Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture, Works of Art, Clocks, Arms & Armour Wednesday 6th April 2016

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

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424505 329477

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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424506 424591 424583 424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE, WORKS OF ART & CLOCKS Mark Richards — Jim Gale — Anna Brown — JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

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411854 339161 411854

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

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424503 424592

SILVER Rupert Slingsby Lucy Chalmers

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424501 424594

TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Gemma Bush

Members of The Society

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339752 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS Janice Clift (Office Manager) —

424500

MARKETING Tamzin Corbett

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424590

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424500

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424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

FRICS FRSA

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424599

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FURNITURE, WORKS OF ART, CLOCKS, ARMS & ARMOUR

Wednesday 6th April 2016 at 10.00am Viewing Times Saturday 2nd April Monday 4th April Tuesday 5th April Wednesday 6th April

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES Mark Richards 01722 411854 Furniture, Works of Art & Clocks markrichards@woolleyandwallis.co.uk

76 detail

Jim Gale 01722 339161 Furniture jimgale@woolleyandwallis.co.uk

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Will Hobbs 01722 339752 Arms & Armour willhobbs@woolleyandwallis.co.uk

Anna Brown 01722 411854 Administrator annabrown@woolleyandwallis.co.uk

COLLECTION OF LOTS All items will be in transit from the Salerooms to the Warehouse at Old Sarum on Thursday 7th and Friday 8th April due to forthcoming auctions, so there will be no collections on those days. From Monday 11th April collections will be from the Old Sarum Warehouse, 2 Danebury Court, Old Sarum Park, Salisbury, SP4 6EB, please call 01722 411854 prior to collection to ensure the items are ready. All accounts to be settled prior to collection.

Please note that requests for telephone bids cannot be accepted after 5pm on 5th April

LIVE BIDDING

Please register by 4pm on Tuesday 5th April. Please note there is a 3% + VAT surcharge for using this service.

Cover: Lot 76 Catalogue £10.00 (£13.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

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OAK, COUNTRY & WALNUT FURNITURE

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1. A William and Mary oak dresser, the triple boarded top above three panelled drawers, flanked by split pilaster mouldings on turned and block front legs, late 17th century and later, 77.5cm high, 200.5cm wide, 50cm deep. £500-1,000

2. An oak chest, the boarded top above three drawers with panelled fronts, on bracket feet, late 17th century and later, 78cm high, 78.5cm wide, 53.2cm deep. £100-200 3. A late 17th century oak chest, with geometric panelled decoration, the hinged top above a false drawer and three long drawers and later bracket feet, in two halves, 107.4cm high, 101cm wide, 65.7cm deep. £300-500 3 2

4. A George II oak mule chest, the boarded hinged top revealing a lidded till and with two drawers, the front with quadruple fielded panels above three base drawers, 84.8cm high, 146.2cm wide, 56.2cm deep. £150-200

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5. A Charles II oak coffer, the boarded later hinged top incised with initials, revealing a till, with a triple panelled front carved with flowerheads and a guilloche frieze, 72.5cm high, 140cm wide, 56.3cm deep. £200-300

6. A Charles II oak coffer, the boarded hinged top revealing a till, with a triple panelled front carved with leaves, 71cm high, 129cm wide, 53.5cm deep. £150-200

7. An oak coffer, the boarded top above a twin panelled front carved with stylized fish within foliate panels, 17th / 18th century elements, 71cm high, 117.7cm wide, 55.5cm deep. £100-200

8. A Charles II oak coffer, the boarded top above a triple panelled front carved with foliage, 71.4cm high, 127.8cm wide, 51.5cm deep. £150-200

9. A James I and later oak coffer, the quadruple panelled hinged top revealing a lidded till, the front with arcaded panels and triad initials ‘E. B. J.’ and the date ‘1615’, 55.8cm high, 124cm wide, 54.7cm deep. £200-300

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10. A 19th century French cherrywood and beech farmhouse table, the boarded top with cleated ends, 76.4cm high, 77.7cm wide, 200.2cm long. £500-700 11. A 19th century oak cricket table, 63.8cm high, 60.5cm diameter. £100-200 12. A 19th century pine cricket table, 76.5cm high, 83cm diameter. £100-200

13. An early 18th century and later oak refectory table, the boarded top with cleated ends above a wavy edge frieze on baluster turned supports united by peripheral stretchers, 79.5cm high, 87cm wide, 214cm long. £800-1,200

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15 14. A Queen Anne oak gateleg table, the oval drop-leaf top above an end frieze drawer to either side, on baluster, ring and bobbin turned supports, 69.5cm high, 92 x 91cm (open). £200-300

15. A Victorian oak ‘Antiquarian’ side cabinet, applied with 17th century carvings, including: lion’s masks, figural frieze panels, caryatids and a geometric panel with figures, with a raised back above a frieze drawer and a door enclosing a shelf, 113.8cm high, 83cm wide, 51cm deep. £300-400 16. A late 17th century oak open armchair, the panelled back carved with foliate designs within a lozenge, with scroll arms on bobbin turned legs. £200-300 17. An oak dresser, the boarded plate rack with three shelves above a pair of frieze drawers and panelled drawers enclosing a shelf, George III but reduced in width, 204.6cm high, 122cm wide, 47.5cm deep. £200-300 18. An oak lowboy, the boarded top above three drawers on turned legs and pad feet, 18th century and later, 71.3cm high, 76.8cm wide, 45.3cm deep. £80-120

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19. A Queen Anne oak press cupboard, the frieze carved with vine leaves and grapes and with triad initials ‘TCM’ and the date ‘1704’, above a pair of panelled doors flanking a flower carved panel above a pair of doors carved with serpents, probably North Country, 179cm high, 138.2cm wide, 46cm deep. £800-1,200

20. A George II oak and elm dresser, the open plate rack with two shelves above a pair of spice drawers flanking a false front drawer, the base with three crossbanded drawers above a wavy edge apron on turned baluster and block legs, 178.2cm high, 193.2cm wide, 55cm deep. £500-800

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21. An 18th century bronze goblet, with incised bands, on a domed foot, 11.2cm high, 9cm diameter. £100-150

22. An early 18th century pressed horn snuff box in the manner of John Obrisset, the lid with a portrait bust of Charles I, after John Roettiers, 8.1cm wide, 10cm long. £250-350

22 21

23. An early 19th century Norwegian burr birch peg tankard, carved with lions, the hinged lid with initials and dated ‘1815’, 25.2cm high, 23cm wide. £200-300

24. An Italian gilt metal ciborium, the lid with an eagle finial, the lobed body decorated with scrolling leaves and with a hexafoil base, probably Venice 18th century, 20.5cm high, 12cm wide. £500-700

23 24 25. A 17th century bronze mortar, with an inscribed band now worn, 14.9cm high, 18.5cm diameter. £100-150

λ 26. A George III ivory sandglass, measuring a minute of time, with turned supports, the base with a printed label inscribed ‘MARIA BAER COLLECTION’, late 18th / early 19th century, 9cm high. £100-200 Provenance: The Collection of Maria Baer. The Collection of Eva Weininger.

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27. A George III Welsh oak and scumbled pine food cupboard, with a pair of panelled cupboard doors with pierced fretwork panels, enclosing two shelves above a pair of frieze drawers and further doors enclosing a shelf, probably Anglesey / Caernarfonshire, 191cm high, 110cm wide, 49cm deep. £400-600

28. A late George III oak standing corner cupboard, with two pairs of panelled cupboard doors, the top section with three shaped shelves, the base with one shelf, 199cm high, 94.8cm wide, 50cm deep. £200-300

29. A George II oak bureau bookcase, the dentil cornice above a pair of fielded panelled doors, enclosing three adjustable shelves flanked by fluted split quarter pilasters with later marquetry conch shells, above a fall enclosing a part painted interior with drawers and pigeon holes and secret pilaster compartments, above two short and three long drawers, North Country, 228cm high, 114cm wide, 55cm deep. £400-600

30. A George III Welsh oak and scumbled pine food cupboard, with a pair of panelled doors with pierced spindle panels enclosing two shelves, the base with a pair of drawers above cupboard doors with a shelf, probably Anglesey / Caernarfonshire, 193.3cm high, 110.5cm wide, 48.4cm deep. £600-800

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31. An early 19th century Lancashire ash and fruitwood child's rocking chair, with a ladderback and turned arm supports above a rush seat, probably Billinge, Wigan area. £300-500 32. An early 19th century yew highback Windsor armchair, with a pierced splat back centred a shield, above an elm seat on turned tapering legs united by a crinoline stretcher. £500-800 33

33. A Queen Anne oak side table, the boarded top above a leaf and flower carved frieze drawer, on baluster ring and bobbin turned legs united by an ‘X’ stretcher, 71.7cm high, 73.6cm wide, 53.2cm deep. £150-200 34. A George III oak bowfront hanging corner cupboard, with mahogany panels and specimen wood banding, with a pair of doors enclosing two shelves, 98.8cm high, 68.1cm wide, 46.7cm deep. £100-150 35. A pair of ash and elm child’s Windsor armchairs, each with a pierced splat back and a crinoline stretcher. (2) £100-200 36. A set of George III fruitwood hanging wall shelves, with baluster turned supports and three panelled graduated tiers, 62.2cm high, 81.6cm wide, 21.6cm deep. £100-150

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37. A mid 18th century cherry and elm Windsor armchair attributed to John Pitt, the comb back above a solid vase shape splat, with concave arm supports above a solid seat, on cabriole front legs and pad feet, with turned stretchers. ÂŁ3,000-5,000 See Regional Furniture, The Journal of the Regional Furniture Society, vol. XIX, 2005, pp. 20-32 for a similar example, see also a similar cherry armchair attributed to John Pitt sold in these rooms 4th September 2007, lot 141.

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38 40 39

38. A Victorian boxwood swagger stick or riding crop, the greyhound head handle with glass eyes, the shaft etched with a hare coursing scene, various birds, a cricket bat, stumps and a ball, inscribed ‘H. RABAN’ and dated ‘April 1871’, 72.9cm long. £100-150 39. A George II copper kettle and stand, the lid with a bird handle, fitted with an iron heater, 24.2cm high, together with a copper coffee pot, with an ebonized handle. (2) £100-200 40. A late 19th century carved wood and polychrome decorated model of the Lamb of God, lying on a book, 23.5cm high, 26.3cm long. £100-150 41. A 19th century treen mould, the circular frame with six spheres, 35cm diameter, together with a fan shape folding firescreen, 55.5cm high. (2) £80-120 41

42. A set of five 19th century continental silvered brass candlesticks, each with an open knopped stem and a dished drip-pan domed foot, the underside stamped twice with indistinct marks, 17.5cm high. (5) £100-200 43. Two 18th century brass barber’s bowls, one with a soap dish, both with suspension rings, 19.6cm wide. (2) £150-250 44. An 18th century French plated barber’s bowl, decorated with a horse, a whip and a horseshoe and inscribed ‘COLIGNON Barbier a Aix’, with a suspension ring 27.6cm wide, together with a brass barber’s bowl. (2) £200-300

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45. A pewter barber's bowl, with two cross marks, 17th / 18th century, 25.7cm diameter. £100-200

46. A 17th century continental pewter broadrim charger, engraved with an armorial with a bird on a rock, with two impressed marks, one with initials 'F R' and a stag head with two stars, the other with the date '1664' and 'D S C', 44.2cm diameter. £800-1,200 47. A 17th century pewter broadrim charger, the base with a rose and crown mark, 33.3cm diameter. £200-300 48. A pewter charger, with owner's initials 'E D' and faux hallmarks, the base with two touchmarks, 42cm diameter, two smaller platters both engraved with armorials, one with a touchmark stamped 'WILLIAM SANDYS', together with two other plates, 17th / 18th century. (5) £100-200 49. Two George III pewter pint tankards, engraved with initials 'J F' and 'Bonny Cravat Inn', 11.7cm high, together with another tankard inscribed 'Pugh 5 Pipes Pickle Herring'. (3) £100-150

The Bonny Cravat is a pub name unique to Woodchurch, Kent and the initials relate to the Fullagar family who were innkeepers of the Bonny Cravat inn. 50. An 18th century pewter treasury inkstand, with hinged flaps revealing a pen compartment and two later glass inkwells, stamped with touchmark for Richard Going of Bristol, with ‘X crown’ and ‘METAL’ marks, the base with various rows of initials, 22.2cm wide, together with a similar inkstand and a pewter inkwell. (3) £200-300

49 50

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51. An early 18th century pewter candlestick, with a turned acorn shape stem, the base with canted corners, 15.7cm high. £200-300

52. A continental pewter tankard, with engraved decoration of scrolling foliage with oval panels of figures, with caryatids, with figures fighting and a man on horseback, 16th / 17th century, the lid with three marks, 17.4cm high. £400-600

54. A pewter candlestick, with a turned trumpet stem, late 17th / early 18th century, 17cm high. £200-300

53. A George III pewter bowl, the rim inscribed 'JAMES SYMOUNTOWN, MONMOUTH A.D. 1763', the centre with a coat of arms, the base with a touchmark and further marks, 34cm diameter. £100-200

55. A 17th century pewter wrigglework beaker, decorated with scrolling flowers and foliage, the base with a gadrooned rim, 11.2cm high. £300-500

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56. A pair of Medieval carved limestone corbels, carved with grotesque heads, 14th century, each mounted on a later plinth, 19cm high, 16.5cm wide, 50.5cm deep. (2) £400-600 57. A Medieval carved limestone architectural fragment of a knight, wearing a helmet with his eyes raised to the heavens in prayer, possibly French 14th / 15th century, 29.8cm high, 12.5cm deep, mounted on a modern plinth. £800-1,200 58. A carved limestone figure of a mythical recumbent beast, possibly Medieval, 31cm high, 26cm wide. £100-150

59. A Flemish Romanesque carved oak figure of a Roman Centurion, with traces of polychrome decoration, probably Saint Longinus, 13th century, on a later oak stand, 76cm high. £300-500 Provenance: Ex Collection Park Hotel, Lockaren, East Flanders, Belgium. Exhibited 1973 in ‘Aneike Houten Beelden in Lokers Bezit’ organised by the City Commissioners of Art. Ex Private English Collection. 60. A pair of 17th century Flemish carved oak architectural corbels, each carved with a stylized male head, possibly originally part of a barbet chimney-piece, 51cm high, 20.6cm wide, 42.7cm deep. £600-800

60A. A carved stone figure of a Bishop or Pope in Romanesque style, 26.7cm high. £200-300 61. A carved stone model of a recumbent dog, possibly 14th / 15th century, from a gravestone, 16cm high, 52cm long. £200-300

60A

61 59

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62. A Queen Anne fruitwood gateleg table, the oval drop-leaf top above a frieze drawer to either end, on baluster turned and block supports united by peripheral stretchers, 70 cm high, 112 x 127cm (open). £300-500 63. A walnut bureau bookcase, with a pair of panelled doors enclosing two adjustable shelves, the fall enclosing an arrangement of pigeon holes and drawers around a central cupboard, above five drawers, 18th century but top and base associated, 202.6cm high, 98cm wide, 61cm deep. £600-800 64. A George II walnut candlestand, the circular top with a leaf carved edge above a a fluted baluster stem on floret carved cabriole legs, 92.5cm high, 33.5cm wide. £250-300

64A. An early 18th century walnut and oak chest, of two short and three long crossbanded drawers, on bracket feet, 91.4cm high, 94.3cm wide, 56cm deep. £100-200

65. An early 18th century walnut chest, of two short and three long graduated burr veneered drawers, on bracket feet, in two halves, 100.7cm high 103.9cm wide, 57.2cm deep. £600-800

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66. A George II walnut card table in the manner of Benjamin Crook, the burr veneered fold-over top inlaid with feather banding, the baize lined interior with counter-wells and burr veneered candlestands, above a frieze drawer on shell capped and leaf carved cabriole legs and claw and ball feet, 73.1cm high, 85cm wide, 42.7cm deep. ÂŁ800-1,200

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67. A pair of George II walnut side chairs, each with a burr veneered splat back above a stuffed-over seat, on cabriole front legs and turned and blocked stretchers. (2) £150-200

68. A pair of early 18th century style walnut open armchairs, each with an arch padded back and seat, with leaf carved scroll arms on spiral twist stretchered supports, late 19th century. (2) £200-300

69. A walnut lowboy in Queen Anne style, the crossbanded and quarter veneered top above three drawers and a wavy edge apron, on inverted baluster supports united by a peripheral stretcher, on bun feet, 77cm high, 106.7cm high, 54.6cm deep. £250-350

70. A George II walnut bureau, the interior fitted with pigeon holes and drawers above four long graduated drawers, 101.3cm high, 87.5cm wide, 49.8cm deep. £150-200

71. A Queen Anne style stained oak side chair, the padded back and seat floral upholstered, on scroll front legs and turned and block stretchers. £200-300

72. An early 18th century walnut chest, the crossbanded top above two short and three long drawers on later bracket feet, 82.4cm high, 95.3cm wide, 53cm deep. £100-200

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73. A George II walnut chest, inlaid with boxwood and ebonized stringing, the quarter veneered and crossbanded top with a moulded edge, above a brushing slide with a later baize lining, above two short and three long graduated drawers, on bracket feet, 79cm high, 73.5cm wide, 44cm deep. £3,000-4,000

75. A George II walnut lowboy, the quarter veneered top with feather crossbanding, above three drawers and on cabriole legs and pad feed, 72cm high, 79.1cm wide, 52.5cm deep. £150-250

λ 74. A Queen Anne walnut and seaweed marquetry cabinet on later stand in the manner of Gerrit Jensen, the veneered top above a pair of doors enclosing an arrangement of eight drawers, with later turned ivory handles, the stand with cabriole legs and trefoil feet, 94.8cm high, 81cm wide, 44.5cm deep. £300-500

75A. An early 18th century and later walnut chest, of two short and three long crossbanded drawers, on bracket feet, 94.5cm high, 96.7cm wide, 53.8cm deep. £500-700

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76 pair

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76 pair 76. A rare and fine pair of William and Mary needlework hangings, embroidered in various stitches including chain and satin, worked with a multitude of different figures and scenes, secular and biblical including: Elijah and the raven and St. Jerome and the lion, with a man and a woman dancing to a piper, a North American Indian, a lady walking a young child in a walking frame, a Turk on horseback hunting a stag with dogs, a maid milking a cow, figures brawling outside an inn, with lions, parrots, a peacock, rabbits, snakes, a horse and dogs and various flowers and trees, all under a stylized sky, each with a later backing, c.1700, 154 x 87cm and 155 x 86.5cm. (2) ÂŁ8,000-12,000 Provenance: Purchased by the present vendor from E. T. Biggs & Sons LTD. 26, 28, 30 & 32 High Street, Maidenhead, 16th January 1965.

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FIREPLACE & HALL FURNITURE & GARDEN STATUARY

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77. A 19th century cast iron fire-grate, with an arched back and a railed front with scroll legs and lion mask ring handles, 51cm high, 58cm wide, 29.5cm deep. £200-300

78. A Regency cast iron fire-grate, with a fan decorated arched back and a railed front with brass finials on scroll legs, 61cm high, 49.5cm wide, 27cm deep. £200-300

79. A 19th century Dutch copper log bin, with a swing handle and riveted body, 26.8cm high, 42cm diameter. £100-150

80. A late 19th century French gilt brass firescreen, in Rococo style, the mesh guard with applied ribbon tied war trophies, 78.5cm high, 67cm wide, 15.5cm deep. £100-150

81. A Victorian brass serpentine fender, with a railed top and pierced base, 22.3cm high, 113cm wide, 35cm deep, together with a similar Regency brass fender with paw feet. (2) £300-400

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82. A Dutch brass helmet shape bucket, with repouseé decoration, possibly late 18th century, 43.3cm high, 40.8cm deep, together with a copper repouseé decorated bowl, possibly Italian, 18th / 19th century. (2) £100-150

83. A Dutch polished steel and copper coal jardinière, with lion’s mask ring handles on brass paw feet, 23,3cm high, 33.5cm diameter. £100-150

84. A large copper country house cooking pot and cover, with a swing handle, 31.4cm high, 34cm wide. £80-120

85. An 18th century brass and wrought iron curfew, with a lobed repouseé decorated arched top on spiral twist legs and flattened pad feet, 51.8cm high, 56.6cm wide. £200-300

86. A mahogany and brass bound bucket, with a brass lift-out liner and a swing handle, 33.4cm high, 33cm wide. £200-300

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87. A Victorian cast iron stickstand in the manner of Dr. Christopher Dresser, the pierced back decorated with leaves and flowers above a lift-out drip-pan stamped ‘No. 161087’, 82cm high, 47.2cm wide, 26cm deep. £100-150

88. A Victorian and later painted cast iron umbrella stand, of the Infant Hercules wrestling with a snake, the design by Sheffield, Edwin & Theopilus Smith, with a lift-out drip-pan, 82cm high, 46.5cm wide, 26.5cm deep. £400-600

89. A Victorian cast iron stickstand in the manner of Dr. Christopher Dresser, with a lift-out drip-pan, stamped ‘No. 92’, with a registration lozenge, 75.2cm high, 44.7cm wide, 22cm deep. £100-150

90. A Victorian novelty painted cast iron umbrella stand by Coalbrookdale, in the form of a chihuahua holding a riding whip in its mouth, the lift-out leaf shaped drip-pan stamped ‘No. 85297’ and with Victorian registration lozenge, 58.7cm high, 60.5cm wide, 36.3cm deep. £300-500

91. A Victorian cast iron stickstand, with fourteen divisions, the base stamped indistinctly, 71cm high, 74cm wide, 27cm deep. £100-150

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92. A walnut hat stand in Linley style, the rotating top with eight hooks above a fluted stem and circular base, 216cm high, 77cm wide. £300-500

93. A late Victorian mahogany hall stand, with a bevelled mirror and inset pottery tiles fitted with six gilt brass hooks above a hinged compartment, the base with two lift-out metal trays, 201.7 cm high, 91.5cm wide, 32cm deep. £300-500

94. A 19th century Italian bronze door knocker, in the form of a pair of putti supporting a coat of arms, with a grotesque male mask plate, 31.5cm high. £300-400

95. A late George III mahogany and brass bound plate bucket, with a swing handle, 44.5cm high, 39cm wide. £200-300

Provenance: Purchased from Eila Grahame Antiques, 97c Kensington Church Street, London 14th October 2004, for £690. The Property of the Rt. Hon. Sir Mathew Thorpe.

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97 96. A German rectangular stained glass panel, depicting a Pope at a table with a loaf of bread and a fish with an attendant knight, late 19th / early 20th century, 27.3 x 20.3cm. £100-150 97. An armorial stained glass panel, decorated with the coat of arms of Edward the Black Prince, with Medieval fragments and later, 45.7 x 36.5cm. £500-700 98. A German rectangular stained glass panel, depicting The Royal Guards flanking a spread eagle coat of arms within an arch, late 19th / early 20th century, 36.3 x 24cm. £100-150 99. A Swiss commemorative stained glass rondel, decorated with a rampant lion and an eagle with a sword, crown and orb, inscribed ‘1504 Zurcher Kantonal Schutenfest 1904’, also inscribed ‘Jubilimem der Schutzengesellschaft der Stadt Zurich’, early 20th century, 25cm diameter. £100-150 100. A Swiss circular stained glass rondel, inscribed ‘ZURICH’ below a coat of arms, late 19th / early 20th century, 21.3cm diameter. £100-150

100

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101. An Edwardian marble architectural fragment, the shell pediment decorated with anthemion motifs above a pair of entwined dolphins, 50.3cm high, 53.3cm wide. £150-200

102. A pair of Victorian cast iron fern pattern garden chairs in the manner of Coalbrookdale, each with a wooden slated seat and later white painted decoration. (2) £500-700

103. A carved red sandstone Celtic style cross, the stem decorated with figures, 47.8cm high, 19.4cm wide £100-150

104. A white painted wrought iron garden seat in Regency style, with a serpentine back and scroll arms, together with a matching armchair and table, 134.5cm wide. (3) £100-200

105. A pair of terracotta basket weave garden urns, with lappet decorated socle bases, 73cm high, 64cm wide. (2) £300-500

106. A pair of composition stone garden urns, of campana shape with a pair of handles with satyr masks, on a fluted socle, 72.5cm high, 60.5cm wide. (2) £300-500

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107. An 18th century stone sundial pedestal, carved with male masks, with a later sundial, 95cm high. £800-1,200

107

108 108. A Victorian composition stone garden figure of a classical lady, holding an ewer, 156cm high. £300-400 109. A Victorian composition stone garden figure of a classical young boy, originally holding a book, 116.5cm high. £150-250 109

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FURNITURE & WORKS OF ART

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110. A George III mahogany chest on chest, the top with two short and three long graduated drawers, flanked by fluted quarter pilasters, the base with three long graduated drawers on ogee bracket feet, 181.8cm high, 109.7cm wide, 55cm deep. £300-400

111. A late George III mahogany chest on chest, with two short and six long graduated drawers with book matched veneers on swept bracket feet, 189.3cm high, 118cm wide, 57.4cm deep. £300-500

112. A set of six George III mahogany and marquetry dining chairs, each inlaid with ribbon tied swags of bellflowers with laurel to the pierced splat, with a drop-in seat on moulded and chamfered legs united by cylindrical stretchers, possibly Irish. (6) £200-300

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114

113 113. A pair of early George III walnut side chairs, each with fluted scroll ears above a pierced splat back and a drop-in seat. (2) £100-150 114. A George III mahogany tray-top bedside commode, the gallery pierced with handgrips above a cupboard and a later converted pull-out base, 75.2cm high, 51cm wide, 45.7cm deep. £200-300 115. A George III mahogany lowboy, the serpentine moulded edge top above one long and two short drawers on moulded and chamfered legs, 70cm high, 87cm wide, 55.5cm deep. £300-400 116. A George III mahogany side table, with a frieze drawer and on chamfered supports, 72.5cm high, 71.5cm wide, 40.5cm deep. £200-300 117. A George III mahogany tripod table, the circular tilt-top on a part fluted vase turned stem, 71.6cm high, 80.8cm diameter. £100-150 115

116

117

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119

118 118. A George III mahogany tripod table, the rectangular tilt-top with a moulded edge, on a vase turned stem, 69.6cm high, 75.3cm wide, 73.8cm deep. £600-800 Provenance: Purchased from Paul Smith Antiques, 10 Church Street, Ludlow. February 1990. 119. An early George III mahogany Pembroke table, the drop-leaf top with four loper supports each with a brass ring handle, on square supports united by an ‘X’ shape stretcher with a turned finial and on turned and block supports with integral boxwood castors, 70.2cm high, 61.7cm wide, 62cm deep. £100-200 120. A George II mahogany cellaret, the hinged top revealing a vacant interior, with brass side carrying handles, above an arc d’arbelette apron on cabriole legs and pad feet, 59.3cm high, 37cm wide, 36cm deep. £400-600 121. A George III mahogany side chair, the serpentine top rail carved with leaves and ‘C’ scrolls above a pierced Gothic splat and a drop-in seat. £60-80

120

121

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122 122. A early 18th century style wingback settee, with scroll arms on leaf carved mahogany cabriole front legs and pad feet, late 19th century, 122.5cm high, 142cm wide, 70cm deep £500-700 123. A George III mahogany tripod table, the circular tilt-top on a turned stem and a fluted bowl, top and base possibly associated, 71.4cm high, 81cm diameter. £200-300 124. A George III mahogany tripod table, the circular tilt-top on a turned barrel stem and pointed pad feet, 69.5cm high, 77.7cm diameter. £150-250

123

Provenance: Purchased from Paul Smith Antiques, 10 Church Street, Ludlow, June 1989. 124

125. A George III mahogany bowfront Pembroke table, the oval drop-leaf top inlaid with barber’s pole stringing above a divided frieze drawer on square tapering legs inlaid with boxwood stringing, 69.4cm high, 90 x 108.5cm (open). £150-250

126. A George II mahogany card table, the fold-over top revealing a blue baize lined playing surface, with counter-wells and candlestands, with a frieze drawer on lappet headed legs, 73.8cm high, 96.7cm wide, 45.7cm deep. £250-350

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位 127. A George III satinwood secretaire bookcase in the manner of Mayhew & Ince, with amaranth and rosewood banding and stringing, the later swan neck carved cornice centred with a flaming urn with leaf scrolls and paterae above a Greek key and pendant frieze and a pair of astragal glazed doors enclosing two shelves, the base with a deep secretaire drawer the front simulating two drawers, with a later leather lined writing surface and an arrangement of pigeon holes and drawers with ivory handles, above three long drawers and swept French bracket feet, 262cm high, 115.4cm wide, 57.3cm deep. 拢8,000-12,000 Provenance: By family tradition acquired from Apter Fredericks, London in the late 1960s by Mrs Dorothy Francis at 'Avalon', Shepton Mallet. Thence by descent at Ray Mill House, Chippenham, Wiltshire, 1975-1995, after which with the same owner at his current address.

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128. A George II walnut dressing table mirror, the arched plate with a carved gilt slip within a moulded frame, the box base with a caddy moulded edge above three drawers, in need of restoration, 72.7cm high, 45.4cm wide, 22.4cm deep. £200-300

128

129

129. A George III mahogany open armchair frame in the manner of John Linnell, with an oval back and a serpentine front on fluted tapering legs. £100-200

130. A George III mahogany dumb waiter, with three graduated revolving dished tiers, on baluster turned stems and brass roller castors, 98.5cm high, 56.3cm diameter. £400-600

131. A George III mahogany dumb waiter, with three revolving dished tiers, 108cm high, 74cm diameter. £50-100

130

131

132. A George III mahogany urn stand, the oval top with a way edge gallery above a pullout slide, on square tapering legs with applied ankles, 65.3cm high, 37cm wide, 26.2cm deep. £150-250

133. A George II walnut dressing table mirror, with a bevelled arched plate within a moulded gilt slip, the box base with a caddy moulded edge above three drawers on ogee bracket feet, 49.7cm high, 35cm wide, 17cm deep. £300-400

132

133

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134

135

134. A George III mahogany tripod table, the circular tilt-top on a vase turned stem, 71.5cm high, 78.5cm diameter. £200-300 135. A George III wing armchair, with scroll arms, on moulded and chamfered mahogany stretchered supports and later castors. £300-500 136. An early George III side chair, the arched padded back and seat upholstered with damask fabric, on moulded and chamfered supports. £300-500 137. A George II mahogany bachelor’s chest, the hinged fold-over top with a moulded edge, above four long graduated drawers, 73.8cm high, 75.8cm wide, 36cm deep. £300-500

136

138. An early George III mahogany chest, fitted with a baize lined brushing slide, above two short and three long graduated drawers, 85.8cm high, 82.2cm wide, 46.8cm deep, £300-400

137 138

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139. A small George II tulipwood tea caddy, with kingwood banding, the quarter veneered top with a moulded edge and a brass handle, with a vacant interior on ogee bracket feet, 10.7cm high, 19cm wide. £150-250

139

140. A George II walnut tea caddy, inlaid with stringing, the hinged lid with a raised moulded edge and a brass handle, with a divided interior and seven spoon apertures, 16.7cm high, 24.4cm wide. £100-150

140

141. A rare 18th century walnut and pine book tea caddy, in the form of a stack of four books, with traces of painted decoration, with a divided interior, the front with a secret sliding panel revealing the key escutcheon, 12.8cm high, 20.7cm wide. £300-500

141

λ 142. A 19th century ivory oval tea caddy/canister, with engraved brass mounts and a rosewood lid, 12.7cm high, 10cm wide. £300-500

142

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λ 143. A George III ivory decagonal tea caddy, with a silver loop handle, escutcheon and navette shape plaque inscribed with initials ‘F B’, with tortoiseshell stringing and mother of pearl disc decoration, with a foil lined interior, 12.7cm high, 10.8cm wide. £800-1,200

λ 144. A Regency green tortoiseshell octagonal tea caddy, with pewter stringing and ivory banding, the hinged tent top revealing a lidded foil lined compartment with a silver caddy spoon, 10cm high, 10.1cm wide. £1,500-2,500

143

144

145

145. An 18th century black japanned dower chest, decorated in gilt with figures in watery landscapes with mountains and pagodas, with an engraved brass escutcheon and handle plates, 60.8cm high, 133cm wide, 59cm deep. £400-600

146. Three leather panels, painted with chinoiserie decoration and urns of flowers, 18th century, originally from a screen, 150.5 x 48.5cm. £200-300 Provenance: Shrubland Hall, Suffolk.

146

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147

147. An early George III Irish mahogany tripod table, the circular tilt-top revolving on a birdcage, on a fluted baluster stem, on carved legs, two with a grotesque masks the other with a stylized shell, 73.8cm high, 91.2cm diameter. £100-200 Provenance: The Collection of the Late P. J. Rankin. 148. A simulated tortoiseshell wall mirror, with two arched plates within a gilt moulded slip and a painted frame, 91.5 x 51cm. £700-1,000 149. A George II walnut wall mirror, the later plate within a moulded gilt slip and an arched frame, 72.4 x 46.7cm. £150-200 148

Provenance: Purchased from Eila Grahame Antiques, 97c Kensington Church Street, London 17th March 2010 for £350. The Property of the Rt. Hon. Sir Mathew Thorpe.

150. A late George III mahogany bowfront chest, inlaid with stringing and satinwood banding, the crossbanded top above three long graduated drawers and bracket feet, 84cm high, 81.5cm wide, 47cm deep. £200-300

149

151. A George III mahogany Lancashire commode, inlaid with stringing, the hinged top above a later converted hinged base, with panelled sides and serpentine front, 75.3cm high, 54.3cm wide, 46.5cm deep. £200-300

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LIGHTING

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152. An early 19th century black painted sheet iron lantern, with three later glass panels, the interior with a single candle sconce, 45.5cm high. £100-150 See John Caspall, Making Fire & Light in the Home pre-1820, pp.234-235 for similar lanterns.

153. A black painted tôle octagonal lantern, with frosted glass panels, 64.5cm high, 41.5cm wide. £100-150 152 153

154. An Empire style gilt metal basket ceiling light, with a stiff leaf corona, the leaves stamped 'RF 6c143', above tasselled drapes and a laurel band, hung with glass balls, 43.5cm high. £200-300

155. A late Victorian brass and leaded stained glass hall lantern, 52.9cm high, 20cm wide. £80-120

154

155

156. A pair of Victorian cut glass table lustres, each with a faceted stem and hung with eight drops and lustres, 19.7cm high. (2) £100-200

157. A set of four Edwardian gilt brass wall lights in Adam style, of navette shape decorated with cut glass lustres with an anthemion surmount and a bud pendant, with twin adjustable arms, 33.8cm high, 36cm wide. (4) £200-300

156

157

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158. A French Empire ormolu and cut crystal chandelier, the corona with applied palmettes and leaves with chains of drops descending to a conforming circular ring supporting eight scroll arms, the candle sconces hung with drops and lustres, with a bud pendant, later electrified, 121cm high, 79.2cm wide. ÂŁ3,000-5,000 Provenance: The Eek family of Stockholm, Sweden who purchased it in Paris, France c.1820, thence by descent and sold by the executors of the Estate of the Late Mrs Anna-Maria Wallenberg, nee Eek (1927-2010). Bought by the present vendors from Rupert Cavendish Antiques.

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159. A set of four gilt and patinated bronze wall lights in Empire style, each in the form of a naked Nubian supporting two scroll branches with foliate drip-pans, 20th century, 30cm high, 34.5cm wide. (4) £1,500-2,500

159

160. A set of three gilt brass hall lanterns, each with five serpentine glass panels, 20th century, 48.5cm high, 24.2cm wide. (3) £200-300

160

161. A set of four Louis Philippe ormolu candlesticks, each modelled with a kneeling winged cherub holding a bird and vine leaves and grapes, with detachable nozzles, 25.8cm high, 10cm wide. (4) £800-1,200

161

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162. A pair of French gilt and patinated bronze candlesticks, each in the form of a standing Nubian boy holding a pair of torches on a Siena marble stepped plinth base, early 19th century and later, 28.2cm high, 17.5cm wide. (2) £2,000-3,000

163. A set of four Restauration ormolu wall lights, each with a backplate decorated with a coat of arms and war trophies, with twin scroll branches and turned nozzles, 53cm high, 28cm wide. (4) £2,000-3,000

164. A Victorian gilt brass hall lantern, with scroll arms above a tapering hexagonal body with bevelled glass panels, stamped ‘RD 31814’, 83cm high, 50cm wide. £300-500

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166

165

165. A pair of gilt brass classical urn table lamps, the bodies decorated with figures on marble plinths, 44.4cm high, 14cm wide. (2) £300-500 166. A pair of early 19th century gilt and patinated bronze candlesticks, each modelled with an eagle with a snake in its mouth, on turned marble socles, 19cm high. (2) £300-400 167. A glass and brass hall lantern, the dished top hung from chains with peacock head hooks, with three lights and a ‘U’ shaped body, 66cm high, 30cm wide. £150-200 168. A giltwood and metal chandelier, with six leaf decorated scroll arms, 70cm high, 76cm wide. £200-300 169. A pair of continental tôle peinte and parcel gilt chandeliers, each of open form with six lights and scroll arms hung with laurel leaves, Italian or French, 65cm high, 46.3cm wide. (2) £300-500

167

168 169

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170. A George IV mahogany extending dining table, with a pair of ‘D’ ends, extending on a telescopic frame to accommodate four additional leaves with a moulded edge, above a ring turned and ribbed stem on four reeded downswept legs and brass caps and castors, 70.5cm high, 120.5cm wide, 341.3cm long (extended). £2,000-3,000

171. A set of ten mahogany dining chairs, each with a tablet back above a rope twist horizontal splat above a drop-in seat on sabre legs, comprising: a pair of open armchairs and eight side chairs, six early 19th century and four modern. (10) £1,000-1,500

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172

172. A William IV mahogany writing table in the manner of Gillows, the top inset with gilt tooled leather above an arrangement of five drawers, the central drawer replaced, four fitted with Bramah locks, the reverse with false fronts, inscribed ‘WR IV Crown’ to some of the panels, on ribbed tapering legs and brass castors, 82.3m high, 166cm wide, 105cm deep. £500-700

173

λ 173. A William IV rosewood occasional table, the octagonal top with a moulded edge and with a panelled frieze on a turned tapering stem and scroll feet, 72cm high, 53.2cm wide. £200-300

174

174. A mahogany occasional table, on a spiral twist reeded stem and a leaf carved triform base, George IV and later adapted from a pole firescreen, 66.5cm high, 40.6cm diameter. £100-150 175. A George III mahogany bedside cupboard, inlaid with stringing and with a three quarter gallery, 83cm high, 33.8cm wide, 28.8cm deep. £200-300 176. A George IV mahogany bedside cupboard, with a three quarter gallery and a panelled door, 79.4cm high, 40.3cm wide, 38.5cm deep. £150-250

175

176

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177

λ 177. A nest of three George IV rosewood occasional tables, each with turned supports, 71.3cm high, 44cm wide, 33cm deep. (3) £400-600 λ 178. A George IV mahogany open bookcase cabinet, the broken arch pediment with rosewood panels and acorn finials, above four adjustable shelves and nulled edges, the base with a pair of brass grille doors with pleated silk enclosing two adjustable shelves on turned ebonized feet, 218cm high, 118cm wide, 33cm deep. £1,000-1,500

178

179

179. A George IV mahogany work table, the drop-leaf top above a deep ash lined drawer, the reverse with a false front on ring turned tapering legs and brass castors, posssibly Scottish, 71cm high, 51 x 65.8cm (open). £600-800 180. A Regency mahogany barrel front chest, inlaid with ebonized stringing, with four long graduated drawers fitted with gilt brass handles, on tapering feet with applied ankles, 105.5cm high, 114.5cm wide, 60.5cm deep. £200-300

180

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181. A William IV mahogany two tier dumb waiter, with scroll carved decoration non turned feet and brass castors, 96.3cm high, 91.3cm wide, 39.3cm deep. £200-300 182. A George IV mahogany breakfast table, the rectangular moulded edge tilt-top on a spiral ribbed stem, on lion’s paw sabots, 70.7cm high, 122 x 89.5cm. £200-300

181

182 λ 183. A William IV rosewood library table, with solid trestle ends, with carved scroll volutes on wooden castors, 74cm high, 136cm wide, 69.5cm deep. £200-300 184. A George IV mahogany Pembroke table, inlaid with ebonized stringing, the drop-leaf top with a reeded edge above a frieze drawer, the reverse with a false front, 68.8cm high, 59.7cm wide wide, 85.8cm deep. £150-250

183

184

185. A George IV mahogany bowfront side table, with a frieze drawer on ring turned tapering legs, 75.7cm high, 78cm wide, 43.5cm deep. £100-150

185

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186

λ 186. A Regency rosewood and ebonized sofa table, inlaid with stringing, the drop-leaf top with burr yew banding and with canted corners, above a pair of frieze drawers with false fronts to the reverse, the ebonized base with brass mounts with a turned and block stretcher, with lion’s paw sabots and brass castors, 71.7cm high, 101.cm wide, 63cm deep. £500-700 187. A William IV simulated rosewood and leather upholstered open armchair, the button back with padded armrests and scroll arms on brass caps and castors. £200-300 λ 188. A 19th century Colonial rosewood library open armchair, with a green leather padded back, seat and armrests, on spiral twist supports and brass castors. £400-600

187

λ 189. A William IV rosewood centre table, the circular tilt-top with a moulded edge on a lappet carved stem and leaf scroll feet and brass castors, 72cm high, 127cm diameter. £400-600

189

188

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λ 190. A George IV rosewood work table, inlaid with boxwood stringing, the drop-leaf top above a deep drawer fitted with a lift-out tray to one side and two short drawers, one with divisions to the other, on ring turned tapering legs and brass castors, 71cm high, 56 x 84cm (open). £400-600

190

191. A George IV mahogany work table, the drop-leaf top above two cedarwood lined frieze drawers, the top drawer fitted with a hinged writing slope and compartments for pens and inkwells, on reeded supports and paw feet, 76.9cm high, 55.3cm wide (closed), 51.2cm deep. £100-150

191

192. A George IV mahogany whatnot, with four tiers, the base fitted with a drawer, on brass castors, 131.5cm high, 52.8cm wide, 43cm deep. £200-300

193. A mahogany cheval mirror, inlaid with barber’s pole stringing, with an oval plate, urn finials and brass castors, 148.4cm high, 79cm wide, 60cm deep. £100-150 193 192

194. A mahogany occasional table, inlaid with ebonized stringing on scroll feet, early 19th century and later, adapted from a pole firescreen, 52.8cm high, 41.5cm diameter. £100-150

195. A mahogany occasional table, on scroll supports and brass paw feet, George III and later adapted from a pole firescreen, 65cm high, 39cm diameter. £100-150

194 195

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196

196. A pair of Regency style simulated rosewood and parcel gilt open armchairs in the manner of George Smith, each with an open slatted top rail above scroll and lion’s paw arms and a cane seat on lion’s paw feet, late 19th / early 20th century, with squab cushions. (2) £500-800

λ 197. A late George III painted pine cheveret, decorated with an urn of flowers, swags of flowers and scrolling leaves, the galleried top above three drawers with ivory handles, with square tapering legs and applied ankles, 100.8cm high, 38cm wide, 32cm deep. £400-600

197

198. A Regency style painted wood gong, in Brighton Pavilion Chinese style with parcel gilt decoration with fretwork brackets and simulated bamboo supports, with three hatshape bronze gongs and an ebony beater, 108cm high, 51.2cm wide. £200-300

198

199. A Regency style painted pine sarcophagus shape wine cooler, the interior previously with divisions, on gilt brass winged paw feet, 51.7cm high, 60.5cm wide, 44.5cm deep. £200-300

200. A Regency style black and gilt painted carved wood obelisk, decorated with palmettes, the base caved with a portrait bust, 88.4cm high, 16.6cm wide. £200-300 199 200

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201 201. A set of six George IV mahogany dining chairs, each with a panelled top rail with a nulled moulding, above a bar back and a drop-in seat with a turned spiral twist moulding to the front seat and on sabre legs. (6) £300-400 λ 202. A Victorian rosewood tripod table, the octagonal fixed top parquetry inlaid with satinwood, ebony and rosewood lozenges, 60.6cm high, 46cm wide. £100-150 203. An oak tripod table, the octagonal fixed top with parquetry decoration, on a turned stem, 68.5cm high, 62.2cm wide. £100-150 λ 204. A William IV rosewood ‘X’ frame stool, with a dropin seat on moulded supports, united by a turned stretcher, 41.5cm high, 58cm wide, 49.5cm deep. £200-300 202

203

λ 205. An early Victorian rosewood pedestal cupboard, with a hinged top and with panelled door, on disc feet, 54.7cm high, 35.5cm wide, 37.8cm deep. £100-150 206. A set of six late Regency mahogany dining chairs, each with a curved tablet back and a horizontal splat above a drop-in seat above sabre legs. (6) £400-600

204

205

206

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位 207. A pair of Regency rosewood and brass mounted card tables, each with a crossbanded hinged and swivel top revealing a baize lined surface, inlaid with brass stringing and fleur-de-lis motifs, above a bellflower and floret moulding and a lyre base, with four hipped and downswept legs terminating in foliate cast brass sabots and castors, 77.4cm high, 101cm wide, 46.3cm deep. (2) 拢2,000-3,000

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208. A Regency mahogany bowfront chest, inlaid with stringing, with three long graduated drawers, 89.9cm high, 90.7cm wide, 49.5cm deep. £250-350

λ 209. A Regency rosewood tea table, with boxwood stringing, the fold-over top banded with bird’s eye maple above a frieze drawer fitted with an ivory escutcheon and with divisions, on square tapering legs and brass castors, 75.5cm high, 88.7cm wide, 45.5cm deep. £400-600

210. A William IV mahogany side cabinet, with nulled mouldings and a pair of gilt brass trellis doors with pleated silk backs, enclosing eight drawers with ebonized edging, 89.2cm high, 86.8cm wide, 44.8cm deep. £100-200

211. A William IV mahogany side cabinet, with nulled mouldings, the raised top above a frieze drawer and a pair of gilt brass trellis doors enclosing a shelf and flanked by a pair of turned columns, 121.8cm high, 89.8cm wide, 31cm deep. £250-350

212. A William IV mahogany Davenport, the sliding top inset with a tooled leather panel, with arched panelled sides, the right hand side with a door, enclosing four pigeon holes and seven drawers, on lobed bun feet and sunken castors, 87cm high, 53.4cm wide, 54cm deep. £200-300

213. An early Victorian mahogany bergère armchair, with a cane back and seat on turned front legs and brass castors with a later cushion. £300-400

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CLOCKS & BAROMETERS

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214. A German walnut longcase clock, the two-piece cream enamel dial with the trademark for Gustav Becker, subsidiary seconds, the two-train movement with pendulum supported from the backboard, in a quarter veneered walnut case flanked by carved and fluted pilasters, the base with various panels and appliques, 218cm high. £300-500

215. A mahogany longcase clock, the brass dial signed ‘Jno. Collings, Sodbury’, the centre with subsidiary seconds and calendar sector amongst an engraved village scene, four seasons spandrels, arcaded minutes, the arch engraved with a lion and unicorn and Dieu et mon droit, the eight-day four pillar movement in a case with swan neck pediment and shell pattern inlays, 206cm high. £200-300

216. An ebonized longcase clock, the thirty hour birdcage movement striking on a bell, with a brass dial with a silvered chapter ring with Roman numerals inscribed ‘Willia Monk BARICK ST. JOHN’, the hood with split columns and a plain case, 201cm high, 43.5cm wide. £400-600

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217. A mahogany longcase clock, the eight day movement striking on nine bells with an arched brass dial with a moon phase and subsidiary seconds dial inscribed ‘Matt W Jeweler BRISTOL’, with Roman and Arabic numerals, the top inscribed ‘HIGHWATER AT BRISTOL KEY’, with a gadroon decorated case and a later plinth, 199.8cm high (without the later plinth) 49cm wide. £300-500

218. A japanned longcase clock, the eight day movement striking on a bell, with an arched brass dial with strike silent and foliate spandrels, the chapter ring with Roman and Arabic numerals with subsidiary second dial and date aperture ‘James Smith London’, the brass mounted hood with turned finials the case decorated with chinoiserie figures, the base with outline mouldings, 243.3cm high, 53.4cm wide. £500-800

219. An early Victorian mahogany bowfront stick barometer, the silvered register inscribed ‘Arnold & Dent London’, with a vernier scale, with a turned bone adjuster and a thermometer above an ebonized urn cistern cover, c.1840, 96cm high. £1,500-2,000 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

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220. A Victorian mahogany mantel clock, the white painted dial with faded signature, the two-train fusee movement in a case with triple scrolled top, the front applied with carved floral swags, 49cm high. £150-250

220

221 221. A striking skeleton clock, the two-train fusee movement with anchor escapement and striking on a bell above, in architectural plates with scrolled bases, with a pierced silvered chapter ring, on ebonized stand, 41cm high with glazed dome. £400-600 222. A French mahogany mantel clock, the striking movement stamped ‘F. Martin, no. 316’, numbered pendulum, with a Regency style brass inlaid case with gadrooned top and pineapple finial, drop handles and brass bun feet, 38cm high including finial. £80-120

222

223 223. A mahogany drop dial wall clock, with an eight day movement, the painted dial with Roman numerals and a subsidiary seconds dial, the octagonal top above a glazed door, 81.8cm high, 42.8cm wide. £100-150 224. A mahogany dial wall clock, the single fusee movement within a moulded case and a brass bezel, the painted dial with Roman numerals, 38cm diameter. £150-250

224

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225. A George III mahogany striking verge bracket clock by Brockbanks, the twin barrel four pillar movement with pull repeat and striking on a bell, the backplate engraved with flowers and a bird perched on a branch, within an arched brass mounted case with a triple pad top and a carrying handle, above fish scale panelled sides, the gilt dial with foliate pierced fret decoration and a silvered chapter ring with Roman and Arabic numerals, with date aperture and strike / silent dial, signed ‘Brockbanks London’, 41.9cm high, 27th wide, 18.5cm deep. £1,000-1,500

225

226

226. A mahogany striking bracket clock, the twin barrel four pillar movement striking on a bell, the backplate with foliate engraved bands, the moulded case with turned brass finials and a carrying handle, the arched brass dial with female mask and foliate cast spandrels with a silvered chapter ring with Roman and Arabic numerals with name plate inscribed ‘William Jourdain, LONDON’, George III and later, 43.4cm high, 32.5cm wide, 19.7cm deep. £1,500-2,000

227. A mahogany striking bracket clock, the eight inch brass dial signed ‘Desbois, London’ on the silvered chapter ring, matted centre, mask and scroll spandrels, the arch containing strike / silent subsidiary, the two-train chain fusee movement signed ‘Desbois, 79 High Holborn, London’, the anchor escapement with substantial pendulum, in a bell top case flanked by carrying handles, turned brass finials, c. 1860, 61cm high (including finial). £600-800

227

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228

229

228. An oak barograph by Negretti & Zambra, no. R/45190, the thirteen aneroid movement flanking the recording drum, the glazed case on a moulded base, 38cm wide, with spare recording charts. £80-120 229. A mahogany dial wall clock, the single fusee movement stamped ‘4152’ to the backplate, within a moulded case with a brass bezel, the painted dial with Roman numerals and inscribed ‘J. BENSON LONDON’, 44.5cm diameter. £200-300 230. An oak mantel timepiece, of miniature longcase form, the square silvered dial, with a drum movement with lever platform in a florally carved case with swan neck pediment, 37cm high. £100-150 231. A mahogany dial wall clock, the single fusee movement, within a moulded case with a brass bezel, the painted dial with Roman numerals and inscribed ‘F.C. JACKSON, 108 FULHAM RD., 37cm diameter. £150-250 232. A large French white marble and bronze mantel clock, the white enamel dial and striking drum movement signed ‘Deniere, Ft. de Bronzes, a Paris, no. 1763’, numbered pendulum, in a plinth case surmounted by a reclining lady with a lyre, 50cm wide. £150-250

230

232

231

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233. A 19th century French ormolu pendule d’officier, the quarter movement stamped ‘6012’ striking on a bell with a platform lever escapement, within a foliate decorated case with a serpent coil handle, the circular enamel dial painted with Arabic numerals and inscribed ‘Jump A Paris & 93 Mount St. London’, 18.4cm high, 13cm wide. £800-1,200

233 234. A late Louis XVI ormolu mantel clock, the case attributed to Nicolas Bonnet, the convex white enamel dial signed ‘Gille L’aine a Paris’, Roman hours and outer Arabic minute ring, pierced gilt hands, the silk suspension movement in a drum case flanked by two Turkish warriors with spears resting above military trophies, the shaped ebonized base inset with ormolu plaques and corner lion masks, on claw feet, 46cm high. £2,000-3,000 Provenance: Property of a Lady of Title, Rookley Manor, Hampshire.

234

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235. A French porcelain mantel clock, the white enamel dial signed ‘Hry Marc a Paris’, the drum striking movement stamped ‘Hy. Marc, Paris, 20697’, numbered pendulum, in a drum case flanked by floral cornucopia, the shaped base decorated with putti and flowers against a blue ground, the back similarly decorated, surmounted by a portrait miniature of a lady beneath flowers and ribbons, 40cm high, on a giltwood stand. £400-600

λ 236. A 19th century tortoiseshell and brass boulle marquetry bracket clock and bracket, the circular movement striking on a bell and numbered ‘1576’, the wasted case with gilt brass mounts and with a cherub finial and a female mask, the circular gilt dial with enamel Roman numerals and retailer’s mark ‘E. LUCHS FRANKFURT a MEIN’, with conforming bracket, the clock, 41.5cm high, 23.4cm wide, 12cm deep, the bracket, 18.5cm high, 24.2cm wide, 14cm deep. (2) £500-700

237. A French porcelain mounted ormolu mantel clock, the striking movement stamped ‘G. Philippe, Palais Royal 66 & 67’, dial and plaque decorated with a putto and flowers against a light blue ground, the waisted case flanked by acanthus, urn finial, 28cm high. £200-300

238. A French gilt spelter mantel clock, the movement and dial signed ‘Hry. Marc, Paris’, the case with porcelain plaques decorated with figures and birds against a green ground, 29cm high; and another spelter and porcelain clock by Japy Freres, in a drum case flanked by a courtly figure, floral plaques against a pink ground, 23cm high. (2) £80-120

239. A French porcelain and ormolu mantel clock, the striking movement by Japy stamped for ‘Berger a Paris no 916’, the white enamel dial, flanked by a figure with a bird, the base set with florally decorated plaques against a blue ground, 26cm high. £100-150

240. A French porcelain and gilt spelter mantel clock, the striking movement ‘numbered 265’ in a drum case surmounted by a seated Neptune type female figure holding a trident, fish and a basket at her feet, florally decorated dial, the base set with three plaques, the centre a portrait miniature, all against a blue ground, 38cm high, on a giltwood base, with ebonised stand and glazed dome. £200-300

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241

242

243

241. A French gilt brass and champlevé enamel repeating carriage clock, the silvered platform lever escapement striking on a gong, within a foliate decorated case with bevelled glass panels and engraved silvered columns, with a white enamel dial with Roman numerals, stamped ‘R26’ and ‘Registered Pattern’, 18.8cm high. £400-600 242. A French gilt brass carriage clock with alarm, the platform lever escapement striking on a gong and numbered ‘1250’, with a white enamel dial with Roman numerals, inscribed ‘ELKINGTON & CO.’, with a subsidiary alarm dial, in a corniche case, 13.1cm high, 9cm wide. £150-250 243. A carriage clock with alarm, the machined silvered dial with pierced Breguet type moon hands, concentric alarm hand, the three trains and alarm hand setting through the dial, movement with countwheel striking and lever platform, in a case with fluted columns, handle and bands, the glazed top sliding to allow front door and shuttered back to be lifted, on bun feet, 15cm high, with original travelling case. (2) £300-500 244

244. A striking carriage clock, the silvered annular chapter ring with gilt mask and filigree centre, lever platform, in a case with fluted square section columns and handle, filigree bands and small turned finials, 17cm high. £150-200 λ 245. John Sweetman Eiffe. An eight day marine chronometer, the fusee movement with a spring detent escapement, the silvered dial with Roman numerals, with subsidiary dials for seconds and wind up/down, inscribed 'Eiffe London 48 Lombard St. City and South Cresct Bedford Sq', numbered 535, with gilt trident and poker hands, in a brass gimbal and a three tier mahogany and brass mounted case, the lid with a brass plaque inscribed 'C. F. VENN 1903' and with an ivory rondel inscribed 'EIFFE London No. 535', with side carrying handles, the inside of the lid with a printed trade label for 'E. DENT & Co. LTD.' and with typed labels from His Majesty's Service stating that the chronometer is the property of Rev. R. T. Venn and is on loan to the Admiralty, '16th Sep 1941' with a facsimile copy of the Royal Observatory Abstract of Rates, second quarter 19th century, 20.2cm high, 20.7cm wide, 19cm deep. £2,000-3,000

245

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246 247 λ 246. A mid 19th century French red leather gentleman’s dressing case, the lid with initials ‘FB’, inset with a swing shaving mirror, and fitted with a divided tray containing silver plated topped jars and boxes, together with an ivory backed brush, with a slide-out leather and plush lined tray fitted with razors, scissors, a hone and a comb, with a retailers label indistinctly inscribed, possibly ‘R. PERIALE’, 25.2cm wide, 20.6cm deep. £150-250 Provenance: The Dr Lawrie Webster Collection of Boxes. 248 247. A Victorian black leather writing case by Halstaff & Hannaford, the hinged lid with gilt tooled initials ‘M F F’, the interior with a hinge lidded pen and ink compartment with a printed paper label ‘HALSTAFF AND HANNAFORD, Manufacturers, 228, REGENT ST.’, with a pair of hinged lids, one with a letter pouch the other containing various utensils, with a brass lock by S. Mordan & Co., 26.9 x 28cm. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes.

249

In 1842 William Halstaff went into partnership with Thomas Charles Hannaford and the business became known as Halstaff & Hannaford. They mutually dissolved their partnership in 1858 but the business continued trading under their names until 1898. λ 248. A Victorian leather case, containing a pair of steel nutcrackers, a pair of grape scissors and a pair of ivory handled nut pickers, 20.7cm wide. £50-80 Provenance: The Dr Collection of Boxes.

Lawrie

249. A George V brown leather gentleman’s dressing case, the interior with a mirror, ebony and bone utensils the silver backed brushes hallmarked for 1922, a soap container and a shaving hone, 24.2cm wide, 20.3cm deep. £60-80 Provenance: The Dr Lawrie Webster Collection of Boxes. 250. A Victorian black leather stationery box, the interior with three divisions, 15.2cm wide. £30-50 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 251. A Victorian black leather gentleman’s dressing case, the hinged lid with a sunken brass handle, the interior fitted with ivory backed brushes, a glove stretcher, a button hook, a shoe horn, a pair of steel scissors, silver plated topped glass jars and a toothbrush container, the hinged front stamped ‘R. CURTIS LEICESTER’, 27.7cm wide, 17cm deep. £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes. 252. A late Victorian oak sewing box, the plush lined interior with Sharpes needle packets and with a lift-out tray fitted with four pairs of steel scissors, mother of pearl handled utensils, a thimble and a pencil, with side carrying handles, 24cm wide, 16cm deep. £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes.

Webster

250

251

252

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253

253. A Victorian walnut dressing case by W. & J. Milne, with ebonized edging, the hinged lid with an engraved plaque with a monogram, the plush and gilt tooled leather lined interior with a mirror and letter compartment inset into the lid, stamped ‘W. & J. MILNE, Makers, 126 Princes ST. EDINBURGH,’ with engraved silver and silver gilt topped cut glass bottles and boxes, hallmarked for Thomas Johnson, London 1856, with mother of pearl and steel utensils, a travelling inkwell, with two spring loaded drawers, the side drawer leather lined, the base with a pair of hinged leather and silk lids revealing a plush lined jewellery compartment, with an engraved brass Bramah lock, 21cm high, 34.7cm wide, 24cm deep. £500-700 Provenance: The Dr Lawrie Webster Collection of Boxes.

253 open

254. A Victorian burr walnut dressing case, the inside of the lid inset with a leather lined mirror and secret letter pouch, above a divided interior with silver plated topped glass jars, bottles and boxes, with a spring loaded base jewellery drawer, the hinges stamped ‘W.T. & S. IMPROVED’ 17.4cm high, 30.4cm wide, 22.9cm deep. £150-250 Provenance: The Dr Lawrie Webster Collection of Boxes. 254 254 open

255. A Victorian coromandel and brass mounted dressing case, the engraved bands with inset abalone flowers, the hinged lid with a brass crest and banner inscribed ‘A.L. STEWART’, the interior with a mirror and silver plated topped cut glass jars and boxes, with a lift-out tray with mother of pearl handled utensils, with a spring loaded plush and silk lined jewellery drawer, 18.3cm high, 30.5cm wide, 22.6cm deep. £200-300 Provenance: The Dr Lawrie Webster Collection of Boxes. 255

255 open

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257

256

256. An early 19th century red leather work box, of sarcophagus shape, the hinged lid with an oval brass plaque engraved with a monogram, the interior with a gilt tooled leather pouch to the lid with a printed silk scene of Neptune, above divisions with lidded compartments, with a base drawer and lion’s mask ring handles and cast paw feet, 16.5cm high, 32cm wide, 26cm deep. £200-300 λ 257. A 19th century French black leather gentleman’s dressing case, the hinged fold-down front revealing a fitted interior with silver plated topped jars, a rosewood backed brush, ivory razors, a mirror, scissors, hones and a soap box, 21.9cm wide. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes. 258

λ 258. A George IV rosewood and brass marquetry dressing case, with a red leather lined interior, the gilt tooled decorated lid with a letter pouch and a pull-out mirror, fitted with silver plated topped bottles and boxes with a lift-out tray with mother of pearl handled utensils, 32cm wide, 22.3cm deep. £200-300 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 259. A Victorian walnut and mother of pearl writing slope, the underside of the lid fitted with a letter pouch above a lift-out tray with mother of pearl handled utensils, a pair of scissors and an ivory penknife, with a pair of inkwells and a pen tray and a tooled plush lined writing surface, hinged revealing compartments, 14.4cm high, 30.5cm wide, 23.4cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 260. A Victorian black leather writing slope, the hinged lid with an engraved sunken brass handle with initials ‘J.R.M.’, the interior with a stationery compartment to the lid, with four utensils above a pair of inkwells and a pen tray with divisions above a plush lined writing surface and a pair of aide-mémoire panels, with a spring loaded dressing compartment, with a sunken brass handle and fitted with silver plated jars and boxes and ivory backed brushes, 18cm high, 30.5cm wide, 23.5cm deep. £200-300 Provenance: The Dr Lawrie Webster Collection of Boxes.

259

261. A Victorian macassar ebony writing slope, the interior with gilt tooled leather and plush lined writing surface with a pen tray, an inkwell and stationery divisions, with a Bramah lock, 14cm high, 30cm wide, 23.8cm deep. £150-200 Provenance: The Dr Lawrie Webster Collection of Boxes.

260

261

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262 263

262. A Regency red papier-mâché tray, of canted rectangular form decorated in gilt with roses, bands of leaves and flowers, conch shells and acorns, 52 x 71.6cm. £100-150 263. A pair of 19th century French tôle peinte potpourri vases and covers, each painted with gilt chinoiserie decoration on a red ground with a pair of scroll handles, 71cm high, 41.5cm wide. (2) £600-800

264

264. A 19th century ebony oval tray, carved with a stylized leaf and swag band and with open brass spiral twist handles, possibly AngloIndian, 6.5cm high, 63.7cm wide. £150-250 λ 265. A large early 19th century rosewood gallery glass, the moulded frame stamped ‘CHADBURN LIVERPOOL’, with a turned handle, 43.5cm long, 27cm diameter. £200-300 266. A George III mahogany circular tray, with a dished moulded edge, the centre inlaid with a geometric satinwood design, 50cm diameter. £100-200

265

266

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267

269 268

271 270

272 267. An early 19th century pearlware pottery figure of a lady by Neal & Co., together with another pearlware figure of a lady, two 19th century bone china models of dogs, a large glass tazza, a pair of early 19th century glass rinsers, a pair of amethyst glass decanters and an 18th century wine glass with a thick foot, 34.5cm wide (max). (10) £50-100 λ 268. A 19th century oak snuff shoe, with tack decoration and a sliding lid, a painted example the lid with an ivory handle and two other snuff shoes, together with a lacquered papiermâché snuff box in the manner of Stobwasser, 11.8cm high (max). (5) £100-150 269. Three late 19th century Folk art school blackboards, each with a wooden frame, one carved with the name ‘ARTHUR’, 33 x 22.5cm. (3) £100-150 270. Four lacquer boxes, the lid of one printed with a scene of figures outside an inn, together with an oval tray, 7.3cm high (max). £50-100 271. A Regency papier-mâché wine coaster, decorated with a scrolling vine leaf, 12cm diameter, a small oval dish decorated with a classical lady and a Victorian game with eight marbles. (11) £80-120 272. A late 19th century serpentine model of a font, 13.2cm high, together with a turned serpentine candlestick, 15.2cm high. (2) £80-120 273. A William IV painted ash policeman’s truncheon, decorated with the Royal Coat of Arms the centre painted with a cartouche with a castle possibly for Carmarthenshire and ‘W IV R’, 47.4cm long. £80-120

273

274. A Regency kingwood sewing box, with a vacant interior, 27cm wide, an early 19th century fruitwood candle box and two continental mother of pearl fans, late 18th / early 19th century. (4) £100-150

274

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275. A rare pack of George III ‘Monarchs of Europe’ playing cards by Rowley & Co., steel engraved on card, the suits as portraits of the kings and queens of England, France, Spain and Russia, with their attendants as knaves, with plain backs, c.1775, together with a harewood card box with a sliding cover and oval stipple engraved prints, 10.2cm high, 7.4cm wide. (53) £300-500

275

276. A silk cased set of roulette gaming chips, the hinged lid inset an engraved print of CROCKFORD’S CLUB HOUSE, ST JAMES’S STREET’, together with a red leather effect card box containing two packs of playing cards, contract bridge scorecards and four pencils, 24.3cm wide. (2) £30-50

λ 277. A collection of snooker / billiard balls, three in ivory the others composite, late 19th / early 20th century. (29) £80-120

Provenance: The Dr Lawrie Webster Collection of Boxes.

278. An 18th century treen tally stick, inscribed in pen and dated '1779' and '1793', with notches carved to the end, 60cm long. £800-1,200 By repute the inscription relates to an agreement for a loan to build a ship.

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λ 279. A collection of Victorian bone and ivory items, including: ten ivory teething sticks in the form of tools, a glove stretcher, a bracelet, a page turner, a small bucket, spatulas and a pen, 30.3cm long (max). (21) £80-120

280. A quantity of Victorian spelling alphabet bone letters, double sided, with lower and upper cases, together with some card letters, contained in a leather pot and over. (A lot) £80-120

281. A cased diorama, of a still life of fabric flowers in a vase, glazed, 56.3 x 43cm. £200-300

282. A William IV Scottish needlework sampler by Margaret Menzies, worked with a house and castle with a bird in a tree, with scrolling flowers and foliage with a central rose and ribbon tied flowers and a verse, signed ‘Margaret Minzies’, and with intials ‘AM WM’ and ‘CL’ in a moulded gilt and composition frame, 53.5 x 47cm. £200-300 By family tradition this sampler was worked by Margaret Menzies born 12th July 1822. The initials could refer to her father Andrew Menzies, her mother, neé Catherine Lindsay and brother William Menzies.

283. A set of four needlework cushions, decorated with panels of flowers and geometric designs and other motifs, 45 x 56cm. (4) £100-150

λ 284. An unusual George IV needlework sampler by Julia Grace Hart, comprised of three panels worked with alphabets, numbers, birds, animals, a house, a crown and with various initials including ‘WH’, ‘CA’, ‘ER’, inscribed ‘Julia Grace Hart July 2, 1829’, possibly Scottish, in a glazed moulded rosewood frame, 52.8 x 84.5cm. £150-250

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CRICKETING MEMORABILIA

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285 285. Cricketing interest. After William Drummond (1800-1850) and Charles John Baseby (18181880). ‘The Cricket Match’, a hand-coloured engraving by G.H. Phillips depicting the match between Sussex and Kent at Brighton 1843, published ‘1ST MAY 1849 BY G. GAMBART & CO. 26 BERNERS ST. OXFORD ST. LONDON W.H. MASON REPOSITORY OF ARTS KING’S ROAD BRIGHTON’, in a glazed oak frame, 83.4 x 119.7cm, together with its key plate. (2) £100-150

286. Cricketing interest. A collection of presentation cricket bats, including ‘THE GUVNOR’ by Abel & Sons, signed by Robert Abel with numerous other ink signatures, together with a James Cobbett bat, a 1982 Durham XI v Middlesex presentation bat signed by the players including Mike Gatting and John Embrury, together with various miniature facsimile presentation bats, two Len Hutton autograph bats both 1938, and an olive wood letter opener in the form of a cricket bat, 87.4cm long (max). (12) £200-300 286

287

287. Cricketing interest. Three ash and brass mounted cricket stumps, together with an antique cricket ball, 77.5cm long. (4) £80-120

288. Cricketing interest. A large Victorian printed cotton panel, ‘TO THE ADMIRERS OF THE NOBLE GAME OF CRICKET’, the central panel with famous cricketers of the day, including: Lillywhite, Felix, Hillyer and Dorrington, the border decorated with various cricketing stances and with cartouches inscribed with the rules of cricket, in an oak glazed frame, 73.8 x 86.4cm. £300-500

288

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289. Cricketing interest. After Charles John Basebe (1818-1880). A set of eight 19th century hand-coloured aquatints of famous cricketers by Charles Hunt, Alfred Mynn, James Cobbett, Fuller Pilch, William Lillywhite, Thomas Box, George Leopold Langdon, Roger Kynaston and Charles George Taylor, ‘Published by W.H. Mason, Repository of Arts, Brighton Oct. 13th 1841’, each in a later glazed bird’s eye maple frame, 25.3 x 19.7cm (max). (8) £600-800

290. Cricketing interest. A matched pair of Victorian Staffordshire pottery figures of cricketers, one a batsman defending his stumps, the other a bowler, with polychrome decoration and gilt line bases, 35.3cm high (max). (2) £200-300

291. Cricketing interest. A rare Victorian papier-mâché oval tray, painted with ‘Cricket in the Artillery Ground’ after Francis Hayman, mounted on a later stand to form a table, the tray: 61 x 75.4cm. £600-800

These figures are thought to represent famous cricketers of the Victorian period, the batsman is believed to be Julius Caesar who played for Surrey, the bowler is believed to be George Parr who played for Nottinghamshire.

The original painting by Francis Hayman can be found in the Marylebone Cricket Club Museum at Lords. It depicts an early game of cricket being played with a thin curved club and the wicket keeper believed to be William Hogarth who was a friend of Hayman. In the mid 18th century the Artillery Ground, Finsbury was the sport’s focal point and home of the London Cricket Club.

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292

293 292. Cricketing interest. A Victorian Staffordshire pottery mug, with a blue ground and decorated with moulded figures of a batsman, bowler and wicket keeper, believed to be Lillywhite, Pilch and Box, 8.3cm high. £40-60 293. Cricketing interest. An Edwardian printed silk scorecard, England v. Australia at Notts. County Cricket Club, Trent Bridge Ground, Monday May 29, 30, 31, 1905, printed by Charles H. Richards, Printer, Lower Parliament Street, Nottingham, in a glazed ebonized frame, 31.5 x 23.8, together with eleven Playfair Cricket Annuals, 1949, 1952, 1952, 1953, 1954, 1957, 1958, 1959, 1960, 1961, 1962. (12) £50-100

294. Cricketing interest. A collection of cricketing prints and memorabilia, including: a printed F. Lillywhite’s Cricket Score for the All England v The United Eleven match at Kennington Oval 1861, ‘THE LAWS of the NOBLE GAME of CRICKET’ published by John Wallace, ‘Tossing for Innings’ a coloured reproduction print, a photographic print of ‘THE ENGLAND ELEVEN WHICH DEFEATED THE AUSTRALIANS AT THE OVAL, AUGUST 13TH & 14TH’, an engraving by William Weekes ‘WELL STOPPED!’, ‘THE ROYAL FAMILY IN THE HIGHLANDS: CRICKET- MATCH AT BALMORAL’, ‘THE CRICKETER SONG’ a later photographic print and a pair of Spy re-strikes of W.G. Grace and Lord Hawke, and an oval stipple engraving ‘Cricket playing’, all framed and glazed, 68 x 54cm (max). (10) £100-200

295

295. Cricketing interest. Freddy Truman’s 150th Test wicket, a presentation cricket stump, in a teak and perspex glazed case with a brass plaque inscribed ‘PRESENTED BY ROTHMANS OF PALLMALL, FREDDY TRUMANS 150TH TEST WICKET ENGLAND - S. AFRICA TEST EDGBASTON 1960, MAYORESS OF SOUTHPORT CHARITY EVENING, KINGSWAY CLUB SOUTHPORT’, 88cm wide. £100-150

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296. Cricketing interest. After Joseph Durham (1814-1877). A pair of bronze figures of cricketers, one preparing to bowl, the other taking guard, on a naturalistic base, signed ‘J.Durham’, 39cm high (max). (2) £2,000-3,000 The original series of five cricketers was exhibited at the Royal Academy in 1864. A complete set was sold by Dreweatt Neate, The Keith Crump Collection of Cricketing Memorabilia, 26th September 2006, for £26,000.

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CONTINENTAL FURNITURE & WORKS OF ART

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297 298

297. A late 19th century French mahogany and brass mounted étagère in Louis XVI style, with three parquetry tiers and pierced galleries on toupie feet, 72.4cm high, 33cm wide, 23cm deep. £800-1,200 298. An early 19th century continental tulipwood and kingwood commode, with gilt brass mounts and ebonized banding, with a violet jura brocatelle marble top with a moulded edge above three long drawers, 88.4cm high, 80.2cm wide, 43.7cm deep. £800-1,200 299. A late 19th century French mahogany and brass mounted étagère in Louis XVI style, with pierced galleries on toupie feet, 75.4cm high, 35.5cm wide, 25cm deep. £400-600 300. A French giltwood coffee table, the verde antico marble top above a carved base with stylized sphinx supports, early 20th century, 47.3cm high, 123.6 wide, 49.5cm deep. £300-500 301. A 19th century Dutch mahogany and brass inlaid teesthof or jardinière, with a liftout brass liner and a swing handle, with a giltwood stem and carved paw feet, 49.7cm high, 35.5cm wide. £200-400 299

300 301

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302. A 19th century continental walnut and marquetry occasional table, the octagonal top with an ebony central panel inlaid with flowers surrounded by ‘Green Man’ masks and leaves and flowers, on a spiral twist stem, Dutch or Italian, 72.6cm high, 59.2cm wide. £150-250 303. A late 19th century Italian walnut cabinet on stand in the manner of Luigi Frullini, carved in Renaissance style with grotesques, putti, scrolling foliage and dragons, with a hinged fall above a drawer, the base with a frieze drawer above a pierced apron and with term supports united by a female mask and dolphin stretcher, 158.2cm high, 102cm wide, 53.5cm deep. £800-1,200

303

304. An 18th century Italian giltwood wall mirror, with a central rectangular plate within marginal plates flanked by turned and leaf carved columns, with a leaf scroll surmount, 49.2 x 54.7cm. £150-250

305. A carved giltwood figurehead, ‘Triumph’, in the form of a suit of armour, 96.5cm high, 52cm wide. £800-1,200 306. A 19th century Italian walnut and marquetry occasional table, the burr veneered shaped top with ebonized edging and panels inlaid with flower filled cartouches, on a fluted stem and scroll carved legs inlaid with ribbon tied leaves and flowers, probably Sorrento, 60cm high, 75.8cm wide. £150-250

306

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307 detail

307

307. A pair of early 19th century Italian walnut commodes, each with a grey marble top, above a branded mark ‘Crown, I.G.P.’, above a frieze drawer and three long drawers flanked by a pair of columns with gilt brass mounts with engine turned decoration, on block feet, 92.2cm high, 127cm wide, 61.6cm deep. (2) £2,000-3,000

308. An Italian carved giltwood and polychrome decorated wall mirror in Renaissance Revival style, the later arched plate within a moulded slip with leaf spandrels and guilloche and flowerhead border, with a scrolling leaf frieze surmounted by a pair of figures holding flowers, fruit and a basket of flowers, the base carved with leaves and a male mask, probably Tuscany, 170 x 88.3cm. £800-1,200

308

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309. A late 19th century Italian micromosaic paperweight, of serpentine outline, inlaid with five views of Rome: the Pantheon, the Temple of Vesta, St. Peter’s, the Forum and the Pantheon, 11.6 x 16cm. £300-400

310. A late 19th century Italian micromosaic paperweight, of serpentine outline decorated with the ‘Doves of Pliny’, 9 x 12.5cm. £200-300

311. A late 19th century Italian micromosaic paperweight, of serpentine outline with a band of red marble and inlaid with an oval panel depicting the Roman Forum with the Temple of Vespasian and Titus in the foreground, 13.4 x 18.5cm. £400-600

312. An Italian micromosaic paperweight, of serpentine outline, inlaid with nine views of Rome: the Forum, the Colosseum, Trajan and Hadrian's Columns, the Temple of Vesta, St Peter’s Square, The Pantheon, Temple of Venus and Roma and the Temple of Portunus, 13 x 17.8cm. £300-400

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313. A 19th century walnut and micromosaic occasional table in the manner of Gillows, the rectangular ebony top inset with an Italian micromosaic panel of convolvulus (bindweed) with pink and blue flowers and two butterflies, with a red marble border and oval malachite panels, the moulded gilt brass edge on a leaf carved stem, scroll legs and oval pad feet, 75.2cm high, 61.5cm wide, 48.5cm deep, the micromosaic panel 35 x 48.3cm. £2,000-3,000 In the Turkish Secret language of Flowers, blue convolvulus means ‘repose’ or ‘night’ and pink convolvulus symbolises ‘Worth sustained by judicious affection’.

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314

314. A late 19th century Italian oval micromosaic plaque, of St Peter’s Square within a malachite border, 12.1 x 16cm in an ebonized moulded wood frame, 29.5 x 32.9cm. £400-600 315. A late 19th century specimen marble and hardstone chess board, in an ebonized moulded circular frame, 43.5cm diameter. £200-300 316. A late 19th century Italian micromosaic paperweight, with a scroll edge and a malachite band framing the ‘Doves of Pliny’, 11.7 x 15.8 cm. £300-400 315

317. A 19th century Jerusalem travelling silver plated Corpus Christi, on an olivewood cross, with attendant saints and angels, in a leather box, 20.5cm long. £40-60

316

317

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318. A pair of 19th century giltwood wall mirrors in Rococo style, each with a shaped plate within a rocaille, leaf and ‘C’ scroll decorated frame, 120 x 74cm. (2) £1,000-1,500 Provenance: By family repute bought by the vendor’s mother at a sale held at Arundel Castle.

318

319. An 18th century style gilt composition and metal framed wall mirror, decorated with scrolls and flowers, mid 20th century, 155.1 x 93.2cm. £300-500

318

320. An 18th century style giltwood wall mirror, the rectangular plate within a moulded frame, with applied flower heads and a leaf and flower surmount with conforming spandrels, early 20th century, 149 x 87cm. £400-600 Provenance: By family repute bought by the vendor’s mother at a sale held at Arundel Castle.

321. A pair of carved wood and painted rondels, each with a fluted border, the centres decorated with war trophies and a laurel wreath, 75.5cm diameter. (2) £800-1,200

320

319

321

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322

322. A 19th century French carved marble cistern, with a pair of bronze mounts depicting a pair of swans holding a draped standard, 24cm high, 41cm wide, 25.4cm deep. £500-800

323

323. A 19th century continental blue painted and parcel gilt pier mirror, the later rectangular plate flanked by leaf garlands and with a ribbed baton frieze, possibly Swedish, 89 x 64.4cm. £100-150 324. A pair of 19th century gilt bronze urns, one decorated with stag’s heads and ivy, the other with ram’s heads and vine leaves and grapes, each on a marble base, 25.3cm high. (2) £150-250 325. A pink marble campana shape urn, 30.2cm high, 27.2cm wide.

£100-150

326. A pair of late 19th century French silvered metal swan vases by Milotte, each signed and on a rouge marble base, 28.5cm high. (2) £400-600 327. A 19th century French electrotype and leather blotter by Oudry, decorated in Islamic style, stamped ‘L. Oudry et Cie pres Editeurs’, 27.3 x 23cm. £30-50 Provenance: The Dr Lawrie Webster Collection of Boxes. 324

327

326 325

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328

329

328. A mid 19th century French gilt bronze and mother of pearl mounted jewellery casket, the rectangular hinged top centred with a Limoges enamel portrait of a lady in Renaissance costume, signed ‘L.C.’, within an oval mother of pearl panel and a red enamel ground, the interior with a floral silk embroidered lining, on cast paw feet, stamped ‘LC.’, 9.3cm high, 23.1cm wide, 19cm deep. £800-1,200 Provenance: Albert Zananiri and thence by descent to the present vendor. 329. A late 19th century agate and gilt metal casket, with a hinged lid above a scrolling foliage escutcheon and ball feet, 16.7cm wide. £500-700 λ 330. A French thuya and kingwood manicure box, with ivory handled utensils and two pots and covers with a pair of glass scent bottles, the bases marked ‘BACCARAT FRANCE’, the base with a nail buffer and cuticle clippers, marked in gilt ‘JONES PARIS’, early 20th century, 26.5cm wide, 20cm deep. £150-250 Provenance: The Dr Lawrie Webster Collection of Boxes. 331. A late 19th century Black Forest bear tobacco box, with glass eyes and a hinged head lid, the base with a musical movement, 28cm high, 19cm wide. £400-600

330 open

330 331

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332 detail

333

332

332. An early 19th century German lacquered papier-mâché cigar case, painted with an amorous couple, inscribed to the base and to the inside of the hinged lid ‘Stobwasser’s Fabrik in Braunschweig’, 12.5cm high, 6.7cm wide. £300-500 333. A late 19th century Russian lacquer tea caddy by Vishniakov, the lid painted with three seated figures drinking and listening to music, with foil lined interior with printed mark to inside of lid, 8.7cm high, 14cm wide. £100-150 334. A late 19th century Russian lacquer tea caddy by Vishniakov, the lid painted with three seated figures taking tea, with a foil lined interior, with printed mark and date ‘1882’ to the inside of the lid, 8.8cm high, 14cm wide. £100-150 334 335. A late 19th century Russian lacquer plaque, decorated with a peasant woman seated at a table, with red painted mark ‘N 102’ to verso, 12.7 x 11.5cm within a gilt composition frame. £100-150 336. A late 19th century Russian lacquer box by Vishniakov, the lid painted with three girls throwing floral wreaths into a lake, with printed mark to inside of the lid, 8.1cm high, 19.7cm wide. £100-150 337. A Russian lacquer box, the lid painted with figures in a troika, signed to the lower left and dated ‘1960’, 11cm wide. £80-120

335

337 336

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338. A late 19th century Russian lacquer Easter egg by Lukutin, painted on one side with Archangel Gabriel the other with a castle, the gilt interior painted with the Imperial spreadeagle mark and factory initials, 10cm high. ÂŁ300-500

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339. A pair of Russian Empire style birch photograph frames, with pewter mounts including: laurel wreaths, the Imperial eagle, swags and palmettes, each with a bevelled glass panel and an easel back, 19.8 x 12.5cm. (2) £400-600 340. A Russian carved wood and polychrome decorated figure, of a bearded man with his hands in a muff, seated on a tree stump, late 18th / early 19th century, 24cm high. £300-500

339

341. A French Napoleon III thuya and ebonized writing slope, with brass stringing and kingwood banding, the twin hinged top revealing a leather lined surface, a pair of inkwells, a lidded pen compartment, and a stationery compartment, 21.1cm high, 38.8cm wide, 33.2cm deep. £150-250 340

341

342. A French Napoleon III thuya and ebonized tantalus, with brass inlay, the hinged lid, front and sides revealing an ormolu mounted lift-out tray, fitted with a pair of decanters and stoppers and nine glasses, all with gilt decoration, together with three later glasses and two stoppers, 27.4cm high, 34.6cm wide, 26.3cm deep. £200-300 342

λ 343. A 19th century French rosewood and ivory mounted tantalus, with a hinged lid and sides, applied with a decanter and four glasses and the front with a pair of tables with decanters and glasses, the interior fitted with a pair of cut glass decanters, a leather and plated spirit flask, two glasses and with apertures for cigars, 22.6cm high, 22.5cm wide, 19.5cm deep. £200-300

342 open

Provenance: The Dr Lawrie Webster Collection of Boxes.

343

343 open

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SCULPTURE

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344

344. After the antique. A bronze model of the dying Gaul, on a stone plinth, 33cm high, 62.4cm wide £300-500

345. After the antique. An Italian bronze of Arrotino the Scythian knife grinder, crouching sharpening a blade on a whetstone, mounted on a Siena marble plinth and a moulded bronze base, early 19th century, 17cm high, 17.5cm wide. £200-300

345

346

346. An 18th century South German carved boxwood Corpus Christi, 35.5cm high, 19.5cm wide. £300-500

347. After the antique. An Italian carved serpentine group of Hercules and the Nemean Lion, late 19th century, on a square plinth, 48cm high, 19cm wide. £800-1,200

348. A German carved wood and polychrome decorated Corpus Christi, late 17th / early 18th century, 39.5cm high, 28.7cm wide. £300-500 347

For a similar Corpus by Ignaz Gunther see Sotheby’s, European Sculpture and Works of Art, 5th December 2007, Lot 70.

348

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349. After Alessandro Algardi (Italian, 15981654). The Rest on the Flight into Egypt, an oval bronze relief plaque, 2nd half 17th century, 26.7 x 33.7cm. £1,000-1,500 This bronze relief is a version after the original gilt bronze relief designed by Algardi to accompany the marble group of The Martyrdom of St. Paul in S. Paolo, Bologna in 1641. The altar was designed by Borromini on the commission of Cardinal Bernardino Spada. A closely related gilt bronze example was sold by Sotheby’s, Important European Terracotta & Bronze Sculpture from the Arthur M. Sackler Collections, 29th January 2010, lot 439.

349

350 350. A carved walnut devotional plaque, depicting the Crucifixion with attendant figures of the Virgin Mary and St. John, within a carved leaf and flower border, late 17th century, possibly French, 27.7 x 17.8cm. £150-250 351

351. A carved alabaster relief plaque, depicting the Rape of the Sabine women, within a bevelled frame, probably 18th century, Italian or Flemish, 15.2 x 18cm. £300-500 352. A pair of 19th century carved wood and polychrome decorated busts of Saints, possibly German or Bohemian, 35.2cm high, 31cm wide. (2) £150-250

352

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353. After Giambologna (Flemish 1529-1608). An Italian Florentine bronze figure of the Infant Christ, on a later turned oak socle, the base with five old paper collection labels printed and inscribed in ink, 'HODGSON BEQUEST 599', 'THE CYRIL HUMPHRIS COLLECTION SOTHEBY'S 1995', '20236701/01' and 'B695' twice, possibly 17th century or later, 22.8cm high. ÂŁ4,000-6,000 Provenance: The Hodgson Bequest. Cyril Humphris, London by 1995. With Daniel Katz Ltd., London, February 2000. The Collection of the Late P. J. Rankin. See Charles Avery, Giambologna: the Complete Sculpture, 1987, p.197. See also Christie's, Important European Furniture, Sculpture and Carpets, 7th December 2006, lot 255 for a very similar bronze of the Infant Christ attributed to Antonio Susini.

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354. After Giambologna (Flemish 1529-1608). A 17th century Italian Florentine bronze figure of the Crouching Venus, on a Swedish porphyry and veined white marble base, 18.4cm high. ÂŁ3,000-4,000 Provenance: Sir Leon Bagrit London until 1979. With Daniel Katz Ltd, London, June 2000. The Collection of the Late P. J. Rankin.

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355. A 17th century Italian Florentine bronze figure of Christ at the Column, with a turned ebonized column and rectangular base, on a black marble plinth, 20.8cm high, 10cm wide. ÂŁ3,000-4,000 Provenance: The Collection of the Late P. J. Rankin.

See C. Avery and M. Hall, Giambologna. An Exhibition of Sculpture by the Master and his Followers, exhibition catalogue. Salander-Oâ&#x20AC;&#x2122;Reilly Galleries, New York, 1998, pp.98-100, no.33.

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356. Francesco Bertos (Italian 1678-1741). A marble group of two Roman warriors fighting, Venice early 18th century, 42.4cm high, 31cm wide. £4,000-6,000 Provenance: Christie’s London, 4th July 1995, lot 153. With Martin Bonham Carter, London, 2003. An English Private Collection. See Charles Avery, The Triumph of Motion: Francesco Bertos (1678-1741) and the Art of Sculpture, Catalogue Raisonée, pp. 176-177, no.38.

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358 357

357. After the antique. An Italian bronze figure of the Pugilist Damoxenos of Syracuse after Antonio Canova, on a marble base, first half of the 19th century, 26cm high, 18.1cm wide. £300-500 358. After the antique. A late 19th century Italian bronze figure of a satyr, possibly Naples, 10cm high. £80-120 359. After the antique. A bronze model of Venus, holding a grape in her left hand with her lower body draped, on a circular plinth, possibly Italian, 18th century, 13.1cm high. £80-120 Provenance: The Collection of the Late P. J. Rankin. 360. A gilt bronze and cold painted bronze bust of a Roman gentleman, wearing a toga, on a turned plinth and stepped base, 18th / 19th century, 14.2cm high. £100-150 361. A 19th century Wedgwood black basalt bust of Sir Walter Scott, after an original by Edward William Wyon, stamped ‘SCOTT’, ‘WEDGWOOD’ and ‘E.W. WYON. F’., 36.3cm high, 25.5cm wide. £100-200 359

362. A late 19th century Wedgwood black basalt bust of Mercury, impressed marks ‘WEDGWOOD’ and ‘MERCURY’, 46cm high, 28cm wide. £300-500

360

100

361

362

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363

363. A 19th century bronze equestrian group of an Elizabethan gentleman, possibly Sir Walter Raleigh, on a fluted base with scroll feet, 44cm high, 34.5cm wide. £600-800 364. Guillaume Deniere (French 18151903). A bronze figure of a priest, holding an open book, signed ‘DENIERE’, 42.6cm high. £500-700 364

365. An early 19th century French bronze portrait bust of Henri IV, the king modelled as a Roman Emperor with a laurel wreath in his hair, the moulded rectangular plinth applied with wreaths and scrolling flowers and foliage, 32.5cm high. £150-250

365

Provenance: The Collection of the Late P. J. Rankin. 366. A 19th century French bronze bust of Pierre Corneille, raised on a socle and an associated turned stand, 16cm high. £100-150 367. After Bernard-Gabriel Seurre (French 1795-1867). A 19th century French bronze figure of Molière, the writer seated holding a book and pen, on a black marble base, the underside with a handwritten paper label, 12.3cm high, 14cm wide. £100-150 The original sculpture can be found at the junction of rue Moliere and rue Richelieu, Paris. 366

367

101

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369 368 368. A late 19th century French alabaster bust of Napoléon Bonaparte, on a turned socle, 44.9cm high, 32cm wide. £2,000-3,000 369. Émile Guillemin (French 1841-1907). A terracotta bust of an 18th century gentleman, signed with initials and ‘ELe Guillemin’, on a rouge marble socle, 29cm high. £300-500 370. A 19th century French terracotta group of two monkeys, seated on a sofa, one wearing a scarf / hat, the base inscribed 'Pppignouf!!' and signed indistinctly possibly ‘L. Desbois’, 12.9cm high, 15cm wide. £150-250 371. A pair of early 19th century French bronze figures, of Socrates and possibly Leon of Salamis, the philosopher seated holding a cup of hemlock, the general holding a scroll in his right hand, both on marble bases, 15.4cm high, 16.2cm wide. (2) £300-500 370

372. A 19th century French bronze figure of Napoléon Bonaparte, standing on a plinth the base cast with a crowned ‘N’, 21.5cm high. £100-150

371

102

372

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373. A pair of 19th century French bronze figures of a man and woman, each standing on a brèche d’alep marble base, 39cm high (max). (2) £600-800

375. After Claude Michel, Clodion (French 1738-1814). A bronze group of the Infant Hercules with a satyr, signed ‘Clodion Scpt’, on a verde antico marble base, 25.4cm high, 20cm wide. £200-300

374. After Jean-Claude Rosset (French 1706-1786). A pair of Charles X bronze figures of Voltaire and Rousseau, each standing on a Siena marble and bronze mounted plinth, 45.3cm high (max), 13.5cm wide. (2) £800-1,200

376. A late 19th century French bronze group of two cherubs, signed indistinctly ‘Hayet’, on a rouge marble base, 20cm high, 17.8cm wide. £100-150

377. A 19th century German bronze model of a Moor, lying on his back with a spear, 16.5cm long. £100-200 Provenance: Purchased from William Agnew, Grosvenor House Antiques Fair 1999. The Collection of the Late P. J. Rankin.

103

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378

379

378. A late 19th century continental bronze bust of Diana, titled, the base signed ‘M de Mathelin’, and ‘J. PETERMANN FONDEUR, BRUXELLES’, 32.3cm high, 23.9cm wide. £150-200 379. A 19th century French bronze figure of a lady, seated on a rocky outcrop holding a bowl, on a black marble base, 20.8cm high, 18.3cm wide. £100-150 380. R. A. de Luca. A gilt and patinated bronze model of a shepherdess, with a goat, signed, on a black marble base, 60.3cm high, 24.8cm wide. £300-500 381. A late 19th century bronze figure of a young man, holding a carafe of wine and a beaker, signed indistinctly possibly ‘J. Pressey’ on a loose marble base, 30cm high. £100-150 382. Charles Antoine Bridan (French 1730-1805). A pair of bronze figures of a boy and a girl, one playing with a bird, the other holding its nest, 22cm high. (2) £150-200

380

383. An early 20th century Italian carved marble model of a classical figure, on a separate plinth, 35cm high, 12.5cm wide. £100-150

382

104

381

383

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384. Georges Malissard (French 1877-1942). A bronze equestrian group of Field Marshal Ferdinand Foch, signed ‘Geo. Malissard’ and dated ‘1919’, with fondeurs signature ‘Bague Freres Co.’, on a marble base, 48.6cm high, 47.5cm wide. £1,000-1,500

385. A pair of 19th century French bronze figures of Cupid, one with his quiver of arrows, the other of a young girl carrying a sphere, the bases indistinctly signed, possibly for ‘DELAVIGNE’, on black marble plinths, 60.2cm high, 15.2cm wide. (2) £600-800

λ 386. A 19th century French Dieppe relief carved ivory plaque, depicting St. Augustine in a classical landscape offering his symbol, the sacred heart of fire to the Madonna and child, 15 x 8.3cm, mounted on a velvet covered panel. £300-500

105

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387. A 19th century bronze bust of William Shakespeare, on a turned socle, 30.4cm high, 19cm wide. £150-250

387

388. John Henry Foley (1818 - 1874). A bronze group of a young boy at a stream, inscribed ‘J.H. FOLEY. SCULP. EXECTUTED FOR THE ART-UNION OF LONDON. 1846’, 54.6cm high, 18cm wide. £800-1,200

389. After R. A. Pickering (mid 20th century). A composite bronze bust of Sir Winston Churchill, titled, signed and dated ‘49’, on a marble base, 15.1cm high. £80-120

388 389

390. Carlo Marochetti (Italian 18051867). A bronze bust of an English statesman, signed ‘C Marochetti’, on a turned ebonized wood plinth, stamped twice ‘H. RAINEY’ ‘W.L’ 31.7cm high, 15.2cm wide. £150-250

391. Carlo Marochetti (Italian 18051867). A bronze bust of the Duke of Wellington, signed ‘C Marochetti’ and ‘Pubd novbr 4th 1852’, on a turned ebonized wood plinth, 31.4cm high, 14cm wide. £300-500

106

390

391

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392. In the manner of Antoine-Louis Barye (French 17961875). A 19th century bronze model of an ostrich, 23.7cm high, 15.5cm wide. £1,500-2,000 Provenance: Christopher Powney Gallery, London W1, 1963. With Sven Gahlin, London. See Michael Poletti & Alain Richane, Barye, no. CS 146.

392 393

395

394

393. A 19th century bronze model of a recumbent lion, on a black marble base, 19cm long.

£100-150

394. A 19th century bronze model of a racehorse, mounted on a Siena marble veneered plinth, 29cm high, 26.9cm wide.

£400-600

395. A Victorian bronze card holder in the form of a spaniel, with an articulated jaw, previously mounted, 11.1cm high.

£100-150

107

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396. Three Austrian bronze models of bulldogs, two stamped ‘GESCHUTZT’, late 19th / early 20th century, 12cm long (max). (3) £150-200

396

398 397. An Austrian cold painted bronze model of a bulldog in the manner of Bergman, late 19th / early 20th century, 18.5cm long. £300-400 398. Two Austrian cold painted models of terriers, together with a bronze model of a seated dog, the base stamped indistinctly, late 19th century, 10cm long (max). (3) £80-120 399. Three Austrian bronzes, of a wren and a pig, both stamped ‘GESCHUTZT’, together with a bull, 12cm long (max). (3) £100-150

399

401. An Austrian bronze model of a lion, the tail stamped ‘GESCHUTZT’, late 19th / early 20th century, 12.7cm long. £100-150

108

400. An Austrian cold painted bronze model of a roaring lion in the manner of Bergman, his front left paw stamped ‘M. S’, late 19th / early 20th century, 9.5cm high, 18cm long. £150-250

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402

402. A Victorian Gothic revival oak writing desk after a design by A. W. N. Pugin, the top with a moulded edge and a raised back, above a pair of frieze drawers fitted with brass loop handles, on chamfered trestle ends carved with rosette rondels, above conforming feet, united by an arched stretcher, on castors, 80.8cm high, 108.1cm wide, 63.6cm deep. ÂŁ800-1,200 From 1847 until his death in 1852 Augustus Welby Northmore Pugin provided designs for the new Palace of Westminster which were carried out by Gillows and Holland & Sons. See Michael Whiteway, A. W. N. Pugin 1812-1852: An Exhibition Catalogue, London, The Fine Art Society with Haslam & Whiteway, 7th-23rd December 2011 for a similar table. 403. A Victorian Gothic revival oak centre table, the single plank top above a carved frame with eight octagonal supports, with moulded capitals and bases with differing carved leaf designs and with various monograms and motifs with peripheral stretchers and chamfered feet, 73.5cm high, 152.6cm wide, 73cm deep. ÂŁ800-1,200

403 403 detail

109

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404

404. A pair of Victorian Aesthetic amboyna and ebonized occasional tables, each with an octagonal top on four columns supports with gilt brass mounts and ceramic castors, 69.8cm high, 65.2cm wide. (2) £300-500

λ 405. A Victorian rosewood pole firescreen, the adjustable panel inset with a felt picture of monkeys in a tavern, 150.6cm high, 47.5cm wide. £40-60 406. A Victorian walnut occasional table by Hindley & Sons, the circular top on three spiral twist columns and on foliate carved legs, stamped ‘C. HINDLEY & SONS, 164 OXFORD ST, LONDON 51047’, 73.5cm high, 53.2cm diameter. £100-150 405

407. A set of ten Victorian oak dining chairs, each with an upholstered back and seat, the frames carved with flower rondels on fluted tapering legs and ceramic castors. (10) £800-1,200

406 407

110

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408. A Victorian walnut and floral marquetry serpentine credenza, with gilt brass mounts, the central cupboard inlaid with an urn of flowers on an ebonized ground, enclosing a plush lined interior with a shelf, flanked by a pair of serpentine glazed doors with conforming interiors, 111cm high, 192.7cm wide, 45.5cm deep. £800-1,200

409. A Victorian kingwood writing table, with gilt brass mounts, the serpentine edge top inset a gilt-tooled leather surface to a frieze drawer fitted with a hinged leather writing surface, on cabriole legs to scroll sabot, 74.9cm high, 101cm wide, 57.5cm deep. £1,500-2,000

410. An Edwardian mahogany and painted display cabinet in Sheraton revival style, decorated with ribbon tied swags of flowers and leaves, with three urn finials above a pair of serpentine glass doors enclosing two shelves above two frieze drawers one with a brass plaque for Druce & Co., London, the back of the cabinet also with a brass plaque, 176.4cm high, 65cm wide, 36.7cm deep. £800-1,200

409

411

411. A Victorian oak library table retailed by Edward Holmes Baldock, the rectangular top inlaid with ebonized banding, above a pair of frieze drawers carved with scrolling leafage and grotesque masks, on stylized ‘Green Man’ carved trestle ends and sunken brass castors, the underside with a branded mark ‘EHB’, 77cm high, 120cm wide, 59.5cm deep. £300-500

410

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412. An oval wall mirror in Adam style, the oval bevelled central plate within marginal plates and a moulded frame, late 19th / early 20th century, 81.3 x 11.5cm £100-150

413

413. A late 19th century gilt wall mirror, the shaped plate within a moulded frame with a bellflower border and a foliate surmount, 88 x 110.5cm. £100-150 414. A 19th century carved giltwood overmantel mirror, with a rectangular central plate within a moulded slip and marginal plates, with leaf spandrels and an acanthus decorated frame with a scrolling leaf surmount, 105 x 120cm. £400-600

414

415

λ 415. A late Regency rosewood and parcel gilt overmantel mirror, the rectangular plate within a gilt slip, the frame decorated with split columns and panels of stags, 54.5 x 84.5cm. £100-150 416. A Regency giltwood and ebonized convex wall mirror, the circular plate within a reeded slip and a baton decorated frame with a scroll and anthemion surmount, 68 x 54cm. £100-150

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416

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417. A 19th century convex wall mirror, the circular plate within an ebonized reeded slip and on a ball decorated frame, with a carved eagle surmount and applied with scrolls and leaves, 102 x 68cm. £600-800 418. A large pair of 19th century giltwood wall mirrors, each with a rectangular plate, one broken, in a leaf moulded frame, 200.3 x 135.5cm. (2) £500-1,000

419. An Irish silvered wood and ebonized wall mirror, the oval plate within a moulded frame applied with faceted cut glass cabochons, late 19th / early 20th century, 51.6 x 41.2cm. £200-300

420. A Regency giltwood convex wall mirror, the circular plate within an ebonized reeded slip and a ball decorated frame with a carved eagle and scroll surmount, 92 x 57.3cm. £300-400 418 pair

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421. A Victorian giltwood and gesso girandole, the shaped plate within a moulded leaf and beaded frame, with an anthemion and foliate surmount, the base with a pair of sconces and a shell and foliage pendant, 90 x 52.5cm. £200-300

422. An early 20th century giltwood wall mirror, the oval bevelled plate within a bead and egg and dart frame, with a cartouche and floral swag surmount, 95.8 x 66.7cm. £200-300

421

422

424

423

423. A 19th century gilt bronze stand, the base with leaves and three griffin monopodia legs, supporting a Siena marble sphere, 29.3cm high, 18.3cm wide. (3) £300-500

424. A pair of Victorian cast iron urns, with fixed lids and foliate decoration, 81cm high, 40.5cm wide. (2) £400-600

425. A painted leather four-fold screen, decorated with a country village scene with cottages and figures, late 19th century, 175.8cm high, 44.5cm wide each panel. £200-300

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425

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426

427

426. A George IV mahogany dressing table mirror in the manner of Gillows, the rectangular plate supported by ring turned and spiral twist uprights, with a shell and paterae carved top rail, 64.9cm high, 59.8cm wide, 26.2cm deep. £300-500 427. A George III mahogany dressing table mirror, with boxwood edging, the later oval plate on scroll supports, the serpentine box base fitted with three drawers, 52.7cm high, 40.8cm wide. £100-150 428. A giltwood pier mirror in Adam style, the acanthus wrapped frame with lion’s mask paterae, early 20th century, 148 x 34.8cm. £100-150 429. A pair of Regency oak and brass inlaid mirrors, later converted to mirrors, each with a rectangular plate within a moulded frame with rondels inlaid to the corners, 55.4 x 73cm. (2) £500-800 Provenance: By repute these mirrors were originally Regency picture frames containing watercolours depicting HMS Amazon and these frames were made from her timbers. They were removed from the estate of Sir William B. Parker Bart of Blackbrook House, Fareham, Hants, who was a descendent of the Admiral of the Fleet Sir William Parker who commanded HMS Amazon and served under Lord Nelson.

428

429 pair

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430. After Angelica Kauffman (Swiss 1741-1807). A coloured stipple engraving, depicting the Flight of Paris and Helen from the Court of King Menelaus by William Wynne Ryland, 27.6cm diameter, in a moulded giltwood glazed frame, together with another stipple engraving after Henry Bunbury by Bartolozzi and a portrait print of Charles Maurice de Talleyrand, in a bird’s eye maple frame. (3) £80-120

430

431. Masonic interest. John Christian Maggs of Bath (1819-1895). An oil on canvas portrait of Master Mason John Dell Esq., the reverse inscribed ‘John Dell Esq.’, and ‘J.C. Maggs’ fecit 1841’, 66.5 x 47cm, in a moulded stained oak frame. £400-600 432. A 19th century primitive watercolour, of a boy and a girl about to carve a model of a bird which stands with them, in a moulded frame, 36 x 26cm. £100-150

432

433. A Regency portrait silhouette of Susanna Nicholl by I. Hallam, with gilt highlights, signed ‘I.Hallam’, and dated ‘1819’, in a brass mounted and ebonized frame, with a crown and laurel leaf mount stamped ‘I. HALLAM’, the reverse inscribed in pen ‘Susanna Nicholl daughter of Altyd Nicholl Born 1788. Died 1849, Marr. 1825 Rev Robert Bathurst Plumptre’, 14.5 x 12.3cm, together with two other portrait miniatures. (3) £100-150

431

434. After Giovanni Battista Piranesi (Italian 1720-1778). ‘Veduta della vasta Fontana di Trevi anticamente detta l’Acqua Vergine’, ‘Veduta della Basilica di S.ta Maria Maggiore con le due Fabbriche laterali di detta Basilica’, etching from the Vedute di Roma, 40 x 54.3cm together with a later print of ‘VEDUTA DELL’ARCO DI CONSTANTINO’, each in a glazed giltwood frame. (3) £200-300 435. After William Hogarth (1697-1764). Four engravings from the Rake’s Progress, 36 x 41.5cm, each in a glazed moulded frame, together with an Italian engraving of the ‘Veduta interna della Basilica di Paolo fuori la Porta Ostiense. (5) £80-120 436. Robert Havell (1793-1878) after Hubert Cornish, a Panoramic view of Sidmouth, Devon including the coast from Torbay to Bridport, a set of three aquatints, engraved 1840, by J. & S. Harvey, each 38.5 x 95cm. (3) £150-250

433

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435

434

436

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437. Four late George III reverse glass prints, titled ‘PLENTY & PEACE all over the WORLD’, ‘BRITANNIA, supporting the PROTECTORS OF PEACE & LIBERTY’, published by I. Hinton 1802; ‘AFRICA AMERICA’, published by W. B. Walker, 1805, in later Regency style ebonized and gilt frames, 33 x 43.1cm. (4) £2,000-3,000

438. A mahogany spider leg table in George II style, the drop-leaf top on turned and block supports and pad feet, early 20th century, 67cm high, 61 x 76cm (open). £150-250

439. A Victorian mahogany twin pedestal desk, the top inset with red leatherette above an arrangement of nine drawers, with turned knob handles, on castors, 73.8cm high, 122.2cm wide, 67cm deep. £200-300

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440

441

440. An oak artist’s easel by Winsor & Newton, with an adjustable rest and with an ivorine plaque inscribed ‘WINSOR & NEWTON LTD, LONDON, MADE IN ENGLAND PATENT NO. 794523’, on wooden castors, 157.7cm high, 55.4cm wide, 54.6cm deep. £200-300 441. A Victorian bleached oak collector’s cabinet, with a panelled door enclosing eighteen drawers, all but one with glazed lift-off tops, on bracket feet, 118.2cm high, 63.9cm wide, 64cm deep. £400-600 442. A William IV bleached oak library table, on scroll carved trestle ends and feet united by a turned stretcher, with an ivorine label inscribed ‘JAMES PHILLIPS & SONS, UNION STREET, BRISTOL’, 74.9cm high, 114.1cm wide, 75.2m deep. £200-300

443. An unusual mahogany propeller hall bench, 20th century, 122.4cm high, 94cm wide, 31.7cm deep. £200-300

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442

444. A 19th century painted pine side table, with a frieze drawer, 78.3cm high, 95cm wide, 55.4cm deep. £150-250

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445. An upholstered daybed by H. W. West for Sir Cecil Beaton for Reddish House, with a loose cover on bronze feet, 75.5cm high, 155cm wide, 67cm deep. £200-300 Provenance: Bought by the present vendors from the Reddish House Sale, Broad Chalke, Wiltshire, Christie’s, 9th-10th June, 1980, lot 128. This daybed was made for Sir Cecil by H. W. West of Fulham and was inspired by the Giacometti furniture in his collection.

446. A pair of Howard style easy armchairs by Stephen Perkins, each on beechwood supports, the back leg stamped ‘By Stephen Perkins CIRENCESTER ENGLAND STEPHEN PERKINS’, on brass castors, modern. (2) £500-700

447. A pair of leather wing armchairs in George III style, each with a button back on fluted front legs and ‘H’ stretchers, c.1940-50. (2) £800-1,200

448. A Howard style three seater sofa, on square tapering front legs and brass castors, modern, 82cm high, 222cm wide, 89cm deep. £500-800

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449. A pair of modern glass and brass coffee tables, on turned supports, 1960s, 46.7cm high, 110.6cm wide, 55.6cm deep. (2) £300-400

450. A pair of carved wood and painted wall brackets, each in the form of a fluted urn, 31.5cm high, 35.3cm wide. (2) £200-300

451. An oak standing book trough, with pierced handgrips above a flat stretcher, the base with a paper label inscribed ‘Trollope & Colls’, late 19th / early 20th century, 63.5cm high, 71cm wide, 45.8cm deep. £100-150

452. Two wicker sewing boxes, each with a hinged lid with a swing handle, containing various utensils including: a bone glove stretcher, scissors, a mother of pearl penknife, 33.6cm wide, 25cm deep, (max). (2) £50-100

λ 453. A late Victorian brown leather purse étui, the interior with bone and ivory handled utensils including a sewing shuttle, tweezers, a paper knife, a thimble and a file, together with a brown leather and gilt brass French purse stamped ‘BREVETE S.C.D.L.’, fitted with a small notebook and pencil, 15cm wide (max). (2) £30-50

454. A Victorian brown leather and gilt brass mounted bag étui, the interior with a pair of scissors, a thimble, a needle, a pin cushion and a stiletto, with chain handles, 12.8cm wide. £60-80

Provenance: The Dr Lawrie Webster Collection of Boxes.

455. An early 19th century burr walnut tea chest, the interior with a lift-out tray with three hinged compartments, each with a turned bone handle, 12.6cm high, 28.1cm wide. £40-60 Provenance: The Collection of the Late P. J. Rankin.

456. A Victorian black leather document case by Parkins & Gotto, the hinged lid with a stationery pouch and an expanding concertina compartment with a gilt crown and garter stamp inscribed ‘24 & 25 OXFORD ST. LONDON MANUFACTURED BY PARKINS & GOTTO’, with a brass Bramah lock, 23 x 28.3cm. £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes. William Parkins and Henry Jenkin Gotto established Parkins & Gotto at 2, Hanway Street, London in the 1840s. In the 1850s the company moved to 23-25 Oxford Street.

120

457. A Victorian black leather writing slope, the hinged lid with a sunken brass handle, the interior with a hinged writing surface, a lift-out pen tray and a spring loaded secret drawer, with a stationery compartment the underside fitted with bone handled utensils and with a leather inkwell inscribed ‘PERRY & CO’., 16.2cm high, 36cm wide, 27.3cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes.

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458 459 460 458. An early 19th century walnut tantalus, with a pair of brass side carrying handles, the baize lined interior fitted with three large cut glass decanters and stoppers and five smaller decanters together with six glasses, the later brass Bramah lock stamped ‘J.T. NEEDS 100 NEW BOND ST., LATE J. BRAMAH 124 PICCADILLY’, 30.3cm high, 43.5cm wide, 28.3cm deep. £400-600 Provenance: The Dr Lawrie Webster Collection of Boxes. 459. A Victorian walnut and Tunbridge ware box, inlaid with parquetry banding, the hinged lid with a view of Hever Castle, the base with panels of butterflies and flowers, with a vacant interior, 15.5cm high, 33cm wide, 22.9cm deep. £50-100 Provenance: The Dr Lawrie Webster Collection of Boxes. 460. An Edwardian red leather lady’s dressing case by Asprey, the interior fitted with silver topped jars and bottles and brushes stamped ‘ASPREY 166 BOND ST,’ hallmarked for Charles & George Asprey, London 1907, with a tortoiseshell comb, steel scissors, a leather backed mirror, a pin cushion and other utensils, stamped in gilt ‘ASPREY LONDON’, 21.5cm wide,16.2cm deep. £100-150

461

Provenance: The Dr Lawrie Webster Collection of Boxes.

λ 461. A 19th century mahogany and brass mounted tantalus, the interior with four divisions containing a pair of cut glass decanters and stoppers and a pair of tumblers, with ivory bun feet, 22.7cm high, 20cm wide, 20.3cm deep. £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes. 462. A Victorian brown leather scent bottle box, with a brass rope handle and escutcheon, the silk lined interior with three glass scent bottles and stoppers, 16.5cm wide. £60-80 Provenance: The Dr Lawrie Webster Collection of Boxes. 463. A Victorian oak and bird’s eye maple miniature chest of drawers, with ebonized decoration, of two short and three long drawers, the back edge of each stamped ‘J. PRYER’, 34.6cm high, 31cm wide, 23.4cm deep. £100-150 462

464. A late Victorian pine simulated bamboo miniature wardrobe, with a mirrored door, 45.3cm high, 24.3cm wide, together with a matching table. (2) £50-80

464 463

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SPORTING ART, NATURAL HISTORY & MISCELLANEA

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465. After George Stubbs (1724-1806). ‘SWEETWILLIAM’, a stipple engraving with etching engraved by George Townley Stubbs, published London 1817, 39.8 x 50cm, in a glazed, gilt and ebonized carved Hogarth type frame. £600-800 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

466. After Abraham Cooper (1787-1868). ‘FLEUR-DE-LIS’, a proof mezzotint by Thomas Lupton, ‘The Property of HIS MAJESTY, late in the possession of Sir M. W. Ridley Bart M.P.’, published by James Bulcock, 1st July 1828, 44.5 x 52.5cm, in a glazed, ebonized and gilt carved Hogarth type frame, the verso with a Parker Gallery label. £400-600 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

467. After Ben Marshall (1767-1835). ‘HAP-HAZZARD’, an engraving by W & G Cooke, published London 1805, 50.5 x 60.3, in a glazed, gilt and ebonized carved Hogarth type frame. £600-800 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

468. After George Stubbs (1724-1806). ‘ECLIPSE the Property of DENES O’KELLY ESQR’, a mezzotint by Thomas Burke, 46 x 56.5cm in a glazed, gilt and ebonized carved Hogarth type frame, the verso with a Parker Gallery Label. £600-800 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

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469. After George Stubbs (1724-1806). ‘THE SPANISH POINTER’, an engraving by William Woollett titled ‘Engraved after an Original Picture of Mr George Stubbs, in the Possession of Mr R Bradford’, ‘Published by T. BRADFORD, NO. 132 Fleet Street, Jany 1st 1768’, 44.5 x 56cm, in a glazed, reeded ebonized frame. £400-600 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

470. After James Pardon (act. 1811-1829). ‘PORTRAIT OF MR. WM. HUTCHINSON of Canterbury, Mounted on Stareing Tom’, a handcoloured aquatint by H. Meyer, titled ‘EQUESTRIAN MATCH against Time for 600 GUINEAS, to Ride from Canterbury to London Bridge in THREE HOURS’, published by ‘J. Hudson, 85 Cheapside 4th June 1819’, 28.3 x 38.6cm, in a glazed, gilt and ebonized carved frame. £200-300 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

471. After Henry Bernard Chalon (1770-1849). A hand-coloured mezzotint of ‘Thunder’, an old English setter, by William Ward, 38 x 51.7cm, in a glazed Hogarth style frame, together wit ‘A VIEW near HYDE PARK CORNER’, Mr Tattersall conducting a horse auction, a coloured engraving by Robert Dighton. (2) £200-300 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

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472. After Samuel Howitt (1765-1822). Six hand-coloured aquatints from the Oriental Field Sport Series, originally designed by Captain Thomas Williamson, engraved by H. Merke, ‘DRIVING A BEAR OUT OF SUGAR CANES’, ‘DECOY LEAVING THE MALE FASTENED TO A TREE’, ‘SHOOTERS COMING BY SURPRISE UPON A TIGER’, ‘CHASING A TIGER ACROSS A RIVER’, ‘RETURN FROM HOG-HUNTING’ and ‘SHOOTING AND SHOOTING AT THE EDGE OF A JUNGLE’, 32.5 x 43.5cm, each in a glazed gilt and ebonized Hogarth type frame. (6) £200-300

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473. Horse Racing interest. A Victorian silver mounted presentation whip, the leaf and flower decorated pommel inscribed ‘John Reed won at March By Vanguard 1841’, 103.7cm long. £500-700 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe. Vanguard was a steeple chase racehorse. In 1841 he won the Trophy Whip at March (Isle of Ely) for John Reed for which this lot was presumably presented. In 1843 at his first attempt he won the Grand National for Lord Chesterfield, ridden by Tom Olliver. Vanguard was Tom Olliver’s favourite horse and when he died Olliver had him skinned and used his hide to upholster a sofa which is at Aintree. His skull was to be mounted upon Olliver’s personal carriage and the rest of the remains donated to feed the destitute of Liverpool and the bones sold for animal glue.

474. A late Victorian boxwood and brass horse measure by Cooper W. Jones & Co, with a hinged scale with spirit level and tape measure, with maker’s mark and patent no. ‘13268’, in a leather case, 36.3cm long. £100-150

475. After Ben Marshall (1767-1835). ‘MULY MOLOCH’. an engraving by W & G Cooke, published London 1805, 50.5 x 60.3, in a glazed, gilt and ebonized carved Hogarth type frame. £600-800 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

476. A Victorian mahogany and white metal wall mounted saddle rack, 52cm long. £200-300

477. A Victorian cast iron horse tether, 26.2cm high.

£200-300

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478 478. Three pairs of leather boots, the brown leather boots each with wooden and ivorine trees by Peal & Co., stamped ‘Lt. C.P. Vivian’ and ‘C.P. Vivian Esq’. (6) £350-450

λ 479. A George V rhinoceros horn and silver mounted walking cane, the crook handle above a silver ferrule with engraved decoration and inscribed ‘PRESENTED TO REV. FODOR JEFFREYS, BY THE C.E.T.S AND B. OF H. COMM., HOLY TRINITY, FEBRUARY 1920’, hallmarked for Henry Tracy & Sons, London 1919, with a hardwood shaft, 97.3cm long. £300-500 479

480 480. A late Victorian oak boot jack by Peal & Co., with turned supports, the base with a maker’s rondel inscribed ‘PEAL & CO., 487 Oxford Street, LONDON’, 83cm high, 48cm wide, 52cm deep. £400-600

481

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481. A Victorian copper and nickel coaching horn by Kohler & Son, stamped ‘1851-1862, KOHLER & SON, MAKERS 116 VICTORIA STREET, WESTMINSTER (FROM COVENT GARDEN)’, 86cm long. £150-200

482. A Victorian cast iron doorstop in the form of a fox head, 16.3cm high, together with a silver plated mounted hoof paperweight by Peter Spicer & Sons, Leamington. (2) £100-150

482

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483. A carved wood and painted half-block model of a brown trout by Charles Farlow & Co., inscribed ‘4LBs. CAUGHT BY CAPT. F. COVELL. SAT. JUNE 30TH 1934, WITH A PALE PINK WATERY DUN. LENGTH 21”. GIRTH 12 1/2.’, with stencil stamp to verso ‘C. FARLOW & CO. LTD., ANGLING SPECIALISTS, 11 PANTON STREET, HAYMARKET, LONDON, S.W.1’, 24.2 x 65cm. £2,500-3,500

484

485

484. A painted papier-mâché dairy shop sign, in the form of a cow, 50.8cm high, 84cm long. £300-500 485. An antler chandelier, with a brass suspension ring and eight lights, 98.4cm high, 108cm wide. £500-700

486

486. A late 19th century Black Forest carved wood folding wall rack, with an Ibex head with glass eyes and with nine hooks, 54cm high, 56cm wide, together with a wall mounted stick rack in two sections carved with oak leaves and acorns with antler hooks. (2) £300-400

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488

487

487. Three late Victorian oak and ash game carriers, each with a leather handle, the string bag carrier by ‘JAMES DIXON & SONS, SHEFFIELD’, and the partridge carrier by ‘E.M. REILLY & CO, NEW OXFORD ST. LONDON’, 52cm long, (max). (3) £150-250

489

488. An 18th century wrought iron game crown, with eleven hooks, 29.7cm high, 31.7cm wide. £100-150 489. A wicker picnic basket, the interior fitted with tea for four with cutlery, plates, cups, a flask and food containers, with brass side carrying handles, 52.5cm wide £300-400 490. A milliner’s carved wood hat stretcher, with an inset scale for head sizes, 32.7cm high, 30cm wide, together with a carved wooden hat block and another stretcher. (3) £200-300 491. An early 20th century leather car trunk, the hinged lid inscribed with Chinese characters, with side carrying handles and with further characters, 50cm high, 79.5cm wide. £350-450

490

492. A George III mahogany and brass mounted carriage wheel by Ward, the hub inscribed ‘J. WARD, LEICESTER SQUARE, LONDON’, 62cm diameter, together with a George III instrument box, with a brass plaque inscribed ‘S. W. GARDINER, ESQ. COOMBE LODGE’. (2) £100-200

491

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492

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493. Dental interest. A collection of dentistry tools and related items, including: an 18th century marine ivory top set of false teeth, a set of bone false teeth possibly 17th century, various other very early false teeth, a treen mouth gag, a late 18th / early 19th century ivory handled toothkey, a pair of Wedgwood pottery false teeth boxes, a 19th century ivory handled hack saw by C. Ash & Sons, tweezers, a forceps with integral drill by C. Ash & Sons, de-scaling tools, some stamped 'DR. BING', spatulas, a tongue press, whalebone dental rubbers and a collection of late 19th / early 20th century bone handled toothbrushes the majority by Robert Addis. (A Lot) £800-1,200 494. A collection of twenty-four microscope specimen slides by William Watson & Sons, including: ‘Gold Nuggets’, ‘Peacock Copper’. ‘Pollen of Mallow’, ‘Embryo Oyster’, ‘Wing of Clifton Blue Butterfly’, ‘Apple moth’. each with a circular printed label for ‘W. WATSON & SONS, 313 HIGH HOLBORN LONDON’, in a deal case, late 19th / early 20th century, 21cm wide, together with a Victorian microscope slide of the portraits of engineers at the Menai Straits Conference, previous to the floating of one of the tubes of the Britannia bridge, including J.K. Brunel and Robert Stevenson, in an associated leather box. (2) £150-250 494

495. Medical interest. An anatomical painted plaster model of the human brain, in four parts, 11.3cm high, 15cm wide, together with two anatomical model throats. (3) £200-300

495

496. An early 20th century German chemistry set, in a mahogany box with a lift-out tray fitted with various utensils, the base with divisions and a lidded compartment containing wooden jars marked ‘Salpeter’, ‘Borax’ and ‘Phosphorsat’, 29.5cm wide, 19cm deep. £100-200 Provenance: The Dr Lawrie Webster Collection of Boxes.

496

497. A George III mahogany apothecary’s box, the top with a pair of brass carrying handles, with hinged sides revealing a blind fret carved interior with sliding panels revealing bottle compartments above drawers with divisions, the exterior with two further slides, 28.4cm high, 28.2cm wide, 28.3cm deep. £300-500

497

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498. A croquet set on a hardwood stand, with a brass carrying handle and mounts comprising: four ash mallets, a hammer, four balls, a post and six hoops, the stand: 78cm high. £400-600

499. A Victorian mahogany Campaign style butler’s tray on stand, the hinged foldover top supported on a detachable turned leg on an ‘X’ shape base, 70.3cm high, 73.2cm wide, 52cm deep. £150-250 See British Campaign Furniture, Elegant under Canvas, 1740-1914 by Nicholas A. Brawer, p.112, pl. 109, for a similar table. 499

498

500. A late Victorian plated Campaign shaving pot by Drew & Sons, the hinged lid stamped ‘DREW & SONS PICCADILLY CIRCUS LONDON’, the interior with a fretdecorated spirit burner, 11.3cm high, together with a brass cased Campaign artist’s paint box. (2) £100-150

501. Taxidermy. A late 19th century cased group of Wolf spiders, in a naturalistic setting, 21.6cm high, 15.5cm wide. £100-150

λ 502. A Green turtle shell (Chelonia mydas), 85.5 x 69.5cm. £300-500 To be sold with Cites Article 10 (non transferable) Licence. 500

λ 503. A South Seas conch shell, 25cm high, 21cm deep, together with a carved shell and marine ivory spoon, 26.3cm long. (2) £40-60

501

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503

502

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λ 504. Taxidermy. An early 20th century stuffed python, in a naturalistic setting with six model eggs, in an ebonized glazed case, 15.3cm high, 33.3cm square. £200-300

λ 505. Taxidermy. A Nile crocodile skin (Crocodylus Niloticus), with head mount and glass eyes, with backing, late 19th / early 20th century, 164.4cm long. £200-300

A COLLECTION OF SKULLS

506. An Anglo-Saxon female skull, aged approximately thirteen, with a contemporary head wound, with a detached lower jaw, 16cm high, 13cm wide. £100-200 Provenance: By repute this skull was carbon dated to 1000AD and its place of origin was Britain. It was excavated near Hastings, Sussex in 1960 by Herbert Stone, late of Harlow Essex. The forensic pathology was carried out by Dr. P. Lewin of New Mount Sinai Hospital, 550 University Avenue, Toronto, Ontario.

506

507

507. An Egyptian skull, 12.5cm high, 14cm wide.

£100-200

Provenance: By repute discovered on the Hill of the Dead, Siwa Oasis, Egypt and brought back to the UK early in the 20th century. 508. A 19th century post-natal skull, 8.3cm high, 8.5cm wide. £100-200 508

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509. A human skull, with one tooth present, probably prehistoric British, 14.3cm high, 14cm wide. £100-200

510. An early female skull, with a contemporary wound to her cranium and with an iron stake discovered with the skull, 14.3cm high, 12cm wide. £100-200 Provenance: The skull was discovered in 1951 by workmen excavating foundations on Brook Road, Kinson, Bournemouth. It was found at a depth of about two feet with tree roots growing through it. It is believed to be of a woman between thirty-five and forty-five years old. The skull is possibly three hundred years old and the woman was subject to a deliberate and gruesome death. There is a small hole to the rear of the hole where the iron stake was found and it seems that a first attempt was abortive due to the resistance of the inter-parietal suture. Why would a female be subject to such an attack? Perhaps she was a witch and was tortured or perhaps she was an informer on the pirates who used Kinson Church tower to store their contraband.

511. A human skull, 13.7cm high, 13cm wide.

£100-200

Provenance: Discovered on a building site in Germany.

512. A Victorian medical human skull, with a sliced cranium and a sprung articulated lower jaw, with a dried frog inside the eye socket, 15.5cm high, 12.5cm wide. £100-200

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513. A Victorian medical human skull, with a sliced cranium and a sprung articulated lower jaw, 16cm high, 14.5cm wide. £100-200

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ORIENTAL FURNITURE, RUGS & WORKS OF ART

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514

514. A Chinese elm bench, with traces of red lacquered decoration, 53.8cm high, 52cm wide, 210.4cm long. £300-500

515. A Chinese elm table, with traces of red lacquered decoration, on scroll feet, 86.3cm high, 102cm wide, 51cm deep. £300-500

516

515 516. A Chinese hardwood side table, the panelled top on ribbed supports, 85.8cm high, 94.5cm wide, 47.2cm deep. £300-500

517. A 19th century Chinese carved and giltwood wall mirror, the rectangular plate within a deeply carved frame decorated with figures, buildings, trees, flowers and birds, 97.4 x 74.6cm. £200-300

518. A Chinese red lacquer and gilt decorated Palace style lamp, the base inscribed with Chinese characters, 185cm high, 58cm wide, 53.5cm deep. £200-300

517

134

518

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519. A pair of 19th century Chinese entomological rice paper paintings, of colourful butterflies, crickets, snails and beetles, in later glazed parcel gilt frames, 37 x 46.8cm. (2) £150-250

520. A 19th century decalcomania octagonal panel, decorated with chinoiserie scenes of an Emperor with his attendant, with dragons and butterflies, 32.2 x 32.2cm in a later moulded and parcel gilt glazed frame. £600-800 521. A late 18th century Chinese reverse glass painting of a lady, 48 x 34.4cm, in its original moulded giltwood frame. £400-600

520

522. Three 19th century Chinese reverse glass paintings, two of the same design, depicting a standing woman beside a tree, her long sleeves covering her hands, the third a smaller portrait of a seated lady wearing blue robes, 64cm x 45.5cm and 39cm x 32cm respectively, all framed. (3) £150-250 523. Two 19th century Chinese reverse glass paintings, one depicting a girl, seated at a table in floral robes and holding a fan, the other with an official holding a ruyi-sceptre, with four officials in a fenced garden, the latter mounted as a table screen, the screen 70.5cm x 41cm overall. (3) £150-250

521

522 523

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524

525

524. A 19th century Chinese watercolour, depicting a lady with three young boys, with a foliate decorated border and a silk mount, 44 x 44.3cm, in a later moulded and parcel gilt glazed frame. £400-600 525. A Chinese blue and white porcelain oval box and cover in Ming style, painted with dragons and phoenix, 22.4cm high, 30cm wide, a Chinese bronze and cloisonné vase with ring handles, together with a Chinese archaistic style ding. (3) £200-300

526

527

526. A large Chinese bronze incense burner, the compressed circular body with an ‘S’ shaped handle to each side, raised on three robust legs, each surmounted by an animal mask and tapering to a hoof, Qing dynasty, 41cm across. £300-500 527. A 19th century Chinese painting on silk, of trees in a mountainous landscape, the bottom right hand corner with a stamped signature, in a later parcel gilt frame, 46 x 38.5cm. £100-150 528. A 19th century Chinese watercolour, of a man and a woman with a young boy, with a flower decorated outer border, 46.3 x 46.3cm, in a later glazed and gilt splashed frame. £400-600 529. A Chinese cloisonné jardinière, the lobed body decorated with scrolling flowers and foliage, probably 18th century, 23.9cm high, 28.5cm diameter. £150-250

528

136

529

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530

531

532

530. A pair of Chinese blue and white porcelain vase table lamps, 39cm high, 24cm wide. (2) £400-600 531. A Chinese padouk horseshoe back armchair, the curved top rail with a carved surmount above a curved splat with a circular panel carved with bats and a shou character, above a solid seat and on stretchered supports, Qing dynasty. £300-500 532. A Chinese black lacquer peach shaped box and cover, polychrome and gilt decorated with birds amidst branches, with flowers and two figures, late 18th / early 19th century, 14.8cm high, 44.7cm wide. £200-300 533. A pair of Chinese blue and white porcelain ginger jar table lamps, each on a hardwood base, 34.5cm high, 22cm wide. (2) £400-600 534. A Chinese porcelain square section vase, decorated in the famille verte palette with flowers and foliage, the base with a six character mark, 46.5cm high. £200-300

533

534

137

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535

536

535. A Chinese wooden octagonal plate, with parcel gilt decoration of flowers and foliage, the centre with three figures, the base with Chinese characters, 37.5cm wide, together with a similar bowl. (2) £100-150 536. Five 19th century Chinese rice paper paintings, of figures, comprising: a pair of immortal type figures and three of ladies in various dress including two Muslim women, in later glazed parcel gilt frames, 45.3 x 35cm. (5) £300-500 537. A Chinese painting on silk, depicting a cat with an inscription and two seal marks signatures, probably late 18th / early 19th century in a later gilt splashed moulded frame, 66 x 48.4cm. £200-300 537

λ 538. A 19th century Chinese rosewood and mother of pearl circular box and cover, inlaid with flowers, butterflies, birds, squirrels, vine leaves and grapes and Chinese characters, with brass mounts, 26.7cm diameter. £100-150 λ 539. A 19th century Chinese Canton carved ivory card case, decorated with figures, trees and buildings, 11cm high, a Chinese carved bamboo brushpot, a Chinese carved ivory figure of Buddha, signed to base and an Indian carved marble and polychrome decorated figure of Ganesh. (4) £200-300 λ 540. A late 19th century Chinese Canton carved ivory figural chess set, natural and stained red, the king: 9.5cm high, the pawn: 4.9cm high. (32) £80-120

538

138

539

540

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位 541. A 19th century Indian ivory and bone polychrome painted figural part chess set, with wooden details, one side painted cream, the other side red, all with gilt highlights, the kings and queens modelled as elephants with howdahs carrying princes, the bishops as camels with drums and flags, the knights as horsemen, the rooks as elephants with rockets and the pawns as musicians, spearmen, flag holders and archers, Rajasthan c.1850-70, the king 14.5cm high, the pawn 7.8cm high. (30) 拢1,000-1,500

位 542. An Anglo-Indian ivory and sandalwood folding games board, with lac decoration of scrolling leaves and flowers, inlaid with ebony, one side with a chequer board the other with backgammon, Vizagapatam, late 18th / early 19th century, 52.5 x 52.7cm. 拢300-500

139

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544

543 543. A colonial relief carved panel, depicting a mansion with figures, within leaf, flower and bird borders, possibly American or Indian, late 18th / early 19th century, 36 x 52.5cm. £150-250

λ 544. An Anglo-Indian carved sandalwood and ivory adjustable book slide, inlaid with sadeli bands, inscribed to the base, ‘TO B FROM NELL AND BOB 1919’, Bombay late 19th / early 20th century, 14.3cm high, 31cm wide. £30-50 Provenance: The Dr Lawrie Webster Collection of Boxes.

λ 545. A 19th century ivory box and cover, carved with bands of flowers and leaves, with a mirror inset into the lid, 10.6cm diameter, two early 20th century Indian ivory rectangular boxes with pierced decoration, a pair of late 19th century ivory coasters and a late 19th century Chinese ivory card case. (6) £300-500 546. A Kashmiri lacquer bowl, polychrome decorated with flowers and foliage, late 19th / early 20th century, 14.7cm high, 25.5cm diameter. £80-120 545

λ 547. A 19th century Ottoman sherbert spoon, with a white metal and coral handle and a marine ivory bowl, 24.1cm long. £100-150 548. Two Persian white metal and damascened models of exotic birds, 58cm high, together with a vase 68.4cm high. (3) £100-200

546

547

140

548

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λ 549. A late 19th century Ceylonese ebony jardinière stand by Don Andris, the moulded stepped top above four carved elephant heads with ivory tusks, on fluted supports and scroll feet, stamped ‘DON ANDRIS COLOMBO, CABINET MAKERS’, 90cm high, 59cm wide, 57cm deep. £1,000-1,500

550. An Anglo-Indian Nagina ebony occasional table, all over carved with scrolling flowers and foliage, the octagonal detachable top on a folding base with fret carved stretchers, on brass feet, late 19th century, 59.5cm high, 68.3cm wide. £600-800

549

550 detail

550

λ 551. A mid 19th century Anglo-Indian ivory and horn sewing box, of sarcophagus shape, lac decorated with bands of scrolling leaves and flowers, the sandalwood lined interior with a hinged compartment to the lid above a lift-out tray fitted with four lidded compartments, a thimble holder and pin cushions, on flattened bun feet, Vizagapatam, 16.3cm high, 21cm wide. £300-500

141

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552

553 552. A 19th century sailor’s whalebone fid, the tip with a hatched design above turned bands, 44.9cm long. £100-150 553. A sailor’s scrimshaw whale’s tooth, one side decorated with a three masted ship and three gigs chasing whales, the verso with the capture, 14cm long. £300-400

λ 554. A 19th century shark vertebrae walking cane, with a carved wood handle, together with a late 19th century Indian carved ivory ‘briar’ walking cane, with an engraved white metal terminal, 91cm long, (max). (2) £80-120 λ 555. A 19th century French sailor’s double gourd scrimshaw, with a carved marine ivory bird finial above finely engraved portraits of Napoléon III in laurel wreath rondels, above a three masted man o’war, flying the Tricolor and with six further studies of Napoléon III, the base dated ‘1864’, 27.5cm high. £100-150 556. An unusual coquilla nut carving of a boy, holding his member in his right hand, 6.6cm high. £100-150 557. An early 19th century mahogany shellwork display case, the glazed hinged lid with a reeded edge, the interior with various shells in a geometric pattern, 35.5cm square. £100-150 554

557 556

142

555

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558. An 18th century teak and brass mounted Zanzibar chest, the base with three drawers and with side carrying handles, the interior with a later baize lining and with a lift-out tray on painted wood feet, 71cm high, 124.7cm wide, 55.8cm deep. £400-600

559. An 18th century Indo-Portuguese or Dutch teak side table, the rectangular top inlaid with ebony bands and with a palmwood moulded edge, above a frieze drawer on baluster and block legs, 65.5cm high, 83.6cm wide, 58.3cm deep. £400-600

560. A rare late 17th century Indo-Dutch carved ebony pipe case, all-over decorated with scrolling leaves and with a male mask with pearl eyes, the hinged lid revealing an interior with twin divisions, with engraved silver mounts, probably Coromandel coast or Ceylonesey, 52.7cm long. £500-700

559

560

Provenance: The Collection of Mark Dineley, Wiltshire. See Victoria & Albert Museum, inventory no. W.145-1928 for a similar pipe case.

561

561. A 19th century Indo-Dutch hardwood and brass mounted chest, with studded and engraved fret decoration, with side carrying handles, on turned bun front feet, 67cm high, 109cm wide, 51cm deep. £300-400

143

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562

563

562. A large camphorwood chest, the hinged top carved with scrolling foliage, the front with a central flaming pedestal flanked by scrolling foliage with engraved brass strapwork mounts and side carrying handles, on carved detachable base with bun feet, possibly Portuguese colonial, 80.8cm high, 165.2cm wide, 72.5cm deep. £600-800

564 563. A 19th century South African Dutch Cape of Good Hope ebonized Sandveld child’s chair, with a rawhide riempie webbed seat. £100-200

564. A Chinese padouk panelled chest, 20th century, 61cm high, 101cm wide, 52.8cm deep. £200-300

565. A Senneh rug, north west Persia, early 20th century, 143 x 101cm, together with a Hamadan / Malayer rug, 178 x 94cm. (2) £100-150

144

565

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566

566. A Qum silk rug, south central Persia, 2nd half 20th century, 102 x 69cm. £400-600 567. An attractive Abadeh carpet, with an ivory field and all over Zeli Sultan design, south Persia, first half 20th century, 286 x 208cm. £600-800

568. An Afshar rug, with an ivory field, south west Persia, early 20th century, 153 x 113cm. £100-200

567

569. A north west Persian rug, early to mid 20th century, 149 x 109cm. £100-150

145

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570. An attractive Malayer rug, Hamadan region, early 20th century, 187 x 161cm together with an Erivan rug, central Caucasus, c.1920-30, 193 x 129cm. (2) £100-150

570 part

571. An Afshar rug, south Persia, 200 x 169cm together with a Baluchi rug, 161 x 91cm. (2) £80-120

571 part

572. An Afshar rug, south Persia, early 20th century, 171 x 140cm. £80-120

573. A Tekke Turkmen rug, Turkmenistan, early to mid 20th century, 180 x 141cm. £100-150

146

572

573

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574. A Qashqai rug, Fars region, first half 20th century, 196 x 129cm. £100-150

574

575

575. A Qashqai rug, Fars region, late 19th / early 20th century, 215 x 128cm. £300-500

576. A Qashqai rug, Fars region, early 20th century, 235 x 123cm. £300-500

576

147

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577. A Sarab runner, north west Persia, early 20th century, 267 x 100cm. £80-120

578. A north west Persian runner, with an all over boteh field, early 20th century, 521 x 93cm. £150-250

579. Two Caucasian rugs, early 20th century, 197 x 122cm and 172 x 120cm. (2)

148

£100-200

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580. An Afghan Chobi carpet of Zeigler design, 20th century, 500 x 376cm.

£500-800

581. A Daghestan rug, with an ivory field, north east Caucasus, early 20th century, 138 x 106cm.

£100-150

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ARMS & ARMOUR

150

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582

583

584

585

582. A Bronze Age axe head, each side cast with three parallel lines, with an attachment loop and with a hand written label A British celt found at Crefsbrooke Derby, 15cm long, a Bronze Age axe head with a printed label from Fenton & Sons Ltd, 11 New Oxford St, London, inscribed Pyon House, Herefordshire, 17cm long, and a European bronze axe head with green patina, 16cm long. (3) £300-500

584. A Luristan bronze dagger handle, with a bifurcated flared crescent pommel with raised line moulded shaft with small remains of iron blade, 15.5cm long, a bronze sword handle and blade fragment with a disc pommel and with circle and line decoration, 21cm long, and four bronze spear tips, two with collection numbers and one with a hand written label from Eturia, 24.5cm the longest. (6) £150-250

583. A Bronze Age socketed axe head, cast with parallel lines and with an attachment loop, 9.8cm long, a Bronze Age socketed axe head with attachment loop and parallel cast ridges to the interior, 10.4cm long and a European socketed axe head with twin attachment loops, inscribed Carillo Jean Spain B.C.11, 13cm long. (3) £200-300

585. A Bronze Age axe head, with a crescent shape tip, 11.2cm long, a bronze axe head with painted collection number, a bronze spur, a bronze horse bit, an African bronze manila currency bangle, a middle Eastern bronze bangle, cast with animal masks, a bronze globular weight and a pair of pliers. (8) £100-200

151

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588

586

587

586. A Roman sword, with a bronze compressed circular pommel, 95.5cm long. £300-500 Provenance: Stafford Armoury Museum. Discovered in Selby.

588. A British Horse Guards officer’s cuirass, including a breast and back plate, steel with brass mounts, with straps and lion mask bosses with remains of leather and fabric, 44cm high. £200-300 589. A continental executioner’s style axe head, marked twice FC flanking a heart, 58.5cm long. £500-600

587. An iron sword, with a shaped quillon, a pieced handle and faceted pommel, probably 15th century Italian, 96cm long. £600-800

590. A Chinese archaic axe blade, with a seated figure and borders of incised scroll decoration and calligraphy, 22.5cm high. £100-200

589

152

590

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591

592

593

591. A Victorian Scottish basket hilt officer’s sword, by Henry Wilkinson, Pall Mall, London, no. 27070, with an 83.5cm long blade, etched the Royal cypher, The Royal Scots and monogram MC, with a pierced steel hilt and sharkskin grip, the pommel with tassels, with an associated scabbard. (2) £300-400

λ 592. An officer’s hanger, with a slightly curved fullered steel blade with incised decoration, the hilt with silver coloured metal mounts and a green stained ivory ribbed grip, with chain, c. 1740, 84cm long. £500-600

593. An 18th century silver hilted hunting sword, with a 54.5cm long fullered steel blade and a repousse decorated hilt and guard, seated figures under a tree, Perseus holding the head of Medusa, Juno and a peacock with Io and Argus, hallmarked for 1731. £700-1,000

594. An Irish robe sword of The Most Illustrious Order of St. Patrick, dated 1783, with a 67.5cm long steel blade, the gilt brass hilt with bow-tie quillons engraved shamrock and a banner and a badge of honor inscribed QUIS. SEPERABIT. MDCCLXXXIII, and with Royal initials GR, with further shamrock to the grip and with a acorn shape pommel, with a later scabbard. (2) £300-400

595. A Naval sword, with a rapier type 66cm long steel blade and a gilt brass stirrup hilt, with sharkskin grip and recumbent lion pommel, with remain of leather and gilt brass scabbard, inscribed Dudley Portsmo:, 77cm long. (2) £60-100

596. An 18th century hunting sword, with a 68cm long steel blade with pointed tip, with a shell crossguard and a knuckleguard with scroll supports, an antler grip and a ribbed pommel, 83.5cm long. £200-300

594

595

Provenance: Glenlyon, Perthshire.

596

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597. A Naval officer’s dress sword, with an etched blade by Gillot & Hasell, 2 New Burlington St, London, W.I., with a gilt brass hilt, marked on the hinged guard L.A.B.PEILE, RN, with sharkskin grip, 94cm long, with leather and brass mounted scabbard, with chamois slip and leather slip, with owners initials, with a leather belt and buckle in a leather bag. (6) £200-300

598. A Scottish sporran, horse hair with white metal mounts, decorated thistles, with a leather mount and buckled belt, 45cm high. £80-120

599. A George V Naval officer’s dress sword, with an etched 78cm long blade by Wilkinson Sword Co Ltd, London, with a gilt brass hilt and hinged guard inscribed JOCELYN, with a sharkskin grip and lion head pommel and braided knot, with a leather and gilt brass scabbard, with chamois leather slip and leather outer case. £150-250

600. A pair of leather and brass stirrups, 17cm long. (2) £200-300

601. A child’s sporran, horse hair with a white metal mount, engraved a shield, with a leather mount and buckled belt, 30cm high. £80-120

602. A copper shot flask, embossed both side with Flags and Cannon pattern, with brass spout and sprung release, with side attachments, 20.5cm long. £50-100

603. A French short sword, with a 49cm long blade, marked Pihet Freres and Chatellerault 1833, the brass hilt with an AT monogram, with a leather and brass mounted scabbard. (2) £150-200

154

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604. A Victorian 6 shot percussion pepperbox revolver by Charles James, with a walnut grip and the lock inscribed CHARLES JONES, 26 ST JAMES’S STREET, LONDON, GUN MAKER TO H.R.H PRINCE ALBERT, with numbered barrels and Birmingham proof marks, 22cm long. £300-400

605. A leather and brass bound cartridge case, the lid with owners name D.W.WEBSTER with a brass lock, the oak lined interior with brass studs, missing divisions, with leather straps and a gilt tooled label for ARMY & NAVY C.S.L., GUN DEPARTMENT, 105 VICTORIA STREET, WESTMINSTER. S.W., with associated leather straps, 41cm wide. £300-500

606. An 18th century silver mounted flintlock rifle, with a 92cm long barrel, part faceted, inscribed H.W.MORTIMER on the breech and the lock, with a walnut stock having engraved and chased silver mounts, including a cartouche inscribed with the owners name THOMAS CORDES Feb 3rd 1753, 132cm long. £200-300

607. A Belgium Albini-Braendlin breech loading service rifle, no. 1087, with an 88cm long barrel, with adjustable sight, walnut stock, three spring held barrel bands and a ram-rod, military stamps to the butt including a gun carriage with B.G.Co., 136cm long. £200-300

608. A 19th century air gun cane, two-part steel construction, with a horn handle and brass mounts, 93.5cm long.

£100-200

155

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609. An Enfield three band percussion rifle by The London Armoury Company, with a 99cm long barrel with proof marks and rear sight, the lock marked with a crowned V.R., 1862, L.A.Co., a small crowned V, with a walnut full stock, marked LONDON ARMOURY 1867, 35 KING WM STREET, E.C., and with owner’s pricked initials G I W, with brass mounts and ram-rod, 138.5cm long. £500-700

610. A 19th century percussion punt gun, with a 183cm long barrel with faceted breech and 2cm bore, with a part diced walnut stock and with a horn mount and ram-rod, 226cm long. £300-400

611. A Thomas Turner two band percussion rifle, with a 91.5cm long steel barrel marked TURNER’S PATENT, with rear sight, the lock marked THOMAS TURNER, 8 FISHER ST, BIRMINGHAM, with walnut full stock with chequer grips and ram-rod, 133.5cm long. £300-500

612. A 19th century flintlock rifle, with a 127cm long barrel with a faceted breech and 1.5cm bore, the lock marked with an elephant and castle trademark and ..URC, WARRANTED, with beechwood stock and a ram-rod, 166cm long. £200-300

613. An Enfield three band percussion rifle by The London Armoury Company, with a 99cm long barrel, with proof marks and a rear sight, the lock marked with a crowned V.R., 1860, L.A.Co., and a crown with arrow, with a walnut full stock marked LONDON ARMOURY Co. BERMONDSEY, 1861, and BAKER, 88 FLEET ST, LONDON, with a ram-rod and brass mounts, 140cm long. £500-700

614. A Jacob’s double barrel rifle by Swinburn & Son, 1861, with 60.5cm long barrels with bayonet clip, marked S & S, B, 290, and with adjustable sight, the locks marked SWINBURN & SON PATENT 1861, with a walnut stock with a patch box, the hinged lid marked JACOB’S RIFLES, with ram-rod, 102.5cm long. £2,200-2,500

156

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616

615

618

617

615. A Moroccan cow horn and brass powder horn, with engraved decoration, 33cm long. £150-200 616. An Indo-Persian flintlock jezail, with a 106cm long barrel with a flared muzzle, with a wooden stock with brass and mother of pearl inlay, 141.5cm long. £300-400

λ 617. An Ottoman silver coloured metal cartridge box, the front embossed foliage and minarets, with chains and coral beads, the reverse with a star of David, with a sliding cover, the sides with loop attachments, 11.5cm wide. £200-300 618. An African percussion rifle, with a 70cm long barrel marked LT2768, with a native wood full stock with applied stud decoration, with ram-rod, 115cm long. £50-100 This rifle was given to the present owners father in the 1950s by a Congolese native. 619. A Malayan dagger, with a wavy blade, brass mounts and wooden ‘pistol’ grip, with en suite scabbard, 47cm long. (2) £100-150 620. A brass hilted kard dagger, with a steel blade, the hilt decorated with foliate scrolls and stamped S, 31cm long, with a two part sheath, decorated shells, foliage and scrolls. £100-150 619

620

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621

622

623

621. A Yemen saif sword, with a triple fullered curved steel blade, with a silver plated hilt with ribbed conical quillons, engraved decoration and knuckle chain, with a leather and silver plated mounted scabbard, 96.5cm long. (2) £400-600 622. An Indo-Persian kard, with a T section blade and mother of pearl scales, 38cm long, in a chased white metal sheath with two turquoise studs. £80-120 623. An Indo-Persian kard dagger, with a watered blade and with wood and bone scales, the bone with circle decoration, 30cm long, with a fabric covered sheath. £180-220 624. An Indian steel katar, the blade with a medial ridge and swollen tip and with open grip, 43cm long.

£50-100

625. A Japanese Edo period lacquered metal breast and back plates, hinged at the side with antler toggles, 46.5cm high.

624

158

625

£100-200

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626. A pair of Indian silver gilt ceremonial maces, Soontas, with wood cores and silver sheet, embossed and chased with lion head finials, with a part opened mouth and protruding tongue and a thick mane to bands of acanthus and tear-drops, to a ribbed globular terminal with flowerhhead, one terminal missing, 19th century, 70cm and 65.5cm long. (2) ÂŁ2,000-3,000 These maces would have been part of the ceremonial regalia and were carried by court dignitaries, Soonta Berdars. Maces and staves were always made in pairs.

159

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627. A Chinese wicker Tiger shield, circular and painted the face of a tiger with an open jaw, the reverse with a wicker bound wood handle and arm loop, 73.5cm diameter. £300-400

628. A Japanese tachi, with a part fullered 84.5cm long blade with a signed tang, with a gilt bronze tsuba with foliate engraving, with a bound sharkskin grip and dragon menuki, in a lacquer scabbard with bronzed mounts. £5,000-6,000

627

628

629

630

629. A Japanese WWII katana, with a 88cm long blade, the tang signed and with star stamp, with plain mounts and a bound sharkskin grip, in a leather covered scabbard, together with the War Trophy Retention Certificate, dated 19th March 1946. (2) £600-800 630. A Japanese WWII officer’s katana, with an 85cm long blade, the tang signed and with mon hot stamp and and a Seki stamp, with a cast brass tsuba and a bound sharkskin grip with brass mounts, in a leather covered scabbard. £600-800 631. A Japanese officer’s Katana, with a 88.5cm long blade, the tang signed, the brass tsuba cast chrysanthemum with a fabric bound and brass mounted shark skin handle, with a lacquered scabbard and leather outer case. £600-800

631

160

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632. Three Malayan kris, with one wavy edge blade and two with straight edges and wood hilts carved as stylized Garuda birds, in hardwood sheaths, 54.5cm, 42cm and 40.5cm long. (6) £200-300

633. Three Malayan kris; one with a straight edge blade and with a wood hilt carved a stylized Garuda bird, in a hardwood sheath, 50cm long, the other two with wavy blades, carved wood stylized Garuda bird hilts and hardwood sheaths, 47cm and 48.5cm long. (6) £150-250

λ 634. A Malayan bade-bade, with a 23cm curved blade and a white metal ferrule with engraved floral decoration, with a marine ivory carved hilt, in a hardwood, white metal and marine ivory mounted sheath, 32cm long, a miniature Malayan bade-bade, 19cm long and a Malayan knife with a sickle blade and wood mounts. (6) £120-150

635. A Malayan kris, with a patterned wavy blade, a stone set collar and carved hardwood hilt, 55.6cm long, in a wood sheath. £250-350

636. A Malayan kris, with a patterned wavy blade, a stone set collar and carved hardwood hilt, 48cm long, in a wood sheath. £200-300

635

λ 637. A Malayan kris, with a 35cm long fullered steel straight edge blade, a gilt metal petal ferulle and a marine ivory hilt carved as a stylized Garuda bird, in a hardwood and marine ivory sheath, 46cm long and a Malayan kris, with a wavy blade and an ivory hilt carved a stylized figural torso, in a hardwood sheath, 45cm long. (4) £200-300

636

637

END OF SALE 161

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ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 19th April 2016

Detail from a rare Naples (Giustiniani) rectangular plaque, early 19th century. Decorated to simulate a micro-mosaic. Estimate: £800 - £1,200 ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | claredurham@woolleyandwallis.co.uk

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CLARICE CLIFF, ART DECO AND 20TH CENTURY SALE Wednesday 20th April 2016

Inspiration Caprice, a Clarice Cliff Bizarre wall charger. Estimate: £1,200 - £1,800

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | michaeljeffery@woolleyandwallis.co.uk

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FINE SILVER & OBJECTS OF VERTU Wednesday 27th April 2016

Two similar Victorian silver-gilt mounted glass claret jugs, both by John Figg, London 1857. Estimate: £2,500 - £3,000 each ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lucychalmers@woolleyandwallis.co.uk

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JEWELLERY

Thursday 28th April 2016

A Charles II loyalty ring. The miniature attributed to Nicholas Dixon, C.1670. Provenance: believed to have been owned by Jane Lane, who was instrumental in King Charles II’s escape from Cromwell’s army. The current owner is a descendant of Miss Lane. Estimate: £5,000 - £10,000

ENQUIRIES Jonathan Edwards FGAA | Tel: +44 (0)1722 424504 | jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA | Tel: +44 (0)1722 424595 | mariellewhiting@woolleyandwallis.co.uk

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ASIAN ART

Tuesday 17th & Wednesday 18th May 2016

A large pair of Chinese bronze pear-shaped vases with removable crowns, Warring States period 475-221 BC, 40cm overall. Estimate: £20,000 - £30,000 ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | johnaxford@woolleyandwallis.co.uk

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FINE ARTS & CRAFTS

Wednesday 22 June 2016 Closing date for entries 27th April

A fine rosewood mirror by Sidney Barnsley, inlaid with holly, ebony and mother of pearl, probably made for Kenton & Co, circa 1903. Estimate: £4,000 - £6,000 ENQUIRIES Michael Jeffery Tel: +44 (0) 1722 424505 | michaeljeffery@woolleyandwallis.co.uk

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 6th July 2016

Entries are now being accepted for this sale

Three rare treen nutcrackers from a small collection, late 17th / early 18th century. Estimate: £1,000 - £1,500 each

ENQUIRIES Mark Richards | Tel: +44 (0)1722 411854 | markrichards@woolleyandwallis.co.uk

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TRIBAL ART

Tuesday 20th September 2016 Entries are now being accepted for this sale

An Aborigine broad shield, South East Australia, 98.5cm high. Estimate: £3,000 - £5,000

ENQUIRIES Will Hobbs | Tel: +44 (0) 1722 339752 | willhobbs@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

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A345 Castle Rd

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AMESBURY NEW STR EET

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

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Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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A354 DORCHESTER WEYMOUTH & BLANDFORD

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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SOUTHAMPTON CATHEDRAL

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Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Furniture, Works of Art, Clocks, Arms & Armour

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 6th April 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

AUCTION CALENDAR ENGLISH & EUROPEAN CERAMICS & GLASS 19th April – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 20th April – Clarice Cliff, Art Deco & 20th Century Design 22nd June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk SILVER 27th April – Fine Silver & Objects of Vertu 19th & 20th July – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 28th April 21st July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 17th & 18th May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS 8th June – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 6th July 6th October Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk ARMS & ARMOUR 6th October Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk