Woolley & Wallis Auctioneers by Jamm Design Ltd

SILVER & OBJECTS OF VERTU WEDNESDAY 22nd & THURSDAY 23RD JULY 2020

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

SILVER

VALUATIONS FOR INSURANCE & PROBATE

Rupert Slingsby Lucy Chalmers

424501 424594

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV Amanda Lawrence (PA)

424505 446955

MARKETING

424598 424509 424509

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

Sally Trench Megan Corbett

446959 446960

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah LopezFerreiro

424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya YuanRichards Amber Lees

424589 424571

ACCOUNTS Janice Clift (Office Manager)

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

FURNITURE, WORKS OF ART & CLOCKS Mark YuanRichards Jim Gale Suzy Becsy

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

446961 446962 446970

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Sally Litherland

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

JAPANESE ART Alexandra Aguilar Sarah LopezFerreiro

CASTLE GATE RECEPTION

BOARD OF DIRECTORS 411854 339161 446974

339752 446980

424500

Paul Viney ASFAV NonExecutive Director

ASSOCIATE DIRECTORS Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark YuanRichards

424500

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SILVER & OBJECTS OF VERTU WEDNESDAY 22ND & THURSDAY 23RD JULY 2020 10.00AM at our Castle Street Salerooms, SP1 3SU Viewing will be by appointment only. Please contact the department to make an appointment. VIEWING Saturday 18th July Monday 20th July Tuesday 21st July Wednesday 22nd July Thursday 23rd July

10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm by appointment only by appointment only

PLEASE NOTE THIS IS A TWO DAY SALE

Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk

Lucy Chalmers 01722 424594 lc@woolleyandwallis.co.uk

COLLECTION OF LOTS Collection of lots after the sale are to be by appointment. IMPORTANT CHANGES TO OUR BIDDING PROCEDURE Owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two forms of identiﬁcation. This applies to both new and existing clients

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 21st July

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING

Instagram: @woolleyandwallissilver @woolleyandwallissalerooms

Requests for telephone bids cannot be accepted after 5pm on Tuesday 21st July

Facebook: @woolleyandwallis

ILLUSTRATIONS

Twitter: @woolleywallis

Front cover: Lot 856 Back cover: Lot 447 Catalogue £12.00 (£15.00 by post) Silver weights are in Troy ounces

Pinterest: Woolley and Wallis

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DAY ONE – WEDNESDAY 22ND JULY AT 10.00AM

1. Two engravings ‘Design for a Goblet with Round Medallions’ and ‘Design for a Double Goblet, with two Putti’, dated 1530 and 1531, by Hans Sebald Beham, (1500-1550), mounted in card folders, with a Brand Inglis Ltd label, 9, Halkin Arcade, Motcombe Street, London, 9.2cm x 5.3cm, and 9.4cm x 5cm. (2) £100-150

2. A Victorian electroplated lemon squeezer, by Hukin and Heath, also marked with a registration number, modelled as a lemon, with a hinged cover and turning screw, on three wirework legs with a wire-work frame, on a textured circular base, height 31cm. £150-200

λ 3. A Victorian electroplated kettle on stand, by Elkington and Co., 1853, baluster form, embossed foliate scroll decoration on a matted background, the hinged central handle with ivory insulators, the hinged cover with a flower finial, the stand of circular form, on three heavy scroll feet, lacking burner, height 44cm. £200-300

4. A modern electroplated mounted claret jug, unmarked, the baluster cut glass body with hob-nail decoration, the mount with foliate and cherub decoration, and with a Bacchus spout, hinged cover, height 30.5cm. £40-60

5. An early 19th century old Sheffield plated wine cooler, circa 1830, campana form, embossed foliate scroll decoration, leaf capped side handles, foliate scroll borders, with a liner, on a raised circular foot, height 24cm. £200-300

6. A large old Sheffield plated meat dish cover, unmarked, domed oval form, foliate scroll carrying handle, plus a Victorian electroplated meat dish cover, with a Greek Key border and scroll handle, engraved with initials, lengths 51.5cm and 35.5cm. (2) £100-150

Provenance: This lot is being sold on behalf of The Butchers and Drovers Charitable Institution.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

7. An electro-gilded tea caddy, circa 1900, rounded rectangular bombé form, with Rococo figures and foliate scroll decoration on a matted background, with a crest, the pull-off cover with a figural finial, on four scroll feet, height 13cm. £100-150

8. A pair of George III Old Sheffield plated sauce tureens and covers, circa 1810, rounded rectangular form, the pull-off covers with fluted decoration and fluted finials, lion mask drop ring handles, on four paw feet, length 17cm. (2) £200-300

9. A French novelty electroplated Champagne bottle, by L. Roussel, B de la Madeline, Paris, the bottle opens in three places to reveal a compartment, a slide drawer probably for vestas, and the cork comes off to reveal a table cigar lighter or bitters bottle, the label reads ‘Louis Roederer, Reims’, height 20cm. £100-150

10. A set of six silver-gilt and enamel coffee spoons, by William Suckling Ltd, Birmingham 1963, the reverse of the bowls with enamelled flowers, in a fitted case, plus a German silver-mounted glass liqueur decanter, panelled lozenge form, etched glass, pierced mounts. (2) £100-150

11. A Victorian electroplated three-light candelabrum, by H and L, Corinthian column form, beaded borders, pierced capitals, leaf capped scroll arms, one arm solder repaired, on a raised stepped square base, height 54.5cm. £100-150

12. An Edwardian silver tazza, by James Dixon and Sons, Sheffield 1903, shaped circular form, pierced and embossed foliate scroll decoration, on three scroll legs, height 10cm, plus an Old Sheffield plated ewer, circa 1790, vase form, beaded borders, domed hinged cover with a crown finial, on a raised circular foot, with beaded borders, height 30cm, approx. weighable 11oz. (2) £100-150

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13. A mixed lot, comprising silver items: a Victorian two-handled bowl, by William Ker Reid, London 1854, circular form, foliate lug handles, engraved decoration, gilded interior, plus a three-piece condiment set, a mustard pot, a Victorian salt cellar a pepper pot, a pair of tongs, three salt spoons and a button hook, plus electroplated items: a pair of candlesticks, a biscuit box, a salver, two vases, a jug and dish, a toast rack, a sugar bowl, and other items, approx. weighable 17.5oz. (qty) £200-300

14. A mixed lot of old Sheffield plated and electroplated items, comprising: a set of twelve fruit knives and forks, with mother-ofpearl handles, a three-piece tea set, entrée dishes and covers, two mugs, cased sets and other items including a corkscrew modelled as a whisky bottle, and flatware. (qty) £60-80

part 15. A large quantity of electroplated items, including: an oval two-handled tray, a three-piece tea set, two hot water pots, various sauce boats, a pair of coasters, two entrée dishes and covers, a small two-handled oval tray, three mugs, a cased fruit serving set, plus other items including cased sets of flatware. (qty) (Two boxes) £200-300

16. A mixed lot of silver and electroplated items, comprising silver items: a George III caddy spoon, London 1793, fluted bowl, a small mug, by Percy Frederick Jackson, Birmingham 1920, plain tapering circular form, a silver mounted Common Prayer book and Hymns A-M, a pair of Indian salt cellars, two further salt cellars and a small circular dish, plus electroplated items: a domed meat dish cover, two mugs, two small serving spoons, a pair of seated poodles, a dressing table pot and other items, and an Old Sheffield plated helmet cream jug, approx. weighable 7.5oz. (qty) £150-200

λ 17. A mixed lot, comprising silver items: a pair of 18th century sugar nips, a cased sifting spoon, a butter knife, a ladle, two napkin rings, five St. Bartholomew’s Hospital Athletics Club medals, a fruit knife, a cased baby feeder set, a pair of military brushes and a cigarette case, plus electroplated and metal items including a hip flask, and various mouldings for casting silver, approx. weighable 12.5oz. (qty) £100-150

18. A mixed lot, comprising silver items: a Victorian table cigar lighter, by E. Hutton, London 1892, circular form, foliate border, with a central lamp, and with three lighting rods, (one later), on a wooden base, six cased teaspoons, a cased Armada dish with a central rose motif, a Chinese salt pot, a Jensen baby pusher, six silver and enamel spoons, and two electroplated slices, approx. weighable 12oz. (qty) £150-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

19. A mixed lot of silver items, various dates and makers, comprising: a pair of silver-mounted ink bottles, by Charles Stuart Harris, London 1899, a swing-handled sugar basket, Birmingham 1905, a whisky tot, an egg cup, an Italian salt cellar, a butter dish, an oil bottle, a pepper pot, a mug, four fish knives and forks, a tobacco box, seven spoons, three napkin rings, a pair of metalware dishes with blue glass liners, a metalware centipede brooch, and an electroplated sauce boat, (a.f), approx. weighable 21oz. (qty) £300-400

20. A small collection of old Sheffield plated items, comprising: a wine cooler of tapering baluster form, side handles issuing form lion masks, foliate decoration, on four shell bracket feet, plus an argyle of oval form, scroll handle, hinged cover, and a knife tray of oblong form, gadroon border, and an electroplated knife tray of similar form. (4) £200-300

part

λ 21. A large quantity of electroplated items, including a four-piece tea and coffee set, a tray, a punch bowl and six cups, two sandwich trays, a set of six goblets, a circular tray, a pair of entrée dishes and covers, various waiters, platters, a pair of coasters, a pair of pierced dishes and other items, including a threepiece tea set with ivory insulators. (qty) (Two boxes) £200-300

22. A mixed lot of silver items, various dates and makers, comprising: a five-piece silver and enamel dressing table set, plus a comb, in a fitted case, two mugs, two photograph frames, a mustard pot and spoon, a vase, a trophy cup, a bowl, six napkin rings, a dish, a sovereign case, an Indian cigarette box, and a metal ware bowl, approx. weighable 29.5oz. (qty) £300-500

λ 23. A mixed lot, comprising silver items: a teapot, Birmingham 1902, of rounded rectangular form, embossed decoration, with ivory insulators and an ivory finial, a pierced tazza Sheffield 1900, a hair brush, a sauce boat, three napkin rings, a scent bottle, a pepper and salt pot, a jar lid, plus electroplated items: a four-piece Pride pattern tea and coffee set, designed by David Mellor for Walker and Hall, plus a two-handled tray, two salvers, two swing-handled baskets, a pair of candlesticks, a carving set and other items, approx. weighable 43oz. (qty) £300-400

λ 24. A mixed lot of electroplated items, comprising: a champagne bucket, by Elkington, tapering circular form, reeded side handles, initialled, plus a kettle on stand, a goblet, a pierced Alessi dish and a muffin dish and cover. (5) £150-200 Provenance: The late Greta Morrison, widow of Bryan Morrison.

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25. A mixed lot of silver condiments, various dates and makers, comprising: a sugar caster by Walker and Hall, Sheffield 1910, octagonal baluster form, another sugar caster, two pairs of pepper pots, two single peppers, a salt pot and a pair of modern Spanish salt and pepper pots, approx. weight 16.5oz. (qty) £120-180

26. A mixed lot of silver items, various dates and makers, comprising: a George II cream jug, maker’s mark W?, London 1753, baluster form, wavy-edge border, leaf capped scroll handle, a cream jug of octagonal tapering form, by The Barnards, London 1907, a cream jug and sugar bowl, a sugar caster, London 1897, and two cream jugs, approx. weight 22.5oz. (7) £200-300

27. A mixed lot of silver cruets, various dates and makers, comprising: a Victorian mustard pot, by George Fox, London 1864, baluster form, engraved decoration, scroll handle, with a blue glass liner, a George III baluster pepper pot, London 1763, a George III bun pepper pot, London 1771, another pepper, London 1766, and a pair of silver-mounted glass cruet bottles, approx. weight 10oz. (6) £300-400

28. A mixed lot of silver items, comprising: a George II bun pepper pot, baluster form, by Samuel Woods, London 1754, plus two modern bun pepper pots and a seven bar toast rack, approx. weight 10.5oz. (4) £150-200

λ 29. A mixed lot of silver items, various dates and makers, comprising: a silver and tortoiseshell dressing table box, by Mappin and Webb, Birmingham 1914, the cover inlaid with the arms of four World War one allies, plus another dressing table box, a pierced bonbon dish, by The Goldsmiths and Silversmiths Company, London 1904, a belt buckle, two Indian corner mounts, by Hamilton and Co., Calcutta, plus a metalware box with a camel finial, and an electroplated belt buckle, approx. weighable 12oz. (qty) £250-300

30. A mixed lot of silver metalware items, comprising: an Egyptian cigarette box, a Far Eastern pot and cover, a tea strainer, two ashtrays and three dishes. (8) £120-180

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

31. By Hukin and Heath, a collection of electroplated items, comprising: two cream and sugar baskets of shaped double oval form, crimped border, central carrying handle, with two sifting spoons and a cream ladle, a swing-handle sugar basket, plus a table cigar lighter, of textured circular form. (7) £300-400

32. A mixed lot, comprising silver items: a dressing table jar, Birmingham 1911, the cover inscribed ‘To Commemorate May 8th Aug 15th VE 1945 and VJ’, plus a dressing table box, by J. Gloster Limited, Birmingham 1913, of plain oval form, on four foliate bracket feet, plus a smaller dressing table box, and a matchbox cover, plus a Victorian electroplated table gong, modelled as a sign post, engraved ‘This Way’, at the base of the post is a seated child in the Kate Greenaway manner, with a wooden striker. (5) £200-300

33. A mixed lot of silver items, various dates and makers, comprising: a hip flask, by Mappin and Webb, Sheffield 1918, a silvermounted glass spirit flask, with a pull-off drinking cup, London 1895, a mug, Birmingham 1937, a modern wine coaster, a two handled bowl, (one handle a.f), a cigarette box, another mug, a pierced tazza, three pierced bonbon dishes, an egg cup, a toilet bottle, and an electroplated bottle stopper, approx. weighable 39oz. (qty) £300-400

34. A mixed lot of silver condiments, various dates and makers, comprising: a pair of Victorian thistle salt cellars, Birmingham 1891, a pair of Victorian salt cellars, London 1875, two mustard pots, three pairs of salt cellars, and a pair of continental salt cellars, approx. weight 17oz. (qty) £120-180

35. A mixed lot of silver items, comprising: a Victorian small chamber stick, by Creswick and Co, Sheffield 1844, circular form, moulded border, a pair of pierced oval dishes, by H. Atkins, Sheffield 1892, plus three toast racks, approx. weight 34oz. (6) £300-400

36. A mixed lot of old Sheffield plated and electroplated items, comprising: a coffee pot, on a raised oval foot, a teapot, a wirework basket, two tea caddies, (one a.f), plus a mustard pot and a pair of salt cellars. (8) £60-80

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37. A mixed lot of silver items, various dates and makers, comprising: two toast racks, a pair of Norwegian dwarf candlesticks, a two-handled bowl, a pair of pierced bonbon dishes, four ashtrays/dishes, a continental tea strainer on an English stand, a mug, a mustard pot, a frame, a cased napkin ring, another napkin ring, a salt cellar, a scent bottle, two toilet jars, a brush, a lid, three pill boxes, five thimbles, four wine labels and two electroplated wine labels, approx. weighable 34oz. (qty) £300-400

38. A mixed lot of silver items, comprising: a teapot, by William Hutton and Sons, London 1909, oblong form, a waiter, of circular form, Chester 1916, two dishes, a cream jug, a set of four salt cellars, a mustard pot, a pair of pepper pots, and an Indian bowl, approx. weight 50oz. (qty) £300-400

39. A mixed lot of silver items, comprising: a George III mustard pot, by J. Angell, London 1819, circular form, leaf capped scroll handle, domed cover with a fluted finial, a cased set of six French silver-mounted glass pepper pots, a three-piece condiment set, a pair of pepper pots, a pair of salt cellars and spoons, seven napkin rings, a single salt cellar and two other items, approx. weighable 24oz. (qty) £200-300

40. A mixed lot, comprising silver items: a small continental basket, pierced body, dated ‘1817’, with a blue glass liner, a German dish, ribbon and reed border, gilded bowl, a French dish of tapering circular form, plus old Sheffield and electroplated items: a wine funnel, a pair of wine coasters, a set of twelve Christofle small plates, a cream jug, a sauce boat, six napkin rings, two tea strainers, and a small quantity of flatware, approx. weighable 27oz. (qty) £200-300

41. A mixed lot of silver items, various dates and makers, comprising: two sauce boats, a sugar caster, a small teapot, a basket, a pair of salt cellars, a bowl, a pair of berry spoons, a dish, a pair of salt spoons, two further spoons and a Scandinavian electroplated small ewer, approx. weighable 33oz. (qty) £200-300

42. A mixed lot of silver items, comprising: an oval dish, foliate border, Chester 1919, a toast rack, a three-piece condiment set and seven spoons, plus Chinese items, a matching three-piece condiment set, a set of twelve teaspoons, the handles pierced with bamboo decoration, and twelve coffee spoons, approx. weight 28oz. (qty) £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

43. A mixed lot of silver items, various dates and makers, comprising: a modern cigar case, by Theo Fennell, London 1987, initialled, a Tiffany cigar case, a modern tobacco box by Asprey, London 1983, a wine coaster, two silver-mounted glass table vesta strikers, a silver-mounted spirit flask, with a pull-off drinking cup, an Armada dish mounted with a polo player, and a modern table vesta striker, approx. weighable 15oz. (qty) £300-400

44. A mixed lot of silver items, various dates and makers, comprising: a set of four Victorian salt cellars, London 1878, tapering circular form, a set of four fluted oval salt cellars, two cream jugs, a sugar bowl, a single salt cellar, a sauce boat, a trinket box, a sifting spoon, a cased set of six Asprey coffee spoons, a set of six cased teaspoons and a modern spoon by JSP, approx. weighable 30oz. (qty) £200-300

Provenance: The late Greta Morrison, widow of Bryan Morrison.

45. A mixed lot of silver items, various dates and makers, comprising: three toast racks, a set of four napkin rings, Birmingham 1928, of D form, numbered 1-4, another set of four napkin rings, and a pair of napkin rings, approx. weight 12.2oz. (qty) £150-200

46. A mixed lot of silver dressing table items, comprising: a large late-Victorian silver-mounted jar, by Mappin and Webb, London 1891, cylindrical form, spot-hammered decoration, and with textured glass, plus a hand mirror, a brush, four toilet jars, three manicure items and a button hook. (qty) £100-150

47. A mixed lot of silver items, various dates and makers, comprising: a set of six napkin rings, by Henry Griffith & Sons Ltd, Birmingham 1947/48, oval form, engine-turned decoration, plus two pierced napkin rings, and a single napkin rings, a mustard pot, a Queen’s pattern tablespoon, three spoons and a continental spoon, approx. weight 10.5oz. (qty) £150-200

48. A mixed lot of Georgian and Victorian silver items, comprising: a five-bar toast rack, by Aldewinckle and Slater, London 1889, a pair of silver-gilt salt cellars, Birmingham 1877, square form, chased with animals, a small chamber stick and snuffer, by Craddock and Reid, London 1817, and a pepper pot in the Indian manner, Sheffield 1868, approx. weight 17oz. (5) £300-400

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49. A small mixed lot of three silver casters, comprising: a George III pepper pot, by Samuel Woods, London 1763, baluster form, rope-work border, with an associated pierced pull off cover, by T. Daniell, plus a sugar caster of lighthouse form, by William Suckling Ltd, Birmingham 1960, and an Art Deco sugar caster, by A L Davenport Ltd, Birmingham 1936, tapering circular form, wooden underside of base, approx. weighable 7.7oz. (3) £150-200

50. An Art Deco silver push-action sugar caster, by Elkington and Co., Birmingham 1935, tapering faceted circular form, with a sprung push-down ball finial, on a circular foot, plus a silver cigarette box, the front inscribed ‘To Jane and Henry from Edmundo Ros, 5.6.43’, length 14cm. (2) £100-150

51. A small mixed lot of silver items, comprising: a French wine taster, circular form, punch bead and fluted decoration, ring-handle, plus a French silver-mounted glass dish, with a beaded border and engraved foliate decoration, and a German silver butter dish of square form, with a clear glass liner 3.2oz. (3) £120-150

52. A silver sauce boat, by S. Blanckensee and Sons, Birmingham 1933, oval form, gadroon border, scroll handle, on an oval foot, plus a pair of electroplated two-handled salt cellars of oval form, approx. weighable 2.5oz. (3) £60-80

53. A mixed lot of silver items, various dates and makers, comprising: a naval cigarette case, the front with the Naval crown, the reverse with the names of various ships, the interior inscribed, length 14.8cm, plus a dressing table box, of rectangular form, engine-turned decoration, London 1955, the interior with four dress studs and a pair of cufflinks, plus another dressing table box, a cigarette box and a cigarette case, approx. weighable 14oz. (5) £200-300

54. A mixed lot of silver items, various dates and makers, comprising: a late-Victorian cream jug, by Nathan and Hayes, Chester 1898, a pierced bonbon dish of oval form, a circular bonbon dish, a pierced trumpet vase, Chester 1900, with a blue glass liner, a silver-mounted scent bottle and a silver-mounted glass sugar caster, approx. weighable 7.5oz. (6) £70-100

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

55. A mixed lot of silver items, comprising: a cased butter dish and spoon, of shell form, Sheffield 1894, a modern money clip, by Asprey, London 1968, engraved with Prince of Wales feathers, a paper knife, with a Prince of Wales feathers terminal, a cigarette box, a cigarette case, a toast rack, an ashtray, a blotter, a photograph frame, and seven wine labels, approx. weighable 18.5oz. (qty) £200-300

λ 56. A mixed lot of silver dressing table items, comprising: a five-piece silver and tortoiseshell dressing table set, inlaid decoration, Birmingham 1925, another tortoiseshell mirror, a silver and yellow enamel hand mirror, and two brushes, plus four further clothes brushes. (qty) £150-200

57. A mixed lot of silver and electroplate, comprising silver items: a folding photograph fame, by Asprey & Co, London 1958, hinged rectangular form with ribbed decoration, a George III salt cellar, London 1817, oval form, gilt interior, a mustard pot, by James Dixon & Sons Ltd, Sheffield 1907, plain drum form, hinged cover, blue glass liner, a pair of silver mounted, cut glass salt and pepper pots, the covers inlaid with mother-of-pearl, and three-piece condiment set and a condiment spoon, plus electroplated items: four condiment spoons, a pair of circular salt cellars, beaded borders, a small pair of salt cellars, blue glass liners, a pepper pot and salt cellar retailed by Harrods and a pair of salt and pepper pots, approx. weighable 15oz. (qty) £150-200

λ 58. A mixed lot of silver items, various dates and makers, comprising: a box and cover by Theo Fennell, the cover with a teddy bear, a modern snuff box, a vesta case and chain, a lighter, a pill box, a miniature guitar, an Egyptian paper knife, a silver-mounted tortoiseshell magnifying glass, a Victorian caster, plus other items including two watches and a carved cameo, approx. weighable 5.50z. (qty) £200-300

59. A mixed lot of silver items, various dates and makers, comprising: a christening mug, London 1937, another mug, Birmingham 1937, a cigarette box with the crest of ‘HMS Cicala’, a matchbox cover, a two-handled cup, a cased set of six teaspoons, a cased set of four Apostle teaspoons, (with two electroplated examples), a pair of sugar tongs, four spoons, a fork and two metalware dishes, approx. weighable 20oz. (qty) £200-300

Provenance: The late Greta Morrison, widow of Bryan Morrison.

λ 60. A mixed lot of silver-mounted dressing table jars and bottles, comprising: a Tiffany scent bottle, the stopper initialled, a large American jar, seven further jars, two scent bottles, a hand mirror, a comb, an electroplated brush and a modern Lalique scent bottle. (qty) £150-200 Sold on behalf of the Executors, The Estate of James ‘Jimmy’ Benson deceased.

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61. A mixed lot of silver items, comprising: a silver and enamel cigarette case, by The Adie Brothers, Birmingham 1930, rectangular form, engine-turned decoration, enamelled with the arms of Bedford Modern School, inscribed, plus a set of teaspoons and tongs, two napkin rings, a baby pusher, a knife, a silver-mounted glass bottle, and an Italian bracelet, approx. weighable 13oz. (qty) £100-150

λ 62. A mixed lot of silver items, comprising: an Edwardian Art Nouveau hand mirror, by The Boots Pure Drug Company, Birmingham 1905, with foliate decoration, plus an18th century punch ladle, the circular bowl set with a coin, twisted whalebone handle, and a metalware cross and chain. (3) £150-200

63. A mixed lot of silver items, various dates and makers, comprising: a mustard pot, by Holland, Aldewinckle and Slater, London 1910, vase form, beaded borders, on a raised circular foot, with a blue glass liner, a pair of salt cellars in the Art Nouveau manner, Birmingham 1911, a bun pepper pot, London 1930, a salt cellar and spoon, approx. weighable 12.5oz. (6) £150-200

64. A collection of four silver trophy bowls, comprising: one of circular form, with fluted decoration, by William Hutton and Sons, London 1917, plus three various others, approx. weight 24oz. (4) £200-300

65. A German silver-two handled brandy bowl, by Neresheimer of Hanau, with import marks for London 1910, importer’s mark of Berthold Muller, lobed oval form, the pierced side handles with cherub masks, length 24cm, plus a George III silver two-handled sugar bowl, by William Bateman, London 1818, oblong bellied form, fluted girdle, leaf capped scroll handles, approx. total weight 16.2oz. (2) £200-300

66. A Dutch silver sifting spoon, circa 1900, circular pierced bowl, wavy-edge border, with a scroll and figural handle, plus an electroplated tea glass holder, of circular form, etched decoration, approx. weighable 0.9oz. (2) £30-40

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

67. A mixed lot of silver items, comprising: a Victorian bowl, by Gibson and Langman, London 1890, circular form, embossed with signs of the zodiac, plus a silver-mounted glass scent bottle, a set of six cased Italian spoons and an Italian circular box, embossed with a basket of flowers, approx. weight 7.9oz. (4) £150-200

68. A mixed lot, comprising: silver items: a miniature seated dog wearing a ruff, probably for Mr. Punch’s dog Toby, by James Dudley, London 1894, plus other items including a gilt and enamel egg, possibly Russian, five gilt and hardstone boxes, a magnifying glass, a box, a comb, and pair of cased gilt metal buckles. (qty) £150-200

69. A mixed lot of silver items, comprising: a six piece Art Deco silver condiment set, by Walker and Hall, Birmingham 1931, in a fitted case, with spoons, plus a four-piece condiment set, a pepper pot, a tennis trophy, two silver and glass pepper pots and a trowel page marker, approx. weighable 18oz. (qty) £200-300

70. An Edwardian silver cigarette box, by James Bell, London 1907, rectangular form, engraved foliate decoration, ribbon and reed borders, wood lined, length 11.7cm, plus a cased set of six silverhandled tea knives. (2) £80-120

71. A five-piece silver condiment set, by E S Barnsley & Co., Birmingham 1915, oval and baluster form, engraved decoration, in a fitted case, plus two cased three-piece condiment sets, approx. weighable 10oz. (3) £120-180

72. A mixed lot of silver items, comprising: an Edwardian tazza, by J. Carrington, London 1905, circular form, spot-hammered decoration, on three Art Nouveau sinuous legs, on a circular foot, plus a two handled bowl, London 1904 and a cased egg cup, Sheffield 1930, approx. total weight 13oz. (3) £150-200

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73. A far-Eastern metalware mounted wooden bowl, unmarked, circular form, the base with foliate and bead decoration, diameter 7cm, plus a modern silver-mounted photograph frame, Sheffield 1992. (2) £60-80

74. A mixed lot of silver items, various dates and makes, comprising: a two-handled sugar bowl, another two-handled bowl, plus four bowls, approx. weight 19.5oz. (4) £150-200

75. A William IV silver cream jug, maker’s mark worn, London 1831, circular bellied form, embossed foliate decoration, gadroon border, leaf capped scroll handle, plus a George III Scottish silver salt cellar, of cauldron form, Edinburgh 1772, approx. total weight 6.4oz. (2) £120-180

76. A mixed lot of silver items, various dates and makers, comprising: a swing-handled basket, London 1916, tapering wirework body with birds and flowers and with a blue glass liner, plus a cream jug and sugar bowl, London 1893, a pair of candlesticks, and a metalware jug, of fluted baluster form with a hinged cover, approx. weighable 8.3oz. (6) £200-300

λ 77. A mixed lot, comprising silver items: a Victorian vesta box, by Rawlings and Summers, London 1863, rounded rectangular form, engine-turned decoration, the cover initialled, length 5.2cm, plus a cigar cutter, a stamp box, enamelled ‘Stamps’, a scent bottle, a pencil, a trinket box, and tortoiseshell thimble box with three thimbles. (qty) £150-200

78. A mixed lot of silver items, various dates and makers, comprising: an Edwardian small pin cushion, modelled as a chick emerging from a shell, by S. Mordan and Co, Chester 1908, a table spoon, a pair of berry spoons, a continental spoon, two thimbles, a pencil, a Norwegian spoon, twelve various teaspoons, a christening fork and spoon, another fork, five condiment spoons, plus an electroplated pencil and three spoons, approx. weighable 20oz. (qty) £150-250

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79. A mixed lot of silver flatware, comprising: a figural spoon, London 1913, a cased set of six Danish silver-gilt and enamel spoons, a cased set of teaspoons, a pair of tongs, two ladles, six Chinese teaspoons and an electroplated tablespoon, approx. weighable 11oz. (qty) £80-120

80. A set of six silver and enamel coffee spoons, by J. Tostrup, the handles with vari-coloured enamel decoration, in a fitted case, plus a set of six silver and nephrite teaspoons, by J and R Griffin, Chester 1924, cased, plus a modern copy of a Roman spoon by Anvic Silver Ltd, approx. weight 4oz. (3) £120-150

81. A mixed lot of silver flatware, comprising: fourteen Old English pattern dessert forks, various dates and makers, including The Goldsmiths and Silversmiths Company, London 1935, plus a table fork and three dessert forks, a set of six teaspoons, a cased set of six silver-gilt and enamel teaspoons, a salt spoon and an electroplated fork and mother-ofpearl salt spoons, approx. weighable 33oz. (qty) £250-300

82. A mixed lot of cased sets of silver flatware, various dates and makers, comprising: an Asprey caddy spoon, London 1969, with Prince of Wales feathers, a pair of jam spoons with mother-of-pearl handles, Sheffield 1899, a fork and spoon, four sets of teaspoons, set of six silver-handled cake knives, a bread knife, a cheese knife, and a pair of fish servers with silver handles and plated blades and tines, approx. weighable 11oz. (qty) £200-300

83. A mixed lot of seven cased sets of silver flatware, comprising: a pair of Victorian fruit serving spoons, by William Hutton and Sons, London 1895, a three-piece christening set, a set of twelve cake forks, two set of six teaspoons, a set of five teaspoons, and a christening fork and spoon, approx. weight 20oz. (7) £150-200

84. A collection of eight cased sets of silver spoons, various dates and makers, including an Edwardian pair with Apostle terminals, approx. weight 17oz. (8) £150-200

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85. A mixed lot of silver flatware, various dates and makers, comprising: a set of ten Scottish William IV Fiddle pattern table forks, Edinburgh 1831, over-struck with maker’s mark of William Constable of Dundee, twelve Fiddle pattern dessert forks, a George III set of twelve Old English pattern table forks, by Thomas Barker, London 1817, two tablespoons, seven Scottish dessert spoons and a matching dessert spoon, plus a set of six Tiffany coffee spoons, cased and a set of six teaspoons, cased, approx. weighable 81oz. (qty) £800-1,000

86. A mixed lot of silver flatware, comprising: three tablespoons, seven dessert spoons, three teaspoons, two other spoons, a silver-handled bread fork, electroplated tines, a cased fork, and a cased set of six teaspoons and tongs, approx. weight 22oz. (qty) £100-150

87. A set of six Austrian silver-gilt fruit knives, carved wooden handles, plain blades, in a fitted case, plus a set of six late-Victorian silver Fiddle pattern teaspoons, by George Jackson, London 1896, approx. weighable 3.5oz. (12) £150-200

88. A set of six silver Old English pattern dessert spoons, by J. Round, Sheffield 1922, the terminals initialled, in a fitted case, plus a pair of French silver serving spoons, cased and a set of six French parcel-gilt teaspoons, cased, approx. total weight 12.5oz. (3) £150-200

Provenance: The Property of a Lady.

89. A pair of Victorian silver grape scissors, by Elkington and Co., Birmingham 1889, the handles with a man and woman in Elizabethan dress, ring handles, in a fitted case, length 18cm, approx. weight 4.1oz. £150-200

90. A mixed lot of cased silver sets, comprising: a pair of fruit serving spoons, Sheffield 1933, a cased three-piece christening set, and three cased fork and spoon sets, approx. weight 15.9oz. (5) £120-150

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λ 91. A set of twelve silver and stained ivory handled fruit eaters, by Sebastian Garrard, London 1912, tapering stained green ivory handles, plain blades, in a fitted wooden case. (24) £100-150

λ 92. A set of twelve Victorian silver Aesthetic Movement fruit eaters with Shibyama handles, by Martin, Hall and Company, Sheffield 1879, the blades with engraved decoration, the ivory handles inlaid and applied with birds and foliate decoration, in a fitted wooden case. (24) £300-400

λ 93. A mixed lot of silver flatware, comprising: a set of six George III provincial silver Bright-cut teaspoons, by James Crawford, Newcastle circa 1790, a Georgian toddy ladle, a pair of sugar nips, three pairs of sugar tongs, a small cream ladle, a dessert spoon, three teaspoons, three salt spoons, a bread fork with an ivory handle, plus a metalware mustard pot, a shoe horn, and an electroplated caddy spoon and salt spoon, approx. weighable 12oz. (qty) £150-200

94. A mixed lot of silver flatware, various dates and makers, comprising: two Hanoverian pattern tablespoons, seven pairs of sugar tongs, twenty teaspoons and a jam spoon, approx. weight 21oz. (qty) £150-200

95. A mixed lot of silver flatware, various dates and makers, comprising: five tablespoons, four tablespoons with later berry decoration, three table forks, two dessert forks, two dessert spoons, and three salt spoons, approx. weighable 35oz. (qty) £250-300

96. A mixed lot of French and English silver flatware, various dates and makers, comprising: five table forks, eight dessert forks, seven dessert spoons, a sifting spoon, a butter knife, three pairs of sugar tongs, twelve French teaspoons, five grapefruit spoons, a serving slice, a ham bone holder and various spoons, approx. weighable 59oz. (qty) £300-500

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97. A collection of antique and modern Old English pattern flatware, various dates and makers, comprising: fourteen table forks, fourteen tablespoons, seventeen dessert spoons, ten dessert forks, and eighteen teaspoons, plus two Fiddle pattern dessert forks, eleven Fiddle pattern teaspoons, a set of cased New Zealand nephrite handed teaspoons, by Joseph Swindell and Sons, approx. weight 117oz. (qty) £800-1,200

98. A mixed lot of flatware, comprising: a pair of William IV Queen’s pattern salt spoons, the reverse of the bowls with oyster back heels, plus a George III caddy spoon, London 1791, fourteen teaspoons, an egg spoon, and three condiment spoons, plus a metalware spoon and two caddy spoons, approx. weighable 10.2oz. (qty) £150-250

99. A mixed lot of silver flatware, various dates and makers, comprising: a George IV Fiddle pattern fish slice, four tablespoons, a pair of pierced fruit serving spoons, a pair of tongs, a tea strainer and a Dutch spoon, (handle damaged), approx. weight 21oz. (qty) £150-200

100. A mixed lot of silver flatware, various dates and makers, comprising: eight Old English pattern tablespoons, and two forks, eight Fiddle pattern tablespoons, two dessert forks and a dessert spoon, and a Hanoverian pattern tablespoon, approx. weight 43.9oz. (qty) £300-400

101. A mixed lot of silver flatware, various dates and makers, comprising: six Old English pattern tablespoons, an Arts and Crafts spoon by Enid Kelsey, London 1935, a copy of a Roman spoon, two table forks, a jam spoon, seventeen tea and coffee spoons, and other items, approx. weighable 27oz. (qty) £200-300

102. A collection of silver Fiddle pattern flatware, various dates and makers, comprising: eleven tablespoons, five table forks, a dessert spoon, twenty-two teaspoons, and a condiment spoon, approx. weight 57oz. £300-500

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103. A collection of foreign silver and metalware spoons, comprising: a 19th century Dutch silver-gilt spoon, the finial with a figure holding a gun, oval bowl, plus another 19th century spoon and others including various Scandinavian examples and a pair of electroplated spoons. (qty) £250-300

104. A mixed lot of silver flatware, various dates and makers, comprising: a Victorian Queen’s pattern caddy spoon, by George Adams, London 1871, a pair of berry spoons, a sifting spoon, a Danish spoon, a butter knife, a coffee spoon by Liberty and Co, various condiment spoons and a fruit knife, approx. weighable 10.8oz. (qty) £100-150

105. A set of twelve Edwardian silver Ribbon, Reed and Bead pattern teaspoons and tongs, by T. Bradbury, Sheffield 1907, the terminals initialled, plus a pair of sugar nips, by James Stamp & John Baker, London circa 1768, and a pair of Continental silver sugar tongs, and another pair of sugar tongs, approx. weight 12.5oz. (16) £100-150

λ 106. A mixed lot of flatware, comprising silver items: a Scottish meat skewer, by J. McKay, Edinburgh 1821, a George II punch ladle, London 1734, a pair of silver-gilt salt spoons, and two condiment spoons, plus a set of four Victorian electroplated salt spoons, by G.R. Collis, circa 1860, shell bowls, pierced handles, and an olive spoon, approx. weighable 2.7oz. (qty) £150-200

107. A mixed lot of silver spoons, comprising: a pair of Norwegian silver-gilt and enamel spoons, by David Andersen, Oslo, with scrolls and vari-coloured enamel decoration, length 1.3cm, plus a Russian spoon, a German silver-gilt and enamel teaspoon, a plique-à-jour enamel spoon and a gilt metal and enamel spoon. (6) £200-300

108. A mixed lot of Russian silver flatware, comprising: a silver-gilt fruit knife, Moscow 1842, a silver and niello spoon, two tablespoons, a butter knife, a pair of teaspoons and a salt spoon, approx. weight 12oz. (8) £150-200

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109. A Victorian silver Old English thread pattern crumb scoop, by George Adams, London 1862, the terminal with a crest, length 32cm, approx. weight 7.5oz. £100-150

110. A Victorian silver King’s pattern soup ladle, by George Adams, London 1845, oval bowl with a shell heel, the terminal with a crest, length 35cm, approx. weight 9.6oz. £150-200

The crest is that of Compton.

111. A pair of salad servers, by Hukin and Heath, Birmingham 1937, tapering handles, length 24cm, approx. weight 4.1oz. (2)

£100-150

113. A pair of Victorian silver grape scissors, by J Mappin, Sheffield 1888, trailing grapevine handles, length 17.5cm, approx. weight 4.3oz. £150-200

112. A George III Scottish silver meat skewer, by John McDonald, Edinburgh 1802, tapering form, with a plain ring handle, length 35.5cm, plus a George III silver meat skewer, by George Smith, London 1784, tapering form, ring handle, engraved with a crest, approx. total weight 8.2oz. (2) £150-200

114. A George II silver marrow scoop, maker’s mark partially worn, London probably 1733, conventional form, approx. weight 1.7oz.

£100-150

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115. A William IV silver stilton scoop, by Gervase Wheeler, Birmingham 1834, the bowl with thread decoration, carved mother-of-pearl handle, length 22cm. £120-150

116. A George III silver fish / serving slice, by William Plummer, London 1763, the triangular blade with pierced foliate scroll decoration, the socket modelled as a mythical dolphin, and with a fluted and turned baluster wooden handle, length 29.5cm, approx. weight 3.9oz. £400-600

117. A George III silver toasting fork, unmarked circa 1800-1820, two pronged tines, scratch initialled ‘W’, turned wooden baluster handle, length 87.5cm. £300-400

118. A George III silver mote spoon, maker’s mark R.C twice, the oval bowl pierced with mullets and scroll motifs, length 13.5cm, approx. weight 0.2oz. £100-150

119. A George III silver Fiddle and Thread pattern fish slice, by Eley, Fearn and Chawner, London 1809, the blade with pierced decoration, the terminal with a crest, plus a pair of Victorian silver fish servers, by Roberts & Slater, Sheffield 1855, approx. weighable 4.9oz. (3) £150-200

120. An early 19th century silver Fiddle pattern sauce ladle, unidentified marks, probably Colonial, the terminal with an initial, length 17.5cm, approx. weight 1.5oz. £200-250

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121. A George III silver Old English pattern fish slice, by Eley and Fearn, London 1803, the blade with pierced decoration, the handle later initialled, plus a George III silver Fiddle pattern basting spoon, by Richard Turner, London 1810, approx. total weight 8.7oz. (2) £100-150

122. A small collection of Channel Islands silver flatware, comprising: a pair of sugar tongs by Jacques Quesnel, Jersey, plus an engraved tablespoon by the same maker, engraved decoration, a tablespoon by Charles Quesnel, and one other spoon, approx. weight 4.5oz. (4) £150-200

123. A Turkish silver teaspoon, circa 1880, tapering shaped bowl, plus a silver Trefid spoon, by Thomas Bradbury and Son, Sheffield 1935, approx. total weight 1.9oz. (2) £60-80

124. A George III silver Fiddle pattern teaspoon, by Paul Storr, London 1817, the terminal with the Royal Cipher with Prince of Wales Feathers, initialled ‘W.E.R’, and on the stem ‘J.M.G’, length 13.7cm, apporx. weight 0.7oz. £100-150

125. A Victorian silver caddy spoon, by George Unite, Birmingham 1860, shell bowl, loop and vine handle, length 7cm, plus a George II scrollback Hanoverian pattern tablespoon, London 1753, and a salt spoon, approx. weight 2.4oz. (3) £100-150

126. A mixed lot of four pairs of silver sugar tongs, comprising: a provincial pair by Princes and Cattle, York, a cast pair, a pair with maker’s mark of W.A, and another pair, approx. weight 4.3oz. (4) £100-150

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127. A George III silver Bright-cut caddy spoon, by John McFerlan, London 1785, shell shaped bowl, plus a George III caddy spoon, with a square bowl, chequer-board decoration, by William Pugh, Birmingham 1813, and one other, approx. weight 0.7oz. (3) £100-150

128. A small collection of three silver caddy spoons, comprising: one modelled as a hand, by F. Howden, Sheffield 1971, plus a George III one by Joseph Taylor, Birmingham 1813, rectangular bowl, wavy-edge border, engraved decoration, and one by Joseph Willmore, Birmingham 1827, approx. weight 0.9oz. (3) £150-200

129. A Scandinavian silver and enamel spoon, with a Russian import mark, the rectangular handle with red and black enamel decoration of birds and foliate motifs, length 11cm, approx. weight 1oz. £80-120

130. A George III silver caddy spoon, by Josiah Snatt, London 1807, shovel shaped bowl, plain tapering handle, length 8.3cm, approx. weight 0.4oz. £70-90 Provenance: The Hall Collection, Waddington Auctioneers, Victoria, British Columbia, Canada, January 2020, part lot.

131. A late-19th century Russian silver-gilt and enamel spoon, Moscow 1891, circular form, the reverse of the bowl with vari-coloured enamel decoration, white beaded border, length 16.8cm, plus another Russian silver and enamel spoon, the reverse of the fig-shaped bowl enamelled with a flower on a matted background, length 18.2cm, approx. weight 5,5oz. (2) £300-400

132. A Norwegian silver-gilt and plique-à-jour enamel spoon, by J. Tostrup, Oslo, fig-shaped bowl, with engraved decoration, the handle with varicoloured blue and white decoration, rope-work borders, with a circular finial, length 16.5cm, approx. weight 1.5oz. £200-300

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133. A set of six silver-gilt naturalistic teaspoons, unmarked, probably late-18th century, shell bowls, pierced foliate terminals, approx weight 3.5oz. (6) £150-200

134. A set of six cast silver naturalistic teaspoons, unmarked, probably 19th century, leaf shaped bowls, pierced foliate handles, length 11.2cm, plus a set of four similar, approx. weight 4.8oz. (10) £100-150

135. A continental silver-gilt Apostle spoon, marked in the bowl with a W and with a device above, probably 19th century, fig-shaped bowl, tapering faceted stem with an Apostle finial, inscribed to bowl ‘JS over IS 1740’, the stem also inscribed and numbered ‘5’, the nimbus also initialled, length 19cm, approx. weight 1.9oz. £100-150

136. A collection of Victorian silver and silver-gilt Bacchanalian pattern flatware, by George Adams, Messrs. Lias, Aldewinckle and Slater, London 1851-1891, comprising: three dessert spoons, three dessert forks, two dessert knives and a pair of teaspoons, approx. weighable 15.5oz. (10) £400-600

137. A mixed lot of seven early 18th century silver tablespoons, comprising: a Dog-nose spoon, with makers’ mark W three items, the oval bowl with a plain rat-tail, the terminal with scratch initials ‘E.Y’ over I.Y’ ‘1710’. plus two other Dog-nose spoons and four Hanoverian pattern spoons, approx. weight 13.7oz. (7) £300-400

138. A set of six George III silver ‘picture-back’ Hanoverian pattern teaspoons, probably by William Withers or William Worthington, London circa 1760, the reverse of the bowls with a mother hen with her chicks, the reverse of the terminals scratch initialled ‘D over W.M’, plus an ‘I love Liberty’ picture back spoon and two others, approx. weight 3.2oz. (9) £300-400

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part 139. A matched set of twelve silver Old English Thread and Drop pattern table knives and dessert knives, by D and J Welby, London 1895, and 1919, and Francis Higgins London 1937, plus a five-piece carving set. (29) £500-700

140. A set of seven 18th century French silver-gilt dessert knives, by Jean Louis Outrebon, Paris 1788, plain blades, reeded handles, engraved with a crest, length 20cm. (7) £250-300

141. A mixed lot of six colonial silver Old English pattern tablespoons, comprising: one from Gibraltar, by Henry Cowper, circa 1795, a Canadian one by Peter Nordbeck, Halifax circa 1800, a pair with a crude maker’s mark JH twice, and a stylised lion, one with maker’s mark I.B, possibly American and one other, approx. weight 10.8oz. (6) £200-300

142. A mixed lot of silver flatware, various dates and makers, comprising: a pair of George III Fiddle and Thread pattern sauce ladles, by Eley, Fearn and Chawner, London 1810, plus a pair of George III Old English pattern tablespoons, London 1811, a pair of sugar tongs, a set of six teaspoons, London 1808, and three further spoons, approx. weight 12.9oz. (14) £100-150

143. A set of six modern silver-handled Thread pattern table and dessert knives, London 1997. (12) £200-300

144. A matched set of ten George III silver Hanoverian pattern tablespoons, eight by Richard Crossley, London 1791, and two by different makers, London 1766 and 1771, the reverse of the terminals with crests, approx. weight 23.4oz. (10) £300-400

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part

145. A George III, IV and modern matched silver part-canteen of old English pattern for ten, various dates and makers, the majority by William Chawner, London 1823 and 1824, the terminals with a crest, comprising: twelve tablespoons, ten table forks, ten dessert spoons, ten dessert forks, and ten teaspoons, approx. weighable 82.5oz. (qty) £800-1,200

part 147. A matched Victorian silver Beaded pattern canteen for twelve, the majority by Martin, Hall and Co, Sheffield 1880 and London 1883-86, other pieces by Walker and Hall 1899, and James Dixon and Sons, Sheffield 1894, comprising: twelve table forks, twelve dessert forks, twelve tablespoons, eighteen dessert spoons, twelve teaspoons, twelve smaller tea / egg spoons, a sauce ladle, a butter knife, a pair of sugar tongs, and a soup ladle, plus two Georgian single-struck Beaded pattern tablespoons, London 1781, plus a set of twelve electroplated table and dessert knives, retailed by Thomas Goode, approx. weighable 159oz. (qty) £1,500-2,000 The crest is that of Pardoe, Pringle, Prior or Pritchard.

146. A matched Victorian silver Fiddle and Thread pattern canteen for twelve, by George Adams, London 1860-69, some terminals crested, comprising thirteen table forks, eleven dessert forks, twelve tablespoons, twelve dessert spoons, eleven teaspoons, and a butter knife, plus a pair of William IV sauce ladles and four teaspoons, by William Eaton, London 1834/35, approx. weight 137oz. (qty) £1,500-2,000

part 148. A matched Victorian silver Fiddle, Thread and Shell pattern canteen for twelve, the majority by Aldewinckle and Slater, London 1893, and later pieces Sheffield 1931, most with crests to the terminals, comprising eighteen table forks, ten dessert forks, six tablespoons, fourteen dessert spoons, and three sauce ladles, plus twelve shell pattern table and dessert knives, by Sebastian Garrard, London 1927, approx. weighable 133oz. (qty) £1,000-1,500

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part

149. A mixed lot of silver flatware, various dates and makers, comprising: a King’s pattern fish serving fork, by George Adams, London 1859, three berry spoons, approx. weight 10oz. (4) £80-120

part 151. A matched William IV, Victorian and modern silver Fiddle, Thread and Shell pattern canteen for twelve, various dates and makers, including Mary Chawner, London 1835, Hayne and Cater, London 1843, George Adams, London 1867, the terminals with various crests, comprising: twelve table forks, twelve tablespoons, twelve dessert forks, twelve dessert spoons, eleven teaspoons, a pair of basting spoons, a fish slice, a pair of sauce ladles, a sifting spoon, two pairs of sugar tongs, a pair of grape scissors, a salt spoon, twelve silver-handled table and dessert knives, Sheffield 1988, and six fruit knives and forks, by Garrard, Sheffield 1972, approx. weight 190 oz. (qty) £2,000-3,000

150. A Collection of French silver Ribbon and Reed pattern flatware, by Henin and Cie, Paris, the reverse of the terminals with two different monograms, comprising: twenty-four table forks, twenty-four tablespoons, thirteen dessert forks, thirteen dessert spoons, twenty-five teaspoons, a soup ladle, and two serving spoons, plus a cased set of thirty-six table knives and eighteen silver-mounted wooden handled table dessert knives, the blade by Mericant, 38 Rue Richelieu, Paris, approx. weight 200oz. (qty) £1,500-2,000

part 152. A George III silver Old English pattern canteen for twelve, the majority by Eley and Fearn, London 1817, the terminals with a crest, comprising: twelve tablespoons, twelve table forks, twelve dessert spoons (one by Wallis and Hayne), eleven dessert forks, a pair sauce ladles, and twelve teaspoons, (various makers), approx. weight 88.4oz. (qty) £800-1,200

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153. An Austrian silver dish, by Heinrich Bottwin, Vienna circa 1920, lobed circular form, spot-hammered decoration, on three ball feet, diameter 16.5cm, plus an Austrian silver and enamel cigarette case, engine-turned with flowers and blue enamel lozenge decoration, approx. total weight 8.9oz. (2) £120-180

154. A set of four Chinese small silver cups, circular form, engraved decoration, plus a pair of Far-eastern silvergilt letter openers, engraved decoration on a matted back, baluster handles. (6) £150-200

155. A metalware reticulated fish, unmarked, modelled as a garfish, the hinged head with red eyes, tail a.f, length 44cm, plus a small reticulated fish, the hinged cover set with red eyes and with scroll whiskers, length 10cm. (2) £150-200

156. An American reproduction silver bowl, by International Sterling, circular form, the underside inscribed ‘Paul Revere Reproduction’, on a circular foot, diameter 18.8cm, plus a 19th century Italian silver sugar vase and cover, foliate borders, on three mask capped scroll feet, approx. total weight 22oz. (2) £150-200

157. A mixed lot, comprising: an American silver tazza, by Gorham and Co, circular form, chased foliate scroll border, on a slender baluster stem on a raised circular foot, height 15.5cm, plus a pair of American silver salad servers, by Rowe Brothers, and a Sri Lankan coffee pot, with an elephant spout and chased decoration, approx. weighable 9oz. (4) £200-300 28

λ 158. A mixed lot of German silver items, comprising: a jardinière, of lobed oval form, clear glass liner, on four paw feet, length 29cm, plus a pot and cover, circa 1930, possibly by Theodor Müller, circular form, spot-hammered decoration, the cover with a circular finial with ivory, diameter 11.3cm, plus an oval dish with a reeded moulded border, length 30cm, approx. total weight 32.8oz. (3) £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

159. A probably 19th century silver two-handled porringer, unmarked, probably South American, circular form, on a raised tapering circular base, with scroll handles, height 6.1cm, approx. weight 3.7oz. £100-150

160. A 19th century colonial silver bowl, maker’s mark B.S, also with an H and a date, possibly 1850, plain circular form, with an inscription, diameter 12.7cm, approx. weight 10oz. £150-200

161. An 18th century continental silver caster, marked with a crowned B and another unidentified mark, possibly German, baluster form, with stiff leaf cut-card decoration, pull-off pierced cover with a knop finial, on a raised octagonal foot, height 15.5cm, approx. weight 7.5oz. £350-400

162. A metalware dish, circular form, the centre embossed with a figure on a donkey, with a border of animals, figures and birds, diameter 13.5cm. £100-150

163. An Italian silver bowl, shallow circular scroll fluted form, diameter 31cm, approx. weight 27.5oz. £200-300

164. A 19th century Colonial silver wine coaster, marked with pseudo English marks and maker’s mark JS script, unidentified, shallow circular form, moulded border, and engraved with a crest, wooden base, diameter 17.8cm. £300-400

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165. A small collection of continental silver, comprising: two late-18th /early 19th century Italian dishes, of lobed oval form, on raised lobed oval bases, one with maker’s mark of AB twice, the other with Venice marks and maker’s mark of T(device)G, twice, length 10.5cm and 9.8cm, plus a sauce tureen and cover, of oval bellied form, maker’s mark AN twice, the pull-off cover with a flower bud finial, on four claw and ball feet, initialled, ‘G.M’, length 14.5cm, plus a pair of Indian pepper pots, chased decoration, approx. weight 20oz. (5) £300-400

167. A small 19th century Dutch tea pot, 1843, octagonal form, engraved decoration, scroll handle, the pull-off cover with a flower finial, the underside inscribed, length handle to spout 15cm, approx. weight 5oz. £150-200

λ 166. An early 19th century Italian silver pot and cover, maker’s mark of T (device) G, Venice, circular form, the pull-off cover with an ivory knop finial, reeded border, diameter of base 8.4cm, approx. weight 9oz. £250-300

λ 168. A 19th century Dutch silver tea pot and cream jug, maker’s mark of S & Co., 1850, lobed circular bellied form, scroll handles with ivory insulators, engraved decoration, on four pierced bracket feet, length handle to spout 20.5cm, approx. weight 15oz. (2) £150-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

169. A 19th century Austro-Hungarian silver sugar box, maker’s mark ?W, Vienna 1845, cushioned lobed rectangular form, embossed foliate corners, on four large pad feet, with a lock, length 17cm, approx. weight 19.5oz. £300-400 Provenance: The Property of a Lady.

170. A 19th century German silver drinking cup, by J.D. Schleissner and Son, Hanau circa 1890, in the seventeenth century manner, lobed baluster form, chased foliate decoration, with an inscription, on a circular foot with four scroll mounts, height 16.7cm, approx. weight 6.7oz. £200-300

171. A 19th century Austro-Hungarian silver sugar box, maker’s mark possibly WH, Vienna circa 1815, rectangular form, the hinged cover and body with a border of engraved foliate decoration, the cover with two armorials, the front with a lock and shield shaped cartouche, length 13.7cm, approx. weight 19.3oz. £400-600

172. A Swedish silver saucepan and cover, by C. F Carlman, Stockholm, 1929, circular form, gilded interior, turned baluster wooden handle, the pull-off cover with a foliate cone finial, length 28.5cm, approx. weight 25oz. £300-400

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173. A large late-19th century Indian presentation silver beaker, unmarked, probably Kutch, tapering circular form, chased foliate scroll decoration on a matted background, embossed with figures of a man holding a fish, a god and a man carrying tea, the front inscribed ‘Presented by the East Indian Tramways Company, 1886’, height 21cm, approx. weight 20oz. £400-600

174. A Burmese silver rice bowl, unmarked, circular form, embossed and chased with figural scenes in landscape settings, foliate scroll borders, diameter 17cm, height 10.2cm, approx. weight 19.3oz. £300-400

175. A three-piece Indian silver tea set, marked ‘Pure Silver’, lobed circular form, chased foliate scroll decoration, scroll handles, knop finials on raised circular bases, length handle to spout 25cm, approx. weight 32.5oz. (3) £400-600

176. A three-piece Indian metalware tea set, unmarked hinged covers, baluster form, chased foliate scroll decoration on a matted background, scroll handles, on circular bases, height of tea pot 19.5cm. (3) £400-600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

177. A 19th century Indian Colonial silver salver, by Hamilton and Co. Calcutta circa 1820, circular form, foliate scroll border, the centre with foliate decoration on a matted background, on three pierced bracket feet, diameter 27.2cm, approx. weight 28.4oz. £400-500

178. An Indian silver bowl, by Dass and Dutt, Bhowanipore, Calcutta, circa 1900, circular form, embossed and chased with elephants, village scenes and animals, on a raised circular foot with foliate decoration, diameter 26.7cm, height 16cm, approx. weight 28.5cm, £800-1,200

179. An Indian silver and copper tray, rectangular form, canted corners, the copper base applied with silver gods and figures, with a border of birds, and with an outer foliate border, length 46.3cm. £300-400

180. A mixed lot of Indian silver items, comprising: a rose water sprinkler, of octagonal baluster form, chased foliate decoration, a vase and a small pair of bowls, approx. weight 7.5oz. (4) £150-200

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181. A middle-eastern metalware mounted wooden Koran stand, marked 800, hinged X-frame form, with panels with embossed foliate decoration, length open 31cm. £100-150

182. A Persian metalware ewer, six tot cups and a tray, the ewer of baluster form, chased foliate decoration, with a scroll handle, the tot cups of tapering circular form, the tray of shaped rectangular form and engraved with a building, length of tray 33.2cm. (8) £180-220

183. A Tibetan metalware butter lamp, circular form, chased decoration, on a knopped stem, on a raised circular foot, with fluted decoration, height 18.2cm, plus a metalware drinking cup, circular form, chased decoration, diameter 8.8cm. (2) £300-500

184. A Chinese silver box, rectangular form, the hinged cover embossed with a dragon within scroll waves, the sides with similar decoration, wood lined, the hinge a.f., length 20.5cm. £400-600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

185. A Chinese silver tea caddy, maker’s mark of WA, lobed oval cylindrical form, with panels of foliate decoration on a matted background, the pull-off cover applied with Chinese characters, height 12cm, approx. weight 7.5oz. £400-600

186. A late 19th century German silver-mounted Meissen tea caddy, the mounts by Elimeyer, upright rectangular form, the body decorated with flowers, pierced foliate scroll mounts, pull-off cover, height 16.3cm. £100-150

187. A German silver tea caddy / sugar box, circa 1920, lobed oval bellied form, the hinged cover with a foliate finial, on four foliate capped scroll feet, length 12cm, approx. weight 8oz. £150-200

188. A continental silver tea caddy, with import marks for Sheffield 1901, importer’s mark of Samuel Landeck, shaped oval form, embossed with children and sheep in landscape settings, the pull-off cover with a hinged scroll handle, height 10.5cm, approx. weight 9.4oz. £150-200

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189. A set of six French silver-gilt coffee spoons, by Bourdon, stylised Queen’s pattern, in a fitted wooden case, the cover inlaid ‘Cafe’, approx. weight 3oz. £80-120

190. A pair of French silver vases, maker’s mark LXS in a lozenge, tapering shaped oblong form, embossed with garlands, rosettes, urns and flowers, on raised oval bases, height 13.4cm, approx. weight 9.5oz. (2) £150-200

191. A set of twelve French silver tot cups, retailed by L.Lapar, Paris, tapering circular form, swirl fluted decoration, in a fitted case, case a.f, height 3.8cm, approx. weight 9oz. (12) £200-300

192. A German silver hot milk pot, with pseudo earlier marks, baluster form, wooden baluster side handle, domed hinged cover with a foliate finial, the body embossed with figures and foliate scroll decoration, on three scroll legs, height 14.8cm, approx. weight 8oz. £100-150

193. A French silver-mounted liqueur decanter and six tot cups, the tapering circular decanter with engraved glass, the tot cups of tapering circular form, with a ribbon and reed border, in a fitted case, height of decanter 19.5cm, height of tot cup 4cm, approx. weight 1.8oz. (7) £200-300

194. A French silver dish, circular form, pierced and chased with foliate scroll decoration and with four panels of putti, reeded border, diameter 26.5cm, approx. weight 16.9oz. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

195. An 18th century French provincial silver wine taster, maker’s mark of Pierre Decerizieres, Thouars, (Jurisdiction of Poitiers) circa 1750, plain circular form, simulated snake ring handle, length 11cm, approx. weight 2.3oz. £150-200

196. An 18th century French silver wine taster, maker’s mark three times, for Guillaume Jullien, Orleans, circular form, fluted ring handle, inscribed ‘PIERRE IOURDIN’, length 10.5cm, approx. weight 4oz. £300-400

197. An 18th century French silver beaker, by Jaques Dugay, Paris 1732, tapering circular form, chased decoration, on a raised circular fluted foot, height 9cm, approx. weight 3.9oz. £300-350

198. An early 19th century French provincial silver wine taster, maker’s mark worn, 1819-1838, plain tapering circular form, initialled, raised centre, diameter 11.3cm, approx. weight 1.9oz. £70-100

199. A French silver mustard pot, by Harleux, baluster form, engine-turned and dot decoration, scroll handle, beaded border, on three claw and ball feet, clear glass liner, height 9.5cm, plus a small French silver hot water pot, baluster form, scroll handle, on a circular foot, height 10cm, approx. weight 7oz. (2) £180-220

200. A set of six French silver tot cups, maker’s mark of C.T, tapering circular form, gilded interiors, height 4cm, approx. weight 3oz. (6) £100-150

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201. A 19th century French silver-gilt two-handled sugar bowl and cover, maker’s mark of C. P.V. Vahland, Paris circa 1819-1838, circular form, leaf capped side handles, stiff leaf borders, the cover with a beaded border and foliate handle, with a circular base, length handle to handle 18cm, in a fitted case, approx. weight 30oz. (2) £1,200-1,500

202. A 19th century French provincial silver coffee pot, maker’s mark of E.G with an arrow between, 1819-1838, ovoid form, wooden handle, with stiff leaf borders, the hinged cover with a cone finial, the spout with a bird mask, on three scroll legs with paw feet, height 32cm, approx. weight 28.2oz. £600-800

203. A three-piece French silver coffee set, by Cardeilhac, Paris, swirl fluted baluster form, scroll handles, the domed covers with foliate finials, height of coffee pot 22.2cm, approx. weight 53.5oz. (3) £600-800

λ 204. A three-piece late 19th century Belgian silver tea set, circa 1880, baluster form, embossed with foliate scroll decoration, the teapot with a scroll handle and ivory insulators, with initials, the sugar bowl with a pull-off cover, on four foliate bracket feet, length handle to spout 22cm, approx. weight 37.9oz. (3) £300-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 205. A four-piece French silver-gilt bachelor’s tea and coffee set, circa 1900, by R.L crowned for Robert Linzeier, the bases stamped Cartier, baluster form, part-fluted decoration, the hinged covers with ivory finials, ivory scroll handles, length of teapot handle to spout 16cm, approx. weight 29oz. (4) £300-400

λ 206. A matched three-piece French silver hot chocolate set, the coffee pot with maker’s mark of LD in a lozenge, circa 1900, in the Louis XV manner, swirl-fluted baluster form, leaf capped scroll handles, the chocolate pot with a hinged cover with a swivel-hinged shell finial, the handle with ivory insulators, the sugar bowl with a cover with a shell finial, on four foliate capped scroll legs, initialled, height of pot 25cm, approx. weight 45oz. (3) £500-700

207. A French silver-mounted liqueur set, the ewer with maker’s mark of R.B in a lozenge, the cups by another maker, baluster form, swirl-fluted baluster form, the mounts with foliate and fluted decoration, on a circular foot, the hinged cover with a shell finial, the tot cups of similar form, with foliate scroll handles, height of ewer 26cm. (7) £300-500

λ 208. A four-piece late 19th century French silver tea and coffee set, by Harleux, comprising: a coffee pot, teapot, sugar bowl and cover and a pair of sugar tongs, baluster form, with engine-turned and dot decoration, the scroll handles with ivory insulators, beaded borders, with foliate cartouches, initialled, on raised circular beaded bases, approx. weight 69oz. (4) £700-900

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209. An 18th century French silver-gilt oil and vinegar frame, by Marc-Etienne Janety, Paris 1779, shaped oval form, foliate ends, mounted with two wire-work bottle holders with pierced decoration and two stopper holders, on four foliate capped scroll feet, length 17.8cm, approx. weight 17oz. £600-800 209

210. A pair of early 19th century French silver oil and vinegar stands, by Jean Baptist Claude Odiot, Paris circa 1820, rectangular form, central baluster carrying handle, the grip formed by two dolphins, the base mounted with two circular fluted bottle holders, on four ball feet, engraved with an armorial, length 17cm, approx. weight 10.3oz. (2) £1,500-2,000

210

211. A pair of 19th century French silver canisters / toilet jars and covers, Paris, post 1838 mark, tapering circular form, with applied swags and ribbon tied garlands of flowers, chased decoration, applied with armorials, with silver-gilt liners, pull-off covers with a finial of a crown on a cushion, the inside of the covers inscribed ‘DONNE A MA CHERE FILLE MARIE’ and also with the initials ‘B.C.P’ and earlier date ‘1826’, on four leaf and mask capped scroll feet, height 13.8cm, approx. weight 32oz. (2) £800-1,200 211

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λ 212. A 19th century Austro-Hungarian small silver coffee urn, by Mayerhofer and Klinkosch, Vienna 1844, cylindrical form, pull-off cover, fluted finial, with drop ring handles, the interior with a metal strainer, with a spout and ivory handled tap, on a stand with four scroll legs, with a later burner, height 42cm, approx. weight 21oz. £300-400 Provenance: The Property of a Lady.

212

213. A 19th century Austro-Hungarian silver coffee urn, by Lorenz Frank, Vienna 1819, cylindrical and fluted circular form, pull-off cover, gadroon borders, with drop ring handles, the interior with a plunger, the front with a spout and tap, on a stand with four scroll legs, with a burner, on a spread circular base with turned wooden side handles, initialled, height 42cm, approx. weight 85.5oz. £800-1,200 Provenance: The Property of a Lady.

213

214. A French silver platter, circular form, moulded border, diameter 33cm, plus another silver meat platter, with a French import mark and retailed by P. Fenninger, shaped oval form, moulded border, length 45cm, approx. total weight 67oz. (2) £400-600

214

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215. An Austrian silver two-handled sandwich tray, maker’s mark partially worn, shaped rectangular form, pierced stylised handles, length 52cm, approx. weight 16.2oz. £200-300

216. A Russian silver and enamel mustard pot, bearing a pseudo Fabergé mark and Moscow marks for 1896, vase form, with blue enamel decoration, leaf caped scroll handle, the hinged cover with a cone finial set with stones, on a raised square foot, plus a silver-gilt and enamel spoon, in a fitted case, height 10cm. £500-700

217. A mixed lot of Russian silver items, comprising: a tea glass holder, 1891, circular form, engraved decoration, scroll handle, a smaller tea glass holder, two silver and enamel napkin rings, a tapering beaker and a silver and enamel beaker of tapering circular form, approx. weight 12oz. (6) £300-400

218. A continental silver swing-handled sugar basket, with a Russian import mark, circular tapering form, pierced and embossed foliate and rosette decoration, pierced swing-handle, on four scroll feet, height with handle up 22cm, approx. weight 8.9oz. £250-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

219. A pair of continental silver beakers, bearing pseudo 18th century Russian marks, tapering lobed form, plain rim, on raised lobed bases, height 18cm, approx. weight 29oz. (2) £400-600 Provenance: The late Greta Morrison, widow of Bryan Morrison.

220. A 19th century Russian silver cup and saucer, assay master Viktor Savinkov, Moscow 1874, tapering circular form, engine-turned decoration, chased borders, the interior gilded, diameter of saucer 13.3cm, approx. weight 8.8oz. (2) £300-400 Provenance: The Property of a Lady.

221. A Russian silver ewer and six vodka cups, 1927-1958, the ewer of baluster form, engraved foliate decoration on a matted background, the cups of tapering circular form, with similar decoration, on circular bases, approx. weight 13oz. (7) £200-300

222. A 19th century two-handled Russian silver sugar bowl and cover, by P. Ovchinnikov, assay master A. Svechin, Moscow 1875, baluster form, scroll handles, the pull-off cover with a seated Arab man smoking a pipe, gilded interior, length handle to handle 14oz. £150-200

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223. An 18th century German silver two-handled brandy bowl, maker’s mark IS in a monogram, Dusseldorf, lobed oval form, fluted decoration, ribbon-tied pierced handles with an earlier date ‘1687’ and with initial JMB, length 22.2cm, approx. weight 3.2oz. £300-400 223

224. A late 18th century Maltese silver sugar vase and cover, Emanuel De Rohan period, 1775-1797, maker’s mark obscured, lobed baluster form, the lobed pull-off cover with a fluted finial, on three legs terminating in hoof feet, height 13.4cm, approx. weight 6.5oz. £1,000-1,500

224

225

225. An early 18th century Caucasian silver and niello-work bowl, circa 1710, tapering circular form, chased foliate scroll decoration with niello work flowers, the underside of the foot with a Cyrillic inscription and dated ‘1710’, diameter 10.2cm, approx. weight 5oz. £2,000-3,000

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226. A pair of 19th century Russian cast silver stirrup cups, by Samuel Arndt, St. Petersburg, c. 1860, one with a French import mark, modelled as a fox with a front paw raised and a dog with paws raised, tapering circular bowl, gilded border and interior, height 7.5cm, approx. weight 9.3oz. (2) ÂŁ4,000-6,000

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227. An early 18th century German silver-gilt tumbler cup, maker’s mark worn, Augsburg, circa 1720, also with Dutch import mark, swirl-fluted circular form, diameter 6.5cm, approx. weight 2oz. £500-700

228. An early 18th century German silver beaker, maker’s mark IH over M, Nürnberg circa 1714, circular form, embossed ribbon tied fruit decoration, gilded interior, on four ball feet, with a feint inscription and possibly dated ‘1714’, height 9.8cm, approx. weight 4oz. £300-400

229. A late 18th century Spanish silver beaker, maker’s mark of Munoz, assay master Jose Reyna Laguna, Malaga circa 1790, panelled tapering circular form, the interior gilded, height 8.5cm, approx. weight 3.7oz. £100-150

230. A German silver tumbler cup, by Paul Solanier, Augsburg circa 1700, also with a later Russian mark for St. Petersburg 1775, circular form, matted decoration, with traces of gilding, diameter 6.5cm, approx. weight 1.8oz. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

231. An Early 18th century German silver beaker, by Paul Solanier, Augsburg circa 1720, tapering circular form, with chased scroll and lattice decoration, and with initials and an upper and lower gilded border, on a spread circular foot, height 10.3cm, approx. weight 4.3oz. £800-1,200

232. A set of four 18th century German miniature silver beakers, maker’s mark of CS, also marked 12, tapering circular form, with an upper and lower band of gilded decoration and with gilded bowls, one on a slight raised circular foot, height 2.8cm, approx. weight 1oz. (4) £800-1,200

233. An 18th century Swiss silver wine beaker, maker’s mark of ID below a castle, Vevy circa 1750, tapering circular form, with initials ‘I.B.R’, height 5.2cm, approx. weight 1.9oz. £300-400

234. An 18th century continental parcel-gilt silver beaker, marks unidentified, possibly Scandinavian, circa 1758, tapering circular form, gilded upper and lower border, engraved with an armorial and initials, the reverse inscribed ‘VIVAT 1758’, with a later inscription, height 9.2cm, approx. weight 3.2oz. £300-400

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235. An early 19th century Colonial silver wine funnel, marked A.K with a sailing boat between, and twice with maker’s mark, possibly In, unidentified, circa 1830, campana form, the plain pull-out straining section with a shell side clip, length 16.5cm, approx. weight 6.7oz. £400-600

236. An 18th century Batavian silver Betel box, unmarked, rectangular form, the hinged cover with a single chain support, dropring side handles, with applied foliate motifs and with a lock and key, on four claw and ball feet, length 14.8cm, approx. weight 18oz. £400-600

237. An early 19th century Dutch silver cream jug, possibly by J. A. Toorn, The Hague 1838, helmet form, engraved decoration, reeded borders and scroll handle, with an initialled shield cartouche, on a raised rectangular foot, height 15.7cm, approx. weight 5.7oz. £200-300

238. An 18th century silver cream jug, maker’s mark only, possibly R*T, possibly American, baluster form, scroll handle, the front with an engraved cipher within foliate mantling, scroll handle, on three hoof feet, height 9.8cm, approx. weight 4.6oz. £400-600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 239. A late 18th / early 19th century tea pot, marked AS twice and AG below a sailing boat twice, marks unidentified, probably colonial, circa 1800-1820, circular form, leaf capped spout with ivory insulators, the hinged cover with a knop finial, the spout with chased foliate decoration, on a circular foot, engraved with a crest, length handle to spout 25cm, approx. weight 24.8oz. £1,200-1,800

240. An 18th century Dutch silver teapot, by Matthijis Crayenschot, Amsterdam 1762, inverted baluster form, wooden scroll handle, the hinged cover with fluted and foliate scroll decoration, with a worn armorial, on a raised shaped square foot, length handle to spout 21cm, approx. weight 13oz. £1,500-2,000

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inscription 241. An Austrian silver-gilt money box, by J. C. Klinkosch, Vienna circa 1913, cube form, spot-hammered decoration, the cover inscribed with a presentation inscription to John Jerome, signed and dated Vienna 11 June 1913, height 7.2cm, approx. weight 13oz. £200-300 Provenance: The Property of a Lady.

242. A French gilt-metal and Limoges enamel box, rectangular form, the hinged cover set with an enamelled panel of a lady wearing a hat, with artist’s initials DL conjoined, and with a green enamel border, the interior silk lined, length 8.6cm. £150-200

243. A silver-gilt mounted glass box, by the Goldsmiths and Silversmiths Company, London 1910, rectangular form, the hinged cover with a clear glass panel, length 6.3cm. £150-200

244. A Victorian silver mounted glass box, by William Leuchars, London 1886, rectangular form, plain mounts with a plain thumb-piece, length 5.5cm. £120-150

245. The Worshipful Company of Fishmongers, an Edwardian silver box, by The Mappin Brothers, Chester 1902, rectangular form, gadroon borders, the hinged cover with the arms and motto of the company, and inscribed ‘Fishmongers Company 9th July 1902’, length 8.5cm, approx. weight 4.4oz. £200-250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 246. An Edwardian silver-mounted tortoiseshell trinket box, by William Comyns, London 1907, rectangular form, ribbon and reed border, the hinged cover inlaid with gold foliate decoration, on four cabriole legs, length 8.5cm. £200-250

247. A mixed lot of silver boxes, comprising: one with an Austrian import mark, oval form, the hinged cover set with a hardstone panel, embossed decoration, and applied with coloured cabochons, length 10.5cm, an Edwardian playing cards box, by H V Pithey & Co, Birmingham 1909, rectangular form, the cover set with two playing cards under clear plastic, and an Italian box of square form, chased foliate decoration, the cover with a green cabochon. (3) £200-300

248. A German silver-gilt model of a knight, modelled in a standing position holding a lance and shield, hinged visor, (lacking details of face), on a raised square base with canted corners, applied with coloured glass cabochons, height 15cm, approx. weight 4.8oz. £150-200

249. A late-Victorian silver hip flask, by F. Macrea for The Army & Navy Cooperative Society Ltd, London 1896, oval form, pull-off drinking cup, bayonet fitting hinged cover, length 13.8cm, approx. weight 6oz. £100-150

250. A pair of George III silver wine coasters, by John and Thomas Settle, Sheffield 1816, circular form, fluted decoration, fluted borders, the turned wooden bases with a central initialled button, diameter 14.8cm. (2) £300-400

251. A Victorian silver inkstand, by Charles Boyton, London 1888, circular form, embossed with foliate scroll decoration, wavy-edge border, with a silver-mounted cut-glass inkwell, the body with hobnail decoration, the hinged cover with foliate decoration, later liner, diameter of base 20cm, approx. weighable 7.2oz. £200-300

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A PRIVATE COLLECTION OF DIP PENS & COMBINED PEN & PENCILS

252. A Victorian silver dip pen, by S. Mordan and Co., circa 1890, simulated bamboo handle, length 18.8cm.

£130-180

253. A Victorian silver-mounted bloodstone dip pen, by S. Mordan, circa 1880, faceted bloodstone handle, engine-turned decoration, with a pink seal-top finial, and with a sprung nib holder, length 18.5cm. £200-300

254. A Victorian silver-mounted mother-of-pearl dip pen, by S. Mordan and Co., circa 1890, the plain mount with a slide-action retracting nib holder, length closed 19.3cm. £120-150

255. A Victorian silver Ejector dip pen, by S. Mordan and Co., circa 1900, stamped with an arrow, Ejector and registration number 357269, tapering circular form, sliding nib ejector mechanism, ball finial, length 16.2cm. £100-150

256. A Victorian silver-mounted porcupine quill dip pen, by S. Mordan and Co., circa 1890, the mount with reeded decoration and with a slide-action retracting nib holder, length closed 24cm. £130-180

257. A Victorian silver-mounted mother-of-pearl dip pen, by S. Mordan and Co., circa 1890, fluted mount, tapering handle, length 16cm. £100-150

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λ 258. A Victorian silver-mounted tortoiseshell dip pen, by S. Mordan and Co., circa 1900, the mount with reeded decoration and a plain handle, length 18.5cm. £130-180

259. A Victorian silver-mounted shagreen dip pen, unmarked, probably by S. Mordan and Co., circa 1900, plain mount with a typical Mordan nib holder, and with a tapering handle, length 29cm. £180-220

260. A Victorian silver-mounted porcupine quill dip pen, by S. Mordan and Co., circa 1900, the mount with swirl-fluted decoration and a tapering handle, length 20.5cm. £100-150

261. A silver dip pen, by S. Mordan and Co., London 1929, engine-turned decoration, tapering handle with a ball finial, length 17.8cm. £100-150

262. An early Victorian silver-mounted ebony dip pen, by S. Mordan and Co., London 1839, also stamped ‘S. Mordan’s’, with a Bramah type quill holder, tapering handle, length 16.8cm. £150-200

263. A Victorian silver Ejector dip pen, by S. Mordan and Co., circa 1900, stamped with an arrow, Ejector and Sterling Silver, tapering fluted form, sliding nib ejector mechanism, length 15.5cm. £120-150

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264. A Victorian gold combination pen and pencil, by S. Mordan and Co., marked with a design lozenge for 1869, cylindrical form, engine-turned decoration, the end with a screw-off cap, and twistaction pencil, the reverse twist operates the pen, the terminal initialled, length closed 8.3cm, approx. weight 28g. £350-400

264

265

265. A Victorian combination silver pen, pencil and pen knife, by S. Mordan, London 1871, cylindrical form, engraved foliate decoration, slide-action pen and pencil, hinged pen knife, length closed 9cm. £100-120

266. A Victorian gold travelling pen and pencil, by S. Mordan and Co., makers, circa 1860, cylindrical form, engine-turned decoration, initialled, the end pulls out and then reverses for use, screw-off terminal with a lead reservoir, with an F. Mordan gold nib, length closed 10.8cm, approx. weight 17.8g. £250-300

266 267. A Victorian combination silver pen and pencil, by S. Mordan and Co., circa 1870, fluted cylindrical form, slide-action pen and pencil, the terminal with a screw-off cover and a lead reserve, length closed 7.8cm. £60-80

267

268

268. A Victorian silver combination pen and pencil, by S. Mordan and Co., circa 1869, plain cylindrical form, the end with a screwoff cap, and twist-action pencil, the reverse twist operates the pen, length closed 8.5cm. £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

269. A Victorian combination silver pen, pencil and paper knife, by S. Mordan and Co., circa 1900, shaped oval form, engraved foliate decoration, slide-action pen, pencil and paper knife, length closed 7.7cm. £130-180

270. A Victorian combination silver pen, pencil and pen knife, by S. Mordan and Co., London 1892, cylindrical form, engine-turned decoration, slide-action pen and pencil, hinged penknife, length closed 9.1cm. £100-120

271. A Victorian 10 carat gold combination pen and pencil, by S. Mordan and Co., marked with the arrow mark, circa 1870, cylindrical form, with an extension tube, engine-turned and dot decoration, the end with a screw-off lead reservoir, initialled and dated, with a slide-action pen and twistaction pencil, length closed 8.6cm, approx. weight 18.5g. £200-300

269

270

271 272. A Victorian silver travelling dip pen, by S. Mordan and Co., circa 1890, plain cylindrical form, with one extension, length extended 13cm. £100-150

272 273. A Victorian combination 10 carat gold pen and pencil, by S. Mordan and Co., marked with the arrow mark textured cylindrical form, slide-action pen and pencil, length closed 9.1cm, approx. weight 18g. £250-300

273

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274. A Victorian silver dip pen, by S. Mordan, London 1846, engine-turned decoration, with a citrine seal finial, initialled, length 11.7cm. £100-150

275. A Victorian silver-mounted mother-of-pearl dip pen, by S. Mordan and Co., circa 1890, fluted mount, with a slide-action nib holder, tapering handle, length 18cm. £120-150

276. A Victorian silver-mounted banded agate dip pen, by S. Mordan and Co., circa 1880, plain nib holder, plain handle, length 14.5cm. £150-200

277. A Victorian silver-mounted porcupine quill combination dip pen and propelling pencil, by S. Mordan and Co., circa 1900, tapering form, length 19.2cm. £150-180

278. A Victorian silver Ejector dip pen, by S. Mordan and Co., circa 1900, stamped with an arrow, Ejector and reg no. 357268, tapering form, engine-turned grip, sliding nib ejector mechanism, length 17.8cm. £100-150

279. A Victorian silver combination dip pen and propelling pencil, probably by S. Mordan and Co., retailed by A. Barrett and Sons, 63 and 64 Piccadilly, circa 1900, tapering form, length 18.6cm. £140-180

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280. A Victorian silver and bone dip pen, by S. Mordan and Co., circa 1850, with a Bramah type quill holder, tapering handle with a ball finial, length 14.2cm. £120-150

281. A Victorian silver dip pen, by S. Mordan and Co, circa 1890, embossed and chased with birds and foliate scroll decoration, plain nib holder, length 15.4cm. £120-150

282. A Victorian silver dip pen, by S. Mordan and Co, also marked Sterling Silver, circa 1900, tapering form, with engraved decoration, plain nib holder, length 17.7cm. £120-150

283. A Victorian 9 carat gold combination dip pen and propelling pencil, by S. Mordan and Co., circa 1900, tapering form, swirl fluted decoration, with an F. Mordan 5/ gold nib, in a fitted case, length 19cm. £300-400

284. A Victorian silver-mounted porcupine quill dip pen, by S. Mordan and Co., circa 1890, plain mounts, tapering handle, with an English made and French retailed nib by E. Chevalier, length 14.5cm. £100-150

285. A Victorian silver dip pen, by S. Mordan and Co., circa 1890, cylindrical form, textured decoration, with a plain nib holder and with a Mitchell Slippon Reservoir nib, length 15.5cm. £100-150

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286. A silver dip pen, marks worn, maker possibly S.H, engine-turned decoration, with a Bramah type quill holder, baluster finial, length 14.7cm. £100-150

287. A Victorian gold-mounted mother-of-pearl dip pen, by S. Mordan and Co., circa 1870, with a slide-action nib holder, tapering handle, with an F. Mordan 10/6 gold nib, length 16.8cm. £180-220

288. A 9 carat gold dip pen, by S. Mordan and Co., London 1922, retailed by Asprey, engine-turned decoration, tapering handle with a ball finial, the nib modelled as a hand, length 17.8cm, approx. weight 11oz. £180-220

289. A Victorian silver dip pan, by S. Mordan and Co, circa 1890, swirl fluted decoration, plain nib holder, length 17.8cm.

290. A Victorian 10 carat gold-mounted hardstone dip pen, by S. Mordan, circa 1870, fluted mount with a slide-action operated nib holder, the handle with various coloured hardstones, with an F. Mordan’s 10/ gold nib, length 16cm. £250-300

291. A Victorian silver dip pen, by S. Mordan and Co., circa 1890, plain nib holder, the lobed handle with a Dutch silver finial of a rider on a horse, marked with a Dutch tax mark, length 14.9cm. £150-200

£100-150

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292. A Victorian lady’s travelling gold dip pen, by S. Mordan and Co., circa 1870, cylindrical form, engraved foliate scroll decoration, the pull-out bottom section with a plain nib holder, length 8.5cm, approx. weight 6.5g. £150-200

293. A Victorian combination 10 carat gold pen and pencil, by S. Mordan and Co., marked with the arrow mark, plain cylindrical form, slide-action pen and pencil, with a plain bloodstone seal finial, inscribed ‘R. Hoare, 92, Bartholomew Close, London EC’, length closed 9cm, approx. weight 14.5g. £200-250

294. A Victorian combination silver pen, pencil and pen knife, by S. Mordan and Co., London 1896, plain cylindrical form, slide-action pen and pencil, hinged pen knife, with a ring attachment, length closed 9.2cm. £80-120

292

293

294 295. A Victorian combination silver pen and pencil, by S. Mordan and Co., London 1865, plain cylindrical form, slide-action pen and pencil, the terminal with a Bloodstone seal, inscribed ‘J.M From W.H.B 1876’, length closed 9.2cm. £100-150

295

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296. A Victorian combination silver pen, pencil and penknife, by S. Mordan, London 1878, fluted cylindrical form, slide-action pen and pencil, hinged pen knife, length closed 9cm. £100-120

296 297. A Victorian combination silver pen and pencil, by S. Mordan and Co., plain hexagonal form, alternate end slideaction pen and pencil, length closed 9.2cm. £130-180

297 298. A Victorian combination 10 carat gold pen and pencil, by S. Mordan and Co., marked with the arrow mark, fluted cylindrical form, slide-action pen and pencil, with a plain white hardstone seal finial, length closed 9cm, approx. weight 13.5g. £200-250

298

299. A Victorian combination silver pen and pencil, by S. Mordan and Co. circa 1870, hexagonal form, with alternate panels of engraved and plain decoration, baluster finial with a bloodstone terminal, length closed 9.4cm. £100-120

299 300. A Victorian combination silver pen and pencil, by S. Mordan and Co., London 1898, cylindrical form, engraved foliate scroll decoration, slide-action pen and pencil, the terminal with a citrine seal, engraved with a swan above a coronet, length closed 9.7cm. £100-150

300

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301. A Victorian gold combination pen and pencil with two penknives, by S. Mordan and Co., circa 1880, fluted cylindrical form, with a slide-action pen and pencil, with two hinged penknives, length closed 9.8cm, approx. weight 30.5g. £350-400

302. A Victorian combination silver pen and pencil, by S. Mordan, London 1880, cylindrical form, screw-off cover with lead reservoir, slide-action pen and pencil, length closed 9cm. £100-150

301

302 303. A William IV silver combination pen and pencil, by Mordan and Riddle, marks worn, circa 1830/31, ribbed cylindrical form, foliate sliders, the nib holder unscrews to reveal a lead reservoir, length closed 10cm. £120-150

303 304. A Victorian 10 carat gold combination pen and pencil, by S. Mordan and Co., marked with the arrow mark, circa 1870, cylindrical form, with an extension tube, engine-turned and dot decoration, the end with a screw-off lead reservoir, with a slideaction pen and pencil, length closed 7.6cm, approx. weight 21g. £200-300

305. A Victorian silver combination pen and pencil, by S. Mordan and Co., marked with a design lozenge for 1869, fluted cylindrical form, one end with the screw-out pen, the other end with a propelling pencil, length closed 9cm. £130-180

304

305

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OTHER PROPERTIES

306. A late-Victorian silver slide-action pencil, by S. Mordan and Co. circa 1890, cylindrical fluted form, with a ring attachment and initialled, length 9.5cm. £60-80

307. A Victorian novelty silver slideaction pencil, probably by S. Mordan and Co., with a registration lozenge, modelled as a real tennis racquet, with a ring attachment, length closed 6.5cm. £100-150

308. A Victorian 18 carat gold propelling pencil, by S. Mordan and Co, cylindrical form, set with a row of turquoise and two rows of seed pearls, with a ring attachment, length shut 5cm. £200-300

Provenance: The late Greta Morrison, widow of Bryan Morrison.

309. A small mixed lot of four silver pencils, comprising: a three-colour pencil, by Houghton and Gunn, cylindrical form, slide action movement with three enamelled spots of Black, Blue and Red, with a ring attachment, plus three other pencils. (4) £150-200

310. A Victorian 18 carat gold slideaction pencil, by S. Mordan and Co, cylindrical fluted form with a ring attachment, length closed 8.3cm, plus a 10 carat gold propelling pencil, marked with the S. Mordan arrow, cylindrical form, engraved with a calendar, with a ring attachment, length closed 5cm. (2) £200-300

311. A Victorian 18 carat gold propelling pencil, incuse marked E.W.S, 18 ct, cylindrical form, with applied white-gold decoration, with a ring terminal, length 5.3cm. plus an unmarked propelling pencil, possibly gilt metal applied with an intertwined snake, set with stones, and another unmarked propelling pencil, with an agate finial. (3) £200-300

312. A mixed lot of silver items, comprising: a pair of Austrian silver twocolour pencil holders, by G.A. Schied, oblong rectangular form, with a red and blue slider, (lacking one pencil), length 14.7cm, plus a silver desk calendar, London 1926, and a Waterman’s fountain pen. (4) £100-150

313. A late-Victorian silver-mounted novelty pen wipe, by S. Mordan and Co, London 1893, modelled as a boot cleaner, of rectangular form, with side handles and bristles, length 4.8cm, plus an S. Mordan and Co. metal travelling inkwell, square form, the hinged cover with a handle, length 5.5cm. (2) £150-200

314. A novelty silver and enamel letter opener, by The Goldsmiths and Silversmiths Company, London 1926, modelled as a pike, with red enamel decoration, length 23.9cm, approx. weight 1.1oz. £100-150

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A SMALL PRIVATE COLLECTION OF PAGE MARKERS

315. A collection of six page markers, comprising silver items: one with a pistol-grip handle, Birmingham 1921, one with a knight, Birmingham 1896, one with a handle modelled as a deer hoof, Birmingham 1891, and one with scroll decoration, plus a foreign one with a rose finial, and an electroplated one modelled as a town crier, approx. weighable 0.6oz. (6) £150-200

316. An Edwardian novelty silver page marker, by John Vickery, London 1910, rectangular form, pierced ‘HERE I STOPPED’, ribbon tied decoration, length 8.3cm, plus a Victorian novelty silver page marker, by Charles Horner, Chester 1898, modelled as a scimitar, the handle set with two turquoise cabochons, length 8.4cm, approx. weight 0.4oz. (2) £150-200

317. A collection of five silver page markers, comprising: one with a Trusty Servant finial, by F. J. Ross, Chester 1920, one with a bear and axe finial, Birmingham 1927, one with a baby finial, Birmingham 1926, one modelled as a hand, by Crisford and Norris, Birmingham 1904, and a Dutch one with two figures, approx. weight 0.7oz. (5) £200-300

318. A collection of six page markers, comprising silver item, an Asprey sprung-action page marker, Birmingham 1939, one with a finial enamelled with the Isle of Man emblem, Chester 1921, one of trowel form, one with a windmill and import marks for London 1929, a Norwegian one with a figural terminal, and a metal example, approx. weighable 0.9oz. (6) £150-200

319. A small collection of three Royal Commemorative page markers, comprising: on with the bust of Queen Victoria, by Saunders and Shepherd, Chester 1896, one with Edward VII and Queen Alexandra, with enamel decoration, by Levi and Salaman, Birmingham 1901, and one with Queen Elizabeth II, Birmingham 1952, approx. total weight 1.1oz. (3) £150-200

320. A small collection of three silver page markers, comprising two by S. Mordan and Co, London 1897 and 1903, tapering form, the finials with green enamelled shamrocks, plus one modelled as a hand with a pointing finger, engraved decoration, by Crisford and Norris, Birmingham 1904, approx. weight 1.1oz. (3) £200-300

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OTHER PROPERTIES

321. A mixed lot of silver dressing table items, including a four-piece silver and dark blue enamel dressing table set, Birmingham 1939 and 1940, comprising a mirror, brush, clothes brush and comb, the reverse with the Naval Crown, plus two hand mirrors, a vase, a posy holder, a silver and mother-of-pearl pin dish, two clothes brushes and a photograph frame, modelled as a life buoy. (11) £200-300

322. A five-piece silver-gilt dressing table set, maker’s mark of TP, London 1977, in the Charles II manner, gilding worn, comprising: a pair of toilet boxes of square form, canted corners, engraved with feather scroll mantling, plus a hand mirror, hairbrush, and clothes brush, of rectangular form, canted corners with matching decoration, approx. weighable 15.4oz. (5) £500-700

323. A mixed lot of silver items, various dates and makers, comprising: a silver travelling clock, London 1915, rounded rectangular form, initialled, five silver-mounted scent bottles, three silver-mounted toilet jars, a hand mirror, a bonbon dish, two vases, and an electroplated purse. (qty) £200-300

324. A mixed lot of silver items, various dates and makers, comprising: an owl page marker, by S. Mordan and Co., Chester 1906, with textured feathers and with one glass eye, plus a silvermounted desk seal, a miniature mandolin box, two napkin rings, a frame, a stamp case, a funnel, a box, two bracelets, four buttons, a lipstick holder, a metalware box of horn form, two watches two gilt metal pencils, a gilt metal chain and other items, approx. weighable 8oz. (qty) £150-200

Provenance: The late Greta Morrison, widow of Bryan Morrison.

325. A small mixed lot, comprising silver items: a Victorian cow finial, by H. Wilkinson and Co., Sheffield 1833, mounted on a later plinth, a pair of cast sugar tongs, by John Sutton, London circa 1780, and a pair of gilt metal lorgnettes, approx. weighable 3oz. (3) £150-200

λ 326. A mixed lot of silver items, comprising: a dressing table box, of fluted rectangular form, an Irish toast rack, Dublin 1894, two pairs of sugar tongs, two pairs of sugar nips, a miniature troika, two napkin rings, and a circular tortoiseshell box, the cover set with a medallion, approx. weighable 18oz. (qty) £200-300

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327. A continental silver and enamel powder box, possibly Austrian, oval form, the hinged cover enamelled with a reclining lady by swans, the interior with two reserves for powder and one for a lipstick, length 8.8cm, plus a silver and enamel cigarette case and two compacts. (4) £150-200

328. A small mixed lot of silver items, comprising: a Victorian silver and enamel photograph frame, by J.W, Birmingham 1898, scroll supports, easel back, plus a small vinaigrette, by Joseph Willmore, Birmingham 1808, and a chick salt pot, by S. Mordan and Co, Chester 1907. (3) £250-300

329. A small mixed lot of silver items, comprising: a desk seal modelled as a duck, by S. Mordan and Co, Chester 1911, plain matrix, an Edwardian book cover, by E F Braham Ltd , Birmingham 1907, embossed with cherub heads and an electroplated novelty vesta case, modelled as a standing pig. (3) £100-150

330. An Edwardian miniature silver easel photograph frame, by Samuel Levi, Birmingham 1904, rectangular form, with an easel strut, height 6cm, plus a silver paper knife, by Stokes and Ireland, Chester 1921, approx. weight 0.8oz. (2) £100-150

331. A late-Victorian silver card case / stamp case, by A and J Zimmerman, Birmingham 1897, plain rectangular form, the interior of the hinged cover with two stamp compartments, the cover initialled, length 8cm, plus four silver single sovereign cases, one with engraved decoration, approx. total weight 4.9oz. (5) £100-150

332. An Edwardian novelty silver stamp box, by A and J Zimmerman, Birmingham 1909, modelled as a lowboy, the hinged cover opens to reveal two stamp compartments, the serpentine front with a dummy drawer, on four tapering legs, length 5.8cm, approx. weight 1.6oz. £150-200

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333. A silver clock, by Charles Green and Co., Birmingham 1921, shaped oval and rectangular form, on four bun feet, the dial lacking glass, length 14.3cm. £100-150

334. A silver travelling time-piece, by A. Wilcox, Birmingham 1932, rectangular form, hinged cover, engine-turned decoration, length 4.8cm. £100-150

335. A silver clock, by A L Davenport Ltd., Birmingham 1929, rectangular arched form, engine-turned decoration, on a raised rectangular foot, length 12.4cm. £100-150

336. A late 19th century American silver dressing table box, by Tiffany and Co, rectangular form, the body and cover chased with flowers and foliate decoration, hinged cover, the underside of the base with a monogram, length 16.8cm, approx. weight 6.4oz. £150-200 Sold on behalf of the Executors, The Estate of James ‘Jimmy’ Benson deceased.

337. A silver clock, by James Deakin and Sons, Chester 1913, plain arched form, on a shaped rectangular foot, height 9.5cm. £100-150

338. An Edwardian silver clock, probably by H. Matthews, Birmingham 1903, upright rectangular form, spot-hammered decoration, hinged scroll carrying handle, enamelled dial, on four bun feet, height 7.8cm. £150-200

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339. A silver table bell, by The Gorham Manufacturing Company, Birmingham 1919, tapering circular form, baluster handle, height 8.5cm, approx. weight 2.3oz. £100-150

340. A late-Victorian silver table bell, by George Lambert, London 1890, flower shaped tapering form, the handle modelled as a kneeling nude figure covering their ears, height 11cm, approx. weight 8.4oz. £300-400

341. A late-Victorian silver playing cards box, by Grey and Co, London 1899, rectangular form, plain silver mounts, the sides set with the Queen of Hearts and Jack of diamonds under glass the ends with the Ace of Spades and Clubs, red leather lined interior, on four bracket feet, length 11cm. £400-600

342. A pair of early 19th century French silver-gilt travelling toilet boxes, by P. Taratte, Paris circa 1820, cylindrical form, gadroon borders, engraved with a crest, pull-off covers, one with a screw-off ‘seal matrix’ base, heights 9.8cm and 7.6cm, approx. weight 9.9oz. (2) £400-600

343. An Edwardian Art Nouveau silver-mounted toilet jar, by William Hutton and Sons, Birmingham 1904, the cover embossed with a female head, glass body, plus a silvermounted scent bottle, by William Comyns, London 1899. (2) £120-150

344. A Victorian collapsible silver beaker, by Walter Thornhill, London 1887, four section tapering circular form, in a case, full height 6.2cm, approx. weight 2.3oz. £220-250

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345. A Victorian silver-mounted travelling dressing table set, by William Neale, London 1847, the covers with engine-turned decoration and with a monogram, comprising: two pairs of scent/ toilet bottles, three toilet jars, two toilet boxes, with a pull-out tray, the case velvet lined, with a travelling vesta case and inkwell, the side with a lockable jewellery drawer, the inside of the hinged cover with a stationary wallet and mirror, in a fitted two-handled coromandel case with brass banding, approx. weighable 3oz. £300-400

346. A pair of novelty silver dog menu card holders, by William Hornby, London 1910, one seated, the standing, in a fitted case, retailed by Curtis and Horspool, Leicester, height 3cm, approx. weight 1.6oz. (2) £150-200

347. A set of six Edwardian silver menu card holders, by Joseph Rodgers, Sheffield 1908, leaf form, with vein decoration, in a fitted case, length 7.5cm, approx. weight 4oz. (6) £100-150

348. A set of six modern silver menu card holders, by Garrard and Co., London 1990, pierced and engraved with game birds, a stag head and a dog head, way-edge circular border, on circular bases, in a fitted case, diameter of base 3cm, approx. weight 2.4oz. (6) £250-300

λ 349. A silver travelling dressing table set, by G H James & Co, London 1905/6, initialled cartouche,comprising: five toilet jars, three scent bottles, a leather-mounted vesta case, a spirit flask, makers mark overstamping another, London 1920, and ivory items: a shoe horn, page turner, thimble and glove stretcher, plus a French brush and spirit flask, and a nail buffer, in a fitted purple travelling case, with a storm jacket, approx. weighable 2oz. £400-600

λ 350. A silver and tortoiseshell dressing table set, by The Barker Brothers, Birmingham 1940. the mounts with traces of gilding, the tortoiseshell with inlaid foliate decoration, comprising: a dressing table tray, a hand mirror, a pair of hairbrushes, a pair of clothes brushes, a shoehorn, a button hook and two manicure items, in a fitted case, hinge a.f. £150-200

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λ 351. A George IV silver baby’s rattle and whistle, by Joseph Taylor, Birmingham 1820, baluster form, engraved decoration, with ten bells, (some later), with a coral teether and ring attachment, inscribed ‘RMM to LLG 1821’, length 12.5cm, approx. weight 1.5oz. £200-300

352. An Art Deco hardstone table bell, rectangular form, with stepped Lapis Lazuli, Jadeite and Blue John, with a Jadeite push button, length 5.8cm. £120-180

λ 353. A set of four Edwardian silver and tortoiseshell menu card holders, Birmingham 1909, oval form, inlaid decoration, ribbon and reed border, on oval bases, length 4cm. (4) £150-200

354. A pair of late-Victorian novelty silver menu card holders, by S. Jacob, London 1896, modelled as mounted polo players, hinged D-shaped supports, length 8cm, approx. weight 2.1oz. (2) £100-150

355. An Austrian silver, enamel and mother-of-pearl snuff box, maker’s mark of S.G, Vienna, circa 1900, oval form, the hinged cover set with a mother-of-pearl panel and applied with an enamelled hunter kneeling before a stag, with a cross in its antlers, and with a dog by his side, the sides and base with engraved foliate scroll decoration, length 9.2cm. £200-300

356. A silver desk clip, possibly by Charles Stanley, London 1912, shaped spade form, the sprung hinged cover with a warrior’s head in a helmet, with lettering, the underside of the base with a presentation inscription, length of base 13cm, approx. weight 3.1oz. £100-150

Provenance: The late Greta Morrison, widow of Bryan Morrison.

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357. A collection of three small novelty pin cushions, comprising: a swan by E F Braham Ltd, Birmingham 1907, one modelled as a pig, by Adie and Lovekin, Birmingham 1909, and one modelled as a canoe. (3) £200-300

358. An Edwardian novelty silver elephant pin cushion, by Adie and Lovekin, Birmingham 1906, modelled in a standing position, length 6.8cm. £100-150

359. A novelty silver swan pin cushion, by Adie and Lovekin, Birmingham 1911, modelled in a swimming position, length 7cm.

£100-150

360. An Edwardian novelty silver turtle pin cushion, by Saunders and Shepherd, Birmingham 1906, modelled in a walking position, length 4.8cm.

£300-400

£200-300

362. A novelty silver duck pin cushion, possibly by H J Cooper & Co Ltd, Birmingham 1920, modelled in a swimming position, length 6.8cm.

£200-300

361. An Edwardian silver novelty rabbit pin cushion, by H. Matthews, Birmingham date letter worn, modelled in a lying position, length 6.8cm.

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363. An Edwardian novelty silver fox pin cushion, maker’s mark worn, Birmingham 1905, modelled in a standing position, length 6.3cm.

£200-300

364. An Edwardian novelty silver roller skate pin cushion, by Serle and Co., Birmingham 1909, length 7cm. £200-300

365. A novelty silver duck pin cushion, by Crisford and Norris, Birmingham 1911, modelled in a swimming position, the eyes later painted red, length 7.5cm. £200-300

366. An Edwardian novelty silver shoe pin cushion, by S. Blanckensee and Sons Ltd, Chester 1910, lacking laces, with a wooden sole, length 12.5cm.

367. A French silver-gilt egg locket / travelling needle case, marked with control marks, compressed egg form, chased with a chick and ‘Bebee’, the interior with velvet, with a ring attachment, length 4.2cm. £150-200

368. A late-Victorian silver menu card holder and vase, by Saunders and Shepherd, Chester 1892, the vase of tapering fluted form, embossed foliate decoration, the menu card holder with pierced foliate scroll decoration, lacking easel support strut, height 11cm, approx. weight 1oz. £80-120

£70-100

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369. An Edwardian novelty silver elephant pin cushion, by Saunders and Shepherd, Birmingham 1905, modelled in a standing position, length 6.8cm. £100-150

370. An Edwardian novelty silver shoe pin cushion, by Adie and Lovekin Ltd, Birmingham 1904, modelled as a lady’s shoe with a buckle, plus an American electroplated novelty shoe pin cushion, the front applied with an image of The Empire State Building, and titled ‘Empire State Bld’g N.Y.C’, lengths 6.4cm and 8.8cm. (2) £60-80

371. An Edwardian novelty silver canoe pin cushion, by H. Matthews, Birmingham 1904, length 13cm.

£60-80

372. Two Edwardian novelty silver elephant pin cushions, by The Boots Pure Drug Company, Birmingham 1905, and one by Adie & Lovekin Ltd, date letter worn, modelled in a standing position, the smaller one with a harness, (lacking cart), lengths 5.5cm and 4.7cm. (2) £100-150

373. A novelty silver duck pin cushion, by Crisford and Norris, Birmingham 1922, modelled in a swimming position, one red glass eye, length 5.5cm. £100-150

374. A novelty silver stag pin cushion, by Adie and Lovekin, Birmingham 1911, modelled in a standing position, on an oval base, height 3.8cm. £300-400

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375. Two Edwardian novelty silver pig pin cushions, one by Levi and Salaman, Birmingham 1905, the other by Spurrier & Co, Birmingham 1908, modelled in standing positions, length 5.5cm and 4.8cm. (2) £150-200

376. An Edwardian novelty silver kangaroo pin cushion, by W J Myatt & Co., Chester 1909, modelled in a seated position, height 4.8cm. £500-700

377. An Edwardian novelty silver frog pin cushion, by Adie and Lovekin, Birmingham 1907, modelled in a seated position, length 5.6cm.

378. A Victorian novelty silver fish pin cushion, by Henry Aitken, London 1887, with engraved scale decoration, with a ring attachment, length 7.7cm. £200-300

379. An Edwardian novelty silver pig pin cushion, by Adie and Lovekin, Birmingham 1906, modelled in a standing position, length 8cm.

£200-300

£100-150

380. An Edwardian novelty silver hedgehog pin cushion, by Adie and Lovekin, Birmingham 1906, modelled in a standing position, length 4.4cm. £200-300

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381. A mixed collection of seven silver wine labels, comprising: a pair by Joseph Willmore, Birmingham 1823/24, rectangular form, canted corners, incised ‘BRANDY’ and ‘GIN’, plus others of similar design ‘SHERRY’ and ‘MADEIRA’, plus three of kidney form ‘WHITE WINE’, ‘SHERRY’ and ‘MADEIRA’, approx. weight 1.7oz. (7) £200-300

382. A mixed lot of George III and later silver wine labels, comprising: two of leaf form, pierced ‘WHISKEY’ and ‘HOLLANDS’, a rectangular one, London 1794, incised and blackened ‘RUM’, plus others ‘PORT’ (x2), ‘MADEIRA’, and ‘SHERRY’. (7) £200-300

383. A collection of silver wine labels, comprising: a pair of rectangular form, foliate borders, maker’s mark of T.W, incised ‘PORT’ and ‘MADEIRA’, plus an unmarked oval pair foliate and shell decoration and with an anchor above G.R, incised ‘PORT’ and ‘SHERRY’, plus one modelled as an ‘S’, and a plated label ‘BUCELLAS’. (6) £150-200

384. A mixed lot of George III and later silver wine labels, comprising: one of crescent form, London 1792, incised ‘SHERRY’, plus a pair by George Unite, Birmingham 1835, with cherubs, incised ‘SHERRY’ and ‘BRANDY’, plus others ‘WHISKY’,’PORT’, and ‘MADEIRA’. (6) £200-300

385. A Victorian silver-gilt bottle stopper, by Robert Hennell, London 1858, modelled as a standing dwarf with a bagpipe, on a circular foot with a beaded border, length 8.4cm, approx. weight 2oz. £100-150

386. An Edwardian novelty silver bottle stopper, with import marks for Chester 1900, importer’s mark of Berthold Muller, modelled as a running wild boar, plus another bottle stopper by Rawlings and Summers, London 1853, and a German silver bottle stopper retailed by Tiffany and Co, (3) £150-200

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387. An early Victorian silver Ancient Order of Forester’s badge, by James Dixon and Sons, Sheffield 1837, star form, with a stag head and horn, plus another Victorian silver Forester’s badge, by Hilliard and Thomason, Birmingham 1862, and another Victorian Forester’s badge, approx. weight 2.1oz. (3) £200-300

388. A late Victorian Scottish silver agricultural medal, circular form, inscribed ‘Girvan District Agricultural Society for best cheese, any make or colour, given by W. Paterson and Sons, Ayr, 1897’, won by Andrew Dougan, Straid, plus another agricultural medal for The Best Cheese Any Make, Colmonell and Ballantrae Agricultural Society, again won by Andrew Dougan, 1890, approx. weight 2.8oz. (2) £200-300

389. An Indian silver cane / parasol handle, maker’s mark of D.C, and also marked 90, modelled as a tiger’s head, with chased foliate scroll decoration, length of handle 15cm. £200-300

390. A late-Victorian novelty silver cigar cutter, with import marks for London 1899, importer’s mark of Theodor Hartmann, tapering handle, the terminal modelled as the head of a Labrador dog, set with red eyes, length 13.7cm. £400-600 Provenance: The late Greta Morrison, widow of Bryan Morrison.

391. A pair of silver egg cutters, by William Hutton and Sons, Sheffield 1924, scissor form, ring handles, length 10.2cm, approx. weight 1.7oz. £200-300

392. A Dutch silver apple divider, maker’s mark of LL over S, 1928, circular form, side handles, length 12.5cm, approx. weight 2.7oz. £150-200

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393. A Dutch silver reticulated fish scent bottle, the fish body with engraved decoration, the hinged cover opens to reveal the stopper and set with red eyes, length 12cm, approx. weight 1.2oz. £150-200

394. A probably 19th silver novelty needle case, marks worn, probably Dutch, modelled as a fish, with pull-off head, engraved decoration, length 9.2cm, approx. weight 0.9oz. £150-200

Provenance: The late Greta Morrison, widow of Bryan Morrison.

395. A late 18th / early 19th century silver-mounted cotton reel holder, marked with maker’s mark GH twice, possibly Dutch, cartouche shaped clip, with a pierced heart section, and with two scroll arms, with a bone cotton reel length 9.8cm. £100-150

396. A small mixed lot of silver items, comprising a coin holder, by Asprey and Co., London 1958, cylindrical form, an Asprey page marker, London 1979, with engineturned decoration, and a Victorian silver page marker, London 1894, approx. weight 1.3oz. (3) £150-200

397. An early 18th century silver bodkin, unmarked, tapering form, with an eye and slot and ‘cup’ spatula, length 12cm, approx. weight 0.1oz. £100-150

398. An unmarked silver bodkin, possibly early 19th century, tapering form, the stem with ‘BE FAITHFUL’, foliate decoration, length 5.5cm. £80-120

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399. A George III silver patch box, by Joseph Taylor, Birmingham 1796, circular form, the cover and sides with engraved decoration, diameter 2.4cm, plus a George III needle case, by Joseph Taylor, tapering form, and a bodkin and a toothpick, with a tweezer end, approx. weight 0.5oz. (4) £150-200

400. A 19th century French gold needle case, maker’s mark of PO in a lozenge, tapering form, embossed with Chinoiserie figures playing musical instruments, within foliate decoration, on a matted background, pull-off cover, with a gilt metal bodkin, length 9.3cm, approx. weighable 5.2g. (2) £200-300

λ 401. A William IV silver lancet case, by Taylor and Perry, Birmingham 1831, tapering rounded rectangular form, engraved foliate and lattice decoration, with a crest, the hinged cover opens to reveal three tortoiseshell lancets, length 6.3cm, approx. weight 0.7oz. £100-150

402. A late-19th century silver and enamel chatelaine clip, unmarked, probably Austro-Hungarian, shaped pierced form, with two dragons with black and white enamel decoration, the front applied with crowned enamel initials ‘MR’, with nine hanging chains with clip attachments, length of clip 5.8cm. £200-300

403. A late 18th century Dutch matched, silver miniature fire irons set, the brush with Amsterdam marks, partially worn, the tongs marked W in the bowl, and with later Dutch tax marks, comprising: a brush, a shovel and a pair of tongs, twisted stems, with ring attachments, length of tongs 11.5cm, approx. weight 0.9oz. (3) £70-100

404. An 18th century miniature silver goffering iron, by Frederick Strant, Amsterdam, also with later tax marks, length 10.2cm, approx. weight 0.9oz. £150-200

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405. A silver-mounted blue glass scent bottle, marks worn, cylindrical form, the glass body mounted with a coiling snake, the hinged cover with foliate decoration, height 7.3cm, plus a late-Victorian silver scent bottle, of fluted cylindrical form, Birmingham 1892. (2) £150-200

406. A 19th century gold-mounted carved nut scent bottle, unmarked, the nut carved with a dog, arrows and foliate decoration, with a shield cartouche initialled, with a scroll handle and stopper, height 3cm, plus two silver scent bottles. (3) £200-300

Provenance: The late Greta Morrison, widow of Bryan Morrison.

407. A collection of nine mounted glass scent bottles comprising: a silver-gilt double ended red glass scent bottle, faceted cylindrical form, the mounts with embossed decoration, another double ended scent bottle, a French silver-gilt mounted scent bottle, a heart shaped scent bottle, plus three other silver-mounted bottles, and two base metal mounted scent bottles. (9) £200-300

408. An Edwardian silver and enamel mounted toilet jar, maker’s mark partially worn, London 1906, cylindrical form, the hinged cover set with a circular Limoges style enamel portrait of a Medieval maiden, height 8.5cm. £150-200 Provenance: The late Greta Morrison, widow of Bryan Morrison.

Provenance: The late Greta Morrison, widow of Bryan Morrison.

409. A late-Victorian silver double-ended scent bottle, by S. Mordan and Co, London 1892, cylindrical form, engraved foliate scroll decoration, one end with a hinged cover, the other with a screw-off cover, length 10.5cm, £100-150

410. A Victorian silver scent flask, by S. Mordan and Co, London 1890, oval rectangular form, embossed with birds and foliate scroll decoration, screw-off cover, length 7.5cm, approx. weight 1.2oz. £100-150

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411. A George III silver mounted toothpick box / scent bottle, unmarked, circa 1790, shaped rectangular form, the centre with a hinged silver compartment for toothpicks, with an enamelled insert, the interior with a mirror, in a fitted case, length 11.2cm, plus a French goldmounted scent bottle, with pierced and engraved mounts, the hinged cover set with pearls and garnets, length 11cm. (2) £200-300

412. A French gold-mounted rock crystal scent bottle, marked with the eagle head control mark, classical urn form, with pierced mounts, hinged cover, on a raised circular foot, in a later fitted case, height 9cm. £400-600 Provenance: The late Greta Morrison, widow of Bryan Morrison.

Provenance: The late Greta Morrison, widow of Bryan Morrison.

413. An Edwardian novelty silver owl scent bottle, by S .Mordan and Co, Chester 1906, plain tapering glass body, the screw-off cover modelled as an owl’s head with textured feathers and set with glass eyes, length 5.5cm. £300-400 Provenance: The late Greta Morrison, widow of Bryan Morrison.

414. A late-Victorian novelty silver-mounted fish scent bottle, by S. Mordan and Co., London 1884, the cut-glass body modelled as a fish, the screw-off cover modelled as the tail, with scale decoration, length 16cm. £600-800

415. A Victorian silver-gilt mounted ceramic scent bottle, by S. Mordan, London 1873, circular form, the blue body decorated with roses and butterflies, on a gold ground, push-button plain hinged cover, with a chain and ring attachment, length 7.5cm. £400-600

416. A Victorian silver scent bottle, by S. Mordan and Co., London 1890, rectangular form, engraved foliate scroll decoration, screw-off cover, with a chain and ring attachment, the front with initials, length 7.5cm, approx. weight 1.1oz. £100-150

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417. A pair of Victorian silver-mounted cut-glass scent bottles, by J. Rosenthal, London 1892, globular form, hob-nail cut decoration, pierced foliate scroll mounts, one section missing and one section unattached, pull-out stoppers, (one a.f.), height 15.3cm. (2) £80-120

418. A George III silver scent bottle case, by Samuel Pemberton, Birmingham 1811, tapering rounded rectangular form, engraved foliate decoration, ribbon tied decoration, shield cartouche, initialled, with two glass scent bottles, a.f, plus a George III toothpick box, by the same maker, marks worn, oval navette form, approx. weight 1.1oz. (2) £150-200

419. A Victorian silver Kate Greenaway scent bottle, by S. Mordan, London 1883, cylindrical form, engraved with a boy sitting on a wall picking fruit, with birds and foliate decoration, hinged cover, with a stopper, height 5.5cm. £200-250

420. A William IV silver-gilt mounted scent bottle, by Rawlings and Summers, London 1835, upright rectangular form, plain glass body, silver-gilt ribs with foliate corners, screw-off cover with engine-turned and foliate decoration, height 8.4cm. £120-180

421. A Dutch novelty silver scent flask, modelled as a mandolin, embossed with figural and foliate scroll decoration, the hinged cover opens to reveal a stopper, length 18.5cm, approx. weight 3.9oz. £80-120

422. A German miniature silver sedan chair, upright rectangular form, embossed foliate scroll decoration, with a clear glass liner, height 7cm, plus a German silver pot-pourri box modelled as a miniature table, hinged side flaps, pierced hinged cover, length 6.5cm, approx. weight 4.9oz. (2) £100-150

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423. An Edwardian silver dressing table box, with import marks for Chester 1903, importer’s mark of Samuel Landeck, shaped oval form, the hinged cover and sides with figural decoration in foliate settings, on four cabriole legs, length 16.5cm, approx. weight 11oz. £150-200

424. A three-piece modern silver novelty owl cruet set, by Richard Comyns, London 1959, comprising: a mustard pot, a pepper pot and a salt pot, modelled in standing positions, the mustard pot with a spoon with a mouse finial, all set with varying glass eyes, height 7.2cm, approx. weight 8.3oz. (3) £800-900

425. A silver and enamel napkin ring, circular form, enamelled with the house flag of the burgee of Elder Dempster Lines limited, inscribed ‘R.M.S Alosso’, and ‘Souvenir of voyage’, engraved borders, diameter 4.5cm, approx. weight 1oz. £60-80

426. A silver scent flask, unmarked probably 18th century, compressed baluster form, hinged base, the screw-off cover opens to reveal pierced sprinkler holes, height 9.5cm. £250-300

λ 427. A 19th French century gold and silver mounted tortoiseshell snuff box, the padlock with a French control mark, rectangular wicker basket form, with carved textured decoration, with simulated straps and padlock, (one strap missing), silver hinge, length 7.8cm. £800-1,200

λ 428. A French silver-mounted baby’s rattle and whistle, tapering form, central shell motif, with two hanging bells, baluster bone handle, with a ring attachment, length 10.8cm, plus a French ball shaped baby’s rattle, embossed decoration, with an ivory ring handle, (2) £120-150

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λ 429. An Austrian silver and enamel cigarette case, maker’s mark of FN, circa 1920, rectangular form, with bands of back and cream enamel on a dark blue ground, and with gilt highlights, also with a carved oval ivory panel, length 8.5cm, plus an Italian silver compact of envelope form, gilded border, length 8.5cm, approx. total weight 5oz. (2) £200-300

430. A 19th century Colonial silver snuff box, the base and cover marked DS twice, and S&S, (overstriking another), the lip of the cover also marked, possibly Cape, rectangular form, the hinged cover engraved ‘From Jonathan Hall to William Hall’, with the crest of a bugle and the motto ‘firmoir quo paratior’, length 7.2cm, approx. weight 3.3oz. £200-300

λ 431. A mixed lot of silver vesta cases, various dates and makers, comprising: one with chased foliate decoration, one engine-turned, five with engraved foliate decoration, one with foliate borders, and a blonde tortoiseshell one with inlaid star decoration and applied silver strap and striker, approx. weighable 4.8oz. £150-200

432. A Norwegian silver and enamel vesta case, rectangular form, with vari-coloured foliate decoration, blue and white borders, plus a vesta case applied with the enamelled badge of Fraserburgh, and one enamelled with the armorial of Keeble College, Oxford, Birmingham 1899, approx. weight 3.3oz. (3) £100-150

433. An Edwardian silver whistle vesta case, by John Millward Banks, Chester 1902, oblong rectangular form, with a ring attachment, plus a silver butt marker case, by J. Vickery, London 1918, lacking markers, inscribed, plus a double sovereign case, Birmingham 1900, approx. weight 2.2oz. £200-300

434. A collection of eight silver vesta cases, various dates and makers, comprising one with spot-hammered decoration, one engine-turned and six with engraved foliate scroll decoration, approx. weight 6.3oz. (8) £150-200

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435. A Victorian novelty silver vesta case, by Howard James, Birmingham 1894, horseshoe form, engine-turned decoration, hinged cover, with a lighting cord and ring attachment, length 6cm, approx. weight 1.3oz. £200-300

436. A novelty electroplated table vesta holder, unmarked, modelled as an early vintage car with a compartment for vestas and a striker, later lacquered, length 7.5cm. £150-200

437. A late-Victorian silver whistle vesta case, by A and J. Zimmerman, Birmingham 1896, shaped oblong form, hinged cover, with a ring attachment, 6.5cm, approx. weight 0.6oz. £100-150

438. A Victorian silver and enamel vesta case, by Joseph Fray, Chester 1887, rounded rectangular form, the front enamelled ‘Take A’ and with a match, hinged cover, length 4.8cm, approx. weight 0.5oz. £100-150

439. An Edwardian silver vesta case, desk seal and sealing wax holder, by William Hornby, London 1902, retailed by J. C. Vickery, rectangular form, the hinged cover engraved with a crest, the interior of the cover with a striker, the end with sealing wax, height 5.3cm. £200-300

440. A Victorian novelty silver vesta case, by Joseph Fray, Chester 1885, modelled as an oval barrel, with coopered and textured decoration, hinged cover with a striker, length 3.3cm, approx. weight 0,4oz. £200-300

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441. An Austrian silver vesta box, by Gebr. Kellner, Vienna, rectangular form, hinged cover, gilded interior, with a lighting cord, the reverse of the base with a hinged pen knife, the cover with a crest, length 6cm, approx. weight 2.3oz. £150-200

442. An Austrian silver cigarette and vesta case, by G. A. Scheid, rectangular form, fluted decoration, gilded interior, with a vesta compartment, length 9.3cm, approx. weight 5.5oz. £150-200

443. A 9 carat gold match box cover, by William Neale, Birmingham 1929, rectangular form, engine-turned decoration, approx. weigh 37g. (2) £200-300

444. An 18th century continental silver-gilt marriage belt, apparently unmarked, the twelve sections of rectangular form, with cage-work birds beneath a crown, the clasp with initials within a ribbon tied garland, length 62.5cm. £300-400

445. An Edwardian silver dressing table tray, Birmingham 1901, rectangular form, embossed foliate scroll decoration on a matted background, with a central vacant cartouche, length 30cm, approx. weight 8.3oz. £80-120

λ 446. A George III silver and agate etui, unmarked, circa 1770, tapering oblong form, the cover and base set with an agate panel, the fitted interior comprising: a knife and fork, a pair of scissors, a conical grater, a ruler, a pair of compasses, a bodkin, two toothpicks with ear scoops, an ivory writing pad, a pencil, a pen knife and a corkscrew, length 9.5cm. £300-500

Provenance: The Property of a Lady.

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447. An Austrian silver and enamel vesta box, by G .A. Scheid, Vienna, rectangular form, the hinged cover enamelled with a 1st class return ticket from Monte Carlo to Nice, the reverse enamelled with a scene of the Nice coastline, length 5.3cm. approx. weight 2.4oz. ÂŁ1,000-1,500 See back cover illustration.

reverse

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448. An 18th century Dutch silver and agate snuff box, by Joh, Francois Biese (Biezer), Schoovnhoven 1764 cartouche form, the hinged cover with a plain panel and crimped border, gilded interior, length 8.2cm, approx. weight 2.5oz. £500-700

449. A Victorian silver-mounted snuff mull, by Nathaniel Mills, Birmingham 1838, plain horn form, plain hinged cover, length 9cm.

450. A silver and enamel snuff box, unmarked, probably 18th century cartouche shaped, with chased foliate and scroll decoration, the underside of base with a dog chasing a duck, gilded interior, hinged cover with applied enamelled plaque of a lady and cherubs drinking from goblets, width 6.7cm. £150-200

451. An Edwardian novelty silver apple box, James Deakin and Son, Sheffield 1904, modelled as an apple, bayonet fitting cover, with a stalk finial, diameter 6.8cm, approx. weight 1.9oz. £120-150

452. A silver and enamel cigarette case, by William Neale Limited, Birmingham 1932, rectangular form, the front later enamelled with a fishing scene of an angler on a riverbank, engine-turned base, length 98.5cm, approx. weight 3.5oz. £150-200

453. A late-Victorian silver box, by S. Mordan, London 1881, oval form, the hinged cover engraved with a mounted polo player, the base with a coaching scene, engraved ‘14 August 1883’, length 6.8cm, approx. weight 1.1oz. £100-150

£150-200

Provenance: The late Greta Morrison, widow of Bryan Morrison.

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454. An early 19th century Chinese export silver snuff box, attributed to Lynchong, rectangular form, the cover and base with engraved decoration, plain thumb-piece, silver-gilt interior, length 6.3cm, approx. weight 1.8oz. £300-400

455. A presentation silver and enamel cigarette box, by Sanders & Mackenzie, Birmingham 1936, rectangular form, rounded corners, the hinged cover applied with a burgee and inscribed ‘Haines Challenge Cup, Winner Zig-Zag’, wood lined, length 15.3cm. £100-150

456. A silver tobacco box, by The Pairpoint Brothers, London 1929, rounded rectangular form, fluted sides, gadroon borders, the hinged cover with a crest, length 11cm, approx. weight 7.6oz. £100-150

457. A Victorian silver box, by Edward Edwards, London 1847, circular form, chased foliate scroll decoration, the cover with initials, also with traces of gilding, the interior gilded, diameter 8.8cm, approx. weight 5.4oz. £150-200

458. A George III silver snuff box, by John Linnit & William Atkinson, London 1811, rounded rectangular form, reeded decoration, flush hinged cover, gilded interior, length 7.7cm, approx. weight 2oz. £150-200

459. A George III silver snuff box, by William Purse, London 1806, rectangular form, the hinged cover with a raised classical scene, reeded sides and base, length 8.3cm, approx. weight 3.5oz. £150-200

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A PRIVATE COLLECTION OF AIDE MEMOIRES

460. A Victorian silver-mounted green leather aide memoire, Thomas Edward Tinworth, London 1891, rectangular form, plain mounts, applied with a monogram, length 9.5cm, plus an Edwardian silver notebook, by Elkington and Co. Birmingham 1908, plain rectangular form, the interior with a calendar. (2) £150-200

461. A Victorian silver-gilt aide memoire, by W and G Neale, London 1897, rectangular form, engine-turned decoration, the cover with a crest, with a pull-out pencil and ring attachment, length 8.8cm. £150-200

462. A 19th century French aide memoire, rectangular form, with painted green decoration under glass to simulate malachite, the silk lined interior with a pencil and wallet compartment, length 9.5cm, plus a 19th century tooled leather aide memoire, with scroll decoration with gilt highlights, steel clasp, with a strap fitting, length 10cm. (2) £150-200

463. A 19th century French mother-of-pearl aide memoire, rectangular form, the cover with textured diamond decoration, silk lined interior, with a pencil, length 9.5cm, plus a 19th century strawwork covered aide memoire, with a pencil, length 10.5cm. (2) £150-200

464. A Victorian silver-mounted black leather aide memoire, by Thomas William Dee, London 1865, rectangular form, plain mounts, with two wallet compartments ,the front applied with an Earl’s coronet and a monogram, with a ring attachment and a pencil, length 9cm. £100-150

465. A 19th century French gilt-metal mounted mother-of-pearl aide memoire, rectangular form, the mounts with beaded decoration, engraved ‘Souvenir’ and with engraved foliate decoration and with an enamelled flower, with a pencil, length 6.8cm. £100-150

Then crest is that of Alleyn, Bailey, Chalkhill, Elrick and others.

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466. An early 19th century silver-mounted red leather aide memoire / sewing case, unmarked, circa 1810, rectangular purse form, the mounts with engraved decoration, the interior with an Almanack dated 1814, a pin cushion, a needle holder, a sewing implement holder, and a notepad, length 10cm. £150-200

λ 467. A Victorian engraved silver aide memoire, Crystal Palace, by Wheeler and Cronin, Birmingham 1850, rectangular form, engraved with a scene of Crystal Palace, within foliate scroll decoration, scroll borders, the underside with scroll decoration and a vacant cartouche, silk lined interior with ivory leaves and with a pencil, length 8.2cm. £400-600

468. A 19th century silver wirework aide memoire cover, unmarked, possibly Austrian, rectangular book form, with geometric decoration and rope-wrok borders, length 9.7cm. £150-200

469. A 19th century French gilt metal mounted aide memoire, rectangular form, the mounts with foliate scroll decoration, green lacquered body mounted ‘Souvenir’, with a stylus with a sword hilt handle, length 9.7cm. £150-200

470. A late 19th century Tartanware aide memoire, rectangular from, decorated with two tartans, with a gilt metal clasp and a bone metal tipped pencil, gilded leather spine, the silk lined interior with a pocket, length 10cm, £150-200

471. A 19th century French silver and silver-gilt aide memoire, marked with a lozenge maker’s mark, rectangular form, chased foliate decoration on a matted background, silk lined interior with a pencil, length 10.2cm. £200-300

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472. A late 19th century Japanese lacquered aide memoire cover, circa 1880, rectangular form, foliate borders, the centre enamelled and inlaid with mother-of-pearl with the arms of a European family, possibly Austrian, the reverse with a Japanese landscape, silk lined, length 11.3cm. £200-300

reverse

473. A Victorian silver-mounted black leather aide memoire, by Henry Dee, London 1868, rectangular form, engraved borders and with simulated rope-work decoration, the interior with two black leather wallet compartments for visiting cards, stamped in gilt lettering ‘J. Taylor, Rocks, Bath’ and ‘J. Taylor, Booth Hall, Blackley, Manchester’, with a pencil and later elastic strap, length 11cm, £200-300

474. A Victorian 15 carat gold-mounted red leather aide memoire, by Thomas De La Rue, London 1891, rectangular form, plain mounts, the red leather applied with a monogram, the interior with two wallet compartments, stamped ‘Albert F. Calvert, Royston, Eton Avenue, N.W’, with a gold pencil, Chester 1891, with an elastic strap, length 12cm. £300-400 Albert F. Calvert was Managing Director of Consolidated gold mines of W. Australia.

λ 475. A Victorian silver-mounted crocodile skin aide memoire, by Walter Thornhill, London 1883, rectangular form, the borders with engine-turned decoration, applied with a crowned N, the leather interior with two compartment and with a pencil, later elastic strap, length 10cm. £200-300

476. A late seventeenth century silver-mounted black shagreen covered aide memoire, circa 1680, rectangular form, stud-work borders, plain edging, the interior with a slate tablet and with a long stylus, length 13.7cm. £500-700

The Ducal coronet is for Duke of Newcastle, Norfolk, Northumberland.

For a similar example from 1680, see The Victorian and Albert Museum, Museum exhibit no. M.74-1982.

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477. A late 17th century silver-mounted black shagreen aide memoire case, unmarked, circa 1680, rectangular form, the mounts with engraved flowers and foliate decoration, the front with a lock, the end with a compartment for a writing implement, length 9.3cm. £400-600

OTHER PROPERTIES

reverse

478. A George IV silver-gilt dish, with a later inkwell, by Robert Gainsford, Sheffield date letter worn, vine leaf form, on two supporting snail feet, the detachable unmarked inkwell of apple form, hinged cover, with a frosted glass liner, length 22.3cm, approx. weighable 12oz. £300-400

479. An Edwardian silver dish, by H. Atkins, Sheffield 1905, fluted lobed circular form, on a raised circular foot, diameter 21cm, approx. weight 10.9oz. £100-150

480. A George II silver sugar bowl / chalice cover, maker’s mark partially worn, I?, London 1738, circular form, engraved ‘Ex dono M.B I.R’ with a flower between, diameter 11.7cm, approx. weight 2.9oz. £200-300

481. A Victorian silver dish, by Benjamin Smith, London 1840, shaped square form, foliate scroll border, engraved with a crest, length 31.5cm, approx. weight 30oz. £300-400

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482. A silver coffee pot, by Carrington and Co., London 1919, octagonal baluster form, scroll handle, domed hinged cover, on a raised octagonal foot, height 23.3cm, approx. weight 22.8oz. £200-300

483. A silver coffee pot, by William Hutton and Sons, London 1910, tapering oval form, part-fluted decoration, scroll handle, the hinged cover with an urn finial, with a crest and motto, on a raised oval foot, height 27cm, approx. weight 20oz. £250-300 The crest is that of Carr, probably for Ralph Henry Carr-Ellison.

484. A pair of silver candlesticks, by The Barker Brothers, Sheffield 1922, tapering fluted oval form, fluted urn capitals, on raised fluted oval bases, height 21.3cm. (2) £150-200

485. A pair of late-Victorian silver candlesticks, by Holland, Aldwinckle & Slater, London 1897, in the Adam style, fluted tapering form, on raised fluted oval bases, lacking drip pans, plus a single matching candlestick, by William Hutton and Sons, London 1899, height 18.7cm. (3) £200-300

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λ 486. A Victorian silver teapot, by Messrs. Lias, London 1872, vase form, embossed foliate decoration, scroll handle with ivory insulators, beaded borders, hinged cover with a knop finial, on a raised circular foot, height 23.5cm, approx. weight 22oz. £300-400

487. A pair of silver cafe au lait pots, by Mappin and Webb, Sheffield 1938, baluster form, side scroll handles, domed covers with knop finials, on circular bases, height 18.5cm, approx. weight 21.9oz. (2) £250-300

488. A silver coffee pot, by H. Atkins, Sheffield 1911, oblong bellied form, part-fluted decoration, scroll handle, foliate and gadroon border, height 18cm, approx. weight 14.5oz. £150-200

489. A silver hot water pot, by H. Lambert, London 1912, tapering circular form, scroll handle, domed hinged cover with a knop finial, height 23.5cm, approx. weight 24.5oz. £200-300

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490. A presentation silver salver, by the Barker Brothers, Birmingham 1937, circular form, gadroon border, the centre with an inscription and facsimile signatures, on four claw and ball feet diameter 31cm, approx. weight 32.5oz. £200-300

491. A pair of late-Victorian silver candlesticks, by H. Atkin, Sheffield 1899, Corinthian column form, with bands of swirl swag decoration, fixed drip pans, on raised square bases with gadroon borders, medallions and swags, height 19cm. (2) £300-400

492. A George II silver salver, by Ebenezer Coker, London 1748, circular form, later chased foliate scroll decoration, shell and scroll border, on three claw and ball feet, the underside engraved ‘SH’ over ‘H’ over ‘JR’ ‘1757’, diameter 24.2cm, approx. weight 19.4oz. £150-250

493. An Edwardian silver lamp stand, by J. B. Carrington, London 1904, Corinthian Column form, drilled for electricity, on a raised square base with urns and drape decoration, height 36cm. £400-600

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494. A Victorian silver sauce boat, by Frederick Brasted, London 1887, oval form, leaf capped scroll handle, gadroon border, on three shell capped shell pad feet, engraved with an armorial, length 21.5cm, approx. weight 11oz. £120-180

495. A set of four silver candlesticks, by The Goldsmiths and Silversmiths Company, London 1927, knopped tapering baluster stems, spool shaped capitals, detachable drip pans, on raised square bases with incurved corners, height 20cm. (4) £600-800

The arms are that of Coriton/Coryton.

496. A Victorian silver two-handled vegetable dish and cover, by Dobson and Sons, London 1890, circular form, beaded borders and handles, the pull-off cover with a knop finial and engraved with a crest, length handle to handle 30.7cm, approx. weight 27oz. £200-300

497. A pair of silver sauce boats, by M. Rhodes, London 1930, oval form, wavy-edge border, scroll handle, on three shell capped webbed feet, length 18.8cm, approx. weight 16.5oz. (2) £180-220

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λ 498. A silver teapot, by Walker and Hall, Sheffield 1932, circular form, heavy gadroon and shell border, ivory scroll handle issuing from snake sockets, domed cover with an ivory finial, on a raised circular foot with a gadroon border, length handle to spout 29.5cm, approx. weight 33.9oz. £300-400

λ 499. A William IV silver teapot, by The Barnards, London 1830, compressed circular form, chased foliate scroll decoration, scroll handle with ivory insulators, flush hinged domed cover, length handle to spout 26.2cm, approx. weight 19.9oz. £200-300

500. A late-Victorian silver teapot, by James Dixon and Sons, Sheffield 1895, shaped oval form, chased foliate decoration above part-fluting, scroll handle, gadroon border, length handle to spout 27cm, approx. weight 17.8oz. £200-250

λ 501. A George IV silver teapot, by William Traies, London 1824, circular bellied form, embossed foliate scroll decoration, leaf capped scroll handle with ivory insulators, the domed hinged cover with a chinaman finial, engraved with a crest, on a raised circular foot, length handle to spout 27.5cm, approx. weight 24.4oz. £300-400

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λ 502. A George IV silver teapot, by Thomas Death, London 1824, oblong bellied form, part-fluted and foliate decoration, leaf capped scroll handle with ivory insulators, gadroon border, the flush-hinged cover with a foliate finial, on four winged paw feet, length handle to spout 30cm, approx. weight 22oz. £300-400

λ 503. A George III silver teapot, by Crispin Fuller, London 1817, oblong bellied form, with a band of embossed foliate scroll decoration, shell and gadroon borders, leaf capped spout with ivory insulators, the hinged cover with a foliate finial, on four foliate scroll capped paw feet, length handle to spout 29.3cm, approx. weight 24.2oz. £350-400

504. A George IV silver teapot, by Emes and Barnard, London 1822, compressed circular form, reeded girdle, scroll handle, the domed cover with a foliate finial, length handle to spout 22.2cm, approx. weight 13.3oz. £100-150

505. An Edwardian silver bachelor’s teapot, by Nathan and Hayes, Chester 1904, oval form, scroll handle, engraved decoration, length handle to spout 21.5cm, approx. weight 9oz. £100-150

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506. A late-Victorian silver rose bowl, by Martin, Hall and Company, Sheffield 1896, circular form, embossed fluted decoration, gadroon and shell borders, on a raised circular foot, diameter 30.5cm, approx. weight 48oz. £500-700

507. A set of six Edwardian silver egg cups, by the Pairpoint Brothers, London 1905, tapering circular form, with a band of pierced slat decoration, on raised circular bases, height 7cm, approx. weight 12oz. (6) £300-400

Provenance: The late Greta Morrison, widow of Bryan Morrison.

508. Two small silver salvers, one by The Barnards, Birmingham 1920, the other by Bishton’s Ltd, Birmingham 1968, moulded borders, one on three claw and ball feet, the other on four pad feet, diameter 20.4cm, approx. weight 20oz. (2) £200-300

509. A pair of silver sauce boats, by Walker and Hall, Sheffield 1927, oval form, wavy-edge border, leaf capped scroll handles, on three shell capped hoof feet, length 19cm, approx. weight 18oz. (2) £150-200

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510. A matched pair of late-Victorian silver candlesticks, by William Hutton and Sons, Sheffield and London 1900, Corinthian column form, fluted columns, on stepped square bases with gadroon borders, height 15.5cm. (2) £150-200

511. A presentation silver entrée dish and cover, by The Harrison Brothers, Sheffield 1929, rectangular form, gadroon borders, detachable handle, with a presentation Rotary Club inscription, length 26.8cm, approx. weight 47.8oz. £300-500

512. A pair of silver candlesticks and a matching pair of dwarf silver candlesticks, by L J Millington, the smaller p[air by and The Harrison Brothers & Howson Ltd, Birmingham 2000, tapering circular form, plain urn capitals, on raised square bases with canted corners, heights 14.5cm and 7.5cm. (4) £150-200

513. A silver salver, by Walker and Hall, Sheffield 1949, shaped square form, moulded border, on four bun feet, length 36.5cm, approx. weight 22.5oz. £150-200

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514. A six-piece silver condiment set, by Walker and Hall, Birmingham 1932, circular bellied form, wavy-edge border, on three hoof feet, comprising: a pair of mustard pots, a pair of pepper pots, and a pair of salt cellars, with blue glass liners and four condiment spoons, approx. weight 6.8oz. £100-150

515. A three-piece Victorian silver travelling communion set, by The Barker Brothers, Birmingham 1887, comprising: a small flagon, chalice and paten, all pieces engraved with a cross and IHS, in a fitted case, height of chalice 7.2cm, approx. weight 4.7oz. (3) £250-300

516. A silver salver, by H. Atkin, Sheffield 1921, shaped circular form, moulded border, on three bracket feet, diameter 25.5cm, plus a cased silver bowl and spoon, by the Barker Brothers, Chester 1920/21, circular fluted form, diameter 11.8cm, approx. weight 18.5oz. (3) £150-200

517. A pair of Edwardian silver tazza, by Mappin and Webb, Sheffield 1909, circular form, pierced with slats and foliate scroll decoration, on a raised knopped stem on a pierced foliate foot, height 14.8cm, plus a pair of late-Victorian vases, Sheffield 1898, tapering circular form, embossed decoration, approx. weight 23.5oz. (4) £200-300

518. A silver two-handled porringer and spoon, by the Adie Brothers, Birmingham 1922, circular form, scroll handles, cut-card decoration, the spoon of plain form, in a fitted case, length handle to handle 13.5cm, approx. weight 7oz. £100-150

519. A cased set of four silver napkin rings, by Martin, Hall and Co, Sheffield 1918, retailed by The Goldsmiths Company, Cardiff, circular form, engine-turned decoration, initialled, plus a silver sauce boat, by Fattorini & Sons Ltd, Birmingham 1906, of oval form, scroll handle, on four scroll feet, approx. weight 11.5oz. (5) £120-180

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520. A three-piece Victorian silver bachelor’s tea set, by The Fenton Brothers, Sheffield 1896, oval form, embossed foliate decoration, scroll handles, on four shell bracket feet, plus a pair of sugar tongs, different maker, in a fitted case, length handle to spout 21cm, approx. weight 14.5oz. (4) £300-500

520

λ 521. A George III silver ewer, by John Carter, London 1773, vase form, with medallions and swags above acanthus leaf decoration, beaded borders, leaf capped later scroll handle with ivory insulators and addition marks for London 1850, on a raised circular foot on a square base on four bun feet, height 31cm, approx. weight 27oz. £400-600

521

λ 522. A three-piece silver tea set, by The Adie Brothers, London 1925, lobed circular form, the teapot with an ivory scroll handle and finial, chased decoration on circular bases, in a fitted case, length handle to spout 24cm, approx. weight 32.5oz. (3) £300-500

522

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523. A George II silver cream jug, by Phillip Goddard, London 1743, baluster form, leaf capped scroll handle, embossed foliate and scroll decoration, on four pad feet, plus a George III silver cream jug, by Nathaniel Appleton and Anne Smith, London 1774, baluster form, embossed foliate decoration, on a raised circular foot, approx. total weight 5.4oz. (2) £150-200

524. A George II silver cream jug, maker’s mark W?, London 1744, baluster form, embossed with animals and village scenes, on three hoof feet, height 9cm, plus a William IV silver beaker, London 1835, with later fluted decoration, height 8.6cm, approx. weight 7.3oz. (2) £150-200

525. A George III silver cream jug, maker’s mark worn, London 1787, helmet form, scroll handle, punch bead border, engraved decoration, on a raised square foot, initialled, height 13.8cm, plus a Victorian silver cream jug, by Charles Stuart Harris, London 1881, fluted and embossed decoration, approx. weight 5.2oz. (2) £70-100

526. A modern silver sparrow-beak cream jug, by R. Comyns, London 1971, plain baluster form, scroll handle, on a circular foot, height 10.2cm, approx. weight 6.4oz. £60-80

527. A George III silver cream jug, by Peter, Ann and William Bateman, London 1800, oval form, engraved decoration, reeded scroll handle and border, plus a silver sugar caster of octagonal baluster form, Chester 1928, approx. weight 3.1oz. (2) £150-200

528. A late-Victorian silver teapot, by Charles Piling, London 1900, baluster form, wavy-edge border, on four hoof feet, plus a silver waiter, by the Barnards, London 1910, circular form, moulded border, on three scroll feet, diameter 21cm, approx. total weight 24.5oz. (2) £200-300

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529. A George III silver cream jug, by Robert Hennell, London 1802, helmet form, beaded borders and scroll handle, on a raised circular foot, height 13.8cm, approx. weight 3.8oz. £100-150

530. A George III silver cream jug, by Jonathan Hayne, London 1826, oval form, leaf capped scroll handle, gadroon border, engraved foliate girdle, on four scroll bracket feet, height 11.2cm, approx. weight 7.4oz. £100-150

531. An Edwardian silver presentation mug, by The Goldsmiths and Silversmiths Company, London 1907, tapering circular form, scroll handle, on a raised circular foot, inscribed ‘North Road C.C, 12 Hrs Unpaced Road Race, 13, July 1907 F.Northrop Safety 1743/4 Miles’, height 11.5cm, approx. weight 9.3oz. £100-150

532. A George III silver goblet, by Charles Hougham, London 1788, urn shaped bowl with later foliate scroll decoration, on a raised circular foot, height 15cm, plus an Edwardian silver goblet, by Mappin and Webb, Sheffield 1902, plain vase bowl, on a beaded knopped stem on a raised circular foot, height 19cm, approx. weight 12oz. (2) £200-300

533. A Victorian silver mug, by The Barnards, London 1845, panelled baluster form, leaf capped scroll handle, engraved foliate decoration, on a foliate scroll foot, height 10cm, plus George IV small silver mug, by Charles Price, London 1824, baluster form, embossed foliate decoration, leaf capped scroll handle, approx. total weight 9oz. (2) £100-150

534. A silver sugar caster, by the Haseler Brothers, London 1914, baluster form, the pierced pull-off cover with raised ribbing and pierced decoration, knop finial, on a raised circular foot, height 19.5cm, plus a modern silver sugar caster, by J. Gloster, Birmingham 1964, circular bellied form, height 16cm, approx. total weight 16.5oz. (2) £200-300

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535. A pair of George IV silver salt cellars, by Charles and John Fry, London 1823, rounded rectangular form, foliate scroll borders, gilded bowls, on four foliate bracket feet, engraved with a crest, with two salt spoons, length 10.2cm, approx. weight 9.2oz. (4) £150-200

536. A George III silver mustard pot, by Augustin Le Sage, London 1766, circular form, pierced decoration, the hinged cover with a pierced thumb-piece, scroll handle, with a blue glass liner, height 7.5cm, approx. weight 4.5oz. £150-200

The crest is that of Pilkington or De Trafford.

537. A George III silver mustard pot, by John Emes, London 1798, circular form, engraved decoration, scroll handle, domed cover with an urn finial, engraved with a crest, height 8.5cm, plus a George III silver caster, of baluster form, London 1781, approx. total weight 6oz. (2) £200-300

538. An Edwardian silver mustard pot, by George Perkins, London 1905, circular form, pierced with huntsmen and animals, scroll handle, blue glass liner, height 7.3cm, approx. weight 5.2oz. £100-150

539. A set of four George III silver salt cellar frames, by Thomas Law, Sheffield 1805, circular wire-work form, on four wire-work scroll legs, diameter 6.5cm, approx. weight 7oz. (4) £150-200

540. A George IV silver mustard pot, by Emes and Barnard, London 1827, circular form, scroll handle, shell and gadroon border, the hinged cover with a crest, height 8.5cm, approx. weight 6oz. £150-200

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The crest is that of the Seymour family: 4th Marquess of Hertford.

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541. A pair of George IV provincial silver salt cellars, by James Bell, Newcastle 1822, rounded rectangular form, gadroon borders, gilded bowls, initialled, on raised rounded rectangular bases, length 9.4cm, approx. weight 5oz. (2) £100-150

542. A set of six George III silver salt cellars, by Francis Spilsbury, London 1772, oval form, pierced decoration, gadroon borders, on four legs with claw and ball feet, with various blue glass liners, engraved with a crest, length 8.8cm, approx. weight 12oz. (6) £400-600 The crest is that of William Murray (1705-1793) Viscount Stormont, and later 1st Earl of Mansfield, is perhaps best known for his judgment in Somerset’s Case (1772), where he held that slavery had no basis in common law and had never been established by positive law (legislation) in England, and therefore was not binding law. It is interesting that this set of salt cellars date from that same year, 1772.

543. A matched pair of Edwardian silver-mounted glass whisky tots, two makers, London 1904 and Birmingham 1905, tapering conical form, plain hinged covers, scroll handles, heights 11cm and 10.5cm. (2) £150-200

544. A Victorian silver seven-bar toast rack, by George Fox, London 1865, modelled as saltire bars, central carrying handle, on a rectangular base, on four scroll bracket feet, length 15.8cm, approx. weight 14.8oz. £200-300

545. A silver-mounted glass preserve jar, by Asprey and Co., Ltd, Birmingham 1929, cylindrical form, plain mounts, the hinged handle depresses to open the hinged cover, the glass body with bands of engraved decoration, height 15.8cm. £150-200

546. A silver-mounted glass biscuit barrel, by Thomas Jones, Birmingham 1920, plain cylindrical form, hinged handle, domed pull-off cover with a knop finial, height 21cm. £150-200

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547. A silver goblet, by J. Gloster and Co, Birmingham 1928, the bowl of plain vase form, on a raised circular foot, gilded interior, height 18cm, plus a silver two-handled tazza, by Martin, Hall and Co, Sheffield 1921, circular form, shaped border, scroll handles, on a raised circular foot, height 16cm, approx. total weight 14oz. (2) £150-200

548. A small collection of three George III silver items, comprising: a cream jug, by Abraham Taylor, London 1795, helmet form, engraved decoration, reeded handle, on a raised square base, plus a baluster cream jug, London 1764, embossed decoration, and a swinghandled basket, by William Plummer, London 1767, oval form, pierced and embossed foliate decoration, approx. weight 9.5oz. (3) £200-300

549. An Edwardian silver rose bowl, by Mappin and Webb, Birmingham 1903, circular form, part-fluted and scroll decoration, diameter 15.2cm, plus a pair of silver sauce boats, by Martin, Hall and Company, Sheffield 1912, oval form, wavy-edge border, scroll handles, on three pad feet, length 20.2cm, approx. total weight 25oz. (3) £200-300

550. A two-handled silver bowl, by Mappin and Webb, Birmingham 1914. circular bowl, gadroon border, with flying scroll handles with hanging laurel wreathes, on a raised octagonal foot, length handle to handle 26cm, approx. weight 27.5oz. £300-400

551. An Edwardian silver tazza, by Jackson and Fullerton, London 1907, circular form, pierced decoration, on a raised pierced circular foot, diameter 21.7cm, plus an American silver tazza, by Gorham, filled base, approx. weighable 9oz. (2) £100-150

552. A three-piece Edwardian silver tea set, by The Goldsmiths and Silversmiths Company, London 1907 and 1909, shaped oval form, gadroon borders, scroll handles, on four paw feet, length handle to spout 24cm, approx. weight 22.5oz. (3) £200-300

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553. A pair of modern silver goblets, by A Haviland-Nye, Sheffield 1967, tapering circular bowls, on knopped stems on raised circular bases, height 14.5cm, plus a Victorian silver beaker, by William Evans, London 1875, height 10.5cm, approx. weight 16.8oz. (3) £200-300

554. A George III silver cream jug, by Robert Hennell, London 1792, helmet form, engraved decoration, scroll handle, on a raised square foot, engraved with a crest, height 14.5cm, plus a George III silver cream jug, London 1761, baluster form, embossed decoration, approx. weight 6.4oz. (2) £200-300

555. An Edwardian silver mug, by Horace Woodward and Co. Limited, London 1904, tapering circular form, leaf capped scroll handle, on a raised circular foot, inscribed and with initials, height 12.5cm, approx. weight 11.3oz. £100-150

556. A silver salver, by The Goldsmiths and Silversmiths Company, London 1931, shaped square form, moulded border, the centre with a crest, on four gnarl feet, length 25.5cm, approx. weight 24.9oz. £150-200

557. A three-piece silver tea set, by The Barnards, London 1905 and 1906, oval form, scroll handles, domed hinged cover, engraved with urns, shield cartouches and garlands, length handle to spout 27.5cm, approx. weight 28oz. (3) £280-320

558. A George III silver waiter, by John Schofield, London 1784, circular form, beaded border, on three beaded bracket feet, diameter 20.2cm, plus a Britannia standard silver mug, London 1910, tapering circular form, scroll handle, approx. total weight 19.8cm. (2) £200-300

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559. A German silver tea caddy, circa 1895, rounded tapering rectangular form, embossed with figural dining scenes, the pull-off cover with a ball finial, on four ball feet, height 15.5cm, approx. weight 10.5oz. £200-300

560. A German silver-mounted blue glass tea caddy, by C. Henzler, Hanau, circa 1895, upright rectangular form, plain blue glass body, pierced foliate mounts, pull-off cover, height 14cm. £150-200

561. A Victorian silver tea caddy, by William Comyns, London 1888, oval form, embossed ribbon-tied foliate decoration, with a lock and key, on a raised circular foot, length 12.5cm, approx. weight 7.8oz. £200-300

562. A German silver tea caddy, probably Hanau, circa 1900, shaped oval form, embossed with Rococo figural scenes, pull-off cover, height 11.5cm, approx. weight 7.7oz. £120-180

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563. A late-Victorian silver tea caddy and stand, by the Goldsmiths and Silversmiths Company, London 1900, baluster form, the domed pull-off cover with a flower finial, the body decorated in the Chinoiserie manner with a figure and dragon within foliate settings, the stand of circular form, on a pierced circular foot, height 18.5cm, approx. weight 15oz. (2) £300-400

564. A silver double tea caddy, by S Blanckensee & Son Ltd, Birmingham 1927, rectangular form, canted corners, the hinged cover with a black final, the cover opens to reveal two hinged compartments, engraved ‘India’ and ‘China’, length 10cm, approx. weight 10.5oz. £300-500

565. An Edwardian silver tea caddy, with import marks for Chester 1903, importer’s mark of S. Landeck, oval cylindrical form, raised hinged cover with a cone final, embossed with Rococo figural scenes, height 9.5cm, approx. weight 6.5oz. £120-180

566. A late-Victorian silver tea canister, by William Hutton and Sons, London 1898, oval cylindrical form, embossed foliate scroll decoration on a matted background, pull-off cover, height 7.5cm, approx. weight 2.9oz. £80-120

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567. A late-Victorian silver tea canister, by Nathan and Hayes, Chester 1896, baluster form, embossed shell and drape decoration, pull-off cover with a knop finial, on a raised circular fluted foot, height 13.5cm, approx. weight 4.7oz. £120-180

568. A pair of electroplated and faux tortoiseshell tea caddies, unmarked, oval form, hinged foliate scroll covers, height 7cm. (2) £200-300

569. A Victorian silver tea caddy and caddy spoon, by Samuel Walton Smith, London 1886, the caddy spoon by Francis Higgins, rectangular form, engraved ribbon-tied decoration and borders, the caddy spoon with a shell bowl, in a fitted case, length of caddy 8.3cm, approx. weight 8.4oz. (2) £400-600

570. A Victorian silver-gilt tea caddy / sugar box, by Charles Stuart Harris, London 1894, retailed by Leuchars and Son, Paris, shaped oval bellied form, hinged cover, on four bracket feet, length 13.5cm, approx. weight 8oz. £200-300

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571. A George III silver double tea caddy, by Robert Jones, London 1798, oval tapering form, bright-cut border and laurel wreath cartouches, central carrying handle with the hinged compartments for tea, both with locks, length 15cm, approx. weight 16.5oz. £1,000-1,500

572. A George III silver tea caddy, Robert Makepeace & Richard Carter, London 1777, oval form, the flush-hinged cover with an engraved border and hinged finial, the body with engraved foliate decoration, with a lock and crest, the underside of the base inscribed ‘Service over rated, 1777’, length 11.8cm, approx. weight 10.9oz. £800-1,200 Provenance: with an old card label from The Wyler Collection. (S. Wyler, New York).

573. A matched set of four modern silver candlesticks, by W I Broadway & Co, Birmingham 1961 and 1978, circular form, embossed foliate scroll decoration with birds, on a raised circular foot, height 10cm. (4) £80-120

574. A George III silver waiter, by John Carter, London 1772, circular form, gadroon border, the centre with an armorial, on three claw and ball feet, with a scratch weight ‘12-5’, diameter 20cm, approx. weight 11.9oz. £200-300 The arms are that of Crastor/Craster/Craister (Northumberland) impaling Witherdon or Cotton.

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DAY TWO – THURSDAY 23RD JULY AT 10.00AM A PRIVATE COLLECTION OF VINAIGRETTES 575. A William IV silver vinaigrette, by Thomas Shaw, Birmingham 1833, shaped rectangular form, the cover and base with engraved decoration, and with initials, the interior with a silver-gilt pierced and embossed foliate scroll grille, length 2.4cm, approx. weight 0.2oz. £100-150 575 576. A Victorian silver vinaigrette, by Edward Smith, Birmingham 1848, rectangular form, with bands of engineturned decoration, the cover with a crest of two shaking hands, the interior with a silvergilt pierced and engraved foliate scroll grille, length 4.2cm, approx. weight 0.8oz. £100-150 The crest is that of Alexander, Buchanan, Haulton and others.

576 577. A George III silver purse vinaigrette, by John Shaw, Birmingham 1819, rectangular form, engraved wriggle-work decoration, foliate scroll borders, the front with a simulated strap, and with a shield cartouche, initialled, the interior with a pierced and engraved foliate scroll grille, length 2.8cm, approx. weight 0.5oz. £250-300

577 578. A George III silver vinaigrette, by Robert Mitchell and Co, Birmingham 1812, shaped rectangular form, the cover and base with engraved decoration, the interior with a simple silver-gilt pierced grille, length 2.4cm, approx. weight 0.2oz. £80-120

578 579. A George IV silver-gilt vinaigrette, by William Ellerby, London 1827, rectangular form, the hinged cover and base with engine-turned decoration, foliate scroll borders, with a vacant cartouche, foliate scroll thumb-piece, the interior with a pierced and engraved grille of berries and leaves, length 4.2cm, approx. weight 1.1oz. £100-150

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580. A George IV silver vinaigrette, by Thomas Shaw, Birmingham 1829, rectangular form, engraved with intertwined wicker-work decoration, the cover with initials, the interior with a pierced and engraved silver-gilt grille, length 4.2cm, approx. weight 0.8oz. £100-150

580 581. A George III silver-gilt vinaigrette, by Thomas Willmore, Birmingham 1800, rectangular form, canted corners, engraved decoration, the interior with a simple pierced grille, length 2.8cm, approx. weight 0.5oz. £100-150

581 582. A WiIliam IV silver vinaigrette, by Thomas Shaw, Birmingham 1836, rectangular form, the cover and base with engine-turned decoration, reeded sides, foliate scroll thumb-piece, the cover with initials, the interior with a pierced and engraved silver-gilt foliate scroll grille, length 3.8cm, approx. weight 0.8oz. £100-150

582 583. A George III silver-gilt vinaigrette, by Samuel Pemberton, Birmingham 1817, rectangular form, with bands of rope-work and engine-turned decoration, the hinged cover with a chased panel of vine leaves and grapes, the interior with a pierced and engraved foliate scroll grille, length 4cm, approx. weight 1oz, £200-300

583 584. A WiIliam IV silver vinaigrette, by Nathaniel Mills, Birmingham 1834, rounded rectangular form, engine-turned decoration, foliate scroll thumb-piece, the interior with a pierced and engraved foliate scroll grille, length 5.1cm, approx. weight 0.6oz. £150-200

584

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585. A George III silver vinaigrette, by Joseph Taylor, Birmingham 1802, octagonal form, the cover with engraved chequer-board decoration, the interior with a hinged filigree grille, length 2cm, approx. weight 0.2oz. £100-150

585 586. A George III silver-gilt vinaigrette, by Wardell & Kempson, Birmingham 1814, watch case form, engraved foliate decoration, the interior with a hinged pierced and engraved foliate scroll grille, diameter 3cm, approx. weight 0.5oz. £250-300

586 587. A George III silver vinaigrette, by Phipps and Robinson, London 1802, rectangular nutmeg grater form, canted corners, the hinged cover engraved with a classical maiden, the base with engraved decoration, engraved with initials, the interior with a silver-gilt pierced and engraved foliate grille, length 4cm, approx. weight 1oz. £400-600

587 588. A George III silver vinaigrette, by Thomas Barker, London 1800, oval form, the cover engraved with a flower head on a textured background, the base with an engraved border, the interior pierced and engraved with an eagle and foliate decoration, length 2.8cm, approx. weight 0.3oz. £200-300

588 589. A George III silver vinaigrette, by Cocks and Bettridge, Birmingham 1811, shaped oval form, the cover and base with engraved decoration, the interior with a silver-gilt pierced and raised grille with trellis, scroll and bead decoration, length 2.8cm, approx. weight 0.3oz. £100-150

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590. A George III silver engraved vinaigrette, by Matthew Linwood, Birmingham 1806, rectangular form, the cover engraved with an Egyptian sphinx, the base with engraved decoration, the interior with a silver-gilt pierced and embossed foliate grille, length 2.5cm, approx. weight 0.4oz. £300-400

590 591. A Victorian silver engraved vinaigrette, by Nathaniel Mills, Birmingham 1845, rectangular form, scroll borders, engraved with a river scene with sailing boats, a bridge, and a townscape behind, the interior with a pierced and engraved silvergilt foliate scroll grille, engine-turned sides and base, with a vacant shield cartouche, length 3.7cm, approx. weight 0.7oz. £400-600 591 592. A Victorian silver engraved vinaigrette, by Nathaniel Mills, Birmingham 1846, rectangular form, scroll borders, engraved with a lake scene with sailing boats, and a village, the interior with a pierced and engraved silver-gilt foliate scroll grille, engine-turned sides and base, with an initialled shield cartouche, length 3.5cm, approx. weight 0.5oz. £300-400

592 593. A Victorian silver engraved vinaigrette, by Nathaniel Mills, Birmingham 1847, rectangular form, scroll borders, engraved with a scene of a steam ship, the background with buildings on a hillside, possibly Osborne House, the interior with a pierced and engraved silver-gilt foliate scroll grille, engine-turned sides and base, with a vacant shield cartouche, length 3.5cm, approx. weight 0.5oz. £500-700 593 594. A George III silver engraved vinaigrette, by Matthew Linwood, Birmingham 1807, rectangular form, the cover engraved with a man seated in the countryside eating a picnic with his dog watching on, the base engraved with a foliate motif, the interior with a silver-gilt pierced and embossed grille with an urn of flowers and foliate scroll decoration, length 3cm, approx. weight 0.5oz. £300-500

594

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595. A Victorian silver book vinaigrette, by Nathaniel Mills, Birmingham 1844, rectangular book form, with engraved spiral decoration, the cover with an initialled cartouche, the interior with a pierced and engraved foliate scroll grille, reeded sides and spine, length 3.2cm, approx. weight 0.4oz. £250-300

595 596. A George III silver engraved vinaigrette, by Matthew Linwood, Birmingham 1809, rectangular form, the cover engraved with a man smoking a pipe and walking with his dog, the base with engraved decoration, the interior with a silver-gilt pierced and embossed grille with a basket of fruit and flowers and foliate scroll decoration, length 2.9cm, approx. weight 0.5oz. £400-600

596 597. A George III novelty silver bag vinaigrette, by Lawrence and Co, Birmingham circa 1815, with textured foliate motifs on a matted background, the cover with a grapevine border and oval shaped foliate motif, the interior with a pierced and engraved foliate scroll grille, with a chain attachment, length 2.5cm, approx. weight 0.2oz. £250-300

597

598. An early 19th century gold-mounted citrine vinaigrette, unmarked, circa 1840, tapering faceted oval form, the hinged cover with foliate scroll decoration, and with an agate panel, the interior with an engraved and pierced foliate scroll grille, height 3.4cm. £600-800

OTHER PROPERTIES 598 599. A George IV silver vinaigrette, by William Ellerby, London 1825, rectangular form, engine-turned decoration, foliate borders, the interior with a silver-gilt grille, pierced and engraved with flowers, plus a William IV silver snuff box, by William Pugh, Birmingham 1836, rectangular form, engine-turned decoration, foliate scroll border, length 7.3cm, approx. weight 2.9oz. (2) £200-300

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600. A Victorian silver and agate vinaigrette, by James Fenton, Birmingham no apparent date letter, shaped oval form, engraved foliate scroll decoration, set with vari-coloured stones, the underside with banded agate panels, the interior with a pierced and engraved silver-gilt grille, length 3.2cm. £300-400

600 601. A Victorian silver engraved vinaigrette, by Nathaniel Mills, Birmingham 1845, rectangular form, engraved with a town scene with a lake and mountains behind, also with sailing boats, foliate scroll borders, the interior with a pierced and engraved grille, hinge a.f, engine-turned sides and base, the underside initialled, length 3.7cm, approx. weight 0.6oz. £300-400 601 602. A George III silver-gilt vinaigrette, by Thomas Hobbs, London 1804, rectangular form, the cover and base engraved with intertwined lattice decoration, the interior with a pierced foliate scroll grille, length 3.2cm, approx. weight 0.5oz. £100-200

602 603. A William IV silver vinaigrette, by Gervase Wheeler, Birmingham 1835, book form, engine-turned decoration, with a vacant cartouche, the interior with a pierced foliate scroll grille, length 3.2cm. £250-300

603 604. A George IV silver-gilt and bloodstone vinaigrette, by John Shaw, Birmingham 1820, rectangular form, the cover and base with bloodstone panels, the sides with reeded decoration, foliate scroll borders, the interior with an engraved and pierced foliate scroll grille, length 2.8cm. £250-300

604

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605. A small collection of three 19th century silver vinaigrettes, comprising: one by Cocks and Bettridge, Birmingham no date letter, oblong form, engraved borders, the interior with a gilded pierced grille, plus a silver-gilt one, Birmingham 1821, grille hinge a.f, engraved decoration, and a small one by Hilliard and Thomason, Birmingham 1876, approx. weight 1.2oz. (3) 200-300

605 606. A William IV silver vinaigrette, by Nathaniel Mills, Birmingham 1834, rectangular form, engraved foliate decoration, foliate border, the interior with a pierced foliate scroll grille, length 4.2cm, plus a George IV silver vinaigrette, by John Lawrence, Birmingham 1829, circular watch case form, engine-turned decoration, approx. weight 0.9oz. (2) £200-300

606 607. A Victorian silver-gilt mounted scent bottle vinaigrette, by S. Mordan, London 1861, shaped rectangular form, the hinged cover with a push-button clasp and engraved foliate decoration, the base with a vinaigrette, engraved decoration, the hinged cover opens to reveal a pierced foliate grille, length 9.8cm £200-300

607 608. A George III silver-gilt scent bottle vinaigrette, by Joseph Willmore, Birmingham 1809, tapering oblong form, engraved foliate decoration, the hinged cover opens to reveal a glass scent bottle, height 4.5cm, approx. weight 0.4oz. £100-150

608 609. A George III silver scent bottle vinaigrette, by Samuel Pemberton, Birmingham 1791, tapering oblong form, engraved foliate decoration, the hinged cover opens to reveal a glass scent bottle, height 4.5cm, approx. weight 0.3oz. £100-150

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610. A George IV silver nutmeg grater, by Charles Rawlings, London 1824, plain rectangular form, hinged cover and base, the cover with a crest, the interior with a grater, length 5.1cm, approx. weight 2.2oz. £250-300

610 611. A George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1790, cylindrical form, domed pull-off cover opens to reveal a grater, engraved decoration, pull-off base, height 3.5cm, approx. weight 0.4oz. £200-300

611 612. A Victorian silver nutmeg grater, by George Unite, Birmingham 1848, melon form, with alternate panels of chased foliate and plain decoration, the hinged cover opens to reveal a grater, length 3.8cm, approx. weight 0.9oz. £600-800

612 613. A George III silver nutmeg grater, by William Parker, London 1800, urn form, the hinged cover with a baluster finial and reeded border, hinged front, on a raised rectangular foot with canted corners, height 6.8cm, approx. weight 1.3oz. £700-900

613 614. A George III silver nutmeg grater, by Phipps and Robinson, London 1809, oval form, the hinged cover with a crowned G, and engraved foliate decoration, hinged base, length 5.3cm, approx. weight 1.3oz. £400-450

614

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618 reverse

615. An Edwardian silver and enamel visiting card case, by W G Keight, Birmingham 1903, shaped rectangular form, hinged cover, the front enamelled with a brown trout, in a later fitted Tessier box, length 8.3cm, approx. weight 1.2oz. £300-400 616. A continental silver and enamel cigarette case, probably Austrian, square form, the hinged cover enamelled with lying spaniel dog, length 7.5cm, approx. weight 3.8oz. £200-250 617. A silver and enamel desk seal and stamp moistener, with import marks for London 1913, importer’s mark of Cohen and Charles, egg form, with white enamelled decoration, the top with small pierced holes, on a screw-off seal foot, the matrix engraved with a crest, height 4.8cm. £150-200 618. A rare silver and enamel ladybird vinaigrette, unmarked circa 1900, with sprung red and black enamelled wings, which open to reveal a pierced foliate scroll grille, the head with black enamel and set with two red eyes, the underside with textured legs, with a ring attachment, length 4.5cm. £2,000-3,000 619. A silver and enamel scent bottle, by S. Blanckensee and Sons, Chester 1911, circular form, with dark blue enamel decoration and with a white enamel and star border, screw-off cover, with a chain and ring attachment, diameter 4.3cm, approx. weight 0.8oz. £120-150 620. An Austrian silver-gilt and enamel bell push, with import marks for London 1911, importer’s mark of Gourdel Vales & Co, egg form, with turquoise enamel decoration, with a mother-of pearl push button, with two bands of white enamel decoration, length 6cm. £300-400 621. A silver and enamel cigarette case, with import marks for London 1926, importer’s mark of P H Vogel & Co., rectangular form, with deep green enamel decoration, with engraved borders, gilded interior, inscribed, length 8cm. £100-150 Provenance: The late Greta Morrison, widow of Bryan Morrison. 622. An Austrian silver and enamel box in the Japanese taste, with import marks for Glasgow 1925, importer’s mark of R.S, rectangular form, cushion sides, the hinged cover with a figural scene with gilt highlights, the reverse with a bird, engraved borders, gilded interior, length 8.2cm, approx. weight 4oz. £200-300

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615

616

617

618

621

619

620

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623. A Royal presentation cigarette case and accompanying letter from George VI to Lionel Logue, the case by The Goldsmiths and Silversmiths Company, London 1936, rectangular form, engine turned decoration, applied with the Royal Cipher of George VI in gold, gilded interior, length 12.8cm, approx. weight 5.7oz. The letter dated May 17th 1937 and written from Windsor Castle reads: ‘My dear Logue The Queen and I have just viewed the film of our Coronation, and I could not wait to send you a few lines to thank you again for your hard work in helping me prepare for the great day. You know how anxious I was to get my responses right in the abbey, the poor rehearsal adding greatly to my anxiety, but my mind was finally set at ease tonight. Not a moments hesitation or mistake! The same cannot be said of the Bishops of course, nor the pen I used to sign the Oath: the ink got all over my fingers, but fortunately one can hardly make it out. The success was due to your expert supervision and unfailing patience with me over recent months, and I truly don’t know how I could have done it without you. I want you to know how grateful I am, not only for your invaluable help with my speech, but for your devoted friendship and encouragement, and I hope you will accept this small gift as a token of my appreciation. Yours very sincerely George R.I’ dimensions of letter 24.5cm x 18.8cm. (2)

£4,000-6,000

Provenance: Lionel Logue, (1880-1953) Herbert Logue, (1883-1954), (Lionel’s brother) Charles McGowan and Sons, 14 August 1953 Then by family descent to the current owner. This lot is sold with an accompanying receipt dated 14 August 1953, stating that the case and letter was sold by Herbert Logue, of 54 Clifton Street, Prospect Port, to Charles McGowan of 9 Eton Arcade, Sutherland, in lieu of £27 for the outstanding payment of a graduated pearl necklace with a sapphire and diamond clasp. Lionel Logue (1880-1953) was an Australian-born speech therapist who moved to England in 1924, opening up a practice in Harley Street in 1926. Not long after this, Logue was approached by the then Duke of York (later George VI) for help in overcoming a severe stammer. Logue prescribed an hour’s daily vocal exercises for the future King, with the result that, by 1927, he was able to speak publicly with only occasional hesitation. The unexpected abdication of Edward VIII in 1936 thrust the shy Duke of York into the limelight and greatly increased his public presence. At this time Lionel Logue was called upon to offer further support in helping to prepare the new King for his duties and, of course, his coronation. The story of the relationship between this antipodean therapist and his high-profile patient is well-documented in the 2010 film, The King’s Speech, taken from the book of the same title written by Logue’s grandson, Mark, and Peter Conradi, and it is clear that there was a genuine fondness as well as deep professional respect on both sides. Following the death of George VI, the Queen Mother wrote to Lionel Logue and said, “I think that I know perhaps better than anyone just how much you helped the King, not only with his speech but, through that, his whole life and outlook on life.”

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Charles McGowan at his shop

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624. A 19th century Russian silver snuff box, Moscow, date rubbed, maker’s mark possibly that of I. Kaltykov, rectangular form, with traces of niello decoration, the cover with a horseman, the reverse with military arms, the borders engraved with buildings, length 6.3cm, approx. weight 1.7oz. £150-200

625. A 19th century Russian silver and niello work snuff box, assay master Nikolay Dubrovin, Moscow circa 1830, rectangular form, the hinged cover with classical figures, the base with military trophies, plain thumb-piece, gilded interior, length 8.8cm, approx. weight 3.5oz. £200-300

626. A 19th century Russian silver and niello work snuff box, assay master I. Avdeyev, Moscow circa 1860, shaped rectangular form, the cover, sides and base with flowers with scroll borders, gilded interior, length 7.2cm, approx. weight 2.7oz. £150-200

627. A 19th century French silver and niello work snuff box, rectangular form, the cover with a scene of a gentleman and lady out riding within a foliate and scroll border, the sides and base with foliate decoration, length 7.5cm, approx. weight 2.6oz. £150-200

628. A 19th century Russian silver and niello work snuff box, assay master A. Kovalskiy, Moscow 1852 rectangular form, the cover, sides and base with town scenes, within foliate borders, gilded interior, length with foliate scroll niello decoration, with a vacant cartouche, length 10cm, approx. weight 5.7oz. £200-300

629. A 19th century Russian silver and niello work cheroot case, assay master NK unidentified, Moscow 1875-1880, rounded rectangular form, with foliate scroll niello decoration, with a vacant cartouche, length 8.6cm, approx. weight 3.4oz. £150-200

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630 630. A large silver-gilt engraved ‘castle-top’ table snuff box, by John Linnit, London 1839, shaped rectangular cushion form, the hinged cover with a heavy foliate scroll border and engraved with a view of the original Licensed Victuallers’ School in Kennington, London, foliate scroll sides on a matted background, the underside of the base engraved with the names of the Trustees and Committee men, length 13.5cm, approx. weight 16.3oz. £1,500-2,000 Licensed Victuallers’ School was founded in 1803 by the Society of Licensed Victuallers. The School was originally in Kennington, and then moved to Slough in 1922 and then to Ascot in 1989. 631. A George IV silver raised relief snuff box, by Nathaniel Mills, Birmingham 1828, rectangular cushion form, the hinged cover cast with a scene of from antiquity of King Solomon meeting the Queen of Sheba, chased sides and foliate border, engine-turned base with a vacant cartouche, gilded interior, length 7.6cm, approx. weight 4oz. £600-800

631

632. An early 19th century Austro-Hungarian parcel-gilt silver snuff box, circa 1810, rectangular form, the cover with putti in a classical landscape, the base with birds, length 8cm, approx. weight 3.6oz. £100-150

633. A late 19th century Portuguese silver snuff box, maker’s mark JG, Oporto circa 1890, rectangular form, the hinged cover with engraved foliate scroll and engine-turned decoration, reeded sides and base, length 6.7cm, approx. weight 1.4oz. £70-100

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634. An 18th century Dutch silver pocket corkscrew, by Jan Reghter, Delft 1777, the screw-off sheath with chased shell and scroll decoration, steel worm, plain base, the handle with a cherub sitting on a foliate scroll motif, length 10cm, approx. weight 1.8oz. £1,500-2,000

635. An 18th century Dutch silver pocket corkscrew, by Hermanus Van den Kierboom, Dordrecht 1759, the screw-off sheath with chased foliate scroll decoration, steel worm, plain base, the handle with a lion, length 9.8cm, approx. weight 1.8oz. £1,500-2,000

636. A pair of modern silver models of grouse, by Garrard and Co, London 1974, modelled in standing positions, textured feathers, length 7.5cm, approx. weight 3.6oz. (2) £250-300

637. A pair of modern silver fighting cocks, with import marks for London 1963, importer’s mark of I. Freeman and Son Limited, textured feathers with silver-gilt highlights, length 15.5cm, height 13.5cm, approx. weight 7.3oz. (2) £350-400

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638. A Victorian Scottish silver card case, by William Crouch, part marked, Edinburgh circa 1860, rectangular form, engraved geometric and scroll decoration, hinged cover, length 9.5cm, approx. weight 2.3oz. £100-150

639. A Victorian silver ‘castle-top’ card case, The Law Courts Dublin, by Nathaniel Mills, Birmingham 1849, rectangular form, the front with a view of The Law Courts with the River Liffey, chased foliate scroll decoration, scroll borders, the reverse with similar decoration, and with an inscribed cartouche, length 9cm, approx. weight 1.5oz. £2,000-3,000

640. An American novelty silver hip flask, by Gorham and Co, rounded rectangular form, modelled as a cigar case, screw-off corner cover, with initials in a lozenge, length 15cm, approx. weight 7oz. £300-400

641. An Edwardian silver double cigarette box, by William Comyns, London 1902, rectangular form, central carrying handle, with two hinged covers, the front with a later presentation inscription, length 24.8cm. £200-300

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642. An Edwardian silver model of a pheasant, with import marks for Chester 1901, importer’s mark of Berthold Muller, modelled in a standing position, pull-off head, length 12.7cm, approx. weight 1.7oz. £100-150

642

643. A presentation silver cigar box. by Garrard and Co, London 1958, tapering rectangular form, the hinged cover engraved with a scene of a Minaret and building in Aden, the front with a presentation inscription, on four scroll feet, wood lined, length 31.5cm. £400-600

643

644. A modern silver model of a kingfisher, by Ammonite Ltd, Birmingham 1980, modelled perched on a branch, on a rectangular slate base, height 9.5cm. £200-250

644

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645. A silver model of a pheasant, by Neresheimer of Hanau, with London import marks for 1930, importer’s mark of Berthold Muller, modelled in a standing position, textured feathers, detachable head, length 28cm, height 19cm, approx. weight 14.5oz. £800-1,000

645

646. A Russian silver cigarette box, maker’s mark possibly that of M. Ivanov, assay master unknown, St. Petersburg 1876, modelled as a wooden cigar/cigarette box, with simulated wood effect, and with simulated paper labels and straps, inscribed, with traces of gilding, length 13.2cm, approx. weight 8.5oz. £1,000-1,500

646

647. A late 19th century Continental silver cow creamer, probably Dutch or German, modelled in a standing position, the head set with red eyes, the hinged cover set with a fly finial, length 13.5cm, approx. weight 5.9oz. £300-400

647

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648. A Victorian presentation silver hip flask, by Thomas Smily, London 1874, oval form, pull-off drinking cup, screw-off cover, engraved with a motto and crest, a monogram and with an image of St. Andrew with his cross, inscribed ‘Presented to R.H. Traill Esq. By The St. Andrews Rovers Football Club, 9th April 1875’, length 13.5cm, approx. weight 6.5oz. £350-400

649. A pair of Edwardian silver and enamel novelty pepper pots, by Louis Willmott, London 1907, modelled as mannequins, with moving arms and legs, pull-off enamelled heads, with pierced decoration, length 12.2cm. (2) £600-800

St. Andrew’s Rovers FC was a 19th century rugby football club, formed by people of Scottish origin living in London. It was based in Peckham Rye, London and R.H Trail was its first captain. The Club was disbanded in 1878.

650. A Victorian novelty silver port light inkwell, by Samuel Jacobs, London 1900, the light with a hinged cover and hinged loop attachment, with a glass liner, height 10cm. £300-400

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651. A Chinese miniature silver-gilt bird cage, marked to the underside with Chinese characters, circular wire-work form, ring terminal, the interior with a bird on a spring, height 8cm, approx. weight 1.6oz. £100-150

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652. A Victorian novelty silver pepper pot, by E. Stockwell, London 1873, modelled as an upturned mushroom, screw-off pierced cover, height 4.7cm, approx. weight 1.3oz. £300-400

653. A pair of Victorian novelty Eddystone Lighthouse pepper pots, by Deakin and Francis, Birmingham 1895, modelled as the lighthouse, pull-off pierced covers, engraved with windows, ladders and ‘1759’, the undersides inscribed ‘Smeaton’s Edystone [sic] Lighthouse’, one with a later presentation inscription, on a raised rocky circular base, height 12cm, approx weight 5.8oz. (2) £500-700 The Eddystone lighthouse is located approximately twelve miles SSW of Plymouth Sound. The first lighthouse on the site was a wooden structure constructed in 1698 by Henry Winstanley. The Smeaton lighthouse was the third lighthouse, made of granite and Portland stone. The light was first lit on 16 October 1759. Smeaton’s lighthouse was 59 feet (18 m) high and had a diameter at the base of 26 feet (8m). It was lit by a chandelier of twenty-four large tallow candles’, ref Wikipedia.’

654. A pair of late-Victorian novelty silver pepper pots, by Horace Woodward & Co Ltd, London 1897, modelled as shotgun cartridges, height 6cm, plus a single lateVictorian novelty silver shotgun cartridge pepper pot, London 1899, the screw-off cover with traces of enamel, approx. total weight 2.8oz. (3) £200-300

655. An Edwardian novelty silver table cigar lighter, by the Goldsmiths and Silversmiths Company, London 1906, modelled as a hobby horse, with a saddle, length 10.5cm, approx. weight 2.2oz. £150-200 Provenance: The late Greta Morrison, widow of Bryan Morrison.

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open 656. An unusual early George III silver ‘double’ snuff box, unmarked circa 1800, oblong form, the covers each with two hinges, with a crest and initials, length 9cm, approx. weight 2.9oz. £100-150 The crest is that of Chiseldine.

657. A Victorian silver cream jug, by Stephen Smith, London 1846, baluster form, scroll handle, engraved foliate scroll decoration, gilded interior, on a circular foot, engraved with a monogram, approx. weight 5.8oz. £100-150

reverse 658. A metal game counter, oblong form, brass one side, the other chrome plated, with four counting dials, inscribed in English and French for Hares, Pheasants, Partridges and Rabbits, with a ring attachment, length 7cm. £400-600

659. A Victorian silver goblet, by J and E Barnard, London 1873, urn shaped bowl with shell, drape and palm decoration, on a tapering stem on a raised circular foot, gilded interior, height 15.9cm, approx. weight 6.6oz. £100-150

reverse 660. A Victorian silver boarding school prize token, unmarked, circa 1841, circular form, ring terminal, inscribed ‘Summer Hill Boarding School Near Bristol conducted by Mr. Stone’, the reverse inscribed ‘Awarded to Master Henry Mais for producing the best specimen of Penmanship, Midsumr. 1841’, diameter 5.3cm, approx. weight 0.5oz. £150-200

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661. A Victorian West Country silver mug, by J and J Williams, Exeter 1874, tapering circular form, scroll handle, engraved with an armorial, height 11.4cm, approx. weight 10oz. £100-150 The arms are that of Stancomb of Blount’s Court and Trowbridge.

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EXBURY HOUSE HAMPSHIRE LOTS 662 TO 692

The following 31 lots are being sold on behalf of the Exbury House Trustees as part of a selection of contents of the house, to be sold across a number of sales in diďŹ&#x20AC;erent specialisms. Exbury House was purchased by Lionel de Rothschild in 1919 and has remained in the family ever since. The spectacular 200 acre gardens, which are open to the public, have a world renowned collection of rhododendrons, azaleas, camellias and other rare shrubs and plants.

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part

λ 662. A mixed lot of silver items, comprising: a Victorian silver-mounted glass inkwell, London 1884, a silver and tortoiseshell wishbone desk clip, London 1899, on a heart-shaped base, a teapot, (lacking handle), a capstan inkwell, a glue pot, a pierced dish, a Kiddish cup, a pair of small dishes, six unmarked circular dishes, a miniature toy of a man on a swing, an ashtray set with a coin, a small modern clock, a set of four small salt cellars and a napkin ring, plus a pair of Pakistani metalware dishes, cased, an Indian/Burmese cigarette box, a medallion and a tea strainer, approx. weighable 24oz. (qty) £300-500

663. A quantity of old Sheffield and electroplated items, comprising: a Mappin and Webb condiment set, the underside stamped Cunard approved, comprising: four sugar casters, five salt pots, five pepper pots and two mustard pots, plain cylindrical form, a six egg cup frame, with six spoons, a cocktail shaker, a chafing dish and cover, three oval meat platters, a tray, two pairs of toast racks, another toast rack, a tea pot, two glue pots, a horn cup, two cruet frames, (a.f), a wine funnel, two inkstands, two pairs of entrée dishes and covers, two entrée dish bases, a pair of coasters and other items including flatware. (qty) (Three boxes) £300-500

Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

664. A mixed lot of silver condiments, comprising: four George III pepper pots, baluster form, flame, acorn and urn finials, London 1769-1808, plus another pepper pot, plus three silver-mounted glass condiment bottles, by Sebastian Garrard, London 1912, approx. weighable 10oz. (8) £300-400

665. A mixed lot of silver flatware, comprising: four George III tablespoons with later pierced and embossed berry and scroll decoration, by George Day, London 1813, plus an Apostle spoon, by T. Bradbury, London 1946, and a Reed and Shell table knife, approx. weighable 9.9oz. (6) £100-150

Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

Provenance: Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

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666. A 19th century Continental silver-gilt tazza base, unmarked, the stem modelled as a classical female supporting an oval bowl holder, on a raised circular foot with mythical beast scroll supports, height 8.2cm, plus a pair of gilt-metal stands modelled as rampant deer holding urns, with a mythical dolphin support, on shaped pierced bases, height 13.2cm, plus two agate dishes. (5) £200-300 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

667. A pair of Edwardian dwarf silver candlesticks, by The Goldsmiths and Silversmiths Company, London 1901, oval fluted form, on raised fluted oval bases with reeded borders, height 11.5cm, plus a pair of electroplated dwarf three-light candelabra, of similar form, plain scroll arms, height 18cm. (4) £200-300 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

668. A pair of Victorian parcel-gilt silver handled rock crystal double salt cellars, one by Robert Garrard, London 1875, the other unmarked, the handles of trailing grapevine form, mounted with two hounds chasing a stag, height 14cm, length 13cm. (2) £300-500

669. Retailed by Tiffany and Co., an Italian silver-gilt and silver table ornament, the silver-gilt stand of raised square form, canted corners with a detachable silver flower ornament, height 18.5cm, approx. weight 16.2oz. £300-400

Provenance: Alfred de Rothschild (1842-1918) Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

Provenance: Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

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670. A William IV silver table bell, by J and J Angell, London 1830, faceted baluster handle, engraved with a crest, height 13.5cm, approx. weight 7.1oz. £800-1,200 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

672. A pair of Victorian silver candlesticks, by The Harrison Brothers, Sheffield 1889, Corinthian column form, with trailing ivy decoration, beaded borders, detachable drip pans, on stepped square bases with beaded borders, height 16.3cm. (2) £150-200 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

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671. A William IV silver cream jug, by Charles Fox, London 1832, baluster form, embossed foliate decoration, scroll handle, on three shell capped scroll legs on shell feet, height 14.4cm, approx. weight 7.2oz. £150-200 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

673. A modern commemorative silver goblet, celebrating the Queen’s silver wedding anniversary, by Asprey and Co. Limited, London 1972, urn shaped bowl, engraved with the Royal ciphers of Queen Elizabeth II and Prince Phillip, on a raised knopped stem on a circular foot, the foot dated ‘1947-1972’, height 14.8cm, approx. weight 8.9oz. £100-150 Provenance: Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

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674. A pair of early 19th century old Sheffield plated three-light candelabra, unmarked, circa 1830, tapering lobed circular columns, leaf capped scroll arms, campana shaped capitals with detachable foliate scroll drip pans, and with central detachable flame finials, on raised lobed circular bases with foliate borders, height 62.5cm. (2) ÂŁ300-500 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

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675. A late 18th century German silver snuff box, maker’s mark ?DS, also with a crowned D, rectangular form, the hinged cover with engraved foliate scroll decoration, rope-work border, gilded interior, length 8.2cm, plus another snuff box, probably German, maker’s mark of CFS, oblong form, engine-turned and foliate decoration, with initials, length 13.3cm, approx. weight 7.7oz. (2) £300-500

676. A gold and enamel hanging ornament, unmarked, modelled as a foliate swag with vari-coloured enamel decoration, length 3.7cm, approx. weight 13.4g. £150-200 Provenance: Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

677. An Edwardian silver cigarette box / vesta box, by William Wright, London 1901, rectangular form, the hinged cover set with print of a hunting scene under glass, wood lined interior, the reverse applied with a metal striker, length 11cm. £100-150 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

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678. By A. E. Jones, a set of three Arts and Crafts silver four-bar toast racks, Birmingham 1924, rectangular form, with a wire-work scroll handle, the ends applied with four square foliate motifs, on four ball feet, (one ball foot missing), length 7cm, approx. weight 6.8oz. (3) £150-200 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

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679. A rare Edwardian novelty silver Suffragette pepper pot, by Saunders and Shepherd, Chester 1908, modelled as standing lady wearing a bonnet, and holding two placards faintly inscribed on ivorine ‘VOTES FOR WOMEN’, the reverse with ‘WE CAN MAKE THINGS HOT FOR YOU’, height 8.3cm, approx. weight 1.5oz. £1,000-1,500 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

679

680. A Victorian novelty silver golf club sealing wax holder / vesta case / stamp case, by Samuel Jacob, London 1895, modelled as a wood, the head for vestas, with a hinged cover, with a stamp holder, and with a striker for vesta, the tapering stem with a pull-off cover and with a hole for a match, length 29.5cm, approx. weight 2.1oz. £300-400 680

Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

681. A pair of late-Victorian silver novelty horn pepper pots, by Wright & Davies, London 1896, modelled as hunting horns, with traces of gilding to the underside, height 11.8cm, approx. weight 2.6oz. (2) £200-300 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

681

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682. A pair of 18th century silver wine coasters, unmarked, probably Irish circa 1780, circular form, pierced and embossed with figures, birds and foliate scroll decoration, rope-work borders, wooden bases, engraved with a crest, diameter 14.3cm, height 6.3cm. (2) £800-1,200 The crest is that of Newcome. Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

682

683. A George III silver coffee pot, possibly by Abraham Portal, London 1765, baluster form, scroll handle, leaf capped spout, domed hinged cover with a fluted finial, engraved with two crests with foliate scroll mantling, on a raised circular foot, height 26cm, approx. weight 25oz. £700-900 The crest is that of Cresswell (London and Northumberland). Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

683

684. A Victorian silver salver, by Edward Hutton, London 1891, circular form, gadroon and foliate border, the centre with a vacant cartouche within foliate mantling, on three fluted bracket feet, diameter 32cm, approx. weight 31oz. £300-500 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

684

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685. A pair of early-Victorian silver entrée dishes and covers, by Benjamin Smith, London 1843, shaped oval form, moulded borders, the pull-off covers with matched detachable fluted scroll handles, length 29.8cm, approx. weight 100oz. (2) £1,500-2,000 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

685

686. An 18th century Irish silver two-handled cup with a later cover, probably by William Williamson, Dublin circa 1760, the cover by John Le Bas, Dublin circa 1810, circular form, later chased foliate scroll decoration, leaf capped flying scroll handles, central girdle, the cover with chased decoration and with a rose finial, on a raised circular foot, height 24cm, approx. weight 40oz. £600-800 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

686

687. A modern Britannia standard silver saucepan, by C. F. Hancock and Co, London 1991, plain circular form, with a turned wooden tapering handle, diameter 20cm, approx. weight 33.5oz. £500-700 Provenance: Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

687

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detail of marks

688. A 17th century Dutch silver-mounted green glass shaft and globe bottle, probably by Hans C. Brechtel, The Hague 1664, the mounts with pierced and embossed foliate and flower decoration, with damage, the cover with a silver-mounted cork stopper, embossed with a reclining cherub, height 29.5cm. £1,000-2,000 Provenance: Alfred de Rothschild (1842-1918) Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House. The item appears on the 1918 Halton valuation schedule, catalogued as ‘A green glass decanter, with silver mounts’. Two similar bottles, by The Hague Silversmith Adriaen Van Hoecke, circa 1665 were sold at Hannam’s Auctioneers in Hampshire in January 2019. A similar example can be found in the Metropolitan Museum of Art, New York.

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688

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689. A pair of 17th century silver-gilt German tazza tops with Victorian silver-gilt bases, the two detachable bases by Robert Hennell, London 1841, the tops Nürnberg, possibly by Johann Eißler, circa 1680, circular form, one embossed with reclining classical figures, and ribbon-tied garlands of flowers, with 19th century initials, the other embossed with birds, war trophies, sheep and fish, with ribbon-tied foliate decoration, with an armorial and date 1681, the bases of raised circular form, embossed foliate decoration, with a hidden inscription: ‘Feb 10th 1842 This foot weighing 6oz 6dw was made to revive a dish of foreign manufacture and unknown assay’, the other with the same inscription but with scratch weight ‘6oz 3dw’, diameter 25.5cm, height 10.5cm, approx. weight 41oz. (2) £2,000-3,000 Provenance: Alfred de Rothschild (1842-1918) Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

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689

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690. A 19th century French silver part dinner service, two makers, Paris 1809-1819, makerâ&#x20AC;&#x2122;s marks JB over GA in a lozenge and A over LC in a lozenge, with a stiff leaf border, engraved with an armorial, comprising: eight dinner plates, a set of four larger plates, a large oval meat platter, three pairs of graduated meat platters, a pair of large circular platters, and a single circular platter, plus a matching German deep circular dish, by Hessenburg, Frankfurt, diameter of dinner plates 27.4cm, length of largest platter 62.5cm, approx. weight 940oz. (23) ÂŁ12,000-15,000 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

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690

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691. A French silver two-handled tureen and cover, by A. Risler and Carre, Paris, circa 1900-1920, circular form, foliate capped fluted side handles, the pull-off cover with engraved foliate decoration, bead and swag borders and with a large foliate cone finial, on a raised circular foot, length handle to handle 33cm, approx. weight 88oz. ÂŁ1,200-1,800 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

691

692. A pair of early 19th century French silver-gilt dishes, by Sixte-Simon Rion, Paris 1819-1838, circular form, embossed foliate and scroll decoration, diameter 23.2cm, approx. weight 17.6oz. (2) ÂŁ300-400 Provenance: Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House.

692

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OTHER PROPERTIES

693. A George IV silver wine coaster, by Benjamin Smith, London 1826, circular form, pierced and chased with foliate lattice decoration, the silver base engraved with a crest, motto and inscription, wooden underside, diameter 14.5cm. £400-600

694. A George III silver seven-bar toast rack, by Henry Green, London 1793, oval form, wire-work bars, with a central carrying handle, on four bracket feet, length 16.5cm, plus another similar George III toast rack, by R and T Makepeace, London 1793, length 16.5cm, approx. total weight 13.5oz. (2) £300-400

695. A George III silver swing-handled sugar basket, maker’s mark W?, London 1800, oval form, later engraved foliate scroll decoration, reeded border and swing-handle, engraved with a crest, length 17cm, approx. weight 9.3oz. £150-200

696. An Edwardian novelty silver ‘TOAST’ toast rack, by The Goldsmiths and Silversmiths Company, London 1907, the bars modelled as the letters of ‘TOAST’. on a lozenge base on four ball feet, length 11.5cm, approx. weight 3oz. £150-200

697. A George III silver wine coaster, by Solomon Hougham, London 1812, circular from, fluted decoration, gadroon border, the silver centre with a crest, diameter 15cm. £200-300

698. A George III silver toast rack, by Robert Hennell, London 1785, oval navette form, fluted ends, with wire-work bars and a central handle on five pinned silver stretchers, with a monogram, on four beaded bracket feet, length 26cm, approx. weight 9.6oz. £300-400

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699. A silver mug, by F.T Ray and Co, London 1936, baluster form, the scroll handle with cut-card and beaded decoration, on a circular foot, height 11cm, approx. weight 13.5oz. £100-150

700. A silver golf trophy cup, by Elkington and Co, Birmingham 1929, circular form, with crossed golf clubs, titled ‘Dunlop Golf Ball Hole in One Souvenir’, height 4.7cm, plus a silver golf trophy, maker’s mark partially worn, Chester 1903, modelled as three crossed golf clubs, with four golf balls, on a raised circular base, height 6cm. (2) £100-150

701. A Victorian silver christening bowl, by the Barnards, London 1873, circular form, embossed with panels of animals including an elephant, a lion and a pig, diameter 11.5cm, approx. weight 5.2oz. £100-150

702. A silver tazza, with import marks for London 1913, importer’s mark of Berthold Muller, lobed circular bowl, supported by a dolphin stem, on a raised lobed circular foot, height 14.5cm, approx. weight 7.9oz. £200-300

703. A George III Irish silver mug, by James Le Bas, Dublin 1812, tapering circular form, scroll handle, with bands of reeded decoration, initialled and crested, height 8.5cm, approx. weight 5oz. £100-150

704. A late-Victorian Irish silver sugar bowl, by West and Son, Dublin 1898, circular form, embossed foliate decoration, on three fluted hoof feet, diameter 9.7cm, approx. weight 3.2oz. £100-150

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705. A matched pair of George II Irish cast silver candlesticks, probably by Phillip Kinnersly or Peter Racine, Dublin 1728, one lacking date letter, knopped baluster form, spool-shaped capitals, on raised square bases with incurved corners, scratch weights to underside ‘14”8’ and ‘14”3’, height 17.3cm, approx. weight 28.8oz. (2) £2,000-3,000

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706. A set of three early 19th century Scottish provincial silver Fiddle pattern tablespoons, by Andrew Davidson, Arbroath circa 1840, the terminals with script initials, approx. weight 6oz. (3) £200-300

707. A collection of seven late 18th / early 19th century Scottish provincial silver spoons, comprising: an Aberdeen egg spoon, by William Byres, a salt spoon by R and R Keay, Perth, a Dundee teaspoon, marked with a pot of lilies four times, two Aberdeen condiment spoons by Rettie and Son and William Jamieson, and two teaspoons by William Hannay of Paisley, approx. total weight 2.2oz. (7) £150-200

708. An early 19th century Scottish provincial silver Fiddle pattern part canteen, by George Booth, Aberdeen circa 1820, the terminal initialled, comprising: a fish slice, a pair of basting spoons, a soup ladle, three tablespoons, four dessert spoons, three toddy ladles, a pair of sugar tongs, three teaspoons and a mustard spoon, approx. weight 38oz. (19) £800-1,200

709. A set of nine George III Scottish provincial silver Hanoverian pattern tablespoons, by William Scott, Dundee circa 1780, the terminals with a script initial, plus a pair of George III Scottish provincial Celtic-point pattern ladles, by William Scott, circa 1790, the terminals initialled, approx. weight 23oz. (11) £500-700

710. A George III Scottish silver Celtic Point pattern soup ladle, by Francis Howden, Edinburgh 1798, oval bowl, the terminal with initials, length 36cm, approx. weight 6.5oz. £120-180

711. Three 19th century Scottish provincial silver Fiddle pattern toddy ladles, by William Whitecross, Rettie and Son, and Emslie and Mollison, Aberdeen, the terminals with script initials oval bowls, approx. weight 3.2oz. (3) £150-200

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712. A collection of Scottish provincial silver spoons, the majority Iona and includes examples by Iain McCormick, Robert Anderson and John Heat, with Celtic, ship and cross decoration, approx. weight 5.5oz. (qty) £200-300

713. A George III Scottish provincial silver-mounted cowrie shell snuff box, probably by William Ritchie, Perth circa 1800, the flush-hinged cover with engraved decoration and with initials in a shield cartouche, length 9cm. £300-400

714. A Scottish provincial silver page marker and silver spoon, by William Robb, Ballater, the page marker of heart form, and with Edinburgh marks for 1908, inscribed ‘My Book and Heart must never part’, length 4.8cm, the spoon with a pierced terminal, and with Edinburgh marks for 1906, approx. weight 1.7oz. (2) £200-300

715. A Scottish provincial silver quaich, by Ferguson and McBean, of Inverness, with Edinburgh marks for 1902, circular form, the body with carved Celtic decoration, plain mounts, the centre with an inscribed button ‘Squab ASI’, length handle to handle 11cm. £200-300

716. A set of four 19th century Scottish provincial silver Fiddle pattern toddy ladles, by James Watson, Aberdeen circa 1850, oval bowls, the terminals with script initials, approx. weight 4.5oz. (4) £200-300

717. An Edwardian Scottish silver bowl, by Hamilton and Inches, Edinburgh 1906, circular form, spot-hammered decoration, on three mythical dolphin feet, height 7cm, approx. weight 5.7oz. £100-150

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718. A George II Scottish silver bullet teapot, by James Kerr, Edinburgh 1737, assay master’s mark lost, globular form, chased with foliate scroll decoration, the flush-hinged cover with a knop finial, the leaf capped scroll handles with wooden insulators, on a raised circular foot, the underside of the foot initialled ‘JC’, length handle to spout 24.5cm, approx. weight 22oz. £800-1,200

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719. A William IV Scottish silver tea caddy, probably by John McKell, Glasgow 1834, rectangular bombĂŠ form, embossed with pagodas and foliate and shell decoration on a matted background, with a lock, the hinged cover with a finial modelled as a seated Chinaman, on four foliate scroll bracket feet, with a pierced foliate scroll apron, engraved with a crest, the interior of the base with a fitting to hold a divider, height 19cm, approx. weight 29.3oz. ÂŁ1,500-2,000 The crest is that of Colley (Ireland).

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A COLLECTION OF ARTS AND CRAFTS & ART NOUVEAU SILVER BEING SOLD DUE TO RETIREMENT LIBERTY & CO.

720. By Liberty and Co., an Edwardian silver and enamel dressing table box, Birmingham 1909, quatrefoil form, the hinged cover with blue enamel decoration, with gilt highlights and stars, the base with a ribbon and reed border, length 6.8cm. £100-150

721. By Liberty and Co., an Edwardian silver and enamel box, Birmingham 1905, also stamped ‘CYMRIC’, tapering circular form, the pull-off cover enamelled with trailing flowers and leaves, diameter of base 6cm, approx. weight 1.2oz. £200-300

722. By Liberty and Co, an Edwardian silver and enamel box, Birmingham 1909, oval form, the hinged cover with green enamel decoration, with gilded foliate highlights, ribbon and reed border, the sides and base with engine-turned decoration, gilded interior, length 5.8cm, approx. weight 2oz. £200-300

723. Designed by Jessie M. King, for Liberty and Co., an Edwardian Arts and Crafts silver and enamel pin dish, Birmingham 1907, circular form, enamelled with four blue/green foliate motifs, punchbead decoration, diameter 9.5cm, approx. weight 1oz. £150-200

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724. By Liberty and Co, an Edwardian silver and enamel condiment spoon, Birmingham 1903, heart-shaped bowl, green and purple enamel decoration, length 7.7cm, approx. weight 0.2oz. £100-150

725. By Liberty and Co., an Arts and Crafts silver butter dish, Birmingham 1928, circular form, applied with foliate bosses and engraved with foliate scroll decoration, with a clear glass liner, diameter 13.7cm, approx. weighable 3.9oz. (2) £150-200

726. By Liberty and Co, an Edwardian silver card case, Birmingham 1904, plain rectangular form, green leather lined interior, length 8.5cm. £100-150

727. By W. H. Haseler for Liberty, a set of six silver and enamel teaspoons, Birmingham 1914, the tapering stems with chased decoration and with blue / green enamel circular finials, in a fitted case, the inside of the cover with ‘Liberty Regent Street, London’, approx. weight 2.8oz. (6) £300-400

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728. Designed by Jessie M. King, for W.H. Haseler, a pair of Edwardian Arts and Crafts silver and enamel pin dishes, Birmingham 1906, also with registration number Rd 479297, circular form, enamelled with four blue/green foliate motifs, punch-bead decoration, diameter 9.5cm, approx. weight 2.5oz. (2) £300-400 728

729. By Liberty and Co., an Edwardian Art Nouveau silver bowl, Birmingham 1901, also stamped ‘CYMRIC’, circular form, with stylised scroll and bead decoration, on four tapering bracket feet, diameter 10.7cm, approx. weight 6oz. £400-450 729

730. By Liberty and Co, an Edwardian Art Nouveau silver dish, Birmingham 1902, circular form, on a spread pierced five petal base, with stylised foliate decoration, with scroll supports, length of base 13.2cm, approx. weight 5.3oz. £300-500 730

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731. By Liberty and Co, a pair of Edwardian silver and enamel candlesticks, Birmingham 1907, faceted columns, beaded and rope-work borders, applied with silver and blue/green enamel rosettes, detachable drip pans, (one unmarked), on raised square bases, height 13.5cm. (2) £400-600

731

732

732. Designed by Archibald Knox for Liberty, an Edwardian silver box and cover, Birmingham 1903, also stamped ‘CYMRIC’, tapering circular form, embossed and chased with thorn decoration, pull-off slightly domed cover diameter of base 8.4cm, approx. weight 4.4oz. £300-400

733. By Liberty and Co., an Arts and Crafts silver butter dish and butter knife, Birmingham 1935, the knife 1937, oval form, applied with foliate bosses and engraved with foliate scroll decoration, with a clear glass liner, the knife with a stainless steel blade, length 16.8cm, approx. weighable 4.1oz. (2) £200-300 733

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734. By Liberty and Co, a matched three-piece Edwardian Art Nouveau silver cruet set, Birmingham 1901 and 1902, the mustard pot stamped CYMRIC, baluster form, embossed with heart motifs and spot-hammered decoration, on four scroll and pad feet, bifurcated scroll handle, with a blue glass liner, height 6.5cm, approx. weight 4.5oz. (3) £250-300

734

735. By Liberty and Co., an Arts and Crafts silver butter dish and butter knife, Birmingham 1927, the knife 1931, circular form, applied with foliate bosses and engraved with foliate scroll decoration, with a clear glass liner, the knife with an electroplated blade, diameter 14cm, approx. weighable 3.8oz. (2) £200-250 .

735

736. By Liberty and Co, a late-Victorian silver mustard pot, Birmingham 1900, baluster form, embossed with heart motifs and spot-hammered decoration, on four scroll and pad feet, bifurcated scroll handle, with a blue glass liner, height 6cm, approx. weight 1.8oz. £120-180

736

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737. By Liberty and Co., an Art Nouveau silver and enamel dish, Birmingham 1905, also stamped ‘CYMRIC’, rounded rectangular form, the ends with green / blue enamel Celtic strap decoration, length 17.8cm, approx. weight 2.6oz. £300-400

737

738

738. By Liberty and Co, a pair of Art Nouveau silver egg cups, Birmingham 1903, tapering circular form, on three tapering legs, height 3.3cm, approx. weight 1.7oz. (2) £200-300

R.E. STONE

739. By R. E. Stone, an Arts and Crafts silver two-handled quaich, London 1946, also signed ‘R.E Stone’, circular form, spot-hammered decoration, geometric angular side handles, length handle to handle 16.3cm, approx. weight 6.3oz. £120-150 739

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H.G. MURPHY

740. By H. G. Murphy, a commemorative silver bowl, London 1935, also marked with the Falcon mark, circular form, spot-hammered decoration, the centre set with a commemorative medallion of George V and Queen Mary, diameter 10cm, approx. weight 4oz. £250-300

741. By H. G. Murphy, a pair of Art Deco silver spoons, London 1929, also marked with the Falcon mark, the tapering handles engraved with a sailing boat and ‘E.C.O.D’, length 11.4cm, approx. weight 1oz. (2) £100-150

742. By H. G. Murphy, an Arts and Crafts silver caddy spoon, London 1928, shaped oval bowl, spot-hammered decoration, the shaped handle with engraved decoration, length 9.7cm, approx. weight 0.5oz. £200-300

743. By H. G. Murphy, an arts and Crafts silver bowl, London 1929, also marked with the Falcon mark, plain circular form, spot-hammered decoration, diameter 10cm, approx. weight 3.3oz. £100-150

744. By H. G. Murphy, a silver dish, London 1936, circular form, wavy-edge border, the centre set with a 1933 crown, diameter 10cm, approx. weight 4.2oz. £200-300

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745. By H. G. Murphy, a silver bowl, London 1932, also stamped with the Falcon mark, circular form, wavy-edge border, diameter 8cm, approx. weight 2.6oz. £250-300

746. By H.G. Murphy, an Arts and Crafts silver seven-bar toast rack, London 1929, the maker’s mark on the body erased and incised D.K, central tapering scroll wire-work handle, on a shaped circular base, diameter 18cm, approx. weight 15.5oz. £800-1,200

747. By H.G Murphy, a set of four Arts and Crafts silver napkin rings, London 1929, three applied with the Falcon mark, circular form, with various wirework and beaded decoration, in a fitted case, diameter 4.2cm, approx. weight 1.8oz. £500-700

748. By H. G. Murphy, a silver mug, London 1935, also marked with the Falcon mark, tapering circular form, spot-hammered decoration, fluted scroll handle, on a fluted foot, height 7.5cm, approx. weight 5oz. £200-300

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MURRLE BENNETT & CO.

749. An Arts and Crafts silver two-handled bowl, with import marks for London 1903, importer’s mark of Murrle Bennett & Co, circular tapering form, spot-hammered decoration, applied bead border, diameter 9cm, approx. weight 2.3oz. £150-200

749

CYRIL FROST

750. By Cyril James Frost, a silver candlestick, London 1945, the urn shaped capital on a double scroll stem, on a raised circular base, height 10cm, approx. weight 4.7oz. £100-150

750

J. ROUND

751. By John Round & Son Ltd, an Edwardian Art Nouveau silver sugar bowl and sifting spoon, Sheffield 1905, circular form, spot-hammered decoration, on three riveted strap-work legs with scroll feet, diameter of bowl 11.5cm, approx. weight 6.5oz. (2) £250-300 751

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THE SANDHEIM BROTHERS

752. By The Sandheim Brothers, an Arts and Crafts silver bowl, London 1918, circular form, spot-hammered decoration, the border applied with Celtic decoration and set with four amethyst cabochons, diameter 10.3cm, approx. weight 4.2oz. £300-400

752

W. HUTTON & SONS

753. By William Hutton and Sons, an Edwardian silver trinket box, Birmingham 1903, shaped oval form, plain domed hinged cover, the sides with Art Nouveau scroll decoration, on four pierced bracket feet, length 11cm, approx. weight 4.6oz. £200-300 753

754. An Edwardian Art nouveau silver casket, by William Hutton and Son, London 1902, rectangular form, spot-hammered decoration, crimped border, with two strap hinges mounted with chrysoprase cabochons, on four stylised bracket feet, wood lined, length 16.5cm. £400-600 754

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755. By William Hutton and Sons, an Edwardian silver and enamel pendant, Birmingham 1902, circular form, with a central foliate motif with green/blue enamel decoration, with a drop and a chain, in a case, diameter 2.2cm. £150-200

755

W. HASELER

756. By William Haseler, an Edwardian Art Nouveau silver and enamel pendant, Birmingham 1908, shaped form with wire-work and blue/green and purple enamel decoration, with a chain, length 2.5cm. £150-200

756

CHARLES HORNER

757. By Charles Horner, an Edwardian Art Nouveau silver and enamel necklace, Chester 1909, pierced circular form, with blue/green enamel decoration, and with a central white enamel circular, with two drops, in a later case, diameter 2.3cm. £150-200

757

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BERNARD INSTONE

758. By Bernard Instone, an Arts and Crafts silver christening spoon and napkin ring, Birmingham 1927, spot-hammered decoration, set with blue stone cabochons and wirework decoration, in a fitted case, length of spoon 11.5cm, approx. weight 0.9oz. (2) £120-150

759. By Bernard Instone, an Arts and Crafts silver and enamel cigarette case, Birmingham 1930, rectangular form, enamelled with trailing flowers ad leaves, on a blue background, length 8.4cm, approx. weight 3.9oz. £300-400

760. By Bernard Instone, a set of six Arts and Crafts silver coffee spoons, Birmingham 1925, spot-hammered terminals, with turquoise finials, in a fitted case retailed by Langstone Production, approx. weight 1.4oz. (6) £100-150

761. By Bernard Instone, an Arts and Crafts silver and enamel spoon, Birmingham 1927, the reverse of the stem signed ‘Bernard Instone’, the handle enamelled with fruit and foliage on a blue background, in a fitted case, length 12.3cm, approx. weight 0.7oz. £100-150

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TIFFANY & CO.

762. By Tiffany and Co, an American silver dish, John C. Moore period, 1907-1947, circular form, pierced foliate border, diameter 16cm, approx. weight 5.8oz. £100-150

763. By Tiffany and Co, an American silver strawberry dish and six strawberry forks, Edward Moore period, the dish of circular fluted form, the strawberry forks with two tines and pierced handles with a strawberry finial, diameter of dish 10.3cm, approx. weight 4.8oz. (7) £200-300

764. By Tiffany and Co, a pair of late-19th century American silver bonbon spoons and a pair of sifting spoons, Edward Moore period, the bonbon spoons with heart-shaped bowls and with an iris and violet finials, the sifting spoons with pierced shovel bowls, in a fitted case, approx. weighable 2.1oz. (4) £200-300

765. By Tiffany and Co., an American silver bonbon spoon, gilded heart-shaped bowl with pierced decoration, foliate finial, length 8.5cm, approx. weight 0.4oz. £100-150

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766. By Tiffany and Co, a 19th century American silver mug, 1870-75, circular form, scroll handle, beaded and chased borders, and applied with floral motifs, gilded interior, height 7.8cm, approx. weight 4.7oz. £200-300

767. By Tiffany and Co., a 19th century American silver hip flask, 1891-1902, shaped oval form, chased foliate scroll decoration, screw-hinged cover, engraved with initials, length 14.5cm, approx. weight 5.9oz. £300-400

768. By Tiffany and Co. an American silver dish, Edward Moore period, modelled as an oyster, on three scroll bracket feet, length 15.2cm, approx. weight 3.5oz. £100-150

769. By Tiffany and Co., a late 19th century American silver and silver-gilt pepper pot, Edward Moore period, 1873-1891, slight tapering circular form, applied with gilded dragonflies, the pull-off cover with pierced decoration and with a dragonfly finial, on a raised circular foot, height 10.5cm, approx. weight 1.8oz. £400-600

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A.E JONES

770. By A. E. Jones, a silver and enamel revivalist bowl, Birmingham 1932, circular form, with a central red and yellow enamelled Celtic circular plaque, the sides with three drop-ring handles above enamelled plaques, diameter 11cm, approx. weight 4.5oz. £200-300

771. By A. E. Jones, an Arts and Crafts silver bowl and spoon, Birmingham 1931, the spoon 1925, circular form, spot-hammered decoration, with four-hinged bunches of grapes, the spoon of plain spot-hammered form, diameter of bowl 10.4cm, and an A. E. Jones napkin ring, Birmingham 1924, approx. weight 6oz. (3) £80-120

772. By A. E. Jones, a pair of Arts and Crafts silver pepper pots and a pair of salt cellars, Birmingham 1919-24, circular form, with three angular scroll handles, spot-hammered decoration, the salts with blue glass liners, height of pepper 5.5cm, approx. weight 4.7oz. (4) £150-200

773. By A. E. Jones, a pair of Arts and Crafts silver napkin rings, Birmingham 1926 and 1927, circular form, spot-hammered decoration, applied with three triangular foliate motifs, in a fitted case, by an A. E. Jones silver dish, Birmingham, 1938, circular form, fluted decoration, approx. total weight 6.4oz. (3) £100-150

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774. By A. E. Jones, an Arts and Crafts silver caddy spoon, Birmingham 1920, fig-shaped bowl, spot-hammered decoration, with a square raised seal-top finial, and with two scroll supports, length 7.2cm, approx. weight 0.7oz. £150-200

775. By A .E. Jones, an Edwardian silver Art Nouveau caddy spoon, Birmingham 1909, heart-shaped bowl, the handle with pierced Art Nouveau foliate decoration and applied with a turquoise coloured glass cabochon, length 8.9cm, approx. weight 0.8oz. £150-200

776. By A .E. Jones, a silver Art Nouveau caddy spoon, Birmingham 1915, heart-shaped bowl, the handle with pierced Art Nouveau foliate decoration, length 8.5cm, approx. weight 0.7oz. £150-200

777. By A. E. Jones, an Arts and Crafts silver caddy spoon, Birmingham 1919, spot-hammered circular bowl, wire-work handle with a circular disc and ball finial, length 8.2cm, approx. weight 0.7oz. £100-150

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778. By A. E. Jones, an Arts and Crafts silver two-handled bowl, Chester 1922, circular form, scroll handles with foliate motifs, the body with a pierced border, on a raised circular foot, length handle to handle 27cm, approx. weight 12.5oz. £200-300

779. By A. E. Jones, an Arts and Crafts silver cigarette box, Birmingham 1926, rectangular form, spot-hammered decoration, the slightly domed hinged cover with a husk border, the interior wood lined, on four bun feet, length 19.8cm. £200-300

780. By A. E. Jones, an Arts and Crafts silver two-handled dish, Birmingham 1910, circular from, spot-hammered decoration, the scroll handles set with red cabochons, pierced foliate border, on a circular foot, length handle to handle 26.3cm, approx. weight 10.2oz. £200-300

781. By A. E. Jones, and Arts and Crafts silver wine coaster, Birmingham 1934, circular form, applied with four square foliate motifs, turned wooden base, diameter 13.8cm. £200-300

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782. By A. E. Jones, an Arts and Crafts silver bowl, Chester 1922, circular bellied form, cast and pierced border, spot-hammered decoration, on a raised circular foot with a cast foliate border, diameter 19cm, approx. weight 16.3oz. £300-400

783. By A. E. Jones, an Arts and Crafts silver two-handled dish, Birmingham 1911, circular from, spot-hammered decoration, the scroll handles set with red cabochons, pierced foliate border, on a circular foot, length handle to handle 25.8cm, approx. weight 8oz. £200-300

784. By A. E. Jones, an Arts and Crafts silver preserve pot and cover, Birmingham 1919, cylindrical form, spot-hammered decoration, rope-work borders and with three Tudor roses, the domed pull-off cover with a fluted oval finial, on a circular foot, with a clear glass liner, height 12.3cm, approx. weight 3.9oz. £250-300

785. By A. E. Jones, an Arts and Crafts silver two-handled dish, Birmingham 1916, circular form, spot-hammered decoration, with two wire-work handles with rose medallions, on a raised circular foot, diameter handle to handle 25.5cm, approx. weight 5.9oz. £100-150

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786. By A. E. Jones, an Arts and Crafts silver two-handled dish, Birmingham 1913, shallow circular form, scroll handles with ball motifs, the body with a punch bead border, length handle to handle 27.5cm, approx. weight 9.3oz. £200-300

787. By A. E. Jones, a pair of Arts and Crafts silver and wood candlesticks, Birmingham 1924, with twisted barley stem columns, spot-hammered mounts and capitals, on a raised circular base with rope-work borders, height 17.3cm. (2) £300-400

788. By A. E. Jones, an Arts and Crafts silver tree of life bowl, Birmingham 1920, circular form, spot-hammered decoration, with a pierced foliate scroll border, and with two cast tree of life handles, on a raised circular foot, diameter handle to handle 26.8cm, approx. weight 13.9oz. £300-400

789. By A. E. Jones, an Arts and Crafts silver bowl, Birmingham 1912, circular form, spot-hammered decoration, on three long hexagonal bracket feet, diameter 16.5cm, approx. weight 11.7oz. £400-450

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790. By A. E. Jones, a revivalist silver mug, Birmingham 1938, tapering circular form, mythical beast scroll handle, the body applied with a dog and ‘Benricus Ceptimus’, and with initials and a date, height 14.5cm, approx. weight 13.7oz. £150-200

791. By A. E. Jones, an Arts and Crafts silver two-handled bowl, Birmingham 1925, circular form, spot-hammered decoration, with a pierced side handles, on a raised circular foot, diameter handle to handle 28cm, approx. weight 9.4oz. £100-150

792. By A. E. Jones, an Arts and Crafts silver sugar caster, circular bellied form, spot-hammered decoration, the body applied with rosettes and with a swag border, on a raised circular foot, height 17.5cm, approx. weight 5.3oz. £120-150

793. By A. E. Jones, an Arts and Crafts silver two-handled bowl, Birmingham 1928, circular form, spot-hammered decoration, the side handles applied with grapes and vine leaves, on a raised circular foot, diameter handle to handle 23.2cm, approx. weight 11.5oz. £250-300

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E.S. BARNSLEY

794. By E.S. Barnsley, an Edwardian Art Nouveau silver three-handled bowl, Birmingham 1908, circular tapering form, with three trifurcated scroll handles terminating in pad feet, diameter 22cm, approx. weight 31.oz. £400-600

794

P. ALEXANDER

795. By Philip Frederick Alexander, an Arts and Crafts silver bowl and cover, London 1913, circular form, spot-hammered decoration, the pull-off cover with a ball finial, on a circular foot, diameter 15cm, approx. weight 16.4oz. £500-700

795

796. By Philip Frederick Alexander, an Arts and Crafts silver tazza, London 1913, circular form, spot-hammered decoration, on a raised circular foot, with a reeded knopped stem, diameter 24.7cm, height 15cm, approx. weight 28.7oz. £500-700

796

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A.E. BONNER

797. By A. E. Bonner, an Edwardian Arts and Crafts silver centre-piece, London 1907, circular form, spot-hammered decoration, set with alternate blue enamel and chrysoprase cabochons, with two rope-work borders, on six tapering legs, with fluted feet, and with a central chrysoprase cabochon, height 17.2cm, diameter 18.4cm, approx. weight 27.2oz. ÂŁ1,500-2,000

798. By A. E. Bonner, an Arts and Crafts silver dish, London 1907, circular form, with a border of alternated stamped bead and two-coloured green enamel cabochons, on three scroll strap legs, diameter 9.8cm, approx. weight 2.7oz. ÂŁ200-300

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799. By A. E. Bonner, an Arts and Crafts silver spoon, London 1914, oval bowl, the finial of pierced heart form and set with a chrysoprase cabochon, length 19.2cm, approx. weight 1.5oz. £150-200

800. By A. E .Bonner, an Arts and Crafts silver caddy spoon and teaspoon, London 1915 and 1911, the caddy spoon with a fig-shaped bowl and fish terminal, the teaspoon with a terminal of three fish, approx. weight 1oz. (2) £150-200

R. HEWETT & CO.

801. By R. W. Hewett & Co., An Edwardian Art Nouveau silver and enamel butter knife and jam spoon, Birmingham 1905, the stylised terminals with dark and light blue enamel decoration, the jam spoon bowl chased with a dolphin, approx. weight 1oz. (2) £150-200

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802. A small collection of modern spoons, comprising: a set of six Liberty coffee-bean end spoons, Birmingham 1922, with different coloured stone finial, in a fitted Liberty case, a spoon by A. E. Jones, Birmingham 1913, with a flower finial, a spoon by R. E. Stone, London 1977, and a seal-top spoon by The Goldsmiths and Silversmiths Company, London 1953, approx. weight 4.5oz. (9) £150-200

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LAWSON & CO.

G. DAHLGREN

803. By Lawson & Co, a set of three Edwardian Scottish Art Nouveau silver egg cups and spoons, Glasgow 1905, circular form, spot-hammered decoration, on three sinuous scroll supports, on raised circular bases, with three egg spoons, approx. weight 6.7oz. (3) £120-150

804. By G. A. Dahlgren, a Swedish silver tea strainer and stand, Malmo 1906, circular form, spot-hammered decoration, pierced foliate handle, the stand of circular form, with a wirework support on fluted mounts, length 17cm, approx. weight 4.5oz. (2) £100-150

THE ARTIFICERS’ GUILD

KESWICK SCHOOL OF INDUSTRIAL ARTS

805. By The Artificers’ Guild, an Arts and Crafts silver dish, London 1929, circular form, spot-hammered decoration, diameter 21.5cm, approx. weight 11.2oz. £120-150

806. By the Keswick School of Industrial Arts, a pair of Edwardian silver napkin rings, Chester 1908, circular form, embossed with ribbons and swags on a matted background, diameter 4.5cm, approx. weight 1.5oz. £100-150

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THE GUILD OF HANDICRAFT AND GEORGE HART

807. By George Hart for The Guild of Handicraft, a modern commemorative Worshipful Company of Founders silver spoon, London 1965, fig-shaped bowl, the reverse of the bowl inscribed ‘1365-1965’, ‘G.W.I’, the stem inscribed ‘If you love me- keep me ever, that’s my desire- and your endeavour’, length 18.8cm, approx. weight 2.9oz. £200-300

808. By The Guild of Handicraft Limited, an Arts and Crafts silver bowl, London 1907, circular form, embossed with a garland of flowers and fruit, spothammered body, diameter 15.7cm, approx. weight 8oz. £400-600

This spoon is a replica of the spoon which Humphrey Bowen gave to the Mystery of Founders of The City of London in 1625. It was given to mark the 600th anniversary of the granting of Ordinances in 1365.

LESLIE DURBIN

809. By Leslie Durbin, a modern silver sugar caster, London 1963, tapering circular form, ball finial, pierced with stars and circles, on a raised circular foot, bayonet fitting base, height 12.7cm, approx. weight 4.3oz. £100-150

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810. By Leslie Durbin, a modern silver paper knife, London 1974, tapering form, the finial pierced and applied with an oak tree, in a fitted cardboard box, length 30.7cm, approx. weight 2oz. £100-150

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811. By Leslie Durbin, a set of four modern commemorative silver wine labels, London 1953, (two sizes of punches), celebrating the Queen’s Coronation, broad rectangular form, with two rampant lions and with a crown finial, incised ‘BENEDICTINE’, ‘MARASCHINO’, ‘PORT’, and ‘SHERRY’, length 6.2cm, approx. weight 4oz. (4) £400-600

812. By Leslie Durbin, a set of six modern commemorative silver wine labels, London 1953, celebrating the Queen’s Coronation, broad rectangular form, with two rampant lions and with a crown finial, incised ‘GRAND MARNIER’, ‘CHERRY BRANDY’, ‘BOURBON’, ‘CREME DE MENTHE’, ‘YELLOW CHARTREUSE’ and ‘LIQUEUR BRANDY’, length 6.2cm, approx. weight 6oz. (6) £600-800

813. By Leslie Durbin, a silver butter dish and butter knife, London 1954, the knife London 1957, oblong form, applied castellated border, with a frosted glass liner, length 16cm, approx. weight 6.1oz. (2) £200-250

814. By Leslie Durbin, a pair of Arts and Crafts silver mounted wooden pepper mills, London 1953, baluster form, with silver covers and tapering cone and foliate finials, the bases with reeded decoration, height 10.7cm. (2) £200-300

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815. By Leslie Durbin, an Arts and Crafts silver wine coaster, London 1953, tall circular form, spot-hammered decoration, reeded borders, turned wooden base, diameter 13.3cm. £200-300

815

816. By Leslie Durbin, a pair of Arts and Crafts silver casters, London 1953, circular bellied form, with pierced holes and fish finials, reeded borders, on a reeded circular foot, with a bayonet fitting base, height 11.8cm, approx. weight 8oz. (2) £200-300

816

817 detail

817. By Leslie G. Durbin, a modern silver two-handled bowl, London 1980, circular form, the scroll handles mounted with children, one having a splint, spot hammered decoration, on a circular foot, diameter 12cm, approx. weight 8.7oz. £300-400

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818. By Leslie Durbin, an Arts and Crafts silver-mounted mazer bowl, London 1950 circular form, the tapering mount with rope-work borders and engraved decoration, on a raised circular foot, diameter 16.5cm £700-900

818

819. By Leslie Durbin, a pair of modern silver candlesticks, London 1973, tapering circular capitals, the stems modelled as three swimming fish, mounted on cockle bases, height 8.8cm, approx. weight 10.3oz. (2) £500-700

819

820. By Leslie G. Durbin, a modern silver two-handled bowl, London 1982, circular form, the scroll handles mounted with children, one having a splint, spot hammered decoration, on a circular foot, diameter 12cm, approx., weight 9.7oz. £300-400

820

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HUGH WALLIS

821. By Hugh Wallis, an Arts and Crafts silver bowl, Chester 1917, circular form, rope-work border, spot-hammered, fluted and foliate decoration, on a foot made up of twelve bun feet, diameter 13.5cm, approx. weight 10.8oz. £500-700

821

JAMES FENTON

822. By James Fenton, a pair of Edwardian silver and enamel tot cups, Birmingham 1906, circular bowls, slender stems on raised circular bases with dark and light blue enamel scroll decoration, height 8.6cm, approx. weight 1.5oz. £100-150

822

F. COURTHOPE

823

186

823. By F. Courthope, a pair of Edwardian Arts and Crafts silver shell butter dishes, London 1901, shell form, wavy-edge and pierced border, on four pierced and stylised hoof feet, length 13.8cm, approx. weight 12.5oz. (2) £200-300

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OMAR RAMSDEN & ALWYN CARR, AND OMAR RAMSDEN

824. By Omar Ramsden, an Arts and Crafts silver bowl, London 1937, also engraved ‘OMAR RAMSDEN ME FECIT’, lobed circular form, spot-hammered body, with ribbed and ball decoration, on a circular foot, diameter 11.5cm, approx. weight 6.6oz. £600-800

824

825. By Omar Ramsden, an Arts and Crafts silver small travelling communion cup, London 1935, also engraved ‘OMAR RAMSDEN ME FECIT’, tapering circular bowl, on a knopped stem, on a raised circular foot, height 7.8cm, approx. weight 2.5oz. £200-250

825

826. By Omar Ramsden, an Arts and Crafts silver bowl, London 1935, also engraved ‘OMAR RAMSDEN ME FECIT’, circular tapering bowl, spot-hammered decoration, on a raised circular foot, with rope-work borders, the underside inscribed ‘To E.A.L & L.L From M.M.L.H - M.E.G & G.H.H APL14 1856-1936’, gilding to underside of foot, diameter 11.5cm, approx. weight 8oz. £300-400

826

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827. By Omar Ramsden, a pair of Arts and Crafts silver salt spoons, London 1927, square seal-top finials, the stems with twisted decoration, length 7.4cm, approx. weight 0.3oz. (2) £100-150

828. By Omar Ramsden and Alwyn Carr, a pair of Arts and Crafts silver salt spoons, London 1910, tapering handles, spot-hammered decoration, length 9.8cm, approx. weight 0.6oz. (2) £100-150

829. By Omar Ramsden, an Arts and Crafts silver cigarette case, London 1921, plain shaped rectangular form, spot-hammered decoration, length 9.4cm, approx. weight 3.6oz. £100-150

830. By Omar Ramsden, an Arts and Crafts silver snuff box, London 1932, also engraved ‘OMAR RAMSDEN ME FECIT’, shaped oblong form, spot-hammered decoration, the hinged cover with a chased border, length 6.2cm, approx. weight 1.4oz. £200-300

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831. By Omar Ramsden, an Arts and Crafts silvermounted crucifix, London 1933, also engraved ‘OMAR RAMSDEN ME FECIT’, the hardwood cross mounted with Christ below ‘INRI’, with a loop attachment, length 12.6cm. £600-800

831

832. By Omar Ramsden, a set of six Arts and Crafts silver teaspoons, London 1932, oval bowls, spot-hammered decoration, the terminal with a flower motif, in the original wooden case, the inside of the hinged cover written on silk ‘OMAR RAMSDEN Artist Goldsmith, London, England’, length 9.6cm, approx. weight 2.3oz. (6) £400-600

832

833. By Omar Ramsden, an Arts and Crafts silver-mounted scent bottle, London 1919, shaped rectangular green glass body, screw-off cover with spot-hammered decoration, a bird motif and a rope-work border, height 14.7cm. £300-400

833

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834. By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver goblet, London 1907, circular spot-hammered bowl, on a lobed stem with scroll motifs, on a raised circular foot, height 10.2cm, approx. weight 4.8oz. £600-800

834

835. By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver goblet, London 1910, also engraved ‘OMAR RAMSDEN ET ALWYN CARR ME FECERUNT’, circular spot-hammered bowl, on a cast foot with bunches of grapes and foliate decoration, on a raised circular foot, inscribed ‘J. F. BURTON FROM LADY AITCHISON 1912’, height 12cm, approx. weight 5.4oz. £800-1,200

835

836. By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver goblet, London 1917, also engraved ‘ALWYN CARR ME FECIT’, circular spot-hammered bowl, on a lobed stem with heart motifs, on a raised circular foot, inscribed ‘I WAS WROUGHT FOR JOHN MENZIES KAY IN 1920’, height 11.7cm, approx. weight 3.5oz. £500-700

836

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837. By Omar Ramsden, an Arts and Crafts silver caddy, London 1929, also engraved ‘OMAR RAMSDEN ME FECIT’, shaped square and lobed cushion form, the pull-off cover (unmarked), with a fluted finial with eight fluted scroll supports and inscribed ‘ARS LONGA VITA BREVIS ‘, height 12.5cm, approx. weight 18.3oz. £1,500-2,000

837

838. By Omar Ramsden, an Arts and Crafts silver tazza, London 1926, also engraved ‘OMAR RAMSDEN ME FECIT’, circular tapering bowl, spot-hammered decoration, on a cast baluster stem pierced shields and scroll motifs, on a spread shaped circular foot, height 13.8cm, approx. weight 12.4oz. £700-900

838

839. By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver pot and cover London 1911/12 also engraved ‘OMAR RAMSDEN ET ALWYN CARR ME FECURUNT MXII’, circular tapering form, embossed with grotesque masks and set with four oval chrysoprase cabochons, spot-hammered decoration, the tapering pull-off cover with a chrysoprase finial, on four pierced sinuous bracket feet, height 9.5cm, approx. weight 5.3oz. £1,500-2,000 839

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840. By Omar Ramsden, a three-piece Arts and Crafts silver condiment set, London 1933, the salt and pepper also engraved ‘OMAR RAMSDEN ME FECIT’, tapering hexagonal form, spot-hammered decoration, rope-work borders, the mustard with a scroll handle and domed hinged cover and clear glass liner, height 6.4cm, approx. weight 6.9oz. (3) £500-700

840

841. By Omar Ramsden, an Arts and Crafts silver mustard pot and spoon, London 1930, also engraved ‘OMAR RAMSDEN ME FECIT’, the spoon 1932, baluster form, spot-hammered decoration, embossed with Tudor roses and trailing rosebushes, scroll handle, domed cover, with a later blue glass liner, the spoon with a twisted stem, approx. weight 4oz. (2) £400-600

841

842. By Omar Ramsden, a matched pair of Arts and Crafts silver salt cellars / dishes, London 1931 and 1932, also engraved ‘OMAR RAMSDEN ME FECT’, tapering rectangular form, with a pierced intertwined scroll and berry border, on four pierced sinuous feet, length 9.6cm, approx. weight 6.3oz. (2) £300-400 842

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843. By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver caddy / pot and cover, London 1916, engraved ‘OMAR RAMSDEN ET ALWYN CARR ME FECERUNT’, circular bellied form, spot-hammered decoration, the pull-off cover with a Tudor rose, rope-work border, height 8.5cm, approx. weight 6.3oz. £700-900

843

844. By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver pepper pot, London 1910, baluster form, embossed with Tudor roses and trailing stems, inscribed ‘Young Laughter Makes The Old World Gay’, on a circular foot, height 9.8cm, approx. weight 2oz. £300-500

844

845. By Omar Ramsden, an Arts and Crafts silver jam pot cover and glass jam pot, London 1933, also engraved ‘OMAR RAMSDEN ME FECIT’, the cover of circular tapering form, spot-hammered decoration, cast foliate and thistle finial, the glass jar of plain cylindrical form, plus a long handled spoon, by William Hutton and Sons, Sheffield 1926, height 15.5cm, approx. weight 5.5oz. (2) £200-300

845

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846. An Edwardian Arts and Crafts silver cigarette box, over-stamped with maker’s mark of Omar Ramsden and Alwyn Carr, town and date mark worn, possibly Birmingham made and bought in, rectangular form, spot-hammered cover with raised foliate decoration, textured sides, the interior wood lined, length 14cm. £200-300

846

847. By Omar Ramsden, an Arts and Crafts silver bowl, London 1933, also engraved ‘OMAR RAMSDEN ME FECIT’, circular tapering bowl, spot-hammered decoration, on a raised circular foot with two bands of rope-work decoration, diameter 12.3cm, approx. weight 9.2oz. £300-400

847

848. By Omar Ramsden, an Arts and Crafts silver cigarette box, London 1931, also engraved ‘OMAR RAMSDEN ME FECIT’, square form, spot-hammered decoration, plain hinged cover, the interior wood lined, length 10.3cm. £200-300 848

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849. By Omar Ramsden, an Arts and Crafts silver tazza, London 1938, also engraved ‘OMAR RAMSDEN ME FECIT’, circular tapering bowl, spot-hammered decoration, on a cast baluster stem with rams heads and chased decoration, on a spread circular foot with fish scale decoration, height 8cm, approx. weight 8.4oz. £500-700

849

850. By Omar Ramsden, an Arts and Crafts silver regimental rose water dish, London 1926, also engraved ‘OMAR RAMSDEN ME FECIT’, circular form, spot-hammered decoration, the raised centre engraved with the badge of ‘The 22 London Regiment, The Queen’s’, diameter 25.7cm, approx. weight 19.2oz. £700-900

850

851. By Omar Ramsden, an Arts and Crafts silver tazza, London 1931, also engraved ‘OMAR RAMSDEN ME FECIT’, circular tapering bowl, spot-hammered decoration, on a cast baluster stem with cherub heads and chased decoration, on a spread circular foot with swirl-fluted decoration, the underside with a Tudor rose motif, height 9.5cm, approx. weight 9.9oz. £600-800

851

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852. By Omar Ramsden, an Arts and Crafts silver-mounted mazer bowl, London 1929, also engraved ‘OMAR RAMSDEN ME FECIT’, circular form, the tapering spot-hammered mount with a pierced castellated border, on a raised circular foot, the wooden body with carved decoration, diameter 16.3cm. £1,200-1,500

λ 853. By Omar Ramsden, an Arts and Crafts silver coffee jug London 1924, also engraved ‘OMAR RAMSDEN ME FECIT’, octagonal tapering form, spot-hammered decoration, domed cover with a fleur-de-lis motif and scroll thumb-piece, the angular scroll handle with ivory insulators, on a raised octagonal foot, height 19cm, approx. weight 23.9oz. £1,500-2,000

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854. By Omar Ramsden, an Arts and Crafts silver dish, London 1938, also engraved ‘OMAR RAMSDEN ME FECIT’, elongated oval navette form, spot-hammered decoration, the ends with fluted finials, on four scroll feet, length 33.2cm, approx. weight 11oz. £1,000-1,500

855. By Omar Ramsden, an Arts and Crafts silver goblet, London 1938, also engraved ‘OMAR RAMSDEN ME FECIT’, circular tapering bowl, spot-hammered decoration, on a cast foot modelled as five mythical dolphins with fanned tails, on a raised circular foot, height 13.5cm, approx. weight 16oz. £3,000-3,500

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856. By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver and enamel cigarette casket, London 1914, also engraved ‘OMAR RAMSDEN ET ALWYN CARR ME FECERUNT MCMXIV’, rectangular form, spot-hammered decoration, the hinged cover with a scene of a galleon on a stormy sea, with green and blue enamel backing, also with chased swirl work decoration and a rope-work border, the interior wood lined, the sides chased ‘I WAS WROUGHT FOR HARRY BALDWIN BY COMMAND OF C.M.BETTS IN THE YEAR OF OUR LORD MCMXIV’, the underside with a silver base, length 14cm, approx. weight 24oz. £4,000-6,000

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OTHER PROPERTIES 857. By Alwyn Carr, an Arts and Crafts silver three-handled cup and cover, London 1921, the circular bellied body spot-hammered and with chased foliate and fruit decoration, with three scroll handles mounted with three bunches of grapes, on a knopped stem with wire-work mounts, on a raised circular foot with a pierced and cast border of Tudor roses, shamrock and thistles, the pull-off cover with a female finial holding a tray of fruit, with a beaded fruit border, and with a cast pediment with galleons and birds and rising sun motifs, gilded interior, height 34.5cm, approx. weight 39.7oz. ÂŁ2,000-3,000

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858. By Omar Ramsden, an Arts and Crafts silver spoon, London 1925, spot-hammered fig-shaped bowl, the terminal with a thistle motif, length 13.5cm, approx. weight 1.1oz. £150-200

859. By Omar Ramsden, an Arts and Crafts spoon, London 1919, fig-shaped bowl with a plain rat-tail, spot-hammered decoration, tapering handle, length 17.5cm, approx. weight 1.3oz. £200-300

860. By Amy Sandheim, an Arts and Crafts silver spoon, London 1931, spot-hammered circular bowl, the stem with a scroll terminal, length 11cm, plus an Artificers’ Guild Arts and Crafts silver preserve spoon, London 1936, spot-hammered fig-shaped bowl, tapering stem with a Diamond-point finial, the reverse of the stem with a hook, length 15.2cm, approx. total weight 2oz. (2) £150-200

861. By Ellen Caroline Woodward, three Edwardian Arts and Crafts silver spoons, London 1905 and 1909, oval bowls, the pierced handles with hard stone finials, lengths 11.5cm, 10.5cm and 10.2cm, approx. weight 1.3oz. (3) £200-300

862. By The Artificers’ Guild, an Arts and Crafts spoon, London 1922, spot-hammered fig-shaped bowl, the tapering handle with wirework decoration, and with a hook to the reverse, length 22.2cm, approx. weight 2.2oz. £150-200

863. A small collection of modern silver flatware, comprising: a pickle fork by A. Bonner, London 1913, a caddy spoon, by NGT, London 1972, the terminal pierced with an ‘H’, a butter knife and spoon by CF over CE, London 1981 and 1991, and two others, approx. weight 4.5oz. £200-300

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864. By Liberty and Co., a commemorative silver and enamel napkin ring, Birmingham 1934, oval navette form, green/blue foliate enamel border, the centre with George VI and Queen Elizabeth, length 6.3cm, plus a cased set of six Liberty silver coffee-bean end spoons, Birmingham 1925, approx. weight 2.5oz. (7) £200-300

865. By Liberty and Co., a pair of Edwardian Arts and Crafts silver salt cellars and spoons, Birmingham 1906, circular form, applied beaded rosettes, beaded borders, on a raised hexafoil foot, height 4.8cm, approx. weight 3.4oz. (4) £200-300

866. Retailed by Cartier, a three-piece French silver christening set, maker’s mark of R.L crowned in a lozenge, comprising: a fork, spoon and pusher, the reverse of the terminals with a foliate motif, in a fitted Cartier box, approx. weight 1.5oz. (3) £100-150

867. By Liberty and Co, an Edwardian Art Nouveau silver belt buckle, Birmingham 1902, also stamped CYMRIC, shaped rectangular form, with pierced intertwined scroll decoration, the centre with a mother-of-pearl cartouche, length 10.7cm, approx. weight 2.5oz. £250-350

868. By Abrahall & Bint, an Edwardian silver and enamel napkin ring and spoon, Birmingham 1906, the napkin ring of circular form, applied with a silver and blue green enamel cartouche, titled ‘Baby’, the spoon with a similar finial, in a fitted case, length of spoon, 11.5cm, approx. weight 1oz. (2) £100-150

869. By Liberty and Co, an Edwardian silver and enamel clock, Birmingham 1909, upright arched tapering rectangular form, white enamel dial, with a green / blue foliate enamel border, height 8.8cm. £300-400

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870. Retailed by Liberty and Co., a Japanese silver box, with import marks for London 1899, importer’s mark of Liberty and Co., rectangular form, the hinged cover with engraved decoration, length 8.8cm, approx. weight 4oz. £150-200

871. By William Hutton and Sons, an Edwardian silver tea caddy / casket, London 1905, rectangular form, the slanting hinged cover with two Art Nouveau straps, the corners with simulated rivets, on four bracket feet, length 9cm, approx. weight 6.3oz. £300-400

872. Keswick School of Industrial Arts, a modern silver cream jug, Edinburgh 1970, tapering circular form, scroll handle, on a circular foot, height 8cm, approx. weight 5.2oz. £100-150

873. By H.G. Murphy, a pair of silver napkin rings, London 1936, plain hexagonal form, length 4.3cm, approx. weight 1.7oz. (2) £100-150

874. A set of six silver Art Nouveau tot cups, by James Fenton & Co, Birmingham 1919, also with import marks for 1911, circular bowls on wire-work stems, on raised circular bases with an enamelled motif, height 8.cm. (6) £300-400

875. An Arts and crafts silver mustard pot, unmarked, in the manner of The Guild of Handicraft, circular form, spothammered decoration, bifurcated scroll handle, slightly domed hinged cover, with a blue glass liner, height 7cm, plus a silver spoon, by William Henry Warmington, London 1956, approx. weight 4.60oz. (2) £100-150

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876. By A. E. Jones, a three-piece Arts and Crafts tea set, Birmingham 1924, tapering circular form, spot-hammered decoration, scroll handles, on four elongated rectangular legs on pad feet, length handle to spout 24.5cm, approx. weight 22.2oz. (3) £600-800

877. By The Guild of Handicraft Limited, an Edwardian Arts and Crafts silver bowl, London 1906, circular form, spot-hammered decoration, with panels of chased and pierced foliate decoration, gilded bowl, on a raised circular foot, diameter 15.3cm, approx. weight 7.8oz. £800-1,200

878. After a design by Archibald Knox, an Art Nouveau electroplated two-handled tray, marked EPNS and with a maker’s mark of three stars in a clover leaf, rounded rectangular form, inset handles, with sinuous decoration, length 69cm. £300-400

879. By Omar Ramsden, an Arts and Crafts presentation silver inkwell, London 1926, also inscribed ‘OMAR RAMSDEN ME FECIT’, circular capstan form, spot hammered decoration, the hinged cover with the badge of the 22nd London Regiment, (The Queens), the base with three heraldic shields and ‘Memor Pristint and Virtutis’, the edge of the base inscribed ‘To Capt. Alexander Paterson M.C From C.F.H Greenwood St. George’s day 1927’, diameter of base 15.4cm. £600-800 Provenance: Christie’s, London, Omar Ramsden: Silver from the David and Vivian Campbell Collection, 20 April 2005, lot 39.

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880. An Edwardian Art Nouveau silver figure of a lady, by H J Cooper & Co Ltd, Birmingham 1905, modelled in a standing position with arms raised holding a two-handled urn, on an oval base on a wooden plinth, total height 29.5cm. £200-300

881. By Christofle, a pair of French electroplated two-light candelabra, tapering scroll arms, on raised circular bases, height 20.5cm. (2) £400-600

882. By George Hart for The Guild of Handicraft, a modern silver mirror, London 1983, upright rectangular form, with garlands of swags on an enginetuned background, shell corners, beaded borders, wooden easel back, height 31cm. £300-400

883. After Christopher Dresser, an electroplated seven bar toast rack, maker’s mark of T.W, fan shape, with plain bars and ball sockets, on an arched rectangular base, length 19cm. £100-150

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884. By Frederick Courthope, a monumental Victorian silver two-handled cup and cover, London 1886, tapering form, embossed foliate scroll decoration, the side handles modelled as two naked maidens, their hands bound with snakes, the pull-off cover with a cast statue of St. George killing the dragon, also with lobed decoration, on a raised circular foot applied with four masks, gilded interior, height 5ocm, approx. weight 178oz. ÂŁ4,000-6,000

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885. By Georg Jensen, a Danish silver dressing table box and cover, design no. 79, oblong form, spot-hammered decoration, the pull-off cover with a flower head finial, length 11.5cm, approx. weight 4.3oz. £200-300

λ 886. By R. E. Stone, a pair of Art Deco dishes, London 1931, also signed ‘R. E. Stone’ circular form, spot-hammered decoration, with triangular ivory side handles, length 10.5cm, approx. weight 7.7oz. (2) £200-300

887. A silver and enamel bowl, by Josiah Williams & Co, (of Bristol), London 1935, shallow circular form, with a border of green enamel scroll and black bead decoration, on a circular foot, diameter 22.7cm, approx. weight 16.4oz. £300-400

888. By Bruce Russell, a modern Channel Islands silver bowl, Guernsey, circular form, spot-hammered decoration, engraved border, diameter 8.5cm, approx. weight 1.94oz. £70-90

889. A set of four modern silver parcel-gilt goblets, by J.T.O, Birmingham 1973, circular form, gilded bowl, on a baluster stem on a raised circular foot, in a fitted wooden case, with a plaque inscribed ‘Berni Inns Steeple Chase Stakes, Stratford 1973’, height 9.6oz. approx. weight 16.3oz. (4) £150-200

890. By Geoffrey Bellamy, a modern silver dish, London 1957, also signed ‘Des. Geoffrey G Bellamy’, retailed by Payne and Son, Oxford, plain oval form, spot-hammered decoration, length 29.8cm, approx. weight 10.4oz. £400-600

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891. By David Bromilow, a modern silver cream jug, Sheffield 1996, tapering oval form, elongated spout, height 11cm, approx. weight 4.3oz. £100-150

892. By A.G. Brooker, a pair of modern silver beakers, London 1966, slight tapering circular form, spot hammered decoration, engraved with semi-nude classical figures and with inscriptions, the underside of the base with scratch weights ‘6-46’ and ‘6-20’, height 8.8cm, approx. weight 12.7oz. (2) £200-300

893. Designed by Christopher Lawrence for Dunhill, a modern silver lighter, maker’s mark of Alfred Dunhill, London 1974, upright rectangular form, hinged cover, on a spread foot, textured decoration, height 14cm. £200-300

894. By Stuart Devlin, a modern parcel-gilt silver commemorative paper knife, London 1977, tapering form, with a pierced and textured handle, length 23.8cm, approx. weight 4.1oz. £300-400

895. By Stuart Devlin, a modern silver-gilt table lighter, London circa 1969, cylindrical form, textured decoration, height 8.8cm. £200-300

896. By Stuart Devlin, a modern silver-gilt commemorative orb, London 1981, edition number 2, the hinged sides with pierced textured decoration and with two armorials, which open to reveal a plaque of Charles and Diana on a velvet background, on a silver and enamelled foliate foot, in a fitted case, diameter 6,5cm, approx. weight 8.6oz. £300-400

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897. By Gerald Benney, a modern silver pricket candlestick, London 1963, the tapering central spike on a plain raised circular base, height 15cm, approx. weight 9.2oz. £600-800 Provenance: The Gerald and Janet Benney Collection of Silver, Bonhams, Knightsbridge, 20 November 2013, lot 113.

897

898. By Stuart Devlin, a modern parcel-gilt silver two-handled tray, London 1982, oval navette form, with a pierced and textured handles and border, length 56.8cm, approx. weight 70oz. £1,500-2,000

898

899. By Stuart Devlin, a modern parcel-gilt silver commemorative table bell, London 1981, edition number 7, tapering form, with textured decoration, the finial with a medallion of Prince Charles and Lady Diana Spencer within an enamelled wreath of flowers and leaves, height 21cm, approx. weight 9.7cm. £400-600

899

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900. By Stuart Devlin, a large modern parcel-gilt silver sauce boat, London 1969, tapering oval form, with silver-gilt pierced and textured decoration on a matted background, textured handle, length 26.9m, approx. weight 25oz. £1,200-1,500

900

901. By Ane Christensen, a modern silver Nervous bowl, London 2002, length 14cm, approx. weight 3.8oz. £150-200 This bowl is featured in an article on ‘Exploring Elastic Movement as a Medium for Complex Emotional Expression in Silver Design’, by Kristina Niedderer, School of Art and Design, University of Wolverhampton, 2012, International Journal of Design, 6 (3), pages 57-69.

901

902. By Martin Pugh, a modern silver-mounted glass claret jug, Birmingham 1999, slender tapering form, plain glass body. the elongated scroll handle incorporates the thumb-piece, height 36.5cm. £400-600

902

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903. A William IV silver ‘castle-top’ snuff box, Newstead Abbey, by Taylor and Perry, Birmingham 1835, rounded rectangular form, the hinged cover with a scene of the Abbey, engine-turned sides and base, in a fitted case, length 8.2cm, approx. weight 3.3oz. £400-600 Newstead Abbey was formerly the home of Lord Byron. Provenance: The Lion Collection, entry number 276. Alastair Dickenson Ltd. The property of the late Diana Keggie, Christie’s South Kensington, 30 November 2005, lot 4. Illustrated and written up in Culme, J., British Silver Boxes,1640-1840, The Lion Collection, The Antique Collectors’ Club, 2015, page 231.

904. A Victorian Scottish ‘Castle-top’ snuff box, Abbotsford House, by Alexander Graham Wighton, Edinburgh 1839, cartouche form, the hinged cover with a scene of the house within a landscape setting with fishermen in the foreground, and with a scroll border, the sides with chased foliate scroll decoration, gilded interior, the inside of the cover inscribed ‘Dr. William Bruce, from a sincere friend in grateful remembrance of his unremitting attention during a long and dangerous illness Smyrna, May 1840’, in a fitted case, length 8.5ccm, approx. weight 4.3oz. £1,000-1,500 It is likely that this box was exhibited by Wighton at the 1851 Great Exhibition, as was known as the Waverley snuff box. Abbotsford House was the home of the Scottish novelist Sir Walter Scott. Provenance: The Lion Collection, entry number 278. Illustrated and written up in Culme, J., British Silver Boxes,1640-1840, The Lion Collection, The Antique Collectors’ Club, 2015, page 232. 905. A George III silver seal or skippet box, by William and Aaron Lestourgeon, London 1770, oval form, the pull-off cover engraved with the arms of Oxford University with foliate and Rococo mantling, moulded border, length 9cm, approx. weight 2.4oz. £700-900 Provenance: The Lion Collection, entry number 178. Illustrated and written up in Culme, J., British Silver Boxes,1640-1840, The Lion Collection, The Antique Collectors’ Club, 2015, page 160. 906. A George III silver snuff box, by Frederick Hentsche, London 1819, oblong oval section, with foliate scroll decoration, the hinged cover with a shell thumb-piece and with a glazed white portrait of William Shakespeare in profile, in a gold frame, the underside with initials, length 8.5cm, approx. weight 3.8oz. £600-800 Provenance: The Lion Collection, entry number 247. Illustrated and written up in Culme, J., British Silver Boxes,1640-1840, The Lion Collection, The Antique Collectors’ Club, 2015, page 160. Illustrated in Delieb, E., Silver Boxes, Antique Collector’s Club, 2002, page.113, pl178.

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907. A George I silver tobacco box, by Edward Cornock, London 1723, oval form, the cover with an armorial and crest within foliate scroll mantling, the underside of the base engraved ‘Henry Weekley Tuthill [sic] Street Westminster’, and with three armorials and a vignette of St. George on horseback slaying the dragon, and later dated ‘1735’, length 9.7cm, approx. weight 4.1oz. £2,000-3,000 Henry Weekley is recorded as a cloth worker in Tothill Street, Westminster. The arms on the cover are unrecorded, the arms on the base are for The Worshipful Company of Grocers, The City of London and The Worshipful Company of Clothworkers. Provenance: The Lion Collection, entry number 127. Illustrated and written up in Culme, J., British Silver Boxes,1640-1840, The Lion Collection, The Antique Collectors’ Club, 2015, page 126/7. Alastair Dickenson Ltd. London 2007. 908. A mid 18th century Irish silver snuff box, maker’s mark only, that of Benjamin Stokes, Dublin circa 1750, tear form, the hinged cover engraved with an armorial within Rococo mantling, the underside of the base engraved ‘Mary Hooker Dole’, length 8.3cm, approx. weight 2.5oz. £400-600 Provenance: The Lion Collection, entry number 152. Illustrated and written up in Culme, J., British Silver Boxes,1640-1840, The Lion Collection, The Antique Collectors’ Club, 2015, page 143. 909. A Charles II silver tobacco box, maker’s mark BB, a crescent and two pellets below, London 1673, oval form, the cover engraved with an armorial and crest, the underside engraved ‘R.C and a later date 1663, length 8.9cm, approx. weight 3.4oz. £2,000-3,000 The arms are those of Cann of Compton Greenfield, Gloucestershire, baronets, for Sir John Cann, 1st Bt. He was a leading merchant of Bristol, who also owned property in Jamaica. He was twice mayor of Bristol, 1662-3 and 1675-76. He went on to be an MP for the city. Provenance: The Lion Collection, entry number 10. Illustrated and written up in Culme, J., British Silver Boxes,1640-1840, The Lion Collection, The Antique Collectors’ Club, 2015, page 39. Sotheby’s, New York, 11 April 2000, lot 233. 910. A William and Mary silver patch box, maker’s mark I.C, London 1690, circular form, the pull-off cover engraved with a flower, matted border and sides, diameter 3.8cm., approx. weight 0.7oz. £400-600 Provenance: The Lion Collection, entry number 28. Illustrated and written up in Culme, J., British Silver Boxes,1640-1840, The Lion Collection, The Antique Collectors’ Club, 2015, page 51. 911. A late-17th century silver patch box, unmarked circa 1690, circular form, the pull-off cover with an engraved winged bleeding heart, pierced by two arrows, ropework borders, diameter 2cm, approx. weight 0.2oz. £200-300 Provenance: The Lion Collection, entry number 37. Illustrated and written up in Culme, J., British Silver Boxes,1640-1840, The Lion Collection, The Antique Collectors’ Club, 2015, page 55.

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912

912. A rare James I silver pipe, detail unmarked, circa 1620, tapering circular bowl, the base scratch initialled ‘I.H’ within a pelleted circle, tapering stem, in a fitted case, together with a copy of a magazine article on the pipe, length 17.2cm, approx. weight 1.3oz. (2) £1,500-2,000 Provenance: from a Deceased Estate. Sotheby’s London, Silver Sale, 24th April 1969, lot 215. This pipe is written up and illustrated in the Apollo magazine, ‘A rare James I silver Pipe’, by Electius, Vol LXI, March 1955. 913. A George II silver table snuff box, by Gundry Roode, London 1731, modelled as a book, the ribbed spine engraved with formal motifs, the hinged cover with a later armorial within a Rococo cartouche, the reverse side with a crest, length 11.4cm, approx. weight 7.9oz. £3,000-4,000 The later arms are those of Sebright, probably for Edward Amherst Sebright, third son of Sir John Sebright, 6th Bt.of Beechwood. During the Peninsular War he commanded 2/1st Foot Guards from March 10- April 1811. Provenance: The Lion Collection, entry number 134. Illustrated and written up in Culme, J., British Silver Boxes,1640-1840, The Lion Collection, The Antique Collectors’ Club, 2015, page 132. Bonhams, London 25 November 2004, lot 294, Alastair Dickenson Ltd. 914. A rare William and Mary silver counter box, maker’s mark TS, attributed to Thomas Steed, London 1690, cylindrical trefoil form, the pull-off cover with an armorial within foliate scroll and palm leaf mantling, the underside of the base with a monogram, length 4.8cm, height 3.2cm, approx. weight 1.7oz. £4,000-6,000 The arms are those of an unknown family impaling Campbell quartering Lorn for the Dukes of Argyll. A near pair to this box is in the Lion Collection, entry number 44. See: Culme, J., British Silver Boxes, 1640-1840, The Lion Collection, The Antique Collector’s Club, 2015, page 59. The provenance of the Lion Collection box: The Property of the Viscount Scarsdale and the Kedleston Trustees, Christie’s London, King Street, 7 March 1990, lot 32. Also with Alastair Dickenson, London 2006.

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915 details

915. The Dunbar Locket - a rare 17th century silver Dunbar medal in an early 18th century locket, oval form, the front with scroll and shell decoration and mounted with the Dunbar medal (type F). the interior also with an enamelled portrait of Sir Thomas Fairfax, gold surround, the interior with a ropework border, the reverse with a scene of St. George slaying the dragon, with two ring attachments and rope-work border, length 6cm, approx. weight 1.3oz. £3,000-4,000 Provenance: Timothy Millett Historical Medals and Works of Art. Ronald Lee Illustrated and written up in: Platt, J. and Platt, A.K., English Civil War: Medals, Historical Commentary and Personalities, Spink, 2014, pages 315-316. The medal has the portrait bust of Oliver Cromwell, and has the signature of ‘T.Simon.FE’. It was intended as a reward for those on the winning Parliamentarian side who took part in the Battle of Dunbar on the third September 1650. Cromwell’s army defeated a Scottish force commanded by David Leslie which was loyal to King Charles II of England, who had been proclaimed King in Scotland on 5 February 1649. 916. Centenary of the Augsburg Confession, silver medal, 1630, by Sebastian Dadler, half-length figure of Johann the Constant, Elector of Saxony, rev. Legend in 11 lines, IOHANNS CHVRFVRST ZV SACHSSEN … LEBENN, 54mm (Whiting 119; Wiecek 56), and Centenary of the Augsburg Confession, silver medal, 1630, by Sebastian Dadler, half-length figure of Martin Luther preaching, rev. Legend in 11 lines, IETZ IVBI LIRT DIE CHRI….53mm (Whiting 120; Wiecek 57). (2) £600-800 917. An early 18th century silver snuff box, unmarked circa 1720, oval form, the hinged cover set with an oval silver-gilt medallion of Charles I, gilded interior, the underside with a later presentation inscription ‘ To Ernest Gillick with thanks for designing the beautiful Chairman’s Cup for the Arts Club, London from William Orpen, 1929’ length 7.4cm, approx. weight 1.6oz. £600-800 Ernest Gillick RA (1874-1951) was the British sculptor and Sir William Orpen KBE, RA, RHA (1878-1931) was the Irish artist. 918. A late 17th century gilt-metal book / needle case cover, circa 1680, rectangular form, with pierced bird and foliate cage-work with traces of enamel and set with thirteen stones, hinged clasp, the interior with felt for needles, length 4.8cm. £500-700 919. A late 17th century silver filigree covered aide memoire / almanack, unmarked circa 1680, rectangular form, scroll filigree decoration, with a stylus, the interior with part of a 1682 almanack, length 9cm. £200-300

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920. A seventeenth century silver Cherub knop spoon, marks worn, also with a worn cone mark, in the Scandinavian manner, fig-shaped bowl, the reverse inscribed ‘K.P.D’ 1664’, tapering stem with a cherub head finial, length 15.3cm, approx. weight 1.2oz. £300-400

921. A late 17th century Swiss silver spoon, by Hans-Jacob Aaberli, Zurich circa 1680, the reverse of the bowl with engraved decoration, tapering faceted stem, with an Apostle finial, length 15.4cm, approx. weight 0.9oz. £300-400

922. An early 17th century Norwegian silver Ball-knop spoon, maker’s mark unidentified, probably Bergen or Oslo circa 1610, the fig-shaped bowl with engraved decoration, the reverse of the bowl later initialled, the tapering stem with engraved and reeded decoration, and with a ball-knop finial, length 13cm, approx. weight 0.9oz. £600-800

923. An early 17th century Norwegian silver Cherub-knop spoon, maker’s mark A ? conjoined, probably Bergen circa 1610, the fig-shaped bowl with engraved decoration, the tapering stem with a cherub head final, with traces of gilding, length 15.4cm, approx. weight 1.3oz. £600-800

924. An early 17th century Norwegian silver Cherub-knop spoon, maker’s mark F B conjoined, probably Bergen or Trondheim, circa 1630, the fig-shaped bowl with engraved decoration and inscribed ‘IHS’, tapering spiral stem, with a cherub head final, length 15.8cm, approx. weight 1.3oz. £400-600

925. An early 17th century Norwegian silver Ball-knop spoon, possibly by Johan Schluter, Bergen circa 1620, plain fig-shaped bowl, the tapering stem with engraved and spiral decoration, and with a ball-knop finial, length 13.5cm, approx. weight 0.9oz. £600-800

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921

922

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926. A William and Mary East Anglian silver Trefid spoon, by Thomas Havers, Norwich 1691, the oval bowl later gilded, and with a raised rat-tail, the reverse of the terminal with prick dot initials ‘G’ over ‘I.M’, length 17cm, approx. weight 1.1oz. £1,500-2,000 Provenance: A Private Collection, Purchased at Christie’s King Street London , Charity Auction, 8 October 1981. lot 59. Other spoons by this maker have been sold in these rooms, 30 October 2018, lot 924, 25 April 2018 lot 760 and 25 October 201 lot 888.

927. A Charles II West Country silver Apostle spoon, St. Matthew, by Thomas Dare I, Taunton circa 1670, fig-shaped bowl, faceted tapering stem with a gilded Apostle finial with a large plain nimbus, with traces of prick dot initials, the reverse of the bowl with an old collection label, length 18.8cm, approx. weight 1.7oz. £1,500-2,000 Provenance: A Private Collection.

928. A Charles II West Country silver Apostle spoon, St. Matthew, by Thomas Dare I, over-stamping another mark, Taunton circa 1673, fig-shaped bowl, faceted tapering stem with a gilded Apostle finial with a large plain nimbus, with prick dot initials ‘I.P over T.W’ ‘1673’, length 18.5cm, approx. weight 1.6oz. £1,500-2,000 Provenance: A Private Collection.

929. A Charles II West Country silver Apostle spoon, St. Thomas, marked with an anchor with two pellets in a circle, Salisbury circa 1650, fig-shaped bowl, faceted stem, with an Apostle finial with traces of gilding and a large nimbus, prick dot initialled ‘T.M’ over T.W’ and the date ‘1662’, the reverse of the bowl with an old collection label ‘Chas. I c.1620 Truro, St.Thomas’, length 18.2cm, approx. weight 1.8oz. £1,000-1,500 Provenance: A Private Collection. For mark see Jackson’s, Ian Pickford Edition, The Antique Collector’s Club, 1989, page 272.

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926

927 928

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930. A rare Charles I East Anglian silver Lion Sejant spoon, SI or IS with a pellet below or above, Norwich 1636, fig-shaped bowl, faceted tapering stem, the Lion Sejant finial with traces of gilding, the reverse of the bowl with an old collection label which reads ‘1636 Norwich by John Stone’, length 17cm, approx. weight 1.4oz. £5,000-7,000 Provenance: A Private Collection. Anonymous Collection in 1952. Sotheby and Co., Provincial Spoons, left by The Late H.D. Ellis, Esq. 13 November 1935, lot 44. Where the catalogue states: ‘This most important spoon is, at present, the only known lion sejant that can definitely be ascribed to Norwich. Illustrated in How, G., in collaboration with How J., English and Scottish Silver Spoons, Volume One, Chapter II, Section VII, pages 264-266, plate 5, right-hand spoon.

931. A James I West Country silver-gilt Barnstaple Decorated Seal-top spoon, by John Quick, Barnstaple circa 1620, fig-shaped bowl, engraved decoration, the faceted tapering stem with engraved decoration and engraved ‘Honour God’, the seal-top prick-dot initialled ‘C.H’, length 17.5cm, approx. weight 1.9oz. £6,000-8,000 For similar examples see, Constable, D., Silver Spoons of Britain 1200-1710, Constable’s Publishing 2016, Volume II, page 946-981, chapter 12, Barnstaple Decorated Group of English Spoons.

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932. A Victorian silver-mounted cut glass claret jug, by Brockwell & Son, London 1885, ovoid form, the hob-nail cut decoration, scroll handle, the mount with foliate scroll decoration and with a Bacchus mask, domed hinged cover with a pierced thumb-piece, on a circular foot, height 28cm. £200-300

932 933. An Edwardian Art Nouveau silver trumpet vase, by William Hutton and Sons, London 1901, tapering circular form, embossed with stylised foliate decoration with three scroll supports, on a circular base, height 20cm, plus a modern silver-mounted glass cocktail shaker, retailed by Asprey, London 1987, approx. weighable 5.2oz. (2) £200-300 Provenance: The late Greta Morrison, widow of Bryan Morrison.

933 (2)

934. A Victorian silver-mounted glass claret jug, by John Clemmens, Birmingham 1885, the mounts with engraved decoration scroll handle, hinged cover with a baluster finial, slender neck and circular body with engraved decoration, height 27.5cm. £250-300

934

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935. An Edwardian silver-mounted glass decanter, by William Comyns, London 1904, lobed ovoid form, etched with trailing flowers, the mount with a scroll handle, and pierced foliate decoration, the domed hinged cover with a cone finial, height 27cm. £700-900

935

936. A set of three Victorian silver-mounted brown glass spirit decanters, the mounts by Henry Atkin, Sheffield 1862, ovoid form, scroll handles, the mounts with foliate scroll decoration, with stoppers, plus a set of three silver labels, by Thomas Hastelow, Birmingham 1863, rectangular form, canted corners, incised ‘BRANDY’, ‘WHISKEY’ and ‘HOLLANDS’, height 20.3cm. (6) £250-350

936

937. A silver kettle on stand, by the Goldsmiths and Silversmiths Company, Sheffield 1916, the burner by Gibson and Langman London 1896, oblong bellied form, gadroon border, with a central scroll carrying handle, the stand on four scroll legs on hoof feet, height 33cm, approx. weight 50oz. £300-500

937

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938. A George III silver goblet, by Paul Storr, London 1819, the campana shaped bowl with fluted decoration, below a band of applied trailing grapevines, gilded interior, on a raised circular foot with a stiff leaf border, height 14.8cm, approx. weight 12.5oz. £600-800

939. A William IV silver goblet, by Robert Hennell, London 1830, campana shaped bowl, part fluted-decoration, on a raised circular foot with a beaded stem and chased decoration, gilded bowl, inscribed with initials, height 14.2cm, approx. weight 6oz. £150-200

940. A pair of George III silver goblets, possibly by John Weldring or James Wiburd, London 1769, the urn shaped bowls with fluted decoration, gilded interiors, on fluted knopped stems on raised circular bases, height 14.2cm, approx. weight 15oz. (2) £400-600

941. A George III silver goblet, by Robert Jones, (of Liverpool), London 1796, circular bowl, later embossed foliate scroll decoration, on a raised circular foot, with a reeded border and chased decoration, engraved with a crest, height 13.5cm, approx. weight 4.4oz. £100-150 The crest is possibly that of Plonket or Reede.

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942. A George III silver goblet, by Emes and Barnard, London 1819, campana shaped bowl, with a band of oak leaves and acorns above a band of trailing vines, gilded bowl, crested, on a raised circular foot, engraved with a crest, height 15.2cm, approx. weight 10.3oz. £300-400

943. A George III silver agricultural trophy goblet, maker’s mark worn, possibly by Burwash and Sibley, London 1817, circular bowl, gilded interior, on a raised circular foot, engraved with a tree and corn, and ‘The Prosperity and security of Great Britain’, the reverse inscribed ‘Presented by the Workington Agricultural Society to John Benn of Middleton Place for Cultivating Common Land’, height 10.8cm, approx. weight 5.5oz £300-400 The Workington Agricultural Society, were also active on the Isle of Man and were under the presidency of John Curwen (1756-1823).

944. Kingston upon Thames Rowing interest, an Edwardian silver beaker, by Mappin and Webb, Sheffield 1904, tapering circular form, applied with an armorial and ‘Kingston Upon Thames Amateur Regatta’, on a spread circular foot, height 13cm, approx. weight 9.9oz. £100-150

945. A Victorian silver goblet, by John Samuel Hunt, London 1864, circular form, gilded interior, on a raised cast stem and foot with trailing hops, height 13.8cm, approx. weight 9.6oz. £300-400

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946. A Victorian silver rose bowl, by Gibson and Langman, London 1897, circular form, swirl-fluted and beaded decoration, scroll border with cherubs, on a circular foot, diameter 27cm, approx. weight 29.9oz. £300-400

947. A presentation silver salver, by The Adie Brothers, Birmingham 1939, circular form, moulded border, the centre with a monogram, the underside with facsimile signatures, diameter 30.8cm, approx. weight 29.5oz. £200-300

948. A pair of Edwardian silver waiters, by Charles Stuart Harris, London 1901, circular form, pierced border with masks and garlands of swags, on three pierced feet, diameter 15cm, approx. weight 11.5oz. (2) £200-300

949. A George II silver cream boat, by Edward Wood, London 1742, oval form, wavy-edge border, leaf capped flying scroll handle, on three hoof feet, length 13cm, plus a George III silver cream boat of similar form, by George Smith, London 1766, initialled, length 11.2cm, approx. total weight 6.7oz. (2) £130-180

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950. A matched pair of silver beakers, by Elkington and Co., Birmingham 1922/23, tapering circular form, applied with two standing soldiers one in 19th century dress and dated ‘1860’, the other in earlier dress and dated ‘1300-1500’, height 10cm, approx. weight 8oz. £100-150

951. A Victorian silver two-handled centrepiece bowl, by Henry Curry, London 1879, oval form, embossed with panels of Neptune and classical figures, bifurcated caryatid scroll handles, wavy-edge border, on four recumbent dragon feet, length 33cm, approx. weight 39oz. £800-1,200

952. A pair of modern silver wine coasters, by the Barker Ellis Silver Co, Birmingham 1968, circular form, pierced fern decoration, gadroon borders, turned wooden bases with plain buttons, diameter 14.6cm. (2) £100-150

953. A pair of George III silver teapot stands, by Solomon Hougham, marks worn, plain oval form, moulded borders, on four bracket feet, length 23.8cm, approx. weight 20.5oz. (2) £150-200

Sold on behalf of the Executors, The Estate of James ‘Jimmy’ Benson deceased.

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954. An Edwardian silver tankard, by Mappin and Webb, London 1910, tapering circular form, scroll handle with a heart-shaped terminal, the domed hinged cover with a scroll thumb-piece, with a monogram, the underside with a presentation inscription, in a fitted case, height 18.4cm, approx. weight 32.4oz. £500-700

954

955. A George III provincial silver mug, by Richard Richardson III, Chester 1774, baluster form, scroll handle, the underside of the base later inscribed ‘Hazel Georgina, August 29 1880’ above a cross and ‘Haselmere’, height 7.1cm, approx. weight 3.8oz. £600-800

955

956. A pair of George I silver tea caddies, by John Farnell, London 1721, upright rectangular form, canted corners, later chased foliate scroll decoration, with a later monogram, slide off bases, pull-off covers, removable tin liners, height 14cm, approx. weight 16.9oz. (2) £1,500-2,000

956 (2)

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957. A William IV silver teapot, by Paul Storr, London 1831, also stamped ‘STORR & MORTIMER’, melon form, leaf capped scroll handle with wooden insulators, shaped foliate hinged cover with a foliate finial, the spout of simulated bark form with leaf mounts, on a circular leaf foot, length handle to handle 23.4cm, approx. weight 18.2oz. £1,500-2,000

957

958. A George III silver meat dish cover, by Paul Storr, part-marked for London 1806, oval form, part-fluted decoration, engraved with two armorials, the handle modelled as a crown, beaded border, length 36cm, approx. weight 52oz. £2,000-3,000 The arms are those of Baron Foley, Witley Court, Worcestershire.

958

959. A George III silver meat platter, by Paul Storr, London 1808, shaped oval form, gadroon and foliate shell border, engraved with an armorial, length 43cm, approx. weight 57.7oz. £1,500-2,000

959

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960. A George III silver salver, by Philip Rundell, London 1819, of circular form, foliate and shell border, the centre with initials below a crest, on four trailing grapevine scroll bracket feet, diameter 22.5cm, approx. weight 19.3oz. £300-400 The crest is that of Rothwell of Southampton.

962. A silver salver, by E. Hill, Birmingham 1946, circular form, gadroon border, diameter 29.5cm, approx. weight 24oz. £150-200

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961. A pair of George III silver entrée dishes and covers, by Benjamin Smith, London 1819, rectangular form, gadroon borders, detachable foliate scroll and shell handles, length 19.7cm, approx. weight 115oz. (2) £2,000-3,000 The crest is that of Smith.

963. A modern silver three-light candelabrum, by R. Comyns, London 1962, in the George I manner, knopped columns, spool-shaped capitals, scroll arms, on a raised filled circular foot, with a presentation inscription, height 30cm. £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

964. A pair of Victorian parcel-gilt silver Aesthetic movement beakers, by the Barnards, London 1875, also with a French import mark, tapering circular form, engraved with birds and bamboo decoration, with crowned initials, gilded interiors, height 9.5cm, approx. weight 8.9oz. (2) £600-800

964 (2)

965. A George II silver second course plate, by Edward Wakelin, London 1754, circular form, stylised border, engraved with an armorial, the underside scratch initialled ‘No. 14 31=0’, diameter 30cm, approx. weight 29.3oz. £800-1,200

966. An early-Victorian silver plate, by Paul Storr, London 1838, also stamped ‘STORR & MORTIMER’, shaped circular form, reeded and leaf border, engraved with a crowned ‘B’, diameter 27.8cm, approx. weight 19.3oz. £600-800 The crest is probably that of Butterfield.

The arms are that of Crompton impaling Rookes quartering Stansfield: William Rookes Crompton Stansfield (1790-1871).

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967. A three-piece silver tea set, by E. Viner, over-stamped with maker’s mark of W Limited, Sheffield 1963/64, oval form, scroll handles, engraved border, on an oval foot, length handle to spout 28.8cm, approx. weight 35oz. (3) £300-400

λ 968. A three-piece George III silver tea set, by Emes and Barnard, London 1818, oblong bellied form, part-fluted decoration, leaf capped scroll handle with ivory insulators, domed fluted flush-hinged cover, shell and gadroon borders, on four ball feet, later applied shield cartouche, length handle to spout 31cm, approx. weight 48.8oz. (3) £600-800

969. A matched three-piece Victorian and Edwardian silver bachelor’s tea set, by The Alexander Clark Manufacturing Co, Sheffield 1899, the cream jug by W.M.S, Sheffield 1901, rounded rectangular form, part-fluted decoration, gadroon borders, scroll handles, length handle to spout 22.5cm, approx. weight 20oz. (3) £200-300

λ 970. An Edwardian three-piece silver tea set, by James Dixon and Sons, Sheffield 1901 and 1902, circular bellied form, part-fluted decoration, foliate shell and gadroon border, leaf capped scroll handle with ivory insulators, on a fluted circular foot, length handle to spout 28cm, approx. weight 48.5oz. (3) £300-500

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λ 971. A three-piece George III silver tea set, by Joseph Angell, 1817 and 1818, circular bellied form, part-fluted decoration, gadroon border, leaf capped scroll handle with ivory insulators, and leaf capped spout, the cream jug and sugar bowl with gilded bowls, on three scroll capped pad feet, length handle to spout 27.5cm, approx. weight 43.8oz. (3) £500-700

λ 972. A three-piece George IV silver tea set, by George Hunter, London 1821, oblong bellied form, leaf capped scroll handles with ivory insulators, embossed foliate decoration, flush-hinged cover with a foliate finial, on four scroll capped paw feet, length handle to spout 29.3cm, approx. weight 44oz. (3) £500-700

Provenance: The Property of a Lady.

973. A late-Victorian silver teapot, by Charles Stuart Harris, London 1900, circular form, fluted decoration, horn scroll handle and finial, the handle with a bifurcated snake socket, the flush hinged cover with chased foliate decoration, on a raised circular foot, length handle to spout 22cm, approx. weight 18.5oz. £200-300

974. A George III silver teapot, by Edward Cooper, London 1778, oval form, engraved decoration, flush-hinged cover with a knop finial, engraved with a crest, length handle to spout 23cm, approx. weight 13.1oz. £200-300 The crest is that of Kenyon.

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975. A George IV silver wager cup, maker’s mark of WE, possibly for either William Eley II or William Eaton, London 1829, modelled as a maiden with arms aloft holding a swing-hinged circular cup, the reverse of her dress with a large ribbon, height 17.4cm, approx. weight 7.5oz. £500-700

975

976. A George III silver swing-handled sugar basket, by Peter and Ann Bateman, London 1797, oval form, bright-cut decoration, reeded borders and swing-handle, engraved with a crest and initials, length 16.2cm, approx. weight 6.9oz. £200-300 The crest is that of Patton, Pawson, Pemberton and Phetoplace.

976

977. A silver table bell, maker’s mark worn, London 1902, conventional form, baluster handle, height 15.5cm, approx. weight 14.4 oz. £150-200

977

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978. The Worshipful Company of Mercers, a two handled silver cup and cover, by Ramsden & Roed, London 1936, modelled as the head and upper torso of the Maiden of the Mercerâ&#x20AC;&#x2122;s Company, swirl fluted scroll handles, the pull-off cover modelled as her crown, on a raised circular foot, height 28cm, approx. weight 85oz. ÂŁ3,000-4,000 Provenance: A Private Collection Alastair Dickenson.

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979. A late-Victorian silver teapot, by Gibson and Langman, Sheffield 1890, oval form, part-fluted decoration, scroll handle, flush-hinged fluted cover, length handle to spout 25.5cm, approx. weight 16oz. £180-220

λ 980. A George III silver teapot, by Joseph Angell, London 1819, circular form, part-fluted and beaded decoration, scroll handle with ivory insulators, the fluted cover with an ivory finial, on four bracket feet, length handle to spout 28.3cm, approx. weight 20.5oz. £150-200

981. A late-Victorian silver teapot, by Robert Pringle, London 1900, lobed oval form, scroll handle, domed hinged cover, length handle to spout 29.3cm, approx. weight 20oz. £150-200

λ 982. A George IV silver teapot, by Burrows and Pearce, London 1828, circular bellied form, scroll handle with ivory insulators, gadroon border, flush hinged cover with a foliate finial, on four shell bracket feet, length handle to spout 27.5cm, approx. weight 22.5oz. £300-400

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λ 983. A George IV silver teapot, by Charles Fox, London 1829, circular form, embossed foliate decoration, the scroll handle with ivory insulators, domed hinged cover with a flower finial, on a raised shaped circular foot, length handle to spout 27.5cm, approx. weight 24.5oz. £300-400

984. After David Willaume, a Victorian cast silver-gilt cream jug, by Robert Garrard, London 1877, shell form, the scroll handle with scales and a grotesque mask, the front with a cherub mask below the spout, the body supported by a reclining mythical animal on a raised oval foot with a foliate border, height 9.5cm, approx. weight 4.2oz. £300-400 See Hartop, Christopher The Huguenot Legacy: English Silver 16801760: from the Alan and Simone Hartman Collection London 1996, p. 288 for a silver gilt example marked by David Willaume II, London 1721-22. A number of similar cream jugs are recorded, most of which are unmarked, but all those which are bear the maker s mark of David Willaume II. A similar jug was sold in these rooms, 29 October 2019, lot 505.

985. A George III silver Argyle, by Aldridge and Green, London 1779, circular form, scroll handle, later embossed foliate decoration, beaded borders, the hinged cover with an urn finial, the interior with a covered compartment and with a metal heating rod, height 13cm, approx weight 10.5oz. £500-700

986. A silver milk jug / small beer jug, by John Hunt, London 1909, circular form, reeded decoration, leaf capped scroll handle, with a grapevine border, the spout with a Bacchus, height 13cm, approx. weight 20oz. £300-400

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λ 987. A George III silver coffee pot, by Robert and David Hennell, London 1800, oval form, bright-cut borders, flush hinged domed cover with an urn finial, scroll handle with ivory insulators, engraved with a crest, on a raised oval base on four ball feet, height 29cm, approx. weight 26.9oz. £600-800

987

988. A George III silver coffee jug on stand with a burner, by John Emes, London 1807, circular bellied form, wooden scroll handle, the hinged cover with a fluted ball finial, the body with a fluted border, engraved with an armorial, the stand on three scroll legs with drop-rings and with paw feet, on a triangular shaped base, height 47.8oz. £1,000-1,500

988

λ 989. A George III silver tea pot, by William Bateman, London 1817, oblong bellied form, gadroon borders, flush hinged cover with an ivory finial, shell capped spout, scroll handle, on a raised rounded rectangular base with a gadroon border, on four ball feet, engraved with a crest, height 24.5cm, approx. weight 24.9oz. £400-600 The crest is that of Knowles, Marriott and Ramsbottom.

989

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990. A George III silver coffee biggin and stand with burner, by James Young, London 1791, cylindrical form, turned baluster wooden side handle, with coopered barrel decoration, pull-off cover with a knop finial, the stand on three fluted scroll legs, with a burner, height 27.5cm, approx. weight 33.9oz. (2) £800-1,200

990

λ 991. A four-piece Victorian silver tea and coffee set, by Stephen Smith, London 1873, square cushioned form, engraved foliate decoration above partfluted decoration, scroll handles, ivory insulators, domed hinged covers with knop finials, on four bracket feet, height of coffee pot 20.5cm, approx. weight 68.5oz. (4) £1,000-1,500

991

λ. 992. An American silver kettle on stand, by Redlich and Company, New York circa 1920, oval form, chased foliate decoration, central swing-handle with ivory insulators, on a raised rectangular foot, the stand of rectangular form, with leaf capped supports and with a burner, height 38.5cm, approx. weight 65oz. £700-900

992

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993

993. A Victorian parcel-gilt silver tazza, by Frederick Elkington, Birmingham 1870, also marked with a registration lozenge, in the Cellini manner, circular form, with masks and classical maidens, on a raised circular foot with foliate decoration on a matted background, the underside engraved ‘Elkington and Co. Silversmiths, Regent Street, London’, diameter 24.8cm, height 12cm, approx. weight 29oz. £600-800

994. A Victorian parcel-gilt silver ewer, by Joseph Angell, London 1850, slender baluster form, simulated vine scroll handle, the body applied with trailing cage-work grapevine and grape decoration, on a raised circular foot, height 36cm, approx. weight 37.8cm. £1,000-1,500

994

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995. A two-handled silver-gilt cup and cover, with cancelled marks and London Assay Office marks for 2020, classical urn form, with ribbon tied drapes and medallions, fluted leaf capped scroll handles, pull-off swirl fluted cover with a cone finial, on a raised swirl fluted foot on a square base with beaded medallions, on a square stepped wooden plinth, applied with a plaque inscribed ‘The Golden Cup, A Symbol of Charity and Generosity The Butchers Charitable Institution’, and set with a George III Guinea, underneath inscribed ‘1773’, height 54cm, height on plinth 61cm, approx. weight 116oz. £3,000-4,000 Provenance: This lot is being sold on behalf of The Butchers and Drovers Charitable Institution. The cup and cover was submitted to the Antique Plate Committee, case number 9405.

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996. a pair of silver three-light candelabra, by A. Crichton, London 1919, tapering shaped oval form, reeded scroll arms, urn shaped capital, the central light with a detachable urn finial, on raised shaped oval bases, with reeded borders, height 46.5cm, approx. weight of arms 44oz. (2) ÂŁ1,000-1,500

996

997. A Victorian silver coffee pot, by Henry Stratford, Sheffield 1900, tapering circular form, leaf capped spout, wooden scroll handle, domed hinged cover with a knop finial, height 25cm, approx. weight 28.4oz. ÂŁ300-400

997

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998

998. A Victorian presentation silver salver, by The Barnards, London 1852, circular form, pierced foliate scroll border, the centre with engraved decoration, and inscribed, ‘Presented to John Bulmer Godfrey Esq. Commander of the Ship Statesman by the Cabin Passengers of that Vessel on their arrival in Port Phillip from London as a mark of thankful Acknowledgment of the Professional Ability and Energy and of the Liberality and Kindness Displayed Towards Them by Captain Godfrey during the Voyage, 1852’, on three pierced foliate capped scroll bracket feet, diameter 49cm, approx. weight 89oz. £1,500-2,000 Captain Godfrey was an innovative captain, who at one stage held the record for the fastest passage to Adelaide of 77 days in the ship Constance. He has known for his great circle sailing. The ship Statesman was carrying emigres, and the port they arrived in was Geelong. When they arrived a dinner was organised in his honour. 999. A pair of George III silver candlesticks, by Ebenezer Coker, London 1765, fluted column form, Ionic capitals, detachable drip pans, gadroon borders, on stepped square bases with gadroon borders, engraved with crests, wooden undersides, height 30cm. (2) £1,000-1,500

999

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1000. A Charles II silver-mounted velvet covered book stand, unmarked, circa 1680, rectangular form, mounted on the red velvet with embossed foliate scroll panels, the front with an armorial, with silver thread borders, on four bun feet, length 42.3cm. ÂŁ1,000-1,500

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1001. A Charles II silver two-handled porringer, maker’s mark attributed to John Burges, London, probably 1662, circular bellied form, embossed with a unicorn and lion within foliate decoration, caryatid scroll handles, the underside inscribed ‘ATWILL-LAKE’ and with a scratch weight ‘27=5=oz’, and with traces of gilding, length handle to handle 24.5cm, approx. weight 26oz. £1,500-2,000

END OF SALE

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the cardholder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 309741 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla en/importsexports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 200,000 1% €200,000.01 350,000 0.5% €350,000.01 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower presale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 8. REMEDIES FOR NONPAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated. BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale. 4% Up to €50,000 3% €50,000.01 200,000 1% €200,000.01 350,000 0.5% €350,000.01 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Oﬃcer, Woolley and Wallis Salisbury Salerooms, 5161 Castle Street, Salisbury, SP1 3SU. • By email – privacyoﬃcer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and eﬀectiveness of our Services, including by training our staﬀ or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identiﬁcation documents, including copies of governmentissued identiﬁcation such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • thesaleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your speciﬁc consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may aﬀect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a lifethreatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indeﬁnitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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VALUATIONS

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies. SOUTHAMPTON

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We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

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Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk

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Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500.

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A345 Castle Rd

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WOOLLEY & WALLIS SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 5161 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd +44 (0)20 7424 7830 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

SILVER & OBJECTS OF VERTU

Lot Number

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

WEDNESDAY 22ND & THURSDAY 23RD JULY 2020 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

All accounts must be settled within 21 days. ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 5161 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR JULY 1st 2nd 15th 22nd & 23rd

Fine Chinese Paintings & Works of Art, Ja panese Works of Art Asian Art II Jewellery Silver & Objects of Vertu

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 25TH NOVEMBER 2020 SILVER AUCTION

AUGUST 11th 26th

Furniture, Works of Art & Clocks Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink and Lin Jammet

SEPTEMBER 8th 22nd

Old Masters, British & European Paintings Tribal Art & Antiquities

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 5161 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A German silvergilt model of a squirrel SOLD FOR £3,500*