Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Silver & Objects of Vertu Tuesday 30th October 2018

Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees

424506 424506 424571

CHINESE PAINTINGS Freya Yuan-Richards

424589

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Ilona Pichler

446960

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Megan Corbett

424500

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

SALEROOM MANAGER David Jordan

JAPANESE ART Alex Aguilar Doméracki

424583

CASTLE GATE MANAGER Matt Hill

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Hollie Morrison

424503 424592 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424500

CASTLE GATE RECEPTION Madeleine White BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

Natalie Milsted FCCA Finance Director

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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FINE SILVER & OBJECTS OF VERTU

INCLUDING EARLY SPOONS FROM THE DAVID CONSTABLE COLLECTION

Tuesday 30th October 2018 at 10.00am PLEASE NOTE THIS IS A ONE DAY SALE at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Friday 26th October Saturday 27th October Monday 29th October Tuesday 30th October

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk COLLECTION OF LOTS

Lucy Chalmers 01722 424594 lc@woolleyandwallis.co.uk

Please note that all lots from this sale will be cleared from our Castle Street Salerooms to our new Castle Gate Office on Monday 5th November 2018. Collections on this day should be made after 12 noon. If you are collecting items on or after this date, please contact the department on 01722 424594. All accounts to be settled prior to collection. Payments are still to be made at Castle Street. The Silver Department is now based at our new premises at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. The Castle Gate details and map are at the back of this catalogue. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Monday 29th October.

ILLUSTRATIONS

LIVE BIDDING

Front cover: Lot 901, 899, 902, 903, 874 Back cover: Lot 339 detail www.the-saleroom.com Catalogue £12.00 (£15.00 by post)

Please register by 5pm on Monday 29th October.

Silver weights are in Troy ounces

Please note there is a 3% +VAT surcharge for using this service.

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TUESDAY 30TH OCTOBER AT 10AM A PRIVATE COLLECTION OF OLD SHEFFIELD PLATED BOXES

300. A small collection of silver and tortoiseshell items, comprising: a scent bottle case of cylindrical form, inlaid with foliate pique decoration and with two urns, the hinged cover opens to reveal a cut-glass scent bottle, plus a needle case of tapering oval form, a scent bottle case, a snuff box, damaged, a pressed horn snuff box, plus an unmarked silver bodkin and a steel bodkin. (7) £200-300

301. A collection of four George III old Sheffield plated snuff boxes, unmarked, circa 1760’s, circular form, the pull-off covers with tortoiseshell, two inlaid with a scene of the fox and crane fable, one inlaid with mother-of-pearl running dogs and birds, and one plain, one with a horn base, one stamped, one plain and one tortoiseshell. (4) £200-300 For similar examples see: Crosskey, G., Old Sheffield Plate, Treffry Publishing, 2011, page 205.

302. A collection of four George III old Sheffield plated snuff boxes, unmarked, circa 1760’s, circular form, the pull-off covers with stamped figural and foliate scroll decoration, two pierced and set with aventurine glass, three of the bases with stamped decoration, one with a horn base and scratch initialled ‘M.L’. (4) £300-400

303. A collection of six George III old Sheffield plated and gilt metal snuff / patch boxes, unmarked, circa 1760s, circular form, one cover pierced and with aventurine glass and agate, two with carved mother-of-pearl covers, one with mounted motherof-pearl, two of the bases with stamped decoration. (6) £300-400

304 A collection of five George III old Sheffield plated and gilt metal snuff / patch boxes, unmarked, circa 1760s, circular form, the pull-off covers with aventurine glass, three of the bases with stamped decoration, one with a horn base and one with tortoiseshell. (5) £250-300

305. A collection of four George III old Sheffield plated snuff boxes, unmarked, circa 1760’s, circular form, the pull-off covers with tortoiseshell and one inlaid with a scene of the fox and crane fable, one with foliate decoration and one plain, two with a horn base, one stamped and one tortoiseshell. (4) £200-300

For similar examples see: Crosskey, G., Old Sheffield Plate, Treffry Publishing, 2011, page 205.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

OTHER PROPERTIES

306. A small collection of three 18th century gilt-metal items, comprising: an etui of shaped baluster form, embossed figural and foliate decoration, the interior lacking instruments, plus a rectangular snuff box, the hinged cover with a raised relief of a courting couple, plus a snuff box of cartouche form, length of etui 10.5cm. (3) £200-300

307. A collection of four George III old Sheffield plated and gilt metal items, unmarked, circa 1760’s, comprising: two snuff boxes of rectangular form, embossed decoration, stamped bases, plus an etui case, of tapering oval form, lacking fittings, and a panel of rectangular form. (4) £200-300

308. A Victorian silver compass and barometer set, by Lewis Nightingale, London 1895, the compass of plain circular form, the pocket barometer with engine-turned decoration, plus a thermometer on an ivory back, in a fitted case. £150-200

309. A 19th century Persian silver miniature Koran box, unmarked, octagonal form, the hinged cover and sides with panels of gilded Arabic calligraphy, with a swivel scroll lock, and two hinged ring mounts, the underside engraved with a sun, length 4.8cm, approx. weight 1.1oz. £150-200

310. A George III silver tatting shuttle, unmarked circa 1800, navette form, engraved border, initialled ‘S.N’, length 6.8cm, approx. weight 0.3oz. £100-150

311. An early 18th century silver snuff box, maker’s mark partially worn H?, rectangular from, engraved borders, gilded interior, scratch initialled ‘S*H’ and ‘M.W’, length 6.3cm, approx. weight 1.2oz £200-300

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reverse

open 312

312. An Austrian silver and enamel cigarette box, maker’s mark of F.B, circa 1914, rounded rectangular form, the front enamelled with an image of Eve holding an apple on a pale blue and pink background with a white border with ribbon-tied garlands of flowers, the interior signed and dated ‘1914-15’, the reverse applied with an enamelled epaulette with the initials VK and with facsimile signatures, length 10.4cm, approx. weight 4.6oz. £600-800 reverse 313. A Russian silver cigarette case, 1896-1908, rectangular form, the back and front applied with various yellow metal monograms, devices and animals and mounted with an enamelled lobster, with a blue stone push button thumb-piece, length 9.3cm, approx. weight 6.3oz. £500-700

313

open 314

314. A 19th century French silver and niello work travelling pot-pourri box, possibly by Louis Bruneau, Paris circa 1840, rectangular form, with geometric niellowork decoration, the hinged cover mounted with an oval green moss-agate plaque (cracked), the hinged cover opens to reveal a hinged pierced silver-gilt grille, with a central cartouche with flowers, plain thumb-piece, length 11.7cm, approx. weight 6oz. £800-1,200

315. A Victorian silver carriage lamp, by Thomas Johnson, London 1859, shaped rectangular form, the hinged cover with a hinged hook, the hinged front opens to reveal a candle holder, with two hinged handles, height closed 12cm, approx. weight 11.8oz. £600-800

open

315

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316. A late-Victorian silver and enamel presentation cigar case, over-stamped with maker’s mark of Barnet Henry Joseph, Birmingham 1893, rounded rectangular form, the front enamelled with a sailing boat, the reverse enamelled with two burgees and dated ‘1893’, length 12.3cm, approx. weight 7.9oz. £300-400

316 317. A Victorian silver ‘castle-top’ card case, St. Paul’s Cathedral and Windsor Castle, maker’s mark only for Yapp and Woodward, Birmingham circa 1850, rectangular form, the front with a raised view of the cathedral, the reverse with a scene of the castle, within foliate scroll decoration, on a matted background, in a fitted case, length 8.4cm, approx. weight 1.6oz. £400-600

317 318. A Victorian silver ‘castle-top’ card case, Osborne House, by George Unite, Birmingham 1863, rectangular form, the front with a raised view of Osborne House, within foliate scroll decoration, on a matted background, the reverse with a vacant cartouche, length 9.8cm, approx. weight 2.1oz. £500-700

318 319. A Victorian silver aide-memoire, by S. Mordan, London 1883, rectangular form, with Kate Greenaway decoration, children climbing a fence and standing in a landscape setting, with a church behind, with a chain and ring attachment, silk lined interior, initialled, length 10.6cm, approx. weight 4.3oz. £300-400

319

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A PRIVATE COLLECTION OF CARD CASES

320. A collection of nine 19th century card cases, various materials, comprising: a tortoiseshell case decorated with chequer board decoration, two further tortoiseshell cases, a mother-of-pearl and tortoiseshell case, two mother-of-pearl cases, inlaid with abalone shell, a Tartan ware case, a lacquered case, and a wooden case. (9) £300-400

321. A collection of card cases, various materials, comprising: a Chinese carved wooden case, with figural scenes, two further wooden cases, plus various leather examples, a plastic case, and a silver and mother-of-pearl case, possibly for needles or an aide-memoire tablet. (qty) £200-300

322. A collection of nine 19th century card cases, various materials, comprising: a tortoiseshell case inlaid with mother-of-pearl trellis decoration, two mother-of-pearl cases, one inlaid with abalone shell, three tortoiseshell cases, a Tartan ware case, and two wooden cases, one inlaid with a harp and shamrock. (9) £300-400

323. A collection of nine 19th century card cases, various materials, comprising: a tortoiseshell case decorated with architectural scenes, another tortoiseshell case, two mother-of-pearl and tortoiseshell cases, a mother-of-pearl case, a lacquered case with inlaid decoration, a Mauchline ware case, depicting Cowes, Isle of Wight, a leather case and another. (9) £300-400

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

324. A collection of four late 19th century ivory card cases, rectangular form, comprising one with carved Chinese decoration and with a cross motif, one with Indian Sadeli work, one plain and one with applied decoration. (4) £200-300

325. A collection of nine 19th century card cases, various materials, comprising: a mother-of-pearl one engraved with a galleon, two further mother-of-pearl cases, one inlaid with abalone shell and with a star motif, a mother-of-pearl and tortoiseshell case, two further tortoiseshell cases, a Tartan ware case, a painted case and an inlaid wooden case. (9) £300-400

326. A small collection of three silver card cases, comprising: one by H. Matthews, Birmingham 1903, rectangular form, embossed with foliate scroll decoration, concertina fitted interior, plus one with engraved foliate decoration, Chester 1906, and a waistcoat card case, by George Unite, Birmingham 1899, with engraved decoration, approx. weight 6oz. (3) £200-300

327. A small collection of three Edwardian silver card cases, comprising: one, by Deakin and Sons, Chester 1901, rectangular form, embossed with winged cherubs, plus one with engraved foliate decoration, Birmingham 1903, and a card case / aide memoire, Birmingham 1905, with engraved decoration, the interior with a writing pad, approx. weight 6oz. (3) £200-300

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328. An Edwardian silver card case, by Deakin and Francis, Birmingham 1905, rectangular form, embossed foliate scroll decoration, the centre with a vacant cartouche and mask motifs, pig-skin lined interior with compartments for stamps and with a pencil, in a fitted case, length 10.6cm, plus a Victorian silver card case, by Thomas Dones, Birmingham 1853, rectangular form, engraved with flowers and engine-turned decoration, approx. weight 5oz. (2) £200-300

329. An Edwardian silver card case, by W G Keight & Co, Birmingham 1907, rectangular form, engraved foliate scroll decoration, in a fitted case, length 10.6cm, plus a Victorian silver card case, by Edward Smith, Birmingham 1857, rectangular form, engraved foliate scroll and engine-turned decoration, approx. weight 4.4oz. (2) £200-300

330. A late-Victorian silver patent card case, by S. Mordan and Co, London 1897, rectangular form, with alternate diagonal bands of plain and chased scroll decoration, sprung hinged cover, length 10cm, approx. weight 2.5oz. £150-200

331. A 9-carat gold cigarette case, by Payton, Pepper & Sons Ltd, Birmingham 1920, rectangular form, engine-turned decoration, length 9.2cm, approx. weight 107.7g. £600-800

332. A silver-gilt and enamel cigarette case, by The Goldsmiths and Silversmiths Company, London 1926, rectangular form, the hinged cover enamelled in the Chinoiserie manner, with a junk, a pagoda and figures in a landscape setting, engine-turned base and sides, length 8.5cm, approx. weight 4oz. £300-400

333. A silver-gilt and enamel cigarette case, with import marks for London 1927, importer’s mark of Hardy Brothers, rectangular form, the hinged cover enamelled with sailing boats with a setting sun in the distance, turquoise enamelled sides and base, length 8.cm, approx. weight 3.7oz. £300-400

OTHER PROPERTIES

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334. A continental silver and enamel cigarette case, marked 900, probably Austrian, rectangular form, the cover enamelled with a horse’s head and a dog, length 9.2cm, approx. weight 5oz. £600-800

335. An Austrian silver and enamel cigarette case, maker’s mark possibly CD, rectangular form, the front with a circular panel of a lady in hunting dress, with a hunting horn to her left, length 8.5cm, approx. weight 3.8oz. £300-400

336. A silver and enamel snuff / cigarette box, import marks for London 1930, importer’s mark of H.C. Freeman, and also with Irish import marks for 1940, rectangular form, engine turned sides and base, the hinged cover enamelled with a cartoon of a man on bended knee with a woman in Islamic dress, with a man peeping around a corner, signed H.M. Bateman, Copyright’, length 7.8cm, approx. weight 3,2oz. £600-800

337. A German silver-gilt and silver-mounted enamel box, by AW, rectangular form, purple enamelled decoration, the domed hinged cover with inlaid decoration, velvet lined interior, length 6.8cm, approx. weight 4oz. £200-300

‘To many admirers of the art of the cartoon, H.M. Bateman is the most original, the most various, the most brilliant - and, indeed, the funniest - genius of his times. Born in 1887, he was already drawing for publication in his early teens. Surprisingly, prolific and inventive, everything he saw became material, so that his work can be read as a social history of Britain in the first half of the 20th Century and, to an extraordinary degree, as a kind of autobiography. His family and friends; his trips to the fair, to the seaside, abroad; his passions for the Music Hall, for tap-dancing, for boxing, for fishing, for golf; his desperate experiences in the First World War; his car, his house, his vacuumcleaner; his triumphs and disasters over many years - all find their way in to his cartoons’. ref www.hmbateman.com.

338. A French silver and enamel vesta case, unmarked, rectangular form, slanting hinged cover, the front enamelled with two semi-naked ladies in a fencing duel, the reverse with a semi-naked apple seller, showing her wares above ‘Que Vent Des Pommes’, the sides and cover with foliate decoration, length 4.8cm. £300-400

339. A continental silver-gilt and enamel cigarette case, with spurious Russian marks, rectangular form, the hinged cover with a peacock with plique-a-jour feathers, on a blue enamelled ground, blue enamelled sides and base, engraved border, length 7.8cm, approx. weight 4.9oz. £350-400 See back cover detail.

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340. A novelty silver table cigar lighter and ashtray, by Saunders and Shepherd, Chester 1927, modelled as a golf bag with two golf club supports, the ashtray of shaped triangular form, height 10.4cm, approx. weight 2.4oz. £150-200

341. A novelty silver box, by William Hutton and Sons, Sheffield 1910, modelled as Noah’s Ark, the hinged roof opens to reveal a later vesta striker, the base pulls off to reveal another compartment, £300-400 length 14.4cm, approx. weight 7.3oz.

342. An Edwardian silver and electroplate table bell, by S. Mordan and Co, Chester 1909, circular silver base, electroplated bell cover, with a man in the moon turn-action ringer, diameter 10.3cm. £200-300

343. A Victorian silver sandwich box, by Frederic Purnell, London 1889, rectangular form, hinged cover and front, engraved with a crowned cipher, length 15.5cm, approx. weight 10oz. £200-300

344. A large Indian silver hip flask, by Cooke and Kelvey, Calcutta, shaped rectangular form, bayonet-fitting hinged cover, initialled, length 19cm, approx. weight 13.5oz. £150-200

345. A Victorian novelty silver fish bowl table vesta holder, maker’s mark partially worn, London 1891, retailed by Asprey, with a magnified glass front with four painted fish amongst reeds, rope-work border and handle, height 5cm. £200-250

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

346. A Victorian silver snuff box, by Henry Dee, London 1865, rectangular form, engine-turned decoration, the hinged cover with a skull smoking a pipe, length 4.4cm, approx. weight 1.1oz. £150-200

347. A pair of Edwardian silver egg cutters, by Hammond, Turner & Sons, Birmingham 1909, scissor form, plain ring handles, length 10.2cm, approx. weight 0.8oz. £200-300

Provenance: Property of a Gentleman.

348. A Victorian silver-gilt mounted glass scent bottle, by George Baxter, London circa 1885, plain ring form, the silver-gilt mount with a hinged cover applied with a crowned rock crystal with a red, blue and white monogram, £200-300 length 9cm.

349. By Sebastian Garrard, an Edwardian Royal Presentation silver paper knife, London 1905, rounded rectangular form, the terminal with scroll and a crowned cipher, the blade inscribed ‘Presented by H.R.H Prince and Princess of Wales A.C Bully Esq. HMS Renown Indian 1905-6’, length 24.2cm, approx. weight 3.8oz. £600-800 On October 19, 1905, Prince George and his wife set out on a tour to India. they travelled to Genoa, where they boarded HMS Renown to Bombay. They spent four months in India and often slept on a special train.

350. An Edwardian 15 carat gold mounted tortoiseshell carriage clock, by Harry Arthurs, London 1903, plain upright rectangular form, plain hinged carrying handle, on four bun feet, height 9.8cm. £600-800

351. Two silver presentation naval oar trophies, by Walker and Hall, Sheffield 1929 and 1931, one inscribed ‘H.M.S. SUSSEX 1929’ , ‘A.S RUFFLES A.B SEAMEN’S CUTTER’, the other inscribed ‘H.M.S. SUSSEX 1931’ and ‘A.S RUFFLES L.S SEAMEN’S CUTTER’, on a raised wooden plinth, lengths 20.2cm and 15.2cm, approx. weight 2.1oz. (2) £200-300

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352. A lady’s silver-mounted dressing table set, by Mappin and Webb, London 1912/13, the pieces initialled BMM, comprising: a carriage clock of rectangular form, hinged carrying handle, four scent bottles, square form, hob-nail cut bodies, screw-off covers, an atomiser, two oval dishes, five various toilet jars, two toilet jar covers, an unassociated toilet jar, a hand mirror, a pair of brushes, a pair of clothes brushes, three further brushes, two combs, an unassociated comb, a shoe horn, a pair of glove stretchers, a lipstick holder, a nail buffer, a pen knife, and a ten-piece manicure set, in a fitted mahogany lady’s kneehole dressing table, in the manner of John Bagshaw and Sons, the hinged panelled top concealing a triptych pull-out mirror with bevelled plates, with two hinged compartments and glass trays, and two secret drawers above two frieze drawers, and with a central drawer, on square tapering legs, height 86cm, length 94cm, approx. weighable 15oz. £800-1,200 Provenance: purchased from Chiromo House sale, Kenya, property of Lady Macmillan, then belonged to Lady Brenda Rogers and then bequeathed to the present owner.

detail

353. A silver and tortoiseshell mounted dressing table set, by W C Griffiths, Birmingham 1919, comprising: a spirit flask with a pull-off drinking cup, a pair of scent bottles, five further dressing table jars and pots, a five-piece tortoiseshell brush and mirror set, a comb, a five-piece manicure, plus a purple leather covered vesta holder, travelling inkwell, a stationary case, a jewellery box, a needle case, in a fitted travelling £300-400 case with initials and a storm cover.

354. A silver-mounted travelling dressing table set, by Asprey and Co, London 1912, the covers initialled, comprising: a silver-mounted spirit flask with a pull-off drinking cup, plus five various silver-mounted glass jars and bottles, a seven-piece manicure set with ivory handles, a purple leather stationary wallet, two jewellery boxes and various brush covers, in a fitted purple leather case, initialled ‘H.R’, approx. weighable 4oz. £250-300

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

355. A George III / William IV matched silver campaign set, the beaker by Daniel Hockly, London 1811, the flatware items by Moses Brent, London 1805-14, and Aaron Hadfield, Sheffield 1834, comprising: a beaker, a marrow spoon, a fork, a spoon, a fruit knife, and a table knife, the beaker of tapering circular form, gilded interior, the screw-off handles of Thread pattern, the unmarked three section silver-mounted glass condiment holder of cylindrical form, with an associated case, height 9.8cm. approx. weight 12.5oz. £400-600

356. A twelve-piece silver condiment set, by The Goldsmiths Company, (Newcastle), Birmingham 1915, circular form, wavy-edge borders, on three hoof feet, with eight spoons, in a fitted case, approx. weight 12oz. £200-300

357. An Edwardian silver double cigarette box with a lighter, by William Comyns, London 1905, rectangular form, drop ring handles, with two hinged sections, cedar lined and with a central lighter with two lighting torches, length 18.5cm. £150-200

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A PRIVATE COLLECTION OF WINE LABELS

358. A small collection of four early 19th century silver wine labels, various dates and makers, comprising: one of shaped form, pierced trailing grapevines, London 1813, incised ‘WHITE WINE’, plus another pierced ‘SHERRY’, plus a pair of wine labels, by Wardell & Kempson, Birmingham 1811, incised ‘PORT’ and ‘SHERRY’, approx. weight 1.9oz. (4) £200-300

359. A collection of four silver wine labels, various dates and makers, pierced and engraved decoration, comprising one pierced ‘SHERRY’, with a rose, thistles and shamrock, plus one incised ‘SHERRY’ and one ‘PORT’ and one pierced ‘SHERRY’, approx. weight 1.8oz. (4) £200-300

360. A mixed lot of four early 19th century silver wine labels, comprising: one by Rawlings and Summers, London 1829, oval form, pierced border with a cherub and mask, pierced ‘SHERRY’, plus another label pierced ‘MADEIRA’, London 1826, one pierced ‘GIN’ and one incised ‘WHISKEY’, approx. weight 2.7oz. (4) £250-300

361. A collection of three 19th century silver wine labels, comprising: a Victorian one by Yapp and Woodward, Birmingham 1852, rectangular form, pierced vine border, incised ‘WHISKEY’, plus one with thistles, pierced ‘RUM’, one pierced ‘MADEIRA’, and an electroplated label incised ‘SHERRY’, approx. weighable 2oz. (4) £150-200

362. A mixed lot of four 19th century silver wine labels, comprising: one by Charles Rawlings, London 1824, oval form, with an urn and trailing grapevines, pierced ‘MADEIRA’, plus one by Elkington and Co, Birmingham 1859, pierced ‘CLARET’, plus one incised ‘PORT’ and one with a slot in title ‘WHISKEY’, approx. weight 3oz. (4) £250-300

363. A collection of three 19th century silver wine labels, comprising: one with a cherub on a barrel, London 1826, pierced ‘MADEIRA’, another with Bacchus and a cherub, pierced ‘MADEIRA’ and one incised ‘PAXARETTA’, approx. weight 1.8oz. (3) £200-300

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364. A George III silver wine label, by Peter and Ann Bateman, London 1797, crescent form, bright-cut decoration with a Prince of Wales feathers pediment, incised and blackened ‘LISBON’, plus three similar wine labels, incised ‘RUM’, ‘BRANDY’ and ‘MADEIRA’, approx. weight 1.1oz. (4) £200-300

365. A collection of four George II silver wine labels, by Sandilands Drinkwater, London circa 1735-1745, escutcheon form, chased vine and grape decoration, incised ‘PORT’, ‘MADEIRA’ and ‘WHITE WINE’ (x2), approx. weight 1.4oz. (4) £300-500

366. A collection of four George III Irish silver wine labels, broad rectangular form, comprising: one by John Townsend, Dublin circa 1815, incised ‘SHERRY’, one by George Nangle, Dublin 1795, bright-cut borders, incised ‘W.WINE’, one by William Townsend, Dublin 1780, incised ‘PORT’, and one by John Teare, Dublin 1814, ‘TENERIFF’, approx. weight 1oz. (4) £250-300

367. A set of three George II silver wine labels, by Sandilands Drinkwater, London circa 1745, escutcheon form, chased vine and grape decoration, later incised ‘GIN’, ‘RUM’ and ‘BRANDY’, approx. weight 1.2oz. (3) £150-200

368. A small collection of three 19th century silver wine labels, comprising: a George IV one by Mary Ann and Charles Reily, shaped form, with grapevines, pierced ‘CLARET’, plus one incised ‘PORT’ and one incised ‘SHERRY’, approx. weight 2.6oz. (3) £150-200

369. A George III silver wine label, maker’s mark IR unidentified, circa 1770, shaped form, with two cherubs, vines and a goblet, pierced ‘BURGUNDY’, plus two others similar, incised ‘PORT’ and pierced ‘WHISKEY’, approx. weight 1.9oz. (3) £200-300

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370. Three similar George III Irish wine labels, two with maker’s mark of I.E, possibly for John Ebbs, one Dublin 1804, one retailed by Law, the third label unmarked, rectangular form, raised pediment, engraved decoration, incised ‘TENERIFFE’, ‘CHAMPAIGNE’, and ‘MADEIRA’, approx. weight 0.7oz. (3) £150-250

371. A collection of three George III/IV Scottish silver wine labels, comprising: one of crescent form, by Peter Ross, Aberdeen circa 1820, incised ‘WHITE WINE’, one of oval form, by Francis Howden, Edinburgh circa 1790, bright-cut border, incised ‘GIN’, and one by William Robertson, Edinburgh circa 1795, disc form, incised ‘C.BRANDY’, approx. weight 0.7oz. (3) £200-300

372. A collection of three early 19th century Scottish silver wine labels, Glasgow made, scroll form, comprising: one by David Rait, circa 1835, incised ‘BRANDY’, one by Lawrence Aitcheson, circa 1840, incised ‘GIN’ and one by Adam Graham, incised and blackened ‘PORT’, approx. weight 0.9oz. (3) £200-300

373. A small collection of three George III / William IV silver wine labels, comprising: one by Thomas Wallis and Jonathan Hayne, London 1815, with a lion mask and foliate border, incised ‘WHISKY’, plus another pierced ‘SHERRY’, London 1818, and one pierced ‘BUCELLAS’, Birmingham 1831, approx. weight 2oz. (3) £150-200

374. A George III silver wine label, by Thomas and James Phipps, London 1816 shaped form, with two cherubs, vines and a goblet, pierced ‘SILY. CHAMPE’, plus two others similar, incised ‘PORT’ and ‘SHERRY’, approx. weight 1.8oz. (3) £250-300

375. A collection of three 19th century Russian silver wine labels, comprising: one of scroll form, engraved decoration, incised ‘ROTHWEIN’, one pierced ‘PORT’, and one incised ‘VIN D’HONGRIE’, approx. weight 0.8oz. (3) £150-200

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

376. A George III silver wine label, by Edward Farrell, London 1815, shaped form, shaped form, with cherubs, vines and a goblet, incised ‘SHERRY’, plus another by Edward Farrell, of similar design, incised ‘M. MADEIRA’, approx. weight 1.4oz. (2) £200-300

377. A rare early 19th century Maltese silver wine label, by Gioacchino Lebrun, circa 1805, crescent form, incised ‘SHERRY’ length 5.8cm, approx. weight 0.2oz. £150-200

378. A Victorian silver wine label, by Robert Garrard, London 1841, foliate scroll form, pierced ‘MADEIRA’, plus another Victorian silver wine label by Robert Garrard, London 1848, pierced decoration, incised ‘CLARET’, approx. weight 1.3oz. (2) £250-300

379. A William IV silver ‘singing foxes’ wine label, by Rawlings and Summers, London 1834, shaped rectangular form, incised ‘SHERRY’, plus another similar label, cast and pierced ‘MADEIRA’, approx. weight 1.3oz. (2) £200-300

380. An early 19th century Scottish provincial silver wine label, by William Ferguson, Elgin circa 1835, cartouche form, with scrolls and foliate shell decoration, incised ‘PORT’, approx. £150-200 weight 0.3oz.

381. A Chinese silver wine label, by Wang Hing, crescent form, mounted with a dragon, pierced ‘PORT’, plus another Chinese silver wine label of rectangular form, canted corners, mounted with a dragon, incised ‘WHISKY’, approx. weight 1.1oz. (2) £150-200

382. A George IV silver wine label, by T and I Phipps, London 1820, shaped form, with Bacchus and a cherub in attendance, pierced ‘SHERRY’, plus a similar label by Daniel Hockley, pierced ‘HOCK’, approx. weight 2oz. (2) £200-300

383. A George III silver wine label, by Edward Farrell, London 1817, shaped oval form, pierced with a cherub holding a banner, incised ‘CLARET’, approx. weight 1oz. £150-200

384. A George III Scottish silver wine label, by Robert Gray and Son, (of Glasgow), Edinburgh 1818, broad rectangular form, raised foliate pediment, reeded border, incised ‘SHERRY’, plus an early 19th century Scottish silver wine label, by Jonathan Millidge, Edinburgh circa 1820, shaped form, pierced vine and grape decoration, incised ‘SWEET’, approx. weight 1.4oz. (2) £250-300

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385. A collection of five 19th century silver and electroplated wine labels, broad rectangular form, gadroon, thread and beaded borders, comprising one Philip Rundell, London 1822, incised ‘CLARET’, one pierced ‘IRISH WHISKEY’, one incised ‘BUCELLAS’, and an unmarked one pierced ‘SHERRY’ and an electroplated one incised ‘CIDER’, approx. weighable 2.5oz (5) £200-300

386. A collection of six late 18th / early 19th century silver sauce labels, various dates and makers, some unmarked, comprising: a set of three with maker’s mark C.K, incised ‘CAYENNE’, ‘SOY’ and ‘ANCHOVY’, plus one incised ‘KETCHUP’, one ‘ELDER’ and one ‘WORCESTER’, approx. weight 0.5oz. (6) £250-300

387. A collection of silver antique silver wine labels, comprising: one by William Reynolds, Cork circa 1785, broad rectangular form, bright-cut borders, pierced shield pediment, incised ‘RUM’, plus various others, some unmarked, titled ‘GENEVA’, ‘MADEIRA’, ‘CLARET’ and ‘IRISH’, approx. weight 1.3oz. (5) £300-400

388. A collection of five late 18th /19th century silver wine labels, various dates and makers, some unmarked, oval eye form, comprising: one by William Turton and William Walbancke, London circa 1786, beaded border, incised ‘SHERRY’, plus others ‘CARCAVELLIA’, ‘RUM’, ‘WHISKEY’ and ‘MADEIRA’, approx. weight 1.7oz. (5) £200-300

389. A collection of five 19th century ‘cut-out letter’ silver wine labels, comprising: a George IV one by Rawlings and Summers, London 1828, modelled as the letter ‘M’, foliate decoration, plus two modelled as the letter ‘S’, one as a ‘C’ and one as a ‘P’, approx. weight 3.1oz. (5) £200-300

390. A collection of six Victorian silver ‘cut-out letter’ wine labels, comprising: one modelled as a ‘W’, by William Summers, London 1870, with blue and red enamel decoration, plus three further modelled as ‘W’, one as ‘B’ and one as ‘C’ for cognac, by William Hutton and Sons, Sheffield 1920, approx. weight 2.9oz. (6) £150-200

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

391. A collection of five George III silver wine labels, broad rectangular form, bright-cut, thread and beaded borders, comprising one by Fogelberg and Gilbert, incised and blackened ‘HERMITAGE’, plus one pierced ‘CLARET’, and three incised ‘VIDONIA’ and ‘MADEIRA’ (x2), approx. weight 1.7oz (5) £200-300

392. A mixed lot of wine labels, various dates and makers, some unmarked, comprising; a Victorian one of banner form, pierced ‘MARSALA’, by George Adams, London 1880, plus five of crescent form, incised ‘PAXARITE’ ‘WHITE-WINE’, ‘WHITE PORT’, ‘RED PORT’, ‘CARCAVELLA’, and an old Sheffield plated label, incised ‘RUM’, approx. weighable 1.5oz. ( 7) £150-250

393. A collection of seven 19th century silver vine leaf wine labels, various dates and makers, some unmarked, textured decoration pierced ‘MALVAZIA’, ‘MONTILLA’, ‘BUCELLAS’ (x2), ‘SHERRY’, (x2), and ‘PORT’, approx. weight 3.6oz. (7) £200-300

394. A collection of five silver wine labels, broad rectangular form, comprising: an American label, incised ‘LIME’, plus various others incised ‘DAMSON GIN’, ‘CHERRY BRANDY’, BRAMBLE TIP’ and ‘ORANGE BRANDY’, approx. weight 1.6oz (5) £150-200

395. A collection of five George III silver wine labels, various dates and makers, broad rectangular form, some with reeded or bright-cut borders, two with crests, incised ‘PORT’, ‘CLARET’, ‘HOLLANDS’, MADEIRA’ and ‘SHERRY’, approx. weight 1.5oz. (5) £200-300

396. A mixed lot of five George III silver wine labels, various dates and makers, comprising: one of scroll form, with a gadroon border, incised ‘SHERRY’, Phipps and Robinson, London 1807, plus various others incised ‘SHERRY’, ‘PORT’, ‘WHITE WINE’, and ‘MOUNTAIN’, approx. weight 1.6oz. (5) £300-400

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PROPERTY OF THE HONOURABLE SOCIETY OF THE MIDDLE TEMPLE, TO BE SOLD BY AUTHORITY OF THE TREASURER AND MASTERS OF THE BENCH

397. A pair of George IV silver Fiddle pattern tablespoons, by Eley and Fearn, London 1823, the stems engraved ‘2d Bar Mess Midd. Temp. Hall’, length 21.8cm, approx. weight 4.6oz. (2) £60-80

398. A pair of Victorian silver Fiddle pattern dessert spoons, by George Adams, London 1858, the terminals engraved with the Paschal Lamb crest, length 18.3cm, approx. weight 2.9oz. (2) £60-80

399. A pair of Victorian silver Fiddle pattern butter knives, by Theobalds and Atkinson, London 1839, the terminals engraved with the Paschal Lamb crest, length 19.4cm, approx. weight 4oz. (2) £60-80

400. An early-Victorian silver Fiddle pattern fish slice, maker’s mark W.E, probably for William Eaton, London 1839, the terminal with the Paschal Lamb crest, the blade with pierced foliate scroll decoration, length 31cm, approx. weight 5.2oz. £100-150

401. A set of six 18th century silver-handled Pistol-grip table knives, circa 1760, the handles engraved ‘Middle Temple’, re-bladed by Walker and Hall, length 23.7cm. (6) £200-300

402. A set of six Victorian silver Old English pattern table forks, by George Adams, London 1874, the terminals engraved with the Paschal Lamb crest, length 20cm, approx. weight 13.4oz. (6) £300-400

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

403. A pair of Victorian silver Old English pattern sauce ladles, by George Adams, London 1871, the terminals engraved with the Paschal Lamb crest, length 17.5cm, approx. weight 4.3oz. (2) £150-200

404. A pair of George III silver Old English pattern basting spoons, by Richard Crossley, London 1803, the terminals engraved with the arms of Middle Temple, the reverse of stems inscribed ‘Given by John Hatsell, Esq. 1803’, length 30.5cm, approx. weight 7.7oz. (2) £200-300

405. A pair of George IV silver Old English pattern table forks, by William Chawner, London 1824, the reverse of terminals engraved ‘Middle Temple, 1824’, and ‘T’ over FBR’, the stems numbered ‘22’ and ‘23’, length 20cm, approx. weight 4.5oz. (2) £60-80

406. A pair of George III silver Old English pattern tablespoons, by Eley and Fearn, London 1803, the terminals engraved with the arms of Middle Temple, the reverse of stems inscribed ‘Given by John Hatsell, Esq. 1803’, length 22cm, approx. weight 4.3oz. (2) £60-80

407. Two George II silver Hanoverian pattern teaspoons, marks partially worn, circa 1750, the reverse of the terminal with the Paschal Lamb crest, length 12.5cm, approx. weight 1.5oz. (2) £40-60

408. A pair of George III silver Old English pattern dessert spoons, by William Chawner, London 1819, the terminals engraved with the Paschal Lamb crest, length 17.3cm, approx. weight 2.3oz. (2) £60-80

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409. A pair of Victorian silver Old English pattern tablespoons, by George Adams, London 1874, the terminals engraved with the Paschal Lamb crest, length 22cm, approx. weight 4.3oz. (2) £60-80

410. A pair of George III silver Old English pattern table forks, by Smith and Fearn, London 1794, the reverse of the terminals with the arms of Middle Temple, the terminals initialled, the stems numbered ‘1’ and ‘9’, length 20.2cm, approx. weight 4.2oz. (2) £60-80

411. A pair of Edwardian silver menu card holders, by William Hutton and Sons, London 1906, modelled as the arms of Middle Temple, D-shaped support, height 5.5cm, approx. weight 3.5oz. (2) £300-400

412. An electroplated soufflé dish, by Walker and Hall, circular form, plain side handles, with a liner, engraved with the arms of Middle Temple, diameter 15.5cm, plus a pair of electroplated asparagus tongs with the Paschal Lamb crest, and a three-piece electroplated condiment set. (5) £60-80

413. An electroplated soup tureen on stand, by Walker and Hall, circular form, plain scroll side handles, the pull-off cover with a ball finial, engraved with the arms of Middle Temple, the stand of wirework form, lacking burner, length handle to handle 39cm. (2) £50-70

414. A pair of late-Victorian electroplated wine coasters, unmarked, circular form, pierced scroll decoration, gadroon borders, wooden bases set with central buttons engraved with the Paschal Lamb crest, diameter 15.7cm. (2) £60-80

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OTHER PROPERTIES

Each lot is subject to a Buyer’s Premium of 25% plus VAT

415. A three-piece Edwardian silver tea set, by Asprey and Co, Birmingham 1906, oblong bellied form, part-fluted decoration, scroll handles, the tea pot with a hinged cover with a fluted finial, length handle to spout 29.5cm, approx. weight 31oz. (3) £250-300

416. A George III silver swing-handled cake basket, by Aldridge and Green, London 1773, oval form, pierced decoration and embossed with foliate decoration and beaded ribs, pierced swing-handle, on a raised pierced oval foot with a rope-work border, length 32.3cm, approx. weight 20.9oz. £500-700

417. A three-piece George III silver tea set, maker’s mark partially worn, ?R, London 1816, rounded rectangular bellied form, scroll handles, flush hinged cover, ivory insulators, on four ball feet. length handle to spout 26cm, approx. weight 27.5oz. (3) £300-400

418. A pair of Victorian silver candlesticks, by George Fox, London 1874, shaped faceted baluster stems, spool shaped capitals, beaded borders, on raised square bases with canted corners and fluted £300-400 decoration, initialled, height 14.5cm. (2)

419. A three-piece late-Victorian silver tea set, by Elkington and Co, Birmingham 1898, rounded rectangular form, part-fluted decoration, large gadroon border, length handle to spout 27.5cm, approx. weight 31oz. (3) £250-300

420. A George III silver swing-handled cake basket, by John Wakelin & Robert Garrard, London 1796, oval form, the body pierced with scroll and oval decoration, gadroon border, the centre engraved with an armorial with foliate mantling, on a raised oval gadrooned foot, length 35.5cm, approx. weight 36.2oz. £1,000-1,500 The inescutcheon is that of Clayton / Fletcher on an unidentified shield.

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A PRIVATE COLLECTION OF MUSTARD POTS

421. A William IV silver mustard pot, by Benjamin Smith, London 1835, circular form, embossed with flowers, leaf capped scroll handle, the hinged cover with a flower and knop finial, on a circular foot, length 11.5cm, approx. weight 5.1oz. £200-300

422. A George III silver mustard pot, by John Wall, 1785, oval form, scroll handle, pierced with vertical slats and with brightcut borders, the hinged cover engraved with a crest, with a blue glass liner, length 10.3cm, approx. weight 3.3oz. £150-200 The crest is that of many families including Booker, Brettel, Snelling and Wymond.

423. A George III silver mustard pot, by Hester Bateman, London 1786, oval panelled form, reeded scroll handle, domed hinged cover with an urn finial, with a blue glass liner, length 12cm, approx. weight 3.5oz. £100-150

424. A George III silver mustard pot, by John Eames, London 1800, oval form, scroll handle, domed hinged cover, engraved with a crest, with a blue glass liner, length 10.5cm, approx. weight 4.8oz. £100-150 The crest is probably a variant of Fellowes.

425. A George III silver mustard pot, by Peterson and Podio, London 1786, plain vase form, domed hinged cover with a ball finial, scroll handle, with a frosted glass liner, length 1.8cm, approx. weight 3.9oz. £100-150

426. A William IV silver mustard pot, by Charles Goodwin, London 1830, lobed circular form, embossed with flowers and foliate decoration, the domed hinged cover with a flower finial, leaf capped scroll handle, on a shaped circular foot, length 11.2cm, approx. weight 5.2oz. £150-200

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

427. A George III silver mustard pot, by Alice and George Burrows, London 1807, shaped rectangular form, scroll handle, gadroon border, foliate girdle, the hinged cover with a ball finial, on four ball feet, with a blue glass liner, length 8.4cm, approx. weight 4.9oz. £100-150

428. A William IV silver mustard pot, by John E. Terrey, London 1835, lobed circular form, embossed foliate decoration, leaf capped scroll handle, domed cover with a fluted finial, with a clear glass liner, on a lobed circular foot, length 12cm, approx. weight 6.5oz. £200-300

429. A George III silver mustard pot, by Hester Bateman, London 1787, circular form, scroll handle, domed hinged cover, urn finial, beaded borders, engraved with a crest, with a blue glass liner, length 10.2cm, approx. weight 2.4oz. £300-400

430. A William IV silver mustard pot, by Charles Fox, London 1830, plain circular form, scroll handle, gadroon border, the hinged cover with a shell thumb-piece, with a blue glass liner, length 9.3cm, approx. weight 3.7oz. £100-150

The crest is that of Mortlock, for John George Mortlock, of Melbourn and Meldreth, Cambridgeshire.

431. A George III silver mustard pot, by John Denziloe, 1793, shaped rectangular form, scroll handle, slightly domed hinged cover with a ball finial, engraved with two crests, bright-cut borders, with a blue glass liner, length 7.5cm, approx. weight 4.4oz. £150-200 The crests are those of many families including Charnell, Kensington, Pakenham, Rodney and Webb.

432. A William IV silver mustard pot, by William Bateman, London 1835, lobed circular form, scroll handle, hinged cover with a knop finial, engraved with a crest, length 10cm, approx. weight 6.2oz. £150-200

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OTHER PROPERTIES – A SMALL PRIVATE COLLECTION

433. A William IV silver Fiddle and Thread pattern fish slice, by William Eaton, London 1830, the blade with pierced decoration, the terminal with the Hornby crest, length 31.2cm, approx. weight 7.8oz. £100-150

434. A pair of George III silver asparagus tongs, by George Smith, London circa 1784, plain form, the terminal with a crest, length 26cm, approx. weight 4.9oz. £150-200

435. A mixed lot of silver flatware, various patterns, dates and makers, comprising: ten tablespoons, a seal-top spoon, seven dessert spoons, a sauce ladle, a butter knife, three dessert forks, twenty teaspoons, three christening spoons, a sifting spoon, six condiment spoons, three ivory handled forks and two knives, and a cased set of twelve coffee bean end spoons, approx. weighable 57oz. (qty) £300-400

436. A set of fifty-five George III old English pattern teaspoons, over-struck with maker’s mark of Thomas Ollivant of Manchester, London 1803, the terminals initialled ‘BA’, for the Blackburn Assembly, approx. weight 20oz. (55) £300-400

437. A set of twelve silver and mother-of-pearl handled fruit knives and forks, by R F Mosley & Co, Sheffield 1912, plain tapering handles, in a fitted wooden case, the cover inscribed ‘To H.R Hornby from friends at Pleasington Hall, July 14th ,1913’. £200-300

438. A set of eighteen George IV silver and ivory handled fruit knives and forks, by Aaron Hadfield, Sheffield 1829, plain blades and tines, plain tapering ivory handles, in a fitted red leather-bound case. £200-300

A hand written note accompanies this lot with the names of the staff who gave money towards buying this set. They include the house keeper, ladies maid, kitchen maid, footman, coachmen, gardeners, joiner, and laundry maids.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

439. A Victorian silver lockable cigar box on wheels, by Wright & Davies, London 1887, rectangular form, the front with a lock, the hinged cover engraved with the Hornby Crest, cedar lined interior, on four wheels, length 21.8cm. £200-300

440. A George III silver snuffer’s stand and pair of scissor snuffers, the stand by John Emes, London 1804, the scissors by William Bennett, London 1805, the stand of shaped rectangular form, reeded border, engraved Greek key decoration, engraved with the Hornby crest, the snuffers with reeded handles and with the Hornby crest, length 26.5cm, approx. weight 7.9oz. (2) £300-400

441. A George III silver cream jug, by Stephen Adams, London 1791, helmet form, scroll handle, beaded borders, engraved decoration, initialled, on a raised square foot, height 13cm, approx. weight 2.9oz. £100-150

442. A set of four Britannia standard silver pepper pots, by L.A. Crichton, London 1922, square baluster form, canted corners, the pull-off pierced covers with knop finials, on a raised square foot, height 12.3cm, approx. £200-300 weight 21oz. (4)

443. A George III silver-mounted ivory cucumber slice, by John Reily, London 1808, rectangular form, with a pull-out silver blade, the terminal with the Hornby crest, length 20.8cm. £400-600

444. A George III silver mustard pot, by John Emes, London 1801, oval form, scroll handle, the domed hinged cover with a ball finial, later blue glass liner, plus an Edwardian silver mustard pot of oval £150-200 form, London 1904, approx. total weight 9.2oz. (2)

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445. A George III silver ewer, by William Stroud, London 1803, baluster form, leaf capped scroll handle, later embossed foliate scroll and grapevine decoration, on a raised circular foot, gilded interior, engraved with the Hornby crest and inscribed ‘Altcar Meeting, 28 Feb 1833, Won by Harmony’, height 35.5cm, approx. weight 45.5oz. £800-1,200

446. A George II silver tankard, by Thomas Whipham, London 1750, tapering circular form, scroll handle, central girdle, domed hinged cover with a scroll thumb-piece, on a circular foot, height 18cm, approx. weight 25.5oz. £1,000-1,500

447. A Victorian silver rose bowl, by The Fenton Brothers, Sheffield 1862, fluted circular form, chased foliate decoration, on a raised circular foot, diameter 23.5cm, approx. weight 22.5oz. £300-400

448. A set of eight Victorian silver salt cellars, by the Barnards, six London 1844, two London 1845, tapering circular form, pierced foliate scroll decoration, scroll borders, on four shell capped scroll feet, engraved with the Hornby crest, with six blue glass liners, approx. weight 23oz. (8) £400-600

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

449. A three-piece George IV silver coffee set, by Joseph Angell, London 1829, baluster and circular fluted form, leaf capped scroll handles, fluted cover with a flower finial, the handle with ivory insulators, on a shaped circular foot, engraved with the Hornby crest, height of coffee pot 21cm, approx. weight 47oz. (3) £600-800

450. A William IV presentation silver ewer, by The Barnards, London 1830, lobed circular bellied form, with rocaille decoration, leaf capped scroll handle with ivory insulators, the hinged cover with a bunch of grapes finial, on a shaped circular rocaille foot, engraved with the Hornby crest and inscribed ‘Altcar Coursing Meeting, Nov. 12/13 1833, won by Hermon, height 28cm, approx. weight 31oz. £1,000-1,500

451. A George III Irish silver two-handled cup and associated cover, the cup by Matthew West, Dublin 1774, the cover unmarked, baluster form, fluted and beaded decoration and embossed with foliate garlands, leaf capped scroll handles, on a raised gadroon circular foot, the pull-off cover with similar decoration, one side embossed with a classical medallion, the reverse engraved with the Hornby crest and inscribed ‘North Meoles Meeting Won by Harmony Feb 22, 1833’, height 29.5cm, approx. weight 43oz. £800-1,200

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OTHER PROPERTIES

Provenance: Hugh, 5th Earl Annesley 1831-1908, and thence by descent to the present owner.

453. A George III silver sugar vase and cover, by Robert Hennell, London 1777, circular tapering form, pierced with vertical slats and with medallions, rams’ heads and swag decoration, the cover with leaf decoration and with a ball finial on three hoof feet on a shaped triangular foot, with a blue glass liner, plus a George III Bright-cut ladle, London 1791, height 15.5cm, approx. weight 9.7oz. (2) £300-400

454. A pair of George III silver dish wedges, by Peter, Ann and William Bateman, London 1802, tapering rectangular form, stepped wavy-edged borders, the ends with bright-cut borders and engraved with a crest, length 13.3cm, approx. weight 5.5oz. (2) £300-500

455. A George III silver wax-jack, by John Carter, London circa 1770, plain column, scissor action wax holder and cutter, with a flame finial, on a hexagonal base with pierced decoration, gadroon border, leaf capped scroll handle, on three paw feet, height 14.5cm, approx. weight 5oz. £600-800

The crest is that of Fortescue.

Provenance: purchased in these rooms, A Private Collection of wax-jacks, 21/22 October 2014, lot 1004, Sanda Lipton, Summer Olympia Fair 2005.

456. An Edwardian silver seven-bar toast rack, by The Goldsmiths and Silversmiths Company, London 1906, rounded rectangular form, central ring handle, on four ball feet, length 15.7cm, approx. weight 9.8oz. £100-150

457. A George III silver swing-handled sugar basket, by William Abdy, London 1786, oval form, beaded borders and swing handle, the body with pierced and engraved decoration, on a raised oval foot, length 12.5cm, approx. weight 5.6oz. £200-300

452. A Victorian seven-bar toast rack, by Henry Wilkinson and Co, Sheffield 1850, rectangular form, central scroll carrying handle, the base with pierced foliate scroll decoration, on four shell bracket feet, length 16cm, approx. weight 9.9oz. £150-200

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

458. A George III silver wine funnel and associated wine funnel stand, by Robert and Samuel Hennell, London 1806, the stand by John Emes, London 1798, circular form, with a side clip, reeded border, part-fluted stem, height 14cm, the stand of circular form, reeded border, diameter 10.2cm, approx. weight 7.9oz. (2) £300-400

459. A George III silver mug, by Benjamin Brewood, London 1760, baluster form, leaf capped scroll handle, engraved with a crest and scratch initials ‘MS’, on a raised circular foot, height 13cm, approx. weight 12.7oz. £300-400

460. A George III silver bougie box, unmarked, circa 1800, cylindrical form, scroll handle, beaded borders, with a conical snuffer, engraved with a crest and motto, height 6.5cm, approx. weight 2.2oz. £300-400

461. An Edwardian silver milk/water jug, by Nathan and Hayes, Chester 1906, circular bellied form, embossed foliate scroll decoration, leaf capped fluted scroll handle, on a raised circular foot, with two vacant cartouches, height 15.5cm, approx. weight 15oz. £200-300

462. A George II silver two-handled cup, probably by Benjamin Blakely, London 1755, circular form, scroll handles, central girdle, on a raised circular foot, later gilded bowl, height 12.2cm, approx. weight 9.7oz. £150-200

463. A George III provincial silver mug, by Langlands and Robertson, Newcastle 1790, baluster form, scroll handle, engraved with initials within a shield, on a spread circular foot, height 13.2cm, approx. weight 10.3oz. £200-300

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464. A silver kitchen pepper pot, by Messrs. Parsons, (Tessier), London 1929, cylindrical form, domed pierced cover, scroll handle, with two crests, on a spread circular foot, height 8cm, plus a George II caster, by Emes and Barnard, London 1817, cylindrical form, on a raised circular foot, engraved with a crest, approx. total weight 5.8oz. (2) £200-300

465. A George III silver pepper pot, by Hester Bateman, London 1782, baluster form, beaded borders, the pull-off cover with a fluted finial, on a raised circular foot, engraved with a crest, height 13.8cm, approx. weight 2.4oz. £150-200

466. A George I silver kitchen pepper pot, by John Porter, London 1714, cylindrical form, domed pierced cover, scroll handle, with conjoined scratch initials HMB, on a spread circular foot, height 8cm, approx. weight 2.4oz. £700-900

467. A George III silver cream jug, by S. Godbehere and Co, London 1809, oblong bellied form, fluted girdle, scroll handle, gadroon border, on four ball feet, plus a silver cream jug by Charles Stuart Harris, London 1913, oval form, part-fluted decoration, scroll handle, approx. total weight 11.9oz. (2) £150-200

468. A George III silver caster, by Robert and Samuel Hennell, London 1806, cylindrical form, gadroon borders, pull-off pierced domed cover, engraved with a crest, height 8cm, plus a George III provincial silver caster, by Robertson and Walton, Newcastle circa 1815, baluster form, reeded border, on a raised circular foot, approx. total weight 5.8oz. (2) £300-400 32

469. A George III provincial silver kitchen pepper, by John Langlands, Newcastle 1776, cylindrical form, scroll handle, pierced domed pull-off cover, engraved with a crest, height 7.8cm, approx. weight 2.8oz. £400-600 The crest is that of Kemys.

The crest is possibly that of Beresford.

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470. A pair of George III silver salt cellars, by Paul Storr, London 1802, circular form, with rope-work chevron borders, engraved with a crest, gilded bowl, on raised circular bases, approx. weight 7.4oz. (2) £600-800 The crest is possibly that for Whitney.

471. A George III silver mustard pot and two pairs of George III salt cellars, the mustard pot by Abraham Peterson, London 1792, the salts by John Eames, London 1803 and Thomas Robins, London 1800, the mustard pot of vase form, scroll handle, the hinged cover with a ball finial, blue glass liner, the salts of oval form, on raised oval bases, plus four silver salt spoons and a mustard spoon, crested and initialled, approx. weight 15.5oz. (10). £400-600 Provenance: the collection of Roy Merley.

472. A pair of George I silver salt cellars, by Ebenezer Roe, London, date letter worn, shaped rectangular form, engraved with a cipher, length 7.8cm, approx. weight 5.4oz. (2) £300-400

473. A Victorian silver mustard pot, by Samuel Whitford, London 1867, drum form, pierced scroll decoration, scroll handle, domed cover with a shell thumb-piece, with a later blue glass liner, height 7.8cm, approx. weight 5.5oz. £150-200

474. A set of four George III silver salt cellars, by Emes and Barnard, London 1813, shaped oval form, part-fluted decoration, gadroon borders, lion mask drop ring handles, gilded bowls on raised oval bases, engraved with a crest, length 11.5cm, approx. weight 21oz. (4) £800-1,200

475. An Edwardian silver flour shaker, by The Barnards, London 1905, cylindrical form, domed pull-off cover and bands of reeded decoration, on a spread circular foot, height 11cm, approx. weight 4.8oz. £200-300

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A PRIVATE COLLECTION OF S. MORDAN, PENCILS AND OTHER WRITING EQUIPMENT 476. A Victorian novelty silver pencil, probably by S. Mordan and Co, circa 1880, modelled as a tennis racket, with a ring attachment, length 5.8cm, approx. weight 0.1oz. £250-300

476 477. A Victorian novelty silver and enamel pencil, unmarked, circa 1880, with blue enamel decoration with red banding, with ring attachment, length closed 7.8cm. £350-400

477 478. A Victorian novelty silver combination propelling pencil and paper knife, by S. Mordan and Co, circa 1880, modelled as a broad sword, pull-off tapering scabbard, the propelling pencil twists out of handle, with a chain and ring attachment, length 12.2cm, approx. weight 0.7oz. £350-450

478 479. A Victorian novelty gold-mounted nut telescopic pencil, unmarked, with a ring attachment, length closed 3cm. £150-200

479 480. A Victorian novelty silver pencil, possibly by S. Mordan, circa 1880, modelled as a hogshead barrel, four stage mechanism, with a ring attachment, length 3.7cm, approx. weight 0.6oz. £300-350

480

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481. By S. Mordan and Co, a novelty silver hunting horn pencil, circa 1880, tapering circular form, the mouth-piece with a twist action pencil, with a ring attachment, with traces of gilding to border, length closed 10.8cm, approx. weight 0.4oz. £150-200

481 482. A novelty silver and hard stone propelling pencil, unmarked, modelled as a Skean-Dhu, set with hard stones, with a slide-action pencil, possibly later, and with a ring attachment, length 9cm. £180-220

482 483. A Victorian novelty silver-mounted propelling pencil and toothpick, unmarked, probably by S, Mordan, modelled as a walking cane, the handle pulls-out to reveal the toothpick, with a ring attachment, length 8cm. £300-350

483 484. A Victorian novelty silver combination propelling pencil and paper knife, by E. H. Stockwell, London 1874, retailed by Thornhill, Bond Street, modelled as a Scottish officer’s broad sword, pull-off scabbard, the propelling pencil twists out of handle, with two ring attachments, length 17.6cm, approx. weight 1.1oz. £500-700

484 485. An Edwardian novelty silver and enamel combined pencil and page marker, apparently unmarked, circa 1905, tapering form, the terminal with a red enamel heart pierced with a propelling pencil modelled as an arrow, length 11.5cm. £250-300 This pencil is featured in the Goldsmiths and Silversmiths catalogue of 1904.

485

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486. A Victorian novelty silver pencil, by S. Mordan and Co, circa 1890, modelled as a milk churn, with a ring attachment, movement worn, length 4cm, approx. weight 0.6oz. £250-300

486 487. A Victorian novelty silver and enamel pencil, unmarked, probably by S. Mordan and Co, circa 1880, modelled as an Allsopp’s India Pale Ale bottle, the enamelled label with the beer details, length 4.7cm. approx. weight 0.6oz. £250-300

487 488. A Victorian novelty silver and enamel pencil, by S. Mordan and Co, with a registration lozenge, circa 1880, modelled as a Bass beer bottle, the enamelled label with the beer details and also S. Mordan and Co. London, with a ring attachment, length 4.8cm. approx. weight 0.6oz. £200-250

488 489. By S. Mordan and Co, a large novelty silver hunting horn pencil, marked with a registration lozenge for 1879, and retailed by Ortner and Houle, 3, St. James’ Street, tapering circular form, the mouth-piece with a twist action pencil, the interior gilded, length closed 24.3cm, approx. weight 4.5oz. £500-700

489

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490. A Victorian silver combination paper knife and pencil, by S. Mordan and Co, London 1898, fluted baluster handle with a pull-out propelling pencil, length 21cm. £200-300

491. A Victorian silver desk seal, by S. Mordan and Co, London 1900, fluted baluster form, with bloodstone matrix carved with a crest and initials, length 7.6cm. £100-150

492. A silver combination magnifying glass and pencil, by S. Mordan and Co, marked Sterling Silver, the magnifying glass of circular form, slide-action pencil, length 10.5cm. £100-150

493. An Edwardian silver and enamel combination paper knife and magnifying glass, by S. Mordan and Co, with a registration number for 1903, circular magnifying glass the tapering stem with green enamel decoration, length 23.5cm. £250-300

494. A large Victorian novelty silver pencil, by S. Mordan and Co, London 1892, modelled as a nail, the head inscribed ‘Pay’, for ‘pay on the nail’, length 15.2cm. £200-250

495. A Victorian silver novelty paper knife, by S. Mordan and Co, London 1895, modelled as an officer’s sword, with a three-bar hilt, pull-off scabbard, with two ring attachments, length 14.5cm, approx. weight 0.8oz. £250-300

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in box 496. A Victorian 18 carat gold combination pencil and pen, by S. Mordan, London 1881, cylindrical form, engraved foliate scroll decoration, with an extending slide-action pen and propelling pencil, in a fitted case, length closed 7.7cm, total gross weight 26.5g. £300-400

497. A late-Victorian 10 carat gold pen and pencil set, by S. Mordan, marked with the arrow mark, circa 1894, cylindrical form, swirl-fluted decoration, in a fitted case retailed by Mappin and Webb, the case dated ‘April 18th 1844-1894’, approx. total gross weight 19g. (2) £200-250

498. A French novelty silver dip pen, marked with a control mark, the terminal with a skull and torso, the handle modelled as bones, in £150-200 a fitted case, length 21.8cm.

499. An Edwardian silver combination magnifying glass and ruler, by Charles Douglas Richard Hanbury-Tracy, Baron Sudeley, London 1902, the magnifying glass of circular form, with pierced scroll work mounts, the ruler engraved to measure six inches, full length 23.2cm. £150-200

500. A Victorian novelty silver and nephrite golf club pen and pencil set, possibly by Hyams of Bond Street, circa 1890, with French import marks, the carved terminals modelled as a wood and iron golf club, with handle grips, one with traces of gilding, lengths 17.3cm and 16.5cm. (2) £800-1,000

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501

502

501. A Victorian novelty silver-mounted pencil, by S. Mordan and Co, and with a design lozenge for 1879, modelled as an Assegai spear, ebony shaft, with a ring attachment, length 11.6cm. £300-400

502. A Victorian silver quill pen, by Reily and Storer, London 1851, the feathers with textured decoration, inscribed ‘Prize at Tunbridge School, July 27, 1852.’, in a fitted case, length 23cm, approx. weight 1oz. £500-700

503

503. A William IV parcel-gilt silver quill pen, by Reily and Storer, London 1832 the feathers with textured decoration, inscribed ‘Prize at Tunbridge School, July 24, 1832’, length 27.5cm, approx. weight 1.3oz. £700-900

504. An Edwardian parcel-gilt silver quill pen, by J. B. Carrington, London 1902, the feathers with textured decoration, inscribed ‘Prize at Tonbridge School, July 24, 1902’, in a fitted case, length 25.8cm, approx. £500-700 weight 2.4oz.

504

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OTHER PROPERTIES

505. An 18th century French provincial silver wine taster, maker’s mark worn, La Charite 1785, Jurisdiction of Bourges 1781-1789, circular form, snake ring handle, inscribed ‘A. GUILLOMOT’, length 10.6cm, approx. weight 2.6oz. £100-150

506. A Spanish silver snuffer’s tray, maker’s mark DA? Barcelona, also marked ANGELI, shaped rectangular form, pierced with slats and with a beaded border, the underside scratch initialled ‘RA’, length 22.3cm, approx. weight 3.7oz. £300-500

507. An 18th century French provincial silver beaker, by Etienne Tremblay, Orleans 1780-82, tapering circular form, on a raised circular foot, with a rope-work border, height 11.8cm, plus another 18th century French silver beaker, Paris 1789, tapering circular form, on a raised circular foot, with a rope-work border, inscribed ‘Marie F. Chevallier’, height 11.3cm, approx. weight 10.5oz. (2) £250-300

508. A continental silver dish, apparently unmarked, probably German, oval form, the centre embossed with a huntsman shooting at a hare with a gun dog in chase, in a landscape setting, the outer border embossed with foliate scroll decoration, length 28.2cm, approx. weight 6.5oz. £300-500

509. An 18th century French silver beaker, maker’s mark worn, Paris 1757, tapering circular form, height 6.3cm, approx. weight 3.1oz.

510. A pair of German silver drinking cups and covers, by Neresheimer of Hanau, with import marks for Chester 1903, importer’s mark of Berthold Muller, circular form, embossed decoration, each set with a coin, the pulloff covers with a figural finial, on raised circular bases, height 15cm, plus a late 19th century German drinking cup, with two pull-apart circular sections, embossed foliate decoration, height 11cm, and a table bell by Neresheimer of Hanau, with import marks for Chester 1905, importer’s mark of Berthold Muller, approx. total weight 20oz. (4) £300-400

£150-200

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511. An 18th century German silver-gilt double spice box / salt cellar, Augsburg 1736-37, also marked with a rampant lion, and later import marks for Austro-Hungary, shaped rectangular form, the two hinged covers with chased scroll decoration on a matted background, on a raised shaped rectangular foot, length 5.4cm, approx. weight 2oz. £300-400

512. An 18th century German silver double spice / salt box, maker’s mark I over MR, oval form, plain hinged cover, the gilded interior with a central compartment, on an oval foot, length 6.3cm, approx. weight 2.2oz. £300-350

513. A 19th century Austro-Hungarian silver sugar box, Vienna 1823, rectangular form, foliate borders, with a lock, the hinged cover with a basket of flowers, length 13.3cm, approx. weight 17.5oz. £200-300

514. A Dutch silver tobacco box, possibly Delft, shaped rectangular form, the hinged cover engraved with a scene of ships off a port, chased foliate scroll decoration, the underside of the base with a bird, rope-work borders, length 13cm, approx. weight 5.3oz. £800-1,200

515. A late 19th century silver tea caddy, with import marks for London 1894, importer’s mark of William Moering, rectangular form, embossed with foliate scroll decoration, a gentleman and lady in landscape settings, and two lion heads looking on, the slide-off cover with a foliate finial, on a scroll foot, height 13,8cm, approx. weight 11oz. £150-200

516. A silver box and cover, unmarked, circular form, the sides embossed with reclining classical figures, the pull-off cover with embossed foliate decoration, on a spread circular base, diameter of base 14cm, approx. weight 9.3oz. £300-400

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517. A Chinese silver two-handled cup, the underside of the base with Chinese characters, circular form, dragon scroll handles, the double skinned body with birds, bamboo and spot-hammered decoration, on a raised circular foot, height 11.5cm, approx. weight 16.5oz. £600-800

518. A Chinese silver bowl, by Wang Hing, circa 1903, circular form, embossed with chrysanthemums, and with a circular cartouche, inscribed ‘Best Shot Officers, 1903’, on a raised circular foot, inscribed ‘ Presented to the Hong Kong Army Rifle Association by Col. L.F. Brown, won by Lieut. Delme Radcliffe 14th Bat.’, diameter 18.3cm, approx. weight 16.5oz. £600-800

519. A small Chinese silver goblet, by Wang Hing, circa 1903, circular bowl, embossed with figures and bamboo decoration on a matted background, on a tapering stem on a raised circular foot, height 11.4cm, approx. weight 2.8oz. £100-150

520. A Chinese silver bowl and salver, by Sing Fat, Canton circa 1920, circular form, matted decoration, diameter 18.8cm, the salver of circular form, simulated bamboo border, the centre with Chinese characters on a matted background, one foot a.f, plus two metalware boxes, approx. weighable 27oz. (4) £300-400

521. A three-piece Chinese silver tea set and an associated tray, by Wang Hing, circa 1920, the tray by Sing Fat, Canton circa 1920, lobed circular bellied form, scroll handles, ivory insulators, the teapot with a hinged cover and fluted finial, the tray of rectangular form, simulated bamboo handles and borders, with matted decoration, length of tray 41cm, approx. total weight 61oz. (4) £500-700

522. A Chinese silver tea pot, by Wang Hing, circa 1920, circular form, simulated bamboo spout and scroll handle, with ivory insulators, on a circular foot, length handle top spout 24cm, approx. weight 18oz. £150-200

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523. A 19th century silver dish, marked with a cone, probably German, circular form, embossed with masks, fruit and foliate scroll decoration on a textured background, the centre engraved with three lion heads, headed border, diameter 28.3cm, approx. weight 14.2oz. £200-300

524. A Burmese silver rice bowl, the underside with the maker’s signature of a tiger, circular form, embossed with figural scenes in landscape settings, foliate scroll borders, on a carved hardwood stand with three seated Chinthe pagoda guardians, applied with an plaque, inscribed ‘Captain E. B. Peacock Secretariat Camp Coronation, Delhi-Durbar’, diameter of bowl 20cm, height of bowl 13.5cm, height on stand 30.8cm, approx. weight 36.7oz. . £800-1,200 The maker’s signature of a tiger is illustrated in Wilkinson, W., Indian Silver, 1858-1947, 1999, page 41, illustration 46

525. A Turkish silver bowl, Abdulhamid ii period, 1876-1909, circular form, the centre embossed with a basket of flowers, the border also with baskets of flowers, diameter 18cm, approx. weight 8.5oz. £200-250

526. A Chinese silver dish, by Wang Hing, circa 1920, cushioned rectangular form, pierced bamboo border, chased blossom on a matted background, supported by four dragon legs, with a later £500-700 red glass liner, length 19.8cm, approx. weight 21.4oz.

527. A pair of 19th century Indian Colonial salt and pepper pots, by Twentyman and Co, Calcutta circa 1840, cylindrical form, reeded borders, engraved ‘SALT’ and ‘PEPPER’, on raised circular bases, height 8.4cm, approx. weight 5.5oz. (2) £150-200

528. Madras and Southern Mahratta Railway interest, a presentation silver tray, by Orr, circa 1921, rectangular form, reeded border, the centre inscribed ‘Presented to Mr. R. G. Bamford, by the Officers of the Loco Department on his retirement from the M & S. M. Railway, 9th July 1921, and with the names of the donors’, length 26cm, approx. weight 15.8oz. £200-300

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529. A late 19th century Russian provincial silver throne salt cellar, Kostroma circa 1890, throne form, with a pierced scrollwork back, the hinged cover inscribed, height 6.3cm, approx. weight 1.2oz. £150-200

530. A pair of Russian silver-gilt and enamel beakers, 1896-1908, also marked with a French import mark, tapering circular form, with vari-coloured enamelled decoration of flowers and scroll work on a matted background, rope-work borders, height 5.5cm, approx. weight 2.8oz. (2) £300-400

531. A Scandinavian silver beaker and cover, maker’s mark Ax. S, probably Norwegian, in the seventeenth century manner, tapering circular form, heavily embossed foliate decoration on a matted background, pull-off cover with a foliate finial, on three large ball feet, height 21cm, approx. weight 19oz. £200-300

532. An 18th century German silver beaker, maker’s mark G over IM, tapering circular form, with lobed decoration, gilded border and interior, on three ball feet, the underside later inscribed, height 8cm, approx. weight 2.6oz. £300-400

533. A Dutch silver hot milk pot, maker’s mark worn, Amsterdam, possibly 1786, with a 19th century tax mark, baluster form, scroll handle, fluted leaf hinged cover with a wooden finial, on four leaf capped simulated branch feet, height 16.5cm, approx. weight 12oz. £400-600

534. A 19th century silver two handled brandy bowl, with a Dutch import mark, lobed circular form, with mythical beast head mounted scroll handles, embossed decoration, on a shaped circular foot, length handle to handle 19.8cm, approx. weight 6oz. £400-600

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535. A silver-mounted mother-of-pearl shell dish, unmarked, probably 19th century, shaped oval form, with strap-work mounts and a wavy-edge border, on a raised oval foot with punched decoration, length 17cm. £200-300

536. A Dutch silver two-handled brandy pan, maker’s mark AH conjoined, possibly for Arent Hamminck, Groningen 1665, lobed oval form, mythical beast head mounted scroll handles, engraved figural decoration, on a raised lobed oval foot, length £700-900 20cm, approx. weight 6.5oz.

537. A 19th century French silver milk pot, baluster form, turned wooden side handle, the hinged cover with a cone finial, on a circular foot, engraved with initials, height 13.8cm, approx. weight 12.5oz. £150-200

538. A Portuguese silver model of a fighting cock, Oporto, post 1938, with textured feathers and with one claw raised, length 34cm, approx. weight 45.5oz. £500-700

539. A set of four French silver graduated meat platters, by Odiot, Paris, circa 1920, two sizes, oval form, moulded borders, engraved with initials, lengths 38cm and 42cm, approx. weight 143.5oz. (4) £1,500-2,000

540. A Swedish silver coffee pot, by C.F. Carlman, Stockholm, 1916, ovoid form body, with a wooden side handle, husk borders, the pulloff cover with a berry finial, on four paw feet, engraved with initials, with a height 21cm, approx. weight 15oz. £200-300

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541. An 18th century Dutch silver table bell, by Benjamin D’Hoy Middelburg 1786, also marked with a later tax mark, conventional form, with chased foliate decoration, the handle with a central stem and with two flowers, height 15.5cm, approx. weight 9.6oz. £4,000-6,000

542. A 17th century German silver mustard pot, by Derck Fellingh, Wesel, 1654-5, also marked with a later Dutch tax mark, lobed baluster form, scroll handle, the domed hinged cover with a double scroll thumb-piece and rampant lion finial holding a shield, on a lobed circular foot, the underside of the base scratch initialled ‘WB’ and ‘Gerhardus van Jonsuest’, height 14.8cm, approx. weight 4.8oz. £1,500-2,000

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543. An 18th century continental silver chalice and cover / ciborium, marked with a maker’s mark to base, circular bowl with cut-card decoration, on a knopped stem on a raised circular foot engraved with Christ on the cross, the pull-off cover with a gadroon border, cut card decoration and with a cross finial, gilded interior, height 25cm, approx. weight 28oz. £1,000-1,500 Provenance: the collection of Roy Merley Paul Smith Ludlow. The crest is that of Percy.

544. A mid 17th century German parcel-gilt silver tankard, by Johann Kartenbusch, Nurnberg circa 1650, lobed slight tapering circular form, with embossed and engraved foliate scroll decoration, the hinged cover erased and with a double scroll thumb-piece, scroll handle, on a raised spread circular foot, the underside later inscribed ‘Alfred Gilbert A.R.A from the Company of Armourers and Brasiers in the City of London 1890’, height 13.8cm, approx. weight 15.9oz. £1,000-1,500 Sir Alfred Gilbert RA (1854-1934) was an English sculptor, who’s most famous work is The Shaftesbury Memorial Fountain which is located at the south eastern side of Piccadilly Circus in London, better known as Eros.

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545. An 18th century Norwegian silver peg tankard, maker’s mark three times to base IGL, for Johan/Jan Govert Larsen Lund, Stavanger, circa 1766, cylindrical form, chased foliate and strap decoration on a matted background, the interior with six pegs, the scroll handle with two masks, the hinged cover with a crowned rampant lion thumb-piece, similar decoration and set with a Thaler and inscribed ‘M.P.S.R’ ‘A.P.D’ and ‘1766’ crimped border, on four claw and ball feet, the underside of the base with a later inscription’ height 22cm, approx. weight 36oz. £2,000-3,000 Johan/Jan Govert Larsen Lund, was baptised in Hoeyland 16 January 1635, he trained at Stavanger and Copenhagen, and was admitted to the Guild in Stavanger 3 March 1758. He died in 1793.

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546. A 17th century Norwegian silver peg tankard, maker’s mark only, for Erich Olsen, Trondheim circa 1661, plain cylindrical form, scroll handle with a cast bird thumb-piece, the slightly domed hinged cover inscribed ‘J.C.S’ over ‘M.O.D’ over ‘1661’, on three leaf capped cone ball feet, height 16cm, approx. weight 21.4oz. £4,000-6,000 For maker’s mark see Krohn-Hansen, T., Trondhjems Gullsmedkunst, 1550-1850, Scandinavian University Books, 1963, page 170, entry number 39. Olsen was working from 1656 until his death in 1672.

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547. An 18th century Maltese silver sugar bowl and cover, marked MA with an eight-pointed cross, circa 1730, no maker’s mark, circular bellied form, embossed shell and foliate decoration, the pull-off cover with a foliate finial, on a raised circular foot, height 12.5cm, approx. weight 10oz. £400-600 For a similar example see: Farrugia, J., Antique Maltese Domestic Silver, Said International, 1992, page 60.

548. A pair of late 19th century French silver-mounted claret jugs, maker’s mark of A.D with bird between, fluted baluster glass bodies, the mounts with foliate decoration, scroll handle and hinged cover with a foliate scroll thumb-piece, engraved with initials, height 24.5cm. (2) £600-800

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549. A presentation silver vase, by the Goldsmiths and Silversmiths Company, London 1905, retailed later by Asprey London, Warwick vase shape, foliate decoration, reeded foliate capped side handles, foliate border, inscribed ‘From H.R.H Prince Faisal to Dr. Daniel Davies 1946’, on a raised circular foot on a square base, together with a signed photograph of Prince Faisal, height 26.2cm, length handle to handle £2,000-3,000 39cm, approx. weight 112oz. (2) Faisal of Saudi Arabia was born 14 April 1906. He became crown Prince in 1953 and King on the 20 November 1964. He died on 25 March 1975. Daniel Davies became physician to the Royal Household of King George VI from 1938, he was Knighted in 1951 and died in 1966.

550. A pair of Edwardian silver three-light candelabra, by James Dixon and Sons, Sheffield 1909, Corinthian column form, central detachable light, leaf capped scroll branches each supporting a capital, on raised stepped square bases, plus a single matching candlestick, with the option to make a single five-light candelabrum and a pair of candlesticks, with traces of lacquering, height 59.5cm, approx. weight of branches £2,000-3,000 70oz. (3)

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551. By Liberty and Co, an Arts and Crafts silver bowl and spoon, Birmingham 1916, circular form, spot hammered body with a band of scroll decoration, initialled, ‘P.M’, the spoon with similar decoration, diameter 11.8cm, approx. weight 8oz. (2) £100-150

552. By Liberty and Co, an Edwardian silver two-handled bowl, Birmingham 1907, circular form, bifurcated handles, gilded bowl, on a raised circular foot, length handle to handle 18cm, approx. weight 5.5oz. £150-200

553. By Liberty and Co, a silver biscuit box and dish, Birmingham 1929, the dish 1911, circular form, hinged cover, punched borders, spot-hammered decoration, diameter 13.5cm, the dish of circular form, central fluted decoration, punched border, diameter 17cm, approx. weight 24.8oz. (2) £300-400

554. By Liberty and Co, a silver tray, Birmingham 1936, circular form, engraved and punched border, spot-hammered decoration, diameter 39.3cm, approx. weight 49.6oz. £500-700

555. By Malcolm Green, a modern silver beaker, London 1969, tapering circular form, the interior with textured decoration, height 4.5cm, approx. weight 2.3oz. £100-150

556. By Christopher Lawrence: two silver flower sculptures, London 1981, one with a gilded head, the other set with coloured beads, lengths 14cm and 11,8cm, approx. weight 0.9oz. (2) £100-150

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557. By Leslie Durbin, a pair of modern silver wine labels, London 1953, shaped form, with a crown finial, and mounted with two standing lions, incised ‘PORT’ and ‘SHERRY’, length 6.4cm, approx. weight 2oz. (2) £180-220

558. By R. E. Stone, an Art Deco silver butter dish and associated butter knife, London 1938, the knife London 1934, the butter dish also signed, oval form, geometric side handles, green glass liners, on an oval £100-150 foot, length 13cm, approx. weighable 3.6oz. (2)

559. An Edwardian silver three-piece Art Nouveau silver condiment set, by George Lawrence Connell, London 1903, circular waisted form, spot-hammered decoration, pierced with Art Nouveau motifs, the mustard pot with a hinged cover, lacking liners, £150-200 height 7.2cm, approx. weight 5.4oz. (3)

560. By The Artificers’ Guild, a silver and mixed metal Arts and Crafts quaich and cover, the silver unmarked, the base stamped Artificers’ Guild, 9 Maddox Street, London, W, and design number 2089, circa 1905-1910, circular form, the copper body with pierced silver tree of life side handles, the domed pull-off cover with a horn finial, on four brass bun feet, length 13.8cm. £200-300

561. By Ramsden and Carr, an Edwardian Arts and Crafts silver spoon, London 1908, spot-hammered bowl, tapering faceted stem with a fluted motif, hexagonal seal-top finial, inscribed ‘Charles Feb 7, 1908’, length 14.7cm, approx. weight 1.6oz. £300-400

562. By Omar Ramsden, an Arts and Crafts silver and enamel dish, London 1925, circular form, castellated border, the central with a red enamel boss with a rope-work border, spot-hammered decoration, diameter 11cm, approx. weight 1.8oz. £300-400

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563. By Ramsden and Carr, a silver bishop’s crozier, London 1908, also engraved ‘OMAR RAMSDEN ET ALWYN CARR ME FECERUNT’, conventional form, embossed with two armorial’s, the hook end with a pierced cross motif, spot-hammered decoration, the crosier head on a three section ebonised wooden staff, with unmarked spot hammered mounts, the top with a pull-off fitting, with a spike £1,500-2,000 ferrule, total height 176.8cm, approx. weight 12oz. Provenance: Bishop G. D. Halford, (1865-1948) then gifted to the Rev. Percy Demuth on his death, and thence by family descent. The current owner purchased it directly from the family. George Douglas Halford was educated at Felstead School and at Keble College, Oxford, ordained on the 16 February 1890 he went on to be vicar of St. Peter’s Church, Jarrow-on-Tyne. He went to Australia in 1897 to form the first Bush Brotherhood of St. Andrew in Longreach Queensland. The essence of the Bush Brotherhood was for several preferably young unmarried priests to live under the rules of obedience for five years in a community house in a far-flung town bringing Christian nurture to country dwellers who seldom if ever had the opportunity to participate in church life. He died in Brisbane in 1948. This lot is sold with a book on him called Halford, The Friar Bishop, Church Archivist’s Press, 1998, in which it mentioned in one of his letters that he wanted his own crozier, to be able to pack up and travel around the country with him, and it mentioned that he visited Ramsden and Carr on recommendations, page 44. Please see lots 1603 and 1610 Woolley & Wallis Fine Jewellery Sale, 1 November 2018, for a ring and cross that were also owned by Bishop Halford.

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564. By The Guild of Handicraft Limited, and Edwardian silver and Japanese shakudo work fruit knife and fork, London 1904, silver blade and tines, with shakudo kozuka handles, decorated with birds and trees, length of knife, length 20.3cm. (2) £400-600 An advert for this design is illustrated in Moore, S., Artists’ Spoons and Related Table Cutlery, Fast Print Publishing 2017, page 175.

565. By The Guild of Handicraft Limited, an Edwardian Arts and Crafts silver and enamel box, London 1903, circular form, spot-hammered decoration, the pull-off cover with an enamelled stormy sea scene, beaded border, diameter 11.2cm, approx. gross weight 321g. £1,500-2,000

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566. By Fred Rich, a modern silver and enamel vase, London 1994, also signed ‘Fred Rich 94’, tapering cylindrical form, enamelled with four frogs amongst reeds, flowers and foliate decoration, gilded interior, on a raised spread circular foot, height 15.8cm, approx. weight 25oz. £5,000-7,000 Fred Rich (b.1954) studied at the central School of Arts and Design, London. This is where he learnt his skills in enamelling, and also attended evening enamelling classes at the Sir John Cass School of Art . In 1980 Fred won various awards including a bursary from the Royal Society of Arts and another from Goddard’s. He graduated in 1981 with a first class honours degree. He set up a workshop in Portobello Green with two fellow graduates from the Central School. The demand for his enamelling skills by other designers resulted in him being so busy he could not get on with his own work. The Worshipful Company of Goldsmiths acquired the enamelled vase for which he won another award for in 1982, and in 1983 he started exhibiting at the Goldsmith’s Fair, but was mainly offering jewellery with some small piece of silver. In 1984 De Beers purchased one of this necklaces for the trainer of the winner of the King George VI and Queen Elizabeth Diamond Stakes. Commissions arrived from the British Museum, De Beers, Lambeth Palace and the World Gold Council. Towards the latter half of the 1980s he decided to gradually wind down his work for others and concentrate on his own projects. In the 1990s there was a change in his work and he was one of the four exhibitors of the Rising Star’s Exhibition at Goldsmiths Hall in 1990. In 1993 his work was commissioned by Garrard and Co, as part of their 150th anniversary exhibition. His work so impressed Richard Jarvis, the Managing Director of Garrards that he supported a one man show by Fred. In 1997 he received four major accolades including the coveted Jacques Cartier Award. In 2000 he established a partnership Fred Rich Enamel Design, with Adrian Butcher. Reference: Andrew, J. and Styles, D., Designer British Silver The Antique Collector’s Club, 2015. pages 406-415. A vase by Fred Rich was exhibited at Treasures of the 20th Century, The Goldsmiths Company, 25 May-21 July 2000, no. 288, illustrated on page 108 of the catalogue.

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567. By Fred Rich in partnership with Adrian Butcher, a modern three-piece silver and enamel Millennium Tea Dance tea set and silver-gilt sugar spoon, London 2000, maker’s mark FRED, the tea pot apparently unmarked, but signed by Fred Rich in the enamel. tapering cornucopia form, with large scroll handles terminating in scroll supports, the pulloff cover with a gilded scroll finial, the bodies enamelled with a tea dance with dancing figures in various poses and also including the band, the base drum with gilt lettering ‘Fred Rich Tea Dance’, the interior with turquoise enamel, height of teapot 19cm, height of milk jug 12cm, length of sugar bowl 12cm, approx. total weight 88oz. (4) £20,000-30,000

For footnote of Fred Rich see previous lot. For another illustrated example of the Tea Dance tea set see: Andrew, J. and Styles, D., Designer British Silver The Antique Collector’s Club, 2015. pages 413.

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568. By Bruce Russell, a modern Channel Islands silver candlestick, Guernsey, date letter X, plain slender column, plain capital and drip pan, on a spread circular base, spothammered decoration, height 18cm, approx. weight 12.5oz. £200-300

569. A silver cocktail shaker, by Asprey and Co, Birmingham 1926, tapering circular form, pull-off cover, scroll handle, reeded girdle, tapering spout with a pull-off cover, height 22cm, approx. weight 21.9oz. £300-400

570. By Stuart Devlin, a modern parcelgilt silver vase, London 1977, plain cylindrical neck, on a textured globe base, height 12cm, approx. weight 5.3oz. £150-200

571. A silver siphon stand, by the Goldsmiths and Silversmiths Company, London 1910, cylindrical form, pierced decoration, with lion masks and swags, foliate borders, lion mask drop ring handles, on a spread circular foot, height 16.5cm, approx. weight 16.3oz. £300-400

572. A late-Victorian silver-mounted claret jug, by John Grinsell and Sons, Birmingham 1900, lobed and ribbed tapering form, angular scroll handle, plain hinged cover, height 21cm. £200-300

573. A silver mug, by Wakely and Wheeler, London 1946, plain circular form, scroll handle, on a circular foot, height 11cm, approx. weight 14.9oz. £150-200

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574. A matched pair of Edwardian silver-mounted glass jam pots and spoons, one by Heath and Middleton, Birmingham 1907, the other by J. Vickery, Birmingham 1906, circular form, the glass with etched bands of decoration, the plain mounts with a hinged handle that presses down to open the lid, height 12.5cm. (4) £300-400

575. Designed by Josef Hoffmann for Wiener Werkstaette, a pair of Austrian silver tea glass holders, circa 1920, also marked with the Registration mark, circular form, wire-work frame, beaded borders and scroll handles, diameter 7.8cm, height 6.2cm, approx. weight 6.3oz. (2) £400-600

576. A late-Victorian miniature silver teapot, by Heath and Middleton, Birmingham 1900, circular bellied form, scroll handle, tapering spout, the pull-off cover with a ball finial, length handle to spout 10.5cm, approx. weight 2.9oz. £100-150

577. A four-piece Art Deco silver tea set, by E. Viner, Sheffield 1938, panelled rectangular form, with geometric decoration, carved ivory angular scroll handles and finials, length handle to spout 29.5cm, approx. weight 56oz. (4) £500-700

578. By Anthony Elson for Hennell, three modern presentation silver coasters, London 1987, circular form, fluted sides, the centre with a crest, the underside inscribed ‘Presented to J. W. Robertson Esq. Member of Council 1966-86’, in three fitted Hennell cases, diameter 9.5cm, approx. weight 17oz. (3) £250-350

579. Designed by Hector Miller for Aurum, a commemorative parcel-gilt silver bowl and cover, Celebrating the centenary of the Royal Canadian Mounted Police, London 1973, no.194/500, the frieze designed by Ian Ribbons, circular form, with a silver-gilt frieze depicting the The Great March, the pull-off cover with a crown finial, on a raised circular foot, in a fitted case with the original paper-work, height 17cm, approx. weight 26.8oz. £300-400

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580. Designed by Gundorph Albertus for Georg Jensen, a Danish silver Cactus pattern sauce ladle, oval bowl, length 18.2cm, approx. weight 2oz. £150-200

581. By Johan Rohde, Georg Jensen, a Danish silver Scroll pattern cream ladle, design no.22, spot-hammered oval bowl, length 14cm, approx. weight 1.2oz. £150-200

582. Designed by Gundorph Albertus for Georg Jensen, a matched set of six Danish silver Cactus pattern soup spoons, one with an import mark for London 1991, circular bowls, bowl, length 15.6cm, approx. weight 10oz. (6) £200-300

583. Designed by Gundorph Albertus for Georg Jensen, a matched set of six Danish silver Cactus pattern cake forks, circular bowls, bowl, length 12.8cm, approx. weight 4.8oz. (6) £120-180

584. By Johan Rohde, Georg Jensen, a Danish silver Scroll pattern sauce ladle, spot-hammered oval bowl, length 19.5cm, approx. weight 3oz. £100-150

585. By Georg Jensen, a Danish silver Blossom serving spoon, design no. 84, with London import marks for 1927, importer’s mark of George Stockwell, spot-hammered decoration, with a trailing blossom finial, length 21.5cm, approx. weight 2.7oz. £200-300

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586. Designed by Harald Nielsen for Georg Jensen, a Danish silver bowl, design No. 527, also with import marks for London 1938, importer’s mark of Georg Jensen Ltd, plain circular form, on a circular foot, diameter 10.8cm, approx. weight 4.1oz. £100-150

587. By Georg Jensen, a Danish silver milk jug, design number 80C, baluster form, spot-hammered decoration, wooden side handle with £300-400 a beaded border, height 7.4cm, approx. weight 4.5oz.

588. By Georg Jensen, two Danish silver bowls and a spoon, with import marks for London 1957, importer’s mark of Georg Jensen Limited, and 1930/1, importer’s mark of George Stockwell, the bowls of plain tapering form, spot-hammered decoration, the spoon with a bud terminal, diameters of bowls 16.3cm and 12.6cm, approx. weight 11oz. (3) £300-400

589. By Tiffany and Co, a three-piece American silver tea set, Edward Moore period, circa 1891, panelled rectangular form, the covers with lobed decoration, engraved with a monogram and dated ‘1892’, length handle to spout 19.5cm, approx. weight 21oz. (3) £300-400

590. An Arts and Crafts silver two-handled bowl, possibly after a design by A. E Jones, by W. Bruford and Sons, London 1933, circular form, spot-hammered decoration, pierced border, scroll side handles, on four satyr mask mounted hoof feet, length 26.3cm, approx. weight 13.9oz. £150-200

591. By A. E. Jones, an Arts and Crafts silver bonbon basket, Birmingham 1933, oval form, spot-hammered decoration, with two foliate motifs, on an oval foot, with a pair of later sugar tongs, length 13.5cm, approx. weight 4.5oz. (2) £100-150

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592. By Christopher Lawrence, a modern Britannia standard silver dish, London 1997, also marked with the mark of the Royal Mint, number 24/400, circular form, the centre set with a replica Penny cartwheel of 1797, textured decoration, in a fitted case, diameter 13.8cm. £100-150

593. A set of six modern silver goblets, by Warwickshire Reproduction Silver, Birmingham 1971, tapering circular bowls, gilded interiors, on raised circular stems with a stylised leaf support, in a fitted case, height 13.8cm, approx. weight 21oz. (6) £250-300

594. A Victorian electroplated lemon squeezer, by Hukin and Heath, also marked with a registration number, modelled as a lemon, with a hinged cover and turning screw, on three wirework legs with a wire-work frame, on a textured circular base, height 29cm. £200-300

595. A set of six Victorian electroplated soup plates, by Elkington and Co, 1852, circular form, gadroon border, engraved with an armorial, re-plated, diameter 26.4cm. (6) £300-400

596. An electroplated Modern Grecian pattern canteen for twelve, by James Dixon and Sons, initialled ‘M’, comprising: twelve table forks, twelve table knives, twelve dessert forks, twelve dessert knives, twelve dessert spoons, twelve teaspoons, twelve soup spoons, twelve fish knives and forks, six egg spoons, a butter knife, a pair of sugar nips, a five-piece carving set, four salt spoons, a mustard spoon, four tablespoons, a soup ladle, a pair of basting spoons, and a pair of sauce ladles, in a fitted two drawer case with a hinged cover. £200-300

597. An electroplated mounted novelty bee honey pot, by Mappin and Webb, hinged wings, screw[out purple glass body, length 16cm. £150-200

The arms of that of Earls of Eglington for Archibald Montogomerie, Lord Montgomerie (eldest son of 12th Earl of Eglinton). His son became 13th Earl in 1819 when the coronet was added.

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598. A Victorian electroplated decanter wagon, by James Dixon and Sons, shaped rectangular form, pierced with vertical slats, gadroon border, with a pierced foliate pulling handle, on four wheels, length 41.5cm. £200-300 Provenance: Dr. Bernard Watney Collection.

599. An electroplated novelty seven-bar toast rack, marked E.P.N.S, no maker’s mark, formed as a vintage car, the front with a lamp, length 20.5cm. £150-200

600. A five-piece Victorian electroplated tea and coffee set, circa 1870, baluster form, engraved foliate and scroll decoration, flush hinged covers with knop finial’s, scroll handles, ivory insulators, initialled, height of coffee pot 22.5cm. (5) £150-200

601. An electroplated two-handled gallery tray, by Mappin and Webb, rectangular form, canted corners, inset handles, pierced with vertical slats, the centre with engraved decoration, and with a £100-150 monogram, on eight shell bracket feet, length 51cm.

602. An 18th century silvered brass ewer, unmarked circa 1730, helmet form, leaf capped scroll handle, the body with cut- card decoration, on a raised circular foot, engraved with a cipher, height 20.8cm. £1,000-1.500

603. A matched three-piece silver tea set, by Nathan and Hayes, Chester 1907-10, oblong bellied form, part-fluted decoration, foliate capped scroll handle and shell and gadroon borders, on four bun feet, length handle to spout 29cm, approx. weight 36.7oz. (3) £300-400

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A PRIVATE COLLECTION OF TOOTHPICK BOXES

604. An early 19th century wooden toothpick box, circa 1820, rectangular form, with gold straps and a central cartouche inscribed ‘SOUVENIR’, velvet lined interior, length 7.3cm. £80-120

605. A 19th century French mother-of-pearl toothpick box and toothpick, rectangular form, fluted decoration, the hinged cover with a rectangular cartouche inscribed ‘Curedents’, the interior of the cover with a mirror, plus a gold and mother-of-pearl folding toothpick, length 7.5cm. (2) £200-250

606. A late 18th century French painted wood toothpick box, circa 1780, shaped rectangular form, the hinged cover with a polished steel cartouche with gilt foliate mounts, set under glass, silk lined interior the inside of the hinged cover set with a mirror, length 9.7cm. £200-250

607. A George III silver-mounted green shagreen toothpick box, unmarked circa 1780, oval navette form, the hinged cover with an initialled cartouche, velvet lined interior, the inside of the cover set with a mirror, length 9cm. £250-300

608. An early 19th century carved wooden toothpick box, circa 1820, rectangular form, the hinged cover with carved basket weave decoration and set with a central Palais Royale gold and enamel oval cartouche with a flower, length 7.3cm £120-150

609. A George III blonde tortoiseshell toothpick box, circa 1800, rectangular form, canted corners, inlaid with gold and silver decoration, central vacant cartouche, foliate thumb-piece, length 8cm. £250-300

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610. An early 19th century Irish gold and bog oak toothpick box, unmarked, rounded rectangular form, the hinged cover set with a paste shamrock, the side inscribed in Gaelic ‘A Memory of Ireland’, the interior of the hinged cover with a mirror, length 7.4cm. £250-300

611. A George III satinwood tooth pick box, circa 1800, rectangular form, canted corners, the hinged cover set with a Wedgwood jasper ware panel, with a cut steel border, the interior with the original mirror, length 9.4cm. £250-300

612. A silver and enamel toothpick box, marked Sterling, other marks worn, rounded rectangular form, the hinged cover with light blue enamel decoration and with bands of engraved decoration, gilded interior, length 8cm, approx. weight 1.1oz. £150-200

613. An early 19th century tortoiseshell toothpick box, circa 1820, rectangular form, the hinged cover with stud-work decoration and with foliate scrolls inlaid with abalone shell, the sides with studwork decoration, the base with a foliate spray, velvet lined interior, the inside of the cover with a mirror, length 7.5cm. £250-300

614. A 19th century tortoiseshell toothpick box, unmarked, rectangular form, the ribbed slide-off cover inlaid with abalone shell decoration, length 7.9cm. £100-150

615. A George III tortoiseshell toothpick box, circa 1800, rounded rectangular form, the tortoiseshell on an orange ground, the hinged cover applied with a circular cartouche of painted bust of a young man, set under glass, signed H. de Janvy?, 1800’, the interior velvet lined and with a mirror, length 9.7cm, £250-300

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616. A French silver and enamel toothpick box, maker’s mark AR in a lozenge, rounded rectangular form, the hinged cover with grey enamel decoration and with plain bands, gilded interior, length 8.2cm, approx. weight 1oz. £150-200

617. A George III silver toothpick box, by Samuel Pemberton, Birmingham 1786 or 1788, rounded rectangular form, bright-cut borders the flush hinged cover opens to reveal a velvet lining and mirror, with a ring attachment, length 7cm, approx. weight 0.7oz. £200-250

618. A George III papier-mâché toothpick box, circa 1790, oval navette form, the hinged cover with a waiting lady by an anchor, with gilt highlights, length 10.3cm. £100-150

619. A George III gold-mounted blonde tortoiseshell toothpick box, circa 1790, oval navette form, inlaid scroll borders, the hinged cover with an oval cartouche of a seated young lady under glass, length 10cm. £400-500

620. A George III wooden toothpick box, circa 1800, rectangular form, canted corners, the hinged cover set with an oval cameo of John Milton, signed ‘Pownall Fecit 1779’, set under glass with a plain gold mount, the interior with a velvet lined base and the inside of the cover set with a mirror, length 9.3cm. £180-220

621. A George III silver toothpick box, by Samuel Pemberton, Birmingham 1790, rectangular form, canted corners, with bright-cut sun ray decoration, the interior of the hinged cover with the original mirror (cracked), velvet lined interior, together with a toothpick, length 8.3cm, approx. weight 1oz. (2) £500-700

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622. A George III silver filigree toothpick box, circa 1790, rectangular form, canted corners, the hinged cover applied with an oval cartouche of a seed pearl pineapple in an urn, on a blue ground, set under glass, length 9cm. £600-800 Provenance: The Boothman Smallwood Collection, Christie’s South Kensington, 1989.

623. A George III tortoiseshell toothpick box, circa 1790, shaped rectangular form, the hinged cover inlaid with a gold cartouche, initialled, and stained green ivory stringing with rope work decoration and plain ivory stringing, velvet lined, the inside of the hinged cover set with a mirror, length 9.3cm. £300-400

624. A George III silver-mounted tortoiseshell toothpick box, unmarked circa 1790, shaped scroll form, the hinged cover with inlaid borders and an oval cartouche initialled, the interior with a later mirror and velvet lining, length 8cm. £150-200

625. A George III gold mounted mother-of-pearl toothpick box, circa 1800, rectangular form, canted corners, carved textured decoration, the hinged cover set with a dark blue panel with gilt writing ‘SOUVENIR’, within a gold border, the interior with green velvet lining, and the £300-350 hinged cover set with a mirror, (cracked), length 9cm.

626. A George III silver filigree toothpick box, circa 1790, oval navette form, scroll decoration, the hinged cover with an oval cartouche of a wheatsheaf under glass, length 8.6cm, approx. weight 1oz. £300-400

627. A George III black shagreen toothpick box, circa 1760, rectangular form, inlaid with stud decoration, silk lined interior, the inside of the hinged cover set with a mirror, length 10.7cm. £200-250

Illustrated in Delib, E. Silver Boxes, Ferndale Editions, 1979, page 25 Provenance: The R.A Cohen Collection.

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628. An 18th century painted toothpick box, possibly Dutch circa 1780, rounded rectangular form, the hinged cover with a rural scene of horsemen, women and children, the sides and base with flower decoration, plain thumb-piece, length 9cm. £200-250

629. An early 19th century French two-colour gold and tortoiseshell toothpick box, circa 1800, marked with French control marks, rectangular form, with three panels on ivory of a ship and classical buildings under glass, foliate borders, the interior of the hinged cover set with a mirror, length 8.3cm, approx. gross weight 73g. £1,500-2,000

630. A George III gold-mounted tortoiseshell toothpick box, unmarked circa 1800, rounded rectangular form, the hinged cover with a feather plume of hair, tied with gold rope, the inside of the hinged cover also with hair under glass, velvet lined base, plain mounts, length 7.8cm. £400-500

631. A 19th century silver and electroplated mounted tortoiseshell toothpick box, unmarked, rectangular form, canted corners, the hinged cover and sides with carved Chinese decoration, length 7.2cm. £100-150

632. An early 19th century French painted wooden toothpick box, circa 1820, rounded rectangular form, the cover painted with a chateau and figures in the foreground in a woodland setting, the sides with trees, length 8.2cm. £200-250

633. A late-Victorian silver combination vesta and sovereign case with a toothpick and pencil, by W. Neale, Birmingham 1890, rounded rectangular form, with engraved decoration, initialled, with a ring attachment and a token, length 6.2cm, approx. weight 1.5oz. £100-150

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634. A George III silver-mounted combination toothpick box and scent bottle, unmarked circa 1790, shaped rectangular form, cut-glass body, screw off cover, the body set with a flushhinged cover and compartment for toothpicks, bright-cut decoration, initialled, length 10.7cm. £350-400

634

635. A George III tortoiseshell toothpick box and personal dental set, circa 1780, oval navette form, the hinged cover with a bright-cut border and oval cartouche, the hinged cover opens to reveal two covered compartments and two open compartments with four steel dental tools, the inside of the cover set with a mirror, velvet lining, length 10.8cm. £300-400

635

636. A 19th century continental silver fish etui, unmarked, possibly Dutch, the reticulated fish with engraved decoration, set with red eyes, the head pulls off to reveal an ivory note tablet, a pair of scissors, a toothpick/ear cleaner and a pencil, length 13cm. £250-300

636 637. A matched pair of George III silver filigree toothpick boxes, Birmingham made circa 1800, possibly for the Chinese market, rounded rectangular form, scroll decoration, rope-work borders, the hinged covers set with an oval enamelled medallion of classical female figures resting against vases, length 9.3cm, approx. weight 2.7oz. (2) £600-800

637

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OTHER PROPERTIES

638. A pair of Edwardian silver three-handled bon bon dishes, by Edwards and Sons, Glasgow 1908, shaped circular form, pierced foliate scroll decoration, bifurcated handles terminating in scroll legs and pad feet, height 11cm, approx. weight 21oz. (2) £300-400

639. A five-piece Scottish silver condiment set, by Brook and Son, Edinburgh 1921/3, of circular quaich form, plain lug handles, with glass liners, with two spoons and one associated spoon, in a fitted case, approx. weight 9.4oz. £200-300

640. A pair of Scottish silver Art Nouveau tazza, by Lawson & Co, Glasgow 1916, circular form, spot-hammered decoration, on three bifurcated legs on raised circular domed bases, height 8.2cm, approx. weight 8oz. (2) £300-400

641. A four-piece Scottish silver tea set with a matching second teapot, by Edward and Sons, Glasgow 1938, panelled rectangular form, scroll handles, hinged covers, initialled ‘M’, for MacFarlane, scroll handles, the additional teapot not initialled, length handle to spout 26.8cm, approx. weight 76oz. (5) £600-800

642. A four-piece Scottish silver tea set, by Edward and Sons, Glasgow 19109 and 1913, oval bellied form, embossed with roses and foliate scroll decoration, scroll handles with ivory insulators, on oval bases, length handle to spout 28.2cm, approx. weight 63.5oz. (4) £600-800

643. A George II Scottish silver waiter, by James Ker, Edinburgh 1735, assay master Archibald Ure, circular form, moulded border, on three hoof feet, diameter 16.5cm, approx. weight 7.9oz. £300-400

The arms are those of MacFarlane.

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in case

644. A Victorian Scottish silver-gilt freedom casket, by Muirhead & Arthur, Glasgow 1872, rectangular form, decorated in the Cellini manner, with masks and foliate scroll decoration with thistles, the centre with the arms of Glasgow within an oval cartouche, the interior with a wax seal with the Glasgow arms in a circular silver box and with an illuminated Freedom of the City and Royal Burgh of Glasgow to the Right Honourable Robert Lowe, Chancellor of Her Majesty’s Exchequer, in a fitted case, length 20.5cm, approx. weight 32.5oz. £800-1,200 Robert Lowe, 1st Viscount Sherbrooke, (4 December 1811 - 27 July 1892), held office under William Gladstone as Chancellor of the Exchequer between 1868 and 1873 and as Home Secretary between 1873 and 1874.

645. A George III Scottish silver tea pot, by Lothian and Robertson, Edinburgh 1763, inverted pear form, chased foliate scroll decoration, flush hinged cover with a flame finial, scroll handle with a carved leaf thumb-piece, shell capped spout, engraved with an armorial, on a circular foot, length handle to spout 26.5cm, approx. weight 19oz. £800-1,200 The arms are those of Caldwell impaling Charlewood, Smythe, Slater, and Alsworthy.

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reverse

646. A large George III Scottish provincial silver Hanoverian pattern basting spoon, by Alexander Thompson, Aberdeen, circa 1770, the reverse of the bowl with a plain heel, the reverse of the terminal with an initial ‘M’, length 41cm, approx. weight 6.8oz. £2,000-3,000 Provenance: The David Constable Collection. Nicholas Shaw Antiques. Exhibited and illustrated, Silver, The Aberdeen Story, 3 November 2012- 3 March 2013, Aberdeen Art gallery, Schoolhill, Aberdeen, catalogue no.89.

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647. An early 18th century Scottish provincial silver quaich, by Robert Innes, Inverness circa 1720, conventional form, the circular bowl engraved with stave lines, the lug handles scratch initialled ‘M’ over ‘TC’ and ‘LF’, on a circular foot, length 11.8cm, approx. weight 1.2oz. £2,500-3,000 Provenance: The David Constable Collection. Phillips Edinburgh, 23rd February 2001, lot 204. Robert Innes was apprenticed in Inverness to William McLean in 1708 and working in his own right by 1716. Some confusion appears to exist over the length of his working career, with some documents indicating he died in 1722, while others suggesting this was his son’s date of death.

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648. A George III Scottish provincial silver Old English pattern tablespoon, by William Byers, Banff circa 1790, the terminal with scroll initials, length 22.2cm, approx. weight 1.9oz. £100-150

649. An early 19th century Scottish provincial silver Fiddle pattern large teaspoon / small dessert spoon, by James and Patrick Riach, Forres circa 1830, the terminal with initials, length 16.5cm, approx. weight 0.7oz. £300-400

650. An early 19th century Scottish provincial silver Fiddle pattern dessert spoon, by John Sellar, Wick circa 1830, the terminal with a script initial, length 18,8cm, approx. weight 1.1oz. £400-600

651. An early 19th century Scottish provincial silver Celtic Point pattern soup ladle, by Scott and Livingstone, Dundee circa 1820, erased terminal, length 37.5cm, approx. weight 6.8oz. £300-400

652. A set of six George III Scottish provincial silver Old English pattern dessert spoons, by James Law, Aberdeen circa 1780, plain terminals, length 17cm, approx. weight 6.1oz. (6) £200-300

653. A pair of George IV Scottish silver basting spoons, by Robert Gray, Edinburgh 1820, the terminal with a script initial ‘B’, approx. weight 6.6oz. (2) £150-200

The Initial B is for Robert Boyd, (1760-1825), Shipmaster and Burgher of Irvine, Scotland.

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654. A set of four early 19th century Scottish provincial silver toddy ladles, by Thomas Davie, Greenock circa 1820, the terminal with a script initial ‘B’, approx. weight 3.3oz. (4) £300-400

655. An early 19th century Scottish provincial silver Celtic Point pattern soup ladle, by Thomas Davie, Greenock circa 1820, the terminal with a script initial ‘B’, approx. weight 12.7oz. (12) £300-400

The Initial B is for Robert Boyd, (1760-1825), Shipmaster and Burgher of Irvine, Scotland.

656. A set of twelve early 19th century Scottish provincial silver Celtic Point pattern tablespoons, by Thomas Davie, Greenock circa 1820, the terminal with a script initial ‘B’, approx. weight 25.5oz. (12) £500-700

657. A set of twelve matched George III Scottish provincial and Edwardian silver Fiddle pattern teaspoons, eleven by William Hannay of Paisley, with Edinburgh marks for 1809/10, one by Jackson and Fullerton, London 1905, the terminals with a script initial ‘B’, plus three early 19th century Scottish provincial silver Celtic Point pattern teaspoons, maker’s mark worn, Greenock circa 1820, the terminal with a script initial ‘B’, approx. weight 5.9oz. (15) £150-200

The Initial B is for Robert Boyd, (1760-1825), Shipmaster and Burgher of Irvine, Scotland.

658. A pair of early 19th century Scottish provincial silver basting spoons, by Thomas Davie, Greenock circa 1820, the terminal with a script initial ‘B’, approx. weight 6.5oz. (2) £300-400

659. A set of twelve early 19th century Scottish provincial silver Celtic Point pattern dessert spoons, by Thomas Davie, Greenock circa 1820, the terminal with a script initial ‘B’, approx. weight 12.7oz. (12) £300-400

The Initial B is for Robert Boyd, (1760-1825), Shipmaster and Burgher of Irvine, Scotland.

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660. A matched set of six Victorian Scottish silver Fiddle pattern toddy ladles, three by J Asherheim, Edinburgh 1837, three by James McKay, Edinburgh 1839, the terminals with initials, circular bowls, approx. weight 6.5oz. (6) £200-300

661. A collection of George III-Victorian Scottish silver Fiddle pattern flatware, various dates and makers, comprising: a soup ladle, by J. McKay, Edinburgh 1809, six dessert spoons, two dessert forks, twelve teaspoons, a salt spoon, plus a pair of old English pattern toddy ladles, crested, and two teaspoons, approx. weight 24oz. (qty) £200-300 The crest is that of Watson of Hardendale, co. Westmoreland.

662. Two mid 18th century Irish silver Hanoverian pattern tablespoons, by Christopher Skinner, one Dublin 1761, the other maker’s mark only, one with a ribbed handle and the reverse of the terminal with a £200-300 crest, approx. weight 3.4oz. (2) The crest is that of a number of families including Bassett, Bates, Freeman, Sandford and Woodward.

664. A collection of twelve antique Irish silver tablespoons, various dates and makers, Fiddle, Old English, and Celtic Point patterns, comprising: a pair by James Le Bas, Dublin, 1842, a pair by John Smythe, plus various others, the terminals with crests and initials, approx. weight 27oz. (12) £300-400

663. A collection of George III-Victorian Irish silver Fiddle pattern flatware, various dates and makers, including Richard Whitford, Dublin 1812, and John Smythe, Dublin 1864, the reverse of the terminals with a unicorn crest, comprising: six table forks, six tablespoons, ten dessert forks, two dessert spoons, eighteen teaspoons, three egg spoons, two mustard spoons, a serving fork, and a caddy spoon, plus a ladle with a different crest, and five teaspoons, approx. weight 58oz. (qty) £500-700

665. A George III Irish silver ‘Hook-end’ soup ladle, by Joseph Cullen, Dublin 1769, fluted circular bowl, the handle with chased decoration and with a hook-end finial, engraved with a crest, length 32.5cm, approx. weight 5oz. £300-400 The crest is that of Thomson.

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666. A pair of George III Irish silver waiters, by William Homer, Dublin circa 1760, circular form, gadroon borders, the centre with chased foliate scroll and animal decoration, on three hoof feet, later engraved crest, diameter 17.8cm, approx. weight 16.8oz. (2) £300-400 The crest is that of Boyd.

667. A mid 18th century Irish silver mug, maker’s mark ?W, possibly William Williamson or Thomas Walker, Dublin circa 1740. tapering circular form, scroll handle, engraved with an armorial within foliate scroll mantling, on a raised circular foot, height 11.3cm, approx. weight 9.3oz. £500-700 The crest is that of Gage.

668. A George III Irish provincial silver swing-handled sugar basket, marked Sterling twice, probably Cork, shaped oval helmet form, reeded border and swing-handle, engraved foliate decoration, engraved with a crest, on a shaped oval £300-400 foot, length 16.8cm, approx. weight 7.9oz.

670. A George III Irish silver sugar bowl, by Thomas Johnston, Dublin circa 1780, circular form, embossed animal and foliate scroll decoration, punchbead borders, on three shell capped hoof feet, diameter 13.4cm, approx. weight 5.4oz. £200-300

669. A George III Irish provincial silver wine funnel stand, by Carden Terrey and Jane Williams, Cork circa 1810, circular form, reeded border, the centre with a crest, diameter 10.5cm, approx. weight 1.9oz. £300-400 The crest is that of Warren, of Warren’s Court, Co. Cork, (created Baronetcy in 1784).

671. A matched George IV and Victorian three-piece Irish tea set, the teapot and jug by James Fray, Dublin 1829 and 1840, the sugar bowl by William Nowlan, retailed by Law, Dublin 1823, circular lobed form, leaf capped scroll handles, the teapot with a fluted spout and scroll handle with ivory insulators, on a shaped circular foot, engraved with a crest, length handle to spout 29.7cm, £600-800 approx. weight 57oz. (3) The crest is that of Annesley. Provenance: Hugh, 5th Earl Annesley 1831-1908, and thence by descent to the present owner.

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672. A pair of modern Irish silver wine coasters, maker’s mark of L and D .B. Dublin 1996, tapering circular form, Celtic border, the centre with silver buttons, diameter 11.5cm, (2) £200-300

673. An Edwardian silver presentation scroll case, by J and W Deakin, Chester 1904, cylindrical form, the hinged cover with a hinged handle, engraved foliate scroll decoration and with a presentation inscription’ North Aylesford Division Kent, presented by A.H Hardy Esq. J.P, Chairman, to E.F Barrett Esq. to record 21 years service as Clerk to the Justices, 1st October 1938 to 1st October 1959’, on four shell capped hoof feet, length 36cm, approx. weight 55oz. £600-800

674. A late-William IV silver-mounted cut glass butter dish, by Henry Wilkinson and Co, Sheffield 1836, tapering circular form, with frosted decoration, the pull-off silver cover with a recumbent cow finial, height 10.5cm, approx. weight 2oz. £150-200

675. A silver-mounted glass biscuit barrel, by Joseph Rodgers, Sheffield 1910, circular clear glass body, the plain mount with a swing-handle, and £150-200 pull-off cover with a ball finial, total height 21cm.

676. A pair of Edwardian silver candelabra branches, by Henry & Arthur Vander, London 1908, fluted scroll arms, spool shaped capitals, length 31cm, approx. weight 55.8oz. (2) £400-600

677. A late-Victorian silver inkstand, by Charles Stuart Harris, London 1900, rounded rectangular form, with two pen wells, gadroon borders, with two oval inkwells, hinged covers, knop finials, glass liners, on four bracket feet, length 22.3cm, approx. weight 20oz. £150-200

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678. A George III silver tea pot, by Solomon Hougham, London 1816, oblong bellied form, part-fluted decoration, the scroll handle with ivory insulators, domed hinged cover with a fluted finial, on four ball feet, length handle to spout 28.3cm, approx. weight 19oz. £300-400

679. A Victorian silver inkstand, by The Barnards, London 1852, also stamped 531, shaped oval form, engraved scroll decoration and with foliate scroll handles, the centre with an oval box, the cover mounted with a seated cherub reading a book and holding a foliate taper stick capital, the inkwell modelled as a two-handled urn with a pull-out flame finial, length 29.8cm, approx. weight 21.3oz. £400-600

680. An Edwardian silver tray, by Walker & Hall, Sheffield 1907, oval form, with a shaped border and shell handles, engraved shell decoration, the centre with a presentation inscription, length 46.2cm, approx. weight 38.3oz. £400-600

681. A matched four-piece Edwardian silver tea set, by Martin, Hall and Co, London 1901 and Sheffield 1902, oval bellied form, part-fluted decoration, scroll handles, engraved with initials and dated ‘1903’, height of coffee pot 21cm, approx. weight 54oz. (4) £500-700

682. A Victorian silver tea pot, by J. Wrangham & William Moulson, London 1839, circular form, engraved foliate scroll and shell decoration, flushhinged cover with a knop finial, scroll handle with ivory insulators, shell capped spout, on a circular foot, length handle to spout 25.5cm, approx. weight 25oz. £300-480

683. A pair of Victorian silver tazza tops, by Daniel White, London 1871, circular form, embossed with satyr masks and foliate decoration, the underside with chased foliate decoration, with screw threads, lacking bases, diameter 26.8cm, approx. weight 35oz. (2) £200-300

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684. A George III silver tea pot, by Solomon Hougham, London 1809, rounded rectangular form, wooden scroll handle and finial, engraved oak leaf girdle, on four ball feet, length handle to spout 27cm, approx. weight 14.5oz. £250-300

685. A George III silver teapot, by Robert Hennell, London 1781, shaped oval form, scroll handle, flush hinged cover with a wooden finial, bright-cut decoration, with two oval cartouches with foliate motifs, length handle to spout 27cm, approx. weight 15.9oz. £300-500

686. A pair of George III silver wine coasters, maker’s mark partially worn, possibly M.F, London 1793, circular form, pierced with vertical slats, wooden bases, the front with a crest, diameter 12cm. (2) £400-600

687. A silver bowl, by The Adie Brothers, Birmingham 1937, shallow circular form, Celtic border, on three Celtic motif mounted scroll legs terminating in mythical mask feet, diameter 22.7cm, £200-300 approx. weight 22.5oz.

The crest is that of either Okeden, Lacey or Brickenden.

688. A George I silver waiter, by John Tuite, London 1726, square form, moulded border, engraved with an armorial within foliate mantling, on four bracket feet, length 15.3cm, approx. weight 8.3oz. £400-600 The arms are those of Rosseter, Beckerton, Charingworth, Kemys, Adan impaling Proby.

689. Retailed by Asprey, a late-Victorian silver inkstand, by John Grinsell & Sons, London 1896, rectangular form, gadroon border, with two pen wells and a central oval box and cover, with two silver-mounted cut glass inkwells with hinged covers, on four claw and ball feet, length 29.3cm, approx. weight 30oz. £400-600

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690. A pair of silver candlesticks, by James Dixon and Sons, one over-stamped with maker’s mark of Garrard and Co, Sheffield 1973, knopped columns, spool-shaped capitals, on raised square bases with canted corners, detachable drip pans, height 18.3cm. (2) £300-400

691. A George III silver six egg cup cruet frame, by Paul Storr, London 1796, shaped oval form, wire-work body, central carrying handle, on six ball feet, with six egg cups, gilded interiors, on raised circular bases, one egg cup unmarked, length 22cm, approx. weight 17oz. £800-1,200

692. A George III silver coffee pot and associated Irish stand, by Solomon Hougham, London 1810, the stand by James Scott, Dublin 1809, oblong bellied form, scroll handle, gadroon border, flush hinged domed cover with an ivory finial, scroll handle, on four ball feet, the stand of rounded rectangular form, initialled, gadroon border on four fluted bun feet, length handle to spout 31cm, approx. weight 34.5oz. (2) £300-500

693. A Queen Anne silver two bottle oil and vinegar stand, by David Willaume I, London 1711, double circular form, wire-work gallery, heavy scroll handle, on four bun feet, with two cut glass bottles with unmarked silver covers with ball finials, engraved with a scratch weight, length 17cm, height with bottles 18cm, approx. weight 19.5oz. £800-1,200

694. An Edwardian silver salver, by D and J Wellby, London 1903, circular form, moulded border, on three hoof feet, diameter 15cm, approx. weight 19oz. £100-150

695. A George II silver waiter, by George Squire, London 1730, circular form, moulded border, the centre with an armorial, within foliate mantling, on three hoof feet, diameter 15cm, approx. weight 6.8oz. £200-300 The arms are those of many families including Dyson, Grove, Rake, Cradock and Vernon.

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696. A George III silver coffee pot, by Francis Crump, London 1763, baluster form, scroll handle, gadroon borders, domed cover with a beaded finial, the spout with scroll and beaded mounts, on a raised circular foot, engraved with a crest, height 28cm, approx. weight 30.6oz. £600-800

697. A pair of Edwardian silver candlesticks, by The Harrison Brothers, Sheffield 1903, tapering fluted form, octagonal shaped capitals, with draped decoration, detachable drip pans, beaded borders, on raised octagonal bases, height 27.3cm. (2) £200-300

698. A George III silver hot water jug, by Louisa Courtauld and George Cowles, London 1768, baluster form, part-fluted decoration, scroll handle, fluted domed cover, engraved with a crest within foliate mantling, height 25.5cm, approx. weight 19.5oz. £500-800 The crest is that of Annesley. Provenance: Hugh, 5th Earl Annesley 1831-1908, and thence by descent to the present owner.

699. A pair of modern silver candlesticks, by the Barker Ellis Silver Company, Birmingham 1973, tapering oval fluted columns and capitals, reeded detachable drip pans, on raised oval bases, height 30.5cm. (2) £300-400

700. An Edwardian silver two-handled vase, by The Goldsmiths and Silversmiths Company, London 1901, tapering circular form, scroll handles with rosette motifs, on four slender legs, engraved with the Malcolm crest, height 24.8cm, approx. weight 19.8oz. (2) £150-200

701. A pair of Victorian silver candlesticks, by James Dixon and Sons, Sheffield 1899, Corinthian column form, fluted stems, on raised square bases with foliate scroll decoration and beaded borders, lacking drip pans, height 28cm. (2) £200-300 Provenance: Hugh, 5th Earl Annesley 18311908, and thence by descent to the present owner.

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702. A George III silver coffee biggin / chocolate pot, by Thomas Holland, London 1800, circular form, part-fluted decoration, scroll handle, the pull-off cover with a later detachable unmarked ball finial, height 21cm, approx. weight 20oz. £300-400

703. A Victorian silver two-handled trophy cup, by E. C. Brown, London 1873, the stem modelled as Mars standing on a globe, supporting a lobed circular bowl with bifurcated wing scroll handles, on a raised lobed circular foot, engraved decoration, with arms of Cambridge University Athletic Club, the reverse inscribed ‘Hurdle Race, 17 March 1874, won by W.C.R. Bedford, Clare Coll. Time 171/5 seconds’, height 25.2cm, approx. weight 16oz. £250-300

704. A George III silver hot water / coffee jug on a later George IV stand with a burner, by W. J unidentified, London 1764, the stand and burner, by William Elliott, London 1821, baluster form, swirl fluted and beaded decoration, domed cover, wicker-bound scroll handle, on a later stand of circular form, beaded border, on three scroll feet with a burner, height 28cm, approx. weight 23.9oz. (2) £250-300

705. A pair of Edwardian silver candlesticks, by Robert Stocker, Sheffield 1903, tapering circular columns, spool shaped capitals, detachable drip pans, on square bases, height 22.8cm. approx. weight 25.7cm. (2) £200-300

706. A George III silver coffee pot, possibly by Thomas Beezley, London 1770, baluster form, scroll handle, gadroon borders, domed cover with a beaded finial, the spout with scroll and beaded mounts, on a raised circular foot, engraved with a crest, height 29.5cm, approx. weight 35oz. £700-900 The crest is that of Muir.

707. A pair of Edwardian silver candlesticks, by Fordham & Faulkner, Sheffield 1903, knopped baluster stems, spool shaped capitals, detachable drip pans, on raised shaped square bases, height 30cm. (2) £300-400

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708. A three-piece Victorian parcel-gilt silver tea set and tongs, by George Fox, London 1873, circular form, with gilded panels with bead decoration and chased foliate decoration on a matted background with gilded star motifs, the scroll handle with ivory insulators, length handle to spout 20cm, approx. weight 24.5oz. (4) £500-700

709. A three-piece Victorian silver tea set, by George Fox, London 1872, circular form, with panels with bead decoration and chased foliate decoration on a matted background with gilded star motifs, the scroll handle with ivory insulators, traces of gilding, length handle to spout 18.5cm, approx. weight 21.5oz. (3) £200-300

710. A matched three-piece Victorian and Edwardian silver bachelor’s tea set, by James Garrard, London 1891 and Sebastian Garrard, London 1902, circular fluted baluster form, scroll handles, the teapot with a carved ivory handle and finial, length handle to spout 18.3cm, approx. weight 25oz. (3) £250-300

711. A George III silver swing-handled basket, by S. Herbert and Co, London 1756, oval form, pierced lattice decoration and vertical slats, pierced swing-handle, on a pierced oval foot with rope-work borders, length 33cm, approx. weight 22.5oz. £600-800

712. A George III silver waiter, over-struck with maker’s mark of Thomas Ollivant, of Manchester, London 1792, circular form, beaded border, on three beaded bracket feet, diameter 20.6cm, approx. weight 10oz. £150-200

713. A George III silver salver, by John Carter, London 1775, circular form, beaded border, the centre with chased foliate scroll decoration and with a raised armorial, on three claw and ball feet, diameter 23cm, approx. weight 16.5oz. £180-220

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714. A George III large presentation silver goblet, by Thomas Gairdner, London 1818, campana form, chased vine leaf border, and with foliate shell borders, inscribed ‘Presented by The Yeomen of his Majesties Body Guard, to Usher Wilkinson, Deputy Clerk of the Cheque, as a token of respect and gratitude for his unremitting attention to their interests and welfare, 6 July 1818’, height 20.6cm, approx. weight 22.3oz. £600-800

715. A pair of silver strawberry dishes, by R. Comyns, London 1932, lobed circular form, diameter 20.5cm, approx. weight 25oz. (2) £300-400

716. A George III silver mug, maker’s mark worn, London 1787, tapering circular form, scroll handle, with an upper and lower band of reeded decoration, with a glass base, height 14cm. £300-400

717. A set of three Victorian silver butter dishes, by Creswick and Co, Sheffield 1842, shell form, engraved with a crest, on three scroll shell feet, length 13cm, approx. weight 13oz. (3) £800-1,200

Provenance: Hugh, 5th Earl Annesley 1831-1908, and thence by descent to the present owner.

718. A George III silver goblet, possibly by John Clarke, London 1810, circular bowl, with a band of matted decoration above part fluted decoration, on a raised circular foot with a gadroon border, gilded bowl, height 14cm, approx. weight 12.4oz. £400-600

719. A pair of Edwardian silver strawberry dishes, by Cornelius Joshua Vander, London 1903, circular fluted form, engraved with the Malcolm crest, diameter 21cm, approx. weight 30oz. (2) £300-400

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A PRIVATE COLLECTION OF SPURS

720. A small mixed lot of spurs, comprising: a single metalware spur, steel rowel, applied gilt decoration, with a chains and clip, initialled, plus a pair of gilt metal spurs with oak leaf decoration and foliate rowels, plus a pair of long metal spurs, possibly for an elephant or camel, and a smaller pair of metal spurs. (7) £300-400

721. A pair of George II provincial silver spurs, no apparent maker’s mark, Chester 1729, conventional form, steel rowels, with buckles, length 7cm, approx. weight 3.9oz. (2) £400-600

722. A pair of George III silver spurs, maker’s mark of IC, possibly John Carter or John Cole, London 1793, conventional form, steel rowels, with two buckle fittings, length 11cm, approx. weight 4.3oz. (2) £300-400

723. A pair of George III silver spurs, maker’s mark of IC, possibly John Carter or John Cole, London 1793, London 1789, conventional form, steel rowels, with two buckle fittings, length £300-400 10cm, approx. weight 3oz. (2)

724. A pair of George III silver spurs, possibly by Benjamin Cartwright, London 1768, conventional form, steel rowels, with two buckle fittings, length 9.5cm, approx. weight 3.3oz. (2) £300-400

725. A pair of George III silver spurs, maker’s mark T.F, probably for Thomas Freeth, London 1811, conventional form, steel rowels, with chains and buckle fittings, length 9.5cm, approx. weight 5.6oz. (2) £300-400

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726. A pair of George III silver-gilt spurs, maker’s mark of IC, possibly John Carter or John Cole, London 1793, conventional form, steel rowels, with chain and buckle fittings, length 8.5cm, approx. weight 4oz. (2) £300-400

728. A pair of George III provincial silver spurs, by John Robertson, Newcastle circa 1800, conventional form, steel rowels, with chains and buckles, length 9cm, approx. weight 7.4oz. (2) £400-600

727. A pair of George III silver spurs, possibly by Benjamin Cartwright, London 1768, conventional form, steel rowels, engraved ‘Dr. Pigot’ and ‘ Nottm’, with one buckle fitting, length 10cm, approx. weight 3.6oz. (2) £400-600

OTHER PROPERTIES

729. A Victorian silver-gilt mounted walking cane, by William Hubbard, London 1843, modelled as a fox killing a bird in a woodland setting, with foliate scroll mounts, engraved with a crest and initials, tapering wooden shaft, length 87.4cm. £400-600 The crest is that of Bourke or Burgh.

730. An Edwardian novelty silver-mounted carved wooden umbrella / pencil, by Charles Dumenil, London 1908, retailed by Brigg, London, the handle carved as a snake head, set with green eyes, also with a pull-out fully marked silver pencil, length 93cm. £300-400

731. A late-Victorian novelty silver-mounted walking cane, maker’s mark W.H?, London 1893, the handle modelled as a horse’s head, the hinged cover opens to reveal a vesta compartment and hinged striker, and a hole, possible for a lighting cord, carved wooden shaft, length 92cm. £600-800

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732. A silver and enamel box, bearing pseudo Fabergé marks and pseudo work master’s mark of Henrik Wigstrom, circular form, blue enamel decoration, white enamelled borders, the hinged cover with a central circular enamelled boss, diameter 8cm, approx. weight 4.2oz. £300-400

733. An Austro-Hungarian silver-gilt and silver-mounted enamel bowl, oval lobed belled form, decorated with alternate panels of masks and foliate scroll decoration, the interior with foliate scroll decoration, drop ring side handles, on a raised shaped oval foot decorated with cherubs, length 9.8cm. £400-500

734. An Edwardian silver-mounted clock inkwell, by Andrew Barrett & Sons, London 1905, plain square glass body, with two pen supports, the plain hinged cover opens to reveal a large watch to the inside of the cover, the top applied with initials, height 10.7cm. £300-400

735. A pair of Austrian silver and enamel candlesticks, by R.S, tapering circular form, plain urn capitals with blue enamel decoration, both applied with an enamelled portrait of a lady, on raised circular bases with trailing flower borders, height 13.5cm. (2) £600-800

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736. A miniature silver and enamel clock, with import marks for London 1929, importer’s mark of George Stockwell, retailed by Harrods, rectangular form, with green enamel decoration, with horizontal silver lines and black enamel borders, on four bun feet, in a fitted case, with the retailer’s stamp, height 4.3cm. £300-500

737. A continental silver and enamel box, marked with a Swedish import mark, post 1912, circular form, the cover enamelled with a Japanese procession going under a bridge, in a landscape setting with blossom. turquoise sides, engine-turned base, diameter 9cm, approx. weight 5oz. £800-1,200

738. A 19th century Austro-Hungarian silver and enamel mounted rock crystal tazza, circa 1886, the oval bowl with etched decoration and with an enamel border of men hunting birds in landscape settings with a crocodile, the stem modelled as a standing stork, with traces of gilding on a raised oval base with similar decoration, some damage, height 15.3cm. £400-600

739. A pair of Austro-Hungarian silver-gilt and silver-mounted enamel figures, maker’s mark of LP, modelled as a flower seller and a gent playing bagpipes, on cylindrical plinths with enamelled decoration of figures in landscape settings, on raised circular bases with leaf borders, height 8.3cm and 8cm. (2) £300-400

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740. A pair of novelty Victorian silver pepper pots, by James Barclay Hennell, London 882, modelled as the heads of young boys, the necks with ruffles, height 5cm, approx. weight 4.3oz. £700-900

741. A pair of Edwardian novelty silver chick pepper pots, by William Hornby, London 1903, modelled as seated chicks, pierced pull-off heads, gilded interiors, length 5.3cm, approx. weight 1.7oz. (2) £150-200

742. A Victorian silver mouse paperweight, by Frederick Edmonds, London 1893, textured fur, mounted on a green hardstone base, length 9.5cm. £200-300

743. A modern silver model of a mouse, by BSE Products, London 1978, length 7cm, approx. weight 1.6oz.

744. An Edwardian novelty silver fox pin cushion, by Levi and Salaman, Birmingham 1905, modelled in a standing position, length 6.3cm.

745. An Edwardian novelty silver tortoise pin cushion, by Saunders and Shepherd, Birmingham 1906, modelled in a walking position, length 8cm. £200-250

£300-400

£100-150

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746. A Victorian novelty silver hare pepper pot, by Thomas Johnson, London 1885, modelled in a standing position, textured fur decoration, pierced pull-off head, length 7.5cm, approx. weight 2oz. £500-700

747. A late-Victorian novelty silver sea lion pepper pot, over-stamped with maker’s mark of Charles and Charles (Junior) Asprey, London 1882, modelled in a lying position, with textured decoration, the pull-off head set with red eyes, length 9.5cm, approx. weight 2.3oz. £800-1,200

748. A Victorian novelty silver mouse box, by Thomas Johnson, London 1885, modelled in a seated position, textured fur decoration, pierced pulloff head, length 7.5cm, approx. weight 2oz. £400-600

749. A late-Victorian novelty silver-gilt budgerigar pepper pot, by Walker and Hall, Sheffield 1898, modelled in a standing position, red eyes, length 11.5cm, approx. weight 2.3oz. £300-400

750. A Victorian novelty silver duck cream jug, by George Fox, London 1869. modelled in a swimming position, textured feathers, gilded bowl, length 10cm, approx. weight 2.6oz. £400-600

751. A modern silver cow creamer, by R. Comyns, London 1962, modelled in a standing position, the hinged cover with a fly finial, length 15cm, approx. weight 4.9oz. £300-400

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752. A George III silver nutmeg grater, by Forrest and Wasdell, Birmingham probably 1801, fluted sphere form, the screw-off cover opens to reveal a grater, diameter 2.2cm, approx. weight 0.4oz. £250-300

752 753. A Middle Eastern silver and niello work Qibla compass, unmarked, probably 19th century, the pointing arrow modelled as a bird, which originally would have pointed to Mecca, (needs adjusting), with enamel £100-150 decoration, diameter 1.8cm.

753 754. A Victorian silver purse, by Levi and Salaman, Birmingham 1884, oblong form, embossed with classical Greek heads and inscribed, on a spothammered background, length 7cm, approx. weight 1.2oz. £200-250

754 755. A Victorian silver cheroot case, by Henry Dee, London 1869, rounded rectangular form, chased intertwined decoration on a reeded background, slide-action clasp, the gilded interior with two sprung and pierced cheroot holders, engraved with a crest and inscribed ‘Presented by His Highness Synd Munson Ullee Nawah Nazim of Bengal Behar of Orissa to Linford Sahib, Nov. 1st 1869’, the reverse engraved ‘ W.D CLAGUE, HR TRANMERE J.S 1897-91’, length 13.5cm, approx. weight 6.9oz. £150-200

755

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756. A George III novelty silver fish vinaigrette, by Lea & Co, Birmingham 1817, the fish of reticulated form, engraved scale decoration, the hinged head opens to reveal a hinged pierced silver-gilt grille, length 8.5cm, approx. weight 0.6oz. £500-700 Provenance: Property of a Gentleman.

756 757. A George III silver vinaigrette / whist marker, by Matthew Linwood, Birmingham 1805, circular form, concentric reeded decoration, the hinged cover with a turning wheel and numbered 1-10, the interior with a hinged filigree grille depicting a shell, lacking pin, diameter 3.2cm, approx. weight 0.8oz. £300-400

757 758. A 19th century Chinese silver vinaigrette, unmarked, rectangular form, the sides, cover and base with figural decoration in landscape scenes, foliate borders, the hinged cover opens to reveal a hinged pierced foliate grille, length 3.2cm, approx. weight 0.8oz. £300-400

758 759. A George III silver-gilt vinaigrette, by Samuel Pemberton, Birmingham 1816, pocket watch form, engine-turned decoration, foliate scroll border, the front opens to reveal a pierced pull-out vinaigrette, the reverse opens to reveal a glass locket compartment, diameter 3cm, £200-300 approx. weight 0.8oz.

759

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A PRIVATE COLLECTION OF APPLE CORERS

760. An Edwardian silver travelling apple corer, by Thomas Henry Vale, Birmingham 1902, cylindrical form, tapering circular handle, screw-in corer, full length 10.2cm, approx. weight 0.4oz. £150-200

761. A George III silver apple corer, by Phipps and Robinson, circa 1800, tapering circular form, length 11.2cm, approx. weight 0.7oz. £150-200

762. A George IV silver travelling apple corer, by Joseph Willmore, Birmingham 1826, tapering circular handle, screw-in corer, full length 13.2cm, approx. weight 1oz. £150-200

763. A George IV silver travelling apple corer, by Joseph Taylor, Birmingham 1827, tapering handle, pull-out corer, full length 12.8cm, approx. weight 0.5oz. £150-200

764. A Victorian silver travelling apple corer, by George Richards, London 1839, tapering circular handle, screw-in corer, full length 11cm, approx. weight 0.5oz. £150-200

765. A George III silver apple corer, by Phipps and Robinson, London 1803, tapering circular form, with a later inscription and date ‘1819’, length 14.3cm, approx. weight 1oz. £150-200

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

766. A George III silver travelling apple corer, by Joseph Willmore, Birmingham 1818, faceted tapering handle, screw-in corer, full length 10.3cm, approx. weight 0.5oz. £150-200

767. An early-Victorian IV silver travelling apple corer, by Joseph Willmore, Birmingham 1838, tapering circular handle, screw-in corer, full length 10.2cm, approx. weight 0.5oz. £150-200

OTHER PROPERTIES

768. A George IV silver travelling apple corer, by Joseph Taylor, Birmingham 1826, tapering circular handle with fluted bands, screw-in corer, full length 11.7cm, approx. weight 0.3oz. £150-200

769. A George III silver canister, by Edward Witham, London 1819, oval cylindrical form, foliate borders, the pull-off cover with a foliate boss, gilded interior, engraved with a crest and motto, height 12cm, approx. weight 7.6oz. £600-800 The crest is that of Knowles.

770. A George III silver nipple shield, maker’s mark C?, London 1797, tapering circular form, pierced with holes, diameter 6.3cm, approx. weight 0.5oz. £150-200

771. A George III silver nipple shield, by Charles Chesterman, London 1801, circular tapering form, diameter 6cm, approx. weight 0.4oz. £250-300

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772. A silver storm vesta, by J. Vickery, Birmingham 1914, also with a patent number, rectangular form, the hinged cover opens to reveal two sprung flaps acting as a wind break, with a striking pad, hinged front opens to reveal the vesta compartment, length 6.5cm, approx. weight 3.5oz. £100-150

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772 773. A Victorian silver-gilt mounted red glass double scent bottle, by S. Mordan and Co, Reg’d Sept 1 1858, heart form, the mounts with engraved foliate decoration, and with a two section hinged cover, length 8.4cm. £400-600

open

773 774. An Indian 9 carat gold presentation compact, by Vummidiar, Madras circa 1944, circular form, the hinged cover and sides chased with foliate scroll decoration on a matted background, with a green thumbpiece, the interior with a mirror and inscribed ‘Lady Pratt, Presented by the European Staff Imperial Chemical Industries (India) Ltd, on the occasion of your marriage, 3-1-44’, diameter 8.5cm, approx. gross weight including mirror 141g. £1,000-1,500 open

774 775. A continental silver and enamel double snuff box, the mount marked with a French control mark, possibly 19th century, cushioned rectangular form, the hinged cover with a scene of a gentleman on a horse with a river and church behind, the sides and base with landscape scenes with ladies and gentlemen, foliate scroll thumbpiece, the interior of the hinged covers decorated with dancing pug dogs, length 8.2cm. £800-1,200

open

775

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776. A Victorian novelty silver-mounted glass scent bottle, by S. Mordan, London 1884, modelled as a fish, the green glass body with gilded scales and details, red glass eyes, length 16cm. £800-1,200

777. A rare mid-18th century Battersea enamel wine label, circa 1755, escutcheon form with a scene of two embracing cherubs by a row of barrels, one titled ‘RHEIN’, length 6.6cm. £600-800 Provenance: Dr. Bernard Watney Collection. Illustrated in Salter, J., Wine Labels, 1730-2003, Antique Collector’s Club in association with the Wine Label Circle, 2004, page 295, fig. 998.

778. A rare mid-18th century Battersea enamel wine label, circa 1755, escutcheon form, with a monochrome scene of two cupids standing by a barrel, titled ‘LISBON’, length 6.8cm. £600-800

779. A rare mid-18th century Battersea enamel wine label, circa 1755, escutcheon form, with a cupid in front of rows of tents, holding a banner, titled ‘CLARET’, length 6.6cm. £800-1,200

Provenance: Dr. Bernard Watney Collection.

Provenance: Dr. Bernard Watney Collection. The reverse with an old collection label No.1356. For a similar label see Salter, J., Wine Labels, 1730-2003, Antique Collector’s Club in association with the Wine Label Circle, 2004, page 295, fig. 997.

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A PRIVATE COLLECTION OF BIN, WINE AND SAUCE LABELS

780. A matched set of thirteen late 19th century ceramic bin labels, titled in black, all with various names, binned 1889-1896, arched rectangular form, titled ‘CHATEAU LEOVILLE 1870’, ‘PORT 1851’, ‘DINNER SHERRY’, ‘DINNER CLARET’, ‘AUSTRALIAN HOCK’, ‘CHATEAU LAFITE 1864’, ‘MADEIRA PRESIDENT USA’, ‘BROWN SHERRY’, ‘ MADEIRA 1818 FROM THE ISLAND’, ‘ MADEIRA 1862 FROM THE ISLAND’, ‘ MADEIRA 1860 FROM THE ISLAND’, ‘MAGNUMS CHATEAU £400-600 LANGOA 1875’, and ‘CHATEAU MEARSAULT 1878’. (13)

781. A set of sixteen late 19th century ceramic bin labels, titled in black, all with Rayne (one mis-spelt Payne), all binned 18911895, arched rectangular form, titled ‘CHATEAU BRAUAIRE 1877’, ‘COCKBURN’S PORT 1878’, ‘OLD BROWN SHERRY’, ‘LIQUEUR BRANDY’, ‘CROFTS PORT 1885’, ‘CHATEAU LAFITE 1892’, ‘MALMSEY’, ‘NEIERSTEINER’, ‘’SANDIMAN’S PORT’, ‘PINTS MOET & CHANDON 1884’, ‘PINTS NEIERSTEINER’, ‘IMPERIAL PINTS JULES MUMM 1884/85’, ‘IMPERIAL PINTS D & G 1880’, ‘IMPERIAL PINTS D & G 1884’, ‘QUARTS D & G 1884’, and ‘PINTS D & G 1880’. (16) £500-800

782. A collection of seven early 19th century pearlware bin labels, some by Wedgwood, arched rectangular form, titled in blue ‘VIDONIA’, ‘ PERRY’, ‘CYDER’, ‘CLARET’, ‘PORT’, ‘MALMSEY MADEIRA’, ‘MADEIRA’. (7) £300-400

783. A collection of thirteen 19th century silver bin labels, arched slender rectangular form, titled in black, ‘BUSELLAS’, HOLLANDS’, ‘TENERIFFE’, ‘GIN’, ‘1 HOLLANDS’, ‘HOCK’, ‘OLD SHERRY’, ‘1 BRANDY’, ‘SWEET WINE’, ‘BUCELLAS’, ‘FRONTINIAC’ , ‘1 PORT’, and ‘OLD MADEIRA’. (13) £600-800

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784. A collection of eight early 19th century cream ware bin labels, arched and shaped rectangular form, titled ‘ LIPANI’, ‘BARSAC DE CARY 1811’, ‘ALE’, MOUNTAIN’, ‘CURRANT’, CHAMPAIGNE’, ‘1 CLARET’, and ‘VINEGAR’. (8) £400-600

785. A collection of eight 19th century ceramic bin labels, some by Farrow and Jackson, arched rectangular from, titled ‘OEIL DE PERDUX, CHAMPAGNE’, ‘MOSELLE OBEREMMEL’ MALAGA 1811 APPORTE EN 1814 SUR LA FREGATE LECOUTEUX’, ‘SHERRY FROM EARLE & CO, 59, MARK LANE 7 CHELMSFORD’, ‘OLD PORT’ ‘SHERRY, ‘PALE BRANDY’ and ‘MARASCHINO’. (8) £400-600

786. A collection of seven early 19th century bin labels, comprising a pair of oval form, titled ‘PERRY’ and ‘MADEIRA’, plus six of arched and shaped rectangular form, titled ‘ RAISIN WINE’, ‘FRONTIGNAC’, ‘SEGES’ ‘LUNEL’, SAUTERNE’. (7) £400-600

787. A collection of seven early 19th century cream ware bin labels, arched and shaped rectangular form, titled ‘OLD BEER’, ‘PORT NO.1’, ‘HOCK’, ‘CLARET’, ‘RUM’, ‘PORT’ and ‘MADEIRA’. (7) £300-400

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788. A collection of three George III silver wine labels, oval form, with pierced and raised shield pediments, bright-cut and thread borders, comprising: one by Elizabeth Morley, London 1799, pierced ‘VIN DE GRAVE’, one by Phipps and Robinson, incised ‘CLARET’ and one unmarked incised ‘SHERRY’, approx. weight 1oz. (3) £200-300

789. A small collection of four George III silver wine labels, comprising: one by Boulton and Fothergill, Birmingham 1774, scroll form, with ribbon-tied drapes, incised ‘CALCAVALLA’, plus three various labels of crescent form, incised ‘CLARET’, ‘PORT’ and ‘HOCK’, approx. weight 1.1oz. (4) £200-300

790. A collection of five antique silver wine labels, various dates and makers, oval eye form, pierced borders, incised ‘PORT’, ‘CLARET’, ‘BURGUNDY’, ‘W.WINE’ and ‘SHERRY’ (x2), approx. weight 1.4oz. (5) £250-300

791. A mixed lot of silver wine labels, various dates and makers, comprising: one by Michael Druitt, London 1973, cherub form, pierced ‘GIN’, plus an unmarked ‘Lady Bountiful’ label, pierced ‘BRANDY’, plus one incised ‘SHERRY’, one ‘BRONTE’ and an electroplated one incised ‘BONCHAMP’, approx. weighable 4oz. (5) £200-300

792. A small collection of five Scottish silver wine labels, various dates and makers, comprising: one by Hamilton and inches, Edinburgh 1880, shield form, incised ‘L’, plus two of crescent form incised ‘RUM’ and ‘LISBON’ and two incised ‘CLARET’, approx. weight 1.6oz. (5) £250-300

793. A small collection of five silver crescent shaped wine labels, various dates and makers, comprising: one by Peter and Jonathan Bateman, London no date letter, 1790, ‘incised ‘RUM’, plus PORT’, ‘WHITE WINE’, ’HOLLANDS’ (x2) approx. weight 1.3oz. (5) £250-300

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794. A collection of three George III Irish silver wine labels, comprising two similar ones, by Benjamin Tait, Dublin circa 1790, bright-cut borders, incised ‘PORT’ and ‘CLARET’, plus one by John Townsend, Dublin circa 1820, with a shield pediment, incised ‘CLARET’, approx. weight 0.9oz. (3) £200-300

795. A collection of six late 18th and 19th century silver sauce labels, various dates and makers, some unmarked, comprising: one pierced ‘FISH SAUCE’, others incised ‘WORCESTER’, ‘ANCHOVY’, ‘SOY’, ‘ELDER’ and a Scottish one incised ‘MUSHROOM CATSUP’, approx. weight 0.8oz. (6) £250-300

796. A pair of George III silver wine labels, by Matthew Linwood, Birmingham 1816, scroll form, raised pediment, engraved borders, incised ‘PORT’ and ‘MADEIRA’, plus a late 18th century silver wine label, scroll form, feather-edge borders, incised ‘BEER’, approx. weight 0,8oz. (3) £250-300

797. A collection of six late 18th / early 19th century silver sauce labels, various dates and makers, some unmarked, comprising: a crescent pair incised ‘WORCESTER’ and ‘ANCHOVY’, plus two incised ‘KETCHUP’, one ‘LEMON’ and one ‘HARVEY’, approx. weight 0.8oz. (6) £250-300

798. A George III silver sauce label, by Thomas Morely, London 1792, rectangular form, canted corners, reeded borders, incised ‘PACKE’, plus a Victorian silver sauce label, by George Adams, London 1849, incised ‘OUDE’, approx. weight 0.2oz. (2) £200-300

799. A 19th century Channel Islands silver wine label, maker’s mark of C.F, unidentified, Jersey circa 1830, rectangular form, canted corners, incised ‘WORCESTER’, plus a 19th century silver sauce label, unmarked, rectangular form, canted corners, reeded borders, incised ‘MOGUL’, approx. weight 0.4oz. (2) £200-300

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800. A collection of six late 18th and 19th century silver sauce labels, various dates and makers, some unmarked, rectangular form, canted corners, reeded borders, one pierced ‘KYAN’, the others incised ‘READING’, ‘KYAN’, ‘LEMON’, ‘S.P VINEGAR’ and ‘SOY’, approx. weight 0.6oz. (6) £200-300

801. A collection of six George III silver wine labels, various dates and makers, some unmarked, oval form, two with a foliate and thread border, incised ‘PORT’, ‘CLARET’,’MASSALA’, ‘WHITE’ and ‘SHERRY’ and ‘MADEIRA’, approx. weight 2.2oz. (6) £250-300

802. A collection of six late 18th and 19th century silver sauce labels, various dates and makers, some unmarked, rectangular form, canted corners, reeded borders, incised ‘QUIN’, ‘CAMP’, ‘KAYAN’, ‘PEPPER’, ‘KETSUP’ and ‘SOY’, approx. weight 0.7oz. (6) £200-300

803. A collection of five George III silver sauce labels, various dates and makers, comprising: three by Phipps and Robinson, bright-cut borders, incised ‘CURRY’, ‘SOY’ and ‘KYAN, plus two others incised ‘CAYENNE’ and ‘TARRAGON’, approx. weight 0.4oz. (5) £200-300

804. A collection of six late 18th and 19th century silver sauce labels, various dates and makers, rounded rectangular form, reeded borders, comprising: one pierced ‘CHILI’, others incised ‘MUSHROOM’, ‘HY. SAUCE’, ‘LEMON’, ‘HARVEY’ and ‘CAYENNE’, approx. weight 0.6oz. (6) £200-300

805. A pair of Victorian silver sauce labels, by George Unite, Birmingham 1853, rounded rectangular form, chased decoration, incised ‘HARVEYS SAUCE’ and ‘ANCHOVIES’, plus three other sauce labels, ‘KETCHUP’, ‘SOY’ and ‘ANCHOVY’, approx. weight 0.6oz. (5) £200-300

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806. A collection of six late 18th and 19th century silver sauce labels, various dates and makers, some unmarked, comprising: a pair by Margaret Binley incised ‘LEMON’, and ‘ELDER’, others incised ‘ANCHOVIES’, ‘CHILI VINEGAR’, ‘HARVEY’ and ‘CAYON’ approx. weight 0.8oz. (6) £250-300

807. A collection of five late 18th century silver sauce labels, various dates and makers, some unmarked, comprising: crescent form, incised ‘LEMON PICKLE’, ‘ANCHOVY’, ‘TARREGON’, ‘CHILI’ and ‘CYAN PEPPER’, approx. weight 0.5oz. (5) £200-300

808. A set of six matched Victorian silver sauce labels, five by Rawlings and Summers, London 1837, one 1855, rectangular form, canted corners, reeded borders, pierced ‘MUSHROOM’, ‘HARVEY’, ‘CHILI’, ANCHOVY’, ‘SOY’ and ‘CAYENNE’, approx. weight 1oz. (6) £300-500

809. A collection of five late 18th / 19th century silver sauce labels, various dates and makers, some unmarked, comprising: one of oval form, by Rawlings and Summers, London 1829, incised ‘CUCUMBER’, plus others incised ‘FISH SAUCE’, ‘KYAN’, ‘CHILLI’ and ‘ELDER,’ approx. weight 0.6oz. (5) £200-300

810. A collection of six late 18th and 19th century silver sauce labels, various dates and makers, rounded rectangular form, reeded borders, comprising: one pierced ‘ANCHOVY’, others incised ‘GARLICK’, ‘CHILI VINEGAR’, ‘LEM’PICK’, ‘HARVEY’ and ‘SOY’, approx. weight 0.6oz. (6) £200-300

811. A collection of six late 18th and 19th century silver sauce labels, various dates and makers, rounded rectangular form, reeded borders, incised ‘TOMATO’, ‘C.PEPPER’, ‘TARRAGON’, ‘HARVEY’S, ‘CAYENNE’ and ‘SOY’, approx. weight 0.6oz. (6) £200-300

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A PRIVATE COLLECTION OF MARROW SCOOPS

812. A small collection of three Queen Anne and George II silver marrow spoons, comprising: one by Andrew Archer, London circa 1710, the reverse of the oval bowl with a plain rat-tail, plus one by Ebenezer Coker, London 1749, the reverse of the bowl with a shell heel, and one by Samuel Hutton, London 1731, initialled, approx. total weight 5oz. (3) £300-400

813. A small collection of four George II/III silver marrow scoops, conventional form, comprising: George II one, by Jeremiah King, London 1746, one by Ebenezer Coker, London 1750, one London 1740, and one 1776, one crested, approx. weight 5.7oz. (4) £300-400

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814. A George II silver campaign marrow spoon, by John Ladyman, London circa 1730, the oval bowl with a plain rat-tail, the handle screws in half to fit in a campaign set, engraved with a crest, length 21.3cm, plus an 18th century silver marrow scoop, stamped MB three times, possibly provincial, approx. weight 3oz. (2) £250-300 The crest is that of Guest.

815. A small collection of four George I/II/III silver marrow scoops, conventional form, comprising: George I one, by James Seabrook, London 1726 , a George II one by Benjamin Cartwright, one 1774, and one with maker’s mark A.P three times, two crested, approx. weight 6.6oz. (4) £300-400

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816. A small collection of four George II/III silver marrow scoops, conventional form, comprising: George II one, by Isaac Callard, London 1731, one London 1766, one by Eley and Fearn, London 1802, and one with maker’s mark four times I.C, two crested, approx. weight 6.7oz. (4) £300-400

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817. A small collection of four George II/III silver marrow scoops, conventional form, comprising: George II one, by Jeremiah King, London 1748, a Scottish Thread pattern one by W.P Cunningham, Edinburgh 1802, one by Paul Hanet, London 1734, and one with maker’s mark T.C four times, one applied with a crest, one crested and one with a monogram, approx. weight 5.6oz. (4) £300-400

818. A collection of four marrow scoops, comprising: an Old English Thread pattern one by Richard Crossley, London 1795, a small George III Old English pattern one, by Eley, Fearn and Chawner, London 1810, a Dutch one with a carved ivory handle, 1850, and an electroplated one, approx. weighable 2oz. (4) £200-300

819. A George III silver Irish silver marrow scoop, maker’s mark worn, Dublin 1785, conventional form, length 21.6cm, plus a George III Irish silver marrow spoon, maker’s mark I.L, Dublin circa 1770, approx. weight 2.9oz. (2) £300-400

820. A pair of Victorian silver and ivory fish servers, by Roberts and Belk, Sheffield 1875, with pierced and engraved foliate scroll decoration, the tapering handles finely carved with fluted and strap-work decoration, length of knife 31.4cm. (2) £150-200

821. A pair of George III silver Onslow pattern basting spoons, by Hester Bateman, London 1772, the reverse of the oval bowls scratch initialled ‘SEP to FJTD’, the reverse of the terminals with a crest, length 30cm, approx. weight 7.3oz. (2) £200-300

822. A George III silver Bright-cut pattern basting spoon, by Hester Bateman, London 1776, the terminal with a crest, approx. weight 3.6oz. £100-150

OTHER PROPERTIES

The crest is possibly a variant of Loft or Wallis.

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A PRIVATE COLLECTION OF CADDY SPOONS

823. A collection of six antique silver caddy spoons, comprising: a George III one of feather form, by Samuel Pemberton, circa 1800, a King’s pattern one, London 1826, a George III one with a bifurcated bead handle, by George Smith, London 1785, and two others, approx. weight 2.5oz. (6) £200-300

824. A collection of seven antique silver caddy spoons, comprising: a cast Edwardian one by Thomas a Co. London 1908, foliate decoration, an Irish Fiddle pattern one, Dublin 1814, a King’s pattern one, by William Eaton, London 1836, one with roses, by Joseph Willmore, Birmingham 1825, and three others, approx. weight 4.2oz. (7) £200-300

825. A collection of six provincial antique silver caddy spoons, comprising: a George IV Fiddle pattern one by Barber, Cattle and North, York circa 1825, a Kings pattern one by Lister and Sons, Newcastle 1847, one by John Stone, Exeter 1839, plus three further Exeter made caddy spoons, approx. weight 2.6oz. (6) £200-300

826. A collection of six antique silver caddy spoons, comprising: a George III one of leaf form, by Matthew Linwood, Birmingham 1808, one with a pierced and engraved bowl, by Joseph Taylor, Birmingham 1816, one with a gilded bowl, London 1817, plus one of shovel form, and two others, approx. weight 1.8oz. (6) £200-300

827. A collection of six antique silver caddy spoons, comprising: a George III one of pierced vine leaf form, embossed with grapes, by Joseph Willmore, Birmingham 1809, one of feather form, by Samuel Pemberton, one with a shovel bowl with pierced and chequer board decoration, plus a silver-gilt one and two others, approx. weight 1.7oz. (6) £200-300

828. A collection of seven antique silver caddy spoons, comprising: a George IV silver-gilt one, with a foliate bowl, by Samuel Pemberton, Birmingham 1822, a King’s pattern one by William Eaton, London 1833, one by Hilliard and Thomason, Birmingham 1876, gilded bowl, one of leaf form, a Sheffield made caddy spoon, and two others, approx. weight 2.4oz. (7) £200-300

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829. A George III silver jockey’s cap caddy spoon, by Joseph Taylor, Birmingham 1800, with husk and reeded decoration, the brim with star motifs, with a shield engraved with an initial, length 5.2cm, approx. weight 0.3oz. £250-300

830. A George III silver eagle’s wing caddy spoon, by Joseph Willmore, Birmingham 1814, the handle modelled as the eagle’s head, textured feather decoration, length 7.6cm, approx. weight 0.2oz. £700-900

831. A George III silver caddy spoon, by Josiah Snatt, London 1807, modelled as a right hand, engraved finger nails, length 6.8cm, approx. weight 0.2oz. £250-300

832. A collection of four George III silver caddy spoons, comprising: one by Peter and Ann Bateman, London 1795, fluted heart-shaped bowl, bright-cut handle, one of slender leaf form, by Thomas Wallis, London 1797, one by Joseph Willmore, Birmingham 1812, the oval bowl with engraved decoration and a pierced border, plus one by Hester Bateman, London 1788, fluted bowl, bright-cut handle, approx. weight 1oz. (4) £200-300

833. A collection of nine caddy spoons, comprising: a Wedgwood dry bodied stoneware caddy spoon, of shell form, three cut glass caddy spoons, three old Sheffield plated caddy spoons, a mother-of-pearl caddy spoon and a horn caddy spoon. (9) £200-300

834. A George III silver caddy spoon, by Joseph Taylor, Birmingham 1806, modelled as a right hand, engraved decoration, engraved finger nails, length 6.6cm, approx. weight 0.2oz. £250-300

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OTHER PROPERTIES

835. A George III silver jockey cap caddy spoon, by Joseph Taylor, Birmingham 1799, bright-cut decoration and borders, initialled, length 5cm, approx. weight 0.2oz. £200-300

836. A George IV silver Kings pattern basting spoon, by Francis Higgins, London 1822, approx. weight 6.2oz.

837. A pair of George II silver Beaded pattern basting spoons, by Eley, Fearn and Chawner, London 1811, single struck, the terminals with a crest, approx. weight 7.8oz. (2) £150-200

838. A George III silver fish slice /serving trowel, by Edward Aldridge, London 1771, the triangular blade pierced and engraved with a fish and foliate scroll decoration, feather-edge border, with a mythical dolphin mount and turned wooden baluster handle, length 32cm, approx. weight 3.9oz. £500-800

The crest is that of a number of families including Douglas, Goddard, Shaftow and Townsend.

839. A small collection of George III and Victorian silver Fiddle, Thread and Shell pattern serving pieces, comprising: a Victorian stilton scoop, by Messrs. Lias, London 1844, plus a pair of George III asparagus tongs, by Eley, Fearn and Chawner, London 1810, and a fish slice, by Eley and Fearn, London 1804, all crested, approx. total weight 15.9oz. (3) £300-400

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£100-150

840. A pair of Victorian silver Bead pattern serving tongs, by George Adams, London 1864, the blades with pierced decoration, the terminal with initials, length 25cm, approx. weight 6.8oz. £150-200

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841. A matched set of six George II silver Hanoverian pattern tablespoons, four probably by R. Hussey, London 1758, two by J. Wilks, London 1742, the reverse of the terminals with scratch initials ‘S’ over ‘I.M’, approx. weight 14oz. (6) £200-300

842. A set of six George III silver Old English pattern teaspoons, by Peter and Jonathan Bateman, London 1790, the terminals initialled, approx. weight 2.9oz. (6) £200-300

843. A collection of sixteen George I-III silver Hanoverian pattern tablespoons, comprising: a set of six by Ebenezer Coker, London, 1756, a set of four London 1760, plus various others, the reverse of the terminals with crests and initials, approx. weight 34.5oz. (16) £400-600

844. A matched set of twelve George II / III silver Dog-nose dessert forks, various dates and makers, the terminals with the Finch crest, approx. weight 17.5oz. (12) £300-400

845. A collection of forty-eight Exeter made silver salt and mustard spoons, various dates and makers, Fiddle and Old English patterns, comprising: a pair by William Hope, of Plymouth, a pair by Joseph Goss, plus various others including ones by James and Josiah Williams, of Bristol, and William Welch, approx. weight 16oz. (48) £200-300

846. A silver Fiddle pattern canteen for six, by the Cooper Brothers, Sheffield 1932-34, the coffee spoons 1915, comprising: six table forks, six dessert forks, six tablespoons, six soup spoons and six dessert spoons, five teaspoons and six coffee spoons, approx. weight 70oz. (41) £500-700

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847. A collection of silver flatware, various dates and makers, comprising: a Victorian Queen’s pattern basting spoon, by Messrs. Lias, London 1849, a Kings pattern basting spoon, London 1818, a set of six King’s Husk pattern dessert spoons and five tablespoons, London 1830, a set of six 18th century pistol-grip table knives, a Queen’s pattern sauce ladle, a Kings pattern sauce ladle, a pair of sugar nips, a set of six teaspoons with game bird finials, six silverhandled fruit knives and forks, with close plated blades and tines, a carving set, four teaspoons, four modern wine labels and a cheese knife, approx. weighable 50oz. (qty) £600-800

848. A mixed lot of silver flatware, various dates and makers, comprising: a set of six Victorian single-struck Queen’s pattern tablespoons, by George Adams, London 1869, three Irish Fiddle and thread pattern tablespoons, two sauce ladles, four dessert spoons, a christening fork and spoon, two sifting spoons, a caddy spoon, forty various teaspoons, four pairs of sugar tongs, and four salt spoons, approx. weight 55.9oz. (qty) £400-600

849. A collection of silver teaspoons, comprising: a matched set of six mid 18th century ‘picture -back’ teaspoons, the reverse of the bowl with urns of flowers and flowers, the reverse of the terminals initialled ‘D’, plus twenty-one various teaspoons, a pair of sugar tongs, three coffee spoons and two salt spoons, approx. weight 15.2oz. (qty) £200-300

850. A George III - Victorian matched silver Fiddle and Thread part canteen for eighteen, various dates and makers from 1810-1903, the majority by Messrs. Lias, London 1829, comprising: eighteen table forks, eighteen dessert forks, twelve dessert spoons, nine tablespoons, twelve teaspoons, a soup ladle, a fish slice, a fish fork, a serving fork, a pair of sauce ladles, a sugar spoon, a butter knife, four salt spoons and a mustard ladle, plus eighteen Thread pattern table knives and eighteen dessert knives, £2,000-3,000 Sheffield 1999, approx. weighable 185oz. (qty)

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851. A collection of George IV-Victorian silver Fiddle pattern flatware, various dates and makers, the terminals with crests or initials, comprising: six table forks, twenty-five dessert forks, seventeen dessert spoons, ten teaspoons, a pair of sugar tongs and a salt spoon, approx. weight 86.5oz. (qty) £700-900

852. A late-Victorian silver Fiddle, Thread and Shell canteen for ten, by Walker and Hall, Sheffield 1900, ten tablespoons, ten table forks, ten dessert forks, ten dessert spoons, a soup ladle and a basting spoon, and a pair of sauce ladles, Sheffield 1901, plus twelve earlier teaspoons, six by Eley and Fearn, London 1824, initialled, four by George Adams, London 1852 and one by Paul Storr, London 1821, a pair of sugar tongs, London 1860, plus twelve modern silver table knives and twelve dessert knives, Sheffield 1975, approx. weighable 145oz. (qty) £1,500-2,000

853. A William IV / early Victorian matched silver Fiddle pattern canteen for twelve, by Mary Chawner, London 1834-37, comprising: twelve table forks, twelve tablespoons, twelve dessert forks, twelve dessert spoons, twelve teaspoons, a pair of basting spoons and a condiment sifting spoon, (crested), approx. weight 105oz. (qty) £1,000-1,500

854. A matched Victorian silver canteen for twelve of King’s pattern flatware, by majority by George Adams, London 1844-1855, comprising: twelve table forks, twelve dessert spoons, six tablespoons, eleven dessert forks, (five Sheffield 1899, one electroplated), plus twelve modern silver-handled table knives and twelve dessert knives, approx. weighable 102oz. (qty) £800-1,200

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855. A collection of twelve antique silver tablespoons, comprising: eleven of Hanoverian pattern, including one by Christopher Skinner, Dublin 1751, plus various others, one of which is possibly American, plus an Old English pattern tablespoon, maker’s mark only, probably colonial, the reverse of the terminals with crests and scratch initials, approx. weight 22oz. (12) £300-400

856. A small collection of eleven silver tablespoons, comprising: a set of five Victorian tablespoons, by Jackson and Fullerton, London 1898, plus six various George II / III tablespoons, some of the terminals with initials and crests, approx. weight 22.5oz. (11) £200-300

857. A set of six George III provincial silver dessert spoons, by Ann Robertson, Newcastle circa 1801, the terminals with a crest, approx. weight 6.6oz. (6) £150-200

858. A collection of twelve antique silver tablespoons, various dates and makers, Hanoverian and Old English patterns, comprising: a pair by Michael Keating, Dublin 1791, one by John Gorham, London 1739, plus various others, the terminals with crests and scratch initials, approx. weight 23oz. (12) £300-400

The crest is that of Mainwaring, St. Amond, Trussell, Woolridge, and Zouch.

859. A set of eleven George III silver Old English pattern ‘picture-back’ teaspoons, probably by John Fountain, London 1801, the reverse of the bowls with a basket of flowers, the terminals with script initials, approx. weight 5.4oz. (11) £200-300

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860. A set of twenty George III silver Old English pattern tablespoons, by William Sumner and Richard Crossley, London 1779, the terminals with a crest, approx. weight 50oz. (20) £300-500 The crest is that of Sclater or Scalter.

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861. A small collection of silver dessert forks, comprising: a set of six Victorian ‘Dog-nose’ forks, by Francis Higgins, London 1883, the terminals with a crest, the reverse inscribed, plus a set of six Rat-tail pattern forks, by The Cooper Brothers, Sheffield 1965, plus three others, approx. weight 23.5oz. (15) £200-300

862. A set of twelve George III silver-handled table and dessert knives, by Moses Brent, London 1800, the tapering handles with reeded decoration and engraved with a crest, re-bladed. (24) £300-500

The crest is possibly that of Bandenell or Craven.

863. A collection of George III/IV and Victorian silver Old English pattern flatware, various dates and makers, including Richard Crossley and Messrs. Lias, many with crests, comprising: ten table forks, twelve dessert forks, two tablespoons, and twelve dessert spoons, approx. weight 52.8oz. (qty) £400-600

864. A matched part canteen of silver Kings pattern flatware for eight, the majority by Walker and Hall, Sheffield 1934, additional items by Garrard and Co, London 1954/6, comprising: eight table forks, eight dessert forks, eight dessert spoons, eight soup spoons, approx. weight 80oz. (32) £500-800

865. A set of eighteen silver Pistol-grip handled fish knives and forks, by C. J. Vander, London 1962, plain blades, hollow handles, approx. weight 71oz. (36) £500-700

866. A silver Hanoverian Rat-tail soup ladle, by W R Humphreys & Co, Sheffield 1927, oval bowl, plain terminal, approx. weight 8oz.

£100-150

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detail

867. An Edwardian silver canteen of Hanoverian Rat-tail pattern for twenty four, by William Hutton and Sons, London 1902-7, the majority 1903, the terminals with the Malcolm crest, comprising: twenty-four table forks, twenty-four tablespoons, twenty-four dessert forks, twenty-four dessert spoons, twenty-four teaspoons, plus a soup ladle, a pair of butter knives, a basting spoon and four sauce ladles, in a fitted wooden case, (lock a.f), the inside of the lid with a plaque inscribed ‘Presented to Ronald Malcolm, on the occasion of his marriage, 22 March 1904, Coutts and Co.’, with signatures of the donors, approx. weight 249oz. £2,000-3,000

869. A Victorian matched silver part canteen of Fiddle and Thread pattern flatware for twelve, by George Adams, London 1853-63, the terminals crested, comprising: twelve tablespoons, twelve table forks, twelve dessert spoons, six dessert forks, a pair of sauce ladles, (not crested), and a soup ladle, (not crested), approx. weight 118oz. (qty) £1,000-1,500 Purchased from Hancocks and Co., 1 Burlington Gardens, London 26th March 1980. The crest is that of Bowen, Constable-Maxwell, Elphinstone, Oswald and other families.

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868. A silver canteen for six, by Elkington and Co, Birmingham 1935, the terminals with gentlemen and ladies in traditional dress, with fruits and vegetables and foliate decoration, the reverse of the terminals with a vacant shield cartouche, comprising: six table forks, six dessert forks, six tablespoons, six dessert spoons, six teaspoons, six grapefruit spoons, six dessert forks and six dessert knives, (hollow handles), approx. weight 96oz. (qty) £600-800

870. A George III/IV and Victorian matched silver Fiddle and Thread pattern part-canteen for twelve, various makers including: Eley and Fearn, London 1807, William Chawner, London 1823 and Mary Chawner, London 1838, the terminals with crowned initials, comprising: twelve table forks, eleven dessert forks, fifteen tablespoons, twelve dessert spoons, and eleven teaspoons, approx. weighable 120oz. (qty) £1,000-1,500

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871

871. A matched George I/II silver Hanoverian Rat-tail pattern canteen for eighteen, various makers including Paul Hanet, Edward Jennings, Richard Scarlett, and Isaac Callard, London 1724-1755, the terminals with various crests, comprising: eighteen table forks, eighteen dessert forks, eighteen tablespoons, eighteen dessert spoons, eighteen teaspoons, plus eighteen pistol-grip handled table knives and eighteen dessert knives, later re-bladed, approx. total weighable 110oz. (qty) £3,000-5,000 The crests are those of many families including Cockridge, Cockworthy, Coxon, Haslatt, Hull, Lace, Clandinen, Cramp, Henlock, Rodney, Colt, Cradock, Fuller, and others. Plus the Mercer’s Company of London.

872. Constable, D., Silver Spoons of Britain, 1200-1710, Constables Publishing, 2016, volume I and II, hardback with dust jackets, plus Constable, D., The Benson Collection of Early Silver Spoons, Constables Publishing, 2012, hard back with dust jacket. (3) £100-150

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EARLY SPOONS FROM THE DAVID CONSTABLE COLLECTION

873. A Charles II West Country silver Puritan Transitional (Trefid) spoon, no maker’s mark, Exeter circa 1669, oval bowl, tapering stem with engraved decoration, the reverse of the terminal prick dot initialled ‘M.S’ over ‘1669’, length 16.7cm, approx. weight 1.09oz. £1,000-1,500 Provenance: The David Constable Collection. J.H. Bourdon-Smith Ltd. The Patterson Collection, Christie’s South Kensington,10 November 1998, lot 53. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 546/7, entry number 113.

874. A William and Mary Scottish silver Trefid condiment spoon, by George Yorstoun I, Edinburgh circa 1690, oval bowl, the reverse with a ribbed rat-tail, length 10.5cm, approx. weight 0.5oz.

£1,500-2,000

Provenance: The David Constable Collection. Nicholas Shaw Antiques. Sir John Noble Collection Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 776/777, entry number 168.

875. A large James II West Country silver Trefid spoon, by John Pike I, Plymouth circa 1688, the oval bowl with a rudimentary rat-tail, tapering stem, the reverse of the bowl prick-dot initialled ‘AP’ over ‘ES’ over ‘1688’, length 24cm, approx. weight 2.2oz. £1,500-2,000 Provenance: The David Constable Collection. Bonhams, New Bond Street, 21 March 2003, The Griffin Collection (Part VI). lot 168. How of Edinburgh. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume one, Constables Publishing, 2016, pages 638/639, entry number 121.

876. A Charles II West Country silver Trefid condiment spoon, by John Verdon, Exeter circa 1675, oval bowl, with a rudimentary rat-tail, tapering stem with guide lines, length 11.5cm, approx. weight 0.39oz. £600-800 Provenance: The David Constable Collection. J.H. Bourdon-Smith Ltd. Griffin Collection part 1, Phillips, New Bond Street, 24 April 1997, lot 62. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 770/1, entry number 165. 877. A Charles II West Country silver Decorated Puritan spoon, by John Peard I, Barnstaple circa 1675, oval bowl, tapering splayed terminal with engraved decoration, the reverse prick-dot initialled ‘1675’ over ‘I.G’, length 18.5cm, approx. weight 1.1oz. £1,000-1,500 Provenance: The David Constable Collection. J.H. Bourdon-Smith Ltd.

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Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 525/527, entry number 106.

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873 875 877

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878. A Charles II silver Puritan spoon, by Gawen Udall, London 1662, oval bowl, tapering stem, the reverse of the terminal with scratch initials ‘*’ over ‘DB’, length 19.7cm, approx. weight 1.7oz.

£1,000-1,500

Provenance: The David Constable Collection. Phillips, New Bond Street, 24 April 1998, lot number 164. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 542/3, entry number 111. This spoon is of interest as it is at the end of the Puritan period and shows the transition to the Trefid.

879. An Elizabeth I silver Seal-top spoon, unascribed, possibly by John Daniell, London 1654, fig-shaped bowl, tapering faceted stem, the terminal with a vase shaped seal-top, length 17.5cm, approx. weight 1.9oz.

£1,500-2,000

Provenance: The David Constable Collection. J.H. Bourdon-Smith Ltd. Blackham Collection. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume One, Constables Publishing, 2016, pages 468/9, entry number 86. J.H. Bourdon-Smith Ltd, illustrated, no.12, in Loan Exhibition of Early English Spoons, 1981, held in conjunction with the launch of Tim Kent’s Publication London Silver Spoon Makers, 1500-1697. Illustrated in Schroder, T., The National Trust Book of English Domestic Silver 1500-1900, 1988, page 84.

880. A Charles II silver-gilt Seal-top spoon, possibly by Peter Longmaker, London 1678, fig-shaped bowl, tapering stem with a large seal-top finial, prick dot initialled ‘I*L’, length 18.5cm, approx. weight 2,9oz.

£2,000-3,000

Provenance: The David Constable Collection. J. H. Bourdon-Smith Ltd. An Australian Collector. Sotheby’s, New Bond Street, 28 April 1949, lot no.39. bought by Mrs How of Edinburgh, the property of L.F. Maddison, Esq. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume one, Constables Publishing, 2016, pages 484/5, entry number 94. Illustrated in J. H. Bourdon-Smith Autumn catalogue, no.34, 1991, page 8. Information on the maker’s mark was kindly supplied by Dr David Mitchell. This massive finial type occurred over a fifty year period starting around 1629.

881. A Charles II silver Ram’s horn spoon, by Steven Venables, London circa 1660, the oval bowl with a rudimentary rat-tail, tapering faceted stem, with a ram’s horn finial, one horn broken off, length 20.5cm, approx. weight 1.1oz.

£1,500-2,000

Provenance: The David Constable Collection. Daniel Bexfield. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 846/847, entry number 187.

882. A Charles I West Country silver Seal-top spoon, by William Ring, Shaftesbury, circa 1642, fig-shaped bowl, faceted tapering stem, the gilded seal-top finial prick-dot initialled ‘P.C’ over ‘C.H’ over ‘1642’, length 17.1cm, approx. weight 1.5oz. £1,000-1,500 Provenance: The David Constable Collection. J. H. Bourdon-Smith Limited. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume one, Constables Publishing, 2016, pages 474/475, entry number 89.

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883. A Charles I Sussex silver Seal-top spoon, by William Dobson Senior or Junior, Lewes circa 1630-40, fig-shaped bowl, tapering faceted stem, the gilded seal-top, length 17.2cm, approx. weight 1.3oz. £1,500-2,000 Provenance: The David Constable Collection. J. H. Bourdon-Smith Ltd. Woolley and Wallis, The Salisbury Salerooms, 25 October 2000, lot 2. The marks and spoon are illustrated in Kent, T. Sussex Silver and its Makers, J. H. Bourdon-Smith Ltd, 2002, page 26, figs. 36 and 37. Exhibited at the launch of the Sussex silver book, at J. H. Bourdon-Smith, Masons Yard, 12 December 2002.

884. A Charles I Sussex silver Seal-top spoon, by William Dobson, Lewes circa 1631, fig-shaped bowl, tapering faceted stem, the seal-top with traces of gilding and scratch initialled ‘HW’ £1,000-1,500 over ‘1631’ over ‘MH’, length 16.8cm, approx. weight 1.4oz. Provenance: The David Constable Collection. J. H. Bourdon-Smith Ltd. The Patterson Collection Christie’s 9th June 1943 from the Collection of Col. Ratcliffe. The marks are illustrated in Kent,T. Sussex Silver and its Makers, J. H. Bourdon-Smith Ltd, 2002, page 26 fig.41-43. Exhibited at the launch of the Sussex silver book, at J. H. Bourdon-Smith, Masons Yard, 12 December 2002.

885. A Charles I Sussex silver Seal-top spoon, by William Dobson I, Lewes circa 1640, fig-shaped bowl, tapering faceted stem, the silver-gilt seal-top scratch initialled ‘I.L’, length 15.3cm, approx. weight 0.9oz. £1,000-1,500 Provenance: The David Constable Collection. J. H. Bourdon-Smith Ltd. The marks and spoon are illustrated in Kent,T. Sussex Silver and its Makers, J. H. Bourdon-Smith Ltd, 2002, page 25, figs. 30 and 32. Exhibited at the launch of the Sussex silver book, at J. H. Bourdon-Smith, Masons Yard, 12 December 2002.

886. A Charles I Sussex silver Seal-top spoon, by William Dobson I, Lewes circa 1630, fig-shaped bowl, tapering faceted stem, the seal-top with traces of gilding and faintly prick dot initialled ‘W’ over ‘W.P’, length 16.4cm, approx. weight 0.9oz. £1,000-1,500 Provenance: The David Constable Collection. J. H. Bourdon-Smith Ltd. The marks and spoon are illustrated in Kent,T. Sussex Silver and its Makers, J. H. Bourdon-Smith Ltd, 2002, page 27, figs. 50,51 and 53. Exhibited at the launch of the Sussex silver book, at J. H. Bourdon-Smith, Masons Yard, 12 December 2002.

887. A Charles I Sussex silver Seal-top spoon, by William Dobson I or II, Lewes circa 1639, fig-shaped bowl, tapering faceted stem, the gilded seal-top scratch initialled ‘IT over ‘1639’ over ‘IT’, length 16.5cm, approx. weight 1.3oz. £1,000-1,500 Provenance: The David Constable Collection. J. H. Bourdon-Smith Ltd. The marks and spoon are illustrated in Kent,T. Sussex Silver and its Makers, J. H. Bourdon-Smith Ltd, 2002, page 26, figs. 45-46. Exhibited at the launch of the Sussex silver book, at J. H. Bourdon-Smith, Masons Yard, 12 December 2002.

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888. A William and Mary Sussex silver Trefid spoon, by William Grover, Lewes circa 1690, the oval bowl with a ribbed rat-tail, the reverse of the terminal with later initials, length 18.6cm, approx. weight 1.4oz. £800-1,200 Provenance:The David Constable Collection. Michael Baggott.

889. A William and Mary Sussex silver Trefid spoon, by Robert Colgate, Lewes circa 1690, the oval bowl with a raised rat-tail, the reverse of the terminal scratch initialled ‘S.F’, length 19.2cm, approx. weight 1.6oz. £1,000-1,500 Provenance:The David Constable Collection. Nicholas Shaw Antiques. This spoon has an unrecorded mark for Robert Colgate.

890. A Charles II Sussex silver Trefid spoon, by James Emery II, Lewes circa 1673, the oval bowl with a raised rat-tail, the reverse of the terminal scratch initialled ‘GP’ over ‘1673’ over ‘EP’, length 20.2cm, approx. weight 1.5oz. £1,000-1,500 Provenance:The David Constable Collection. Nicholas Shaw Antiques. For the maker’s mark see Kent,T., Sussex Silver and its Makers, J. H. Bourdon-Smith Ltd, 2002, page 30, fig.67.

891. A William and Mary West Country silver Trefid spoon, by Richard Hamlin, Taunton circa 1689, the oval bowl attached to the stem with two visible pins, the reverse of the terminal prick dot initialled ‘H’ over ‘I.I’, over 1689’, length 18.1cm, approx. weight 1.3oz. £800-1,200 Provenance: The David Constable Collection. Nicholas Shaw Antiques, 2002. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 856/857, entry number 191.

892. A Charles II West Country silver Lace-back Trefid spoon, by Ellen Dare, Taunton circa 1683, the reverse of the oval bowl with a ribbed rat-tail and scroll decoration, the terminal also with scroll decoration, the reverse of the terminal prick dot initialled ‘IS’ over ‘1683’ over ‘TB’ , length 19cm, approx. weight 1.4oz. £1,000-1,500 Provenance: The David Constable Collection. The Patterson Collection, Christie’s South Kensington,10 November 1998, lot 56. Bought by David Patterson from J.H. Bourdon-Smith Ltd. in June 1980. The pair to this spoon was sold in these rooms, 25 April 2017, lot 1169. The finial and reverse of bowl are Illustrated in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 586, fig. 7.69, and page 598, fig. 7.99.

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893. A Charles I silver Aphrodite Transitional Buddha spoon, by John Shinner, Plymouth, circa 1639, fig-shaped bowl, faceted tapering stem, with a finial of the bust of a female figure with arms folded, with traces of gilding, the reverse of the bowl prick-dot initialled ‘1639’ over NH’ over ‘IA’, length 17cm, approx. weight 1.6oz. £1,500-2,000 Provenance: The David Constable Collection. J.H. Bourdon-Smith Ltd. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume one, Constables Publishing, 2016, pages 364-367, entry number 63. The maker’s mark is over-striking another, possibly that of Richard Chandler who was renowned for this type of spoon. The small style of this spoon (currently only three are known) is a transitional design from Aphrodite to Buddha. Although there are some casting differences, it would appear that they are by the same hand. In the National Museum of Wales there is a fourth, in the Jackson collection, however it has a worn finial mounted on a fully marked London spoon, probably originally a Seal-top. Possibly a client brought the spoon to Shinner and wanted the finial changed. Another example can be seen in The Alexander Collection of Early English Silver Spoons, 9 February 1979, lot no.45.

894. A Henry VIII silver Apostle spoon, St. Paul, maker’s mark of a device, unascribed, London 1535, fig-shaped bowl, tapering faceted stem, the Apostle finial with a pierced nimbus, the reverse of the stem prick-dot initialled ‘O’ over ‘IM’, length 18cm, approx. weight 1.8oz. £4,000-6,000 Provenance: The David Constable Collection. Bonhams New Bond Street, 4 July 2007, lot number 50. Sotheby and Co, New Bond Street, 16 February 1961, lot 10, The Dawson Collection, brought by Walter Wilson. Sotheby and Co, New Bond Street, 1 & 2 July 1954, lot 121, The Walter Collection, brought by Biggs. marks illustrated in Jackson’s, 1921 edition, page 95, line 19, owned then by Mr. R. Meldrum. see How, Vol III, page 39, where the third line of marks for 1535 are taken form this spoon. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume one, Constables Publishing, 2016, pages 238/239, entry number 32.

895. A Charles I silver Apostle spoon, St. Paul, by Daniel Cary, London 1636, fig shaped bowl, tapering stem, the Apostle finial with traces of gilding and with a holy dove nimbus, the £2,000-3,000 reverse of the bowl later scratch initialled ‘AN’, length 18.5cm, approx. weight 2.1oz. Provenance: The David Constable Collection. Sotheby’s, New Bond Street, November 1995. and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume one, Constables Publishing, 2016, pages 277-9, entry number 42.

896. A Charles I West Country silver Apostle spoon, St. Peter, by Thomas Dare I, Taunton circa 1647, fig-shaped bowl, faceted tapering stem with an Apostle finial with a large plain nimbus, prick dot initialled ‘ER’ over ‘1647’ over ‘TB’, length 18.5cm, approx. weight 2.4oz. £1,500-2,000 Provenance: The David Constable Collection. J. H. Bourdon-Smith Ltd. Christie’s King Street, 5 March 1997, lot number 44. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume one, Constables Publishing, 2016, pages 280/1, entry number 43.

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897. A fine Henry VIII silver Lion Sejant affronté spoon, by William Simpson, London 1530, fig-shaped bowl, tapering faceted stem, the lion finial with traces of gilding, length 17.3cm, approx. weight 1.4oz. £8,000-12,000 Provenance: The David Constable Collection. Bonham’s New Bond Street, 2 July 2008, lot number 84. The Quernmore Collection. Sotheby’s, Herefordshire, The Roger Whittaker Collection, 12 July 1999, lot 214. Christie’s King Street, Dr. Wilfred Harris, Collection, 19 June 1957, lot 108., purchased by How of Edinburgh. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume one, Constables Publishing, 2016, pages 398-401, entry number 69. Illustrated in How Vol I, page 260/1, Plate 3.

898. An Elizabeth I silver Apostle spoon, St. Paul, by Francis Jackson, London 1566, fig-shaped bowl, faceted tapering stem with a gilded Apostle finial with a pierced nimbus, length 18.3cm, approx. weight 1.9oz. £4,000-6,000 Provenance: The David Constable Collection. Bonhams, Bond Street, 22 June 2011, lot 281. A Private Collection. S.J. Shrubsole. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume one, Constables Publishing, 2016, pages 250-253, entry number 35.

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899. A rare James VII (II of England) Scottish silver Trefid spoon, by Robert Brock, Glasgow 1688/9, oval bowl, the reverse with a ribbed rat-tail, the reverse of the terminal scratch initialled ‘VM’ in a monogram, length 20.4cm, approx. weight 1.8oz. £3,000-4,000 Provenance: The David Constable Collection. Christie’s London 24 May 2007, Lot no. 200, Hunter Blair sale of Blairquhan. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 922/923, entry number 211. Glasgow silver of this date is rare, and an indication of this is the number of date letters that are conjectured in Jacksons. This one was not seen by him.

900. A rare William and Mary Scottish provincial silver engraved Trefid spoon, by Alexander Galloway, Aberdeen circa 1690, oval bowl, the tapering stem with engraved decoration and the terminal with engraved acanthus decoration, the reverse of the bowl with similar decoration and scratch initialled ‘MB’, the reverse of the terminal scratch initialled ‘RP’, length 20.7cm, approx. weight 1.8oz. £5,000-7,000 Provenance: The David Constable Collection. R.L Christie Works of Art Limited Bonhams, the Scottish Sale, Edinburgh, 15/16 April 2015, lot 202. Private Collection. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 932-935. This spoon is one of three similar ones known. one is in a private collection and the third is in the National Museums Scotland. The latter has a clearer maker’s marks and is more concretely attributed to Alexander Galloway of Aberdeen.

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901. A rare and fine William and Mary Scottish provincial silver Lace-back Trefid spoon, by William Lindsay, Aberdeen circa 1695, oval bowl, the reverse with a ribbed rat-tail, and scroll lace decoration, the terminal also with scroll decoration, the reverse of the terminal engraved ‘Achnagat’, length 19.7cm, approx. weight 2.23oz. . £10,000-15,000 Provenance: The David Constable Collection. Nicholas Shaw Antiques. Sir John Noble Collection How of Edinburgh Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 924-927, entry number 212. Exhibited and illustrated, Silver, The Aberdeen Story, 3 November 2012- 3 March 2013, Aberdeen Art gallery, Schoolhill, Aberdeen, catalogue no.36. Achnagat is a modern spelling of Auchnagatt, a small village in Aberdeenshire that is nine miles north of Ellon, and twenty-six miles north east of Aberdeen. This is the earliest known Aberdeen Lace-back Trefid spoon.

902. A Charles II Scottish silver Trefid spoon, by Edward Cleghorne, Edinburgh circa 1669-79, oval bowl, the reverse with a ribbed rat-tail, the reverse of the terminal scratch initialled ‘H’ under a rainbow, £3,000-4,000 for the Hope Family of Hopetoun House, length 18.5cm, approx. weight 1.5oz. Provenance: The David Constable Collection. Nicholas Shaw Antiques. Sir John Noble Collection How of Edinburgh Sotheby’s Gleneagles, August 1994 Colonel Price Wood Collection. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 918/919, entry number 209. Illustrated in How, Silver Spoons, (vol II, Page 364), plate 2, and Findlay, I., Scottish Gold and Silver Work, 1991, pages 123 and plate 53). Exhibited Royal Museum of Scotland 1948. This spoon originally came from a set of four that was the earliest known set of Scottish trefid spoons.

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903. The Barncleuch spoon A rare and important Charles I Scottish silver Puritan spoon, by George Gleghorne, Edinburgh circa 1653-5, Deacon’s mark of Andrew Burrell I, oval bowl with a rudimentary rat-tail, flat tapering stem with three notches to the terminal, the base of the handle with four engraved bands of decoration, the reverse of the bowl scratch initialled ‘QH’ over ‘MD’, for Quintin Hamilton of Barncleuch, it is assumed that the ‘MD’ is for Marion Denham, his wife, length 19.2cm, approx. weight 2oz. £20,000-30,000 Provenance:The David Constable Collection. Lyon and Turnbull, 16 August 2010, lot number 254. Private Collection. How of Edinburgh, 1993. Sotheby’s Gleneagles, 30 August 1982, lot 483. Thence by descent. Reputedly found in the gardens of Barncleuch House. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume two, Constables Publishing, 2016, pages 909-911, entry number 206. Illustrated in Dalgleish and Fothringham, Silver Made in Scotland, pages 52-3. For a full list of Scottish Puritans see Colin Fraser, ‘An important new discovery in early Scottish Silver’, the Finial, (Vol.19/01, September /October 2008). Exhibited: Silver Made in Scotland (item 3.47). The date of the marriage between Quintin Hamilton and Marion Denham is untraced, however it is presumably contemporary with this spoon. They are believed to have had five children. Upon Quintin’s death circa 1680, he was succeeded by his eldest son John, who died on 21 February 1705 without a direct heir. Quintin Hamilton succeeded his father James Hamilton and took over the house and gardens at Barncleuch. They had been constructed by his grandfather John Hamilton of Barncleuch, commissary of Campsie in 1583. The date of this spoon can be narrowed down to the 10 September 1653, when Andrew Burrell became deacon, and 15 September 1655 when George Cleghorne became deacon.

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OTHER PROPERTIES

904. A James I silver Apostle spoon, St. James the Greater, by Martin Hewett, London 1615, fig-shaped bowl, faceted tapering stem, the gilded Apostle finial with a dove nimbus, length 18.2cm, approx. weight 2oz. £3,000-4,000 Provenance:The Alexander James Collection, Phillips, London, 9 February 1979, lot 64. Exhibited Cardiff Museum, (no.19).

905. A James I silver Seal-top spoon, by James Cluatt, London 1609, fig-shaped bowl, tapering faceted stem, the seal-top with a later crest, length 16.5cm, approx. weight 1.3oz. £800-1,200 Provenance: Sotheby’s, 24 April 1988.

906. An Elizabeth I silver Seal-top spoon, by Nichols Bartholomew, London 1585, fig-shaped bowl, tapering faceted stem, the seal-top with traces of gilding and scratch initialled ‘I.D’, length 15.7cm, approx. weight 1.4oz. £1,000-1,500

907. An Elizabeth I silver Apostle spoon, St. James the Greater, by William Cawdell, London 1600, fig-shaped bowl, faceted tapering stem, the Apostle finial with traces of gilding and a pierced nimbus, length 18.2cm, approx. weight 1,7oz. £1,500-2,000 Provenance: Christie’s, London, 6 March 1991.

908. A Charles II silver Seal-top spoon, by Jeremy Johnson, London 1660, fig-shaped bowl, faceted tapering stem, the seal-top with traces of gilding and prick-dot initialled ‘S’ over ‘I.E’, length 16cm, approx. weight 1.9oz. £1,000-1,500

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A PRIVATE COLLECTION OF EARLY SPOONS

909. A Charles I West Country silver Apostle spoon, maker’s mark C.R once in bowl and once on the stem, also with a mark of a cup between mullets, possibly for Christopher Roberts, Bridgewater, circa 1650, fig-shaped bowl, tapering faceted stem, the nimbus of the Apostle finial later scratch initialled ‘S.R’ ‘1761’ ‘RP’, length 20.318.8cm, approx. weight 1.7oz. £800-1,200 Provenance: purchased form J.H. Bourdon-Smith in 1998. For mark see, Kent, T., West Country Silver Spoons and Their Makers, J.H. Bourdon-Smith, 1992, page 129.

910. A Charles I West Country silver Apostle spoon, possibly St. Matthew, by Edward Anthony, Exeter circa 1640, fig-shaped bowl, tapering faceted stem, the gilded Apostle with a flower petal nimbus, the reverse of £1,000-1,500 the bowl prick-dot initialled ‘M.L’ over ‘A.M’, ‘1640’, length 20.3cm, approx. weight 2.3oz.

911. A Charles I silver Slip-end spoon, by Jeremy Johnson, London 1641, fig-shaped bowl, slight tapering faceted handle, the terminal scratch initialled ‘N’ over ‘RC’, length 17.2cm, approx. weight 1.7oz. £1,500-2,000

912. A Commonwealth silver Puritan spoon, maker’s mark once in bowl and twice on the stem D.R, probably for Daniel Rutty, London circa 1658, elongated fig-shaped bowl, the reverse of the tapering stem inscribed ‘BAPTISED 8TH DAY JULY 1658’. length 15.8cm, approx. weight 0.9oz. £400-600

913. A Charles I silver Apostle spoon, St. Matthias, maker’s mark poorly struck, possibly that of Benjamin Yates, London 1635, fig-shaped bowl, tapering faceted stem, the gilded Apostle with a dove nimbus, the reverse of the bowl £2,000-3,000 later prick-dot initialled ‘E.W’ ‘1668’, length 18.4cm, approx. weight 2oz.

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914. A George I Channel Islands silver Trefid spoon, by Guillaume Henry, Guernsey circa 1720, the oval bowl with a raised rat-tail, the reverse of the terminal scratch initialled ‘GLRS’, length 17.8cm, approx. weight 0.9oz. £200-300

915. A William and Mary provincial silver Trefid spoon, maker’s mark twice, E.B, for Eli Bilton, Newcastle, circa 1690, the oval bowl with a raised rat-tail with scroll decoration, the reverse of the terminal scratch initialled ‘P’ over ‘S.A’, length 16.8cm, approx. weight 0.9oz. £600-800

916. A late 17th / early 18th century miniature silver-gilt Trefid spoon, maker’s mark TG or TC, the reverse of the bowl with a raised rat-tail, length 4.5cm, approx. weight 0.1oz.

£300-500

917. A William and Mary Sussex silver Dog-nose spoon, by Robert Colgate, Lewes circa 1690, the oval bowl with a raised rat-tail, the reverse of the terminal scratch initialled ‘G’ over ‘I.A’, length 16.8cm, approx. weight 0.9oz. £600-800

918. A Queen Anne provincial silver Dog-nose spoon, by William Webb II, Winchester circa 1704, the oval bowl with a raised rat-tail with scroll decoration, the terminal scratch initialled ‘E.S’ over ‘W.S’, ‘1704’, length 19.8cm, approx. weight 1.6oz. £300-500 For mark see, Kent, T., West Country Silver Spoons and Their Makers, J.H. Bourdon-Smith, 1992, page 142.

919. A George III Channel Islands silver Trefid spoon, possibly by Thomas Bouton, Jersey circa 1770, the oval bowl with a raised rat-tail, the reverse of the terminal scratch initialled ‘P.T’, length 18.5cm, approx. weight 0.8oz. £300-400 For maker’s mark see Mayne, R., Channel Islands Silver, Phillimore, 1985, page 36.

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OTHER PROPERTIES

920. A set of six Charles II silver Flame-Back trefid spoons, by John King, London 1677, the reverse of the oval bowls with a raised rat-tail and flame decoration, the terminal with similar decoration, the reverse scratch initialled ‘S’ over ‘TM’, length 19cm-19.5cm, approx. weight 9.4oz. (6) £1,800-2,200 Provenance: Cheffins, Cambridge, 30 November 2016, lot 400.

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921. A George I provincial silver Hanoverian pattern spoon, by William Webb, II Winchester circa 1727, the oval bowl with a raised rat-tail, the reverse of the terminal scratch initialled ‘I.R’ over ‘H.B’, ‘1728’, length 19.8cm, approx. weight 1.5oz. £200-300 For mark see, Kent, T., West Country Silver Spoons and Their Makers, J.H. Bourdon-Smith, 1992, page 142.

922. A Charles II provincial silver Child’s Trefid spoon, probably by Peter Webb, Southampton circa 1680, the reverse of the terminal scratch initialled ‘R.H’, length 14cm, approx. weight 0.5oz.

£300-400

Provenance: sold in these rooms, A Private Collection, 19 and 20 January 2016, lot 18, Sotheby’s, 23rd June 1998. For marks see Jackson’s, Ian Pickford Edition, Antique Collector’s Club, 2002, page 277.

923. An 18th century Channel Islands silver Trefid spoon, by George Mauger, Jersey circa 1770, oval bowl, with a raised rat-tail, the reverse of the terminal scratch initialled ‘I.D.Q’, length 18.5cm, approx. weight 0.8oz. £150-200

924. A William and Mary East Anglian silver Trefid spoon, by Thomas Havers, Norwich circa 1691, the oval bowl with a raised rat-tail, the reverse of the terminal with prick dot initials ‘M’ over ‘I.I’, length 18.4cm, approx. weight 1.4oz. £2,500-3,000 Provenance: A Private Collection. This spoon is possibly one of the two that were featured in a 1911 loan exhibition of Norwich Silver in the Norwich Castle Museum in 1911. Entry no 31 ‘Trifid spoon’, (two specimens), illustrated in figure 6, lent by Mr. J.H.F. Walter, J.P. The spoon has a very close resemblance to the right-hand spoon in the photograph. A photocopy of the relevant pages from this catalogue are provided with this lot. G.N Barrett writes in Norwich Silver and its Marks 1565-1750, on page 54, about Trefid spoons, that ‘Six are known by Thomas Havers and none are later than 1691. A pair of spoons by Thomas Havers were sold in these rooms 24/25 April 2018, lot 760, and a single spoon by Havers was also sold in these rooms 24/25 October 2017 lot 888. These similar examples are illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 648-649, spoon no.125, and Hartop, C., East Anglian Silver 1550-1750, page 66/67, no. 37, 39 and 40.

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925. A late 17th century Norwegian silver spoon, by Oluf Jorgensen, Bergen, circa 1677, fig-shaped bowl, faceted tapering handle, engraved with a building and foliate scroll decoration, the reverse of the bowl with engraved decoration and inscribed ‘E.C.D’ ‘1677’, length 19.8cm, plus another Scandinavian spoon, unmarked, fig-shaped bowl, applied gilded masks and with a pierced gilded foliate finial, approx. total weight 2.2oz. (2) £350-400

926. A James II silver sucket fork, maker’s mark only T?, circa 1685, the reverse of the oval bowl with a raised rat-tail and scratch initials ‘E.P’, the stem scratch initialled ‘R.M.G’, length 13.8cm, approx. weight 0.3oz. £600-800

927. A matched William and Mary silver-gilt Trefid sweet meat fork and spoon, the fork by Roger Strickland, the spoon by Thomas Issod, London circa 1690, the front and back with engraved decoration, the reverse of the bowl with a raised rat-tail, vacant cartouches, length of fork 10.7cm, length of spoon 11.2cm, , approx. weight 0.5oz. (2) £600-800

928. A James I silver-gilt Seal-top spoon, possibly by William Frend or William Limpanny, London probably 1617, fig-shaped bowl with later script initials, faceted tapering stem, the seal-top finial later prick initialled ‘1638; ‘W.D’ over ‘H.I’. length 17.2cm, approx. weight 1.7oz. £600-800

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A SMALL PRIVATE COLLECTION OF SPOONS

929. A William and Mary silver Lace-back Trefid spoon, by Lawrence Coles, London 1691, the reverse of the bowl with a raised rat-tail and foliate scroll decoration, the terminal with scroll decoration, the reverse of the terminal scratch initialled ‘EW’, length 18.8cm, approx. weight 1.5oz. £200-300

930. A William III engraved silver-gilt silver Trefid spoon, by Stephen Coleman, London 1689, the reverse of the bowl with a raised rat-tail and engraved decoration, the stem with engraved decoration and the reverse with a vacant oval cartouche, length 18.2cm, approx. weight 1.1oz. £300-400

931. A late-17th century provincial silver Trefid spoon, marked three times with an indistinct mark, possibly ?L, possibly West Country, the reverse of the bowl with a raised rat-tail and foliate scroll decoration, the terminal with scroll decoration, the reverse of the terminal prick dot initialled ‘TS’ over ‘I.L’, length 18cm, approx. weight 1.1oz. £300-400

932. A pair of William III silver Dog-nose tablespoons, by William Matthew, London 1700, the reverse of the oval bowls with a plain rat-tail, the reverse of the terminals with a crest, length 20.6cm, approx. weight 4.9oz. (2) £300-500

933. A William III provincial silver Trefid spoon, maker’s mark three times GJ or GT script, circa 1698/9, possibly West Country, the reverse of the bowl with a ribbed rat-tail, the reverse of the terminal prick dot initialled ‘W.P’ over ‘H.M’, and ‘feb 25th 1698/9’, length 20.3cm, approx. weight 1.5oz. £300-400

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934. A William III silver Trefid spoon, by John Ladyman, London 1698, the reverse of the oval bowl with a raised rat-tail, the reverse of the terminal scratch initialled ‘B.I’ over ‘E.B’, length 18.3cm, plus another William III silver Trefid spoon, by Francis Archbold, London 1699, the reverse of the oval bowl with a raised rat-tail, the reverse of the terminal with scratch initials ‘E.Y’, over ‘M.P’, length 19.5cm, approx. total weight 2.8oz. (2) £300-500

935. A Charles II silver Trefid spoon, by Lawrence Coles, London 1679, the reverse of the oval bowl with a raised rat-tail, the terminal scratch initialled ‘E.J.C’, length 19.8cm, plus a William III silver Trefid spoon, by Isaac Davenport, London 1698,the reverse of the oval bowl with a raised rat-tail, length 19.8cm, approx. total weight 3.6oz. (2) £300-500

936. A William III silver-gilt Trefid spoon, by Thomas Issod, London 1696, the reverse of the oval bowl with a raised rat-tail, the reverse of the terminal scratch initialled ‘B.D’, length 19.5cm, plus another William III silver Trefid spoon, by Isaac Davenport, London 1700, the reverse of the oval bowl with a raised rat-tail, the terminal scratch initials ‘M.G’, with traces of gilding, £300-500 length 20cm, approx. total weight 3.3oz. (2)

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OTHER PROPERTIES

A PRIVATE COLLECTION OF DOG-NOSE SPOONS

937. A Queen Anne silver-gilt Dog-nose spoon, by John Broake, London 1705, the oval bowl with a plain rat-tail, the reverse of the terminal prick dot engraved ‘Rob. P’, with scroll mantling, length 20cm, approx. weight 2oz. £300-400

938. A Queen Anne silver-gilt Dog-nose spoon, by Isaac Davenport, London 1705, the oval bowl with a plain rat-tail, plain terminal, length 20.3cm, approx. weight 1.9oz.

£150-200

939. A Queen Anne West Country silver Dog-nose spoon, over-stamped with maker’s mark MV, Exeter 1702, the oval bowl with a beaded rat-tail, the reverse of the terminal scratch initialled ‘W’ over ‘R.A’, length 20cm, approx. weight 1.2oz. £200-300

940. A pair of Queen Anne silver-gilt Dog-nose teaspoons, by Griffith Lloyd, London 1702, plain terminals, length 10.6cm, approx. weight 0.5oz. (2)

£200-300

941. A Queen Anne provincial silver Dog-nose spoon, by Thomas Robinson, Chester probably 1708, the oval bowl with a plain rat-tail, the reverse of the terminal with feint prick-doting ‘I.T’ over ‘1709’, length 19.4cm, approx. weight 1.4oz. £500-800 Provenance: purchased in these rooms, 28 June 2000, lot 15.

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942. A Queen Anne silver Dog-nose spoon, by Edward Gibson, London 1702, the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘W’ over ‘I*A’, and later inscribed ‘Franklin Bartlett, 20th Dec. 1826’. length 20.7cm, approx. weight 2oz. £200-300

943. A William III silver Dog-nose spoon, by David Willaume, London 1700, the oval bowl with a plain rat-tail, the reverse of the terminal with an armorial, length 20cm, approx. £300-400 weight 2.5oz. The crest is that of Priscle.

944. A Queen Anne West-Country silver Dog-nose spoon, by Henry Muston of Plymouth, Exeter 1705, the oval bowl with a beaded rat-tail, the reverse of the terminal prick initialled ‘I.N’ above ‘G.G’ ‘1705’, length 20.3cm, approx. weight 1.7oz. £300-400

945. A Queen Anne West-Country silver Dog-nose spoon, by Edward Sweet (II) of Dunster, with Exeter marks for 1707, the oval bowl with a plain rat-tail, and scroll decoration, the terminal also with scroll decoration, the reverse of the terminal prick initialled ‘C.F’ above ‘1708’, length 17.8cm, approx. weight 0.8oz. £200-300 Provenance: purchased in these rooms, Early English Spoons, 17 October 2001, lot 41.

946. A Queen Anne West-Country silver Dog-nose spoon, by Henry Muston of Plymouth, Exeter 1707, the oval bowl with a beaded rat-tail, the reverse of the terminal prick initialled ‘E.O’ above ‘I.W’ ‘1707’, length 18cm, approx. weight 1.1oz. £300-400

947. A William III silver Dog-nose spoon, by John Ladyman, London 1700, the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘S’, length 20cm, approx. weight 2oz. £300-400

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944

943

945

946

947

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949 (2)

950 (2)

948 (2)

951 (2)

948. A rare pair of Queen Anne Scottish provincial silver Dog-nose spoons, by David Dunlop, Canongate circa 1703, the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘RG’ over ‘HG’ over a troy weight abbreviation ‘1oz9d’, length 19.4cm, approx. weight 3.6oz. (2) £2,000-3,000 A single matching example was sold in these rooms Fine Silver Sale, 24 April 2018, lot 730.

949. A pair of Queen Anne silver Dog-nose spoons, by John Broake, London 1707, the oval bowl with a plain rat-tail, the reverse of the terminal with a crest, the terminal with a later crest, length 20.2cm, approx. weight 4.9oz. (2) £400-600 The crests are those of Payne of Midlow and Butler.

950. A pair of Queen Anne silver Dog-nose spoons, by William Juson, London 1705, the oval bowl with a plain rat-tail, the reverse of the terminal with scratch initials ‘Q’ over I*A’, length 20.2cm, approx. weight 3.6oz. (2) £300-400

951. A pair of Queen Anne provincial silver Dog-nose spoons, by John Langwith, York circa 1703, the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘G’ over ‘IS’, length 20.1cm, approx. weight 3.7oz. (2)

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£500-700

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953 (2)

954 (2)

952 (2)

952. A pair of Queen Anne silver Dog-nose spoons, by Isaac Davenport, London 1702, the oval bowls with a plain rat-tail, the reverse of the terminal with an armorial, length 20.3cm, approx. weight 4.5oz. (2)

955 (2)

£250-300

The arms are those of Blothow impaling Butler.

953. A pair of Queen Anne silver Dog-nose spoons, by Joseph Barbut, London 1704, the oval bowl with a plain rat-tail, the reverse of the terminals with a crest, length 20cm, approx. weight 5.3oz. (2)

£400-600

The crest is that of Barcroft, Beardmore, Gore, Hervieu, Louis and Price.

954. A pair of Queen Anne silver Dog-nose spoons, by Henry Greene, London 1704, the oval bowl with a plain rat-tail, the reverse of the terminals engraved with a crest, length 20.7cm, approx. weight 4oz. (2)

£300-400

Provenance: purchased in these rooms, 17 October 2001, lot 54. The crest is that of Browne, Godmanstone and other families.

955. A pair of Queen Anne Scottish silver Dog-nose spoons, by John Penman , Edinburgh 1707, assay master James Penman, the reverse of the bowls with a plain rat-tail, the reverse of the terminals with scratch initials ‘W.F’ over ‘A.K’, length 20.6cm, approx. weight 4.8oz. (2) £1,000-1,500

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956. A Queen Anne silver Dog-nose basting spoon, by John Ladyman, London 1705, the oval bowl with a plain rat-tail, the reverse of the terminal with scratch initials ‘I*B’ over ‘N*C’, length 33.3cm, approx. weight 4.8oz. £700-900

957. A Queen Anne silver Dog-nose basting spoon, by Andrew Archer, London 1706, the oval bowl with a plain rat-tail, the reverse of the terminal with a crest, length 31.3cm, approx. weight £800-1,200 4.6oz.

958. A Queen Anne silver Dog-nose basting spoon, by William Scarlett, London 1706, the oval bowl with a plain rat-tail, the reverse of the terminal with a crest, length 31.5cm, approx. weight 4.2oz. £700-900 The crest is that of Chambre, Magor, Manger, Martin and other families.

959. A Queen Anne silver Dog-nose basting spoon, by Thomas Burridge, marks worn, possibly London 1706, the oval bowl with a plain rat-tail, the reverse of the terminal with scratch initials ‘A.W’, the front inscribed ‘Ex. Dono A.W to W.P’, length 27cm, approx. weight 3.4oz. £600-800

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956

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958

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960. A set of six Queen Anne silver Dog-nose spoons, by John Ladyman, London 1707, the oval bowl with a plain rat-tail, the reverse of the terminals with a crest, length 20.2cm, approx. weight 13.8oz. (6)

£800-1,200

The crest if that of Trench.

reverse

961. A set of six Queen Anne silver Dog-nose spoons, by Samuel Lee, London 1703, the oval bowl with a plain rat-tail, the reverse of the terminals with scratch initials ‘K’ over ‘SE’, length 20cm, approx. weight 12.8oz. (6) £1,000-1,500

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reverse

962. A set of ten Queen Anne silver Dog-nose spoons, by Henry Green, London 1705, the oval bowl with a plain rat-tail, the reverse of the terminals with an armorial, length 19.7cm, approx. weight 21.2oz. (10)

£1,500-2,000

The arms are those of Clenedon, Pringle, Earl(e) or Strickland impaling another.

reverse

963. A set of four Queen Anne silver Dog-nose spoons, by Henry Green, London 1705, the oval bowl with a plain rat-tail, the reverse of the terminal with a crest, motto and scratch initials ‘I.S’, length 20.2cm, approx. weight 9.7oz. (4) £800-1,200 Provenance: Christie’s South Kensington, Early Silver Spoons and Flatware, 20 April 1999, lot 28. The crest is that of Wombwell, of Wombwell, Yorkshire, created Baronets in 1778.

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OTHER PROPERTIES

964. A late-Victorian silver Monteith Bowl, by J. B. Carrington for Carrington and Co, London 1899, circular form, castellated border, spot-hammered decoration, lion mask drop ring handles, on a circular foot, engraved with initials, the underside with facsimile signatures, diameter 26.2cm, approx. weight 48oz. ÂŁ1,000-1,500

965. A set of twelve silver plates, by Walker and Hall, Sheffield 1928, plain circular form, diameter 23cm, approx. weight 182oz. (12) ÂŁ1,500-2,500

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966. A George III presentation silver tray, by William Burwash, London 1810, rectangular form, gadroon and shell handles and border, the centre inscribed ‘Sit a Court of the Honourable the Irish Society, held in the Irish Chamber Guildhall London on Wednesday the 9th day of February 1848. The Governor John Humphrey Esq. M.P and Alderman in the Chair, it was moved by Benjamin Hardwick, Esq. and seconded by Samuel Wilson Esq., Alderman, and unanimously resolved that the thanks of this Society are emmently due and are hereby presented to William Knott Esquire Deputy Governor, for his increasing attention to the duties of the office during the past year, for his courteous demeanour to the members of the Court and for the zeal evinced by him at all times in promoting the best interests of the Society, that this Court cannot do otherwise than congratulate him that during the period he has filled the important office of Deputy Governor. The society’s fisheries which are a most valuable portion of its property have been let upon satisfactory terms and also an arrangement has been made with the Corporation of Londonderry, calculated to place the Society in a position of greater usefulness to that Portion of Ireland whose interests are committed to its care, that this Court on his retirement begs to express the sincere wishes of every member that he may be spared for many years to render services to the Corporation of London, of which he has been for so long its most useful member’, also signed, length handle to handle 61.5cm, approx. weight 100oz. £1,500-2,000

967. A pair of George I cast silver candlesticks, by David Green, London 1721, tapering hexagonal baluster columns, spool shaped capitals, on raised hexagonal bases, the underside inscribed ‘Ex. D. John Symons to P.H’, height 17.3cm, approx. weight 26.2oz. (2) £5,000-7,000

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968. A silver salver, Robert Pringle, London 1921, circular form, moulded border, the centre with a crest, diameter 39.5cm, approx. weight 47.5oz. £400-600 The crest is that for many families including Andrews, Colville, Delafield and Finnan.

970. A George IV silver teapot, by Charles Fox, London 1825, compressed circular form, leaf capped scroll handle, ivory insulators, embossed foliate decoration on a matted background, the hinged cover with a Chinaman finial, of four foliate capped scroll bracket feet, engraved with an armorial, length handle to spout 28cm, approx. weight 24oz. £250-300

969. A three-piece Victorian silver tea set, by Charles and George Fox, London 1850, lobed circular form, embossed foliate decoration, leaf capped scroll handle with ivory insulators, on four scroll bracket feet, engraved with initials, in a fitted wooden case, length handle to spout 29.5cm, approx. weight 43oz. (3) £500-700

971. A George II silver salver, by Richard Abercromby, London 1742, circular form, shell and scroll border, the centre with an armorial within foliate scroll mantling, on four hoof feet, the underside scratch initialled ‘R’ over ‘A*E’, diameter 28cm, approx. weight 23.4oz. £400-600

The arms are those of Lyndsey/Livesey/Lucy quartering Bancroft impaling Dawson or Curzon.

972. A silver salver, by Elkington and Co, Birmingham 1925, circular form, moulded border, on three hoof feet, diameter 36.2cm, approx. weight 35oz. £300-400

973. A four-piece silver tea set, by Elkington and Co, Birmingham 1927, panelled baluster form, scroll handles, domed hinged covers, with a drape border, on raised circular bases, in a later wooden box, height of hot water pot 22cm, approx. weight 49oz. (4) £400-600

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974. A modern four-piece silver coffee set, by Garrard and Co, Birmingham 1963, tapering circular form, scroll handles, domed hinged covers, with chased foliate scroll and mask decoration, the sugar bowl with a cover, height of coffee pot 23cm, approx. weight 68oz. (4) £700-900

975. A presentation two-handled silver tray, by Edward and Sons, London 1913, shaped rectangular form, gadroon border and handles, inscribed ‘Presented to John Wylie MacFarlane Esq. by the employees of MacFarlane, Lang and Co. Ltd, on the occasion of his marriage 4th June 1914, length handle to handle 76.5cm, approx. weight 145oz. £1,000-1,500

976. A five-piece silver tea and coffee set, by Lionel Alfred Crichton, London 1927, comprising a kettle on stand, a coffee pot, a tea pot, a cream jug and a sugar bowl, circular form, chased foliate, scroll and mask borders, scroll handles, the coffee pot of tapering circular form, on a spread circular foot, the kettle on stand on three scroll legs with a burner, engraved with a crest, height of kettle on sand 34.5cm, approx. weight 129oz. (5) £1,500-2,000 The crest is that of Creswick.

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977. A pair of George III silver two-handled sauce tureens and covers, by Daniel Smith and Robert Sharp, London 1786, oval form, reeded scroll handles with foliate mounts, reeded borders, pull-off covers with reeded scroll handles, on raised oval form, engraved with armorial shields with foliate mantling, on raised oval bases, length handle to handle 23.5cm, approx. weight 46.4oz. (2) ÂŁ1,500-2,000 The crest is that of Gambier.

978. A pair of George III silver candlesticks, by Jonathan Alliene, London 1771, baluster stems with knopped shell shoulders, spool-shaped capitals, detachable drip pans, on raised hexafoil bases, height 27.2cm, approx. weight 51.8oz. (2) ÂŁ1,500-2,000

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979. A pair of George III silver meat platters, by Parker and Wakelin, London 1771, shaped oval form, foliate and gadroon borders, engraved with two crests and an armorial, the undersides scratched ‘No. 36.6’ and ‘No. 36.3’, length 41.2cm, approx. weight 68.9oz. £1,500-2,000 The arms are those of Aislabie impaling Vernon, and the crest is that of Earl De Grey.

980. A pair of George III silver candlesticks, by William Cafe, London 1760, baluster stems with knopped shell shoulders, spool-shaped capitals, detachable drip pans, on raised hexafoil bases, engraved with a crest, height 27.3cm, approx. weight 54.7oz. (2) £1,500-2,000

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981. A matched set of four George II/III silver candlesticks, by William Cafe, London 1751 and 1770, knopped stems, shell shoulders, spool shaped capitals, detachable drip pans, on shaped square bases, engraved with a crest, height 22.6cm and 22.3cm, approx. weight 84.5oz. (4) £3,000-5,000

982. A Queen Anne silver sugar caster, by Charles Adam, London 1709, baluster form, central girdle, engraved with an armorial within scroll mantling, the pierced pull-off cover with a knop finial, on a raised circular foot, the underside of the foot inscribed ‘Ex Dono A.P’, height 17cm, approx. weight 7.8oz. £500-700 The arms are those of Daubeney quartering possibly Bonvill.

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983. A set of four George II silver candlesticks, by William Gould, London 1742, shell capped knopped baluster stems, spool shaped capitals, on raised shaped square bases with shell and scroll motifs, engraved with an armorial, height 19.5cm, approx. weight 62oz. (4) £4,000-6,000

984. A George II silver sugar caster, by Paul de Lamerie, London 1738, circular bellied form, the pierced pull-off cover with a knop finial, on a raised circular foot, engraved with an armorial, height 15.8cm, approx. weight 6.2oz. £5,000-7,000 Provenance: Fine Silver and Objects of Vertu, Bonhams, New Bond Street, 2 July 2008, lot 304. The arms are those of a spinster surnamed Arnold of Gloucestershire. This caster has been submitted to the Antique Committee at Goldsmiths Hall in 2017, Case No. 9168, and was found to be hallmarked in accordance with the Hallmarking Act of 1973.

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985. A George II silver tankard, by Richard Bayley, over stamped with maker’s mark S.A, London 1738, tapering circular form, part-fluted decoration, scroll handle with a heart-shaped terminal, flat hinged cover with a scroll thumb-piece, part-fluted decoration, below a rope-work girdle, the front with a vacant oval cartouche within scroll mantling, height 17.5cm, approx. weight 21oz. £1,000-1,500 Provenance: Bonhams, Bath, Selected Silver and Plate, 11 November 2002, lot 211. This tankard was submitted to the Antique Plate Committee in June 2018, (APC9258), and the Committee is of the opinion that this article is hallmarked in accordance with the Hallmarking Act 1973.

986. A four-piece Victorian silver tea and coffee set, by The Barnards, London 1863, panelled baluster form, engraved decoration, scroll handles, ivory insulators, the domed hinged cover with bird finials, initialled, the coffee pot with a presentation inscription, on four scroll feet, height of coffee pot 27cm, approx. weight 76.5oz. (4) £1,000-1,500

987. A George III silver tankard, over-stamped with maker’s mark of Thomas Ollivant of Manchester, London 1791, tapering baluster form, central girdle, domed hinged cover, scroll handle, pierced thumb-piece, on a raised circular foot, engraved with initials, height 22cm, approx. weight 27.7oz. £800-1,200

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988. A George III silver coffee pot on stand with a similar George III teapot on stand, the coffee pot by Peter and Ann Bateman, London 1797, the teapot and stand by Joseph Dodds, London 1795, the coffee pot of tapering shaped rectangular form, engraved foliate decoration, reeded borders, wooden scroll handle and finial, domed hinged cover, on a shaped rectangular foot, engraved with two circular cartouches with initials, the teapot stand on four fluted bracket feet, height of teapot on stand 30.5cm, length of teapot handle to spout 26.3cm, approx. weight 54oz. (4) £1,500-2,000

989. A George II silver kettle on stand, by John Jacob, London 1754, inverted pear form, chased foliate scroll decoration, flush hinged domed cover with a fluted finial, wicker-bound central hinged scroll handle, mask capped spot with a mythical beast terminal, the stand of circular form, pierced foliate scroll apron, chased decoration, on three shell capped scroll legs terminating in shell pad feet, engraved with an armorial within foliate mantling, with a burner, height 40cm, approx. weight 76.8oz. £1,500-2,000 The arms are possibly those for Shepherd.

990. A George III silver tea caddy, by Peter and Ann Bateman, London 1791, panelled rectangular form, reeded borders, flush-hinged raised cover with a foliate finial, engraved with a crest and monogram within armorial shield with foliate and drape mantling, with a lock, height 18.5cm, length 13.8cm, approx. weight 16oz. £1,000-1,500 The arms are those of Mildmay or Gifford, Bayons, Talbot or Cheverell.

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991. A Queen Anne silver tumbler cup, maker’s mark of Co, London 1713, circular form, the underside scratch initialled ‘IG to JJ’, diameter 6.3cm, approx. weight 2.3oz. £300-400

992. A George III silver wager cup, by Hester Bateman, London 1784, modelled as a lady with her arms aloft, holding a hinged circular drinking cup, the tapering circular form, engraved foliate decoration, and with one hanging bell, two bells missing, also inscribed ‘Wiveliscombe Club’ ‘1796’, height 15.5cm, approx. weight 5.6oz. £600-800

993. A George III silver tumbler cup, maker’s mark F?. London 1768, circular form, engraved with a crest, gilded bowl, diameter 5.8cm, approx. weight 2.2oz. £300-400

994. A George II silver tumbler cup, by Francis Crump, London 1756, circular form, gilded bowl, engraved with two crests, height 5.2cm, approx. weight 2.1oz. £300-400 The crest is possibly a variant of Kinder.

995. A Victorian silver tumbler cup, by Arthur Sibley, London 1873, retailed by Gillian, Serle Street, London, circular form, engraved with an armorial shield and ‘Gul. Malcolm Er. Lane, Socius Socio Dono Dedit. 1874’, height 6cm, approx. weight 5oz. £100-150

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996. A modern silver tumbler cup, maker’s mark TR conjoined, possibly for Tessiers, London 2000, plain circular form, spot-hammered decoration, height 7cm, approx. weight 7.8oz. £200-300

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997. A pair of George III provincial silver mugs, by Robert Makepeace I, Newcastle 1742, baluster form, scroll handles, on raised circular bases, engraved with a crest, height 10cm, approx. weight 11.7oz. (2) £800-1,200

998. A George III silver fox head stirrup cup, by Tudor and Leader, Sheffield 1777, with textured fur decoration and bent back ears, gilded interior, length 12cm, approx. weight 5oz. £4,000-6,000

999. A George III silver brandy pan and cover, by Thomas Heming, London 1762, baluster form, turned wooden side handle, the pull-off cover with a ring terminal, the cover and base engraved with a crest, length 31cm, approx. weight 25.5oz. £800-1,200 The crest is that of many families including Brownsword, Drummond, Nevouy and Newnham.

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1000. A small George I silver inkstand, probably by John Barbot, London 1726, rectangular form, reeded border, flat baluster handle, with a pen well and with an inkwell, sander and taper stick holder, on four bracket feet, length 13.3cm, approx. weight 7.8oz. £3,000-4,000

1001. A William III silver tumbler cup, by William Gamble, London 1701, slight tapering circular form, engraved with an armorial within foliate scroll mantling, diameter 8.4cm, approx. weight 3.9oz. £2,500-3,000 Provenance: The David Constable Collection. The arms are those of Osborne, Dukes of Leeds, for Thomas Osborne, the 4th Duke of Leeds.

1002. A Queen Anne footed silver waiter, by John Stockar, London 1712, circular form, moulded border, the centre engraved with a crest, on a raised circular foot, diameter 14cm, approx. weight 5.2oz. £800-1,200 The crest is that of Bosvile.

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1003. A pair of Queen Anne silver candlesticks, by John Barnard, London 1705, slight tapering fluted columns, rope-work borders, on raised square bases with canted corners and fluted decoration, engraved with oval armorials, later bright lacquer, height 27cm, approx. weight 34.6oz. (2) £15,000-20,000 The arms are those of Wrathe (Wroth) and another. Provenance: purchased from How (Of Edinburgh), 41 St. James’s Place, London 12 December 1995. Illustrated in How of Edinburgh 1992 Exhibition catalogue, plate 19, number 30.

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1004. A George I silver-gilt two-handled cup and cover, by Francis Garthorne, London 1724, circular form, leaf capped scroll handles, central girdle, with cut-card decoration and later foliate scroll decoration on a matted background, the domed cover with a knop finial, engraved with a crest, on a raised circular foot, height 28.5cm, approx. weight 62oz. ÂŁ2,000-3,000 The crest is that of Annesley. Provenance: Hugh, 5th Earl Annesley 1831-1908, and thence by descent to the present owner.

1005. A George II silver-gilt two-handled cup and cover, by Peter Archambo, London 1729, circular form, leaf capped scroll handles, central girdle, with cut-card decoration, the domed cover with a knop finial, on a raised circular foot, height 25cm, approx. weight 49oz. ÂŁ3,000-4,000 Provenance: Hugh, 5th Earl Annesley 1831-1908, and thence by descent to the present owner.

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1006. A William III silver two-handled porringer and cover, by Seth Lofthouse, London 1697, circular form, part-fluted decoration below a stamped border, scroll handles, the pull-off cover with fluted decoration and with a fluted baluster finial, on a raised circular foot, engraved with a later crest, later bright lacquer, height 24cm, approx. weight 31.8oz. £6,000-8,000 Provenance: purchased from How (Of Edinburgh), 41 St. James’s Place, London 12 December 1995. Sotheby & Co, New Bond Street, London Important English and Foreign Silver and Plate, 22 May 1969, lot 230, The Property of G. W. Denny Esq. The crest is that of a number of families including Blackburne, Earle, Fletcher, Hepburn and Horsfall.

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1007. A rare George II silver molinet, by John Hugh Le Sage, London 1739, pierced crown form on a circular base with a reeded border, tapering cylindrical mount with a turned wooden handle, length 33.5cm, approx. weight 8.6oz. £5,000-7,000 A molinet is a stirring rod normally for hot chocolate, which was put through the lid of the chocolate pot. See Clayton, M., The Collector’s Dictionary of Silver and Gold of Great Britain and North America, Antique Collector’s Club 1971, page 248, where he mentions while discussing molinets ‘Another made by John Le Sage in 1739, has an ivory handle which may in fact be a replacement.’ A molinet of this date was possibly sold at Christie’s in 1943. A recent example of a molinet being sold at auction was a George I one by Anthony Nelme, London 1719, which came up at Denham’s of Horsham, where it fetched £4600 hammer.

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1008. A Charles II silver alms dish, maker’s mark of T.G, possibly for Thomas Greenhill, London 1662. circular form, the centre slightly raised, the border with an armorial within feather mantling, diameter 25.5cm, approx. weight 14.4oz. £5,000-7,000 The arms are those of Noel, Earls of Gainsborough, (created in 1682).

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1009. A set of four Victorian silver soup plates / dishes, by John Samuel Hunt, London 1855, shaped circular form, reeded borders, engraved with a crest, the underside of the base inscribed ‘Hunt and Roskell, Late Storr and Mortimer’, diameter 27.5cm, approx. weight 81oz. (4) £1,500-2,000 The crest is that of Boyd.

1010. A set of four Victorian silver vegetable dish covers, by John Samuel Hunt, London 1855, domed lobed circular form, with detachable foliate branch handles, engraved with a crest, one handle with a later screw fitting that does not fit the base, diameter 22.5cm, approx. weight 86.7oz. (4) £2,000-3,000 The crest is that of Boyd.

1011. A George IV silver meat platter and mazarine, by Philip Rundell, London 1822, oval form, gadroon border, engraved with a crest, the mazarine with pierced decoration and with a central crest, length of platter 50.8cm, approx. weight 147oz. (2) £2,000-3,000 The crest is that of Francis, 1st Earl of Ellesmere (1800-1857). Made a Knight of the Garter 1855.

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1012. A Victorian cast silver hound head stirrup cup, by Robert Hennell, London 1874, also marked with the portcullis mark, and with a later Austro-Hungarian mark and retailer’s mark of Liszth, the hound’s head with textured fur, the tapering circular base inscribed ‘Muir’, length 16.5cm, approx. weight 11.3oz. £6,000-8,000

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THE DR. ANNE SHANNON COLLECTION OF JEWELLERY Wednesday 31st October 2018

A silver and opal pendant by Georg Jensen c1909-1914

A silver and enamel pendant by George Hunt

Estimate: £800 - £1,200

Estimate: £1,000 - £2,000

A pair of ivory heart-shaped cufflinks by Child & Child

A gold panel bracelet attributed to Melillo

Estimate: £800 - £1,200

Estimate: £6,000 - £8,000

An Art Nouveau pendant

A silver and enamel pendant by Ramsden & Carr

Estimate: £1,000 - £1,500

Estimate: £1,000 - £1,500 ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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JEWELLERY

Thursday 1st November 2018

A late Victorian diamond rivière necklace Estimate: £40,000 - £60,000

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

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12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

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Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Old Sarum Park

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

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WOO L LE Y & WA L LI S

Absentee Bid Form Silver & Objects of Vertu

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

30th October 2018 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

Auction Calendar SILVER 30th October 2018 – Fine Silver & Objects of Vertu 22nd & 23rd January 2019 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 3rd October 2018 9th January 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 16th October 2018 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk 20TH CENTURY DESIGN 17th October 2018 – Design 12th December 2018 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk JEWELLERY 31st October 2018 – The Jewellery Collection of Dr. Anne Shannon 1st November 2018 – Fine Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 13th & 14th November 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 21st November 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk PAINTINGS 4th December 2018 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th February 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk