Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Silver & Objects of Vertu Wednesday 26th October 2016

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence

424500

SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Anna Wimbush

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

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FINE SILVER & OBJECTS OF VERTU Wednesday 26th October 2016 at 10am VIEWING TIMES Friday 21st October Saturday 22nd October Monday 24th October Tuesday 25th October Wednesday 26th October

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk

Lucy Chalmers 01722 424594 lc@woolleyandwallis.co.uk

TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 25th October. ILLUSTRATIONS

LIVE BIDDING

Front cover: Lot 1249 Back cover: Lot 1022 www.the-saleroom.com Catalogue £10.00 (£15.00 by post)

Please register by 5pm on Tuesday 25th October.

Silver weights are in Troy ounces

Please note there is a 3% +VAT surcharge for using this service.

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WEDNESDAY 26TH OCTOBER 2016 AT 10AM

800. Wine Label Circle Journal, five red leather bound volumes, containing the Circle’s journals from 1952-1975. (5) £300-400

801. An electroplated water jug, by R.H.V and Co, tapering circular form, stag antler handle, on a circular foot, height 21.5cm. £80-100

802. A pair of early 19th century old Sheffield plated graduated meat dish covers, unmarked circa 1820-30, oval domed form, gadroon border, leaf capped fluted scroll handles, engraved with an armorial, lengths 47.7cm and 42cm. (2) £150-200

803. A pair of early-19th century Old Sheffield plate wine coolers, unmarked circa 1820, part fluted campana form, drop ring lion mask handles, reeded borders, engraved with a crest, on a raised circular foot, removable liners, height 29cm. (2) £200-300

804. A pair of 19th century transitional Old Sheffield plated and electroplated three-light candelabra, unmarked, tapering circular form, with acanthus leaf decoration, reeded scroll arms supporting campana shaped capitals, foliate borders, on raised shaped circular bases with foliate decoration, with four flame finials, height 56.5cm. (2) £250-300

805. Two similar pairs of George III Old Sheffield plated candlesticks, unmarked, circa 1790, tapering circular form, part-fluted decoration, on raised circular fluted bases, detachable drip pans, heights 29cm and 28cm. (4) £200-300

Provenance: purchased from H. Buckler, Charterhouse Street, London EC1, 8th December 1964.

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806. After a design by Christopher Dresser, a Victorian electroplated swing-handled sugar bowl, by James Dixon and Sons, tapering circular form, the swing-handle with an ebony grip, on three ball feet, height with handle raised 17.5cm. £200-300

807. A pair of electroplated two-bottle tantali, by Hukin and Heath, rectangular form, central geometric carrying handles with a working lock and key, (keys unable to be removed), the four cut-glass decanters of plain rectangular form, one finial a replacement, height 30cm. (2) £500-700

808. A set of six Victorian electroplated soup plates, by Elkington and Co, 1876, circular form, gadroon border, engraved with an armorial, diameter 25cm. (6) £300-400

809. A set of twelve Victorian electroplated plates, by Elkington and Co, 1876, circular form, gadroon border, engraved with an armorial, diameter 25cm. (12) £600-800

The arms are those of Rous, Earls of Stradbroke.

810. An Edwardian silver yachting trophy cup, by R and W Sorey, London 1902, circular form, acanthus leaf decoration, pull-off cover, inscribed ‘MUDHOOK YACHT CLUB, 10th JULY 1914, FOR YACHTS OF THE BELFAST LOUGH 12 TONS (ONE DESIGN) YAWL CLASS, FIRST PRIZE PRESENTED BY P. M. INGLIS ESQ. WON BY IVIZA’ height 15.3cm, plus another silver trophy cup, Birmingham 1933, circular form, height 18.8cm, approx. weight 29.5oz. (2) £200-300

811. A Victorian silver chalice, by The Barnards, London 1857, plain circular bowl, knopped hexagonal stem, on a raised hexagonal stem on six stylised feet, inscribed, with a Victorian paten, by John Figg, London 1874, plus a silver chalice, with an electroplated cover, by F. Osborne, London 1935, circular form, and a silver-gilt wafer box, in a wooden case, approx. weighable 28oz. (4) £350-400

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812. A small collection of five silver and gold stamp cases, comprising: four of rectangular envelope form, one with enamelled decoration and one nine carat gold, by Gourdel, Vales and Co, Birmingham 1901, plus one of rectangular form, the interior with a sprung stamp holder, approx. total weight of silver 1oz, approx. weight of gold 4.9g. (5) £200-300

813. An Edwardian silver double stamp case, by the Ahronsberg Brothers, Birmingham 1908, rectangular form, engine-turned decoration, initialled, the slide-out side with two stamp compartments, length 5.2cm, approx. weight 0.6oz. £80-100

814. A late 19th century American silver and enamel stamp case, by Gorham, circa 1891, rectangular envelope form, enamelled with a stamp and post mark, inscribed ‘Mr D. H. Louers, Columbus, Ohio’, length 3.2cm, plus a novelty American silver mail bag stamp case, by R Wallace and Sons, Connecticut circa 1890, approx. total weight 0.6oz. (2) £100-150

815. An American silver and enamel stamp box, by The Thomae Company, Massachusetts circa 1930, circular form, the hinged cover enamelled with a mallard duck in flight, diameter 4.8cm, approx. weight 1.5oz. £100-150

816. A novelty silver stamp box, by Levi and Salaman, Birmingham 1910, also marked with a registration number, modelled as a desk, with a hinged sloping cover, textured wood finish, length 5.3cm, approx. weight 1.8oz. £150-200

817. An American silver and enamel stamp box, by The Thomae Company, Massachusetts circa 1939, circular form, the hinged cover enamelled with a three cent lilac stamp, the side inscribed ‘Mary Chandler Johnson, Merry Christmas 1939’, diameter 4.8cm, approx. weight 1.6oz. £100-150

818. A set of six silver and enamel teaspoons, by Turner and Simpson, Birmingham 1930, the rectangular terminals enamelled with a Hong Kong four cents stamp, in a case, approx. weight 4oz. £300-400

819. An Edwardian silver and enamel double stamp case, by Gourdel, Vales and Co, Birmingham 1906, rectangular envelope form, with two hinged covers and enamelled 1/2D and 1D, also initialled, with a ring attachment, length 2.8cm, approx. weight 0.2oz. £100-150

820. An Edwardian silver triple coil stamp dispenser, by William Hornby, London 1902, also with an Austrian import mark, rectangular form, hinged cover, the front with three slots, length 8.8cm, approx. weight 4oz. £200-300

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821. An Edwardian silver Lantz Patent stamp dispenser, by William Hornby, London 1902, rectangular form, pump action mechanism, turned rosewood handle, height 7.6cm. £300-400

822. A late-Victorian silver stamp moistener / desk seal, by Grey and Co, Birmingham 1898, tapering form, the terminal with an engraved matrix with a crest, length 12.2cm, approx. weight 0.6oz. £100-150

823. A novelty silver pillar box stamp dispenser, by John Hill, London 1928, plain cylindrical form, hinged cover, height 6.2cm, approx. weight 2.2oz. £500-700

824. A Victorian 18 carat gold and silver propelling pencil, by Mordan and Co., retailed by J & G Beasley, 34 St. James’ Street, circa 1880, the front enamelled with a label ‘Louis Roederer, Reims’, silver foiled cover, with a ring attachment, length closed 4.8cm. £300-400

825. A Victorian silver and enamel two colour pencil / paper knife, by Sampson Mordan and Co., circa 1890, fluted oval form, with red and black enamel decoration, with slide-out pencils and a central slide-out paper knife, length closed 8.3cm, approx. weight 1.1oz. £200-250

826. A Victorian novelty silver telescopic pencil, by Sampson Mordan, with an enamelled plaque and a ring attachment, length closed 5.3cm, approx. weight 0.6oz. £400-600

827. A late-19th century novelty telescopic pencil, unmarked, probably by Mordan, modelled as the barrel of a canon, with a hinged ring attachment and ring, length 6.5cm, approx. weight 0.6oz. £150-200

828. A Victorian novelty silver propelling pencil, by S. Mordan and Co., circa 1880, modelled as a golf club, with a ring attachment, length 10.5cm. £200-300

829. An Asprey novelty silver paper knife, marked Sterling Silver and Asprey London, circa 1920, modelled as a George V officer’s sword, the guard pierced scroll decoration and royal cipher, with a leather covered sheath, length 22cm. £200-300

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830. A 19th century Italian silver hair-piece or bodkin, Naples, shaped rectangular form, with two slots, the finial modelled as a hand holding a flower, length 19.2cm, approx. weight 1.2oz. £100-150

831. A late-Victorian silver magnifying glass, by Samuel Jacobs, London 1899, the handle with intertwined scroll wirework, length 18.5cm. £100-150

832. A late-Victorian silver and ivory page turner, by George Heath, London 1887, one side embossed with a soldier carrying a sword and bugle, the reverse with a vacant cartouche and military arms, length 45.5cm. £100-150

833. An 18th century Dutch silver sealing wax case, by Anthony de Hoop, Amsterdam 1782, tapering circular form, decorated with figures, ships and foliate decoration, the screw-off cover with a square seal top spoon, initialled ‘BF’, length 9.3cm, approx. weight 0.5oz. £100-150

834. A late-Victorian silver table vesta / taper stick holder, by S. Jacobs, London 1895, cylindrical form, embossed foliate scroll decoration, one end with a hinged vesta compartment with a striker, the other with a hinged pierced cover, length 21.3cm, approx. weight 1.2oz. £100-150

835. A Japanese Aesthetic Movement silver, silver-gilt and mixed metals paper knife, signed, the blade with engraved decoration, the handle with basket weave decoration mounted with leaves and insects, length 30.3cm. £150-200

836. A late 19th century Japanese silver box, rectangular form, the sides decorated in the Aesthetic manner with a bird, a butterfly, and foliate decoration, length 10cm, approx. weight 2.3oz. £150-200

837. A French silver sovereign case, oblong form, fluted and ribbon-tied foliate decoration, with a ring attachment, length 7cm, approx. weight 0.7oz. £100-150

838. A novelty silver Mr. Punch baby’s rattle, by Crisford and Norris, Birmingham 1935, modelled as the head of Mr Punch, with a tapering mother-of-pearl handle, four bells and a plastic ring, length 19cm. £100-150

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839. A collection of three Edwardian small silver pin cushions, comprising: one modelled as a bird perched on a ring tree, on a circular base, by Adie and Lovekin, Birmingham 1905, height 7.4cm, one modelled as a seated teddy bear, lacking cushion, by The Boots Pure Drug Company, Birmingham 1909, height 3.6cm, and one modelled as a goat pulling a carriage, lacking shell bowl, Birmingham 1909. (3) £300-400

840. A silver pin cushion / pin dish, by Adie and Lovekin, Chester 1910, the emu part marked for Birmingham 1910, the silver-mounted shell dish applied with a small standing emu, on a raised silver-mounted wooden base, height 7.3cm. £300-350

841. An Edwardian silver rabbit pin cushion, by H. Matthews, Birmingham 1909, modelled in a recumbent position, replacement cushion, length 5.5cm. £250-300

842. A novelty silver pin cushion, by Levi and Salaman, Birmingham 1917, modelled as a cushion, shaped square form, pierced cover, red velvet cushion, length 5cm. £100-150

843. Horatio Nelson interest, a modern silver box, by Richard Jarvis, London 2005, circular form, the hinged cover applied with the bust of Nelson with H.M.S Victory engraved behind, inscribed ‘HORATIO NELSON’, in a fitted box, diameter 9.2cm, approx. weight 6.4oz. £200-300

844. Lloyd’s of London interest, a late-Victorian silver ‘squeeze-action’ tobacco box, by Horton and Allday, Birmingham 1899, circular form, the flush hinged cover engraved with the arms of Lloyd’s of London and inscribed ‘7th May 1900’, diameter 7.3cm, approx. weight 2.2oz. £100-150 This tobacco box was one that was given to the Blue-jackets and Marines of H.M.S Powerful by Lloyd’s in recognition for the part they played in the Boer war.

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845. A George IV silver-gilt watch case vinaigrette, by Robert Mitchell, Birmingham 1822, circular form, the front with three flowers with turquoise cabochons, foliate border, engine-turned base, the interior with a pierced foliate scroll grille, diameter 3cm, approx. weight 0.5oz. £200-300

845 846. An early Victorian silver castle-top vinaigrette, Abbotsford House, by Nathaniel Mills, Birmingham 1837, rectangular form, the hinged cover with a scene of the house, foliate scroll borders, reeded sides and engine-turned base, the base inscribed ‘Mary’, length 4.2cm, approx. weight 0.8oz. £500-700

846 847. A 19th century continental silver egg pomander/spice box, maker’s mark possibly VR conjoined, egg form, engine-turned decoration, with two screw-off sections, length 4cm, approx. weight 0.8oz. £100-150

847 848. A continental silver snuff box, marks unidentified, probably 19th century, circular form, chased foliate scroll and shell decoration, the hinged cover chased with birds and foliate decoration, gilded interior, the underside inscribed ‘J.L. Williams’, diameter 6cm, approx. weight 2.7oz. £150-200

848

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849. An Edwardian novelty silver inkwell, by Thomas Ducrow, Birmingham 1901, modelled as the Royal crown, on a cushion, hinged cover, the interior gilded and with a liner, on four tassel feet, height 10.5cm, approx. weight 4.4oz. £200-300

849 850. An Edwardian novelty silver coal scuttle inkwell / stamp box, by S. Glass, Birmingham 1904, rectangular form, the hinged cover with foliate hinge and a carrying handle, the hinged front opens to reveal a stamp compartment, length 7.3cm, approx. weight 4.7oz. £150-200

850 851. A late-18th / early-19th century Scandinavian silver-gilt hovedvansaeg box, marks to inside of cover, baluster form, embossed swag decoration, part-fluted decoration, the hinged cover with a hardstone cartouche, height 6.8cm, approx. weight 1.4oz. £100-150

851 852. An early 18th century French silver Butterfield, inscribed Le Febure, Paris, and with a discharge mark, oval form, with a hinged sundial, and engraved plate, with a circular compass, the underside engraved with European capitals, in a fitted case, length 7cm. £1,000-1,500

852

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853. A 19th century Dutch silver teapot, 1875, tapering circular bellied form, embossed with figures and foliate decoration on a matted background, caryatid scroll handle, pull-off cover, height 14.5cm, approx. weight 12oz. £100-150

854. A 19th century German silver salt cellar, of triangular form, chased with figures and foliate decoration on a matted background, on three winged caryatid legs on paw feet, gilded bowl and traces of gilding to piece, length 10cm, approx. weight 6.7oz. £150-200

855. An 18th century German silver sugar box, by Johann Baltasar Meyer, Braunschweig (Brunswick), circa 1780, oval bellied form, embossed foliate decoration, domed hinged cover with a cone finial, pierced foliate scroll thumb-piece, on four pierced scroll bracket feet, split by hinge, length 15.3cm, approx. weight 9.8oz. £200-300

856. A 19th century French silver teapot, by Martial Fray, Paris circa 1850, baluster form, leaf capped scroll handle, engraved foliate scroll decoration, domed hinged cover with a foliate finial, with ivory insulators, initialled, on four scroll bracket feet, in a fitted purple silk lined case, height 16.5cm, approx. weight 12oz. £200-300

857. A pair of late-19th century Swedish silver vases / beakers, by C. Hallberg, 1897, tapering circular form, gilded bowls, on raised circular bases, height 14.8cm, approx. weight 9.7oz. (2) £200-300

858. A 19th century American silver hot milk / water jug, by Hayden and Whilden, Charleston, circa 1860, baluster form, leaf capped scroll handle, embossed foliate decoration, fluted domed cover with a fluted finial, on a circular foot, height 17cm, approx. weight 14oz. £150-200

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859. A late 19th century Indian Colonial silver teapot, by Hamilton and Co, Calcutta circa 1845, plain pear form, domed hinged cover with a wooden finial, scroll handle with ivory insulators, on a circular foot, length handle to spout 18cm, approx. weight 18oz. £300-400

860. An Indian silver mug, unmarked circa 1900, baluster form, chased foliate scroll decoration above an acanthus leaf girdle, scroll handle, on a raised circular foot, with a presentation inscription, height 15.5cm, approx. weight 14.3oz. £300-400

861. A 19th century Dutch silver table bell, maker’s mark of E with a pipe below, circa 1880, tapering circular form, embossed with cherubs with sea scenes and mythical dolphins, foliate scroll borders, with a mythical dolphin handle, height 14cm, approx. weight 9.7oz. £300-400

862. A late 18th century Austro-Hungarian silver ewer, maker’s mark possibly IHK, probably 1792, plain vase form, scroll handle, the hinged cover with a leaf and berry finial, on a raised circular base, initialled ‘P.V’, height 24cm, approx. weight 18.5oz. £200-300

863. An Australian silver-mounted egg inkwell, marked Sterling Silver in two punches, the mounts with engraved decoration, the hinged cover mounted with a kangaroo and fern decoration, on a raised circular engraved foot, egg possibly a replacement, height 25cm. £150-200

864. A set of ten Mexican silver under plates, by Vega, circular form, stylised leaf border, diameter 27.8cm, approx. weight 168oz. (10) £1,000-1,500

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865. A late-Victorian pair of liqueur decanters and tray, with import marks for London 1881, importer’s mark of Edwin Bryant, the tray of oval form, with a gallery pierced with figures and foliate scroll decoration, inset handles, glass base, on six scroll feet, length 38.5cm, the decanters of shaped rectangular form, canted corners, with similar decoration, the body with engraved decoration, the stoppers with cherub finials, one finial damaged, with traces of £300-500 gilding, approx. weighable 16.5oz. (3)

866. A modern Portuguese silver model of a man-of-war galleon, Oporto, post 1938 mark, in full sale, with filigree sails mounted with red and white enamel crosses, on an oval marble plinth, height 22.8cm. £100-150

867. A small collection of Russian silver, comprising: a swing-handled basket, of circular form, gilded bowl, assay maker Viktor Savinkov, Moscow 1884, initialled, plus a silver and niello spoon, the reverse of the bowl with a cathedral, plus two Russian sifting spoons and three teaspoons, approx. weight 12.8oz. (7) £250-300

868. A Russian silver swing-handled basket, maker’s mark BTC, 1896-1908, oval form, the swing-handle repaired, the body with engraved foliate decoration, on an oval foot, length 21.3cm, plus a Russian silver soup ladle the terminal with ribbon-tied decoration, approx. total weight 21oz. (2) £150-200

869. A Turkish silver dish, Abdulhamid ii period, circa 1900-1909, circular form, embossed with buildings, figures, trees and camels, the centre with foliate scroll decoration on a matted background, diameter 18cm, approx. weight 8oz. £200-300

870. An American silver dish, by Tiffany and Co, Charles Cook period, 1902-7, circular form, pierced and embossed foliate border, diameter 14.5cm, approx. weight 5oz. £100-150

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871. A pair of Portuguese silver wine coasters, Oporto, post 1938, circular form, pierced boarder, on three pierced bracket feet, diameter 10.5cm, approx. weight 5.7oz. (2) £100-150

872. An 18th century German silver-gilt double salt cellar / spice box, maker’s mark of C.L, Augsburg, circa 1759-61, shaped oval form, the hinged covers with leaf decoration, on four branch feet, length 12.5cm, approx. weight 7.8oz. £1,500-2,000

873. A pair of Chinese silver dishes, by Wang Hing, plain circular form, on three simulated bamboo supports, on a raised circular foot, height 12.5cm, approx. weight 11.5oz. (2) £150-200

874. A 19th century Chinese Export silver seven-bar toast rack, by Yatshing, Canton circa 1830, rectangular base, wire-work racks, central shell and foliate capped carrying handle, on four ball feet, length 16.5cm, approx. weight 9.3oz. £200-300

875. An 18th century French silver mug, maker’s mark of P.A over F, Paris 1789, tapering circular form, probably formed from a beaker, with a later scroll handle, the underside scratch initialled ‘A.P PRE.’, height 6cm, approx. weight 2oz. £100-150

876. A Chinese silver cocktail shaker and six beakers, marked with a French import mark, tapering circular form, decorated with two dragons, the cocktail shaker with a pull-off cover inscribed ‘LES SOUS OFFICIERS DU 3e ETRANGER’, height 23cm, approx. weight 18oz. (7) £200-300

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877. A pair of 19th-century Danish silver candlesticks with associated Edwardian silver three-light branches, Assay master F. Fabricius, Copenhagen 1805, the branches by H. Lambert, London 1907, oval tapering form, reeded borders, engraved decoration, reeded scroll branches, oval urn capitals, height 45cm, approx. weight of branches 62oz. (2) £1,000-1,500

878. A pair of 19th century Continental silver candlesticks, marks partially worn, probably German, with English removable drip pans, circular tapering form, knopped stem with shell decoration, partfluted capitals, on stepped square bases with a leaf border, both inscribed ‘Duke of Buccleuch’s Fox Hound Puppy Show First Prize Vassal, Walked by Mr. Douglas Unthank 1914’, height 31.5cm. (2) £500-700

879. A pair of continental silver candlesticks, maker’s mark possibly MS, marked 900, possibly German, the columns modelled as storks with twisted necks supporting a cornucopia, with foliate scroll decoration and mounted with a putto, on a raised circular base with leaf and foliate decoration, height 31.3cm, approx. weight 41oz. (2) £300-500

880. A Russian silver beaker, 1908-1917, maker’s mark B.P, tapering circular form, engraved foliate decoration, with a monogram, on a raised circular foot, height 21cm, approx. weight 9.7oz. £150-200

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881. A 19th century Chinese export silver goblet, by Wang Hing, Hong Kong, circa 1891, tapering circular bowl, with bamboo and bird decoration on a matted background, the bowl supported by three simulated bamboo supports, on a raised circular foot, inscribed ‘To J.C. Watson, from English Indian and Chinese Friends, Hong Kong 1891’, height 19.8cm, approx. weight 11.8oz. £400-600

882. A 19th century Chinese Export silver mug, by Cumwo, Hong Kong, circa 1870, tapering circular form, decorated with dragons on a matted background, dragon scroll handle, with an initialled cartouche, in a fitted wooden case, height 11cm, approx. weight 11.4oz. £600-800

883. An 18th century French provincial silver candlestick, by Guillaume Hardy, Angers 1768, on a raised hexagonal foot with a shaped border, the triangular knopped stem with shell motifs and a hexagonal shaped capital, engraved with a cipher, height 24cm, approx. weight 13.5oz. £400-600

884. An 18th century French provincial silver candlestick, maker’s mark MT, possibly for Michel Letailleur, Rennes 1764-5, on a raised hexagonal foot with a shaped border, the tapering knopped hexagonal stem, hexagonal shaped capital, engraved with an armorial, height 24.3cm, approx. weight 19oz. £500-700

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885. An early 19th century German silver tea urn, Kassel, date letter O, maker’s mark I.K, urn form, with lion mask drop ring handles, ribbon-tied ribbons and swags, beaded borders, (some a.f), the pull-off cover with a detachable cone finial, fluted tap with a wooden handle, on a raised square base with a pierced gallery on four ball feet, height 45cm, approx. weight 87oz. £800-1,200

886. An 18th century Scandinavian silver peg tankard, maker’s mark E.P, circa 1708, cylindrical form, the body, base and cover set with coins, the hinged cover with a rampant lion thumb-piece, foliate scroll handle with a shield terminal, on three lion and ball feet, the cover inscribed ‘MICHAEL FELGENHAUER ANNO 1708’, the underside with a later presentation inscription and engraved ‘NO.15, 37oz’, height 19cm, approx. weight 36oz. £1,500-2,000

887. An early-19th century Dutch silver tobacco jar, maker’s mark of VL conjoined, 1831, circular bellied form, embossed with figures in woodland scenes, beaded borders, domed fluted cover with an acorn finial, beaded borders, with a pierced beaded apron, on four bracket feet, height 19.5cm, approx. weight 17oz. £400-600

888. A Russian silver coffee set, marked with an unidentified Russian mark, possibly an import mark, or a regional mark, post 1896, comprising a circular tray, a coffee pot, six cups, six saucers, a sugar bowl and six coffee spoons, the coffee pot of baluster form, engraved foliate decoration on a matted background, scroll handle with ivory insulators, height of coffee pot 23cm, diameter of tray 41cm, approx. weight 95.9oz. (21) £1,200-1,500

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889. A 19th century French provincial silver wine taster, 1819-1838, circular form, punched grapevine and fluted decoration, engraved J. PALIE, length 10.6cm, approx. weight 2.2oz. £100-150

890. A French provincial silver wine taster, marks unidentified, probably late 18th century, plain circular form, snake ring handle, the border engraved ‘L. RIGAV’, diameter 7.2cm, approx. weight 2.5oz. £150-200

A PRIVATE COLLECTION OF WINE TASTERS

891. An 18th century French provincial silver wine taster, maker’s mark E.G, and with a possible discharge mark, circa 1760, circular tapering form, the underside of the foot scratch initialled ‘H.B’, diameter 10cm, approx. weight 2oz. £200-300

892. A George III silver wine taster, by Peter and William Bateman, London 1814, tapering circular form, raised centre, fluted decoration, inscribed ‘J.A. Fructuozo, No.6 Wallbrook’, diameter 11.3cm, approx. weight 2.6oz. £500-700

893. By Anthony Elson, a modern silver wine taster, London 1976, circular form, pierced branch handle, length 12.2cm, plus a modern silver wine taster, by Christopher Lawrence, London 1982, circular form, pierced vine handle, length 8cm, approx. weight 5.2oz. (2) £200-300

894. A late 19th century French electroplated folding double wine taster, by P. Rousseau, Bordeaux, tapering circular form, hinged centre with foliate mounts, length 22.7cm. £150-200

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895. An 18th century French provincial silver wine taster, by Jean-Francois Bechard, Orleans, 1776-78, plain circular form, fluted ring handle, engraved ‘IEAN. RIFOS’, length 10.2cm, approx. weight 3.1oz. £150-250

896. An 18th century French provincial silver wine taster, marked five times with maker’s mark D.C, with a crown above and fleur de lis below, circa 1776, circular form, double snake ring handle, fluted decoration and punch bead grape decoration, engraved ‘ANTOINE MOVSERON, 1776’, length 9.9cm, approx. weight 3.2oz. £200-300

897. An 18th century French provincial silver wine taster, maker’s mark partially worn, possibly that of Jacques Lelarge, Reims, circa 1733, circular form, double snake ring handle, fluted decoration, engraved ‘JEAN DUCELIER’, length 11.6cm, approx. weight 4oz. £200-300

898. An 18th century French provincial silver wine taster, maker’s mark I.R crowned, Angers 1781, plain circular form,snake ring handle, engraved ‘I*CHAILLOU DE*ST*POL*’, length 10.2cm, approx. weight 1.6oz. £200-300

899. An 18th century French provincial silver wine taster, maker’s mark P.R, Chalon-sur-Saone, 1785, circular form, double snake ring handle, large punch bead decoration, fluted decoration and punch bead grape decoration, engraved ‘J GIRAULT’, length 9.5cm, approx. weight 2.1oz. £200-300

900. An 18th century French provincial silver wine taster, with a discharge mark for Amiens 1781-89, circular form, double snake ring handle, fluted decoration, engraved ‘C.P’, length 10.8cm, approx. weight 2.8oz. £200-300

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901. An 18th century French provincial silver wine taster, maker’s mark possibly PN or FN, circular form, with a ring handle and plain thumb-piece, fluted decoration, inscribed ‘S. PERAT’, length 11cm, approx. weight 3.1oz. £200-300

902. An 18th century French provincial silver wine taster, circa 1770, maker’s mark C.H over G crowned, also mark A crowned and V with a dog above, circular form, double snake ring handle, fluted decoration, engraved ‘F. BORENARD’, length 11.3cm, approx. weight 3oz. £200-300

903. An 18th century French provincial silver wine taster, maker’s mark D.L over S, with an A crowned, possibly for Avignon, and an H crowned, circa 1760, plain circular form, snake ring handle, engraved ‘Claude de Boifadam. Ecuier’, length 11cm, approx. weight 2.4oz. £200-300

904. An 18th century French silver wine taster, probably Paris, maker’s mark ?I over L, date letter E, circular form, double snake ring handle, fluted decoration, engraved ‘Ane. Vaillien’, length 10.8cm, approx. weight 3.2oz. £200-300

905. A 19th century French provincial silver wine taster, maker’s mark of JR over M,1819-38, circular form, fluted decoration, double snake ring handle, engraved ‘J. CHARBONIER. J’, length 9.5cm, approx. weight 3.8oz. £150-200

906. An 18th century French provincial silver wine taster, attributed to Louis Regnier, Beaune circa 1740, circular form, double snake ring handle, chased vine decoration, engraved ‘J. BATROCE’, length 11.4cm, approx. weight 3.7oz. £200-300

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A PRIVATE COLLECTION OF BOTTLE STOPPERS

907. A small collection of four Victorian silver bottle stoppers, modelled as bunches of grapes, pierced finials, one by J and J Angell, London 1845, one by Reily and Storer, London 1838, and two Sheffield made, approx. weight 5oz. (4) £150-250

908. A small collection of three silver bottle stoppers, comprising: one modelled as a putto sitting on a barrel, by Edward Pairpoint, London 1867, plus one modelled as a classical figure holding a lyre, with import marks for Chester 1903, and one modelled as a standing putto, by Francis Higgins, London 1888, approx. weight 4.2oz. (3) £150-250

909. A Victorian novelty silver armorial bottle stopper, by William Hunter, London 1868, modelled as a head wearing a hat, length 9.5cm. £100-200

910. A small collection of three silver bottle stoppers, comprising a Victorian armorial stopper, by E. C Brown, London 1871, modelled as a unicorn’s head, plus a pair of unmarked stoppers, with ring pulls and mounted with an armorial head. (3) £100-150

911. A Victorian silver bottle stopper. by Joseph Angell, London 1859, modelled as a standing maiden holding a bunch of flowers, on a circular base with grapevines and masks, with traces of gilding, length 11.5cm, approx. weight 3oz. £100-150

912. A George IV silver bottle stopper, by George Pearson, London 1820, shell form, mounted and incised ‘CLARET’, length 9.3cm, plus an Old Sheffield plated bottle stopper of similar design, incised and blackened ‘CLARET’, approx. weighable 1.7oz. (2) £100-150

913. A Victorian novelty silver bottle stopper, by Robert Hennell, London 1858, modelled as a putto sitting on a barrel, length 8.4cm, approx. weight 1.3oz. £100-150

914. A pair of Victorian silver bottle stoppers, by Henry Dee, London 1875, circular form, rope-work border applied ‘WHISKY’ and ‘BRANDY’, length 8cm, approx. weight 2.5oz. (2) £100-150

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915. A George IV silver neck ring and bottle stopper, by Samuel Jackson, London 1829, trailing vine and grape form, incised ‘CHAMPAIGN’, the stopper with a pierced finial, diameter 10.5cm, approx. weight 3oz. £200-300

916. A pair of Victorian silver bottle stoppers, by John Samuel Hunt, London 1848, each modelled as a seated putto holding a dove, on a raised matted ground mounted with trailing grapevines, a staff with grape-vine decoration, length 11cm, approx. weight 6oz. (2) £300-500

917. A Victorian silver-gilt bottle stopper, by George Fox, London 1864, modelled as a standing putto holding a staff with grape-vine decoration, length 10.5cm, approx. weight 3oz. £200-300

918. A Victorian silver-gilt bottle stopper, by Robert Hennell, London 1858, modelled as a standing dwarf, on a circular foot with a beaded border, length 8.4cm, approx. weight 2oz. £200-300

919. A pair of Victorian silver bottle stoppers, by J. Mackay, Edinburgh circa 1880, modelled as beavers, on circular tapering bases, length 6cm, approx. weight 3.9oz. (2) £150-200

920. A Victorian silver Armorial bottle stopper, by J. Hennell, London 1881, modelled as the torso of a bearded man holding a dagger and a key, length 8.3cm, approx. weight 2.6oz. £150-200 The arms are that of Murray, as now borne by the Dukes of Atholl.

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OTHER PROPERTIES

921. A matched three piece Victorian Scottish and later silver tea set, the cream and sugar by William Marshall, Edinburgh 1857, the teapot with cancelled marks and London Assay Office marks for 2016, globular form, embossed ribbon-tied foliate scroll decoration, the teapot with a scroll handle and ivory insulators, on a pierced foliate foot, with a presentation inscription and crest, the sugar bowl with a cover, length spout to handle 27cm, approx. weight 39oz. (3) £400-600

922. A pair of silver candlesticks, by William Hutton & Sons Ltd, Sheffield 1912, knopped form, spool shaped capitals and on shaped square bases, detachable drip pans, height 18.8cm. (2) £200-300

923. A pair of Victorian silver sauce boats, by George Richards, London 1848, oval bellied form, shell capped flying scroll handle, on three shell capped scroll legs on pad feet, engraved with a crest, length 17cm, approx. weight 22.5oz. (2) £300-500

924. A four-piece Victorian silver tea set, by The Barnards, London 1895, circular cape form, part-fluted decoration, scroll handles, foliate shell and gadroon border, on a circular foot, leaf capped spout, length handle to spout 26cm, approx. weight 70oz. (4) £500-800

925. Royal Hussars and Royal interest, a presentation silver salver, by Sebastian Garrard, London 1922, retailed by Carrington and Co. Ltd, circular form, moulded border, the front inscribed ‘From The Officers X Royal Hussars, 12th June 1928’, and with facsimile signatures including ‘Henry’, for Prince Henry, Duke of Gloucester, son of George V, on three gnarl feet, diameter 24.5cm, approx. weight 18.5oz. £250-300

926. A Victorian silver salver, by Martin, Hall and Company, London 1881, circular form, beaded borders, engraved foliate decoration, inscribed ‘Presented To Captain Joseph Bottomley by his old Comrades in No. I Company of The Huddersfield Rifle Volunteer Corps on his retiring from its command as a token of esteem and regard and in appreciation of his valuable services to the corps, August 5th 1882’, on three fluted bracket feet, diameter 35.8cm, approx. weight 40oz. £400-600

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927. A five-piece Edwardian silver tea and coffee set, by the Atkins Brothers, Sheffield 1906, oval lobed baluster form, scroll handles with ivory insulators, domed hinged covers, engraved with a monogram, height of coffee pot 23cm, approx. weight 72oz. (5) £600-800

928. A matched three-piece Victorian and modern tea set, the teapot by J and A Savory, London 1847, the cream and sugar by Daniel Collins, London 1924/28, compressed circular form, scroll handles, the teapot with ivory insulators and a hinged cover with a recumbent greyhound finial, length handle to spout 28cm, approx. weight 34oz. (3) £300-400

929. An Edwardian silver two-handled tray, by Sebastian Garrard, London 1904, rectangular form, gadroon border, shell capped scroll handles, length handle to handle 76cm, approx. weight 132oz. £1,000-1,500

930. A pair of Edwardian silver entrée dishes and covers, by Carrington and Co, London 1911, rectangular form, gadroon border, detachable foliate capped scroll handles, engraved with a crest, length 28cm, approx. weight 96oz. (2) £800-1,200 The crest is that of Abbs, Curtis, Grant, Norton, Wade and many other families.

931. A George III silver waiter, by Hester Bateman, London 1780, circular form, wavy beaded border, the centre with later foliate scroll decoration, on three claw and ball feet, diameter 18cm, approx. weight 9.4oz. £300-400

932. A George II silver mug, makers mark partially worn, possibly by Francis Pages, London 1733, baluster form, leaf capped scroll handle, later embossed decoration of a hunting scene, and with a later presentation inscription, ‘Presented to Mr Daniel Collen by Joseph Neeld Esq, a prize adjudged by the committee of the Chippenham New Market, 1836’, and initialled and dated ‘1870’, on a raised circular foot, height 12.2cm, approx. weight 12.2oz. £250-300

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933. A pair of modern silver wine coasters, by M C Hersey & Son Ltd, London 1993, plain circular form, turned wooden bases with plain buttons, diameter 13cm. (2) £100-150

934. A George III silver wine funnel, by Peter, Ann and William Bateman, London 1803, circular tapering form, with three rib supports, reeded border with a side clip, length 16.cm, approx. weight 4.7oz. £300-400

935. A pair of George III silver wine coasters, maker’s mark worn, London 1786, one apparently unmarked, circular form, pierced and bright-cut decoration, engraved with a crest, turned wooden bases, diameter 11.5cm. (2) £500-700 The crest is that of Allen of Cheshire.

936. A pair of George III silver wine coasters, by Robert Hennell, London 1780, one marks lost, circular form, pierced with vertical slats and urns, turned wooden bases, diameter 12.5cm, (2) £700-900

937. A Victorian silver goblet, by J and A Savory, London 1840, circular campana form, embossed with English roses, thistle and shamrocks, on a raised shaped circular foot, height 15.3cm, approx. weight 7.4oz. £150-200

938. A pair of George III silver wine coasters, marks worn, London 1808, circular form, with pierced foliate decoration and with a vacant cartouche, wooden bases with central buttons, diameter 13.7cm. (2) £600-800

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939. A pair of early-Victorian silver candlesticks, by Thomas Bradbury and Sons, Sheffield 1839, baluster stems with foliate scroll decoration, foliate urn capitals, detachable drip pans, on raised shaped circular bases with foliate scroll decoration, height 23cm. (2) £300-400

940. A George II silver sugar caster, by Samuel Wood, London 1754, baluster form, pull-off cover with a knop finial and pierced decoration, on a raised circular foot, height 16.4cm, approx. weight 6oz. £200-300

Sold in aid of fund raising for Holy Trinity Church, Bradford on Avon.

942. A George III provincial silver tankard, by Prince and Cattles, York 1805, tapering circular form, with an upper and lower reeded girdle, flat hinged cover with a pierced thumb-piece, height 17cm, approx. weight 30.5oz. £700-900

941. A pair of George II silver candlesticks, probably by John Priest or John Perry, London 1756 and 1757, knopped stems, shell shoulders, wrythen scroll stems, spool shaped capitals with rope-work borders, on shaped square borders with a shell motifs, engraved with a crest, height 25cm, approx. weight 46.5oz. (2) £2,000-3,000 The crest is that of Clavedon, Culverton, Rising and many other families.

943. A Victorian silver-mounted emu egg goblet, by The Barnards, London 1864, the circular emu egg bowl stained green, with a plain upper mount and liner, supported by three emu legs and stiff leaf decoration, on a shaped triangular base inscribed ‘Australian Emu Egg’, (crack to egg), height 14.5cm. £300-400

944. A George II silver tankard, probably by Fuller White, London 1753, baluster form, later embossed foliate scroll decoration and with later monograms, domed hinged cover, pierced thumb-piece, scroll handle, on a raised circular foot, height 20cm, approx. weight 23oz. £500-700

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945. A George III silver mustard pot, by Peter and William Bateman, London 1809, rectangular form, scroll handle, pierced and engraved foliate decoration, gadroon border, domed hinged cover, on four ball feet, with a blue glass liner, with a mustard spoon, length 10.5cm, approx. weight 4.9oz. (2) £150-200

946. A presentation silver rose bowl, by H. Atkins, Sheffield 1910, circular form, pierced and embossed with foliate scroll decoration, inscribed ‘Upper Thames Sailing Club 1902, won by Lois, Mr G.G.M. Hardingham’, with a later liner and on a raised circular foot, diameter 19.8cm, approx. weight 17oz. £150-200

947. A Victorian silver mustard pot, by William Evans, London 1866, circular form, engraved foliate scroll decoration, leaf capped scroll handle, on a spread scroll foot, the hinged cover with a pierced thumb-piece, with a blue glass liner, height 7.4cm, approx. weight 5oz. £100-150

948. A George III provincial silver sauce boat, by John Kirkup, Newcastle 1782, plain oval form, wavy-edge border, leaf capped scroll handle, on three shell capped hoof feet. length 16cm, approx. weight 6.4oz. £200-300

949. A pair of silver mustard pots, by Sebastian Garrard, London 1917, circular form, gadroon border, hinged cover with a pierced thumbpiece, with blue glass liners, height 7.2cm, approx. weight 8oz. (2) £150-200

950. A George III provincial silver tea pot stand, by John Langlands II, Newcastle 1795, oval form, beaded border, the centre with a crest, on four fluted bracket feet, length 19.4cm, approx. weight 5.2oz. £150-200

The crest is that of Caldicott and Hunter.

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951. An unusual early-Victorian silver lidded mug, by Henry Wilkinson and Co, Sheffield 1837, campana form, embossed and applied foliate decoration, leaf capped scroll handle, the correctly marked hinged cover with a cauliflower finial, on a shaped circular foliate foot, height 12.5cm, approx. weight 6oz. £150-200

952. A George III silver tea caddy, by James Mince, London 1798, shaped oval form, engraved foliate borders and engraved with a crest, flush hinged domed cover with a turned wood finial, height 15.3cm, approx. weight 14.4oz. £400-600

953. A George III silver two-handled sugar bowl, by Wakelin and Garrard, London 1798, circular form, bright-cut decoration, reeded border, scroll handles, on a raised circular foot, initialled, height 12.8cm, approx. weight 10oz. £150-200

954. A suite of three George III silver sugar casters, by John Delmester, London 1760, baluster form, pull-off pierced covers with knop finials, on raised circular bases, with a crest and motto, height of larger 16.2cm, approx. weight 11.4oz. (3) £300-400

The crest is that of Moyes.

The crest is that of Finlay.

955. A silver two-handled basket, by William Hutton and Sons, Sheffield 1918, oval form, pierced decoration, foliate and scroll handles, on four scroll hoof feet, length 26.5cm, approx. weight 12.3oz. £100-150

956. A George III silver swing-handled basket, by Robert and Samuel Hennell, London 1805, rectangular form, incurved corners, gadroon borders, engraved foliate decoration, on an oblong foot, inscribed to underside ‘Presented to E.W. by Revd. R Lucas, April 1832’, length 34.7cm, approx. weight 28.3oz. £600-800

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957. A Britannia standard silver two-handled porringer and cover, by Goldsmiths & Silversmiths Company Ltd, London 1919, in the Charles II manner, circular form, embossed acanthus leaf decoration, the pull-off cover with a pierced leaf finial, on a circular foot, height 12.8cm, approx. weight 13.5oz. £200-300

958. A George III silver teapot, possibly by William Tuite or Walter Tweedie, London 1781, oval form, scroll handle, beaded border, flush-hinged cover with an urn finial, engraved with a crest, length 23.7cm, approx. weight 10.5oz. £250-300

959. A George III silver teapot stand, by Urquhart and Hart, London 1803, shaped oval form, bright-cut decoration, engraved with a monogram, on four shell bracket feet, length 16.3cm, approx. weight 4.3oz. £100-150

960. A George III silver wine taster, maker’s mark partially worn, I ?, London 1800, circular tapering form, fluted decoration, the side inscribed ‘James Brett, 1800’, diameter 10.6cm, approx. weight 3.2oz. £500-700

961. A George III silver cream boat, by Walter Brind, London 1766, oval form, gadroon border, leaf capped scroll handle, with a crest, on three shell capped hoof feet, length 14.7cm, approx. weight 4.3oz. £150-200

962. A silver salver, by J. Wiston, Sheffield 1913, plain circular form, moulded border, the centre initialled within a foliate scroll cartouche, on three gnarl feet, diameter 30.5cm, approx. weight 29oz. £200-300

The crest is that of Alphe, Drax, Gilbert, Jakeman and Westropp.

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963. A set of four Edwardian silver candlesticks, by Hawksworth, Eyre & Co Ltd, Sheffield 1902, knopped form, spool shaped capitals, detachable circular drip pans, on raised square bases with canted corners, height 25.7cm, (4) £600-800

964. A matched five-piece silver tea and coffee set, by Hawksworth, Eyre & Co Ltd, London 1919, the coffee pot 1899, shaped oval bellied form, scroll handles, the tea pot with a presentation inscription “Presented to Neville W. Wilthew, Esq., by the tenants on his Knockin Estates as a token of esteem on his leaving June 1919”, plus a pair of sugar tongs, Sheffield 1917, approx. weight 88.2oz. (6) £750-850

965. A William IV silver tea pot, by George Hunter, London 1832, circular form, embossed foliate scroll decoration, leaf capped scroll handle with ivory insulators, domed hinged cover with a flower finial, on four foliate shell bracket feet, length handle to spout 27cm, approx. weight 23oz. £200-300

966. A set of four William IV silver wine coasters, by the Barnards, London 1834, circular form, with embossed acanthus leaf boarders, wooden bases set with button, diameter 19.4cm. (4) £1,200-1,800

967. A George III silver salver, by Robert Jones and John Scofield, London 1775, circular form, beaded border, the centre with an armorial within foliate scroll mantling, diameter 35.5cm, approx. weight 39.5oz. £600-800

968. A Victorian silver two-handled bowl, by J. B. Carrington, Birmingham 1890, lobed circular form, fluted decoration, scroll handles, gilded interior, diameter handle to handle 30cm, approx. weight 18.5oz. £200-300

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A PRIVATE COLLECTION OF ART NOUVEAU, ARTS & CRAFTS AND ART DECO SPOONS

969. By Sybil Dunlop, an Arts and Crafts silver spoon, London 1929, spot-hammered oval bowl, tapering stem, with a pierced stylised finial, length 16cm, plus a teaspoon by Sybil Dunlop, London 1924, spot-hammered decoration, pierced finial, approx. weight 1.3oz. (2) £150-250

970. By H. G. Murphy, a silver spoon, London 1935, also with the falcon mark, small fig-shaped bowl, faceted tapering stem, the finial pierced with a leek motif, length 13.8cm, approx. weight 0.5oz. £150-250

971. By H. G. Murphy, a silver spoon, London 1935, the reverse of the bowl with the falcon mark, oval bowl, faceted tapering stem with a fluted motif, length 21.2cm, approx. weight 1.4oz.

£150-200

972. By A. E. Jones, an Edwardian Art Nouveau silver spoon, Birmingham 1905, heart-shaped bowl, spot-hammered decoration, the stem with a pierced terminal and set with a green hardstone cabochon, length 18cm, approx. weight 1.2oz. £150-200

973. By Liberty and Co, an Art Nouveau silver spoon, Birmingham 1912, tapering bowl, spot-hammered decoration, tapering stem with a stylised finial, length 13.7cm, approx. weight 0.9oz. £100-150

974. By Winifred King and Co, an Arts and Crafts silver spoon, Birmingham 1925, spot-hammered tapering oval bowl, faceted stem with a square finial mounted with an Amazonite cabochon, length 14.2cm, approx. weight 1.2oz. £150-200

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969 (2)

970

971

972

973

974

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975. By The Pairpoint Brothers, an Arts and Crafts silver spoon, London 1923, oval bowl, spot-hammered decoration, the tapering stem with applied wire-work decoration, the finial pierced with a Celtic cross, and initialled, length 17.5cm, approx. weight 0.8oz. £100-150

976. By William Hutton and Sons, an Edwardian Art Nouveau silver and enamel spoon, London 1902, oval bowl, spot-hammered decoration, bifurcated tapering stem, the finial with green / blue enamel decoration, length 17.5cm, approx. weight 1.6oz. £200-300

977. By Alfred Clark, an Art Nouveau silver spoon, London 1914, the reverse of the oval bowl with sinuous decoration, the stem with rope-work decoration, and with a pierced stylised finial set with a blister pearl, length 23.4cm, approx. weight 1.5oz. £100-150

978. By George Hunt, an Arts and Crafts silver spoon, Birmingham 1928, slender fig shaped bowl, spot-hammered decoration, the faceted stem with applied decoration, and with beaded borders, and a dyed chalcedony finial, in a fitted case, length 19cm, approx. weight 1.6oz. £200-300 979. Attributed to George Hunt, an Arts and Crafts silver and plique a jour spoon, unmarked, fig shaped bowl, spot-hammered decoration, the stem with a twist motif, the finial with an enamelled decoration within an applied wire-work border, length 19.4cm, approx. weight 1.3oz. £150-200

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975

976

977

978

979

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980. By Amy Sandheim, a pair of Arts and Crafts silver spoons, London 1938, oval bowls, the stems with faceted tapering finials, length 14.9cm, approx. weight 1.9oz, (2)

£150-200

981. By A. E Bonner, a pair of Edwardian Arts and Crafts silver spoons, London 1909, circular bowls, spot-hammered decoration ribbed stems with a pierced wire-work scroll finial set with an amethyst, length 22.3cm, approx. weight 4oz. (2) £250-300

982. By William Hutton and Sons, an Edwardian Art Nouveau silver and enamel spoon, London 1903, fig shaped bowl, bifurcated tapering stem with a pierced finial with green enamel decoration, in a fitted case, length 14.3cm, approx. weight 0.7oz. £150-200

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980 (2)

981 (2)

982

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983. By George Hart for the Guild of Handicraft, an Arts and Crafts silver Seal-top spoon, London 1945, fig-shaped bowl with a plain rat-tail, tapering faceted stem with an octagonal seal-top finial, length 15.5cm, approx. weight 1.3oz. £100-150

984. By George Hart for the Guild of Handicraft, an Arts and Crafts silver spoon, London 1931, fig-shaped bowl with spot-hammered decoration, tapering stem with a trefoil shaped finial, length 14.7cm, approx. weight 1.1oz. £100-150

985. By Edward Spencer for the Artificer’s Guild, an Arts and Crafts silver spoon, London 1934, spot-hammered fig-shaped bowl, tapering faceted stem, the circular finial with a pair of scales within a rope-work border, length 13.8cm, approx. weight 0.8oz. £100-150

986. By Helen McLaren, a silver spoon, London 1936, the circular bowl with a plain rat-tail, faceted and shaped handle, length 13.7cm, approx. weight 0.9oz. £100-150

987. By The Keswick School of Industrial Arts, an Arts and Crafts silver Acorn knop spoon, Edinburgh 1964, fig-shaped bowl, spot hammered decoration, tapering faceted stem with stylised acorn finial, length 14.8cm, approx. weight 0.6oz. £80-120

988. Designed by C.R. Ashbee for The Guild of Handicraft Limited, an Edwardian silver mustard spoon, London 1905, tapering oval bowl with spot-hammered decoration, faceted tapering stem with a chryophase finial, length 12.7cm, approx. weight 0.6oz. £300-500

989. By Winifred King and Co, an Arts and Crafts silver Acorn knop spoon, Birmingham 1928, spot-hammered oval bowl, the tapering stem with an acorn finial, length 16.2cm, approx. weight 0.9oz. £80-120

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983

984

985

986

987

988

989

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990. By Robert Hilton for The Keswick School of Industrial Arts, a pair of Arts and Crafts silver spoons, Chester 1910, fig-shaped bowls, spot hammered decoration, tapering faceted stems with stylised acorn finials, in the original fitted case, length 15.4cm, approx. weight 1.5oz. (2) £200-300

991. By Robert Cadelent, a pair of Arts and Crafts silver spoons, London 1913, fig-shaped bowls, spot hammered decoration, tapering faceted stems with blue ceramic knop finials, in a fitted case, length 16.5cm, approx. weight 2oz. (2) £200-300

992. By R. E. Stone, an Art Deco silver spoon, London 1932, tapering spot-hammered bowl, tapering faceted stem with a stylised finial, length 14.4cm, plus a pair of silver jam spoons, by The Cooper Brothers, Sheffield 1911, with shaped trefoil finials, and a late-Victorian silver Apostle spoon, by Martin, Hall and Company, Sheffield 1896, approx. total weight 2.8oz. (4) £120-180

993. By Georg Jensen, a Danish silver mustard spoon, length 12.7cm, plus an Acorn pattern spoon, design number 77, stylised classical urn decoration, with English import marks for 1938, length 14.8cm, and a Danish silver-gilt and enamel commemorative spoon, by A. Michelsen, celebrating the coronation of Queen Margrethe of Denmark, and dated ‘15 January 1972’, approx. total weight 3.4oz. (3) £100-150

994. Designed by Johan Rohde for Georg Jensen, a small pair of Danish silver Acanthus pattern salad servers, length 17cm, approx. weight 2.5oz. £80-120

995. By Barrett and Thompsom, an Arts and Crafts silver napkin ring, Birmingham 1922, ‘D’ shape, applied with intertwined Celtic wirework and mounted with a purple amethyst cartouche, spot-hammered decoration, rope-work borders, later case, length 5.2cm, approx. weight 1.2oz. £80-100

OTHER PROPERTIES

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996. By Leslie Durbin, a modern presentation silver dish, London 1971, elongated oval form, spot-hammered decoration, the centre mounted with a gilded bird, possibly a pelican, inscribed ‘Presented to J.B Banner Esq. on completion of forty years service with the national Employers Mutual General Insurance Association Limited 1933-1973’, length 34.4cm, approx. weight 18oz. £300-400

997. Designed by Anthony Elson, for Hennell, Frazer and Haws, a modern silver condiment set, London 1970, modelled as an 18th century silver spice box, rectangular form, canted corners, fluted borders, with two hinged compartment for salt and mustard, with blue glass liners and two condiment spoons, the terminals pierced ‘S’ and ‘M’, (spoons London 1969), the centre with a pull-out pepper pot, the cover with matted decoration, length 11.8cm, approx. weight 20oz. £1,000-1,500 This lot is sold with a letter from Anthony Elson to the vendor, with some background information around this piece, and the relationship between Elson and Hennell, Frazer and Haws.

998. By W and S Sorensen, a Danish silver Windsor pattern canteen for twelve, retailed by Horsens, 1950’s, comprising: twelve table forks, fourteen dessert forks, twelve dessert spoons, twelve table knives, twelve dessert knives, six teaspoons, six butter knives, six small forks, and six cake forks, approx. weighable 77oz. (qty) £1,000-1,500

999. An Edwardian Art Nouveau silver ink well, by Martin, Hall & Co, Sheffield 1902, circular form, tapering green glass body, with three sinuous supports, hinged raised cover, on a raised circular base, height 10cm. £200-300

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A PRIVATE COLLECTION OF OMAR RAMSDEN

1000. By Omar Ramsden, an Arts and Crafts silver dish, London 1938, also engraved ‘OMAR RAMSDEN ME FECIT’, circular form, wavy-edge border, applied with ball motifs, spothammered decoration, diameter 16.8cm, approx. weight 6.2oz. £600-800

1001. By Omar Ramsden, an Arts and Crafts silver and enamel dish, London 1925, also engraved ‘OMAR RAMSDEN ME FECIT’, circular form, spot-hammered decoration, the centre with a red enamel Tudor rose, crimped border, diameter 7.5cm, approx. weight 1.3oz. £300-400

1002. By Omar Ramsden, an Arts and Crafts silver and enamel caddy spoon, London 1927, fig-shaped bowl with spot hammered decoration, the intertwined wirework handle applied with a red enamel heart shaped cabochon, length 8.5cm, approx. weight 1.3oz. £1,000-1,500

1003. By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver and enamel caddy spoon, London 1906, fig-shaped bowl with spot hammered decoration, the intertwined wirework handle applied with a green/blue enamel heart shaped cabochon, length 8.5cm, approx. weight 1.4oz. £1,000-1,500

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1004. By Omar Ramsden, an Arts and Crafts silver two-handled bowl, London 1936, also engraved ‘OMAR RAMSDEN ME FECIT’, tapering circular form, spot-hammered decoration, with trifurcated nude figural handles, the underside inscribed ‘To Charlotte from her Godfather George Lewis’, length handle to handle 18.5cm, approx. weight 14oz. £2,000-3,000

1005. By Omar Ramsden, an Arts and Crafts silver caddy spoon, London 1921, fig-shaped bowl with spot hammered decoration, the intertwined wirework and leaf handle applied with a red cabochon, length 9.2cm, approx. weight 1.3oz. £1,000-1,500

1006. By Omar Ramsden, an Arts and Crafts silver and enamel cigarette box, London 1926, also engraved ‘OMAR RAMSDEN ME FECIT’, rectangular form spot-hammered decoration, the hinged cover with a pierced and engraved galleon on an enamel blue green sea and blue and white sky, wood lined, weighted base, length 10.4cm. £2,000-3,000

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1007 1007. By Omar Ramsden, a pair of Arts and Crafts silver tazzae, London 1938, also engraved ‘OMAR RAMSDEN ME FECIT’, tapering circular bowls, spot-hammered decoration, foliate scroll, shell and fruit border, the knopped stems with cherubs’ heads and fluted decoration, on a raised square foot with a reeded border, height 13.8cm, approx. weight 47oz. (2) £2,000-3,000

1008. By Omar Ramsden, a pair of Arts and Crafts silver cafe au lait pots, London 1936, also engraved ‘OMAR RAMSDEN ME FECIT’, tapering panelled form, scroll handles with ivory insulators, spothammered decoration, hinged covers with an elongated fluted finial set with a red and light blue stone, on a raised decagon base, height 17.5cm, approx. weight 19oz. (2) £1,800-2,200

1008

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1009 1009. By Omar Ramsden, an Arts and Crafts silver dish, London 1937, also engraved ‘OMAR RAMSDEN ME FECIT’, elongated oval navette form, spot-hammered decoration, the ends with fluted finials, on four scroll feet, length 32.8cm, approx. weight 12.3oz £1,500-2,000

1010. By Omar Ramsden and Alywn Carr, an Arts and Crafts small silver wine goblet, London 1910, circular bowl, spot-hammered decoration, on a knopped tapering stem, embossed with trailing grapevines, on a spread circular foot applied with seven turquoise cabochons, height 10cm, approx. weight 2oz. £1,000-1,500

1010

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OTHER PROPERTIES

1011. By H. G. Murphy, an Arts and Crafts silver Tree of Life caddy spoon, London 1929, also marked with the Falcon mark, spot-hammered bowl, the terminal pierced with a tree of life, length 9.8cm, approx. weight 0.9oz. £300-400

1012. By Tiffany and Co, an American Arts and Crafts cast silver spoon, John Moore II period, 1907-1947, the terminal with a galleon, the hexagonal bowl with foliate decoration, length 12.2cm, approx. weight 2.3oz. £100-150

1013. A collection of seven New Zealand Arts and Crafts silver spoons, by Edith Morris, circa 1940, various designs, including one with a galleon finial, approx. weight 4.5oz. (7) £300-400

1014. By H. G. Murphy, an Arts and Crafts silver Tree of Life caddy spoon, London 1929, also marked with the Falcon mark, spot-hammered bowl, the terminal pierced with a tree of life, length 9.8cm, approx. weight 0.9oz. £300-400

Edith Morris (1894-1965), was born in Kent and emigrated to New Zealand in 1924. She described herself as a Designer, Jeweller and Silversmith, and in 1937 her work was accepted by the Academy of Fine Arts. Ref Shepherd, W., Gold and Silversmithing in New Zealand, The Museum of New Zealand, 1995. page 179.

1015. By Omar Ramsden, an Arts and Crafts silver pin tray, London 1921, the underside inscribed ‘OMAR RAMSDEN ME FECIT’, shaped rectangular form, spot-hammered decoration, on four ball feet, length 10cm, approx. weight 1.1oz. £250-300

1016. By Omar Ramsden, a set of six Arts and Crafts silver coffee spoons, London 1935, the spot-hammered tapering stems with a twisted motif and with square seal-top finials, approx. weight 2.8oz. (6) £300-500

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1017. By Omar Ramsden, an Arts and Crafts silver wine coaster, London 1926, the underside inscribed ‘OMAR RAMSDEN ME FECIT’, circular form, spot-hammered decoration, castellated border, the wooden base set with a Tudor rose motif, diameter 11cm, height 4.5cm. £1,500-2,000

1018. By Omar Ramsden, a three-piece Arts and Crafts silver condiment set, London 1933, the underside inscribed ‘OMAR RAMSDEN ME FCT’, tapering hexagonal form, spot-hammered decoration, rope-work border, the mustard pot with a scroll handle and hinged cover, and with a later liner, height 6.3cm, approx. weight 6.9oz. (3) £700-900

1019. By Omar Ramsden and Alwyn Carr, a set of ten Arts and Crafts silver fruit/fish knives and forks, London 1909, the three-pronged forks with a twisted motif and spot-hammered tapering handles, length of knife 20cm. (20) £3,000-4,000

1020. By Omar Ramsden, an Arts and Crafts silver cream jug and sugar bowl, London 1935, the underside inscribed ‘OMAR RAMSDEN ME FECIT’, plain oval and circular tapering form, spot-hammered decoration, scroll handles, on raised circular bases, height of jug 11.2cm, approx. weight 7.6oz. (2) £700-900

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1021. By Omar Ramsden, an Arts and Crafts silver-gilt tazza, London 1928, also engraved ‘OMAR RAMSDEN ME FECIT’, circular tapering form, spot-hammered decoration, the border with ball motifs, on a raised circular stem with hanging bunches of grapes, on a raised castellated circular foot, inscribed ‘ A.D 1928 OMAR RAMSDEN WROUGHT ME AS A TOKEN OF THE ESTEEM OF THE MEMBERS OF THE IMPERIAL INDUSTRIES CLUB FOR THE RT. HONBLE. BARON HAYTER OF CHISELHURST, FOR NEARLY A QUARTER OF A CENTURY THEIR HONOURED PRESIDENT’, on a wooden base with a silver tapering part marked holder, total height on plinth diameter 31.5cm, height 25cm, approx. weight 72oz. £3,000-4,000

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1022. By F.C. Varley for The Guild of Handicraft Limited, an Edwardian silver and enamel box, London 1904, the underside of the panel signed ‘Designed and executed by F.C. Yarley at Campden, and G.O.H, July 1904’, rectangular form, spot-hammered decoration, the hinged cover set with a rectangular panel of a wood on a hill with a setting sky behind, the front inscribed ‘A Souvenir of 10 Years Faithful Service with H. G. Porter and Co, 1904’, wood lined, on four bun feet, length 19.8cm. £1,500-2,000

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A PRIVATE COLLECTION OF EARLY GEORG JENSEN

1023. By Georg Jensen, a Danish silver spoon, design no. 21, assay mark for 1928, assay master C. F. Heise, the handle with a leaf and berry finial, length 13.3cm, approx. weight 0.9oz. £100-150

1024. By Georg Jensen, a Danish silver spoon, design no. 89, circa 1919-1927, the handle with a berry and pierced palm finial, length 13.2cm, approx. weight 0.6oz. £100-150

1025. By Georg Jensen, a Danish silver cream ladle, design no. 38, assay date 1927, assay master C. F. Heise, with import marks for London 1927, importer’s mark of George Stockwell, the handle with pierced and bead decoration and with a bud finial, length 23.5cm, approx. weight 1oz. £150-200

1026. By Georg Jensen, a Danish silver serving spoon, design no. 49, circa 1915-32, with a pierced foliate and scroll terminal, oval bowl, length 18.7cm, approx. weight 2.1oz. £200-300

1027. By Georg Jensen, a Danish silver sauce ladle, design no. 85, circa 1915-27, deep oval bowl, the handle with fluted, scroll and berry decoration, length 18.5cm, approx. weight 2.1oz. £200-300

1028. By Georg Jensen, a Danish silver Leaf and Berry serving spoon, design no. 141, circa 1915-32, the reverse of the handle initialled ‘G’, length 22.5cm, approx. weight 3.4oz. £200-300

1029. By Georg Jensen, a Danish silver cream ladle, design no. 129, assay date 1926, assay master C. F. Heise, with import marks for London 1924, importer’s mark of George Stockwell, the bifurcated terminal with a foliate motif, oval bowl, length 12.3cm, approx. weight 0.7oz. £150-200

1030. By Georg Jensen, a Danish silver serving spoon, design no. 35, assay date 1924, assay master C. F. Heise, with import marks for London 1923/24, importer’s mark of George Stockwell, the bowl with engraved and pierced decoration, twisted stem with a foliate ball finial, length 20.2cm, approx. weight 2.4oz. £300-400

1031. By Georg Jensen, a Danish silver Leaf and Berry sifting spoon, design no.141, assay date 1926, assay master C. F. Heise, with import marks for London 1926, importer’s mark of George Stockwell, the bowl with pierced decoration, length 20.2cm, approx. weight 2.4oz. £200-300

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1032. By Georg Jensen, a rare Danish silver punch ladle, design no. 127, circa 1919-1927, shaped oval bowl, with a punched foliate border, turned baluster ebony handle with a silver ball finial, length 35cm, approx. weight 3.5oz. £800-1,000

1033. By Georg Jensen, a rare Danish silver serving spoon, design no. 39, assay date 1924, assay master C. F. Heise, with import marks for London 1923, importer’s mark of George Stockwell, twisted stem with foliate motifs and with a finial of an owl sitting on a foliate bud, length 20.cm, approx. weight 2.6oz. £600-800

1034. By Georg Jensen, a Danish silver tea strainer, circa 1915-19, circular bowl with flower motifs, wire-work handle with leaves and berry decoration, length 12.5cm, approx. weight 1.3oz. £300-500

1035. By Georg Jensen, a rare Danish silver tea strainer, design no. 98, assay date 1923, assay master C. F. Heise, with import marks for London 1923, importer’s mark of George Stockwell, circular bowl with flower motifs, and wire-work supports, carved ebony handle with scroll and berry mounts, length 15.8cm, approx. weight 2.2oz. £1,200-1,500

1036. By Georg Jensen, a Danish silver serving slice, design no. 90, circa 1915-27, tapering blade with chased foliate decoration, the tapering handle with a terminal of a bud with pierced winged supports, length 25.4cm, approx. weight 4.2oz. £300-400

1037. By Georg Jensen, a Danish silver serving slice, design no. 83, circa 1915-27, the handle with pierced decoration, and with a flower head finial, length 26.4cm, approx. weight 4.4oz. £300-400

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1038. By Georg Jensen, a Danish silver cream ladle, design no. 5, circa 1915-32, the terminal with a foliate motif and coral cabochon, double-lipped oval bowl, length 13cm, approx. weight 1oz. £150-200

1039. By Georg Jensen, a Danish silver serving spoon, design no. 38, circa 1915-1927, the handle with pierced and bead decoration and with a bud finial, length 19.5cm, approx. weight 2.2oz. £200-300

1040. By Georg Jensen, a large Danish silver serving spoon, design no. 133, circa 1920’s, the bowl with applied scroll and bead decoration, the handle with fluted and foliate decoration, bud finial, length 28cm, approx. weight 3.7oz. £300-400

1041. By Georg Jensen, a pair of silver Acorn pattern salt cellars and spoons, design no. 62, circa 1925-32, circular form, pierced handles, length 5.4cm, approx. weight 1.1oz. (4) £100-150

1042. By Georg Jensen, a pair of silver salt cellars and spoons, design no. 110, circa 1915-32, circular form, scroll and berry handles, length 5cm, approx. weight 1.2oz. (4) £100-150

1043. By Georg Jensen, a pair of silver salt cellars, design no. 402, circa 1925-32, circular form, pierced handles, length 5.3cm, approx. weight 0.8oz. (2) £100-150

1044. By Georg Jensen, a collection of silver salt spoons, comprising: a pair of Pyramid pattern, a pair of Rope pattern, a pair of Cactus pattern, a pair of Continental pattern, a pair with a berry finial, a single one with a berry finial, plus an Acanthus pattern salt spoon and a Nordic pattern salt spoon, approx. weight 2.2oz. (13) £200-300

1045. By Georg Jensen, a small collection of seven silver salt cellars, design nos. 180, 363B, 433A, 243, 248 and 410, different designs, plus a Danish silver salt cellar by Evald Nielsen, assay date 1918, approx. weight 7.2oz. (7) £300-350

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1046. By Georg Jensen, a Danish silver Leaf and Berry serving spoon, design no. 71, circa 1915-32, the handle with pierced decoration, length 17.5cm, approx. weight 2.1oz. £200-300

1047. By Georg Jensen, a Danish silver pastry serving slice, design no. 72, circa 1915-27, tapering blade, the tapering handle with a terminal with pierced scroll and berry decoration, length 18cm, approx. weight 2oz. £250-300

1048. By Georg Jensen, a Danish silver tea strainer, design no. 6, 1915-19, also with a Swedish import mark, pierced circular bowl, carved ivory handle with a flower head and scroll mounts, length 18.1cm, approx. weight 1.8oz. £400-600

1049. By Georg Jensen, a Danish silver two-handled tea strainer, design no. 117, circa 1925-32, circular bowl pierced decoration, pierced wire-work and foliate bud handles, length 12.8cm, approx. weight 2.1oz. £400-600

1050. By Georg Jensen, a Danish silver crumb scoop, design no. 155, circa 1915-1919, the handle with pierced and bead decoration and with a bud finial, length 30.5cm, approx. weight 4.3oz. £400-600

1051. By Georg Jensen, a Danish silver serving spoon, design no. 83, assay mark for 1927, assay master C. F. Heise, the handle with pierced decoration, and with a flower head finial, length 18.7cm, approx. weight 2.1oz. £200-300

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1052. By Evald Nielson, a Danish silver serving slice, no.16, anno 1926, the tapering handle with a foliate terminal, length 28.5cm, approx. weight 3.9oz. £300-500

1053. By Evald Nielson, a Danish silver sugar caster, circa 1920, lobed baluster form, the bayonet fitting cover with pierced and chased foliate decoration, on a raised circular base, height 12cm, approx. weight 4.4oz. £300-350

1054. By Garrard and Co, a modern silver coffee pot, London 1966, baluster form, scroll handle, shell capped spout, domed hinged cover with a gadroon border and cone finial, on a raised circular foot, with a gadroon border, height 28.5cm, approx. weight 30oz. £200-300

1055. A silver-mounted cut glass biscuit box, over-stamped with maker’s mark of Asprey and Co, Birmingham 1936, also stamped Asprey, octagonal form, plain hinged cover, cut-glass body, height 12.9cm. £250-300

1056. A pair of silver cafe au lait pots, by R. Comyns, London 1959 and 1960, tapering circular form, scroll handles, the domed hinged covers with knop finials, height 21.2cm, approx. weight 37.8oz. (2) £300-400

1057. By Garrard and Co, two modern commemorative silver goblets, London 1972, numbered 521 and 283 from an edition of 1300, each modelled as a reproduction of the Hereford Elizabethan chalice, celebrating the 1300th anniversary of the first ever national church assembly held in England, the Synod of Hereford 673, in two fitted cases with certificates, height 16cm, approx. weight 12.5oz. (2) £200-300

OTHER PROPERTIES

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1058. A large pair of modern silver life size pheasants, by James R. Biggins, Sheffield 2013, modelled in standing positions, height of male 31cm, length 72.2cm, approx. weight 160oz. (2)

£6,000-8,000

1059. A silver bowl, by Reid & Sons, London 1924, bellied circular form, spot-hammered decoration, with a foliate boarder, on a raised circular foot, diameter 25.5cm, approx. weight 17oz. £130-150

1060. A modern silver mug, by C.J. Vander, London 1971, tapering circular form, textured decoration, scroll handle, height 10.9cm, approx. weight 13.6oz. £150-200

1061. A silver inkstand, by Hukin and Heath, Birmingham 1919, rectangular form, the hinged cover with a monogram, lion mask drop ring handles, the interior with a pull-out pen well and with two glass inkwells, length 23.5cm, approx. weight 32.8oz. £250-300

1062. A pair of modern silver plates, by J. Gloster, Birmingham 1971, numbered 10 and 11 from an edition of 50, circular form, chased foliate decoration on a matted background, the centre with foliate decoration, beaded border, in a fitted case, with a certificate, diameter 23.5cm, approx. weight 23oz. £200-300

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A PRIVATE COLLECTION OF SCOTTISH PROVINCIAL WINE LABELS ABERDEEN

1063. An early 19th century Scottish provincial silver wine label, by James Begg, Aberdeen circa 1840, crescent form, engraved border, incised ‘RUM’, length 4.8cm, approx. weight 0.3oz. £200-300

1064. An early 19th century Scottish provincial silver wine label, by George Booth, Aberdeen circa 1820, crescent form, reeded borders, incised ‘GIN’, length 4.3cm, approx. weight 0.2oz. £150-250

1065. An early 19th century Scottish provincial silver wine label, by James Erskine, Aberdeen circa 1800, rectangular form, canted corners, reeded border, incised ‘GIN’, length 4.6cm, approx. weight 0.2oz. £150-200

1066. An early 19th century Scottish provincial silver wine label, by Peter Gill, Aberdeen circa 1810, rectangular form, canted corners, reeded border, incised ‘BRANDY’, length 3.7cm, approx. weight 0.2oz. £150-200

1067. A George III Scottish provincial silver wine label, by James Gordon, Aberdeen circa 1780, crescent form, incised ‘BRANDY’, length 3.8cm, approx. weight 0.1oz. £200-300

1068. An early 19th century Scottish provincial silver wine label, by William Jamieson, Aberdeen circa 1820, slender rectangular form, canted corners, reeded border, incised ‘GIN’, length 4.5cm, approx. weight 0.2oz. £150-200

1069. An early 19th century Scottish provincial silver wine label, by Alexander Mollison, Aberdeen circa 1840, rectangular form, canted corners, reeded border, incised ‘WHISKY’, length 4cm, approx. weight 0.1oz. £150-200

1070. An early 19th century Scottish provincial silver wine label, by Andrew Davidson, Arbroath circa 1835, shaped rectangular form, shell and gadroon border, incised ‘S’, length 5cm, approx. weight 0.4oz. £500-700

ARBROATH

BANFF

1071. A George III Scottish provincial silver wine label, by William Byers, Banff circa 1790, cartouche form, engraved foliate scroll decoration, incised ‘GIN’, length 5.5cm, approx. weight 0.3oz. £200-300

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1072. An early 19th century George III Scottish provincial silver wine label, by George Elder, Banff circa 1825, cartouche form, engraved foliate scroll decoration, incised ‘HOLLANDS’, length 5.3cm, approx. weight 0.2oz. £200-300

CANONGATE

DUMFRIES

1073. A George III Scottish provincial silver wine label, by William Craw, Canongate circa 1770, shaped rectangular form, foliate and reed border, incised ‘BRANDY’, length 5.4cm, approx. weight 0.5oz. £500-700

1074. An early 19th century Scottish provincial silver wine label, by David Gray, Dumfries circa 1820, crescent form, incised ‘PORT’, length 4.3cm, approx. weight 0.2oz. £200-300

DUNDEE

1075. An early 19th century Scottish provincial silver wine label, by Mark Hinchsliffe, Dumfries circa 1830, large shaped rectangular form, engraved border, incised ‘SHERRY’, the reverse initialled, length 6.5cm, approx. weight 0.4oz. £250-300

1076. An early 19th century Scottish provincial silver wine label, by John Austen, Dundee circa 1825, rectangular form, canted corners, reeded border, incised ‘SHERRY’, length 4.5cm, approx. weight 0.3oz. £150-200

1077. An early 19th century Scottish provincial silver wine label, by Robert Donaldson, Dundee circa 1840, rectangular form, incised ‘WHISKY’, length 4.8cm, approx. weight 0.3oz. £200-300

1078. A George III Scottish provincial silver wine label, by James Douglas, Dundee circa 1800, slender rectangular form, canted corners, incised ‘SHERRY’, length 5.5cm, approx. weight 0.2oz. £200-300

1079. An early 19th century Scottish provincial silver wine label, possibly by William Leighton, Dundee 1840, rectangular form, shell and gadroon border, incised ‘WHISKY’, length 5cm, approx. weight 0.3oz. £200-300

1080. A George III Scottish provincial silver wine label, by Edward Livingstone, Dundee circa 1800, scroll form, incised ‘LISBON’, length 4.7cm, approx. weight 0.3oz. £200-300

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1081. An early 19th century Scottish provincial silver wine label, by David Manson, Dundee circa 1810, rounded rectangular form, incised and blackened ‘PORT’, length 4.4cm, approx. weight 0.3oz. £150-200

1082. A George III Scottish provincial silver wine label, by I. O’D and A Rollo, Dundee circa 1790, rectangular form, canted corners, incised ‘RUM’, length 4.3cm, approx. weight 0.3oz. £150-200

1083. A George III Scottish provincial silver wine label, by William Scott, Dundee circa 1780, crescent form, feather-edge border, incised ‘RUM’, length 5.2cm, approx. weight 0.3oz. £200-250

ELGIN

FOCHABERS

INVERNESS

1084. An early 19th century Scottish provincial silver wine label, by William Ferguson, Elgin circa 1835, shaped form, foliate scroll and shell border, incised ‘SHERRY’, length 5.6cm, approx. weight 0.4oz. £250-300

1085. An early 19th century Scottish provincial silver wine label, by James Morrison, Fochabers circa 1840, slender rectangular form, reeded border, incised ‘H. WHISKY’, length 3.7cm, approx. weight 0.2oz. £300-400

1086. A late 19th century Scottish provincial silver wine label, by Ferguson and McBean, Inverness circa 1890, cartouche form, incised ‘BRANDY’, length 5cm, approx. weight 0.4oz. £100-150

1087. An early 19th century Scottish provincial silver ‘cut-out letter’ wine label, by Donald Fraser, Inverness circa 1820, modelled as the letter ‘R’, foliate and mask decoration, length 3.1cm, approx. weight 0.2oz. £100-150

1088. An early 19th century Scottish provincial silver wine label, by Charles Jamieson, Inverness circa 18001810, crescent form, engraved border, incised ‘MADEIRA’, length 4.3cm, approx. weight 0.2oz. £200-300

1089. An early 19th century Scottish provincial silver wine label, by Robert Naughton, Inverness circa 1835, rounded rectangular form, engraved border, incised ‘SHERRY’, length 4.3cm, approx. weight 0.3oz. £150-200

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1090. An early 19th century Scottish provincial silver wine label, by Alexander Stewart, Inverness circa 1810, slender rectangular form, canted corners, reeded border, incised ‘GIN’, length 4.5cm, approx. weight 0.3oz. £150-200

MONTROSE

PAISLEY

1091. An early 19th century Scottish provincial silver wine label, by William Mill, Montrose 1820, rectangular form, canted corners, reeded border, incised ‘WHISKY’, length 4.8cm, approx. weight 0.2oz. £250-300

1092. An early 19th century Scottish provincial silver wine label, by William Hannay, Paisley circa 1810, cartouche form, incised ‘CLARET; engraved with a crest, length 5.5cm, approx. weight 0.4oz. £200-300

PERTH

The crest is possibly that of Egerton.

1093. An early 19th century Scottish provincial silver wine label, by David Greig, Perth circa 1810, cartouche form, incised ‘MADEIRA’, length 4.4cm, approx. weight 0.3oz. £150-200

1094. An early 19th century Scottish provincial silver wine label, by Robert Keay, Perth circa 1820, rectangular form, canted corners, reeded border, incised ‘WHISKY’, length 3.8cm, approx. weight 0.2oz. £150-200

1095. An early 19th century Scottish provincial silver wine label, by R and R Keay, Perth circa 1825, rectangular form, canted corners, reeded border, incised ‘HOLLANDS’, length 4.2cm, approx. weight 0.2oz. £150-200

1096. An early 19th century Scottish provincial silver wine label, by Charles Murray Perth circa 1820, rectangular form, canted corners, reeded border, incised ‘RUM’, length 3.5cm, approx. weight 0.1oz. £150-200

1097. An early 19th century Scottish provincial silver wine label, by William Ritchie, Perth circa 1810-15, rectangular form, canted corners, incised ‘SHRUB’, length 3.5cm, approx. weight 0.19oz. £150-200

1098. An early 19th century Scottish provincial silver wine label, by John Scott, Perth circa 1820, shaped rectangular form, incised ‘SHRUB’, length 4.8cm, approx. weight 0.2oz. £200-300

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PETERHEAD

ST ANDREWS (?)

1100. An early 19th century Scottish provincial silver wine label, by William Ferguson, Peterhead, with Edinburgh marks for 1826, rectangular form, foliate scroll borders, incised ‘CLARET’, length 4.5cm, approx. weight 0.3oz. £600-800

1101. An early 19th century Scottish provincial silver wine label, unascribed, possibly by GE and Lindsay, St. Andrew’s Fair circa 1820, rectangular form, canted corners, reeded border, incised ‘PORT’, length 4.6cm, approx. weight 0.3oz. £200-300

1102. A pair of early 19th century Scottish provincial silver Fiddle pattern toddy ladles, by John Sellar, Elgin circa 1840, the terminal with script initials, length 15.5cm, approx. weight 1.6oz. (2) £200-300

1103. A 19th century Scottish silver toddy ladle, marked S.S, the thistle twice, and another mark in a heart shaped punch twice, unidentified, circular bowl, rope-work border, twisted whalebone handle, length 43.5cm. £100-150

1104. A pair of early 19th century Scottish provincial silver Oar pattern toddy ladles, by David Manson, Dundee, circa 1820, circular bowls, plain terminals, approx. weight 1.4oz. (2) £150-200

1105. An early 19th century Scottish provincial silver Fiddle pattern soup ladle, by Robert Donaldson, Dundee circa 1835, the terminal with a script initial, length 33.5cm, approx. weight 7oz. £200-300

1106. An early 19th century Scottish provincial silver Old English pattern basting spoon, by Donald Fraser, Inverness circa 1810, the terminal with script initials, length 30.6cm, approx. weight 3.4oz. £100-150

1107. A George III Scottish silver Oar pattern soup ladle, by William Marshall, Edinburgh 1815, the terminal with a script initial ‘M’, length 36cm, approx. weight 5.8oz. £120-180

1099. An early 19th century Scottish provincial silver wine label, by James Wright, Perth circa 1800, rectangular form, canted corners, reeded border, incised ‘GIN’, length 3.9cm, approx. weight 0.2oz. £150-200

OTHER PROPERTIES

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1108. An early 19th century Scottish provincial silver Fiddle pattern soup ladle, maker’s mark PC only, probably for Peter Crombie, Aberdeen circa 1835, plain terminal, length 31.5cm, approx. weight 4.4oz. £200-300

1109. A set of six George III Scottish provincial silver Celtic Point teaspoons, by Benjamin Lumsden, Montrose circa 1790, the terminals with worn initials, length 12.5cm, approx. weight 2.2oz. £100-150

1110. A Scottish provincial silver letter knife, by William Robb of Ballater, with Edinburgh marks for 1911, tapering blade, intertwined wirework handle set with an oval yellow cabochon, length 20.2cm, approx. weight 1.1oz. £150-200

1111. A 19th century silver-mounted snuff mull, unmarked, the body with plain mounts, the hinged cover applied with an engraved thistle hinge, length 9.5cm. £150-200

1112. An early 19th century Scottish silver snuff box, marked JM three times and another unidentified mark, oval cylindrical form, the hinged cover ‘W.S to Jas. Scott, 1821’, height 7cm, approx. weight 2.7oz. £100-150

1113. An early 19th century Scottish silver mustard pot, by J. Mackay, Edinburgh no date letter, circa 1830, shaped circular form, embossed foliate decoration on a matted background, leaf capped scroll handle, the domed cover with a foliate finial, on a pierced foliate foot, the underside engraved with the crest of Glenorchy, height 8.8cm, approx. weight 8.4oz. £300-400 Provenance: John Campbell, MP, Lord Glenorchy, and thence by descent to the present owner.

1114. A George III Scottish silver teapot stand, by McHattie and Fenwick, Edinburgh 1801, oval form, reeded border, the centre with a crest and motto, wooden underside, length 15.4cm. £100-150 The crest is that of Butter of Faskally, Pitlochry, Perthshire.

1115. A George III Scottish provincial silver salt cellar, maker’s mark IW for John Wildgoose, Aberdeen circa 1780, circular form, engraved with a crest, on three shell capped hoof feet, diameter 5.8cm, approx. weight 1.6oz. (2) £100-150

1116. A Victorian Scottish silver dish, by Hamilton and Inches, Edinburgh 1881, oval form, embossed foliate scroll decoration, length 27.3cm, approx. weight 8oz. £100-150

The crest is that of Urquhart of Blyth, Scotland.

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1117. A George III Scottish silver sauce boat, by James McEwan, Glasgow 1783-84, oval form, wavy-edge border, leaf capped scroll handle, on four hoof feet, initialled, length 14cm, approx. weight 3.8oz. £300-400

1118. An Edwardian Scottish silver two-handled tazza, by Brook and Sons, Edinburgh 1907, circular tapering form, stylised foliate border, pierced scroll and foliate handles, on a raised circular foot, length handle to handle 23.8cm, approx. weight 22.5oz. £200-300

1119. A George III silver waiter, by James Gilsland, Edinburgh 1773, circular form, gadroon border, the centre with a crest, on three hoof feet, diameter 18cm, approx. weight 9.2oz. £150-200

1120. A George III Scottish silver swing-handled sugar basket, by Francis Howden, Edinburgh 1794, oval form, engraved foliate border and prick-dot decoration, reeded handle, on a raised oval foot, initialled cartouche, length 15.7cm, approx. weight 8.8oz. £150-200

1121. A Scottish silver waiter, by R and W Sorley, Glasgow 1917, square form, moulded border, initialled, on four bracket feet, length 17.8cm, approx. weight 12oz. £80-120

1122. A pair of Scottish silver candlesticks, by R and W Sorley, Glasgow 1915, tapering circular form, Celtic borders, removable drip pans, on raised circular bases, height 21.3cm, approx. weight 17oz. (2) £200-300

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1123. A four-piece Scottish silver tea set, by Edwards and Sons, Glasgow 1900, in the French manner, circular form, fluted and foliate rocaille decoration, leaf capped scroll handles, with ivory insulators, on four bracket feet, initialled, height of kettle 24cm, approx. weight 67oz. (4) £600-800

1124. A Scottish silver two-handled tray, by R and W Sorley, Glasgow 1918, oval form, intertwined Celtic border and engraved decoration, Celtic handles, the centre with an initial, on four bun feet, length handle to handle 77cm, approx. weight 160oz. £1,500-2,000

1125. A Scottish silver three-handled bowl, by W and R Sorley, Glasgow 1919, circular form, with three scroll handles, on a raised circular foot, on a wooden plinth, height on plinth 22.5cm, approx. weight 40oz. £350-450

1126. A pair of Edwardian Scottish silver wall sconces, by Smith and Rait, Glasgow 1904, the back plates of shaped rectangular form, rope-work borders with punched decoration, the semi-circular base with plain circular candle holders, height 26cm, approx. weight 20oz. (2) £600-800

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1127. A Scottish silver bowl, by Davidson, Henderson and Sorley, Glasgow 1922, circular form, on a circular foot, diameter 25.5cm, approx. weight 19.5oz. £100-150

1128. A set of six mid-18th century Irish silver Hanoverian pattern teaspoons, marks partially worn, Dublin circa 1750, the reverse of the terminals, scratch initialled ‘N’ over ‘WM’, length 11.3cm, approx. weight 1.6oz. (6) £200-300

1129. A mid 18th century silver Hanoverian pattern tablespoon, marked I.C three times and with two other marks, probably Irish or Scottish, circa 1741, the reverse of the terminal scratch initialled ‘S.S’ over ‘SE’, ‘1741’, length 20.8cm, approx. weight 1.6oz. £200-300

1130. A set of four George III Irish silver Bright-cut dessert spoons, by John Keating, Dublin 1797, the terminals with a crest, plus a similar single Bright-cut Irish dessert spoon, approx. weight 4.2oz. (5) £100-150

1131. A collection of 19th century Irish silver Fiddle pattern flatware, various dates and makers, comprising: six dessert spoons, Dublin 1815, another six dessert spoons, Dublin 1841, six teaspoons, 1811, plus a single dessert spoon, and a small fork, approx. weight 18.5oz. (20) £200-300

1132. A set of six George III silver Fiddle pattern tablespoons, by John Power, Dublin 1807, the terminals with a crest, approx. weight 12.5oz. (6) £150-200

1133. A George III Irish silver Bright-cut and Star straining spoon, by John Power, Dublin 1800, the strainer with maker’s mark A.F, the terminal with a vacant cartouche, length 33.3cm, approx. weight 3.7oz. £150-200

1134. A George IV / William IV Irish matched silver King’s pattern canteen for twelve, by various makers including Philip Weeks, Dublin 1825-35, the terminals with a crest, comprising: twelve tablespoons, twelve table forks, twelve dessert forks, twelve dessert spoons, twelve teaspoons, and six egg spoons, and a sauce ladle, plus a small quantity of matching electroplated flatware, approx. weight 154oz. (qty) £1,500-2,000

1135. A George III Irish provincial silver sugar bowl, by Cardon Terry & John Williams, Cork, with Dublin marks for 1807, oval form, scroll handles, with a gadroon border, on four ball feet, length handle to handle 18.5cm, approx. weight 7.9oz. £400-600

The crest is that of Adouin, Lyster, Vigors, Frazer and others.

The crest is that of Baker of Waresley, Worcestershire, associated with Baker of Lismacue, co. Tipperary.

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1136. A George II Irish silver bowl and cover, by Thomas Walker, Dublin circa 1740, circular form, chased with masks, foliate scroll decoration and trellis decoration, with two crowned ciphers with cherub and scroll supports, the pull-off cover with foliate decoration and a cone finial, on a raised circular foot, height 16.5cm, approx. weight 16.8oz. £1,000-1,500 Provenance: purchased from S.J.Shrubsole, 43 Museum Street, London.

1137. A George I Irish silver footed waiter, by Edward Workman, Dublin 1717, circular form, on a raised circular foot, engraved with an armorial, the underside later initialled, diameter 15cm, approx. weight 6.3oz. £800-1,200

1138. An Irish silver dish ring, by West and Son, Dublin 1915, circular form, pierced and embossed foliate scroll decoration, with three vacant cartouches, diameter of base 20.2cm, approx. weight 11.5oz. £300-500

Provenance: purchased from J. Weldon, Dublin. The arms are those of Fletcher of Kenwood, Kent with another in pretence.

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1139. A small collection of three Russian silver spoons, comprising: a silver-gilt and enamel spoon, Moscow 1896-1907, circular bowl, the reverse with vari-coloured enamel scroll decoration, tapering twisted stem, plus a silver and niello spoon, of arrow form, the reverse of the bowl with buildings and a Fiddle and Thread pattern teaspoon, by Nichols and Plinke, approx. weight 3.4oz. (3) £150-200

1140. A George III silver mote spoon, by Thomas and William Chawner, circa 1765, the oval bowl with pierced scroll decoration, plus another George III silver mote spoon, maker’s mark partially worn, the oval bowl with pierced foliate scroll decoration, lengths 14cm and 13.8cm, approx. total weight 0.5oz. (2) £200-300

1141. A small collection of four Russian silver spoons, comprising: three silver-gilt and enamel spoons, two with twisted stems, the reverse of the bowls and terminals with vari-coloured enamel scroll decoration, plus a silver spoon, with a figural terminal of a lady, faceted stem, Moscow 1896-1907, approx. weight 3oz. (4) £150-200

1142. A George III silver Fiddle, Thread and Drop pattern soup ladle, by George Smith & William Fearn, London 1795, length 33cm, approx. weight 7oz. £100-150

1143. An early 18th century Norwegian silver spoon, maker’s mark A.H.S, circa 1730, the tapering handle engraved with a flower, length 16cm, plus another early 18th century Norwegian silver spoon, unmarked, circa 1716, the reverse of the bowl engraved with laurel wreath and initialled ‘M.O.D 1716’, length 17cm, approx. total weight 1.8oz. (2) £300-400

1144. A George III silver Onslow pattern soup ladle, by George Baskerville, London 1761, shell bowl, the reverse of the terminal engraved with a crest, length 34cm, approx. weight 5.6oz. £100-150

The crest is that of Abborne.

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1145. A George IV parcel-gilt silver caddy spoon, makers mark partially worn, W.H, London 1823, shell shaped bowl, with shell and foliate embossed decoration, vacant cartouche, length 8.9cm, approx. weight 0.5oz. £100-150

1146. An early 19th century silvermounted coral tea caddy spoon, unmarked, circa 1800-1820, circular bowl with a shell heel, carved coral handle, (some damage), length 9.3cm. £150-200

1148. A set of seven silver poultry skewers, by Elkington and Co, Birmingham 1935, plain ring terminals, approx. weight 1.7oz. (7) £100-150

1149. A similar pair of silver Rat-tail pattern soup ladles, by The Goldsmiths and Silversmiths Company, London 1903 and 1917, circular bowls, plain terminals, approx. weight 18oz. (2) £200-300

1147. A William IV silver-gilt spoon, by Paul Storr, London 1832, the handle with intertwined and pierced grape-vine decoration, the reverse of the bowl with a crest, length 12.8cm, approx. weight 0.7oz. £100-150 The crest is probably that for James George Stopford, 3rd Earl of Courtown, co. Wexford (1810-1835).

1150. A pair of silver meat skewers, by The Alexander Clark Manufacturing Company, Birmingham 1929, tapering form, laurel wreath terminals, length 30.5cm and 30.3cm, approx. weight 8.5oz. (2) £200-300

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1151. A matched set of six West Country silver Fiddle pattern table forks, by James and Josiah Williams, Exeter 1857/58, plain terminals, approx. weight 14.5oz. (6) £120-180

1152. A matched set of six George III silver Bright-cut table forks, four by Smith and Fearn, London 1790, two by Peter and Ann Bateman, London 1796, the terminals with a crest and motto, approx. weight 12oz. (6) £150-200

1153. A set of six George IV silver Fiddle pattern table forks, by William Eley II, London 1827, the terminals with a crest, plus five Fiddle pattern teaspoons, engraved with a crest. approx. weight 18.5oz. (11) £200-300

1154. A set of six modern silver-handled pistol-grip handled table knives, by Strickett and Loder, Sheffield 1977, plain handles. (6) £100-150

The crests are those used by a number of families including Byrde, Pace, Denny, How, Rupe and Waldegrave.

1155. An Edwardian silver Fiddle, Thread and Shell pattern canteen for six, by Jackson and Fullerton, London 1901-1907, comprising: six table forks, six dessert forks, four tablespoons, six dessert spoons, a sauce ladle and a Victorian stilton scoop, by George Adams, London 1869, approx. weight 58.5oz. (24) £300-500

1156. A silver Hanoverian rat-tail pattern canteen for six, by The Harrison Brothers, Sheffield 1921, the terminals with an initial, comprising: six table forks, six dessert spoons, six soup spoons, and three tablespoons, approx. weight 58oz. (27) £400-600

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1157. A Victorian matched silver Fiddle and Thread pattern canteen for twelve, by George Adams, London 1851, and Messrs. Lias, London 1868, the terminals with a crest, comprising: twelve table forks, twelve tablespoons, twelve dessert spoons, twelve teaspoons, by John Samuel Hunt, London 1863, approx. weight 125oz. (qty) £1,500-2,000 The crest is that of Norfolk, Percy, Dukes of Northumberland, Strange of Shropshire and Talbot Earls of Shrewsbury.

1158. A silver Hanoverian Rat-tail pattern canteen for twelve, by Walker & Hall, Sheffield 1925, comprising: twelve table forks, twelve dessert forks, six egg spoons, six teaspoons, twelve tablespoons, twelve dessert spoons, two sauce ladles and a soup ladle, terminals initialled, in a fitted wooden case inlaid with a presentation plaque inscribed: ‘Presented to Neville W. Wilthew Esq. by the Tenants on the Wynyard, Long Newton and Seaham Estates on the occasion of his marriage, June 17th 1926’, approx. weight 119oz. (63) £1,200-1,800

1158

1159. A George III provincial silver Old English pattern basting spoon, by John Langlands II, Newcastle 1798, plain terminal, length 31.2cm, approx. weight 3.2oz. £100-150

1160. A pair of George IV silver Queen’s pattern basting spoons, by William Chawner, London 1824, the terminals with a crest, approx. weight 12.5oz. (2) £200-300

1161. A George III silver Old English pattern basting spoon, by Hester Bateman, London 1789, plain terminal, length 30cm, approx. weight 2.9oz. £150-200

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1162. A silver folding double-ended medicine spoon, by Roberts and Belk, Sheffield 1929, hinged bowls with a central pierced section, length 16.8cm, approx. weight 1.4oz. £100-150

1163. A late-Victorian silver double-ended medicine spoon, by Messrs. Slater and Holland, London 1897, spot-hammered decoration, length 13.5cm, approx. weight 0.8oz. £80-120

1164. A George III silver stilton scoop, by Wallis and Hayne, London 1810, the bowl of spade form, tapering green stained ivory handle, length 25cm. £150-200

1165. A pair of silver Fiddle and Thread pattern grape scissors, over-stamped with maker’s mark of Mappin and Webb, London 1918, in a fitted case, approx. weight 4.5oz. £100-150

1166. An electroplated novelty punch ladle, unmarked, the bowl modelled as a jockey’s cap, the handle modelled as a whip, with a horse head finial, length 39cm. £100-150

1167. A George II silver Hanoverian pattern basting spoon, marks closed and obscured, London 1748, the reverse of the terminal with a crest, length 31.8cm, approx. weight 5oz. £200-300

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1168. A collection of George IV and modern silver Kings pattern and King’s Hourglass pattern flatware, various date and makers from 1820-1964, nine tablespoons, seven dessert forks, ten dessert spoons, a teaspoon and a butter knife, approx. weighable 66oz. (28) £400-600

1169. A small collection of antique silver Fiddle pattern flatware, various dates and makers, comprising: twelve table forks, six dessert forks and a dessert spoon, approx. weight 36oz. (19) £250-350

1170. A collection of William IV silver Fiddle and Thread pattern flatware, by William Eaton, London 1837, comprising: six tablespoons, six table forks, six dessert spoons, six dessert forks, eight teaspoons, four egg spoons and three condiment spoons, the terminals initialled, approx. weight 71oz. (37) £500-700

1171. A matched William IV and Victorian silver Fiddle pattern canteen for six, various dates and makers, comprising: six table forks, (worn), six dessert forks, six dessert spoons, six teaspoons and three tablespoons, plus a set of six modern silver Old English pattern table knives, approx. weight 40.5oz. (qty) £400-600

1172. A collection of silver flatware, comprising: a George III old English pattern basting spoon, London 1807, twelve Sheraton pattern table forks, three tablespoons, and four dessert spoons, Birmingham 1926, plus six Howard pattern dessert spoons and forks and three tablespoons, by Mappin and Webb, a set of six Rat-tail teaspoons, a pair of sugar tongs and a salt spoon, approx. weight 75oz. (qty) £400-600

1173. A collection of silver Fiddle and Thread pattern flatware, by William and Mary Chawner, William Eaton and George Adams, London various dates, the terminals with initials, comprising: a basting spoon, eight table forks, four tablespoons, six dessert spoons, six dessert forks, a pair of sauce ladles, a cream ladle, and four salt spoons, plus a small quantity of electroplated flatware including an electroplated Fiddle and Thread pattern soup ladle, approx. weighable 61oz. (qty) £600-800

Sold in aid of fund raising for Holy Trinity Church, Bradford on Avon.

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1174. A cased set of four silver Elizabethan pattern serving spoons, by Garrard & Co, London 1911, shell bowls, the interior of the bowls gilded, the terminals with a vacant cartouche, in a fitted case, approx. weight 15.5oz. (4) £250-300

1175. A set of twelve 19th Continental silver Apostle table forks, German or Austro-Hungarian faceted stems, Apostle finials, in fitted case, length 20.5cm, approx. weight 24oz. (12) £600-800

1176. A set of twelve Victorian silver fruit knives and forks, by Joseph Rodgers and Sons, Sheffield 1858, plain blades, carved mother-of-pearl handles, in a later fitted wooden case. (24) £250-300

1177. A mixed lot of silver flatware, comprising: a three-piece silver christening set, with fern decoration, London 1878, cased, a set of twelve silver-handled fruit eaters, plated blades and tines, cased, and a part set of ivory handled table and dessert knives. (3) £100-150

1178. A set of twelve silver fruit knives and forks, by W and R Sorley, London 1916, plain blades, tapering mother-of-pearl handles, in a fitted wooden case. £100-150

1179. A mixed lot of silver flatware, various dates and makers, comprising: a three-piece Victorian Vine pattern christening set, by George Adams, London 1852, cased, a cased pair of berry spoons, a set of six cake forks, six cased teaspoons, six cased coffee spoons, a set of six American cake forks, a caddy spoon, a pickle fork, a French soup ladle, plus other items including spoons, approx. weight 28oz. (qty) £200-300

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1180. A George III and later matched silver King’s Hourglass pattern canteen for twelve, the majority by Sarah and John Blake, London 1815, the reverse of the terminals crested, comprising: twelve tablespoons, twelve table forks, eleven dessert spoons, plus one King’s pattern dessert spoon, nine dessert forks, (plus three Fiddle and Thread pattern dessert forks, and eight teaspoons, approx. weight 125oz. (qty) £700-900

1181. A silver Old English pattern canteen for twelve, by The Barker Brothers, Birmingham 1939/40, comprising: twelve table forks, twelve dessert forks, twelve dessert spoons, twelve soup spoons, six tablespoons, a soup ladle, three sauce ladles ten teaspoons, (plus two Georgian teaspoons), twelve table knives, twelve dessert knives, and a five-piece carving set, in a fitted wooden case, approx. weight 135oz. £1,200-1,500

Sold in aid of fund raising for Holy Trinity Church, Bradford on Avon.

1182. A collection of Victorian and Edwardian silver King’s pattern flatware, various dates and makers, some over-stamped with maker’s mark of Hunt and Roskell, London 1865 and 1871, comprising: six table forks, six tablespoons, six dessert spoons, six dessert forks, six teaspoons, six egg spoons, a butter knife, plus six table knives and six dessert knives, (handles a.f), approx. weighable 78oz. (qty) £500-800 The crest is that of Beresford.

1183. A silver matched William IV and Victorian canteen of Old English Military Thread and Shell pattern flatware, various dates and makers, including William Eaton 1836/7, Benjamin Smith, London 1841, and George Adams 1863, the terminals with a crest, comprising: twenty-seven table forks, seventeen tablespoons, twenty-two dessert spoons, seventeen dessert forks, twelve teaspoons, a soup ladle, a pair of basting spoons, a pair of asparagus tongs, a fish fork, a pair of sauce ladles, a stilton scoop, a pair of butter knives, a chutney spoon, four salt spoons, three egg spoons, a small ladle, and a mustard spoon, approx. weight 279oz. (qty) £3,000-4,000

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1184. A late 17th century silver Lace-back Trefid spoon, unmarked, circa 1680, the reverse of the terminal with scratch initials ‘S.V’, the terminal and the reverse of the bowl with worn scroll decoration length 18.8cm, approx. weight 1.3oz. £200-300

1185. A Charles II provincial silver Apostle spoon, possibly St. James the Less or St. Simon, marked WR once in bowl and three times on the reverse of the stem, for William Ramsay I, Newcastle circa 1660, fig-shaped bowl, faceted slight tapering stem, gilded Apostle finial, with prick dot initials ‘M.H’ over ‘M.P’, length 19cm, approx. weight 1.6oz. £1,000-1,500 For the maker’s mark see: Gill, M., A Directory of Newcastle Goldsmiths, 1980, page 198. A spoon by this maker was sold in these rooms, 20 January 2016, lot 10. For another example of an Apostle spoon by this maker see: Provincial Silver Spoons, incorporating the collection of The Late H.D. Ellis, Sotheby and Co, 13 November 1935, lot 19 and possibly lot 20.

1186. A Charles I West Country silver Apostle spoon, possibly St. Thomas, marked RW once in bowl and three times on the reverse of the stem, for Robert Wade, Taunton circa 1640, fig-shaped bowl, faceted slight tapering stem, gilded Apostle finial, length 18.8cm, approx. weight 1.6oz. £800-1,200 For mark see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. Bourdon-Smith Ltd, 1992, page 141, mark M.162.

1187. A 17th century West Country silver Apostle spoon, maker’s mark GR conjoined once to bowl and three times to reverse of stem, for George Reeve, Bath circa 1650, the tapering stem with a gilded Apostle finial, prick-dot initialled ‘SC’ over ‘MW’, length 17.8cm, approx. weight 1.1oz. £800-1,000 For mark see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. Bourdon-Smith Ltd, 1992, page 127, mark M.126.

1188. A William III West Country silver Lace-back Trefid spoon, by Richard Hamlin, Taunton circa 1696, the reverse of the oval bowl with a ribbed rat-tail and scroll decoration, the reverse of the terminal with prick-dot initials, ‘E.F’ over ‘1696’ over ‘RO’, length 17.7cm, approx. weight 0.9oz. £300-500 For mark see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. Bourdon-Smith Ltd, 1992, page 96, mark M.61.

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1184

1185

1186

1187

1188

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A PRIVATE COLLECTION OF EARLY SILVER SPOONS

1189. A Charles II large silver Seal-top spoon, by Steven Venables, London 1681, oval bowl, faceted stem with a large seal-top finial, with traces of gilding, length 19.9cm, approx. weight 2.9oz. £2,000-3,000 Illustrated in How, G., in collaboration with How J., English and Scottish Silver Spoons, Volume one, Chapter II, Section VII, pages 252-253, plate 20.

1190. A Charles II silver Seal-top spoon, by Jeremy Johnson, London 1672, oval bowl, the body with traces of gilding, faceted tapering stem, the seal-top finial prick-dot initialled ‘M’ over ‘TB’, length 16cm, approx. weight 1.9oz. £800-1,200

1191. A Charles I silver Seal-top spoon, by Edward Hole, London 1630, fig-shaped bowl, faceted tapering stem, the seal-top finial scratch initialled ‘IW’, over earlier prick dot initialling, length 17cm, approx. weight 1.6oz. £800-1,200

1192. A Charles II heavy-gauge silver-gilt Seal-top spoon, by Steven Venables, London 1675, oval bowl, faceted tapering stem with a large seal-top finial, length 18.1cm, approx. weight 3oz. £1,500-2,000

1193. An Elizabeth I silver Seal-top spoon, maker’s mark of a mullet over an annulet, London 1597, the fig shaped bowl later gilded and with a later crest, faceted slight tapering stem, the gilded seal-top finial with traces of prick dot initials, length 16.9cm, approx. weight 1.4oz. £1,500-2,000 For maker’s mark see: Jackson’s, Ian Pickford Edition, The Antique Collector’s Club, 1989, page 100. The crest is used by numerous families including Arundell, Barrow, Bellingham and Bondeville. This crest is found on a James I Master Apostle spoon, from the Biggs Collection, Christie’s, King Street, September 20 1978, lot 76.

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1189

1190

1191

1192 1193

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1194. A Charles I silver Seal-top spoon, by Daniel Cary, London 1631, fig-shaped bowl, with later gilding, faceted tapering stem, the gilded seal-top finial prick-dot initialled ‘P’ over ‘GM’, length 17cm, approx. weight 1.9oz. £1,000-1,500

1195. An Elizabeth I West Country silver Seal-top spoon, by John Edes, Exeter, circa 1580-1600, fig-shaped bowl, faceted slight tapering stem with a gilded hexagonal seal-top finial, later crested, length 16.4cm, approx. weight 1.4oz. £1,500-2,000 The crest is that of many families including Brookman, Gatty, Petytand Shore.

1196. A James I West Country silver-gilt Seal-top spoon, by Jasper Radcliffe, Exeter circa 1616, fig-shaped bowl, faceted slight tapering stem, the seal-top finial prick-dot initialled ‘W.S’, the reverse of the bowl prick dot initialled ‘L.H’ and dated ‘1616’, within scroll mantling, length 17.6cm, approx. weight 1.7oz. £1,000-1,500

1197. A Charles I unascribed English provincial silver Seal-top spoon, maker’ mark only, RW, circa 1637, fig-shaped bowl, faceted slight tapering stem, the gilded finial prick-dot initialled ‘F.C’ over ‘W.T’ ‘1637’, length 17.1cm, approx. weight 1.4oz. £600-800 For mark see: Jackson’s, Ian Pickford Edition, The Antique Collector’s Club, 1989, page 519. A similar spoon was sold in these rooms, lot 41, A Private Collection of Early Spoons and Flatware, 19 January 2016, lot 41.

1198. A James I silver Seal-top spoon, by James Cluatt, London 1607, fig-shaped bowl, faceted stem, the hexagonal seal-top finial with traces of gilding and with prick-dot initials, possibly ‘C’ over ‘W.I’, length 15.5cm, approx. weight 1.2oz. £800-1,200

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1194

1195

1196 1197

1198

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1199. An Elizabeth I silver Apostle spoon, St. Andrew, maker’s mark of a device, London 1576, fig-shaped bowl, the apostle finial with a pierced nimbus, length 17.4cm, approx. weight 1.6oz. £2,000-3,000

1200. An Elizabeth I silver Apostle spoon, St. James the Greater, by William Cawdell, London 1591, the reverse of the fig-shaped bowl scratch initialled ‘S.W’, the reverse of the slight tapering faceted stem incuse stamped ‘IT’, gilded Apostle finial, pierced nimbus, length 17.8cm, approx. weight 1.9oz. £3,000-4,000

1201. An Elizabeth I silver Apostle spoon, St. James the Less, maker’s mark of a device, possibly a scallop, London 1574, the reverse of the fig-shaped bowl scratch initialled ‘D.E’, gilded Apostle finial, the nimbus with a dove, length 17.6cm, approx. weight 1.7oz. £2,000-3,000 For mark see: Jackson’s, Ian Pickford Edition, The Antique Collector’s Club, 1989, page 99.

1202. An Elizabeth I silver Apostle spoon, St. Thomas, maker’s mark W within a Sun, or a fringed W, London 1561 fig-shaped bowl, faceted stem, gilded apostle finial, pierced nimbus, length 17.8cm, approx. weight 1.8oz. £3,000-4,000

1203. An Elizabeth I silver Apostle spoon, St. Simon Zelotes, maker’s mark of a device, probably a scallop, London 1574, fig-shaped bowl, faceted stem, the apostle finial with traces of gilding, the nimbus with a dove, length 17.6cm, approx. weight 1.5oz. £3,000-4,000 For mark see: Jackson’s, Ian Pickford Edition, The Antique Collector’s Club, 1989, page 99.

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1199

1200

1201

1202

1203

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1204. A pair of Elizabeth I silver Apostle spoons, St. Simon Zelotes and St. Andrew, maker’s mark of a mullet over an annulet, London 1596 the fig-shaped bowls with a later crest, faceted slight tapering stem, gilded apostle finials, pierced nimbus, length 17.8cm, approx. weight 3.8oz. (2) £8,000-12,000 For maker’s mark see: Jackson’s, Ian Pickford Edition, The Antique Collector’s Club, 1989, page 100. This crest is found on a James I Master Apostle spoon, from the Biggs Collection, Christie’s, King Street, September 20 1978, lot 76.

1205. A pair of Elizabeth I silver Apostle spoons, The Master and St. Peter, maker’s mark of a bird’s claw, for Francis Jackson, London 1562, the reverse of the fig-shaped bowls scratch initialled ‘SB’ and ‘MB’, faceted slight tapering stem, gilded apostle finials, the nimbus with a dove, length 17.4cm, approx. weight 3.8oz. (2) £10,000-15,000 For maker’s mark see: Constable, D., Silver Spoons of Britain, Constables Publishing, 2016, Volume Two, page 990, mark no.17.

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1204 (2)

1205 (2)

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OTHER PROPERTIES A SMALL PRIVATE COLLECTION OF BODKINS 1206. An early 17th century silver bodkin, marked with a device of three spears, circa 1600-1620, flattened tapering form, engraved decoration, with an eye and slot, and a small ‘cup’ spatula, scratch initialled ‘H’ and ‘W’, length 13.6cm, approx. weight 0.1oz. £200-300 1207. An early 17th century silver bodkin, unmarked circa 1600-1620, flattened hexagonal tapering form, engraved chevron decoration, with an eye and slot, length 14cm, approx. weight 0.3oz. £150-200 1208. An early 17th century silver bodkin, maker’s mark of MB, conjoined, circa 1620, flattened hexagonal tapering form, engraved decoration with berries, with an eye and slot, and a small ‘cup’ spatula, length 11.2cm, approx. weight 0.1oz. £200-300 1209. A 17th century silver bodkin, maker’s mark IS, possibly circa 1650’s, plain flattened hexagonal tapering form, with an eye and slot, and a small ‘cup’ spatula, length 10.3cm, approx. weight 0.1oz. £200-300 1210. An early 17th century silver bodkin, unmarked circa 1600-1620, flattened hexagonal tapering form, engraved decoration, with an eye and slot, and a small ‘cup’ spatula, scratch initialled ‘A.R’, length 12cm, approx. weight 0.1oz. £150-200 1211. A 17th century silver bodkin, maker’s mark IM, possibly circa 1650’s, plain flattened hexagonal tapering form, with a slot, and a small ‘cup’ spatula, scratch initialled ‘FB’, length 12.7cm, approx. weight 0.2oz. £200-300 1212. An early 17th century silver bodkin, unmarked circa 1600-1620, flattened hexagonal tapering form, engraved decoration, with an eye and slot, and a small ‘cup’ spatula, scratch initialled ‘M.D’, length 14.8cm, approx. weight 0.4oz. £200-300 1213. An early 17th century silver bodkin, maker’s mark twice RI, circa 1620, flattened tapering form, engraved decoration, with a slot, length 11cm, approx. weight 0.2oz.

£200-300

1214. An early 17th century silver bodkin, maker’s mark of BW, circa 1600-1620, plain flattened hexagonal tapering form, with an eye and slot, length 10.7cm, approx. weight 0.1oz. £150-200

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1206

1207

1208

1209

1210

1211

1212

1213

1214

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OTHER PROPERTIES

1215. A Victorian silver-mounted travelling dressing table set, by Frederic Purnell, London 1881, plain covers, comprising: three rectangular boxes, two circular boxes, a jar and four scent bottles, one glass body damaged, in a fitted brass bound coromandel case, the interior of the velvet lined cover with a mirror and stationary wallet, pull-out tray, and with a push-button jewellery tray with a writing cover, the hinged cover with a monogram, length 35.7cm, approx. weighable 13oz. £400-600

1216. A collection of silver photograph frames, various dates and makers, comprising: six of plain upright rectangular form, one lacking easel back, another of upright rectangular form, embossed with foliate scroll decoration, two of circular form, and a silver-mounted tortoiseshell frame of shaped rectangular form, London 1908. (10) £300-400

1217. A cased set of three late 19th century French silver-gilt mounted scent bottles, cylindrical faceted glass bodies, the mounts with engraved decoration, in a fitted red velvet lined leather case with applied mother-of-pearl decoration, with a lock and key, length of case 15.3cm. £120-180

1218. An eight-piece silver and tortoiseshell dressing table set, by Deakin and Francis, Birmingham 1923, plain silver mounts, applied with initials, comprising: a watch case and holder, of shaped rectangular form, fitted with a Goliath watch, crocodile easel back, a dressing tray of rectangular form, a hand mirror, a pair of clothes brushes, a pair of hair brushes, and a shoe horn. (8) £400-600

1219. A silver-mounted tortoiseshell box, by Mappin and Webb, London 1913, rectangular form, husk border, the hinged cover inlaid with foliate scroll decoration, length 10.1cm £100-150

1220. An early 18th century silver and tortoiseshell snuff box, unmarked, circa 1740, oval form, the pull-off cover inlaid with a hunting scene of two horses and dogs chasing a stag, length 7.5cm, plus a silver and tortoiseshell snuff box, unmarked, circa 1750, circular form, the pulloff cover inlaid with mother-of pearl and with engraved decoration, diameter 5.8cm. (2) £300-400

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1221. An early 19th century Dutch silver pocket corkscrew, marked with a Dutch tax mark and French import mark, circa 18001820, ribbed handle, tapering ribbed screw-off sheath, length closed 7cm. £200-300

1222. A rare late 18th century Dutch silver ‘Beau Brummell’ corkscrew, maker’s mark PC, possibly for Pieter Cruyff, Amsterdam circa 17841800, the clasp with possible trace of a date letter, also marked with a 19th century tax mark, fluted hinged barrel form, with a hinged steel worn, length closed 5.5cm. £1,000-1,500

1223. A Victorian silver scent bottle, by Horton & Allday, Birmingham 1885, the neck engraved W. Thornhill, New Bond Street, W., conical form, spiral fluted decoration, hinged fluted cover, glass stopper, length 11.8cm. £80-120

1224. A Victorian silver mounted novelty scent bottle, by Sampson Mordan & Co, London 1885, also marked with a registration number, in the form of a cracked walnut, ceramic body, with a screw-off cover, length 5cm. £250-300

1225. A George III silver musical snuff box, by John Shaw, Birmingham 1819, rectangular form, engine-turned decoration, the hinged cover with a plain thumb-piece and vacant cartouche, with a key, length 8.9cm. £500-700

1226. A 19th century continental silver-gilt snuff box, possibly Austro-Hungarian, circa 1850, rectangular form, chased foliate scroll and shell decoration, plain thumb-piece, length 8.5cm, approx. weight 3.7oz. £150-200

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1227. An early 18th century West Country silver Dog-nose spoon, marks worn, probably by Richard Willcockes of Plymouth, Exeter circa 1712, the oval bowl with a plain rat-tail, the reverse of the terminal with prick-dot initials ‘F’ over ‘T.E’, and dated ‘1712’, length 19.2cm, approx. weight 1.1oz. £100-150

1228. A pair of 19th century French silver harlequin sugar tongs, marked with a control mark and a partially worn maker’s mark, conventional form, snake ring handles, leaf bowls, length 11cm, approx. weight 1.3oz. £100-150

1229. A silver hunting horn, by Kohler and Son, London 1919, tapering circular form, engraved ‘Major H. Ellershaw from the followers of the Cranwell Beagles 1919’, length 22.4cm, approx. weight 3.4oz, plus an electroplated and copper hunting horn, by the same maker, length 22.4cm. (2) £200-300

1230. An 18th century French goldmounted scent/salts bottle, shaped flat rectangular form, the screw-off cover with a chain attachment, in a fitted green shagreen case, length 10.5cm. £300-400

1231. A silver collapsible beaker, by George Unite, Birmingham 1919, tapering circular form, gilded bowl, on a circular foot, height 9.2cm, approx. weight 3oz. £100-150

1232. A silver and Royal Worcester porcelain topped dressing table jar, by Sanders and Mackenzie, Chester 1913, the panel possibly signed ‘E. Barker’, cylindrical form, the pull-off cover with a bull finch, height 7.4cm. £200-300

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1233. A pair of German silver-gilt mounted Rubinglas cruets, unmarked circa 1700, circular form, the pull-off cover with engraved decoration, knop finial, on a raised circular foot with plain mounts, height 4.5cm. (2) £150-250

1234. A 19th century continental silver-gilt snuff box, unmarked, possibly Austro-Hungarian, circa 1850, rectangular form, chased foliate scroll and shell decoration, plain thumb-piece, in an unassociated box, length 7.8cm, approx. weight 3.7oz. £150-200

1235. A George III silver-mounted tortoiseshell tooth pick box, circa 1800, oval navette form, the hinged cover inlaid with pique decoration and with an oval cartouche, the velvet lined interior with a mirror, length 8.8cm. £100-150

1236. An Austrian silver and enamel pill box, oval form, the hinged cover enamelled with a basket of flowers, on a light blue ground, length 4.3cm, approx. weight 0.9oz. £100-150

1237. A silver and enamel box, by W. Neale and Son Ltd, Birmingham 1912, oval form, with pink enamel decoration, the hinged cover with a white enamel border and centre, gilded interior, length 6cm, approx. weight 1.8oz. £200-250

1238. A silver-mounted shagreen cigarette case, maker’s mark partially worn, London 1925, rounded rectangular form, plain mounts, hinged cover, the interior gilded and inscribed ‘G.C.H, 36 Murrayfield Ave. Edinr.’, length 8.8cm. £150-200

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A PRIVATE COLLECTION OF ANIMALS & NOVELTY SILVER

1239

1240

1239. A Victorian novelty silver condiment set, by Robert Hennell, London 1875, also marked with a Victorian registration lozenge, modelled as three standing kittens in a basket, with out-stretched paws, comprising a mustard pot with a hinged cover, a salt pot and pepper pot, the basket of rounded triangular form, with three handles, and with a vacant circular cartouche, height of mustard pot 7.8cm, length of basket 9.5cm, approx. weight 13.5oz. (4) £2,000-2,500

1240. A modern three-piece novelty silver pig cruet set, by Hancocks, London 1990, the mustard pot modelled as a standing pig, hinged back cover, the spoon with a curly pig-tail finial, the pepper pot modelled as a standing pig, and the salt cellar modelled as a trough, gilded bowl, with a salt shovel, length of mustard pot 7.5cm, approx. weight 7.5oz. (5) £400-600

1241. A Victorian novelty silver beaker, by Louis Dee, London 1884, modelled as a monkey holding a barrel, engraved with an armorial, the interior gilded, height 8.7cm, approx. weight 6.9oz. £800-1,200 The armorial is that probably intended for Hargr(e)aves.

1241

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1242

1243

1242. A three-piece modern silver frog cruet set, by Richard Comyns, London 1980, modelled in a sitting position, the mustard pot with a hinged cover and glass set eyes, the spoon with a fork tongued terminal, (London 1973), the salt and pepper pot also with glass eyes, height of mustard pot 7cm, approx. weight 19oz. (4) £600-800

1243. A Victorian novelty silver elephant table cigar lighter, by James Barclay Hennell, London 1879, the elephant in a standing position, mounted with a basket howdah, inscribed ‘ALERT 1880’, and with a figure in Indian dress, ivory tusks, length 8cm, height 7.2cm, approx. weight 5oz. £1,500-2,000

1244. A Victorian novelty silver-mounted Cockatoo whisky tot, by Alexander Crichton, London 1881, modelled in a standing position, with a hinged head, with textured feather decoration, and set with red eyes, plain glass body with a scroll handle, height 13cm. £800-1,200

1244

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1245. A continental metalware inkwell, bearing pseudo early 19th century Russian hallmarks, cylindrical form, mounted with two rats dressed in clothes carrying a dagger and an axe, the front applied with a basket of fruit and with a Hebrew inscription, the back mounted with St. George killing the dragon, supported by four feet, height 8.5cm. £200-300

1246. A pair of Victorian novelty silver and enamel pepper pots, by Hilliard and Thomason, Birmingham 1894, modelled as cylindrical letter pillar boxes, beaded borders, applied with a crown and ‘VR’ and with an enamelled time table for collection, on a spread circular foot, initialled, height 7.5cm, approx. weight 2.5oz. (2) £500-700

1247. A Victorian novelty silver dish, by Thomas Johnson, London 1885, modelled as a monkey holding a parasol, octagonal form, length 11.8cm, approx. weight 2oz. £200-300

1248. An Edwardian novelty silver teddy bear pepper pot, by H. V. Plithy and Co, Birmingham 1909, with a muzzled pull-off head, and moving arms and legs, height 7.5cm, approx. weight 0.6oz. £200-300

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1249. A Victorian novelty silver gorilla pepper pot, by Thomas, William, Henry and Louis Dee, London 1861, modelled as a seated gorilla holding a bent rifle, the pierced pull-off head with glass eyes, height 12.5cm, approx. weight 8.5oz. £1,500-2,000 This design may be based on a story relating to Paul du Chaillu (1837-1903) an American 19th century explorer, who, in 1856 spent three and a half years exploring a large section of the Gabon coast. On his return to New York he wrote the story of his discoveries; ‘Explorations and Adventures in Equatorial Africa; with accounts of the manners and customs of the people, and of the chase of the gorilla, crocodile, leopard, elephant, hippopotamus and other animals’, published by Harper Bros in 1861. He had been the first white man to see and hunt a gorilla. One story told was of a hunting expedition and a ‘Killer Gorilla’. Du Chaillu was out with a group of guides, they split in different directions and after a while he heard the “tremendous roar of the gorilla… instinctively we made for the spot… the poor brave fellow who had gone off alone was lying on the ground in a pool of his own blood…beside him lay his gun, the stock broken, and the barrel bent almost double. In one place it was flattened, and it bore plainly the marks of the gorilla’s teeth… this huge gorilla thought the gun was his enemy, so he had seized it and dashed it on the ground…not satisfied, had taken it up again and given it a tremendous bite…” For a similar three-piece set, see Bonhams, Fine Silver and Objects of Vertu, 2 July 2008, lot 211.

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OTHER PROPERTIES

1250. A Victorian silver and ivory desk seal, by Alfred Crichton, London 1874, modelled as the bust of a man, the ivory head carved in two with one side showing the face and hair, the other side the skull and vertebrae, with a snake, the silver body with drapes and a lizard, the matrix carved engraved with an armorial, height 9.5cm £1,000-1,500

1251. A silver finial, part marked, possibly by Gibson and Langman, circa 1910, modelled as recumbent lion, length 12cm, approx. weight 6.4oz. £100-150

1252. A Belgian cast silver model of a wild boar, maker’s mark partially worn, Twentieth century, modelled in a standing position, length 9.5cm, approx. weight 3oz. £150-200

1253. A Victorian silver novelty dog pepper pot, by Edward Stockwell, London 1885, in a crouched position, pull-off head, length 7cm, approx. weight 2.7oz. £400-600

1254. A pair of novelty silver pepper pots, by Neresheimer of Hanau, with import marks for London 1926, importer’s mark of I.S, modelled as a standing Dutch boy and girl, height 8.8cm, approx. weight 6.4oz. (2) £200-300

1255. A pair of Victorian novelty silver salt cellars, by E. H. Stockwell, London 1867, modelled as buckets, with swing-handles, and banded bodies, engraved with a monogram, gilded bowls, height 3cm, approx. weight 1.6oz. (2) £150-200

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1256. A modern cast silver horse’s head stirrup cup, by John Odell, London 1975, realistically modelled, gilded interior, length 11.3cm, approx. weight 6.9oz. £500-700

1257. A modern silver model of a silver ketch, by Ammonite Limited, Birmingham 1980, modelled in full sail, with a tender, and with two later non silver anchors, mounted on a wooden base, applied with an inscribed plaque: ‘19th century trading ketch most numerous in 1850 in North American coastal regions and ideally suited to beach trade. the crew generally consisted of a skipper, mate and boy and the ketch carried general cargo including coal, salt, slate and other quarry materials’, with a perspex cover, length of ketch 23cm. £500-700

1258. A set of five 19th century silver fish counters, unmarked, with engraved scales and features, length 5.7cm. (5)

£150-200

1259. A silver and enamel dressing table box, maker’s mark worn, Birmingham 1911, rectangular form, the hinged cover enamelled with flowers in a white and pale blue ground, with gilt highlights, on four pierced bracket feet, inscribed, later lined, length 9.2cm. £150-200

1260. Two 19th century silver eye bath / scent funnels, unmarked, possibly French, oval form, the base pulls off to reveal a funnel, height 5cm and 4.7cm. (2) £200-300

1261. An Edwardian silver dressing table tray, by James Dixon and Sons, Sheffield 1905, kidney form, embossed with swallows, clouds and a sun ray, dated 1900, length 30.5cm, approx. weight 13.5oz. £150-200

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1262. A George III silver snuff box, by John Shaw, Birmingham 1819, shaped circular form, reeded decoration, flush-hinged cover with a crest and a plain thumb-piece, gadroon borders, length 8.4cm, approx. weight 4oz. £200-300

1263. A set of six Edwardian silver menu card holders, by Samuel Jacob, London 1906/8, modelled as a duck taking off from water, with bull-rushes behind, wire-work Dshaped support, length 7.3cm, approx. weight 4oz. (6) £300-400

1264. A Victorian silver box, by Thomas Johnson, London 1860, retailed by H. Rodrigues, 42 Piccadilly, rounded rectangular form, engraved decoration, the cover and base with a monogram, gilded interior, length 14.1cm, approx. weight 6.7oz. £100-150

1265. A Russian silver snuff / vesta box, with import marks for London 1912, importer’s mark of Arthur Bowe, rectangular form, reeded decoration, gilded thumb-piece, hinge and interior, with a hinged vesta compartment, the interior of the cover with a striker, length 8.7cm, approx. weight 2.8oz. £150-200

1266. A late-Victorian silver and enamel vesta case, by H. Matthews, Birmingham 1898, shaped rectangular form, hinged cover, the front enamelled with a horseshoe, with a ring attachment, length 4.3cm, approx. weight 0.9oz. £180-220

1267. An Edwardian silver jewellery casket, with import marks for Sheffield 1901, importer’s mark of Samuel Landeck, rectangular form, the hinged cover with playful putti, figural sides, velvet lined, on four ball feet, length 17.7cm, approx. weight 16.5oz. £200-300

1268. A William III silver box, by John Cory, London 1701, plain circular form, pull-off cover, the base scratch initialled ‘W.G’, diameter 4.5cm, approx. weight 0.9oz. £100-150

1269. An early 19th century silvermounted conch shell snuff box, unmarked, the flush-hinged cover with bright-cut decoration, length 7.8cm. £150-200

1270. A William III silver box, probably by George Manjoy, London circa 1700, circular form, the pull-off cover with fluted and punched decoration, diameter 2.2cm, approx. weight 0.2oz. £100-150

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1271

1271. A Victorian silver Masonic badge, by Henry Holland, London 1859, oval form, foliate border, with a ring attachment, the centre engraved with an armorial and inscribed ‘Presented to Bro. P.F. Palmby, by 73 Bros. of the Land of Plenty Lodge No.25 of the Loyal Order of Ancient Shepherds’ and ‘This Emblem was presented on our 13th Anniversary December 1859, in Acknowledgment of his valuable and Honorary Services as Treasurer, Secretary & Made Honorary Member on the 19th Jan 1849’, length 8.5cm, approx. weight 6.5oz. £250-300

1272. A presentation silver cigarette case, by Asprey and Co. Ltd, London 1930, rectangular slide-action form, engine-turned decoration, gilded interior, signed ‘To R.K. Pierson from Malcolm Campbell’, and inscribed ‘In sincere appreciation for valuable services rendered in connection with The Blue Bird’, length 10.5cm, approx. weight 5.1oz. £500-700 Provenance: Rex Pierson, (1891-1948) then by descent to the current owner. Rex Pierson was the chief designer at Vickers in the 1930’s. in 1917 he designed the Vickers Vimy biplane heavy bomber, and other designs included the Vickers Wellesley and Vespa. He was also the chief designer on the Wellington bomber, which played such a significant role in World War II. In June 1931, Vickers’ Wind tunnel was used to test a version of the Napier Engine Blue Bird.

1272

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1273. A late-Victorian silver bon bon basket, by William Comyns, London 1890, oval form, pierced and embossed scroll decoration, pierced foliate border, on a pierced foot, length 16.5cm, approx. weight 5.4oz. £100-150

1274. A Victorian presentation silver salver, by The Barnards, London 1886, circular form, shell and scroll border, the centre with engraved foliate scroll and trellis decoration, inscribed ‘Presented to Walter Gosden Esq. From the Staff of The Inns of Court Hotel in testimony of their respect and esteem on the occasion of his resignation of the management, March 1888’, diameter 38.5cm, approx. weight 43oz. £500-700 This lot is sold with a contemporary letter of 1885 with Walter Gosden’s name on the heading.

1275. An Edwardian silver swing-handled basket, by Williams Limited, Birmingham 1902, shaped oval form, pierced foliate decoration above fluting, crimped wavy-edge border, foliate swing-handle, on four foliate bracket feet, length 27.5cm, approx. weight 15oz. £150-200

1276. A silver two-handled Chinoiserie porringer and spoon, by Goldsmiths & Silversmiths Co Ltd, London 1912, circular form, engraved foliate and bird decoration, with scroll handles, plus a matching lace back Trefid spoon, in a fitted case, height 8cm, approx. weight 10.5oz. £150-200

1277. A George III silver snuffer tray and matched pair of scissor snuffers, by Richard Cooke, London 1801, the scissors by William Bennett, London 1801, oval form, gadroon border, fluted scroll ends, engraved with an armorial, the scissors with pierced handles, length of tray 26.5cm, length of scissors 17.2cm, approx. weight 10oz. (2) £300-500

1278. A George III silver waiter, by William Bennett, London 1799, oval form, reeded border, on four bracket feet, length 25.4cm, approx. weight 14.8oz. £150-200

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1279. A George III silver seven-bottle cruet frame, by Robert and Samuel Hennell, London 1805, oblong form, reeded borders, wire-work handle and frame, on four fluted bracket feet, initialled, with seven silver-mounted condiment bottles, London 1798, and a late-Victorian mustard spoon, length 22.2cm. £300-400

1280. An Edwardian silver inkstand, by Charles Stuart Harris, London 1904, rectangular form, with two pen wells, gadroon and shell border, with two silver-mounted glass inkwells, the hinged covers with an armorial, and with a central chamberstick, on four winged paw feet, length 36.5cm, approx. weight 66oz. £700-900

1281. A George III silver-gilt inkstand, by Samuel Whitford, London 1809, rectangular form, with two pen wells, Greek key border, with two silvermounted glass inkwells, (one glass inkwell a.f), the underside inscribed ‘Sarah Henry Cavendish 24 Oct 1811’, with a central chamberstick, on four winged paw feet, on a later wooden stand with an applied engraved plaque, length 22.7cm, approx. weight 22oz. £300-400

1282. A George III silver seven bar toast rack, by Emes and Barnard, London 1817, rectangular form, central leaf capped carrying handle, on four ball feet, length 15.8cm, approx. weight 9.8oz. £200-300

Provenance: purchased from Thomas Lumley Ltd., 3 Bury Street, St. James’s, London SW1.

1283. An Edwardian three-piece silver tea set, by William Hutton and Sons Limited, London 1908, rounded rectangular form, hinged cover, scroll handles, length handle to spout 28cm, approx. weight 36oz. (3) £200-300

1284. A pair of silver sauce boats, by Asprey and Co, Birmingham 1938, oval form, scroll handles, on domed oval bases, length 17cm, plus a George IV silver mustard pot, of circular form, gadroon border, leaf capped scroll handle, with a blue glass liner, approx. weight 13oz. (3) £150-250

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A SMALL PRIVATE COLLECTION OF WINE FUNNELS

1285. A pair of Victorian silver bon bon dishes, by Charles Stuart Harris, London 1890, oval form, with pierced and embossed foliate decoration, on a pierced oval foot, length 15cm, approx. weight 8.9oz. (2) £100-150

1286. A George III provincial silver wine funnel, by Robert Pinkney and Robert Scott, Newcastle circa 1785, circular bellied form, beaded borders, with an initialled side clip, embossed foliate scroll decoration, foliate border, length 15cm, approx. weight 4oz. £250-350

1287. A George III provincial silver wine funnel, marks worn, probably by Thomas Watson, Newcastle circa 1800, circular bellied form, plain border, with a side clip, length 14.5cm, approx. weight 4.4oz. £250-300

1288. A George III West Country silver wine funnel, by Simon Harris of Plymouth, circa 1815, circular tapering form, gadroon border, with a side clip, length 14cm, approx. weight 4.5oz.

1289. A modern silver wine funnel, by Michael Bolton, London 2003, tapering circular form, spot-hammered decoration, rope-work ribbing and borders, applied with ball motifs and a gilded ball motif, silver-gilt interior, height 21cm, approx. weight 6.8oz. £300-500

1290. A George III silver wine funnel, by Solomon Hougham, London 1816, circular tapering form, with three ribbed supports, reeded border, shell side clip, engraved with a crest, length 15cm, approx. weight 4.5oz. £250-350

£200-300

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1291. An early 19th century Scottish provincial silver wine funnel, by William Jamieson, Aberdeen circa 1810, plain tapering circular form, with three ribbed supports, the interior with a ring to hold muslin, initialled, length 14.8cm, approx. weight 3oz. £300-400

1292. A George III silver wine funnel, by John Baddeley, London 1816, circular bellied form, embossed foliate scroll decoration, foliate border, length 15cm, approx. weight 5.9oz. £300-400

1293. A mid 18th century Irish silver spirit funnel, by Robert Calderwood, Dublin circa 1760, tapering circular form, engraved with a crest and motto, length 9.8cm, approx. weight 2oz. The crest is that of Gordon. £500-700

1294. A George III silver wine funnel, by Naphthali Hart, London 1815, circular bellied form, gadroon border, with a side clip, length 15.5cm, approx. weight 5.9oz. £250-350

1295. A George IV silver wine funnel, by Emes and Barnard, London 1828, circular tapering form, with three ribbed supports, gadroon border, shell side clip, length 14.8cm, approx. weight 6oz. £250-350

1296. A George III silver wine funnel, by Solomon Hougham, London 1810, circular tapering form, with a fluted girdle, with a plain side clip, initialled, length 13cm, approx. weight 3oz. £250-300

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OTHER PROPERTIES

1297. An Edwardian silver salver, by Elkington and Co, Birmingham 1905, circular form, moulded border, on three hoof feet, diameter 35.3cm, approx. weight 44oz. £300-400

1298. A pair of George II silver sauce boats, by Jacob Marsh, London 1748, oval form, wavy-edge border, leaf capped flying scroll handle, on three shell capped hoof feet, length 19.7cm, approx. weight 28oz. (2) £400-600

1299. A pair of George III silver sauce boats, by William Cattell, London 1774, oval form, punch-bead borders, leaf-capped flying scroll handles, on three shell capped hoof feet, initialled, length 15.3cm, approx. weight 9.5oz. (2) £400-600

1300. A George III silver soup plate, by Paul Storr, London 1816, circular form, foliate and gadroon border, engraved with an armorial, diameter 26.5cm, approx. weight 23oz. £500-700

1301. An Edwardian silver salver, by C S Harris & Sons Ltd, London 1909, retailed by Heming & Co, 28 Conduit Street, London, shaped circular form, diameter 34.8cm, approx weight 31.7oz. £200-300

1302. A George II silver salver, by John Jacob, London 1736, plain circular form, moulded border, on three gnarl feet, diameter 27.9cm, approx. weight 22.5oz. £250-300

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1303. An 18th century silver naturalistic cream jug, maker’s mark Edward Jay, London circa 1760, oval vine leaf form, simulated vine scroll handle, on a vine and leaf foot, scratch initialled ‘G*G’, length 13.4cm, approx. weight 5.4oz. £300-400

1304. A George III silver brandy pan, by Charles Wright, London 1778, plain baluster form, turned wooden baluster handle, length 31.5cm, approx. weight 16.4oz. £400-600

1305. A George III two-handled silver tray, by Timothy Renou, London 1812, oval form, gadroon borders, length 57.5cm, approx. weight 65.5oz £1,000-1,500

1306. A matched three-piece George III silver tea set, the teapot by Benjamin Smith, London 1815, the cream and sugar by Benjamin Smith II and Benjamin Smith Junior, London 1816 and possibly 1817, circular cape form, gadroon border, scroll handle with ivory insulators, flush hinged cover with a fluted finial, ribbon and reed and grapevine girdle, length of teapot 25.2cm, approx. weight 56.8oz. (3) £700-900 The crest is that of Sir Woodbine Parish, (1796-1882), K.C.H, diplomat, scientist and explorer.

1307. A Victorian silver plate, by Benjamin Smith, London 1842, circular form, ribbon tied reeded and vine leaf border, engraved with a crest, the reverse inscribed ‘B. SMITH DUKE ST LINN INN FIELDS’, diameter 25.5cm, approx. weight 17.5oz. £500-700 The crest is that of Sassoon, for Albert Abdallah David Sassoon, (1818-1896) of Kensington.

1308. A George III provincial silver waiter, by James Barber and William Whitwell, York 1818, circular form, gadroon border, the centre with a crest, on three ball feet, diameter 20.8cm, approx. weight 15.2oz. Provenance: purchased from Mary Cooke Antiques. £400-600

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1309

1309. A four-piece Victorian parcel-gilt silver Aesthetic Movement tea and coffee set, by The Barnards, London 1875, retailed by Elkington, tapering circular form, engraved with birds, blossom and foliate decoration, simulated bamboo scroll handles with ivory insulators, the hinged covers with oriental figure finials, engraved with a monogram, height 26.4cm, approx. weight 63oz. (4) ÂŁ1,000-1,500

1310. A George III silver-gilt chalice, by William Tuite, London 1771, plain tapering circular bowl, knopped foliate tapering stem with chased decoration, on a raised shaped circular foot with foliate scroll and shell decoration, height 27.3cm, approx. weight 15.8oz. ÂŁ800-1,200

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1310

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1311

1311. A William III silver two-handled Monteith bowl, by Francis Garthorne, London 1700, circular form, fluted decoration, castellated foliate and scroll border, lion mask drop ring handles, on a raised circular foot with a ropework border, engraved with an armorial within foliate scroll mantling, diameter 30cm, approx. weight 55oz. ÂŁ3,000-4,000

1312. A George II silver sugar caster, by Paul de Lamerie, London 1738, circular bellied form, the pierced pull-off cover with a knop finial, on a raised circular foot, engraved with an armorial, height 15.8cm, approx. weight 6.2oz. ÂŁ5,000-7,000 Provenance: Fine Silver and Objects of Vertu, Bonhams, New Bond Street, 2 July 2008, lot 304. The arms are those of a spinster surnamed Arnold of Gloucestershire.

1312

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1313. A George I provincial silver tumbler cup, by James Kirkup, Newcastle 1721, slight tapering circular form, engraved ‘IS & IS to MA’, diameter 7.8cm, approx. weight 1.9oz. £1,000-1,500

1314. A George I silver taper stick, by James Gould, London 1722, hexagonal baluster form, on a raised hexagonal foot, height 10.8cm, approx. weight 2.9oz. £700-900

1315. A William IV silver tureen and cover, by Paul Storr, London 1836, shaped circular form, with a detachable reeded scroll handle, the cover with a presentation inscription “Presented by C W Vane Marquis of Londonderry. G.C.B G.C.H G.B.E &C &C to John Andrew Esq of Comber in testimony of his high estimation for the Integrity Talent & Ability displayed by him in the direction and management of his Down Estate after 18 Years Service on his birthday. Nov 15th 1846”, the cover numbered 4, the base numbered 3, the underside of the base also stamped ‘STORR & MORTIMER 35’, diameter 27.5cm, approx. weight 56.3oz. £1,000-2,000

1316. A George III silver six egg cup cruet stand, possibly by Robert Sharp, London 1799, shaped circular form, wire-work frame, central circular salt cellar with a gadroon border, gilded bowl, on six ball feet, engraved with a crest, plus six egg spoons, by Eley, Fearn and Chawner, London 1812, engraved with a crest, height 17.3cm, approx. weight 32.5oz. £500-800

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The crest is that of Osborne, for Francis Godolphin Osborne, 5th Duke of Leeds.

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1317. A George I silver taper stick, by James Gould, London 1724, hexagonal baluster form, on a raised hexagonal foot, height 10.8cm, approx. weight 2.9oz. £700-900

1318. A William III silver tumbler cup, by William Gamble, London 1701, slight tapering circular form, engraved with an armorial within foliate scroll mantling, diameter 8.4cm, approx. weight 3.9oz. £3,000-5,000 The arms are those of Osborne, Dukes of Leeds, for Thomas Osborne, the 4th Duke of Leeds.

1319. A George I silver kitchen pepper pot, by Edward Gibbon, London 1721, cylindrical form, domed pierced cover, scroll handle, the front engraved with an armorial, on a circular foot, height 8cm, approx. weight 2.2oz. £300-500

1320. A George III Channel Islands silver cream jug, by Thomas Mauger, Jersey circa 1760, baluster form, wavy-edge border, leaf capped scroll handle, on three hoof feet, the underside scratch initialled ‘R*RC’, height 11cm, approx. weight 3.9oz. £150-200

The arms are that of Charles Bennett, KT, created 1st Earl of Tankerville October 1714, died May 1722.

For maker’s mark see: Mayne, R., Channel Islands Silver, Phillimore,1985, page 75, illustration 88.

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1321. An Edwardian silver two-handled vase, Martin, Hall and Company, Sheffield 1901, waisted circular form, embossed foliate scroll decoration, intertwined foliate scroll handles, height 23cm, approx. weight 37oz. £400-600

1322. A matched set of four silver candlesticks, two by Elkington and Co, Sheffield 1905, two by The Goldsmiths and Silversmiths Company, Sheffield 1926, in the mid 18th century manner, knopped stems, stylised shoulders, spool shaped capitals, on raised shaped square bases, height 30cm. (4) £800-1,200

1323. A Victorian silver tea and coffee set, by The Barnards, London 1871, tapering circular form, scroll handles, ivory insulators, engraved decoration, flush-hinged covers with acorn finials, engraved with a crest, height of coffee pot 22.5cm, approx. weight 72oz. (4) £1,000-1,500

1324. A George II silver coffee pot, by William Shaw II and William Priest, London 1759, tapering circular form, scroll handle, later embossed foliate scroll decoration, domed hinged cover with a cone finial, on a spread circular foot, height 26cm, approx. weight 30oz. £700-900

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1325. A large and impressive late-19th century German silver-gilt two masted nef, with import marks for Chester 1900, importer’s mark of Berthold Muller, the hull decorated with Salacia and sea nymphs, with foliate scroll decoration, the bow with a spout and mounted with an anchor, with an engraved rudder, the deck mounted with figures, canons, and balustraded stairways and a central compass, the stern with a canopy and with a hanging basket, the rigging with figures, on four swan mounted pierced wheels, on a later wooden plinth applied with a presentation plaque, inscribed ‘Presented to Sir Donald Currie G.C.M.G and Lady Currie on the occasion of their Golden Wedding 18th June 1901 by the Staff of Messrs. Donald Currie and Co. and the Commanders of the Union Castle Line Fleet’, length 50cm, height off plinth 66cm, height on plinth 76.3cm, approx. weight 121oz. £7,000-9,000 Provenance: Sir Donald Currie and then by direct descent to the current owner. Donald Currie was born in Greenock in 1825. At fourteen he entered the shipping office of a relative in Greenock, and four years later he joined the Cunard Steamship Company. In 1862 he started the Castle Shipping Company, which consisted of sailing ships between Liverpool and Calcutta. In 1900 his line merged with the Union Steamship Company, which were the principal line for trade between England and South Africa, to become the Union-Castle Mail Steamship Company. Before Sir Donald’s death in 1909, the company had forty-seven steamers with a gross tonnage of 295,411 tons. In 1880 he entered Parliament as one of the members for Perthshire until 1885, and then he represented West Perthshire as a Liberal Unionist form 1886 until his retirement form Parliament in 1900. In 1880 he purchased the Garth Estate in Perthshire, and four years later he acquired the adjoining Glen Lyon estate. In his later years he was a huge benefactor to universities, and he died on 13 April 1909, in Sidmouth, Devon, and was buried in the churchyard of Fortingal, beside his Highland Home.

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1326. A Charles II silver-gilt tankard, maker’s mark of T.C with a fish above, London 1678, slight tapering circular form, later fluted decoration, scroll handle, the cover with a scroll thumb-piece, the front with a later embossed and engraved armorial within foliate scroll mantling, height 17cm, approx. weight 31.3oz. £3,500-5,000 Provenance: The Highly Important Collection of Old English and Foreign Silver, The Property of William Randolph Hearst Esq., removed from St. Donat’s Castle, Wales, Messrs. Christie, Manson and Woods, 14 December, 1938, lot 72. The arms are those of Bertie, for those granted in 1550 to the father of Richard Bertie, MP for Lincolnshire, who married the daughter and sole heiress of Lord Willoughby de Eresby and widow of the Duke of Suffolk. His son’s succession to the Willougby title was established and augmented in 1626 by the Earldom of Abingdon and in 1715 by the Dukedom of Ancaster and Kesteven. By 1678 a succession of heads of this family had served the crown in distinguished court, diplomatic and military ranks, and in 1678 Robert Bertie, 3rd Earl of Abingdon had been a Privy Councillor and Lord Lieutenant of Lincolnshire since 1666 and Gentleman of the Bedchamber since 1674.

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For maker’s mark see Jackson’s, Ian Pickford Edition, The Antique Collectors Club, 1989, page 133.

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1327. A Charles I silver flagon, maker’s mark of RC with a Pheon below, London 1635, cylindrical form, scroll handle, the raised cover with a plain thumb-piece, on a spread circular foot, height 29.2cm, approx. weight 41.9oz. £10,000-15,000 See Jackson’s, Ian Pickford Edition, The Antique Collector’s Club, 1989, page 110. This maker was a prolific maker of flagons. For another example by this maker see Centuries of Style, Christie’s King Street, 27/28 November 2012, lot 767.

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1328. A large Victorian silver two-handled punch bowl, by John Newton Mappin, London 1889, circular form, with alternate bands of fluting and acanthus decoration, leaf capped fluted side handles, with a chased girdle of foliate decoration, on a raised circular foot, on a later wooden plinth applied with a vacant plaque, London 1921, diameter 35.2cm, height off plinth 23.5cm, approx. weight 110oz. ÂŁ3,000-3,500

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1329. A large pair of Victorian silver-gilt ewers, by George Fox, London 1861, tapering circular form, beaded borders, domed hinged covers with foliate finials, pierced classical fluted scroll handle with ivory insulators, and terminating in an open-mouthed classical mask, the body with engraved leaf decoration above part-fluted decoration, on a raised circular foot with engraved decoration and a beaded border, height 45.8cm, approx. weight 128oz. (2) ÂŁ4,000-6,000 The crest is that of numerous families including Adams, Dupree, Egerton, Nanney and Whale.

END OF SALE

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ASIAN ART

Tuesday 15th November 2016

A fine Chinese silver tea service, mid 19th century, impressed marks to the base ‘KHC’ for Khecheong, length from handle to spout 30cm, 164oz. Estimate: £15,000 - £20,000

ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | jea@woolleyandwallis.co.uk

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BRITISH ART POTTERY

Wednesday 30th November 2016

A fine Pilkington’s Lancastrian charger designed by Walter Crane, painted by William S Mycock, dated 1918. Estimate: £10,000 - 20,000 ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

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A345 Castle Rd

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Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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Registered in England No. 2998482

Salisbury Salerooms

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WOOLLEY & WALLIS

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Fine Silver & Objects of Vertu

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 26th October 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.wo o lleyan d wallis.co .u k

Auction Calendar 20TH CENTURY DESIGN 18th October – Design 30th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 19th October Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk SILVER 25th October – The Arthur Holder Collection of Silver & Vertu Part I 24th & 25th January 2017 – Silver & Objects of Vertu including The Arthur Holder Collection Part II Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 27th October – Fine Jewellery 26th January 2017 – Jewellery & Watches Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ASIAN ART 15th November John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk PAINTINGS 13th December – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 11th January 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 28th February 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 7th March 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk