Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery

Thursday 21st January 2016

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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424505

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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424506 424591 424583 424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE, WORKS OF ART & CLOCKS Mark Richards — Jim Gale — Anna Brown —

411854 339161 411854

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424504 424595

PAINTINGS Victor Fauvelle Jo Butler

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424503 424592

TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Ellie Osmond

Members of The Society

ACCOUNTS Janice Clift (Office Manager) —

424500

MARKETING Tamzin Corbett

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424590

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424500

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424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

SILVER Rupert Slingsby Lucy Chalmers

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

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424501 424594

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA — —

339752 339752

ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

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JEWELLERY

Thursday 21st January 2016 at 11.00am Viewing Times Saturday 16th January Monday 18th January Tuesday 19th January Wednesday 20th January Thursday 21st January

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

Front cover: Lot 1313 Back cover: Lot 1133 Page 2: Lot 1307 Page 3: Lot 1306 Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

LIVE BIDDING

Please register by 4pm Wednesday 20th January. Please note there is a 3% + VAT surcharge for this service.

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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Saturday collections by appointment. 10.00am to 1.00pm

Lots marked with this symbol contain gemstones including rubies, sapphires and jade of Burmese origin and are not permitted for import by The United States of America.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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1000. A leather case containing a collection of specimen natural, synthetic and simulant gem stones and untested pearls. Gemmological instruments, including a cased leveridge gauge with spread gauge and estimated weights which includes tables for pearl weight estimation. A 20x loupe and a 10x loupe, a Moe gauge and various specimens and instruments connected with diamond-cutting etc. With a collection £400-600 of demonstration gemmological slides.

1001. A large quantity of jewellery, costume jewellery etc. Including an early 19th century bird brooch, pavé set with rose-cut diamonds and with ruby eye and mounted in silver and gold, 6cm wide. An early 20th century gold insect brooch set with a circular-cut zircon and set in gold, cased. A pink stone and diamond set gold stick pin. A carved octagonal cameo depicting a bearded philosopher. An enamel and gold nautical brooch with two pennants. Three parasol handles. A collection of opals. Fourteen small butterfly brooches decorated with enamel. And various items of jewellery, costume jewellery and findings etc. £200-300

1000

1002. Various items of jewellery, costume jewellery etc. Including: A French gold bookmark set with a ruby and diamond star on engraved alligator skin style ground, French control marks, damaged, 6.5cm long. Assorted gold rings, pendants, lockets etc. Four gold and gold-plated propelling pencils and a fountain pen. A cased gold ring set with three small diamonds. A gold fancy linked watch chain with gold locket pendant. £300-400 1003. A ruby and diamond set 18ct gold five stone ring. A gold ring, pavé-set with a cabochon green stone, believed to have been manufactured by Breon O’Casey. Four gold rings set with diamonds. Assorted gold and silver jewellery. Three wristwatches. Various items of jewellery and costume jewellery etc. £300-400

1001

1002

1003

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1004 1004. A three row cultured pearl necklace. A sapphire and circular-cut diamond pavé-set gold ring. A three stone diamond set gold ring. And various items of jewellery, costume jewellery etc. £300-400

1005

1005. Various items of jewellery, costume jewellery etc. Including a half pearl and rose-cut diamond set gold and platinum circular brooch. A seed pearl set blue enamel gilt metal locket pendant. A diamond set pendant. A cased seed pearl set gold £300-400 hinged bangle. Assorted brooches.

1006. A set of three Chinese silver hair combs. The combs are decorated with characters bearing wishes of good luck, and a further hair ornament. A bracelet and a bangle. Five pendants on silver chains and one pendant on a coral bead necklace. Two further pendants, one depicting a vase and the other depicting a performer. £80-120 1007. Assorted jewellery, costume jewellery etc. Including a gold charm with a rotating birdcage in the centre, with two small red stones and the words “Just a bird in a gilded cage”. A gold wedding ring. Size L1⁄2. £100-150 1008. A 19th century diamond plaque ring set with three lines of graduated old cushion-shaped diamonds (three missing) in silver and gold. Case. A late 18th century gold mourning brooch, of lozenge-form and applied with blue enamel which reads ‘Her Children Rise Up And Call Her Blessed’ to the front and ‘Anne Countess Fitzwilliam Died Aug 29 1769 Aged 47’ to the closed back. With an Edwardian diamond and pearl-set insect brooch and a cased set of paste studs (one missing, one converted to a brooch). £400-600

1006

1007 1008

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1009 1009. Assorted jewellery. Including a diamond set 9ct gold hinged bangle. Cased. A 9ct yellow gold rope link bracelet, 4.1g, 19cm. A cabochon sapphire ring with six shoulder stones, size J. A sapphire and two diamond set gold ring and a diamond set scroll ring, both size Q. A blue stone mounted pendant and a green stone mounted 18ct yellow gold pendant. A faceted citrine-mounted spinning fob seal. £300-400 1010. A jewellery box containing various items of jewellery etc. Including an Art Deco lady’s platinum wristwatch. A sapphire and diamond set 18ct yellow gold cluster ring. A diamond set eternity ring, size P 1⁄2. Various items of jewellery. £400-600 1010

1011. A ten row coral bead necklace. A French gold hairpin set with small diamonds, with French control marks and steel shaft, 17cm. A goldmounted micromosaic plaque. A Wedgewood plaque. A carved hardstone cameo. Two untested pearl set gold stick pins. A carved hardstone object and various items of jewellery etc. £200-300 1012. Assorted jewellery. Including an 18th century emerald and diamond set brooch, a gold brooch set with seed pearls and four diamonds and five further brooches. A three row seed pearl choker length necklace with a seed pearl mounted gold clasp containing a glazed locket compartment. 41cm. Cased and with additional seed pearls. A cultured pearl and coral bead necklace. 42cm. A gold bar chain, 39cm, and another chain, 67cm. An Art Deco diamond set lady’s wrist watch. An 18th century navette-shaped glazed mourning locket bracelet with four fine link chains. A sapphire, diamond and seed pearl set hinged gold bangle and a moonstone set bangle. A seven stone ring alternately set with ruby and square-shaped diamonds. Cased. Three further plain and stone-set rings. A pair of diamond and sapphire white gold cluster stud earrings, cased, and two further pairs of stud earrings. Two clasps. £200-300

1011

1012

1013. A jewellery case containing assorted jewellery, costume jewellery etc. Including a cased paste-set silver girandole pendant, fitted case by Carrington’s. And assorted rings and jewellery etc., including two enamel decorated butterfly brooches. £200-300

1013

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1015 1014 1014. Assorted jewellery, including a ruby and diamond cluster ring set in 18ct white gold, a sapphire and diamond half hoop ring set in 18ct yellow gold, a further seven stone set 9ct gold rings. A 9ct yellow, white and rose gold puzzle ring, a gold locket ring and a gold ring mount. A gold brooch with a Celtic knot design. A 9ct yellow gold scroll diamond line bracelet and two other 9ct gold bracelets. A diamond and coloured stone set pendant in 9ct white gold with a white gold fine link chain and four other gold pendants, all with gold fine link chains. Three further stone set pendants and a 9ct yellow gold St. Christopher pendant. £400-600 1015. Assorted jewellery, including two 9ct white gold wedding rings and two stone-set 9ct yellow gold rings. A ruby and diamond pendant and two other pendants. A diamond-set 9ct gold bracelet and a 9ct yellow and white gold bracelet. £400-600 1016. Assorted jewellery, including a diamond and emerald cluster ring set in 18ct gold, and nine further stone set 9ct gold rings and three 9ct gold wedding rings. A diamond and sapphire bracelet set in gold and two other 9ct gold bracelets. Seven diamond and coloured stone-set gold necklaces, all with fine link neck chains, and three further stone-set gold pendants. £400-600 1016

1017. Assorted jewellery, including a diamond and sapphire set 18ct gold cluster ring and seven further plain and stone-set gold rings. A ruby and diamond cluster pendant set in 9ct yellow gold and a diamond-set 9ct white gold pendant, both with fine-link gold chains. A 9ct white gold bracelet set with diamonds and pink stones and a 9ct yellow gold chain link bracelet. A 9ct yellow gold bangle. £400-600 1018. Assorted jewellery, including three 9ct yellow gold rings set with coloured stones. A 9ct yellow gold child’s bracelet. A pair of white gold cultured pearl drop earrings, a pair of diamond cluster earrings and a further pair of diamond earrings. Six diamond pendants set in gold and two other pendants set with coloured stones. Two 9ct gold cross pendants and a 9ct gold St. Christopher pendant. A pair of 9ct gold cufflinks. £400-600 1019. A sapphire and diamond ring set in 18ct yellow gold. A further nine gold stone-set rings. Three pairs of cultured pearl ear studs. A gold mounted carved shell cameo pendant. £400-600

1019

1017

1018

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1021

1020 1022 1020. Assorted jewellery, including a 9ct yellow gold child’s bangle. Seven coloured stone gold rings. A yellow gold bracelet set with diamonds and amethysts and a white metal line bracelet set with alternating sapphires, rubies and diamonds. A 9ct yellow gold pendant set with diamonds and coloured stones and a 9ct white gold diamond pendant, both with gold fine link chains. £400-600 1021. Assorted jewellery, including a ruby and diamond set 18ct gold cluster ring, three 9ct gold wedding rings and a stone-set 9ct gold ring. A garnet-mounted 9ct yellow gold bracelet and another 9ct gold bracelet. A 9ct white and yellow gold pendant set with a single diamond, and a diamond-set 9ct yellow gold pendant with matching earrings. £400-600 1022. A collection of thirteen 19th century reverse-carved glass intaglios, depicting various classical scenes and characters, including the profile of Alexander the Great. 3cm high. A large circular intaglio depicting the reverse side of the Napoleonic bronze medal with a seated emperor and a woman wearing a civic crown and a putto guiding a ship and watching a star above, the symbol of Paris. 6.5cm. An allegorical scene of France succumbing to Britain being overseen by Justice. Also an agate intaglio, a small glass intaglio depicting a gryllus, an intaglio £100-150 carved with initials and a plaster cast.

1023

1023. A gold charm bracelet, mounted with assorted fob seals and swivel seals. A textured gold bracelet mounted with an amethyst crystal. A textured gold ring mounted with an emeraldcut smokey quartz, a gold signet ring decorated with an enamel bulldog. A pair of textured gold and diamond earrings. A gold and enamel snake ring. A textured gold wristwatch. A gold charm £600-800 in the form of a lady’s head and two other rings. 1024. Three gold pendants, each mounted with a half sovereign and two with fine gold chains. Three gold rings, two mounted with a sovereign, one with a French ten franc gold coin, £800-1,200 and a gold pendant mounted with a sovereign with a fine gold chain. 1025. Assorted jewellery. Including a carved shell cameo pendant mounted in 9ct gold, a white stone set 9ct gold cross pendant, two 9ct gold locket pendants and one 9ct gold St. Christopher pendant with an image of an automobile, an aeroplane and a boat to the reverse. Two two-tone bangles. £400-600

1024

1026. A garnet and seed pearl brooch in case by Dibdin & Co, three pearl studs in fitted cases, a gold chain and a gold wedding band. £100-150 1027. Assorted jewellery, including two diamond and emerald set gold bracelets. Three stone-set 9ct yellow gold rings and a 9ct gold wedding ring. A pair of 9ct yellow gold cufflinks engraved with a Masonic emblem. A diamond and pink stone 9ct gold pendant with a fine link gold chain. £400-600 1025

1027 1026

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1029

1028

1028. Assorted jewellery, including two graduated amber bead necklaces, one with four silver pendants, a coral bead necklace, a carved bead necklace and five other bead necklaces. A hardstone fish pendant, a Chinese silver pendant on a bead necklace and one further pendant. A moonstone drop necklace. Three belt buckles. One lozenge-shaped miniature painting set as a brooch and twelve other brooches. Two agate plaque bracelets and a further bracelet with the initial ‘E’ in rose-cut diamonds. A carved Chinese ivory plaque. £100-150 1029. Six amber bead necklaces. One with graduated melon-carved amber beads alternately mounted with carved non-amber beads and a further necklace broken in two places. Approximately 260g in total. £800-1,200 1030. A six row graduated garnet bead necklace.

£200-300

1031. A two row graduated jade bead necklace. The beads graduate £200-300 from 4.80 to 9.85mm. Length 49cm longest.

1032. A jade and coral bead necklace, comprising three jade beads which graduate to 22mm, alternately mounted with smaller green and black beads and with a moonstone clasp. 54cm. £500-700

1030

1032

1031

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1033

1034

1033. A single row slightly graduated coral bead necklace, 122.5g, 70cm. £800-1,200

1035

1034. A graduated coral bead necklace, 74.8g, 52.5cm. £500-700 1035. A graduated amber bead necklace, 58.5g, 73cm. A single row graduated amber bead necklace, 45cm, another single row slightly graduated amber bead necklace, 40cm and a small amber bead bracelet, 40.8g £200-300 1036. A graduated amber bead necklace, 44g, 70cm. £200-300

1036

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1037

1038

1040

1037. A graduated amber bead necklace, 31g, 58cm. An amber necklace of nine beads with metal chain, 34g total, and a quantity of loose amber beads, 75g. £300-400 1038. A slightly graduated amber bead necklace, 49.5g 39cm. No clasp. £200-300 1039. A short graduated oval amber bead necklace. Each oval bead separated with a smaller circular bead. 63g. 43cm. £200-300 1040. A single row graduated amber bead necklace, 71g. 75cm. £500-700 1039

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1041 1042

1043

1041. A stick pin mounted with a pear-shaped rose-cut diamond, a gold stick pin mounted with a horse’s head and neck pavé-set with diamonds, black enamel tack and ruby eyes, a stick pin mounted with a Mercedes Benz emblem set with small diamonds, a gold stick pin mounted with a carved moonstone cameo depicting a lady in Renaissance costume, and a gold stick pin mounted with a drop-shaped untested pearl. £200-300 1042. A gold stick pin mounted with a pear-shaped jade cabochon, a gold stick pin set with two sapphires and a diamond, a gold stick pin set with a cluster of small diamonds, a gold stick pin set with a ruby and rose-cut diamond cluster and a gold stick pin mounted with the words ‘Grey Tick’ and set with small diamonds. Grey tick is believed to have been a racehorse. £200-300 1043. A gold stick pin mounted with a diamond-set star, a gold stick pin mounted with a diamond-set cluster, a gold stick pin mounted with a horseshoe alternately set with sapphires and diamonds, a gold stick pin set with a circular-cut diamond, a gold stick pin mounted with a £200-300 realistically formed talon clutching an uncut diamond, a gold stick pin mounted with a diamond-set lyre.

1044

1044. An unset cushion shaped diamond weighing approximately 0.84ct. A semi-cut diamond and nine uncut diamonds, including a pink diamond weighing approximately 0.36ct. £200-300 1045. An 18th century paste necklace, the rectagular and flowerhead panels are set with circular green and white paste, suspending a green and white paste-set cross pendant mounted in silver. The £400-600 necklace 36cm long (excluding cross).

1045

1046. A 19th century ring box, with moveable compartments for fourteen rings. £80-120

1046

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1047

1048

1049

1047. A silver and gold necklace by Tiffany & Co, the solid grooved silver links set between fluted gold links. Signed Tiffany & Co 1995. With a pair of matching silver and gold earrings by Tiffany & Co. £200-300 1048. A silver necklace by Tiffany & Co, the rectangular links adjoined with smaller silver-gilt links. 41cm long. With matching bracelet and three additional links. £200-300 1049. A silver and gold collar necklace, designed as fluted silver links within smaller gold links. 39cm approximately. With a matching bracelet. 19.5cm long. £200-300 1050. A silver pendant by Georg Jensen. Spoon-shaped and mounted with a black bead. Signed Georg Jensen, design number 328, and initials NJD. London import marks for 1976. The pendant 5.2cm, and is on a silver chain 35cm. Boxed. £150-250 1051. A group of ironwork and Silesian wirework jewellery, including a long chain, 105cm, a bracelet, two cameo pendants, a £200-300 fleur-de-lys form bracelet and two further pieces.

1050

1052. A diamond set gold pendant, the old circular-cut stone is set in 18ct yellow gold on a fine link gold neck chain. And a diamond three stone ring, set with graduated old cut diamonds in 18ct yellow gold. And a yellow gold Victorian bracelet mounted with a mother of pearl backed portrait clasp. £300-400 1053. A diamond set gold full circle eternity ring, size K1⁄2. With a diamond pendant on a fine link gold neck chain. £200-300 1054. A navette-shaped diamond ring, millegrain-set with old cushion-shaped diamonds in platinum and white gold. Size I. With an Edwardian sapphire and diamond-set bar brooch, set in platinum and gold. 6cm wide. £100-200

1051

1052

1053

1054

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1055

1058

1056

1057

1055. A diamond, pearl and turquoise insect brooch. The wings set with rose-cut diamonds and with pearl and turquoise body in gold. And a silver and gold butterfly brooch pendant set with turquoise cabochons, a pearl and two rubies. Detachable brooch fittings. 4.2cm wide. £200-300 1056. An early 20th century gem-set butterfly brooch, set with an opal, sapphire, rose-cut £200-300 diamonds and rubies in silver and gold. 3.5cm wide. 1057. A 19th century shell cameo brooch. Depicting the profile of an unidentified gentleman. Gold scallop shaped frame with slide fittings. £100-150 1058. A boulder opal mounted gold ring, the boulder opal cabochon is set within gold ropetwist surround. Size S 1⁄2. With a matching boulder opal cabochon brooch within gold ropetwist surround. 3.4cm wide. £200-300 1059. A Victorian citrine mounted gold cruciform pendant, set with four large citrines in gold pellet border. The bale marked Mc&Co. 9cm long. £200-300

1060. A pair of pink coral mounted gold earrings, the carved coral putti riding geese, suspending from carved coral flowers in gold. 4.5cm long. Case. £400-600 1059

1061. An early 20th century turquoise mounted gold pendant, the oval shaped turquoise applied with a pearl and diamond treffoil within gold and diamond set filigree surround. 4.2cm high. £200-300 1062. A gold circular hinged locket pendant with top swivel opening to reveal a a locket compartment, with diamond-set initials M B to the exterior. 2.8cm wide. £100-150 1063. An early 20th century diamond and seed pearl set Lily of the Valley brooch. Set in silver and gold. 4.5cm high. £200-300 1064. A pair of gem-set rope design gold earrings, each set with rubies and sapphires. £200-300

1060

1064

1062

1061

1063

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1065

1066 1067 1068

1065. A loose circular brilliant-cut diamond, weighing 0.40cts.

£200-300

1066. A pair of emerald and diamond cluster earrings, set with a central circular-cut emerald within a border of smaller circular-cut diamonds in white gold. £450-550 1067. A pair of sapphire and diamond ear studs, the oval-shaped sapphires are set within a surround of circular-cut diamonds in platinum and gold. £100-150 1069 1068. A pair of diamond stud earrings, the diamonds weigh approximately 0.75cts in total. £700-900 1069. A pair of diamond cluster ear studs, the old cushion-shaped diamonds are set within carved garnet hoops and a diamond set cross, in rubover gold mount. 14mm long. £600-800 1070. A pair of sapphire and diamond target ear studs, the circular-cut sapphires are set £400-600 within a surround of smaller circular-cut diamonds in white gold. 9mm diameter. 1071. A pair of diamond stud earrings, the circular-cut diamonds weigh approximately 0.60cts in total and are set in white gold. £450-550 1072. A yellow gold fancy linked long guard chain. 54.6g and 148cm.

1070

£600-800

1073. A gold and enamel necklace, set with alternating gold cylindrical links applied with red and blue enamel and suspending a red enamel heart-shaped locket pendant. £100-200

1071

1073

1072

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1074

1075

1074. A gold propelling pencil pendant. Decorated with two flowers set with red stone petals (some missing) and centred with seed pearls. 6cm (closed). £100-200 1075. A George III gold stirrup form fob seal, the carnelian matrix engraved with Masonic emblems. 3.5cm high. £80-120 1076. A gold charm bracelet. The gold twisted oval link bracelet mounted with a spinning fob seal and three fob seals, and three T bars. 56.3g in total. £400-600 1077. A pendant incorporating a five pound gold coin and a two pound gold coin, the 1902 five pound gold coin is mounted in gold within a border of garnets and suspends the gold mounted 1887 two pound gold coin. £1,500-2,000

1076

1078. A gold and enamel fob watch, the gold foliate engraved dial with black Roman numerals. The reverse decorated with enamel flowers within gold and white enamel scroll border. With watch key. £100-200 1079. An early 20th century spherical fob watch, decorated with blue guilloche enamel on silver, with a silver dial and black Arabic numerals. The watch suspends from a gold bar brooch. £80 -120 1080. A gold folding travel clock by Eszeha, the rectangular gold engine turned case with springloaded clasp which reveals the clock face when opened. With gold coloured enamel dial and Arabic numerals. Suspending from a pierced geometric design gold brooch. £300-400

1078

1079

1077

1080

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1081

1081. A 19th century micromosaic brooch depicting St. Mark's Square. The micromosaic measures 3.3cm and is set in a gold frame with fine wirework decoration. £200-300

1082

1082. A 19th century bracelet mounted with five micromosaic panels, the tongue with indistinct marks, possibly EL, 19.2cm. Four 19th century micromosaic brooches, including a micromosaic brooch of 2.3cm and in a gold frame with fine wirework decoration and three other micromosaic brooches, depicting floral groups. A micromosaic plaque depicting the Colosseum, 3.4cm. £100-200 1083. A Victorian pietra dura bracelet, the nine oval panels depicting flowers in hardstone, collet-set in silver and gold. 17cm long. £150-250 1084. A 19th century micromosaic brooch depicting Pliny's Doves, 2.7cm and in a gold floral frame. Two further 19th century micromosaic brooches, one depicting a floral group measuring 3.2cm, the other an image of St. Mark's Square, 3.1cm, both in gold frames. A pair of 19th century micromosaic earrings depicting Roman ruins, each micromosaic 1.5cm and in gold frames. £150-250

1083

1085. A 19th century micromosaic brooch depicting Roman ruins. The micromosaic measuring 3.0cm and in an elaborate gold frame. Two further 19th century micromosaic brooches. A micromosaic plaque depicting Pliny's Doves measuring 2.7cm and another micromosaic plaque depicting a floral group, 3.0cm, both plaques 19th century. A pair of 19th century micromosaic studs depicting scenes of Rome, each 1.4cm. £100-200

1084 1085

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Fine Jewellery is now being accepted for the 28th April 2016 sale

The two images display the spectacular colour range in the same opal.

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To include: An early 20th century Lightning Ridge solid black opal and diamond ring. Est. ÂŁ20,000-30,000

ENQUIRIES Jonathan Edwards FGAA | Tel: +44 (0)1722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA | Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

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1086. A 19th century micromosaic plaque depicting a girl in the Bacchanalian manner. Brooch pin missing. 2.8cm wide. £600-800

1087. A 19th century micromosaic brooch, depicting a Roman scene, probably the temple of the Sybyl at Tivoli, in carved gold mount with closed back. 4.3cm wide. £400-600

1088. A pair of 19th century micromosaic and turquoise drop earrings, each earring mounted with four oval micromosaic plaques depicting birds, flowers and scarabs within a surround of small turquoise cabochons and gold pellet border. 6cm long. £200-300

1089. A Victorian gold pietra dura brooch, the two oval hardstone plaques depicting flowers against a white background, both with locket compartments to reverse. Connected by a gold ropetwist and within gold pellet border. 5.5cm wide. £200-300

1090. A 19th century micromosaic brooch, depicting four birds and a tree, the gold frame with fine £500-700 wirework decoration. The panel 4.2cm wide. Case.

1091. A rectangular 19th century micromosaic brooch, depicting a view of the Ponte Lucano at Tivoli, within gold frame. 5cm wide. £200-300

1092. An Etruscan revival style Victorian gold bangle, set with eight oval-shaped pietra dura plaques all depicting coloured hardstone flowers on white background, set either side with lines of seed pearls £800-1,200 and rubies within ropetwist surround and pellet border. 5.2cm inner diameter.

1093. A 19th century micromosaic mounted gold pendant, depicting Roman ruins with a pink tinged sky. Mother of pearl surround mount. 3.5cm wide. £400-600

1094. A circular 19th century micromosaic brooch, depicting a view of the Ponte Lucano at Tivoli. Within a yellow gold frame with pellet border. Closed back, with detachable brooch fitting which converts so the brooch can be used as a clasp 4cm wide. Fitted case. £200-300

1095. An early 19th century micromosaic brooch. Depicting roses and carnations on a black octagonal mount, and with gold frame. 6.5cm long. £200-300

1096. A 19th century micromosaic plaque brooch of floral design and mounted in a gold scroll brooch. 4.8cm wide. And another 19th century micromosaic floral brooch in gold frame. 5cm wide. £200-300

1097. A 19th century pair of gold-mounted micromosaic drop earrings, depicting Roman ruins and suspended from a smaller micromosaic depicting a male and female character, with engraved gold mounts. 5cm high. Fitted case. £300-400

1098. A pair of oval-shaped micromosaic earrings, depicting flowers within gold ropetwist border 2.8cm £400-600 long. With a larger matching gold framed micromosaic brooch 5.5cm wide.

1099. A 19th century micromosaic brooch pendant, the oval plaque depicting a dancing couple with landscape background. Gold frame with wirework border and suspending from a rectangular gold brooch £800-1,200 with further micromosaic decoration. The main panel 2.2cm wide.

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1088 1087

1090 1086 1089

1092 1091

1093

1095 1097

1094

1096 (2)

1099

1098

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1100. A silver-gilt circular wristwatch by Must de Cartier. Signed white dial with XII and VI numerals only. Black leather Cartier band with Cartier gilt metal deployant clasp. £200-300 1101. A lady’s steel and gold wristwatch by Rolex, the plain dial with baton numerals, sweep seconds hand, date aperture and signed Oyster Perpetual Date, with Rolex steel and gold band with deployant clasp. The watch 2.5cm wide. £400-600 1102. A lady’s 18ct yellow gold wristwatch by Tissot. Plain circular gold dial, signed and integrated mesh gold band. 18cm (max.). £400-600 1103. A gentleman's gold wristwatch by Patek Philippe, the cream enamel dial with gold baton numerals. Manual winding. Associated band. With Patek Philippe case. £800-1,200 1104. A gentleman’s steel Oyster Perpetual wristwatch by Rolex, signed cream dial with gold Roman numerals and sweep seconds hand. Missing strap. With two steel Rolex clasps. £600-800 1105. A small rectangular yellow gold wristwatch, black Arabic numerals, and signed Cartier (repainted). Cabochon blue stone winding mechanical movement. 2.9cm high (not including lugs). £200-300 1106. A gentleman’s yellow gold wristwatch by Patek Philippe, the plain gold signed dial with Roman numerals. Manual winding. 18ct gold. The rectangular case with camphored corners. The 18ct yellow gold band formed with graduated articulated cylinders. 19cm minimum. 112g. Patek Philippe leather case. £4,000-5,000 1107. A 14ct yellow gold Oyster Perpetual date wristwatch by Rolex, Ref. 1500, Serial no. 927262, c. 1959, silvered dial with baton numerals, centre seconds, date aperture at 3 o’clock, radium dauphine hands, with an associated 14ct gold brickette flexible bracelet, the claps with raised Rolex crown, hallmark B&S, Birmingham 1970, 34mm diameter, with Rolex box. £1,500-2,000 1108. A lady’s 18ct yellow gold wristwatch by Omega, the plain signed yellow dial with baton numerals, 18ct integrated yellow gold Omega strap. 19cm (max). £1,200-1,500 1109. An 18ct gold fob watch. Black roman numerals to the engraved gold dial. The reverse engraved ‘Anne’. With carved wooden travel case. £150-200 1110. A lady’s diamond-set yellow gold wristwatch by Delaneau, the signed heart-shaped plain face with diamond-set bezel and further heart-shaped diamond to the upper lug. Black leather band with gold fittings and suspending a gold chain. With a white leather Delaneau jewellery roll. £600-800 1111. A lady’s white gold wristwatch by Piaget, the signed plain square dial with baton numerals. Engraved to the reverse 3811 side winding manual movement. Integrated white gold band. 17cm (max) £1,500-2,000 1112. A lady’s diamond set dress wristwatch by Baume & Mercier, the signed oval shell dial with diamond set numerals and further round brilliant-cut diamonds to the bezel in 18ct yellow gold. Quartz movement. The reverse numbered 18310 9 and 2234609. The 18ct textured and plain integrated gold bracelet by Baume & Mercier. 18cm. £1,200-1,500 1112A. A lady's cocktail wristwatch by Boucheron, the square textured gold dial is set with eight circular-cut diamonds on twisted fancy-link gold band. Signed Boucheron Paris to the case and numbered 80805. With French control marks. The movement marked 17 Jewels. The inside case numbered 16228 and with maker's lozenge for JP. The case 1cm wide. The watch 16.5cm long. £1,000-2,000

1112A

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1103 1100

1101

1104 1102

1105

1108 1107

1112

1106

1111 1109 1110

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1113. A jade and diamond ring, the circular jade disc is set with three circular-cut diamonds to each shoulder in yellow gold. Size Q1⁄2. And a green stone mounted gold ring. Size L1⁄2. £100-150 1114. An emerald and diamond cluster ring, the oval shaped emerald weighs approximately 1.15cts and is set within a surround of circular-cut diamonds in 18ct white gold. Size O. £1,500-2,000 1115. An amethyst and diamond cluster ring. The oval-shaped amethyst is set within a surround of nine £300-400 cushion-shaped diamonds in yellow gold. Size M. 1116. A ruby-set pink gold full-circle eternity ring. Set with calibré-cut rubies with scroll-engraved shoulders. Size M½. And another similar ruby-set gold full-circle eternity ring, size O. £200-300 1117. A pink sapphire and diamond set octagonal plaque ring. Centred with an oval-shaped pink sapphire with bands of square-shaped pink sapphires and small circular-cut diamonds in white gold. Size N. £200-300 1118. A diamond plaque ring, set with two central circular-cut diamonds within rectangular border of £700-900 smaller circular-cut diamonds in white gold. Size N1⁄2. 1119. An aquamarine and diamond cluster ring, the emerald-cut aquamarine is set within a surround of circular-cut diamonds and baguette-shaped diamonds in white gold. Size O. £700-900 1120. An emerald and diamond ring, the large emerald is rub-over set with a circular-cut diamond to £100-150 each shoulder in yellow gold. Size P1⁄2. 1121. An aquamarine and diamond cluster ring, the emerald-cut aquamarine is set within a surround of circular-cut diamonds and baguette-shaped diamonds to the shoulders in 18ct white gold. Size O. £700-900 1122. A tanzanite and diamond three stone ring, the oval-shaped tanzanite is set with two brilliant-cut shoulder diamonds in 18ct white gold. Size L½. £800-1,200 1123. An Edwardian emerald and diamond cluster ring, centred with an emerald-cut emerald set within a double millegrain surround of old circular-cut diamonds in platinum. Size L½. £600-800 1124. An early 20th century emerald and diamond cluster ring, the baguette-shaped emerald is set £600-800 within a surround of French-cut rectangular diamonds in platinum. Size N. 1125. A sapphire and diamond cluster ring, the circular-cut sapphire is set within a surround of circularcut diamonds in cross-over yellow gold and platinum mount. Size N. £400-600 1126. A diamond five stone ring, the graduated circular-cut diamonds weigh approximately 1.40cts in total, set with three smaller circular-cut diamonds to each shoulder in white gold. Size N½. £1,200-1,500 1127. A ruby and diamond cluster ring, the circular-cut diamond is set within a surround of French-cut rubies and a further scallop border of diamonds in white gold. Size N½. £700-1,200 1128. A cushion-shaped diamond solitaire ring, the diamond weighs 1.02cts and is set in yellow gold. Size M½. £800-1,200 Accompanied by report number 00C069327 dated May 30th 2011 from GCI stating that the cushion modified brilliant cut diamond weighs 1.02cts, with I colour and VVS2 clarity, moderate fluorescence. 1129. An emerald and diamond three row ring, set with a central line of graduated emerald-cut emeralds within a line of circular cur diamonds in yellow and white gold. Size N. £600-800

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1113

1116 (2)

1114

1117

1119

1122

1126

1115

1121

1120

1123

1127

1116 (2)

1118

1124

1128

1125

1129

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1130

1130. A rose quartz and 18ct gold pendant by Rudolf Heltzel, the three gold-mounted rose quartz pendants suspend from a quatrefoil yellow gold frame. Dublin marks and Heltzel’s monogram. 4cm wide. And a stone-set gold ring by Rudolf Heltzel set with four square blue stones in 18ct yellow gold with Dublin marks for 1971. Size N. £400-600 1131. Three early 20th century novelty plaques. The circular plaque engraved with three flies, the wings formed with glass set into the mount. And with two smaller oval similar plaques. The circular plaque, 2.3cm wide. £100-150 1132. A silver circular brooch with enamel foliate decoration and further bead decoration to the border. Indistinct mark for WV. 5cm wide. £80-120 1133. A silver head of Medusa pendant by Reuben Watts of New Zealand, C1930. Realistically formed with a grimacing face and writhing serpents. Suspending two oval-shaped red paste pendants, box-link neck chain terminating to each side with further writhing serpents. The pendant 7cm wide. Engraved to the reverse: W. Reuben Watts Fecit. With spurious lion passant mark. £400-600 Reuben Watts (1869 - 1940) emigrated to New Zealand in 1900 and pioneered the Arts and Crafts movement there with his silver manufacture. 1134. A silver dragonfly brooch by Child & Child, enamel stripped from tail, signed with marigold mark. 4.2cm.

£200-300

1135. A large silver heart pendant by Georg Jensen. 6.4cm wide. Signed, and pattern number 126. On a long tapered silver link necklace. The necklace 80cm. £200-300 1136. A silver Modernist necklace by David Anderson, of stylised geometric form, the central square panel applied with a chequerboard brown enamel pattern. Marked D-A to reverse and Norway INV.B.S.0. On a silver square bar link neck chain. 56cm long. £100-200 1137. An Arts and Crafts silver bracelet by Bernard Instone, designed as rectangular foliate panels. Marked B.I. 19cm long.

£150-200

1138. A 19th century red and green gemstone set silver floral brooch, the petals pavé-set with circular-cut red stones (including spinel) and emeralds set to the stem. 5cm high. £600-800 1139. A French Art Nouveau gold pendant, the natural saltwater pearl encased within a stylised textured gold foliate surround, closed back. French control marks and makers lozenge for S.S. 5cm long. £1,000-1,500 1140. An Art Nouveau agate mounted gold pendant, the oval-shaped agate with green and orange enamel decoration to the frame. 3.3cm wide. £200-300 1141. An Arts and crafts silver pendant in the Sybil Dunlop style, the central plaque (missing) is set within a surround of cabochon moonstones and dyed chalcedony within silver fleur de lys panels, on fine link silver chain set with blue chalcedony beads. The chain 66cm long. £200-300 1142. An unusual gem-set rectangular gold brooch. Pavé-set with assorted gemstones including citrine, opals, garnets, turquoise cabochons £200-300 and a moonstone. 4cm wide. 1143. An Arts and Crafts necklace, the fine link gold chain suspends five graduated pendants set alternately with cabochon opals and turquoises within gold scroll surround. 40cm long. £200-300 1144. An early 20th century Jugendstil bracelet by Murrle Bennett & Co., the geometric pattern to the square silver panels alternately £300-400 mounted with square blister pearl sections. Signed in monogram and 950. 17.2cm.

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1131

1135 1132

1133

1136 1138 1134

1137 1143 1139

1140

1141 1144 1142

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1145. An emerald and diamond five stone ring. Set with three circular-cut emeralds and two round brilliant-cut diamonds in yellow gold. Size M½. £200-300 1146. A ruby and diamond target ring, the circular-cut diamond is sent within a surround of French-cut rubies within further diamond shoulders. Size N½. £1,000-1,500 1147. A diamond solitaire ring. The cushion-shaped diamond is set in 18ct yellow gold. Glasgow marks for 1912. Size L. £600-800 1148. A ruby and diamond three row ring, the central line of calibré-cut rubies set within two lines of circular-cut diamonds in yellow gold. Size M1⁄2. £200-300 1149. A sapphire and diamond quarterfoil ring, set with four central circular-cut diamonds within borders of French-cut sapphire and diamonds in platinum and yellow gold. Size N1⁄2. £1,200-1,500 1150. An amethyst and diamond ring, the oval-shaped amethyst is set within a surround of circular-cut diamonds in platinum and gold. Size J1⁄2. £500-700 1151. An emerald and diamond cluster ring, the oval-shaped emerald is set within a surround of circularcut diamonds in platinum and white gold. Size O. £800-1,200 1152. An opal solitaire ring, the solid white opal cabochon is set in yellow gold. Size S.

£100-200

1153. An aquamarine and diamond rectangular plaque ring, the emerald-cut aquamarine is set within a surround of circular-cut diamonds in platinum and yellow gold. Size O1⁄2. £1,000-1,500 1154. An emerald and diamond plaque ring, the emerald-cut emerald is set within two surround of circular-cut diamonds in white gold. Size O1⁄2. £600-800 1155. A navette-shaped diamond cluster ring, set with a central line of three graduated circular-cut diamonds within a scalloped border of smaller single-cut diamonds in 18ct white gold. Size O1⁄2. £600-800 1156. An aquamarine and diamond cluster ring. The circular-cut aquamarine is set within a surround of ten round brilliant-cut diamonds in yellow gold, with stylised fleur-de-lys shoulders. Size N. £400-600 1157. A diamond five stone ring, the three principal round brilliant-cut diamonds are set in white gold with two smaller shoulder diamonds. Size N1⁄2. £200-300 1158. An emerald and diamond half-hoop ring. Centred with an oval-shaped emerald with six round brilliant-cut shoulder diamonds in yellow gold with carved shoulders. Size M½. £500-700 1159. An emerald and diamond three stone ring, the oval-shaped emerald is set between two circularcut diamonds in platinum and yellow gold. Size P1⁄2. £800-1,200 1160. A diamond and sapphire five stone ring. Set with two circular-cut sapphires and three circularcut diamonds in yellow gold with ten small rose-cut diamonds. Size L½. £300-400 1161. A diamond three stone ring. Set with three rectangular-shaped graduated diamonds in 18ct white gold. Size Q. £400-600

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1145

1149

1146

1147

1151

1150

1148

1152

1153

1157 1154

1158

1155

1159

1156

1160

1161

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1162. A three row cultured pearl necklace, set with a rectangular diamond-set clasp, millegrain set overall with single-cut diamonds and a central circular-cut diamond the the centre. £600-800 1163. A three row cultured pearl necklace. The pearls graduate from 5.6 to 8.0mm. Diamond-set gold target clasp. 40cm long. £800-1,200 1164. A diamond-set rosebud brooch. Pavé-set with graduated circular-cut diamonds in platinum and yellow gold. Signed G. Petochi. 3.5cm high. £600-800 1165. A gold torque, with blue stone cabochon terminals. Signed B.Gabrielson.P and Denmark 585. £600-800 1166. A pair of pearl and diamond ear studs, the white South Sea pearls measure approximately 14m diameter and are suspended from three circular-cut diamonds in white gold. £1,200-1,500 1167. An 18ct gold stylised herringbone-link strap bracelet. Marked for Garrard and rubbed import £1,000-1,500 marks. 75g. 17.5cm. 1168. A textured dark yellow gold strap bracelet with decorated borders. 51g. 19cm.

£500-700

1169. A pair of peridot and diamond cluster earrings, each is set with five pear-shaped peridots separated with small circular-cut diamonds in yellow gold. 1.8cm wide. £600-800 1170. A two row cultured pearl necklace. The pearls graduate from 8.0 to 8.75mm. The white gold £600-800 clasp set with small circular-cut diamonds. 40cm. 1171. A three row cultured pearl necklace, with a Victorian ruby and diamond cluster clasp. 36cm longest. £400-600 1172. A pink sapphire and diamond strap bracelet, set with four rows of square-shaped sapphires in white gold with pavé-set circular cut diamond-set borders, 18cm. £4,000-6,000

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1165

1164

1163

1162

1168

1167

1172

1166

1171

1169 1170

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1173. An unusual double-sided cameo fob seal, depicting the head and shoulders of a woman and the matrix mounted with an oval-shaped intaglio depicting a bearded man, possibly Roman. 2.5cm high. And a carved agate cameo mounted stick pin, depicting the head and shoulders of a woman and mounted in gold, the cameo 1.8cm high. £200-300 1174. A Regimental brooch for The King’s Royal Rifle Corps, millegrain set with diamonds and applied with green enamel. 2.3cm wide. £200-300 1175. A pair of carnelian cufflinks, the concave oval carnelian sections are each centred with a seed pearl and set in gold with white enamel borders. Cased. £200-300 1176. A pair of Art Deco French gold and enamel cufflinks, with yellow and black enamel decoration and French control marks. 1.4cm wide. £200-300 1177. A cased set of dress cufflinks and matching studs. The circular cufflinks each centred with a seed pearl on shell ground within a white gold border backed on yellow gold. With a matching pair of studs and three matching smaller studs. £100-150 1178. A 9ct gold Rollboy lighter by Bach & Cooper for Alfred Dunhill, engine-turned decoration to all sides and one panel sliding to reveal the gas valve, and a spare flint. Maker’s mark ADB and Birmingham marks for 1959. Further gold marks and patent no. 652937. 5.8cm high. £100-150

1179. A cased set of dress cufflinks and links, the cufflinks formed with cushion-shaped coral beads and with six larger coral studs and three smaller coral studs. Fitted case. £200-300 1180. A cased set of six hemispherical agate buttons. Each button 2.3cm wide. Fitted case by Frank Shuttleworth. The case embossed for ‘Violet’ and dated May 17, 1917. £100-150

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1173 (2)

1174

1175

1176

1177

1179 1178

1180

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1181. A pair of diamond pendant earrings, each suspending a line of three cushion-shaped diamonds in cut down collets within a drop-shaped border of graduated diamonds in silver and gold. 4cm high. £5,000-7,000 1182. An Edwardian sapphire and seed pearl-set gold bangle, set with a line of oval-shaped sapphires within surrounds of seed pearls. 5.7cm wide (internal). £600-800 1183. An 18th century Spanish diamond-set gold necklace. The fine foliate-scroll openwork mounts are set with diamonds. 47cm. Fitted case. £800-1,200 1184. A pair of 19th century hinged gold cannetille hair ornament. Metal combs. The cannetille sections 3cm wide each. £200-300 1185. A George III seed pearl-set lozenge-shaped floral brooch, with blue enamel ground and seed pearl border. 4.5cm high. Fitted case. £400-600 1186. A George III gold-mounted eye miniature pendant, of lozenge-shape and depicting a well painted £200-300 eye within gold mount. 3cm high. 1187. An early 19th century aquamarine pendant, the cushion-shaped aquamarine is mounted in gold with a carved foliate scroll border. Later hinged pendant loop. 3cm wide. £400-600 1188. A George III garnet cluster necklace, set with 12 garnets (one replaced, some damaged) in closed back gilt metal mounts. Fitted case. 38cm. With a graduated pearl-set gold hinged bangle, with diamond and sapphire terminals and foliate scroll engraved decoration to the shoulders. £400-600 1189. A gold long guard chain, 24g. 156cm.

£200-300

1190. An early 19th century pink topaz, seed pearl and gold locket brooch, the long oval-shaped foilbacked topaz is set within two surround of seed pearls with a glazed locket compartment to reverse. 2.3cm wide. Case. £100-150 1191. A George III flat garnet mounted gold necklace, the closed back garnet mounted gold collets suspend further circular, oval and lozenge-shaped garnets. 37cm. Fitted case by Skinner. £400-600 1192. An early 19th century stone-set ring, the three colour gold foliate mount is applied with hardstone sections and the upper section with an octagonal hardstone matrix engraved with the initials NK beneath a ducal coronet. Size V. £400-600 1193. A silver filigree long guard chain, with alternating oval and foliate links. 152cm long.

£150-250

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1182

1181 1183

1184 1188

1185

1186

1187 1189 1191

1192 1190

1193

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1194. An Edwardian crescent brooch, set with an inner row of graduated old circular-cut diamonds and an outer row of graduated half pearls in yellow gold. Detachable brooch fitting. 3cm. Fitted case by Hunt & Roskell. £1,000-1,500 1195. An Edwardian gold hinged bangle with three floral clusters each centred with a diamond with half pearls and a gold half hoop, half-pearl set ring. £400-600 1196. A late Victorian lozenge-shaped opal and diamond cluster ring, the oval-shaped opal is set within a surround of old circular-cut diamonds in yellow gold with stylised pierced fleur-de-lys shoulders. Size W1⁄2. £600-800 1197. A late Victorian pearl and diamond-set brooch, of foliate design and set in silver and gold (with later gilding). 3.8cm long. £400-600 1198. An early 20th century insect brooch. Centred with an oval-shaped amethyst and set overall with seed pearls and rose-cut diamonds. Emerald eyes. Detachable brooch fittings. 4cm wide. And a gold dragonfly brooch set overall with seed pearls (some missing) and green stones. £300-400 1199. A gold Edwardian seed pearl set necklace, of foliate design and suspending a detachable seed pearl set starburst pendant in 15ct yellow gold. 32cm long (excluding pendant). £300-400 1200. A pair of diamond and cultured pearl drop earrings, set with circular and baguette-shaped diamonds in white gold and suspending a small pearl. 3.5cm. £400-600 1201. An Edwardian double heart and bow brooch, the two chrysoprase hearts are each set within a surround of cushion-shaped diamonds and surmounted with a diamond-set bow in silver and gold. 2.8cm wide. £1,000-1,500 1202. An early 20th century amethyst and diamond-set gold brooch, the cushion-shaped amethyst is set within a surround of platinum mounted circular-cut diamonds alternately-set with textured gold leaves. 3cm wide. £300-400 1203. A crowned heart pendant, the smoky quartz heart is surmounted with a gold crown set with seed pearls and two rubies (one damaged), the gold bale set with diamonds. 4.3cm high (max). £100-150 1204. A diamond-set Edwardian openwork circular brooch, centred with an old circular-cut diamond to the rose-cut diamond flowerhead and stylised Greek keypattern border. 2.5cm wide. Fitted case by Carrington. £400-600 1205. An Edwardian gold flower head brooch pendant set with seed pearls and small circular-cut diamonds. On a gold rope-link neck chain. The pendant 2.7cm wide. The chain 45cm. £200-300 1206. A synthetic ruby and diamond bracelet, designed as rectangular shaped synthetic ruby cabochons set within single cut diamonds (three missing) in gold. 17.8cm long. £100-200 1207. A sapphire and diamond set platinum bar brooch, 4.5cm. Case.

£150-250

1208. A late 19th century gem-set insect brooch, set with diamonds and rubies in gold. 3.5cm wide. Case. £200-300

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1194

1196

1195 (2)

1197

1198 (2) 1199 1198 (2)

1201 1205

1200 1204

1203

1206

1195 (2) 1202 1207 1208

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1209. A pair of diamond stud earrings. The old circular-cut diamonds are set in a white gold rub over mount with yellow gold collar. £300-400 1210. A Happy Diamonds heart-shaped ring by Chopard, mounted with three independently moving circular-cut diamonds within a border of smaller circular-cut diamonds in yellow gold. Size M1⁄2. Chopard box. £400-600 1211. A tourmaline and diamond pendant, the circular pink tourmaline cabochon is set within two circular gold surrounds each set with a line of circular-cut diamonds in yellow gold. On fine snake-link gold chain. 42cm long. £400-600

1212. An unusual tiger’s head ring, the carved white-stone ring clutching a coral ball in his gold teeth and with diamond-set stripes. Gold internal sleeve. Size N. £800-1,200 1213. A pair of sapphire and diamond-set white gold drop earrings, each earring set with a yellow and a blue sapphire and with triangular and baguette-shaped diamonds. With a Cartier case. £4,000-6,000

1214. A graduated choker length coral bead necklace, alternating mounted with small black beads and with a coral and rose diamond mounted circular gold clasp (one diamond missing). 39cm. With a pair of coral mounted gold earrings, the button-shaped coral cabochons are set within a black enamel border and further surround of rose-cut diamonds. £800-1,200 1215. A fancy link gold necklace by Cartier, signed Cartier Paris with inventory number C7622. 93cm long 76g. £2,500-3,000 1216. An Art Deco style diamond and black onyx bracelet, pavé-set with circular-cut diamonds and black onyx emblems in white gold. 17.5cm. £6,000-8,000 1217. A ruby and diamond strap bracelet. Set with four rows of square-shaped rubies in white gold with pavé-set circular cut diamond borders, 17.8cm. £6,000-8,000 1218. A French ruby and gold floral brooch. Centred with cabochon rubies and set in yellow gold. French control marks. 5cm high. £200-300 1219. A ruby and diamond brooch circa 1970, the stylised textured gold brooch set with circular-cut rubies and diamonds. 4.5cm wide. £500-700 1220. An emerald and diamond set ring, the baguette-shaped emerald is pavé-set with circular-cut diamonds to the shoulders with white gold mount. Size J. £2,000-3,000

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1213

1209

1212 1214 1211

1210

1215

1220

1219

1216

1217

1218

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1221. A late Victorian diamond and demontoid garnet-set floral brooch pendant, set with circular-cut demontoid garnets and diamonds in silver and gold. Detachable pendant and brooch mount. 3cm wide. Fitted case. £1,000-1,500 1222. A late Victorian peridot and diamond brooch, the emerald-cut peridot is set within a surround of old circular-cut diamonds and a further border of larger graduated diamonds in silver and gold. 3.3cm wide. £4,000-6,000 1223. An early 20th century diamond-set maple leaf brooch. Set overall with graduated cushion-shaped diamonds in silver and gold. 4cm high. £200-300 1224. A late Victorian diamond-set butterfly brooch, set overall with graduated circular-cut diamonds in silver and gold. Rubies eyes. 5cm wide. £1,500-2,000 1225. A diamond, ruby and sapphire mounted foliate brooch, the leaves pavé-set with circular-cut diamonds with a further pear-shaped larger diamond, ruby and sapphire. 4.5cm wide. £1,500-2,000 1226. A red enamel crescent brooch, with a graduated diamond and seed pearl-set flower. Inventory number 1491. 2.7cm wide. £300-400 1227. An Edwardian pearl and diamond star-shaped brooch. Centred with a button-shaped pearl within a surround of small diamonds, and the rays set with further graduated diamonds in silver and gold. Case by the Silversmiths and Goldsmiths Company. £300-400 1228. A Victorian diamond set frog brooch, pavé set overall with graduated cushion-shaped diamonds and ruby eyes in silver and gold. 2.2cm long. Case. £400-600 1229. A Russian diamond cluster ring. Centred with a cushion-shaped diamond within a surround of eight old circular-cut diamonds in gold. Rubbed Russian marks to the shank exterior. Size J. Cased by £1,200-1,500 Munday, Salisbury. 1230. A diamond five stone ring. The graduated old circular-cut diamonds are set in yellow gold with eight smaller circular-cut diamonds and carved shoulders. Size L½. £500-700 1231. A diamond five stone ring. The graduated old circular-cut diamonds are set in yellow gold with carved shoulders. Size L. £500-700 1232. A late Victorian diamond-set heart pendant, pavé-set with old circular-cut diamonds in silver and gold. With two small diamonds set to the gold bale. 1.3cm wide. £600-800 1233. A late 19th century enamel and seed pearl pendant, the oval-shaped citrine is set within a surround of seed pearls and two garnets, with green guilloche enamel fleur de lys and suspended from a smaller seed pearl-set bale in yellow gold. 5.5cm long. £200-300 1234. A 19th century emerald and diamond floral brooch, centred with an oval-shaped emerald and set overall with graduated cushion-shaped diamonds in silver and gold. 3.4cm high. £500-700 1235. A Victorian amethyst rivière necklace, the graduated oval-shaped stones are set in gold cut-down collets. 40cm. £600-800 1236. A turquoise and diamond half hoop ring, set with a line of five turquoise cabochons within surround of old circular-cut diamonds in silver and gold. With disc decorated shoulders. Size P. £800-1,200 1237. A late Victorian triple ruby and diamond cluster ring, the three oval-shaped rubies are set in surrounds of old circular-cut diamonds in silver and gold. Scroll carved shoulders. Size O. £400-600 1238. A Victorian gem-set hinged bangle, centred with a cluster of rose-cut diamonds within a surround £400-600 of emeralds and rubies. Fitted case. 1239. An Edwardian sapphire and diamond five stone cluster ring, the five graduated circular-cut sapphires are set within a surround of old circular-cut diamonds in silver and gold. Size Q. £800-1,200 1240. An early 20th century diamond and ruby five stone ring, set with three graduated old circular£150-200 cut diamonds and two oval-shaped rubies in yellow gold. Size M1⁄2. Heart-shaped case.

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1222 1226

1225

1221

1224

1223

1232 1231

1230 1227

1240 1229

1239 1235 1228

1238

1237 1234 1233 1236

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1241. A 19th century suite of gold jewellery in the Ancient Egyptian manner with blue enamel decoration to the articulated brooch and earrings. The brooch 6cm high. Fitted case. £600-800 1242. An amethyst mounted gold cruciform pendant, set with five hexagonal-shaped amethysts. With pellet decoration to the borders. 4.2cm high. £200-300 1243. A single row natural pearl necklace, the pearls graduate to 5.4mm, with a pearl and diamond £400-600 cluster clasp. 49cm long. 1244. A peridot mounted gold stick pin, the octagonal-shaped peridot is mounted in a gold cut-down collet. £200-300 1245. A Victorian gem-set gold brooch. Set with opals and emeralds on an openwork scroll mount to the gold brooch with scroll and shell border. Glazed locket compartment to the reverse. 6cm wide. £400-600

1246. A Victorian gem-set gold locket pendant, the oval-shaped pendant is mounted with five coral cabochons to the emerald and diamond-set cruciform centre. Hinged compartment containing glazed locket. 3cm high. Fitted case. £400-600 1247. A diamond five stone ring. The graduated old circular-cut diamonds are set with eight small rosecut diamonds in yellow gold with carved scroll-carved shoulders. Size T. £1,000-1,500 1248. A diamond cluster ring, the oval-shaped diamond is set within a surround of ten old circular-cut diamonds in silver and gold. Pierced stylised fleur-de-lys shoulders. Size M1⁄2. £4,000-5,000 1249. A late Victorian sapphire set three stone ring, the three cushion-shaped sapphires are set in yellow gold with four rose cut diamonds and with scroll-carved shoulders. Size N1⁄2. £400-600 1250. A late Victorian sapphire and diamond three stone ring, the oval-shaped sapphire is set with two old circular-cut diamonds in yellow gold with finely scroll-carved shoulders. Size M1⁄2. £800-1,200 1251. A 19th century sapphire-set gold ring, the flat cushion-shaped sapphire is set in yellow gold with pierced scrolling decoration overall. Size N. £1,500-2,000

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1241

1242

1246

1243

1250

1245

1249 1244

1248

1247

1251

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1252. A late Victorian turquoise and diamond cluster brooch, centred with an oval-shaped turquoise cabochon set within a surround of cushion-shaped diamonds and further border of graduated cushionshaped diamonds in silver and gold. 3cm wide. £400-600 1253. An aquamarine and zircon pendant. Set with two aquamarines and a circular-cut blue zircon in gold. Fine link gold neck chain. The necklace, 19cm. £300-400 1254. A French diamond and gem-set double bird brooch, the larger bird pavé-set with circular-cut diamonds, the body formed with a foliate-carved pink sapphire, the smaller bird pavé-set with diamonds and the body formed with a foliate carved blue sapphire. French control marks. 2.5cm high. £300-400 1255. A gold long guard chain. The fine oval link chain spaced with eight oval shaped turquoise £200-300 cabochons. 138cm. 1256. A Victorian fringe necklace, the fine link necklace suspends alternate drops of circular-cut garnets and seed pearls. Fitted case. 38cm. £400-600 1257. A sapphire and diamond bracelet, mounted with graduated oval-shaped sapphires with a pair of circular-cut diamonds between, on hinged foliate pierced silver and gold panels. Foliate engraved tongue and signed A.Sordelli. 7.5cm. £4,000-6,000 1258. A late Victorian turquoise and diamond half hoop ring, the five graduated oval-shaped turquoise cabochons are set with ten rose-cut diamonds in gold. With scroll carved shoulders. Size R. £800-1,200 1259. A coloured stone set gold bar brooch, including zircon, sapphire and garnet. 7cm wide. £200-300 1260. A turquoise and diamond three stone ring, the oval-shaped turquoise cabochon is set with two cushion-shaped shoulder diamonds and four rose-cut diamonds in gold with scroll carved shoulders. Size P1⁄2. £1,000-1,500 1261. An Edwardian opal and diamond hinged bangle, set with nine graduated oval-shaped opals, each separated with three old circular-cut diamonds in yellow gold. 6cm wide (internal). £1,500-2,000 1262. A sapphire and diamond set openwork ring, the eight graduated old circular-cut diamonds are set with five circular-cut sapphires in silver and gold. Size Q. £600-800 1263. A pair of blue topaz and aqumarine and diamond cluster earrings, the oval-shaped topaz and aquamarine are each set within a surround of eight round brilliant-cut diamonds and a further millegrain border of smaller diamonds in white gold. £500-700 1264. An Edwardian turquoise and diamond hinged bangle, set with nine graduated oval-shaped turquoise cabochons and each separated with three old circular-cut diamonds in yellow gold. 5.8cm wide. £1,500-2,000 1265. A diamond three stone cluster ring. The three circular-cut diamonds are pavé-set with smaller rose-cut diamonds in platinum. Six small shoulder diamonds. Size O. Cased. £400-600 1266. An opal five stone half hoop ring, the graduated oval-shaped opals are set in gold with eight rose£150-250 cut diamonds and scroll carved shoulders. Size O.

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1252 1253

1254

1255

1256

1258 1257

1260

1259

1261

1262

1264

1265

1263

1266

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1267. A diamond-set openwork linear spiral gold ring by Andrew Grima, set with circular brilliant-cut diamonds. Size L½. £800-1,200 1268. A 1970s gold ring, the textured ring clasping a textured hemisphere (probably white gold). Signed Birk. Size R½. £200-300 1269. An 18ct gold bracelet. The textured figure-of-eight links are joined with plain stirrup-form links. 115g. 21cm. £1,500-2,000 1270. An 18ct gold square form wristwatch by Andrew Grima, the signed plain square dial with black plain hands, signed to the reverse Grima AGLTD and London marks for 2001. Leather band with 18ct yellow gold Grima buckle. The texctured watch with quartz movement and 3cm wide with Grima black leather pouch. £1,000-1,500 1271. A pair of diamond-set gold earrings by Andrew Grima. Of textured asymmetrical bar form, each centred with a circular cut diamond and smaller diamonds. Signed to the reverse, ‘Grima’, and one numbered ‘51’. 3.8cm high. With black leather Grima pouch. £1,500-2,000

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1267

1268

1269

1270

1271

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1272. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within a surround of eleven old circular-cut diamonds in yellow gold with bifurcated shoulders. Size K. £2,000-3,000 1273. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within a surround of eight old circular-cut diamonds in white gold and platinum. Size K. £3,000-4,000

1274. A Burmese ruby and diamond ring, the oval-shaped ruby is set baguette-shaped shoulder diamonds and circular-cut diamonds to the openwork gold and platinum mount, engraved R2.40. £3,000-4,000 Accompanied by report number 12008 dated 17th November 2015 from The Gem and Pearl Laboratory, London stating that the rectangular cushion-shaped ruby shows no evidence of heat treatment. Origin opinion: Burma. 1275. A ruby and diamond cluster ring, the oval-shaped ruby is set within two surrounds of round brilliantcut diamonds in yellow gold. Size L. £1,500-2,000 1276. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of eight round brilliant-cut diamonds in platinum and gold. Size N½. £2,000-3,000 1277. A sapphire and diamond half hoop ring, the octagonal-cut sapphire is set with six old circular-cut shoulder diamonds in platinum. Size N. £2,000-3,000

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1272

1273 1274

1275

1276 1277

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1278. A diamond solitaire ring, the circular cut diamond weighs 2.82 carats and is set within lines of baguette-shaped diamonds in platinum. Size J½. £7,000-10,000 Accompanied by report number 5776-3899 dated 7th December 2015 from GCS, London stating that the diamond weighs 2.82cts, with K colour, VS1, faint fluorescence. 1278A. A diamond solitaire ring, the old cushion-shaped diamond weighs approximately 2.20cts, set with tapered baguette-shaped shoulder diamonds and smaller baguette-shaped diamonds in platinum. Size L. £6,000-8,000 1279. A fancy coloured diamond and white diamond ring, the modern brilliant-cut cinnamon diamond is set with smaller circular-cut diamonds in platinum and gold. Size L½. £2,000-3,000 1280. An early 20th century ruby and diamond cluster ring, the oval-shaped ruby is set within a £2,000-3,000 surround of graduated old circular-cut diamonds in platinum. Size N½. 1281. A diamond solitaire ring, the round brilliant-cut diamond weighs 1.07cts and is set in platinum. Size Q½. £1,500-2,000 Accompanied by report number 00C069328 dated May 30th 2011 from GCI stating that the round brilliant cut diamond weighs 1.07cts, with K colour and VVS2 clarity, no fluorescence. 1282. A diamond full circle eternity ring, the baguette-shaped diamonds are set in platinum. Size K½. £500-700 1283. A seed pearl and larger drop-shaped natural pearl sautoir, the drop-shaped pearl suspends from original Art Deco mounts, diamond-set and the upper cup-shaped platinum sections mounted with black onyx and with a black onyx ring. On a latticework seed pearl necklace. 74cm. £15,000-20,000 Accompanied by report number 5775-2783 dated 11th August 2015 from GCS, London stating that the dropshaped cream pearl is natural saltwater with no evidence of treatment. 1284. An Art Deco natural pearl jabot pin, each pearl set with a border of diamonds and rectangular black onyx sections in platinum and gold. 7cm. £3,000-4,000

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1283

1282

1281

1280

1279

1278

1278A

1284

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1285. A late-Victorian gold cuff-form hinged bangle. Realistically designed and with a cushion-shaped diamond forming a button. 5.8cm internal diameter (widest). 55g. £1,200-1,500 1286. A ruby and diamond five stone ring. Set with three rubies and two cushion-shaped diamonds in yellow gold with carved shoulders. Size M. £800-1,200

1287. A Burmese ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of ten old circular-cut diamonds in yellow gold. Size N½. £5,000-7,000 Accompanied by report number 12017 dated 17th November 2015 from The Gem and Pearl Laboratory, London stating that the oval mixed-cut ruby is natural with no evidence of heat treatment observed. Origin opinion: Burma 1288. An Edwardian ruby and diamond triple cluster ring, the three circular-cut rubies are set within surround of old circular-cut diamonds in 18ct yellow gold. Birmingham marks for 1905. Size N½. £600-800 1289. A sapphire solitaire ring, the oval shaped sapphire is set in yellow gold. Size K½.

£400-600

Accompanied by report number 20023999 dated 11th June from Anchorcert stating that the natural, ovalshaped sapphire weighs 2.84cts, with no evidence of treatment. Origin opinion: Sri Lanka. 1290. An Edwardian sapphire and diamond triple cluster ring, set with three oval-shaped sapphires set within a surround of old circular-cut diamonds in yellow gold. Size N. £600-800

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1285 1288

1287

1286

1289

1290

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1291. A three-stone diamond ring, the fancy yellow brilliant-cut diamond weighs 1.47cts and is set with two pear-shaped shoulder diamonds in gold and platinum. Size L½. £2,000-3,000 Accompanied by report number 20001879 dated 6th March 2012 from Anchorcert stating that the old round brilliant cut diamond weighs 1.47cts, with fancy yellow colour, I2 clarity and faint fluorescence.

1292. A Burmese sapphire and diamond cluster ring, the cushion-shaped sapphire is set within a surround of old cushion-shaped diamonds in platinum and gold. Size Q. £2,000-3,000 Accompanied by report number 5775-2615 dated 27th July 2015 from GCS, London stating that the cushionshaped sapphire weighs 2.08ct, with no indications of heat treatment. Origin: Burma. 1293. A diamond solitaire ring, the round transitional-cut diamond weighs 3.14cts and is set in platinum with two baguette-shaped shoulder diamonds. Size L½. £6,000-8,000 Accompanied by report number 5776-3813 dated 25th Novemeber 2015 from GCS, London stating that the natural diamond weighs 3.14cts with J colour and SI1 clarity. Faint fluorescence. 1294. A Belle Époque sapphire and diamond brooch pendant, the circular cabochon star sapphire measures 15.72 x 15.87 x 10.59mm deep and weighs approximately 25.00cts. Set with diamond mounted plain and laurel borders and surmounted with a sapphire bow set within a border of diamond set flowerheads. 4.5cm high. £3,000-4,000 1295. A diamond three stone ring. The cushion-shaped diamond weighs approximately 1.10ct and is set with two tapered baguette shoulder diamonds in platinum with scroll-pierced shoulders. Size O. £1,500-2,000 1296. An emerald and diamond three stone ring, the emerald-cut emerald is set with two round brilliantcut diamonds in platinum. Signed WB. Size M1⁄2. £3,000-4,000 1297. A pair of early 20th century diamond-set floral earrings. Set overall with circular and baguetteshaped diamonds in white gold. 3cm high. £1,000-1,500

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1294

1293

1291

1292

1296 1295

1297

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1298. A gem-set DEAREST bracelet, mounted with seven diamond clusters, each centred with diamond, emerald, amethyst, ruby, emerald, sapphire and topaz and separated with a marquise-shaped diamond in platinum. 17cm. £3,000-4,000 1299. A sapphire and diamond cluster ring, the oval-shaped sapphire weighs 8.97cts and is set within a surround of ten cushion-shaped diamonds in yellow gold. Size M. £10,000-15,000 Accompanied by report number 81060 dated 2nd July 2015 from SSEF, Switzerland stating that the antique cushion-shaped sapphire weighs 8.972cts, is blue of medium strong saturation with no indications of heating. Origin: Ceylon (Sri Lanka). 1300. An impressive ruby and diamond three-stone ring, the ruby weighs 4.54cts and is set with two triangular shoulder diamonds in gold. Size L. £20,000-25,000 Accompanied by report number 07524 dated 9th April 2013 from The Gem and Pearl Laboratory, London stating that the rectangular cushion-shaped ruby is natural with no evidence of treatment observed.

1301. A Kashmir sapphire and Burma ruby ring, the oval-shaped sapphire weighs 1.28cts and the ruby weighs approximately 1.70cts. Set in gold with fluted shoulders. Size N. £10,000-15,000 Accompanied by report number 5776-3706 dated 16th November 2015 from GCS, London stating that the natural sapphire is of Kashmir origin with no evidence of heating and that the natural ruby is of Burmese origin with no evidence of heating.

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1298 1301

1300

1299

1302. A diamond solitaire ring, the transitional circular-cut diamond weighs 5.45cts and is set in platinum. Size H. £26,000-30,000 Accompanied by report number 5776-3812 dated 25th November 2015 from GCS, London stating that the transitional-cut diamond weighs 5.45cts with J colour I1 clarity and faint fluorescence. 1303. A 1940s gem-set yellow gold floral brooch by Cartier. Designed as a sprig with four flowerheads comprising different coloured gem clusters with a row of polished gold leaves. Signed to the reverse Cartier London, 6cm high. With Cartier box (minus the inner pad). £2,000-3,000 1304. An early 20th century sapphire and diamond bracelet by Caldwell. The five square-shaped sapphires are separated with double lines of circular-cut diamonds, millegrain-set in platinum. 18cm. Signed J.E.C. & Co. Associated box. £5,000-7,000 1305. An emerald and diamond brooch by Boucheron, the emerald-cut emerald weighs 1.81ct, set within foliate design pavé-set diamond sections and further circular cut diamonds in yellow gold. Signed Boucheron Monture to the clip and with French control mark. 4.5cm long. £1,000-1,500 1306. An early 20th century ruby and diamond brooch by Cartier, designed as two interconnecting crescent moons one set with circular-cut diamonds the other with calibré-cut rubies, each terminating with an opossing ruby or diamond star. With a central marquise-shaped diamond. Signed Cartier. 3.2cm wide. £2,000-3,000

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1302

1303

1304

1305

1306

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1307. A gold tiara in the Archeological taste by Castellani, designed as a laurel wreath with large berries and centred with a hexafoil spherical design, with gold frame and the flat reverse supports probably gilt metal. Signed with the monogram of inverted Cs. 17cm. £10,000-15,000 Similar in style to the parure illustrated in plate 215, page 236, Geoffrey C. Munn, Tiara’s A History of Splendour. Similar, if not the same, as checklist 157, Castellani and Italian Archeological Jewelery, Editors: Soros and Walker. With reference to Design Dora Liscia Bemporad. 1308. A gold bracelet by Castellani, circa 1860. Formed with six circular discs, each centred with a ‘millefiori’ cluster within surrounds of fine wirework in the Etruscan manner. Each disc joined with flexible links, the two centre discs signed to the reverse with conjoined Cs. 18cm. Fitted case. £4,000-6,000 For similar bracelets see Castellani and Italian Archaeological Jewellery, Soros and Walker, p41. And Understanding Jewellery, Bennett and Mascett, plate 253. 1309. A 19th century gold hinged bangle with turquoise and half-pearl decoration by Carlo Giuliano. Centred with three rows of square-shaped turquoise sections with half pearl terminals. Signed C.G and stamped 6P4 and scratched with inventory number 023. 5.9cm wide. £2,000-3,000

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1307

1308

1309

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1310. A pink sapphire and diamond-set ring, the oval-shaped sapphire is set within two scrolling borders of baguette-shaped diamonds in platinum. The shank signed 2303. Size O. £3,000-4,000 Accompanied by report number 12010 dated 17th November 2015 from The Gem and Pearl Laboratory, London stating that the oval mixed-cut sapphire is natural with no evidence of heat treatment observed. 1311. A slightly oval-shaped diamond cluster ring. Centred with a cushion-shaped diamond within a surround of graduated round brilliant-cut and smaller circular-cut diamonds in platinum and yellow gold. Size K. £1,000-2,000 1312. A pair of diamond-set floral clip brooches, the petals pavé-set with graduated circular-cut diamonds and centred with seven further circular-cut diamonds in platinum. 3cm wide. £3,000-4,000 1313. A 1950s diamond-set spray brooch. Set in platinum with graduated round brilliant-cut diamonds, with smaller marquise and baguette-shaped diamonds. 5cm high. £8,000-12,000

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1313

1312

1311

1310

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Silver, Vertu, Coins & Medals Tuesday 19th & Wednesday 20th January

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

A pair of Mary Tudor silver Seal-top spoons, maker’s mark of I.F, London 1556. Estimate £5,000-7,000 A rare pair of Elizabeth I silver Maidenhead spoons, by Richard Orenge, Sherborne, circa 1580. Estimate £5,000-7,000 A Charles I West Country silver Seal-top spoon, by George Batter, Salisbury, circa 1630. Estimate £800-1,200

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Tribal Art & Antiquities Tuesday 9th February

ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

A Luba ancestor pendant, hippopotamus tooth, D R Congo, 8cm high. Estimate: £3,000 - £5,000

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Salisbury Salerooms

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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 21st January 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR FURNITURE, WORKS OF ART & CLOCKS 7th January 6th April Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 23rd February – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk PAINTINGS 16th March – Oils, Watercolours, Prints & Miniatures Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk SILVER 19th & 20th January – Silver, Vertu, Coins & Medals 27th April – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 9th February Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk ARMS & ARMOUR 6th April Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk 20TH CENTURY DESIGN 20th April – Clarice Cliff, Art Deco & 20th Century Design Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk JEWELLERY 28th April Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 17th & 18th May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk