WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S
Medals & Coins, Arms & Militaria Wednesday 22nd November 2017
Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith
424505 329477
VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA
424509 424598
ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush
341469 341469
MARKETING Lyndsey Harvey Tamzin Corbett
424590 424590
ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Alex Aguilar Doméracki Freya Yuan-Richards Marta Olszewska
424506 424506 424583 424589 424591
ACCOUNTS Janice Clift (Office Manager)
424500
ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham
424507
424500
SALEROOM MANAGER David Jordan
FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy
411854 339161 411854
JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde
424595 424504 424586
PAINTINGS Victor Fauvelle Jo Butler
424503 424592
SILVER Rupert Slingsby Lucy Chalmers
424501 424594
TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush
339752 339752
WATCHES Adrian Hailwood
GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Hollie Grubb
424500
BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director COMPANY SECRETARY Natalie Milsted FCCA ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA
07775 788500
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk
FRICS FRSA
424599
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MEDALS & COINS, ARMS & MILITARIA Wednesday 22nd November 2017 at 10.30am VIEWING TIMES Saturday 18th November Monday 20th November Tuesday 21st November Wednesday 22nd November
10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 9.00am – 10.15am
Selected medal lots available to view at the Britannia Medal Fair, Sunday 19th November, London W2 2HF ENQUIRIES
COLLECTION OF LOTS
Ned Cowell 01722 341469 nc@woolleyandwallis.co.uk
Lots will be available for collection until 5.30pm on Wednesday 22nd November. On Thursday 23rd November they will be in transit and collection will be strictly by arrangement. Thereafter lots may be collected from the Old Sarum Warehouse, 2 Danebury Court, Old Sarum Park, Salisbury SP4 6EB, please call 01722 341469 prior to collection to ensure the items are ready. All accounts to be settled prior to collection.
Gemma Bush 01722 341469 gb@woolleyandwallis.co.uk
ABBREVIATIONS AND REFERENCES BBM: Haywood, Birch & Bishop, British Battles and Medals. Biddulph: Major H. Biddulph, Early Indian Campaigns and the Decorations Awarded for them. CWGC: Commonwealth War Graves Commission. E: Eimer, British Commemorative Medals and their Values. FF: Friedberg and Friedberg, Gold Coins of the World. Hale: Robert Hale, ‘Islamic and Oriental Arms and Armour, A Lifetime’s Passion’. S: Spink, ‘Coins of England and the United Kingdom’. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%. TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 21st November. LIVE BIDDING
ILLUSTRATIONS Front cover: Lot 10 Back cover: Lot 306 Catalogue £10.00 (£15.00 by post)
www.the-saleroom.com Please register by 5pm on Tuesday 21st November. Please note there is a 3% +VAT surcharge for using this service.
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MEDALS
1. The Western Front Distinguished Conduct Medal to Private A. Teasdale, 3rd Battalion Coldstream Guards: D.C.M., George V (11768 PTE A. TEASDALE. 3/ C. GDS.), for gallantry in re-capturing a trench in the vicinity of the Hohenzollern Redoubt on the 8th October 1915, good very fine. £700-1,000 London Gazette (16/11/15): For great bravery and resource on the 8th October, 1915, near Loos. The enemy, having made an attack with great determination along the trenches occupied by his battalion, were successful in taking the trench on the left of that occupied by Private Teasdale and five other men, and came pouring into it. The situation was most critical. Realising what had happened he, accompanied by the other men, sprang forward and faced the enemy, driving them with bombs foot by foot down the trench, and recapturing the whole of it. This they did with the greatest gallantry in face of a determined opposition, clearing out of the trench at least ten times their number, and thus saving a critical situation.
2. A Military Cross, George V, unnamed as issued, in case of issue. Good very fine. £400-500
3. The Great War Military Medal group to Private Stanley Harrop, East Lancashire Regiment and Machine Gun Corps, comprising: M. M., George V (153557 PTE S. HARROP. 37/M.G.C.); British War and Victory Medals (38721 PTE. S. HARROP. E. LAN. R.), mounted for wearing (ribbons in the correct order, medals ordered: M.M., VM, BWM); with a ribbon bar bearing a second award rosette for the M.M.; a Divisional Gallantry Card, 2nd Division, congratulating the recipient (at this point in 2 Bn.) on ‘his bravery and skill in carrying out a daring reconnaissance for machine gun positions near Behagnies August 25th, 1918’; together with a presentation wristwatch, the 9 carat gold case inscribed ‘Presented to Stanley Harrop by St Andrews Church and School in Commemoration of his winning the Military Medal, European War 1914-1918. M.M. with official correction to regimental number, otherwise all good very fine, £500-700 watch not running and lacks strap. Military Medal L.G. 24/01/1919 (Amended 17/06/1919) Second award not verifiable. The unit diary for the 25th August 1918 does not name this man, but describes the advance in this area and note that “the advance of the machine gun section was most ably carried out..........the conduct of all ranks during the operation was beyond praise”
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%
4. A Great War Air Force Cross and pair, believed to be a reconstituted group, to Captain Henry Taylor Horsefield, Royal Flying Corps: A.F.C., George V; British War Medal and Victory Medal (CAPT. H.T. HORSFIELD R.F.C.), later mounted, offered with research. £800-1,200 A.F.C. London Gazette 03/06/19 (probably in connection with valuable work as an instructor) Born 1889. Temporary 2nd Lt (general list), December 1914. Attached 13th Bn. The Worcester Regiment. Transferred R.F.C. 1916. Dogfight over Walencourt 16/10/16 in which his BE2e was damaged and his Observer wounded. The complete group of three was sold at action 23rd June 2005, and the BWM and Victory Medal alone were then sold 7th March 2007, the A.F.C. having been separated. The current owner bought this group at auction (a different auction house) in October 2010, and the likelyhood that the original A.F.C. had been restored to the pair seems slim, hence the supposition that the present group has been made up with a replacement.
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5. The Military Cross group of medals to Captain Ralph Daniel Flunder, Canadian Infantry and Cheshire Regiment: M.C., George V, with second award bar (see footnote); 191415 Star (13231 PTE R.D. FLUNDER. 5/CAN: INF:); British War Medal and Victory Medal (CAPTAIN R.D. FLUNDER.); France: Croix de Guerre; offered together with:a 1939-45 Star, Africa Star with 8th Army bar, Italy Star, France and Germany Star with oak leaf, Defence Medal, Canadian Volunteer Service Medal, British War Medal 1939-45; a mounted set of dress miniatures representing the foregoing medals, and including: 1914 Star and Bar, I.G.S. with clasp North West Frontier 193637, Coronation Medal 1911, U.S. Legion of Merit, and Belgian Croix de Guerre. Medals about very fine or nearly so, ribbons and mountings deranged and tatty. £500-600 Nb: Confirmed entitlement is to a single M.C., a 1914-15 Star trio, and the French Croix de Guerre. Military Cross: L.G. 04/10/19. He commanded a battalion during the operations (near Menin, on 14th, 15th and 16th October, 1918, with great skill and gallantry. His thorough organisation and the perfect handling of his men at the start ensured success. The complete confidence which he inspired in his men contributed very largely to the success of the operations. Second award not confirmed.
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Left the British Army in 1921, returned to Quebec, later becomes a U.S. citizen. Entitlement to the miniature medals from the I.G.S. onward is not only unconfirmed but unlikely.
6. An interesting Distinguished Service Order and double Military Cross group of dress miniatures, comprising: D.S.O. George V; M.C. and Bar, George V; Order of St John, badge; 1914-15 Star, British War Medal 1914-20 and Victory Medal with oak leaves; Honduras: Order of Santa Rosa and Civilization; and another foreign order badge, eight pointed enamelled star with five pointed star to the centre suspended from a mural crown; mounted for wearing, extremely fine or nearly so. £250-300
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7. The Second World War Pacific Theatre submarine warfare Distinguished Service Medal and King’s Commendation for Bravery group to Leading Seaman Ronald Fentiman: D.S.M., George VI, IND. IMP. (L.S. R. FENTIMAN. P/SSX. 20166.); 1939-45 Star, Atlantic Star, Africa Star, Burma Star with Pacific Clasp, War Medal 1939-45 with Oak Leaf, Fire Brigade Long Service Medal (DIV. OFFR. RONALD £800-1,200 FENTIMAN), mounted for wearing. Good very fine or a little better. King’s Commendation for Bravery, L.G. 01/04/41, ‘For brave conduct during an enemy air attack on Birkenhead.’ (with one other man). At this time the recipient was serving as A.B. in the cruiser H.M.S. Birmingham. D.S.M., L.G. 20/11/45, under the general heading: ‘For gallantry, skill and outstanding devotion to duty whilst serving in H.M. Submarines Thrasher, Seadog, Shalimar, Torbay, Statesman, Trump, Tiptoe, Taciturn, Sybil and Subtle in numerous successful patrols in trying climatic conditions in the Pacific, frequently carried out in shallow and difficult waters and in the presence of strong opposition’. Fentiman himself was serving in H.M. Submarine Taciturn during this period.
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%
8. The impressive Second World War and post war experimental flying D.F.C. group to Flight Lieutenant Denis Graham William Tayler, O.B.E., D.F.C., R.A.F.V.R: O.B.E., breast badge, 2nd type; Distinguished Flying Cross, reverse dated 1944; 1939-45 Star; copy Air Crew Europe Star and France and Germany Bar; Defence Medal; War Medal 1939-45, mounted for wearing; the John Derry and Anthony Richards memorial medal, inscribed to D.G. Tayler 1967, in original case; accompanied by thirteen pilot’s flying log books, a silk ‘escape map’, fabric pilot’s wings, the warrant for the O.B.E., a large collection of photographs relating the the recipient’s post war experimental flying, and much other very good ephemera. Medals good very fine or better. £1,000-1,500 D.F.C. London Gazette 06/06/44 O.B.E. London Gazette 31/05/56 The recipient was born in Lymington, Hampshire, 19th September 1920 and enlisted as Aircraftman 2nd Class 18th April 1940. By the time his D.F.C. was gazetted he was a Flying Officer serving with No 139 Squadron (then part of the Pathfinder Force), flying mosquitos on raids over Germany. He took part in the celebrated ‘last raid of the war’ on Kiel, 2nd May 1945. Following the war he continued his aviation career as a test pilot, flying in a huge variety of aircraft. Of particular note are photographs of Tayler with the prototype Shorts Belfast, which he piloted for its 55 minute maiden voyage on the 5th January 1964.
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9. The historic ‘Operation Nimrod’ group of medals and memorabilia to Warrant Officer 2nd Class Ian ‘Chalky’ White, Special Air Service and 17th/21st Lancers, who formed part of the team of S.A.S. men who stormed the Iranian Embassy in London on May 5th 1980 in a swift and decisive action that resolved a major hostage crisis. £20,000-30,000 The Medals: General Service 1962-2007, clasp: Northern Ireland (24215027 TPR I.P. WHITE 17/21L.); South Atlantic, with rosette (24215027 CPL I P WHITE 17/21L (SAS)); Regular Army Long Service and Good Conduct, Elizabeth II (24215027 WO2 I P WHITE 17/21L); court mounted, nearly extremely fine.
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Accompanied by: the recipient’s stable belt, blue with chromed buckle bearing the SAS badge; a copy of his discharge certificate and other documents; a Fairbairn-Sykes fighting knife, 3rd model, blade etched with the Wilkinson brand, regulation leather scabbard, acquired by the recipient from stores on the Falkland Islands; after David Shepherd, ‘16 Princes Gate’, a print depicting the descent of the Embassy stairs, number 38 of 850, bearing artist’s pencil signature; after John Tidewell, ‘Princes Gate, The Back Door’; a collection of press photographs of the raid depicting SAS members preparing to enter the embassy at various points; floor plans of the embassy; ‘Now’ magazine complimentary copy ‘Britain’s Arab Terror - The Killers In Our Midst’, May 9-15 1980; Daily Express Special Edition: ‘The Day of the S.A.S.’; and various press cuttings and related ephemera. The persecution of the Arab population of Iran’s Khuzestan region by Ayatollah Khomeini (and his predecessors the Shahs) had inspired an implacable resistance movement which received support from Iraq under Saddam Hussein. The Arabs themselves were concerned with political and social rights. Hussein exploited this fact to manoeuvre against his rival the Ayatollah. Specifically, he believed that an attack staged in the West would draw attention to the plight of Khuzestan, and allow him to garner international approval for his planned invasion of Iran. With Iraqi backing, a six man team, the ‘Group of the Martyr’, occupied the Embassy on the 30th April, taking 26 people hostage. The response was initially led by the police, but the S.A.S. acted immediately by deploying a team to the area in case their intervention was requested by the civil authorities. While they waited, they evolved a plan, and when, on the sixth day, a hostage was shot and his body thrown out of the embassy, the men of the Special Air Service went into action under the gaze of the television media. Within 17 minutes, the siege was at an end. Ian White was part of the team that entered the embassy from the roof. An explosive charge was lowered into a light well in the centre of the building and detonated as a distraction, and White’s team abseiled into the lightwell to gain access through a window. During the descent, his secondary weapon, a Browning 9mm pistol, was lost owing to the notoriously poor quality holster with which the men were equipped. Nothing daunted, he continued from room to room, clearing each with ‘flashbangs’ and techniques perfected through rigorous training. He almost met with disaster while descending to a lower floor, as another team approaching the foot of his staircase directed sub-machinegun fire along the corridor into which he was about to step. He next encountered the well documented fire that had broken out owing to many of the curtains and carpets having been impregnated with accelerants. By sheer coincidence he had just completed a firefighting course, with the aim of posing undercover as an airport fireman, and this assisted him in temporarily controlling the blaze together with a colleague. The evacuation of the hostages involved forming a human chain to pass each one down the main staircase and out of the building to safety. White stood at the top of the chain, and such was the urgency of the situation that he resorted, effectively, to throwing them down the stairs. One of the terrorists concealed himself among the hostages, and because of the speed at which the S.A.S. were working that he was thrown down along with the rest of them. White saw in his hand a grenade, and, unable to shoot down the stairs for fear of hitting a hostage, he and others shouted a warning to their colleagues below, who killed the terrorist before he could use it. All but one of the hostages alive at the start of the operation were rescued, and five of the six terrorists were killed - the sixth being captured. The team next had the chance to watch the news footage of their work. They did so in the company of the Prime Minister Margaret Thatcher, for whom the operation had been a considerable publicity coup, foreshadowing her popular aggressive stance over the Falkland Islands (where White was also to be deployed), and demonstrating to the world that Britain was not the soft target that Saddam Hussein had imagined. Their work done, they returned to Hereford at high speed, and the rapidity and decisive efficiency of the S.A.S. action is underscored by the fact that when White arrived home his wife suffered an adverse reaction to the residue from the ‘flashbangs’ that he had been using, which lingered on his clothing. The embassy siege is well known, and rightly celebrated, as the point at which the S.A.S. became famous. Since its genesis during the Second World War it had maintained a low public profile, consistent with the discrete and sometimes clandestine nature of its methods. In May 1980 it sprang from obscurity onto the television screens and made an indelible impression on the public mind. But these events are important for other reasons. It was a notable tactical success, and in spite of what the modesty of White and others would suggest, this was by no means a foregone conclusion. Counter terrorism was an emerging form of warfare, and the success of Operation Nimrod was in contrast to a certain nearcontemporary actions which had ended very badly. It is revealing to note the various mishaps that occurred, some of which affected White directly; because none of them influenced the outcome of the mission. Problems that could have resulted in failure were nullified by the professionalism of the S.A.S. It also confirmed, emphatically, the relevance of the S.A.S. in the post-war era. Prior to Operation Nimrod this had been called into doubt, and the regiment was threatened by budget cuts, and possible disbandment. After Nimrod its value was beyond dispute, and it future was secured. The recipient participated in the seminal S.A.S. action of the post war years, a major milestone in the history of the regiment - and of special forces more generally - making this group a truly historic acquisition for the collector.
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10. The superb Waterloo Medal to Captain and Brevet Major Edward Hawkins Cheney, 2nd Royal North British Dragoons (Scots Greys), who took part in the glorious and tragic charge of his regiment, having five horses shot under him, the command of the Scots Greys devolving upon him following the death of Lt-Col. James Hamilton; fitted with contemporary straight silver suspension (CAPT. EDW. CHENEY, 2nd or R.N. BRIT. REG. DRAG), on a length of contemporary ribbon with an orange rosette affixed by a pin; together with an agate and white metal table snuff box bearing the recipient’s initials together with the Cheney family crest. £5,000-8,000 The charge of the British heavy cavalry, of which the 2nd North British Dragoons (Scots Greys) was a part, took place at a critical juncture in the Battle of Waterloo. Napoleon had ordered D’Erlon’s corps (16,000 strong) to attack the centre-left of the Anglo-Allied line. The staggering weight of this assault was forcing the British infantry to give ground, and, had they succumbed, there are good grounds to suppose that the battle would have been lost. At this moment, on the initiative of their Commander, Lord Uxbridge, the British heavy cavalry launched a devastating counter attack against the French Infantry. The Scots Greys made a ferocious assault upon the French 45th Line Regiment, shattering its ranks and capturing its standard, and the tide of the battle was turned. Unhappily, the cavalry then pursued its charge beyond the endurance of their horses and all hope of support, and were badly mauled in their turn. The ferocity of the action, and the superlative courage of the men who charged on that day, is illustrated by the fate of the Colonel of the Greys, John Inglis Hamilton, who lost both his arms but continued to charge with his horse’s reins held in his mouth, before being shot though the heart. It was at this point that Cheney took command of the regiment, and held it for the final three hours of the battle. Born the second son of Robert Cheney of Derbyshire, 4th November 1778, Edward Cheney is commemorated by a dramatic marble statue in the parish church of Gaddesby, which depicts him urging his men on, his headdress fallen away, as he rises from his stricken fifth horse. He joined the regiment as a Cornet in Holland in 1794, where he was severely wounded. He commanded a troop at Waterloo, until the death of Colonel Hamilton, whereupon he took command of the regiment. The two majors (Clarke and Henkin) are shown on the roll as having been wounded, and this may explicate the choice of a Captain to take command. It may also be pertinent that Cheney, though generally referred to by his substantive and regimental rank of Captain, was at the time Brevet Major. References: Charles Dalton, ‘The Waterloo Roll Call’ Gareth Glover (ed), ‘The Waterloo Archive’ Andrew Roberts, ‘Waterloo’
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11. The Military General Service Medal 1793-1814 to Private Thomas Greenwood, 43rd (Monmouthshire Light Infantry) Regiment of Foot: 2 clasps, Ciudad Rodrigo, Badajoz (THOMAS GREENWOOD, 43RD FOOT). Some edge knocks and light surface scratches, otherwise good very fine. £800-1,200 Wounded at Badajoz.
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12. Two medals to Petty Officer 2nd Class W. Collins, Royal Navy: East and West Africa, clasp: Gambia 1894 (W. COLLINS, A.B., H.M.S. SATELLITE.), minor edge knocks and light abrasion, very fine or better; China 1900, 2 clasps: Taku Forts, Relief of Pekin (W. COLLINS, P.O.2 CL., H.M.S. ENDYMION), edges bruised, abrasions to obverse, otherwise very fine. £800-1,200
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13. A group of six medals to Able Seaman W. Shoesmith, Royal Navy and Royal Fleet Reserve: China 1900, no clasp (W. SHOESMITH, A.B., H.M.S. DIDO.); 1914-15 Star, British War and Victory Medals (179080, W. SHOESMITH, A.B., R.N.); Royal Fleet Reserve L.S.G.C., George V (179080 (CH. B. 4281) W. SHOESMITH. A.B. R.F.R.); Coronation (Police) 1911, Metropolitan Police (P.C. W. SHOESMITH.). Very fine or nearly so. £500-600
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14. Four Medals to Able Seaman E.G. Bartlett, Royal Navy: China 1900, clasp: Taku Forts (E.C. BARTLETT, A.B., H.M.S. ENDYMION.); 1914-15 Star, British War and Victory Medals (163394, E.C. BARTLETT A.B. R.N.), later mounted with some later ribbons. £500-600
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15. Two medals to 3749 Private James Church, 41st Foot: Crimea 1854-56, clasp: Sebastopol (JAS CHURCH, 41ST REGT.), officially impressed, suspension possibly restored, near very fine; Army Long Service and Good Conduct, 2nd type obverse (3749 PTE J CHURCH. 41ST FOOT), very fine. [2] £300-400 16. An interesting group of five medals to Victor George Alma Seager, R.N.V.R., who served with Carnac Battery of the Royal Naval Siege Guns near Nieuport: British War Medal 1914-20, Victory Medal (L.Z.4610 V. G. A. SEAGER. A.B. R.N.V.R.); Defence Medal; Special Constabulary Long Service Medal, George VI (VICTOR G. SEAGER); French Croix de Guerre, with bronze star; together with a small quantity of ephemera and research, including a XVth Corps card signed by General Du Cane citing the recipient’s ‘Good and Valuable Service and Devotion to Duty’, two similar cards from 36th Army Group Artillery Lourde (French Heavy Artillery), and a collection of photographs including the recipient in uniform wearing his Croix De Guerre, and studies of the Naval gun emplacements in Belgium. Medals good very fine or better. £350-450 During the Great War the Royal Navy - specifically the Dover Patrol - established heavy artillery positions at the Northern extremity of the Western Front. Working closely with the French, and at times under their control, the officers and men of the Royal Naval Siege Guns fought a gruelling campaign under intense and sustained bombardments and gas attacks. Carnac battery was particularly celebrated for its endurance and effectiveness, being cited in French Army Corps orders. The recipient himself appears to have made a significant contribution to this, being the specific subject of a similar order for “readiness and calmness under fire” and receiving the Croix De Guerre; and he was furthermore commended by the British Army after they had taken over his part of the line. 17. A family group of medals to a father and son: Father: Queen’s South Africa, 4 clasps: Cape Colony, Orange Free State, Transvaal, Laing’s Nek (1484 PTE E. TANDY, 2ND E. SURREY REGT); King’s South Africa, both clasps (...E. SURREY REGT); Son: 1914-15 Star, British War Medal (J. 19357 W.R. TANDY, A.B., R.N.); Victory Medal (un-named or erased, presumably a replacement); Royal Fleet Reserve Long Service and Good conduct Medal. All medals very fine or better, some modern replacement ribbons. £200-300
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18. Four medals to 5738 Private A.E. Moreton, South Staffordshire 19. A Great War trio to John Fitzpatrick, Manchester Regiment, Regiment: King’s South Africa, both date clasps (5738 CORPL: A.E. killed in action on the 29th February 1916, 1914-15 Star, British MORETON. S. STAFFORD. REGT.); 1914 Star; British War and Victory Medals War and Victory Medals (8142 PTE. J. FITZPATRICK. MANCH. R.). (5738 PTE A.E. MORETON. 2/S.STAFF.R.). All about very fine, later mounted, £80-120 lacking Q.S.A. £150-200 Served with the 17th (Service) Battalion. Entered France 08/11/15, killed less than four months later.
20. Five Medal to Marine A.E. Dean, Royal Fleet Reserve: 1939-45 Star, Atlantic Star, Pacific Star with Burma Clasp, War Medal 1939-45, Royal Fleet Reserve Long Service and Good Conduct Medal, George VI (D) (PO. 22566 ( PO. D. 15.) A. E. DEAN. MNE. R.F.R.), mounted for wearing. Nearly extremely fine, £80-120 LSGC attractively patinated.
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21. The Second World War Bomber Command casualty group to Pilot Officer Donald Edwin Gardener, R.A.F.V.R., who died on the 13th August 1940: 1939-45 Star, Air Crew Europe Star, Defence Medal, British War Medal 1939-45; with postal box, transmission slip, and his commission as Pilot Officer dated 26th April 1940; together with a Victory Medal to an assumed older relative (144320 GNR. E.H. GARDENER. R.A.), with associated documents. £250-350
22. The awards to Colonel John Francis Maclean, Hereford Regiment and Lord Lieutenant of Hereford (and latterly of Hereford and Worcectershire): The Order of St John, Knights neck badge and breast star, silver gilt and enamel, cased; Defence Medal and British War Medal 1939-45, mounted for wearing. Badge extremely fine, star with minor loss to enamel, medals near very fine. £250-350
Donald Gardener died while serving with 61 Squadron R.A.F. He is commemorated at the Runnymede Memorial. The details of his death have not been traced, but it is of interest to note that the 13th August 1940, known to the Germans as ‘Adlertag’ was the first day of the main German assault in their attempt against British Air dominance which was to become known as the Battle of Britain.
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23. A family collection of medals, comprising: the Dardenelles Naval casualty group to Stoker 1st Class D. Burrows Royal Navy: 1914-15 Star, British War and Victory Medals (K. 20453. D. BURROWS, STO., 1, R.N.); Memorial Plaque in card case (DANIEL BURROWS), good very fine or better; and four to Chief Engine Room Artificer 2nd Class W. T. Burrows, Royal Navy: 1914-15 Star (272359 W.T. BURROWS. E.R.A. 2. R.N.), British War and Victory Medals (....C.E.R.A.2...); Royal Navy Long Service and good Conduct Medal, George V (....C.E.R.A.2......H.M.S. VERNON), mounted for wearing, about very fine. £250-350 Daniel Burrows was killed in action on the 14th March 1915, while serving in the Light Cruiser H.M.S. Amythyst. This day saw the continuation of efforts by the Royal Navy, in concert with merchant seamen, to clear Turkish mines from the Dardanelles under intense bombardment from shore batteries. Burrows would already have been in action for several days by this point, and so excoriating had been the enemy fire that Admiral Carden had been obliged to place Naval volunteers on the civilian mine sweepers in order to stiffen their resolve. Amethyst was concentrating her fire on the Turkish searchlights, when a 6 inch shell penetrated her armour and exploded in the area of the stocker’s mess deck. Source: George Hickinbottom, ‘The Seven Glorious H.M.S. Amethysts 1793-1956’
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24. A group of three medals to a survivor of the sinking of RFA Sir Galahad, 1st Electrical Officer Leslie Thomas Seager: Defence Medal, 1939-45 War Medal, South Atlantic Medal with rosette (I/L/D L T SEAGER RFA SIR GALAHAD); together with a small quantity of official documents, and a large photographic print of Sir Galahad. Medals extremely fine, mounted for display. £800-1,000 The tragic destruction of the Royal Fleet Auxilliary’s landing ship Sir Galahad was one of the seminal events of the Falklands War. On June 8th 1982, having survived previous action, she was preparing to land a force of Welsh Guardsmen and other personnel at Bluff Cove, as part of an attempt to outflank Argentinean positions on land. A sudden attack was made by Mirage and Skyhawk aircraft, and Sir Galahad was hit by multiple bombs resulting in catastrophic fires and large numbers of casualties. The recipient had just come off watch, and was forced to leap into the sea to escape the devastation. 25. Two medals to Able Seaman R. Wilson, Royal Navy: Naval General Service 1915-62, George VI 2nd type, clasp: Malaya; Korea Medal (D/SSX. 840605 R. WILSON A.B. R.N.). Both good very fine or better. £150-250 25
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26. Five medals to Petty Officer Marine Engineering Mechanic Roy Richard Nutt, Royal Navy: South Atlantic, with rosette (ALMEM(M) R.R. NUTT D184113Q HMS CARDIFF); General Service 1962-2007, clasp: Gulf (LMEM(M) R.R. NUTT D184113Q RN); Nato Service Medal, clasp: Former Yugoslavia, un-named as issued; Royal Navy Long Service and Good Conduct, Elizabeth II (POMEM(M) R.R. NUTT D184112Q RN); Golden Jubilee 2002, un-named as issued but in card box of issue labelled to this man; all but the last mounted for wearing, offered with copy service documents. Good very fine or a little better. £800-1,000
27. The Falklands War and First Gulf War group to Able Seaman A Friebel, Royal Navy: South Atlantic Medal 1982, with rosette (S (R) A FRIEBEL D171282K HMS GLASGOW); General Service Medal 1962-2007, clasp: Gulf (AB (R) A FRIEBEL D171282K RN); Gulf Medal, clasp: 16 Jan to 28 Feb 1991 (AB (R) A FRIEBEL D171282K RN); NATO Service Medal, clasp: Former Yugoslavia, un-named as issued; Royal Navy Long Service and Good Conduct Medal, Elizabeth II (AB (R) A FRIEBEL D171282K RN); mounted for wearing. Edge knocks to GSM and Gulf Medal, otherwise good very fine. £1,000-1,500
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28. A Scinde Medal 1843, Meeanee/Hyderabad reverse, contemporary un-official silver suspension, un-named. Nearly very fine £150-200 29. A Punjab Medal 1848-49, no clasp, name erased. Edge knocks, generally good very fine with much lustre. £150-250
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32. A Kabul to Khandahar Star, to Sepoy Laeh Singh 3rd Sikhs. Gilded, some damage to points of star, good fine. £150-250 33. An India General Service Medal 1854-95 to Private Francis Gauley, 51st Regiment of Foot, clasp: Jowaki 1877-8 (2700 PTE. FRANCIS GAULEY. 51ST. FOOT.). Scratches to cheek of bust and adjacent ground, otherwise good very fine. £250-350
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30. An Indian Mutiny Medal to Private Joshua Friend, 79th Foot, no clasp (JOSH FRIEND HMS 79TH FOOT). Very fine or nearly so. £150-200 31. An Afghanistan Medal to Private M. Connolly, 67th Foot, 2 clasps: Charasia, Kabul (40. B/605. PTE M. CONNOLLY. 67TH FOOT). Good very fine. £300-500
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34. An India General Service Medal 1854-95 to Driver Mundu, South Irish Division Royal Artillery, clasp: Chin Hills 1892-93 (110 Driver Mundu No 3 By 1st Bde S.I. Dn R.A.). Very fine. £200-300 35. An Egypt Medal 1882-89 to Private J. Regan, 2nd Battalion Grenadier Guards, dated reverse, clasp: Tel-El-Kebir (5581 PTE. J. REGAN. 2/GRENR GDS). Good very fine. £150-250
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36. Three India General Service Medals 1854-95: Gunner R. E. Cumberledge, Number 3 Mountain Battery Royal Artillery, clasp: Samana 1891 (688947 Gunr R. E. Cumberledge No 3 Mn By R.A.), engraved, contact marks and an edge knock, very fine; Gunner Samuel Remmington, Number 9 Mountain Battery Royal Artillery, clasp: Hazara 1891 (73439 Gunner S. Remmington No 9 Mn By R.A.), engraved, very fine; Gunner Albert Edward Lush, Number 2 Mountain Battery Royal Artillery, clasp: N.E. Frontier 1891 (62623 Gunr A. E. Lush No 2 Mn By R.A.), engraved, very fine or nearly so. [3] £250-350 Lush served with Tamu Column in Manipur. Subsequently qualified for clasp Burma 1889-92.
36 not to scale
37. Two India General Service Medals 1854-95: Gunner Arthur Edward Smith, Number 2 Mountain Battery Royal Artillery, 2 clasps: Burma 1889-92, N.E. Frontier 1891 (70556 Gunr A. E. Smith No 2 Mn By R.A.), engraved, Burma clasp with irregular fixing, N.E. Frontier clasp loose on ribbon, medal good very fine; Gunner R. Butler, Royal Artillery, clasp: Northwest Frontier (102 GUNR R BUTLER NO 2 BY 24TH BDE R.A.), impressed, generally good very fine or better, file marks to clasp fixings. £250-350 Smith served with Wuntho Field Force in Burma, 18th February to 23rd March 1891; and with Tamu Column in Manipur, 28th March to 7th May 1891. 37 not to scale
Butler confirmed on the roll for service in Hazara (Black Mountain Expedition 3rd-22nd October 1868).
38. A collection of four medals, comprising: India Medal 1895-1902 to Bombardier George Jackson, Number 3 Mountain Battery Royal Artillery, 3 clasps: Relief of Chitral 1895, Punjab Frontier 1897-98, Tirah 1897-98 (67985 Bombdr G. Jackson No 3 Mtn By R.A.), plated, good very fine or better; India Medal 1895-1902 to Bombardier Edgar Hastings, Number 1 Mountain Battery Royal Artillery, 2 clasps: Punjab Frontier 1897-98, Tirah 1897-98 (12818 Bombr E. ....... 1 Mtn By R.A.), naming partially erased, suspension with untidy rivets (though entitlement is confirmed on the roll), otherwise good very fine; India General Service Medal to Bombardier C. Sawford, Number 3 Mountain Battery Royal Garrison Artillery, clasp, North West Frontier 1908 (6882 Bombr C. Sawford. No 3 Mtn B R.G.A.), engraved, light edge knocks and wear, good very fine; India General Service Medal 1908-35 to Bombardier Lawrence Owen Davies, Royal Artillery, clasp: Afghanistan N.W.F. 1919 (860853 BDR. L. O. DAVIES. R.A.), impressed, official correction to rank, good very fine or better. [4] £150-250
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40 39. An India General Service Medal 1854-95 to Private Samuel Hamlet, 2nd Battalion the Manchester Regiment, clasp: Samana 1891(796 Pte S. Hamlet 2d Bn Manch. R.), engraved in cursive script. Very fine or better. £150-200
41. A Queen’s Mediterranean Medal to Private H. Hill, 3rd Battalion (Militia) West Yorkshire Regiment, (5459 PTE H. HILL, W. YORK: REGT), impressed. Some wear to bust, otherwise good very fine. £200-300
40. An India Medal 1895-1902 to Private A.W. Pickersgill, Northamptonshire Regiment, 3 clasps:Punjab Frontier 1897-98, Samana 1897, Tirah 1897-98 (4598 Pte A. W. Pickersgill. 1st Bn. Northn £200-300 Regt.). Very fine or a little better
42. A Queen’s South Africa Medal to Private W. Robb, 3rd Dragoon Guards, 2nd reverse, 2 clasps: Cape Colony and Orange Free State (3411 PTE W. ROBB, 3RD DGN: GDS:), impressed in plain capitals; together with a detached clasp: South Africa 1901 (not to this man). Extremely fine. £100-150 This man died of disease at De Aar, 1st April 1901
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43. A Boer War tribute medal, to Private Ralph John Edleston Manchester Volunteers M.S.C. and Royal Army Medical Corps, in 9 carat gold and enamel, the obverse with crossed rifles flanked by ‘S.A.’ about ‘1901’, ‘TO VOLUNTEERS RETURNING FROM THE FRONT’ to a blue circlet, Royal Arms above and suspension ring to a fixed crown, reverse engraved with presentation inscription, 30mm, Deakin & Francis Ltd, Birmingham 1901. Very fine. £180-220 Entitled to QSA with Cape Colony and Orange Free State.
45 44. An India General Service Medal 1908-35 to Wheeler Corporal W. Hilton, 80th Battery Royal Field Artillery, Edward VII, clasp: North West Frontier 1908 (88581 Whr Cpl W Hilton, 80th By R.F.A.), engraved. Very fine. £100-150 45. An Ashanti Medal to Private Msaka, 2nd Battalion Central Africa Regiment, no clasp (487 PTE MSAKA. 2ND C. AFRICA REGT). Some edge bruising, very fine. £150-250 46. An Air Crew Europe Star, with contemporary ribbon. Good very £200-250 fine.
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47. George III: a King’s Messenger’s Badge, the crowned oval bordered with a garter and bearing painted Hanoverian arms to a central glazed compartment, a pendant silver greyhound below, and with a fixed ring to the reverse, height of oval 62mm, not marked but tests as gilt, good very fine. £3,000-4,000
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48. An Empress of India Medal, 1877, silver 58mm, un-named as issued. Some scratching and light bruising to cheek of bust and to the fields, and one edge knock, otherwise about extremely fine. £400-600
49. Four bronze specimen campaign medals: Military General Service, Army of India, China 1942, Punjab. Extremely fine or better. [4] £800-1,200
50. The Arctic Medal 1818-55, specimen in bronze, in original fitted maroon leather case. About as struck £500-700
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51. A South Atlantic Medal to L.T. Carter, no rosette (L T CARTER), diamond engraved naming, extremely fine or nearly so. £300-500
52. A Meritorious Service Medal to Sergeant G. Farmer, Machine Gun Corp, George V (A) (12997 SJT: G. FARMER. 103/COY M.G.C.). Extremely fine or nearly so. £150-200 Mention in despatches L.G. 24/12/17 M.S.M. for devotion to duty, L.G. 17/06/18
not to scale 54. A small collection of medals, comprising: Khedive’s Sudan, clasp: Hafir (3204 PTE S AINSWORTH I/N. STAFF: R.), clasp not confirmed on roll, edge bruising, otherwise good very fine; India General Service 1908-35, clasp: Afghanistan N.W.F. (3178 SOWAR CHAINPIR SHAH, 27 L. CAVY), impressed, near very fine; two to Warrant Officer 2nd Class H.H. Greaves, Border Regiment: India General service 190835, clasp: Waziristan 1921-24 (3590621 PTE. H. GREAVES. BORD. R.); Efficiency Medal, Territorial (3590621. W.O. CL. 2. H.H. GREAVES. BORDER.), IGS with edge knock below bust, otherwise about very fine; two to Private Peter McDonnell, Manchester Regiment: India General Service 1908-35, clasp: Burma 1930-32 (3522448 PTE. P. MC DONNELL. MANCH. R.); Regular Army Long Service and Good Conduct (3522448 PTE. P.C. MCDONNEL. MANCH. R.), with a Certificate of Service (regimental number agrees with medals, name given as Charles Peter McDonald), near very fine; Belgium: Croix de Guerre; together with a £300-400 small collection of medal ribbons.
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53. A Victorian Army Long Service and Good Conduct Medal to Sergeant Major Joseph Bell, Royal Fusiliers, 2nd type obverse, swivelling suspension (1215. ST. MR. JOSEPH BELL. ROYAL FUSILIERS). £150-200 Edge knocks, good fine. Served in the Crimea at Alma and Inkermann (medal and two clasps). Also in a sortie 26th October 1854 and in both assaults on the Redan.
not to scale 55. A collection of Queen’s South Africa medals: Driver W. Carruthers, Army Service Corps, 1st type reverse, 3 clasps: Natal, Transvaal, South Africa 1901 (9324 DR: W. CARRUTHERS, A.S.C.), faint ghost dates, very fine or better; Private W. Irving, 1st Battalion the Border Regiment, 1st type reverse, 3 clasps: Natal, Orange Free State, Transvaal (5832 PTE W. IRVING, 1ST BORDER REGT), very faint ghost dates, edge bruise below bust, otherwise good very fine; Private W. Swallow, King’s Royal Rifle Corps, 2nd type reverse, 2 clasps: Orange Free State, South Africa 1902 (3144 PTE W. SWALLOW. K.R.R.C.), good very fine; Private A.A. Jackson, 19th Company, 6th Battalion, Imperial Yeomanry, 2nd type reverse, four clasps: Cape Colony, Transvaal, Orange Free State, South Africa 1901 (8477 PTE A.A. JACKSON. 19TH COY 6TH IMPL: YEO:), good very fine; and a renamed example, 2nd type reverse, three clasps: Cape Colony, Transvaal, Wittebergen (7008 PTE: A. BERN. 2ND ROYAL HIGHLANDERS.), re-engraved in plain capitals (entitlement confirmed £360-500 on roll), very fine. [5]
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not to scale
56. Two part medal groups to Great War casualties: the first to Private Thomas Emerson, 1st Battalion King’s Own Scottish Borderers, comprising: British War Medal and Victory Medal (19076 PTE. T. EMERSON. K.O. SCO. BORD.), and Memorial Plaque (THOMAS EMERSON); the second to Sergeant James Jesse Russell, Sussex and Hampshire Regiments, comprising: Queen’s South Africa Medal, 2nd reverse, 5 clasps: Cape Colony, Orange Free State, Transvaal, South Africa 1901, South Africa 1902 (8352 PTE J. RUSSELL, RL: SUSSEX REGT); British War Medal and Victory Medals (12097 SJT. J.J. RUSSELL. HAMPS. R.); Coronation Medal 1911; offered with much research and copy documents. Medals all about very fine. £150-250
57. A small collection of campaign groups, comprising three 191415 Star trios to: Captain D. M. Borland, Royal Army Medical Corps, 1914-15 Star (LIEUT. D.M. BORELAND. R.A.M.C.), BWM and Victory Medal (CAPTAIN etc.), with card boxes of issue, good very fine or better; Sergeant H. James, Royal Artillery, 1914-15 Star (48838. ABMBR. H. JAMES. R.G.A.), BWM and Victory Medal (48839. SJT. H. JAMES. R.A.), mounted for wearing, about very fine; Private J. Cope, Royal Irish Fusiliers, 1914-15 Star (2581 PTE. J. COPE. R.IR:FUS:), with ribbon bar, near very fine; together with six medals to Corporal T. Cook Manchester Regiment: 1939-45 Star, Africa Star, Italy Star, Defence Medal, War Medal 1939-45, Efficiency Medal, Territorial (3528324. CPL. T. COOK. MANCH. R), mounted for wearing, E.M. fine, others £200-250 good fine or better.
Thomas Emerson was killed in action at Gallipoli 28th June 1915. His entitlement included the 1914-15 Star. James Russell was killed in action 20th January 1918
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part
58. A collection of medals, including a 1914-15 Star Trio to the Army Veterinary Corps (SE 43229 A. CPL. D.J. HANNAN. A.V.C.); a Great War pair (71670 PTE. H. DICKINSON. NOTTS & DERBY R.); various Second World War campaign medals; other medals; and the Fire Brigade Long Service Medal to Leading Fireman William D.P. Davies, with an presentation mounted fire axe. £150-200
59. A collection of Long Service and Good Conduct Medals, comprising: Victoria, Royal Naval Long Service and Good Conduct, 2nd type, narrow suspender (JOHN HEATHER. CHF BTMN IN CHGE H.M. COASTGD); Edward VII, Royal Naval Reserve Long Service and Good Conduct (C. 198. J. GILBERTSON, SEAN, R.N.R.); Edward VII, Volunteer Long Service (253 Q.M. S. STABLES 9TH L.A.V.) renamed; George VI (Ind. Imp.), Army Long Service and Good Conduct, India bar (A - R.Q.M.S. G.J. HEMSLEY. I U L ATTD A F I). Good very fine or a £220-280 little better. [4]
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part, not to scale 60. A collection of French awards including part of the group to Colonel Pierre Serrurier, Membre de la Legion d’Honneur: Legion of Honour, Knight’s badge; Legion of the National Order of Merit, Knight’s badge; Croix de Guerre with star; Medal for Volunteer Military Service, in silver; together with dress miniature group representing his full entitlement, which also included the Medaille des Evades; offered together with a Saint Helena Medal (instituted in 1857 for veterans of the campaigns of Napoleon I), framed; a cased set of Legion d’Honneur insignia, comprising an Imperial badge, a Republican Badge, and a dress miniature; A British Crimea Medal, fitted with French type ribbon pins, 3 loose clasps: Sebastopol, Inkermann, Alma, (name erased), a small quantity of commemorative medals; and research and service documents for Colonel Serrurier. £150-250 Having worked with the French Resistance, Colonel Serrurier escaped from France over the Pyrenees in 1943. He was captured by the Spanish but escaped again, and went on to participate in the invasion of Normandy and the liberation of Paris, before joining the advance westwards, eventually arriving at Berchtesgarden. He continued his distinguished military career after the war.
part
61. Victoria, Jubilee 1897 commemorative medal, veiled bust, young head to reverse, gold 26mm (E 1817b), in red leather case of issue. A few very small edge nicks, otherwise about extremely fine. £300-400
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62. Coronation of Edward VII 1902, commemorative medal, silver, 31 mm (E 1871), cased and with royal mint envelope, near extremely fine. £100-150
63. Elizabeth I, Assistance to the United Provices 1586, bronze medal, 30mm (E 52), good very fine;l Marriage of Charles I and Henrietta Maria 1625, cast silver medal, 23mm (E 105Ab), fair; Pharmaceutical Society of London, silver prize medal, bust of Galen, rev. SOC: PHARM: LOND: DONAVIT., edge engraved to Henry Sutherin 1843, associated case, edge bruise, otherwise nearly extremely fine; Ireland, Free State: Tailteann Games, silver prize medal 1932, bust of the goddess Tailte, reverse engraved ‘Second Prize Music’, cased, extremely fine. [4] £200-300
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64. Commemorative Medals: James Sadler First English Aeronaut, 1811, reverse with ascending balloon basket, white metal 53mm (E 1020), good fine or better; Diamond Jubilee of Queen Victoria, 1897, reverse with Royal arms and fifty shields identifying British colonies and protectorates, white metal 76mm (E 1816); France, Napoleon Bonaparte, tomb of General Desaix, bronze 27mm, very fine; and a French Medal top box, with relief scene possibly after a woodcut, showing the French Guard surrendering at Versailles, 76mm. [4] £150-200
65. Netherlands: William I (1815-1840), a scarce gold medical reward medal, obverse with the King’s bust sinister, legend: WILH: NASS: BELG: REX. LUXEMB: M: DUX:; reverse with impressed dedication within a wreath: S. FOCKEMA MED. DOCTORI LEOVARDIAE DE PROPAGANDA VARIOLARUM VACCINARUM INSITIONE BENE MERITO REX. D. MDCCCXXXIII, indicating that Dr Sybrandius Fockema of Leeuwarden was recognised in 1833 for administering inoculations against (or with) cowpox, 41mm, 28.7 grams. £600-800
66. A small collection of medallions, comprising: Liverpool, 700th Anniversary of the Foundation, bronze, 64 mm; Coronation of George V 1911, reverse with bust of Queen Mary, bronze, 51mm; the same type in silver, 31mm; George V, Silver Jubilee 1935, conjoined busts surrounded by Commonwealth countries in panels, reverse with figure of the Mother Country with Commonwealth subjects, bronze, 51mm; Abdication of Edward VIII 1936, bronze, 51 mm; Coronation of George VI 1937; conjoined busts of George VI and Queen Elizabeth, bronze, 51mm (E 1898a; 1922a; 1922b; 2030; 2040a; 2047a). The first three good very fine or better, the last three cased together under the title ‘THE THREE BRITISH KINGS OF 1936’ and about as struck. [6] £70-100
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COINS
67. George VI, gold specimen set, 1937, four coins, five pounds to half sovereign, plain edged proofs (PS15), in red leather case of issue. Very light surface abrasion, otherwise about as struck. [4] £8,000-10,000
68. Henry VII (1485-1509): gold angel, mm. pheon, saltire stops, crook shaped abbreviation after HENRIC, ANGL Z FR, St Michael with both feet on dragon, cross-crosslet top to spear shaft, reverse PER CRUCE (S 2187). Soldered ring and associated crack, slightly buckled, otherwise very fine. £600-900
69. Three gold coins: George III, guinea, 1787, fifth head, ‘spade’ reverse (S 3729), small furrow near date, otherwise good very fine; George IV, sovereign, 18258, 2nd type (S 3801), about fine; Austria-Hungary, Franz Joseph, Ducat, 1915 proof re-strike (FF 494), near extremely fine. (3) £700-900
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70. George III, gold guinea, 1790, fifth head, ‘spade’ type reverse (S 3729). Good very fine. £350-450
72. Victoria, gold sovereigns, veiled head: 1893, very fine; 1894, very fine or nearly so; 1898, fine (S 3874). [3] £500-600
71.
73. Victoria, gold sovereign, 1872, die number 100 below wreath (S 3853B). About extremely fine. £300-400
George IV, gold sovereign, 1830 (S 3801). Good very fine or better. £400-500
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74. Australia: gold sovereign, 1865, young head with oak leaves, Sydney Mint (KM 4; F 10). Some surface abrasion but little wear, good very fine or nearly extremely fine. £400-500
76. Three gold sovereigns: Victoria, 1887, Melbourne mint (S 3867A), good very fine; 1892 (S 3866C), fine; Edward VII, 1910 (S 3969), very fine or better. [3] £600-700
75. Australia: gold sovereign, 1862, young head with oak leaves, Sydney Mint (KM 4; F 10). Some surface abrasion but little wear, good very fine or nearly extremely fine. £400-500
77.
78. Victoria, gold sovereigns, veiled head: 1894 (2), Melbourne Mint; 1895, Melbourne Mint (S 3875); 1900, Perth Mint (S 3876), Good fine or a little better. [4] £700-800
79. George V, gold sovereigns: 1911 (2), 1912 (4) (S 3996). Conditions vary from good fine to nearly extremely fine. [6] £1,000-1,200
80. George V, gold sovereigns, 1913 (3) (S 3996). Good very fine or better. [3] £500-600
No lot
81. George V, gold sovereigns, 1915 (3) (S 3996). Nearly extremely fine. [3] £500-600
82. Edward VII, gold sovereigns: 1903, 1910 (S 3969); 1903, 1908, Perth Mint (S 3972). All good fine or better. [4] £700-800
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85. Elizabeth II, gold sovereigns, 1967 (4) (S 4125). Extremely fine or better. [4] £700-900
83. Victoria, gold sovereigns, Jubilee head: 1889 (S 3866B), very fine; 1888, Melbourne Mint; 1889, Melbourne Mint (S 3867B), both good fine. [3] £500-600
84. S.S. Egypt: George V, gold sovereign, 1915, in a Lloyds of London fitted case with certificate identifying it as part of the salvage from the S.S. Egypt, good fine; together with a book: David Scott, ‘The Egypt’s Gold’, being an account of the salvage, with manuscript dedication from Peter Sandberg (involved with the salvage) and pioneering aviator and traitor Lord Sempill, 30th March 1939. £350-450
86. Victoria, gold half sovereign, 1893 (S 3875), fine; Edward VII, gold sovereign, 1907 (S 3969), near very fine; George V, gold sovereign, 1911, very fine; gold half sovereign, 1913 (S 4006), nearly extremely fine. [4] £500-600
87. Gold half sovereigns (8): Edward VII: 1903, no BP in exuerge (S 3974A); 1909 (S 3974B); George V: 1911, 1912, 1913 (2), 1914 (2) (S 4006), the first two very fine, the remainder good very fine or better. [8] £700-1,000
part 88. A small collection of gold coins, comprising: Australia: Sydney Mint, sovereign, 1870, young head with oak leaves (KM 4; F 10); Great Britain: Victoria, half sovereign, 1894; Edward VII, half sovereigns (2), 1902 and 1907; George V, half sovereigns (2), 1913, 1914. All about good fine except the last two: very fine. [6] £600-800
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89. Victoria, gold sovereigns: 1880, Melbourne mint (S 3857), good fine; 1887, Sydney mint (S 3858E), good fine; Edward VII, sovereigns: 1902 (S 3969), very fine; 1906, Melbourne mint (S 3971) pierced for a ring, otherwise about very fine; Edward VII, half sovereign, 1906 (S 3974B), good fine; George V, half sovereign, 1914 (S 4006), good very fine. [6] £700-1,000
90. Five gold sovereigns: Victoria, 1880, Melbourne Mint (S 3857) good fine; Elizabeth II, 1979 (2), 1980 (2) (S 4204), extremely fine or nearly so. [5] £900-1,100
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91. Elizabeth II, two gold proof five pounds, 2005: Battle of Trafalgar and Death of Nelson, cased as a set with original Royal Mint documents and outer box (S 4559, 4560). As struck £1,800-2,200
92. Elizabeth II, gold proof coins: two pounds, 2006, Birth of Brunel (S 4581); two pounds, 2006, Brunel/Paddington Station (S 4582); sovereign, 2000, United Kingdom (S 4430); sovereign, 2000, Jersey; cased in pair by denomination, with Royal Mint Certificates. As struck £1,000-1,500
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part 93. Elizabeth II, gold proof five pounds, 2006, ‘Vivat Regina’ (S 4561), in case of issue with outer box and Royal Mint certificate. About as struck £800-1,200
94. South Africa, Republic, gold krugerrands, 1974 (2) (KM 73), extremely fine or better. [2] £1,500-2,000
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95. Ireland, Edward IV, silver groat, Drogheda, G below bust. r. two extra pellets in one quarter (S 6341A). Good fine or better. £200-300
96. Ireland, Henry III, silver penny, Dublin, crowned head in double triangle, r. DAVI ON DIVELI (S 6235), about very fine; together with: Ireland, Edward IV, light coinage, silver penny, Dublin, r. quatrefoil in centre of cross (S 6361), near fine. [2] £120-160
97. Scotland, three silver coins: David II, second coinage (1357-67), groat, Edinburgh, young bust breaking plain tressure, r. cross and mullets (S 5091), about very fine; Robert II, groat, Edinburgh, treffoils within tressures, nothing behind head (S 5131), fine or better; Charles I, third coinage (1637-42), twenty pence, crown breaking circle, fair or better. [3] £250-350
97A. England, four silver coins: Henry VI, half groat, annulet issue (1422-30), Calais mint, annulets to neck, r. annulets to two quarters of cross (S 1840), near very fine; Henry VIII, groat, second coinage (1526-44), mm. lis, r. saltires to cross ends (S 2337E), fine or better; James II, two pence, 1686 (S 3416), about fine; William and Mary (168994), half crown, 1689, first reverse (S 3434), near fine. [4] £100-150
98. Ireland, Henry VII, two silver groats: early three crowns issue (1485-97), Dublin, r. DOMINUS HYBERNIE (S 6414), some clipping, fine; late portrait issue (c. 14961505), r. POSVI DEVM (S 6451), near fine. [2] £200-300
99. Richard II, silver half groat (S 1682). About fine £200-250
100. Ireland, James I, three silver shillings: first coinage (1603-04), first bust, mm. bell (S6512), very fine or nearly so; another of this type, near fine; second coinage (1604-07), forth bust, mm. rose (S 6516), near fine. [3] £250-350
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101. Ireland, James I, 1st coinage (1603-04), silver shilling, first bust, mm. bell (S 6512). About very fine. £200-300
102. Edward VI (1547-53): silver shilling, fine silver issue of 1551-3, facing bust, rose, rev. mm tun (S 2482). Near very fine. £150-200
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103. Ireland, John, four silver coins: 2nd coinage (as Prince): halfpenny, Dublin, reverse with voided cross potent, moneyer: Adam (S 6205), good fine; 3rd coinage (as King): pennies (2), Dublin, moneyer: Roberd (S 6228), near fine and near very fine; penny, Limerick, Moneyer: Willem (S 6229), near fine. [4] £200-250
104. Ireland, Edward I, a collection of silver coins comprising: 2nd coinage (1279-1302), early issues: pennies (4), Dublin, pellet before EDW.R, one fine, the other good very fine or better; pennies (5), Waterford, one near fine, the others near very fine or better; halfpenny, Waterford, no pellet before EDW R, fine or better; farthing, Waterford, fine; 2nd Coinage, late issues: pennies (2), Dublin, both very fine or nearly so; penny, Dublin, pellet before EDW.R, good fine or better. [14] £700-800 (S 6247; 6249; 6253; 6256; 6264; 6265)
104
105. Ireland, Henry VIII, two silver groats, first harp issue (1534-40), mm. crown, initials HK (Henry and Katherine Howard) (S 6474). One better than very fine, the other about very fine. [2] £250-350
106. Ireland, Henry VIII, silver sixpenny groat, r. with WS and regnal year 38 (S 6484). Very fine or nearly so. £200-300
107. Ireland, Henry VIII, silver groat, first harp issue (1534-40), mm. crown, initials HI (Henry and Jane Seymour) (S 6473). About very fine. £100-150
108. Ireland, Henry VIII, silver groat, first harp issue (1534-40), mm. crown, initials HA (Henry and Anne Boleyn) (S 6472). About very £100-150 fine
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109. Charles II, silver crown, 1671, edge Vicesimo Tertio, second bust (S 3357), near very fine. £250-300
109
110. A collection of English silver coins, comprising: Mary, groat, poor; Elizabeth I , sixpence, 1561, fair only; William III, sixpence, 1696, York mint, early harp (S 3525), near fine; George II, sixpences (2), 1757 and 1758 old bust, plain angles (S 3711), good fine or better; George III, sixpences (2), 1787, no semee of hearts (S 3748) , very fine or a little better. [7] £120-160 110
111. George III, silver crowns (2): 1919, edge LIX with stops; 1920, edge LX (S 3787), the first nearly extremely fine, the second better. [2] £350-500
111
112. Victoria: silver crown, 1847, ‘gothic’ type, edge UNDECIMO (S 3883). About extremely fine. £2,000-3,000
112
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113. Victoria: two silver florins, 1849, ‘godless’ type (S 3890). Nearly extremely fine. [2] £450-550
114. Victoria, silver crown, 1847, ‘gothic’ type (S 3883), very fine or better. £800-1,200
not to scale 116. George III, silver crowns: 1820 (2) (S 3787), one fine the other fair; Victoria, silver crowns: 1889 (2) (S 3921), fine; George IV, silver shilling, 1826 (S 3812), near fine. [5] £50-70
117. A collection of silver coins, comprising: George III: halfcrown, 1818, small head, near very fine; Victoria, young head coinage: crown, 1845, ciquefoil stops, near fine; halfcrown, 1883, good very fine; Victoria, Jubilee coinage: crowns, 1887 (2), nearly extremely fine and good very fine; double florin, 1887, Roman I, extremely fine or nearly so; double florin, 1887, Arabic 1, good very fine or better; halfcrowns, 1887 (2), about extremely fine; shillings, 1887 (2), small head, extremely fine and nearly so; sixpence, 1891, near very fine; threepence, 1888, extremely fine; Victoria, old head coinage: crown, 1897, edge LXI, very fine; halfcrown, 1901, extremely £600-700 fine; threepence, 1900, about extremely fine. [16]
115. Edward VII, silver halfcrown, 1905 (S 3980, KM 802), nearly extremely fine. £3,000-4,000
not to scale 118. Five silver coins: Victoria, florin, 1849, ‘Godless’ type (S 3890), die cracks, good very fine or better; Edward VII: crown, 1902 (S 3978), good very fine or better; shilling, 1902 (S 3982), extremely fine; sixpences (2), 1903 and 1904 (S 3983), extremely fine and good very fine. [5] £350-450
S 3789; 3882; 3889; 3921; 3922; 3923; 3924; 3926; 3929; 3931; 3937; 3938; 3945.
119
120 not to scale
119. A small collection of silver coins: Victoria, double-florin, 1888, Arabic 1 (S 3923), good very fine; crown, 1897, edge LX (S 3937), extremely fine or nearly so; maundy set, 1893 (S 3943), about extremely fine; George V, halfcrown, 1918 (S 4011), nearly extremely fine. [7] £200-250 120. A collection of silver coins, Victoria and Edward VII, comprising: crown, 1887, near very fine; crown, 1897, good fine or better; halfcrowns (2), 1887, fine and very fine; florin, 1887, very fine; shilling, 1886, no die number, fine; shilling, 1887, small jubilee head, very fine or better; shilling, 1891, large jubilee head, near fine; sixpences (3), 1887, shield in garter reverse, good very fine; sixpence, 1910, fine; three-half-pences (3), 1839, near extremely fine; pennies (2), 1847, 1853, near extremely fine. [17] £200-250 (S 3921; 3937; 3924; 3925; 3907; 3926; 3927; 3928; 3983; 3915; 3920) 121. A collection of coins comprising: U.S.A.: dollars, Morgan type, 1922, 1923, both good fine; half dollars, John F. Kennedy, 1964 (3), two about extremely fine, one very fine, 1968, nearly extremely fine; Spain: Alphonso XII, 5 pesetas, 1877, fine; Alphonso XIII, 5 pesetas 1891, fine; German East Africa, rupie, 1910 very fine. [9] £80-120
121 not to scale
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not to scale 122. George III, second issue (‘cartwheel’ coingage), copper twopence, 1797, Soho mint (S 3776). Very fine or a little better. £40-60
not to scale
123. A collection of British copper and bronze coins, including: Victoria, penny, 1855, ornamental trident (S 3948); farthing, 1878 (S 3958); half-farthing, 1844 (S 3951), all extremely fine or nearly so; and others, George III to George V, including Soho Mint issues, various £100-150 grades from fair to very fine.
part, not to scale
123A. A small collection of Indian coins, including: Honourable East India Company, Bombay Presidency, copper four piece, 1803 (KM 201), about fine; Mysore, copper twenty cash, 1841 (C 193.2), good fine; Ceylon, British colony, 1/24 rixdollar, 1803 (KM 67), fine; silver rupee, half rupee and quarter rupee, good very fine; and various others. [17] £100-150
124. A small collection of ancient and early medieval coins, including: Byzantium: Focus (602-610, gold solidus, rev. with angel standing holding staff, 20.6 mm, 4.3 g; Asia Minor: Cilicia, Nagidos, silver stater, Aphrodite enthroned, rev. Dionysis standing holding vine branch, 24 mm., 10.6 g; a billon coin bearing the head of Aphrodite, her owl to the reverse; another depicting Pallas-Athena, Pegasus to the reverse; and five others, together with a fragmentary medal commemorating the capture of Porto Bello in 1741; and a small collection of modern proof and £250-350 commemorative issues. [qty] 125. Durotriges: billon stater, 58-45 B.C., abstract head of Apollo right, rev. disjointed horse left, 4.7g. Very fine £80-120 126. Celtic Britain, Durotriges: silver stater (S 366). Appears slightly mis-struck, otherwise very fine or nearly so. £80-120
125
126
127 127. Silver sceat, Frisian type, series X, 695-740, ‘Woden’ head facing, rev. crested monster with tail raised to mouth and claws below, 1.1g. Very fine £200-300 128. Anglo Saxon kingdoms: silver sceat, primary series W, c. 680710, half length figure with two crosses, rev. cross crosslet on saltire, 1.4g. About very fine. £200-300
128
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129
130
129. Durotriges: silver quarter stater, 58-45 B.C., geometric type with crescent design, rev. zig-zag pattern, 1.3g. Good very fine £80-120 130. Durotriges: silver stater, Chute type, 65-58 B.C., abstract head £300-400 of Apollo right, rev. disjointed horse left, 63g. Very fine
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131. Three silver sceats, Frisian types, c. 695-740 A.D.: a type 8, crude standard with angular symbols, rev. central cross pommee with pellets in angles; two with degenerate heads enclosing three bars, one rev. with votive standard of TOTII design, the other rev. with standard possibly reading ‘VIC’; each approximately 1.1g. Good very fine [3] £200-300
132. Mercia: Aethelred (674-704), silver sceat, primary series, degenerate head, rev. ‘Aethiliraed’ in runes to two lines, 1.6g. Good very fine £500-600
133. Dutoriges: silver stater, Cheriton type, 57-55 B.C., abstract head of Apollo right, rev. disjointed horse left, 5.1g. Good very fine. £400-500
134. Durotriges: billon quarter stater, starfish type, 35-30 B.C., starfish, rev. zig-zag and spider patterns, 0.7g. Very fine. £100-200
not to scale
135. A collection of Maundy coinage and other small denomination silver, comprising: William IV, fourpence to penny, in modern case, grades vary from fine only indicating an assembly of circulated coins; Victoria, fourpence to penny, in modern case, comment as for last applies; maundy set 1893, later case, about extremely fine; fourpence to penny, 1898, modern case, good very fine, possibly comprised of circulated coins; maundy sets (2), 1900, one in contemporary case, about as struck, the other in later case, about extremely fine; maundy set, 1901, in modern case, extremely fine or nearly so; Edward VII, maundy sets: 1902, in contemporary case, about as struck; 1903, in modern case, extremely fine. £500-700 (S 3943, 3985 (sets))
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part 136. A small collection of British silver coins, comprising: George II, shilling, 1745, Lima (S 3703), near fine; George III, shilling, 1787, semee of hearts, bust with countermark to chin (S 3746), very fine or nearly so; shiillings (2), 1816 and 1817 (S 3790), near very fine; Elizabeth I, sixpence, 1591, mintmark indistinct, otherwise near very fine; George II, sixpence, 1758, plain angles (S 3711), very fine; George III, sixpence, 1816 (S 3791), very fine; Anne, fourpence, 1710 (S 3595B), fine; Edward III, penny, Canterbury mint, fine; William III, penny, 1698 (S 3552), very fine; and two hammered coins, details indistinct. [12] £150-250
139. A large quantity of British silver coins, William III to George V, most denominations from crown to threepence, fair to fine. £300-400
142. A small quantity of tokens and coins, including: Peterborough, silver eighteen pence bank token, 1811, Cole & Co., about very fine; Stockport, silver shilling token, 1812, I. Cartwright & G & R Fearns, beehive, good very fine; George IV and Victoria, seven silver crowns, dates from 1812 to 1898, 1812 gilt and very poor, others fine to very fine; George III, silver shilling, 1816 (S 3790), very fine; and three others. [13] £150-200
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137. A small collection of coins and associated items, including: Victoria: gold sovereign, 1884, Melbourne mint (S 3857B), good very fine; a cased set of twelve silver ingots ‘The Royal Arms’, commemorating the 1977 Silver Jubilee, with explanatory cards; and a small quantity of British debased silver and cupro-nickel commemorative issues. £250-350
138. A collection of small denomination British silver coins, including: threepences (6), 1891-1918, all extremely fine or nearly so; threepences (c.94), various dates to 1919, all about very fine; and a small collection of post 1920 threepences. £150-200
140. A small collection of Anglo-Irish coins, comprising: Charles I, silver ‘Ormond’ groat (S 6548), pierced near edge, otherwise good fine or better; James II, two ‘gunmoney’ shillings, large size, March 1689 and April 1690 (S 6581O, 6581Q), each near very fine; and a collection of other Stuart, Orange and Hanoverian issues in worn condition (S 6569, 6575, 6581K, 6594, 6597, 6601, 6617, 6619, 6622). [12] £250-350
141. A small collection of numismia, including: a bronze coin of Sinjar, c. 1200, fair; France: silver gross d’argent, c.1400, fair; Flanders: Charles the Bold, silver doublepatard, 15th Century, good fine; Poland: Zigmund III, silver three grosz, near very fine; England: Salisbury halfpenny token, Thomas Cutler Junior, 1666, good fine; four other 17th Century Wiltshire tokens; George III, evasion halfpenny, ‘George Rules’, rev. ‘North Wales’, fair; and a Victorian model one penny, good very fine. [13] £180-220
143. A small quantity of coins, including: George V, gold half sovereign, 1912, good very fine; Elizabeth II, gold half sovereign, 1990, proof issue in case, as struck; Anne, silver crown, 1707, Edinburgh (S 3600), fair or a little better; William IV, silver half crown, WW in script on truncation (S 3834), very fine; Elizabeth II, one pound, 1984, proof in silver, cased with certificate (S 4222), as struck; George III, copper two pence, 1797, Soho mint (S 3776), about very fine; and others. [qty] £350-450 Please note, lots on this page are not to scale
144. A large collection of coins, including British late pre decimal issues, 20th Century foreign issues, commemorative crowns, and others. Grades vary, many heavily worn. [qty] £100-150
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145 part 146 part 145. A quantity of coins, including Chinese cash (c. 160), and a collection of British late pre-decimal issues and 20th century foreign issues, and other items. [qty] £150-250 146. A collection of British and Foreign coins, including: Great Britain, silver: Anne, shilling, 1709, 3rd bust, plain angles (S 3610), good fine; George I, shilling, 1723, 1st bust, SS in 3rd quarter (S 3647), very fine; George II, shilling, 1734, young bust, large letters, roses and plumes (S 3700), good fine; shilling, 1745, LIMA (S 3703), good fine; George III, shilling, 1787, semee of hearts (S 3746), nearly extremely fine; Victoria, florin, 1849, godless type, WW obliterated (S 3890), very fine or better; Edward VII, shilling, 1902 (S 3982), nearly extremely fine; and a large quantity of others, various grades. £600-800
147. Elizabeth II, a collection of silver and Britannia silver proof coins, all cased with certificates and some in official sets, comprising: 2000, The Millenium Collection (13 coins), two pounds to one penny and maundy set (PSS 08); 2006, The Queen’s 80th Birthday Collection (13 coins), two pounds to one penny and maundy set (PSS 22); 2000, Queen Mother Centenary piedfort crown (S 4553); 2003, piedfort one pound, DNA two pounds and Suffragette fifty pence, cased together (S 4590, 4577, 4614); 2005, two piedfort five pound coins, Horatio Nelson and Trafalgar (PSS 16); 2004, Britannia silver two pound, in card and plastic blister pack (S 4500); 1997, Barbados one dollar, Golden Wedding Anniversary; 2002, Channel Islands five pounds (3 coin set), Duke of Wellington; 2005, Channel Islands, five pounds (3 coin set with dress miniature medal), The Crimean War. Some mild patination and speckling in a few cases (notably PSS 22), otherwise about as struck. £500-600
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148
148. China, Hankow, General Bank of Communications, Dzengdjungpho and Siaohungdjao, one dollar note, March 1st 1909 (A16A). Very good to fine £1,000-1,500
not to scale
not to scale
not to scale
149. Great Britain: a collection of white five and ten pound notes: five pounds: Peppiatt, 14th March 1945; Peppiatt, 11th March 1947; Beace, 22nd July 1950, 7th April 1952; O’Brien, 6th February 1956, 10th September 1956; ten pounds: Catterus, 18th August 1930; Peppiatt, 19th November 1936; together with an Operation Bernhard forgery five pound note, 23rd November 1935. grades vary but mainly very high. [9] £400-600
150. Great Britain: a collection of one pound and ten shilling notes, all John Bradbury, including: ten shillings:1st Issue 1914, 2nd issue 1914; one pound: 1st issue 1914, 3rd issue 1917. Various grades, mainly high. [7] £600-800
151. A good collection of banknotes, domestic, Commonwealth and foreign, including: India, Reserve Bank, C.D. Deshmukh, five rupees, K23 719368, very fine; Canada, Bank of Canada, BeattieCoyne, one dollar, 1954, ‘devil’s face’ variety, TA 3274574, very fine or better; Germany, Wittenberg Prisoner of War Camp, one pfennig, 1st January 1916, very fine or better; and others including Weimar inflationary currency, Russia, and the Channel Isles, in an album, various grades, mainly high. [approx. 180] £150-200
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154 153 152. Britain: collection of one pound and ten shilling notes, Bank of England and Treasury, early 20th Century, Peppiatt, Fisher, O’Brien, Catterus, Mahon, Beauce. Mainly high grades. [17] £200-300 153. Great Britain: a collection of early to mid-20th Century banknotes, 10 shillings to 10 pounds, various cashiers. Various £200-300 grades, mainly high. [37] 154. Great Britain: banknotes, B.H.F. Somerset, one pound (95), consecutive, about extremely fine. £80-120
155. A small quantity of foreign and occupation bank notes, including: Iraq, quarter dinar, 1942 issue, number K142766, about very fine; Egypt, ten piastres, issued of law No 50/1940, number 942908, about very fine, and fourteen others. [16] £100-150 156. A small collection of coins and banknotes, including: silver crowns (8), George IV to Victoria, various dates; Victoria, silver double florin, 1889; George IV, silver shilling, 1825, third reverse (S 3812), grades from good five to very fine; various international base metal issues and worn silver; and a small quantity of banknotes. £150-250
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156
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EDGED WEAPONS 157. A Japanese sword (wakizashi), blade 17 in., shinogi-zukuri, midare hamon, mumei, gilt copper habaki with slanting file marks and raised grains, iron tsuba with applied foliate and pierced with a trellis design, fuchi and kashira relief decorated with bark effect, gold and shakudo menuki representing sprays of foliage, saya lacquered with swirling abstract effect, kogatana with characters engraved to the blade - the kozuka £500-700 decorated with an applied ear of sorgum. 158. A Japanese sword (o-wakizashi), blade 21 in., shinogi-zukuri with single hi, hamon is gunome midare becoming suguha towards the nakago, ubu-nakago with two character mei (kane tsune) enraved in a style suggesting a gendaito, plain silvered habaki, iron tsuba with applied silver kylin and mixed metal foliage, tsuka with gilt highlighted shakudo mountings comprising fuchi and kabutogane kashira with waves in relief, and menuki in the form of birds in flight, lacquered saya with subtle pattern of spiral bands and mounted en suite to the tsuka, kogatana with character engraved on the blade and with gilt and shakudo kozuka adorned with clams in a reed basket. £1,000-1,500 159. A Japanese sword (o-wakizashi), blade 21 in., shinogi-zukuri, hamon mainly suguha, clearly visible jihada, shizumu nioiguchi, some £400-600 hadawara, copper etchu-kise habaki, recent polish and mounted in modern shirasaya. 160. A Japanese dagger (tanto), blade 8.5 in., o-no-kubi-zukuri, copper habaki, cord wrapped grip with single menuki involving a horse, saya with associated kogatana. £450-550
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157
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161. A Japanese dagger (tanto), blade 8 in., hira-zukuri, copper habaki, iron fuchi and kashira, laquered saya with ribbed top.
£350-450
162. A Japanese dagger (tanto), blade 10.75 in., hira-zukuri with horimono: goma hashi to one side and suken to the other; copper habaki with nekogaki, gilt bronze openwork tsuba with relief decoration of an eagle, tape wrapped same grip; associated saya lacquered in imitation £400-500 of cherry bark, horn kurigata; kogatana with inscription to the blade, the shakudo kozuka with gilt highlighted horse in relief. 163. A Japanese dagger (tanto), blade 8 in., hira-zukuri with undulating hamon and distinct boshi, silvered habaki with nekogaki, shakudo tsuba with applied leaves to a nanako ground, matching fuchi and kashira depicting musical instruments or toys, paired menuki in the form of rats, plain laquered saya, associated kogatana with kozuka adapted from cutlery and depicting a sword maker. £500-600 164. A Japanese dagger (aikuchi tanto), plain steel blade 6.5 in., hira-zukuri; brass habaki; copper plated mounting with detailed relief decoration of shellfish including lobsters enveloping the ends of the hilt and scabbard. £100-150 165. A Japanese headdress (jingasa), of lightweight lacquered wooden construction, low crown with a slight ridge to the brow, broad brassbound brim with up-swept peak, agemaki suspended from ring, dark lacquer with crushed shell finish, gilt hollyhock mon (Tokugawa clan) repeated to the sides and front, interior lacquered red and retaining part of a padded lining. £100-150
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163
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165
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166. A fine Turkish sword (kilij), watered steel blade 28.5 in., the yelman 12 in. with gold damascene to a raised panel, shallow fuller, ribbed back with further gilding, the forte with gold damascene incorporating an inscription to a cartouche and with engraved roundel depicting a lion; the hilt with silver-gilt cross guard chased with foliate and geometric decoration, narrow langers and long quillons with bud terminals, rhinoceros horn grips forming a bulbous hooked pommel; scabbard with large silver-gilt and repousse decorated locket and chape extending to cover all but a small leather clad section at the centre. ÂŁ1,000-1,500
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167. A good Arab sword (nimcha), slightly curved multifullered blade 34 in., dense gold damascene decoration to the forte; iron hilt of characteristic form with three drooping drop-terminal quillons and angular knuckle guard, richly decorated with gold damascene, rhino horn grip of hooked form with enamelled collar; velvet covered scabbard with chased brass mounts (possibly slightly later), Morocco, 19th ÂŁ700-1,000 Century.
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168. A fine silver-gilt mounted Ottoman sword, gently curving bifullered blade 31 in., silver-gilt hilt comprising an ornate cross piece with scrolling quillons and moulded decoration, and a grip with characteristic bulbous hooked terminal; leather covered wooden scabbard with silver-gilt mountings comprising an elongated locket with impressed decoration to a border and with a shaped flange that mates with the langets of the hilt, and two bands with moulded spiral decoration and loose rings; steel chape - probably earlier - retaining traces of gold koftgari; silver gilt parts marked for the period of Abdul Hamid II (1876-1909). The blade and chape appear earlier than the marked parts, and the chape is of a different style to the upper scabbard mountings, suggesting a weapon that has been (lavishly) re-mounted. ÂŁ1,200-1,600
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169. A Persian sword (shamshir), curved watered steel blade 31.5 in., with gold damascene decoration of a panel of flowers adjacent to the hilt and a border running the entire length of the back; steel hilt with button terminal quillons and a border of gold koftgari, ivory grips, fabric covered scabbard with two steel bands decorated en suite. ÂŁ400-600
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170. A Persian sword (shamshir), curved blade 28 in., iron hilt with Arabic script in relief to the ecousson and rosette terminal quillons, collar of braided gold wire, the frame covered with sheet gold, ivory grip scales, lacking pommel; leather scabbard with moulded scrolling decoration and two iron bands with arabic script en suite to the hilt, gold repousse decorated chape, late 18th or 19th Century. £400-600 171. An Arab sword (shamshir), slender curved blade 34 in., iron crosspiece with button-terminal quillons, horn grip with a line of brass flower-head studs to the outer side, long iron pommel, lacks scabbard. £200-300 172. An Arab sword (shamshir or majar), broad Hungarian blade 32 in., bi-fullered and with etched decoration including lions, hussars and the legend ‘Vincer Aut Mo Hungaria’ (Victory for my Hungary); steel crosspiece with button terminal quillons, studded horn gripscales; leather scabbard with two iron bands, late 18th or early 19th Century. £200-300 173. An Indian sword (shamshir), curved blade 28 in., with traces of islamic script in panels and a cartouche, steel crosspiece with button-terminal quillons, steel grip chased with flower heads within a £150-250 lattice, lacks scabbard.
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174. A fine Persian dagger (jambiya), curved watered steel blade 9 in., with raised edges and medial ridge, carved with a gold inlaid trefoil at the point and with raised and gold inlaid panels at the forte with Islamic text; waisted walrus ivory hilt; leather scabbard with moulded decoration, hinged scrolling suspension ring to a scalloped white metal boss, long white metal chape terminating in a bud shape, early 19th Century. £1,000-1,500 175. A good Indian dagger (peshkabz), watered steel Tsection blade 9 in., the frame of the hilt decorated with gold koftgari, ivory grip scales, red leather scabbard with moulded top enclosing the base of the hilt, late 18th or 19th Century. £500-700 176. An Indian elephant goad (ancus), of iron decorated with gold koftgari, the re-curving hook mounted to a squaresection shank and having upturned inner spur terminating in a monstrous head, leaf shaped spear point, openwork haft forming six cages each with a captive bell, rounded pommel, length 57.5 cm (22.5 in.) £450-550
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178
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177. An Indian sword (firangi), straight single edged blade 40.5 in., short inscription to the back below the hilt (possibly in Brahmi script), steel hilt of Hindu basket type joined to the blade by flanges descending from a transverse bar with architectural terminals, angled guard and broad knuckle bow, hemi-spherical pommel with typical slender extension. £150-200 178. An Indian sword (firangi), single edged European blade 38 in., two narrow fullers to each side, steel hilt of Hindu basket type united with the blade by long flanges descending from a transverse ridge, large angled guard with interior padding, broad knuckle bow, teardrop shaped pommel and faceted extension with fluted terminal. £180-220 179. Two Indian swords (firangi), each with a curved blade: one of 36 in. and with incised marks of a moon and stars, the other 34 in. and broadening slightly towards the point; steel hilts of Hindu basket type with large guards and broad knuckle bows, the pommels with characteristic slender extensions. [2] £200-300 180. An Indian sword (khanda), straight flaring blade 32 in., double edged with rounded shoulders to the broad point, characteristic re-enforcing rib with pierced decoration; Hindu basket type hilt with long langets projecting from the ornate quillon block, sheet steel handguard, hemispherical pommel, long stalk-like £300-500 extention with bud terminal; lacks scabbard.
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181. An Indian sword (tulwar), curved blade 31.5 in., double edged for the last 10 in., engraved to either side with Arabic text within panels formed by parallel lines of interrupted fullers, also engraved with an eye towards the point; iron hilt of characteristic form with langets, short quillons, knuckle bow and disc pommel mounted with a spike on a fluted base, and with geometric decoration in silver koftgari; black leather covered scabbard, 19th Century. £150-200 182. An Indian ‘executioner’s’ sword of impressive proportions, heavy curved blade 31 in., stepped back, double edged for the last 11 in., 2.5 inches at the broadest point, narrow back fuller, with impressed decoration and a punched mark near the hilt; all-steel Indo-Muslim hilt with slender langets and short quillons, swollen grip, large disk pommel with drooping finial, pierced steel lanyard ring, hand guard of £300-500 Hindu type, lacks scabbard. 183. An Indian Sword, straight European blade 35 inches with twin fullers and 7.5 inch back edge, fullers with repeated impressed marks (possibly ‘IHS’), steel hilt of Indo-Muslim form with short quillons, swollen £400-600 grip and disc pommel; but decorated in the South Indian manner with foliage in relief. 184. A good Indian sword (tulwar), heavy curved blade 29.5 in., doubled edged for the last 11 in., with multiple fullers forming a panel with scrolling details at each end, watered steel appears acid treated to accentuate the pattern, retaining traces of gilt decoration; all-steel hilt of Indo-Muslim form with decorative borders of silver koftgari; lacks scabbard. £300-500 185. An Indian sword (tulwar), watered steel blade shamshir type blade 34.5 in., with gold inlaid Arabic script in a cartouche and engraved with a lion within a roundel, Indo-Muslim hilt retaining much silver koftgari, the knuckle bow with bud-shaped finial turning back from the disc pommel, lacks scabbard. £150-200
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186. A group of three Indian swords (tulwar): each with a curved blade and Indo-Muslim hilt, all having knuckle bows, two retaining much silver koftgari decoration, lacking scabbards. [3] £200-300 187. A group of five Asian swords, comprising: four Indian tulwar, with curved blades and characteristic Indo-Muslim hilts, two having knuckle bows, of which one has a scabbard, one with silver koftgari decoration; and a Sumatran podang, all steel hilt similar to the tulwar type, leaf terminal quillons, lacking pommel, all lacking scabbard except where stated. [5] £200-300 188. A group of five Asian swords, comprising: four Indian tulwar, with curved blades and characteristic Indo-Muslim hilts (one partial), two having knuckle bows, of which one retains partial silver koftgari decoration, one with scabbard; and a Sumatran podang, curved blade 22.5 in., all steel hilt similar to the tulwar type, leaf terminal quillons, bulbous pommel, all lacking scabbard except where stated. [5] £200-300
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189 190 189. A good Indian shield (dhal), of lacquered hide, the face with a border of flower heads, further flower heads arranged in concentric circles to the centre, and with eight large flowers within gilt edged black roundels, all to a maroon ground; the back with gilt foliate sprays to an orange ground; set with four brass bosses and with four rings to the back, lacking £400-500 handles but complete with knuckle pad. 190. An Indian hunting sword (shamshir shikargar), curved blade 20 in., chased with zoological themes to one side and deities within panel to the other, steel khanjar type hilt; together with another Indian sword, flamboyant blade 24 in. with silver koftgari decoration, steel khanjar type hilt (some sources refer to this as a ‘nagan’, from Pahari - ref. E. Jaiwant Paul, ‘Traditional Weapons of India), both lacking scabbard. [2] £150-250 191. An unusual Indian dirk or short sword, forward curving blade 12 in., all steel parrot-head hilt, crosspiece of shamshir type, gilt copper mounted and velvet covered scabbard, the locket with a sinlge loose ring, the chape with a bud shaped terminal framing small panels of red and green glass, each mount with delicate punched decoration involving £150-250 flower heads, 19th Century. 191
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192. A Southern Indian dagger (katar), slender blade 12 inches and possibly of European origin, fixed to the hilt by rivets through two shaped flanges, steel hilt with distinctive arch uniting the lower ends of the border engraved side bars, ornate double transverse grips reminiscent of Southern Indian architecture, Tanjor, possibly 17th Century. £300-500 193. An Indian dagger (katar), triangular blade 12 in., multiple fullers converging to form a pattern of chevrons, the base of the blade enclosed by ornate flanges uniting it with the steel hilt, spatulate side bars with beaded edges, reeded transverse grips, possibly Tanjore. £200-400 194. An Indian dagger (katar), broad triangular blade 8 inches with medial ridge, steel hilt with side bars bearing geometric decoration in low relief, transverse grip formed of two baluster shaped bars, £200-300 17th/18th Century. 195. A Southern Indian dagger (katar), triangular blade 11 inches with broad fullers and swollen point, steel hilt with allover chased and pierced decoration involving flower heads and leaves, shaped flanges fixed with rivets to the base of the blade, flaring side bars of curved section and with stepped terminals, £600-800 reeded twin side bars with swollen hexagonal centres.
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196. An Indian ivory dagger hilt, for a khanjar, Mughal, modelled as a horse’s head unbridled and with flowing mane, with scrolling base and set with two gilt flower heads to either side, 140 mm (5.5 in.). £300-500
197. An Indian sword hilt, tulwar type, copper-gilt and chased allover with flower heads and scrolling foliage, characteristic slender langets and short quillons, swollen grip, the pommel in the form of a tiger’s head biting the feet of the hare that forms the knuckle bow, Rajasthan, 17th Century. £150-200 198. An Indian axe (tabar), the head with inlaid brass decoration and a fluted socket reminiscent of the Khond types, wooden haft 69 cm (27 in.) £150-250 199. A group of six Asian weapons, comprising: a Nepalese short sword (kora), heavy forward curving blade 17.5 in., with flaring point chased with an eye to either side, European style hilt with curved quillons and stag horn grip; two Khyber knives (one with partial hilt) in scabbards; a Ceylonese sword (kastane) with carved horn hilt terminating in a monstrous head; a South Indian iron hilt fitted with a European blade, and a dha, lacking scabbards except where stated. [6] £150-250
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199 200. A large two-handed Nepalese sacrificial knife (kukri), heavy blade 25 in., of characteristic forward curving form with double curved edge, painted with an eye (refreshed); long wooden baluster grip fixed with three copper rivets; lacks scabbard. The size of this kukri would suggest its use in the ritual sacrifice of buffalo or goats. £100-150 201. An Omani dagger (jambiya), curved blade 6 in., horn hilt set with coins, scabbard clad in white metal embossed and with £50-70 characteristic ringed bridle.
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202. A good Burmese dagger (dha hmyaung), stout blade 7.25 in, single edged with a slight forward curve; plain hilt of polished ivory with white metal collar; silver mounted wooden scabbard, 19th Century. £150-200
203. A Burmese carved ivory hilt, for a dha hmyaung (dagger), the upper part with intricate openwork carving representing a demon with boar-like tusks entangled in a scrolling and flowering plant which he is attempting to devour, 19th Century, length 125mm (5 in.). £200-300
204. A Sumatran knife (rentjong), slender single edged re-curved blade 9.5 in., faceted socket; the horn hilt of characteristic curved and swollen form, narrow terminal; open-backed wooden scabbard with ivory top, incised decoration and carved details to the curved terminal, 19th Century. £80-120 205. A good Sinhalese knife (pihakaetta), heavy clip-backed blade 9 in., back fuller and upper part of blade overlaid with incised and repousse decorated white metal, two-stage hilt with brass collar inlaid in silver and extending in scrolls to cover part of the blade, white metal mounted horn grip. £400-500
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206. A pair of Chinese melee weapons, one piece iron or steel construction, each in the form of two opposed and overlapping crescents, the middle of one forming the grip and that of the other a sharpened knuckle bow, the ends forming four sharpened spikes, known by various names including ‘Mandarin Duck Axes’, 29.5cm (11.5 in.). £100-150
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207. A Indonesian dagger (kris), blade 13 in. slightly flamboyant and with gold inlay to the top, Javanese type faceted hilt with discreet areas of carved detail, boat shaped wrangka, metal covered pendok with incised decoration. £600-800
208. An Indonesian dagger (kris), straight blade 13.5 in. and slightly swollen at the centre, wooden hilt of Javanese type, gilt metal mendak, rounded wranka and metal clad pendok. £250-350
211. An Indonesian dagger (kris), straight blade 12 in., Javanese type hilt of faceted form with small areas of carving, medak set with simulated gems, scabbard with rounded wranka and plain metal covered pendok. £250-350
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209. An Indonesian dagger (kris), flamboyant blade 15 in., ivory hilt of Maduran type finely carved with profuse botanical decoration, mendak set with paste cabochons, rounded wranka, metal clad pendok. £400-500
212. An Indonesian dagger (kris), flamboyant blade 15 in. with gilt and openwork decoration to the top involving seated lions holding simulated gems in their mouths, Maduran type hilt of finely carved ivory, scabbard with boat shaped wranka having carved detail to a projecting lug. £400-500
210. An Indonesian dagger (kris), straight blade 14 in., ivory hilt profusely carved with botanical themes, scabbard with boat shaped wranka having carved details to a projecting lug, pendok with repousse decorated metal cover. £300-400
213. An Indonesian dagger (kris), slightly flamboyant blade 14.5 in., lacks hilt, plain scabbard; together with an unrelated wooden kris hilt carved as a male figure, grimacing and clutching his stomach. [2] £50-70
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214. An Abyssinian sword (shotel), the re-curved doubleedged blade 30 in., central fuller with narrow medial ridge, waisted wooden hilt with brass disc to the pommel; together with another similar sword, European style back fullered blade 35 in., hilt with flaring horn collar and pommel, wooden grip, domed brass pommel, both lacking scabbard, 19th Century. [2] £200-300
215. A Sudanese sword (kaskara), broad double edged blade 37 in., iron crosspiece with squared-off quillons and langets, wooden grip; two other African swords (the type normally described as takouba), cruciform hilts covered with sheet metal, nut-shaped pommels, one with hide scabbard; and another African sword, curved European blade 30 in., wooden hilt with white metal collar and pommel, lacking scabbard unless otherwise stated. [4] £150-250
216. A collection of Eastern edged weapons, comprising: a Jambiya, Omani type; The hilt and silver clad scabbard of an Arab Jambiya; two kukris, and three other daggers. [7] £150-200
217. An Indian parrying weapon (madu), formed of two buck horns united by an overlapping joint, and with steel tip (one horn lacking); a small dha; and a pair of unmounted horns. (4) £80-120
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218. A collection of Asian and African edged weapons, including: a Chinese short sword (jian), straight double edged blade 16 in., reeded fruitwood grip with brass mounts; a jambiya, curved blade with silver koftgari details, steel hilt of waisted form also retaining traces of koftgari, an Indian dagger with flamboyant blade and bichwa type brass hilt; two Afghan daggers (choora); and several others, some £250-350 lacking scabbards. [25] 219
219. A North African dagger (jambiya), curved blade 9.5 in., hilt of characteristic form with peacock fan pommel, mounted with repousse decorated white metal, white metal faced scabbard decorated en suite. £100-200 220. A large ornamental African sword, curved blade 20.5 in., multi-stage hilt of wood, bone and brass, moulded leather scabbard with ball chape and £80-120 with by-knife, 20th Century. 221. A collection of edged weapons, including: three German S98/05 bayonets, one with scabbard and one a saw back variant; a Swiss model 1899 bayonet, with scabbard; three other bayonets; a Second World War escape axe of aircraft type, with broad arrow mark; a Congolese knife with leaf shaped blade and wire bound hilt; a Central Asian short sword with open sided scabbard; and a Zulu type axe. [11] £250-350
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222. A collection of spears Mainly African with iron blades and wood shafts, with four loose blades, 258cm the longest. (14) £500-800 Provenance John Woodman Higgins Armory Collection, Thomas Del Mar Ltd, 20th March 2013. 220
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223. A good copy of Japanese presentation sword (tachi), blade 31.5 in., shinogi-zukuri, horimo of a cherry branch to one side and bamboo to the other, nakago bears spurious signature Sa Yukihide saku kore, tsuka and saya clad in samegawa and with full length copper fukurin embellished with repousse scale decoration, silvered fittings cast in heavy relief with cherry blossom and other botanical themes, comprising: sarute, kabutogane, fuchi, tsuba, koiguchi, ashi kanamono, semegane and sayajiri; leather obitori with nanatsu-gane, menuki and other discrete ornaments ensuite and accompanied by others depicting crouching warriors, possibly 20th Century China or Taiwan. £500-600
224. A Japanese sword (tachi), blade 27 in., shinogi-zukuri, suguha hamon, gilt copper habaki, aoi tsuba engraved with twining foliage, tsuka and saya with full length fukurin and encircled by a series of reeded brass bands, each of the intervening panels set with the hollyhock mon of the Tokugawa clan amid foliate scrolls, kabutogane and sayajiri with upswept ends, ashi kanamono with buff leather obitori each set with a further hollyhock mon. 19th Century £500-600 225. A bone mounted Japanese sword (wakizashi), plain steel blade 15 in., bone mountings carved allover with figures including warriors. £150-250
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226. A fine 19th Century British Naval presentation sword, ‘PRESENTED BY THE SEAMEN OF HIS MAJESTY’S SHIP EURYALUS TO LIEUNT CHARLES PEAKE; AS A TOKEN OF THEIR ESTEEM AND GRATITUDE: XXVIIITH AUGST MDCCCXXI‘, curved hatchet point blade 32 in., etched along its entire length with naval and martial motifs, a crowned garter, Neptune, the allegorical figure of Hope, and the dedication, all amid foliate scrolls; gilt copper stirrup hilt with lion head pommel, triangular langets with swagged and tied edges and displaying the stern of a ship in relief, border engraved cross piece with scrolling acanthus terminal, ornate knuckle bow in the form of winged Victory, wire bound horn grip; part scabbard of black leather with heavy gilt copper mounts: the locket and band well engraved with scrolls and arms against a seeded ground, each set with an oval medallion depicting Hope (locket) and Hercules fighting the Nemean Lion (band), and each with a suspension bracket in the form of a writhing dolphin (retaining the swivel clips from the belt, lower part of scabbard missing). £2,000-3,000 The presentation of this sword in 1821 (together with a silver vase) is recorded by O’Byrne, who notes that Peake “commanded the Euryalus for a short period”. He had previously taken part in a number of actions including cutting out operations and the taking of prizes. Reference: William O’Byrne, ‘Naval Biographical Dictionary Vol 2’ 227. An 18th Century basket hilted sword, singled edged blade 33.5 in, with very shallow fullers, engraved scrolls and the conventional legend ‘ANDREA FERARA’; elegant steel basket hilt formed of slender reeded bars and incorporating crosses and foliate details, oval opening the the inner front, braided wire bound shagreen covered grip, tiered bun-shaped pommel. £600-800
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228. An early 19th Century British light cavalry officer’s levee sword, curved and fullered blade 30 in., with etched decoration and retaining traces of blue and gilt; gilt metal hilt of ‘mameluke’ type, embossed crosspiece with lion mask device to the ecusson and flaming quillon terminals, ivory grip scales, sword knot; the leather covered scabbard with ornate gilt brass mounts (band and long chape £500-700 original, locket a replacement). 229. An early 19th Century officer’s sword of flank company type, curved single-edged blade 29 inches, blue and gilt decoration: the blueing covering the lower 19 inches and terminating in foliate scrolls; the gilt details including stands of arms, feathers and foliage; gilt-brass stirrup hilt with oval langets, horn grip with braided wire binding, gilt-brass scabbard with two loose rings; with a sword belt, the red leather hangers with gold bullion facings. £500-700
230. A Georgian naval officer’s sword, spadroon blade 32 1/2 in., the forte with blue and gilt decoration incorporating the Royal arms, steel stirrup hilt with diminutive reeded langets and with a loose ring to the knuckle bow, faceted back strap, flat pommel with hexagonal tang nut, reeded ivory grip; steel scabbard fittings comprising locket with monogrammed frog stud, band and chape, retaining fragments £300-500 of the brown leather scabbard.
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231. An officer’s sword of the 2nd Battalion Argyll and Sutherland Highlanders, regimental pattern with straight double edged Highland pattern blade etched ‘93’ and with the officer’s initials ‘J.H.C.’ (John H. Campbell), dated 1899 and numbered A100993, retailed by S.J. Pillin of Soho, plated guard of 1857 Royal Engineers pattern with pierced scrolling foliate design (not removable), brown leather sword knot, brown leather covered scabbard, leather sword bag. £300-500 Although the proud and illustrious 93rd (Sutherland Highlanders) Foot had been merged with the 91st Argyllshire Highlanders in 1881, they continued, as the 2nd battalion of the new regiment (Argyll and Sutherland Highlanders), to use their old regimental number. This sword is an example of the interesting variant patterns adopted by some Highland Regiments as alternatives to the archetypal basket hilt.
232. A group of three swords, comprising: an early 18th Century hanger, curved bi-fullered blade 25.5 in, cut steel hilt with flat openwork outer guard and slender knuckle bow, barley twist ivory hilt; a late 18th Century Infantry hanger, curved blade 28 in., with broad fuller, brass stirrup with urn pommel, reeded ivory grip; and a George III spadroon of naval type, straight blued and gilt blade 32 in., brass stirrup hilt, chequered ivory grip. [3] £300-600
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233. An 18th Century smallsword, hollow-ground triangular-section blade of ‘colichemarde’ type and 31.5 in., decorative engraving to the forte, steel hilt with oval guard and pommel each pierced and embossed with a scrolling design, quillons and knuckle bow decorated in relief, grip bound with silver wire, lacks scabbard. £200-300 234. A George V naval officer’s sword of the Royal Indian Marine, blade 31 in., etching including crowned star above a fouled anchor, gilt brass hilt with crowned fouled anchor superimposed on a star, lion head pommel with mane running the length of the back strap, wire bound shagreen grip; complete with gilt-brass mounted black leather scabbard, sword knot, and sword bag; together with an Officer of the Watch telescope by Ross, London. [2] £150-250 235. A British pattern 1895 infantry officer’s sword, originally carried by Major General Charles Rudyerd Simpson, Linconshire Regiment, blade 32.25 in. and etched with details including VR cypher, battle honours ‘Atbara’ and ‘Khartoum’, the Simpson family crest of a cresent and the motto ‘Tandem Implebitur’, and the monogram ‘CRS’; regulation hilt with pierced guard incorporating crowned VR cypher and lacking the turned over inner edge that was introduced in 1897, by Henry Wilkinson and numbered 33372, steel scabbard. £150-200 Having been second in command in the Sudan, General Simpson later rose to command the Regiment. 236. A Victorian 1854 pattern Foot Guards officer’s sword of the Grenadier Guards, blade 32.5 in., etched with regimental motifs under a Queen’s crown and with battle honours from Lincelles to Inkermann, by Henry Wilkinson and numbered 6236, steel ‘gothic’ hilt incorporating regimental badge, steel scabbard with stamped number inside the throat corresponding to that on the blade. £200-300
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237. A George V rifle regiment officer’s sword, etched 1895 pattern blade, steel ‘gothic’ hilt with stringed bugle to the cartouche, steel scabbard; together with an Edward VII artillery officer’s sword, etched blade with Corps motifs and monogram ‘BW’, steel three bar hilt, steel scabbard. [2] £200-300 238. Two Victorian Infantry officer’s swords: an 1854 pattern, fullered blade with decorative etching, brass ‘gothic’ hilt with VR cypher, steel scabbard; and a rifle officer’s sword, steel hilt incorporating stringed £200-300 bugle, leather field scabbard. [2]
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239. A Victorian Rifle Volunteer officer’s sword, regulation fullered blade etched with VR cypher and stringed bugle, steel ‘gothic’ hilt, steel scabbard, black sword bag. The sword of Henry Foulkes Kingdon, who was an expert in Marine Insurance and advised the government on such matters duiring the Great War. His obituary records that he has a ‘keen volunteer’, and he belonged also to the Victoria Rifles Lodge. £150-200 240. A British 1796 pattern light cavalry officer’s sword, the blade with etched details and retaining traces of gilding, regulation stirrup hilt; together with a Victorian Royal Artillery officer’s sword, with etched blade and three bar hilt, both lacking scabbard. [2] £100-150 241. An Imperial Russian officer’s dress sword, curved blade 32.5 in., with etched decoration including the Russian Imperial eagle and a crowned ‘A’ monogram, by Alex Coppell and bearing his scales mark; brass stirrup hilt with scrolling back quillon and oak leaves to the pommel, steel scabbard with two suspension rings. £200-300
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242. A 17th Century plug bayonet, broad blade 12 in., brass hilt with slightly swept quillons and slender pommel, turned hardwood grip. £150-200 243. A scarce 1907 pattern bayonet, of original specification with hooked quillon, scabbard with tear drop shaped frog stud. £150-200
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244. A 19th Century dagger, double edged blade 6 in. with square ricasso, white metal hilt with lobed guard and fluted pommel, faceted ivory grip, copper mounted maroon leather scabbard, European or American. £70-100 245. A George V Royal Naval Reserve midshipman’s dirk, of regulation form, etched blade 18 in., brass hilt with R.N.R. badge to the ecousson, lion head pommel and shagreen grip, retained in the £100-150 brass mounted leather scabbard by a sprung clip.
246. A pair of 17th Century tassets, each with two fluted lames united by a hinge, turned over edges, set with steel flower head studs, upper lames with small buckles and slotted for suspension from a breast plate. £400-600
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247. A pair of armoured gauntlets, 16th Century style, the cuffs with turned over rope twist edges, the hand protected by five lames - the last with moulded knuckle stalls and a rope twist band, fingers covered by 3-4 small lames (some detached), all fixed by dome headed rivets. £400-600
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248. A group of four British officer’s regulation swords: an Edward VII 1897 pattern infantry officer’s sword, of the light type, retailers mark of Flight, Winchester, steel scabbard; an artillery officer’s sword, reeded steel three bar hilt, brown leather field scabbard; another of the same type, lacking scabbard; and an 1821 pattern light cavalry officer’s sword, pipe-backed blade, three bar £300-400 hilt, lacking scabbard. [4]
249. Four edged weapons: a Victorian rifle officer’s sword, steel ‘gothic’ hilt with stringed bugle; a British 1879 pattern saw back artillery bayonet, steel hilt with knuckle bow; a British 1897 pattern Infantry officer’s sword; and a Belgian Infantry officer’s sword, slender diamond section blade, brass boat shell guard; each lacking scabbard. [4] £150-250
251. A court or society sword concealed within a cane, slender blade 28 in., with etched decoration including a cross and a paschal lamb, retailer’s name of Kenning; gilt-brass hilt without cross piece; gilt-brass mounted leather scabbard; the case in the form of a walking cane with screw off top. £150-200
252. A 19th Century sword cane, double edged three-stage blade 29 in, the forte with etched and gilded decoration in the Spanish manner, plain wooden shaft and with turned top. £250-350
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250. Three replica pole arms: a halbard, a ranseur, and a double edged bill, each of wrought iron and mounted on a hardwood pole, the halberd struck thrice with an armourer’s mark, probably 19th Century. [3] £250-350 254
253. Three 19th Century sword canes: the first with ivory pommel carved as a bust of the Duke of Wellington, malacca shaft, a straight pull revealing a 14 in. blade; the next with ivory top in the form of a fist holding a scroll, bamboo shaft, a straight pull revealing a 5.5 in. blade retaining traces of gilding; the last with turned ivory top, a stright pull revealing a 12 in. blued and gilt blade/ [3] £350-450 254. Spain: a Basque walking stick (makila), relief carved medlar wood shaft, metal ferrule impressed ‘Ainciart St Jn De Luz’, shod with a steel spike, metal handle unscrewing to reveal a spike, pommel engraved ‘A. Warden’, length 89 cm (35 in.) £80-120 253
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FIREARMS
255. A Japanese matchlock musket (tanegashima), hexagonal barrel 42 in. and formed with slightly concave flats, cherry branches inlaid in brass to the breech; brass snapping matchlock action, hinged pan cover; full stock set with brass maple leaves and tsuta mon (ivy leaf), characteristic short butt with brass lined aperture for the match. £800-1,000
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256. An Indian matchlock musket (torador), swamped sighted barrel 46 in., with bands and panels of gold koftgari to the muzzle and breech, full stock with moulded and gold painted decoration and sling swivels, steel side plates, characteristic slender kite-section butt with ivory butt cap, 19th Century. £200-400
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257. A North African snaphance musket, sighted barrel 48 in. with swollen muzzle, part covered by niellooed and copper bands, short stock with iron bound edges and set with nielloed panels and studs, Morocco, 19th £200-300 Century. 258. An Indian matchlock musket (toradar), tapering barrel 33 in. (probably shortened), with simple decorative band near the breech and notch back sight, wooden stock retained by steel bands and with steel re-enforcing plates to each side, characteristic tapering kite-section butt with applied mother-o’-pearl details and £100-150 stamped ‘2122’.
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259. An Albanian 18 bore miquelet lock pistol (verdha), barrel 13 in., with chased decoration and struck with control or maker’s marks (indistinct); steel lock; full stock entirely covered in sheet brass chased with scrolling decoration and having enamelled decoration at the wrist, pointed ‘rat-tail’ butt, steel ram rod, early 19th Century. £200-300
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260. A pair of late 18th Century 20 bore duelling pistols, by H. W. Mortimer, slightly swamped sighted octagonal barrels 10 in., top flats engraved ‘H.W. MORTIMER - LONDON - GUNMAKER TO HIS MAJESTY’, hooked breeches, London proof marks and maker’s mark to the undersides of the breeches, acanthus engraved tangs; locks engraved ‘H.W. MORTIMER’, frizzens with rollers acting on the springs, safety bars; full stocks with steel furniture, fat sided grips with diamond lattice chequering punctuated by flower heads, horn tipped ram rod with worm to one - the other with later steel tipped ram rod; in a baize lined fitted case with associated combination flask (holding powder, balls and flints) and ball mould. By Harvey Walklate Mortimer 1 (1753-1819) £3,000-5,000
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261 261. A cased Beaumont Adams 54 bore five-shot revolver, top flat engraved ‘ROBERT ADAMS. 76 KING WILLIAM STREET, LONDON’, border engraved solid frame marked ‘ADAMS PATENT’ and numbered 40499 (number repeated on cylinder), Birmingham proof marks, chequered one-piece grip; fitted oak case lined in green baize and with Adams Trade label to the lid, with contemporary accessories including cleaning rod, bullet mould, powder flask, and oiler bottle. £1,200-1,400 Dating from the period 1858-65, when Robert Adams, having broken with the London Armoury Company, re-established his independent retail business at 76 King William Street. References: Howard L. Blackmore, ‘Gunmakers of London’; Taylerson, Andrews and Frith, ‘The Revolver 1818-1865’ 262. A cased British six-shot transitional revolver, octagonal barrel 5.75 in. with dovetailed front sight, plain cylinder, round action with acanthus engraving to the sides, backstrap and butt cap; selfcocking with bar hammer, chequered wooden grips, in apparently original fitted and baize lined case £650-750 with powder flask, turn-screw, rammer and oil bottle; trade label of William Ling. 263. Boutet et Fils: a fine percussion conversion 20 bore double sporting gun, barrels 28.5 in., inlain in gold with ‘BOUTET ET FILS/ A VERSAILLE’ and with ‘No 622’ in gold to the top rib, platinum bead, hooked breech, the tang with a trough for sighting, the locks each engraved ‘Boutet et Fils a Versailles’ in cursive script, the later hammers engraved ‘Dubose’ and ‘Renne’, half stock with steel furniture in characteristic French style, chequered fore hand and wrist, finely £1,000-2,000 chequered steel butt plate, brass tipped wooden ramrod. Nicolas Noel Boutet (1761-1833) is celebrated as the foremost gunmaker of the Revolution and of the 1st Empire. Enjoying the patronage of Napoleon Bonaparte, he was director of the arms manufactory at Versailles and completed many commissions for presentation arms of the highest standard.
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264. A British flintlock cavalry carbine of Paget type by Egg, .66 caliber sighted barrel 16 in., marked ‘D. Egg London’, private tower proof marks; border engraved lock signed ‘D. EGG’, flat ring necked cock, lacking the safety bolt usually found on this type; full stock with brass furniture including trigger guard with squared off terminal, side nail cups, no sling bar, captive steel ram rod. Presumably a commercial variant of the Paget Carbine for volunteer use. £200-400 265. A British service percussion carbine of Constabulary type, .65 caliber smooth bored barrel 26.5 in. and pinned to the stock, Tower marked lock dated 1855 and with crowned V.R., full stock with brass furniture, Lovell’s side nail cups, Lovell’s bayonet catch, butt stamped for 2nd class reserve, steel ramrod numbered 152. Conforming to Bailey’s specification for the 1842 constabulary carbine except for the barrel length, which he gives as 25 5/8 in. £250-350
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Reference: D.W. Bailey, ‘British Military Longarms 1715-1865’ 266. An Indian 1853 pattern style percussion musket, smoothbore barrel 37 in., with simple notch back sight, Jaipur arsenal markings, lock with spurious Tower markings, configuration of stock and barrel bands conforming to the P’53 type. £200-300 267. A percussion conversion musket, barrel 38 in, with traces of London proof marks (the view mark apparently picked out in gold or brass), later Jaipur arsenal markings, further partial marks to the plain lock, P ‘53 type hammer, the stock with brass furniture and iron sling loops, configuration generally conforming to the India Pattern musket. £250-350 268. A late 18th Century flintlock blunderbuss by Brander, brass barrel 15 in., bell muzzle and hexagonal at the breech, top flat engraved ‘London’, London proof marks, border engraved lock signed ‘BRANDER’, full stock with brass furniture. £1,200-1,400
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269. A late 18th Century flintlock blunderbuss by Henshaw, brass barrel 15.5 in., with bell muzzle and hexagonal at the breech, top flat engraved ‘STRAND LONDON’ and with acanthus leaf detail, London proof marks; lock signed ‘HENSHAW’; full stock with brass furniture, the trigger guard having an acorn finial and the side plate and butt plate engraved with acanthus scrolls, brass tipped wooden ramrod. £1,500-2,000
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Blackmore records two makers named Henshaw with addresses in the Strand: William (2) from 1763 to 1780; William (3) from 1780-1791. 270. A 19th Century flintlock blunderbuss, barrel 14.5 in., plain lock indistinctly signed (possibly Bates), swan neck cock, roller bearing against the frizzen spring, brass side plate, full stock with brass furniture, wooden ram rod with worm. £800-1,000
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271. A 12 bore percussion gun, twist barrels 32 in., top rib marked ‘AKRILL HULL’, Birmingham proof marks, border engraved locks signed ‘Akrill’, stock with steel furniture and chequered at the wrist. £250-350
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272. A 13 bore double barrelled pinfire shotgun, retailed by E. Cox of Southampton, 30 in. barrels with dovetailed lumps, top rib marked ‘E. COX. HIGH STREET SOUTHAMPTON’, London proof marks, underlever action and back action locks with acanthus engraving, locks marked ‘E. COX’, figured walnut stock with chequered fore end and wrist. £300-500 273. A cased 14 bore double barrelled percussion gun, twist browned barrels 29 in., Birmingham proof marks, acanthus engraving to the hooked breech and to the tang and top strap, hammers similarly engraved, back action locks engraved with game scenes and signed ‘B Woodward & Sons’ (repeated on top rib), further game scenes to the trigger guard and butt plate tang, wooden ramrod, in fitted baize lined case with later applied trade label for James Woodward. £100-200
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274. A pair of early 19th Century 90 bore double barrelled tap-action flintlock pistols, retailed by Mortimer, St. James Street, London; superposed turn-off barrels numbered 0-3 and with acanthus engraving to the muzzles, lower barrels with sprung bayonets, border engraved actions signed within ovals to stands of arms, ring necked cocks, tang mounted safety bolts acting on the cocks and frizzens, engraved trigger guards, swelling flat sided butts set with silver escutcheons engraved with the Turnbull family crest, Birmingham proof marks. £1,400-1,600 274
275. An 18th Century continental flintlock pocket pistol, rifled barrel 2.5 in. with raised bands and the muzzle and breech; full stock with decorative moulding around the lock, sideplate, tang and trigger guards; steel furniture: the barrel, tang, lock, sideplate, trigger guard and butt cap each with martial motifs in relief retaining traces of gilding, birds head butt with cap extending towards the wrist, steel ram rod. £600-800 276. A good pair of early 19th Century English 32 bore flintlock overcoat pistols, signed Carr and Cooper, sighted octagonal barrels 4 in., hooked breeches, engraved tangs, Birmingham proof marks; well engraved locks signed ‘CARR & COOPER’, swan neck cocks, safety bars; full stocks with steel furniture, engraved trigger guards with pineapple finials, chequered butts, horn tipped wooden ramrods with worms concealed under £700-1,000 screw-off brass covers.
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277. A pair of English 40 bore flintlock pocket pistols, turn off barrels 1.5 in., round steel actions engraved with stands of arms and signed ‘RYAN & WATSON/ LONDON’, Birmingham proof marks, box locks, safety bars, drop-down triggers, chequered wooden butts, one pistol lacking cock and with damage to wood. £300-500 278. An 18 bore percussion pistol, heavy octagonal barrel 6 in. and screwed into the patent breech, Brimingham proof marks, acanthus engraved steel action with ‘PURDEY LONDON’ to a banner, finely chequered wooden butt with vacant escutcheon, steel belt hook, captive ram rod accomodated by a steel rib beneath the barrel, c. 1830. £500-700
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279. An early 19th Century tap action flintlock double barrelled pocket pistol, superposed turnoff barrels 1.5 in., Birmingham proof marks, brass action with decorative engraving and marked ‘BIDDLE/ LONDON’, steel tap, ring necked cock, £300-500 flat sided wooden butt. 278
280. A good 18th Century German rifled flintlock pistol, swamped sighted barrel 9.5 in., sevengroove rifling; border engraved lock signed ‘HESS IN ZWEYBRUKEN’, swan necked cock (broken); full stock with carved decoration around the tang and furniture, white metal furniture including a fore end cap integral to the first ram rod tube and with fluting contiguous with that on the stock. Either Philipp Daniel (1754 - c.1800) or Johann Daniel Hess (1713-91) of Zweibrücken in the Rhineland. £600-800
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281. A Swedish percussion conversion service pistol, rifled barrel 9 in. and bearing both Husquevarna and London (Company) proof marks, brass band at the muzzle incorporating front sight, lock marked with a crowned ‘K’, external safety catch, full stock with brass furniture, ‘738 R’ marked on lock and butt cap, ‘738’ on barrel, steel back strap with provision for mounting a shoulder stock (not present). £300-400
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282. An English .34 calibre five-shot percussion revolver, of Webley-Bentley type, 4 in. hexagonal barrel, the top flat marked ‘MORRIS BRIDGEWATER’, Birmingham proof marks, open topped frame, side mounted rammer assembly, acanthus engraved action, articulated hammer nose, two-piece chequered grips. £200-400 282 283. An early 19th Century 16 bore flintlock pistol, hexagonal barrel 8 in., London proof marks, the underside with barrel maker’s initials ‘T.A.’, with hooked breech and retained to the stock by two keys, acanthus engraved tang incorporating back sight, lock signed ‘WALLACE’, swan necked cock, roller bearing to the frizzen spring, full stock with stocker’s mark ‘W. GRANT’, steel furniture, the stock having and unusual and elegant taper toward the muzzle, brass tipped wooden ram rod. £400-500 284. A 24 bore pecussion conversion pistol, heavy twist browned octagonal barrel 5 in. with platinum front sight and gold border to the hooked breech, border engraved lock indistinctly signed (Joseph B.....), later hammer and nipple fitted to the barrel with a drum, full stockw ith steel trigger guard and chequered butt, wooden ram rod. £300-400
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285. A 19th Century 20 bore flintlock pistol, barrel 8.5 in., engraved lock signed ‘B&M Redfern’, full stock with brass furniture including a butt cap embossed as a monstrous face, unusual copper sideplate let into the wood and conforming to the shape of a lock with extension towards the barrel tang. £350-450 286. An Accles and Shelvoke ‘Acvoke’ .177 air pistol, 8 in. barrel fitted within the cylinder, action unlocked by the hinged backstap which incorporated a pellet gauge, bakelite grips, £200-300 Birmingham, early 1950s.
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287. A fine American Revolutionary period engraved horn powder flask, named for Samuel Wade and dated 1776, the profuse carved decoration involving Christian and masonic symbols, flowers and a dove; the word ‘Liberty’ surrounded by scrolls within an oval cartouch; turned mahogany base with gilt copper ring, length 32 cm (12.5 in.) £4,000-6,000 A Samuel Wade Magruder was a Major in the New York militia from 1777-80. He died in 1792 in Maryland For an example of another horn by the same hand, see Cottone Auctions, New York, 26th June 2003, Lot 95.
288. An early 19th Century flintlock alarm gun, barrel 13 in. with flaring muzzle, enclosed in a wooden case and fitted with a musket size lock with swan-necked cock, trigger actuated by a sliding bar with two loose rings, the whole mounted on a swivel pintle with thumb screw to fix the elevation. £300-400 Such devices were used as a deterrent to poachers or grave robbers. Two trip wires could be attached to the trigger via the rings on the bar, and when tripped, would cause the gun to swivel towards the target before discharging at the source of the disturbance.
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289. A 19th Century English stone bow, or pellet bow, steel lath, multi-part string with pouch for stone or bullet, hardwood stock, steel latch and spanning lever, stock stamped ‘W.W.’. £100-150
291. A .22 B.S.A. Mk I Airsporter air rifle, together with a .22 B.S.A. Mk I Meteor air rifle. [2] £150-200
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290. An 18th Century horn powder flask, polished horn body formed into four flat plains to the front, the back being convex; white metal mounts: the base cap with reeded edge, four openwork flanges with pineapple finials extending up the flats, the top with sprung shutter (lacking spout); two loose rings for suspension, length 38 m (15 in.) £100-150
292. A 16 bore flintlock carbine, two-stage barrel 28 in., lock engraved with flower heads, swan necked cock, full stock with brass furniture, trigger guard with engraved pineapple finial, butt detached owing to worm; together with a British volunteer pattern 1860 short rifle bayonet, blade with W.K.C. trademark (Solingen), steel mounted leather scabbard. [2] £100-150
293. George Madis, ‘The Winchester Book’, Edward Brothers Michigan, from an edition of 1,000, signed by the author; together with Haven and Belden, ‘A History of the Colt Revolver’, Bonanza Books New York. [2] £60-80
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294. David H.L. Back, ‘Great Irish Gunmakers, Messrs Rigby’, Historical Firearms, hardcover with sleeve, signed by the author. £120-160 295. Gordon Bruce, ‘Webley Air Pistols, their History and Development’, Robert Hale London, hardcover with sleeve; together with two other books on the subject of air weapons. [3] £60-80 296. An unusual 7mm walking cane ‘blow’ gun, bamboo clad brass barrel, the brass top unscrewing to reveal a rubber padded mouth piece, the upper section of the stick holding a captive shuttle which, it appears, must be propelled forward by the user’s breath until the fixed firing pin protrudes into the rear of the chamber, London Company proof marks, 87 cm (34 in.) £250-350
Ƒ 297. A steel three gun cabinet, a quantity of 12 bore cartridges, and pair of ear defenders.
£30-50
297 part
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Ƒ 298. Westley Richards A pair of 12 bore hand-detachable lock boxlock ejectors, serial numbers 17409 and 17410, 28 in. nitro proofed barrels (the number 1 gun re-sleeved and re-proofed), top ribs engraved ‘WESTLEY RICHARDS 178 NEW BOND ST LONDON. GUN MAKERS BY APPOINTMENT TO HIS MAJESTY GEORGE V REX ET IMP’, 2 1/2 in. chambers; automatic safeties with gold inlaid ‘SAFE’, single selective triggers, scroll back actions engraved with Westley Richards house scroll and signed ‘WESTLEY RICHARDS’, hinged floor plates giving access to the removeable locks; 14 1/4 in. straight hand stocks with gold escutcheons engraved ‘C.J.H.’, numbered 1 & 2 in gold inlay to the top ribs, top levers, and fore end latches. £1,500-2,000
Ƒ 299. J. Venables & Son A 12 bore sidelock ejector, serial number 5907, 26 in. nitro proofed barrels, top rib engraved ‘J VENABLES & SON. 99 ST ALDATES OXFORD’, 2 1/2 in. chambers, automatic safety, scroll engraved action and fences, action signed ‘J. VENABLES & SON’, 14 1/4 in. straight hand stock, cased. £300-400
Ƒ 300. C.S. Rosson & Co. Ltd. A 12 bore boxlock non-ejector, serial number 4569, 28 in. nitro proofed barrels, top rib engraved ‘C.S. ROSSON & CO. LTD. (GUINMAKERS) NORWICH’, 2 1/2 in. chambers, automatic safety, colour hardened border engraved action signed ‘C.S. ROSSON & CO. LTD.’, 14 1/2 in. straight hand stock, with leather bag. £50-70
Ƒ 301. AYA A 12 bore ‘crossover’ boxlock ejector, serial number 563076, 28 in. barrels, 2 3/4 in. chambers, automatic safety, light border and scroll engraving, 14 2/4 in. crossover stock for right handed left-eyedominant shooter, Italian leather covered case. RFD or SGC required. £200-400
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Ƒ 302. Baikal A 12 bore boxlock non-ejector, serial number A9938, 29 in. barrels, chequered top rib, 2 3/4 in. chambers, automatic safety, removable striker bushings, scroll engraved action, 14 1/2 in. stock with plastic star badge. £50-70
Ƒ 303. The actions and stocks only of a Holland & Holland 16 bore under lever hammer gun and a Charles Boswell 12 bore top lever hammer gun, the first with scroll engraved action signed ‘HOLLAND & HOLLAND’ and with waterfowl, articulated front trigger, 14 in. straight hand stock; the second with acanthus engraved action signed ‘CHARLES BOSWELL LONDON’, 13 1/2 in. straight hand stock; each complete with fore end. [2] £100-150
304. Three vintage sporting gun cases: a Holland and Holland case for a pair of guns, red baize lined interior, leather covered with brass reinforced corners, brass escutcheon to the lid, impressed with owner’s details; a ‘motor’ case with deep interior to accommodate one action and stock beneath two barrel sets, tooled leather lid; and a single gun case for a .410, re-lined interior, leather cover with initials ‘C.B.’ to the lid. [3] £400-500
305. A leather covered oak cartridge magazine, interior partitioned into four compartments complete with straps, approximate capacity 200 cartridges, label for Joseph Harkom & Sons Edinburgh; together with a canvas covered and leather bound cartridge magazine, also for approximately 200 cartridges, each 32 x 24 x 13 cm. [2] £100-150
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MILITARIA 306. Napoleon Bonaparte: an historic early plaster death mask, at one time known as the 'King' mask, and bearing an inscription by Sir Hudson Lowe, who was governor of Saint Helena during the time of Napoleon's captivity on the island. £20,000-30,000 The practice obtained, during the 18th and 19th Centuries, of making plaster casts of the heads or faces of important or wealthy individuals, either before or after death, so that a physical record of their appearance might be left to posterity. Napoleon Bonaparte declined to have a 'life cast' made, and when he died in exile at Longwood House on the South Atlantic island of Saint Helena in 1821, the creation of a death mask was found to be fraught with difficulty. None of the individuals present had any experience in carrying out such delicate work, and it appears, moreover, to have taken some time for a supply of the gypsum necessary for the production of the plaster to be obtained. Yet here was a man of almost unparalleled historic stature and to his adoring attendants the imperative of preserving his likeness was irresistible. The matter was first referred to Napoleon's personal physician, Francesco Antommarchi, who recoiled from the responsibility (though he was later to claim the credit for the mask). The difficult task fell instead to the surgeon of the 66th Regiment of Foot, Francis Burton M.D., who was able to make a single 'negative' mould of the Emperor's head. The unique original 'positive' cast that he produced (unique because the front of the mould was destroyed during the removal of the cast) was the progenitor of all subsequent Napoleon death masks. The process by which further copies were made is not well documented, but many were produced in Europe by Antommarchi, when, following Burton's death in 1828, the Italian capitalised on his pretended authorship of the original mask (to which he appears to have had access for the purpose of making copies, courtesy of the Count and Countess Bertrand, who stole it from Burton at Longwood). These were sold by subscription, and extant examples include an extension below the neck impressed with a seal mark. Various other copies were also made in Europe and elsewhere, but the most important subset comprises those that were made on the Island of Saint Helena itself. In his 1915 work 'The Story of Napoleon's Death Mask', the eminent scholar George Leo De St M. Watson hypothesizes that the secondary mould made at Longwood was the work of the artist Joseph William Rubidge, who took advantage of a brief interval between Burton completing the first cast and Madame Bertrand arrogating it; and Watson further avers that only one cast, the so called 'Sankey Mask' was taken from this mould. More recent scholarship recognises the existence of a greater number of locally made masks (the work either of Rubidge, Antommarchi or the two acting in concert), such as the 'Boys' mask - a kind of twin to the 'Sankey' mask (in that both were originally in the possession of the Reverend Richard Boys, chaplain to the H.E.I.C. in St Helena), and the two known as the 'Gilley' masks, which were presented to one Lieutenant Gilley by the erstwhile governor of Saint Helena Sir Hudson Lowe (a point of particular interest in considering the mask offered here, which bears his inscription). Sir Hudson Lowe (1769-1844) arrived on Saint Helena April 14th 1816, having heard of his appointment as governor on August 1st 1815. He made only six official visits to Napoleon during the following five years. A stern disciplinarian, he was reviled by the French for the harsh and restrictive regime that he imposed on the former Emperor. The so-called ‘King Mask’ (offered here) came to public notice in the late 1960s, at which time its owner, Miss Phyllis King, was considering its sale, and appears also to have included it in an exhibition devoted to Napoleon. The mask was the subject of correspondence in the national press, and of particular interest are the comments of two individuals: the recognised authority Baron Eugene de Veauce, author of 'Les Maques Mortuares de Napoleon'; and an antiquarian named Douglas Maher. Between them these men authenticated the handwriting of Sir Hudson Lowe, thus setting the keystone of this mask's provenance, which was established as follows: 1) Acquired by Sir Hudson Lowe at an unknown date and donated, with inscription to the English town of Stamford (with which he had a association), there to reside in the town museum. 2) Bought through the auctioneer Charles Eade following the closure of the museum in 1919, by a Mrs Atkinson of St Leonard Street, Stamford. 3) Given by her to Edmund Balding, Solicitor, of 60 Russell Square London, who dies with it in his possession. 4) Bought out of his effects by Miss Phyllis King. 5) Bought at auction by the current owner in 1978 The two aforementioned men differed on the question of whether the King mask originated on Saint Helena or in Europe; but even de Veauce (who favoured the latter conclusion) regarded it as a highly important member of the death mask 'family', which also includes many well-regarded examples without any Longwood provenance. De Veauce in fact went further, and assigned to it a unique and important distinction: that it emphatically quashed a then-current contention that the face represented by the Napoleon death masks was not that of the erstwhile Emperor at all. Since it has the endorsement of Sir Hudson Lowe, who had met Bonaparte, and who had nothing to gain by dissembling, the King Mask proves that all similar masks, from Burton's original downward, are the true likeness of the great man himself. Maher on the other hand, as may be seen from the correspondence, felt convinced that the King Mask was made on St Helena, and there is much in the circumstantial evidence to encourage this belief (and circumstancial evidence, after all, forms an important part of the scaffolding supporting the authenticity of such masks, existing as they do in an atmosphere of scant or non-existent primary documentation). Lowe is directly associated with the Gilley Masks, which he took away from Saint Helena, it is thought, following a short visit on his way home from Ceylon 1830. Whether he obtained them then, or before he left for the first time in 1821, it is entirely feasible that he may have had a third copy for himself. The physical appearance of the mask accords with that of other examples that are acknowledged to have been made on Saint Helena, and lacks many of the attributes of the Antommarchi subscription copies, including the seal mark. The King Mask is an object of great historic importance, irrespective of the conclusion that one draws from the available evidence. It clearly pre-dates 1844, when Sir Hudson Lowe died, and to de Veauce it is “not only important to Napoleonic iconography, but possessing the most direct bearing on the whole question of the death mask….a capital piece of evidence….it is of the highest interest to every student of Napoleon, let alone to every owner of a Napoleon mask..” The final words shall be left to de Veauce’s collaborator Maher: “…since the inscription states that the effigy is the ‘Death Mask of Napoleon’, not a copy thereof, this could mean that it derives from…the secondary mould made at St. Helena……it would seem inconceivable that, knowing a mould was being made, Sir Hudson would not have secured a cast…” Offered with a large collection of letters and other ephemera, including a verified sample of Sir Hudson Lowe’s handwriting, mainly dating from the late 1960s, when the King Mask was most recently help up to scrutiny. References: G.L.de St. M. Watson, ‘The Story of Napoleon’s Death Mask’ Eugene de Veauce, ‘Les Masques Mortuaires de Napoleon’ Arnold Chaplin, ‘Napoleon’s Captivity on St Helena 1815-1821’
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307. Horatio Nelson: a lock of his hair, held in a double glazed heart shaped locket with yellow metal frame, accompanied by a letter from Horatia Ward (the child of his union with Emma Hamilton), to a supporter, and another from her husband, the Reverend Philip Ward. £2,000-3,000 The illustrious Vice-Admiral Horatio Lord Nelson was struck down by a French musket ball at during the battle of Trafalgar, 21st October 1805, and died at the height of his powers, even as the loyal and courageous men under his command were setting the seal on the last of his dazzling victories over Britain’s enemies at sea. After the custom of the time his hair was cut, and conveyed to his great romantic match Emma, Lady Hamilton. Throughout the remainder of her troubled life she depended heavily on the assistance of well wishers, and she bestowed small locks of her beloved paladin’s hair on such favoured friends. Their love child Horatia eventually secured a stable and happy marriage to the Reverend Philip Ward, but continued the practice as she strove for recognition as the daughter of the great Naval hero.
308. A collection of eight coins of the reign of Queen Elizabeth I, purported to have been the property of Admiral Horatio Lord Nelson; together with an oak frame, supposedly made from timber salvaged from a sea chest once owned by Nelson, and once used to display a collection of other Nelson memorabilia. £300-500
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309 detail 309 309. Napoleon Bonaparte: a lock of his hair, set within a gilt mount to a glazed leather case, accompanied by a manuscript letter dated 1874 and detailing the provenance from Captain Thomas Ussher R.N., who conveyed Napoleon to his first exile on Elba. £1,000-2,000 Letter reads: "[Lock of] hair from Napoleon the 1st , given to Madame XXX by Commodore Ussher of the British Navy, on the 25th of August 1825 (Captain Ussher was in charge of the corvette which took the Emperor….. [to Elba]…Madame XXX gives this precious relic to her friend Mme Armingand as she is the most suited to keep it [safe]. Eleonore XXX, 85 years old on the 16th of September 1874." "Gifted to Mr L.Gaulard par Mme Armingand, who died in 1878." "Gifted to Mr Maratier by Jacqueline Gaulard on 24th April 1952." 310. Giuseppe Grandi (1843-94), a bronze figure of Marshall Ney, standing in pensive attitude with head inclined and legs crossed, to a square base with canted corners, height 31 cm (12 in.) £2,000-3,000 310 311. The historic peacock cap feather of Ye Mingchen, governor of Guangdong during the early stages of the 2nd Anglo-Chinese war (the 2nd Opium War), taken as a trophy by Captain (later First Sea Lord) Astley Cooper-Key, following Ye’s capture in January 1858. £500-700 Ye Mingchen was the Chinese governor of Canton who devoted himself to resisting British mercantile and naval aggression, and in so doing became the focus of their ire and a target for retribution by British Consul Harry Parkes. Captain Cooper-Key was the talented officer who accompanied Parkes in his search for the Governor, and who personally caught and restrained him after the Consul had been deceived by a decoy. In 1856 Guangdong (Canton) was one of five Chinese ports through which, under the terms of the 1842 Treaty of Nanking, the British were allowed limited commercial access to China. Signed against the background of British aggression and their iniquitous trade in opium, the term of the treaty were ongoing source of offence to the Chinese. For their part the British were dissatisfied with the limited nature of the concessions that had been made to them, and a pretext for further violence was soon found in the ‘Arrow Incident’ of 1856, in which a vessel with a spurious claim to British registration was seized by the Chinese. The initial focus for hostilities was Canton, which the British approached from their base in Hong Kong. Here they were opposed by Ye Mingchen. In December 1857 a concerted effort to take the city by a combined force of British and French sailors and soldiers met with success. Captain Cooper-Key of H.M.S. Sans Pareil went ashore to command part of the naval brigade in the assault. His men, though initially delayed, scaled the 30 foot high walls under fire, and later accompanied Admiral Sir Michael Seymour on a circuit of the ramparts, disabling the Chinese guns. The capture of their adversary Ye Mingchen was a priority for the British, and Cooper-Key, with 100 men, accompanied the British Consul Harry Parkes on a hunt through the labyrinthine streets. Arriving at a palace, Parkes initially accepted the surrender of a man claiming to be Ye, before Cooper-Key found the real governor attempting to escape, and personally apprehended him with the assistance of his Coxwain. The feather was preserved in his family with a note indicating that it had been taken from Mingchen’s own cap. References: Vice Admiral P. H. Colomb, ‘Memoirs of Admiral the Right Honbl Sir Astley Cooper Key’ Hanes and Sanello, ‘The Opium Wars, The Addiction of One Empire and the Corruption of Another’
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312. A scarce Second World War Chindits sweetheart brooch, in yellow metal and enamel, in the form of the mythical Chinthe, from which the irregular fighters took their name; together with a white metal sweetheart brooch for the 5th King Edward’s Own (Probyn’s) Horse; and an enamel and gem-set example for the Royal Horse £200-300 Artillery. [3]
313. A detailed Great War era brass presentation model of the iconic French 75mm field gun, barrel 6.5 in. with working recoil mechanism buffered by a spring, and moving breech block, detailed carriage and shield with moving parts, on a naturalistic base with inscribed plate ‘AU COLONEL DEPORT L’INVENTEUR DU 75 HOMMAGE DE RECONNAISSANCE de l’Editeur FLINOIS-TROIILLE. 1916’. £200-300 314. 4th Battalion Highland Light Infantry (Royal Lanark Militia), two pair of silver ornaments, each in the form of Regimental Colours in stands, a small pierced bracket to the reverse of each indicating that they may have formed part of a mess table centrepiece, London hallmarks, 54 troy oz. £600-800 315. A bound set of midshipman’s logs kept by the future Admiral Sir Richard Henry Peirse, K.C.B., K.B.E., M.V.O., D.L., between August 6th 1875 and October 15th 1879, in Her Majesty’s Ships Minotaur, Charybdis and Juno; together with a Victorian Indian Army wallet or journal cover, in brown leather and bearing the badge of the 1st Light Cavalry in silver. [2] £100-200 Richard Henry Peirse was a highly accomplished naval officer who served with distinction in the Great War. He is celebrated for his deft prosecution of the Naval bombardment of Smyrna in 1915. He is also notable for having been the father of future Air Chief Marshall Sir Richard Edmund Charles Peirse, who’s D.S.O. came as a result of his dashing role in the air attack on Dunkirk in the same year.
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316. Of Royal Naval interest: an album of World War Two press photographs, various subjects including aerial attacks on U-boats, convoy vessels, capital ships in action, ratings serving the weapons of various vessels, and the destruction of enemy ships; mainly slip mounted in the album and most accompanied by typed captions on pasted-in slips of paper, some photographs with annotations and one signed by one of the subjects (L.S. Frank Wood, who helped to destroy a JU.88 with fire from H.M.T. Lovania); album cover with title ‘Ships of the Royal Navy by H. Symonds & Co. Portsmouth’. £150-200 317. An early 20th Century photograph album, military subjects including the Irish Civil War 1922, soldiers on manoeuvres, early tanks, and group portraits of Wiltshire Regiment personnel; together with a set of six prints after F.T. Bush, Great War subjects including: ‘The Glorious Road to Ypres’, and ‘A Cemetery on Vimy Ridge’. £100-150
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318
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318. Orlando Norrie (1832-1901) Funeral of the Officers of the Coldstream Guards who fell at the Battle of Inkermann, November 6th, 1854 Signed Watercolour 33 x 49cm; 13 x 19in £500-750 319. Crimean War: a set of fifteen hand coloured oval prints, mounted together, depicting the allied sovereigns and principal commanders of their forces, French; together with an English edition of a similar arrangement of portraits. £400-600 [2] 320. Four paintings of military subjects: French Imperial Guardsman (2nd Empire) advancing with bayonet fixed, oil on canvas; British light infantrymen of the Napoleonic period, watercolour, initialled ‘J.F.’ and dated 1893; ‘The First Dragoon Guards and the Third (Kings Own Hussars), watercolour drawing; ‘Company Sergeant Major and Sergeant of the Coldstream Guards, watercolour, ‘AB’ £100-150 monogram for Alix Baker, modern. [4]
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321. Ten prints of military subjects, including: after B. Clayton, ‘First Regiment of Guards in 1790’, hand coloured engraving; ‘Fifth Foot or Northumberland Fusiliers 1837’, hand coloured engraving; ‘St Pancras Volunteer/ Prime & Load’, illustrating a stage in musket drill, aquatint; the Regimental Colours of the King’s Own Royal Regiment, over-painted print, signed H.F. Burke (Sir Henry Farnham Burke, Garter King of Arms and Inspector of Regimental Colours), dated 22nd September 1924; two Baxter Prints: ‘Review of the British Fleet at Portsmouth’ and ‘Charge of the British Troops on the road to Windlesham’; and four others. [10] £100-150 322. 15th Hussars: a collection coloured of prints, comprising six 19th Century examples and one 20th Century, equestrian portraits of officers and privates, mainly in review £80-120 but in once case at the gallop. [7] 323. Ten coloured prints of military subjects, including: ‘South Salopian’, from ‘Forres Yeomanry Costumes’, aquatint; ‘Officers of the British Army No 30 Dragoon Guards (Levee Dress)’, lithograph; ‘11th Hussars’, hand coloured engraving; ‘Troupes Etrangerea/ Grenadier Russe Companie d’Elite’, hand coloured copper plate engraving; and six £80-120 others. [10]
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324. The Wiltshire Regiment: the dress uniform tunic attributable to Captain Gordon Stewart Browne of the 1st Battalion, who died of wounds, 27th November 1914; scarlet tunic with buff facings and cross pattee collar dogs, Lieutenant’s insignia. £100-150 Gazetted to the Regiment September 1909; Lieutenant January 1911; wounded on the 4th day of the retreat from Mons; further wounded at Ypres 17th November, from the effect of which he later died at the Allied Forces Base Hospital, Boulogne; promoted captain after his death; mentioned in Sir John French’s Despatch of 14th January 1915, for gallant and Distinguished services in the field. According to a letter to his father (which led to his Mention in Despatches), “..I was lucky enough to obtain the services of your son as staff officer....[he] did yeoman service during those few days....[and] throughout the very trying period which followed, it was easy to see what sterling stuff he was made of....Your son’s gallant behaviour will live long in the memory of others.....and I considered it my duty to bring to the official notice of our Brigadier the very splendid way in which he had performed his duties during those strenuous days near Ypres.”
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Reference: ‘The Bond of Sacrifice, A Biographical Record of all British Officers who Fell in the Great War’ 325. The Right Honourable Earl Spencer: five sets of household footman’s livery uniforms, each comprising scarlet frock coat, waistcoat, pink breeches, caped greatcoat, and hat (two bicorn (boxed) and three tricorn); set with silvered Spencer crested buttons and silver brocade. £1,000-1,500 326. The Pacific Steam Navigation Company: an officer’s double breasted blue frock coat, gilt company buttons, three chevrons to each cuff; together with a Welsh Guards other ranks tunic. [2] £80-120
326 325
327. Indian Freemasonry: a small collection of jewels, aprons, and other regalia, representing Punjab Lodge and others. £100-150 328. Two wall lights adapted from Blues and Royals other ranks parade helmets, each fitted with a bracket to the rear and a bulp holder, lacking chinstraps and rosettes. [2] £100-150
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329. Twelve Second World War press photographs, each with typed caption pasted to the back, and including: ‘Harvest Time at Sandringham’, which shows the Queen in her carriage with King George VI and Princesses Elizabeth and Margaret following on bicycles, as they inspect the harvest; a study of Chinese soldiers in trenches, holding the line against the Japanese on the Salween Front; and ‘An Airman’s Grave £50-70 on Guadalcanal’. 330. Two Second World War air crew silk escape maps: Sheet A (France/Belgium/Holland), and Sheet C (Holland/Belgium/France/Germany). [2] £150-200
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331. A small collection of sweetheart brooches, together with three books on the subject. £50-70 332. A small collection of clasp knives, and similar items, together with a copper powder flask. £50-70 333. A late 19th Century bronze model of a cannon, multi-stage barrel 17.5 in. including cascobel, large dolphin handles, the sides of the carriage terminating in lion’s heads, two spoked wheels. £200-300 334. A collection of numismatic catalogues, periodicals and reference books, ex Russell-Coates museum [two boxes] £30-50 335. A collection of numismatic catalogues, periodicals and reference books, ex Russell-Coates museum [two boxes] £30-50 336. A collection of Glendining and Co coin catalogues, dating from the 1960s, ex Russell-Coates museum [approx. 59] £50-60 333
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END OF SALE
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THE STUDIO POTTERY COLLECTION OF PROFESSOR LUKE HERRMANN Wednesday 13th December 2017
Dame Lucie Rie DBE A porcelain bowl with bronzed rim, glazed apple green. Estimate £20,000 - £30,000 A porcelain bowl with sgraffito decoration. Estimate £20,000 - £30,000
ENQUIRIES Michael Jeffery Tel: +44 (0) 1722 424505 mj@woolleyandwallis.co.uk
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BRITISH ART POTTERY
Thursday 14th December 2017
Three Doulton stoneware mice groups by George Tinworth: Play Goers Estimate £2,500 - £3,000 The Wheelwright Estimate £800 - £1,200 Crossing the Channel Estimate £2,500 - £3,000 ENQUIRIES Michael Jeffery Tel: +44 (0) 1722 424505 mj@woolleyandwallis.co.uk
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MODERN BRITISH & 20TH CENTURY ART INCLUDING THE COLLECTION OF THE LATE DR PETER MANGOLD Wednesday 29th November 2017
Graham Vivian Sutherland OM (1903-1980) Maize and Gourd, Standing Maize Signed and dated 1948 Watercolour, gouache, chalk and charcoal 38 x 47cm Provenance: William Weston Gallery, London, 23.3.88, No. 8432/1 The Collection of Dr Peter Mangold This watercolour relates to the lithograph titled Maize of 1948, one of Sutherland's most important prints of this period in his career. Estimate: £10,000 - £15,000
ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0)1722 424592 | jb@woolleyandwallis.co.uk
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FINE PORCELAIN & POTTERY Tuesday 20th February 2018 Entries are now being accepted for this sale
A Russian porcelain egg, Imperial Porcelain Factory, St. Petersburg, gilded with the monogram of Maria Feodorovna. From the collection of Dr Venita Newall included in the sale. Estimate: £800 - £1,200
ENQUIRIES Clare Durham | +44 (0)1722 424507 | cd@woolleyandwallis.co.uk
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TRIBAL ART & ANTIQUITIES
Wednesday 21st February 2018 Entries are now being accepted for this sale
An Aboriginal narrow shield, South East Australia. Wood with pigment, 19th century, 82cm long. Estimate: £4,000 - £6,000
ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk
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ARMS & ARMOUR
Thursday 3rd May 2018 Entries are now being accepted for this sale
Already consigned: Battle of Jutland memorabilia, and a selection of arms and militaria
ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk
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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address
LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.
You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.
CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.
PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.
The colours printed in the catalogue are not necessarily true.
COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.
SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping
01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk
Mailboxes
01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover
Pack & Send
0845 465 0564 sales@packsend.co.uk www.packsend.co.uk
TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM ASIAN ART SALES The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. ALL OTHER SALES The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter.
Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.
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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.
LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.
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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. Asian Art sales: The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. All other sales: The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss
with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.
2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE Asian Art sales: The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. All other sales: The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.
BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.
GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
ARTIST’S RESALE RIGHT / DROIT DE SUITE
21. English law applies to the interpretation of these Conditions.
Lots marked with a ‡ symbol are potentially subject to the levy.
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000
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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.
Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.
We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.
For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.
Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.
Woolley & Wallis valuations are accepted by all leading insurance companies.
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Registered in England No. 2998482
Salisbury Salerooms
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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU
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Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk
Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.
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WOO L LE Y & WA L LI S Absentee Bid Form Medals & Coins, Arms & Militaria
PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order
Brief Decription
Price Excluding buyer’s premium & VAT
Wednesday 22nd November 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)
Address
Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.
Signature
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508
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Auction Calendar ASIAN ART 14th & 15th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Jeremy Morgan +44 (0) 7812 601098 • jm@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk MEDALS & COINS, ARMS & MILITARIA 22nd November 2017 3rd May 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk PAINTINGS 29th November 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk 20TH CENTURY DESIGN 13th December 2017 – The Studio Pottery Collection of Professor Luke Herrmann 14th December 2017 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 10th January 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk SILVER 23rd & 24th January 2018 – Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 25th January 2018 – Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk WATCHES 25th January 2018 – Jewellery & Watches Adrian Hailwood +44 (0) 7775 788500 • ah@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 20th February 2018 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 21st February 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk
www.woolleyandwallis.co.uk