FURNITURE WORKS OF ART & CLOCKS WEDNESDAY 12TH & THURSDAY 13TH JANUARY 2022
SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below FURNITURE, WORKS OF ART & CLOCKS Mark YuanRichards Jim Gale Suzy Becsy Sarah Stone
VALUATIONS FOR INSURANCE & PROBATE 411854 339161 446974 446974
20TH CENTURY DESIGN Michael Jeffery Zoe Smith
424505 446955
AFRICAN & OCEANIC ART ANTIQUITIES
Jeremy Lamond MRICS ASFAV FRSA Amanda Lawrence
424598 424509
GENERAL OFFICE Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young
424500
CASTLE GATE RECEPTION
Will Hobbs Molly O’Reilly
339752 446980
Sally Litherland
MARKETING ASIAN ART John Axford MRICS ASFAV Alexandra Aguilar Freya YuanRichards Jeremy Morgan Alana Ker Mercer Michelle Yu
Chloe Davie 424506 424583 424589 +44 (0)7812 601098 424591 424571
CHINESE PAINTINGS & CALLIGRAPHY Freya YuanRichards Michelle Yu
424589 424571
ACCOUNTS Sharon Ringwood Anna Gentleman
BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director
ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison
424507 446964
JAPANESE ART Alexandra Aguilar Alana Ker Mercer
424583 424591
JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA Emily O’Donnell
424595 424504 424586
ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya YuanRichards Mark YuanRichards
MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly
341469 446980
PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing
446961 446962 446970
SILVER Rupert Slingsby Lucy Chalmers
424501 424594
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS
446951
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FURNITURE WORKS OF ART & CLOCKS
Mark YuanRichards 01722 411854 myr@woolleyandwallis.co.uk
WEDNESDAY 12TH & THURSDAY 13TH JANUARY 2022 10.00AM
Jim Gale 01722 339161 jg@woolleyandwallis.co.uk
at our Castle Street Salerooms, SP1 3SU Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk
VIEWING Saturday 8th January Monday 10th January Tuesday 11th January Wednesday 12th January Thursday 13th January
10.00am – 3.00pm 10.00am – 5.00pm 10.00am – 4.00pm 8.30am – 9.45am No viewing
Sarah Stone 01722 446974 ss@woolleyandwallis.co.uk
DAY ONE LOTS 1-280 DAY TWO LOTS 281-613
SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE BUYER’S PREMIUM
LIVE ONLINE BIDDING – FREE OF CHARGE
Each lot is subject to a Buyer’s Premium of 25% plus VAT
LIVE
TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Tuesday 11th January
bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 11th January
CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults COLLECTION OF LOTS BY APPOINTMENT Collection by appointment from Monday 17th January from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX
Instagram: @woolleyandwallisfurniture @woolleyandwallissalerooms Facebook: @woolleyandwallis
Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready
Twitter: @woolleywallis
All accounts to be settled prior to collection
Pinterest: Woolley and Wallis
EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance
ILLUSTRATIONS Front cover: Lot 135 detail Back cover: Lot 31 detail Catalogue £10.00 (£15.00 by post) 1
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OAK, COUNTRY & FOLK ART DAY ONE LOTS 1280
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A CHARLES I OAK FOLDING / CREDENCE TABLE C.1640
AN OAK JOINT STOOL MID17TH CENTURY
A SMALL QUEEN ANNE OAK GATELEG TABLE EARLY 18TH CENTURY
the demilune hinged top on a single gate support, the frieze with chamfered arches and on ring turned gun barrel legs united by peripheral stretchers 79cm high, 103.5cm wide, 50.3cm deep
the rectangular top with a triple moulded edge, above sausage turned legs united by peripheral stretchers 53.8cm high, 45.3cm wide, 27cm deep
with an oval dropleaf top 70.7cm high, 69.8 x 94cm (open)
£300400
£100200
Provenance David and Paula Newman, London / Eastbourne.
£8001,200
2
3
3
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4 A GEORGE III WELSH OAK DRESSER LATE 18TH CENTURY the plate rack with a wavy frieze, two shelves and fitted with five drawers, the base with three drawers 179cm high, 189.45cm wide, 50cm deep
£500800 5 A CHARLES II OAK COFFER C.1660 of five plank construction, the hinged lid with a thumbnail carved edge and the date ‘1662’, revealing an interior with an open divided till, on cutout ends 66cm high, 100cm wide, 38.5cm deep
£200300 6 A GEORGE II OAK LOWBOY MID18TH CENTURY with three frieze drawers, on cabriole legs and pad feet 71.7cm high, 78.3cm wide, 47cm deep
£300500
4
5
4
6
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7 AN OAK AND MARQUETRY COURT CUPBOARD PROBABLY YORKSHIRE, MID17TH CENTURY inlaid with various woods, with scrolls, leaves, flowers and parquetry bands, with four arched panelled doors, the lower ones enclosing a shelf and with lobed and leaf cup and cover supports 148cm high, 124.5cm wide, 54.5cm deep
£8001,200 8 A GEORGE II OAK LOWBOY C.1750 with a frieze drawer and a wavy edge apron 70cm high, 73.7cm wide, 57.2cm deep
£500700 9 A CHARLES II OAK COFFER POSSIBLY WEST COUNTRY, C.1660 the interior originally with a till, the twin panelled front carved with foliate designs 60.8cm high, 103.5cm wide, 47cm deep
£300500
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8
9
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10 AN OAK FOOD CUPBOARD POSSIBLY EAST ANGLIAN, EARLY 18TH CENTURY the boarded top above a panelled front and sides, pierced with ventilation holes, the hinged door enclosing a shelf 85.4cm high, 100cm wide, 46cm deep
£200300
10
11 AN OAK PANELLED BACK OPEN ARMCHAIR 17TH CENTURY AND LATER the arched top carved with an urn issuing flowers and leaves, above a band of ‘S’ motifs, the back carved with oak leaves and acorns, with turned supports united by peripheral stretchers
£200300
11
12 A GEORGE III OAK OCCASIONAL TABLE C.176070 the rectangular top with an applied moulded edge, on moulded legs 62.8cm high, 61.5cm wide, 52.3cm deep
£500800
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13
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A CHARLES II OAK REFECTORY TABLE DATED ‘1673’
A SMALL OAK COFFER MID17TH CENTURY
the boarded top with cleated ends, the frieze carved to one side with scrolling leaves and flowers, with the date ‘1673’ and initials ‘F P’, on ring turned baluster and block legs united by peripheral stretchers 75.2cm high, 284cm long, 71cm wide
the hinged lid revealing a vacant interior, the twin panel front with an arcaded frieze and raised boss decoration 50.7cm high, 68.5cm wide, 39.3cm deep
£200300
£3,0005,000
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15
16
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A LARGE OAK COFFER 17TH CENTURY
A GEORGE II FRUITWOOD LOWBOY C.174050
A GEORGE III MAHOGANY OAK CHEST C.1770
the quadruple panelled hinged lid revealing a till, the conforming front carved with lozenges 75cm high, 156cm wide, 58cm deep
possibly cherrywood, the crossbanded top above three elm lined drawers, on square section cabriole legs 74.8cm high, 78cm wide, 44.4cm deep
of narrow proportions, the top with a moulded edge above two short and three long drawers 80.6cm high, 77.8cm wide, 36.7cm deep
£200300
£200300
£150250
16
8
17
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18
19
20
A LARGE CHARLES I ELM COFFER C.1640
A HARLEQUIN SET OF EIGHT ASH LADDERBACK DINING CHAIRS LANCASHIRE, LATE 18TH / EARLY 19TH CENTURY
A GEORGE II OAK LOWBOY C.1740
of five plank construction, the hinged lid with a moulded edge, the moulded front with thumbnail edges, bifurcated apron and cutout ends 77.3cm high, 150.1cm wide, 59.1cm deep
each with a rush seat (8)
the top with a caddy moulded edge, above three frieze drawers and a shaped apron 76.8cm high, 80.3cm wide, 51cm deep
£300500
£500700
£8001,200
19
20
9
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21 A GREEN GLASS LINEN SMOOTHER OR SLICKSTONE PROBABLY DUTCH, 17TH / 18TH CENTURY of bun form, the underside with a pontil mark 7.5cm diameter Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150 22 A GRANITE MORTAR 17TH CENTURY OR POSSIBLY EARLIER the body with moulded buttresses 17.5cm high, 35cm wide
£200300 23 A WROUGHT IRON STAND POSSIBLY 17TH / 18TH CENTURY with a pierced top, on tripod supports 72.8cm high Provenance David and Paula Newman, London / Eastbourne.
£150200
23
10
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24 A TUDOR OAK CEILING BOSS LATE 15TH CENTURY / EARLY 16TH CENTURY carved with a central flowerhead, within interlaced moulded bands 17.5 x 15.5cm
£500800 25 A PAIR OF CONTINENTAL OAK ARCHITECTURAL FRAGMENT BUSTS 17TH / 18TH CENTURY of a Queen and a young prince (2) 13cm high
£150200 26 A CARVED OAK LION CORBEL POSSIBLY FLEMISH, 17TH CENTURY 20.5cm high
£150250 24
25
26
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27
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A LARGE TREEN ELM TURNED DAIRY BOWL 19TH CENTURY
A TREEN REED OR STRAW SPLITTER LATE 18TH / EARLY 19TH CENTURY
with a moulded rim 60.7cm diameter
£300500
with a turned handle 13cm long Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100200
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29
30
A VICTORIAN WELSH TREEN SYCAMORE LADLE / SPOON DATED ‘1872’
A LARGE TREEN SYCAMORE DOUGH BOWL 19TH CENTURY
the handle with carved decoration and with initials ‘D C’ 16.3cm high
each end with an iron band 22.2cm high, 110.5cm wide, 42.8cm deep
£300400
Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150
30
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31 A RARE GEORGE II CHANNEL ISLANDS POLYCHROME PAINTED PINE CHEST ON STAND GUERNSEY, C.1750 painted with tulips and other flowers and leaves on a blue / green ground, the hinged top revealing a till, above two long drawers, the stand with a further drawer, on square section cabriole legs, the sides with traces of original sponged decoration 118.6cm high, 103cm wide, 53.5cm deep Provenance Martel Maides Auctions, Guernsey, 28th November 2002, lot 209. Literature Regional Furniture Society Newsletter, Summer 1994, No. 20, p. 10. Regional Furniture Society Newsletter, Autumn 2011, No. 55, pp.34.
Catalogue Note This rare painted ‘dower’ chest belongs to a small group of similar known examples. In his article in the Regional Furniture Society Newsletter, Summer 1994, Christopher Gilbert suggest that the possible origin for the painted design lies in ‘the ornamental nail patterns on leather covered trunks in vogue on the Channel Islands c.16801760.’ The use of tulips and carnations representing, love and betrothal has a long tradition in Europe and Gilbert suggested Frisian or Baltic inspiration for the decoration. In his article in the Regional Furniture Society Newsletter No.55, Autumn 2011, John Vost pointed to the similarities between painted furniture in America, particularly New Jersey and Pennsylvania and the Channel Island chests. He also speculated that these chest wherever they appear, either on the Channel Islands, London or American there is evidence of a Huguenot or Calvinist population. Related examples include a chest sold Sotheby’s, The Tristram Jellinek Collection, 9th & 10th May 1996, lot 306, an example dated ‘1754’ originally sold Sotheby’s, Sussex, 1990, lot 223 now in the Guernsey Museum & Art Gallery Collection, St. Peter Port, Guernsey. An example with a base drawer and no stand is in the collection of the National Trust of Guernsey Folk & Costume Museum, Suamarez Park, Guernsey and a very closely related example was previously with Avon Antiques and Robert Young Antiques and offered at Bonham’s, The Oak Interior, 20th September 2017, lot 318.
£5,0008,000
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33
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A HARLEQUIN SET OF ASH AND YEW WINDSOR SIDECHAIRS LATE 18TH / EARLY 19TH CENTURY
A SET OF FOUR EARLY VICTORIAN PAINTED SIDE CHAIRS C.1840
TWO PRIMITIVE COUNTRY STOOLS 19TH CENTURY
each with a hoop and stick back, with a pierced central splat decorated with an urn, with an elm seat and turned legs united by an ‘H’ stretcher (7)
each with a cane seat (4)
£200300
one with the remains of painted decoration, the other with four legs (2) 42.7cm high, 54cm wide (max)
£200300
£500800
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33
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35 A FOLK ART PRIMITIVE ASH AND ELM CHILD’S WINDSOR ARMCHAIR PROBABLY WELSH, LATE 18TH / EARLY 19TH CENTURY with a shaped comb and stick back, with bentwood arm supports and with traces of original green painted decoration
£300500
35
36 A FOLK ART PRIMITIVE ASH WINDSOR ARMCHAIR PROBABLY WELSH, 19TH CENTURY of small proportions, the stickback above an elm seat, with traces of orignial green painted decoration
£1,0001,500
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37 AN ITALIAN BAROQUE WALNUT CREDENZA TUSCANY, 17TH CENTURY the rectangular moulded top above a pair of lozenge panelled drawers, with knob handles, above a pair of conforming doors enclosing a shelf 105cm high, 130cm wide, 53cm deep
£2,0003,000
38 A GILTWOOD AND POLYCHROME FIGURE OF A FEMALE SAINT ITALIAN OR SPANISH, 17TH / 18TH CENTURY later mounted on a metal stand 25.5cm high
£200300
38 16
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39 A LARGE OAK COFFER POSSIBLY FLEMISH OR SCANDINAVIAN, 16TH / 17TH CENTURY of ark form, the hinged top revealing an interior with an open till, the front with panels of ripple mouldings 69cm high, 134.2cm wide, 59.3cm deep Provenance David and Paula Newman, London / Eastbourne.
£500800 40 A CARVED OAK FIGURAL GROUP PROBABLY FLEMISH, LATE 16TH / EARLY 17TH CENTURY depicting a knight in armour, accompanied by a mournful lady, in a rockwork setting 35.7 x 35.2cm
£500800
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41 A LEADED POLYCHROME STAINED GLASS ARMORIAL FRAGMENT POSSIBLY SWISS OR GERMAN, 17TH CENTURY decorated with a central cartouche with a figure holding his hands aloft, surmounted by a helm and with drapes and flanked by marble columns with ribbon tied garlands 32.2 x 22.4cm Provenance From the collection of Edward CroftMurray CBE (19071980).
£100150 42 A BRASS FOOTMAN EARLY 19TH CENTURY the pierced top inscribed ‘God bless our home’ 33.2cm high, 44.7cm wide, 37.5cm deep
£100150 43 A PAIR OF GEORGE II BRASS CANDLESTICKS C.17401760 43
each of seamed construction and with a knopped stem (2) 18.5cm high
£100200
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44 A BRONZE CANDLESTICK IN THE FORM OF A LION OR LEOPARD POSSIBLY DINANT, IN 14TH CENTURY STYLE with a pierced socket 9.5cm high Catalogue Note For a related candlestick, see Christie’s, ‘The Lear Collection of Socket Candlesticks’, 15th December 1998, lot 27.
£8001,200
44
45 AN EARLY COPPER ALLOY / BRONZE SPOON POSSIBLY SOUTH GERMAN, 15TH CENTURY OR EARLIER double ended and decorated with rondels, the underside of the bowl with a rat tail 15.8cm long
£150250
45 19
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46 A FOLK ART PAINTED PINE MARRIAGE ARMOIRE POSSIBLY TYROLEAN, 19TH CENTURY painted with panels of birds, urns and flowers, with the date ‘1832’, with a scroll moulded cornice above a pair of panelled doors and a base drawer 189.5cm high, 123cm wide, 49.5cm deep
£600800 47 A DUTCH PAINTED BOWFRONT HANGING CORNER CUPBOARD 18TH CENTURY AND LATER the raised top with two shelves, above a pair of doors, decorated with Venus accompanied by winged cherubs in a garden landscape, the interior with two shelves 113.8cm high, 57.7cm wide, 37.8cm deep
£300500 48 A FOLK ART PAINTED PINE MARRIAGE CHEST CENTRAL EUROPE, 19TH CENTURY the hinged top revealing a lidded till, the front painted with panels of birds and flowers and fitted with a long drawer, with iron side carrying handles, on tapering legs 81.5cm high, 119.6cm wide, 65cm deep
£300500
46
48 47 20
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49 A FOLK ART PAINTED PINE MARRIAGE ARMOIRE POSSIBLY TYROLEAN painted with scrolling leaves and flowers, panels of ribbon tied wreaths inscribed with a name and the date' 28th January 1827' above panels of flowers, with a pair of panelled doors above a base drawer 201.5cm high, 164.5cm wide, 54.5cm deep
£6001,000
50 A SWISS PAINTED PINE RENT TABLE LATE 18TH / EARLY 19TH CENTURY the sliding top above a drawer, the base painted with flowers and with a cupboard, on sleigh supports 82.3cm high, 108.5cm wide, 83.6cm deep
£300400
49
50
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A FRENCH WALNUT VENDANGE OR WINE TASTING TABLE 19TH CENTURY
A COUNTRY PRIMITIVE ASH CHOPPING BLOCK 19TH CENTURY
A GREY PAINTED CHOPPING BLOCK LATE 19TH / EARLY 20TH CENTURY
the oval tilttop with a reeded edge 72.7cm high, 107.2 x 143.4cm
the slab top with an iron band, on three rustic legs 78cm high, 80cm wide
£600800
£8001,200
iron bound, on tripod supports 80cm high, 39cm wide
£200300
52 53
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55
A SCANDINAVIAN PINE DUG-OUT CHAIR PROBABLY SWEDISH, 19TH CENTURY
TWO FOLK ART PINE LOW OCCASIONAL TABLES PROBABLY SCANDINAVIAN, 19TH CENTURY
the back with a handgrip and with a later seat
each with a drawer (2) 48cm high, 64.7cm wide, 44cm deep (max)
£500800
Provenance David and Paula Newman, London / Eastbourne.
£200300
54
55
56 A NORWEGIAN PAINTED WOOD KASA LATE 19TH CENTURY with horses head terminals, the body painted with leaves and flowers and inscribed ‘Staal Seppell’ 18.5cm high, 29cm wide
£150250
56
57 A SCANDINAVIAN CHIP CARVED TANKARD NORWEGIAN OR DANISH, 19TH CENTURY of staved construction, with bentwood bands, and a hinged lid, the body decorated with rondels of differing designs, the underside carved with a cross 24.5cm high
£150250
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58 A FOLK ART CARVED AND PAINTED PINE DECOY DUCK LATE 19TH / EARLY 20TH CENTURY with glass eyes 36.5cm long
£100150
58
59 A FOLK ART CARVED AND PAINTED WOOD MODEL FISH LATE 19TH / EARLY 20TH CENTURY possibly a shop sign, with two metal rings for suspension 25cm long
£100150 59
60 A FOLK ART CARVED AND PAINTED PINE DECOY DUCK LATE 19TH / EARLY 20TH CENTURY 27.5cm long
£100150
60
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62
A BANK OF PINE APOTHECARY DRAWERS 19TH CENTURY AND LATER
A BANK OF PAINTED PINE APOTHECARY DRAWERS 19TH CENTURY
with thirtysix titled drawers, with glass handles 82cm high, 182.5cm wide, 26cm deep
with twentyeight drawers, with knob handles 57.5cm high, 91.3cm wide, 23.2cm deep
£600800
£400600
62
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63 A PAINTED PINE DUMMY BOARD AFTER KNELLER OR DAHL, EARLY 18TH CENTURY AND LATER depicting a well dressed maid, holding a broom 184cm high, 68.5cm wide Provenance From the collection of Edward CroftMurray CBE (19071980).
£500800
63
64 A PAINTED DUMMY BOARD MID20TH CENTURY depicting a cat and a kitten on a stool, with an easel back 55.7 x 38cm
£100150
64
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65 ROYAL INTEREST. A LARGE PAIR OF MID-19TH CENTURY QUEEN ADELAIDE COACHING PANELS C.183749 each painted with Queen Adelaide of SaxeMeiningen’s coat of arms (2) 49.7 x 63.8cm Catalogue Note Adelaide of SaxeMeiningen (Adelaide Amelia Louise Theresa Caroline, 13th August 17922nd December 1849) was Queen of the United Kingdom and Hanover from 26th June 1830 to 20th June 1837 as the wife of King William IV. Adelaide was the daughter of George I, Duke of SaxeMeiningen and Luise Eleonore of HohenloheLangenburg. Adelaide, the capital city of South Australia is named after her.
£2,0003,000
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66 A CARVED AND PAINTED WOOD HORSE’S HEAD LATE 19TH CENTURY with glass eyes 25cm high, 30cm long
£150200 67 A VICTORIAN MAHOGANY SOLITAIRE BOARD LATE 19TH CENTURY together with thirtytwo marbles (33) 30.7cm diameter
£100150 68 A FOLK ART MAHOGANY HANGING WALL BOX EARLY 19TH CENTURY
68
the fret back decorated with love hearts, with a sloping hinged lid and a base drawer 39cm high, 20.7cm wide
£100150 69 A VICTORIAN OAK ‘X’ FRAME STOOL C.1870 the top with specimen woods, above a shaped frieze, on Gothic style chamfered legs 34.3cm high, 53.5cm wide, 34.5cm deep
£100150
69
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70 A FOLK ART CARVED AND STAINED PINE PEG OR BEDPOST DOLL POSSIBLY AMERICAN, LATE 18TH / EARLY 19TH CENTURY 27.7cm high
£300500
70
71 A CARVED AND PAINTED PINE CHILD’S PULL-ALONG TOY HORSE LATE 19TH / EARLY 20TH CENTURY with leather details and on wheels 69.3cm high, 63cm long
£200300
71
72 A CARVED AND PAINTED WOOD NOAH’S ARK MID20TH CENTURY the interior with stamped mark ‘Made in England by disabled exservice men’, with Noah and his wife and a collection of animals and birds, including kangaroos (55) 72cm long
£300500
72 29
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73 A VICTORIAN PAINTED WOOD SHIP DIORAMA C.1870 depicting a tea clipper in full sail, flying various flags, with a steam ship titled ‘Ratler’ and a lighthouse, in a glazed gilt box frame 48.8 x 80cm
£150200 74 A PAIR OF AMERICAN FOLK ART CHALKWARE MODELS OF SEATED CATS LATE 19TH / EARLY 20TH CENTURY with traces of polychrome decoration (2) 23.2cm high
£100150 73
75 AN AMERICAN FOLK ART CHALKWARE MODEL OF A BASKET OF FRUIT LATE 19TH / EARLY 20TH CENTURY together with a fruit and leaf centrepiece, with traces of polychrome decoration (2) 35cm high (max)
£100150 76 A LATE VICTORIAN SCOTTISH PAINTED CAST IRON MINIATURE FIREPLACE BY GREENLEES OF GLASGOW, LATE 19TH CENTURY decorated with a Royal Coat of Arms, ribbon tied garlands of flowers, fruit and a grapevine, the back with maker’s mark and registration number ‘309874’ 26.5 x 27.2cm
£80120 74
75 30
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77 A FOLK ART PAINTED PINE WALL MIRROR POSSIBLY AMERICAN, LATE 19TH CENTURY the rectangular plate within a comb decorated frame, with applied split mouldings, the surmount painted with a flower in a vase 50.5 x 34cm
£150250
77
78
78 A FOLK ART PAINTED PINE BOBBIN STAND LATE 19TH / EARLY 20TH CENTURY decorated with rondels, lozenges and a loveheart, with four metal holders and two drawers 23.7cm high, 20.8cm wide
£100150
79 AN AMERICAN TRAMP ART PINE MINIATURE CHAIR LATE 19TH / EARLY 20TH CENTURY 33.4cm high, 20cm wide
£100150
79 31
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80
81 80 A LARGE PAIR OF SCOTTISH POTTERY MODELS OF RECUMBENT LIONS LATE 19TH CENTURY each with glass eyes and modelled lying recumbent on a naturalistic mound (2) 24.2cm high, 33.7cm wide
£200300 81 A PAIR OF PAINTED COMPOSITION STONE LION’S MASKS PROBABLY ITALIAN together with four 20th century assorted lions, comprising: a plastic Hongkong and Shanghai Banking Corporation money box, a moulded glass plaque, a naive beadwork model of a lion, and a felt and metal thread example (6) 18.5cm (max) Provenance The Sir Michael Codron Collection of Lions.
82
£100150 82 A BROWN STONEWARE POTTERY MODEL OF A RECUMBENT LION C.1840 on an oval stepped base with a ribbed foot 10.3cm high, 16.3cm wide Provenance The Sir Michael Codron Collection of Lions.
£5080 83 FIVE CAST IRON MODELS OF LIONS 19TH CENTURY comprising: a heraldic example of a rampant lion, holding a flagpole, the flag inscribed ‘DON’, a gilt decorated example, a pair of black painted recumbent lions and a flatback chimney ornament (5) 24cm wide (max) Provenance The Sir Michael Codron Collection of Lions.
£80120 83
32
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84 A FOLK ART TREEN CARVED AND STAINED WOOD LION TABLE SNUFF MULL the primitive recumbent lion with a hinged lid revealing a vacant interior 16.2cm high, 36cm long Provenance The Sir Michael Codron Collection of Lions.
£150200
84
85 A BROWN STONEWARE SALTGLAZED POTTERY MODEL OF A RECUMBENT LION C.1840 13.2cm high, 22.5cm wide Provenance The Sir Michael Codron Collection of Lions.
£100150
85
86 A FOLK ART COPPER JELLY MOULD 19TH CENTURY modelled with a naive lion, the face possibly a satirical portrait of a politician of the period, with a suspension ring 7.7cm high, 24.2cm wide Provenance The Sir Michael Codron Collection of Lions.
£100200
86
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18TH CENTURY
FURNITURE &
WORKS OF ART
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87 A WILLIAM AND MARY OLIVE WOOD OYSTER VENEERED AND MARQUETRY CABINET ON STAND LATE 17TH CENTURY AND LATER with a pair of doors inlaid with a pair of eagles perched on branches, in various fruitwoods and green stained bone leaves, the interior with an arrangement of eleven drawers, around a central cupboard enclosing seven further drawers, on a later stand 147.5cm high, 101.7cm wide, 48.5cm deep Provenance Bill Wightman, Hampshire and by descent.
£2,0003,000 35
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88 A WILLIAM AND MARY YEW AND BURR YEW CABINET ON CHEST C.16901700 inlaid with chequer and holly banding, the moulded cornice above a cushion drawer and a pair of doors enclosing an arrangement of ten drawers around a central cupboard, enclosing four further drawers, the waist moulding inset with a pullout brushing slide, above two short and three long graduated drawers and later bracket feet 176.5cm high, 108.2cm wide, 46.5cm deep
£4,0006,000
36
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
89 A WILLIAM AND MARY WALNUT CABINET ON CHEST C.16901700 cross and feather banded with burr veneers, the cushion frieze drawer above a pair of doors with arch banding, enclosing an arrangement of eleven drawers around a central cupboard, enclosing three further drawers, the base with two short and two long drawers, on later bun feet, the back with a printed auction description from Sotheby’s or Christie’s, lot 175 6th February 1959 171.4cm high, 108.5cm wide, 51.3cm deep
£3,0005,000
37
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90 A QUEEN ANNE WALNUT ESCRITOIRE EARLY 18TH CENTURY with cross and feather banding and burr panels, with a cushion frieze drawer, the interior with pigeonholes, concealing secret drawers, with eleven further drawers and a central cupboard enclosing three drawers, the base with two short and two long drawers, on bun feet 167.3cm high, 111.2cm wide, 50.5cm deep
£1,0001,500
91
90
91 A WILLIAM AND MARY WALNUT STOOL LATE 17TH / EARLY 18TH CENTURY the later upholstered seat on turned legs united by an ‘H’ stretcher 42.3cm high, 54.5cm wide, 41cm deep
£200300
92 A WILLIAM AND MARY WALNUT CUSHION FRAME WALL MIRROR LATE 17TH / EARLY 18TH CENTURY with a later rectangular plate, originally with a cresting 57 x 52.8cm
£300500
92 38
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93 A GEORGE II WALNUT CONCERTINA ACTION CARD TABLE IN THE MANNER OF BENJAMIN CROOK, C.1735 the quarter veneered cross and feather banded foldover top revealing a baize lined playing surface, with counterwells and candlestands, on shell and lambrequin capped cabriole legs and claw and ball feet 72cm high, 82cm wide, 40.6cm deep Provenance Purchased from Dreweatt, Watson & Barton, Newbury, 30th March 1966, lot 227 for £600. Catalogue Note The design of this table relates to similar examples made by Benjamin Crook, joiner and cabinetmaker of St. Paul’s Churchyard. See Christopher Gilbert. Pictorial Dictionary of Marked London Furniture 17001840, p.169, fig. 265 for a table by Crook with a label in the drawer. For two similar examples sold in these rooms see Furniture & Works of Art, 7th October 2014, lot 132 and Furniture & Works of Art, 6th April 2016, lot 66.
£4,0006,000 39
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94 A GEORGE II WALNUT BUREAU BOOKCASE C.1730 cross and feather banded, the broken arch cornice with turned finials, above a pair of bevelled mirror panelled doors enclosing adjustable shelves, drawers and pigeonholes, above candle slides, the interior with pigeonholes and drawers, with a central mirrored cupboard enclosing a further drawer, above an arrangement of two short and three long drawers, on bun feet 243.4cm high, 107cm wide, 59cm deep Provenance From the collection of the late Peter Meyer.
£6,0008,000
40
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94 41
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95 A GEORGE II BURR WALNUT BUREAU BOOKCASE C.1730 with a pair of doors with later bevelled arched mirrored panels, enclosing two adjustable shelves, above candle slides, the interior with pigeonholes, concave drawers and a sliding well cover, the well with secret drawers, above two short and two long drawers 204.3cm high, 98.4cm wide, 58.4cm deep
£2,0003,000
96 TWO GEORGE I WALNUT SIDE CHAIRS C.1720 each with a vase shape splat, above a later needlework dropin seat, one with faceted front legs with scroll toes (2) Provenance From the collection of the late Peter Meyer.
£1,2001,800
95
96 42
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97
97 A BLACK JAPANNED DOMED CHEST EARLY 18TH CENTURY
with engraved brass mounts and lock plate and raised gilt decoration of chinoiserie scenes, with figures, angels, birds, trees and buildings, on later bun feet 69.2cm high, 108.2cm wide, 54cm deep
£8001,200 98 A GEORGE II JAPANNED SERPENTINE CARD TABLE C.173040 AND LATER gilt decorated with chinoiserie scenes, with pagodas, trees, birds, leaves and flowers, on an aubergine ground, the hinged foldover top revealing counter wells and candle stands, on a later base, with a plate glass top (2) 73.5cm high, 81cm wide, 40cm deep
£8001,200
98
open 43
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99 A GEORGE I WALNUT SIDE CHAIR C.1720 the scroll top rail above a vase shape splat and a needlework dropin bell shaped seat, on leaf capped cabriole front legs and trefid feet Provenance From the collection of the late Peter Meyer.
£600800
99
100 A GEORGE II WALNUT LOWBOY C.172530 the quarter veneered cross and feather banded top with a moulded edge, above an arrangement of three drawers, on cabriole legs and pointed pad feet 72cm high, 81.2cm wide, 50.2cm deep Provenance From the collection of the late Peter Meyer.
£1,0001,500
100
44
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101 101 A CHARLES II STUMPWORK NEEDLEWORK PICTURE C.1670 worked in coloured silks and metallic threads with various different stitches and techniques, depicting the Adoration of the Magi, with a view of a castle and a farmhouse, with birds, butterflies and flowers, in an elaborate border decorated with a lion, a stag, a camel, a leopard, birds, flowers and a dog chasing a hare, in an 18th century gilt and ebonised wood frame 41.4 x 54cm Provenance From an Old English Collection, Kent.
£1,5002,000
102 A GEORGE III SILK NEEDLEWORK PICTURE C.1800 depicting a shepherd with his dog in a rural landscape, with a rose, grapevine and wheatsheaf outer border, in a glazed gilt frame 28.2 x 38.5cm
£8001,200
102 45
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103 A GEORGE II MAHOGANY TEA TABLE C.1740 the foldover top on a single gate support, fitted with a frieze drawer 72.5cm high, 70.5cm wide, 34.5cm deep
£200300
103
104 A GEORGE II MAHOGANY DRESSING TABLE MIRROR C.1740 with a bevelled plate and a giltwood slip, the box base with a caddy moulded edge and three drawers 62.8cm high, 44.4cm wide, 20.6cm deep Provenance From the collection of the late Dr. Gordon Pack.
£200300
104
105 A GEORGE II MAHOGANY WIG OR BASIN STAND MID18TH CENTURY the ring top above scroll supports and fitted with two drawers on tripod legs 81cm high, 49cm wide Provenance From the collection of the late Dr. Gordon Pack.
£150250
105 46
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106 A GEORGE II MAHOGANY DINING TABLE MID18TH CENTURY the dropleaf top with reentrant corners and a moulded edge, with an arc d’arbalète moulding to either end, on scroll and hocked cabriole legs and pointed pad feet 73.2cm high, 94 x 140cm (open) Provenance J. W. Blanchard Ltd, Winchester. From the collection of the late Dr. Gordon Pack.
£8001,200 107 A GEORGE II MAHOGANY SIDE CHAIR C.1750 with a scrolled top rail above a pierced splat back and a later needlework dropin seat Provenance From the collection of the late Dr. Gordon Pack.
£150200 108 A GEORGE II MAHOGANY LADDERBACK SIDE CHAIR IN THE MANNER OF GILES GRENDEY, C.1750 with a stuffed over seat and on chamfered front legs Provenance From the collection of the late Dr. Gordon Pack.
106
£100150
107
108 47
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109 A GEORGE II MAHOGANY CONCERTINA ACTION TEA TABLE C.175060 the hinged top on leaf and scroll carved cabriole legs and scroll feet 73.5cm high, 87.5cm wide, 43.5cm deep
£500800
109
110 A GEORGE II MAHOGANY TRIPOD TABLE C.1740 AND LATER the circular dished tilttop on a ring turned baluster stem and a fluted bowl, on leaf capped cabriole legs, with hairy paw feet and leather roller castors 72cm high, 74.5cm diameter Provenance From a private Cornish country estate.
£300500
110
111 AN EARLY GEORGE III MAHOGANY CONCERTINA ACTION CARD TABLE C.1770 the hinged top with a ribbon and floret carved edge, above a frieze applied with flowerhead paterae, on fluted and chamfered legs 73.3cm high, 90.7cm wide, 45cm deep
£8001,200
111 48
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112 A GEORGE II CONCERTINA ACTION CARD TABLE POSSIBLY PADOUK, C.174050 the foldover top revealing a baize lined playing surface, on shell, leaf and scroll carved cabriole legs and pad feet 74cm high, 91.5cm wide, 45.5cm deep Provenance From the collection of the late Peter Meyer.
£2,0003,000
112
113 A GEORGE II MAHOGANY TRIPOD TABLE C.17501760 the circular revolving tilttop on a birdcage and on brass castors 74cm high, 87cm diameter
£500800
113
114 A GEORGE III SERPENTINE CARD TABLE C.1770 the foldover top with a ribbon and floret carved edge, on a single gate support, on ‘Chinese Chippendale’ style blind fret carved legs, baize lacking 73.3cm high, 83.2cm wide, 41.5cm deep
£8001,200
114 49
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115 A GEORGE II GILTWOOD LANDSCAPE OVERMANTEL MIRROR C.173040 AND LATER with three later rectangular bevelled plates 50.5 x 111.2cm
£200300
116 A WALNUT AND GILTWOOD WALL MIRROR IN GEORGE II STYLE 19TH CENTURY with a rectangular plate, the frame carved with egg and dart mouldings and oak leaves with acorns 121.1 x 73.8cm
£300500
117 A GEORGE II GILTWOOD WALL MIRROR C.1730 AND LATER the later rectangular plate within a baton and bead slip, the frame decorated with garlands and swags of flowers, oak leaves and acorns, with an architectural pediment with a band of laurel and a shell decorated base 157 x 70cm
£500800 116 50
117
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118 A GEORGE II MAHOGANY METAMORPHIC LIBRARY STOOL C.1755 with pierced lozenge and quatrefoil decoration, the liftup dished seat revealing three threads, on moulded legs 46.3cm high, 62cm wide, 45.7cm Provenance From the collection of the late Peter Meyer. Catalogue Note See Christie’s, New York, 10th May 2018, The Collection of Peggy and David Rockefeller: English and European Furniture, Ceramics and Decorations, Part II, lot 848 for a similar example.
£3,0004,000
51
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119 A GEORGE II MAHOGANY LIBRARY ARMCHAIR ATTRIBUTED TO PAUL SAUNDERS, C.175560 the padded arched back, serpentine seat and armrests covered in damask fabric, with outscrolling arms carved with acanthus leaves, with a cabled edge and with shell terminals, the frieze with a lattice ground carved with Rococo ‘C’ scrolls, shells and leaves, on shell capped cabriole front legs terminating in scrolled toes, on later brass castors 101.8cm high, 70.5cm wide, 67.2cm deep Provenance Dreweatt Neate, 22nd March 1995, lot 87. From the collection of the late Dr. Gordon Pack. Catalogue Note This chair is conceived in the fashionable French style of the mid18th century which was popularised by Thomas Chippendale in The Gentleman and CabinetMaker’s Director’ published in 1754. The present lot bears similarities to a suite of furniture previously in the collection of Sir John Ward of Dudley House attributed to William Bradshaw or his partner Paul Saunders. Paul Saunders was one of the most important suppliers of upholstered furniture of the 1750s and 1760s. He was based around Carlisle House, Soho Square and 59 Greek Street and established a large workshop. He worked for many high profile clients including 1st Earl of Leicester and the Earl and Countess of Egremont. See Christie’s New York, 11th June 2010, lot 428 for a similar pair of armchairs.
£8,00012,000
52
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119
53
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120
120 TWO GEORGE II WALNUT AND PARCEL GILT FRET FRAME WALL MIRRORS C.173040 one with a bevelled plate and with Rococo scrolls, leaves and flowers, the other with a shaped plate, with a foliate rondel (2) 104 x 64.5cm (max)
£1,5002,000
121 A MAHOGANY FRET-FRAME WALL MIRROR IN GEORGE II STYLE LATE 19TH CENTURY with parcel gilt decoration 92.5 x 52.6cm
£100150
121
54
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122 AN EARLY GEORGE III MAHOGANY TRIPOD TABLE C.1760 the circular tilttop with a moulded piecrust edge, above a fluted stem, the cabriole legs carved with Rococo motifs, leaves and flowers, with scroll toes 71.3cm high, 64cm diameter Provenance From the collection of the late Peter Meyer.
£8001,200
122
123 A MAHOGANY TRIPOD TABLE 18TH CENTURY AND LATER the fixed top with a moulded ‘pie crust’ edge, on a stop fluted stem and cabriole legs carved with Rococo ‘C’ scrolls, leaves and flowers 60.7cm high, 53cm wide
£300400
123 55
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124
124 AN IRISH MAHOGANY SILVER TABLE IN GEORGE III STYLE PROBABLY 19TH CENTURY with a dished top, on leaf carved and hocked cabriole legs and trefid feet 69.4cm high, 83cm wide, 55.2cm deep
£8001,200
125 AN EARLY GEORGE III IRISH MAHOGANY SIDE CHAIR C.1760 the serpentine scroll top above a vase shaped splat, above a later dropin seat, above cabochon and leaf carved cabriole legs and claw and ball feet
£200300
125
56
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126 A GEORGE II IRISH MAHOGANY CARD TABLE C.1740 the inverted breakfront foldover top on a single gate support, revealing a baize lined interior, with counter wells and candlestands, above a shaped frieze, on hocked cabriole legs and faceted pad feet 74.3cm high, 88.2cm wide, 43.5cm deep Provenance From the collection of the late Dr. Gordon Pack.
£1,0001,500
57
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127 A MAHOGANY CABINET ON STAND 18TH CENTURY ELEMENTS with a pair of panelled doors, enclosing a shelf 127.5cm high, 76.7cm wide, 31cm deep
£100200
127
128
128 TWO GEORGE III MAHOGANY RECTANGULAR STOOLS THIRD QUARTER 18TH CENTURY one with a dropin needlework seat, the other with a plush stuffed over seat, on chamfered and moulded legs united by an ‘H’ stretcher (2) 44cm high, 56.5cm wide, 41.6cm deep (max) Provenance From the collection of Edward CroftMurray CBE (19071980).
£100200
129 AN EARLY GEORGE III MAHOGANY TRIPOD TABLE C.1760 with a dished circular tilt top 69cm high, 55.5cm diameter Provenance From the collection of the late Dr. Gordon Pack.
£80120 129 58
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130 A GEORGE III MAHOGANY OPEN ARMCHAIR C.177080 with a pierced splat back above a solid dished seat, with a leather squab cushion and on cabriole front legs Provenance Purchased by the present vendor from Jeremy Ltd. 8th November 1979.
£500800
130
131 A SMALL EARLY GEORGE III MAHOGANY SIDE TABLE C.1770 the serpentine top with a moulded edge, above a frieze drawer, with floret and frill brass handles, on moulded chamfered legs 70.8cm high, 68.2cm wide, 44.5cm deep
£400600
131
59
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132
133
132 A SMALL MAHOGANY SIDE TABLE LATE 18TH CENTURY, TOP POSSIBLY ASSOCIATED fitted with a frieze drawer 71.5cm high, 63.5cm wide, 41.5cm deep
£150250
133 AN EARLY GEORGE III MAHOGANY STOOL C.1770 the stuffedover seat with remains of original upholstery, on chamfered legs united by an ‘H’ stretcher 45cm high, 57cm wide, 44cm deep
£300500
134 A GEORGE III MAHOGANY OPEN ARMCHAIR IN ‘CHINESE CHIPPENDALE STYLE’, C.1770 the pierced splat carved with scrolls, Gothic trefoils and a Chinese style fret panel, on chamfered front legs and block feet Provenance From the collection of the late Dr. Gordon Pack.
£300400 134
60
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135 AN EARLY GEORGE III MAHOGANY SECRÉTAIRE CHEST ON CHEST ATTRIBUTED TO THOMAS BRADSHAW, C.176070 the detachable fretwork swan neck cornice above Greek key and pendant mouldings, with two short and three long drawers, flanked by fluted canted angles, the base with three drawers, the secrétaire fitted with pigeonholes and drawers and with secret pilaster compartments flanking a central cupboard 217.3cm high, 111cm wide, 56.3cm deep Provenance From the collection of the late Peter Meyer. Catalogue Note Thomas Bradshaw was an upholder and cabinet maker based at 10 St. Paul's Church Yard and he subscribed to Chippendale's Director (1754) and was declared bankrupt in 1772. A bureau bookcase with a similar cornice to the present lot is illustrated in Christopher Gilbert, 'Pictorial Dictionary of Marked London Furniture 17001840', p.119. pl.150.
£1,0001,500
61
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136 A GEORGE III MAHOGANY SPIDER LEG TABLE C.177080 with a single dropleaf top, on ring turned supports, with arc d’arbalète shaped ends 71.5cm high, 61.8 x 59cm (open) Provenance From the collection of the late Peter Meyer.
£400600
136
137 A GEORGE III MAHOGANY BEDSIDE CUPBOARD LATE 18TH CENTURY the gallery pierced with a handgrip, above a pair of banded doors 76cm high, 38cm wide, 37.5cm deep Provenance From the collection of the late Dr. Gordon Pack.
£100150
137
138 A GEORGE III MAHOGANY OCTAGONAL WINE COOLER C.1790 brass bound and with a lead lined interior, with side carrying handles and on moulded legs with applied brackets 58.7cm high, 46cm wide Provenance From the collection of the late Peter Meyer.
£8001,200
138
62
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139 A GEORGE III MAHOGANY SERPENTINE SERVING TABLE C.1790 inlaid with stringing, the fan inlaid top with a central oval panel, above a fluted frieze fitted with three drawers, on panelled and stop fluted legs 86cm high, 139.3cm wide, 64.8cm deep Provenance From the collection of the late Peter Meyer.
£4,0006,000
63
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140 A GEORGE III MAHOGANY DRESSING TABLE MIRROR C.1790 with a later oval plate, with bone mounts and handles, the crossbanded serpentine base fitted with three drawers 58.8cm high, 48cm wide, 20.7cm deep Provenance From the collection of the late Dr. Gordon Pack.
£150250
140
141 TWO GEORGE III MAHOGANY WINE COASTERS LATE 18TH CENTURY each with a dished top (2) 16cm diameter
£150250
141
142 A GEORGE II MAHOGANY BOX C.1740 the interior originally with divisions, above a base drawer 12.4cm high, 41.2cm wide, 34.5cm deep Provenance From the collection of the late Dr. Gordon Pack.
£100150 142
64
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143 A PAIR OF GEORGE III MAHOGANY OPEN ARMCHAIRS ATTRIBUTED TO JOHN COBB, C.1775 each with a cartouche shaped back, covered in later fabric, the arms and front legs carved with cabled decoration and husks, on cabriole front legs capped with leaves and berries (2) Provenance From the collection of the late Peter Meyer.
£2,0003,000
65
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144 A GEORGE III MAHOGANY CHEST C.17701780 the top with a moulded edge, above a brushing slide and four long graduated drawers 84.3cm high, 87cm wide, 47.5cm deep Provenance From the collection of the late Dr. Gordon Pack.
£400600
144
145 A GEORGE III MAHOGANY SIDE TABLE C.17901800 inlaid with stringing, with a false frieze drawer front 72.3cm high, 86.2cm wide, 44.9cm deep Provenance From the collection of the late Dr. Gordon Pack.
£100150
145
146 A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE C.1800 the galleried top pierced with two handgrips, above a cupboard, the pullout base with a lidded pot aperture 76.3cm high, 45.7cm wide, 50.4cm deep
£100150
146 66
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147 A GEORGE III MAHOGANY CHEST C.17701780 the top with a moulded edge, above four long graduated drawers, with raised brass escutcheons 85.4cm high, 81.5cm wide, 44cm deep Provenance From the collection of the late Dr. Gordon Pack.
£300500
147
148 A GEORGE III MAHOGANY SIDE TABLE C.1790 inlaid with stringing, the crossbanded top with an oval marquetry patera, above a frieze drawer 73.5cm high, 78.4cm wide, 47.3cm deep Provenance From the collection of the late Dr. Gordon Pack.
£300500
148
149 A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE LATE 18TH CENTURY the shaped gallery pierced with three handgrips, above a pair of doors and a pullout base with a ceramic pot 75.8cm high, 59cm wide, 48.6cm deep
£300500
149
67
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150 150
151
A PAIR OF GEORGE III MAHOGANY DEMI-LUNE CONSOLE TABLES POSSIBLY IRISH, C.178090
A GEORGE III MAHOGANY PEMBROKE TABLE C.17901800
each on square tapering legs and brass castors (2) 72.2cm high, 114.2cm wide, 57.2cm deep
the butterfly dropleaf top with a moulded edge, above an end frieze drawer, on ring turned baluster legs and brass castors 73cm high, 84.7 x 96cm (open)
£200300
Provenance From the collection of the late Dr. Gordon Pack.
£500700
151
152 A GEORGE III MAHOGANY OPEN ARMCHAIR C.1790 together with a pair of late George III mahogany side chairs (3) Provenance From the collection of the late Dr. Gordon Pack.
£150200
152 68
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153 153
154
A PAIR OF GEORGE III MAHOGANY CONSOLE TABLES LATE 18TH CENTURY
A GEORGE III MAHOGANY SPIDER LEG TABLE C.1780
each with a ‘D’ shape top, on square tapering legs and brass caps and castors 71cm high, 114cm wide, 61cm deep (2)
the dropleaf top on block and turned supports 69cm high, 70.8 x 78cm (open)
£300500
Provenance Sotheby’s, Fine English Furniture, 15th September 2000, lot 67. From the collection of the late Dr. Gordon Pack.
£300400
154
155 THREE GEORGE III MAHOGANY SIDE CHAIRS C.177080 each with a hoop back and a pierced splat carved with ribbon tied husks, above a serpentine front seat (3) Provenance From the collection of the late Peter Meyer. Catalogue Note See Elizabeth White, Pictorial Dictionary of British 18th century Furniture Design, p.85, pl. xxxxiv, fig. 131 for a design related to the present lot.
£8001,200
155 69
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156
157
156
157
A PAIR OF GEORGE III MAHOGANY SIDE CHAIRS C.177080
A GEORGE III MAHOGANY COMMODE CHEST OR NIGHT TABLE AFTER A DESIGN BY GEORGE HEPPLEWHITE, C.1790
each with a pierced splat carved with Prince of Wales plumes, above a dropin seat (2)
£150250
the hinged top with a moulded edge, revealing a wooden lid and a ceramic pot, the part hinged front with faux drawer fronts, on bracket feet 75.7cm high, 69cm wide, 48.2cm deep
£150250 158 A GEORGE III MAHOGANY POLE FIRESCREEN C.1770 with an urn finial above an adjustable grospoint needlework panel, depicting a lady accompanied by Cupid in a woodland setting, the fluted base on moulded tripod scroll legs 176.8cm high
£150250 159 A GEORGE III MAHOGANY TRAY TOP BEDSIDE COMMODE C.17901800 the galleried top pierced with a pair of handgrips, the pullout base with a vacant interior 81cm high, 55.7cm wide, 45.7cm deep Provenance Major Edward CroftMurray, Perivale, Ryde, Isle of Wight. From the collection of Edward CroftMurray CBE (19071980).
£150250 158 70
159
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160 A GEORGE III MAHOGANY PEMBROKE TABLE C.177080 veneered with an unusual ‘tortoiseshell’ cut of mahogany, the dropflap top above an end frieze drawer, on ribbed and leaf carved legs, with a conforming ‘X’ stretcher, on brass castors 71.2cm high, 67.5 x 107cm (open) Provenance From the collection of the late Peter Meyer.
£2,5003,500
71
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161 161
162
163
A GEORGE III MAHOGANY SIDEBOARD C.1790
AN EARLY GEORGE III MAHOGANY BACHELOR’S CHEST C.1760
A GEORGE III MAHOGANY DEMI-LUNE TEA TABLE LATE 18TH CENTURY
the rectangular top with a moulded edge, above a brushing slide and four long graduated drawers, on shaped bracket feet 78.3cm high, 77cm wide, 47cm deep
with a crossbanded top on moulded legs 74.5cm high, 91.5cm wide, 40cm deep
inlaid with ebonised and boxwood stringing, with a frieze drawer above a tambour shutter, flanked by oval panelled cupboard doors, one enclosing a shelf, the other with a shelf and originally with a drawer 92.3cm high, 183.4cm wide, 79.7cm deep
£300500
162 72
£300500
Provenance From the collection of the late Dr. Gordon Pack.
£300500
163
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164 A RARE GEORGE III GONCALO ALVES BUREAU CABINET IN THE MANNER OF GILLOWS, C.177080 the detachable dentil cornice above a pair of doors, with outline mouldings enclosing three adjustable shelves, the hinged fall revealing a fitted interior with pigeonholes and cedar lined drawers and a baize lined writing surface, above four long drawers, on shaped bracket feet 228.8cm high, 11cm wide, 62.2cm deep Provenance By repute, Mrs Benthall, Braintree. Private collection, Shropshire. Catalogue Note Goncalo alves (Astronium spp.) is the modern name for what used to be known as zebrawood. The first shipments to arrive in England were from Central America. Edward Long’s History of Jamaica (1744) states zebrawood ‘at present in esteem among cabinet makers is brought to Jamaica from Mosquito shore’. Zebrawood occurs sporadically in English custom returns during the 1770s.
£2,0003,000
73
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165 A GEORGE III MAHOGANY OPEN ARMCHAIR HEPPLEWHITE PERIOD, C.1790 with a shield shape back carved with plumes of feathers and with an interlaced splat, the seat rail stamped with workmen’s initials ‘R B crowned’ Provenance From the collection of the late Dr. Gordon Pack.
£300400
165
166 A GEORGE III MAHOGANY CHEST C.178090 of two short and three long drawers 103.4cm high, 110cm wide, 54.5cm deep
£200300
166
167 A GEORGE III MAHOGANY BUREAU C.1770 the interior with pigeonholes and drawers and a central cupboard inlaid with a fan patera, above four long graduated drawers 110cm high, 101cm wide, 49.5cm deep Provenance From the collection of the late Dr. Gordon Pack.
£300500
167 74
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168 A SET OF SEVEN GEORGE III MAHOGANY DINING CHAIRS IN THE MANNER OF GILLOWS, C.179095 each with four vertical splats carved with drapes and a central bullrush, above a stuffedover seat covered in horse hair fabric, on ribbed tapering front legs, the seat rail stamped with workmen’s initials ‘E S’ and ‘I P’, one with numerals ‘03035’, comprising: one open armchair and six side chairs (7) Provenance From the collection of the late Peter Meyer.
£2,0003,000
75
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169 AN EARLY GEORGE III GILTWOOD WALL MIRROR C.1760 the later plate in a rocaille, leaf, fruit, flower and ‘C’ scroll decorated frame, with a foliate surmount 128 x 58.5cm Provenance From the collection of the late Peter Meyer.
£1,0001,500
169
170 A GEORGE III MAHOGANY BREAKFAST TABLE C.1790 the rectangular tilttop with canted corners, on four moulded swept legs and brass caps and castors 71.7cm high, 121.5cm wide, 106cm deep Provenance Purchased by the present vendor from Boss Antiques. 10th September 1978.
£8001,200 170
76
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171 AN EARLY GEORGE III MAHOGANY AND WALNUT CHEST ON CHEST C.176070 with a breakfront dentil cornice with egg and dart mouldings, with two short and four long drawers flanked by stop fluted angles, the base with four long drawers, on bracket feet 210.6cm high, 125cm wide, 61.8cm deep
£8001,200
77
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172 A LATE GEORGE III MAHOGANY CYLINDER BUREAU C.1810 inlaid with ebonised stringing, the tambour shutter revealing satinwood veneered drawers, pigeonholes, with a sliding writing surface inset with a later green tooled leather, with four drawers around the kneehole and with a pullout slide to each side 99.2cm high, 114.5cm wide, 68.8cm deep
£500700
172 λ 173 A GEORGE III SATINWOOD WORK TABLE C.17901800 inlaid with ebonised stringing and kingwood banding, the divided frieze drawer with an ivory escutcheon, above a silk lined bag 76.8cm high, 47.8cm wide, 34.2cm deep Provenance From the collection of the late Peter Meyer.
£500800
173
174 A GEORGE III MAHOGANY CHEST C.178090 the fiddle back top with a moulded edge, above a brushing slide and four long drawers 79.9cm high, 87cm wide, 49.6cm deep Provenance From the collection of the late Peter Meyer.
£500800
174 78
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175 175 A PAIR OF GEORGE III MAHOGANY HALL CHAIRS C.1790 each with a shield back carved with plumes of Prince of Wales feathers and painted with two crests, above a solid seat (2) Provenance From the collection of the late Peter Meyer. Catalogue Note The painted crests possibly relate to the Dawkins and Colyears (Colyers) families. Lady Juliana Colyear, daughter of the 2nd Earl of Portmore married Henry Dawkins, from a plantation owning family from Jamaica. Henry Dawkins acquired Standlynch Park near Salisbury (later Trafalgar Park) c.1764.
£8001,200 176 A GEORGE III MAHOGANY BOWFRONT CARD TABLE C.1790 the crossbanded foldover top revealing a baize lined playing surface, above a fluted frieze and carved flowerheads, on fluted tapering legs 75.5cm high, 91cm wide, 45cm deep Provenance Purchased by the present vendor from Jeremy Ltd. 16th September 1969.
£1,5002,000 176 79
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177
177
178
A LATE GEORGE III MAHOGANY TWIN PEDESTAL DINING TABLE C.1800
A PAIR OF GEORGE III OPEN ARMCHAIRS HEPPLEWHITE PERIOD, C.1790
comprising: a pair of ‘D’ ends and two additional leaves, on baluster turned stems and moulded splay legs with brass castors 71.3cm high, 123.5cm wide, 326.5cm long (extended)
each with a shield shape back, with five leaf carved vertical splats and moulded outscrolling arms with flowerhead terminals, on moulded legs carved with leaves headed by paterae (2)
Provenance From the collection of the late Peter Meyer.
Provenance Purchased by the current vendor’s family from H. C. Baxter & Son, c.1970.
£2,0003,000
£2,0003,000
178 80
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179 179
180
A GEORGE III MAHOGANY SERPENTINE COMMODE C.177080
A GEORGE III MAHOGANY SERPENTINE CARD TABLE C.178090
the moulded edge top above four long fiddleback mahogany drawers flanked by blind fret angles, with brass side carrying handles 83.7cm high, 106cm wide, 60cm deep
the crossbanded foldover top revealing a baize lined playing surface, on moulded cabriole legs 73.3cm high, 92cm wide, 45.3cm deep
£2,0003,000
£8001,200
180 81
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181 A GEORGE III SATINWOOD KNIFE BOX C.1800 inlaid with stringing and kingwood banding, the slope inlaid with a marquetry conch shell, the interior with a parquetry star and a matrix with thirtyseven apertures 36.2cm high, 23cm wide, 27cm deep Provenance Woolley & Wallis, Furniture & Works of Art, 13th March 2007, lot 213. From the collection of the late Dr. Gordon Pack.
£200300
181
λ 182 A GEORGE III SATINWOOD PEMBROKE TABLE C.1790 inlaid with oval fan paterae, the dropleaf top with rosewood banding above a frieze drawer, on square tapering legs and brass castors 72.3cm high, 53.2cm wide, 63.5cm deep
£300500
182
λ 183 A GEORGE III SATINWOOD TEA TABLE C.1800 AND LATER inlaid with stringing, with a rosewood crossbanded foldover top, on square tapering legs and spade feet 72.3cm high, 91.2cm wide, 44cm deep
£200300
183 82
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184 A FINE GEORGE III SATINWOOD OCTAGONAL CELLARET IN THE MANNER OF MAYHEW AND INCE, C.1790 inlaid with stringing, kingwood banding and burr panels, the hinged lid revealing an interior with green stained sycamore and a lead lined interior with a brass plug, on square tapering legs with purpleheart faux fluting, with applied brackets and on brass caps and castors, with brass side carrying handles 60.5cm high, 45cm wide
£4,0006,000 83
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185 A GEORGE III MAHOGANY CHEVERET TABLE IN THE MANNER OF GILLOWS, C.17901800 inlaid with boxwood stringing, the liftoff galleried top fitted with four cedar lined drawers, originally with a handle, above a hinged baize lined writing slope and a further drawer with a pen and ink side compartment, on part ribbed tapering legs united by a line inlaid ‘X’ stretcher 92.8cm high, 51.5cm wide, 40cm deep
£500800
185
186 A GEORGE III SATINWOOD WORK TABLE C.1800 inlaid with kingwood banding, the top with scrolling foliage and a central conch shell, the drawer with divisions and lidded compartments 69cm high, 49.4cm wide, 39cm deep
£400600
186
λ 187 A REGENCY SATINWOOD CARD TABLE EARLY 19TH CENTURY inlaid with stringing and with rosewood banding, the foldover top on twin gate supports, with a baize lined playing surface, on ring turned legs 75.7cm high, 91.2cm wide, 44.5cm deep
£400600
187 84
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188 A GEORGE III PADOUK CHEST C.1780 the quarter veneered crossbanded top with a moulded edge and centred with an oval fan patera, above a bank of six short drawers and two long drawers, probably later converted, all mahogany lined, on bracket feet 92cm high, 102.4cm wide, 57.3cm deep
£8001,200
85
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189 A GEORGE III PAINTED SETTEE AND MATCHING ARMCHAIR C.1775 each with a moulded frame carved with leaves, with scroll arm supports, with fluted decoration, together with a matching but later armchair (3) settee: 101.8cm high, 184cm wide, 56cm deep
£1,5002,500
86
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190 A GEORGE III MAHOGANY OPEN ARMCHAIR HEPPLEWHITE PERIOD, C.1790 the shield back with five vertical leaf carved and reeded splats, the frame carved with stiff leaves and guilloche bands, on ribbed tapering legs Literature See Ralph Edwards and Percy MacQuoid, The Dictionary of English Furniture, Revised Edition, p.294, fig.218 for an almost identical chair.
£2,0003,000
190
191 A GEORGE III MAHOGANY PLATE BUCKET LATE 18TH CENTURY of staved construction, with a brass swing handle 38.3cm high, 38.8cm diameter Provenance H. W. Keil Ltd. Broadway, 11th May 1989. From the collection of the late Dr. Gordon Pack.
£400600
191
87
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192
192
193
A LARGE BRASS TRAY
A PAIR OF MAHOGANY CANDLESTICKS IN GEORGE III STYLE 19TH CENTURY
with a moulded serpentine edge and a pair of swing handles 43.5 x 115.4cm
£400600
each with a vase shape nozzle and a detachable drippan, above a turned tapering stem and a reeded circular foot (2) 35.7cm high
£100200
194
195
A GEORGE III SATINWOOD AND MARQUETRY TEA CADDY C.17901800
A GEORGE II MAHOGANY TEA CADDY C.1740
with barber’s pole stringing and purpleheart banding, inlaid with oval paterae, the interior with a lid 11.2cm high, 11.3cm wide, 10cm deep
193
Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£150200
194
88
195
the lid with a brass handle, the interior with three divisions, the right side with a sliding panel revealing a secret spoon drawer 14.9cm high, 23.5cm wide
£100150
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196 A GEORGE III MAHOGANY FOUR POSTER BED C.1790 AND LATER the pelmet painted with scrolling oak leaves and acorns, with tablets decorated with drapes, flowers and baskets of fruit, with ribbed front posts carved with stiff leaves and sheaves of wheat, with bed base and mattress 248cm high, 155.5cm wide, 215cm long Internal: 142.5 x 202cm
£2,0003,000 89
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CLOCKS & BAROMETERS
197 AN EBONISED BRACKET CLOCK BY SAMUEL WRIGHT, NORTHWICH the brass eight day twin fusée movement with an anchor escapement and striking on a bell, the brass arched dial with Roman and Arabic numerals, signed ‘Samuel Wright Northwich’, the case with a bell top, with a brass handle 56.7cm high, 27.5cm wide
£500800
197
198 AN EARLY GEORGE III EBONY BRACKET CLOCK BY ROBERT FLEETWOOD LONDON the brass eight day twin pull repeating movement with an alarm, striking on seven bells, with a verge escapement and with four turned pillars, the backplate engraved with Rococo scrolling foliage, the arched brass dial with a silvered chapter ring, with Roman and Arabic numerals, with date aperture and a subsidiary strike / silent and seconds dials, signed ‘Robt Fleetwood, Abchurch Lane, London’, the moulded case with brass mounts and cone finials, the bell top with a brass handle 36.7cm high, 23.7cm wide
£2,0003,000 198 90
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199 A LARGE REGENCY EBONISED AND BRASS BRACKET CLOCK BY JAMES MCCABE LONDON, EARLY 19TH CENTURY the brass eight day twin fusée movement with turned pillars and an anchor escapement, striking the quarters on eight bells and the hours on a gong, the backplate signed and numbered ‘James McCabe London 3119’, the arched painted dial with Roman numerals, with subsidiary days of the week, date and strike / silent dials, also signed, the case inlaid with scrolling foliage, with lancet Gothic side panels and with a pineapple finial 67.8cm high
£6,0008,000
91
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200 ‘THE DEVON SEA CLOCK’ A LIMITED EDITION BRASS SKELETON TIME PIECE 20TH CENTURY the visible movement with three dials, with a naval crest and a brass plaque, inscribed ‘The Devon Sea Clock no.100 / 500’, in a mahogany glazed case 35.7cm high, 28cm wide
£8001,200
200 201 TWO VICTOIAN BRASS SCIENTIFIC MAGNIFYING GLASSES LATE 19TH CENTURY each with a bull’s eye lense and an adjustable arm (2) 15.8cm high (max)
£150200
201
202 A VICTORIAN BRASS ANEROID BAROMETER BY STANLEY, MID19TH CENTURY the silvered dial signed ‘Stanley, London’ and numbered ‘6569’, in a leather case (2) 12cm diameter
£150250
202 92
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203 A GEORGE III EBONY BRACKET CLOCK BY BARRAUD LONDON, C.1770 the brass eight day twin fusée movement with four turned pillars and an anchor escapement striking on a bell, the backplate signed ‘Barraud Cornhill London’, the painted arched dial with Roman numerals and a strike / silence dial, signed, the moulded case with brass mounts, the pad top with a brass handle 38.7cm high, 27.3cm wide
£8001,200
203 204 A LATE GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK BY THOMAS IVORY DUNDEE, EARLY 19TH CENTURY the brass eight day movement with an anchor escapement striking on a bell, the arched twelve inch dial with Roman and Arabic numerals, with date aperture and subsidiary seconds dial, the spandrels painted with elegant ladies, the arch signed ‘Thos Ivory Dundee’, the case with brass finials and inlaid with stringing 222.5cm high Provenance Dreweatt Neate, 13th July 1994, lot 207. From the collection of the late Dr. Gordon Pack.
£400600
204 205 A REGENCY EBONISED AND BRASS BRACKET CLOCK BY GIBSON LONDON, EARLY 19TH CENTURY the brass eight day twin fusée movement with an anchor escapement striking on a bell, the backplate signed ‘Gibson Royal Exchange London’, the painted circular dial with Roman and Arabic numerals, in a lancet shaped case inlaid with stringing, with lion’s mask ring handles 39cm high, 29cm wide
£500700 205 93
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207
206
206
207
A FRENCH ORMOLU MANTEL CLOCK LATE 19TH CENTURY
A FRENCH ONYX AND ORMOLU MANTEL CLOCK LATE 19TH / EARLY 20TH CENTURY
the brass eight day drum movement striking on a bell, the backplate stamped with a pastille for ‘Japy Frères’, numbered ‘2018’, the circular enamel dial with Roman and Arabic numerals, the Louis XVI style case with an urn finial and decorated with fruit and leaf scrolls 40.3cm high
£200300
the brass eight day drum movement striking on a bell, with a mercury pendulum, the backplate stamped ‘2590’ and with a pastille, inscribed ‘Médaille d’argent marti et cie 1889’, the circular dial with Arabic numerals and painted with floral swags, the four glass case flanked by columns surmounted by an urn and flaming finials 44.7cm high, 31cm wide Provenance By direction of the executors of the late Sylvia Quance. From the collection of Gordon W Quance LLM (19312017).
£80120
208 208
209
A FRENCH ORMOLU AND PORCELAIN MANTEL CLOCK LATE 19TH CENTURY
A FRENCH BRASS CARRIAGE CLOCK LATE 19TH CENTURY
the brass eight day drum movement striking on a bell, the back plate stamped with a pastille for ‘Japy Frères’ and ‘Horlogérie Paris’ numbered ‘4421’, the circular dial with Roman numerals, the Louis XVI style case with an urn finial, the front panel painted with a mother and child playing with a bird 35.8cm high, 22cm wide
£200300
209 94
the brass eight day repeating movement with a platform lever escapement, striking on a gong, the circular dial with Arabic numerals and subsidiary alarm dial, in a corniche case 14.8cm high Provenance From a private Cornish country estate.
£100200
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210 A FRENCH BRASS AND LIMOGES ENAMEL CARRIAGE CLOCK LATE 19TH CENTURY the brass eight day repeating movement with an alarm, the platform lever escapement striking on a gong, the circular dials with Roman and Arabic numerals, the case with turned columns and with panels of winged cherubs playing cymbals and the tambourine, with flowers and birds, with a leather travelling case (2) 16.5cm high
£8001,200
210
211 A FRENCH GILT BRASS CARRIAGE CLOCK LATE 19TH CENTURY the eight day repeating movement with an alarm, the platform lever escapement striking on a bell, numbered ‘685’, the octagonal enamel dial with Roman and Arabic numerals, above an alarm dial, in an engraved corniche case 14cm high Provenance From the collection of the late Dr. Gordon Pack.
£500700
211
95
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212 A LARGE VICTORIAN OAK CHIMING BRACKET CLOCK LATE 19TH CENTURY the brass eight day three train German movement by Winterhalder and Hofmeier, striking on eight bells and five gongs, with a pullrepeat, the backplate signed, the brass dial with a silvered chapter ring and Arabic numerals, with subsidiary dials, in an all over carved case 62.5cm high, 38.2cm wide
£500700
212
213 A FRENCH CHARLES X MAHOGANY AND ORMOLU PORTICO MANTEL CLOCK BY PICNOT PÈRE, C.1830 the brass eight day drum movement with an outside countwheel striking on a bell, with an enamelled circular dial, with Roman numerals, signed ‘Picnot Père à Paris’, the arched case with turned pillar supports under a glass dome (2) 47.7cm high, 27.7cm wide
£400600
213 96
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FIREPLACE FURNITURE & DOORSTOPS
214 A STEEL AND CAST IRON FIRE-GRATE IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY with an arched back and a railed basket, the front with pierced decoration and urn finials 61cm high, 64cm wide, 40.5cm deep Provenance From the collection of the late Dr. Gordon Pack.
£300500
214
215 A SET OF EARLY VICTORIAN STEEL FIRE TOOLS MID19TH CENTURY each with a bronze handle and a spiral twist stem, with a pierced pan (3) 76.5cm long (max) Provenance From the collection of the late Dr. Gordon Pack.
£200300
216 A GEORGE III STEEL BOWFRONT FENDER C.1800 with pierced lattice decoration 17cm high, 109.5cm wide
215
Provenance Bert Crowther, Syon Lodge, 29th October 1963. From the collection of the late Dr. Gordon Pack.
£200300
216
97
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217
217
218
219
A BRASS CLUB FENDER 20TH CENTURY
A LARGE WICKER LOG BASKET 20TH CENTURY
A DUTCH COPPER LOGBIN 19TH CENTURY
with red leather seats and railed supports dimensions: 57cm high, 152cm wide, 41.5cm deep internal dimensions: 125cm wide, 27cm deep
with a pair of handles and a later lining, the body inscribed ‘JST 454’ 80.5cm high, 105cm wide, 91cm deep
with a brass swing handle and a riveted body 34.3cm high, 37.5cm diameter
£200300
£100200
Provenance David and Paula Newman, London / Eastbourne.
£400600
218 98
219
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220
220
221
222
A BRASS CLUB FENDER LATE 19TH / EARLY 20TH CENTURY
A DUTCH COPPER AND BRASS LOGBIN LATE 19TH CENTURY
A LARGE WICKER LOG BASKET 20TH CENTURY
with green leather seats and railed supports 51.7cm high, 145cm wide, 51.5cm deep internal: 123cm wide, 38.8cm deep
with a pair of handles and on tripod lion’s paw feet, together with twentyone lignum vitae bowls (22) 33.3cm high, 52cm wide
with a pair of handles 66.5cm high, 113cm wide, 83.7cm deep
£400600
£300500
£200300
222 221 99
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223 223
224
225
AN UNUSUAL LATE VICTORIAN COPPER DRUM LOG BIN DATED ‘1889’
A PAIR OF BRONZE CHENET EARLY 19TH CENTURY
A PAIR OF BRASS ANDIRONS LATE 18TH / EARLY 19TH CENTURY
with maker’s plaque, inscribed ‘V. A. Chaine Maker, 15 Robert Street Hampstead Rd. London N.W.’ 61.7cm high, 64cm wide
modelled with a seminaked man and a woman, seated on a plinth supported by eagles, on scroll feet (2) 39.4cm high, 24cm wide
£400600
£8001,200
each with a flaming urn finial, above a triangular shape body, with pierced and engraved decoration, with a pair of lions supporting a crown, on lion’s paw front feet (2) 36.3cm high, 22.8cm wide, 29.5cm deep Provenance The Sir Michael Codron Collection of Lions.
£100200
224 100
225
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226
227
228 226
227
228
A CARVED PINE FIRE SURROUND / CHIMNEY PIECE IN GEORGE III STYLE LATE 19TH CENTURY
A REGENCY CAST IRON GOTHIC STYLE FIRE-GRATE EARLY 19TH CENTURY
A GEORGE III IRISH BRASS SERPENTINE FENDER C.1790
with leaf carved and egg and dart borders, the frieze with a central tablet carved with frolicking cherubs, flanked by ribbon tied swags of fruit and flowers, with stop fluted jambs 140 x 143.5cm internal: 107.5 x 93cm
of basket form, decorated with quatrefoils, on paw and ball feet 28.4cm high, 43cm wide, 26cm deep
with pierced and engraved decoration of urns, swags and leaves 14.2cm high, 122.3cm wide, 20.5cm deep
£200300
£300500
£500800 101
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230
229
229
230
231
A LATE VICTORIAN OAK COUNTRY HOUSE STICKSTAND LATE 19TH / EARLY 20TH CENTURY
A VICTORIAN BRASS STICKSTAND LATE 19TH CENTURY
A DUTCH WALNUT TEESTHOF 19TH CENTURY
with seven divisions and a liftout zinc liner 77cm high, 105.7cm wide, 30.6cm deep
with six divisions and a cast iron base, with a lift out liner 62cm high, 31cm wide, 19.5cm deep
with a brass swing handle, a liftout liner and a slatted body, on ball feet 45cm high, 38.5cm diameter
£200300
£100150
Provenance From the collection of the late Peter Meyer.
£300500
232 A NICKEL AND BRASS BUCKET LATE 19TH CENTURY with a swing handle, the body with an indistinct coat of arms, the base with a faint maker’s mark 27.5cm high
£100150
231 102
232
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234
233
233
234
AN EARLY VICTORIAN BRASS LION AND SERPENT DOORSTOP C.1840
A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY
with a leaf handle and stem above a lion grappling with a snake, with an iron weighted base 43.5cm high
with a brass ring handle 21cm high
£100150
£200300
235
235
236
A LATE VICTORIAN BRASS DOORSTOP
A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY
BY WILLIAM TONKS & SONS with a foliate handle and a lion mask, with an iron weighted base, stamped with a star and ‘W T & S’ 28.8cm high
with a brass ring handle 22.7cm high
£100150
£100150
236 103
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238
239
237 NELSON INTEREST. A VICTORIAN BRASS DOORSTOP IN THE FORM OF H.M.S. VICTORY LATE 19TH CENTURY 237
the pierced handle with a portrait bust medallion, titled ‘ADMIRAL NELSON’, with a lead weighted base 46.7cm high
£100150
238 A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY with a brass ring handle 21.5cm high
£100150
239 A CORNISH SERPENTINE DOORSTOP 20TH CENTURY 19.3cm high
£100150
240 A BRASS STAG DOORSTOP FIRST HALF 20TH CENTURY with a lappet leaf handle and a weighted base 40.4cm high
£100150
240 104
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SNUFF BOXES
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λ 241 TWO FRENCH PRESSED BURR MAPLE SNUFF BOXES EARLY 19TH CENTURY one decorated with the Apollo Belvedere, flanked by a lyre and a caduceus, the other depicting a carriage in a garden setting, each with a tortoiseshell lined interior (2) 8.4cm diameter (max) Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£200300
241
242 A FRENCH HORN SNUFF BOX IN THE FORM OF NAPOLEON’S BICORN HAT EARLY 19TH CENTURY the lid with a pressed scene of Napoleon on horseback, with a hinged lid 8.2cm wide Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£80120 242
243 A FRENCH PAPIER-MÂCHÉ SNUFF BOX EARLY 19TH CENTURY printed with the ‘Progression de l’École du Soldat, Bataillon and Peloton’, together with another papier mâché snuff box, applied with a print of William IV wearing the Order of the Garter (2) 9.8cm diameter Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150 243
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244 A RARE CHARLES II STEEL SNUFF BOX C.166080 the hinged lid engraved with a leopard amongst scrolling foliage 7cm wide Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman. Catalogue Note The symbolism on this snuff box possibly relates to the Boscobel Oak story when the young Charles II escaped from the Roundheads following the battle of Worcester.
£400600
244
λ 245 A QUEEN ANNE TORTOISESHELL SNUFF BOX EARLY 18TH CENTURY of ribbed bun form, the lid with an unmarked silver mount, the centre with a fruit motif, the base with a brass rim 7cm diameter Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150
245
107
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246 SHAKESPEARE INTEREST. A CHIP CARVED WOOD SPECTACLE CASE LATE 18TH / EARLY 19TH CENTURY possibly mulberry from the tree at New Place, Stratford, the lid with the bust of Sir William Shakespeare and two crests on a foliate lattice ground 13.3cm wide Catalogue Note During the 18th century, there was an informal tourist industry in Stratford with people visiting Shakespeare’s tomb and the mulberry tree he supposedly planted at New Place. However, the then owner, Rev. Francis Gastrell, became annoyed by the growing number of visitors and sometime in the 1750’s felled the tree and later demolished New Place. Objects carved from the mulberry tree first started to appear around 1760 / 1770, after Gastrell sold the wood to local carvers and turners, for example: Thomas Sharp and George Cooper, eager to make souvenirs. At this period of ‘bardolatry’ drinking vessels, tea caddies, tobacco stoppers, goblets, small boxes or caskets, and similar objects carved from the wood were highly prized.
£150200
247 A VICTORIAN MAHOGANY SNUFF BOX IN THE FORM OF A BOOK MID19TH CENTURY with a sliding cover 9cm wide
£100150
247
248 A LEATHER BOOK SNUFF BOX LATE 18TH / EARLY 19TH CENTURY of gilt tooled maroon Morocco leather, the spined inscribed ‘Tom Jones’, the interior with a secret snuff compartment 11.2 x 7.7cm Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150 248 108
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249 A TREEN FROG OR TOAD SNUFF BOX LATE 19TH CENTURY realistically carved with mother of pearl eyes and a hinged cover 8.2cm long Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£300400
109
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250 A VICTORIAN SCOTTISH TREEN SPECIMEN WOOD SNUFF BOX BY CHARLES STIVEN & SONS inlaid with twentytwo samples, the majority oak, each titled, including: ‘Oak from Lord Nelson’s Ship Victory’, ‘Oak from the State Prison on Bass Rock’, ‘Oak from the Florida Ship of the Spanish Armada, destroyed at Mull 1588’, with a hinged lid, the underside stamped ‘C. Stiven & Sons, Box Makers to Her Majesty, Laurencekirk’ 10.2cm wide Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£150250 250
251 251 TWO SCOTTISH SYCAMORE MAUCHLINE WARE SNUFF BOXES 19TH CENTURY each with a crest, one of curved form, penwork decorated with the Hunter crest, with a ribbon tied hunting horn above a garter, inscribed ‘In Cornu Salutis Spero’ and with initials ‘A H’, the other with a pair of hands and the motto ‘For Auld Lang Syne’ (2) 10.4cm wide (max) Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150
252 A SCOTTISH HORN AND SILVER MOUNTED SNUFF MULL EARLY 19TH CENTURY the hinged lid with initials ‘D W’, the rim inscribed ‘David Williamson’, unmarked 6cm high Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150
252 253 A GEORGE III SILVER MOUNTED SHELL SNUFF BOX LATE 18TH / EARLY 19TH CENTURY unmarked, with a hinged lid 7cm wide Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£150250 253 110
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254 254 PRINCESS ALICE STEAMER INTEREST. A RARE SET OF THREE VICTORIAN TREEN SNUFF SHOES DATED '1878' AND '1879' each with brass tack inlay and buttons, two of double snuff box form with hinged tops and heels, the sole of one inlaid with initials 'I.M.O.P. A. 3. 9. 78' in memory of the Princess Alice Steamer tragedy, one heel dated '1878' one other '1879' one of the snuff shoes containing a newspaper cutting inscribed 'The Last Survivor Mrs Emma Webb, buried today at Manor Park is believed to be the sole survivor of the Princess Alice steamer disaster in the Thames 1878....' (3) 8.5cm high, 10.7cm long (max) Provenance 'A Lifetime of Collecting' The Property of a Gentleman. Catalogue Note By the late 19th century the river Thames had become increasingly busy with hundreds of vessels vying for space with no precise 'rules of the road'. Such confusion inevitably led to tragedy. On the 3rd September 1878 the paddle steamer Princess Alice sank after a needless collision in Galleons Reach, more than 600 people last their lives in what is still the worst ever disaster on a British waterway. The present lot were presumably made to commemorate the disaster and were possibly acquired by the Webb family.
£500800 255 A GEORGE III STEEL SNUFF BOX C.177080 of canted rectangular form, the hinged lid inscribed with owner’s name ‘J. Baines’, together with a 19th century steel oval snuff box, the lid inscribed ‘Job Rowles, JR 1877, Wednesfield’ (2) 11.7cm wide (max)
255
Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£150200 111
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256 THREE SNUFF BOXES 18TH CENTURY AND LATER one in horn, possibly Welsh, the lid inscribed indistinctly ‘Raglan’, a stag antler example and a treen disc shape snuff box with gold mounts (3) 7cm diameter (max) Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150 256
257 FOUR WELSH BRASS OVAL WEST COUNTRY MINER’S SNUFF BOXES LATE 19TH / EARLY 20TH CENTURY stamped ‘George Lovell, Bishops Lydeard, nr. Taunton 1902’, ‘R. Protheroe 1889’, ‘Edward Bundy ...’ and ‘In Memory of George Taylor, Waun Llwyd’ (4) Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150
257
258 THREE TREEN MAHOGANY SNUFF SHOES 19TH CENTURY with brass tack decoration, one with a hinged lid inlaid with a flowerhead and with carved buttons, the other two with sliding covers (3) 10.7cm long Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£150250 258
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259 A REGENCY SCOTTISH MAHOGANY WINE DECANTER COASTER BY JAMES MEIN OF KELSO, C.181520 the dished top with a gadrooned edge, on three leather and brass roller castors, with a printed paper trade label, inscribed ‘J. A. S. Mein Cabinet Maker & Upholsterer Roxburgh Street, Kelso’, in pencil ‘No.23095’ 23.5cm diameter
£500800
259
260
260 NAVAL INTEREST. AN OAK BOOK MADE FROM THE WRECK OF THE ROYAL GEORGE 19TH CENTURY the spine inscribed ‘History of the Royal George’, with labels to either side ‘In Memory of the Royal George Sunk Aug. 29, 1782’ and Part of the Wreck Recovered October 1839’ 8.3cm wide Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150
261 A REGENCY MAHOGANY NAPKIN PRESS EARLY 19TH CENTURY the base with a part cedar lined drawer 49cm high, 40.2cm wide, 26.4cm deep
£300500 261
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λ 262 AN IVORY AND PIQUÉ WORK HANDLED WALKING CANE LATE 17TH / EARLY 18TH CENTURY inlaid with rondels and swag designs, pierced for tassel, with a silver collar, above a Malacca shaft 92.7cm long
£300500
262 263 A MAHOGANY DECANTER CASE LATE 18TH / EARLY 19TH CENTURY the flame veneered case with sunken brass carrying handles, the interior with six gilt decorated spirit decanters and stoppers, a matching tray and two liquor glasses 26.3cm, 31.2cm wide, 23.7cm deep
£300400
263
264 AN EARLY VICTORIAN BONE SPELLING ALPHABET C.184050 in a mahogany case with a sliding cover, the interior with twentyseven divisions and one hundred and seventyfour double sided letters and six blanks (181) 15.3 x 25.5cm Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£150200
264 114
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265 A GEORGE III BILSTON ENAMEL TEA CANISTER / CADDY C.1760 decorated with gilt Rococo scrolls on a turquoise ground, with panels of flowers and rural views, the lid inscribed ‘Bohea’ 9.4cm high Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100200
265
266 TWO GEORGE III ENAMEL PATCH BOXES SOUTH STAFFORDSHIRE, C.177080 one with a portrait rondel of George III, inscribed ‘The Gift of a Friend’, the other of navette shape with a tomb, inscribed ‘Remembrance of Friendship’, each with a mirror to the lid (2) 5cm wide (max) Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
266
£150250
267 THREE BLUE JOHN ITEMS EARLY 19TH CENTURY AND LATER a section of a George III urn and two egg shaped handles, both pierced (3) 7.5cm high
£5080 267
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λ 268 A LATE REGENCY TORTOISESHELL AND MOTHER OF PEARL TEA CADDY EARLY 19TH CENTURY of pagoda shape, with pewter stringing and inlaid with urns of flowers, the interior with ivory edging and twin lidded compartments, on vegetable ivory bun feet 14cm high, 20.5cm wide
£600800
268
269 A WILLIAM IV EBONY AND MOTHER OF PEARL INKSTAND
269
C.1835 marquetry inlaid with scrolling leaves and flowers, with pewter stringing and a pair of glass inkwells, flanking a lidded compartment and with a dipped division for pens, on disc feet 10.7cm high, 33.5cm wide, 24.6cm deep
£300400
λ 270 AN EARLY VICTORIAN BLONDE TORTOISESHELL JEWELLERY BOX C.1840 inlaid with pewter stringing, the hinged lid with a vacant plaque, revealing an interior with a plush lined divided liftout tray 13cm high, 30.7cm wide, 19.8cm deep
£8001,200
270
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271 A TREEN FRUITWOOD TEA CADDY IN THE FORM OF A PEAR PROBABLY GERMAN, LATE 18TH / EARLY 19TH CENTURY with a stalk finial and a shaped iron escutcheon, the interior with traces of foil, with a key 17cm high
£500800
271
λ 272 AN EARLY VICTORIAN ROSEWOOD DRESSING CASE C.184550 the lid with a brass plaque engraved with a monogram, the underside of the lid with a letter pouch, above a liftout tray with divisions and fitted with glass bottles, jars and boxes with silver lids hallmarked for London 1848, with mother of pearl handled utensils, above a base drawer 27.5cm wide
£200300 272
273 A VICTORIAN CALAMANDER JEWELLERY BOX MID19TH CENTURY with gilt brass strapwork mounts, the lid centred with a Wedgwood style blue basalt plaque, the interior with engraved hinges and lock and with two leather and silk lined liftout trays 14cm high, 28.2cm wide, 20.4cm deep
£150250
273
117
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274 275 274 NINE PLASTER MEDIEVAL STYLE SEALS mounted in a glazed walnut frame, carved with fruits, leaves and flaming torches 54 x 50cm
£200300 λ 275 HERALDRY INTEREST. A PAIR OF PAINTED CARVED OAK SHIELDS 19TH CENTURY AND LATER one with a spread eagle and the motto ‘Pro Deo et Patria’, the other with a griffin head, together with a needlework coat of arms for the Scarisbrick family, Lancashire, in a rosewood frame (3) 27.2cm high (max)
276
£150200 276 A PAIR OF VICTORIAN PAPIER-MÂCHÉ CANDLESTICKS BY JENNENS & BETTRIDGE, C.1860 decorated in gilt and polychrome in strapwork designs, the underside stamped ‘Jennens & Bettridge, makers to the Queen’ (2) 34.8cm high
£300400 277 A VICTORIAN PAPIER-MÂCHÉ BOWL MID19TH CENTURY of scallop shape, inlaid with mother of pearl, with a chinoiserie scene, together with a matching crumb tray and brush (3) 35cm wide (max)
277 118
£100200
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278 AN EARLY VICTORIAN PAPIER-MÂCHÉ TABLE CABINET C.1850 painted with faux malachite panels, with gilt highlights and inlaid with mother of pearl, with a pair of doors enclosing five drawers 22cm high, 22.8cm wide
£200300
278
279 AN EARLY VICTORIAN PAPIER-MÂCHÉ TRAY TABLE 19TH CENTURY AND LATER the circular top decorated with chinoiserie scenes, on faux bamboo supports 50.3cm high, 51cm diameter
£300400
279
280 A VICTORIAN PAPIER-MÂCHÉ TRAY MID19TH CENTURY well painted with a parrot, a peacock, flowers and fountains, with gilt highlights on an ebonised ground 60 x 76.3cm
£200300
280
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CONTINENTAL FURNITURE & LIGHTING DAY TWO LOTS 281613
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281 A PAIR OF FRENCH BEECHWOOD LONG STOOLS IN LOUIS XV STYLE LATE 19TH CENTURY each carved with shells, leaves and scrolls, on a lattice ground, with cabriole legs united by twin ‘X’ stretchers (2) 46cm high, 132cm long, 54cm wide
£8001,200
281
282 A FRENCH LOUIS XIV GILTWOOD WALL MIRROR EARLY 18TH CENTURY the later oval plate within a leaf and floret lattice carved frame, with a pierced cartouche surmount, flanked by scrolls, leaves and husks 108 x 70cm Provenance From the collection of Edward CroftMurray CBE (19071980).
£400600
282
283 A PAIR OF LOUIS XV WALNUT AND BEECH FAUTEUIL C.1760 each with a cartouche shaped back carved with scrolls, flowers and leaves, with later floral upholstery, on cabriole legs (2)
£600800 283
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285 284
284 A FRENCH THUYA AND EBONISED GUÉRIDON LATE 19TH CENTURY with ormolu mounts, the shaped legs united by an undertier 77.5cm high, 52.2cm diameter Provenance By direction of the executors of the late Sylvia Quance. From the collection of Gordon W. Quance LLM (19312017).
£200300 285 A FRENCH KINGWOOD SERPENTINE CENTRE TABLE IN LOUIS XV STYLE LATE 19TH CENTURY the crossbanded top inlaid with floral marquetry, on cabriole legs 75.2cm high, 99.8cm wide, 58.6cm deep Provenance By direction of the executors of the late Sylvia Quance. From the collection of Gordon W. Quance LLM (19312017).
£200300 λ 286 A CONTINENTAL ROSEWOOD WORK TABLE MID19TH CENTURY
286
with ripple mouldings, the hinged lid revealing a fitted interior with amboyna lidded compartments and divisions, on a triform base 72.5cm high, 53.4cm wide, 42.8cm deep
£400600
122
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287 A ‘FRENCH EMPIRE’ MAHOGANY SECRÉTAIRE À ABATTANT MID19TH CENTURY flame veneered, with a marble top above a frieze drawer, the interior with a leather lined surface and four drawers, above three further drawers 137.3cm high, 94.5cm wide, 39.3cm deep
£300500
287
288 288 A FRENCH MAHOGANY AND BRONZE MOUNTED FOLDING SCREEN IN EMPIRE STYLE, LATE 19TH CENTURY with an eagle finial and swan head mounts 114.4 x 77.5cm
£400600
289 A FRENCH EMPIRE BONHEUR DU JOUR EARLY 19TH CENTURY with ormolu mounts, the raised back with pigeonholes and drawers, above a sliding leather lined writing surface, with a divided frieze drawer and on column supports 93.5cm high, 72cm wide 52.6cm deep
£400600
289 123
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290 A GILT AND CREAM PAINTED SIDE CABINET IN LOUIS XVI STYLE with a yellow marble top, above a pair of cupboard doors, enclosing a green painted interior with a shelf 93.7cm high, 102.8cm wide, 46cm deep
£400600
290
291 A PAIR OF CONTINENTAL WALNUT ARMCHAIRS C.1850 each later upholstered, with an arched padded back and turned supports (2)
£200300
291
292 A PAIR OF CAST IRON OCCASIONAL TABLES each with a later circular top, on tripod leaf supports and triform base (2) 68.2cm high, 50.5cm diameter
£300500
292 124
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293
λ 293
294
A ROSEWOOD BUREAU PLAT IN LOUIS XV STYLE
A FRENCH KINGWOOD SERPENTINE COMMODE IN LOUIS XV STYLE 19TH CENTURY
19TH CENTURY with ormolu mounts, the top inset with a gilt tooled leather writing surface, with three frieze drawers and false fronts to the reverse 78.5cm high, 142cm wide, 81cm deep
with bronze mounts, the yellow marble top above two long drawers 81.2cm high, 111.7cm wide, 56.5cm deep
£8001,200
£600800
294 125
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295 AN ARCHITECTURAL BIRDCAGE 20TH CENTURY with a base drawer, on an associated stand 181.2cm high, 68.5cm wide and deep
£400600
295 296 A GREEN AND GILT PAINTED OVERMANTEL MIRROR EARLY 20TH CENTURY with three rectangular bevelled plates and decorated with ribbon tied leaves and flowers 183 x 107cm
296
£300400
297 A BRÈCHE DE VIOLETTE MARBLE TABLE TOP with a moulded edge 74 x 42.2cm
£80120 297
126
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298 A FRENCH AUBUSSON TAPESTRY CARPET 19TH CENTURY the ivory field with scrolling foliate designs, border cut 460 x 381cm
£400600
298
299 A FRENCH AUBUSSON TAPESTRY PORTIÈRE 19TH CENTURY worked with tasselled drapes and swags of flowers 269 x 177cm
£300500
299 127
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300 THREE ITALIAN EMBROIDERED VELVET CURTAINS IN RENAISSANCE STYLE C.1870 of rust colour, stamped with alternating circles and diamonds, the circles containing a hound and a stag's head, the diamonds with Tudor roses, the wide appliqué borders with interlocking raised work in gilt bronze round linen couched threads, gilt bronze wires and tinsel curls, lined and interlined (3) 411 x 371cm 412 x 305cm 437 x 367cm Provenance Baron Mayer Amschel de Rothschild, Mentmore Towers. Sotheby Parke Bernet, Mentmore House, May 1977. Acquired by Bernard Nevill (19302019), Fonthill, Wiltshire from the Mentmore sale. Catalogue Note Mentmore Towers, known as Mentmore was built as a country house between 18524 for Baron Mayer Amschel de Rothschild (18181874). The house was designed in the late 16th / early 17th century style called ‘Jacobethan’ and the was home to the extensive Rothschild collection of art and antiques. When the contents of Mentmore were sold in 1977 Bernard Nevill bought the present curtains and a large number of other furnishings for his home, the converted stables on the Fonthill Estate, Wiltshire. Nevill (19302019) was a professor of textiles at the Royal College of Art, a textile designer and a director of design at Liberty’s where he produced two exciting ranges of printed textiles, ‘Islamic’ (1963) and ‘Jazz’ (1964). He was an aesthete and a great collector and he felt he was rescuing beautiful objects when he had no use for them. The curtains featured in an article on Nevill in World of Interiors magazine in February 2021.
£2,0003,000
128
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300
129
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λ 301 A PORTUGUESE ROSEWOOD STOOL 18TH CENTURY with a dropin tooled brown leather seat, above a Rococo carved frieze and conforming cabriole legs united by an ‘X’ stretcher 46.5cm high, 49cm wide and deep
£400600
301
302
302 A SMALL ROCOCO CARVED WALNUT WALL BRACKET 18TH CENTURY 18.5cm high, 21.3cm wide
£100200
303 A PAINTED PINE JARDINIÈRE STAND POSSIBLY ITALIAN, 18TH CENTURY the circular top with a recess, decorated with ovolo and stiff leaf decoration 100.4cm high, 34cm wide,
£300500
303 130
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304 A SPANISH BAROQUE CHESTNUT AND BRONZE MOUNTED VARGUENO LATE 17TH / EARLY 18TH CENTURY with strapwork mounts, the hinged fall revealing a giltwood interior, inlaid with polychrome decorated bone panels and stringing, with an arrangement of thirteen drawers and two cupboards, with further secret drawers, with side carrying handles and an elaborate lock, on a later carved trestle stand with an arcaded stretcher 142.2cm high, 113cm wide, 49cm deep
£6,0008,000
131
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305
305
306
AN ANTWERP MARQUETRY CENTRE TABLE IN BAROQUE STYLE 19TH CENTURY
A FLEMISH WALNUT SIDE TABLE 17TH CENTURY
with ebony, ebonised and bone decoration, inlaid with fruitwoods, with scrolling leaves, flowers and birds, the rectangular top with a chevron edge, above a frieze drawer with a trade label for ‘Harrods’, on spiral twist legs united by an ‘X’ stretcher 74.5cm high, 117.2cm wide, 76.8cm deep
the boarded top with canted corners above a frieze drawer with a moulded front, on cup and cover supports united by a turned and block ‘H’ stretcher 78.8cm high, 129cm wide, 82.6cm deep Provenance From a private Cornish country estate.
Provenance From a Private Cornish Country Estate.
£500800
£1,5002,000
306 132
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307 A PAIR OF BAROQUE GILTWOOD AND GESSO WALL MIRRORS PROBABY GERMAN OR DUTCH, C.1700 AND LATER each with a rectangular plate, the frame decorated with ‘C’ scrolls, flower and winged cherubs, the pedimented surmount with billowing clouds (2) 70.5 x 50cm Provenance Purchased by the present vendor’s family from H. W. Keil Ltd. Broadway, 19th November 1976. Literature The present lot shares an affinity with mirrors produced in Germany and Holland in the early 18th century. See Graham Child, World Mirrors 16501900, pp.22223, figs. 458 & 459 for a mirror in the manner of Friedrich Unteutsch and a Dutch overmantel with similar cherub decoration.
£2,0003,000 133
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308 AN ITALIAN MEMENTO MORI 19TH CENTURY with a pair of carved wood crossed bones supporting a section of bone applied with a patinated brass eye, mounted in a glazed box frame decorated in gilt with scrolling leaves and flowers on an ebonised ground, with a brass suspension ring 30.5cm square
£200300
308
λ 309 AN ITALIAN EBONY AND EBONISED THREE-TIER ÉTAGÈRE LATE 19TH CENTURY inlaid with ivory stringing, each tier with a kingwood panel marquetry inlaid with scrolling leaves and flowers 75.5cm high, 46.7cm wide, 37cm deep
£100150
309
310 A SMALL ITALIAN GILTWOOD WALL MIRROR FLORENTINE, 19TH CENTURY with a rectangular plate and a pierced outer frame 30.5 x 21.2cm
£80120
310 134
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311 AN ITALIAN GILTWOOD SIDE TABLE IN NEO-CLASSICAL STYLE 19TH CENTURY the marble top above a fluted frieze centred with ribbon tied drapes 77.8cm high, 60cm wide, 29.5cm deep
£200300
311
312 A PAIR OF ITALIAN GILTWOOD WALL BRACKETS IN NEO-CLASSICAL STYLE 20TH CENTURY 312
each decorated with drapes (2) 22.8cm high, 18cm wide, 16.7cm deep
£300400
135
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λ 313 AN ITALIAN WALNUT AND IVORY INLAID TWIN PEDESTAL DESK THE IVORY ATTRIBUTED TO PIETRO PIFFETTI, TORINO, 18TH CENTURY AND LATER with ebonised banding, the top inlaid with a central classical scene of centurions with chariots, flanked by mythical female term figures with wings and horses’ legs, holding urns with scrolling leaves, signed with initials ‘PP’ for Pietro Piffetti, above three frieze drawers, each pedestal with a hinged cupboard door decorated with a figure of a saint, enclosing a shelf, the sides and back with ebonised outline mouldings and inlaid with further classical figures and grotesques, on later castors 82.4cm high, 118cm wide, 61cm deep
£3,0005,000
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313
137
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314
315
λ 314
λ 315
λ 316
A FRENCH IVORY CORPUS CHRISTI LATE 18TH / EARLY 19TH CENTURY
A CARVED IVORY CORPUS CHRISTI FRENCH OR ITALIAN, LATE 19TH CENTURY
A CARVED IVORY TUSK HUNTING HORN 19TH CENTURY
with a wooden cross mounted in an arched gilt frame the figure: 26.5 x 19cm
on a rosewood cross the figure: 17.5cm high, overall: 47.5cm high
all over carved with a wild boar hunt with hound dogs, with the Royal Coat of Arms and a portrait medallion of George I, inscribed ‘Georgius. D.C. Brit. Et. Hib. Rex. 1715’, flanked by cherubs, with scrolling leaves and a Bacchic satyr mask, with a silver mount, unmarked and a boar’s head mouthpiece 56.5cm long
£100150
£8001,200
£1,2001,800
316
138
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λ 317 AN ENGRAVED IVORY PLAQUE IN RENAISSANCE STYLE ITALIAN OR GERMAN, 18TH CENTURY depicting well dressed burghers, a mother and child approached by a female beggar and two children in a classical interior, with a view to a courtyard with other figures and a man escaping from a castle, dated ‘1525’, mounted in a later ebonised frame 35.2 x 18cm
£8001,200
317 139
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318
319
318
319
320
321
A GERMAN IRON CASKET IN GOTHIC STYLE LATE 19TH CENTURY
TWO PORTUGUESE POTTERY MODELS OF BULLS BY CALDAS, LATE 19TH / EARLY 20TH CENTURY
A FRENCH GILT METAL MOUNTED GLASS DECANTER AND STOPPER IN RENAISSANCE STYLE, LATE 19TH CENTURY
A FRENCH ORMOLU ENCRIER IN LOUIS XV STYLE 19TH CENTURY
decorated with the twelve apostles between columns, with the signs of the zodiac 16.3cm high, 25.2cm wide, 14cm deep
each with a dark brown treacle glaze and with impressed ‘crowned Caldas’ marks (2) 36.7cm high, 54cm long
£200300
£200300
modelled in the Rococo style, with leaves, ‘C’ scrolls and flowers, with three compartments with hinged covers, two for inkwells with glass liners, the other with a sander / pounce pot 14.8cm high
with a pierced strapwork mount, the body with moulded wriggle work decoration 26.1cm high
£150250
£100150
140
320
321
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322 A FRENCH LOUIS XVI RED MOROCCO LEATHER AND SILVER MOUNTED PURSE LATE 18TH CENTURY the interior with a green silk lining, with a pouch, mirror, a notebook and holders for utensils, the clasp decorated with drapes and with an enamel patera, unmarked 8 x 10.4cm Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100150
322
323 AN ALABASTER FIORITO AND SILVER MOUNTED BOWL PROBABLY ITALIAN OR MALTESE the rim decorated with swags of flowers, with a floral filigree base and ball feet, unmarked 7.5cm high, 15.3cm diameter
£150250
323
324 A BELGIAN SPA SYCAMORE GAMES BOX EARLY 19TH CENTURY decorated with landscape scenes with figures, the hinged lid revealing four divisions, with four boxes containing stained bone counters 20.3 x 15.8cm Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£200300
324
141
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325 A BRONZE AND MALACHITE TAZZA POSSIBLY RUSSIAN, SECOND QUARTER 19TH CENTURY the patinated bowl cast with portrait medallions and ribbon tied laurel wreaths, one centred with a crowned ‘H’ and the other with interlinked capital ‘D’s, the stepped plinth applied with empire style stars, wreaths and rosettes 42.2cm high, 26cm diameter
£8001,200
325 326 A PAIR OF GILT AND PATINATED BRONZE URNS IN LOUSI XVI STYLE LATE 19TH / EARLY 20TH CENTURY each with a cone finial, the ovoid bodies with ram’s masks (2) 40.2cm high
£200300
326
327 A PAIR OF VICTORIAN GILT BRASS AND OPALINE GLASS FIVE-LIGHT CANDELABRA C.1870 each with an urn issuing lilies and with a grapevine, drilled for electricity (2) 77.2cm high
£150250
327 142
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328 A FRENCH EBONISED AND GILT COPPER HALL LANTERN 19TH CENTURY with an oak leaf and acorn corona, above a globular glazed body, with a hinged door, fitted with a later threelight fitting and with a pendant base 77cm high, 38cm wide
£1,5002,000
328
329 A FRENCH ORMOLU ‘VERSAILLES’ HALL LANTERN LATE 19TH CENTURY with an open crown surmount decorated with fleurdelis and issuing a chain, the octagonal faceted body with bevelled glass panels and a hinged door, applied with shells and flowerheads, with a single light fitting, the base with bearded male masks and a probably later cone pendant 77.5cm high Provenance By repute, this was originally in Chelmsford Cathedral.
£8001,200
329 143
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330 331
330 A PAIR OF FRENCH NAPOLEON III ORMOLU AND PORCLELAIN CANDLESTICKS IN LOUIS XVI SÈVRES STYLE each with a stiff leaf urn shape sconce, the stem hung with swags of leaves 24.2cm high (2)
£400600 331 A PAIR OF FRENCH GILT BRONZE CANDELABRA LATE 19TH CENTURY each decorated with urns and cherub masks and on a verde antico marble base (2) 35cm high Provenance From the collection of the late Dr. Gordon Pack.
£150250 332
332 A PAIR OF ORMOLU AND PAINTED WOOD CANDELABRA IN LOUIS XV STYLE 19TH CENTURY AND LATER the simulated marble urn issuing leaves and flowers, with five lights (2) 55.2cm high
£100150 333 A PAIR OF FRENCH ORMOLU CANDLESTICKS IN ROCOCO STYLE IN THE MANNER OF MEISSONNIER, MID19TH CENTURY the undersides stamped with an initial ‘K’ and the monogram ‘M S’ (2) 25.7cm high
333 144
£500800
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334 A PAIR OF GILT AND PATINATED BRONZE FIGURAL CANDELABRA LATE 18TH / EARLY 19TH CENTURY each with a winged cherub holding leaves and flowers, with twin lights, standing on a marble plinth, hung with chains and tassels (2) 47.7cm high
£600800 335 A PAIR OF LOUIS XVI GILT AND PATINATED BRONZE FIGURAL CANDELABRA LATE 18TH CENTURY each modelled with a seated cherub supporting twin leaf and flower sconces, with a white marble base on lion’s paw feet, drilled for electricity (2) 23.8cm high
£300500 336 A PAIR OF GILT AND PATINATED BRONZE TRITON CANDLESTICKS 19TH CENTURY each modelled with the sea god holding a shell cornucopia, with a detachable drippan, on a tortoise base (2) 16.5cm high
£300400 334
335
336
145
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337 A SET OF THREE ORMOLU WALL LIGHTS IN EMPIRE STYLE, 20TH CENTURY each decorated with palm fronds and with three lights (3) 50.5cm high, 38.5cm wide
£400600 338 A PAIR OF ITALIAN GILTWOOD AND GILT METAL WALL LIGHTS IN BAROQUE STYLE, LATE 19TH / EARLY 20TH CENTURY each modelled with a cherub and scrolling leaves and flowers, with twin lights, fitted for electricity (2) 69cm high, 49cm wide
£200300 339 A PAIR OF VICTORIAN GILTWOOD AND COMPOSITION WALL SCONCES IN ROCOCO STYLE LATE 19TH CENTURY 337
with three lights, with scrolling branches supported by a cherub (2) 62.5cm high
£100200
338
146
339
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340 A FRENCH GILT AND PATINATED BRONZE FIGURAL TABLE LAMP EARLY 19TH CENTURY AND LATER of a classical maenad, supporting a torch, later fitted for electricity 32cm high
£200300
340
341 A FRENCH GILT AND PATINATED BRONZE TABLE LAMP IN EMPIRE STYLE, SECOND HALF 19TH CENTURY in the form of a column, on tripod lion’s paw feet, later fitted for electricity 55.8cm high
£200300
341
342 TWO FRENCH GILT AND PATINATED BRONZE FIGURAL TABLE LAMPS 19TH CENTURY AND LATER both with classical maidens holding a torch, standing on a marble plinth, later fitted for electricity (2) 52.6cm high
£300500
342 147
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343 TWO FRENCH GILT AND PATINATED BRONZE FIGURAL TABLE LAMPS EARLY 19TH CENTURY AND LATER one in the form of a winged cherub, the other a classical maiden (2) 69cm high
£300500
343
344
344 A PAIR OF FRENCH PORCELAIN VASE TABLE LAMPS IN SÈVRES STYLE LATE 19TH CENTURY with bronze mounts, painted with panels of courting couples in 18th century costumes, each signed ‘G. Poitevi’ in gilt reserves, on a bleu du roi ground, with later fittings (2) 53cm high Provenance From a Private Cornish Country Estate.
£200300
345 A PAIR OF BRASS ALTAR TABLE LAMPS IN BAROQUE STYLE 20TH CENTURY each fitted for electricity, together with a gilt metal altar pricket candlestick with repoussé decoration (3) 83.5cm high (max)
£300500 345 148
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346 A FRENCH GILT AND EBONISED METAL TWELVE-LIGHT CHANDELIER IN THE MANNER OF MAISON JANSEN, C.1940 of open form, with scrolling leaves and flowers hung with glass drops, with a central basket and ball pendant 110cm high, 77cm wide
£500800
346
347 A FRENCH NAPOLEON III GILT AND PATINATED BRONZE TABLE LAMP AFTER CLODION, MID19TH CENTURY modelled with a cherub holding a cornucopia issuing leaves, seated on a rouge griotte marble fluted socle, with a band of oak leaves and acorns, with a later light fitting, formerly the base of a candelabra 50.5cm high Provenance From a Private Cornish Country Estate.
£300500 347 149
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348
348
349
A PAIR OF FRENCH ROCK CRYSTAL AND GILT METAL WALL LIGHTS ATTRIBUTED TO MAISON BAGUES, 20TH CENTURY
A PAIR OF FRENCH ROCK CRYSTAL AND GILT METAL WALL LIGHTS ATTRIBUTED TO MAISON BAGUES, 20TH CENTURY
in the form of an urn with flowers and leaves, with twin lights (2) 48cm high, 30.5cm wide
in the form of an urn with flowers and leaves, with twin lights (2) 48cm high, 30.5cm wide
£8001,200
£8001,200
349 150
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350 A PAIR OF FRENCH ROCK CRYSTAL AND GILT METAL WALL LIGHTS ATTRIBUTED TO MAISON BAGUES, 20TH CENTURY modelled with a parrot perched on a tapering plinth, with leaf and flower scroll arms and twin lights (2) 65.5cm high, 34cm wide
£1,0001,500
151
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351 A PAIR OF ITALIAN GILT AND POLYCHROME DECORATED PINE BLACKAMOOR TORCHÈRES VENICE, LATE 19TH CENTURY each holding a cornucopia and standing on a simulated porphyry plinth, each with a shade, later wired for electricity; (4) 141.2cm high
£500800
352 A PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDELABRA EARLY 19TH CENTURY each with a standing blackamoor supporting a pair of torches, with cutglass sconces and drippans, hung with faceted drops and lustres, the base decorated with a basket of fruit and flowers and two laurel leaves, on a marble plinth (2) 31.8cm high, 23.7cm wide Provenance A Private London Collection. Acquired in the first half of the 20th century and thence by descent.
£8001,200
152
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353 A PAIR OF WILLIAM IV GILT BRASS TABLE LAMPS C.1835 of lappet form, with a leaf scroll base and a later ebonised wood foot, together with a green opaline glass table lamp, all later fitted for electricity (3) 59cm high
£300500
353 354 A GEORGE IV BRONZE GOTHIC STYLE LAMP BASE C.1825 the scroll finial above a column and an arched base, decorated with trefoils and quatrefoils 61.4cm high
£200300
354
355 A PAIR OF GREEN JAPANNED TÔLE TEA CANISTERS BY JOHN. A. GILBERT, C.1860 decorated in gilt with chinoiserie figures, numbered ‘5’ and ‘6’, each with a lid and maker’s stamp ‘John A. Gilbert & Co. Makers, London’ (2) 40.6cm high
£300500
355 153
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356 A VICTORIAN GILT BRASS HEXAGONAL HALL LANTERN LATE 19TH CENTURY with scroll supports above glass panels, four decorated with knights standing on plinths, with a hinged door with a clenched fist handle 52.5cm high, 38.3cm wide
£200300
356
357 A SMALL MAHOGANY OCTAGONAL HALL LANTERN PROBABLY EARLY 20TH CENTURY decorated with turned columns and Gothic lancet arches, with glass panels and a single light fitting 45.2cm high
£150200
357 154
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358 A SMALL REGENCY BRONZE COLZA CHANDELIER EARLY 19TH CENTURY decorated with satyr and Bacchus masks, with vine leaves and grapes, with a foliate corona and a pendant base, later converted 55.2cm high, 34cm wide
£300400
358 359 A NEAR PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDLESTICKS EARLY 19TH CENTURY each modelled with a Bacchanalian cherub satyr supporting a torch, with a white marble base 30.8cm high (2)
£200300
359
360 A VICTORIAN BOHEMIAN GLASS AND ORMOLU TABLE LAMP MID19TH CENTURY the blue glass overlay stem decorated with flowers and scrolls, on a Rococo style base, the iron weighted base stamped ‘Ratcliff Birmingham’ 43cm high
£200300
360 155
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λ 361 A GEORGE IV ROSEWOOD CARD TABLE C.1820 with nulled mouldings, the hinged swivel top with a baize lined playing surface, on brass lion’s paw sabot and castors 76.4cm high, 91.5cm wide, 45.7cm deep
£400600
361
362 A NEST OF THREE MAHOGANY OCCASIONAL TABLES 19TH CENTURY each with a beaded top, on baluster turned supports, originally a quartetto (3) 70.3cm high, 53cm wide, 41.2cm deep (max)
£300500
362
363 A MAHOGANY BERGÈRE ARMCHAIR IN REGENCY STYLE LATE 19TH CENTURY with a cane back, sides and seat and two leather cushions
£300500
363 156
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λ 364 A REGENCY ROSEWOOD CARD TABLE IN THE MANNER OF GEORGE OAKLEY, C.181520 the hinged and swivel top crossbanded in calamander, revealing a baize lined interior, on four ring turned supports and brass lion’s paw sabot and castors 75.8cm high, 91.5cm wide, 44.8cm deep
£300400
364
λ 365 A NEST OF THREE REGENCY ROSEWOOD OCCASIONAL TABLES EARLY 19TH CENTURY each with a beaded top, on ring turned legs (3) 71.4cm high, 51cm wide, 34.4cm deep Provenance From the collection of the late Dr. Gordon Pack.
£300400
365
366 A REGENCY MAHOGANY BERGÈRE ARMCHAIR ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY with a shaped cane back, sides and seat, with later leather armrests and a cushion, the moulded frame with turned front supports and brass castors, the back rail stamped with workman’s initials ‘H H’ Literature Susan E. Stuart. Gillows of Lancaster & London 17301840, p.244 for a discussion of the journeyman ‘H H’.
£500800 366 157
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367
367
368
A REGENCY MAHOGANY DINING TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY
A SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS POSSIBLY IRISH, EARLY 19TH CENTURY
the flame veneered frieze with reeded tablets on ribbed tapering legs, comprising: a pair of 'D' ends and a dropleaf central section 74.6cm high, 111.5cm wide, 270.5cm long
with leaf carved decoration and with rope twist horizontal backs, on sabre legs, comprising: six side chairs and a pair of open armchairs (8)
£8001,200
£300500
368 158
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369 369
370
AN EARLY VICTORIAN FLAME MAHOGANY COMPACTUM WARDROBE C.1840
A REGENCY MAHOGANY CONSOLE TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY with a reeded edge top above ring turned and ribbed legs 74cm high, 138.5cm wide, 60cm deep
with a central scroll and rosette carved surmount, above a pair of panelled doors, enclosing a later hanging rail and two pullout slides, above two short and one long deep drawers, flanked by a pair of conforming cupboards, each fitted with a later hanging rail, brass hooks and formerly with shelves 199.5cm high, 256.7cm wide, 66.4cm deep
£150250
£6001,000
370 159
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371 A REGENCY MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the rectangular tilttop with rounded corners and a reeded edge, on a ring turned stem and four ribbed downswept legs with brass caps and castors 70.4cm high, 136.5 x 97.9cm
£200300
371
372 A REGENCY MAHOGANY CHEST EARLY 19TH CENTURY of two short and two long drawers, on swept bracket feet 81.8cm high, 103.5cm wide, 44.6cm deep
£200300
372
373 A REGENCY MAHOGANY WRITING TABLE EARLY 19TH CENTURY with an ash lined frieze drawer, on trestle ends carved with palmettes 73cm high, 81.5cm wide, 57.5cm deep
£300500
373
160
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374 A GEORGE IV MAHOGANY BREAKFAST TABLE C.1820 the tilttop inlaid with stringing and with satinwood banding, on four moulded splay legs and brass castors 72.5cm high, 92.5 x 152cm
£200300
374
375 A REGENCY MAHOGANY CHEST EARLY 19TH CENTURY of four long graduated drawers, on bracket feet 86.8cm high, 83.8cm wide, 44cm deep
£200300
375
λ 376 A WILLIAM IV ROSEWOOD LIBRARY TABLE C.1840 the rectangular top with rounded corners, above solid trestle ends united by a ring and baluster turned simulated rosewood stretcher, on sunken brass castors 73.5cm high, 138.5cm wide, 75.3cm deep Provenance From a Private Cornish Country Estate.
£300500 376
161
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377
378 377 A REGENCY MAHOGANY SOFA TABLE EARLY 19TH CENTURY inlaid with stringing and with satinwood banding, fitted with two frieze drawers, on brass lion’s paw sabot and castors 72cm high, 89cm wide, 61cm deep Provenance From the collection of the late Peter Meyer.
£8001,200 378 A GEORGE IV MAHOGANY DINING TABLE C.1830 the dropleaf top on turned legs and brass castors 72.3cm high, 106.5 x 156.8cm (open) Provenance From the collection of the late Dr. Gordon Pack.
£200300 379 379
A GEORGE IV MAHOGANY COUNTRY HOUSE ADJUSTABLE READING TABLE IN THE MANNER OF GILLOWS, C.1830 the rectangular top with twin hinged and ratcheted opposing reading stands, on a baluster turned stem, with a brass collar and handle, with a platform base, on flattened bun feet with sunken brass castors 88.2cm high (max), 84cm wide, 51cm deep Provenance Major Edward CroftMurray, Perivale, Ryde, Isle of Wight. From the collection of Edward CroftMurray CBE (19071980).
£150250 λ 380 A REGENCY ROSEWOOD AND BRASS INLAID SOFA TABLE EARLY 19TH CENTURY the dropflap banded top above two frieze drawers, on a ‘U’ shape support and a quatreform platform base, on foliate cast brass sabots and castors 72.5cm high, 62.3 x 142.5cm (open)
380
Provenance From a Private Cornish Country Estate.
£500800 162
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381 381
λ 382
383
A REGENCY MAHOGANY SCROLL END SOFA IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY
A SET OF FOUR GEORGE IV ROSEWOOD SIDE CHAIRS ATTRIBUTED TO GILLOWS, C.1830
A PAIR OF REGENCY MAHOGANY HALL CHAIRS EARLY 19TH CENTURY
later upholstered with green striped silk fabric with squab cushions and bolsters, the part ribbed lappet arms terminating in turned rondels, the conforming frieze on ribbed tapering legs and brass caps and castors 83.7cm high, 201cm wide, 71cm deep
each with a shell and scroll carved back, above a cane seat with a silk squab cushion, with panelled friezes, on anthemion headed turned and ribbed tapering legs (4)
each with a gorget shaped back, solid seat and on turned front legs, one with a printed paper label ‘A. and M. Coleridge Collection’ (2)
£200300
£400600
£8001,200
382
383
163
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384
λ 384 A WILLIAM IV ROSEWOOD BREAKFAST TABLE C.1830 the circular tilttop with a gadroon moulded edge, above a triform base, with leaf carved scroll supports and a central stem with egg and dart mouldings, winged scroll feet and brass castors (bolts lacking) 74.5cm high, 146cm diameter
£1,0001,500
385 A REGENCY CALAMANDER AND PARCEL GILT OPEN WATERFALL BOOKCASE C.1820 in two sections and inlaid with boxwood stringing 150cm high, 110cm wide, 33cm deep
£8001,200
385
164
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386
λ 386 A REGENCY ROSEWOOD BREAKFAST TABLE IN THE MANNER OF WILLIAM TROTTER, C.181520 with gadrooned mouldings, the circular tilttop above a triform stem, with leaf decoration, on reeded scroll feet and brass castors 73.4cm high, 137cm diameter
£1,0001,500
λ 387 A REGENCY ROSEWOOD AND GILTWOOD DISPLAY CABINET C.181015 with ormolu mounts, with a hinged glazed door enclosing two adjustable shelves, flanked by a pair of columns, the open base with a mirrored back, further column supports and a simulated marble plinth 162cm high, 92.5cm wide, 40.5cm deep
£1,0001,500
387
165
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388 A REGENCY MAHOGANY BOWFRONT SIDEBOARD EARLY 19TH CENTURY fitted with four drawers and a cupboard door, on ring turned legs 91.7cm high, 152.2cm wide, 58cm deep Provenance From the collection of the late Dr. Gordon Pack.
£400600
388
389 A REGENCY MAHOGANY STOOL EARLY 19TH CENTURY with a needlework seat, on ring turned tapering legs 48.8cm high, 30cm wide, 27.2cm deep
£150250
389
390 TEN REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY comprising: a set of four inlaid with brass stringing and brass mounts and a set of six, each with matching upholstery and turned front legs (10) Provenance From the collection of the late Dr. Gordon Pack.
£500800
390 166
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391 A REGENCY MAHOGANY PEMBROKE TABLE EARLY 19TH CENTURY inlaid with stringing and with parquetry arrow motifs, the dropflap top above an end frieze drawer, with reeded turned pendants, on a turned stem and four swept legs terminating in brass lion’s paw sabot and castors 71.2cm high, 81 x 94.5cm (open)
£500700
391
392 A REGENCY MAHOGANY READING OR MUSIC TABLE EARLY 19TH CENTURY inlaid with brass and ebonised stringing, the adjustable hinged top originally with a rest, above a drawer and on a tripod base 117.8cm high (max), 46cm wide Provenance From the collection of the late Dr. Gordon Pack.
£300400
392
393 AN EARLY VICTORIAN MAHOGANY CHILD’S BERGÈRE ARMCHAIR C.1840 with a cane back and seat, with a squab cushion
£200300
393
167
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394 A PAIR OF REGENCY MAHOGANY CONSOLE TABLES EARLY 19TH CENTURY each with a ‘D’ shaped top, on ring turned tapering legs (2) 73cm high, 137cm wide, 72.5 and 73cm deep
£400600
394
395 A SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY with a curved tablet top rail above a triple vertical splat back, with ribbed supports, comprising: a pair of open armchairs and four side chairs (6) Provenance From the collection of the late Dr. Gordon Pack.
£400600
395
λ 396 A WILLIAM IV ROSEWOOD LIBRARY TABLE C.1830 with nulled mouldings, the rectangular top with reentrant corners, on turned ends and sunken brass castors 74.3cm high, 152.7cm wide, 91.5cm
£500800 396
168
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397 A REGENCY MAHOGANY ‘X’ FRAME OPEN ARMCHAIR ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY with a cane back and seat and a green leather squab cushion, with reeded decoration and a flowerhead whorl
£500800
397
398 A GEORGE IV MAHOGANY STOOL ATTRIBUTED TO GILLOWS, C.1825 with a plush upholstered seat, on ring turned and ribbed splay legs 51.7cm high, 38.3cm wide
£300500
398
λ 399 A REGENCY MAHOGANY DRESSING TABLE MIRROR ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY with a bevelled rectangular plate, with ribbed turned baluster tapering supports with ivory finials and scroll back legs 54cm high, 53.5cm wide, 37.5cm deep. Catalogue Note See Christopher Gilbert, Furniture at Temple Newsam House and Lotherton Hall, p.380, pl.501 for a similar mirror supplied by Gillows for Parlington Hall, and for a brief discussion.
£500800
399 169
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400
401
400
401
402
λ 403
A GEORGE IV MAHOGANY DRESSING TABLE C.1830
A LATE GEORGE III MAHOGANY WORK TABLE C.18051810
AN EARLY VICTORIAN ROSEWOOD CARD TABLE MID19TH CENTURY
the top with a threequarter gallery, above three frieze drawers, the kneehole with sunburst spandrels 81cm high, 95.5cm wide, 52.8cm deep
the drop leaf top with a moulded edge, above a divided frieze drawer and brass castors 75.9cm high, 50.7cm wide, 50.7cm deep
A REGENCY MAHOGANY WORK TABLE IN THE MANNER OF GILLOWS, C.1820
£400600
Provenance From the collection of the late Dr. Gordon Pack.
£300500
the top with a reeded edge, above a frieze drawer and with a slide out bag frame, on turned legs and castors 72.5cm high, 45.7cm wide, 45cm deep Provenance Christie's House Sale, Croxteth Hall, Liverpool, 17th September 1973.
170
Provenance From the collection of the late Dr. Gordon Pack.
£300400
£400600
402
with a baize lined playing surface, on four leaf carved legs and lion’s paw feet, with brass castors 75.7cm high, 85.7cm wide, 42.5cm deep
403
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λ 404 A PAIR OF EARLY VICTORIAN ROSEWOOD SIDE CABINETS BY JOHNSTONE & JEANES, C.1840 each with a pink brèche marble top, above a leaf carved edge and a mirrored door applied with leaf carved corbels, enclosing a shelf, one door stamped ‘Johnstone & Jeanes New Bond St. London’ and the numbers ‘5405’ and ‘5406’ (2) 90.5cm high, 63.8cm wide, 33.5cm deep
£8001,200
404
405 A REGENCY SATINWOOD WRITING TABLE EARLY 19TH CENTURY inlaid with ebonised stringing, the top with a later leather lined hinged writing surface, on a ratchet, above a frieze drawer, flanked by a pair of demilune compartments, each with a hinged lid, on brass castors 76cm high, 104cm wide, 50.8cm deep
£500800
405
406 A GEORGE IV MAHOGANY CHEVAL MIRROR IN THE MANNER OF GILLOWS, C.1825 with a rectangular plate within a reeded slip and with a ring turned baluster frame, on brass castors 157.4cm high, 82.2cm wide, 57.9cm deep
£500800
406 171
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407 A WILLIAM IV GILTWOOD PIER MIRROR BY SALTERI & CO., C.1830 the rectangular plate within a baton decorated frame, the back with a printed trade label, inscribed ‘Salteri & Co. Looking Glass Manufacturers, Carvers, Gilders & Printsellers, No. 17 Queen Street, Lincolns Inn Fields’ 95.4 x 64cm
£300400
λ 408 A WILLIAM IV ROSEWOOD AND PARCEL GILT CONSOLE TABLE C.1830 with lappet scroll supports 87.8cm high, 106cm wide, 39.5cm deep
£500700
409 A GEORGE IV MAHOGANY SARCOPHAGUS SHAPE WINE COOLER C.1820 veneered with an unusual cut of timber, the interior with curved divisions for four bottles, on nulled bun feet and brass castors 44.8cm high, 66.5cm wide, 41cm deep Provenance From the collection of Edward CroftMurray CBE (19071980).
£200300 407
408 409
172
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410 A LARGE EARLY VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR IN ROCOCO STYLE, C.1850 the frame carved with ‘C’ scrolls and rocaille, on a punched ground and applied with scrolling leaves and flowers 234 x 165cm
£1,5002,000 173
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411
412
411
λ 412
413
A MAHOGANY PEDESTAL SAFE CABINET EARLY 19TH CENTURY AND LATER
A GEORGE IV ROSEWOOD WHATNOT C.1825
the hinged door with false drawer fronts, revealing a door and Victorian Sampson Mordan cast iron safe, with oval maker’s plaque ‘S. Mordan & Co. Makers London’, the divided interior with a lockable drawer (2) cabinet: 113cm high, 63.5cm wide, 51.8cm deep safe: 61.5cm high, 46cm wide, 43cm deep
of three tiers, with ring turned baluster supports, on brass castors stamped ‘Copes Patent Strong’ 76.7cm high, 53cm wide, 36.5cm deep
THREE LATE REGENCY MAHOGANY DINING CHAIRS IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY
£1,0001,500
174
Provenance Dreweatt Neate, 25th October 1988, lot 119. From the collection of the late Dr. Gordon Pack.
£300400
with ribbed decoration, together with two pairs of mahogany dining chairs (7) Provenance From the collection of the late Dr. Gordon Pack.
£300400
413
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414 A RARE WILLIAM IV PARROT COAL OCCASIONAL TABLE BY R. MARTIN, DATED ‘1836’ the rectangular top on a faceted stem and quatreform base, signed and dated to the underside of the top 75.8cm high, 68.7cm wide, 47.3cm deep Provenance David and Paula Newman, London / Eastbourne. Literature See Furniture History, Volume 23, 1987, pp.3538 for an article by David Jones titled ‘Coal Furniture in Scotland’. Catalogue Note Parrot coal is a geological formation dating back to the Carboniferous period. The term ‘Parrot’ refers to the chattering noise it makes when it is burnt. It was used during the 19th century to produce furniture as it has similar characteristics to marble. The West Wemyss Colliery in Fife is well known for the excavation of parrot coal and tables and other objects made by the stonemason Thomas Williamson were exhibited at the Great Exhibition in 1851. A similar table was sold by Mallams, Cheltenham in 2011.
£500800 415 A VICTORIAN EBONY AND ASHFORD MARBLE MIRROR C.186070 with an oval plate, the spandrels inlaid with leaves and flowers 26.5 x 22.2cm
£250350 416 A COLLECTION OF TWENTY SPECIMEN STONE EGGS 20TH CENTURY
414
including: obsidian, crystal agate, black jasper and aventurine, each numbered with a printed index, in a card box 3cm Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£80120
416
415 175
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417
417
418
419
SALISBURY INTEREST. A PAINTED WOOD SHOP SIGN FOR BEACH’S BOOKSHOP MID20TH CENTURY
A LARGE NEEDLEWORK SAMPLER BY ANN TAYLOR, FIRST HALF 19TH CENTURY
A LARGE NEEDLEWORK PICTURE LATE 19TH / EARLY 20TH CENTURY
20.2cm x 117.1cm
worked with coloured silks on a linen ground, with a virtuous text, urns of flowers, crowns, butterflies and a landscape scene with the Tree of Knowledge and a shepherd and shepherdess with their flock, signed ‘Ann Taylor Aged 9 Years’, in a later glazed frame 65.5 x 63cm
£300500
worked with coloured silks, depicting two peacocks in a garden landscape, in a glazed gilt frame 108.5 x 77.5cm
£200300
£200300
418
176
419
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420 A REGENCY WOOLWORK EMBROIDERED PICTURE OF A LION WITH A SNAKE AFTER JAMES NORTHCOTE, R. A. (17461831), EARLY 19TH CENTURY worked in various stitches with coloured silk and wool, depicting a recumbent lion grappling with a snake in a landscape setting, in a glazed ebonised reeded frame 53.2 x 67.8cm Provenance The Sir Michael Codron Collection of Lions.
£500800
420
421 421 A GEORGE III NEEDLEWORK SAMPLER PIN BALL DATED ‘1779’ worked with flowers and geometric designs in Quaker style, with initials ‘M W’ 5.2cm wide Provenance ‘A Lifetime of Collecting’ The Property of a Gentleman.
£100200
422 A SMALL GEORGE III NEEDLEWORK SAMPLER BY ANN JACKSON worked with coloured silks on a linen ground, with an alphabet and numbers, with Caleb and Joshua carrying grapes, inscribed ‘God Bless The King, Preserve The Crown, Defend The Church And Strike Rebellion Down’, dated ‘1787’ and signed ‘Ann Jackson her Work’, in a later glazed frame 28.2 x 16cm
£200300
422 177
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423
424
423
424
‘WIENN IN OSTERREICH’ A HAND-COLOURED ENGRAVED VIEW OF VIENNA BY F. B. WERNER AFTER JOHANN FRIEDRICH PROBST (GERMAN 17211781)
DOMINIA ANGLORUM IN AMERICA SEPTENTRIONALI AFTER JOHANN BAPTIST HOMANN, C.1740
printed on two sheets joined together, numbering important houses and buildings in the city, in a later glazed frame 32 x 103.8cm
four handcoloured engraved maps on one sheet of Virginia and Maryland, New England, Carolina, New Foundland and Nova Scotia, in a later glazed frame 51 x 56.5cm
£150200
£300400
425
426
LITERATURE. ‘THE DICTIONARY OF ENGLISH FURNITURE’ BY PERCY MACQUOID AND RALPH EDWARDS
LITERATURE. A COLLECTION OF BOOKS RELATING TO FURNITURE, ANTIQUES, CLOCKS AND COUNTRY HOUSES
in three volumes, with dust covers, published by Country Life, 1929 (3)
425
Provenance From the collection of the late Dr. Gordon Pack.
£200300
including: Cescinsky and Gribble, Early English Furniture and Woodwork, Victor Chinnery, Oak Furniture, Charles Alix, Carriage Clocks, Edward Joy, Pictorial Dictionary of British 19th century Furniture Design, Clifford Musgrave, Regency Furniture and 18th Century Furniture, The Norman Adams Collection. Provenance From the collection of the late Dr. Gordon Pack.
£100200 427 LITERATURE. A LARGE COLLECTION OF BOOKS RELATING TO FURNITURE AND THE DECORATIVE ARTS including: Nicholas Goodison, Ormolu: The work of Matthew Boulton, Ralph Edwards, The Dictionary of English Furniture, in three volumes, revised edition, Adam Bowett, English Furniture 16601714 and Geoffrey Willis, English Looking Glasses Approximately 160 volumes
£200300 For a fuller listing of lots 426 and 427 please see our website
426
178
427
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428 A COLLECTION OF DRAWINGS AND PAINTINGS BY HENRY BELLARS C.184050 with six ornithological studies of birds, three mounted as one, including a goldfinch and a golden crested wren, together with eleven looseleaf studies (15) 23.7cm high (max)
£300400
428
λ 429 AN IVORY SEAL 19TH CENTURY the matrix with the arms of the Marquess of Tweeddale, together with a tortoiseshell box and cover and a small 18th century portrait miniature of a gentleman, in a brass frame (back lacking) (3)
£100150 429
430 ROYAL INTEREST. EPHEMERA RELATING TO BALMORAL CASTLE, OSBORNE HOUSE AND WINDSOR CASTLE LATE 19TH CENTURY including: two printed programmes 'Tableaux Vivants' at Osborne on the 8th & 10th January 1891, a similar programme at Balmoral Castle, 23rd & 24th October 1890, three typed 'Dinner Lists' for 22nd & 30th June and 6th July at Windsor Castle, guests included the Queen, Empress Frederic, Princess Victoria of Prussia and the Duke and Duchess of Connaught, in a silver mounted Tartan ware blotter the front with an oval plaque engraved with crowned initials 'LCA' for Louise Caroline Alberta, Princess Louise, Duchess of Argyll (18481939) 30.7 x 23.2cm
£200300 430 179
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432 431 431
432
A CUT-GLASS ICE BUCKET LATE 19TH / EARLY 20TH CENTURY
AN OAK AND SILVER PLATED OVAL OYSTER BUCKET EARLY 20TH CENTURY
with a silver plated rim, with a pair of swing handles 22cm high
of staved construction, with a pair of handles, one band stamped with a cupid 18cm high, 39.5cm wide
£100150
£200300 433
434
A PAIR OF BOHEMIAN ENAMELLED GLASS HOOKAH BASES MID TO LATE 19TH CENTURY
A LATE VICTORIAN SILVER PLATED AND GLASS CENTREPIECE C.1880
with gilt highlights and decorated with flowers (2) 31.2cm high (max)
with a detachable edged bowl, above a triform base applied with three Parian scantily clad classical maidens 27cm high, 25.5cm diameter
£100150
£200300
433
435 A PAIR OF RUBY GLASS AND SILVER PLATED CLARET JUGS LATE 19TH CENTURY together with a similar example with a pear shape body (3) 24.4cm high (max)
£150250
434 180
435
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436 436
437
A LATE VICTORIAN OAK GREAT NORTHERN RAILWAY COAL WAGON HUMIDOR C.1900
AN EDWARDIAN OAK AND BRASS COUNTRY HOUSE LETTER BOX EARLY 20TH CENTURY
the hinged coal effect lid revealing a divided interior, with a strike and a metal bowl, the front with the letters ‘G N R’, numbered ‘1741’ and with the registration number ‘230537’ 17.1cm high, 33.2cm long
437
with a hinged lid with a single slot, with a Bramah lock 26.8cm high, 43.5cm wide, 22cm deep
£200300
£500800 438
λ 439
A THUYA WOOD TABLE CABINET LATE 19TH CENTURY
A CAST IRON TORTOISE TABLE BELL EARLY 20TH CENTURY
inlaid with fan paterae and spandrels, with six short drawers above a pair of hinged doors, revealing a liftout tray and two long drawers 31.8cm high, 30.6cm wide, 19.5cm deep
with a real tortoise shell and a windup mechanism 16.5cm long
£80120
£100200 438 λ 440 AN EARLY VICTORIAN BURR WALNUT AND LEATHER CONCERTINA BY C. WHEATSTONE & CO., C.1850 with fortyeight ivory buttons and with a signature panel, inscribed ‘C. Wheatstone & Co. Manufacturers, London, W.C. 15 West St. Charing Cross Rd’, numbered ‘1122’ for 23rd May 1846, in a rosewood hexagonal case 17cm high, 21cm wide Catalogue Note According to the Wheatstone & Co. Concertina Ledgers, number ‘1122’ was made for Lady Charlotte Denison (18061889) (née CavendishBentinck) the daughter of the 4th Duke of Portland.
£500800
440
439 181
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BLACK FOREST & AUSTRIAN WORKS OF ART
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
441 A BLACK FOREST LINDEN WOOD DOG GROUP LATE 19TH / EARLY 20TH CENTURY depicting the mum with her three puppies 26cm wide
£400600
441
442 A BLACK FOREST LINDEN WOOD BEAR PEN HOLDER LATE 19TH / EARLY 20TH CENTURY the seated bear with glass eyes, supporting an associated bark pencil (2) 14.8cm high
£100150
442
443 A BLACK FOREST LINDEN WOOD NOVELTY COAT HOOK LATE 19TH / EARLY 20TH CENTURY in the form of a fox with glass eyes, dressed in hunting apparel, holding a rifle, with horn hooks 32cm high
£200300
443 183
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445
444
444
445
A BLACK FOREST LINDEN WOOD WALL RACK LATE 19TH CENTURY
A SWISS CARVED WOOD AND STAG ANTLER MOUNTED BOX LATE 19TH CENTURY
carved with two St. Bernard mountain dogs with glass eyes, inscribed ‘Chamonix’ 31 x 14cm
the interior with twin divisions 14.8cm high, 28.5cm wide
£150200
446 184
£150250
446
447
A BLACK FOREST LINDEN WOOD ÉPERGNE LATE 19TH CENTURY
A PAIR OF BLACK FOREST LINDEN WOOD BEAR BOOKENDS FIRST HALF 20TH CENTURY
carved with a stag on a rocky mound with leaves, supporting a glass trumpet vase 47.1cm high
each modelled with a standing growling bear (2) 17.2cm high, 12.6cm wide
£100200
£100150
447
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448 A BLACK FOREST CARVED LINDEN WOOD BEAR STICKSTAND LATE 19TH CENTURY with glass eyes, modelled standing holding a branch, the base with a metal liftout liner 109.3cm high, 39cm wide
£2,0003,000
448 449 449
450
A BLACK FOREST LINDEN WOOD FIGURE OF A FARMER 19TH CENTURY
A PAIR OF BLACK FOREST LINDEN WOOD MODELS OF CROCODILES LATE 19TH / EARLY 20TH CENTURY
the bearded figure standing and wearing a hat 69.4cm high
each with articulated bodies and glass eyes (2) 38cm long (max)
£500800
£100150
450 185
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451 A CARVED WOOD BULLDOG BRUSH HOLDER LATE 19TH CENTURY with glass eyes, together with a brush (2) 24.4cm high, 15cm wide
£150250
451
452 A CARVED WOOD BULLDOG’S HEAD PIPE STAND LATE 19TH CENTURY with glass eyes, together with a carved bark effect pipe (2) 13cm max
£100150 452
453 A BLACKFOREST LINDEN WOOD DOG INKWELL AND PEN TRAY LATE 19TH / EARLY 20TH CENTURY with glass eyes, the head hinged to reveal a glass inkwell 10.2cm high, 22.2cm wide
£150200
453
186
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454 A CARVED AND PAINTED WOOD STAG HEAD MOUNT LATE 19TH CENTURY with real fourteen point antlers, mounted on a leaf scroll shield plaque 127cm high, 85cm wide
£2,0003,000
454 455
455 A PAIR OF ANTLER WALL LIGHTS 20TH CENTURY each with a single sconce (2) 69.8cm high, 44.6cm wide
£300500
456 A BLACK FOREST CARVED LINDEN WOOD FOX’S HEAD AND BELL WALL MOUNT LATE 19TH / EARLY 20TH CENTURY with glass eyes and a brass bell, mounted on a shield shape plaque 35cm high, 28cm wide
£1,0001,500
456 187
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457
458
457
458
A CAST IRON HUNTING WHIP RACK LATE 19TH / EARLY 20TH CENTURY
AN AUSTRIAN COLD PAINTED METAL PARROT HEAD DESK CLIP LATE 19TH / EARLY 20TH CENTURY
decorated with a horse’s head, within a horse shoe, with oak leaves and acorns, the crossed whips with greyhound head terminals, with seven hooks, the back stamped with a capital ‘M in a star’ and numbered ‘5820’ 36 x 76.5cm
mounted on an oak base 14.5cm wide
£150200
£200300
459
460
A COLD PAINTED METAL GREYHOUND PEN WIPE LATE 19TH / EARLY 20TH CENTURY
TWO AUSTRIAN COLD PAINTED METAL TABLE LIGHTERS FIRST HALF 20TH CENTURY
18cm long
one in the form of a spaniel with a pheasant in its mouth, the other an Orientalist group of two carpet sellers, with a camel (2) 27cm (max)
£80120 459
£100150
460 188
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461 SEVEN AUSTRIAN COLD PAINTED BRONZE MODELS OF ANIMALS LATE 19TH / EARLY 20TH CENTURY two in the form of foxes, a lion, a dachshund, a woodcock, a grouse and a partridge, one stamped ‘Austria’ (7) 9.8cm (max)
£200300
461
462 AN AUSTRIAN COLD PAINTED BRONZE FIGURE OF A FISHER BOY IN THE MANNER OF FRANZ BERGMAN, EARLY 20TH CENTURY the base with a crab and two fish, numbered ‘8412’ 11.9cm high
£200300
462
463 AN AUSTRIAN COLD PAINTED BRONZE MODEL OF A GOLDEN PHEASANT BY FRANZ BERGMAN, LATE 19TH / EARLY 20TH CENTURY the underside stamped with a ‘capital B in a vase’ and inscribed ‘Gesch 5724’ 21.8cm high, 44.5cm long
£8001,200
463 189
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464
465
464 AN AUSTRIAN COLD PAINTED BRONZE MODEL OF A CAT IN THE MANNER OF FRANZ BERGMAN, LATE 19TH / EARLY 20TH CENTURY
466
stamped ‘Geschützt’ 11.4cm high, 17.5cm long
£200300 465 AN AUSTRIAN COLD PAINTED BRONZE MODEL OF A PUG DOG LATE 19TH / EARLY 20TH CENTURY 11.8cm long
£150200 466 A FRENCH BRONZE NOVELTY INKWELL IN THE FORM OF A DOG LATE 19TH CENTURY the puppy with a hinged neck, revealing a ceramic liner, the underside with a registration mark and stamped ‘Depose’ 18.2cm long
£150200 467 A PAIR OF AUSTRIAN PAINTED TERRACOTTA MOORISH FIGURES BY JOHANN MARESCH, LATE 19TH / EARLY 20TH CENTURY of an Arab beauty carrying an ewer and a man holding a basket and fruit, impressed marks ‘J. M.’ and numbered ‘6431’ and ‘6432’ (2) 47.8cm high (max)
£300500 467 190
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GRAND TOUR & SCULPTURE
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468 468 AN ITALIAN BRONZE GRAND TOUR FIGURE OF THE CAPITOLINE DYING GAUL AFTER THE ANTIQUE, LATE 19TH CENTURY on an ebonised oval plinth the bronze: 34cm wide, overall: 44.5cm wide
£300500
469 A PAIR OF GRAND TOUR STYLE SPECIMEN MARBLE OBELISKS 20TH CENTURY 37cm high (2)
£200300
469
470 A PAIR OF ITALIAN PATINATED BRONZE GRAND TOUR MODELS OF THE MEDICI VASE AFTER THE ANTIQUE. LATE 19TH CENTURY each mounted on a giallo antico marble base (2) 30cm high, 23.2cm wide
£8001,200 470
192
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471 AN ITALIAN BRONZE GRAND TOUR FIGURE OF NARCISSUS, AFTER THE ANTIQUE. CAST BY SABATINO OF NAPOLI, LATE 19TH CENTURY the classical figure standing on a circular plinth, inscribed ‘Sabatino 1889 Napoli’ 62.3cm high
£8001,200
471
472 AN ITALIAN BRONZE GRAND TOUR FIGURE OF NARCISSUS AFTER THE ANTIQUE. CAST BY SOMMER OF NAPOLI, LATE 19TH CENTURY the classical figure standing on a circular plinth, inscribed ‘C. Sommer Napoli’ 62cm high
£8001,200
472
193
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473 AN ITALIAN BRONZE GRAND TOUR SATYR GROUP AFTER THE ANTIQUE. NAPOLI, LATE 19TH CENTURY depicting a faun teaching Pan to play the pipes, the base with an applied plaque, inscribed ‘Gargiulio Gannone E Ci Fonderia di Bronzo, Il Monastero St. Franco Vecchio, Napoli’, on an ebonised wood stand 32.5cm high
£400600
474 AN ITALIAN ALABASTER GRAND TOUR BUST OF DIANA AFTER THE ANTIQUE. LATE 19TH CENTURY on a turned socle 41.5cm high
£300500
473
474
475
476
A COLLECTION OF NINETEEN PLASTER GRAND TOUR INTAGLIOS 19TH CENTURY
A LARGE COLLECTION OF PLASTER GRAND TOUR INTAGLIOS 19TH CENTURY
with examples after Thorwaldsen, Canova and the Antique, in a planewood box with an index handwritten in pen by Mary Salmon 30.3 x 21.6cm
with various subject matter, including: portraits, mythological scenes and characters, topographical views of Rome, etc, some damages (143)
£300500
£400600
475
194
476
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
477 A LARGE ITALIAN BRONZE ATHÉNIENNE AFTER THE ANTIQUE. IN THE MANNER OF CHIURAZZI OF NAPOLI, 2ND HALF OF 19TH CENTURY the brazier top with a later copper liner, supported by three satyr monopodia, on a rosso marble stand bronze: 91.3cm high marble: 41.9cm high Provenance By repute Oakley Hall, Shropshire.
£1,0001,500
477
478 AN ITALIAN PATINATED BRONZE GRAND TOUR FIGURE OF SPINARIO AFTER THE ANTIQUE. CAST BY SOMMER OF NAPOLI, LATE 19TH CENTURY the circular base signed ‘Fonderia Sommer Napoli’ 45.1cm high
£8001,200
478 195
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479 A GILT BRONZE AND ALABASTER DESK PAPERWEIGHT LATE 19TH / EARLY 20TH CENTURY modelled with a recumbent lion, together with an ashtray with a bronzed spelter lion and a carved alabaster paperweight (3) 13.8cm wide (max) Provenance The Sir Michael Codron Collection of Lions.
£100150
480 FOUR LION’S MASKS 19TH CENTURY
479
comprising: a pair of lead examples, a bronze mask originally with a ring handle and a verde antico marble paperweight decorated with a gilt bronze mask (4) 12cm (max) Provenance The Sir Michael Codron Collection of Lions.
£5080
481 AN EBONISED PLASTER MODEL OF THE MEDICI LION 20TH CENTURY together with an Italian gilt plaster model of an Etruscan ewer, with a lion handle and relief decorated with Bacchanalian figures (2) 23.3cm high, 34.5cm wide Provenance The Sir Michael Codron Collection of Lions.
£100200
480
481
196
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
482 AN 18TH CENTURY BRONZE FIGURE OF DIANA AFTER GABRIËL DE GRUPELLO (FLEMISH 16441730) the classical huntress holding a bow with a quiver of arrows, accompanied by her dog 23.2cm high
£8001,200
482
483 A LARGE PAIR OF BRONZE EWERS IN RENAISSANCE STYLE FRENCH OR ITALIAN, LATE 19TH CENTURY relief decorated with Bacchanalian revelry, the handle with a Cupid figure and with bands of grapevine (2) 56.8cm high
£600800
483
484 AN ITALIAN BRONZE INKWELL IN RENAISSANCE PADUAN STYLE 18TH / 19TH CENTURY the lid with a cone finial, the well supported by three crouching satyrs, on lion’s paw feet 22.5cm high, 17.8cm wide
£400600
484 197
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485 A LARGE FRENCH BRONZE OF A BACCHANALIAN MUSICIAN LATE 19TH / EARLY 20TH CENTURY with a grapevine in his hair and playing a bagpipe, the base signed ‘Tillmant’ 91.3cm high
£8001,200
486 A FRENCH BRONZE NOVELTY GRAND TOUR CLASSICAL RUINS MANTEL CLOCK 2ND HALF 19TH CENTURY the brass eight day drum movement stamped ‘104’, the circular dial with Roman numerals, the centre decorated with leaves and flowers, the case in the form of a capriccio of temple ruins with classical sculptures and columns, stamped ‘2492’ 53.8cm high, 33cm wide Provenance From the family collections of Captain George Lionel Jameson OBE (18801961) and by descent.
£400600
487 485
A BRONZE MODEL OF A RAM’S HEAD LATE 19TH / EARLY 20TH CENTURY 14.2cm high, 21.5cm wide
£200300
487 486 198
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488 A PAIR OF FRENCH BRONZE GRAND TOUR FIGURES OF MERCURY AND FORTUNA AFTER GIAMBOLOGNA (FLEMISH 15291608), 19TH CENTURY he holds a caduceus in his left hand, she holds a leaf in her right hand, both on a rosso antico cylindrical plinth relief decorated with cherubs (2) 50.3cm high (max)
£400600
488
489 A PAIR OF FRENCH CLASSICAL BRONZE GROUPS LATE 18TH / EARLY 19TH CENTURY each depicting a goddess led by a Cupid, on a polished bronze plinth, one with a printed trade label to the underside ‘Ramus Bros. Dealers in Works of Art 186, Piccadilly, W.’ (2) 32.9cm high (max)
£1,5002,500
489
199
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490 AN ITALIAN MARBLE GRAND TOUR PORTRAIT RELIEF BUST POSSIBLY OF NAPOLEON, EARLY 19TH CENTURY with a printed paper label for the ‘A. and M. Coleridge Collection’ 32.5 x 28cm
£500800 491 A PAIR OF SMALL FRENCH BRONZE FIGURES OF PHILOSOPHERS EARLY 19TH CENTURY depicting JeanJacques Rousseau and Voltaire, each standing on a plinth base (2) 13.2cm high
£150250 492 490
A FRENCH BRONZE BUST OF LOUIS XVI AFTER JEAN ANTOINE HOUDON (FRENCH 17411828) signed ‘Houdon’ and mounted on a verde antico marble plinth 37cm high
£400600 493 A FRENCH BRONZE RELIEF PORTRAIT RONDEL BY L. MARE, DATED ‘1892’ depicting three children, signed ‘L. Mare Juin 1892’ 43cm diameter
£200300
491
492 200
493
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494 A FRENCH BRONZE GROUP OF A SEA NYMPH AND PUTTO BY HENRY DASSON (FRENCH 18251896), DATED ‘1885’ signed ‘Henry Dasson 1885’, on an ormolu mounted grand mix campan marble base and an associated ebonised wood column bronze: 62.8cm high column: 100cm high Catalogue Note For a comparable example see Christie's, The Opulent Eye, 22nd September 2011, lot 88.
£3,0005,000
201
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495
496 495 A FRENCH TERRACOTTA MODEL OF A SPHINX LATE 19TH CENTURY 63.8cm high, 62cm wide, 30cm deep
£500700 496 A FRENCH PATINATED PLASTER BUST OF A GENTLEMAN LATE 19TH / EARLY 20TH CENTURY signed ‘J B Cheret Fc 1801’ 49cm high
£200300 497 A SCOTTISH PATINATED PLASTER FIGURE OF A MUSICIAN BY DAVID WATSON STEVENSON (1842 1904) depicting a young lady playing mandolin accompanied by her trusted dog, the base inscribed ‘ D. W. Stevenson Sc A. R. S. A. 1880’ 101cm high, 33cm diameter
£150250 498 A FRENCH PAINTED PLASTER FIGURE OF VENUS AFTER ETIENNEMAURICE FALCONET (FRENCH 17161791) the goddess about to bathe 82.8cm high
£500800
497 202
498
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SHELLS, MINERALS & FOSSILS
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499 A COLLECTION OF MICROSCOPE SLIDES LATE 19TH CENTURY AND LATER including views of H. R. H. Prince Philip's Royal Pacific Tour of Easter Island, 1971, housed in a walnut cabinet fitted with metal trays and with a base drawer, together with two other boxes of slides (3) 26.6cm high, 30.4cm wide
£400600
499
λ 500 A COLLECTION OF MICROSCOPE SLIDES LATE 19TH / EARLY 20TH CENTURY housed in a mahogany table collector’s cabinet, enclosing nine drawers with numbered ivory handles and with a glazed door 31.5cm high, 23.3cm wide
£400600
500 501 AN EARLY VICTORIAN MAHOGANY COLLECTOR’S CABINET C.1840 the panelled door enclosing fifteen drawers, with turned bone handles, the back with a printed paper trade label, inscribed ‘Museum of Natural History, J. Gardner, Naturalist, 52 High Holborn, London’ 85.2cm high, 45.8cm wide, 41.5cm deep
£400600
501 502 A SMALL COLLECTION OF OPTICIAN’S PROSTHETIC GLASS EYES LATE 19TH / EARLY 20TH CENTURY with nine examples, in blue, brown and grey, in a mahogany case (10) 30cm wide
£300400 502 204
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
503 A SPECIMEN MINERAL ‘GROTTO’ DIORAMA with crystal amethyst and other minerals, in a glazed ebonised case 59cm high, 42cm wide
£600800
503
504
504 A COLLECTION OF SEA SHELLS housed in a pine collector’s chest, together with two clam shells (A lot.) chest: 43cm high, 38.2cm wide, 25.5cm deep
£300400
505 A COLLECTION OF MINERALS AND FOSSILS with various specimens, including verdite, quartz, garnet, small ammonites, lead ore and fluorspar, housed in a collector’s chest of eight drawers (A lot.) 55.2cm high, 46cm wide, 26.5cm deep
£300400
505
205
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506 TAXIDERMY. A PRESERVED HARLEQUIN MACAW PROBABLY LATE 19TH / EARLY 20TH CENTURY later mounted on a pine stand 89.5cm high
£300500
506
507
507 TAXIDERMY. A DIORAMA OF THIRTY PRESERVED EXOTIC BIRDS LATE 19TH / EARLY 20TH CENTURY mounted in a naturalistic setting, in a later glazed display case 76.5 x 56.2cm
£200300
508 A COCO DE MER BOX (LODOICEA MALDIVICA) LATE 19TH CENTURY the top later hinged, the interior with twin divisions 27.5cm high, 28cm wide
£300400 508
206
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λ 509 A PAIR OF GIANT CLAM SHELLS (TRIDACNA GIGAS), PROBABLY 19TH CENTURY with a weathered finish (2) 68cm wide (max)
£1,0001,500
λ 510 A PAIR OF LARGE CLAM SHELLS (TRIDACNA), PROBABLY LATE 19TH / EARLY 20TH CENTURY 62.5cm wide (max) (2)
£8001,200
207
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511 A COLLECTION OF SEA SHELLS with various specimens including a fusinus colus and a large conch shell (A lot) 54cm (max)
£200300
511
512 A COLLECTION OF SEA SHELLS with various specimens including a zebra murex shell and abalonel (A lot) 26cm (max)
£200300
512
513 A COLLECTION OF SEA SHELLS with various specimens including a star fish, tibia fusus and red abalone (A lot) 24cm (max)
£200300
513
208
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514
514 A MAHOGANY THREE SEATER SOFA IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY with chequered upholstery, with a fluted frieze and on turned fluted legs 89.5cm high, 198cm wide, 94cm deep
£8001,200
515 A PAIR OF SATINWOOD SIDE CHAIRS IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY inlaid with ebonised stringing, each with a lattice back, the seats covered in watered silk, one with a squab cushion (2)
£200300
515
516 A PAIR OF WALNUT ARMCHAIRS IN GEORGE II STYLE LATE 19TH CENTURY one with needlework upholstery, the other with red plush fabric, with scroll arms, on shell capped cabriole front legs and claw and ball feet (2)
£8001,200
516 209
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λ 517 AN EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE C.1840 the circular tilttop on a faceted stem and castors 75cm high, 137cm diameter
£400600
517
λ 518 AN EARLY VICTORIAN ROSEWOOD WHATNOT C.1840 with three shaped tiers, turned supports and brass castors 80.5cm high, 39.3cm wide, 34.5cm deep Provenance From the collection of the late Dr. Gordon Pack.
£150250
518
λ 519 A VICTORIAN ROSEWOOD OTTOMAN / CANTERBURY C.186070 plush upholstered, the hinged seat revealing an interior with three divisions, the brass hinges stamped ‘Horne Patent’, on brass castors 52cm high, 49.5cm wide, 44.3cm deep
£200300 519
210
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λ 520 AN EARLY VICTORIAN ROSEWOOD BONHEUR DU JOUR C.1840 with ovolo mouldings, the raised back with a fretwork gallery and scroll supports, fitted with two drawers, above a gilt tooled green leather lined pullout writing surface, above a divided frieze drawer, on fretwork and spiral twist trestle ends and Rococo style frill brass castors, stamped ‘Copes’ 121cm high, 90cm wide, 53cm deep
£400600
520
521 λ 521 AN EARLY VICTORIAN ROSEWOOD NURSING CHAIR C.1850 with a high back, the moulded frame carved with a shell, leaves and flowers
£100150
522 A CALAMANDER AND GILTWOOD COLUMN 20TH CENTURY 110.9cm high, 46.7cm wide
£300500 522 211
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523 523
524
525
A SET OF TEN MAHOGANY DINING CHAIRS IN 18TH CENTURY STYLE EARLY 20TH CENTURY
A PAIR OF CARVED OAK OPEN ARMCHAIRS IN CHARLES II STYLE LATE 19TH CENTURY
TWO ARMCHAIRS IN GEORGE II STYLE LATE 19TH / EARLY 20TH CENTURY
each with a pierced splat back carved with leaves, drapes and a ram’s head, above a dropin leather seat, on shell capped cabriole legs, comprising: a pair of open armchairs and eight side chairs (10)
each with a leaf and scroll decorated back above a green plush upholstered seat (2)
£300500
each with a padded back, one serpentine, the other concave, with scroll arms and later loose covers, on walnut front cabriole legs with leaf and shell decoration and claw and ball feet (2)
£400600
£500800
524
212
525
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
526 AN EDWARDIAN MAHOGANY DISPLAY CABINET IN ‘CHINESE CHIPPENDALE’ STYLE EARLY 20TH CENTURY the pagoda top above a blind fret frieze, applied with scrolls and hung with bells, with a pair of Rococo astragal glazed doors enclosing two glass shelves, the base with blind fret and pierced decoration and with panelled legs united by a pierced stretcher 231.8cm high, 138.4cm wide, 45.3cm deep Provenance Purchased from L. L. Harfitt, House Furnishers, Salisbury 13th September 1951.
£8001,200
213
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527 A WALNUT WING ARMCHAIR IN WILLIAM AND MARY STYLE LATE 19TH / EARLY 20TH CENTURY with scroll arms, on faceted inverted baluster supports united by a ribbed shaped stretcher Provenance From the Estate of the late Barbara Humble, BradfordonAvon.
£200300
527
528 A MAHOGANY TRIPOD TABLE IN GEORGE III STYLE the circular tilttop with a moulded pie crust edge, the cabriole legs carved with ribbon tied sheaves of wheat 72.4cm high, 74.3cm wide
£150250
528
529 A WING ARMCHAIR IN GEORGE III STYLE 19TH CENTURY later upholstered, on moulded mahogany front supports united by an ‘H’ stretcher, on brass castors
£300500
529
214
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530 A LATE VICTORIAN OAK BOOKCASE CABINET BY GILLOW & CO. C.1880 inlaid with burr oak panels and marquetry with scrolling leaves, palmettes and stylized urns, with applied carved corbels, the detachable cornice above a pair of glazed doors enclosing three adjustable shelves, the base with a pair of panelled doors, each enclosing an adjustable shelf, stamped ‘Gillow & Co. 864’ 251.3cm high, 134cm wide, 39cm deep
£2,0003,000
530
531 A VICTORIAN ASH ARMCHAIR BY HOLLAND & SONS MID19TH CENTURY with button upholstery, on turned front legs and brass caps and castors, the back left leg stamped ‘Holland & Sons’ Provenance From the collection of the late Dr. Gordon Pack.
£200300 531
215
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532
533 532
533
A PAIR OF VICTORIAN GILTWOOD AND COMPOSITION WALL BRACKETS IN GEORGE II STYLE, C.1870
A RED JAPANNED CHINOISERIE WALL MIRROR LATE 19TH / EARLY 20TH CENTURY
each decorated with a hoho bird, with Rococo scrolls, flowers and leaves (2) 34.5cm high, 30cm wide
£100150
45.5 x 31.2cm
£200300
534
534
535
AN EDWARDIAN GILTWOOD BIJOUTERIE TABLE EARLY 20TH CENTURY
A MAHOGANY CLINKER BUILT MODEL BOAT COFFEE TABLE LATE 20TH CENTURY
the hinged lid with blind fret decoration, with applied pierced brackets and an undertier 75.9cm high, 56cm wide, 41.5cm deep
with a plate glass top, on a stand 39cm high, 126cm wide, 60.3cm deep
£100150
535 216
£300400
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
λ 536 A PAIR OF MAHOGANY DEMI-LUNE CONSOLE TABLES IN GEORGE III STYLE LATE 20TH CENTURY inlaid with satinwood fan paterae and with rosewood crossbanding, on square tapering legs and spade feet (2) 81.8cm high, 113.5cm wide, 48.3cm deep
£600800
536
λ 537 A SHERATON REVIVAL PAINTED SATINWOOD PEMBROKE TABLE LATE 19TH CENTURY decorated with an oval panel, with pastoral figures and Cupid after Angelica Kauffman, with bands of scrolling leaves and baskets of flowers, oval portraits and swags of husks, the dropflap top above a frieze drawer, with ivory handles, on brass castors 75.3cm high, 91.7 x 94.5cm (open)
£400600
537
538 A PAIR OF SATINWOOD OCCASIONAL TABLES IN REGENCY STYLE LATE 19TH / EARLY 20TH CENTURY each with kingwood banding and on lyre shape supports united by turned stretchers (2) 69.8cm high, 55.5cm wide, 37.6cm deep
£8001,200
538 217
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539
539 A PAIR OF SATIN BIRCH SINGLE BEDS IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY inlaid with stringing and banding, of sleigh shape with caned head and footboards on leaf carved fluted legs, with Heals bases and mattresses (2) 99.3cm high, 99.3cm wide, 223cm long Provenance From the collection of the late Peter Meyer.
£300500
540 A MAHOGANY CHEVAL MIRROR EARLY 20TH CENTURY the rectangular plate with square section supports and scroll legs, terminating in brass caps and castors, stamped ‘G R’ and with an inventory plaque 178.9cm high, 86.2cm wide, 63.5cm deep Provenance By repute, a British Embassy.
£400600 540
λ 541 TWO SIMILAR LATE VICTORIAN ROSEWOOD OVAL TRAY TABLES C.18901900 inlaid with boxwood stringing and marquetry husks and fan spandrels, each with a liftoff drinks tray, with a pair of brass handles and a glass base, on swept supports united by an ‘X’ stretcher (2) 83cm high, 89.7cm wide, 55.5cm deep (max)
£200300
541 218
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542 A PAIR OF LEATHER AND BRASS STANDARD LAMPS 20TH CENTURY of triform shape (2) 149.5cm high
£400600
543
543 A PAINTED TÔLE POTTED TULIP CANDLEHOLDER AND BOUGH POT BY COLEFAX & FOWLER, SECOND HALF 20TH CENTURY
542
with five lights 45.5cm high
£200300
544 THREE NORTH AFRICAN NEEDLEWORK CUSHIONS 20TH CENTURY applied with cowrie shells, together with a pair of floral tapestry and silk cushions (5) 70cm (max)
£150200
544
219
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545
545
546
A PAIR OF LENYGON & MORANT CLAYTON ‘HOWARD’ ARMCHAIRS MID20TH CENTURY
AN EASY ARMCHAIR IN HOWARD STYLE LATE 19TH / EARLY 20TH CENTURY
each later upholstered with a tartan style fabric, on beechwood legs and brass castors, each with a label to the underside of the seats, inscribed ‘Lenygon & Morant Ltd, Makers of Howard Chairs & Settees’ 48 South Audley St. London W.1.’, consecutively numbered ‘14775’ and ‘14776’ (2)
on oak supports and brass castors
Provenance Purchased by the current vendor’s parents directly from Lenygon & Morant.
Provenance From the collection of the late Peter Meyer.
£200300 λ 547
£2,0003,000
A MAHOGANY AND SHAGREEN TRIPTYCH DRESSING TABLE MIRROR EARLY 20TH CENTURY with ivory finials 61cm high, 82cm wide
£150250
546
220
547
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ORIENTAL FURNITURE WORKS OF ART & CARPETS
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548 AN ANGLO-CHINESE CAMPHORWOOD TRUNK LATE 19TH CENTURY with brass mounts, the interior with a lidded till 45cm high, 98cm wide, 48.2cm deep
£300500
548
λ 549 A CHINESE EXPORT LACQUER WORK TABLE EARLY 19TH CENTURY gilt decorated on a black ground with figures in various pursuits, with buildings and pagodas in a water landscape, the hinged lid revealing a fitted interior with lidded compartments and divisions, with some carved ivory utensils above a silk lined pullout bag, on pierced lyre shape supports united by a stretcher, on carved giltwood lion’s paw feet 70.6cm high, 61.5cm wide, 40.8cm deep Provenance From a Private Cornish Country Estate.
£200300
549
550 AN ANGLO-CHINESE CAMPHORWOOD TRUNK EARLY 20TH CENTURY with brass mounts, the interior with a lidded till and twin lots, one stamped ‘Kwang Wah Camphorwood Trunks Maker Made in Hong Kong’ 48.4cm high, 97cm wide, 48.8cm deep
£300500
550 222
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551 A CHINESE PADOUK DESK 19TH CENTURY the panelled top above four frieze drawers and with a fretwork undertier 81.5cm high, 120.5cm wide, 64.5cm deep
£500700
551
552 A CHINESE ELM BENCH LATE 18TH / EARLY 19TH CENTURY the rectangular top inset with a rattan panel, with a pierced frieze and stylised scroll supports 54cm high, 196.6cm long, 55cm deep
£400600 552
553 A CHINESE PADOUK KANG TABLE LATE 19TH CENTURY the top with a burr panel, above a frieze carved with bats and curved scroll ends 32.3cm high, 97.4cm wide, 42cm deep
£200300
553
223
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λ 554 A PAIR OF CHINESE ROSEWOOD HANGING DISPLAY CABINETS LATE 20TH CENTURY with fret decoration, each with a glazed hinged door, the interior with shelves and a collection of sea shells (2) 90.7cm high, 50.7cm wide, 12cm deep Provenance From the estate of Roland Baker deceased.
£300500
554
555 TWO CHINESE SILK AND GILT METAL THREAD EMBROIDERED PURSES EARLY 20TH CENTURY 28.8cm wide (max) (2)
£100150
555
556 A CHINESE BLACK LACQUER SCREEN 20TH CENTURY of six panels, mounted as one, decorated in gilt and polychrome with a watery landscape with figures in boats with buildings and trees, with signature panel inscribed 'Qing Huai ye bo tu' a scene of a river in midChina 122.5 x 180.6cm Provenance From the estate of Roland Baker deceased.
£400600 556 224
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
557 AN ANGLO-CHINESE NAVAL AMBOYNA AND PADOUK WRITING SLOPE LATE 19TH CENTURY brass mounted, the hinged lid with a plaque inscribed ‘H. W. Eason R.N. Presented by Signal Staff, H.M.S. Centurion’, the part camphorwood and possibly huanghuali lined interior with compartments and divisions for pen and ink, with two inkwells and an ebony ruler, with three secret drawers and a baize line writing surface, with side sunken handles 20.5cm high, 52.7cm wide, 29.5cm deep
£300400 557
558 A CHINESE PAINTED VELLUM TRUNK EARLY 20TH CENTURY decorated with courtly ladies in pavilions, taking tea, with pine and prunus trees, the interior with a blue silk lining, with brass handles and lock plate 27.8cm high, 66.5cm wide, 43cm deep
£200300
558
559 THREE GRADUATED CHINESE VELLUM TRUNKS EARLY 20TH CENTURY the largest painted with parakeets, the others with courtly ladies, all with a blue silk lining and brass handles and mounts, the largest with a locking bar (3) 25.5cm high, 56cm wide, 35.7cm deep (max)
£200300
559 225
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560 A CHINESE EMBROIDERED SILKWORK PICTURE LATE 19TH CENTURY worked in various colours, with birds amidst flowers and foliage, comprising: three panels which have been mounted on later frames, signed (3); 226.3 x 51.7cm for the two end panels and 226.3 x 70.7cm for the central panel
£200300 561 FOUR INDIAN HUNTING AQUATINTS FROM ‘ORIENTAL FIELD SPORTS’ AFTER CAPTAIN THOMAS WILLIAMSON & SAMUEL HOWITT (1756 1822) comprising: ‘The Chase after a Hog’, ‘The Return from Hog Hunting’, ‘Beating Sugar Canes for a Hog’ and ‘Hunters Going out in the Morning’, ‘Published & Sold June 4th 1805 by Edward Orme, Printseller to his Majesty, 59. Bond Street, London’, each in later glazed walnut and parcel gilt frames, with labels for ‘Richard Green, Frank T Sabin 4 New Bond Street’ (4) 35.3 x 46cm Provenance From a Private Cornish Country Estate.
£200300 562 SEVEN EUROPEAN PRINTS DEPICTING CHINESE SUBJECTS LATE 18TH CENTURY AND LATER including three examples after W. Alexander, two after PuQua, Canton and an engraving 'Celebrating The Queen's Jubilee in Hong Kong' from the Graphic (7) 31.5 x 23.5cm (max) Provenance From a Private Cornish Country Estate.
560
561 226
£80-120
562 part
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
563
563 A PAIR OF DUTCH PAINTED MIRROR STILL LIFE PICTURES IN THE MANNER OF JEANBAPTISTE MONNOYER, 18TH CENTURY in Chinese reverse glass style, depicting flowers in a basket and an urn, in ebonised wood frames (2) 11 x 15cm Provenance The Australian writer Barbara Janet Baynton, Lady Headley (18571929) and by descent.
£400600 564 NO LOT 565 A CHINESE PORCELAIN DOUBLE GOURD VASE TABLE LAMP LATE 19TH / EARLY 20TH CENTURY painted with a colourful scaly dragon chasing pearls, on a yellow ground, neck reduced, the underside with an iron red fourcharacter mark 63cm high
£400600
565
227
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566 A SMALL COLLECTION OF CHINESE EXPORT FAMILLE ROSE PORCELAIN LATE 18TH / EARLY 19TH CENTURY comprising: three bowls, a pair of dishes, a cylindrical mug and a French Samson porcelain bowl and cover (7) 28.8cm diameter Provenance From the collection of the late Dr. Gordon Pack.
£100150
566
567 A GREEN GLAZED VASE 41.5cm high
£50100
567
568 A CHINESE BLUE AND WHITE PORCELAIN VASE TABLE LAMP with later wooden mounts 40cm high
£300500 568
228
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λ 569 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET MID19TH CENTURY natural and stained red, the white king and queen modelled as European monarchs, the opposing pieces as the Chinese Emperor and Empress, all raised on a puzzle ball base (32) the king: 16cm high, the pawn: 7.3cm high
£200300
λ 570 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET MID19TH CENTURY natural and stained red, the pieces as Chinese figures, the rooks as elephants, the knights as horsemen and the pawns as warriors (32) the king: 14cm high, the pawn: 5.5cm
£500800
λ 571 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET MID19TH CENTURY natural and stained red, the king and queens as a Chinese Emperor and Empress, all raised on a puzzle ball base (32) the king: 17.1cm high, the pawn: 8.2cm high
£200300
229
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572 572
573
AN INDIAN CARVED AND TURNED BONE CHESS SET 19TH CENTURY
AN INDIAN CARVED AND TURNED BONE CHESS SET 19TH CENTURY
natural and stained red (32) the king: 13.5cm high, the pawn: 4cm
natural and stained red (32) the king: 13.6cm high, the pawn: 4.3cm
£150250
£150250
573 λ 574 A LARGE COLLECTION OF CHINESE AND INDIAN CARVED IVORY CHESS PIECES 19TH CENTURY (A lot)
£100200
574 230
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λ 575 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET LATE 19TH CENTURY natural and stained red (33) the king: 8.8cm high, the pawn: 4cm high
£80120
λ 576 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET LATE 19TH CENTURY natural and stained red, the pieces in the form of Chinese figures standing on puzzle ball bases, the rooks as elephants, the knights as horsemen and the pawns as warriors (32) the king: 13.5cm high, the pawn: 6.5cm high
£200300
λ 577 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET LATE 19TH CENTURY natural and stained red, the king and queen as a Chinese Emperor and Empress, all raised on a puzzle ball base (32) the king: 12.7cm high, the pawn: 6cm high
£100150 231
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578
λ 578
λ 579
λ 580
EIGHT JAPANESE IVORY NETSUKES MEIJI 18681912
A JAPANESE IVORY OKIMONO MEIJI 18681912
of seated men, one in the form of a skeleton holding a dog (8) 4.5cm high (max)
of a lady eating with her son, kneeling before a table, the underside with a signature tablet 9.4cm high, 11.7cm wide
FOUR JAPANESE IVORY AND MARINE IVORY OKIMONO MEIJI 18681912
£100200
£150200
two of geishas and two of men and boys, with various signatures (4) 25.8cm high (max)
£100200
580
232
579
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λ 581 A JAPANESE IVORY SHIBAYAMA TWO-FOLD TABLE SCREEN TSUITATE MEIJI 18681912 decorated with gilt lacquer and inlaid with mother of pearl, ivory and coral, with panels of landscape scenes, with geisha figures and mountains beyond, above panels of birds, the reverse with watery landscapes with trees and flowers and various birds, with engraved silver hinges and a carved outer frame 20.6 x 21.7cm
£2,5003500
λ 582 A JAPANESE IVORY OKIMONO MEIJI 18681912 carved with a group of fishermen and boys sitting on an anchor 17cm long
£200300
581
582
233
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583 AN ORIENTAL BLACK LACQUER CABINET CHINESE OR JAPANESE, 18TH CENTURY with engraved brass mounts, the front decorated in gilt with watery landscapes, with pagodas, trees and mountains, enclosing an arrangement of twelve drawers around a cupboard, the sides painted with flowers, with a pierced base, on a later ebonised stand 165.2cm high, 90cm wide, 49.5cm deep
£2,0003,000 584 A JAPANESE BRONZE CYLINDRICAL VASE OR CENSER MEIJI 18681912 the body decorated with pierced panels of scrolling foliage, with a liner 42cm high
£200300 λ 585 A JAPANESE BRONZE OKIMONO BY GENRYUSAI SEIYA MEIJI 18681912 the pachyderm fending off the attack of two tigers, its front leg lifted and about to crush one feline whilst the other clambers upon its back, with ivory tusks and inscribed to the belly ‘Seiya zo for Genryusai Seiya’, together with a wood base (2) 28.5cm wide Provenance Formerly a private Russian collection, and thence by descent.
£8001,200
583
584 234
585
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587
586
586
587
588
589
AN INDIAN EBONY AND SILVER CANE OR PARASOL HANDLE 19TH CENTURY
A MINIATURE DUTCH COLONIAL PADOUK AND BRASS MOUNTED CHEST LATE 17TH / EARLY 18TH CENTURY
AN INDIAN SILVER HANDLED WALKING CANE LATE 19TH CENTURY
AN INDIAN TEAK AND BRASS BOUND BOX 19TH CENTURY
decorated with scrolling foliage, with signature to base, above a Malacca shaft 89.4cm long
the interior with a velvet lined writing surface, lidded compartments, drawers and a central glazed sliding box, the interior in need of some restoration 15.6cm high, 38cm wide, 26cm deep
the silver handle with scrolling foliage, the shaft relief carved with panels of flowers 52cm long
£150200
the interior with a lidded till, with brass strapwork side carrying handles, on later ebonised wood bun feet 22cm high, 41cm wide, 21cm deep
£200300
£150200
£500800
588
589
235
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590
λ 590
λ 591
AN INDO-PORTUGUESE IVORY AND TORTOISESHELL TABLE JEWELLERY CASKET 18TH CENTURY
A MUGHAL INDIAN HARDWOOD AND IVORY BOX LATE 17TH / EARLY 18TH CENTURY AND LATER
of sarcophagus shape, the hinged lid with glazed and tortoiseshell panels, some with floral decoration, with parquetry bands and green stained ivory borders, revealing lidded compartments and a liftout tray, with secret drawers, the interior with a similar arrangement and with the addition of velvet lined ring holders 27cm high, 35.6cm wide, 25.5cm deep
£6001,000
591
236
all over decorated with repeating patterns of flowers and bands of leaves, with a vacant plush lined interior 20cm high, 32.5cm wide, 24.5cm deep
£8001,200
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λ 592 AN INDO-PORTUGUESE TORTOISESHELL AND IVORY CABINET ON STAND 18TH CENTURY ELEMENTS AND LATER with a pair of hinged doors, revealing a fitted interior with an arrangement of thirteen drawers, the sides with brass carrying handles and on a rosewood and ivory inlaid stand 111cm high, 57.7cm wide, 37cm deep
£2,0003,000
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593 λ 593
594
595
THREE ANGLO-INDIAN HARDWOOD OCCASIONAL TABLES LATE 19TH / EARLY 20TH CENTURY
AN ANGLO-INDIAN HARDWOOD OCCASIONAL TABLE LATE 19TH / EARLY 20TH CENTURY
A LARGE TURKISH BRASS BRAZIER LATE 19TH / EARLY 20TH CENTURY
carved with flowers and scrolling foliage, each with a detachable top and a folding base, one with brass inlay, one with a printed paper label, inscribed ‘M. Dhani Ram Puran Chand ivory, brass, inlaid woodwork manufacturers & wholesale exporters, Hoshiarpur, India’ (3) 63.7cm high, 65cm wide (max)
inlaid with brass and ebony, with scrolling leaves and flowers and with a star motif, the octagonal top above a folding base with mihrab arches 63.3cm high, 64.5cm wide
with lobed and pierced decoration 133.5cm high, 88cm wide
£200300
£400600
£300500
594 238
595
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596 A KASHMIRI PAPIER-MÂCHÉ OCTAGONAL BOX LATE 19TH / EARLY 20TH CENTURY the hinged lid painted with flowers, the body with panels of urns of flowers, with iron carrying handles 46.4cm high, 43cm wide and deep Provenance From the estate of Roland Baker deceased.
£150250
596 λ 597 AN ANGLO-INDIAN HARDWOOD DRESSING TABLE MIRROR HOSHIARPUR, LATE 19TH / EARLY 20TH CENTURY inlaid with bone, ivory and ebony with scrolling foliage, the interior with a hinged mirror, a lidded compartment and a liftout tray 11.8cm high, 22cm wide, 28.6cm deep
597
£150250
598 AN INDIAN TEAK DOWRY CHEST PROBABLY RAJASTHAN, LATE 19TH / EARLY 20TH CENTURY with painted and carved decoration and horse’s head finials, with a central cupboard door, on wheels 103cm high, 116cm wide, 73cm deep
£600800
598 239
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599 A MOROCCAN RUG TAZNAKHT, 20TH CENTURY 207 x 108.7cm Provenance By repute, purchased at Liberty’s.
£200300
599
600
600 A KURDISH RUG NORTH WEST PERSIA, EARLY 20TH CENTURY 239 x 113cm
£150250 601 A LESGHISTAN RUG EAST CAUCASUS, LATE 19TH / EARLY 20TH CENTURY 173 x 129cm
601
240
£300500
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602 A LARGE DOROKSH CARPET NORTH EAST PERSIA, C.192030 688 x 500cm
£2,0003,000
241
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603
603 A MALAYER RUG NORTH WEST PERSIA, EARLY 20TH CENTURY 160.5 x 134cm
£150200
604 A KURDISH MALAYER RUG NORTH WEST PERSIA, 20TH CENTURY 300 x 129cm
£150250
604
605 A PAIR OF DOROKSH RUGS KHORASAN, NORTH EAST PERSIA, 20TH CENTURY 200 x 133cm (2)
£300500
242
605
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606 A FINE TABRIZ PICTORIAL CARPET NORTH WEST PERSIA, EARLY 20TH CENTURY with an all over design of a hunting scene with mounted figures pursuing various wild animals amidst foliage, with an indigo border woven with birds and kneeling female figures 562 x 424cm Provenance From the collection of the late Peter Meyer.
£5,0007,000
243
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607
608
607 AN AGRA CARPET NORTH INDIA, FIRST HALF 20TH CENTURY 450 x 303cm
£500800
608 A TURKISH STYLE CARPET POSSIBLY DONEGAL, EARLY 20TH CENTURY 452 x 394cm
£400600
609 A NEAR PAIR OF RUNNERS NORTH WEST PERSIA, FIRST HALF 20TH CENTURY one later cut into two sections (3) 509cm long 88cm wide, 222.5cm and 258.5cm
£200300
609 244
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610 AN ISFAHAN CARPET CENTRAL PERSIA, 20TH CENTURY with an allover design of palmettes and a signature cartouche 495 x 348cm
£8001,200 245
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611 612 611
612
613
A KERMAN RAVAR PICTORIAL RUG SOUTH EAST PERSIA, EARLY 20TH CENTURY
A SARAB RUNNER NORTH WEST PERSIA
A TURKMEN ENSI TURKMENISTAN, LATE 19TH / EARLY 20TH CENTURY
depicting a man fighting a lion taken from the Persepolis reliefs 96 x 76.5cm
together with a Persian rug (2) Runner: 391 x 110cm Rug: 185 x 115cm
together with another Turkmen rug and a Persian rug, possibly Jozan (3) Ensi: 153 x 125cm Turkmen: 161 x 89.5cm Persian: 198.5 x 140cm
£300600
£300500
£500800
612
613
END OF SALE 246
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SILVER & OBJECTS OF VERTU TUESDAY 25TH & WEDNESDAY 26TH JANUARY 2022
A pair of George III silver candelabra, the bases by Parker and Wakelin, London 1768, the branches by Wakelin and Taylor, London 1778/79 Estimate £5,000 8,000*
ENQUIRIES Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0)1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price
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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm
VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.
REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.
PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.
BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.
BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.
COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.
TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.
LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.
BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.
CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.
SALE RESULTS These will be posted on our website shortly after the sale.
PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping
+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk
Kimdan Ltd
+44 (0)7973 389436 andy@kimdan.co.uk
Mailboxes
+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester
Pack & Send
+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury
Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.
EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for handcarried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.
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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the cardholder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 309741 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.
LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.
CITES REGULATIONS Please note that lots marked Regulations when exported.
λ may be subject to CITES
The CITES Regulations may be found at www.defra.gov.uk/ahvla en/importsexports/cites/
ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.
‡ symbol are potentially subject to
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 200,000 1% €200,000.01 350,000 0.5% €350,000.01 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000
FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.
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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS
TERMS OF CONSIGNMENT FOR SELLERS
1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.
1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.
2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).
2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower presale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.
6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).
Reserves.
7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.
9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.
8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.
(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.
10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).
11. Unsold and withdrawn items. If an item is unsold it may with your consent be re offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.
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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.
3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT
15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.
(a) Immediately a lot is sold you will:
16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.
CONDITIONS OF SALE
(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.
Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.
(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.
7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.
(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 8. REMEDIES FOR NONPAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.
22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.
(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.
(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.
15. FORGERIES
(j) Dimensions are given height before width.
Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.
(k) Pictures are framed unless otherwise stated. BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.
18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.
Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.
19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.
Royalties for Droit de Suite are as follows:
20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.
Please enquire for the accepted exchange rate on the day of the sale. 4% Up to €50,000 3% €50,000.01 200,000 1% €200,000.01 350,000 0.5% €350,000.01 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.
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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.
DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 5161 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT
THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.
We may collect the following personal data about you:
In this respect we will provide your data to the following:
• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of governmentissued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.
• our professional advisors; • thesaleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.
We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.
LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;
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CONSENT
HOW LONG YOUR INFORMATION IS KEPT
We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.
We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.
Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.
In particular:
SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a lifethreatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).
• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS
INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.
Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk
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Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.
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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.
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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.
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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.
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A345 Castle Rd
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WOOLLEY & WALLIS SALEROOMS
Old Sarum
17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)
Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough
Woolley & Wallis Salisbury Salerooms Ltd. 5161 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29
Design & Production by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk
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PLEASE PRINT CLEARLY IN BLOCK LETTERS
ABSENTEE BID FORM Lot Number
FURNITURE
Brief Decription
Price Excluding
in numerical
buyer’s premium
order
& VAT
WORKS OF ART & CLOCKS WEDNESDAY 12TH & THURSDAY 13TH JANUARY 2022 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.
Billing Name (please print)
Address
Postcode Daytime telephone Email
ID may be required even if you have bid with us before.
Signature
Salisbury Salerooms, 5161 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508
www.woolleyandwallis.co.uk
AUCTION CALENDAR ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2022 AUCTIONS
2022 JANUARY 12th & 13th 25th & 26th
Furniture, Works of Art & Clocks Silver & Objects of Vertu
FEBRUARY 9th
Fine Porcelain and Pottery
MARCH 2nd 16th 30th
Old Masters, British & European Paintings Clarice Cliff, Art Deco & Design Furniture, Works of Art & Clocks
APRIL 5th & 6th 12th & 13th 26th 27th
Jewellery Silver & Objects of Vertu English & European Ceramics & Glass African & Oceanic Art | Antiquities
MAY 17th & 18th 25th
Asian Art, Chinese Paintings & Japanese Works of Art Medals & Coins, Arms & Armour
Dates may be subject to change
+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 5161 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium
A set of four chestnut figural panels part SOLD FOR £20,000*
www.woolleyandwallis.co.uk