Woolley & Wallis

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery

Thursday 16th July 2015

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JEWELLERY

Thursday 16th July 2015 at 11.00am Viewing Times Saturday 11th July Monday 13th July Tuesday 14th July Wednesday 15th July Thursday 16th July

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00am 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

Front cover: Lot 1852 Back cover: Lot 1844 This page: Lot 1827 Page 3: Lot 1811 Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

LIVE BIDDING

Please register by 4pm Wednesday 15th July.

Please note there is a 3% + VAT surcharge for this service.

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

—

424505

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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424506 424591 424583 424589

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price (Consultant) — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE Mark Richards Jim Gale Anna Brown

— — —

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

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424504 424595

PAINTINGS Victor Fauvelle Jo Butler

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424503 424592

SILVER Rupert Slingsby Lucy Chalmers TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Gemma Bush

Members of The Society

— —

— —

424501 424594

339752 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

424500 424599

MARKETING Tamzin Corbett

—

424590

—

424500

—

424500

GENERAL OFFICE Sharon Ringwood Pauline West Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot.

These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life-sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

Saturday collections by appointment. 10.00am to 1.00pm

Lots marked with this symbol contain gemstones including rubies, sapphires and jade of Burmese origin and are not permitted for import by The United States of America.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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1500

1501

1500. A collection of nine books, catalogues etc, including: Ancient and Modern Gems and Jewels from the collection of Her Majesty The Queen, Kirsten Piacenti and John Boardman. Snake Charm, Marilyn Missenson and Susan Jonas. Victoria and Albert Museum Catalogue of Rings 1930, C. C. Oman. Christopher Dresser The Peoples Designer 1835 - 1904, Harry Lyons. Masterpieces of American Jewellery, Judith Price. Rock Crystal Treasures from Antiquity to Today, Sylvie Raulet and Alain Boucheron. The Derdura, Life and Work of a Master Jewellery, Patricia Corbett. Seaman Schepps, A Century of New York Jewellery Design, Amanda Vialle and Janet Zapata. Tiffany’s 150 years, John Loring. £100-200 1501. A collection of 31 books and catalogues, including: Christie’s sale catalogue, property of Her Royal Highness the Princess Margaret, Countess of Snowden, Volume One: Jewellery and Fabergé, London, June 2006. Sotheby’s sale catalogue, The Jewels of the Duchess of Windsor, Geneva 2nd and 3rd April 1987. Sotheby’s sale catalogue, the estate of Jacqueline Kennedy Onassis, 23rd - 26th April 1996. Codognato Hebey, Gold of the Zsars. Arnoldsche Royal Insignia, Stephen Patterson. Girls in Pearls, Claudia Lanfranconi. Antique Paste Jewellery, M. D. S. Lewis. The Metropolitan Museum of Art Jewellery, Bulfinch. Jewellery, Jack Ogden. Pre raphaelite to Arts and Crafts Jewellery, Charlotte Gere and Geoffrey Munn. Five Centuries of Jewellery - Sixteenth to 20th Century, Jan Lanllier and Marie-Anne Pini.

The Pearl, Sylvia Malaguzzi, etc. £100-200

1502

1502. A jewellery box containing a large quantity of costume jewellery etc, nineteen plain and stone set stone rings. 68g in total.

A pair of half sovereign earrings with gold mounts, a gold mounted sovereign pendant, a quantity of amber bead necklaces in a rectangular brown leather box. £800-1,200

1504

1503. A 19th century rosewood jewellery casket and writing box with brass furniture and Bramah lock, containing a leather pouch with a half sovereign. A 9ct gold curb link bracelet. 21g. A 9ct gold cable link necklace. 23g. A Victorian gold open lozenge link bracelet.

12g. A gold fancy link longuard chain. 46g. An Indian style gold stick pin, cased, and a large quantity of wristwatches, pocket watches and £400-600 costume jewellery etc.

4

1503

1504. A red leather jewellery case containing a 9ct gold propelling pencil, signed Mordan and Asprey. A gold fox mask brooch, a red stone set yellow gold envelope pendant containing an engraved gold note dated 1927, a George III flat garnet set gold closed back necklace (some garnets missing) and a diamond set blue enamel and gold lozenge shaped locket pendant, and a steel Omega Seamaster wristwatch. £200-300

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1505. A brown leather jewelley box with detachable tray, containing a graduated coral bead necklace, a carved coral cameo pendant and set with white paste stones, a gold and platinum bar brooch set with graduated rose cut diamonds, a peridot set gold bar brooch, two wristwatches, a seed pearl necklace and various other items. £200-300 1506. A black leather jewellery box with detachable tray and Bramah lock, containing a gold filigree brooch mounted with turquoise cabochons and seed pearls, a red stone and diamond set gold flowerhead brooch pendant, a silver and gold shoe charm pendant with blue enamel decoration (damaged), a silver and gold oak sprig brooch, set with diamonds and seed pearl acorns with green enamel decoration to the leaves, a turquoise set circular brooch etc. £400-600

1505

1506 1507. A green jewellery box containing various items of silver and gold jewellery, including a silver brooch with enamel decorated birds, a small silver brooch mounted with a miniature painting of an Indian palace, gold rings etc. £400-600 1508. A collection of jewellery, costume jewellery etc, including a ruby and diamond cluster ring set in platinum and gold, a gold signet ring mounted with a carnelian, gold feather brooch set with diamonds and coloured stones, a gold curb link charm bracelet mounted with assorted charms. 42g in total. £600-800 1507 1509. A small red jewellery box containing a sapphire and diamond set gold cluster ring, thirteen further stone-set gold rings, a gold bracelet alternatively mounted with pink and white stones. £200-300

1508 1509

5

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1510

1511 1510. A small jewellery case containing various items of jewellery etc, including a gold long oval link bracelet and centred with coloured stones, a gold flowerhead brooch, a gold swirling ring, set with three small diamonds, a gold revolver charm etc. £400-600 1511. Six assorted cultured pearl necklaces and a bracelet with extra pearls, a gold necklace mounted with three oval citrines, a gold spinning compass pendant, an early 19th century gold brooch, mounted with a large oval citrine, a diamond set textured gold bow brooch, a modern gold brooch formed with plain and textured oval sections, some mounted with diamonds, a Victorian double sided gold locket mounted with a carnelian and hard stone cameo and assorted brooches. £400-600

1512. A leather jewellery casket, containing two removable trays and with Bramah lock, including four 19th century piqué decorated tortoiseshell brooches, a pierced iron work brooch, three shell mounted pen knives with silver blades, a pierced gilt metal aide-mémoir with ivory pages, a large glass scent bottle with gold screw top (dented), a silver heart-shaped vesta case etc. £200-300 1513.

A quantity of gem stones and synthetic stones, including amethysts, citrines and garnets. £300-400 1514. Two gem-set gold giardinetto brooches, with another gem-set gold spray brooch. £600-800 1515. A large collection of oval shaped dark blue and particoloured sapphires, approximately 287cts in total, a pearl mounted jockey cap and riding crop gold bar brooch, a diamond set bar brooch, a two stone diamond set gold ring and a gold bracelet, four further brooches, a pendant and three rings. £300-400

1512

1514

1513 1515

6

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1517

1516

1518 1516. A pair of twisted gold and diamond earrings, a Victorian amethyst and seed pearl flowerhead brooch, a diamond set silver and gold cockerel stickpin, a pair of stylised gold ram’s head ear studs, a carved jade silver bracelet, a Victorian seed pearl and enamel gold brooch, a foliate enamel gold locket fob and a carved shell cameo. £200-300 1517. Various items of jewellery, including a metal intaglio ring depicting the battle of Trafalgar and engraved ‘England Expects Etc’, another metal intaglio depicting Nelson, a 18th century gold comet brooch, mounted with two garnets, a gold mounted intaglio ring depicting landscape, further antique rings, brooches, cameo bracelets and a green stone and tooth mounted elaborate silver eastern object. £200-300 1518. A large collection of jewellery, including a diamond set gold heart-shaped brooch, a garnet and seed pearl set gold ring, a amethyst and pearl set gold circular brooch (missing one pearl), a George III locket brooch set with two rows of seed pearls and turquoise cabochons in gold, a gold pendant mounted with butterfly wing, a diamond set gold knot stickpin etc. £300-400 1519. A gold curb-link bracelet with gold heart-shaped padlock clasp, three gold locket pendants, an amethyst mounted gold pendant, and various other items of gold jewellery, costume jewellery etc. £1,500-2,000

1519

1520. A rectangular cut sapphire and six white stone set gold rings, a heart-shaped gold brooch suspending a pearl set heart pendant and eight assorted brooches and a carnelian and blood stone set gold watch key. £400-600 1521. A pair of 18th century white paste mounted silver cufflinks, a silver cruciform pendant mounted with circular cut white paste stones, a pair of pear shaped white paste mounted drop earrings and various other items of paste set jewellery. £200-300 1522. A diamond set white gold bar brooch (converted), an aquamarine mounted gold bar brooch, a ladies diamond set wristwatch, a gold riding crop and horseshoe bar brooch, a gold and silver question mark stick pin set with small diamonds and a seed pearl, a stick pin mounted with a cabochon ruby and circular cut diamonds, a gold nugget stick pin set with a small yellow diamond and various items of jewellery etc £200-300

1520

1522 1521

7

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1525

1524

1523. A sapphire and six white stone set bracelet, the bracelet alternatively set with cushion shaped sapphires and pairs of white stones, a silver butterfly brooch with blue enamel decoration, an oval amethyst set gold pendant, a gemset butterfly brooch and a silver pendant. £300-400

1523

1524. A carved coral mounted gold ring depicting the head of a girl, an antique carved ivory plaque mounted silver ring depicting the profile of a lady with her hair tied up and wearing a necklace, a gold ring mounted with seven carved lava cameos (damaged), a bracelet mounted with eight carved coral cameos and a brooch mounted with three carved lava cameos. £100-150 1525. A gold hinged bangle alternatively set with circular cut sapphires and small diamonds. 17 grams. A cabochon green stone set gold ring with textured engraved decoration, a heart shaped cabochon amethyst mounted locket brooch, glazed locket compartment to the reverse, and a red stone set gold bar brooch. £500-700 1526. An Art Noveau silver pendant with blue enamel decoration and with fine link silver chain, an Edwardian hinged gold bangle set with graduated seed pearls, a gold bar brooch alternatively set with pearls and two turquoise cabochons, a silver fancy link neckchain and various items of jewellery etc. £150-250

1526

1527. An oval shaped sapphire and diamond set cluster ring, a gold ring set with three solid black opals, twenty one further assorted gold rings and a carved shell cameo gold pendant. £600-800 1528. A Regency gold REGARD brooch, set with appropriate gem stones, two early 19th century gem set gold brooches, one with glazed locket compartment to the reverse, a gold whistle pendant, a diamond set foliate white gold brooch and a diamond set silver and gold small closed crescent brooch. £400-600

1527

1529. A collection of antique jewellery and costume jewellery, including an early 19th century cannetille gold brooch centred with a turquoise cabochon within seed pearl surround and with matching earrings, a gold mounted enamel mask of a face wearing a black mask within a garnet border, a gold stick pin with pearl and diamond cluster, a gold heart-shaped pendant set with seed pearl and turquoise cabochons, a Victorian oval shaped citrine and cluster gold brooch, a gold ‘Little Mermaid’ charm pendant, a 9ct gold Gibraltar charm pendant, a George III white paste set cluster pendant, a gold pendant mounted with an oval shaped lapis lazuli section, a lady’s 9ct gold square shaped wristwatch by Omega with integrated 9ct gold band, a fancy link gold plated longuard chain, a fancy shaped smoky quartz mounted gold ring, a gold fob watch and various other items etc. £800-1,200

1528

8

1529

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1531 1530 1530. Assorted jewellery, including a pair of diamond-set scroll hoop earrings in white gold. Four fob seals, two pairs of earrings, nine pendants, a pair of cultured pearl earrings, a brooch and a gold half hoop bangle. £400-600 1531. A garnet-set cluster ring, a garnet-set open work scroll brooch with enamel decoration and matching bracelet, and an opal and ruby-set bracelet. £200-300 1532. Various items of gold jewellery etc, including a half sovereign, 1925, two gold signet rings and various chains, brooches etc. £300-400 1533. Three 18ct yellow gold gentleman’s signet rings and two 18ct yellow gold lady’s signet rings, each engraved with arms and with two boxes containing sealing wax and casts of two crests. 58g in total. £800-1,200 1534. Assorted jewellery including a seven stone diamond ring in 18ct white gold, six diamond solitaire rings set in yellow and white gold. Four diamond half hoop rings set in yellow and white gold, a pair of diamond-set white gold hinged earrings and two pairs of diamond-set stud earrings. A diamond-set white gold plaque pendant on fine-link gold chain, a diamond set dolphin pendant on fine-link gold chain, and another diamond set pendant on a fine link gold chain. £400-600 1535. Assorted jewellery, including twenty gold rings set with various stones, a pair of diamond-set lozenge-shaped white gold drop earrings, a pair of ladybird earrings decorated with enamel on gold and two pairs of emerald and diamond stud earrings set in gold. £400-600

1532

1533

1536. A gold mounted intaglio ring, depicting a seated man holding a skeleton, with seven further antique gold rings, a foliate carved and gold mounted oval ivory plaque bracelet. £400-600 1537. A diamond and demantoid garnet set 18ct gold cluster ring, Chester marks for 1908, size L, a Victorian garnet and seed pearl set 12ct gold ring, Chester marks, Size O ½, and twenty four further assorted gold rings. 89g in total. £600-800

1535

1534

1536

1537

9

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1538 1539

1538. A white gold half hoop ring set with two rows of brilliant cut diamonds, a sapphire and diamond 18ct gold cluster ring, a gold ring set with three sapphires and small diamonds and an 18ct yellow and white gold ring set with seven brilliant cut diamonds. £400-600 1539. Twenty seven assorted gold rings, each set diamonds or coloured stones, with two additional rings, fitted case. £300-400 1540. A diamond three stone ring, set in white gold. Size I ½.

A 9ct gold bracelet formed from a watch chain. 35g in total. A gold fancy link necklace. 21g. Nine assorted gold bangles. 38g in total.

A gold pierced fancy link bracelet. 12g. Two pairs of sapphire and diamond set gold earrings and two sapphire and diamond set gold pendants, and assorted jewellery. £800-1,200

1540

1541. A gold charm bracelet, the 9ct gold curb link bracelet £500-700 mounted with assorted gold charms. 60g in total.

1542. Two gold charm bracelets, the gold oval link bracelets mounted with assorted gold charms. 59g in total. £400-600 1541 1543. An anchor-link gold bracelet, two other gold bracelets, and two gold watch chains. 121g in total. £800-1,200 1542

1544. Three gold pendants, each mounted with a half sovereign and two with fine gold chains, three gold rings, each mounted with a sovereign, a half sovereign and a French ten franc gold coin, the gold pendant mounted with a sovereign with a fine gold chain, and a gold pendant mounted with a gold coin on a gold neckchain. 100g in total. £800-1,200

1545. A 9ct gold chianti flask charm, three gold rings, a pair of coral mounted gold earrings, a gold dog charm, a gold Jessica pendant and a gold brooch set with seed pearls. 20g in total. £200-300 1546. A 9ct gold twisted cylindrical link necklace, a 14ct gold textured link bracelet. With a diamond and seed pearl set pendant on a fine-link gold neck chain, a fine-link gold watch chain and a circular locket pendant on a fine link gold neck chain.

63g in total. £200-300 1543

10

1545 1544

1546

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1548

1549

1547

1547. A flat-link gold bracelet, and another curb-link gold bracelet. 53g in total. £300-400

1550

1548. A 9ct gold propelling pencil, maker's mark EB, Birmingham marks for 1928. 9.5cm extended. On a yellow and white gold fancy-link chain. £200-300 1549. A gold stylised double flower head brooch, the centres pavé set with a diamond within ruby surrounds. 8cm high. A pair £600-800 of diamond set yellow and white gold earrings.

1550. A Victorian gold bangle, the hinged bangle with scrolling foliate decoration. Rubbed marks to interior. 43g. £400-600

1551

1551. A diamond set gold Prince of Wales feathers brooch, engraved Ich Dien. 4.5cm high. £300-400 1552. A three colour 9ct gold engraved panel bracelet. 18cm.

31g. £250-350 1553. A diamond line bracelet, the seventy-one princess-cut £300-400 diamonds are set in yellow gold. 18.2cm long.

1554. A pair of 19th century gold filigree and purple paste earrings, the pear-shaped stones set within scrolling gold filigree surround. 5.2cm long. £100-200 1552

1553

1554

11

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1555

1556

1555. A pair of Regency gold amethyst and aquamarine drop earrings, the triangular aquamarine is set withing gold filigree scrolls and suspended from a smaller pear-shaped amethyst. 2.2cm long. £500-700

1557

1556. A pair of paste-set drop earrings in fitted case

by Mrs Newman, and a stone-set brooch pendant. £100-150 1557. A 9ct gold rectangular cigarette case, engraved with geometric pattern overall and initials WK, London marks for 1934 and engraved with inscription dated 1937. 7.5cm high. 125g. £600-800 1558. A gold compact with textured decoration. 6cm wide. 90g in total. £200-300 1559. A 9ct gold rectangular cigarette case, engine turned pattern overall and presentation inscription dated 1926. And similar 9ct gold match case. 80g and 28g. £600-800

1558

1560. A gold box in the form of a cat’s head and each eye set with a marquise shaped blue stone within a surround of blue diamonds. 3.8cm wide. 26g in total. £400-600

1560

12

1559

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1561 1562

1561. A sapphire and diamond cluster ring, the ovalshaped sapphire is set within a surround of graduated circular cut diamonds in gold. Size J. A broken ring set with five graduated circular-cut diamonds with two further rings, two broken rings and two graduated cultured pearl necklaces. £200-300 1562. A graduated opal bead single row necklace, the opals graduate from 4 to 11mm. £100-150

1563

1563. A two row cultured pearl necklace, the gold clasp set with smaller cultured pearls and circular-cut rubies. £100-150 1564. An graduated amber bead necklace. 84cm.

127g. £400-600 1565. A graduated circular amber bead necklace, with part artificial clasp, 62cm. 71g. Two abstract amber bead necklaces, 117g in total, and an opaque amber bead necklace, 34g. £1000-1500 1564 1566. A graduated amber bead necklace, 60cm. 28g in total. £200-300

1566

1565

13

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1567

1568

1569

1570

1567. A graduated amber bead necklace. 80cm. 66g.

£600-800

1568. Three graduated amber bead necklaces, 169g in total.

£200-300

1569. An amber bead necklace, 76cm, 96g.

£100-200

1570. A graduated amber bead necklace. 75cm. 77g.

£300-400

1571. An amber bead necklace, 46cm, 70g.

£200-300

1572. A graduated amber bead necklace, 100cm. 67g.

£500-700

1573. A graduated amber bead necklace. 70cm. 51g.

£300-400

1571

1572

14

1573

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1575 1574

1574. Three multi-strand faceted gem-stone necklaces.

38, 40 and 47 cm. £600-800 1575. A graduated amethyst bead necklace. 120cm. £100-200 1576. A Victorian Scottish claymore and shield brooch, stone set silver mounts and engraved with presentation inscription to the reverse dated 1867 and with registry lozenge mark. 9cm wide. £100-150

1576

1577. A lady’s gem set gold cocktail wristwatch, the circular textured gold dial with gold hands and with circularcut rubies and diamonds set to the bezel. 17.5cm. 62g in total. With Omega case. £600-800 1577

1578. A lady’s diamond-set gold dress wristwatch by Corum, the plain oval signed dial with diamond-set bezel and with an 18ct integrated yellow gold band. 15cm. 46g in total. £400-600 1579. A lady’s dress wristwatch, set overall with diamonds in platinum, black cord band. £200-300 1580. A diamond set gold pendant, the old circular-cut diamond is set in 18ct yellow gold on a fine link gold neck chain.

And a diamond three stone ring, set with graduated old cut diamonds in 18ct yellow gold. And with a yellow gold Victorian bracelet mounted with a mother of pearl portrait clasp. £600-800

1578

1580 1579

15

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1581 1583

1581. A carved nephrite chopping instrument. 11cm long. £80-120 1582

1582. A jade flower head set brooch, the carved jade flower head is centred with a small diamond and with seed pearls to the gold bar brooch. 6cm wide. And a jade-set gold brooch set with five jade cabochons. £200-300 Accompanied by report number 10487 dated 21st November 2014 from The Gem and Pearl Laboratory, London stating that four mottled green stones are jadeite jade with no evidnece of treatment observed.

1583. A gold brooch mounted with seven oval-shaped jade cabochons, the textured abstract form mount with a matching pair of jade cabochon mounted gold earrings. A set of three gold dress clips mounted with jade cabochons. And a tie tack. £400-600

1584 1584. A jade bead necklace, the graduated beads measure 4.5 - 9.3mm, with cabochon jade and seed pearl cluster clasp with Chinese writing to the reverse. 55cm long. £200-300 1585. An amethyst coloured paste doublet cameo brooch, depicting the profile of a woman with flowers to her hair, seed pearl border and mounted in gold. 3.5cm high. £200-300 1586. A 19th century carved carnelian cameo brooch, the ovalshaped cameo depicting a seated woman playing a lyre. Set in gold with seed pearl border. The cameo 2.8cm high. £600-800 1587. A loose circular brilliant cut diamond, weighing 0.40 carats. £300-400 1588. A late Victorian brooch, in the Etruscan manner and centred with a cushion-shaped diamond and two rubies.

4.6cm wide. £400-600 1585

1589. A small diamond set brooch, designed as the number 192333. 3cm wide. £200-300 1586

1587

16

1589 1588

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1590

1591 1590. A late Victorian diamond set floral and scroll brooch, the cushion-shaped diamonds are set in silver and gold. Case. £200-300 1591. A gold long guard chain, faceted oval links with gold swivel clip. 165cm. 47g. £300-400 1592. An Arts and Crafts bird pendant, the stork-like creature is centred with an oval-shaped amethyst and is set with emeralds and seed pearls with enamel decoration. £300-400 1593. A closed crescent brooch, set with graduated circular £300-400 cut diamonds in platinum and gold. 2.5cm wide.

1594. A Chinese filigree silver gilt hinged bracelet, mounted with three oval shaped ivory panels, each carved with a dancing lady. 17.8cm. £200-300 1595. An emerald and diamond set gold foliate brooch, set with graduated emerald-cut emeralds and circular-cut diamonds within textured white gold leaves. 6cm widest. £400-600

1592

1593

1594

1595

17

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1598

1597 1596

1596. A circular pierced gold flowerhead brooch, centred with a circular cut diamond within a surround of smaller rubies and diamonds, cased. £200-300 1597. A pair of peridot and diamond drop earrings, the pear shaped peridot suspended from small circular cut diamonds in gold. £200-300 1598. A pair of ruby and diamond cluster ear studs, each centred with an oval-shaped ruby within a surround of eight £400-600 circular cut diamonds in gold.

1600 1599

1599. A pair of ruby and diamond drop earrings, the ovalshaped rubies suspend from a round brilliant-cut diamond and five smaller diamonds in articulated white gold mounts.

3cm high. £800-1,200 1600. A pair of diamond earrings, each set with a round brilliant-cut diamond suspending a larger diamond in white gold. £500-700 1601. A pair of diamond cluster earrings, each earring set with a round brilliant cut diamond within a surround of smaller diamonds and millegrain set in white gold. £450-650

1601 1602

1602. A pair of diamond set yellow gold earrings. £300-400 1603. A diamond set gold full circle eternity ring. Size K ½.

With a diamond pendant on a fine link gold neck chain. £200-300 1604. A pair of diamond-set scroll earrings, set with matched circular-cut diamonds to the white gold triple scroll mount. £400-600

1604 1503

18

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1605 1606

1605. A circular Limoges enamel disk mounted silver brooch, and a circular silver brooch (damaged) painted with an enamel girl on red guilloche enamel background. £100-150 1606. A pair of cultured mabé pearl and diamond earrings, the blue/silver mabé pearls surmounted diamond set foliate decoration. White gold clip fittings. 2cm diameter. £100-150

1607

1607. A gold bracelet alternatively mounted with agate cabochons and textured cylindrical gold links, and an agate bracelet. £100-150 1608. A gold bracelet, alternately mounted with small circular cut diamonds and three square-shaped sapphires.

19cm. £300-400 1609. A Tiffany ‘Atlas’ collection necklace and matching bracelet, signed. The necklace 45cm. £200-300 1610. A flat curb link gold necklace, 38cm. 77g. £1,000-2,000 1608

1609

1610

19

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Jewellery is now being accepted for the 29th October 2015 sale

WW102-332 Listing_Layout 1 19/06/2015 15:01 Page 21

TO BE INCLUDED WITHIN THE AUCTION A Victorian brooch set with a 3.83 carat vivid fancy yellow diamond with GIA report.

Estimate: £50,000 - £70,000

ENQUIRIES Jonathan Edwards FGAA | Tel: +44 (0)1722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA | Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

WW102-332 Listing_Layout 1 19/06/2015 15:01 Page 22

1611. A diamond six stone ring (one diamond missing) the graduated round brilliant-cut diamonds are set in platinum and gold. Broken shank. £300-400 1612. A diamond solitaire ring, the round circular-cut diamond is set in platinum. Size P ½.

£200-300

1613. A sapphire and cluster ring, the oval shaped sapphire is set within a surround of twelve circular cut diamonds in gold. Size P. £300-400 1614. A diamond cluster ring, of rose form and set overall with graduated old circular-cut diamonds in gold. Size O. £500-800 1615. A diamond cluster ring, set with ten circular cut diamonds in platinum and gold. Size K ½. £200-300 1616. An amethyst ring, the large oval-shaped amethyst is set in gold. Size G (approximately). £200-300 1617. A diamond five stone half hoop ring, set with five round brilliant-cut diamonds in 18ct white gold.

London marks. Size O ½. £200-300 1618. A ruby and diamond set 18ct gold ring, millegrain set with three square-shaped rubies within a border of round brilliant-cut diamonds in white gold. Size O. £550-650 1619. A sapphire and diamond cluster ring, set in white gold. Size N.

£200-300

1620. A diamond set white gold ring, set with two round brilliant cut diamonds and seven smaller £850-1,250 diamonds to each shoulder. Size O ½.

1621. A ruby and diamond plaque ring, the emerald-cut ruby is set within a surround of baguette-shaped diamonds in white gold. Size O. £800-1,200 1622. An emerald and diamond-set three stone ring, the oval-shaped emerald is set with two circularcut diamonds in yellow gold. With four smaller diamonds. Size L ½. £400-600 1623. A cushion-shaped synthetic ruby mounted gold ring, size R.

£80-120

1624. A diamond solitaire ring, the old circular cut diamond is set in platinum and gold and weighs approximately 1.30cts. Size N ½. £400-600 1625. A diamond full circle eternity ring, set with square-shaped diamonds in white gold. Size L. £1,500-2,000 1626. A carved moonstone and diamond ‘man in the moon ring’, the circular carved moon is set with £300-400 round brilliant cut diamonds to the shoulders in white gold. Size P. 1627. A diamond three stone ring, the three round brilliant cut diamonds are set in gold with three smaller shoulder diamonds. Size O. £1,200-1,500 1628. A diamond-set five stone ring, the five graduated old circular-cut diamonds are set in yellow gold with scroll carved shoulders. Size N ½. £100-200 1629. An aquamarine and diamond cluster ring, the emerald cut aquamarine is set with circular-cut diamonds in white gold. Size O. £400-600 1630. A sapphire and diamond three stone ring, the square shaped sapphire set with two pear shaped shoulder diamonds, in 18ct white gold. Size M. £800-1,200

22

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1614 1611 1617

1624

1613 1623 1612 1622

1616 1627 1615 1621 1620 1629

1619

1618

1626

1625 1630 1628

23

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1631. An Indian pendant, the large pear-shaped pink tourmaline is set within a surround of diamonds in gold. With emerald bead pendant and suspended from a diamond and pearl-set gold upper section. Closed back gold mount with enamel decoration to the reverse. On a faceted emerald and cabochon pink tourmaline bead necklace. The pendant 10.5cm high. £600-800

1632. An Indian necklace with matching earrings, the gold pierced necklace set with a line of pearshaped pink tourmalines with borders of diamonds, all in closed back mounts with a fringe of pink tourmaline beads and elaborate enamel decoration to reverse. The matching gold earrings set with diamonds, pink tourmaline cabochons and seed pearls, with similar enamel decoration to the reverse. The main necklace section 14.5cm wide. The earrings 6cm long. £400-600

1633. An Indian gold bangle, with elephant head terminals and decorated overall with polychrome enamel. 5.5cm wide (internal). £600-800

1634. An 19th century Indian gem-set gold pendant, of crescent form supporting a flower head and centred with a table cut diamond, cabochon rubies, a cabochon emerald and pearls. 4.5cm high. Case by SJ Philips. £600-800

1635. An Indian gold square plaque necklace, each section centred with a pearl within two borders of turquoise cabochons with polychrome enamel decoration to the reverse and sides. Each joined with three rows of seed pearls. With a damaged gold pendant set with pearls, turquoise cabochon and enamel decoration to the reverse. £200-300

1636. An Indian gold longuard chain, the fine oval links are spaced with seven ovoid gold mounts and with enamel decoration and with four seed pearls, suspending an Islamic palm form gold locket pendant with enamel foliate decoration. 145cm. 49g in total £800-1,200

24

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1633

1632

1631

1634

1635

1636

25

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1637. A pair of sapphire and diamond-set cluster earrings, set with a centre cluster of circular-cut diamonds within a surround of sapphires and yellow diamonds and a further border of small circular-cut diamonds in white gold. 2cm wide. £800-1,200 1638. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 2.50cts and is set within a surround of smaller round brilliant-cut diamonds and with ten shoulder diamonds. 18ct white gold. Size M. £3,000-4,000 1639. Withdrawn 1640. A diamond set cluster ring, set with graduated round brilliant-cut diamonds to the heavily textured gold ring, size F.

£200-300

1641. A pair of diamond set gold drop earrings, signed Garrard.

£200-300

1642. A gentleman’s diamond set gold plaque ring, pavé set with sixteen circular-cut diamonds in 18ct yellow and white gold. Size T. £300-400 1643. A diamond half hoop ring, set with a line of graduated baguette-shaped diamonds within circular-cut diamonds in platinum. Size N. £2,500-3,000 1644. A sapphire and diamond-set ring, the pear-shaped cabochon sapphire weighs approximately 29.00cts, set in gold and platinum and pavé-set with rose-cut diamonds and small circular-cut sapphires. Engraved to the inside shank S 29.57 D 2.46. Size O. £10,000-12,000 1645. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 2.60cts and is set in 18ct gold. Size K.

£2,000-3,000

1646. A spinel and diamond cluster ring, the oval-shaped red spinel is set within a surround of round brilliant-cut diamonds in white gold.

Size L. £600-800 1647. A pair of diamond drop earrings, the circular-cut diamonds suspend from an articulated line of smaller diamonds in platinum. 2.6cm long. £5,000-7,000 Accompanied by report number 20021157 dated 10th December 2014 from Anchorcert, Birmingham stating that the round brilliant-cut diamond weighs 0.62cts with E colour VS2 clarity.

Accompanied by report number 20021163 dated 10th December 2014 from Anchorcert, Birmingham stating that the round brilliant-cut diamond weighs 0.61cts with E colour VS1 clarity.

1648. An 18ct gold ring watch by Bueche-Girod, with signed tiger’s eye dial. Size K.

£200-300

1649. A pair of yellow and white gold abstract form earrings, the white gold sections pavé set with matched circular diamonds. 3cm long. £600-800 1650. A ruby and diamond swirl cluster ring, set with graduated round brilliant-cut diamonds and marquise-shaped rubies in white gold.

Size K. £300-400 1651. An emerald, diamond and ruby ring, the pear-shaped emerald is set with a line of square-shaped rubies and pavé-set with round brilliant-cut diamonds in gold. Size M ½. £4,000-6,000 1652. A sapphire and diamond cluster ring, divided in two sections, one mounted with graduated round brilliant-cut and cushion-shaped diamonds, the other with sapphires and with circular cut diamond border. Pierced wirework mount. Size Q. £2,500-3,000 1653. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.45cts and is set in platinum with baguette-shaped shoulder sapphires. Size M ½. £3,000-4,000 1654. A tanzanite and diamond cluster ring, the oval-shaped tanzanite is set within surrounds of single-cut diamonds in white gold. Size M ½. £1,000-1,500 1655. A gem-set gold necklace, set with two rows of diamonds, sapphires, rubies and emeralds. With a flat curb-link gold neck chain. 40cm. £1,500-2,000 1656. A diamond set plaque brooch pendant, set overall with circular-cut, marquise and baguette-shaped diamonds in gold. Scroll pierced mounts. 5.5cm long. £600-800 1657. A diamond and emerald pendant, the kite-shaped diamond is set within a surround of calibré-cut emeralds, suspended from a frame set with calibré-cut diamonds and emeralds in white gold. 4cm high. £6,500-7,500 1658. A yellow gold fancy link bracelet, 20cm long. 58g.

26

£800-1,200

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1637 1638

1641 1640

1654

1642

1653 1643

1656

1652

1644

1651 1657

1645

1650 1646

1655

1649

1648

1658

1647

27

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1659. A sapphire and diamond cluster ring, the square-shaped sapphire is set in a surround of circularcut diamonds in white gold and platinum. Size M. £1,000-1,500 1660. A diamond five stone ring, set with five graduated circular-cut diamonds in gold with scroll carved shoulders in gold. Size O. £150-250 1661. A diamond and gem-set three row ring, the centre section set with five circular-cut diamonds £200-300 within borders of diamonds, rubies, emeralds and sapphires in gold. Size L. 1662. A ruby and diamond triple cluster ring, the oval-shaped rubies are set within a surround of small circular cut diamonds in gold. Size J. Case. £200-300 1663. A diamond five stone ring, the graduated cushion-shaped diamonds are set in gold. Size L. £400-600 1664. A cabochon sapphire and diamond ring, the slightly oval-shaped sapphire is set within borders of ten circular-cut diamonds in gold. Size N. £600-800 1665. A ruby and diamond ring, the oval-shaped ruby is set in white gold and platinum with small circularcut diamonds set to the V-form shoulders, size M ½. £1,000-1,500 1666. A diamond three stone cluster ring, the brilliant-cut diamonds weigh approximately 1.25ct in total and are set in white gold. Size N. £1,000-1,500 1667. A pink sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of round brilliant cut diamonds in 18ct white gold. Size N ½. £600-800 1668. A sapphire and diamond set half hoop ring, centred with an oval-shaped sapphire with ten round brilliant cut shoulder diamonds in gold. £200-300 1669. An amethyst and diamond ring, the large oval-shaped amethyst with circular-cut diamond-set shoulders in yellow gold. Size P ½. £200-300 1670. A diamond and sapphire three stone ring, the circular-cut diamond is set with two oval shaped sapphires, in gold. Size M. Boxed. £300-400 1671. A sapphire and diamond cluster ring, the circular-cut sapphire is millegrain set within a surround of ten smaller circular cut diamonds in platinum and gold. Size Q. £400-600 1672. A diamond cluster ring, set with round brilliant-cut diamonds in yellow and white gold. Size N. £900-1,200 1673. An emerald and diamond three stone ring, the oval-shaped emerald is set with two round brilliant cut diamonds in white gold. Size P ½. £600-800 1674. A diamond three stone ring, the three circular cut diamonds are set in platinum and gold. Size K ½. £400-600 1675. A diamond cluster ring, set with graduated brilliant-cut and baguette-shaped diamonds in white gold. Size O ½. £800-1,200 1676. A diamond soliatire ring, the brilliant-cut diamond weighs approximately 0.45cts and in set in yellow gold. Size L. £200-300

1677. A Burmese ruby and diamond half hoop ring, the oval-shaped ruby is set with four baguetteshaped diamonds in 18ct gold size M.

£400-600

Accompanied by report number 5775-1523 dated 5th March 2015 from GCS, London stating that the ovalshaped ruby weighs approximately 0.90 carats and is a natural ruby with no evidence of heating. Origin: Burma.

1678. A tanzanite and diamond ring, the emerald-cut tanzanite is set within a surround of circular and baguette-shaped diamonds in white gold. Size M. £400-600

28

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1659 1660 1666 1663 1661 1667

1662

1668 1664

1673 1665 1669 1670

1674 1671 1675 1676 1672

1677

1678

29

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1679. An Arts and Crafts pendant, set with blister pearls and three dyed chalcedony cabochons, of asymmetrical wirework and pellet form and suspended from a silver wirework necklace, the pendant 6cm high. £200-300 1680. An Art Deco turquoise and diamond-set gold oval pendant, of geometric design the large oval turquoise cabochon is set within concentric gold surrounds and a line of diamonds, suspended from a diamond-set circular pendant on fine link gold neck chain. Marked D.A probably for David Anderson and T. L-J 585. The pendant 5.3cm long, the chain 50cm long. £2,000-3,000 1681. An Art Nouveau pendant, depicting the profile of a girl’s head wearing a northern French hat, with blue enamel decoration to the pendant and signed E. Dropsy for Emile Dropsy, makers mark CL, on a silver oval link necklace, the pendant 6.5cm high. £200-300 1682. A pair of Arts and Crafts clip brooches in the style of Dorrie Nossiter, each mounted overall with graduated oval-shaped citrines, circular-cut rubies and pearls. Silver mounts. Each clip 5cm high. £1,000-1,500 1683. An early 20th century topaz, ruby and diamond ring by Mrs Newman. The oval-shaped topaz is set with four small circular-cut rubies and with graduated circular-cut diamonds set to the shoulders. White gold and platinum. Signed. Size R ½. £500-700 1684. An Art Nouveau Bonté carved horn insect pendant, with coloured highlights and suspending a blue stone cabochon pendant, on a brown fabric necklace with similar blue beads and two simulated agate beads. The pendant 10.5cm long. £300-400 1685. An Arts and Crafts silver pendant, set with an oval-shaped mother of pearl section within scrolling borders of smaller mother of pearl sections, pink tourmalines and green chalcedony pear-shaped cabochons, suspending further foliate scroll sections and a pear shaped mother of pearl drop. £900-1,200 1686. An Art Deco octagonal brooch by Ray Paelletier, depicting a woman with a dove, signed. Probably bronze. 4.5cm wide. £200-300 1687. A silver Kneeling Deer brooch by Georg Jensen, design no. 256, signed and London import mark 1974. 4.5cm wide. A silver circular bird brooch by Georg Jensen, design no. 134, signed and London import marks for 1975. 3cm wide. And a silver square form bird’s on a wheatsheaf brooch by Georg Jensen, design no. 250, signed with London import marks for 1947. 5cm wide. £400-600 1688. A French gold stickpin, depicting the profile of a woman wearing a winged helmet with a mistletoe border, signed Becker for Edmund Henri Becker, the reverse chased with mistletoe and stamped Fix. 1.5cm wide. £100-150 For similar design see pendant, Michael Poynder, Price Guide to Jewellery, plate 208, page 265.

A French Art Nouveau gold stickpin depicting a woman’s face wearing large earrings and her flowering hair forming the border, small diamond, French control mark and signed indistinctly but probably Janvier for Lucien. 1.2cm wide.

For similar pendant see Vivienne Becker, Art Nouveau Jewellery, plate 30.

1689. An Art Nouveau gold stickpin, depicting the profile of a young girl and set with a small diamond, French control mark and signed BF. 1.3cm wide. And a gold stickpin designed as a ribbon, decorated with peach coloured enamel and centred with a small circular cut diamond. 1.5cm high. £80-120 1690. An Arts and Crafts circular brooch, mounted with dyed chalcedony cabochons and with pierced foliate decoration, in the manner of Henry Murphy. 3.5cm wide. £100-150 1691. A French gold circular Art Nouveau locket pendant, depicting the profile of a girl wearing rosecut diamonds to her hair and necklace. Chased with foliate pattern to reverse. Sliding locket compartment.

Signed, probably Comte de’Epinay de Briort. C1900. 2cm wide. £150-200 For similar pendant see Becker, Art Nouveau Jewellery, plate 149.

30

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1679

1681 1680

1685 1683

1682

1687 part

1688

1686

1687 part

1689 1684

1690 1687 part

1691

31

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1692. A pair of moonstone cabochon cufflinks, set in platinum and gold.

£700-900

1693. A cased set of dress cufflinks and studs, of square octagonal form and centred with a small diamond on shell ground, in gold and platinum, comprising a pair of cufflinks, four larger dress studs and two smaller. £200-300 1694. A pair of bloodstone cufflinks, the carved circular bloodstone discs set with a central circular cut £400-600 ruby in yellow gold. Marked Trianon and 750. Each disc 1.2cm diameter.

1695. A gold mounted banded agate box, in the form of a casket with hinged cover. Probably 19th century. 5.5cm wide. £300-400 1696. A Regimental brooch for the Royal Flying Corps, the impressive brooch set overall with circular-cut diamonds in platinum and gold with enamel decoration. 9.5cm wide. Case. £800-1,200 1697. A diamond and sapphire set Royal Navy circular brooch, set in platinum and gold, (missing one sapphire). 2.1cm wide. £300-400 1698. An egg-shaped agate viniagrette, with gold mounts and grille and on a gold chain. The viniagrette 3m long, including bale. £900-1,200 1699. Seven assorted fob seals, including an early 19th century gold seal mounted with a puti seated on a casket, the carnelian matrix engraved with a sailing ship and the motto Dovunque Giroatemefido, 2cm high.

A George III stirrup form fob seal, the banded agate matrix engraved with a cockerel and wheatsheaf crest over initials and motto, 2.5cm high. A George III gold rectangular fob seal with snake body and the rectangular chalcedony matrix engraved Louisa, 2cm high. And three other fob seals. £600-800 1700. A small gold 19th century scent flask, painted with enamel doves to both sides and further blue enamel decoraion, the stopper connected with fine link chain. 2.5cm high. £100-150 1701. A lady’s steel and gold Panthere wristwatch by Cartier, signed square dial with secret signature at seven. With black Roman numerals, steel and gold band with Cartier deployant clasp. Quartz movement. £400-600 1702. A lady’s Art Deco diamond set platinum wristwatch, the rectangular silver dial with Arabic £200-300 numerals, with diamond-set hinged Greek pattern lugs.

1703. A gold and platinum diamond set Belle Époque enamel fob watch, the circular dial with Arabic numerals and decorated to the reverse with small diamonds on pink guilloche enamel ground. Suspending from a gold and platinum bow with small flowers and set overall with graduated circular and cushion£2,000-3,000 shaped diamonds.

1704 front 1704. A gold gem-set fob watch by Patek Philippe, the signed white enamel dial with blue Roman numerals and gold Arabic minute numerals. Gold scroll hands. Signed lever escapement and numbered 104532. Signed inner cover with repeated serial number. The cover with Patek Philippe maker’s mark and numbered 215959 to the interior. Pavé-set with seed pearls and turquoise cabochons to the reverse. Suspended from a gold quarterfoil brooch set with seed pearls and turquoise cabochons. Total height 6.5cm. Fitted case

by Carrington. £3,000-5,000

32

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1694

1693

1695 1692

1696

1697

1699 (7)

1698

1700

1703

1701

1702 1704

33

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1705. A 1940s gem-set floral brooch with matching earrings, set overall with rubies and diamonds in gold. 55g in total. With Boucheron case. £800-1,200 1706. An 18ct gold flower head brooch, centred with a cluster of seed pearls, marked for Garrard, with similar earrings. 32g total. £300-400 1707. A diamond and ruby-set Odeonesque ring, C1940, set with round brilliant-cut diamonds and £800-1,200 baguette-shaped diamonds and rubies in gold.

1708. A pair of ruby and diamond set gold floral earrings, the stylised flowers set with circular and calibré-cut rubies and a central diamond in yellow gold. Clip fittings. 3cm longest. £500-700 1709. A pair of diamond set drop earrings, each with a glazed circular section containing six free moving round brilliant-cut diamonds in gold rubover closed-back mounts. Within a border of smaller circular-cut £800-1,200 diamonds and suspending from a diamond-set heart-shaped upper section.

1710. An early 20th century zircon and diamond cluster ring, the orange/brown cushion-shaped zircon is set within a surround of old-cut diamonds in platinum and gold. French control marks. Size N. £1,500-2,000 1711. Withdrawn 1712. A fire opal and diamond cluster ring, the cushion-shaped opal is set within a surround of eighteen round brilliant cut diamonds in white gold. Size Q ½. £800-1,200 1713. An emerald and diamond-set ring, the oval-shaped emerald cabochon is mounted in white gold with nine circular-cut diamonds. Size K. £2,500-3,000 1714. A diamond solitaire ring, the old circular-cut diamond weighs approximately 3.15cts and is set in yellow gold. Size R ½. £2,000-3,000 1715.

A gold cat brooch, the realistically formed cat is set with a diamond-set collar in yellow gold. 3.2cm wide. £500-700

1716. A gold curb link necklace, 52cm long. 51g.

£2,000-3,000

1717. An 18ct gold fancy link necklace, set with six sections of three round brilliant cut diamonds. 62cm. 21g. £800-1,200 1718. A yellow gold flat link necklace, with diamond set links and matching bracelet. The necklace 38cm, £2,000-3,000 the bracelet 18cm. 158g total.

1719. A diamond-set gold hinged bangle, the centre section pavé-set with round brilliant-cut diamonds with swirl lobe body. Interior diameter 5.7cm. 39g total. £1,500-2,000 1720. A two stone diamond cross-over ring, the round brilliant-cut diamonds weigh approximately 3.20cts in total and are set in white gold and platinum with smaller shoulder diamonds. £1,000-2,000

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1705 1709 1708

1707 1715

1714 1706

1713

1712

1710 1716

1717

1718

1719

1720

35

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1721. An American 20th century carved hardstone cameo brooch, depicting Queen Marie De Medici. Finely carved with her hair tied up wearing pearl necklaces and a well detailed ruff. Engraved with the sitter’s name to the reverse and signed Louis Zollner and dated 1920. The oval cameo 4cm high. Foliate pierced gold frame with pendant loop. £600-800 Zollner was reputed to be the last of the great cameo carver’s of the United States. He emigrated from Germany in 1871 and his work was much sought-after by the rich and famous of New York.

1722. A carved agate cameo ring, the oval-shaped cameo carved with the profile of a philosopher, probably Plato. Probably 18th century. The cameo 2.2cm high. Size W. £200-300 1723. A 19th century gold scarf pin, mounted with an oval shaped Wedgwood mauve coloured portrait plaque, depicting the profile of the American Founding Father Benjamin Franklin, signed to the reverse, the cameo 1.8cm high. £200-300 1724. An 18th century oval form miniature painting brooch, depicting a seated and standing woman, glazed, with diamond set silver and gold foliate border. 4.5cm wide. £300-400 1725. A George III REGARD ring, set with the appropriate gem stones, in closed back gold mount and foliate engraved shank. Size R ½. £300-400 1726. A Victorian cabochon ruby mounted gold ring, pierced scroll shank. Size L. Cased

£800-1,200

1727. A George III diamond cluster ring, the cushion shaped diamonds are set in silver and gold, pierced gold shank. Size M.

£800-1,200

1728. A 19th century carved carnelian intaglio mounted gold ring, depicting the profile of a man wearing a headband and wearing a cloak, in the Prince Poniatowski manner. The intaglio 2.5cm high. Size J. £400-600 1729. A carved hardstone cameo mounted ring, depicting the profile of a woman, her hair tied up, gold mount, damaged, probably early 18th century. And an amethyst intaglio mounted gold ring, probably Nike, the intaglio possibly 3rd to 4th century AD. £300-400 1730. A late 18th century portrait ring, the octagonal glazed portrait depicting a gentleman looking right with blue jacket and red collar and wearing a wig. Engraved border. 3.6cm high. Size P. £200-250 1731. A suite of 19th century carved shell cameo jewellery, comprising a larger oval cameo depicting the head of Zeus above an eagle.

A pair of lozenge shaped brooches depicting the goddess Diana and a pair of smaller oval shaped earrings depicting a male and female mask, each with cannetille gold mounts, the brooches probably originally suspended from the smaller pair of cameos as earrings. The larger brooch 5.5cm high (total). £600-800 1732. A George III navette-shaped miniature portrait brooch, painted with a lady with a pink ribbon to her flowing hair and wearing a two row pearl necklace, the blue enamel border set with small rose-cut diamonds with further surround of graduated half-pearls. 4.8cm high. £200-300 1733. A 17th century gold signet ring, engraved with the arms of Maulmont of Limoges, C1650. Size N.

£600-800

Sold Christies, South Kensington, Lot 334, 9th October 2012.

1734. A late 18th century eye miniature brooch, of navette-form and mounted with a painted eye in gold closed mount. 3.3cm wide. £200-300 1735. An early 19th century closed crescent brooch, set with graduated old-cut diamonds in silver and gold (with later plating). 2cm wide. £200-300 1736. A late 18th century oval ring mounted with a bird, the bird set overall with graduated diamonds and with ruby eyes in silver and gold.

With blue enamel ground within a border of rose-cut diamonds. Foliate engraved sides, the shank with stylised fleur-de-lys shoulders. Size K. £600-800 1737. An 18th century Giardinetto brooch, set with diamonds overall and the flower heads centred with coloured stones and a pearl to the base, set in silver. 3cm wide. Cased. £400-600 1738. A late 18th century memorial ring, the navette-shaped ring painted with a seated woman contemplating an urn, within blue guilloche £150-250 enamel border and mounted in gold with inscription to the reverse for Jane Sheraton, died 25 April. 1783, Obt 23.

1739. A late 17th century Stuart crystal memento mori slide, the faceted rock crystal covering a white enamel skull beneath a Ducal coronet and between the intials K S, on red plaited fabric background and gold wire frame, mounted in gold. 2cm. £600-800 And another late 17th century Stuart rock crystal morning slide, rectangular and containing the gold wire initials C S, on a finely plaited hair ground, gold mount. 1.5cm wide.

1740. A late 17th century Stuart crystal memento mori slide, the faceted oval rock crystal covering a white enamel standing skeleton, with initials J C and within a fine gold wire work patterned border, on finely plaited hair ground, gold mount. 2cm wide. £600-800

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1725

1721 1726

1724 1727 1723

1722

1733

1732

1728 1734

1731

1730 1729 (2)

1736

1739 (2)

1738 1740

1735 1737

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1741. A diamond-set scroll ring, set with graduated circular-cut diamonds in white gold. Size N. £300-400 1742. A tanzanite and diamond ring, the emerald cut tanzanite is set within a surround of fourteen round brilliant-cut diamonds in white gold. Size Q. £2,500-3,000 1743. A diamond solitaire ring, the old circular cut diamond weighs 1.08cts, set with tapered baguetteshaped shoulder diamonds in platinum. Size M ½. £2,500-3,000 1744. A yellow and white diamond ring, the two heart-shaped diamonds are set in white gold within a border of smaller circular-cut diamonds with six further shoulder diamonds. Size M. £4,000-6,000 1745. A diamond solitaire ring, the old circular-cut diamond weighs approximately 2.20cts and is pavéset with yellow and white diamonds to the bezel and shoulders. Size O. £7,000-9,000 1746. A ruby and diamond gold scroll brooch, set with single-cut and graduated circular cut diamonds and oval-shaped rubies in white gold. 5.3cm widest. £600-800 1747. An amethyst and diamond brooch, the pear-shaped amethyst is set with circular-cut diamonds in gold. 4cm high. £300-400 1748. A pink sapphire and diamond pendant, the oval-shaped sapphire is set within a surround of twelve round brilliant-cut diamonds and suspended from a further three articulated and graduated round brilliantcut diamonds in white gold. Fine link white gold neck chain. £400-600 1749. A pair of aquamarine and diamond drop earrings, the pear-shaped aquamarines are each set with a small circular-cut diamond and suspend from a diamond-set white gold stylised flame design. 5cm high. £2,500-3,000 1750. A citrine and ruby mounted gold ring, the emerald cut citrine is set with six baguette-shaped shoulder rubies in gold. Size O ½. £700-900 1751. A modern amethyst and diamond cluster ring, centred with a cushion-shaped amethyst within a border of round brilliant-cut diamonds and pavé-set with further amethysts to the shoulders. French control marks. Size N. £1,000-1,500 1752. A modern pair of peridot and diamond-set gold earrings, the fancy-shaped peridot cabochons are set in a honeycombe design with round brilliant-cut diamonds. £600-800 1753. A ladder form flexible bracelet, set with circular cut diamonds set in yellow and white gold. 19.2cm. 42g. £1,000-1,500 1754. A peridot and diamond bracelet, set with lines of emerald-cut peridots and spaced with lines of small circular cut diamonds in gold. 17.5cm. £2,000-2,500 1755. A pair of yellow and white diamond cluster ear studs, the round brilliant-cut yellow diamonds are set within a surround of smaller white diamonds in white gold. £2,000-3,000 1756. A pair of yellow gold heart earrings by Cartier, French control marks and signed, approximately 34g. £1,000-1,500 1757. A 1960s diamond set abstract brooch by Cartier, set overall with graduated circular cut diamonds and with three larger marquise shaped diamonds in platinum. Signed. 6cm high. Fitted Cartier case. £8,000-10,000 1758. A 1950s diamond set foliate spray brooch, the centre line set with graduated baguette-shaped diamonds with further marquise-shaped and round brilliant-cut diamonds in platinum. Signed. 5.5cm high. £2,000-3,000 1759. A gem-set gold leaf brooch by Cartier, the open form leaf mounted with a cluster of six sapphire and a diamond, signed Cartier, London marks for 1956. 4.8cm high. Fitted Cartier box. £2,500-3,500

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1741 1743 1744

1742

1745

1746

1747

1749

1750 1748

1752

1753 1751

1754

1758

1757

1759

1755

1756

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1760. A pearl and diamond cluster ring, the natural pearl is set within a circular surround of single-cut diamonds in platinum. Size K. £400-600 Accompanied by report number 5775-820 dated 22nd October 2014 from GCS, London stating that the grey pearl measures 9.8mm diameter and is a natural saltwater pearl.

1761. A 19th century carved coral grotesque fish brooch, finely carved with rose-cut diamond eyes and realistically engraved gold tail mount. Suspending a fine-link gold chain with seven coral pendants.

11cm long. £400-600 1762. A graduated coral bead necklace, the thirty beads weigh 116g in total and smaller coral bead necklace, 33g. £300-400 1763. A single row black cultured pearl necklace, the pearls graduate from 11 to 14mm. 45cm. £600-800 1764. A single row natural pearl necklace, with a pearl and diamond set clasp.

£1,500-2,000

Accompanied by report number 11316 dated 15th May 2015 from GPL, London stating that the 126 pearls graduate from 2.5mm to 6.3mm, weigh 12.93g (including clasp) and with the exception of fourteen marked bead nucleated pearls are natural saltwater pearls.

1765. A single row graduated natural pearl necklace, with a sapphire and diamond-set platinum clasp.

52cm. £1,000-2,000 Accompanied by report number 11214 dated 29th April from The Gem and Pearl Laboratory, London stating that the 122 pearls graduate from 2.2 - 6.7mm, weigh 12.18g (including clasp) and are natural saltwater pearls.

1766. Three jade pendants suspended from a fancy-link gold chain, 42cm.

£600-800

Accompanied by report number 10488 dated 21st November 2014 from The Gem and Pearl Laboratory, London, stating that the three stones are jadeite jade with no evidence of treatment observed.

1767. A jade mounted gold ring, the oval-shaped jade cabochon is set in gold with foliate shoulders. Size I. £2,000-3,000 Accompanied by report number 5775 - 2141 dated 1st June 2015 from GCS London stating that the jade measures 19.8 x 13.4 x 5.3mm, weighs approximately 10.00cts and natural jadeite with no indications of impregnation.

1768. A carved fan-shaped jade pendant, engraved with Chinese characters. 6cm wide. On a fine link gold chain. £600-800 1769. A gem-set gold bird of paradise brooch, the body pavé-set with turquoise cabochons, with sapphire and diamond set eye and further diamonds to the wing, with flowing gold chain tail. 7cm longest. £2,000-3,000 1770. A pair of jade disc earrings, each circular disc is centred with a small diamond with gold mounts.

The discs 1.7cm wide. £300-400

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1760

1761

1762

1763

1764

1765

1766

1767

1769 1768 1770

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1771. An emerald and diamond-set pendant, the pear-shaped emerald is set within a surround of graduated cushion-shaped diamonds in silver and gold. Suspended from a further cushion-shaped diamond on a fine-link neck chain. £3,000-5,000 Accompanied by report number 11107 dated 12th April 2015 from The Gem and Pearl Laboratory, London stating that the pear-shaped emerald shows evidence of significant clarity enhancement. Origin opinion: Colombia.

1772. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of twelve old circular-cut diamonds with smaller diamonds set to the shoulders in gold and platinum. Size R. £300-400 1773. A pair of early 20th century, sapphire and diamond cluster earrings. The circular-cut sapphires are set within a surround of ten old circular-cut diamonds and suspending from a further diamond in silver and gold. £3,000-4,000 1774. An antique gem-set gold pendant, set with emeralds, rubies and diamonds and suspending a pear-shaped untested pearl. Suspended from a diamond-set (one missing) cross-form bale. 4.5cm high. £600-800 1775.

A pair of closed back garnet-set gold drop earrings, set overall with fancy-shaped garnets. 9cm high. £800-1,200

1776. A pair of diamond and turquoise cluster earrings, each centred with a cushion shaped diamond and two borders of turquoise cabochons, separated with a circle of rose cut diamonds in gold. 1.5cm wide. £400-600 1777. A late Victorian diamond set hinged bangle, set with graduated cushion-shaped diamonds in gold.

With scroll engraved shoulders. Fitted case (broken). £300-400 1778. A Victorian gold snake ring, the intertwined serpents set with diamonds to each head and with diamond eyes (one missing). Size N. £200-300 1779. A diamond three stone gold ‘gypsy’ ring, set with graduated old cushion-cut diamonds in yellow gold.

Size T. £200-300 1780. A diamond five stone gypsy ring, set with graduated cushion shaped diamonds. Size P. £400-600 1781. A diamond five stone ring, the four old circular-cut diamonds with a replaced modern diamond are set in gold. Size K. £150-250 1782. A sapphire-set gold brooch, the mount decorated with red guilloche enamel. 1.5cm wide. £200-300 1783. A 19th century gem-set gold brooch, set with four sapphire cabochons with small diamonds between and polychrome enamel decoration. 4cm wide. £300-400 1784. A late Victorian filigree gold ring, set with garnets and seed pearls. Size O ½. An Etruscan style gold rectangular brooch, with cannetille decoration and pellet border, cased, by Hancocks. A lady’s gold octagonal wristwatch, on a gold mesh band. £200-300 1785. A three stone diamond ring, the three graduated old circular-cut diamonds are set in gold with engraved shoulders. Size M. £1,500-2,000 1786. A late Victorian gold locket brooch pendant, applied with a bird realistically formed and sitting on the edge of a nest with three seed pearl eggs. Glazed locket compartment to the reverse. 3.2cm wide. £300-400 1787. A 19th century gold bracelet, the fancy link bracelet with foliate engraved ball clasp. 21cm long. 28g. £400-600 1788. A fancy-link long guard chain, the pierced navette-shaped links are joined with smaller oval links with gold swivel clip. 150cm. 33g. £300-400 1789. A green paste rivière necklace, the graduated emerald cut green stones are set in gold cut down collets. 39cm long. With a matching green and white paste set ring in silver and gold, size I ½. £100-150

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1772 1773 1771

1775

1774

1777 1789 part

1778

1779

1780

1776 1788 1782

1781

1783 1787

1784 part

1789 part 1785

1786

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1790. An early 20th century diamond set treffoil and tassel brooch pendant, centred with an old circular cut diamond with graduated smaller diamonds to the crescent formed sections. Suspending two articulated tassels set with further diamonds on a fine link platinum neck chain. Folding pendant loop and detachable brooch fitting. 2.7cm wide. £800-1,200 1791. A Victorian open crescent brooch, set with three rows of graduated circular-cut diamonds in silver and gold. 6.5cm widest. £800-1,200 1792. A late Victorian diamond set star brooch pendant, the centre old circular-cut diamond is set in a flower head design and a six point star with diamonds set between the rays. Set in silver and gold. Folding pendant loop. 4.5cm wide. £600-800 1793. A Victorian diamond set star brooch pendant, centred with a cushion-shaped diamond, with further graduated diamonds to the rays, set in silver and gold with detachable brooch fitting and pendant.

The fitted box containing a conversion for a hair comb. 6cm wide. £1,000-1,500 1794. A small butterfly pendant, set with rose-cut diamonds, rubies and a pear-shaped sapphire in gold.

On a fine-link antique gold chain necklace. £300-400 1795. A gem-set butterfly brooch, the body set with a pear-shaped aquamarine, a garnet and a triangularcut green garnet head. With further citrines and amethysts set to the wings in gold. 3.5cm wide. £800-1,200 1796. A gem-set butterfly brooch, the stylised butterfly is set with rubies, sapphires, diamonds and seed pearls in silver and gold. 4cm wide. £100-150 1797. A diamond and gem-set butterfly brooch, set overall with circular-cut diamonds and further circular-cut rubies and sapphires in gold. Detachable brooch mount. 4.5cm wide. £800-1,200 1798. A pair of George III amethyst bracelets, each bracelet set with circular cut amethysts in gold closed back mounts. 16.5cm long. £600-800 1799. A Victorian amethyst pendant necklace, the gold fine link necklace is mounted with nine graduated oval shaped amethysts in closed back mounts and with gold chain festoons. 39cm. £800-1,200 1800. A early 19th century pink agate cruciform locket pendant brooch, gold mounts and engraved to the reverse with presentation inscription dated 1834 and glazed locket compartment. 7.5cm high. £300-400 1801. A pair of George III flat garnet mounted foliate gold drop earrings, closed back mounts. £200-300 1802. A diamond three stone ring, the three graduated slightly oval-shaped diamonds are set in yellow gold with pierced scroll shoulders. Size M. £4,000-6,000 1803. A Victorian heart-shaped pendant, set with diamonds, three pearls and with blue enamel decoration. Glazed locket compartment to the reverse. Original pendant fitting removed and with smaller gold bale. £500-700 1804.

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A ruby and diamond chequerboard ring, set with old cushion-cut rubies and diamonds in gold. Size M. £100-150

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1791

1792

1790

1793

1804

1794

1803

1795

1802

1800

1796 1799

1801

1797

1798

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1805. An Art Deco emerald and diamond set clip brooch, millegrain-set with square-shaped emerald centred clusters of circular-cut diamonds in platinum. Engraved decoration to the reverse. 2.2cm high. £300-400 1806. An Edwardian diamond and garnet-set pendant, the foliate frame set with rose-cut diamonds and small rubies in silver and gold and £250-350 suspending a gold mounted heart-shaped cabochon garnet, 4.5cm high.

1807. A 19th century garnet and diamond set brooch, the octagonal-cut garnet is set with rose-cut diamonds in silver and gold. 2.7cm wide. £200-300 1808. An Edwardian peridot fringe necklace, the graduated oval-shaped peridots suspend from a circular-cut diamond and seed pearl and separated with pairs of circular-cut rubies. Set in gold and on a fine link gold neck chain. 40cm. £1,000-1,500 1809. A pair of diamond set drop earrings, each suspending a larger circular-cut diamond and set with further graduated circular-cut diamonds £3,500-4,500 in white gold. 5.5cm wide. Case.

1810. A diamond set pierced foliate scroll brooch, centred with four old circular-cut diamonds and further graduated circular-cut diamonds millegrain-set to the white gold mount. 6.7cm wide. £800-1,200 1811. An Edwardian diamond-set brooch/pendant, set with three graduated circular-cut diamonds within a scrolling surround of graduated circular-cut diamonds and with a diamond-set folaite lower section suspending a pear-shaped diamond in platinum. Detachable brooch fitting with pendant loops. 4cm wide. £3,000-4,000 1812. A pair of diamond cluster earrings, the central old circular-cut diamonds weigh approximately 0.65cts each and are millegrain-set £1,000-1,500 within a surround of smaller old circular-cut diamonds in white gold.

1813. An early 20th century diamond-set giardinetto pendant, the urn set with a larger triangular-shaped rose-cut diamond, millegrain set within foliate diamond surround and a further border of diamonds in platinum. £3,500-4,000 1814. An early 20th century opal and diamond ring, the oval-shaped solid black opal is set in platinum with circular-cut and baguette-shaped £1,000-1,500 shoulder diamonds. Size N. 1815. An Edwardian pink topaz and diamond set plaque ring, the oval shaped topaz set with six small diamonds in platinum and gold. Size N ½. £600-800 1816. An early 20th century sapphire and diamond bombé-shaped cluster ring, millegrain set with old circular cut diamonds and graduated £2,500-3,000 calibré-cut sapphires in platinum. Size O. 1817. An Art Deco diamond and sapphire cluster ring, the circular-cut diamonds are millegrain-set to the domed, pierced platinum ovalshaped mount. Platinum shank. Size G ½. £1,800-2,000 1818. An Edwardian zircon and diamond ring. The circular cut blue zircon is set with twelve circular cut shoulder diamonds in platinum and white gold. £700-900 1819. A gold and zircon and diamond set ring, the circular cut zircon is millegrain set with four small circular cut diamonds to each shoulder, in platinum and gold. Size M. £400-600 1820. An Edwardian sapphire and pearl-set brooch pendant, the oval-shaped sapphire suspends from a diamond-set bow and a graduated pearl surround. Fitted box. £1,500-2,000 1821. An Edwardian sapphire and two row diamond cluster ring, the slightly oval-shaped sapphire is set within two rows of circular-cut diamonds in platinum with scroll engraved basket mount. Size M ½. £600-800 1822. An Art Deco sapphire and diamond ring, the emerald cut sapphire is set with four shoulder diamonds (one damaged) in an expanding platinum mount. Minimum size M. £6,000-8,000 Accompanied by report number 11348 dated 22nd May 2015 from The Gem and Pearl Laboratory, London stating that the sapphire measures 9.4 x 8.5 x 6.0mm and is a natural sapphire with no evidence of heat treatment. Origin opinion: Sri Lanka.

1823. An Art Deco diamond set brooch, set overall with circular, rose-cut and baguette-shaped diamonds in platinum.

£200-300

1824. A diamond and ruby-set five stone ring, the three graduated round brilliant-cut diamonds are set with two circular-cut rubies in yellow and white gold. Size N. £800-1,200

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1807

1805

1806

1808

1812

1810

1809 1811 1813

1814

1815 1816 1817

1819 1818

1820

1821

1822

1823

1824

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1825. A French diamond and gem-set double bird brooch, the larger bird pavé-set with circular-cut diamonds, the body formed with a foliatecarved pink sapphire, the smaller bird pavé-set with diamonds and the body formed with a foliate carved blue sapphire. French control marks.

2.5cm high. £500-700 1826. An Edwardian pearl and diamond brooch, of shaped circular form and centred with a button shaped pearl within a surround of eight circular cut diamonds and further border of smaller diamonds in platinum. Pendant fitting. 2cm wide. Cased. £2,000-3,000 Accompanied by report number 10984 dated 18th March 2015 stating that the button-shaped pearl measures 7.7 x 5.6mm, weighs 2.56ct and is a natural freshwater pearl.

1827. An Art Deco aquamarine and diamond-set pendant, the articulated platinum mount is set with graduated circular-cut diamonds and suspends a kite-shaped aquamarine drop. Numbered 2092. 4.5cm long. Fine link platinum neck chain. £2,500-3,000 1828. A Belle Époque diamond necklace, the central old circular-cut diamond weighs approximately 0.80cts, of triangular-form and millegrain set within surrounds of circular-cut diamonds. Suspending a futher diamond set drop in platinum. With diamond set platinum top section on fine link platinum chain and diamond clasp. £9,500-12,000 1829. A pair of diamond drop earrings, suspending line of circular and baguette-shaped diamonds in platinum. 2.8cm long.

£1,500-2,000

1830. A late Victorian diamond and natural pearl pendant brooch, centred with an old circular-cut diamond within scrolls set with graduated £2,000-3,000 smaller diamonds in silver and gold. Suspending an oval-shaped pearl. Detachable brooch mount.

Accompanied by report number 11347 dated 22nd May 2015 from The Gem and Pearl Laboratory London, stating that the oval-shaped partdrilled pearl measures 7.7 - 8.3 x 11 - 12mm and is a natural saltwater pearl.

1831. A sapphire and diamond full circle eternity ring, centred with square-shaped sapphires set within borders of circular-cut diamonds in platinum. £500-700 1832. An Edwardian diamond and seed pearl set gold brooch, the centre circular-cut diamond is set within a surround of graduated seed pearls, with folding pendant loop. £650-750 1833. An Edwardian peridot and diamond brooch pendant, centred with an emerald-cut peridot within a graduated diamond-set scroll mount and suspending a further pear-shaped peridot in platinum and gold. Detachable brooch fitting and pendant loop. 4cm wide.£800-1,200 1834. A emerald and diamond set white gold brooch, centred with a square shaped emerald and pavé set overall to the pierced scroll form body with graduated circular cut diamonds. 5cm wide. Case by Asprey. £1,000-1,500 1835. A pair of untested pearl and diamond cluster earrings, the pearls are each set within a surround of circular-cut diamonds in white gold. The pearls measure approximately 7.5mm diameter. £1,000-1,500 1836. A large oval-shaped sapphire and diamond cluster ring, the sapphire weighs approximately 14.20cts and is set within a surround of circular-cut diamonds in white gold. Size M. £8,000-12,000 Accompanied by report number 11120 dated 14th April 2015 from The Gem and Pearl Laboratory, London stating that the sapphire measures 16.7 x 14.6 x 6.8mm and is a natural sapphire with no evidence of heat treatment observed. Origin opinion; Sri Lanka.

1837. A diamond solitaire ring, the cushion-shaped diamond weighs approximately 2.35cts and is set in platinum and gold with smaller diamonds set to the shoulders. Size R ½. £4,000-6,000 1838. A Victorian triple sapphire and diamond cluster ring, set in gold with scroll carved shoulders, Birmingham marks for 1895. Size N. £300-400 1839. An aquamarine and diamond ring, the large cushion-shaped aquamarine is set with diamond-set shoulders in platinum. Size J ½. £2,300-2,500 1840. A sapphire and diamond ring, the emerald-cut sapphire weighs approximately 5.90cts and is set with six graduated baguette-shaped shoulder diamonds in platinum. Size L. £4,000-5,000 Accompanied by report number 5775-2173 dated 4th June 2015 from GCS London stating that the sapphire measures approximately 11.3 x 9.1 x 5.3mm, totalling approximately 5.00cts and is a natural sapphire with no evidence of heat treatment. Origin: Basaltic.

1841. A diamond cluster ring, the centre old circular-cut diamond is set within a surround of millegrain-set smaller diamonds in platinum and gold. Size Q. £1,000-1,500 1842. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 3.50cts and is set with two baguette-shaped shoulder diamonds in platinum. £3,000-4,000

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1825

1826 1829

1828

1827

1830

1831 1832

1833 1834

1838 1837 1835

1839

1842 1840

1836

1841

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1843. A late 18th century pendant of French Revolution interest with glazed oval painting of a seated woman, partly bare-chested and wearing a flowing blue and white dress. She holds a Liberty Pole with the red Phrygian cap. With the Masonic motto Amor Honor Et Justica. White paste set ornate frame with pierced foliate decoration and surmounted with a bow. The painting 5cm high. Later brooch fitting. £400-600

1844. An Art Nouveau haircomb by René Lalique, the horn comb applied with three foil backed frosted glass violets (one petal broken showing the violet coloured foil). Mounts probably gold. Gold coloured highlights probably retouched. Signed LALIQUE to reverse. 12.5cm high. £4,000-6,000

1845. An early 19th century oval micromosaic plaque depicting greyhounds, the dog standing and wearing a collar, the recumbent bitch with two suckling pups with rural scene beyond. 3.8cm wide. Engraved £800-1,200 gilt metal mount and copper base

1846. An early 19th century circular micro-mosaic panel, depicting Roman ruins with two figures and mountains beyond, possible the temple of Sybil at Tivoli, mounted on copper. 5.5cm wide. £400-600

1847. A 19th century micromosaic oval plaque, depicting a curly coated dog standing amongst foliage.

4.6cm wide. £400-600

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1844

1843 1847

1846

1845

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1848. A 1950s diamond set scroll brooch, centred with a round brilliant-cut diamond which weighs approximately 0.90cts. Set within a surround of seven pear-shaped diamonds which weigh approximately 4.90cts in total within a further surround of baguette-shaped diamonds. The scroll sections set with baguette-shaped diamonds to the upper and lower sections. Platinum mount. £4,000-6,000

1849. A circular cut diamond solitaire ring, the diamond weighs approximately 5.10cts. Set in platinum.

Size M. Box by Ogden. £12,000-15,000

1850. A diamond cluster ring, the old circular-cut diamond weighs approximately 2.90cts and is set within a surround of scrolling baguette-shaped diamonds in platinum. Size N. £6,000-8,000

1851. A three stone sapphire and diamond ring, the oval-shaped sapphire weighs approximately 3.60cts, set with old oval-shaped diamonds either side, the diamonds weigh approximately 2.50cts in total. Size Q ½. £6,000-8,000

1852. A gem-set ‘Pelouse’ style gold bracelet, set overall with lapis lazuli beads and three sections set with round brilliant-cut diamonds, circular-cut rubies and turquoise cabochons. Illegible maker’s mark in lozenge. 20.5cm long. £5,000-7,000

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1848

1852 1851

1850

1849

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Silver Tuesday 14th & Wednesday 15th July 2015

A Chinese silver goblet, possibly

by Tuck Chang, also marked with Chinese characters.

Estimate: £300 - £500

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

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Clocks, Watches & Scientific Instruments Friday 17th July 2015

ENQUIRIES Richard Price (consultant) Tel: +44 (0)7741 242421 richardprice@woolleyandwallis.co.uk

Part of a collection of fifty carriage clocks, including fine silver examples.

Varying estimates.

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Fine Porcelain & Pottery Tuesday 15th September 2015 Closing date for entries 31st July

ENQUIRIES Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

A fine pair of Copeland bough pots or jardinières painted by Charles Ferdinand Hürten, c.1880, 36cm across.

Estimate: £3,000 - £4,000

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Paintings Wednesday 23rd September 2015 Entries are now being accepted for this sale

Archibald Thorburn (1860-1935) House martins on a ledge Signed and dated 1932 Watercolour 26.5 x 18cm Estimate: ÂŁ4,000 - ÂŁ6,000

ENQUIRIES Victor Fauvelle Tel: +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE TO SALT LANE TOSTREET CASTLE STREET & WALLIS WOOLLEY FROM DIRECTIONS PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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SALT LANE

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Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 16th July 2015 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR SILVER 14th & 15th July 28th October – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 17th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 2nd September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FINE PORCELAIN & POTTERY 15th September Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk PAINTINGS 23rd September – Paintings, Prints Miniatures & Sculpture 9th December – Fine Old Masters & 19th Century Paintings Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk ARMS & ARMOUR 7th October Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 7th October Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 20TH CENTURY DESIGN 21st October – 20th Century Design 25th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk JEWELLERY 29th October Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 17th & 18th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

www.woolleyandwallis.co.uk