Woolley & Wallis Auctioneers

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JEWELLERY THURSDAY 28TH JANUARY 2021



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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA Megan Corbett

424595 424504 424586

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV Amanda Lawrence

424598 424509 424509

GENERAL OFFICE FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy

411854 339161 446974

Janice Clift (Office Manager) Sarah Bennie Nicola Young

424500

CASTLE GATE RECEPTION 20TH CENTURY DESIGN

Sally Litherland

Michael Jeffery Zoe Smith

424505 446955

MARKETING Sally Trench

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez­Ferreiro

424506 +44 (0)7812 601098 424571 424591

ACCOUNTS Ruth Pike Sharon Ringwood

BOARD OF DIRECTORS CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Amber Lees

424589 424571

Natalie Milsted FCCA Managing Director

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

Paul Viney ASFAV Non­Executive Director

424583 424591

ASSOCIATE DIRECTORS

JAPANESE ART Alexandra Aguilar Sarah Lopez­Ferreiro

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

John Axford MRICS ASFAV Chairman

339752 446980

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark Yuan­Richards

446959


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FINE JEWELLERY THURSDAY 28TH JANUARY 2021 10.00AM

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

at our Castle Street Salerooms, SP1 3SU

VIEWING BY APPOINTMENT ONLY Saturday 23rd January Monday 25th January Tuesday 26th January Wednesday 27th January

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm

There is no viewing on the day of the sale

Charlotte Glyde FGA 01722 424586 cg@woolleyandwallis.co.uk

Please contact the department to make an appointment

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE

COLLECTION OF LOTS BY APPOINTMENT ONLY Please contact the department to arrange collection of lots. No Saturday collections

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE

IMPORTANT CHANGES TO OUR BIDDING PROCEDURE

bid.woolleyandwallis.co.uk

Owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two forms of identification. This applies to both new and existing clients.

Please register by 5pm on Wednesday 27th January

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Wednesday 27th January ILLUSTRATIONS Front cover: Lot 374 Back cover: Lot 396 Catalogue £10.00 (£15.00 by post)

Facebook: @woolleyandwallis Twitter: @woolleywallis Pinterest: Woolley and Wallis


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JEWELLERY NOTICES Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life­sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Items described as ‘seed pearls’ have not been tested and cannot be guaranteed as natural pearls. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1 A large collection of gouache jewellery drawings £400­600

2 A collection of approximately 200 gouache jewellery drawings, one embossed ‘Boucheron’, and some photographs and pencil drawings £400­600

3 A collection of approximately 280 gouache drawings of jewellery and wristwatches, some stamped ‘Made in France’ £400­600

1

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3 5


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4 A collection of assorted jewellery boxes by Cartier, Bulgari, Boucheron, Van Cleef & Arpels and various other jewellers £400­600 5 A collection of jewellery boxes by Cartier, Bulgari, Boucheron and various other jewellers £400­600 6 A collection of jewellery boxes by R. Lalique, Bulgari, Mauboussin, Cartier, S.J. Philipps, Cameo Corner and various other jewellers £400­600

6

7 A collection of jewellery boxes by Van Cleef & Arpels, Cartier, Tiffany, Bulgari, Boucheron and various other jewellers £200­300 8 A large tiara case by Garrard, 84 Albemarle Street, (slightly damaged hinge) £200­300

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6

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9 A jewellery box for a choker necklace by Cartier, another box by Cartier containing a long steel pin and a centre opening jewellery box by Chaumet £200­300 10 A bracelet box for Cartier, and two other jewellery boxes by Cartier £200­300 11 A fitted bandeau case by Heming & Co., green leather with gilt tooled decoration, with purple velvet interior, silk liner signed Heming & Co. 28 Conduit Street, internal diameter 17cm widest £80­120 12 LITERATURE: 10 books and catalogues on the subject of jewellery £150­250 13 LITERATURE: 12 books and catalogues on the subject of jewellery £200­300 11

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14 A silk and gold evening bag by Cartier, with woven decoration and plain silk strap, signed ‘Cartier Ltd London’ to the interior, with fluted cylindrical 9ct gold bar, London hallmarks for 1964 and maker’s mark ‘M&Co’, 23cm wide £150­250 15

A collection of polished hardstone eggs and spheres

16

16 A large jewellery casket in a leather bound case containing a large selection of jewellery, including an Edwardian and seed pearl pendant in fitted case, various items of of plaited hair jewellery, an assortment of jewellery boxes and a selection of Victorian and Edwardian gold brooches etc £400­600

£80­120 17 A large quantity of jewellery in a leather case, including a pair of cut steel buckles, a set of enamel buckles, a silver mesh bag and many other items of jewellery and costume jewellery £200­300

17 8


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19

18 (2) 18 A leather jewellery casket containing a quantity of jewellery, including a Victorian gold and diamond bangle, a Victorian hardstone cameo brooch, a malachite necklace, a Regency agate swivel ring, and various items of gold mourning jewellery etc £200­300 19 A jewellery box containing a small quantity of jewellery, including an 18th century paste witches heart, a George III garnet­set gold mourning brooch, a gold mourning brooch containing plaited hair, two other brooches and four rings £200­300 20 A jewellery box containing a quantity of jewellery, including various pocket knives, propelling pencils, a silver pill box and other items of jewellery and costume jewellery £200­300 21 A leather jewellery casket containing a selection of jewellery, including a gold mourning brooch, various cufflinks, glass bangles and other items of jewellery and costume jewellery £200­300 22 A leather jewellery box containing a quantity of jewellery, including a plaited hair necklace, a silver bracelet, various cameo brooches and cultured pearl necklaces and rings etc £200­300

20

23 A wooden jewellery box containing a selection of jewellery, including a lady's gold fob watch, two sapphire bar brooches, a silver bangle, a coral cross pendant and various gold rings and other items of jewellery etc £150­250

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24 A jewellery box containing an assortment of jewellery, including a gold fob watch, various gold and silver rings, a fob seal, a sapphire cabochon and diamond bracelet, and a selection of other items £400­600

26

25 A wooden box containing assorted loose gemstones and hardstones etc. £80­120 26 A large quantity of loose gem stones, including emeralds, rubies and sapphires £200­300 λ 27 A large quantity of loose semi­precious stones, including aquamarines, peridots, turquoise, coral, jade, amethysts, citrines, garnets, etc £200­300 28

27

28 10

A quantity of mixed cultured and natural pearls, (all untested) £400­600


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

29 30

29 A set of fifteen graduated black pen pearls, mounted on board with carat weights marked to the reverse, 82.40cts total £200­300 Random test on three pearls: natural saltwater as per verbal report from GCS. 30 A box containing assorted grey pearls and seed pearls, 368.82cts total £800­1,200 Random test on four pearls: natural saltwater as per verbal report from GCS. 31 A box containing thirty­three assorted grey pearls, 165.84cts total £2,000­3,000 31

Random test on four pearls: natural saltwater as per verbal report from GCS.

32

32 A set of eleven graduated grey pearls including natural pearls, mounted on perspex with carat weights to the reverse £600­800 Random test on three pearls: natural saltwater as per verbal report from GCS. 33 A collection of natural and cultured pearls, including a natural pearl stick pin, two small natural button­shaped pearls, three cultured pearls and a natural partial blister pearl £1,000­2,000 34 An untested pearl necklace and an untested baroque pearl £200­300 33

34

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35

35

A bakelite diamond­set feather fan

37

£400­600

36 A quantity of jewellery, including a ruby and diamond flower­ mounted gold heart­shaped pendant, two stone­mounted gold signet rings, a Jaeger LeCoultre alarm clock, four wristwatches and various items of jewellery, costume jewellery, etc £400­600

36

12

37 A quantity of jewellery items, including a gold square brooch set with buff top garnets to the undulating mount, an oval­shaped andalusite­set white gold ring with four small diamonds set to each shoulder, a Victorian gold brooch centred with a dome of pavé­set turquoise cabochons and tassels, a navette­shaped gold ring set with rose­cut diamonds, two cameo mounted gold brooches, two further brooches, three gold rings, a Victorian fruit knife with two silver blades dated for Sheffield 1898 and 1899 £400­600


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40

38 A wristwatch and a quantity of jewellery items, the ladies yellow gold wristwatch by Bueche Girod on a textured gold integrated band, a pair of sapphire and diamond cluster earrings, a three colour gold Russian wedding ring, two platinum wedding rings, a white gold half­hoop diamond ring, a gold curb link bracelet and six brooches £600­800

39 A quantity of jewellery and costume jewellery, including various pairs of earrings, rings, necklaces and bracelets £600­800 40 Various items of jewellery, including a sapphire and diamond cluster pendant on a fine­link white gold chain, a gold hunting­cased pocket watch, a pearl and four diamond­set white gold ring, a gold fob watch, a 9ct gold necklace, 28g, a diamond cluster ring, three assorted rings and various items of costume jewellery £700­900

39 part

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41 A diamond double clip brooch, set in platinum and gold, 6cm wide, with an amethyst 9ct gold single stone ring, size U1⁄2 and a carved agate cameo within gold frame, 3.6cm high, together with a hardstone cameo­mounted gold and pearl­framed brooch pendant, a sapphire and diamond­set square­form cluster ring, an emerald and rose­cut diamond­set gold insect brooch, six further rings, a pair of red stone stud earrings, two brooches and two pendants, a pair of cultured pearl and diamond drop earrings, a 9ct portcullis brooch, a diamond­set white gold half hoop ring, formed as five clusters each centred with baguette­shaped diamonds, a gold pendant on a fine­link chain and various other items of jewellery £800­1,200 42 A large quantity of jewellery, including two long 9ct gold chains, 72g, an Edwardian gold anchor brooch, a 9ct gold curb link bracelet, 60g, a 14ct gold Rolex wristwatch, 44g, a 9ct gold smoky quartz brooch, a 9ct gold twisted rope necklace, 21g, 4 gold studs, a pair of gold cufflinks, four gold rings, a peridot necklace, a cameo brooch, and a heart brooch £400­600

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43 43 A quantity of jewellery items, including a 9ct gold textured gate link bracelet, 19cm, 19g, an Edwardian seed pearl and sapphire set gold bangle, a gold cat and mouse brooch, a 9ct gold basket of flowers brooch set with four red stones, a gold­mounted quizzing glass pendant, with seven further brooches, three pendants and a cultured pearl bracelet, a 9ct gold open faced pocket watch, a pair of diamond­ set 9ct gold cufflinks, two gold pendants each mounted with a half sovereign coin, three gold rings, a pair of silver and a pair of 9ct gold cufflinks, two compass pendants, four wristwatches and a monacle, a seed pearl­set 18ct gold ring set with four small circular­cut diamonds with foliate carved shank, a diamond­set lady’s wristwatch by Tudor, a stone set city of London arms brooch set in silver, a shakudo fan­ form brooch, two 18ct white gold wedding rings and a sapphire and diamond cluster ring £500­700 44 A large amethyst pendant set on a gold curb­link neck chain, a citrine pendant set on a gold necklace, an amethyst­set gold ring, a rock crystal carved seal ring, a cultured pearl and diamond pendant and various other items of jewellery £1,000­2,000 45 A mixed quantity of jewellery, including a smokey quartz mounted gold ring, a gold signet ring, a silver armiliary sphere pendant, and other gold rings, chains etc £300­400

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46 A selection of jewellery, including a pearl and diamond three stone ring, (one diamond loose), a sapphire closed crescent brooch in fitted case, a gold curb­link bracelet, a ropetwist gold necklace and other items of jewellery £300­400 47

No lot

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46 15


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49

λ 48 A mixed group of jewellery, including a coral bead necklace, a ruby and diamond cluster ring, a gem­set harem ring, a pair of mother of pearl cufflinks, a dress set and a set of buttons (both damaged) three stickpins and a bar brooch £200­300 49 A large amethyst bead brooch, a paste cross brooch, a diamond­set putti charm, a pair of velvet bracelets with seed pearl clasps and various other items £400­600 λ 50 A garnet three row bead necklace, with matching six row bracelet, a Victorian coral brooch and earrings, a carved coral bracelet and bangle, a seed pearl necklace, a paste pendant, a silver brooch and loose garnet beads £300­400 48 λ 51 A small quantity of jewellery items, including a coral bead necklace £600­800 52

50 16

No lot

51


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53

54 53 A quantity of 19th century brooches, including a 19th century cased gold foliate brooch, realistically formed and with an insect set with diamonds and a foil­back red stone to one leaf, 5cm wide, case, an early Victorian gold scroll brooch set with green stones, a Victorian gold foliate brooch set with a garnet, a Victorian gold tassel pendant with locket compartment and mounted with a diamond and red stone insect, together with a pair of cabochon garnet­mounted gold earrings with diamond stars and two further pendants £400­600 54 A yellow gold stickpin, with a ciper possibly for KA beneath a coronet, case, with a pair of cabochon ruby cufflinks set in gold, a travel clock by Must de Cartier, quartz movement, 6cm high, and a set of mother of pearl chequerboard buttons in platinum and gold, case £150­250 55 A quantity of jewellery, including a cultured pearl and yellow gold dress set by Mikimoto, comprising two cuff links and a stud, case. A cultured pearl and white gold dress set by Mikimoto, comprising two cuff links and a stud, case. A gold tie clip by Mikimoto, case, together with four additional cultured pearl and gold cuff links and a tie clip, a pair of gold cuff links with initial ‘R’ and two gilt metal dress sets, gold items 72.5g total £200­300

55

56 A group of jewellery, including a diamond solitaire ring, a 15ct gold bracelet, a 9ct gold bracelet, two ropetwist gold rings, a diamond half hoop ring, an opal brooch and a pair of gold flowerhead earrings £800­1,200

56 17


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58

57 A quantity of jewellery, including a Victorian 15ct gold ring set with three pearls and two rubies, Birmingham marks for 1882, case, together with a Victorian gold ring set with three green stones and two pearls, with four brooches, a pendant, a stick pin and a silver sovereign case £200­300 58 A mixed group of jewellery, including seven gem­set gold rings and a gilt metal watch pendant by Bucherer on gilt metal long chain £100­200 59 A gold fob watch on velvet strap and a collection of carved hardstone and paste gems £200­300 60 A ruby and diamond cluster ring, set in platinum and gold, a gold brooch, a lapis lazuli bead necklace and an amber bead necklace £400­600 59

60 18

61 An iolite and diamond ring, the emerald­ cut iolite is flanked with pairs of round brilliant­cut diamonds in 18ct white gold, London hallmarks for 1989, size K, with a cultured blister pearl, emerald and diamond stylized flower brooch, set in platinum and yellow gold, 7cm long £300­400

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62 A plain platinum wedding band by Cartier, size L, with seven other gold rings, one set with diamonds and a gold chain, 42g total £400­500 65

63 A Regency garnet­set necklace, set with rose­cut garnets in gold, detaches to be worn as a shorter necklace and bracelet, 41cm long £800­1,200 64 A quantity of jewellery items, including a cultured pearl, red stone and diamond­set yellow gold pendant on a fine­link yellow gold neck chain, a cultured pearl­set gold ring and a triangular­shaped yellow stone mounted gold pendant on a fine link gold neck chain £300­400

66

65 A set of Regency gold and diamond studs, in fitted case, with a pair of emerald, ruby and diamond star earrings, 12mm wide £200­300 66 An Edwardian diamond and pearl bar brooch, set in platinum and gold, with a multi­ gem­set gold ring, size P £150­250 67 A collection of carved hardstone jewellery, including an agate cameo pendant, depicting the profile of Apollo Belvedere, with a circular­cut diamond and with a circular­cut diamond mounted to the reverse, pendant loop, 4cm high, together with a 19th century intaglio­ mounted gold brooch, depicting Venus Marina, set within a surround of seed pearls, glazed compartment to the reverse containing hair, the cameo 2.8cm high and a hardstone cameo brooch pendant depicting the Virgin and Child within a seed pearl­set gold surround, 4.1cm high, cased £200­300

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68

68 An emerald and diamond bar brooch, set in gold, and three diamond half hoop rings set in yellow gold £300­400 69 A George III gold silhouette brooch, within a seed pearl border and inscription to reverse ‘The Gifts For Which Love Looks are in the Heart’, 3.2cm high, with a Victorian gold locket pendant depicting an enamel religious scene, 4.4cm high £200­300 69 19


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70 A diamond­set heraldic swan brooch, in an aggressive pose and pavé­set overall with round brilliant­cut diamonds, sapphire eye and issuing from a diamond­set gold cornet, in yellow and white gold, 3.5cm high, together with a diamond­set cross pendant set with tapered baguette and circular­cut diamonds in white gold on a fine­link white gold neck chain £200­300 73

71 A pair of 9ct gold circular cufflinks, a 9ct gold wedding ring, a gold ring set with four pink stones each separated with a pair of diamonds, a gold ring set with three amethysts and a gold nugget stick pin £400­600 72 A pair of plain oval 18ct gold cufflinks, maker’s mark and London hallmarks for 1928, 22g, with three pairs of silver cufflinks £150­200 73 A collection of five silver necklaces and bracelets by Tiffany & Co £200­300 74 A quantity of jewellery, including a diamond­set platinum key pendant by Tiffany on a fine­link platinum chain, a diamond­set platinum cross pendant by Tiffany on a fine­link platinum chain, cased, a silver heart pendant by Tiffany on a fine­link silver neck chain, a pair of silver Tiffany cross earrings, box, a pair of Tiffany star silver earrings, a pair of Tiffany heart­shaped silver earrings, box, a seven diamond­set platinum ring by Hirsh and three other pairs of earrings £200­300

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75

76 75 An Edwardian gold fine curb­link longuard chain, mounted with turquoise cabochons, 140cm long, 17.6g £200­300 76 An antique paste necklace, suspending an elaborate paste pendant in closed­back silver settings, necklace 41cm long, pendant 11cm long £400­600 77 A 9ct gold flat curb link bracelet, 20cm, 42g, a 9ct gold curb link bracelet, 19cm, 70g, a 9ct gold flat oval curb link necklace, 44.5cm, 24g £1,500­2,000 78 A 9ct gold charm bracelet, mounted with assorted gold charms including two sovereigns, 126g total £700­1,000 79 A late 19th century yellow gold mesh link necklace, with slide pendant loop, 44.5cm. 43g £600­800

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80 A 9ct gold sovereign case, with three sovereigns and two half sovereigns £800­1,200 81 A selection of eight rings, including four pearl half­hoop gold rings, a child’s diamond ring in gold, a pearl and garnet ring and two other pearl and garnet cluster rings in gold £300­400 82 Four ruby and diamond half hoop yellow gold rings, sizes M, O½, K½, O £200­300 83 A garnet cabochon ring, set in 18ct gold, size Q, two agate shield form (vacant) seal rings, a moss agate plaque ring, a seed pearl and diamond half hoop ring, and a diamond horseshoe brooch £400­600

82

84 Three Victorian cluster rings, including a garnet and pearl cluster ring in gold, size R½, a ruby and pearl cluster ring in gold, size N and a garnet and chrysolite cluster ring in gold, size O £200­300 83

85 A collection of nine rings, including a gold locket mourning ring, a moonstone ring, a garnet and seed pearl ring, a garnet ring, etc. £400­600

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86 A large emerald­cut synthetic sapphire­ mounted white gold ring, an oval shaped synthetic sapphire and white stone­set gold ring, a cushion­shaped synthetic sapphire and rose­ cut diamond set silver and gold ring with case £150­200 87 An opal and diamond five stone ring, size O, with an aquamarine solitaire ring, set in 9ct white gold, Birmingham hallmarks for 1975, size N½ £200­300 88 A ruby and diamond half hoop ring, set with marquise­shaped diamonds spaced with pairs of diamonds in 18ct white gold, London hallmarks for 2009, size N £600­800 89 A multigem­set gold necklace and bracelet, the oval stones including garnets, citrines, amethyst and topaz are set in gold spectacle mounts, necklace 40cm long, bracelet 18cm long £800­1,200

89

90 A gem­set giardinetto brooch, set with flowerhead clusters of cultured pearls, sapphires rubies and emeralds in plain and textured gold, 4.5cm wide £300­400 91 A diamond­set violin brooch, pavé­set with round brilliant­cut diamonds in white gold, 5cm long £400­600 92 A pair of sapphire and diamond flowerhead earrings, centred with circular­cut sapphires, the petals set with graduated old circular­cut diamonds in white gold, signed E Ltd, 18ct London hallmarks for 1998, clip fittings, 2.5cm wide, 16.5g total £500­700

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93 94

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93 A pair of cultured pearl and diamond drop earrings, the upper sections set with round brilliant­cut diamonds and suspending a cultured pearl in white gold, post fittings, 5.5cm high, together with a diamond­set white gold cruciform pendant, 2.5cm high £400­600 94 A citrine and seed pearl fringe necklace, the seed pearl necklace suspends twelve graduated oval­shaped citrines, with a gold barrel clasp, 43cm long £300­400

97

95 A rectangular gold wristwatch, plain dial with baton numerals, manual movement, on a black band, with a long 14ct gold chain, 42g £600­800 96 An Art Deco sapphire and diamond cocktail wristwatch, manual movement, the platinum case set with sapphires and diamonds on a black cord bracelet, 16cm long, case £150­250 97 A yellow gold flat curb link bracelet with five gold charms, and three gold ladies wristwatches, one with expanding gold band £400­600

98

98 A William IV 18ct gold open pocket watch, the movement signed Andrew Crawshaw of Rotherham, Birmingham marks for 1833, 149g in total, and an 18ct gold fob watch with enamel seal with a dancer to the front cover and foliate design to the reverse, 37g £1,000­1,500

99 24

99 A 9ct gold half hunting­cased pocket watch by Benson, subsidiary seconds dial, 98g total, and an open­faced gold fob watch by Lannier, with key, the watch 29g total £400­600


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100 101

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100 A lady’s Art Nouveau gold fob watch on a long gold chain, case 28mm, 37g £200­300 101 An 18ct gold open­faced pocket watch by Benson, the signed dial with black Roman numerals and subsidiary seconds dial, internal presentation inscription dated 1890, case 52mm, London marks for 1880, 122g total £800­1,200 Family tradition holds that it was purchased in 1894 by Connor Magee, Archbishop of York, and given to his son as a 21st birthday present and has been in the same family ever since. 102 A 9ct gold open­faced fob watch, on an oval­link chain, with a lady’s 18ct gold fob watch, dated 1854, with a gold watch chain and bar brooch £400­600 103 A 15ct gold hunting pocket watch, with a gold fancy link fob chain with tassel, 72gm total £300­400 104 104 A 18ct gold half hunting­cased fob watch, with white enamel dial, black Roman numerals, on a yellow gold fine­link neck chain case 36mm, £200­300 25


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106 105

105 An 18ct gold fob watch by Wirgman, the inside case signed Wirgman, St James’s Street London No3283, key wind, London hallmarks for 1805, case 3cm wide, attached to a short chain with a watch key, case £400­600 106 A late 18th century pair cased gold pocket watch, in 22ct gold with Dublin hallmarks for 1787, the plain dial with Roman numerals, inside case signed Crosthwaite, key wind, on a silver gilt chain £200­300

107

107 A silver travel clock by Cyma, a travel clock by Movado and a silver lighter by Asprey, London hallmarks for 1984 £200­300 108 A square gilt metal table clock by Cartier, the dial signed Cartier, numbered 09 3992 to the reverse, manual winding, 7.5cm high £100­200 109 A gold deployant clasp by Cartier, with rectangular section millegrain­set with rose­cut diamonds, signed Cartier Paris 18708, 3.7cm £200­300

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110

111

112

110 An early 19th century amethyst and seed pearl brooch, the oval shaped amethyst is set with a surround of seed pearls in a yellow gold open work foliate mount highlighted with small amethysts (one missing), 3.5cm wide £200­300 111 A gold and enamel fancy link necklace, alternately decorated with polychrome enamel (damaged), 44cm long, 22g £600­800

114

113

112 A rectangular micromosaic brooch, depicting Roman ruins, and a circular micromosaic brooch depicting Pliny’s doves, 4.1cm wide £200­300 113 A platinum and gold brooch, set with synthetic sapphires and diamonds, with a matching ring, and a mother of pearl and diamond Madonna pendant £400­600 114 A Regency gold dove brooch, set with a ruby eye and a turquoise forget­me­ not, 5cm wide, with an Edwardian seed pearl and gold brooch, 4.5cm wide £300­400 115 An early 19th century seed pearl choker necklace, intricately strung with three foliate centre sections and plaited necklace section, 35cm £400­600 116 A 19th century cruciform pendant, set with eleven cushion shaped rock crystals, set in silver and gold, 5.5cm high, and a white stone pavé set silver and gold ring £100­200

115

116

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117

118

119

λ 117. A Victorian diamond and gem­set bee brooch, the wings set with rose­cut diamonds and coral beads, the body set with tiger’s eyes, seed pearl eyes, on a gold bar brooch with a tiger’s eye terminal, 5.7cm wide £200­300

120

118 A hardstone cameo pendant, depicting Ceres in profile, in a plain gold frame, 5.6cm high including bale £400­600 119 A pair of sapphire­set gold cufflinks, of stirrup form and set with calibré­cut sapphires, with sugarloaf sapphires to the terminals in gold, 2cm high £800­1,200

122

120 Two pairs of Shakudo mounts, the circular discs applied with stud mounts and the oval mounts with slide fittings, circular discs 2.4cm wide £100­200 121 A platinum line bracelet mount by Lacloche, for square­shaped stones and with millegrain finish to the upper section and foliate engraved shoulders, signed Lacloche Paris, 19cm £800­1,200

121

122 A carved rose quartz elephant, with yellow stone eyes and a coat with enamel decoration and set with four diamonds and a seed pearl, on a rose quartz stand with ruby, diamond and seed pearl foliate decoration with green enamel leaves, the gilt metal face with intricate foliate scroll engraved decoration and with a border set with green stones and seed pearls on four lion feet £600­800 123 A 9ct gold Rolls Royce lighter, London hallmarks for 1931, 5.5cm high, 48g £800­1,200

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124

125

126

127 124 A silver and heavily gold plated minaudière by Hermès, of rectangular form and with engine­ turned decoration overall, the hinged cover with a bevel­edged mirror and signed Hermès Paris to the frame, with compartment with a powder puff and lipstick, 13cm wide, 487g total £1,000­1,500

128

125 An Art Deco silver and enamel box, decorated with diamond­set initials AD on black enamel, French control marks and maker’s lozenge, inventory number 19290, London import marks for 1928, 7.8cm wide £100­200 126 A gold fountain pen, 35g

£300­400

127 A late 19th century gold lorgnette, the body with black and white enamel foliate decoration with shaped opposing apertures allowing the lorgnette to be used as a magnifying glass, the retractable eye pieces centre folding and with a suspension ring, 8cm high £300­400

129 (4)

128 A two row slightly graduated amethyst bead necklace, the gold clasp mounted with a larger oval shape amethyst cabochon, 40cm £200­300 129 A collection of three cultured pearl necklaces and a faceted ruby bead necklace £800­1,200 130 A single row cultured pearl necklace, the graduated pearls set with a diamond set circular cluster clasp, 44cm long £200­300

130

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132

131 A quantity of jewellery, including a three­row cultured pearl necklace on a white paste clasp, a pair of diamond­set leaf­form frosted crystal earrings with white gold mounts, a diamond­set 18ct white gold cruciform pendant, a coloured cultured pearl­set gold giardinetto brooch and five further cultured pearl necklaces £400­600 λ 132. A Regency twisted coral bead necklace, with a silver­gilt barrel clasp with foliate decoration, 45cm long, 98g £800­1,200 λ 133. A Victorian coral bead brooch and matching earrings, and a coral bead necklace with two bracelets, in fitted case £400­600 134 A single­row graduated amber bead necklace, 58cm, stone­set gilt metal cross and a damaged amethyst bracelet £400­600

131

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 135 A long amber bead necklace, 160cm, 57g, a long amber bead necklace, 224cm, 50g, an amber bead necklace with amber pendant, 62cm, 58g £200­300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 136 A single­row amber bead necklace, the round beads are approximately 12mm, 50cm long, 61g £400­600 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 133

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137

138 137 A single­row amber bead necklace, the oval beads graduate from 9 ­ 30mm, 84cm long, 67g. The brooch 40mm wide 20cm deep, 7g £400­600 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 138 A single­row amber bead necklace, the oval beads are approximately 22mm to 6mm, 99cm long, 139g £400­600 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 140 139 A single­row amber bead necklace, the oval beads graduate from 11 ­ 17mm, 95cm long, 59g £400­600 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 140 A single­row amber bead necklace with pendant, the oval beads are approximately 15mm, the bead hanging from necklace 45mm, the pendant 50mm, 102cm long, 72.5g £400­600

139

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 141 A single row amber bead necklace, the oval beads graduate from 8 ­ 20 mm, 82cm long, 53g £400­600 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. £400­600

142

142 A single­row amber bead necklace, the oval beads are approximately 10mm, 91cm long, 43g £200­300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 143 No lot

141

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144 An Oyster Perpetual Datejust steel and gold wristwatch by Rolex, the signed dial with baton numerals and marked ‘superlative chronometer’, steel and gold flexible band with Rolex deployant clasp, case 35mm, damaged box and papers £600­800 145 An 18ct gold wristwatch with chronograph by Baume et Mercier, the signed dial with sweep seconds hand, 30 seconds recording subsidiary dial, subsidiary seconds dial, push buttons for chronograph activation and return, case 36mm, leather strap £400­600 146 A 18ct yellow gold Reverso wristwatch by Jaeger LeCoultre, signed black enamel dial with baton numerals and Arabic numerals at 12 and 6, mechanical winding, the reverse engraved with an inscription, numbered 0308 250.2.86, case 23mm wide, leather strap with gold Jaeger LeCoultre buckle £1,500­2,000 147 A gentleman’s gold wristwatch by Longines, the signed rectangular dial with black Arabic numerals and subsidiary seconds dial, manual movement, inscription to reverse dated 1937, numbered 5297007, case 21mm, unsigned leather strap £400­600 148 A steel and gold Constellation wristwatch by Omega, the signed dial with date aperture at 3 and sweep seconds hand, gold chapter ring with Roman numerals, name and date engraved on the reverse, on gold Omega band with deployant clasp, case 3.2cm wide £400­600 149 A lady’s Panthere steel and gold wristwatch by Cartier, the signed dial with black Roman numerals, case 22mm, deployant clasp, quartz movement, box and papers £1,000­2,000 150 A lady’s Oyster Perpetual wristwatch by Rolex, the signed dial with gold bezel on steel bracelet (broken) automatic movement, case 28mm wide £600­800

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151 A Chinese gem­set gold peacock ring, the peacock set with a round brilliant­cut diamond and smaller coloured stones, foliate pierced shoulders, Chinese marks for ‘Pure Gold’ and ‘Tian Cheng’, size J½, 12g £300­400 152 An aquamarine and diamond cluster ring, the cushion­shaped aquamarine is set within a surround of round brilliant­cut diamonds, with a circular­cut diamond to the bifurcated shoulders in gold, size O £1,200­1,500 153 A diamond solitaire ring, the oval­shaped diamond weighs approximately 0.95cts and is rubover­set in platinum and yellow gold, size P½ £800­1,200 154 A pink sapphire, coloured and white diamond set triple cluster ring, the centre cluster with a pink sapphire, the shoulder clusters with a smaller green coloured diamond, in platinum. Size M½ £900­1,100 The coloured diamonds have not been tested for treatment (see Special Jewellery Notices). 155 A yellow sapphire and diamond cluster ring, the emerald­cut yellow sapphire set within a surround of round brilliant­cut diamonds, with further circular­cut diamonds to the shoulders in platinum, size N½ £600­800 156 A pink sapphire and diamond cluster ring, the oval­shaped pink sapphire is set within a surround of round brilliant­ cut diamonds in platinum, size N £1,600­1,800 157 A diamond cluster ring, set with graduated old cushion­shaped diamonds in a teardrop shaped mount in white gold, size M £1,500­2,000 158 An abstract diamond­set yellow gold ring by Martin White, the graduated round brilliant­cut diamonds are set in undulating yellow gold mount decorated with silver pellets, size M½ £300­400 159 A sapphire and diamond cluster ring, the oval­shaped sapphire set within a surround of round brilliant­cut diamonds in gold, size K½ £4,000­6,000 160 A diamond half­hoop ring, set with eleven round brilliant­cut diamonds in white gold, size O

£600­800

161 An emerald and diamond cluster ring, the oval­shaped emerald is set within a surround of round brilliant­cut diamonds, with a baguette­shaped diamond to each shoulder in platinum, size O £800­1,200 162 A sapphire and diamond cluster ring, the oval­shaped sapphire is set within a surround of diamonds in yellow gold, size N £600­800 163 A diamond­set gold eternity ring by Cartier, channel­set with square­shaped diamonds in 18ct gold, diamonds approximately 1.80cts total, London hallmarks for 1988, signed Cartier London, inventory number R7179, size L½ £800­1,200 164 A diamond half­hoop ring, set with two rows of round brilliant­cut diamonds in white gold, size N½

£300­400

165 A diamond set silver “eternity” ring by Georg Jensen, size N

£150­200

166 A sapphire and diamond three­stone ring, the oval shaped sapphire set in two pear shaped shoulder diamonds in platinum, size K £800­1,200 167 A ruby and diamond cluster ring, the graduated oval shaped rubies set with a diamond­set lozenge in yellow gold, size P £450­550 168 A sapphire and diamond cluster ring by Martin White, set with an oval­shaped sapphire and a circular­cut diamond in abstract 18ct gold setting, maker’s mark and London hallmarks, size M½ £150­250 169 A diamond dress ring, the cuboid shape is pavé­set with circular­cut diamonds weighing 4.26cts in total, set in white gold, size M £1,500­2,000

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151

152

156

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154

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165

166

159

160

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169

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170 A gold brooch mounted with an oval­shaped agate, engraved with Islamic writing amongst foliate decoration, 4.7cm wide £400­600 λ 171 A 19th century ivory handled desk seal, carved with a Bacchanalian scene with putti and a dog, with a band of turquoise cabochons and a foliate scroll chased gold and gold­cased mount with a lapis lazuli matrix engraved ‘Charles’, 8cm high £400­600 172 Three early 19th century gold and gold­cased fob seals, including a quality seal with stylised Prince of Wales feathers, the cornelian matrix engraved with arms of three bulls and a Talbot crest, 4cm high, another with heavy foliate scroll design and bifurcated centre section and amethyst matrix of arms and a crest, 3.5cm high, and a decorative stirrup seal with foliate scroll decoration and the citrine matrix with arms, crest and motto, 3.5cm high, with a gold split ring chased with foliate scroll decoration £1,200­1,500 173 A 19th century gold bracelet set with seven ancient Roman hardstone intaglios, the intaglios 2nd ­ early 3rd century AD, depicting an archaising goddess, a gryllus, Mercury, Hercules, a wreathed holy mountain, Victoria and Apollo, 10 ­ 16mm highest, bracelet 17.5cm long £4,500­5,500 174 A pair of Etruscan style lion pendants, the stylised recumbent lions are sitting on a gold plinth with ropetwist border, 2.8cm wide £400­600 175 An 18th century silver gilt fob seal, the pierced body decorated with grotesque masks, the matrix carved with arms and a crest, 3.5cm high, and an 18th century silver gilt fob seal, of simple form and the matrix carved with arms beneath a coronet, 2.5cm high £400­600 176 Two late 17th century silver gilt fob seals, each carved with a coat of arms with crest, the tallest 3cm high £400­600 177 A pair of gold earrings in the Roman style, each with plaited drop sections suspending cruciform pendants with pellet decoration in gold and vacant section for a bead, 7cm high, 15g £600­800

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171

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175 (2)

177

176 (2)

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178 A pair of early 20th century diamond and enamel cufflinks by Cartier, the blue and white striped centre set within a surround of rose­cut diamonds in platinum and gold, signed Cartier Paris, French control marks, each disc 18mm wide £3,000­4,000 179 A pair of square diamond­set cufflinks, with textured and plain decoration surmounted with a single­cut diamond in triangular platinum mount, 9mm wide, with two matching studs, case £1,200­1,500 180 A pair of cultured pearl cufflinks, each button­shaped cultured pearl is approximately 14.9mm, set in yellow gold £300­400 181 A pair of textured 18ct gold cufflinks, the square­form cufflinks with internal spirals, London hallmarks for 18ct gold, 1970, in a Chaumet box £400­600 182 A late 19th century moonstone diamond and enamel jockey brooch, possibly depicting Fred Archer in jockey silks, his face carved from moonstone, the cap and shirt decorated with blue enamel and diamonds in yellow gold, Austrian marks, 2.5cm high, case £3,000­5,000 Frederick James Archer (11 January 1857 ­ 8 November 1886), also known by the nickname ‘The Tin Man’, was an English flat race jockey of the Victorian era, described as “the best all­round jockey that the turf has ever seen” 183 A pair of French sapphire and gold cufflinks by Lasbleitz Fourniere Vitello, the rectangular links with woven fabric decoration in textured yellow gold, each link set with a sapphire in the larger half, maker’s lozenge, French control marks and inventory number 4664, 17mm widest £1,200­1,500 184 A pair of black enamel and diamond­set gold cufflinks, each circular link centred with a circular­cut diamond and outer border of rose­cut diamonds, with black enamel decoration in gold, 14mm wide, 12g total £500­700 185 An 18ct gold brooch for the Royal Air Force, centred with a diamond­set ‘RAF’ within laurels and beneath a crown, the wings with well detailed feathers, London marks for 1998, 7.5cm wide, fitted case by Spink £600­800 186 A pair of gold and enamel Calavera style skull cufflinks, each skull decorated with white enamel, set with rose­ cut diamond eyes and prominent nose and teeth, the chain formed as cross bones, the skulls 1.5cm high £800­1,200 187 A rectangular silver gilt cigarette case by Fabergé, with light blue guilloche enamel decoration, cabochon sapphire thumbpiece, signed Fabergé with work masters initials for August Hollming, 88 zolotnik and St Petersburg Kokoshnik, 8.8 cm wide £8,000­12,000 188 A pair of 18ct gold cufflinks, of shooting interest, each cufflink mounted with a realistically formed Woodcock joined to a shotgun cartridge, cased by Garrard £200­300 189 A late 19th century diamond snake stickpin, the coiled serpent surmounting a lapis lazuli cabochon, set in silver and gold, 9.2cm high £1,500­2,000 190 A diamond­set horse pin, the leaping horse pavé­set with rose­cut diamonds in platinum, 2.2cm wide

£500­700

191 A late 19th century French diamond­set stick pin, depicting a Chimera, set with an old circular­cut diamond, French control mark and obscured maker’s lozenge, 7cm high, 3g £250­350 192 A diamond solitaire stickpin, the old cushion­shaped diamond weighs approximately 0.40cts, claw set in yellow gold, 6.4cm high £200­300

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186 front 184

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186 reverse

190

191 189

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193 A two colour gold and silver gilt enamel cigarette case by Fabergé, the rectangular and oval section, with yellow guilloche enamel decoration overall, laurel bands to the base and cover, applied with an oval section of moss agate within a seed pearl and gold border, cabochon sapphire thumbpiece, the body rim marked Fabergé and makers mark for Henrik Wigström, 56 zolotnik and St Petersburg Kokoshnik 8.5 cm high £8,000­12,000

193

λ 194 A George III gold­mounted tortoiseshell snuff box, probably London c.1780, the hinged cover mount with an oval portrait miniature of King George III (1738­1820) in red and blue General’s uniform with gold epaulettes, black stock, black cocked hat and wearing the breast star of the Order of the Garter, within a surround of chased foliate scrolls and polished gold frame, 8cm wide £800­1,200 Provenance: sold Christie’s London, ‘Property from the descendants of Their Majesties King George IV and Queen Mary, 13th Dec 2019, ex lot 292. 195 A Regency gold hat pin in the form of a sword, with foliate scroll and shell decoration chased to the handle, with cabochon garnets to the terminals, 18.5cm long £200­300 196 A Russian gold cruciform pendant, the model of Christ realistically formed, the cross decorated with wood pattern and halo, with 56 zolotnik and kokoshnik, maker’s initials in Cyrillic, reverse engraved with inscription dated 1908, 70g, 10.5cm high £500­700 197 A Victorian gold miniature bracelet, the repoussé gold bracelet with a seed pearl and gold detachable clasp set with a portrait miniature of a gentleman, in glazed compartment with hair to the locket interior, 18.5cm long, miniature frame 5.8cm high £2,500­3,000 198 A gold bracelet mounted with intaglios, the seven intaglios depict assorted classical oval profiles including a gryllus, 1.3 ­ 2.1cm high, each mounted in gold and joined with a simple chain link and with a filigree gold clasp, 21cm long £1,500­2,000

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198 197

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199 reverse

199 A Charles II silver gilt scent flask, of pilgrim bottle form with screw­on cap and suspension chain, with detachable cork, engraved with a whimsical figure playing a musical instrument to one side and a dog’s mask to the other amongst scrolling leaf decoration and diamond pattern, on short fluted oval foot, 5.5cm high £1,500­2,000 200 A William IV 18ct gold circular vinaigrette by Charles Rawlings and William Summers, the hinged grill pierced and chased with a mandolin and sheet of music amongst foliage, with engine turned pattern overall and cover centred with a circular vacant cartouche, 3cm wide, 18g £600­800 Provenance: sold Christie’s London, ‘Property from the descendants of Their Majesties King George IV and Queen Mary, 13th Dec 2019, ex lot 281. 201 An English 18th century gold bodkin case, of tapered circular form and decorated with foliate strap work on matted ground, 6.7cm high £600­800 202 An 18th century gold mounted agate bodkin holder, of cylindrical form, the detachable cover with scroll mounts, 8cm high £600­800 203 A carved grey hardstone model of a mule, in a stubborn pose, red stone eyes, applied to the underside with a metal disc marked ‘Collection Jitka Lukasik PP’, 6.5cm high £200­300 204 An English mid 18th century bodkin case, the tapered shaped oval bloodstone case with gold foliate scroll cage work overall and with a posy to the rim ‘De mon amour gage’ (Of my love pledge), diamond thumbpiece and the bloodstone base terminal engraved with an intaglio with a cupid within ‘tout pour vous’ (everything for you), 9.8 cm high £1,500­2,000 205 A rare gilt metal and pink South Staffordshire enamel spy glass necessaire, English third quarter 18th century, of cylindrical form with elaborate Rococo gold cartouche painted with rural scenes. sliding covers to the eye piece on detachable cover and body, containing a pair of folding scissors, a pen knife with steel blade and chased with insect decoration to the gilt metal body, two bodkins (one with snuff spoon) and a pair of tweezers, 13 cm £1,800­2,500 206 A 19th century nephrite cylindrical box and cover, with gold mounts and damaged thumbpiece, 5.5cm high £800­1,200

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205 206

204

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207 An English mid 18th century drum form box with hinged cover, with gold foliate scroll decoration with swags, white and gold enamel posy to the rim ‘Dure l’amite plus que la vie’ (Friendship lasts longer than life) 3.2cm wide £1,800­2,000 208 An English mid 18th century porphery bodkin case, of tapered chamfered oval form with fluted gold mounts and diamond thumbpiece, the hinged cover containing a catalogue paper stating ‘’Collection of Mr Max Kann’ and ‘237’ written in ink, 9.3cm high £750­1,000 209 An English mid 18th century bodkin case, the burnt orange agate tapered cylindrical case with gold foliate scroll cage work decoration overall, 10.2cm high £750­1,000 210 An English mid 18th century egg­form bonbonnière, the hinged bloodstone box with ornate gold cage work decorated with birds and scrolls, diamond thumbpiece, the rim with white and gold enamel posy ‘Dieu vus venit’ (God has blessed you), further scroll decoration to the internal rims, 4.5cm high £1,800­2,000

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208 210

207

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211 A pair of diamond stud earrings by Tiffany & Co., the round brilliant­cut diamonds weigh approximately 0.30cts total, claw­set in platinum, signed, case, with a diamond solitaire pendant by Tiffany & Co, the round brilliant­cut diamond weighs approximately 0.15cts, set in platinum, on a fine­link platinum chain, signed to the chain, 44cm long, case £400­600 212 A white gold necklace alternately set with cabochon sapphires and cultured pearls, suspending a further cabochon sapphire and cultured pearl pendant, pearl 11.51mm, 40cm £7,000­9,000 213 A peridot and diamond present ring by Geoffrey Rowlandson, the fancy­cut peridot set next to pavé­set diamonds surmounted with a bow in 18ct yellow gold, signed to interior, maker’s mark and London hallmarks for 2002, size N½ £1,000­1,500 214 A turquoise, lapis lazuli and diamond ring, the sugarloaf lapis lazuli is decorated with carved turquoise, and a border of diamonds, with diamond shoulders in white gold, size O½ £1,500­2,000 215 An emerald and diamond half­hoop ring, the emerald­cut emerald set with four graduated cushion­shaped diamonds to each shoulder in platinum, size J½ £1,500­2,000 216 A diamond­set Star of Solomon pendant, set with single­cut diamonds in white gold, on a fine­link white gold neck chain, pendant 3.5cm high, chain 44cm long £1,000­1,500 217 A pair of diamond stud earrings, the round brilliant­cut diamonds weigh approximately 1.00ct total, claw­set in yellow gold £600­800 218 A chalcedony and diamond ring by Geoffrey Rowlandson, the carved blue chalcedony is mounted with white gold straps set with round brilliant­cut diamonds, signed Rowlandson and GR074, size O £600­800 219 A pair of peridot and diamond drop earrings, each set with an oval­shaped peridot, pear­shaped peridot drops and round brilliant­cut diamonds in white gold, hook fittings, 5.2cm high (including hooks) £450­550 220 A peridot and diamond cluster ring, the oval­shaped peridot is set within a surround of circular­cut diamonds in white gold, size M½ £600­800 221 An amethyst cabochon ring by Geoffrey Rowlandson, set in striated rubover white gold mount, maker’s mark and London hallmarks for 2006, size P £600­800 222 A pair of aquamarine and diamond cluster earrings, the emerald­cut aquamarines are set within a rectangular surround of diamonds in white gold, 2.1cm high £800­1,200

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223 A gem­set gold tiger pendant, the stylised tiger’s head set with diamonds and decorated with polychrome enamel in gold, with ‘depose’ plaque to reverse and on an oval­link gold chain, pendant 19mm wide, chain 41cm long £300­400 224 An aquamarine and diamond cluster pendant, the oval­shaped aquamarine is set within a surround of round brilliant­cut diamonds in white gold, on a fine­link white gold neck chain, pendant 1.8cm high, chain 40cm long £1,100­1,200 225 A boulder opal and diamond pendant by Martin White, the opal set within a surround of sixteen round brilliant­ cut diamonds in gold, maker’s mark and London hallmarks for 2001, with a gold fine­link neck chain, pendant 3.5cm wide £300­400 226 A gold ship’s wheel gem­set pendant by Martin White, the coin set within a gold border set with rubies, sapphires and diamonds in brushed gold, on an anchor­link gold chain, with maker’s mark for Martin White and London hallmarks for 18ct, 2005, pendant 5.5cm high, chain 60cm long £600­800 227 A coin­mounted gold necklace, the flat and round curb­link gold necklace mounted with a coin, 40cm, 89g £1,500­2,000 228 A gold hinged snake bangle, with green and yellow enamel decoration set with a line of small cushion­shaped diamonds, the head mounted with a pearl and diamond cluster and with ruby eyes, 115g total £800­1,200 229 A gem­set cockerel pendant, the body formed from an unusual­shaped cultured pearl, with red enamel and gold beak and comb, the tail set with red and blue stones, with silver gilt mounts, 4.5cm wide, case £200­300 230 A diamond and gem­set bee pendant, pavé­set overall with graduated circular­cut diamonds and a further line of sapphires, an emerald and ruby eyes, set in silver and gold, 5.3cm wide, suspended from a fine­link yellow gold necklace, 45cm long £1,100­1,200 231 A ruby and diamond line bracelet, set with a centre line of square calibré­cut rubies and borders of small full brilliant­cut diamonds in yellow gold, 18cm £600­800

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λ 232 A coral­set silver and gold ring, centred with a rectangular coral cabochon, with further coral cabochons to the shoulders in silver and gold, unidentified marks to the shank, size O½ (approximately) £200­300 233 A diamond dress ring, set with five graduated old circular­cut diamonds in platinum, in fluted yellow gold mount, size K £700­900 234 A gold Dachshund brooch, the stylised dog with ruby eyes and a diamond­set tail in yellow gold, 4.5cm wide £200­300 235 A diamond solitaire necklace, the round brilliant­cut diamond weighs approximately 0.75cts, rubover set and mounted on a gold snake­link necklace, 26g £1,500­2,000 236 A George III style garnet and diamond cluster ring, the pear­shaped garnet cabochon is set within a surround of rose­cut diamonds in silver and gold, foliate engraved shoulders, size M £300­400 237 An 18ct gold tendril form open brooch by Martin White, set overall with cultured pearls and circular­cut diamonds, maker’s mark and London marks for 1991, 3.7cm wide, case £200­300 238 A set of textured gold and diamond­set earrings, the three earrings of abstract design, each set with two diamonds in yellow gold, 3.3cm high £450­550 λ 239 A pair of coral and diamond­set gold earrings, the oval coral cabochons set within fluted yellow gold surround set with three diamonds, 2cm high £300­500 240 A fancy­link gold bracelet, of brick pattern design set in yellow gold, 19cm long, 49g

£1,000­1,500

241 A yellow gold flexible lattice­work ring, alternate links each set with three round brilliant­cut diamonds and set with a marquise­shaped ruby to the interior in the style of Roberto Coin, size M (approximately) £500­700 242 A pair of ruby cluster earrings, pavé­set with circular­cut rubies in yellow gold, clip fittings, 2.2cm high£600­800 243 A heavy tapered yellow gold ring, centred with a row of six baguette­shaped rubies and with heavily fluted shank, signed with a ‘T’, size L½ £600­800 244 A heavy tapered yellow gold ring, centred with a row of six baguette­shaped sapphires and with heavily fluted shank, signed with a ‘T’, size L½ £600­800

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245 An opal and diamond ring, the square cabochon white opal is flanked with clusters of round brilliant­cut diamonds in white gold, size O £400­600 246 A diamond­set gold ring, the high domed textured gold ring is set with a circle of round brilliant­cut diamonds, size M½ £600­800 247 An onyx and diamond ring, set with graduated round brilliant­cut diamonds and carved onyx in yellow gold, initials LJM, 18ct Sheffield import marks for 1979, size R £600­800 248 A fancy link gold necklace, with fluted circular links in yellow gold, 52cm long, 40g

£1,000­1,500

249 A diamond­set greyhound brooch, pavé­set overall with rose­cut diamonds in silver and gold, 4.5cm long £250­350 250 A citrine and rock crystal gold necklace, the seven graduating pendants alternately set with rock crystal and engraved citrines in a ropetwist gold mount on a gold ropetwist chain, 42cm long £1,800­2,000 251 A pair of enamel and gold earrings, designed as stylised putti riding polychrome enamel gondolas suspending cultured pearls in yellow gold, 4.4cm high £300­400 252 A pair of sapphire and diamond earrings, the oval cabochon sapphires each set with ten graduated round brilliant­ cut diamonds in yellow gold £500­700 253 A fancy­coloured diamond­set leaf brooch, pavé­set with fancy­coloured and colourless diamonds in white gold, 7cm high £1,800­2,000 254 A diamond double clip scroll brooch, set overall with graduated circular and baguette­shaped diamonds in platinum, the two scroll clips detach from the brooch fitting to be worn as double clips, 4.4cm wide £2,000­3,000

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255 A pearl solitaire ring, the button­shaped pearl set in plain white gold mount, size K½

£900­1,200

Accompanied by report number 81285­00 dated 10 November 2020 from GCS stating that the light brown pearl measures 9.6 x 9.1 x 8.1mm and is natural saltwater 256 A natural pearl and diamond pendant, the old circular­cut diamond weighs approximately 0.95cts, suspends an articulated line of old circular­cut diamonds and a natural pearl with a rose­cut diamond­set cap in platinum, on a fine­ link platinum neck chain, pendant 4.8cm high, chain 41cm long £20,000­30,000 Accompanied by report number 15557 dated 6 April 2018 from The Gem & Pearl Lab stating that the oval­drop shaped pearl measures 11.5 x 16/17mm and is natural saltwater. 257 A six row seed pearl choker length necklace, the gold clasp centred with a circular locket containing plaited hair within a circle of blue and white enamel, engraved to the reverse AJC, 39cm long (shortest) £400­600 258 A three­row pearl and emerald necklace, set with two rows of graduated pearls and a single row of emerald beads alternately­set with seed pearls, with a rose­cut diamond, emerald and seed pearl flower head clasp, 49cm longest £600­800 Accompanied by report number 80260­55 dated 23 March 2020 from GCS stating that the necklace contains 69 natural saltwater pearls and 72 cultured pearls. 259 A single­row natural pearl necklace, the pearls graduate from 2.6 to 6.8 with a diamond set lozenge clasp, in white gold, 48cm long £800­1,200 Accompanied by report number 19320 dated 13 November 2020 from The Gem & Pearl Laboratory stating that the pearls are natural saltwater. 260 A single row natural pearl necklace, the pearls graduate from 1.9 to 5.4, with a diamond­set lozenge clasp, 52cm long £400­600 Accompanied by report number 18923 dated 4 September 2020 from GCS stating that the 130 pearls measure 1.9 ­ 5.4mm and are natural saltwater with the exception of one bead­nucleated cultured pearl. 261 A single row natural pearl necklace, the pearls graduate from 2.3 to 6.5mm, with a plain gold clasp, 46cm long £800­1,200 Accompanied by report number 19314 dated 17 November 2020 from The Gem & Pearl Lab stating that the pearls measure 2.3 ­ 6.5mm and are natural saltwater. 262 A six­row graduated seed pearl choker length necklace, the clasp centred with three circular­cut diamond and millegrain­set with two rows of smaller diamonds in white gold, with two diamond­set line spacers, 35cm long £800­1,200 263 A natural pearl and diamond pendant, the baroque­shaped pearl suspends below a trefoil of circular­cut diamonds in white gold, with a further circular­cut diamond to the suspension loop, on a fine­link white hold neck chain, 3.2cm high, case £100­200 Accompanied by report number 78175­04 dated 29 August 2018 from GCS, London stating that the cream pearl measures 15.1 x 10.9 x 9.1mm and is natural saltwater with no indications of treatment

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264 A Victorian micromosaic­set gold brooch and earrings, each centred with a micromosaic of a fly, the brooch with a twisted gold surround, 3.8cm high, the earrings with ropetwist and pellet decoration, hook fittings, 2.2cm high £300­400 265 A yellow gold and enamel Jump Hour open­faced pocket watch, c.1830, engine­turned dial, aperture and 12 o’clock for Jump Hour display, front and reverse of case decorated with black and gold foliate enamel decoration, the back case centred with a polychrome enamel butterfly, unsigned movement, inner case 429 38342, case 42mm, box £1,000­1,500 266 A 19th century circular gold brooch, of openwork design and centred with a seed pearl, with gold pellet ‘millefiori’ decoration, 3.8cm wide, 11g £300­400 267 A silver and red enamel pendant by Ramsden & Carr, the silver trefoil decorated with red enamel to the centre, on fancy­link silver neck chain, maker’s mark to reverse and London hallmarks for 1903, 38cm long £800­1,200 Accompanied by original purchase receipt from Shapiro and Co, 1990 268 An Arts & Crafts silver and polychrome enamel brooch, of rectangular form with an oval enamel floral plaque and wirework and pellet decoration, 6.2cm wide £100­150 Accompanied by original purchase receipt from Shapiro and Co, 1991 stating the brooch is by Jessie King, C1900 269 An Edwardian gem­set and enamel gold brooch pendant, with white enamel decoration on gold, set with seed pearls, suspending an amethyst on knife­edge link below a rose­cut diamond­set foliate section in silver on gold (one diamond missing), 3.2cm high, fitted case by Carrington & Co £400­600 270 A gem­set spider web pendant, the gold spider’s web set with a stylised spider set with turquoise matrix and a ruby in yellow gold, 3cm wide £200­300 271 An Art Nouveau gold fob watch with brooch by LeCoultre, white enamel dial with red and blue Arabic numerals, case numbered 7878, chased with a griffin amongst foliage, suspended from a gold brooch incorporating a further griffin, watch case 25mm £500­700 272 An enamel and seed­pearl set gold chain, alternately­set with tapered links with pink guilloche enamel decoration and seed pearls, 44cm long, 4.7g £800­1,200

265 reverse 273 An Edwardian gem­set butterfly brooch, set with solid white opal wings, a ruby and boulder opal body in yellow gold, 6cm wide, case £2,000­3,000 274 A late Victorian opal and garnet­set gold brooch, of foliate design set with cabochon opals and circular­cut green garnets in gold, 2.5cm wide, 3.5g £300­400 275 A pair of late Victorian gold earrings, set with seed pearls and with pellet decoration, hook fittings, 3.2cm high £150­200 276 A diamond three­stone gypsy ring, set with graduated old cushion­shaped diamonds weighing approximately 2.00cts in total in yellow gold, size V½ £2,500­3,000 277 An early 20th century eagle­form gold brooch pendant, realistically formed feathers and with graduated rose­cut diamonds set to the leading edge of the wing, suspending an untested pearl, detachable brooch mount, 7.3cm wide £800­1,200 278 A Victorian diamond­set gold snake ring, the coiled serpent with a diamond­set head and diamond eyes in yellow gold, size P £800­1,200 56


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279 A pair of amethyst­set gold heart earrings by Van Cleef & Arpels, c1990, the heart­shaped amethyst set within a gold polished heart­shaped surround beneath a smaller gold heart, stamped V.C.A and CR03.06AM15, post and clip fittings, 3cm high, with a matching amethyst­set heart­shaped gold ring, French control marks, rubbed maker's lozenge and stamped to inside shank V.C.A. CR05.21AM, size O £3,500­4,500 280 A pair of diamond earrings by Tiffany & Co, the ropetwist gold hoops suspend articulated and detachable round brilliant­cut diamonds rubover­set in yellow gold, signed T&Co, 2cm high £200­300 281 A topaz, sapphire and diamond­set ring, the oval­shaped pink topaz set in platinum with two tapered baguette shaped shoulder diamonds and a further square­shaped sapphire and square­shaped ruby to the shoulders, size J £800­1,200 282 A yellow and blue sapphire and diamond ring, set with an oval­shaped yellow sapphire and blue sapphire, each with three small diamonds to each shoulder in yellow and white gold, size L½ £1,200­1,500 283 An unusual citrine and yellow gold ring, the sugarloaf light green centre citrine is set within a surround of citrine sugarloafs to the border in yellow gold, the pierced back incorporating the letter ‘R’, signed with initials to the outer shank ‘RHR’, size P £300­400 284 A diamond bombé ring, set with seven graduated old cushion­shaped diamonds in yellow gold, size R½, with a matching pair of diamond­set gold earrings, 1.6cm high £1,500­2,000 285 A pair of gold hoop earrings, set with fancy yellow diamonds, 12mm high

£400­600

286 A graduated anchor­link gold necklace, the anchor­links graduate from 1.8 ­ 3cm wide, alternately pavé­set­set with round brilliant­cut diamonds and with black enamel decoration in 18ct gold, signed SC and with London hallmarks for 2009, 44cm long, 93g £4,000­6,000 287 A diamond­set gold brooch and earring set, the brooch centred with a pavé­set diamond knot motif with gold foliate spray surround, with a pair of matching pavé­set diamond knot earrings, brooch 5cm high, earrings 2cm high, clip and folding post fittings, 42.5g total £3,000­4,000 288 A pair of diamond cluster earrings, of flowerhead form and set with round brilliant­cut diamonds in white gold, post fittings, 1.3cm high £1,800­2,000 289 An amethyst and diamond ring, the hexagonal amethyst is set with two triangular diamonds to each shoulder in yellow gold, size Q £600­800 290 A pair of diamond hoop earrings, pavé­set overall with graduated round brilliant­cut diamonds weighing approximately 26.00cts in total, set in silver and gold, folding post and clip fittings, 5cm high £3,500­4,500 291 A pair of fancy coloured diamond and seed pearl earrings by Fei Liu, each cushion­shaped fancy yellow diamond is set within yellow diamond surround and a seed pearl and diamond lattice bombé surround, in 18ct white gold, with maker’s mark and Birmingham hallamarks, post and clip fittings, 2cm wide £2,500­3,000 292 An 18ct textured gold bracelet, of stylised woven fabric design, London hallmarks for 18ct, 1971, 18.3cm long, 95g £4,000­6,000

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293 A diamond­set fob watch, the stylised diamond­set bow suspends a triangular diamond above a square­shaped watch, signed ‘Annie’ to the dial, the case engraved with the names ‘Annie, Charlie and Sally, 15th March’, manual movement, 6cm high, case £2,000­3,000 293A A mid 20th century diamond cluster ring, set with an emerald­cut diamond weighing approximately 0.75cts within a border of round brilliant­cut diamonds in platinum, size O½ £1,500­2,500 294 An Art Deco gold lipstick holder by Cartier, of cylindrical form, with black enamel decoration and cabochon onyx push piece, signed Cartier, inventory number 05, French control mark and rubbed maker’s lozenge, 5.2cm high £1,500­2,000 295 An Art Deco silver gilt rectangular vanity case by Cartier, black enamel decoration overall with four diamond­set arrow­form motifs and conforming arrow­form handle to the hinged cover which is also mounted with a bevel­edged mirror to the interior, the internal hinged cover is engraved with initials MLS which opens to reveal a rectangular compartment, marked for Cartier Paris, French control marks and makers mark (slightly rubbed but probably for Paul Pillard who registered firstly in December 1926), fitted box marked for Cartier £3,500­4,000 296 A French rectangular silver gilt, lacquer and eggshell cigarette case, c.1925, the hinged cover centred with a red strip with eggshell borders and broad black borders, plain black lacquer decoration to the base painted, with inventory number and l87.291, with makers mark CL with fish and ‘Made in France’, 8cm wide £600­800 297 An Art Deco onyx, diamond and seed pearl tassel pendant, mounted on a seed pearl and onyx chain, in platinum and white gold, chain 70cm long, pendant 4.5cm long, case £1,000­1,500 298 A French citrine and yellow gold tiered architectural clip brooch in the style of René Boivin, 1940s, of graduated semi­circular design with a row of baguette shaped citrines to the centre, French control marks and makers initials GA in a lozenge, 3cm high £3,000­4,000 For a pair of brooches of a similar design see Raulet, S, Baroin, O., Suzanne Belperron, p.27

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299 A pair of aquamarine and diamond scroll earrings, set with graduated circular­cut aquamarines and diamonds in platinum, post fittings, 2cm wide £600­800 300 A carved sapphire and diamond pendant, the carved sapphire set on baguette­shaped diamonds in platinum, 2.1cm wide, platinum chain 41cm long £2,000­3,000 Accompanied by report number 2205935400 dated 2 March 2020 from GIA stating that the carved sapphire measures 17.33 x 12.60 x 6.02mm and is a natural sapphire with no indications of heat treatment. Origin: Burma (Myanmar) 301 A pair of diamond­set scroll clip earrings, set with graduated old circular­cut diamonds in white gold, 2.8cm high, case £2,000­3,000 302 A pair of diamond drop earrings, the tapering squares are set with graduated circular­cut diamonds in platinum, 2.5cm high £800­1,200 303 An Art Deco gem­set rectangular plaque ring, centred with an acorn set with a triangular­shaped diamond, with further circular­cut diamonds and calibré­cut rubies in a surround of blue enamel, with engraved decoration to the gallery in platinum and white gold, size K½ £800­1,200 304 A conical shaped diamond ring, the openwork ring millegrain­set with graduated circular­cut diamonds in a star and stylised palmette design in platinum, size S½ £2,500­3,000 305 A zircon and diamond ring, the oval­shaped blue zircon is set with three old circular­cut diamonds to each shoulder in platinum, size O½ £1,500­2,000 306 A diamond and synthetic sapphire line bracelet, the groups of four round brilliant­cut diamonds are separated with groups of four rectangular­cut synthetic sapphires in white gold box mounts, 17.8cm long £1,800­2,500 307 A diamond line bracelet, the square­shaped links set with circular­cut diamonds in platinum, approximately 2.50cts total, 18cm long £3,500­4,500 308 An early 20th century black onyx line bracelet, the calibré­cut black onyx set in platinum with scroll engraved shoulders, 19cm £2,500­3,500 309 A diamond line bracelet, set with round brilliant­cut diamonds in white gold, the diamonds weigh approximately 3.30cts in total, 17.5cm £2,500­3,000 310 A diamond and jade brooch, the carved jade panel (damaged) depicting flowers, is set within diamond­set surround in white gold, 5.5cm wide £500­700 311 A diamond­set Dachshund brooch, realistically formed and pavé­set overall with graduated circular­cut diamonds in platinum, cabochon ruby eye, 4.3cm wide £2,500­3,500 312 A pair of sapphire and diamond drop earrings, of openwork design, millegrain­set with graduated circular­cut diamonds and calibré­cut sapphires in white gold, 6.5cm high £1,000­1,500

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313

313 An impressive gem­set double poppy brooch by Fei Liu, the upper half pavé­set with assorted rubies and tsavorite garnets to the stems, the lower poppy designs as a reflection and set with moonstones and diamonds, all in white gold, engraved with the details of the stones and weights, 10cm long £8,500­10,000 The two poppies are designed to be symbolic, representing either the living and the past or day and night. Ever changing life can be seen from different perspectives. The symbol of the poppy itself represents fragility of life.

314 A diamond and gem­set white gold necklace, with a continuing v­form pattern of graduated round brilliant­cut diamonds and trefoils of rubies, sapphires and emeralds, 46cm £6,000­8,000

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315 A diamond half­hoop ring, set with five graduated old circular­cut diamonds in carved yellow gold mount, size S½ £1,600­1,800 316 An early 19th century ruby emerald and diamond ring, the cushion­shaped ruby is set within square surround £2,200­2,500 set with emeralds, rubies and diamonds in silver and gold, size Q Accompanied by report number 8087726 dated 8 March 2018 from AGL stating that the cushion­shaped ruby measures 6.8 x 6.4 x 2.48mm and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) 317 A pink tourmaline and diamond cluster ring, the oval­shaped tourmaline is set within a surround of rose­cut £1,000­1,500 diamonds in silver closed­back mount with gold backing and shank, size I (i) 318 A late Victorian gem­set gold ring, the lozenge design set with emeralds, garnets and a pearl, Chester hallmarks £200­300 for 15ct, 1878, size M½, case 319 A Victorian diamond five stone ring, set with graduated old circular­cut diamonds in carved and pierced yellow £200­300 gold shank, size R 320 A demantoid garnet­set ring, the circular­cut garnet is set in gold with pierced shoulders, size J½ £2,000­2,500 321 A Victorian diamond­set strapwork brooch pendant, centred with a cushion­shaped diamond, with further diamonds to the strap­work mount, quartered with diamond­set foliate motifs in silver and gold, with brooch fitting and £1,000­2,000 folding pendant loop, 4.7cm high 322 A ruby and diamond cluster ring, the cushion­shaped ruby weighs approximately 2.40cts, set within a diamond £800­1,200 surround in silver and gold, size J½ 323 A freshwater pearl and diamond brooch, centred with an old circular­cut diamond, the petals formed with £200­300 freshwater pearls in platinum and gold, 3.6cm widest, case 324 A Victorian diamond­set horseshoe bangle, set with graduated old circular and cushion­shaped diamonds on a £1,200­1,500 five row gold bangle, 5.5cm inner diameter 325 A late Victorian fancy diamond, diamond and pearl cluster brooch, the central diamond weighs approximately £6,000­8,000 2.70cts, set within a surround of diamonds and pearls in gold, 2.8cm widest 326 A late Victorian diamond brooch, of openwork design and set overall with graduated old cushion­shaped diamonds in silver and gold, the brooch fitting detaches so that the brooch can be used as the clasp for a necklace, 4.4cm wide £1,500­3,000 327 A Victorian diamond­set crescent brooch pendant, set with graduated old cushion­shaped diamonds in silver on £2,200­3,000 gold, folding pendant loop, 3.7cm high 328 A Victorian amethyst, diamond and seed pearl brooch pendant, the circular­cut amethyst set within an asymmetrical surround of graduated old circular­cut diamonds and graduated seed pearls in silver on gold, folding pendant £1,200­1,500 loop, 3cm wide 329 A Victorian diamond and enamel heart brooch, centred with a cluster of rose­cut diamonds within a surround of blue and white enamel decoration, with outer foliate border set with rose­cut diamonds in silver on gold, 2.6cm high £600­800

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330 An early 19th century double heart ring, set with a pear­shaped emerald and pear­shaped ruby in gold closed­ back mounts and within a border of cushion­shaped diamonds, size M £8,000­12,000 331 A George III diamond­set foliate pendant, suspended from a diamond­set bow, the heart­shaped openwork foliate pendant set with assorted rose­cut diamonds and suspends a pear­shaped centre cluster, suspended from a bow pendant centred with a larger oval­shaped diamond, silver and gold mount with gold suspension ring, 5.5cm high £6,000­8,000 332 A George III diamond cluster ring, the centre old cushion­shaped diamond is set within two borders of smaller diamonds in closed­back silver and gold mount, the bifurcated gold shank with carved scallops to the shoulders, size L £6,000­8,000 333 A late Victorian ruby five­stone half­hoop ring, the five graduated emerald­cut rubies are set in yellow gold to the carved pierced shank, size M £4,500­5,500 Accompanied by report number 2203525737 dated 28 August 2019 from GIA stating that the five rectangular step­ cut rubies measure 4.68 x 3.96 x 2.53mm ­ 4.93 x 3.98 x 2.56mm and are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar)

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334 An early 18th century parure of rose­cut diamond set jewellery, probably Iberian, comprising a stomacher slide with pendant, a pair of girandole earrings with gold hinged ear clips and two bracelet centrepieces, the stomacher 10cm high, fitted case £4,000­6,000 335 A pink sapphire and diamond target ring, the central circular­cut pink sapphire is set within concentric surround of pink sapphires and diamonds in a fluted closed back yellow gold mount, size P½ £2,500­3,500 336 A George III enamel mourning brooch, the octagonal plaque decorated with a black and white enamel urn set with a glazed locket compartment, set in yellow gold, 2.5cm high £400­600 337 An 18th century gold mourning ring, with white enamel decoration and mourning inscription dated 1760, size R½ £200­300 338 A Victorian 18ct gold black enamel mourning ring, reading ‘In Memory’, engraved to interior ‘Ben Baldwin 1875’, size Q £200­300 339 A late George III diamond­set Saint Esprit dove brooch, set overall with graduated pear, cushion and rose­cut diamonds in silver and gold, 2.8cm wide £2,000­3,000 340 A late 19th century emerald and diamond cluster ring, the emerald­cut emerald set within a surround of old cushion­shaped diamonds and diamond trefoil shoulders in silver and gold, size P £3,000­4,000 Accompanied by report number 18497 dated 13 March 2020 from The Gem & Pearl Laboratory stating that the octagonal­shaped emerald is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 341 A Regency gem­set gold brooch, designed as a butterfly sitting on a heart, set with a pear­shaped topaz and turquoise in gold, glazed locket compartment to the reverse containing plaited hair, hinged brooch pin, 2.7cm high £600­800 342 A mid 17th century diamond set cruciform pendant, set with table­cut diamonds with pierced foliate decoration and finely engraved to the reverse, 4.5cm high £5,000­6,000

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340 334 (5)

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343 A platinum fine­link longuard chain, set with circular­cut diamonds and oval­shaped demantoid garnets, 82cm long £1,500­2,000 344 A pair of French sapphire and diamond bombé earrings, set with sapphire flowerhead clusters within pavé­set circular­cut diamonds in white gold, French maker’s lozenge and French control marks, folding post and clip fittings, 2.2cm high £3,000­4,000 345 An aquamarine and diamond ring, the emerald­cut aquamarine is set with three circular­cut diamonds to each shoulder in platinum, size N £450­550 346 A sapphire and diamond three stone ring, the oval­shaped sapphire weighs approximately 4.90cts, flanked with triangular­shaped shoulder diamonds in white gold, size K £1,500­2,000 347 A French sapphire and diamond bombé ring, pavé­set with diamonds and flowerhead clusters of sapphires in white gold, French control mark and maker’s lozenge, size M £2,500­3,000 348 A pink sapphire and emerald three­stone ring, the emerald­cut pink sapphire is set with a baguette shaped emerald to each shoulder in yellow gold, size M £10,000­15,000 Accompanied by report number 1109279 dated 27 August 2020 from AGL stating that the emerald­cut pink sapphire measures approximately 13.6 x 7.1 x 4.94mm and is a natural pink sapphire with no indications of heat treatment. Origin: Burma (Myanmar) and the two step­cut emeralds are natural emeralds with indications of minor clarity enhancement. Origin: Colombia 349 A garnet, diamond and rutilated quartz ring, the emerald­cut rhodolite garnet is flanked with rutilated quartz within a border of baguette­shaped diamonds in rose gold, garnet 9.95ct, diamonds 1.68cts, size O £2,500­3,000 350 A tanzanite, emerald and diamond cluster ring, the oval­shaped tanzanite is flanked with oval­shaped diamonds and a surround of oval­shaped emeralds in white gold, size O £1,500­2,000 351 A pink sapphire and diamond cluster ring, the pear­shaped pink sapphire is set within a surround of yellow and white diamonds with diamonds set to the shank in white gold, size N £3,500­4,500 352 A single­row cultured black pearl necklace, the pearls graduate from 14.89mm to 16.10mm, each set with diamond rondel spacers and a diamond­set spherical clasp, 42.5cm long £5,000­7,000 353 A pair of cultured pearl and diamond cluster earrings, the baroque white and black pearl each set with a spray of circular and baguette­shaped diamonds in white gold, post and clip fittings, 2.5cm high £2,500­3,000 354 A spinel­mounted pendant, the cushion­shaped spinel weighs 5.87cts, set in coronet silver and gold mount with gold pendant loop £3,000­5,000 355 A ruby and diamond gold horseshoe brooch, set with graduated circular­cut rubies and diamonds in gold, 3.5cm high £2,200­2,500 Accompanied by report number 8090432 dated 12 February 2020 from AGL stating that the round to oval­cut rubies are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar)

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356 An early 20th century pink sapphire and diamond cluster ring, the oval­shaped sapphire is set within a surround of cushion­shaped diamonds in silver and 18ct gold, Birmingham marks for 1910, size N £3,000­4,000 Accompanied by report number 18470 dated 8 March 2020 from The Gem & Pearl Lab stating that the cushion­shaped pink sapphire is a natural pink sapphire with no indications of heat treatment. Origin: Burma 357 An Edwardian diamond foliate and scroll pendant brooch, the pierced design set overall with graduated old circular­cut diamonds in platinum, the central diamond weighs approximately 0.80cts, approximate total diamond weight 3.70cts, suspending an untested pearl, on fine­link platinum neck chain set with six diamonds, the pendant fitting detaches to be replaced with a brooch fitting, 5.8cm wide, chain 39cm long £6,000­8,000 358 A green garnet and diamond cluster ring, the oval­shaped garnet is set within a surround of round brilliant­cut diamonds in platinum and 18ct gold, London hallmarks for 2005, size M £400­600 359 An Edwardian diamond brooch, designed as three interlocking wreaths millegrain­set with old circular­cut diamonds, each suspending a diamond drop, set in platinum, 5cm wide £2,500­3,000 360 A natural pearl and diamond cluster ring, the pearl set within a surround of old cushion­shaped diamonds in yellow gold, size L £1,500­2,000 Accompanied by report number 5775­1940 dated 5 May 2015 from GCS stating that the cream pearl measures 7.4 ­ 8.10 x 7.8mm and is natural saltwater, with no indications of treatment. 361 A ruby and diamond sunburst brooch, the oval­shaped ruby is set within graduated surround of diamonds in platinum, 3cm wide £1,800­2,000 Accompanied by report number 81285­01 dated 10 November 2020 from GCS stating that the cushion­cut ruby weighs approximately 1.60cts and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) 362 A Victorian opal and diamond cluster ring, the navette­shaped opal cabochon set within a surround of rose­cut diamonds in silver on gold, the gold ring with fluted shoulders, size Q £800­1,200 363 An Edwardian untested pearl and diamond­set circular brooch, centred with a pearl within an openwork surround millegrain­set with rose­cut and old circular­cut diamonds in platinum, 3cm wide £1,500­2,000 363A An Edwardian diamond­set bow brooch, the sylised bow millegrain­set with graduated old cushion­shaped diamonds and an articulated line of graduated diamonds with a further pendant loop in platinum, 4.7cm wide £2,000­3,000 364 An early 20th century yellow sapphire and diamond ring with matching earrings, the platinum ring set with an octagonal shaped sapphire and with circular and baguette shaped shoulder diamonds, size J½, the earrings each set with octagonal shaped yellow sapphire with graduated circular­cut diamonds in platinum, 3.5cm high £1,500­2,000

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357

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363A

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365 A pair of diamond drop earrings, each set with three graduated old circular­cut diamonds in silver on gold, principal diamonds 1.50cts total, post fittings £4,000­6,000 366 A natural pearl and diamond­set platinum longuard chain, the white and fancy­coloured diamonds set in spectacle mounts, 108cm £6,000­8,000 367 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.50cts, set in a textured yellow gold mount, size M½ £3,000­5,000 368 A chrysoberyl catseye and diamond three­stone ring, the oval­shaped chrysoberyl catseye is set with two tapered­ baguette shoulder diamonds in yellow gold, size M £8,000­12,000 369 A sapphire and diamond cluster ring, the cushion­shaped sapphire weighs 15.03cts, set within a surround of round brilliant­cut diamonds in platinum, size M £20,000­30,000 Accompanied by report number 114742 dated 9th October 2020 from SSEF, Switzerland stating that the sapphire weighs 15.03cts with no indications of heating, origin: Ceylon (Sri Lanka) 370 A diamond bracelet, c.1950s centred with a marquise­shaped diamond within scrolls of baguette­shaped and circular­cut diamonds, the panel terminals are each set with six graduated marquise­shaped diamonds within borders of baguette­shaped diamonds, stamped with inventory number 5012, 17.5cm £14,000­16,000 Accompanied by report number 2165731793 dated 5 November 2014 from GIA stating that the marquise­shaped diamond weighs 2.25 carats, with J colour and VS1 clarity. 371 A diamond scroll bracelet, the undulating lines of circular­cut and baguette­shaped diamonds are centred with larger round brilliant­cut diamonds in platinum, 14mm wide, 18.5cm long £10,000­15,000 372 A pair of diamond flower earrings by Adler, set overall with graduated round brilliant­cut diamonds in 18ct white gold, London import marks for 1993, 3.5cm high, folding post and clip fittings £6,000­8,000 373. A pair of natural pearl and diamond cluster earrings, set with a black and a white natural pearl, each within a double surround of graduated circular­cut diamonds in white gold, 2.2cm wide £7,000­9,000 Accompanied by report number 77110­18 dated 12 July 2017 from GCS stating that the cream and grey pearls are natural saltwater with no indications of treatment.

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374

374 A very fine 19th century Etruscan Revival ram’s head gold hinged bangle, the head beautifully textured with realistic wool, the tapered bangle with fine cannetille work overall, hinged opening, internal diameter 6cm (widest) £6,000­8,000 375 A gem­set Holbeinesque gold pendant, the lozenge design decorated with polychrome enamel, and set with chrysolites and pearls, suspended from an enamel pendant loop and suspending a chrysolite and enamel lozenge beneath, 10cm high, in fitted Tessier box £3,000­4,000 376 A Victorian gold Maltese cross pendant, set with a central diamond­set star, with four further diamonds within pellet gold borders in yellow gold, pendant 6.2cm high, chain 42cm long, fitted case £400­600 377 Two gold snake bangles, realistically formed as coiled snakes with rose­cut diamond eyes, not hallmarked but both test as 22ct gold, approximately 6.5cm internal diameter, 258g total £7,500­8,500 378 A 19th century micromosaic and enamel gold hinged bangle, the circular domed centrepiece with micromosaic cross above ‘PAX’ and flanked with flowers, within fine wirework borders on a star­form mount with double hinged bangle, decorated overall with enamel hearts and flowers, twice marked with the papal St Peters mark, internal diameter 5.8cm £2,000­3,000 379 A 19th century gold brooch in the style of Giacinto Melillo, c.1875, depicting an amorino playing the pipes and seated on a boat­shaped base with foliate terminals, fine granulation overall, 3.5cm wide, fitted case marked for Giacinto Melillo Napoli, the wooden box with red velvet lining £3,000­5,000 380 An Etruscan Revival gold bangle, the quatrefoil plaque with pellet and filigree decoration on a three row gold bracelet decorated with gold pellets, 5.5cm inner diameter, 51g £1,800­2,500

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381 A cultured pearl and diamond brooch and earrings by Boucheron, of foliate design, set with two cultured pearls and pierced diamond­set petals in yellow gold, signed, 6cm high, with a matching pair of diamond­set foliate earrings by Boucheron, signed and numbered L94521, French control marks, 4cm high £15,000­20,000

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382 An Art Deco diamond bracelet, c.1930, the central pavé­set old brilliant­cut diamond circular plaque set with a hexagonal­cut diamond within lines of baguette­cut diamonds at the cardinal points, on a highly articulated tapering strap of similarly cut diamonds, mounted in platinum, principal diamond approximately 1.20 carats, remaining diamonds approximately 17.35 carats total, maker’s marks E.J. for Edouard Jeandy, French assay marks, length 18.7cm £15,000­20,000

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383 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 2.30cts, set with graduated circular­ cut diamonds in platinum, size N £4,000­6,000 384 A large polished spinel­mounted gold ring, the spinel weighs approximately 33.40cts, believed to be from Tajikistan, ring size M £10,000­15,000 385 A diamond and gem­set giardinetto brooch pendant by Plisson et Hartz, the flowers highlighted with oval­shaped rubies with diamond set foliage and the basket with two rows of emeralds and diamonds to the lattice work body, set in platinum and yellow gold, the pin stamped with French control mark and a Plisson et Hartz maker’s lozenge, 4cm wide £2,000­3,000 386 A diamond solitaire ring, the old circular­cut diamond weighs approximately 2.95cts, claw set and with bifurcated shoulders in platinum and gold, size Q £4,500­5,500 387 An impressive French diamond cluster ring, the round brilliant­cut diamond weighs approximately 6.40cts, millegrain­set within a surround of circular­cut diamonds, with four further graduated diamonds to each shoulder, set in platinum, French control mark and maker’s lozenge to the exterior of the shank, size N½ £40,000­60,000 388 A French Art Deco sapphire and diamond bracelet, the lozenge­shaped links set with lines of French­cut sapphires and round brilliant­cut diamonds in platinum, French control marks, maker’s lozenge, 18cm long £10,000­12,000 Accompanied by report number 80276­82 dated 8 October 2020 from GCS stating that the calibre­cut sapphires weigh approximately 9.20cts total and are natural sapphires with no indications of heat treatment. Origin: Basaltic & Burma (Myanmar). 389 A ruby and diamond cluster ring, the oval­shaped ruby weighs approximately 2.03cts, set within a surround of old circular­cut diamonds, with a further diamond to each shoulder in yellow gold, size M £6,000­8,000 Accompanied by report number 79202­39 dated 21 February 2019 from GCS stating that the cushion­shaped ruby weighs approximately 2.10cts and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar). 390 A pair of diamond stud earrings, the round brilliant­cut diamonds weigh 3.79cts total, white gold mounts £10,000­12,000 391 A diamond solitaire ring, the oval­shaped diamond weighs 3.12cts, claw­set in white gold, size L £8,000­12,000 392 An emerald and diamond ring, the square­shaped emerald is set within a surround of circular­cut diamonds, with further diamonds to the shoulders in platinum, size R½ £4,000­6,000 Accompanied by report number 79235­51 dated 27 September 2019 from GCS stating that the rectangular­cut emerald is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 393 A pair of diamond drop earrings, each earring set with a transitional circular diamond suspended from a smaller diamond, diamonds approximately 3.30cts total, set in platinum, 1.5cm high £4,000­6,000

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lifesize

394 A late 19th century diamond­set crosslet brooch by Fabergé, the multi cross­form brooch set with cushion­ shaped diamonds in silver and gold square collets, scratched inventory number 62607, the pin marked for August Holmström and a kokoshnik, 3.5cm wide £15,000­20,000

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lifesize

395 A diamond cluster ring, the cushion­shaped diamond weighs 2.50cts, set within a surround of round brilliant­cut diamonds, pear shaped diamonds and further graduated round brilliant­cut diamonds to the white gold shank, size N £25,000­30,000 Accompanied by report number 5192747060 dated 13 October 2018 from GIA stating that the cushion modified brilliant diamond weighs 2.50cts and is a natural diamond with D colour, IF clarity and medium blue fluorescence.

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lifesize

396 A sapphire and diamond cluster ring, the pear­shaped sapphire weighs 15.22cts, set within a surround of round brilliant­cut diamonds in platinum £32,000­35,000 Accompanied by report number 115472 dated 4 December 2020 from SSEF stating that the pear­shaped sapphire is a natural sapphire, with no indications of heat treatment. Origin: Burma (Myanmar).

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397 A chrysolite and enamel decorated gold necklace by Carlo & Arthur Giuliano, the three scroll mounts are each set with three baguette­shaped chrysolites and suspending three pear­shaped chrysolite drops, joined by two rows of fancy fine­link chains decorated with red enamel and with a single similar gold back chain, S­shaped clasp, signed C&AG (rubbed), in fitted case, the silk lid lining signed C&A Giualiano 115 Piccadilly London beneath a crown £7,000­9,000

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.


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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.


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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.


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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.


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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated. BOOK AUCTIONS

GENERAL

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale. 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.


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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;


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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk


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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk


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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

JEWELLERY

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

THURSDAY 28TH JANUARY 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

All accounts must be settled within 21 days. ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk


AUCTION CALENDAR JANUARY 13th & 14th 26th & 27th 28th

Furniture, Works of Art & Clocks Silver & Objects of Vertu Jewellery

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR APRIL 2021 AUCTION

FEBRUARY 3rd & 4th 16th 17th

Modern British & 20th Century Art Tribal Art & Antiquities Fine Porcelain & Pottery

MARCH 3rd 16th 17th 31st

Old Masters, British & European Paintings British Art Pottery Clarice Cliff, Art Deco & Design Furniture, Works of Art & Clocks

APRIL 21st 22nd

Silver & Objects of Vertu Fine Jewellery

MAY 5th 6th 18th & 19th

English & European Ceramics & Glass Medals & Coins, Arms & Armour Asian Art, Chinese Paintings & Japanese Works of Art

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

An Art Deco sapphire and diamond bracelet by Charles Holl, (Sri Lanka, no heat), with provenance SOLD FOR £86,250*


www.woolleyandwallis.co.uk


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