Woolley & Wallis_Jewellery_January 2013 by Jamm Design Ltd

Woo l le y & Wa l li s SA L I S B U R Y SA L E R O O M S

Jewellery Thursday 24th January 2013

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

ASIAN ART John Axford MRICS ASFAV Sophie Lister Clare Durham Alex Doméracki Freya Yuan (Consultant) CLOCKS Will Hobbs Richard Price (Consultant)

424506 424591 424507 424506 424506

339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager) Ruth Pike

424500 424599

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham 424507 John Axford MRICS ASFAV 424506 Sophie Lister 424591

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood

FURNITURE Will Hobbs Mark Richards Jim Gale

339752 411854 339161

SALEROOM MANAGER David Jordan

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

PAINTINGS & BOOKS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

20TH CENTURY DESIGN Michael Jeffery

Members of The Society

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director Willi Verdon-Smith

FRICS FRSA

FRICS

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Janice Clift Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

Jewellery Thursday 24th January 2013 at 11.00am Viewing Times Saturday 19 January Monday 21 January Tuesday 22 January Wednesday 23 January Thursday 24 January

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Please note: The initials M.W. next to a lot number denotes that it is part of the collection of the late Michael Wellby.

Not all images are to scale. Most lots are illustrated and can be enlarged at www.woolleyandwallis.co.uk Weights and measurements in the catalogue are approximate only. Condition reports are available from the department but not on multiple lots. Saturday collections by appointment only. COLOURED STONES It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within TWO WEEKS of the sale date.

ENQUIRIES Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

Free internet bidding on all lots

Catalogue £10.00 (£12.00 by post) Front cover: Lot 1577 Inside front cover: Lot 1573 Above: Lot 1540 Back cover: Lot 1474

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

1200. A green leather jewellery casket with green velvet lining and Bramah lock with fitted pull out draw containing various items of jewellery etc including fob seals and two Arts and Crafts enamel plaques. £200-300

1201. A red leather box containing assorted amber pendants, assorted pertabghar brooches, a section of carved corals, a small desk seal and various items of costume jewellery etc. £100-150

1202. A jewellery box containing assorted jewellery and costume jewellery etc, including a gold framed sovereign pendant, a gold fob watch by The American Watch Company, with fitted case, some moonstone mounted jewellery, a Limoges enamel plaque mounted pendant and two cameo brooches. £400-600

1203. Various items of jewellery, costume jewellery etc, including a gold bangle, two gold rings, a gold locket pendant, a silver bladed mother of pearl fruit knife, a lapis lazuli necklace and two gold wristwatches. £500-700

1204. A collection of jewellery, costume jewellery etc, including a 9ct gold bangle, a cameo brooch, a pair of gilt metal drop earrings with filigree decoration, an agate desk seal, white paste stone set buckle, a pair of diamond set flower earrings, a citrine mounted gold brooch etc. £150-200

1205. A set of six buttons by P de Bryk, Birmingham import marks for 1906. A 9ct gold hinged bangle, assorted gold rings. A gold fob watch, a gold wristwatch, a carved shell cameo, and various other items of jewellery. £300-500

1206. A large quantity of unset stones, including rubelite, opal, sapphires, peridots, citrines, cultured pearls, rubies etc. £300-400 1207. Six hard cover jewellery related reference books, including the Melvin Gutman collection of Renaissance jewels and jeweled objects. Der Mainzer Goldschmuck Der Kaiserin Gisela, (Pre-Renaissance Jewels). Geoffrey Munn, Tiaras, A History of Splendor, Diana Scarisbrick. Jewellery in Britain 1066-1837, Richard Falkiner. Investing in Antique Jewellery. MDS Lewis, Antique paste jewellery. In paperback form George Kunz, Rings for the Finger. Diana Scarisbrick, Tudor and Jacobean Jewellery. Peter Hinks, Jewellery. Gerald Taylor and Diana Scarisbrick, Finger Rings. Christies catalogue of the Ralph Colin collection of antique jewellery, New York 1995. The Burghley House collection of objects of Vertu. A catalogue of The Arnold Lulls book of jewels and the Court Jewellers of Queen Anne of Denmark. £80-120 1206

1207

1208. Assorted gem stones, including amethysts, two large and four smaller green quartz, a large emerald cut smoky quartz and twelve smaller smoky quartz stones. Cabochon garnets, foliate carved citrines etc. £100-150

1209. A diamond solitaire ring set in gold, a gold ring set with five opals, an aquamarine ring set within a surround of seed pearls in gold, a gold brooch mounted with an oval section of gold bearing quartz within two rows of seed pearls and with matching earrings, a lady’s gold wristwatch, a gold mounted banded agate pendant with stylised snake frame, a George III brooch set with two cushion shaped diamonds within two surrounds of red stones, eight further brooches and a wristwatch. £400-600

1210. An Indian filigree gold pendant, mounted with seed pearls with blue, green and white stones and suspended from a four row seed pearl necklace, a pair of cabochon emerald and diamond drop earrings, a stylised bird pendant formed from a carnelian bead with jade wings to the gold mounts, two turquoise mounted necklaces and various other items of jewellery etc. £200-300

1211. Eleven assorted rings, two Wedgwood plaque mounted brooches, a pair of Wedgwood mounted cuff links, an amber mounted meerschaum sheroot holder, cased. A paste set shoe buckle, a pendant watch, and a large lapis lazuli mounted brooch in a foliate silver mount etc. £400-600

1212. A pair of 9ct gold cufflinks, a silver albertina style bracelet with enamel floral side, a fob seal mounted with a carnelean and various other items of jewellery etc. £80-120

1213. Various loose gemstones, a card case, three items of jewellery, a set of Havard University buttons. The thirteen faceted black diamond beads weigh 20.04cts. The coloured and white diamonds weigh 13.63cts. £1,000-2,000

1214. A gold bracelet mounted with graduated oval shaped amethysts, a silver bracelet formed with enamel panels depicting Viking ships, landscapes and mosse, marked Norway and 830S, 19cm. A ladies gold wristwatch with gold band and four further pendants and two rings. £200-300

1215. An early 20th Century gold bracelet, applied with six flower head panels set with pearls and joined with pearl set links. 17cm. A silver Tudor Rose style brooch, with enamel decoration. A seed pearl and enamel decorated gold ring. Three further brooches and five dress studs. £300-400

1216. A white gold circular brooch set with diamonds, two pendants of gaming interest, a gold ring mounted with a Limoges enamel plaque, a fob seal mounted with a Bachannalian character on a bear and other items of jewellery etc. £200-300

1217. A Victorian Etruscan revival gold brooch, set with quatrefoils of rubies and further pearls to the filigree decorated mount. 6cm wide. An Art Nouveau foliate gold brooch set with two rubies, with three further brooches and three pendants. £200-300

1218. A 9ct gold bracelet, two gilt metal neck chains, a wristwatch and a black South Sea pearl set leather bracelet with gold mounts, French control marks. £100-150

1219. A Victorian Etruscan style gold bar brooch, set with rubies, diamonds and centred with a pearl. Case. A pair of ruby and diamond cluster drop earrings, five rings, a section of gold curb link chain, a bar brooch and a T-bar. £300-400

1220. A gold bird brooch with enamel decoration, a 9ct gold ring mounted with a green cabochon stone, a gold floral brooch, a ladies Omega wristwatch with gold band, a 9ct gold pendant engraved with a bird on a gold rope link necklace, and a gold multi-link bracelet and a gentleman’s Omega wristwatch with quartz movement. £200-300

1221. A sapphire and diamond cluster ring, the oval shaped cabochon sapphire is set with small diamonds in white gold. Size M. Case. A diamond four stone ring, the four circular cut diamonds are set in gold. Case. A 9ct gold wristwatch by Omega with a 9ct integrated yellow gold band (damaged) and a diamond set foliate brooch in silver and gold. £400-600

1222. A gold foliate brooch set with a ruby and five small diamonds, a gold brooch formed as two owls perched on a bamboo bar, a gold stick pin mounted with a bird set with diamonds, two gold stick pins set with diamonds and two star form gold brooches. £200-300

1223. A cased pair of buckles mounted with fancy cut white paste stones, a cased pair of smaller white paste set silver buckles, Weir & Sons. And a larger oval silver buckle set with graduated circular white paste stones. £100-150

1224. A pair of 18ct gold cuff links, Chester marks for 1923. 15g. Fitted case by S. J. Phillips. And a cased set of six shell mounted dress studs and two cased sets of pearl mounted studs (one in S. J. Phillips case). £200-300

1225. A pair of 18ct gold cufflinks, engraved with crests and initials and seven further gold dress studs, cased. A cased set of gold, shell and enamel cufflinks (missing one pearl) with a matching set of four gold links (cased). And a 9ct gold RNLI medallion, cased. £200-300

1226. A Regency brooch mounted with jasper in a foliate frame, and three carved shell cameo brooches with gold mounts. £100-200

1227. A fox mask and riding crop brooch, the mask pavé set with rose cut diamonds and ruby eyes with realistically formed gold crop, fitted case. 3.5cm. And a gold bar brooch mounted with a flying duck with pearl body and enamel decoration. Fitted case. £80-120

1228. A late George III locket pendant, circular glazed centre piece containing hair and within two surrounds of graduated seed pearls. Hinged glazed locket compartment to the reverse, dated November 1804, 2.6cm wide, and a similar later gold and seed pearl locket pendant, the reverse compartment containing remnants of heather. £300-400

1229. A pair of sapphire and diamond set cluster ear studs, a gold ring set with a cabochon emerald and small diamonds, a gold ring set with three sapphires and four diamonds. A 22ct gold wedding ring, and two gold dress rings. £300-400

1230. A diamond set flower head cluster ring set in gold. Two five stone diamond rings set in gold and a gold wedding ring. £300-400

1231. A sapphire and diamond set triple cluster ring, set in 9ct gold. Size L½. A 9ct white gold ring set with six oval shaped sapphires and small diamonds, size L. A nine stone diamond cluster ring set in white gold, size L. And a 9ct white gold ring alternately set with circular and baguette shaped diamonds. £200-300

1232. An early 20th Century reverse carved crystal intaglio mounted gold ring, painted with the face of a terrier, size I. A Victorian green stone set 22ct gold ring with London marks for 1865, size O½. And a garnet and diamond set ring. £100-150

1233. A rectangular silver and gold compact by Boucheron, engraved and pierced cut card cover depicting birds and set with five rubies, centred to flower heads. Hinged mirror and cover to the powder section. Engine turned pattern overall. Fluted gold clasp. Signed Boucheron Paris and numbered 875012. 7.5cm wide. With black silk lined chamois leather case, marked for Boucheron Paris. £200-300

1234. A modern silver open bangle, with samorodok decoration. Maker MJT and London marks for 1993. 113g. £80-120

1235. A silver brooch by Georg Jensen, the circular brooch pierced with butterflies and foliage. 283. Signed to the reverse. 5.5cm wide. £150-250

1236. An Art Nouveau pendant, hinged and containing two mirrors and with flowers to each side with enamel decoration. 6.5cm high. An a silver pendant formed as a replica of an early watch and containing a modern watch movement, with chain necklace. £60-80

1237. A silver bird pendant, formed as a realistically engraved crane. Mounted with a large oval blister pearl. 8cm high. £100-150

1238. A silver buckle by Liberty, the ornate triangular form buckles are each centred with a circular malachite cabochon. Stamped for Liberty. Birmingham 1907. A pair of Liberty silver flower head earrings centred with a turquoise cabochon. Later earring mounts. £100-150

1239. A small gold Arts and Crafts open work quatrefoil brooch, set with five blister pearls, a silver heart shaped Arts and Crafts pendant centred with an oval shaped blister pearl on a fine link silver chain, an Arts and Crafts silver foliate bar brooch set with three moonstones, a silver foliate Art Nouveau brooch with damaged plique a jour enamel and paste stone decoration and two Arts and Crafts silver rings, one set with a pink stone, the other with a blister pearl. £100-150

1240. A pair of carved jade drop earrings suspending from silver mounts, a jade saddle ring, two pierced and carved jade rings. And a pair of carved and pierced white jade pendants incorporating white jade circular sections from the same stone. £200-300

1241. A carved lapis lazuli pendant, suspended from a lapis lazuli bead and damaged seed pearls. A carved blue agate pendant suspending from an agate bead and seed pearls. A carved carnelean pendant suspended from an agate bead and seed pearls. £100-200

1242. A diamond set gold stick pin, the large closed back rose cut diamond is set with smaller diamonds in silver. £100-150

1243. A gold stick pin mounted with a black pearl and diamond cluster, fitted case. And a gold stick pin with diamond set gold knot. Fitted case. £150-250

1244. A late Victorian fox mask stick pin, pavé set with rose cut diamonds and cabochon ruby eyes. Set in silver and gold with gold pin. Fitted case. £60-80

1245. A gold stick pin mounted with three unpolished diamonds. £200-300

1246. A fine link white gold neck chain, set with seed pearls. 39cm. £350-450

1247. A small star pendant, centred with an oval shaped ruby with blue enamel decoration and small diamonds set to the silver and gold points. 2cm wide. £150-250

1248. Of polo interest, a gold bangle mounted with two polo sticks with diamond set heads and an untested pearl polo ball to the centre. £400-600

1249. A silver pendant, with blue guillioche enamel decoration centred with a blister pearl and suspending an untested pearl. Marked for Birmingham 1911, Maker JA&S. £100-200

1250. An emerald and diamond pendant, the pear shaped emerald suspends from graduated diamonds millegrain set in white gold. £500-700

1251. A 1940s gold brooch, set with sapphires and diamonds, 15g in total. £200-300

1252. M.W. An 18th Century gilt metal foliate brooch, set with various white and coloured stones. 5.5cm long. £80-120

1253. An Edwardian foliate scroll brooch, set with a ruby and two diamonds within a green enamel circle, gold mounts. 4cm wide. Cased. £200-300

1254. A yellow and white gold winged cross pendant, set with an amethyst. 5.5cm high. £400-600

1255. A carved emerald, depicting the head of an Indian woman. 30.0cts. Cased. £100-150

1256. A realistically formed nail brooch, set with graduated rubies and diamonds in platinum and gold. 3.9cm long. £300-400

Accompanied with a Gemological Report.

1257. A graduated faceted citrine bead necklace, two seed pearl necklaces and a single row graduated untested pearl necklace. £200-300

1258. A single row untested pearl necklace, the pearls graduate from 3.03 to 5.90mm. 48cm. Barrel clasp. £200-300

1259. A single row graduated cultured pearl necklace, with a cabochon sapphire and diamond cluster clasp. £100-150

1260. A four row cultured pearl choker length necklace, the pearls graduate from 6.4 to 6.8mm. The 9ct gold clasp set with smaller cultured pearls and a large cushion shaped amethyst. £500-700

1261. A single row cultured pearl necklace, the pearls graduate from 6.5 - 9.92mm, broken clasp. A choker length single row cultured pearl necklace and a three row graduated choker length cultured pearl necklace with diamond set gold bow clasp. £100-150

1262. M.W. A 19th Century gold long guard chain, alternately mounted with plain and faceted circular links. Black enamel foliate decoration to the clasp. 24g. 96cm. £250-350

1263. A fancy link gold necklace, with extra section and turquoise cabochon set clasp, 49g. A lady’s gold wristwatch by The International Watch Company, on a gold bracelet, and a pair of cabochon garnet mounted gold earrings. A regency lozenge shaped gold locket pendant, centred with a glazed section of plaited hair within a border of small banded agate cabochons. Engraved to the reverse with two inscriptions dated 1828 and 1831. 3.2cm high. £1,000-1,500

1264. A gold twisted rope link bracelet, 33g. 20.5cm. £500-700

1265. A gold pendant, 14g.

1266. M.W. A French gold mesh purse, the frame set with calibre cut emeralds and centred with a circular cut diamond. Cabochon emerald set thumbpiece and engraved frame to the reverse. Signed Hartog, Paris. French control marks and numbered 39336. 3.5cm wide. £150-200

1267. An 18ct gold hinged bangle alternately set with small diamonds and sapphires, and an expanding gold bangle marked with a reverse swastika. 34g in total. £300-400

1268. A 15ct gold sovereign case, Birmingham marks. Engraved with initials and dated 1904. Plaited leather lanyard with gold swivel clip. The sovereign case 28g. £150-200

£100-150

1269. A 9ct gold ingot pendant, and an 18ct yellow gold chevron form necklace, 69g. £1,000-1,500

1270. A 9ct gold rectangular and folding container with engine turned pattern overall, on a snake link gold chain. 96g in total. £800-1,200

1271. A pair of 9ct gold oval form cuff links. Each link engraved with a crest. 17g. Fitted case by Garrard. £250-350

1272. A Krugerand, 1975. In gold frame and mounted as a pendant. £1,000-1,500

1273. A pair of fox mask gold cuff links, set with ruby eyes, case. £150-250

1274. Two pairs of 9ct gold cuff links, and four 9ct gold studs. With case. £100-150

1275. An elaborate open work brooch, set with graduated diamonds overall and with three pearls and four sapphires in silver and gold. Detachable brooch mount, 5cm high. £800-1,200

1276. A Victorian moss agate gold brooch, set with an oval section of moss agate with gold mounts and fitted case, with matching earrings. The brooch 3cm wide. £400-600

1277. A Victorian diamond solitaire ring, the 18ct yellow gold band is set with a cushion shaped diamond. Birmingham marks for 1867. Size S. Case. £150-200

1278. A carved shell cameo brooch, the large cameo depicting the winged figure Nyx carring her two sleeping children. The gold frame with Greek key pattern border. The cameo 6cm high. £400-500

1279. A gold brooch formed as three circles, set with three circular cut diamonds and red guilloche enamel decoration overall with white pellets. The brooch 3cm wide. Fitted case by Spink. £200-300

1280. A large carved shell cameo, depicting a religious scene and mounted in a gilt metal frame with pellet border. The cameo 9cm wide. £100-150

1281. A lapis lazuli bead necklace, with gilt metal textured spherical mounts and smaller plain beads. 53cm. £100-200

1282. An amber necklace, alternately formed with honey coloured cylindrical amber beads and smaller ivory beads 119g. A spherical amber bead necklace, 113g. And a smaller yellow amber bead necklace 49g. £200-300

1283. A pair of Victorian lapis lazuli and gold earrings in the Etruscan revival style, fine filigree decoration. Damaged with later suspension rings. 3.5cm high. And a pair of green paste and rose cut diamond set earrings. £100-200

1284. Six assorted bronze items of jewellery in the Roman style, including a bridge form brooch with enamel decoration and tortoise head terminals 4.8cm long. And a lozenge form brooch with mosaic decoration 5cm long. £400-600

1285. An amber necklace, each amber bead is separated with a gold rondel set with small diamonds. 47cm long. £600-800

1286. Six Roman style bronze brooches including a larger open work circular brooch, with enamel decoration to the centre section. 5cm wide. And a flower head style circular brooch with enamel decoration. 3cm wide. £400-600

1287. An amber necklace with a cannetille clasp. A graduated single row amber bead necklace. An amber bead necklace with a tassle of smaller beads and an ivory bead necklace with two larger horn beads and two engraved beads. With an ivory bead earring and two pairs of amber earrings. £200-300

1288. A collection of aigrette combs, including a large pierced tortoiseshell comb, a gilt metal foliate comb decorated with white paste stones and coloured stone centres to the flower heads. A hinged comb mounted with seven circular pique sections to the tortoiseshell comb and a pair of tortoiseshell combs with crescent form gilt metal sections. £100-200

1289. A turquoise and diamond necklace, formed as five graduated clusters of turquoise cabochons and rose cut diamonds suspending a larger turquoise and diamond pendant and with turquoise set swags, set in gold. 77g in total. £1,500-2,000

1290. A 19th Century suite of jewellery, encorporating Greek coins, comprising a fringe necklace, bangle, brooch and earrings. Gun mental with gold mounts. £600-800

1291. A single row coral bead sautoir, with a tassel of smaller coral beads to each terminal. 190cm. £200-300

1292. A single row graduated coral bead necklace, and a three row coral bead necklace with a rectangular two colour gold cannetille clasp. £100-200

1293. A large quantity of wristwatch movements, pocket watches and pocket watch movements. £80-120

1295. A 19th Century chatelaine and fob watch, the gold fob watch with blue enamel decoration and set with a diamond and pearls, damaged, and suspends from assorted gold chains with seed pearl set blue and white enamel decorated gold sections. With two seed pearl set tassels with blue and white enamel decoration (damaged). And suspending from a gilt metal brooch with seed pearl and enamel decoration. Cased. Accompanied with a hand written letter. £200-300

1296. M.W. A three colour gold hunting cased fob watch, by The American Watch Company, Waltham. White enamel dial with gold circled enamel Arabic numerals and signed white subsidiary seconds dial. The movement numbered 4521695. The engraved inner case dated 1892. The back case centred with a small diamond, on a fancy link gold chain. £300-400

1299. A lady’s tonneau shaped dress wristwatch, plain white dial with Arabic numerals, the bezel millegrain set with small diamonds and sections of black onyx to the platinum case. Black silk bank with French control marks to the gold clasp (loose winder). And a ladies 18ct white gold dress wristwatch set with diamonds. Mesh band. £150-200

1294. A substantial collection of pocket watch movements, wristwatches and wristwatch movements etc. £40-60

1297. Six assorted wristwatches including an Omega de Ville wristwatch, cased. £40-60

1298. Withdrawn

1300. A spinning fob seal with gold mount formed as two birds, a 9ct gold Masonic influence spinning fob seal and six further fob seals. £200-300

Jewellery Thursday 25th April 2013 Further entries are now being accepted for this sale

ENQUIRIES Marielle Whiting FGA Tel: 01722 424595 mariellewhiting@woolleyandwallis.co.uk

A cultured pearl choker necklace, with sapphire, ruby and diamond cluster clasp. To be sold Thursday 25th April 2013. Estimate: ÂŁ5,000 - ÂŁ7,000

1301. A tonneau shaped dress wristwatch by Boucheron, the dial with black Roman numerals and signed Boucheron Paris, loose minute hands. Mounted with a border of circular cut diamonds in platinum, the filigree shoulders set with two small diamonds. Cabochon sapphire thumbpiece and expanding band. The face 2.8cm high. £600-800 1302. A lady’s diamond set dress watch, the rectangular dial with Arabic and pellet numerals and signed Garrard, the bezel set with circular cut diamonds with further baguette shaped diamonds to the shoulders in a platinum case. The platinum band set overall with small circular cut diamonds and clusters of baguette shaped diamonds and signed Drayson. 17cm. With Garrard case. £800-1,200 Accompanied with receipt from Garrard & Co Ltd dated 20th November 1959 stating that the watch cost £850. 1303. A diamond set Art Deco lady’s dress wristwatch, engraved with initials to the reverse and dated for 1935, the movement signed Cobden. £500-700 1304. A jade desk clock by Cartier, the signed circular dial with luminous Arabic numerals and hands. Green and black enamel decoration to the chapter ring. The nephrite mount of quatrefoil form. The movement case signed Lemania Watch Co. 10.5cm wide. £300-400 1305. A lady’s silver gilt tank wristwatch by Must de Cartier, the signed three colour gold dial with black Roman numerals, with papers. £100-150 1306. A silver ball watch pendant. Decorated with blue guilloché enamel. Sapphire winder. Glass missing. £60-80 1307. A gold wristwatch by Rolex, the signed white dial applied with four Arabic numerals and batton numerals. Centre sweep seconds hand and date aperture at 3. Precision. Automatic winding. The back with presentation inscription dated 1955. The dial 2.7cm wide. £300-400 1308. A gold Rolex wristwatch, with faded Roman numerals and very faint signature to the dial. Subsidiary seconds dial. Engraved to the reverse with presentation inscription dated 1931. 3cm wide (total). £300-400 1309. A lady’s Art Deco wristwatch by Rolex, the signed dial with Arabic numerals at 12 and 6. Geometric decoration and numbered 1730, the movement signed Rolex Princess, 17 rubies. Signed white gold case. Black cord band. £100-150 1310. A lady’s diamond set dress wristwatch, the plain oval dial with black graduated Arabic numerals, the movement signed Vertex W Co. Platinum case. Diamond set bezel and stylised palmette shoulder. Black chord band. Loose glass. £400-600 1311. A gentleman’s steel wristwatch by Hermes, the plain signed dial with outer chapter ring of luminous Roman numerals and numerous hands. Subsidiary seconds dial at 6. The reverse mark Fond Acier Inoxydable 5385 36 4008. Manual winding. Associated leather band. £100-150 1312. A gentleman’s gold wristwatch, by Piaget and Cartier. The oval shaped dial with black Roman numerals and signed Piaget and Cartier. Automatic movement. The case numbered 12502 and 177585. Brown leather band. £800-1,200 With original receipt from S. J. Phillips. 1313. A lady’s gold wristwatch by Rolex, the signed square face marked Precision, the movement signed Montres Rolex. 17 jewels. Case stamped 18k and numbered 8790. The band formed with conjoined gold cylinders. 18cm. £2,500-3,000 1314. A steel Reverso wristwatch, by Jaeger-LeCoultre, C1935. Manual winding. Signed black dial with remains of luminescent baton numerals and Arabic 12. Subsidiary seconds dial at 6. Fluted shoulders and swept lugs. Back numbered 13008, Patent, Acer Stay Brite. Dial 2xm high. Black leather band. £3,000-4,000

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1301

1303 1302

1304

1305

1307

1306

1311

1308

1310 1309

1312

1313

1315. A diamond seven stone ring, the seven brilliant cut diamonds are set in 18ct yellow and white gold. Size O.

£250-350

1316. A ruby and diamond cross-over ring, set with a circular cut ruby and circular cut diamond to each terminal and with further diamonds to the shoulders in gold. Size P. £200-300 1317. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of cushion shaped diamonds. Size J. £150-250 1318. An aquamarine and diamond ring, the long emerald cut aquamarine is set with four small shoulder diamonds in white gold. Size N½. £200-300 1319. A ruby and diamond cluster ring, the circular cut ruby is set within a surround of small diamond in yellow gold. Size Q½.

£300-400

1320. A diamond eternity ring, set with round brilliant cut diamonds in platinum. Size O.

£450-550

1321. A ruby and diamond cluster ring, the oval shaped ruby is millegrain set within a surround of circular cut diamonds in white gold. Size L. £2,000-3,000 1322. A bloodstone and gold signet ring, the navette shaped bloodstone engraved with initials. Size P½.

£150-200

1323. A diamond solitaire ring, the round brilliant cut diamond weighs approximately 1.15cts and is set in yellow and white gold. With re-sizing jacket. Size J. £1,500-2,000 1324. A diamond three stone ring, the three old circular brilliant cut diamonds weigh approximately 1.50cts in total. Set in gold. Size N. £1,500-2,000 1325. A diamond five stone gypsy ring, the cushion shaped diamonds are set in gold. Size R½.

£150-250

1326. A diamond plaque ring, the emerald cut diamond is set within a surround of baguette shaped diamonds with two further shoulder baguette shaped diamonds in white gold. Size P. £900-1,200 1327. A diamond five stone ring, the five brilliant cut diamonds are set in white gold. Size M½.

£300-400

1328. A sapphire and diamond cluster ring, the emerald cut sapphire is set within a surround of round brilliant cut diamonds in white gold. Size M. £600-800 1329. A marquise shaped amethyst centred cluster ring, in gold. Size L½. An oval shaped amethyst and diamond cluster ring set in 9ct gold, size L. A pear shaped citrine mounted gold ring, size O½. And a 9ct gold cluster ring set with cultured pearls, size L. £200-300 1330. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of round brilliant cut diamonds in white gold, size O. £800-1,200 1331. A pearl and diamond cluster ring, the pearl is millegrain set within a surround of circular cut diamonds in gold. Size S.

£100-150

1332. An emerald and diamond ring, the emerald cut emerald is set with two baguette shaped shoulder diamonds in platinum. Size N½. £500-700 1333. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of graduated circular cut diamonds in white gold. Size O. £750-1,000 1334. An emerald and diamond three stone ring, the oval shaped emerald is set with two circular cut diamonds in white gold. Size O. £2,000-2,500 1335. An Art Deco style diamond ring, formed as five graduated lines, each millegrain set with circular cut diamonds and further eight shoulder diamonds in white gold. Size N½. £500-700 1336. An opal ring, the oval shaped solid black opal is set in gold. Size M½.

£300-400

1337. An Art Deco style sapphire and diamond ring, set with three lines of three circular cut diamonds and four calibre cut sapphires millegrain set in white gold. Six further shoulder diamonds. Size O. £700-900 1338. A diamond solitaire ring and wedding ring, the brilliant cut diamond weighs approximately 0.45cts and is set in platinum, size K½. Together with a platinum wedding ring, size L. £350-450 1339. A diamond solitaire ring, the emerald cut diamond weighs approximately 1.25cts and is set with eight baguette shaped shoulder diamonds in platinum with pierced foliate engraved shoulders. Size L½. £1,000-1,500 1340. A diamond cluster ring, set in white gold an platinum. Size L½.

£100-150

1341. An emerald and diamond cluster ring, the cushion shaped emerald is millegrain set within a surround of circular cut diamonds in platinum and white gold. Size N. £700-900 1342. A two stone diamond ring, the two round brilliant cut diamonds are set in platinum with baguette shaped shoulder diamonds. Size K½. £600-800

1315

1316

1317

1319

1325 1318 1320 1324

1321

1327

1326

1322

1328

1323

1330

1331

1332

1329(part

1333

1336

1334

1337

1335

1338

1339 1340

1341

1342

1343. A diamond and turquoise cluster brooch, circa 1960. Set overall with graduated turquoise cabochons, scrolls of baguette shaped diamonds and graduated circular cut diamonds in white gold. Applied with inventory number 86911. 5.5cm high. £2,000-3,000

1344. A suite of cabochon ruby and diamond jewellery, comprising a necklace pavé set with oval shaped rubies in yellow gold mounts within scroll design white gold mounts set with diamonds. With matching earrings, ring and bracelet. £5,000-7,000

1345. A gold hinged choker length necklace with shell form earrings, by Zolotas. 158g in total. £3,000-4,000

1346. A stylised sunflower brooch, centred with a large cabochon sapphire held within a border of graduated circular cut rubies with diamond set claws, graduated calibre cut rubies to the petals and stem, two petals with diamond tips. £3,000-4,000

1344

1343

1345

1346

1347. A diamond solitaire ring, the old circular brilliant cut diamond is set with three small diamonds to each shoulder in platinum. Size O. £700-900 1348. A diamond solitaire ring, the round brilliant cut diamond weighs approximately 0.95cts and is set in platinum. Size M.

£1,500-2,000

1349. A ruby and diamond cluster ring, the oval shaped ruby is set within a surround of circular cut diamonds in platinum and white gold. Size O. £300-400 1350. An emerald and diamond cluster ring, the emerald cut emerald is millegrain set within a surround of circular cut diamonds in gold. Size L. £200-300 1351. A gold ring, set with five untested half pearls. Size N½.

£200-300

1352. A sapphire and diamond set ring of three conjoined oval shapes, with an additional cabcohon sapphire. Size M½.

£250-350

1353. A diamond plaque ring, the centre circular cut diamond is set within a surround of smaller diamonds in white gold. Size L½. £600-800 1354. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of cushion shaped diamonds in platinum. Size Q. £500-700 1355. An emerald and diamond three stone ring, the emerald is set with two baguette shaped shoulder diamond in gold. Size N½. £300-400 1356. An emerald and diamond cluster ring, the oval shaped emerald is set within a surround of eight round brilliant cut diamonds in gold. Size P½. £2,000-2,500 1357. A 1940s gold ring, set with a cushion shaped aquamarine, size L½.

£850-1,000

1358. A diamond five stone ring, the five graduated circular cut diamonds are set in yellow gold. Size O½.

£500-700

1359. A diamond and sapphire set gold chequerboard ring, size O.

£300-400

1360. A star sapphire and diamond set cluster ring, the oval shaped grey/blue star sapphire is set within a surround of circular cut diamonds in white gold. Size O½. £800-1,200 1361. A sapphire and diamond three stone ring, the oval shaped sapphire is set with two circular cut diamonds in gold. Size P. £1,200-1,500 1362. An emerald and diamond ring, the square shaped emerald is set within a surround of four baguette shaped and four circular cut diamonds in white gold. Size O. £500-700 1363. A diamond three stone ring, the three old circular cut diamonds are set in gold. Size J.

£800-1,200

1364. A gold gypsy ring mounted with a pink, blue and yellow sapphire. Size N. A turquoise cabochon mounted gold ring with cushion shaped diamonds set to the border and pierced foliate shoulders. Size R½. And a cabochon ruby and diamond cluster ring, set in gold with dark red enamel decoration. Size I. £500-700 1365. A five stone diamond ring, the five graduated circular cut diamonds are millegrain set in white gold. Size N.

£1,500-2,000

1366. A diamond three stone ring, the three circular cut diamonds are set in white gold rub over mounts. French control marks. Size O. £300-400 1367. A sapphire and diamond cluster ring, the rectangular cut sapphire is millegrain set within a surround of circular cut diamonds in platinum and 18ct yellow gold. Size K½. £250-350 1368. A sapphire and diamond three stone ring, the circular cut sapphire is set with two old brilliant cut shoulder diamonds in gold with carved shoulders and six smaller diamonds. Size O½. £750-850 1369. A diamond five stone ring, set in gold. Size U.

£200-300

1370. A ruby and diamond cluster ring, the oval shaped ruby weighs approximately 3.00cts and is set within a surround of circular cut diamonds in white gold. Size O. £1,500-2,000 1371. A diamond three stone ring, the three brilliant cut diamonds weigh approximately 1.00cts in total and are set in 18ct yellow gold. Size N. £600-800 1372. A sapphire and diamond three stone ring by Theo Fennell, the oval shaped sapphire is set with two triangular shaped shoulder diamonds in 18ct gold. With conforming 18ct gold wedding ring. Theo Fennell case. Both size M½. £500-700 1373. A diamond cluster ring, the circular cut diamonds are millegrain set in white gold. Size N.

£400-600

1347

1348

1349

1350

1351 1353 1352

1354

1355

1370

1358 1356

1357

1361

1359

1365

1363

1362

1360

1366

1364

1367

1364

1368

1369 1372

1371

1373

1374. A Russian miniature egg pendant, with yellow guilloche enamel decoration and a line of small round brilliant cut diamonds within black enamel borders. Modern Russian marks to the suspension ring. 1.5cm long. £250-350 1375. A rhodonite miniature egg pendant, the gold mount marked 56 and with rubbed initials. 1.8cm high. £100-150 1376. A pair of 18ct yellow gold cuff links, mounted with four reverse carved crystal intaglios painted with four vices. Represented by a horse and jockey, a bottle of Moet Chandon Champagne, a dancing girl, and four ace playing cards. £1,200-1,500 1377. A pair of diamond and rock crystal dress cufflinks by Cartier, the octagonal frosted crystal links are each applied with a circle of rose-cut diamonds in a millegrain taffeta style design. Gold mounts, signed Cartier Paris and assorted French control marks. £3,000-4,000 1378. A pair of 18ct gold cuff links, each oval link painted with a scantily clad girl in a provocative pose. Marked to the reverse CL 8163, London Ltd and with London marks for 1919. 1.8cm wide. £600-800 1379. A pair of gold cuff links, applied with four reverse carved crystal intaglios painted with three dogs and a wild boar. £1,000-1,500 1380. A 19th Century miniature desk seal, the chalcedony matrix engraved Amelia. The gold foliate mount decorated with polychrome enamel. 5cm high. £300-400 1381. A gold propelling pencil, cabochon ruby terminal within a surround of rose cut diamonds and two further rows of rose cut diamonds to the slide. French control mark. 5.5cm. £200-300 1382. A pair of reverse carved painted intaglio crystal dog cuff links, gold mounts (one link connection missing). One pair painted with greyhounds, the other with hounds. Cased. £1,200-1,500 1383. A pair of crystal and black onyx cuff links, the faceted cushion shaped crystal links are each centred with a cabochon black onyx and with gold mounts. £150-250 1384. A pair of Royal presentation cuff links, the oval links applied with the letter A, within Royal garter, motto and crown above. Cased by Plante. Accompanied with a signed photograph of King George VI and dated 1940. And with a letter. And a pair of Royal presentation cufflinks from Prince Henry, Duke of Gloucester. The octagonal links applied with the letter H within the Royal garter and motto, with red enamel decoration and crown above. Cased. £200-300 With a signed photograph and dated 1935. And a letter from the recipient explaining that the presentation was due to Captain Henderson's involvement in calming an altercation between the Duke of Gloucester and another. 1385. A pair of cabochon emerald cuff links, each gold cuff link set with two graduated oval shaped cabochon emeralds. £800-1,200 1386. A set of French cuff links and dress studs, all set with cushion shaped synthetic sapphires and mounted in gold. Sign Sulka with French control marks including makers lozenge with initials CG. Fitted case by Sulka. £600-800 Sulka was a sister shop to Dunhill and Cartier in New York. All owned by the Vendome Luxury Group. 1387. M.W. Fifteen yellow gold spherical pendants or buttons, each with fine granulated decoration. Probably early 19th Century. 1cm diameter. £500-700

1374

1375

1378

1376 1377

1382 1379

1380 1381

1385

1384 part

1383

1386

1387

1388. A George III flat garnet necklace, the graduated oval-shaped garnets with three pear-shaped garnets suspending from flowerhead clusters. £400-600

1389. A George III memorial pendant, the oval pendant with glazed compartments to the front and reverse, both with seed pearl initials EAK on plaited hair. Within a surround of blue guilloche enamel with gold stars. Within borders of white enamel pellets. Opening to reveal a glazed interior and with a note saying that it is the hair of Eleanor Anne Knox, died March 1790. 5.5cm high. £800-1,200

1390. A 19th Century unmounted well detailed carved shell cameo, depicting Hebe in her role as cupbearer to the Gods. 5.2cm high. £200-300

1391. A gold pendant in the Renaissance style, mounted with a cameo depicting a putti in a chariot drawn by two lions in polychrome enamel frame, with cabochon ruby with two pearls. Enamel decoration continued to the reverse. 7cm. £1,200-1,500

1392. M.W. A gold ring mounted with a carved amber cameo, depicting the head of a man with short curly hair. Size O½. £300-400

1393. A George III garnet necklace, the slightly graduated oval shaped garnets are set in gold. 41cm. £400-600

1394. M.W. A George III graduated flat rectangular cut garnet necklace, the graduated garnets are mounted in closed back gold cut down collets. 39cm. £600-800

1395. A large rectangular carved shell cameo. Depicting a well detailed hunt with a stag persued by horses and hounds. 9cm wide. £200-300

1396. M.W. A blue glass cameo brooch, depicitng a putti stooping to touch a butterfly. The gold scroll frame decorated with black and white enamel. 4cm high. £100-200

1397. An elaborate carved malachite cameo mounted brooch pendant, all in elaborate engraved foliate scroll frames. The main section carved with Jupiter and Juno with Mercury and the eagle. Medusa below between two nymphs. Detachable pendants. Full height 10.5cm high. Fitted case. £1,000-1,500

1398. A Victorian well detailed carved hardstone cameo pendant, depicting the profile of a woman in the classical manner with her hair tied up in a foliate head band. Gold pendant mount (brooch pin removed). The reverse of the brooch mount is dented. The cameo 3.7cm high. £400-600

1399. A carved hardstone cameo, depicting a Greek theatre mask after the satire Silenus. Gold mount. 2.2cm high. £350-450

1389

1390

1388

1393

1392

1391

1397

1394

1396

1395

1399 1398

1400. A French early 19th Century circular tortoiseshell box, the cover applied with a miniature painting of a scantily clad girl with short curling hair. Within pique border and similar decoration to the base. 8cm wide. £400-600

1401. A miniature portrait pendant, painted with a young lady wearing a white bonnet. Gold scroll frame with enamel decoration and alternately mounted with diamonds and pearls, locket compartment to the reverse. 5cm high. £100-200

1402. A mid 18th Century oval miniature portrait of a gentleman, wearing an elaborate wig with gold trimmed red clothes and white cravat. 4cm high. Mounted in gold as a brooch. £300-400

1403. A pendant formed with two ivory netsuke, the realistically formed fruit suspend from a fine link gold chain and a diamond set pendant loop. Fitted case by Vickery. £600-800

1404. A Japanese oval shakudo buckle. Depicting a man carrying wood and observing two cranes. 4.6cm high. £100-200

1405. A Japanese rectangular shakudo bar brooch, designed with two fans amongst foliage and birds. 6.7cm. £300-400

1406. A French early 19th Century circular tortoiseshell box, the cover applied with a miniature painting of a nude woman attempting to restrain a retreating lover. Within pique border and similar decoration to the base. 8.5cm wide. £400-600

1407. A gold bracelet mounted with five Japanese oval shaped shakudo plaques. The plaques depicting assorted natural scenes with a pheasant, frog, quail, pigeon and butterfly. 16cm. £3,000-4,000

1402

1400 1401

1403

1404

1406

1405

1407

1408. M.W. A pair of early 19th Century coral drop earrings, each pendant engraved with hatched pattern and suspends from a two colour gold foliate mount. 5.5cm high. £400-600

1409. An early 19th Century four row coral sautoir, with coral tassels to the terminals. 127cm long. With a matching pair of coral drop earrings, with gold cannetille mounts. The earrings 10.5cm. £500-700

1410. M.W. A five row coral bead bracelet, the square gold clasp with foliate niello decoration. 18cm long. £200-300

1411. A Roman 3rd Century style intaglio ring, the oval shaped carnelean depicting a seated ram. The hollow gold mount with twisted rope and pellet decoration. Size S. £300-400

1412. An ancient gold ring mounted with an oval shaped carnelean, possibly Roman. Size J. £200-300

1413. A carved carnelean intaglio ring, realistically carved as a lion in gold mount. Size O. £1,000-1,500

1414. A gold ring mounted with a carnelean intaglio in the Roman style, and a 3rd Century Xanthus style red glass intaglio. Later silver mount. £300-400

1415. M.W. An 18th Century diamond pendant, the centre rose cut diamond is set within two borders of smaller rose cut diamonds in a silver and gold closed back mount. 2.2cm wide. £300-400

1416. A small 18th Century silver brooch set with green and red stones, probably emeralds and rubies. A pair of late 18ct Century drop earrings set with white paste stones, a circular slide set with white paste stones. A Giardinetto brooch set with coloured paste flower heads and each centred with a marcasite and a blue and white paste set silver brooch. £200-300

1417. A 19th Century green and white paste bracelet, with matching drop earrings, and another pair of 19th Century pretty earrings set with green and white paste. £200-300

1418. M.W. An early 19th Century cut steel peacock brooch, applied overall with graduated blue enamel flower heads. 9cm long. Case by Harvey & Gore. £300-500

1419. A 19th Century paste ring, the plaque ring set with red white and blue paste stones in silver, size N. £200-300

1409

1408

1410

1411

1412

1413

1414 part

1418 1416 part

1417

1419 1415

1417

1420. A gold lion mask brooch, realistically formed with rose cut diamond eyes and holding a small pearl in its mouth. £100-150 1421. A 19th Century brooch modelled as a violin, realistically formed and pavé set with graduated circular cut diamonds. In silver and gold. 4cm. £1,000-1,500 1422. A Victorian pearl, emerald and diamond brooch, in the form of a stylised snowflake and centred with an octagonal cut emerald within a surround of pearls diamonds and further emeralds in silver and gold. Detachable pendant loop set with an emerald and two pearls. 4cm wide. £600-800 1423. A Victorian amethyst and diamond pendant, the pear shaped cabochon amethyst is mounted in gold with vacant heart shaped locket compartment to the reverse, surmounted with a diamond set cross and snake with ruby eyes, on a fine link gold chain. The pendant 5cm high. £2,500-3,500 1424. A gold bar brooch set with red stones, probably spinels. Fitted case.

£150-250

1425. A ruby, pearl and diamond cluster pendant brooch, the centre circular cut ruby is set within a surround of alternately set half pearls and cushion shaped diamonds in gold. £600-800 1426. A Regency gold comet brooch, set with a pear shaped garnet and with foliate scroll decoration. A Victorian amethyst and pearl cluster brooch, with fine wire work decoration. A Victorian gold circular brooch, the centre sphere with filigree decoration and with suspension loop to the reverse, applied with an unusual mark of three conjoined ‘H’s. £200-300 1427. A late George III oval gold brooch, centred with a glazed locket containing plaited hair and between two foliate carved small coral sections. A Regency gold cased locket pendant and two late George III gold brooches set with seed pearls and with plaited hair. £200-300 1428. An early 19th Century gold snake ring, realistically formed and decorated with green enamel in gold criss-cross cloisonne cells. Five small rose cut diamonds set to the head, with ruby eyes. Size L. £400-600 1429. An early 19th Century ruby and diamond five stone ring, set with three circular cut rubies and two old circular brilliant cut diamonds in yellow gold with carved shoulders. Size P½. £2,500-3,500 1430. An aesthetic movement gold bee brooch, set with stag teeth wings. 2.8cm long. And another aesthetic gold bee, realistically formed. 1.8cm high. £300-400 1431. A diamond triple cluster ring, the centre cushion shaped diamond is set in yellow gold with two pink diamonds, all within clusters of rose cut diamonds. Size O½. £800-1,200 1432. A ruby five stone ring, the graduated oval shaped rubies are set in gold with carved shoulders. Size P. £800-1,200 1433. A Victorian diamond set insect brooch, realistically formed and pavé set with rose cut diamonds, a cushion shaped diamond to the body and ruby eyes in silver and gold. 3.7cm wide. £1,500-1,800 1434. A gem-set DEAREST ring, set with the appropriate gem stones in gold, with filigree bifurcated shoulders. Size H½. £300-400 1435. An emerald and diamond five stone ring, set in gold with carved shoulders, size O.

£200-300

1436. A late Victorian opal and diamond half hoop ring, set with three oval shaped opals and four old circular cut diamonds in yellow gold with scroll pierced shoulders. Chester marks for 1900. Size L½. Case. £300-400 1437. A diamond set gold bee brooch with cabochon sapphire eyes.

£450-550

1420

1422

1421 1425

1423

1424

1426 part 1427 part

1430 1429 1428

1431 1432 1433 1437

1435

1436

1434

1438. An Arts and Crafts moonstone set silver brooch, the circular and pear shaped moonstone cabochons are set in a cruciform design on a scrolling silver frame set with smaller cabochon amethysts and chrysoprase. In the style of Sybil Dunlop. 5cm diameter. £600-800 1439. An Arts and Crafts style gold pendant, of scrolled design and suspending three baroque shaped pearls. Fine link gold neck chain. £80-120 1440. An Art Nouveau silver pendant by James Fenton, with light blue enamel decoration. Birmingham marks for 1909 and makers mark JF. 5cm high. On a fine link silver chain. £150-250 1441. An Arts and Crafts silver necklace, mounted with five graduated silver plaques with enamel decoration. Makers mark obscure but possibly JRR & Co. £200-300 1442. An Arts and Crafts silver pendant by Murrle Bennett & Co, with blue and green enamel decoration and counter enamel in blue. Fine link neck chain. The pendant 5cm high. £200-300 1443. An Edwardian shaded enamel brooch, centred with an oval shaped garnet within a border of four pearls and five small diamonds. Shaded enamel decoration to the foliate scroll frame. 3.3cm wide. £1,250-1,500 1444. An Arts and Crafts silver and enamel pendant by James Fenton, decorated with blue and green enamel, Birmingham marks for 1908. 2.5cm wide. £300-400 1445. M.W. A late Victorian gold circular fish brooch by Phillips Brothers, of circular form and formed with six fish with enamel decoration and set with seven circular cut sapphires. Applied to the reverse with Phillips Brothers monogram. 3cm wide. With case by Harvey & Gore. £600-800 1446. An Arts and Crafts brooch mounted with a turquoise matrix, of typical form with Birmingham marks for 1930 and makers marks MS. 3.3cm high. £100-150 1447. An Arts and Crafts silver and enamel pendant, the centre enamel plaque depicting a peacock on green and gold enamel ground. Mounted within foliate frame. Counter enamelled in Royal blue. Fine link chain necklace, the plaque 4cm high. £500-700 1448. An Edwardian pink tourmaline bar brooch, the oval shaped tourmaline is set within a foliate frame of rose cut diamonds and pearls. Cased by Mrs Newman. £150-200 1449. An amethyst and diamond pendant, the marquise shaped amethyst suspends from a mount set with small rose cut diamonds with fine link chain, case. £1,500-2,000 1450. An Edwardian pendant set with zircons and small diamonds, set in platinum and gold and suspended from a fancy link yellow gold neck chain. £350-450 1451. A pretty Edwardian emerald and diamond ring, the centre baguette shaped emerald is millegrain set with graduated circular cut diamonds and calibre cut emerald shoulders. Size K. £1,800-2,500 1452. A turquoise and gold bracelet by Liberty, alternately mounted with turquoise matrix cabochons and small turquoise cabochon centred foliate form links. 18ct yellow gold. 18.5cm. £400-600 1453. An early 20th Century gem set brooch, the stylised amphora pierced brooch is set with emeralds, sapphires, rubies and diamonds to the millegrain pierced platinum mounts. £1,650-1,800 1454. An emerald and diamond crossover ring, the old circular cut diamond is set with an emerald cut emerald in yellow gold, size N. £2,000-3,000 1455. A sapphire and diamond cluster ring, the baguette shaped sapphire is set within a surround of small diamonds and four square shaped sapphires to each corner in platinum. Size M. £450-550 1456. A duck brooch, mounted with an oval shaped cabochon moonstone and set with rose cut diamonds to the silver and gold body. Ruby eye. Cased by Carrington. 1.8cm wide. £700-900 1457. An Edwardian diamond cluster ring, centred with an old circular brilliant cut diamond millegrain set within a surround of smaller diamonds in platinum and white gold. Size L½. Case. £500-700 1458. An early 20th Century bow brooch, millegrain set overall with rose cut diamonds on a black velvet backing. 4.5cm wide.

£600-800

1459. An Edwardian diamond set bar brooch, with open work chevron decoration and millegrain set overall with graduated diamonds in platinum and gold. 6.5cm wide. £450-550 1460. A diamond bracelet, the centre cushion shaped diamond weighs approximatly 1.50cts and is set within shoulders of graduated circular cut and square shaped diamonds. The articulated foliate band set with further circular cut and a baguette shaped diamond. 15.8cm. £5,000-7,000 1461. An Art Deco diamond and black onyx bracelet, each panel millegrain set with an old circular cut and four single cut diamonds with calibre cut black onyx lozenges. Platinum. 18cm. Some sections of black onyx missing or damaged. £2,000-3,000

1439 1440

1438 1441

1444 1443 1442

1447 1445

1446

1451

1450 1448

1454

1449

1452

1453 1455

1457 1458

1459

1456

1460

1461

1462. A ruby and diamond double half hoop ring, set with six emerald cut rubies and eighteen baguette shaped diamonds in white gold. Size O. £2,500-3,500 1463. A multi-gem set long guard chain, gold ‘spectacle’ mounts. Damaged. 135cm.

£400-600

1464. A foliate brooch by Boucheron, formed as a Japonica sprig with ruby and diamond set flowers and green enamel decoration to the leaves, signed to the reverse with French control marks with London import marks for 1961. 6cm high. £500-700 1465. A citrine and diamond cluster ring in the style of Andrew Grima, the heart shaped citrine is set within a border of small circular cut diamonds in yellow gold with textured shank. Size O. £300-400 1466. A pair of emerald and diamond set gold earrings, of leaf form and each earring centred with a square shaped emerald between four round brilliant cut diamonds. Case. £1,500-2,000 1467. A yellow sapphire and diamond set gold pendant, the oval shaped sapphire weighs approximately 12.00cts and is set within a surround of old circular cut diamonds. £2,500-3,500 1468. A turquoise and diamond cluster ring by Chaumet, centred with a turquoise cabochon within a surround of alternately set kite shaped diamonds and smaller turquoise cabochons in yellow gold. Signed Chaumet Paris, size J. £500-700 1469. An emerald and diamond three stone ring, the square shaped emerald cut emerald weighs approximately 8.30cts and is set with two 'D' shaped shoulder diamonds in platinum. Size M. £10,000-15,000 1470. A pair of pink tourmaline set gold earrings, each gold earring is set with eleven graduated oval shaped rubelites. £1,200-1,500 1471. A yellow gold fine link long guard chain, mounted with spinels. Each mauve spinel is mounted in a ‘spectacle’ setting. 105cm. £4,500-5,500 1472. A pair of coral mounted gold earrings, each oval pink coral cabochon is mounted in a fluted gold surround. £1,000-1,500 1473. A French gold graduated fringe necklace, each link with filigree and ball decorations. 39cm. 23g. £250-350 1474. M.W. A pair of gold realistically formed wasp brooches, by Hermès. Textured bodies with black onyx eyes, black enamel stripes to the body and the wings engraved with veins. One signed Hermès Paris 86340 with French control marks, the other Hermès Paris 83043 with French control marks. Both 2.6cm long. £600-800 1475. An opal and diamond brooch, the circular solid opal displays a remarkable red flash and is set within two surrounds of circular cut diamonds in silver and gold. £5,000-7,000 1476. A diamond set figure of eight brooch, set with graduated circular cut diamonds in platinum, designed as the emblem for infinity. French control marks. 3.5cm wide. £800-1,200

1469

1467 1462

1468

1465

1466

1472

1464

1463

1470

1471

1475 1474 1473

1476

1477. A fancy linked gold long guard chain. The disc-shaped links with concentric grooves. 58g. 158cm. £1,000-1,500

1478. M.W. An early 19th Century gold long guard chain and matching bracelet, alternately formed with granulated and polished circular links and both with conforming spherical clasps. 53g (2). The chain 91cm, the bracelet 22cm. £500-700

1479. An antique topaz diamond and pearl cluster brooch, the oval shaped topaz is set within a surround of small diamonds and further border of half pearls in yellow gold. 3cm wide. £1,800-2,500

1480. M.W. A 19th Century gem set two colour gold brooch with patriotic inspiration. Formed as a shamrock, rose and thistle supporting a crown with enamel decoration. Set overall with emeralds, diamonds and rubies and pearl mounted thistle. Fitted case by D.S. Lavender. 4.5cm high. The crown is similar to St Edward’s crown used in all coronations and consequently the brooch was possibly used to celebrate one. £600-800

1481. M.W. A Regency gold long guard chain, the circular links with granulated decoration and small oval shaped aquamarines set to the cylindrical gold clasp. 42g. 117cm. £750-1,000

1482. A 19th Century continental gold long guard chain, with black and gold enamel decoration to the flat links. 100cm. £3,500-4,500

1483. An antique gold long guard chain, with gold slide and clenched hand clasp. Suspending a Regency gold mounted miniature portrait of a gentleman wearing a dark coat and white cravat, circa 1830. With a miniature gold fob seal and a carved amethyst pansy pendant. The chain 114cm. £500-700

1484. A George III style diamond set foliate brooch, formed as flexible leaves and flowers and centred with a circular cut diamond centred flower head mounted ‘en tremblant’. Set overall with graduated rose and circular cut diamonds in silver and gold. £1,500-2,000

1485. M.W. An antique emerald and diamond set pendant, the centre section is set with six emeralds and suspends from the articulated emerald and diamond set foliate scroll silver and gold frame. Set with further emeralds and diamonds, probably later detachable emerald set gold suspension loop. 6cm high. £600-800

1486. A pair of pink topaz drop earrings, foil backed in closed back gold mounts. Cased.

£500-700

1487. A pair of golden topaz drop earrings, the four graduated oval shaped topaz are set in gold. £1,400-1,600

1477 1478 part

1479

1478 part

1482 1483

1481

1480

1487

1484

1486

1485

1488. A black faïence scarab mounted gold ring, realistically formed with hyroglyphics to the reverse, the gold mount with wire work shoulders. Size M. £150-200 1489. A green faïence scarab mounted gold ring, realistically formed with hyroglyphics to the reverse, the gold mount with wire worked shoulders. Size M. £150-200 1490. A sapphire and diamond brooch, the cushion shaped sapphire is millegrain set within a surround of graduated circular cut diamonds and further diamonds to the shoulders. Set in platinum and gold. 5.5cm wide. £300-400 1491. An Edwardian circular foliate brooch, millegrain set with rose cut diamonds and small circular cut demantoid garnets in platinum and gold. 2.4cm wide. £100-150 1492. A demantoid garnet, diamond and cultured pearl pendant, millegrain set with graduated circular cut diamonds overall and suspending a pear shaped demantoid garnet and a cultured pearl. 6cm high. £1,000-2,000 1493. An amethyst and enamel gold pendant, the heart shaped amethyst is set within a white enamel border. 2.5cm wide. £500-700 1494. An attractive diamond set pendant, the principle circular old brilliant cut diamond suspends from a diamond set bow and garland mount which hangs from three lines of articulated and graduated circular cut diamonds. Millegrain set in platinum. 7cm high. £3,000-4,000 1495. A late Victorian amethyst and diamond pendant, the heart shaped amethyst is set in gold and silver within a foliate border of rose cut diamonds. Folding pendant loop. £400-600 1496. A diamond cross over ring, set with two round brilliant cut diamonds and four smaller baguette shaped shoulder diamonds in 18ct white gold. Case. The diamonds weigh approximately 1.50cts in total. Size M. £1,500-2,000 1497. An early 20th Century diamond and emerald cluster ring, the old circular brilliant cut diamond is millegrain set within a surround of calibre cut emeralds in platinum. The diamond weighs approximately 1.40cts. Size O½. £5,000-7,000 1498. A diamond cluster ring, set with twelve circular cut diamonds in platinum. Size O½. £1,200-1,500 1499. A diamond solitaire ring, the old circular cut diamond is set in platinum with two square shaped and four smaller circular cut diamonds to each shoulder. Size O. £2,000-3,000 1500. A diamond cross over ring, the two old circular cut diamonds weigh approximately 3.40cts in total. Set in white gold. Size K. £8,000-12,000 1501. A French gold open link bracelet, 14g. 19cm.

£200-300

1502. A French gold bracelet, the open work foliate links are each separated with a circular cut ruby. 18g. 19.5cm. £800-1,200 1503. An Edwardian diamond bracelet, the centre circular old brilliant cut diamond is set with graduated smaller diamonds in platinum. Expanding white gold band. Fitted case. £1,800-2,500 1504. A graduated diamond line bracelet, millegrain set in articulated platinum links. 18cm. £3,000-4,000

1488 1489

1490

1491 1495

1493 1492

1496

1494

1497

1499

1500

1498

1501

1502

1503

1504

1505. A jade pendant, the oval pierced and carved jade pendant suspends from a white gold mounted oval black onyx section applied with a diamond set Chinese motif. A carved and pierced jade centred white gold bar brooch, millegrain set with graduated diamond shoulders. £200-300 1506. A jade pendant, the pierced pendant with foliate carved decoration and suspended from a diamond set platinum bale, with inventory number 4030. The jade 3.5cm high. £800-1,200 Accompanied with report number 06221 from The Gem and Pearl Laboratory (London) dated 7th December 2012, stating that the mottled green jade measures 34.5 x 22.8 x 3.2mm, weighs 5.43g (total) and is jadeite jade with no evidence of treatment. 1507. A pair of carved and pierced white jade earrings in the form of recumbent youths.

£200-300

1508. M.W. A pair of carved jade drop earrings, designed as gourds. Gold mounts.

£200-300

1509. A pair of carved and pierced circular jade disc earrings, white gold mounts and a carved and pierced circular disc pendant carved with carp amongst lotus. 5.2cm wide. And a carved and pierced oval jade mounted white gold ring. £400-600 1510. A jade set bracelet with matching ring, the bracelet formed with four rectangular carved and pierced jade sections joined with millegrain set diamond white gold and platinum links. The conforming jade and diamond set platinum ring is size R. £600-800 1511. A paste set Art Deco style brooch, set with two oval jade cabochons and various other items of jewellery and costume jewellery etc. £300-400 1512. A jade and diamond pendant, the pierced jade pendant carved with stylised gourds. Suspended from a foliate mount millegrain set with graduated diamonds in platinum. On a fine link platinum chain. The jade pendant 4.5cm high. £3,000-4,000 1513. An Arts and Crafts jade and seed pearl ring, the oval jade cabochon is mounted with two seed pearls in a gold and silver filigree mount with foliate shoulders. Size N½. £200-300 1514. A pair of jade and diamond drop earrings, the oval jade cabochons suspend from three graduated baguette shaped diamonds and a single circular cut diamond in white gold. £3,000-4,000 Accompanied with report number 04673 from The Gem and Pearl Laboratory (London) dated 15th October 2011, stating that the jade measures 16, 17mm long x 11, 12mm wide x 5mm deep and is jadeite jade with no evidence of treatment. 1515. A pierced and carved jade pendant, suspended from a necklace of jade beads with gold chain. £400-600 1516. A jade and diamond ring, the oval jade cabochon is set within a surround of small diamonds in white gold. Size M½. £300-400 Accompanied with report number 9086-J from S. P. Yu Gem Testing Laboratory (Hong Kong) dated 3rd June 2003 stating that the jadeite jade measures 16.70 x 6.10mm and is natural type A jade. 1517. A pair of early 20th Century jade cuff links by Tiffany, the marquise shaped jade cabochons are mounted in platinum with engaved sides. Signed Tiffany & Co. Each link 1.4cm long. £2,500-3,500 Accompanied with report number 04672 from The Gem and Pearl Laboratory (London) dated 15th October 2011, stating that jade measures 13,14mm x 8,9mm x 4mm deep, weighs 8.72g (total weight) and is jadeite jade with no evidence of treatment. 1518. M.W. A Chinese gold brooch, depicting Shou Lao with deer and holding a ruyi scepter as an allegory of longevity. 15g. 4.7cm high. £300-400 1519. M.W. A Chinese gold three section puzzle ring in the form of a fede ring, with Chinese marks. 12g. A gold rope link necklace (15g) and an artificial pearl necklace. £100-150 1520. A single row graduated oval shaped amber bead necklace, the beads are alternately set with a colourless and two black faceted rondels. £200-300

1507

1505 part

1506

1505 part

1508

1509 part

1510 1511 part 1512

1514

1513

1515

1520 1516

1517

1519 part 1518

1521. An Edwardian circular gold brooch set with graduated seed pearls, 3.5cm wide. Fitted case. £700-900 1522. A two row cultured pearl necklace, the pearls graduate from 8.9 to 9.4mm. White gold clasp centred with a cultured pearl within a cluster of diamonds and lapiz lazuli sections. 50cm. Case. £800-1,200 1523. A pair of South Sea cultured pearl and diamond drop earrings, the pearls measure approximately 13.7mm wide and suspend from a diamond set stylised fleur-de-lys white gold mount. £2,000-3,000 1524. An Edwardian seed pearl necklace, set in yellow gold with three flower heads and graduated foliate pendants. Fitted case. £1,000-1,500 1525. A pair of natural pearl and diamond cluster earrings, each pearl is set within a surround of cushion shaped diamonds in silver and gold. £2,000-3,000 Accompanied with report number 05802 from The Gem and Pearl Laboratory (London) dated 8th June 2012 stating that the pearls measure 7.9 - 8.0 x 6.9mm,and 7.8 - 7.9mm, weigh 3.26cts (pearls), 8.78g (total) and are natural saltwater pearls. 1526. A 19th Century pearl and diamond pendant, mounted with half pearls and small diamonds on a fine link chain, case. £1,500-2,000 1527. A single row graduated natural pearl necklace, the pearls graduate from approximately 3.20 to 6.98mm. The white gold clasp millegrain set with three half pearls and eight circular cut diamonds. 50cm. £10,000-15,000 Accompanied with report number 06806 from The Gem and Pearl Laboratory (London) dated 1st December 2012, stating that the 95 pearls graduate from 3.2 - 3.4 to 6.8-6.9mm, weigh 14.51g (total) and are natural saltwater pearls with two bead-nucleated cultured pearls (2nd and 18th from catch end). 1528. A single row natural pearl necklace, the pearls graduate from 2.8 to 6.0mm. With diamond set clasp. 57cm. £600-800 Accompanied with report number 06807 from The Gem and Pearl Laboratory (London) dated 1st December 2012 stating that the 151 pearls graduate from 2.8 - 6.0mm, weigh 10.65g (total) and are natural saltwater pearls. 1529. A single row graduated natural pearl necklace, the pearls graduate from 2.6 to 5.0mm with an oval shaped emerald and diamond set silver and gold clasp. 44cm. £200-300 Accompanied with report number 06497 from The Gem and Pearl Laboratory (London) stating that the 110 pearls graduate from 2.6 - 4.6 - 5.0mm, weigh 8.59g (total) and are natural saltwater pearls. 1530. A single row natural pearl necklace, the pearls graduate from 1.4 to 6.0mm. Plain white gold barrel clasp. 39cm. £900-1,200 Accompanied with report number 06471 from The Gem and Pearl Laboratory (London) dated 12th October 2012 stating that the 155 pearls graduate from 1.3 - 6.1mm, weigh 5.42g (total) and are natural saltwater pearls. 1531. A graduated natural freshwater single row necklace, the pearls graduate from 3.7 to 11.5mm. The gold clasp is set with a baguette shaped emerald with three circular cut diamonds to the terminals. 42cm. £5,000-7,000 Accompanied with report number 03296 from The Gem and Pearl Laboratory (London) dated 15th October 2010 stating that the 65 pearls graduate from 3.6-3.7 - 11.3-11.6mm, weigh 8.59g (total) and are natural freshwater pearls.

1521

1523

1522

1524 1525 1526

1527

1528

1529

1530

1531

1532. A Victorian gold pendant brooch, the engraved strap form brooch set with graduated turquoise cabochons with gold chain festoons and supporting two engraved gold pendants, also set with turquoise cabochons. Fitted box. £600-800

1533. M.W. A Regency three colour gold brooch, with foliate and cannetille decoration overall and set with graduated turquoise cabochons. 5.5cm wide. £300-400

1534. M.W. A Regency dove brooch, pavé set overall with graduated seed pearls in gold. Pink coral eyes. 5cm long. £200-300

1535. A Victorian gold brooch, of foliate scroll form and set with five turquoise cabochons. With chain festoons and suspending two waisted pendants. Glazed locket compartment to the reverse containing plaited hair. Fitted box. £300-400

1536. M.W. A Victorian gold braclet, alternately mounted with oval and round clusters of turqoise cabochons, with matching gold earrings. Fitted case by Harvey & Gore. £600-800

1537. M.W. A Regency two colour gold barrel form slide, with cannetille decoration and set with turquoise cabochons. 1.9cm long. £200-300

1538. M.W. An antique Indian gem set gold pendant, the circular gold pendant is set with seven rose cut diamonds to one side. The reverse with enamel Hindi quotation from Bhagvad Gita, the Hindu Holy Book: Sri Bhagavate - The Father of creation which is unchangeable and permanent Namaha - I thank you and acknowledge this presence in my life. I ask for your guidance at all times. With polychrome decoration overall and suspending three clusters of rose cut diamonds and drop shaped pink and blue sapphires. 3.5cm wide. Later European fitted case. £600-800

1538 reverse

1539. M.W. A diamond set gold jewel, probably late 17th or early 18th Century. Of pierced foliate scroll form and set with graduated rectangular cut diamonds. Black enamel decoration. 5.5cm high. Case by Harvey & Gore. Possibly an enseigne or hat ornament. The diamonds, particularly the centre stone are of high quality. £600-800

1540. M.W. A Regency gem set gold butterfly brooch, the cannetille wings are set with opals, emeralds and rubies. Applied to the reverse with two glazed locket compartments containing plaited hair and the hinged covers both engraved HH 15 FEBy 1824. 3.4cm wide. £800-1,200

1541. M.W. A Regency gold bow form brooch, with cannetille decoration overall and set with pink stones (possibly topaz) and emeralds. Later brooch fitting. 4.3cm high. £300-500 Possibly originally part of a larger parure, Sotheby’s sale of the Wellby Collection, London, 11th December 2012, lot 77.

1533

1535

1532

1536

1534

1538

1537

1540 1539

1541

1542. A pair of diamond set bombe form earrings, centred with a flower head set with nine circular cut diamonds within a pierced border of further circular cut and triangular cut diamonds in white gold. Bearing the signature Cartier London. £5,000-7,000 1543. A diamond set bombe form ring, centred with a flower head set with nine circular cut diamonds within a pierced border of further circular cut and triangular cut diamonds in white gold. Size M½. £2,000-2,500 1544. A diamond pendant by Tiffany, the round brilliant cut diamond weighs approximately 0.38cts and is set in platinum, on a fine link platinum neck chain signed Tiffany. £400-600 With documentation from Tiffany stating that the diamond has F colour with VS1 clarity. 1545. A pear shaped aquamarine pendant, set in white gold with a fine link white gold neck chain. £1,000-1,500 1546. A pair of sapphire and diamond cluster earrings, each earring set with three oval shaped sapphires within a leaf form design set with circular and baguette shaped diamonds. Yellow and white gold. £800-1,200 1547. An unusual partly faceted section of a diamond, set with a smaller circular cut diamond with white gold mounts. £600-800 1548. A three stone ruby and diamond ring, the oval shaped ruby is set with two old round brilliant cut diamonds in platinum. Size O. £2,500-3,500 1549. A sapphire and diamond cluster ring, the oval shaped cabochon sapphire is set within a surround of circular cut diamonds in white gold. Size S. £5,000-7,000 Accompanied with report number 06036 from The Gem and Pearl Laboratory (London) dated 20th July 2012 stating that the sapphire measures 14-15 x 10-11 x 8.6mm deep, weighs 6.38g (total weight of ring) and is of Sri Lankan origin with no evidence of heat treatment. 1550. An unusual diamond set triple cluster pendant, pavé set overall with small circular cut diamonds. On a fine link neck chain. £1,500-2,000 1551. A tanzanite and diamond cluster ring, the emerald cut tanzanite weighs approximately 10.20cts and is set within a surround of circular cut diamonds in white gold. The diamonds weigh approximately 2.20cts in total. Size O½. £5,000-7,000 1552. A diamond three stone ring, the three Ascher cut diamonds weigh approximately 2.75cts in total and are set in platinum. Size O. £4,000-5,000 1553. A pearl and diamond three stone ring, the centre black pearl is set with two cushion shaped shoulder diamonds and six rose cut diamonds in yellow gold. Size L. £400-600 1554. An aquamarine and diamond brooch, the emerald cut aquamarine is set in an open work white gold mount set with graduated circular cut diamonds. Fitted case. £1,000-1,500 1555. A diamond solitaire ring, the emerald cut diamond weighs approximately 0.85cts and is set in 18ct white gold. Size O. £1,000-1,500 1556. An aquamarine ring, the large rectangular shaped aquamarine is set in white gold, size M. £1,200-1,500 1557. An emerald and diamond cluster ring by Cartier, the stylised foliate ring is centred with a square shaped emerald and circular brilliant cut diamond petals. Four smaller graduated diamonds to each shoulder. Signed initials JC and indistinct inventory number. Size M½. Cartier box. £500-700

1544

1546 1545

1542

1543 1547

1548

1552 1549

1551 1550

1553

1555

1554

1556

1557

1558. A sugar loaf shaped sapphire and diamond ring, the oval cabochon sapphire is set in white gold with six small shoulder diamonds. Marked with a control mark (probably French and remnants of inventory numbers). Size L. £1,000-2,000

1559. A pink tourmaline ring, set with a larger pear shaped, and three oval shaped pink tourmalines in gold, in a stylised cruciform mount. Size J. £600-800

1560. A peridot ring, the circular cut peridot is set in white gold with pierced basked underbezel. Size P. £600-800

1561. An emerald and diamond cluster ring, the slightly oval shaped rectangular emerald is set within a surround of small diamonds in platinum. Size O. £5,000-7,000

1562. A diamond set bow brooch, circa 1930. The realistically formed brooch pavé set overall with graduated round brilliant cut diamonds in platinum. 5cm wide. £5,000-7,000

1563. An Art Deco three stone fire opal ring, the baguette shaped centre opal is set with two kite shaped shoulder opals in platinum. Pierced gallery. Size O. £200-300

1564. A ring set with three sapphires, the three cushion shaped sapphires of different shades of pink. Simple white gold mount. Size L½. £800-1,200

1565. An early 20th Century lattice form diamond plaque brooch, centred with a round brilliant cut diamond and two rows of smaller diamonds to the shoulders. Within lattice form surround and a border of smaller diamonds. 6.5cm long. Case. £1,500-2,000

1566. A sapphire and diamond brooch by Cartier (Monture), the oval shaped sapphire weighs approximately 7.00cts and mounted within a trefoil frame set with graduated circular cut and baguette shaped diamonds in white gold. Signed Cartier, Monture and French control marks. 3.5cm high. £15,000-20,000 Accompanied with report number 05744 from The Gem and Pearl Laboratory (London) dated 25th May 2012, stating that the sapphire measures 12.98 x 10.95 x 5.30mm, weighs 7.11cts and is of Sri Lankan origin with no evidence of treatment.

1567. A diamond set falcon brooch, realistically formed with circular cut diamonds to the feathers and a pink cabochon eye. 4.5cm long. £700-900

1568. A pretty pair or Art Deco aquamarine and diamond drop earrings, the kite shaped aquamarines suspend from platinum mounts set with graduated circular cut diamonds, and baguette shaped diamond pendant, with further calibre cut sapphires. Fitted case. £3,000-5,000

1569. A pair of Art Deco zircon and diamond drop earrings, the emerald cut blue zircons suspend from pagoda style mounts millegrain set with graduated circular cut diamonds in platinum. 3.8cm high. £400-600

1559

1558

1560

1562

1563 1561

1564

1569

1568 1565

1567 1566

1570. A single row graduated natural pearl necklace, the seventy two pearls graduate from approximately 4.3 - 8.2mm. The platinum clasp is set with a marquise shaped diamond. 56cm. £15,000-20,000 Accompanied with report number 06286 from The Gem and Pearl Laboratory (London) dated 14th September 2012, stating that the 72 pearls graduate from 4.3 x 8.2-8.3mm, weigh 28.91g (total) and are natural saltwater pearls.

1571. A natural freshwater pearl and diamond ring, the slightly button shaped pearl measures 10.1 x 10.4mm diameter. Millegrain set within a surround of circular cut diamonds in platinum. Size M. £1,500-2,000 Accompanied with report number 2145070220 from GIA (Gemological Institute of America) dated 7th December 2011, stating that partially drilled pearl weighs 6.60cts (26.40 grains) and is a natural freshwater pearl. Button shaped with white body colour.

1572. A natural pearl and diamond ring, the pearl measures 11.90mm in diameter, set with eight small shoulder diamonds in platinum. Size K½. £5,000-10,000 Accompanied with report number 06446 from The Gem and Pearl Laboratory (London) dated 12th October 2012, stating that the button shaped pearl measures 11.2 - 12.0 x 10-11mm deep, and is a natural saltwater pearl.

1573. A single row natural pearl necklace, the pearls graduate from 2.9 to 7.7mm. The platinum clasp millegrain set with a marquise shaped emerald and small diamonds. Obscured inventory number engraved. Length 44cm. £15,000-20,000 Accompanied with report number 06808 from The Gem and Pearl Laboratory (London) dated 1st December 2012 stating that the 87 pearls graduate from 2.9 - 3.0 - 7.7mm, weigh 14.25g (total) and are natural saltwater pearls.

1572

1570

1571

1573

1574. M.W. A pair of Victorian gold earrings, each earring set with three emeralds and four cushion shaped diamonds. Engraved scroll mounts. Fitted case with trade label for Joseph Mayer of Liverpool. £1,000-1,500

1575 cased

1575. M.W. An early 19th Century amethyst rivière necklace with matching earrings, alternately mounted with oval shaped amethysts set in closed back cut down collets and small gold flower heads set with blue enamel decoration. Suspending a conforming amethyst set cruciform pendant and with matching amethyst and gold earrings. The necklace 38cm long. Fitted case. £1,000-1,500

1576. A Victorian diamond set foliate brooch, centred with an oval shaped diamond within a surround of smaller cushion shaped diamonds in silver and gold. 3cm wide. Fitted case. £2,000-3,000

1577. A Victorian diamond rivière necklace, with fifty four graduated diamonds. The twelve principle diamonds weigh approximately 12.00cts and graduate to approximately 1.95cts. Silver and gold cut down collets. Fitted case by Edwards of Glasgow. £20,000-30,000

1574

1575

1576 1577

Silver Tuesday 22nd & Wednesday 23rd January 2013

A Victorian silver trophy bowl, by Frederick Sibray and Job Hall, London 1887, inset with thirteen silver and silver-gilt rowing trophy medallions. Estimate: ÂŁ1,800 - ÂŁ2,500

ENQUIRIES rupertslingsby@woolleyandwallis.co.uk lucychalmers@woolleyandwallis.co.uk Tel: 01722 424501/594

Fine Porcelain & Pottery Tuesday 12th February 2013

ENQUIRIES Clare Durham Tel: 01722 424507 claredurham@woolleyandwallis.co.uk

A rare Worcester rococo-moulded bough pot, c.1757-58, painted with birds. From a private collection. Estimate: £8,000 – £12,000

Clarice Cliff & Art Deco Wednesday 27th February 2013 Closing date for entries is 16th January

The Top, a fine cold-painted bronze and ivory figure of a dancer, cast from a model by Professor Otto Poertzel. Estimate: £6,000 – £10,000

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Paintings Wednesday 13th March 2013 We are currently accepting entries for this sale

Thomas Faed RA (Scottish 1826-1900) The Letter Signed Oil on canvas, unframed 46 x 37cm; 18 x 14½in Estimate: £3,000 - £5,000

ENQUIRIES Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

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Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clientâ&#x20AC;&#x2122;s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

woo l le y & wa l li s Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Thursday 24th January 2013 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

aucTion calendar FURNITURE & WORKS OF ART 8th January 26th March 2nd July Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards 01722 411854 • markrichards@woolleyandwallis.co.uk SILVER 16th & 17th April 16th & 17th July Rupert Slingsby 01722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers 01722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 18th April 18th July Jonathan Edwards 01722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting 01722 424595 • mariellewhiting@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 12th February – Fine Pottery & Porcelain Clare Durham 01722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 27th February – Clarice Cliff & Art Deco 19th June – Arts & Crafts Michael Jeffery 01722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS & BOOKS 13th March 5th June Victor Fauvelle 01722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler 01722 424592 • jobutler@woolleyandwallis.co.uk CLOCKS, POCKET WATCHES & BAROMETERS 26th March Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Richard Price 01722 339752 • richardprice@woolleyandwallis.co.uk ASIAN ART 22nd & 23rd May John Axford 01722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister 01722 424591 • sophielister@woolleyandwallis.co.uk • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk