Woolley & Wallis Auctioneers

BRITISH ART POTTERY & DESIGN

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN

Michael Jeffery 424505 Zoe Smith 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Will Hobbs 339752 Molly O’Reilly 446980

ASIAN ART

John Axford MRICS ASFAV 424506 Alexandra Aguilar 424583 Freya Yuan Richards 424589 Jeremy Morgan +44 (0)7812 601098 Michelle Yu 424571 Sophie Moore 424591 Nelson Chui 424591

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan Richards 424589 Michelle Yu 424571

ENGLISH & EUROPEAN CERAMICS & GLASS

Clare Durham 424507 Hollie Morrison 446964

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan Richards 411854 Neil Grenyer 446974 Jim Gale 339161 Sarah Stone 339161

JAPANESE ART

Alexandra Aguilar 424583

JEWELLERY

Marielle Whiting FGA 424595 Jonathan Edwards FGAA (Consultant) 424504 Samuel Hug FGA DGA 424586 Megan Corbett 424562

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469 Molly O’Reilly 446980

PAINTINGS

Victor Fauvelle 446961 Ed Beer 446962 Hannah Farthing 446970

SILVER

Rupert Slingsby 424501 Lucy Chalmers 424594

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS ASFAV FRSA 424502 Neil Grenyer 446974 Amanda Lawrence 424509 Archie Swann (Trainee Valuer)

GENERAL OFFICE

Ruth Pike (Office Manager) 424500 Sarah Bennie Leyanne Hind Serina Tandy Cockram Nicola Young

CASTLE GATE RECEPTION

Sally Litherland

MARKETING

Chloe Davie 446951

ACCOUNTS

Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs

Michael Jeffery

Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan Richards Mark Yuan Richards

BRITISH ART POTTERY & DESIGN

WEDNESDAY 30TH NOVEMBER 2022

10.00AM LOTS 1-227

THURSDAY 1ST DECEMBER 2022 10.00AM. LOTS 228-568 at our Castle Street Salerooms, SP1 3SU

VIEWING

Saturday 26th November 10.00am – 1.00pm

Monday 28th November 10.00am – 4.00pm

Tuesday 29th November 10.00am – 4.00pm

Wednesday 30th November 9.00am –4.00pm

Thursday 1st December 9.00am –12noon

Michael Jeffery 01722 424505 mj@woolleyandwallis.co.uk

Zoe Smith 01722 446955 zs@woolleyandwallis.co.uk

THE VIEWING OF THIS SALE WILL TAKE PLACE AT

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury, SP4 6QX

Client Parking Available

Saturday 26th November 10.00am – 1.00pm

Monday 28th November 10.00am – 4.00pm

Tuesday 29th November 10.00am – 4.00pm

Wednesday 30th November 9.00am 4.00pm

Thursday 1st December 9.00am 12noon

THE AUCTION ON 30TH NOVEMBER & 1ST DECEMBER WILL TAKE PLACE AT CASTLE STREET

51 61 Castle Street, Salisbury, SP1 3SU

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 25% plus VAT

TELEPHONE BIDDING

Requests for telephone bids cannot be accepted after 5pm on Tuesday 29th November

CONDITION OF LOTS

The condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

COLLECTIONOF LOTS BY APPOINTMENT

Collection by appointment from our Old Sarum Warehouse, Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX

Please call 01722 446950

All accounts to be settled prior to collection

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a ‡ symbol which sell for more than €1000 are subject to the levy, payable by the bidder. Please refer to page 165 for full details.

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ILLUSTRATIONS

Front cover: Lot 520

Back cover: Lot 173 Inside cover: Lots 162 172 Catalogue £10.00 (£15.00 by post)

BRITISH ART POTTERY

2

1

3

1

MARTIN WARE

A Martin Brothers stoneware tile, square, incised with flowers and foliage, glazed in shades of brown, and three other Martin Ware tiles, impressed marks, minor nicks 7cm. square (4) £150 200 2

A Martin Brothers stoneware jug by Robert Wallace Martin, dated 1880, shouldered, footed form, incised with simple foliage stems in green on an olive ground, with brown handle, and another jug incised 2.6.80 R W Martin & Bros London & Southall, second jug restored, 25cm. high, (2) £200 300

3

An early Martin Brothers stoneware jug by Robert Wallace Martin, dated 1881, shouldered form, incised and painted with berried foliage in green and blue on a buff ground, incised mark 9.11.81 R W Martin London & Southall, 21.5cm. high £150 200

4

A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1881, footed form, flaring cylindrical body with inverted rim, incised and painted with a young courting medieval couple in a terraced garden setting, in shades of blue and green on a buff ground, incised 4.9.81 R W Martin London & Southall, restored, 20/5cm. high £150 200

5

An early Martin Brothers single handled vase by Robert Wallace Martin, dated 1878, ovoid with cylindrical neck and angled handle, incised with a band of leaves to the body and neck, glazed in blue and brown on a buff ground, incised R W Martin, Southall, 1878, 25cm. high £150 250

6

An early Martin Brothers stoneware wall pocket by Robert Wallace Martin, dated 1870,shield shape, modelled and incised with poppy seedheads and foliage in shades of blue and green, incised R W Martin Sc, Fulham, 3/74, A4, stress hairlines and small chip to back plate, 18cm. high

£200 300

7

A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated playing a drum, glazed brown, incised R W Martin London & Southall, restored, 10.5cm. high £500 1,000

8

An early Martin Brothers stoneware Owl jar and cover by Robert Wallace Martin, dated 1877, triangular section, modelled in relief with three owls, one asleep, two with eyes slightly open, the cover modelled with a white mouse, glazed in colours 12 77 R W Martin, London & Southall, and numbered 3 to both cover and base, old damages, 13.5cm. high

Provenance Private collection. £1,000 1,500

6

9

11

9

An early Martin Brothers stoneware vase by Robert Wallace Martin, shouldered form, incised with cranes flying past an owl perched on a bough, in colours on a buff ground, incised D8 R W Martin Fulham, neck off and missing, 15.5cm. high £120 180

10

A Martin Brothers stoneware vase, shouldered form with flaring top rim, incised and painted with flowers in white, green and brown on a buff ground, incised marks, chip to top rim, 6.5cm. high £150 200

11

A Martin Brothers stoneware vase, dated 1894, shouldered form, incised with scrolling foliage in blue and brown on a buff ground, incised 6-1894 Martin Bros London & Southall, 16cm. high £150 200

12

A Martin Brothers stoneware vase, shouldered form, incised with scrolling foliage in buff on a brown ground, incised indistinct date Martin Bros London & Southall, 19.5cm. high £200 400

13

13

A Martin Brothers stoneware vase, dated 1888, shouldered, square section, with cylindrical neck and pinched rim, incised with birds flying amongst foliage, in grey and brown on a buff ground, incised marks, date indistinct probably 1888, Martin Bros London & Southall, professional restoration to top rim, 20.5cm. high

Provenance

Private collection.

£1,000 1,500

14

A pair of Martin Brothers stoneware vases by Robert Wallace Martin, dated 1879, slender bottle form, incised with panels of birds perched on tree boughs, in blue, green and brown on a speckled buff ground, incised 13.11.79 R W Martin, London & Southall, 24.5cm. high (2)

£400 600

15

A pair of Martin Brothers stoneware vases by Robert Wallace Martin, baluster form, incised with white lily flower stems with butterflies and insects flying, in shades of brown, green and white on a tan ground, incised 2-1892, R W Martin & Bros, London & Southall, firing crack to base of one, 24.5cm. high, (2)

£2,500 3,000

A

Peter

Mar

Brothers stoneware sculpture of a sleeping boy by Robert Wallace Martin and Edwin Martin, the rectangular plaque modelled in relief and glazed in

inscribed He Rests He Sleeps Nor

Mar

42 x 15.5cm.

A large Martin Brothers stoneware face jug, modelled in low relief with a smiling face, the reverse a smirking face, glazed matt brown with white and black highlights, incised R W Martin & Bros Southall, 23.5cm. high £6,000 8,000

20

21

18

A Martin Brothers stoneware jug by Robert Wallace Martin, dated 1890, swollen form incised and painted with stylised flowers and foliage, in blue and brown on a buff ground, incised 3.10.81 R W Martin Southall, professional restoration to foot rim, 23.5cm. high

£150 200

19

A Martin Brothers stoneware twin handled vase by Edwin and Walter Martin, dated 1895, slender form, incised and painted with flower sprays in green and white on a pale grey blue ground, and another vase signed by W F Martin, incised Martin 1895 London, neck repaired, second vase restored, 8.5cm. high (2)

£200 300

20

A Martin Brothers stoneware twin vase by Robert Wallace Martin, incised with scrolling foliage on a textured ground, in blue on a buff ground, incised R W Martin London & Southall, restored neck, 26cm. high

£150 200

21

An early Martin Brothers stoneware solifleur vase by Robert Wallace Martin, dated 1879, ovoid with tall cylindrical neck with ovoid body, painted and applied with scrolling bead work in blue, and a Martin Brothers stoneware cylindrical vase, incised 79 R W Martin London & Southall, losses to bead work, second vase restored, 17cm. high (2)

£150 200

22

A Martin Brothers stoneware cruet dish, dated 1909, with loop handles, glazed ochre with blue well, and another Martin Brothers stoneware stand, incised Martin Brothers 3-1909 London & Southall, damages 12cm. wide (2)

£150 200

23

A Martin Brothers stoneware cup and saucer, incised with scrolling foliage in brown on a brown ground, with the crest for the Henderson Clan, in white, and two modern pieces inspired by the Martin Brothers, incised marks, restored chips to saucer 8cm. diam. (4)

£120 180

24

A Martin Brothers stoneware Gourd dish, dated 1895, circular with incised decoration, and a green glazed ovoid vase, incised 1895 Martin Brothers London & Southall, 10cm. diam, (2)

£120 180

25

25

A Martin Brothers stoneware Gourd jardiniere by Edwin and Walter Martin, dated 1915, shouldered ribbed form, covered in a pitted black metallic glaze with blue spots, and a Martin Brothers stoneware baluster vase, incised 1-1915 Martin Bros, Southall, 11cm. high (2)

£150 200

26

A large Martin Brothers stoneware Gourd vase by Robert Wallace Martin, ribbed form with collar rim, covered in a textured white glaze incised R W Martin & Bros, London & Southall, 26.5cm. high

Provenance

Christie’s South Kensington, 1st March 1996, lot 52

The Martin Brothers Potters, Woolley and Wallis Auctioneer’s 31st October 2005, lot 24.

£300 500

27

A Martin Brothers stoneware Gourd vase by Edwin and Walter Martin, dated 1909, shouldered, square section, with horizontal modelled rim, covered in a pale blue glaze, the top rim aubergine, incised 11-1909 Martin Bros London & Southall, firing crack to top rim, 18cm. high

Provenance

The Martin Brothers Potters, Woolley and Wallis Auctioneers 31st October 2005, lot 26.

£200 300

28

A large Martin Brothers stoneware gourd jardiniere, ribbed form with six aperture to the top, covered in a black glaze, incised regd mark and Southall Pottery, 20cm. high £500 1,000

26

27

29

30

29

A Martin Brothers stoneware Gourd vase, ribbed, shouldered form, covered in a brown metallic glaze, and an early vase incised R W Martin Southall, chips to second vase, 7.5cm. high (2) £150 200

30

A Martin Brothers stoneware vase, ovoid with flaring rim, covered in a mottled tan glaze, with green/blue splashes to shoulder, a small Martin brothers dish and a miniature ovoid vase incised marks, 7.5cm. high (3) £150 200

31

A Martin Brothers stoneware Gourd vase by Edwin and Walter Martin, tall, twisted form, glazed blue and green incised Martin, 14.5cm. high

Provenance

The Martin Brothers Potters, Woolley and Wallis Auctioneers 31st October 2005, lot 30. £200 300

32

A Martin Brothers stoneware Gourd vase by Edwin and Walter Martin, twisted form, covered in a green glaze, incised Martin London, 12cm. high

Provenance

The Martin Brothers Potters, Woolley and Wallis Auctioneers 31st October 2005, lot 29. £200 300

33

A Martin Brothers stoneware vase with loop handles, dated 1907, ovoid with four loop handles to the shoulder, covered in a black metallic glaze, incised 111907 Martin Bros, London & Southall, 10.5cm. high £150 200

34

A Martin Brothers stoneware bowl on four feet by Edwin and Walter Martin, dated 1911, on four spike feet, glazed metallic bronze, incised 5-1911, Martin Bros, London & Southall, 17cm. diam. £150 200

31

32

35

A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1900, tall, ribbed square section, covered in a mustard/tan glaze, incised 2-1900 Martin Brothers London & Southall, stress hairlines, 23.5cm. high

£120 180

36

A Martin Brothers stoneware Gourd vase by Edwin and Walter Martin, dated 1901, shouldered square section, painted with blue green spots, incised 6-1901 Martin Bros London & Southall, 8cm. high

Provenance

The Martin Brothers Potters, Woolley and Wallis Auctioneers 31st October 2005, lot 30.

£200 300

37

A Martin Brothers stoneware Gourd vase by Edwin & Walter Martin, dated 1911, shouldered square section, painted with green spots and ribs on a brown ground, incised 101911, Martin Bros, London & Southall, glaze loss to top rim,11.5cm. high

£200 300

38

A Martin Brothers stoneware Gourd vase by Edwin and Walter Martin, dated 1904, flattened shouldered form, incised with green veins, on a buff ground incised 5-1904 Martin Bros London & Southall, Harriman Judd paper label, professional restoration to top rim, 10cm. high

Provenance

Harriman Judd Collection. Woolley and Wallis Auctioneers, 31st October 2005, lot 31.

£200 300

39

A Martin Brothers stoneware Gourd jardiniere by Edwin and Walter Martin, veined and ribbed form glazed pale green and buff with blue highlights, the interior glazed pale blue incised 7-1903 Martin Bros London & Southall, fine stress hairlines, 9cm. high

£200 300

36

37

38

40

Three Martin Brothers miniature Gourd vases by Edwin and Walter Martin, each ovoid, one with incised decoration, two with painted design, incised marks, two dated 1904, one possibly 1907 2cm (tallest), (3)

400

A Martin Brothers stoneware miniature Gourd vase by Edwin and Walter Martin, dated 1906, ovoid form covered in a mottled green and brown glaze, and two other miniature gourd vases, incised 1906 Martin Bros London & Southall, tallest vase restored, 4.5cm. high (3)

200

42

A Martin Brothers stoneware Gourd vase by Edwin & Walter Moorcroft, dated 1904, shouldered, tapering cylindrical form, glazed matt black and decorated with blue spots, incised 8-1904, Martin Bros, London & Southall, firing crack to base, 26cm. high

1,200

44

An early Martin Brothers stoneware Aquatic vase by Robert Wallace Martin, dated 1879, tapering form with flaring neck with fluted rim, modelled seaweed lug handles, incised and painted with scaly fish swimming in turbulent water in blue and buff, incised 25 1879, R W Martin London & Southall, minor professional restoration to top rim, 26cm. high

Provenance Private collection. £1,000 1,500

45

A Martin Brothers stoneware Aquatic vase, shouldered form, painted with an eel swimming with fish, in brown on a pale blue/grey ground incised marks, indistinct date Martin Bros London & Southall, 14.5cm. high Provenance Private collection. £1,000 1,500

46

A Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, dated 1897, shouldered ovoid form, with cylindrical neck, painted with fish swimming, in brown with a blue splash, on a cream ground, incised 12-1897 Martin Bros, London & Southall, 15cm. high Provenance Private collection. £1,000 1,500

44

46

50

52

DOULTON WARE

48

Andrew Hull (born 1966)

The Unfortunate Offspring, 2021 a pair of bird jars and covers, glazed in colours, impressed and painted marks, dated 32cm. high (tallest bird), (4)

£500 600

49

A Doulton Lambeth stoneware tyg, cylindrical form with applied handles, the body applied with sporting figures of a runner, long jumper and a shot putter, each in tubelined border and flowers, in shades of blue, green and white on a buff ground, with electroplated mount and cover, impressed marks, 19.5cm. high (2)

£200 300

50

‘World’s Columbian Exposition 1893’ a Doulton Lambeth stoneware commemorative jug by Bessie Newberry, cylindrical form with swollen base, applied with portrait’s of George Washington and Christopher Columbus flanking the American Eagle, between applied bands of star decoration, in blue and brown on a buff ground, a Doulton Lambeth Queen Victoria 1837 1897 commemorative jug, a Royal Doulton Lambeth Edward VII Coronation jug a Doulton sprigged water jug and beaker, impressed marks, incised artists marks, 18.5cm. high (Exposition jug), (5)

Literature Louise Irvine The Doulton Lambeth Wares, Richard Dennis Publications, page 282 for a comparable World’s Columbian Exposition jug illustrated. £200 300

51

A Doulton Lambeth stoneware lemonade jug by Frank Butler, cylindrical form, incised and applied with a band of scrolling foliage and florets, on geometric slip ground, in shades of green, blue and brown on a buff ground, with electroplated cover and mount, and another Doulton Lambeth stoneware lemonade jug by Kate Davis, incised and applied with florets, impressed marks and incised artists monograms, 26.5cm. high (Frank Butler jug), (2)

£200 300

52

A Royal Doulton stoneware jardiniere by Florrie Jones, shouldered, ovoid form with applied foliate panels in blue and green on a mottled blue, green and brown ground, another similar by Jane Hurst and two other Doulton jardinieres, with two matched glass flower bricks, impressed factory marks and incised artists monograms, 16.8cm. high (6)

£150 250

53

A Doulton Lambeth stoneware Butterfly pin tray designed by Harry Simeon, modelled in relief with a butterfly resting on an oval tray, glazed in colours, another similar and three Bing & Grondahl dishes decorated with dragonflies, impressed marks, chips to Bing & Grondahl dishes, 14cm. wide (Doulton dishes), (5)

Literature Desmond Eyles & Louise Irvine, The Doulton Lambeth Wares, Richard Dennis Publications, page 260 for a comparable dish illustrated.

£150 200

54

sides

54

Gilbert Bayes FRBS, (1872 1953)

Tudor Rose

a Royal Doulton stoneware finial for a washing line post, glazed in colours one side red rose, the other white, with later ebonised wood stand, unsigned, 33.5cm. high

Provenance Private collection

Literature

Louise Irvine & Paul Atterbury Gilbert Bayes Sculptor 1872-1953, Richard Dennis, page 171 and 172.

£700 1,000 55

A Royal Doulton stoneware figure of a goat designed by Francis Pope, modelled seated on square plinth, impressed Doulton mark, minor losses, 50cm. high

Literature

Desmond Eyles & Louise Irvine, Doulton Lambeth Wares, Richard Dennis page 194 for a comparable figure illustrated, page 195 for the original Doulton catalogue for 1935 illustrating this model.

£300 400

A Doulton Lambeth salt glazed stoneware Merry Musician figure by George Tinworth, modelled seated, playing a flute, on flaring plinth, impressed mark, incised GT monogram, 10.5cm. high

Literature

Peter Rose George Tinworth, The Harriman Judd Collection, page 143 plate 146 for a band of Merry Musicians including a similar flute player.

£300 500

57

A large Doulton Lambeth terracotta maquette for York Minster by George Tinworth, shaped, rectangular panel, modelled with the Crucifixion of Christ, with white highlighter, incised inscription to border, in original ebonised wood frame with gilt, factory marks probably concealed under frame, 52 x 33cm.

Literature

Peter Rose George Tinworth, The Harriman Judd Collection, page 29 figure 9 for an illustration annotated by George Tinworth for his autobiography. In 1878 George Tinworth produced The Crucifixion for the rererdos of York Minster.

£1,000 1,500

56

58

Lost and Serves them Right for Betting (Returning from the Derby) a Doulton stoneware mouse and frog group by George Tinworth, modelled as a large mouse pulling a carriage with four frogs in, a large frog riding the mouse, incised to the base rim ‘Lost and serves them right for betting’, glazed green, buff and brown, incised GT monogram, signpost off and missing, 15.3cm. wide

Literature

George Tinworth Harriman-Judd Collection, private press, page 131 plate 121 for a comparable figure illustrated. £600 1,000

59

Play Goers a Doulton Lambeth stoneware mouse group by George Tinworth, modelled as mice performing a Punch & Judy play, with three young mice watching, glazed in colours, incised Play Goers, impressed Doulton Lambeth mark, incised GT monogram, 14cm. high £1,500 2,000

60

60

A pair of Royal Doulton Chang vases by Charles Noke and Harry Nixon, ovoid, shouldered form, covered to the shoulder with a running white volcanic glaze, with red metallic blue and petrol glazes, painted factory marks 18.5cm. high (2)

£2,000 3,000

61

A tall Royal Doulton Chang vase by Charles Noke and Harry NIxon, footed, cylindrical form with inverted rim, covered in a running volcanic glaze, green, yellow and flambe, under a thick white cracked glaze, painted marks and monograms to base, stress hairlines to neck, 43.5cm. high

£1,500 2,000

Provenance

63

63

A large Doulton Flambe Veined vase, model no.1624, ovoid with cylindrical neck, covered in a flambe vase, the base with smoked, blue and lavender smoked glaze, printed factory mark, 44cm. high

£200 400

64

A large Royal Doulton Sung vase by Charles Noke, ovoid with cylindrical neck, painted with prunus blossom, in ruby flambe under streaked blue and lavender, impressed Doulton mark, painted Sung and Noke signature, original paper label, 33cm. high

£1,500 2,000

65

65

‘Seated Fox’ HN.147 a rare Royal Doulton figure, covered in a matt black glaze, printed factory mark, 14.5cm. high £120 180

64

66

‘Sleeping Calf’ a rare Royal Doulton animal figure designed by Raoh Schorr, model no. 946, covered in a green bronze glaze printed factory mark, impressed marks, 14cm. wide.

Catalogue notes

Schorr was a recognised animal sculptor and was employed by Royal Doulton to produce a range of animal figurines. Doulton produced an advertising catalogue for the figures in 1937, which listed the three finishes available matt white, green bronze and coloured. It is thought the range was withdrawn from production in 1939. £150 200

67

‘Standing Bulldog’ HN.1043 a Royal Doulton porcelain figure designed by Frederick Daws, painted in colours, and a Rosenthal model of a standing bulldog printed and painted marks, stress crack to Doulton figure, 17.5cm. wide (2) £150 200

WILLIAM DE MORGAN

A William De Morgan Pottery vase, shouldered form with swollen neck, painted with Tudor Rose flowers in aubergine and green on a turquoise ground, the rim a blue band with turquoise interior,

professional restoration

rim, 20.5cm.

factory mark,

70

A William De Morgan charger by Fred Passenger, painted with three comical scaly fish, swimming amidst scrolling water weed, in ruby lustre on a white ground, painted FP, monogram, 36cm. diam.

An early William De Morgan

Period Galleon tile, painted with a ship at sail with three sailors rowing, painted in green on a white ground, impressed factory mark, 15.2cm. square

1,800

A large William De Morgan

End Pottery Persian tile, painted with

owers and palmette foliage, in shades of blue, turquoise, green and black on a white ground, impressed factory mark, glaze loss top left

23cm. square

De Morgan

tile,

on scrolling

and

of a

ground,

with the rear

of

on

factory

74

An American Encaustic Tiling Co tile plaque, rectangular, cast in low relief with a classical maiden, covered in a bronze glaze, framed, cast factory marks, 45.5 x 15cm. (plaque)

£150 200

75

A set of four Minton Hollins & Co Times of the Day tiles, printed in red, black and yellow, comprising Morning, Noon, Evening and Night impressed marks to back 20.5cm. square, (4)

Provenance

Arts and Crafts, Woolley and Wallis 19th June 2013 lot 27. Private collection. £120 180

76

A set of six Minton Hollins tiles after Francois Boucher, dated 1879 and 1881, painted by AJH, painted in sepia with children in countryside pursuits, impressed marks, painted marks to front, two tiles repaired 20.5cm. square, (6)

£150 250

77

A pair of Minton Pottery moonflasks, flat disc form on flaring rectangular foot, with flaring conical neck and loop handles, painted to one side with a child in medieval dress climbing a tree, the girl to pick an apple the boy to study a bird’s nest, in colours painted artist monogram, impressed Minton mark, model no.1498, professional restoration to small chips on foot rim of one, 34.5cm. high, (2)

£200 300

78

William Stephen Coleman (1829 1904) Girl with a Hound, and Girl with a Deer two watercolours on paper, each depicting a young girl in medieval dress, framed signed W S Coleman, 32.5 x 19.5cm, (2)

£2,500 3,500

79

A set of Four Watcombe Pottery terracotta roundels, each cast in low relief with cherubs working and playing, comprising; cherubs forging arrows, flying on the back of a bird, riding a dolphin, working in a field, unsigned, 45cm. diam. £200 300

80

An Aesthetic Movement Mintons wall charger, painted with a bird flying past a bough of blossom, impressed factory mark, date mark and printed Mintons Thomas Goode mark, 38cm. diam. £150 200

81

A Doulton Lambeth Faience charger, painted with a maiden in profile, before fruiting boughs, in colours impressed Pinder Borne mark, printed Doulton mark and artist monogram, 39.5cm. diam. £200 300

82

82

A Mintons charger in the manner of John Moyr Smith, with pierced rim, decorated to the well with a medieval portrait, inside bands of facing mythical lion and birds, in cream on a terracotta ground, impressed factory mark, date mark, repaired section to rim, 44cm. diam.

£500 600

83

A pair of Minton Pottery moonflasks designed by John Moyr Smith, disc form on four feet, printed with scenes from Macbeth and Henry IV by William Shakespeare, in blue on a white ground, faint impressed Minton mark, chip to top rim of one, 16.6cm. high, (2)

£200 300

84

A large Davenport Pottery vase and cover, ovoid with flaring cylindrical neck, printed with stylised scrolling band in gilt on terracotta and blue bands, printed Davenport mark, two small chips to inside of top rim, 43.5cm. high

£150 200

85

A pair of Minton moonflasks painted by William Mussill, flattened dish form with applied loop handles, painted with a salmon swimming amongst water weed, the reverse with a shell amongst water weed, in colours on a green ground, highlighted in gilt, impressed marks, painted signature to base, chip to base rim of one, 35.5cm. high (2)

£500 1,000

87

A pair of Mintons Cloisonne vases in the manner of Dr Christopher Dresser, footed form with swollen body and flaring neck, painted with cranes flying in colours on a turquoise blue ground, highlighted in gilt printed Minton mark, restored, 22cm. high (2)

£200 300 87

A pair of Mintons Cloisonne vases, cylindrical on pierced tripod feet, painted with birds perched in tree boughs, in colours on a turquoise blue ground, highlighted in gilt, and a Mintons Cloisonne vase painted with blossom, printed factory marks, hairline crack to one,11.8cm. high (3)

£200 300 88

A pair of Minton Secessionist vases designed by John Wadsworth and Leon Solon, tapering cylindrical form with flaring rim, applied handles, tubeline decorated with garland and stylised flower motif in green and ochre on a red ground, impressed and printed factory marks, re-stuck chip to underside of foot on one vase, 30cm. high (2)

£300 500 89

A near pair of Rye Pottery jugs, ovoid with cylindrical neck and flaring rim,applied with cob nut garland to body, the neck with flowerheads and leaf motif, glazed cream and green on a streaked green and chestnut ground, unsigned, professional restoration, 24cm. high (tallest), (2)

£150 200 90

A Rye Pottery snake vase, tapering cylindrical form, applied with a scrolling snake, glazed green with red eyes, incised Rye mark, professional restoration 20cm. high

£120 180

91

An Ault Pottery jug designed by Dr Christopher Dresser, ovoid with pulled vertical spout, covered in a streaked green and brown glaze, impressed factory mark, 23.5cm. high

£150 200

92

A pottery vase designed by Dr Christopher Dresser probably made by Ault, tapering, solifleur form with flaring rim, cast in low relief with simple flowerhead motif, glazed olive green, and another solifleur vase, main vase impressed facsimile signature, 23.5cm. high (2)

£150 200

93

A Linthorpe Pottery vase designed by Dr Christopher Dresser, shouldered, dimple form with cylindrical neck, covered in a streaked green glaze, and another glazed blue and green, impressed marks, drilled for electric cable, 24cm. high (2)

£150 250

94

A Linthorpe Pottery jug designed by Dr Christopher Dresser, model no.611, tapering cylindrical form with vertical spout, covered in a streaked brown glaze over sand yellow, and another Linthorpe Pottery jug designed by Dr Christopher Dresser, impressed factory marks, facsimile signature, restored rim, 20.5cm. high (2)

£120 180

93

94

95

A rare Linthorpe Pottery Peacock dish designed by Dr Christopher Dresser, oval section, modelled in relief, glazed in shades of blue, green and ochre, impressed factory mark, facsimile signature and HT monogram, beak restuck minor chips, 24.5cm. wide

£150 250

100

96

An Ault Pottery brush pot designed by Dr Christopher Dresser, model no.263, domed form with collar rim, covered in a yellow and green glaze, and a Linthorpe Pottery pot with electroplated cover by Hukin and Heath, designed by Dr Christopher Dresser, main pot impressed number and facsimile signature, second pot impressed factory marks and a facsimile signature, 11.5cm. diam. (2)

£150 250

97

A large Linthorpe Pottery vase designed by Dr Christopher Dresser, model no.377, ovoid with applied handle, covered in a streaked green and brown glaze and a Bretby twin handled vase in the manner of Dr Christopher Dresser, impressed marks, facsimile signature, 27.5cm. high (2)

£200 300

98

A Watcombe Pottery jardiniere designed by Dr Christopher Dresser, with pulled twin handles, cast in low relief with bands of geometric design, glazed light blue, impressed Watcombe mark, 22cm.high

£120 180

99

A Linthorpe Pottery double gourd vase designed by Dr Christopher Dresser, covered in a blue green glaze, a dimpled pottery vase probably Ault Pottery and a Linthorpe Pottery jardiniere, impressed factory marks and facsimile signature, kintsugu repair, jardiniere restored, 28.5cm. high (3)

£150 250

101

A Linthorpe Pottery vase designed by Dr Christopher Dresser, model no. 537, flattened disc form with twin handles, modelled in low relief with geometric roundel, olive and brown streaked glaze, and six other vases, impressed factory mark and facsimile signature, restored, 20.5cm. high (7)

£150 200

102

An Ault Pottery vase in the manner of Dr Christopher Dresser, model no.464, slender, twin handled form, cast in low relief with stylised flowers, glazed blue, a Linthorpe Pottery jug designed by Dr Christopher Dresser and four other vases impressed factory mark, restoration to jug handle, 28cm. high (6)

£150 200

103

A Ruskin Pottery crystalline vase designed by William Howson Taylor, square section with flaring foot cream graduating to pale yellow glaze, a Brownfield Pottery vase, a Burmantoft’s Faience vase and another vase, incised Ruskin marks, Brownfield vase restored feet, 22cm. high (4)

£150 250

ELTON POTTERY

104

A Sunflower Pottery vase by Sir Edmund Elton, ovoid with four looped handles and cylindrical stem, slip decorated with a foliate bough, on streaked blue ground, and two other Sunflower Pottery vases, painted Elton, 18.5cm. high (3)

£150 250

105

A Sunflower Pottery ewer by Sir Edmund Elton, compressed form with cylindrical neck with flaring ribbed rim, applied with stylised flowers in red and chestnut, on streaked blue and green ground, painted Elton mark, applied collection label, 26.5cm. high

Catalogue notes

The paper label to the base of this vase is dated July 17th 1920 and states the vase was made by Sir Edmund Elton, and left as remembrance to Mrs Challicom.

£180 220

106

A Sunflower Pottery ewer by Sir Edmund Elton, ovoid with tall angled neck and double looped handle, applied with flowers and berries, in shades of brown and blue on a blue and green streaked ground, painted Elton mark, professional restoration, 31cm. high

£150 250

107

A Sunflower Pottery ewer by Sir Edmund Elton, ovoid with angled handle and tube neck, applied with slip flowers and foliage, in green and terracotta on a streaked blue ground, painted Elton to base, minor glaze flakes, 28cm. high

£150 200

108

A Sunflower Pottery pot and cover by Sir Edmund Elton, ovoid with twin spouts each modelled with a mask terminal, and loop handle, modelled in low relief with a roundel, the reverse slip decorated with flowers and foliage in green and ochre on a streaked blue ground, painted Elton+ and H marks, minor glaze loss to top of one spout, 18.5cm. high (2)

£150 250

109

A rare Sunflower Pottery vase by Sir Edmund Elton, tapering cylindrical form with three looped handles and everted top rim, applied foliage sprays in red and green highlighted in copper lustre, on a streaked blue and green ground, painted Elton mark, 28.5cm. high

£250 350

112

110

A Burmantoft’s Faience lustre vase probably designed by Joseph Walmsley, shouldered form, painted with scrolling bands in gold on a deep red lustre ground painted TL monogram, to base, minor professional restoration to rims, 20.5cm. high

Provenance

A Private Collection of Burmantoft’s Faience Pottery, Woolley and Wallis, 22nd June 2017, lot 655 (part).

£150 200

111

A Pilkington’s Lancastrian vase, ovoid with swollen knopped neck, covered in a streaked aventurine glaze, another smaller square section vase covered in an aventurine glaze and a ruby lustre vase in the manner of Carter’s Poole, main vase stamped Pilkington’s mark, 13.5cm. high (3)

£150 200

112

A Pilkington’s Royal Lancastrian vase designed by Lewis F Day, model no.2786, tapering cylindrical form with swollen neck, covered in a matt, curdled glaze, impressed marks, 27cm. high £120 180

113

A Pilkington’s Lancastrian tazza, dated 1907, the cylindrical stem modelled with four masks to the shoulder, supporting bowl with stylised butterfly panels, covered in a matt olive green glaze, impressed factory mark, VII datemark, 15.5cm. high

Provenance Private collection. £150 200

114

A Pilkington’s Lancastrian pot and cover by Jessie Jones, circular, the cover painted with a simple flower head inside a border of foliage in ochre and red on an orange ground, the base with chevron gold lustre border, impressed mark, painted artist cipher, impressed date mark probably 1907, 5cm. diam, (2) £150 200

115

A Pilkington’s Lancastrian Pottery vase by William S Mycock, dated 1912, shouldered ovoid form, painted with hounds chasing deer, in shades of blue, red and golden lustre impressed factory mark, painted artist cipher and date mark, 12.5cm. high £300 500

116

116

A Pilkington’s Lancastrian solifleur vase by Gordon Forsyth, ovoid body with tapering cylindrical neck, painted with a band of entwined trellis and dots to the body in bronze lustre and lime green, the neck glazed bronze impressed factory mark, painted artist cipher and date code, 21.5cm. high

Provenance

Pilkington’s Lancastrian Pottery, Richard Dennis Gallery, 1980.

Literature

A J Cross, Pilkington’s Royal Lancastrian Pottery & Tiles, Richard Dennis, page 35 plate XXII this vase illustrated. £1,000 1,500

117

A Pilkington’s Lancastrian Pottery twin handled coupe by Gordon Forsyth, dated 1908 09, painted with bands of stylised carnation flowers, scrolling grape vine and laurel, inscribed Qui Nono Laborat Non Manducet, (The One who does no work shall not eat), in ruby and golden lustre on a blue ground, impressed mark and date mark, painted artist cipher and two date marks for 1908 and 1909, professional restoration to small chip on top rim, 23.5cm. high

Provenance Richard Dennis Gallery Private collection.

£1,000 2,000

118

A Pilkington’s Lancastrian vase by Richard Joyce, slender, shouldered form with flaring neck, painted with panels of Medieval soldiers, between bands of geometric floral motif, in shades of blue, sand and ruby lustre, impressed factory marks, painted artist cipher, 24.5cm. high £1,500 2,000

117

118

119

‘Sea Sprites’ a large Della Robbia Pottery plaque designed by Ellen Mary Rope, dated 1902, worked on by Liz Wilkins and Marion de Caluwe, modelled in relief with two sea figures swimming in turbulent waters, glazed in blue, yellow and cream, in wooden frame, incised Rope signature and date bottom left, incised Della Robbia, 184 and artist monograms to reverse, cracked, 55 x 28cm (panel)

Literature

P Hyland Della Robbia Pottery, Birkenhead 18941906, ACC Books, page 208 figure 23 for a comparable example.

Catalogue notes

This panel was originally known as Water Babes but also known as Water Sprites and Sea Sprites, a similar panel is held in the Victoria & Albert Museum collection. (C.145 2018).

£800 1,200

120

A Ruskin Pottery stoneware souffle glaze vase designed by William Howson Taylor, dated 1927, shouldered form, mottled midnight blue over light blue, impressed marks, 16cm. high £150 200

121

A large Ruskin Pottery baluster vase designed by William Howson Taylor, dated 1913, covered in an orange lustre glaze, and a pair of Ruskin Pottery vases similar, impressed marks, one restored, 36.5cm. high (3)

£200 300

122

A Ruskin Pottery vase designed by William Howson Taylpor, dated 1922, ovoid with tall flaring neck, covered in a golden yellow lustre glaze, a Ruskin Pottery crystalline glaze vase, two yellow lustre vases and an orange lustre candlestick, impressed factory marks, 22.5cm. high (5)

£150 250

123

123

A Ruskin Pottery high fired stoneware vase designed by William Howson Taylor, dated 1906, slender, baluster form, covered in a speckled apple green glaze with speckled lavender and turquoise green neck, with white running patches, impressed factory mark and date, 20cm. high £400 600

124

A Ruskin Pottery high fired stoneware vase designed by William Howson Taylor, dated 1907, tall, slender form with collar rim, mottled pale blue with purple and lavender, impressed marks, 23.5cm. high £300 500

125

MOORCROFT POTTERY

125

‘Aurelian Ware’ a James Macintyre & Co vase designed by William Moorcroft, baluster form, printed in gilt with Art Nouveau flower panels on a deep blue ground, and a small Moorcroft Pottery pot printed factory marks, 21cm. high, (2) £120 180

126

‘Bluebell’ a rare Moorcroft Pottery lustre plate designed by William Moorcroft, made for retail by Liberty & Co, tubeline decorated to the rim with flower stems in blue and green on a pale lemon lustre ground, printed Liberty mark, painted green signature, impressed marks, 22.5cm. diam.

Literature

Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 60 figure 2 for comparable plates illustrated. £400 500

127

‘Eighteenth Century’ a James Macintyre & Co tyg designed by William Moorcroft, tubeline decorated in colours, highlighted in gilt on a white ground, printed factory mark, painted green signature, old restoration, 13cm. high £120 180

128

‘Violets’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, slender, waisted form with flaring fluted rim, tubelined in shades of blue on a pale blue ground, printed factory mark, painted green signature, old restoration, 29.5cm. high £150 250

129

A James Macintyre & Co Green and Gold Florian Ware solifleur vase designed by William Moorcroft, slender form, tubeline decorated with Art Nouveau flowers and foliage in blue and gold on a green ground, printed factory mark, painted green signature, 30.5cm. high

£200 300

130

A James Macintyre & Co Green and Gold Florian Ware twin handled chalice designed by William Moorcroft, tubeline decorated with Art Nouveau flowers and foliage in blue and gold on a green ground, printed factory mark, painted green signature, professional restoration to interior, 19.5cm. high £150 200

131

A James Macintyre & Co Green and Gold Florian Ware twin handled coupe and cover designed by William Moorcroft, tubeline decorated with Art Nouveau flowers and foliage in blue and gilt on a green ground, printed factory mark and painted green signature, 22cm. high (2)

Literature

John Bartlett British Ceramic Art 1870-1940, Schiffer, page 161 this actual piece illustrated. £200 300

129

132

‘Landscape’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, tubeline decorated with tall tress in a landscape, painted in blue on a pale blue ground, printed factory mark, painted green signature, old restoration, 18.5cm. high £500 800

133

‘Dawn’ a Moorcroft Pottery footed bowl designed by William Moorcroft, tubeline decorated with trees in a landscape, inside scallop border, in shades of blue impressed marks, painted blue signature, 20.5cm. diam. £150 250

132

133 side view

134

A Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft, made for retail at Liberty & Co, tubeline decorated with an Art Nouveau roundel in blue on a flambe red ground, and another Moorcroft Pottery Flamminian Ware vase, incised signature, printed factory mark, 19.5cm. high (2)

Literature

John Bartlett British Ceramic Art 1870-1940, Schiffer, page 161 these actual vases illustrated

£200 300

135

A Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft, made for retail at Liberty & Co, tubeline decorated with an Art Nouveau roundel in blue on a flambe red ground, incised signature, printed Liberty mark, 20.5cm. high

£150 200

136

A Moorcroft Pottery Flamminian Ware baluster vase designed by William Moorcroft, made for retail at Liberty & Co, tubeline decorated with an Art Nouveau roundel in blue on a flambe red ground, incised signature, 23cm. high £150 200

137

A Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft, made for retail at Liberty & Co, tubeline decorated with an Art Nouveau roundel in blue on a flambe red ground, incised signature, 22.5cm. high £150 200

138

A Moorcroft Pottery Flamminian Ware biscuit box and cover, made for retail at Liberty & Co, square section with applied handles, tubeline decorated with an Art Nouveau roundel in blue on a flambe red ground, incised signature, small nick to cover, 16cm. high (2) £150 250

134

135 136 137

139

‘Alhambra’ a James Macintyre & Co jardiniere designed by William Moorcroft, tubeline decorated with panels of Art Nouveau flowers in pink, red and blue, highlighted in gilt on a salmon pink ground, printed factory mark, professional restoration to top rim, 13cm. high £200 300

140

‘Alhambra’ a James Macintyre and Co vase designed by William Moorcroft, slender, baluster form on foot, tubeline decorated with Art Nouveau flower and foliage panels in blue and gold on a salmon pink ground, printed factory mark, painted numbers, 31cm. high £300 500

139

141

‘Alhambra’ a James Macintyre & Co twin handled coupe designed by William Moorcroft, tubeline decorated with an Art Nouveau floral cartouche in red and blue highlighted in gilt on a salmon pink ground, printed factory mark, 17cm. high £300 500

‘Moonlit Blue’ a Moorcroft Pottery plate designed by William Moorcroft, painted in shades of blue and green on a blue ground, impressed factory marks, painted blue signature, 22cm. diam.

£300

‘Moonlit Blue’ a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of blue and green on a deep blue ground, impressed factory marks, painted green signature, 12cm. high

£200 300

‘Moonlit Blue’ a Moorcroft Pottery vase designed by William Moorcroft,

form, painted in shades of blue and green on a deep blue ground, impressed factory marks, painted green signature, restored top rim, 22.5cm. high

146

148

145

147

150

145

‘Pansy’ a Moorcroft Pottery solifleur vase designed by William Moorcroft, painted in shades of purple, yellow, green and blue on a celadon ground, a Moorcroft Pottery Wisteria tazza with Tudric Pewter foot made for Liberty & Co, a Moorcroft Pottery Leaf and Berry vase and an Aquilegia vase impressed marks, painted green signature, small repaired chip to top rim of Pansy vase, 21cm. high (4)

£200 400

146

‘Pomegranate’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered cylindrical form, painted in colours on a deep blue ground, impressed marks, painted green signature, fine hairline to top rim, 27.5cm. high

Literature

John Bartlett British Ceramic Art 1870-1940, Schiffer, page 161 this vase illustrated £150 250

147

‘Leaf and Berry’ a Moorcroft Pottery vase designed by William Moorcroft, compressed ovoid form, painted in colours, a modern Moorcroft Pottery ‘Peacock Feather’ pierced pot pourri and cover retailed by Liberty & Co and a Moorcroft Pottery Anemone’ pattern pot and cover, impressed marks, painted blue signature, 13cm. high (5) £150 250

148

‘Frilled and Slipper Orchids’ a Moorcroft Pottery vase designed by William Moorcroft, baluster form, painted in colours, on a graduated green ground, and another smaller, impressed factory marks, painted blue signature, original paper label, 16cm. high, (2)

Provenance:

From the collection of Henry Myles Tarlton (d.1946), Chief Engineer for Bird & Co Mining in India between 1912 and 1932.

£300 500

149

‘Clematis’ a Moorcroft Pottery vase designed by Walter Moorcroft, tubeline decorated in pink, yellow and brown on a white ground, a Moorcroft Pottery Clematis jardiniere, an Aquilegia vase and four other Moorcroft pieces impressed factory marks, painted green monogram, 19cm. high (7)

£120 180

150

‘Oberon’ a modern Moorcroft Pottery baluster vase, painted in colours impressed and painted marks, 31cm. high £120 180

151

‘Flambe Leaf and Berry’ a Moorcroft Pottery footed bowl, painted in colours under a flambe glaze, impressed factory mark, painted blue signature, applied paper label, 20cm. diam, 9cm. high

£120 180

152

‘Flambe Frilled Orchids’ a Moorcroft Pottery jardiniere designed by William Moorcroft, flaring cylindrical form, painted in colours on a red flambe ground, impressed factory marks, tubelined RML mark, repaired, 19.5cm. high

£120 180

153

‘Big Poppy’ a Moorcroft Pottery vase designed by William Moorcroft, waisted form, painted in shades red and blue on a blue ground, and a Moorcroft Pottery Orchid vase impressed marks, painted blue signature, 11cm. high, (2)

£200 400

152

151

154

‘Flambe Big Poppy’ a Moorcroft Pottery vase designed by William Moorcroft, pear shaped, painted in colours under a flambe glaze impressed factory marks, painted blue signature, 23.5cm. high

£400 600

153

‘Eventide’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered form, tubeline decorated in colours impressed factory marks, painted blue signature, 23.5cm. high

£700 1,000

Moorcro

designed by William Moorcroft, dated 1926, probably exhibited at the

Fair,

City,

form with

rim, tubeline decorated with tall trees glazed amber under a

marks, 46cm.

Moorcro

Richard Dennis Publica

for a display from the 1926

Industries

a large Dennis China Works vase designed by Sally Tuffin, dated 2000,

with a frieze of prowling

DENNIS CHINA WORKS

Lily’ a Dennis China Works Etruscan vase

by Sally Tu

n, dated 2003, tubeline decorated

on a graduated green to yellow ground,

painted marks, 41cm. high

gers,

and black,

and painted marks, Nevile Pundole retail

45cm.

159

159

‘Lustred Deer’ a unique Dennis China Works Conical vase designed by Sally Tuffin, thrown by Rory McLeod and decorated by Vanessa Thompson, tapering cylindrical form, incised with deer in a woodland, in shades of blue and green, highlighted in copper lustre, impressed marks, painted monograms and WW19, 24cm. high

Catalogue notes

This vase was made specifically for this auction with the unique WW19 number.

£600 900

160

‘Butterfly Fish’ a unique Dennis China Works Bulb vase designed by Sally Tuffin, dated 2022, thrown by Rory McLeod and decorated by Theresa Blackmore, tapering cylindrical form, tubeline decorated with exotic fish, painted in colours on a blue ground, impressed marks, painted monograms and WW20, 23.5cm. high

Catalogue notes

This vase was made specifically for this auction with the unique WW20 number.

£700 900

161

‘Grace’ a Dennis China Works Tulip vase designed and painted by Buchan Dennis, dated 2022, thrown and sculpted by Rory McLeod, ovoid with tapering neck and four solifleur necks, painted with thin bands in pink, blue, green and lime green, and scrolling Burges foliage in gilt, impressed and painted marks, 39cm. high

Catalogue notes

This vase was made specifically for this auction with the unique WW21 number.

£800 1,200

CHARLES VYSE

162

Charles Vyse (1882 1971)

The Shawl, earthenware figure, painted in colours, on ebonised wooden base

marks presumably concealed by wooden base, minor frits to bouquet 29.3cm. high

Provenance

The collection of Mrs A Smith.

Literature

Charles Vyse Richard Dennis/Fine Art Society catalogue 1974,page 18 catalogue number 14 for a comparable figure illustrated. This figure was introduced in 1925.

Catalogue notes

This figure is usually marked with a painted signature CV Chelsea to the underside of the base.

£400 600

163

Charles Vyse (1882 1971)

The Pedlar, 1926 earthenware figure, painted in colours painted CV 1926 Chelsea to base, small chip to brim of hat, 27cm. high

Provenance

The collection of Mrs A Smith.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 18 catalogue number 16 for a comparable figure illustrated. This figure was introduced in 1925.

£600 900

164 Charles Vyse (1882 1971)

The Lavender Girl, earthenware figure, painted in colours

applied paper label inscribed Lavender Woman Charles Vyse, 20.5cm. high

Provenance Mellors & Kirk, 23rd April 2004, lot 65.

The collection of Mrs A Smith.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 10 catalogue number 1 for a comparable figure illustrated. This figure was introduced in 1920.

£400 600

165 Charles Vyse (1882 1971)

Chrysanthemums, 1927 earthenware figure, painted in colours painted CV 1927 Chelsea, 28cm. high

Provenance

Clarice Cliff & Art Deco, Woolley and Wallis, 13th April 2010 lot 796.

The collection of Mrs A Smith.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 20 catalogue number 20 for a comparable figure illustrated. This figure was introduced in 1926.

£600 1,000

166 Charles Vyse (1882 1971)

The Windmill Woman, 1925 earthenware figure, painted in colours

painted CV 1925 Chelsea, collection label 22.5cm. high

Provenance

Julie Asbridge Collection, 2003. The collection of Mrs A Smith.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 15 catalogue number 11 for a comparable figure illustrated. This figure was introduced in 1924.

£800 1,200

167 Charles Vyse (1882 1971)

The Tulip Woman, 1922 earthenware figure, painted in colours painted CV 1922 Chelsea, professional restoration to flowers, 26cm. high

Provenance

Julie Asbridge Collection, 2002. The collection of Mrs A Smith.

Literature

Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 11 catalogue number 4 for a comparable figure illustrated. This figure was introduced in 1921.

£600 1,000

168

Charles Vyse (1882 1971)

Kettle Holders, 1926 earthenware figure, painted in colours painted CV 1926 Chelsea to base (small chip to kettle holders and minor frits to glaze) 22cm. high

Provenance

The collection of Mrs A Smith.

Literature

Reginald Blunt Chelsea China & Pottery, EP Publishing, plate 41 for a comparable figure illustrated.

Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 15 catalogue number 10 for a comparable figure illustrated. This figure was introduced in 1924.

£600 1,000

169 Charles Vyse (1882 1971)

The Cinneraria Boy, 1923 earthenware figure, painted in colours, painted CV 1923 Chelsea to base, paper label titled The Flower Man, frit chip to leaf 26.5cm. high

Provenance

The collection of Mrs A Smith.

Literature

Reginald Blunt Chelsea China & Pottery, EP Publishing, plate 41 figure Vh for a comparable figure illustrated.

Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 14 catalogue number 9 for a comparable figure illustrated. This figure was introduced in 1923.

£600 1,000

170 Charles Vyse (1882 1971)

The Balloon Woman, 1921 earthenware figure, painted in colours painted CV 1921, Chelsea to base, 22.5cm. high

Provenance

The collection of Mrs A Smith.

Literature

Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 10 catalogue number 2 for a comparable figure illustrated. This figure was introduced in 1920.

£250 350

171

Charles Vyse (1882 1971)

Piccadilly Rose Woman, 1922 earthenware figure, painted in colours painted CV 1922 Chelsea to base, star crack to base, 20.5cm. high

Provenance

Julie Asbridge Collection, 2003. The collection of Mrs A Smith.

Literature

Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 13 catalogue no.7 for a comparable figure illustrated. This figure was introduced in 1922.

£600 1,000

172 Harry Parr (1882 1966)

Rose Seller, 1931 earthenware figure, painted in colours, on ebonised wood base

cast Hy Parr Chelsea 1931 to side of ceramic base, 24cm. high

Provenance

Mellor’s & Kirk Auctions, 5th December 2003, lot 39

The collection of Mrs A Smith.

Literature

Reginald Blunt Chelsea China & Pottery, EP Publishing, plate 42 (T) for an example of this figure illustrated.

£300 500

A

COLLECTION OF CERAMIC AND BRONZE ANIMALIER

173 ‡ 173

STELLA CROFTS

Stella Crofts (1898 1964)

The Ark, watercolour and pencil on paper, framed, and five other works by Stella Crofts, comprising, Flamingos flying, 1956, Fox portrait, 1914, Two Elephants, 1922, Woodpecker, 1914, Billy & Sam two Starlings, 1918, framed signed 22 x 17cm (Ark image), (6) Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 21 this drawing illustrated. £300 500

‡ 174

Stella Crofts (1898 1964) Erect Giraffe a stoneware figure group, glazed in colours incised Stella R Crofts 17.5cm. high Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 22nd March, lot 283. £500 800

‡ 175

Stella Crofts (1898 1964)

Cheetah and Cubs, 1929 stoneware figure group, glazed in colours incised Stella R Crofts, 1929 19cm. wide 15cm. high

Provenance Halls Fine Art Auctions, 15th March 2006, lot 122.

Literature

Paul Hughes, Stella’s Ark, Stella Crofts, page 63 for an example illustrated.

£300 500

‡ 176

Stella Crofts (1898 1964)

Tigers, 1925 stoneware figure group, glazed in colours incised Stella R Crofts, May 1925 21cm. wide, 16cm. high

Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 1st March 2005, lot 787

Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 98 this actual group illustrated. £400 600

‡ 177

Stella Crofts (1898 1964)

Jaguar Eating Meat, stoneware figure, glazed in colours incised Stella R Crofts, 9.5cm. wide

Provenance

Bonhams Edinburgh 16th February 2012, lot 4

Literature British Art Pottery Woolley and Wallis, 28th November 2012, lot 314 for a comparable example.

Paul Hughes, Stella’s Ark, Stella Crofts, page 95 for the original design and another example illustrated.

£300 500

‡ 178 Stella Crofts (1898 1964) Tiger Cubs, 1930 stoneware figure group, glazed in colours incised Stella R Crofts, 1930 18cm. wide 13cm. high

£300 400

176

175

‡ 179

Stella Crofts (1898 1964)

Persian Kittens pottery figure, glazed in colours incised Stella R Crofts, Persian Kittens, 1944 17cm. wide

Provenance

Clarice Cliff, Art Deco & 20th Century Design, Woolley and Wallis, 22nd March 2007, lot 294. Private collection £250 350

‡ 180

Stella Crofts (1898 1964)

Black Cocker Spaniel Dog pottery figure, glazed in colours incised Stella R Crofts, April 1927 20.5cm. wide

£250 350

‡ 181

Stella Crofts (1898 1964) Podge, 1928 stoneware figure group of a Griffon terrier, painted in colours incised Stella R Crofts, 12.5cm. wide £150 200

‡ 182

Stella Crofts (1898 1964)

Blue Beveren Rabbits, 1931 stoneware figure, glazed speckled blue, incised Stella R Crofts, 1931 22cm. wide

Provenance

Bonham’s Literature Paul Hughes, Stella’s Ark, Stella Crofts, page112 this example illustrated. £200 400

‡ 183 Stella Crofts (1898 1964)

Ring-tailed Lemurs, 1926 stoneware, glazed in colours incised Ilford England, Stella R Crofts, 1926, re-stuck ear, one ear chipped, 22cm, high 16.5cm. wide

Literature

Paul Hughes, Stella’s Ark, Stella Crofts, page 56 this model illustrated.

Catalogue notes

An example of this figure was exhibited at the Redfearn Gallery, in an exhibition of Stella’s work in 1926, priced at £7s7.

£300 500

183

‡ 184 Stella Crofts (1898 1964)

Zebras

stoneware figure group, glazed in colours incised Stella R Crofts, restored ears 17.5cm. high

Provenance British Art Pottery, 25th November 2009, lot 240. Private collection.

£500 1,000

‡ 185

Stella Crofts (1898 1964)

Penguins a small stoneware dish, glazed in colours incised Stella R Crofts, 8.5cm. wide

Provenance British Art Pottery, Woolley and Wallis, 27th November 2019, lot 278. £150 200

‡ 186

Stella Crofts (1898 1964) Blue Fronted Amazon Parrot pottery figure glazed in colours incised Stella R Crofts 13cm. high

Provenance

Clarice Cliff, Art Deco & 20th Century Design, Woolley and Wallis, 22nd March 2007, lot 290. Private collection Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 100 this actual figure illustrated. £300 500

‡ 187

Stella Crofts (1898 1964) Herring Gulls, 1928 stoneware figure group, glazed in colours incised Stella R Crofts, 1928, restored beak, 16.5cm. high Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 5th March 2014, lot 46. Private collection. £150 250

‡ 188

Stella Crofts (1898 1964)

Oystercatchers, 1927 pottery figure, glazed in colours, incised Stella R Crofts Oct 1927 18cm. high Provenance Eastbourne Auction Rooms, 2nd September 2008 lot 302. £300 500

189 190

‡ 189 Stella Crofts (1898 1964) Shire Horse, 1945 stoneware figure, glazed in colours incised Stella R Crofts, 1945 9.5cm. high £120 180

‡ 190 Stella Crofts (1898 1964) Ibex Family, 1934 pottery figure, glazed in pink, lavender and cream incised Stella R Crofts 1934 14cm. high

Provenance Clarice Cliff, Art Deco & 20th Century Design, Woolley and Wallis, 22nd March 2007, lot 295. Private collection £250 350

‡ 191 Stella Crofts (1898 1964) Indian Elephants, 1926 a rare stoneware figure group, glazed in colours signed Stella R Crofts, 1926 and titled Indian Elephants 30cm. high

Provenance Bonhams, Edinburgh, 16th February 2012, lot 5.

Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 65 for an original exhibition display in 1930 including this figure group which was also made as a lamp base. £1,000 2,000

191

194

195

192

Stella Crofts (1898 1964)

Boy With Donkey, 2894

a Royal Worcester porcelain figure, painted in colours, printed and painted factory marks, 15.5cm. high 16cm. wide

Literature

Paul Hughes, Stella’s Ark, Stella Crofts, page 118 for a comparable example illustrated. £120 180

193

Stella Crofts (1898 1964)

Cat Eating

a Royal Worcester figure, model no.2897, glazed in colours printed factory mark, painted Cat Eating modelled by Stella R Crofts 16cm.wide

Provenance

Clarice Cliff, Art Deco & Design, Woolley and Wallis, 27th February 2013, lot 460 (part lot).

Private collection. £120 180

194

Stella Crofts (1898 1964)

Calf, 2896

Royal Worcester figure, glazed in colours, ‘Young Spotted Deer’ designed by Doris Lindner, ‘Sheep’ by Bargass, two Royal Worcester figures, a pair of Royal Worcester toothpick holders modelled as hares and a Royal Worcester model of a cherub with a goat,

printed and painted marks, Crofts restored, 8cm. wide. (Calf), (6)

Literature

Paul Hughes, Stella’s Ark, Stella Crofts, page 118 for a comparable example illustrated. £150 250

195

Stella Crofts (1898 1964)

Greyhounds and Hare two Royal Worcester greyhound figure groups, model no.2891/1 and 2891/2, and a hare no. 2892, glazed in colours printed factory mark, painted modelled by Stella R Crofts and titles

15.5cm.wide (greyhounds)

Provenance

Clarice Cliff, Art Deco & Design, Woolley and Wallis, 27th February 2013, lot 460 (part lot).

Private collection.

Literature

Paul Hughes, Stella’s Ark, Stella Crofts, page 118 for a comparable example illustrated. £200 300

196

Doris Lindner (1896 1979)

Hound and Fox

five Royal Worcester dishes, comprising three fox and two hound dishes, glazed in colours printed and painted marks, 11cm. wide

£120 180

197

197

A Royal Worcester jug, cylindrical form the spout cast as a lion head, the cylindrical body printed with a robin perched in berried holly, in colours, and a pair of Locke & Co, Worcester vases printed with pheasants, printed factory mark, 17cm. high, (3)

£120 180 198

Nine Royal Worcester porcelain busts of race horses, comprising: Bronte, Pyroeis, Phaethon, Astrope, Aethon, Lampon, Chronos, Eous, and Phlegon, printed factory marks, 12cm. high, (9)

£120 180 199

An Aesthetic Movement Royal Worcester pedestal dish in the manner of Charles Baldwin, rectangular lily pad bowl with inverted rim on a water lily flower bud foot, painted with a starling perched on a bough, whilst another flies away, in colours, highlighted in gilt, printed factory mark, 25cm. wide

£120 180 200

‘In the Ring’ no.3180 a Royal Worcester figure group designed by Doris Lindner, glazed in colours printed factory mark, 27cm. high

Catalogue notes

This figures depicts the Bertram Mills Circus which performed in 1935 at Olympia. Milly Yelding performed the Courier of St Petersburg act with nine stallions in the 1934 35 Olympia act. £400 600

203

201

201

A large Italian pottery turkey platter by R Blanche, oval form modelled in relief with wing and tail feathers, its head rising to one end, glazed in colours printed factory marks and facsimile signature, 49cm. wide

£120 180

202

A large free standing model of a Fox in hunting uniform by Anna Fraser, painted in colours, with hinged back support, signed 104cm. high £80 100

203

Thomas Ivester Lloyd (1873 1942)

Leaping Hounds, ink on paper, framed, and a coloured lithograph Westminster Pit, framed painted signature 25.5 x 16cm (image), (2)

£120 180

204

Three large cold painted bronze models of hounds, each modelled standing, unsigned, 15cm. high (tallest) (3)

£150 250

205

A cold painted bronze model of a red setter, modelled standing with a rabbit in its mouth, and four other cold painted bronze dogs unsigned, 15cm. long (5)

£150 200

202

206

Two large cold painted bronze models of pheasants, each modelled standing, in colours unsigned 22cm. wide. (2)

£150 250

207

A cold painted bronze model of a chicken, modelled raising its wings, another modelled standing, a cold painted bronze model of an otter with a fish in its mouth, a cold painted bronze model of family of pigs, two red squirrels, a stag, a crow with a gold spoon in its beak, a crab and a snail, unsigned, 11.5cm. high (chicken), (10)

£150 200

208

A cold painted bronze model of an owl, modelled standing, two cold painted bronze models of Grey parrots, a Kingfisher, a woodcock, a grouse and two swans, and a modern model of a parrot perched on a tree stump, unsigned, 9cm. high (owl), (9)

£150 200

209

Nine Austrian cold painted bronze cat figures, comprising, two swimming in a pool, a cat sitting in a chair being shaved, two cats on a bench, a cat receiving punishment by cane, a cat playing golf, two musicians, a cat spanking a kitten and a cat holding a rifle, unsigned, 6.5cm. high (tallest), (9)

£150 200

210

A cold painted bronze model of a seated fox and cubs, modelled holding a mallard duck, in colours, a cold painted bronze model of a fox family by a tree stump, three other cold painted bronze foxes, two hares and a model of a dead pheasant, unsigned, one seated fox stamped Austria, 13cm. wide (main group), (8)

£150 200

208

209

210

213

211

214

212

‡ 211 Stella Crofts (1898 1964)

Pigeon, 1950 a stoneware figure, painted in colours, with over glaze painted black detail to tail, incised Stella R Crofts (twice) and dated 1950 17.5cm. wide, 13cm. high

£200 400

212

A Wemyss Pottery model of a pig, glazed red, a Wemyss Pottery Violets box and cover and a Wemyss Pottery heart shaped inkwell, impressed marks, 17cm. long (pig), (6)

£300 500

213

A Carter Stabler & Adams Poole Pottery jardiniere by Ann Hatchard, pattern CO, painted with a band of stylised Art Deco flowers in colours, impressed factory mark, painted artist cipher and CO pattern, 21.5cm. high

£120 180

214

‘Eastern Lady’ M.37 an Ashtead Pottery figure designed by Phoebe Stabler, modelled as a kneeling woman, glazed in colours printed and painted marks, 14.5cm. high

£120 180

215

A Poole Pottery Atlantis vase by Guy Sydenham, modelled as a hedgehog, glazed white and pale blue impressed mark, incised monogram 7cm. wide. £120 180

216

‘George VI May 12 1937’ a flaring Conical cup by RR, painted in shades of blue, turquoise and aubergine on a white ground, painted RR 1937 to base, 11cm. high £120 180

217 both sides

217

A Wedgwood Pottery Coronation of His Majesty King Edward VIII commemorative mug designed by Eric Ravilious, printed with royal crest and 1937 below a band of fireworks, in black and yellow on a blue band, printed factory mark, 10cm. high £500 600

218

A Wedgwood Pottery Coronation of His Majesty King George VI commemorative mug designed by Eric Ravilious, printed with royal and 1937 under a band of fireworks in black and rust on a green band, printed factory mark, 10.5cm. high £600 1,000

both sides

WEDGWOOD LUSTRE POTTERY

219

A Wedgwood Pottery Dragon lustre vase designed by Daisy Makeig Jones, footed form, printed in gilt on a mottled red ground, the interior with butterflies on a pearl lustre ground printed factory mark, painted Z11827, professional restoration to foot, 13.8cm. high £150 250

220

A Wedgwood Pottery Butterfly lustre vase designed by Daisy Makeig Jones, shape H.16, fluted form with knopped neck, printed and enamels and gilt on a pearl lustre ground the interior orange lustre, printed factory mark, painted Z4832, 20.5cm. high

£300 500 221

A Wedgwood Pottery lustre bowl designed by Daisy Makeig Jones, pattern Z4831, octagonal form, printed with Chinese characters to the exterior, the interior a dragon to the well, in gilt on a mottled green lustre ground, the interior pearl lustre, and a small Wedgwood Pottery dish printed with a hummingbird design, printed and painted marks, 8.8cm. diam, (2)

£150 250

222

A Wedgwood Pottery bowl designed by Daisy Makeig Jones, pattern Z4827, octagonal form, printed to the exterior with Chinese symbols and animals on a red lustre ground, the interior with butterflies and characters on a pearl lustre ground, printed and painted marks, 12cm. diam. £150 250

223

‘Dana’ a Wedgwood Fairyland lustre octagonal bowl, Z5125, printed and painted in colours and gilt, the interior on a mottled pearl ground, printed and painted marks, 10.3cm. diam.

£300 500

224

‘Leapfrogging Elves’ a Wedgwood Fairyland Lustre bowl designed by Daisy Makeig Jones, footed form, printed in gilt on a midnight lustre ground, the interior pearl lustre printed factory marks, 9.8cm. diam.

£200 400

225

225

‘Lahore’ a Wedgwood Pottery Lustre bowl designed by Daisy Makeig Jones, pattern Z5260, printed and painted in enamels and gilt to the exterior, the interior printed in gilt with elephants and camels on a lemon lustre ground, printed and painted factory marks, professional restoration to interior, 27.5cm. diam.

£1,000 2,000

226

‘Lahore’ a Wedgwood Pottery Lustre vase designed by Daisy Makeig Jones, pattern Z5266, printed and painted in colours and gilt, printed and painted marks, 26cm. high £1,500 2,500

227

‘Pillar’ a Wedgwood Fairyland Lustre vase designed by Daisy Makeig Jones, pattern Z4968, slender, shouldered cylindrical form, printed and painted in colours and gilt on a pale blue lustre ground, printed and painted factory marks, paper collection label, 36cm. high

Provenance Spak Collection Literature Una des Fontaines, Wedgwood Fairyland Lustre, Sotheby Parke Bernet, page 140 plate 28 for a vase in this pattern illustrated. £2,500 3,500

226

228

230

232

229

231

AT 10AM

STUDIO POTTERY

‡ 228

Charles Vyse (1882 1971)

a twisted cylindrical vase, dated 1937, covered to the foot with crackled grey celadon glaze, incised Vyse 1937 25cm. high £300 500

‡ 229

William Staite Murray (1881 1962)

a stoneware vase, shouldered form with tapering cylindrical neck, covered in a pale blue pitted glaze running to the foot, the top rim with iron band, impressed pentagon mark, chip to exterior of top rim, 25.5cm. high £200 300

‡ 230

Katharine Pleydell Bouverie (1895 1985)

a stoneware cut sided bowl, swollen, shouldered form, covered to the foot with an ash glaze impressed seal mark, 7.5cm. high 12cm diam. Provenance Cassons Gallery, London, purchased by the vendor’s family in 1976. £100 150

‡ 231

Katharine Pleydell Bouverie (1895 1985) a large stoneware vase, swollen form covered to the foot with a speckled ash glaze, impressed seal mark, painted marks, 14cm. high £200 300

‡ 232

Katharine Pleydell Bouverie (1895 1985) six stoneware miniature vases, glazed in shades of cobalt blue, ash and green, impressed seal marks, 5.5cm. high (tallest), (6) £200 300

‡ 233 William Newland (1919 1998) a large earthenware square platter, dated 1990, slip decorated with a cockerel, painted WN and date to reverse, chip to hanging loop 53.5 x 44.5cm. £300 500

FROM THE ESTATE OF RICHARD BATTERHAM

Image courtesy of Stefan Morris

Richard Batterham (1936 2021)

a stoneware caddy and cover, covered with an ash glaze over black iron, and another caddy and cover with chattering band, unsigned, labelled Manganese Carbonate, cover fused to second caddy 24cm. high (3)

Provenance

From the estate of Richard Batterham.

Catalogue notes

This jar was used by Richard Batterham to store Manganese Carbonate powder.

Literature

Tanya Harrod & Sarah Griffin, Richard Batterham Studio Potter, V&A page 51 figure 48, this pot is visible on the shelf behind Richard. This image is reproduced on page 71 in this catalogue.

£300 400

235

Richard Batterham (1936 2021)

a stoneware beer jar and cover, covered in a tenmoku glaze unsigned, incised TD to base, crack to cover, small bloats to rim of jar, 52cm. high, (2)

Provenance

The Estate of Richard Batterham. This jar and cover was found in the Blower room when the kiln was dismantled in October 2022. £150 250

236

Richard Batterham (1936 2021)

a large cut sided stoneware bowl, covered in an ash glaze, the exterior black iron, unsigned, exhibition paper label no.36, repaired section to top rim, 36cm. diam. 22.5cm. high

Provenance

From the estate of Richard Batterham £150 200

237

Three natural ash Gimson ladderback (no.1A) chairs by Neville Neal, and two other Gimson ladderback chairs by Neville Neal, with rush seats, stamped Neville Neal, 106cm. high (5)

Provenance

Richard Batterham, purchased directly from Neville Neal directly March 1971. £150 200

238

Richard Batterham (1936 2021)

a stoneware jug, covered with a running ash glaze over black iron, unsigned 28cm. high

Provenance

From the estate of Richard Batterham. £150 250

239

Richard Batterham (1936 2021)

a tall stoneware jug, ash glaze above band of black iron unsigned, remains of paper label 35.5cm. high

Provenance

From the estate of Richard Batterham. £200 400

240

Richard Batterham (1936 2021)

an early stoneware jug, ash glaze over black iron band unsigned 17cm. high

Provenance

From the estate of Richard Batterham. Catalogue notes This jug dates to the 1960s. £120 180

241

Richard Batterham (1936 2021)

a stoneware jug, covered in an ash glaze, the rim iron, and another smaller, unsigned 13cm. high (tallest) 11cm high (smallest) (2)

Provenance

From the estate of Richard Batterham. £150 200

246

242

Richard Batterham (1936 2021) two small stoneware mixing bowls, glazed to the interior black iron unsigned 16cm. diam. (2)

Provenance

From the estate of Richard Batterham. £80 120

243

Richard Batterham (1936 2021)

a stoneware footed bowl, covered with an ash glaze with iron spots, the rim iron, and a small oblong dish, unsigned 16cm. diam. (2)

Provenance

From the estate of Richard Batterham. £150 200

244

Richard Batterham (1936 2021)

a stoneware mixing bowl, glazed to the interior with ash, another smaller glazed black iron to the interior and a lugged dish, unsigned 26.5cm. diam (largest bowl), (3)

Provenance

From the estate of Richard Batterham. £150 200

245

Richard Batterham (1936 2021)

an early oblong bowl swollen rectangular form, ash glaze to interior, a salt glaze stoneware bowl and another smaller bowl by Richard Batterham

impressed seal mark to oblong bowl, small chip to rim of oblong bowl, 19.5cm. wide (3)

Provenance

From the estate of Richard Batterham. £150 200

246

Richard Batterham (1936 2021)

a stoneware mixing bowl with chattering band, glazed ash to the interior, and another smaller, unsigned 27cm. diam. 12cm. high (2)

Provenance

From the estate of Richard Batterham. £120 180

247

Richard Batterham (1936 2021)

a stoneware pedestal bowl with chattering band, covered in an ash glaze, and another stoneware pedestal bowl by Richard Batterham with a pale celadon ash glaze, unsigned, pale celadon bowl repaired, 16.5cm. diam, 12.5cm high (2)

Provenance

From the estate of Richard Batterham. £150 200

248

Richard Batterham (1936 2021)

a cut sided stoneware pedestal bowl, covered to the foot with elm ash glaze, unsigned, 12.5cm. diam. 9.5cm. high

Provenance

From the estate of Richard Batterham. £150 200

249

249 Richard Batterham (1936 2021)

a cut sided stoneware lily vase, glazed ash to the shoulder and rim, the body a band of black iron, unsigned, firing splits to outside of body, 33cm. high

Provenance

From the estate of Richard Batterham. £300 500

250 Richard Batterham (1936 2021)

a stoneware cut sided lily vase, covered to the shoulder and neck with ash, the body a band of manganese, unsigned, firing splits to outside of body 33cm. high

Provenance

From the estate of Richard Batterham. £300 500

251 Richard Batterham (1936 2021)

a stoneware two piece bottle with chattering band to the shoulder, covered to the foot in tenmoku over river slip, unsigned 61cm. high

Provenance

From the estate of Richard Batterham. Catalogue notes This vase was made in the early 1980s. £1,500 2,000

252

Richard Batterham (1936 2021) teapot and cover, with vertical incised decoration, covered to the foot in an ash glaze unsigned 13cm. high (2)

Provenance

From the estate of Richard Batterham. £150 200

253

Richard Batterham (1936 2021) an early stoneware teapot, ovoid with vertical cut design, covered to the foot with a black iron glaze, unsigned, painted 16, chips to underside of cover 11.5cm. high (2)

Provenance

From the estate of Richard Batterham.

Catalogue notes This teapot dates from the 1960s. £150 200

254

Richard Batterham (1936 2021) a salt glaze stoneware mug, and another mug covered in an ash glaze unsigned 10.5cm. high (salt glaze), (2)

Provenance

From the estate of Richard Batterham. £120 180

255

Richard Batterham (1936 2021) an early oblong dish made for export to Australia, and two stoneware covered casserole dishes oblong dish impressed England, small chip to rim, 16.5cm. wide (5)

Provenance

From the estate of Richard Batterham. £150 200

256

Richard Batterham (1936 2021)

a stoneware sugar jar, covered in a celadon ash glaze to the foot unsigned painted cobalt 879 18cm. high (2)

Provenance

From the estate of Richard Batterham. £150 200

257

Richard Batterham (1936 2021)

a cut sided stoneware vase, covered to the foot with an ash glaze unsigned, painted cobalt number 9.5cm. high

Provenance

From the estate of Richard Batterham. £150 200

258

Richard Batterham (1936 2021)

a small cut sided stoneware vase, covered to the foot with an ash glaze unsigned, painted cobalt number incised 28 7.5cm. high

Provenance

From the estate of Richard Batterham. £120 180

256

259

Richard Batterham (1936 2021)

a stoneware pedestal bowl with cut flutes, covered in an ash glaze with black iron, unsigned 13cm. diam. 9cm. high

Provenance

From the estate of Richard Batterham. £150 200

260

Richard Batterham (1936 2021)

a stoneware footed bowl with chattering band, covered to the foot in an ash glaze with iron spots unsigned 34.5cm. diam. 14.5cm. high

Provenance

From the estate of Richard Batterham. Catalogue notes This footed bowl dates from the early 1980s. £150 200

262

261

Richard Batterham (1936 2021)

a stoneware tea plate, covered with an ash glaze, and two others unsigned 18.5cm. diam. (3)

Provenance

From the estate of Richard Batterham. £120 180

262

Richard Batterham (1936 2021)

a stoneware box and cover, circular with sun motif, covered in an ash glaze, and a stoneware egg dish by Richard Batterham unsigned 9.5cm. diam. (3)

Provenance

From the estate of Richard Batterham. £150 200

263

Richard Batterham (1936 2021) a small salt glaze stoneware colander, unsigned 19.5cm. diam.

Provenance

From the estate of Richard Batterham. £120 180

264

Richard Batterham (1936 2021)

a large stoneware footed bowl, internally decorated with chattering band, covered to the foot in an ash glaze unsigned 36cm. diam. 18.5cm. high

Provenance

From the estate of Richard Batterham. £150 200

265

Richard Batterham (1936 2021)

a rare salt glaze stoneware table lamp, based on a design by Atsuya Hamada, unsigned 20cm. high

Provenance

From the estate of Richard Batterham. £150 200

Richard Batterham (1936 2021)

a small porcelain beaten caddy and cover, covered in a pale celadon glaze, and a porcelain avocado dish with chattering band by Richard Batterham, unsigned 7cm. high (3)

Provenance From the estate of Richard Batterham. £150 200

267

Richard Batterham (1936 2021)

a porcelain avocado dish covered with a pale celadon glaze, and two other porcelain avocado dishes by Richard Batterham, unsigned, one incised B, one with stress hairlines to rim, 13cm. diam. (3)

Provenance

From the estate of Richard Batterham. £150 250

268

Richard Batterham (1936 2021)

a porcelain avocado dish, covered in a pale celadon glaze, and another avocado dish by Richard Batterham unsigned 12.5cm. diam (2)

Provenance From the estate of Richard Batterham. £150 250

269

Richard Batterham (1936 2021)

a large porcelain avocado dish with chattering band to interior, covered with a pale celadon glaze, and another similar by Richard Batterham, unsigned 16cm. diam. (2)

Provenance From the estate of Richard Batterham. £150 250

270

Richard Batterham (1936 2021)

a large porcelain bowl with chattering band to well, covered in a pale celadon glaze unsigned 25.5cm. diam. 11cm. diam.

Provenance From the estate of Richard Batterham. £300 500

268 269

271

Richard Batterham (1936 2021) an early stoneware sugar jar and cover, speckled blue grey ash glaze unsigned 17cm. high (2)

Provenance

From the estate of Richard Batterham. Catalogue notes This jar dates from the 1960s. £150 200

272

Richard Batterham (1936 2021) a cut sided stoneware sugar canister and cover, covered to the foot in an ash glaze unsigned 18cm. high (2)

Provenance

From the estate of Richard Batterham. £150 200

273

Richard Batterham (1936 2021) a stoneware sugar jar and cover, covered to the foot with pale ash glaze unsigned, painted cobalt 7 15cm. high (2)

Provenance From the estate of Richard Batterham. £150 200

274

Richard Batterham (1936 2021) a stoneware jar and cover with cut herringbone design, covered to the foot in ash glaze, unsigned, painted cobalt 23, 15cm. high (2)

Provenance From the estate of Richard Batterham. £150 200

275

Richard Batterham (1936 2021) a stoneware beaten caddy and cover, covered to the foot with an ash glaze unsigned 14.5cm. high (2)

Provenance

From the estate of Richard Batterham. £150

277

276

276

Richard Batterham (1936 2021)

a cut sided stoneware tea caddy and cover, covered to the foot in ash glaze unsigned, painted cobalt mark, 16cm. high (2)

Provenance

From the estate of Richard Batterham. £150 200

277

Richard Batterham (1936 2021)

a salt glaze stoneware beaten jar and cover unsigned 10.5cm. high (2)

Provenance

From the estate of Richard Batterham. £120 180

278

Richard Batterham (1936 2021)

a stoneware beaten caddy and cover, with chattering band to shoulder, covered with a red salt glaze to the foot, inside ash glaze, unsigned,kiln fault to side, 22cm. high (2)

Provenance

From the estate of Richard Batterham. £200 300

279

Richard Batterham (1936 2021)

salt glaze stoneware tea canister, with red salt glaze unsigned incised 28 22.5cm. high

Provenance

From the estate of Richard Batterham. £150 200

278

281

280

282

280

Richard Batterham (1936 2021) a salt glaze stoneware cut sided bowl, covered in a pale celadon glaze unsigned 21.5cm. diam. 11.5cm. high

Provenance From the estate of Richard Batterham. Catalogue notes This bowl dates from the 1970s or 1980s £120 180

281

Reuben Batterham (born 1967)

a large stoneware planter, tapering cylindrical form with cut flutes, glazed to the foot in pale ash, with three drainage holes impressed seal mark 49.5cm. diam

Provenance Made at the Durweston Pottery circa 1990. Provenance From the estate of Richard Batterham £150 250

END OF COLLECTION

‡ 282

Reuben Batterham (born 1967) a large cut sided stoneware batter bowl made at the Durweston Pottery, covered in an ash glaze, impressed seal mark, 39.5cm. diam, 17.5cm. high £150 250

‡ 283

Richard Batterham (1936 2021)

a stoneware flower bottle, swollen square section with flaring rim, covered with a partial ash glaze unsigned, paper exhibition label no.9 20cm. high

Provenance Hambledon Gallery, Blandford Forum, purchased by the vendor’s family in 1998.

£200 300

‡ 284

Richard Batterham (1936 2021)

a stoneware Sugar jar and cover, with incised border, covered to the foot with an ash glaze, and another smaller, unsigned, 18cm. high (4)

Provenance Crafts Council shop Private collection. £200 300

‡ 285

Richard Batterham (1936 2021)

a salt glaze stoneware cut sided bottle, the neck and shoulder with running ash glaze unsigned 15.5cm. high

Provenance Purchased from Richard Batterham at the Durweston Pottery in 1979.

£150 250

‡ 286

Richard Batterham (1936 2021)

a stoneware cut sided flower bottle, unsigned 15.5cm. high

Provenance Richard Batterham, Durweston Pottery purchased by the vendor’s family from the potter in 1979.

£150 250

‡ 287

Richard Batterham (1936 2021)

a large stoneware teapot and cover, with chattering band, covered in an ash glaze unsigned, painted cobalt mark 17.5cm. high, (2)

Provenance Purchased from Wells Cathedral exhibition (paper label). £200 300

283

288

‡ 288

Richard Batterham (1936 2021) a stoneware beaten jar and cover, with incised line decoration, covered in an ash glaze unsigned, painted cobalt mark, 22cm. high (2)

Provenance Purchased directly from the potter £150 250

‡ 289

Richard Batterham (1936 2021) a large fluted stoneware caddy and cover, covered with an ash glaze, unsigned 29.5cm. high (2) £500 1,000

‡ 290 Richard Batterham (1936 2021) a ribbed stoneware beer jar and cover with lug handles, covered in an ash glaze unsigned, cover repaired 40cm. high (2) £500 1,000

‡ 291 Richard Batterham (1936 2021) a stoneware bottle, covered with a running ash glaze to the foot unsigned 42cm. high £300 500

289

292

‡ 292 Jim Malone (born 1946) an Ainstable Pottery stoneware bowl, on shallow foot, painted with simple grass motif to outside and well in tenmoku on a brushed hakeme impressed seal marks, 26cm. diam, 12.5cm. high

Provenance Auction Atrium, lot 15305. £150 250

‡ 293 Henry Hammond (1914 1989) a stoneware footed tea bowl, glazed to the foot with a speckled ash glaze, painted simple grass motif in tenmoku, impressed seal mark to foot, 8cm. high

Provenance Oxford Gallery, purchased by the vendor’s family in 1983. £150 200

‡ 294 Henry Hammond (1914 1989) a stoneware bowl, footed, flaring conical form, painted to the exterior with grasses, in iron on a mottled tan glaze, the interior well with circle motif in iron and cobalt, impressed seal mark, 21cm. diam. 10cm. high £200 300

‡ 295 Henry Hammond (1914 1989) a stoneware slab vase, rectangular section with collar rim, painted with simple tenmoku brushed lines on an olive, ash glaze, impressed seal mark, 17cm. high

Provenance Contemporary Ceramics, Bonhams, 25th March 1992 lot 94. £150 250

298

‡ 296

Bernard Leach CBE, (1887 1979), attributed a Leach Pottery stoneware bowl, footed, flaring conical form, painted with a simple brush motif in tenmoku on a celadon ground, and a stoneware jar and cover by Mike Dodd, impressed Leach Pottery mark 23.5cm. diam. (3) £100 200

‡ 297

Leach Pottery a stoneware pourer and cover, covered in a textured tenmoku glaze, and a Leach Pottery footed bowl covered in a celadon glaze, impressed seal mark 13cm high (pourer), (3) £120 180

‡ 298

Shinsaku Hamada (born 1929) attributed a stoneware vase, ovoid with collar rim, covered in a cobalt blue glaze over grey slip unsigned 15cm. high Provenance Given to the vendor by the Hamada Studio in 1995. £200 400

‡ 299

Shoji Hamada, (1894 1978) attributed a stoneware bottle vase, rectangular with curved sides, painted with simple green brushed cross on tenmoku, unsigned 24.5cm. high

Literature Susan Peterson Shoji Hamada A Potters Way & Work, A & CB, page 230 for a photograph of Hamada examining pots including a similar curved vase (foreground).

Provenance From the collection of Dr Jonathan Mirsky (1932 2021). Dr Mirsky was an America journalist and historian of China. £300 500

‡ 300

Bernard Leach CBE (1887 1979)

a Leach Pottery stoneware vase, waisted cylindrical form, painted with a simple ash glaze, painted with a simple orchid stem in tenmoku impressed seal marks, 15cm,. high

£300 500

‡ 301

Bernard Leach CBE (1887 1979)

a Leach Pottery stoneware cut sided vase, hexagonal section with inverted rim, incised lightly to alternate panels with simple wavy line motif, covered in a tenmoku glaze, impressed seal marks, 20.5cm. high

Provenance

Purchased from the Leach Gallery, 1974.

Literature Bernard Leach, Hamada & Their Circle, Phaidon, page 78, catalogue number 75 for a shorter example, glazed white, kept by Bernard Leach in his room in St Ives.

£1,000 2,000

‡ 302

Bernard Leach, CBE (1887 1979), attributed

two Leach Pottery four tile panels, one painted with a snake attacking a turtle opposite a snail tile, the other panel with a bird feeding its young in a nest opposite a snail tile, in cobalt and brown on a a buff ground, each tile panel with two plain tiles, framed in oak, painted Leach pottery seal mark to two of the tiles, impressed marks to reverse (concealed)

9.5 x 9cm (tiles), 29 x 28.5cm (frame size), (2)

Literature Bernard Leach Potter and Artist, Crafts Council, page 44 catalogue number 27 for a pen and wash drawing of the bird feeding its young by Bernard Leach, dated 1935. Exhibition of the Art of Bernard Leach, page 60 catalogue number 31 for a comparable snail tile.

£400 600

‡ 303 Shoji Hamada (1894 1978) a stoneware jug, bellied form, covered with a speckled sage green glaze to the foot, painted khaki green diagonal motif, unsigned 23.5cm. high

Literature

Shoji Hamada, Master Potter Lund Humphries/Ditchling Museum, page 63, catalogue number 34, this actual jug illustrated. £800 1,200

‡ 304 Shoji Hamada (1894 1978) stoneware square dish, resist decorated with kaki over an ash celadon ground, unsigned, repaired rim, 32 x 31cm.

£1,000 2,000

304

‡ 305 Shoji Hamada (1894 1978) a stoneware plate, decorated to the well with kaki resist grass motif, unsigned 27.5cm. diam.

£800 1,200

305

‡ 306

Janet Leach (1918 1997)

a Leach Pottery stoneware vase, shouldered form with flaring neck and loop handles, painted with simple brush stroke in brown and off­white, the interior glazed, impressed seal marks, 20.5cm. high

Provenance

Purchased from Janet Leach directly by the vendor’s family in 1977. £300 500

‡ 307

Janet Leach (1918 1997)

a Leach Pottery stoneware vase with lug handles, shouldered form with waisted cylindrical neck, painted brush stroke design in brown and off­white, the interior glazed impressed seal marks, 20.5cm. high

Provenance

Purchased from Janet Leach directly by the vendor’s family in 1977. £300 500

‡ 308

Janet Leach (1918 1997)

a Leach Pottery squashed stoneware pot, the body incised with irregular bands, glazed brown with ash glaze to the top rim and interior, impressed seal marks, 16.5cm. high £200 300

‡ 309

David Leach OBE (1911 2005)

a Lowerdown Pottery teapot and cover, stoneware, painted with a foxglove motif in tenmoku, and a Lowerdown Pottery cut sided porcelain bowl covered in a celadon glaze impressed seal mark 15.5cm. high (3)

Provenance

David Leach, purchased by the vendor directly.

Literature David Leach A Potter’s Life, page 18 (teapot) and page 2 (cut sided bowl) illustrated.

£200 400

‡ 310 David Leach OBE (1911 2005)

a Lowerdown Pottery red earthenware vase, waisted cylindrical form, covered in a speckled tin glaze mushroom ground, impressed seal mark, 19cm. high

Literature Emmanuel Cooper & Kathy Niblett David Leach, Richard Dennis Publications, page 84 catalogue number 29 for a comparable form illustrated.

£150 250

‡ 311 David Leach OBE (1911 2005)

a Lowerdown Pottery cut sided footed vase, covered to the foot in a yellow celadon glaze, impressed seal mark 13cm. high

Provenance

David Leach, purchased by the vendor’s family directly in 1980.

£150 200

‡ 312

David Leach OBE (1911 2005)

a Lowerdown Pottery cut sided footed vase, covered to the foot in a yellow celadon glaze, impressed seal mark 12.5cm. high

311

Literature Emmanuel Cooper and Kathy Niblett, David Leach, Richard Dennis Publications, page 95 catalogue number 73 for a comparable piece with a yellow celadon glaze.

Provenance

David Leach, purchased by the vendor’s family directly in 1980.

£150 250

313 314

‡ 313

David Leach OBE (1911 2005)

a Lowerdown Pottery vase, square section, painted with a willow tree design in tenmoku and blue, with iron red spots, on a speckled ash glaze impressed seal mark, 16.5cm. high £120 180

‡ 314

David Leach OBE (1911 2005)

a Lowerdown Pottery stoneware tea caddy and cover, painted with simple flowerhead motif in tenmoku and cobalt blue on a speckled ash glaze impressed Lowerdown mark, 14cm. high, (2) £120 180

‡ 315

David Leach OBE (1911 2005)

a tall stoneware bottle vase, with flaring rim, decorated with simple brush stroke in ilmenite over rich tenmoku glaze, impressed seal mark 45.5cm. high

Literature Emmanuel Cooper and Kathy Niblett David Leach, Richard Dennis Publications, page 107 plate 106 for a comparable vase. £350 450

‡ 316

David Leach OBE (1911 2005)

a porcelain bottle, shouldered, with a flaring rim, incised comb decoration, covered in ilmenite over tenmoku glaze impressed seal mark, 25.5cm. high

Provenance

Contemporary Ceramics, Christie’s King Street, 21st November 1988 lot 6.

Literature Emmanuel Cooper and Kathy Niblett David Leach, Richard Dennis, page 107 catalogue number 106 for a comparable example illustrated. £250 300

315 316

319

320

‡ 317

Svend Bayer (born 1946) a stoneware vase with four loop handles, covered in a running translucent white glaze over terracotta and sand ground, incised SV and III 28cm. high £150 250

‡ 318

Svend Bayer (born 1946) a wood fired stoneware jar and cover, with applied twin handles, simple incised motif, glazed matt mushroom and pale grey unsigned, 30.5cm. high (2) £200 300

‡ 318A

Mick Casson OBE (1925 2003)

a salt glaze stoneware jug, cylindrical with applied handle, the glaze with green brushstroke design impressed seal mark, 20.5cm. high £120 180

‡ 319

Michael Casson OBE (1925 2003)

a large salt glazed stoneware jug, ovoid with applied handle, covered in a splashed glaze, impressed seal mark to handle base 40.5cm. high £200 300

‡ 320

Michael Casson OBE (1925 2003)

Swimmer Bowl a stoneware bowl, decorated with paper resist and slip areas painted and partially wiped, painted mark to base 15cm. high

Provenance Michael Casson, December 4th 1989 January 3rd 1990, Oxford Gallery, catalogue number 59, where purchased by the vendor. Literature Emmanuel Cooper and Amanda Fielding, Michael Casson, Ruthin Craft Centre, page 70 for a comparable example and page 71 showing the technique. £150 250

‡ 321

Michael Cardew CBE (1901 1983)

an Abuja Pottery plate, decorated to the well with a trailed river motif, the rim a band of radiating lines, in tenmoku on an ash glaze, impressed seal marks, 26.5cm. diam.

£120 180

‡ 322

Michael Cardew CBE (1901 1983) a rare Abuja Pottery fan vase, elliptical section, carved with curved ribs, glazed lavender, turquoise and cream, incise Abuja to base 32cm. wide Provenance Sothebys London July 1983, purchased by the vendor and stated to be one of only two vases in this shape. £150 200

318A

317 318

‡ 323

Clive Bowen (born 1943)

a tall slipware jug, earthenware bellied body with applied handle, covered with a speckled yellow glaze and zig zag band to foot, and a bowl by Clive Bowen, decorated with a geometric design to the well, glazed pale yellow unsigned 42cm. high, (2)

£150 200

‡ 324

Clive Bowen (born 1943)

a wood fired earthenware jar and cover, decorated with a simple brushed and slip design in brown on a yellow ground, unsigned 34.5cm. high (2)

£150 250

‡ 325

Clive Bowen (born 1943)

a tall bellied earthenware jug, slip decorated with simple grass motif, in rust and green on a chestnut brown ground, and a pot and cover, unsigned, 30cm. high (3)

£150 200

‡ 326

Clive Bowen (born 1943)

a large slipware jug, shouldered form, slip decorated with simple brush motif in yellow on a chestnut brown ground, unsigned 33cm. high

Provenance

Purchased from Clive Bowen directly by the vendor.

£120 180

‡ 327

Clive Bowen (born 1943)

a wood fired earthenware jug, bellied form, brushed design in green on a graduated yellow to ochre ground, and a jar and cover by Clive Bowen decorated with leaping fish, unsigned, 29cm. high, (3)

£150 250

‡ 328

Dylan Bowen (born 1967)

a large earthenware wall plaque, with raised rim, slip decorated with a simple loop design in yellow on a matt ground, painted signature 46cm. diam.

£150 200

‡ 329

Dylan Bowen (born 1967) a large earthenware wall plaque, circular with raised rim, slip decorated in green on a chestnut brown ground, painted signature 45cm. diam.

£150 200

‡ 330

Mike Dodd (born 1943)

a single handled flattened vase, covered in a broken ash glaze, resist decorated and incised with a simple grass motif, and another decorated with berry and branch motif, impressed seal mark to both 18cm. high (2) £150 200

‡ 331

Mike Dodd (born 1943)

a stoneware vase with loop handles, covered in a broken ash glaze, resist decorated with panels, and another single handled vase by Mike Dodd, impressed seal marks to both vases 18cm. high, (2)

£150 200

‡ 332

Mike Dodd (born 1943)

a stoneware one handled bottle vase, flattened, shouldered form, covered in a thick, broken slip peat clay glaze to the foot, incised with a simple grass motif, impressed seal mark, 22cm. high £120 180

‡ 333

Mike Dodd (born 1943)

a stoneware vase, ovoid with collar rim, covered to the foot with a broken celadon ash glaze resist decorated and trailed with columns, and another cut sided stoneware vase by Mike Dodd, impressed seal mark to both vases 17.5cm. high, (2) £150 200

‡ 334

Jim Malone (born 1946)

a stoneware vase, shouldered form with flattened sides, incised with simple grass motif, glazed in nuka and green ash, impressed seal mark, 20.5cm. high £200 400

‡ 335

Mike Dodd (born 1943)

stoneware butter dish and cover, domed octagonal cover on circular dish, incised with foliate motif, covered in an ash glaze, impressed seal mark to base 13cm. high (2)

£120 180

‡ 336

Mike Dodd (born 1943)

a fluted stoneware vase, shouldered form covered to the foot with a kaki glaze, the shoulder with nuka, impressed seal flooded 20cm. high £120 180

330 331 332 333 335 334

‡ 337

Mike Dodd (Born 1943)

a fluted stoneware vase, covered with a running ash glaze to the foot, impressed seal mark 48cm. high

£150 250

‡ 338

Mike Dodd (born 1943)

a tall stoneware bottle vase with collar rim, covered to the foot with Peat clay and ash with river iron, finger swipes to foot, impressed seal mark 48.5cm. high £200 300

‡ 339

Mike Dodd (born 1943)

a stoneware vase, shouldered form with collar rim, impressed chevron panel design, glazed to the foot in speckled ash impressed seal mark, 35cm. high

£150 200

‡ 340

Mike Dodd (born 1943)

a cut sided stoneware vase, shouldered form, covered to the foot with ash glaze, the shoulder translucent lavender glaze, impressed seal mark 30.5cm. high £150 200

337

‡ 341

William ‘Bill’ Marshall (1923 2007)

a slab built stoneware bottle vase, flaring rectangular form, pale celadon glaze with green brushed design, to the foot, the reverse with tenmoku brush, impressed seal mark, 28.5cm. high £200 300

‡ 342

William ‘Bill’ Marshall (1923 2007)

a stoneware bottle vase, flattened, bottle form, painted with grass motif over brushed translucent glaze, impressed seal mark 31.5cm. high £400 600

‡ 343

William ‘Bill’ Marshall (1923 2007)

a tall stoneware vase, cylindrical form with inverted rim, impressed decoration, covered in a tenmoku glaze to the foot impressed seal mark, 37.5cm. high £400 600

‡ 344

Jim Malone (born 1946)

a large Ainstable Pottery stoneware bowl, covered in a thick brushed hakeme glaze with blue and iron painted foliage sprays, impressed seal marks, 32cm. diam. 18cm. high

Provenance Purchased directly from the potter. £300 500

‡ 345

Mike Dodd (born 1943)

a stoneware vase, waisted, shouldered form with collar rim, covered in a thick ash glaze, painted with simple grass stem in cobalt blue, impressed seal mark, 26.5cm. high £150 200

344 345

‡ 346

William ‘Bill’ Marshall (1923 2007)

a slab built stoneware bottle vase, painted with grasses in tenmoku on a hakeme glaze, impressed seal mark, paper number 18 exhibition label 29cm. high £300 400

‡ 347

Phil Rogers (1951 2020)

a salt glaze stoneware jug, waisted form, with impressed repeat design, covered in a rich salt glaze, impressed seal mark to side, 20.5cm. high

Provenance Purchased from the potter directly by the vendor. £120 180

‡ 348

Phil Rogers (1951 2020) salt glaze stoneware vase shouldered form with tapering neck, impressed hatch design, covered in an ash glaze, impressed seal marks, 28.5cm. high £200 300

‡ 349

Jim Malone (born 1946)

a cut sided stoneware vase, shouldered form, the body glazed tenmoku over ash, impressed seal mark 23cm. high £150 250

‡ 350 Mike Dodd (born 1943)

a pilgrim bottle, covered to the foot in a broken ash glaze, with incised cross motif, impressed seal mark, 25cm. high £120 180

‡ 351 Phil Rogers (1951 2020)

a stoneware dish, circular with textured well, covered with a speckled ash glaze and simple brushed green cross impressed seal mark, 30cm. diam. £120 180

‡ 352 Phil Rogers (1951 2020)

a porcelain unomi, dated 2005, waisted, footed form, covered in a running ash glaze, another smaller and a cut sided stoneware bowl by Phil Rogers, impressed seal marks to all, paper label to main unomi stating made May 2005 9cm. high, 11.5cm. diam. (3)

Provenance Purchased from the potter directly by the vendor. £150 200

352

‡ 353

Jim Malone (born 1946) an Ainstable Pottery stoneware unomi, cut sided on shallow foot, resist decorated in tenmoku over ash glaze, and another stoneware unomi by Jim Malone, impressed seal marks, 10.5cm. high, (2) £150 250

‡ 354 Phil Rogers (1951 2020) a cut sided vase, shouldered form, covered in an ash glaze to the foot, impressed seal mark 28cm. high £150 200

‡ 355 Phil Rogers (1951 2020) a salt glaze stoneware bottle with impressed holes, impressed seal mark, 18cm. high £150 250

‡ 356 Phil Rogers (1951 2020) a stoneware bottle vase, swollen, shouldered form, covered with a tenmoku glaze, with simple painted pale blue stripes, the neck highlighted in pale blue impressed seal mark 20.5cm. high £150 200

‡ 357 Phil Rogers (1951 2020) a squared bottle vase, each side with cut panels, covered to the foot in a speckled ash glaze impressed seal mark, 24.5cm. high £150 200

‡ 358 Shoji Hamada (1894 1978) manner of a slab built vase, rectangular section with rectangular neck, covered in a tenmoku glaze with green brushed design, the neck with green band unsigned 24cm. high

Provenance Design, Woolley and Wallis, 25th May 2021, lot 336. £200 300

‡ 359 Phil Rogers (1951 2020) a stoneware bottle, square section, covered with an ash glaze with finger wiped decoration to each side, impressed seal mark 23cm. high

Provenance Purchased from the potter directly by the vendor. £200 400

355 356

360

362

364

361

‡ 360

Lowerdown Pottery a tall stoneware jug, tapering banded form, covered in a tenmoku glaze to the foot, under a translucent dolomite glaze, impressed Lowerdown seal 28cm. high £150 200

‡ 361

Phil Rogers (1951 2020) a stoneware jug, shouldered form with bands and incised mofit, covered in an ash glaze impressed seal mark 28cm. high

Provenance Purchased from the potter directly by the vendor. £150 250

‡ 362

Phil Rogers (1951 2020)

a stoneware cylindrical vase, covered in an ash glaze, and a waisted jug by Phil Rogers impressed seal marks, 18.3cm. high (2) £200 300

‡ 363 Phil Rogers (1951 2020) a stoneware vase with applied handles, shouldered form, with incised combed decoration, covered in an ash glaze, impressed seal mark, 26cm. high Provenance Purchased from the potter directly by the vendor. £150 250

363

‡ 364

Clive Bowen (born 1943) an earthenware charger, decorated to the rim with a trellis design with green splashes, under honeyglaze, unsigned 39cm. diam. £150 250

‡ 365

Steve Harrison (born 1967) a salt glaze stoneware bowl with knobs, dated 1997, circular with impressed rim, covered in a blue salt glaze impressed seal mark to interior, dated 1997 19cm. wide £120 180

‡ 366

Nic Collins (born 1958) a salt glaze stoneware dish, square section on four feet, with pooled green glaze to one corner, incised Nic Collins 21.5cm. square £120 180

367

‡ 367 Derek Davis (1926 2008) a stoneware ovoid vase with small aperture, covered in a running green glaze over lavender spots painted signature 21.5cm. high £120 180

‡ 368 Robin Welch (1936 2019) ovoid pot, stoneware, with white crackled glaze band to the shoulder, with irregular aperture and pierced holes, and matt black band to base, textured surface impressed Robin Welch, 12cm. high

Provenance Private collection. £150 200

‡ 369 Robin Welch (1936 2019) a tall cylindrical vase, glazed to the lower half with a celadon glaze with iron spots, impressed Robin Welch Pottery, cracked 47cm. high £80 120

‡ 370 Robin Welch (1936 2019) sack form vase with flaring rim, 1987 stoneware slabs with applied yellow and white glaze panels and slip, the base with cobalt blue spots impressed Robin Welch 1987 48cm. high

Provenance Private collection. £300 500

369 370

373

371

374

375

372

‡ 371

Alan Wallwork (1931 2019) a large stoneware segment, incised and glazed in colours incised AW monogram 30cm wide 21cm high £200 300

‡ 372 Alan Wallwork (1931 2019) a small stoneware segment, incised and glazed in colours incised AW monogram 15.5cm. wide 9cm. high £120 180

‡ 373

Alan Wallwork (1931 2019)

a stoneware poppy head vase, carved aperture and decoration, covered to the foot in a speckled off­white glaze, incised AW mark, applied paper label 11.5cm. high £200 300

‡ 374

Alan Wallwork (1931 2019)

a stoneware pebble, with pierced aperture, covered in a burnished cream and ochre glaze, incised AW mark 10cm. wide £150 200

‡ 375

Alan Wallwork (1931 2019)

a stoneware ovoid vase, flattened form with irregular pierced aperture, covered in a banded white and grey glaze incised AW mark 14cm. high £250 300

‡ 376

Alan Wallwork (1931 2019)

Split Form a stoneware vase, glazed in silver grey with light purple patches, incised AW 21cm. high £200 300

‡ 377

Mai Yeong coiled vessel, ovoid with swollen, solifleur neck, textured glaze impressed seal mark, 28.5cm. high

Provenance

Anatol Orient Limited, 1985, by repute £120 180

‡ 378

Mai Yeong coiled vessel ovoid with angled neck, textured glaze, impressed seal mark, 31cm. high

Provenance Anatol Orient Limited, 1985, by repute £120 180

‡ 379 Mai Yeong coiled vessel, ovoid with angled aperture, textured finish paper label to base 21.5cm. high

Provenance

Anatol Orient Limited, 1985, by repute £120 180

‡ 380

Ian Godfrey (1942 1992)

a stoneware Antelope pilgrim flask, sack form with modelled handle, glazed celadon to base, and another glazed white with speckles by Ian Godfrey. unsigned 8.5cm. high (2) £150 200

‡ 381

Ian Godfrey (1942 1992)

a stoneware gourd teapot and cover, covered in a bronze glaze to the foot, the shoulder with blue and white, unsigned, 10cm. wide (2) £120 180

‡ 382

Ian Godfrey (1942 1992)

a stoneware dish with pierced rim, geometric cut out shapes, glazed matt black over brown, unsigned 23.5cm. diam.

Literature Contemporary Ceramics, Christie’s London, 23rd November 1987 lot 109, for a comparable piece. £250 350

377 378

379

380 381

382 two views

384

383

385

387

386

‡ 383

Alan Caiger Smith MBE (1930 2020)

an Aldermaston Pottery large bowl, painted to the well with a flower head motif, the exterior an abstract band in yellow and brown on a tin glaze, and an Aldermaston Pottery jug painted monogram and date mark, bruise to top rim of bowl, 39cm. diam. (2) £150 200

‡ 384

Alan Caiger Smith MBE (1930 2020)

an Aldermaston Pottery tin glaze earthenware ovoid vase, with solifleur neck, resist decorated with geometric panels in silver grey, the rim a band of sgraffito lines in a brown band

painted artist monogram, date mark 16.5cm. high £200 300

‡ 385

Edgar Campden (born 1930)

an Aldermaston Pottery bowl, painted to the interior with stylised floral band and central radiating leaf motif, in ruby and copper lustre on a tin glaze, painted monogram, incised E 21cm. diam. 7.5cm. high Provenance

Barclaycraft Gallery Brighton, purchased by the vendor’s family in 1981. £120 180

‡ 386

Alan Caiger Smith MBE (1930 2020)

An Aldermaston Pottery tin glazed earthenware bowl, slightly elliptical form, glazed to the interior with geometric brushed design in red lustre painted artist monogram, date mark, fine hairline to rim, 28cm. diam. 10.5cm. high £150 200

‡ 387

Alan Caiger Smith MBE (1930 2020)

Celia, an Aldermaston Pottery low tureen and cover, circular twin handled form, the cover painted with a hen, the circular finial painted inscription Celia, in brown and blue on a tin glaze, painted ACS monogram, 33cm. wide (2)

£150 200

‡ 388

Lawrence McGowan (Born 1942)

a tin glaze earthenware jug, painted with a band of birds in blue, brown and green on a grey ground, an Aldermaston Pottery jar and cover, an Aldermaston dish and a large jug, painted marks,11.5cm. high (5)

£150 200

‡ 389

Edgar Campden (born 1930)

an Aldermaston Pottery bowl, painted to the interior with a central flowerhead roundel, inside arched border in copper lustre on a red grey ground, painted marks, 21.8cm. diam, 8.5cm. high £120 150

‡ 390

Alan Caiger Smith MBE (1930 2020)

an Aldermaston Pottery Albarello vase, painted with panels in shades of red and purple lustre, painted artist monogram, 26cm. high

Provenance Oxford Gallery, purchased by the vendor’s family in 1980.

£300 500

‡ 391

Alan Caiger Smith MBE (1930 2020)

an Aldermaston Pottery Albarello vase from the final exhibition, 1993, waisted cylindrical form with cylindrical neck, painted in golden lustre with stylised flowers, highlighted in ruby lustre on a deep blue ground, painted ACS monogram, applied paper label 27.5cm. high

£200 300

‡ 392

Mary Wondrausch OBE (1923 2016)

a pottery charger, painted and incised with Adam and Eve in the Garden of Eden, in colours, two smaller and a model of a man riding a cockerel, incised MW signature 42cm. diam. (4)

£200 300

390

391

PETER BEARD

‡ 393

Peter Beard (born 1951) a stoneware vase on three feet, tapering cylindrical body with irregular rim, green with inlaid white and blue wavy stripes, impressed seal mark to base 15.5cm. diam. 14cm. high

£150 200 394 Peter Beard (born 1951) blue wax resist thrown vessel, decorated with geometric patterning impressed seal marks, 32cm. high £400 600 395 Peter Beard (born 1951) blue wax resist thrown vessel, decorated with geometric pattern impressed seal marks, 22cm. high £800 1,200

396

397

396

Peter Beard (born 1951) blue wax resist slab vase, impressed seal marks 25cm. high 38cm wide

£700 1,000 397 Peter Beard (born 1951) faceted red, white, black and yellow ground vessel, impressed marks 26cm. high £700 1,000 398 Peter Beard (born 1951) black and white ground vessel, impressed seal marks 26.5cm. high £600 1,000

398

399 400 part

DAME LUCIE RIE

‡ 399

Dame Lucie Rie (1902 1995) rare wall pocket vase stoneware, covered in a bronze glaze with sgraffio lines, impressed seal mark, 10.5cm. high £700 900

‡ 400

Dame Lucie Rie (1902 1995)

a stoneware pot, covered with a pitted bronze manganese glaze, the foot blue with sgraffito radiating lines, and a saucer by Lucie Rie, impressed seal mark, chips to saucer, 7cm. high 12.8cm. diam. (saucer), (2) £120 180

‡ 401 Dame Lucie Rie (1902 1995) a tureen and cover, stoneware, flaring circular form with flat, domed cover with open finial, covered in a bronze glaze with sgraffitio lines to base and radiating lines to cover, the interior pitted grey, impressed seal mark 23.7cm. diam, 15cm. high

Literature

Lucie Rie & Hans Coper, Potters in Parallel, Barbican Art Gallery, page 60 cat. no. 3.14 for a comparable bowl and cover, circa 1964. £1,000 1,500

‡ 402

Dame Lucie Rie (1902 1995)

a footed beaker vase, slender tapering foot with wide bowl, covered in a yellow glaze and running bronze rim, impressed seal mark, chips to base and top rim, 10cm. high £800 1,200

402

‡ 403

Dame Lucie Rie (1902 1995)

a large stoneware dish with pulled handle and pierced aperture, covered in a pale grey glaze and manganese rim, impressed seal mark, 25.5cm. wide £600 800

‡ 406

Dame Lucie Rie (1902 1995)

a stoneware shallow bowl or dish, covered in a bright yellow glaze impressed seal mark, 14cm. diam. 3.5cm. high

Provenance Hambledon Gallery, Blandford Forum purchased by the vendor’s family in 1977. £1,500 2,000

406

‡ 407

Dame Lucie Rie (1902 1995)

a stoneware shallow bowl or dish, covered in a bright yellow glaze impressed seal mark, 14cm. diam. 3cm. high

Provenance Hambledon Gallery, Blandford Forum purchased by the vendor’s family in 1977. £1,500 2,000

407

411

JOHN MALTBY

‡ 411

John Maltby (1936 2020) a stoneware bowl, painted to the interior with geometric panels in blue and white highlighted with silver, on a speckled grey ground, painted Maltby to base 15.5cm. diam. £200 250

‡ 412

John Maltby (1936 2020) a stoneware basket with bamboo handle, enamelled with cobalt flower motif, highlighted in gilt, on a grey chequered ground, impressed seal mark, 15cm. wide £200 300

‡ 413

John Maltby (1936 2020) a stoneware unomi, footed form, painted with red flowers on chequered ash and tenmoku ground, impressed seal mark, 10.5cm. high £150 200

‡ 414

John Maltby (1936 2020) a stoneware footed bowl, painted with panels of stylised flowers in red and black on a blue ground, the interior glazed tenmoku impressed seal mark, 11cm. high, 14cm wide

Provenance Purchased from the potter directly. £200 400

‡ 415

John Maltby (1936 2020)

a stoneware kidney shaped dish, painted to the well with cobalt and red flower motif, on a speckled brown ground, the exterior tenmoku, painted Maltby to base 28cm. wide £250 350

415

‡ 416

John Maltby (1936 2020)

a large stoneware square plate with raised rim, painted to the well with houses and crosses, in blue, white and black on a speckled oatmeal ground, the rim glazed tenmoku, impressed seal mark, 30cm. square £300 500

416

‡ 417 John Maltby (1936 2020)

a large stoneware dish on four feet, rounded rectangular form with textured surface, painted with a large bird flying past houses, in blue, black, white and tan on a black ground, painted Maltby, applied paper exhibition label no.3 44cm wide 31cm deep £500 1,000

417

WALTER KEELER

‡ 418 Walter Keeler (born 1942) a cylindrical jug with pulled rim, applied handle, running green blue glaze with brown spots, cream interior, impressed seal mark to side 20cm. high £150 200

‡ 419 Walter Keeler (born 1942) a Whieldon Ware jug, glazed ochre, tan and green impressed seal mark, 12.5cm. high £120 180

‡ 420 Walter Keeler (born 1942)

a Whieldon Ware jug, glazed ochre, yellow and bottle green impressed seal mark 13cm. high £120 180

‡ 421

Walter Keeler (born 1942)

a salt glaze stoneware articulated jug, covered in a blue glaze impressed seal mark, 28cm. high

Literature Emmanuel Cooper & Amanda Fielding Walter Keeler, page 39 for a comparable jug illustrated.

£150 200

‡ 422

Walter Keeler (born 1942)

a salt glazed stoneware teapot and cover, ovoid with swollen neck and over slung tube handle, covered in a blue grey glaze impressed seal mark 20.5cm. high (2)

Provenance Contemporary Ceramics, Bonhams, 25th March 1992 lot 107.

£300 500

‡ 423

Walter Keeler (born 1942) a salt glaze stoneware leaning jug, tapering form with applied strap handle, covered in a blue glaze, impressed seal mark to side 22cm. high

Provenance Alresford Gallery.

Literature Emmanuel Cooper & Amanda Fielding, Walter Keeler, page 43 for a comparable jug illustrated.

£150 200

‡ 424 Walter Keeler (born 1942) an extruded pourer, covered in a grey glaze, and two mugs by Walter Keeler, glazed grey, one with yellow interior, impressed seal mark to side, 16cm. high, (3)

£120 180

‡ 425

Walter Keeler (born 1942) a slender extruded jug and pourer with thorns, covered in a streaked Whieldon glaze splashed blue and brown, impressed seal mark to side, 19.5cm. high, (2)

£150 200

421

423 both sides

422 both sides

‡ 426

Walter Keeler (born 1942) a Whieldon Ware jug, leaning form, glazed green, tan and black, impressed seal mark 12.5cm. high £120 180

‡ 427

Walter Keeler (born 1942) a salt glaze stoneware jug, cylindrical form with tall spout and applied handle, mottled blue glaze, impressed seal mark 17cm. high £150 200

‡ 428

Walter Keeler (born 1942) a teapot and cover with thorns, cylindrical form with tube spout and handle applied with thorns, glazed grey impressed seal mark to side, 25cm. wide, 16cm. high, (2) £200 300

428

433 434

‡ 430

Chris Carter (born 1945)

a porcelain tea bowl, on shallow foot, covered in a matt white glaze, the top rim with running bronze band to rim, and another covered in an iron glaze, impressed seal mark to iron tea bowl 11cm. wide (2) £120 180

‡ 431

Chris Carter (born 1945)

a stoneware footed tea bowl, covered with a textured matt blue glaze, the top rim and inside glazed tenmoku, and two other unomi by Chris Carter covered in a textured bronze glaze impressed seal mark, 10cm. high, (3) £150 200

‡ 432

Chris Carter (born 1945)

a pedestal vase, square section with circular aperture, covered in a streaked green, ochre and grey glaze, and a shouldered ovoid vase by Chris Carter, impressed seal mark to both 11cm. high (2) £150 200

‡ 433

Chris Carter (born 1945) large stoneware vase, ovoid with pulled and shaped top rim, covered in a textured pink, green and silver matt glaze 34cm. high £300 500

‡ 434

Tanya Gomez (born 1974)

a porcelain vase, tapering cylindrical form with pinched rim, covered in a rich dark blue glaze, impressed seal mark, 26.5cm. high

Provenance

Purchased from Tanya Gomez directly by the vendor. £150 200

‡ 435

435

Antonia Salmon (born 1959) large raku vase, ovoid with carved decoration, white with burnished finish incised monogram 27cm. high £300 500

‡ 436

Peter Lane (born 1932)

a porcelain footed bowl, the flaring body with irregular rim and pierced panels, matt white the rim glazed olive green, incised signature 18.5cm. wide 10.5cm. high

Provenance Barclaycraft Gallery, Brighton, purchased by the vendor’s family in 1980.

Literature Peter Lane, Studio Ceramics, Collins, page 161 for a comparable pierced bowl titled ‘Trees’ illustrated.

£80 120

‡ 437

Deidre Burnett (born 1939)

ovoid porcelain vase with pinched irregular rim, glazed matt white with turquoise and bronze rim, impressed DB seal mark, paper label no.11, 10cm. high

Provenance Hambledon Gallery, Blandford Forum purchased by the vendor’s family in 1977.

£150 250

‡ 438

Mary Rogers (born 1929)

a porcelain ovoid vase, on three small feet, irregular, split top rim, glazed with brown and turquoise spots on a matt white ground, incised MER signature 7.5cm. high

Provenance Barclaycraft Gallery, purchased by the vendor’s family in 1979.

£150 250

‡ 439

Mary Rogers (born 1929)

a footed pinched porcelain bowl, the folded body with irregular rim, matt white with small brown and turquoise spots, incised MER signature 10cm. high 12cm. wide.

Literature Jan Axel & Karen McCready Porcelain Traditions and New Visions, Watson Guptill, page 44 for a comparable pinched bowl illustrated. £200 400

‡ 440

Mary Rogers (born 1929) a porcelain vase on narrow foot, with irregular split top rim, matt white, the rim picked out with manganese, incised MER signature 9cm. high 12.5cm. wide

Provenance Oxford Gallery, purchased by the vendor’s family in 1980.

£200 300

‡ 441

Sheila Fournier (1930 2000)

a porcelain footed bowl with pierced rim, inlaid bronze linear design and back rim, incised SF monogram 12cm. diam. 5cm. high

Provenance Barclaycraft Gallery, Brighton, purchased by the vendor’s family in 1979.

£100 200

PETER HAYES

442

Peter Hayes (born 1946)

Bow Form, textured black raku set with copper roundel, on black slate base incised Peter Hayes to base 27cm. high £300 500

442

443

Peter Hayes (born 1946)

Jomon vessel hand built porcelain on raku base incised Peter Hayes to base 21cm. high £250 350

443

‡ 444

Peter Hayes (born 1946)

porcelain blade form,2013, with canal clay, on polished slate base, signed Peter Hayes, 2013 to base 20cm. high 21cm. wide £150 200

445 Peter Hayes (born 1946)

Bone form, resin with porcelain slips, on textured black base incised Peter Hayes to base 23cm. high £150 250

‡ 446 Peter Hayes (born 1946)

Hanging form, porcelain and canal clay on polished slate base, incised Peter Hayes to base, 27cm. high (2) £200 300

445

‡ 447 Peter Hayes (born 1946) a stoneware head, dated 2000, weathered finish, on white stone plinth, signed Peter Hayes, 2000 21cm. high £100 200

‡ 448

Ivo Mosley (born 1951)

a large stoneware plate, painted with brush strokes and splashes in blue on a pale blue ground, and another plate by Ivo Mosley painted with yellow brush strokes on a black ground, painted signature to main plate, incised signature to second 36cm. diam. (2)

Provenance Crafts Centre, Earlham Street, London, purchased by the vendor’s family in 1984.

£100 150

‡ 449

Janice Tchalenko (1942 2018)

a Dartington Pottery tall stoneware jug with applied handle, flaring conical form painted with tulips flowers in red, yellow and green on a speckled grey ground, unsigned 22.5cm. high

£60 100

‡ 450 Ken Spooner (born 1942)

a pottery unomi with volcanic glaze, in colours, a shallow bowl and an footed unomi by Tony Shields and a Carn Pottery vase incised KS monogram 8.5cm. high, 13cm diam. (Ken Spooner unomi), (4) £120 180

‡ 451 Ruth Duckworth (1919 2009)

a stoneware footed vase, the cylindrical red body with inlaid blue stripes and green panels, irregular rim, painted R, dated 1981, 15cm. high

Provenance Oxford Gallery, purchased by the vendor’s family in 1982. £250 350

‡ 452

Sutton Taylor a porcelain footed bowl, speckled brown on tan to interior, the exterior a burnished metallic glaze, painted St monogram 9cm. high 11.5cm. diam.

Provenance Oxford Gallery, purchased by the vendor’s family in 1982.

£80 120

‡ 453

Sutton Taylor (born 1943)

large footed bowl, lustre decorated with bands of chevron motif in ruby and golden lustre, impressed seal mark, 37.5cm. diam. 20.5cm. high

Provenance

Contemporary Ceramics, Bonhams, 28th February 1990 lot 14. £400 600

‡ 454

Kenneth Rowntree (1915 1997)

a pottery platter, dated 1983, oval, painted with a simple band of circle and dash motif in white and black, printed factory mark, painted Kenneth Rowntree and dated 1983 40cm. wide. £200 300

‡ 455 Dylan Bowen (born 1967) an earthenware vase with applied handles, cylindrical form with irregular incised decoration, glazed yellow, cream and brown, painted D Bowen, 21.5cm. high £80 120

‡ 456 John Hoyland (1934 2011) ceramic platter, 1984 made in Todi, Italy, painted with abstract design in colours, signed JH Todi, 84, 1269, paper label Exch 7, hairline crack to rim 42.5cm. diam.

Provenance Oxford Gallery, 1987, purchased by the vendor. £500 800

‡ 457

Paul Soldner (1921 2011) a stoneware vase, slightly leaning and with flaring rim, painted with brushed black abstract design over pink burnished ground with white, impressed seal mark, 44cm. high

£200 400

‡ 458 Paul Soldner (1921 2011) a stoneware vase, slightly leaning and with flaring rim, painted with brushed black abstract design over white burnished ground with pink, impressed seal mark, paper label PS16 45cm. high £200 400

‡ 459

Colin Gorry (born 1952) tall stoneware vessel, slender with ovoid body and tall cylindrical neck and flaring split rim, covered in a white volcanic glaze, impressed seal mark, painted A94, 89cm. high

Provenance Private collection. £300 500

‡ 460

Angus Suttie (1946 1993) storage jar AS7, 1985 earthenware abstracted jar and cover form, painted signed Angus Suttie dated 1985 to base 33.5cm. high

Provenance Craft Shop, Victoria & Albert Museum, purchased by the vendor December 1985.

£400 600

‡ 461

Fiona Salazar (born 1949) earthenware vase with burnished decoration with applied slip decoration, signed Fiona Salazar, 25cm. high

Provenance

Contemporary Ceramics, Bonhams 27th February 1989, lot 218. Private collection.

Literature Victoria & Albert Museum, C.44 1985, for a comparable example bought from British Crafts Council. £300 500

462

‡ 462 Suzanne Bergne (born 1939) flaring conical bowl, porcelain with painted and poured decoration, in pink and mushroom on a white ground to interior and exterior, impressed seal mark, 21cm. high

Provenance Amalgam Gallery Private collection.

£150 200

‡ 463

Mo Jupp (1938 2012) porcelain plaque, framed signed and numbered 2/20 9 x 5cm.

Provenance Hot Off The Press, 1996

£100 200

‡ 464

Mo Jupp (1938 2012) Helmet form, stoneware on metal and stoneware base incised marks, paper no.2 label 15.5cm. high

Provenance Purchased from the Ashmolean Museum when Mo Jupp held a masterclass.

£150 200

‡ 465 Mo Jupp (1938 2012) standing figure a hand built figure glazed white, on wooden base, 51cm. high

Provenance Maltby Gallery, Winchester. £1,000 1,500

‡ 466 Colin Pearson (1923 2007) an early stoneware vase, shouldered form, covered in a dark chestnut brown and blue glaze, and two other early vases by Colin Pearson, impressed seal marks, 31cm. high (3) £200 300

‡ 467 Glyn Hugo (born 1934) a stoneware vase, tapering form with wide flaring rim, glazed matt black with bronze bands, and five other studio pots incised signature, 18cm. high (6)

£120 180

‡ 468 Sandy Brown (born 1946) a large teapot and cover, ovoid with incised and painted decoration, incised Sandy Brown signature 23cm. high (2)

£150 200

‡ 469 Paul Jackson (born 1954) a jug and mug dated 1999, each painted with a naked woman, in colours painted signature and date to mug 23.5cm. high (jug), (2) £120 180

‡ 470 Gordon Cooke (born 1949) twin handled vase porcelain, slender form with scrolling handles, glazed with textured blue bands, and another porcelain solifleur vase by Gordon Cooke impressed seal mark to twin-handled vase, 33cm. high, (2)

£150 200

‡ 471 John Kershaw (born 1940) a stoneware vase with twin handles, applied decorative band, glazed with volcanic cream glazed with green and pink splashes, and two other vases by John Kershaw, applied label, 29.5cm. high, (3) £120 180

‡ 472 Roger Cockram (born 1947) Salmon Run stoneware vase and cover, modelled and incised with a fish swimming in a stream, the cover with a fish finial incised signature, impressed seal marks, 38cm. high (2) £150 200

‡ 473

Jack Doherty (born 1948)

a flaring conical porcelain bowl, with impressed comb design, covered in a soda vapour glaze, impressed seal mark, 23.5cm. diam. 13cm. high £150 250

‡ 474

Jack Doherty (born 1948)

a swollen jug, trailed incised design covered in a soda vapour glaze impressed seal mark 27cm. high £150 250

‡ 475

Jack Doherty (born 1948)

a tall soda fired porcelain vase, 2017 cylindrical form on flaring foot, covered in a burnished blue glaze impressed seal mark, applied paper label no.3 70cm. high

Catalogue notes This vase was made as part of an installation group for an exhibition at Newlyn Art Gallery in 2017. £200 300

‡ 476 Mary Rich (1940 2022) solifleur vase a tall porcelain solifleur vase, shouldered form, decorated with gilt bands over blue, impressed seal mark 20cm. high £120 180

‡ 477

Mary Rich (1940 2022) a porcelain bottle vase, shouldered form with flaring neck, covered with black, tan and pale turquoise bands, a teapot and cover, a box and cover and eleven other miniature vases all by Mary Rich impressed seal mark, re-stuck rim to one vase 14.5cm. high (16)

Provenance Salcombe Gallery Private collection. £300 500

‡ 478

Mary Rich (1940 2022)

a porcelain vase, swollen, shouldered form with flaring rim, painted with blue and brown bands, two teapots and covers, two boxes and covers, a small vase and eight miniature vases all by Mary Rich impressed seal mark, 9.2cm. high (18)

Provenance Salcombe Gallery Private collection. £300 500

480

481

‡ 479

Lisa Hammond MBE (born 1956)

a stoneware unomi, footed, irregular form, covered to the foot with a tan and ash soda glaze, a teapot by Marek Liska, with three interchangeable covers, a vase with two arms by Marek Liska, a vase by Barry Steadman, and a vase by Vera Tollow and four other pieces, impressed seal mark 8.5cm. high, (12)

Provenance

Rising Stars 2019, New Ashgate Gallery, purchased by the vendor (Marek Liska).

£150 200

‡ 480

Joanna Constantinidis (1927 2000) cylindrical vase, elliptical form with burnished surface and fine brushed line design, impressed seal mark, 13.5cm. high £300 400

‡ 481

Joanna Constantinidis (1927 2000) stoneware box and cover, domed chest like form, covered in an ash glaze, impressed seal mark, 10cm. wide (2)

£150 200

‡ 482

Dan Kelly (born 1953)

a large squeezed vessel with cut sides, elliptical form, painted with blue and white panels dissected with yellow lines, over grey slip unsigned 50cm. high £300 500

‡ 483

Angelika & Gerd Panten

a tall crystalline glaze porcelain vase, tapering cylindrical form, covered in a purple crystalline glaze, signed with monogram 49.5cm. high

Provenance

The Maltings, Farnham. Private collection. £120 180

484

‡ 484

Kate Malone MBE (born 1959)

Baby Bud Alice Topiary Vase, (KM1854), 2016 crystalline glazed stoneware and porcelain, incised signature and date 9.5cm. high

Provenance Adrian Sassoon. Private collection. £500 1,000

‡ 485

James Campbell (1942 2019)

a large earthenware footed bowl, painted and incised with a fish to the well, in shades of blue and pink on a translucent white ground, incised Campbell 94-93 42cm diam, 13cm. high

Provenance Private collection, £300 500

‡ 486

James Campbell (1942 2019)

an earthenware Slim Jim jug, angled form, painted and incised with a Scottish coastal scene of a castle in the distance, a large black bird in the foreground, in colours on a cream ground, incised Campbell 98-81 32cm. high

Provenance Alphahouse Gallery, Sherborne 2000. £200 300

487

‡ 487

Ewen Henderson (1934 2000) stoneware sculpture with applied slips, unsigned, losses and repairs, 34cm wide 27cm. high Provenance Purchased from the artist directly £200 300

‡ 488 Ewen Henderson (1934 2000) standing, twisted form, a stoneware vase with applied laminate clay slip, unsigned 15.5cm. high £300 500

‡ 489 Ewen Henderson (1934 2000) a stoneware bowl, with brushed and applied pink and white slips, unsigned, 25cm. wide Provenance Beaux Arts, Bath, purchased in 1981 by the vendor’s family. £300 500

‡ 490 Gordon Baldwin (born 1932)

Bowl with apples, the footed bowl with one apple attached, glazed white, with a loose apple glazed green unsigned 23.5cm. diam.

Provenance Purchased from the artist directly £300 500

‡ 491 Gordon Baldwin (born 1932) Vessel, 1978 blue and purple metallic glaze over white incised GB and 78 30cm. high Provenance Purchased from the artist directly £400 600

‡ 492 Gordon Baldwin (born 1932)

Vessel, 1975 covered in a white glaze incised GB and 75, small flat nick to rim, 24cm. high £300 500

‡ 493 Gordon Baldwin (born 1932)

Vessel angled tube and flanges, painted unsigned, repair to one flange 36.5cm. high

Provenance Purchased from the artist directly £300 500

‡ 494 Gordon Baldwin (born 1932)

Leaning Vessel, 2001 earthenware glazed black, incised GB, 2001, paper label 10/8 63cm. high

Provenance Purchased from the artist directly Private collection. £1,000 2,000

‡ 495

John Ward (born 1938)

Tulip vase

hand built stoneware vase with black and white panels, impressed seal mark, 27cm. high

Provenance Amalgam Gallery, 1995 Private collection £5,000 8,000

‡ 496

John Ward (born 1938)

ovoid vase with angled rim, hand built stoneware, off­white with blue/green stripes, impressed seal mark, 17.5cm. high Provenance Private collection Literature Emma Crichton Miller, The Pottery of John Ward, Lund Humphries, page 54 55 for comparable examples. £3,000 5,000

‡ 497

John Ward (born 1938)

a hand built stoneware vase, ovoid with cut rim, matt white with fawn, impressed seal mark, 19.5cm. high Provenance Beaux Arts, Bath, purchased by the vendor’s family in 1981. £1,500 2,000

497

‡ 499

Edmund de Waal (born 1964)

a coffee can and saucer, cylindrical with impressed decoration, covered in a pale blue celadon, impressed seal mark to can 7cm. high (2)

£200 300

‡ 500

Edmund de Waal (born 1964)

a porcelain teapot and cover, cylindrical with torn rim, covered in a pale blue celadon glaze, with twisted wire handle, impressed seal mark, 10.5cm. high (teapot), (2)

Provenance Art in Action, purchased by the vendor from Edmund de Waal directly. Private collection.

£1,500 2,000

499 500

Cooper OBE

‡ 502

Emmanuel Cooper OBE (1938 2012)

a flaring conical bowl, covered in a yellow glaze with golden splashes, impressed seal mark, 12cm. high

Provenance

The Fine Art Society, 2003. Private collection. £400 600

502

‡ 503

Emmanuel Cooper OBE (1938 2012)

a porcelain footed vase, covered in a matt duck egg blue glaze, the rim with band of running manganese, impressed seal marks to foot rim, 12cm. high 14cm diam.

Provenance

Beaux Arts Bath, purchased by the vendor’s family in 1981.

£500 1,000

503

‡ 508

Takeshi Yasuda (born 1943) a dish on five feet, covered in a Sancai glaze unsigned 32.5cm. diam. 6.5cm. high £300 500

‡ 509

Takeshi Yasuda (born 1943) a stoneware pedestal on three feet, covered in a Sansai glaze, signed to paper label, 18cm. high, 23cm diam. £300 500

‡ 510

Takeshi Yasuda (born 1943) a small stoneware dish with applied handle, covered in an ash glaze with hakeme splashes impressed seal mark to handle, small chip to handle edge 20cm. wide £120 180

511

512

‡ 511

Aki Moriuchi (born 1947) a stoneware vase, shouldered form with flaring rim, covered in a volcanic white and grey glaze running to the foot, impressed seal mark, 16cm. high £150 200

‡ 512 Kyra Cane (born 1962) stoneware vase with handle, incised and impressed decoration, covered in a soda glaze incised Kyra 22.5cm. high £120 180

513

Ian Morrison (born 1985) a very large Knighton Mill Pottery stoneware jar, thrown in three parts, covered in a silver grey ash glaze, signed to the base and impressed seal mark, 72cm. high

Catalogue notes One off signed piece fired in 2019 £600 1,000

515

‡ 514

Akiko Hirai (born 1970)

a large stoneware charger, covered in a splitting celadon glaze with spots and pink blush painted monogram 40cm. diam. £500 800

‡ 515

Akiko Hirai (born 1970)

a stoneware blue drop vase, slender, footed form with flaring neck, covered in a pale grey glaze with ash running motif, painted monogram 24.5cm. high £300 400

‡ 516

Akiko Hirai (born 1970)

a large stoneware Crackle plate, with brushed band and translucent speckled glaze, incised monogram 32.5cm. diam. £200 300

‡ 517

Akiko Hirai (born 1970)

a stoneware dry Kohiki flower mug, cylindrical with textured surface, glazed blue/grey, painted monogram 9cm. high £120 180

‡ 518

Akiko Hirai (born 1970)

a stoneware bowl, covered in a pitted off white glaze indistinct incised monogram 18.5cm. diam. Provenance

New Ashgate Gallery, Farnham £150 200

‡ 519

Akiko Hirai (born 1970)

a stoneware bowl with yellow splash, covered in a matt pale grey glaze, brushed with yellow, the interior glazed grey, painted monogram 12cm. diam. Provenance New Ashgate Gallery, Farnham. £200 300

DESIGN

525

GLASS

524

An Italian glass miniature hen, internally set with three glass beads, three other glass animals, six glass vases in the manner of Paolo Martinuzzi and ten glass miniature corked bottles each set with mineral sample, unsigned, 5.5cm. high (20)

£200 400 525

An Italian glass vase in the manner of Venini or Paolo Martinuzzi, shouldered square section with textured surface, another similar and seven other miniature glass vases unsigned, 11.5cm. high (9)

£200 400

526

A Venini miniature glass vase in the manner of Carlo Scarpa, bottle green glass with applied orange glass rim, and another similar etched Venini Italia to base of both, 8.2cm. high (2)

£120 180

527

A Venini glass bottle and stopper designed by Fulvio Bianconi, emerald green glass with three lemon green bands, the stopper a lemon yellow glass sphere, faint circular Venini mark, 41cm. high, (2)

Literature

Venini Catalogue Raisonne 1921-1986, Skira, page 296 plate 37 for a page from the Catalogue Verde (1969), this design illustrated.

£200 300

528

An etched glass vase by Paolo Martinuzzi, shouldered, rectangular clear glass, etched with stylised figures, etched Martinuzzi Paolo to side, 17cm. wide

£500 800 529

An etched glass cylindrical vase by Paolo Martinuzzi, shouldered form, etched with faces, etched Martinuzzi Paolo to base, 22cm. high

£300 500 530

An etched glass vase by Paolo Martinuzzi, shouldered cylindrical form, etched with circles and line geometric band, another taller cylindrical vase etched with Greek key column by Martinuzzi and a bowl etched Martinuzzi Paolo, 14cm. high (tallest vase), (3)

£200 400 531

An etched glass vase by Paolo Martinuzzi, rectangular section, etched with simple geometric design, and a bowl etched with figures by Paolo Martinuzzi, etched Martinuzzi Paolo to base, 11.2cm. high (2)

Literature

Gian Paolo Martinuzzi Venedig, 1975, for a comparable vase.

£300 500

533

532

A set of four Tiffany Studios Favrile glass shades, each flaring, fluted form with moulded trellis decoration in low relief, covered in golden lustre, a similar Tiffany Favrile glass shade covered in a green lustre shade, and two candle lights, acid etched LCT mark, minor rim frits, 9cm. high, 17.8cm. wide (7) £800 1,200

533

An Art Deco Delatte metal mounted glass vase by Andre Delatte, mottled orange glass with silver aventurine inclusions, acid etched Delatte mark to shoulder, 14cm. high £150 200

CERAMICS

534

An Art Nouveau stoneware ewer by Alexis Boissonnet, cylindrical form, cast in relief with a mask below the handle, covered in a yellow graduated to green crystalline glaze, incised AB to base, 23cm. high Provenance Arts Decoratifs, Styles 1900 et 1925, Sotheby’s Monaco 18th November 1978, lot 132. Private collection. £300 500

535

A miniature stoneware vase by Auguste Delaherche, shouldered form, covered in a brown glaze, and three other miniature vases, incised DALH 74, 3cm. high (4) £300 400

536

An Art Nouveau Haviland & Co stoneware bowl probably designed by Ernest Chaplet, model no.202, shouldered form, modelled in low relief and incised with a bird perched amongst scrolling, fruiting vine, enamelled in colours on a brown ground, highlighted in gilt impressed factory mark, incised BGR, 28cm. diam.

£300 500

537

A Taxile Doat pate de verre plaque, oval, painted with a maiden with diaphanous scarf, signed TD monogram, impressed $ to reverse, 22cm. long

£500 1,000

538

An Art Nouveau pottery Peacock dish, cast in relief, glazed in matt colours, and a cylindrical pottery vase enamelled with fleur de lys panels, an Art Nouveau Limoges Elite works plate by Lise, and a Dresden plate factory marks, chips, 27.5cm. wide. (4)

£150 200

539

Two Baccarat clear glass frog paperweights, each modelled seated, another similar glass frog by Wedgwood, a clear and frosted glass frog by AP, a Japanese pottery frog creature, and eight other frogs, acid-etched mark,11cm wide (Baccarat), (13)

£200 400

540

An Art Nouveau Amphora Pottery jug, model no.8860, moulded in relief with water lily flowers and pad leaves, one curled leaf forming the handle and rim, glazed gold on a mottled green blue ground, impressed factory mark, 32cm. high

£150 250

541

A pair of Fornasetti Oggetti Caccia plates designed by Piero Fornasetti, printed in colours with a still life of hunting items, printed factory marks, 26cm. diam. (2) £150 200

544

FURNITURE & METALWARE

542

A small archive of Memphis Milano design catalogue posters and ephemera, comprising; two Memphis 1981 Furniture Milano posters, another undated poster, 1982 catalogue and poster, Memphis Furniture Milano, 1983 catalogue, Memphis Furniture Milano 1983 poster, Memphis Furniture Milano 1984 large poster, Memphis Milano in London catalogue, Memphis Design 1986 flyer, Whatever Happened to Good Design leaflet, flyer, six postcards, (a lot)

Provenance Private collection. £200 300

543

A Magis Tam Tam stool designed by Matteo Thun, grey moulded polyethylene, cast marks to base, 34cm. high, 54cm wide

Provenance Tom Watkins Collection £80 120

544

A John Makepeace Furniture occasional table, white painted wood frame with square glass top, 35cm. high 63.5cm square (2) £150 250 545

A large contemporary burr walnut and beech table, oval base with twelve birch cylindrical legs, supporting large oval top with burr walnut veneer bands, unsigned 124 X 300cm (top), 72cm. high, (2) £200 400

546

A large Morton Sundour woven wool gauze textile panel designed by Gavin Morton, woven with flag iris in purple, inter spaced with yellow and pink wild flowers with Art Nouveau linear foliage, repeat design, in pastel colours, framed and mounted 153 x 120cm (panel)

168.5 x 136cm (frame)

Provenance

Kerry Taylor Auctions,4th December 2012 lot 54

Private collection

Catalogue notes

This semi transparent curtain fabric was woven by the firm of Morton Sundour, an offshoot of Alexander Morton & Co. The parent company was established in Scotland in 1867 under the direction of James Morton (1867 1943) the firm that supplied Liberty’s and other leading stores with gauzes, textiles and carpets. It included amongst its designers Charles Francis Annesley Voysey, the Silver Studio and Mackay Hugh Baillie Scott. Gavin Morton (1867 1954) was the nephew of Alexander Morton and cousin of James who became chief designer for the firm. This panel was woven for the drawing room of his own house in Carlisle

£400 600

547

An Aesthetic Movement bedside cabinet, rectangular section, the hinged, panelled door with carved bird diamond shaped panel, brass furniture 86cm. high, 50cm wide.

Provenance

Paul Reeves Private collection.

£200 300

548

An Arts and Crafts wooden bookshelf, set with patinated metal plaques of Art Nouveau figures, with thirty eight volumes by William Shakespeare, published by J M Dent, dated 1895, (39)

£150 250

549

A mahogany hall chair probably William Birch, swollen turned back supports with carved bun finial, the central splat with carved heart aperture, tapering square back legs, the front tapering with chamfered edges, upholstered seat, unsigned, 109.5cm. high

£120 180

550

550 Olive Charbutt The Winged Steeds of Time, 1914 plaster with sepia highlights, framed incised signature, cast title, 91 x 41cm. Provenance Paul Reeves Private collection £300 500

551

Giovanni Schoeman (1940 1980) Ethne painted bronze bust of an Art Nouveau maiden signed and titled to the bronze base 11.5cm. high £120 180 552

Andre Vincent Becquerel (1893 1981) Stallion rearing, silvered bronze sculpture on green bakelite drum base signed in the cast Becquerel 23.5cm. high £200 400

553

An articulated bronze model of a cobra, probably Italian, unsigned 51cm. wide £150 200

554

A large Art Deco silvered metal compact by CH, circular, the cover cast in low relief with a pair of deer running through stylised flowers and foliage, signed in the cast CH, 15cm. diam. £200 300

555

A large patinated copper hall lantern, tapering square section with lover light, overhanging mantle and tapering top, with bands of heart aperture and inverted hearts to the top, frosted glass panels, unsigned, 49cm. high, 34cm square (top)

£120 180

556

A Keswick School of Industrial Arts brass charger, the well stamped and hammered with a longboat sailing on a rough sea, the rim with a frieze of stylised flower stems, unsigned, 57cm. diam.

Provenance Private collection. £300 500

557

A Handel patinated metal lamp base, the flaring square section base cast in low relief with scrolling ribbon panels, cylindrical stem with three light fittings, cast marks to base, 56cm. high

£150 200

558

A Riviere Studios New York patinated metal and glass letter rack, rectangular with three panels, each pierced and cast with stylised foliage, green and white marbled glass panels, on ball feet, an S&F silver mounted horn cigar cutter, an Ildfast patinated bronze plate and two silver card cases, stamped marks, damages 18.5cm. wide (5)

£150 200

559

A Limoges enamel vase by Charles Peltant, slender, shouldered form enamelled with Art Nouveau flower stems in shades of purple and green on a mottled yellow ground, highlighted in gilt, painted signature ch. Peltant Limoges, 20.5cm. high

Provenance Arts Decoratifs, Styles 1900 et 1925, Sotheby’s Monaco 18th November 1978, lot 165. Private collection. £500 1,000

560

561

560

An Elkintgton & Co electroplated cruet designed by Dr Christopher Dresser, with central T bar handle, comprising tray, glass salt liner, pepper pot and mustard pot and cover, another Walker & Hall cruet and an Aesthetic Movement pot and cover, stamped marks, 12.5cm. high (3)

£150 200

561

A Hukin and Heath electroplated sugar basin and shovel designed by Dr Christopher Dresser, model no.2299, with ebonised wood bar handle, engraved aesthetic bamboo design, and an Elkington & Co cruet stand, stamped marks, 16.5cm, wide (3)

£120 180

562

A Liberty & Co silver footed bowl designed by Archibald Knox, model 2250, circular section, with band of cast Art Nouveau roundels, stamped Marks, Birmingham 1907, no.2250-703, some enamel remains, 13.8cm. diam, 10.8cm. high

£300 500

563

A pair of silver and enamel photograph frames, on wooden easel backs, each stamped in low relief with flowers on scrolling Art Nouveau stems, enamelled in blue and green stamped marks, D&D Birmingham 1903, 20cm. high, 15cm wide (2)

£300 500

564

A silver and enamel brooch the design attributed to the Guild of Handicraft, rectangular form with scrolling foliate panels to each end, set with rectangular green and blue panel, unmarked, 3.5cm. wide.

Provenance

A private collection of Guild of Handicraft silver and jewellery.

£300 500

565

A Guild of Handicraft silver and amethyst pendant necklace, pierced and chased with a briar rose inside scroll border, set with central amethyst above amethyst drop, unsigned, 6.5cm. long

Literature

Elyse Zorn Karlin Jewellery & Metalwork in the Arts and Crafts Tradition, Schiffer, page 40 this exact piece illustrated.

Provenance

Tadema Gallery. A private collection of Guild of Handicraft silver and jewellery.

£400 600

566

A Liberty & Co Cymric silver belt buckle designed by Oliver Baker, cast scrolling foliate form with hammered finish, set with three turquoise matrix stones, stamped marks, L & Co, Cymric Birmingham 1900, 9cm. wide.

Literature

Victor Arwas Art Nouveau in Britain From Mackintosh to Liberty, Papadakis, page 96 this example illustrated.

Alan Crawford By Hammer and Hand The Arts and Crafts Movement in Birmingham, Birmingham Museums, 1984, page 111 plate 90 for a comparable example.

Provenance

Victor Arwas

The Art Nouveau Buckle with Arts and Crafts Christie’s South Kensington, 27th November 2007 lot 109 (part).

A private collection of Guild of Handicraft silver and jewellery.

£250 350

565

567

A Liberty & Co Cymric silver belt buckle designed by Oliver Baker, cast scrolling foliate form with hammered finish, set with four turquoise matrix cabochon, stamped marks, L & Co, Birmingham 1906, 10.5cm. wide.

Literature

Victor Arwas Art Nouveau in Britain From Mackintosh to Liberty, Papadakis, page 96 for a comparable example illustrated.

Alan Crawford By Hammer and Hand The Arts and Crafts Movement in Birmingham, Birmingham Museums, 1984, page 111 plate 90 for a comparable example.

Provenance

Victor Arwas

The Art Nouveau Buckle with Arts and Crafts Christie’s South Kensington, 27th November 2007 lot 109 (part).

A private collection of Guild of Handicrafts silver and jewellery. £250 350

567

568

A rare Liberty & Co silver and enamel pendant locket designed by Archibald Knox, shield shape, cast in low relief with Celtic knot motif, enamelled in shades of green and blue, unsigned, 5cm. tall

Literature

Jewellery Woolley and Wallis, 19th July 2012, lot for a comparable example made by John Baker Bennett, illustrated in a Liberty Sketch book. £300 500

EXHIBITION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9am – 5.30pm

Castle Gate Offices

Monday to Friday 9am – 5.30pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk

You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card holder is not present.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30 97 41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Credit cards: Visa, Mastercard or Amex

Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla en/imports exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000 3%€50,000.01 200,000 1%€200,000.01 350,000 0.5%€350,000.01 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 200,000 1% €200,000.01 350,000 0.5% €350,000.01 500,000 0.25% In excess of €500,000

Up to a maximum levy of €10,000

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51 61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleyandwallis.co.uk

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the saleroom.com) of individuals who register for one of our auctions (please see the saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the saleroom.com’s payment provider);

• sage paywho process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500

PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

BRITISH ART POTTERY & DESIGN

30TH NOVEMBER & 1ST DECEMBER 2022

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode Daytime telephone

Email

ID may be required even if you have bid with us before.

Lot

Signature

Salisbury

Tel:

1722

Fax:

VAT

1722

AUCTION

NOVEMBER

15th

DECEMBER

1st

JANUARY

18th & 19th Furniture Works of Art & Clocks

& 25th Silver & Objects of Vertu

Adornment: The Romy Rey Collection

FEBRUARY

2nd Fine Jewellery

Fine Pottery & Porcelain

Arts of Africa, Oceania and the Americas