J a n e t Cornell AAP
Z e l i n B.Arch
L u
2019 Fall Transfer
Table of Contents
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Schindler + Davis Exterior Extrusion To David & Ankita
04 12 26
A Cave A Hut A Tent Process
30 36 40 46
Intersect An Orange Dichotomy 30 ° Upstream The Head Highway 99 Sketches
48 58 62 64 66 68
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Schindler House
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Davis House
Schinder + Davis Museum board, 6 X 6” Fall studio 2018
A study of beam system in Schinder and Davis house.
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Exterior Extrusion Museum board, 6 X 6” Fall studio 2018
Analyzing the exterior extrusion of the 2-4-68 house by Morphosis as well as the house’s influence or the lack thereof on the interior.
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Beyond the Exterior Museum board, 12 X 18 X 3” Fall studio 2018
Compensating for the loss of spatial information in the transition from the exterior to the interior while remaining loyal to the initial geometries.
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To David & Ankita Plain paper, 18 X 18” Fall studio 2018
A drawing mapping my friends dancing on the rooftop on a sunny Tuesday afternoon.
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Erik Gunnar Asplund, Woodland Chapel
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A Cave Museum board and chipboard, 6 X 6” Spring Studio 2019
Exploring the dynamics of a part-to-whole relationship through experimenting with “cute”, formally exaggerated spaces and a deconstructed cube.
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Pierre Koening, Stahl House
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A Hut Basswood, 6 X 6” Spring Studio 2019
A play with regular and deformed L shapes to create a unfamiliarizing experience nested in an orthogonal L grid.
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A Tent Museum board and basswood, 6 X 6” Spring Studio 2019
Translating the curve in a sequence of increasing light exposure into the supportive grid.
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“Intersect” Cardboard, basswood and balsa, 38 X 26 X 6” Cornell Summer College 2017
For this project, I was given the operational word “intersect”. Utilizing the unique makeup of the conjugated cardboard, I slid each stick of basswood through the gap within the cardboard to intersect two different materials from the very core. By repeating/ omitting this step in various orientations, I was able to create a multi-directional space of different levels of privacy.
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A second iteration of the cube, this model responds to and grovws from a sliding door, hoping to use the latter’s mobility to create intersections to the next level. https://youtu.be/w5nPVdKNSV0 - B slides towards A - B begins to intersect with A - Their intersection activates C
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An Orange Dichotomy Plastic, wire, cardboard, spray paint and heat gun 20 X 28 X 8” March - April 2017
During months of salmon surveying in my junior year of high school, I was able to learn about the life cycle of salmon and observe them swimming, resting and spawning in local creeks. Because of the enormous amount of energy spent during their upstream migration, most of the salmon die after reproduction.
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However, I find their arduous journey against the clock an intruding dichotomy between the continuous and the transitory. Although each salmon’s life is seemingly negligible, this entire life cycle created by the individuals proliferates. While each salmon has it’s own path, the density created by this orange overhang mystifies the stream with its fleeting romance and ultimate demise.
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30 ° Upstream Charcoal, conte, Scotch tape and graphite 20 X 28 X 8” April 2016
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The Head Oil paint on canvas, 18 X 24” 2017
Contrary to my other conceptual exploration of the salmon cycle, this oil painting is a literal approach to simply examine a salmon’s head.
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Highway 99 Charcoal and conte, 18 X 24” October, 2017
In this drawing I intended to explore the relationship between the transitory and the continuous on a more personal level. Bearing a close resemblance to the dichotomy of the salmon cycle, my continuous growth as a person can also be examined through fleeting fragments of individualized experiences. A reflection of my past, the drawing then becomes a hybridized map of a series of places that have a significant impact on who I am today.
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