Woolley&Wallis Jewellery April 2013

Woo l le y & WA l li s SA L I S B U R Y SA L E R O O M S

Jewellery Thursday 18th April 2013

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

ASIAN ART John Axford MRICS ASFAV Sophie Lister Clare Durham Alex Doméracki Freya Yuan (Consultant)

424506 424591 424507 424506 424506

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price (Consultant) — 07741 242421 Will Hobbs 339752

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham 424507 John Axford MRICS ASFAV 424506 Sophie Lister 424591

339752 411854 339161

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

424590

ACCOUNTS Janice Clift (Office Manager) Ruth Pike

424500 424599

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood

424500

424503 424592

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director Willi Verdon-Smith

FRICS FRSA

FRICS

COMPANY SECRETARY Jim Macarthur CA

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

20TH CENTURY DESIGN Michael Jeffery

424505

Members of The Society

MARKETING Tamzin Corbett

SALEROOM MANAGER David Jordan

FURNITURE Will Hobbs Mark Richards Jim Gale

PAINTINGS Victor Fauvelle Jo Butler

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA

ASSOCIATE DIRECTORS Janice Clift Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0) 1722 424500 • www.woolleyandwallis.co.uk

424599

Jewellery Thursday 18th April 2013 at 11.00am Viewing Times Saturday 13 April Monday 15 April Tuesday 16 April Wednesday 17 April Thursday 18 April

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

Free internet bidding on all lots

Catalogue £10.00 (£12.00 by post) Front cover: Lot 1896 Inside front cover: Lots 1882 & 1840 Opposite: Lot 1684 detail Above: Lot 1839 Back cover: Lot 1873

Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot.

These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life-sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments.

Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description.

Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. âœŁ Lots marked with this symbol contain rubies or jade of Burmese origin and are not permitted for import by The United States of America.

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1500. A metal strong box and a jewellery box containing various items of jewellery, costume jewellery etc. Including a carved jade brooch and a carved jade pendant, two wristwatches, a damaged octagonal hardstone box with gold mounts, cut steel jewellery etc. £200-300

1501. A quantity of jewellery and costume jewellery etc including assorted rings, bangles, earrings etc. £60-80

1502. A large quantity of jewellery including six stone set gold rings, four gold pendants, two with fine-link gold chains. Ten pairs of gold earrings. A carved shell cameo mounted gold brooch and a quantity of costume jewellery etc. £500-700

1503. A collection of jewellery, costume jewellery etc. Including a gold open faced fob watch, three ladies wristwatches, a pocket watch, a ruby set textured white gold hinged bangle, cultured pearl set jewellery, and assorted pendants, earrings, cufflinks etc. £300-400

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1504. An Art Nouveau silver panel calendar bracelet, each curved panel marked with the initial of the one of the twelve months it is displaying, signed and with two unidentified marks to the clasp. 2cm wide. A marquise shaped opal and diamond set cluster ring in platinum and gold. Size N 1/2. A gold ring set with two sapphires (one missing) and three diamonds (one missing), a gold brooch and various other items of jewellery. £200-300

1505. A large quantity of jewellery including a sapphire, diamond and pearl pendant, on a fine link chain. Three other stone set pendants on fine link gold chains, thirteen stone set bracelets, a tourmaline set white gold ring with two baguette shaped shoulder diamonds in 18ct white gold. A gold ring mounted with a carnelean intaglio and various other items of jewellery etc. £200-300

1506. Twelve assorted rings, two gold curb link necklaces, two gold bangles, a gold locket pendant on a fine link gold chain, six gold charms, three wristwatches, two silver bangles and a silver locket pendant on a silver necklace. £300-400

1507. A quantity of jewellery, costume jewellery and three wristwatches. £300-400

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1508. A sapphire three stone ring, the yellow and green sapphires are set in gold. A gold ring set with five pearls, a graduated coral bead necklace, a heart shaped green stone and seed pearl gold heart brooch and a brooch and bangle. £200-300

1509. A gold ring set with nine circular cut diamonds, six other stone set gold rings, a faceted amethyst bead necklace, and various items of silver jewellery. £300-400

1510. A gilt metal floral brooch with enamel decoration, and various items of jewellery, costume jewellery etc. £200-300

1511. A graduated jade bead two row necklace, with a Regency gold clasp. A pair of gold drop earrings mounted with turquoise cabochons. A graduated coral bead necklace, a bracelet mounted with coral beads. Centre section missing and a gilt metal Regency long guard chain. £100-150

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1512. A small 9ct gold ring mounted with a cabochon garnet, size T1/2. Two gold rings, two gold bangles, a small gold curb-link bracelet, a seed pearl set open crescent brooch, cased. A gold daffodil pendant on a fine-link gold chain with matching gold ring and a gold curb-link bracelet, mounted with turquoise cabochons. Three assorted stone-set gold rings. Two gold wrist watches. A garnet-set gold brooch. A gold bar brooch, cased. Three stone set gold pendants and gold chains, and a fine-link Tiffany gold chain with pendant. £300-400

1513. A hinged bangle decorated with enamel bands and set with rubies. An oval carnelian mounted gold ring. A pair of citrine mounted gold cuff links and a pair of citrine and seed pearl set drop earrings. £200-300

1514. A gold stylised fleur de lys mounted gold brooch, with shaded enamel decoration and centred with a pearl. A gold circular locket pendant with mauve guilloche enamel decoration (damaged). Six further brooches, a cultured pearl necklace and two wristwatches. £200-300

1515. A hair tied depicting brooches

1516. An oval shaped gold locket pendant, mounted to one side with bloodstone and with agate to the other. Three fob seals. A quantity of untested pearls. And a pair of lorgnette. £100-150

1517. Two gold mounted Wedgwood cameo brooches, five assorted carved shell cameo brooches, a pair of carved shell cameo earrings, and a carved shell cameo mounted gold ring. With two stick pins, four brooches and a ring. £400-600

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Victorian carved hardstone cameo, depicting a girl, her up with flowers. Gold frame. A micro mosaic brooch ruins (damaged) in gold mount, and two carved bone depicting rustic scenes. £200-300

1518. Five assorted gold mounted stick pins, a 15ct gold mourning ring and a cruciform pendant with remains of blue enamel, probably early, with a chain. £100-200

1519. A well carved lava cameo mounted stick pin, depicting a bacchanalian bearded figure and gold pin. With nine assorted gold pins mounted with pearls, a coral, an amethyst etc. And a silver grouse claw clasping a small citrine. £100-150

1520. A graduated single row cultured pearl necklace, an opal and diamond cluster ring set in platinum, a half sovereign, 1912. A citrine mounted gold brooch, a fob seal on a black silk fob with gold mounts. A pair of opal and diamond set gold drop earrings and a pair of earrings and simulated pearl necklace. £300-400

1521. An Edwardian seed pearl set gold foliate scroll necklace, with a fine-link twisted rope chain. Suspending a detachable Edwardian seed pearl set gold star brooch pendant. £1,000-1,500

1522. A 9ct gold necklace, 20g. Two gold bar brooches, a silver sword brooch, a small oval silver box and a cased set of three gold studs. £200-300

1523. A pair of 9ct gold scallop form earrings, 1.7cm wide. 6g. A 19th Century two row white paste bracelet. Closed back gold mounts. 18cm. And a pair of white paste set drop earrings. Cased. £50-80

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1524. A pair of sapphire and diamond cluster earrings, set in gold. A pair of blue zircon and diamond cluster earrings set in gold. A pair of green tourmaline and diamond cluster earrings, in gold. And a pair of button shaped untested pearl and diamond cluster earrings in gold. £500-700

1525. A diamond full circle eternity, size P, a 9ct gold curb link bracelet, another 9ct gold bracelet, 18g (total), a blue stone eternity ring, a red stone eternity ring. £300-400

1526. A late Victorian amethyst and seed pearl cluster gold brooch, a pair of jade disc mounted gold earrings. A garnet and cultured pearl mounted gold scroll brooch, and various items of jewellery etc. £200-300

1527. A large specimen of amber, 138g. £100-200

1528. A small gold fob watch, white enamel dial with black Roman numerals and damaged blue guilloche enamel decoration to the reverse, with diamond mounted butterfly. And two 19th Century oval gold locket pendants, both applied with initials. £200-300

1529. A pair of citrine earrings, the 9ct gold mounts are each set with an oval shaped citrine. £100-200

1530. A pair of gold Chinese cuff links, each mounted with carved jade plaques, a pair of gold cuff links set with garnets and four gold studs each set with garnets. £350-400

1531. A pair of crystal mounted silver cuff links, early 18th Century. One crystal probably replaced. £300-400

1532. A pair of gold dress cuff links, the circular links with black enamel decoration, centred with a seed pearl and with white enamel border. And a pair of gold golf club and ball cuff links. And a pair of 18ct gold square shaped cuff links, each with enamel decoration. £800-1,200

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1533. A textured 18ct yellow and white gold floral brooch, set with circular cut sapphires and smaller diamonds. 11g. £150-250

1534. A single row seed pearl necklace, with plain diamond clasp.

And a matched single row cultured pearl necklace. £80-120

1535. A single row matched cultured pearl necklace, with a diamond set cluster clasp. A single row graduated cultured pearl necklace. With two gold stock pins mounted with pearls. £80-120

1536. A single row matched cultured pearl necklace. With a diamond set cluster clasp. £250-350

1537. A two row graduated cultured pearl necklace, the pearls measure 3.8 - 7.7mm with a garnet and cultured pearl set gold cluster clasp. 45cm. £100-200

1538. A single row graduated cultured pearl necklace, the pearls graduate from 2.6 to 7.2mm. The small rectangular silver and gold clasp is set with three small diamonds. £100-150

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1539. A George III gold mourning ring, set with seed pearls and centred with a section of plaited hair. A Victorian gold locket ring with seed pearl and emerald cluster, and seven further assorted gold rings and a platinum wedding band. 29g in total. £200-300

1540. An early 20th Century yellow gold half hoop ring, set with five graduated crystal opals. With eight rose cut diamond pointers and carved shoulders. Size R. Together with an oval shaped opal set 18ct gold ring. Chester marks for 1906. Size Q1/2. £400-600

1541. An 18ct gold knot ring set with three diamonds, marked for Birmingham 1920. A pair of diamond set white gold earrings, a pair of cultured pearl opal and diamond set gold earrings, with matching ring. Two gold rings set with synthetic stones. A diamond set gold ring mounted with an onyx plaque. A gold ring set with an opal and two diamonds. And a ruby and diamond set gold cluster ring. £500-700

1542. An abstract form 18ct yellow gold ring mounted with a circular cut diamond and two cultured pearls. A white gold cluster ring set with rubies and diamonds. A diamond and black onyx set white gold plaque ring, and four other rings. £300-400

1543. A ruby and diamond cluster ring, the oval shaped ruby is set within two rows of circular cut diamonds in white gold. And three further sapphire and diamond cluster rings, each set in gold. £1,000-1,500

1544. A gold ring alternately set with three brilliant cut diamonds and four circular cut sapphires. A large open work square white gold ring mounted with graduated diamonds within a diamond border. A white gold ring set with articulated diamond set flower heads. A cultured pearl and diamond set gold ring, a large cabochon stone set white gold ring within a diamond border. A cultured pearl and sapphire set gold ring. A white gold ring set with diamonds and six small sapphires. And an 18ct gold ring set with three turquoise cabochons and four circular cut diamonds. £800-1,200

1545. Sixteen assorted diamond gemstone and pearl set gold rings. 41g in total. £400-600

1546. Three gold rings, one set with turquoise cabochons, another with garnets and another with amethysts. £200-300

1547. Three gold rings mounted with smoky quartz. £350-400

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1548. A suite of elephant hair and gold jewellery, comprising a necklace and pair of double hoop earrings. 15g in total. £400-600

1549. A 9ct gold signet ring, engraved with two crests. 11g. Size K. £100-150

1550. An Edwardian style diamond set pendant, set with graduated circular cut diamonds in white gold. The diamonds weigh approximately 1.50cts in total. On a fine link white gold neck chain. £1,200-1,500

1551. A diamond set stylised bow brooch, the brooch centred with a cluster of old circular cut diamonds in yellow gold. £600-800

1552. An unset carved cushion shaped emerald with foliate carved upper section and simple hatched lower section. 19.02cts. £300-500

1553. A 9ct gold open bangle, set with three diamonds and two sapphires. 19g. £400-600

1554. A diamond three stone pendant, the three graduated round brilliant cut diamonds weigh approximately 0.75cts in total and are set in white gold. White gold fine link neck chain. £450-600

1555. A pair of diamond drop earrings, the diamond set open work flower heads suspend from a circular cut diamond in white gold. £200-300

1556. A pair of diamond stud earrings, the round brilliant cut diamonds weigh approximately 1.65cts in total. Set in 18ct white gold. £400-600

1557. An Art Deco style emerald cut citrine set 18ct yellow and white gold ring, with four graduated baguette shaped shoulder diamonds. Size N. With a matching citrine and diamond set 18ct yellow gold bar brooch. £400-600

1558. A long graduated coral bead necklace, gold barrel clasp. 170cm. £300-400

1559. A gold necklace mounted with oval shaped amethysts, 60cm. And a gold pendant mounted with two aquamarines and two seed pearls, on a fine link gold neck chain. £300-400

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1560. A pair of cultured mabé pearl and diamond circular earrings, the pearls are set within a surround of small circular cut diamonds. £600-800

1561. A gold bracelet, mounted with assorted and graduated oval shaped coloured stones. £300-400

1562. A silver Arts and Crafts brooch with enamel decoration, marked for Marples and Beasley, Birmingham 1908. 3.8cm wide. An Arts and Crafts silver brooch (probably converted from a button) with enamel decoration and with makers mark P&T, Birmingham 1908. 2.4cm wide. £100-150

1563. A pair of diamond set target ear studs, the circular brilliant cut diamonds are millegrain set within a surround of smaller diamonds in white gold. £650-750

1564. An 18ct gold bracelet, set with diamonds by Theo Fennell, the circular disc links are each set with a circular brilliant cut diamond, signed with London marks.

17.5cm. 40g. £1,200-1,500

1565. A pair of diamond set leaf form yellow and white gold earrings. £450-550

1566. A pair of gold shell form earrings, each mounted with a half circle of sapphires, diamonds and rubies. £200-300

1567. A diamond set heart shaped locket pendant, the gold heart is pavé set with diamonds which weigh approximately 1.00cts in total. 1.3cm wide. £500-700

1568. A pair of diamond and cultured pearl earrings, set in white gold. £300-400

1569. A pair of diamond drop earrings, each earring set with two round brilliant cut diamonds in white gold. £1,000-1,500

1570. A gold ring mounted with assorted cabochon gem stones and diamonds. With matching gem stone set gold earrings. Case. £400-600

1571. A 1940s white gold ring set with rubies and diamonds. And a pair of diamond set open circle platinum earrings. £200 - 300

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1572. An Art Nouveau gold clip brooch, mounted with two aquamarines and graduated circular cut diamonds. £150-200

1573. A pear shaped mounted gold stickpin.

yellow topaz £200-300

1574. A pair of aquamarine and diamond drop earrings, the oval shaped aquamarines are each suspended from an articulated diamond set laurel section and a further circular cut aquamarine. £800-1,200

1575. An Edwardian seed pearl set gold hinged bangle. £400-600

1576. A wide Victorian gold hinged bangle, mounted with an oval shaped cabochon garnet. 67 grams. £800-1,200

1577. A late Victorian sapphire and diamond mounted gold hinged bangle, centred with a sapphire and diamond cluster, and two foliate sections. Set also with sapphires and diamonds. £300-500

1578. A late Victorian diamond set crescent and spray brooch set in gold.

Cased. £400-600

1579. A quartz cats eye and pearl cluster ring, the oval shaped cats eye is set within a surround of half pearls in gold. Size O. £300-400

1580. A Victorian gold stylised bow brooch, the engraved gold bow mounted with three lines of rose-cut diamonds and with enamel decoration. Glazed locket compartment to the reverse. 4cm wide. A pair of white opal and white stone set gold earrings. £200-300

1581. An early Victorian topaz pendant, set with three closed back mounted pink topaz in strap work frames. The centre section with glazed locket compartment to the reverse. £500-700

1582. A diamond set platinum clasp, the open work rectangular clasp set overall with graduated circular cut diamonds. 2.7cm wide. £300-400

1583. A Regency gold slide. Alternately set with small rubies and emeralds in fine filigree gold. £100-200

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1584. A 19th Century stone mounted three row necklace, mounted with circular hard stone cabochons in gilt metal mounts.

Including agate, carnelean, jasper, moss agate etc. £200-300

1585. A pink and green paste stone set festoon and drop silver necklace. £700-900

1586. A large gem set open work bow brooch, set overall with graduated circular cut diamonds and small rubies in yellow and white gold. Signed to the revers La Esmerelda Mexico. 8.5cm high. Fitted case. £600-800

1587. A cased 19th Century gold brooch and earrings, each mounted with a micro mosaic depicting an eagle (one earring damaged). Fitted case. The brooch 3.5cm wide. £600-800

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1588. A 19th Century gold panel bracelet mounted with floral pietra dura plaques.

The foliate plaques are mounted in gold with fine filigree decoration. Unidentified control marks. 17cm. £200-300

1588

1589. A Victorian cruciform pendant, the agate cabochon terminals are set in star mounts with black and white enamel decoration. The terminals foliate engraved and marked RP at the top, for Robert Phillips. 8cm high. Fitted case by Phillips, marked for Phillips of 23 Cockspur street. £1,300-1,400

1592. A cased set of dress cufflinks and studs, comprising a pair of octagonal square form shell cufflinks, engraved with square pattern, centred with a seed pearl (two missing) and mounted in gold. With four matching studs and two smaller similar studs. Cased by Mappin & Webb.Two circular sapphire and shell mounted gold studs, a pair of bloodstone mounted gold cufflinks, a pair of shell mounted silver cufflinks, and an additional stud. £200-300

1590. A late Victorian gold oval locket pendant, Applied with a diamond star within blue enamel border. Glazed locket compartment to the reverse. Gold rope neck chain. £400-600

1593. A George III memorial brooch, centred with a glazed compartment containing plaited hair within a border of seed pearls and further surround of ten flat cut round garnets in gold. Contained in a small fitted leather box with trade paper for bright and son of Sheffield and Buxton. £100-200

1591. A gold brooch mounted with five graduated circular sections of coral and four seed pearls in coral. Fitted case. £250-350

1594. A Royal Cipher brooch, the cabochon turquoise border contains the letter A set with rose cut diamonds and with a crown above. 2.8cm high.

Cased by Asprey. £200-300

1595. A pair of sapphire and diamond cluster earrings, the circular cut sapphires are each set within a surround of eight circular cut diamonds in white gold. Cased. £200-300

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1596. A gold filigree cruciform pendant, with remains of enamel to the centre section. On a fine link gold neck chain. 12g in total. £150-250

1597. A 9ct gold circular link long guard neck chain, spaced with engraved spherical balls and longer links. 26g. 154cm. £200-300

1598. A 9ct gold oval locket pendant, the cover with foliate scroll engraving. And a flat curb-link necklace. 37g in total. £600-800

1599. A 9ct gold gate link bracelet, and a 9ct gold fancy link bracelet. 28g in total. £250-350

1600. A gold twisted rope link long guard chain. 160cm. 57g. £600-800

1601. A gold charm bracelet. The plain oval link gold bracelet is mounted with assorted gold charms etc. 42g in total. £400-600

1602. A gold necklace mounted with assorted charms and pendants. £300-400

1603. A gold fancy link long guard chain.

108cm. 23g. £200-300

1604. A 9ct gold textured oval link bracelet, 19cm, 32g. £250-400

1605. A gold fringe necklace, 41cm. 21g.

And a gold flat curb link bracelet with a 1/10 Krugerrand gold coin pendant in gold frame.

18cm. 18g in total. £500-700

1606. A gold oval link long guard chain.

149cm. 42g. £300-500

1607. A gold fancy link necklace, 42cm.

50g. £500-700

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1608. Various items of gold jewellery etc, including a 9ct gold fancy bar-link bracelet, an opening presentation three part locket, a Chinese gold bracelet etc. £500-700

1609. A Victorian gold hinged bangle, mounted with three blue enamel raised sections, each centred with a cut star set pink coral cabochon within bead-work decoration.

And a Victorian gold Etruscan style bangle with filigree decoration. 43g in total. £400-600

1610. A plain and textured fancy link yellow gold braclet, with a conical gold pendant. 21.5cm. 31g. £400-600

1611. A heavy gold charm bracelet, the 9ct gold twisted curb link bracelet is mounted with assorted charms, fob seals, gold coins and masonic emblems (one only part gold). 254g in total. £2,000-3,000

1612. A gold charm bracelet. The gold curb-link bracelet is mounted with assorted gold charms etc. 138g. £1,200-1,500

1613. A gold curb link bracelet. With gold padlock clasp. And a gold fancy striated link bracelet. 38g. £500-700

1614. A pair of textured gold swirl earrings, a textured gold running horse brooch. A pair of small gold hedgehog earrings, an unusual pair of gold cufflinks, one with hinged and opening locket compartment (damaged) a pair of gold fox mask ear studs and two gold brooches (one cased). £400-600

1615. An 18ct gold and platinum hinged horseshoe bangle. An openwork broad yellow gold ring, a 9ct gold signet ring, a pair of 9ct gold cufflinks, a pair of two colour textured gold open hoop earrings and six other gold items. £300-400

1616. A gold bangle modelled as elephants, a gold mounted blackamoor head pendant. A pair of 9ct cufflinks, two diamond set gold cross pendants. A cultured pearl mounted tie tack. A gold turtle pendant on a fine-link gold neck chain. £1,000-1,500

1617. An 18ct gold charm bracelet, the gold curb link bracelet is mounted with assorted gold charms. 101g in total. £800-1,200

1618. A gold ring set with an oval shaped cabochon emerald and six diamonds, a gold ring alternately set with line of small diamonds and calibré cut sapphires. A pair of damaged pearl and cushion shaped diamond earrings, a pair of textured gold earrings, a brooch and a pendant. £400-600

1619. A large gold fancy gate-link bracelet, with 9ct gold padlock clasp. 59g in total. £600-800

19

1620. A gold charm bracelet. The wide oval link bracelet is mounted with assorted pendants and with two gold coin pendants.

98g. £800-1,200

1621. A William IV 18ct gold mourning ring, with a collection of eight assorted brooches, and four stick pins. £400-600

1622. A 9ct gold textured oval link neck chain. 34g. A textured yellow gold ball pendant and a 9ct gold circular locket pendant on a gold multilink neck chain. £600-800 1623. Withdrawn 1624. Withdrawn

1625. A gold Churchill medallion pendant with gold pendant mount. 20g in total. £250-350

1626. A 9ct gold rectangular case with engine turned striation decoration and containing two sovereign holders and a half sovereign holder. To the other side a sprung loaded clip.

Birmingham marks for 1908. 7cm long. 86g in total. And containing two 1912 sovereigns and a 1913 half sovereign. £1,200-1,500

1627. A 9ct gold ingot pendant, London marks for 1977. 29g. £250-350

1628. A 9ct gold cigarette case, with engine turned pattern and applied with initials.

Presentation engraving to the interior. 145g. 11.5cm wide. £800-1,200

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1629. A gentleman’s gold wristwatch by Universal, plain dial applied with gold baton numerals and sweep seconds hand. Manual winding. Leather band. And a gentleman’s gold wristwatch by Eterna. The circular dial signed Eterna-matic, Garrard. With sweep seconds hand and date aperture. Metal band. £400-600

1630. A lady’s small circular gold wristwatch, with gold expanding band. And a ladies Omega de Ville wristwatch. £200-300

1631. A small 18ct gold hunting cased fob watch, and a lady’s gold wristwatch. £300-400

1632. A lady’s 18ct white gold wristwatch by Marvin, batton numerals and diamond set bezel to the textured white gold band.

Manual winding. And another wristwatch by Must de Cartier, signed dial and with blue stone winder, in silver, manual winding and numbered 3041661 to the reverse. £400-600

1633. An 18ct gold wristwatch by Monvis, the small square signed dial with an integrated and textured gold band. And a gold wristwatch by Rotary. The oval signed dial with an integrated and textured yellow gold band. £300-500

1634. A gold wristwatch by Longines, the circular dial with subsidiary seconds dial. Leather strap. £100-200

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1635. A 19th century tortoiseshell rectangular waisted box. The hinged cover mounted with a glazed painting of a domestic scene with figures. 8cm wide. £300-400

1635

1636. A gold plated wristwatch by Tudor, Princess Oyster Date, Rotor self-winding with Tudor band. A gentleman’s gold wristwatch, a lady’s gold wristwatch with gold band, and three steel wristwatches. £200-300

1637. A tonneau shaped wristwatch, with subsidiary seconds dial and black Arabic numerals, unsigned movement. 9ct gold case. A square-shaped travel clock by Philippe Beguin, with double hinged centre opening case, mounted in leather. A steel wristwatch by Precision. Circular dial with arab numerals and sweep seconds hand.

The case numbered 26521199900 and a gold cased wristwatch by Minerva. £200-300

1638. A lady’s stainless steel wristwatch by Dunhill, signed blue enamel dial with small diamonds set to the vertical bezel. The integrated steel band mounted with six black onyx sections, quartz movement. Edition 2000 number 746. Cased. £150-200

1639. A Regency gold cased watch key mounted with two stones, the large oval key mounted with a chalcedony engraved with a dog crest beneath a motto and initials below. The other side set with an uncarved bloodstone. Foliate scroll and shell decoration overall. 3.3cm wide. £100-150

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Jewellery Thursday 25th July 2013

Jewellery is now being accepted

A pair of sapphire and diamond cluster earrings Sold for ÂŁ12,000

Closing date for entries Friday 31st May

ENQUIRIES Jonathan Edwards FGAA Tel: 01722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk 23

1640. A lady’s six sided diamond set dress wristwatch. The dial with black Roman numerals, the bezel set with circular cut diamonds. Platinum case. White gold integrated band. £300-400

1641. An Art Deco diamond set dress wristwatch, set overall with graduated small circular cut diamonds to the platinum case. Movement signed Cobden. White gold bracelet. £400-600

1642. A lady’s 18ct gold wristwatch by Tiffany, circular white dial, signed and applied with gold Roman numerals. Signed to the reverse and numbered 52-031. Leather strap with Tiffany buckle. £200-300

1643. A steel wristwatch by Rolex, the dial signed Rolex, Oyster Royal and shock resisting. Steel case with manual winding. Leather band. And an Omega dynamic wristwatch with automatic winding. £100-150

1644. An 18ct yellow gold wristwatch by Omega, signed dial applied with Arabic 12 and 6 and batton numerals, subsidiary seconds dial. Automatic (bumper) movement. Leather band. £1,000-1,500

1645. An 18ct yellow gold wristwatch by Rolex, blue dial signed Oyster perpetual date just. Numerals marked with small circular cut diamonds and date aperture at 3. Leather band. £3,000-4,000

1646. A lady’s Vermeil wristwatch by Must de Cartier. Circular signed dial with quartz movement and silvergilt case. £350-500

1647. A gold octagonal wristwatch by Cartier, black Roman numerals and part concealed winding crown. Later dial. Case numbered 9908710062. £1,400-1,800

1648. A lady’s 18ct gold wristwatch by Beuche Girod, signed gold dial with diamond set bezel. The case numbered MG6704 and 82509. Manual winding. With textured gold band. £300-400

1649. A steel cased Rolex wristwatch, the grey dial signed, Oyster date precision. Sweep seconds hand and date aperture at 3. Steel Rolex band. £200-300

24

1640

1642

1641 1644

1643 part

1645

1646

1647

1649 1648

25

1650. A ruby and diamond set 18ct white gold ring, ‘invisibly’ set with square shaped rubies within a border of small diamonds. Size M 1/2. £600-800 1651. An alexandrite and diamond cluster ring, the oval shaped alexandrite is set within a surround of ten circular cut diamonds in platinum and 18ct gold. Size N 1/2. £1,000-1,500 1652. A wide gold ring, mounted with six square shaped coloured stones in rubover mounts. 11g. Size N. £200-300 1653. An emerald and diamond cluster ring, the oval shaped emerald is set within a surround of ten circular cut and two baguette shaped diamonds in white gold. £750-1,000 1654. A sapphire and diamond cluster ring, the emerald cut sapphire is set within a surround of round brilliant cut diamonds in white gold. Size M. £400-600 1655. An aquamarine and diamond cluster ring, the oval shaped aquamarine is set within two rows of graduated round brilliant cut diamonds in 18ct gold. Size M. £400-600 1656. A diamond cluster ring, the circular brilliant cut centre stone is set with eight smaller diamonds in 18ct yellow and white gold. Size S 1/2. £800-1,200 1657. A sapphire and diamond five stone ring, set with three sapphires and two circular cut diamonds in gold. Size P 1/2. £500-700 1658. A ruby full circle eternity ring, set with square cut rubies in platinum. Size M.

£300-400

1659. A sapphire and diamond cluster ring, the circular cut sapphire is set within a surround of eight circular brilliant cut diamonds in 18ct white gold. Size Q. £800-1,200 1660. A diamond full circle eternity ring, set with baguette shaped diamonds in white gold. Size I 1/2. £400-600 1661. A diamond three stone ring, the old circular cut diamonds are set in gold. Size T.

£200-300

1662. An Edwardian style diamond cluster ring, the circular cut diamond is set within a surround of smaller diamonds in white gold. Size N 1/2. £500-700 1663. An Art Deco style tanzanite and diamond cluster ring, the cushion shaped tanzanite weighs approximately 5.00cts and is set within a surround of circular cut diamonds in white gold. Size O. £1,500-2,000 1664. An opal ring, the oval shaped opal is mounted in gold. Size Q 1/2.

£800-1,200

1665. A diamond seven stone ring, the seven modern circular brilliant cut diamonds are set in platinum.

Size L. £300-400 1666. A diamond full circle eternity ring, the round brilliant cut diamonds are set in white gold. The diamonds weigh approximately 1.95cts in total. Size K 1/2. £1,000-1,500 1667. A diamond five stone ring, the five circular cut diamonds are millegrain set in square mounts in white gold. Size M. £500-700

26

1650

1653

1652 1656

1661

1651 1655

1660

1654

1659 1664

1658 1663

1666 1662

1657

1665 1667

27

1668 1668. A ruby and diamond mounted gold necklace by Cartier, the centre section mounted with an oval shaped cabochon ruby within a border of circular and square shaped diamonds, in yellow gold. The flat curb link necklace partially set with small diamonds, signed Cartier Paris and numbered 223185. 37cm. 70g. £2,500-3,000 Accompanied with report number 07028 dated 12th January 2013 from The Gem and Pearl Laboratory (London) stating that the cabochon cut ruby measures 12 x 9-10 x 5.1mm is a natural ruby with no evidence of heat treatment. Origin opinion: Burma.

1669. A suite of diamond set 18ct yellow and white gold jewellery, marked for Nabucco and comprising a collar necklace, with matching bangle and earrings. 124g in total. £1,800-2,500

1670. A double formed gold ring by Piaget, the detachable rings are each set with a sapphire and an oval shaped diamond. Signed and numbered. 18g in total. £500-700

1671. A tanzanite and diamond set pendant, the trigon shaped tanzanite is set within a surround of circular cut diamonds in white gold. Fine-link white gold neck chain. £1,200-1,500

1672. A diamond set full circle eternity ring, set with pairs of baguette shaped diamonds and lines of square shaped diamonds in platinum. Size R. £2,000-3,000

1673. A sapphire and diamond five stone ring, the three emerald cut sapphires are set with two circular old brilliant cut diamonds in 18ct gold. Foliate and shell carved shoulders. Size M. £800-1,200

1674. A cushion shaped diamond ring, millegrain set within a surround of circular cut diamonds in platinum. Size O. £1,500-2,000

1675. A diamond solitaire ring, the marquise shaped diamond weighs approximately 1.50cts and is set within a surround of smaller circular cut diamonds in white gold. With further diamonds set to the shoulders. Size M. £2,000-3,000

1676. A pair of large South Sea cultured pearl and diamond cluster earrings. Each pearl measures 15mm and are set within a scroll surround set with circular and baguette shaped diamonds in white gold. £2,000-3,000

1677. An emerald and diamond cluster ring, the square shaped emerald is set within a surround of circular brilliant cut and tapered baguette shaped diamonds in white gold. Size N. £3,000-4,000

1678. A South Sea cultured pearl necklace, the pearls graduate from 11.2 - 15.2mm. With a gold spherical clasp set with small diamonds. 53cm. £600-800 Accompanied with report number 06834 from The Gem and Pearl Laboratory (London) stating that the necklace comprised of 35 bead-nucleated Southsea cultured pearls.

1679. An emerald and diamond ring, the baguette shaped emerald is set in platinum with circular cut diamonds set to the shoulders and sides. Size L 1/2. £5,500-6,500

28

1671

1669

1672

1673

1674 1670 1675

1676

1678

1677 1679

29

1680. A gold dress fob watch by Rolex. The circular dial with Arabic numerals, the gold circular case stepped to both sides and skeleton movement signed Rolex extra prima. The dial 2.4cm wide. Suspended from a small black leather strap with gold buckle. £500-700

1681. A small cylindrical gold lighter by Cartier, silver interior and engine turned pattern to the gold body and engraved with initials. Signed JC and Cartier London. 3.2cm high. Fitted Cartier red leather box. £200-300

1682. A rectangular travel watch by Gubelin, the square silver watch with signed dial and luminous Arabic numerals. Silver case with squeeze action opening. With black onyx mounts. Case numbered 01296. Swiss control marks. Leather bound. £200-300

1683. A miniature portrait of an Indian nobleman, with flowing white beard and bejewelled clothes and head gear, oval. 3cm wide. Mounted in gold. The reverse engraved Gholab Singh. £200-300

1684. A sqaure gilt metal and enamel compact case by Cartier, the hinged cover decorated with animals and birds amongst foliage in the Islamic style on pink enamel ground. Within black enamel patterned border. Repeated design to the base. Pink enamel sides. Cabochon sapphire and shell thumpiece, lined with gold leaf. Signed Cartier, Made in France 7391. 7cm wide. Fabric cover. £2,500-3,000

1685. A 19th Century Caduceus stick pin, with enamel decoration to the wings and crossed snakes, surmounted with an oval shaped ruby a, and pearl below. Engraved to the reverse. Set in gold with gold pin. The caduceus 3cm high. Cased by Guiliano, 49 Howland Street and within two 5-pointed stars each centred with an F. £300-400

1686. A Regimental brooch for the Grenadier Guards, the cipher and crown set with diamonds and with blue and red enamel decoration. Yellow and white gold. 2.8cm wide. Fitted case by Collingwood. £400-600

1687. A gold Regimental brooch for the XII Lancers, with enamel decoration and three small diamonds to each terminal. 3.7cm wide. And another gold Regimental badge for the XII lancers. 5cm wide. £350-500

1688. A Regimental brooch for the Grenadier Guards, with enamel decoration in white and yellow gold. 2.2cm wide. Fitted case by Collingwood. £150-200

30

1680

1681 1682

1684

1685 1683

1687

1688 1686

31

1689. A diamond two stone cross over ring set with two circular cut diamonds in gold. Size O. £200-300 1690. An emerald and diamond cluster ring, the emerald cut emerald is set within a surround of ten circular brilliant cut diamonds in yellow gold and platinum, size O 1/2. £600-800 1691. A sapphire and diamond cluster ring, the circular cut sapphire is set within a surround of eight circular cut diamonds in gold. Size K. £300-400 1692. A ruby and diamond five stone ring, set with three rubies and two diamonds in gold with carved shoulders. 18ct. Birmingham marks. Size Q. £200-300 1693. An emerald cut citrine and diamond ring, set with six circular shoulder diamonds millegrain set in white gold. Size M 1/2. £300-400 1694. A sapphire and diamond five stone ring, set with two round brilliant cut diamonds and three sapphires in 18ct gold. Carved shoulders. Size N 1/2. £500-700 1695. A diamond solitaire ring, the asymmetrical diamond is set in a platinum coronet mount and yellow gold shank, size O. £1,000-1,500 1696. A late Victorian navette shaped 18ct gold ring, pavé set with old circular cut diamonds. Cased.

Size O. £200-300 1697. A large aquamarine and diamond cluster ring, the octagonal cut aquamarine weighs approximately 23.0cts and is millegrain set within a surround of round brilliant cut diamonds in white gold.

Size O. £4,000-6,000 1698. A white gold ring set with three diamonds, size K. With a platinum wedding ring, size I. £200-300 1699. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of ten round brilliant cut diamonds in gold. Size K 1/2. £500-700 1700. A pink sapphire and diamond five stone ring, set with two square shaped diamonds and three square shaped sapphires in 18ct white gold. Size M 1/2. £500-700 1701. A sapphire and diamond ring, the oval shaped sapphire is set with three lines of circular brilliant cut diamonds to each shoulder, size M. £500-700 1702. A diamond five stone ring, the five circular brilliant cut diamonds are set in yellow and white gold.

Size Q. £1,200-1,500 1703. A double swivel gem set platinum ring, the centre section half set with calibré cut sapphires and calibré cut rubies. The two swivel sections set with graduated circular cut diamonds. Size R. £500-700 1704. A catseye chrysoberyl and diamond set three stone ring, in gold. Size L.

£400-600

1705. A diamond full circle eternity ring, the circular cut diamonds are set in white gold. Size L. £200-300

32

1689

1691

1694 1690

1699 1693 1698 part 1692 1697

1702 1696

1701 1695

1704 1700

1703

1705

33

1706. A cultured pearl and diamond set pendant, the drop shaped pearl suspends from small diamonds and a larger cushion shaped diamond in white gold. With fine link white gold neck chain. £500-700

1707. An emerald and diamond pendant, the square shaped octagonal emerald is set in 18ct yellow and white gold within a surround of sixteen round brilliant cut diamonds. The 18ct fine-link yellow gold neck chain weighs 18g. £2,000-3,000

1708. A pair of diamond ear studs, the modern round brilliant cut diamonds weigh approximately 1.03 and 1.06cts and are set in white gold. £6,000-8,000 Accompanied with report number 20006520 dated 19th October 2012 from Anchorcert stating that the diamond weighs 1.03cts and with F colour, SI2 clarity.

And accompanied with report number F5H71122 dated 5th January 2011 from International Gemological Institute (Antwerp) stating that the diamond weighs 1.06cts and with F colour, SI1 clarity.

1709. A substantial cultured pearl and diamond bracelet, formed with four rows of pearls and separated with lines of round brilliant cut diamonds in white gold. The clasp set with graduated round brilliant cut and baguette shaped diamonds. 18cm wide. £4,000-5,000

1710. An amethyst and diamond set ring, the oval shaped amethyst is set with ten round brilliant cut shoulder diamonds in gold. Size M. £500-700

1711. A sapphire three stone ring, the oval shaped blue sapphire is set with an oval shaped yellow and an oval shaped pink shoulder sapphire with four small diamonds in white gold. The sapphires weigh approximately 4.75cts in total. Foliate engraved shank. Size L. £3,000-4,000

1712. An emerald and diamond three stone ring, the emerald is set with two trigon shaped shoulder diamonds in 18ct yellow and white gold. Size S. £2,000-3,000

1713. A sapphire and diamond three stone ring, the oval shaped sapphire is set with two round brilliant cut diamonds in platinum and white gold. Size I 1/2. £1,500-2,000

1714. A diamond three stone ring, the centre old circular brilliant cut diamond weighs approximately 1.50cts and the three diamonds weigh approximately 2.80cts in total. Set in platinum with coronet colets and engraved shoulders. Size Q 1/2. £3,500-4,500

1715. A diamond solitaire ring. The old brilliant cut diamond weighs approximately 1.98cts and is set in white gold. Size P. £1,000-1,500

1716. A pair of gold bamboo style earrings by Cartier, each comprising three rows of realistically formed bamboo. Signed Cartier and numbered 645371 with Cartier case. £2,500-3,000

34

1706

1707

1708

1709

1710

1711

1712

1715

1713

1714

1716

35

1717. A Victorian emerald and diamond necklace, with matching earrings. The necklace mounted with seven rectangular and pear shaped emeralds within diamond set scrolls, suspending five emerald set gold pendants, the centre pendant set with further diamonds. And similar emerald and diamond set gold earrings. Fitted case. £7,500-8,500

1718. A Victorian turquoise set gold locket pendant, the circular locket with foliate engraved decoration and applied with a turquoise cabochon. Suspending from an elaborate gold bow set with further turquoise cabochons. The locket opens to reveal a glazed compartment. £200-300

1719. Two similar 18ct gold mourning rings, one with white enamel and black borders, to Hannah Varty, died December 1795 aged 15, maker SG, London 1795, size R. The other with black enamel and white enamel borders, to Jane Child, died March 1795, aged 64, marked for WH, London 1795, size S. £400-600

1720. A Victorian amethyst rivière necklace, the graduated oval shaped foil backed amethysts are each mounted in closed back gold collets. 39cm long. £1,000-1,500

1721. A late Victorian diamond set star brooch, centred with a cushion shaped diamond and further graduated smaller diamonds set to the twelve rays. In silver and gold. Detachable brooch fitting. Fitted case. £600-800

1722. A Russian moonstone, ruby and diamond set gold star-form brooch, centred with an oval shaped moonstone carved with the winged head of a cherub. The rays set with cabochon rubies and separated with rose cut diamonds. With initials S.C. and LO in cyrillic. 56 Zolotnik mark and a Moscow mark. Cased. 2.8cm wide. £600-800

1723. A Victorian 18ct yellow gold snake ring, the two heads are set with a circular cut diamond and an oval shaped ruby. Marked for Birmingham 1878. Size N. £300-500

1724. A diamond three stone ring, the three graduated old circular cut diamonds are set in yellow gold with six rose cut diamonds. Scroll engraved shoulders. Size P. £400-600

1725. A diamond three stone ring, the three graduated circular old cut diamonds are set in platinum.

Size O 1/2. £1,500-2,000

1726. A Victorian diamond set floral brooch, set with a larger pear shaped and circular cut diamond.

And smaller graduated cushion shaped diamonds in silver and gold. £1,000-1,500

36

1718

1717 (2)

1719 (2)

1720

1726 1723 1724 1721 1725

1722

37

1727. A two row graduated cultured pearl necklace. With a diamond and ruby set white gold plaque clasp. £500-700

1728. A gold serpent form bangle by Lalaounis, 30g.

£750-1,000

1729. A pair of sapphire and diamond cluster ear studs, the circular cut sapphires set within a surround of eleven circular brilliant cut diamonds in white gold. Fitted box by Garrard & Co. £500-700

1730. A diamond set gold polo player and pony brooch, highlighted with black and white enamel and set in yellow and white 18ct gold. £1,500-2,000

1731. A ruby, black onyx and diamond set gold ladybird brooch, pavé set overall with circular cut rubies, two cabochon black onyx ‘spots’ and ruby eyes. 2.2cm long. £800-1,200

1732. A pair of yellow and white diamond drop earrings, the square emerald cut yellow diamonds are each set within a surround of smaller white diamonds and suspend from a square shaped diamond in white gold. £5,000-7,000

1733. A pair of South Sea cultured pearl and diamond earrings, the pearls measure 13.8 and 13.3mm and are each mounted with a cushion shaped diamond in gold. And a pair of cultured pearl mounted gold earrings. £500-700

1734. An alexandrite and diamond cluster ring, the oval shaped alexandrite is set within a surround of circular cut diamonds in platinum and gold. Size S. £1,200-1,500

1735. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a border of ten round brilliant cut diamonds in yellow gold. Size O 1/2. £2,000-3,000

1736. An emerald and diamond cluster ring, the emerald cut emerald weighs 9.10cts, believed to be with moderate clarity enhancement and of Colombian origin. Set within an undulating border of tapered baguette cut diamonds in white gold. Size J 1/2. £7,000-9,000

1737. A sapphire diamond and emerald cluster ring, the cushion shaped sapphire is set within a surround of alternately set circular cut diamonds and circular cut emeralds in white gold. Size N. £1,000-1,500

1738. A sapphire and diamond three stone ring, the oval shaped sapphire is set with two tapered baguette shoulder diamonds in yellow and white gold, size Q. £1,200-1,500

38

1727

1728

1729

1730

1731 1733 part 1732

1734

1738

1735 1736

1737

39

1739. A pair of 9ct gold cuff links with enamel burgee for The Royal Thames Yacht Club, and with matching gold and enamel pin. £300-500

1740. A pair of sapphire and gold cuff links by Cartier, the circular links with concentric circles and centred with cabochon sapphires. Signed Cartier, numbered 2657 and French control marks. £1,500-2,000

1741. A pair of French gold button form cuff links, each pavé set with rose cut diamonds. Cased. £1,000-1,500

1742. A pair of sapphire mounted gold cuff links, each link centred with a cabochon sapphire within three concentric circles and millegrain set in gold. French control marks. Each link 1.8cm wide. £400-600

1743. A cased set of French dress cufflinks and studs, the cufflinks are each centred with a cabochon sapphire within a swirling surround millegrain set with rose-cut diamonds in platinum and gold. Numbered 27820, French control marks and makers mark J+D. 1.4cm diameter. With three matching and smaller studs stamped with different inventory numbers. With a similar cabochon sapphire and diamond set stick pin. And a smaller sapphire and diamond stud. £1,000-1,500

1744. A pair of 18ct gold and black onyx circular cufflinks, with ‘torpedo’ bars. Fitted case by Asprey. £400-600

1745. A cased dress cufflinks and stud set, all in circular button form with shell disks and white enamel borders on gold. Comprising a pair of cufflinks and four studs. Cased by Carrington. £300-400

1746. A cased set of dress cufflinks and studs, each formed with a pearl centred circular shell disc within a white enamel border and gold mounts. Comprising a pair of cuff links, four larger links and two smaller links. Fitted case. £200-300

1747. A pair of Art Deco diamond set black onyx cuff links, mounted in platinum and gold. £600-800

1748. A pair of navette shaped gold cuff links, each link centred with a pearl on red guilloche enamel ground within white enamel borders. £400-600

1749. A pair of diamond set gold and platinum oval cuff links, marked KW. Fitted case by E.Meister, Zurich. £500-700

40

1739

1742

1740

1741

1743 1744 1745

1747

1748

1746

1749

41

1750. A Regency gold double chain necklace with five assorted gold pendants, including a gold heart shaped gold hinged locket pendant, the front applied with an urn and engraved to the reverse Thomas Earl of Hyndford, died 14th Feb 1811, ever held in remembrance. And a heart shaped hinged gold locket pendant applied with a thistle. £800-1,200

1751. A George III double cluster and spray brooch pendant, each cluster centred with a circular cut diamond within surrounds of smaller graduated stones. The diamond set spray issues from a pear shaped diamond and further circular cut diamond below. Gold and silver mount with later pendant and brooch fittings. 3.3cm wide. Fitted case. £2,000-3,000

1752. A Victorian suite of garnet set gold jewellery, comprising a necklace, a pair of drop earrings, a cruciform brooch and an additional pendant fitting, all set with flat garnets in gold cannetille mounts.

Fitted case by Harvey & Gore. £1,000-1,500

1753. A Regency REGARD heart shaped locket pendant, the gold pendant with fruiting vine decoration on matted ground to the cover. Gem stones spelling REGARD and a small turquoise set forget me not.

With foliate filigree decoration to the herringbone back section and centred with a turquoise cabochon on a fine link chain. 2cm wide. £300-500

1754. A pair of diamond cluster drop earrings, a pair of Victorian agate mounted gold cannetille drop earrings, and a pair of diamond and artificial pearl drop earrings. Cased. £600-800

1755. A George III gold long guard chain, the circular links chased with decoration and with a hand form clasp (stone from the ring missing). 116cm. 24g. £400-600

42

1750

1751

1752 (3)

1754 part

1753

1755

43

1756. An Arts and Crafts silver trefoil form pendant, with enamel decoration and centred with an oval shaped amethyst in gold colet. Suspended from an conforming pierced design with seed pearl on a fine link silver neck chain. Signed to the reverse for Murrle Bennett & Co and 950. 2.7cm wide. £300-400

1757. An Art Nouveau silver pendant with enamel decoration. Marked S&E. Attributed to Schaverien & Eastmead, Birmingham 1909. Fine-link silver chain. 2.5cm wide. £200-300

1758. An Arts and Craft silver pendant with enamel decoration, marked for Schaverien & Eastmead, Birmingham 1909. 2.4cm wide. With silver chain. £150-200

1759. An Art Nouveau gold and pink stone pendant by Liberty, suspending a seed pearl. Marked Ly & Co. Fine-link gold neck chain. The pendant 3.3cm high. £500-700

1760. An Arts and Crafts silver gilt brooch, the circular brooch painted in enamel with the profile of a veiled girl, and strap work decoration. Signed to the reverse GESGHUTZT. 2.7cm wide. £300-400

1761. An Arts and Crafts silver pendant, mounted with carnelians, of beaten effect and stamped to the reverse 950 and cipher WF possibly for Wilhelm Fahrner. 3.5cm wide. With fine-link silver chain. £300-400

1762. An Arts and Crafts silver pendant with enamel decoration, marked for James Fenton, Birmingham 1908. 2.2cm wide. With fine-link silver chain. £200-250

1763. A silver Arts and Crafts pendant, by Charles Horner, with enamel decoration on a fine link silver neck chain. With Chester marks for 1914. 2.7cm wide. A silver arm band by Charles Horner, and another silver and enamel pendant on a fine link neck chain. £200-300

1764. A René Lalique ‘Quatre Cabochons Bluets’ brooch, the glass pressed in the form of a foliate design within four cabochons. 1913 design and cast number 690. 8cm wide. Blue reflective background.

Gilt metal mount signe LALIQUE and square RL with cross makers mark. £3,500-4,500 For similar brooch see Marcilhac 1398.

1765. An Arts and Crafts silver Tudor rose pendant, with enamel decoration, marked for James Fenton, Birmingham 1908. 2.4cm wide. With fine-link silver chain. £150-200

1766. A carved rock crystal pendant, carved with cranes and foliage. Suspended from a gold multiple hoop section decorated with small diamonds and black enamel. 6.3cm. £200-300

1767. A Pate-de-verre pendant realistically modelled as a moth, set in silver. 4cm wide. Chipped. In the style of Almeric Walter. £300-400

1768. An American Art Nouveau gold maidens head brooch, with poppies in her hair, marked for Carter, Howe & Co. Two gold lapel pins, both with enamel decoration by Krementz and an Art Nouveau gold stick pin mounted with a chrysoprase, by Bippart, Griscome and Osborn. £300-400

1769. A citrine mounted silver ring in the Bernard Instone style, the circular citrine is set within a yellow enamel foliate border. Size P. £200-300

44

1758 1757

1762 1756

1761 1760 1759 1763 part

1764 1765

1766 1767 1768 (4)

1769

45

1770. An Edwardian ruby and diamond pendant, set with three rubies and two larger circular old brilliant cut diamonds in silver and gold. With smaller diamonds. £800-1,200 1771. An Edwardian diamond pendant, the circular cut diamond suspends from a platinum mount set with seed pearls, smaller diamonds and a lower border of calibré cut sapphires. Fine-link platinum chain.

With centre opening standing case. £3,000-4,000 1772. An Edwardian diamond pendant, the circular quatrefoil pendant is centred with an old circular cut diamond millegrain set within a surround of smaller diamonds in platinum and gold. Fine-link platinum chain. £1,000-1,500 1773. An Edwardian amethyst brooch, the oval shaped amethyst is set within a surround of seed pearls and demantoid garnets and with further pearls and garnets set to the foliate shoulders in gold. Cased. £400-600 1774. A late Victorian sapphire and diamond brooch pendant, centred with an oval shaped sapphire within a surround of circular cut diamonds, with a further foliate scroll border of diamonds and pearls. Set in silver and gold. Detachable brooch frame, fitted case. £1,200-1,500 1775. Two small diamond set platinum jabot pins, detachable feather section. Each 2.5cm. With Tiffany case. £200-300 1776. A Belle Epoque diamond and pearl set brooch, centred with a circular cut diamond millegrain set within a diamond set foliate design. Graduated diamond border and further surround of pearls and four larger circular cut diamonds. Surmounted with a diamond set bow. 3.2cm wide. £800-1,200 1777. A large pear shaped opal and diamond pendant, the solid black opal suspends from a diamond set bow in silver and gold. Gold mount to the opal. The opal is 3.3cm high. £1,500-2,000 1778. A pair of diamond drop earrings, the circular diamonds are millegrain set in platinum and gold and suspend from mounts set with smaller diamonds and calibré cut sapphires. Fitted case. £1,500-2,000 1779. An early 20th Century ruby and diamond cluster ring, the oval shaped ruby is set within a surround of graduated circular cut diamonds and a further border of calibré cut rubies. Stylised fleur-delys shoulders set with small diamonds. Part fluted yellow gold shank. Set in platinum and gold. Size M. £2,000-3,000 Accompanied with report number 07180 dated 8th February 2013 from The Gem and Pearl Laboratory (London) stating that the oval shaped ruby measures 6-7 x 5-6 x 3mm and is a natural ruby.

1780. An Edwardian diamond brooch, millegrain set with a centre line of seven graduated circular cut diamonds within further diamond set borders, platinum. 5.2cm wide. Missing pin. £600-800 1781. A diamond solitaire, the square shaped Asscher cut diamond weighs approximately 3.00cts and is set in platinum. Size N. £12,000-15,000 1782. A diamond three stone ring, the three old circular cut diamonds weigh approximately 1.00cts in total and are set in platinum and yellow gold. Engraved Mizpah to the interoir. Size J. Cased. £800-1,200 1783. A chrysoberyl cats eye and diamond cluster ring, the oval shaped chrysoberyl is set within a surround of small diamonds in gold, size O 1/2. £1000-1500 1784. A sapphire and diamond cluster ring, the slightly pear shaped sapphire is millegrain set within a surround of circular cut and three baguette shaped diamonds in platinum. £4,000-5,000 Accompanied with report number 06847 dated 9th December 2012 from The Gem and Pearl Laboratory (London) stating that the transparent blue faceted mixed-cut sapphire measures 10.02 x 11.05 x 5.23mm, weighs 5.38cts and is a natural sapphire with no evidence of heat treatment. Origin opinion: Sri Lanka.

46

1773

1770 1775

1771

1774 1722 1779

1776

1777 1781

1782 1778

1783

1780 1784

47

1785. An unusual arrow form hat pin, the realistically formed feathers are set with rose cut diamonds to an agate stem. Gold shaft. 18cm. £200-300 1786. A René Lalique ‘Grenouilles’ hatpin, the circular faint green glass pressed in the form of three frogs. 1911 design, cast number 106. 4.5cm wide. Gilt metal mount chased with foliage style pattern to underside and signed LALIQUE. £1,500-2,500 For similar design in a brooch see Marcilhac, 1357.

1787. A René Lalique ‘Eucalyptus’ scent bottle pendant, the light green bottle pressed with eucalyptus leaves to both sides. With two holes for pendant mounting and swirling eucalyptus leaves to the stopper. 1920 design. Cast number 1400. 4.5cm high. Signed to lower section LALIQUE (slightly obscured). £1,500-2,000 Design first created for the perfumer D’orsay and later introduced in the commercial catalogue.

For similar scent bottle see Marcilhac 1672.

1786 top

1788. A quatrefoil Art Nouveau gold locket pendant, depicting a girl with a ruby and diamond set hair piece on a shamrock background.

Hinged at the base. 3cm wide, on a fine link gold neck chain. £400-600 1789. An Art Nouveau silver, lapis lazuli and turquoise pendant by Paul Briançon, depicting two well detailed facing large lynx style cats, the lapis lazuli background depicting the night sky. The silver frame with grotesque mask above and the cats tails looping through the shaped lower section. Mounted with three turquoise cabochons. Signed Briançon to each reverse corner. 7.5cm wide. With blue beads mounted to the silver chain. £10,000-12,000

Paul Briançon moved from his home in Villeneuve-surYonne to Paris in 1871. As a struggling student he registered at the Beaux Arts (School of Fine Arts) where he met René Lalique and in 1885 they took over the workshop of Jules Destape on Place Gaillon, to form The Lalique Company. Despite limited funds, some of the most innovative work was to be created which elevated Lalique to fame. Briancon supervised the workshop for the following twenty years. They moved to the more spacious Rue Therese workshops in 1890 where they remained the closest friends.

Paul Briançon 1790. An Art Nouveau gold pendant, mounted with three pink topaz, marked to reverse HJ and 9ct. 3cm wide. Fine-link gold chain. £150-200 1791. A René Lalique ‘Barrette Aubepines’ glass brooch with gilt metal mount, pressed in the form of hawthorn flowers C1912. Reflective red background. 7cm wide. Signed to the reverse LALIQUE and with RL square makers mark with cross between. £600-80 For similar brooch see Marcilhac 1354.0 1792. An Aesthetic movement gold butterfly brooch, realistically formed. 7cm wide. Fitted and shaped case by Emanuel.

£400-600

1793. An Aesthetic movement gold fly brooch, realistically formed with cabochon amethyst eyes and suspending two smaller similar flies.

The larger fly 4cm wide (at wing tips). £1,200-1,500

48

1786 1785

1787

1789

1788

1790

1792

1791

1793

49

1794. A suite of jade and diamond set platinum jewellery, comprising a pendant and platinum chain, a pair of earrings, a brooch and a ring. All mounted with carved and pierced sections of jade with diamond set platinum mounts, some sections marked with a bell, one of which is centred with a B. Fitted case. The brooch 5.3cm wide. £15,000-20,000

1794 bell mark

1795. A large carved jade ring, the upper section carved with monkeys. Size U.

£200-300

1796. A gold shakudo fan pendant, applied with assorted birds and foliage. 5.7cm wide. On a twisted fabric necklace. £300-400

1797. A jade and diamond ring, the oval shaped jade cabochon is set in platinum with six diamonds set to each shoulder. Size P. £1,500-2,000

1798. A pair of jade and diamond earrings, the circular discs are pierced and carved with foliate decoration. Set within a partial border of circular and baguette shaped diamonds in white gold and platinum. Obscured signature. Possibly Kutchinsky. £3,000-4,000 Accompanied with report number 03939 dated 8th January 2009 from The Gem and Pearl Laboratory (London) stating that the jadeite measures 12.7 x 10mm and 13.4 x 10mm and is jadeite jade with no evidence of treatment.

1799. A pair of jade and diamond cluster earrings, the oval shaped jade cabochons are set within a surround of round brilliant cut diamonds and four baguette shaped shoulder diamonds. White gold mount. £3,500-5,000

1800. A single row graduated jade bead necklace. The beads graduate from 4.6 to 8.8mm. Gold barrel clasp. 58cm. £500-700

1801. A single row jade bead necklace, the beads graduate from 3.0 to 9.3mm. The navette shaped white gold clasp set with a circular jade cabochon and rose cut diamonds. 50cm. £400-600

50

1795

1796

1794 (4) 1797

1799

1798

1800

1801

51

1802. A late Victorian diamond and emerald lizard brooch, realistically formed in platinum and gold, pavé set with graduated old circular cut diamonds and a centre line of graduated circular cut emeralds, and with ruby eyes. 9cm long. £3,000-4,000 1803. A reverse painted carved crystal brooch, depicting a robin in a holly tree. The gold frame realistically formed as logs with holly leaves and berries. 4.2cm high. £400-600 1804. An early 20th Century giardinetto pendant, the carved turquoise bowl is mounted with carved coloured gem stone flower heads and set overall with diamond set foliage. Fine-link platinum neck chain.

5cm high. Fitted leather centre opening case with strut back. £5,000-6,000 1805. An early 20th Century diamond and emerald circular brooch, centred with a diamond cluster within lines of calibré cut emeralds and smaller diamonds to the pierced white gold and platinum mount.

Signed for Drummonds of Melbourne. 2.4cm wide. £500-700 1806. An early 20th Century realistically formed diamond set snipe brooch, pavé set overall with graduated circular cut diamonds in silver and gold. 3.5cm wide. £1,500-2,000 1807. A reverse painted carved crystal brooch, depicting lily of the valley in a gold frame. 2cm high. £200-300 1808. A reverse painted carved crystal brooch, depicting a horse and jockey clearing a fence. The well detailed crystal is mounted within a diamond and ruby set frame surmounted with a bow. Shell backed.

4.2cm wide. £800-1,200 1809. A diamond set dog brooch, the terrier is pavé set overall with graduated circular cut diamonds, a cabochon black stone eye (one missing) and pink enamel tongue. Set in silver and gold. Fitted case. £600-800 1810. A diamond and ruby cluster ring, the old circular brilliant cut diamond weighs approximately 2.05cts and is set within a surround of calibré cut rubies in geometric form and circular cut diamonds in platinum and white gold. Size L1/2. £7,000-8,000 1811. A reverse carved crystal ring, the circular crystal painted as a dog and within rose cut diamond border. Ornate gold mount. Size I. £400-600 1812. An aquamarine and diamond brooch, the octagonal cut aquamarine is millegrain set within a surround of circular cut diamonds and a further border of smaller circular cut diamonds in platinum. 3.6cm wide. £2,000-3,000 Accompanied with an original invoice from Heming & Co Ltd, dated 1947.

1813. A gold and enamel ball watch, the circular white enamel dial with blue and red Arabic numerals, the body decorated with blue guilloche enamel and white enamel foliate bow decoration. Set with small rose cut diamonds. Twist winding, suspended from a five row gold chain and cyinder fob with similar coloured enamel decoration. The watch 2cm wide. £500-700 1814. A pair of untested pearl and diamond cluster stud earrings, each pearl is set within a surround of eight round brilliant cut diamonds in platinum. £600-800 1815. An Edwardian heart shaped brooch pendant, centred with a cluster of seed pearls on pink enamel ground and within a white enamel border. Surmounted with a seed pearl set bow and further border of pearls. Closed compartment to the reverse. 3.7cm wide. £1,000-1,500 1816. An early 20th Century sapphire and diamond line bracelet, formed with two rows of circular cut diamonds millegrain set in square flexible mounts and with a line of nine square shaped sapphires.

Platinum. The tongue numbered 8010. 17.5cm. £1,000-1,500

52

1802

1805 1803

1806

1804

1809

1808

1810 1807

1812

1811 1813

1815

1814

1816

53

1817. A sapphire and seed pearl mounted gold brooch, the oval shaped sapphire is set in gold and engraved SS with Tricolor and dated 28th July 1904. Cased. £700-900 1818. A late Victorian demantoid garnet set gold five stone ring, the five graduated garnets are set with eight rose cut diamonds with foliate scroll carved shoulders. Size P 1/2. £750-1,000 1819. An Art Nouveau diamond pendant, centred with a round circular cut diamond which weighs approximately 1.50cts. Platinum mount is millegrain set overall with graduated circular cut diamonds with foliate scroll decoration. Fine-link platinum neck chain with French control marks. 5.2cm wide. £7,000-9,000 1820. ✣ A pair of Burmese ruby and diamond cluster ear studs, the small oval gold studs are centred with an oval shaped ruby within a surround of rose cut diamonds. £200-300 Accompanied with report number 07181 dated 8th February 2013 from The Gem and Pearl Laboratory (London) stating that the oval shaped rubies measure 4-5 x 3-4mm and are natural rubies with no evidence of heat treatment. Origin opinion: Burma.

1821. An emerald and diamond cluster ring, the octagonal shaped square emerald is set within a surround of small diamonds in platinum and gold. Size N. Case. £600-800 1822. An amethyst and seed pearl drop necklace, comprising three circular cut amethysts cluster set within a surround of seed pearls and suspending a pear shaped amethyst set within seed pearls. Mounted in gold and with fine-link gold chains set with further seed pearls. £400-600 1823. A pair of diamond set open ovoid hoop drop earrings, the graduated circular cut diamonds are millegrain set in platinum and gold and suspend from three small diamonds. £400-600 1824. An Edwardian diamond and ruby pendant, the oval shaped ruby suspends from two small diamonds within a platinum oval frame millegrain set with rose cut diamonds. Fine-link platinum chain. £600-800 1825. A gold long guard chain mounted with diamonds, the fine yellow gold link chain mounted with fifteen circular cut diamonds in white gold rub over mounts (two diamonds missing) 144cm. 22g. £600-800 1826. An Edwardian diamond and violet coloured sapphire bracelet, the sugar loaf shaped sapphire displays and unusual violet colour. Millegrain set diamonds to the scale form shoulders. With pierced scroll design back. Platinum. The sapphire weighs approximately 14.5cts. Expanding white gold band.

15cm (minimum). £8,000-12,000 1827. A ruby and diamond cluster ring, the oval shaped ruby is set within a surround of graduated circular cut diamonds in platinum. Size N 1/2. £1,000-1,500 1828. A cushion shaped orange/brown garnet set white gold ring, size H.

£800-1,200

1829. A fire opal and diamond cluster ring, the cushion shaped opal is set within a surround of small circular cut diamonds in platinum and gold. Pierced underbezel. Size K. £1,000-1,500 1830. Withdrawn 1831. A Victorian emerald and diamond feather brooch, centred with a rectangular shaped emerald within surrounds of diamonds and smaller emeralds. The partially articulated feather edges set with further graduated diamonds in silver and gold. 7cm. Cased. £5,000-7,000 1832. A gold hinged bangle by Tiffany, with floral decoration comprising flower heads of turquoise cabochons and black enamel stems. Signed Tiffany & Co. £1,500-2,000

54

1817

1820

1818

1819

1821

1822 1823

1827 1824

1825 1826

1828

1829

Withdrawn 1832

1831

55

1833. A diamond solitaire ring, the round brilliant cut diamond weighs approximately 3.50cts and is set with three graduated baguette shaped diamonds to each shoulder in platinum. Size I. £4,000-6,000

1834. An Art Deco sapphire and diamond ring, centred with a baguette shaped sapphire within a geometric design of small diamonds and calibré cut sapphires in platinum. Size L. £800-1,200

1835. A yellow sapphire and diamond ring, the emerald cut sapphire is set with a trapeze cut and tapered baguette shaped diamond to each shoulder in white gold and platinum. Size N 1/2.£1,500-2,000

1836. ✣ An early 20th Century Burmese ruby and diamond cluster ring, the cushion shaped ruby is millegrain set within a surround of circular cut diamonds in platinum. Size I. £2,000-3,000 Accompanied with report number 06827 dated 7th December 2012 from The Gem and Pearl Laboratory (London) stating that the rectangular cushion shaped ruby measures 6-7x 4-5 x 2.6mm and is a natural ruby with no evidence of heat treatment. Origin opinion: Burma.

1837. A diamond five stone ring, the centre round brilliant cut diamond weighs approximately 1.05cts and is set with two baguette shaped shoulder diamonds in platinum. Size O. £2,500-3,500

1838. An early 20th Century sapphire and diamond pendant, the drop shaped light blue sapphire with slight colour change is set within a surround of graduated circular cut diamonds, millegrain set in platinum. Suspended from a larger circular cut diamond and a row of smaller circular cut diamonds in platinum. With a fine-link platinum chain. Marked RR. £5,000-6,000

1839. An early 20th Century natural pearl and diamond set question mark brooch, pavé set overall with graduated circular cut diamonds and suspending a drop shaped natural pearl in a diamond set cap.

6.5cm long. £8,000-12,000 Accompanied with report number 07131 dated 1st February 2013 from The Gem and Pearl Laboratory (London) stating that the part-drilled drop shaped pearl measures 8.8 - 8.9 x 13 - 14mm and is a natural saltwater pearl.

1840. An Art Deco flexible diamond bracelet, set overall with graduated circular brilliant cut and baguette shaped diamonds in platinum. The D-form shoulders set with smaller diamonds (one missing) and with shoulder sections with open V-form decoration. The diamonds weigh approximately 20.00cts in total. 16.5cm long. £10,000-15,000

1841. A sapphire and diamond bracelet, c.1930 centred with a rectangular shaped diamond. £10,000-12,000

1842. An Art Deco diamond set brooch mounted with a large carved emerald, the emerald is carved to both sides with foliate decoration. Millegrain set overall with circular and baguette shaped diamonds in white gold. The emerald is 3.5cm wide and the brooch 8cm wide. £5,000-6,000

56

1833

1834

1835 1837 1836

1838

1840

1841 1839

1842

57

1843. A three row natural and cultured pearl necklace. The shorter row of sixty four pearls are natural.

The two other rows are formed with cultured pearls. The rectangular clasp is set with smaller cultured pearls. 41cm. £2,000-3,000 Accompanied with report number 07120 dated 29th January 2013 from The Gem and Pearl Laboratory (London) stating that the shortest row of 64 are natural saltwater pearls. The other two rows are beadnucleated cultured pearls.

1844. A Victorian stylised shamrock brooch, the three heart shaped petals each centred with a conch pearl, a black pearl and a white pearl. All within surrounds of graduated cushion shaped diamonds and centred with a larger diamond. Set in silver and gold. 3.2cm wide. Fitted case. £2,000-3,000 1845. An untested pearl mounted gold bar brooch.

£250-350

1846. A pearl and diamond cluster ring, the large slightly baroque shaped pearl is set within two rows of circular cut diamonds in white gold. Size O. £3,000-4,000 Accompanied with report number 04478 dated 26th August 2011 from The Gem and Pearl Laboratory (London) stating that the part-drilled irregular button shaped pearl (with a worked base) measures 13.0 14.3 x 12.2mm, weighs 14.46cts and is a natural saltwater pearls.

1847. A white gold ring mounted with a white and a grey pearl, engraved shoulders. Size G 1/2. £1,000-1,500 Accompanied with report number 06856 dated 9th December 2012 from The Gem and Pearl Laboratory (London) stating that the two part-drilled pearls are: 1) Cream/white, 10.0 - 11.2 x 8-9mm 2) Irridecent grey, 11.2 - 11.6 x 8-9mm Both are natural saltwater pearls, with no evidence of treatment.

1848. An opal bead and faceted crystal rondel necklace, 66cm.

£300-400

1849. A single row graduated natural pearl necklace, the pearls graduate from 2.3 to 5.4mm. 44cm. £200-300 Accompanied with report number 06925 dated 27th December 2012 from The Gem and Pearl Laboratory (London) stating that the 177 pearls graduate from 2.3 to 5.3-5.4 and are natural saltwater pearls. The necklace weighs 6.75g (including clasp).

1850. An opal bead necklace, the single row of opals graduate from 4.2 to 13.6mm. The clasp set with three rose cut diamonds. 47cm. £1,500-2,000 1851. A single row graduated natural pearl necklace, the pearls graduate from 2.5-7.3mm. The 9ct white gold clasp set with an emerald and diamonds. 42cm. £3,000-4,000 Accompanied with report number 06102 dated 15th August 2012 from The Gem and Pearl Laboratory (London) stating that the 81 pearls graduate from 2.5-2.6 to 7.1-7.3 and are natural saltwater pearls. The necklace weighs 9.52g (including clasp).

1852. A graduated two row pearl necklace, the pearls graduate from 3.6 - 8.5mm. The platinum clasp set with a triangular cut and small circular diamonds. 46cm. £20,000-30,000 Accompanied with report number 07260 dated 26th February 2013 from The Gem and Pearl Laboratory (London) stating that the 81 and 85 pearls graduate from 3.6 to 8.5mm and are natural saltwater pearls. The necklace weighs 38.38g (including clasp).

1853. A single row graduated pearl necklace, the pearls graduate from 2.8 to 7.6mm. With a ruby and diamond set platinum clasp. 55cm. £3,000-4,000 Accompanied with report number 07125 dated 29th January 2013 from The Gem and Pearl Laboratory (London) stating that the 103 pearls graduate from 2.9 to 7.6mm and are natural saltwater pearls. The necklace weighs 15.33g (including clasp).

58

1843

1844

1845

1846

1847

1853

1852

1848 1849 1850

1851

59

1854. A late George III diamond cluster ring, the seven principle cushion shaped diamonds are set in silver closed back mounts. With six smaller diamonds. Gold shank with stylised fleur-de-lys shoulders.

Size M. £400-500 1855. A sapphire and diamond five stone half hoop ring, set with three sapphires and two diamonds in gold. Carved shank. Size K. £500-700 1856. A late Victorian diamond riviére necklace, the circular old cut diamonds graduate to approximately 1.05cts and are alternately set with smaller circular cut diamonds. The remaining twelve principle diamonds weigh approximately 0.70, 0.69, 0.51, 0.46, 0.39, 0.28, 0.27, 0.26, 0.24, 0.17, 0.16, and 0.14cts. Silver and gold cut down colets with folding pendant loop to the principle diamond. The clasp set with two circular cut diamonds (one missing). 40cm long. Fitted case by The Goldsmiths and Silversmiths Company. £10,000-15,000 1857. A late Victorian diamond three stone ring, the centre old circular cut diamond weighs approximately 1.01cts and the two shoulder diamonds weigh approximately 1.25cts in total. Set with four smaller rose cut diamonds in yellow gold with carved shoulders (very worn). Size L 1/2. £2,000-2,500 1858. A gold signet ring, mounted with a navette shaped agate carved with a coat of arms. Six graduated cushion shaped diamonds to the shoulders. Size M. £300-400 1859. A George III diamond set brooch pendant, of circular pierced foliate form centred with a cushion shaped diamond and three larger pear shaped diamonds. Set overall with smaller cushion shaped diamonds in silver. Later gold pendant and brooch fittings. 3.8cm wide. £3,000-4,000 1860. A George III moss agate and garnet cluster ring, the oval moss agate cabochon is set within a surround of circular cut garnets in gold. Stylised fleur de lys shoulders and fluted underbezel, size J 1/2. £200-300 1861. An unusual early 19th Century gold ring mounted with a carnelian and gold minature amphora, engraved with a lyre to one side and an artist’s easel to the other, gold perforated detachable cover. Size I. £300-400 1862. A Victorian gold and micro mosaic locket pendant, in the form of an oil lamp. Depicting the dove of peace within a millefiori border and wheatsheaves below. Glazed locket compartment to the reverse with unidentified stamp of crossed keys. 3.3cm high. £500-700 1863. A late George III emerald and diamond cluster ring, the square shaped emerald is set within a surround of cushion shaped diamonds and closed back mount in silver and gold. Further diamonds to the bifurcated shoulders and fluted gold shank. Size M. £600-800 1864. A diamond three stone ring, the old circular brilliant cut diamonds weigh approximately 1.85cts in total and are set in platinum. Size M 1/2. £1,500-2,000 1865. A George III emerald seven stone ring, the seven foil backed rectangular cut emeralds are set in gold. With foliate carved shoulders size N. £200-300 1866. A pair of emerald and diamond cluster ear studs, the emerald cut emeralds set within a surround of old circular cut diamonds in gold. £2,400-2,600 1867. A late Victorian sapphire and diamond navette shaped ring, set with a central line of five sapphires within a surround of graduated cushion shaped diamonds. Set in 18ct gold with stylised fleurde-lys shoulders. Size O. £400-600 1868. A pair of George III emerald and diamond drop earrings, the articulated earrings are each set with emeralds and diamonds in silver and gold. One earring missing centre diamond pendant. Later fittings. 5.5cm long. Case. £1,200-1,500 1869. A George III ruby and seed pearl cluster brooch, set in gold. 1.2cm wide.

60

£400-600

1854

1857 1856

1855

1859

1858

1860

1862 1863

1861

1864

1865

1866 1868

1867

1869

61

1870. A ruby and diamond three stone ring, by Oscar Heyman, the pear shaped ruby is set between two triangular cut diamonds in yellow gold. Signed with OHB monogram. Numbered 21461. Size Q. £5,500-6,500

1871. A French ruby and diamond cross over ring, set with two rows of graduated circular cut diamonds to one side, and the other terminal with two rows of graduated rubies in platinum. Size P. £2,000-3,000

1872. A gold abstract form openwork brooch, centred with an asymmetrical cushion shaped diamond.

11g in total. £1,000-1,500

1873. A diamond and emerald flower head brooch by Cartier, centred with a cluster of circular emerald beads, each set with smaller emerald cabochon within a surround of smaller diamonds. The petals pavé set with graduated circular cut diamonds in platinum. Signed Cartier Paris, French control marks and numbered 00105, c.1935. 6cm wide. £10,000-15,000

1874. A gold and turquoise flower head brooch, the undulating and striated gold flower head is set with clusters of turquoise cabochons (one missing). London marks for 1958. 17g. 4cm wide. £400-600

1875. A stone set 18ct gold seahorse brooch by Stuart Devlin, with a circular green stone eye and set overall with small circular cut diamonds. Makers mark for Stuart Devlin and London marks for 1979. 5.5cm high. 12g. £300-400

1876. A pair of floral earrings, the leaf design gold earrings are each centred with a round circular cut diamond. £400-600

1877. A pair of 18ct white gold chrysanthemum style earrings, each centred with four small diamonds. £300-400

1878. A pair of diamond scroll and drop earrings, C1950. Set overall with graduated circular and baguette shaped diamonds in platinum. £4,000-5,000

1879. A pair of ruby and diamond stylised flowerhead earrings, the two centre round brilliant cut diamonds weigh approximately 2.14cts in total. Each set within five oval shaped rubies which weigh approximately 5.10cts in total (ten). Each earring set with a further four square, one baguette and one marquise shaped diamond in platinum. £10,000-15,000

1880. A ruby and diamond cluster ring, the round brilliant cut diamond weighs approximately 1.45cts and is set with four larger cushion shaped and four smaller circular cut rubies which weigh approximately 3.75cts. Set with a further eight square shaped diamonds in platinum. Size J. £6,000-8,000

62

1870

1871

1873

1872

1876 1874

1878 1875

1877

1879

1880

63

1881. A two row natural pearl necklace, the pearls graduate from 5.1 to 8.9mm. With a converted 18th Century octagonal cut emerald clasp, set in silver and gold within a rose cut diamond border. 40cm.

In Cartier centre opening case. £50,000-70,000 Accompanied with report number 07130 dated 1st February 2013 from The Gem and Pearl Laboratory (London) stating that the 49 and 53 pearls graduate from 5.1 to 8.9mm and are natural saltwater pearls. The necklace weighs 51.01g (including clasp).

Provenance: Previously the property of Major Maurice Pope of Ashwicke Hall and thence by descent to the present owner

1882. A pair of natural pearl and diamond drop earrings, each earring is mounted with a drop shaped drilled pearl mounted in a platinum cap pavé set with circular cut diamonds. Suspended from three articulated lines of six marquise shaped and three pear shaped diamonds. £75,000-100,000 Accompanied with report number 61524 dated 12th December 2011 from SSEF (Swiss Gemmological Institute) stating that the drop-shaped drilled pearls weigh: A: 16.439cts (65.76 grains) and measures 11.10 - 11.15 x 19.23mm B: 13.959cts (55.84 grains) and measures 9.87 - 10.71 x 18.02mm (Both weights include a metal piece and a diamond) The surface of pearl B has been partly worked.

1883. A four row graduated cultured pearl choker necklace, the pearls graduate from 3.0 to 4.8mm.

The centre detachable clasp is set with a circular cut sapphire within a surround of ten slightly oval shaped rubies and a further border of sixteen old circular cut diamonds in gold. The back of the choker mounted with an additional circular clasp set with a cluster of graduated cushion shaped diamonds within a surround of seed pearls. 34cm long. In fitted case by Garrard. £8,000-10,000 Provenance: This necklace has the same provenance as Lot 1896 and has had the original pearls replaced.

1883

64

1881

1882

1883

65

1884. A pair of Victorian diamond and untested pearl drop earrings, each pearl is set within a surround of graduated old brilliant cut diamonds and suspend from two smaller and one larger diamond.

The four principle diamonds weigh approximately 3.50cts in total. Set in silver and gold. £10,000-12,000

1885. A Victorian diamond set rivière necklace, each cushion shaped diamond is set in a silver and gold cut down collet. The sixty nine old cushion cut diamonds graduate to 1.15cts. The principle diamond with folding pendant loop. 39cm. Fitted case. £6,000-8,000

1886. A late Victorian diamond set brooch pendant, the centre old circular cut diamond weighs approximately 1.50cts and is set within a surround of eight smaller circular cut diamonds. £3,000-4,000

1887. A Victorian sapphire and diamond circular brooch, the circular closed back mounted sapphire is set within a surround of cushion shaped diamonds, within a border of further diamonds in silver and gold foliate mounts. With folding pendant loop. 2.7cm wide. £1,000-1,500

1888. A Victorian diamond set centre piece set with graduated cushion shaped diamonds to the silver and gold foliate mounts. 13.5cm. £1,500-2,000

1889. A late Victorian diamond set brooch, the centre old circular cut diamond weighs approximately 2.15cts. Set within a surround of smaller diamonds and a further border of larger circular cut diamond in silver and gold. £4,000-6,000

1890. An Edwardian diamond set bar brooch, millegrain set with a line of five graduated old circular cut diamonds and smaller diamonds in platinum and gold. The diamonds graduate to approximately 0.60cts. 7cm wide. £1,000-1,500

1891. A diamond set Royal Navy Crown brooch, millegrain set overall with graduated cushion shaped diamonds in platinum and gold. 4cm wide. Fine-link neck chain. £500-700

1892. A sapphire and diamond cluster ring, the circular cut sapphire is set within a surround of eight circular cut diamonds in silver and gold. Size P. £650-750

1893. A late Victorian sapphire and diamond five stone ring, set with three circular cut sapphires and two old brilliant cut diamonds in yellow gold. Set with eight rose cut pointer diamonds. Scroll carved shoulders. Size L 1/2. £2,000-3,000

1894. A diamond three stone ring, the three cushion shaped diamonds are set with six smaller rose cut diamonds in gold. The centre diamond weighs approximately 1.80cts and the two shoulder diamonds weigh 1.90cts in total. Carved shoulders. Size N 1/2. £2,000-3,000

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1884

1885

1887 1886

1888

1889

1890

1892

1891

1893

1894

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actual size

1895. âœŁ A Burmese ruby and diamond cluster ring, the oval shaped ruby weighs 6.88cts, and is set within a surround of fourteen round brilliant cut diamonds which weigh approximately 2.60cts in total.

White gold mount with scroll engraved shoulders. Size M 1/2. ÂŁ50,000-75,000 Accompanied with report number 66699 dated 11th February 2013 from SSEF (Swiss Gemmological Institute) stating that the antique cushion cut ruby measures 13.50 x 10.54 x 5.05mm, is red and of medium strong saturation with no indications of heating. Origin: Burma (Myanmar).

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1896. A Kashmir sapphire and diamond ring, the cushion shaped sapphire weighs 4.52cts and is set within a surround of old circular cut diamonds in platinum. Signed Garrard, London marks for 1998. Size N 1/2. ÂŁ50,000-75,000 Accompanied with report number 66689 dated 12th February 2013 from SSEF (Swiss Gemmological Institute) stating that the antique cushion cut sapphire weighs 4.524cts, is of blue colour with strong saturation, with no indication of heating. Origin: Kashmir.

And Accompanied with report number 1233262 dated 3rd April 1998 from The Gem Testing Laboratory of Great Britain stating that the origin of the natural sapphire is Kashmir.

actual size

Provenance: Purchased originally from Garrard by Richard Grosvenor, Viscount Belgrave, 2nd Marquess of Westminster ( 1795 - 1869 ) for his daughter, Lady Octavia Grosvenor, of Fonthill Old Abbey Estate. The ring was subsequently acquired by the current owner and re - modelled in 1998 by Garrard to more modern specifications.

To be sold with technical drawings from Garrard showing different ring styles for the re-modelling in 1998.

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Silver Tuesday 16th & Wednesday 17th April 2013

ENQUIRIES

A nineteenth century silver chamber stick.

Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk

Estimate: £1,000 - £1,500

Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

Porcelain, Pottery and Glass Tuesday 30th April 2013 We are currently accepting entries for this sale

ENQUIRIES Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

A rare ‘Sinner’ Toby jug, c.1800, 20cm high.

Estimate: £1,200 – £1,500 From a number of early and unusual Toby jugs included in the sale.

Asian Art Wednesday 22nd and Thursday 23rd May 2013

An extremely rare Chinese Imperial Beijing enamel, gold filigree and seven pearl ling yue, Yongzheng/Qianlong Provenance: from the collection of Luís Esteves Fernandes (1897-1988).

Estimate: £30,000 – £50,000

ENQUIRIES John Axford MRICS ASFAV Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

Sophie Lister Tel: +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Paintings Wednesday 5th June 2013 We are currently accepting entries for this sale

Chauncey Foster Ryder (American 1868-1949) Red House of Attica Signed, also signed and titled verso Oil on board 30 x 40cm Estimate: £700 – £1,000

ENQUIRIES Victor Fauvelle Tel: +44(0)1722 424503 victorfauvelle@woolleyandwallis.co.uk

Arts and Crafts Wednesday 19th June 2013 Closing date for entries 24th April

‘Flora’ a miniature by Joseph Edward Southall (1861-1944).

Estimate: £3,000 - £4,000

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Tribal Tuesday 2nd July 2013 We are currently accepting entries for this sale

A selection of Oceanic clubs.

ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

woo l le y & wA l li s Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Thursday 18th April 2013 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

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We do not accept American Express cards

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If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

AucTion cAlendAr SILVER 16th & 17th April 16th & 17th July Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 25th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 30th April Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk ASIAN ART 22nd & 23rd May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS 5th June Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20TH CENTURY DESIGN 19th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & TRIBAL ART 2nd July Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 24th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

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