Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture & Works of Art Thursday 8th January 2015

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Amanda Lawrence

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424505 329477

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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424506 424591 424583 424589

ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

424500 424599

MARKETING Tamzin Corbett

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424590

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424500

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424500

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 Amanda Lawrence — 329477 FURNITURE Mark Richards Jim Gale Anna Brown

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411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

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PAINTINGS Victor Fauvelle Jo Butler SILVER Rupert Slingsby Lucy Chalmers

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SALEROOM MANAGER David Jordan BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA — —

424501 424594

TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs — Gemma Bush —

339752 339752

Members of The Society

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young

ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

FURNITURE & WORKS OF ART

Thursday 8th January 2015 at 10.00am Viewing Times Saturday 3rd January Monday 5th January Tuesday 6th January Wednesday 7th January Thursday 8th January

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES Mark Richards 01722 411854 markrichards@woolleyandwallis.co.uk

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

COLLECTION OF LOTS Lots can be collected on Friday 9th and Saturday 10th January from the Salerooms in Castle Street. Then all uncollected items will be moved from the Salerooms to the warehouse at Old Sarum on Monday 12th and Tuesday 13th inclusive. Collections on these days must be by prior arrangement, please call 01722 424500. From Wednesday 14th January collections from Unit 2, Danebury Court, Old Sarum Park, Salisbury, SP4 6EB. Accounts to be settled prior to collection.

Front cover: Lots 314 & 528 Back cover: Lot 188 Inside covers: Lot 58 detail This page: Lot 374 detail

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FIREPLACE FURNITURE

1. A cast iron and brass serpentine fire grate in George III style, the arched back cast with an urn with swags of bell flowers, above a railed front and a pierced frieze with urn finials and square tapering legs, 75.4cm high, 81.4cm wide, 35cm deep. £600-800 1

2 2. A cast iron and brass serpentine fire grate in George III style, the arched back decorated with an urn, to a railed front with a pierced frieze and with turned urn finials, 59.9cm high, 72.3cm wide, 29.5cm deep. £300-500

3. A cast iron and brass serpentine fire grate in George II style, the railed front to a foliate pierced frieze and four column supports, with turned finials, 75.2cm high, 65cm wide, 33.6cm deep. £500-700

4. A cast iron and brass mounted serpentine fire grate in George III style, the leaf cast back centred a ribbon tied oval patera, to a rail front and flaming finials and scroll feet, 79cm high, 72.5cm wide, 40.4cm deep. £200-250

5. A cast iron and brass serpentine fire grate in George III style, the arched back above a rail front with a pierced frieze and with urn finials, 71cm high, 60.6cm wide, 31.5cm deep. £200-300

6. A cast iron and brass serpentine fire grate in George III style, the arched back to a railed front and a pierced frieze, with turned urn finials, 69.5cm high, 65.3cm wide, 33cm deep. £400-600

7. A late George III polished steel serpentine fender, with beaded and pierced decoration, the ends engraved with oval paterae, 15.4cm high, 137.2cm wide, 27cm deep. £200-300

A 19th century polished steel and brass serpentine fender, with a reeded handle 17.3cm high, 125.3cm wide, 24cm deep.

A William IV polished steel serpentine fender, with a beaded border and pierced with anthemion motifs, 13cm high, 133.8cm wide. £200-300

10.

A Victorian brass serpentine fender, with a beaded border and a pierced front, 13.6cm high, 107.3cm wide.

£100-150

11.

A Victorian brass serpentine fender, with moulded borders and a pierced front, 12.3cm high, 126.9cm wide.

£150-200

£100-150

12. A set of three 19th century polished steel fire tools, each with an engraved urn finial to knopped stems and with a solid pan, probably George III c.1800, 68.5cm long, max. (3) £300-500

13. A set of three 19th century polished steel fire tools, each with a beaded urn finial to beaded stems, with a pierced pan, 74.5cm long, max. (3) £500-800 12 13

14. A set of three early Victorian polished steel fire tools, each with a ball finial and a faceted stem to a pierced pan, 76.2cm long, max. (3) £300-400

15. A set of three early Victorian polished steel fire tools, with gilt brass foliate handles to spiral twist stems to a pierced pan, 79.8cm long, max. (3) £500-600

16. A set of William IV polished steel fire tools, each with a faceted bud handle to knopped stems and with a pierced pan, 75.7cm long, max. (3) £300-400

17. A set of three William IV polished steel fire tools, each with a mushroom finial and knopped stems to a pierced pan, 75.5cm long, max. (3) £400-600

18. A set of three late Victorian brass fire tools, each with a reeded ball finial and with a pierced pan, 67cm long, max. (3) £150-250

19. A pair of 19th century steel andirons, each with a faceted ball finial, 38.8cm high, 19.4cm wide, 23.8cm deep. £80-120

20. A 19th century French brass and steel fire compendium, comprising: a stand with serpent supports and an urn finial and three fire tools with Empire style mounts, 82.6cm high, 30.5cm wide. (4) £600-800

21. A set of three Victorian wrought steel fire tools, each with a fluted finial and an open basket handle, the spiral twist stems to a pierced and shaped pan, 85.3cm long, max. (3) £200-300

22. Two George III steel footmen, each with a pierced top and frieze on stylized cabriole front legs and pad feet, 34.6cm high, 31.2cm wide, max. (2) £80-120

23. A 19th century French gilt brass and cast iron fire grate in 18th century style, comprising: a pair of fire dogs with flaming finials and cast with leaves and scrolling foliage with swags of fruit and flowers on dolphin head feet, supporting a cast iron grate, 66.4cm high, 108.6cm wide, 68.3cm deep. £1,000-1,500 24. A pair of 19th century French ormolu chenets, with flaming urn finials and decorated with scrolls, leaves, masks and shells, 52cm high, 38cm wide. (2) £300-500 24

25. A pair of Dutch brass andirons in late 17th century style, each with a lion’s mask and on claw and ball feet, 45.8cm high, 25.7cm wide, 49cm deep. (2) £150-250 26. A late 19th century Dutch brass fire compendium on stand, in the form of a tall ship with hooks and hung with five fire tools on a tripod base, 137cm high, 42.5cm wide. (6) £150-250 27. A modern brass club fender, with green leather seats to a railed front and sides, 53.1cm high, 153.3cm wide, 68.7cm deep. £400-600

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28. A Victorian brass and wirework fender, 30.3cm high, 144.2cm wide, 26.1cm deep. £100-150

29. A brass and wirework triptych folding fireguard, 54.7cm high, 61cm wide, 23.5cm deep. £100-150 29

30. A pair of brass and elm bellows, with tack decoration inscribed ‘TOM MOODY, TALLY HO 1798’, around a brass plaque depicting a hunting scene, 40.5cm long, 20.9cm wide. £150-200

31. An 18th century style cast iron and brass mounted basket fire grate, with leaf scroll supports, 47.4cm high, 54.9cm wide, 30.4cm deep. £300-400

32. A Victorian brass and wirework nursery fender, with side hooks, 68.6.cm high, 136cm wide, 38.3cm deep. £500-700

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33. A Victorian brass and wirework nursery fender, with a hinged top and with an outer rail, 76.2cm high, 108.7cm wide, 36.5cm deep. £400-600

34 34. A French gilt brass fire-screen in Louis XV style, cast with rocaille and scrolls, the centre with ribbon tied war trophies, late 19th / early 20th century, 79.5cm high, 62.4cm wide, 20.3cm deep. £300-400

35. A coopered mahogany and brass bound bucket, with a swing handle and a lift-out liner, 33cm high, 35.2cm wide. £100-150

36. A cast iron and brass serpentine fire grate in George III style, with an arched back, to a railed front and a pierced frieze with engraved paterae and urn finials, 71.4cm high, 66.8cm wide, 30.2cm deep. £500-700

37. A Victorian brass and wirework nursery fender, 76.7cm high, 132.3cm wide, 53.5cm deep. £400-600 35

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38. A coopered teak and brass bound planter, the base stamped ‘LISTER’ and ‘34065’, 16.3cm high, 66cm wide. £200-300

39. Two 19th century cast iron boot scrapers, the base of one stamped ‘AK & Sons 610,’ for Archibald Kenrick, 29.8cm high, 40.9cm wide, max. (2) £80-120 40. A pair of 17th century style wrought iron fire dogs, with wine bottle holder tops and four hooks to the front, late 19th century, 72.8cm high, 30.7cm wide, 61cm deep. (2) £150-200

41. A coopered oak and brass bound churn stick stand, with an associated metal liner, the base with a branded mark inscribed ‘WOOD CRAFT’, 49cm high, 32.8cm diameter. £100-150

42. A late 19th century Dutch copper and brass log bin, with lion’s mask ring handles on paw feet, 38.3cm high, 50.8cm diameter. £250-350

43. Two 19th century cast iron boot scrapers, the black painted example stamped ‘AK & Sons’, for Archibald Kenrick, the base indistinctly stamped, 22.9cm high, 31.5cm wide, max. (2) £100-150

44. An arched cast iron fireback, decorated with a coat of arms and an eagle surmount, 59.6 x 70.9cm. £80-120 45. A wrought iron pot hook, a wrought iron trivet and a cast iron fireback decorated with figures, 129.3cm long, max. (3) £100-150 46. An iron measuring instrument, with five hooks and inscribed ‘225 BARTON’ and with a scale from ‘50 - 220’, 71.5cm long. £40-60 47. A late 19th century brass log bin, with repoussé decoration and ram’s mask ring handles, on claw and ball feet, 39.2cm high, 45cm diameter. £100-150 48. An arched cast iron fireback, decorated with the Royal Coat of Arms and dated ‘1664’, 63 x 72cm. £80-120 49.

A coopered teak and brass bound planter, 31.5cm high, 35.5cm diameter.

£60-80

48 49

OAK, COUNTRY & WALNUT

50. A 17th century Flemish joined oak side table, the detachable triple plank top with peg attachments, above a frieze drawer with a wavy edge apron, on tapering square section legs with beaded collars united by peripheral stretchers, c.1630-40, 75cm high, 147.1cm wide, 78.3cm deep. £3,000-5,000 Provenance: Woodlands Manor, Wilts. Formerly in the collection of Samuel Wolsey, Buckingham Palace Road, SW1. c.1975. 51. A 17th century Flemish oak cupboard, with a detachable moulded cornice above a frieze carved with scrolling foliage with birds and centred an urn, above a pair of doors with strapwork panels and ebonised decoration, the base with further conforming doors enclosing a shelf above two drawers, all flanked by stop fluted pilasters, on ebonised bun front feet, 179cm high, 144cm wide, 59cm deep. £800-1,200 52. A late 18th century French provincial cherry and oak buffet, with a pair of panelled drawers, above conforming cupboards enclosing a later shelf, 108.8cm high, 133cm wide, 62.4cm deep. £200-300

53. A Scandinavian burr birch or maple brass mounted snuff flask, the central rondel to each side with an inscription, the base with an engraved seal / tamper, stopper missing, late 17th / early 18th century, 10.2cm high, 8.3cm wide. £200-300 See: Owen Evan-Thomas, Domestic Utensils of Wood, p.160, plate 62 for comparable examples, also Pinto, Treen and other Wooden Bygones, plate 369. 54. A Scandinavian burr birch or maple brass and silver mounted snuff flask, with engraved mounts, the top with a stopper on a chain, the base with a screw-off tamper, late 17th / early 18th century, 11.5cm high, 8.8cm wide. £200-300 53

See: Owen Evan-Thomas, Domestic Utensils of Wood, p.160, plate 62 for comparable examples, also Pinto, Treen and other Wooden Bygones, plate 369. λ 55. An early 19th century carved coquilla nut nutmeg grater, of acorn form, the screw-off lid revealing an ivory and steel grater, 7.2cm high. £150-200 λ 56. A carved coquilla nut nutmeg grater, the acorn finial with an ivory and steel grater with a compartment for nutmegs, the screwoff base also with a nutmeg compartment, late 18th / early 19th century, 16cm high, 7.9cm wide. £700-900

57. An early 19th century treen ladle, with a carved beast handle to a turned column stem containing nine balls, the bowl decorated with leaves and flowers and with the date ‘1810’, possibly Welsh or Scandinavian, 36.7cm long. £100-150

58. A rare pair of Italian giltwood and painted altars, each with a later simulated Siena marble moulded edge top, above a panelled front and sides carved with ho-ho birds, flowers and leaves, centred a ribbon tied cartouche painted with a landscape scene of huntsmen carrying rifles and a church, the other with a scene of buildings and trees, with carved acanthus angles, the side panels painted with trees and religious motifs, late 18th century with later additions, possibly Venetian, 88.1cm high, 216.4cm wide, 53.5cm deep. (2) ÂŁ8,000-12,000 See Country Life, 18th November 1999, an article on the â&#x20AC;&#x2DC;Palazzo Muti Da Mosto, Veniceâ&#x20AC;&#x2122; which features a similar altar in its chapel.

59. A Victorian folk art diorama, the glazed ebonised case containing a road side scene with a tavern inscribed ‘J. GRABALL LICENSED TO SELL WINES, SPIRITS, BEER AND TOBACCO’, with a signpost inscribed ‘LONDON TO DOVOR’, with a figure seated smoking a pipe, 27.4cm high, 43.1cm wide, 18.4cm deep. £200-300

61 λ 61. A Flemish carved ivory Corpus Christi, mounted on a faux tortoiseshell and ebonised crucifix, with an ‘INRI’ banner to a stepped base, 18th century and later, 67.4cm high, 19.3cm wide, 10.6cm deep. £500-700

60. A continental horn oval snuff box, the hinged lid decorated with a castle with leaf scrolls and with an inscription in German, the base with two carpenters and with a further inscription, possibly Austrian, 18th / 19th century, 7.6cm wide. £60-80

62. Pewter interest. An early 17th century German stained glass circular panel, depicting a pewterer’s workshop, with three figures turning and making pewter vessels, the edge with an inscription and the date ‘1611’ to a lead outer frame, 12.2cm diameter. £150-250 63. A Victorian Welsh painting on slate, depicting a village with a long house and a church with figures and a cow, 45.6 x 64cm. £100-150

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64. An early 18th century oak dining table, the cleated end four plank reversible top, above a carved stylized leaf frieze and sides with shaped brackets, on turned slender barrel legs united by peripheral stretchers, 80.5cm high, 77.5cm wide, 185cm deep. £600-800 Provenance: The Cresswelll Family, Romsley, Shropshire. 65. A late George III elm stool, with a later tapestry drop-in seat on square tapering legs united by an ‘H’ stretcher, 43.5cm high, 39.2cm square. £100-150 66. A continental walnut and chestnut press, possibly Spanish or French, 18th century, 60.7cm high, 94.6cm wide. £300-500 67. A boarded oak stool in 16th century style, with a thumbnail edge to a pierced frieze, on cut-out ends, 54.8cm high, 55.8cm wide, 26cm deep. £200-300 68. A George II oak settle, the back with five fielded panels above scroll arms and a later hinged boarded seat with a triple panel front, 93.6cm high, 146.5cm wide, 51.5cm deep. £200-300

69. A George II oak lowboy, the moulded edged plank top above three frieze drawers fitted with brass handles, on turned club legs and pad feet, 70.9cm high, 80cm wide, 54cm deep. £300-400

70. A George II oak lowboy, the moulded edge top above three frieze drawers fitted with later brass plate handles, to a shaped apron and square section cabriole legs and pad feet, 71.2cm high, 81.8cm wide, 52.4cm deep. £600-800 70 69

71. A Queen Anne joined oak side table, the moulded edged plank top above a frieze drawer with brass drop handles, on block and turned supports united by peripheral stretchers, 73cm high, 76.5cm wide, 50.3cm deep £300-400

72. An early 18th century oak gateleg table, the oval drop-leaf top above an end frieze drawer on baluster turned supports united by peripheral stretchers, 69.8cm high, 92.5 x 110cm £100-150

73. A late 17th century joined oak triple panel chest, the hinged top to a lidded till and with a rosette carved frieze, on moulded stile legs, 70cm high, 121.2cm wide, 51.5cm deep. £300-500

74. A 19th century burr oak miniature chest, with two short and two long drawers, 36.8cm high, 33.2cm wide, 24.2cm deep. £100-150 75. A 19th century French carved pine artist’s lay figure, with an articulated head, torso and limbs, his left lower arm missing, 83.9cm long, 20cm wide. £500-800

76. A 19th century elm small stool type dressing table candlestand, on turned supports, 18cm high, 26cm wide, 19cm deep. £100-150

77. A 19th century mahogany miniature chest, inlaid boxwood and ebonised stringing with two short and three long graduated drawers, fitted with turned knob handles, 35.2cm high, 35cm wide, 17cm deep. £80-120

78. A 19th century painted and grained pine miniature dresser, the plate rack with two shelves with metal hooks, above a pair of frieze drawers and a pair of panelled doors enclosing a shelf fitted with brass handles, 80cm high, 48.3cm wide, 17.6cm deep. £400-600

79. Nine glass chemist’s jars, each with a faceted stopper and with an applied label, some for ‘THOMAS KERFOOT & CO. LTD’, for ‘BISMUTH LOZENGES’, ‘ZOIDS’, ‘LICORICE AND MENTHOL SOUCHETS’ and other lozenges and pastilles, 27.4cm high, 13cm diameter, max. (9) £400-600

80. An olive green glass drug pharmacy carboy, with gilt label inscribed ‘TOOTH.TINCT’, late 18th / early 19th century, 32cm high, 23.5cm diameter. £300-400 λ 81. A Victorian rosewood homeopathist’s box, the interior with a leather lined lid, with two pockets inscribed ‘PLAISTER’, and stamped ‘ASHTON AND PARSONS, THE CITY HOMEOPATHIC PHARMACY, LONDON’, the fitted interior with a pair of glass bottles and stoppers and with thirty-nine glass bottles with corks stoppers, each with a label inscribed with the remedy and ‘A.NELSON LTD’, 17.5cm high, 28.7cm wide, 20cm deep. £150-250

Provenance: The Dr Lawrie Webster Collection of Boxes. 82. A Victorian green leather travelling homeopathy case, the interior with thirty labelled glass phials with contents, including: Spongia, Arnica Montana, Sepia and Pulsatilla, with a steel spatula, inscribed ‘W. HEADLAND, CHEMIST 15. PRINCES ST. HANOVER SQR.’, 12.3cm wide. £80-120

William Headland (?1800 - 1860) was a publisher and chemist and a member of the British Homeopathic Society, described by his homeopathic colleagues as ‘our first chemist’ and ‘our chief homeopathic chemist’. William Headland’s wife Harriet was an ardent suffragette.

81 open

83. John Speed. Wilshire, a hand coloured engraved map with text to verso, 37.7 x 50cm, in a later mounted double sided glazed frame. £100-200 84. Abraham Ortelius. England and Wales, a hand coloured engraved map, inscribed ‘ANGLIAE REGNI FLO RENTISSIMI NOVA DESCRIPTIO, AVCTORE HVMFREDO LHVYD DEN BYGENSE’, and dated 1573, 38 x 47.4cm, in a later mounted frame, together with a Robert Morden map of Northamptonshire. (2) £100-200

A PRIVATE COLLECTION

85. A William and Mary walnut and floral marquetry escritoire on stand, the moulded cornice above a cushion frieze drawer, the hinged fall inlaid with fruitwood, with all over flowers and centered a bird with a brass eye, enclosing an arrangement of pigeon holes and eleven walnut veneered drawers around a central cupboard, the stand with marquetry panels and with a frieze drawer on baluster turned supports, to a shaped solid undertier and ball feet, 170.5cm high, 11cm wide, 50.9cm deep. ÂŁ4,000-6,000 Provenance: Private Collection, West Sussex.

86. An elm display cabinet on stand, inlaid feather stringing and crossbanding, the moulded cornice above a pair of frieze drawers and a pair of glazed doors enclosing a shelf, the stand with two frieze drawers on spiral twist supports united by peripheral stretchers on bun feet, late 17th / early 18th century and later, 163.6cm high, 135.3cm wide, 47.8cm deep. £2,500-3,500 Provenance: Private Collection, West Sussex.

87. An oyster veneered collector’s cabinet, probably cocus wood, the moulded edge top above a hinged fall, revealing five crossbanded and burr veneered graduated drawers with divisions and fitted with turned ebonised disc handles, on turned bun feet, 48.5cm high, 44.2cm wide, 28cm deep. £1,000-1,500 87

Provenance: Private Collection, West Sussex.

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88. A William and Mary oyster veneered olivewood and walnut lace box, the banded top inlaid stringing to an interior with two lidded compartments, 9.4cm high, 42cm wide, 33.8cm deep. £300-500 88

Provenance: Private Collection, West Sussex. 88 top

top

89. A Queen Anne yew gateleg table, the oval drop-leaf top on turned knopped baluster and block supports, united by peripheral turned and block stretchers, 73cm high, 124 x 139cm. ÂŁ3,000-5,000 Provenance: Private Collection, West Sussex.

90. A pair of George II walnut stools, each with a gros point floral tapestry drop-in seat, to a moulded edge frieze and on scroll moulded cabriole legs and pad feet, 42.8cm high, 50cm wide, 43cm deep. (2) ÂŁ2,500-3,500 Provenance: Private Collection, West Sussex.

91. A George II walnut chest on chest, with kingwood and macassar ebony parquetry inlay, the moulded cornice above three short and three long graduated drawers flanked by fluted canted angles, the base with three long graduated drawers all inlaid stringing and fitted with engraved brass handles, on bracket feet, 184.3cm high, 106.7cm wide, 56.8cm deep. £1,000-1,500 Provenance: Private Collection, West Sussex.

92. A small George II mahogany drop-leaf table, on turned club legs and pad feet, 70.7cm high, 119.4 x 68cm, open. £300-500

Provenance: Private Collection, West Sussex.

93. A harlequin set of four 19th century ash low back Windsor armchairs, each with a Gothic splat back, to an elm seat and turned supports united by ‘H’ stretchers, attributed to Buckinghamshire. (4) £600-1,000 Provenance: Private Collection, West Sussex.

94. A set of six 19th century yew low back Windsor armchairs, each with a hooped back with a shaped solid splat, to an elm seat on turned tapering legs united by a crinoline stretcher, first half 19th century. (6) ÂŁ2,500-3,500 Provenance: Private Collection, West Sussex.

95. An 18th century walnut mule / dower chest, inlaid stringing and burr yew banding, the hinged top quarter veneered and inlaid a parquetry star revealing a vacant interior to a conforming front fitted with two drawers, the base with a single long drawer all fitted with brass handles, with side carrying handles and on wood castors, 107.3cm high, 124.3cm wide, 61.8cm deep. ÂŁ3,000-4,000

96. A George II walnut fret-frame wall mirror, the shaped plate to a giltwood slip and with carved leaf and floret sides, with a pierced foliate surmount, 91.6 x 47.7cm. £100-150

97. An early 18th century walnut chest on stand, inlaid with chevron stringing and with two short and three long graduated drawers, the stand with two long and two short drawers all fitted with later brass handles, on cabriole legs to pointed pad feet, 162.3cm high, 98.5cm wide, 57cm deep. £800-1,200

98. A George II walnut toilet mirror, the later arched plate to a carved gilt slip and a moulded outer frame, the caddy moulded box base fitted with three curved front drawers, 72.7cm high, 49cm wide, 21cm deep. £200-300

99. An olivewood oyster veneered chest, the moulded edge crossbanded and quarter veneered top above three long drawers, fitted with brass drop handles, on bun feet, early 18th century elements, 76cm high, 93cm wide, 60.8cm deep. £500-800

100. A George I walnut chest, the moulded edge crossbanded top with feather stringing and four panels, above two short and three long graduated drawers fitted with replaced brass handles, on bracket feet, 83.7cm high, 94.5cm wide, 56.9cm deep. £800-1,200

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101. A George II walnut fret-frame wall mirror, the arched bevelled rectangular plate to a moulded inner slip and with a giltwood shell surmount, 116 x 61cm. £200-300

102. A Queen Anne walnut escritoire, the moulded cornice above a frieze drawer to a cross and feather banded hinged fall enclosing a later leather lined writing surface on a ratchet, with an arrangement of pigeon holes and ten drawers around a central cupboard enclosing four further drawers all with brass drop handles, with some secret drawers above two short and two long drawers and bun feet, 165cm high, 1190.1cm wide, 50.1cm deep. £2,000-3,000 101 103. A George II walnut toilet mirror, with feather stringing, the later plate to an arched moulded frame, the box base with three curved front drawers, 66.2cm high, 40.7cm wide. £200-300 102

104. A George II walnut chest, the quarter veneered and crossbanded moulded edge top above two short and three long banded drawers, fitted with brass handles, the top right drawer with a brass trade label for ‘CHARLES MEADER FURNISHING STORES STALBRIDGE’, with scumbled painted sides and on bracket feet, 94.3cm high, 95cm wide, 51.3cm deep. £300-500

105. A walnut chest, the quarter veneered cross and feather banded top with an applied reeded edge above two short and three long graduated drawers fitted with replaced brass handles, flanked by fluted canted angles on bracket feet, George II and later, 94.7cm high, 94.7cm wide, 55.2cm deep. £500-800 103

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106 106. An olivewood oyster veneered cabinet, the later fruitwood top above a cushion drawer and a pair of inlaid doors enclosing an arrangement of nine drawers around a central cupboard, enclosing a further three drawers, all fitted with brass drop handles, on a Victorian fruitwood stand with cabriole legs and flattened bun feet, late 17th / early 18th century and later, 137.4cm high, 91.3cm wide, 49.5cm deep. £600-800 107. A mahogany fret-frame wall mirror in George II style, the arched rectangular plate to a gilt slip and to a ho-ho bird surmount, 85.5 x 46.3cm. £100-150 107

108. An early 18th century walnut side chair, with a tapestry upholstered padded back and seat, on moulded cabriole legs and square section pad feet, together with a walnut side chair with bargello style tapestry back and seat. (2) £200-300 109. A walnut and giltwood wall mirror in George II style, the arched rectangular plate to a carved slip with leaf and floret sides, to a triple arched top, 127.6 x 75.2cm. £200-300

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FURNITURE & WORKS OF ART

110. A small George II mahogany bureau cabinet, the top with a pair of fielded panel doors, above a hinged fall enclosing four drawers and a well with a sliding cover, above a dummy drawer and three long graduated drawers, all fitted with later brass handles on bracket feet to brass castors, 119.2cm high, 72.5cm wide, 49.4cm deep. £300-500

111. A George II mahogany bureau bookcase, with a pair of later glazed doors enclosing three adjustable shelves above pull-out candle slides, the interior with pigeon holes, drawers and a cupboard flanked by secret pilaster compartments, the fall with a rest above two short and three long graduated drawers, fitted brass plate handles, 215.5cm high, 112.6cm wide, 59.3cm deep. £600-800

112. A George II mahogany standing corner cupboard, with a pair of arched fielded panel doors enclosing a green and parcel gilt painted interior, with three shaped shelves and fitted with three spice drawers with brass knob handles, on bracket feet, 144cm high, 89cm wide, 54cm deep. £300-400

113. A George II mahogany architect’s table, the moulded edge top above a pull-out front fitted with a later baize lined writing surface, sliding to reveal a divided interior, the right side with a hinged pen and ink tray, with a brass lock plate and handle on moulded legs to brass roller castors, 76.5cm high, 91.3cm wide, 58cm deep. £400-600

114. A George III mahogany serving table, the rectangular top above a plain frieze and with fretwork corner brackets on chamfered legs with applied ankles, 18th century and later, 84cm high, 152.8cm wide, 69.4cm deep. £500-800

115. A George III mahogany tray-top commode, the serpentine edged gallery pierced with three handgrips, above a cupboard and a converted pull-out base fitted with brass rococo handles, 82cm high, 57.4cm wide, 46.5cm deep. £600-800

115

116. A George III mahogany tray-top commode, the serpentine gallery pierced with two handgrips above a tambour shutter and a pull-out base with aperture, 71.3cm high, 53.5cm wide, 45.8cm deep. £300-400

116

117. A 19th century wing armchair in George III style, on fluted mahogany front legs and later brass caps and castors. £300-500

118. A 19th century mahogany Gainsborough armchair, upholstered with floral tapestry, with downswept arms on chamfered supports, united by an ‘H’ stretcher on brass roller castors. £300-400

117

118

119. A mid 18th century mahogany card table, the hinged top on a single gate support, with canted side friezes on cabriole legs to pad feet, with alterations, 72.3cm high, 83.8cm wide, 39.8cm deep. £250-350

119

120. A George III mahogany serpentine card table, the hinged fold-over top on a single gate support, to a frieze drawer, 74.9cm high, 97cm wide, 46cm deep. £200-300

120

121. A George III mahogany square washstand, the twin hinged top revealing wash bowl apertures above a frieze drawer and an undertier, 91cm high, 39.3cm square. £120-180

122. A George III mahogany square washstand, the later top above original wash bowl apertures, to pierced pendant frieze and a drawer, on turned legs united by an ‘X’ pot stretcher, 81.8cm high, 38.9cm wide, 38.7cm deep. £80-120

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122

123. A 19th century mahogany tripod table, the octagonal tilt-top with a pierced fret carved serpentine edge gallery, on a fluted stem and leaf capped cabriole legs and claw and ball feet, 78.3cm high, 80cm wide. £50-100

124. A mahogany tripod table in 18th century style, the circular tilttop with a piecrust edge, on shell capped cabriole legs and claw and ball feet, 19th century, 69.8cm high, 76.5cm wide. £120-180

123

124

125. A George III mahogany chest on chest, the dentil cornice above two short and three long graduated drawers flanked by fluted canted angles, the base with three long drawers, fitted with brass handles, the sides with carrying handles, 185.3cm high, 111.2cm wide, 55.8cm deep. £500-800

126. A George III mahogany chest on chest, the detachable fluted cornice above two short and six graduated drawers fitted with brass handles, on bracket feet, 190.1cm high, 114cm wide, 57.2cm deep. £500-800

127. A 19th century mahogany bookcase cabinet, the detachable fluted cornice with carved paterae rondels above a pair of astragal glazed doors enclosing three adjustable shelves, the base with two frieze drawers fitted with later brass handles and cupboards below, enclosing an adjustable shelf, 237.8cm high, 140cm wide, 47.5cm deep. £500-800

128. A George III mahogany linen press, the detachable Greek key cornice above a pair of doors with outline mouldings enclosing four slides, the base with two short and two long graduated drawers, fitted with replaced brass handles on bracket feet, 201.9cm high, 124.9cm wide, 61.5cm deep. £500-800

129. A mahogany tripod table, the circular dished top on a vase turned stem, cabriole legs and pad feet with sunken brass castors, George III, top and base probably associated, 76.1cm high, 68.7cm diameter. £200-300

130. A George III mahogany tripod table, the circular tilt-top on a vase-turned stem and cabriole legs, 68.7cm high, 53.5cm diameter. £100-150

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129

131. A 19th century mahogany dumb waiter, inlaid stringing, with three graduated octagonal tiers with beaded edges, on a turned stem and splay legs to brass paw sabots and castors 112cm high, 63cm wide. £100-200

132. A George III mahogany dumb waiter, with three dished revolving tiers, to a vase turned stem and cabriole legs, previously on castors, 108.8cm high, 60cm wide. £100-200

131 132

133. A George III mahogany tray-top commode, the serpentine gallery with two handgrips above a tambour shutter and a pull-out base with lidded ceramic liner, 77.8cm high, 51.1cm wide, 45.5cm deep. £200-300

134. A George III mahogany tray-top commode, pierced with two handgrips above a tambour shutter and a converted pull-out base, 74.6cm high, 49.6cm wide, 42.8cm deep. £200-300

133

134

135 λ 135. A George III mahogany serpentine commode, with rosewood crossbanding and fitted with four long graduated drawers with brass ring handles, flanked by fluted canted angles, 84cm high, 104.5cm wide, 53.7cm deep. £2,000-3,000 136. A George III fruitwood and elm occasional table, the rectangular crossbanded top inlaid stringing above a frieze drawer with a brass knob handle, on square section supports united by an ‘H’ stretcher, 70.3cm high, 36.6cm wide, 48.7cm deep. £150-200 137. A George III mahogany drum table, inlaid stringing, the octagonal moulded edge top above four cedar lined frieze drawers with later brass handles, on a faceted turn stem, probably later, and tripod supports, one drawer bearing a trade label for Norman Adams, 74.5cm high, 47cm wide. £500-700 Provenance: Norman Adams Ltd., 8-10 Hans Road, London, S.W. 3.

136

138. A late Regency serpentine sideboard, with two central drawers, flanked by a cupboard to the left side with a dummy front and two drawers to the right side, all fitted with later brass handles, on square tapering legs and spade feet, 91.9cm high, 187.3cm wide, 73cm deep. £500-1,000

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137

140 139

139. A George III mahogany cheese coaster, of dished form on leather roller castors, 8.5cm high, 31.9cm wide, 17.4cm deep. £100-150

140. A small George III mahogany tray, the arc d’arbelette gallery pierced with two handgrips, 19.7 x 26.3cm. £150-250

141

141. A 19th century oak wine bottle case, of fluted form with a hinged top, 33cm high, 18cm diameter. £300-400

142. An ebonised plate stand, 37.5cm high, 18cm wide, 12.5cm deep.

£100-150

143. An early 19th century mahogany cutlery tray, with three divisions and a brass handle, 13cm high, 37.9cm wide, 25.8cm deep. £100-150

144. A George III mahogany box, with a pair of brass handles, 15.7cm high, 36.5cm wide, 25cm deep. £100-150

145. A Regency mahogany cheese coaster, with reeded bolster lifts with applied rondels, on brass roller castors, 18cm high, 40.8cm wide, 27cm deep. £150-200

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146. A small late George III mahogany and marquetry twin pedestal sideboard, satinwood banded and inlaid stringing with shell paterae, fan spandrels and foliate panels, with a central frieze drawer flanked by cupboards to the left side with a part lead lined cellaret drawer to the right above a further cupboard, 106.3cm high 149.5cm wide, 44.9cm deep. £3,000-4,000 Provenance: Purchased by E. H. Ludlow, Edgbaston, Birmingham, (the vendor’s grandfather) in 1897.

147. A George III mahogany and brass bound octagonal wine cooler, the lead lined interior with nine divisions on square tapering legs, brass caps and castors, with side carrying handles, 70.5cm high, 52cm wide, 51.5cm deep. £400-600 148. A late George III Irish mahogany and brass bound plate bucket, with a swing handle, 35cm high, 34.5cm wide £250-350

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149. A late George III mahogany serpentine sideboard, inlaid stringing, the crossbanded top above a central frieze drawer, flanked by a pair of deep drawers, all fitted with replaced brass plate ring handles, on square tapering legs and block feet, 91.7cm high, 191cm wide, 80cm deep. £800-1,200 148

149

λ 150. A George III mahogany tea caddy, inlaid boxwood stringing and edging with a single lidded compartment with an ivory handle, 10.6cm high, 15.3m wide, 10cm deep. £100-150

151. A George III mahogany tea caddy, with a brass handle and escutcheon to a vacant interior, 14cm high, 24.2cm wide, 13.2cm deep. £40-60

λ 152. A Regency tortoiseshell pagoda shape tea caddy, inlaid pewter stringing, the hinged lid with a white metal plaque inscribed with the initials ‘MAR’, to a twin lidded interior with ivory handles on brass ball feet, 15cm high, 17.3cm wide, 10.8cm deep. £400-600

λ 153. A late Regency tortoiseshell tea caddy, inlaid pewter stringing the hinged lid with a white metal plaque inscribed ‘H’, the hinged lid to a divided interior with twin lidded compartments each with an ivory handle, originally on bun feet. 12.7cm high, 17cm wide, 11cm deep. £200-300

λ 154. A George IV partridge wood sarcophagus shape tea chest, inlaid boxwood and kingwood stringing, the hinged lid to a pair of rosewood tent top pull-out canisters, with part hinged lids and foil lining, flanking a cut glass sugar bowl, the front with an ivory escutcheon, the sides with later brass handles on cast gilt brass paw feet, 21.5cm high, 32.3cm wide, 17.8cm deep. £500-800

λ 155. A George IV rosewood sarcophagus shape tea chest, with boxwood edging, the interior with a pair of part hinged pull-out canisters flanking an associated moulded glass sugar bowl, with gilt brass lion’s mask ring handles, with a bone escutcheon, 17.7cm high, 30.4cm wide, 15.4cm deep. £300-400

156. A George IV wax seal tea caddy, the bowfront body inlaid with barber’s pole stringing and decorated with various red wax seals, with a brass handle to a single lidded interior with an ebonised handle, 11.8cm high, 18.5cm wide, 10.8cm deep. £400-600

λ 157. A William IV tortoiseshell and mother of pearl pagoda shape tea caddy, marquetry inlaid with flowers and leaves with pewter stringing, the interior with twin lidded compartments, on ivory ball feet, 13.1cm high, 15.8cm wide, 10cm deep. £600-800

158. A rare late 19th century French fruitwood coal bucket tea caddy, with an iron swing handle and oval lock escutcheon, 16.2cm high, 14.5cm wide. £1,000-1,500

159. An early 19th century satinwood and ebonised single tea caddy, the lift-off lid with a turned finial and painted with bands of leaves and flowers, 12cm high, 10.4cm diameter. £300-500 Provenance: June & Tony Stone, Fine Antique Boxes.

λ 160. A Regency tortoiseshell pagoda shape tea caddy, inlaid pewter stringing, the hinged lid with a brass plaque with a monogram to a twin lidded interior with ivory edging and handles, 14cm high, 19.3cm wide, 12cm deep. £400-600

λ 161. A George IV rosewood and brass marquetry tea chest, of sarcophagus form, with nulled mouldings and foliate inlay, the interior with a pair of part hinged lift-out canisters, one inlaid with the letter ‘B’, the other with ‘G’, flanking an associated glass mixing bowl, on disc feet, 19cm high, 32.5cm wide, 16.7cm deep. £200-300

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λ 162. A late Regency tortoiseshell tea caddy, inlaid pewter stringing, the domed lid revealing twin lidded compartments with later brass handles, with ivory edging and a white metal plaque and escutcheon on ivory ball feet, 14cm high, 17.7cm wide, 10.8cm deep. £300-500 λ 163. A George IV goncalo alves tea caddy, of sarcophagus shape, the interior with twin lidded divisions with bone handles, to an ivory diamond escutcheon and lion’s mask ring handles, 14cm high, 22cm wide, 11cm deep. £60-80 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 164. A small early Victorian tortoiseshell serpentine tea caddy, with ivory edging to a single lidded compartment on ivory disc feet, 8.3cm high, 10.2cm wide, 7.3cm deep. £300-400 165. An early 19th century mahogany tea caddy, the crossbanded hinged top inset a vacant circular brass plaque to a twin lidded interior with remains of paper foil, on brass ball feet, 12cm high, 22cm wide, 12cm deep. £80-120 166. A George III mahogany pole firescreen, with an urn finial and a shield shape screen inset a floral needlework panel, the tripod supports carved with leaves to pad feet, 155cm high, 55cm wide. £40-60 167. A George III mahogany dumb waiter, with three graduated dished revolving tiers, on a baluster turned stem and tripod supports to brass roller castors, 111cm high, 62cm wide. £100-200 168. A mahogany tripod table in George II style, the pie crust edged tilt-top with carved shell corners, on a vase turned stem and leaf capped legs terminating in carved claw and ball feet, 19th century, 69.9cm high, 63.4cm wide. £400-600 169. A George II mahogany tripod table, the octagonal moulded edge tilt-top above a turned stem on cabriole legs and pad feet, the top probably re-shaped in the 19th century, 73.4cm high, 95.8cm wide. £400-600 166

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170. A George III mahogany secrétaire chest on chest, the broken pediment centred a pedestal with a later ribbed urn finial with pierced fretwork carving and a Greek key moulding, above a blind fretwork frieze and two short and three long graduated drawers, fitted with ribbon tied swag gilt brass handles, the secrétaire drawer fitted with pigeon holes and shaped drawers with barber’s pole stringing with a central mirrored cupboard door flanked by faux leather book secret pilaster compartments, with two further drawers and secret compartments, flanked by pierced fret carved canted angles, possibly later, and rusticated quoins, the base with three long graduated cedar lined drawers on ogee bracket feet, 224cm high, 123.2cm wide, 59.5cm deep. £3,000-4,000 Provenance: The Baroness De Stempel, Heath House, Herefordshire. Sold by Christie’s, Fine English Furniture, Thursday 9th April 1992, lot 123, when purchased by the present vendor. The use of rustication, blind fretwork and ogee bracket feet point to a North Country origin. The design for the swagged handles feature in an article by N. Goodison, Metalwork Pattern Books, Furniture History, 1975, p.12, fig. 22.

171 171. A set of eight late George III mahogany dining chairs, each with a triple reeded bar back, to a drop-in seat on square tapering legs united by an ‘H’ stretcher, comprising: a pair of open armchairs and six side chairs. (8) £500-800 172. A George III mahogany tea table, the moulded edge hinged top on a single gate support, on square tapering legs, reduced, 67.5cm high, 88cm wide, 43cm deep. £100-200

172

173. A George III mahogany tea table, the moulded edge hinged top above a frieze drawer with a beaded brass handle, on moulded tapering legs, 73.3cm high, 91.3cm wide, 45.1cm deep. £300-500

173

174. A George III mahogany chest, the applied moulded edged top above four long graduated drawers, with later brass handles and on bracket feet. 79cm high, 79.1cm wide, 44.4cm deep. £400-600 175. A late George III mahogany Canterbury, with four dipped divisions above a frieze drawer on brass caps and roller castors, 55cm high, 45.5cm wide, 30.5cm deep. £100-150

174

176. Eight mahogany dining chairs, each with a pierced serpentine ladder back on square supports united by ‘H’ stretchers, comprising: seven side chairs and an open armchair, George III and later. (8) £600-800

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177. An early 19th century mahogany dumb waiter, with three graduated reeded edge dished revolving tiers, on a ring turned baluster stem and four splay legs to later brass caps and castors, 135cm high, 78cm diameter. £250-350 λ 178. A George III mahogany secrétaire bookcase, inlaid stringing, the detachable cornice above a pair of astragal glazed doors enclosing a watered silk lined interior with three adjustable shelves, the secrétaire fitted with an arrangement of satinwood veneered cedar lined drawers with turned ivory handles, with pigeon holes and a central cupboard door enclosing a drawer inlaid a marquetry patera, with a later inset gilt tooled leather writing surface above three long drawers fitted with replaced brass handles, on bracket feet, top and base possibly associated, 290.5cm high, 101.7cm wide, 56.5cm deep. £500-1,000 179. A George III mahogany toilet mirror, inlaid stringing, the oval plate to scroll supports on a serpentine box base fitted with three drawers, 58.1cm high, 42.8cm wide, 20.9cm deep. £150-200

177

180. A mahogany open armchair in Hepplewhite style, the moulded frame carved with husks and leaves to a padded back, seat and armrests, on stiff leaf fluted tapering legs, 19th century. £100-200 181. A George III mahogany demi-lune tea table, tulipwood banded, the fold-over top on twin gate supports, to a banded frieze with inlaid feather stringing and marquetry thistle oval paterae, above square tapering legs and spade feet, 73.9cm high, 90.9cm wide, 44.7cm deep. £300-400 178

179

180

181

182. A pair of mahogany side chairs, each with a triple pierced bar back to a drop-in seat on faux bamboo front legs united by ‘H’ stretchers, together with a mahogany armchair with a shield back. (3) £100-200

183. A satinwood dining table, inlaid with ebonised stringing, on square tapering legs and spade feet, comprising: a pair of ‘D’ ends together with one leaf, 72.8cm high, 126.8cm wide, 180cm long. £250-350

184. A set of four George III mahogany dining chairs after designs by Thomas Chippendale, each with a leaf carved top rail above a pierced and drape carved vase shaped splat to a drop-in seat, the seat rails and legs with blind fret carved decoration with ‘H’ stretchers. (4) £300-400

185. A set of six mahogany dining chairs in Sheraton style, each with a shield shape back carved with wheat sheaves, leaves and husks to a stuffed-over seat on moulded legs united by ‘H’ stretchers, comprising: a pair of open armchairs and four side chairs, modern. (6) £500-700

186. A George III mahogany and satinwood side table, the rectangular crossbanded top with a central oval panel, above a frieze drawer fitted with brass handles and with feather banding to the frieze, on square tapering legs, 73.8cm high, 72.8cm wide, 44cm deep. £300-400

λ 187. A George III satinwood lady’s writing table, inlaid ebonised stringing and rosewood banding, the hinged top on a ratchet above a baize lined slide with an end frieze drawer with divisions for ink and pens and a pull-up silk lined screen and bag, 67.6cm high, 57.8cm wide, 40cm deep. £300-500

188. A George III Irish satinwood pier table, in the manner of William Moore of Dublin, the breakfront top crossbanded in kingwood and inlaid with stained sycamore stringing, above a panelled frieze centred an oval patera and with purpleheart panels above tapering legs with applied ankles, 90.6cm high, 89.6cm wide, 37.6cm deep. £2,000-3,000 Provenance: Acquired by the present owner from Hawksmoor, Belgravia, c.1990.

189. An early George III Irish giltwood and gesso overmantel mirror, the three shaped plates to a rocaille and scroll carved frame with rockwork and flowers, the pagoda surmount flanked by a carved cockerel and a seated squirrel eating a nut, 94 x 153.2cm. £3,000-5,000 Provenance: Lady Leconfield Petworth House, Sussex, (neé Beatrice Violet Rawson), married Charles Henry Wyndham 3rd Lord Leconfield in 1911 and by descent. The pair to this mirror was sold Mealy’s, Castlecomer, 22nd November 2005, lot 352. See Glynn and Peil, Irish Furniture, p.264 plate 237 for a similar overmantel mirror with characteristic flat carving and with squirrels.

190

190. A pair of late 19th century Irish walnut wing armchairs, with scroll arms to a leaf carved frieze and on carved cabriole legs to claw and ball feet. (2) £1,500-2,000 191. An Irish ebonised and silvered wood oval wall mirror, the frame with applied faceted and circular cabochons, late 19th / early 20th century, 48.3 x 37.5cm. £150-250 192. An early 19th century giltwood pier mirror, the later rectangular plate flanked by a pair of columns with a verre églomisé frieze decorated with a sunburst to a ball decorated cornice, 57 x 42.4cm. £100-150 193. A Regency mahogany partner’s writing desk, the reeded edge top inset a later gilt-tooled leather surface above three frieze drawers to either side fitted with brass knob handles, on turned tapering legs to brass caps and castors, 77.4cm high, 152cm wide, 117.5cm deep. £1,000-1,500 Provenance: Leslie Rendell, Kings Road, c.1990. 192

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194. An early 19th century giltwood convex wall mirror, the circular plate to an ebonised slip and a moulded outer frame decorated with acanthus leaves, to a carved eagle surmount with a ball and chain in its mouth, the pendant base with flaming torches and a quiver of arrows, 117cm high, 66.7cm diameter. £200-300

195. A 19th century pine pier mirror, the rectangular plate flanked by fluted columns and with a reverse glass frieze decorated a harbour scene with a windmill, 52.5 x 35cm. £100-150 Provenance: The Property of Harriet Wynter, removed from Résidence St. Michel, Cannes, France.

195

196. A mahogany cheval mirror, the rectangular plate to square section supports and scroll legs terminating in brass caps and castors, stamped ‘G R CROWNED’ and with inventory plaque, early 20th century, 178.9cm high, 86.2cm wide, 63.5cm deep. £400-600 Provenance: By repute a British embassy.

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197. A satin birch and giltwood Grecian harp by J. A. Stumpff, inlaid stringing, with Gothic arches and figures above a foliate stem, the brass frame stamped 'PATENT HARP INVENTED BY J. A. Stumpff, LONDON, No. 44 Great Portland St. Portland Place', and 'Musical instrument maker TO HER MAJESTY AND THE ROYAL FAMILY', with eight foot pedals, 1st half 19th century, 172.8cm high, 89cm wide. £500-800

198. A Victorian giltwood landscape overmantel mirror, with three bevelled rectangular plates, to a frieze decorated with husk swags and with an egg and dart moulding, the top of the frame stamped ‘62690’, 67.1 x 125.1cm. £200-300

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A PRIVATE COLLECTION OF TRUNCHEONS & TIPSTAVES

We are delighted to be offering this exceptional collection of truncheons and tipstaves, which has been thoughtfully assembled from numerous sources over many years. It ranges in date from the Regency period of George III, until the late 19th century, when Queen Victoria reigned supreme. The examples span the British Isles from Calstock, Cornwall in the far South West, to Kincardine County in the North East of Scotland, and they cover a wide range of subjects. It is not recorded exactly when painted truncheons first came into being; they are certainly scarce before 1800, and rare prior to 1770. By the early nineteenth century, the standard truncheon was usually decorated by the Royal crown above a cipher, below which was painted the Royal Coat of Arms, and sometimes a red cartouche, often painted ‘POLICE’ or ‘CONSTABLE” in the centre. The present collection encompasses not only regular, constabulary truncheons, but also elusive railway and dockyard examples, amongst others. A tipstaff, which is usually shorter than a truncheon, often made (in part) of metal, and on occasion tipped by an ornamental crown, was carried as a sign of office or authority. The star lot of the collection is the extremely rare Scottish ebony and silver tipstaff (lot 231), which is inscribed by hand and dates to 1859.

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199. ‘Truncheons Their Romance and Reality’, by Erland Fenn Clark, Herbert Jenkins Limited, London 1935, containing over one hundred plates illustrating more than five hundred pieces. £80-120 200. A Victorian black leather truncheon holder, with belt loop, 40.4cm long.

£100-150

201. A Victorian short cosh shaped truncheon, painted with a crown above 'VR 1', 23.8cm long.

£80-100

202. A William IV truncheon, painted with a crown above 'WR IV WH', to a distinctive slender baluster shape handle, 35.5cm.

£100-150

203. A Victorian 'Chartist riot' truncheon, painted on a black ground with the City of London coat of arms, to a ribbed handle, stamped 'PARKER 233 HOLBORN', 47.5cm long. £100-150 This truncheon was issued to special constables during the 1848 Chartist riots and the 1868 Fenian uprisings. On the 10th April 1848 a new Chartist Convention organised a mass meeting on Kennington Common which would present a petition to Government. Over one hundred thousand special constables were recruited to bolster the force to stop any uprising. 204. A Victorian ash truncheon, painted with a crown above 'VR' 'C. of LW', to a ribbed handle, 50cm long.

£150-200

205. A George III cylinder shaped tipstaff, painted with a crown above the Royal Coat of Arms (pre 1801), 32.2cm long.

£150-200

206. A Victorian oak truncheon, for the Metropolitan Special Constabulary, painted with a crown above 'VR' and 'M.S.C.' '24', to a ribbed handle, 51.5cm long. £150-200

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207. A William IV torpedo shaped truncheon, painted with a red and dark green ground with 'W.IV.R' above a crown, 34.2cm long. £200-250 208. A Victorian ash baluster shaped truncheon, painted with 'VR' above a crown, '1', and 'Idle', with a part ribbed handle, 37.5cm long. £200-250 209. A George III ash truncheon, painted on a blue ground with 'GR III', to a crown and 'NOTTINGHAM', with crossed husks, '243', to a pierced handle, 49.9cm long. £200-250 210. A Victorian truncheon, decorated with 'V.R' cypher above 'G.S.C. 749', to a ribbed handle, 46cm long. £200-250 211. A William IV truncheon, painted a black ground with 'W.R IV', a star and 'SPECIAL CONSTABLE', the ribbed handle stamped 'PARKER HOLBORN', 46.4cm long. £200-250 212. A George III weighted beech truncheon, painted with 'G.R' in Gothic script above a crown, with 'H.N' on the reverse, with gilt bands to a baluster turned pierced handle, 36.5cm long. £200-250 213. A Regency truncheon, painted with the City of London coat of arms, above 'BRIDGE' with 'D.18' on the reverse, to a part ribbed handle, the base with a hanging hook, 52.8cm long. £200-250

210

214. A Victorian truncheon, well painted with a crown above the Royal Coat of Arms, the garter inscribed 'HONI.SOIT.QUI.MAL.Y.PENSE', above a red cartouche inscribed 'POLICE' and 'GCC' '2', the ribbed handle stamped 'PARKER HOLBORN', 43.5cm long. £200-300

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217

215. A Victorian baluster shaped truncheon, painted on a black ground with with 'V.R' cypher above a crown, '1 and 'Thornton', with a part ribbed handle, 37.2cm long. £200-300 216. A Victorian Scottish truncheon, inscribed with 'KINCARDINE COUNTY and painted with a crown and foliage scrolls, above 'POLICE', with a red band at the top of the ribbed handle, 38.5cm long. £250-350 217. A Victorian truncheon, decorated with a crown above 'V.R-S.C.-ST.-PM. CC', with a ribbed handle, 44.8cm long. £250-350 218. A Victorian truncheon, painted on a red ground with 'VR 1868' 'SC', 'S.M. HALL', with the Royal Coat of Arms above the arms of Shrewsbury 'FLOREAT SALOPIA', to a ribbed handle, 40.8cm long. £250-350 219. A George III short cylinder shaped staff, painted with a green ground and gilt bands with 'G.R', above the Royal Coat of Arms (pre 1801) and 'N', 50.5cm long. £250-350 220. A George IV short staff, painted with a red ground, with a crown above a scene of St. Martin on horseback before a portcullis, giving his cloak to a beggar, above 'GR 'IV', 'DOVER', the reverse with the date '1823', the end pierced, 47.6cm long. £250-350 221. A George III Scottish Edinburgh tipstaff, blue and cream painted with gilt bands with a crown above 'GR III' and 'C' over '12', 23cm long. £300-400

218

222. A William IV ash truncheon, painted with 'WR IV' above a crown, and inscribed 'EDMONTON SPECIAL' on a green and red ground, with a pierced baluster shaped handle, 59cm long. £300-400

222

221

220

219

223

224

225

226

227

228

229

223. A William IV truncheon, painted on a blue ground with 'W.R IV' above 'WALTHAM', 'No 4', to a ribbed handle, 53cm long.

230

£300-400

224. A Victorian oak 'Chartist riot' truncheon, painted in gilt on an ebonised ground with 'V R', a crown, '10 APRIL 1848', above the City of London coat of arms and 'W.B', the top of the ribbed handle painted with a gilt band, 51.5cm. £300-400 This truncheon was issued to special constables during the 1848 Chartist riots and the 1868 Fenian uprisings. See footnote to lot 203.. 225. A William IV beech truncheon, painted with the Royal Coat of Arms, with 'ROBERT MAY', '1837', 'CALSTOCK, CORNWALL', to a baluster turned handle, 29cm long. £300-400 226. A Victorian truncheon, painted with a red ground cartouche 'ESS...' to a coat of arms with a red cross above, 'MAYOR', the reverse decorated with foliate motifs, to a ribbed handle, 47cm. £300-400 227. A Victorian Scottish truncheon, painted upside down, with a crown, with a coat of arms with two mermaids supporting a silver shield and inscribed 'ROYAL BURGH OF MONTROSE . SPECIAL CONSTABLE', to a thistle motif above a landscape scene and a monogram 'MA', with a fluted handle, 38cm. £350-450 228. A George III beech truncheon, painted with 'VOLUNTEER', above a crown and the Royal Coat of Arms, (pre 1801), with the special constable's name inscribed on a blue cartouche, numbered '86', the handle with a ribbed and pierced end, 54.5cm long. £350-450 229. A Victorian truncheon, painted with a crown, above a garter inscribed 'CONSTABLE ISLANDSHIRE', the centre with a 'VR' cypher the base with '1`, to a pierced ribbed handle, 36.5cm long. £400-500 Islandshire was an area of Northumberland that comprised Lindisfarne or Holy Island and five boroughs on the mainland. 230. A Victorian truncheon, for the East & West India Dock Co., painted with 'V.R', a crown and a garter with 'E & W.I. D.Co.', and numbered '264', with a ribbed handle, 46.8cm long. £400-600

231

232

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234

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231. A William IV truncheon, with a carved crown finial, to a blue painted body decorated with the Royal Coat of Arms, a movable lead metal band, to 'W . R IV', above an oval panel with a church and a key, the reverse with 'CH', to a pierced ribbed handle, 41cm long. £400-600 232. A Victorian truncheon, painted with an anchor above 'S.C.D' possibly for Sheerness Dockyard Constabulary, to a crown, the Royal Coat of Arms and 'VR' 'Special 1848', with a pierced ribbed handle, 44.5cm long. £400-600 See: E. H. R. Dicken, 'The History of Truncheons', p.55 the author refers to an anchor device and the initials 'S.N.D' (Sheerness Naval Dockyard) on a truncheon in the County Constabulary Offices at Maidstone. 233. A Victorian railway truncheon, decorated on black ground with a crown above 'SDR' for South Devon Railway, a gilt flower with falling petals and '27', to a ribbed handle, 44.3cm long. £400-600 The South Devon Railway was opened in 1847. 234. An early Victorian railway truncheon, for the London and Birmingham railway, painted with a crown above the city of London and Birmingham coat of arms, the garter inscribed 'LONDON AND BIRMINGHAM RAILWAY' with '73' below, the ribbed handle, stamped 'PARKER HOLBORN', 46.3cm long. £600-800 A similar truncheon can be found in the Birmingham Museums and City Art Gallery. 235. A rare early Victorian railway truncheon, painted with a crown, above a quartered shield with the arms of Leicester, Nottingham, Derby and Warwick, inscribed 'NO 1', 'MIDLAND COUNTIES RAILWAY POLICE' in a spiral scroll, with two gilt flowers to the reverse, with a ribbed handle, 40.5cm long. £600-800 The Midland Counties Railway was incorporated in 1836. 236. A rare Victorian Scottish silver mounted ebony tipstaff, the crown with original velvet, the body inscribed 'William Rae Arthur Esq 1859', the seal base with a tree and inscribed 'LET GLASGOW FLOURISH, POLICE CHAMBERS', 13.3cm long. £800-1,200

236 seal

236 inscription

236

CONTINENTAL FURNITURE & LIGHTING

237. A French marquetry Transitional style commode, with ormolu mounts, the brèche d’alep moulded edge marble top above three freize drawers inlaid a band of oval paterae above three cupboards, two inlaid with floret trellis panels, the central cupboards inlaid marquetry with an ewer, flowers and fruit, enclosing shelves, 19th century, 108.6cm high, 146cm wide, 60.5cm deep. £400-600

238. A French parquetry table en chiffonnière in Louis XVI style, with a white marble top above three drawers, 75.4cm high, 57cm wide, 35.5cm deep. £100-150 239. A late 19th century French kingwood and mahogany parquetry trellis commode in Louis XV style, with brass mounts and two drawers to the front and a drawer to the right side, 73cm high 52.6cm wide 37.3cm deep. £250-350 Provenance: The Property of Harriet Wynter, removed from Résidence St. Michel, Cannes, France. 238

240. A French floral marquetry commode, the grey marble top above two drawers with gilt metal mounts, late 19th / early 20th century, 75cm high, 70cm wide, 34cm deep. £80-120

239

241. A French kingwood Transitional style commode, with ormolu mounts, the brocatelle violette moulded edge marble top, above a parquetry inlaid frieze drawer and two further long drawers fitted with brass ring handles, 88cm high, 102.9cm wide, 53.cm deep. £300-400

242. A Louis XV kingwood secrétaire à abattant, inlaid stringing and with ormolu mounts, the moulded edge marbled top above a frieze drawer, the fall enclosing an arrangement of pigeon holes and drawers with a leather lined writing surface above a cupboard below, the underside of the marble top with a paper label inscribed ‘Me’ Potentier pasage de la comedie Amiens’, 147.4cm high, 114.5cm wide, 40.5cm deep. £300-500

243. A late 19th century French ebonised and kingwood jardinière stand, with gilt metal mounts, the circular top inset a later mirror plate above a shaped frieze with amboyna panels, the tripod supports with greyhound’s head mounts, united by chains, 89cm high, 47cm wide. £80-120

242A. A Louis XVI kingwood and cube parquetry secrétaire à abattant by Leonard Boudin, the rouge marble top above a frieze drawer, the fall enclosing an arrangementt of tulipwood drawers and pigeon holes above a cupboard below, stamped ‘L. Boudin’ and ‘JME’ twice, underneath the marble, 144.2cm high, 97.2cm wide, 43.8cm deep. £300-500 Leonard Boudin 1735 to 20th November 1807. Maître on 4th March 1761.

244. A 19th century French encoignure, the brocatelle moulded edge marble top above a parquetry trellis inlaid door with fluted angles, the interior with two shelves, 92.2cm high, 70.3cm wide, 43.4cm deep. £80-120

245. A late 19th century French walnut card table, the moulded edge quarter veneered and crossbanded hinged and swivel top, above a frieze drawer and on carved and fluted tapering legs, 70.9cm high, 51.8cm wide, 36.5cm deep. £200-300

246. A pair of Napoleon III ebonised and brass inlaid inverted breakfront side cabinets, each with ormolu mounts and a rouge marble top, above a pair of pietra dura panels and a pair of glazed doors with corner rosettes enclosing two shelves and flanked by stop fluted pilasters, with glazed sides on toupie feet, one with the remains of a paper trade label for ‘GALERIE MODERNE, BRUXELLES’, 113.2cm high, 120.2cm wide, 41cm deep. (2) £5,000-7,000

247 248

247. A pair of ormolu three light candelabra in Louis XV style, in the form of scrolling leaves, late 19th century, 39cm high, 28.8cm wide. (2) £300-400 248. A set of three giltmetal wall appliques in Louis XV style, each with three lights and leaf scroll arms, 46cm high, 37.5cm wide. (3) £150-250 249. A Regency style bronze finish table lamp, with an urn finial to a reeded stem and leaf capped base on tripod paw feet, to a black marble base, 46.5cm high (excluding fitting), 21cm wide. £100-150 250. A brass and onyx Corinthian column table lamp, first half 20th century, 50.4cm high (excluding fitting), 15.2cm wide. £150-200 251. A pair of 19th century French ormolu candelabra in the style of Clodion, each modelled with a putto holding twin cornucopiae, standing on a fluted socle to a laurel wreath, 41cm high, 24.3cm wide. (2) £500-700

249

252. A set of six gilt brass wall lights, each with a brass wall plate, drilled for electricity, 20cm high. (6) £500-700

250

252 251

253. A set of four Napoleon III ormolu wall lights by Victor Paillard, each with a ribbon tied quiver of arrows back plate, with a laurel wreath and acanthus scroll arms draped with tassels, with leaf and fluted nozzles, the reverse stamped ‘V.P. CROWNED’, 52cm high, 43.2cm wide. (4) £5,000-7,000 Victor Paillard (1805-1886) is best known as a bronze fondeur working for such well known 19th century sculptors as Pradier, Carrier-Belleuse and Barye, but he also produced candelabra, wall appliques and decorative objects. His business was started in 1830 and by 1855 flourished to such an extent that he employed over one hundred workmen.

254. A pair of Italian giltwood and metal twin light wall appliques in 18th century style, each decorated with leaves, paterae and bell flowers, with scroll arms, 11.2cm high, 41.1cm wide. (2) £300-400

255. Two similar Italian Venetian gilt metal lanterns, each with a flag decorated with the lion of St. Mark, with hexagonal bodies with glass panels, originally on poles, late 19th / early 20th century, 60cm high, 21.5cm wide. (2) £150-250

256. A pair of Venetian style painted carved wood Blackamoor torchères, with parcel gilt decoration, each wearing a turban and a sash, standing on a rocky base and holding a circular platter, 145.7cm high, 59.4cm wide. (2) £2,000-3,000

Provenance: The Stables, Mompesson House, 53A The Close, Salisbury.

257. A pair of Italian ebonised and giltwood three light wall appliques in Empire style, stamped ‘MADE IN ITALY’, modern, 61.2cm high, 37.8cm wide. (2) £300-400

258. A set of four Italian giltwood three light wall appliques in Empire style, the reeded back plates with leaf capitals and with scroll arms hung with tassels, modern, 62cm high, 40cm wide. (4) £300-500

259. An Italian painted gilt and composition side table in Baroque style, the later leatherette top above a leaf and floret frieze on leaf and swag decorated column legs united by ‘X’ stretchers, the reverse with three later drawers, late 19th century, 86.5cm high, 149cm wide, 69.8cm deep. £1,000-1,500

260. An Italian Florentine giltwood wall mirror, the rectangular plate to a leaf scroll carved frame, late 19th / early 20th century, 86.3 x 71.2cm. £250-350 261. An Italian Florentine giltwood wall mirror, the rectangular plate to a leaf scroll carved frame, late 19th century 59.2 x 49.2cm. £200-300 262. A pair of Italian Florentine giltwood wall mirrors, each with a circular plate to a leaf scroll and shell carved frame, late 19th century, 75.8cm diameter. (2) £600-800 263. A pair of Italian Florentine giltwood wall mirrors, each with an oval plate to a leaf, berry and scroll decorated frame, late 19th century, 41.5 x 33.5cm. (2) £200-300 260

261

262 263

264. A brass hall lantern, with leaf urn finials and scrolls supports to four bevelled glass panels with a four light fitting and a pendant base, of recent manufacture, 116.5cm high, 42cm wide and deep. £400-600

265. A brass hall lantern, with leaf urn finials with scrolls supports to four bevelled glass panels with a four light fitting and a pendant base, of recent manufacture, 116.5cm high, 42cm wide and deep. £400-600

266. A late Victorian brass standard lamp, with repoussé foliate decoration to a reeded stem and a circular base with stylized shell feet, with an adjustable stem, 140.8cm high (excluding fitting), 45cm wide. £100-150 267. A pair of gilt brass wall lights in Adam style, each with a ribbon tied surmount to a pair of rams heads suspending beaded chains, to a pair of scroll arms and nozzles cast with swags, late 19th / early 20th century, 59cm high, 27.2cm wide. (2) £200-300 268. A late 19th century gilt brass seven light candelabrum, with scroll arms and cast angel head nozzles, to pan masks hung with fruit and foliage to a strapwork decorated stem, on a scroll triform base, 71cm high, 30cm wide. £200-300 269. A pair of 19th century ormolu wall lights, each back plate with a flaming finial to four leaf scroll arms with cast leaf nozzles, 37cm high, 44.8cm wide. (2) £300-400 270. A pair of brass Corinthian column table lamps, 45.6cm high, 17.2cm wide (excluding fitting) together with another brass Corinthian column table lamp, with an ebonised fluted stem. (3) £100-150

266

269

267

270 268

271. A 19th century French walnut stool, the later upholstered drop-in seat to a deep frieze carved with leaves and flower heads on cabriole legs, 55.5cm high, 42.3cm wide, 41cm deep. £200-300

271

272. A Louis Philippe mahogany console table, with a later marble top above a frieze drawer and on scroll supports to carved paw feet, together with an associated 19th century German mahogany pier mirror with a rectangular plate to a moulded slip, the reverse with a paper trade label for ‘H.E. BOSCHEN, MIRROR MAKER AND GILDER, SCHUTTISNGSTRASSE NO 8, OLDENBURG’, the table: 75.8cm high, 82.5cm wide, 44cm deep, the mirror: 153.5 x 76.5cm. (2) £300-500 273. A set of six painted side chairs in Louis Philippe style, decorated in gilt with bands of leaves, each splat back with a different chinoiserie figure, each with a dropin seat on lappet carved front legs, modern. (6) £200-300

273 274. A 19th century German fiddleback mahogany side cabinet, the top with open shelves with ‘X’ and ‘S’ scroll lappet carved supports, the base with a frieze drawer on scroll supports carved with rosettes to a concave base, 160.6cm high, 105.5cm wide, 38.8cm deep. £400-600 275. A Louis XVI beechwood fauteuil, with a cartouche shape back to a padded seat and armrest, on stop fluted front legs headed by carved rosettes, together with two French nursing chairs, each with a squab cushion. (3) £200-300

272

276. A late 19th century gilt painted fauteuil in Louis XV style, the frame leaf carved with a padded back, seat and armrests, with scroll arms on rocaille carved cabriole legs and brass castors. £100-150 274

275 276

277. A Victorian cut glass chandelier, hung with faceted drops with a fluted baluster stem, to a central pan issuing six moulded arms, 72cm high, 64.5cm wide. £300-500 Provenance: Wellow Manor, Hampshire.

λ 279. An Indo-Portugese painted wood and tortoiseshell table cabinet, with fret carved bone panels, the hinged top revealing a divided interior with four drawers, the front with an arrangement of six drawers, 18th century, 29.3cm high, 41.2cm wide, 27.3cm deep. £400-600

278. A pair of 18th century Dutch walnut and oak side chairs, each with a shaped splat back to a drop-in bell shaped seat, on shell capped carved cabriole legs and ball and claw feet. (2) £400-600 Provenance: Private Collection, West Sussex.

280. A pair of French tôle peinte models of Aloe plants, 52cm high. (2) £150-200

281. An early 20th century gilt bronze effect spelter ceiling light, in the form of two winged putti holding suspending glass canopies, drops and lustres, 50cm high, 54cm wide. £120-180

λ 282. A 19th century continental rosewood and mother of pearl box, the hinged lid inlaid with leaf scrolls and a central figure with a ram, to a watered silk interior with a gilt monogram ‘CS’, 7.3cm high, 24.5cm wide, 14.6cm deep. £150-200 283. A late 19th century walnut miniature commode in Louis XV style, the crossbanded top above three long drawers with porcelain plaque gilt metal handles and escutcheons, French or German, late 19th / early 20th century, 29.4cm, high, 37.3cm wide, 25.3cm deep. £300-500 284. A late 19th century continental amboyna and brass mounted jewellery casket, of sarcophagus form, the hinged lid with a young boy finial seated with a box to a plush lined interior, the body with female and male mask corners and handles to a base drawer, 27.8cm high, 31cm wide, 20cm deep. £200-300 Provenance: The Dr Lawrie Webster Collection of Boxes. 285. A late 19th century French kingwood and ormolu mounted serpentine jardiniére, with a brass lift-out liner to a pair of cast leaf handles with thuya wood panels on disc feet, 16.8cm high, 38cm wide, 23cm deep. £300-500 Provenance: June & Tony Stone, Fine Antique Boxes. 283

284 285

286 287 286. A 19th century French ebonised writing box, inlaid with brass stringing and with ripple mouldings, the hinged lid inscribed ‘Filet’, to an interior with two lidded inkwell compartments and a pen rest, 4.9cm high, 22.7cm wide, 11.9cm deep. £60-80 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 287. A late 19th century French rosewood and brass inlaid scent bottle box, the hinged lid with a ripple moulded edge, to a watered silk divided interior containing a pair of porcelain scent bottles painted with blue reserves and panels of flowers, one with a lift-off top the other with a stopper, 16.8cm high, 18cm wide, 12.6cm deep. £150-250 288 λ 288. A late 19th century rosewood and mother of pearl inlaid serpentine tea caddy, with gilt metal mounts, the hinged lid inlaid with crosses and flowers to a divided foil lined interior, the base with a printed label inscribed ‘LADY FRETWELL’, 8.9cm high, 19cm wide, 13.5cm deep. £180-220 289. A late 19th century French ebonised and brass inlaid glove box, with kingwood banding and mother of pearl cabochons, with a hinged lid and front, the interior with a pair of leather gloves, 8.4cm high, 27.7cm wide, 9.8cm deep. £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes. 290. A 19th century Austrian oak glove box, in the form of a trunk with brass strapwork mounts and studs, to a watered silk lined interior, 6cm high, 25.5cm wide, 10.3cm deep. £50-100

289

Provenance: The Dr Lawrie Webster Collection of Boxes. λ 291. A 19th century French rosewood and boulle marquetry jewellery box, of sarcophagus shape, brass and pewter inlaid with flowers and leaves, the hinged lid to a hinged front and a plush lined and simulated interior, 9cm high, 25.1cm wide, 11.6cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 292. 19th century French rosewood and boulle marquetry tea caddy, of sarcophagus shape, inlaid brass, pewter and bone with scrolling foliage, the interior with remains of a foil lining, 11.2cm high, 13cm wide, 11.5cm deep. £150-200

290

291

292

293 294

λ 293. An 18th century lacquered and painted wood games box in the manner of Mariaval Le Jeune, decorated with gilt ferns, the interior containing four painted wood and gilt gaming counter boxes, the lids decorated with gilt leaves and flowers and a crowned portrait of a king and queen, the centres with an ivory disc decorated with card suits, containing various bone counters, probably French or Italian, 18.7cm wide, 14.5cm deep. £200-300 294. A late 19th French kingwood and gilt metal mounted scent box, the glass hinged lid to a pair of blue opaline glass and gilt brass mounted scent bottles, 9.7cm high, 13.5cm wide, together with seven glass and gilt brass mounted jewellery / trinket boxes, one with a small watch, late 19th / early 20th century. (8) £300-500 λ 295. An early 19th century French satinwood sewing box, with a cut steel handle, barber’s pole stringing and a mother of pearl plaque and escutcheon, the fitted interior with a mirror to the lid and with a plush lined tray fitted with associated steel scissors, a thimble, a button hook, a mother of pearl case and reel holders, on ivory feet, 8.8cm high, 19.7cm wide, 11cm deep. £150-250

295 open

Provenance: The Dr Lawrie Webster Collection of Boxes. λ 296. A 19th century continental rosewood and mother of pearl inlaid box, with a steel swing handle and with a rectangular plaque inscribed ‘CARLSBAD’, to a vacant interior, 5.5cm high, 19.9cm wide, 7.2cm deep. £100-150 297. A mid 19th century French painted box, with cut steel strapwork mounts and handle, on flattened disc feet, 5.5cm high, 20,5cm wide, 7cm deep. £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes.

297

295

296

298. A 19th century French fruitwood piano étui, in Palais Royale style, with gilt brass mounts, with a twin hinged top, one revealing a mirror and keyboard, the interior fitted with mother of pearl handled utensils flanking an engraving of putti, with further gilt metal sewing tools, with mother of pearl reels, a glass scent bottle, with a pair of metal thread embroidered lidded compartments, the lift-out keyboard with buttons activating the brass musical movement, on ebonised legs, 14.8cm high, 29.5cm wide, 18.4cm deep. £300-400

298

Provenance: The Dr Lawrie Webster Collection of Boxes.

299. A late 19th century Italian Sorrento ware olivewood box, the form of books, the hinged lid with a mosaic band and a central marquetry scene of two rural figures with a donkey, the lid inscribed ‘RICORDO’, to a plush lined interior and with a sliding base ‘puzzle’ drawer, 11.7cm high, 28.2cm wide, 21cm deep. £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes.

299

300. A 19th century Italian Sorrento ware writing slope, with mosaic bands to a hinged fall inlaid a marquetry scene of peasant girls and a man playing a mandolin, to a baize lined writing surface, the raised top fitted a drawer with an inkwell and pen compartments, 15.3cm high, 38.2cm wide, 27.8cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes.

300

301. A 19th century Italian Sorrento ware macassar ebony and marquetry cube tea caddy, with parquetry bands and inlaid with figures in various pursuits, to an interior with foil lining, originally with a lid, 14cm high, wide and deep. £100-150

301

302. A late 19th century Austrian enamel and ebonised miniature table cabinet, with bronze mounts, the top with a knight on horseback finial to panels of classical landscapes, above a pair of doors decorated with classical maidens enclosing a pair of drawers and further panels of landscapes with corner caryatids and further panels, Vienna c.1880, 16.8cm high, 11.6m wide, 9.1cm deep. £500-700

303. A 19th century Stobwasser style papier-mâché snuff box, the lid painted with a man taking snuff, to a white metal rim, 11cm diameter. £200-300

304. A 19th century German walnut and parquetry sewing box, the interior with a divided lift-out tray with silk lined lids and a needle compartment, 14cm high, 25.5cm wide, 17.3cm deep. £100-150

305. After Giovanni Battista Piranesi (Italian 1720-1778). A set of ten etchings from 'Vasi candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi', 20th century, each mounted and glazed within an ebonised fluted frame with gilt corner rondels. (10) ÂŁ600-800

306. After Giovanni Battista Piranesi (Italian 1720-1778). Six etchings, 'VEDUTA DELL'ARCO DI COSTANTINO', 'Veduta del Ponte Molle', 'Colonna Antonina', 'Avanzi della Villa di Mecenate a Tivoli', 'VEDUTA DELLA VILLA ESTNSE IN TIVOLI' and 'Veduta della Doganadi Terra a Piazza di Pietra', early 19th century and later, all framed and glazed. (6) ÂŁ300-400

307. After Giovanni Battista Piranesi (Italian 1720-1778). Six etchings, 'Veduta del Piedestallo dell'Apoteosi', 'Veduta dell'Arco di Tito', 'Colonna Trajana', 'La Conocchia', 'Veduta dell'Arco di Settimio Severo' and 'Vue d'un autre temple dans la Ville de Pesto', 20th century, 37.2 x 53cm, each mounted and glazed within an ebonised fluted frame with gilt corner rondels. (6) ÂŁ300-500

308

λ 309. A small collection of ivory and bone items, including: a 19th century egg cup, a carved box and cover in the form of an apple, a painted spinning dice, probably Prisoner of War early 19th century, a set of bone dominoes in a turned and pierced pot and cover, an AngloIndian pot and cover with a sadeli work lid, a handle and a paper knife, all 19th century / early 20th century, 22.2cm long, max. (7) £100-200

308. A rare sailor’s carved whalebone and baleen love token, finely carved with diamond and oval panels with initials to a rectangular open cage, containing a ball and chain to two carved clenched fists holding rope links to a further spiral twist open cage to a spatula end, probably American, late 18th / early 19th century, 15.3cm long £100-200

310. A Prisoner of War style bone model of a fifty-two gun ship of the line, fully rigged, 31.7cm high, 40cm long, in a modern perspex case. £400-600

λ 312. An Inuit marine ivory cribbage board, engraved with seals, fish, sea birds and a bear 25.6cm long, together with four dice, a spinning dice and seven bone cribbage pegs. (17) £40-60 313. An early 19th century French Napoleonic Prisoner of War bone games box, the sliding cover well carved with panels of crossed torches, quivers and bows with an oval panel of a classical maiden carrying a basket of flowers accompanied by Cupid, to a fitted interior with a complete set of dominoes and four dice, the pierced sides decorated with scrolls, urns and leaf motifs above swags, 4.8cm high, 15.2cm wide, 6.4cm deep. £400-600 311. A 19th century Anglo-French Crimean war commemorative dressing / sewing box, with a mother of pearl shield shape escutcheon, the sides transfer printed with military scenes of allied troops, the hinged lid with a sentimental scene of a woman and child, the interior with a divided and mirrored lift-out tray with a pin cushion, the underside of the lid with a published image of the launching of the French warship ‘VILLE DE NANTES’ at Cherbourg on the 7th August 1858 but the French illustrator Jules Gaildrau (1816 - 98), 19.2cm high, 37cm wide, 24.1cm deep. £250-350 The screw-powered two-decker Ville de Nantes, 5010 tons, was one of three identical battleships ordered to strengthen the French navy soon after the Crimean War began. Built at Cherbourg and the first of the trio to be laid down (in June 1854), she was launched on 7th August 1858 and completed in 1862. Armed with 90 guns of varying calibre, her sea-going career lasted only ten years due to rapidly advancing technology and, after being placed in reserve in 1872, she was broken up in 1887.

For a similar box see: Clive L. Lloyd, The Arts and Crafts of Napoleonic and American Prisoners of War 1756-1816, p.206.

313

λ 314. A late 19th century continental carved ivory ewer in Renaissance style, with a carved female handle terminating in a satyr mask, with acanthus and laurel bands to a mermaid figure head and a band of Bacchanalian putti, with swags of fruit and flowers to a fluted and leaf carved socle, French or German, 2.9.6cm high, 11.5cm wide. £1,000-1,500

315

λ 315. A pair of turned ivory candlesticks, with ebonised line decoration each on a stepped square base, early 20th century, 26.9cm high, 6.8cm wide. (2) £200-300 314

317

λ 316. A pair of 19th century French Dieppe carved ivory figural candlesticks, each with a classical young maiden feeding a bird, on a beaded and leaf carved base, 25,5cm high, 9.3cm diameter. (2) £200-300

λ 317. A late 19th century carved ivory and ebony bust of a judge, on a turned plinth and ebonised base, under a glass dome, the bust and plinth: 15.5cm high. £500-700

316

λ 318. A Victorian carved ivory and leather purse, the lid decorated with a ribbon and vine leaves and grapes, 7.3cm wide, together with a carved bone articulated fish and a sterling silver mounted tusk. (3) £80-120

λ 319. A collection of 19th century bone and ivory sewing utensils, including: five bobbins, a turned needle case, reel holders, some with mother of pearl ends, carved thimbles, one in mother of pearl, tape measures, a clamp, a pin cushion, turned barrel reel holders and other items, 12.8cm long, max. (A lot) £100-200

λ 320. Nine 19th century Chinese Canton carved ivory needle cases, decorated with birds, dragons, flowers and foliage, some with figures, with various contents of sewing utensils, 16cm high, max. (9) £100-200

λ 321. Nine Chinese Canton carved ivory sewing clamps, decorated with figures, flowers and foliage and birds, together with two Chinese thimble cases with thimbles, three reel holders, a mother of pearl pin cushion engraved with buildings, birds and figures and a mother of pearl counter, 13cm high, max. (16) £100-200

322. A quantity of 19th century Chinese mother of pearl gaming counters, in various shapes and engraved with various designs, together with some carved bone counters, some stained red. (A lot) £100-150

λ 323. A Chinese moss agate scent bottle and cover, the lid with spatula, a Chinese carving of a dog of Fo standing with its young on a plinth, probably black basalt, a Japanese carved ivory netsuke in the form of a horse, the base signed, together with an Egyptian carved soapstone cobra, the top pierced, 6.8cm high, max. (4) £80-120

324. A carved lapis lazuli and dolomite chess set, the medieval style figural pieces with gold crowns and swords, some marked ‘750’, with cultured pearls and semi-precious stones, second half 20th century, probably Chinese, the king 10.5cm high, the pawn 6cm high. (32) In silk covered boxes. £2,000-3,000 Provenance: Originally acquired from Ruppenthal UK Ltd for £11,768.52 at the Hamburg Trade Fair in 1977. With original bill of sale.

λ 325. A Chinese Canton carved ivory chest set, natural and stained red, late 19th century, the king: 9.3cm high, the pawn 4cm high. (32) £200-300

λ 326. A late 19th century Japanese carved ivory cane handle, decorated with twenty one faces, 5.2cm high. £50-70

327. A 19th century Chinese padouk table cabinet, with a pair of brass handles to a panelled fall front, revealing two short and one deep drawer, 14.6cm high, 27.7cm wide, 15.5cm deep. £400-600

327

328. A Chinese carved hardwood display cabinet, the leaf and fruit cornice above a glazed door enclosing two shelves, with carved bamboo sides and legs to a pierced leaf and berry frieze and shelving to the undertier, late 19th / early 20th century, 186.3cm high, 66.7cm wide, 31.5cm deep. £600-800 λ 329. A 19th century Chinese export lacquer sewing box, decorated in gilt with panels of figures and buildings, the interior with a mirror to the lid, now loose, with a liftout tray fitted with divisions and lidded compartments, with bone and ivory sewing implements, with a base drawer fitted with a hinged lidded compartment and further divisions, on carved winged paw feet, 14.8cm high, 33cm wide, 23.5cm deep. £100-150

329

Provenance: The Dr Lawrie Webster Collection of Boxes. 330. A Chinese carved hardwood standard lamp, in the form of a dragon, with fretwork panels to a circular base on carved feet, 182.7cm high, 56cm wide. £200-300 331. A Chinese red lacquer altar table, the top decorated with three panels, the central one of Shoulao in a watery landscape with buildings, trees and mountains, flanked by panels of birds and flowers with pierced friezes and open supports decorated with scrolling foliage, 81.1cm high, 126cm wide, 39cm deep. £200-300 328

331 330

332 332. A pair of Chinese hardwood and brass mounted four-door wardobes, each constructed in two sections, with single tenon joints, the upper sections with doors enclosing a single shelf, the lower bodies with large doors, each enclosing two drawers, the aprons carved in relief with stylized scrolls and foliage, Qing dynasty, 250cm high, 126cm wide, 53cm deep. (2) £2,000-3,000 333. A Chinese hardwood long bench, the panelled top to an open frieze, probably 19th century, 51.7cm high, 189.7cm wide, 47.3cm deep. £300-500 334. A Chinese hardwood centre table, the circular revolving top inset with a marble panel, on a birdcage, the base carved with a man and a lion dog amongst trees, with paw feet, late 19th century / early 20th century, 76.8cm high, 94.7cm diameter. £1,000-1,500

333

334

335. A Chinese painted soapstone model of a pagoda, on a lacquer base, 126cm high, 34.5cm wide. £200-300

336. A pair of Chinese carved and lacquered wood dogs of Fo, 27.6cm high, 19.5cm wide. (2) £50-100

336

337. A pair of Chinese porcelain baluster table lamps, each with twin lights and decorated in the famille rose palette with figures, late 19th / early 20th century, each on a giltwood base, 43.6cm high (excluding fitting). (2) £200-300

335

338. A Chinese carved hardwood standard lamp, decorated with a scaly dragon and with foliate panels, on claw and ball feet, with a brass twin light fittings, 174.5cm high (excluding fitting), 41cm wide. £150-200 337

339. A 19th century Chinese export leather and brass studded camphorwood trunk, with side carrying handles, 26.8cm high, 64cm wide, 31.6cm deep. £100-150

339 340. A Japanese lacquer box, onlaid with bone and mother of pearl with flowers, foliage and birds with gilt decoration, early 20th century, 6.2cm high, 22,2cm wide, 16.7cm deep. £20-40 Provenance: The Dr Collection of Boxes.

Lawrie

Webster

340

338

341. A Japanese lacquer altar table, the aubergine and gilt panelled frieze with calligraphy to the reverse ‘March 1792, Year of Mouse, donated by Tomimuna Seibei’s wife Tome’, 81.2cm high, 158cm wide, 42.5cm deep. £300-500

343

342. A Japanese silvered bronze model of a rabbit, Meiji 1868-1912, 13.5cm high, 12.2cm long £150-250 343. A pair of Japanese patinated bronze models of roaring lions, each with glass eyes, Meiji 1868-1912, 14cm high, 25.5cm long. (2) £400-600 342

λ 344. An Anglo-Indian sandalwood and ivory glove box, Vizagapatam, with foliate lac decorated bands, the hinged lid with a central oval cartouche the interior with horn edging, second half 19th century, 10cm high, 25.6cm wide, 11.5cm deep. £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 345. An Anglo-Indian sandalwood and bone writing slope, Vizagapatam, lac decorated with foliate bands, the hinged lid with an oval tortoiseshell banded plaque inscribed with the initials ‘HM’ to a divided compartment for inkwells and a rosewood ruler to a plush lined writing surface, first half 19th century, 10cm high, 26.4cm wide, 20.8cm deep. £300-400 Provenance: The Dr Lawrie Webster Collection of Boxes.

344

346. An Anglo-Indian carved sandalwood and sadeli decorated stationery box, Bombay, decorated with a lion with buildings and flowers and foliage, with bands of mosaic to a divided interior, late 19th / early 20th century, 14.2cm high, 24.7cm wide, 15.5cm deep. £80-120 Provenance: The Dr. Lawrie Webster Collection of Boxes.

345 346

λ 347. An Anglo-Indian rosewood occasional table, the circular top inlaid with ebony, bone and ivory, a view of the Taj Mahal with aeroplanes and birds, the conforming base with elephant head legs, the underside with a paper label inscribed ‘MADE IN INDIA’, early 20th century, 61cm high, 60cm diameter. £600-800 λ 348. A late 19th century Anglo-Indian carved rosewood bottle coaster, in the form of a recumbent camel, 17.2cm high, 26.4cm wide. £600-800 349. A late 19th century Ceylonese carved ebony writing slope, all over decorated with scrolling leaves and flowers, the interior with bone dot inlay and with an elephant inlaid to the lid, above a lidded compartment with trays for pens and inkwells and with a pewter inlaid cane ruler to a twin hinged writing slope, 13.6cm high, 41cm wide, 22.9cm deep. £200-300

348

Provenance: The Dr Lawrie Webster Collection of Boxes. λ 350. An Anglo-Indian tortoiseshell and bone mounted casket, with fret carved foliate panels to a plus lined interior on carved paw feet, early 20th century, 8cm high, 27.6cm wide, 12.3cm deep. £100-150 347

Provenance: The Dr Lawrie Webster Collection of Boxes.

349

λ 351. An Anglo-Indian rosewood octagonal occasional table, carved with scrolling foliage with figural supports with arched panels on stretchered legs, late 19th / early 20th century, 50.8cm high, 49.7cm wide. £150-200 λ 352. A 19th century Anglo-Indian rosewood and ivory inlaid work table, the hinged lid inlaid scrolling foliage and fitted a hinged plush lined writing surface, to a fitted interior with lidded compartments and divisions, and a central pull-out tray revealing two secret drawers, 80.8cm high, 60.8cm wide, 37.8cm deep. £200-300 351

352

350

353. A pair of Indian teak and rattan planter’s chairs, each with pull-out armrests and inset engraved brass rondels, on turned supports, early 20th century. (2) £300-400

353

FIELD MARSHAL HORATIO HERBERT KITCHENER, 1ST EARL KITCHENER (1850-1916)

Lord Kitchener needs little introduction as a soldier, but is far less well-known as a collector. Famous from the iconic conscription posters, which today make his face synonymous with the First World War, few people are aware of his history as a connoisseur of art and objects. His connection to the Far East came in 1884 when he took part in an unsuccessful operation to relieve General Charles Gordon of Khartoum, and was subsequently appointed governor general of Sudan in 1886. In 1892 he was appointed commander in chief of the Egyptian army and, four years later, began the reconquest of Sudan from the forces of al-Mahdi, resulting in the reoccupation of Khartoum in 1898. This success, in the Battle of Omdurman, brought him fame and the title ‘Lord Kitchener of Khartoum’. Returning to England in 1902, he was created Viscount Kitchener and was appointed commander in chief in India. His position as Secretary of State, for which he is arguably best known, was a position he took reluctantly when war broke out in 1914. His foresight in recognising that the conflict could well last for many years resulted in his now famous push for conscription. Sadly, his colleagues did not share the public’s opinion of this renowned leader and, blamed for a shortage of shells in the spring of 1915, he was relieved of his responsibilities. He drowned on 5th June 1916 when his ship, HMS Hampshire, was sunk by a German mine during a mission to Russia. The following collection of textiles (lots 354-365) was almost certainly assembled by Lord Kitchener during his time spent in North Africa and India.

354. Two Ottoman embroidered silk mosque portière panels, decorated with scrolling foliage and mihrabs filled with calligraphy, 18th / 19th century, Syria or Turkey, 243.8 x 60.5cm each panel, currently joined as one. £600-800 Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916) and thence by descent.

355. An Ottoman tapestry and metal thread portière / hanging, in Aubusson style, late 18th / early 19th century, Turkey, 321.7 x 98.4cm. £500-700 Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916) and thence by descent.

354

355

356. An Ottoman silk and metal thread boçha, embroidered with silver thread with flowers and leaves, Bursa or Istanbul, late 18th / early 19th century, 93.5 x 102.5cm. £200-300 Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916) and thence by descent. 356

357

357. An Ottoman embroidered silk mosque portière, of mihrab shape, decorated with panels of calligraphy and scrolling foliage, 18th / 19th century, Syria or Turkey, 235.5 x 181cm. £800-1,200 Provenance: Field Marshal Earl Kitchener of Khartoum (18501916) and thence by descent.

358. An Italian silk and cut violet velvet panel, decorated with a Syrian design of mythical beasts, birds and flowers, 19th century, 254.8 x 61.8cm. £200-300 Provenance: Field Marshal Earl Kitchener of Khartoum (18501916) and thence by descent.

359. A silk and voided velvet hanging, decorated on a gilt ground with carnations, flowers and leaves in the Ottoman style, either Italian or Turkish, 18th century, 160 x 54.7cm. £400-600 Provenance: Field Marshal Earl Kitchener of Khartoum (18501916) and thence by descent.

358

359

360. An Indian crimson silk brocade panel, all over decorated in gilt metal thread with foliate rondels, 19th century, 157.3 x 64.2cm. £100-200

361. An Indian crimson silk brocade and metal thread textile panel, all over decorated in gold and silver thread with flowers and foliage, 19th century, 333 x 77cm. £100-200

Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916) and thence by descent.

362. A length of Japanese embroidered silk voile material, embroidered with flowers, late 19th / early 20th century. £50-100

363. A length of translucent green silk and gilt metal thread textile, possibly Indian, 18th / 19th century, 237 x 28.3cm. £100-200

Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916) and thence by descent.

364. An Ottoman silk kilim and metal thread cover or boçha, embroidered with gilt metal thread with abstract designs, 19th century, 73.5 x 62cm. £300-400 Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916) and thence by descent.

365. A Victorian red silk and metal thread banner, on a damask ground, embroidered with silver and gold threads with three crowns above the badge of the Yeomen of the Guard, flanked by the Royal cypher ‘V R’, and ‘PENINSULA WATERLOO’, with a metal thread fringe, 75.5 x 83.5cm. £300-400 Provenance: Field Marshal Earl Kitchener of Khartoum (1850-1916) and thence by descent.

366. An Erivan rug, Armenia, central Caucasus, late 19th / early 20th century, 235.4 x 131.5cm. £200-300

367. A Senneh rug, north west Persia, early 20th century, 199.3 x 142.4cm £200-300

368 369

368. A Kashmiri felt rug, embroidered with exotic birds, c.1920, 198 x 130cm.

£100-200

369. A Caucasian style rug, 20th century 176 x 133.8cm.

£100-150

370. A Kuba long rug, north east Caucasus, late 19th / early 20th century, 336.8 x 116.7cm. £400-600

371. A Turkish style carpet, 20th century, 299.5 x 208cm.

£200-300

372. An Isfahan carpet, central Persia, second half 20th century, 313.2 x 202cm. £500-700 370

371

372

373

374

375

373. A George III silkwork picture, depicting a basket of flowers, in a glazed and carved giltwood frame, the reverse with a handwritten paper label inscribed ‘Mrs Watts, worked at Mrs Bond’s School, Ramsbury, 1790’, 46.4 x 36.4cm. £100-150 374. A mid 19th century silkwork embroidery of Mount Vernon, worked en grisaille, showing the mansion in a parkland setting and with small boats on the Potomac river, 35 x 47.7cm in a later glazed giltwood moulded frame. £150-200 Provenance: by repute worked by Elizabeth Owen (Leila), b.1823 d.1874 and handed down through her family. Mount Vernon was the home of George Washington from 1754 until his death in 1799. 375. A George III oval silkwork needlework picture, of ribbon tied flowers, in a glazed giltwood moulded frame, 44 x 39.2cm. £100-150 376. A George III silk and woolwork embroidered picture, depicting St Paul the hermit with two ravens, 40.7 x 33.2cm in a verre églomisé and giltwood moulded frame together with five other silk and woolwork pictures depicting various subjects and with a pair of silhouettes, part coloured of military gentlemen in glazed circular gilt frames. (8) £100-200 377. Eight George III embroidered silkwork pictures, with various subjects including: a lady dropping flowers on Shakespeare’s tomb, the Flight into Egypt, the Nativity and the Annunciation, four in verre églomisé frames, the others in glazed giltwood frames, 45cm high, 36.5cm wide, max. (8) £100-150 378. An early Victorian needlework sampler by Kate Webb, worked with bands of flowers, butterflies, birds, trees, recumbent stags and angels, inscribed ‘Kate Webb Marked This Sampler Aged 9 Years 1844’, 40 x 31.2cm in a glazed burrwood moulded frame with a gilt slip. £150-200 379. A French woolwork and metal thread embroidered picture, of a still life of flowers, the verso with a handwritten paper label inscribed 'RELLIQ ABBAT SANCTI KARILEFI ANISOLENSIS', with a further inscription in French relating to the provenance of Abbaye Royale de Saint Calais, dated 1903, 17th / 18th century, 34 x 52.5cm, in a later glazed strawwork and ebonised frame. £150-250

376

378

377

379

380. Two early Victorian needlework samplers by the Hunt sisters, Ellen and Sophia, dated 1838 and worked with bands of flowers with stags, bowls of strawberries, birds, urns of flowers and trees with hearts, the centre of each with a verse, 30 x 34.6cm, each in a later mounted and glazed giltwood frame. (2) £300-400

380

λ 381. A William IV rosewood library table, with a pair of frieze drawers flanked by leaf scroll brackets, on turned and lappet carved supports and flattened bun feet with sunken brass castors, 77.1cm high, 137.4cm wide, 6.5cm deep. £300-500

381

382. An early Victorian mahogany pot cupboard, with a three quarter gallery, above a door with an ebonised knob handle on turned supports, 73.5cm high, 39.3cm wide, 34cm deep, together with another mahogany pot cupboard. (2) £150-250

382

383. A 19th century mahoagany side table, the serpentine front top with a shaped three quarter gallery, above three fruitwood crossbanded drawers with brass knob handles, 98.6cm high, 97.4cm wide, 51.3cm deep. £300-400

383 384. An early Victorian mahogany library table, the moulded edged top above a pair of frieze drawers with false fronts to the reverse, on turned end supports and brass castors, 73.8cm high, 115cm wide, 65.4cm deep. £200-300

384

λ 385. A Regency mahogany card table, the swivel hinged top banded in rosewood, with ebonised stinging, on a ring turned stem and with downswept legs terminating in brass caps and castors, 74.6cm high, 90cm wide, 44.4cm deep. £500-800

385

386. A George IV mahogany dining table, in the manner of Gillows, with a reeded edged top above a panelled frieze and ribbed tapering legs and brass caps and castors, comprising: a pair of ‘D’ ends with detachable drop leaves on gateleg supports, 72.6cm high, 127cm wide, 222.3cm long. £600-1,000

386

387. An early Victorian mahogany bergère armchair, with later red leather upholstered arm rests and a squab cushion, to a cane seat and back on turned front legs and brass castors. £200-300 388. A mahogany bottle carrier, with a brass handle and poles, with divisions for ten bottles, possibly campaign, 54.5cm high, 55.8cm wide, 24cm deep. £500-700 388

387

389. A George IV mahogany breakfront side cabinet, in the manner of Gillows, the raised back with lappet carved supports with three frieze drawers above further five long graduated drawers, four with false fronts, all cedar lined with part brass and mahogany knob handles flanked by baton and lappet carved columns and with curved fronted cupboards enclosing three shelves, 126.5cm high, 152.8cm wide, 62cm deep. £1,000-1,500 389

390

390. A George IV mahogany breakfront side cabinet, the raised back carved with scrolls and centred a shell above a pair of brass grille doors enclosing two adjustable shelves, flanked by leaf capped capitals on carved paw feet, 110.9cm high, 140.5cm wide, 41cm deep. £400-600 λ 391. A 19th century rosewood side cabinet, with a frieze drawer fitted with brass lion’s mask ring handles above a pair of gilt brass trellis and floret panel doors with silk backing, enclosing a shelf flanked by pilasters with giltwood capitals and plinths, previously with a super structure, 88.8cm high, 104cm wide, 37cm deep. £200-300 391

392. A George IV mahogany bookcase, inlaid boxwood stringing, with a turned column three quarter gallery above open shelves, the base with a pair of trellis grille doors enclosing a fixed shelf, on ribbed mushroom feet, 134.4cm high, 69.5cm wide, 30.3cm deep. £600-800 393. A set of six late Regency mahogany dining chairs, each with a scroll and a Prince of Wales’ plume carved splat back, to a drop-in seat on ring turned tapering legs, comprising: a pair of open armchairs and four side chairs. (6) £200-300

392

393

394

394. A late Regency mahogany sarcophagus shaped wine cooler, inlaid ebonised stringing, the lead lined interior with eight divisions, the brass lock stamped ‘BARRONS PATENT’ on brass roller castors, 58.8cm high, 74cm wide, 51.5cm deep. £600-800

395

395. An early 19th century mahogany chest, the reeded edged top above two short and three long graduated drawers, fitted with later brass ring handles, 89cm high, 92cm wide, 49cm deep. £200-300 396. An early Victorian mahogany three tier whatnot, with lappet carved baluster supports terminating in brass castors, 99.8cm high, 45.6cm square. £200-300 397. A Victorian walnut side cabinet, with an inset white marble top to a blind fret carved edge, centered the Legh family crest of an arm holding a serpent above a pair of brass framed glazed doors enclosing an adjustable shelf, flanked by carved corner pilasters 108.3cm high, 148.7cm wide, 55.5cm deep. £500-700 Provenance: The Legh Family, Norbury Booths, Knutsford, Cheshire.

396

397 detail 397

398. A mahogany partner’s desk, the moulded edged top inset gilt-tooled leather writing surface above three frieze drawers to either side with later Prince of Wales’ plumes brass handles, on splay legs terminating in brass paw sabot and castors, 19th century and later, 78.2cm high, 182.5cm wide, 131.2cm deep. £500-700

λ 399. A George IV rosewood card table, the swivel top on a square section stem with applied nulled mouldings, on downswept legs terminating in brass paw castors, 74.1cm high, 91.9cm wide, 45.6cm deep. £200-300

λ 400. An early Victorian rosewood writing table, the moulded edge top inset later leatherette, above a pair of frieze drawers with false fronts to the reverse, on stylized lyre shape ends united by a turned stretcher and on ceramic castors, 72.3cm high, 107cm wide, 55.3cm deep. £200-300

401. A pair of Victorian mahogany open armchairs, with moulded scroll arms to a serpentine front seat, on lobed tapering legs and ceramic castors. (2) £400-600

402. A tapestry upholstered footstool, on stretchered beechwood supports, the tapestry 19th century, the base modern, 37cm high, 113.8cm wide, 73.5cm deep. £100-150

403. A Regency mahogany sofa, with ribbed front supports to spiral twist tapering legs and brass caps and castors, possibly Scottish, 81cm high, 184cm wide, 61cm deep. £600-800

404. A late Regency Scottish mahogany barrel front chest, with nulled mouldings and with five long ash lined graduated drawers, the top with divisions and with a central compartment with a sliding lid, fitted later brass ring handles and flanked by carved leaf capital spiral twist columns on ribbed mushroom feet, 126.6cm high 125cm wide, 56.7cm deep £200-300

405. A Regency Scottish mahogany chest, the reeded edge top above three frieze drawers and three long graduated drawers, all ash lined, on bracket feet, 102cm high, 122.8cm wide wide, 53.8cm deep. £200-300

406. An early 19th century Scottish mahogany side table, the top originally with a gallery, above three ash lined frieze drawers with laburnum handles, on ring turned tapering legs, 76cm high, 98.5cm wide, 44cm deep. £150-200

407. A Regency mahogany Pembroke table, inlaid stringing with a frieze drawer and a dummy to the reverse, on ribbed tapering legs to brass caps and castors, 76.3cm high, 107cm x 117cm open. £100-200

408. A Victorian macassar ebony and mother of pearl sewing box, of sarcophagus shape, inlaid with foliate bands, the watered silk lined interior with a pouch to the lid above a lift-out divided tray with lidded compartments and mother of pearl handled steel utensils, with ring handles and on ribbed mushroom feet, 21.2cm high, 34.5cm wide, 26.5cm deep. £200-300 Provenance: The Dr Lawrie Webster Collection of Boxes.

408

409. A Regency red leather sewing box, of sarcophagus shape, the hinged lid with applied burrwood panels and gilt line decoration to a gilt tooled interior, the lid with a mirror and a letter pouch to lidded compartments and divisions, with two mother of pearl handled utensils and a pair of scissors, to a base drawer fitted with a gilt brass filigree handle, on cast gilt brass feet with side carrying handles, 16.5cm high, 26.6cm wide, 18.8cm deep. £150-250

408 open

Provenance: The Dr Lawrie Webster Collection of Boxes. λ 410. An early Victorian rosewood and ivory inlaid sewing box, the interior with a mirror to the lid and with a pull-out tray with divisions and lidded compartments, with one mother of pearl handled utensil, 11.4cm high, 23.1cm wide, 17cm deep. £150-200 409 411. A 19th century French leather nécessaire / jewellery box, with bevelled glass panels, the hinged lid to a lift-out buttoned silk interior fitted with steel and mother of pearl utensils and a compartment underneath, 10.2cm high, 20.7cm wide, 14cm deep. £80-120

409 open

Provenance: The Dr Lawrie Webster Collection of Boxes. 412. A Victorian calamander and brass mounted stationery box, the domed hinged lid applied with engraved flowers, a bee and a note motif with monogram ‘LS’, to a fitted interior with divisions for letters, 16.2cm high, 23cm wide, 12cm deep. £100-150 410

Provenance: The Dr Lawrie Webster Collection of Boxes.

411

413. A Victorian papier-mâché tea caddy, of sarcophagus shape, painted with flowers and leaves and with gilt highlights and mother of pearl inlay, the hinged lid to a twinlidded interior with mother of pearl handles, 14.3cm high, 24.4cm wide, 17.4cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes.

412

413

414

415 416

414. A pair of Victorian papier-mâché pictures, painted with a lady winding a ball of wool seated next to a cat, the other with a farmer peering out of a window in a barn, each in a gilt decorated frame with gilt brass rings for suspension, 35.9 x 30.8cm. (2) £200-300 415. A pair of Regency black japanned pole fire-screens, with brass stems and foliate ball finials, the adjustable screens decorated with chinoiserie scenes, the triform bases decorated with leaves, 134cm high, 38.4cm wide. (2) £300-500 416. A Regency japanned tôle tray, gilt decorated with bands of exotic birds and with a central chinoiserie scene, fixed on a later faux bamboo stand, 49cm high 76.5cm wide, 55.3cm deep. £200-300 λ 417. An early Victorian turned ebony and ivory needlecase, 29.3cm long, a fruitwood box and cover in the form of a pear with a hinged lid, together with a pair of Victorian papier-mâché bell-pulls. (6) £100-200 418. An early 19th century papier-mâché tray, of serpentine shape, the centre painted a cottage scene after George Morland, to a gilt decorated border with scrolling leaves and foliage, 44.5 x 58.5cm. £50-100 419. A Victorian papier-mâché counter box, with a serpentine edge to a hinged lid painted with a peacock in a tree with flowers, the divided interior containing stained and natural bone gaming counters, 5.2cm high, 16.9cm wide, 17.3cm deep. £180-220

419 417 418

420

421

λ 420. A Victorian tortoiseshell and silver inlaid aide-mémoire purse, the interior with an ivory panel, with engraved hinges, 8.4cm wide. £100-150 Provenance: Rare and Wonderful Objects, Colin Smith and Gerald Robinson Antiques, the Geoffrey Van Arcade, 105 Portobello Road, London. λ 421. A 19th century French ivory and silver mounted aide-mémoire, the interior with an ivory panel, 9.3cm wide. £100-150 λ 422. A George III tortoiseshell étui, the hinged lid with a silver plaque engraved with a coronet and the initials ‘FE’, to a plush lined interior with divisions and containing an ivory aidemémoire, steel utensils, a button hook, scissors, tweezers, a mirror, a thimble, a mother of pearl handled folding knife and a pencil with a scent bottle with a gilt brass stopper, some contents later, 11.3cm high, 6.5cm wide, 5cm deep. £100-150

422

Provenance: The Dr Lawrie Webster Collection of Boxes. λ 423. A Victorian tortoiseshell cigar / cheroot case, piqué decorated with bands of flowers and leaves with a central cartouche inscribed ‘FROM E.A & M. 2 F.L. A SOUVENIR OF AUG.23.1873’, with a watered silk interior, 14.8cm wide. £100-150 λ 424. A miniature tortoiseshell and mother of pearl model of a mandolin, together with a similar model of a guitar, 12cm long, max. (2) £50-70 λ 425. A late 19th century French tortoiseshell and piqué lady’s purse, decorated with leaves and flowers, 6.9cm wide. £100-150 Provenance: June & Tony Stone, Fine Antique Boxes, 75, Portobello Road, London. 423 detail

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426. A brown leather cased campaign toilet set, fitted with a leather cased hone, steel scissors stamped ‘A.N.C.S’, a razor, two brushes and a bone pot and cover containing a shaving brush, 4.5cm high, 21.8cm wide, 9.3cm deep. £50-80 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 427. A late Victorian tortoiseshell and silver mounted serpentine trinket box, the silver hallmarked for London, 1898, 9.6cm wide. £150-250 Provenance: Bazaar Boxes, 1 Priory Wharf, Priory Street, Hertford, Herts. λ 428. A George III red leather étui, with a cut steel shield shape clasp, to an interior fitted with a mirror, a glass scent bottle, steel scissors, tweezers, a needle, an ivory brush, a small bone knife, some utensils associated, the flap with a pouch, 10.3cm high, 8.2cm wide, 3.3cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes.

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λ 429. A pair of faux tortoiseshell and gilt metal photograph frames, each with an easel back 15.6 x 11.1cm, together with a French rosewood and boulle purse and a horn and beadwork small brush. (4) £50-100 λ 430. An early Victorian tortoiseshell card case by Lund, the interior with ivory edging and stamped ‘LUND CORNHILL LONDON’, 10.2cm long together with another tortoiseshell card case. (2) £80-120 λ 431. A late Victorian tortoiseshell scent bottle box, the hinged lid with a vacant plaque to an ivory and plush lined divided interior, with two glass scent bottles with gilt metal lids, 7cm high, 9.1cm wide. £150-250 Provenance: June & Tony Stone, Fine Antique Boxes, 75, Portobello Road, London.

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SCULPTURE

432. After the antique. A 19th century bronze model of Nike of Samothrace, 12.6cm high. £200-300

433. After Giovanni Zoffoli (Italian 17451805). A 19th century bronze model of the Farnese Flora, 13cm high. £300-500

432 434. After Michelangelo Buonarotti (Italian 1475-1564). An Italian Grand Tour bronze model of David, late 19th century, 27.7cm high, 11.1cm wide. £100-150

435. After the antique. An Italian bronze Grand Tour bronze model of Romulus and Remus, late 19th / early 20th century, 6.3cm high, 9.2cm wide, together with a 19th century bronze desk paperweight in the form of a dolphin. (2) £100-150 433

436. After the antique. A large late 19th century Italian bronze model of Hermes, seated on a marble rock, 53.5cm high, 52.5cm wide. £900-1,100

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437. A Regency bronze oil lamp inkwell, with an acanthus leaf scroll handle with two quill holders and an inkwell to the centre, 8.5cm high, 11cm wide, together with two 19th century bronze urns and a bronze relief plaque decorated with classical figures in musical revelry. (4) £40-60 437

438. An Italian carved and painted stone grotto bust of a Moor, probably 17th century, 56.4cm high, 36.5cm wide, 22cm deep. £400-600

439. After Antonio Canova (Italian 1757-1822). A 19th century bronze model of the Hope Venus, signed ‘Canova’, the base stamped ‘A V’, 19.8cm high. £300-500

439 438 440. After Guillaume Coustou (French 1677-1746). A pair of 19th century bronze Marly horse groups, the bases signed ‘Coustou’, 28.6cm high, 20.8cm wide. (2) £300-400

440 441. After Guillaume Coustou (French 1677-1746). A 19th century bronze Marly horse group, signed ‘Coustou’, 55.7cm high, 55cm wide. £800-1,200

442. A late 19th century patinated brass bust of Diana, 72.4cm high. £100-200

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443. Giovanni Bastianini (Italian 1830-1868). A terracotta bust of Girolamo Benivieni, inscribed three times ‘BENIVIENI’ and numbered to the front of socle ‘16’, 41.3cm high, 20cm wide. £800-1,200

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444. John Flaxman (1755-1826). A plaster cast medallion self portrait, the verso with an old paper backing with inscriptions ‘JOHN FLAXMAN, BOUGHT AT MR FORKES SALE’, 15cm diameter, together with a painted plaster model of a classical female figure standing on a ledge cast after John Flaxman. (2) £400-600 The original wax portrait bust was almost certainly carried out while Flaxman was living in Rome under Josiah Wedgwood’s sponsorship c.1790. Examples can be found in jasperware and there is an identical plaster portrait bust in the National Portrait Gallery, London.

445. Fernand Cian (French late 19th / early 20th century). A patinated terracotta group of two musical cherubs, signed ‘Fernand Cian, Paris’, 54.5cm high, 58.5cm wide. £500-1,000

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446. A late 19th century Russian patinated bronze model of a bear in the manner of Nikolai Liberich, 6cm high, 10.6cm long. £1,000-1,500

447. A late 19th century Russian patinated bronze model of a bear in the manner of Nicolai Liberich, lying on a rock crystal base, 19.4cm long, 8.8cm wide. £1,000-1,500

448. Sylvain Kinsburger (French 1855-1935). A gilt and patinated bronze group of a cupid and satyr herm figure, on a rococo style base signed ‘S. KINSBERGER’, 21.5cm high, 11.5cm wide. £200-300

449. A French patinated metal figure of a young boy, with an ivorine face, the base inscribed ‘Mashini, France’, 5.8cm high, 8cm long. £100-150

450. An early 20th century French bronze model of Victory, cast by Alexis Rudier, Paris, the base inscribed ‘Gloire a nos camarades de Polytechnique morts pour la France’ and signed ‘F. Foch’, with dates ‘1914’ and ‘1918’, ‘VS in a circle’ and ‘126’, fondeur’s mark, 28.4cm high, 41.2cm wide. £400-600

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451. André-Joseph Allar (French 1845-1926). A gilt and patinated bronze allegorical model, ‘La Science’, of a semi-naked female seated on a rock, leaning on a book and holding in her right hand an ammonite, signed ‘A. ALLAR AND SUSSE FRS EDTS, PARIS’, 72.8cm high, 40cm wide. £4,000-6,000 Andre-Joseph Allar was a pupil of Dantan, Guillaume and Cavelier and won the Grand Prix de Rome in 1869. His many famous public works include the statue of law on the façade of the Palais de Justice.

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452. A bronze model of a colt, stamped with monogram ‘GIJ’, modern, 12cm high, 14cm long. £100-150

453. A cold painted bronze model of a setter, late 19th / early 20th century, 10.2cm high, 27.8cm long. £150-250

454. A bronze model of an elephant, 19.5cm high, 29.6cm long. £50-100

455. An early 20th century desk paperweight, with a bronze model of a recumbent greyhound scratching its ear, on a green marble base, 12.8cm wide. £40-60

456. An Austrian silvered bronze model of a horse, stamped to the underside ‘GESCHUTZT’, late 19th / early 20th century, 18.1cm high, 22.7cm long. £400-600

457. An Austrian cold painted bronze model of an Arabian stallion, in the manner of Bergman, the underside indistinctly stamped, late 19th / early 20th century, 17.7cm high, 23.5cm long. £600-800

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458. An Austrian cold painted bronze model of a running fox in the manner of Bergman, stamped ‘GESCHUTZT’, late 19th / early 20th century, 29cm long. £600-1,000 459. An Austrian cold painted bronze model of a turkey by Bergman, stamped with a ‘B in a vase’ and also ‘GESCHUTZT’, 8.5cm high, 10.8cm long. £300-400 460. An Austrian cold painted bronze model of a bull dog in the manner of Bergman, late 19th century, 9.8cm high, 17.7cm long. £400-600 461. An Austrian cold painted bronze model of a boxer dog, early 20th century, 8.7cm high, 11.5cm long. £150-200 458 detail

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462. Two Austrian cold painted bronze models of ducks, mounted on an onyx ashtray, first half 20th century, 9cm high, 18.3cm wide, 16.2cm deep. £150-200 463. An Austrian cold painted bronze model of a dog, mounted on an onyx ashtray, first half 20th century, 8cm high, 9.5cm wide. £100-150 464. An Austrian cold painted bronze group, of a huntsman with hounds and a lady on horseback, mounted on an onyx ashtray, first half 20th century, 8.5cm high, 16cm wide. £150-200 465. An Austrian cold painted bronze model of a hunting dog, the underside of one paw stamped ‘M.S’, early 20th century, 9.7cm high, 14.9cm long. £150-200 466. A late 19th century Austrian bronze model of a monkey, stamped ‘GESCHUTZT’, 9.4cm high, 8cm wide. £40-60

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467. An Austrian cold painted bronze of a robin by Bergman, stamped ‘GESCHUTZT’ and faintly a ‘B in a vase’, numbered ‘1835’, late 19th / early 20th century, one leg broken, 5.9cm high, 8cm long. £40-60 468. Sixteen miniature Austrian cold painted bronze and metal figures, of animals, birds and a cave man with two tigers, a robin, two foxes, a cat, a badger, two horses, five dogs, a turtle and a seal, late 19th / early 20th century, 35cm long, max. (16) £100-200 469. Four small Austrian cold painted bronze novelty cat groups, comprising: a pug dog policeman capturing a cat, a cat conductor, a cat lying on a bench, and two amorous cats on a seat, late 19th century, 6.4cm wide, max. (4) £80-120

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470. An Italian Art Deco carved carrara marble model of a lady swimmer, she stands on a rocky base wearing a swimming costume, about to dive into the water, early 20th century, possibly by P. Milonese, 86.7cm high, 40.7cm wide. £500-800

471. Bill Hopen (American b.1951). A cold painted bronze figure ‘THE BALANCE’, limited edition 8/9, the geode stone base signed ‘HOPEN’, 39.5cm high, 27.2cm wide, with original certificate of authenticity. £300-500

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474 472. A white painted wirework planter, with two tiers on scroll supports, 95.3cm high, 92cm wide, 37.6cm deep. £100-200

473. A pair of painted carved wood heraldic rondels, each with a crowned double shield flanked by a pair of dragons and the motto ‘DIEU DEFEND LE DROIT’, with a fluted border, 75.8cm diameter. (2) £800-1,200

474. A Victorian carved marble wall bracket, the frieze centred a star with a band of vine leaves and grapes to an acanthus carved base with bud pendant, 22cm high, 40.7cm wide, 20.8cm deep. £300-400

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475. A collection of cast gilt bronze mounts, of scrolling flowers and foliage, later mounted on painted wood panels, late 18th / early 19th century, 257cm wide, 24.2cm deep, max. (4) £200-300 By repute these mounts were bought in the 1960s from Mallet, New Bond Street and were attributed to Matthew Boulton and his Soho manufactory.

476. A painted wirework semi-circular tiered plant stand, 94.5cm high, 127cm wide, 70cm deep. £100-200

477. A pair of painted and carved wood lidded campana shape urns, each with a Greek key rim above an acanthus wrapped body, 95.5cm high, 45.5cm diameter. (2) £500-800

λ 478. A specimen marble games table, the moulded edge shaped top, to an inlaid chequer board, on a rosewood base with brass castors, 19th century but top and base associated, 75cm high, 81.3cm wide. £200-300

479. An early 19th century mahogany ‘X’ frame stool, with a dropin seat, 52.4cm high, 47cm wide, 34.5cm deep. £200-300

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480. A Regency mahogany extending dining table, the part hinged fold-over top to a concertina action extending to accommodate three additional leaves, on ring turned tapering legs terminating in brass caps and castors, 72.5cm high, 132cm wide, 268cm long. £400-600

481. A set of twelve mahogany dining chairs in George III style, each with a pierced vase splat to a drop-in seat, on carved cabriole legs and paw feet, comprising: a pair of open armchairs and ten side chairs, 20th century. (12) £500-800

λ 482. A set of eight late Regency beechwood and ash simulated rosewood dining chairs, each with a ribbed and bobbin top rail to a spindle splat with a central gilt brass rondel, with rush seats on ring turned tapering legs united by stretchers, comprising: a pair of open armchairs and six side chairs. (8) £400-600

483. A pair of George III mahogany side chairs, each with a trellis splat back to a tapestry drop-in seat on square tapering legs united by ‘H’ stretchers, together with a French oak side chair with a padded back and seat on fluted legs. (3) £100-200

484. A mahogany armchair upholstered with red leather, with turned column front supports, on turned tapering legs. £200-300

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485. A late Victorian oak stationery cabinet, with silver plated mounts and handles, the hinged top applied a shield plaque with a monogram, the front with a plaque dated ‘1898’, with a base drawer that pulls-out and activates the hinged stationery compartment with divisions for letters, stamped with registration number ‘RD 278819’, 10.5cm high, 31.2cm wide, 20.5cm deep. £100-150

486. A Victorian burr walnut work box, with engraved brass mounts, the lid with engraved initials ‘B.H.H’, to a watered silk interior with loops for utensils, 9cm high, 25.5cm wide, 10.5cm deep. £50-80

487. A Victorian walnut and brass mounted table cabinet, the top centred a vacant brass plaque, above two doors enclosing two drawers originally with divisions, with sunken brass handles and a Bramah lock, no key, 25.7cm high, 30.6cm wide, 22.2cm deep. £100-150

λ 488. A Victorian rosewood and mother of pearl inlaid writing slope, the hinged lid with foliate inlay to an interior fitted with inkwell compartments, a pen tray and gilt tooled leather surface, with a brass Bramah lock, 15.2cm high, 40.2cm wide, 25.5cm deep, together with a mahogany writing slope and a mahogany sewing box. (3) £100-150

489. A 19th century continental ebonised scent bottle box, the hinged lid inlaid a brass garter, to a stepped divided and plush lined interior, with a glass box and cover and a scent bottle and stopper, 15.3cm high, 20.7cm wide, 15.4cm deep. £80-120

490. A Victorian walnut toilet box, with ebonised edging, the hinged lid inset a brass shield inscribed with a monogram and the date ‘DECR. 18TH 1876’, the underside of the lid with a leather framed mirror to a divided leather pull-out tray, with various silver plated lidded jars and boxes, with mother of pearl handled utensils to a sprung plush lined base drawer, 17.8cm high, 31cm wide, 23.2cm deep. £250-350

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491. A Victorian ebony and brass mounted travelling toilet box by Asprey, the plush and leather lined interior fitted a mirror and pouch to the lid and with eleven silver topped jars, bottles and boxes, engraved with a mongram ‘SWB’ by James Vickery, London 1865, fitted with utensils, some with mother of pearl handles, some associated, stamped ‘ASPREY MAKER 166 BOND ST. LONDON’, with a brass Bramah lock, to a plush lined base drawer and with a side drawer, 20.7cm high, 38.2cm wide, 25.2cm deep. £1,000-1,500

491 492. An early 20th century French faux leather bound book decanter box, the hinged lid revealing a marbled paper lined interior with two gilt decorated glass decanters and stoppers stamped ‘G.T.CO. Ltd. 6, GRANTHAM PLACE, PARK LANE, MADE IN FRANCE’, 26cm high, 23.3cm wide, 20.8cm deep. £100-200

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λ 493. An early Victorian rosewood and brass library magnifying glass, with a moulded bezel to a turned handle, 37.7 long, 20.6cm diameter. £600-800 λ 494. A Victorian rosewood and bird’s eye maple desk tidy, with turned spindle handles, the base with a paper label inscribed in pen ‘Given to Moia Daoni, by H.R.H. The Princess Royal Christmas 1946’, 9.5cm high, 20.9cm wide, 14.8cm, deep. £200-300

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494 495. A mid 18th century gilt metal travelling inkwell and sander, with rococo decoration 5.5cm wide. £100-150 Provenance: June & Tony Stone Fine Antique Boxes, 75, Portobello Road, London.

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496. A Victorian ebony and brass mounted travelling toilet box by F. West, the hinged lid inset a monogram ‘ECC’, to a plush and leather lined interior, the lid inset a pouch and previously a hand mirror, to twelve cut glass and engine turned silver gilt topped bottles, jars and boxes, all with a monogram, by J. B, London 1870, fitted with various utensils and implements including a corkscrew, stamped ‘F. WEST MANUFACTURER TO HER MAJESTY & THE ROYAL FAMILY, 1 ST. JAMES’S Street’, with a Bramah lock, with side carrying handles and with a base drawer for jewellery, 19.5cm high, 35.6cm wide, 25.7cm deep. £1,000-1,500 496

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497. After Johann Heinrich Troll (Swiss 1756-1824). A set of four handcoloured engravings, views of 'Lake Lanvat', 'Lake of Vallenstadt', 'Lake of the four Cantons above Brumen' and 'The Lake of Sarnen', 'London Published Jany 1803 by Mr Troll', 41.8 x 54cm, in gilt moulded glazed frames. (4) £800-1,200 Provenance: Shrubland Hall, Suffolk. 498. An 18th century Dutch hand coloured engraving of a view of Utrecht, with pinprick decoration, when illuminated giving the impression of the city at night, with inscriptions to the lower edge of the plate, 30.2 x 42.8cm, in a later glazed and ebonised moulded frame. £100-150 499. After Philips Wouvermans (1619-1668). ‘L’EMBRASEMENT DU MOULIN’, a coloured engraving together with two other engravings from the same series, 37.2 x 49cm, together with military engravings after Jacques Rigaud, including ‘The Assault on the main body of the Place’, all mounted, framed and with gilt frames. (6) £300-400 500. After Joshua Reynolds (1723-1792). Two mezzotints by John Dean, ‘Mercury’ and ‘Cupid, in the Character of a Link Boy’, ‘LONDON, printed for R.SAYER & J.BENNETT, Map & Printsellers, No.53 Fleet Street, as the Act directs, Augt 15, 1777’, 40 x 28.5cm, each in a glazed Hogarth frame. (2) £80-120 Provenance: Ex Alicia Pearson, Parham Park. 501. A black basalt seal, carved with a skull and crossbones, 8.8cm high. 500

£80-120

502. A serpentine jar and cover, applied with four bronze lizards and a crab, late 19th / early 20th century, 21.7cm high, 14.6cm wide. £100-150 503. A set of four Victorian brass and copper common seals by Allan Wyon, for the owners of the Middlesborough Estate Limited, engraved with a coat of arms and inscribed ‘The Common Seal of the Owners of the Middlesborough Estate Limited’, contained in a leather lined mahogany case, the lid with a brass plaque and with Hobbs & Co locks and inscribed ‘ALLAN WYON 287 REGENTS STREET LONDON W.’, the seals 10cm diameter, the box 28.3cm wide. £300-500

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504. A pair of bronze and blue john mounted vases, modelled on the Borghese vase, the bell shape krater with an ovolo and dart rim to a relief decorated body of a Bacchanalian procession with Dionysus and Ariadne, to a pair of reeded side handles with mask terminals, with a knopped stem and spreading fluted foot, on a blue john panelled and black marble pedestal, 33.5cm high. (2) £500-800

505. A bronze cigar lighter modelled in the form of a bust of a Moor, on an eagle talon base, the top of his head hinged, 23cm high, 15.7cm wide. £100-150

506. A Victorian gilt brass cross shape stamp box, with five hinged and glazed compartments, each inset a stamp, 5.1cm high, 5.3cm wide. £300-400

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505 507. A pair of Empire gilt and patinated bronze cassolettes, each of a campana shaped urn with a reversible fir cone finial lid, on a white marble plinth inset a plaque of two classical figures possibly Flora, slight differences in height, 32cm high 10cm wide. (2) £300-500

508. A verde antico marble and gilt brass mounted inkstand in Empire style, with a pair of lidded inkwells decorated with flaming urns together with a desk blotter / weight, late 19th / early 20th century, 12.2cm high, 36.cm wide. (2) £100-150

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λ 509. A Victorian Tunbridge ware and rosewood box, the hinged lid with a mosaic panel of a stag within bands of flowers, to a mother of pearl escutcheon and a paper lined vacant interior, 10.7cm high, 22.8cm wide, 15.4cm deep. £200-300

510. An early Victorian Tunbridge ware and ebony tea caddy by Thomas Barton, the hinged lid with a parquetry specimen wood panel to a pair of inlaid lidded compartments, the base with a band of flowers, the underside with a paper trade label inscribed ‘T. BARTON Late NYE, Manufacturer, MOUNT EPHRAIM, AND PARADE, TUNBRIDGE WELLS’, 11.5cm high, 19.6cm wide, 5cm deep. £200-300

511. A Victorian Tunbridge ware and walnut sewing box, inlaid parquetry and feather stringing, the hinged lid with a mosaic view of Tonbridge Castle, Kent, the front and sides with panels of flowers to a fitted interior with three lidded compartments and further divisions with a central pin cushion to the lift-out tray, 14.6cm high, 32.8cm wide, 25.5cm deep. £200-300

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λ 512. A Victorian Tunbridge ware and rosewood side table, the rectangular top with a geometric band to a central panel with a mosaic of Muckross Abbey, Killarney, Ireland, to a mahogany line inlaid base fitted with a frieze drawer, 76.6cm high, 51.4cm wide, 41.2cm deep. £200-300

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513. A Victorian Tunbridge ware and bird’s eye maple table cabinet, with geometric bands, the top and hinged door inlaid mosaic floral sprays, fitted with three drawers with ebonised and bone handles, on disc feet, 17.4cm high, 20.9cm wide, 16.7cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 514. An early 19th century Tungridge ware and rosewood sewing box, of sarcophagus shape, the hinged lid inlaid with parquetry specimen woods to a paper lined interior with a liftout tray with divisions, a lift-out pin cushion, a white wood measure and thimble and with a silk covered pin case on cast gilt feet, 11cm high, 22.2cm wide, 17.3cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes.

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515. A George III harewood and marquetry sewing box, the hinged lid banded in satinwood and inlaid with flowers and leaves to a central oval panel to a paper lined interior, fitted with lidded compartments inlaid with parquetry bands and burr yew panels, with lift-out trays and compartments, fitted with turned wood jars and covers and white wood reel holders, 12cm high, 26.5cm wide, 21.3cm deep. £200-300 Provenance: The Dr Lawrie Webster Collection of Boxes.

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516. A Victorian kingwood writing table, with gilt brass mounts, the serpentine edge top inset a gilt-tooled leather surface to a frieze drawer fitted with a hinged leather writing surface, on cabriole legs to scroll sabot, 74.9cm high, 101cm wide, 57.5cm deep. £500-700

517. An early Victorian oak drum table, the octagonal revolving top with four frieze drawers and four hinged compartments with brass locks stamped ‘MORDAN & CO MAKER LONDON, CROWNED PATENT’, with faceted knob handles on a lappet carved stem and triform base to brass castors, 78cm high, 111cm wide. £500-800

λ 518. An early Victorian rosewood open bookcase, with a panelled frieze above two shelves, 86.5cm high, 99.5cm wide, 31.2cm deep. £300-400

520 519. A Victorian mahogany piano stool, with a revolving seat on carved tripod supports, the iron block stamped ‘HOWE’, 43.5cm high, 39.5cm wide. £40-60 520. A Victorian mahogany Wellington chest, of seven graduated drawers, with a locking pilaster bar and applied with carved leaf corbels, 107.8cm high, 55.6cm wide, 37.7cm deep. £400-600

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521. A pair of cream painted and parcel gilt occasional tables in Regency style, each with a brass gallery on ring turned legs terminating in brass castors, modern, 64.5cm high, 54cm wide, 40.6cm deep. (2) £200-300

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522. A satinwood display cabinet, with painted decoration of ribbon-tied leaves and musical trophies with a pair of glazed doors enclosing three shelves, late 19th / early 20th century, 181.8cm high, 98.3cm wide, 42cm deep. £300-500 522

523. A painted and parcel gilt dressing table, the raised back with a pair of drawers above three frieze drawers with gilt brass handles, on fluted tapering legs, modern, 82.2cm high, 106.4cm wide, 48cm deep. £100-200

524. A pair of painted satinwood armchairs in Sheraton revival style, with ebonised line decoration, the top rails painted with a floral spray above a cane back, sides and seat, on square tapering legs decorated with bell flowers, late 19th century. (2) £300-500

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525. A Victorian mahogany library table, the moulded edge top inset a tooled leather surface above two panelled front frieze drawers with Cope & Collinson brass locks, on arched supports with carved leaf fret panels on ribbed bun feet and sunken brass castors, 78.3cm high, 124cm wide, 68.3cm deep. £600-800 526 525 side

526. A Victorian kingwood and amboyna secrétaire chest by T.H. FILMER & SONS, with gilt brass mounts, the secrétaire with a plush lined writing surface and an arrangement of four satinwood drawers and an ebonised capital arch compartment, above four drawers, two with a gilt brass applied trade plaque inscribed ‘FROM T.H. FILMER & SONS, CABINET, UPHOLSTERY, BEDDING & CARPET MANUFACTORY, 28, 32 & 34 BERNERS ST. OXFORD ST. LONDON. W.’ 123cm high, 59.2cm wide, 36.8cm deep. £800-1,200

527. A late Victorian easy armchair, with scroll arms on mahogany fluted square tapering legs terminating in brass castors stamped ‘C.HINDLEY & SONS, LONDON’, the back right leg stamped ‘04029’. £200-300

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528. An American lacquered wood ‘skyscraper’ cabinet by Maitland-Smith, painted with a faux wood finish and fitted with twenty-one drawers, two cupboards and a pull-out slide, 1970s, 148.4cm high, 47.5cm wide, 51cm deep. £800-1,200

529. A late Victorian walnut aesthetic movement chest by Marsh, Jones and Cribb, with two short and four long graduated drawers fitted with floret knob handles, the top right drawers with an ivorine plaque for ‘JAS. SHOOLBRED & CO. TOTTENHAM CT RD.LONDON’, the brass locks stamped ‘SAML HALL MAKER BIRMINGAM’, the back with the remains of a paper label for Marsh, Jones and Cribb, 114.3cm high, 118.6cm wide, 58.3cm deep. £400-600

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530. A modernist black leather and chrome chaise longue, with an adjustable back-rest cushion, 1960s / 70s, 79.5cm high, 158cm wide, 66.5cm deep. £150-250

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531. A Victorian cast iron stick stand, the reverse and the base of the lift-out tray with a Victorian registration lozenge, 78.3cm high, 53.8cm wide, 24cm deep. £100-150 λ 532. A collection of walking canes and umbrellas, comprising: a gold mounted malacca cane, a carved ivory handled cane decorated with two hunting dogs to a white metal ferrule and a malacca shaft, an ivory handled cane with an ebonised shaft, a silver handled cane with initials ‘R.C.T OCT 27TH 1887’ by Brigg, with a malacca shaft; a horn and silver mounted cane with a crook handle, a malacca cane with a horn handle, a white metal handled cane and four umbrellas, one by Brigg with a silver handle, two others with silver mounts and gold and mother of pearl handled example, and an ivory handled umbrella, with monogram, late 19th century. (12) £150-200

531

533. A Victorian brass and cast iron stick stand, with turned finials and four divisions to a lift-out metal liner, 61.2cm high, 22cm wide. £150-200

532

534. A collection of walking canes, including: a segmented spiral twist horn cane inset a black club plaque and with red oval cross motifs, an Indonesian tribal staff carved with figures, beasts and with a serpent with mother of pearl dot inlay, a carved padouk cane with sailors knots, three ebony canes, one with an elephant head handle, two with dot inlay, and various other canes, 137.1cm long, max. (17) £100-200 535. A collection of walking canes, including: a late Victorian ebony cane with an elephant head handle and an engraved silver ferrule for 1882, five other carved ebony canes, one with bone dot inlay, three palmwood canes, a malacca cane with a dogs head handle carved possibly from rhino horn, with glass eyes, African canes and a cane carved with bird head and axe, engraved ‘PILATUS’, 104.4cm long, max. (17) £100-150

533

534

536. A collection of walking canes, including: a palmwood example, four carved ebony canes, two with bone dot inlay, tribal canes, an ebonised example with a dogs head handle, a hardwood cane with a spiral twist grip and an antler handled root cane, 110.2cm long, max, together with a four division stick stand. (17) £100-200

536 535

535 detail

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538 537

537. A Victorian brass doorstop, modelled in the form of a stag next to a tree, the reverse with registration number ‘58365’, 40.7cm high, 18cm wide. £100-150 538. A set of ten gilt brass curtain pole holders, each in the form of a lady’s hand holding a ring, 18cm high. (10) £80-120 539. A late Victorian brass doorstop, in the form of a basket of fruit and flowers with a loop handle decorated with sheaves of wheat, the lead weight stamped ‘MADE IN ENGLAND’ 36cm high, 15.2cm wide. £150-250 540. A William IV brass and cast iron doorstop, with a loop handle and a scroll base, 37.8cm high, 14cm wide. £80-120 539 541. A large collection of door and curtain furniture, in ormolu, brass and gilt plaster including door handles and knobs, curtain tie-backs, curtain pole ends and a door knocker. (A lot) £80-120

541 540

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542 542. Five milliner’s wooden hat blocks, one on a stand, some with inscriptions ‘JONES. F.M. 54. LEYS DOWN RD SE9. BIG HEAD’, 29.3cm high, max. (5) £300-400 543. Two late 19th century French soda siphons by Briet, each with two glass and wicker globes with pewter taps to a ceramic base, stamped ‘GAZOGENE BRIET and BRIET PARIS’, together with a similar bottle flask, 50.7cm high, 18cm diameter, max. (3) £300-400 544. A late Victorian amboyna wood floor standing stereoscopic viewer, the double lidded top above revolving and focusing knobs and notable eyepieces, the square section case with a double plinth and ebonised mouldings flanked by drop handles, the revolving mechanism containing a set of cards, 47in (119cm) high. £300-500 545. A pond yacht, with cotton sails and on a cradle stand, 157.8cm high, 162cm long. £150-250 543

544

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545

546. A Scottish carved wood and painted half block model of a salmon, probably by Fochabers Studio, the salmon mounted on a simulated oak plaque with an inset fish hook fly and inscribed in gilt ‘16LBS. KILLED BY T.W.L.B. AULTDEARG POOL, SPEY. JUNE 30, 1923.’, 32.4 x 103.5cm. £3,000-4,000

547

549 548

547. Four carved wood and painted decoy pigeons, 35.7cm long. (4)

£350-450

548. A pair of late 19th century continental papier-mâché game plaques, each with an oval painted wood plinth and decorated with a dead duck and a fish, 68.8cm high, 23.5cm wide. (2) £200-300 549. A pair of painted carved wood models of seated dogs, 49.5cm high, 26.7cm deep. (2)

£300-500

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551

550 550. A pair of late 19th century Black Forest type oak and antler stick racks, each with a carved dog mask with glass eyes, 60cm high. (2) £400-600 551. A fruitwood and mahogany horse measuring stick by Arnold & Sons, with brass mounts, the arm with a level with measurements up to 6ft 6in and inscribed ‘ARNOLD & SONS, WEST SMITHFIELD’, 204cm high, 50.5cm wide. £300-400 552. A cold painted metal and gilt brass novelty jockey inkwell, in the form of a horse’s leg and whip, with a hinged cap revealing the well, stamped ‘9’, late 19th / early 20th century, 25.5cm wide. £150-200 553. Two leather ‘leg of mutton’ shot gun cases, one inscribed ‘W. ARKWRIGHT, SUTTON SCARSDALE’, the other with initials ‘K. J. W.’, 76.6cm long, together with a George III engraving, ‘SHOOTING’ after George Stubbs. (3) £80-120 Provenance: William Arkwright Esq. (b.1857) was a descendant of the famous Sir Richard Arkwright of Spinning Jenny fame. He was a very keen dog breeder and published ‘The Pointer and His Predecessors’.

552

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553

554. A papier-mâché and fish skin model of a ‘Feejee’ mermaid, the monkey head with glass eyes to a pair of bird legs and talons and fish body, possibly 19th century, 17cm high, 67.2cm long. £300-500 The ‘Feejee Mermaid’ was an example of a traditional art form perfected by Japanese and East Indies fishermen. They made faux mermaids by sewing the head of a monkey onto a fish body. In 1842 an example was at the centre of a famous sideshow hoax devised by P. T. Barnum and Levi Lyman.

555

557 555. A large white coral specimen, in a glazed case, 19th century, 63.3cm high, 34.7cm wide, 12.2cm deep. £150-250 556. A Coco de Mer (Lodoicea Maldivica), with a yellowy brown patination, 28 x 23 cm. £300-400 557. A Zebra skin rug, mounted on a felt backing, 338.5 x 194cm. 556

£450-550

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558. A late Victorian collection of minerals and metals arranged by S. Henson, the mahogany case with three lift-out trays each fitted with fifty card compartments, with numbered specimens listed in a catalogue with name and place of mining, inscribed ‘CATALOGUE of a Collection of Minerals and Metals, Arranged by S. HENSON, 97 REGENT STREET, LONDON .W’, the case with paper trade labels inscribed from ‘S. HENSON, MINERALOGIST, & C, 97 REGENT ST., LONDON, W.’, the minerals including: graphite, native sulphur from Sicily, carnelian from Japan, magnetite from Sweden, and Redruthite from Chile and various sapphires and rubies, 13cm high 39cm wide, 26.1cm deep. £500-800

558

559. A modern Moroccan fossil stone wash basin, 61.3 x 103.5cm. £400-600

560. Fishing interest. Two wicker fishing creels, one with leather mounts the other with a canvas strap, 27.2cm high, 35.2cm wide, max. (2) £200-300

561. Theatrical interest. Two leather suitcases by George Parker & Sons, each inscribed ‘IAN HALL FROM EMILE LITTLER’, and with makers stamp ‘GEORGE PARKER & SONS, MAKERS. LONDON. WC.’ with travel label to the exterior and with brass locks and mounts. 19.2cm high, 71.4cm wide, 44cm deep, each with a key. £150-250

562. An early 20th century leather car trunk, with brass studs and the remains of paper labels, with side carrying handles, the interior canvas lined, 28.2cm high, 78cm wide, 53.5cm deep. £200-300

Emile Littler (1903-1985) was a theatrical impresario, producer and author. His theatrical productions included: Annie Get Your Gun, Once in a Lifetime and Zip Goes a Million. He also presented more than two hundred Christmas pantomimes.

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Furniture & Works of Art Wednesday 25th March 2015 Entries are now being accepted for this sale

ENQUIRIES Mark Richards Tel: +44 (0)1722 411854 markrichards@woolleyandwallis.co.uk

A fine William IV mahogany library table attributed to Gillows of Lancaster. Estimate: ÂŁ15,000-20,000

Silver, Medals & Coins Wednesday 21st January 2015

A fine Great War triple gallantry D.S.O. and Bar, M.C. and Four Mentions in Despatches, group of seven decorations and medals, awarded to Lt. Col. Percy Norton Whitestone Wilson, Royal Fusiliers. Estimate: ÂŁ7,000-10,000

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

Percy Wilson wearing his medals.

Tribal Art Tuesday 10th February 2015

An Austral Islands paddle, 2nd quarter 19th century, 124cm long. Provenance – William Raymond Browne (1819 – 1907) Collected in New Zealand before 1878 and thence by descent. Estimate: £2,000-3,000

ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com , subject to approval. There is a 3% charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

LW AY W ES T IL

D SR SE VI DE

CENTRAL CAR PARK

N SCOTS L SALISBURY S OUT H

MARLBOROUGH & SWINDON

ST WE

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CHIPPER

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WOOLLEY & WALLIS

LN SALT

WINCH ESTER ST

N EW

LL R O AD

Salisbury Salerooms e

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A36 Ch

WILTON & WARMINSTER

Sarum Business Park

Westover Garage

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ND WY

MR HA

Old Sarum Park

A36(T) CH URC HIL L

WILTO NR DA

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EET STR TLE CAS

A3 60

Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

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D OA

Old Sarum Kia Motors

R EY

WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

AMESBURY & MARLBOROUGH

E LS

HL AS

CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

r Po

A345 Castle Rd

L C ANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

T ST ANN S

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

SOUTHAMPTON CATHEDRAL

UT SO

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE TO SALT LANE TOSTREET CASTLE STREET & WALLIS WOOLLEY FROM DIRECTIONS PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D A30

94 NEW H

D PAY AN Y DISPLA RK CAR PA

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NT O

A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

A354 DORCHESTER WEYMOUTH & BLANDFORD

SALT LANE

LANE

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STR

SALT

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( T)

WIN

A36

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A36(T) SO UTHA MPT ON R

BED

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

WOO L LE Y & WA L LI S Absentee Bid Form Furniture & Works of Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 8th January 2015 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR 2015 SILVER 20th & 21st January 29th April 14th & 15th July Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 22nd January 30th April 16th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 10th February Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 11th February 17th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 24th February– Fine Porcelain & Pottery 21st April – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 25th February – A Private Collection of British Art Pottery 15th April – Clarice Cliff, Art Deco & 20th Century Design 17th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS 11th March 3rd June Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk ARMS & ARMOUR 25th March Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 25th March 1st July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk ASIAN ART 20th & 21st May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk