Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

A Private Collection of Burmantofts Faience Pottery

Thursday 22nd June 2017

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

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ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

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COMPANY SECRETARY Natalie Misted FCCA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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424599

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A PRIVATE COLLECTION OF BURMANTOFTS FAIENCE POTTERY Thursday 22nd June 2017 at 11.00am VIEWING TIMES Highlights of the sale will be on view at our London Office, 2nd Floor, 17 Clifford Street, London W1S 3RQ Wednesday 7th June Thursday 8th June

2.00pm – 7.00pm 11.00am – 2.00pm

Salisbury (full view) Saturday 17th June Monday 19th June Tuesday 20th June Wednesday 21st June Thursday 22nd June

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.30am

ENQUIRIES

Michael Jeffery 01722 424505 mj@woolleyandwallis.co.uk

Zoe Smith 01722 424505 zs@woolleyandwallis.co.uk COLLECTION OF LOTS Please contact Zoe Smith to arrange collections in advance on 01722 424505. All accounts to be settled prior to collection. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inc. VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 21st June. LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 554 detail Back cover: Lot 604, 614, 618 Catalogue £12.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Wednesday 21st June. Please note there is a 3% +VAT surcharge for using this service.

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INTRODUCTION

In 1881 prominent Leeds industrialist, James Holroyd opened a studio to make art pottery. His company, Wilcocks, was already thriving and this new venture in hand thrown and hand painted ceramics would not add significantly to his profit margin, even if it overcame the many hurdles faced by a novice. Yet Holroyd ambitiously drove the project, investing considerable time and energy into the creation of Burmantofts Faience Pottery. His legacy is a rich, diverse and technically accomplished body of ceramics, an enduring contribution to the tradition of English art pottery. The Aesthetic Movement had led the way in creating an appetite for interior decoration which was both beautiful and uncommon. Enthusiasm for art pottery ignited and Burmantofts Faience Pottery became a successful and notable player on the contemporary scene, producing an extraordinary variety of well executed ceramics between 1881 and 1904. Despite his close involvement, Holroyd was not an artistic director and so his designers were free to explore a multiplicity of ideas and influences. Burmantofts’ production was diverse and eclectic. There was experimentation with lustre glazes and even functional household items produced in ceramic. Hand modelling became an early speciality, arising from the use of the French Barbotine technique of using thick slip to paint and model ceramics (lots 600-606). Later hand-made models of fantastical grotesques (lots 774-800) were created for mould production and Partie-Colour ware was also made from moulds before it was hand embellished and painted. Yet even these mass-produced objects were distinguished by the clarity of their glaze. The singular Burmantofts monochromes of blue, red and orange-yellow quickly established a distinctive identity for the Pottery. Burmantofts also produced a considerable volume and variety of tiles for architectural and household use (lots 507-523). Many tile designs were inspired by the natural world, there were numerous depictions of rural scenes, portraits of both contemporary and mythic women and also relief modelled pieces. Other Burmantoft ceramics aspired to the very highest production values. Artist-designer Leonard King followed in the footsteps of William De Morgan’s Isnik style pottery with his intricately patterned hand painted Anglo-Persian range (lots 553-574). This auction offers one of, if not the finest collection of Burmantofts put together by a private individual. It covers all aspects of the factory’s output and is a unique opportunity to re-evaluate this company’s contribution to Victorian and Edwardian industrial design. Michael Jeffery

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LITERATURE & ADVERTISING WARE 501. A large reference library of books on ceramics and ceramic designers (a lot) £200-400 502. A Leeds Fireclay Co advertising paperweight, modelled as a seated lion, the base with shields entitled England, Canada, Africa and Australia, covered in a cream glaze, base inscribed The Leeds Fireclay Co Ltd, England Marmo, also impressed Leeds Fireclay to base, chips, 13cm. high £150-200 Literature Burmantofts Pottery Bradford Art Galleries & Museum, page 51 Catalogue number 57 for a comparable pair.

501

503. A Leeds Fireclay Co advertising paperweight, modelled as a seated lion, the base with shields entitled England, Canada, Africa and Australia, covered in a cream glaze, base inscribed The Leeds Fireclay Co Ltd, England Marmo, chips, 13cm. high £150-200 Literature Burmantofts Pottery, Bradford Art Gallery/ Leeds Museums, 1984, page 51 catalogue number 57 for a comparable pair illustrated. 504. The Leeds Fireclay Co Ltd two Burmantofts Faience advertising dishes, each modelled as a grotesque dragon, the wings and tail forming a dish rim, with impressed inscription, glazed olive green and mustard impressed marks, glaze loss and minor restoration. 13cm. wide, (2) £150-200

TILES

502

503

505. An unusual Burmantofts Faience portrait tile by WRP, dated 1891, modelled in low relief with a portrait of a lady, glazed turquoise, another tile model no.E.58, modelled in relief with a central portrait inside scroll border, glazed pale grey, a large Architectural tile decorated in relief with a Classical dragon mask design, and five other Burmantofts tiles, impressed and incised marks, minor damages, 26.5 x 22cm (8) £120-180 Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 14 catalogue number 22 and no.23 these actual tiles illustrated. 506. A Burmantofts Faience architectural tile, modelled in relief with a child holding aloft a lion skin, covered in an olive green glaze, impressed BF monogram, professional restoration, 37 x 21cm. £150-200 Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 14 catalogue number 25 this actual tile illustrated.

504

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

507. A Burmantofts Faience Barbotine tile plaque, model no.1353, painted with a resting Victorian lady, in colours, in later frame impressed and incised marks, signed GS to the front, 30.5 x 15.5cm. £150-200 Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 35 catalogue number 80 this actual tile illustrated. 508. A large Burmantofts Faience architectural tile plaque possibly designed by Edward Caldwell Spruce, rectangular modelled in relief with a bird of prey perched on a pine bough above a smaller flying bird, glazed mushroom and brown impressed BF mark and incised TE14, 51 x 23cm. £150-200 Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 29 catalogue number 65 this actual tile illustrated in detail.

505 part

509. Five large Burmantofts Faience architectural tiles designed by Pierre Mallet, each modelled in relief with birds, glazed olive green, comprising; an owl perched on a bough, a hawk perched above its nest, a nest of birds in long grass, a Kingfisher and a heron eyeing a swimming frog and a long-tailed bird hunting an unsuspecting frog, impressed Burmantofts Faience marks, one with original paper label, minor chips, 29.5cm. square. (5) £200-400 Literature Burmantofts decorative tiles for interiors, TACS Volume 22, 2016 page 32 plates 71-72 these actual tiles illustrated. 510. A pair of Burmantofts Faience tile plaques designed by Pierre Mallet, rectangular, modelled in low relief with a flamingo and a heron in a riverscape, covered in a blue glaze, framed, impressed Burmantofts Faience, signed to the front Pierre Mallet, 38.5 x 19cm. (2) £150-200 Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 29 catalogue number 64 these actual tiles illustrated.

506

508

509

507

510

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511. ‘March’ and ‘May’ two large Burmantofts Faience tile plaques designed by Victor Kremer, dated 1889, modelled in low relief and glazed in shades of aubergine, one with ebonised wood frame, and two other tiles decorated with classical maidens, impressed marks, signature and date, 40 x 20.5cm. (4) £150-250

511

512. A Burmantofts Faience Sports large tile plaque, modelled in low relief with a classical child playing cymbals, glazed turquoise, Earth and Air two Burmantofts Faience tiles decorated with classical figures, and another impressed mark to main, chips, 33 x 20.5cm. (4) £150-250

512

Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 23 catalogue number 52 this actual tile illustrated.

513. South and West two Burmantofts Faience tiles panels, tall, rectangular form, modelled in low relief with a classical figure, glazed olive green, and another titled Spring, glazed olive, impressed Burmantofts Faience, minor glaze chips, 60 x 23cm. (3). £200-400

513

Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 45 catalogue number 98-99 these actual tiles illustrated.

514

514. Three Burmantofts Faience tile plaques, rectangular, cast in low relief with classical birds amidst scrolling foliage, glazed olive green, one framed, impressed marks, glaze chips and museum fill £120-180 restoration, 55 x 15.5cm. (3) Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 13 catalogue number 20 this actual tile illustrated.

515

516

515. Five Burmantofts Faience tiles, one modelled in relief with birds and a fox, on basket weave ground, glazed in monochrome, green, the others modelled in low relief with birds, in green, ochre and buff brown, three impressed BF mark, minor chips, 15.5cm. square, (5) £150-200 Literature Burmantofts decorative tiles for interiors, TACS Volume 22, 2016 page 28 plate 59 these tiles illustrated.

516. A large Burmantofts Faience architectural tile, modelled in low relief with a nest of birds perched on an oak bough, glazed blue, impressed Burmantofts Faience mark, chip to edge, 30cm. square £150-200

517

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

517. Fourteen Burmantofts Faience tiles, modelled in relief with animals, birds and fauna, comprising, two lizard tiles, a snake, kingfisher, woodpecker, dove and hawk, two frogs and five foliage tiles, impressed marks to back, chips, 15.5cm. square, (14) £150-250 Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 24 catalogue number 7 this tile design illustrated as a fireplace.

518. A Burmantofts Faience twelve tile panel, in modern oak frame, each tile cast in low relief with birds, frogs, lobsters and a fox, glazed olive green, 15.5cm square (each tile), 106 x 47cm (panel) £300-500

519. A pair of Burmantofts Faience Bacchanalian tiles, each modelled in low relief, glazed in blue, another glazed burgundy and two glazed green impressed marks, rim chips 16.5 x 12.5cm. (5) £120-180 Literature Fired Earth, 1000 Years of Tiles in Europe, TACS page 116 cat no. 282 for a comparable tile.

520. A rare set of three Burmantofts Faience tiles by Harold Leach , modelled in low relief with a vignette to the centre, glazed turquoise inside a blue border, depicting windmill, castle and sailing vessel scenes, another similar and two similar glazed aubergine, impressed patent mark to reverse, HL monogram to sailing ship tile, aubergine tiles stamped Burmantofts and HL monogram to front 15.5cm. square. (6) £150-250 Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 17 catalogue number 30 these tiles illustrated.

521. On The Wharfe a Burmantofts Faience tile plaque by Harold Leach, dated 1885, rectangular, impasto painted with a river and mountain landscape, in colours, framed, another tile plaque depicting a lake scene glazed bottle green, and another tile plaque of Holy Trinity Church Micklegate, in York, glazed olive main tile impressed mark, incised title, date and HL monogram, 30.5 x 15.5cm., (3) £150-200

518

520 519

Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 18 catalogue number 33 this actual tile illustrated.

521 part

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522. A pair of Burmantofts Faience tile plaques by Pierre Mallet, rectangular, cast in low relief with an Edwardian lady holding a fishing line with a small fish on the hook, the other with an Edwardian lady walking a dog, glazed in sepia tones, in later frame, impressed marks, one with cast P Mallet signature, the other painted P Mallet Sc mark, 40 x 20cm. (2) £200-300 Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22, 2016, page 33 catalogue number 74 these tiles illustrated.

WILLIAM J. NEATBY (1860-1910)

522

523. The Maide at The Inn and The Stayble Man two rare Burmantofts Faience wall plaques designed by William Neatby, rectangular, tubeline decorated and glazed in colours, framed, cast titles and impressed facsimile signature, 50 x 30cm (plaques), 56.5 x 36cm. (2) £600-1,000 Literature Burmantofts Pottery Bradford Art Galleries and Leeds City Museums, 1984, page 65-66 catalogue number 154 for an example of The Maide at the Inne plaque illustrated. Burmantofts Decorative Tiles for Interiors, TACS volume 22 2016, page 34 catalogue number 76 and 77 these plaques illustrated. Born in Barnsley, Yorkshire in 1860, William James Neatby worked for six years at Burmantofts, from 1884 he was employed as ceramic tile designer, and later moved to Doulton where he would carry out the tile mural decoration for Harrods Meat Hall in 1902. 524. A Burmantofts Faience charger by William Neatby, dated 1887, painted with a dancer in exotic eastern costume, glazed in colours impressed marks, painted Wm J Neatby signature, dated 1887, small glaze chip to back rim, 29cm. diam. £300-500

523

524

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

525. A Burmantofts Faience charger by William Neatby, dated 1887, painted with a dancer in exotic eastern costume, before Art Nouveau scrolling background, impressed marks, painted Wm J Neatby signature, dated 1887, professional restoration, 39cm. diam. £300-500

525

526. A Burmantofts Faience charger by William Neatby, dated 1887, painted with a geisha with a parasol, standing on a traditional Japanese balcony, before Mount Fuji, a tethered bird of prey perched on a handrail, a crane catching a snail, in colours impressed marks, painted Wm J Neatby, dated 1887, 39.5cm. diam. £300-500

526

527. A rare Burmantofts Faience wall charger by William Neatby, dated 1887, painted with a Geisha feeding doves, in a traditional Japanese room-scape, in colours impressed marks, painted Wm J Neatby signature, dated 1887, professional restoration to side, 39.5cm. diam. £300-500 Literature Burmantofts Pottery Bradford Art Galleries & Museum & Leeds City Museums, 1984, page 58 catalogue number 112 for two comparable, one example illustrated.

527

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WALL PLATES 528. A Burmantofts Faience wall plate designed by Pierre Mallet, modelled in low relief with two carp swimming amidst waterweed, a dragonfly perched on a lily pad, glazed turquoise, impressed marks, facsimile signature to front, 28.5cm. diam. £150-200

529 528

531

529. A Burmantofts Faience wall plaque designed by Pierre Mallet, model no.933, modelled in low relief with two fish swimming amongst waterweed, glazed blue, and another plaque designed by Pierre Mallet decorated in low relief with a stag standing beside an old grape vine, impressed marks, facsimile signature to front, 27.5cm. diam. (2) £150-200 530. A Burmantofts Faience wall plaque by Pierre Mallet, model no.947, modelled in low relief with a classical maiden seated in a garden setting with peacock, glazed lime green, another decorated with a stork with a frog in its beak, and another with a fox and heron on a riverbank, impressed marks, main plaque signed P. Mallet, 28cm. diam. (3) £150-200 Literature Malcolm Haslam English Art Pottery 1865-1915, Antique Collector’s Club page 162 figure 118 the heron design illustrated. 531. A Burmantofts Faience wall plate designed by Pierre Mallet, model no.979, modelled in low relief with a hare watching frogs playing on a riverbank, glazed sang de boeuf red, and another wall plate similar impressed marks, facsimile signature to the front, 27cm. diam. (2) £150-200

530

532. A Burmantofts Faience wall charger by Pierre Mallet, circular cast in low relief with a maiden in ostrich feather hat, glazed pale blue green, impressed marks to back, impressed signature to front, 41cm. diam. £150-250

533

533. A large Burmantofts Faience wall plaque by Victor Kremer, modelled in low relief with a medieval merchant in ostrich feather hat, drinking from a beer flagon, glazed olive green, impressed marks to reverse, impressed V Kremer facsimile signature and Burmantofts to the front, 51.5cm. diam. £300-400 Literature Jason Wigglesworth The History of The Burmantofts Faience Pottery, private press, page 40 this charger illustrated.

532

534

535

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534. A Burmantofts Faience wall plaque by Pierre Mallet, model no.1011, dated 1888, modelled in low relief with a maiden portrait, covered in a Turquoise Blue glaze, and another similar, model no.1010, covered in a lime green glaze impressed marks, signature and date to front, 27cm. diam. (2) £150-200 535. A pair of Burmantofts Faience Mikado wall plaques designed by Joseph Walmsley, circular each decorated in low relief with a Japanese geisha in a room, covered in a brown monochrome glaze impressed marks, cast JW monogram to front £150-200 border, 30.5cm. diam. (2) 536. A large Burmantofts Faience wall plaque, modelled in low relief with two courting birds in a farmyard setting, covered in a pale mushroom glaze, impressed BF monogram, 62cm. diam. £150-200

536

537. A Burmantofts Faience Pottery plaque by Harold Leach, model no. 1121, modelled in low relief with sailing vessels at sea, a galleon at anchor and cliffs in the background, glazed blue impressed marks, incised monogram,HL, restored rim chips, 45.5cm. diam. £200-400 Literature Burmantoft Pottery Bradford Art Galleries & Museums & Leeds City Museums, 1984, page 52 catalogue number 63 for a comparable example.

538

537

538. A Burmantofts Faience Pottery wall plaque by Harold Leach, model no. 1124, modelled in low relief with fishing boats moored in a coastal village landscape, glazed in colours, impressed marks, incised HL monogram, 45.5cm. diam. £200-400 539. A large Burmantofts Faience plaque by Harold Leach, circular, model no.1122, modelled in low relief with two sailing vessels off the coast, in the distance a galleon at anchor, glazed sepia, in later wooden frame, impressed and incised marks, incised HL monogram, 46cm. diam. £200-300 Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22, 2016, page 17 catalogue number 30 this example illustrated.

540

539

540. A Burmantofts Faience wall plaque by Harold Leach, circular, modelled in low relief with ships sailing past a harbour wall, glazed en grisaille, signed with monogram, impressed marks, drilled hole, 45.5cm. diam. £150-200 541. A Burmantofts Faience wall plaque by Harold Leach, model no.1126, circular, modelled in low relief with a bridge in a mountain landscape, glazed monochrome pink, and another Burmantofts Faience charger model no.1128 by Harold Leach, impressed marks, incised monogram, 44.5cm. (2). £150-200

541

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542. A pair of Burmantofts Faience pottery busts by Victoriano Codina Langolin (18441911), modelled as Bacchanalian couple with fruiting vine crowns, glazed green, impressed Burmantofts Faience to male bust, signed and dated female bust, minor chips 28cm. high, (2) £200-300 The male figure was produced as a bronze sculpture titled The Laughing Bacchus, in 1870.

543 542

543. A rare pair of Burmantofts Faience architectural figures of putti, one modelled standing by a classical dolphin, his foot resting on its head, his arm raised and holding a scarf, the other modelled standing on a clam shell, holding a floral drape, glazed monochrome ochre, impressed marks, professional restoration, 44cm. high, (2) £200-400 544. ‘Queen of Hearts’ and ‘King of Hearts’ two rare Leeds Fireclay Lefco Ware stoneware garden sculptures, covered in a mottled oatmeal glaze, impressed Lefco Ware mark, chips, 49cm. high (2) £400-600 Literature Jason Wigglesworth The History of the Burmantofts Pottery, private press, page 32 for the original advertisment reproduced. A full set of these Alice in Wonderland figures were presented to Princess Mary on her visit to the pottery in 1928. 545. A tall Burmantofts Faience urn vase, footed form with pulled handles, moulded in relief with a classical portrait panel inside scrolling foliage, glazed olive green impressed marks, 66.5cm. high £150-200

544 545

546

547

548

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546. A large Burmantofts Faience floor vase, model no. 649, ovoid footed form with knopped neck, applied with three looped handles to the shoulder, modelled in low relief with simple foliate panels, glazed bright yellow, impressed factory marks, 54cm. high £150-250

547. A Burmantofts Faience stick-stand, model no.808, cylindrical with flaring rim, cast in relief with columns of scrolling vine, glazed bright £150-200 yellow, impressed mark, 61cm. high

548. A Burmantofts Faience floor vase, model no. 412, slender, shouldered form, cast in low relief with sprays of berried foliage, glazed bright yellow, impressed marks, hairline to top rim, 78cm. high £150-200 An example of this vase was illustrated in the 1899 Burmantofts Faience catalogue.

549 549. A Burmantofts Faience pierced Koro, cover and stand, the tripod pot cast in low relief with geometric foliage and twin mask handles, the cover with a grotesque anthropomorphic creature, covered in a sang de boeuf glaze, impressed Burmantofts Faience to base of koro, 25cm. high, (3) £200-300

550. A Burmantofts Faience Fijian dish, model no.1802, the stylised figural dish with modelled head, glazed turquoise, with applied glass eyes, impressed marks, 19cm. wide £200-300

550

Like Christopher Dresser who produced a variation of this dish for Linthorpe Pottery, this Burmantofts dish is based on examples of Fijian ceremonial wooden dishes that were included in national museum collections including the British Museum. Literature Michael Whiteway Christopher Dresser A Design Revolution, V&A, page 93 plate 114 for a Linthorpe example next to an original Fijian dish from the British Museum collection.

551. A Burmantofts Faience Pottery Secessionist stick-stand, model no.2211, pierced, cylindrical form, cast in low relief with foliate panels, glazed green impressed marks, 61cm. high £200-300 This stick-stand has both the Burmantofts mark and also the Leeds Fireclay mark.

552. A tall Burmantofts Faience urn floor vase in patinated metal stand, model no.1249, slender, twin-handled form, covered in a lime green glaze, impressed marks to side of base, chips to base rim, minor glaze frits, 117cm. high £150-250

552

An example of this vase was illustrated by Raffles in the London Showroom in 1888.

551

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ANGLO-PERSIAN WARE

553. A rare large Burmantofts Faience Anglo-Persian charger by Leonard King, painted to the well with Venus riding on frothy waves, a young child holding a bird watches on, the border decorated with scaly fish, jelly fish and scallop shells amidst waterweed, in shades of blue, turquoise, yellow and cream, impressed marks, painted LK monogram, painted shell mark and 87, minor glaze loss, 63cm. diam. ÂŁ4,000-6,000 Provenance 1818 Auctioneers, 9-10 April 2015 lot 258, Private collection

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554. A fine Burmantofts Faience Anglo-Persian Poseidon charger by Leonard King, model no.606, painted to the well with Poseidon riding a shell chariot pulled by sea horses, the rim with scaly fish and foliage frieze, in shades of blue, turquoise, green and aubergine on a white ground, impressed marks, painted marks LK monogram, 46.5cm. diam. ÂŁ2,000-3,000 Literature Jason Wigglesworth Burmantofts Faience A Compendium of Designs, page 10 this actual piece illustrated.

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555. A Burmantofts Faience Anglo-Persian vase by Leonard King, model no.166, shouldered form, painted with panels of stylised flowers and foliage in shades of blue, turquoise, green and aubergine on a white ground, impressed and painted marks LK monogram, painted D514, 35cm. high. £300-500 556. A Burmantofts Faience Anglo-Persian vase by Leonard King, model no.166, D.598, pillar form, painted with flowers and foliage in blue, turquoise blue, green and aubergine on a white ground impressed and painted marks, painted LK monogram, small glaze frit to top rim, 34.5cm. high £300-500

555

556

557. An impressive Burmantofts Faience Pottery Anglo-Persian floor vase by Leonard King, shape no.163, pattern no. 2972, shouldered form, painted with classical dolphin and scrolling foliage panels, the neck with a frieze of scaly fish, in shades of blue, turquoise, yellow and green, impressed and painted marks, minor glaze loss, 61cm. high £1,500-2,000

557

558. A tall Burmantofts Faience AngloPersian floor vase by Leonard King, model no.164, shouldered form with flaring cylindrical neck, painted with a frieze of stylised foliage the next with radiating sunray motif, in shades of blue, turquoise blue, green, brown and aubergine on a white ground impressed marks, painted monogram and D.607, minor glaze loss to rims, 53.5cm. high £1,500-2,000

558

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559. A large Burmantofts Faience Anglo-Persian vase by Leonard King, model DS9-94, swollen form with tapering cylindrical neck and applied loop handles, painted with a peacock amidst fruiting foliage, to both sides, in shades of blue, green, aubergine and yellow on a white ground, impressed and painted marks, 36cm. high ÂŁ1,500-2,000 Provenance Tennants Auctioneers, 21st November 2002 lot 1.

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560. A large Burmantofts Faience Anglo-Persian vase by Leonard King, pattern no. D561, painted with panels of stylised flowers and foliage in shades of blue, turquoise, green and brown on a white ground, impressed marks, painted KL monogram, professional restoration, 37cm. high £200-300

560

561. A large Burmantofts Faience Anglo-Persian floor vase by Leonard King, model no.156, shouldered form, painted with Green Man mask panels, with foliate borders, glazed in shades of turquoise blue, green, yellow, blue and aubergine on a white ground, impressed marks, painted LK monogram and D.630, glaze chips, 54.5cm. high £1,500-2,000

561

562. A Burmantofts Faience Anglo-Persian vase by Leonard King, model no.67, tapering cylindrical form, painted with a ferocious dragon, in shades of turquoise blue, blue, green, yellow and aubergine on a cream ground, impressed marks, painted LK monogram, DSg 108, glaze loss to top rim, 23.5cm. high £400-600

562

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563. A Burmantofts Faience Anglo-Persian bottle vase by Leonard King, model no. 24, ovoid with tapering neck, painted with panels of stylised foliage in blue, turquoise, green and aubergine on a white ground impressed marks, painted LK monogram, D273, 35cm. high £1,000-2,000

563

564. A Burmantofts Faience Anglo-Persian bottle vase by Leonard King, painted with large scaly fish amidst shoals of smaller fish, in shades of blue, green and black on a white ground, painted LK monogram, impressed BF monogram to foot rim, minor professional restoration to foot, 39.5cm. high £1,000-2,000 Provenance Andrew Hartley Fine Arts 1st December 2014.

564

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565. An unusual Burmantofts Faience Anglo-Persian solifleur vase by Leonard King, ovoid with tapering cylindrical neck, painted with birds perched on a gatepost as a butterfly flies past, in shades of blue, turquoise, green and aubergine on a white ground impressed marks, painted monogram and D.160, 26cm. high £500-1,000 566. A Burmantofts Faience Anglo-Persian vase by Leonard King, shouldered, cylindrical form, painted with carnation flowers in shades of blue, green, turquoise and brown, the rim white, impressed and painted marks, painted LK monogram, professionally restored top rim, 24.5cm. high £400-600 567. A Burmantofts Faience Anglo-Persian vase by Leonard King, model no.2893, pattern D.620, shouldered form with flaring cylindrical neck, painted with panels of stylised flowers in shades of turquoise blue, green, aubergine and blue on a white ground, impressed and painted marks, professional restoration to top rim, 25cm. high £300-500

565 front and back

568. A Burmantofts Faience bottle vase, model no.1533, painted with a frieze of stylised vine foliage in green, ochre and turquoise on a pale yellow ground, and another Burmantofts Faience vase painted with flowers and foliage impressed marks, 25cm. high (2) £150-250 569. A Burmantofts Faience bottle vase, model no.107, painted with simple foliate motif in green and turquoise on a white ground, and another vase painted with flowers and foliage in a Persian palette, impressed marks, 20cm. high, (2) £150-200

566

570. A Burmantofts Faience Anglo-Persian jug by Leonard King, model no.90, ovoid with swollen neck and strap handle, painted with panels of stylised flowers and foliage in shades of turquoise, blue, green and aubergine, on a white ground, impressed marks, painted LK £150-200 monogram, D.527, 21cm. high

567

568

569

570

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571. A Burmantofts Faience Anglo-Persian single handled vase by Leonard King, model no.D221, painted with a frieze of scaly fish swimming in a rippling river, in shades of turquoise, blue, green and brown, between two bands of blue scroll foliage, impressed marks, painted marks and LK monogram, professionally restored neck and top of handle, 25.5cm. high £400-600

572. A Burmantofts Faience Anglo-Persian vase by Leonard King, shouldered form, painted with galleons at full sail, in shades of turquoise, blue, green and aubergine on a white ground impressed marks, painted LK monogram, 14cm. high £150-200

573. A Burmantofts Faience Anglo-Persian vase by Leonard King, model no.132, ovoid with waisted cylindrical neck, painted with stylised pineapple motif, flowers and foliage in shades of turquoise, blue, green and aubergine on a white ground, impressed marks, painted LK monogram, minor glaze frit, professional £150-250 restoration, 14.5cm. high

574. A Burmantofts Faience Anglo-Persian vase by Leonard King, model no.146, shouldered form, painted with pineapple flowers in turquoise, blue, green and aubergine on a white ground impressed marks, painted monogram, glaze flake to side, 14cm. high £150-250

571

572

573

574

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577

575

575. A Burmantofts Faience Persian vase, model no.2065, ovoid with tapering cylindrical neck and knopped rim, applied handles to shoulder, modelled in low relief with stylised flowers and foliage in shades of blue, turquoise, ochre and green on a white ground, impressed marks, 40cm. high £150-200

576

576. A Burmantofts Faience Partie-Colour vase, ovoid with waisted neck, modelled in low relief with panels of stylised flowers, in shades of blue, turquoise, green and brown on a white ground impressed marks, 46.5cm. high £250-350 577. An unusual Burmantofts Faience Partie-Colour wall plaque, slip decorated with flag iris, in shades of turquoise, green and blue on a cream ground, impressed marks, incised 2309, 30.5cm. diam. £150-250 578. A Burmantofts Faience vase with lug handles, model no.2245, shouldered form, incised with sprays of bleeding heart (Dicentra) flowers, in pale blue and green on a blue ground, impressed and painted marks, glaze frits to two handles, 22cm. high £150-250 Literature Burmantofts Pottery Bradford Art Galleries & Museum & Leeds City Museums, 1984, page 54 catalogue number 130 for an example illustrated.

578 579

580

581

582

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579. A Burmantofts Faience vase designed by Joseph Walmsley, model no.2048, shouldered form painted with blue peony flowers, painted in shades of turquoise, blue and green impressed and painted marks, 31cm. high £150-200 580. A pair of Burmantofts Faience Partie-Colour vases designed by Joseph Walmsley, slender baluster form, modelled in low relief with Iznik flowers and foliage, in shades of turquoise, blue, green and ochre on a white ground, impressed and painted marks, 32cm. high (2) £200-400 581. A pair of Burmantofts Faience Partie-Colour vases designed by Joseph Walmsley, model no. 2049, shouldered cylindrical form, modelled in low relief with stylised artichoke flowers, in blue, turquoise, green and mushroom on a white ground, £200-400 impressed marks and painted marks, 35cm. high (2) 582. A pair of Burmantofts Faience Partie-Colour bottle vases, model no.2089, ovoid with flaring cylindrical necks, modelled in low relief with floral panels in turquoise, blue, green and brown on a cream ground impressed marks, bruise to base rim of one, 35.5cm. high (2) £150-250 583. A Burmantofts Faience Partie-Colour vase, model no.2123, swollen form with slender flaring cylindrical neck, slip decorated with classical dolphin, amidst turbulent waters and waterweed borders, in shades of blue, green, ochre and yellow, impressed marks, 52cm. high. £200-400

583

584

584. A Burmantofts Faience Partie-Colour vase, model no.2123, swollen form with slender flaring cylindrical neck, slip decorated with classical dolphin, amidst turbulent waters and waterweed borders, in shades of blue, green, and ochre, £200-400 impressed marks, 53cm. high 585. A Burmantofts Faience Partie-Colour twin-handled vase by Joseph Walmsley, ovoid with cylindrical neck, modelled in low relief with a raven fighting a snake, in shades of turquoise, blue, green and brown on a cream ground, impressed marks, 31cm. high £150-250 Literature Jason Wigglesworth Burmantofts Faience a Comendium of Designs, Private Press, page 65 this vase illustrated. 586. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2121, twin-handled, swollen cylindrical form, decorated in low relief with a peacock perched on a bough, the reverse with a crane flying past flowers and foliage, in shades of blue, turquoise, green, brown and yellow on a white £300-500 ground impressed and painted marks, 52cm. high 587. A rare Burmantofts Faience Partie-Colour jardiniere designed by Joseph Walmsley, model no. 2240, ovoid, modelled in low relief with stylised owls perched below berried vine border, glazed in shades of blue, turquoise, green, brown and yellow, impressed and painted marks, 24.5cm. high £200-300

585

586

587

588

Literature Jason Wigglesworth Burmantofts Faience a Compendium of Designs, page 43 this jardiniere illustrated. 588. A rare Burmantofts Faience Partie-Colour jardiniere designed by Joseph Walmsley, model no.2227, ovoid, modelled in low relief with owls perched on a tree bough, the sun setting on a landscape behind, in colours impressed and painted marks, minor glaze chips, 24.5cm. high £200-300 Literature Jason Wigglesworth Burmantofts Faience a Compendium of Designs, page 43 this jardiniere illustrated.

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589. A Burmantofts Faience Persian vase, model no.2251, waisted cylindrical form with three scroll handles, incised with Art Nouveau flower stems in blue, green, turquoise and brown, impressed marks, 32.5cm high. £150-200

590. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2250, slender, shouldered form, with applied twin-handles, modelled in low relief with Art Nouveau flower stems, in aubergine and green on a turquoise ground, and another with three twisted handles, impressed and painted marks, 29cm. high (2) £150-200

589

590 591. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2200, slender, shouldered cylindrical form, modelled in low relief with longboats at sail on a choppy sea, in the distance a sun rising on the horizon, painted in shades of blue, turquoise, green and yellow impressed marks, 34cm. high £300-500 Literature The Lambert Collection of British Art Pottery, Bonhams. 22nd September 2004 lot 163 for a comparable vase.

591 592

592. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2199, swollen form, incised and modelled in low relief with longboat at sail on a rough sea, glazed in blue, green, mushroom and turquoise on a cream ground, impressed and painted marks, 22cm. high £150-200 Literature Jason Wigglesworth Burmantofts Faience A Compendium of Design, private press, page 63 this vase illustrated.

593. A Burmantofts Faience jardiniere and stand, model no. 2018, the ovoid bowl with flaring rim cast in low relief with scallop and scroll motif, decorated with a frieze of swans swimming on a river, in shades of blue, green and mustard, the base with similar cast scallop shells and stylised flower columns in blue, turquoise and mustard impressed marks, 88cm. high (2) £200-300

594. A Burmantofts Faience Partie-Colour jardiniere and stand, model no.2128, the ovoid bowl with fluted rim, incised with peacocks above scrolling foliage, the swollen baluster base with similar scrolling flowers, in shades of blue, green and brown impressed and painted marks, minor restoration and glaze loss to top rim of bowl, 68.5cm. high (2) £250-350

593

594

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

595. A large Burmantofts Faience Partie-Colour jardiniere and stand, model no.2115-2116, the ovoid bowl decorated in low relief with peacocks in a formal garden setting, before balustrade, the base with stylised flowers and foliage, in blue, turquoise, ochre and green, impressed factory marks, Sotheby’s paper lot label, minor damages, 95cm. high (2) £4,000-6,000 Provenance The Harriman Judd Collection British Art Pottery part 1, Sotheby’s New York, 22nd January 2001, lot 186 Private collection.

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597

596

598 596. An unusual Burmantofts Faience Barbotine bottle vase, model no.1529, painted with budding flowers in shades of green, brown and turquoise blue, and another similar model no.1528, impressed marks, 26.5cm. high, (2) £200-400 597. A Burmantofts Faience pottery vase, model no.2135, swollen, shouldered form, incised and painted with a panelled leaf frieze, below a band of chevrons, in green, turquoise, and ochre, impressed marks, professional £150-200 restoration, 31.5cm. high 598. A Burmantofts Faience ewer, model no.2162, incised with a Persian flower-head on scrolling Art Nouveau flower stems, in turquoise, sand, green and rust glazes impressed marks, 33cm. high £200-300 599. An unusual Burmantofts Faience vase, waisted, tapering cylindrical form, with three loop handles, incised with geometric band with roundel, the neck with a similar band, painted blue on a green ground, and another similar vase incised and painted with ivy sprays, impressed Burmantofts Faience, 26cm. high (2) £150-200

599

Literature Jason Wigglesworth Burmantofts Faience a Comendium of Designs, Private Press, page 63 this model illustrated. 600. A Burmantofts Faience Barbotine vase, model no. 1654, slender solifleur form, painted with blossom in colours on a graduated blue to green ground, impressed marks, 48cm. high £150-200

600

603

601

602

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601. A Burmantofts Faience Barbotine vase, model no.1557, shouldered form, painted with a frieze of convolvulus flowers in colours on a yellow ground, another smaller, a Burmantofts vase with applied flowers and another vase impasto decorated with blue flowers impressed marks, glaze loss and chips, 30cm. high, (4) £150-200 602. A rare Burmantofts Faience Barbotine Veritas oil lamp, footed ovoid form, painted with three simple wild flower roundels, in colours on a mustard ground, with metal fittings, impressed Veritas and Burmantofts marks to base, 16.5cm. high £150-200 603. A pair of large Burmantofts Faience Barbotine wall plaques, model no.315, painted impasto with simple flower and foliage sprays in green, white and brown on a chestnut brown ground, impressed and incised marks, 47cm. diam. (2) £150-200 604. A Burmantofts Faience Barbotine wall charger by Bernard Sicard, model no.282, impasto painted with a woman in feather hat, bead necklace and ruff collar, in colours incised Sicard signature, impressed marks, remains of paper label, 48cm. diam. £200-300

604

605. A rare Burmantofts Faience Barbotine Pilgrim flask, model no.298, flattened disc form on foot, with cylindrical collar neck, painted in low relief with stylised flowers to one side, in shades of cream, mushroom and green on a textured green ground, impressed marks, original paper label, restored small chip to one foot, 29.5cm. high. £150-200 606. A rare Burmantofts Faience Barbotine vase by Harold Leach, model no.117, shouldered form with everted, fluted top rim, modelled in low relief and painted with an owl perched in a rocky landscape, the moon and classical buildings in the background, in colours on a blue ground, a pair decorated with a frog hunting insects, and another decorated with a bird catching a dragonfly, impressed marks, main vase restored £150-200 neck, 25cm. high, (4).

605

606

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607

608

609

610

607. A Burmantofts Faience grotesque vase, model no.741, bottle form, applied with an entwined slender grotesque lizard, covered in a turquoise glaze impressed and incised marks, 19cm. high £150-250 608. A Burmantofts Faience Dragon vase, model no.726, the swollen bottle vase entwined with a climbing dragon, glazed turquoise impressed marks, restored chips to spine scales and museum restored £150-200 crack to neck, 30cm. high 609. A Burmantofts Faience Dragon vase the design attributed to Joseph Walmsley, model no.1998, modelled in low relief with a ferocious dragon, glazed umber, and a Burmantofts Faience jug the handle modelled as a grotesque weasel creature, model no.748, impressed marks, professional restoration to top rim, 28.5cm. high, (2) £150-250

612

611

610. An unusual Burmantofts Faience vase designed by Joseph Walmsley, model no.790, modelled as a small Chinese worker resting on a large sack, forming a solifleur vase, glazed red, and a small jug model no.861, the handle modelled as a dragon creature, impressed marks, 25.5cm. high, (2) £150-200 611. A Burmantofts Faience Dragon vase, model no.168, the bottle vase entwined with a grotesque dragon hunting a winged insect, covered in a lime green glaze, highlighted with golden aventurine impressed and incised marks, 27.5cm. high £200-300 612. A Burmantofts Faience Dragon vase, model no.728, swollen bottle form modelled with an entwined dragon, glazed green to blue, the dragon highlighted with aventurine impressed marks, minor professional restoration to dragon’s scales, 29.5cm. high £300-500 613. A Burmantofts Faience Dragon vase, model no.616, waisted cylindrical form applied with a dragonlike grotesque creature, glazed sand yellow and green, highlighted with gilt aventurine, impressed marks, LSK monogram, professional restoration, 19cm. high £150-250 614. A Burmantofts Faience Pottery Dragon vase, model no.904, the double gourd form applied with a dragon bearing down on a butterfly flying past pine sprays, in green graduated to lime green-yellow, impressed and painted marks, minor professional restoration to back of dragon, 43.5cm. high £300-500

613

614

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615

616

615. A Burmantofts Faience Dragon vase, model no.863, the compressed body with cylindrical neck, applied with an entwined dragon, glazed red and green, highlighted with golden aventurine, impressed marks, minor professional restoration to side of vase, 24.5cm. high £200-300

617

616. A Burmantofts Faience Dragon vase, ovoid with waisted cylindrical neck, applied to the neck with a Dragon, the base modelled with bullrushes, glazed yellow graduating to brown, the dragon glazed green, blue and turquoise with silver aventurine impressed marks, incised AF monogram, minor professional restoration to dragon’s tail, 19cm. high. £150-250 Literature Malcolm Haslam English Art Pottery 1865-1915, Antique Collector’s Club, page 160-161 figures 115-117 for three comparable examples illustrated.

617. A Burmantofts Faience Dragon vase, model no.896, ovoid with cylindrical neck, modelled with a grotesque dragon and foliage, glazed green, yellow and brown, the dragon highlighted with aventurine, impressed marks, 34cm. high £300-500

618. A Burmantofts Faience Pottery Dragon vase, double gourd form, modelled in relief with a dragon attacking a dragonfly, the vase modelled with pine sprays, glazed green graduating to aubergine and blue, with pink highlights, impressed marks, WH monogram, stress cracks to neck, £300-500 39.5cm. high

618

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MANTEL CLOCKS

619. A Burmantofts Faience mantel clock, model no.1430, rectangular form, modelled in low relief with geometric design, surmounted with a dragon, glazed monochrome green, the enamelled circular dial with Roman numerals, impressed marks, restoration to dragons mane and ears, 23cm. high £300-500

619 620. A Burmantofts Faience mantel clock, model no.1434, tapering rectangular form, cast in low relief with a heron wading in a river, with panels of tall flower stems, the top surmounted with a Sphinx, glazed red, impressed and incised marks, remains of paper label, 34cm. high £300-500 Literature Jason Wigglesworth Burmantofts Faience A Compendium of Design, private press, page 57 for a comparable clock illustrated, glazed turquoise blue. Burmantofts Pottery Bradford Art Galleries & Museum, page 51 catalogue number 55 for a comparable example.

621. A Burmantofts Faience mantel clock, model no.1259, ovoid on scroll feet, modelled in low relief with stylised foliate panels, glazed bright yellow, circular enamelled dial with Roman numerals, impressed BF mark, 1259, minor chips, 15cm. high £200-400

620

Literature Jason Wigglesworth Burmantofts Faience A Compendium of Design, private press, page 58 for a comparable example.

622. A Burmantofts Faience mantel clock, model no.1433, rectangular section, cast in low relief with stylised foliate panels, covered in a Turquoise blue glaze, the circular dial with Arabic numerals, stamped marks, original paper label, 19cm. high £200-300

621

622

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623. A Burmantofts Faience mantle clock, model no.1427, flaring rectangular section, cast in relief with fruiting swags, the top surmounted with a dragon, the base with winged putti masks, glazed pale lime green, with enamelled circular dial with Roman numerals, impressed marks, original paper label, corroded mounts, chips to base, 26.5cm. high £200-400

623

624. A Burmantoft Faience mantel clock , model no. 1429, waisted, rectangular section, the top modelled in relief with a lioness sleeping with three cubs, the body modelled in low relief with foliate motif, glazed turquoise blue, with enamelled circular dial with Roman numerals, impressed marks, impressed W.A., minor glaze loss 26cm. high £200-400 Literature Jason Wigglesworth Burmantofts Faience - A Compendium of Designs, page 58 for an example glazed red.

624

625. A Burmantofts Faience mantel clock, model no.1431, rectangular section, the top modelled with a grotesque dragon, the sides cast in low relief with classical masks, the front with flowers and a dragonfly, the circular dial with Roman numerals, glazed Turquiose Blue, stamped marks, minor chips and repair, 26cm. high £400-600

625

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626 two views part

627

626. A Burmantofts Faience jardiniere, ovoid with everted rim, modelled with two elephant mask handles and textured surface, glazed blue and two jardiniere bowls impressed mark, one trunk professionally restored, 27.5cm. high (3) £150-200

627. A large Burmantofts Faience jardiniere, model no. 1306, swollen hexagonal form, cast in low relief with stylised foliate panels, glazed monochrome turquoise, impressed marks, 43.5cm. high £150-200

628

629

628. A Burmantofts Faience jardiniere and stand, model no.1570 and 622, the ovoid bowl cast in low relief with flower head frieze between foliage bands, the cylindrical base cast with geometric flower head repeat, glazed turquoise, impressed marks, chips, 89cm. high (2) £150-250

629. A Burmantofts Faience jardiniere and stand, model no.928 and 1195, the ovoid, fluted bowl with collar rim, modelled in low relief, the cylindrical stem with modelled columns, glazed turquoise blue impressed marks, chips, 92cm. high (2) £150-200

630. A Burmantofts Faience pottery jardiniere and stand, model no.1086, the ovoid bowl and cylindrical stem cast in low relief with flowers and spiralling geometric design, glazed turquoise, and a pair of jardiniere and stands model no.2066, impressed marks, old restoration and chips, £200-400 74cm. high (main), (6).

630

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631. A Burmantofts Faience Partie-Colour Persian jardiniere and stand designed by Joseph Walmsley, model no. 2019, the ovoid bowl and column cast in low relief with flowers and foliage bands, in shades of blue, turquoise, yellow and aubergine on a white ground impressed and painted marks, small chip to top of stand, 112cm. high (2) £150-200 632. A Burmantofts Faience pottery jardiniere and stand, the jardiniere modelled in relief with Classical winged cherub amidst swag and scrolling foliage, the base modelled with three seated griffin, glazed bright yellow, impressed £200-300 marks, chips and minor losses, 86cm. high (2) 633. A Burmantofts Faience jardiniere and stand, model no. 2021 and 2029, the ovoid bowl with everted rim, modelled in low relief with a frieze of lotus flowers in yellow, aubergine and green on turquoise blue and white ground, £150-250 impressed and painted marks, 108cm. high. (2) 634. A large Burmantofts Faience jardinere stand and matched bowl, model no. 1869, the flaring square section, modelled with swags and mythical beast buttresses, the base with winged cherubs, glazed turquoise blue, and a matched bowl model no.504 , impressed marks, repaired damages, 141cm. high. (2) £150-250

631

635. A Burmantofts Faience jardiniere and stand, model no.944 and 1780, the cylindrical stand cast in low relief with columns of ivy, glazed vivid yellow, the bowl with stylised flower heads in arches, glazed yellow impressed marks, repaired chips, 88cm. high. (2) £150-200

632

633

634

635

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638 part

636 part

636. A pair of Burmantofts Faience vases, model no. 629, waisted cylindrical form, modelled in low relief with a classical dolphin, covered in a vivid yellow glaze, and five other Burmantofts Faience yellow glazed vases, impressed marks, small chip to foot rim of one, 23.5cm. high (7) £150-200

637

637. A Burmantofts Faience grotesque vase, modelled in high relief with flowers and foliage on a basket texture, the rim with a monkey and toad, glazed orange yellow, impressed mark, minor professional £150-250 restoration, 26.5cm. high 638. A Burmantofts Faience pot pourri vase and cover, model no.1749, ovoid with pierced neck, modelled in low relief with small flower stems, glazed yellow, another similar, and nine other Burmantofts items glazed yellow, impressed marks, second pot £150-200 pourri restored, 16cm. high (11)

640 part 639. A large Burmantofts Faience floor vase, model no.880, ovoid with cylindrical neck, incised with geometric textured finish and scroll band to the neck, glazed bright yellow, impressed and incised marks to base, restored chip to base, 58cm. high £150-200 640. A Burmantofts Faience vase, model no.1562, shouldered, cylindrical form, modelled in low relief with geometric bands and sun motif, and pierced frieze of Aesthetic Movement sunflower and foliage, glazed vivid yellow, another Burmantofts Faience vase modelled in low relief with faux Chinese script and four other vases, glazed vivid yellow impressed marks, 44.5cm. high (6) £150-200

639 641 part

641. A Burmantofts Faience vase, model no.1716, modelled as a horseshoe, decorated in low relief with flowers glazed vivid yellow, and fourteen other Burmantofts Faience vases glazed yellow impressed £150-200 marks, 14.5cm. high (15)

642 part

643 644

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642. A Burmantofts Faience vase, model no.1744, asymmetric form, cast in low relief to one side with a portrait, the other side with a crescent moon, glazed yellow, and another smaller vase impressed marks, 17cm. high (2) £120-180 643. A large Burmantofts Faience Swan table centrepiece, model no. 1754, covered in a vivid yellow glaze impressed marks, minor professional restoration to inside of top £120-150 rim, 39cm. wide. 644. A Burmantofts Faience Swan table centrepiece, covered in a turquoise glaze, and another swan model no.736, smaller covered in a vivid yellow glaze and two glazed white impressed marks, minor professional restoration to wing tips of yellow swan, 18cm. wide, (4) £150-200 645. A Burmantofts Faience Egyptianesque bowl and stand, model no.1549, the octagonal tapering base cast in low relief with lotus flowers, the shallow bowl with portrait masks, covered in a Turquoise Blue monochrome glaze, impressed marks, restored top rim, 42cm. high (2) £150-200

646

645

646. A Burmantofts Faience Egyptianesque vase, ovoid with over-slung handle, modelled in low relief with hieroglyphs, glazed turquoise blue, impressed marks, 31cm. high £120-180 647. A Burmantofts Faience centrepiece, triangular section, modelled as three cherubs, supporting central bowl, on pierced, shaped base, covered in a turquoise blue glaze, impressed Burmantofts Faience mark, minor professional restoration to the wings, 24.5cm. high £120-180

647 648

648. A Burmantofts Faience Grotesque ewer, model no.555, modelled as a seated ibex creature with long slender horns forming a handle, glazed turquoise, impressed marks, professional restoration to base of handle, 33cm. high £150-250 649. A Burmantofts Faience Pottery vase, model no.825, the ovoid vase with cylindrical neck covered in a blue turquoise glaze, the shoulder applied with a stag beetle and lizard, the neck with a flying insect impressed marks, 27cm. high. £150-200

649 650

650. A Burmantofts Faience vase, model no.929, modelled in low relief with a pair of birds perched amongst exotic flowers and foliage, glazed turquoise, impressed marks, professionally restored, 34.5cm. high £150-200 651. A Burmantofts Faience vase with reticulated neck, model no.494, shouldered form the body incised with geometric motif, the neck with pierced flower head motif, covered in a turquoise glaze, another waisted reticulated vase and six other vases covered in a turquoise glaze, impressed marks, restored, 29.5cm. high, (8) £150-200

651 part

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LUSTRE WARE 652. A fine Burmantofts Faience lustre vase by Joseph Walmsley, swollen cylindrical form, painted with swimming scaly fish in turbulent water, between geometric chevron borders, covered in a rich golden lustre glaze impressed marks, painted JW monogram, 11cm. high £150-250

652 653

653. A Burmantofts Faience lustre vase by Joseph Walmsley, tapering cylindrical form with waist, painted with scrolling foliage in golden lustre on a blue lustre ground, impressed marks, painted JW monogram, £150-200 17cm. high Literature Malcolm Haslam English Art Pottery 18651915, Antique Collector’s Club, page 163 figure 121 for a comparable lustre vase. 654. A pair of Burmantofts Faience lustre candlesticks probably designed by Joseph Walmsley, model no.2219, tapering square section, cast in low relief, painted with geometric panels in iridescent lustre glazes, impressed marks, painted TL monogram to one, 22cm. high (2) £150-200

655 654

655. A Burmantofts Faience lustre vase probably by Joseph Walmsley, shouldered form with everted rim, painted with scrolling design between geometric borders, in red and petrol lustre, and another Burmantofts Faience vase decorated with foliate stems, painted TL monogram to first vase, second vase impressed mark and Tl monogram, chip to foot rim of main vase, second vase minor professional restoration, 20.5cm. high (2) £200-300 656. A near pair of Burmantofts Faience lustre vases by Joseph Walmsley, waisted, tapering cylindrical form painted with bands of foliage in golden lustre on a red lustre ground, impressed mark, painted JW monogram to one and TL to other, 17cm. high (2) £150-200

656 657

657. A Burmantofts Faience vase by Joseph Walmsley, shouldered form, painted with scrolling foliage band in ruby and golden lustre, and another smaller vase impressed marks, painted JW monogram, 20.5cm. high (2). £200-300 658. A Burmantofts Faience solifleur vase by Leonard King, shouldered form, painted with stylised flowers and foliage in ruby on a cream ground, a Burmantofts vase covered in a thick experimental volcanic glaze and another solifleur vase covered in a running blue and turquoise experimental glaze, main vase impressed White, painted LK monogram, repaired chip to top rim, 12.5cm. high (main vase), (3) £150-250

658

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

659. A Burmantofts Faience wall plaque by Jospeh Walmsley, circular, painted with scaly fish swimming in turbulent waters, in a rich ruby lustre glaze, inside simple foliate border impressed Burmantofts and Leeds Fireclay marks, 36cm. diam. £300-500 660. A Burmantofts Faience wall plaque by Joseph Walmsley, painted to the well with an Egyptian queen and hieroglyphs, in golden lustre on a ruby lustre ground impressed marks, painted JW monogram, £300-500 36.5cm. 661. A rare Burmantofts Faience lustre wall plaque by Joseph Walmsley, circular, painted with a classical dolphin roundel, the rim with foliage frieze in golden lustre on a ruby lustre ground, impressed marks, painted monogram 36cm. diam. £300-500

659

Literature Jason Wigglesworth Burmantofts Faience - A compendium of Designs, private press, page 50 for a comparable lustre plaque. 662. A Burmantofts Faience wall plaque by Joseph Walmsley, the well painted with a galleon at full sail before a rising sun, the rim with a band of scaly fish, in golden lustres on a ruby lustre ground impressed marks, painted JW monogram, 36cm. diam. £200-300

660

663. A Burmantofts Faience wall plate by Joseph Walmsley, painted with a scaly fish inside scroll border in lustre on a ruby lustre ground, impressed marks, painted JW monogram, 26cm. diam. £200-300 664. A Burmantofts Faience wall plate by Joseph Walmsley, painted with stylised foliate sprays, inside geometric border, in ruby lustre impressed marks, painted JW monogram, painted TL monogram, 26cm. diam. £150-250

661

665. A Burmantofts Faience wall plate by Joseph Walmsley, painted with stylised foliate decoration to the centre, the rim with geometric chevron design in copper lustre on a ruby lustre ground impressed marks, painted JW monogram and TWL monogram, 26cm. diam. £150-250

663

662

664

665

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666. A rare Burmantofts Faience lustre vase by Joseph Walmsley, waisted cylindrical form, painted in golden lustre with stylised flowers and foliage on a deep ruby lustre ground, indistinct painted JW monogram to base, 18cm. high £150-250

667. A Burmantofts Faience lustre candlestick by Joseph Walmsley, stepped square base supporting tapering square section column, painted with Art Nouveau flower stems in golden lustre on a deep midnight blue ground, impressed BF monogram, 20.5cm. high £150-200

666

667

668. A Burmantofts Faience lustre vase by Joseph Walmsley, model no.1327, shouldered cylindrical form, painted with stylised scrolling flowers and foliage in red lustre on a cream ground, impressed marks, painted JW and No1. 31cm. high £300-500

669. A Burmantofts Faience vase by Joseph Walmsley, shouldered form, painted stylised flowers and foliage in golden lustre on a vivid red ground painted JW monogram, 21.5cm. high £200-300

670. A Burmantofts Faience lustre vase by Leonard King, shouldered form with cylindrical neck, painted with panels of stylised flowers and foliage in ruby lustre on a mushroom ground, painted LK monogram, 30cm. high £150-200

668

669 671. A Burmantofts Faience lustre vase by Joseph Walmsley, model no.J14, ovoid with collar rim, painted with tulip flowers and scroll foliage, in ruby and golden lustre, and a Partie-Colour vase decorated with exotic flower stems, impressed marks, painted JW monogram, 10.5cm. high, (2) £150-200

670

671

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

672. A pair of Burmantofts Faience candlesticks, model no.1513, tapering square section, decorated with hieroglyphs, glazed brown, two other pairs of candlesticks, and eight other candlesticks, impressed marks, minor damages, 20.5cm. high (14) £150-200

673. A pair of Burmantofts Faience PartieColour candlesticks, model no.2252, swollen cylindrical stem on flaring circular foot, decorated in low relief with stylised flowers in yellow, green and turquoise, impressed marks, 25cm. high (2) £150-200

672 part

674. A pair of Burmantofts Faience Secessionist candlesticks, model no.2219, tapering square section, cast in low relief with pulled foliate design, glazed olive green, four other pairs of candlesticks, and three spare candlesticks, impressed marks, minor damages, 22cm. high (13) £150-250

673

674 part

675. A large Burmantofts Faience vase, model no. 611, pear shaped form with twinloop handles, showing the influence of Dr Christopher Dresser, covered with a running spinach green and brown glaze, a pair of twin-handled vases covered in a sancai drip glaze, and six other Burmantofts drip glazed vases similar, impressed marks, 37cm. high (9). £150-200

676. A Burmantofts Faience bottle vase, model no.1529, with swollen neck, covered in a running bottle green glaze over red, and five other Burmantofts Faience drip glaze vases, impressed marks, 27cm. high, (6) £150-200

675 part

677. A Burmantofts Faience Grass vase, model no.1402, shouldered, slender cylindrical form, modelled in low relief with geometric and floral panels, glazed lime green, two other Burmantofts Faience Grass vases, a small vase decorated with butterflies in low relief, glazed lime green and four other vases impressed marks, 53cm. high (8) £150-200

676

678. A Burmantofts Faience tri-pot, model no.1788, three conjoined ovoid vases with linked loop handles, covered in an olive green glaze, an unusual Burmantofts Leeds Fireclay vase with three looped handles glazed mint green, another similar and twelve other items impressed marks, 22cm. high, (15) £150-200 Provanance Tennants 01 06 2013, lot 248, for the main vase.

678 part 677 part

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GROTESQUES 679. A Burmantofts Faience Dragon candlestick, model no.917, modelled as a ferocious dragon supporting cornucopia sconce, on clam shell base, glazed lime green and aubergine, the body highlighted with gilt aventurine, impressed marks, professional restoration to cornucopia rim, 19cm. high. £300-500 680. A rare Burmantofts Faience grotesque chamberstick, model no.884, the handle modelled as a grotesque alligator creature, glazed green and yellow with silver and gold aventurine, impressed marks, 11cm. high £200-300

680 679

681. A Burmantofts Faience model of a dragon, modelled resting with wings open, covered in a graduated brown glaze, impressed Burmantofts England to base, professional restoration to wings, 13cm. wide. £150-200 682. A Burmantofts Faience grotesque dragon, covered in a yellow lustre glaze, impressed marks, minor professional £250-300 restoration, 13cm. wide.

681

683. A Burmantofts Faience grotesque model of a comical owl, no.2167, modelled standing, with wings out, covered in a golden semi-lustre glaze, impressed marks, 15.5cm. high £150-200

682

684. A Burmantofts Faience grotesque dragon, model no.2168, modelled rearing up, covered in a golden red lustre glaze, impressed Leeds Fireclay and BF marks, small glaze chip to foot rim, 13.5cm. high £300-400 685. A Burmantofts Faience Dragon ewer, model no.549, modelled standing with head thrown back, the wings forming a handle, glazed lime green, and another covered in an olive glaze, impressed marks, restoration to green dragon, damages to olive dragon, 38.5cm. high (2) £200-300

683 684

686. An unusual Burmantofts Faience model of a dragon, model no.2007, modelled standing and resting on two front feet and curled tail, covered in a green and golden lustre glaze, impressed marks, professional restoration, 19cm. long £300-400

685

686

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687. A Burmantofts Faience model of a lizard, model no.1993, modelled coiled around a shell eyeing up a spider, covered in a lime green glaze, with applied glass eyes, impressed marks, 11.5cm. wide. £120-180 688. A Burmantofts Faience comical frog group, model no.1995, modelled as two embracing frogs seated on a mushroom, glazed lime green, with applied glass eyes,and another Burmantofts model of a comical frog impressed marks, minor restoration to snout of one frog, chips to second frog group, 12.5cm. £200-300 high (2)

687

688

Literature Jason Wigglesworth Burmantofts Faience a Comendium of Designs, Private Press, page 37 this model illustrated. 689. A rare Burmantofts Faience model of a tortoise, model no.1997, covered in a green glaze, applied glass eyes, impressed marks, 9cm. wide. £150-200 690. A rare Burmantofts Faience grotesque fish, model no.2178, modelled with gaping mouth and arched tail, supported on pectoral fins, covered in a red lustre glaze, printed BF monogram and 2178, 9cm. wide. £150-200

690 689

691. Two Burmantofts Faience grotesque fish spill vases, model no.1161, modelled upright with open mouth and looped tail fin, covered in a red sang de boeuf and a pink glaze, impressed marks, professional restoration to head of pink fish, 9cm. high, (2) £150-200 692. Two Burmantofts Faience grotesque fish spill vases, model no.1161, modelled upright with open mouth and looped tail fin, covered in a Turquoise and an Orange Yellow glaze, unsigned, blue professional restoration, yellow minor glaze loss, 9cm. high, (2) £150-200

692

691

693. A Burmantofts Faience model of a scaly fish, model no.2166, covered in a sang de boeuf glaze, with applied glass eyes impressed marks, professionally restored tail fins, 17.5cm. wide. £150-200 694. A Burmantofts Faience model of a grotesque fish, modelled leaping, with gaping mouth, covered in an Orange Yellow glaze, impressed marks, small glaze chip to underside of base, 18cm. high £200-300 Literature Burmantofts Faience Bradford Art Galleries & Museums, Leeds City Museums, 1984, page 47 catalogue number 34 this model illustrated.

693

694

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695

696

697

695. A Burmantofts Faience jardiniere and stand, model no.1927 and 1930, the ovoid bowl modelled in low relief with panels of stylised flowers and foliage between foliage borders, the cylindrical stand with similar panel, glazed blue and mustard, another matched jardiniere and stand, and a small octagonal section jardiniere stand impressed marks, chip to stand rims, £150-200 second bowl cracked,81.5cm. high (5) 696. A Burmantofts Faience jardiniere and stand, model no. 2155, the ovoid bowl with fluted rim modelled in relief with Art Nouveau Waterlily flowers on sinuous stems, the base with similar flowers stems, in shades of yellow and green on a white ground, impressed and painted marks, 105cm. high (2) £150-200 697. A Burmantofts Faience jardiniere and stand, model no.2056, the bowl and stand modelled in low relief with panels of yellow peony flowers, in shades of yellow, green, brown and white on a turquoise blue ground, impressed marks, 106cm. high (2) £150-250 698. A Burmantofts Faience jardinere, modelled on three caryatid feet, covered in a lime green glaze, a small jardiniere stand and two other jardinieres impressed marks, damages 22cm. high (4) £150-200

698 part

699. A Burmantofts Faience urn shaped jardiniere, model no. 664, modelled with swan handles and lion mask roundels on classical foliate frieze border, glazed lime green, another Burmantofts Faience jardiniere, model no.2125, glazed with chestnut leaves and conkers, and another jardiniere decorated with grape and vine impressed marks, restoration, 23.5 high, (3) £150-200

699

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700

701

700. A tall Burmantofts Faience jardiniere and stand, model no. 1887 and 1888, cast in relief with swags of grape vine and Bacchanalian masks, to both ovoid bowl and cylindrical stand, on four claw feet, glazed brown, impressed marks, minor old restoration, 128cm. high (2) £200-300 701. A Burmantofts Faience jardiniere and stand, model no. 2276 and 2277, the bowl cast in relief with Secessionist flower stems in green and brown on a cream ground, the base with foliate panels on long sinuous Art Nouveau stems, impressed and painted marks, 102cm. high. (2) £150-250

702

702. A Burmantofts Faience jardiniere and stand, model no.2001, the ovoid bowl cast and pierced with flowers and foliage, the base with cast foliate decoration on flaring base with scallop shell feet, impressed and painted marks, chips to top and £150-200 repaired neck to base, 122cm. high (2) 703. A Burmantofts Faience jardiniere, model no.974, ovoid with collar rim, cast in low relief with a kingfisher amongst foliage, glazed ivory and tan, another jardiniere modelled as a shell and two jardiniere modelled in low relief with flowers impressed £150-200 marks, damages, 29cm. high (4) 704. A Burmantofts Faience jardiniere, model no. 2259, ovoid with everted rim, moulded in low relief with columns of Art Nouveau flowers and foliage, glazed green on a lime green ground, another ovoid jardiniere model no.2267, moulded with flower heads glazed lime green and another jardiniere model no.2036, impressed marks, minor glaze loss, 30cm. high (3) £150-200

704

703 part

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705

706

707

705. A large pair of Burmantofts Faience Egyptian vases, swollen form, cast with two pharaoh mask handles, glazed red, impressed marks, minor glaze frits 38cm. high (2) £400-600

708

709 part

706. A Burmantofts Faience jardiniere and stand, model no.1662 and 1251, the bowl modelled in relief as a shell, on cylindrical base, cast in low relief, glazed red and another Burmantofts jardiniere and stand, impressed marks, shell bowl restored, 91cm. £150-250 high, (4) 707. A Burmantofts Faience jardiniere and stand, model no.1856 and 1857, the cylindrical stand and rounded bowl modelled in low relief with floral panels, glazed bright yellow, another Burmantofts Faience matched jardiniere and stand and a spare stand impressed marks, 73cm. high (5) £150-250

710

708. A Burmantofts Faience Partie-Colour jardiniere, model no.2055, swollen cylindrical form, cast in low relief with stylised floral panels, glazed in shades of turquoise blue, green, sand and blue on a white ground, and another Burmantofts Faience jardiniere model no.2243, modelled with flowers, impressed and painted marks, hairline to base of second jardiniere, 27cm. high (2) £150-200 709. A Burmantofts Faience jardiniere, model no. 542, ovoid with pierced collar rim, modelled in low relief with geometric panels, covered in a turquoise blue monochrome glaze, a smaller pierced vase, two other vases and four other items, impressed marks, minor damages, 30cm. high £120-180 (jardiniere), (8)

711 part

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

712

713

714

710. A pair of Burmantofts Faience vases, model no.11188, shouldered form, modelled in low relief with foliage sprays on a textured ground, glazed turquoise, a pair of Burmantofts vases model no.1666, glazed turquoise and six other Burmantofts Faience vases glazed turquoise, impressed marks, 19.5cm. high (10) £150-200 711. A Burmantofts Faience solifleur vase, model no.824, ovoid body with slender tapering cylindrical neck, decorated with simple sun motif, glazed Turquoise Blue, and eleven other vases glazed turquoise and blue impressed marks, under-glaze chip to main vase, 37cm. high (12) £150-250 712. A Burmantofts Faience Persian jardiniere with associated stand by W. Schiller & Sons, model no.2217, the ovoid bowl modelled in low relief with a frieze of scaly fish, amidst scrolling waterweed, glazed in shades of blue and green, the stand with similar diving scaly fish in blue, buff and green impressed and painted marks, glaze chips and old restoration to bowl, chips to base rim, 77.5cm. high (2) £150-250

715 part

713. A Burmantofts Faience jardiniere and stand, model no.1946, the waisted bowl modelled in low relief with flowers and foliage in shades of blue, green and yellow on a cream ground, and another smaller, impressed marks, smaller jardinere restored, 98cm. high. (4) £200-300 714. Queen Victoria Diamond Coronation a Burmantofts Faience jardiniere and stand, model no.1951, modelled in low relief with national flower motif inside crown border, inscriptions, glazed in shades of ochre, green, blue and yellow, impressed and painted marks, £150-200 hairline to bowl rim, glaze chips to top and base of stand, 108cm. high (2) 715. A Burmantofts Faience jardiniere, model no. 869, ovoid with collar rim, modelled in relief with a ferocious Oriental dragon, glazed brown, another jardiniere with loop handles, glazed turquoise and three other Burmantofts Faience jardinieres, impressed marks, damages to some, 23cm. high (5) £150-200 716. A Leeds Fireclay Company Lefco Ware jardiniere and stand, cast in low relief with Art Nouveau flower stems, covered in an oatmeal glaze, impressed marks, chips, 76cm. high (2) £200-300

716

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717 part 718 part 717. A Burmantofts Faience jardiniere, model no. 1878, twin-handled ovoid form, modelled in low relief with cherub figures with scrolling scallop shells, covered in a brown glaze, another model 2001, cast with foliate scroll rim, a Burmantoft’s Faience jardiniere with impressed linen textured decoration, and two other jardinieres impressed factory marks, chips, 32cm. high (5) £200-300 718. A Burmantofts Faience Aesthetic Movement jardiniere, model no. 1962, waisted cylindrical form, cast in deep relief with sunflowers, in shades of green, yellow and buff on a cream ground, and four other Burmantofts Faience jardinieres, impressed marks, minor £150-200 damages, 25.5cm. high (5)

719

719. A Burmantofts Faience jardiniere stand, model no.2102, waisted cylindrical form, cast in low relief with stylised flower motif in shades of yellow, green and turquoise on a white ground, and three other jardiniere stands impressed marks, 62cm. £150-200 high (4) 720. A pair of pottery picture frames probably Burmantofts Faience, rectangular, modelled in low relief with a frieze of birds perched on foliage stems, glazed olive green, apparently unsigned, very minor glaze frits, 18.5 x 15cm. (2) £150-200

720

721. A Burmantofts Faience gas fire, rectangular section, cast in low relief with geometric panels, glazed brown impressed mark to back, damages and chips, 47.5cm. high £150-200 722. A Burmantofts Faience Rippincilles oil heater and cover, square section, with scallop shell handles, pierced decoration with applied stained glass panel, covered in a brown monochrome glaze, impressed marks to base, chips and old restoration, 51cm. high £200-400 Literature Burmantofts Pottery Bradford Art Galleries & Museum, page 51 catalogue number 58 for a comparable example.

721

722

Provenance Arts and Crafts 22nd June 2011, Woolley and Wallis Auctioneers lot 243.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

723. A Burmantofts Faience Veritas oil stove and cover, tapering, square section, pierced and cast with stylised Moorish foliate panels, glazed red, impressed Veritas Oil Stove, impressed D and Rd mark, minor glaze chips, 67cm. high (2) £300-500 Literature Burmantofts Pottery, Bradford Art Galleries & Museums, page 51 catalogue number 59 for a comparable example illustrated.

723

724. A Burmantofts Faience Veritas oil stove and cover, cylindrical form pierced and cast in low relief with Moorish fan shaped flower panels and stylised foliage decoration, glazed yellow, cast Burmantofts Faience and Veritas, chips and losses, 82cm. high (2) £300-500

724

725. A large Burmantofts Faience Pottery Veritas oil stove and cover, the pierced cylindrical body with pierced Moorish dome cover, glazed sang de boeuf red, stamped D to base, minor glaze chips to feet, 97cm. high (2) £400-600 Literature Jason Wigglesworth The History of the Burmantofts Pottery, private press, page 68 for an example glazed blue illustrated.

725

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PARTIE-COLOUR WARE 726. A Burmantofts Faience Partie-Colour tyg vase, model no.2203, waisted cylindrical form with three applied handles, incised with dogs running between foliage on sinuous Art Nouveau stems, impressed marks, 25cm. high £200-300 Literature Jason Wigglesworth The History of Burmantofts Pottery, page 54 this vase illustrated.

726

727

727. A Burmantofts Faience Partie-Colour vase, model no.2204, decorated in low relief with a ploughed rural landscape with a rising sun in the distance, in shades of green, brown, yellow and blue impressed and painted marks, 28.5cm. high £200-300 728. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2074, shouldered form, modelled in low relief with stylised scaly fish in turbulent water, in shades of turquoise, blue and green impressed and painted marks, 19.5cm. high £120-180

728 729

729. A Burmantofts Faience Partie-Colour vase, model no.2142, slender, flaring cylindrical form with applied twin-strap handles, modelled in low relief with Art Nouveau flower bud stems, in turquoise, blue, aubergine and green on a cream ground, impressed and painted marks, one handle professionally restored,37cm. high £150-200 730. A Burmantofts Faience Partie-Colour vase, model no. 2060, shouldered form, modelled in low relief with flowers and foliage in shades of turquoise blue, green, aubergine and blue on a white ground, and another similar model no.2048 decorated with pink poppies, impressed marks, second vase professional restoration to top rim, 33cm. high, (2) £150-200

730

731

731. A Burmantofts Faience Partie-Colour Persian vase, model no.2079, shouldered form, modelled in low relief with flowers and foliage in shades of turquoise blue, green and rust on a blue ground, and two other Burmantofts Faience Partie-Colour vases similar impressed marks, 22.5cm. high, (3) £200-400 732. A Burmantofts Faience Partie-Colour jardiniere stand, model no.2189, swollen cylindrical form, cast in low relief with stylised flowering trees, in green, turquoise, blue and brown on a cream ground impressed marks, £150-250 minor glaze loss, 61cm. high

732

733 part

733. A Burmantofts Faience Partie-Colour jardiniere stand designed by Joseph Walmsley, model no. 2030, cast in low relief with panels of flowers between scrolling scallop shell borders, in shades of blue, turquoise and buff, and four Burmantofts Faience jardinieres, impressed marks, 78cm. high, (5) £120-180

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

736 734

735

734. A Burmantofts Faience Partie-Colour vase, model no.2063, baluster form, modelled in low relief with flowers and foliage, in shades of turquoise blue, green, aubergine and blue on a white ground impressed and painted marks, 46cm. high £150-200 735. A large Burmantofts Faience Pottery Partie-Colour vase designed by Joseph Walmsley, model no. 2122, shouldered form, slip decorated with stylised peony flower in £200-400 shades of blue, turquoise, brown and green, impressed marks, 49cm. high Literature Jason Wigglesworth Burmantofts Faience a Comendium of Designs, Private Press, page 65 this vase illustrated. 736. A pair of Burmantofts Faience Partie-Colour vases designed by Joseph Walmsley, model no.2046, shouldered form modelled in low relief with large peony flower stems in Turquoise blue, green, yellow blue and ochre on a cream ground impressed and painted marks, 23.5cm. high, (2) £150-250

737

737. A pair of Burmantofts Faience Partie-Colour Persian vases designed by Joseph Walmsley, model no.2061, modelled in low relief with stylised foliage frieze below flowerhead and scale borders, in shades of turquoise blue, yellow and grey impressed and painted marks, 36cm. high (2) £150-200 738. A pair of Burmantofts Faience vases, model no.2002, slender baluster form, cast in low relief with flowers and foliage, in shades of blue, turquoise, green, yellow and red on a cream ground impressed marks, 38cm. high (2) £150-250 739. A Burmantofts Faience vase, model no.2247, shouldered form with three twisted handles, modelled in low relief with Art Nouveau tulip flowers, in yellow, brown and green on a bottle green ground, and two other vases decorated in the same manner impressed marks, 28cm. high, (3) £150-200 740. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2147, decorated with stylised water lily flowers with sinuous Art Nouveau tendrils, glazed in shades of yellow, green, brown and turquoise, and two Burmantofts Faience vases similar impressed marks, second vase with professional restoration, 26cm. high, (3) £150-200

739

738

740

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741. A large Burmantofts Faience PartieColour vase, model no.2044, shouldered form, modelled in low relief with panels of blue daffodil flowers and foliage, in shades of blue, turquoise, green and brown on a white ground impressed marks, 44.5cm. high £150-200

741

742. A pair of Burmantofts Faience PartieColour vases designed by Joseph Walmsley, model no.2044, shouldered cylindrical form, decorated in low relief with panels of daffodil flowers in shades of yellow, green red and turquoise on a cream ground, and a Burmantofts Faience vase decorated with a running green, amber and red glaze impressed marks, repaired damage to neck of one daffodil vase, 44.5cm. £150-200 high, (3)

742 part

743. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2087, ovoid with flaring neck, modelled in low relief with flowers and foliage, in shades of Turquoise blue, blue, green and yellow, and two other Burmantofts vases decorated in a different palette, impressed marks, restored chip to top rim of one, 21.5cm. high, (3) £150-200

743

744

744. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2206, swollen with tapering neck with swollen rim, modelled in low relief with flowers and foliage, in shades of blue, green, yellow and turquoise on a cream ground, and another model no.2042, impressed marks, chips to main, 29.5cm. high, (2) £150-200 745. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2205, shouldered form with swollen neck, modelled in low relief with stylised flower and foliage stems in yellow, blue, turquoise and green on a cream ground, and another two vases similar impressed £150-200 marks, 23.5cm. high (3)

745

746

746. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2084, shouldered ovoid form, modelled in low relief with stylised daisy flowers, in turquoise, blue, green and ochre on a cream ground, and another solifleur vase similar model no.2073, impressed and painted marks, 21cm. high, (2) £150-250 747. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no.2043, decorated in low relief with stylised foliage flowerheads and foliage, the flaring neck with stylised wisteria flowers, in shades of turquoise blue, green, aubergine and blue on a yellow ground, impressed marks, 40.5cm. high£150-200 748. A Burmantofts Faience Partie-Colour vase designed by Joseph Walmsley, model no. 2192, slender, swollen cylindrical form, incised with anemone flowers in yellow, green, blue and turquoise blue impressed and painted marks, £200-400 40cm. high

747

748

Literature Jason Wigglesworth Burmanofts Faience - A Compendium of Designs, page 70 this shape and design illustrated.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

749. A Burmantofts Faience Partie-Colour jardiniere and stand, model no.2212, the cylindrical drum jardiniere incised and slip decorated with dogs in a stylised garden setting, in blue, green, yellow and brown, the waisted cylindrical base with stylised flowers, impressed and painted marks, 91cm. high (2) £300-500

750. A Burmantofts Faience Partie-Colour jardiniere and stand designed by Joseph Walmsley, model no. 2117 and 2118, the ovoid bowl and swollen cylindrical stand decorated in low relief with fern fronds, in shades of turquoise, blue, green and brown on a cream ground, impressed and painted marks, glaze loss 108cm. high. (2). £800-1,200 Literature Jason Wigglesworth Burmantofts Faience - A compendium of designs, private press, page 40 for a comparable example illustrated. Annette Carruthers and Mark Greensted Simplicity or Splendour Cheltenham Art Gallery & Museum, page 70 figure 95 for a comparable example

751. A Burmantofts Faience Partie-Colour jardiniere stand, model no.2156, waisted cylindrical form, decorated in low relief with a frieze of scaly fish and waterweed in shades of blue, turquoise, green and brown, impressed marks, professional restoration to top rim, 45cm. high £150-250

749

752. A Burmantofts Faience Partie-Colour jardiniere and stand, model no.2264 and 2265, the ovoid bowl and column stand cast in low relief with Art Nouveau flower stems in pale blue and turquoise on a dark blue ground impressed and painted marks, restored rim to the bowl, 98cm. high (2) £150-200

750

751

752

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753. A Burmantofts Faience reticulated lantern shade, swollen cylindrical form with open top and base, modelled and pierced with panels of stylised foliage and trellis, covered in a sang de boeuf glaze, another reticulated double gourd vase, a Grass vase and four other vases all covered in a sang de boeuf glaze, impressed regd. mark, small chip to main lantern, 28cm. high (7) £150-200

753 part

754. A Burmantofts Faience footed vase, model no.1550, cast in low relief with geometric flowers and foliage, covered in a sang de boeuf glaze, a jardiniere similar and fifteen other items, impressed marks, minor chips, 22cm. high (17) £120-180 755. A Burmantofts Faience Japoniste vase, model no. 1791, modelled as three round vases and central foliate handle, covered in a sang de boeuf glaze, a pierced vase and five other vases covered in a sang de boeuf glaze, impressed marks, minor chips to top rim, 12.5cm. high, (7) £150-250

754 part

756. A Burmantofts Faience twin-handled vase, slender waisted form, modelled in low relief with a finch flying before prunus blossom, covered in a sang de boeuf glaze, another Burmantofts vase decorated with a serpent entwined around fruiting boughs, a Grass vase and two other vases covered in a sang de bouef glaze impressed marks, professional restoration to top rim of main £150-200 two vases, 37.5cm. high, (5)

755

757. A Burmantofts Faience solifleur vase, model no.916, ovoid with tapering neck, modelled in low relief with an entwined ferocious dragon, glazed red, another Burmantofts vase model 848, modelled as a conch shell glazed red, two ovoid vases model no. 435 glazed red and brown, and nine other Burmantofts Faience vases glazed red impressed marks, 34.5cm. high (13) £150-250

756

758. A large Burmantofts Faience floor vase, model no.274, double gourd form, incised with texture, covered in a rich red glaze, a Burmantofts Faience Grass vase covered in a red glaze and three other Burmantofts Faience pieces glazed red, impressed marks, minor glaze loss to main vase, damages, 58cm. high, (5) £150-200

757 part

759. A Burmantofts Faience vase, model no.813, ovoid with cylindrical neck applied with two ferocious dragons, forming handles, covered in a sang de boeuf glaze, another single-handled dragon jug, model no.813, covered in a pink glaze and another dragon bottle vase, impressed and incised marks, 24.5cm. high (red vase) (3) £150-200

758

759

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

760. A Leeds Fireclay Co Ltd advertising chequers board and counters, the square board modelled in low relief with scroll foliage and Leeds Fireclay shields, glazed in monochrome blue, with twenty seven disk counters glazed blue and mustard, and two additional chequers boards glazed blue and green, impressed marks to boards, minor glaze frits 20.5cm. square £150-200

761. A Burmantofts Faience grotesque ewer, modelled as a standing reptile creature, on its haunches with gaping toothy mouth, it’s tail forming a handle, with a smaller creature, glazed turquoise blue, and a Burmantofts Faience Swan centrepiece impressed Burmantofts Faience, museum repair to lower jaw and professional restoration, 30cm. high (2) £150-250

760

761

762. A garniture of five Burmantofts Faience Grass vases, model no.1659, 1397 and 1398, modelled in low relief and glazed in turquoise blue, impressed marks, 41cm. high, (5) £200-400 Literature Burmantofts Pottery Bradford Art Galleries/ Leeds City Museum, page 50 catalogue number 49 for two similar vases illustrated. These vases were retailed in the Liberty & Co catalogue, circa 1900.

762

763

763. Two tall Burmantofts Faience floor vases, model no.1404, footed form, the tapering cylindrical body modelled in low relief with foliage panels, and scrolling stylised vine motif, glazed turquoise blue, the other model no.1405, modelled in low relief with panels of stylised flowers impressed marks, paper label to second vase, repaired rim to one, restored base rim to other, 90cm. high, (2). £150-200

764. A Burmantofts Faience Berkefield water filter, baluster form, modelled in low relief with stylised flowers and foliage, glazed turquoise blue, impressed inscription, factory marks to base, minor professional restoration to foot rim, 50cm. high. £150-250

765. A Burmantofts Faience floor vase in wrought iron mount, model no.1251, amphora shape with four applied handles, glazed turquoise blue, impressed marks, 99cm. high £150-250

764

765

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766 part

767 766. A Burmantofts Faience vase, shouldered form, modelled in low relief with a simple flower and trellis design, glazed in shades of white, turquoise and blue, an early Burmantofts Faience bottle vase decorated with sponged colours with incised CM monogram and fourteen other Burmantofts vases and jugs, impressed marks, 22.5cm. high (16) £150-200

768 part

767. An unusual Burmantofts Faience vase, model no.2086, impressed with a frieze of pink flowers below green foliage border to the shoulder, on graduated mint green to sand ground, another vase and two Burmantofts Faience jardiniere impressed marks, 23cm. high, (4). £150-200 768. A Burmantofts Faience solifleur vase, model no.106, the dimpled body with tall cylindrical neck, incised with flowerhead motif, covered in a yellow glaze and ten other bottle vases, £150-200 impressed marks, 30cm. high (11)

769 part

769. A Burmantofts Faience vase, model no.294, swollen form, covered in a running green and flambe glaze, another similar and eleven other Burmantofts items, glazed green impressed marks, 25cm. high (13) £150-200 770. A Burmantofts Faience vase with knopped neck, model no.1139, cast in low relief with geometric floral panels, glazed turquoise, and two twin-handled vases similar and seven other Burmantofts Faience vases glazed Turquoise Blue impressed marks, £120-180 18.5cm. high (10)

770 part

771. An unusual Burmantofts Faience Partie-Colour jardiniere, shouldered form, modelled in low relief with a frieze of grape vine in turquoise, green, ochre and aubergine on a cream ground, two other Burmantofts Partie-Colour vases covered in a monochrome sepia glaze and three other items, impressed marks, 14.5cm. high (jardiniere), (6). £150-200 772. A Burmantofts Faience twin-handled dish, modelled in low relief with grape vine and strawberry flowers, in sang de boeuf glaze, and a collection of twenty other Burmantofts Faience monochrome glaze pieces, impressed marks, 32cm. wide, (21) £150-200

771 part

772 part

773. A Burmantofts Faience Aesthetic Movement fan vase, covered in a sang de boeuf glaze, and another covered in an olive green glaze, impressed mark to olive vase, 31.5cm. wide. (2) £150-200 Literature Burmantofts Pottery, Bradford Art Galleries, page 48, cat no 37 for a comparable vase.

773

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

GROTESQUES 774. A Burmantofts Faience model of a monkey, model no.797, modelled seated, exploring a large vase, covered in a sang de boeuf monochrome glaze impressed marks, small hairline to vase, 15cm. high £150-200

774

775

775. A Burmantofts Faience model of a monkey, modelled seated, covered in a Turquoise blue monochrome glaze impressed marks, 15cm. wide. £150-200

776. A Burmantofts Faience model of a monkey, model no.796, modelled seated resting on a vase, his foot resting on a large nut, glazed monochrome Orange Yellow, impressed marks, 15.5cm. wide. £150-200 Literature Brian Coleman The Best of British Arts and Crafts, Schiffer, page 174 for an example in sang de boeuf illustrated.

776 777. A Burmantofts Faience model of a monkey eating a nut, modelled seated with his foot resting on another nut, covered in an Olive Green glaze, with applied glass eyes impressed mark to base, 13cm. wide. £150-200

777

778. A rare Burmantofts Faience model of a seated monkey, model no.2000, with applied glass eyes, covered in a golden lustre glaze impressed marks, 8.5cm. high £200-300

779. Two Burmantofts Faience models of monkeys, model no.1996, modelled seated in oriental cape, glazed turquoise, with applied glass eyes, and another with applied glass eyes glazed olive green, impressed marks, minor glaze chips to ears 7cm. high £150-250 (3)

780. A Burmantofts Faience model of a mouse, model no.2010, seated on its haunches, glazed green, with applied glass eyes, and another glazed mustard yellow, and another Burmantofts mouse model 2011 glazed pale green, impressed marks, minor glaze frits, 5.5cm wide (3) £200-300

779 778

780

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781. A Burmantofts Faience grotesque creature, model no.583, modelled standing on three feet, glazed sang de boeuf impressed marks, 19cm. wide. £200-300 782. A pair of Burmantofts Faience Kirin figures, model no. 1172, covered in a sang de boeuf, impressed and incised marks, 11cm. wide (2) £200-300 Literature Jason Wigglesworth Burmantofts Faience a Compendium of Designs, page 32 for a comparable pair illustrated. 783. A Burmantofts Faience grotesque spoon-warmer, part reptile part fish, covered in a sang de boeuf glaze, impressed marks, small glaze chip to lip, 18cm. wide £200-300

781 782

784. A Burmantofts Faience grotesque creature, model no.1906, modelled standing with back arched and open toothy mouth, glazed sang de boeuf red, impressed marks, 16.5cm. wide. £150-200 785. Two Burmantofts Faience grotesque bull-frogs, model no.451, modelled seated with open mouth, covered in sang de boeuf glazes, impressed marks, glaze loss to lip of one, 14cm. high (2) £200-300

783

784

786. A Burmantofts Faience model of a dragon, modelled seated, covered in a thick green glaze, another grotesque dragon model no.1162 glazed Turquoise blue, and another dragon glazed Orange yellow impressed marks, 12cm. high (green dragon), (3). £200-400 787. A Burmantofts Faience model of a seated dog, model no.1991, covered in a golden green glaze, impressed marks, professional restoration to ears, 14cm. high. £150-200

785

786

787

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

788. A Burmantofts Faience grotesque phoenix figure, model no.2183, covered in an Orange Yellow glaze, with applied glass eyes impressed marks, repair to one ankle and glaze chip to neck, 17cm. wide. £150-200 789. A Burmantofts Faience model of a dragon, model no.1177, covered in a light sang de boeuf glaze, and another covered in an Orange Yellow glaze, impressed marks, yellow dragon restored, 12cm. high, (2) £150-200 Literature Jason Wigglesworth Burmantofts Faience a Compendium of Designs, page 33 for a comparable pair illustrated.

790. A Burmantofts Faience model of a Kirin, modelled resting, covered in an Orange Yellow glaze, and a Burmantofts Faience model of a dragon, no.1166, covered in a sang de boeuf glaze, impressed marks, minor glaze loss, 12cm. wide. (2) £150-200

788

791. A large Burmantofts Faience model of a Kirin, model no.522, modelled seated, covered in an Orange Yellow monochrome glaze, impressed marks, minor professional restoration, 19.5cm. high £150-200

792. A Burmantofts Faience pottery model of a grotesque toad creature, model no.583, modelled standing on three legs, covered in a vivid yellow glaze, impressed marks, professional restoration to hind leg, minor glaze frits 16.5cm. high £150-200

789

Literature Burmantofts Pottery Bradford Museums & Art Gallery/Leeds City Museums, 1984 an example illustrated on the front cover.

790

791

792

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793. A Burmantofts Faience grotesque model of a crocodile, model no. 1898, modelled seated with wide gaping mouth, glazed turquoise, applied glass eyes, impressed marks, very minor glaze frits, 16.5cm. high £200-300

794. A pair of Burmantofts Faience grotesque frog spoon-warmers, model no.1897, modelled seated with open gaping mouth, glazed turquoise, impressed marks, chip to foot of one, 15cm. high (2) £200-400

793 794

795. A Burmantofts Faience grotesque Crocodile ewer, model no.554, modelled seated with gaping mouth, the handle its tail with a small rodent at the tip, glazed Turquoise Blue, impressed marks, 30cm. high £150-200 796. A Burmantofts Faience Kirin figure, model no.1174, modelled resting, covered in a turquoise blue glaze, impressed marks and incised marks, re-stuck tail, 12cm. wide. £150-200 Literature Jason Wigglesworth Burmantofts Faience a Compendium of Designs, page 32 for a comparable pair illustrated.

796 797. A Burmantofts Faience grotesque spoon-warmer, model no.1907, modelled seated with open mouth, glazed Turquoise Blue, impressed marks, minor glaze frits to toes, 15cm. high £150-200

795

798. A Burmantofts Faience Kirin figure, model no.1166, modelled resting on its haunches, covered in a Turquoise Blue glaze, and another grotesque similar, impressed marks to main figure, restoration to both figures, 10cm. high (2) £150-200

798

797

799. A Burmantofts Faience grotesque model of a crocodile, model no.1898, modelled seated with gaping jaws, covered in a turquoise blue glaze impressed marks, restored foot, 16.5cm. high. £150-200

800. A Burmantofts Faience grotesque reptile, model no.805, modelled seated with gaping mouth, glazed Turquoise blue, and another glazed Olive green, impressed marks, chips to green grotesque, 17.5cm. high, (2) £300-500

799

800

END OF SALE

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ARTS AND CRAFTS

Wednesday 21st June 2017

A repoussé copper charger by John Pearson, dated 1898. Estimate: £800 - £1,200

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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DESIGN

Tuesday 17th October 2017 Entries close 11th August

‘Tennis’ a tall Clarice Cliff Bizarre Meiping vase Estimate: £6,000 - £8,000

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 5th July 2017

A steel rocking chair after a design by R. W. Winfield & Co., with a buttoned brown leather seat and armrests, late 19th / early 20th century. A very similar rocking chair was exhibited by R. W. Winfield & Co. of Birmingham at the Great Exhibition of 1851. Estimate: £800 - £1,200

ENQUIRIES Mark Richards | Tel: +44 (0)1722 411854 | mr@woolleyandwallis.co.uk

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JEWELLERY & WATCHES Thursday 20th July 2017

A late 19th century ruby, diamond and pearl novelty pig brooch. Estimate: £4,000 - £6,000

ENQUIRIES Charlotte Glyde | +44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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TRIBAL ART & ANTIQUITIES

Wednesday 20th September 2017 Entries close 7th July

A Benin memorial head, uhunmwun elao, late 19th/early 20th century, 53cm high. Estimate: £1,500 - £2,000 ENQUIRIES Will Hobbs | +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT on the first £500,000 of the hammer price and 14.4% inclusive of VAT thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The following methods of payment may be made:

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows:

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (††) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (††) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or ††. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

W MARLBOROUGH & SWINDON

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

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A345 Castle Rd

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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Registered in England No. 2998482

Salisbury Salerooms

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WOOLLEY & WALLIS

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form A Private Collection of Burmantofts Faience Pottery

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 22nd June 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.w o o lleyan d w allis.co .u k

Auction Calendar PAINTINGS 7th June 2017 – Modern British & 20th Century Art 12th September 2017 – Old Masters, British & European Paintings Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk 20TH CENTURY DESIGN 21st June 2017 – Arts & Crafts 22nd June 2017 – A Private Collection of Burmantofts Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 5th July 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk SILVER 18th & 19th July 2017 – Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 20th July 2017 – Jewellery & Watches Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 18th October 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk ASIAN ART 14th & 15th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk