Woolley & Wallis Auctioneers

FINE JEWELLERY WEDNESDAY 24TH & THURSDAY 25TH JANUARY 2024

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Samuel Hug FGA DGA Megan Corbett Beth Reardon

424595 424504 424586

Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Ruth Pike (Office Manager) Lynda Cummins Gemma Pointer Nicola Young

339752 446980

ASIAN ART

Sally Litherland

MARKETING Chloe Davie

424506 424583 424589 +44 (0)7812 601098 424571 424591

ACCOUNTS Sharon Ringwood Ania Antkowiak

BOARD OF DIRECTORS

BRITISH AND CONTINENTAL CERAMICS & GLASS

John Axford MRICS Chairman

Clare Durham Hollie Morrison

424507 446964

Natalie Milsted FCCA Managing Director

424589 424571

Alexandra Aguilar Ed Beer Clare Durham Victor Fauvelle Will Hobbs Samuel Hug FGA DGA Michael Jeffery Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Michelle Yu

FURNITURE, WORKS OF ART & CLOCKS 411854 446974 339161 339161 339161

JAPANESE ART Alexandra Aguilar

424583

ASSOCIATE DIRECTORS

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Georgina Way

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Sarah Bennie

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers Archie Swann

424500

CASTLE GATE RECEPTION

Will Hobbs Georgina Way

Mark Yuan­Richards Neil Grenyer Jim Gale Sarah Stone Victoria Elwell

424502 446974 424509

GENERAL OFFICE

20TH CENTURY DESIGN

John Axford MRICS Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Michelle Yu Nelson Chui

Jeremy Lamond MRICS FRSA Neil Grenyer Amanda Lawrence Hannah Farthing (Trainee Valuer)

424501 424594

CBP006075

446951

FINE JEWELLERY WEDNESDAY 24TH JANUARY 2024 10.00AM LOTS 1 - 403 THURSDAY 25TH JANUARY 2024 10.00AM LOTS 404 - 769 at our City Centre Salerooms, SP1 3SU

VIEWING AT OUR CITY CENTRE SALEROOMS, SP1 3SU Friday 19th January Saturday 20th January Monday 22nd January Tuesday 23rd January

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Samuel Hug FGA DGA 01722 424586 sh@woolleyandwallis.co.uk

No viewing on the days of the sale You will be asked for I.D. prior to viewing

Megan Corbett mc@woolleyandwallis.co.uk

Beth Reardon br@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26% plus VAT

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE CONDITION OF LOTS

bid.woolleyandwallis.co.uk

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms Facebook: @woolleyandwallis

ILLUSTRATIONS Front cover: Lot 769 Inside front cover: Lot 767 Page 1: Lot 764 Back cover: Lot 768

Twitter: @woolleywallis Pinterest: Woolley and Wallis

Catalogue £10.00 (£15.00 by post)

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JEWELLERY NOTICES Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

VAT Please note that lots marked † are subject to VAT on the hammer price.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/ ARTISTS’S RESALE RIGHTS / DROIT DE SUITE Lots marked Φ are potentially subject to a levy.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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1 A collection of jewels, comprising: six gold chain bracelets, three gold chain necklaces, variously marked for 9ct and 18ct gold, some unmarked, combined gross weight 71 grams; a 9ct gold piercing bar, British hallmarks; a gold and platinum watch chain; a turquoise rivière mounted in gold, length 42.5cm; a pair of gold and lapis lazuli earrings, post fittings; a gold pendant designed as a globe, set with a star sapphire, length 3.6cm; a silver anchor link bracelet; a silver and turquoise bracelet; a platinum watch chain with a silver clasp; a gold chain suspending a rotating chalcedony seal depicting a pair of scissors surrounded with the motto ‘Parted to Meet Again’; a cultured pearl necklace with a garnet clasp; a garnet bead bracelet with an enamel clasp; a painted enamel brooch (cracked); and a rolled gold pocket watch, jewellery case £800­1,200 2 A collection of jewels, comprising: a rhodocrosite bell push, signed Asprey; an Art Deco travel clock, signed LeCoultre; one 9ct and one 18ct gold wedding band, sizes L½ and O; a gold ring channel­set with baguette diamonds, size U; an 18ct gold, sapphire and diamond ring, size Q, British hallmark; a blue topaz ring mounted in gold, size T½, stamped 10K; a silver chain necklace; a gold gate bracelet; a silver gilt bracelet; a simulant pearl necklace with a garnet and cultured pearl clasp mounted in 9ct gold, British hallmarks; a cultured pearl necklace; two 9ct gold propellor pencils, British hallmarks; a 9ct old cocktail stirrer, a gilt metal fountain pen; British hallmarks; a garnet brooch; a pair of diamond earrings, post fittings; twelve shell cameos; a garnet and sapphire bar brooch; a citrine brooch, stamped 9ct; a 9ct watch, British hallmarks; an enamel and diamond brooch designed as a posy of violets; length 3.8cm; four carnelian fob seals; a smaller carnelian fob seal pendant; a silver and marcasite pendant; a pair of paste shoe buckles; a pearl and diamond stick pin; a silver buckle; an agate fob seal; a gold, enamel and seed pearl scarf grip; a pair of gold cufflinks, stamped 9CT; a pair of silver ear clips; a gilt metal medallion pendant; and a gold coin, jewellery case, pearls untested £800­1,200

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3 Ten jewellery cases, comprising: three cases stamped Guild of Handicraft; one stamped Garrard & Co.; one stamped Antrobus; one stamped Collingwood & Co.; a modern ring case stamped Cartier; a ring case and cardboard box stamped Boucheron; and a ring case stamped Van Cleef & Arpels £200­300 λ 4 Various bead necklaces, including two graduated banded agate “bull’s eye” bead necklaces, a dentritic bead necklace, faceted amber bead necklaces, chalcedony and agate bead necklaces, a necklace mounted with various stone beads and a pair of coral bead earrings. £200­300 5 A collection of buckles, late 18th/early 19th century, comprising: a pair of gilt metal shoe buckles, case; a single shoe buckle set with colourless pastes, case; and six assorted shoe buckles, set with colourless and violet pastes, largest 8.8cm £150­250

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6 Four brooches and three pendants, 19th century, comprising: three brooches of crescent moon motif, set with colourless pastes in closed­back settings, largest 8.2cm, one smaller paste brooch; a cross pendant set with peach­coloured pastes, length 7.8cm; and two pendants set with colourless pastes £200­300 7 A Vauxhall glass demi­parure and a paste hair ornament, late 19th century, comprising: a tiara and necklace in red Vauxhall glass mounted in gilt metal, necklace length 34cm, tiara inner curve 28cm, each with late 19th century British registered design marks, some pastes deficient; and a tiara in gilt metal set with a sequence of multicoloured pastes, inner curve 18cm £150­250 8 A collection of hair jewels, 19th century, comprising: two bracelets composed of woven hair, one centred on an oval mother of pearl clasp painted with flowers; a pair of earrings composed of woven hair, length 6.8cm; a pair of earrings suspending drops of carved wood, length 7.2cm; a ring composed of woven hair and gilt metal wire, size M½; a mourning ring centring on a panel of hairwork, set with black pastes, the reverse with a commemorative inscription, size S; a brooch composed of a rectangular panel set with woodshavings arranged as a bouquet of flowers; and an oval panel with the intials FE and the words ‘The gift of Friendship’ in imitation seed pearl beads, on a ground of hair, length 4.9cm £150­250 9 A collection of paste jewels, late 19th/early 20th century, comprising: four brooches of star design set with cushion­shaped pastes, mounted in silver, largest 3.8cm; and five crescent moon brooches, set with colourless pastes, one additionally set with paste cabochons £200­300 imitating turquoise, longest 7.3cm, two cases λ 10 A group of jewels, 19th century and later, comprising: a necklace of woven hairwork, length 40cm; a coiled snake bracelet in woven hair; a coiled snake bracelet; a coiled snake bracelet in gilt silver, set with tiger’s eye cabochons; a ring set with green paste within a border of seed pearls, applied with black enamel, size M½; and two tortoiseshell haircombs, one topped with a line of spheres, the other topped with a band of Greek key decoration, larger 13.5cm, one with fitted case £200­300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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11 A gilt metal hair ornament, 19th century, designed as a tiara, decorated with spikes capped with gilt metal spheres, to a hinged comb fitting, inner curve 23.5cm £150­250 12

12 Three hair ornaments, 19th century, comprising: a tiara set with colourless pastes, to a steel frame, inner curve of frame 25cm, one paste deficient; a hair ornament in gilt filigree set with red pastes, inner curve 17.4cm, comb deficient; and a hair ornament of foliate design in gilt wire, set with colourless pastes, inner curve 17.1cm, several pastes deficient £200­300 λ 13 Three gilt metal and tortoiseshell hair combs, 19th century, comprising: a hair comb of fanned outline, in foliate gilt metal openwork, to a tortoiseshell comb fitting, length 19.4cm; a gilt hair comb designed as a coronet capped with gilt metal spheres, to a hinged tortoiseshell comb fitting, length 9.4cm; and a hair comb of similar design capped with simulant pearls, length 10cm £150­250 14 Three bracelets, 19th century, comprising: one bracelet composed of gilt metal panels, the clasp set with a cabochon carnelian; one composed of carnelian cabochons within cannetille borders set with circular­cut green pastes; and one composed of translucent white glass painted with bouquets of flowers, longest 19cm £150­250 15 Three chatelaines, 19th century, each designed in the Rococo revival style in gilt metal, suspending various pendants including etuis, bodkin cases and vinaigrettes, longest 24cm £150­250 13

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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λ 16 A coral parure, 19th century, comprising: a necklace and bracelet, each composed of strands of coral beads to a coral cameo clasp, lengths 34.5 and 17.5cm respectively; a coral bead cluster brooch, diameter 3.2cm; a pair of coral cameo earrings, length 3.7cm each, later hook fittings; a coral cameo ring, size I; and a coral cameo haircomb, width 9.6cm, case £400­600 17 A collection of bracelets,19th century, comprising: four bracelets, three composed of elongated gilt metal panels of various design, longest 18cm; and one composed of gilt metal cannetille links, the clasp set with £150­250 pink and green paste, length 19.5cm

λ 18 A collection of tortoiseshell jewels, 19th century, the jewels each composed of moulded and carved tortoiseshell decorated with gold and silver piqué work, comprising: four pairs of earrings and one single earring, longest 5.4cm; a locket pendant, length 7.6cm; a Maltese cross pendant and a circular pendant, longest 5.6cm; a circular brooch, 3.7cm diameter; two pairs of hair pins and a single hairpin, longest 13.6cm; a pair of haircombs and a single haircomb, widest 12.3cm; a length of chain, length 19cm; a necklace suspending a locket pendant, length 44cm, clasp deficient; a bracelet with a padlock clasp, length 19.5cm; two chain necklaces, longest £150­250 78cm; together with a pair of disc­shaped copal resin beads 19 A collection of six pendants, 19th century, comprising: six pendants, each designed as a cross, one in onyx set with pearls, pearls untested; one £150­250 in gold cannetille; and four in gilt metal, longest 8.2cm

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20 A collection of six bracelets, 19th century, comprising: a pair of bracelets composed of a wide ribbon threaded with green beads, to gilt metal clasps; another pair of bracelets composed of strands of red fabric, to foliate gilt metal clasps; another bracelet composed of oval links in light blue enamel with foliate scrolls in reserve; and a gilt metal links with floral decoration, longest 19cm £150­250 21 A group of cut steel jewels, 19th century, comprising: a pair of pendent earrings, length 7cm each, hook fittings; a steel pendant set with an oval jasperware plaque depicting a shepherd with a dog, length 7.6cm; a cut steel and simulant pearl pendant with a painted oval miniature of a putto with a pair of cymbals, length 7.1cm; an oval brooch set with a painted enamel miniature of a woman in a pastoral landscape, within a border of cut steel, length 5.1cm; and two cut steel and jasperware cameo belt plaques, largest 8.8 x 5.5cm £150­250 22 A collection of cut steel jewels, 18th and 19th century, comprising: a steel longchain necklace, length 111cm; a cut steel bracelet composed of floral links, length 20cm; a cut steel and enamel miniature bracelet, length 17.5cm; a cut steel and green glass pendant, length 19cm; five cross pendants, longest 8.5cm, one 20th century; and two cut steel chatelaines, longest 19.5cm £150­250

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23 A collection of paste jewels, 18th­20th century, comprising: a blue paste pendant, length 4cm; a colourless paste brooch and a green and colourless paste brooch, each of foliate design, longest 6.9cm; a pair of navette­shaped earrings set with colourless paste, length 2.4cm; a drop­ shaped openwork brooch set with cushion­shaped colourless pastes, length 5.2cm; a cross­shaped pendant set with cabochon purple paste, length 8.3cm; a heart­shaped blue glass and colourless paste pendant, length 6.4cm, glass panel loose to reverse; an Art Nouveau paste and simulant pearl necklace, length 40cm; and two pairs of pendent earrings set with circular­ £150­250 cut colourless pastes, longer 6.6cm, screw and hook fittings respectively 24 Four sets of buttons, 19th century, comprising: a set of ten buttons of foliate design, set with colourless paste, case; a set of six buttons of swirl design set with colourless paste, case; a set of 22 buttons and eight smaller buttons, each set with goldstone glass and colourless pastes, case; and a set of eight engraved mother of pearl buttons set with blue pastes, case, largest 3.1cm diameter £150­250

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25 A collection of jewellery components, including an unset circular cut diamond, a mounted kite­shaped diamond, partly laid out diamond set arrow fletching terminals, a pair of unfinished diamond drop earrings, damaged seed pearl and diamond bracelet, a diamond set wheel, three pearl set stickpins, a pair of unset pearl and diamond ear studs, a cabochon garnet set clasp and a diamond set brooch, numbered and probably French mark, pearls untested £800­1,000

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A large selection of untested loose and strung pearls, mainly or all cultured £200­300

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A large selection of untested loose and strung pearls, mainly or all cultured £400­600

28 A large selection of untested loose and strung pearls, probably including natural saltwater pearls, a broken pearl necklace with emerald beads, and a broken pearl necklace with ruby beads £400­600 29

A large selection of untested loose and strung pearls, mainly or all cultured £400­600

30 A selection of 40 untested pearls, including conch pearls and other non nacreous pearls £200­300 30

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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31 A group of jewellery, comprising: a floral gold wedding band, size R½, Chester hallmarks for 18ct gold, date letter for 1908; three 18ct white gold wedding bands, British hallmarks; two cultured pearl necklaces £100­200 TO BE SOLD WITHOUT RESERVE 32 A collection of jewels, 19th and early 20th century, comprising: a cultured pearl scarf necklace terminating in two black enamel and paste spheres, another of simulant seed pearls and colourless pastes; four paste brooches of cluster design; a pair of 18th century opaline paste earrings; a gold and paste brooch; a gold compass charm, British hallmarks for 9ct gold; and a pair of pendent earrings £200­300 33 A group of jewels, including a Tiffany mirror pendant, comprising: a silver and mother of pearl mirror pendant, length 8.2cm, signed Tiffany & Co. Paris, French assay mark for silver, on a silver ropetwist chain; a gold bracelet suspending six hardstone seal pendants, length 18.5cm, British hallmark for 9ct gold; a citrine and seed pearl cluster ring, mounted in gold, size K; a cultured pearl and seed pearl ring mounted in gold, size M½, stamped K18; a cultured pearl necklace and bracelet, the clasps each set with carved discs of jadeite, mounted in gold, lengths 40 and 18.5cm respectively; a brooch set with jadeite carved as a dragon, mounted in gold, length 5cm; a gold and bloodstone fob seal, height 1.8cm; a cultured pearl and paste brooch, length 2.8cm, stamped K14; a pair of black cultured pearl earrings, length 1.9cm each, hook fittings; a silver bracelet and pair of earrings designed as arum lilies, bracelet length 17cm, stamped Sterling; earrings each 2.5cm, post fittings; a pair of silver clip brooches designed as leaves, length 4.5cm each, signed A. Kert, stamped 830S; a modernist silver snake link longchain necklace, length 144cm; and a stainless steel watch by Seiko, quartz movement £400­600

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λ 34 A single row coral, seed pearl and amethyst bead necklace, suspending a carved amethyst netsuke depicting a tiny bear climbing a persimmon, the pendant unscrews so that the necklace can be worn with two rows, length 86cm, together with a matching shorter necklace, length 42cm, and a Victorian carved coral brooch, set in gold, length 7cm £200­300 35 Two necklaces, one composed of pale green and lavender jadeite beads, to a gold clasp, length 61cm; and a necklace set with polished amethysts, to an amethyst bead necklace, length 46cm £150­250

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λ 36 A large group of jewels, 19th century, comprising: 22 mourning jewels containing woven hairwork, variously mounted in gold and gilt metal, largest 5.6 x 4.8cm; a coral figa pendant; two rotating carnelian fob seals; a seed pearl hairpin and a Scottish hardstone hairpin; an Edwardian amethyst and seed pearl pendant; and a shell cameo pendant, pearls untested £300­500 37 A collection of jewellery and watches, comprising: three gold sovereign coins; a ruby and diamond bracelet, mounted in gold; an emerald and diamond bangle, mounted in gold; two fine gold chain necklaces; a gold fancy link chain necklace; a gold and turquoise bracelet, stamped 14K; a gold pendant designed as a four­leaf clover, stamped 22CT; a gold and turquoise thimble; a silver and carnelian thimble; two cultured pearl necklaces, one clasp stamped 750, British hallmarks, the other stamped 375; three gilt metal and steel watches; one gold watch; a silver religious medallion; and a gilt metal chain, stamped Napier £600­800 38 A collection of jewels, comprising: a sapphire and diamond brooch designed as a flowering branch in 18ct gold, length 5.2cm, British hallmarks; a pair of emerald and diamond cluster stud earrings, length 0.9cm each, post fittings; a pair of multicoloured paste earrings and a matching ring; a pair of green and colourless paste earrings; a pair of multicoloured paste earrings; a pair of cultured pearl and paste earrings; three pairs of cultured pearl earrings; a pair of silver and amber earrings; a pair of citrine earrings; a pair of turquoise earrings; a pair of ruby and simulant diamond cluster studs, longest 3.8cm £400­600

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39 A large collection of jewellery, comprising: a gold chain bracelet, Austrian assay marks for 14ct gold; a lady’s 9ct gold Rolex, British hallmarks, Rolex case; two 9ct gold necklaces, British hallmarks; an emerald and diamond pendant on a 9ct gold chain, British hallmarks; a 9ct gold curb bracelet with a heart padlock clasp, partial British hallmarks; a gold necklace, stamped 750; an 18ct gold diamond cluster ring, British hallmarks; a 22ct gold wedding band, British hallmarks; a sapphire and diamond ring, stamped 18CT; a garnet and pearl ring, stamped 9CT, a gold garnet ring and a gold and white hardstone ring; a gold roundel brooch reading ‘ROMA’, Papal assay mark; a gold Etruscan revival mourning brooch, combined total gross weight 154 grams; together with a cultured pearl and paste necklace; two gilt brooches, one black resin cat pendant; and a large collection £800­1,200 of stud earrings, pearls untested 39

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TO BE SOLD WITHOUT RESERVE

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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40 A collection of jewels and watches, comprising: a 9ct gold locket pendant on a chain, British hallmarks; a Mexican two peso coin 9ct gold ring, size J½, British hallmark; a black enamel ring, size I½, stamped 9ct; a 22ct gold wedding band, size I, British hallmarks; a gold and ruby brooch of floral design, length 4.9cm, stamped 750; a three­stone simulant diamond ring in 9ct gold, size N½, British hallmarks; a lady’s watch by Tissot, length 16.5cm, stamped 585, quartz movement, combined gross weight 71 grams; together with a silver watch by Rotary, length 17cm, quartz movement, British hallmarks; and a stainless steel watch by Tissot, length 15cm, quartz movement; £400­600 41 A collection of jewels, 19th/ early 20th century, comprising: a gold watch chain, length 34.5cm, British hallmarks for 9ct gold, date letter for 1891, gross weight 27 grams; an Edwardian peridot and seed pearl brooch, length 4.4cm, stamped 15CT; a navette­shaped pendant/brooch, with a glazed centre bordered by seed pearls, length 3.2cm; a garnet and paste brooch, length 3.5cm; a paste pendant, length 7.2cm; a blue glass and colourless paste brooch, diameter 2.7cm; a silver pocket watch, length 5.5cm, inscribed, Swiss assay marks for silver; a silver snuff box, measuring 6.9 x 3.6 x 1.6cm, British hallmarks; and a nephrite letter opener mounted in silver, length 23.8cm £200­300 42 A collection of four cameo jewels, 19th century, comprising: a finely carved shell cameo depicting a laureated Zeus, length 4.7cm; a shell cameo brooch depicting the Laocoon, length 5.6cm; and another depicting a pair of doves within a wreath of wildflowers, length 6.9cm; together with a silver scent bottle set with a shell cameo depicting a crowned woman in classical dress, to a necklace composed of stamped links, necklace length 94cm, pendant length 13.5cm £400­600

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43 A pair of cut steel shoe buckles, early 19th century, each of oval outline, the centres with a blackened finished, bordered by faceted steel studs, each measuring 6.3 x 4.5, fitted case £200­300 λ 44 A mixed group of jewels, comprising: a moonstone and sapphire necklace, mounted in gold; a mid­century gold brooch depicting a songbird on a branch; a gilt metal and multicoloured paste bracelet; a gilt metal bangle; a pair of gold, feather and coral earrings, signed Misani, Italian maker’s mark, stamped 750; a carved wood brooch centring on a picture of an owl; and a plastic and gilt metal flask designed as a twisted coral branch £150­250

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45 Two cheroot holders and two hardstone carvings, comprising: a cheroot holder in gilt metal, applied with green guilloché enamel, length 7cm, stamped Austria Double, handle deficient, fitted case; another cheroot holder in gilt metal with banded enamel decoration, to a resin mouthpiece imitating amber, length 10.4cm; a serpentine carving of a kingfisher, its eyes set with demantoid garnets, height 4.4cm; and a bloodstone carving of a crow, height 5.4cm £200­300 λ 46 A mixed group of jewellery, comprising: a jadeite and coral necklace; a Belle Époque diamond ring, size K; a gold and diamond ring, size K, stamped 585; a cabochon garnet ring, size M½, stamped 9CT; a silver and diamond plaque brooch, length 4cm; a pair of Wedgwood cameo earrings; an opal and diamond bar brooch, length 5cm, stamped 9CT; a shell cameo brooch; and a shell cameo in a scrolled silver surround set with rubies and emeralds, length 6.8cm £100­200 47 A group of jadeite jewels, comprising: a pair of earrings, length 8.9cm each; and four pendants, each composed of carved jadeite, largest measuring 4.5cm £400­600

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48 A collection of jewels including a brooch by E.Wolfe & Co., comprising: a gold and diamond brooch designed as a sprig of Lily of the Valley, in 18ct gold, accented with brilliant­cut diamonds, length 5.6cm, signed EW&Co., British hallmarks for 18ct gold, date letter for 1975; a Retro gold brooch designed as a flowers, in 14ct gold, set with green tourmalines, citrines, and single­cut diamonds, length 5.1cm, British import hallmarks; a foliate gold brooch set with circular­cut aquamarines, length 5.2cm; a gold necklace, the front set with cabochon rubies, length 39.5cm; a pair of earrings in bicoloured gold set with single­cut diamonds, length 1.6cm each, clip and post fittings, stamped 750; two gold and cultured pearl brooches, longer measuring 5.3cm, one stamped 375, one with British hallmarks for 18ct gold; a bar brooch set with a hexagonal amethyst, length 5cm; a pair of ruby and diamond studs, length 1.5cm, post fittings; a brooch of foliate design set with marquise­shaped rubies, length 2.3cm; a low­carat gold bracelet set with step­cut synthetic corundum, length 16.5cm; and a bracelet centring on a an arched gold panel set with brilliant­cut diamonds, to a curb­link gold bracelet, length 18cm; a zircon pendant, chain stamped 9ct; a gold brooch designed as a curved branch set with circular­cut rubies and brilliant­cut diamonds, length 4.5cm, British hallmarks for 18ct gold, maker’s mark for Cropp & Farr; a brooch of abstract foliate design in bicoloured gold, set with circular­cut rubies and brilliant­cut diamonds, length 3.2cm; a citrine and turquoise brooch, length 3.5cm; and a paste bar brooch £600­800 49 A collection of three jewels including a brooch by E Wolfe & Co., comprising: a brooch, designed as a seal balancing a ball on its nose, set with brilliant­cut diamonds, a cultured pearl and a circular­cut sapphire, length 3.3cm, signed EW&Co, British hallmarks for 18ct gold; an 18ct gold bracelet composed of textured rope twist links, length 19.5cm, British import hallmarks for 18ct gold, Italian maker’s marks, combined gross weight 46 grams; and a 9ct rope twist chain necklace, length 49.5cm, £1,000­1,500 British hallmarks, gross weight 50 grams, fitted case stamped Hamilton & Inches

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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50 A group of gold jewels, comprising: two signet rings and two chain necklaces, each with British hallmarks for 9ct gold, a gold longchain, stamped 9ct; two 22ct gold wedding bands, British hallmarks; a bracelet centring on an inscribed plaque, broken, stamped 585; a gold charm bracelet, bracelet stamped 375, some charms with British hallmarks for 9ct gold, one charm of gilt metal; together with a tumbled citrine and gilt metal pendant, total combined weight excluding citrine pendant 142 grams £1,200­1,500

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51 A collection of gold and gilt metal accessories, early­mid 20th century, comprising: a 15ct gold and diamond locket pendant on a chain with T­bar, length 7cm, British hallmarks; a 9ct gold vesta case, inscribed ‘TIN’, measuring 4.4 x 3.7 x 1.0cm; a gilt metal lighter by JC Dupont, of fluted design; an 18ct gold­cased lighter by Dunhill, fitted case stamped Dunhill £400­600 52 A collection of gold jewellery and a pair of jadeite cufflinks, comprising: a 9ct gold bangle of bamboo design, British hallmarks; a 9ct gold rope twist chain necklace, British hallmarks; a gold fancy­link bracelet, stamped 375; a cultured pearl pendant necklace and a sapphire and opal pendant necklace, one stamped 375; a 9ct gold brooch modelled as a curled feather, British hallmarks; a gold brooch designed as a rosette, Italian maker’s marks, stamped 750; a low carat gold brooch, stamped 333 AD; a pair of jadeite cabochon cufflinks mounted in gold; and a conch pearl cameo brooch £400­600 53 A mixed group of gold chains and two rings, including four fine link gold neck chains, one suspending a cross, a 9ct gold Albert chain (broken), a diamond and cultured pearl pendant in platinum, a George III garnet and seed pearl ring, size O and a diamond half hoop ring in 18ct yellow gold, size N, total weight 50g £200­300 54 A collection of gold jewels, comprising: a ruby and diamond cluster ring; an amethyst three­stone ring; a signet ring set with onyx; a plain signet ring; a floral wedding band, British hallmarks for 18ct gold; a cross pendant, British hallmarks for 9ct gold; a fox hunting brooch by Alabaster & Wilson, stamped 15ct; two amethyst pendants on gold chain necklaces; a gold medallion pendant depicting the Parthenon, on a gold chain necklace, total combined gross weight 50 grams £200­300

52

54

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56 55 A group of jewels including an 18ct gold fob watch, the full hunter pocket watch engraved to the front with the initials LSG, opening to reveal a white enamel dial with Roman numeral indicators and subsidiary seconds dial, movement and case interior signed Omega, British import hallmarks for 18ct gold, numbered 4476791, suspended from a gilt bow brooch; a silver filigree cross set with garnets and turquoise; an amethyst brooch; a blue enamel and half pearl ring, stones deficient; a 9ct gold and half pearl ring, central element deficient, British hallmarks; an early 19th century garnet locket pendant and two mourning brooches, each with damage; together with a shell cameo depicting a Bacchante; a plastic elephant charm; and a £200­300 heart­shaped pendant and two brooches in base metal, pearls untested

55

λ 56 A collection of jewels, 19th/early 20th century, comprising: a Vauxhall glass butterfly brooch, length 5.4cm; an ivory miniature and enamel brooch, length 2.5cm; four gilt metal and enamel brooches; a circular gold brooch, 2.5cm diameter, French assay mark for 18ct gold; two onyx buttons; a green paste, pearl, turquoise and diamond bar brooch, length 3.6cm, pearl untested; a hat pin designed as a bow set with colourless pastes; a gunmetal propelling pencil pendant, extended length 11cm; a spherical watch pendant with domed glass to each side, butterfly wing tie pin, length 8cm, stamped 14K; two gold pin fittings; a gilt metal roundel set with a coral bead, 2.7cm diameter; a gilt metal cylindrical bead set with cushion­shaped rubies, length 1.5cm; a pearl and diamond fitting, pearl untested; and a blue and white ceramic bead with a line of marcasites £150­250 57 A collection of jewels, 19th century, comprising: a pendant, possibly Southern Italian, set with a painted miniature of the Madonna and Child, to a gold filigree mount and chain set with pearls, total pendant length 11.4cm, chain length 73cm, pearls untested; an oval pendant set with rose­cut almandine garnets, length 3.5cm; and a half hoop ring set with cushion­shaped sapphires and diamonds in closed­ back settings, size L, one diamond deficient; and a ring pavé­set with turquoise cabochons, size N½, one turquoise deficient £100­200 TO BE SOLD WITHOUT RESERVE 58 A mixed group of jewels, comprising: a rose gold charm bracelet suspending three charms depicting a four­leaf clover, an enamelled ladybird and the letter V, length 18cm, signed Dodo, Italian maker’s marks, stamped 750; a gold and pale nephrite bracelet, length 18cm, stamped K14; a cultured pearl necklace, length 44.5cm; a silver bangle with a design of birds and clover, inner circumference 17cm, British hallmarks for silver, inscribed Jean Arthur, dated 3/9/40; together with a gilt metal necklace, the pendant with the initial V £100­150

57

λ 59 A mixed group of jewellery, comprising: a black onyx necklace, to a gold clasp, length 49.5cm; a pair of shell cameo cufflinks, mounted in gold, each 1.9 x 2.5cm, stamped K14; a pair of gold earrings set with oval amethysts, length 4.5cm each, hook fittings, stamped 750, Italian maker’s marks; and a pair of coral bead drop earrings, length 5cm each, post fittings £200­300

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60

60 A pair of Art Nouveau silver cuffs, early 20th century, each designed £100­200 as an owl in flight, inner curve 13cm, width 7cm

61

61 A silver and enamel vesta case, circa 1909, the lid with an enamelled roundel of a partially clothed woman smoking a cigarette, opening to reveal a wooden interior, to a flared foot, the front with a cylindrical vesta panel, measuring 7.7 x 9.2 x 2.6cm, British hallmarks for silver, Chester, date letter for 1909, sponsor's mark SB&Co Ld, stamped Turbine Patent £200­300 62 A group of gold accessories, late 19th/early 20th century, comprising: six propellor pencils and one fountain pen, longest set with amethyst, measuring 13.2cm; a 9ct gold cocktail swizzle stick, British hallmarks; a flared gold utensil with a sprung mechanism, length 7.5cm, British hallmarks; and a gold brooch designed as a rifle, length 6.3cm £700­900 63 A group of four pairs of cufflinks, including a 19th century pair of banded agate oval cufflinks in gold, a pair of rectangular banded agate cufflinks with gold terminals, a pair of rock crystal, seed pearl and onyx circular cufflinks and a pair of 18ct gold disc cufflinks with baton terminals £200­300 64 Three pairs of cufflinks, comprising: a pair of cufflinks, the fronts designed as twisted bows set with brilliant­cut diamonds, length 1.9cm, French assay marks for 18ct gold, French assay marks for Lasbleitz Fournier Vitello, numbered 54348; a pair of mabé cultured pearl and yellow diamond cufflinks of cluster design, larger cluster 1.2cm diameter, French import assay marks for 18ct gold, a pair of silver and wood cufflinks, Italian maker’s marks £200­300

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65

λ 65 Seven assorted pocket watches, comprising: a silver pair cased watch, by G. Coleman of London, numbered 6179, rubbed London marks, missing glass, 5.8cm wide; a metal pair cased watch with tortoiseshell outer case and associated shagreen cover, by Harvey of Wandsworth, 4.0cm wide; a silver watch by Jn Kelham of London, numbered 1960, marked for London 1787, 4.0cm wide; a silver pair cased watch by Jas Pirie, numbered 20202, also marked for Cullen, Birmingham marks for 1820, 4.5cm wide; a silver pair cased watch by William Pratten of Batin, numbered 102, London marks for 1785, 4.5cm wide; a silver watch by Jn Snowden of Grimsby, numbered 1114, rubbed marks, 4.8cm wide; a metal unsigned pocket watch, wriggle work decoration, 4.5cm wide £200­300 66 Four pocket watches and two watch movements, comprising: a silver watch by Wm Fasleton of Liverpool, numbered 10430, Birmingham marks for 1792, metal outercase, 5.4cm wide; a watch by Richard Post of London, numbered 1700, 4.3cm wide, metal outer case; watch by John Newton of London, numbered 2414, 4.5cm wide; a watch by Samson of London, 5.8cm wide; a watch by Samson of London, 5.8cm wide; a pocket watch movement by Benjamin of London and another movement

by Story of London, numbered 9528 with diamond end stone £200­300 67 Four assorted pocket watches, comprising: a silver pair cased watch, by Jas Fletcher of Rotherham, numbered 731, Birmingham marks for 1801, 5.4cm wide; a pair cased silver watch by J. Cosmer of Tonbridge, numbered 27807, London marks for 1807 (outer case) and 1868 (inner case), 5.5cm wide; a metal watch by Nat Turner of Kings Caple, signed between the Roman numerals on the dial, Anthony Clark, 5cm; a silver pair cased watch by J. Josephson of London, numbered 1471, rubbed marks and £300­400 metal and leather outer case with piqué decoration, 4.8cm wide (two watches damaged) 68 Seven assorted pocket watches, comprising: an unusual French half hunting cased fob watch

by C H Oudin, Paris, 4cm wide, with a chatelaine; a metal open faced watch by West End Watch Company, 5cm wide, with case; a gilt metal watch by VW of Cambridge, numbered 536, 4.5cm wide; and four further open faced watches £200­300

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69

70

69 A collection of four pocket watches, comprising: a half hunter pocket watch in 18ct gold, movement signed W.Hirde, Barrow in Furness, case numbered 12314, Chester hallmarks, date letter for 1890; another 18ct gold full hunger pocket watch, movement signed Thompson & Vine, numbered 5701, case interior signed 5701, London hallmarks, date letter for 1888, combined gross weight 175 grams; together with a silver pocket watch and a rolled gold pocket watch £1,200­1,500 70 A collection of three pocket watches, early 20th century, comprising: one half hunter pocket watch in 18ct gold, length 5.4cm, signed Thomas Mowbray & Sons, British hallmarks for 18ct gold, Birmingham, date letter for 1901, numbered 5453, key winding movement, case; a rolled gold pocket watch by Waltham, length 7.1cm, signed Waltham, numbered 66145, inscription dated to 1905; and a silver pocket watch, length 7.7cm, British hallmark, London, date for 1934, case £600­800 71 Robert Scott, a late Victorian 18ct gold pocket watch, circa 1898, the full hunter pocket watch engraved with the entwined intials MNB, opening to reveal a white enamelled dial with black enamel Roman numeral indicators and blue steel hands, the reverse plain, surmounted by a winder and suspension hoop, cased in 18ct gold, dial and movement signed Robert Scott, dial, case and movement numbered 53916, case interior inscribed 31st March 1910, British hallmarks for 18ct gold, Chester, date letter for 1898, sponsor's mark JH, gross weight 161 grams, fitted case stamped Robert Scott £2,000­3,000

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72

72 Golay­Leresche & Fils, an openfaced fob watch, signed dial with subsidiary seconds dial, Arabic numerals and minute markers, stem winding, in 18ct gold case with cipher and crest engraved to reverse, 95g £600­800 73 A gold repeater pocket watch, Switzerland, early 20th century, the white enamel dial with black Roman numeral indicators and blue steel hands with subsidiary seconds dial, within a plain gold case, length 7.1cm including suspension hoop, manual winding movement, Swiss assay marks for 18ct gold, stamped 18K, numbered 388 and 7388 £500­700 74 A gold pocket watch, circa 1917, the full hunter pocket watch with engine turned decoration, inscribed with the initials RBSL, to a white enamel dial with black Roman numeral indicators and a subsidiary seconds dial, length 6.3cm including suspension hoop, British hallmark for 18ct gold, London, date letter for 1917, indistinctly signed to dial, numbered 5845, gross weight 72 grams, case £500­700

73 74 19

75 Cartier, a gold pocket watch, early 20th century, the dial with black enamel indicators and blue steel hands, with subsidiary seconds dial, to a plain gold bezel, winder and suspension hoop, the reverse with the entwined initials WHS in blue enamel, length 6.2cm including winder and suspension hoop, manual winding movement, dial signed Cartier, case back interior numbered 81084, French maker’s mark AB, French import assay marks for 18ct gold, movement unsigned, glass loose £500­700 76 An Art Deco diamond pocket watch and diamond cocktail watch, 1930s, the pocket watch with a silvered dial, Arabic numeral indicators and subsidiary seconds dial, to a plain platinum case and suspension hoop accented to the edges with single­cut diamonds, length 5.2cm including suspension hoop, signed Schot, case back stamped PLAT, manual winding movement signed Alpha, winder deficient; together with a diamond cocktail watch, the tonneau­shaped silvered dial with black enamel indicators and blue steel hands, to a bezel and shoulders of foliate design, set with single­cut diamonds, case width 1.3cm, dial signed Mappin, interior signed Vertex, numbered 046/9304, manual winding movement, signed VW Ltd, strap deficient £200­300

76 75

77 Longines, a lady’s 18ct gold wristwatch, circa 1973, the silvered dial with baton indicators and gold hands, to a brick link bracelet in three coloured 18ct gold with an engraved finish, length 16.5cm, width 1.9cm at widest point, manual winding movement, signed Longines, British hallmark for 18ct gold, sponsor’s mark DS&S, date letter for 1973, case £600­800

77 78

78 Omega, a lady’s gold wristwatch, mid 20th century, the circular silvered dial with baton indicators, to an articulated mesh link bracelet in 9ct gold, length 16cm, width at widest point 1.6cm, manual winding movement, signed Omega, Swiss assay mark and British hallmark for 9ct gold, sponsor’s mark DS&S, date letter indistinct £200­300 79 A collection of gold jewellery, comprising: a 9ct gold bracelet of gate link design, British hallmarks; a 9ct gold watch by Accurist, quartz movement, British hallmarks; a 9ct gold signet ring, size O, British hallmarks; and a 22ct gold wedding band, size O½, British hallmarks, combined gross weight 49 grams £300­400 80 Three watches, early­mid 20th century, comprising: a stainless steel Jaeger LeCoultre ‘Duoplan’ watch, with a black enamel dial case width 2.6cm, signed Jaeger LeCoultre, numbered 68852, manual winding movement, strap deficient; a gold watch by Longines with a white enamel dial and subsidiary second dial, the reverse inscribed ‘12­9­903 Lolita’, case width 2.9cm including winder, dial, case interior and manual winding movement signed Longines, case stamped with Swiss assay mark for 18ct gold, numbered 3658416; and a rectangular gold watch with a silvered dial, case 2.6 x 1.6cm including winder, manual winding movement, case interior signed M.Duarte, case back numbered 4987, indistinct assay marks £200­300

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81 82

81 Omega, two stainless steel wristwatches, comprising: a stainless steel Omega Seamaster, the black textured dial with gilt baton and Arabic numeral indicators, to a later expandable strap, case width 3.7cm including winder, signed Omega Seamaster, automatic movement; together with another stainless steel Omega wristwatch, the silver dial with baton indicators and subsidiary seconds dial, signed Omega, manual winding movement, case width 3.5cm including winder £200­300 82 Omega, a gentleman’s stainless steel watch, ‘Chronostop’, the brown enamel dial with baton indicators, within a plain stainless steel case with winder and stopwatch button, to a later brown leather strap, case width 3.6cm including winder, signed Omega, £200­300 automatic movement 83 A French early 19th century gold lorgnette, pierced scroll decoration, French assay marks for 18ct gold and partial maker’s mark, on a 9ct gold long chain, total weight 105g £1,500­2,000 84 A diamond lorgnette, early 20th century, designed as a spring­loaded pair of circular eyeglasses, mounted on a platinum handle set with rose­cut diamonds, length 11.7cm £200­300 85 A gold propelling pencil, late 19th/early 20th century, the exterior engraved with scrolled designs, extended length 11cm £150­200

83

86 Waterman, a gold fountain pen, of fluted design, the grip accented with black enamel, length 13.6cm, signed Waterman, French assay marks for 18ct gold, French maker’s marks Sté LF, initialled AP £200­300

84 85

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

87

88

89

λ 87 A coral necklace, composed of coral beads, length 98cm, gross weight 364 grams £400­600 88 A ruby, sapphire and diamond necklace, of torsade design, composed of 14 strands of ruby beads, to a floral clasp set with cabochon rubies, a cabochon sapphire and single­cut diamonds, length 41cm, stamped 585 £300­400 λ 89 A coral, enamel, cultured pearl and diamond pendant, of tassel design, composed of a large porous coral bead, in a setting applied with black enamel and pavé­set with brilliant­cut diamonds, suspending a tassel of cultured pearls, length 12.6cm, French assay marks for silver and gold £400­600 90

90 A pearl, turquoise and diamond choker necklace, late 19th century and later, the centre of foliate scroll design, set with rose­ cut diamonds and turquoise cabochons, suspending a pear­shaped turquoise pendant, to a necklace composed of six rows of pearls measuring 2.2­3.9mm diameter, to bar links and a bar clasp set with single­cut diamonds, mounted in silver and gold, length 32.5cm, pearls untested £600­800 91 Lalique, three jewels, early 20th century and later, comprising: a glass pendant depicting a Bacchante in a forest, designed by René Lalique for the perfume house Fioret, circa 1919­25, suspended from a fluted glass bead on a black silk cord, pendant length 3.5cm, signed Fioret Paris; a WW1 silver brooch in the form of a Maltese Cross, engraved with a man grasping an eagle by the throat, inscribed ‘Journee du Poilu 1915’, length 3.4cm, signed R Lalique, maker’s mark, brooch fittings possibly later; and a modern gilt metal and glass brooch modelled as a turtle, length 5.1cm, signed Lalique £200­300

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93

92 A jadeite pendant, designed as a pepper in black jadeite, with carved green jadeite leaves, to a cord necklace, pendant length 3.8cm £400­600

94

93 A baroque pearl and gem­set brooch, of Renaissance inspiration, designed as a mermaid in silver, her torso set with a large baroque pearl, accented with rubies, emeralds and rose­cut diamonds, suspending a foil­ backed garnet pendant, the bail set with a ruby, an emerald and a hessonite garnet, length 9.3cm, indistinct assay mark, pearl untested £300­400 λ 94 A coral parure, comprising: a necklace, a pair of pendent earrings and a ring, each set with cabochons of coral, mounted in gold, necklace length 43cm, earrings 3.9cm each, ring size P, each stamped 750, Italian maker’s marks £800­1,200 Accompanied by GCS report no. 5783­4321, stating that the coral is natural Corallium Japonicum

95

95 Two brooches, each designed as a galloping horse, one in 9ct gold, length 4cm, British hallmarks, maker’s mark for Alabaster & Wilson; the other in £500­700 white gold, pavé­set with brilliant­cut diamonds, length 4cm 96 Two brooches and a pair of earrings, Austria, mid 20th century, comprising: two brooches, each designed as a flower in white gold, one set with carved amethyst and a brilliant­cut diamond, length 4.8cm; one set with carved rock crystal and a cultured pearl, length 5.9cm, each with Austrian assay marks, stamped 585; and a pair of earrings, each designed as a flower in carved rock crystal, centring on a circular­cut peridot, to a white gold stem set with brilliant­cut diamonds, length 3.2cm each, clip and post fittings, signed Ges.Gesch £400­600 97 Two gold and enamel novelty brooches, mid 20th century, one designed as a fish, set with brilliant­cut diamonds, applied with multicoloured enamel, length 4.1cm, stamped 14K; the other designed as a cat, similarly applied with multicoloured enamel, accented by single­cut diamonds, a synthetic ruby and two pear­shaped nephrite cabochons, length 4.5cm, stamped 750 £400­600 98 Two brooches, comprising: a brooch designed as a row boat in silver, length 5.7cm, British patent mark; and a brooch designed as two running rabbits set with rose­cut diamonds and circular­cut rubies, length 3.3cm £200­300

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λ 99 A collection of Russian jewels, late 19th/20th century, comprising: a chain necklace suspending six egg pendants and an enamelled icon depicting the Madonna and Child, chain length 54cm, together with another three egg pendants including one in blue guilloché enamel and diamonds, Russian assay marks, another in pink guilloché enamel, and one in coral; an additional silver egg pendant, opening to reveal a chick; a double­headed eagle pendant, indistinct assay marks; a gold and enamel locket pendant bearing a coat of arms and a double­headed eagle within a laurel wreath; a cloisonné enamel whistle; and two religious pendants £400­600

101

100 A cultured pearl, enamel and diamond demi­parure, India, comprising: a necklace, composed of links set with lasqué­cut diamonds in foiled settings applied with green and white enamel, suspending a diamond and cultured pearl pendant accented with red enamel, to a gold back chain, length 45cm, adjustable; and a pair of pendent earrings of similar design, the articulated links suspending chains, designed to loop around the ear, length 6.5cm each £1,000­2,000 excluding chain 101 Tiffany & Co., four jewels, comprising: a band in three­coloured gold, size T½, signed Tiffany & Co., Italy; a silver bangle, inner circumference 17.8cm, signed T&Co. and Tiffany & Co., dated 1997; a silver chain bracelet with a heart­shaped padlock, length 16cm, inscribed ‘Please return to Tiffany & Co.’, stamped 925; and a silver longchain of ball linking, length 87cm, signed £200­300 Tiffany & Co., British hallmarks, four pouches and a box stamped Tiffany & Co. 102 A group of jewellery, comprising: an amethyst and diamond bar brooch of scroll design, mounted in 9ct gold, length 3.8cm, British hallmarks, case; an opal and diamond ring in 18ct gold, size P½, British hallmarks, case; a plain 18ct gold signet ring, size R, British hallmarks, case; and a 9ct gold enamelled locket pendant and chain, locket 3.4cm, chain 40cm, British hallmarks £150­250 TO BE SOLD WITHOUT RESERVE

102

103 A collection of jewels, early­mid 20th century, comprising: a sapphire and diamond wreath brooch, mounted in white gold, 2.7cm diameter; a navette­shaped opal and diamond cluster ring, size L½, stamped 18CT; a 9ct gold brooch modelled as a naval crown, length 2.6cm, British hallmarks; a gold brooch depicting the insignia of the Army Ordnance Corps, length 4.6cm, stamped 9ct, pin deficient; and a sapphire and seed pearl locket pendant in low­ carat gold, length 2.5cm £200­300 104 Five pairs of gold earrings, late 19th century and later, each of pendent design, two pairs set with rose­cut diamonds, two set with diamond simulants, longest 5.4cm, four pairs £200­300 with hook fittings, one pair with post fittings

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105 105 A group of jewels, comprising: a bar brooch centring on a fox head set with rose­cut diamonds, mounted in silver and gold, length 5.9cm; a clasp set with brilliant­cut diamonds, centring on a line of calibré­cut rubies, length 2.3cm; and two micromosaic pendants, lengths 1.5 and 8.5cm respectively £500­700

106

106 A group of five jewels, 19th/early 20th century, comprising: a silver and enamel pendant containing three nested tapering tubes, possibly intended as a propelling pencil, length of pendant 2.5cm, French assay and maker’s marks; a tiny gold fob seal set with a rock crystal seal depicting a mouse, length 1.5cm; a gold arrow brooch set with an oval amethyst, length 6.5cm; a gold heart­shaped padlock pendant set with turquoise with a glazed reverse, length 2.7cm; and a gold split ring £200­300 107 Three pairs of earrings, comprising: a pair of reverse rock crystal intaglio earrings depicting showjumpers, length 1.4cm each, screw fittings; a pair of garnet and cultured pearl earrings, length 2.5cm each, screw fittings; a pair of rose­cut diamond and cultured pearl earrings, length 4.5cm each, hook fittings £200­300 107

108 Four rings and a locket, 19th and 20th century, the gold locket applied in black enamel with a cross, length 3.8cm; a pink paste ring in 15ct gold, British hallmarks; an agate cameo and diamond ring in gold, broken; a ring of floral design with black enamel and seed pearls, in 18ct gold, British hallmarks; and a blue and white paste ring in gilt metal £200­300 109 Two brooches, each designed as a bee, one set with brilliant­cut diamonds and circular­cut rubies, mounted in gold, length 2cm; the other set with amethysts and cabochon opals, to a gold bar brooch, length 4.2cm £200­300 110 Two brooches, first half 20th century, comprising: an Art Deco brooch of geometric design in gold centring on the initials GM, applied with black and red enamel, length 2.4cm, partially signed London; and a gold bar brooch also initialled GM, set with amethysts, length 4.6cm £200­300 By family tradition, the Art Deco enamel brooch was commissioned from Boucheron 108

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111 A collection of six stick pins, late 19th/early 20th century, comprising stick pins capped with: an onyx cabochon; a pearl and cushion­shaped diamond, stamped 585; a scarab beetle; a pearl within a gold rope twist heart; a glazed oval compartment containing woven hairwork, the reverse with a commemorative inscription dated 1780; and a globe bearing the motto ‘Per Mare Per Terra’, within a laurel border, surmounted by a crown and a lion, £150­250 longest 6.8cm, pearls untested, five cases

115

112 No lot 113 Two stick pins, late 19th/early 20th century, one set with a black opal measuring approximately 13 x 11mm, mounted in gold, total length 6.3cm; and another set with a cluster of cushion­shaped diamonds around a circular­cut sapphire, mounted in silver and gold, length 4.9cm, stoppers in gilt metal £200­300 114 Two gold stickpins, late 19th/early 20th century, one capped by a carving of the head of a red setter in red jasper, length 9.8cm; the other with a winged amphiptere dragon accented with a seed pearl, length 6.1cm, stamped 14K, maker’s mark £150­250

116

115 A collection of rings, comprising: a ruby and diamond cluster ring, size M, British hallmark for 18ct gold; an additional ruby and diamond cluster ring, size L, stamped 14K; a ruby and diamond eternity ring, size J; a ruby half­hoop ring in 9ct gold, size M, British hallmarks; a gold ring set with a circular­cut ruby, size M½; a diamond ring, centring on a brilliant­cut diamond weighing approximately 0.50 carats, size J½, stamped 18CT; a pink tourmaline, blue topaz and simulant diamond ring, size L, British hallmarks for 18ct gold; a citrine and diamond cluster ring in 18ct gold, size M½, British hallmarks; a step­cut citrine ring in gold, size M, stamped 18K; a step­cut smoky quartz ring in gold, size K½; an emerald and diamond ring, size L/2, stamped 585; a ring of bombé design set with garnets in 9ct gold, size J, British hallmarks; an aquamarine and diamond ring in 9ct white gold, size M½, British hallmarks; a ring set with two untested pearls, sizeJ½; and a silver, carnelian and marcasite ring, size K½ £400­600 116 A group of jewels, comprising: a bar brooch, set with a cushion­shaped diamond, mounted in gold, length 4.7cm, case; two emerald and diamond rings, mounted in gold, sizes I½ and N, British hallmarks for 9ct and 18ct gold respectively; two three­stone diamond rings, each mounted in gold, sizes M and M½, stamped 18ct, British hallmark for 18ct gold respectively; an opal ring, to foliate shoulders, mounted in gold, size P½, British hallmark for 18ct gold; and a ring set with an oval sapphire, to shoulders set with brilliant­cut diamonds, mounted in white gold, size R½, stamped 750 £500­700 117 A collection of four rings and a pendant, comprising: an emerald and diamond seven­stone ring, size P; a sapphire and diamond seven­stone ring, size P, stamped 750; a ruby and diamond five­stone ring in 9ct gold, size P, British hallmarks; a sapphire and diamond cluster ring, size O½, stamped 18CT; and a heart­shaped pendant set with brilliant­cut diamonds, length 2.5cm £200­300

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118

118 A collection of six rings, comprising: a sapphire and seed pearl cluster ring, size M, stamped 18ct, seed pearls untested; two rings collet­ set with foil­backed garnets, sizes H and I respectively, and three diamond rings, of toi­et­moi, three­stone and cluster design respectively, each set with circular­cut diamonds, mounted in gold and platinum, sizes K, K½ and L½, each stamped 18CT, three cases £200­300

119 A group of three rings and a pendant, comprising: a blackened silver ring of foliate design set with a large purple cubic zirconia, size O, stamped 925; a bronze seal ring, possibly Sassanian or later, size S; an Art Nouveau gold ring set with an oval Citrine and a pearl, size E, pearl untested; and a pendant, in blackened textured silver with a design of wood anemones in gold, set with pearls, pendant length 2.9cm, pearls untested £200­300

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120

121

120 A group of four rings, comprising: a gold ring claw­set with an oval step­cut citrine, size J, stamped 9CT; a citrine and seed pearl cluster ring, mounted in gold, size M½; an amethyst and half­pearl cluster ring, mounted in gold, size Q, stamped 9CT; a Victorian garnet and green paste ring, mounted in 15ct gold, size N½, British hallmarks, pearls untested £150­200

121 A thimble and three gold rings, comprising: a textured gilt thimble, original case; together with three gold signet rings, one signed Ryrie, stamped 14K, one in 18ct gold, British hallmarks £100­150

122

122 A collection of four rings, comprising: a diamond eternity ring set with brilliant­cut diamonds, size M; a half­hoop ring set with baguette diamonds, size F½ (sizing beads), stamped PLAT; a diamond three­stones ring, size K, stamped 18CT; and an eternity ring set with simulant diamonds, size J £400­600

123

123 Three rings, early 20th century, comprising: a toi-et-moi ring set with two circular­cut diamonds, size J½; a three­stone ring set with a trio of circular­cut diamonds, size K; and a five­stone ring set with cushion­ shaped diamonds and circular­cut diamonds, size J½ £500­700

124 Two diamond rings, comprising: a late 19th/early 20th century ring set with an antique oval diamond, within a gold scroll mount, size P½; and a ring set with a brilliant­cut diamond, mounted in platinum, size J½, British hallmark for platinum, maker’s mark MW for Mappin & Webb £300­400

124

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126 127 125

129

128

125 A group of three rings, including, a ring set with three cushion­shaped rubies, spaced by pairs of cushion­shaped diamonds, mounted in gold, size N½, stamped 18CT, sponsor’s mark JJ&S; an amethyst and seed pearl cluster ring, size P½; and a ring of solitaire design set with a diamond weighing approximately 0.25cts, mounted in 18ct gold, size O, British hallmarks £150­200 126 Two rings, comprising: a gold signet ring engraved with the crest of an armoured arm grasping an arrow, size O, British hallmarks for 15ct gold; and a ring set with an onyx cameo depicting a young girl in profile, size K, Dutch assay mark for 14ct gold £200­300

130

127 A collection of brooches, late 19th/early 20th century, comprising: a gold brooch modelled as a fishing rod with a fish, applied with translucent enamel and accented with rose­cut diamonds and cabochon red pastes, length 5.3cm, case stamped Aitchison; a brooch set with an oval agate cameo depicting a woman in Renaissance­style attire, in a gold Etruscan Revival­style mount, length 4.1cm; a gold and enamel RAF brooch, length 5.4cm, British hallmarks for 9ct gold; and a gold brooch designed as a submarine, length 4.9cm, stamped 9ct, numbered, case £300­500 128 A pair of diamond drop earrings and a diamond ring, comprising: a pair of diamond earrings, each designed as an articulated line of graduated brilliant­cut diamonds, mounted in gold, length 2.9cm, hook fittings; and a diamond cluster ring mounted in 18ct white gold, size N, British hallmarks £800­1,200 129 A Scottish hardstone brooch and a gold brooch, late 19th/early 20th century, comprising: a brooch designed as a butterfly, set with sections of jasper and lapis lazuli, mounted in silver, length 6.8cm; and a brooch in stamped gold, designed as a wyvern in stamped gold, holding a pearl in its mouth, its wings set with melée diamonds, suspending a pearl pendant, length 4.2cm, pearls untested £400­600 130 A zircon ring and bar brooch, comprising: a ring, set with an oval blue zircon, mounted in white £300­500 gold, size L; and a bar brooch set with a circular­cut blue zircon, length 6.2cm 131 Two pairs of earrings, comprising: a pair of spinel and diamond earrings, length 3cm, post fittings, one diamond deficient; and a pair of pear­shaped aquamarine and diamond drop earrings, length 1.9cm, £300­400 post fittings

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131

132 No lot

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

134 135

133

136 133 An onyx, mother of pearl, synthetic quartz and diamond demi­parure, circa 1987, comprising: a pair of ear clips and a pendant, each set with polished sections of mother of pearl and onyx, terminating in faceted synthetic blue quartz pendants, mounted in gold, pendant length 5.4cm, ear clips each 4.2cm. each with British import hallmarks for 18ct gold, sponsor’s mark DM, Italian marks 750 £1,200­1,500 134 A pair of ruby and diamond ear clips and a garnet and diamond pendant, each of cluster design, the ear clips each composed of an oval ruby within a border of brilliant­cut diamonds, the pendant set with an oval garnet within a border of brilliant­cut diamonds, earring length 1.2cm each, clip fittings, stamped 750, pendant length 1.8cm, British hallmarks for 18ct gold £300­400 λ 135 A pair of earrings and a brooch, the earrings each centring on a floral cluster of calibré­cut sapphires and a brilliant­cut diamond, on a cabochon of mother of pearl, within an outer border of brilliant­cut diamonds, mounted in gold, length 2.1cm each, clip and post fittings; the brooch designed as cat in textured gold, set with a coral cabochon and synthetic rubies, length 1.9cm, stamped 750, Italian maker’s marks £200­300

137

136 A mabé cultured pearl and diamond demi­parure, comprising: a ring and pair of earrings, each set with a mabé cultured pearl within a swirled gold mount set with brilliant­cut diamonds, ring size O½, stamped 18K 750, earrings with clip and post fittings, length 2cm £300­400 137 A brooch and a jadeite ring, comprising: a brooch designed as an owl, set with green paste and synthetic rubies, mounted in gold, length 3.6cm, Italian maker’s mark, stamped 750; and a gold ring set with a marquise­shaped jadeite cabochon, size N £300­500 138 An amethyst­set gold scroll brooch, set with graduated oval­shaped amethyst in two colour gold stylised feather setting, length 8.5cm £300­400 138 29

140

139 139 Alabaster & Wilson, two gem­set brooches and a pair of ear clips, mid 20th century, comprising: one brooch designed as a flower cart, set with circular­cut gemstones including amethyst, peridot, aquamarine, peridot, citrine and ruby, length 4cm; a brooch designed as a flowering branch, set with circular­cut citrines and garnets, and cultured pearls, length 4.4cm; and a pair of ear clips designed as bouquets, set with zircon, amethyst, demantoid garnets and almandine garnets, length 3cm, each signed A&W for Alabaster & Wilson, one brooch and pair of ear clips with British hallmarks for 9ct gold, one brooch marked 9CT £400­600

141

142

140 Two Retro gold and gem­set brooches, mid 20th century, comprising: a brooch designed as a flower vendor, the baskets of flowers set with carved rubies, emeralds and sapphires, accented with brilliant­cut diamonds, her face of polished citrine, length 3.8cm, French assay marks for 18ct gold and platinum; and a brooch designed as a woman watering a flowerbed, set with circular­cut synthetic rubies and sapphires and one cushion­shaped diamond, length 4.7cm £200­300 141 A gem­set choker panel, of floral design within a rectangular frame, set with cabochon rubies, and variously cut sapphires and emeralds, measuring 3.8 x 3.0cm, Italian maker’s mark, stamped 750, slide fittings, signed Crea £300­400 142 Alabaster & Wilson, a gem­set giardinetto brooch, the stylised design set with zircons, garnets, citrines and amethysts in 9ct gold, width 4.2cm £200­300

143 144

143 A gold brooch, circa 1988, designed as a toucan in textured 18ct gold, its eye set with a circular­cut emerald, length 3.2cm, British hallmark, sponsor’s mark WJL £300­400 144 A ruby and diamond brooch, mid 20th century, designed as an owl, its head set with rose­cut diamonds, its eyes set with polished rubies, mounted in matte white gold, length 4.2cm £200­300 145 A pearl, sapphire, ruby and diamond brooch, late 19th century, designed as a butterfly, set with rose­cut diamonds, oval sapphires and rubies and half pearls, mounted in silver and gold, wingspan 3.5cm, pearls untested £400­600

145 30

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

147

146

148

149

146 Mappin & Webb, a gold cigarette case, circa 1909, of square outline with a curved profile, opening to reveal a plan interior, measuring 8.9 x 8.9 x 1.4cm, British hallmarks for 15ct gold, sponsor’s mark M&W for Mappin & Webb, gross weight 142 grams, fitted case £2,500­3,500 stamped Mappin & Webb 147 A gold and garnet cigarette case, circa 1895, the plain 15ct gold case centring on a glazed roundel containing the initials EF, within a border of foil­backed garnets, to a cabochon garnet push piece, opening to reveal a plain interior, measuring 7.9 x 3.8 x 1.7cm, signed Thornhill Ld, Bond St London, British hallmarks for 15ct gold, sponsor’s mark HT, date letter for 1895 £1,000­1,500 148 Two gold coins and a coin purse, comprising: a gold Swiss 10 franc coin dated 1922, 3.2 grams; a French Napoleon III 20 franc coin dated 1860, 6.4 grams; and a leather coin purse mounted in gold, French patent mark Deposé £150­250 λ 149 A portrait miniature box, late 18th century, of circular outline in tortoiseshell, the top and base each set with a painted portrait of a lady, possibly the same sitter or £400­600 two sisters, mounted in gold, measuring 7.4 x 7.4 x 2.6cm λ 150 A jasperware and tortoiseshell box, 19th century, of elongated octagonal outline, composed of tortoiseshell mounted in gold, the lid set with a jasperware cameo of Ceres, measuring 7.7 x 4.5 x 2.0cm £200­300 150 31

152

λ 151 A collection of gemstones and glyptics, comprising: five glass intaglios; a carnelian intaglio depicting the warrior Ajax; a small agate cameo depicting a laureated emperor; a shell cameo depicting Athena; an agate cameo depicting a beetle; a lava cameo depicting Socrates; a carnelian plaque carved with the initials JB; an agate fob seal; a carnelian brooch with rope twist border, brooch pin deficient; two small coral cameos; two operculum shells; and a collection of cabochons of smoky quartz, almandine garnet; peridot, carnelian and moonstone. £150­200

151

Provenance: from the collection of Phillip Allen, 1938­2023.

TO BE SOLD WITHOUT RESERVE 152 Two intaglio jewels, one in green glass, depicting a warrior fighting a Triton, suspended from a brooch fitting, total length 3.9cm; together with a jasper intaglio, Sassanian or later, depicting a mythical bird with two dogs beneath its feet, in a rotating £200­300 presentation mount, intaglio 2.2 x 2cm 153 A group of three bronze ‘Fascinus’ charm pendants, possibly Roman, 1st­3rd century AD, each depicting a phallus, one including the torso, longest 3.4cm £200­300 TO BE SOLD WITHOUT RESERVE

153

154 Two metal rings, 17th century or later, comprising: a signet ring in base metal, applied with gold inlay outlining the initials R.H. with remnants of white enamel decoration to the scroll shoulders, size S; and a classical Roman­style metal ring, size M, stone deficient £100­200 TO BE SOLD WITHOUT RESERVE 155 A collection of three fob seals and two pendants, early 19th century, comprising: two fob seals, each with designs of oak leaves and acorns in varicoloured gold, one set with a pale chalcedony engraved with the name ‘Harriet’, the other set with an amethyst engraved with an hourglass and the motto ‘Ainsi va ma vie’ (so goes my life), both suspended from a carved split gold hoop, length 4.4cm including hoop; an additional fob seal of floral design accented with turquoise cabochons, set with a citrined engraved with the initials ED, length 2.4cm; a watch key set with an oval citrine, length 5.1cm; and a pendant in carved gold set with two micromosaics depicting the Collosseum and the Pantheon, length 5cm £600­800

154

TO BE SOLD WITHOUT RESERVE 156 A carnelian fob seal, first half 19th century, set with a carnelian intaglio engraved with a coat of arms bearing the motto ‘Toujours Prest’ (always ready), to a gold mount engraved with floral scrollwork, height 3.7cm, seal matrix 2.0 x 1.7cm £500­700

155

157 A carnelian fob seal and two intaglio rings, comprising: a carnelian seal bearing the arms of the Earls of Listowel, in a foliate gold mount, height 3.1cm, matrix 2.5 x 2.0cm; a gold signet ring set with an onyx intaglio carved with a coat of arms, size N, Dutch assay marks for 14ct gold; and a gold and carnelian intaglio ring depicting a figure in a helmet, possibly Mercury, size Q½, stamped 18K £200­300 158 A carnelian fob seal, 19th century, set with an oval carnelian engraved with a pair of lovebirds and the motto ‘Vivons Unit’ (let us live together), to a gold mount, height 2.6cm, matrix 2.1 x 1.9cm, carnelian possibly later engraved £200­300

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156

157

158

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

159 A shell cameo bracelet, late 19th century, composed of shell cameos depicting the Greco­Roman gods Saturn, Venus, Apollo, Diana and Mercury, each in a gold mount in the Etruscan Revival style, length 17.5cm, £800­1,200 fitted case stamped Mallett, Bath

159

160 A group of shell cameo jewels, comprising: a brooch set with a shell cameo of Cupid’s chariot in a gold rope twist border, length 5.9cm, stamped 9CT; a shell cameo brooch depicting a woman in profile, length 3.7cm, stamped 750; and a pair of earrings, each set with a shell cameo depicting a dancing figure, length 2.8cm each, screw fittings £200­300 161 Three shell cameo jewels, 19th century, comprising: two brooches, one depicting Athena, the other depicting a female in the guise of Ganymede, bearing the cup for Zeus in the form of an eagle, each mounted in gold, largest 6.8cm; and a gold necklace set with a shell cameo depicting a classical lady in profile, length 38cm £200­300

160

162 Three glyptic jewels, 19th century, comprising: an oval chalcedony intaglio depicting Napoleon on horseback, after the 1801 painting Napoleon Crossing the Alps by Jacques­Louis David, to a later gold bar brooch, intaglio 2.4 x 1.8cm, brooch length 6.6cm, stamped 9CT; a pendant set with a grey and white chalcedony carved to depict Cupid/Eros, mounted in gold, cameo 2.4 x 1.9cm, pendant with later bail, length 3.1cm; and a brooch set with a pink and white chalcedony cameo of a dancing Tuccia, one of the Vestal Virgins, after an original by Pichler, in a gold mount bordered with rope twist decoration, cameo 2.6 x 1.8cm, brooch length 3cm £200­300 163 Two cameo brooches, late 19th century, comprising: a brooch set with an onyx cameo of a classical lady in profile, to a border designed in the Etruscan revival style with applied with a Greek key border in gold rope twist, length 6.4cm, cameo 4.1 x 3.5cm; and a brooch set with a shell cameo depicting Medusa, within an engraved gold border, length 6.1cm, cameo 5.5 x 4.4cm £400­600

162

161

163

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

164 165

164 Three modern intaglio brooches, each carved to depict one of the labours of Hercules, two in carnelian, one in opaline glass, each within a gilt metal frame, largest 4.8cm, each signed Phoeser £200­300

166

165 An attractive Victorian shell cameo brooch, mid 19th century, set with a conch shell cameo depicting Venus and Mars in profile, their son Cupid beneath, within a scrolled surmount of stamped gold, length 5.9cm £150­200 TO BE SOLD WITHOUT RESERVE 166 A shell cameo brooch, 19th century, set with an oval shell cameo depicting Flora, within a gold frame applied with rope twist decoration, length 5.6cm, stamped 9ct £200­300

167

167 Two cameos, comprising: a shell cameo depicting an angel carrying an infant, in a bicoloured silver filigree mount set with seed pearls and synthetic rubies, length 5.1cm; and a shell cameo depicting Michelangelo’s David, length 6cm £200­300 168 A micromosaic brooch, late 19th century, of oval outline, set with a micromosaic depicting a bridge, within a gold frame of scrolled design, measuring 5.0 x 4.2cm £600­800 169 An enamel brooch, of oval outline, set with a painted enamel image of a young girl in traditional Greek costume, with a gold wire border, length 4.1cm, assay marks £200­300

168 34

169

171

170

170 A cultured pearl and paste necklace, and a paste brooch, late 18th/early 19th and later, the necklace suspending a paste pendant of girandole design surmounted by a bow, mounted in silver, to a chain threaded with cultured pearls, connected by three circular paste buttons, length 50cm, pendant length 6.6cm, composite; and a brooch of girandole design suspending three pear­shaped cluster pendants, measuring 4.0 x 3.6cm, later brooch fitting £200­300

172

171 A pair of paste earrings, 18th/19th century, each of elongated drop design, centring on a ribbon bow, set with cushion­shaped pastes in closed­back silver £400­600 settings, length 8cm each, hook fittings 172 A paste brooch, late 18th/early 19th century, designed as a bow, set with cushion­shaped pastes, mounted in silver, bound with ribbon, length 6.5cm, later brooch fittings £200­300 173 A pair of early 19th century miniature portrait brooches, depicting a lady and gentleman within paste borders and mounted in silver and gold, converted clasps, 4.5cm high £200­300

173

174 A paste necklace, late 18th/early 19th century, composed of graduated panel links set with circular­cut and cushion­shaped pastes, mounted in silver, length 32cm, ribbon deficient £150­250 175 A pair of diamond and cultured pearl earrings, possibly 19th century and later, of chandelier design, set with rose­cut and cushion­shaped diamonds, the lower sections interchangeable with later cultured pearl and diamond drops, length 4.8cm, later post fittings £800­1,200

174

175

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176

177

178 λ 176 Elsa Peretti for Tiffany & Co., a gold and coral ‘Pepper’ necklace, designed as a gold wire collar suspending a coral pendant carved as a pepper, inner circumference approximately 35.5cm, pendant length approximately 2cm, signed Peretti, Tiffany & Co., stamped 18K £400­600

179

177 A jadeite and diamond pendant, the large jadeite pendant carved with a design of fish among lotus leaves, to a pendant fitting set with single­cut diamonds, length 9.5cm £200­300 178 A pair of jadeite and diamond earrings, each suspending a double gourd in carved jadeite, from a quatrefoil and surmount of circular­cut diamonds, length 3.1cm, screw fittings £500­700 179 A jadeite and hardstone bracelet, set with four variously coloured jadeite plaques carved with designs of mythical creatures, spaced by gold links bearing Chinese characters, length 18.5cm £300­500

180

180 Cropp & Farr, a gold and jadeite bracelet, mid 20th century, composed of articulated 9ct gold links of basketweave motif set with carved jadeite cabochons, length 16.8cm, British hallmarks, stamped £500­700 C&F, case

182

181 A pair of amethyst and diamond earrings, each designed as a butterfly, set with pear­shaped amethysts and brilliant­cut diamonds, mounted in gold, length 2cm, post fittings £400­600 182 A pair of opal and diamond earrings, each suspending a pear­shaped cabochon opal from a brilliant­cut diamond surmount, mounted in gold, length 2.7cm each, post fittings £600­800

181

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

183

184

185

186

187

183 A group of pink pearls, including a mix of natural saltwater and cultured pearls, of various pink tints £400­600 184 A loose group of spinels, 105.56cts

£400­600

185 A collection of loose red spinels, variously cut, total weight approximately 81.44 carats £1,500­2,000

189

† 186 A loose group of multicoloured sapphires, including pinks, yellows, blues, in various cuts, 39.66cts £800­1,200 187 A synthetic sapphire bracelet, mid 20th century, composed of a series of collet­set circular­cut synthetic colour change sapphires in gold bracket­shaped borders, length 18.1cm, stamped K18, maker’s mark CF £1,500­2,000 188

188 An aquamarine necklace, the pendant set with a pear­shaped aquamarine weighing approximately 16.00 carats, mounted in silver, pendant length 3.5cm including bail, chain length 38cm, case stamped Boucheron £750­850 189 A pair of cultured pearl earrings, France, each designed as a flared cuff, set with three lines of graduated cultured pearls, mounted in gold, length 1.7cm, clip fittings, French assay marks for 18ct gold, French maker’s marks, case stamped Cartier £300­400 190 A cultured pearl and diamond necklace and pair of earrings, comprising: a necklace composed of two rows of graduated cultured pearls, to a clasp set with a cultured pearl within a border of circular­cut diamonds, mounted in silver and gold, length 43cm, stamped 585 and 925; and a pair of earrings, each designed as a gold ribbon bow suspending a cultured pearl, set with brilliant­cut diamonds, length 2.8cm, £400­600 post fittings, British hallmarks for 18ct gold

190

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192 191

191 A gold charm bracelet, the curb link bracelet with heart padlock suspending nine charms, including a church opening to reveal a pair of wedding bands at the altar, an egg with an emerging turquoise chick, and an articulated fish among others, bracelet length approximately 17cm, bracelet and five charms £800­1,200 with British hallmarks for 9ct gold, gross weight 79 grams 192 A gold charm bracelet, the curb link bracelet with heart padlock suspending twelve gold charms, including a sovereign coin, a model of St Christopher with the infant Christ on his shoulder, a rotating windmill, and a set of bagpipes among others, bracelet length approximately 17cm, bracelet and six charms with British hallmarks for 9ct gold, one with Italian marks for 18ct gold, gross weight 65 grams £500­700 193 A gold, citrine and diamond bangle, the hinged cuff decorated with a series of floral roundels set with marquise­shaped citrines and brilliant­cut diamonds, inner circumference 18cm, British hallmarks for 18ct gold, maker’s mark £3,000­4,000 GGM, date letter for 1985, gross weight 100 grams

193

194 A gold bangle, late 19th century, the hinged gold bangle centring on a £200­300 horseshoe motif, inner circumference 17.5cm, stamped 18 195 A gold and diamond bangle, the hinged plain bangle set to the front with five brilliant­cut diamonds, inner circumference 17.5cm, British hallmarks for 9ct gold, gross weight 25 grams £600­800 194

196 A ruby and diamond bangle, the hinged gold bangle set to the front with a graduated sequence of circular­cut rubies, spaced by pairs of brilliant­cut diamonds, inner circumference 17cm, British hallmarks for 9ct gold £200­300 197 A gold and diamond brooch, early 20th century, diamond brooch finely modelled as a bear on a branch, its eyes set with circular­cut diamonds, possibly referencing the ‘Bear and Ragged Staff’ heraldry of the Earls of Warwick and the symbol of modern Warwickshire, length 3.7cm, fitted case £150­250

195

198 A gold brooch, designed as an elephant and its calf, their eyes set with brilliant­cut diamonds, length 3.7cm £300­400 199 A Retro chalcedony and diamond brooch, 1940s, designed as a seahorse in polished gold, its body set with a cabochon of white chalcedony, its face and fins accented with rose­cut diamonds, its eye set with a circular­cut synthetic £300­400 ruby, length 5.1cm, indistinct assay marks

196

200 A pair of gold brooches, mid 20th century, each designed as a submarine, 4.9cm each, stamped 9ct and 15ct respectively, each with stamped patent number £200­300 RD643143, one additionally stamped Page Plymouth 197

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198

199

200

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

202

201

203

204 201 A gold necklace, circa 1967, of fringe design, composed of tubular links in 9ct gold, length 40cm, British hallmark, gross weight 20.8 grams £200­300 202 A gold chain necklace, composed of fancy linking, length 40cm, gross weight 39 grams £600­800 203 A pair of circular gold earrings, of tied and bombé design in 18ct yellow gold, London hallmarks for 1996, 2.2cm diameter, 22g total £400­600

205

204 A Retro gold and diamond bracelet, mid 20th century, composed of a line of gold rings accented with single­cut diamonds, between borders of curb linking, length 19cm, stamped PLAT 18, gross weight 51 grams £800­1,200 205 A malachite and diamond egg pendant, Russia, early 20th century, set with polished malachite £300­500 inset with a rose­cut diamond, mounted in gold, length 2.4cm, Russian assay marks

206

207

206 A gold and enamel signet ring, applied with the Masonic symbol of a square and compass in blue enamel, size M £100­150 207 A gold armorial ring, centring on a coat of arms surmounted by the crest of a knight’s helmet, the shoulders designed as military trophies amid scrollwork, size W½, stamped 585 £200­300

208

208 A pair of diamond stud earrings, each set with a brilliant­cut diamond weighing approximately 0.25 carats, mounted in gold, post fittings £150­200 209 A pair of gold and diamond cufflinks, each of rectangular outline, depicting an elephant, its eye set with a brilliant­cut diamond, mounted in gold, fronts each measuring 1.1 x 1.7cm, stamped 18CT £300­400 209

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212

211

213

210 A carnelian, gold and diamond brooch, mid 19th century, centring on a silver cross set with rose­cut diamonds, set into a carnelian cabochon, within a gold mount with scrolled borders accented with half pearls, length 3cm, pearls untested £250­350 211 A gold brooch, late 19th century, of floral design in stamped gold, suspending three detachable pendants, the reverse with a glazed compartment, length 9cm, case stamped Asprey £500­700 212 An enamel and seed pearl pendant, France, 19th century, of Rococo inspiration, composed of a shield­shaped panel suspending two drops and a heart, each section applied with black enamel and set with seed pearls, within foliate scroll borders, length 6cm, French assay marks for 18ct gold £200­300 213 A Victorian moonstone, sapphire and diamond brooch, late 19th century, designed as two hearts, set with heart­shaped cabochon moonstones, surmounted by a ribbon, to a bar brooch, set with circular­ cut sapphires and rose­cut diamonds, length 4.5cm, stamped 15, case stamped Charles Packer & Co Ltd £200­300

214

214 An enamel, pearl and diamond brooch, circa 1900, designed as an openwork ivy leaf in green basse­taille enamel, centring on a circular­ cut diamond, connected by a chain to a bar brooch centring on a flower set with seed pearls and accented with green enamel, mounted in gold, length of ivy leaf 2.3cm, pearls untested £200­300 215 A tourmaline and diamond brooch, early 20th century, set with an elongated cushion­shaped green tourmaline, between circular­cut diamonds, to a bar brooch of scrolled design, mounted in gold, length 6.2cm £150­250

215

216 A diamond brooch, early 20th century, designed as a rectangular openwork plaque set with diagonal bands of rose­cut and circular­cut diamonds in alternation, mounted in silver and gold, length 3.3cm £200­300

216

218 An Art Deco tourmaline and diamond brooch, 1930s, set with a step­cut green tourmaline, to a bar brooch set with single­cut diamonds, mounted in platinum, inscribed ‘Biddy Peter 1927 1935’, length 5.6cm, stamped 18ct Plat, numbered 3886, fitted case stamped Skinner & Co. £300­400

217

218 40

217 A pair of onyx and diamond cufflinks, early 20th century, each end of octagonal outline, set with polished onyx and centring on a millegrain­set circular­cut diamond, mounted in gold and platinum, length of each end 1.4cm, stamped 18CT&PT £200­300

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

219

220

221

219 Cropp & Farr, an enamel and diamond armorial brooch, circa 1982, designed as an escutcheon bearing the arms of the City of London, in red enamel and brilliant­cut diamonds, mounted in 18ct gold white gold, length 2.4cm, British hallmark for 18ct gold, maker’s mark C&F £200­300

222

220 A ruby and diamond brooch, designed as a crescent moon, set with circular­cut rubies and brilliant­cut diamonds in alternation, set in 9ct gold, length 2.5cm, British hallmarks, case £200­300 221 An emerald and diamond clasp, set with seven rows of single­cut diamonds, crossed by a line £100­150 of circular­cut emeralds, mounted in white gold, length 2.1cm, stamped Cecil 14K 222 A Retro gold and cultured pearl clip brooch, 1940s, designed as a folded ribbon in bicoloured gold, set with graduated cultured pearls, length 4.8cm £150­250 223 A Retro gold and ruby brooch, 1940s, modelled as an ivy leaf in gold, accented with circular­ cut and oval rubies, length 4.6cm, French import assay mark for 18ct gold £300­400 224 Tiffany & Co., a gold, ruby and diamond brooch, mid 20th century, designed as three flowers among leaves, the flowers set with circular­cut rubies and brilliant­cut diamonds, the leaves of textured £1,000­1,500 gold, length 4.6cm, signed Tiffany & Co., stamped 18K

223

225 A gold and enamel pendant, designed as Donald Duck in cloisonné enamel, length 4.5cm, stamped 750, 832 VI £200­300 226 Theo Fennell, a sapphire­set gold eternity ring, maker’s mark and London hallmarks for 1986, size P, with a Theo Fennell diamond­set pendant and matching earrings, of quatrefoil design in 18ct white gold, maker’s mark and London hallmarks for 2010, case £200­300 227 A pair of diamond earrings, each designed as a cluster suspending a ribbon motif, set with brilliant­ cut diamonds, mounted in gold, length 4.1cm each, post fittings, Russian assay marks for 18ct gold £600­800

224

225

226

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

228 A ruby and diamond ring, of cluster design, set with an oval ruby, within a border of circular­cut diamonds, mounted in gold, size L½ £600­800 229 An emerald and diamond ring, circa 1978, of cluster design, set with a cabochon emerald weighing approximately 3.00 carats, £200­300 within a border of brilliant­cut diamonds, mounted in 18ct white gold, size P½, British hallmarks 230 A sapphire and diamond ring, of target design, centring on a cushion­shaped sapphire, within concentric borders of rose­cut £600­800 diamonds and channel­set calibré­cut sapphires, mounted in gold, size P, stamped 750 231 A synthetic ruby and diamond ring, early 20th century, set with a step­cut synthetic ruby, within a shield­shaped mount set with circular­cut diamonds, size O½, stamped PLAT £200­300 232 A diamond ring, early 20th century, of floral cluster design, set with circular­cut diamonds, mounted in white gold, size N½, stamped 18CT £150­200 233 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 0.70 carats, mounted in gold, size N½ £600­800 234 A five­stone diamond ring, claw­set with a sequence of five graduated brilliant­cut diamonds totalling approximately 1.20 carats, mounted in white gold, size M½, stamped 18CT £300­400 235 A five­stone diamond ring, early 20th century, set with a sequence of five graduated circular­cut diamonds totalling approximately 1.00 carats, mounted in platinum, size I½ £200­300 236 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 0.50 carats, mounted in 18ct white gold, £400­600 size M, British hallmarks, stamped ‘Forever’ 237 A diamond ring, of trefoil design, set with brilliant­cut diamonds, mounted in bicoloured 18ct gold, size K½, British hallmarks £150­250 238 A diamond ring, centring on a collet­set brilliant­cut diamond weighing approximately 0.35 carats, to split shoulders pavé­set with smaller brilliant­cut diamonds, mounted in platinum, size L½, British hallmarks £200­300 239 A five­stone diamond ring, set with a sequence of five brilliant­cut diamonds totalling approximately 0.70 carats, mounted in £200­300 18ct gold, size M, British hallmark, numbered S4255, stamped HWT 240 A sapphire and diamond ring, mid 20th century, claw­set with a circular­cut sapphire between brilliant­cut diamonds, mounted in platinum, size L, stamped PLAT £200­300 241 A five­stone diamond ring, set with a sequence of five brilliant­cut diamonds totalling 1.00 carat, mounted in white gold, size OP½, sprung panels on interior of band for size flexibility, stamped 750 £350­550 242 An Art Deco ruby, sapphire and diamond ring, first half 20th century, of ‘day and night’ design, set with a continuous band of calibré­cut rubies and sapphires, between two hinged half hoops set with single­cut diamonds, mounted in platinum, size O £100­150 243 An amethyst solitaire ring, the large cushion­shaped amethyst claw­set in platinum and gold, size N

£300­500

244 A garnet and diamond ring, set with a step­cut garnet, to shoulders of foliate design set with single­cut and rose­cut diamonds, mounted in white gold, size L £150­200 245 An amethyst and diamond ring, claw­set with a circular­cut amethyst, to shoulders set with marquise­shaped diamonds, mounted in white gold, size K½, stamped 18K £100­200 246 A diamond and sapphire ring, early 20th century, the navette­shaped ring of openwork design, set with three brilliant­cut diamonds totalling approximately 1.40 carats, surrounded by smaller brilliant­cut diamonds and two lines of calibré­cut sapphires, mounted in platinum, size J, stamped PLATINUM £600­800 247 A pink sapphire and diamond ring, claw­set with a pink sapphire weighing approximately 1.10 carats, between single­cut £400­600 diamonds, to a platinum band with faceted shoulders, size O½ 248 An emerald and diamond ring, early 20th century, set with a circular­cut diamond between circular­cut emeralds, within an openwork setting in platinum, size N½ £200­300 249 An Art Deco ruby and diamond ring, mid 20th century, channel­set with a line of calibré­cut rubies, between borders of single­ cut diamonds, mounted in low carat white gold, size M £400­600 250 A ruby and diamond cluster ring, the step­cut ruby set within a surround of rose­cut diamonds in platinum and gold, size Q ½ £300­500 251 A diamond ring, claw­set with a brilliant­cut weighing approximately 0.60 carats, to an asymmetrical gold mount set with baguette £500­700 and tapered baguette diamonds, size N, stamped 14K 252 A diamond ring, of cluster design, set with brilliant­cut diamonds, mounted in white gold and platinum, size K, stamped 18CT PLAT £400­600 42

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253 Ryrie Bros., a five­stone diamond ring, Canada, early 20th century, set with a sequence of five circular­cut diamonds totalling approximately 1.20 carats, mounted in gold, size M½, stamped 18K, signed Ryrie Bros £500­700 254 A ruby and diamond ring, of cluster design, set with an oval ruby weighing approximately 1.50 carats, within £600­800 a border of brilliant­cut diamonds, mounted in gold, size Q½, stamped 14K 255 A sapphire and diamond ring, centring on an oval sapphire, within a bombé surround pavé­set with brilliant­ cut diamonds, mounted in white gold, size L, stamped 14K £500­700 256 A five­stone diamond ring, set with a sequence of five graduated brilliant­cut diamonds totalling approximately 2.00 carats, mounted in gold, size V½ £1,000­1,500 257 A diamond eternity ring, set with brilliant­cut diamonds totalling approximately 2.00 carats, mounted in white gold, size L £800­1,200 258 A diamond ring, the wide band set to the front with a panel of brilliant­cut diamonds, mounted in white gold, size S, stamped 750 and 18K £1,500­2,000 259 A diamond ring, channel­set to the front with three lines of baguette diamonds, mounted in white gold, size P½, stamped 18K £700­900 260 A diamond ring, designed as a wide band pavé­set with brilliant­cut diamonds extending around the sides, mounted in 18ct white gold, size N, British hallmarks £2,000­3,000 261 A diamond necklace, designed as a graduated line of brilliant­cut diamonds, the back composed of polished links, mounted in 18ct white gold, length 42cm, British hallmarks, maker’s mark TGCo £2,500­3,000 262 A diamond tennis bracelet, designed as a line of brilliant­cut diamonds totalling 7.00 carats, mounted in white gold, length 19cm, stamped 750, case £5,000­7,000 263 A pair of aquamarine and diamond earrings, each composed of a pear­shaped aquamarine suspended from £300­400 two brilliant­cut diamond links, mounted in white gold, length 2.1cm, post fittings, stamped 750 264 A pair of diamond earrings, each composed of a tapering line of collet­set brilliant­cut diamonds, suspending a claw­set marquise­shaped diamond, mounted in white gold, length 2.2cm each, post fittings £1,500­2,000 265 A diamond pendant, designed as a cross, set with brilliant­cut diamonds, mounted in white gold, length 2.9cm £800­1,200 266 A diamond pendant, centring on a pear­shaped diamond weighing approximately 0.60 carats, to a border and bail set with brilliant­cut diamonds, mounted in white gold, length 3.6cm £800­1,200 267 A pair of sapphire and diamond earrings, each of cluster design, set with an oval sapphire within a border of £800­1,200 brilliant­cut diamonds, length 1.3cm each, clip fittings, British hallmarks for 18ct gold 268 A diamond pendant, set with a pear­shaped diamond weighing 2.93 carats, within a mount channel­set with £7,000­9,000 tapered baguette diamonds, mounted in white gold, length 2.5cm Accompanied by a facsimile of EGL report no. NA SK058141405, stating that the pear­shaped diamond is I colour, VS2 clarity, with no fluorescence 269 An aquamarine, sapphire and diamond ring, set with a cushion­shaped aquamarine, within a border of circular­cut and cushion­shaped sapphires, the shoulders set with circular­cut diamonds, mounted in white gold, size I½ £600­800 270 Garrard, a pair of diamond ear clips, each designed as a fluted cuff, set with brilliant­cut diamonds, length 1.9cm, signed Garrard, stamped 750, combined gross weight 12 grams £300­500

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271 An Edwardian seed pearl and diamond brooch, early 20th century, designed as a star, set with seed pearls and a circular­cut diamond, mounted in gold, diameter 3.3cm, stamped 18CT £250­350 272 A Belle Époque pearl and diamond pendant, set with graduated pearls within diamond­set swags in platinum and gold, length 5.2cm £2,000­3,000 Accompanied by report number 77112­62 dated 25th July 2017 from GCS stating that the pearls are natural saltwater 273 A sapphire, cultured pearl and diamond brooch, of Belle Époque inspiration, set with an oval sapphire within an undulating border of brilliant­cut diamonds, within an outer wreath set with cultured pearls and brilliant­cut diamonds, mounted in gold with millegrain borders, length 3.6cm, stamped 18K £1,200­1,500 274 A Belle Époque sapphire and diamond brooch pendant, early 20th century, of openwork foliate design set with graduated old­cut diamonds and suspending a pear­shaped yellow sapphire in platinum and gold, length 4.8cm £1,000­2,000 275 An Edwardian pearl and diamond bracelet, the bouton­shaped pearls within millegrain­set diamond surround £1,000­1,500 in platinum and gold, length 18.5cm, pearls untested 276 A sapphire and diamond ring, of navette outline, centring on an oval sapphire weighing approximately 0.90 carats, within a border of cushion­shaped diamonds, mounted in gold, size I½ £600­800 277 An opal and diamond ring, first half 20th century, of cluster design, set with a cabochon opal within a border of single­cut diamonds, mounted in gold and platinum, size O, stamped 18CT PLAT, numbered 3259 £400­700 278 A sapphire and diamond three stone ring, the oval sapphire set within diamond­set shoulders in yellow gold, size R £1,000­1,500 A verbal report stated that the sapphire is unheated, origin: Sri Lanka 279 An Edwardian pearl and tourmaline pendant, the stylised bow suspending a pearl and tourmaline cluster in £200­400 yellow gold, on a fine­link yellow gold neck chain, length 42cm, pearls untested 280 A Belle Époque ruby and diamond pendant, set with graduated circular­cut rubies within diamond­set laurels £800­1,200 in platinum and gold, length 4cm, chain length 44cm, French import assay mark for 18ct gold 281 A diamond ring, circa 1900, set with a circular­cut diamond weighing approximately 0.70 carats, to asymmetrically curved shoulders set with circular­cut diamonds, mounted in silver and gold, size L £800­1,200 282 A pink sapphire and diamond ring, set with an oval pink sapphire weighing 0.60 carats, within a floral border of brilliant­cut diamonds totalling 0.95 carats, mounted in gold, size Q½ £800­1,200 283 A sapphire and diamond pendant, set with a diamond bow suspending a diamond­set laurel wreath with a sapphire and diamond centre and a rose­cut diamond drop, pendant length 5.5cm, on fine­link platinum neck chain, length 50cm £800­1,200 284 A garnet and sapphire brooch, designed as a flag bearing a saltire cross, channel­set with calibré­cut sapphires, against a ground of pavé­set circular­cut orange garnets, mounted in gold, length 2.6cm £500­700 285 A late Victorian diamond bangle, set with a central cluster of circular­cut diamonds within diamond­set yellow gold shoulders, internal width 5.5cm £1,500­2,000 286 A pearl and diamond ring, early 20th century, composite, centring on a pearl measuring 5.3mm diameter, within an openwork border set with cushion­shaped and rose­cut diamonds, to a gold shank, size N½, shank with French assay marks for 18ct gold, French maker’s mark for Plisson & Hartz, numbered 3020, pearl untested £300­500 287 A pair of diamond stud earrings, each set with a cushion­shaped diamond in a pinched collet setting, each weighing approximately 0.15 carats, mounted in silver and gold, post fittings £200­300 288 A diamond ring, claw­set with three brilliant­cut diamonds totalling approximately 1.10 carats, mounted in gold, size N, stamped 14K £500­700 289 A pearl and diamond three stone ring, the bouton­shaped pearl flanked with old­cut diamonds in platinum, size M, pearl untested £600­800 290 A diamond cluster ring, set with graduated old circular­cut diamonds in platinum and white gold, size L £600­800

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291 Fred Leighton, a diamond necklace, the necklace consisting of sixteen oval openwork links with diamond­ set floral clusters and millegrain­bordered leaves, within diamond­set borders and spaced with carré­cut diamonds, diamonds totalling approximately 8.00 carats, mounted in white gold, signed Fred Leighton, British hallmarks for 18ct £4,000­5,000 gold, date letter for 2012 292 A diamond ring, of cluster design, centring on a square cushion­shaped brilliant­cut diamond weighing 0.50 carats, to a border and shoulders of brilliant­cut diamonds, mounted in platinum, size M½, British hallmarks £550­750 Accompanied by EGL report no.1558018028, stating that the diamond weighing 0.50 carats is D colour, VS1 clarity 293 A five­stone sapphire and diamond ring, designed as a sequence of circular­cut sapphires and brilliant­cut diamonds, set in alternation, mounted in platinum, size N, British hallmarks £600­800 294 A diamond three­stone ring, set with brilliant­cut diamonds totalling 1.02 carats, mounted in white gold, size P½ £3,000­4,000 295 A diamond ring, of cluster design, set with a pear­shaped diamond weighing 0.53 carats, within a double £500­700 border of brilliant­cut diamonds, mounted in platinum, size L½, British hallmark Accompanied by GIA report no. 5191615672, stating that the diamond weighing 0.53 carats is F colour, VS2 clarity, with no fluorescence 296 A sapphire and diamond ring, of cluster design, set with a pear­shaped sapphire weighing 2.84 carats, within a border of brilliant­cut diamonds totalling 0.32 carats, mounted in white gold, size N, stamped 750 £1,500­2,000 297 A pair of diamond earrings, each designed as a hinged hoop, set with brilliant­cut diamonds, mounted in £600­800 white gold, diameter 2.4cm, post fittings, stamped 14K 298 A pair of diamond earrings, each composed of a radiant­cut diamond, to a border and surmount of brilliant­ cut diamonds, mounted in white gold, length 1.9cm each, post fittings, British hallmarks £300­500 Accompanied by HRD reports no. 11012999018 and 11013047024, stating that the radiant­cut diamonds weighing 0.32 and 0.30 carats are F colour, Loupe Clean (VVS1+) and VVS1 clarity respectively 299 An emerald and diamond ring, designed as a cluster of square outline, collet­set with a step­cut emerald, within a double border of brilliant­cut diamonds, mounted in gold, size Q½, stamped 750 £800­1,200 Accompanied by report no. 20386 from the Gem & Pearl Laboratory, stating that the emerald measuring approximately 8 x 8 x 4.5mm is of Colombian origin, with indications of minor clarity enhancement 300 A diamond locket, designed as a heart, the front pavé­set with brilliant­cut diamonds totalling 0.80 carats, opening to reveal a plain interior, to a fine link chain, mounted in 18ct white gold, pendant length 2cm, chain length 40cm, British hallmarks £200­300 301 A diamond eternity ring, set with continous band of round brilliant­cut diamonds in white gold, size J ½ £600­800 302 A diamond ring, of cluster design, set with a radiant ‘Phoenix’ cut diamond weighing 0.50 carats, to a border and split shoulders of brilliant­cut diamonds totalling 0.23 carats, mounted in platinum, size M½, British hallmarks £500­700 Accompanied by HRD report no.16035559023, stating that the diamond weighing 0.50 carats is E colour, VS2 clarity 303 Elsa Peretti for Tiffany & Co., a diamond ring, of curved design, set with a sequence of brilliant­cut diamonds, mounted in platinum, size L½, signed Peretti and Tiffany Co., British hallmarks for platinum £200­300 304 A diamond pendant necklace, the pendant centring on a radiant­cut diamond weighing 0.31 carats, within a border of brilliant­cut diamonds totalling 0.22 carats, mounted in 18ct white gold, pendant length 2.1cm, chain length 44cm, British hallmark £300­500 Accompanied by HRD report no. 12017286049, stating that the diamond weighing 0.31 carats is E colour, VVS1 clarity 305 A diamond three­stone ring, claw­set with three circular­cut diamonds totalling 1.02 carats, mounted in gold and platinum, size P, stamped 18CT PLAT £3,000­4,000 306 A pair of tanzanite and diamond earrings, of cuff design, set with oval tanzanites totalling 5.80 carats, and lines of brilliant­cut diamonds totalling 0.36 carats, length 2.1cm each, clip and post fittings, stamped 18KT £1,200­1,800

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307 An emerald pendant, collet­set with a step­cut emerald weighing approximately 1.70 carats, to a fine chain, mounted in gold, length 46cm, stamped 18KT £800­1,200 308 A gold and diamond bracelet, circa 1965, of undulating outline in textured 18ct gold links, set with six £200­300 brilliant­cut diamonds, length 18.5cm, British import hallmark, date letter for 1965, signed UI Ltd, case 309 An opal and diamond pendant, the pendant set with a pear­shaped cabochon opal, suspended from a £1,000­1,500 princess­cut diamond, to a curb link chain, length 18.5cm, pendant 3.1cm, stamped 750 310 A diamond bracelet, composed of collet­set brilliant­cut diamonds, spaced by links in bicoloured gold, length £1,000­1,500 20cm, partially stamped 18 311 Cartier, a gold 'Trinity' necklace, formed of three fine link gold chains in yellow, white and rose gold, length 54cm, clasp signed Cartier, stamped 750, case stamped Cartier £800­1,200 312 An emerald and diamond bracelet, set with graduated step­cut emeralds, spaced by pairs of brilliant­cut diamonds, mounted in white gold, length 18cm £1,000­1,500 313 A sapphire and diamond­set gold bracelet, designed as interwoven links of sapphire clusters and diamond­ set laurels in yellow gold, length 18cm £1,000­1,500 314 A gold longchain necklace, of snake linking, each end culminating in a weighted pendant allowing it to be tied, length 126cm, gross weight 30 grams £600­800 315 A pair of cultured pearl and diamond earrings, each composed of a double chevron motif, pavé­set with brilliant­cut diamonds, suspending a detachable cultured pearl and brilliant­cut diamond drop, mounted in gold, £800­1,200 length 6.3cm each, clip and post fittings, stamped 18K and 750 316 A pair of tourmaline ear clips, each designed as a fluted gold cuff, set with a sugarloaf cabochon green tourmaline, length 2.3cm each, clip fittings £400­600 317 Cartier, a gold charm pendant, circa 1966, designed as a trident shape in polished 18ct gold, signed, British hallmarks, date letter for 1966, length 2.5cm, case stamped Cartier £300­400 318 A yellow sapphire and diamond ring, designed as a butterfly, pavé­set with circular­cut yellow sapphires and brilliant­cut diamonds of brown tint, to a flexible spiral band set with brilliant­cut diamonds and circular­cut yellow sapphires, mounted in gold, approximately size N £800­1,200 319 Van Cleef & Arpels, a gold and diamond bangle, the hinged gold bangle of twist design, the front pavé­set in sections with brilliant­cut diamonds, inner circumference 16.2cm, signed VCA, numbered B2203 A2, French assay marks for 18ct gold, French maker’s mark Sté RW with seashell, gross weight 22.8 grams £800­1,200 320 A sapphire and diamond ring, set with a circular­cut sapphire weighing approximately 8.00 carats, to shoulders set with brilliant­cut diamonds, mounted in iridium and platinum, size P, numbered 4772 £2,000­3,000 A verbal report from GCS states that the sapphire is of Madagascar origin, with no indications of heat treatment 321 A tourmaline ring, set with a pear­shaped cabochon green tourmaline, within a polished 18ct gold mount of bombé form, size M½, British hallmarks, sponsor’s mark DM £600­800 322 A diamond pendant, designed as one heart suspending another, each pavé­set with brilliant­cut diamonds, mounted in bicoloured gold, length 2.6cm £400­600 323 A sapphire and diamond pendant, of shield­shaped outline with a fixed bail, centring on an oval sapphire weighing approximately 4.00 carats, and pavé­set with brilliant­cut diamonds, mounted in gold, length 2.9cm, stamped 750 £1,000­1,500

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324 A diamond pendant necklace, the pendant claw­set with a brilliant­cut diamond weighing approximately 0.55 carats, to a fine white gold chain necklace, chain length 44cm £300­400 TO BE SOLD WITHOUT RESERVE 325 A diamond pendant necklace, the pendant of geometric design, set with three lines of baguette and brilliant­ cut diamonds, to a chain accented with two smaller brilliant­cut diamonds, diamonds totalling 1.03 carats, mounted in white gold, pendant length 2.4cm, chain length 45cm, stamped 18K £300­500 326 A pair of diamond earrings, each of pendent design, the surmounts and drops set with geometric arrangements of brilliant­cut, baguette and tapered baguette diamonds totalling 3.67 carats, mounted in white gold, length 4.4cm each, post fittings £1,500­1,800 327 Two diamond rings, comprising: an engagement ring set with a princess­cut diamond, to shoulders channel­ set with brilliant­cut diamonds, mounted in platinum, size N; and a similarly set half­eternity ring, size N, British hallmarks £200­300 328 A diamond tennis bracelet, designed as a line of brilliant­cut diamonds, mounted in white gold, length 18.5cm stamped 9K £400­600 329 A five­stone diamond ring, set with brilliant­cut diamonds totalling approximately 1.20 carats, mounted in gold, size P £300­500 330 A pair of diamond stud earrings, set with a brilliant­cut diamond weighing 0.51 and 0.52 carats respectively, post fittings, British hallmarks, case £400­600 331 A pair of diamond earrings, of pendent design, each suspending a drop­shaped hoop, set throughout with brilliant­cut diamonds totalling 1.11 carats, mounted in 18ct white gold, length 4.7cm each, post fittings, British hallmarks £300­500 332 A diamond, coloured diamond and enamel ring, early 20th century and later, centring on a marquise­shaped diamond of brownish yellow tint weighing approximately 0.50 carats, within an elongated navette­shaped mount set with circular­ and square step­cut diamonds, each end with a pear­shaped section of black enamel, mounted in platinum, size M½, shank and enamel possibly later £600­800 333 A sapphire and diamond cocktail ring, set with a circular­cut sapphire, within a swirled surround of brilliant­ £1,800­2,200 cut and baguette diamonds, mounted in white gold, size L½ 334 An amethyst and diamond ring, set with a chequerboard­cut amethyst, to a border and band set with brilliant­ cut diamonds, mounted in rose gold, size N, stamped 750, Italian maker’s mark £300­400 335 A diamond bracelet, designed as a line of brilliant­cut diamonds in square links, mounted in white gold, length 17.7cm, stamped 750, Italian maker’s mark £600­800 336 A sapphire and diamond ring, of cluster design, claw­set with an oval sapphire, within a border of brilliant­ cut diamonds, mounted in 18ct gold, size M, British hallmarks £600­800 337 A diamond ring, of curved design, channel­set with five brilliant­cut diamonds, mounted in white gold, size M, stamped 750 £200­300 338 An emerald and diamond ring, set with a cushion­shaped emerald (chipped) between circular­cut diamonds, to engraved shoulders and galleries with heart­shaped apertures, mounted in white gold, size M½, stamped 14K £400­600 339 A diamond solitaire ring, set with a circular­cut diamond weighing approximately 0.70 carats, mounted in gold and platinum, size P½, stamped 18CT PLAT, numbered 85 £600­800 340 A diamond eternity ring, channel­set in the round with square diamonds, totalling approximately 1.07 carats, mounted in white gold, size O £300­400 341 An opal, emerald and diamond ring, claw­set with an oval cabochon opal, within a double border of circular­ cut diamonds, the shoulders accented with pear­shaped emeralds, mounted in white gold, size O £1,500­2,000 342 A three­stone diamond ring, set with three brilliant­cut diamonds totalling approximately 1.15 carats, mounted in gold, size M, stamped 18ct £500­700 343 A diamond ring, of cluster design, claw­set with seven brilliant­cut diamonds totalling 0.80 carats, mounted in platinum, size M½ £250­350

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344 A gold demi­parure, comprising: a necklace and bracelet, each composed of graduated wheat­sheaf linking, in bicoloured gold, necklace length 44.5cm, bracelet length 19cm, each with French assay marks for 18ct gold and French maker’s marks, combined gross weight 74 grams £2,800­3,000 345 A sapphire, ruby and diamond brooch, designed as a frog, pavé­set with circular­cut sapphires and brilliant­ cut diamonds, with ruby cabochon eyes, mounted in gold, length 2.4cm, stamped 750 £500­700 346 Cartier, a small gold ‘LOVE’ bangle, signed and numbered HWC651, bracelet width 4mm, internal width 5.5cm, 18g £1,000­2,000 347 Jessica McCormack and Haas Brothers, an enamel and diamond ring, designed as an ouroboros, a snake biting its own tail, applied with deep blue enamel, its eyes set with brilliant­cut diamonds, mounted in 18ct gold, size S, signed JMcC HAAS, British hallmark for 18ct gold, sponsor’s mark JM, numbered 2443, case and outer box stamped JMcC HAAS £300­500 348 Fope, a gold and diamond necklace, the fancy­link gold necklace centring on a link pavé­set with brilliant­ cut diamonds, mounted in 18ct yellow gold, length 43cm, signed Fope to clasp and marks for 18ct, total diamond weight 0.61cts £2,000­3,000 349 A diamond solitaire ring, the cushion­shaped diamond weighs 2.31cts, in a heavy textured 18ct yellow gold setting, by Martin White, maker’s mark and London hallmarks for 2011, size Q approximately, case £5,000­7,000 350 Cartier, a cultured pearl and diamond ring, set with a cultured pearl measuring approximately 12.9mm diameter, to a foliate setting and shank set throughout with brilliant­cut diamonds, mounted in platinum, size L½, signed Cartier, numbered 860208, French assay mark for platinum, French maker’s mark Sté A&F, fitted case stamped Cartier £1,500­2,000 351 Cartier, a gold ‘Trinity’ necklace, formed of three fine link gold chains in yellow, white and rose gold, clasp £800­1,200 signed Cartier and stamped 750, length 54cm, Cartier case 352 Cartier, a gold and diamond bracelet, composed of three rows of navette­shaped gold links, set with pairs of brilliant­cut diamonds, length 18cm, signed Cartier, numbered E08731, dated 1996, Swiss and EU assay marks for £1,000­1,500 18ct gold, case and pouch stamped Cartier, accompanied by a Cartier guarantee booklet 353 An emerald necklace, the pendant set with a pear­shaped emerald weighing approximately 2.50 carats, to a gold necklace of flattened linking, pendant length 2.2cm, necklace length 41cm, stamped 14K £1,500­2,000

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354 A gold and diamond brooch, late 19th century, designed as a rectangular gold plaque engraved with a tropical coastal landscape, a hot air balloon set with a pear­shaped and a circular­cut diamond floating in the middle of the sky, the reverse inscribed ‘Marco 28 1897’, length 4.8cm £200­300 355 A diamond necklace and pair of earrings, composed of knife wire linking set with rose­cut diamonds, suspending a fringe of rose­cut diamond pendants, mounted in silver and gold, length 39cm; together with a pair of earrings of similar design, length 4cm, later hook fittings, case £1,000­1,500 356 A 19th century square enamel pendant, depicting a woman in profile in polychrome enamel, length 3cm £200­300 357 A gold and enamel brooch, late 19th century, the circular brooch centring on a painted enamel portrait of a child, to a ground of gilt metal, within a plain gold border, diameter 2.5cm, French assay marks for 18ct gold £150­200 358 An Edwardian amethyst and seed pearl pendant, early 20th century, set with a circular­cut amethyst within a foliate border of seed pearls, mounted in gold, 3.4cm wide £600­800 359 A Victorian cameo bangle, the hardstone cameo within a blue enamel and half­pearl surround on a polished £800­1,200 gold bangle, internal width 5.5cm, 29g, pearls untested 360 An enamel and diamond brooch, early 20th century, designed as a posy of three violets in painted enamel, £300­400 their centres set with single­cut diamonds, mounted in gold, length 5cm, stamped 14K 361 A late 19th century rose­cut diamond brooch, of pierced circular design set overall with graduated rose­cut diamonds in yellow gold, length 4.1cm £800­1,200 362 An Art Nouveau gold locket pendant, decorated with a stylised flower set with demantoid garnets, hinged opening and locket compartment to interior, length 4.5cm, Austrian marks to bail £600­800 363 A Victorian gold, amethyst and seed pearl bangle, late 19th century, the hinged bangle centring on a roundel set with cabochon amethysts and seed pearls, with engraved floral scrolls extending across the shoulders, inner circumference 16.3cm, pearls untested, gross weight 18.9 grams £400­600 364 A late 19th century pearl and onyx pendant/brooch, the oval black onyx plaque set with three half pearls £300­400 within a pearl border in yellow gold, length 5cm, Austrian marks, pearls untested 365 A pair of Victorian diamond drop earrings, mid 19th century, each designed as a ribbon bow suspending a pear­shaped drop, set with cushion­shaped and rose­cut diamonds, mounted in silver and gold, length 2.6cm each, later post fittings £800­1,200 366 A gold and garnet brooch, mid 19th century, centring on a cabochon almandine garnet in a foil­backed setting, within a circular gold brooch designed in the Archaeological Revival style, applied with gold rope twist and grainti decoration, the reverse with a glazed locket compartment, diameter 3.7cm £250­350 367 Alabaster & Wilson, a late 19th century gold dragon brooch, width 3.1cm, stamped15ct

£200­300

368 A late 19th century man in the moon brooch, set with a carved moonstone within a ruby and seed pearl surround on twisted rope bar brooch, width 4.1cm £200­300

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369 A sapphire and diamond ring, set with a cushion­shaped sapphire weighing 3.02 carats, within a border of brilliant­cut diamonds, to shoulders set with tapered baguette diamonds, mounted in 14ct white gold, size L½, British hallmark £1,500­2,000 Accompanied by GCS report no. 81286­24, stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment 370 An emerald and diamond ring, of cluster design, set with a cabochon emerald within a border of brilliant­cut diamonds, mounted in platinum, size O £2,000­3,000 Accompanied by GCS report no. 79194­47, stating that the emerald measuring 17.1 x 13.7 x 7.1mm is of Colombian origin, with indications of minor clarity enhancement 371 A ruby and diamond ring, claw­set with a cabochon ruby weighing approximately 16.00 carats, to a mount £8,000­12,000 set with brilliant­cut diamonds, size N, French import mark for 18ct gold Accompanied by a facsimile copy of report number 78132­58 from GCS dated 12th December 2017 stating that the ruby shows no indications of heat treatment 372 A diamond three­stone ring, early 20th century, set with circular­cut diamonds totalling approximately 1.20 carats, mounted in platinum, size L½, numbered 8031 £600­800 373 No lot 374 A diamond­set gold necklace, set with graduated round brilliant­cut diamonds in scallop­edged settings in white gold, length 39cm, stamped 750 £1,500­2,000 375 A jadeite and diamond cluster ring, the oval jadeite cabochon within twisted surround set with circular and £1,000­1,500 baguette­shaped diamonds in yellow gold, with inner re-sizing band, size K 376 A diamond five­stone ring, set with brilliant­cut diamonds totalling 0.79 carats, mounted in platinum, size N £250­350 377 A diamond bracelet, composed of foliate links set with brilliant­cut and baguette diamonds in alternation, each link terminating in a trio of brilliant­cut diamonds, mounted in platinum, length 17.5cm, case £3,000­5,000 378 A pair of diamond stud earrings, each set with a brilliant­cut diamond, totalling 1.01 carats, mounted in £800­1,200 platinum, post fittings, British hallmarks 379 A pair of emerald and diamond earrings, of cluster design, each centring on an oval emerald within a border of marquise­shaped emeralds and brilliant­cut diamonds, mounted in gold, length 2.1cm each, post fittings £2,000­3,000 380 A star sapphire and diamond ring, claw­set with a cabochon star sapphire weighing approximately 20.00 carats, within a border of brilliant­cut diamonds, the shoulders set with marquise­shaped diamonds, mounted in platinum, size L½ (sizing band), stamped PLATINUM £1,500­2,000 381 A synthetic ruby and diamond ring, early 20th century, of cluster design, claw­set with an oval synthetic ruby, within a rectangular border of circular­cut diamonds, mounted in gold, size O½ £400­600

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382 An attractive Belle Époque diamond pendant, France, circa 1910, of stylised seashell design in platinum openwork, set with circular­ and rose­cut diamonds, the centre suspending a pear­shaped diamond pendant, to a plain platinum chain, pendant length 4.1cm, chain length 40cm, French assay mark and partial maker’s mark £800­1,200 383 An Edwardian enamel and diamond pendant, depicting a woman in profile with diamond border in platinum, on a fine­link platinum neck chain, length 43cm, pendant width 2.3cm £400­600 384 An Edwardian spinel pendant, the circular spinel set in a fine knife­edge link circular surround, detaching to be worn on a plain gold bar brooch, pendant 2.5cm wide, brooch 5.8cm wide £300­400 385 An enamel and diamond pendant, designed in the ‘Garland’ style, composed of an oval ring of pink guilloché enamel within foliate borders set with circular­cut diamonds, suspending foliate diamond pendants to the centre and base, the top of the pendant surmounted by a ribbon bow set with circular­cut diamonds, mounted in platinum and gold, to a white gold chain necklace, pendant length 4.8cm, chain length 41.5cm £600­800 386 A zircon ring, claw­set with a circular­cut blue zircon, to a stepped mount in white gold, size K½

£500­700

387 A zircon and diamond cluster ring, the round brilliant­cut blue zircon set within a surround of circular­cut diamonds in platinum and white gold, size M £400­600 388 A sapphire, ruby and diamond ring, of 'day and night' design, composed of a central band, one side set with of calibré­cut rubies, the other with sapphires, within hinged diamond bands in palladium, size N £300­500 389 A jadeite and diamond ring, mid 20th century, set with a cabochon jadeite measuring approximately 13.8 x 10.1 x 6.7mm, to £600­800 shoulders set with single­cut diamonds, mounted in white gold, size M½ Accompanied by GCS report no. 5783­4013, stating that the jadeite is natural, with no indications of impregnation 390 A sapphire and diamond ring, early 20th century, of cluster design, set with a cushion­shaped sapphire within a double border of single­cut diamonds, mounted in platinum, size P, stamped PLATINUM £400­600 391 A pair of amethyst and diamond earrings, of pendent design, each set with a step­cut amethyst, suspended from and bordered with circular­cut diamonds, mounted in gold, length 4cm, hook and clip fittings £1,500­2,000 392 A diamond brooch, designed as ribbon tied in a bow, set with brilliant­cut diamonds, mounted in white gold, length 5cm £200­300 393 An early 20th century ruby and diamond ring, set with a square ruby within pierced openwork diamond surround, in 18ct white gold and platinum, size L £200­300 394 An onyx and diamond ring, early 20th century, centring on a cushion­shaped diamond weighing approximately 1.50 carats, within a border of calibré­cut onyx and outer frame of circular­cut diamonds, to scrolled shoulders, mounted in gold, size M £2,000­3,000 395 A diamond cluster ring, set with old circular­cut diamonds in platinum, size I (sizing beads)

£700­900

396 A silver and enamel pendant, early 20th century, the silver medallion with an openwork design of a pilot and gunner aiming at another plane above the clouds, applied with blue plique à jour enamel, length 3.5cm including bail, French assay mark for silver £300­400 397 A pair of diamond earrings, each designed as a circular openwork cluster, set with single­cut and cushion­shaped diamonds, mounted in white gold, diameter 1.4cm each, post fittings £500­700 398 An aquamarine and diamond ring, of cluster design, collet­set with an oval aquamarine, within a border of circular­cut diamonds, mounted in white gold and platinum, size M, stamped 18CT PLAT £600­800 399 A ruby and diamond three stone ring, the oval ruby flanked with circular­cut diamonds in platinum, size M

£400­600

400 A sapphire and diamond ring, of cluster design, set with brilliant­ and single­cut diamonds and circular­cut sapphires, mounted in white gold, size O £400­600 401 A sapphire and diamond ring, early 20th century, set with a cushion­shaped sapphire weighing approximately 2.50 carats, to an openwork mount set with circular­cut and rose­cut diamonds, in platinum, size J½ £3,000­4,000 402 An aquamarine and diamond cluster ring, the oval aquamarine set within a surround of diamonds in white gold, size K £600­900 403 A three­stone diamond ring, set with three brilliant­cut diamonds totalling approximately 2.50 carats, size O, British hallmark for platinum £4,000­6,000

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DAY TWO THURSDAY 25TH JANUARY 2024 AT 10.00AM 404 A diamond six stone ring, set with six round brilliant­cut diamonds totalling approximately 3.30 carats, set in platinum and gold, size R £1,500­2,000 405 A pair of ruby and diamond ear clips, each of cluster design, set with a step­cut ruby within a border of brilliant­cut and marquise­ shaped diamonds, mounted in white gold and platinum, length 1.7cm £800­1,200 406 An emerald and diamond ring, of cluster design, set with a step­cut emerald, within a border of brilliant­cut and baguette diamonds, mounted in gold, size J½, partial British hallmark £600­800 407 A yellow sapphire and diamond ring, set with a cushion­shaped yellow sapphire weighing approximately 4.00 carats, to a bicoloured gold mount set with baguette diamonds, size K, partially signed ..rris London £2,000­3,000 408 A yellow and white diamond ring, set with five French­cut yellow diamonds in a border of baguette diamonds, mounted in white gold, size N £300­500 409 An aquamarine solitaire ring, claw­set with a step­cut aquamarine weighing approximately 7.00 carats, mounted in white gold, size P½, stamped 14K £400­600 TO BE SOLD WITHOUT RESERVE 410 An emerald and diamond cluster ring, set with a central oval­shaped emerald within a diamond surround and diamond­set shoulders in white gold, size R £800­1,200 411 An emerald and diamond ring, set with a step­cut emerald weighing 1.20 carats, within a border of brilliant­cut and baguette diamonds totalling 1.30 carats, mounted in gold, size O £1,000­2,000 412 An emerald and diamond ring, of cluster design, set with an oval emerald, within a border of brilliant­cut diamonds, mounted in £1,200­1,500 white gold, size N½, adjustable, stamped 14K 413 A diamond eternity ring, composed of panels set with brilliant­cut diamonds, spaced by plain polished panels, mounted in white £150­250 gold, size N½, British hallmarks for 18ct gold 414 A diamond bracelet, composed of links designed as ribbons, set with brilliant­cut and baguette diamonds, mounted in platinum, £1,500­2,000 length 18cm, British hallmark, numbered 1454 415 A pair of ruby and diamond cluster ear studs, the oval rubies set within a surround of circular and tapered baguette­shaped diamonds in white gold, 1.5cm wide £1,200­1,500 416 A tourmaline and diamond ring, claw­set with a step­cut green tourmaline weighing approximately 7.00 carats, to a surround of brilliant­cut diamonds, mounted in white gold, size Q½, stamped 750 £1,000­1,500 417 A diamond dress ring, the front composed of clusters of brilliant­cut diamonds totalling 1.12 carats, mounted in 18ct white gold, size N, British hallmarks £400­600 418 A ruby and diamond ring, of bombé design, set with alternating rows of oval rubies and brilliant­cut diamonds, mounted in white gold, size N £1,000­1,500 419 A pair of emerald and diamond stud earrings, each of cluster design, set with oval emeralds totalling 3.30 carats, within borders £1,500­2,000 of brilliant­cut diamonds totalling 0.61 carats, mounted in white gold, length 1.3cm, post fittings, stamped 18K 420 A three­stone diamond ring, set with a trio of brilliant­cut diamonds totalling approximately 0.90 carats, mounted in 18ct gold, size I½, British hallmarks £400­600 421 A tourmaline and diamond ring, set with a step­cut pink tourmaline weighing approximately 7.00 carats, to shoulders set with brilliant­cut and carré diamonds, mounted in 18ct white gold, size M, British hallmarks £1,000­2,000 422 A zircon and diamond three stone ring, the brown zircon flanked with baguette­shaped diamonds in platinum and gold, size O £400­600 423 An emerald and diamond ring, collet­set with a step­cut emerald weighing approximately 1.00 carat, between shoulders collet­ £1,000­1,500 set with baguette diamonds, mounted in 18ct gold, size N½, British hallmarks

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424 A pair of citrine, amethyst and diamond ear clips, each designed as a butterfly, their wings set with mixed­ cut amethyst and citrine, outlined with brilliant­cut diamonds, their eyes set with small rubies, mounted in gold, wingspan 1.8cm each £300­400 425 A pair of South Sea cultured pearl and diamond earrings, mid 20th century, each of foliate design, set with circular­ and single­cut diamonds, mounted in white gold, suspending a detachable cultured pearl pendant, length £400­600 4.1cm each, clip fittings, stamped 14K 426 A pair of onyx and diamond earrings and a moonstone and diamond pendant necklace, the earrings composed of articulated concentric hoops of carved onyx and brilliant­cut diamonds, mounted in white gold, length 2.6cm, post fittings, stamped 18K; the pendant set with a pear­shaped moonstone, surmounted by a looped ribbon motif set with brilliant­cut diamonds, to a fine gold chain, pendant length 1.6cm, chain length 45cm, stamped 750 £200­300 427 An emerald and diamond flower brooch, set overall with graduated circular­cut diamonds and emeralds in white gold, length 5.8cm £600­800 428 A single row black cultured pearl necklace, with a diamond set gold spherical clasp, the pearls graduate to 14mm, length 58cm £1,000­2,000 TO BE SOLD WITHOUT RESERVE 429 An emerald and diamond parure, comprising: a ring, a pendant and a pair of earrings, each designed as an undulating line of brilliant­cut diamonds punctuated with variously shaped emeralds, mounted in white gold, ring size £1,800­2,000 O½, earrings with clip and post fittings, length 2.8cm each, pendant length 4.9cm, each marked 18K 430 Roberto Coin, a gold and diamond bangle, the curving hinged bangle engraved with a woodgrain design, set with a brilliant­cut diamond, the interior with star­shaped apertures, and accented by a circular­cut synthetic ruby, in 18ct white gold, inner circumference 16.6cm, British hallmark, sponsor’s mark RC for Roberto Coin, gross weight 21 grams £400­600 431 A platinum and diamond ring, the asymmetrical open band constructed from platinum wire, one side with a border of brilliant­cut diamonds, size N, British hallmarks £300­400 432 A diamond cluster ring, set with graduated round brilliant­cut diamonds, the two principal diamonds weigh approximately 1.30cts each, in openwork white gold setting, size J £8,000­12,000 433 A cultured mabé pearl and diamond ring, set in a carved and pierced white gold mount, size K

£200­300

434 A diamond cluster ring, set with a central round brilliant­cut diamond weighing approximately 1.25cts, within a diamond halo surround and diamond­set shoulder and gallery, in white gold, approximate total weight of diamonds 2.25cts, size M £2,000­3,000 435 A large aquamarine pendant, the oval aquamarine weighing approximately 90.00 carats, set in white gold, length 4.2cm £400­600 436 A pair of glass and diamond earrings, each designed as an Arum lily in yellow glass and brilliant­cut diamonds, £400­600 mounted in white gold, length 2.8cm, clip and retractable post fittings, stamped 750 437 An amethyst and diamond ring, the oval amethyst is set within surrounds of small round brilliant­cut diamonds in white gold, size M £600­800 438 An aquamarine solitaire ring, the large square step­cut aquamarine is claw­set in white gold, size K £800­1,200 439 A cultured pearl and diamond ring, centring on a large cultured pearl measuring 13mm, between shoulders set with marquise­shaped diamonds, mounted in platinum, size Q½, French import assay mark for platinum, stamped PT950 £400­600

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440 A mother of pearl and diamond dress set, late 19th century, each designed as a button, the mother of pearl discs set with rose­cut diamonds in silver on gold, each button 12mm wide, fitted case £300­500 441 Bulgari, a sapphire dress set, mid 20th century, comprising: a pair of cufflinks and three shirt studs, each collet­set with a cabochon sapphire in gold, largest cufflink end 1.2 x 1.0cm, shirt studs each 0.7cm diameter, cufflinks £3,000­4,000 signed Bulgari, shirt studs unsigned, fitted case stamped Bulgari 442 An onyx and diamond fob seal, late 18th/early 19th century, carved as a seated spaniel in black onyx, its eyes and collar set with cushion­shaped diamonds, the base set with a banded onyx intaglio carved with a laureated man in profile, possibly Julius Caesar, suspended from a gold split ring, total length including split ring 4.4cm, intaglio 1.5 x 1.2cm, dog with one paw deficient £800­1,200 443 Mellerio Borgnis, a mid 19th century chatelaine and fob watch, composed of a belt hook embellished with a medallion showing a floral cipher on a mat background, framed by a floral frieze and laurels and surmounted by a quiver and a torch, suspending a three­colour gold fob watch, signed Mellerio Borgnis to the dial within elaborate foliate engraved surround and seed pearls, stem winding, total length 14cm £3,000­4,000 444 A late 19th century diamond­set stick pin, set with an antique pear­shaped diamond beneath three smaller circular­cut diamonds in silver and gold, length 7.7cm £500­700 445 A ruby­set gold stickpin, depicting a stylised double­headed eagle in yellow gold, set with a central cushion­ shaped ruby, length 6.9cm, case £200­300 446 A pair of gold cufflinks, early 20th century, each end of oval outline, with the design of an Assyrian sphinx, each end 1.9 x 1.5cm, British hallmarks for 18ct gold, date letter a possibly for 1900 £400­600 447 A pair of gold and mother of pearl cufflinks, the mother of pearl discs within a gold foliate surround, each disc 15mm £400­600 448 An amethyst fob seal pendant, 1820s, set an oval amethyst, to a gold fob engraved with floral designs, height £400­600 3.2cm, amethyst possibly a later replacement 449 A pair of amethyst and gold coin cufflinks, each set with a gold coin depicting a Native American, dated 1914, within a gold frame quartered with amethyst cabochons, with a gold and amethyst terminal, combined gross weight 23 grams £200­300 450 A Regimental brooch for the Highland Light Infantry, decorated with graduated single­cut diamonds and red enamel in platinum and gold, length 3.1cm, fitted case £200­300 451 Boucheron, a pair of gold and onyx cufflinks, circa 1975, each of rope twist design in 18ct gold, set to one end with an onyx baton, onyx batons 2cm, each signed Boucheron, Italian maker’s marks, British import hallmarks for £400­600 18ct gold, date letter for 1975, fitted case stamped Boucheron TO BE SOLD WITHOUT RESERVE 452 A pair of gold and green chalcedony cufflinks, mid 20th century, each of stirrup design, fastened by fox tail link chain, each end capped with a cabochon green chalcedony, mounted in gold, length 2.6cm £600­800 453 Cartier, a pair of gold and stainless steel cufflinks, the fronts composed of coiled wire, connected by chains to a plain baton link back, in yellow gold and stainless steel, length of fronts 1.7cm, each signed Cartier, numbered 417307, fitted case stamped Cartier £600­800

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454 Rolex, a lady’s white gold and diamond ‘Precision’ wristwatch, the square blue enamel dial with baton indicators, within a border of brilliant­cut diamonds, to a white gold mesh bracelet, length 16cm, case width 2.1cm, signed Rolex, numbered 2042983, Swiss assay marks for 18ct gold, bracelet stamped 18K £500­700 455 A ruby and diamond watch, mid 20th century, of padlock design, set with circular­cut diamonds, the central panel of calibré­cut rubies opening to reveal a square silvered dial with black enamel indicators and blued steel hands, to a brick link strap, mounted in platinum and white gold, case width 2.2cm, bracelet length 17cm, manual winding movement £3,000­4,000 456 Tiffany & Co, a lady’s diamond­set gold wristwatch, signed dial with Arabic hour markers at 12 and 6, 18ct gold case set with graduated circular­cut diamonds, quartz movement, case numbered 040940220, on black silk band with a diamond­set signed 18ct gold clasp, case width 19mm, length 18mm £1,000­2,000 457 Rolex, a ladies steel and gold Datejust wristwatch, signed white dial with diamond hour markers and date aperture, subsidiary seconds hand, automatic movement, diamond­set bezel, case width 2.6cm, Rolex box £1,000­2,000 458 Rolex, a lady’s stainless steel Oyster Perpetual, ref. 67195, the brushed gilt metal dial with baton indicators, to a bicoloured stainless steel bezel and link bracelet, case width 2.3cm excluding winder, signed Rolex, automatic movement, numbered 67195, case and pouch stamped Rolex £800­1,200 459 Rolex, a lady’s stainless steel Datejust, ref. 69173, the white enamel dial with Roman numeral indicators and date wheel aperture, to a bicoloured stainless steel bezel and link bracelet, case width 2.5cm excluding winder, signed Rolex, automatic movement, numbered L786849 and 69173, case, booklet and service document stamped Rolex £1,200­1,800 460 Chopard, a lady’s ‘Happy Sport’ diamond wristwatch, signed white dial with Arabic numerals, subsidiary seconds dial, diamond­set steel case, the glass suspending five free­moving diamonds within, case numbered 27/8895­23/11, serial number 1162682 and 8892, sapphire winder, quartz movement, total diamond weight 1.22cts, case width 2.3cm, on a black leather band, with a spare pink leather strap, Chopard box and papers £1,500­2,000 461 Chanel, a lady’s diamond­set wristwatch, the signed black dial set with diamonds within octagonal diamond­ set case on signed rubber strap, case numbered 64383, case width 15mm, length 20.6cm £600­800 462 Tiffany & Co, an early 20th century diamond­set wristwatch, signed dial with Arabic numerals, manual movement, in octagonal platinum case set with circular­cut diamonds on an expanding diamond­set and engraved platinum band, case width 2.1cm, length 17.5cm shortest £2,000­3,000

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463 A gentleman’s steel Rolex Date wristwatch, signed dial with baton hour markers and date aperture at 3.00, automatic movement, in steel case on a later steel band, case width 3.4cm, with Rolex guarantee paperwork ref no.

1231417 £400­600 464 Rolex, a gentleman’s gold duodial ‘Prince’ wristwatch, 1930s, unsigned plain dial with Arabic numerals and subsidiary seconds dial, signed movement and sign 9ct gold case, case numbered 8449 1771, case width 2cm, on a plain leather band £1,500­2,000 465 A gentleman’s Omega Seamaster Calendar wristwatch, signed dial with Arabic and baton numerals, date aperture at 6 and sweep seconds hand in steel case, automatic movement, on a leather band, case width 3.4cm £300­500 466 Rolex, a silver and enamel watch pendant, early 20th century, of spherical form, applied with mauve guilloché enamel and fine gold decoration, the circular white dial with black Arabic numerals, watch 2.4cm diameter, manual winding movement, movement and case interior signed Rolex, case additionally numbered 1091795, British hallmark, sponsor’s mark W&D, date letter for 1919 £600­800 467 Patek Philippe, a gentleman’s gold wristwatch, signed dial with baton numerals and subsidiary seconds dial, manual movement, numbered 745286 to movement and 515730 and 2568 to case, in a polished gold case on brown leather strap, case width 3.2cm, with a spare Patek Philippe strap, in Patek Phillippe pouch £2,000­3,000 468 Cartier, a steel and gold Panthère wristwatch, signed dial with Roman numerals, date aperture, secret signature at 7 o’clock, quartz movement, on steel and gold band, case numbered 1100 2 26371, case width 2.7cm, £1,000­2,000 with Cartier box and guarantee certificate 469 An Edwardian blue enamel and gold fob watch, engine­turned dial with Arabic numerals and a blue guilloché enamel case decorated with diamonds, length 4cm high, on a blue enamel, diamond and fine­link platinum neck chain, length 58cm £600­800

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λ 470 An Austrian carved hardstone cane handle, the carved rock crystal rabbit’s head set on a tortoiseshell cane handle with a blue enamel and gold fleur­de­lys terminal, Austrian marks and maker’s mark A.W, length 29.5cm, £600­800 fitted case 471 Michael Gomez, a silver and gold letter opener, circa 2000, designed as a gold­coloured snake wrapped around a severed branch, length 20.8 £1,000­1,500 472 A Russian silver gilt samorodok cigarette case, of rectangular form, set overall with variously cut stones, pastes and a pearl, length 9.8 cm, with maker's mark and 88 Zolotnik mark, pearl untested £300­400 473 A gold and ruby cigarette case, Russia, circa 1912, of rectangular outline in gold samorodok, the hinged lid set with a cabochon ruby, opening to reveal a plain interior, the lid inscribed with the date 24th December 1912, measuring 9.2 x 6.4 x 1.8cm, Russian assay mark for 56 zolotnik gold, workmaster’s mark AB for Abraham Beilin & Son, gross weight 143 grams £4,000­5,000 474 An emerald, pearl and diamond coin purse, early 20th century, the clasp designed as confronted snakes, their heads set with cabochon emeralds, their eyes set with rose­cut diamonds, the top of the bag set with calibré­ cut emeralds and rose­cut diamonds, to a gold mesh purse suspending a tassel of pearls, length 9.4cm, pearls untested, two diamonds and one emerald deficient, gross weight 32 grams £1,000­2,000 475 A gold purse, France, early 20th century, of rectangular outline, of mesh construction in 18ct gold, measuring 7.1 x 6.0cm including clasp, French assay marks, gross weight 44.9 grams £1,000­1,500 λ 476 Gilbert Albert, a gold, cultured baroque pearl and coral letter opener, 1970s, the coiled silver blade entwined with a branch of coral and a textured gold mount, set with a black cultured baroque pearl, length 23.2cm, signed Gilbert Albert, numbered 9585 stamped 800 and 750 £1,000­1,500

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477 A rock crystal and gem­set box, 19th century, constructed of rock crystal, the lid carved with a partially clothed woman in conversation with a man holding a spear, in a pastoral setting beneath a tree, mounted in gilt silver, the front set with variously­cut rubies, sapphires and green pastes, and rose­cut diamonds, to a waisted base, measuring 8.5 x 6.9 x 3.6cm £1,000­1,500 478 Cartier, a gold cigarette case, circa 1963, the exterior of fluted design, opening via a hinge to reveal a plain interior, in 9ct gold, measuring 6.0 x 8.0 x 1.3cm, British hallmarks, sponsor’s mark JC for Cartier London, faintly signed £1,500­2,000 Cartier London, gross weight 96 grams 479 A gold and enamel snuffbox, 19th century, of cut­cornered rectangular outline, the lid and base applied with a central panel of black enamel with a pattern of dots in reserve, within a stippled gold border and outer band of white enamel, between side panels engraved with horizontal and diagonal stripes, the sides of similar design, opening to reveal a plain interior, measuring 8.7 x 5.7 x 1.5cm, indistinct assay marks, maker’s mark FJ beneath three crowns, numbered 6389, gross weight 118 grams £1,200­1,500 480 A bowenite and enamel kovsh, probably Russia, late 19th/early 20th century, carved in green bowenite, the handle decorated with gold foliate scroll work applied with multicoloured enamel, length 9.0 x 5.7 x 2.8cm £800­1,200 481 A George III gold­mounted agate snuff box, the base rim engraved with foliate decoration, scratched inventory number 7007A, the hinged cover with raised thumbpiece, 4.8cm wide £600­800 482 An Art Deco emerald, diamond and rock crystal cigarette case, circa 1915, the rectangular case with a hinged lid in frosted rock crystal, applied with a green glass cameo of Cupid within a border of rose­cut diamonds and cabochon emeralds, the clasp and hinges similarly set with rose­cut diamonds, one cabochon emerald and one £600­800 circular­cut diamond, mounted in gold and platinum, measuring 8.0 x 5.4 x 1.8cm 483 An early 20th century blue enamel cigarette case, the silver­gilt box decorated with gilded swags and a diamond thumbpiece, hinged vesta compartment to one end, length 9.8cm £600­800

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484 An emerald and diamond pendant, of cluster design, set with an oval emerald within a surround of marquise­ shaped diamonds, surmounted by a diamond trefoil in white gold, to a snake­link white gold neck chain, pendant length 3.4cm, chain length 38cm £4,000­6,000 A verbal report from GCS states that the emerald is of Colombian origin, with indications of moderate clarity enhancement 485 A pair of diamond cluster earrings, set with five graduated circular­cut diamonds within a diamond­set spray surround in white gold, length 2.2cm £200­300 486 A white gold and diamond necklace, designed as a line of polished disc­shaped links suspending two rows of collet­set brilliant­cut diamonds totalling 5.16 carats, mounted in white gold, length 42.5cm, British hallmarks for 18ct gold £1,500­2,000 487 A pair of diamond drop earrings, of twisted design, pavé­set with graduated circular­cut diamonds in white gold, stamped 750, post and clip fittings, height 4.8cm £2,000­3,000 488 An emerald and diamond ring, centring on an oval emerald weighing approximately 3.50 carats, within a border of brilliant­cut diamonds totalling approximately 2.50 carats, to a border and shoulders pavé­set with smaller £5,000­6,000 brilliant­cut diamonds, mounted in white gold, size P½ 489 A ruby and diamond ring, set with an oval ruby weighing 2.72 carats, between shoulders set with pear­shaped diamonds, each weighing approximately 0.50 carats, mounted in 18ct gold, size R½, British hallmark £5,000­7,000 A verbal report from GCS states that the ruby is of Thai/Cambodian origin, with indications of heat treatment 490 An emerald and diamond ring, the oval­shaped emerald weighing approximately 5.00cts with three old­cut diamonds to each shoulders in platinum, size N £1,500­2,000 491 A pair of emerald and diamond drop earrings, each set with an oval emerald within a surround of marquise­ shaped diamonds suspended from a trefoil of marquise­shaped diamonds in white gold, length 2.9cm £2,500­3,000 A verbal report from GCS states that the emeralds are both of Colombian origin, with indications of moderate clarity enhancement 492 A diamond solitaire ring, the step­cut diamond weighs 2.02ct, set in platinum, size K

£2,000­3,000

493 A diamond line bracelet, set with round brilliant­cut diamonds totalling approximately 3.20cts, in white gold rubover settings, length 17cm £2,000­3,000 494 A diamond brooch, designed as a cornucopia, set with brilliant­cut, oval, step­cut, marquise­ and pear­shaped diamonds, length 5.5cm £4,000­6,000 495 A diamond full­circle eternity ring, set with round brilliant­cut diamonds in platinum, size M

£600­800

496 A diamond ring, of cluster design, centring on an Asscher­cut diamond weighing 0.91 carats, within a border of brilliant­cut diamonds, mounted in white gold, size J½, case stamped David Morris £1,500­2,000 Accompanied by a facsimile of GIA report no. 5181699495, stating that the diamond weighing 0.91 carats is E colour, VS1 clarity, nil fluorescence 497 A pair of diamond earrings, designed as hoops, set with step­cut diamonds, length 2cm, post fittings £2,000­3,000 498 An emerald and diamond cluster ring, the oval emerald is set within a surround of marquise­shaped diamonds in white gold, size O £3,000­4,000 A verbal report from GCS states that the Emerald is of Colombian origin, with indications of moderate clarity enhancement 499 A diamond three stone ring, set with three graduated round brilliant­cut diamonds and a diamond set to the gallery on each side, in platinum, size J £8,000­12,000 Accompanied by report numbers 1145993678, 6152604982 and 5176744974 from GIA stating that the shoulder stones are each 0.70 carats, F colour, VS1 clarity, and the central stone is 1.50 carats, F colour, VS1 clarity 500 A diamond solitaire ring, the step­cut diamond ring weighing approximately 1.90cts, claw­set in platinum, London hallmarks for 2001, size J £3,000­5,000 501 An aquamarine and diamond dress ring, the step­cut aquamarine set within chevron­shaped diamond shoulders in gold, size L £1,800­2,000 502 A diamond spray brooch, set overall with graduated round brilliant­cut, marquise­shaped and baguette­shaped £2,000­3,000 diamonds in platinum, length 5cm 503 Boghossian, a ‘Merveilles Icicle’ diamond drop pendant, set with graduated round brilliant­cut diamonds in white gold, length 3.9cm, on a fine­link white gold neck chain with a diamond­set clasp, length 44cm £2,000­3,000 504 Boghossian, a pair of ‘Merveilles Icicle’ diamond drop earrings, set with graduated round brilliant­cut diamonds in white gold, length 4.2cm £5,000­7,000 76

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505 A diamond­set gold squirrel brooch, pavé­set with graduated old­cut diamonds to the body with a spiralled wirework tail set with a central line of diamonds in yellow gold, French control marks and maker’s lozenge, length 4.2cm £800­1,200 506 A diamond brooch, mid 20th century, designed as a floral spray, set with single­, brilliant­cut and baguette diamonds, mounted in white gold and platinum, length 4.2cm £400­600 507 Mellerio Dits Meller, a carved emerald and ruby demi­parure, mid 20th century, comprising: a pair of floral ear clips with carved emerald petals and a cabochon ruby centre, signed, with French assay marks and maker’s mark; together with a matching brooch, signed, with French assay mark and maker’s mark, brooch length 4.5cm, ear clip length 2.3cm each £2,500­3,000 508 A ruby and diamond ring, the front of zig­zag design, set with circular­cut rubies and brilliant­cut diamonds, mounted in gold, size P½, stamped 750 £300­400 509 Larry, an emerald and diamond ring, set with an oval emerald, within an asymmetrical mount of scroll design, £1,500­2,000 set with tapered baguette and brilliant­cut diamonds, mounted in white gold, size N 510 A diamond ring, rubover­set with a circular­cut diamond, to a bicoloured gold mount of sunburst design, size O½ £400­600 511 An emerald and diamond ring, centring on a step­cut emerald weighing approximately 2.00 carats, to a £1,500­2,000 bombé mount pavé­set with brilliant­cut diamonds, size K, French import assay mark for 18ct gold 512 A diamond ring, set with an octahedral diamond crystal, mounted in gold, size K½

£400­600

513 A synthetic sapphire and diamond ring, set with a central oval­shaped synthetic sapphire within diamond­ set shoulders in platinum, size J £600­800 514 A diamond bracelet, composed of links pavé­set with brilliant­cut diamonds, in bicoloured gold settings, length 18.5cm, stamped 18K, maker’s mark £1,500­2,000 515 A mid 20th century cultured pearl and diamond snowdrop brooch, set with graduated circular­cut diamonds and cultured pearls, tied with a bow of baguette­shaped diamonds in gold, length 6.7cm, one diamond deficient £800­1,200 516 A diamond­set gold necklace, set with openwork gold links pavé­set with diamonds suspended on a twisted £2,800­3,500 rope­link 18ct gold necklace, length 39cm, 60g 517 A gold and malachite bracelet, 19th century, designed in the Archaeological Revival style, composed of a foxtail link chain suspending a series of five graduated malachite bead pendants, length 19cm, indistinct assay mark £500­700 518 A gold and diamond bracelet, composed of cylindrical gold links set with brilliant­cut diamonds, length 18cm, stamped 14K £600­800 519 Van Cleef & Arpels, a turquoise and cultured pearl bracelet, ‘Twist’, of torsade design, composed of twisted interlocking gold links threaded with strands of turquoise beads and cultured pearls, length 19.5cm, signed VCA, £1,500­2,000 numbered 97488, French assay marks for 18ct gold, partial French maker’s mark for Stoffel

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520 A late 19th century diamond fringe necklace, set with five graduated diamond­set flowerheads within £3,000­4,000 diamond­set swags in silver and gold, length 38cm, fitted case 521 A late Victorian diamond necklace, late 19th century, the graduated diamond­set scrolling centrepiece suspending a larger old circular­cut diamond, on a diamond­set neckchain in silver and gold, length 38cm £4,000­6,000 522 An opal and diamond ring, of cluster design, set with a cabochon opal within a border of circular­cut diamonds, mounted in gold, size L½, stamped 18CT £200­300 523 A five­stone diamond ring, late 19th/early 20th century, set with a sequence of five circular­cut diamonds totalling approximately 1.10 carats, spaced by rose­cut diamonds, to a scrolled mount in yellow gold, size K £800­1,200 524 A late 19th century diamond flower brooch, set overall with graduated old circular­cut diamonds in silver and gold, length 5.5cm £2,000­3,000 525 A late 19th century sapphire half hoop ring, set with graduated cushion­shaped sapphires within carved and pierced yellow mount, size L £1,000­2,000 526 An emerald and diamond ring, set with an oval emerald between pear­shaped emeralds, accented with £400­600 brilliant­cut diamonds, to a gold mount of scrolled design, size H½ (sizing beads), British hallmarks 527 A late 19th century style cultured pearl and diamond brooch, the articulated foliate spray set with graduated £1,500­2,000 old­cut diamonds and cultured pearls in silver and gold, length 11cm 528 A synthetic ruby and diamond brooch, the step­cut synthetic ruby set within a border of old cushion­shaped diamonds in gold, length 2cm £150­250 529 A pair of late 19th century diamond starburst clip, converted, set with cushion­shaped diamonds within smaller graduated diamond surrounds in silver and gold, with later clip fittings to be worn as earrings, length 3cm £4,000­6,000 530 A pearl and diamond pendant, late 19th century, designed as a flower, set with circular­cut diamonds and pearls, mounted in silver and gold, length 3cm including later bail, pearls untested £600­800 531 A pair of diamond drop earrings, set with graduated old cushion­shaped diamonds in silver and gold, length 2.6cm £4,000­6,000 532 A pair of yellow sapphire and diamond cluster earrings, the emerald­cut yellow sapphires set within a £3,000­5,000 surround of old cushion­shaped diamonds in silver on gold, length 18mm 533 A synthetic sapphire and diamond cluster ring, early 20th century, claw­set with a synthetic sapphire weighing approximately 0.90 carats, within a border of cushion­shaped diamonds, mounted in white gold, size Q £400­600 534 A sapphire and diamond ring, early 20th century, of cluster design, set with a cushion­shaped sapphire, £800­1,200 within a border of circular­cut diamonds, mounted in silver and gold, size K½

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535 A pair of turquoise and diamond ear clips, late 19th century and later, of cluster design, each set with a turquoise cabochon within a border of circular­cut diamonds, mounted in silver and gold, length 2.1cm each, later clip fittings £1,000­1,500 536 A cultured pearl and diamond choker necklace, late 19th century and later, centring on a detachable cluster of circular­cut diamonds, the necklace composed of six rows of cultured pearls, to millegrained bar links and clasp £1,500­2,000 set with brilliant­cut diamonds, mounted in silver and gold, length 37cm 537 An amethyst and diamond brooch, second half 19th century, set with a large oval amethyst, bordered with panels of cushion­shaped diamonds spaced by pearls, above a palmette set with rose­cut diamonds, mounted in gold and silver, measuring 4.9 x 4.2cm, French import assay mark for 18ct gold, pearls untested £3,000­4,000 538 A Victorian amethyst and seed pearl brooch, late 19th century, set with an elongated cushion­shaped amethyst, within a border of half seed pearls, mounted in gold, length 3.5cm £100­200 539 A rose­cut diamond trefoil ring, set with rose­cut diamonds in silver and gold, size N

£2,000­3,000

540 A sapphire and diamond ring, of cluster design, set with a cushion­shaped sapphire weighing approximately 3.50 carats, within a border of circular­cut diamonds, mounted in silver and gold, size K £1,500­2,000 A verbal report from GCS states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment 541 A diamond brooch/pendant, late 19th century, designed as a flower, set with circular­cut diamonds, mounted in gold, diameter 2.2cm, later brooch fittings, stamped 14K £400­600 542 A pair of diamond drop earrings, the pear­shaped rose­cut diamonds weigh approximately 6.50cts in total, in silver and gold closed­back cut­down collets, hook fittings, length 15mm excluding hook £3,000­5,000 543 Tiffany & Co, a late 19th Century diamond shamrock brooch, set with graduated old cushion­shaped diamonds in silver and gold, signed, length 2cm £800­1,200 544 A Victorian enamel and diamond pendant, late 19th century, designed as a winged cherub, its face in delicately painted enamel, its wings set with cushion­shaped diamonds, suspended from a bail set with rose­cut £800­1,200 diamonds, mounted in silver and gold, wingspan 4cm, fitted case stamped Garrard & Co. 545 A diamond brooch, late 19th century, of foliate scroll design, set with circular­cut and cushion­shaped diamonds, suspending three cushion­shaped diamond pendants, mounted in silver and gold, width 5.2cm £1,500­2,000 546 A diamond brooch/pendant, late 19th century, designed as a flower, set with cushion­shaped and rose­cut diamonds, mounted in silver and gold, 3.8cm diameter, case £3,000­4,000 547 A Victorian gem­set charm bracelet, the fancy­link bracelet suspending nine gem­set charms including a ruby and diamond horseshoe, a ruby and diamond turtle, and a moonstone baby's face with diamond bonnet, bracelet length 16cm £3,000­5,000 548 A pearl and diamond locket pendant, late 19th/early 20th century, designed as a heart, set with half pearls spaced with rose­cut diamonds, the reverse with a glazed panel, to a half pearl bail, length 3.3cm, pearls untested £500­700 549 An Art Nouveau diamond and enamel brooch, circa 1900, of abstract foliate design, with flared motifs in matte plique à jour enamel to each side, set with circular­cut diamonds, mounted in gold, width 5cm £800­1,200 550 A fancy yellow diamond cluster ring, the old oval­shaped diamond set within a surround of old circular­cut diamonds in platinum, size M £3,000­4,000 551 A diamond brooch, mid 19th century and later, designed as a sinuous grapevine suspending four pampille pendants, set with cushion­shaped diamonds, measuring 5.3 x 3.4cm, later brooch fitting £1,800­2,500

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552 Chaumet, an aquamarine solitaire ring, set with a step­cut aquamarine within a twisted rope setting in yellow gold, size H, signed Chaumet Paris with French control mark £2,000­3,000 553 An emerald and diamond ring, the asymmetrical front of bombé design, set with calibré­cut emeralds in £1,500­2,000 invisible settings, spaced with collet­set single­cut diamonds, mounted in gold, size N½ λ 554 Angela Cummings for Tiffany & Co., a pair of coral and onyx earrings, each designed as a pansy, inlaid with coral and onyx, mounted in gold, length 3.4cm, clip and post fittings, each signed T&Co., stamped 18K £1,000­1,500 λ 555 A pair of French coral, diamond and cultured pearl earrings, designed as stylised fruiting vines within £600­800 textured 18ct yellow gold leaves, clip fittings, maker’s lozenge and French control marks, length 4cm 556 Georges Lenfant for O.J.Perrin, a gold bracelet, composed of oval links of rope design, in 18ct yellow gold, French assay mark, maker’s mark for Georges Lenfant, signed O.J.Perrin, length 20.3cm, gross weight 29 grams £2,000­3,000 557 Oscar Heyman Brothers, a sapphire and diamond ring, designed as lines of channel­set calibré­cut sapphires and pavé­set brilliant­cut diamonds in alternation, rising to a point, mounted in gold, size L, maker’s mark OHB, numbered 29017 £1,500­2,000 558 Raymond Yard, a sapphire and diamond­set bracelet, set with a central line of oval and calibré­cut sapphires within diamond borders in platinum, length 17.5cm £5,000­7,000 λ 559 Jean Schlumberger for Tiffany & Co., a gold and coral bracelet, composed of rectangular links in textured gold, accented by rope twist motifs, suspending a pendant designed as a coral bead bound by a gold ribbon tied in a bow, bracelet length 18cm, pendant length 3.1cm, bracelet signed Tiffany Schlumberger, pendant unsigned £1,500­2,000 560 Van Cleef & Arpels, a pair of diamond­set gold earrings, set with a demi­lune of diamonds on fluted yellow gold, signed and numbered B3282A6, with maker’s lozenge, hinged clip fittings, 3cm high £2,000­3,000 561 A sapphire and diamond ring, the asymmetrical front of bombé design, set with calibré­cut sapphires in £1,500­2,000 invisible settings, spaced with collet­set single­cut diamonds, mounted in gold, size N½ 562 A sapphire­set gold serpent bangle, each snake set with sapphire cabochon eyes and a sugarloaf sapphire to its head in yellow on a plaited yellow gold bangle, internal width 7cm £2,000­3,000 563 Tiffany & Co., a gold and diamond brooch, designed as an umbrella with drops of rain, in polished gold accented with brilliant­cut diamonds, length 4cm, signed Tiffany & Co., stamped 750, pouch and box stamped Tiffany & Co. £600­800 564 Boucheron, a gold and diamond brooch, 1960s, designed as a rabbit jumping in surprise, in polished gold and gold bead work, its ears, eyes and tail set with brilliant­ and single­cut diamonds, length 5cm, signed Boucheron Paris, numbered 575658, French assay marks for 18ct gold, one small diamond deficient £1,000­1,500 565 A diamond ring, of cluster design, centring on a circular­cut diamond weighing approximately 2.67 carats, within a border of marquise­shaped diamonds totalling approximately 1.60 carats, mounted in platinum, size M½ £4,000­6,000 566 An aquamarine and diamond bangle, set with a large step­cut aquamarine within diamond borders in yellow gold, hinged opening to base, 6cm internal width £6,000­8,000 567 Cartier, a gold bangle, of rope twist design, wound with gold wire, inner circumference 20cm, signed Cartier, maker’s mark, stamped 18K, gross weight 66 grams £3,000­5,000 568 A pair of diamond stud earrings, of triangular outline, each set with a brilliant­cut diamond weighing approximately 0.50 carats, mounted in gold, post fittings £1,000­1,500 569 Oscar Heyman & Brothers, a diamond cluster ring, set with eight square­shaped diamonds in fluted yellow gold setting, maker’s mark and stamped 18k, numbered 11793, size M £1,500­2,000 570 Monture Cartier, a diamond cluster ring, set with old circular­cut diamonds within twisted rope border on a fluted gold mount, signed Monture Cartier with a rubbed French mark, size P £2,000­3,000

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571 Lalaounis, a gold hinged bangle, in the form of a crawling serpent made of planished yellow gold, measuring 7.0 x 7.5cm, British hallmarks for 18ct gold, date letter for 2000, sponsor's mark for Ilias Lalaounis, signed, serial number A21750, stamped GREECE750, gross weight 43.1grams £1,800­2,500 572 Stephen Webster, a gold and gem­set brooch, centring on a ‘man in the moon’ in carved labradorite, flanked by leaf­shaped motifs with vine details in engraved 18ct gold set with cabochon emeralds and sapphires, cultured pearls and brilliant­cut diamonds, width 6.3cm, British hallmark, sponsor’s mark SW for Stephen Webster, date letter for 1991 £600­800 573 Demner, a pair of gem­set wood earrings, of bombé form set with gold pyramids, emerald cabochons and half cultured pearls in gold collets, gold clip fittings, length 4cm £200­300 574 Lalaounis, a pair of gold ear clips, each of ‘V’ shaped design with a hammered finish, length 3.7cm each, maker’s mark for Lalaounis, numbered r35, stamped 750, Greece, pouch stamped Lalaounis £1,250­1,700 575 A pair of citrine and garnet flower earrings, the heart­shaped citrine petals set with demantoid garnet accents in yellow gold, width 2.5cm £2,000­3,000 576 A pair of turquoise, ruby and diamond ear clips, French, third quarter 20th century, each of coiled design in textured gold, set with circular­cut rubies, brilliant­cut diamonds and turquoise cabochons, length 2.4cm each, clip fittings, French assay marks for 18ct gold, partial French assay marks and partial French maker’s mark, case £800­1,200 577 A ruby and sapphire bracelet, designed as a series of circular­cut and hexagonal­shaped blue, pink and yellow sapphires and rubies, each within a hexagonal gold collet, length 17.5cm, stamped 750, partial maker’s marks £1,500­2,000 578 A ruby and sapphire ring, of bombé design, set with a cabochon sapphire and ruby, each within square and round brilliant­cut diamond surround in yellow gold, size O, French control marks and maker's lozenge £3,000­5,000 Accompanied by report number 5783­4320 dated 11th October 23 from GCS stating that the sapphire is of Sri Lankan (Ceylon) origin, with indications of heat treatment, and the ruby is of Burmese (Myanmar) origin, with no indicatons of heat treatment 579 An emerald and diamond dress ring, the step­cut emerald flanked with triangular­shaped diamonds within £1,500­2,000 scallop­edged borders of diamonds in platinum and gold, size T ½ 580 A pair of fancy coloured diamond cluster earrings, set with three circular­cut yellow diamonds and a spray of graduated pink and colourless diamonds in 18ct yellow gold, London hallmarks for 1986, length 2.2cm £500­700 581 A gold bracelet, circa 1971, composed of split links in textured 9ct gold, length 16cm, British hallmarks, sponsor’s mark Lw, gross weight 37 grams £400­600 582 George Weil, a gold and diamond brooch, third quarter 20th century, of abstract design, composed of £800­1,200 undulating textured gold wire, set with marquise­shaped diamonds, length 8cm, signed G Weil 583 A gold and wood longchain necklace, composed of circular and navette­shaped gold links inlaid with discs of wood, length 91cm, gross weight 84 grams £3,000­5,000

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584 A Victorian amethyst and half pearl locket pendant, mid 19th century, centring on a cabochon amethyst in a foiled setting, within a gold mount applied with rope twist decoration and set with half­pearls, the reverse with a glazed locket compartment, suspending a gold drop pendant, surmounted by a bail set with a foiled amethyst, length 6.6cm, drop pendant possibly later added, pearls untested £300­400 585 A Victorian gem­set necklace, late 19th century, set to the front with a sequence of circular­cut amethysts, citrines, smoky quartz, rock crystal, each within beaded gold borders, to a double back chain in gilt metal, length 39cm, case £800­1,200 586 A Victorian amethyst and pearl pendant, mid 19th century, designed as a stylised flower to a quatrefoil bail, set with cabochon amethysts and half­pearls, mounted in gold, applied with rope twist decoration, the reverse with a glazed compartment, length 4.2cm, pearls untested, fitted case stamped London & Ryder £400­600 587 Two Edwardian seed pearl brooches/pendants, early 20th century, each designed as a star, one set with half pearls, the other set with half pearls and circular­cut diamonds, each mounted in gold, 3.1 and 2.9cm diameter respectively, pearls untested £300­400 588 A gold and gem­set mourning locket pendant, late 19th century, of oval outline, centring on the entwined initals SRE, within a star border set with twelve assorted cushion­shaped and cabochon stones including, emerald, sapphire, ruby diamond and chalcedony, possibly intended as an acrostic message, opening to reveal a glazed compartment and a memorial inscription dated to 1871, the reverse with an additional glazed compartment, length 6.1, stamped ORR 18 £1,000­2,000 589 A diamond ring, of half­hoop design, set with three brilliant­cut diamonds totalling approximately 0.80 carats, £400­600 spaced by smaller single­cut diamonds, to a scrolled mount in yellow gold, size L TO BE SOLD WITHOUT RESERVE 590 A five­stone diamond ring, early 20th century, set with a sequence of five graduated circular­cut diamonds, totalling approximately 1.00 carat, accented with rose­cut diamonds, mounted in platinum, size L £1,800­2,000 591 An ‘Essex crystal’, ruby and diamond brooch, late 19th century, the centre set with a reverse­carved and painted rock crystal intaglio depicting a lady riding sidesaddle on horseback, backed with mother of pearl, bordered with rose­cut diamonds and cushion­shaped rubies, mounted in silver and gold, diameter 2.9cm, indistinct assay mark, case £400­600 592 A gold and diamond scarf slide, circa 1900, designed as a mythical sea creature, its mouth holding a circular­ £300­400 cut diamond, measuring 3.1cm, French patent marks, indistinct maker’s mark 593 A ruby and diamond five stone ring, set with graduated oval rubies and cushion­shaped diamonds in yellow gold, size P £800­1,200 594 A five­stone emerald and diamond ring, set with an alternating sequence of circular­cut emeralds and brilliant­cut diamonds, in an 18ct gold mount of scrolled design, size N (sizing beads), British hallmarks £400­600 595 A late 19th century sapphire and diamond ring, of lozenge design, set with three graduated oval­shaped sapphires within a border of diamonds in yellow gold, size L £300­400 596 A late 19th century intaglio brooch, the carved banded agate intaglio depicting Psyche and Cupid, within a gold mount decorated with repoussé foliate motifs, width 5.2cm, case £600­800 597 Mario Buccellati, a gold and diamond brooch, first half 20th century, designed as a gold bar brooch engraved with floral scrolls, suspending a cushion­shaped diamond, length 4cm, signed Mario Buccellati £500­700 598 A diamond ring, late 19th/early 20th century, of cluster design, set with circular­cut diamonds, to a gold band, size O £400­600 599 A pair of topaz and diamond cluster earrings, each of cluster design, set with a circular­cut topaz within a border of brilliant­cut diamonds, mounted in 18ct gold, each 1.1cm diameter, post fittings, British hallmarks, case £200­300 600 A sapphire­set gold bracelet, the curb­link gold bracelet set with five graduated oval­shaped sapphires, length 18cm £800­1,000 601 A diamond ring, late 19th century, set with a cushion­shaped diamond, between shoulders set with smaller £600­800 cushion­shaped diamonds, to a gold mount with scrolled shoulders, size N½ 602 An Edwardian ruby and diamond horseshoe brooch, early 20th century, designed as a horseshoe, set with calibré­cut rubies and circular­cut diamonds, mounted in gold, length 3.4cm, case stamped Jones & Son £600­800

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603 A gold and diamond ring, designed as a flower formed of coiled gold wire, set with brilliant­cut diamonds, mounted in gold, size N £200­300 604 A gold and diamond ring, of wave design, channel­set with lines of princess­cut diamonds, mounted in rose gold, size S, stamped 14K £1,000­1,500 605 An Art Deco ruby and diamond ring, circa 1935, of ridged geometric design, set with baguette diamonds £600­800 and a line of calibré­cut rubies, mounted in platinum, size J½ 606 A late Art Deco diamond and sapphire ring, 1930s, set with three circular­cut diamonds totalling approximately 0.70 carats, between borders of channel­set calibré­cut sapphires, to geometric stepped shoulders, mounted in white gold, size N, French import assay mark for 9ct gold, sapphires possibly synthetic £400­600 607 A carnelian and green chalcedony chrysoprase bracelet, 1930s, composed of sugarloaf cabochons of green chalcedony and carnelian, set in alternation, spaced by rectangular links, length 18cm, French import assay mark for 9ct gold, later clasp £400­600 608 Cropp & Farr, a gem­set gold bracelet, circa 1960, of tank­style design, set with a line of sugarloaf cabochon gemstones including pink and green tourmalines, citrines and amethysts, mounted in 9ct gold, length 18cm, British £800­1,200 hallmarks, sponsor’s mark C&F, date letter for 1960, case 609 A jadeite, gold and enamel bracelet, France, 1930s, set with a circular pierced jadeite disc carved with birds and flowers, to a series of tapering gold links, applied to each edge with a triangle of black enamel, length 19.5cm, French assay marks for 18ct gold, French maker’s mark AG with whip, possibly for Gross et Cie, 79 Rue du Temple, Paris, gross weight 109 grams £4,000­6,000 610 A wide curb­link gold bracelet, of plain and textured linking, French control marks and maker’s lozenge, length 22cm, 100g £2,000­3,000 611 A pair of gold earrings, each composed of two concentric hoops suspended from a bombé bail, in polished gold, length 6.8cm, clip and post fittings, Italian maker’s marks, stamped 750, case stamped Puiforcat £1,000­1,500 612 A gold demi­parure, comprising: a brooch and pair of ear clips, each designed as a witches’ heart in polished gold, brooch measuring 5.9 x 5.5cm, length of ear clips 2.5cm, each stamped 14K, combined gross weight 44 grams £1,500­2,000 613 Mellerio, a gold and diamond brooch, France, mid 20th century, designed as a flower with five articulated openwork petals, the centre claw­set with brilliant­cut diamonds each mounted en tremblant, mounted in gold, length 6.5cm, signed Mellerio Paris, numbered 229080, French assay marks for 18ct gold and platinum, partial French maker’s mark, French patent mark Bté SGDG £1,500­2,000 614 A pair of garnet and diamond ear clips, each set with a cabochon garnet over three brilliant­cut diamonds, £600­800 in a fluted gold setting, length 1.9cm each, clip fittings 615 A ruby and diamond brooch, mid 20th century, designed as a floral spray, set with circular­cut rubies and £800­1,000 brilliant­cut diamonds, mounted in gold and platinum, length 5.1cm, fitted case stamped Garrard

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616 A gold necklace, France, second half 19th century, of Etruscan revival style, designed as a fringe of graduated gold pendants applied with rope twist and grainti decoration, length 42.5cm, length at front 2.6cm, French assay mark for 18ct gold, French maker’s mark EL with star and crescent moon, gross weight 42 grams, later pouch stamped Van Cleef & Arpels £1,500­2,000 617 A Victorian opal and enamel­set gold bangle, set with a solid white opal cabochon within diamond and blue enamel scrolling surround in yellow gold, internal width 5.7cm, 31g £1,000­1,500 618 An emerald and diamond bracelet, France, first half 19th century, the front set with a sequence of five step­ cut emeralds spaced by pairs of cushion­shaped diamonds, within a foliate gold frame, to an articulated bracelet composed of fluted gold links, length 17.5cm, Paris 1819-38 assay marks for 18ct gold, indistinct French maker’s mark £2,000­3,000 619 An amethyst rivière necklace, late 19th/early 20th century, designed as a series of graduated amethysts, mounted in gold, length 37cm, case stamped Wartski £2,000­3,000 λ 620 A white coral bracelet, Italy, early 19th century, centring on a recumbent lion, between shoulders carved as lion’s paws, to a series of anchor links carved in white coral, mounted in gold, length 18cm £800­1,200 621 A topaz and diamond ring, of cluster design, claw­set with an oval step­cut yellow topaz weighing approximately 3.50 carats, within a border of circular­cut diamonds, mounted in gold, size M½, British hallmark for 18ct gold £1,500­2,000 622 A diamond cluster ring, set with old cushion­shaped diamonds in silver on a bifurcated yellow gold shank, size M £1,000­1,500 623 A late Georgian turquoise and diamond locket, 1830s, in the form of a padlock with hinged opening and locket compartment to interior set with a cabochon turquoise within a border of rose­cut diamonds, mounted in £600­800 gold, length 4.2cm 624 A late 19th century sapphire half hoop ring, set with graduated sapphire cabochons and diamond pointers in carved and pierced yellow gold mount, size R £1,800­2,000 625 A pearl and diamond ring, set with a pearl measuring 6.4mm diameter, within a border of circular­cut diamonds, mounted in gold and platinum, size Q, stamped 18ct & PLAT, pearl untested £800­1,200 626 A ruby and diamond ring, of cluster design, of navette outline, set with a circular­cut ruby weighing approximately 1.50 carats, within a border of cushion­shaped diamond, mounted in gold, size K½ £4,000­6,000 627 A ruby and diamond ring, early 20th century, of cluster design, set with a cushion­shaped ruby weighing approximately 1.20 carats, within a border of circular­cut and cushion­shaped diamonds, to a gold shank, size L, ruby possibly a later replacement £1,500­2,000 628 A sapphire and diamond three stone ring, the central cushion­shaped sapphire flanked with old cushion­ shaped diamonds in silver and gold, size O ½ £3,000­5,000

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629 A gold and turquoise hair ornament, 1830s, composed of nine clusters of gold flowers, cannetille and beadwork set with turquoise cabochons, supported by openwork foliate scrolls, above bands of grapevine meander and foliate decoration accented with turquoise cabochons, elaborately worked in varicoloured gold, to a gilt metal comb fitting, inner curve 16cm, height at centre 4.8cm excluding comb, modern fitted case £4,000­5,000 630 An aquamarine demi­parure, 1830s, comprising: a necklace with detachable pendant, and pair of pendent earrings, each composed of gold cannetille work and set with circular­cut, oval and pear­shaped aquamarines in foiled settings, necklace length 42cm length at front including pendant 5.8cm, earrings 4.5cm each, earrings with later post fittings pendant with later pendant hook, fitted case £2,000­3,000 631 A fine and rare pair of enamel and diamond earrings, mid 19th century, each designed as a festoon of flowers applied with blue and black enamel, the leaves applied with green basse taille enamel, the flowers and buds set with £1,500­2,000 cushion­shaped diamonds, mounted in gold, length 3.1cm, hook fittings 632 A Regency gold chain, early 19th century, composed of circular gold links stamped with star motifs, length 27cm, shortened, some links later soldered, gross weight 12 grams £300­400 633 A gold and emerald brooch, 1830s, of quatrefoil design, composed of gold cannetille, set with step­cut £400­600 emeralds, length 2.6cm 634 An emerald and pearl brooch, 1830s, of oval outline, set with foil­backed step­cut emeralds and pearls, in a gold cannetille setting, length 2.5cm, pearls untested, one pearl deficient £400­600 635 A fire opal, emerald and diamond brooch, of lozenge­shaped outline in foliate gold openwork, set with an £400­600 elongated cushion­shaped fire opal, circular­cut emeralds and brilliant­cut diamonds, length 4.1cm 636 A George III diamond ring, late 18th/early 19th century, of cluster design, set with a foil­backed rose­cut diamond within a border of cushion­shaped diamonds, to scrolled shoulders, mounted in silver and gold, size N½ £4,000­6,000 637 A Regency pearl and ruby ring, 1820s, of floral design, set with half pearls, centring on an oval ruby, to gold £200­300 shoulders of foliate scroll design, size P, pearls untested

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† 638 A loose shield­shaped cabochon ruby, weighing 4.35cts

£800­1,200

Accompanied by AGL report number CS85350, stating that the ruby is of Burmese (Myanmar) origin, with no indications of heat treatment † 639 A loose cabochon ruby, weighing 5.05cts

£800­1,200

† 640 A loose cabochon ruby, weighing 6.50cts

£800­1,200

† 641 A loose cushion­shaped padparadscha sapphire, weighing 2.32cts

£800­1,200

642 A loose octagonal­shaped spinel, weighing 3.56cts

£1,500­2,000

Accompanied by report number 1109800 from AGL stating that the spinel is untreated, origin: Burma. The certificate relates to the stone at 4.58cts, it has since been re­cut † 643 A loose oval­shaped blue sapphire weighing 3.85cts

£800­1,200

A verbal report from GCS stated that the sapphire is unheated, Origin: Sri Lanka † 644 A loose cushion­shaped purple sapphire, weighing 3.69cts

£1,500­2,000

A verbal report stated that the purple sapphire is unheated, origin: Sri Lanka † 645 A loose sugarloaf cabochon ruby, weighing 3.47cts

£800­1,200

† 646 A loose step­cut purple sapphire, weighing 2.18cts

£600­800

† 647 A loose cushion­shaped pale blue sapphire, weighing 18.79cts

£3,000­4,000

A verbal report from GCS stated that the sapphire is unheated, origin: Sri Lanka 648 A two row natural pearl necklace, composed of pearls graduating from 3.4 to 7.3mm, set on a late 19th century diamond cluster clasp, in yellow gold, length 50cm longest £10,000­20,000 Accompanied by GCS certificate number 5784­0538 dated 22nd November 2023, stating that the pearls are natural, saltwater 649 A natural pearl necklace, composed of three rows of natural pearls, to a gold clasp set with half pearls and circular­cut sapphires, length 43cm, pearls in clasp untested £1,000­1,500 Accompanied by report no. 22091 from the Gem & Pearl Laboratory, stating that extensive samples of the pearls in the necklace, measuring 3.7­11.0mm, were found to be natural, saltwater 650 A cultured pearl and diamond cluster ring, the pink cultured pearl set within a surround of old circular­cut diamonds in platinum and gold, size H £1,000­2,000 † 651 A loose oval­shaped ruby, weighing 1.32cts

£200­300

A verbal report from GCS stated that the ruby was heated, origin: Burma 652 An early 20th century pearl and diamond pendant, the pearl drop suspended within borders of graduated old circular­cut £2,000­3,000 diamonds in platinum, French import marks, length 5.8cm 653 A single row natural saltwater pearl necklace, the pearls graduate from 2.70­7.75mm, 53cm long, bow shaped clasp set with small diamonds and two pearls, broken £400­600 A verbal report from GCS stated that the pearls are natural saltwater 654 A broken natural saltwater and 5 cultured saltwater pearl necklace, the pearls graduate from 3.0­6.0mm, with a diamond set platinum bow­shaped clasp £400­600 A verbal report from GCS states that the pearls are natural, saltwater, with the exception of five cultured pearls † 655 Six oval­shaped loose pink sapphires, weighing 12.17cts total

£2,000­3,000

A verbal report on the largest stone stated that the sapphire was unheated, origin: Burma 656 A single row natural pearl necklace, composed of graduated pearls, rondelles and dyed chalcedony

£800­1,200

A verbal report stated that the pearls are natural, saltwater 657 A pair of natural freshwater pearls, each measuring approximately 11.7mm diameter, weighing a combined total of approximately 23.00 carats, both half drilled £400­600 A verbal report from GCS states that the pearls are natural, freshwater † 658 Six oval­shaped faceted rubies, weighing 5.86cts total

£3,000­5,000

Accompanied by four reports from AGL relating to the stones weighing 1.20cts, 1.03cts, 0.85cts and 0.84cts stating that the stones are unheated, origin Burma 96

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659 A carnelian intaglio, Greco­Persian, 5th­4th century BC, of oval outline, depicting a lioness, 2.0 x1.7cm

£600­800

660 An early 19th century gold mourning ring, C1819, decorated with black enamel spelling In Memory Of, with internal inscription for Sir Robert Mackreth 1819, London hallmarks for 1819, size T £200­300 661 A late 19th century enamel mourning ring, decorated with black enamel and the words In Memory Of, with internal inscription for 1890, London hallmarks for 1890, size P £200­300 662 An early 20th century enamel mourning ring, decorated with black enamel and the words In Memory Of, with internal inscription for 1908, London hallmarks for 1900, size O £200­300 663 A fine and rare bloodstone magical gem, Greco­Roman, 2nd­3rd century AD, the two­sided bloodstone intaglio of oval outline, carved on one side to depict a crowned sun god bordered with Greek script, the other side depicting the cockerel­headed god Abrasax/Abraxas, with snake legs, holding a shield and whip his shield with an inscription, the background inscribed TAI TAI, to a later swivel mount on a half hoop ring, intaglio 1.7 x 1.4cm £600­800 664 A yellow jasper magical gem, Greco­Roman, 2nd­3rd century AD, of oval outline, one side depicting a lion, the reverse inscribed ‘MIXAH’, referring to the Archangel Michael, with an additional X symbol, in a later gold swivel mount on a half­hoop ring, intaglio 1.5 x 1.2cm £300­500 665 A natural pearl and diamond pendant, 18th century, designed as a ribbon bow suspending a foliate drop, set with rose­cut diamonds and a drop­shaped drilled pearl measuring approximately 16.0 x 11.2 x 9.2mm, mounted in silver, total length 7.5cm, later pendant hoop set with pastes £1,500­2,000 Accompanied by GCS report no. 5784­0616, stating that the pearl is natural, saltwater 666 A George III topaz pendant, early 19th century, designed as a cross, set with foil­backed elongated step­cut topazes, mounted in gold, length 5.1cm including later bail £300­400 667 A Victorian amethyst, seed pearl and diamond pendant, late 19th century, designed as a cross, set with carved amethyst, the centre £200­300 accented with a seed pearl and rose­cut diamonds, mounted in gold, length 4.4cm 668 A pair of amethyst earrings, early 19th century and later, each composed of two oval step­cut amethysts in foiled gold settings, length 4.7cm, composite, later hook fittings £1,200­1,500 669 A Stuart crystal, pearl and enamel memorial ribbon slide, second half 17th century, centred with gold wirework initials on a plaited hair ground beneath rose cut rock crystal, within an outer border of pearls, surround of pearls, the reverse applied with black, white and pink enamel £600­800 with a dedicatory inscription reading ‘M.F Desember y.25 1655’, length 2.6cm, pearls untested, case 670 A fine George III hardstone bracelet, early 19th century, designed as a series of rectangular links flanked by pairs of semicircular links, variously set with polished sections of jasper, agate, malachite and lapis lazuli, the clasp set with a rectangular bloodstone intaglio depicting putti driving chariots, centring on an eagle with a laurel wreath in its beak perched atop a column, length 17.7cm, case stamped Spink £800­1,200 671 An early 19th century pink paste rivière necklace, set with oval pink pastes in silver closed­back settings, length 36cm

£200­300

672 A William IV enamel, rock crystal and diamond mourning ring, circa 1835, centring on a rose­cut rock crystal within a border of cushion­ shaped diamonds, to a wide gold band reading IN MEMORY OF’ within floral borders and outer undulating bands of black enamel, size O, British hallmarks for 18ct gold, date letter for 1835, central rock crystal likely a replacement £800­1,200 673 A Roman intaglio ring, 2nd century AD, set with an oval jasper intaglio depicting a seated figure of Ceres, within a gold mount accented with beaded decoration, size L, intaglio 11.8 x 8.2mm, gold mount possibly later £400­600 674 A Roman carnelian intaglio ring, 3rd century AD, set with an oval carnelian intaglio depicting a bearded man in profile, to a later wide­ shouldered gold mount, size T, intaglio 10.3 x 7.7mm, ring possibly later £400­600 675 A silhouette ring, late 18th century, of oval outline, set with a glazed painted silhouette of a figure wearing a veil, mounted in gold, size M £200­300 676 A Roman carnelian intaglio ring, 2nd­3rd century AD, set with an oval carnelian intaglio depicting a goddess, to a wide­shouldered gold mount, size Q½, intaglio 10.1 x 6.9mm, mount possibly later £400­600 677 A hardstone intaglio ring, possibly Sassanian, 3rd­7th century AD or later, designed as a drilled disc­shaped hardstone bead, each side carved in intaglio to depict a lion and a winged lion, swivel­set in a later gold ring mount, size U, intaglio 2.1cm diameter £200­300 678 A diamond ring, of Baroque inspiration, designed as a crowned heart, set with rose­cut diamonds, to a scrolled openwork shank, mounted in gold, size T £200­300 679 A garnet and diamond mourning ring, late 18th century, set with a cabochon garnet within a border of cushion­shaped diamonds, to a band bearing the commemorative inscription ‘Mr JOHN VANSOMMER OB 13 MAY 1772 AET 68’, mounted in silver and gold, size N £200­300 680 A garnet ring, circa 1695, centring on a shallow oval garnet in a foil­backed setting, to a plain band, inscribed ‘H. Peach AE14 in 1695 to HI’, mounted in gold, size M½ £200­300 681 A rock crystal and enamel mourning ring, circa 1734, centring on a step­cut rock crystal enclosing a lock of hair, to openwork gold shoulders and a mount composed of sections of black enamel, a dedicatory inscription in reserve reading ‘BRID TAYLOR OB 13 JUNE 1734’, size L½ £300­500 98

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682 An early 20th century sapphire and diamond bangle, the stylised V­shaped bangle millegrain­set with circular­ cut diamonds and calibré­cut sapphires in a geometric pattern, set in platinum, internal width 5.7cm, in case marked Linden & Co £4,000­6,000 683 A sapphire and diamond pendant, the pear­shaped sapphire suspends within a border of baguette­shaped diamonds in platinum, 2.5cm with brooch fitting, on a fine link platinum neck chain, length 40cm £2,000­3,000 684 A diamond brooch, early 20th century, designed as an arrow, set with rose­cut diamonds, mounted in gold and platinum, length 5.5cm £400­600 685 Marcus & Co., a diamond bracelet, America, early 20th century, designed as a line of circular­cut diamonds in box links, mounted in platinum, the galleries with bands of engraved decoration, length 17.9cm, signed Marcus £2,000­3,000 686 A diamond strap bracelet, the pierced openwork geometric design millegrain­set overall with graduated old­ cut diamonds in platinum, length 17.5cm £5,000­7,000 687 Cartier, a diamond wristwatch, mid 20th century composite, the narrow rectangular dial applied with white enamel, with black enamel Roman numeral indicators and blue steel hands, to a later bracelet set with circular­cut and marquise­shaped diamonds, bracelet length 15.8cm, case width 0.8cm, manual winding movement, dial signed Cartier London, case back numbered V6429, bracelet stamped Pt950, clasp tongue stamped OR, maker’s mark for Gübelin £4,000­6,000 688 An early 20th century sapphire and diamond double clip brooch, of scrolling spray design set with graduated circular and baguette­shaped diamonds in platinum and gold, both clips detach from their frame to be worn independently, French import marks, length 8.5cm £2,000­3,000 689 A diamond brooch, early 20th century, of bar design, set with circular­cut diamonds, mounted in platinum, £250­350 length 7.2cm 690 An Art Deco sapphire and diamond brooch, 1930s, designed as a stylised bow in matte platinum, set with £200­300 single­cut diamonds and calibré­cut emeralds, length 5.5cm, stamped Pt 691 A sapphire and diamond ring, early 20th century composite, of rectangular outline, centring on a collet­set step­cut sapphire weighing approximately 4.50 carats, within a double border of circular­cut diamonds, mounted in platinum, size M½, central sapphire and diamond cluster possibly later added £1,800­2,000 692 An Art Deco style emerald and diamond ring, the central round brilliant­cut diamond weighing approximately 1.25cts, flanked with graduated French­cut emeralds within a border of diamonds in platinum, size M £2,500­3,000 693 A sapphire and diamond cluster ring, the emerald­cut diamond weighing approximately 1.20cts, set within a surround of tapered French­cut sapphires in platinum, size H £1,500­2,000 694 An Edwardian sapphire and diamond cluster ring, set with a pair of oval shaped sapphires within geometric diamond surround in platinum and gold, size N £800­1,200 695 A sapphire and diamond ring, early 20th century, claw­set with an octagonal step­cut sapphire, between circular­cut diamonds totalling approximately 1.60 carats, mounted in white gold, size M½, indistinct maker’s mark £2,000­3,000 A verbal report from GCS stated that the sapphire is unheated, origin: Basaltic 696 A diamond ring, claw­set with a brilliant­cut diamond weighing approximately 0.87 carats, to shoulders set £1,000­2,000 with smaller brilliant­cut diamonds, mounted in platinum, size P 697 A pair of diamond stud earrings, each claw­set with a brilliant­cut diamond, totalling 2.34 carats, mounted in platinum, post fittings £4,250­5,500 698 An Art Deco sapphire and diamond ring, France, 1920s, collet­set with a step­cut sapphires, to shoulders set with calibré­cut sapphires, within borders of single­cut diamonds, mounted in platinum, size M½, French assay £800­1,200 mark for platinum, partial French maker’s mark 699 A sapphire and diamond ring, mid 20th century, of cluster design, set with a circular­cut diamond within a border of single­cut diamonds, to shoulders set with calibré­cut sapphires, mounted in platinum, size M £400­600 700 A pair of Art Deco ear clips/double clip brooch, 1930s, each of spiral design, set with single­cut and baguette diamonds, mounted in platinum and white gold, combining to form a brooch, mounted in platinum and white gold, length as ear clips 2.4cm each £1,000­1,500

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701 A pearl and pink topaz suite of jewels, second half 19th century, comprising: a pendant, composed of three cushion­shaped pink topazes suspending a large pear­shaped pink topaz pendant weighing approximately 10.00 carats, within scrolling borders of half pearls, mounted in silver, pendant length 6.5cm, later bail and chain; and two brooches of similar design, set with cushion­shaped pink topazes and half pearls, lengths 4.2 and 3.6cm respectively, £2,000­3,000 later pendant fittings, pearls untested 702 A gem­set hairpin, mid 19th century, designed as a butterfly mounted en tremblant, set with oval and circular­ cut pink topaz and aquamarine, and turquoise cabochons, to a forked gold hairpin, butterfly wingspan 8cm, unidentified £2,000­3,000 assay mark, fitted case 703 A pink topaz and pearl bracelet, mid 19th century, centring on three oval pink topazes in foiled settings, spaced by four half pearls, within a foliate scroll surround in stamped gold, a glazed locket compartment to the reverse, to an articulated gold link bracelet engraved with foliate designs, length 18cm, pearls untested £800­1,200 704 A gold and diamond bangle, designed as a coiled snake in gold, its eyes set with rubies, its head, neck and tail set with rose­cut diamonds, length adjustable, gross weight 89 grams £8,000­12,000 705 A pair of topaz earrings, mid 19th century, each designed as an elongated foliate drop in stamped gold with £600­800 filigree decoration, set with oval topazes in foiled settings, length 8.0cm each, later post fittings 706 A Victorian gold, pearl and diamond pendant, circa 1879, of oval outline, the front centring on a cross set with cushion­shaped diamonds, the four corners set with half pearls in six­rayed star settings, opening to reveal a glazed interior, the reverse with the entwined initials MNK, mounted in 18ct gold, length 6.5cm including bail, British hallmarks, date letter for 1879, gross weight 40 grams, pearls untested, case £1,000­2,000 707 A gold longchain necklace, France, 19th century, composed of geometric linking, to a bail set designed as a £400­600 fist grasping a handle, length 136cm, French assay mark for 18ct gold, gross weight 20 grams 708 A diamond ring, early 20th century, the front designed as a panel set with circular­cut diamonds, to a gold mount of scrolled design, size O, British hallmarks for 18ct gold, date letter for 1907 £300­400 709 A five­stone diamond ring, late 19th/early 20th century, set with five graduated cushion­shaped diamonds, to a gold mount of scroll design, size M £1,000­2,000 710 A gold and turquoise ring, France, circa 1819­35, designed as a coiled snake, its head set with a cabochon turquoise, size K½, French assay and census marks for 18ct gold £300­400

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711 An early 20th century diamond­set jabot pin, of openwork scrolling design set overall with graduated old circular­cut diamonds in platinum, length 7.5cm £2,000­3,000 712 A pair of pearl and diamond bracelets/choker, early 20th century, composed of navette­shaped links set with circular­cut and rose­cut diamonds in millegrain­bordered platinum, spaced with pearls measuring 3.7­6.4mm, bracelet lengths 19cm and 21.5cm, French import assay marks for 18ct gold and platinum, pearls untested £5,000­6,000 713 A diamond brooch, mid 20th century, designed as a bird, millegrain­set with graduated circular­cut diamonds and a yellow diamond eye, in pierced openwork design in platinum and gold, length 9.2cm, Deposé mark and inventory number 5596 £4,000­6,000 714 Cartier, a sapphire and diamond pendant, early 20th century composite, the pendant of circular outline, bordered with calibré­cut sapphires, enclosing rows of chain spectacle­set with a pair of circular­cut diamonds, mounted in platinum, length 3.2cm, partially signed Cartier Paris Londres, French assay mark for 18ct gold, chains possibly £1,000­1,500 later added, case stamped Cartier London 715 An emerald and diamond­set jabot pin, of stylised palmette form, set with six cabochon emeralds within a surround of calibré­cut emeralds and baguette­shaped diamonds, with an undulating outer border of round brilliant­ cut diamonds, the smaller terminal set with an emerald and diamond cluster, in platinum and white gold, 7.5cm long £5,000­7,000 716 A pair of emerald and diamond cluster earrings, the step­cut emeralds set within diamond borders, over £2,000­2,500 three rays of channel­set baguette diamonds, mounted in white gold, length 1.6cm 717 An Art Deco emerald and diamond ring, first half 20th century and later, centring on a carved emerald, to shoulders set with single­cut and baguette diamonds, mounted in platinum, size M½, stamped PLAT, Austrian and French import assay marks for platinum, emerald a later replacement £2,000­3,000 718 A diamond ring, designed as a geometric plaque of Art Deco inspiration, set with brilliant­cut and baguette diamonds totalling 1.25 carats, mounted in platinum, size N £1,000­2,000 719 A cabochon ruby and diamond ring, the ruby flanked with small circular­cut diamonds in platinum, size L (shank split) £1,000­1,500 Accompanied by GCS report number 5783­1945 dated 27th March 2023 stating that the ruby weighs 4.27cts is of Burmese (Myanmar) origin, with no indications of heat treatment 720 A diamond ring, early 20th century, set with a circular­cut diamond weighing approximately 2.00 carats, to £6,000­8,000 shoulders pavé­set with single­cut diamonds, mounted in platinum, size O½ 721 A sapphire and diamond ring, the step­cut sapphire weighing approximately 7.00cts, with diamond­set shoulders in white gold, size N £2,000­3,000 A verbal report states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment 722 A diamond solitaire ring, the old cushion­shaped diamonds weighing a total of approximately 2.32cts, claw­ set in platinum, size L £3,000­4,000 723 A sapphire and diamond ring, claw­set with a sugarloaf cabochon sapphire, the setting and shoulders set with brilliant­cut diamonds, mounted in platinum, size O, French assay and maker’s marks, numbered 115 £800­1,200 A verbal report states that the sapphire is of Basaltic origin, with no indications of heat treatment 724 A diamond solitaire ring, set with a circular­cut diamond weighing approximately 1.70 carats, flanked by baguette diamond shoulders, mounted in platinum, size I (sizing beads) £1,500­2,000 725 A diamond ring, of plaque design, set with single­cut diamonds, size O½, partially stamped 18CT&PLAT, numbered A719 £400­600

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726 An Art Deco jabot pin, 1920s, set with a seated Buddhist figure in green glass, with an openwork diamond halo, and diamond accents, mounted in gold and platinum, length 8cm, French assay and maker's marks £1,000­2,000 727 An early 20th century diamond bombé ring, set with an old circular­cut diamond weighing approximately 1.35cts in pierced diamond­set surround in platinum, size O £3,000­4,000 728 An Art Deco diamond cluster ring, set with a central old cushion­shaped diamond within a square surround of further old cushion­shaped diamonds in platinum, size M £800­1,200 729 An aquamarine and diamond ring, designed as a step­cut aquamarine weighing 1.75 carats, between £800­1,200 shoulders set with baguette diamonds, mounted in white platinum, size N½, stamped PLAT 730 Gübelin, a sapphire and diamond three stone ring, set with a central oval sapphire flanked with diamonds in platinum, maker's mark to inside shank, size L £4,000­6,000 Accompanied by GCS report number 5784­0619 dated 24th November 2023, stating that the sapphire weighing approximately 3.00 carats, is of Sri Lankan (Ceylon) origin, with no indications of heat treatment 731 A sugarloaf sapphire and diamond ring, the central sapphire cabochon flanked with square­shaped diamonds in platinum, size J (sizing beads) £8,000­12,000 Accompanied by GCS report number 5784­0183 dated 18th October 2023 stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment 732 An Art Deco seed pearl and diamond sautoir, circa 1920, the necklace composed of woven threads of seed pearls, connected at the front by a rectangular link, suspending a floral pendant in platinum openwork, millegrain­ set with circular­cut diamonds and centring on a pearl, pendant length 5.5cm including rectangular surmount 4.5cm, £4,000­5,000 detachable brooch fittings, necklace length 78cm, pearls untested 733 Van Cleef & Arpels, a diamond necklace, designed as a collar composed of rectangular links set with brilliant­ cut diamonds, mounted in platinum, length 37cm, signed VCA NY £5,000­7,000 λ 734 Art Deco coral, onyx and diamond jabot pin/brooch, Cartier, 1920s and later, and a pair of coral, onyx and diamond earrings, the jabot pin of Egyptian inspiration, designed as stylised lotus motifs set with sections of polished onyx and coral and circular­ and single­cut diamonds, jabot pin length 8.5cm, top signed Cartier, base unsigned, possibly later, top with later brooch fittings; the top section attaching into a later giardinetto brooch fitting of similar design, length 4.9cm, unsigned; together with a pair of modern pendent earrings, each composed of an onyx bead suspending a line of circular­cut diamonds accented with polished onyx, terminating in a polished coral bead, length 4.5cm, each, post fittings, unsigned £3,000­4,000 To be sold to benefit the CAF Euergetes Charitable Trust λ 735 A pair of coral and diamond drop earrings, set with coral cabochons suspending graduating diamonds terminating is a coral drop, all set in platinum, length 5.4cm £2,000­3,000 736 A pair of early 20th century emerald and diamond leaf earrings, set with a central line of emeralds within £3,000­4,000 square­shaped diamond surround in platinum, later post fittings, length 2.5cm

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737 A diamond half hoop ring, late 19th century, set with cushion­shaped diamonds in silver and gold, size Q £600­800 738 An attractive diamond ring, late 19th century, of cluster design, centring on a cushion­shaped diamond weighing approximately 1.70 carats, within a border of circular­cut diamonds, with fleur­de­lis shoulders, mounted in silver and gold, size M £1,800­2,200 739 A Victorian diamond necklace, late 19th century, designed as a fringe of foliate motfs, to a back chain of £800­1,200 knife wire linking, set with cushion­shaped diamonds, mounted in silver gold, length 40cm 740 A pair of Edwardian amethyst and diamond drop earrings, the graduated diamonds set on knife­edge links £600­800 suspending a pear­shaped amethyst with a diamond­set cap, length 4cm 741 A Victorian diamond brooch/pendant, late 19th century, of radiating openwork design, suspending a pear­ shaped pendant, topped with a bail of scrolled design, set throughout with circular­, rose­cut and cushion­shaped £3,000­5,000 diamonds, mounted in silver and gold, length 8.6cm, pendant, bail and brooch fitting detachable 742 A late 19th century diamond crescent brooch, set with graduated old­cut diamonds in silver and gold, width 2.7cm £600­800 743 A Victorian enamel and diamond bracelet, mid 19th century, centring on a detachable floral motif set with cushion­shaped and rose­cut diamonds, the central diamond weighing approximately 1.50 carats, to a bracelet composed of gold links applied with blue enamel and foliate scroll motifs set with additional cushion­shaped and rose­cut diamonds, mounted in silver and gold, length 16cm, fitted case £4,000­6,000 744 A pair of diamond stud earrings, of cluster design, each centring on a cushion­shaped diamond weighing approximately 1.40 carats, within a border of circular­cut diamonds, mounted in platinum, length 1.3cm each, post fittings £4,000­6,000

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745 A late 19th century demantoid garnet and diamond ring, alternately set with cushion­shaped demantoids and diamonds in carved and pierced yellow gold setting, stamped 18ct, size R £5,000­7,000 746 A diamond ring, France, late 19th century, of cluster design, centring on a cushion­shaped diamond in a foil­ backed setting, within a border of cushion­shaped diamonds, to shoulders of plume design, mounted in silver and gold, size N, French maker’s mark JW, numbered 722 £2,000­3,000 747 A spinel and diamond ring, of cluster design, set with an oval red spinel weighing 3.06 carats, within a border £3,000­5,000 of circular­cut diamonds, mounted in gold, size K½, case Accompanied by report number 5784­0296 dated 20th October 2023 from GCS stating that the spinel is unheated origin: Burma 748 A fine Victorian emerald and diamond pendant, late 19th century, designed as a cluster set with a step­cut emerald weighing approximately 4.00 carats, within a border of circular­cut diamonds, suspending a detachable pendant composed of knife wire linking set with circular­cut diamonds, to a drop­shaped cluster set with a pear­ shaped diamond within border of circular­cut diamonds, mounted in silver and gold with later rhodium plating, length 6cm, chain length 37cm, emerald and diamond cluster detachable £15,000­20,000 A verbal report from GCS states that the emerald is of Colombian origin, with indications of moderate clarity enhancement 749 A diamond brooch, designed as a star, set with circular­cut diamonds totalling approximately 7.00 carats, mounted in white gold, length 5.9cm £5,000­7,000 750 A Victorian diamond rivière necklace and pendant, late 19th and early 20th century, the necklace composed of graduated circular­cut diamonds in silver collet settings, the diamonds totalling approximately 9.00­10.00 carats, suspending a detachable early 20th century pendant of hexagonal outline, pavé­set with circular­cut diamonds totalling approximately 5.50 carats, necklace length 37.2cm, pendant length 3.1cm £6,000­8,000 751 A George III diamond brooch, early 19th century, designed as a flower, set with circular­cut diamonds in closed­back settings, length 3.3cm £200­300 752 A diamond brooch, mid 19th century, of double gourd­shaped outline, set with cushion­shaped diamonds, mounted in silver and gold, length 3.1cm £800­1,200 TO BE SOLD WITHOUT RESERVE 753 An amethyst and diamond brooch, circa 1900, of navette outline, set with an oval amethyst, bordered with £400­600 circular­cut diamonds, mounted in silver and gold, length 3.4cm, partial maker’s mark 754 A Victorian ruby and diamond brooch, mid 19th century, designed as a bee, set with cushion­shaped and cabochon rubies and cushion­shaped diamonds, mounted in silver and gold, wingspan 5.2cm, detachable brooch fitting £3,000­5,000 λ 755 A natural pearl, cultured pearl and diamond hairpin/brooch, late 19th century, composite, designed as intertwined foliate scrolls set with cushion­shaped diamonds, the four largest diamonds totalling approximately 2.40 carats, two natural pearls measuring approximately 7.1 x 6.4mm and 7.0 x 6.5mm, and one cultured pearl, mounted in silver and gold, to a tortoiseshell haircomb, width 7.1cm, detachable brooch fitting, top later matched to comb, case stamped Flach Mediansky Paltscho, case dated 12 November 1896 £5,000­7,000 A verbal report from GCS states that the left and right pearls are natural, saltwater, and the central pearl is cultured 756 A late 19th century diamond crescent brooch, set with graduated old circular­cut diamonds in silver and gold setting, width 2.6cm, case £600­800

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757 Van Cleef & Arpels, two diamond brooches, ‘Flamme’, second half 20th century, designed as abstract flames, each composed of undulating lines of brilliant­cut and baguette diamonds, lengths 6.6 and 5.7cm respectively, signed Van Cleef & Arpels, numbered 83.688 and Van Cleef et Arpels, numbered 86021, each with French assay marks for 18ct gold and platinum, maker’s marks D&Cie with goblet, case stamped Van Cleef & Arpels £20,000­30,000 758 Van Cleef & Arpels, an Art Deco emerald and diamond bracelet, 1920s, designed as a flattened chain composed of elongated hexagonal and navette­shaped links set with sugarloaf cabochon emeralds and circular­cut diamonds, mounted in platinum, length 18.8cm, signed Van Cleef & Arpels, numbered 37911, French assay marks for £35,000­50,000 platinum, indistinct French maker’s mark 759 A diamond ring, set with an antique navette­shaped diamond weighing approximately 3.50 carats, within a millegrained platinum mount set with circular­cut diamonds, size K½ £20,000­30,000

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760 A sapphire and diamond cocktail ring, mid 20th century, set with a central step­cut sapphire weighing 6.56cts within a border of graduated baguette­shaped diamonds in platinum, French import marks, size L £70,000­90,000 Accompanied by report number 130607 dated 4th July 2023 from SSEF stating that the sapphire is unheated.

Origin: Kashmir Accompanied by report number C567355 dated 17th April 2015 from AGL stating that the sapphire is unheated.

Origin: Kashmir

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761 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing 4.02 carats, to a plain platinum mount, size V½, case £18,000­20,000 TO BE SOLD WITHOUT RESERVE Accompanied by HRD report no. 09020200001, dated 6th November 2009 stating that the diamond weighing 4.02cts is H colour, SI2 clarity, with nil fluorescence

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762 A diamond solitaire ring, claw­set with a step­cut diamond weighing 5.52 carats, to a plain platinum shank, size V½, case stamped 77 Diamonds £40,000­50,000 TO BE SOLD WITHOUT RESERVE Accompanied by GIA report no. 2171709330 dated 29th June 2016 stating that the diamond weighing 5.52cts is G colour, SI1 clarity, with medium blue fluorescence

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763 An impressive natural pearl and diamond demi­parure, comprising: a choker necklace and bracelet, each composed of articulated links set with brilliant­cut diamonds totalling approximately 55.00­60.00 carats, in looped arrangements enclosing bouton­shaped natural pearls, mounted in gold, necklace length 33cm, bracelet length 19.5cm, each stamped 750, maker’s marks CLM £60,000­80,000 A verbal report from GCS states that the pearls are natural, saltwater, the largest measuring approximately 14.8 x 13.4 x 8.3mm, the smallest measuring approximately 10.9 x 10.9 x 8.4mm

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764 Rood, a remarkable cased Art Deco emerald and diamond sautoir, London, 1920s, the sautoir composed of geometric links set with step­cut emeralds and baguette diamonds, between abstract foliate motifs set with circular­cut diamonds, detaching to form two bracelets and a shorter necklace, suspending an elongated pendant of geometric design, set with circular­cut and baguette diamonds and a step­cut emerald, the shoulders set with three­dimensional floral motifs set with circular­cut diamonds, mounted in platinum, sautoir length 76.5cm, pendant length 6.3cm including bail, bracelets 18cm each, necklace with bracelets detached 39.8cm, pendant signed Rood, clasps stamped Pt, original fitted case stamped Rood, 52 & 53 Burlington Arcade, London W1 £30,000­50,000

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765 A late 19th century citrine rivière necklace, set with graduated hexagonal­shaped citrines in gold coronet settings, with a later bolt ring clasp, with matching citrine earrings, necklace length 36cm, earrings length 1.5cm, case £2,000­3,000

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766 A late 19th century diamond rivière necklace, alternately­set with undulating old circular­cut diamonds in silver and gold cut­down collets, the front part of the necklace separates to be worn as a bracelet, total approximate diamond weight 15.00cts, length 36.5cm, bracelet length 17cm £20,000­30,000

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767 Cartier, an Art Deco nephrite, rock crystal, onyx, enamel and diamond poudrier box, 1920s, of Chinese inspiration, the box of circular cross section, the lid centring on a floral motif in black and red enamel accented with rose­cut diamonds, to a rock crystal ring handle, the underside with a mirror in a gilt silver frame, to a cylindrical box on four cuboid onyx legs, accented with rose­cut diamonds in platinum settings, the gold feet applied with red enamel, measuring 6.7 x 6.7 x 5.6cm, signed Cartier, numbered 0417, French assay marks for gold and silver gilt £6,000­8,000 Cf.: Olivier Bachet and Alain Cartier, Cartier: Exceptional Objects, Palais Royal, 2019, p. 260 and 271, for a bonbonniere and an inkwell with a similar rock crystal hoop handle, each dated circa 1925, and Sotheby's Geneva, Magnificent Jewels, 8th May 2008, lot 371, for a nephrite vase of similar inspiration by Cartier, circa 1925

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768 Cartier, an exquisite Belle Époque emerald and diamond 'Lavallière' necklace, circa 1910, designed as a bow set with circular­cut diamonds, suspending a pair of asymmetrical pendants set with circular­cut diamonds, each terminating in a drop­shaped emerald bead, to a platinum trace link chain necklace spaced with circular­cut diamonds, mounted in platinum, necklace length 54cm, pendant length 6.7cm including bow, unsigned, numbered HSA 40652 £100,000­150,000 Accompanied by a report from SSEF no. 79275, dated 8th April 2015, stating that the emeralds weighing 24.85ct and 23.95ct respectively, are of Colombian origin, with moderate amounts of clarity enhancement with oil Additionally Accompanied by a certificate of expertise from Olivier Bachet, stating that the necklace was made circa 1910 by Cartier Paris, to be sold by Cartier London

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769 Cartier, a superb Art Deco diamond bracelet, 1920s, designed as a strap, composed of articulated panels of subtle Indo­Persian inspiration, pavé­set with circular­ and single­cut diamonds, each centring on an Asscher­cut diamond, weighing approximately 1.25, 1.66, 1.80, 1.65 and 1.45 carats, spaced by open links pavé­set with single­cut diamonds, and pairs of domed links set with single­cut and baguette diamonds, mounted in platinum, total approximate £40,000­60,000 diamond weight 20.00 carats, length 18cm, signed Cartier London The signature on this extraordinary bracelet proudly reads ‘Cartier London’, and exemplifies the superb workmanship produced above the firm’s New Bond Street premises in the interwar period.

Cartier London was the firm’s first permanent foreign branch, founded in 1902, in response to demand from members of the British aristocracy, who inundated the Paris branch with commissions in preparation for the upcoming coronation of Edward VII. Edward was himself a key client of Cartier Paris, famously describing them as ‘jeweller of kings and King of Jewellers’, and supposedly personally persuading Cartier to set up a permanent base closer to him in London. Initially, the London branch was established at 4 New Burlington Street, and in 1909 it moved to 175/6 New Bond Street, where it remains to this day, managed from 1906 by Jacques Cartier, one of the three sons of Alfred Cartier. Dividing the world between them, the other two brothers managed the branches in Paris and New York respectively.

For the first two decades of its existence, Cartier London was essentially an importer of jewels made by Cartier Paris, but in 1921 this changed. Cartier London brought their manufacturing in house, hiring and rigorously training a team of predominantly British master craftsmen, and establishing the atelier English Art Works Ltd above their store at 175/6 New Bond Street.

The late 1920s and 1930s were a highpoint for the London branch, which produced an array of jewels in a self­ assured, mature Art Deco style, which retained traces of the firm’s scholarly, colourful exoticism of the 1920s, while moving forwards into the bolder, simpler aesthetic of the new decade, silently glittering with white diamonds.

This bracelet shows Cartier’s genius for softening the simple geometry of the Art Deco style with subtle nods to Southern and East Asian decorative arts. The larger links are cut out on each side, and the curving outline created by this negative space ingeniously follows the distinctive stylised floral outline, borrowed from decorative motifs across Mughal, Persian and Chinese decorative arts, that formed a key element of Cartier’s style vocabulary in the Art Deco era.

The principal stones of this bracelet would have also been especially sought after at the time: a distinctive 58­facet square emerald cut is known as the ‘Asscher’ cut. It was named after its creator Joseph Asscher, who famously cleaved the Cullinan diamond. With its geometric facet pattern, it was hugely ahead of its time when it became the first patented diamond cut in 1902, the same year that the Cartier family made their groundbreaking decision to found their London branch, and their key London patron was crowned King.

Cf.: Judy Rudoe, Cartier: 1900-1939, British Museum, 1997, p. 270, no, 206, for examples of Cartier’s use of these floral motifs, see a pair of earrings made by Cartier London for Viscountess Harcourt in 1924, and nos. 208 and 209 for examples made by Cartier Paris in 1926.

END OF SALE

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FINE JEWELLERY WEDNESDAY 24TH & THURSDAY 25TH APRIL 2024

A ruby and diamond ring by Cartier, the ruby weighing 3.30cts With SSEF certification: Burma, no heat Estimate £30,000 ­ 40,000*

ENQUIRIES Marielle Whiting | +44 (0)1722 424595 | mw@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FURNITURE, WORKS OF ART & CLOCKS WEDNESDAY 17TH & THURSDAY 18TH JANUARY 2024

A pair of George III blue john urns and a pair of George III blue john obelisks Estimates £2,000­3,000* each lot ENQUIRIES Mark Yuan­Richards | +44 (0)1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

SILVER & OBJECTS OF VERTU TUESDAY 30TH & WEDNESDAY 31ST JANUARY 2024

By Hiroshi Suzuki, a modern fine silver 'Aqua Poesy Dom' beaker, London 2006, 999 standard Estimate £3,000 ­ 4,000*

ENQUIRIES Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

ARTS OF AFRICA, OCEANIA AND THE AMERICAS TUESDAY 20TH FEBRUARY 2024

An Inuit arrow straightener Arctic 15cm long Estimate £8,000 ­ 12,000*

ENQUIRIES Will Hobbs | +44 (0)1722 339752 | wh@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION OPENING HOURS City Centre Salerooms Monday to Friday 9am – 5pm Old Sarum Galleries Monday to Friday 9am – 5pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

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Mailboxes

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+44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, debit and credit cards. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

GENERAL

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a Φ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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VALUATIONS

LONDON, ANDOVER & WINCHESTER

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

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WOOLLEY & WOOLLEY & WALLIS WALLIS CITYSALEROOMS CENTRE SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FINE JEWELLERY

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

24TH & 25TH JANUARY 2024 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500

www.woolleyandwallis.co.uk

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2024 AUCTIONS AUCTION CALENDAR 2024 JANUARY 17th & 18th 24th & 25th 30th & 31st

Furniture, Works of Art & Clocks Fine Jewellery Silver & Objects of Vertu

FEBRUARY 20th 21st

Arts of Africa, Oceania and The Americas Fine Pottery & Porcelain

MARCH 6th 20th & 21st

Old Masters, British & European Paintings Clarice Cliff, Art Deco & Design

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

A sapphire and diamond cocktail ring, mid 20th century Estimate £70,000 ­ 90,000*

www.woolleyandwallis.co.uk