Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Silver & Objects of Vertu

Tuesday 16th April 2019

Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955

424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

JAPANESE ART Alex Aguilar Sarah Lopez-Ferreiro

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Sally Trench Megan Corbett

446959 446960

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike

424500

SALEROOM MANAGER David Jordan

424500

CASTLE GATE MANAGER Matt Hill CASTLE GATE RECEPTION Sally Litherland BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

Natalie Milsted FCCA Finance Director

PAINTINGS Victor Fauvelle Madeleine White

446961 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 â&#x20AC;¢ www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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FINE SILVER & OBJECTS OF VERTU

INCLUDING THE MAMBURY SET OF APOSTLE SPOONS Tuesday 16th April 2019 at 10.00am

PLEASE NOTE THIS IS A ONE DAY SALE at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Friday 12th April Saturday 13th April Monday 15th April Tuesday 16th April

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk LIVE BIDDING PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE.

Lucy Chalmers 01722 424594 lc@woolleyandwallis.co.uk

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Monday 15th April. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Monday 15th Aptil. COLLECTION OF LOTS Please note that all lots will be cleared from our Castle Street Saleroom to our new Castle Gate Office on Tuesday 23rd April. Collections on this day should be made after 12noon.

ILLUSTRATIONS

If you are collecting items on or after this date, please contact the department on 01722 424594.

Front cover: Lot 510 Back cover: Lots 351, 359, 349, 350, 356, 355

All accounts to be settled prior to collection. Payments are still to be made at Castle Street.

Catalogue £12.00 (£15.00 by post)

The Silver Department is now based at our new premises at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX.

Silver weights are in Troy ounces

The Castle Gate details and map are at the back of this catalogue.

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TUESDAY 16TH APRIL 2019 AT 10.00AM A SMALL PRIVATE COLLECTION OF OLD SHEFFIELD PLATE

1. A George III old Sheffield plated knife tray, by T and J Creswick, circa 1815, oblong tapering form, gadroon border, engraved with a crest, length 38cm.

2. A pair of George III old Sheffield plated tea caddies, by Henry Tudor and Co., circa 1765, bombé form, embossed shell and foliate scroll decoration, pull-off covers, on four leaf scroll feet, height 14cm. (2) £300-400

The crest is that of Vipont.

£150-250

For a similar example see: Crosskey, G., Old Sheffield Plate, Treffrey Publishing, 2011, page 261.

3. A George III old Sheffield plated sauce tureen and cover, unmarked, probably by Tudor and Co., circa 1775, oval form, with ribbon-tied swags and medallion decoration, the cover with fluted decoration, reeded scroll handles, initialled, on a raised oval foot, length handle to handle 23cm. £150-200

4. A pair of George III old Sheffield plated sauce tureens and stands, unmarked, probably by Tudor and Co., circa 1775, oval form, with ribbon-tied swags and medallion decoration, reeded scroll handles, engraved with a crest, on a raised oval foot, the stands of oblong form, beaded borders, length handle to handle 23.8cm. £150-200

For a similar example see: Crosskey, G., Old Sheffield Plate, Treffrey Publishing, 2011, page 246.

5. A George III old Sheffield plated tea caddy, unmarked, circa 1775, oval form, fluted and engraved decoration, the hinged cover with a hinged finial, the front with a monogram within scroll mantling, length 12cm. £200-300

6. A small collection of four George III old Sheffield plated boxes, unmarked, circa 1765, circular form, two with tortoiseshell covers inlaid with foliate scroll decoration, the other two embossed with figural decoration. (4) £400-600

For a similar example see: Crosskey, G., Old Sheffield Plate, Treffrey Publishing, 2011, page 263.

For a similar example see: Crosskey, G., Old Sheffield Plate, Treffrey Publishing, 2011, page 205/6.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

OTHER PROPERTIES

7. An early 19th century old Sheffield plated decanter trolley, unmarked, circa 1830, circular form, foliate and shell borders, with a carved bone/ivory pulling handle, on four wheels, with two cut-glass decanters and stoppers, length 43cm. £200-300

9. A Victorian novelty electroplated pepper pot, maker’s mark of W.W.H, with a design lozenge for 28 January 1878, modelled as an obelisk with hieroglyphs, pierced top, on a spread square base, height 10.5cm. £100-150

8. A matched pair of Victorian electro-type plaques, by Elkington and Co. probably designed by Lionard Morel-Ladeuil (1820-1888), circular form, one with a scene of a classical woman on horseback repelling an attack by lions, the other with a classical scene, velvet mounted wooden frames, a.f, diameter 40.2cm. (2) £300-400 Provenance: From the Collection of Sir Framjee Dinshaw Maneckji Petit, 3rd Baronet (1901-1983) and Lady Sylla Dinshaw Petit (nee Tata), and then by descent to the current owner.

The London obelisk, known as Cleopatra’s Needle is in the City of Westminster, on the Victoria Embankment near the Golden Jubilee Bridges. It was originally erected in the Egyptian city of Heliopolis on the orders of Thutmose III, around 1450 BC. In 1819, Muhammad Ali Pasha gave Britain the obelisk as a gift. However, Britain’s Prime Minister at the time, Robert Jenkinson, hesitated on having it brought to the country due to shipping expenses. It remained in Alexandria until October 1877 when its transport to London was funded by William James Erasmus Wilson. This pepper pot was probably commissioned to celebrate its arrival in the United Kingdom. 10. A silver mirror, by The Adie Brothers, Birmingham 1934, upright arched rectangular form, engine-turned decoration, wooden easel back, height 40cm. £350-400 9

11. The Honourable The Irish Society, an Edwardian silver box and pen tray, by Stokes and Ireland, Chester 1906, and Henry Stratford Ltd, London 1911, shaped rectangular form, embossed with the arms of The Hon. The Irish Society and engraved ‘Sir Alfred Newton, Bart. Governor 1907’, the pen tray ‘1911’, plus a miniature silver taperstick, Birmingham 1897, approx. weight 9.5oz. (3) £200-300

12. A set of twelve Edwardian silver napkin rings, by Jackson and Fullerton, London 1902, oval form, embossed foliate scroll decoration, central monogrammed cartouche, six numbered 1-6, in a fitted case, approx. weight 11oz. (12) £400-600

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A PRIVATE COLLECTION OF SILVER BY MARY CHAWNER & GEORGE ADAMS

13. An early Victorian silver Thread pattern meat skewer, by Mary Chawner, London 1838, ring terminal, engraved with a crest, length 31.8cm, approx. weight 2.9oz. £100-150

14. An early-Victorian silver Fiddle pattern fish slice, by Mary Chawner, London 1838, the terminal with an initial, length 31.5cm, approx. weight 5.6oz. £80-120

15. An early-Victorian silver King’s pattern basting spoon, by Mary Chawner, London 1838, the terminal with a crest, length 31cm, approx. weight 6.6oz. £120-180

16. An early-Victorian silver Fiddle, Thread and Shell pattern basting spoon, by Mary Chawner, London 1839, the terminal with a crest and initial, length 31cm, approx. weight 6.5oz. £120-180

The crest is that of Marshall of Bescott and Walsall, Staffordshire, and Ward End, Warwickshire.

The crest is that of Dabetot/Dabitot, Daniels, Darroch and others.

17. A Victorian silver Old English pattern straining spoon, by Mary Chawner, London 1838, the strainer with addition marks for George Adams, plain terminal, length 30.6cm, approx. weight 4.8oz. £150-200

18. A pair of William IV silver Princess No.2 pattern fruit serving spoons, by Mary Chawner, London 1835, the terminals with a crest, length 23.8cm, approx. weight 8oz. (2) £100-150

The crest is that of Belfield of London and Hertfordshire or Malmains, Gloucestershire.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

19. A small collection of George IV / Victorian silver flatware, by William and Mary Chawner, comprising: a snuff/miniature spoon, by William Chawner, London 1823, a King’s variant pattern sugar sifting spoon, by Mary Chawner, London 1837, a King’s pattern dessert fork, 1839, a mustard spoon, a salt spoon, a condiment ladle, a William Chawner salt spoon, and an Old English Thread pattern with shoulders tablespoon, approx. weight 8oz. (8) £150-200

20. A pair of Victorian silver Thread and Shell pattern carvers, by Mary Chawner, London 1839, the steel blade stamped ‘Norman, London’, plus another carving fork by Mary Chawner, London 1839, and a carving knife by George Adams, date letter rubbed. (4) £150-200

21. A small collection of Victorian silver flatware, by George Adams, London, comprising: a Newton pattern ice cream spade, 1881, an Albert pattern sugar spoon, London 1866, a pair of Grecian pattern sugar tongs, 1869, plus a Fiddle pattern butter knife and an Old English pattern sugar sifting spoon, approx. weight 7.6oz. (5) £100-150

22. Seven Victorian silver forks and spoons, by George Adams, London, comprising: a silver-gilt Cherub and Serpent christening fork and spoon, 1864, two Quilt pattern dessert spoons, London 1872, plus two spoons and a fork, approx. weight 10oz. (7) £150-200

23. A small collection of Victorian silver flatware, by George Adams, London, comprising: a set of three Queen’s pattern fish forks, 1872, the terminals initialled, plus a lobster pick, pierced and engraved with a lobster, 1851, and an olive fork, 1866, with an ivory finial and pullball mechanism, approx. weight 7.4oz. (5) £150-200

24. A small collection of silver flatware, by George Adams, London, comprising: a pair of Bright Vine pattern dessert forks, 1863 and 1868, a Rose pattern dessert fork, 1867, a Devonshire pattern table fork, by Adams and Chawner, London 1840, a Fern pattern dessert fork, 1876, and a Queen’s pattern tablespoon, 1877, approx. weight 14oz. (6) £150-200

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25. Seven Victorian silver dessert spoons, by George Adams, London, comprising: Coburg pattern, 1862, Lily pattern, 1865, Canova pattern, 1858, Tudor pattern, 1850, Rococo style 1874, Hanoverian Military Thread pattern, 1864, and Rococo style 1874, approx. weight 13oz. (7) £150-200

26. A small collection of six Victorian silver condiment spoons, by George Adams, London, comprising: a pair of Grecian pattern salt spoons, 1862, a pair of Old English Military Shell pattern salt spoons, 1868, a Kings Husk pattern salt spoon, 1853, and a Fiddle, Thread and Drop pattern mustard spoon, 1842, approx. weight 4.8oz. (6) £100-150

27. A collection of twelve Victorian silver teaspoons, by George Adams, London, comprising: a set of three single-struck Beaded pattern, 1875, plus single examples of: Wellington pattern,1853, Tamworth pattern, 1873, Newton pattern, 1880, Grecian pattern 1854, Victorian pattern, 1870, Princess No.2 pattern 1865, a Beaded Celtic point pattern 1876, plus two others, approx. weight 10oz. (12) £150-200

28. A set of six Victorian single struck King’s pattern teaspoons, by George Adams, London 1863, the terminals initialled, plus a set of six Victorian cast silver teaspoons, by George Adams, London 1876, approx. weight 7.3oz. (12) £100-150

29. A small collection of six Victorian silver spoons, by George Adams, comprising: a pair of Napier pattern egg spoons, London 1865, a pair of Paxton pattern egg spoons, London 1872, and a pair of Old English pattern salt spoons, London 1853, approx. weight 4.6oz. (6) £100-150

30. A set of six Victorian silver Dolphin pattern teaspoons, by George Adams, London 1856 and 1871, the terminals with a crest and initial, approx. weight 5.8oz. (6) £150-200

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

31. A set of four Victorian silver Elizabethan pattern teaspoons, by George Adams, London 1867, approx. weight 4.3oz. (4) £80-120

32. A small collection of five Victorian silver poultry skewers, by George Adams, London, comprising: a pair of Fiddle, Thread and Husk pattern, London 1840, the terminals with a crest, plus a pair with foliate terminals, London 1848, and a single one, London 1854, approx. weight 2.8oz. (5) £200-300

33. A small collection of three silver spoons, by George Adams, London, comprising: a Palm pattern mustard spoon, 1880, a whip-end salt spoon, 1854, and an Old English pattern snuff / miniature spoon, 1863, approx. weight 1.5oz. (3) £150-200

34. A Victorian silver Cambridge pattern sugar sifting spoon, by George Adams, London 1865, plus another Victorian silver Fiddle, Thread and Shell sugar sifting spoon, by George Adams, London 1853, approx. weight 4.2oz. (2) £100-150

35. A small collection of three Victorian silver marrow scoops, by George Adams, London, comprising: a Fiddle and Thread pattern one, London 1842, the reverse of the bowl with a crest, a Thread pattern one, engraved ‘New Club’ and ‘7’, 1854, and one of conventional form, 1873, approx. weight 5.7oz. (3) £250-300

36. A pair of Victorian silver ice tongs, by George Adams, London 1864, ring handles, textured bird’s claw bowls, length 13cm, approx. weight 2oz. £80-120

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37. A pair of Victorian silver Old English pattern asparagus tongs, by George Adams, London 1880, pierced blades, the terminal with a crest, length 25,5cm, approx. weight 5.9oz. £150-200

38. A pair of Victorian silver Fiddle and Thread pattern serving tongs, by George Adams, London 1854, single-struck, engraved with a crest, pierced blades, length 20.5cm, £100-150 approx. weight 3.6oz.

The crest is that of Agmondesham, Almard, Audry, Billing and others.

The crest is that of Foulkes, Gyke, Gordon, Edwards, Gourlay, Halliday and others.

39. A pair of Victorian silver Stag Hunt pattern grape scissors, by George Adams, London 1879, ring handles, length 18cm, approx. weight 3.8oz. £200-300

40. A Victorian silver Fiddle pattern long toddy ladle, by George Adams, London 1864, plain terminal, length 28.5cm, approx. weight 2.4oz. £150-200

41. A Victorian silver Paxton pattern stilton scoop, by George Adams, London 1860, the terminal with a crest, length 23.2cm, approx. weight 3oz. £150-200

42. A Victorian silver Fiddle, Thread and Shell pattern stilton scoop, by George Adams, London 1849, the terminal with a crest and motto, length 24.5cm, approx. weight 4oz. £120-150

The crest is that of Aldrich, Bulbeck, D’Arcy, Polwhele, Staynings and others.

The crest is that of Cochrane.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

43. A pair of Victorian silver fish servers, by George Adams, London 1859, the knife with a scimitar shaped blade, pierced and engraved with fish, reeds and foliate scroll decoration, the handle with fish and eels, and with a whelk terminal, the fork with similar decoration, engraved with a crest, length of knife 36.2cm, in a fitted case. (2) £700-1,000

44. A Victorian silver New Gothic pattern basting spoon, by George Adams, London 1856, the terminal with a crest, also with a registration lozenge, length 30.6cm, approx. weight 5.5oz. £200-300

45. A Victorian silver Wellington pattern serving spoon, by George Adams, London 1851, the terminal with a monogram, also with a registration lozenge, length 29.7cm, approx. weight 5oz. £150-200

The crest is that of Baines, Barclay, Cookes, Collow, Crabtree and others.

46. A Victorian silver New Gothic pattern stilton scoop, by George Adams, London 1868, the terminal with a crest, length 23.8cm, approx. weight 3.9oz. £150-200

47. A Victorian silver Beaded Knurled pattern basting spoon, by George Adams, London 1875, the terminal with initials, length 30.1cm, approx. weight 5.4oz. £100-150

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48. A Victorian silver wine label, by George Adams, London 1873, pierced shaped oval form, pierced ‘WHISKEY’, engraved with a crown and monogram, the reverse with a crest, length 6.2cm, approx. weight 0.6oz. £200-300

49. A Victorian silver wine label, by George Adams, London 1858, vine leaf form, pierced ‘MOSELLE’, length 4.5cm, approx. weight 0.3oz. £80-120

Provenance: Chrisitie’s South Kensington, The Hadad Collection, 5 December 2000, lot 125. The crest is that of Lowe, McGeorge, McHaffie, Marjoribanks, Meverell and others.

50. A Victorian cast silver caddy spoon, by George Adams, London 1862, leaf form, simulated snake ring handle, length 7.8cm, approx. weight 0.5oz. £100-150

51. A Victorian cast silver caddy spoon, by George Adams, London 1848, gilded oval foliate bowl, stylised handle, initialled, length 8.6cm, approx. weight 0.6oz. £150-200

52. A Victorian silver double-ended medicine spoon, by George Adams, London 1851, length 17.3cm, approx. weight 1.6oz. £100-150

53. A Victorian silver Fiddle pattern marrow spoon, by George Adams, London 1861, the reverse of the stem initialled, length 16.8cm, approx. weight 0.8oz. £80-120

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

54. A Victorian silver Fiddle, Thread and Shell pattern ice cream spade, by George Adams, London 1850, single-struck, the terminal with a crest and motto, length 23.3cm, approx. weight 4oz. £150-200

55. A Victorian silver Straight Tudor pattern basting spoon, by George Adams, London 1853, the terminal with an initial, also with a registration lozenge, length £200-300 30cm, approx. weight 5.2oz.

The crest is that of Cochrane.

56. A Victorian silver Admiralty pattern basting spoon, by George Adams, London 1855, length 30.2cm, approx. weight 5.4oz. £300-500

57. A Victorian silver regimental Fiddle, Thread and Shell pattern serving spoon, The Royal Marines, by George Adams, London 1852, the terminal with the raised badge of the Royal Marines, length 26.5cm, approx. weight 4.2oz. £150-200

58. A Victorian silver Fiddle and Thread pattern basting spoon, by George Adams, London 1855, the terminal with a crest, length 30.5cm, approx. weight 5.1oz. £100-150

59. A Victorian silver Feather-edge and Bright-cut pattern basting spoon, by George Adams, London 1867, the terminal with a crest, length 30cm, approx. weight 4oz. £100-150

The crest is that of Barnewell, Barnes, Baron, Barron and others.

The crest is that of Biron, Brewer, Minett, Anneles, Atmore, Williams-Ellis and others.

OTHER PROPERTIES

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PROPERTY OF THE HONOURABLE SOCIETY OF THE MIDDLE TEMPLE, TO BE SOLD BY AUTHORITY OF THE TREASURER & MASTERS OF THE BENCH

60. A set of three Victorian silver Fiddle pattern dessert spoons, by George Adams, London 1869, the terminals with the Paschal Lamb crest, plus a single George III Old English pattern dessert spoon, by William Chawner, London 1819, and a Fiddle pattern tablespoon, by Eley and Fearn, London 1823, the stem inscribed 2nd Bar Mess Midd. Temp. Hall’, approx. weight 7.8oz. (5) £100-150

61. A set of six Victorian silver Fiddle pattern dessert spoons, by George Adams, London 1858, the terminals engraved with the Paschal Lamb crest, length 18.2cm, approx. weight 8.9oz. (6) £100-150

62. A silver Hanoverian pattern soup ladle, by Elkington and Co, Birmingham 1916, the terminal with the Paschal Lamb crest, the reverse of the stem inscribed ‘Senior Bar Table Middle Temple (no.2) Presented by Sir Walter Llewelyn Lewis, Oct. 1916’, length 34.8cm, approx. weight 7.5oz. £100-150

63. A Victorian silver Fiddle pattern fish slice and serving fork, the slice by H. Atkins, Sheffield 1899, the fork by Thomas Bradbury and Sons, Sheffield 1930, the blade engraved with the Paschal Lamb crest and inscribed ‘M.T Ad Antiquorum Usum D.D Carolvs Wager Ryalls L.L.D, Socius MDCCCXCIX’, the fork with the Paschal Lamb and inscribed ‘M.T Ad Antiquorum Usum D.D Johannes Edwinvs Mitchell Miles AD MCMXXX’, approx. weight 15.8oz. (2) £150-200

64. A set of twelve Victorian silver Fiddle pattern dessert spoons, by George Adams, London 1869, the terminals engraved with the Paschal Lamb crest, length 18.2cm, approx. weight 17.6oz. (12) £200-300

65. A set of twelve Victorian silver Fiddle pattern dessert spoons, by George Adams, London 1869, the terminals engraved with the Paschal Lamb crest, length 18.2cm, approx. weight 17.6oz. (12) £200-300

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

66. A set of twenty-four Victorian silver Old English Thread pattern table forks and tablespoons, by George Adams, London 1854,1856 and 1864, the terminals with the Paschal Lamb crest, in a fitted wooden case, approx. weight 121oz. (24)

£1,000-1,500

67. A set of twelve Victorian silver Old English pattern table forks, by George Adams, London 1871, the terminals engraved with the Paschal Lamb crest, length 20cm, approx. weight 27oz. (12) £300-500

68. A set of twelve Victorian silver Old English pattern table forks, by George Adams, London 1874, the terminals engraved with the Paschal Lamb crest, length 20cm, approx. weight 27oz. (12) £300-500

69. A set of twelve Victorian silver Old English pattern tablespoons, by George Adams, London 1874, the terminals engraved with the arms of Middle Temple, length 22cm, approx. weight 25.5oz. (12) £300-500

70. A set of twelve Victorian silver Old English pattern table forks, by George Adams, London 1874, the terminals engraved with the Paschal Lamb crest, length 20cm, approx. weight 27oz. (12) £300-500

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OTHER PROPERTIES

71. A set of twelve Victorian silver Fiddle pattern dessert spoons, by George Adams, London 1869, the terminals engraved with the Paschal Lamb crest, length 18.2cm, approx. weight 17.5oz. (12) £200-300

72. A set of six George I silver Hanoverian pattern dessert spoons, maker’s mark only four times for Paul de Lamerie, London circa 1720, the reverse of the bowls with a plain rat-tail, length 17.5cm, approx. £1,000-1,500 weight 7.7oz. (6)

part 73. A good set of six George II silver Hanoverian scroll back pattern tablespoons, by Elias Carchart, London 1754, the reverse of the bowls with a shell and scroll motif, length 20cm, approx. weight 13.4oz. (6) £700-900

74. A collection of twenty-three George I-III silver Hanoverian pattern tablespoons, various dates and makers, the terminals with crests or initials, comprising: six with rat-tail bowls, seventeen with plain heel bowls, and a set of six George III Old English pattern tablespoons, London 1779, approx. weight 58oz. (29) £600-800

75. A collection of eight George I/II silver Hanoverian pattern tablespoons, various dates and makers, four with rat-tails to the reverse of the bowls, one with a shell heel, the terminals with initials and armorials, approx. weight 14.2oz. (8) £200-300

76. A collection of eight Queen Anne/George I silver Hanoverian pattern tablespoons, various dates and makers, including a pair, London 1712/13 possibly by Andrew Archer, a pair London 1716, plus four others, the reverse of the bowls with plain rat-tails, the terminals with initials and armorials, approx. weight 16.3oz. (8) £300-400

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

77. A set of nine William IV silver King’s Husk pattern table forks and eleven dessert forks, by John Whiting, London 1833, the terminals with initials, the reverse of the terminals with a crest, approx. weight 58oz. (20) £300-500

78. A collection of silver King’s pattern flatware, various dates and makers, comprising: fourteen dessert spoons, a table fork, five dessert forks and two Queen’s pattern dessert spoons, approx. weight 46.5oz. £200-300 (qty)

79. A collection of silver flatware, various dates and makers, comprising: a part canteen of Fiddle pattern flatware: six table forks, six dessert forks, four dessert spoons, a sauce ladle, a pair of salt spoons, a caddy spoon, and a teaspoon, plus other items, various patterns, comprising: two butter knives, six dessert spoons, eighteen teaspoons, and nine condiment spoons, approx. weight 52oz. (qty) £400-600

80. A pair of Victorian silver fish servers, by Walker and Hall, Sheffield 1896, engraved blade and tines, carved plain tapering baluster handles, plus a pair of Victorian novelty electroplated salad servers, modelled as garden fork and spade, length 26.8cm. (4) £150-200

part

81. A collection of Victorian silver Victorian pattern flatware, by Hayne and Cater, London 1840 and 1849, Francis Higgins, London 1861, William Eaton, London 1841, and other makers, the terminals crested or initialled, comprising: a fish slice, a pair of basting spoons, a pair of salad servers, six tablespoons, eight table forks, four dessert spoons, six fruit knives and forks, and two butter knives, plus other flatware, including six fish knives and forks with ivory handle, a bread fork, with an ivory handle, and a cased electroplated bread knife and fork with an ivory handle, approx. weighable 110oz. (qty) £700-900

82. A set of six silver-gilt and plique à jour enamel teaspoons and a tea strainer, by Marius Hammer, Bergen circa 1910, the strainer apparently unmarked, with pierced floral terminals, twisted stems, in a fitted case, plus a set of six of six Danish silver-gilt and plique à jour teaspoons, with floral finials, in a case, and a set of six Norwegian silver-gilt and enamel teaspoons, by David Andersen, with blue enamel decoration with white bead borders, in a fitted case. (3) £250-300

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part 83. An 18th century set of continental silver Hanoverian pattern flatware, by Mund, probably German, the terminals engraved with a crowned monogram, comprising: six table forks, with three pronged tines, a pair of tablespoons, and eleven unmarked pistol-grip handled table knives, approx. weighable 16.5oz. (19) £600-800

84. A French 19th century silver Chateaubriand pattern part canteen, by Odiot, Paris c.1880, comprising: six table forks, six dessert forks, six tablespoons and six dessert spoons, monogrammed, approx. weight 73oz. (24) £1,000-1,500

85. A late 18th century French provincial silver Fiddle and Thread pattern basting spoon, circa 1780, plain terminal, length 34.5cm, approx. weight 7.6oz. £150-200

86. A late 18th century French provincial silver Fiddle pattern basting spoon, maker’s mark of E.G, Reims 1769, the terminal with a crest, length 31.5cm, approx. weight 5oz. £150-200

87. A late 18th century French silver Fiddle and Thread pattern basting spoon, by Pierre-Nicholas Somme, Paris 1789, length 32.3cm, approx. weight 5.8oz. £150-200

88. A late 18th century French silver Fiddle and Thread pattern basting spoon, maker’s mark of J.J B with a bell above, possibly Paris circa 1780, the reverse of the terminal with initials, length 34.4cm, approx. weight 6.8oz. £150-200

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89. A 19th century Canadian silver Fiddle pattern fish slice, by William Stennett, Toronto circa 1830, the blade pierced and engraved with a fish, with an engraved border, the terminal with a crest, length 32.3cm, approx. weight 6.3oz. £150-200

90. A Victorian silver King’s pattern crumb scoop, by George Adams, London 1841, the terminal with a crest, length 33cm, approx. weight 8.5oz. £150-200

91. A pair of George IV silver Fiddle pattern asparagus tongs, by William Chawner, London 1821, pierced blades, engraved with a crest, length 24cm, approx. weight 6.3oz. £150-200

92. A George II silver punch ladle, maker’s mark worn, London 1742, shaped oval bowl, bifurcated joint, the reverse of the bowl engraved ‘T2’, turned ivory baluster handle, length 35cm, approx. weight 3.4oz. £100-150

93. A George I silver marrow scoop, by Paul Hanet, London 1725, conventional form, plus a George II marrow scoop by Marmaduke Daintry, London 1743, and one by Ebenezer Coker, London 1743, approx. weight 4.5oz. (3) £200-300

94. A George II silver marrow scoop, maker’s mark worn, London 1744, the reverse of the bowl with a later garter crest, length 21.8cm, plus a George IV silver Feather-edge pattern marrow scoop, by Charles Edwards, London 1827, length 23cm, approx. weight 3.5oz. (2) £150-200

The crest is that of Blagrove of Abshott, Hants.

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part 95. A collection of King’s and Queen’s pattern flatware, various dates and makers, comprising Kings pattern: twelve dessert spoons, and twelve dessert forks, by William Hutton and Sons, London 1902, plus a pair of serving spoons, six teaspoons, and two table forks and a sauce ladle, plus eight Queen’s pattern table forks, approx. weight 92oz. (qty) £600-800

part 96. An Edwardian silver part-canteen of Fiddle, Thread and Shell pattern flatware, by Jackson and Fullerton, London 1903, comprising: four table forks, nine dessert forks, three tablespoons, seven dessert spoons, seven teaspoons and a pair of sauce ladles, approx. weight 66oz. (qty) £300-500

part 97. A modern silver King’s pattern canteen for six, maker’s mark of R.P, Sheffield 1972, comprising: six table forks, six dessert forks, six fish forks, six fish knives, six soup spoons, six dessert spoons, six table knives, six dessert knives, six coffee spoons, and four serving spoons, approx. weighable 88oz. (qty) £800-1,200

98. A Victorian silver part canteen of Palm pattern flatware, by George Adams, London 1866 and 1875, the terminals with a monogram, comprising: seven table forks, eight dessert forks, four tablespoons, eight dessert spoons, a sauce ladle, a butter knife, four teaspoons, and a pair of salt spoons, in a wicker cutlery basket, approx. weight 81oz. (qty) £700-900

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part 99. A Victorian silver Bright-cut pattern canteen for twelve, by Elkington and Co, Birmingham 1890, the terminals crested, comprising: twelve table forks, twelve dessert forks, twelve tablespoons, twelve dessert spoons, four serving spoons, twelve teaspoons, six egg spoons, four fruit serving spoons, two berry spoons, pair of sauce ladles, a butter spade, a chutney spoon, a serving fork, twelve fish knives and forks, and twelve fruit knives and forks, the blades engraved with fish and foliate decoration, carved mother-of-pearl handles, plus two electroplated nut picks, pair of electroplated and mother-of-pearl nut crackers, in a later fitted wooden cabinet, with three drawers and hinged doors, approx. weighable 159oz. £3,000-4,000

part 100. An Edwardian matched silver Hanoverian / Rat-tail pattern canteen for twelve, the majority by Elkington and Co, London 1909, three pronged forks, the reverse of the bowls with plain rat-tails, comprising: twenty-four table forks, (four matching different dates and makers), twenty-four table knives, twelve dessert forks, (three matching different dates and makers), twelve dessert knives, (one matched), twelve tablespoons, (two matching different dates and makers), eighteen dessert spoons, (six matching), five egg spoons, (one matched), eleven teaspoons, a basting spoon, a pair of sauce ladles, a five-piece carving set, a mustard spoon, a pair of salt spoons, in a fitted wooden case, the cover applied with a silver plaque and inscribed ‘Presented to H. Vane Esq. by the Members of The Lake Club, Kuala Lumpur, in recognition of his services as Honorary Secretary during the years 1904 to 1909’, approx. weighable 162oz. £2,000-3,000

part

101. An early-Victorian silver Fiddle and Thread pattern part canteen for twenty-four, by Mary Chawner, London 1838, plain terminals, comprising: thirty-four table forks, twenty-three dessert spoons, twenty-two tablespoons, eighteen dessert forks, a pair of basting spoons, a soup ladle, a pair of sauce ladles, a fish slice, six salt spoons, a condiment ladle, eleven teaspoons, plus twelve teaspoons, by George Adams, London 1850, and four others single struck and with a crest, two French forks and two Old English Thread pattern salt spoons, in a fitted wooden trunk, approx. weight 296oz. (qty) £3,000-4,000

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102. A pair of George III silver Onslow pattern basting spoons, marks closed, London 1767, the reverse of the terminals with scratch initials ‘S’ over ‘WC’, approx. weight 6.5oz. (2) £150-200

103. An 18th century silver mote spoon, maker’s mark IT, probably colonial, circa 1770-80, the bowl with plain pierced decoration, tapering bright-cut handle, with a spike terminal, length 13.8cm, approx. weight 0.3oz. £200-300

104. A pair of George III silver scissor snuffers, by Benjamin May, Birmingham 1777, pierced tapering form with ring handles, bight-cut decoration, engraved with a crest, length 15.3cm, approx. weight 3oz. £200-300

105. A small collection of three silver caddy spoons, comprising: one titled in the bowl, ‘Worshipful Company of Paviors, 1935, Evan Cook, J.P, Master’, the terminal enamelled with arms of the Company, by Charles Wilkes, Birmingham 1924, plus a George III one of leaf form, by Josiah Snatt, London 1807, and one by Hilliard and Thomason, Birmingham 1855, the bowl embossed with grapes, approx. weight 1.3oz. (3) £200-300

The crest is that of Ramsden.

106. A set of early Victorian naturalistic silver teaspoons, by Joseph Willmore, Birmingham 1838, flower head shaped gilded bowls, pierced branch and lead handles, the terminals with a crest, length 10cm, approx. weight 2.5oz. (4) £200-300

107. A set of six George II silver Hanoverian pattern teaspoons, by Jeremiah King, London circa 1740, the reverse of the terminals with an armorial within a widow’s lozenge with foliate mantling, in an associated shagreen case, approx. weight 3.6oz. (6) £100-150

The crest is that of Delaval, Douglas, Dundas, Ebhert, Fitz-Harbert, Gill, and others.

The armorial is that of Sargeant/Sergeant of Northumberland.

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in case

108. A mid-18th century silver miniature mote spoon, sugar nips and four teaspoons, the mote spoon possibly by Ebenezer Coker, the nips and spoons unmarked, circa 1750-60 the mote spoon with a pierced bowl, the nips with ring handles, the spoons of Hanoverian pattern, in a fitted shagreen case, length of mote spoon 9.3cm, approx. weight 1.5oz. (6) £250-300

109. A small collection of three silver jockey cap caddy spoons, comprising: an Australian one by Davis and Son, Adelaide, a Victorian one by Hilliard and Thomason, Birmingham 1890, plus one William Neale Limited, Birmingham 1912, plus an Australian letter knife, modelled as a boomerang, by Proud, the centre applied with a map of Australia, length 11cm, approx. weight 1.7oz. (4) £300-400

110. A small collection of four silver and enamel items, comprising: a cigarette case, with import marks for London 1925, importer’s mark of P H Vogel & Co, rectangular form, green enamel decoration, also with a hinged vesta compartment, length 10.2cm, plus a blue enamel cigarette case, import marks for London 1928, a black enamel cigarette case, import marks for London 1927, and a circular powder box, import marks for London 1925, the interior of the hinged cover with a mirror. (4) £300-400

111. A silver-gilt and tortoiseshell manicure set, by J Batson & Son, London 1911, oval form, the hinged cover with a tortoiseshell plaque, inlaid ‘Ethel’, the interior with a manicure set, plus a matching dressing table box, by William Comyns, London 1914, and a tortoiseshell cigarette case, London 1922. (3) £200-300

112. A George III Bilston enamel etui, tapering ovoid form, one side decorated with fishermen, the reverse with a church, on a dark blue ground, lacking fittings, length 10.2cm, plus a French silver-mounted enamel box, of oval form, the hinged cover and sides decorated with flowers and set with a silver bird, length 6cm, plus another enamel box of rectangular form, decorated with a figural scene with a church in the background, length 5.4cm. (3) £300-400

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A PRIVATE COLLECTION OF IRISH SILVER WINE LABELS

113. A George III Irish provincial silver wine label, by John Warner, Cork circa 1800, plain oval form, incised ‘RUM’, length 4.8cm, approx. weight 0.4oz. £200-300

114. A George III Irish provincial silver wine label, by John Whelply, Cork circa 1800, plain rectangular form, incised ‘PORT’, length 4.5cm, approx. weight 0.2oz. £200-300

115. A George III Irish silver wine label, maker’s mark of S.T twice, for Samuel Teare, Dublin circa 1800, banner form, bright-cut borders with a pierced pediment and vacant cartouche, incised ‘CHAMPAIGNE’, length 5cm, approx. weight 0.2oz. £200-300

116. A George III Irish provincial silver wine label, by Kean Mahony, Cork circa 1800, oval form, bright-cut borders incised ‘TENERIFFE’, length 4.5cm, £250-300 approx. weight 0.3oz.

117. A George III Irish provincial silver wine label, by John and Nicholas Nicholson, Cork circa 1810, plain rectangular form, canted corners, incised ‘PORT’, length 3.7cm, approx. weight 0.2oz. £200-300

118. A George III Irish silver wine label, by George Nagle, Dublin circa 1800, oval form, bright-cut borders with a pediment of a cherub holding a goblet and pineapple astride a barrel, incised ‘PORT’, length 5cm, approx. weight 0.2oz. £200-300

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119. A George III Irish provincial silver wine label, by Carden Terry and Jane Williams, Cork circa 1806, goblet form, with pierced ribbon-tied festooned borders, bright-cut decoration, incised ‘SHERRY’, length 4.6cm, approx. weight 0.2oz.

£400-600

120. A George III Irish silver wine label, by John Stoyte, Dublin circa 1800, oval form, pierced and bright-cut decoration, ribbon-tied pediment, incised ‘MADEIRA’, length 6.8cm, approx. weight 0.4oz. £200-300

121. A pair of George III Irish provincial silver wine labels, maker’s mark J.T twice, probably for John Toleken, Cork circa 1810, plain crescent form, incised ‘RUM’ and ‘BRANDY’, length 4.3cm, £400-600 approx. weight 0.5oz. (2)

122. A set of three George III Irish provincial silver wine labels, by John Toleken, Cork circa 1800, rectangular form, bright-cut border, pierced pediment, incised ‘MADEIRA’, ‘SHERRY’ and ‘PORT’, length 4.8cm, approx. weight 0.6oz. (3) £700-900

123. A George III Irish provincial silver wine label, by Carden Terry, Cork circa 1790, goblet form, with pierced ribbon-tied festooned borders, bright-cut decoration, incised ‘CLARET’, length 4.5cm, approx. weight 0.3oz. £400-600

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OTHER PROPERTIES – A PRIVATE COLLECTION OF WINE, SAUCE LABELS & BIN LABELS

124. A collection of six antique Scottish silver wine labels, Glasgow, various makers, incised ‘HOLLANDS’, ‘PORT’, ‘RUM’, ‘SHERRY’ and ‘MADEIRA’ (x2), approx. weight 1.9oz. (6) £300-400

125. A small collection of seven George III silver neck-ring sauce labels, various dates and makers, one unmarked, comprising: a pair of rectangular form, incised ‘CAYENNE’ and ‘SOY’, two incised ‘ELDER’, one ‘WORCESTER’, one ‘ANCHOVY’ and one blackened ‘KETCHUP’, approx. weight 1.1oz. (7) £300-400

126. A small collection of four Victorian silver wine labels, by Rawlins and Summers, various dates, pierced shaped oval form, pierced ‘SHERRY’, ‘MADEIRA’ and ‘PORT’ (x2), approx. weight 2oz. (4) £200-300

127. A collection of four antique provincial silver wine labels, comprising: one by George Lowe, Chester 1805, incised ‘MADEIRA’, one by John Lowe, Chester 1856, incised and blackened ‘BRANDY’, one possibly by Joseph Duke, Chester circa 1785, incised ‘CLARET’ and one with maker’s mark only T.W, incised ‘MARSALA’, approx. weight 1.3oz. (4) £300-400

128. A small collection of four antique silver wine labels, various dates and makers, narrow rectangular form, one incised and blackened ‘CAPE MADEIRA’, one incised ‘COTE ROTIE’, one ‘CHERRY BRANDY’, one ‘PORT’ and an old Sheffield plated label incised ‘PORT’, approx. weight 1.2oz. (5) £150-200

129. A small collection of five George III silver wine labels, various dates and makers, incised ‘XERES’, ‘CLARET’, ‘RUM’, ‘HOLLANDS’ and ‘MADEIRA’, approx. weight 1.2oz. (5) £250-300

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130. A small collection of four antique silver wine labels, various designs, dates and makers, titles ‘BUCELLAS, ‘NIG’ and ‘PORT’ (x2), approx. weight 1.9oz. £200-300

131. A small collection of four early 19th century silver wine labels, various dates and makers, oval form, foliate and grape vine borders, one pierced ‘MOSELLE’, the others incised ‘SHERRY’, ‘PORT’ and ‘MADEIRA’, approx. weight 2.9oz. (4) £250-300

132. A small collection of four antique silver wine labels, various dates and makers, two unmarked, narrow rectangular form, pierced pediments, bright-cut decoration, comprising a pair by Samuel Meriton, London circa 1785, pierced ‘W.WINE’ and ‘MADEIRA’, plus one incised ‘BENEDICTINE’ and one pierced ‘SHERRY’. approx. weight 1.2oz. (4) £150-200

133. A collection of five George III and George IV silver wine labels, oval form, beaded, gadroon and bright-cut borders, including one pierced ‘SHERRY’, plus others incised ‘PORT’, ‘CLARET’ and ‘MADEIRA’ (x2), approx. weight 1.9oz. (5) £200-300

134. A small collection of four 19th century silver wine labels, various dates and makers, various designs, titled ‘PORT’ (x2), ‘MADEIRA’ and ‘SHERRY’, approx. weight 1.2oz. (4) £250-300

135. A small collection of four antique silver and electroplated labels, comprising: a miniature ‘cut-out letters’ label ‘LEMON’, by William Hutton and Sons, Sheffield 1913, one re-titled ‘LEMON’, plus one incised ‘BRANDY’ and ‘PORT’, approx. weighable 0.8oz. (4) £200-300

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136. A collection of ten 19th century Delftware bin labels, coat hanger form, titled ‘HOCK’, ‘LISBON’, ‘BRANDY’, ‘PORT’, ‘VIDONA’, ‘SHERRY’, ‘BUCELLAS’, ‘RUM’, ‘MADEIRA’ and ‘23’. (10) £300-400

137. A collection of eight 19th century ceramic bin labels, coat hanger form, titled, ‘SAUTERNE FROM FAMIN VINTAGE 1815’, ‘PULSFORD PORT 1812’, ‘CYDER’, ‘PERRY’, ‘SHERRY FOR KITCHEN USE’, ‘MADEIRA’, ‘B BRANDY’ and ‘HOLLANDS’. (8) £300-400

138. A collection of ten 19th century ceramic bin labels, coat hanger form, including a large pair by Spode, titled ‘SHERRY’ and ‘HOCK’, plus others ‘CHAMPAIGNE’, ‘ELDER’, ‘PORTER’, ‘ALE’, ‘MARSELLA’, ‘CHAMPAGNE’, ‘PORT’, and ‘HOCK’. (10) £300-400

139. A collection of twelve 19th century creamware and ceramic bin labels, including some by Farrow and Jackson, Wedgwood, and W and J Burrow, coat hanger form, tilted ‘CAPE’. ‘No.1 MADEIRA’, ‘FOYOLLE’, ‘RED CHAMPAIGN’, plus ‘S.WHISKEY’, ‘HOCK’, ‘PALE SHERRY’, ‘SHERRY’, ‘GOLD SHERRY’, ‘DESSERT SHERRY’ and ‘HOCK’. (12) £300-400

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140. A collection of eight 19th century Delftware bin labels, lozenge form, decorated with a rampant lion, an anchor and foliate motifs, titled ‘VIN DE GRAVE’, ‘VIN DE L’HERMI TAGE’, ‘VIN DE VERSENE’, ‘VIN DE CHAMPAGNE ROUGE’, ‘VIN DE MUSCAT GREC’, ‘VIN DE CHAMPAGNE ROSSET’, ‘VIN DE BORDEAUX PONT CARRE’ and ‘VIN DE VERMONT’. (8) £300-400

141. A collection of eight 19th century creamware and pearlware bin labels, including ones by Wedgwood and Farrow and Jackson, coat hanger form, tilted ‘PACAROTTI’, ‘PALE SHERRY’, ‘BURGUNDY’, ‘MOSELLE’, ‘CLARET’, ‘MARSALA’, ‘WHISKEY’ and ‘CHERRY BRANDY’. (8) £300-400

142. A collection of nine 19th century creamware and pearlware bin labels, coat hanger form, tilted ‘ORAUM OF ARINTA’, ‘SHERRY’ (x2), ‘WHITE BURGUNDY’, ‘CHAMPAGNE’, ‘CLARET’, ‘BUCELLAS’, ‘PORT’ and ‘CALCAVELLA’, (9) £300-400

143. A collection of eight 19th century creamware and pearlware bin labels including some by Farrow and Jackson and Wedgwood, coat hanger form, tilted ‘SPOONER SHERRY’, ‘GOOSEBERRY’, ‘CYDER’, ‘CHAMPAGNE’, MADEIRA’, ‘VIDONIA’, ‘BUCELLAS’ and ‘PORT’. (8) £300-400

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144. A collection of eight 19th century creamware and pearlware bin labels, comprising a set of four of coat hanger form, tilted ‘LISBON’, ‘BRANDY’, ‘CLARET’ and ‘RUM’, plus a set of three titled in blue ‘CERCIAL MADEIRA’, ‘ELDER WINE’, and ‘MADEIRA’, plus one titled ‘GENEVA’. (8) £300-400

145. A collection of ten 19th century Delftware bin labels, coat hanger form, titled ‘MALMSEY’, ‘CLARET’, ‘CHAMPAIGN’, ‘PORT’, ‘CAPE MADEIRA’, ‘SHERRY’, ‘WHISKEY’, ‘MARCELLA’, ‘VIN DE GRAVE’ and ‘GIN’. (10) £300-400

146. A rare mid-18th century Battersea enamel wine label, circa 1755, escutcheon form with a monochrome scene of two cherubs on a barrel, titled ‘PORT’, length 6.8cm. £600-800

147. A pair of George III enamel wine labels, circa 1780, escutcheon form, decorated with cherubs on a barrel and cherubs treading grapes, titled ‘GIN’ and ‘W.PORT’, length 5.2cm and 4.7cm. (2) £200-300

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148. A collection of ten 19th century Delftware bin labels, coat hammer form, titled ‘ORANGE’, ‘CLARET’, ‘GIN’, ‘PICCOLITO’, ‘LISBON’, ‘SHERRY’, ‘MOUNTAIN’, ‘CALCAVELLA’, ‘FRONTINIAC’ ‘BURGUNDY’. (10) £300-400

149. A set of seven 19th century Ceramic bin labels, oval form, titled in black ‘No.103 St. GUIRONS LISTRAC 1868’, ‘No.89 CHATEAU BOURAN 1868’, ‘N146 MARIAN ST. JULIEN 1868’, ‘NO.121 SOUSSANS ARTIQUES 1868’, ‘NO.108 CHATEAU D’ISSAN 1868’, ‘NO.91 DONISSANT LISTRAE 1868’, and ‘NO.97 TAILLANT CURE 1868’. (7) £200-300

150. A pair of George III enamelled wine labels, circa 1760, escutcheon form, with Eros and a cherub, titled ‘RUM’ and ‘HOCK’, length 7cm. (2) £400-600

151. A collection of eight 19th century creamware and pearlware bin labels, including one by Spode, coat hanger form, tilted ‘BROWN SHERRY’, ‘TABLE BEER’, ‘SHERRY’, ‘FRONTIGNAC’, ‘MADEIRA FOR GENERAL USE’, ‘CALCAVELLA’, ‘1862 PORT’, plus one with painted drape decoration titled ‘PORT’. (8) £300-400

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152. A George III silver wine label, by Matthew Linwood, Birmingham 1819, with two Bacchanalian cherubs with ewers and goblets and vine borders, incised ‘CONSTANTIA’, plus a George III wine label, by James Atkins, London 1803, pierced ‘PORT’, approx. weight 1oz. (2) £200-300

153. A George IV silver wine label, by Paul Storr, London 1822, shaped oblong form, shell and scroll borders, incised ‘SHERRY’, the £200-300 reverse inscribed ‘1st Service’, approx. weight 0.5oz.

154. A small collection of four George III Irish silver wine labels, comprising: one by John Teare, Dublin circa 1800, incised ‘PORT’, one by Benjamin Tait, incised ‘W.WINE’, and two others incised ‘MADEIRA’ and ‘PORT’, approx. weight 1.4oz. (4) £250-300

155. A George III silver wine label, by Richard Turner, London 1819, shaped form, with a Bacchanalian cherub on a barrel, incised ‘GRAPE’, plus two further early 19th century wine labels, both incised ‘CLARET’, approx. weight 1.9oz. (3) £250-350

156. A George III silver wine label, by Thomas Wallis and Jonathan Hayne, London 1815, shaped form, with a Bacchanalian cherub, incised ‘PORT’, plus another shaped label with a Cherub on a barrel, by Daniel Hockley, London circa 1820, pierced ‘CLARET’, approx. weight 1oz. (2) £150-250

157. A small collection of five antique silver and electroplated labels, comprising a miniature pair of cut-out letters ’S’ and ‘G’, by E. Hutton, London 1891, a rectangular one, incised ‘SOY’ and unmarked label ‘ELDER.VIN’ and an electroplated label ‘SOY’, approx. weight 1.2oz. (5) £200-300

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158. A mixed lot of silver and electroplated sauce labels, some unmarked, comprising: one incised ‘READING’, ‘CATCHUP’, ‘CHILLI VINEGAR’, ‘WORCESTERSHIRE’, ‘SOY’, ‘TARRAGON’ and one blank, approx. weight 1oz. (7) £150-200

159. A George III silver-gilt wine label, maker’s mark of WR, shaped form, with two cherubs, vines and a goblet, incised ‘CLARET’, plus two others similar, incised ‘OLD HOCK’ and £250-300 ‘SHERRY’, approx. weight 2oz. (3)

160. A small collection of six George III silver sauce labels, one marked with maker’s mark of Susannah Barker, the others unmarked, kidney form, bright-cut and feather-edge borders, incised ‘LEMON’ (x2), ‘CAYAN’, ‘GARLICK’, ‘TARRAGON’ and ‘KETCHUP’, approx. £200-300 weight 0.5oz. (6)

161. A small collection of five early 19th century silver sauce labels, various dates and makers, comprising: a pair of shaped form, shell and scroll borders, pierced ‘CAYENNE’ and ‘READING’ and a similar one pierced ‘KETCHUP’, plus two further labels pierced ‘KETCHUP’ and ‘CAYENNE’, approx. weight 0.8oz. (5) £200-300

162. A small collection of five early 19th century silver sauce labels, various dates and makers, comprising: one of scroll banner form, pierced ‘HARVEY’ , one pierced ‘KETCHUP’, plus three further labels incised ‘ANCHOVY’, ‘CAYENNE’ and ‘ESCAVECHI’, approx. weight 1.4oz. (5) £200-300

163. A collection of five George III silver wine labels, one unmarked, oval form, beaded, thread and bright-cut borders, incised ‘CLARET’, ‘RUM’, ‘SHERRY, ‘BRANDY’ and ‘MADEIRA’, approx. weight 1.3oz. (5) £200-300

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164. A George IV silver wine label, by Thomas Edwards, London 1824, shaped form, with two cherubs, vines and a goblet, re-titled ‘E.I.SHERRY’, plus two others similar, incised ‘MURACHE’ and ‘SHERRY’, approx. weight 1.9oz. (3) £250-300

165. A small collection of three provincial silver wine labels, comprising: one of scroll form, by Robert Pinkney Newcastle circa 1790, scroll form, blackened ‘PORT’, plus one by John Mitchison, Newcastle circa 1790, incised ‘CLARET’, plus another label, incised ‘RUM’, approx. weight 0.9oz. (3) £200-300

166. A small collection of three antique York silver wine labels, comprising: one by Barber and Whitwell, York circa 1820, rectangular form, incised ‘PORT’, another by the same maker, incised ‘BRANDY’, and one by John Bell, circa 1850, incised ‘WHISKEY’, approx. weight 1oz. (3) £250-300

167. A pair of George III Scottish silver wine labels, by Francis Howden, Edinburgh circa 1810, with two Bacchanalian cherubs with ewers and goblets and vine borders, incised ‘BRANDY’ and ‘WHISKY’, plus another Scottish wine label of similar form, incised ‘CLARET’, by John Hay or J. Howden, approx. weight 1.4oz. (3) £150-200

168. A small collection of four George III silver wine labels, various dates and makers, various designs, titles ‘CLARET’, ‘HOLLANDS’, ‘GIN’, and ‘RUM’, approx. weight 1.1oz. (4) £200-300

169. A small collection of four George III silver wine labels, comprising: two by Hester Bateman, crescent form, both incised ‘SHERRY’, plus one by Peter and Ann Bateman, London 1798, incised ‘BRANDY’, and one other incised ‘PORT’, approx. weight 1.3oz. (4) £200-300

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170. A George III silver wine label, by James Hyde, London 1795, narrow rectangular form, beaded border, incised and with traces of blackening ‘PICOLITO’, plus a George III silver wine label, by Charles Rawlings, London 1898, narrow rectangular form, incised ‘COTE ROTI’, and an unmarked label incised ‘LISBON’, approx. weight 0.8oz. (3) £200-300

171. A small collection of four antique silver wine labels, various dates and makers, two unmarked, narrow rectangular form, pierced pediments, bright-cut decoration, comprising: one pierced ‘CURRANT’, one ‘PORT’, one incised ‘LISBON’ and one ‘BRANDY’, approx. weight 0.9oz. (4) £150-200

172. A collection of three George III silver wine labels, oval form, with raised shield pediments, bright-cut and thread borders, comprising: one by James Hyde, London circa 1790, pierced ‘SHERRY’, one by Phipps and Robinson, incised ‘CLARET’ and another incised ‘HOLLANDS’, approx. weight 1.3oz. (3) £200-300

173. A small collection of three antique York silver wine labels, comprising: one by Barber, Cattle and North, circa 1830, shaped rectangular form, incised ‘PORT’, one by Hampston and Prince, circa 1785, shaped form, incised ‘RUM’ and one by Hampston and Prince, circa 1795, incised ‘CALCAVELLA’, approx. weight 0.9oz. (3) £250-300

174. A collection of reference books relating to wine and sauce labels, including: Salter, J., Wine Labels of the World, also by the same author Sauce labels and Boudoir labels, plus other volumes and copies of the Wine Label Circle journal. (qty) £50-70

175. A pair of Austrian silver and enamel candlesticks, by R.S, tapering circular form, plain urn capitals with blue enamel decoration, both applied with an enamelled portrait of a lady, on raised circular bases with trailing flower borders, height 13.5cm. (2) £300-400

OTHER PROPERTIES

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176. A late-Victorian silver-gilt mounted glass vesta match striker, by C. May & Sons , Birmingham 1899, globular form, reeded decoration, plain mount, in a cardboard box, height 8.5cm. £100-150

177. A late-Victorian silver-gilt mounted glass vesta match striker, by C. May & Sons, Birmingham 1899, globular form, reeded decoration, plain mount, in a cardboard box, height 8.5cm. £100-150

Provenance: Sotheby’s, Chatsworth The Attic Sale, October 5-7 2010, lot 1037 (part).

Provenance: Sotheby’s, Chatsworth The Attic Sale October 5-7 2010, lot 1037 (part).

178. A silver-gilt mounted tortoiseshell clock, by Charles and Richard Comyns, London 1919, retailed by Mappin and Webb, rectangular form, plain mounts with a central hinged carrying handle, on four bun feet, enamel dial, height 11cm. £300-400

179. A pair of modern parcel-gilt silver salt and pepper pots, by J. Campbell, London 1995/96, modelled as hunting boots, silver-gilt tops, height 7cm, approx. weight 5oz. (2) £200-300

Provenance: From the Collection of Sir Framjee Dinshaw Maneckji Petit, 3rd Baronet (1901-1983) and Lady Sylla Dinshaw Petit (nee Tata), and then by descent to the current owner.

180. A 9-carat gold-mounted and glass spirit flask, by Asprey and Co., London 1916, rounded rectangular form, fluted glass body, pull-off drinking cup, initialled, bayonet fitting hinged cover with a different coloured gold border, initialled, length 11.7cm, approx. weight 28.7g. £300-400

181. An early-Victorian silver ‘castle-top’ basket, by Taylor and Perry, Birmingham 1837, circular form, the centre embossed with a scene of Abbotsford House, embossed and chased foliate scroll decoration, wavy-edge borders, swing-handle, on four bracket feet, diameter 12.8cm, approx. weight 3.2oz. £200-300

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182. A Victorian novelty silver cruet set, by Rupert Favell, London 1886 modelled as three conjoined acorns, with an oak leaf and acorn handle, pull-out pepper pot, and with a hinged mustard pot and salt cellar with a glass liner, with a spoon, length 11.8cm, approx. weight 4.9oz. £150-200

183. An Edwardian novelty presentation silver dish, by William Comyns, London 1902, modelled as a camp bed, inscribed ‘With Colonel Aspinwall’s thanks to Lt. C. Thorne, for many good nights, 1901-2’, length 12.3cm, approx. weight 1.9oz. £200-300 Provenance: The James Walker Collection, Christie’s South Kensington, 13 July 2006, lot 400. Lt. Col. J.H Aspinwall is listed in the November 1901 Army List as being in the 3rd. Prince of Wales Dragoon Guards, Honorary Lt. C.H. Thorne was the regimental Quartermaster.

184. A Victorian silver tea canister, by Edmund Bennett, London 1886, modelled as a milk churn, the hinged cover with a crest and lockable latch, height 11cm, approx. weight 7.9oz. £200-300

185. A Victorian novelty silver cream jug, possibly by Joseph Bramah, London 1884, modelled as a milk can, hinged handle and cover, height 7cm, approx. weight 5oz. £150-200

186. A pair of silver-mounted wooden pepper mills, by Hukin and Heath, Birmingham 1927, churn form, the dark wooden bodies with plain silver banded decoration, height 9.5cm. (2) £200-300

187. A pair of German novelty silver-mounted glass cat pepper pots, maker’s mark M.M, modelled in seated positions, glass bodies, pull-off cover, height 6.5cm. (2) £150-200

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188. A late-Victorian novelty silver pin cushion, by Levi and Salaman, Birmingham 1895, modelled as a horseshoe, with rectangular nails and a blue velvet cushion, length 13cm. £150-200

189. An Edwardian novelty silver-gilt bear pin cushion, by H. V. Pithey and Co, Birmingham 1909, modelled as a muzzled teddy bear, with movable arms and legs, clear stone eyes, length 6cm. £300-400

190. An Edwardian novelty silver hare pepper pot, by Grey and Co., Birmingham 1906, modelled in a boxing position, textured fur, pierced pull-off head, height 6.5cm, approx. weight 0.7oz. £200-300

191. A late-Victorian novelty silver owl pepper pot, by George Unite, Birmingham 1897, modelled in a standing position, textured feathers, the pull-off head with glass eyes, height 9.2cm, approx. weight 2.1oz. £300-400

192. A late-Victorian novelty silver owl mustard pot, by George Unite, Birmingham 1900, modelled in a standing position, textured feathers, the hinged cover with bulbous glass eyes, height 9.2cm, approx. weight 2.4oz. £300-400

193. A late-Victorian novelty silver owl pepper pot, by George Unite, Birmingham 1884, modelled in a standing position, textured feathers, the pull-off head with glass eyes, height 7.6cm, approx. weight 1.3oz. £150-200

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194. A 19th century Chinese silver snuff box, by Khecheong, Canton circa 1845, rectangular form, cushion sides, chased foliate decoration, the cover and base chased with dragons and foliate decoration, rectangular vacant cartouche, gilded interior, length 6cm, approx. weight 1.7oz. £300-400

195. A George III silver snuff box, by Thomas Shaw, Birmingham 1828, rectangular form, the hinged cover with a relief panel of men seated around a table with a harp player, within foliate scroll decoration, the sides with embossed decoration, engine-turned base with a vacant cartouche, length 7.2cm, approx. weight 3.4oz. £400-600

196. A Victorian silver ‘castle-top’ card case, Osborne House, by F. Marston, Birmingham 1850, rectangular form, embossed with a scene of the house within foliate scroll decoration, the reverse with a cartouche and initials, length 10cm, approx. weight 2.4oz. £600-800

197. A William IV silver posy holder, by Joseph Willmore, Birmingham 1836, cornucopia form, fluted decoration below pierced intertwined trellis decoration, rope-work borders, the reverse with a clip, length 8cm, approx. weight 0.5oz. £300-400

198. An early 19th century small silver snuff box, maker’s mark F.S, surrounded with four single punches ‘F’, ‘O’, ‘R’, ‘D’, probably for Ford and Slater, Birmingham circa 1800, rounded rectangular form, flush hinged cover, engraved border, length 3cm, approx. weight 0.2oz. £150-200

199. An early 19th century Dutch silver snuff box, by Jacob Van Nieuwcasteel, Utrecht 1806, oval navette form, the hinged cover engraved with two armorials within a classical landscape with an urn, and inscribed ‘souvenir’, length 8.9cm, approx. weight 4.4oz. £800-1,200

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200. A Victorian silver bosun’s call, by Henry Aston, Birmingham 1862, engraved decoration, embossed with a crowned anchor, and with a ring attachment, length 10.4cm, approx. weight 0.4oz. plus another unmarked bosun’s call. (2) £200-300

201. A collection of four silver naval Sennet hats, two by The Adie Brothers, Birmingham 1925 and 1930, and two by A E Poston & Co Ltd, Birmingham 1939, two engraved ‘H.M.S Victory’, the others ‘H.M Delhi’ and ‘H.M.S Vernon’, diameters 9.3cm, approx. weight 7.5oz. (4) £200-300

202. A pair of silver naval trophy oars, by The Goldsmiths and Silversmiths Company, London 1931, engraved ‘H.M.S Shropshire’, and ‘W.C. Bampfylde’, length 16.4cm, plus a single silver trophy oar, by the Navy, Army & Air Force Institute, Birmingham 1937, inscribed ‘Stockholm Whaler 1937 F. King’, length 20.3cm, approx. weight 2.2oz. (3) £200-300

203. A late-Victorian novelty silver whistle and compass, by S. Mordan and Co., London 1896, cylindrical form, the hinged cover set with a compass, the cover opens to reveal a compartment, possibly for vestas, inscribed and dated ‘1900’, length 9.5cm, approx. weight 1oz. £300-400

204. A Victorian novelty silver vesta case, by Hilliard and Thomason, Birmingham 1888, modelled as a mussel shell, hinged cover with a ring attachment, engraved decoration, length 5.5cm, approx. weight 0.5oz. £200-300

205. A Victorian silver handled umbrella, by F B Thomas & Co, London 1896, the handle modelled as continuous bearded male heads, plain mount, length 80.5cm. £200-300

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206. A set of six silver menu card holders, by William Base & Sons, Birmingham 1930, pierced and engraved with various game and a gun dog, circular bases, in a fitted case, retailed by James Ramsay, Dundee, approx. weight 3.8oz. (6) £300-400

207. A Victorian silver hunting horn, maker’s mark worn, London 1868, inscribed Ellam makers, Piccadilly, tapering circular form, with a foliate cartouche, inscribed ‘To The Master of the Cameron Fox hounds from his Brother Officers’, in a fitted case, length 25.4cm, approx. weight 3.8oz. £200-300

208. A 19th century Dutch silver tobacco box, rounded rectangular form, the hinged cover with and engraved male portrait, the base with an engraved scene of battle ships in action, length 15.8cm, approx. weight 5.9oz. £300-400

209. An 18th century Dutch silver tobacco box, Schoonhoven probably 1781, also marked with a later tax mark, shaped rectangular form, the hinged cover engraved with a gentleman and a sleeping lady, within scroll decoration, inscribed ‘Hooglied.V.2’, the base also with engraved decoration, length 13.8cm, approx. weight 6.2oz. £400-600

210. A travelling presentation silver-mounted ivory conductor’s baton, by Ebenezer Newman & Co, London 1916, tapering circular form, engraved decoration, inscribed ‘Given to Capt Powell R.A.F by Sir Godrey Paine 1918’, in a fitted case, full length 40cm. £150-200 Claude Forbes Powell (1881-1959) was a conductor, composer, singer and teacher but from a historic perspective he is most notable for being the conductor of the first band of the newly formed RAF in 1918. Godfrey Marshall Paine (1871-1932) had a distinguished career in the Navy and Air Force. At the age of 14 he joined the Royal Navy as a midshipman rising to Lieutenant on HMS Renown and First Lieutenant aboard HMS Hogue. By 1903 he was a Commander and in 1909 he was appointed Officer Commanding the Third Destroyer Flotilla. Following this he commanded HMS Actaeon in 1911 and it was at this period that he took an interest in naval aviation. Just three years later, in 1912, Paine was appointed first commandant of the Central Flying School at Upavon having just learned to fly earlier that year; The school trained pilots for both the military and naval wings. In 1917 he became 5th Sea Lord of the Admiralty and Director of the Royal Naval Air Service and the following year on 12th March he was awarded the K.C.B. By 1919 he was an Air Vice Marshall and his last appointment was as Inspector-General of the R.A.F. At the time he presented the Baton to Captain Powell in 1918 he was part of the Air Council as Master General of Personnel. 211. A continental enamelled dish, unmarked, probably Austro-Hungarian, rectangular form, the center enamelled with mounted cavalry officers in a landscape setting, with white borders on a red ground, length 13.8cm. £400-600

210

211

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212. A Victorian silver travelling dressing table set, by Thomas Whitehouse, London 1890, some pieces by George Betjemann & Sons, London 1874, retailed by Howell, James and Co., Regent Street, the plain covers with a heavy bead border and with a crest and motto, glass bodies, comprising: three scent bottles, four toilet jars, and three toilet boxes, with an eight-piece steel and mother-of-pearl manicure and sewing set, in a fitted walnut case, with brass banding, the interior of the cover with a gilt-mounted removable mirror and a stationery wallet, the hinged drop down front with an unmarked silver-gilt hand mirror with a beaded border, a pull-out drawer, and a secret jewellery drawer, length 33.7cm, height 21.5cm, approx. weighable 16oz. £1,000-1,500 The crest is that of Roche.

213. A Victorian silver travelling dressing table set, by Thomas Whitehouse, London 1882, retailed by John Bagshaw and Sons, Liverpool, the covers with engraved foliate scroll decoration, also engraved with a monogram, glass bodies, comprising: three scent bottles, four toilet jars, and three toilet boxes, with a six-piece steel and mother-of-pearl manicure set, in a fitted coromandel case, with brass banding, the cover inscribed ‘G.H. Geddes’, the interior of the cover with a leather-clad removable mirror and a stationery wallet, the hinged drop-down front reveals two pull-out drawers, one fitted for jewellery and with a writing slope top, length 33cm, height 21.5cm, approx. weighable 5.3oz. £700-900

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214. A Victorian silver gentleman’s travelling dressing table set, by Frances Douglas, London 1854/55, retailed by Lund, Maker, Cornhill and Fleet Street, London, the covers with engraved foliate scroll and engine turned decoration, with vacant circular cartouches, glass bodies, comprising: a shaving brush, four cologne bottles, three toilet jars, and three toilet boxes, with a pair of ivory razors, and six further ivory and steel implements, including a corn knife, six ivory brushes, and an ivory handled shaving strop, in a fitted coromandel case, with brass banding, the interior of the cover with a leather-clad removable mirror and a stationery wallet, the bottles are set in two slide-action trays, the front with a secret drawer, with a key and leather storm jacket, length 33cm, height 21.5cm, approx. weighable 10oz. £1,000-1,500

extended

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215. A George II silver mug, by Francis Crump, London 1757, baluster form, leaf capped scroll handle, later embossed foliate scroll decoration, inscribed ‘Presented to Mr. J. F. Hart, by 840 of the Poor of the Parish of Fisherton Delamere as a token of their esteem for his great Kindness’, also later inscribed, on a circular foot, height 13cm, approx. weight 13.8oz. £200-300

216. A pair of Edwardian silver candlesticks, by Hawksworth, Eyre and Company Limited, Sheffield 1902, lyre form, oval fluted capitals, on raised fluted oval bases with reeded borders, height 20.8cm. (2) £500-700

217. A George III silver mug, over-stamped with maker’s mark of T.L, London 1785, baluster form, leaf capped scroll handle, later embossed with a farmyard scene of a lady feeding chickens and a gentleman arriving home, inscribed ‘Presented by The Members for Salisbury to Mr. J. F. Hart of Fisherton Delamere for the best 100 Lambs at Britford Fair, Aug.12th 1852’, on a circular foot, height 16.5cm, approx. weight 20oz. £500-700

218. A pair of George III silver wine coasters, by John Emes, London 1805, circular form, with an engraved Greek Key border, turned wooden bases, engraved with a crest, diameter 14.8cm. £500-800

The crest is that of Delme.

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219. A George I silver sugar caster, by Samuel Welder, London 1715, baluster form, central girdle, pull-off pierced cover with a knop finial, on a circular foot, height 18cm, approx. weight 6.5oz. £400-600

220. A George III silver tea caddy, by William Adby, London 1769, rectangular bombé form, the pull-off cover with a gadroon border and flower finial, later crest, on four pierced bracket feet, height 13.8cm, approx. weight 9oz. £600-800 The crest is that of Haughton, Hunter, Ingram, Ledsam, Lowfield, Loxdale, and others.

221. A George III silver goblet, by William Frisbee, London 1807, plain urn form, inscribed ‘WOBURN SHEEP SHEARING 1808’, the reverse later inscribed ‘For the best Boar not exceeding two years old’, height 15.8cm, approx. weight 8.9oz. £200-300

222. A George II silver mug, possibly by Richard Gosling, London 1755, tapering circular form, central girdle, scroll handle, on a raised spread circular foot, initialled, height 14.3cm, approx. weight 15.6oz. £300-500

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223. A George III silver tea pot, by Robert Sharp, London 1800, shaped oval form, scroll handle, oval finial, tapering spout, length handle to handle 27cm, approx. weight 16oz. £150-200 The crest is possibly that of Crofton or Auchinleck.

225. A George III silver teapot, by Charles Chesterman, London 1801, oval form, bright-cut decoration with fluted and Greek Key borders, scroll handle, domed hinged cover, length handle to spout 29cm, approx. weight 14.5oz. £300-400

224. A Charles II silver porringer, maker’s mark only ?P, baluster form, chased foliate decoration, scroll handles, the base with initials and later dated ‘1747’, height 7cm, approx. weight 2.2oz. £600-800

226. A George III silver argyle, by Peter and William Bateman, London 1810, vase form, scroll handle, the domed pull-off cover with a wooden finial, the interior with a compartment pot for a hot rod, with a pulloff cover, on a raised circular foot with reeded borders, height 18cm, approx. weight 11oz. £1,000-1,500

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227. A silver two-handled dish, by Walker and Hall, Sheffield 1937, circular form, pierced and engraved trailing grapevine decoration, embossed grape and vine border and handles, on a circular foot, length handle to handle 41.8cm, approx. weight 39.5oz. £300-400

228. An early-Victorian silver mustard pot and four salt cellars, by William Bateman & Daniel Ball, London 1841, in the Rococo manner, shaped oval form, with shells and scroll decoration, the mustard pot with a leaf capped scroll handle and blue glass liner, the salts with gilded bowls, plus six various condiment spoons, length 9.5cm, approx. weight 23oz. (11) £800-1,200 Provenance: From the Collection of Sir Framjee Dinshaw Maneckji Petit, 3rd Baronet (1901-1983) and Lady Sylla Dinshaw Petit (nee Tata), and then by descent to the current owner. The 1st Petit Baronetcy was created on the 1st September 1890 for the Indian entrepreneur Dinshaw Maneckji Petit (1823-1901), of Petit Hall, Bombay. Lady Sylla Dinshaw Petit was the daughter of Ratanji Dadabhoy Tata.

229. A Victorian silver-mounted mazer salad bowl, by Walter Thornhill, London 1885, circular form, plain silver mounts, turned wooden baluster side handle, on a raised circular foot, length 39.8cm. £300-400

230. A late-Victorian silver two-handled trophy bowl, by D and J Wellby, London 1897, circular form, central girdle, leaf capped bifurcated flying scroll handles, on a raised circular foot, engraved with a crest and inscribed ‘Dublin Horse Show 1900, First Prize Hunters’ Jumping won by A.J. Wansbrough’s Blackbird’, length handle to handle 46.5cm, approx. weight 71oz. £700-900 Provenance: A.J Wansbrough and then by descent to the current owner.

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231. A pair of George III silver salt cellars, by Thomas Wallis, London 1802, oval bat-wing form, wire-work frame, on four fluted bracket feet, the glass liners with reverse painted scenes of galleons, plus a pair of George III Fiddle and Thread pattern salt shovels, by Eley and Fearn, London 1813, approx. weight 3.4oz. (4) £200-300

232. A George III silver wine funnel on an Irish silver wine funnel stand, by Aldridge and Green, London 1773, the stand by William Bond, Dublin 1800, circular form, the funnel with a side-clip, the stand engraved with a crest and initials, height 10.5cm, approx. weight 2.9oz. (2) £250-300

Provenance: From the Collection of Sir Framjee Dinshaw Maneckji Petit, 3rd Baronet (1901-1983) and Lady Sylla Dinshaw Petit (nee Tata), and then by descent to the current owner.

The crest is that of Warren, White, Williams, Wreahoke and Wyllie.

233. An Edwardian silver seven-bar toast rack, by Heath and Middleton, London 1903, rounded rectangular form, central carrying handle, on four bun feet, length 16cm, approx. weight 7oz. £100-150

234. A George III silver tea caddy, by John Denziloe, London 1781, oval form, flush-hinged cover with a knop finial, engraved bright-cut borders, the front with a crest within swag mantling, length 12cm, approx. weight 10.5oz. £700-900

235. A George II / III silver lemon strainer, by Samuel Herbert and Co., London circa 1750-60, circular form, double scroll side handle, with a clip, later inscribed and dated, length 14.3cm, approx. weight 2.3oz. £200-300

236. A George IV silver wine funnel, by John E. Terrey, London 1820, circular form, gadroon border, with a side clip, the tapering body with three ribbed supports, engraved with a crest, height 15.5cm, approx. weight 6.9oz. £300-500

The crest is that of Massingberd.

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237. A Victorian parcel-gilt silver beaker, by Robert Garrard, London 1876, circular form, chased foliate and beaded borders, on a raised circular foot, the underside wood lined, height 13.5cm. £150-200

238. A George III silver swing-handled sugar basket, by Charles Hougham, London 1790, oval form, wavy-edge border, reeded swing-handle, gilded bowl, the body with bright-cut decoration, and with two vacant cartouches, on a raised oval foot, length 11cm, approx. weight 4.5oz. £500-700

239. A George III silver cream jug, by Hester Bateman, London 1781, baluster form, punch bead border, leaf capped scroll handle, on a raised circular foot, height 12cm, approx. weight 2.6oz. £150-200

240. A Victorian silver seven-bar toast rack, by Roberts & Slater, Sheffield 1858, Gothic arch form, central carrying handle, on a rounded rectangular base on four bun feet, length 17.8cm, approx. weight 15.5oz. £300-400

241. An Edwardian silver-gilt replica cup, the Holms Cup, by Nathan and Hayes, Chester 1902. the circular bowl with an inscription, on a raised circular fluted and lobed foot, height 10cm, approx. weight 11oz. £200-300

242. A William IV silver box and cover, possibly for knives or flatware, by Samuel and Charles Young, Walker, Kitchen and Co, Sheffield 1830, shaped oblong form, the hinged cover embossed with foliate scroll decoration, on four ball feet, length 21.6cm, approx. weight 16oz. £700-900

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243. A four-piece Art Deco silver tea and coffee set, by James Dixon and Sons, Sheffield 1946, panelled oblong form, scroll handles, hinged covers, on raised shaped rectangular bases, length handle to spout 25.5cm, approx. weight 58.5oz. (4) £400-600

244. A late-Victorian silver brandy pan, stand and burner, by Thomas Whitehouse, Birmingham 1896, tapering circular form, angular ivory side handle, the pull-off cover with an ivory finial, the wire-work stand of circular form, with a burner, beaded border, height 17.5cm, approx. weight 12oz. £250-300

245. A late-Victorian silver-mounted tortoiseshell tea caddy, by Saunders and Shepherd, Chester 1895, rectangular form, the hinged cover with a border of pierced foliate scroll decoration, central cartouche shield, drop-ring handles, on four bun feet, the interior with pull-out tortoiseshell lid and velvet lined cover, length 11.5cm. £400-600

246. A Victorian silver-mounted ceramic tray, by William Comyns, London 1895, rectangular form, pierced foliate border, white ceramic base, on four bun feet, length 59.2cm. £600-800

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247. A silver-mounted lockable glass decanter, by Hukin and Heath, Birmingham 1911, plain upright rectangular form, plain mount, with a loop attachment, lacking padlock, height 27.5cm. £200-300

248. A pair of Edwardian silver and ivory candlesticks, by the Harrison Brothers, Sheffield 1903, the ivory columns with swirl fluted decoration, Corinthian column capitals, on stepped square bases with beaded borders, height 14cm. (2) £200-300

249. A Victorian silver claret jug, by Heath and Middleton, London 1899, globular form, hobnail cut glass body, plain mounts with an angular scroll handle, the hinged cover crested, height 17cm. £300-400

250. A set of six modern silver goblets, by Sterling Silverware Ltd, Sheffield 1976, tapering circular bowls, on knopped baluster stems on spread circular bases, height 14.5cm, approx. weight 37oz. (6) £300-400

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251. By Tiffany and Co, a set of four American silver bonbon dishes, leaf form, simulated twig handle, with one ball foot support, in the original Tiffany box, length 8.8cm, approx. weight 4.8oz. (4) £150-200

252. Designed by Kate Harris for William Hutton and Sons, an Edwardian Art Nouveau silver dish, London 1901, also signed Kate Harris Sculpt, square form, embossed with a girl’s head and Art Nouveau flowers, £150-200 length 8.5cm, approx. weight 1.9oz.

253. An American silver cream jug, by Allan Adler, tapering circular form, scroll and disk handle, height 9.8cm, approx. weight 3.8oz. £100-150

254. By Paul Eaton, a modern silver and mixed metal paper knife, maker’s mark only, London circa 1990, plain tapering blade, with a bronze finial of a hooded falcon, the hood set with red stones, length 20.8cm. £100-150

Allan Adler (1916-2002) was an American silversmith, known as “silversmith to the stars”. Beginning his career as an apprentice in 1938, Adler designed silverware and hollowware in shapes inspired by the Modernist art movement of the early 1900s. His name became associated with Hollywood glamour in the early 1940s.

255. By Liberty and Co, an Arts and Crafts silver spoon, Birmingham 1910, circular bowl, tapering stem with a stylised wheatsheaf terminal, length 19.5cm, approx. weight 2.2oz. £150-200

256. By the Sandheim Brothers, an Arts and Crafts silver spoon, London 1921, spot-hammered bowl, the terminal with pierced decoration, length 22.8cm, approx. weight 2.4oz. £100-150

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257. By Georg Jensen, a Danish silver pepper pot and salt cellar, the salt with import marks for London 1930, importer’s mark of George Stockwell, the pepper with import marks for London 1951, importer’s mark of Georg Jensen Limited, design no. 198, spot-hammered decoration, engraved border, with a salt spoon, height of pepper pot 8.5cm, approx. weight 4.7oz. (3) £200-300

258. After Christopher Dresser, an electroplated seven bar toast rack, maker’s mark of T.W, fan shape, with plain bars and ball sockets, on an arched rectangular base, length 19cm. £200-300

Provenance: From the Collection of Sir Framjee Dinshaw Maneckji Petit, 3rd Baronet (1901-1983) and Lady Sylla Dinshaw Petit (nee Tata), and then by descent to the current owner.

259. By Christopher Lawrence, a modern silver vase, London 1971, tapering slender circular form, textured decoration, height 19.5cm, approx. weight 9.4oz £200-300

261. By George Payne and Son of Oxford, an Arts and Crafts silver mazer bowl, Birmingham 1926, tapering circular mount, spot-hammered decoration, engraved border, the wooden base of circular form, diameter 14cm, approx. weight of mount 3.6oz. £150-200

260. By Gerald Benney, a pair of modern silver commemorative salt and pepper pots, London 1980, no. 79 of an edition of 200. commissioned by the Worshipful Company of Apothecaries of London to celebrate the 800th Anniversary of the Guild of Pepperers of the City of London, domed cylindrical form, textured decoration, engraved with an armorial, a camel and rhino and ‘The 800th Anniversary of the Pepperers Guild 1180-1980’, height 6.8cm, approx. weight 5oz. (2) £300-500 Provenance: Purchased from the Worshipful Society of Apothecaries, 17 June 1980 for £379.50.

262. By W. Connell, a late-Victorian silver Arts and Crafts dish, London 1896, circular form, with cherubs and foliate decoration, punch bead border, diameter 22.2cm, approx. weight 6.5oz. £150-200

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263. By Aileen Faul, an Art Deco silver and ivory caddy, London 1937, tapering circular form, engraved with a crab (Cancer) nipping the tail of Sagittarius, who is about to fire his arrow at the crab, the tapering pull-off cover with a carved ivory finial with goats, on a raised circular foot, height 18.5cm, approx. weight 12oz. £300-400

264. A four-piece silver Art Deco tea set, by Edward and Sons, of Glasgow, Sheffield 1937, circular tapering form, with an ivory scroll handle, the hinged cover with an ivory finial with a chased grapevine mount, initialled, on raised circular bases with chased grapevine decoration, length handle to spout 28cm, approx. weight 59oz. (4) £400-600

263

264

265. By Liberty and Co, an Edwardian Art Nouveau bowl, Birmingham 1901, circular form, with stylised decoration and set with green cabochon stones, on four slender legs, diameter 10.5cm, height 7cm, approx. weight 6oz. £600-800

265

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266. By Omar Ramsden, an Arts and Crafts silver salver, London 1938, also engraved ‘Omar Ramsden Me Fecit’, circular form, spot-hammered decoration, fluted border, on three bun feet, the reverse inscribed with a presentation inscription and facsimile signatures, diameter 21.5cm, approx. weight 15.5oz. £700-900

267. By Omar Ramsden, a three-piece Arts and Crafts silver condiment set, London 1920 and 1922, also engraved ‘Omar Ramsden Me Fecit’, tapering circular form, spot-hammered decoration, rope-work borders, the mustard pot with a scroll handle, later blue glass liners, height of mustard pot 7cm, approx. weight 6.6oz. (3) £700-900

266

267

268. By Omar Ramsden, an Arts and Crafts silver wine coaster, London 1926, the underside inscribed ‘Omar Ramsden Me Fecit’, circular form, spot-hammered decoration, castellated border, the wooden base set with a Tudor rose motif, diameter 11cm, height 4.5cm. £1,500-2,000

268

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269

269 reverse

269. By Omar Ramsden, an Arts and Crafts silver and burr walnut dressing table mirror, London 1937, also engraved ‘Omar Ramsden Me Fecit’, rectangular form, with a rivet border, the back of the mirror with a walnut panel, applied with initials, plain swing supports, on a raised stepped rectangular base, height 21cm. £1,500-2,000

270. By Omar Ramsden, an Arts and Crafts silver standing cup and cover, London 1928, also engraved ‘Omar Ramsden Me Fecit’, tapering circular bowl, spot-hammered decoration, on a knopped stem with four scroll supports, on a raised circular foot, the pierced pull-off cover with a Paschal Lamb finial, inscribed ‘I was wrought by Omar Ramsden for Consul General E.G Sahlin at the wish of the Council of the Swedish Chamber of Commerce in London to mark their appreciation of his great services and as a gift on the 50th anniversary of his birthday Jan 9th, MCMXXIX’, height 37.5cm, approx. weight 35.4oz. £1,800-2,200

270

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271

271. By Omar Ramsden, a pair of Arts and Crafts silver wine coasters, London 1938, also engraved ‘Omar Ramsden Me Fecit’, circular tapering form, spot-hammered decoration, castellated borders, the wooden centres set with a thistle motif and with a Tudor rose motif on the underside, on a raised castellated and pierced circular foot, height 6cm, diameter 14.1cm. (2) £4,000-6,000

272. By Omar Ramsden, an Arts and Crafts silver standing cup and cover, London 1920/21, also engraved ‘Omar Ramsden Me Fecit’, tapering circular bowl, spot-hammered decoration, rope-work girdle, on a raised circular foot, the pierced pull-off cover with a knight finial, and a castellated border, on an octagonal wooden base with rope-work borders, height on plinth 38cm, approx. weight 20oz. £1,800-2,200

272

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273. By Omar Ramsden, an Arts and crafts silver plaque, London 1932, also engraved ‘Omar Ramsden Me Fecit’, rectangular form, embossed with a central crucifix above a chalice, flanked by two angels, one holding an incense burner, with a vari-coloured hardstone cabochon border, length 33.8cm, approx. weight 31oz. £1,500-2,000

274. An early 19th century Scottish provincial silver wine funnel, by Robert Keay, Perth circa 1810, circular bowl, gadroon border, fluted tapering spout, length 15.5cm, approx. weight 5oz. £600-800

273

275. An Edwardian Scottish silver-mounted wooden piggin, by Young & Tatton, retailed by Mackay and Chishlom, Edinburgh 1906, tapering circular form, alternate coloured wooden stave construction, the handle mounted with an engraved silver thistle, the front with a shield cartouche and with silver banding, height 20.5cm. £200-300

276. A George II Scottish silver mug, maker’s mark of Robert Low, assay master Edward Lothian, Edinburgh 1743, baluster form, scroll handle, on a raised circular foot, height 8.3cm, approx. weight 5.3oz. £500-700

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A SMALL PRIVATE COLLECTION OF SCOTTISH PROVINCIAL SILVER FLATWARE

277. An early 19th century Scottish provincial silver Fiddle pattern tablespoon, by Alexander Stewart, Tain circa 1820, the terminal with a script initial ‘M’, length 22.8cm, approx. weight 2.1oz. £400-600

278. An early 19th century Scottish provincial silver Fiddle pattern dessert spoon, by Alexander Stewart, Tain circa 1820, plain terminal, length 18.5cm, approx. weight 1oz. £300-400

279. An early 19th century Scottish provincial silver Fiddle pattern tablespoon, by J and G Heron, Paisley circa 1800, plain terminal, length 22,5cm, approx. weight 1.7oz. £200-300

280. An early 19th century Scottish provincial silver Fiddle pattern dessert spoon, by John Sellar, Wick circa 1830, the terminal with a script initial, length 19.2cm, approx. weight 1.2oz. £300-400

281. A George III Scottish provincial silver Hanoverian pattern tablespoon, by Hugh Ross, Tain circa 1760, the reverse of the terminal with a crest and motto, length 21.2cm, approx. weight 1.9oz. £500-700

282. An early 19th century Scottish provincial silver Old English pattern dessert spoon, by McGregor & Lindsay, possibly St Andrews Fair, circa 1830, the terminal initialled, length 18.4cm, approx. weight 0.9oz. £100-150

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283. A George III Scottish provincial silver masking spoon, by John Keith, Banff circa 1800, twisted stem, with a shaped rectangular terminal with a ball finial, length 17cm, approx. weight 0.5oz. £150-200

284. An early 19th century Scottish provincial silver Fiddle pattern toddy ladle, by Robert Robertson, Cupar circa 1830, the terminal initialled, length 19.5cm, approx. weight 1.3oz. £200-300

285. A 19th century Scottish provincial silver Fiddle pattern large toddy / punch ladle, by James Sturrock, Montrose circa 1860, plain terminal, length 33cm, approx. weight 2.5oz. £300-400

286. An early 19th century Scottish provincial silver Fiddle pattern preserve spoon, by Andrew Davidson, Abroath circa 1840, the terminal with a script initial, length 14.8cm, approx. weight 0.8oz. £150-200

287. A small collection of three late 18th /early 19th century Scottish provincial silver tablespoons, comprising: a Hanoverian pattern tablespoon, by James Cornfute, Perth circa 1780, the terminal and reverse of the terminal with script initials, length 21.5cm, plus a Celtic Point pattern tablespoon, by William Clarke, Greenock circa 1790, the terminal initialled, plus a Fiddle pattern tablespoon by Adam Burgess, Dumfries 1840, the terminal initialled, approx. total weight 6.5oz. (3) £200-300

288. A small collection of three late 18th /early 19th century Scottish provincial silver dessert spoons, comprising: a pair of Old English pattern spoons, by James Erskine, Aberdeen circa 1800, plain terminals, length 17.2cm, plus a Celtic point pattern spoon, by James Douglas of Dundee, circa 1800, plus a Fiddle pattern spoon by R and R Keay, Perth, and an Edinburgh spoon, by Matthew Craw, approx. total weight 4.2oz. (5) £200-300

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OTHER PROPERTIES

289. A pair of George II Scottish silver Hanoverian pattern tablespoons, by Robert Gordon, assay master Hugh Gordon, Edinburgh 1755, the reverse of the terminals with a later crest, plus a George II Scottish silver Hanoverian pattern tablespoon by Dougal Ged, assay master Hugh Gordon, Edinburgh 1752, approx. weight 6.5oz. (3) £120-180

Each lot is subject to a Buyer’s Premium of 25% plus VAT

290. A set of six early 19th century Scottish provincial silver Fiddle pattern tablespoons, by Robert Keay, Perth circa 1800, the terminal with a script initial ‘G’, length 22cm, approx. weight 12oz. (6) £300-400

The crest is that of Maitland.

291. A Victorian Scottish provincial silver Fiddle pattern fish slice, by William Ferguson of Elgin, with Edinburgh marks for 1841, the blade pierced and engraved with a fish, the terminal with initials, length 32cm, approx. weight 5.6oz. £200-300

292. A pair of George II silver Irish Hanoverian pattern tablespoons, by William Walsh, Dublin 1753, the reverse of the terminals with crests, plus a George III silver meat skewer, by Solomon Hougham, London 1793, plain ring terminal, approx. weight 8oz. (3) £200-300

293. A collection of seven antique Irish silver tablespoons, comprising: five of Hanoverian form, including Christopher Skinner, Dublin 1745, one Dublin 1758, 1765, 1769 and one probably Dublin 1729, plus an Old English pattern tablespoon and a Fiddle pattern one, approx. weight 14.3oz. (7) £200-300

294. A small collection of five George III Irish silver spoons, comprising: a provincial dessert spoon, by John Nicolson, Cork circa 1790, the terminal initialled, another dessert spoon by Carden Terry, Cork circa 1790, crested, plus a dessert spoon, Dublin 1806, with a crest and a pair of George III Bright-cut Star pattern tablespoons, by John Pittar, Dublin 1798, engraved with a monogram, approx. weight 7.4oz. (5) £200-300

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295. A pair of mid-18th century Irish silver cups, by George Cartwright, Dublin circa 1750, circular form, leaf capped scroll handle, central girdle, on raised circular bases, engraved with armorials within foliate scroll mantling, and inscribed ‘The Gift of Thomas Dawson Esq. as a memorial of his dear father Charles Dawson Esq. to Charles Mayne Esq. his friend and Kinsman’, height 11.5cm, approx. weight 23oz. (2). £600-800 The arms are that of Dawson quartering another.

295

296. A George III silver beer jug, maker’s mark partially worn, Dublin 1774, baluster form, leaf capped scroll handle, engraved with a crest, on a raised circular foot with a gadroon border, height 22.3cm, approx. weight 23oz. £1,000-1,500 The crest is possibly that of Carter.

296

297. An 18th century Irish silver kitchen pepper, marked only with a harp mark, cylindrical form, scroll handle, domed pierced cover, on a circular foot, height 7.5cm, approx. weight 1.8oz. £200-300

297

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298. A rare Irish Republican silver cream jug, by William Egan and Sons of Cork, July/September 1922, marked WE, Castle, Ship, Castle baluster form, punch bead and fluted decoration, scroll handle, on three mask capped scroll bracket feet, height 12cm, approx. weight 7.3oz. £1,500-2,000 Provenance: From an Irish Collection, purchased from Blenheim Antiques, 124 New Bond Street, 7 September 1978 for £650. During the Civil War in Ireland in 1922, Cork was in the hands of the Republicans from June to September. The firm of Egan and Sons had operated in Cork for over a century and they could not send their silver to Dublin to be assayed as communications between the two cities were cut off. The Egans’s cut two new dies, one a castle, the other a ship. This ship differed from the old Cork ship as it has two masts, not three. When order was restored the Egan’s were able to send their silver to Dublin and the punches were destroyed. There are around fifty-four such pieces of Republican silver known, and by repute this piece once belonged to the manager of Barclay’s bank, which was located in St. Patrick Street at this time. ref Bennet, D., Georgian Irish Silver, Cassell,1972 pages 233-236. For another example of republican silver selling at auction see: Bonhams, New Bond Street, Fine Silver and Vertu, 25 July 2003, lots 19 and 20, from the Collection of M.S.D Westropp.

298

299. A George III Irish provincial silver Freedom box, unmarked circa 1771, oval form, the pull-off cover engraved with the arms and motto of Cork, plain sides, the underside engraved ‘This Box with the Freedom of the City of Cork was presented by the Corporation of the said City to John Barry, in the year 1776’, length 9cm, approx. weight 4.5oz. £3,000-4,000

299

reverse

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A SMALL PRIVATE COLLECTION OF VINAIGRETTES 300. A small collection of four 19th century silver vinaigrettes, comprising: one by Thomas Shaw, Birmingham 1834, rectangular form, engine-turned decoration, plus one by Edward Smith, Birmingham 1852, engraved decoration, one by Yapp and Woodward, Birmingham 1836, with wriggle-work decoration and one other engraved, approx. weight 2oz. (4) £300-400

300 301. A small collection of four 19th century silver vinaigrettes, comprising: one by Nathaniel Mills, Birmingham 1850, rounded rectangular form, engraved foliate scroll decoration, plus one by Ledsam and Vale, Birmingham 1822, engraved decoration, one by Gervase Wheeler, Birmingham 1841, and one other engraved, approx. weight 1.4oz. (4) £300-400

301 302. A small collection of four 19th century silver vinaigrettes, comprising: one by Wardell and Kempson, Birmingham 1806, shaped rectangular form, engraved decoration, plus one by F. Marston, Birmingham 1880, engine-turned decoration, one by Edward Smith, Birmingham 1846, with engine-turned decoration and one other engraved, approx. weight 2.1oz. (4) £300-400

302 303. A small collection of three 19th century silver vinaigrettes, comprising: a silver-gilt one by Matthew Linwood, Birmingham 1811, rectangular form, engine-turned decoration, plus a silver-gilt one of watch case form, by Thomas Shaw, Birmingham 1823, plus a Scandinavian one of horn form, approx. weight 2.3oz. (3) £250-300

303

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304. A small collection of four 19th century silver vinaigrettes, comprising: one by Thomas Bartleet, Birmingham 1820, rectangular form, engine-turned decoration, reeded sides, plus one by Nathaniel Mills, Birmingham 1840, engraved decoration, one by Simpson and Son, Birmingham date letter worn, with wriggle-work decoration and one other engraved, approx. weight 2.3oz. £300-400 (4)

304 305. A George III silver egg vinaigrette, by Samuel Meriton, London 1794, plain egg form, the cover opens to reveal a pull-out pierced silver-gilt grille, inside that is a further egg with a pull-off cover, length engraved decoration, the interior with a pierced and engraved foliate grille, length 4cm, approx. weight 0.4oz. £300-400

305 306. A George III silver-gilt purse vinaigrette, by Joseph Willmore, Birmingham 1816, rectangular form, engraved decoration, the interior with a pierced and engraved foliate grille, length 2.8cm, approx. weight 0.4oz. £200-300

306 307. A William IV parcel-gilt silver book vinaigrette, by Gervase Wheeler, Birmingham 1835, rectangular form, engine-turned decoration, vacant cartouche the interior with a pierced and engraved foliate grille, length 3.2cm, approx. weight 0.5oz. £150-200

307

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OTHER PROPERTIES – A COLLECTION OF VINAIGRETTES 308. A George III provincial silver vinaigrette, by Robert Cattle, York 1807, plain oval form, hinged cover inscribed J. Young, the interior fitted with a hinged silver-gilt grille pierced and engraved with a leaf, length 2.9cm, approx. weight 0.4oz £300-400

308 309. A George III silver-gilt vinaigrette, probably by John Bough, London 1803, rounded rectangular form, the cover and base engraved with cross-hatched decoration, the interior fitted with a hinged silver-gilt grille pierced with musical instruments, sheet music and foliate decoration, length 4.4cm, approx weight 0.7oz. £200-300

309 310. A George III silver vinaigrette, by Matthew Linwood, Birmingham 1808, rectangular form, the hinged cover engraved with Demeter and Dionysus on a prick-dot background and initialled M, the interior fitted with a hinged silver-gilt grille pierced with musical instruments, sheet music and foliate scrolls, length 3.7cm, approx. weight 0.7oz. £300-400

310 311. A George III silver provincial vinaigrette, by George Murray, Newcastle, circa 1810, rectangular form, the cover initialled MM, the base inscribed “A tender husband and an affectionate friend”, the interior fitted with a hinged plain domed silver-gilt pierced grille, length 4cm, approx. weight £200-300 0.6oz.

311

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312. A Victorian novelty silver vinaigrette, by Wheeler & Cronin, Birmingham 1845, in the form of a prayer book, the hinged cover with engine turned decoration and engraved foliate cross, the interior with a hinged, foliate pierced silver-gilt grille, length 4.4cm, approx weight 0.7oz. £300-400

312 313. A George III commemorative silver vinaigrette, by Matthew Linwood, Birmingham 1814, rectangular form with engraved decoration and vacant cartouche, the hinged cover opens to reveal a pierced silver-gilt grille depicting Nelson’s ship HMS Victory and written ‘Victory Trafalgar Ocr 21 1805’, length 3cm, approx. weight 0.5oz. £600-800

313 314. A George III Scottish silver vinaigrette, maker’s mark only RS struck three times, circa 1800, oval form, the cover engraved with a foliate border, and an oval cartouche initialled RP, the interior fitted with a hinged silver-gilt grille pierced and engraved with oak leaves and acorns, length 3.1cm, approx. weight 0.4oz. £250-300

314 315. A George III silver-gilt vinaigrette, by Phipps & Robinson, London 1802, rectangular form, engraved all over with wicker decoration, the interior fitted with a hinged silver-gilt grille pierced with a rose, thistle and shamrock to represent England, Scotland and Ireland, length 3.8cm, approx. weight 0.9oz. £300-400

315

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316. A George IV silver vinaigrette, by Joseph Willmore, Birmingham 1820, in the form of a Maltese cross, engraved with radiating lines, vacant cartouche, fitted with a hinged silver-gilt pierced foliate grille, with a ring attachment, length 2.5cm, approx. weight 0.3oz. £300-400

316 317. A George III silver vinaigrette, by Hester Bateman, London circa 1790, plain oval form, the interior fitted with a plain pierced grille, length 3.cm, approx. weight 0.4oz. £200-300

317 318. A William IV silver-gilt vinaigrette, by John Nickolds, London 1834, cushioned rectangular form, with engraved scrolling decoration, the hinged cover set with a classical scene under rock crystal of Cornelia, Mother of Gracchi, the interior with a hinged silver-gilt grille pierced with musical instruments, sheet music and foliate decoration, length 4cm. £1,000-1,500 The image is probably from an engraving by Bartolozzi, 1783.

318 319. A George III Scottish provincial silver vinaigrette, possibly by James Smith, Aberdeen circa 1800, rounded rectangular form, the cover, sides and base engraved with tartan decoration and a vacant cartouche, the interior fitted with a hinged silver-gilt grille pierced and engraved with a thistle, length 2.6cm, approx. weight 0.3oz. £300-400

319

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320. A Victorian novelty silver vinaigrette, by Jane Brownett, London 1885, modelled as a walnut shell, the interior fitted with a hinged silver-gilt pierced grille in the form of the nut, length 4.5cm, approx weight 1.2oz. £1,000-1,500

320 321. An early 19th century Scottish provincial gold vinaigrette, marked J.M three times, possibly for James Morrison, Fochabers, circa 1830, rounded rectangular form, with a foliate thumb piece, the hinged cover engraved with a coronet above initials MA, the interior with a foliate pierced hinged grille, length 4.4cm, approx. weight 30.6g. £1,000-1,500

321 322. A George III Scottish provincial silver vinaigrette, by John Scott, Perth, circa 1810, rectangular form, the hinged cover with a raised foliate border, engraved foliate decoration and a rectangular cartouche initialled MH, the interior fitted with a hinged silver-gilt pierced grille, engraved with a basket of flowers, length 3cm, approx. weight 0.5oz. £600-800

322 323. A George IV silver horn vinaigrette/scent bottle, by Nathaniel Mills, Birmingham 1828, the hinged cover with a bright-cut border and opening to reveal a pierced foliate grille, engraved foliate decoration, with a chain and screw-off scent bottle cover, set with an agate cabochon, length 10cm, approx. weight 1.7oz. £300-400

323

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324. A Victorian silver-gilt mounted overlay scent bottle/vinaigrette, by Abraham Brownett, London 1867, circular form, clear glass body, with pierced foliate scroll overlay, the hinged cover with engraved decoration and a concealed photograph frame, the body and cover inset with turquoise and pearl cabochons, the front engraved ‘Lally’ and opens to reveal a foliate pierced silver-gilt grille and engraved ‘Registered P & F Schafer, 27 Piccadilly, 21st Aug 1866’, the reverse with a hinged compartment and engraved ‘Xmas 1916’, length 7.4cm. £800-1,200

324 325. A rare Victorian novelty silver vinaigrette, by S. Mordan and Co, London circa 1880, modelled as a walnut, the interior fitted with a hinged, silver-gilt grille with pierced and engraved scroll decoration and central roundel, with a ring attachment, length 3.5cm, approx. weight 0.7oz. £600-800

OTHER PROPERTIES 325 326. A William IV silver-gilt ‘Castle-top’ vinaigrette, Newstead Abbey, by Taylor and Perry, Birmingham 1835, rectangular form, the hinged cover with a scene of the house, the sides and base with engine-turned decoration, the base with a vacant cartouche, with a ring attachment, length 4cm, approx. weight 0.9oz. £400-600

326 327. A late 19th century French silver vinaigrette, retailed by Odiot, Paris, egg form, engine-turned decoration, foliate terminals, the hinged cover opens to reveal a hinged pierced silver-gilt grille, in a fitted case, length 4cm, approx. weight 0.7oz. £400-600

327

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328. A rare Victorian novelty silver vinaigrette, by Sampson Mordan, London 1875, modelled as a dog’s head, the collar with traces of gilding, bloodstone seal terminal, the hinged cover opens to reveal a pierced foliate grille, engraved S. Mordan and Co., with a ring attachment, length 4cm, approx. weight 0.7oz. £4,000-6,000

329. A William IV silver-gilt vinaigrette, by Nathaniel Mills, Birmingham 1830, rectangular form, engine-turned sides and base, the hinged cover with a cast relief panel of game birds with their chicks, the underside with a vacant cartouche, the grill pierced and engraved with foliate scroll decoration and with a central flower, length 4.8cm, approx. weight 1.5oz. £800-1,200

328

330. An early 19th century French gold and enamel vinaigrette, by Christian Petchler, Paris 1819-1838, rounded rectangular form, with foliate decoration on a dark blue enamelled ground, the interior with a hinged pierced foliate grille, with a ring attachment, length 2.8cm, approx. weight 11.5g. £500-700

329

331. A Russian silver-gilt and guilloche enamel aide memoire and card case, by Antip Kuzmichev, Moscow circa 1895, rectangular form, with blue, red and white enamelled bead-work decoration, enamelled borders and clasp, the hinged cover opens to reveal a card case holder with pierced foliate scroll decoration, the sides with a pencil holder and opening to reveal an aide memoire and engraved and pierced foliate scroll decoration, length 9.8cm. £500-700

330

331

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A PRIVATE COLLECTION OF RUSSIAN SILVER

332. A Russian silver cigarette case, Moscow 1927-1958, rectangular form, the front embossed with a warrior’s head and shield in front of a castle, the reverse inscribed, length 10.2cm, approx. weight 5.8oz. £200-300

333. A late-19th century Russian parcel-gilt silver cigar case, Moscow 1880, assay master Ivan Konstantinov, rounded rectangular form, embossed with a scene of a horse and plough, gilded fields, length 12.3cm, approx. weight 7.8oz. £200-300

334. A Russian silver cigarette case, Moscow 1908-1926, rectangular form, the front embossed with a bear and fir trees, with a red push button clasp, the underside with holes from lacking mementos, length 11.5cm, approx. weight 8.3oz. £200-300

335. A Russian silver-gilt and enamel cigarette case, 1896-1908, rounded rectangular form, with vari-coloured enamel decoration on a matted background with rope-work borders, the sides with turquoise borders and thumb-piece, length 10.2cm, approx. weight 5.5oz. £300-400

336. A Russian silver cigarette case, Kiev 1908-1926, rectangular form, embossed with a scene of a nurse attending a wounded soldier, with a canon and a battle scene behind, length 11.8cm, approx. weight 7.5oz. £200-300

337. A Russian silver cigarette case, Moscow 1908-1926, rectangular form, the front embossed with a view of Moscow from the river, with a lady standing to the left holding a shield and pointing, with a blue push button clasp, length 13cm, approx. weight 8.3oz. £200-300

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338. A Latvian silver-mounted swing-handled cut-glass dish, maker’s mark worn, circa 1900, circular form, the body with heavy cut decoration, the mount and swing-handle with chased decoration, with traces of gilding, diameter 13cm. £200-300

339. A late-19th century Russian silver-gilt and enamel cigarette and vesta case, maker’s mark K.A, St. Petersburg circa 1890, rectangular form, the flush-hinged cover and base with vari-coloured enamel decoration, the hinged end opens to reveal a vesta holder, with a striker, with a chain and lighting cord, length 9.5cm, approx. weight 7.5oz. £300-400

reverse

340. A Russian silver and enamel belt, St. Petersburg 1906-1926, formed by twenty-seven three section panels, decorated with floral and scroll enamel work, on a matted background, with a sword catch, length 80cm, weight total 6oz. £300-400

341. A Russian silver cigar case, Moscow 1908-1926, rectangular form, engraved with a standing gentleman smoking a cigar and with engraved cigar packaging labels, green push-button £300-500 clasp, length 13.5cm, approx. weight 6.3oz.

342. A Russian silver-gilt mounted two-handled cut-glass dish, 1954-58 period, circular form, the body with heavy cut decoration, the mount with chased decoration, pierced foliate handles, length handle to handle 15cm. £100-150

343. A set of six late-19th century Russian silver-gilt and enamel teaspoons, Moscow 1886, assay master Ivan Konstantinov, with vari-coloured enamel decoration on a matted background, twisted stems, white enamel finials, length 14.5cm, approx. weight 6.5oz. (6) £200-300

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344. A late 19th century Russian silver champagne goblet / ice cream dish, maker’s mark ?A, Moscow circa 1890, shallow circular bowl, engraved foliate border, on a raised circular foot with a beaded stem, height 12cm, approx. weight 5.9oz. £150-200

345. A Russian silver-mounted swing-handled cut-glass dish, maker’s mark worn, circa 1900, circular form, the body with heavy cut decoration, the mount and swing-handle with chased decoration, with traces of gilding, diameter 14.8cm. £200-300

346. A 19th century Russian lacquered tea caddy, rectangular form, the hinged cover with a scene of two men and a woman sitting around a table having tea, the table with a samovar, the front with a lock, tin lined, the interior with a pull-out cover, length 14cm, £150-200

347. A Russian silver-mounted scent bottle, maker’s mark possibly that of A.S. Bragin, 1896-1908, shaped upright rectangular form, heavy cut decoration, the pull-off cover with acanthus leaf decoration, with a stopper, height 14.5cm. £100-150

348. A 19th century Russian parcel-gilt silver cup and cover, Assay master Nikolay Dubrovin, Moscow 1829, circular form, part-fluted decoration, gilded leaf capped scroll handle, and with a gilded foliate border, the pull-off cover with a gilded flower head finial, on a raised circular foot, height 12cm, approx. weight 7.7oz. £200-300

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349. A late-19th century Russian silver-gilt and enamel scent flask, by Pavel Ovchinnikov, Moscow 1876, assay master V. Savinsky, baluster form, with vari-coloured foliate enamel decoration, on a matted background, rope-work borders, pull-out stopper, on a raised circular foot, height 20cm, approx. weight 11.9oz. £600-800

349

350. A silver and enamel scent flask, by Ivan Saltykov, Moscow circa 1890, tapering circular form, with vari-coloured enamel decoration on a matted background, rope-work borders, pull-out stopper, on a raised circular foot, height 15cm, approx. weight 4.8oz. £300-400

350

351. A late 19th century Russian silver-gilt and enamel scent bottle, maker’s mark worn, Moscow circa 1890, shaped compressed rectangular form, the vari-coloured enamel decoration on a blue ground with scroll rope-work, white beaded borders, screw-off cover, length 7.8cm. approx. weight 2oz. £300-400

351

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352. A late 19th century Russian silver-gilt and enamel cup and saucer, maker’s mark M.T, possibly for M. Takkinen, circa 1890, circular form, with vari-coloured enamel decoration, on a matted background with rope-work borders, white beaded borders, on a circular foot, the saucer with similar decoration, diameter of saucer 13.3cm, approx. weight 6.6oz. (2) £400-600

352

353. A late 19th century Russian silver-gilt and enamel cup and saucer, maker’s mark B.A, circa 1890, circular form, with vari-coloured enamel decoration, on a matted background with rope-work borders, white and turquoise beaded borders, on a circular foot, the saucer with similar decoration, diameter of saucer 11.4cm, approx. weight 6.6oz. (2) £300-500

353

354. A Russian silver-gilt and enamel tea glass holder, by the 6th Artel, circa 1915, Moscow marks for 1908-1926, circular form, with vari-coloured foliate decoration, with a scroll border on a matted background, scroll handle, wavy-edge border, with an etched tea glass, height 9.6cm, approx. weight 5.9oz. £300-400

354

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355. A 19th century Russian silver-gilt and enamel cream jug, by Grachev, St. Petersburg 1884, tapering circular form, scroll handle, with vari-coloured enamel foliate decoration, height 6cm, approx. weight 3.3oz. £200-300

355

356. A late-19th century Russian silver-gilt and enamel tazza, by Ivan Saltykov, Moscow circa 1890, assay master A. Artsybashev, circular form, with a hanging apron of vari-coloured decoration, knopped stem on a raised circular foot with enamelled decoration, rope-work border, initialled, height 9.5cm, approx. weight 6.4oz. £350-400

356

357. A Russian silver-gilt and enamel swing-handled basket and sugar tongs, by Ivan Saltykov, Moscow 1890, assay master A.P, also marked with a French import mark, circular form, with vari-coloured enamel decoration on a matted background with rope-work borders, the swing handle and tongs with similar enamel decoration, the underside with a monogram and inscribed ‘23, IV, 1891’, diameter 11cm, approx. weight 8oz. (2) £500-700

357

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358. A late 19th century Russian silver and enamel plate, by Khlebnikov, Moscow, circa 1896, circular form, the centre with vari-coloured enamel decoration, with a pearl coloured border, the outer border with plique à jour enamel decoration, diameter 18.9cm. approx. weight 9.8oz. £400-600

358

359. A Russian silver-gilt and enamel bratina, by Pavel Ovchinnikov, Moscow 1875, assay master V. Savinsky, circular form, enamelled foliate decoration in vari-coloured green and turquoise enamel, white bead border, on a matted ground, on a raised circular foot, diameter 6.8cm, approx. weight 2.8oz. £150-200 Provenance: Christie’s South Kensington, 27 November 2008, lot 673.

359

360. A late 19th century Russian silver-gilt and enamel salt cellar, by Ovchinnikov, Moscow circa 1890, assay master Victor Savinsky, circular form, with vari-coloured enamel decoration on a matted background with rope-work borders, rope-work border, in a fitted case, diameter 6cm, approx. weight 1.3oz. £350-400

360

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361. A Norwegian silver-gilt and plique à jour cup and saucer, by Marius Hammer, Bergen circa 1910, circular form, with vari-coloured enamel decoration, with a central red enamel boss, rope-work scroll handle, the circular saucer also with a red enamel centre, diameter 10.5cm. (2) £300-500

361

OTHER PROPERTIES

362

362. A 19th century Russian parcel-gilt silver trompe l’oeil bread basket, by Klebnikov, Moscow 1882, oval form, basket weave decoration, with a draped napkin, twisted basket weave handles, on four wire-work feet, length handle to handle 32cm, approx. weight 16oz. £2,000-3,000

363. A late 18th century silver-gilt and niello work drinking bowl, unmarked probably south Russian / Caucasian, tapering circular bowl, decorated with weapons and flowers, on a matted ground, beaded border, diameter 14.5cm, approx. weight 6.6oz. £1,000-1,500 A similar example was sold in these rooms, Silver and Collector’s Items, 20 April 2011, lot 1062.

363

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364. A 19th century Russian silver and ivory funnel, by Nichols and Plinke, St. Petersburg circa 1850, tapering circular form, with a turned ivory baluster handle, length 14.5cm, approx. weight 2.3oz. £200-300

365. An early 19th century Danish parcel-gilt silver beaker, possibly by Johan Lercke, Copenhagen, tapering circular form, with a leaf-shaped pattern decoration, height £300-400 9cm, approx. weight 4.4oz.

366. A pair of early 19th century French silver mustard pots, Paris 1803-9, tapering circular form, wire-work decoration, reeded borders and scroll handles, the domed covers with cone finials, with blue glass liners, engraved with a crest and initials, height 12.5cm, approx. weight 7oz. (2) £250-300

367. A 19th century French silver wine taster, maker’s mark of G.B, circular form, simulated double snake ring handle, inscribed ‘L. Chauffrut D Espirat’, length 10.8cm, plus another 19th century French silver wine taster, the handle engraved with a woman sitting on a barrel, inscribed £250-300 ‘In Vino Veritas’, approx. total weight 5.4oz. (2) Provenance: From the Collection of Sir Framjee Dinshaw Maneckji Petit, 3rd Baronet (1901-1983) and Lady Sylla Dinshaw Petit (nee Tata), and then by descent to the current owner.

368. A 19th century Portuguese silver wine taster, maker’s mark unidentified, Oporto circa 1860s, tapering circular form, engraved foliate border, raised centre, in a fitted case, diameter 11.5cm, approx. weight 3.9oz. £300-400

369. A French silver rose bowl, maker’s mark J.D in a lozenge, of lobed circular form, foliate border, on a raised lobed circular foot, on a wooden plinth, diameter 28cm, approx. weight 26oz. (2) £300-400

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370. A late 18th/early 19th century Swiss silver jug, maker’s mark J.B, Geneva circa 1800, baluster form, scroll ivory handle, on three scroll feet, engraved with an armorial and initials height 18.5cm, approx. weight 10.5oz. £300-500

370

371. A late 19th century American silver three handled cup, by Gorham and Co, Providence, Rhode Island 1880, tapering circular form, embossed with fruit and with female figures harvesting, on a matted and spot-hammered background, on a spread fluted circular foot, height 23.4cm, approx. weight 37oz. £400-600

371

372. An 18th century Dutch silver cream jug, by Harmanus Nieuwenhuys, Amsterdam 1758, baluster form, scroll handle, chased decoration, wavy-edge border, on three shell capped scroll hoof feet, engraved with a crest, height 15.3cm, approx. weight 8oz. £400-600

372

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373. A 19th century South American silver two-handled cup, unmarked, probably Peruvian, tapering circular bowl, chased foliate decoration, with two pierced foliate scroll handles mounted with llamas, on a raised circular base with foliate decoration, height 24cm, approx. weight 16oz. £600-800

374. A 19th century South American silver processional crown, unmarked, possibly Brazilian, circular form, with five scroll supports with foliate decoration ad mounted with a bird, supporting a central ball and bird finial, the main body with pierced and embossed foliate decoration, diameter of base 13.8cm, approx. weight 9.3oz. £400-600

375. A 19th century South American silver hanging lamp, unmarked possibly Brazilian, circular form, embossed and pierced with foliate decoration, with a pierced circular wall-plate and with three chains with carved hard stone sections, height of lamp 12.8cm, approx. weight 16oz. £400-600

376. A 19th century South American silver chalice, unmarked, tapering circular bowl, knopped baluster stem, on a raised circular foot, height 22.9cm, approx. weight 12oz. £600-800

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377. A Japanese silver tea caddy, marked to the base with Japanese characters, tapering circular form, embossed with irises on a spot-hammered matted background, pull-off cover, height 14cm, approx. weight 8.2oz. £400-600

377

378

378. A Chinese silver teapot and sugar bowl, by Hung Chong, circa 1920, circular form, applied blossom and bird decoration, simulated bamboo scroll handles, ivory insulators, branch finials, length handle to spout 24.5cm, approx. weight 26.5oz. (2) £300-500

379. A late 17th / early 18th century silver-gilt filigree bezoar stone holder and stand, unmarked, possibly Indian, globular form, pull-off cover, some small damage to border, with a ball and flowerhead finials, the stand of circular form, on three scroll legs, height on stand 9cm, approx. weight 2.9oz. £400-600

379

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380. A late 17th century Ottoman provincial / Serbian silver hanging liturgical lamp, unmarked, tapering circular form, pierced engraved decoration with Christ on the Cross, a Saint on horseback and other Saints, foliate scroll borders, the pierced base with a pierced hanging apron, with three supporting chains each with a pendant of a Saint, with a fluted terminal and ring attachment, length 12.8cm, approx. weight 9oz. £500-700 For a similar example see: Christie’s London, Russian Works of Art, Fabergé and icons, 1 December 2010, lot 649.

side

381. An Ottoman provincial parcel-gilt silver dish, unmarked, probably 18th century, circular form, gilded bowl, the raised centre embossed with a double headed eagle below a crown, and with arms and foliate decoration, diameter 10.8cm, approx. weight 1.9oz. £200-300

382. An Ottoman provincial silver dish, unmarked, probably 18th century, circular form, gilded bowl, the raised centre embossed with an image of Christ holding a staff, the sides embossed with various Apostles, and foliate scroll decoration on a matted background, diameter 13.8cm, approx. weight 13.1oz. £300-500 For a similar example see: Christie’s, London, Art of The Islamic and Indian Worlds, 20 October 2016, lot 161.

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383. A 19th century continental silver coin peg tankard, maker’s mark partially worn, probably Scandinavian or German, in the 17th century manner, the cylindrical body and hinged cover set with twenty-six coins from various German states and kingdoms including a 1693 Saxony-Albertine Klippe Thaler to the centre of the cover, the silver-gilt interior with five pegs, scroll handle, reclined lion thumb-piece, on three foliate capped lion and ball feet, with traces of gilding, height 20cm, approx. weight 58.5oz. £2,000-3,000

383

384. A collection of four French silver serving dishes, by Ernest Cardeihac, circa 1900-10, comprising: a graduated set of three circular dishes, and an oval platter, foliate scroll borders, each applied with a gilded armorial, diameters 34cm and 30cm, length of platter 48.5cm, plus an oval double lipped dish, and two electroplated trays, one by Puiforcat, inscribed, approx. weighable 143oz. (7) £1,000-1,500 The arms are those of Baron Etienne Gustove Frederic Van Zylan Van Nyevelt 1860-1934. He married in 1887 Helene De Rothschild 1863-1947. They lived in De Haar castle in Haarziulens which was rebuilt and designed by Pierre Cuypers who also designed Amsterdam Central station and the Rijksmuseum. Provenance Baron Etienne Gustove Frederic Van Zylan Van Nyevelt, and then by descent to the present owner.

384

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385. An Art Deco silver entrée dish and cover, by Mappin and Webb, Sheffield 1941, rectangular form, shaped border, the pull-off cover with two handles, length 28cm, approx. weight 33.5oz. £400-600

386. A pair of late-Victorian silver sauce boats, by Joseph Rodgers, Sheffield 1899, oval form, leaf capped flying scroll handles, gadroon borders, on three claw and ball feet, length 22cm, approx. weight 21oz. (2) £300-400

387. A set of four Victorian silver soup plates/dishes, by John Samuel Hunt, London 1855, shaped circular form, reeded borders, engraved with a crest, the underside of the base inscribed ‘Hunt and Roskell, Late Storr and Mortimer’, diameter 27.5cm, approx. weight 81oz. (4) £800-1,200

388. A set of four Victorian silver vegetable dish covers, by John Samuel Hunt, London 1855, domed lobed circular form, with detachable foliate branch handles, engraved with a crest, one handle with a later screw fitting that does not fit the base, diameter 22.5cm, approx. weight 86.7oz. (4) £1,200-1,800 The crest is that of Boyd.

The crest is that of Boyd.

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389. A silver bowl, by The Goldsmiths and Silversmiths Company, London 1943, oval form, part-fluted decoration, lion mask drop-ring handles, gadroon border, on four scroll capped paw feet, length 25.5cm, approx. 30.5oz. £400-600

390. A George III silver entrée dish and cover, by William Frisbee, London 1794, shaped rectangular form, reeded borders, the domed pull-off cover with a reeded ring handle and engraved with an armorial, length 26.2cm, approx. weight 40oz. £500-700 The armorial is that of Grant of Litchborough, Northamptonshire.

391. An Edwardian silver two-handled tray, by The Goldsmiths and Silversmiths, London 1902, oval form, swag and foliate gadroon borders, the centre with engraved decoration and inscribed ‘Presented to Sir Paul Chater C.M.G. by the officers 93rd Burma Infantry Hong Kong 1904’. length handle to handle 63cm, approx. weight 84.5oz. £600-800

392. A William IV silver butter dish, stand and cover, by J and J Angell, London 1833, tapering circular tub form, with coopered decoration, inset handles, the cover with a recumbent cow finial, the stand of circular form, engraved with a crest, length handle to handle 16.8cm, approx. weight 21.2oz. £1,200-1,500 The crest is that of Bavent, Done or Keyne.

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393. A three-piece George III silver tea set, by Solomon Hougham, London 1809, rounded rectangular form, part-fluted decoration, gadroon borders, scroll handles with ivory insulators, on rounded rectangular bases, engraved with initials, length handle to spout 29.5cm, plus a George III silver cream jug, London 1815, circular form, part-fluted decoration, gadroon and shell border, approx. £500-700 total weight 46oz. (4)

393

394. A four-piece William IV silver tea and coffee set, by The Barnards, London 1832, lobed baluster form, embossed and applied foliate scroll decoration, leaf capped scroll handles with ivory insulators, on four foliate scroll bracket feet, engraved with a crest, height of coffee pot 24.8cm, approx. weight 93oz. (4) £1,000-1,500

394

395. A Victorian silver coffee pot and teapot, by The Barnards, London 1844, panelled baluster form, the scroll handles with ivory insulators, engraved decoration, initialled, on a raised shaped circular foot, height of coffee pot 27cm, approx. weight 55.5oz. (2) £600-800

395

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396. A George III presentation silver two-handled soup tureen and cover, over-stamped with maker’s mark of Joseph Fearn, London 1809, rounded rectangular form, part-fluted decoration, leaf capped fluted scroll handles, gadroon borders, the pull-off cover with a barrel finial engraved ‘Brewery, Weston Street’, the front inscribed ‘Presented by the Purchasers of the new Brewery Weston Street to Pearson Walton Esq. as a token of their respect and esteem’, on a rounded rectangular foot, length handle to handle 40.5cm, approx. weight 95oz. £3,000-4,000 The inscription probably refers to the Southwark Public Subscription Brewery, established in Weston Street, Southwark, by Hollingsworth & Co. before 1810. Southwark was then a centre for beer-making, with the nearby Anchor brewery - producing 300,000 barrels a year in 1815 being proclaimed the largest in the world in the 19th century. In 1810 Hollingsworth & Co. dissolved their partnership, and in 1816 its Weston Street location was purchased, along with 21 licensed houses, by the brewers Combe, Delafield & Co. of Long Acre. This tureen was possibly presented as part of that transaction.

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397. A pair of Victorian silver trencher salts, by Barnabas Blackburn, London 1883, rectangular form, canted corners, length 7.2cm, plus another pair of Victorian trencher salt cellars, by George Lambert, London 1897, approx. weight 4.8oz. (3) £150-200

398. A four-piece novelty silver salt and pepper set, by Henry Wigful, Sheffield 1926, modelled as artillery shells, height 10cm, approx. weight 10oz. (4) £200-300

399. A Victorian silver barrel pepper pot and salt pot, by Robert Garrard, London 1868, the barrel with reeded decoration, the top with a rotating pierced cover, the base with a slide action cover, height 6.7cm, approx. weight 6oz. £500-700

400. A matched set of four George IV and William IV silver salt cellars, by Paul Storr, London 1827.1829 and 1830, shell form, gilded bowls, on three textured whelk feet, engraved with a crest and motto, numbered 1-4, length 9cm, approx. weight 22.5oz. (4) £2,000-3,000 The crest and motto “Paratus Sum” is that of Fairlie for John (1799-1885), 2nd son of William Fairlie (1754-1825) of Bruntsfield, Edinburgh. His second wife was Louisa Home Purves, of Purves Hall, Eccles, Berwickshire, Scotland, who was born in 1814 who was painted by Sir Thomas Lawrence.

401. A pair of George III silver wine coasters, maker’s mark partially worn, possibly M.F, London 1793, circular form, pierced with vertical slats, wooden bases, the front with a crest, diameter 12cm. (2) £400-500 The crest is that of either Okeden, Lacey or Brickenden.

402. A pair of George III silver candlesticks, by John Winter and Co, Sheffield 1774, the columns with spiralling swag decoration, detachable drip pans, (one apparently unmarked), on raised square bases with fluted and medallion decoration, wooden undersides, engraved with a crest, height 16.8cm. (2) £500-700 The crest is that of Zephani of Walton on Thames (granted 1762).

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403. A George II provincial silver tumbler cup, by Richard Richardson, Chester 1747, circular form, gilded interior, height 5cm, approx. weight 2.2oz. £500-700

404. A Victorian silver sandwich box, by John Samuel Hunt, London 1863, retailed by Hunt and Roskell, rounded rectangular form, the hinged cover applied with a drop-ring handle below an engraved earl’s coronet and the initials C.S, length 12.2cm, approx. weight 10.8oz. £400-600 Provenance: The Althorp Attic Sale, Christie’s South Kensington, 7 July 2010, lot 258. The initials are those of Charlotte, Countess Spencer (1835-1903), wife of John Poyntz, 5th Earl of Spencer (1835-1910).

405. A George IV silver badge, Trinity House, by George Knight, London 1822, oval form, engraved with the Arms of Trinity House, length 8.5cm, approx. weight 1oz. £600-800 The Corporation of Trinity House was set up by Royal Charter in 1514. Its first master and principal founder was Thomas Spert who remained in office for 27 years. He had served as a Sailing Master on the Mary Rose and went on to become Clerk Controller of the Navy. He died in 1541. Today, Trinity House has three main functions: It is the General Lighthouse Authority for England and Wales, It is the Principal Pilotage Authority for London and forty other districts and lastly it is the Charitable organisation for the relief of mariners. These silver badges were worn by The Elder Brethren which essentially are The Court and there are two possible candidates for this particular badge as both were admitted on 6th February, 1823: Henry, 3rd Earl of Bathurst or Capt. Edward Chapman Bradford (1835-1910).

406. A George II silver table bell, by Simon le Sage, London 1755, also with a later French import mark, circular tapering form, with a Rococo scroll handle, height 11.2cm, approx. weight 3.5oz. £800-1,200

407. A William IV provincial silver mustard pot, by Barber, Cattle and North, York 1833, lobed circular form, embossed foliate decoration, the domed hinged cover with a flower finial, leaf capped scroll handle, on four bracket feet, with a London condiment spoon, height 8.7cm, approx. weight 7oz. (2) £200-300

408. A William IV novelty silver mustard pot, by John E. Terrey, London 1832, modelled as a beehive, scroll handle, the domed cover with a lion crest finial, with a later clear glass liner, height 8cm, approx. weight 5.5oz. £400-600

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409

409. A modern cast silver suite of a pair of three-light candelabra and a pair of candlesticks, by Wakely & Wheeler, London 1985, in the Queen Anne manner, tapering octagonal stems, spool shaped capitals, on raised octagonal bases, the candelabra with scroll arms, height of candelabra 27.5cm, approx. weight 96.5oz. (4) ÂŁ2,000-3,000

410. A Victorian silver ewer, by Elkington and Co, Birmingham 1854, baluster form, embossed foliate scroll decoration, scroll handle, the hinged cover with a bunch of grapes finial, on a raised circular foot, with a presentation inscription, height 34cm, approx. weight 26oz. ÂŁ600-800

410

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411. A George III silver two-handled tray, by Paul Storr, London 1809, rectangular form, leaf capped fluted handles, foliate shell and gadroon border, the centre with chased foliate scroll decoration, engraved with an armorial, on four foliate bracket feet, length handle to handle 72.5cm, approx. weight 196oz. ÂŁ10,000-15,000 The armorial is that of the Marquess of Lothian impaling Chetwynd-Talbot: 7th Marquess of Lothian (1794-1841) married Lady Cecil Chetwynd Talbot (1808-1877) in 1831.

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412

412. A set of four silver candlesticks, by L. Crichton, London 1918, in the seventeenth century manner, baluster form, spool shaped capitals, plain circular drip pans, on raised circular bases, engraved with vacant cartouches with foliate scroll mantling, height 26.3cm, approx. weight 63oz. (4) ÂŁ1,800-2,000

413. A Victorian silver-mounted claret jug, by the Barnards, London 1874, ovoid form, etched decoration, scroll handle, engraved decoration, ÂŁ600-800 gilded interior, on a raised circular foot, height 30cm.

413

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414

414. A matched pair Victorian silver claret jugs, by Cartwright & Woodward, Birmingham 1866, with traces of gilding, globular hob-nail cut body, the pierced mounts with trailing grapevines and with vacant shield cartouches, vine scroll handles, the hinged covers with grape finials, height 30cm. (2) £1,000-1,500

415. A Victorian silver sugar vase and cover, by Reily and Storer, London 1844, tapering circular form, pierced trailing vine body with bunches of grapes, frosted glass liner, pull-off pierced cover on a raised circular foot, height 25cm, approx. weight 17.5oz. £400-600

415

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416. A Victorian silver coffee pot, by Gibson and Langman, London 1898, baluster form, part-fluted decoration, scroll handle, on a raised circular foot, height 24.5cm, plus a George II silver waiter, by William Kidney, London 1741, circular form, moulded shell and scroll border, chased decoration, the centre with a crest, on three hoof feet, diameter 18.5cm, approx. weight 31oz. (2) £300-400

417. A pair of café au lait pots, by The Goldsmiths and Silversmiths Company, London 1938, baluster form, scroll handles, gadroon borders, domed covers with urn finials, height 17.5cm, approx. weight 27oz. (2) £200-300 Provenance: From the Collection of Sir Framjee Dinshaw Maneckji Petit, 3rd Baronet (1901-1983) and Lady Sylla Dinshaw Petit (nee Tata), and then by descent to the current owner.

The crest is that of Lakington, McInroy, McKenzie-Gibson and others.

418. A three-piece George III silver tea set, by Alice and George Burrows, London 1809, rounded rectangular form, scroll handles, the teapot with ivory insulators, embossed with shell motifs, on rectangular bases, length handle to spout 27cm, approx. weight 44.5oz. (3) £500-700

419. A three-piece silver tea set and a coffee pot, the tea set by Alexander Clark, Birmingham 1921, the coffee pot by the Harris Brothers, London 1897, rounded rectangular form, part-fluted decoration, scroll handles, gadroon border, the coffee pot of baluster form, gadroon border, scroll handle, on a raised circular foot, height of coffee pot 26.5cm, length of teapot 28.5cm, approx. total weight 70oz. (4) £500-700

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A PRIVATE COLLECTION OF TOOTHPICK BOXES

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420. A 19th century Mauchline ware toothpick box, rectangular form, the hinged cover with a view of Niddrie Castle, West Lothian, length 7.8cm, plus a 19th century Tartanware toothpick box, length 6.7cm. (2) £200-300

421. A George III silver mounted tortoiseshell toothpick box, unmarked circa 1790, oval navette form, the hinged cover with inlaid decoration, and with an initialled oval cartouche, length 8.7cm, plus another George III silver mounted tortoiseshell toothpick box, unmarked circa 1790, oval navette form, the hinged cover with inlaid decoration, length 7.5cm, both with mirrors. (2) £350-400

422. A 19th century Mauchline ware toothpick box, rectangular form, the hinged cover with a scene of a jockey and horse, length 7.4cm, plus a 19th century Mauchline ware toothpick box, rectangular form, decorated with holly and berries, and with an unmarked gold cartouche, length 8cm. (2) £200-300

423. A George III wooden toothpick box, unmarked circa 1800, rounded rectangular form, the hinged cover with hair tied with gold wire in a lovers knot, on a blue background, under glass and with a border of pearls, length 10cm, plus another George III wooden toothpick box, rectangular form, the hinged cover with plaited hair under glass, with a gold rim, length 7.4cm. (2) £250-300

424. A George III tortoiseshell trick toothpick box, circa 1820, rectangular form, canted corners, the hinged cover with a plain circular gold cartouche, length 8.5cm, plus a George III tortoiseshell toothpick box, rectangular form, canted corners and bevelled cover, on an orange ground, the cover with a vacant silver cartouche, length 8.5cm. (2) £350-400

425. A George III gold-mounted mother-of-pearl toothpick box, unmarked, circa 1800, rectangular form, canted corners, gold stringing and with a circular initialled cartouche, the interior with a mirror, length 7.8cm, plus an early 19th century silver-mounted mother-of-pearl toothpick box, with engraved panels and initialled, length 7.3cm. (2) £250-300

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426. A George III gilt-metal mounted mother-of-pearl toothpick box, unmarked circa 1790, oval navette form, plain mother-of-pearl panels, the sides with engraved decoration and gilded highlights, length 9.2cm. £200-250

427. A George III parcel-gilt silver and enamel toothpick box, unmarked, circa 1800, oblong form, engraved decoration, the hinged cover applied with an enamelled oval cartouche of a classical maiden and an eagle, gold £300-400 border, length 9.7cm.

428. A George III silver and hardstone toothpick box, unmarked, possibly by Phipps and Robinson, circa 1800, rounded rectangular form, the hinged cover set with a bloodstone panel, with gold borders, the base with engraved decoration, crack to mirror, length 8.5cm. £300-400

429. A George III silver and mother-of-pearl toothpick box, unmarked, circa 1800, oval navette form, the hinged cover with engraved decoration, bright-cut borders, the base with flowers and engraved ‘Diana Lambert’, length 8.4cm. £250-300

430. An early 19th century Scottish silver-mounted and agate toothpick box, maker’s mark W.L twice, probably for William Love, Glasgow circa 1810, slender rounded rectangular form, the hinged cover with an agate panel, length 6.7cm. £250-300

431. A 19th silver inlaid tortoiseshell box, unmarked, shaped oblong form, the hinged cover with inlaid foliate scroll decoration, length 8.9cm. £200-250

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base

432. A George III gold, enamel and ivory toothpick box, unmarked, rounded rectangular form, the hinged cover with blue enamel, ivory banding and with an oblong cartouche of plaited hair under glass with a pearl border, ivory panelled sides and a blue enamel base with ivory stringing, the interior inscribed ‘Mrs Holland, Daughter of Lancelot Brown, Grandmother of C.A Lady Fraser’, the interior of the cover with £800-1,200 a mirror, length 8.8cm, approx. weight total weight 76g.

433. A 19th century Continental gold and enamelled toothpick box, possibly Swiss, shaped rectangular form, the hinged cover with an enamelled armorial shield, the sides and base with enamelled decoration and £1,000-1,500 initials, length 7.8cm, approx. weight 35.2g.

Bridget Brown, (born 1746) was the daughter of Capability Brown, and she married Henry Holland, the architect and business partner of Brown in February 1773.

434. A George III gold and enamel mounted ivory toothpick box, unmarked, circa 1802, rounded rectangular form, the hinged cover with dark blue enamel decoration, plain gold stringing, and with a central cartouche of plaited hair with a gold and enamel crowned ‘P’, set under glass, inscribed ‘In memory of Henry Viscount Palmerston 1802’, the interior of the cover with a mirror, length 9.5cm. £500-700

435. A George III 18 carat gold toothpick box, maker’s mark probably behind mirror, London 1814, rectangular form, engine-turned decoration, the hinged cover set with a compass, later mirror, length 6.6cm, approx. weight including mirror 49.2g. £1,000-1,500

Henry Temple, (2nd Viscount Palmerston), was the son of Henry Temple (1st Viscount Palmerston) and Jane, daughter of Sir John Barnard, Lord Mayor of London. He succeeded to the peerage in 1757, and was educated at Clare College, Cambridge from 1757 to 1759. As a member of the British House of Commons, he represented the constituencies of East Looe between 1762 and 1768, Southampton between 1768 and 1774, Hastings between 1774 and 1784, Boroughbridge between 1784 and 1790, Newport, Isle of Wight between 1790 and 1796, and Winchester between 1796 and his death in 1802. His son, Henry John Temple, 3rd Viscount Palmerston, was Prime Minister in the mid 19th century.

436. A George III gold-mounted ivory toothpick box, unmarked circa 1800, barrel form, plain banding, the cover with a vacant cartouche, the hinged cover opens to reveal a mirror, length 5.7cm. £300-400

437. A George III ivory and tortoiseshell novelty toothpick box, circa 1800, modelled as a tortoise, ivory body, the hinged cover set with panels of tortoiseshell, and with gold stud-work borders, the interior of the cover set with a mirror, length 7.3cm. £600-800

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438. A George III silver mounted tortoiseshell and ivory toothpick box, unmarked circa 1790, oval navette form, the hinged cover with inlaid wriggle-work ivory decoration and with silver stringing, with an initialled oval cartouche, the hinged cover opens to reveal a mirror, length 9cm. £300-400

439. A George III gold-mounted ivory toothpick box, circa 1800, rectangular form, the hinged cover inlaid with gold stud work decoration, with a central circular whist marker, on an enamelled ground, set under glass, the interior with a mirror, the base with two compartments, length 8.4cm. £300-400

440. A George III tortoiseshell and ivory toothpick box cover on a later unmarked box, circa 1790, oval navette form, the hinged cover alternate bands of ivory and tortoiseshell decoration with inlaid silver, the later base unmarked, length 10.3cm. £250-300

441. A George III gold toothpick box, by A. J. Strachan, London 1805, shaped rectangular form, the hinged cover applied ‘RICORDANZA’, (Souvenir), with a Greek Key border and matted decoration, length 7cm, approx. weight 39.3g. £800-1,200

442. An early 19th century French gold toothpick box, by Gabriel-Raoul Morel, Paris 1819-1838, rectangular form, chased foliate decoration on a matted background, length 7.2cm, approx. weight 20.5g. £700-900

443. A George III silver toothpick box, by A. J. Strachen, London 1804, rounded rectangular form, engine-turned decoration, plain thumbpiece, length 7.2cm, approx. weight 1.1oz. £300-400

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444. A George III silver mounted tortoiseshell toothpick box, unmarked circa 1780, oval navette form, the hinged cover with inlaid decoration, and with an initialled oval cartouche, the hinged cover opens to reveal a hinged compartment, mirror with a crack, length 9.8cm. £250-300

445. A George III silver toothpick box, unmarked circa 1790, oval navette form, bright-cut decoration, the hinged cover with a vacant cartouche, length 7.7cm, approx. weight 0.8oz. £200-250

446. A George III gold-mounted mother-of-pearl toothpick box, circa 1800, rectangular form, canted corners, bright-cut gold stringing borders, the mother-of-pearl with carved decoration, the interior with ivory and velvet lining, the hinged cover with a blue panel titled ‘SOUVENIR’, the original mirror with a crack, length 8.8cm. £200-300

447. A George III silver toothpick box, by Phipps and Robinson, London circa 1800, rounded rectangular form, radiating engraved decoration on a dot background, engraved with initials, length 8.7cm, approx. weight 1.1oz. £400-500

448. A George III silver and mother-of-pearl toothpick box, unmarked, circa 1780-90, oval navette form, the sides with engraved decoration, mother-ofpearl base and cover, the cover mounted with a domed glass magnifying cover, length 7.5cm. £200-250

449. A George III silver toothpick box, unmarked circa 1790, oval navette form, bright-cut decoration, the hinged cover with flags and initials, the base engraved with a violin and bow, the hinged cover with a mirror, length 7.9cm, approx. weight 0.9oz. £200-250

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450. A George III silver toothpick box, by Samuel Pemberton, Birmingham 1795, rounded rectangular form, bright-cut decoration, the hinged cover with initials, length 6.8cm, approx. weight 0.7oz. £200-250

451. An 18th century silver and mother-of-pearl toothpick box, unmarked circular form, tapering rectangular etui form, plain mounts, plain panels, length 9.3cm. £250-300 See British Museum Collection of Banks and Heal trade cards for illustrations of similar form etuis, named as toothpick cases, circa 1750.

452. An early 18th century silver toothpick/needle case with a pomander, unmarked, possibly German, tapering circular form, engine-turned decoration, the screw-off cover with a pierced pomander, the base possibly used as a pipe tamper, length 8.5cm, approx. weight 0.5oz. £250-300

453. A George III matched Irish and English silver dental set, comprising: an Irish toothbrush case, by Teare, of Dublin, circa 1800, a toothbrush by J. Beattie, London 1791, and an unmarked dental powder box, with two hinged compartments, length of case 12.3cm, approx. weight 1.6oz. (3) £300-400

454. A George III silver dental powder box, maker’s mark W.P, possibly William Parker, London 1799, rectangular form, with two compartments and plain hinged covers, plus an early 19th century French silver dental powder box of rectangular form, lengths 9.4cm and 7.8cm, approx. weight 1.5oz. (2) £200-300

454

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OTHER PROPERTIES 455. A George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1793, egg form, the screw-off cover reveals the steel grater, length 4cm, approx. weight 0.3oz. £250-300

455 456. A George III silver nutmeg grater, by John Shaw, Birmingham 1817, rectangular form, reeded decoration, the hinged cover opens to reveal a hinged grater, the cover with a vacant cartouche, length 3.8cm, approx. weight 1.3oz. £300-400

456 457. A George III silver nutmeg grater, unmarked circa 1770, acorn form, the screw-off cover reveals a steel grater, length 4.6cm, approx. weight 0.9oz. £250-300

457 458. A George III silver nutmeg grater, unmarked circa 1800, upright cylindrical form, pull-off base and domed pull-off cover, engraved decoration, with a steel grater, height 3.7cm, approx. weight 0.6oz. £250-300

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459. A Victorian silver nutmeg grater, by Hilliard and Thomason, Birmingham 1854, shell form, chased decoration, the hinged cover opens to reveal a hinged steel grater, length 4cm, approx. weight 0.6oz. £400-600

459 460. A George III silver nutmeg grater, by Edward Edwards, London 1829, barrel form, banded decoration, the screwoff cover reveals a steel grater, length 3.7cm, approx. weight 1oz. £250-300

460 461. A rare American novelty silver pencil, by Tiffany and Co, modelled as The Metropolitan Life Tower, in a fitted case, length closed 9cm. £1,500-2,000 For a similar pencil see The KB Collection, Woolley and Wallis, The Salisbury Salerooms, lot 425, 22 January 2019. This similar one is Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 177. The Metropolitan Life Tower is a landmark skyscraper at One Madison Avenue, Manhattan, New York. Designed by the architectural firm Napoleon Brun and Sons, the tower is modelled after the Campanile in Venice. It was constructed in 1909, and was the world’s tallest building until 1913, when it was surpassed by the Woolworth Building.

461

462. A silver-gilt and ivory pill box, probably Austrian, with import marks for London 1937, importer’s mark of Asprey and Co. Ltd, rectangular form, canted corners, engineturned decoration, plain ivory base, the ivory cover painted with a deer hunting scene, the inside of the cover inscribed ‘After H.T. Alken (1784-1857), ‘The chase of the Roebuck’, orig. Collection of Frank S. Sabin’, length 3.8cm. £300-400

462

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463. A German silver and enamel box, maker’s mark E and W, circular form, the cover decorated with a playful boy and girl, in a landscape setting, pearl coloured sides, gilded interior, diameter 7cm, approx. weight 3.8oz. £200-300 464. A German silver and enamel box, circular form, the cover decorated with a circular band of flowers on a light blue ground, diameter 5.5cm, £150-200 approx. weight 2.4oz. 465. A silver and enamel compact, with import marks for London 1920, importer’s mark of EN, circular form, enamelled with a cat, with pink and white borders, diameter 4.5cm, approx. weight 1.2oz. £150-200 466. A silver-gilt and enamel minaudiere, with import marks for London 1926, importer’s mark of George Stockwell, rectangular form, the cover enamelled with a gentleman wearing a turban drinking from a straw, above an elephant, engine-turned base, the interior opens to reveal a mirror, a powder compact, an eye lining pencil holder, and a hinged compartment, with two string mounts with a cylindrical enamelled lipstick holder, length 7.5cm, approx. weight 5oz. £200-300 467. A pair of Norwegian silver-gilt and enamel novelty owl pepper pots, by David Andersen, modelled in standing positions, one with a green enamel and one with a white enamel body, on circular bases, height 5.3cm, approx. weight 1.4oz. (2) £300-400 468. A Norwegian silver-gilt and enamel desk seal, by David Andersen, Oslo, circa 1910, tapering square form, dark blue enamel decoration, with gilded decoration, plain matrix, height 5.4cm. £150-200 469. A Norwegian silver-gilt and enamel box, by Marius Hammer, Bergen, with import marks for London 1910, importer’s mark of Henry James Hulbert, shaped rectangular form, dark blue enamel decoration, the hinged cover with a gilded border and central scroll motif, length 7cm, approx. weight 2.8oz. £200-300 470. A Norwegian silver-gilt and enamel box, no apparent maker’s mark but most likely to be by Marius Hammer, Bergen, with import marks for London 1910, importer’s mark of Henry James Hulbert, rounded triangular form, dark blue enamel decoration, the hinged cover with a gilded border, length 5cm, approx. weight 1.8oz. £150-200

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471. A model of a silver woodcock, by Neresheimer of Hanau, with import marks for London 1911, importer’s mark of Berthold Muller, modelled in a standing position, hinged wings, textured feathers, height 10.2cm, approx. weight 7oz. £300-400

472. A 20th century Scandinavian silver and amber Viking longboat, maker’s mark SP. possibly for the Danish silversmith Sigfred Pedersen, the sides with a row of circular amber shields, and with oars with amber blades, the central mast with a striped sail, amber deck and rudder, length 20cm. £800-1,200

back

473. A modern silver model of a horse, maker’s mark of S.M.D, London 1989, modelled in a standing position with its front leg raised, height 9.5cm, approx. weight 5.5oz. £200-300

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474. Theatrical interest, an Edwardian Art Nouveau silver double photograph frame, by E Mander & Son, Birmingham 1902, stylised crown form, with Art Nouveau roses and fleurs de lys decoration, embossed ‘MONSIEUR BEAUCAIRE April 20th 1903, with compliments from Mr. Lewis Waller & Mr. Frank Curzon, easel support, the leather back inscribed ‘Comedy Theatre “Monsieur Beaucaire” 200th Performance’ with the list of actors’ names, the front with two prints of Miss Grace Lane and Mr Lewis Waller, the leading roles, height 11.3cm. £250-300

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475. A model of a silver pheasant, with import marks for London 1912, importer’s mark of Richard Lang, modelled in a standing position, pull-off head, hinged wings, textured feathers, height 15cm, length 35cm, approx. weight 11.7oz. £400-600

477. A Novelty silver pepper pot, by Nereschiemer of Hanau. London 1912, modelled as a kingfisher, pierced screw-off head, textured decoration, length 16.5cm, approx. weight 5.5oz. £600-800

476. A pair of modern cast silver ptarmigan, by C.F. Hancock and Co, London 2000, modelled in standing positions, textured feathers, height 14cm, approx. weight 45oz. (2) £700-900

478. A pair of modern cast silver pheasants, by C.F. Hancock and Co, London 1999, modelled in standing positions, textured feathers, length of cock pheasant 36cm, approx. weight 47oz. (2) £800-1,200

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479. A George III silver double snuff box/inkstand, by John Edington, London 1802, sarcophagus form, with two flush-hinged covers, engraved with an armorial, on four lion paw feet, the interior with an unmarked pull-out inkwell with a hinged handle and pull-off cover, length 12cm, approx. weight 11oz. £1,500-2,000

479 480. A Victorian presentation silver erotic snuff box, by Francis Clarke, Birmingham 1845, rectangular form, the hinged cover with a heavy foliate border and later inscribed ‘Presented to George Boyd Esq. by the 20th R.R.V 1863’, engine-turned sides, the base later engraved with an erotic scene of a man and woman, length 8cm, approx. weight 4.9oz. £600-800

480 481. A continental silver pomander / spice box, unmarked probably 19th century, baluster form, the screw-off cover reveals a pierced cover, engine-turned decoration, the base with an engraved matrix seal, height 4.5cm, approx. weight 0.7oz. £200-300

481 482. A continental silver tower, possibly a sewing or writing etui, unmarked, possibly German and 18th century, modelled as a tower, engraved windows, bricks and tiles, with various screw-off compartments, one with a pierced cover, possibly a sander, height 11cm, approx. weight 2.7oz. £600-800

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483. A late-17th century silver filigree travelling mirror, unmarked, English circa 1680-1690, oblong form, the hinged filigree cover, opens to reveal a mirror, filigree base, with a ring attachment and a clasp, length 9.8cm. £1,000-1,500

483 484. A late-17th century silver filigree travelling mirror, unmarked, English circa 1680-1690, oblong form, the reverse with filigree decoration and with a crowned cipher with two cupid supports, with a scroll ring attachment, length 9.7cm. £700-900

484 485. A silver religious memento, unmarked, possibly 17th century, octagonal form, rope-work border, with a loop attachment, the front with a depiction under glass of the crucifixion of St. Andrew, the reverse with a dove and fish, length 4.5cm. £300-400

485 486. A George II silver snuff box, unmarked, circa 1740, oval form, the plain hinged covers to reveal a secondary cover engraved with a scene of Joseph arriving in splendour on a carriage, inscribed ‘Jofeph honour’d by Pharoa’, gilded interior, length 9cm, approx. weight 3.4oz. £1,000-1,500

486

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487. A late 19th century French silver and ivory box, apparently unmarked, circular form, dot and engine-turned decoration, the pull-off cover with a carved ivory panel of ‘The Broken Pitcher’ after Jean Baptiste Greuze, diameter 7.9cm. £300-400

488. A 19th century French silver-gilt and tortoiseshell box, marked with a French control mark, circular form, with overlay engraved trellis decoration, diameter 7cm. £200-300

489. An early 18th century silver and ivory snuff box, unmarked circa 1700-1720, oval form, plain silver mounts, the hinged cover inlaid with studwork foliate scroll decoration, length 7.2cm, plus an early 19th century ivory box, circular form, the pull-off cover with a tortoiseshell border and inlaid with stud decoration and with a circular cartouche, diameter 4.6cm. (2) £250-300

490. A mid-18th century silver and mother-of-pearl snuff box, unmarked, cartouche form, the hinged cover engraved with a courting couple in a landscape setting, the silver base with a cipher, length 7.8cm. £300-400

491. An 18th century gilt-metal mounted and mother-of-pearl snuff box, unmarked, circa 1760, cartouche form, the hinged cover carved with a panel depicting the biblical Massacre of the Innocents, the base carved with a townscape scene, length 8cm. £500-700

492. An 18th century gilt-metal mounted agate snuff box, unmarked circa 1760, cartouche form, the body with chased foliate decoration, length 6.8cm. £200-300

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493. An early 19th century French gold-mounted mother-ofpearl snuff box, circa 1810, cartouche form, beaded borders, the hinged cover with a central cartouche, length 8.5cm. £200-300

494. A 19th century Austrian vari-coloured gold snuff box, maker’s mark of P.G, Vienna circa 1830, rectangular form, canted corners, the cover and base with radiating fan decoration, vari-coloured foliate and snake border, length 8.8cm, £1,500-2,000 approx. weight 87.6g.

495. A 19th century French gold bodkin case, tapering rectangular form, chased foliate decoration on a matted background, plus a gold bodkin, length 7.2cm, approx. weight 6.7g. (2) £500-700

496. A George IV silver-gilt snuff box, by John Jones, London 1824, rectangular form, engine-turned decoration, the hinged cover with big cat hunt, with the huntsmen on elephants and horseback, engine-turned sides and base, with a foliate scroll thumb-piece, length 7.3cm, approx. weight 2.8oz. £600-800

497. A late 18th / early 19th century silver-mounted tortoiseshell snuff box, unmarked, carved as the hull of a galleon, the front with a pierced lion head figure-head, hinged cover, length 9.7cm. £500-700

498. A William IV silver snuff box, by Taylor and Perry, Birmingham 1836, rounded rectangular form, engine-turned decoration, the hinged cover with a cast panel of a fox hunting scene, with two mounted huntsmen, dogs and a fox, the base with a vacant cartouche, length 8cm, approx. weight 2.8oz. £400-600

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499. A George III provincial silver tankard, by John Langlands and John Robertson, Newcastle 1751, baluster form, scroll handle, inscribed ‘The Gift of R.A to IA’, lower girdle, domed hinged cover with a pierced thumb-piece, the front with a later initial, on a circular foot, height 18.5cm, approx. weight 21.7oz. £1,000-1,500

499

500. A George II silver tankard, by Thomas Whipham and Charles Wright, London 1759, tapering baluster form, later embossed foliage scroll decoration, the front with a crest, on a raised circular foot, height 21cm, £800-1,200 approx. weight 28oz. The crest is that of Dawson (as used by Dawson of Launde Abbey, Leicestershire).

500

501. George II silver tankard, by Thomas Cooke and Richard Gurney, London 1759, tapering baluster form, central girdle, scroll handle, domed hinged cover with a pierced thumb-piece, the scroll handle scratch initialled ‘C’ over ‘T*A’, on a circular foot, height 19.3cm, approx. weight 24.9oz. £1,000-1,500

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502. A George I silver footed waiter, by William Darker, London 1718, circular form, the centre with an armorial within foliate scroll mantling, moulded border, on a raised circular foot, diameter 19.5cm, approx. weight 11.5oz. £1,000-1,500 The armorial is that of Jeffreys, St. Low, Bele, Gwinnet and other families.

503. A George I silver two-handled cup, by Phillip Rollos II, London 1722, circular form, central girdle, scroll handles, on a raised circular foot, engraved with a crest, height 13cm, approx. weight 17.5oz. £300-400 The crest is that of Duncombe.

503

504. How, Commander G., in collaboration with How, J., English and Scottish Silver Spoons, Mediæval to Late Stuart, privately printed, 1952, three volumes, hard back with dust wrappers. (3) £300-400

505. A collection of publications and auction catalogues relating to early spoons, including: Kent, T., West Country Silver Spoons and Their Makers, Sussex Silver and its Makers, and Barnstaple Silver and Its Makers, The Ellis Collection, Sotheby and Co, 1935, Th Biggs Collection, Christie’s 1978, and other catalogues. (qty) £100-150

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A PRIVATE COLLECTION OF EARLY SPOONS

506. A pair of Elizabeth I West Country silver Lion Sejant spoons, by Thomas Matthew, Barnstaple circa 1580, fig-shaped bowl, faceted tapering stem, gilded finials, lengths 17.4cm and 17.6cm, approx. weight 2.5oz. (2) £6,000-8,000 Provenance: A Private Collection.

507. A James I West Country silver Aphrodite spoon, by John Quick, Barnstaple, circa 1620-1630, fig-shaped bowl, the reverse of the bowl later prick-dot initialled, ‘W.C’ over ‘E.I.I’ over ‘1669’, tapering faceted stem, gilded finial, length 19.3cm. approx. weight 1.9oz. £3,000-5,000 Provenance: A Private Collection. For a similar spoon and for a detail of the marks see: Constable, D., The Silver Spoons of Britain, 1200-1710, Volume One, Constables Publishing, 2016, pages 348-349, entry number 59.

508. An Elizabeth I West Country silver Lion Sejant spoon, by Thomas Matthew, Barnstaple circa 1580, fig-shaped bowl, faceted tapering stem, gilded finial, length 17.9cm, approx. weight 1.2oz. £3,000-4,000 Provenance: A Private Collection. Illustrated in How, G., in collaboration with How J., English and Scottish Silver Spoons, Volume One, Chapter II, Section VII, pages 264-267, plate 5, central spoon. Anonymous Collection in 1952.

509. A pair of Elizabeth I West Country silver Lion Sejant spoons, St. Simon Zelotes and James The Less, by Thomas Matthew, Barnstaple circa 1580, fig-shaped bowl, the reverse engraved ‘IG’ over ‘K’, faceted tapering stem, gilded Apostle finials, each with a pierced ray of glory nimbus, lengths 17.2cm, approx. weight 2.7oz. (2) £5,000-7,000 Provenance: A Private Collection. For a pair from the same set with the same scratch initials, and with the finials of St Peter and St. Thomas see: How, G., in collaboration with How J., English and Scottish Silver Spoons, Volume Two, Chapter III, Section II, pages 138-139. Provenance The Acland Collection. Another pair from the set is illustrated and discussed in Kent, T., Barnstaple Silver and Its Makers, J.H. Bourdon-Smith Limited, 1995, page 9 Figure 15.

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510. THE MAMBURY SET OF APOSTLE SPOONS, A rare set of ten James I silver Apostle spoons, by Daniel Cary, London 1607, fig-shaped bowls, faceted tapering stems, gilded Apostle finials, each with a Holy Dove nimbus, comprising: St. John, length 18.1cm, approx. weight 1.8oz. St. Peter, length 18.2cm, approx. weight 1.9oz. St. Andrew, length 18.2cm, approx. weight 1.9oz. St. Simon Zelotes, length 18.2cm, approx. weight 1.9oz. St. Thomas, length 18.1cm, approx. weight 1.8oz. St. Matthias, length 18.1cm, approx. weight 1.9oz. St. Jude, length 18.1cm, approx. weight 2oz. St. Bartholomew, length 18.2cm, approx. weight 1.8oz. St. Philip, length 18.1cm, approx. weight 2oz. St. Paul, length 18.1cm, approx. weight 1.8oz. in a later fitted shagreen box, fitted to fit fourteen spoons, with a silver plaque, by G Betjemann and sons, London 1930, the silver plaque inscribed ‘The Mambury Set XII spoons with appostells at the endes, and one with Christ at the ende’, and later inscribed ‘and one with St. Paul’. £40,000-60,000 Provenance: A Private Collection. The Cookson Collection. For illustrations of the Apostles and a write up of this Documentary set see How, G., in collaboration with How J., English and Scottish Silver Spoons, Volume Two, page 10, Chapter III, Section II, pages 150-151, plate 51, Chapter III, Section I, pages 18-25, plates 4-7. How Writes ‘The Mambury Set of 1607, consisting of ten Apostles in very fine condition, is a most valuable document as it contains both St. Paul with the Long Sword and St. Philip with the Short Cross, not previously found together in a set. St. Jude with the Long Cross and St. Bartholomew with the Flaying Knife is also represented. The emblems of the missing figures are not in dispute as the figures omitted are The Master, St. James The Greater, St. James the Less and St. Matthew. One of these Apostles would in any case have been left out as St. Paul is present: it was probably St. Matthew, who seems to have been The Apostle most generally omitted.’

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St. John

St. Thomas

St. Peter

St. Simon Zelotes

St. Andrew

510

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St. Mathias

St. Paul

St. Jude

St. Phillip

St. Bartholomew 510

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511. A James I silver Apostle spoon, The Master, by William Cawdell, London 1607, fig-shaped bowl, faceted tapering stem, gilded Apostle finial with a Holy Dove nimbus, length 17.8cm, approx. weight 1.6oz. £4,000-6,000 Provenance: A Private Collection.

512. A pair of James I silver Apostle spoons, St. James The Less and St. James the Greater, by William Cawdell, London 1607, fig-shaped bowls, faceted tapering stems, gilded Apostle finials, each with a pierced Rays of Glory nimbus, lengths 17.9cm and 18cm, approx. weight 4oz. (2). £7,000-9,000 Provenance: A Private Collection.

513. A James I silver Apostle spoon, St. Matthew, by William Cawdell, London 1607, fig-shaped bowl, faceted tapering stem, gilded Apostle finial with a pierced Rays of Glory nimbus, length 17.7cm, approx. weight 1.6oz. £2,000-3,000 Provenance: A Private Collection.

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511

512 (2)

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OTHER PROPERTIES

514. A James I silver Apostle spoon, St. Simon Zelotes, by Daniel Cary, London, no date letter, circa 1620, fig-shaped bowl, the reverse prick-dot engraved ‘A.B over S.B’, tapering stem with a gilded Apostle finial, with a Holy Dove nimbus, length 18.2cm, weight 1.6oz. £1,000-1,500 Provenance: Bonhams, London, Silver and Objects of Vertu, 22 April 2015, lot 77.

515. A Charles II West Country silver-gilt Apostle spoon, St. Philip, no maker’s mark, Exeter circa 1677, fig-shaped bowl, the reverse prick-dot initialled ‘M.H’ over ‘1677’, tapering stem with an Apostle finial, with a plain nimbus, length 19.5cm, weight 2.1oz. £1,500-2,000 Provenance: purchased from Henry Willis Antique Silver, Sherborne in 2015.

516. A Charles II West Country silver Apostle spoon, St. John, no maker’s mark, Exeter circa 1661, fig-shaped bowl, the reverse prick-dot initialled ‘E.H’ over ‘R.W’ ‘1661’, tapering stem with a gilded Apostle finial, with a Holy Dove nimbus, length 19.1cm, weight 1.6oz. £1,000-1,500

517. A James I / Charles I West Country silver Apostle spoon, St. Andrew, possibly by John Parnell, Truro circa 1620, fig-shaped bowl, the reverse of the stem engraved ‘206’, tapering stem with an gilded Apostle finial, with a floral rays of glory nimbus, length 18.3cm, weight 1.7oz. £1,500-2,000 Provenance: Sotheby and Co, The Ellis Collection, 1935, lot 206, sold for £13. The spoon is catalogued in this collection as being by I. Parnell, Barnstable, circa 1580, illustrated on page 144.

518. A Charles I silver Apostle spoon, probably St. Bartholomew, by William Cary, London possibly 1632, fig-shaped bowl, tapering stem with a gilded Apostle finial, with a Holy Dove nimbus, length 19.6cm, weight 1.7oz. £1,000-1,500 Provenance:Christie’s London, Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes, London”27 - 28 November 2012, lot 715. The Jarvis Collection.

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514

515 516

517

518

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519. A Queen Anne silver Dog-nose basting spoon, by John Broake, London 1706, oval form, plain rat-tail, length 33.7cm, approx. weight 4.7oz.

£400-600

520. A James I silver Seal-top spoon, by James Cluatt, London 1614, fig-shaped bowl, tapering faceted stem, the seal-top finial scratch initialled ‘E.M’, length 16.8cm, approx. weight 1.3oz. £800-1,200

521. A William III silver engraved Trefid spoon, by Francis Archbold, London 1699, the oval bowl with a beaded rat-tail, the reverse of the terminal with scratch initials ‘E.P’ over ‘T’, length 17.5cm, approx. weight 0.9oz. £200-300

522. A late-14th/early-15th Century French silver Slip-top spoon, Orleans, the fig-shaped bowl with restoration and repair, the reverse of the bowl with initialled F.D.R’, the slip-top £1,000-1,500 with a trace of gilding, length 15.7cm, approx. weight 1.1oz. Provenance: A Private Collection, Edinburgh, circa 1952, and thence by descent to the current owner. Written up and illustrated in How, English and Scottish Silver Spoons, privately printed 1952, Volume One, page 50/51, Chapter I, Section III, Plate 8.

522 mark

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519

520

521

522

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523. A late-Victorian silver suite of two baskets and four matching tazza, by George Fox, London 1884 and 1891, the two baskets of oval form, pierced scroll decoration, gadroon borders, on raised oval bases, engraved with a crest, the tazzae of circular form, pierced decoration, gadroon borders, on raised circular bases, in a fitted wooden case, length of baskets 25.5cm, diameter of tazzae ÂŁ1,500-2,000 22cm, approx. weight 125oz. (6) The crest is that of Gordon of Craig, Aberdeenshire and Gordon (Scotland).

524. A matched set of four silver candlesticks, by Walker and Hall, Sheffield 1913/14, tapering panelled circular form, urn shaped capitals, on raised panelled circular bases, one drip pan a.f, height 25cm. (4)

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ÂŁ400-600

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525. A late-Victorian silver epergne, by Charles Stuart Harris, London 1898, pierced oval form with scroll decoration, central oval pierced basket, with eight scroll arms supporting four oval pierced swing-handled baskets and four circular swing-handled baskets, on four scroll feet with pierced pad feet, height 36cm, length 69cm, approx. weight 170oz. ÂŁ3,000-4,000

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THE FOLLOWING EIGHT LOTS ARE SOLD ON THE INSTRUCTIONS OF THE REGIMENTAL TRUSTEES OF THE DEVONSHIRE & DORSET REGIMENT In the early half of the 1800’s, the 54th Regiment of Foot, (then the West Norfolk Regiment) was based abroad for many years. By the time they were ordered to return to England in 1854, the Officers’ Mess had accumulated considerable funds. There was a rumour that the War Office would impound what they considered excessive mess funds, so the Commanding Officer decided to purchase a silver dinner service from Garrards, as property was exempt. In 1881 the 54th Foot was re-badged as the 2nd Battalion of the Dorset Regiment and after the Second World War that Battalion was disbanded, leaving just the 1st Battalion who were amalgamated in 1958 to form the Devonshire and Dorset Regiment.

526. A George IV regimental silver plate, by Robert Garrard, London 1828, retailed by Garrards, Panton Street, London, circular form, scroll and foliate motif border, engraved with the regimental badge of the 54th Regiment of Foot, the reverse numbered ‘71’, diameter 25.5cm, approx. weight 18.2oz. (1) £300-400

527. A set of twelve George IV regimental silver plates, by Robert Garrard, London 1828/29, retailed by Garrards, Panton Street, London, circular form, scroll and foliate motif border, engraved with the regimental badge of the 54th Regiment of Foot, the reverses numbered ‘25, 26, 27, 28, 30, 31, 32, 33, 35, 36, 37, 38’, diameter 25.5cm, approx. weight 219.8oz. (12) £4,000-6,000

528. A set of twelve George IV regimental silver plates, by Robert Garrard, London 1828/29, retailed by Garrards, Panton Street, London, circular form, scroll and foliate motif border, engraved with the regimental badge of the 54th Regiment of Foot, the reverses numbered ‘6, 7, 9, 10, 15, 16, 17, 18, 19, 20, 21, 24’, diameter 25.5cm, approx. weight 220oz. (12) £4,000-6,000

529. A set of twelve George IV regimental silver plates, by Robert Garrard, London 1828/29, retailed by Garrards, Panton Street, London, circular form, scroll and foliate motif border, engraved with the regimental badge of the 54th Regiment of Foot, the reverses numbered ‘55, 56, 59, 60, 61, 63, 64, 65, 66, 67, 68, 70’, diameter 25.5cm, approx. weight 223oz. (12) £4,000-6,000

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530. A set of twelve George IV regimental silver plates, by Robert Garrard, London 1828/29, retailed by Garrards, Panton Street, London, circular form, scroll and foliate motif border, engraved with the regimental badge of the 54th Regiment of Foot, the reverses numbered ‘40, 41, 42, 43, 44, 45, 46, 47, 49, 50, 51, 52,’, diameter 25.5cm, approx. weight 222oz. (12) £4,000-6,000

531. A set of six George IV regimental silver soup plates, by Robert Garrard, London 1829, retailed by Garrards, Panton Street, London, circular form, scroll and foliate motif border, engraved with the regimental badge of the 54th Regiment of Foot, the reverses numbered ‘20, 21, 22, 24, 28, 29’, diameter 25.5cm, approx. weight 127.7oz. (6) £2,500-3,000

532. A set of twelve George IV regimental silver soup plates, by Robert Garrard, London 1829, retailed by Garrards, Panton Street, London, circular form, scroll and foliate motif border, engraved with the regimental badge of the 54th Regiment of Foot, the reverses numbered ‘4, 5, 6, 7, 9, 12, 14, 15, 16, 17, 18, 19’, diameter 25.5cm, approx. weight 255.8oz. (12) £5,000-7,000

533. A set of four Victorian regimental silver soup plates, by Robert Garrard, London 1856, retailed by Garrards, Panton Street, London, circular form, scroll and foliate motif border, engraved with the regimental badge of the 54th Regiment of Foot, the reverses numbered ‘ 25, 26, 27, 30’, diameter 25.5cm, approx. weight 80.7oz. (4) £1,500-2,000

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OTHER PROPERTIES

534. A pair of Queen Anne cast silver candlesticks, by David Willaume I, London 1704, octagonal baluster stems and capitals, on raised square bases, canted corners, engraved with a crest in a widow’s lozenge, height 15.8cm, approx. weight 25.7oz. (2) £3,000-5,000

534

535. A pair of George I cast silver candlesticks, by Matthew Cooper, London 1718, octagonal baluster stems, spool shaped capitals, on raised octagonal bases, engraved with a crest, height 18.5cm, approx. weight 24.5oz. (2) £2,500-3,000 The crest is that of Adams, Addagh, Aufrere, Billingham, Bois, Bokenham and others.

535

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536. A George II silver swing-handled basket, makerâ&#x20AC;&#x2122;s mark only, for Peter Archambo, London circa 1730, oval form, pierced decoration, shell and scroll border, the swing-handle with masks, shells and chased decoration, the centre with an armorial within foliate mantling, on a raised pierced oval foot, length 31cm, approx. weight 50.8oz. ÂŁ3,000-4,000 The armorial is that of Johnston of Westerhall impaling Keene.

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537. A William IV silver coffee pot on stand, by The Barnards, London 1833, tapering circular form, scroll handle with ivory insulators, flush hinged cover with a pineapple finial, engraved with an armorial within foliate scroll mantling, the stand of circular form, on three scroll legs on shell feet, with a burner, height 23.5cm, approx. weight 34.5oz. (2) £600-800

538. A George III silver coffee pot, by Francis Crump, London 1765, baluster form, embossed with fluted, beaded and foliate decoration, domed hinged cover with a fluted, wooden scroll handle, on a raised circular foot with gadroon decoration, crested, height 27.3cm, approx. weight 29.3oz £700-900

The armorial is that of Basset, Kerby/Kirby and Shebly.

The crest is that of Boord/Board, Estower, Kemp, Russell, Sachaverell, Warren and Worthington.

539. A modern silver coffee pot, by Walter Wilson Limited, London 1966, tapering circular form, domed hinged cover with a knop finial, scroll handle, tapering spout, height 24.8cm, approx. weight 24oz. £200-300

540. A late-Victorian silver kettle on stand, by James Dixon and Sons, Sheffield 1897, rounded rectangular form, central carrying handle, gadroon borders, stand of rounded rectangular form, on four fluted legs with paw feet, with a burner, height 28.5cm, approx. weight 34.7oz. £300-500

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541. A George III silver tea urn, by William Fountain, London 1794, urn form, part fluted decoration, leaf capped reeded scroll handles, the pull-off cover with a fluted acorn finial, fluted spout with an ivory tap, on a raised square base on four bracket feet, height 52cm, approx. weight 102oz. £1,500-2,000

541 542

542. A George II silver kettle on stand, by David Hennell, London 1755, globular form, the hinged cover with gadroon border and wooden finial, central wicker-bound hinged carrying handle, leaf capped spout, the stand of circular form, pierced scroll apron, on three leaf capped scroll legs terminating in shell pad feet, height 37cm, approx. weight 56oz. £1,000-1,500 Provenance: Sir Archibald and Lady Jamieson, Norfolk, and then by descent to Dinah Lady Tollemache at Helmingham Hall, Suffolk.

543. A Victorian silver kettle on stand, by Richard Sibley II, London 1872, retailed by Thomas, New Bond Street, plain bullet form, central scroll and ivory handle, flush-hinged cover with an ivory finial, the stand of circular form, pierced apron with a burner, on three shell feet, engraved with a crest, height 36cm, approx. weight 52oz. £1,000-1,500 The crest is that of Astley, Braham, Burke, Waldegrave and others.

543

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544

544. A matched pair of late-Victorian silver-mounted claret jugs, by Holland, Aldwinckle & Slater, London 1900, baluster bodies with hobnail-cut decoration, fluted scroll handles, domed covers with bud finials, on raised circular bases, height 27.4cm and 27.3cm. (2) £700-900

545. A Victorian silver-gilt mounted claret jug, by Richard Sibley II, London 1867, the mount applied with fox mask, crossed whips and riding hats, the hinged cover with two fox masks and with a thumb-piece of a hound jumping a five bar gate, the later glass body with etched decoration and a fluted handle, height 30.5cm. £500-700

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546. A pair of Victorian silver four-light candelabra, by Robert Garrard, London 1851, the drip pans later, fluted knopped stems with a central fluted urn capital, with three leaf capped scroll arms each supporting an urn capital, on raised circular bases, inscribed ‘R and S Garrard, Panton Street, London’, engraved with a crest, height 49cm, approx. weight 183oz. (2) £5,000-7,000 The crest is that of Dalrymple.

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547

547. A Victorian presentation silver epergne, by Elkington and Co., Birmingham 1882, shaped oval form, the ends mounted with two reclined griffins, with ball supports and scroll tails, pierced foliate scroll decoration, stylised borders with two oval cartouche bracket feet, with a central oval bowl support, with a cut glass bowl, (small chip top border), and with a presentation inscription, length 50cm, approx. weight 110oz. ÂŁ2,000-3,000

548. A pair of modern silver candlesticks, by Walker & Hall, Sheffield 1919, shaped oval tapering form, reeded borders, on raised shaped oval bases, removable drip pans, the bases loaded, height 29.4cm, plus a pair of brass candlesticks, baluster form on raised octagonal bases, height 17.4cm. (4) ÂŁ400-600

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549 549. A modern set of twelve silver chambersticks, sponsor’s mark of R. J. Croft, London 1992, circular form, central castle capital with detachable castellated drip pans, lion scroll handles, conical snuffers, the border with ‘ESTO TENAX ESTO JUSTUS’, numbered 1-12, diameter of base 13cm, approx. weight 147oz. (12) £4,000-6,000 The vendor of these chambersticks wrote the following about them on the reverse of a dinner menu: ‘The Dinner is to celebrate the creation of a set of twelve silver chambersticks. We commissioned H. Perovetz, Silversmiths of Chancery Lane, London to design and make them, and chose as our theme our Coat of Arms. The castle is the central capital and with the turret removable as a sconce. The saucer has the oak and vine leaves incorporating the motto and is engraved with the full Coat of Arms. The handle is the full Crest with a small castle in the Griffin’s hands being the receptacle for the snuffer. The snuffer itself has a rope border with oak and vine leaves and the symbol for Ermine. Each chamberstick has three removable pieces all of which are numbered and bear our own silver hallmark’.

550. A pair of Victorian silver two-light candelabrum, by George Lambert, London 1893, in the Queen Anne manner, slight tapering fluted columns, rope-work borders, on raised square bases with canted corners and fluted decoration, engraved with a vacant cartouche, with two scroll arms each supporting a capital and with a central part-fluted baluster finial, height 42cm, approx. weight 91.5oz. (2) £1,500-2,000

550

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551. A pair of George IV silver sauce tureens and covers, by Benjamin Smith III, London 1820, oval bellied form, leaf capped scroll handles, the pull-off covers with detachable handles, engraved with armorials with scroll mantling, the covers with a crest, on four heavy lion mask capped paw and bun feet, length handle to handle 22cm, approx. weight 72oz. (2) ÂŁ2,000-3,000 Provenance: From the Collection of Sir Framjee Dinshaw Maneckji Petit, 3rd Baronet (1901-1983) and Lady Sylla Dinshaw Petit (nee Tata), and then by descent to the current owner. The 1st Petit Baronetcy was created on the 1st September 1890 for the Indian entrepreneur Dinshaw Maneckji Petit (1823-1901), of Petit Hall, Bombay. Lady Sylla Dinshaw Petit was the daughter of Ratanji Dadabhoy Tata. The armorial and crest are that of Palmer Baronet of Carlton impaling Watson.

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552. A James I silver spice or sugar box maker’s mark of B.T with staves in saltire between, possibly for Balthasar Trimson, London 1611, shell form, the hinged cover realistically chased as a scallop shell, with two smaller shells, stylised ovolo border, plain sides the base with a similar border on four snail feet, total length 14.5cm, length under base 13.7cm, approx. weight 10.3oz. £15,000-20,000 Provenance: A wedding present to Sir Godfrey Nicholson, Bt and his wife, Lady Katharine (the fifth daughter of the 27th Earl of Crawford) married 1936, and thence by decent to Baroness Emma Nicholson of Winterbourne. The box has been on public display in the silver galleries at the Victoria and Albert Museum from 1974 until 2017. A similar shell-form spice box on snail feet, by the same maker, 1609, was sold from the collection of the late Charles L Poor, Sotheby’s New York, 26 October 2005, lot 136; another similar box, of the same maker and date was exhibited in the Fogg Art Museum, Harvard University, Cambridge Massachusetts, USA; another similar example also by the same maker, 1612, was in the collection of Mrs Winston F Guest, and sold at Sotheby’s New York, 17 June 1981, lot 55. For maker’s mark see: Mitchell, D., Silversmiths in Elizabethan and Stuart London, The Boydell Press, 2017, page 248.

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553. A pair of George II silver candlesticks, by Robert Rew, London 1758, knopped baluster stems with shell shoulders, spool shaped capitals, detachable drip pans, on raised square bases with shell motifs, height 23.5cm, approx. weight 37.5oz. ÂŁ1,000-1,500

553

554. A matched pair of George II silver candlesticks, one by John Cafe, London 1756, the other by William Gould, London 1749, knopped baluster stems with shell shoulders, spool shaped capitals, detachable drip pans, on raised hexagonal bases with shell motifs, height 23.5cm, one interior partly filled, initialled, approx. weight 35oz. (2) ÂŁ800-1,200

554

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555. A pair of George II cast silver candlesticks, by Edward Wakelin, London 1753, tapering knopped faceted columns, with gadroon borders, spool shaped capitals, removable drip pans, on raised square bases with gadroon borders, the undersides scratched ‘No.1 27=18’ and ‘No.2 28=2’, height 14.2cm, approx. weight 55oz. (2) £4,000-6,000

555

556. A pair of modern silver candlesticks, by J B Chatterley & Sons Ltd, Birmingham 1968, in the mid-18th century manner, knopped stems, shell shoulders, on raised hexagonal bases with shell motifs, height 23cm, approx. weight 40oz. (2) £300-400

556

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557

557. A Queen Anne provincial silver tankard, by Thomas Snowden, Newcastle 1706, tapering circular form, the flat hinged cover with a scroll thumb-piece, the scroll handle scratch initialled ‘W*C’ over ‘1708’, the front with an armorial and inscribed ‘John Buston 1717’, on a slight spread circular foot, height 17.2cm, approx. weight 22oz. £2,500-3,000

558. A set of four George III cast silver candlesticks, by John Romer, London 1769, in the classical manner, tapering fluted columns with swag decoration, fluted urn capitals, detachable drip pans, on raised fluted circular bases with laurel borders, height 29.8cm, approx. weight 124oz. (4) £5,000-7,000 Provenance: From the Collection of Sir Framjee Dinshaw Maneckji Petit, 3rd Baronet (1901-1983) and Lady Sylla Dinshaw Petit (nee Tata), and then by descent to the current owner. The 1st Petit Baronetcy was created on the 1st September 1890 for the Indian entrepreneur Dinshaw Maneckji Petit (1823-1901), of Petit Hall, Bombay. Lady Sylla Dinshaw Petit was the daughter of Ratanji Dadabhoy Tata. For maker’s mark see Grimwade, A., London Goldsmiths 1697-1837, Faber and Faber 1990, page 260 entry 3677. The crest is that of Cavel, Kemys, Kerney, Le Forest, Lindsey, Locavel and Meautys.

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FINE JEWELLERY

Thursday 18th April 2019

Fabergé - A gold and enamel parasol handle, workmaster Michael Perchin. Estimate: £10,000 - £15,000

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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MEDALS & COINS, ARMS & ARMOUR Wednesday 1st May 2019

The magnificent group of orders, decorations and medals to Brigadier-General Cecil Faber Aspinall-Oglander, C.B., C.M.G., D.S.O. Estimate: £6,500 - £7,500

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

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ARTS & CRAFTS

Wednesday 19th June 2019 Closing date for entries 26th April

St George & The Dragon a fine silver and gilt pendant by Omar Ramsden, dated 1921. Estimate: £3,000 - £5,000

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 3rd July 2019 We are currently accepting entries

A French four-glass mantel clock with jewelled and champlevé decoration. Estimate: £500 - £1,000

ENQUIRIES Mark Yuan-Richards | Tel: +44 (0)1722 411854 | myr@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd. 020 7424 7830 jammdesign.co.uk

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WOO L LE Y & WA L LI S

Absentee Bid Form Fine Silver & Objects of Vertu

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Tuesday 16th April 2019 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 3rd April 2019 3rd July 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk Jim Gale +44 (0) 1722 339161 • jg@woolleyandwallis.co.uk SILVER 16th & 17th July 2019 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 18th April 2019 – Fine Jewellery 18th July 2019 – Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 30th April 2019 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk 20TH CENTURY DESIGN 19th June 2019 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 1st May 2019 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 21st & 22nd May 2019 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar +44 (0) 1722 424583 • aa@woolleyandwallis.co.uk PAINTINGS 5th June 2019 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 446961 • vf@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 18th September 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk