Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Tribal Art & Antiquities

Wednesday 19th September 2018

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Marta Olszewska

424506 424506 424591

CHINESE PAINTINGS Freya Yuan-Richards

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Ilona Pichler Tamzin Corbett

446960 424590

ACCOUNTS Janice Clift (Office Manager)

424500

424589 GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

SALEROOM MANAGER David Jordan

JAPANESE ART Alex Aguilar Doméracki

424583

CASTLE GATE MANAGER Matt Hill

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Hollie Morrison

424503 424592 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424500

CASTLE GATE RECEPTION Madeleine White BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

Natalie Milsted FCCA Finance Director

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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TRIBAL ART & ANTIQUITIES

Wednesday 19th September 2018 at 10.00am VIEWING IN LONDON (HIGHLIGHTS)

VIEWING IN SALISBURY

17 Clifford Street, 2nd Floor, W1S 3RQ

Saturday 15th September Monday 17th September Tuesday 18th September Wednesday 19th September

Wednesday 5th September

11.00am – 4.00pm

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 9.00am – 10.00am

ENQUIRIES

Will Hobbs 01722 339752 wh@woolleyandwallis.co.uk

Zoe Cordey 01722 446980 zc@woolleyandwallis.co.uk

Please note all lots in this catalogue are made of wood unless otherwise stated. COLLECTION OF LOTS All items will be in transit from the Salerooms to our Warehouse on Friday 21st September. From Monday 24th September collections will be from the Warehouse, Unit 1B Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT

ILLUSTRATIONS

TELEPHONE BIDDING

Front & inside cover:

Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 18th September.

Lots 316, 573, 586 581, 584 317, 574, 317 Page 1: Lot 145 Back cover: Lot 731 Catalogue £12.00 (£15.00 by post)

LIVE BIDDING

www.the-saleroom.com Please register by 5pm on Tuesday 18th September. Please note there is a 3% +VAT surcharge for using this service.

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1. An Egyptian wood sarcophagus mask Late Dynastic - Ptolemaic Period, circa 700 - 30BC wearing a tripartite wig with a serene face and large ears and with a beard, with traces of gesso and polychrome, 58.5cm high, with attached wall mount.

£4,000-6,000

Provenance Private collection, New York, USA, acquired prior to 1970 and thence by descent.

2. An Egyptian alabaster cylindrical vessel Early Dynastic Period, 1st - 2nd Dynasty, circa 2972 - 2647 BC with a tapering body and an out-turned rim, the base with collection number Ao 124, 18.4cm high. £300-400 Provenance UK collection, hand written collection number Ao 124.

3. An Egyptian stone deep bowl Early Dynastic Period, 2nd Dynasty, 2793 - 2647 BC of circular ogee form, 19cm diameter, 11.5cm high. £500-800

4. An Egyptian alabaster vessel Early Dynastic Period, 1st Dynasty, 2972 - 2793 BC of waisted cylindrical form with a rim, 21cm high. £600-800

Provenance Private collection, Switzerland, acquired 1960s and thence by descent.

Provenance Private collection, UK. Acquired by the vendors father who was surveyor for the Air Ministry and lived in Egypt in the 1920s.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

5 5. An Egyptian bronze seated figure of Amun Third Intermediate Period, 21st - 24th Dynasty, 1069 - 715 BC wearing a flat topped headdress, a broad stranded collar and a wrapped kilt, with clenched fists and bare feet, with fixing lugs from the heels, 21.5cm high, on a later mount. (2) £500-800 Provenance Private collection, UK, acquired in the 1950s and thence by descent. Christie’s, 25th October 2007, lot 44, part. 6. An Egyptian black granite fragmentary head of a man New Kingdom, 18th Dynasty, reign of Horemheb, 1319 - 2992 BC with a ribbed wig and slanted eye, 7.4cm high, mounted. £300-500

Provenance Private collection, UK, formed 1970s to 1990s. cf. the Metropolitan Museum of Art, New York, accession number 21.9.437. 7. An Egyptian grano-diorite fragment of a torso New Kingdom, Early 18th Dynasty, 1540 - 1425 BC carved remains of a tripartite wig, shoulders and a multi-strand collar, 12.4cm wide, 6.7cm high. £250-350 Provenance Private collection, Pennsylvania, USA. 8. An Egyptian serpentine cosmetic vessel Middle Kingdom, 12th Dynasty, 1980 - 1801 BC of tapering cylindrical form with a flared base and rim, with an inside edge, 7cm high. £300-400 Provenance Private collection France.

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9. An Egyptian limestone relief fragment New Kingdom, Ramesside Period, 20th Dynasty, circa 1295 - 1069BC carved in sunken relief with on the left, the vulture goddess Nekhbet, wearing the atef crown and with the ‘was’ sceptre, standing beneath her name in hieroglyphs, before her the protective ‘Shen’ sign, below the ‘neb’ sign and part of a lily, a writing of Upper Egypt naming Nekhbet as ‘Mistress of Upper Egypt’, facing Horus, shown as a falcon on top of a serekh, (representing the gated façade of a palace and an alternative to the cartouche for a royal name), part of the Horus name, ‘Mighty Bull’ within the serekh, behind the falcon a sun disc wrapped around with the protective cobra and ankh signs, £4,000-6,000 43cm x 57cm, with an attached wall mount. Provenance Khawam Brothers, Cairo, Egypt, acquired circa 1940. Private collection Switzerland, acquired 1966. 10. An Egyptian alabaster cosmetic vessel New Kingdom, 18th Dynasty, circa 1567 - 1320 BC with a tapering cylindrical body with a slightly flared base and flattened out-turned rim, 6cm high. £200-300 Provenance Mr Garnett-Orme, acquired early 20th century possibly from Edouard Naville (Egypt Exploration Society.)

11. An Egyptian anhydrite kohl vessel Middle Kingdom, 11th - 12th Dynasty, 2040 - 1801 BC with a disc rim and ovoid body and a flared foot, 5cm high.

£300-400

Provenance Monnier Collection, Paris Private Collection, New York, acquired Hotel Drouot, Paris, February 1996. cf. Sir W. M Flinders Petrie, The Funeral Furniture of Egypt, Stone and Metal Vases (reprinted Warminster, 1997) pl.XXX, no. 728. 12. An Egyptian alabaster vessel Middle Kingdom, 11th - 13th Dynasty, 2040 - 1648 BC of elongated ovoid form with a thin rim, 15cm high, on a stand. (2)

Provenance Private collection, UK, acquired between 1920 and 1970.

£300-400

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

13. An Egyptian wood and bronze Ibis Early Dynastic Period, 25th - 31st Dynasty, 715 - 332 BC seated, the shaped body with gesso, the legs and head cast separately and inserted, the eyes recessed for inlay, one leg with white inventory number MM.2010.537, 18cm long, on a wood mount. (2) £800-1,200

14. An Egyptian glass inlay in the form of a wig Ptolemaic Period, 304 - 30 BC 4.1cm high, mounted. (2)

£100-200

Provenance Private collection UK, acquired 1970s.

Provenance Private collection George Thomas Riggs, Washington DC, USA, acquired prior to 1983.

15. An Egyptian basalt cosmetic palette and rubber Middle Kingdom, 12th - 13th Dynasty, 1980 - 1648 BC rectangular with a shallow recess and a facet edged underside, 15.7cm long, with waisted domed rubber, 3cm high. (2) £200-300 Provenance Private collection of Mr Garnett-Orme, acquired early 20th century, possibly from Edouard Naville (Egypt Exploration Society.)

16. An Egyptian serpentine cosmetic vessel Middle Kingdom, 11th - 12th Dynasty, 2040 - 1801 BC with a broad disc detachable rim and a squat ovoid body, 3.7cm high. (2) £200-300 Provenance Knoop Collection, USA, acquired 1950s. cf. cf. Sir W. M Flinders Petrie, The Funeral Furniture of Egypt, Stone and Metal Vases (reprinted Warminster, 1997) pl.XXX, no. 702.

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17. An Egyptian wood sarcophagus mask Late Dynastic Period, circa 5th century BC wearing a tripartite wig and with facial features, with traces of gesso, polychrome decoration and gilt, 58.5cm high, with attached wall mount.

£4,000-6,000

Provenance Private collection France, acquired at the beginning of the 1980s. 18. An Egyptian painted limestone figure of Thoth Late Dynastic Period, 26th - 31st Dynasty, 664 - 332 BC modelled seated on his haunches with the forepaws on his knees, his tail drawn around to his left and with exposed genitalia, 21cm high, on a stand. (2) £3,000-4,000 Provenance L. Carlier Collection, Brussels, Belguim, acquired 5th November 1986.

19. An Egyptian basalt head of a nobleman New Kingdom, 18th Dynasty, Amenhotep II Tuthmosis IV, circa 1427 - 1391 BC wearing a ribbed wig with the lower half of the ears showing and with delineated eyes and brows, 16.5cm high, on a slate mount. £1,500-2,000 Provenance The estate of Walter Hauser, New York (1921 - 2011), and thence by descent.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

20. An Egyptian bronze and wood hand mirror Middle to New Kingdom, circa 2040 - 1069 BC the inverted baluster shape handle with incised linear bands and with an inset disc, 28.8cm long, on a stand. £800-1,200 Provenance Private collection, UK.

21. Five Egyptian mosaic glass inlays of falcon heads Ptolemaic Period, 2nd - 1st century BC in blue, yellow and white glass, 0.4cm - 0.5cm long, mounted on a perspex block. £300-400 Provenance UK collection.

22. An Egyptian wood sarcophagus mask Late Dynastic Period, 664 - 332 BC with remains of gesso, 16cm high, mounted. (2) Provenance UK collection.

£300-500

23. Three Egyptian faience scarab beads with hieroglyphs to the bases, and a smaller beads, later mounted in gilt metal as a brooch, the scarabs 1.2cm long, two Egyptian turquoise faience Shabti's, Third Intermediate Period, circa 1069 - 525 BC, with painted details, 10.5cm and 10.8cm high, a faience and blue glass bead necklace, a 20th century pottery sphinx with hieroglyphs to the base and a faience amulet of Bes. (6) Provenance UK collection.

£200-300

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24. An Egyptian bronze ring Second Intermediate Period, circa 1648 1540 BC with hieroglyphs to the oval top and a line border, 2cm wide. £200-300 Provenance Private collection UK. 25. An Egyptian carnelian recumbent lion amulet Late Period with remains of a metal wire through the body, 2.5cm long, on a stand. (2) £100-200 Provenance UK collection.

25 26. An Ordos bronze belt plaque circa 6th - 5th century BC cast a stylised wolf devouring a deer, the wolfs pelt decorated linear patterns, scrolls and dots, 4.1cm x 6.9cm, on a perspex and wood mount. (2) £800-1,200 Provenance UK collection, acquired 1970s to 1990s. 27. A Chinese gilt bronze bridle fitting Western Han, 3rd - 2nd century BC cast a crouching bear, 2.5cm diameter, on a stand. (2) £100-200 Provenance Private collection UK.

28. A Near Eastern bronze circular plaque Luristan, circa 700 BC chased the Master of Animals, standing holding a lion by its hind legs in each hand, with a beaded edge, the back with differing white collection numbers 6113 and AM-28, 11.8cm diameter. £200-300 Provenance UK collection 29. A Mesopotamia calcite lion head protome with an open mouth and part ribbed back, 2.8cm long, on a stand. (2) £100-200 Provenance UK collection.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

30. A Neo Babylonian carnelian cylinder seal circa 800 - 600 BC engraved with a winged deity killing an animal and with a winged animal deity, 3cm long.

£200-300

Provenance Private collection UK.

31. An Akkadian stone cylinder seal circa 2300 - 2200 BC engraved with two registers, the top with two running lions and a palm tree, the lower with two rutting deer, 2.8cm long. £150-250 Provenance Private collection UK.

32. An Akkadian black stone cylinder seal circa 2400 - 2200 BC engraved with a stylised standing figure flanked by stylised animals, 2cm long.

£120-160

Provenance Private collection UK. 33. Four Near Eastern haematite duck weights Babylonian, late 2nd millennium BC each of similar oval form with its head turned on its back, 1.2cm, 1.6cm, and two 1.8cm long. (4) £300-400 Provenance Private European collection. Christie’s, New York, 13 June 2000, lot 446.

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34. A Cycladic marble head Attributed to the Naxos Museum Sculptor Late Spedos type, circa 2500 - 2400 BC of lyre shape with a triangular nose and tapering neck, 13cm high, on a plinth. (2) £2,000-3,000 Provenance Private collection, Switzerland, acquired 1960s and thence by descent.

35. A Syrian stone eye idol Tell Brak, circa 3200 BC the thin plaque adorned with a smaller figure with seven zig-zag lines and superimposed into the larger figure, 18.9cm high. £500-700 Provenance Private collection, Bavaria, collected before 1990.

36. An Elamite indurated limestone female idol Uruk period, circa 3300 - 3000 BC standing with arms folded across the abdomen, with the left hand supporting the right breast, 2.9cm high. £200-300 Provenance UK collection, acquired 1994.

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37. A Phoenician glass head pendant circa 6th - 5th century BC blue with yellow brows, eyes and base and a spot to the curled tongue, with a suspension loop, 2.4cm high, on a stand. (2) £400-600 Provenance UK collection, acquired prior to 1999. 38. A Phoenician glass head pendant circa 6th - 5th century BC turquoise with yellow nose and brows and eyes with black pupils, with a ribbed suspension loop, 2.5cm high, on a stand. (2) £400-600 Provenance UK collection, acquired prior to 1999. 39. A Phoenician glass head pendant circa 3rd - 1st century BC with a yellow face and blue eyes, with a spiral blue and turquoise headband, previously with a suspension loop, 1.7cm high, on a stand. (2) £200-300

Provenance UK collection, acquired prior to 1999.

40. A Bactrian marble column idol with a central grooved band, 30.5cm high. £400-600

41. An Elamite bronze vessel rim fragment circa 2nd millennium BC with a cast stylised recumbent bull 6.5cm x 10cm, mounted. (2) £300-500 Provenance UK collection, acquired 1970s to 1990s.

42. An Islamic mosaic glass bead necklace Medieval and later 77cm long. £300-400

Provenance Paul Levy Collection, Troyes, France, acquired Hotel George V, 29th October 1975, lot 293.

43. A Syro-Hittite terracotta stylised boar with incised and punched decoration, 10cm long. £100-200 Provenance UK collection.

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44. A Phrygian bronze ‘horseshoe’ fibula circa 9th - 8th century BC of flattened form with applied silver coloured metal beads, 5.6cm wide, on a stand. (2) £150-250 Provenance UK collection, acquired 1970s - 1990s.

46. A Luristan bronze finial circa 700 - 500 BC with two standing Ibex, on a part ringed shaft, 13.3cm high.

£250-350

Provenance US collection

45. A Canaanite bronze male figure Middle Bronze Age modelled walking with clenched fists and distinct facial features and a pointed headdress, with tangs to the feet, 10cm high, on a stone base. (2) £300-500 Provenance Alan Cotterill Collection. Formerly Librarian at the University of Nottingham.

47. A Phrygian bronze ‘horseshoe’ fibula circa 8th - 7th century BC of flat arched form with applied spheres, with a coiled end pin, 7.5cm wide, on a stand. (2) £300-400 Provenance Private Collection, UK, formed 1970s - 1990s. cf. The Metropolitan Museum, New York, USA, accession number 1970.231.1.

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48. An Apulian red figure tall amphora Magna-Graecia, circa 330 - 310 BC the main body painted with two figures either side of a stele, a standing nude male holding a strigil and a staff, and a seated robed female holding a patera, the other side with a standing nude male holding a patera and a branch with a himation over his left arm, with anthemions to the sides, 44cm high. £4,000-6,000 Provenance Private collection, Switzerland, acquired before 1970.

49. A Greek red-figure hydria circa 4th century BC pottery with a standing robed female holding a sash and a alabastron and a seated robed female holding a bird and a fan, with drapes above, 27cm high, a Greek lekythos, a Greek shallow circular footed dish and a Greek paneled amphora body. (4) £200-300

50. A Hellenistic bronze stem cup circa 4th - 3rd century BC with a shallow bowl having linear circles and with a pair of scroll edge and scroll handles with dog head terminals, £200-300 4.6cm high, 21cm across handles Provenance Private collection, Switzerland, acquired prior to 1980.

51. A Greek black glazed alabastron Laconian, late 6th century BC with two red bands, 13.5cm high, on a stand. (2)

£150-250

Provenance Private Collection New York, USA, acquired in the 1980s and then by descent.

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52. A Corinthian pottery aryballos circa 7th - 6th century BC scratched and painted two sphinx and a quadripartite palmette motif, with linear and petal borders, 16cm high. £400-600 Provenance Private collection, Paris, acquired prior to 1930 and thence by descent.

53. A Greek faience aryballos Rhodian, circa 575 - 550 BC with a globular body with raised lozenges and radiating base, a flat handle and wide dished rim, 5cm high. £300-400 Provenance UK collection.

53 54. A Greek core-formed glass amphoriskos East Mediterranean, circa late 6th - 5th century BC cobalt and turquoise ovoid body with a band of zig-zags within yellow borders, with a prunt base and flared rim with twin handles, 7.5cm high, on a stand. (2) £600-800 Provenance Private collection, UK, acquired late 1980s / early 1990s and thence by descent.

55. A Greek core-formed glass oinochoe Eastern Mediterranean, circa 5th century BC cobalt blue with a zig-zag band and borders in yellow and white, 9.3cm high. £500-800 Provenance UK collection, acquired 1970s to 1990s.

55 56. A Roman glass jug circa 3rd - 4th century AD blue/green raised on a spreading foot with a spherical body and a ringed neck and trefoil spout, and a ribbed strap handle, 22.5cm high. £500-700 Provenance Private collection, UK

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

57. A Roman marble sarcophagus 2nd - 3rd century the front relief carved with a nude male figure holding a quiver of arrows and being consoled by a winged female figure, and flanked by dolphins supporting recumbent river gods holding fruit laden cornucopia and with palm trees beyond, the ends with seated griffins, 38.5cm high, 122.5cm wide, 55cm deep. £6,000-8,000 Provenance Private collection, Oxfordshire. Sold by the executors of Christopher Gibbs.

58. A Roman basalt cameo circa 1st - 2nd century AD relief carved with the bust of a maiden, 3.4cm high, on a stand. (2). £100-200 Provenance William Bowmore Collection, Victoria, Australia, acquired 1950s -1960s.

59. A Roman hollow gold ring with intaglio garnet circa 1st - 2nd century AD the oval garnet cut a robed figure holding a sword and a dagger, 2cm wide. £400-600 Provenance UK collection.

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61 60. A Roman marble figure of a hunter circa 1st - 2nd century AD wearing a short tunic and with a cloak draped over his left arm and wearing a sandal, balanced on a tree trunk, 40cm high, on a metal base. £4,000-6,000 Provenance Private collection, France, acquired 1950s - 1960s. 61. A Roman marble relief fragment circa 1st - 2nd century AD carved leaves and branches 40cm x 28cm, with attached wall mount.

62. A Roman plaster fragment painted with the head and shoulders of a young man, 20cm x 14.5cm, framed and glazed. £100-200

£1,500-2,500

Provenance Private collection USA, acquired 1970

63. A collection of Auction Catalogues mainly Antiquities including Bonhams, Christie's and Sotheby's and various Trade Gallery catalogues. (204) £200-400

64. Twenty five Bonhams Antiquities catalogues and The Library of Professor Brian Shefton, Bonhams, 7 October 2014. (26) £100-200

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65. A gold and cloisonne garnet cross pendant circa early 6th century AD with a solid back and a suspension loop, 3.3cm high. £1,000-1,500 Provenance Christopher Jones Collection, UK, acquired in the late 1970s.

66. A Hellenistic bronze dwarf flute player Alexandrian, circa 1st century BC seated naked and wearing a pointed hat, 5.3cm high, with a wood base. (2) £500-800 Provenance Rupert Wace Ancient Art, London, UK. Guy Goudchaux, London, UK, from the above May 2003.

65 67. A Medieval European bronze dog circa 12th century AD standing with a ringed collar and a short curved tail, 5.5cm high, on a base. (2) £300-500 Provenance UK collection.

68. A pair of Frankish silver-gilt brooches early 6th century AD with inset garnets, with channeled square centres and with twin beads to the corners, the back fittings missing the pins, 3.5cm wide, on stands. (4) £400-600 Provenance Private collection UK, acquired in the 1980s and thence by descent.

69. A Byzantine gold ring circa 6th - 7th century AD the flat with a niello cruciform monogram, with a faceted ring having beads to the outside angles, 2cm diameter. £500-800 Provenance Private collection, UK, acquired in the 1980s and thence by descent.

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70. A Moche figural vessel Peru, circa 500 - 700 AD pottery, wearing large spool earrings and ‘sun ray’ necklace, with his hands on his chest, with slip scroll and linear decoration, 42cm high. £300-500 71. A Lambayque gold mask Peru, possibly circa 900 - 1400 AD with a wavy line and triangular bead headband with large disc earrings centred with a coral bead, with traces of a red pigment, possibly cinnabar, £1,800-2,200 16cm wide, on a stand. (2) Provenance Ex. collection Dr LaFond, Tours, France, worked in Peru returning to France in the mid 1960s.

72. A Manabi figural vessel Ecuador pottery with painted linear decoration, leaning forward with a deep brim headdress and pierced ears, with hands on the abdomen, 31cm high. £500-800 Provenance Mr Raymond Schultz, Ecuador and UK, and thence by descent. 73. A Chimu stirrup vessel Peru clay with scroll motifs and dash decoration, 20cm high, two Peruvian pottery vessels and a Maya pottery animal mask fragment. (4) £100-150

74. A Cypriot pottery jug with a trefoil spout and with black linear and S decoration, 22cm high, a terracotta jug, a Mayan style pottery figure on a stand and an Indonesian carved horn. (5) £80-120 Provenance The Estate of Dr Peter Mangold, Stoner, UK. 75. A library of Pre-Columbian related books including Artes rituales del Nuevo Continente - America Precolombina, 1997; Perou, L'Art de Chavin aux Incas, 2006; Brumfiel and Feinman. The Aztec World, 2008; M. E. Smith. Picture Writing from Ancient Southern Mexico, 1973; Nasca, Geheimnisvolle Zeichen im Alten Peru, 1999; Simone Waisbard. Machu Picchu, 1974. (60) £200-400

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76. A Tophane red pottery vessel Turkey, late 19th century with a bulbous body and a flared neck, decorated with stiff leaves and beads, the base of the neck with a filter, 22cm high. £50-100 77. A Taino axe head Caribbean stone, one slide slight more curved than the other, 22.5cm long, and an Inca stone tool, with a bifurcated handle. (2) £80-120 78. A stone pestle possibly Costa Rica of phallus form, inscribed Petitjean No. 268, 25cm long. £150-250 79. A Bronze Age looped palstave axe head bronze, 11.6cm long. £80-120

80. Six stone axe heads including a Lower Paleolithic hand axe, 18.7cm long, a Neolithic calcinated axe head, 18.5cm long, three Scandinavian Neolithic axe heads, 12cm, 16.5cm and 26.5cm long, and a bronze age basalt drilled axe head, 21.5cm long. (6) £200-300

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JAN SCHREUDER (1904 – 1964) After graduating from the Hague School of Art in 1923, Schreuder began his career as a cartographer for the Royal Dutch Shell in Venezuela, Guatemala, Trinidad and Ecuador. Making Quito his home and studio with visiting tourists from America and Europe, commenting on his bohemian set up, his art and relationship with the local people. In 1952 he set up the Ecuador Art Centre in Quito, with the aim to revive Indigenous art and taking it beyond just works on paper and canvas to improving weaving techniques and producing textiles to be sold. He encouraged a modern approach to traditional symbols as can be seen in the tapestries (lots 86 – 90.)

81 81. Twelve photographs relating to Jan Schreuder and the Ecuadorian Art Centre, Quito including a portrait of Jan Schreuder, a model wearing a Quito poncho, a young girl weaving, two details of a tapestry on a loom, two figural hangings, two of children painting and another of two young Salasacas painting, a man playing a flute and a portrait, eight mounted. (12) £100-200 82. Jan Schreuder (1904 - 1964) Visitor Books from his home and studio in Quito, 1942 - 1944, 1956 1959; press cuttings relating to exhibitions held by Jan and his work at the Ecuador Art Centre in Quito; Photograph albums of exhibitions and the art works by Jan, and views of Mexico; a pen and wash study of a skull, signed and dated 1920, and three Still Life drawings. £50-150

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83 ‡ 83. Jan Schreuder (1904 - 1964) Guito, 1942 - a male figure playing a guitar, ink and wash, signed, titled and dated, 92.5 x 67.5cm. A hunter, charcoal, inscribed Isaac Vargos, signed and dated 1944, 116.5 x 77.5cm. A seated woman wearing a shawl, charcoal and ink, 117 x 88cm. All mounted. (3) £400-600

84. Jan Schrueder An abstract painted animal pelvis bone 31cm long, three vertrabrae, another modelled as a bull’s head, a knuckle, a bone tool, a bone fragment with inscribed pictograph text, a small horn and a bone and reticulated leather whistle. (10) £100-150

84 85. A Peruvian belt dyed wool and decorated panels of llamas, birds, figures and geometric designs, unfinished and still attached to a wood and hide V shape weaving bracket and with a spool, painted inventory number 3597, 180B and a stitched label from TROPEN MUSEUM - AMSTERDAM, AFD. ANTH. No. 3597-180A, 109cm long, a plaited fibre belt support, with stitched label as above No. 3597180G, 82cm long, and a feather and fibre hair ornament. (3) £50-100 Provenance Tropen Museum, Amsterdam.

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86. Five Quito tapestries Ecuador Including three shawls, with a fish, trees and three lines with a part split centre, a rug with geometric designs and a wall hanging with a figure with a pipe and a horse, black and white with geometric 215cm x 96cm, trees - 168cm x 108cm, shawl with split - 152cm x 154cm, fish - 243cm x 63cm, figure and horse - 136cm x 97cm. (5) £150-250 Jan Schreuder (1904 - 1964) founded the ‘del Centro da Manufacturas Textiles de Quito,’ Ecuador, in 1952, with the aim to revive and improve Indigenous weaving techniques. Drawing designs from the past and incorporating into textiles for the modern export market.

87. Four Quito tapestries Ecuador Including a poncho with stylised birds and three wall hangings, Poncho - 127cm x 177cm. Trees - 102cm x 139cm. Stylised animal - 103cm x 142cm. Bird - 100cm x 96cm. (4) £150-250 Jan Schreuder (1904 - 1964) founded the ‘del Centro da Manufacturas Textiles de Quito,’ Ecuador, in 1952, with the aim to revive and improve Indigenous weaving techniques. Drawing designs from the past and incorporating into textiles for the modern export market.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

88. Four Quito tapestries Ecuador Including a poncho with two stylised birds and three hangings, Bird with dagger - 142cm x 146cm. Standing bear - 130cm x 76cm. Man with deer - 73cm x 115cm. Poncho with birds - 94cm x 127cm. (4) £150-250 Jan Schreuder (1904 - 1964) founded the ‘del Centro da Manufacturas Textiles de Quito,’ Ecuador, in 1952, with the aim to revive and improve Indigenous weaving techniques. Drawing designs from the past and incorporating into textiles for the modern export market

89. Five Quito tapestries Ecuador Including four hangings and a shawl, Tuna - 151cm x 94cm. Six birds - 112cm x 94cm. Six animals - 102cm x 96cm. Bird - 60cm x 76cm. Squares - 227xm x 129cm. (5) £150-250 Jan Schreuder (1904 - 1964) founded the ‘del Centro da Manufacturas Textiles de Quito,’ Ecuador, in 1952, with the aim to revive and improve Indigenous weaving techniques. Drawing designs from the past and incorporating into textiles for the modern export market.

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90. Four Quito tapestries Ecuador Including a shawl and three hangings, and a long pile rug and a geometric banded rug, small rug - 94cm x 70cm. monkey - 94cm x 96cm. three birds - sewn label Tropen Museum, Amsterdam, AFD. ANTH. No.3597__352 - 194cm x 71cm. stylised animal - 143cm x 92cm. trees - 202cm x 138cm. rug - 190cm x 90cm. (6)

£150-250

Jan Schreuder (1904 - 1964) founded the ‘del Centro da Manufacturas Textiles de Quito,’ Ecuador, in 1952, with the aim to revive and improve Indigenous weaving techniques. Drawing designs from the past and incorporating into textiles for the modern export market.

OTHER PROPERTIES

91. An Inuit beaver group Canada greenstone, of a young beaver nestling into it’s mothers neck, on a slate naturalistic base, 23.5cm high, 44cm long. (2) £200-300

92. Ipeelee (Inuit) Pangnirtung, Baffin Island A standing Polar Bear, soapstone, signed to the underside with symbols and IPEELEE PANGNIRTUNG N.W.T., 11.5cm high. £200-300

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

‡ 93. James Kivetoruk Moses (1903 - 1982) The Walrus Hunt watercolour on card, signed bottom left, 26.5cm x 39cm.

£500-800

94. An Inuit model Umiak open boat Greenland wood and bound vellum, 65cm long, with three figures in traditional clothing, paddles, harpoons, bone drying racks, a tripod stool, a kettle and a mortar. £600-800

95. A Haida circular box and cover North West Coast pewter, carved with a whale to the cover and sides with ravens, beavers, bears, figures and a frog, 4cm high, 4.6cm diameter. (2) £100-150

96. A Nootka dish Vancouver sea shell with woven fibre with deigns of figures in a kayak and a whale, 10.5cm long. £120-150

97. An Inuit model sleigh Arctic walrus ivory, 39cm long, with three huskies, two polar bears, a walrus and whale and a North West Coast totem pole with red stain. (9) £120-160

98. A Sami knife and scabbard Lapland antler and leather with a steel blade with foundry stamp PT, the scabbard with linear decoration and two reindeer, 35.5cm long. (2) £100-200

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

λ 99. An Inuit bow drill Arctic walrus ivory, with pierced ends and with incised decoration including walrus, whale and reindeer hunting scenes, a camp with a totemic figure, a drying line and rows of animals and pelts, with circles and dots, 19th century, 48.5cm long. £1,500-2,500 λ 100. An Inuit sea otter amulet Alaska marine ivory, in feeding posture, lying in its back with paws raised to its mouth, with incised ribs and spine with inlay, the back with two pierced attachment holes, 19th century, 8cm long. £1,000-1,500

Provenance Ernest Ohly, Berkeley Galleries, circa 1962. λ 101. An Inuit harpoon head Bering Sea, Alaska walrus ivory, pierced for attachment with incised stylised decoration having raised oval ‘eyes’, 19th century, 7.1cm long, and an Inuit barbed harpoon head, walrus ivory, 19th century, with a Beasley Collection hand written label, 12.5cm long.. £400-600

100

101

Provenance Barbed harpoon head - Harry Geoffrey Beasley, Bicester, UK, label states Esquimaux, Bering Strait, 27.7.24. Kenneth John Hewett (1919 - 1994), London, UK λ 102. A Inuit double polar bear head toggle Alaska walrus ivory, with two bands of incised zigzag, the underside pierced for attachment, late 19th century, 5cm long. £150-250

Provenance Ernest Ohly, Berkeley Galleries, circa 1962.

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103

λ 103. A Inuit seal toggle Alaska marine ivory, with a rectangular aperture to the top and circular to the underside, 19th century, 4.6cm long. £300-500

Provenance Ernest Ohly, Berkeley Galleries, circa 1962.

104

λ 104. Four Inuit amulets Alaska marine ivory, including a seal with circle and dot decoration and pierced for attachment, 3.8cm long, a seal lying on its back, 4.8cm long, an unusual fish, 4.9cm long, and a standing sea otter, 8.7cm, early 20th century. (4) £200-300

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THE IAN WEST COLLECTION Ian Morris West was born in England in 1924. As a young boy he developed an affinity with American Indians, through adventure stories and his own interest in their history and cultures. At a young age he became a friend of Edward H Blackmore, the foremost authority of Indians in the UK at the time and some few years later Colin Taylor, a noted scholar and collector on the same subject. They remained lifelong friends and collaborators on North American Indians, sharing knowledge, publishing books and articles, displaying their collections at exhibitions and shows across the country. Through a lifetime of collecting, Ian became an expert in his field and amassed a sizeable collection of Indian artefacts and books covering most tribal areas in North America and Canada. His sources were varied, through auctions, junk shops and acquaintances in the Hobbyist movement across the country and the US. Ian maintained meticulous records of his finds, their provenance, materials, tribal origin etc. He wrote magazine articles on the subject and contributed to books, ultimately authoring his own, ‘Portraits of Native Americans’ in the 1990s. He was also a founding member of the English Westerners Society and the Grey Owl Society in the UK which was formed in 1981 to keep alive the tradition of conservation that Grey Owl had championed. Ian travelled extensively to the US over many years, often with Colin Taylor, invariably heading to the Great Plains where his greatest passion for Indians lay, meeting with Indians, other enthusiasts and collectors. In 1989 he acquired, ‘The Forge’ in a small village in Sussex and was able to build a museum to house his entire collection and have it all on show. The museum was open to the public and attracted a steady patronage of visitors, including schools, researchers and other visitors from around the world. In later years Ian continued to correspond on the subject and still managed the odd find at antiques markets that he frequented regularly. Since Ian’s death at the end of 2015, his children, Alison, Martin and Paul had looked at opportunities for the collection to be retained, perhaps in a museum or other institution but given its breadth and variety of subject matter, preferred to sell it into the collectors market.

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105. A Crow hide shirt with front bib with three horizontal rows of glass beads between yellow stain, the shoulders with four triangles in blue, white and red beads, the edges with cut fringes, 75cm long. £250-350 Provenance The Ian West Collection.

106. A pair of Cheyenne moccasins buffalo hide and coloured glass beads, fully beaded in white, dark and light blue, green and red, the forked tongue and ankle flaps with remains of yellow pigment, with rawhide soles, 29cm long. (2) £400-600 Provenance Private collection, Torquay, UK. The Ian West Collection, purchased from the above June 1999.

107. A pair of Plains moccasins buckskin and glass beads, fully beaded with a white ground and coloured geometric designs, the instep with simulated tassels, 25.5cm long. (2) £300-400 Provenance The Ian West Collection. Glenbow Museum, Calgary, Alberta. Luxton Museum, Banff, Canada.

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108. A Kutchin baby carrying belt Athapaskan, possibly by Hannah Solomon buckskin, coloured glass beads, wool and printed cotton, the white ground with foliage and butterfly decoration, hung with ten tassels, with a white and blue dot backing, with moose hide end ties and loop, £150-250 59.5cm long. Provenance The Ian West Collection. cf. Kate C. Duncan, Northern Athapaskan Art, A Beadwork Tradition, p.102. pl6.22 for similar belt.

108

109. A Northern Plains beaded belt canvas, coloured glass beads and cloth, with a central white band and three foliage designs and two pairs of crossed flags, Netherlands and France, with two pairs of stepped triangles to the ends within turquoise borders, the back with striped mattress ticking and with hook and eye fasteners, 94.5cm long. £150-250 Provenance Collected by the Rev. A. W. MacMichael, in Southern Alberta between 1914 and 1940. John Arieta, London, UK. The Ian West Collection, acquired from the above 1987.

110. A Northern Plains beaded belt canvas, coloured glass beads, leather and buckskin, with a white ground, blue and red faceted steel crosses, green, blue and red triangles between red borders, with leather ends and ties, 79cm long. £150-250 Provenance Collected by the Rev. A. W. MacMichael, in Southern Alberta between 1914 and 1940. John Arieta, London, UK. The Ian West Collection, acquired from the above 1987.

111. A Chippewa beaded belt coloured glass beads, cloth and buckskin, the white ground with trailing leaves and flower heads, with red cloth edging and the ends with ties, the back with later hook and eye fasteners, inscribed F.M.B.5., 100cm long. £150-250

112. A Blackfoot beaded belt harness leather, coloured glass beads and buckskin, with a central alternate panel band with crosses and diamond, with plain borders and with end ties, 93.5cm long.. £150-250

Provenance Fort Mille Lacs Village, Onamia, Minnesota, USA. Richard Hook, UK. The Ian West Collection.

Provenance Collected in the 1930s by Clare Sheridan, Author and Sculptress, who lived with the Bloods and Blackfoot. E. H. Blackmore, Eastbourne, Sussex, UK. The Ian West Collection, acquired from the above 1960

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113. A Northern Plains pouch buckskin with coloured glass beads, the front with chevron designs, the flap with a light blue edge, with a fringe and a strap handle, 21cm long, and a Plains small bag, buckskin with a coloured glass bead front, decorated teepee’s, a cross and two lines, with a fringe and strap handle, 18.5cm long. (2) £300-400 Provenance Northern Plains pouch - Phillips, London, UK, 1978. The Ian West Collection. 114. A Southern Plains ration ticket pouch leather, buckskin, coloured glass beads and tin cones, with linear decoration to the front and flap, the base fringe with two glass tubes, a bell and a button, 16cm long, and an Ute ration ticket pouch, leather with a beaded back with a geometric design and with a banded front, with an attachment loop, the fringe with tin cones, 16.5cm long. (2) £300-400

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118

Provenance Southern Plains pouch - James T Hooper, Totems Museum, Arundel, Sussex, UK, 1963. The Ian West Collection. 115. A Micmac quilled card case and cover birch bark, natural and stained quills, ribbon and white glass beads, with diamond and triangular designs, 10cm long. (2) £100-150 Provenance The Ian West Collection. 116. A Huron moose hair case and cover birch bark, black cloth and natural and dyed moose hair, with all-over floral decoration, the bark liner with a moose hair edge, 13.2cm long. (3) £150-250 Provenance The Ian West Collection. 117. An Apache beaded pouch buckskin and coloured glass beads, one side with a swastika, the other with crosses and stars, both with triangle teepee motifs and angled row borders, with a multi coloured bead fringe and with a drawstring, 30.5cm long, including the fringe. £150-250 Provenance The Ian West Collection. 118. An Apache beaded pouch white buckskin with coloured glass beads, each side with differing ‘spider’ designs and borders, with a long fringe and with a drawstring, 28cm long, including the fringe. £150-250 Provenance Miss S Tweedale, Reigate, Surrey, UK, purchased in Oklahoma, USA, 1930. The Ian West Collection, from the above 1977.

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119. A Cree part beaded knife sheath rawhide, brass studs, tin cones, cotton and coloured glass beads, the top panel with a triple arch design, 34cm long, and a butcher knife by Geo. Wostenholm & Son, Sheffield, England, 31.5cm long. (2) £200-300 Provenance The Ian West Collection.

120. A Sioux knife and beaded sheath hide, steel and coloured glass beads, the plain pointed blade with a hide bound handle, the sheath with geometric designs, the knife 21.5cm long, the sheath 17cm long. (2) £150-250 Provenance The Ian West Collection.

119 121. A Blackfoot part beaded knife sheath rawhide, brass wire, coloured glass beads and paint, with triangular and linear designs, 39cm long. £300-400 Provenance The Ian West Collection.

122 122. A Kiowa awl case leather, coloured glass beads, tin cones and hair pipes, with a blue ground and triangle designs, with a sliding cover and three hair pipes and two large beads, with twisted fringes, the case 21cm long. £200-300 Provenance The Ian West Collection.

120 123. Two Plain awl cases rawhide, buckskin, coloured glass beads, horsehair and tin cones, of tapering form with sliding covers, with bands of yellow, blue and white beads, with tails terminating with red dyed hair and cones, 37.5cm and 32cm long. (2) £250-350 Provenance the larger - F. North, London, UK, 1958 the smaller - H. R. Robinson, Orpington Kent, UK, 1963. The Ian West Collection.

121

123

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124. Two Chippewa beaded scissor cases buckskin, rawhide, cloth and coloured glass beads, with white grounds and floral decoration, 23cm and 25cm long. (2) £150-250 Provenance The Ian West Collection.

125. A Chippewa beaded pistol holster buckskin, cloth and coloured glass beads, with a white ground and floral decoration, the flap with a hook and eye fastener, the back with a belt hook, 27.5cm long, and a similar Chippewa knife sheath, 25cm long, both with a stitched name tag B. E. WILKINSON. (2) £250-350 Provenance The Ian West Collection.

126 126. A Sioux beaded knife sheath buckskin, cloth, coloured glass beads and yellow paint, with geometric designs and two crosses to the back, with a bound cloth and hide tassel, 36cm long. £150-250 Provenance J. Willis, London, UK, 1968. The Ian West Collection.

124

127. A Sioux knife sheath buckskin, rawhide and coloured glass beads, with a white ground and geometric designs and a bound tassel, 29.5cm long. £200-300 Provenance H. R. Robinson, Kent, UK, 1963. The Ian West Collection.

127

128. A Blackfoot fully beaded knife sheath canvas, cloth, hide and coloured glass beads, one side with stepped teepee’s, the other with stepped diagonal lines and with a castellated collar, 30cm long. £300-400 Provenance The Ian West Collection.

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129. Three pairs of North American moccasins hide, leather, velvet and glass beads, including a Maliseet pair with shaped red velvet vamps with floral beadwork and conforming cuffs, 24cm long, a Chippewa pair with geometric beaded vamps and floral fronts and cuffs, 24cm and a Cheyenne pair with a beaded cross instep and border, 27.5cm long. (6) £200-300 Provenance The Ian West Collection.

130. Three pairs of North Amercian gauntlets and a pair of mittens hide, glass beads and silk thread, including two Athapaskan pairs, one with embroidered floral decoration and fringes, with stitched inner cuffs and blue silk lined, 37cm long, the other with floral beadwork, fringes and red silk lined, 35.5cm long, a Stoney pair by Mrs Mark Old Shoes, Stoney, Morley, Alberta, in white buckskin and with a single beadwork flower and fringes, 37cm long and Cree mittens with floral beadwork to the top and thumb, with velvet borders, 28.5cm long. (8) £200-300 Provenance The Ian West Collection.

131. Four pairs of North American gauntlets hide with floral beadwork and side fringes, with printed fabric linings, including Athapaskan, 36cm long, Blackfoot, 31cm long, Northern with stitched inside cuff, 35cm long and Sarcee, 33cm long. (8) £200-300 Provenance The Ian West Collection. The Sarcee pair acquired from Victoria Crowchild. A Sioux who went to Canada with Sitting Bull’s people, who returned to U.S.A. and married David Crowchild, a Sarcee Indian.

133. Three pairs of North American moccasins buckskin, glass beads and cloth, including an Iroquois pair with floral insteps and line borders with wide ankle flaps having zig-zag borders, 27.5cm long, a Cree pair with floral vamps and scalloped cuffs, 24cm long and a Arapaho pair with a cross and meat rack design, 26cm long. (6) £200-300 Provenance The Ian West Collection.

132. Six pairs of Chippewa moccasins with puckered toes, including four pairs with floral embroidered vamps, 26.5cm, 26cm, 25.5cm, 22.5cm long, a pair with floral beaded vamps and ankle flaps, 28cm and a pair with cloth vamps and ankle flaps, 22cm long. (12) £200-300 Provenance The Ian West Collection.

134. Four pairs of North American gauntlets hide, glass beads and fur, including a Cree pair decorated beavers and strawberries, with fringes, 33.5cm long, a Chippewa pair with floral beadwork and fringes, with printed cotton lining, 34cm long, a Cree pair with fine floral glass and metal beadwork, with fringes, 34.5cm long, and a fur bordered pair with floral embroidered thumbs, 39cm long. (8) £200-300 Provenance The Ian West Collection.

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135. Three Iroquois beaded purses with Niagara floral decoration, the widest 18.5cm, an Iroquois watch pocket, two Maliseet purses and a Plains buckskin, beaded and cloth purse with a long strap handle. (7) £100-200 Provenance The Ian West Collection. 136. Three Iroquois picture frame whimsies cloth and glass beads, two with raised foliage and fringes, the smaller with a double beaded strand hanging loop, 37cm and 45cm (including loop) high and a double frame, with a hanging loop and fringes, 29cm high. (3) £120-150 Provenance The Ian West Collection.

137. Two similar Iroquois beaded hanging frames floral designs on velvet and cloth, with silk loops, the larger 30.25cm x 24.5cm, a floral beaded book cover, four beaded discs, an Iroquois gorget shape panel, a Yukon beaded napkin ring worked DAWSON . Y.T., a Canadian beaded belt buckle, a birch bark and quill frame and a disc, a bead and leather disc and a pair of coiled fibre circular mats. (14) £80-120

138. Three Iroquois folding pin cushion whimsies cloth and glass beads, with floral and bird decoration, all applied FROM NIAGARA FALLS, one dated (1)910, the longest 20cm, a heart shape pin cushion and a six point star pin cushion, and three large covers, with birds, foliage and fringes, and a clear and white £100-150 bead decorated purse. (9)

Provenance The Ian West Collection.

139. Four Iroquois beaded picture frame whimsies cloth and glass beads, the largest with foliage, a pig, two snails, fringes and dated 1905, 42.5cm high, two similar with foliage, fringes and dated 1905 and the smallest dated 1901. (4) £100-200

140. Nine Iroquois whimsies cloth and glass beads, including two boxes, with covers, the larger applied BOX, and with raised flowerheads and leaves with strap handles and base tassels, 18cm and 11.5cm wide, five purses, with floral decoration, the green one applied FROM NIAGARA FALLS, the faded red one dated 1913, and two match £100-150 holders, the double one applied MATCHES, 1906. (9)

Provenance The Ian West Collection.

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141. A Sioux hide shirt glass beads, ermine and cloth, with four applied white and blue patterned bead panels along the arms and over the shoulders, the neck with a leather lace and a cloth bib, hung with ermine tails, the edges with cut fringes, 100cm long. £500-800 Provenance The Ian West Collection.

142. A pair of Plains men’s leggings hide and coloured glass beads, of tapering form with ties and fringes, each with a beaded strip with a white ground and turquoise and yellow flaming hourglass designs, with ankle fringes and a tie to the top, 92cm long. £350-450 Provenance Wallis & Wallis, Lewes, Sussex, UK, 1960 The Ian West Collection.

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143. A Blackfoot pipe bag buckskin, canvas and coloured glass and faceted steel beads, with differing panels of stepped triangle designs either side and a long fringe, the body with green bead edging and a four tab top with ties, 77cm long. £300-500

143

Provenance The Ian West Collection.

144. An Ojibwe pipe bag buckskin, coloured glass beads, cloth and bells, with floral decorated panels, a long fringe and a domed top with a brass button and hide loop, with a printed fabric lining, 83cm long. £100-200 Provenance The Ian West Collection.

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145. A Sioux breastplate hide, bone hair pipes, brass beads, cloth, quill, tin cones and feathers, with three vertical rows of pipes with three circle and cross ornaments to the top with a beaded neck tie, the base with an applied bell above a red stained and white geometric panel linked with small blue beads and hung with cones and feathers, 64cm high. £2,000-3,000 Provenance The Ian West Collection. 146. A Cree pipe bag buckskin and coloured glass beads, with floral decorated panels, a long fringe and a four tab top with yellow, light blue and blue/green beads, 64.5cm long. £400-600 Provenance The Ian West Collection. 147. A Blackfoot rifle case buckskin, canvas, red cloth, coloured glass beads and bells, of tapering form with white ground panels of blue and green linked rectangles, one side with additional yellow lines, with a long fringe to the barrel end, 118cm long. £600-800 Provenance The Ian West Collection.

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148. A Sioux blanket band buckskin and coloured glass beads, white, blue, red and green, with four circle and star motifs and block of triangles, 152cm long.

£400-600

Provenance John Arieta, London, UK, 1983. The Ian West Collection.

149. A pair of Sioux woman’s moccasins buckskin, quill and coloured glass beads, with thirteen rows of stained red quill and a band of yellow, turquoise and white beads with pairs of teepee’s, with tapering tongues, ankle flaps and ties, with rawhide soles, 25cm long. (2) £300-400 Provenance James Aplan, Rapid City, South Dakota, USA, September 2005. The Ian West Collection.

151. An Ojibwe beaded belt cloth, coloured glass beads and buckskin, with a yellow ground and floral decoration, 106.5cm long, an Ojibwe beaded belt, with a pink ground and trailing foliage, with a printed cloth backing and an embroidered name tag for B. E. WILKINSON, 87cm long and an Ojibwe belt with floral decoration, 111.5cm long. (3) £300-400 Provenance The Ian West Collection.

150. A pair of Cheyenne moccasins buckskin and coloured glass beads, fully beaded with a red ground to the instep with a chequer board of light blue, green and white and with geometric borders of additional yellow and dark blue beads, with forked tongues, ankle flaps and ties with scorched rawhide soles, 27cm long. (2) £150-250 Provenance Clive Stone, Kent, UK. The Ian West Collection.

152. A pair of Blackfoot legging strips buckskin and coloured glass beads, with a turquoise ground, yellow and dark blue chevrons and red and dark blue diamonds, 50.5cm long, 5cm wide. (2) £100-200 Provenance J. Willis, Fulham, London, UK, 1971. The Ian West Collection.

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153. A pair of Assiniboine fully beaded moccasins buckhide with green, white, light and dark blue, red and yellow glass beads with geometric designs, including two lozenges and bars to the sole, lace ties and ‘duster’ fringes to the heel, 27.5cm long. (2) £600-800 Provenance The Ian West Collection.

155. A Northern Plains beaded belt coloured glass beads, canvas and ribbon, with a white ground and three crosses within a diamond, two bordered wide sections and a series of three line groups, with red ribbon ties, 85.5cm long. £150-250 Provenance Tex McCleod, cowboy, film star and entertainer, including Buffalo Bills Wild West. W. Mickleburgh, Essex, UK. The Ian West Collection.

Each lot is subject to a Buyer’s Premium of 25% plus VAT

154. A pair of Cheyenne moccasins buckskin, coloured glass beads, fully beaded in white, red and blue, with tapered tongues and ankle flaps, with ties and heel tassels, the rawhide soles cut from parfleches and showing bright painted geometric designs, 26.5cm long. (2) £300-400 Provenance Traditions West, Cody, Wyoming, September 2002. The Ian West Collection.

156. A Plains beaded belt cloth, coloured glass beads and cloth, with a white ground and stepped diamonds and triangles in red, yellow and blue, one end tapered and with later metal fasteners, 84.5cm long, and a Plains belt with white, orange, green, blue and red beads and a floral printed cotton backing with hook and eye fasteners, 86cm long. (2) £200-300 Provenance 1st Plains belt - Miss F Robinson, Lincolnshire, UK, 1954. The Ian West Collection.

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158 157. Two Athapaskan embroidered photograph frames buckskin with floral decoration, 22cm x 16.5cm, a similar envelope handkerchief holder, with fringes, two purses and a U shape bag with a strap handle, a folding purse embroidered Wm Murry, Bills, a Blackfoot buckskin and beaded bag by Delphin Snow, Alberta, Canada, circa 1950, an Athapaskan frame with beaded decoration, a Metis prayer book cover and crucifix, a heart shape needle case and a small oval purse. (13) £100-200 Provenance The Ian West Collection. 158. Six Iroquois beaded purses including one with a red cloth ground and clear, white and silvered beads, depicting flowers and birds, with a front flap, 20cm wide, the others with open tops and with double flaps. (6) £150-250

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161 part

162 part

Provenance The Ian West Collection.

160. Nineteen North American quilled boxes birch bark, sweet grass, natural and dyed quills, circular, oval, rectangular and square, all bar one with covers, with floral and geometric decoration, one with a bird, and a note pad with birch bark leaves, the smallest 4.5cm diameter, the longest 22.5cm. (35) £150-250 Provenance The Ian West Collection. 161. Ten reproduction totem poles Canada resin and argillite, four by Boma and one with inset abalone shell eyes, 31.5cm the highest, a circular box and cover by Boma and a painted plaster model of a figure in a kayak, Homeward Bound, and various North American ornaments, including five cast resin seated Indian figures, a lead figure holding a bow, four Navajo sand pictures and a Zuni soapstone fetish. (a lot) £100-200 Provenance The Ian West Collection.

159. A Micmac quilled oval box and cover birch bark, pine, natural and stained quills, with geometric and chevron decoration, the base with a handwritten paper label Miss Annie Gilles, 18.5cm long, and a Chippewa quilled and birch bark circular box and cover, 12cm diameter. (4) £200-300

162. Five bison horns two mounted, the longest 31cm, a stoat bag with cloth, coloured glass beads, feathers and bells, a white stoat with coloured beads and bells, a white stoat pelt, a bone arrow straightener, a horn fragment with two pierced holes and a mounted group of artifacts from Ghost Pines, Montana. (11) £50-100

Provenance The Ian West Collection.

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163 163. An Iroquois beaded purse with a red cloth and clear glass beads, of a basket and flowers, the back with a vase of flowers and a bird and worked FROM NIAGARA FALLS, with a strap handle, 13.5cm wide, an Iroquois small purse with radiating designs, a Plateau buckskin and beaded puzzle purse, a beaded watch case, a small purse and a drawstring bag. (6). £100-200 Provenance The Ian West Collection

164 166. A Thompson River basket and cover with dyed cross patterns, 14.5cm diameter, a Maliseet velvet and beaded square tray, a California shallow tray, a Chippewa oblong basket and cover with birch bark and quill, an oval tray and a Nootka oblong basket and cover. (9) £100-200 Provenance Thompson River basket - Lance Entwistle, London, UK, 1972. The Ian West Collection.

165 164. Eight Iroquois boot whimsies cotton and glass beads, including a pair with a brown velvet ground with floral designs and with fringes, two decorated birds and foliage and applied FROM NIAGARA FALLS, three with a red or pink ground and one with a blue ground, the highest 37cm. (8) £120-150 Provenance The Ian West Collection. 165. A Sioux bag rawhide with painted triangles and diamonds in red, green and yellow, with a flap cover and hide ties, the back inscribed J. CONRAD SIOUX CASE, 23cm long, A Iroquois child’s beaded cap, a Chippewa beaded eight point tray, a Maliseet beaded six point pin cushion, the back with a handwritten label Dear Mother Uplowman Mrs Parr, an Iroquois beaded bird whimsey and a buckskin and beaded tobacco pouch. (6) £100-200 Provenance The Sioux bag - R. Green, Walsal, UK, purchased in Rapid City, South Dakota, USA, 1979. The Ian West Collection.

167. A Chippewa beaded box cloth, coloured glass beads, cardboard and silk, rectangular with a white ground and floral designs in red, pink, light and dark blue, light and dark green, yellow, brown and lilac, 24cm wide, 4.5cm high. £100-200 Provenance Ex. Garnage Collection, Isle of Wight, UK. Wallis & Wallis, Lewes, Sussex, UK, 1960. The Ian West Collection. 168. Three Thompson River basketry trays with stained geometric decoration, the longest, 37cm, a Nootka circular basket and cover, three Mohawk baskets with handle covers, another with scroll decoration and a small basket, a Nigerian basket with cowrie shells to the exterior and a smaller basket and cover and an Indonesian bag and cover. (19) £150-250

166

167

Provenance The Ian West Collection.

168

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172. An Apache stone head club entirely covered with buckskin with remains of painted decoration and coloured glass beads, with a spherical head and square shaft, with flared tassels, 44cm long. £150-250 Provenance The Ian West Collection.

173. A Plains stone head club girdled with pointed ends and a painted rawhide strap, the wood handle with bands of coloured beads, cloth and buckskin with a fringe, 74cm long. £200-300 Provenance F. North, London, UK, 1959. The Ian West Collection.

170

169. A Plains dance wand cow horns, buckskin, coloured glass beads, bells and wood, 89cm long. £200-300 Provenance The Ian West Collection.

170. A Plains tomahawk with a cast steel pipe blade, with a pelt foundry mark, with an undrilled wood handle and metal tacks, 51.5cm long. £400-600 Provenance The Ian West Collection.

171. A Plains stone head club with pointed ends with a wood handle and strap with rawhide covering, £150-250 65cm long. Provenance F. North, London, UK, 1959. The Ian West Collection.

171

172

173

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174. A Plains stone head of demi-lune form with incised X’s and dots, drilled with a wood shaft and leather covering and strap, with a fringe and suspension loop, 49.5cm long. £150-250 Provenance Purchased from Antique shop in Oxted, Surrey, UK, 1938. The Ian West Collection.

175. A Plains stone head club ovoid with a wood and buckskin mount with red and white beads, a rawhide covered wood shaft and further buckskin and beads, 49cm long. £200-300 Provenance H. R. Robinson, Orpington, Kent, UK, 1963. The Ian West Collection.

174 177

176. A Plains stone head club with pointed ends and drilled, with a wood shaft with leather covering and strap, 42cm long. £120-160 Provenance F. North, London, UK, 1959. The Ian West Collection.

177. Two North American tomahawks with cast brass pipe blades, with wood handles with metal tacks and one with leather straps, 48cm and 50.5cm long. £200-300 Provenance The larger - E. H. Blackmore, Eastbourne, Sussex, UK, 1970. The Ian West Collection.

175

178. A Crow meet stick wood with cloth and coloured glass beads, with a buckskin tied feather, 73.5cm long. £150-250 Provenance Lance Entwistle, London, UK, 1972. The Ian West Collection.

176

178

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179. Six pairs of North American child’s and dolls moccasins hide, cloth, fur and glass beads, including an Athapaskan pair with short embroidered vamps, 17cm long, two Iroquois pairs, 13.5cm and 10cm long, the three dolls pairs with fur edges, cut fringes and red cloth edging, 7cm, 7.5cm, 9.5cm long. (12) £200-300 Provenance The Ian West Collection.

179

180. Two Cree moccasins late 19th century, hide with fine floral embroidered vamps with split quill borders, with ankle flaps and cloth cuffs, 28cm long, a pair of Athapaskan moccasins with puckered toes, floral embroidered vamps and serrated ankle flaps with a button fastener, 24cm long, a pair of Cree moccasins with floral embroidered vamps and ankle cuffs, 26.5cm long and a pair of Slave / McKenzie area moccasins with glass bead floral vamps, 26.5cm £200-300 long. (8) Provenance The Ian West Collection. The two Cree moccasins - Wallis & Wallis, Lewes, UK, 1966. Buttoned Athapakan moccasins - Colin Taylor, Hastings, UK, 1975.

180

181. An Iroquois fan with Niagara floral beadwork front and a layered silk back and a wood handle, 35.5cm long, a Maliseet feather, birch bark and quill fan, a feather fan with a buckskin, cloth and bead handle, two beaded scissor cases, a fibre comb and an oval horn bowl with painted scroll decoration. (7) £80-120 Provenance The Ian West Collection. 182. A pair of Blackfoot gauntlets buckskin, coloured glass beads, canvas and cloth, the panelled cuffs with a white ground and a five pointed star issuing foliage in turquoise, dark blue, red and green beads, with fringes, the backs of the hands with three rows of stitched fibre, possibly hair, and with chevron cut borders, 40cm long. (2) £200-300

181

Provenance Collected by the Rev. A. W. MacMicheal in Alberta, 1914 - 1920. John Arieta, London, UK. The Ian West Collection. 183. A pair of Crow gauntlets buckskin, coloured glass beads and printed cloth, the cuffs with a floral design in light and dark blue, greens, yellow, reds and white, with a fringe and part cloth lined, 40.5cm long, and a Northern Plains pair of gauntlets, white buckskin with floral beadwork to the cuffs and back of the hand, with a fringe and a sewn leafage design to the inner cuff and mauve silk linings, 35cm long. (2) £250-350 Provenance Crow gauntlets - Mark Sykes Collection, Leeds, UK, July 2015. Northern Plains gauntlets - G. W. Reid, Cumberland, UK, 1944. The Ian West Collection.

182

183

184. A large collection of African beaded bracelets with stitched leather inner bands, 64, together with a beaded snuff bottle and stopper, a beaded pipe, a beaded small neck band and a beaded and cowrie shell neck ornament. (69) £200-300 Provenance The Ian West Collection.

184 part

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185. Six pairs of North American moccasins including an Athapaskan pointed toe pair with floral bead vamps and fur trims, 25.5cm long, a Dogrib pair with floral embroidered vamps and ankle flaps, 25cm long, an Athapaskan slipper type pair with beaded vamps and ankle flaps, 28.5cm long, an Athapaskan plain pair with pink and red cotton vamp borders, 27.5cm long, a Navajo pair, 28.5cm long, and a Plains pair with floral beadwork, £200-300 27.5cm long. (12) Provenance The Ian West Collection. The Dogrib pair were collected in 1950 direct from the Dogrib Indians at Hottah Lake, north of Yellowknife.

185

186. Three pair of North American moccasins buckskin, cloth, wool, cotton, glass beads and fur, including two Athaspaskan pairs with floral insteps and one with netted bead ankle flaps, 25cm long and a Cree pair with floral embroidered vamps and ankle flaps, with serrated edges, 22.5cm long. (6) £200-300 Provenance The Ian West Collection.

186

Literature Whispering Wind, Vol 28 No 6, 1997, p.42-43. 187. A pair of Blackfoot gauntlets moosehide, coloured glass beads and cloth, with floral designs in white, light and dark blue, turquoise, green and yellow, the cuffs with fringes, 38cm long. (2) £200-300 Provenance The Ian West Collection. 188. Seven Iroquois beaded pin cushion whimsies cotton with clear and coloured glass beads, four rectangular with scalloped edges and each decorated a bird on a branch, another with a single flower, and two star shape, one with a bird on a branch, the other with a bird gripping an arrow and with two American flags, the widest 29cm. (7) £200-300

187

Provenance The Ian West Collection. 189. Three Iroquois Glengarry caps velvet with glass beads, including one with a purple ground with clear beads of floral designs and with a silk lining, 29cm long, the other two with Niagara floral decoration, 29.5cm and 26cm long. (3) £80-120 Provenance The Ian West Collection.

188

189

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190. A Sioux pipe with a T shape catlinite bowl having a notched block end, the eliptical wood shaft bound with coloured glass beads, fur, feathers, dyed horse hair and ribbons, 81cm long. (2) £200-300 Provenance The Ian West Collection.

191. A Sioux pipe the catlinite angled bowl with a notched and pierced tablet top, signed Redwing, with a brass studded domed stem, 78cm long, a Plains pipe with a catlinite T shape bowl and twisted ash stem, 86cm long, a Plains pipe with a T shaped and faceted with a plain stem, 70.5cm and a tapering with a relief carved and stained bison head, 65cm long. (7) £300-400 Provenance The Ian West Collection.

190

192. A Sioux pipe with a T shape catlinite bowl signed Heyoka, with a quilled and dyed horse hair mounted wood shaft, 48cm long, and a Plains pipe with a catlinite bowl and wood shaft, 38.5cm long. (4) £100-200 Provenance Sioux pipe bought at the Rosebud Reservation, South Dakota, USA. The Ian West Collection.

193. A Plains pipe with a ridged angled catlinite bowl and a part spiral wood shaft with two bands of ribbon, beads and horse hair, 58cm long. £200-300 Provenance The Ian West Collection.

191

192

193 194. A Plains pipe bowl catlinite, of angled form with square framed apertures, the front inscribed in black odA, 7.5cm high, a catlinite tomahawk pipe, 25cm long, a pipe bowl, 4.5cm high, a model turtle by Rose Lightning, an ornament, a cherrywood pipe bowl with wood stem and bone tamper and leather thread and an argillite pipe bowl, with painted inventory number L-IN1667, with a later wood stem. (9) £400-500 Provenance Large pipe bowl - Lance Entwistle, London, 1972. Argillite pipe bowl - Norman Luxton Collection, Banff, Canada. The Ian West Collection.

194

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195

196. Two similar Sarcee pipe bags buckskin and coloured glass beads, with differing geometric designs to both sides in white, red, green and yellow beads, above a further fringe and edges with green and cut red beads, with double hump tops and ties, 62cm and 64cm long. (2) £400-600

195. A Crow rifle case buckskin and coloured glass beads, of tapering form with open ends, the barrel end with a beaded panel with an hourglass design, the butt end with two panelled rectangles within a white border, with long fringes, with inscribed inventory number LE.19.NS, 97cm long. £600-800

Provenance The Ian West Collection.

Provenance Will Rogers and Irving S Cobb, pre 1920. Mrs Grace Oliver, 1920 - 1970. J. E. Hilburg, 1970 - 1987. The Ian West Collection. Exhibited Antelope Valley Museum, Lancaster, California, USA, 1933 - 1970. Horniman Museum, London, UK, 1973 - 1974. National Museum of Man, Ottawa, Canada, 1974 - 1983. Richmond Museum, California, USA. 1984.

196

197

197. A Blackfoot rifle case buckskin, canvas, coloured glass beads and cloth, of tapering form with floret and triangle design panels either end and with long fringes, the circle beaded end with two tassels with interlaced red cloth ends, the inside edge inscribed BBI.73.PD, 103cm long. £500-600 Provenance Collected in Montana, circa 1940. Norman Feder, Curator Denver Art Museum, Colorado, USA. The Ian West Collection.

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198. An Iroquois model canoe cedar and birch bark with fibre binding, with seat boards and back rest, with a pair of paddles with painted decoration and inscribed Bear Island, Ontario, 93cm long. (3) £80-120

199. A Cree model canoe wood, birch bark and fibre binding, with a banded interior and with seat boards, 76cm long, with two painted wood paddles. (3) £150-250

Provenance The Ian West Collection.

200. Two North American model kayaks birchbark, the larger with a figure and each with a paddle, the longest 25.5cm. (5)

201. Three North American model canoes birchbark, one with the outer bark skin incised with geometric patterns, one with coloured quill decoration and the third plain, with two paddles. (5) £150-250

£80-120

Provenance The Ian West Collection.

202. An Inuit model kayak Alaska with a slatted wooden frame and skin covered, 53.5cm long. Provenance Bonham’s, London, 8 December 1999, lot 202. The Ian West Collection.

Provenance The Ian West Collection.

£100-150

203. Eight model canoes and kayaks Canada and Woodlands wood and birchbark; the two kayaks with figures, two birch with quill, one inscribed Sherbrooke, Can., one painted green with mesh panel and a pair of paddles, and three dug outs and three paddles, the longest 42cm. (15) £80-120 Provenance The Ian West Collection.

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204. Two Plains drums with hide skins, one painted yellow with five stylised hooves, the other painted with a symbolic figure and three buffalo hoof prints, both with cloth bound X handles, 36.5cm and 30.5cm diameter , a double skin drum, one side painted two musicians and a bear claw print, hung with leather strands of beads and feathers, a plain double skin octagonal drum and two cow horn and wood rattles. (6) £150-250 Provenance The Ian West Collection. 205. A Iroquois rattle cow horn, wood and brass tacks, 32.5cm long, a similar rattle with feather adornment, and two North American drum beaters, one with painted decoration. (4) £150-250

206

Provenance Iroquois rattle - Collected in circa 1950 on the Onandaga Reserve, Brantford, Ontario, Canada by J. Willis, Fulham, London, UK, 1975. Drum beaters - A. R. Wells, Brixham, Devon, UK, 1953. The Ian West Collection. 206. A pair of Montagnais / Naskapi snowshoes wood, babiche and cloth, of swallow tail type with diamond and triangle designs to the top panel, 90.5cm long. (2) £100-150

204 part

Provenance The Ian West Collection. 207. A Plains whistle bone with a beaded band and beaded medicine bag, buckskin, fur and cloth, with red paint, 12.5cm long, a Plains bone whistle with two feathers, a Plains bone pipe and a Plains wood pipe shaft. (4) £200-300

207

Provenance Plains whistle - Trading Post, Kalispell, Montana, USA. Plains whistle with feathers - E. H. Blackmore, Eastbourne, Sussex, UK, circa 1950. The Ian West Collection. 208. A Plains rattle rawhide, buckskin and a feather, painted mountains and a Bison head, 31cm long, a Plains rattle, rawhide, buckskin and fur, 31cm long and an Iroquois rattle, turtle shell and head with wood staves and cord with red paint, 39cm long. (3) £300-400 Provenance Plains rattle with feather - Lance Entwistle, London, UK, 1972. Iroquois - collected on the Onondaga Reserve, Ontario, circa 1950 by J. Willis, London, UK, 1975. The Ian West Collection.

205

208

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209. A Blackfoot horse crupper rawhide, red cloth, coloured glass beads, buckskin and brass bells, the two panels with floral bead decoration and long fringes, 67cm long. £2,000-3,000 Provenance W. Reid, Birmingham, UK, 1961. The Ian West Collection.

210. A Crow horse forehead ornament hide and glass beads, of keyhole shape, the top with a four point star to a red painted edge and a fringe, the tapering base with geometric shapes and a base fringe, 32.5cm long, two Plateau beadwork bridle ornaments, rectangular with geometric patterns on a leather backing, one with a rondel with a Maltese cross, 31cm and 36cm long, mounted, a leather and beadwork harness with a metal bit, and a carved wood and leather quirt, 48.5cm long. (5) £200-300 Provenance Plateau beadwork ornaments - Sotheby’s, London, 11th Oct 1976, lot 104. The Ian West Collection.

211. A Lakota dance stick wood, horse hair, hide, glass beads, feathers, bells and brass tacks, modelled as a horse’s head and a hoof terminal, stained blue with white patches, 69cm long, a beaded coup with two feathers, 87cm long, a dance stick of Y shape with a beaded handle and brass bead tassels, with fur applied terminals, 51cm long, two feather and beaded hair ornaments, a feather fan with a bound cloth handle, a woven dyed horse hair quirt and a small knife with a leather, brass and catlinite handle, with a leather and beaded scabbard and two grass ornaments. (11) £100-200 Provenance The Ian West Collection.

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212. A Crow quirt or riding whip with a wood handle and brass tacks with red painted stripes, with a cloth and beaded wrist grip and a leather lash, 33cm long. £200-300 Provenance The Ian West Collection.

213. A Plains Society Rattle the wood shaft covered in canvas and buckskin, part beaded with shaped horn and hoof attachments, with a beaded triangular pendant tail, 48cm long. £150-250 Provenance H. R. Robinson, Orpington, Kent, UK, 1963. The Ian West Collection.

214. A Cheyenne quirt or riding whip with a wood shaft with brass tacks and painted horseshoes and lines, a buckskin wrist strap with blue, red and yellow glass beads with a forked end with tassels and red paint, the buckskin lash with red paint and cloth and quill binding, with a handwritten label Sioux Riding Whip /25, 46.5cm long. £200-300

212

Provenance James T. Hooper, The Totems Museum, Arundel, Sussex, UK, 1963. The Ian West Collection

213

215. A Plains quirt or riding whip elk horn with a fur wrist strap and a braided leather lash, 32cm long, and a Sarcee buckskin and beaded quirt, 37cm long. (2) £250-350 Provenance Elk horn - H. R. Robinson, Orpington, Kent, UK, 1962. The Ian West Collection.

214

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216. A Cree small knife sheath buckskin, velvet and coloured glass beads, with plain and alternate stripe design, with a fringe and cut belt loop, possibly for a child, 20.5cm long, and a Plains knife sheath, leather with beads, 27cm long. (2) £100-200 Provenance The Ian West Collection. 217. A Cree knife sheath buckskin, cloth, printed cotton lining and coloured glass beads, with a white ground and two geometric designs and initialled SE, with a green bead fringe, the back cut for a belt, 29.5cm long, and a Chippewa hide knife sheath, with a fringe and two floral beaded panels, 42cm long. (2) £150-250

216

217

Provenance The Ian West Collection. 218. Eleven riveted wooden handled knives mainly with Sheffield steel blades, one with a leather sheath and the blade stamped GREEN RIVER KNIFE, SOUTHERN & RICHARDSON SHEFFIELD, and with an inset vacant shield,

and an antler handled knife, the longest 13cm. (13)

£100-200

Provenance The Ian West Collection.

218

219

219. Twelve knives including six Butcher knives with steel blades, five from Sheffield, with riveted wood handles, three boning knives, one blade marked PETTY’S GREEN RIVER KNIFE, two with curved blades, one having bone scales and another with a serrated top edge, the longest, 39.5cm. (12) £100-200 Provenance One Butcher knife marked Defiance, Malinda Works, Sheffield is reputed to have been found a Wounded Knee Creek. The Ian West Collection. 220. A Blackfoot scabbard and knife with brass tacks, tin cones and cloth, with geometric pigment decoration, 36cm long, with a Bowie style knife, 30.5cm long. (2) £80-120 Provenance The Ian West Collection. 221. A Woodlands crooked knife with a carved wood and painted handle and a cut throat steel razor blade with a rawhide binding, 24.5cm long. £100-200 Provenance Larry Franks, New Mexico. The Ian West Collection.

220

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222. Three pairs of Iroquois child’s moccasins hide, cloth, clear and coloured glass beads, 13cm, 14cm and 15cm long, a baby’s moccasin, with a beaded instep and ankle flap, 12cm long, three pairs of dolls moccasins, a pair of miniature moccasins and a pair of Inuit doll’s skin boots. (17) £200-300 Provenance The Ian West Collection. 223. A North American pistol holster and belt buckskin with floral beadwork, the holster with a fringe and button fastener, attaching to the belt with two further buttons, with remains of purple silk edging, the holster 40cm long, including the fringe, the belt 115cm long, and five knife sheaths, including two with beaded fronts, one with painted geometric decoration to both sides and with a bone toggle, one with metal studs and the fifth with an embroidered moosehair floral panel and beaded edges, the longest 36cm. (7) £150-250 Provenance Pistol holster and belt - Glendinings, London, 1962. The Ian West Collection 224. A Plains child’s pin and bone game with three pierced bones attached to a buckskin thread and a string of red and blue beads and a coiled metal spike, the spike 21.5cm long. £50-100 A variation of the popular cup and ball game, where the bones would be tossed and caught on the pin. cf. Charles Miles. Indian & Eskimo Artifacts of North America, p.207, pl.10.5 - 10.7. Provenance The Gotileb collection, Sotheby’s, New York, 1970. Larry Franks, New Mexico. The Ian West Collection.

Each lot is subject to a Buyer’s Premium of 25% plus VAT

225. A Plains female doll cloth, beads and horse hair, 27cm high.

£100-200

Provenance The Ian West Collection. 226. Three Plains scrapers including an elk antler, with a curved flat end with a hole to attach a metal blade, 32.5cm long, a bone hide flesher with a serrated end, 26cm long and an elk horn with a worked flattened end and with a leather strap, 23cm. (3) £100-200

222

Provenance The Ian West Collection. 227. A Sioux horn and quill spoon with an oval bowl and quilled handle with a pointed terminal and hung with buckskin, quill, tin cone and dyed horsehair ornament, 17.5cm long, a Plains horn and beaded spoon, 19cm and a North American horn ladle, 28.5cm long. (3) £150-200

223

Provenance The Ian West Collection. 228. An Inuit doll Labrador with a carved wood head and wearing a fur parka, 19cm high, four Seminole dolls, Florida, a Sioux style doll and a peg doll, together with three wigs. (10) £50-100 Provenance The Ian West Collection.

225

224

229. Two Sioux umbilical fetishes buckskin, beads, metal cones and dyed horse hair, modelled as a lizard and tortoise, 26cm and 10.5cm long, a pair of childs buckskin gauntlets with bead decoration, a pair of peg dolls, a male and a female with a child on her back, a plain peg and four sticks, the terminals carved a tortoise, a talon and two horse heads, one with a leather and quill collar. (11) £80-120 Provenance The Ian West Collection.

226

227

228 part

229

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230 part

231 230. North American hair pipe jewellery including a Sioux choker with brass and red beads and a central shell, 36cm long, another choker with brass and blue beads, three necklaces with bone eagle, wolf and tree pendants, two pairs of ornaments with bow tops, three necklaces and a bracelet, a cowrie shell and bead necklace, a tooth and bead bracelet, a Navajo bracelet, a Navajo pendant and a Navajo buckle. (18) £150-250 Provenance The Ian West Collection. 231. A Sioux necklace horse teeth and glass beads on a buckskin strand, 92cm long, a Sioux antler and bead necklace, with deer hoof, a Plains claw and bead necklace and a simulated claw necklace. (4) £150-250 Provenance Sioux necklaces - Collected on the Pine Ridge Reservation by A. R. Wells, Brixham, Devon, UK, acquired by Ian West 1953. The Ian West Collection.

232

232. A Sioux pendant necklace buckskin, quill and glass beads, the disc 6cm diameter, a Blood beaded necklace, with tassels and a toggle, a Plateau beaded floral pendant necklace, two similar beaded pendant necklaces and a beaded choker. (6) £100-200 Provenance The Ian West Collection. 233. A small collection of Navajo beaded ornaments including five disc necklaces, the largest with a central tortoise and with bone hair pipes and cowrie shells, a pair of disc hair ties, a plaited necklace, two leather belts, four hair rings, a small bracelet and two hair and pipe strand. (17) £80-120 Provenance The Ian West Collection.

233

234. A Plains ration ticket pouch white buckskin and coloured glass beads, with a light blue ground diamond shape panel and beaded edging and a four tab top with a loop attachment and with a fringe, 21cm long, and a Blackfoot belt pouch, leather with buckskin sides and with a beaded flap with a large diamond design and four crosses, the back with two belt loops, 13.5cm high. (2) £200-300 Provenance Ex. E V Gamage Collection, Isle of Wight, UK. Wallis & Wallis, Lewes, Sussex, UK, 1960. The Ian West Collection.

234

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235

236

235. A Plains choker dentalium, leather, shell and buckskin, 32.5cm long, a pair of similar earrings with shell pendants, a small choker with brass tacks and button and three dentalium and bead necklaces, the larger with a shell pendant. (7) £150-250 Provenance The Ian West Collection. 236. Four bead and shell necklaces North California three green and one white glass interspersed with clusters of shells, the longest 97cm, a white glass necklace on buckskin and with a crucifix, and a Plains claw, bone and glass bead choker/necklace, on buckskin. (6) £100-150 Provenance The Ian West Collection. cf. Charles Miles. Indian & Eskimo Artifacts of North America, p.140. pl. 5.24.

237

237. A Plains fan eagle feathers with cloth binding and with two tin cone and red feather tassels, 89cm long, a Sioux quill disc and feather ornament, a Plains feather fan, with fabric, beads and a mirror, and a Plains ‘scalp’ with cloth and beads. (4) £120-150

Provenance Sioux disc ornament - E. H. Blackmore, Eastbourne, Sussex, UK, 1966. Plains fan with mirror - John Helson, Canada; M. G. Johnson, Walsall, UK, 1957; W. Mickleburgh, Leigh, Essex, UK, 1997. ‘Scalp’ - Larry Franks, New Mexico, USA, 1990. The Ian West Collection. 238. A Plains pouch, possibly Potawatomi buckskin, coloured glass beads and wool, one side with a Maple leaf, the other with a floral design, beaded edging and with a serrated rim, the drawstring with wool clusters and chequer bead tassels, 20.5cm long, and an Assiniboine pouch, buckskin with a beaded panel front with a white ground and a series of triangles and two crosses, with open beaded edging and a scalloped rim, with a drawstring and a base fringe, 28.5cm long. (2) £250-350

238

Provenance Potawatomi pouch - Ian Auld, London, UK, 1981. The Ian West Collection. 239. An Athapaskan embroidered purse doeskin and silk thread with floral designs and an open top, 12cm long, a Blackfoot purse, buckskin with floral beaded designs to both sides, with fringes and a rim collar and a drawstring, 16.5cm long and a Penobscot purse, cloth, silk and beads to both sides, 10.5cm long. (3) £150-250 Provenance The Ian West Collection.

239

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240. A Chippewa beaded drum strip coloured glass beads, cloth, canvas and buckskin, with a predominantly white ground and continuous foliage design, with serrated red cloth edges and buckskin ends, the backing a waxed cloth, 185cm long, 14.5cm wide. £200-300 Provenance The Ian West Collection. Used to encircle to the top of a large drum used at ceremonies and Powwows.

240

241. A Cree beaded belt coloured glass beads, canvas, embroidered cloth, with a white ground and trailing foliage in pink, red, blues, greens, yellows and purple, with a floral patterned cloth backing, 87.5cm long. £150-250 Provenance The Ian West Collection. 242. A Northern Plains beaded belt leather and coloured glass and faceted metal beads, with a turquoise ground and geometric designs in red, dark blue and yellow and with two white panels, with buckskin ties to one end, 83cm long. £150-250 Provenance Collected by the Rev. A. W. MacMichael, in Southern Alberta between 1914 and 1940. John Arieta, London, UK. The Ian West Collection, acquired from the above 1987.

242

241

243. A Northern Plains beaded belt cloth, coloured glass beads, leather and metal, with a white ground having diamond and trailing foliage designs, with a red cloth edging and plain cloth backing, with a buckle, 103cm long, and a Sioux child’s beaded belt, buckskin with stepped triangles and rectangles, 66.5cm long. (2) £200-300

244. A Northern Plains beaded belt leather horse harness and coloured glass beads, with geometric decorated and plain panels, with buckskin ties, 113cm long. £200-300 Provenance Phillips, London, UK, 1978. The Ian West Collection.

Provenance The Ian West Collection.

245. Two Iroquois beaded strips cloth, velvet, coloured glass beads, with Niagara floralwork and disc sequins, one with leather belt ends, 83cm and 57cm long, and a Chippewa beaded strip, with a white ground and trailing foliage, 54.5cm long. (3) £200-300 Provenance The Ian West Collection.

245

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246. Three pairs of North American child’s moccasins buckskin and coloured glass beads, including a Chippewa pair with floral decorated vamps and beaded cuff and ankle flaps with ties, 18cm long, and two Plains pairs, one fully beaded and with additional faceted metal beads, the other with a cross to the instep and both with rawhide soles, 20.5cm and 16cm long. (6) £200-300

247. Three pairs of North American moccasins buckskin, cloth and glass beads, including a Naskapi or Iroquois pair with a bordered vamps having a panel with a stylised figure, with wide beaded ankle flaps, 25.5cm long, a pair with cut bead floral designs, possibly Cree, 24cm and an Iroquois pair with a black velvet ground and floral beadwork, 24cm long. (6) £200-300

Provenance The Ian West Collection, acquired in 1972, 1990 and 2012.

Provenance The Ian West Collection.

248. A pair of North American dance anklets hide with red and white glass beads and with fringes hung with deer hooves, 65cm and 66.5cm long, an Ojibwe charm necklace, buckskin and deer hoof attachments, a Zuni charm necklace with fifteen carved stone, shell and horn animals and birds, and two Southwest American Bolo ties, plaited leather with silver coloured metal drops, one with a white metal and enamel thunder bird slide, the other with a piece of turquoise. (6) £100-200

249. A pair of Iroquois beaded vamps on velvet with glass and metal floral decoration, the wide ends with metal beaded text, 14cm long, and a matching scallop edge collar, 31.5cm long, a pair of Iroquois vamps, an Iroquois purse flap, an Iroquois or Maliseet moccasin flap, an Cippewa gauntlet cuff, a pair of child’s moccasin insteps and a floral panel, a pair of Blackfoot beaded triangles with fringes, a pair of child’s vamps, an instep, a vamp, two Plains bands, a Blood floral band and a beaded belt by Emma First Rider, Cardston, Alberta. (21) £100-200

Provenance The Ian West Collection.

250. Six pairs of North American childs/dolls moccasins hide, glass beads, cloth and fur, including a Yukon pair with stylised foliage vamps and bordered rims, the back of one with red and black cloth back seam, 10.5cm long, a Flathead pair with cut ankle fringes, 14cm long, two Athapaskan pairs with ankle ties, the larger with fur edging, 14.5cm and 10.5cm long, a Pomo pair with beaded instep and cuffs, 8.5cm long, a Iroquois pair, 13cm long. (12) £200-300 Provenance The Ian West Collection.

250

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251. After Carl Bodmer. A Sioux Warrior colour print, 42cm x 32.5cm, four prints of Native Indians, a calendar poster for 1941, two others without calendars, fourteen fascimilie prints after Rinehart's 1898 series, and fifteen posters from the Pontiac Motor Division. £50-100 Provenance The Ian West Collection.

251 part

252 part

252. Ian West The Yellow Scarf pastels, titled, signed with initials and dated '93, 45cm x 30cm, E. H. Blackmore, 6/28, Mounted Warriors, gouache, 35.5cm x 25.5cm; C. Clayton, Sitting Bull, watercolour; An Arapaho Dog Soldier, watercolour and ink; Thos. B. Lindsay, a mounted figure in the snow, watercolour; Roy Wallace, 1982, Chief Red Cloud, gouache, all unframed. (7) £100-200 Provenance The Ian West Collection. 253. A large collection of American Indian Art Magazine and various copies of The Beaver magazine. £50-100 Provenance The Ian West Collection.

253 part

254. Richard Hook Portrait of a Native Indian watercolour on board, signed and dated '85, 51cm x 33.5cm, unframed, and three other similar watercolours by Richard Hook, two framed. (4) £100-200 Provenance The Ian West Collection. 255. Literature Whispering Wind. American Indian: Past and Present and other related magazines, Finch & Co catalogues. £50-100 Provenance The Ian West Collection.

254 part

255 part

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258. Three pairs of North American moccasins hide, cloth, glass beads and silk thread, including an Iroquois pair with floral beaded vamps and line borders, with wide ankle flaps, 23cm long, a Cree pair with floral embroidered vamps and cuffs, 22cm long and a New Perce pair by Viola Morris, with geometric beadwork to the instep, serrated cuffs and tongue, 27cm long. (6) £200-300 Provenance The Ian West Collection.

256. Two Peace and Friendship medallions brass, copies of 1789 and 1845, a copy of a 1757 George II Friendship medallion, with a pipe bone and glass bead rawhide string, a copy of an Indian Wars Service medal, ten American coins, two Trading Post tokens and two brass Parlour tokens. (18) £50-150

259. Five pairs of North American dolls moccasins hide, coloured glass beads, cloth and fur, including Iroquois, Athapaskan, Dog Rib, Inland Tlingit, with a pair of matching mittens, a pair of Pawnee child’s moccasins and a pair of doll’s mukluks. (16) £200-300 Provenance Dog rig pair with the fur edges collected from Indians near Hootah Lake, north of Yellowknife. The Ian West Collection

257. A pair of Sioux armbands brass with reeded decoration, 6cm wide. (2) Provenance H. R. Robinson, Orpington, Kent, UK, 1963. The Ian West Collection.

£100-200

260. Three pairs of North American moccasins buckskin, velvet, glass beads and cotton, including an Iroquois pair with beaded floral insteps and borders with wide ankle flaps, 25.5cm long, a Crow pair with three beaded rows to the instep, 23.5cm long and a Cree pair with floral embroidery to the instep and sides, 27cm long. (6) £200-300 Provenance The Ian West Collection.

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261. A Teton Sioux boy’s vest circa 1890, buckskin with glass beads, the white ground with yellow, red, green and blue tipi and clouds and meat rack designs to the front and back, the front shoulders with a cross symbol either side, the ties with coloured quill and the top one with a small brass crucifix, 39.5cm long. £800-1,200 Provenance Sotheby’s, Billingshurst, 1st July 1987, Lot 2974. The Ian West Collection.

262. A Northern Plains vest circa 1900, canvas, cloth and beads, the front panels with a white ground and coloured geometric designs, with metal hook and eye and buckskin ties, the part beaded back with a central vertical chevron and angled linear design with a border, 51cm long. £800-1,200 Provenance Private collection, Cambridgeshire, UK. The Ian West Collection.

Published Whispering Wind, Vol 26, No. 3, p.8, photo 6.

263. A pair of Stoney or Cree moccasins buckskin and coloured glass beads, fully beaded with a white ground and blue, green, orange, red, black and yellow geometric pattern, with tongue and laces, 25.5cm long. (2) £100-200 Provenance The Ian West Collection.

264. A pair of Cree moccasins buckskin and coloured glass beads, fully beaded with a white ground and blue, yellow, red, green and mauve geometric patterns, with a tongue, ankle flaps and laces, with heel tassels and rawhide soles, 27cm long. (2) £150-250 Provenance The Ian West Collection.

265. A pair of Ute moccasins hide, cloth and coloured glass beads, in yellow, light blue, white and red to the instep and two rows around the heel, tapering tongues, one inscribed MR 8778, with cloth and beaded low ankle flaps and sack cloth high ankle flaps, 25cm long. (2) £300-400 Provenance The Ian West Collection, acquired in 1963.

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266. A Plateau area vest circa 1920, buckskin, felt, cotton and beads, the front panels with a turquoise ground with two stylised floral designs and an inner triangle motif border, with a pair of ties with brass beads, the back with a double floral spray design and a printed lining, 54cm long. £500-600 Provenance TH. Von Bauk, Germany. M. G. Johnson, UK. he Ian West Collection.

268. A pair of Sioux child’s moccasins buckskin, quill and coloured glass beads, with ten rows of stained red quill across the instep and a band of red and white beads with pairs of teepee’s, with tapering tongues, ankle flaps and ties, with rawhide soles, 20cm long. (2) £300-400 Provenance Denver Art Museum, Colorado, USA. H.R.Robinson, Orpington, Kent, UK. The Ian West Collection, from the above in 1965.

267. A Yankton Sioux vest circa 1890, buckskin with glass beads, the white ground with blue, yellow and red tipi and clouds designs to the front and back, with red borders, arm and base fringes, the ties with brass bells, 54cm long. £800-1,200 Provenance By repute - acquired from Red Thunder’s family, Spirit Lake. The Ian West Collection.

269. A pair of Northern Plains moccasins buckskin and coloured glass beads, in white, dark and light green, light blue, turquoise, greasy yellow, clear yellow and red, with a central abstract design to the instep and a border around the base, with a tapering tongue and ties with hide soles, 26cm long. (2) £200-300

270. A pair of Blackfoot moccasins smoked hide coloured glass beads and cloth, the insteps with a light blue ground with yellow, pink, dark blue and red teepee’s and a sun motif, with tapering tongues and serrated front ankle flaps and red cloth borders, 26cm long. (2) £150-250

Provenance Native American Trading Co., Denver, Colorado, USA, 1986. The Ian West Collection.

Provenance Mrs J Bedford, London, UK, 1984. The Ian West Collection.

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271. A Plains style feather headdress with a cloth cap and a beaded panel front, the sides hung with white stoat pelts, with down and red feather and horse hair tipped main feathers, 48cm high. £600-800

Provenance The Ian West Collection.

271

272. A Navajo corn rug 70cm x 42cm, and four similar rugs, a sash and an Early’s Witney Point red ground blanket with black strips, and a cream ground blanket with coloured strips. (8) £100-150 Provenance The Ian West Collection.

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273. A pair of Sioux type leggings Hudson Bay blanket, buckskin, coloured glass and faceted steel beads and cloth, the applied beaded panels with triangular motifs, 76cm long, a Chippewa beaded hide jacket, with fringes, a pair of Blackfoot woman’s leggings, with floral beaded decoration, 37cm long and a modern leather and beaded belt. (6) £100-200 Provenance The Ian West Collection.

273

274. A pair of Blackfoot moccasins buckskin, glass beads, cloth and cotton, with floral beadwork insteps and a geometric border, with ankle flaps and the backs with duster strands, 26cm long. (2) £100-200

275. A pair of Plains moccasins buckskin and glass beads, fully beaded with a chevron instep, conforming sides and with light and dark blue borders, the tongue with a tie, 27cm long. (2) £150-250

276. A pair of Cheyenne moccasins buckskin and glass beads, the instep with a central geometric band flanked by two short bands and a part outer border, with a forked tongue and sinew tie, 27.5cm long. (2) £150-250

Provenance Wallis & Wallis, Lewes, Sussex, 1960. The Ian West Collection.

Provenance The Ian West Collection.

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277. A pair of Ojibwe leggings blanket cloth, canvas, coloured glass beads, hide and ribbon, the applied floral beaded strips with Cree script at the top and three triangles to the base and with fine green fibre borders, 95cm long. (2) £500-800 Provenance F. North, London, UK, 1958. The Ian West Collection. Correspondence from 1963 to various persons asking for a translation of the Cree text terminated in 1994 with a letter from Hugh A. Dempsey, Calgary suggesting a friend of his, Stan Cuthand states the one with the lazy p’s means ‘Saulteaux Chief,’ and may be the name of the person for whom they were made. The other one means ‘Let’s have a good time.’

277

279 278. A pair of Sioux woman’s leggings buckskin, coloured glass beads and tin cones, part beaded in lazy stitch with a white ground and geometric designs in blue, yellow, red and green, with cone tassels and cut fringes, with buckskin and cloth ties, 72cm long. (2) £400-500 Provenance Antique Shop, Tavistock, Devon, UK, 1943. The Ian West Collection. 279. A pair of Blackfoot beaded armbands rectangular canvas with applique glass beads on a white ground with light blue, red, pink, yellow, light and dark green and faceted metal floral designs, each hung with two pairs of drops and with buckskin ties, 31cm long, and a pair of Plateau Area beaded wrist cuffs, with a blue ground and a stylised foliage design, on canvas with a printed cotton edging and buckskin ties, 32.5cm wide. (4) £250-350 Provenance Bonhams, London, no date, lot 98, part. Mrs J Bedford, London, UK. The Ian West Collection.

278

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280

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281

282

280. A pair of Blackfoot moccasins buckskin, glass beads and thread, with geometric decorated insteps, a row to the outside edge and two vertical rows to the back and two strands of hide, the ankles with later cloth and hide, 25cm long. (2) £200-300 Provenance The Ian West Collection. Previously labeled ‘These beaded moccasins were worn by Chief Bull, who sent them to me as a token of regard, Emma MacDonald.’ 281. A pair of Cheyenne women’s moccasins buckskin and coloured glass beads, fully beaded in white, dark and light blue, green and red, with a forked tongue and with remains of yellow pigment under the ankle flaps and with rawhide soles, 26.5cm long. (2) £400-600 Provenance Private collection, Torquay, UK. The Ian West Collection, purchased from the above June 1999. 282. A pair of Sioux moccasins buckskin, coloured glass beads and tin cones, fully beaded with a white ground and red, green, light and dark blue linear designs, the split tongues with cones and remains of red fibre, the inside of the sole with painted geometric designs, 27cm long. (2) £300-400

283

Provenance The Ian West Collection. 283. A pair of Sioux moccasins buckskin, quill, glass beads, cotton and tin, with coloured bead borders, horizontal quill bands to the insteps, the tongue and ankles hung with hide and quill tassels with tin cones, the rims with printed cotton borders, 26.5cm long. (2) £300-400 Provenance The Ian West Collection. 284. Three North American moccasins buckskin, coloured glass beads, cloth and quill, including a Sioux moccasin with a central square and foliage to the corners, with scalloped edge ankle flaps and ties, the rawhide sole inscribed Mrs Running Bull, Sioux, 24.5cm long, a MicMac moccasin with a stylised floral decorated vamp and a wide ankle flap with scallop shell designs, 24cm long and an Iroquois child’s moccasin with fine linear, lozenge and scroll quill decoration, the ankle flaps with remains of white bead edging, 17.5cm long. (3) £300-400 Provenance The Ian West Collection, acquired 1953, 2010 and 2004.

284

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285. A Plains feather headdress with a cloth cap and a beaded panel front, hung with fur tails and brass bells, with down and main feathers tipped with white fur and red dyed horse hair, 46cm high. £400-600

Provenance The Ian West Collection.

286. A Sioux doll’s cradleboard coloured glass beads, printed fabric, hide, wood, copper buttons and brass studs, the hood decorated in lazy stitch with white, blue, red and green beads depicting teepee’s and meatracks, with applied bells, beaded edging and five ties, on a wood frame, 61.5cm long. £400-600 Provenance The Ian West Collection.

287. A pair of Sioux moccasins buckskin and coloured glass beads, in green, white, blue and red linear patterns to the instep and outside band, with a tapering tongue and stitched border ankle flaps, one with a sewn cloth label inscribed Mrs Iron Tail Chemnitz Germany, with rawhide soles, 25cm long. (2) £500-600

288. A pair of Dakota moccasins buckskin, coloured glass beads, tin cones and feathers, with green, white, red and blue beads to the insteps, an outside band and with green pigment stained forked tongues, with cone and feather tassels, with rawhide soles, 27cm long. (2) £300-400

Provenance Private collection, UK. The Ian West Collection, acquired from above in 1954. Iron Tail was a leading Indian in Buffalo Bills Wild West Show which was in Germany in 1890. Iron Tail’s wife accompanied him on this trip.

Provenance The Ian West Collection, acquired in 1960.

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OTHER PROPERTIES

289. A Navajo blanket in Chief’s third phase pattern, 183.5 x 147cm.

£600-800

Provenance Mildred B Beckstrand, Palos Verdes, California, d. 1994.

290. A Plateau cornhusk bag Western North America fibre with differing bold geometric designs, with buckskin handles, circa 1900, 29cm x 23.5cm. £200-300

291. A Plateau beaded bag Western North America buckskin with a front panel of a bird in a cherry tree, circa 1920, 20cm x 17cm. £150-250

Provenance David Cook Galleries, Denver, USA.

292. A Plateau cornhusk bag Western North America fibre with flower designs and trees, with a buckskin edge and handles with a green silk lining, circa 1900, 21.5cm x 19.5cm. £200-300 Provenance David Cook Galleries, Denver, USA.

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293. A Plains beaded vest canvas, coloured glass beads, faceted steel beads, buckskin and brass beads, the front with a white ground with chequer bands and triangular and lozenge motifs, the back with trailing floral designs and with traces of a yellow ground, with a fringe, 70cm high. £600-800 294. An Iroquois crucifix Eastern Woodlands the reverse incised a cross above IHS and dated 1818, the top with an integral suspension loop, £400-600 10.5cm high. cf.Tribal Art Magazine, Number 86, Winter 2017, p.130. 295. A North American necklace alligator teeth and coloured glass trade beads on a hide string, 60cm long, the longest tooth 7.7cm. £200-300 296. A Woodlands oblong box and cover birchbark, reed and blue paint, the cover with a flowerhead design and a chevron edge, 38cm long. (2) £150-250

293

295

294

296

297. A Plains stone head club of twin conical form with a drilled wood handle, with a red stained buckskin cover, with painted inventory number 42 - 581, 69cm long. £150-250 Provenacne: Richard Green, UK. Literature: A Warrior I Have Been - Plains Indian Cultures in Transition - The Richard Green Collection of Plain Indian Art, 2004, p.84.

298. A North American axe with a stone blade and wood handle, with leather binding and wood pegs, 36.5cm long. £400-500

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299

300

299. A California woven fibre coil bowl with a raised centre and geometric pattern, 31.5cm diameter. £80-120 Provenance Mildred B Beckstrand, Palos Verdes, California, d. 1994. 300. Two South Western Northern American baskets one with natural and dyed dark and light brown geometric designs, the smaller with figures and animals. 41cm and 27.5cm high. (2) £200-300 301. Five Peruvian slingshots South America dyed wool, with geometric designs and four with tassel ends, the longest 370cm. (5) £80-120

301

302

303 part

304

302. A Mexican blackware jar with integral handle and wavy rim, with a matt band having an alternating pattern, 20cm high. £80-100 Provenance Mildred B Beckstrand, Palos Verdes, California, d. 1994. 303. Two Zapotec runners Mexico with striped designs and long lozenges of arrow heads, feathers and x’s, 340cm x 80cm and 322cm x 79cm. (2) £200-300 304. A Navajo rug decorated boxes with geometric designs and feathers, 166 x 111cm. £150-250 Provenance Mildred B Beckstrand, Palos Verdes, California, d. 1994.

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305

306 305. A Haida spoon North West Coast horn in two parts with copper pins, the carved handle with the heads of a raven, an owl and a beaver, with a plain bowl having a moulded heel, 24cm long. £1,500-2,000 Provenance Ex. collection Herbert Tischner, Hamburg, Germany. 306. A Kiowa small shield Plains, USA buffalo hide with red and black paint and buckskin ties hung with hoof, brass and tin cones with a brass bell, 14cm diameter £200-300 Provenance Denis Ghiglia, Paris, France. 307. A Navajo apron Southern North America canvas painted yellow and red with a an applied leather cut-out stag with a red glass bead, hung with tin cones, early 20th century. 26cm high, on a stand. (2) £300-400 Provenance Denis Ghiglia, Paris, France.

307

308. A pair of South American leather leggings with feet and oval and eliptical designs in stitched leather, 94.5cm long, and four woven fibre bags. (6) £100-200

308

309

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310 309. SA Navajo necklace South West America silver and turquoise, with three circular bead edge floral designs, with a chain link, 1930's, the discs 3.2cm diameter, a Navajo silver and turquoise bracelet, with three floral and leaf mounts, a pair of Zuni silver and turquoise 'needlepoint' earrings by Octavius & Irma Seowtewa, signed and a Zuni silver and turquoise 'needlepoint' ring by Irma £300-500 Seowtewa, signed. (5) 310. A sharpening stone possibly North American walnut with tapering ends and inset a quartz stone, 38.5cm long.

£150-200

311. A Surinam paddle South America painted black and red with lines and an eye and brow, 163cm long.

£100-150

311

312

313 312. A Surinam paddle South America the blade with moulded edges and incised geometric circles and symbols, the medial ridged shaft with a chevron edged fish tail terminal, 143.5cm long. £150-200 313. A Plateau woman's dress by Janet McLeod yellow woollen broadcloth with bands of coloured glass beads, cowrie shells, tassels, ribbon and dentallium, 114cm high, and a green ground beaded belt with arrowhead and £300-500 lozenge motifs, 95cm long. (2) Provenance Richard Green, UK, bought directly from Janet Mcleod. Janet McLeod (1934 - 2003) was a well known American activist form the Plateau Tulalip Reservation, Washington State, USA

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314. A Yoruba male Ibeji Nigeria with a crested ribbed coiffure and metal pin eyes, with facial and body scarifications, with a sliced shell waist band and with two cowrie shells, 25cm high. £150-250 315. A Yoruba Ibeji figure Nigeria of angular form and wearing bead necklaces, with linear scarifications to the chest, upper arm and back, with carved armbands, a loin cloth and sandals with high platforms, £500-800 29.5cm high. Provenance Alain de Monbrison, Paris.

314

315

316. A pair of Yoruba Ibeji figures Nigeria male and female with Reckitts Blue stained coiffure and wearing coloured glass bead necklaces and with their arms to their sides, the female with abdominal scarifications, 26.5cm and 27cm high. (2) £800-1,200 317. A pair of Yoruba Ibeji figures Nigeria male and female, the male with a diced coiffure and the female with a ribbed linear coiffure, both with facial and abdominal scarifications and on zig-zag banded circular bases, 26cm and 27.5cm high. (2) £800-1,200 318. A Swazi neckrest South Africa the top with relief carved triangles and on tapering ribbed supports, the underside with a faceted nodule, 15.5cm high, 43cm long. £500-600

316

317

318

319. A Dinka headrest Sudan of stylized animal form with an elliptical top having nine inset brass casings to one side, on tripod supports, 23.5cm high, 42cm long. £200-300

319

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320. A Zande throwing knife kipinga Democratic Republic of Congo one side with faceted edges and incised decoration and with a cloth and woven fibre bound handle, 46cm high, on a stand. (2) £500-600

321. A Banda throwing knife Democratic Republic of Congo iron with three blades and with a faceted edge and incised decoration, £700-800 46cm long, on a stand. (2)

322. A Poto knife Democratic Republic of Congo with a part open and shaped blade with incised decoration, with a twisted wire bound wood handle with brass tack to the terminal, 44cm long, and a Ngombe executioner’s sword, with twisted wire and brass studded knoped handle, 68cm long. (2) £150-250

320

321

322

323

324

325

323. A Ngombe executioner’s sword Democratic Republic of Congo the shaped and part fullered blade with linear decoration to both sides, the double knopped wood handle with metal wire and brass studs, 62.5cm long, on a stand. (2) £500-600

324. A Zande knife Democratic Republic of Congo with a part blackened iron leaf shape blade and a brass wire part bound wood handle, 35.5cm long, on a stand. (2) £150-180

325. A Buyu knife Democratic Republic of Congo with a part blackened fullered leaf shape blade and with a wooden handle, £500-600 59cm long, on a stand. (2)

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326. A Nigerian leopard bronze, seated and with an antelope in it’s mouth, 24cm long, and a Mayan style bronze figure, 16cm high. (2). £200-300

326

327

Provenance From the collection of Edward and Julia Carter Preston, sold on behalf of The Hope Carter Preston Foundation, Liverpool. Edward Carter Preston (1885-1965) was a renowned Liverpool artist, sculptor and medallist, his daughter Julia Carter Preston (1926-2012) was a successful potter 327. An Ivory Coast mancala board carved as a fish with a cover and twelve recesses, on a rectangular base, 71cm long. £150-250 328. A pair of Yoruba male and female Ibeji figures Nigeria with crested coiffures, 25cm high, a pair of Zulu wood and brass wire snuff bottles, a South African bead and leather waistband and a Chinese bracelet, bamboo with a copper wire endless knot. (6) £100-200

328 part

329

329. A Democratic Republic of Congo bowl with a pig and column support, 32cm high. £100-150 330. A Yoruba colon figure Nigeria of a standing officer wearing a peaked cap and holding a book and a staff, polychrome decorated, 32cm high, and a Benin style brass bust. (2) £80-120 331. A Kamba stool Kenya the circular dished top with copper wire decoration of two figures on horseback and two animals, on tripod supports with standing Askari figures, 29.5cm high and diameter. £100-200

330

332

331

333

332. An Ashanti gold weight Ghana brass of a standing figure holding a large leaf to his ear, 5.5cm high, a pair of copper bracelets, with semicircle decoration, 8.2cm wide and a Fon style cast iron lion, 22.5cm long. (4) £50-100 333. A Senufo equestrian group Ivory Coast the rider wearing a domed hat and previously holding a spear in his right hand and holding the rein in his left, on an oblong base, with a black painted patina, 44.5cm high, and a Benin style panel, relief carved and Oba holding a crocodile in each hand, 45cm wide. (2) £150-200

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334. A Yoruba cyclist Nigeria carved from one piece, wearing a pith helmet, a sash and shorts, with painted decoration, on a rectangular domed base, 38.5cm high. £200-300 Provenance Collected in the 1930s/40s and thence by descent.

335. A Yoruba mancala board Nigeria with twelve recesses and a carved head terminal and on carved supports including kneeling male and female figures, monkey’s and mudfish, with a painted polychrome finish, 62cm long. £200-300 Provenance Collected in the 1930s/40s and thence by descent.

334

335

336

337

338

339

336. An Akan comb Ghana with a male figure riding a leopard, 32.5cm high, a Baule catapult, 16cm long and a Turkana bowl, 11cm high. (3) £120-160

337. A Yoruba equestrian figure Nigeria with a long ribbed coiffure falling to the top of the saddle and holding a staff, polychrome decorated, 69cm high, a Yoruba carved seated monkey and a bird swallowing a snake, both polychrome decorated, 28.5cm and 36cm high. £200-300 Provenance Collected in the 1930s/40s and thence by descent.

338. A Tutsi container Rwanda bark with painted geometric decoration, with a stitched fibre seam and base, 24.5cm high. £100-200

339. An African model pith helmet 37.5cm long. £80-120

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340. An Igbo Alusi figure Nigeria the standing male figure with a crested coiffure, forehead and temple scarifications, with coffee bean eyes and an open mouth with white pigment, the abdomen and back with scarifications, the arms with up-turned hands and with large domed feet with toes, 99cm high, on a stand. (2) £1,500-2,000

341. A Gurage room divider Ethiopia of stylized human form with black, white and earth pigment bands, 152cm high, mounted. (2) £400-500

342. An Igbo stool Nigeria with a circular dished seat with a carved underside and on four deep carved splay legs, 32cm high, 20cm diameter. £150-200

343. Two Nupe stools Nigeria one with a circular top with carved linear geometric decoration, on four legs with open triangle stretchers, the other rectangular with a geometric carved seat on four legs with two V supports, £150-250 28cm and 16.5cm high. (2)

340

342

341

343

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344. A Gurage room divider Ethiopia of stylized form with an open centre and with incised decoration to the front, 103cm high. £400-500

345. An Igbo Alusi figure Nigeria the standing female with a pyramidal coiffure and with forehead scarification, elliptical ringed eyes and an open mouth, with square shoulders and up-turned hands, a vertical abdominal scarification terminating in a circle and framing the belly button, with remains of a dark patina, 133cm high, on a stand. (2) £800-900

346. Two Nupe stools Nigeria one circular with a geometric carved seat and lozenge bead edge and on eleven legs, the other rectangular with a carved seat and on four legs with two X supports, 21cm and 17.5cm high. (2) £150-250

347. A Nupe stool Nigeria with a geometric carved oval top and on ten legs, 28cm high. £150-250

344

345

346

347

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348. A Shilluk bracelet South Sudan ivory, oblong with a concave top surface, 19th century, 13.5cm long.

£400-600

Provenance Kenneth John Hewett (1919 - 1994), London, UK. 349. A Yoruba divination tapper Nigeria ivory, with a kneeling female figure with inlaid eyes and abdominal scarifications, the open top with linear and dot decoration, 19th century/20th century, 37cm long. £400-600

350. A Pende Ikhoko pendant Democratic Republic of Congo ivory, pierced for attachment through the tripartite coiffure, early 20th century, 6.5cm high, on a stand. (2) £300-400

351. A Nupe bracelet Nigeria ivory with a rich patina, late 19th/early 20th century, 8.6cm wide, and a Cameroon ivory bracelet, early 20th century, 14cm wide. (2) £150-250

349

350

351

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352. Four South African snuff containers horn, of vase shape, one with a long neck, the others with linear marking around the rim, linked by plaited fibre and white beads, the highest 6.8cm. (4) £100-200 353. A Loango tusk Angola ivory, relief carved a spiral procession of figures and animals, including two figures paddling a canoe, another riding a donkey, a pair of goats mating, a figure with a rifle and two figures fighting, the finial with two frogs, the eyes inlaid red pigment and black dot borders, late 19th century, 50cm long. £200-300

354. A Congo oliphant ivory, with a wide diamond shape mouthpiece and a band under, with a part facet knop end, 19th century, 50cm long. £500-600

355. A Maasai snuff container Kenya ivory of baluster form with a cross hatched girdle, with a leather and beaded cover, and with a long link chain, early 20th century, 8.5cm long. £600-800

355

Provenance John Hare, Assistant District Officer in Tagale/Waja, Northern Nigeria, 1957 - 1958.

356. An Igbo bracelet Nigeria ivory with a concave outer edge, early 20th century, 10.5cm wide, and a Nigerian ivory bracelet with bands of drilled holes filled with clay, 12cm wide. (2) £300-400

356

357. A Sudanese small stem cup rhinoceros horn, raised on a spreading foot with a ringed stem to a flange and conical bowl, 18th/19th century, 6.5cm high. £300-400

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358. A Senufo kpelie mask Ivory Coast the long face with pouting lips, a curved nose and narrow slit eyes, flanked by abstract appendages and with a horn crest, 26cm high, on a stand. (2) £600-800 Provenance Charles Ratton, Paris Loudmer, Paris, 11 Dec 1993, lot 20.

360. A Guro heddle pulley Ivory Coast with a buffalo mask finial and nodule back pierced for attachment, the base with white painted inventory number B35, 15cm high, on a metal base. (2) £400-600 Provenance Harold Rome (1908 - 1993), New York, inv. no. B35. Ben Heller, New York.

359. A Songye kifwebe mask Democratic Republic of Congo with concentric incised linear decoration and with pierced holes to the shallow medial crest, coffee bean eyes, flat nose and a square x shaped mouth, with remains of kaolin and with fibre, 26.5cm high, the mask excluding the fibre, on a stand. (2) £600-800

361. A Baule heddle pulley Ivory Coast with a buffalo mask and an integral attachment block, with a rectangular aperture base, £200-300 16cm high, on a fixed base.

362. A Baule heddle pulley Ivory Coast with a head finial having a crested and ribbed coiffure, with raised scarifications to the neck, 16cm high, on a wood base. (2) £300-400

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363. An Ejagham Janus helmet mask Nigeria hide covered and with a pair of spiral wood horns, the lighter face with painted symbols including unity and hatred, with circle temples, inset metal eyes with wood bead pupils, flared nostrils, and filed front teeth, the dark stained side with relief scarifications, eliptical motifs, flared nostrils and filed front teeth, 45cm high. £1,500-2,000

364. A Lobi catapult Burkina Faso the carved handle with a figure either side, one with arms stretched up and the other with them down, 18cm high, on a base. (2) £120-150

365. A Baule catapult Ivory Coast with a phallic handle, 19.5cm high, on a base. (2)

£180-200

366. A Baule catapult Ivory Coast with a Janus mask handle, 16cm high, on a base. (2)

£150-180

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367. A Kuba Tukula box and cover Democratic Republic of Congo of crescent form with carved geometric decoration, the cover with an abstract arch and linear design, 27.2cm wide. (2) £300-350

368. A Zulu circular pot and cover South Africa with a tapering finial, the spherical body with two bands of incised chevrons, on an integral open base, 26.5cm high. (2) £100-150

367 369. A Zulu spoon South Africa with amasumpa carving to the finial and stem, 38cm long. £150-200

370. Two Himba milk pots Nambia with incised linear banded decoration, one with an aluminium repair to the rim, 21cm and 24cm high. (2) £400-500 Provenance Stella Loebarth, Paris.

371. A Rotse basketry tray South Africa circular with an open gallery, 42.5cm diameter, two Rotse containers and covers, a large bowl and two Indonesian containers with covers. (10) £100-150

368

369

370

371

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372. A Gurunsi ladle Burkina Faso with a flat bottom bowl and a curved handle with a bush spirit head terminal with an open mouth, 38.5cm long, on a stand. (2) £300-400

373. A Kuba tukula box and cover Democratic Republic of Congo of crescent form with carved geometric panel sides, the cover with a relief mask, crocodiles and geometric designs, the interior with remains of cam powder, £450-550 35cm wide. (2)

374. A Lozi bowl and cover Zambia oval with a scalloped girdle and with a fish finial to the cover, 25cm long, and a Lozi circular bowl and cover, 21.5cm diameter. (4) £450-550

373

375. A Kuba rectangular box and cover Democratic Republic of Congo the faceted cover with a geometric carved platform with a central boss, two edges pierced and one side to the main body, £200-250 12.5cm x 11cm.

376. An Ethiopian large gourd with incised decoration of a robed saint standing under an arch, and two saints carrying a long pole, with woven fibre repairs, 43cm high. £100-200

374

372

375

376

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377. Four Mbole currencies Democratic Republic of Congo copper, one with an edge lining and three with inventory numbers 1446, 1200, 2195, 16.5cm, 21cm, 24cm and 33cm wide, on stands. (4)

£600-800

Provenance Christie’s, South Kensington, Tribal Art, London, 5th October 1993, lot 113, part.

378. A pair of Puel earrings Mali gilt brass of finned crescent form with incised leaf designs and a cross and crescent, with red wool binding, 16cm wide. (2) £500-600

379. Two Dinka / Lotuko pendants Sudan copper with embossed beads and a hollow midrib, 19.5cm and 21cm long. (2)

£120-160

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380. A Mbole currency anklet Democratic Republic of Congo brass, 14cm wide, on a stand. (2)

£150-200

381. Two Mbole currency anklets Democratic Republic of Congo copper, 18cm and 19cm wide. (2)

£100-200

382. Three West African currencies brass and copper, including a King manilla, 30cm wide, one twisted and the other plain. (3) £200-300

383. A Congo currency crescent bronze and faceted, 20.5cm long, a Nigerian currency coil and a Nigerian currency circle with nodules. £200-300 (3)

384

385

384. Five currency bracelets West Africa and Democratic Republic of Congo bronze and brass, the longest 16.5cm. (5)

£150-200

385. A West African currency brass of faceted ring form with incised bands of birds and with a lift out section, 14cm diameter, another with flattened ends, a finned anklet and a two part ribbed £200-300 bracelet. (6) 386. Ten West African currency bangles bronze and brass, the largest 14.5cm wide. (10)

386 £200-300

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387. A Lobi female figure bateba Burkina Faso standing with a cap like coiffure and a slight backwards lean, 47cm high, mounted on a wood plinth. (2) £500-600

388. A Mama masked dancer figure Nigeria standing on a domed circular base with open palms and wearing a stylized bird mask with abrus seed eyes with a body and wings three prong surmount, 55.5cm high. £1,500-2,000 Provenance The Meulendijk Collection of Tribal Arts, Part I, 21st October 1980, Christie’s, London, lot 124.

389. Two Luba headrests Democratic Republic of Congo one with tacks, 11cm and 12cm high. (2)

£100-200

390. A Swazi neckrest South Africa with ribbed tapering supports and a lug to the underside of the top, part ebonised, 14cm high. £100-150

391. A Lobi stool Burkina Faso with a rectangular top with tapering end supports, one with a hide sleeve, with a cylindrical front support, 11.5cm high, 74.5cm long. £100-200

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392. A pair of Lobi figures Burkino Faso male and female with crested and ribbed coiffures and with encrusted patinas, 58cm and 57cm high, on stands. (2) £1,200-1,500

393. A Lobi standing male figure bateba Burkina Faso with a crested coiffure, 54cm high, on a wood base. (2)

394. Six Ethiopian headrests including a Gurage block with linear decoration and a raised nodule to one side, 18cm high, a Sidamo block, 17cm high, two Jimma, 14.5cm and 15cm high, a Kambata, with a triple support, 13cm and a Kaara with a hide and copper wire handle, 18cm high. (6) £300-500

395. A Lobi stool Burkina Faso with an antelope head and tripod legs, 29cm high, a Boni headrest with carved supports, a Boni headrest with a column support and a Turkana headrest with an aluminium handle. (4) £150-250

£600-800

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396. A Chokwe pipe Angola the bowl carved as a figure sitting on a chair backwards, with a detachable head with pierced eyes and a black stained peaked cap, metal bound and with wire, the shaft with incised linear decoration, 41.5cm long, 13cm high. £400-600 Provenance Christie’s, London, Important Tribal Art, 29 June 1983, lot 182.

397. A Luba game board Democratic Republic of Congo with twenty eight main recesses and another arched at the base, the top with a carved head with a double knot coiffure, 62.5cm long. £400-600

398. A Luba stool Democratic Republic of Congo with a standing female figure with a ribbed coiffure and scarifications to the face and body, holding a spear and with her left hand supporting the circular top, 41cm high. £1,800-2,000

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399. A Dogon doorlock Mali of stylized form with incised linear decoration, 44cm high, mounted. £250-300

400. A Pende pipe bowl Democratic Republic of Congo carved a head, 8.5cm long, on a stand. (2)

£200-300

401. A Yoruba divination bowl Nigeria with a figural support and black pigment highlights, 17cm high. £150-250

402. Three Chokwe pipes Angola one modelled as a trombone, with sheet metal and brass wire, 50cm long, another as a rifle, 26cm long and the third shoe shaped, 13.5cm long. (3) £80-120

399

400

401

402

403. Two Tutsi beaded baskets with covers Rwanda basketry with red, white and blue glass bead zig-zag and banded decoration, 10.5cm high. (4) £240-280

404. A Yaka pipe bowl Democratic Republic of Congo with a carved head and with aluminium mounts, £200-300 10.5cm long, on a stand. (2)

403

404

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405. A Mangbetu knife Democratic Republic of Congo with a ribbed and pierced curved steel blade, with wire mounts to the wood handle, 39.2cm long. £150-250

406. A Zande knife Democratic Republic of Congo with a medial ribbed iron leaf shape blade and with a wood handle, 48cm long, on a stand. (2) £150-180

405

406

407. A Yaka knife Democratic Republic of Congo with a part serrated and tapering steel blade, with a leather covered handle and metal finial, with a reptile skin covered scabbard, 62.5cm long. (2) £100-150

408. A Lunda sword with sheath Democratic Republic of Congo with a shaped iron blade with four pierced holes, with a leather covered handle, with wirework and an open cage with a stepped cylindrical pommel, with a hide covered wood scabbard with a ribbed front and disc base, £250-300 66.5cm long, mounted. (3)

407

408

409. A Ngombe executioner’s sword Democratic Republic of Congo with a shaped part fullered blade with square points and linear decoration to both sides, with a triple knopped wood handle with wire binding, 63cm long, on a stand. (2) £350-450

410. A Yakoma knife Democratic Republic of Congo with a tapering iron blade with three pierced circles to the top and with incised decoration, with a copper wire bound wood handle, 33.5cm long, on a stand. (2) £200-250

409

410

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411. Two Azande swords Democratic Republic of Congo with sickle shape blades, with incised linear decoration and with wood handles, 80cm long. (2) £120-150 412. An Ethiopian sword shotel with a sickle shape steel blade and with a horn handle, with a leather scabbard, 84cm long. (2) £300-400 413. A Makua prestige axe Tanzania with an iron tailed blade with incised linear decoration and geometric carved head with a facet knoped and noduled handle, £200-300 44cm long. 414. A Longuda ceremonial dance axe Northern Nigeria the blade with incised and dot decoration, with a wood handle having a linear carved angle and with reptile skin mount and an iron attachment loop, 49cm long. £400-500

411

412

413

414

Provenance John Hare, Assistant District Officer in Tagale/Waja, Northern Nigeria. Collected in 1958 after filming the last ceremony that had been traditionally held every seven years to introduce the Longuda youths into full tribal membership. 415. A Nyamwezi axe Tanzania with a head finial with a ribbed coiffure and glass bead eyes, the shaft with geometric carved decoration and with a short iron blade, 50.5cm long. £120-160 416. A Shona knife with sheath Zimbabwe with a stepped iron blade, with brass wire bound handle and sheath, £300-400 34cm long, on a stand. (3) 417. A Zulu fighting knife South Africa with a curved and hooked end iron blade on a tapering wood handle with bands of brass wire, 95cm long. £300-500

415

416

417

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418. Thirty One Ashanti brass gold weights Ghana mainly geometric, the longest 5.1cm. (31)

£100-200

419. Thirty six Ashanti gold weights Ghana brass, including circular, triangular, elliptical shapes with incised or geometric top, the longest 9.7cm, and a small brass box and cover and a ring with a open casket surmount, the underside with a white inventory number 1319/3. (39) £400-450

420. An Ashanti gold-dust box kuduo Ghana cast brass with a bulbous body decorated circles and lines and with two loops under the rim, the cover with a crocodile with a fish in its jaw, 15.5cm high. (2) £600-800

421. Sixteen Akan spoons for gold dust Ghana fourteen cut sheet brass, with stamped, incised and pierced decoration and two cast, the longest 17.1cm. (16) £150-200

422. A collection of Ashanti brass gold weights and charms Ghana including two birds in a tree, two leopards, three crocodiles, two with a fish in their jaws, two shields, a rifle, an elephant, a triple seed pod, a mask, a geometric weight with a bird and a triangular weight. (14) £100-150

423. A collection of West African pendants and gold weights brass, including animals and figures, two rings with chameleons, a spoon, a bell anklet and six manillas. (28) £100-150

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424. Twenty five Ashanti gold-weights Ghana brass of differing geometric form, a horseshoe shape and a ribbed fragment, the longest, 5.5cm. (25) £150-200 425. Twenty one Ashanti geometric gold-weights Ghana brass, the longest 5.2cm. (21) £30-50

424

425

426. Three Ashanti gold-dust boxes with covers Ghana brass, one with five birds to the cover, 9cm long, three brass gold-dust spoons, with stamped decoration, a shovel with circle decoration and a brass gold weight in the form of a stool. (11) £100-150

428. Three Ashanti gold-dust boxes and covers kuduo Ghana brass, two cylindrical with fine geometric decoration and one vase shape with a crocodile on a lily pad surmount, the highest 18.5cm, an Ashanti group of three women around a large mortar, two with pestles, an equestrian figure, another smoking a long pipe, a leopard, a mask, and Indian standing figure and a cylindrical £100-150 container with steam trains and ships. (13)

427. Timothy F. Garrard. Akan Weights and the Gold Trade, 1980; Tom Phillips. Ashanti Weights, 2010, signed by the author and numbered 126/300; Timothy F. Garrard. African Gold, 2011. (3) £50-100

429. An Ashanti brass gold weight Ghana a mother and child on a stool, 4.7cm high, on a perspex base, and seventeen Ashanti figural gold weights, including a figure smoking a pipe and with a keg of gunpowder on his head, a drummer, another at an altar and a figure holding a knife over another figure and a Benin type warrior figure. (19) £150-250 Provenance The mother and child group - Gimpel Fils Ltd, London, ‘Magic in Art’ Dec 1967 - Jan 1968, no. 165.

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430. A Yoruba Door Nigeria wood, relief carved four registers, including a figure aiming a crossbow at a figure upside down on a horse and a figure hanging upside down, a diviners bag and divination board, a figure with a long rifle, a male and female Shango devotee, a pair of figures with a hand on each others genitals, a figure climbing a palm tree, an animal, a warrior mounted on a horse with seven other figures, 19th century. ÂŁ3,000-4,000 180cm high. Provenance Barry Miller, Art Dealer and Publisher.

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431. A Tsonga headrest South Africa with carved bands of nodules to the top, the underside with two lugs and on ribbed twin pillar supports, with alternate burnishing, one side plain and with incised lines, on a dumb-bell shape base, 12cm high. £300-400

432. A Shona headrest Zimbabwe the top with carved zig-zag ends on a geometric support with differing linear decoration and on a shaped base, 14.5cm high, 20.5cm long. £400-600

433. A Shona headrest Zimbabwe with a domed base and a rectangular support with carved lines and lozenges, the dipped top with side lifts with similar carving, 14cm high. £400-600

434. A Tsonga headrest Mozambique with carved end borders of rows of squares and tapering lifts to the curved top, on a triple column and and arched support with two circular spreading bases, with scorched highlights, 14cm high, 16.5cm long. £500-800

435. A Kuba cloth Democratic Republic of Congo raffia, patchwork with geometric appliques, 434cm x 53cm.

£300-400

435

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437

436. Two Kuba skirts Democratic Republic of Congo appliqué raffia with geometric designs, 224cm x 60cm and 195cm x 50cm, and a Kuba cut-pile embroidered cloth, 45cm x 43cm. (3) £100-200

437. Three Kuba cloths Democratic Republic of Congo with differing geometric designs, 191cm x 47.5cm, 139cm x 56.5cm with rounded end and 121cm x 56cm. (3) £150-250

438. Four Kuba textiles Democratic Republic of Congo including a long cloth of plain fibre panel, 525cm x 72cm, two with cowrie shells sewn to the edges, 123cm x 64cm and 105cm x 60cm and a fragment 67cm x 26cm. (4) £150-250

439. Two Tuareg mats North Africa natural grass and dyed leather, 183cm x 107cm and 121cm x 99cm (2)

440. Two Tuareg mats North Africa natural grass and dyed leather, 99cm x 47cm and 95cm x 42.5cm. (2)

£100-200

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441. A Dan mask Ivory Coast with a beak and applied metal strips, 33cm high. £100-150

442. A Baule mask Ivory Coast with a tripartite ribbed coiffure and with raised scarifications, with a black patina and white pigment to the eye lids, 38cm high. £300-500

443. A Yoruba Gelede mask Nigeria with an ear-like swept over coiffure, 26cm long. £500-600

441

442

443

444

445

446

444. A Bambara mask Mali with a crested crescent coiffure, pierced cross eyes, a metal nose ring and remains of red cloth, 33.5cm high. £400-600 Provenance Herbert F. Rieser, London, UK.

445. A Bamileke helmet mask Cameroon with an elliptical opening to the crown of the head, 41cm high. £300-400

446. An Idoma mask Nigeria with an encrusted patina, 28cm high.

£100-150

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447. A Yaka slit drum Democratic Republic of Congo with an open barrel shape body, with chamfered shoulders with head finial, with burnished highlights, 43cm high, on a metal stand. (2) £250-350

448. An Abuja water pot Nigeria green glazed pottery, with an ovoid body with panels of incised decoration including scorpions, snakes, butterflies and leaves with a ringed neck and wide rim with bead and zig-zag decoration, signed M.Y, 35cm high. £200-300

447

448

449. An Ibibio marionette Nigeria seated female with temple scarifications, the base pierced for attachment, black patina with red and white pigment, 33.5cm high, on a metal stand. £250-350

450. Three Nupe pots Nigeria pottery with incised linear decoration, including a double gourd pitcher, 37cm high, a globular vessel with a wide rim and central flange, 30cm high, and an ovoid £200-300 vessel, 35cm high. (3)

449

450

451. A Yaka figure Democratic Republic of Congo standing with arms on the abdomen, 27.5cm high, on a stand. (2) £80-120

452. Three Nupe pots Nigeria pottery, including a double gourd pitcher with incised linear and burnished decoration, 42cm high and two ovoid vessels with incised linear, raised and burnished decoration, 34cm high. (3 £200-300

100

451

452

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453. A Mabo currency torque Democratic Republic of Congo bronze with linear decoration to the front, 30cm wide, on a stand. (2) £600-800

454. A Yaka slit drum Democratic Republic of Congo with an open barrel shape body and head finial with coffee bean eyes and a flattened coiffure, 42cm high, on a wood plinth. (2) £300-400

455. A Teke currency torque Democratic Republic of Congo brass with a tablet base having incised linear decoration, 24cm wide, on a stand. (2) £250-300

453

454

455

456

457

458

456. A Bambara standing male figure Mali with metal nail eyes and wearing a loin cloth, the remaining foot with punched holes to the top, 31cm high, and a Baule standing male figure, with fine linear decorated coiffure and wearing a loin cloth, 25.5cm high, both on perspex bases. (4) £200-300

457. A Teke currency torque Democratic Republic of Congo brass, circular with sixteen points and incised linear decoration, 34cm diameter, on a stand. (2) £350-450

458. A Yoruba female Ibeji Nigeria with a crested coiffure and with scarifications to the face and abdomen, and wearing beads, 28cm high, and a Ewe standing female figure, with a ribbed coiffure and wearing a white bead waistband, 21cm high, on a perspex base. (3) £150-250

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459. A pair of Kamba standing male figures Kenya with inlaid metal eyes, banded earrings and wire neck rings and wearing loin cloths, one holding a spear and shield and the other with white bead anklets, 47cm and 48cm high. (2) £150-250

460. A pair of Yoruba Ibeji figures Nigeria male and female with quadripartite coiffure, facial and abdominal scarifications, with bead bands, £250-350 28cm and 30cm high. (2)

459

461. A pair of Zulu blanket racks South Africa with tongue and groove panel fronts with painted geometric decoration, 95.5cm long. (2) £200-300

460

463

462. A Yoruba comb Nigeria with a cyclist surmount and five tines, 28cm high, on a stand. (2) £100-150

463. A Yoruba female Ibeji figure Nigeria with Reckitt’s Blue staining, 22cm high, a Yoruba Eshu kneeling figure, 31cm high and a Bambara anthropomorphic headrest, with a carved head and an integral handle, 33cm long. (3) £150-200

464. A Mossi plank mask Burkina Faso the oval mask with a medial crest, with an antelope head and standing female figure surmount, with red, black and white pigment, 109.5cm high. £600-800

461

Provenance John Hare, Assistant District Officer in Tagale/Waja, Northern Nigeria,1957 - 1958.

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465. A We mask Ivory Coast with hair and metal teeth, 30cm high.

£50-100

466. A pair of Nyamwezi marionettes Tanzania male and female, with articulated legs and arms, with cord links and united through one arm and the chest, 58cm high. (2) £300-500

467. A Lega mask Democratic Republic of Congo with remains of pigment and a fibre beard, 28cm high. £400-600 Provenance Ex coll. Valdo Gustave Pons, author, Stanleyville: An African Urban Communiry Under Belgium Administration, 1969.

465

466

467

468

469

470

468. A Bambara female figure Mali standing with bent knees and a crested coiffure, with inlaid metal slit eyes and the right ear pierced, with remains of a cowrie shell necklace, 39cm high, on a stand. (3) £400-600

469. A Dan mask gunye ge Ivory Coast with a linear carved forehead and eyebrows, the large circular eyes previously with applied rings, the chin with further carved decoration, previously with coiffure and beard, 23cm high, on a stand. (2) £450-550 The racer mask, gunye ge, was worn during weekly contests throughout the dry season. The contests were held to test the prowess of young warriors.

470. A Songye power figure Democratic Republic of Congo with an inset horn to the top of the head and with inset metal pin eyes and a tapering chin, wearing a blue and white glass bead and tooth necklace, with breasts and raised belly button, with arms to the side and with carved fingers, with a tapering base, 26cm high, mounted on a wood plinth. (2) £700-800

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472 471. A Yoruba standing male figure Nigeria with a square head carved continuous knots, large eyes and filed teeth, the back with a tasselled panel, with a ringed neck and carved zig-zags down the torso and back, holding a drum, with bent legs and three bands, 62.5cm high, on a wood base. £600-800 Provenance Lucien Van de Velde, Antwerp/Brussels, circa 1970. Loed van Bussel, Amsterdam, pre 1987. 472. A Baule standing figure Ivory Coast with a stepped and ribbed coiffure, a diced forehead band and with narrow eyes, with a ringed neck and with hands placed on the abdomen, 35.5cm high, on a wood base. (2) £500-600

471

473. A Jimini heddle pulley Ivory Coast with a mask finial and integral loop, 18cm high, on a stand, and a Baule heddle pulley with a head finial, 19.5cm high, on a stand. (4) £220-250

473

104

474

474. A Senufo heddle pulley Ivory Coast with a bush cow mask finial with an integral block attachment loop, 15.5cm high, on a stand, and a Baule anthropomorphic heddle pulley, with a reel, 15.5cm high, on a stand. (4) £220-250

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475. A Fante doll Ghana with a tapering flat head having incised banded lozenges to the back and chevrons to the sides, with pierced ears and ringed neck, the body with carved adornment and with a knoped waist, accentuated buttocks and bulbous legs, 38cm high, on a stand. (2) £800-1,200

476. A Senufo catapult Ivory Coast with a double fire-spitter mask handle, £180-200 19.5cm high, on a base. (2)

477. A Senufo catapult Ivory Coast with a pierced handle and a Janus head terminal, 14.7cm high, on a base. £200-250

478. A Senufo heddle pulley Ivory Coast with a hornbill finial, pierced through the neck for suspension, 16.5cm high, on a stand. (2) £180-250

479. An Anyi heddle pulley Ivory Coast with a standing female finial with a long plaited coiffure and a ringed neck, £200-250 20cm high, on a stand. (2)

475

476

477

478

479

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480. A Zulu staff South Africa the shaft with three entwined snakes, two with incised dot decoration, with a spherical finial, 91cm long, and a Zulu staff with a crescent shape finial and two tone wire bands, 71.5cm long. (2) £100-200

481. Three Zulu staffs South Africa one with a open double twist shaft and an oblong finial, 94.5cm long, the others with spherical heads, 54.5cm and 73cm long. (3) £200-300

482. Three Zulu staffs South Africa one of knobkerrie form, 100cm long, the others with spiral stem, the lighter with a metal tip, 87cm and 100cm long. (3) £150-200

480

482

481 483

484

483. A South African club with a diced handle and a faceted and capped terminal, 101cm long. £80-120

484. A Zulu staff South Africa with a capped conical finial and a scallop rim with a side nodule, with a late Victorian silver mount monogramed CCG, £100-200 96.5cm long.

485. A Senufo staff Ivory Coast with a standing female finial, having body and facial scarifications, 95cm long, on a stand. (2) £150-180

485

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486. An Ekonda hat botolo Democratic Republic of Congo fibre of pagoda form with six flanges and with an applied brass disc with a punch beaded edge, 28cm high, with a perspex stand. (2) £150-250 487. A Zulu wedding hat Isicholo South Africa fibre and cloth with a rib and with red ochre dye, 43cm diameter, on a stand. (2) £200-300

488. A Bamileke hat Cameroon wool with ‘spikes’ to the sides, 16cm high, and a Bamun hat, fibre, cloth and beads, £300-400 18cm high. (2)

487

489. A Kuba hat Democratic Republic of Congo woven fibre, beads and cowrie shells, 24cm high, on a stand. (2) £150-250

486 490. A Bambara iron staff Mali with an equestrian pivoting figure and bell, 82cm high, on a later stand. (2) Provenance Mildred B Beckstrand, Palos Verdes, California, d. 1994. £150-250

491. A Ngbandi spear Democratic Republic of Congo with a carved wood handle with copper wire with an ornate pierced and engraved copper blade and an iron pointed tail, 151.5cm long. £120-150

492. A Jekri paddle Nigeria with a leaf shape blade relief carved fish and birds, with a ribbed knopped handle with a pierced terminal, 129cm long. £100-150

488 490

489 491

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493 493. A Bambara standing male figure Mali with nail eyes, 37cm high, with a wood base. (2)

£1,500-1,800

494. An Ashanti throne stool Ghana with a pierced dished top with end lifts, on circular serrated edge supports, each with a central carved bird, to a rectangular base, 56cm high, 65cm long. £300-400

495

495. A Tuareg bela post Niger/Mali of deep Y shape, the post base with a reeded top, 121cm high, on a stand. (2) Provenance Dogon Gallery, Berlin, 2000. Used in pairs by the Tuareg people to store rolled objects

494

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£300-400

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496. A Pende helmet mask Democratic Republic of Congo with a nodule top, pierced through the centre, the forehead with a bead row and with crescent scarifications, pointed ears and a cylindrical nose, pierced eyes and a breathing hole to the mouth, with a flat disc like beard with a zig-zag edge, the back with a chevron and arched carved panel, 30.5cm high, with a stand. (2) £800-1,200 Provenance Sotheby’s, London, Tribal Art, 3 December 1984, lot 172.

496

497. A Baule standing male figure Ivory Coast with facial, neck and body scarifications, 22.5cm high, on a metal stand. (2) £500-600

498

498. A Tula circular shield Bauchi Province, Northern Nigeria hide with a central boss and a handle, 46.5cm diameter. £300-400 Provenance John Hare, Assistant District Officer in Tagale/Waja, Northern Nigeria. Collected in 1957. It is believed that these shields ceased being made after 1920.

499. A Beja shield Sudan hippopotamus hide with a central ribbed boss and two circle cuts to the edges, with a hide handle, 59cm diameter. £300-400 Provenance Christie’s, 26 March 1996, lot 149, part.

497

499

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500. A Yoruba Eshu staff Nigeria with a kneeling figure, 46cm long, a Yoruba standing pregnant female figure, a stylized doll and a baton. (4) £50-100

501. A Chamba standing figure Nigeria with a crested coiffure, a rectangular open mouth and with the shoulders thrown forward, 32.5cm high. £100-200

500

501 502. A West African standing figure with the hands previously on the abdomen, with bent knees, 35cm high. £100-200

503. A Yoruba Eshu dance wand Nigeria with a kneeling female figure holding a gourd and a vessel, 33.5cm long. £80-120

502

503

504. A Hemba half figure Democratic Republic of Congo wood, fibre and fur, with a charge recess to the top of the head and with hands on the abdomen, 21cm high. £100-200

505. A Mende helmet mask Sierra Leone with a triple crested and ribbed coiffure, the central crest pierced, 39.5cm high. £150-250

504

505

506. A Lobi standing female figure Burkina Faso wood, with an encrusted patina, 21cm high, on a stand. (2) £150-250

507. A Mahongwe reliquary figure Gabon with copper wire and sheet, the back with medial ribs and chevron decoration, 56.5cm high. £200-300

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506

507

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508. A Ndebele apron South Africa hide and glass beads, with a bar top and geometric designs and a central row of tassels, 48cm wide, 59cm long. £400-600

509. A Zulu beaded anklet South Africa with three rows of geometric shapes, with beaded ties, 10.5cm high, a similar armband, another anklet with a similar armband and two £150-250 neckpieces with rectangular panels. (6)

510. A Sotho apron South Africa animal hide with bead decoration, 97cm high, 70cm wide.

£100-200

511. A Zulu beaded waistband South Africa white with black geometric designs, a blue edge and with a fringe and mother of pearl buttons, 92cm long, three neck pieces, a cache sexe, a white fringed head band, a pair of panels with mother of pearl buttons, two similar and a medicine £400-600 man's horn headdress. (11)

508

512. A Turkana beaded bag Kenya on leather with rows of white and black beads, 68cm long, and a Ndebele beaded cache sexe, 13cm wide, two beaded neck ornaments, a seed necklace and bracelet, a brass coiled wire bracelet, a basketry box and cover and an iron spear head. (9) £150-200

509

511

510

512

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513. A Zulu beaded snuff container South Africa gourd and coloured beads, 10cm high, and seven other Zulu beaded pieces, including a cylindrical container, three necklaces, an anklet, a double circle ornament and a cowrie shell mounted strand. (9) £100-150

514. A Ndebele waistband South Africa cloth, fibre and beads, with a blue border and white tipped fringe, 24.5cm wide, another beaded waistband, a beaded neck piece and a beaded belt with metal studs. (4) £150-250

515. A Swazi apron South Africa cloth with white beads, 41cm wide, three Masaai beaded neck rings, three South African beaded and cloth bangles, a triple ring bracelet, another similar and two beaded necklaces. (11) £100-200

516. Three Zulu beaded bands South Africa including an anklet with a brass button, the longest 49cm, an Indian beaded toran, two beaded necklaces and two seed necklaces. (8) £80-120

517. Eight necklaces including a Masaai shell disc necklace, with a stylized pendant with seed pods, another plain, one with millefiori beads, three with metal and glass beads with shell, one leather with metal and one with seed pods, a beaded spoon, a pipe bowl, two pairs of Zulu ear plugs, a beaded doll, a pair of aluminium ring tapering armbands and a shell bracelet. (17) £200-300

518. A Zulu beaded snuff container South Africa brass cartridge casing with a stopper and necklace, 7.5cm high, a Zulu cylindrical waistband, another with leather ties, two Maasai neck bands, one framed, a beaded gourd and a beaded and fibre fly whisk. (7) £300-350

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519 519. Two Lesotho hats mokorotlo South Africa basketry, natural and with bands of stained fibre, with knopped and open tops, 25.5cm high. (2) £80-120

520

520. Five Zulu beaded panels South Africa black and white with chevrons, diamonds and triangles, the longest with two red beads, 68cm long. (5) £100-200

521. Four South African beaded neck pieces with long fringes, the longest 108cm, and a body ornament with two geometric panels and mother of pearl buttons. (5) £300-400

521

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522. A Xhosa beaded chest ornaments South Africa with ten circled X's with mother of pearl buttons, linked horizontally by decorated strips and vertically by groups of strands, 46cm wide, and another smaller chest ornament with six circles, 43cm wide. (2) £300-400

524. A Yoruba Ibeji male figure Nigeria with a crested coiffure and wearing shorts, with coconut slice bands, 26cm high. £100-200

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part, detail 523. A Senufo Korhogo cloth Ivory Coast of eleven sewn strips, painted rows of figures, goats and guinea fowl, 128.5cm x 240cm, a West African boat shape mancala board and a small Fiji tapa cloth, 119 x 86.5cm. (3) £100-200

525. A pair of Yoruba Ibeji figures Nigeria male and female, with remains of Reckitts Blue stain to the coiffures and with nails to the eyes, the female with glass beads, 24.5cm and 25.5cm high. (2) £150-250

526. A Yoruba male Ibeji Nigeria with a high pointed coiffure and patinated face, wearing a coconut slice necklace and with carved bracelets, 24cm high. £400-500

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527. An Ibibio standing figure Nigeria with a skull headdress and an articulated right forearm and holding a singled spiked object and with noduled arm and leg bands, 46.5cm high. £200-300

528. A Bamileke batcham headdress Cameroon brass with an open back and cast cowrie shell around the base, on a wicker domed mount, with applied cowrie shells to both, 39cm high. £800-1,200

Provenance Collected post WWII - Army tour of Nigeria early 1950’s.

Provenance John Hare, Assistant District Officer in Tagale/Waja, Northern Nigeria. Acquired late 1950’s.

529. A Benin kola nut container Nigeria brass modelled as a fish and decorated scales, with a lift off cover, 25cm long.

£1,500-2,000

530. A Dida skirt Ivory Coast raffia with tie-dyed rows of oblongs and squares, 98cm long. £150-250

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531. A Yoruba door Nigeria wood, relief carved a male and female figure, both holding staffs and with the male’s right hand on the female’s genitals, with interlaced diamonds above and below, 135.5cm high. £6,000-8,000 Provenance Barry Miller, Art Dealer and Publisher. cf. Sotheby’s, New York, 11 May 2012, lot 123.

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532

533

532. An Azande sickle Democratic Republic of Congo with an iron ribbed curved blade and wood handle, 62cm long, and five Congo iron currency blades. (6) £80-120 533. A Lobala currency Democratic Republic of Congo iron of flat flared form with fluting and a three point top and a tapering tip, 54cm long, on a stand. (2) £180-250 534. A Tanzania staff possibly Kaguru with a carved antelope head finial with incised linear decoration to the back, 64.5cm high, mounted. (2) £250-300 535. Two Karamajong dance staffs Kenya with an axe and knife type terminals, 84.5cm and 115cm long, both on stands. (4) £250-300 536. A Yoruba currency staff Nigeria iron with a hoe finial on a cylindrical shaft, flattened in the middle with triangular protrusions to a curved hollow backed base with incised linear and punched circle decoration, 152.cm long, on a stand. (2) £300-400

534

535

536

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537. Twenty three Ethiopian Coptic cross pendants silver coloured metal, the majority pierced and with incised decoration, four hinged, one parcel gilded, and a lozenge shape pendant, all with suspension loops, the largest 11.5cm. (24) £200-300 Provenance Phillips, London, part.

537

538

538. An Ethiopian hand blessing Coptic cross pierced and carved on both sides with crosses, zig-zags and triangles, possibly late 17th century, 39cm long, and a smaller Ethiopian hand blessing cross, 25.5cm long. (2) £400-600

539. A pair of Yoruba Edan staffs Nigeria brass and iron, with head finials with attachment loops and with a chain, 21cm high, on a stand. (2) £180-200

540. A pair of Yoruba Edan staffs Nigeria brass and iron, seated male and female figure, 26.5cm and 27.5cm high. (2) £400-600

539

540 541. Six Yoruba Edan staffs Nigeria brass and iron, including three males, one with two monkeys below, one with a bird and a female holding her breasts, a double male and female group, the highest 34cm. (6) £100-200 Provenance The Michael and Renate Lancaster Collection.

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542. A Yaka figure phuungu Democratic Republic of Congo with a pointed cap, one arm and one leg, 32.5cm, on a base. (2) £200-250 543. A Lobi pendant Burkina Faso brass with a red patina, modeled as a seated female with an attachment loop on her left arm, 9cm long. £300-400 544. A Fang seated female figure Gabon with a ribbed long coiffure, on a circular stool and a carved block base, 15.5cm long, on a wood base. (2) £100-200 545. Two Cham medicine pots kwandalowa Northern Nigeria terracotta, with stylised expressive heads, one with a globular body with red ochre, the other with a long oblong body with a shallow trough and applied straps, 24.5cm and 31cm long. £350-450

542

543

544

545

Provenance John Hare, Assistant District Officer in Tagale/Waja, Northern Nigeria. Collected in 1957. Literature J. N. Hare. Itinate and Kwandalowa, Ritual Pottery of the Cham, Mwana and Longuda Peoples of Nigeria, 1983, p.23, no. 14 and p.29, no. 22. The globular body pot is called kuluk kuluk and used for back problems, the longer is called gando and used to cure severe stomach ache. 546. A Kuba headrest Democratic Republic of Congo with incised linear decoration and with twin supports inlaid cowrie shells, 12cm high, 33cm long. £350-450 547. A Swazi neckrest South Africa the platform top with two relief carved X’s with rectangular symbols either side and with an underside lug, on reeded tapering supports with lug lifts, 16cm high, 42.5cm long. £450-550

546

547

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548. A Senufo dance horse Ivory Coast with plaited fibre to the tail and back of the saddle and a cowrie shell at the front, waxed fibre neck bands and a fibre strap handle with a metal ring, 78cm long. £100-150 549. An Ashanti comb Ghana with a head finial, 23cm high, and a Nigerian iron equestrian figure, 21.5cm high. £80-120 Provenance The equestrian figure - Robert & Angelique Noortman Collection, Sotheby’s, 17 & 18 December 2007, lot 589 part.

548

549

550. Two Yoruba Eshu amulets Nigeria carved heads on block supports, one with strands of cowrie shells, 14.5cm and 18cm high, a Yoruba Eshi kneeling female figure and two Yoruba female figure, one with a suckling child. (5) £50-100

550

551. A Bambara headdress ornament Mali with applied stamped sheet brass and with cloth, the base with an aardvark with an antelope head, £100-150 29cm high. Provenance Ex collection Mary Robinson, born 1944, 7th President of Ireland, 1990 - 97, UN High Commissioner for Human Rights, 1997 2002. Sheppards Auction House, Ireland, 28 November 2017, lot 104.

551

552

552. A Kissi Nomoli male figure Sierra Leone stone, kneeling with an aperture to the top of the head, 22.5cm high, a smaller Nomoli figure, with an offering bowl, a crouching Nomoli figure, two Sapi heads and a stone column torso. (6) £100-200 553. A Zulu neckrest South Africa the top with narrow ridges to the ends and on two block supports with nodules amasumpa, 13.5cm high, 40cm long. £500-600

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554

555

556

557

554. A Luba staff Democratic Republic of Congo with a fan shape terminal with relief carved linear panels and a copper bound handle, 58.5cm long. £250-300

555. A Shilluk club Sudan with a ribbed mushroom head and a tapering shaft, 58.5cm long, and a Zulu knobkerrie, with a two tone copper wire band and a central fur band to the shaft, 72.5cm long. (2) £300-400

556. A Kaguru club Tanzania with an angled swollen head and tapering shaft, 61.5cm long.

£250-300

557. A Kaguru club Tanzania with a knop head and a ribbed band, with a swollen and tapering terminal, 57.5cm long. £100-200

558. An Ibo door Nigeria wood, with carved parallel linear decoration and two concentric circles, 182 x 63cm. £400-600

558

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559. A Tuareg necklace rope with silver coloured metal beads and rings with rectangular panels and a horizontal bar with coral and gilt beads, 29.5cm wide, a pair of brass bangles, a glass and stone bead necklace with a head pendant, a stone seal, seven Middle Eastern stone figures and two similar heads, a Congo ivory standing figure with a curved conical headdress, 13.5cm high and an Ivory Coast £200-300 bone passport mask. (17)

560. Two Dan passport masks Ivory Coast the larger with pierced eyes, 11.5cm and 8.2cm high. (2)

559

£50-100

561. An Ethiopian stool the oval top inlaid metal tacks on a rectangular support with a plaited hide handle and a domed base, 16cm high, 20cm wide. £150-250

560

561

562. A Yoruba helmet mask Nigeria with long rabbit ears and with white pigment around the eyes, £200-300 47cm high, on a stand. (2)

563. An Ituri mask Democratic Republic of Congo with painted linear decoration, 29cm high.

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562

563

£100-150

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564. A Bemba axe Zambia with a raised edge iron blade, the shaft with back staining, 61cm long, a Zulu knobkerrie, 75cm long and two Tsonga staffs, one figural and the other with a head and serpent, 87cm and 88.5cm long. (4) £200-300 565. A Moluccas Islands shield Indonesia of curved faceted form with stain decoration and an integral handle, 72cm long, a Zulu knobkerrie, 60cm long, and an East African club, 67cm long. (3) £100-150 566. A South African decorated bamboo incised a husband and wife with an attendant holding an umbrella, and a mounted officer and a soldier holding a sword, 27.5cm long. £80-120 567. A Zulu/Kaguru staff South Africa/Tanzania with a narrow ovoid head and carved angled ribbed decoration with a tricolour wirework band, 89cm long. £100-150 568. A South African staff wood, with a carved female finial, wearing a cap and dress, 140cm long. £100-200

566

564

565

567

568

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570. A Kamba stool Kenya with a circular dished top on circular pierced tripod supports and with a linked chain, 15cm high, 27.5cm diameter. £200-300

571. A Lega mask Democratic Republic of Congo tortoise shell, 17cm high.

572. A Nguni club South Africa with a concave sided seed pod head and a tapering shaft, 69cm long, with a hand tinted photograph portrait of a seated male figure with his dog and two standing figures behind, both holding clubs, the reverse later inscribed Alfred Heaver, Taken with his servants in South Africa 1893 £200-300 or 4, the plate 37.5 x 31cm. (2)

569. A Yoruba Janus helmet mask Epa Nigeria wood, surmounted with an antelope, leopard, a standing female offering figure, a bird and a leopard cub, 120cm high. £800-1,200

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£50-100

572

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THE MARVIN CHASIN COLLECTION (PART I) 573. A Yoruba Ibeji female figure Oro, Igbomina, Nigeria with a five pointed coiffure and a washed face, a pair of large breasts and with arms to the sides, with a cache sexe, with beads and metal bangles, with encrusted cam wood powder, 28cm high. £400-600 Provenance Marvin Chasin Collection, London, UK.

574. A Yoruba female Ibeji figure Igbomina, Nigeria with a double peaked ribbed coiffure, the washed face with eyelashes and scarifications, a pair of long pointed breasts and arms to the side, back linear scarifications, with encrusted cam wood powder, with glass beads, coconut slice and cowrie shells, 27.5cm high. £400-600 Provenance Marvin Chasin Collection, London, UK.

573

575. A Yoruba female Ibeji figure Nigeria with a five point coiffure and washed face with scarifications, pointed breasts and arms to the sides, with carved pubic area and remains of encrusted cam wood powder, with glass beads and a brass bangle, 28cm high. £200-300

574

Provenance Marvin Chasin Collection, London, UK.

576. A Yoruba Ibeji figure Nigeria with a tiered coiffure, facial scarifications, open arms with hands on the abdomen and wearing a flared skirt, with a bead and shell necklace and with brass bangles, 25.5cm high. £400-600 Provenance Marvin Chasin Collection, London, UK.

575

576

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577. A pair of Yoruba male and female Ibeji figures Nigeria with differing crescent coiffures, serene faces with scarifications and lip plugs, with remains of Reckitts Blue, arms to their sides, the male wearing an apron, 26cm high. £400-600 Provenance Marvin Chasin Collection, London, UK.

578. A pair of Yoruba male and female Ibeji figures Nigeria with fine ribbed domed coiffures with a knot top, the long faces with large eyes and inset nails, square shoulders and arms down and away from the body, the female with large breasts and the male with large genitals, 30.5cm high. (2) £800-1,200 Provenance Marvin Chasin Collection, London, UK.

577

578 579. A pair of Yoruba Ibeji male figures Nigeria with high plain caps, facial and abdominal scarifications, genitals, with shell and glass beads and metal bands, 24.5cm high. (2) £500-700 Provenance Marvin Chasin Collection, London, UK.

580. A pair of Yoruba male and female Ibeji figures Nigeria with a stepped conical coiffure with a loop top, washed faces and with hands on the abdomens, the male wearing a flared skirt, both with glass beads and metal bands, 29cm high. (2) £600-800 Provenance Marvin Chasin Collection, London, UK.

579

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580

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581. A Yoruba female Ibeji figure Nigeria with a five point cluster coiffure and facial scarifications, sloping breasts and arms to the sides with a carved pubic area, wearing glass and sliced beads, metal bands and cowrie shells, 28cm high. £300-400 Provenance Marvin Chasin Collection, London, UK.

582. A Yoruba female Ibeji figure Nigeria with a ribbed pointed dome coiffure, a washed face and with her left hand supporting her left breast, a carved waistband and pubic area, with glass beads and brass bands, 26.5cm high. £300-400 Provenance Marvin Chasin Collection, London, UK.

581

583. A Yoruba female Ibeji figure Nigeria with a quadripartite coiffure with remains of Reckitts Blue and a washed face, straight breasts and with the hands on the abdomen, with encrusted cam wood powder and coconut slice, leather and metal bands, 26.5cm high. £250-350

582

Provenance Marvin Chasin Collection, London, UK.

584. A Yoruba Ibeji female figure Igbomina, Nigeria with a twin domed coiffure with a top open link and front crescent, with an animated face having scarifications and eyelashes, wearing a Tirah amulet and waist band, with arms to the side and with encrusted cam wood powder and glass bead and coconut slice bands, 29.5cm high. £400-600 Provenance Marvin Chasin Collection, London, UK.

583

584

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585. A Yoruba male Ibeji figure Nigeria with a lobed and carved coiffure, a washed face with scarifications, the thin body with arms to the side and genitals, with glass beads, coconut slice, metal bands and cowrie shells, 24.5cm high. £200-300 Provenance Marvin Chasin Collection, London, UK.

586. A Yoruba Ibeji female figure Nigeria with a five point coiffure with remains of Reckitts Blue, the washed face with scarifications, pointed breasts and carved pubic area, with shell and glass beads, 29cm high. £400-600 Provenance Marvin Chasin Collection, London, UK.

585

587. A pair of Yoruba male Ibeji figures Nigeria with high ribbed conical coiffures and a top knot, with washed faces, arms to the sides and with abdominal linear scarifications and a penis, 28.5cm high. (2) £400-600

586

Provenance Marvin Chasin Collection, London, UK.

588. A Yoruba Eshu amulet Nigeria the carved ivory head with a flute surmount and bound with strings of cowrie shells, glass beads, a bell, a mirror and small gourd, 59cm high. £200-300

Provenance Marvin Chasin Collection, London, UK.

587

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588

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589. An Ibibio Eket headdress Nigeria in the form of a bird, with painted decoration, 69.5cm long.

£400-600

Provenance Marvin Chasin Collection, London, UK.

590. A Fante flag Ghana with the Ghana flag to one corner and a with a bird and a lizard, £80-120 94cm x 158cm. Provenance Marvin Chasin Collection, London, UK.

cf. Accumulating Histories, African Art from the Charles B. Benenson Collection at the Yale University Art Gallery, 2012, p.314, no. 2006.51.575.

591. A Kongo game board Democratic Republic of Congo with thirty-two square recesses, with four attachment piercings to the sides and on a tapering cylindrical support, 21cm high, 66cm long, a similar game board, on shallow block feet and painted green, 59.5cm long, and a narrow game board with twenty-four recesses and a leather handle, 72cm long. (3) £300-400 Provenance Marvin Chasin Collection, London, UK.

592. Three Yoruba medicine staffs Nigeria iron, with stylised birds and cones, one with three tiers, 101cm, 118cm and 145.5cm high. (3)

£150-250

Provenance Marvin Chasin Collection, London, UK.

592

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593. A Zulu knobkerrie South Africa with a concave faceted spherical head and a tapering handle, 68.5cm long. £400-600 Provenance Marvin Chasin Collection, London, UK.

594. Two African drums with skin covers, one with a hide handle, 26cm and 28cm diameter, a Nigerian hour glass shape drum with rawhide, a Tibetan red and green painted drum, and two African finger pianos. (6) £300-400 Provenance Marvin Chasin Collection, London, UK.

594

593

595. A pair of East African ritual cups horn, of tapering form with a spiral foot, 21cm high. (2)

£100-200

Provenance Marvin Chasin Collection, London, UK.

596. Five Mambila hoe currency Cameroon iron, with flat handles and scroll terminals, the longest 43.5cm. (5) Provenance Marvin Chasin Collection, London, UK.

596

130

£300-400

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597. An Inuit harpoon head Alaska walrus ivory, with incised linear, circle and dot decoration, with two attachment holes, 19th century, 7.5cm long. £200-300

Provenance Marvin Chasin Collection, London, UK. 598. An Inuit carved bird Alaska black soapstone, with its head slightly tilted, signed with symbols and E. G. 876, 10cm high. £200-300 Provenance Marvin Chasin Collection, London, UK.

597

598

599

600

599. An American stone axe head Kent County, Michigan with a flat end and a pointed end with a waisted centre, with a hand written label Kent Co. Mich. B.W. Stephens, 20.5cm long. £100-200 Provenance Marvin Chasin Collection, London, UK.

600. Five Tibetan votive wafer moulds carved deities, animals, buildings, auspicious emblems to all four sides, three rectangular and two square, two with integral attachment loops, the smallest with an inset metal loop, 19th century, 16.5cm, 24.2cm, 37cm, 41.2cm and 41.5cm long. (5). £200-300 Provenance Marvin Chasin Collection, London, UK

601. An Amazonian feather headdress with yellow Macaw feathers on a cloth band, 22cm high, a similar feather chest ornament with a brass bell and a pair of feather, reed and glass bead ear ornaments. (4) £80-120

Provenance Marvin Chasin Collection, London, UK.

601

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602. A Turkana shield Kenya iron of waisted rectangular form with folded edges and a hide bound wood rib and handle, 98.5cm long. £200-300 Provenance Marvin Chasin Collection, London, UK.

603. A collection of glass trade bead necklaces including chevrons, faceted, ribbed, millefiori tubes, red with white centres, various loose beads and a quantity of Ibeji beaded bands. £150-250 Provenance Marvin Chasin Collection, London, UK.

603 part

604. Three large Venetian millefiori trade beads of lozenge form, 9.5cm, 10.2cm and 10.8cm long, and two large stone lozenge shape trade beads, 13.5cm and 15cm long. (5) £150-250 Provenance Marvin Chasin Collection, London, UK.

604

602

605. An African leather and shell apron with a disc edge and ten tassels, 33cm wide, a Lamu cloth and shell panel and a Yoruba cloth and cowrie shell panel. (3) £100-200 Provenance Marvin Chasin Collection, London, UK.

132

605

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606 part

607 606. A quantity of shell ornaments Oceania, Philippines and Nagaland carved discs and beads, including two leather mounted belts and a currency strand, 259cm long. (a lot) £150-250 Provenance Marvin Chasin Collection, London, UK.

607. A West African mask painted white with red vertical stripes over the eyes, and with inset pegs, 35cm high. £100-200

608

Provenance Marvin Chasin Collection, London, UK.

608. A group of ten necklaces including an Oceanic carved shell necklace, three with beads and claws, two with bird head skulls, one with bones and beads, two with glass beads and animal teeth, a metal bead necklace and a string of nut shells, (11) £100-200 Provenance Marvin Chasin Collection, London, UK.

609. A Yoruba female figure Nigeria 18.5cm high, a Nigerian model fish, two brass currency bands, a twisted copper necklace, a coil, a gun metal bell, a gourd, a dagger currency, an oriental pulley and a brass fish shape knife. (11) £150-200 Provenance Marvin Chasin Collection, London, UK.

609

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OTHER PROPERTIES

610. A Taiwan box and cover rectangular and carved with animals, serpents and masks, the cover with four Janus heads and arms, 12cm high, 20cm long. (2) £80-120

611. A Taiwan bag the carved wood base with figures and a serpent with mother of pearl discs and brass studs, the embroidered top with a drawstring, 20cm high, 14cm wide. £80-120

612. A Taiwan box and cover carved with animals and masks, the sliding cover with a boat and metal pins, with a red lacquer finish, 10.5cm long, a smaller box, the cover with a monkey head and a mask, 7.5cm long and a carved serpent with a mask within the coiled tail, 14cm £150-250 long. (5)

613. A Taiwan bag rattan with raised ‘brows’ to the front and with painted eyes and polychrome decoration, with a cloth top and vertebrae attachment rings and a dyed fibre handle, 14.5cm wide. £80-120

614. A Paiwan wine cup Taiwan with serpent handles and diamond shape cups to an open centre carved the busts of figures holding a bottle and a cup, 61cm long.

134

£300-500

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615. A Taiwan seated figure with bared teeth and hands on his knees, 22cm high. £80-120

616. A Taiwan standing figure with a crescent headdress, 26cm high. £100-200

617. Three Taiwan spoons each with a carved standing figure, one with a red lacquer and with a two headed serpent on the turned head, 12.5cm long, another with serpent around the head, 15.5cm long, the third with a fine linear coiffure, with a handwritten label JP13. Butzunogen, 18cm long. (3) £200-300

615

616

618. An Indonesia neckrest rattan of hour glass form with wood covered ends, 40.5cm long. £100-200

619. A Paiwan sword Taiwan with a steel blade with a wood handle carved masks and with an open scabbard carved a figure, a deer and a serpent, with a red lacquer finish, 57cm long. (2) £600-800

617

618

619

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620. A Taiwan headdress cloth, boar tusks, antlers and shell discs, with a fibre and horse hair frontal surmount, 28cm high. £200-300 621. An Indonesian seated ancestor figure bone, carved with a six pointed headdress, 10cm high, on a perspex base. (2) £50-100 622. Two Burmese dha handles Indonesia ivory with carved and pierced decoration, one with a deity figure with another figure above, amidst foliage scrolls to both sides, the other with a standing beast within foliage scrolls and inset two beads, 21.5cm and 17.5cm long, and an Indonesian carved bone kris handle, 10cm long. (3) £100-200

620

623. Two pairs of Karen ear plugs Burma ivory, of elongated spool form, 6.4cm and 5.3cm long, and a single Karen ear plug, 5.5cm long. (5) £300-400

624. Two pairs of Karen ear plugs Burma ivory, of spool form with spike finials, late 19th century, 2.5cm and 3.8cm long. (4) £200-300

621

136

622

623

624

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625. An Ifugao bowl Philippines with a central recess and three shallower to the scalloped edge rim, the foot with suspension holes, 26.5cm diameter, and four Philippines spoons with figural handles, including two standing, one seated and one with a couple in a sexual embrace. (5) £200-300

626. A pair of Ifugao bulul figures Philippines seated male and female with arms folded on knees, 37.5cm and 39.5cm high. (2) £400-600

627. A Bontoc anthropomorphic container Philippines raised on four legs with incised linear decoration, with a pair of mask lifts and a cover with a relief carved lizard, 29.5cm high. (2) £150-250

626

628. An Ifugao anthropomorphic spoon Philippines carved with a standing figure with a double circle crest, 17cm high, a Ifugao spoon with a seated figure and two Ifugao ladles, the larger with a carved hand to the base of the handle. (4) £200-300

627

629. An Ifugao duyu bowl Philippines with a spreading foot and scalloped rim, 30cm diameter.

£150-250

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630. An Indonesian seated figure with a conical hat and holding a handled vessel, 8cm high.

£100-200

632. Three Bontoc zoomorphic bowls Philippines oval with animal head lifts, each raised on four feet, the larger with long snouted animal head and a human head, 31cm, 21.5cm and 20.2cm long. (3) £300-500

631. Three Philippines figural spoons including one with a scalloped edge bowl, 16cm long, one with a mother and child, 17cm long and one with a figure seated backward and with a lizard, 21cm long. (3) £150-250

633. An Ifugao bitangnge bowl Philippines with a large main bowl and linked smaller spice bowl, 38.5cm long, a Ifugao duyu bowl, a ceramic jar with a basketry cover and a brass and reed pipe. (5) £150-250

634. A Dayak large bowl Borneo, Indonesia circular with two masks to the inside with inset shell eyes, to a cable rim and supported by two aso dragons inset bead eyes, on four lug feet, 77cm wide, 28.5cm high. £600-800

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635. A Chokwe seated monkey Angola with its hands placed on the side of its face, 11cm high.

£100-150

636. An Ifugao necklace pangpalapang Philippines plaited fibre with seven shell tablets with incised decoration, 24cm wide. £150-200

637. An Indonesian necklace bamboo, lizard claw and seed pod, 32cm long, and a vertebrae slice necklace on a red silk cord, 38cm long. (2) £100-200 638. Thirteen Bontoc glass bead necklaces Philippines red and yellow clear beads, one with shell and another with brass coils, and white beads, one with four strands and with red beads, and a snake vertebrae and bead hair ornament. (14) £100-200

635

636

639. An Ifugao necklace pangpalapang Philippines with six mother of pearl panels and a woven rattan cord, 25.5cm wide, an Ifugao ginnutu belt with twenty four shell discs and a scalloped upud, a Bontoc mother of pearl hip ornament, with incised decoration, and a Bontoc boar’s tusk necklace. (4) £200-300

640. Six Ifugao spoons Luzon Island, Philippines five standing and one sitting, three with pierced attachment loops and three with animal heads, the longest 22cm. (6) £250-350

637

639

638

640

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641. A Dayak ear ornament Borneo, Indonesia carved hornbill with mythical beasts, scrolls and pierced, 9cm long, and a Dayak hornbill circular ear ornament, with two Aso dragon terminals, 4.5cm wide, both 19th century. (2) £600-800

641

642. Five Indonesian baskets reed and fibre, the largest 41cm high, a fish trap with a metal edge cover, a cylindrical basketry container with a slit to the side, an oblong basketry box and cover, a copper woven circular bowl and a metal woven oblong container. (12) £100-150

643. A Bontoc locust basket Luzon, Philippines bamboo and rattan, 49cm high, a basketry square bowl and three circular lidded containers, one with a handle and the smallest double sided and with two covers. £100-200 (9)

644. A Dayak seated male ancestor figure Borneo, Indonesia with a lobed front headdress, pierced ears and open mouth, with his hands to the side of his knees, 72cm high. £200-300

645. A Batak bullet holder Sumatra, Indonesia horn with a wood cap, carved a mask and with two integral attachment loops to the back, with two lead bullets, 17cm high, on a stand. (2) £500-600

140

644

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646. Four Nias miniature seated figures Indonesia three with high headdresses, two of which are sitting on thrones, the other two clasping large cylindrical vessels, the highest 13.1cm, all mounted. (8) £150-250 647. An Ifugao bowl and cover Philippines circular with a basketry rim cover carved with two lizards and sun motif, £50-100 27cm diameter. Provenance The Luciano Federico Collection, Woolley and Wallis, Salisbury, 20th September 2016, lot 441, part.

646

647

648

649

650

651

652

653

648. A Batak horn container Sumatra, Indonesia with pierced and carved scroll decoration, with a mask cover and stopper, 19.5cm long. (4) £60-80 649. A Timor spoon Indonesia wood and coconut shell, the finial carved a female bust, 27cm long, and a pair of Timor male and female figures, 17.5cm and 15cm high. (3) £200-300 650. A Sumba marriage pendant Indonesia silver coloured metal cast with figures on beasts either side of a flowerhead, 7cm high, and a Sumba chain necklace, with wirework Pagoda type terminal hung with mythical beasts, 174cm long. (2) £100-150 651. Seven Timor lime containers Indonesia bamboo with covers, with incised and punched circle and dot decoration, one with red and green staining, £60-80 22cm the highest. (14) 652. A Dayak belt holder Borneo, Indonesia horn with an integral clip and carved with a Janus ancestor and beast, 22.5cm long, and a Dayak ancestor figure, standing on a vessel, 34.5cm high, mounted. (3) £100-200 653. A Batak vessel and cover Sumatra, Indonesia ovoid with four figural supports and sphere within, the cover with a seated figural finial, £80-120 40cm high. (2)

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654. A pair Sumba Ikats Indonesia with rows of mythical beasts, 268cm x 62cm. (2)

655. An Indonesian Ikat plant fibre with figures and animals 158cm x 81cm.

656. Two Sumba Ikats Indonesia one with mythical beasts with open mouths, 252cm x 127cm, the other with a central band of flowerheads and beasts and further flowers, 229cm x 118cm. (2) £150-250

142

£200-300

657. Two Sumba Ikats Indonesia one with rows of mythical beasts, figures and plants, 272cm x 134cm, the other with lizards, frogs and turtles, 282cm x 117cm. (2) £150-250

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659 658 658. Three Indonesian Ikats one from Kanatang village, with a central band of mythical beasts, 247cm x 103cm, another with ancestor figures and dragons, 230cm x 72cm, the third from Kanatang village, with lobsters and two mythical beasts, 242cm x 52cm. (3) £150-250

659. An Aceh shield Sumatra, Indonesia rattan with seven pierced brass star mounts, 28.5cm diameter.

£300-400

660. A Batak sword Sumatra, Indonesia with a slightly curved blade and a cast brass handle with a seated figure and with copper rivets, bracelets and eyes, with a conforming scabbard, 68cm long. (2) £200-300

661. A Dayak mandau sword Indonesia with an engraved and pierced edge steel blade to a brass and wire bound handle with a carved bone terminal with inset horsehair, 72cm long. £400-600 Provenacne Anthony ‘Toby’ Jack, London, UK.

660

661

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662. A Timor Islands spoon Indonesia horn with a pierced and carved bird head handle, 15.5cm long. £80-120

663. An Asian wicker hat natural and black dye with a pith lining, 43cm diameter. £60-80

664. A Toraja standing female figure Sulawesi, Indonesia with a back peaked coiffure and a headband and with pigment filled eyes, 85cm high. £150-250

662

665. A Timor powder horn Indonesia horn and wood, with a seated figure cap to a faceted body with a relief carved figure, 37cm long. (2) £60-80

664 666. A Timor standing male figure Indonesia with a cap and a figure to the torso, wearing a cloth sash, 60cm high. £120-150

663

144

665

666

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667. A Dayak pig trap stick Borneo, Indonesia with a seated figure, wearing a cap and holding a bowl, with a tapering shaft, 58.5cm high, on a stand. (2) £80-120 671. A Batak mask Sumatra, Indonesia with pierced eyes and mouth, 31cm high, on a stand. (2)

668. A Dayak pig trap stick Borneo, Indonesia with a seated ancestor figural finial and a tapering shaft, 63cm high, on a stand. (2) £80-120

669. A Timor dagger Indonesia with an iron spear tip and a carved wood figural bust handle with inset brass pin eyes and a woven fibre mount, 50cm long, on a stand. (2) £150-200

670. A Dayak pig trap stick Borneo, Indonesia with a seated figure, wearing a faceted cap and holding a bowl, with a tapering shaft, 59.5cm high, on a stand. (2) £80-120

£250-350

672. A Dayak boar mask Borneo, Indonesia with an articulated jaw and with polychrome decoration, 42.5cm high. £200-300

673. A Dayak baby carrier Borneo, Indonesia the front relief carved with three ancestor masks and two mythical beast heads, with rattan and fibre straps, 33.5cm high. £200-300

674. A Dayak baby carrier Borneo, Indonesia relief carved an ancestor bust, 37cm high.

671

672

£150-200

673

674

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676

677

679 675. A Japanese temple flag the blue ground with white calligraphy, a red garter and a yellow rope, with top and side pole loops, 532cm x 70cm. £200-300

676. Seven pairs of Dayak earrings Borneo, Indonesia bronze and brass, including a figural pair, 9cm high, a conical drop pair, 7cm high, three serpent pairs, a horned beast pair and a coiled pair. (14) £120-150

677. A Timor carved limestone head Philippines with a slanting face, 38cm high.

£200-300

678. A Japanese bamboo staff with natural nodules and with continuous knot bound rattan, 159.5cm long, £100-200 Provenance Ex collection Earl of Macclesfield, Shirburn Castle Armoury.

679. A Japanese root-wood bowl 38cm long.

146

675

678

£50-100

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681

680 680. A Maharashtra brass lingam cover in the form of a head India, 18th/ 19th century cast with a moustache, bulging eyes, a bindi and pierced ears, wearing a headband and with the hair tied in a knot, the back with an integral square attachment loop, with traces of gilt, 18cm high. £400-600

682 681. An Indian model of a Temple Chariot carved wood with remains of painted decoration, on wheels, the underside indistinctly inscribed .... The Car of Juggernauth 13 Jany 1838, 18cm high, cased. (3) £200-300 Provenance Seward Kennedy, Christie’s, South Ken., 22 Nov 2016, lot 45 (part) Temple Chariots were used to carry representations of Hindu gods on annual festival days. The largest inspired the Anglo-Indian term juggernaut, from Jagannath, signifying a tremendous, virtually unstoppable force.

682. A Naga hat Northern India rattan, boar tusks and hair, 19.5cm on a perspex stand. (2)

£150-200

683. A Naga press modelled as a long necked ram, the back with a hole with a metal strainer at the base, with a plunger having a pierced top that can be adjusted with holes in the back of the neck, 79cm high. (2) £400-600

683

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684

685

684. A pair of Chinese pillar rugs the red ground with rainbows, clouds and birds amidst flowering branches, 161cm x 90cm. (2) £400-600 685. A Chinese tiger rug on a blue ground with a tiger standing on a large rock, 155cm x 94cm. £300-400 686. A Nepal mask with an encrusted patina, 22.5cm high.

686

687

£100-150

687. A Naga trumpet Nagaland conch shell with incised linear decoration and a diced circle, £100-150 19cm long. 688. A Siberian ox bone tool 18.5cm long, a Chinese stone bi disc, 21.5cm diameter, and a Congo carved bone hair pin, with a mask finial, 16.5cm long. (3) £100-150 689. A Tibet shamans drum the carved handle with masks, elephants heads, peacocks, serpents, tridents and the crescent moon and sun, with vellum skins, 67cm long, 37.5cm diameter, with a curved beater. (2) £300-400

148

688

689

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690. Three Indonesian lime containers bamboo with covers and with incised and stained decoration, one cover wooden and with an applied Dutch colonial coin, the highest 16cm. (6). £100-150 Provenance Bill Evans, Sydney, November 1998

691. Three Indonesian lime containers bamboo, with incised geometric decoration and covers, the largest with horn collars and an inset mirror to the base, 18cm high, and a container with a domed cover and fibre bindings. (8) £100-200 Provenance Christie’s, Amsterdam, 11 Dec 2001, Lot 61 (part)

693. A collection of Auction catalogues Tribal Art, Fine American Indian Art, Antiquities, Islamic, Indian, Himalayan and Southeast Asian mainly Christie's and Sotheby's. (160) £200-400

694. Literature William Fagg. Tribes and Forms in African Art, 1965; Abiodun, Drewal and Pemberton. The Yoruba Artist, 1994; Starzecka. Maori, Art and Culture, 1996; Ken Mantel. Tuvaq, 2010; Ladislas Segy. African Sculpture Speaks, 1983; Art of the Ancestors, Nias, Batak, Dayak, 2007; Curiosities from the Pacific Ocean, 2007; Roslyn Poignant. Oceanic Mythology, 1967; Perspectives, Angles on African Art, 1987; Turn up the Volume, A Celebration of African Music, 1999; Visions of Africa, Bamana, Pende, Punu; Ethos, Vatican Museums Ethnological Collection; Christopher Spring. African Arms and Armour. (15) £50-100

692. Four Dayak bamboo containers Sumatra, Indonesia including two lime containers with wood and horn and fine incised decoration, a cylindrical container with inscribed script and with a wooden base and cover, and a tall example with an inscribed grid calendar and script, Iban and Arabic, the highest 29.5cm. (9) £120-160

695. A collection of Auction and Trade catalogues mainly Tribal Art including Christie's and Sotheby's, Bruneaf and Parcours des Mondes. (155) £200-400

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696. A Dayak quiver Borneo bamboo, the base with a band of incised decoration, with a fibre bound wood belt hook with a carved warthog terminal, 41cm high. £150-200 Provenance Christie’s, Amsterdam, 11 Dec 2001, lot 61 (part)

696

697. A Dayak quiver Borneo bamboo with carved bands of stylised decoration and a carved conical stopper, containing a quantity of darts. £100-200 Provenance Hugh Jenkinson, Lukluk Gallery, Australia, Nov. 1997. 698. Four Papua New Guinea lime containers bamboo with incised and stained geometric decoration, one with a bone spatula, and a lidded container carved two ancestor figures and scroll decoration, the highest 31cm. (7) £200-300

698

699. Six Melanesian bamboo containers including a large New Guinea food container, with incised decoration, fibre binding and a woven fibre cover with a open circular filter to the inside, with a handwritten label Native Food Carrier New Guinea, S.H.S 6.10.36, 41.5cm high, two Solomon Islands lime containers with open top covers and incised decoration, one with a handwritten label Bamboo Lime Vessel Bougainville Solomon group M, a Chambri, Papua New Guinea open lime container, incised fish decoration and with a fibre handle, an enclosed lime container, with a pierced top and decorated with fish and geometric patterns, and a container with incised decoration and a wood a fibre lid. (10) £300-500 Provenance Sotheby’s, Australia, 8 Nov 1998, lot 36.

697

700. Six bamboo containers and two pipes Indonesia and Papua New Guinea with incised or scorched decoration, including three lime containers, one pipe with metal wire, one with a grid calendar with figures and symbols, one with animals and a figure with a fibre handle, the longest 39.5cm. (8) £200-300

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701

702

701. A Solomon Islands bamboo pipe Melanesia with incised bands of triangular motifs, the dorsal hole within an elliptical frame, the end with five pierced holes, with a handwritten label Native Tobacco Pipe Solomon Islands from P.L. Collection 1910 Pres by L.R.H 14.3.35, 63cm long, and a small Papua New Guinea pipe with carved stylised decoration including a head, 25.5cm long. (2) £100-200 Provenance Verhey Art Consultants, Amsterdam, May 2000. 702. A Papua New Guinea bamboo pipe Melanesia with all-over incised panelled geometric decoration, with dorsal hole, 45cm long, and two Papua New Guinea bamboo containers with scorched and incised decoration, 43cm and 49.5cm long. (3) £150-250

703

703. Two Papua New Guinea flutes Melanesia bamboo with incised and stained geometric decoration, each with two holes and pointed ends, one serrated, 82cm and 86.5cm long. (2) £100-150 704. A Kanak bamboo flute New Caledonia with incised and stained pictorial decoration of a chief’s house and two smaller houses with figural roof finial, either side of a tree, with a figure hunting a bird with a bow and arrow, with three figures below, holding a staff, a club, a sceptre / ceremonial axe and a spear, three two masted ships, one with a figure at the stern and a large turtle, linear geometric decoration and a band of animals, four in an enclosure, with seven pierced holes, £1,000-1,500 72cm long. Provenance Fernand Deveze and M. Bergognon, Paris. Aguttes, Paris, 20 Nov 2009, lot 83.

705. A Fiji headrest Melanesia bamboo with incised geometric decoration and script, on fibre bound wooden legs, 14cm high, 68cm long.

704 £200-300

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706. An Iatmul bamboo lime container Papua New Guinea with incised linear and geometric decoration and a fish, 33cm high, a Papua New Guinea incised bamboo container and cover, two containers and a pipe with scorched decoration, the pipe inscribed WASIRA, and three flutes with triangular decoration. (9) £300-400

707. A Cambodian inscribed bamboo with script and sun symbols, 79cm long. £100-150 Provenance Maurice Joy, London, December 2005.

707

706

708. Two Papua New Guinea bamboo pipes with incised linear and geometric decoration, the smaller inscribed Native Pipe From the Mountain People...Dobuduru...(19)45, the longest, 48cm, two bamboo lidded containers, another with pointed ends and scorched decoration and a poison arrow quiver with incised glyphs and a fibre bound seed pod. (8) £200-300

709. A Solomon Islands scoop Melanesia bamboo with incised frigate birds, fish and other ornamentation, 22.5cm long, and six bamboo artefacts, including a thin pipe, a container on a stand, a tube and bead ornament, two body ornaments with red seed plugged ends and an Indonesian lime container with a handled stopper with a spatula. (9) £150-250

708

152

709

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710. A Papua New Guinea breast ornament Melanesia shell with fibre, 25.5cm long. £200-300

711. A Papua New Guinea leg ornament Melanesia fibre and cowrie shells, 24cm high. £300-400

712. Two Abelam ornaments Papua New Guinea woven fibre, cloth, shells and red pigment, the larger with a neck band, 22.5cm and 15.5cm high, on a stand. (3) £300-400

710

711

712

713

714

715

713. An Abelam pectoral Papua New Guinea fibre, shells and red pigment, 36cm high, 31.5cm wide, mounted. (2) £350-450

714. Four Papua New Guinea chest ornaments Melanesia woven fibre and shell, the largest with animal teeth, buttons and feathers, 65cm high, another with animal teeth and one with two glass beads. (4) £150-250

715. Two Papua New Guinea currency bands Melanesia differing shells, cloth and string, £200-300 38cm and 40cm long. (2)

153

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716. A Massim betel nut mortar Trobriand Islands, Papua New Guinea of canoe form with a carved scroll edge with lime fill and a central raised recess, with a white painted inventory number 4741 and yellow painted NEW GUINEA. WBSTR. 1898. P., 15cm long, on a wood base with identification inscription. (2) £300-500

717. A Massim betel nut mortar Trobriand Islands, Papua New Guinea of canoe form with pierced and carved scroll decoration, the centre with a raised edge recess, one side with a white painted inventory number 4739 and yellow painted NEW GUINEA. WBSTR. 1898. P., 18.5cm long, on a wood base with identification inscription. (2) £400-600

Provenance W. D. Webster, Bicester, UK, inv. no. 4741. Augustus Henry Lane Fox Pitt-Rivers, Rushmore, Dorset, UK, acquired from the above in August 1898. Thence by descent. Christie’s, London, 2 October 1990, lot 76, part.

Provenance W. D. Webster, Bicester, UK, inv. no. 4739. Augustus Henry Lane Fox Pitt-Rivers, Rushmore, Dorset, UK, acquired from the above in August 1898. Thence by descent. Christie’s, London, 2 October 1990, lot 76, part.

Literature Published in the manuscript catalogue, volume six, page 1835.

718. Two Torres Straits armbands Papua New Guinea woven fibre with fabric and shell along the seam, one with tasseled fabric, 15cm long. (2) £100-150

154

719. A collection of seventeen Oceanic armbands woven fibre, one with attached shells and one with a dart attachment, £150-250 the longest 30.5cm. (17)

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720. A Massim betel nut mortar Trobriand Islands, Papua New Guinea of tapering cylindrical form with a carved girdle to the base, 10.5cm high. £100-200 721. A Massim betel nut mortar Kiriwina Islands, Papua New Guinea the base with a loop handle having pierced fins with a scroll carved body and swollen rim with a tapering recess, with lime fill, the base with painted white inventory number 4738 and yellow painted NEW GUINEA. WBSTR. 1898. P., 13.5cm long. £400-600

720

Provenance W. D. Webster, Bicester, UK, inv. no. 4738. Augustus Henry Lane Fox Pitt-Rivers, Rushmore, Dorset, UK, acquired from the above in August 1898. Thence by descent. Christie’s, London, 2 October 1990, lot 76, part.

721

Literature Published in the manuscript catalogue, volume eight, page 2189. Five Frenchmen set out in 1934 from Marseille aboard the schooner La Korrigane on a voyage to the Pacific. Their trip was part cruise and part scientific expedition, an opportunity to visit lands and to bring back objects which spoke of the material culture of the Pacific. The Korrigane arrived back in France with over 2,800 objects, some of which were exhibited at the new Musée de l’Homme in 1938, and which are now in the Louvre and the Musée du Quai Branly in Paris. 722. An Admiralty Islands lime container Papua New Guinea gourd with incised and burnt decoration, 20cm high. £400-600 Provenance La Korrigane Expedition, 1934. 723. An Admiralty lime container Papua New Guinea gourd with incised and burnt decoration, with white painted accession numbers D.39.3 1260 and 1393, 20cm long. £400-600 Provenance La Korrigane Expedition, 1934. Musée de l’Homme, Paris.

722

723

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724. An Asmat ancestor figure Buepis Village, Casuarinen Coast, Western Papua, Indonesia with a capped head with black pigment, raised circular eyes and a pierced nose and ear lobes, one with remains of fibre, with an open mouth, the shoulders with carved scroll decoration, to banded arms and flat hands, the breasts with nipples above the rib cage to the front and back with the spin, a pointed penis and testicles and geometric carved buttocks, the legs with knee caps and further decoration to oblong feet, with remains of white and red pigment, 170cm high, with a stand. (2) ÂŁ10,000-15,000 Provenance Ex collection Dr Voorhoeve, 1951 Museum Delft Ex collection Meulendijk Loed van Bussel, Amsterdam Private collection.

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725. A Sepik River ancestor figure Papua New Guinea with a ribbed and zig-zag banded tapering headdress, with a hooked nose and a beard, a sun motif to the abdomen and decoration to the arms and wrists, with remains of a red pigment, 40cm high. £150-250

726. A Sepik River ancestor figure Papua New Guinea with a tapering finned headdress, a hooked nose and a beard, with his arms to the side, with remains of a red pigment, 32.5cm high. £150-250

727. A Iatmul ancestor figure Middle Sepik, Papua New Guinea painted in black, red, white and yellow, with a perched bird cresting and a scroll decorated face with a pierced nose and hooks to the back of the neck, with a visible spine and with arms to the side, on a domed base, 43cm high. £100-200

725

726

727

728

728. An Asmat male figure Irian Jaya, Indonesia standing with fibre and shell earrings and other tied fibre, 86cm high, on a stand. (2) £500-600

729. A Papua New Guinea stool Melanesia oblong with two angled and a central knopped support with white, red and black pigment decoration, 39cm long, 15cm high. £200-300

730. An Abelam baba mask Papua New Guinea basketry and feathers with a black, red and white pigment, 33.5cm high. £300-400

729

730

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731. A Papuan Gulf gope board Papua New Guinea, Melanesia carved with a mask with a raised and pierced nose, within a chevron border and pierced for attachment at the sides and top, with a short handle to the base, with a charred finish and with white and red pigment, 126cm high. £3,000-4,000 Provenance Sotheby’s, London, Tribal Art, 6th July 1982, lot 50.

732. A Massim staff Trobriand Islands, Papua New Guinea wood with lime, with a seated figure finial and a part carved stem with bird heads, scrolls and masks to a tapering terminal, with inscribed inventory number 044, 92.5cm long. £100-200

733. A Massim staff Trobriand Islands, Papua New Guinea carved scrolls and circles, the pierced section with two figures, 95cm long. £80-120

732

733 734

734. A Papua New Guinea stone head club Melanesia the circular blade with raised centre borders, with a tapering wood handle and with fibre binding, 57.5cm long. £400-600 Provenance Ex. collection Mark Dineley, Dorset, UK.

731

158

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735. A Korvar charm Geelvink Bay, Irian Jaya with a central ancestor figure and a tapering faceted finial, the lower section inscribed in white L. 1699/1926. Kibler, Holl. N.G. Waropen, 112506, 34.5cm long, on a wood stand. (2) £200-300 Provenance Collected on the Waropen Coast before 1914 by Paul Kibler, b.1873, Cannstatt, Germany, a lepidopterist and collector of natural history. Linden-Museum, Stuttgart, inventory number 112506, deaccessioned in the early 1970’s. Ludwig Bretschneider, Munich. 736. A Papuan Gulf spirit board Papua New Guinea of narrow elliptical form with a knopped top, the front carved a central stylised mask above a circle and sun motif and between spiked chevrons, with earth and white pigment and charred finish, the back inscribed in white 6004 and in yellow NEW GUINEA. WBST.JAN.1899, 111cm long.. £1,500-2,500 Provenance William D. Webster, number 6004 Lt. Gen. A.H.L.F Pitt-Rivers, Farnham, Dorset, acquired from the above 1899. Sotheby’s, London, Tribal Art, 27th June 1983, lot 94 737. An Adzera banana scraper Markham Valley, Papua New Guinea bone, with a carved head finial, the back with linear decoration, inventory sticker MHMC-821, 13cm long, on a stand. (2) £200-300 Provenance Ex Mark Hamson, California - collection sticker MHMC-821. 738. A Collingwood Bay headrest Papua New Guinea of oblong form with a pierced chevron support and incised linear decoration to the edges and raised on a tapering foot, 14.5cm high. £300-400 739. A Massim lime spatula Trobriand Islands, Papua New Guinea the rectangular panelled handle with a carved zig-zag band, 23.5cm long.

£150-250

735

737

738

736

739

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740. A Papua New Guinea feather headdress Melanesia cassowary feathers and woven fibre, 38cm high. £80-120 741. A Sepik River ancestor mask Papua New Guinea tortoise shell with a moulded clay mask with painted decoration and applied cowrie shells, the crown with remains of hair and with a reed suspension loop, 1st half 20th century, 22.5cm high. £400-600

740

741

742. A Papua New Guinea adze Melanesia with a stone blade and wood handle with a carved animal head terminal, fibre bound and with cassowary feathers, 55cm long, an Australian Aboriginal boomerang, an Oceanic coconut shell ladle and similar rattle, and an Indonesian basketry and wood bowl, the cover with a carved lizard finial. (6) £100-200 743. A Sepik River Janus mask board Papua New Guinea with an integral hook, with painted inventory number 1756, 46cm high, and a Papua New Guinea figure standing in an arch with a boar like animal, with inlaid cowrie shell eyes, with painted inventory £100-150 number 2615, 48.5cm high. (2)

742

743

744. A Sepik River betel nut mortar Papua New Guinea with ancestor figural supports, 17cm high, a coconut shell spoon and disc ornament, a bamboo pipe, a Caroline Islands hair pin, inscribed HOGLIOUS, a fibre mat, and three ornaments. (9) £150-250 745. A Massim bowl Trobriand Islands, Papua New Guinea circular with large fin lifts with carved decoration, 51.5cm across lifts, and a Walomo canoe prow, carved fish and birds, 39.5cm high. (2) £100-200

744

745

746. A Sepik neckrest Papua New Guinea with hooked nose ancestors head ends and with an angled and open support, 57cm long, 14cm high. £750-850 747. A Sepik River penis sheath Papua New Guinea gourd and fibre with pigment decoration, 28cm long. £100-200

746

160

747

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748. Two Asmat gourds Irian Jaya, Indonesia with geometric and linear decoration, 59cm and 42cm long. (2)

£300-400

Provenance Field collected by Jack Hoogerbrugge, Rotterdam, Netherlands.

749. A Papua New Guinea dagger Melanesia cassowary bone, carved a mask and scroll decoration, 36.5cm long. £50-100

750. A Sepik ancestor mask Papua New Guinea with fibre and shells, the forehead with a carved bird with oval shell eyes, a hooked nose and with scroll carving around the mouth, 41.5cm high. £400-500

748

749

750

751

752

753

751. A Papua New Guinea club head Melanesia stone of cylinder form with three rows of spikes, 12cm long. £200-300 Provenance Ex Michael Hamson, California, USA.

752. A Sepik ancestor figure Papua New Guinea the double heads with hooked noses and with a fish and two serpents to the back with red, white, yellow and grey pigment, the base with painted collection number 1463, 97cm high. £200-300

753. A pair of Iatmul war trumpets kuls Papua New Guinea one with a carved perched bird terminal with a tapering conical body with a medial scaled ridge with a mouth piece, the end with two masks, 93cm long, the other with remains of a mask terminal, a raised mouth piece and a scroll carved border, 51cm long. (2) £400-600 Provenance Collected in Germany in the 1960’s and thence by descent.

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754. A Highlands shield Papua New Guinea rectangular and slightly curved , the front with brightly painted geometric designs and inscribed ISUZU MIXER and with an applied Papua New Guinea number plate AEX 817, the top with woven fibre, with electric wire and cloth handles and a cassowary feather tipped wand, 177cm high. £500-700

755. A Highlands shield Papua New Guinea rectangular and curved with a green and yellow painted geometric front, inscribed SP 1992 INTA tRAIB WAR and with an applied aluminium South Pacific Export Lager can, with a woven fibre top, with metal wire, plastic coated metal wire and plant fibre handles, 153cm high. £400-600

754

755 756. A Highlands shield Papua New Guinea rectangular and curved, painted red and yellow radiating design with a black chevron base, the top with an incised design and a wire mesh, with metal wire and bound fibre handles, with a cassowary feather tipped wand, 153.5cm high. £400-600

757. A Highlands shield Papua New Guinea rectangular and curved, painted with a cross in red, blue, black, white, yellow and green, with an applied metal boss to the centre and T. H. N. to the top with a wire mesh edging, with metal wire, fibre and cloth handles and remains of a cassowary feather wand, 167.5cm high. £400-600

756

162

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758. An Asmat shield Irian Jaya, Indonesia with relief carved scroll decoration and three pierced holes to each side, with a seated male figure cresting with his hands in his mouth, with earth red, white and black pigment, the central ribbed back with an integral handle and red and black pigment zig-zag decoration, 198cm high. £1,000-1,500 Provenance Christie’s, London, Tribal Art, 28th Nov 1983, lot 83. 759. An Asmat shield Irian Jaya, Indonesia with deep carved scrolls and circles with four elliptical shapes each with a hand, the chevron incised sides with tied fibre tassels, the top with a figure and the back with an integral handle with carved decoration and a hand terminal, both surfaces with red and white pigment and charring, with a collection tag inscribed NIEUW-GUINEA ASMAT BA-102-006, 182cm high. £800-1,200 Provenance Loed van Bussel, Amsterdam. 760. A Papua New Guinea spear Melanesia with a central carved band of scrolls and zig-zags, 227cm long, two Papua New Guinea palmwood spears with side barbs, cut, another wood spear with a twin barbed detachable tip and carved decoration, cut, and a fifth with a detachable curved wood tip, cut. (11) £200-300

758 760

759

761. An Inuit spear Alaska with a marine ivory tip with a band of punched circle and dot decoration, leather mount on a wood shaft, 234cm long, an African wood tip spear, a Papua New Guinea palmwood bow and a part spear shaft. (5) £150-250

761

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763

764

763. Two Papua New Guinea fish hooks Melanesia one with a wood shaft and a fibre mounted serrated edge bone hook and the other with a bone shaft and a fibre bound abalone hook, 13.6cm and 12cm long. (2) £300-400

764. A Solomon Islands fish hook Melanesia bone and fibre, 14cm long. £300-400

762. An Asmat figure Irian Jaya seated with hands supporting the jaw, with incised linear decoration and red and white pigments, the back with a sticker inscribed IRN 11, and another inscribed No 10, 51cm high, on a stand. (2) £1,500-1,800

766. A Papua New Guinea tapa beater Melanesia stone with a carved cross hatched head, 25cm long.

164

765. An Afghan choora dagger with an etched and brass inlaid steel blade and a ivory mounted handle, with a wood and brass scabbard, 30.5cm long. (2) £80-120

765

£100-150

767. A Papua New Guinea bangle Melanesia shell with incised linear decoration and black pigment fill, with a inventory number 1927.327, 10.5cm wide. £50-100

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768. A Southern Highlands war shield Papua New Guinea oblong with a medial ridge, painted white circles and fawn with a later rope handle, 122cm high. £300-400

769. A Highlands shield Papua New Guinea rectangular and curved, painted in red, black and white with a Superhero figure, with a wire and fibre bound handle, 152.5cm high. £400-600

768

770. An Asmat shield Citak, Western Papua, Indonesia with a geometric relief carved front with white, yellow/brown and black pigment, the back with an integral handle, 160cm high, on a stand. (2) £750-850

769

771. A Lumi shield Papua New Guinea wood, with a carved linear design with spiral terminals, pierced for fibre fastening loops, 103.5cm high. £1,500-2,000 Provenance Collected by Peter England, circa 1955 65, whilst road building between Maprik and Lumi. Philip Goldman, Gallery 43, London, 1975.

770

771

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772. A Papuan Gulf gope board Papua New Guinea, Melanesia of elliptical form with a central mask having a pierced nose and inlaid eyes with four leaf designs surrounding, with a thick white pigment and red stain and charred areas, the top with a circular piercing and with a tapering handle to the base, 155cm high. £2,000-3,000 Provenance Sotheby’s, London, Tribal Art, 27th June 1983, lot 116.

773. An Asmat drum Irian Jaya, Indonesia of hour glass form with relief carved decoration and a pierced side handle, with white, burnt orange and charred pigments, the top with a fibre bound reptile skin, 103cm high. £200-300

774. A Papua New Guinea currency shell Melanesia 23.5cm x 18.5cm, on a stand. (2) £200-300

773

775. An Asmat shield Citak, Western Papua, Indonesia with relief carved geometric designs and with white, earth and black pigment, the back with an integral handle, 205cm high. £500-800

772

166

774

775

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776

777

778

776. A Highlands shield Papua New Guinea rectangular and curved with an arched top, the front with an incised geometric design, 143.5cm high. £100-200 777. A Highlands shield Papua New Guinea with a medial ridge and with incised geometric decoration, with a later rope handle, 123cm high. £100-150 778. A Papua New Guinea shoulder shield Melanesia with a cut out top and rounded base with diagonally opposing attachment holes, £150-250 87cm high. 779. A Highland shield Papua New Guinea with carved geometric and linear designs with black, red and white pigment with an integral handle and with a woven natural and dyed fibre bag cover, 104cm high. £150-250 780. A Papua New Guinea currency shell Melanesia 24.5cm x 22.5cm, on a stand. (2) £300-400

779

780

167

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781

782

781. Three Highlands axe heads Papua New Guinea greenstone, one with a white painted inventory number H.1011, 12cm, 15cm and 16cm long. (3) £400-600 Provenance The 15cm one - James Hooper Collection, inv. no. 1011. Christie’s, London, Melanesia & Polynesia Art from the James Hooper Collection, 19 June 1979, lot 2, part. 782. A Papua New Guinea platter Melanesia galleried and with an end handle, pierced for attachment, 66.5cm long. £80-120 783. A Massim barbed spear tip Trobriand Islands, Papua New Guinea palmwood, with carved relief and scroll decoration, 80.5cm long. £150-250

784. A Massim sword club Trobriand Islands, Papua New Guinea with a pierced and carved scroll handle, the tapering elliptical blade with a carved banded on one side and a stepped tip, 83cm long. £250-350

785. A Sepik River staff finial Papua New Guinea wood with an ancestor figure and Janus head terminal, on a broken shaft with collection number 79.1.74, 58.5cm long, on a stand. (2) £50-100

783

168

784

785

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786. A New Ireland kulap figure Papua New Guinea chalk with pigment decoration, the male standing figure with his hands together on the abdomen and with a parted coiffure with parted hatched decoration, 48.5cm high. ÂŁ6,000-8,000 Provenance Christieâ&#x20AC;&#x2122;s, London, Important Tribal Art, 25th June 1984, lot 41. The kulap figure represents the recently deceased and are distinctive to Southern New Ireland. A male relative of the deceased would journey to the Rossel Mountains where specialist carvers living near the limestone quarries would provide said figure. On returning to the village the kulap would be placed in a shrine where it served as a temporary abode for the spirits, rather than wandering and harming the living. After a certain period the figures would have been destroyed. The few that have survived would have been sold to visitors as was the practice in the late 19th and early 20th century.

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787. A Solomon Islands currency disc Melanesia shell, with inventory number Z - 35, 19.5cm diameter. £300-500

787

788. Two Admiralty Islands knife blades Papua New Guinea, Melanesia with faceted obsidian blades, inscribed in yellow 146-1955, with red pigment gum mounts, 11.5cm and 12.5cm long. £300-400 Provenance Ex collection Charterhouse School, Surrey, UK.

789. A Fiji club sali Melanesia the spurred blade with carved diaper decoration and a small linear section to either side, with an end medial ridge, the cylindrical handle with a knopped butt, 101cm long. £500-800

788 790. A Tahiti pounder French Polynesia basalt with a double spurred top, 18cm high. £250-350

789

791. A Marquesas Islands carved coconut Polynesia with geometric symbols and rondels with turtles, figures, sharks and a mask, £200-300 15cm long, on a stand. (2)

790 792. A Solomon Islands axe Melanesia with a European iron blade, cast a 2 to one side, the elliptical handle with a shaped top with a medial ridge and with a pointed terminal, 100cm long. £600-800

170

791

792

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793. A Fiji spurred club kiakavo Melanesia with a ridged terminal, a textured inner curve and a spurred top, the shaft with remains of woven fibre and with a rounded butt, 93.5cm long. £600-700 795. A Fiji throwing club ula Melanesia with a gnarled spherical head and with fine zig-zag carving to the handle, 39.5cm long. £200-300

796. A Fiji throwing club ula Melanesia with an onion shape head and a zig-zag carved handle, the end with incised linear decoration, 39.5cm long. £150-250

793 794. A Fiji totokia club Melanesia with a nodule and spike head, with a curved shaft with a woven leaf mount and a linear carved handle, 78.5cm long. £300-400

797. A Fiji throwing club ula Melanesia with a gnarled spherical head and a carved zig-zag handle, 40cm long. £200-300

798. A Fiji throwing club ula Melanesia with a gnarled spherical head and a carved zig-zag handle, 41cm long. £150-250

794

171

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799. A Tonga headrest kali laloni Polynesia the waisted curved top having a part faceted underside and on a pair of fibre bound arched supports with faceted square feet, 15cm high, 50.5cm long.

800. A Solomon Islands kap kap pendant Melanesia shell, turtle shell and fibre, the disc with an carved panel of stylised fish and a frigate bird, 11.5cm diameter, mounted. (2) £1,500-2,000

172

801. A Melanesia tapa cloth hat of cylindrical form and gathered at the top, 14cm high. Provenance Christie’s, Amsterdam, 24 May 2000, lot 234.

£2,500-3,500

£200-300

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802. A Fiji tabua Melanesia sperm whale tooth, pierced for suspension at the tip and with four holes at the open end, with a paper label inscribed ..78 and GANAY, 19th century, 16.5cm long. £1,500-2,000

Provenance La Korrigane Expedition, 1934. CITES Article 10 (non-transferable) licence No. 570668/01

803. A Tonga dart head pendant Polynesia sperm whale tooth, pierced for attachment, 7.6cm long £300-500

Provenance Kenneth John Hewett (1919 - 1994), London, UK.

802

804. An Oceanic club possibly Tonga with a spade head and a cylindrical shaft with a flared butt having an attachment loop, with the remains of an old label, uninscribed, 106cm long. £600-800

803

805. A Fiji spurred club gata Melanesia with a textured blade having small holes for attachment along the edge, with a zig-zag border and ridged terminal, dot decoration to the back of the flat spur and a panelled carved zig-zag handle with remains of a knopped butt, 99cm long. £600-800

806. A Tonga paddle club Polynesia with all-over zig-zag carving, having a leaf shape blade with a medial ridge and a spurred neck, the cylindrical shaft with a flared terminal and a attachment ridge, 111cm long. £800-1,200

807. A Fiji club culacula Melanesia with an edged faceted blade with serrated protrusions, one missing, and with a horizontal ridge, the cylindrical shaft with a carved grip and knop butt, 81.5cm long. £300-500

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808. A Fiji cannibal fork Melanesia with four flared prongs and a barbed shaft with a ringed handle, 25.5cm long. £400-600

809. A Fiji cannibal fork Melanesia with four prongs and a knopped and swollen handle, 21cm long. £800-1,200

Provenance Christie’s, London, Tribal Art, 3 July 1990, lot 81, part.

Provenance Linda Cunningham, New York, circa 1990.

810. A Fiji cannibal fork Melanesia with four prongs and a swollen handle and knopped terminal, with a white painted inventory number H.778, 26.2cm long. £800-1,200 Provenance Methodist Missionary Society, London, UK. James Hooper, Arundel, UK, bought from the above in 1948. Christie’s, London, Melanesia & Polynesia Art from the James Hooper Collection, 19 June 1979, lot 130, part. Private Collection. Christie’s, London, Tribal Art, 3 July 1990, lot 81, part. Literature Steven Phelps, Art and Artefacts of the Pacific, Africa and the Americas; The James Hooper Collection, 1976, p. 188, pl. 101, no 778.

811. An Oceanic carved fish possibly Pitcairn Islands 31.5cm long.

174

£100-150

812. A Santa Cruz tapa beater Solomon Islands, Melanesia wood with an incised linear oblong head and with a tapering handle, 29.5cm long. £140-160 Provenance Ex. collection Gisela Lautz.

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814. A Fiji throwing club i ula tavatava, Melanesia with a ribbed head and a carved grip, 41cm long.

813. A pair of Micronesian figures male and female with inlaid shell and gum eyes, 47.5cm and 45.5cm high. (2) £300-400

£400-600

815. A Fiji throwing club ula Melanesia with an onion shaped head and incised dots along the shaft, with a carved zig-zag handle, with a recessed terminal with incised lines to the edge and pierced for attachment, 42.5cm long. £150-250

817. A Fiji throwing club ula Melanesia with a spherical head and a carved zig-zag handle and depressed terminal, 40cm high. £300-500

816. A Rennell Islands club Solomon Islands, Melanesia with a domed eight point star shape head and a woven fibre covered shaft with a knopped butt, 37cm long. £100-200

818. A Fijithrowing club i ula drisia Melanesia with a spherical root head and a curved handle, 39cm long.

£200-300

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819 821

822

819. A Fiji square tapa cloth Melanesia decorated in brown and black with a grid of sixteen geometric designs, 120cm. £100-200 Provenance Presented to Geoffrey Caston CBE whilst he was the Vice Chancellor of the University of the South Pacific in Fiji. 820. A Tonga tapa cloth Polynesia divided into panels decorated the Coat of Arms, animals, birds, geometric designs and numbers, 182cm x 211cm. £200-300

820

821. Two strings of agate beads Probably Indus Valley faceted banded white and carnelian, 31cm and 33cm long, a Western Australia Aborigine cone shell necklace and a Naga iron bead necklace with three red glass beads. (4) £100-150 Provenance Ex. collection Seward Kennedy, London, UK. 822. Three Kiribati waist ornaments / currencies Melanesia strung shell discs, 191cm, 69cm, long and with ends tied 57cm long, a Solomon Islands shell currency necklace and a Golden Cowrie shell necklace. (5) £100-200 Provenance Ex. collection Seward Kennedy, London, UK. 823. A Fiji tapa cloth Melanesia with geometric designs in black and earth red, 126cm x 94cm.

176

823

£60-80

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824. A Solomon Islands dance club Melanesia with shell inlay, the leaf shape blade with carved decoration and inlaid four point stars, two with mirror centres, and crucifix, the top of the handle with two masks, with a knopped terminal, 62.5cm long. £200-300

825. A Vanuatu slit drum Melanesia with an ancestor head finial having a pointed bead coiffure and collar, large eyes and nose, with traces of decoration, with a slit body, 85cm high. £200-300

826. A Solomon Islands currency shell Melanesia of disc form with a stylised bird surmount, 15cm high, on a stand. (2) £350-450

827. Two Tonga combs Polynesia leaf fibre with light and dark decorative fibre bindings, 19.5cm and 18cm long. (2) £150-200

825

824

826

828. A Fiji trumpet davui Melanesia conch shell, with a circular mouthpiece, £200-300 33.5cm long. Provenance Private Collection, Netherlands.

829. A Solomon Island barava Melanesia shell of open crescent form with stylized figures, 12cm wide, and a Papua New Guinea turtle shell armband with incised decoration, 9cm long. (2) £100-200

827

828

829

830

830. An Oceanic necklace with fifty carved bone points with curved tips, the longest 9.2cm long, and two Fiji wood combs, inscribed Fijian Comb, July 4th Independence Day, 20.3cm the longest. (3) £100-200

177

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832

831. An extremely long Austral Islands paddle Polynesia with all-over carved x’s, zig-zags, crescents, chevrons and a sun motif to the top of the leaf shape blade, the shaft tapering towards the top with eight dancing girls having sun and chevron rosettes, the tops with double chevrons lines and one with two double lines, 19th century, 227cm long. £10,000-12,000 832. Minnie Pwerle (c.1910 - 2006) Awelye Atnwengerrp. Acrylic on canvas. Inscribed on the verso. 60cm x 121.5cm unframed. £2,000-3,000

833

178

831

833. A Vanuatu club Melanesia with a tapering and flared blade with a curved protrusion either side and with incised linear decoration, on a cylindrical shaft and with a double knopped terminal, 100cm long. £500-800 834. A Solomon Islands paddle Melanesia the leaf shape blade with relief carved fish details and with red and black stained highlights, with a flattened handle, 162cm long. £300-400

834

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835. Turkey Tolson Tjupurrula (1942 2001) Tingari Dreaming. Acrylic on Belgium linen. 100cm x 123.5cm unframed. £3,000-4,000 Turkey Tolsen was among the first group of Pintupi to be brought in to the newly established settlement of Papunya in the 1960’s. He was part of the original group of painters at Papunya in 1971. He featured in the television documentary ‘Market of Dreams’ and is a leading figure in the art movement.

835

836. A Fiji club vanikau Melanesia with a root head and a part bound fibre shaft with a zig-zag carved handle, 112cm long. £200-300

836

837. A Fiji club vanikau Melanesia with a noduled root head and cylindrical shaft and a carved zig-zag handle, 112cm long. £400-600

837

838. A Caroline Islands paddle Micronesia with a tapering blade carved four bands of triangles between narrow bands of linear decoration, with a short handle and tapering terminal, pierced for attachment, 113cm long. £200-300

838

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839. An Aborigine boomerang club Australia with a swan neck painted white with earth red bands, 63cm long, a boomerang club with part carved channeled top surface, 75cm long and a boomerang, with a textured finish, 58.5cm long. (3) £300-400

840. Three Aboriginal boomerangs Australia one with an incised wavy linear design and two with a textured finish, the longest 67cm. (3) £120-150

839

841. Seven Aborigine boomerangs Australia including one plain, 54.5cm long, one incised three kangeroos, three scorched a kangeroo, two with ink stamps to the backs Made by Australian Aborigines out of Genuine Mangrove Timber and two with koala’s, inscribed on the back Pennga Australia 20 and Made by Wirunda Australia 18. (7) £150-200

840

842. An Aboriginal spear thrower woomera Australia with incised angled linear decoration and a textured back, £100-200 70cm long.

843. An Aboriginal spear thrower woomera Australia of curved leaf shape with textured carving, a bound wood point and gum covered handle, 77cm long. £120-150

841

844. Two Aboriginal spear throwers woomera Australia of curved leaf shape with bound wood points, one with a gum covered handle with a stone scraper, the other with an engraved narrow band, £200-300 92cm and 90.5cm long. (2)

180

842

843

844

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‡ 845. Mick Gubargu (1922 - 2008) Arnhem Land, Australia A freshwater tortoise ngarrt bark and pigment, 47cm x 26.5cm.

£100-150

The reverse with hand written label Artist : Gugargu Tribe : Gunwinggu from Upper Liverpool River. The freshwater tortoise NGARRT - a source of food.

846. An Aboriginal bark painting Australia with three figures and two snakes, 28.5cm x 47cm, and another of a bat and a snake, 29cm x 43.5cm. (2) £100-150

847. An Aborigine parrying shield Australia the front carved kangeroos within a part wooded landscape, the back with further kangeroos and with an integral handle, 83.5cm long. £150-250

846

845

848. An Aboriginal boomerang Central Desert, Australia, possibly Dieri group, with convex sides, one with fine incised linear decoration, the other with wider flutes, with remains of red ochre, the tips re-shaped, late 19th century, 83.5cm wide. £200-300

847

Provenance Peter Manoel collection. Tineriba Tribal Gallery, South Australia, 3.3.2007. Peter Manoel was a shearing contractor who collected widely in Western Queensland, West of the Darling river and the corner country in South Australia from the 1940’s to the later 1960’s. The collection was purchased at Broken Hill in 1972.

849. A Aboriginal boomerang Australia the top with incised circle and linear decoration, the back with circles, 70.5cm long. £100-200

850. An Aboriginal boomerang Australia with a textured finish and remains of painted decoration, 77.5cm long. £60-80

848

849

850

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851

852

851. Three Aboriginal clubs Australia including a pineapple head club with a fine fluted shaft, a scored grip and tapering ends, 76cm long, another with a capped pointed head, a linear incised shaft and scored grip, 75.5cm and a plainer club with incised linear decoration and a scored grip, 65.5cm long, all 19th century. (3) £800-1,200

854

853

852. An Aboriginal pendant Australia shell with engraved linear zig-zag decoration with dots and emu foot-prints, with red ochre pigment and with two attachment holes, 16.5cm long, on a stand. (2) £800-1,200

855

856

853. An Aboriginal club Queensland, Australia with a pineapple carved head with remains of a white pigment, the fine linear textured body with pointed ends and a rough textured grip, 76.5cm long. £400-600 854. A Maori cane New Zealand with carved linear and notch decoration, with a seated tiki finial with haliotis shell inset eyes one missing and with arms behind, with a curved handle, 92cm high. £800-1,200 855. A Maori cane New Zealand with a tattooed head finial with haliotis shell inset eyes, the shaft part carved linear and notched decoration, 92.5cm long. £400-600 856. A Maori cane New Zealand with haliotis shell, carved a standing chief with a tattooed face and with a long beard and holding a wahaika, the ovoid finial with a inset gold plaque with a double crest and motto Ready Aye Ready, on a linear and notch shaft, 85cm long. £1,500-2,000

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857 857. A Maori cloak korowai New Zealand flax with dyed and rolled fibre tags, the sides and base edged with feathers, 125cm x 113cm. £600-800 Provenance Private Scottish Collection. 858. A Maori hand club patu wahaika New Zealand the blade with carved linear and notched decoration, with a tiki mask with abalone inset eyes, one missing, with a short handle, pierced for attachment and with a ribbed butt, 32cm long. £400-600

858

859. A Maori hand club wahaika New Zealand carved a tiki figure to the curved edge, the handle pierced for attachment and with a tiki head to the terminal. 35cm long. £250-350 860. A Maori house panel fragment New Zealand carved parallel grooves and notches with a tiki figure, with remains of black and white pigment, 153cm high, 27cm - 10cm wide. £200-300

859

860

183

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862

863

862. Four Maori miniature hei-tiki pendants New Zealand nephrite with red wax, 1.6cm and 2.1cm high. (4) £400-500 863. A Maori ear pendant New Zealand nephrite of tapering form and pierced for attachment, 6.6cm long. £200-300 861. A Maori patu hand club New Zealand with an oblong blade with all-over parallel ridges and notches, with a serrated edge, the short handle with a ribbed butt and pierced for attachment, 34cm. £400-600 Provenance A Titled Lady, UK. Woolley and Wallis, Salisbury, 15th Sept 2009.

865

866

864. Two Maori ear pendants kuru New Zealand nephrite, each with an attachment piercing at the top, 7.6cm and 8cm long. (2) £600-800 865. A Maori paddle New Zealand carved with a head finial and linear and notch decoration along the shaft with a stylised tiki head knop, the blade with conforming carving to the top half of the reverse and the front with linear and scroll decoration, £1,000-1,500 122cm long.

867

864

866. A Maori taiaha New Zealand with a carved linear and notch pointed terminal, with an elliptical shaft and rounded flat end, 133cm long. £600-800 867. A Maori club tewhatewha New Zealand the blade with a pierced attachment hole at the base, the elliptical shaft with a curve towards the tapered terminal, 108.5cm long. £200-300 868. A Maori tewhatewha club New Zealand with an axe shape blade, pierced at the base, with an elliptical tapering shaft having a carved section with curved borders and notches, with a reduced tip, 93.5cm long. £300-500

868

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869. A Maori hei-tiki pendant New Zealand nephrite with red sealing wax, the angled head with well defined features and with the arms resting on the thighs, the top with attachment piercing, 19th century, 10cm high. ÂŁ4,000-6,000

END OF SALE

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TRIBAL ART & ANTIQUITIES

Wednesday 20th February 2018 Entries are now being accepted for this sale

A Mengen Shield Papua New Guinea 155cm high Estimate: £800 - £1,200 Provenance Bob Wise Collection

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 3rd October 2018

A Mughal carved ivory chess piece, 17th century, 5cm high. Estimate: £1,000 - £1,500

ENQUIRIES Mark Yuan-Richards | Tel: +44 (0)1722 411854 | myr@woolleyandwallis.co.uk

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ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 16th October 2018

A late 19th century Turkish Tophane pottery part tea service. Estimate: £800 - £1,200

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk

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FINE SILVER & OBJECTS OF VERTU Tuesday 30th October 2018

A pair of Queen Anne silver candlesticks, by John Barnard, London 1705. Estimate: £15,000 - £20,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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THE DR. ANNE SHANNON COLLECTION OF JEWELLERY Wednesday 31st October 2018

Five graduated enamel butterfly brooches by Child & Child. Estimates from £400 - £2,000

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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BRITISH ART POTTERY

Wednesday 12th December 2018 Closing date for entries, 19th October

Matene Te Nga a Sherwin & Cotton Maori portrait tile designed by George Cartlidge, one of a set of four. Estimate: £600 - £1,000

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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Contact Amanda Lawrence 01722 424509

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Old Sarum Park

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

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Sarum Business Park

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

SALISBURY A36

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Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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WOO L LE Y & WA L LI S

Absentee Bid Form Tribal Art & Antiquities

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

19th September 2018 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

Auction Calendar TRIBAL ART & ANTIQUITIES 19th September 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk PAINTINGS 11th September 2018 – Old Masters, British & European Paintings 4th December 2018 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 3rd October 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 16th October 2018 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk 20TH CENTURY DESIGN 17th October 2018 – Design 12th December 2018 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk SILVER 30th October 2018 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 31st October 2018 – The Jewellery Collection of Dr. Anne Shannon 1st November 2018 – Fine Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 13th & 14th November 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0)1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 21st November 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk