ENGLISH & EUROPEAN CERAMICS & GLASS WEDNESDAY 17TH JUNE 2020
SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below
ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison
VALUATIONS FOR INSURANCE & PROBATE 424507 446964
Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV Amanda Lawrence (PA)
424505 446955
MARKETING
424598 424509 424509
20TH CENTURY DESIGN Michael Jeffery Zoe Smith
Sally Trench Megan Corbett
446959 446960
ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah LopezFerreiro
424506 +44 (0)7812 601098 424571 424591
CHINESE PAINTINGS & CALLIGRAPHY Freya YuanRichards Amber Lees
424589 424571
ACCOUNTS Janice Clift (Office Manager)
GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie
FURNITURE, WORKS OF ART & CLOCKS Mark YuanRichards Jim Gale Suzy Becsy
411854 339161 446974
CASTLE GATE RECEPTION Sally Litherland
BOARD OF DIRECTORS JAPANESE ART Alexandra Aguilar Sarah LopezFerreiro
424583 424591
Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA
424595 424504 424586
341469 446980
PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon
446961 446962 446970
SILVER Rupert Slingsby Lucy Chalmers
424501 424594
TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS
Paul Viney ASFAV NonExecutive Director
ASSOCIATE DIRECTORS
MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey
John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director
JEWELLERY
339752 446980
424500
Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark YuanRichards
424500
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ENGLISH & EUROPEAN CERAMICS & GLASS WEDNESDAY 17TH JUNE 2020 10.00AM at our Castle Street Salerooms, SP1 3SU Clare Durham 01722 424507 cd@woolleyandwallis.co.uk VIEWING In accordance with government guidelines, viewing will be by prior appointment only between Friday 12th and Tuesday 16th June. Please contact the department to make an appointment.
Hollie Morrison 01722 446964 hm@woolleyandwallis.co.uk
There will be no viewing available on the morning of the sale.
BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT.
LIVE ONLINE BIDDING – FREE OF CHARGE
LIVE
TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 16th June.
bid.woolleyandwallis.co.uk Please register by 3pm on Tuesday 16th June
CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults. COLLECTION OF LOTS Please note that all lots will be cleared from our Castle Street saleroom to our Castle Gate office on Monday 22nd June. Please note lots will not be available for collection on Saturdays. If you are collecting items on or after this date please contact the department on 01722 424507. All accounts to be settled prior to collection.
Instagram: @woolleyandwallissalerooms @woolleyandwallisceramics Facebook: @woolleyandwallis Twitter: @woolleywallis Pinterest: Woolley and Wallis
Payment is still made at Castle Street. Our Castle Gate address details and map are at the back of this catalogue.
ILLUSTRATIONS Front cover: Lot 39 Back cover: Lot 447 Catalogue £12.00 (£15.00 by post) 1
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A ratafia glass, c.175560, the slender drawn bowl with a band of vertical moulded flutes, raised on a double series opaque twist stem above a conical foot, 19.3cm. £250350 Provenance; from a private collection. Purchased from Sotheby’s, May 1978, lot 60.
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A wine glass, c.175060, the bellshaped bowl raised on an airtwist stem above a folded foot, 17.2cm. £100200
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A toasting glass or flute, c.176070, the slender drawn trumpet bowl raised on a double series opaque twist stem above a conical foot, 18.8cm. £200300
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A wine glass, c.176065, the ogee bowl moulded with a honeycomb design to the base, raised on a double series airtwist stem above a conical foot, 15cm. £250350 Provenance: from a private collection. Purchased from Sotheby’s, May 1978, lot 79.
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A wine glass, c.1760, with an ogee bowl raised on an opaque twist stem with central knop above a conical foot, 15cm. £100200 Provenance: from a private collection.
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A baluster wine glass, c.1740, with a bell bowl raised on a baluster stem with a large knop enclosing a tear over a conical foot, 16.5cm. £150250
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A wine glass, c.176070, with a rounded funnel bowl raised on an airtwist stem knopped at the shoulder and base, above a conical foot, 17.5cm. £150250
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A ratafia glass, c.175060, with a slender drawn trumpet bowl engraved with a continuous band of flowers, raised on a plain stem above a folded foot, 18.6cm. £200300
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9 Four Continental wine glasses, 18th century, one with a rounded funnel bowl raised on a sixsided Silesian stem on a folded foot, two with drawn trumpet bowls above an opaque twist stem and a knopped stem enclosing a tear, the last with a bell bowl on a plain stem, 19.2cm max. (4) £100200
10 A dwarf ale glass, c.1770, with a flared wrythen moulded bowl raised on a short knopped stem and conical foot, a lacemaker’s lamp holder with a flattened globular bowl raised on an incised twist stem, and a glass eyebath with an incurved bowl above a double knopped plain stem, 10.4cm max. (3) £100200 Provenance: from a private collection. The lamp holder and eyebath each purchased from Howard Phillips.
11 Four wine glasses, c.176070, two with rounded funnel bowls raised on multiseries opaque twist stems, one with a bell bowl over a dense airtwist stem, the last a drawn trumpet bowl on an airtwist stem, and two dram glasses with rounded bowls moulded with vertical ribs and running to an incised twist stem, 16.3cm max. (6) £400600
12 Four English wine glasses, c.175070, two with bell bowls above opaque twist stems, one with a shoulder and central knop, another with a drawn trumpet bowl above a plain stem and folded foot, the last engraved with a bird in flight and a flower spray above a faceted stem, and a Dutch wine glass engraved with a stag above a multiple knopped stem and folded foot, 17.8cm max. (5) £100150
13 A large ceremonial glass or goblet, 19th century, the rounded bowl engraved with the initials EAA within floral swags, raised on a faceted stem, a Coronation coin glass for George V, engraved with a Jacobite rose spray, and two Coronation coin glasses for George VI, each enclosing a small coin in a hollow knop, 26.5cm max. (4) £200300
14 Three rummers, late 18th/19th century, one cut with a continuous design above a faceted bowl base and short knopped stem, one on a lemon squeezer foot, and a tall ale glass engraved with hops and barley, 26cm max. (4) £100200
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15 A coloured twist wine glass, c.1760, with a bell bowl raised on a stem enclosing blue, red, green and white threads encircling a gauze core above a conical foot, a 2mm chip to the edge of the foot, 16.2cm. £450600 Provenance: Hickson Collection, Sotheby’s, February 1979, lot 142.
16 A massive ceremonial glass or goblet, mid 18th century, the drawn trumpet bowl probably later engraved in the Jacobite manner with a rose spray, oak leaf, star and FIAT, raised on a moulded spiral twist stem, 30.5cm. £200300
17 A cordial glass, c.174050, the small rounded funnel bowl engraved with a large sunflower, raised on a plain stem above a domed foot, 17cm. £150250 Paper label for the James Hall Collection.
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A wine glass, c.1760, with a generous rounded funnel bowl engraved with a continuous band of flowers, raised on a dense airtwist stem above a high domed foot, 16cm. £150250
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A gin glass and a wine glass, c.176070, each with a drawn trumpet bowl above a plain stem, the wine glass stem enclosing a single tear, both above conical feet, 16.8cm max. (2) £250350 Provenance: from a private collection. The gin glass purchased from Howard Phillips.
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A large wine glass or goblet, c.1760, with a generous rounded funnel bowl raised on a knopped dense airtwist stem above a folded helmet foot, 18.5cm. £300500
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A small Lynn wine glass, c.1760, the rounded funnel bowl moulded with horizontal ribs and raised on a double series opaque twist stem, 12.4cm. £100200
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22 A small wine or dram glass, c.175060, with a drawn trumpet bowl rising from a thick airtwist stem, 10.5cm. £100200
23 A firing or dram glass, c.1760, with a rounded funnel bowl raised on a double series opaque twist stem above a thick foot, 10cm. £150250 Provenance: from a private collection. Purchased from Howard Phillips.
24 Two wine glasses, c.1760, one with an ogee bowl above a knopped opaque twist stem, the other with a rounded funnel bowl over a double series opaque twist stem, and a deceptive glass with a flared bowl above a short knopped stem, 14.8cm max. (3) £100200
25 A large Irish cut glass footed bowl, 19th century, of ogee form, cut with a narrow diamond band above wide lappets, raised on a short knopped stem above a stepped square foot, 23.5cm high. £100200 Provenance: the Property of a Noblewoman.
26 Six English sealed wine bottles, late 18th/19th century, two applied with varying seals inscribed ‘Coll Eman’, two with the letters ‘ASCR’ for All Souls’ Common Room, one with the crest for George, 3rd Baron Edgcumbe beneath a viscount’s coronet, the last with the Wyndham crest above the initials WW, 29.3cm max. (6) £250350 The seat of the Edgcumbe family was Cotehele House in Cornwall. William Wyndham resided at Philipps House in Dinton, near Salisbury. Both properties are now in the ownership of the National Trust. The two ‘Coll Eman’ bottles formerly from the Winkworth Collection.
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27 An English wine bottle, c.166070, of shaft and globe type, the tapering neck with a significant lean, topped with a wide string rim, with shallow kickin base, the surface degraded, 20.5cm. £1,2001,500
28 A Union decanter, c.1820, the tall pinchedwaist form of a pale green metal, inscribed in gilt relief to each side with four lines of a verse featuring John Bull, Paddy, Taffy and Sawney, the shoulders with flowers, and a Dutch decanter engraved with windmills, ships and grapes between pinched trailed decoration, with an associated Rum stopper, 31cm max. (3) £200300
29 A pair of black glass enamelled vases, 2nd half 19th century, of flattened baluster form, painted with sparrows perched on spindly branches above plants and fungi, each reverse with a single flower spray, the feet and necks with narrow gilt bands with raised white dots, a little gilt wear, 25.5cm. (2) £150200
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30 Ten Bohemian glass goblets, late 19th/20th century, possibly Moser, the rounded bowls flashed and cut with rectangular panels of pale cranberry between delicate gilt tendrils, raised on faceted stems above basal knops and scalloped feet, and six tumblers, with a chased gilt metal band, 14.3cm max. (16) £300500
31 Two large cut glass vases, late 19th century, both flashed in red, one cut with a repeated star motif, the other with circles below a foliate border and band of fleurs de lys, with bronze metal mounts including dragonflies, 26.5cm max. (2) £150250
32 A pair of Bohemian opaline glass vases, 19th century, each painted with a continuous band of flowers including narcissus, convolvulus, poppy and rose, between formal gilt borders, and a large pair of blue glass candlesticks, the swollen stems painted with panels of flowers on a white ground, between giltedged facets, 27.5cm max. (4) £300500 Provenance: the Property of a Noblewoman.
33 A soda glass vase, 19th century, the amber body enamelled with a continuous scene of British naval officers standing on the hard while sailors in a barge prepare to set off, with a view of the Rock of Gibraltar beyond, 20.8cm. £100200
34 Literature: Sabine Baumgärtner ‘Porträtgläser’, The British Museum ‘Masterpieces of Glass’, Evelyn Campbell Cloak ‘Glass Paperweights’, L M Bickerton ‘An Illustrated Guide to 18th Century English Drinking Glasses’, and a number of other books and catalogues relating to glass. (28) £80120 9
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35 A large Richardson millefiori paperweight, 19th century, enclosing five concentric rows of canes in blue, red, white and turquoise around a central star motif, 8.5cm dia. £100150 36 A glass cut glass scent bottle, late 18th century, of flattened oval form, gilded probably in the London atelier of James Giles with flower sprays and a basket of flowers, inscribed ‘Gage D’amitie’, with a silvercoloured metal screw stopper, 12cm. £100200 37 An enamelled glass wine taster, 19th century, probably Russian, the squat circular form finely enamelled in the Islamic manner with formal flowerheads within shaped panels edged in blue and white, with a curved handle, 10.6cm. £200300 38 Twelve glass wine tasters, 19th and 20th centuries, most of shallow circular form, two engraved with flower panels, one gilded with continuous grapevine, five of coloured glass with loop handles, and two Swedish glass examples, signed beneath, 15.5cm max. (12) £150200 37
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EXBURY HOUSE HAMPSHIRE LOTS 39 TO 53
The following 15 lots are being sold on behalf of the Exbury House Trustees as part of a selection of contents of the house, to be sold across a number of sales in different specialisms. Exbury House was purchased by Lionel de Rothschild in 1919 and has remained in the family ever since. The spectacular 200 acre gardens, which are open to the public, have a world renowned collection of rhododendrons, azaleas, camellias and other rare shrubs and plants.
Alfred de Rothschild 18421918
Lionel de Rothschild 18821942
Edmund de Rothschild 19162009
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39 A very rare façon de Venise carafe or ewer for the Austrian market, c.156090, Italian, the body of a rich blue glass, with coldpainted gilt and wash enamel decoration including doubleheaded eagles, mythical scaly creatures and shaped panels, one containing a lion mask, the slender knopped neck rising to a narrow spout with everted rim, raised on a conical foot below a gilt knop, 20.3cm. £2,0003,000 Provenance: Alfred de Rothschild (18421918), at Halton House, Lionel de Rothschild (18821942), Edmund de Rothschild (19162009), at Exbury House, Hampshire. Cf. Klesse & Meyr, European Glass from 15001800, The Ernesto Wolf Collection, no.27 for a similar pair with more elaborate decoration from the Max Goldschmidt Collection. That pair feature a painted wax mask head at the base of each handle within a painted cartouche identical to that which encircles the handle of the carafe in this lot.
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40 A Venetian glass or winged goblet, probably 18th century, the wide shallow bowl with ‘combed’ latticino decoration, raised on a baluster stem applied with yellow and clear glass scroll handles, with a polychrome floral prunt to each side, raised on a wide folded foot, broken at the base of the stem and restuck, 12.2cm. £200300 Provenance: Lionel de Rothschild (18821942), Edmund de Rothschild (1916 2009), at Exbury House, Hampshire. Cf. Hugh Tait, The Golden Age of Venetian Glass, p.84, no.133.
41 A façon de Venise winged goblet, 17th/18th century, Venice or Low Countries, the wide shallow bowl moulded with vertical flutes, the bowl with diamondpoint engraving of repeated flower stems, the foot with a continuous leaf band, the hollow baluster stem applied with scrolled wings in turquoise and clear glass, 12.8cm. £600800 Provenance: Lionel de Rothschild (18821942), Edmund de Rothschild (1916 2009), at Exbury House, Hampshire.
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42 A façon de Venise glass flacon and cover and matching tazza, 17th/18th century, the flacon of pearshape and applied with clear glass scroll handles, the tazza moulded with radiating ribs and raised on a low folded foot, all enclosing vetro a retorti decoration in latticino caning, a small chip to one handle, 15cm max. (3) £1,0002,000 Provenance: Lionel de Rothschild (18821942), Edmund de Rothschild (19162009), at Exbury House, Hampshire. Cf. Hugh Tait, The Golden Age of Venetian Glass, p.83, no.127 for a flacon of the same shape.
43 A Venetian Chalcedony footed bowl, 17th century or later, the wide funnel bowl marbled with striations of brown, lilac and pale green, the sides applied with clear glass handles, raised on a short knopped stem and clear conical foot, a small rim section broken out and restuck, 12.5cm dia. £200300 Provenance: Lionel de Rothschild (18821942), Edmund de Rothschild (19162009), at Exbury House, Hampshire. Cf. Hugh Tait, The Golden Age of Venetian Glass, p.123, no.208 for a bowl with the same handles, which relate to a drawing sent to Venice by a London glassseller in the late 1660s.
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44 A pair of Staffordshire enamel candlesticks, c.1770, of spiral moulded form, painted in puce camaieu with sprays of flowers and small scattered sprigs, and a pair of enamel candlesticks, possibly later, painted with panels of figures and farm animals within blue scroll cartouches on a pale blue ground, all with removable drip pans, some damages and repairs, 26.5cm max. (8) £400600 Provenance: Edmund de Rothschild (19162009), at Exbury House, Hampshire.
45 A large pair of Staffordshire enamel candlesticks, c.1770, the lobed bases painted with scenes of sheep amidst trees and Classical ruins, within gilt scroll borders on a white ground, the baluster stems and detachable drip pans decorated with scattered flower sprays, some damages and repairs, 31cm. (4) £250350 Provenance: Edmund de Rothschild (19162009), at Exbury House, Hampshire. A pair of candlesticks of the same unusual form was in the Sir William Mullens Collection, Sotheby’s, 22 February 1977, lot 250. 16
46 A small pair of Staffordshire enamel candlesticks, c.1770, the hexagonal feet printed and coloured with scenes of figures on horseback and tending cattle in rural landscapes, within raised enamel scrolls on a white ground, some damages, 23.2cm. (2) £200300 Provenance: Edmund de Rothschild (19162009), at Exbury House, Hampshire.
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47 A pair of C J Mason’s Ironstone vases and covers, c.182030, finely decorated with colourful peacocks perched among the branches of flowering peony trees in gilt on a dark blue ground, the handles formed as interlocking kylins and snakes, 51.5cm. (4) £400600 Provenance: Edmund de Rothschild (19162009), at Exbury House, Hampshire.
48 A pair of large glazed stoneware ewers, 19th century, probably French, after a design by Clodion, moulded with Bacchanalian scenes beneath a large horned mythical mask, the handles formed of two entwining snakes biting the rim, all raised on low socles above square bases, 44cm. (2) £300400 Provenance: Edmund de Rothschild (19162009), at Exbury House, Hampshire.
49 A garniture of three Sèvresstyle ormolu mounted tazzae, 19th century, each formed of a reticulated bowl or basket, the rim painted with panels of birds reserved within gilt cartouches on a pink and green ground, raised on pedestal feet with a band of beading, on heavy ormolu square bases, probably lacking covers, 27.5cm high max. (3) £400600 Provenance: Edmund de Rothschild (19162009), at Exbury House, Hampshire.
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50 A pair of Continental porcelain baskets, 19th century, after Meissen, the rococo forms pierced to the sides, painted with panels of flowers and applied with flowering tendrils, raised on stalk feet, pseudo blue crossed swords marks, 32.5cm across. (2) £80120 Provenance: Edmund de Rothschild (19162009), at Exbury House, Hampshire. 50 17
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51 A set of four large Royal Worcester figures of the Seasons, c.1968, modelled by Sir Arnold Machin (191199), from a limited edition series made exclusively for Thomas Goode & Co, London, each depicting a young and scantilyclad maiden with varying attributes denoting Spring, Summer, Autumn and Winter, left in the white and mounted to the base with a gilt metal band of stiff leaves, printed marks, impressed to the reverses, 45.5cm. (4) £600800 Provenance: Edmund de Rothschild (19162009), at Exbury House, Hampshire.
52 A Spode three vase garniture, c.1820, comprising a câchepot and stand and a pair of flared spill vases, all painted with continuous bands of flowers including roses, convolvulus, and chrysanthemum, between formal gilt foliate borders and bands of white beading, the câchepot with dolphin mask handles, the stand raised on three paw feet, 15.5cm max. (4) £300500 Provenance: Edmund de Rothschild (19162009), at Exbury House, Hampshire.
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53 A pair of Flight, Barr and Barr Worcester armorial soup plates, c.182030, probably for Thomas Walmsley, the wells painted with a quartered shield above the motto ‘Semper Fidelis’, within shaped dark burgundy rims, printed and impressed factory marks, 27cm. (2) £100200 Provenance: Lionel de Rothschild (18821942), Edmund de Rothschild (1916 2009), at Exbury House, Hampshire.
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DELFT, DELFTWARE & FAÏENCE
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54 Four delftware plates, mid 18th century, one Bristol and painted with a fisherman in a typical landscape within a biancosoprabianco border, another painted in blue, green, yellow and manganese with flowering branches within a scalloped rim, one London and painted in blue with a Chinese lady beneath a gnarled tree, the last painted with a hut beside rockwork and trees, some damages, 22.5cm. (4) £100200
55 Four delftware plates, c.174060, two painted in blue with differing designs of flowering Oriental plants, two with geometric flowerhead designs, some damages, 22.8cm max. (4) £100200
The first plate with a paper label for the Warren Collection.
56 Four Bristol delftware plates, c.176070, two painted with figures in boats and fishing before buildings and a tall tree, another with a large pine tree over a pagoda landscape, the last with flowering peony sprays and bamboo by a zigzag fence, all within varying biancosoprabianco borders, 22.8cm. (4) £200300 Various paper labels for Garry Atkins, Group Captain A F Britton and Jonathan Horne. 20
57 Four Delft ‘Merry Man’ plates, late 17th century, each well inscribed in Dutch with a line from the ‘Merry Man’ rhyme, within a continuous leaf border, damages and repairs, 22.5cm. (4) £100200 Plates of this type were made in Holland for a long period, and then produced in England after 1682. The full inscription translates to ‘What is a merry man / Let him do all he can / To entertain his guests / With wine and merry jests / But if his wife doth frown / All merriment goes down’.
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58 A pair of delftware soup plates, c.1760, each painted in blue with a bird in flight above peony and rockwork, another bird perched on flowering prunus, the rims with ruyi motifs on trellis borders, 23.2cm. £100150 Cf. The Warner Collection of British Delftware, Woolley and Wallis, 17th September 2019, lot 119 for a charger in the same pattern.
59 A pair of Lambeth delftware plates, c.175060, each painted with a Chinese lady holding a fan and standing beneath curved branches, predominantly decorated in manganese with blue, green and yellow highlights, the rims with leafy panels on a trellis ground, 22.5cm. (2) £100200
60 A pair of delftware plates, c.171020, possibly London, painted in blue, green, red and manganese, each with a bird perched on branches of flowering Oriental plants, within a border of five stylized flowerhead panels reserved on a trellis ground, 22cm. (2) £150250 21
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61 A delftware plate, mid 18th century, probably Bristol, painted in blue with a standing crane or heron beside tall flowering plants, the rim with a continuous fleur de lys border, some glaze chipping, 23cm. £100150
62 A Bristol delftware plate, c.1760, of Bowen type, painted in blue with two ladies promenading in a European landscape before a house and beneath tall sponged trees, 22.7cm. £200300
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62 63 A delftware ‘Dame au Parasol’ plate, mid 18th century, painted in blue with a design after Cornelius Pronk, with an attendant holding a parasol over a Chinese figure while a European gentleman stands by, the rim with flower sprays between trellis bands, 21.8cm. £350450 Provenance: Gillingham Collection, Sotheby’s, 19th April 2000, lot 157; a private collection from Dorset. Exhibited: Oriental Ceramics Society, Blue and White Exhibition, 2003.
64 A Liverpool delftware plate, c.1760, painted in blue with a kylin seated on a square cushion before a vase containing flowering peony branches, in a shaped panel issuing further small panels reserved on a powdered blue ground, 22.5cm. £150250 63
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65 A large Delft dish, 18th century, painted in blue with a figure seated in the doorway of a low brick building, a church visible in the distance, the panelled diaper rim enclosing the date ‘1726’ and the name Marie Anne Joseph above Fresie (Friesland), some cracks, a filled rim chip, 31.7cm. £100200
66 A Delft plate, late 17th century, painted in the Kraak manner with a censer of flowering plants before an ornamental fence reserved in a lobed flowerhead within a panelled border of flower stems and auspicious objects, 21.7cm. £200300 Provenance: a private collection from Dorset. Paper label for the John A. Pope Collection, no. 260. 65
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Exhibited: Oriental Ceramics Society, Blue and White Exhibition, 2003.
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67 An English delftware plate, dated 1710, inscribed in blue with the letter Y over the initials W M above the date 1710, all within a circlet of crossed leafy branches, broken and restored, 21.8cm. £600800 Cf. Lipski & Archer, Dated English Delftware, p.70, no. 257 for a plate from the same series.
68 A London delftware bottle or vase, c.170020, painted in blue and black with a dense floral design, the tall neck with stylized leaf motifs and differing stripes, some chipping, the base drilled, 18.5cm. £120180
69 A delftware puzzle jug, c.174060, probably Liverpool, the rounded body inscribed with a four line wager to encourage the drinker, flanked by sprays of Oriental flowers, the cylindrical neck pierced with a geometric floral design edged in blue, some damages, 17cm. £500700 23
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70 Two delftware plates, c.172080, one painted in blue with boats sailing between sponged trees, the other decorated in manganese with loose flower sprays within a husk garland border and feathered rim, the first broken and restored, 23cm max. (2) £150250
71 A large delftware plate, c.1750, painted in blue with a figure in a punt and other figures in boats before buildings along the shore and beneath tall trees, some chipping, 27cm. £100200
72 Three Delft chargers, 18th century, one fluted and painted with a dense foliate design, another painted with a panelled design of stylized floral motifs, the last with a Chinese lady carrying a large furled scroll in a garden setting, 35.7cm max. (3) £150250
73 Two Bristol delftware plates, c.1760, painted in shades of yellow, blue and manganese, one with a Chinese figure walking before a pagoda, the other with two figures conversing in an island landscape, both within biancosoprabianco borders and scalloped rims, 22.8cm. (2) £100200
Provenance: the Lipski Collection, no. 997.
Paper labels for Garry Atkins.
74 Two delftware plates, c.1760, one Bristol and painted in the Fazackerly palette with a tied bunch of flowers, the other in blue with two Chinese figures communicating across a rocky crevasse, both within bianco soprabianco floral scroll borders, 22.8cm. (2) £100200 The latter plate with a paper label for Jonathan Horne. 24
75 A delftware plate, c.178595, of ‘Ann Gomm’ type, painted with a manganese hexagon motif within stylized polychrome flowers, a Delft plate painted with rockwork before an ornamental fence, and another painted with vases of flowers in a bold polychrome palette, small damages, 23cm max. (3) £150250
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76 Two delftware chargers, c.174060, one painted with flowering peony and stems of bamboo, with flower sprays echoed to the rim, the other with small boats beside pagodas in an island landscape, the border with a band of trellis, 34.8cm max. (2) £150250
77 A delftware charger, c.1750, probably London, painted to the well with a bird perched on reeds amidst flowering plants, the rim with incised yellow stylized flower sprays on a powdered manganese ground, and a large Delft charger, painted in blue with fronting birds beneath tall flowering plants, the rim with stylized panels in the Kraak manner, rim cracks, one riveted, 35.3cm max. (2) £150250
78 Two Delft chargers, mid 18th century, the smaller painted in blue with a vase and censer beside a tall tree, the larger in polychrome enamels with scattered stylized flower sprigs around a central motif, some faults, 34.3cm max. (2) £100200
79 Two delftware chargers, c.175070, painted in blue with chinoiserie scenes, with figures and attendants in garden settings beside trees and fences, one with a deer beside, one rim with stylized flower sprays, the other with ornamental fences, 31.2cm max. (2) £250350
80 Two Delft plates and a small delftware plate, 18th century, one painted with a standing crane between flowering plants, the other with a recumbent stag beside a twostoreyed pagoda within a panelled border, the delftware plate in Fazackerley enamels with a basket of flowers and further sprays, the latter cracked, 22.6cm max. (3) £100200
81 Two pairs of Delft plates, 18th century, one pair painted with a central flower spray in blue, green and manganese, the other pair with censers of flowers within a band of further flowering plants, the crimped rims with a scroll band on a blue ground, some glaze chipping, 23cm max. (4) £250350
The small plate with a paper label for the Warren Collection.
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82 A Dublin delftware water bottle or guglet, c.1760, the rounded body painted in blue to two sides with the Feathers in a Vase pattern after Chinese porcelain, with a large peony spray beside a vase containing peacock feathers and a ruyi head, the tall neck rising to a flared rim with a small spout, a chip to the rim, 26cm. £250350
83 A Bristol delftware plate, c.1765, painted in yellow, blue and manganese with a Chinese figure parading before a pagoda and trees, the scalloped rim with fruit sprays in biancosoprabianco, the underside rim with three blue flower sprays, 22.7cm. £100150
84 A delftware polychrome plate, c.1710, probably London, painted with a parrot perched on a low fence beside a pagoda, with an insect in flight behind, the rim with tied kite panels alternating with formal leaf motifs, 22.5cm. £100150
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85 A rare English delftware ointment pot, c.1775, of small cylindrical form with an everted rim, painted in manganese with ‘The Queen’s Dentifrice’, 4.8cm high. £8001,200 Cf. R J Houghton & M R Priestley, Historical Guide to Delftware and Victorian Ointment Points, p.29, which details Joseph Hemet’s patent of Essence of Pearl Dentifrice to Queen Caroline.
86 A London delftware fuddling cup, c.1710, formed of three thistle shaped cups joined by interlocking handles, the bodies painted with a continuous stylized flower design, the handles with dense blue dashes, restoration to two handles, 11cm high. £8001,200
87 A delftware puzzle jug, mid 18th century, possibly Bristol, the rounded body painted in blue with a large flower spray encircling the body, the tall pierced neck with sponged decoration, the rim and handle with a band of blue scrolls, some damages, two spouts lacking, 16cm high. £400600
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88 A large Dutch or English Delft charger, c.167080, painted in blue and manganese with seated Chinese figures beside pine, prunus and willow trees, and tall bamboo, with a scalloped rim, the underside with simple geometric panels, 33.5cm. £400600
89 A large Delft charger, c.1730, painted in polychrome enamels with a central basket enclosed by panels of single flower stems alternating with red and blue trellis designs, some rim chipping, 35.3cm. £100200 90 Twentytwo Delft tiles, most 19th century, three painted in blue with ships at sail, the rest in green with similar scenes of ships, with figures on horseback, and with landscape panels within carnation corners, some damages, 13.2cm. (22) £200300 91 A Delft tobacco jar, 18th/19th century, painted with a native American Indian sitting on a plinth beside a jar inscribed ‘Pompadoer’ [sic], marked beneath for the Three Bells (Drie Klokken) factory, with a later brass cover, 39cm overall. (2) £200300 92 A large Nevers faïence jardinière, 18th century, the rounded form painted in blue with landscape panels between two mask handles, raised on a circular foot with stiff leaf design, 45cm. £300500
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93 A Delft model of a cow, 18th century, standing four square on a shaped rectangular base with her head turned to the right, some restoration, 9.6cm high. £200300 Old paper label for Thomas Goode & Co., London.
94 A small pair of Delft models of cows, 18th century, each recumbent on a shaped base marbled in green, yellow and manganese, their backs painted with a bold floral design, minor faults, 11.5cm across. (2) £300400
95 A pair of Delft figures of cows, 19th century, each standing four square on a rectangular base moulded and decorated with frogs and snakes, the cows’ coats decorated in polychrome enamels with bold floral stripes, small damages and restorations, 23.5cm across. (2) £150250
96 A Delft charger, c.171020, boldly painted in shades of red, blue, green and yellow with flowering plants within a geometric cartouche amid further flowers and four small oval panels, blue mark for the Peacock (de Paauw) factory, 30cm. £100150
97 Fifteen Dutch and English Delft tiles, 18th century and later, variously decorated with figures in landscapes, panels of buildings, vases of flowers and single figures, some within powdered manganese panels, 13cm max. (15) £250350
98 Seven Delft tiles, 18th century, one pair decorated with mottled and swirled marble designs, another pair with panels of figures within flowerhead panels on a powdered manganese ground, another painted in blue with a figure on horseback, one with a figure by a stile, the last with a vase of flowers, some faults, 13.3cm max. (7) £100200 29
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99 A Liverpool delftware tile, c.175761, printed by John Sadler with a courting couple beside a pineapple plant in a formal garden setting, 12.8cm. £80120
100 A Liverpool delftware woodblock tile, c.1760, printed in blue by John Sadler with a Dutch canal scene, 12.8cm. £150200 Cf. Anthony Ray, Liverpool Printed Tiles, p.20, No. A53.
This design is adapted from plate 32 of the Ladies’ Amusement, with alterations to the background. It is one of very few designs of which the mirrored version is also known.
101 Three early Liverpool delftware woodblock tiles, c.175657, printed by Sadler and Green, each with an octagonal panel containing two ships engaged in battle at sea, within foliate scroll borders with quarter flowerhead corners, some damages, 13cm. (3) £400600
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102 A Liverpool delftware bird tile, c.175075, painted with a large finch like bird painted in yellow, blue, ochre and manganese, perched on green branches, the corners with blue floret motifs, 12.8cm. £300500
103 A pair of London delftware tiles, c.1710, painted in manganese, each with an octagonal panel, one of two figures dancing beneath a tree, the other of travellers meeting, the corners with angel motifs, 12.8cm. (2) £150250
104 Two delftware tiles, c.1730, possibly Vauxhall, each decorated with an eightpointed star in blue on a powdered manganese ground, 13cm. (2) £100150
105 A Bristol delftware bird tile, c.1760, decorated with a bird perched on a stump, painted in red, blue and yellow within a manganese outline, within a floral biancosoprabianco border, 13.2cm. £100200 Paper label for Garry Atkins.
106 A rare Liverpool delftware tile, c.176070, painted in manganese with a dancing Chinese figure beside another figure holding a long stick and extending his left arm, with a shaped border of flowerheads on a yellow scale ground, the corners each with a polychrome flower roundel, 12.7cm. £500700
107 Four delftware tiles, c.176070, one Biblical and painted in blue with Christ carrying the cross, another painted with a girl carrying a basket on her head, one with a fox seated in a landscape, the last decorated in manganese with swans swimming in a river, some damages, 13.2cm max. (4) £100150 31
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A PRIVATE COLLECTION FROM THE WEST COUNTRY
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108 A good pair of Bristol delftware chargers, c.174060, well decorated in polychrome enamels with a large insect in flight above a bird perched on a flowering branch beside an ornamental fence, 34cm. (2) £8001,200 Provenance: a private collection from the West Country.
109 A delftware charger, c.1740, painted in red, blue and green with a longtailed bird perched on tall rockwork above flowering plants, the rim with four floral vignettes, 33.9cm. £100200 Provenance: a private collection from the West Country.
110 A pair of Bristol delftware chargers, c.1740 60, painted in a limited polychrome palette with a longtailed bird perched on a flowering branch above a further bird standing on rockwork before an ornamental fence, an insect in flight above, 34cm. (2) £8001,200 Provenance: a private collection from the West Country.
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111 A delftware plate, dated 1757, possibly Liverpool, painted in blue with bamboo and flowering peony, inscribed ‘I P 1757’, the scalloped rim with four flower sprays, 23cm. £500700 Provenance: a private collection from the West Country.
112 A delftware plate, dated 1742, probably London, painted in blue with a Chinese lady holding a fan and standing between a large vase of flowers and a pagoda by a fence, inscribed with the letter T above R E and the date 1742, 21.8cm. £300500 Provenance: a private collection from the West Country.
113 A delftware plate, c.1760, painted with two Chinese figures standing beneath a fringed tree in a garden landscape, a pagoda visible beyond, the rim with repeated flower sprays, 21.7cm. £80120 Provenance: a private collection from the West Country.
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114 A rare Bristol delftware documentary Adam and Eve charger, dated 1755, the first couple depicted flanking the Tree of Knowledge, the serpent brightly enamelled and entwining the tree trunk beneath sponged green foliage, the dish inscribed ‘John Archer 1755’ in blue, broken and repaired, 26cm. £2,0003,000 Provenance: a private collection from the West Country. Illustrated: Louis Lipski and Michael Archer, Dated English Delftware, p.132, no. 587. The plate then listed as being in the collection of T C Brooke in Norfolk.
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115 A Bristol delftware ‘Farmhouse’ plate, c.1720 30, painted with a bold peacock in yellow, blue and red, standing between sponged manganese trees, 22.3cm. £8001,200 Provenance: a private collection from the West Country. An old paper label to the reverse stating “Known to have been over 100 years in one family in Shropshire”.
116 A Bristol delftware ‘Farmhouse’ plate, c.1720 30, painted with a bold cockerel in yellow, blue and red, standing between sponged manganese trees, with a flock of birds in flight above, 22.5cm. £8001,200 Provenance: a private collection from the West Country.
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117 A Dublin delftware soup plate, c.1760, painted with a bird in flight above a pine tree encircled by an ornamental fence, a further bird perched on rockwork beside flowering plants, within an elaborate panelled rim, numeral 15 to the underside, 23.8cm. £80120
118 A Wincanton delftware octagonal plate, c.1740, the well painted in blue with a soldier guarding a harbour fortress, reserved on a powdered manganese ground with further small panels of stylized flowerheads, a rim crack, 22.8cm. £80120
Provenance: a private collection from the West Country.
Provenance: a private collection from the West Country.
119 An Irish delftware plate, c.1760, probably Dublin, painted with flower sprays in shades of yellow, blue, green and manganese, blue numeral 2 mark to the underside, 23cm. £200400
120 A delftware plate, mid 18th century, probably Bristol, painted in blue with a tall house at the water’s edge, issuing smoke from a chimney, beside tall trees and a cross or signpost, 22.7cm. £100200
Provenance: a private collection from the West Country. Purchased from Bonhams, The Sampson and Horne Collection, 28th April 2010, lot 409.
Provenance: a private collection from the West Country.
121 A delftware plate, c.1730, naively painted in blue with a large bird standing with beak agape beside simple flowering plants, the rim with foliate sprigs, 22.8cm. £200300
122 A delftware plate, c.1750, probably London, painted in manganese, red and blue with a small hut flying a long pennant, within a hexagonal husk swag border, 23.3cm. £80120
Provenance: a private collection from the West Country.
Provenance: a private collection from the West Country. Purchased from The Warner Collection of British Delftware, 17th September 2019, lot 7 (part).
Cf. Woolley and Wallis, 20th February 2018, lot 108 for a similar example.
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123 A London delftware Royal dish, c.1690, painted in blue with a double head and shoulders portrait of William and Mary, each crowned, William wearing an erminelined robe, within narrow blue line borders, broken and riveted, 22cm. £500700 Provenance: a private collection from the West Country. William and Mary were proclaimed King and Queen as joint sovereigns in 1689 and reigned together until Mary’s death in 1694. A number of fragments found by Garner in Lambeth correspond with this design. See Michael Archer, Delftware, item B2, p 115.
124 A good and rare English delftware King of Prussia plate, c.175760, painted in blue with a head and shoulders portrait of Frederick II of Prussia between the letters KP, 22cm. £600800 Provenance: a private collection from the West Country. Cf. Leslie B Grigsby, The Longridge Collection, Vol. II, D56 for a similar King of Prussia plate.
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125 A rare documentary Liverpool delftware ship charger, c.1756, painted perhaps by William Jackson with a twomasted brig at sail, members of the crew visible on desk, above the inscription ‘Success to the John and Mary. John Spencer’, the wide rim with a border of stylized flowerheads linked by hatched trellis bands, 36.2cm. £2,0003,000 Provenance: a private collection from the West Country. Bonhams, 21st May 2014, lot 34. Formerly with Jonathan Horne, 2003. Phillips, Bury St Edmunds, 3rd December 1997. By descent from the Spencer family. Cf. Michael Archer, Delftware, p.148. For related ship painting and a discussion of the identification of the ship painter William Jackson see Bernard Watney and Caroline Roberts, ECC Trans. Vol.15, Pt.1, pp.122133. The Lloyd’s Register of Shipping in 1764 records the John and Mary as a single deck brig with beams built in 1756 at Yarmouth, sailing to Leghorn under Captain P. Crombies. The owner was J. Spencer. 39
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126 A pair of delftware plates, c.1760, each painted in blue with a kylin seated on a square cushion before a vase containing flowering peony branches, within shaped panels issuing further small panels reserved on a powdered blue ground, some rim chipping, 22.4cm. (2) £300500 Provenance: a private collection from the West Country.
127 Two delftware plates, mid 18th century, one probably Wincanton and painted with a polychrome flower spray within a woolpack panel on a pale powdered manganese ground, the other decorated in polychrome enamels with willow and flowering Oriental plants beside an ornamental fence, 22.5cm max. (2) £150250 Provenance: a private collection from the West Country.
128 Two Delft plates, 18th century, one painted in red, yellow, blue and green with a parrot perched on flowering branches within a simple panelled rim, the other in a similar palette with a ship at sail within a continuous stylized floral border, 22.7cm max. (2) £100200 Provenance: a private collection from the West Country.
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130
129 A Lambeth delftware plate, dated 1748, painted in blue with a Chinese figure holding a long feather or leaf frond and walking through a garden with an ornamental fence and flowering plants, inscribed with the letter S over I M, the rim with flower sprays on a powdered blue ground, the underside with the initials repeated above the date 1748, a rim chip and associated crack, 22.2cm. £200400 Provenance: a private collection from the West Country.
130 A small delftware octagonal plate, c.1690, probably London, painted in blue with a Chinese figure seated in a landscape, the scene echoed to the rim, 21.7cm. £500700 Provenance: a private collection from the West Country. 131
131 A delftware flower brick, c.1760, of rectangular form, the long sides painted with landscape scenes of figures in boats beside trees and buildings, with similar landscapes echoed to the short sides, the recessed top set with an arrangement of eighteen small holes flanking a larger central opening, 12cm across. £300500 Provenance: a private collection from the West Country.
132 A delftware flower brick, c.1760, the rectangular form painted to the long sides with a figure in a boat beside trees and buildings, the short sides with a boat at sail, the recessed top pierced with small holes around a central shaped aperture, 13.5cm across. £300500 Provenance: a private collection from the West Country. 132 41
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133 A rare delftware puzzle jug, dated 1741, the globular body inscribed with the traditional four line wager above the inscription ‘O S M 1741’, flanked to one side with a circular panel of a castle flying a pennant, the other with a figure walking away from a Chinese pagoda, the tall cylindrical neck pierced with a geometric arrangement of holes with blue dash detailing, the inside rim with a scroll design, one spout broken and restuck, 16.5cm. £2,0003,000 Provenance: a private collection from the West Country.
134 A documentary delftware plate, dated 1763, possibly Liverpool, the well inscribed in blue with ‘Success to the Old Boy at Gasting Thomas Knowles 1763’, some rim chipping, 23cm. £8001,200 Provenance: a private collection from the West Country. Literature: The Connoisseur, April 1918, Mrs Hemming, ‘Liverpool Delft’, pl. XIII. Mrs Hemming identifies the word on the plate as ‘Casting’. See also, Lipski & Archer, Dated English Delftware, p.141, nos. 630AC for Mrs Hemming’s plate and three others from the same set. The authors identify the place as probably being Garstang in Lancashire, ‘The Old Boy’ presumably being a tavern of that name.
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135 A delftware blue dash tulip charger, c.1680, probably Brislington, boldly painted with three tulips and long straight leaves unusually issuing from a chequered vase or bowl with scrollwork decoration, within concentric yellow and blue lines and a blue dash rim, the underside with a thin buff glaze, 34.5cm. £3,0005,000 Provenance: a private collection from the West Country.
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136 A London delftware apothecary or pill slab, c.1785, possibly Mortlake, the elongated octagonal form painted in blue with the arms of the Worshipful Society of Apothecaries above the motto ‘Opiferque Per Orbem Dicor’, the sides glazed manganese, the top pierced with two suspension holes, 30.4cm. £2,0003,000 Provenance: a private collection from the West Country. Bonhams, The Sampson and Horne Collection, 28th April 2010, lot 182. Paper label for the Charles J Lomax Collection.
137 A delftware wash basin, c.175070, with an everted rim, painted in blue with two Chinese figures beside trees and rockwork in a garden setting, within a simple scroll border, 26.5cm. £200300 Provenance: a private collection from the West Country.
138 A Staffordshire saltglazed Scratch Blue mug, dated 1755, of slight baluster form, incised and coloured with the initials ‘RD’ above the date ‘1755’ and three simple scroll lines, a rim crack, 17cm. £100150 Provenance: a private collection from the West Country.
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139 A Staffordshire saltglazed teapot and cover, c.1760, the globular body painted in bright enamels with flower sprays beneath a pink and green trellis panel border, with crabstock spout and handle, the cover’s finial broken and restuck, 17.6cm. (2) £300500
140 A Staffordshire saltglazed Scratch Blue tea canister, c.1750, of cylindrical form, incised and coloured with a continuous floral design, the shoulder with a simple scroll design above an incised band, 9cm. £200300
Provenance: a private collection from the West Country.
Provenance: a private collection from the West Country.
141 Two solid agateware teapots, c.1755, one of inverted baluster form with shell moulding and a faceted spout, the other of squat globular form and raised on three short feet, with a later metal cover, both with striations of blue, treacle, manganese and cream, some damages, 19cm across. (3) £100200 Provenance: a private collection from the West Country.
142 A Staffordshire saltglazed teapot and cover, c.1760, painted in bright enamels with a lady using a washing dolly in a large banded tub, flanked by flowering plants, the reverse with a bird perched on large flowers, the cover’s finial lacking, 16.4cm. (2) £300500 Provenance: a private collection from the West Country.
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143 A rare pair of creamware plates, late 18th century, decorated by William Absolon of Yarmouth, each with a rural landscape of buildings beneath trees and flanking a river linked by a bridge, the rims reticulated around a band of basketweave moulding, one signed in red to the underside, 21cm. (2) £100200 Provenance: a private collection from the West Country. Paper labels for Garry Atkins.
144 A pearlware beer jug and cover, c.1790, painted by William Absolon of Yarmouth with a couple riding in a pony and trap, inscribed ‘A Present from Yarmouth’, the rim with husk swags in blue and green issuing from a shaped brown band, chipping to the cover, 20.5cm. (2) £8001,200
145 A rare Swansea pearlware plate, c.1830, painted to the well in pink and purple lustre with a swan swimming before mountains, within a basketweave band glazed green, the reticulated rim edged in pink lustre, impressed Dillwyn & Co., Swansea, 20cm. £100200
Provenance: a private collection from the West Country.
Provenance: a private collection from the West Country.
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146 A documentary creamware jug, 19th century, probably Bovey Tracey, painted in Pratt enamels with small flower sprigs around the inscription ‘William Ellis, born May. 6. 1812, Chagford’, the rim with a trellis border, 15cm high. £600800 Provenance: a private collection from the West Country. Chagford is a village on the northern edge of Dartmoor, some ten miles from Bovey Tracey. William Ellis was a farmer of several generations at Stineal Farm in Chagford, and is listed on the 1851, 1861 and 1871 census. He died in 1876. Possibly coincidentally, the Indeo Pottery at Bovey Tracey was taken over by another William Ellis in 1776. Later census returns reveal a number of people with the surname Ellis still working at the local pottery firms.
147 A saltglazed stoneware plate, c.1770, the well moulded with short fruit branches around an elaborate design of basketweave, trellis and honeycomb panels within scrollwork, the shaped rim moulded as basketwork and partially pierced, 24.2cm. £80120 Provenance: a private collection from the West Country.
148 A Staffordshire satyr jug of Wood type, c.1790, modelled as a bearded head with a mythical dolphin forming the spout, raised on a moulded socle foot, glazed in green and manganese, 13.3cm. £100200 Provenance: a private collection from the West Country.
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149 A creamware jelly mould core, late 18th/early 19th century, possibly Wilson, of canted rectangular form, painted to one side with a threemasted ship at sail in a choppy sea, the sides and reverse with military trophies and motifs, the base pierced with six holes and edged in green, a crack around the base, 26cm across. £300500
150 A Wedgwood jelly mould core, c.1780, of canted rectangular form, painted with a continuous garland of flowers suspended from tied red ribbons and floral roundels, edged in brown, impressed mark, minor faults, 22cm across. £300500
Cf. Diana Edwards, Neale Pottery and Porcelain, fig. 118 for a Wilson mould of the same shape with flower painting.
151 A large creamware charger, late 18th century, printed in black with a moth in flight beside a large flower spray including tulip, rose and chrysanthemum, the rim with four loose flower sprigs, impressed 2 to the underside, a restored rim chip, 47cm. £150250
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152 A massive Whieldon type dish, c.1770, of silver shape, decorated with splashes of green and blue on a mottled manganese ground, a section of the rim broken out and restuck, 40.5cm. £200300
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153 A large Wedgwood creamware jug, dated 1786, printed in black, one side with the Tithe Pig group above lines of verse, the other with haymakers dancing before a tall rick, beneath the spout inscribed ‘Richard Monk, Mawdsley, 1786’, 22.5cm. £250350
154 A Pratt ware harvest jug, c.1800, painted in a typical palette of yellow, ochre, green and blue with various farming implements, including a hayfork, a scythe, a rake and a thresher, and with two stooks of corn, some restoration to the foot and rim, 21cm. £150250
Mawdesley is a village in Lancashire on the southern border of the borough of Chorley.
155 Two large pearlware jugs, 19th century, of Mocha ware type, the barrelshaped bodies decorated with wide blue bands between narrow raised bands in blue or black, 22.5cm max. (2) £100200
156 A pearlware jug, dated 1819, probably Swansea, boldly painted with Gaudy Welsh type flower sprays, beneath the spout inscribed ‘Eliz.th Thomas Cardigan 1819’, some damages and restoration, 17.3cm. £80120 Provenance: the Redstone Collection.
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157 Three Turner pearlware baskets, 1st half 19th century, printed in blue with a Chinese pagoda landscape within a Fitzhugh type border, with a matching footed basket or tazza and a small stand, impressed mark to the stand, 29.2cm max. (5) £80120
158 A creamware ewer and basin, late 18th/19th century, painted with insects around scattered flower sprays, the footed ewer with a centipede beneath a rose spray, some damages, 28.4cm dia. (2) £100150
159 A glazed redware miniature part tea service, early 19th century, the lightly turned pieces decorated in a rich treacle glaze. Comprising: a teapot and cover, a sucrier and cover, a slop bowl, three cups and a saucer. (9) £80120
160 Two miniature creamware teapots, late 18th/early 19th century, one with a cover, the globular body applied with a double strap handle issuing from applied flowers and leaves, the other with a simple scroll handle and straight spout, the handle of the latter broken and restuck, one cover lacking, 10cm across max. (3) £100200
161 A saltglazed stoneware butter mould, mid 18th century, the inside impressed with a spray of fruiting strawberries, with fluted sides, 7.4cm. £300400
162 Seven creamware custard cups and covers, c.177080, the rounded forms decorated in puce camaieu with sprays of flowers and scattered leaf sprigs, some faults, 9cm. (14) £100200
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163 A Staffordshire combed slipware dish, mid 18th century, the shallow oblong form decorated with a cream ground combed with brown stripes of slip, with piecrust indentations to the rim, some wear, 39cm. £8001,200
164 A French agateware porringer, c.1770, the rounded shallow form applied to two sides with a large shaped handle, the whole marbled with striations of blue, green and manganese, 26.5cm across. £150250
165 A small earthenware colander or strainer, 15th century or later, the rounded form of a reddish body glazed in a yellowish Tudor Green, the base pierced with seven holes, applied with two small handles, a little chipping and wear, 13.2cm across. £400600
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166 An early brown stoneware bellarmine, Frechen or John Dwight, c.1550, applied with a roundel containing a lion rampant within a jagged border, below a bearded mask, decorated in a mottled salt glaze, some restoration to the rim, 23cm. £8001,200 Cf. Chris Green, John Dwight’s Fulham Pottery, p.113, fig.159 for a line drawing of a similar bottle, and p.220, fig. M64 for an illustration of a similar mask.
167 Two medieval encaustic floor tiles, 15th/16th century, of square form, decorated in cream slip with formal geometric designs, and a large green glazed tile with traces of further decoration, some chipping, 18.5cm max. (3) £150250
168 Two English medieval earthenware jugs, c.14th16th century, one decorated with a mottled Tudor green glaze around the neck, the other with traces of a greenish glaze to the rim, a little chipping, general wear, 21cm max. (2) £150250
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169 A medieval pottery storage jar, c.14th16th century, the rounded baluster body lightly incised to the shoulder with concentric lines, decorated with a greenish glaze over a red clay body, a little rim chipping, 12.5cm high. £100200
170 A small brown stoneware bottle or flagon, 18th/19th century, the diminutive form incised with a continuous line around the shoulder, applied with a loop handle, a little chipping and wear, 14.5cm. £100200
171 171 A German stoneware bellarmine or Bartmannskrug, mid 17th century, probably Frechen, decorated with a stylized floral roundel beneath a grimacing bearded mask, and a faïence barber’s bowl, modern, painted with flower sprays, 30.3cm max. (2) £100200 The bellarmine with a paper label for Jonathan Horne.
172 A Spanish maiolica bowl, mid 18th century, probably Puente del Arzobispo, painted in shades of green, yellow and manganese with a tall leafy plant, and a maiolica albarello of waisted form, painted in blue with a crowned doubleheaded eagle, marked T.S. to the base, 24.3cm max. (2) £150250 172 53
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173 A Caltagirone (Sicily) maiolica bombola, late 17th century, brightly decorated with flowerhead roundels and swirling leafy designs in shades of blue, green, yellow and ochre, some chipping, 22.5cm high. £400600 174 An unusual Italian maiolica albarello, late 16th century or later, of dumbbell form, painted with a continuous scene of a shipwreck, with sailors huddling under a tent formed from a sail while further survivors swim to shore, 20cm high. £150250 175 A rare Portuguese faïence bottle or flask, 2nd half 17th century, of double gourd form, painted to one side with the head and shoulders profile portrait of a figure smoking a pipe, the reverse with a stag, flanked by flowering branches in shades of blue, green, yellow and manganese, some chipping to the rim, 16cm. £2,0003,000
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Cf. Oriental Influence on 17th Century Portuguese Ceramics, p.75, fig. 24, C.17 for a similar shape. 176 A Continental maiolica storage jar, dated 1742, probably Italian, the baluster form moulded with three panels to the front, painted with buildings within foliate scrolls in blue, yellow and manganese, the reverse inscribed ‘1742’ in blue, some rim chipping, 20cm. £100200 177 An Italian maiolica tazza, 18th/19th century, possibly Deruta, painted in blue, yellow and ochre with a central star motif, raised on a low circular foot, and a Spanish faïence jug painted with trees and leafy plants below concentric bands in blue, yellow, ochre and manganese, the jug damaged and repaired, 26cm max. (2) £300400 178 A rare Italian maiolica dish, probably 17th century, boldly decorated in blue, green, yellow and ochre with Pegasus leaping a river spanning a valley, a long, riveted crack, 31cm. £8001,200
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179 A large Spanish tile panel, 19th century or earlier, the central panel formed of twelve square tiles painted with St Anthony of Padua holding the infant Jesus, a building flying a pennant in the background, within a possibly associated border of narrow tiles with a continuous green geometric design, mounted in a later hardwood frame, 82cm overall. £200300
180 A near pair of maiolica architectural tiles or panels, 19th century, the rectangular forms painted with profile portraits of a nobleman and his wife, and another tile painted with a spotted hyena beneath the name ‘Jacobus Philippi’, 29.5cm max. (3) £150200
181 A group of twenty Spanish maiolica tiles, 18th/19th century, including four with formal foliate corners, one similar with a carnation design, four moulded with scrolling designs picked out in blue, the others of differing size and variously decorated with star motifs, flowers and baskets in a palette of blue, green, yellow, ochre and manganese, some damages, 13.5cm max. (20) £250350
182 A massive HispanoMoresque lustre charger or basin, probably 19th century, decorated with a central lion rampant in blue, reserved on a dense foliate ground in copper lustre, within formal panelled borders, the underside with a foliate design, some chipping, a repair to the rim, 46cm dia. £200300
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183 A large Qajar pottery tile, 19th century, the square form painted with a female figure seated crosslegged and holding a goblet in one hand and a bottle in the other, various fruits and dishes on the floor before her, edged in a continuous green stylized leaf border, mounted in a later wooden frame, the plaque 26.5cm. £150250
184 An Islamic pottery dish, 19th century or earlier, painted in the Iznik manner with a central bird with outstretched wings reserved on a rich blue ground decorated with flowers, the rim with a continuous ropetwist bands with red enamel dots, script mark to the underside, signs of heat damage, 21.8cm. £300500
185 An Islamic pottery bowl, probably 19th century, of ogee form, the sides with sgraffito decoration of scrolling foliage above bands of lappets and stars in brown, the interior with a band of diagonal stripes, the well with a sgraffito portrait of a face, some chipping, 19.5cm dia. £100200
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186 A large Cantagalli Iznikstyle twohandled vase, late 19th century, the baluster body painted in typical shades of blue, red, green and black, with large composite flowerheads under intersecting saz leaves, a wide band of scrolling floral tendrils and swaying leaves above and below, the shoulders applied with two crescent handles with a flowerhead border, black cockerel mark, 41.5cm. £2,0003,000
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187 A Doulton & Watts brown stoneware ‘Caudle’ spirit flask, 1st half 19th century, one side moulded with Mr and Mrs Caudle tucked up in bed above an inscribed oval plaque, the reserve with a full length portrait of Miss Prettyman carrying a parasol, impressed mark, small chips to the foot, 18.5cm. £100150
188 An interesting pottery anthropomorphic ewer, 19th/20th century, possibly Canakkale, modelled as a bearded face wearing a pointed hat, raised on an ovoid body with applied handle, decorated in washed yellow, green and manganese, the head broken off and restuck, 39.5cm. £150250
189 A Canakkale (Turkey) pottery aquamanile, 19th century, modelled as a lion standing four square with mouth agape, its tail curled over its back to form a handle, a large flowerhead applied to its chest, decorated with splashes of yellow and brown, 22cm high. £400600
190 A large pair of Minton Majolica jardinières, date codes for 1871, the generous rounded forms decorated to one side with exotic pheasants beneath flowering prunus, the reverses with birds in flight above peony branches, applied with ring handles issuing from mythical animal masks, glazed pink to the interiors, a restored section to one, 32cm high. (2) £500800
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191 A pair of Minton Majolica figural candlesticks and a tazza, date codes for 1864 and 1844, the candlesticks probably emblematic of Spring and Autumn, each modelled as a putto wearing a floral or grapevine diadem and supporting a vase on one shoulder to form the sconce, the tazza formed with two wrestling putti supporting a shallow bowl moulded to the underside, impressed marks, minor faults, 26cm max. (3) £150250
192 A pair of Continental faïence figures of children, late 18th century, wearing green jackets and lilac breeches, and a pair of French faïence plates painted with cockerels, 27cm max. (4) £80120
193 A large pearlware money box, 19th century, modelled as a house with arched doors and windows, decorated in Portobello type colours, inscribed ‘Sarah Arundell’ in black, a putto standing at two corners, some chipping, the bun feet lacking, 15.2cm high. £100200
194 A faïence shallow cup or wine taster, c.1780, the shallow circular bowl decorated to the interior with radiating stripes, the exterior with a garland design, with a loop handle surmounted by a shell thumbpiece, 11cm across. £200300
195 A massive hexagonal PorquierBeau (Quimper) botanical tray, late 19th century, designed by Alfred Beau, the lobed form decorated with bramble sprays laden with blackberries within yellow rims, the centre with a small raised section, the whole raised on a low footrim, blue PB monogram mark, 46cm. £200300
196 A Derbyshire brown stoneware silvermounted hunting jug, c.1873, J. Bourne & Son, sprigged with St George and the dragon, a windmill and topers above a continuous hunt scene, with a hinged silver lid engraved with the crest of a fish, the edge inscribed ‘From EBH to G & A, Aug. 6th 1874’, hallmarks for London 1873, Thomas Smily, 21cm. £150200 59
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197 An unusual pair of faïence models of cats, probably 19th century, each seated on its haunches with head turned and tail flicked up, decorated with dark manganese patches, raised on greenglazed oval bases, 9.5cm. (2) £100200
198 A Staffordshire model of a swan, c.1800, arching its long neck to touch its beak on its chest, raised on an oval green base moulded with aquatic plants, 9cm. £100200 Paper label for D M & P Manheim. Cf. Christie’s, Rous Lench Collection, 29th May 1990, lot 119 for a similar example.
199 A Staffordshire spill vase, c.1820, modelled as a tall tree with the branches forming three vase sections, a young egg thief seated at its base with four disapproving birds perched above him, some good restoration, 22.2cm. £100150
200 A pair of Staffordshire lion and lamb groups, 19th century, each lion seated on its haunches with head turned over its shoulder, a lamb recumbent at its side, raised on oval bases, 17cm. (2) £200300
201 A Staffordshire pearlware cow creamer and cover, late 18th/early 19th century, standing four square on a shaped flat green base, her coat decorated with manganese patches over cream and brown striations, some good restoration, 18.4cm. (2) £300500
202 A Staffordshire Tithe Pig figure group, 19th century, modelled with the farmer and his wife offering a piglet and infant to the village priest, standing before flowering bocage, and a Staffordshire group of a promenading couple holding baskets, minor faults, 17.5cm max. (2) £200300
Paper label for the Captain Kidd Collection, No.561. 60
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203 A Staffordshire pearlware figure of a female musician, c.181020, standing and playing the hurdygurdy, wearing a feathered headdress, raised on a square base, 19.5cm. £80120
204 A Staffordshire pearlware figure of a girl, c.180010, possibly Neale & Co, standing and holding a cat in her right arm, feeding it with her left hand, raised on a square base with a brown line detail, minor faults, 16cm. £100150
205 A pair of Staffordshire figures of a Gardener and his mate, c.1790, he standing beside a potted pineapple, resting on his spade, his companion holding a single flower and with the end of her apron draped over her right arm, raised on square titled bases, some good restoration to the stumps behind, 21cm. (2) £150250
206 A Parian group of the Finding of Moses, 2nd half 19th century, the Pharaoh’s daughter resting one hand on the shoulder of her handmaiden who reaches down to the baby in the basket among the reeds, raised on an oval base, 35cm. £150200
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207 An Ordinary Toby jug and stopper, 19th century, typically modelled with a jug of ale, decorated in Portobello colours with striped stockings beneath green breeches and a blue coat, his jug painted with a floral motif, the base and handle sponged in blue and ochre, the stopper associated, some damages to the stopper, 26.3cm. (2) £150250
208 An Ordinary Toby jug, c.181020, seated and holding a foaming jug of ale decorated with black sprigs on a yellow ground, wearing a burgundy jacket over a striped waistcoat and yellow breeches, restoration to the hat, 25cm. £100200
209 An Ordinary Toby jug, c.1820, typically modelled with a foaming jug of ale, decorated in Portobello colours with striped stockings beneath yellow breeches and a blue coat, his jug painted with a repeated sprig motif, the base and handle sponged in green and red, a small chip to the hat, 25cm. £100200
210 A pearlware Toby jug, c.1790, of Ordinary Wood type, seated with an upright barrel between his feet and a disappointingly empty jug on one knee, wearing a green coat over a grey waistcoat and breeches, the base moulded with a band of florets picked out in blue, some restoration to the hat, 25cm. £300500
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The moulding around the base of this jug is more commonly associated with the Collier Toby.
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211 A Pratt ware Toby jug, c.1800, seated and resting a foaming jug of ale on his left knee, his clay pipe resting by his left foot, wearing a striped and sponged coat over yellow breeches, a wart to his nose and chin, some restoration to the hat, 24cm. £500700
212 A Ralph Wood creamware Toby jug, c.179095, of Mould 51 type, seated with an empty jug resting on his left knee, raising a cup of ale to his lips with his right hand, wearing a green waistcoat and yellow breeches beneath a long brown coat, damages, 25.3cm. £500700
Provenance: formerly in the collections of Captain Price, Broughton, and S J Benwell.
213 A creamware Toby jug, c.17901800, wearing a long blue coat over a green waistcoat, his empty jug painted with a bold blue flower spray, restoration to the hat and handle, 25.5cm. £300400
214 A Staffordshire pearlware Toby jug, c.1790, seated with an upright barrel between his feet, a foaming jug of ale on his left knee and his clay pipe resting by his right side, wearing a sponged blue coat over an ochre waistcoat and grey breeches, a little restoration to the hat, 25.5cm. £200300 63
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215 A Mexborough (Yorkshire) Toby jug, c.182030, typically modelled with an empty jug of ale and a hexagonal goblet, wearing a blue coat over a white waistcoat and yellow breeches, the inside of his hat brim and the base decorated with wide stripes of speckled yellow, blue and black, with a caryatid handle, 25cm. £500700
216 A Pratt ware Toby jug, c.17901800, resting a foaming jug of ale on his left knee, wearing a bright ochre coat over a blue waistcoat and brown breeches, his lips enhanced with an ochre line, a line of blue dots to the handle, some restoration to the hat and handle, 24.3cm. Together with a copy of Getting to Know Your Toby Jug by Ron Earl. (2) £200300 Provenance: formerly the Ronald Earl Collection. Illustrated: Ron Earl, Getting to Know Your Toby Jug, Front cover.
217 A Yorkshire pearlware Toby jug, 19th century, with an empty cylindrical mug resting on his left knee, wearing a blue coat over yellow breeches, his jug and the base unusually decorated with blue shamrock or flowerhead motifs, some restoration, 25cm. £200300 64
218 A Pratt ware Toby jug, c.1800, seated and wearing a sprig patterned coat over green breeches and striped stockings, the jug of ale on his knee overflowing down one side, some restoration to the hat, 24.3cm. £300500
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A PRIVATE COLLECTION OF TRANSFERWARE
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219 A blue and white transferware charger, 19th century, the oblong form printed with figures trekking ponies through an Eastern landscape with a view of Monopteros, a volcano in the distance and a small folly on a hill behind, the rim enclosing trailing branches, gourds and growing plants, 52cm. £150250 Provenance: a private collection.
220 A John Rogers and Son blue and white transferware meat dish, 1st half 19th century, from the Indian Views series, printed with figures leading a laden ox before ruins, the border with overhanging leafy boughs, titled Monopteros, a section broken and restuck, 52.5cm. £100200 The view on this charger is one of a series of engravings by Thomas and William Daniell, which were published in London in the late 18th and early 19th centuries. Provenance: a private collection.
221 A Don Pottery blue and white transferware charger, 1st half 19th century, from the Ottoman Empire series, printed with figures standing on a balcony overlooking a palace with parkland between, with figures on horseback before an obelisk, within a formal border, titled ‘Mosque of Sultan Achmet’, 47.6cm. £200300 Provenance: a private collection.
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222 A blue and white transferware meat dish and a charger, 1st half 19th century, the meat dish printed with figures in a horse and carriage driving by a stately home with a fence before it, the charger with a shepherd leaning against a tree and playing the flageolet to his companion and sheep, both within floral borders, the meat dish with a restored crack, 55cm max. (2) £250350
223 Six blue and white transferware plates, 19th century, one Spode from the Caramanian series, another Wedgwood and printed with Absalom’s Pillar, the others variously printed with landscape scenes, including Ponti Rotto and the River Tiber, 25cm max. (6) £200300 Provenance: a private collection.
Provenance: a private collection.
224 Two blue and white transferware chargers, 19th century, one Rogers and printed with figures and a zebra in an Eastern landscape, the other with figures on a river in the Wild Rose pattern, a circular tazza in the same pattern, and a Wedgwood plate printed with bamboo and a zigzag fence, 40cm max. (4) £100200
225 Two blue and white transferware chargers, 19th century, the larger Rogers and decorated with the Zebra pattern, the smaller with figures promenading in parkland, both with large floral rims, and two volumes of A W Coysh and R K Henrywood’s Dictionary of Blue and White Printed Pottery, some restoration, 53.5cm max. (4) £150250
Provenance: a private collection.
Provenance: a private collection.
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226 A blue and white transferware meat dish, 19th century, moulded with draining channels, printed with rabbits grazing at the base of a tree trunk, another watching from a hole nearby with a cottage visible beyond, the border with sprays of flowers, 52cm. £100200 Provenance: a private collection.
227 A large Staffordshire blue and white transferware charger, 19th century, the elongated octagonal form printed with the Hop Pickers pattern, with two ladies and children filling large baskets, the rim with a continuous floral border, titled to the underside, 48.5cm. £150250 Provenance: a private collection.
228 A Wedgwood blue and white transferware charger, c.1810, boldly decorated with the botanical Waterlily pattern, broken and restuck, 47cm. £80120 This design derives from prints in the Botanist’s Repository and the Botanical Magazine, from 18036. The design was probably inspired by the interests of Josiah Wedgwood’s eldest son John, who was a founder member of the Royal Horticultural Society. Provenance: a private collection.
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229 A blue and white transferware Durham Ox charger, 1st half 19th century, printed with the eponymous bull standing beside his owner, John Day, from the print by J. Whessell after the painting by John Boultbee, within a border of stylized flowerheads and foliate scrolls, 50cm. £6001,000 The Durham Ox was the result of an intensive breeding programme and became famous after being toured around the country by his aristocratic owner. In one day, London tourists paid a total of £97 in admission fees. Provenance: a private collection.
230 A blue and white transferware charger, 1st half 19th century, printed with the Bee Keeper pattern, a young lad carrying a skep and being followed by four figures and a child with two dogs, further bee skeps on a bench behind them, a church on a hill in the distance, the rim decorated with panels of horses and other animals between flower sprays, a restored crack, 54.5cm. £200300 Provenance: a private collection.
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231 A large Royal Worcester vase, dated 1863, of ovoid form, painted probably by Joseph Williams with a detailed Italian landscape titled ‘Pallanza, Laco Maggiore’, depicting the lakeside town before mountains, within a gilded laurel wreath border on a rich blue ground, the handles formed as confronting snakes issuing from bearded faun masks, printed marks, the cover lacking, 30cm. £300400 Provenance: the Robert and Celia Morris Collection. 232 A Spode Copeland vase and cover, c.1900, painted to two sides with an oval panel of flowers within a moulded and gilded ribboned cartouche on a dark blue ground, the shoulders glazed green with gilt foliate tendrils, one panel signed ‘C Nerwich’, printed mark, 28.3cm. (2) £100200
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233 A Derby veilleuse, c.183040, the lower section modelled as a turret and painted with a continuous harbour scene of boats at sail, the teapot with similar decoration of buildings by a bridge, printed crowned D mark, the lower section lacking, a repair to the spout, 19.3cm. (3) £80100 Provenance: the Redstone Collection. 234 A Royal Worcester vase by Harry Stinton, date code for 1903, painted with sailing boats in a choppy sea, signed, printed mark, 10.5cm. £200300 235 Three Coalport ornithological dessert plates, early 20th century, painted by Percy Simpson with three differing moorland birds in landscape settings, signed, reserved on a rich blue ground with gilt foliate scroll motifs, titled ‘Woodcock’, ‘Plover ‘and ‘Mallard’ respectively, and a Worcester plate painted with a robin within a raised gilt border, printed marks, 23.7cm max. (4) £100200
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236 Six Royal Worcester coffee cans and saucers, date codes for 1926, painted by James Stinton with pheasants in a moorland landscape, signed, printed marks and date codes, one saucer broken and riveted, 10.7cm. (12) £100150
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237 An English porcelain wall pocket, c.1830, of flattened form, painted with a garland of fruit and flowers within pierced foliate scrolls, reserved on an apple green ground, freestanding on a scrolled foot, 21cm. £200300
238 A Coalport cased clock, c.184050, of elaborate rococo scrolled form, applied with colourful flowers and highlighted in turquoise and gilt, the clock with an enamel face, some damages and repairs, 28.5cm. £250350
239 A large Spode bowl, c.182030, richly decorated in pattern 1645 with stylized flower sprays issuing from a formal scroll border in the Imari palette, 28.5cm. £100200
240 A Job Meigh bough pot and cover, c.1820, of Dshape, painted with a basket of flowers including auricula, rose and convolvulus, flanked by a rhomboid design in gilt and orange, raised on three bun feet, the cover with three collared circular apertures and four small holes, impressed MEIGH, 19.3cm across. (2) £200300 Provenance: a private collection from Dorset.
241 Four Wedgwood small saucers, c.1900, for James Powell & Sons, Whitefriars, printed with scenes of Japanese figures within polychrome landscape panels on a red and gilt trellis ground, and an English porcelain spill vase decorated with Dr Syntax disputing a bill, 10.6cm max. (5) £50100
242 A pair of English porcelain vases, 19th century, of generous flared form, painted with flower sprays reserved in quatrefoil panels linked by husk, leaf and flower garlands, one damaged and repaired, possibly lacking covers, 16cm. (2) £100200 71
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243 A good Spode tea service, c.1810, finely decorated in pattern 498 with an Imari type pattern of baskets before an ornamental fence beneath panels containing birds and flowers. Comprising: a teapot with cover and stand, a milk jug, a sugar basin, a slop bowl, two saucer dishes, six plates, 10 teacups, 11 coffee cans and 12 saucers. (46) £300500
244 A Chamberlain’s Worcester part tea service, c.1810, decorated with gilt formal foliate motifs on narrow blue bands enclosing further gilt sprigs. Comprising: a teapot with cover and stand, a sucrier and cover, two cake plates, a slop bowl, 11 teacups, eight coffee cups and 11 saucers. (38) £200300
245 An English porcelain part tea service, c.1810, painted in pattern 155 with small blue flower sprays within gilt foliate sprigs. Comprising: a teapot with cover and stand, a sucrier and cover, a milk jug, a slop bowl, a cake plate, six teacups, six coffee cups and 12 saucers. (32) £100200
246 A Derby part dessert service, c.1790, painted to the wells with a single spray of pink roses within narrow blue bands with gilt dash borders, blue crowned D marks. Comprising: an ice pail and cover, two sauce tureens with covers and stands, five square dishes in two sizes, three oval dishes in two sizes, and ten plates. (26) £300500
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247 Two English porcelain part tea services, c.180020, decorated with formal floral designs in gilt and white on differing blue grounds. Comprising: the first, a milk jug, a cake plate, two teacups, six coffee cans and six saucers, the second, four teacups, three coffee cans and eight saucers. (31) £100200
248 A New Hall part tea service, c.17901800, boldly decorated in pattern 272 with large flower sprays and saz type leaves. Comprising: a teapot and cover, a milk jug, a slop bowl, six teabowls and six saucers. (16) £100200 Provenance: the Redstone Collection.
249 A Chamberlain’s Worcester part tea service, c.1800, decorated in the Royal Lily pattern. Comprising: a teapot and cover, a sucrier and cover, a milk jug, a slop bowl, a cake plate, six teabowls, five coffee cans and ten saucers. (28) £150250
250 A collection of English porcelain tea wares, late 18th/early 19th century, mostly New Hall, including a saucer dish painted in pattern 443 with redcurrant sprays, a small plate printed with roses in pattern 1508, a milk jug with matching coffee cup and saucer painted with flowers, a teabowl and saucer painted with Chinese figures in a garden, a cup and saucer decorated with a shell design, three further teabowls, two coffee cups and, two cans decorated with Chinese figures, flowers and formal motifs, some faults, 20.3cm max. (17) £100200 Provenance: the Redstone Collection.
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251 A Nantgarw oval dish, c.181820, Londondecorated in the workshop of Robbins and Randall, the well with two exotic birds perched on and beneath a leafy branch between flowering plants, the shaped rim with a continuous floral border on a pale peach ground, gilt dentil rim, impressed NANTGARW CW mark, 29.8cm. £300500 Cf. W D John, Nantgarw Porcelain, colour pl. 5B for a plate with a similar centre and buffcoloured border. See also Roger Edmundsen, Welsh Ceramics in Context, Part I, p 206, pl 11.24 for a circular dish in the same pattern from a service in the Tullie House Museum, Carlisle.
252 A Nantgarw plate, c.1818, painted with three pink roses to the well, a small moth in flight beside, the rim with garlanded roses on an elaborate gilt foliate ground, impressed mark, 24.2cm. £200300 Cf. W D John, Nantgarw Porcelain, col. pl. 29B for a similar example.
253 A Derby armorial dish, c.17901800, painted to the well with the crest of a reined horse’s head above the initial F between tied leaf swags, reserved on a rich yellow ground within a gilt foliate rim, puce crowned crossed batons and D mark, 26.8cm. £300400
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254 A Chamberlain’s Worcester miniature vase and cover, c.1830, the squat urn shape painted with a view of Malvern reserved in a gilt scroll cartouche on a salmon pink ground, titled to the base, script factory mark to the inside cover, some faults, 5.8cm. (2) £200300
255 A Spode sucrier and cover, c.181020, decorated in pattern 2004 with polychrome flower sprays on and around a border of white moulded flowers on a pale blue ground, iron red factory mark and pattern number, 15.5cm. (2) £80120
256 A pair of Barr, Flight & Barr (Worcester) sauce tureens and covers, c.180510, of rounded bowl shape, richly decorated in the Imari manner with Chinese figures carrying parasols and catching birds amidst large flowering plants, applied with ring handles issuing from eagle masks, the covers with gilt flame finials, printed and impressed marks, 16.8cm. (4) £1,0001,500
257 A Derby coffee cup and associated saucer, the cup c.1795, painted by Zachariah Boreman to the interior well with figures beside a lake and windmill, the saucer c.1820 and decorated with a similar landscape, a Pinxton coffee can painted with a bridge spanning a river beside trees within a rectangular gilt panel, and a Coalport coffee cup painted with a similar scene of figures at the water’s edge, some damages, 13.2cm max. (4) £120180
258 A Minton teacup and saucer, date code for 1870, boldly decorated in the Aesthetic manner with stylized flower stems in red, gilt and green, between formal lappets on a rich turquoise ground, the rim with a gilt Greek key design, impressed marks, 13.6cm. (2) £300400
259 A Chamberlain’s Worcester cabaret service, c.180510, brightly decorated with a formal pattern of flowerheads and scrolling acanthus leaves on a rich orange ground. Comprising: a teapot and cover, a sugar bowl, a milk jug, a cake plate, two cups and two saucers. (9) £300500 75
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260 A pair of Minton candlestick figures, 19th century, modelled as a boy and girl as gardeners, left in the white, a Minton scent flask or small vase, the flattened form painted in puce camaieu with a child playing kettle drums, the sides applied with mask heads, and a Londondecorated plate painted with a putto holding a flower garlands, sitting on clouds within a pink rim with small floral panels and gilt foliate scrolls, some damages and restoration, 25.2cm max. (4) £100200
261 A Flight, Barr and Barr (Worcester) dish, c.181020, painted in puce and red with a single swan swimming amidst flower sprays, a spiralmoulded sucrier painted in pattern 202 with a stylized floral band, inside the cover inscribed for ‘Shew, Yeovill, together with a matching teabowl, coffee can and two saucers, and a teapot and cover painted with gilt berried foliage on a blue band, 31.5cm max. (9) £100200
262 An English porcelain teabowl and saucer, c.17901800, possibly Factory Z, Thomas Wolfe & Co., printed in black with panels of figures standing on the shore and watching a ship at sail, within a narrow painted border, 13.8cm. (2) £100200
263 Two Derby plates, c.1790, the larger painted with three sprays of flowers including pink and yellow roses, cornflower and convolvulus, the smaller with a central spray of flowers within a blue and gilt rim, puce crowned crossed batons and D marks, 24cm max. (2) £300400
264 A Spode basket, c.1800, the circular form decorated in pattern 967 with formal Oriental flowering plants, a Coalport vase decorated in the Worcester style with flower panels on a blue scale ground, an English porcelain bough pot painted with a band of oak leaves, and a Paris bough pot with gilt swags on a claret ground, 20.2cm max. (4) £150200
265 Three Derby bough pots and a vase and stand, c.17901830, two bough pots of flared circular form, decorated with narrow blue and gilt borders, one with a cover pierced with six large holes, the other bough pot of bombe form painted with a view of Regents Park with swans on the river, the vase boldly decorated in pattern 1388, damages, 14.8cm max. (6) £100150
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266 A collection of New Hall tea wares, late 18th/early 19th century, including a pair of plates printed and coloured with scenes of Garrick’s Villa and Worfield Grove within moulded floral borders on a blue ground, a similarly decorated saucer with a view of Whitton, and two similar cups, a saucer decorated with a bride and groom in a garden, a cup and saucer printed in black with a view of Cuffnells near Lyndhurst, a cup with panels of Classical figures, and a cup and saucer decorated with gilt kylins on a blue ground, and another cup with a bold Imari pattern, 20.6cm max. (12) £150250 Provenance: the Redstone Collection.
267 Two English porcelain cabinet plates, 19th/20th century, the first painted to the well with a spray of fruit and flowers, the rim with panels of flowers, within elaborate gilt and turquoise borders on a pink ground, the second Royal Crown Derby and painted with flowers within a gilt and jewelled rim, a Copeland saucer painted in the Sèvresstyle with panels of a putto, musical and military motifs within green borders on a blue ground with gilt trellis, and a twohandled vase finely painted with a folly by a lake, the reverse with a large panel of flowers, reserved on a green ground, the vase with a rim crack, 24.2cm max. (4) £80120
268 A Davenport pearlware egg cruet, 19th century, with six cups and alternate slots to fit six spoons, all decorated with a border of blue and gilt dentils, and two Royal Worcester plates with blue and gilt sprigs, 23cm max. (9) £100150
269 A pair of Flight, Barr and Barr (Worcester) plates, c.182030, brightly painted with six panels of stylized Kakiemon flowers reserved on a blue ground with formal gilt motifs, impressed marks, 25.2cm. (2) £100200
270 Four English porcelain plates, 1st half 19th century, variously decorated in the Sèvres style, a Derby plate with bold flower sprays within feuille de choux borders, and another with a repeated sprig design, a plate painted with exotic birds within blue C scrolls and crossed laurel swags, another with birds and insects in flight within a pink trellis border, and a Derby comport painted in green camaieu with a gillyflower spray, staining to the latter, 29.5cm max. (5) £150200
271 Six English porcelain sucriers and covers, c.180030, variously decorated, one with batprinted landscape scenes, one with gilt flower sprigs, one with grapevine amid gilt sprigs, the last in red or gilt with formal designs, some faults, 18cm max. (12) £100200
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272 Two Continental pipe tampers, 19th century, one modelled in biscuit with the bust of Charles I raised on a greenglazed socle foot with ropetwist design, the other modelled as a boy standing with legs crossed and one hand behind his back, 6cm max. (2) £100150
273 A Derby pipe tamper, .1770, modelled as the head and shoulders of a lady with feathered headdress, her head slightly turned, rising from a pedestal base decorated in red, blue and gilt, 5.8cm. £400600
274 A Mennecy silvermounted snuff box, c.1750, the rectangular form moulded with a dense basketwork design, painted with bold polychrome flower sprays, the decoration echoed to the interior, the silver mount with French control marks, cracked, a chip to the top corner, 6.9cm. £100200
275 A Docciastyle rectangular snuff box, probably 19th century, moulded with Classical figures surrounded by putti and birds in flight, the cover with a figure in a chariot, the base with a crowned bird crest and a bearded figure with a long club, with a hinged metal mount, the cover broken and restuck, 8.3cm. £100200
276 A pair of Samson porcelain bonbonnières, late 19th century, after Meissen, each modelled as the head of a parrot with engraved gilt metal mounts, and a pair of Meissenstyle miniature vases and covers, painted with scenes of courting couples on a turquoise ground, 8cm max. (6) £150250
277 A German porcelain oval snuff box, c.1770, painted to the exterior with scenes of stags and deer, the top with a hunter seated on a fallen tree with his dog beside, the interior lid with a portrait of Frederick the Great, with gilt metal mounts, 6.7cm. £300500
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278 A Mennecy silvermounted snuff box or bonbonnière, c.174050, modelled as a large pear with russet and cream striations, moulded with three leaves off the short stalk, the inside cover painted with a flower spray, Paris discharge mark to the mount, restored, 7cm. £250350
279 A Chelsea scent bottle, c.175660, of flattened form, decorated with gilt butterflies and other flying insects on a puce ground, the sides applied with flowers and leaves, with a gilt metal mount, the stopper formed as a small bird, some wear and small damages, 8.1cm. £600800
280 A Chelsea scent bottle, c.1755, modelled as a bottle contained in a yellow wicker basket, the neck painted with sprays of flowers, moulded with a bottle ticket inscribed ‘Eau de Senteur’, with a gilt metal mount and a stopper formed as a colourful butterfly with folded wings, restoration, 9.8cm. £500800
281 A Chelsea scent bottle, c.1755, of flattened rococo form, painted in puce camaieu with large flower sprays and scroll detailing, with gilt metal mounts to the foot and neck, a stopper formed as a small bird, cracked, 9.2cm. £500800
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283
284
282 A rare South Staffordshire enamel bonbonnière, c.1770, modelled as a lemon with slightly dimpled texture and rich yellow colour, some restoration, 4cm high. £150250
283 A small South Staffordshire enamel bonbonnière, c.1770, modelled as an apple with russet and cream striations, with a hinged metal mount, some restoration, 3.5cm high. £100200 Paper label for D M & P Manheim, New York.
285
286
284 An English porcelain scent bottle, c.1755 70, possibly Chelsea, modelled in the form of a pear with russet striations over a buff ground, the cover with a gilt metal mount, 5cm. £500700
285 An English enamel bonbonnière, c.1770 80, modelled as a large walnut, the moulded body decorated with striations of brown on a pale buff ground, some restoration, 4.5cm. £100200 Paper label for D M & P Manheim, New York.
286 A rare South Staffordshire enamel bonbonnière, c.177080, modelled as a gherkin pickle or small cucumber, with raised black dots on a green ground, grading to yellow as it tapers to the end, 5.8cm. £400600
287 80
287 Four enamel snuff boxes, c.176080, two modelled as apples with russet patches, one rectangular and painted with figures in landscapes, another with a courting couple, a patch box printed with a milkmaid, another inscribed ‘The Gift is Small but love is all’, and a miniature bonbonnière or pill box in the form of an egg, damages and restoration, 8.2cm max. (7) £200300
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288 A Limoges enamel wine taster or taste vin, probably 19th century, the well painted with a profile portrait of Christ, the internal sides with a bold floral border, the exterior with a dense ground of flowers in gilt on a purple ground with jewelled detailing, the underside with a building by water, some chipping, 12.6cm. £100200
289 A circular snuff box with an enamel plaque, c.1770, the top painted with figures in a harbour setting, the shaped base of chased gilt metal with foliate scrolls, some cracking, 6.3cm. £100200
Provenance: a private collection from Dorset.
290 A circular English enamel snuff box, c.176070, painted to the cover with figures in a harbour moving bales and barrels towards a pulley in the distance, the sides with vignettes of buildings and trees, echoed to the interior, 6cm. £200300 Paper label for D M & P Manheim, New York.
292 Four enamel patch boxes, c.177090, of oval form, one printed with a view of Salisbury cathedral, one inscribed ‘A Trifle from Norwich’, another ‘A Trifle from Yarmouth’, the last with a blue panel inscribed ‘Esteem the Giver’, the bases variously coloured pink, green and blue, some damages, 4.3cm max. (4) £200300
291 An English enamel bonbonnière, c.1770, modelled as a cat recumbent on a blue cushion, its coat decorated with patches of brown and black, the cover with a simple flower spray, and a Continental enamel patch box, decorated with a bearded saint kneeling beneath a tree and looking up, the sides with gilt foliate scrolls on black, minor damages, 4cm max. (2) £200300
293 A South Staffordshire oval snuff box, c.1770, decorated with unusual gilt motifs of fruit and leaves within yellow and brown panels, reserved on a pink linen or gingham ground with a flower garland, 9cm across. £250350
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294 A Staffordshire enamel étui, c.176570, of flattened oval form, painted with figures promenading before stately buildings at the water’s edge, with ships being loaded, within gilt scroll cartouches on a pink ground, the cover with flower panels, with contents, some restoration, 10.3cm. £400600
295 A large enamel etui, c.177080, of cylindrical form, painted with bucolic scenes of a shepherd with his flock and a girl carrying a basket on her head, within gilt foliate scroll panels on a pale green ground with raised white dots, the reverse with panels of flowers, 12.2cm. £150250
294
296 An English enamel commemorative patch box, late 18th/early 19th century, the oval form painted in black with a ship at sail, titled ‘Nelson and Victory’, the base coloured a pale blue, with internal mirror, restoration, 4cm across. £100200
295
297 An enamel snuff box, c.1770, London or Birmingham, of rectangular form, delicately painted with sprays of flowers and single scattered sprigs on a white ground, the decoration echoed to the interior, with gold coloured metal mounts, some faults, 7.5cm. £150250
299 A Staffordshire enamel table snuff box, c.1770, of rectangular form, painted to the cover with a sleeping girl being teased by two children as their mother stands by, a cow looking on, within a gilt scroll cartouche on a deep blue ground, the sides and base with panels of flowers, some cracking, 9.7cm. £250350 82
298 An English enamel patch box of Lord Nelson interest, late 18th/early 19th century, painted with a view of HMS Victory at sail in a greenish sea, within a border of white dots, on a blue ground, restoration, 4cm across. £150250
300 An English enamel table snuff box, c.176070, of rectangular form, printed and coloured to the cover with a shepherd reclining and playing the bagpipes to his standing companion who rests her basket on a ledge, a dog and sheep standing by, the sides with flower sprays, restoration, 9cm. £150250
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ENGLISH BLUE & WHITE PORCELAIN OF THE 18TH CENTURY
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301 Three Bow blue and white plates, c.176065, all with fan panel decoration of a central circular vignette of a Chinese landscape within similar fan shaped panels and small floral roundels on a powder blue ground, pseudo script marks, minor faults, 20.3cm max. (3) £200300
302 A pair of Bow blue and white cups and saucers, c.176065, painted with a fanpanelled pattern of Chinese landscape scenes and small flower sprigs reserved on a powder blue ground, and a rare Bow trembleuse saucer painted with fan panels of flowers, together with a similarly decorated Chinese porcelain teabowl from the early 18th century, 14.4cm max. (6) £300400 The trembleuse saucer from the reference collection of Geoffrey Godden.
303 Two Bow blue and white pickle dishes, c.1760, of vine leaf shape, the smaller painted with continuous grapevine, the larger with small vine and flower sprigs, moulded with veining to the undersides, and a Bow blue and white cup and saucer, painted with a fanpanelled pattern of Chinese landscape scenes and small flower sprigs reserved on a powder blue ground, minor faults, 13cm max. (4) £150200 84
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304 Four Lowestoft blue and white saucers and a teabowl, c.176580, two saucers painted with differing pagoda island landscapes, the other two of fluted form and painted with flower stems and scattered sprigs within brown line rims, the teabowl associated to one of the landscape saucers and painted in the same pattern, some faults, 11.8cm max. (5) £200300
305 Two Worcester blue and white pickle dishes, c.175865, one of scallop shell form and painted with the Two Peony Rock Bird pattern, workman’s mark, the other of deep vine leaf shape and painted with Fruit Sprays, a Worcester blue and white slop bowl, printed with the Plantation pattern, and a strapmoulded sauceboat painted with panels of fisherman in chinoiserie landscapes, the sauceboat with a section broken and restuck, 20cm max. (4) £200300
304
Provenance: the Robert and Celia Morris Collection.
305 306 A Worcester blue and white teabowl and saucer, c.175560, painted in the Prunus Root pattern, a tall Worcester mug printed with the Bouquets pattern, hatched crescent mark, a Worcester leaf dish painted with the Floral Sprays pattern, and a bowl decorated with the Late Rock Floral pattern, various marks, the mug restored, 22.3cm max. (5) £250350 Provenance: the Robert and Celia Morris Collection. Formerly in the Larry and Betty Douglas Collection (the teabowl and saucer).
306 307 A Worcester blue and white teabowl and saucer, c.175860, painted with the Prunus Root pattern, a Liverpool small bowl moulded with flowering peony branches, a small Chinese porcelain bowl painted with panels around a central tied scroll, and a larger Chinese bowl painted with panels of figures in the Mandarin palette, 20.2cm max. (5) £150200
307
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308 A William Reid (Liverpool) blue and white pickle dish, c.175860, moulded as a pointed leaf with a smaller overlapping leaf and flower sprig, the edge and small leaf with blue detailing, 12.2cm. £150250
309 An English porcelain blue and white cup or wine taster, c.1755 or later, of peach shape, painted with a loose leaf spray, a smaller sprig to the interior with flying insects about, raised on a twig foot extending to a short handle, two small filled rim chips, 15.6cm across. £500700 Provenance: Phillips, The Watney Collection, 1st November 2000, lot 85A. This was catalogued tentatively as Longton Hall but lacks the moulding of other similar cups produced by the factory at this time. There are decoratively some similarities with Limehouse porcelain of the same period.
310 Two Derby blue and white wine tasters, c.1765, the circular forms moulded with gadroon flutes to the exterior, the interiors painted with an Oriental flower spray within a blue dentil rim, each with a pierced scroll handle, the handles broken and restuck, 7.5cm. (2) £70100 Provenance: The Susi and Ian Sutherland Collection. Bonhams, lot 291.
310
311 A Lowestoft blue and white teabowl and two saucers, c.1764, with Hughes type moulding, painted with vignettes of Chinese pagoda landscapes within moulded panels, and a Longton Hall small mug or coffee can, painted with a gnarled tree on a mound beside buildings, with distinctive knopped handle, the can and teabowl cracked, 12.7cm max. (4) £120180
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312 A Worcester blue and white twohandled sauceboat, c.1756, painted with the TwoHandled Sauceboat pattern, the interior with a fisherman beside a twostorey pagoda, the moulded exterior with four small vignettes of further figures, birds and flowers, workman’s mark, 19cm. £200300 Provenance: formerly in the Professor Richard Clarke Collection. Purchased from Simon Spero in 1998.
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313 Three Derby blue and white wine tasters, c.176575, of shallow circular form, the exteriors with gadroon moulding, each painted to the interior with a large flowerhead within dentil and cell diaper borders, each applied with a short foliate handle, 7.5cm. (3) £100150
314 Two Derby wine tasters, c.176575, of shallow circular form, one with gadroon fluting to the exterior and painted in blue with a flowerhead within a dentil rim, the other with a gilt sprig to the interior and a gilt dentil rim around the outside, and a Chinese porcelain wine taster in the Derby style, 7.6cm. (3) £100150 Provenance: two from Bonhams, 13 December 2006, lot 148.
315 Five Worcester and Caughley blue and white wine tasters, c.176080, of varying circular form, printed to the interiors with the Fisherman and Cormorant pattern, applied with a formal foliate handle, 7.1cm max. (5) £200300 87
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316 A rare Samuel Gilbody (Liverpool) blue and white vase, c.175860, one side painted with a small boy holding a large parasol above a Chinese dignitary, the reverse with a willow tree issuing from forked rocks beside an ornamental fence, the foot and neck with a trellis border, 14.7cm. £1,5002,000 Provenance: the Davies Collection. Illustrated: Maurice Hillis, Liverpool Porcelain, p.304, pls.7.65 and 7.66. Exhibited: Liverpool Exhibition, Phillips, 1997.
317 A Pennington’s (Liverpool) blue and white jug, c.176570, painted with a Chinese figure carrying a basket and a long stick through a garden with ornamental fence towards a small hut, raised on a wide circular foot, a small filled chip and restored crack, 13.7cm. £250350 Cf. Maurice Hillis, Liverpool Porcelain, 4.123.
318 A large Richard Chaffers (Liverpool) mug, c.1760, the tall cylindrical form well decorated with a Chinese landscape with two figures conversing beneath tall trees and rockwork, a small hut a low bridge, with a strap handle, 15cm. £500800 Exhibited: Simon Spero, 2012, 88
318A A Worcester blue and white Dutch jug, c.1758, the rounded body formed of overlapping cabbage leaves, boldly painted with continuous sprays of flowering prunus in the Cabbage Leaf Jug Floral pattern, workman’s mark, 19.8cm. £150250
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319 A rare Vauxhall blue and white sweetmeat stand, c.1756, formed of three scallop shells, each painted with a chrysanthemum spray, the joined edges applied with small shells and a central whelk shell, 19.5cm across. £500800 Exhibited: Simon Spero, 2011, no.31.
320 An Isleworth blue and white feeding cup, c.177085, the circular bowl printed with sprigs of gillyflower or carnation and other smaller flowers and moths, the bowl half covered and issuing a long, curved spout, the sides applied with two shellshaped handles, a few small chips, 18cm across. £1,5002,000
Only a small number of Vauxhall pickle shells of this form are recorded, including an example from the Watney Collection of the same pattern sold by Phillips, 10 May 2000, Lot 738.
Cf. Geoffrey Godden, English Blue and White Porcelain, colour pl.60 and pl.281 for a similar example. All of the known examples of Isleworth feeding cups are decorated with the same series of floral prints.
321 A James Pennington (Liverpool) blue and white mug, c.176773, the bellshaped body painted in a dark blue with a formal flower spray, with a double grooved strap handle, 10.5cm. £100200
322 A Vauxhall blue and white mug, c.175558, the rounded form painted with a chinoiserie scene with a figure crossing a bridge by a pine tree and rockwork, with a small hut before mountains, the grooved handle with a floral motif, a small filled rim chip, 12cm. £500800
Paper label for the F S Mackenna Collection. Illustrated: Maurice Hillis, Liverpool Porcelain, No. 4.78.
Provenance: the Geoffrey Godden Collection. Illustrated: Geoffrey Godden, English Blue and White Porcelain, p.175, colour pl.46, and p.183, pl.223. Exhibited: English Ceramics Circle, Vauxhall Exhibition, 2007, no. 133. 89
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323 A Vauxhall blue and white butter or cream boat, c.175668, the shallow fluted form painted with two Chinese figures in a continuous landscape, a large Bow leaf dish painted with insects around a large fruiting vine, and a Richard Chaffers (Liverpool) coffee pot and cover painted with loose flower sprays over sgraffito decoration of stylized flower scrolls to simulate Chinese anhua decoration, some damages, 23.8cm max. (4) £200300
324 A Worcester blue and white water bottle or guglet and basin, c.176065, each printed with the Pinecone pattern within a honeycomb trellis border, open crescent marks, 28cm max. (2) £400600
325 A rare near pair of Caughley blue and white plates, c.178592, painted with the Salopian Peony spray, within smaller scattered sprigs, with formal trellis borders to the scalloped rims, painted S and C marks, each with a restored rim chip, 20.2cm. (2) £100200
326 A large Worcester blue and white sauceboat and a butterboat, c.176075, the sauceboat of generous fluted form and painted with the Rose pattern, the inside rim with a continuous cell diaper border, open crescent mark, the butterboat formed of overlapping geranium leaves and painted with flower sprays, workman’s mark, 22.5cm max. (2) £100200
Cf. The Caughley Society, Caughley Blue and White Patterns, p.110 for a monogrammed mug, previously thought to be the only piece in this pattern.
327 Two Seth Pennington (Liverpool) blue and white pickle dishes, c.177890, one moulded as a cos lettuce leaf with blue veining, the other as a large leaf overlaid with three small rose leaves and painted with a flying insect, 16.5cm max. (2) £200300 90
The term ‘guglet’ is believed to derive from the sound made by liquid pouring out of the wide neck of such shaped bottles.
328 Two miniature Pennington’s (Liverpool) blue and white saucers, c.177080, painted with stylized flower sprays within a wavy line rim, and a William Redi teabowl painted with a continuous Chinese landscape, 3 mark to the base, the teabowl cracked, 7.1cm max. (3) £100200
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329 An unusual Pennington’s (Liverpool) pickle dish, c.177075, modelled as a large scallop shell overlaid with a small shell, blue detailing, 11.1cm. £100200
330 A good Worcester blue and white coffee can or small mug, c.1755 58, the slightly waisted form painted with the Rock Warbler pattern, the longtailed bird perched on tall rockwork beside an ornamental fence and flowering plants, with grooved strap handle, workman’s mark, 6.5cm high. £200300
331 A Worcester blue and white sauceboat, c.1770, the exterior boldly moulded with large sprays of rose and other flowers, the interior painted with a formal peony spray within a cell diaper border, open crescent mark, 17.3cm. £80120
332 A previously unrecorded Worcester blue and white slop bowl, c.1785, painted with a variant of the Formal Rose Spray pattern, with a large sprig including a starshaped narcissus or passion flower, the reverse with a flying insect and two smaller sprigs, the interior rim with a leaf and flowerhead garland border, open crescent mark, 12cm dia. £100200
Paper label for the Nicholas Panes Collection.
Cf. Branyan, French & Sandon, Worcester Blue and White Porcelain 17511790, I.E.54 for a discussion of the Formal Rose Spray, which is in itself very rare.
333 A Liverpool blue and white punch bowl, c.176070, painted with a heron or other wading bird perched on the end of a low fence beside flowering plants, the interior with a formal foliate design and a trellis border, 24cm dia. £250350
334 A rare Worcester blue and white punch bowl, c.1775, painted with a variation of the Two Quail pattern, with three birds strutting between fronded grasses, a moth in flight above, open crescent mark, 23.5cm dia. £350450 91
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335 A rare William Reid (Liverpool) blue and white fluted cup, c.175660, the faceted bellshaped body painted with a low hut beside rocks and tall trees, and a Longton Hall teabowl, printed by John Sadler of Liverpool with the Courted Shepherdess, a small chinoiserie vignette and two large birds, some faults, 7.5cm max. (2) £150250 Cf. Maurice Hillis, Liverpool Porcelain, p.45 for a polychrome cup of the same shape. Hillis suggests that these taller cups may have been used for chocolate rather than coffee. The cup with green initials for the Gilbert Bradley collection, the teabowl with a label for the Watney collection,
335
336 Two Worcester blue and white teabowls and saucers, c.175458, one painted with the Rock Warbler pattern, crescent mark, the other with a band of moulded reeding within a continuous floral border, the centre with a flower spray, workman’s marks, 12.2cm max. (4) £200300
336
337 A rare and early Worcester blue and white teabowl, c.175354, painted with the Crescent Moon pattern, with a long ornamental fence beside low pagodas, rockwork and pine trees, the reverse with a crescent moon above lonely round rocks, 7.7cm dia. £200300
338 Three Caughley creamers, c.178085, one painted in underglaze blue with the Rock House Island pattern, another left in the white with traces of gilding to the rim, the last of low Chelsea ewer form, painted with the Simple Posy pattern, 11.2cm across max. (3) £150250 The white creamer from the Godden Reference Collection.
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339 An early and rare Worcester blue and white small mug, c.175455, the cylindrical form painted with the Warbler pattern, a single bird perched on reeds beside a flowering peony branch issuing from holey rockwork beside an ornamental fence, with a triple turned base above the slightly flared foot, workman’s mark beneath the handle, 7.6cm. £1,0001,500 Cf. Brian Haughton Gallery, The Paul and Helga Riley Collection, Item No. 1130 for a mug of the same shape.
340 A rare Seth Pennington (Liverpool) blue and white custard cup and cover, c.177890, the squat rounded form decorated with a spray of peony and other flowering plants beneath a trellis border, 7cm high. (2) £250350
341 A rare Lowestoft blue and white inkwell, c.1764, the cylindrical form painted with small flower sprigs and scattered flying moths and insects, the shoulder pierced with three small holes around a central well, painter’s numeral to footrim, together with two inkwell sherds excavated from the factory site, the inkwell 6.5cm high. (3) £1,0002,000 Provenance: from the Godden Reference Collection. Illustrated: Geoffrey Godden, Lowestoft Porcelains, p.252, pl.247. 93
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ENGLISH POLYCHROME PORCELAINS & FIGURES
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342 A large Worcester bellshaped King of Prussia mug, c.1757, printed in black with a head and shoulders portrait of Frederick II of Prussia, titled and dated 1757, the reverse printed with Fame blowing trumpets, both flanking a design of pennants and military trophies, signed in the print RH Worcester for Robert Hancock, a short crack near the handle, 14.5cm. £300500
343 A Worcester bellshaped King of Prussia mug, c.1757, printed in black with a head and shoulders portrait of Frederick II of Prussia, titled and dated 1757, the reverse printed with Fame blowing trumpets, both flanking a design of pennants and military trophies, signed in the print RH Worcester for Robert Hancock and with an anchor rebus for Richard Holdship, 11.8cm. £250350
344 A small Worcester bellshaped King of Prussia mug, c.1757, printed in black with a head and shoulders portrait of Frederick II of Prussia, titled and dated 1757, the reverse printed with Fame blowing trumpets, both flanking a design of pennants and military trophies, signed in the print RH Worcester for Robert Hancock and an anchor rebus for Richard Holdship, a small area of staining to the interior, 8.5cm. £300500
Provenance: the Property of a Noblewoman.
Provenance: the Property of a Noblewoman.
Provenance: the Property of a Noblewoman.
345 A Worcester twohandled sauceboat, c.1755, the exterior printed in black with four vignettes of Men of War ships within moulded leaf panels, the interior with a river scene of swans and other aquatic birds, 19cm across. £300400
346 A Worcester Blind Earl dish, c.176065, moulded in relief with rosebud sprays and leaves extending from the crabstock handle, printed in black with figures before Classical Ruins and a tall fountain, and a large Worcester cylindrical mug printed with the Whitton Anglers design, the reverse with The Fortune Teller, 15.7cm max. (2) £150250 Provenance: the Robert and Celia Morris Collection. The Whitton Anglers is taken from a small detail of an engraving by William Woollett showing the garden of the Duke of Argyll’s home at Whitton in Middlesex. The Fortune Teller, also known as ‘La Diseuse d’Aventure’ is after a painting by Watteau. 95
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347 A Worcester twohandled sauceboat, c.1755, the exterior printed in black with four vignettes of Man’o’ War ships within moulded leaf panels, the interior with a river scene of swans and other aquatic birds, a rim crack, 18.5cm across. £200300 Provenance: the Robert and Celia Morris Collection.
348 A Worcester bellshaped mug, c.1760, printed in black with a Windmill and other buildings to one side, the reverse with, figure fishing before a water mill, and a Worcester hexagonal teapot stand, printed in purple with a figure fishing beneath a tree before a ruined Classical obelisk, restoration to the mug, 14.4cm max. (2) £150250 Provenance: the Robert and Celia Morris Collection. The stand formerly in the Perry Collection and the RidleyDay Collection.
349 A Bow punch bowl, c.1760, printed with three scenes of chinoiserie figures in garden and interior scenes with tables and vases, handenamelled in bright colours, brown line rim, 21.4cm. £300400
350 A Worcester highfooted sauceboat, c.175455, printed in the Smoky Primitive manner with Chinoiserie scenes of figures reserved in moulded panels edged in puce scrolls, the interior with Bubbles, the foot and internal rim with flower sprays in the famille verte manner, 19cm. £300400 Provenance: the Robert and Celia Morris Collection.
351 Five English porcelain coffee cups, c.176080, including a Lowestoft blue and white cup painted with flowering plants and rockwork, a Richard Chaffers cup painted with the Jumping Boy pattern with additional red enamelling, a Liverpool cup painted with famille rose peony and rockwork, a Bristol cup painted with small flower sprays and a formal garland, and a Pennington’s coffee can printed with the Two Quail pattern, together with a Liverpool teapot and cover (Shaw’s Brow), painted with a chinoiserie scene of an artist at a table beneath trees, some damages, 18cm max. (7) £150200 Provenance: the Redstone Collection. 96
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352 An early Bow mug, c.1752, the flared cylindrical body painted in the Imari palette with flowering branches and bamboo stems issuing from holey rockwork, the foot with a border of alternating panels of flowerheads and diaper pattern, heavily stained, 12cm. £100150
353 A Liverpool teapot and cover, c.176070, the globular body decorated in the Imari palette with a longtailed bird perched on rockwork amid flowering plants, another looking on beneath a flying moth, 21.5cm across. (2) £350450
354 A pair of Spode plates, c.1820, printed with arrangements of fruit, the rims moulded with entwined dolphins and foliate motifs, and a Chelsea soup plate, c.1755, of Gotzkowsky type, moulded with bands and sprays of flowers, painted with scattered single blooms, a ladybird and other flying insects, 23.5cm max. (3) £150200
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355 An early Worcester reeded coffee cup, c.175355, the rounded form moulded with a band of narrow vertical ribbing, painted with sprays of Oriental flowers, the rim with a continuous floral band, applied with a scroll handle, 5.3cm. £200300 Provenance: the Robert and Celia Morris Collection.
356 An early Worcester reeded coffee cup, c.175355, the rounded form moulded with a band of narrow vertical ribbing, painted with a peony spray and other Oriental flowers, the rim with iron red flower motifs reserved on a band of grisaille trellis, applied with a scroll handle, 5.5cm. £100200 Provenance: the Robert and Celia Morris Collection.
357 An early Worcester reeded coffee cup, c.175354, the slightly flared form moulded with a band of reeding over seven lobes, painted with sprays of famille rose flowers beneath a floral swag border, applied with a scroll handle, 5.2cm. £200300 Provenance: the Robert and Celia Morris Collection.
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358
359
358 A Worcester cauliflower tureen base and associated cover, c.1757 60, naturalistically modelled with white florets enclosed by leaves shaded in tones of green, the base printed with scattered butterflies, 10.5cm across. (2) £300500 Cf. John Sandon, Worcester Porcelain, the EwersTyne Collection, fig. 34.
359 A Chelsea hexagonal teapot and cover, c.175054, finely painted with sprays of flowers in the Meissen style, one side with a large tortoiseshell butterfly, cracked, 18.5cm. (2) £250350 360
360 Two Chelsea dishes, c.175356, one of silver shape and painted with small scattered flower sprays within a brown line rim, the other formed as a large cos leaf with puce veining and green edging, red anchor marks, 28.8cm max. (2) £200300
361 Two Chelsea plates and a dish, c.175356, the plates painted with a flower spray and single scattered sprigs within brown line rims, red anchor marks, the large oval dish with bold flower sprays, brown anchor mark, the dish restored, 33.4cm max. (3) £200300
361
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362 A Worcester teacup and saucer, c.1770, painted with small exotic birds in flight around larger colourful birds before leafy branches, within a shaped blue border with a gilt trellis design, 13cm. (2) £400500
363 A rare Worcester teabowl and saucer, c.1765, painted with colourful fancy birds perched in and beneath leafy branches, reserved on a wet blue ground with gilt caillouté decoration, 12.6cm. (2) £400500
364 A Worcester twohandled chocolate cup and saucer, c.1775, of ogeemoulded form, painted with panels of Oriental flowers in the Kakiemon palette, reserved on a blue scale ground, square seal marks, 14.7cm. (2) £100150
365 A large Worcester dish or stand, c.176070, painted with sprays and garlands of colourful flowers reserved within gilt scroll borders on a blue scale ground, square seal mark, 24.9cm. £300400
366 A Worcester sauce tureen with cover and stand, c.176570, the quatrefoil form painted with panels of polychrome flower garlands reserved within gilt scroll cartouches on a blue scale ground, blue square seal marks, 21.2cm. (3) £200300
367 A Worcester sauce tureen with cover, stand and ladle, c.1768, the oval forms painted with panels of flowers in the Chinese famille rose manner, the stand with a European flower spray, reserved within gilt rims on a wet blue ground, open crescent marks, the ladle repaired, the stand associated, 18.8cm. (4) £200300
Provenance: the Robert and Celia Morris Collection. 100
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368 A Worcester chestnut basket with cover and stand, c.177075, the basket moulded with hexagonal floral panels, with crabstock handles issuing from applied flowers and leaves, the stand painted with a bold flower arrangement, restoration, the cover associated, 25cm. (3) £250350
369 A Worcester fluted ‘Fable’ dessert dish and a plate, c.177580, the dish of square form, each painted after Jefferyes Hammet O’Neale, the dish with an ox, a sheep and an elephant standing above a recumbent lion, the plate with three hounds attacking a stag in a woodland setting, 27.7cm max. (2) £350450
Provenance: the Robert and Celia Morris Collection.
Provenance: the Robert and Celia Morris Collection. The plate formerly in the collection of Sir Peter Crossman of Tetworth Hall, Cambridgeshire. This type of animal decoration was previously attributed Fidelle Duvivier but is now thought to be by a more amateur hand. The service mixes animal decoration with fables.
370 A Worcester leaf dish, c.175558, pencilled in purple with the Two Storey House pattern, two Chinese figures in discussion beneath a spreading tree and a tall house surrounded by an ornamental fence, the rim with a formal foliate border, some restoration to the rim, 26.4cm. £300400
371 A Worcester dessert plate from the Reagan service, c.1775, painted in the Sèvres manner with a central dry blue flower spray within overlapping garlands of gilt and turquoise flowers, the rim with swags suspended from shaped panels of gilt flowers on a purple ground, 21.5cm. £300500
Provenance: the Robert and Celia Morris Collection.
Provenance: the Robert and Celia Morris Collection. President and Mrs Ronald Reagan were presented with three dishes from this service during a State visit to London.
372 An unusual Worcester junket dish, c.1772, moulded with three panels of bamboo alternating with painted vases garlanded in flowers, and a reeded teacup and saucer painted with garlands of fruit and berried leaves suspended from pink ribbons within a blue and gilt border, the junket dish broken and restuck, 23.3cm max. (3) £100200
373 A Derby coffee pot and cover and a teapot and cover, c.1760, the coffee pot of baluster form and painted with flower sprays including rose and honeysuckle, the teapot of barrel shape and similarly decorated with flower sprays and scattered leaves, with faceted spout, 26.5cm max. (4) £350450
Provenance: the Robert and Celia Morris Collection. The junket dish formerly in the Zorensky Collection.
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374 An interesting pair of English porcelain vases and covers, late 18th century, of ovoid form, probably Londondecorated, painted in green camaieu in the manner of Jean Pillement with chinoiserie scenes of figures with instruments and other objects, seated and standing on one leg, with scattered sprigs of European flowers, echoed to the domed covers, both covers broken and restored, 17.5cm. (4) £8001,200
375 A Philip Christian (Liverpool) vase, c.176875, of baluster form, painted with panels of polychrome flowers within shaped gilt borders on a blue wash ground, the neck with a band of flowers reserved on white, some good restoration to the rim, 17.5cm. £150250 Paper label for the Rous Lench Collection.
374
375
376 A good Worcester ovoid vase, c.1770, richly decorated with a wide panel of two phoenix or other fancy birds perched on flowering chrysanthemum stems and holey rockwork, two further panels of chrysanthemum and leafy bamboo in the Kakiemon palette, alternating with narrow bands of gilt and white flowerheads on a deep blue ground, square seal mark, 14.5cm. £500700
377 A Worcester teapot and cover, c.1760 70, finely decorated possibly outside of the factory with a large pink rose and other flowers beside a detailed flying insect and a ragged winged moth, the reverse with a further large butterfly, the spout and handle with puce detailing, 19cm. (2) £300400 376
377
378 A Derby saucer dish, c.1790, later decorated in the manner of the HopeEdwardes service at Worcester with sprays of fruit and flowers, with a single turnip and small sprigs within a shaped claret ground border with gilt trellis design, 18.8cm. £150250 Provenance: a private collection from Dorset. Cf. The British Museum, Museum No. 1936,0715.77.CR, for a similar dish of different form with the decoration attributed to William Billingsley. 102
379 A Chelsea dessert dish, c.1762, painted with panels of colourful birds in flight, reserved within elaborate gilt borders of spider web and flower swags on a puce ground, with a gilt dentil rim, 34.3cm. £150250
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380 A Bristol part tea service, c.1770, the fluted forms painted with garlands of polychrome flowers suspended from gilt rings beneath a gilt dentil border. Comprising: a teapot, a milk jug, a cake plate, six teabowls, a coffee cup and seven saucers. (17) £400600
381 A Bristol chocolate cup and saucer, c.1770, of ogee shape, painted with polychrome flower garlands suspended from gilt rings beneath a gilt dentil rim, blue X5 marks, 14.7cm. (2) £250350
382 A William Cookworthy (Plymouth or Bristol) sauceboat, c.176870, of rococomoulded form, painted with delicate garlands of flowers within leafmoulded panels, a further flower spray beneath the spout, the shaped rim with a puce line, raised on a low scrolled foot, 14cm across. £400600 Cf. Nicholas Panes, British Porcelain Sauceboats, fig 381, p 233 for a similar example. 103
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383 A Chelsea octagonal soup plate, c.175255, painted in the Kakiemon palette with the Hob in the Well design, a figure helping another out of a large opening beneath bamboo, and a Chelsea plate with lobed border, painted with a bold spray of flowers and further small sprigs, red anchor mark, damages and restoration, 23cm max. (2) £100200
384 A Chelsea octagonal teabowl and saucer, c.175052, of large size, painted in the Kakiemon palette with a longtailed phoenix in flight above flowering branches issuing from banded hedges, 14.8cm. (2) £1,0001,200
Provenance: the Redstone Collection. Exhibited: Stockspring Antiques, The Dragon and the Quail (the soup plate).
385 A Chelsea twohandled ecuelle with cover and stand, c.176065, moulded with a band of overlapping scales and painted with polychrome flower sprays and single scattered blooms, gold anchor marks, and a Chelsea twohandled cup and saucer with similar moulding, painted with moths or butterflies in flight around arrangements of fruit and vegetables, brown anchor mark, some faults, 18cm max. (4) £300500
386 A pair of Chelsea plates, .1755, moulded in the Meissen Gotzkowsky manner with a central garland of flowers to the well, the panelled rims with further flower sprays, finely painted with moths, a caterpillar, insects and flower sprays, brown line rims, red anchor mark to one, 24cm. (2) £400600
Provenance: the Redstone Collection.
387 A Derby sauce tureen and cover, c.177080, decorated in the Worcester manner with the Joshua Reynolds pattern of exotic birds perched on turquoise rockwork amidst flowering branches, on panels alternating with bands of blue reserving flower panels, square seal mark in imitation of Worcester, 19cm across. (2) £300400 104
388 A large Worcester circular basket, c.176065, the interior well painted with a garland of flowers within a shaped panel on a blue scale ground with gilt flower sprigs, the shallow flared sides formed of interlocking circles painted with different colour flower stems, applied with single flowerheads to the exterior, blue square seal mark, 26.3cm. £9001,000
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389 A Derby frill vase and cover, c.176570, finely painted with moths and other flying insects between large applied flowers, the shoulders pierced with geometric arrangements of holes, applied with two mask head handles, the domed cover surmounted with a yellow bird with wings partially outstretched, some good restoration to the cover, 28.6cm. (2) £300500
390 A Worcester tea canister, c.176070, of ovoid form, painted with exotic birds strutting and in flight beside leafy trees, reserved within gilt scroll cartouches on a wet blue ground, blue square seal mark, the cover lacking, 13.5cm. £100150
391 A Bow frill vase and cover, c.176570, the flared form painted with colourful moths between large applied flowers, applied with two mask handles, the rim pierced with four arrangements of small holes, the pierced cover surmounted by a small bird, small damages, 22.8cm. (2) £250350
392 Literature: The Catalogue of the Schreiber Collection Volume I; The F S Mackenna Collection of English Porcelain (Plymouth & Bristol); Simon Spero, Lund's Bristol and Early Worcester Porcelain 175058; Frank Tilley, Teapots and Tea; F S Mackenna, Plymouth and Bristol Porcelains; and five other volumes on English 18th century porcelain. (10) £100200
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393 Three ChelseaDerby dessert dishes, c.177585, one painted with polychrome flower sprays within a blue and gilt border, another with leaf garlands, the last octagonal from the Acland Service, painted with a pink rose spray within bands of gilt and turquoise leaves, a teabowl and saucer from the same service, and a Chelsea Derby mug painted with small flower sprigs, together with a Derby pot pourri vase painted with panels of figures, birds and flowers, various marks, the mug cracked, the vase’s cover lacking, 26cm max. (7) £200300
393 394 A rare Worcester bowl, c.1765, brightly enamelled with exotic longtailed pheasants amidst flowering plants and rockwork and beside a small triangular fence, a Worcester coffee cup and saucer painted with fanshaped panels of colourful flowers within gilt foliate borders reserved on a powder blue ground, and a Worcester fluted coffee cup and tea cup, painted with dry blue flower sprays, some damages, 15.2cm max. (5) £150250 Provenance: the Robert and Celia Morris Collection. The bowl formerly in the Crane Collection, the saucer from the McWilliams Collection, the fan panelled cup from the Frank Wheeldon Collection. 394
395 Two English porcelain teabowls and two dishes, c.177090, one teabowl Worcester and decorated with a Hop Trellis pattern, the other Derby and decorated with a wide jagged blue band, a Worcester fluted saucer dish with flower garlands, and a Derby oval armorial dish with the crest of a unicorn emerging from a crown, 22.7cm max. (4) £100200
395
396 Two Worcester teacups and saucers, c.1765, similarly decorated with panels of exotic birds and scattered insects reserved in gilt scroll borders on a blue scale ground, blue square seal marks, 13cm. (4) £400600
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397 A Worcester teapot and cover, c.175658, the plain baluster form finely painted with butterflies, moths and other insects in flight around sprays of flowers, a further moth and ladybird to the cover beside the floral knop, the faceted spout with small leaf sprigs, a little good restoration to the spout, 18.5cm across. (2) £8001,200
398 A Worcester coffee cup and a saucer, c.1765, moulded with a continuous band of reeding and painted with the Old Worcester Parrot pattern, the rims with a dense colourful floral border, 13.2cm. (2) £150250
399 A Worcester teapot and cover, c.176570, brightly enamelled with the Queen Charlotte pattern of spiralling Oriental flower sprays in the Imari palette, blue square seal mark, a little chipping to the cover, 20.5cm across. (2) £100200 107
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400 A rare Derby wine taster, c.175660, the circular form with lobed moulding to the exterior, decorated with stylized puce leaf sprays, the interior well painted with a flowering peony plant in a simple palette of polychrome enamels within a double line border, the pierced scroll handle picked out in puce, a fine short rim crack, 7.1cm. £300400 Provenance: Bonhams, 8th September 2004, lot 212.
401 An early Worcester coffee cup and a teacup, c.1754, painted in the Oriental manner, the coffee cup with two panels of a colourful bird beside flowers, the teacup with a ladybird and sprays of flowers, all within rococomoulded panels on a fluted ground, the rims with green trellis designs, with delicate scroll handles, minor faults, 6cm max. (2) £400600
402 A Chelsea Derby porter mug and a Derby mug, c.176070, the ChelseaDerby mug of cylindrical form and painted with flower sprays beneath a blue and gilt border, the Derby mug barrel shaped and painted in puce camaieu with flowering plants issuing from a banded hedge, 9.6cm max. (2) £300400
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403 A Liverpool (Shaw’s Brow) punch bowl, c.1765, painted to the exterior with three Chinese figures and a dog in a garden setting, beside holey rockwork, the interior with a sprig of prunus blossom, the rim with floral panels on a green trellis ground, 24cm dia. £350450
404 A large Derby teapot and cover and two sucriers and covers, c.17901800, the teapot of spiralmoulded form, and painted with a continuous cornflower design, one sucrier fluted and painted with polychrome flower swags, the other reeded and decorated with dense loops of gilt chain on a blue band, puce crowned crossed batons and D marks, 23.5cm max. (6) £400600
405 A Longton Hall leaf dish and a sauceboat, c.1755, the dish formed of overlapping leaves painted with sprays of flowers, the sauceboat modelled with overlapping lettuce leaves picked out in green and puce, with crabstock handle, the interior painted with flowers, some restoration, 21cm max. (2) £200300
406 An earthenware Worcesterstyle sweetmeat stand, probably 20th century, formed of three shells painted with exotic birds, raised on a base applied with colourful small shells and seaweed, the underside of the shells washed in a marbled pink, minor damages, 16.7cm across. £80120
Provenance: the Redstone Collection. Exhibited: London Ceramic Circle, 2014.
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407 A large and rare armorial Bow mug, c.175055, the bellshaped form painted with the arms of the Worshipful Company of Merchant Taylors, comprising a shield containing a lion above three furlined tents, flanked by two camels above the motto ‘Concordia Parva Res Crescent’ (In Harmony Small Things Grow), the sides finely painted with single flower sprigs, the rim with a band of gilt flowerheads on an iron red foliate border, the base broken out and restuck, 15.5cm. £500800 Provenance: the Watney Collection. Exhibited: English Ceramics Circle, Armorials, 2008. The Worshipful Company of Merchant Taylors ranks sixth and seventh (on alternate years) in the Great Twelve City Livery Companies. It was founded prior to 1300 and first incorporated under a Royal Charter in 1327. Its base is the Merchant Taylor’s Hall between Threadneedle Street and Cornhill, a site it has occupied since at least 1347. Whilst initially a company for the tailoring profession, the company exists today as primarily a philanthropic association with links to a number of schools, colleges and almshouses. Surprisingly, given its location and strong trade links, there is little tradition of armorial decoration on Bow porcelain.
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408 A rare Chelsea crayfish salt, c.175255, probably modelled by Nicholas Sprimont with a large crayfish crawling over rocks encrusted with a variety of shells and seaweed, before a large single shell applied with further small shells, red anchor mark, some restoration, 7.3cm high. £2,0003,000 Nicholas Sprimont made this design in silver around 174243, transferring it into porcelain after 1745. It probably derives from a print after the French goldsmith Meissonnier.
409 A Plymouth sweetmeat or pickle stand, c.1768, formed of three large shells raised on a tall rocky base applied with shells and seaweed, flanking a central pierced whelk shell, 14cm high. £600800
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410 A pair of Derby figures of a gardener and his companion, 2nd half 19th century, he leaning on his spade while his companion leans over a potted plant on a plinth, each raised on a square base with continuous gilt foliate border, iron red factory mark for Stevenson and Hancock partnership, some restoration, 19.5cm. (2) £100150
411 A pair of Derby biscuit porcelain figures of putti, c.1780, each seated on rockwork beneath an oak tree, one with a hooded falcon resting on his right hand, the other with a dog, incised N213 to the bases, minor chips, 12cm. (2) £700800
412 A pair of Derby figures of a shepherd and shepherdess, c.1765, he holding a letter in his left hand and with a dog by his feet, she putting a flower garland around the neck of a lamb beside her, each standing before flowering bocage, raised on scrolled bases picked out in gilt and turquoise, small damages and restorations, 21.3cm. (2) £150250
413 A pair of Bow figures of dancers, c.176065, he with his arms outstretched and stepping forward with his left foot, his companion holding the corners of her floral apron, each raised on a pierced scrolled base with turquoise and gilt detailing, red anchor and dagger marks and blue crescent marks, some good restoration, 18.9cm. (2) £8001,200
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414 A Bow figure of a young girl, c.176065, standing and holding a bird’s nest containing two chicks, a flowerpot containing a tall flowering plant on the ground beside her, raised on a tall footed scroll base with blue, turquoise and gilt detailing, 18.5cm. £300400
415 A large Bow figure of Flora, c.1765, draped in a bright patterned robe, standing beside a tall vase of flowers and wearing a floral diadem, raised on a tall scroll base picked out in puce, turquoise and gilt, red anchor and dagger mark, some restoration, 27cm. £200300
416 A Bow figure of a huntress, c.176065, holding a pistol in her right hand, a small bird perched on her left, a dagger suspended from her belt, wearing a light blue coat over a flowered skirt, raised on a scroll base with puce detailing, a little restoration, 13cm. £200300
417 A pair of Derby figures of the Elements, c.1780, emblematic of Earth and Water, Earth modelled as a gardener standing beside a pot plant and holding a gourd, Water as a young girl with an apron full of fish, a lobster at her side, and a small Derby figure of Summer, modelled as a girl seated and holding a stook of corn, some damages and restoration, 18cm max. (3) £100200 Provenance: the Redstone Collection.
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418 A Bow figure of Smell, c.175660, from the Senses series, modelled as a young girl seated on a tree stump with an apron full of flowers, leaning on her right elbow and bending her head to sniff the blooms she holds, some small losses to the flowers and leaves, 13cm. £650850
419 A rare Bow figure of Pedrolino or Pierrot, c.1755, from the Commedia dell’Arte, wearing a yellow costume edged in purple pencilled scrolls, his arms outstretched, the low pad base applied with flowers and leaves, a few small chips and losses, 14.5cm. £400600 The figure was first modelled by Reinicke at Meissen, using an engraving by Francois Joullain in Louis Riccobini’s ‘Histoire du Theatre Italien’, published in 1731, and was faithfully copied by Bow.
420 Bow figure of Spring, c.1760, modelled as a girl seated and wearing a large hat, leaning on a basket of flowers, with blooms tumbling from her lap into further baskets beside her, wearing a yellow bodice and a white apron over a flowered skirt, raised on a footed scroll base with puce and turquoise detailing, a few small chips, 15.5cm. £350450
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421 A pair of Derby figures of a shepherd and shepherdess, c.176065, he holding a letter in his left hand and resting his right on one hip, his companion draping a flower garland around the neck of a lamb by her side, each standing before flowering bocage, raised on scrolled bases picked out in turquoise and gilt, some damages and restoration, 21.7cm. (2) £150250
422 A near pair of Bow figural candlesticks, c.176065, emblematic of Summer and Autumn, the former modelled as a girl holding a sheaf of corn and a sickle, her companion as a boy holding a bunch of grapes above a goblet, each raised on a footed scroll base and standing beside tall stems entwined with flowers leading to elaborate sconces, some damages and restoration, 26.5cm. (2) £400600
423 A pair of ChelseaDerby figures of Mars and Venus, c.176570, Mars dressed as a Roman centurion and standing beside a cockerel and shield, Venus modelled pulling the hand of Cupid, each standing on a scrolled base before flowering bocage, some good restoration, 20cm. (2) £200300
424 A pair of Derby figures of the French Seasons, c.1775, emblematic of Summer and Winter, the former with one arm around a sheaf of corn, the latter with a bundle of faggots over one shoulder, raised on reticulated scroll bases with turquoise and gilt detailing, a few small restorations, 25.5cm. (2) £200300
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425
426 425 A Derby figure of the Map Seller, c.1765, from the Cris de Paris series model at Meissen by J J Kändler, holding an unfurled map of Italy in his right hand, a further scrolled map in his left, a chest and other bundles strapped to his back, raised on a footed base with gilt and turquoise detailing, a little restoration, 15.3cm. £600800 Cf. Len and Yvonne Adams, Meissen Portrait Figures, p.108, pl.XXX, and p.93 for the original drawing by Edmé Bouchardon.
426 A Bow figure of a young girl, c.175658, possibly emblematic of Smell, holding a small posy of flowers in her right hand, with further flowers in her apron, the corner of which is held in her left hand, a sheep recumbent at her feet, raised on a low pad base applied with leaves, 15.2cm. £400600
427 427 A rare pair of Derby figures of a boy and girl with a Macaroni dog and cat, c.1775, the boy half kneeling on rockwork and wearing a short blue cloak, his spaniel wearing a black tricorn hat, the girl resting one foot on a tree stump and clutching a cat trying to escape from a frilled bonnet, restoration to the girl’s neck, 15cm. (2) £300500
428 A pair of Bow figures of a Shepherd Piper and Dancing Shepherdess, c.1756, his pipes tucked under his left elbow, a dog recumbent at his feet, she holding her skirt up to dance, a lamb resting by her side, both raised on low pad bases applied with flowers, a small amount of restoration, 14.5cm. (2) £6001,000 The likely source for these Bow figures is probably the similar figures produced at Derby, although they in turn were probably borrowed from Meissen.
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429 A Derby figure of Air, c.176065, from the Elements series, modelled as a girl in Classical dress standing on cloud scrolls and holding a bird aloft, a bugle in her right hand, some repairs, 23cm. £100150 Provenance: the Redstone Collection.
431 A Derby figure of Old Father Time, c.178090, modelled as an old man resting one foot on a globe, an hourglass leaning against one knee, draped in a flowered robe and standing before a scythe, raised on a circular base, incised No. 222, 16.5cm. £100200
430 A rare and large Derby figure of Jupiter, c.1760, seated in a two wheeled chariot beside a large standing eagle, holding a thunderbolt in his left hand, the chariot resting on cloud scrolls picked out in pale blue and yellow, minor faults, 26.2cm. £9001,100
432 A Bow figure group emblematic of Charity, c.1760, modelled as a mother seated and breastfeeding an infant while two further putti sit or stand beside her, a little restoration to her left hand, 13cm. £1,2001,400 117
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434
435
433 A Vauxhall figure of a lady, c.175558, wearing a flowered cloak over a blue skirt gilded with flowerheads, leaning her left arm on a stump beside her and holding an empty bowl, her right foot raised to step over the large applied flowers and leaves before her, some repairs, 14.5cm. £300500 434 A large and rare Bow whiteglazed figure of Flora, c.175658, emblematic of Smell from a set of the Five Senses, standing beside a pierced urn resting atop a square pillar garlanded with flowers, damages and losses, 25.5cm. £100200 This figure derives from a similar one modelled for the Meissen factory by J F Eberlein. 435 An unusual Bow figure of Winter, c.1765, modelled as a boy standing beside a flaming brazier before berried bocage, his hands tucked inside a fur muff, raised on a tall pierced base, 19.2cm. £350450 436 A Bow figure of a child dressed as Columbine, c.1760, wearing a skirt patterned with flowers and playing cards, holding a slapstick in her left hand, raised on a tall scroll base, some restoration, 14.3cm. £250350
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437 A pair of Derby figures from the Four Quarters of the Globe series, c.1770, emblematic of Asia and Europe, Asia modelled as a young girl standing before a recumbent camel and holding a vase, Europe wearing a coronet and holding an orb, with various attributes scattered around her feet, some good restoration, 19cm. (2) £150250
438 An early pair of Derby figures of dancers, c.175558, he wearing a Pierrottype costume with his right arm outstretched, his companion holding one corner of her apron and raising her left arm, both raised on low scrolled bases applied with flowers, some restoration, 15.2cm. (2) £8001,200
439 A pair of Derby figures of children, c.1770, each standing before tall flowering bocage with further flowers held in their aprons, raised on scrolled bases with green and gilt detailing, some restorations, 16cm. (2) £100200
440 Two Bow figures, c.176065, one of a female New Dancer raised on a low base encrusted with blue flowers, the other of a putto carrying a basket of flowers and standing before flowering bocage, red anchor and dagger marks, some restoration, 16.3cm max. (2) £250350 Provenance: the Raymond Dennis Collection, no. 14. Purchased from The Green Frog Ltd., Haslemere, 6th February 1958. Woolley & Wallis, 25th February 2014, lot 37.
441 Two Bow figures, c.175665, one a whiteglazed figure of Winter wrapped in a hooded coat and leaning over a flaming brazier, the other of a putto possibly emblematic of Spring, standing with a basket of flowers and draped in further blooms, some damages and restoration, 13cm max. (2) £200300
442 A small Derby model of a blue tit, c.176575, perched on a stump applied with flowers and leaves, its plumage brightly detailed, and a pair of models of goldfinches in the Derby manner, possibly Staffordshire, raised on low branches applied with flowers, with heads turned, 11.2cm max. (3) £100200 119
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443 A Derby figure of a billy goat, c.176065, recumbent with his left foreleg outstretched, his shaggy coat with russet patches, raised on a low scroll base applied with flowers and leaves, some good restoration to the horns and ears, 10.5cm high. £350450
444 A small pair of Derby figures of sheep, c.176070, depicting a ewe and a ram each recumbent before flowering bocage with heads turned back over their bodies, their coats decorated with small orange patches, minor chipping, 6.7cm high. (2) £150250
445 Two Derby models of pug dogs, c.177090, both seated on their haunches, one on a rectangular grassy base, his coat a pale orange, his head turned to the right, the other left in the white with gilt detailing, wearing a studded collar and raised on a scrolled base, 8cm max. (2) £400500
446 A Derby model of a red squirrel, c.1765, seated on its haunches and eating a nut held in its forepaws, raised on a low base applied with colourful flowers, some good restoration to the front paws, 7.7cm. £600800
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Cf. Victoria and Albert Museum, Accession no. 371A1902 for a similar example.
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447 An extremely rare Bow figure of a prowling lioness, c.175052, of large size, standing on a rocky base with mouth slightly agape and tail curled down between her hind legs, her head slightly turned, her coat enamelled a deep orangebrown, some wear, the tail restored, 23cm across. £15,00020,000 Several pairs of figures left in the white are known including those at the National Gallery of Melbourne, Victoria, accession number 2010.10.12, however, only one other enamelled example is recorded.
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CONTINENTAL PORCELAIN
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448 A Strasbourg (Joseph Hannong) porcelain model of a pug dog, c.177075, seated on his haunches with head turned slightly to the right, a doleful expression on his face, the base with sponged black decoration and small puce sprigs, impressed H over F733 and A3 marks, a little chipping, 9cm. £8001,200 Provenance: a private collection from Dorset.
449 A Meissen model of a chicken, modern, standing with neck arched slightly back and head turned, an egg laid beneath her erect tail, her plumage naturalistically detailed in brown and black, blue crossed swords mark, incised 395, 22cm high. £150250
450 A Meissen group of pigeons, 19th century, the fancy birds billing with one enclosing the other’s beak in his, their plumage naturalistically decorated, raised on a low rocky base, blue crossed swords mark, incised 1134, a small chip to one tail, 9.5cm high. £400600
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451 A very large pair of Meissen figures of parrots, 19th century, brightly decorated with colourful plumage, each perched atop a tall stump with head turned and beak slightly agape, blue crossed swords marks, incised A43, 42cm. (2) £2,5003,000 Provenance: from a private Hampshire collection. These parrots have been in the vendor’s family since 1905. 124
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452 A Meissen model of a green woodpecker, 19th century, perched on a tree stump with head turned to sinister, its beak agape, blue crossed swords mark and incised ‘55’, some good restoration to the beak, 27cm. £200300
453 A Meissen figure group, 19th century, probably modelled by Acier and Schönheit with three children around a rocky base, a girl standing and holding a tethered bird, another girl clutching the tether and sitting with the cage on her lap, a boy to one side with a vase leaning on a plinth, blue crossed swords mark, incised F94, minor damages and restoration, 20.5cm. £200300
454 A large French bisque porcelain figure group of the ‘Temple of Love’, 19th century, modelled with two Classical maidens flanking Cupid raised on a large pillar garlanded with flowers, one kneeling and offering a basket with two billing doves, the other adding further garlands, a further putto seated behind the pillar with a basket of flowers, incised R mark, 30cm high. £1,2001,400
455 A large pair of Continental porcelain figures of putti, 19th century, possibly emblematic of Spring and Autumn, one modelled beside a nest of chicks, the other with grapevine, each draped in patterned robes, damages, 47cm. (2) £200300
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456 A miniature Meissen figure of a Hussar, mid 18th century, modelled on horseback, his gun in his right hand, holding the reins in his left, wearing a furlined cloak and trimmed hat, the low base applied with flowers and leaves, blue crossed swords mark, some good restoration, 8.5cm high. £250350
457 A pair of Herend models of badgers, modern, each decorated with stripes of red, blue, black and gilt issuing from their snouts, their bodies with a red scale design, printed marks, 15cm long. (2) £100150
458 A Meissen figure of Cupid in Disguise, mid 18th century, wearing a tricorn hat and playing the bagpipes, and a 19th century Meissen figure of ‘Love Bound’, modelled as Cupid seated on a stump with hands and wings tied with ribbon, raised on a pedestal base, blue crossed swords marks, the latter incised M104, 11.5cm. (2) £150250
459 Two Berlin Month or Zodiac figures, 19th century, one of Virgo (September) modelled as a boy holding a sheaf of corn, the other of Leo (August) modelled as a boy standing before a pannier of grapes, each raised on a square base, blue sceptre marks, damages, 10.2cm max. (2) £80120
460 A Meissen figure of Cupid in Disguise, mid 18th century, wearing a furlined blue hooded cloak, and a Marieburg figure of a winged putto wearing a quiver of arrows over one shoulder and leaning on his bow, his left arm outstretched, some damages and restorations, 9cm max. (2) £350450 126
461 A miniature Meissen figure of a musician, 20th century, seated on a rocky stump and playing the bagpipes while his dog lies patiently at his side, blue crossed swords mark, incised 1752, 9cm. £100200
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462 A Meissen figure of a lady at repose, mid 18th century, modelled by J. J. Kändler with a lady reclining in a chair beside a tabletop spinning wheel, a closed book held in her right hand, raised on a low scrolled base applied with flowers, blue crossed swords mark, a small amount of good restoration, 16.8cm high. £2,5003,000
463 A Meissen figure of a cook from the Cris de Paris, late 19th/20th century, standing over a brick furnace and tasting the contents of a frying pan on top, raised on a scrolled base with gilt detailing, blue crossed swords mark, incised 10, 14cm. £300400
The model is after the engraving ‘Les amusements de la vie privée’ by Louis Surugue of 1747, after the painting by Chardin of 1746. The engraving was dedicated to Madame La Comtesse de Tessin.
464 A Meissen Classical figure, mid 18th century, probably emblematic of the Arts, standing wearing flowing flowered robes and holding an artist’s palette and paint brushes, raised on a low scroll base with gilt detailing, 16.5cm. £500700
465 A Vienna biscuit porcelain figure of a courtier, c.1780, leaning on the back of a highbacked chair and holding his hat in his left hand, his legs crossed in a relaxed fashion, impressed P repairer’s mark, 19.2cm. £250350 Provenance: a private collection from Dorset. 127
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466 A pair of Paris (Nast) bisque porcelain allegorical figures, late 18th/early 19th century, of Knowledge and Justice, each modelled as a Classical maiden, Knowledge holding a book in her right hand, Justice holding a dagger aloft and holding a sceptre in her left hand, one impressed NAST, minor restorations, 25.7cm. (2) £650850
467 A North Italian porcelain figure group, c.177080, modelled with a lady seated and tending to a pot plant at her side, a soldier leaning over her and holding his gun in his left hand, raised on a rocky base, blue mark for the Vinovo factory, some damages, 15cm. £500800 Provenance: a private collection from Dorset.
466
468 A Naples figure of Bacchus, 18th century, draped in a fur loin cloth and wearing a diadem of grapevine, holding a bunch of grapes aloft and resting one hand on a campanashaped urn behind him, 21.5cm. £500700
469 A Kloster Veilsdorf figure of Vulcan, c.1770, modelled as a blacksmith and leaning one hand on an anvil, a hammer in his right hand, raised on a square base, 20cm. £500700 Cf. Albrecht Kurzwelly, Altthüringer Porzellan, tav. LIV for further figures from this series. 467
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470 A Continental porcelain rectangular plaque, late 19th/early 20th century, painted with a young maiden playing cards with a seated Cupid at a tripod table before a large lake, indistinctly signed, impressed 407 to the reverse, mounted in a gilt wood frame, the plaque 14.7cm x 10cm. £200300
471 A Continental porcelain rectangular plaque, 19th century, painted with the profile portrait of a young maiden in medieval dress, wearing a headdress and a furedged collar, mounted in a black wood frame, the plaque 15cm. £400600
472 Two Continental porcelain plaques, 19th century, of oval form, one painted with Titian’s ‘Penitent Magdalene’, the other with a young Spanish girl, 8.3cm max. (2) £200300
473 A pair of German porcelain figure or vase stands, late 18th/19th century, possibly Meissen, of cylindrical form, painted with courting couples in garden settings, and with flower sprays in green camaieu, blue crossed swords and star marks, some gilt wear, 11cm high. (2) £200300
474 A Naples pottery milk jug and cover and a coffee cup, late 18th/early 19th century, the jug painted with scenes of mothers and children, the spout formed as a bearded mask, the cup painted with a girl in traditional costume, titled in red beneath with ‘di Castelpizzuto’, and a Naples porcelain milk jug painted with a dog barking at a gentleman playing with another dog before a couple in court dress, some damages, 8.5cm max. (4) £6080
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475 Six Meissen teacups and five saucers, c.1765 70, each painted with a different theatrical gallant figure seated beneath leafy trellis and beside a satyr term draped in roses, blue crossed swords and dot marks, the decoration possibly later, 13.5cm. (11) £200300
476 Ten small Chinese porcelain teabowls and saucers for the European market, 18th century, painted in the manner of Du Paquier with small trellis panels and formal motifs in puce, red, black and gilt, 10.5cm. (20) £400600
477 Five Samson porcelain plates, late 19th century, decorated in the Japanese manner, each with a panel containing longtailed birds amid flowering branches, reserved on a scroll motif within stylized leaf borders, 23.2cm. (5) £100200 130
477A A Paris porcelain part coffee set, 19th century, painted with theatrical figures in colourful costume beneath tall trees, within wide gilt bands. Comprising: a coffee pot and cover, a milk jug, six cups and six saucers. (15) £150250
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478 A Chinese porcelain five vase garniture, Qianlong 173695, comprising three baluster vases with covers and two sleeve vases, decorated for the European market with gilt initials suspended in oval ribboned cartouches, 16cm. (8) £80120
478
479 Four unusual French porcelain small rectangular sample tiles, early 20th century, each painted in the Chinese fashion with flower sprays, Chinese vessels and formal borders, incised ‘Pate Chine’ to the reverse, and seven modern Meissen medallions in red and white stoneware, moulded with various scenes and mounted in their original card holders, the plaques 9cm. (11) £150250
479
480 Nine porcelainhandled knifes and a fork, one knife and the fork probably Saint Cloud, c.174050, painted in underglaze blue with leaf scrolls, a large Bow blue and white knife handle and one smaller, six Continental and painted with fruit and flowers between wide pink bands, and a Chinese teapot and cover painted in the atelier of James Giles with butterflies and sprays of European flowers, some damages, 27.5cm max. (12) £120180
480
481 A Meissen teacup and saucer, c.176570, painted with flowering branches of indianischeBlumen above an ornamental fence, and a Meissen coffee can and saucer painted with formal flower spray, blue crossed swords marks, 13.4cm max. (4) £100200
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482 A pair of large Meissen custard cups and covers, mid 18th century, the generous squat bodies delicately painted with sprays of deutscheBlumen, the covers surmounted with floral finials, a further single flower spray to each scroll handle, blue crossed swords marks, 9.4cm. (4) £200300
483 Two Vienna custard cups and covers, date code for 1805, of rounded thistle shape, painted with continuous garlands of stylized blue flowers, with differing finials, blue shield marks and impressed date codes, 8.3cm max. (4) £100200
484 A pair of Meissen custard cups and covers, late 18th century, the rounded bodies painted with large polychrome sprays of deutscheBlumen, the covers with flower finials, blue crossed swords and star marks for the Marcolini period, 7.5cm. (4) £100200
485 Two Italian porcelain egg cups, late 18th century, probably Doccia, the Ushaped bowls raised on tall knopped stems above wide circular feet, painted with scattered flower sprays, 8.6cm. (2) £100200
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486 A Doccia cream or butter boat, c.176080, formed as a leaf and moulded to the underside with a large green leaf, the stalk forming the handle, the interior painted with a small Oriental flower spray, 10.9cm across. £100200 CF. Victoria & Albert Museum, Accession No. C.1941927 for a similar example.
487 Four German porcelain wine tasters, 19th century, the two smaller Meissen and painted with small sprigs of deutscheBlumen, another Meissen and painted in underglaze blue with the Onion pattern or Zweibelmuster, the last Berlin and painted with polychrome flower sprays on an osier moulded ground, blue crossed swords and sceptre marks, 13.2cm max. (4) £200300
488 A Berlin teacup and saucer, c.176070, finely painted en grisaille, the saucer with a mother holding a young child on her lap beside two sheep, the cup with a shepherdess resting on a basket beside her two recumbent sheep, within a formal gilt border, blue sceptre marks, 13.6cm. (2) £100150
489 A Sèvres coffee can (gobelet litron), date code for 1775, painted with sprays of polychrome flowers on a white ground, the rim and foot with narrow blue bands with gilt hatching, crowned blue interlaced Ls mark enclosing date letter X, some gilt wear, 7cm. £50100
490 A Meissenstyle coffee can and saucer, 19th century, the can moulded and enamelled in the Doccia manner with putti playing beneath a tree, the reverse with children reading, the saucer painted with insects around flower sprays, blue crossed swords and star mark, 13.3cm. (2) £100150
491 A Fulda jug and associated cover, c.1760, decorated with amusing scenes of family life in the manner of David Teniers, a child being spanked while others cry in the corner, the reverse with figures around a table while a child uses a pot, raised on three feet, blue crowned FF mark, 14cm. (2) £350450 133
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492 A large Ludwigsburg plate, c.176070, painted with a central spray of flowers including rose, forgetmenot and heartsease, the shaped rim with puce C scrolls and further flowers, blue crowned interlaced Cs mark, 29cm. £100150
493 A Meissen ornithological soup plate, c.1745, painted with a young bird perched on a low branch, the osiermoulded rim painted with moths and other flying insects, blue crossed swords mark, 22.5cm. £150250
494 A pair of Vienna chargers, 2nd half 18th century, the wells bearing the monogrammed initials CSM in gilt and red, with sparse floral sprigs and wide ribboned borders of red and green enamel within shaped rims, blue shield marks, impressed ii near the footrims, 36.8cm. (2) £200300
495 A pair of Tournai blue and white plates, c.177080, painted with the Ronda pattern of prunus and peony issuing from low rockwork, the rims with four sprays of Oriental flowers, blue crossed swords and + marks, 24cm. (2) £100150
496 Three Paris porcelain plates, 19th century, each painted with a basket of flowers including rose, tulip and auricula resting on a white marble ledge, within a strawcoloured rim, 23.2cm. (3) £150250 134
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497 Two Ludwigsburg bowls, 2nd half 18th century, the larger painted with scenes of figures in garden settings amid small scattered flower sprays, the smaller moulded and raised on a short circular foot, painted with panels of fruit and flowers, crowned blue double C monogram marks, the smaller bowl broken and restuck, 17cm max. (2) £300400
498 A Meissen chocolate pot and cover, c.1740, the cylindrical form finely painted with naturalistic sprays of deutscheBlumen, the short spout with scroll moulding and gilt detailing, echoed to the handle, the circular cover with a small aperture to accept a wooden stirrer, together with a later stirrer, blue crossed swords mark, 16.5cm high. (3) £350450
499 A Saint Cloud or Paris knife handle, c.170020, the haft of flattened oval form, painted in underglaze blue with two Chinese figures, and a Saint Cloud bowl applied with three sprigs of flowering prunus, 26.5cm max. (2) £200300
500 A Meissen military subject cup and saucer, c.1770, the cup painted with a battle scene of soldiers brandishing swords on horseback, the saucer with two seated Turks beside soldiers standing with bayonets, a Meissen saucer decorated with monogrammed initials in gilt and polychrome flower garlands, and a Berlin jug painted with scenes of figures in parkland, blue crossed swords and sceptre marks, some faults, 13.7cm max. (4) £150250
501 A large Meissen serving dish, mid 18th century, of twohandled oblong form, painted with sprays of deutscheBlumen within formal moulded borders and gilt scroll panels, blue crossed swords mark, and a Meissen stand, shaped like a leaf with a central trembleuse gallery, finely painted with sprays of flowers, 43.5cm max. (2) £250350
502 Three Meissen circular dishes, mid 18th century, variously decorated with scattered sprays of deutscheBlumen, the two smaller dishes with bands of osier moulding to the rim, blue crossed swords marks, 33cm max. (3) £200300
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503 A pair of Sèvres low tazzae or stands (soucoupes à pied), date codes for 1769, painted by JeanJacques Pierre le jeune with roses et mosaïque, with scattered pink roses to the wells, the rims with oval panels of further roses reserved on a ground of green, red, blue and gilt flowerheads or large gilt dots enclosed in oeil de perdrix hexagons, interlaced Ls marks and painter’s mark, 22.5cm. (2) £8001,200 Provenance: a private collection from Dorset. The two stands are probably from a service produced for Simon, 1st Earl Harcourt, British Ambassador Extraordinary Plenipotentiary to France. However, Pierre le jeune is also recorded on the piecework list for an apparently identical service for EtienneFrançois, duc de ChoiseulStainville, Minister of Foreign Affairs, which was produced in the same year. It is likely that they were among a combined service from the comte de Greffuhle Collection, sold at Sotheby’s in London on 23rd July 1937. See David Peters, Sèvres Plates and Services of the 18th Century, Vol. II, nos. 695 and 697 for a discussion of both services.
504 A Sèvres hardpaste porcelain ice pail (seau a glace) with liner and cover, c.177086, decorated in a roses et mosaïque pattern with scattered pink roses and honeycomb panels of gilt dots in a stylized oeil de perdrix design, crowned puce interlaced Ls mark, 19.5cm high. (3) £8001,200 Provenance: a private collection from Dorset. Cf. David Peters, Sèvres Plates and Services of the 18th Century, Vol. II, No. 74 7 for a discussion of a service (one of many) of this type. Peters mentions a group of wares in this pattern, assembled from different services, sold at Sotheby’s on 23rd July 1937 from the comte de Greffuhle Collection, of which this was part. The sale was by order of the Duchess of Gramont, the count’s daughter. The ice pail was sold again at Christie’s on 30th June 1980, lot 81, by Madame Bazarin.
505 Ten Sèvres plates (assiettes), c.177076, decorated with a form roses et mosaïque pattern, with scattered pink roses, the borders with three oval panels of further roses on a ground of flowerheads enclosed in a honeycomb design of oeil de perdrix in blue and puce enamels, interlaced Ls marks and date codes including R and Y, 23.3cm. (10) £2,5003,000 Provenance: a private collection from Dorset. Cf. David Peters, Sèvres Plates and Services of the 18th Century, Vol. II, No. 747 for a discussion of a service (one of many) of this type. Peters mentions a group of wares in this pattern, assembled from different services, sold at Sotheby’s on 23rd July 1937 from the comte de Greffuhle Collection, of which these were a part. The sale was by order of the Duchess of Gramont, the count’s daughter. The plates were sold again at Christie’s on 30th June 1980, lot 81, by Madame Bazarin.
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
506 A large Sèvres ice pail (seau a glace), c.178789. painted with a border containing vases of flowers, cornflower sprays and small bouquets suspended from tied ribbons and a small pink husk border, flanked by narrow bleu celeste bands, blue interlaced Ls mark, gilder’s mark for Vincent, 16.6cm high. £8001,000
507 A Vincennes bottle cooler (seau à liquer rond), date code for 1755 56, painted in rose camaieu with figures in rural landscapes with tall trees and distant buildings, the scroll handles with gilt detailing, blue interlaced Ls mark enclosing date letter C, cracked, 13.3cm. £200300
This seau relates to a service produced in 178789 and held in stock until 1794.
508 A pair of Sèvresstyle small jardinières or wine coolers, 19th century, each painted to one side with a panel of carousing bacchanalian putti, the reverses with panels of musical, garden and military instruments amidst pink roses, within elaborate gilt borders on a turquoise ground, pseudo blue interlaced Ls marks, restoration to one, 11.8cm. (2) £500700
509 A Samson sleeve vase, late 19th century, painted in the Kakiemon palette with a longtailed bird perched in a flowering tree, red horn mark in imitation of Chantilly, 43.8cm. £200300 Provenance: a private collection from Dorset.
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510
511 510 A Sèvres coffee can and saucer (gobelet litron et soucoupe), date code for 1781, the can painted by JeanLouis Morin with a harbour scene of three figures rolling barrels in a windswept landscape, the saucer by another hand with a solitary figure fishing from a promontory beneath a tree, all reserved on an apple green ground with an elaborate formal gilt border, blue interlaced Ls mark, date letters dd, including gilder’s mark for Barré, the saucer cracked, 15cm. (2) £300500 Provenance: a private collection from Dorset.
511 A Sèvres plate, c.1759, painted with a stag hunt with a rural landscape within a feuille de choux border with polychrome flower sprays, blue interlaced LL marks and date code F, painter’s mark of a caduceus, 25.1cm. £100200
512
512 A Sèvres small stand (plateau du Roi), date code for 1758, painted by FrançoisJoseph Aloncle with a boy fishing beneath a tree within a bleu celeste border, and a Sèvres small sucrier and cover (pot à sucre calabré), painted by Jacques Fontaine with sprays of flowers including rose, bluebell and cornflower on a bleu celeste ground, the sucrier’s cover broken and restuck, 17.3cm max. (3) £400600 Provenance: the Judith Howard Collection.
513 Two Sèvres cups and saucers, c.177080, one painted by Jacques Taillandier with flower garlands suspended from different coloured ribbon bows with green borders with gilt fan designs, the other painted probably by Jacques Micaud with baskets of pink and yellow roses suspended from blue ribbons within berried laurel garlands, blue interlaced L marks and painter’s marks, 13.7cm max. (4) £500800 Cf. The Wallace Collection, Inventory number C380 for a teapot matching the Taillandier cup and saucer. 513
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
514 A pair of Loosdrecht câchepots and stands, c.178084, painted probably by Fidelle Duvivier, in puce camaieu with figures at the water’s edge beneath trees, a village visible in the distance, the reverses with small vignettes of trees and statuary, painted M:OL marks, some gilt wear, 10.3cm. (4) £8001,200
515 A Saint Cloud whiteglazed coffee cup and trembleuse saucer, c.173040, moulded in the artichoke manner with bands of overlapping petals, the cup with a finely moulded angular handle, 13.1cm. (2) £1,0001,500
516 A Meissen teacup and saucer, c.1730, left in the white and applied with sprigs of fruiting grapevine, the cup with a delicate wishbone handle, blue crossed swords marks, 13.4cm. (2) £150250
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517 A Meissen saucer from the Red Dragon service, c.1740, decorated with two scaly beasts encircling the rim between tied scrolls and other emblems, the centre with two longtailed confronting phoenix, blue crossed swords mark, a chip to the footrim, 13.3cm. £500800 Provenance: a private collection from Dorset. Two services of this pattern were made for the French merchant, Lemaire, c.1730 but confiscated and transferred to the Japanese Palace in 1733. Further wares were then produced for the exclusive use of the Saxon Court.
518 Two Meissen teabowls and a saucer, c.173040, painted in blue with the Fels und Vogel pattern of a bird in flight above flowering branches and rockwork, blue crossed swords marks, 12cm. (3) £150200
519 A Meissen hexagonal tea canister and cover, c.172528, the baluster body painted in underglaze blue with alternating panels of birds in flight and flowering oriental plants, with a later silvercoloured metal cover, 11cm high. (2) £500800 Provenance: Christie’s, New York, 30th June 1986, lot 155 then Christie’s, White Gold, 12th May 2010, lot 74. Paper label for the Byrnes Children’s Trust, no. 57; a private collection from Dorset.
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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
520 A rare Bayreuth brownglazed stoneware teabowl and saucer, c.173040, after Meissen’s Böttger stoneware, with silberChinesen decoration, possibly by an Augsburg hausmaler, with figures carrying flowers, parasols and panniers of fruit within laub und bandelwerk decoration, the teabowl broken and restuck, 11.8cm. (2) £500800 Provenance: Sotheby’s, 29th June 1982, A Distinguished Collection of German Porcelain; Property of a European Nobleman; a private collection from Dorset.
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521 A Meissen cup and saucer, c.1740, finely painted with panels of figures standing and on horseback beside stately buildings in European landscapes, reserved within elaborate gilt borders of scallop shells and scrollwork on a gold ground, with scattered flowers and insects to the cup’s exterior and saucer’s underside, blue crossed swords marks, 13.3cm max. (2) £650800
522 A Meissen cup and saucer, c.1740, painted with scenes of travellers meeting on the road and resting beneath trees, with village landscapes visible in the distance, reserved within elaborate gilt and black enamel scrollwork borders, the cup and underside of the saucer with small polychrome flower sprays, blue crossed swords marks, puce 68 mark, 13.5cm. (2) £700900
523 A Meissen Hausmaler cup and saucer, c.1740, applied with three sprigs of flowering prunus and painted probably in the workshop of F F Meyer, Pressnitz, the saucer with travellers conversing on the bank of a river with buildings and a mountain in the distance, the cup with figures in a continuous landscape scene, the rims with a gilt strapwork border, blue crossed swords marks, 13.5cm. (2) £500800 Provenance: a private collection from Dorset.
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FINE JAPANESE WORKS OF ART WEDNESDAY 1ST JULY 2020
An impressive pair of Japanese Imari vases with European ormolu mounts, Edo period (18th century), 71cm Provenance: from the collection of the Rothschild Family, Exbury House Estimate £3,000 5,000*
ENQUIRIES Alexandra Aguilar | +44 (0)1722 424583 | aa@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price
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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Saturday 10am – 1pm Castle Gate Offices Monday to Friday 9am – 5.30pm
VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.
REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.
LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.
BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.
CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.
To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence
The colours printed in the catalogue are not necessarily true.
2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.
PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.
TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.
SALE RESULTS These will be posted on our website shortly after the sale.
PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping
+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk
Kimdan Ltd
+44 (0)7973 389436 andy@kimdan.co.uk
Mailboxes
+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester
Pack & Send
+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury
Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.
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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the cardholder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 309741 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.
LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked Regulations when exported.
λ may be subject to CITES
The CITES Regulations may be found at www.defra.gov.uk/ahvla en/importsexports/cites/
ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.
‡ symbol are potentially subject to
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 200,000 1% €200,000.01 350,000 0.5% €350,000.01 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000
FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.
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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS
TERMS OF CONSIGNMENT FOR SELLERS
1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.
1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.
2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.
2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower presale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).
11. Unsold and withdrawn items. If an item is unsold it may with your consent be re offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.
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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.
3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT
15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.
(a) Immediately a lot is sold you will:
16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.
CONDITIONS OF SALE
(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.
Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.
(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.
7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.
(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 8. REMEDIES FOR NONPAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.
22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.
(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.
(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.
15. FORGERIES
(j) Dimensions are given height before width.
Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
(k) Pictures are framed unless otherwise stated. BOOK AUCTIONS
GENERAL
If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.
16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.
ARTIST’S RESALE RIGHT / DROIT DE SUITE
17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.
18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.
Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.
19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.
Royalties for Droit de Suite are as follows:
20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.
Please enquire for the accepted exchange rate on the day of the sale. 4% Up to €50,000 3% €50,000.01 200,000 1% €200,000.01 350,000 0.5% €350,000.01 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.
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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.
DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 5161 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT
THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.
We may collect the following personal data about you:
In this respect we will provide your data to the following:
• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of governmentissued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.
• our professional advisors; • thesaleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.
We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.
LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;
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CONSENT
HOW LONG YOUR INFORMATION IS KEPT
We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.
We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.
Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.
In particular:
SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a lifethreatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).
• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS
INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.
Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk
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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)
Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough
Woolley & Wallis Salisbury Salerooms Ltd. 5161 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29
Design & Production by Jamm Design Ltd +44 (0)20 7424 7830 jammdesign.co.uk
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PLEASE PRINT CLEARLY IN BLOCK LETTERS
ABSENTEE BID FORM
ENGLISH & EUROPEAN CERAMICS & GLASS
Lot Number
Brief Decription
Price Excluding
in numerical
buyer’s premium
order
& VAT
WEDNESDAY 17TH JUNE 2020 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.
Billing Name (please print)
Address
Postcode Daytime telephone Email
All accounts must be settled within 21 days. ID may be required even if you have bid with us before.
Signature
Salisbury Salerooms, 5161 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508
www.woolleyandwallis.co.uk
AUCTION CALENDAR JUNE 17th
English & European Ceramics & Glass
ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR OCTOBER 2020 AUCTION
JULY 1st 2nd 15th 22nd & 23rd
Fine Chinese Paintings & Works of Art, Ja panese Works of Art Asian Art II Jewellery Silver & Objects of Vertu
AUGUST 11th 26th
Furniture, Works of Art & Clocks Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink and Lin Jammet
SEPTEMBER 8th 22nd
Old Masters, British & European Paintings Tribal Art & Antiquities
Dates may be subject to change
+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 5161 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium
A Sèvres vase and cover (pot pourri Pompadour), c.1760 SOLD FOR £5,750*
www.woolleyandwallis.co.uk