switzerland stating that the slightly baroque button-shaped, twice half-drilled pearl measures 11.40 - 13.30 x 9.80mm, weighs 10.436ct (41.75 grains), slightly cream with rosĂŠ and green overtones and is a natural saltwater pearl. Accompanied by report number 76118 dated 3rd September 2014 from SSEF, Switzerland stating that the slightly baroque oval, twice half-drilled pearl measures 10.05 - 11.25 x 13.65mm, weighs 11.425ct (45.70 grains), slightly cream with rosĂŠ and green overtones and is a natural saltwater pearl.

1516. An Art Deco diamond set articulated bracelet by Cartier. Later conversion, formed with two rows of three graduated circular diamond set D-shaped links, each joined with a square shaped diamond link in platinum. Signed to the reverse Cartier, London. 18.7cm. ÂŁ20,000-30,000

Actual size

1517. A pair of natural pearl and diamond drop earrings by Cartier, the drop shaped pearls suspend from an articulated row of graduated platinum conical mounts set with small diamonds. Suspending from a baguette shaped diamond and a larger old circular cut diamond. Signed Cartier and indistinctly numbered S.-(6 or 0)63. 6cm high. With fitted Cartier box. ÂŁ150,000-200,000 Family tradition holds that the earrings were purchased from Cartier by the current ownerâ&#x20AC;&#x2122;s great grandfather as a gift for his daughter in 1921. Accompanied by report number 75788 dated 24th July 2014 from SSEF, Switzerland stating that the white drop-shaped half-drilled pearl measures 10.82 - 11.62 x 14.78mm, weighs 12.73ct (50.92 grains) and is a natural saltwater pearl. Accompanied by report number 75789 dated 24th July 2014 from SSEF, Switzerland stating that the slightly cream drop-shaped half-drilled pearl measures 10.97 - 11.64 x 14.47mm, weighs 12.196ct (48.78 grains) and is a natural saltwater pearl.

N M

B D

Actual size C G

1518. A necklace mounted with fourteen graduated natural pearls and fourteen graduated cushion shaped diamonds. All joined with white gold knife edge links set with small diamonds. 41cm. ÂŁ80,000-120,000 Accompanied by report number 75646 dated 17th July 2014 from SSEF, Switzerland stating that the 14 pearls are white to cream and graduate from 4.39 to 15.08 and all are natural saltwater pearls. A: 20.187ct (80.75 grains) button-shaped, drilled. B: 10.186ct (40.74 grains) button-shaped, twice half-drilled. C: 9.663ct (38.65 grains) button-shaped, twice half-drilled. D: 9.337ct (37.35 grains) button-shaped, twice half-drilled. E: 9.308ct (37.23 grains) button-shaped, twice half-drilled. F: 8.946ct (35.78 grains) button-shaped, multiple half-drilled. G: 8.718ct (34.87 grains) button-shaped, multiple half-drilled.

H: 7.455ct (29.82 grains) button-shaped, twice half-drilled. I: 5.894ct (23.58 grains) oval, twice half-drilled. J: 4.859ct (19.44 grains) button-shaped, twice half-drilled. K: 4.225ct (16.90 grains) button-shaped, twice half-drilled. L: 4.145ct (16.58 grains) button-shaped, twice half-drilled. M: 3.200ct (12.80 grains) button-shaped, twice half-drilled. N: 2.379ct (9.52 grains) button-shaped, half-drilled.

The diamonds graduate from approximately 0.60cts to 2.65cts and weigh approximately 17.68cts in total.

Actual size

1519. A Kashmir sapphire two stone ring, the cushion shaped sapphires weigh 3.59 and 3.56cts and are set in a plain platinum mount. Engraved with inventory number 2532. Size M Â˝. ÂŁ80,000-120,000 Family tradition holds that the ring was purchased from Chaumet in 1934. Accompanied by report number 75667 dated 17th July 2014 from SSEF, Switzerland stating that the two sapphires measure 8.28 x 7.89 x 5.71mm (3.592ct) and 8.43 x 7.79 x 5.41mm (3.356ct) with blue of strong saturation and no indications on heat treatment. Origin: Kashmir.

100

101

Silver Tuesday 21st and Wednesday 22nd October 2014

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424530 lucychalmers@woolleyandwallis.co.uk

A set of of four George II Irish silver Rococo candlesticks, by Thomas Williamson, Dublin circa 1740. Estimate: £10,000 - £15,000

Asian Art Wednesday 12th & Thursday 14th November 2014

A rare Chinese cloisonnĂŠ incense burner four character Jingtai mark and of the period 1450-1456. Provenance: formerly in a private Swiss collection. Estimate: ÂŁ30,000-40,000

ENQUIRIES John Axford MRICS ASFAV Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk Sophie Lister Tel: +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

The Helen Espir Collection Wednesday 12th November 2014

ENQUIRIES John Axford MRICS ASFAV Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk Sophie Lister Tel: +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

A selection of European decorated Oriental ceramics taken from the collection of Helen Espir. Estimates ranging from ÂŁ600-5,000

English and European Ceramics and Glass Tuesday 25th November 2014

ENQUIRIES Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

A selection of sealed English wine bottles included in the sale, many from a private collection, and previously unrecorded.

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

LW AY W ES T IL

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CENTRAL CAR PARK

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Old Sarum Park

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Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

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Old Sarum Kia Motors

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

AMESBURY & MARLBOROUGH

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CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

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A345 Castle Rd

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SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

SOUTHAMPTON CATHEDRAL

UT SO

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE TO SALT LANE TOSTREET CASTLE STREET & WALLIS WOOLLEY FROM DIRECTIONS PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

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ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

A338 BOURNMOUTH & RINGWOOD

REET

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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A354 DORCHESTER WEYMOUTH & BLANDFORD

SALT LANE

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W OOLLEY & W ALLIS S ALEROOMS

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 23rd October 2014 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR SILVER 16th October – The Christopher Foley, F.S.A., Collection of English Medals of the 15th-17th Centuries 20th & 21st January 2015 Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 23rd October 22nd January 2015 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 25th November – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk ASIAN ART 12th & 13th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk 20TH CENTURY DESIGN 3rd December – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS 10th December – Part 1: Fine Old Masters & 19th Century Part 2: 20th Century & Contemporary Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE & WORKS OF ART Thursday 8th January 2015 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 10th February 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 11th February 2015 Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk