Woolley & Wallis

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery

Thursday 1st May 2014

JEWELLERY

Thursday 1st May 2014 at 11.00am Viewing Times Saturday 26th April Monday 28th April Tuesday 29th April Wednesday 30th April Thursday 1st May

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

LIVE BIDDING

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Front cover: Lot 1900 Inside front: Lot 1903 Back cover: Lot 1901 Above: Lot 1827 Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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424505

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Doméracki Freya Yuan

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424506 424591 424583 424589

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE Mark Richards Jim Gale JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

424500 424599

MARKETING Tamzin Corbett

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424590

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424500

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424500

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young

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411854 339161

SALEROOM MANAGER David Jordan

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424504 424595

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

PAINTINGS Victor Fauvelle Jo Butler

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424503 424592

SILVER Rupert Slingsby Lucy Chalmers

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424501 424594

TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs — Gemma Bush —

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

339752 339752

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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FRICS FRSA

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424599

Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot.

These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life-sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. âœŁ Lots marked with this symbol contain gemstones including rubies, sapphires and jade of Burmese origin and are not permitted for import by The United States of America.

CITES REGULATIONS Please note that lots marked Îť may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

3

1500

1501

1503 1502

1500. A canvas and leather bound album containing sixteen pages mounted with monochrome paintings of jewellery designs. For R.G.Hennell and believed to be by A.W.Tutt. 24.5 x 30cm. £100-200 1501. A jewellery box containing a gold fancy link chain, two gold brooches, a gold cross on a fine link gold chain and various items of jewellery and costume jewellery etc. £200-300 1502. A Victorian amethyst and seed pearl set gold brooch, a single row cultured pearl necklace, and various other items of gemset jewellery, paste jewellery and costume jewellery. £200-300 1503. An antique diamond and red stone set floral ring, set overall with cushion shaped diamonds in gold. The flower head centred with a small red stone. Bifurcated shoulders. Size T. Case. A flower head brooch set with rose cut diamonds in silver and gold. An Edwardian gold seed pearl and turquoise set star form brooch pendant. A small brooch mounted with two birds set with rose cut diamonds. A single row matched cultured pearl necklace, and various items of jewellery, costume jewellery etc. £200-300

1504

4

1504. Various assorted earrings, a single row graduated cultured pearl necklace, a steel Bulova Accutron wristwatch, a carved shell cameo brooch, and various items of jewellery and costume jewellery etc. £100-150

1505

1506

1505. A large quantity of jewellery including three gold wristwatches, a 9ct gold bangle, a gentleman’s wristwatch by Rotary and various gold necklaces, earrings, rings and other items of costume jewellery. £500-700 1506. A jewellery box containing two gold cross pendants, a diamond a seed pearl set gold brooch, a ladies 9ct gold wristwatch and various items of jewellery and costume jewellery etc. £300-400 1507. A collection of jewellery including a suite of banded agate jewellery, an untested pearl and diamond cluster ring set in gold, a cabochon amethyst and seed pearl mounted gold ring, a wristwatch and an amber coloured bead necklace. £200-300 1508. A Victorian diamond brooch, the intertwined diamond loops set with a ruby and pearl in silver and gold. A diamond five stone ring, a George III gold mourning ring, a pearl mounted gold coronet hair slide, five rings, two brooches, a gold bracelet, a turquoise set gold stick pin, a silver butterfly brooch, two cultured pearl necklaces and other silver items of jewellery. £200-300

1507

1508

5

1509 1510

1511

1512

1513

1509. Various items of jewellery including a pearl and diamond set silver and gold stylised bow brooch, cased. A late 19th century Austro-Hungarian enamel and silver St George and the dragon brooch. Two brooches, a quantity of coral beads and a quantity of rose quartz beads. £300-400 1510. A 9ct gold gate link bracelet, 22g. A small sapphire and diamond set gold cluster ring. Two cameo mounted gold brooches. A wristwatch and two necklaces. £150-250 1511. A rutilated quartz a textured gold pendant, marked D&F, a diamond set cruciform pendant, and twelve other items of gold gem set jewellery. £200-300 1512. Six assorted shell cameos, depicting various women in profile. £100-150 1513. A pair of diamond stud earrings, a pair of sapphire and diamond pear shaped drop earrings, a pair of sapphire and diamond cluster earrings, a pair of ruby and diamond cluster earrings, and pair of gold mounted onyx drop earrings. £500-700

1514

1514. A small gold locket pendant, with seed pearl mounted forget me not on blue guilloche enamel ground and with glazed locket compartment containing hair to the reverse. A gold fob seal in the form of a squirrel.

Uncarved bloodstone matrix, 2.5cm high. Three similar pearl and diamond set earrings (one pearl missing). A pendant set with two miniature eggs with damaged enamel decoration. A pair of earrings and two fittings. £150-250 1515. A turquoise and diamond set cluster ring, set in gold, size N. A pair of 18ct gold bean form cufflinks, two further pairs of cufflinks and a ladies gold wristwatch. £200-300

6

1515

1518

1517

1516

1521

1519 1520

1523

1522 1516. A yellow gold articulated necklace set with graduated circular cut diamonds, a ruby and diamond cluster pendant, a sapphire and diamond cluster pendant, a ruby and diamond five stone ring and a garnet and diamond cluster ring. £400-600

1521. A pair of jade earrings, the drop shaped jade cabochons suspend from two small diamonds in white gold. An Edwardian gold brooch alternately set with graduated circular cut pink stones and seed pearls, and a stylised gold comet brooch, the cluster centred with a moonstone within a surround of seed pearls. Cased by Hemming. £300-400

1517. An articulated white gold necklace suspending a black cultured pearl and a circular cut diamond, with a matching pair of cultured pearl and diamond earrings. £200-400

1522. Fifteen assorted gem set gold rings, including a diamond full circle eternity ring, size P 1/2, a garnet three stone ring, a lapis lazuli cabochon ring and a diamond cluster ring. £300-400

1518. A diamond set carved coral mounted gold pendant, on fine link gold neck chain. With matching diamond coral and gold earrings. £100-150

1523. A pair of 9ct gold oval cufflinks mounted with two horse heads with ruby eyes, a pair of 9ct gold fox mask cufflinks with ruby eyes and a pair of gilt metal knot cufflinks. And a 9ct gold coaching horn brooch. £400-600

1519. A George III two colour gold mounted carnelian intaglio fob seal, carved with a Bacchanalian scene. The matrix 1.7cm wide. A citrine mounted metal seal, a hardstone and compass mounted spinning fob seal and a carved carnelian seal, carved with Islamic decoration. And an unmounted carnelian ‘Beware’ seal. £200-300

1520. A spherical rock crystal pendant, surmounted with a coral and diamond set star, an agate mounted gold ring applied with a crest and another bloodstone mounted gold ring applied with initials. £200-300

1524

1524. An opal three stone ring, the three opals interspersed with circular cut diamonds in yellow gold. Size M 1/2. And a navette shaped pearl set yellow gold ring. Size M. £200-300 1525. A sapphire and diamond set triple cluster ring in gold. Size V. And a full circle platinum eternity ring set with diamonds and three sapphires. Size Q. £300-400 1526. A ruby and diamond cluster ring, set with marquise shaped rubies and circular cut diamonds in white gold. Size O 1/2. A diamond full circle eternity ring, set in white gold size O and another red and white stone set half hoop ring. £300-400

1525

1526

7

1529 1528

1527

1531 1530

1532

λ 1527. A collection of 19th century pique set tortoiseshell hair combs.

£100-200

1528. A pair of hemisphere shaped basket-weave gold earrings, a pair of gold cross earrings and a pair of diamond set textured gold square shaped earrings. £400-600 1529. A cushion shaped diamond set gold ring, size S. And a gold mounted brown and white mottled hardstone pendant.

£200-300

1530. An Edwardian seed pearl set gold sunburst brooch, 2.6cm wide. And another seed pearl set gold foliate brooch. 3.8cm wide. £100-150 1531. A bombé shaped tourmaline and diamond set gold ring, the square shaped tourmaline set either side with oval shaped diamonds in yellow gold, size R. With a matching pair of tourmaline set gold rope design earrings. £400-600 1532. A 9ct gold fountain pen by Swan, lever filling, engraved with striated decoration overall and the cover and body with London marks for 1928. Additional initials MT Ltd in script. Cartouche engraved with name. 13.5cm. £400-600 1533. A gold cylindrical link necklace, 76cm, 20g. Stamped 9ct. A three row gold fancy link necklace (damaged). 49cm. 27g. Stamped 9ct.

And a short fancy link pink gold and platinum bracelet. 15cm. 16g. £600-800 1534. An 18ct yellow gold Albert watch chain, 39cm. 39g.

£500-700

1535. A 19th century gold long guard chain, the fancy links (broken) with a gold clasp depicting a hand clenching a snake and set with a small ruby and turquoise cabochon. 126cm. 37g. £300-400

1534

8

1533

1535

1537

1538

1536

1539 1540 1536. A gold charm bracelet, the 18ct gold curb link bracelet is mounted with assorted gold charms. 177g in total. £1,000-1,500 1537. A gold charm bracelet, mounted with assorted charms and two half sovereigns. 62g. £600-800 1538. A gold charm bracelet, the 9ct gold curb link bracelet mounted with assorted gold charms. 77g in total. £600-800 1539. A 9ct gold combination sovereign case and vesta match case, with pendant loop and engraved with an inscription dated 1910.

6.5cm. 39g. £250-300 1540. A 9ct gold circular vesta match case. Chester hallmarks for 1905. 4.2cm diameter. 17g. £100-150

1541

1541. A 9ct gold rectangular and shaped card case, engraved with crest and motto. 9ct marks for Chester 1917. Presentation inscription dated 1917. Engine turned pattern. 8cm wide. 30g. £180-250 1542. A 9ct gold match case cover by Cartier, of rectangular form with engine turned pattern to both sides, presentation inscription engraved to the interior and dated 1933. Stone set thumbpiece. Maker JC. 6cm. 30g. Fitted case by Cartier. And a square form silver compact applied with gold initials. 8.3cm wide. Fabric cover. And a metal minaudière. £400-600 1543. Withdrawn 1544. A 9ct gold cigarette case, engraved with motto to the interior.

10.7cm high. 133g. £650-750

1544

1542

9

1545. A sapphire and diamond set white gold spray brooch, 5cm wide.

£600-800

1546. A pair of diamond stud earrings, the two circular cut diamonds weigh approximately 0.60cts in total and are set in white gold. £650-750

1547. A diamond pendant, set with eight graduated square shaped diamonds in white gold. Fine link white gold neck chain. Cased. £100-200

1548. A gold and steel penknife by Cartier, the gold discs rotate to reveal the steel blade signed Cartier, France. 17.5cm (extended). Fitted Cartier box. £100-150

1549. An Indian gold ring set with four rose cut diamonds, with red, blue and green enamel decoration. Size M. Case.

£500-700

1550. A gem-set stylised gold floral brooch, set with diamonds, rubies and sapphires, 8.5cm. 32g.

£500-700

1551. A gold wristwatch with gold band, the circular dial with Arabic numerals and subsidiary seconds dial, missing winder. The back engraved and dated 1944. Gold mesh band. £200-300

1552. A French gold rectangular wristwatch, the pink dial signed Omega, with luminous Roman numerals and subsidiary seconds dial.

Movement signed Omega 10311478. The case numbered 10636550. The dial 2.2cm long. Brown leather band. £800-1,200

1553. A diamond set starburst design yellow gold brooch, centred with nine small circular cut diamonds. London marks for 1972. 5.5cm wide. Rubbed makers mark. In the style of Andrew Grima. 23g in total. Fitted case. £400-600

1554. A square faced thin wristwatch by Universal, signed silvered dial with plain baton hands. Sunburst pattern engraved to the bezel.

Engraved to the reverse and dated 1967. The case numbered 27194. Black silken leather band with Universal gold buckle. Cased. £300-400

1555. A ladies French gold wristwatch, the square pink gold face signed Lecont. Leather band.

£200-300

1556. A ladies Art Deco diamond set dress wristwatch, the rectangular dial signed Dores. The bezel and shoulders millegrain set with circular cut diamonds in platinum and white gold. Damaged mesh band. Case. £500-700

1557. An unsual yellow and white gold bangle by Cartier, signed and numbered 76606. 7cm wide. Red leather Cartier pouch. £1,000-1,500

1558. A long and heavy 9ct gold flat curb link necklace and bracelet, the necklace 61cm, the bracelet 22cm, 154g in total. And a 9ct gold fringe necklace, 42cm, 14g. £1,000-1,500

1559. A gold plated table lighter by Cartier, signed Cartier Paris to the base and numbered G69486. Fluted decoration. 12cm.

1560. A pair of diamond set ear studs, the circular brilliant cut diamonds are set in white gold. Cased.

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£80-120

£200-300

1547

1546 1549

1545

1550

1548 1553

1557

1556 1551 1558 (2)

1552

1555

1554

1559 1560 items not actual size

11

1561

1562

1563

1564

1565

1566

1561. An untested single row pearl necklace. The pearls graduate from 2.06-6.76mm. Diamond set clasp. 46cm. £200-300

1564. A gold gate-link bracelet, mounted with seed pearls (one missing) 18.5cm. Fitted case by Carrington. £300-400

1562. A two row fine link gold chain bracelet, alternately mounted with chrysoprase cabochons and flower heads set with rose cut diamonds. 18cm. £200-300

1565. A French gold filigree bracelet, the eight oval panels with scrolling filigree decoration. French control marks. 19cm long. £600-800

1563. An Edwardian peridot and seed pearl set gold bracelet, the three quarterfoil panels are each centred with a square shaped peridot (one chipped). £200-300

1566. An early 20th century diamond set cocktail watch, the oval dial with Arabic numerals within a surround of single cut diamonds.

On 9ct gold rope design band. 16.5cm long. the case 1.4cm wide. £100-200

12

1567

1568 1571

1575

1576

1577

1572

1578 1573

1569

1579

1570 1574 1567. A sapphire, diamond and pearl set bar brooch, the oval shaped sapphire is set within a surround of diamonds and with two seed pearl terminals in gold. Cased. £400-600

1574. An Edwardian seed pearl necklace, of foliate scroll form on a fine link gold neck chain. Fitted case. £300-400

1568. An 18ct gold hinged bangle, mounted with seven graduated oval shaped sapphires and each separated with two small diamonds.

London marks. 21g. £750-1,000

1575. A diamond set double clip white gold brooch, the two clips separate and are each set with graduated circular cut diamonds. 7cm wide. 30g. £600-800

1569. A Russian diamond and ruby set brooch, set with graduated diamonds and calibré cut rubies in silver and gold in a palmette design. Obscure Russian marks. 7cm. £1,100-1,500 1570. A diamond and black velvet mounted white gold stylised bow design brooch, 4.5cm wide. £600-800 1571. A diamond seven stone ring, the graduated round brilliant cut diamonds are set in yellow gold. Size K 1/2. £150-200

1576. An early 20th century ruby and diamond brooch, of geometric form and millegrain set with circular cut rubies and diamonds in yellow gold and platinum. 5.5cm long. £200-300 1577. A pair of sapphire and diamond cluster earrings, each circular cut sapphire is set within a surround of round brilliant cut diamonds in platinum and white gold. Case. £600-800

1572. A Victorian circular gold brooch centred with a cluster of kite shaped garnets, small diamonds and pearls. Green enamel border and pearl set engraved circular frame. 4.2cm wide. £300-400

1578. A small French gold open faced fob watch, the white enamel dial with black Arabic numerals and gold hands. Broken glass. The reverse cover mounted with a cushion shaped diamond. £100-200

1573. An Edwardian gold closed crescent brooch, alternately set with graduated seed pearls and old circular cut diamonds. Fitted case. £200-300

1579. A pair of cabochon amethyst mounted gold cufflinks. £250-300

13

1580. A two row untested pearl necklace, with a diamond set gold clasp. 50cm. £400-600 1581. A single row cultured pearl necklace, set with an opal and diamond clasp, the solid white opal cabochon set within a surround of rose cut diamonds in silver and gold. 46.5cm long. £500-700 1582. A nine row cultured pearl necklace, with a circular gold clasp set with diamonds and cultured pearls. 42cm long. £100-150 1583. An untested six row seed pearl necklace, the graduated pearls are 50cm (longest). With vacant gold clasp. £200-300 1584. A fringe necklace formed as a single row of graduated amethyst beads, and suspending lapis lazuli, chrysoprase or orange carnelian bead pendants, 39cm. £1,300-1,500 1585. A diamond set white gold spray brooch, 4.5cm high. £600-800 1586. An Edwardian diamond and untested pearl set circular pendant, set overall with graduated old circular and rose cut diamonds and four pearls in platinum and white gold. 2.6cm wide. £700-900 1587. An early 20th century citrine and seed pearl set pendant, the oval shaped citrine is set within a surround of seed pearls and suspending two pear shaped citrine and seed pearl drops on a yellow gold and platinum fine link neck chain. Fitted case. £650-850 1588. An Edwardian gold bangle, applied with seed pearl set foliate decoration in yellow gold. £100-200 1589. A circular gold framed and mounted miniature portrait brooch, depicting a lady with blue bonnet. Alternating diamond and ruby border and with mauve enamel bow. 2.9cm wide. Case. £100-200 1590. A pair of sapphire and diamond drop earrings, each set with an oval shaped sapphire within circular cut diamond surround and suspending from a further diamond and sapphire in white gold. £300-400 1591. A gold filigree necklace suspending emerald bead pendants. £200-300

1584

1585

1581 1586

1580

14

1583 1582

1588

1587

1590

1589

1591

1592

1592. A three stone diamond pendant, the graduated circular cut diamonds are set in white gold. On fine link white gold neck chain. 40cm long. £500-700 1593. A regimental gold bracelet, the gate link bracelet centred with a square gold plaque for the 2nd Life Guards, with blue and red enamel decoration. 7cm. 29g. £300-400 1594. A gold mesh strap bracelet, with adjustable slide and applied with scroll pattern. 56g.

£800-1,200

1595. A red jasper mounted gold vinaigrette, the small oval box with carved jasper mounted cover, with pierced and hinged grille, 3.0cm wide. And a moss agate mounted gold vinaigrette, rectangular form and with pierced hinged grille, 2.8cm wide. £100-200 1596. An agate mounted gold vinaigrette, the hinged cover mounted with a banded agate, pierced and hinged grille depicting thistles and roses. 3cm wide. And a banded agate mounted gold vinaigrette, the oval hinged cover mounted with a brown agate, pierced hinged grille, 3.3cm wide. £100-200 1597. An untested pearl and diamond bar brooch, the pearl is millegrain set within a surround of circular cut diamonds in platinum. 6cm wide. Fitted case by The Goldsmiths and Silversmiths Company. £200-300

1593

1594

1595

1597 1596

15

1598. An Arts and Crafts silver and enamel pendant, the circular design applied with silver circles and blue enamel, suspending a further silver and blue enamel pendant. Rubbed marks for J and Birmingham 1908. £100-200 1599. An Arts and Crafts silver and enamel pendant by Murrle Bennett & Co, depicting lily of the valley within blue and green enamel surround, suspending an oval shaped pendant and with two further oval panels to the silver fine link neck chain. Marked MB&Co with blue counter enamel to reverse. £300-400 1600. An Arts and Crafts silver and enamel necklace in the Guild of Handicraft's style, applied with pearls and blister pearl drops on a fine link silver chain. The chain mounted with two corresponding enamel and pearl panels suspending blister pearl drops. £250-350 1601. An Art Nouveau pearl and diamond set gold brooch, in the form of a mythological creature clasping the diamond set pearl within its mouth and a diamond set eye. Size L. £250-350 1602. An Arts and Crafts silver and enamel pendant, applied with seed pearls and a blister pearl on textured blue and yellow enamel ground.

On fine link silver neck chain. £100-200 1603. An Arts and Crafts silver pendant by Charles Horner, the Celtic knot design applied with blue enamel and on a fine link silver neck chain. Marked C.H and Chester 1911. 56cm long (total). £100-150 1604. An Arts and Crafts silver and enamel pendant by G.Vale & Co, the stylised ivy applied with blue and green enamel and a central mother of pearl section, suspending an enamel panel below and with two further enamel panels to the chain. Marked for G.V&Co, Birmingham 1923. 3.6cm wide. 34cm long. £250-350 1605. An Arts and Crafts silver and enamel pendant, centred with graduated mother of pearl sections, with corresponding silver and enamel panels to the silver neck chain. 51cm long in total. £100-150 1606. An Arts and Crafts silver pendant by James Fenton, applied with green and blue enamel and suspending a further enamel section on fine link silver neck chain. Marked J.F and Birmingham 1909 to reverse. £250-350 1607. An Arts and Crafts silver and enamel butterfly pendant, the body set with mother of pearl and red stone eyes, with blue counter enamel and on a fine link silver neck chain. 3.7cm wide. The chain 48cm long. £100-200 1608. An Arts and Crafts silver and enamel pendant by Charles Horner, the symmetrical design applied with graduated blue enamel. Marked C.H and Chester 1911. 4.7cm long. The chain 46cm long. £200-300 1609. An Arts and Crafts silver and enamel brooch by James Fenton, marked J.F and Birmingham 1909. 2.5cm wide.

£100-150

1610. An Art Nouveau dragonfly ring, designed with plique à jour enamel wings and a circular cut diamond body in yellow gold. Size J (approximately). £800-1,200 1611. An Arts and Crafts silver pendant attributed to Smith & Ewen, applied with pink and blue enamel and suspending a further silver section. Marked S&E to reverse and Birmingham 1909. 5cm long. £150-200 1612. An Art Nouveau ‘Whiplash’ design silver pendant by Adie & Lovekin, C1910 applied with blue and white enamel and suspending a further enamel drop. On fine link silver neck chain. 54cm long in total. £150-250 1613. An Arts and Crafts silver Queensway brooch, applied with green and blue enamel within millegrain set mother of pearl terminals.

Marked Queensway to reverse. 4.2cm wide. And a silver pendant attributed to Smith and Ewen, applied with blue and green enamel on silver neck chain. Marked S&E and Birmingham 1910 to reverse. 49cm long (total). £150-250 1614. An Art Nouveau emerald set gold brooch, depicting a nymph within wheat sheaves and a flower and three emerald cabochons in yellow gold. 4.6cm wide. £1,100-1,500 1615. An Art Nouveau jade and diamond brooch pendant, depicting a gold nymph within graduated diamond set heart and encompassing a carved oval shaped jade panel within silver and gold. 3.8cm wide. £1,400-1,600 1616. An Edwardian diamond and seed pearl set gold and platinum brooch pendant, centred with a diamond and pearl set floral section on blue guilloche enamel ground. Within an ornate frame and surmounted with a bow set with small diamonds. Missing pendant loop. £400-600 1617. A double dragon brooch, the two dragons are clasping an oval shaped turquoise cabochon with dematoid garnet eyes and a small diamond. 2.5cm wide. £500-700 1618. An Art Nouveau ‘Aerial’ design silver pendant by Liberty & Co, C1905, applied with blue and green enamel to the upper section.

Marked L&C to reverse. On fine link silver neck chain. 45cm long. £300-400 Literature: For a similar pendant see The Liberty Style by Victor Arwas.

16

1598

1604 1599 1606

1602

1603 1608

1605 1601

1610

1607

1600

1613 part

1613 part

1609 1612 1611

1618

1617 1614

1615

1616

17

1619. An emerald cut aquamarine mounted white gold ring, unusual abstract form mount. Size M.

£1,500-2,000

1620. A yellow sapphire and diamond three stone ring, the octagonal cut sapphire is set in white gold with two round brilliant cut shoulder diamonds. Size P. £1,200-1,500 1621. An amethyst and diamond cluster ring, the oval shaped amethyst is set within a surround of old circular cut diamonds in silver and gold. With stylised fleur de lys shoulders. Size R 1/2. £600-800 1622. A diamond three row ring, set with twenty one graduated circular cut diamonds in yellow gold. Size Q.

£100-200

1623. A diamond solitaire ring, the round brilliant cut diamond weighs approximately 1.10cts and is set in platinum and 18ct yellow gold.

Size O. £2,000-2,500 Accompanied by report number 0017591 from The Gem Testing Laboratory of Great Britain dated 7th November 2007 stating that the round brilliant cut diamond measures 6.61 - 6.78 x 4.06mm, weighs 1.12cts, with E colour SI1 clarity.

1624. A ruby and diamond cluster ring, the ruby is set within a surround of eight circular cut and two baguette shaped diamonds in white and yellow gold. Size N. £1,200-1,500 1625. A diamond cluster ring, the centre old circular cut diamond is set in white gold with further circular cut and baguette shaped diamonds.

Size O 1/2. £1,500-2,000 1626. A pink sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of twelve round brilliant cut diamonds in yellow and white gold. Size M 1/2. £2,000-3,000 1627. A diamond solitaire ring, the old circular cut diamond is set in 18ct yellow gold. Size J. 1628. A diamond solitaire ring, the circular cut diamond weighs approximately 2.40cts and is set in platinum. Size M 1/2.

£300-400 £3,000-4,000

1629. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of round brilliant cut diamonds in yellow and white gold. Size N. £200-300 1630. A diamond set snake ring, the two snake heads are each set with a small diamond. Chester marks for 1917. Size R.

£300-400

1631. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of twelve circular cut diamonds in yellow gold and platinum. Size O £500-700 1632. A diamond solitaire ring, the old circular cut diamond weighs approximately 1.15cts and is set within a surround of smaller diamonds in white gold. Size L. £1,700-1,800 1633. A diamond three stone ring, the three old circular cut diamonds are set in yellow gold. Size M 1/2.

£500-700

1634. An opal and diamond cluster ring, the oval shaped crystal opal is set within a surround of round brilliant cut diamonds in white gold.

Size O. £600-800

✣ 1635. A ballerina style ruby and diamond set cluster ring, the circular cut ruby weighs approximately 1.92cts. The tapered baguette shaped diamonds weigh approximately 2.50cts in total. Set in white gold. Size M 1/2. £6,000-8,000 Accompanied by report number 207216 from Laboratoire Francais de Gemmologie dated 23rd May 2013 stating that the ruby measures 6.8 x 7.1 x 4.5mm, with no indication of heat treatment. Origin opinion. Burma.

1636. A natural pearl set gold ring, of cruciform design and set with five pearls in yellow gold.

£150-250

Accompanied by report number 09422 from The Gem and Pearl Laboratory, London dated 11th February 2014 stating that the two part-drilled pearls as a sample from four mounted in the ring measure 1.87cts and 1.08cts (one with a worked area to its side). Both are natural saltwater pearls.

1637. A diamond solitaire ring, the circular cut diamond weighs approximately 0.45cts and is rub-over set in white gold. Size L 1/2. £100-150 1638. A full circle sapphire eternity ring, the calibré cut sapphires set in platinum. Size L 1/2.

£200-300

1639. A diamond solitaire ring, the oval shaped diamond weighs approximately 1.60cts and is rub-over set in a wide white gold band. Size Q. £800-1,200 1640. An emerald and diamond cluster ring, the rectangular shaped emerald is millegrain set within a surround of old circular cut diamonds in yellow and white gold. Cut shank. Size M 1/2. £1,000-1,500 1641. A ruby, sapphire and diamond cross-over ring, each shoulder set with five round brilliant cut diamonds and terminating with an oval shaped ruby or an oval shaped sapphire. Size M 1/2. £400-600 1642. A full circle ruby eternity ring, the calibré cut rubies set in platinum. Size N.

£200-300

1643. An emerald and diamond three stone ring, the emerald cut emerald is millegrain set within two circular cut diamonds in yellow gold.

Size O 1/2. £1,500-2,000 1644. A French unusual wood and gold ring, set with five oval shaped yellow stones in yellow gold mounts. French control mark and obscure maker’s lozenge. Size L. £300-400 1645. A diamond three stone ring, the three round brilliant cut diamonds are set in 18ct yellow gold, size W. 1646.

£300-400

An opal and diamond cluster ring, the white opal cabochon is set within a surround of cushion shaped diamonds in yellow gold. Size N. £80-120

1647. A nine stone diamond set half hoop ring, the round brilliant cut diamonds are set in platinum. Size M.

£200-300

1648. A sapphire and diamond set cluster ring, the old circular cut diamond is set within a surround of fancy cut sapphires and a further border of circular cut diamonds. White gold mount. Size O. £1,200-1,500 1649. A sapphire and diamond three stone ring, the oval shaped sapphire is set with two old circular cut diamonds in platinum and white gold. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of twelve circular cut diamonds in platinum and gold. Size O. £800-1,200 1650. A ruby and diamond cluster ring, the oval shaped ruby is set within yellow gold scallop shaped mount set with twelve small cushion shaped diamonds. Size L. £100-200

18

1619

1620

1623

1624

1628

1621

1622

1625

1626

1632

1630

1629

1627

1631

1633

1637 1635

1634

1636

1638 1639

1643

1647

1646

1645

1644

1642

1641

1640

1649 1648

1650

19

1651. A three row opal bead necklace, silver clasp. 40cm.

£300-400

1652. A single row pearl necklace, the pearls graduate from 10.70 to 11.60mm. Gold clasp. 46cm. £600-800 1653. A cultured pearl and diamond pendant, set overall with graduated circular cut diamonds in white gold, and set with two cultured pearls. Suspended from a three row sapphire bead necklace. With diamond set white gold clasp. 46cm. £800-1,200 1654. A diamond and untested pearl set pendant, alternately mounted with seven graduated circular cut diamonds and five untested pearls in yellow gold mounts. On a fine link yellow gold neck chain. £2,500-3,500 1655. A South Sea cultured pearl and coloured diamond pendant and matching earrings, the pendant is mounted with a cultured pearl measuring 15.5mm diameter and two round brilliant cut deep yellow diamonds.

Fluted circular gold mount with matching earrings mounted with cultured pearls which measure 13.5 and 14.5mm with similar deep yellow diamonds. £1,200-1,500 1656. A diamond hinged bangle, mounted with seven oval shaped diamonds in closed back rub-over mounts.

Set in silver and gold. 33g. £4,000-6,000 1657. An emerald and diamond cluster ring, the emerald cut emerald is millegrain set in a yellow gold mount within a surround of sixteen circular cut diamonds in platinum. Size Q 1/2. £3,000-4,000 1658. A diamond cluster ring, the centre round brilliant cut diamond is set within a surround of pear shaped diamonds and a border of smaller circular cut diamonds in white gold. Size H 1/2. £2,000-2,500 1659. A sapphire and diamond cluster ring, the cushion shaped sapphire weighs approximately 3.80cts and is set within a surround of old circular cut diamonds in yellow gold and platinum. Size Q. £6,000-8,000 1660. An 18ct textured yellow gold eleven strand bracelet, 19cm. 75g.

£800-1,200

1661. A ladies 18ct white gold backwinding wristwatch by Piaget, the signed circular plain black dial with diamond numerals, diamond set bezel, quartz movement, 18ct integrated white gold band. 16.5cm. £800-1,200 1662. A gem-set gold ladies wristwatch by Bueche-Girod, signed plain gold dial, the bezel mounted with sapphires, emeralds and diamonds. 18ct yellow gold graduated baton link band. 17cm. £600-800 1663. A yellow and white gold fancy linked bracelet, 19cm. 31g.

£400-600

1664. A 9ct gold wristwatch by Rolex, the plain signed silvered dial with baton numerals, manual winding.

The case numbered 88156 and London marks for 1970. Integrated and textured 9ct yellow gold band. 19cm. £800-1,200

20

1651

1655

1652

1654 1655

1653

1657

1658

1656 1659

1660

1664

1661

1662

1663 items not actual size

21

1665. A pair of Art Deco jade and diamond drop earrings, the circular jade discs each suspend from graduated circular cut diamonds in platinum and white gold. 5.8cm high. £1,800-2,000 1666. A Swiss early 20th Century diamond and pearl set gold pendant, the oval shaped centre section depicting a bearded gentleman in enamel, millegrain set within a surround of rose-cut diamonds and pearl in yellow gold and platinum. With brooch fitting. Marked Golay Fils & Stahl, Genève. 3.2cm high. £600-800

1667. A pair of French 18ct gold cufflinks, of stirrup form. French control marks.

1668. A pair of jade and gold scroll earrings, set with pear shaped jade cabochons.

£500-700 £1,200-1,500

Accompanied by report number 06316 from The Gem and Pearl Laboratory, London dated 25th September 2012 stating that the pear-shaped jadeite jade cabochons measure 10 - 11mm x 8mm (depth not measurable). With no evidence of heat treatment observed.

1669. An unusual 19th century bird form stick pin, set overall with turquoise cabochons, with rose cut diamonds to the head and cabochon ruby eye. Clutching two pearls. Set in silver on gold with realistically engraved feather decoration to the reverse. 2cm wide. Case. £150-200 1670. A pair of diamond set black onyx and gold cufflinks, French control marks.

£750-1,000

1671. A pair of reverse carved crystal stalking cuff links, depicting a deer and stag on mother of pearl ground, with gold bullet terminals. Marked D&F, with modern Birmingham marks. Case by Hamilton & Inches. £800-1,200 1672. A pair of jade seed pearl and diamond drop earrings, the carved jade sections suspend from a white gold line of two diamonds and two seed pearls. 4.2cm high. £1,800-2,000 1673. A pair of 18ct yellow gold chain cufflinks by Boucheron, each set with two cabochon sapphires, signed and numbered 28552 and with French control marks. £800-1,200 1674. An Art Deco jade and diamond clip brooch, the carved and pierced oval shaped jade is millegrain set with graduated circular cut diamonds in gold. 2.9cm high. £350-450 1675. A jade and diamond ring, the oval jade cabochon weighs is set with six small shoulder diamonds in platinum. £5,000-7,000 1676. A 9ct gold rectangular cigarette lighter, engine turned decoration and London hallmarks for 1930.

3.1cm high. £100-150 1677. A pair of sapphire and gold cufflinks, the oval shaped cabochon sapphires are mounted in a surround of concentric ovals. £500-700 1678. A pair of hexagonal gold and enamel cufflinks, with blue and white enamel decoration. £200-300 1679. A pair of French diamond set circular cufflinks, pierced with geometric pattern in platinum. French control marks to the ties. 1.5cm wide. £4,500-5,500

22

1667

1665

1666

1670

1668

1671

1673 1672

1677 1669

1674 1678

1675 1676

1679

23

1680. An aquamarine and diamond set navette shaped cluster ring, set in platinum and gold. Size Y.

£200-300

1681. A ruby and diamond cluster ring, the oval shaped ruby weighs approximately 2.00cts and is set within two circular cut diamonds and a further surround of smaller circular cut diamonds in white gold. Size O. £1,000-1,500 1682. A pink tourmaline and diamond ring, the oval shaped pink tourmaline is set with three circular cut shoulder diamonds in yellow gold.

Size O. £600-800 1683. An amethyst and diamond set cluster ring, the oval shaped amethyst is millegrain set within a surround of twelve modern brilliant cut diamonds in gold. Size P. £600-800 1684. A sapphire and diamond cluster ring, the oval shaped sapphire is millegrain set within two borders of cushion shaped diamonds and six futher shoulder diamonds in platinum. French control marks. Size Q 1/2. £3,000-4,000 1685. A sapphire and diamond ring, the four square cut sapphires are millegrain set within two rows of single cut diamonds in white gold.

Size M 1/2. £400-600 1686. A ruby and diamond cluster ring, the oval shaped ruby is set within a surround of tapered baguette shaped diamonds in white gold.

Size O. £2,000-3,000 1687. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of ten round brilliant cut diamonds in 18ct white gold. Size M. £600-800 1688. A diamond solitaire ring, the emerald cut diamond weighs approximately 0.55cts and is rub-over set in white gold. Size M 1/2. £400-600 1689. A diamond three stone ring, the centre diamond weighs approximately 1.50cts, the two shoulder diamonds weigh approximately 1.40cts in total and are set in platinum and gold. Size M 1/2. £600-800 1690. A diamond solitaire ring, the circular cut diamond weighs approximately 1.50cts and is set in yellow gold. Size P.

£2,000-2,500

1691. A diamond cluster ring, the three principle diamonds are set within surrounds of circular diamonds in white gold. Size O. £1,500-2,000 1692. A diamond solitaire ring, the round brilliant cut diamond weighs approximately 0.60cts and is set in yellow and white gold. Size R 1/2. £300-400 1693. A diamond three stone ring, the graduated old circular cut diamonds are set in platinum and yellow gold. Size J.

£300-400

1694. A sapphire and diamond full circle eternity ring, alternately set with baguette shaped sapphires and diamonds in white gold. Size P. £400-600 1695. A ruby and diamond cluster ring, the oval shaped ruby weighs approximately 6.10cts, set within a surround of twelve circular cut diamonds in yellow gold shank. Size S 1/2. £2,000-3,000 1696. An emerald and diamond set full circular eternity ring, the oval shaped diamonds are alternately set with square cut emeralds in white gold. Size P. £500-700 1697. A diamond solitaire ring by Boucheron, the round brilliant cut diamond weighs approximately 0.45cts and is set in 18ct white gold.

Signed twice. Size N. £300-400 1698. A diamond solitaire ring, the old circular cut diamond is set in gold. Size K 1/2

£600-800

1699. A diamond full circle eternity ring, set with twenty old circular cut diamonds in platinum. Size L 1/2.

£300-400

1700. An emerald and diamond cluster ring, the emerald cut emerald is set within a surround of old cushion cut diamonds in yellow gold and platinum. Size O. £200-300 1701. A diamond half hoop ring, the central line of baguette shaped diamonds set within two rows of circular cut diamonds in white gold.

Size N. £300-400 1702. A Victorian sapphire and diamond set snake ring, formed with two intertwined serpents in yellow gold. Size I.

£200-300

1703. A tanzanite and diamond set cluster ring, the oval shaped tanzanite is set within a surround of round brilliant cut diamonds in white gold. Size M. £1,500-2,000 1704. A sapphire and diamond cluster ring, the baguette shaped sapphire is set within a surround of fourteen small circular cut diamonds in platinum and white gold. Size M. Case. £800-1,200 1705. A bombé shaped diamond cluster ring, set with graduated circular cut diamonds in a textured white gold mount. Size I. £1,500-2,000 1706. A tanzanite and diamond ring, the oval shaped tanzanite is set with circular and tapered baguette shaped shoulder diamonds in yellow gold. Size Q 1/2. £400-600 1707. An aquamarine and diamond cluster ring, the emerald cut aquamarine is set within a surround of circular cut diamonds, with further diamond set shoulder in white gold. Size O. £850-950 1708. An emerald and diamond cluster ring, the oval shaped emerald is set within a surround of circular cut and two baguette shaped diamonds in white gold with six further shoulder diamonds. Size O. £800-1,200 1709. A diamond cluster ring, the seven circular cut diamonds weigh approximately 1.40cts in total. Size N 1/2.

1710. A diamond half hoop ring, the five graduated circular cut diamonds are milegrain set within white gold borders. Size M.

24

£1,000-1,500 £500-700

1680

1682

1681

1683

1684

1688

1689

1693

1685

1686

1690

1694

1687

1691

1692

1696

1697

1701

1702

1695

1698

1699

1703

1704

1700

1706

1707

1705

1709

1708

1710

25

1711. A ruby and diamond panel bracelet, each rectangular white gold panel is set with a cushion shaped diamond between two oval shaped rubies. With diamond set zigzag border. 17cm. £2,500-3,500 1712. A white gold and platinum diamond bracelet, C1930. Millegrain set overall with graduated circular and rose cut diamonds in white gold. £3,000-5,000 1713. An early 20th century seed pearl sautoir, the seed pearl tassel terminals suspend from diamond set caps with diamond set oval links between. 93cm. £2,200-2,500 1714. A single row graduated natural pearl necklace, 45cm.

£1,200-1,500

Accompanied by report number 09361 from The Gem and Pearl Laboratory, London dated 31st January 2014 stating that the 109 pearls measure 2.7 - 2.8 to 6.3 - 6.4mm, weighs 8.94g (including clasp) and are natural saltwater pearls.

1715. An early 20th century gold chain set with nine natural pearls. 60cm long.

£200-300

Accompanied by report number 09493 from The Gem and Pearl Laboratory, London dated 26th February 2014 stating that the pearls measure 5.2 - 6.4mm and are natural saltwater pearls.

1716. A Victorian shaded enamel and stone set scroll pendant, centred with a circular cut cinnamon coloured zircon, two diamonds and seed pearls in gold. £400-600 1717. An Art Deco diamond cluster ring, the centre old circular cut diamond is set within a surround of smaller circular cut diamonds and a further ten shoulder diamonds in platinum. Size M 1/2. £600-800 1718. A diamond solitaire ring, the old circular cut diamond weighs approximately 2.50cts. Set in platinum with coronet mount and shoulders millegrain set with small diamonds. Size L 1/2. £6,000-8,000 1719. A large aquamarine and diamond ring, the emerald cut aquamarine weighs approximately 40.00cts and is set with three circular shoulder diamonds in carved and pierced yellow gold mount.

Stamped 583 with a Kokoshnik. Approximately size I. £3,000-4,000 1720. A cushion shaped diamond set solitaire ring, the diamond weighs approximately 3.10cts and is set in platinum with four baguette shaped shoulder diamonds. £4,000-5,000 1721. An Art Nouveau style diamond and black onyx ring, the centre old circular cut diamond weighs approximately 1.40cts and is scroll set with further graduated circular cut diamonds and with two sections of black onyx. Set in platinum and white gold. Size Q 1/2. £3,700-4,000 1722. An Edwardian circular diamond set lattice brooch, the centre square section millegrain set with rose cut diamonds and suspending four larger circular cut diamonds. Further set with rose cut diamonds in platinum. 3.4cm wide. £1,500-2,000 1723. An early 20th century amethyst and diamond set brooch pendant, the faceted oval shaped amethyst is set with a star form of rose cut diamonds and set overall with graduated circular and rose cut diamonds in platinum. Detachable brooch mount. Folding pendant loop. Fitted case. £1,500-2,000 1724. A pair of Art Deco diamond and amethyst drop earrings, the briolette shaped amethysts suspend from a diamond set cap with black enamel decoration to the cylindrical bar and suspends from a diamond centred frosted crystal upper section with black enamel decoration. 5.5cm high. £1,800-2,000

26

1717

1716 1718

1720 1719

1714

1721 1713

1715

1712

1711

1723 1724 1722

27

1725. A ruby and peridot set gold crossover ring. Size L 1/2.

£600-800

1726. A circular cut sapphire and diamond ring, the sapphire is set with six small shoulder diamonds in platinum. Size O 1/2. £1,500-2,000 1727. A ruby and diamond cluster ring, the oval shaped ruby weighs approximately 1.80cts and is set within a surround of circular cut diamonds in yellow gold and platinum. Size O. £3500-4500 1728. An emerald and diamond three stone ring, the centre emerald cut emerald weighs approximately 2.10cts, set within two emerald cut shoulder diamonds in platinum. Broken shank. £2,000-3,000 1729. An opal and diamond pendant, the solid black oval opal cabochon is centred within a textured gold border and suspends from a hinged diamond set bale. With pierced heart shaped reverse. Stamped J. Aragon. 4.5cm long. £1,000-1,500 1730. A pair of garnet and diamond drop earrings, each earring set with a pear shaped garnet within a surround of circular cut diamonds in white and yellow gold. £400-600 1731. A pair of emerald and diamond drop earrings, the pear shaped emeralds are each set within a surround of fourteen round brilliant cut diamonds and suspend from a larger diamond in yellow and white gold. £600-800 1732.

A pair of natural pearl drop earrings, each earring suspending a baroque shaped pearl. £800-1,200

Accompanied by report number 03803 from The Gem and Pearl Laboratory, London dated 1st March 2011 stating that the two pearls measure 9.1 - 10.1 x 11.5mm and 9.1 - 10.6 x 11.8mm and are natural saltwater pearls.

1733. A single row cultured pearl necklace, the white button shaped cultured pearls alternately set with large and small diamond set white gold rondels. With a diamond set textured white gold spherical clasp.

47cm long. £400-600 1734. A diamond line necklace, the round brilliant cut diamonds are set in white gold and weigh approximately 10.50cts in total. 41cm. £3,000-4,000 1735. A gem set stylised owl brooch, set overall with diamonds sapphires, emeralds and rubies and with outstretched textured wings. 4cm high. £400-600 1736. A pair of topaz and diamond set gold earrings, each centred with an oval shaped topaz within a surround of small circular cut diamonds. Screw fittings. £600-800 1737. A pair of yellow gold abstract design cluster earrings, set with graduated circular cut diamonds.

With clip mounts. £600-800 1738. Two pairs of diamond set white gold ear studs, case.

£300-400

1739. A diamond line bracelet, the circular cut diamonds weigh approximately 5.00cts in total and are millegrain set in white gold. 18cm long. £3,500-4,500 1740. A ruby and diamond set 18ct gold hinged bangle, alternately mounted with graduated oval shaped rubies and pairs of graduated circular cut diamonds. Carved and pierced shoulders. London marks for 1970. £1,000-1,500

28

1731

1732

1730 1729

1733 1728

1734

1727

1736 1726

1735 1738

1725

1737

1739

1740

29

1741 reverse 1741. A 19th century double sided carved nephrite jade cameo pendant, one side carved with a profile of an emperor with laurel wreath, the other side carved with the profile of a woman. 3cm high. Plain gold pendant mount. £2,000-3,000 Possibly the Emperor Nero with his wife Poppaea Sabina to the reverse.

1742. A spherical bell push, with light blue guilloche enamel decoration overall and push button activation. 2.8cm wide.

£100-200

1743. A 19th century carved hardstone cameo brooch, depicting the profile of a woman with hair tied up, scalloped and ball gold frame. The cameo 2.8cm high. With pendant loop and brooch fitting. £400-600 1744. A silver and enamel bell push by Fabergé, the circular bell push centred with a cabochon moonstone within seed pearl border and on a oyster coloured guilloche enamel ground decorated with foliate swags. Raised circular base. Signed Fabergé in cyrillic. H.W for Henrik Wigström and 88. 4.5cm wide at base. With electrical cord. £5,000-10,000

1745 reverse 1745. An early 19th Century revolving carved carnelean cameo and intaglio brooch by Nicolo Morelli (1779 - 1836), the cameo carved with two prancing lions pulling a chariot with a cupid and signed Morelli. The reverse with carved intaglio depicting Silenus sprawled on a donkey and staring at a kantharos of wine at arm’s length, being led by a winged putti playing a trumpet in one hand and holding a thyrsus in the other. Gold frame. The oval carnelian 3.8cm wide. £2,000-3,000 1746. A carved oval shell cameo brooch, depicting the profile of a woman with fruiting vine draped through her hair and with a rams head.

Gold frame. The cameo 5.8cm high. Fitted case. £150-200 1747. An oval shaped aquamarine mounted rectangular brooch, the borders set with calibré cut rubies and eight graduated diamonds.

2.8cm wide. With a matching pair of aquamarine, diamond and ruby drop earrings. £6,000-8,000 1748. A 19th century carved hardstone cameo brooch, depicting the profile of a girl with floral wreath to her hair. The gold frame with Greek key pattern decoration. The cameo 5.2cm high. Cameo corner case. £800-1,200 1749. A George III gold and enamel ‘Recovery’ medallion, 3.5cm wide, to celebrate King George III’s return to health in 1789, which transpired to be only a brief period before returning to his mental illness. £1,000-2,000 Similar medallions are found in the Royal Collection and also the Fitzwilliam museum, Cambridge.

Despite King George having suffered from repeated bouts of porphyria for most of his life, so confident was Parliament of his full recovery that a proclamation was declared on March 10th 1789. Suspicion developed shortly afterwards when the King started the habit of ending sentences with the word Peacock and at times believed he was Alfred the Great.

1750. A French gold rotating calendar pendant, with the days dates and years highlighted in red enamel. 2.1cm wide.

30

£450-550

1742

1741

1743

1744

1745

1747

1746

1748 1749

1750

31

1751. An aquamarine and diamond set white gold and platinum ring, the circular cut aquamarine is mounted within a navette design of round brilliant cut diamonds within a fluted border, continuing along the bifurcated shank. Unidentified control mark, probably French. Size M. £1,500-2,000 1752. A diamond set yellow and white gold floral brooch, the radiating yellow gold petals are centred with a stamen pavé set with graduated circular brilliant cut diamonds and with further diamonds to the stem. 5.2cm high. 25g in total. £650-800 1753. A sapphire and diamond cluster ring, the raised oval shaped ring with a cluster of circular cut diamonds to one side, the centre diamond weighing approximately 1.00cts, the other with sapphires.

Diamond set border and rope design shoulders and shank. Size Q. £2,500-3,000 1754. An Edwardian rivière necklace, the graduated solid white opal cabochons are set with a central opal cluster in yellow gold collets. 46cm long. £600-800 1755. A diamond and ruby mounted platinum and gold cluster ring, the pear shaped diamond set to one terminal, the other with smaller circular cut diamonds. Set with circular cut rubies to the shoulders.

Size L. £1,500-2,000 1756. A large diamond set stylised gold ring, the fluted gold scrolls surmounted with three graduated circular cut diamonds in yellow gold. £1,500-2,000 1757. A diamond set cross shaped pendant, the diamonds are millegrain set in white gold and weigh approximately 2.30cts in total. 4.5cm high. £1,700-2,000 1758. A late Victorian diamond set floral brooch, realistically formed and set overall with graduated cushion shaped diamonds in silver and gold. 7cm. £600-800 1759. A diamond and ruby cross shaped pendant, the old circular cut diamond is set with rectangular cut rubies in white gold. 4.5cm high. £1,500-2,000 1760. A yellow gold graduated foliate bracelet, set with a line of graduated circular cut rubies. 18.5cm.

63g. £1,000-1,500 1761. A yellow gold diamond and enamel bracelet, the links are realistically formed as snake scales and alternately set with three rows of small diamonds and with green enamel decoration. 18.5cm. 80g. £2,000-2,500 1762. A diamond line bracelet, the fifty two circular cut diamonds total approximately 5.00cts. Set in white gold. 20.5cm long. £1,500-2,000

32

1752

1751 1756

1753

1754 1755

1758 1757 1759

1760

1761

1762

33

1763. A pair of diamond set white gold scroll earrings, pavé set with graduated circular and baguette shaped diamonds.

£2,500-3500

1764. A sapphire and diamond cluster necklace, formed with seven graduated oval shaped sapphire clusters. Each within a surround of round brilliant cut diamonds and alternately set with larger round brilliant cut diamonds in yellow and white gold. On an articulated matched round brilliant cut diamond necklace. The sapphires weigh approximately 19.25cts in total and the diamonds approximately 18.35cts in total.

Cased. 39cm. £10,000-15,000 1765. A diamond cluster ring, the circular cut diamond is set within a surround of smaller circular cut diamonds in white gold, size O. With a matching pair of diamond cluster ear studs. £400-600 1765A. A pair of diamond and cultured pearl drop earrings, of scroll design and set with graduated round brilliant cut diamonds and suspending drop-shaped cultured pearls from baguette shaped diamonds in white gold and platinum. The two principal diamonds weigh approximately 1.30cts in total.

5.9cm high. £5,000-7,000 1766. A pair of emerald and diamond cluster earrings, the circular cut emeralds are each set within a surround of eight round brilliant cut diamonds in white gold. £400-600 1767. A pair of diamond stud earrings, the circular cut diamonds weigh approximately 1.60cts in total.

Set in 18ct white gold. £2,500-3,000 1768. A diamond, coral and black onyx mounted gold ring by Van Cleef and Arpels, the cross-over ring mounted with a coral ball terminal and a black onyx ball terminal. The shoulders pavé set with circular cut diamonds. Signed V.C.A and inventory number B515616. French control marks. Size K. £1,000-1,500

1765A

✣ 1769. A ruby and diamond cluster ring, the circular cut ruby weighs 5.13cts and is set within a surround of circular cut diamonds and a further border of marquise shaped diamonds in white gold. Size M. £20,000-25,000 Accompanied by report number 72604 from SSEF, Switzerland, dated 30th January 2014 stating that the ruby weighs 5.139cts, measures 9.91 x 10.37 x 5.37mm, the colour is purplish red of medium strong saturation. With no indications of heating. Origin: Burma.

1770. A rectangular cut emerald and diamond set cluster ring, the undulating surround is pavé set with circular cut diamonds in platinum.

Inventory number 6322. London import marks. Size N. £3,500-4,500 1771. A ruby and diamond cluster ring, the cushion shaped ruby is set within a surround of sixteen old circular cut diamonds in platinum and gold. Size L. £3,000-4,000 Accompanied by report number 09498 from The Gem and Pearl Laboratory, London dated 28th February 2014 stating that the ruby measures 8.8 x 8.6 x 3.8mm and is a natural ruby with no evidence of heat treatment.

1772. A two row cultured pearl choker length necklace, the pearls measure 8.3 to 8.8mm. With a diamond set Art Deco single clip brooch, set overall with graduated circular cut and baguette shaped diamonds in white gold. 39cm. £1,500-2,000 1773. A cabochon emerald and diamond ring, the oval shaped emerald is set with nine diamonds in white gold. Size K.

£2,800-3,500

1774. A diamond set single clip pendant, set overall with graduated circular cut diamonds and twelve square shaped diamonds in white gold. Inventory number B398. French control marks. 2.5cm wide. £600-800 1775. A novelty gold brooch in the form of a flamingo, decorated with yellow and orange enamel and diamond set feathers in yellow gold.

5.3cm high. £900-1,500 1776. A novelty gold helicopter brooch, set with circular cut diamonds in 18ct white gold. 3.5cm wide (excluding propeller).

1777. A diamond scroll brooch, the two rows of graduated circular cut diamonds are set in platinum and white gold.

£600-800 £1,000-1,500

1778. A pair of topaz and diamond drop earrings, the pear shaped topaz are set within a surround of circular cut diamonds in white gold and suspend from a larger circular cut diamond. £800-1,200 1779. A diamond solitaire pendant, the diamond weighs approximately 1.00cts mounted in platinum and yellow gold.

34

£600-800

1763 1779 1765

1764

1771

1767

1770 1777 1766 1769 1776 1765

1778 1768

1775 1772

1774 1773

35

1780. A diamond and ruby set gold ring, the old circular cut diamond weighs approximately 3.15cts and is set with eight tapered baguette shaped shoulder rubies in gold. Size M. £12,000-15,000 1781. An emerald and diamond cluster ring, the emerald cut emerald is set within a surround of twelve round brilliant cut diamonds in gold.

Size M. £2,000-3,000 1782. A ruby and diamond three stone ring, the oval shaped ruby is set with two round brilliant cut shoulder diamonds in 18ct white gold.

Size L. £1,000-1,500 1783. A topaz and diamond set platinum and white gold ring, the emerald cut sherry coloured topaz is set with two tapered baguette and twelve small circular cut shoulder diamonds. Size M 1/2. £2,500-3,500 1784. A pink sapphire and diamond cluster ring, the pear shaped pink sapphire is set within a surround of baguette shaped diamonds and a further border of circular cut diamonds in white gold. Size N. £2,500-3,500 1785. A blue stone and red stone ring, C1940. The large emerald cut blue stone is set with four square shaped red stones to the bow form shoulders in white gold. With romantic inscription dated 1948. Size N. £400-600 1786. A sapphire and diamond cluster ring, the oval shaped sapphire weighs approximately 3.70cts and is set within a surround of ten circular cut diamonds in yellow gold and platinum. Size O. £800-1,200 1787. A sapphire and diamond ring, the cushion shaped sapphire weighs approximately 3.00cts. Set with graduated circular cut shoulder diamonds in yellow gold and platinum. Size K. £600-800 1788. A fancy coloured diamond cluster ring, the circular cut cinnamon coloured diamond is set within a surround of smaller circular cut white diamonds and further marquise shaped diamonds in white gold. Size M 1/2. £3,000-4,000 1789. A ladies Art Deco diamond and emerald set platinum dress wristwatch, the small rectangular dial is millegrain set with circular cut diamonds and calibré cut emeralds and on a cord design band. £550-650 1790. A sterling silver and enamel ball pendant watch, the circular dial signed Nivia, with black and gold enamel decoration overall. The case numbered 962 and with London import marks. 2cm wide. On a silver neck chain with black enamel links. £100-150

1791 reverse

1795 reverse 1791. A fruit form pendant ball watch, the white enamel dial signed Wifs and Menu, signed movement and numbered 16752. The gilt metal case with foliate decoration in gold, blue, white and green enamel on yellow enamel ground (damaged). 2.3cm wide. £150-250 1792. A Victorian red paste and diamond set bangle, the seven graduated oval shaped paste stones alternately set with diamonds in yellow gold and silver. Box by W. Wearne. £400-600 1793. An unusual charm bracelet, the gold oval link bracelet suspends seven assorted charms. A diamond set white gold panda with black enamel decoration, a diamond set heart, a coral and two cultured pearl mounted gold skiers, an articulated gold doll brooch with enamel decoration and signed Cartier Paris, numbered 1243. £1,000-1,500 1794. A white gold charm bracelet, the bracelet is set with small diamonds and suspends seven diamond and gem set charms including a dog in a kennel, an inebriated reveller supported by a lamp post, a bird sitting in a nest, two cats with crescent moon backgrounds, and a house.

17.5cm. £1,400-1,600 1795. An early 20th century gem set gold and enamel insect watch pendant. Realistically formed, the wings set with graduated circular cut diamonds (one missing) to the pale teal coloured guilloche enamel cover. Push button release to open the spring loaded wings to reveal the small watch with white enamel dial and Arabic numerals. Realistically engraved overall. Ruby eyes. 5.5cm. £1,000-1,500

36

1787

1784 1788

1780 1785 1781 1786 1782

1783

1789

1792

1790

1791

1793

1794

1795

37

1796. A pair of diamond cluster earrings, the centre round brilliant cut diamonds are each set within a surround of eight smaller diamonds in white gold. Screw fittings. Fitted case by Garrard. £1,500-2,000 1797. A small diamond set heart pendant, the circular cut diamonds are set in white gold. 9mm wide. £500-700 1798. A pair of diamond cluster earrings, each set with graduated circular and marquise shaped diamonds, centred with a pink diamond and suspending a marquise shaped diamond in white gold. £3,000-3500 1799. A diamond set heart shaped pendant, the graduated circular cut diamonds and pavé set in white gold and weigh approximately 2.30cts in total. 1.9cm wide. £1,700-2,000 1800. A diamond set heart shaped pendant, the graduated circular cut diamonds are pavé set in white gold. 1.5cm wide. £700-900 1801. A heart shaped diamond pendant, the graduated circular cut diamonds are pavé set in yellow gold and platinum. 2.5cm wide. £1,200-1,500 1802. A heart shaped diamond set gold pendant, the diamond weighs approximately 1.02cts. French control mark to the mount. £2,000-3,000 1803. A natural pearl and diamond pendant, the drop shaped pearl suspends from a white gold mount set with graduated circular cut diamonds. Fine link platinum neck chain. £4,000-6,000 Accompanied by report number 08274 from The Gem and Pearl Laboratory, London dated 30th July 2013 stating that the part-drilled drop-shaped pearl measures 7.4 - 8.7 x 13 - 14mm and is a natural saltwater pearl.

1804. A pair of natural pearl drop earrings, each earring comprising two baroque shaped pearls, joined with a small diamond in white gold. £3,000-5,000 Accompanied by report number 03158 from The Gem and Pearl Laboratory, London dated 7th September 2010 stating that the four pearls weigh 14.81, 11.50, 6.24 and 5.10cts and are natural saltwater pearls.

1805. A large cushion shaped topaz and diamond cluster ring, the golden coloured topaz weighs 30.06cts and is set within a surround of baguette and marquise shaped diamonds in gold. Size M 1/2. £15,000-20,000 1806. A diamond and emerald scrolling spray brooch, set overall with graduated baguette, pear and marquise shaped diamonds and nine emeralds in white gold and platinum. Obscure mark but probably a French maker’s mark in lozenge. 4.5cm wide. £2,000-3,000 1807. A pair of emerald and diamond cluster earrings, each centred with a square shaped emerald, and graduated circular cut diamonds in white gold. £2,000-3,000 1808. An emerald and diamond scroll bracelet, set with nine emerald cut emeralds to the tapered baguette shaped diamond links and within a border of graduated marquise shaped diamonds. 18.5cm. £3,000-5,000 1809. An emerald and diamond ring, the emerald cut emerald weighs 5.87cts and is set with two baguette shaped shoulder diamonds in platinum. Size J. £20,000-30,000 Accompanied by report number 09499 from The Gem and Pearl Laboratory, London dated 28th February 2014 stating that the emerald measures 10.0 x 9.7 x 8.5mm, weighs 5.87cts and is a natural emerald with evidence of moderate clarity enhancement. Origin opinion: Colombia.

38

1796 1797

1800 1799 1805

1798 1802

1801

1803

1804

1806

1807

1808

1809

39

1810. A pair of gem set gold handcuffs, the working handcuffs are formed in yellow and white gold and set overall with rubies and diamonds.

The hinged terminals open to reveal keyholes. With key. With a detachable clip to hold the handcuffs together. Maximum internal diameter 6cm. And a pair of matching gold drop earrings set with rubies and diamonds with detachable batons. 193g in total. Each handcuff, chain and earring stamped with slightly obscure mark for Kutchinsky 750. £5,000-10,000

1810 actual size

1811. A Viennese two colour gold stylized tank track bracelet, C1940. Austrian control marks. 19.5cm. 28g.

£800-1,200

1812. A yellow gold half flexible hoop necklace, 39cm. 86g.

£2,000-2,500

1813. A textured yellow gold bracelet by Mellerio, 21.5cm. 107g.

£3,800-4,500

1814. An open gold and blue bead necklace and matching bracelet by Lalaounis, the necklace 12cm wide. The bangle 6cm wide. 142g. in total. £1,500-2,000

40

1814

1812

1813

1810

1811

1810

41

1815. A topaz and diamond cluster ring, the rectangular shaped sherry coloured topaz is set within a surround of rose cut diamonds in silver and gold. Stylised fleur de lys shoulders. Size P. £800-1,200 1816. An early 19th century topaz and diamond set brooch, the oval shaped topaz is set in a closed back mount in cannetille gold frame and four smaller cushion shaped diamonds. 3.2cm wide. £1,000-1,500 1817. A pair of 19th century diamond and seed pearl cluster earrings, each circular earring is centred with a small cushion shaped diamond within seed pearl and rose cut diamond surrounds. Fitted case by Phillips of Cockspur Street. £600-800 1818. A pair of early 20th century pear shaped aquamarine mounted gold earrings, floral cannetille design mounts. With matching aquamarine mounted gold pendant with later fitting and fine link gold chain. £300-400 1819. An early 19th century gold lute brooch, realistically formed and set with cushion shaped diamonds, rubies and opal cabochons in gold with cannetille decoration. The filigree back is centred with a glazed circular locket. 5cm. £5,000-6,000 1820. A Swiss enamel plaque mounted gold brooch, depicting a girl in regional costume looking over her left shoulder. In an ornate foliate scroll gold brooch, the plaque inscribed Underwuld to the reverse.

The plaque 3.2cm wide. £150-200 1821. A diamond three stone ring, the three old circular cut diamonds weigh approximately 3.45cts in total and are set with smaller rose cut diamonds to the scroll engraved gold mount. Size N 1/2. Case by Skinner. £3,000-4,000 1822. An antique diamond set amphora ring, the urn set with assorted rose cut diamonds on a blue enamel ground and within an octagonal gold mount with rose cut diamond border. With three unidentified marks. Size L 1/2. £2,000-3,000 1823. A Victorian gold double hinged snake bangle, the foliate scroll engraved head set with turquoise cabochons and with cabochon red stone eyes. Faceted tail. £600-800 1824. A multigem set early 19th century brooch, the stones include sapphire, garnet, and amethyst, set in closed back mounts with cannetille decoration. £500-700 1825. An early gold and silver ring, mounted with a rectangular cut diamond. Traces of blue enamel to the underbezel. French control mark. Size J. £1,500-2,000 1826. A diamond solitaire ring, the oval shaped fancy yellow diamond weighs approximately 1.85cts and is set in platinum. French control marks. Size M. £3,500-4,500 1827. An aesthetic period gold butterfly brooch, C1900. Realistically formed and engraved. 5cm high. £400-600 1828. A late 19th Century blister pearl and cabochon sapphire cluster brooch, the pearl is set within a surround of fourteen circular sapphires in gold. Detachable brooch mount and folding pendant loop.

3.3cm wide. £2,000-3,000 1829. A late Victorian emerald and diamond brooch pendant, the pear shaped pendant set with a square cut emerald within pavé set cushion shaped diamonds in silver and gold, with diamond set bale.

1.6cm wide. £1,000-1,500 1830. An 18th century octagonal shaped glazed gold brooch, containing a painting depicting a birddrawn carriage and driven by a butterfly within landscape. 2cm wide. £450-550

42

1817

1818 1816

1815

1822 1821

1820

1826 1825

1819

1823 1824

1830

1829

1828 1827

43

1831. An Edwardian opal and diamond pendant, the solid triangular black opal is millegrain set within a surround of rose cut diamonds and suspended from a diamond set bow in platinum. On fine link neck chain. Fitted case by Collingwood & Co. £1,500-2,500 1832. An early 20th century diamond cross-over cluster ring, the principle old circular cut diamond weighs approximately 1.50cts and is set with graduated smaller circular cut diamonds in platinum and gold. Size L. £5,000-6,000 1833. A diamond cluster ring, the centre three circular cut diamonds are set within a shaped surround of smaller diamonds in white gold and platinum. Size P 1/2. £400-600 1834. A diamond two stone cross-over ring, the two old circular cut diamonds are set in platinum with small shoulder diamonds. Size M. £1,000-1,500 1835. An Edwardian ruby, diamond and seed pearl set stylised bow brooch. The centre circular section millegrain set with small diamonds and centred with a cabochon ruby. The seed pearl set bow within borders of calibré cut rubies in platinum. 5.5cm wide. £1,400-1,700 1836. An Edwardian ruby and diamond bracelet, each graduated circular cut ruby is separated with two small diamonds in silver and gold. Flexible stylised gate link gold bracelet. £1,500-2,000 1837. A single row natural and cultured pearl necklace, the 173 pearls graduate from 1.98 to 6.78mm.

With cabochon sapphire and diamond set clasp. 46cm long. £500-700 Accompanied by report number 1152170059 from GIA (Gemological Institute of America) dated 23rd January 2013 stating that the 173 pearls measure 1.98 to 6.78mm and are predominantly natural pearls with numerous bead cultured pearls.

1838. A single row grauated natural pearl necklace. Diamond set clasp. 53cm.

£400-600

Accompanied by report number 09165 from The Gem and Pearl Laboratory, London dated 18th December 2013 stating that the 134 pearls measure 2.7 to 5.3 - 5.5mm, weigh 9.16g (including clasp) and are natural saltwater pearls.

1839. A single row graduated mixed natural and cultured pearl necklace, the barrel shaped clasp set with rose cut diamonds. 49cm. £2,500-3,500 Accompanied by report number 301017 from Laboratoire Francais de Gemmologie dated 6th December 2013 stating that with the exception of four cultured pearls the remainder are natural saltwater pearls.

1840. An aquamarine and diamond mounted bracelet, centred with a rectangular cut aquamarine and millegrain set overall with graduated circular cut diamonds in white gold. 8.5cm. £2,000-2,500 1841. A French diamond and gem set giardinetto brooch, C1935. Millegrain set overall in platinum with graduated circular cut diamonds with cabochon rubies and emeralds and sapphires. French control marks, 5.5cm wide. £4,500-5,500 1842. A pair of early 20th Century diamond and untested pearl drop earrings, set overall with graduated circular cut diamonds in flexible articulated mounts and suspending drop shaped pearls in platinum. 4cm. £600-800 1843. A diamond set heart brooch, pavé set with concentric rows of graduated round brilliant cut diamonds in white gold with glazed locket compartment to the reverse. Suspended from a diamond set loop. 2.5cm wide. £2,500-3,500

44

1834 1833

1832

1836

1831

1837 1835

1838

1839

1840

1842

1841

1843

45

1844. An early 20th century guilloche enamel circular pendant, with glazed locket compartment to reverse and applied with a central seed pearl, suspending a pearl and with a further pearl to the fine link gold neck chain. 56cm long. £100-200 1845. An Edwardian emerald and diamond double drop pendant, one pendant is centred with a pear shaped diamond suspending from a millegrain set graduated round diamond drop, the other centred with a cabochon emerald. Both drops suspend from a knife-edge line set with diamonds and an oval shaped diamond set upper section, in white gold. Fine link white gold neck chain. £2,000-3,000 1846. A peridot and diamond trefoil pendant, mounted with three pear shaped peridots and four diamonds in gold. Suspended from a detachable diamond set gold pendant loop. 2.7cm wide. £800-1,200 1847. A natural and cultured pearl and diamond pendant, C1930. Millegrain set overall with graduated old circular cut diamonds in the form of stylised fabric in platinum. Mounted with two natural and one cultured pearl. Suspended from a platinum chain mounted with natural pearls (one small cultured pearl) and spaced with old circular cut diamonds. The pendant 8.5cm long. The necklace 64cm long £15,000-20,000 Accompanied by report number 09495 from The Gem and Pearl Laboratory, London dated 28th February 2014 stating that the 109 pearls, including the three principal pearls, are natural saltwater pearls, with the exception of one marked cultured pearl.

1848. An early 20th century fire opal and diamond set oval brooch, the opal is set within a border of eight rose cut diamonds and a further surround of millegrain set rose cut diamonds in gold. 3.5cm wide. £1,500-2,500 1849. An Art Nouveau diamond and untested pearl set pendant, set overall with graduated circular and rose cut diamonds in white gold and platinum. On a fine link platinum neck chain. 4.2cm wide. £1,000-1,500 1850. A diamond three stone ring, the three old circular cut diamonds are set in platinum and white gold in coronet mounts. Size R. £2,000-3,000 1851. A sapphire and diamond cluster ring, the oval shaped sapphire is millegrain set in platinum and white gold, within a surround of eight old circular cut diamonds. Size L 1/2. £1,200-1,500 1852. A sapphire and diamond cluster ring, the oval shaped sapphire weighs approximately 5.00cts and is set within a surround of nineteen circular cut diamonds in platinum. Size N. £3,500-4,000 1853. A diamond cluster ring, the circular cut diamond weighs approximately 1.40cts and is millegrain set in scrolling diamond set platinum surround. Size L. £1,500-2,000 1854. A diamond and emerald cross-over ring, the old circular cut diamond in mounted with a millegrain set cabochon emerald in white gold. Size M. £1,500-2,000 1855. An early 20th century French cabochon sapphire and diamond bracelet, set with seven graduated oval shaped cabochon sapphires and with diamond set open scroll work panels in platinum.

French control marks. 18cm. £2,500-3,000 1856. A diamond set line bracelet, the round brilliant cut diamonds weigh approximately 6.80cts in total and are set in platinum square mounts. With scroll engraved shoulders. 18cm. £1,500-2,000 1857. A diamond and emerald set Art Deco platinum wristwatch, millegrain set overall with graduated circular cut diamonds and fancy cut emeralds, push diamond hinged cover release revealing a rectangular dial with black Roman numerals. French control marks to case. On a three row cultured pearl band with diamond set spacers. One strand broken. £4,000-5,000

46

1844

1845

1849

1846 1854

1848 1853

1852

1851 1855 1847 1850

1856

1857

47

1858. A gold and enamel Sioux warrior brooch by Cartier, wearing a bandeau set with rose cut diamonds and turquoise cabochons and enamel (damaged) decoration. Silver and gold. Signed Cartier Paris, DEPOSE, indistinct itinerary number and French control marks. 3cm high. £1,000-1,500 1859. A ‘bowl of fruit’ brooch by Cartier, C1925. Mounted with cabochon rubies, sapphire emerald and amethyst to the diamond set carved crystal bowl. Repaired foot and the crystal sections probably replaced.

Signed Cartier to the pin and the base stamped with slightly obscure number, possibly 523712. 3.8cm wide. £5,000-10,000 1860. A diamond set double clip brooch, C1950. Each scrolling clip is set with graduated circular cut and baguette shaped diamonds in platinum. 5.5cm wide. Fitted case. £1,500-2,000 1861. A pair of diamond set dandelion spray drop earrings, C1950. The centre hemisphere is pavé set with graduated circular cut diamonds and radiates with alternately set square and circular cut diamonds.

Each earring suspends two larger circular cut diamonds, from baguette shaped diamonds. The four principle diamonds weigh approximately 3.15cts in total. Platinum and white gold. 4.2cm high. Case by Oscar Heyman. £10,000-15,000 1862. A French Art Deco diamond and pearl stylised bird brooch, set overall with baguette shaped and circular cut diamonds in white gold and platinum. The head formed with a section of pearl, with diamond eye and black enamel beak. French control mark. £1,500-2,000 1863. An Art Deco diamond set brooch, C1930, set overall with graduated circular cut and baguette shaped diamonds in platinum. The two principle circular cut diamonds weigh approximately 2.50cts in total. The centre section suspends below the brooch and terminated with a graduated flexible diamond fringe. Detachable brooch mount. 5.5cm wide. £15,000-20,000 1864. An Art Deco diamond and black onyx set platinum plaque brooch, set with graduated circular cut and baguette shaped diamonds, and with four sections of black enamel. 4cm wide. £1,800-2,000 1865. A French Art Deco diamond and black onyx brooch, the rectangular platinum plaque millegrain set overall with circular cut diamonds and mounted with five sections of carved black onyx. French control marks. 5.2cm wide. £2,000-3,000 1866. A diamond and pearl set Art Deco plaque brooch, of rectangular form and millegrain set with graduated circular cut diamonds and a pearl to the stylised floral design. Within a black enamel border.

5cm. £1,000-1,500 1867. A sapphire and diamond double clip brooch, C1930. Of scroll design and each clip set overall with graduated circular cut diamonds and sapphires in platinum. The hinged frame opens to release the separate clips and is signed Liberty. 6.5cm wide. £1,500-2,000 1868. An early 20th century diamond bracelet, the eleven panels set with a central circular cut diamond within a surround of rose cut diamonds, on a plain white gold band. Dutch control marks. 17cm long. £600-800 1869. An Art Deco diamond and black onyx platinum brooch by Cartier, centred with an old circular cut diamond and with pierced diamond set zigzag pattern to the rectangular panel. Within diamond set borders and with black onyx highlights. 4.4cm wide. With inventory mark 1637. £8,000-12,000 Unsigned but with supporting documentation.

48

1858

1861

1859

1860

1864

1863 1866

1862 1865

1867

1868

1869

49

1870. A 19th century French aquamarine and gold necklace, with foliate scroll mounts containing graduated oval shaped aquamarines and suspending briolette aquamarine drops. With a matching pair of aquamarine and gold drop earrings. French control marks. The necklace 41cm.

In an aubergine Morocco type leather shaped fitted case with gilt stamped borders and main panel of blind and gilt stamped scrolling anthemiums. With applied label to reverse Laloire Jouillier Bijoutier Orfèvre. Palais RL 122. 25cm wide. £5,000-10,000 1871. A Victorian diamond set rose bud brooch, set with a larger pear shaped diamond (broken point) and with smaller graduated cushion shaped and rose cut diamonds in silver and gold. 6cm. £1,800-2,500 1872. A Victorian diamond set naturalistic brooch, designed as a floral spray and mounted with a butterfly en tremblant. Set overall with graduated cushion shaped diamonds and the upper flower-head with a larger yellow cushion shaped diamond within a border of rubies. Set in silver and gold. Two diamonds missing. 8.5cm long. £5,000-10,000 1873. An unusual multi gem set gilt metal three row bracelet, mounted with various cabochon and faceted gem stones, the mounts with enamel and seed pearl decoration. 19.5cm. The clasp tongue stamped DPP. £800-1,200 1874. An eleven row seed pearl choker length necklace, mounted with two gold oval shaped clasps, each with a painted sepia image within a seed pearl surround. 37cm. £500-700 1875. A gem set gold ‘Mildred’ bracelet, set with diamonds, rubies and emeralds and spelling Mildred 1892. 16cm. Fitted case by Percy Edwards, Piccadilly. £200-300 1876. A coral and gold long guard chain, the carved coral links alternate with gold links of similar design. 92cm.

£900-1,000

1877. An early 19th century carved coral bead necklace with matching earrings, the graduated coral beads with a later plain clasp, but with unmounted and original conforming carved coral bead clasp. The earrings 5cm high. Original fitted case. £200-300

50

case for lot 1870 24.5cm wide

1872

1870

1873

1871

1874

1875

1876

1877

1877

51

1878. A pair of natural pearl and diamond drop earrings, each drop shaped pearl is set within a surround of graduated rose cut diamonds and suspending from a small diamond set flower head cluster. Platinum and yellow gold. Fitted case. 4.5cm high. £4,000-5,000 Accompanied by report number 04504 from The Gem and Pearl Laboratory, London dated 31st August 2011 stating that the two part-drilled pearls, one with a flat back, one with a small damaged area on back measure 8.2 - 9.0 x 11-12mm and 8.1 - 8.8 x 12 - 13mm and are natural saltwater pearls.

1879. A three row natural pearl necklace, 44cm. With cultured pearl set ruby and white gold cluster clasp. £2,000-3,000 Accompanied by report number 09235 from The Gem and Pearl Laboratory, London dated 14th January 2014 stating that the 65, 66 and 70 pearls measure 2.9 - 3.1 to 7.5 - 7.7mm, weigh 47.69g (including clasp) and are natural saltwater pearls.

1880. A natural pearl and diamond set ring, set in platinum with ten small shoulder diamonds. Size E. £2,000-3,000 Accompanied by report number 09500 from The Gem and Pearl Laboratory, London dated 28th February 2014 stating that the part-drilled button-shaped pearl with worked sides on lower half measures 10.4 - 10.5 x 9mm and is a natural saltwater pearl.

1881. A two row graduated predominantly natural pearl necklace, the pearls graduate from 1.90 to 6.39mm. 41cm. The platinum clasp by Tiffany and millegrain set with a marquise shaped diamond. £10,000-15,000 Accompanied by report number 2155737707 from GIA (Gemological Institute of America) dated 18th November 2013 stating that the 234 pearls measure 1.90 to 6.39mm, weigh 13.86g (including clasp) and are predominantly natural saltwater pearls.

1882. A single row natural and cultured pearl necklace, the pearls graduate from 2.8 to 7.7mm. 38cm long. With diamond set barrel shaped clasp. Case. £8,000-10,000 With original receipt from A. Lindon, Paris, 8th November 1921.

Accompanied by report number 09299 from The Gem and Pearl Laboratory, London dated 24th January 2014 stating that the 99 pearls measure 2.8 - 2.9 to 7.6 - 7.7mm, weigh 11.63g (including clasp) and with the exception of thirteen cultured pearls the remainder are natural saltwater pearls.

52

1878

1879 1880

1881

1882

53

1883. A Victorian diamond and orange coloured sapphire star pendant, the square shaped sapphire is set within a surround of graduated cushion shaped diamonds in silver and gold. 6cm long. £1,500-2,000

1884. A diamond set pendant centred with a large circular cabochon grey star sapphire, C1930. The sapphire weighs approximately 70.00cts. Set in platinum, on a fine link white gold neck chain and set overall with graduated diamonds. £8,000-12,000

1885. An oval shaped cabochon sapphire mounted platinum and white gold ring, the bezel and shoulders set with smaller cabochon sapphires and small circular cut diamonds. Size J. £3,000-4,000 Accompanied by report number 09497 from The Gem and Pearl Laboratory, London dated 28th February 2014 stating that the sapphire measures 15.0 - 16.0 x 7.5mm, with no evidence of heat treatment. Origin opinion: Sri Lanka.

1886. A Kashmir sapphire and diamond ring, the cushion shaped sapphire weighs 4.07cts and is set in white gold with two baguette shaped shoulder diamonds. Size K 1/2. £15,000-20,000 Accompanied by report number 72765 from SSEF, Switzerland dated 24th February 2014 stating that the oval brilliant/step cut sapphire weighs 4.071cts, measures 10.20 x 9.66 x 4.30mm, the colour is blue of medium strong saturation. With no indications of heat treatment. Origin: Kashmir.

1887. A sapphire and diamond bombé shaped ring, the oval shaped sapphire is set to a foliate pierced white gold mount with textured shank. Size N. £4,000-6,000 Accompanied by report number 73526 from SSEF, Switzerland dated 17th March 2014 stating that the antique cushion cut sapphire measures 11.34 x 8.11 x 5.29mm, weighs 4.896cts, and is a natural colour-change sapphire: blue in daylight, purple in incandescent light. With no indications of heat treatment. Origin. Sri Lanka.

1888. An emerald and diamond ring, the octagonal cut emerald is set with four baguette shaped diamonds in platinum. French control marks.

Size N 1/2. £16,000-18,000 Accompanied by report number 20131970937 from Laboratoire Gemmologie de Paris dated 3rd July 2013 stating that the emerald measures 13.20 x 11.38 x 4.18mm, weighs 5.26cts, with moderate clarity enhancement. Origin opinion: Colombia.

1889. A yellow sapphire and diamond set ring, the oval shaped sapphire is set with four baguette shaped shoulder diamonds in white gold.

Size M. £8,000-12,000 Accompanied by report number 0127104 from the Gem Testing Laboratory of Great Britain dated 8th May 2007 stating that the sapphire measures 14.54 x 12.00 x 9.52mm, weighs 16.92cts and is a natural sapphire with no evidence of heat treatment.

✣ 1890. A pink sapphire and diamond cluster ring, the oval shaped sapphire weighs 11.02cts and is set within a surround of twelve old circular cut diamonds in silver and gold. Size O.

£20,000-30,000

Accompanied by report number 56688 from SSEF, Switzerland dated 28th June 2010 stating that the antique cushion cut pink sapphire weighs 11.017cts, measures 13.29 x 12.06 x 6.61mm, the colour is pink. With no indications of heat treatment. Origin: Burma.

✣ 1891. A sapphire and diamond three stone ring, the cushion shaped sapphire weighs 9.14cts and is set with two triangular shaped shoulder diamonds in 18ct white gold. Size N.

£20,000-30,000

Accompanied by report number 72966 from SSEF, Switzerland dated 3rd March 2014 stating that the antique cushion cut sapphire weighs 9.143cts, measures 11.75 x 11.49 x 7.32mm, the colour is blue of medium strong saturation. With no indications of heat treatment. Origin: Burma.

1892. A three stone diamond ring, the round brilliant cut centre diamond weighs approximately 6.15cts and is set with two triangular cut shoulder diamonds which weigh approximately 1.25cts each. Platinum mount. Size K 1/2. £25,000-30,000

1893. An early 20th century opal and diamond cluster ring, the solid black opal weighs approximately 6.50cts and is set within a surround of circular cut diamonds in carved and pierced platinum mount. French control marks. Size O. £6,000-8,000

1894. An unmounted oval shaped pink tourmaline, or rubelite, measuring 15.26 x 14.65 x 10.01mm. 14.82cts.

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£4,000-6,000

1887

1885

1886

1883

1884

1888 1891

1892

1890 1894 1889 1893

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1895. A graduated two row natural pearl necklace. With a slightly pear shaped rose cut diamond centred platinum clasp with a surround of small diamonds. 19cm. Can be worn as a single or two row necklace. £10,000-20,000 Accompanied by report number 09298 from The Gem and Pearl Laboratory, London dated 24th January 2014 stating that 77 and 83 pearls measure 3.2 - 3.3 to 7.4 -7.5mm, weigh 39.83g (including clasp) and with the exception of one bead nucleated cultured pearls the remainder are natural saltwater pearls.

1896. An early 20th century natural pearl and diamond bow brooch, set overall with graduated circular cut diamonds, centred with a larger diamond and with diamond set fringe. Suspending a drop-shaped pearl. Set in white gold and platinum. 5.5cm wide. £25,000-35,000 Accompanied by report number 61525 from SSEF, Switzerland dated 12th December 2011 stating that the drop-shaped, half-drilled pearl weighs 15.097cts (60.39 grains) measures 11.24 x 12.03 x 18.58mm, the colour is white and the pearl is a natural saltwater pearl.

1897. A conch pearl, the pearl weighs 13.03cts, 52.12 grains.

£2,000-3,000

Accompanied by report number 20014837 from The Gem and Pearl Laboratory, London dated 27th February 2014 stating that the conch pearl measures 13.03 x 13.05mm and weighs 13.03cts. Unmounted and undrilled.

1898. A pale orange Melo pearl, the ovoid shaped pearl measures approximately 8.93 - 9.17 x 10.72mm.

6.60cts, 26.4 grains. Unmounted and undrilled. £1,200-1,500

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1895

1898

1897

1896

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Not actual size

1899. A single row long natural pearl necklace, the one hundred and twenty seven pearls graduate from 5.95 to 10.25mm. With diamond set barrel shaped clasp. 87.5cm. ÂŁ50,000-70,000 Accompanied by report number 73386 from SSEF, Switzerland stating that the 127 pearls graduate from 5.95 to 10.25mm and weigh 67.5g (including clasp). The colour is slightly cream to cream, partly with rosĂŠ and green overtones. All are natural saltwater pearls.

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59

âœŁ 1900.

An impressive pair of French sapphire and diamond cluster earrings, each earring is set with a pear shaped sapphire within a surround of graduated circular brilliant cut and marquise shaped diamonds in yellow gold. Makers lozenge mark R.S and assorted French control marks. ÂŁ60,000-80,000

Accompanied by report number 66881 from SSEF, Switzerland dated 4th March 2013 stating that the pear-shaped sapphire weighs 10.206cts, measures 17.00 x 10.28 x 7.18mm, the colour is blue of medium strong saturation. With no indications of heat treatment.

Origin: Burma.

Accompanied by report number 66882 from SSEF, Switzerland dated 4th March 2013 stating that the pear-shaped sapphire weighs 8.628cts, measures 17.14 x 10.37 x 5.97mm, the colour is blue of medium strong saturation. With no indications of heat treatment. Origin: Ceylon (Sri Lanka).

actual size

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actual size 1901. A pair of antique natural pearl drop earrings, suspending from diamond set bows, caps and terminals in gold. Possibly Russian. Cased by Harvey and Gore. ÂŁ50,000-70,000 Provenance: Purchased by the current owner's father from Harvey and Gore in 1938 as a wedding gift to his bride.

Accompanied by report number 73524 from SSEF, Switzerland dated 17th March 2014 stating that the slightly baroque, drop-shaped, drilled pearls weigh 23.903ct (95.61 grains), and 23.873ct (95.49 grains) and measure approximately 12.60 x 14.15 x 19.65mm and 12.25 x 14.50 x 20.15mm, with light cream to cream colour. Both are natural saltwater pearls.

Harvey and Gore valuation C1938.

Original not available to buyer.

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1902. A Kashmir sapphire and diamond ring, the cushion shaped sapphire weighs 9.68cts and is set in platinum with two tapered baguette shaped shoulder diamonds. The shank marked for Garrard, with London marks for 1985. ÂŁ80,000-120,000 Accompanied by report number 72641 from SSEF, Switzerland, dated 5th February 2014 stating that the sapphire weighs 9.685cts, measures 11.50 x 10.32 x 7.94mm, the colour is blue of medium strong saturation. With no indications of heating. Origin: Kashmir.

Accompanied by report number 09292 from The Gem and Pearl Laboratory, London dated 21st January 2014 stating that the sapphire weighs 9.68cts, with no evidence of heat treatment. Origin opinion: Kashmir.

actual size

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65

1903. A large and important natural pearl, 33.15cts, 132.59 grains. 16.51 x 17.44mm. ÂŁ80,000-120,000 Accompanied by report number 09623 from The Gem and Pearl Laboratory, London dated 21st January 2014 stating that the pearl measures 16.5 - 17.4mm, weighs 33.15cts and is a natural saltwater pearl.

Accompanied by report number 72642 from SSEF, Switzerland, dated 5th February 2014 stating that the pearl weighs 33.147cts (132.59 grains), measures 16.51 x 17.44mm, roundish, half-drilled, the colour is white and the pearl is a natural saltwater pearl.

With appendix letter stating: The natural pearl described in Test Report No 72642 from the Swiss Gemmological Institute SSEF possesses extraordinary characteristics and merits a special mention and appreciation.

The described natural pearl exhibits an impressive size and weight of 33.147cts (132.59 grains), combined with an attractive roundish shape and smooth pearl lustre. The pearl shows an attractive white colour with weak rosĂŠ and green overtones, poetically also referred to as the 'orient of pearls'. Such overtones are due to an iridescence effect caused on the surface of pearls and greatly contribute to their beauty.

The combination of well-balanced trace elements found in this pearl is characteristic for a saltwater pearl.

A natural pearl of such a large size and quality is very rare and exceptional.

actual size

Documentation of historic round pearls can be prone to conflicting details and some pearls, over the years, have simply disappeared. Although some were recovered, the entire French crown jewels were stolen when the Garde Meuble (Royal Treasury) was stormed in Paris during the French Revolution in 1792. An inventory of the jewels had listed a 388 grain, round pearl just a few months previously. It has not been mentioned again.

A pearl of 148 grains was referred to in Taverniers Voyages (1676 - 1679) as being a gift to the Great Mogul from Shah Abbas. Again, it has not been mentioned since.

However, it is certain that the 33.14ct, or 132 grain pearl to be offered on May 1st 2014 is one of the largest round pearls ever to be offered at auction.

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Silver Tuesday 29th & Wednesday 30th April 2014

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

The Hornby Casket, a fine Edwardian silver Arts and Crafts silver freedom casket,

by The Bromsgrove Guild of Applied Arts, Birmingham 1902.

Estimate: £10,000 - £15,000

Asian Art Wednesday 21st & Thursday 22nd May 2014

A fine pair of Chinese Imperial gilt metal and kingfisher feather earrings, and a kingfisher feather and filigree earpick-hairpin in the shape of a dragon's head, late Qing dynasty, 22.7cm.

Provenance: from the collection of LuĂ­s Esteves Fernandes (1897-1988).

Estimate: ÂŁ1,500-2,500

ENQUIRIES John Axford Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

Arts & Crafts Wednesday 18th June 2014 Closing date for entries Wednesday 16th April 2014

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

A Tiffany Studios bronze and Favrile glass Peacock mirror.

Estimate: ÂŁ4,000-6,000

Furniture & Works of Art Tuesday 8th July 2014 Closing date for entries Friday 9th May 2014

A pair of Louis XVI style ormolu and marble candelabra.

Estimate: ÂŁ2,000-3,000

ENQUIRIES Mark Richards Tel: +44 (0)1722 411854 markrichards@woolleyandwallis.co.uk

Fine Porcelain & Pottery Tuesday 9th October 2014 Entries are now being accepted for this sale

A rare Worcester ‘Scratch Cross’ mug from the Raymond Dennis Collection.

Sold for £41,500

ENQUIRIES Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 7424 7830 www.jammdesign.co.uk

WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 1st May 2014 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR JEWELLERY 1st May 24th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 7th May Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk ASIAN ART 21st & 22nd May 12th & 13th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS 4th June – 20th Century & Contemporary Paintings Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20TH CENTURY DESIGN 18th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES ARMS & ARMOUR 19th June Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 8th July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk SILVER 22nd & 23rd July Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 30th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk

www.woolleyandwallis.co.uk