The Productive City | Red Carpet: An Innovation Machine (Master Thesis)

MASTER

The Productive City Jan-Hendrik Hรถhnk Hochschule Wismar 2019

Fig. 1: TITLE COLLAGE: DESIGNING THE FUTURE

MASTER THESIS | 2

MASTER THESIS

Die produktive Stadt - Zusammen wachsen The Productive City - Growing Together vorgelegt von Jan-Hendrik Höhnk jan@hoehnk.de Working Period: March 18th - June 20th 2019 01 Prüfer: Prof. Dr.-Ing. Beate Niemann 02 Prüfer: Prof. Dipl.-Ing. Matthias Ludwig Hochschule Wismar: University of Applied Sciences: Technology, Business and Design Fakultät Gestaltung Faculty of Architecture and Design Studiengang Architektur - Architecture Wismar, Sommersemester 2019

3 | MASTER THESIS

THE PRODUCTIVE CITY SOCIAL NETWORK ARCHITECTURE

Phenomenology Critical Regionalism Heterotopia

Abstract

This master thesis in the field of architecture presents a vision of the future. Within the framework of the Europan competition on the topic of: „The Productive City“ a complex design project was developed. The concept for the productive city is an urban strategy to reintegrate productive uses into the existing city fabric. This thesis builds on a base of research and examines the productive city as a vision that must be created in phases over time. The proposal is an “innovation-machine”, cultivating ideas for the future city. A sequence of buildings serves as the prototyping environment to invent and monitor the foundation and potential of a productive city. A productive ground floor and unprogrammed modules above mix manufacturing, housing, amenities and creative functions in a diverse setup.

The aim of this project is not to maximise economic potential but to move beyond that. It seeks to imagine a new societal structure that functions around the exchange of ideas and the pursuit of knowledge.

For the project site located in Vienna, Austria, a multi layered concept was established culminating in a kind of scaffold for brains.

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A highly flexible and adaptable building that utilises modular systems to generate a variety of optimized conditions and growth potential. Core resources and infrastructure are shared and provide a functional spine to structure the spaces.

The main aim is to facilitate social interaction and unify the human cerebral potential.

The architecture is dominated by three circulation strands catering to the unique flow patterns of goods, people and ideas. A fourth strand is a sky garden to unite both the new incubator space and the surrounding neighbourhoods.

The resulting building is a complex, yet manageable superstructure that is oriented around a series of courtyards. The introverted focus helps facilitate social interaction and populates the vast structure. Highpoints provide identity and help with orientation, while the circulation systems regulate movement to, into and around the building. An existing park forms the beginning and end of a journey through the collective and collaborative creative process.

TABLE OF CONTENTS 1 2 3 4 5 6 7 +

_ Introduction | 6 _ Foundation | 26 _ Site Analysis | 36 _ Precedents | 66 _ Concept | 82 _ Design | 100 _ Bibliography | 142 _Appendix

5 | INTRODUCTION

I

INTRO

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7 | INTRODUCTION

„The question of the core – of the creation of centers of social life – is really the question of the reform of the structure of the city. It is our job as architects to create the physical synthesis of the social life, and the basic economics of each place.”

Le Corbusier CIAM 8 “The heart of the city, towards humanization of urban life” Conversation at CIAM 8 (Borra, 2014, p 39)

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INTRODUCTION

TO THE PROJECT

INTRODUCTION

This master thesis is the capstone project after 6 years of architecture school. It is intended to be a comprehensive design project with a written part on history and theory joined by analyses of site and precedents. The most important aspect is the design proposal that forms the crowning jewel of the student’s portfolio. In its entirety, the project is supposed to enable the student to create a “master piece” hinting at the student’s personal interest and display acquired skills in a fictional, yet realistic setting.

This project is developed as a proposal for the 15th Europan competition on the topic of: “The Productive City”. Europan is a European platform for young designers, hosting an idea competition at selected locations every year. Participants of various nationalities can form mixed teams.

Each country announces their selected winners,

after individual and international evaluation.

Alongside the competition, Europan is an initiative to foster knowledge and intellectual discourse in the field of architecture and urban design. It is aimed at creating a platform for international exchange among European countries and work towards greater receptiveness and collaboration.

Originally founded in 1989, the organization “Europan Europe”, with seat in Paris, hosts the competition in 19 participating nations. The initiative has a network of architects, urban designers and other professionals in roughly 250 European cities, who jointly develop the topics and serve as the jury.

In the past, Europan has hosted competitions on topics like “At Home in the City” (Europan 3), or European Urbanity (Europan 8-11). This year it is the 15th round of the Europan competition on “The Productive City”, which is an expansion of last year’s Europan 14 under the same topic.

The focus this year is on: Resources and how to minimize consumption and contamination, while introducing new ways of sharing, and social / technical innovation.

Mobility and how to integrate accessibility into productive realms Equity and how spatial equity can support social equity and finding a balance between rural and urban spaces and different socioeconomic backgrounds.

9 | INTRODUCTION

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BACKGROUND CURRENT SITUATION

CURRENT SITUATION

We all live lives dominated by work. Work defines us, determines our status in society, gives us a feeling of purpose and belonging. A world of ever-increasing automation and digitalisation causes us to live anxiously in the prospect. The rise of artificial intelligence (AI) and automation makes more and more segments of work irrelevant.

Cities today are diverse, cosmopolitan centres with seemingly unlimited opportunities, for work

and education. City dwellers have access to a diverse spectrum of social infrastructure and a relative abundance of foreign and specialized goods and services.

More people live in cities than ever before and migration to cities is expected to continue. New city dwellers need to be integrated and mechanisms need to exist, facilitating integration and potential for individual and collaborative growth.

The population is growing, causing an enormous demand for affordable housing. Due to an expected decline in population as a result of low birth rates and low immigration, funding was pulled out of affordable housing projects (Statistisches Bundesamt, 2016). The deficit now needs to be made up and there is an urgency to act.

Following the general ideology proposed by CIAM, current zoning laws nurture functional division. More often than not, cities purposefully segregate housing, offices, amenities, trade, industry and entertainment, because of these outdated ideals.

Economists like Hamburg-based professor Thomas Straubhaar share the view that we are reaching a turning point in our globalised world.

The global economy is losing momentum, meaning that we have reached a peak of global trade.

Consumer behaviour is slowly changing as well and instead of cheap mass production, shirts to locally manufactured, fair-trade, sustainable products that last longer, even if their prices are slightly higher. The element of people working in scandalously inhumane conditions with unsustainable production methods for very little money is becoming too much of a moral burden, especially when paired with the consequences on climate change (Läpple, 2016).

11 | INTRODUCTION

PRE INDUSTRIAL MASTER THESIS | 12

HISTORICAL BACKGROUND

EARLY HISTORY TO MIDDLE AGES

ENCLOSURE

In antiquity, segregation and dedicated land for certain uses came with the introduction of enclosures, ownership and state-run structures of parcelled land. While there were accumulations of houses forming village-like arrangements, land for agriculture and production was not necessarily always immediately adjacent (Aureli, 2018).

MIDDLE AGES

Medieval feudal systems had a closer relationship between living and working again. Workers had to produce surplus in order to meet demands of feudal rulers, as well as ensuring their family’s survival.

In medieval European cities commerce, production and housing was often mixed under a single roof. For example, merchants stored their goods in various forms of lobby-houses (Dielenhäuser) and craftsmen often combined work and life within one house (Büning, 2019).

Fig. 2: AERIAL VIEW OF THE MEDIEVAL HANSEATIC TOWN OF WISMAR (2002)

THROUGHOUT HISTORY

Throughout history work and life had strong spatial ties. With a lack of transport infrastructure, long daily commutes were ineffective. Daily life had a manageable radius and societies focussed on their surroundings even in nomadic structures. Hunter-gatherer communities changed location when resources ran out or seasons become too harsh.

This changed during the Neolithic revolution when agriculture was conducted in relative proximity to the dwellings. For the first time there were necessary spatial separations, as fields require a lot of space and are permanent for the season at least.

In addition to the spatial union of work and life, there was a great presence of collaboration and co-operation in the construction of monuments, palaces, defences, infrastructure and so on. To this day, we see glorious structures like cathedrals that are monuments to the collaborative effort of our ancestors. In the middle ages, early formations of division of labour could be seen on an urban scale. Certain professions clustered together in a certain area of the city. Examples are: Böttchersstraße in Wismar for barrel makers or Beckergrube in Lübeck’s old town dedicated to bakers.

13 | INTRODUCTION

INDUSTRIAL

Fig. 3: CITY SCAPE DURING THE INDUSTRIAL REVOLUTION IN EUROPE AND THE USA (GLASGOW 18TH CENTURY) MASTER THESIS | 14

INDUSTRIAL REVOLUTION

18TH TO 20TH CENTURY

INDUSTRIAL REVOLUTION

The industrial revolution was a period of time in the 18th and 19th century in which Europe and parts of America transformed from a predominantly rural population focussed on agriculture, to an urban, industrially focussed society. The process began in the late 1700s in the United Kingdom when a series of technological innovations, including the steam engine, triggered a paradigm shift, the remnants of which make our lives possible today.

With the onset of the industrial revolution came a period of unprecedented productivity resulting in chimneys springing up all over European cities.

People flooded into the urban centres, because there were jobs and the sometimes-ill-informed prospect of a better live. Housing and production were in close proximity to one another and pollution levels were high. Consequently, living conditions were often unspeakably bad and pollution was a major threat to health. In England, wealthy people acquired houses in the country and left the filthy city centres for greenery and fresh air elsewhere. City dwellers were not so lucky and conditions in places like London and Paris worsened over time, ending in social conflict.

In the industrial revolution, co-operation was replaced by collaboration in the system of division of labour. Each individual worker took part in mass production doing small, repetitive tasks maximising efficiency (A+E Network, 2019).

CIAM CIAM

In 1928 CIAM, the Congrés Internationaux d’Architecture Moderne (1928-1956), formed as an initiative to nurture a network of architects to work on shared goals and strategies. Prominent members are Le Corbusier and Walter Gropius among other notable figures.

After focussing on social housing for several years, the fourth congress culminated in a publication on “The Functional City” (1933), setting the foundation for modern urban design with the Athens Charter. It includes the functional and spatial segregation of housing, work, leisure and transport (ETH Zürich Archive, 2019).

The charter is a set of recommendations for improved living conditions, introducing living quarters free of disruption and advertising fluid traffic.

The charter went further, recommending spatial segregation of all of life’s segments: work, life and leisure. This ideology entered zoning laws and is practised to this day. There is limited mixing of uses in cites and work, life and leisure activities tend to have their own dedicated areas.

This 1930s approach offered a welcome alternative for poor living conditions endured by workers.

The movement gained momentum and cities started banishing industry to the periphery, consequently segregating live and work. The functional and spatial segregation of home and work caused a need for commutes putting a high demand on infrastructure and giving rise to the car (Allmeier, 2018).

15 | INTRODUCTION

POST INDUSTRIAL HISTORICAL BACKGROUND 1950s

1950s

With increasing labour productivity in the manufacturing sector, each worker had a growing output. Consequently, less workers were needed to achieve the same output as before. This caused systematic deindustrialisation. There was less work for people with low qualifications, causing a more divided society with more pronounced income inequality (Rowthorn, 1997) (Tomlinson, 2015).

Around this time, Jean Fouratié and Daniel Bell introduced their ideas for an economic model and predicted a service society in the future.

In their context, work in the city is not a uniform block, but rather a multifaceted spectrum of different tasks. The free market we cultivate in the current Western system of capitalism opens up different branches. In an economic sense there are five sectors:

•

Primary sector: agriculture, mining and other natural resource industries

•

Secondary sector: manufacturing, engineering and construction

• •

Tertiary sector: service industries

•

Quinary sector: high level decision makers in government and industry.

Quaternary sector: intellectual activities such as education and research

All the sectors are interwoven so that for example goods that are generated in industry and pro-

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cessing, are distributed through commerce.

An element that is often overlooked is logistics.

Our civilization depends on a largely hidden sector. It enables not only a seamless transit of goods around a globalised planet, but also the intense variety of different goods.

The remaining sector of work is the cultural sector, which is one of the reasons why people move to cities. Public amenities, cultural institutions, educational facilities, places to gather.

In their model, the primary, secondary and tertiary sector experience an upward shift over time.

In the beginning almost everyone was working in the primary sector, but with technological advances, employment will move towards the tertiary sector, because less workers are needed in the primary and secondary sector (Grimm, 2012).

POST INDUSTRIAL

HISTORICAL CONTEXT1970s TO TODAY

1970S

In the late 1970s, the new urbanism movement aimed at revitalising the inner city and put a stop to the spatial disconnection of life and work. The traditional European city became a role model with its often compact, mixed-use urban quarters and jobs in the city. It seemed desirable in creating communities with smaller carbon footprint and better accessibility and walkability in urban areas. The movement could not gain enough momentum (Busch, 2019).

The principles proposed by the new urbanism movement sound familiar today. Concepts such as, “walkability”, “mixed-use & diversity”, as well as “smart transport” and “sustainability” are terms we frequently hear in academia and popular architectural discourse (New Urbanism, 2019) (CNU, 2019). The debate is more current than ever.

1980S

In the 1980s, the New Urbanism movement became more influential and new neighbourhoods were built reminiscent of older fabric. Prominent figures like US preservation activist Jane Jacobs were active in inventing more traditional approaches fitting to the new time (Siegel, 2016).

1990 – TODAY

Fairly recently within the last 30 years, principles of outsourcing were utilized again. The concept of outsourcing is not a new concept but become a global phenomenon in the 1990s. Drastically growing in the early 2000s, the concept was reintroduced for the benefit of saving money in production (SCRC, 2006). Industrial production and manufacturing are outsourced to developing countries like China. Larger scale production and low wages provide significant savings to the producer and consumer (Eltschinger, 2007). As a consequence, the solid foundation for workers in Western countries is taken away and countless jobs are lost.

When looking at what the current debate holds for politics in urban development, Neoliberalism appears. Neoliberalism is a concept that is based on classical liberalism and adding in aspects of the theory of growth and Keynesianism. The aim is to limit government intervention and cultivate a competitive market (Sager, 2011). Planning is used as a minimalist form of spatial regulation to provide market certainty and facilitate economic growth (Wright, 2011). The state only intervenes to ensure market stability but is otherwise left to prosper by itself. A pleasant Laissez-faire approach trusting in the theory of evolution and natural selection (Darwin, 1859).

17 | INTRODUCTION

PROBLEMS ISSUES IN THE GLOBAL CONTEXT

INDUSTRY IN DECLINE

During and after the industrial revolution, industry was the employer with seemingly infinite jobs available. Today employment in industry is in decline, because of technological advances in digitalisation and automation. This phenomenon is particularly pronounced in Europe and North America, where on top of decreasing demand for workers, manufacturing is often outsourced to countries with lower wages.

Contrary in part to Fouratié’s model of the economic sectors, industry is vitally important for the economy as it is a necessary basis for services to thrive. Without the broad base of low qualification employment, the pyramid loses its foundation and potential for integration. Despite this, we are experiencing a shift towards a knowledge-based economy.

In the United States, in the 1990s much of the industry was outsourced to China and the US believed they had to abolish production in order to keep up with globalisation. In some way the United States have been misled in the way, that abolishing production has “destructive social consequences” as Nobel Prize winner Paul Krugman put it (Fitoussi, 2003). He sees the US at the brink of social collapse. Some European countries have been less dichotomous in their view of industry and globalisation. The development of more diverse economic landscapes enables less significant polarisation of income, than in cities with service-based economies.

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SPATIAL SEGREGATION

Starting as early as the industrial revolution, industry was seen as disruptive. Housing and production were consequently separated. This spatial segregation is problematic, because it puts a strain on transport infrastructure and social life.

Over time, segregation has entered zoning laws and industry was banished to the periphery.

Separation also inhibits one of industry’s most natural function of serving as the means of multilateral metabolism and exchange between city and nature. This means that raw materials are sourced in nature, processed in industry and passed on for consumption in the city. In a biological sense this is remarkably similar to specialised functioning cells.

Reintegrating or keeping industry adjacent to city centres strengthens our capability of innovation and maintains production competence.

Close proximity to workers, research facilities and consumers can be seen as beneficial. Central locations with good access to infrastructure makes these locations interesting to investors as well. Well-connected sites are likely to generate vibrant productive centres that increase in value over time.

“Manufacturing will not so much ,return’ then, as be reinvented“ is what Van Agtmael and Bakker suggested when talking about smart manufacturing. Focussing on logistics, commerce, energy and food production, they see potential for reintegration of industry into the city framework on multiple urban scales (Läpple, 2016).

PROBLEMS

ISSUES IN THE GLOBAL CONTEXT

GROWING POPULATIONS

With a high demand for affordable housing, local governments are experiencing an urgency to act. Densification in the city is a process that is welcomed by urbanists and economist, because theoretically, it provides a more diverse, sustainable structure.

Cities have a strategy of quantified supply, causing “express settlements” to be approved and monocultures to be allowed to form. Monocultures in this sense are settlements that have one primary function: housing, instead of mixed uses, with commercial-, production- and other spaces combined. New developments are often luxury residential towers in inner city locations, causing more segregation rather than releasing pressure.

The problem of monocultures used to be suburban with examples like dormitory cities and commuter cities, but now there are islands of housing in dense urban centres, that require a level of multi-use to function properly in the urban context. It is time for a more wholesome approach with integrated production and social programs.

Isolationism in a time of segregation is a form of self-driven fragmentation and could cause the fragmented society to come apart even more.

Providing housing alone does not fully address the trend of growing populations. Cities are starting to realize that in addition to affordable housing, people will need work places. Adequate job opportunities in different sectors need to be provided, as work is an important factor in the process of integration. Work provides people with an income, gives them identity, purpose and a platform to network. In the current context of increased immigration, Canadian migration expert Randall Hansen says: ,,Immigration works, where immigrants work.” A problem we face though is that cites tend to demand higher levels of qualifications, because not only is the pool of workers more abundant, but also the work done in a city at present is generally in the service sector.

The relative urgency to act inhibits innovation so that potential for introduction of affordable production spaces is often overlooked. Funding schemes subsidize only housing, while production spaces are marginalized and banished to the outskirts. It is a pure lack of understanding its significance for local communities (Europan 14, 2018).

LEGISLATION

Cities are starting to introduce more flexible legislation. Zoning laws intentionally segregate uses and thus create unsustainable monocultures.

This phenomenon is worsened by outdated funding systems that selectively support housing, but have limited funding for industrial- and commercial spaces. This preference cultivates a lack of functional diversity.

Increasing privatization and lack of urban common is another aspect of mislead urban strategies. In some cases, cities now lack the land to construct affordable housing projects. Land has been repurposed and sold off to developers, who now develop luxury housing in urban locations, again inhibiting functional diversity, but also affordable pricing.

After the Athens Charter was incorporated into legislation and spatial segregation of work and life continued, the system continued steering into the direction even with other, more innovative ideas being presented. Today we are stuck between Athens Charter and New Urbanism and have an urgency to act, in order to get ready for rising urban populations. A dichotomous approach of exclusive areas for one programme or one socio-economic group, or as literature calls them “All or nothing-models”, are henceforth unacceptable (Europan 14, 2018).

19 | INTRODUCTION

DANGERS MASTER THESIS | 20

DANGERS

POTENTIAL THREATS OF PROGRESS

GENTRIFICATION

Growing populations are a global phenomenon for which society has to find intelligent solutions.

Growing populations demand more housing and the current shortage has rents and property value skyrocket. A related topic here is the process of gentrification were centrally located areas that were formerly inhabited by lower income groups, often with artists and workers, are bought up and renovated by socio-economically stronger groups, who enjoy living in those often culturally rich neighbourhoods closer to the centre. There is a high demand for newly renovated, often historic houses in central locations. Once interest is sparked in an area adjacent property often rises in value too, forcing up rents and displacing people, who know no other home. At the end of the gentrification process, the culturally rich area is often destroyed by the invasion.

With any urban intervention the question arises of who benefits? A consequence of urban interventions is rising land value, causing the opposite of what was intended. It is difficult to avoid, as the gentry is likely to follow, when an area is made more attractive by strategic improvement.

DISPLACEMENT

The housing market is inflexible but has shown steady increases in demand. It is a known principle that a scarce resource increases in value, when the demand is high. This high demand causes increases in value for owners and rising rents for everyone else. In the past years, real estate prices in cites have drastically increased, because of continued migration to the city and the construction industry struggling to keep up with demand.

A societal problem we currently face in Germany is a shortage of trades people. A majority of high school students continues to go to university, rather than learning a trade. Tradesmen are becoming a scarce resource, which drives prices up. Construction is thus expensive, which increases rents and limits the market to allow only socio-economically strong groups.

A result of high rents and real estate prices in general, is displacement of people, who have lived in the city until then. Working class residents are forced away from central locations, because costs are too high. With working class people disappearing, another kind of monoculture – the

one of social classes – arises in the city. A social mix becomes impossible, because people with lower incomes are incapable of surviving in the costly city centres of today.

In the cosmopolitan city of today, society is less cohesive and increasingly fragmented. There is a larger diversity of ethnicity and educational background, paired with wage gaps and high unemployment in certain social groups. This mix of socio-economic disparity causes unstable ecosystems and can cause groups to feel isolated from the rest of the population.

MENTALITY

There are also issues with people’s mentality. The principles of the 1930s segregation of work, life and leisure have caused us to become intolerant towards contrast in the city. Production- and manufacturing processes have become less disruptive in noise and pollution than they have been, so that reintroduction to the city faces mental barriers more so than functional discrepancies (Europan 14, 2018).

21 | INTRODUCTION

OPPORTUNITIES POTENTIAL FOR CHANGE

ZONING

Loosening zoning restrictions can help avoid segregation. Cities have the option to declare urban zones (Urbane Gebiete). These are specified in §6a of the German Baunutzungsverordnung (BauNVO). In such an area, residential-, office-, retail-, gastronomy-, commercial uses, as well as culture and health functions can come together in one area. There are regulations on noise emissions, but it is relatively unregulated in general. In an urban zone, the quarter could become a more prosperous place, as oppose to mixed zones (Mischgebiete) where regulations specify equal parts of eg.: Housing and commercial spaces (BauNVO, 2017).

FUNDING

Instead of maintaining a funding strategy that was established after the German reunification, the focus could be opened up from qualified housing to include more diverse housing projects, as well as subsidies for production spaces.

Affordable production space is vital for the reintegration of manufacturing into the urban fabric, so funding schemes need to support its genesis.

A successful precedent is Weltgewerbehof in Hamburg that was constructed for the International Building Exhibition (IBA) in 2013.

STRATEGY

Local communities need to have the courage to make changes. Legislation can become outdated and is intended to change over time. Rigid structures have the potential to be reinvented into more dynamic management processes, generating the positive momentum for change.

Education could be broadened to let people gain specific qualifications targeted at their branch of employment. It could be an on-demand system with short courses teaching people basic skills in a particular field.

Another strategy might be diversification and reintegration of functions into monofunctional quarters.

SUSTAINABLE AFFORDABLE HOUSING

PEACEFUL COEXISTENCE

In the context of high demands for affordable housing, there is potential to make well-reflected decisions, instead of letting urgency inhibit innovation. Integrating production in new developments would allow jobs to return to the centre, reducing loads on transport infrastructure and strengthening local communities. There is a trend for densification in the cities and it can be done intelligently, implementing new typologies while and creating the framework for the city of the future. If done right, there is potential for people to thrive instead of just survive.

MASTER THESIS | 22

The primary opportunity is described by the concept of coexistence. Instead of spatial segregation, space for culture, work, micro-economies, education, energy + food production should be mixed all over the city.

Editor of the German architecture journal Bauwelt, Kaye Geipel, calls the current system the “Latte-Machiato-Concept“ (Geipel, 2016) in an editorial in the issue on the productive city. The concept is a metaphor describing the distinct separation of certain aspects of life, namely: work, life and leisure, like CIAM suggested.

Instead we could look at a more diversely mixed city resembling a salad. Each element is meant to

be recognisable as such in its appearance, texture and contribution to the whole. Dressed with just the right amount of public space and seasoned with greenery. A spectrum of ingredients complementing one another, forming a more exciting and delicious whole, than each individual part by itself. A mélange of sort; a synergy of flavours.

More importantly than any alteration in legislation is an awareness and acceptance for change among the population. The people themselves have to tolerate change and a paradigm shift towards a more diverse city. Right now, we share views that industry and production are perceived as disruptive to residential neighbourhoods, but this stigma is decades old. We have to bear a city of contrast. Only then will we have the ability to rethink the fabric of the city in order to make it more flexible and resilient to change.

BIOMIMICRY

Cities are remarkably similar to living organisms in their ability to produce and consume goods and distribute resources through its extents. Life is present in the city and follows patterns we recognised in nature before. A city is part of a larger ecosystem with interdependent parts and prosperous symbioses.

The term biomimicry was introduced by author Janine Benyus, who published a book with the same name in 1997. There is incredible potential for us to learn from nature as the mechanism had billions of years to develop.

One thing she mentions is of particular interest in the context of the productive city: Circular economies. There should be no such thing

OPPORTUNITIES POTENTIAL FOR CHANGE

as a by product. Everything should be used. In a co-working environment, this approach could allow the creation of a small ecosystem for every new idea is nourished by sharing resources with others and waste becomes unnecessary. In such an environment, resources are continuously upcycled, so that there is only the very least amount of waste possible. (Webb, 2014) (Benyus, 2002).

laboratories can be placed almost anywhere and coexist with the existing fabric without disruption.

Examples for this are fashion studios in New York, Biotech industries in Boston, or food production in Los Angeles (Läpple, 2016). Co-working spaces in general work under this umbrella and create highly flexible spaces, for work, production and interaction of the two.

innovative ideas of incorporating production in the city by extruding floor plans into tall sky scrapers. Stacking industry is a concept conceived almost 100 years ago (Aureli, 2018).

Last year we saw the principle of stacking production in the Europan 14, with juries praising the innovation in space savings, by stacking.

DECENTRALISATION

SAVING SPACE BY STACKING

The theoretical underpinning for current movements could be established, so that a more coordinated movement can congregate. Many individual architects are recognising the need for all of these potentials to be integrated in to their designs, however there is no overall movement or joint goal to work towards.

There are only a handful of publications on the productive city and they are based on predictions and observations by urbanists and economists.

Centralisation and decentralisation are opposing concepts applicable on many different scales. On a global scale, outsourcing is a form of centralisation, where many similar tasks are processed in centralised, specialised locations. On a more urban scale, separation of neighbourhoods is a form of centralisation of different functions.

Now the call is for decentralisation which is a strategic implementation of certain services such as local production directed towards the local need and meeting local demand. This makes production more sustainable, versatile and resilient, when dependency on materials, logistics and market are spread across the land. Other benefits are eradication of long-distance transportation, lifting the strain on transportation infrastructure and logistics. Production would be in closer proximity to workers, research facilities and consumers.

MAKER MOVEMENT + MAKERHOOD

The maker movement and the term “Makerhood” are a renaissance for the trades. The idea of bringing production into the neighbourhood and utilizing it as the factory. Small factories and

Great potential lies in the vertical extension of production spaces. We have efficiently maximized scarce space in cities by stacking apartments one on top of the other. The same with offices, as seen in subsequent office and residential towers. Until now, production was dependent on heavy machines and large linear production facilities. Large amounts of material were necessary to produce a lot of goods. External and internal logistics were also a vital aspect, which is why production spaces were not stacked so far. With technological advances and new production techniques, we can rethink production and utilise the vertical potential. Doing so would greatly increase the potential for production facilities to move closer to the city centre again. In addition, there are options to free up the ground floor and make it accessible for social infrastructure or retail functions.

The idea of stacked functions is also present in theoretical discourse presented by German Bauhaus Architect Ludwig Hilberseimer, who published his work from the 1920-60s. In his publications such as Großstadt (1927), he suggested

THEORY

DESIGN

Designers have great power in implementing all of these principles into their proposals. Other than the hybrid, combining housing and other activity in one building, the productive city is more so a concept for interlacing blocks of programme within the neighbourhood fabric. Each building should have maximum flexibility to allow for changes in the future, we cannot foresee today.

When change is implanted into a neighbourhood, there is potential for the positive momentum to splash over into adjacent quarters. The network can expand, and intelligent links can be formed (Europan 14, 2018).

23 | INTRODUCTION

IDEAL MASTER THESIS | 24

IDEAL

SUGGESTIONS AND RESPONSES

SUMMARY OF EVIDENCE

Based on the historical evidence provided and the emerging problems discussed, one possible solution for future development of cities was chosen for this master thesis: “The Productive City”.

PRODUCTIVE CITY

The productive city is a concept for future urban development that is in the process of being created. This thesis is based on a collection of publications, exhibitions, interviews, videos and other media, aiming at conceptualising what this productive city can be.

The productive city is a concept that encompasses the creation of a more diverse city of the future. In an effort to dissolve functional segregation we currently see in our cities; the productive city takes a step forward and rethinks industry

and its integration into the existing urban fabric.

The productive city is not a city of compromise, but a city of synergies. A place where diversity is beneficial, and elements complement one another.

Instead of thinking of mindless mixing of typologies and uses, the productive city is an attempt to find innovative approaches that systematically link elements that would otherwise be seen as contrary to the other.

The productive city is a city of short distances.

Spatial segregation instigates long commutes and puts a strain on the worker, the environment and the transportation network of the city. Allowing commutes to become shorter again, would enable higher efficiency and increased productivity.

The productive city is a healthy community. Social-, financial-and mental stability will result in happier, more satisfied people. Research has shown that people work more effectively when they are contempt, so that a stable environment will prove beneficial to the productive agenda (Preston, 2017).

GENERAL CONCEPT

The nature of housing and production seem disruptive for one another, but how can synergies between them be created that set the stage for beneficial interaction? Industry needs to be reinvented in a way that minimises disruption, finding compatible solutions for integration into the city fabric. Reintroducing production in the city is complex undertaking, starting with the mentality of people, but including also the state, industry, and investors.

The current global political climate is geared

towards economic growth as a strategy to enhance living conditions overall. Production and productivity are a vital element of this, as without production we are lacking the products for our consumerist society.

Growth happens in phases and with innovation come phases of intense economic activity. With introductions such as the steam engine, electricity, the internet or the smartphone, markets develop that have never before existed. Opportunities arise and people jump at the chance of becoming “rich”.

After a period of growth comes a phase reflection in which policy is being made. All the loopholes are closed that developed within the time of expansion. We currently find ourselves in a period of reflection, after we grew in number, demand and expanded as an economic system.

Productivity is measured with the formula of output divided by time. The concept thus includes elements not only of creation but also of time.

These elements are interesting to consider in a more abstract context in that it relates to our dependence on time as the ultimate currency in life.

The productive city has the potential to offer space for people occupy just what they need at any one time. Different specifications are broad forward by different groups of people, but “Helping people to help themselves” is an approach that encourages people to be their best.

In a world that is increasingly dependent on automated and digitalized, human beings can be supported in their natural quest to make things.

The movement is called maker movement and is a counter movement to the technologically superior smart city.

25 | INTRODUCTION

F

FOUNDATION

MASTER THESIS | 26

27 | FOUNDATION

COOPERATION HUMANS AND COOPERTATION - FOUNDATION

„The big city is the product of the capitalistic omnipotence, a symbol of its anonymity, an urban type whose social, economic and psychological characteristics give to its inhabitants the most radical social proximity, and greater isolation. Everything that is local and individual is overwhelmed by the city’s vertiginous and frantic development.”

Ludwig Hilberseimer

‚Architecture for Barbarians‘ (Aureli, 2018)

MASTER THESIS | 28

HUMANS AND COOPERATION

FOUNDATION

CITY AS RESULT OF CAPITALISM

HUMAN NEEDS

Human beings have the need for protection, physical space, light and aesthetics. Above it all they have a need for culture, manifesting itself in the buildings around and the spiritual connection we build to them (Lampel, 1910).

EVOLUTIONARY NECESSITY

Millennia of evolution have brought humans to the evolutionary factor of co-operation. It is human nature to survive. One being is dependent on the other in order to be become autonomous against the struggle outside.

“Individuals exist just because they are a network of co-operation reified by their cognitive, communicative, and affective capacities using language, intelligence and creativity.” ‚The Architecture of Co-operation.‘ (Borra, 2014)

Humans carry the instinct to sociability and a need for mutual aid, or the “social genius of man”, as Peter Kropotkin stated (Kropotkin, 2009). Since prehistoric times co-operation has enabled life and the development of human kind. Since the Neolithic revolution this sentiment is specifically pronounced and has culminated in the formation of the city as the natural consequence of modern production. The urban form is a consequence of co-operation (Borra, 2014).

Capitalism is regarded as the management of production. It is an abstract reality that describes a framework rather than a manifestation. It is the economic and social construct we live in. It is based on the concept that supply and demand will regulate production and consume on the free market. The main attributes are considered to be accumulation and the continuous pursuit of profit. In this widely adapted, yet controversial setup, masses of workers, who are impecunious, are economically depended on relatively few owners of capital (BPB, 2019) Some theorists, including Ludwig Hilberseimer argue that “cities are the natural consequence of modern industry” (Aureli, 2018) in that it is the most efficient setup to facilitate production. It is thus a result of capitalism and in its essence has to be productive. A city is the concentration of capital triggering scientific and technical innovation. Due to its international nature, a city is subject to globalising stimuli.

Influential Austrian architect and theorist, Otto Wagner, who was a contemporary of Hilberseimer, recognised that a city’s fundamental asset is not the building, but rather the dynamism of the traffic system, whose logic in return shapes the urban form (Aureli, 2018). This is in line with Hilberseimer’s approach of focussing on both the individual cell and the overall circulation, as the two extremes making up the project. Wagner continues to specify modern life as the origin of architecture (ORF, 2017), meaning that architecture has to find its truth in the Zeitgeist.

Seemingly unrelated and yet vital for successful

urban live is public space. In regard to Hausmann’s plan for Paris, Wagner comments on expenditure on public space and suggests that the deficit in the absence of buildings in public space, is made up by the appreciation of land value around it. Conceptually this is important to realise as public space is sometimes implanted into existing fabric with resulting gentrification and displacement of locals.

CO OPERATION

Humans have learned to work together as an evolutionary necessity in the fight for survival.

With more effective production of food came rising populations, resulting in a continuously rising demand for collaboration and cooperation to sustain the larger population.

Friedrich Engels proposed the concept of Division of Labour, making collaborative production even more effective and amplifying the increasing demand for efficiency and productivity (Borra, 2014).

Systematic organisation, collaboration and human interaction have an incredible creative and productive potential.

In order to fertilise this potential to later harness it, we have to create spaces that allow human beings to interact. Interaction creates interdisciplinary relationships and catalyses possible intersections. Letting people collide freely in space can form surprising unions, possibly transforming into synergies. There is beauty in the unexpected (Kropotkon, 2009).

29 | FOUNDATION

ECONOMIC PROBLEM FOUNDATION

“Man lives on nature - means that nature is his body, with which he must remain in continuous interchange if he is not to die. That man’s physical and spiritual life is linked to nature means simply that nature is linked to itself, for man is a part of nature. […] For labor, life activity, productive life is the life of the species. It is life-engendering life. The whole character of a species, its species- character, is contained in the character of its life activity; and free, conscious activity is man’s species-character. Life itself appears only as means to life. […] But an animal only produces what it immediately needs for itself or its young.

It produces one-sidedly, whilst man produces universally. It produces only under the dominion of immediate physical needs, whilst man produces even when he is free from physical need and only truly produces in freedom therefrom.”

Karl Marx, ‚Paris Manuscript‘‚ p.144 (1844)

MASTER THESIS | 30

ECONOMIC PROBLEM FOUNDATION

KEYNES

Notable economist John Maynard Keynes argues that humans have a fundamental problem, because human desire is limitless, while the resources to satisfy those desires are limited. This is a fundamental flaw and “the primary, most pressing problem of the human race […]” and calls it the economic problem. Keynes argues that our focus on work is the “single biggest obstacle to achieving an economic utopia”. His 1930 article “Economic Possibilities for our Grandchildren” suggests that by 2030, we will have become so productive through technological advances that we will have solved our economic problem.

While maintaining a high life standard, we would only have to work 15 hours a week, he says. The spare time would result in a “golden era of leisure”. He continues to write: “If the economic problem is solved, mankind will be deprived of its traditional purpose.”

In a society that is defined by work and economic growth, the prospect of fewer available jobs is potentially destructive. It frames the concept of the productive city as an attempt to elongate the

feasibility of our traditional purpose and shows how relevant the topic not only today, but in the face of the nature of human beings.

Keynes predicted that by 2030 we would have reached a level of automation, solving the economic problem and starting a “golden age of leisure”. He paints a picture of the “15-hour work week” with most of our days available as free time. Looking back, we have already surpassed Keynes’ greatest expectations with technological advances beyond anything he thought possible by 2030. Yet, our focus on work is unchanged.

This again emphasises the relevance of debates like the productive city, as it justifies our current social system of capitalism and resulting social structure.

In all probability, most of the Homo Sapiens’ existence has been dominated by 15-hour work week. Resources were abundant and there are a few autonomous hunter-gatherer tribes that still display these structures. These so-called “primitive” cultures had the already solved the economic problem Keynes saw in 1930. In Marshall Sahlins’ 1972 Book “Stone Age Economics” certain tribes are referred to as “original affluent society”. Confident in nature’s ability to provide sufficient supply of resources and food at all times, the tribe only gathered as much, as they required. This is similar to today’s urban population who have no food at home and scout out local restaurants when hungry. The tribe did not have to work hard at all and found “profound satisfaction” in their work. The free time was spent

pursuing the arts, socialising, relaxing our propagating culture and tradition, which sets a fascinating precedent for a future we might face soon enough.

In the Neolithic revolution about 12,500 years ago, change came when early people started agriculture. Agriculture was vastly more productive than hunting and gathering and populations grew quickly. With this larger population it suddenly become a necessity to do successful agriculture, in order to feed all those people. Agriculture is hard work and the work needed to be done continuously for extended periods of time to yield results and to ensure survival.

Today developed countries lead lives of unparalleled abundance. Comfortable homes and periodical replacement of consumable goods, not for the sake of survival, but pure pleasure of consumption. Our production- and agriculture techniques are enormously effective, producing twice as much food as we can eat.

We have come to a point where we reach the limit of growth, before starting to risk our future.

Increased productivity has a detrimental effect on climate change and biodiversity, which highlights the Keynes’ economic problem of limitless desire and limited resources in our context.

Perhaps if our working culture is an artefact from the Neolithic era, it is time to embrace modern technology and use it as an opportunity to rethink our relationship with work and “look forward to an age of leisure and abundance without dread”, as Keynes suggested (Suzman, 2017).

31 | FOUNDATION

VISION MASTER THESIS | 32

VISION

FOR A PRODUCTIVE CITY

VISION

The vision of the productive city is the attractive promise of a more diverse urban future. It is an attempt to reimagine how the city works and tries to right mistakes of the past, that have become apparent through decades of observation.

The productive city does not yet exist, and it is a complex undertaking to conceive what the productive city might be.

Many potential answers to the challenge, undermine our current societal system and touch on almost every aspect of life. Any alteration of the system could have unforeseeable implications and could quickly become a global phenomenon. Any introduction of change needs to be tested and meticulously monitored.

THE AIM OF THIS PROJECT IS NOT TO MAXIMISE ECONOMIC POTENTIAL BUT TO MOVE BEYOND THAT. IT SEEKS TO IMAGINE A NEW SOCIETAL STRUCTURE THAT FUNCTIONS AROUND THE EXCHANGE OF IDEAS AND THE PURSUIT OF KNOWLEDGE.

A MACHINE TO PRODUCE THE FUTURE

The project should be an incubator for collective ideas and a laboratory to develop the city of the future. Initialising change in a controlled environment, prototyping and monitoring it and making alterations in a closed feedback loop. Once a logical step is found, it can be published into the world.

The project should be a think tank to reinvent industry and manufacturing, making it compatible for urban life. A creative centre, attracting international experts and thinkers, providing space for collective brainpower and cross pollination of knowledge. New ways of thinking, products, production methods or technological branches, that have not yet been thought of.

This place should be the nucleus of evolution, thinking up what needs to be done for the productive city to emerge. Thoughts we need to have collectively, harvesting ideas and observing its growth.

The project should be a germinal centre, incubator and the sunny spot for ideas to grow. Providing perfect conditions for all phases of growth, before ultimately releasing spores to spread the ideas to the global context.

The machine that produces the future.

A SCAFFOLD FOR BRAINS

Firstly, for the project to achieve its purpose it needs to be highly flexible and adaptable, as no one can predict the future. Secondly, it needs to facilitate, catalyse and direct interaction.

Individuals need to be attracted, mixed with others to interact, allowed to form clusters and alliances and guided to find optimum conditions for growth.

Maximum flexibility could be achieved by creating a skeleton fitted with infrastructure (circulation, lavatories, storage, waste disposal, etc.), a simple, modular system with interconnectable pieces. Growth could spurt from the first unit to the second, to the third to however many are required to grow an idea.

Shared, thematically organised programmes (workshops, computer labs, educational facilities, warehouse, etc.) could cluster in favoured locations. Specialised facilities could be accessible to individuals, creating gradients of conditions. Any individual or group of people could find space (a unit) in any particular location that’s most suited to their task. If an idea requires a lot of woodwork and storage, finding a unit close to those facilities would be ideal. If an individual desires to live

close by for efficiency and observation, finding a unit adjacent to the production unit or studio should be possible.

This setup would enable a unique situation in terms of interaction, cross pollination of knowledge, but also efficient use of resources. Sharing workshops, tools, meeting rooms, kitchens would not only facilitate interaction, but save scarce resources and space.

CIRCULATION AS NETWORK

In an environment that lives off interaction and thrives on the creative potential of human connection, circulation has the potential to create situations in which people will inevitably collide in space.

As the project requires different kinds of movement: Attraction to the site, networking within, material exchange and vertical systems, investigations will take place to determine the ideal circulation systems. While each system is a network in its own right, linking nodes with paths, the intersection of multiple types of circulation in one node has the most promising potential.

BUILDING AS ICON

A project this complex and important needs not only a logical conceptual base but needs to be interesting. It needs to communicate its potential of unlimited creation and stand proud in the urban context. It needs to link itself to the existing urban fabric and draw people of all origins and interest into its realm. Bridging the gap of anonymity and breaking all physical barriers.

Anyone has the potential to change the world and this place must be known to achieve that.

Any building or series of buildings should be a positive anchor for the neighbourhood and understand itself as a small-scale future city.

33 | FOUNDATION

Fig. 4: TOM HOLBROOK, ARCHITECT, 5TH STUDIO LONDON + RMIT MASTER THESIS | 34

CONCLUSION FOUNDATION

IMPLANTING PRODUCTIVE USES

Architecture is a powerful tool to shape to world we live in. It is the mechanism to bend nature to the human will and create favourable conditions for civilisation to thrive in.

Architecture can help to address social issues by intelligent spatial arrangement, allocation of public space, as well as efficient and fair distribution of resources.

Architecture has the potential to bring people together by creating conditions in which humans connect. Humans collaboration has the potential to give rise to unexpected innovation when ambition and expertise begin to overlap. Social interaction is key in linking like-minded individuals. Mixing these groups with experts from other disciplines and allowing for cross pollination, can have surprising positive results.

The vision of the future this is built upon is to create a world that is more connected and habitable for any group, mainstream, minority or niche.

Everyone should be able to find their optimum conditions in a sea of different textures, rather than on isolated islands. Resources are limited, but there is potential to better share them and create synergies on many different layers.

This project places itself in a context of visionary ideas. The Europan competition for young designers asks thinkers to imagine the future and create projects that overcome unnecessary boundaries that exist today.

The title of “implanting productive uses� is one way of many to facilitate human interaction and is thus a fitting topic to further explore the boundaries of current value systems. Other than finding ultimate truths for global problems, Europan provides a platform for intellectual debate in an urban context. This can be used as a testing ground for a serious future project and is an ideal setup to test ideas and have them peer reviewed.

35 | FOUNDATION

S SITE

Fig. 5: TERRITORIAL TOPOGRAPHY MASTER THESIS | 36

37 | SITE ANALYSIS

EUROPAN INTERNATIONAL DESIGN COMPETITION

1. BARCELONA (ES) 2. BERGISCHE KOOPERATION (DE) 3. HELSINGBORG (SE) 4. PALMA (ES) 5. RAUFOSS (NO) 6. ROTTERDAM VISSERIJPLEIN (NL) 7. SAINT-OMER (FR) 8. TUUSULA (FI) 9. INNSBRUCK (AT) 10. OLIVA (ES) 11. PAYS DE DREUX (FR) 12. ROTTERDAM GROOT IJSSELMONDE (NL) 13. UDDEVALLA (SE) 14. VERBANIA (IT) 15. VISBY (SE) 16. WIEN (AT) 18. CASAR DE CÁCERES (ES) 19. FLOIRAC (FR) 20. HALMSTAD (SE) 21. ROMAINVILLE (FR) 22. ROTTERDAM BRAINPARK I (NL) 23. SELB (DE) BORÅS (SE) 24. CHAMPIGNY-SUR-MARNE (FR) 25. GUOVDAGEAIDNU (NO) 26. MARSEILLE (FR) 27. NIN (HR) 28. ROTTERDAM VIERHAVENSBLOK (NL) 29. TÄBY (SE) 30. WEIZ (AT) 31. HYVINKÄÄ (FI) 32. LA LOUVIÈRE (BE) 33. LASARTE-ORIA (ES) 34. MADRID - LA ARBOLEDA (ES) 35. ROTTERDAM KOP DAKPARK (NL) 36. RØDBERG (NO) 37. SANT CLIMENT DE LLOBREGAT (ES) 38. VILLACH (AT) 39. CHARLEROI (BE) 40. ENKÖPING (SE) 41. GRAZ (AT) 42. KARLOVAC (HR) 43. LATERZA (IT) 44. PORT-JÉRÔME-SUR-SEINE (FR) 45. ROCHEFORT OCÉAN (FR) 46. WARSZAWA (PL)

Fig. 6: EUROPAN SITES MAP MASTER THESIS | 38

EUROPAN

INTERNATIONAL DESIGN COMPETITION

INTRODUCTION

The Europan 15 competition is hosted in 46 cities in 14 European countries. Selecting a site is a challenge by just the sheer volume of opportunities. All sites are well researched and carefully chosen by the organiser. In the documentation, projects are presented in different families. In the contest of “implanting productive uses”, the sites in Vienna and Rotterdam seem to have the best potential for growing and interlinking with the existing fabric. The central location and long rectangular shape make the site in Vienna a pleasant challenge interwoven with an incredible potential to link new uses to existing infrastructure.

The site is placed on one of the main axes into the City of Vienna and is part of a district that is experiencing densification as the future strategy.

In this vibrant context of futuristic enthusiasm, implanting productive uses seems like a thrilling adventure.

WHAT DO I SEE?

I understand Europan as an idea competition for the city of the future. While it is important to know what other people have published on the topic before, the productive city is not yet a fixed concept. It is the designers’ task to propose a design and show Europan what the shared understanding of the productive city is.

SITE CHOICE

The 15th Europan Competition provided a selection of 46 sites all over Europe. After formal analysis and discussion, Vienna was selected due to its highly complex site conditions, relative proximity to Germany, but also several aspects of personal family history (Europan, 2019).

39 | FOUNDATION

MASTER THESIS | 40

EUROPE

ÖSTERREICH | AUSTRIA IN THE EUROPEAN CONTEXT

WIEN | VIENNA

CAPITAL OF AUSTRIA

500 KILOMETERS Fig. 7: EUROPE MAP WITH THE LOCATION OF AUSTRIA AND VIENNA 41 | SITE ANALYSIS

MASTER THESIS | 42

TERRITORIAL WIEN | VIENNA, THE FOREST AND RIVER DANUBE

INTERNATIONAL CENTRE UNITED NATIONAS OFFICES

WIENERWALD

DONAUKANAL

GENEROUS FORESTS AROUND THE CAPITAL

HISTORIC RIVER BRANCH

WIEN

OLD TOWN OF VIENNA

PRATER

EXPANSIVE MEADOW LANDSCAPE

SCHLOSS SCHÖNBRUNN 18TH CENTURY BAROQUE PALACE

HAUPTBAHNHOF CENTRAL STATION

EUROPAN 15 SITE ST MARX SITE WITH 9HA

ZENTRALFRIEDHOF CENTRAL CEMETARY

2 KILOMETERS Fig. 8: MAP OF VIENNA WITH EUROPAN SITE AND CONTEXT 43 | SITE ANALYSIS

WIEN

Fig. 9: KARLSKIRCHE IN VIENNA MASTER THESIS | 44

| VIENNA

KARLSKIRCHE

VIENNA

LOWER MANHATTAN, NEW YORK CITY

TOURIST MAP

SCHLOSS BELVEDERE

STEPHANSDOM

Fig. 11: CITY MAP OF VIENNA

POPULATION: DESITY: KOORDINATES

1.90 MILLION 4553 PEOPLE / KM 48° 12‘ N, 16° 22‘ O 2

VIENNA

STADTBAHN

HUNDERTWASSERHAUS

KARL-MARX-HOF

Fig. 10: NOTABLE BUILDINGS IN VIENNA

STAATSOPER

SCHLOSS SCHÖNBRUNN

Vienna is Austria’s largest city and capital. It has 1.9 million inhabitants making it the second largest German-speaking metropolis in the world, after Berlin. Vienna is located on the southern bank of river Danube (Donau) and is surrounded by the Viennese Forrest (Wiener Wald).

Vienna has been one of Europe’s culture capitals for centuries. The arts, music, theatre, diplomacy and cultural exchange have been flourishing here. Historically, Vienna has been the capital not only of Austria, but also of the Austria-Hungarian empire, which stretched over vast areas of today’s central and eastern Europe. This unique imperial tradition is still noticeable today in magnificent palaces and other glorious pieces of architecture standing as proud reminders of Vienna’s lasting significance.

As a wealthy, cosmopolitan city, Vienna attracts 10,000 new inhabitants very year. Many of them from surrounding countries but including intercontinental migrants as well.

Vienna has typical continental European climate with warm summers and cold winters (Wien, 2019).

45 | SITE ANALYSIS

PRODUCTIVE VIENNA •

Abb. 29 Hubs + Depots

FACTORY Differenzierte Nachfrage nach LogistikfläFACTORY chen – auch kleinteilige Flächen relevant Veränderung in Prozent 20,1 bis 30,7

(9)

10,1 bis 20,0 (19) 5,1 bis 10,0 (10) 0,0 bis -5,0 (15)

-5,0 bis -0,1 (17)

-10,0 bis -5,1 (26)

-20,0 bis -10,1 (25)

37 Logistikflächen und neue Logistikkonzepte FACTORY Abb. 29 Hubs + Depots • Differenzierte nach LogistikfläFACTORY nehmen insgesamt stark zu, Nachfrage weisen aber chen – auch kleinteilige Flächen relevant unterschiedliche Konfigurationen auf: GüterumFACTORY Abb. 29 Hubs + Depots • größeren Differenzierte Nachfrage nach LogistikfläFACTORY schlag in einzelnen Einheiten, speziLogistikflächen und neue Logistikkonzepte chen – auch kleinteilige Flächen relevant nehmen insgesamt stark zu, weisen aber alisierte Logistik-Dienstleistungen (kleinteilig, unterschiedliche Konfigurationen auf: GüterumLogistikflächen und neue Logistikkonzepte auch innerstädtisch) und Lagerflächen mit schlag nehmen in einzelnen größeren insgesamt stark Einheiten, zu, weisen speziaber geringem Anspruchsniveau (z.B. Nutzung von alisierteunterschiedliche Logistik-Dienstleistungen (kleinteilig, Konfigurationen auf: GüterumRestflächen). auch innerstädtisch) und größeren Lagerflächen mit spezischlag in einzelnen Einheiten, -26,1 bis -20,1

Rahmenbedingungen

(1)

Wald, Almen, Gewässer und Ödland

DEVELOPMENT CONCEPT - CITY OF VIENNA

Abb. 15 Veränderung der Erwerbspersonen 2013 bis 2030 nach NUTS III-Regionen (ÖROK-Prognose)

Bevölkerungswachstum in Wien Green Jobs

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DIE WERT5

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MASTER THESIS | 46

DIE WERTSCHÖPFUNG WIENS

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31 Nachhaltige Mobilitätslösungen

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Fig. 12: DIAGRAMS FROM VIENNA‘S DEVELOPMENT STRATEGY

1/3 D ER WE PROD RT UZI ER SC EN DE H R

R U NG KTO D SE PRO FU INDUSTRIENAH ER UKTIONSORIE PROD TIV ÖP ) TLEISTUN DIENS UK S (P OD VOINDUSTRIEL ERD R INDUSTRIENAHE U (SN PR SEKTOR) TO KTIONSORI

VIENNA IS BECOMING A METROPOLIS

WS ... WERTSCHÖPFUNG PS ... PRODUZIERENDER SEKTOR

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Nachhaltige Mobilitätslösungen wie BahnNachhaltige Mobilitätslösungen wie Bahn1/3 D ER anschluss für Güterund Personenverkehr, anschluss für Güterund Personenverkehr, WE RT SC H Anschluss das innerstädtische ÖV-Netz, Anschluss an dasaninnerstädtische ÖV-Netz, • Stärkung nachhaltiger Formen der Mobilität Abb. 1/3 D Fuß-Radwege, Shuttlebusse/Sharing-Modelle ER WE Fuß-Radwege, Shuttlebusse/Sharing-Modelle RT 6,7 SC zukünftig integrativer Bestandteil H 5 werdenwerden zukünftig integrativer Bestandteil der der Nachhaltige Mobilitätslösungen wie BahnStandortentwicklung für Produktionsstandorte DER 6,7 Standortentwicklung für Produktionsstandorte PRODUKTIVE DIE WERTSEKTOR SCHÖPFUNG im Stadtgebiet sein.

WIENS anschluss für Güter-5 und Personenverkehr, S DU IN

46

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PRODUCTIVE VIENNA

DEVELOPMENT CONCEPT - CITY OF VIENNA

CONCEPT: STEP 2025

With the productive city, Vienna is committed to supporting the development of vibrant industry. This includes the provision of suitable and sufficient areas for production as well as the increase of specific qualities for existing operating locations. In addition, the city is focusing on strengthening cross-border cooperation in the metropolitan region of Vienna in order to be able to provide the widest possible range of demand-oriented locations on an international scale.

Paradigm shift: Integrate instead of displace!

Vienna wants to seize this potential with the professional concept of a productive city and make explicit use of it to strengthen Vienna as a business location (Wien, ‘Step 2025’, 2019).

47 | SITE ANALYSIS

ST MARX

Fig. 13: EUROPAN SITE SANKT MARX MASTER THESIS | 48

| EUROPAN SITE

BRIEF

EUROPAN 15 - VIENNA

THE SITE

SCALES: L/S - urban + architecture / architecture + context TEAM REPRESENTATIVE: architect / urbanist / landscaper SITE FAMILY: IMPLANTING - Productive uses LOCATION: New Marx, Vienna, Austria POPULATION: 1,867,000 inhabitants STRATEGIC SITE: 9 ha PROJECT SITE: 1.2 ha ACTORS INVOLVED: City of Vienna, WSE, Austrian Railway Company OWNERS: WSE, Austrian Railway Company, Private Ownership AFTER COMPETITION: Post Involvement in further implementation procedure

HOW CAN THE SITE CONTRIBUTE TO THE PRODUCTIVE CITY?

Vienna’s concept for the productive city emphasises the value of the manufacturing sector and secures it as a key pillar of sustainable urban development. Embedded in this progressive framework the E15 site builds a mosaic within the larger zone of an ambitious transformation for a mixed-use-area of production and housing. A rather small plot of land, excellently accessible, it shall function as the ultimate experiment for mixing. Different interests need to be orchestrated and resilient synergies found. The site’s position within a traffic hub, its undulating topography, small size and wild nature will pose an extremely exciting and challenging task. The parameters for a mixed industrial site are set here. Amaze and inspire with a visionary pilot scheme for many to imitate.

CITY STRATEGY

Facing rapid population growth Vienna has developed an ambitious plan to preserve, support and promote productive working places in the city. A new category ensuring a 50:50 mix of housing and production has been implement-

ed in Vienna’s zoning plan, spanning the whole area of New Marx. The challenging brief is to pursue a resilient concept for an urban quarter with innovative typologies using this mix. At present there is a wide range of production from research, media and creative industries to trade and commerce plus new housing developments have been built or are underway making the site a great springboard for enhancing neighbouring potentials.

Europan shall develop a cleverly thought-out network of synergies and smart solutions for a new togetherness.

SITE DEFINITION

New Marx is located on a central urban and geopolitical axis, between the historic city centre and Vienna’s International Airport. The core profile of the larger site is its commercial use for science and technology as well as media and cultural industries. Together with all these companies situated in the area the E15 site has ideal conditions to introduce a ground-breaking example mixing new residential typologies with innovative pro-

duction facilities. The setting is unique - like an island it is framed by buzzing multi lane streets, trams and bus lines with a new city rail station on one corner. Access is therefore excellent. Although surrounded by hustle and bustle, upon entering ‘the island’ its topography with its green wilderness grounds the site.

HOW IS PRODUCTION CONSIDERED IN THE URBAN DIVERSITY PROGRAM ?

One third of Vienna’s value-added features can be attributed to the manufacturing sector. The city has already identified commercial mixed areas as the ideal future for their productive metropolis in the heart of Europe. The E15 site is an intriguing part of a bigger scheme geared towards this essential goal. Therefore, an expansion across the entire range of forms of living, working and producing is absolutely necessary.

This expansion, which should make use of all manner of synergies and urban interventions, will shape and nurture a resilient community and must continue to work for future generations. At first glance the site’s dichotomy with the juxtaposition of heavy traffic and green spaces and its programmatic mixing of residential and production areas seem to be incompatible.

Find a thorough, comprehensive approach to deal with noise, densities, levels, position of volumes and front and rear elevations in order to come up with a fascinating new conglomeration where all the different uses find new proximities.

Nothing less is asked for than a stimulating and promising project that can succeed in transforming our cities (Europan, 2019).

49 | SITE ANALYSIS

BIOCENTER

RESEARCH FACILITY 1300 STUDENTS + SCIENTISTS

EUROGATE

NEW HOUSING DEVELOPMENT 4000 INHABITANTS

ARENA

E15 Site Info (Portfolio) FUTURE EVENT SPACE

OSTTANGENTE

BUSIEST ROAD IN AUSTRIA

T-CENTER

WILDGANSHOF

OFFICE BUILDING BY GÜNTER DOMENIG

SOCIAL HOUSING

TECHNICAL SCHOOL

CAMILLO SITTE BAUTECHNIKUM

ARSENAL

FORMER MILITARY COMPLEX

MARXER FRIEDHOF

16-19TH CENTURY CEMERETY MOZART‘S GRAVE

HYBLER PARK

LARGE PARK IN SIMMERING

100 METERS Fig. 14: EUROPAN SITE SANKT MARX MASTER THESIS | 50

CONTEXT EUROPAN 15 - VIENNA

CONTEXT

The site is situated in the flourishing quarter of Sankt Marx. It has historic significance with a former hospital, St. Marx chapel, city defences, transportation canals, the city‘s largest slaughterhouse and former rail tracks. After the slaughter house closed in the late 1990s, the area is receiving extensive revitalisation measures.

BIOCENTER SANKT MARX

This research facility is an educational institution focussed on scientific research in biology and allied fields. Today 1300 students and an additional 1300 scientists use the centre.

T-CENTER

The office building by Günter Domenig is an architectural icon, anchoring the district on the outskirts of the city centre. The architecture is elevated off the ground, allowing for multiple pedestrian passages across the large site.

Originally housing several Telekom businesses, the building now has about 14000m2 of empty office space. The building could be integrated into the overall concept of the Europan competition.

OSTTANGENTE

Eurogate is a large-scale urban development for with new residences for 4000 inhabitants. The first phase Eurogate I is already built, and preparations are taking place now to start phase two.

The ground floor area is designed to be a mixeduse pedestal that is primarily for commercial purposes. St Marx train station connects the site and a plaza with a tunnel.

The highway A23, referred to as „Osttangente“ passes Vienna on the South-East, crossing the river and merging into different highways North and South of the city. It is the busiest road in Austria and has significant noise pollution.

In Sankt Marx the highway is elevated about 16m off the ground, bridge the urban fabric below, while having detrimental effects on the quality of space. It awkwardly crosses the historic cemetery that notable musician and composer W.A. Mozart is buried at.

WILDGANSHOF

CAMILLO SITTE BAUTECHNIKUM

EUROGATE

This affordable housing project was built from 1931-33 and was named after famous Austrian poet Anton Wildgans. It was one of the later projects of „Rotes Wien“, a period of social democratic superiority in the Viennese government.

From 1918-1934 numerous social housing projects („Gemeindebauten“) were realised, some of which, like Karl-Marx-Hof are internationally renowned.

Austria has a school system that allows for specialised schools, for example in the technical branch. From the age of 14-21, students attend this school to receive a normal high school education, with specialised courses in technical studies. After finishing at such a school, students not only graduate with a Matura, but also technical qualification preparing for an architectural education or technical drawing jobs.

51 | SITE ANALYSIS

MASTER THESIS | 52

HISTORY RELEVANT MILESTONES OF SANKT MARX

FORMER CITY DEFENCES

HOSPITAL FOR THE POOR

BREWERY

HOSPITAL FO THE POOR

HOSPITAL FOR THE POOR

OUTER CITY DEFENCES

ABATTOIR

VASTLY EXTENDED

MARXER LINIE

ru ac

ht

ha

NEUSTÄDTER KANAL

ng

DECOMMISSIONED

te

MARXER LINIE

SPITAL SANKT MARX

ei

l

w

na

Er

Ka

us

ter

x

äd

ar

ust

.M

Ne

REPLACING CANAL

St

er

TRAIN TRACKS

er ei

en

THE HISTORY OF SANKT MARX

SLAUGHTER HOUSE

Br au

Wi

Fig. 15: HISTORIC IMAGES SANKT MARX

ABATTOIR

Bü Ve rg rs er or sp gu ita ng l un sh d au s

A Ka rtill se er rn ie e

BARRACKS

A Ka rtill se er rn ie e

ARTILLERY

CANAL FOR TRANSPORT

Sc

hl

1853

TRANSPORT LINK TO VIENNA

MARXER FRIEDHOF

1887

MARXER FRIEDHOF

16-19TH CENTURY CEMETERY

CLOSED

Changes

Kanal

Changes

Cemetery

Existing

Cemetery

Park

Wall

1853

1887 100m |

200m |

300m |

100m |

200m |

300m |

Fig. 16: DIAGRAMS OF HISTORIC SITUATION

1853

The artillery barracks and the hospital for the poor are still active. The defensive wall is widely intact and is only punctured by a transport canal.

The slaughter house has reached a significant size but remains within the limits of the wall.

13th century Sankt Markus Chapel, Lazarus order

Infirmary of people sick of the plague

Intersection of Rennweg and Main road 14-20th century brewery Sankt Marx 1704 Defensive „Linienwall“ build

Leopold I. to protect against the Turkish

Tariff border 1791 Mozart buried on Sankt Marxer Friedhof 1785-1861 Hospital for the poor 1803 Opening of Wiener-Neustädter Canal 1846 - 1997 Slaughter house + market 1850 3. Wiener Gemeindebezirk, Landstraße 1861 Extension of brewery Sankt Marx

Demolished after damages in WWI 1950er Construction of Maderspergerhof

Social housing („Gemeindebau“)

1887

Thirty years later, the hospital is taken over by a brewery with an international reputation. The canal is replaced by a train track, the wall is decommissioned and the slaughter house is vastly extended beyond the wall. The cemetery is closed.

53 | SITE ANALYSIS

SITE VISIT

IMPRESSIONS OF SANKT MARX

BIOCENTER

WILDGANSHOF

RESEARCH FACILITY 1300 STUDENTS + SCIENTISTS

SOCIAL HOUSING

THE PLATEAU ON SITE WILDGANSHOF SOCIAL HOUSING

PARKING LOT ADJACENT T-CENTER

OFFICE BUILDING BY GÃœNTER DOMENIG

ROAD CROSSING THE SITE

Fig. 17: SITE VISIT PHOTOGRAPHS MASTER THESIS | 54

EUROGATE

NEW HOUSING DEVELOPMENT 4000 INHABITANTS

EUROGATE

NEW HOUSING DEVELOPMENT 4000 INHABITANTS

SITE VISIT

IMPRESSIONS OF SANKT MARX

EUROGATE

NEW HOUSING DEVELOPMENT 4000 INHABITANTS

TRAIN STATION

BIOCENTER SANKT MARX

T-CENTER

OFFICE BUILDING BY GÜNTER DOMENIG

CROSSING NORTH WEST

MARXER FRIEDHOF

16-19TH CENTURY CEMERETY MOZART‘S GRAVE

PARK ADJACENT TO CEMETERY

WILDGANSHOF SOCIAL HOUSING

INSIDE WILDGANSHOF 55 | SITE ANALYSIS

SITE VISIT

SURROUDINGS

EUROPAN 15 SITE ST MARX

LANDSTRASSER HAUPTSTRASSE

EUROGATE

NEW HOUSING DEVELOPMENT 4000 INHABITANTS

SITE OF FUTURE EUROGATE II

Fig. 18: SITE VISIT PHOTOGRAPHS MASTER THESIS | 56

INFORMATION

IMPORTANT INFORMATION PROVIDED BY EUROPAN DURING THE SITE VISIT

WHO ARE STAKEHOLDERS? WSE - Development Company ÖBB - Austrian national railway IMMOWelt - part owner Europan Austria

WHO DEFINES THE PRODUCTIVE CITY?

The productive city is a concept difficult to grasp.

It is deeply interwoven with several layers of society and touches on topics like capitalism, but also gentrification, efficiency and our tendency to define ourselves through work.

The City of Vienna has published development plans with the aim to plant production back into the city fabric. There are dedicated areas („Gewerbliche Mischgebiete“) covering approximately 5% of the city area or about 300ha. The main premiss here will be: Not just consuming, but also producing with the integration of housing to a 50/50 ratio.

Today 300,000 people work in production making up a third of Vienna‘s economic performance.

The reintegration of more production could have beneficial results for employment and social integration of immigrants.

Production is categorised into manufacturing, energy + sustainability, logistics and traditional trades.

Specific attention should be given to the intersection of production with research, services or cultural functions on disused urban sites.

It is all about mixing of previously contrasted elements: Working and living combined as well as old and new developments.

LINKING WHOM?

The project brief mentions the necessity for links repeatedly. The station and public transportation infrastructure should best be linked to employers (eg.: T-Center) services, people, amenities and surrounding neighbourhoods (eg.: Wildganshof, Eurogate, Simmering).

A relevant addition will be the new event arena for 20,000 guests needing access to the station by 2024. The new building will accompany the existing Marx Halle, another event space.

PROJECT SITE + STRATEGIC SITE

The project site is the wilderness immediately surrounding the Southern exit of the station: Biocenter / Sankt Marx. The competition expects a dense development on the project area.

3.5 x the surface area = 66.000m2 with a maximum height of 35meters.

For the strategic site the level of detail is required to be diagrammatic. Declaring use and strategic links. What elements are required to make it work?

WHAT IS IMPORTANT?

For the purpose of linking, there is a series of ramps and stairs being frequently used. One ramp is located North of the T-Center and is bridging elevations of several meters.

Large parts (about 14,000m2) of the office complex T-Center are currently disused and could be integrated into the project possible.

The site is a turning point in the city fabric. It is the corner of Sankt Marx and Simmering, two neighbouring districts of Vienna.

The ability of bridging (Brückenfunktion) between segregated areas is supposed to be immediately recognisable in the architecture. Linking all existing neighbourhoods has a high potential for mixed uses.

The declaration of 50/50 commercial and housing is a guideline not to be exceeded. It is not a fixed rate, but commercial and production must prevail. In this category hotels and dorms, etc. are considered housing.

The tunnel underneath the site is run by ÖBB and is not constructed to carry any significant loads.

Currently there is a parking lot, but a building will not by supported.

The tunnel only covers about one third of the site and the remaining railway tracks are exposed in a trench. While the tunnel may not be built upon, the airspace above the tracks is available for non-invasive overhangs, after additional approval.

57 | SITE ANALYSIS

SITE ANALYSIS TERRITORIAL SCALE

2 KILOMETERS Fig. 19: SITE ANALYSIS

TERRITORY

The site is located south west of the historic centre of Vienna, that today forms the inner city. On the map, the inner city is in the top left corner surrounded by the ring road (Ringstraße) indicating the former presence of the city wall. The city defences were vital in the protection of the city and stretched across the project site in the form of the „Wiener Linien Wall“. Vienna is located on the river Danube (Donau) visible in the top right corner and the meandering „Donaukanal“. The site is in relative proximity to these waters, however, does not have a noticeable relationship to them.

The Austrian capital is a green city. It has many parks and vast meadow lands along the river.

MASTER THESIS | 58

USES

Vienna is a diverse city with a large spectrum of uses. Amenities are generally well distributed with centralisation occurring in several areas, such as the inner city. This map indicates some of these centres, however focussing on production in the context of the productive city.

It becomes apparent in this drawing, that there is existing productive and commercial fabric located adjacent to the city.

PUBLIC TRANSPORTATION

The Stadtbahn was one of the first comprehensive public transportation networks in any city in he world. First opened in 1898, it was designed by the visionary architect and urban planner Otto Wagner and is still in use today.

The public transportation network was vastly extended with services running as frequently as every 5 minutes. The underground network is complemented by suburban trains, trams and buses.

The cost of public transportation is relatively affordable (Single fare: 2,4€; Weekly pass 17,10€).

The site is located in an area of abundant access to public transportation. Several trams, buses and the S7 Airport express all stop in immediate proximity to the site.

SITE ANALYSIS

GEOGRAPHY

100m |

200m |

300m |

100m |

200m |

300m |

Fig. 20: SITE ANALYSIS

FIGURE GROUND

The figure ground presents the urban fabric in a simplified way. It is immediately recognisable, where buildings are located and where there is open space. While not marked, one is able to read road connections and larger expanses such as parks.

The site is located in mixed context, with large office buildings and institutions on one side and larger scale social housing (Gemeindebauten) on the other. The large empty space to the South is a historic cemetery.

Future developments are indicated in a slightly lighter shade of grey. To the West is „Eurogate“, a residential development for 4,000 inhabitants and to the North an event arena for 20,000 visitors.

TOPOGRAPHY

Contrary to popular belief, Vienna is not in mountainous terrain, but in a relatively flat region South of the Alps.

The site is dominated by a historic hill that was built as the foundation for a railway bridge, linking to a former train station. Today the plateau remains at a height of 5 meters.

The site, with its vast stretches has some variation in the terrain but can almost be considered flat for the purpose of the design.

A railway belt was built on site in the location of a former canal. The railway tracks decline in height from the Southern end of the site and become a tunnel towards the Northern part. The tracks form an impenetrable boundary.

POROSITY

Given the fragmented and various urban fabric around the site, this map highlights the porosity of the context. Lighter shades are more accessible to pedestrian, while darker shades show impermeable boundaries, such as the highway or large buildings with vast footprints.

59 | SITE ANALYSIS

SITE ANALYSIS ASSEMBLY

Production

Education

Existing

Commerce

Activity

Future

Retail

Public

Public

Use

100m |

200m |

Close

Close

Work

Housing

Far

Far

Proximity 100m |

300m |

200m |

Existing Future Public 300m |

Fig. 21: SITE ANALYSIS

USES

A cornucopia of uses is located in the relative proximity to the site. Orange fills indicate more production based and commercially oriented uses, while blue indicates cultural uses, such as educational and public functions. The site is served well by a multitude of uses and has the potential to better interlink the existing fabric.

MASTER THESIS | 60

NEIGHBOURHOODS

The neighbourhoods surrounding the site are within the context of the Viennese districts of Sankt Marx and Simmering. There is no evidence that individual floes (“Schollen�) have particular names, but individual buildings or building complexes do.

The colours differentiate commercial and residential clusters and highlight the intensity of their relationship to the projects site in their colour. Faded colours are less significant in the framework of the competition

SITE ANALYSIS

CIRCULATION AND PATHS

Highway

Park

Tram

Main Road

Buildings

Pedestrian

Side Road

Transit Stop

Circulation 100m |

200m |

Bike Path

Nodes

Pedestrian

Tram

Buildings

Bus

Paths

300m |

100m |

200m |

Crossing More Frequent

Less

Frequent

300m |

100m |

200m |

300m |

Fig. 22: SITE ANALYSIS

CIRCULATION

The site is extremely well connected in the urban context of Vienna. It has multiple public transportation links, including two trams lines, buses and an underground train connecting the centre with the airport.

The highway is elevated above the site with several entry and exit ramps.

Rennweg and LandstraĂ&#x;er HauptstraĂ&#x;e are two highly frequented automobile routes going EastWest and North-South.

Pedestrians have easily accessible paths with ramps stretching the differences in elevation.

A bike path connecting the city with the suburbs crosses the site longitudinally and provides potential to harness existing pedestrian flows.

PATHS

This diagram highlights the different paths people will take when accessing the site from different adjacent neighbourhoods. It becomes visible that while the bike path is a prominent element of the circulation on site, it does not provide any opportunity to meander. It is a linear connector with no activity along it.

The frequency of usage is indicated in the line weight. Heavier lines are more frequently used.

ENTRANCES

This diagram is based on the path diagram in that is investigates where people are and where they might go. Entrances are sources and destinations and pedestrian flow, as we always routinely come from a residence, move through the urban landscape and return to a residence. Gaining an understanding of where these entrances are and how many there are can give insights about distributions of people. Many entrances have a decentralised spread-out network, while singular entrances, cause people to funnel through centralised hubs, forcing interaction and positively manipulating behaviour.

61 | SITE ANALYSIS

3D ANALYSIS TOP VIEW

T-CENTER

OFFICE BUILDING BY GÜNTER DOMENIG

EUROGATE

NEW HOUSING DEVELOPMENT 4000 INHABITANTS

WILDGANSHOF SOCIAL HOUSING

WILDGANSHOF SOCIAL HOUSING

EUROPAN 15 SITE

Fig. 24: 3D ANALYSIS | LOOKING SOUTH

ST MARX

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MARXER FRIEDHOF

16-19TH CENTURY CEMERETY MOZART‘S GRAVE

100 METERS Fig. 23: 3D ANALYSIS | TOP VIEW MASTER THESIS | 62

3D ANALYSIS

The three-dimensional analysis reveals details about spatial quality, height and proximity. Shadows indicate the differences in height, as do the perspectives.

The model holds detailed information on the building shape and facade openings. Series of windows, floor placement and roof shapes.

Based on free sources such as the Open Street Map Organisation and verified during site visits, these 3D models were constructed by hand in CAD software. They are intended to portray an atmosphere to an audience who has not personally visited the site and leave room for artistic interpretation.

3D ANALYSIS

PERSPECTIVE VIEW

EUROGATE

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Fig. 25: 3D ANALYSIS | LOOKING NORTH 63 | SITE ANALYSIS

ASSETS

200 METERS Fig. 26: ASSET DIAGRAMS

WILDERNESS

The most remarkable asset of the site is the wild plateau on the Northern end. The wilderness is elevated about 5 meters off the street level and has an incredible biodiversity, as well as a population of mature trees. The space feels secluded and elevated from the dense urban fabric. A freeing atmosphere in an otherwise noisy metropolitan environment.

MASTER THESIS | 64

WELL CONNECTED

The site is extremely well connected in the urban context of Vienna. It has multiple public transportation links, including two trams lines, buses and an underground train connecting the centre with the airport.

VASTNESS

The site is vast. With its 9ha it has unique potential for an urban intervention. Its extents are close to 600m North-South and 60m East-West, making it ideal for a linear proposition and architecture base on a sequence of spaces.

CHALLENGES

200 METERS Fig. 27: CHALLENGES DIAGRAMS

NOISE

One of the challenges is the elevated noise pollution caused by roads, the highway and the railway. The noise level makes the area uncomfortable and gives at a tense atmosphere. Any architecture would require careful consideration in order to create comfortable, human scale spaces that invite human interaction. An introverted or elevated public interior could be possible solution.

BARRIERS

The elevated highway and railway track underneath form noticeable barriers in the urban fabric. Though the highway does allow circulation underneath, it is a visual and auditive boundary.

The train tracks are a dangerous, impenetrable physical barrier that cuts of circulation from certain areas.

TERRAIN

The terrain is relatively level but rises laterally towards the train tracks. Rennweg is lower and the topography rises towards the tracks in the West.

On the Northern end of the building elevation rises to 5m above street level forming a plateau detaching itself from the urban fabric. The plateau is a decently sized space for an urban park but has steep walls that need to be overcome.

65 | SITE ANALYSIS

P

PRECEDENTS

MASTER THESIS | 66

67 | PRECEDENTS

PRECEDENT E14 VIENNA LIESING

INITIAL ANALYSIS

Fig. 28: EUROPAN 14 SITE | VIENNA LIESING

Fig. 29: WINNER | 3L‘S FOR LIESING

Fig. 30: RUNNER-UP | POTENT-IAL

EUROPAN 14 PRECEDENTS

INFO:

INFO:

After analysing the theoretical underpinning of the productive city in the context of the Europan competition it appears questionable, whether theory is the right way to approach the competition.

Looking instead at the past projects, the variety and diversity is what makes it compelling. There is a vast spectrum of different ideas, and there are common principles present, however the approach is unique to each design.

MASTER THESIS | 68

This project is remarkable in its simplicity and clarity of concept. The L of Liesing is interpreted in three different ways: sustainable L: green + social, spectacular L: production + logistics and the flexible L - Lofts. It is used as a laboratory to test the implementation of Industry 4.0, allowing inactive life parallel to productive life.

JURY:

The jury praises the high degree of flexibility, the projects capability of being a branding anchor and the vertical orientation of production in the space.

This project scored highly, because it increases Liesing‘s financial appeal for developers and integrates stakeholders to form synergies with users. It increases density and diversity of uses and infrastructure such as loading dock and recycling plants are shared to save resources.

JURY:

The jury emphasises the potential synergies between different programmatic elements. The impact of the project will extend beyond the site boundaries. It efficiently distributes resources.

PRECEDENT E14

AMSTERDAM PAPAVERDRIEHOEK

Fig. 31: AMSTERDAM_PAPAVERDRIEHOEK

Strategic Site: 4.82ha Project Site: 0.15ha Fig. 32: WINNER | MAKERS NEIGHBOURHOOD

Fig. 33: RUNNER-UP | COLIVING

EUROPAN

INFO:

INFO:

These projects show what the previous generation of Europan has done to bring the productive city to life. The collective memory of all of these is the first step in conceptualising the E15 proposal. In many ways an analysis of the collective effort of like-minded people - here the E14 results - is a perfect representation of what this proposal for the productive city is becoming.

JURY:

Europan is known for its acceptance of innovative ideas and invites young designers to partake in an idea competition. It is all about the idea and urban quality of space.

This project is based on four core principles: density gradient, strong axes and flexible fabric structure, water access and view lines and production and collective spaces.

Public space is used to ‚glue‘ work and life together. Collective hubs extend out into the public realm as an extension of the interior.

The jury highlights the strong urban strategy and the system of spaces functioning as public space.

It is oriented towards the sun and stacks housing and productive spaces.

The concept emphasises the edge and clearly defines it. Voids are utilised as extensions of the collective domain. Activities are highly differentiated and fertile meeting points are being created. Uses and typologies are mixed in three dimensions.

JURY:

The jury praises the strong seductive architectural image and opportunity for further development.

Development is possible in phases introverted public space adds to the buildings’ quality.

69 | PRECEDENTS

ANALYSIS MASTER THESIS | 70

PRECEDENT E14

EVALUATION

ANALYSIS OF E14 PRECEDENTS

Analysis of past projects gives insights into what professionals agree the productive city could be.

Especially informative is last year’s E14 Europan Competition, held on the topic of “The Productive City” as well. There is an inspiring variety among successful projects, as well as visible themes all projects have in common.

In general, efficient use of space with compatible integration of production in the city, paired with efficient circulation seems to be the ultimate aim.

We often read terms like diversity, integration, efficiency, that can have multifaceted manifestations.

Almost all projects are compelling because of their often subtle and other times bold integration of production into the existing urban fabric of the host city. The projects sometimes have an abstract, theoretical origin, but are always realistic. Interestingly projects that pursue a traditional approach to urban design, with expansive public space and the thoughtful arrangement of volumes within in it, are often the most successful.

Strong urban strategies are favoured, when integration of production is secondary.

EUROPAN 14 – WHAT DID WE LEARN?

In last year's Europan competition, the focus was on four different topics including the transformation of former industrial areas or functional infrastructure the productive city and the re-introduction of productive uses into a formerly productive fabric.

A range of successful designs for each city were published to spark debate on the topic and allow initial findings to evolve. For the purpose of gaining a deeper understanding of possible con-

cepts for the productive city, a range of winning schemes was selected for analysis. The primary focus here was on establishing a basic rulebook for the productive city and uncover common attributes all entries share. There had to be a common idea, that sits comfortably among professionals and can thus from the theoretical basis for the E15.

Apart from the strikingly apparent need for beautiful graphic representation, with obvious need for precision, and simplicity in the assemblage of the panels, a clear brand seems to promote success. When concepts are properly portrayed in diagrams and surprisingly little text, ideas tend to come across even without reading lengthy descriptions. The panels are often incredibly professionally done, which makes it more pleasing and interesting to investigate more. Often, winning entries have very strong brands, magnificent graphic representation and a fairly OK concept with innovation to spice it up the mix.

WHAT MAKES PROJECTS SUCCESSFUL?

It seems that traditional urban design principles of public space, providing identity and implementing a sense of ownership, adequately circulation and green space are principles to make projects successful.

There is often an element of innovation and a new interrelated relationship between living and working. Coexistence of living, commerce and industry in strengthened.

All successful projects have compelling graphics, memorable title, clear concepts, adequate detail and a charming narrative.

71 | PRECEDENTS

PRECEDENTS LITERATURE

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Fig. 34: HUCKEBACKBAHNHOF, HAMBURG

Fig. 35: ASPERN SEESTADT, VIENNA

Fig. 36: FIRM WITTENSTEIN, FELLBACH

Location: Hamburg, Rothenburgsort Owner: HafenCity GmbH Area: 106.000sqm Year: 2015

Location: Seestadt, Vienna Area: 240ha Population: 20.000 Year: 2007

Location: Fellbach bei Stuttgart Area: 10.000sqm Year: 2018 Products: Engines

Huckepack Bahnhof is centrally located in Hamburg and provides space for factories, small businesses, workshops, as well as social and cultural infrastructure. The ground floor is open and flexible spaces can be rented above (S,M,L, XL).

The development has a productive plinth with access from two sides: front and logistic street.

The area is characterised by high noise pollution.

This development outside of Vienna is an example for diverse neighbourhood with multi-layered connections between living and working.

Industry 4.0 is introduced and tested in a vibrant new quarter. When visiting the unfinished project, there was no productive element present.

The plans include production on the outskirts segregating again, but on a smaller scale.

Firma Wittenstein is an example for the introduction of low emission and low pollution industry 4.0 within close proximity to existing neighbourhoods. It is one of the firm’s main aims to be compatible with the surroundings and cause no form of disruption. The modern production facility is geared towards producing metal pieces for engines.

MASTER THESIS | 72

PRECEDENTS LITERATURE

EUROPAN 14 DOCUMENTATION

Fig. 37: WELT-GEWERBEHOF, HAMBURG

Fig. 38: NORDBAHNHOFVIERTEL, VIENNA

Fig. 39: FABRICATION LAB, DÔME,CAEN, FRANCE

Location: Hamburg, Wilhelmsburg Area: 6.700sqm Year: 2013 (IBA) Architects: Dalpiaz + Giannetti

Location: Vienna, Austria Population: 20.000 Year: 2025 Architects: Multiple

Location: Caen, France Area: Year: 2017 Architects: Bruther

Welt-Gewerbehof was a part of the 2013 International Building Exhibition in Hamburg. This is the winning design of a competition creating an incubator for small businesses.

Sustainable energy production in form of photo-voltaic panels is installed and empty modules serve as storage, workshops, offices and a restaurant.

The site was previously occupied by Vienna’s historic “Nordbahnhof”. It is one of the largest inner-city development areas in Vienna. The project is currently under construction and will house 20,000 new inhabitants by 2025. The winning competition entry is characterised by a large wild park and cultural programme.

This project is a remarkable building in the context of crossover policies. Services, manufacturing, culture, work, education and energy + food production are linked inside the building creating a stacked building with multiple fabrication labs and forming micro-economies. Stacking programme saves spaces in the urban context.

73 | PRECEDENTS

PRECEDENT ANALYSIS INDIVIDUAL THEMES

PRODUCTION

Fig. 40: HOLZHAFEN, BERLIN | KLEINHUES

Holzhafen Berlin is a development along the Spree with an informal charm. The ground level is occupied by a production floor and residences tower above. Inside there is a network of public spaces allowing for interesting interaction between residents and visitors.

MEETING PLACES

Fig. 42: UNILEVER HQ, HAMBURG | BEHNISCH

The Unilever HQ in Hamburg was designed by Behnisch Architekten and finished in 2009. It is intriguing due to its generous atrium and abundant meeting spaces. Shared kitchens along the atrium created nicely lit spaces for interaction during breaks.

SECTION

Fig. 44: UNITÉ D‘HABITATION SECTION | LE CORBUSIER

Le Corbusier created two storey apartments on alternating floors in order to minimise space required for circulation within. Bundling access points also creates denser circulation spaces, elevating the potential for interaction to occur.

MEETING PLACES

Fig. 41: CREDIT SUISSE, ZÜRICH | EVOLUTION DESIGN

The swiss office building was finished in 2010 and is characterised by the spectrum of different zones. Meeting places are spread around the place and create a level of comfort often absent in office buildings. These comfortable spaces also facilitate social interaction and the generation of ideas.

MASTER THESIS | 74

CIRCULATION Fig. 43: SHANGHAI GRAND OPERA HOUSE | SNØHETTA

The new opera house in Shanghai is discussed due to its defining circulation system. Large spiral stairs give access to the roof and open up unique views. The building is defined by this feature.

PROGRAMME

Fig. 45: RESEARCH CENTRE SORBONNE | BIG

Bjarke Ingels Group proposed this design for a new research facility at Sorbonne, Paris and has an incredibly convincing presentation.

PRECEDENT ANALYSIS

INDIVIDUAL THEMES

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FOLDING

Fig. 49: LIBRARY JUSSIEU, OMA

This competition design for the library in Jussieu was submitted by OMA. There is a folded path forming a ramp within a skeleton of columns and floor planes. Spaces are hung within the skeleton and become accessible by the ramp.

ACTIVITY ABOVE

Fig. 50: BOROUGH MARKET, LONDON

The playground in Copenhagen was designed

by JAJA Architects. Its modern aesthetic and dynamic design make it an interesting precedent for activity above.

Any market can be characterised by its diversity and activity. There is commercial potential and a necessity for people to interact. Markets have been meeting places and cultural hubs for millennia.

INTERACTION

ACTIVITY ABOVE

Fig. 51: MEDIENBUNKER, HAMBURG

This remnant of the Second World War will receive a green crown in the years to come. The bunker with diverse programme will have activity above.

MIX OF CULTURE

Fig. 46: PLAYGROUND IN COPENHAGEN | JAJA

Fig. 47: GUND HALL, CAMBRIDGE MA | J. ANDREWS

Gund Hall is the studio building at Harvard Graduate School of Design. Interaction is deeply rooted in this open design that terraces down. The building is light and allows for some seclusion.

RESEARCH

Fig. 48: SCIENCE CITY BAHRENFELD, HAMBURG

Science City Bahrenfeld is a new development for research, education and innovation in an intelligent trifactor. Science, economy and society function together with science as an engine for urban development.

75 | PRECEDENTS

PRECEDENT ANALYSIS INDIVIDUAL THEMES

DATA CENTER

Fig. 52: THE SPARK, WORLDWIDE | SNØHETTA

The sustainable data centre is the “the body and brain” of the Power City. Brain: Data Storage, Body: generated heat to supply warmth to adjacent neighbourhoods. There is a circular energy network supplying houses and amenities.

LIFE BELOW

Fig. 54: VANCOUVER TOWER | BIG

Vancouver Tower is currently being constructed in Vancouver, Canada. It is heavily influenced in its shape by the noise pollution created by cars passing on an elevated motorway. Underneath there is an installation introducing light to an otherwise unusable space.

SUPER SIZE

Fig. 53: EUROPA CITY, PARIS SNØHETTA

This large-scale superstructure is a multi-use centre on the outskirts of Paris. It houses all sorts of sporting facilities in one building, creating a superstructure. The roof is green space and farmable land.

MASTER THESIS | 76

RELATIONSHIP

Fig. 55: LIBRARY, ZÜRICH | CALATRAVA

The law library at the University in Zürich is a space designed by Calatrava. The wooden cladding creates a warm atmosphere and light floods in through a large skylight. There is potential for interaction across floors.

STRUCTURE

Fig. 56: 88 WOOD STREET, LONDON | RSH-P

This design by Richard Rogers and his firm is defined by the structure. It uses cross-bracing to structure the facade and makes everything in the architecture visible. It is highly transparent tectonic architecture.

EXPANSION

Fig. 57: TGZ, WISMAR | JEAN NOUVEL

This building was designed by Jean Nouvel and reached completion in 2003. It is located on the Northern tip of one of Wismar’s harbour basins and provides space for start-up businesses. Beginning with a small space, businesses can grow upwards until shipping containers extend the spaces on top of the roof.

PRECEDENT ANALYSIS

INDIVIDUAL THEMES

ELEVATED

Fig. 58: URBAN DESIGN PROPOSAL, PITTSBURGH | BIG

This project uses meandering paths to overcome terrain. Designed by Bjarke Ingels Group for Pittsburgh, the new urban development reimagines the context of the quarter and reshapes it as a park. All buildings are then shaped to allow views across the site and towards the city.

LIFE ABOVE

Fig. 60: KALKBREITE, ZÜRICH | MÜLLER SIGRIST ARCH.

The cooperative Kalkbreite stands for clever, innovative solutions for living and working. The development is built on top of a tram terminal with active trams driving in and out. (Kalkbreite, 2019). The elevated park is public and can be reached with stairs. A green courtyard with playground forms the heart.

SUNKEN GARDEN

Fig. 63: SUNKEN GARDEN, MELBOURNE

This sunken garden is beneath the Shrine of Remembrance in Melbourne, Australia. It is an outside space with a clear spatial definition.

URBAN NATURE

Fig. 59: CHEONGGYECHEON, SEOUL

This project is replacing a highway in Seoul, South Korea. The formerly multi-storey highway was turned into this serene river land forming a soothing lung for the city.

SCAFFOLD

Fig. 61: RTBF KIEST, BRUSSELS | CANVAS

This media centre in Brussels is reminiscent of this project and shares elements like the scaffold-like structure and interior programme. The strict facade structure creates the structure for everything to happen within.

INSIDE / OUTSIDE

Fig. 62: 66 HUDSON BOULEVARD, BIG

The spiralling tower in Hudson Yards is one of several skyscrapers currently under construction in Manhattan. Each floor has an outside terrace introducing some vegetation and allowing interaction between floors when in the communal area outside, or immediately inside.

77 | PRECEDENTS

IDEA INCUBATORS INITIAL ANALYSIS

Fig. 64: ARCHITECTURAL ASSOCIATION, LONDON MASTER THESIS | 78

Fig. 65: UNILEVER HQ, HAMBURG

IDEA INCUBATORS

INITIAL ANALYSIS

IDEA INCUBATORS

An initial attempt for a precedent analysis resulted in these diagrams. Projects known for their extraordinary capacity to facility interaction were chosen and drawn following the same parameters. The projects chosen are the Architectural Association School of Architecture in London and the Unilever Headquarters in Hamburg.

The visual representation has the aim to highlight similarities among two very different projects.

What becomes apparent is the presence of a multitude of vertical circulation cores and limited lateral circulation. Communal meeting spaces or shared areas are located in the centre or around a central space as particularly clear at the Architectural Association. While at the Unilever Headquarters, communal zones stretch across all floors, the Architectural Association concentrates its shared programme on two floors in the very heart of the building.

79 | PRECEDENTS

MASTER THESIS | 80

EXHIBITIONS

EXHIBITIONS ABOUT URBAN DEVELOPMENT IN VIENNA

Fig. 66: EXHIBITION PHOTOGRAPH

Fig. 67: EXHIBITION PHOTOGRAPH

CRITICAL CARE

WIEN WIRD WOW

Planet in crisis. The earth in the emergency room.

Man-made ecological and social disasters threaten to make the planet uninhabitable. The situation is critical, and dominated by the interests of capital, architecture and urbanism are entangled in the crisis. The exhibition „Critical Care“ shows how architecture and urbanism can help to repair the future and keep the planet alive with its inhabitants (Architekturzentrum Wien, 2019).

The exhibition is an inspiring collection of international work showcasing how architecture can help our world to heal. Some of Vienna‘s most innovative projects were also part of the exhibition highlighting the city‘s determination to be on the forefront of urban innovation.

Too high, too low, too big, too small, too grey, too green, too wide, too narrow: When it comes to urban planning, everyone has their own opinion. It is all about one thing: to make all districts better. Therefore, an interactive exhibition will be touring Vienna from 2018 to 2020, which consciously offers the opportunity to address conflicts, but also to assume the role of city planner or city planner. According to the motto „Think along. Plan with. Join in (Stadt Wien, 2019)!

The exhibition is a great tool to engage with the population. It can be a great platform for participation, empowerment and ownership. The colourful, provocative motto sparks interest and entices people to take part in making their city a better place.

81 | PRECEDENTS

C

CONCEPT

MASTER THESIS | 82

83 | CONCEPT

MASTER THESIS | 84

THEMES WHAT NEEDS TO BE DISCUSSED?

1 2 6 3 4

5 7 8 9

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BRIEF

WHAT IS ASKED OF THE ARCHITECT?

INITIAL RESPONSE

AN IDEA SUITABLE TO THE TASK AT HAND

FLOW

THE DYNAMIC CONCEPT

PROGRAMME

WHAT SPACE IS REQUIRED?

ADJACENCIES

WHAT SPACE IS LINKED TO WHAT?

RESPONSE

REACTION TO STIMULI + CONDITIONS

NETWORK

RELATIONSHIP AMONG ELEMENTS

STRATEGIC PLACEMENT

SPACES HORIZONTALLY + VERTICALLY

SYSTEM

CIRCULATION AND KNODES

METAPHOR

THE LEADING IMAGE

85 | CONCEPT

BRIEF WHAT IS ASKED OF THE ARCHITECT?

INITIAL IDEAS

The initial idea is a playful exaggeration of the potential proposal. The brief asks for relatively unspecific features primarily dominated by the ability to link and the attract, before productive functions strengthen what is already there.

The vague nature of these suggestions and requirements leave an enormous freedom to act, while proposing the develop the site deserves.

Ever since reading the brief for the first time, the author’s repeated mention of the unique qualities of the park is conspicuous. It seems necessary to disobey the brief and relocate the project site towards the Southern stretches of the overall site. Site visits in Vienna confirm the notion of the parks uniquely high quality.

Fig. 68: ANALYSING THE BRIEF

SUMMARY OF EVIDENCE

The brief is a compact description of a vastly complex undertaking. It covers basic information about the site, the surrounding neighbourhoods, and elevates the unique assets present.

Some rules are established (eg. 35m height limit) and subtle desires and intentions can be read under closer examination.

Overall any proposal needs to address existing fabric, elevate its potential, cross link the district and and introduce productive functions.

MASTER THESIS | 86

LIMITATIONS AND OPPORTUNITIES

The brief does not specify any function but calls for a mixed- use hub that acts as a meeting place.

Productive uses should trigger reactive responses in the urban surroundings.

The site is characterised by a wilderness with significant biodiversity. While this is an asset, there is an active railway track along the entire site creating the need and opportunity for bridges and links between two segregated sides of the project site.

Regarding the function of the project, it seems sensible to use the Europan competition to propose a testing ground for the productive city. A laboratory for ideas that bring forward change.

An idea incubator that monitors ideas in a controlled environment before releasing it to the real world. Having a safe development space like this, could significantly improve the transition period from today to tomorrow.

Instead of proposing yet another seemingly fun, but segregated, fragmented mixed-use complex, the real potential seems to lie in the systematic development of what the full extent of the productive city could be. Allowing ourselves to investigate the future and starting our revolution on well-founded research.

INITIAL RESPONSE AN IDEA SUITABLE FOR THE TASK AT HAND

CO WORK / LIFE / PRODUCTION

The Co-Family of Co-Working, Co-Living and Co-Producing seems to be founded in our evolutionary necessity to work as teams. Human beings have developed systems of sharing and working together in order to jointly tackle the struggle for survival.

There is infinite potential in human interaction and the creative outcomes of combined brain power are often remarkable. If a person has an idea, how does this person get the collective brain required to allow the idea to grow. The proposed project is intended to be a place with the purpose to do just that: Let an idea grow.

LETTING IDEAS GROW

Fig. 69: INITIAL RESPONSE

Fig. 70: INITIAL SKETCHES

Conceptionally, the proposal covers all necessary stops from inspiring ideas, to developing an idea, to testing, transitioning into production and resulting in a product that can be distributed. It is not defined yet if a product needs to be a physical product or if intellectual products in the form of knowledge or else, are included in this concept.

A person can come to the site, get inspired, and go through a process to develop ideas with others. It could be an exhibition, artwork, legislation proposal, product idea, research topic, suggestion to solve any given problem or idea to implement the productive city in the outside world.

People form a group, share knowledge, make prototypes in fabrication labs, reiterate, present their idea, take in advice and continue development, before finally releasing their findings or product to the world. Ideally, the loop continues while the productive outcome is optimised over and over again.

87 | CONCEPT

FLOW THE DYNAMIC CONCEPT

Fig. 71: FLOW DIAGRAMS

IDEAS SPREAD

The term idea has been mentioned frequently describing the initial input in to the productive machine that is being proposed. Ideas are unique in that they occur to someone or multiple people independently. From there, ideas tend to spread. One person tells the next and everyone contributes to the growth of a wave sparked by someone having a thought.

GOODS GO LINEAR

Though production does not always include the transformation of materials or resources into goods, they take a central role in physical production. Natural resources are collected in nature and are transported as raw materials. Production facilities metabolise the material producing goods to be consumed by humans. During consumption, goods are transformed into the something else and disposed of as waste. This is a linear motion until outside the time frame of this project the goods sometimes form a circle by returning to nature.

In a more tangible context, goods are transported on a conveyor belt during the production process. Before and after production materials and goods are transported within a logistical superstructure.

MASTER THESIS | 88

PEOPLE MEANDER

People have a tendency to meander. From one place to another, on a market, humans often deviate from a linear path. Straight lines only rarely intersect, while meandering paths can intertwine voluntarily and by chance.

This is a sign of life and highlights the significance of random occurrences, encounters and interactions. The accidental collisions are designed to happen, as life makes us meander. It is a natural phenomenon that architecture can strengthen.

FLOW

THE DYNAMIC CONCEPT

Fig. 72: METABOLISM DIAGRAM

Fig. 73: FLOW DIAGRAMS

METABOLISM

All materials originate in nature. Even artificial substances have originated in nature but have been altered by human intervention.

Humans can consume some raw materials found in nature, but often have to transform materials in a manufacturing process to make it something we can consume.

As an example: Wood is brought from the forest to the factory. It is metabolised to a chair. This chair is transported to the city to be consumed as such.

GOODS PEOPLE AND IDEAS

Having analysed the three different movements goods, people and ideas undergo, this research can form the foundation for the overlaying circulation systems.

Each of these movements or flows, require human intervention, but are still distinctly different from one another.

The next step was an investigation of flows across a list of potential programme to investigate potential overlaps, distribution, orientation, loops, or any other significant alterations.

In this system, it becomes apparent that people are the most mobile components. Goods have selected distributions centres and are transported from one stop to the next. These stops can be clustered and strategically placed to minimise inefficient centralisation.

Ideas are peculiar elements moving with people to certain locations. The programme of these functions is relatively similar so that they can also be strategically placed to distribute the emergence of ideas.

89 | CONCEPT

PROGRAMME MASTER THESIS | 90

RODUCTION DUCTION PRODUCTION

PROGRAMME

WHAT SPACES ARE REQUIRED

Large Large Large scale Large scale scale scale Large Large Large Facility Large Facility Facility Facility Office Office Office +Office Storage ++Storage + Storage Storage Communal Communal Communal Communal Warehouse Warehouse Warehouse Warehouse Medium Medium Medium Medium scalescale scale scale Larger Larger Larger Larger Facility Facility Facility Facility Office Office Office +Office Storage ++Storage + Storage Storage Communal Communal Communal Communal Workshops Workshops Workshops Workshops Individuals Individuals Individuals Individuals Shared Shared Shared Shared Fabrication Fabrication Fabrication Fabrication Lab Lab Lab Lab Prototyping Prototyping Prototyping Prototyping Small Small Small production Small production production production Crafstsmen Crafstsmen Crafstsmen Crafstsmen SmallSmall Small business Small business business business Independent Independent Independent Independent MakeMake Make +Make Sell ++Sell + Sell Sell

Housing Housing Housing Housing ShortShort Short term Short term term term Hostel Hostel Hostel Hostel HotelHotel Hotel Hotel

Office Office Office Office Individual deskdesk Individual Individual Individual desk desk Group Group Group Group Meeting Meeting Meeting Meeting Computer LabsLabs Computer Computer Computer Labs Labs Medium Medium Medium term term (max (max 22years) 2 years) years) Medium termterm (max 2 (max years) Dorm Dorm Dorm (Student, (Student, (Student, Up-Scale,...)

Up-Scale,...)

Up-Scale,...)Studios Dorm (Student, Up-Scale,...)

Studios Studios Studios Serviced Serviced Serviced Apartments Apartments Apartments Serviced Apartments Individual Individual Individual Individual Shared Shared Shared Shared Long Long term term term LongLong term Co-Living Co-Living Co-Living (Families, (Families, (Families, Singles,...)

Singles,...)

Singles,...)

Co-Living (Families, Singles,...)

Gallery Gallery Gallery Gallery Social Social Social Housing Housing Housing (various) (various) (various) Social Housing (various) Education Education Education Education Amenities Amenities Amenities Amenities Library Library Library Library Cinema Cinema Cinema Cinema ClassClass Rooms Class Class Rooms Rooms Rooms Playground Playground Playground Playground Lecture Hall Hall Lecture Lecture Lecture Hall Hall PoolPool Pool Pool GymGym Gym Gym Groceries Groceries Groceries Groceries Drug Drug store store store DrugDrug store Retail Retail Retail Retail Bar Bar Bar Bar Restaurant Restaurant Restaurant Restaurant Apothecary Apothecary Apothecary Apothecary

Fig. 74: PROGRAMME CONSIDERATION

Logistics Logistics Logistics Logistics Storage Storage Storage Storage Warehouse Warehouse Warehouse Warehouse Loading Loading Loading Loading dockdock dock dock Circulation Circulation Circulation Circulation Atriums Atriums Atriums Atriums Stairwell Stairwell Stairwell Stairwell Corridors Corridors Corridors Corridors Plaza PlazaPlaza Plaza Square Square Square Square Lightwell Lightwell Lightwell Lightwell Bridge Bridge Bridge Bridge Green Green Green Green ParkPark Park Park Balconies Balconies Balconies Balconies Greenspace Greenspace Greenspace Greenspace Third Third Third Space Third Space Space Space Lounges Lounges Lounges Lounges Reading Reading Reading Reading Room Room Room Room Prayer Prayer Prayer Prayer Room Room Room Room Bar Bar Bar Bar Flexible Flexible Flexible (Multi-Use) (Multi-Use) (Multi-Use) Flexible (Multi-Use) Transition Transition Transition Transition Meeting Meeting Meeting Meeting Communication Communication Communication ZoneZone Zone Communication Zone Shared Shared Shared Kitchen Kitchen Kitchen Shared Kitchen Mensa Mensa Mensa Mensa

AN INVESTIGATION OF SPACE

After the initial responses started to solidify, investigations of programme started. Originally possible programmes were collected from reference projects and logical spaces for the task at hand were added. Each component: goods, people and ideas received a set of programmes that would be required for processing it. For people these included facilities for housing, amenities, transportation, meeting spaces and access to work. For the goods it was a more logistically focussed endeavour.

INITIAL DISTRIBUTION

From the start, distribution occurred along the spine of public space, at the time referred to as third space. It becomes clear that there is a number of essential programme groups that would build the foundation to any: good, people and idea-oriented programme.

Goods are being produced in workshops and small production facilities, people get assigned residences and daily amenities, while ideas receive some abstract attention through studios, educational facilities and prototyping labs.

91 | CONCEPT

INFRASTRUCTURE

MASTER THESIS | 92 Third Space Lounges Reading Room Prayer Room Bar Flexible (Multi-Use) Transition Meeting Communication Zone Shared Kitchen Mensa

Green Park Balconies Greenspace

Small production Crafstsmen Small business Independent Make + Sell Gallery

Long term Co-Living (Fami lies, Singles,...)

Social Housing (various)

sing Hou term t Shor l e Host l Hote years) rm (max 2 ...)

Medium te , Up-Scale, nt de tu (S Dorm rtments pa A ed ic Serv

Am e Cin nities e Play ma Poo ground l Gym Gr Dr oce Re ug s ries Ba tail tore Re r Ap stau ot ran he ca t ry k es ld e fic idua f O iv bs Ind oup g La Gr etin ter u e p M m Co ios Stud idual Indiv d re Sha

Education Library Class Rooms Lecture Hall

EAS ID

Fig. 75: ADJACENCY DIAGRAM

Circulation Atriums Stairwell Corridors Plaza Square Lightwell Bridge

W o Ind rksh ivi op d s Sh uals are Fab rica d t Pro ion La toty b pin g

le ca e s cility rg e La e Fa rag l rg Sto una e La e + m us fic Com ho e Of are al W sc lity m ci ge iu Fa ra al ed er to un M arg + S m L ce om ffi C O

Logistics Storage Warehouse Loading dock

GOO D WHAT IS LINKED TO WHAT?

ADJACENCIES P O L E E P S

ADJACENCIES

WHAT IS LINKED TO WHAT?

1

Circulation Green

Third Space

GOODS

PRODUCTION

Medium scale Larger Facility Office + Storage Communal Workshops Individuals Shared Fabrication Lab Prototyping Small production Crafstsmen Small business Independent Make + Sell

Fabrication Lab Prototyping Workshops Individuals Shared

Creative Production

Fabrication Lab

Workshops

Small production

Housing Short term Hostel Hotel Medium term (max 2 years) Dorm (Student, Up-Scale,...)

Serviced Apartments Long term Co-Living (Families, Singles,...)

Social Housing (various) Amenities Cinema Playground Pool Gym Groceries Drug store Retail Bar Restaurant Apothecary

Office Individual desk Group Meeting Computer Labs Studios Individual Shared Gallery Education Library Class Rooms Lecture Hall

Logistics Storage Warehouse Loading dock Circulation Atriums Stairwell Corridors Plaza Square Lightwell Bridge Green Park Balconies Greenspace Third Space Lounges Reading Room Prayer Room Bar Flexible (Multi-Use) Transition Meeting Communication Zone Shared Kitchen Mensa

sk de ce ual Offi ivid bs Ind up g La Gro etin ter Me mpu Co ios Stud dual vi Indi ed Shar Gallery

W Medium scaleork Ind sh ivid op s Large scale Sh uals are Fab rica d tio Short-term Pr Housing otot n Lab ypin g Medium-term Housing Long-term Housing Small production Crafstsmen Entertainment Small business Independent Amenities Make + Sell

Education Library Class Rooms Lecture Hall

Retail

4 3 2

Studio

Green Park Balconies Greenspace

Green Park Balconies Greenspace

Circulation Atriums Stairwell Corridors Plaza Square Lightwell Bridge

Logistics Storage Warehouse Loading dock

Gallery

INFRASTRUCTURE Offices

Logistics

Circulation

Green

Third Space

4 3 2

sk de ce ual Offi ivid bs Ind up g La Gro etin ter Me mpu Co ios Stud dual vi Indi ed Shar Gallery

W o Ind rksh ivid op s Sh uals are rica d tio Prot n La otyp b ing

Fab

Small production Crafstsmen Small business Independent Make + Sell

Gastronomy

Education

S

PEOPLE Long term Co-Living (Famili es, Singles,...)

Social Housing (various)

NEED

Am eniti Cin em es Play a Pool ground Gym Gro Dru ce Re g s ries Ba tail tore Re r Ap stau oth ran ec t ary

PRODUCTION

Education Library Class Rooms Lecture Hall

Third Space Lounges Reading Room Prayer Room Bar Flexible (Multi-Use) Transition Meeting Communication Zone Shared Kitchen Mensa

NEED

GOODS

Green Park Balconies Greenspace

S

Large scale Large Facility Office + Storage Communal Warehouse

PEOPLE Small production Crafstsmen Small business Independent Make + Sell

Third Space Lounges Reading Room Prayer Room Bar Flexible (Multi-Use) Transition Meeting Communication Zone Shared Kitchen Mensa

PRODUCTION

ing Hous term t Shor l Hoste l Hote ) (max 2 years Medium term Up-Scale,...) ent, Dorm (Stud tments Serviced Apar

Studios Individual Shared

NEED

IDEAS

Circulation Atriums Stairwell Corridors Plaza Square Lightwell Bridge

k

s de

Circulation Atriums Stairwell Corridors Plaza Square Lightwell Bridge

Education Library Class Rooms Lecture Hall

Housing

Short term Hostel Hotel Medium term (max 2 years) Dorm (Student, Up-Scale,...)

Serviced Apartments Long term Co-Living (Families, Singles,...)

Social Housing (various)

Daily Groceries Drug store Retail Bar Restaurant Gym Apothecary

Logistics Storage Warehouse Loading dock

Third Space Lounges Reading Room Prayer Room Bar Flexible (Multi-Use) Transition Meeting Communication Zone Shared Kitchen Mensa

Amenities

Entertainment Cinema Playground Pool

Third Space Lounges Produces Reading Room Prayer Room Requires Bar Flexible (Multi-Use) Transition Meeting Communication Zone Shared Kitchen Mensa

Offices

Logistics

2

Green Park Balconies Greenspace

Third Space Lounges Reading Room Produces Prayer Room Bar Requires Flexible (Multi-Use) Transition Meeting Communication Zone Shared Kitchen Mensa

Requires

Education

3

Gallery Education Library Class Rooms Lecture Hall

INFRASTRUCTURE Studio

4

Amenities Cinema Playground Pool Gym Groceries Drug store Retail Bar Restaurant Apothecary

Education Library Class Rooms Lecture Hall

Amenities Retail

Long term Co-Living (Families, Singles,...)

Social Housing (various)

Medium scale Larger Facility Office + Storage Communal

EAS ID

Small business Long-term Housing Independent Make + Sell Entertainment

Gallery

Small production Crafstsmen Small business Independent Make + Sell

ce ual Offi ivid bs Ind up g La Gro etin ter Me mpu Co ios Stud dual vi Indi ed Shar Gallery

Medium-term Housing Small production Crafstsmen

Gastronomy

Fabrication Lab Prototyping

Large scale Large Facility Office + Storage Communal Warehouse

le ca e s ity il c rg e La e Fa rag l rg to na La + S mu se ce om hou Offi C are ale W sc ity m cil ge iu Fa ra al ed er to un M arg + S m L ce om ffi C O

W o Small production Ind rksh ivid op s Sh uals Medium scale are Fab rica d tion Prot scale Large otyp Lab ing Short-term Housing

Workshops Individuals Shared

Green Park Balconies Greenspace Gallery

Logistics Storage Warehouse Loading dock

EAS ID

Workshops

PRODUCTION

Public Space Production

Office Individual desk Group Meeting Computer Labs

le ca e s cility rg e La e Fa rag l rg to na La + S mu se ce om hou Offi C are ale W sc ity m cil ge iu Fa ra al ed er to un M arg + S m L ce om ffi C O

le ca e s cility rg e La e Fa rag l rg to na La + S mu se ce om hou Offi C are ale W sc ity m cil ge iu Fa ra al ed er to un M arg + S m L ce om ffi C O

Fabrication Lab

NEED

Supporting

GOO D

Creative Production

PRODUCTION

Logistics Storage Warehouse Loading dock Circulation Atriums Stairwell Corridors Plaza Square Lightwell Bridge

Pollution Long term Co-Living (Famili es, Singles,...)

Social Housing (various)

Workshops Individuals Shared

NEED

GOODS

Studios Individual Shared

Am eniti Cin em es Play a Pool ground Gym Gro Dru ce Re g s ries Ba tail tore Re r Ap stau oth ran ec t ary

Fabrication Lab Prototyping

PRODUCTION

Office Individual desk Group Meeting Computer Labs

EAS ID

S

Third Space Lounges Reading Room Prayer Room Bar Flexible (Multi-Use) Transition Meeting Communication Zone Shared Kitchen Mensa

NEED

IDEAS

Medium term (max 2 years) Dorm (Student, Up-Scale,...)

Serviced Apartments

People

PEOPLE Small production Crafstsmen Small business Independent Make + Sell

Housing Short term Hostel Hotel

Public Transportation

Studios Individual Shared

Daily Groceries Drug store Retail Bar Restaurant Gym Apothecary

Medium scale Larger Facility Office + Storage Communal

Circulation Atriums Stairwell Corridors Plaza Square Lightwell Bridge

Education Library Class Rooms Lecture Hall

Medium scale Larger Facility Office + Storage Communal

g Goods in Hous term t ShorIdeas l Hoste l Hote s) Calm (max 2 year Medium term Up-Scale,...)

(Student, Dorm Noise Apartments Serviced

Gallery

Logistics Storage Warehouse Loading dock

Large scale Large Facility Office + Storage Communal Warehouse

Pedestrian Access

Third Space Lounges Reading Room Prayer Room Bar Flexible (Multi-Use) Transition Meeting Communication Zone Shared Kitchen Mensa

Short term Hostel Hotel Medium term (max 2 years) Dorm (Student, Up-Scale,...)

Serviced Apartments Long term Co-Living (Families, Singles,...)

Social Housing (various)

Road Access

Green Park Balconies Greenspace

Housing

Entertainment Cinema Playground Pool

Circulation Atriums Stairwell Corridors Plaza Square Lightwell Bridge

Gallery Education Library Class Rooms Lecture Hall

Amenities

Raw Materials

Amenities Cinema Playground Pool Gym Groceries Drug store Retail Bar Restaurant Apothecary

Large scale Large Facility Office + Storage Communal Warehouse

Logistics Storage Warehouse Loading dock

Long term Co-Living (Families, Singles,...)

Social Housing (various)

GOO D

Small production Crafstsmen Small business Independent Make + Sell

Green Park Balconies Greenspace

GOO D

Fabrication Lab Prototyping

Public Space Production

Office Individual desk Group Meeting Computer Labs

Am eniti Cin em es Play a Pool ground Gym Gro Dru ce Re g s ries Ba tail tore Re r Ap stau oth ran ec t ary

Workshops Individuals Shared

Supporting

Long term Co-Living (Famili Pollution es, Singles,...)

Social Housing (various)

PRODUCTION

Logistics Storage Warehouse Loading dock Circulation Atriums Stairwell Corridors Plaza Square Lightwell Bridge

ing Hous term Goods t Shor l Hoste Ideas l Hote s) (max 2 year Medium term Up-Scale,...)

Calm ent, Dorm (Stud tments Serviced Apar Noise

NEED

Studios Individual Shared

People

PRODUCTION

Office Individual desk Group Meeting Computer Labs

Public Transportation

NEED

GOODS

Medium term (max 2 years) Dorm (Student, Up-Scale,...)

Serviced Apartments

Pedestrian Access

PRODUCTION

Housing Short term Hostel Hotel

Road Access

NEED

IDEAS

Medium scale Larger Facility Office + Storage Communal

Raw Materials

Large scale Large Facility Office + Storage Communal Warehouse

INFRASTRUCTURE

1

1

In this section, links are particularly present in the production areas and logistics. Goods do however have necessary relationships with consumers through retail and consequently residences, as this is where goods are likely to be acquired and later consumed.

PEOPLE

Being involved in a majority of the processes conducted in the proposed building, people form links between all clusters of programmes.

People are the driving force of the project and should interact as widely spread as possible. The more interconnected the network, the better in terms of giving rise to unconventional, original ideas.

IDEAS

The diagrams investigate required adjacencies or interconnected relationships from different programme elements. This particular diagram sees infrastructure as the foundation for everything and analysis the network of ideas.

Being generated in parks outside or when talking to other people in a third spaces, ideas have a strong relationship with galleries, studios and education, as that is where they are developed and spread. They form networks with production, as some ideas will result in products eventually.

The relationship between studio and production suggests a feedback loop in the controlled environment of the proposal

93 | CONCEPT

SYSTEM FREE BOXES

Fig. 76: COLOURFUL BLOCK SKETCH

Fig. 77: MODUL SKETCHES

Fig. 78: COURTYARD SKETCHES

THE SPACE BETWEEN

S, M, L, XL

COURTYARDS

The first system idea was based on a series of blocks that form space within and around themselves.

There was not yet a clearly structured concept supporting this system, but the spatial qualities were apparent from the early sketches.

A central circulation strand would form the spine and pockets to each side would inspire meandering of people and clustering of programme.

MASTER THESIS | 94

For maximum flexibility, a setup with interconnectable modules seemed logical. Each module would be an empty box with the ability to cater to any of the three: goods, people and ideas.

It could either be a space for production, housing or development of ideas in form of a studio or so. There are centralised systems on ground level, programming a certain condition, so that an AI aided system could chose the optimum module for any given project.

As a traditional typology in Vienna, courtyards have provided light, air and structure to many apartment buildings and office buildings. A series of courtyards makes sense in that it allows for specialised programme on ground level and flexible clustering above. Going from one courtyard to the next includes the transition through a threshold translating the conceptual closure of each phase into an architectural reality.

CONTEXT Short term Hostel Hotel Medium term (max 2 years) Dorm (Student, Up-Scale,...)

Serviced Apartments Long term Co-Living (Families, Singles,...)

Social Housing (various)

Small production Crafstsmen Small business Independent Make + Sell

NEED

PRODUCTION

IDEAS

NEED

SPACES HORITONTALLY + VERTICALLY Workshops Individuals Shared

Pollution

Noise

Creative Production

Fabrication Lab Workshops Small production Medium scale Large scale Short-term Housing Medium-term Housing Long-term Housing Entertainment

Amenities Retail Gastronomy Gallery Studio

4

Circulation

3

Green

2

Third Space

1

Fig. 79: PUBLIC SPACE CONCEPT SKETCH

Fig. 80: MIX OF PROGRAMME CONCEPT SKETCH

Fig. 81: INDIVIDUAL DEMAND INVESTIGATION

PUBLIC SPACE

MIXING THE PROGRAMME

DEMAND FOR X

Public space will be the stage for interaction in this project. Finding logical locations to place squares, plazas and empty spaces is vital to integrate the context into the new building. An urban analysis of the site will be necessary to pinpoint strategically favoured locations.

In a second step connections, opening, programme and conditions will need to be determined. A sensible concept for circulation will be developed on the grounds of space placement.

The productive city calls for less segregation and a more diverse urban landscape. Within a building, programme could be segregated into different blocks or layers and have a dismal outcome.

The distribution of programme and its mix thus need careful consideration. An interlacing of different programme would be ideal allowing for even distribution of infrastructure with specialised programme in each category. It is not necessarily better to mix wildly and there needs to be a system.

Requires

Offices

Produces

Education

Logistics

Large Large Office Comm Wareh

PRODUCTION

GOODS

Fabrication Lab Prototyping

Calm

Road Access

Third Space Lounges Reading Room Prayer Room Bar Flexible (Multi-Use) Transition Meeting Communication Zone Shared Kitchen Mensa

Housing

Entertainment Cinema Playground Pool Daily Groceries Drug store Retail Bar Restaurant Gym Apothecary

Medium scale Larger Facility Office + Storage Communal

Circulation Atriums Stairwell Corridors Plaza Square Lightwell Bridge

Amenities

Ideas

Gallery

Raw Materials

Studios Individual Shared

Large scale Large Facility Office + Storage Communal Warehouse

Goods

Education Library Class Rooms Lecture Hall

Green Park Balconies Greenspace

People

Logistics Storage Warehouse Loading dock

Public Space Production

Public Transportation

Office Individual desk Group Meeting Computer Labs

Pedestrian Access

Supporting

In order to systematically place programme, it is preferable to develop a sense of demand. What does each element of programme need to unleash its potential?

It becomes abundantly clear that all elements of programme primarily require access to certain infrastructure rather and produce very little apart from noise. Intelligent placement of infrastructure is thus vital to ensure adequate functioning of the building.

95 | CONCEPT

NEED

PRODUCTION

Mediu Larger Office Comm

Works Individ Shared

Fabric Prototy

Small Crafsts Small b Indepe Make +

NETWORK RELATIONSHIP AMONG ELEMENTS

Fig. 82: NETWORK CONCEPT SKETCH

Fig. 83: PEDESTRIAN ACCESS CONCEPT SKETCH

Fig. 84: VERTICAL ECOSYSTEM CONCEPT SKETCH

UNIVERSE OF THINGS

PEDESTRIAN ACCESS

VERTICAL ECOSYSTEM

The structure of the building is intended to facilitate interaction between individuals with the same aim, but also with individuals with unrelated professions. Cross pollination is key. For the network to be directed yet flexible, an interconnected cloud of clusters seems to be a conceptual fit.

Each cluster forms around a hub and is self-sufficient in terms of infrastructure and function as an ecosystem. Those hubs are linked to form a wider system of little galaxies.

MASTER THESIS | 96

The brief asks for multiple approaches of linking neighbourhoods. What if the proposed building becomes an introverted bridge with multiple access and exit points. This way public space can be strategically placed reacting to deficiencies in the context and link neighbourhoods from within.

The existing bike path is relocated to within the building and maximises interaction potential within.

Within the context of a universe of things, verticality plays an important role. Production in the city is a topic with sensitive demands for space so that stacking is a viable alternative. For this to work, it needs vertical infrastructure and circulation systems allowing goods to travel vertically.

On the same token, ecosystems could also be addressing people and ideas, who travel more easily. Links and nodes form a network and meeting spaces could form by the nodes.

IMAGE THE LEADING IMAGE

SCNÜRSENKEL | THE LACE

Fig. 85: SCHNÜRSENKEL, THE LACE

Having a leading image can make it easier to understand complex design projects. A guiding principle can inform design decisions and an overall concept can provide cohesiveness to a project. Simple images often have a complex set of suggestions attached to them.

97 | CONCEPT

SEQUENCE STAGES IN MAKING THE PRODUCTIVE CITY

SEQUENCE

Like a production process in general, the productive city will invite be going through a process. At first the existing wilderness will be made accessible as a park. This recreational space will be the primary objective providing relaxation, known to inspire ideas.

With their idea, people will interact with like-minded people in the first courtyards before reaching the incubator. This place is designed to be a co-working space. Resources are shared and teams rent only what is essential for initial growth.

The incubator is a place to interact and soak up knowledge before moving on to the next courtyards. Libraries, meeting space, computer labs, fabrication labs and research facilities, are usable to the person or team.

Once knowledge is accumulated, the team moves on to find their own module in optimum conditions for their further growth. This search can be aided by an AI or chosen individually.

In their module, additional modules can be rented adjacent with the potential to double or triple the original size. Expansion is almost limitless, before projects have matured and can find offsite locations.

If office spaces are required the T-Center has 14,000m2 of empty space available.

MASTER THESIS | 98

Fig. 86: SEQUENCE DEVELOPMENT

CONSOLIDATION LEADING CONCEPTS

Fig. 87: RED CARPET CONCEPT SKETCH

Fig. 88: SWIRLS CONCEPT SKETCH

Fig. 89: CLUSTER CONCEPT SKETCH

RED CARPET

SWIRLS / VERTEX

CLUSTER

Within the framework of goods, people and ideas, the red carpet forms the main spine of circulation for people. A wide stretch of public space as the stage of interaction. Every major programme will be placed in relation to this spine and function in a way that enhances its capacity to facility interaction.

The red carpet will be several hundred meters long, so that some sort of spatial variation will be integrated. There will be a slope following regulations of accessibility.

Swirls and vertexes are the intersection of all three of the flow components of goods, people and ideas. They are vertically oriented and form the ideal incubator space for interaction of all sorts. Ideas will be generated on the fly, as there is a constant influx of people and products flowing around, inspiring people and starting conversations.

It is possible to include one or more of these swirls into the project forming a central anchor for interaction.

Clusters are accumulations of boxes (modules) around a given third space (hub). These clusters could either be related in programme and direction or deliberately contrasted, as unexpected interactions with different groups might spark unconventional unions.

Ideally, the clusters will form in optimum conditions related to the infrastructure present. Anyone who does not receive perfect coverage of any parameter is invited to move to another box.

99 | CONCEPT

D DESIGN

MASTER THESIS | 100

101 | DESIGN

MASTER THESIS | 102

SYNTHESIS STRATEGIC LOCATIONS

Paths

Paths

Strategic Squares

Strategic Squares

Crossing

Crossing

100 METERS

Fig. 90: STRATEGIC DRAWINGS

LINKS AND PATHS

Indicated in the drawing are existing paths from surrounding neighbourhoods to the site. It investigates the shortest likely route people will take to connect the home (source) and the destination. While the street network is complex, the roads taken are condensed to a select few.

PUBLIC SPACE (STRATEGIC LOCATIONS)

For the project to find its footing in the urban context, strategically placed public spaces establish relationships between the existing and the new. Within the concept of “implanting productive uses” these public spaces, mostly squares, form the stage for interaction and consequently the space where the productive potential of collaboration is unleashed.

103 | DESIGN

DESIGN DIAGRAMS EVOLUTION

1. KEEPING THE PARK

2. STRATEGIC PUBLIC SPACE

3. RED CARPET

4. PRODUCTIVE GROUND FLOOR

Fig. 91: DESIGN DIAGRAMS MASTER THESIS | 104

DESIGN DIAGRAMS EVOLUTION

5. COURTYARDS

6. HIGH POINTS

7. ALIGNMENT

8. GREEN BAND 105 | DESIGN

MASTER THESIS | 106

CONTEXT THE BUILDING AND ITS SURROUNDINGS

200 METERS Fig. 92: DESIGN FIGURE GROUND AND CONTEXT 107 | DESIGN

LAYER CONCEPTUAL DEVELOPMENT STAGES

Fig. 93: CONCEPT DIAGRAMS

URBAN CONTEXT

In this design project, the urban context was thoroughly analysed, and the site was visited on multiple occasions. It is of paramount importance to find a sensible placement for the project within its context.

MASTER THESIS | 108

SUPERSTRUCTURE

Instead of having multiple smaller buildings, a superstructure was chosen to emulate the presence of a machine. The image of the machine to build the future was presented previously.

The large continuous structure not only compliments the concept but allows the introverted focus for life to happen within a safe, controlled environment.

SECTIONS

The building is divided into a series of different sections, that are potential phases of construction at the same time. The heart of the entire project is the incubator space for ideas. South of this incubator are two stages of production facilities and infrastructure. To the North is a stimulus centre and a park, conditioning people to creatively generate ideas for the machine.

COURTYARDS

There is a series of courtyards defining the stages of the process induced by the proposed building.

The typology of courtyards is historically rooted in Vienna and can be found to this day in countless locations.

The courtyards have the benefit of concentrating interaction in a shared space that by definition has to be in the middle.

LAYER

CONCEPTUAL DEVELOPMENT STAGES

Production Commercial Housing Studio Share Use Meeting Infrastructure

Fig. 94: CONCEPT DIAGRAMS

CLUSTER

Entering the internal structure, there is a multitude of boxes stacked on top of the programmed spaces on the plaza level. The boxes are unprogrammed but can be interconnected if more space is needed.

Programme underneath set different conditions for different types of programme to inhabit the boxes.

Ideally similarly oriented uses for clusters to form.

BOX

The box is one individual module, measuring 4 meters by 6 meters.

This 24m2 unit is unprogrammed, but can have different features added. The purpose of the box is to allow any kind of programme to happen within it so that production (goods) housing (people) or studios (ideas) have maximum flexibility to thrive.

When the family or business is growing, adjacent units can be rented.

PEOPLE

Human beings are the driving force of this project. They are the motor, the medium and the mechanism, because every step of the way is dependent on the people. An individual comes to the space and finds like-minded people. They form groups and start thinking or producing together. Any outcome of the project benefits the people within and outside the project, so that an infinite loop of beneficial circumstances begins.

PARK

The park is the anchor of the project. It is not only the beginning of the journey through the productive building, but also the figurative and emotional baseline.

Rooting the project in the city fabric, Vienna’s history and humble beginning of our species, this green space is the original incubator.

Allowing people to decompress in the city and gaining distance to their urban lives could spark the idea that brings the future.

109 | DESIGN

MASTER THESIS | 110

SEQUENCE A JOURNEY THROUGH THE BUILDING

1 STIMULUS CENTRE

INPUT THROUGH EXHIBITIONS OUTPUT THROUGH RELAXATION

2 COMMERCIAL RETAIL AND FOOD

3 COMMERCIAL

RETAIL AND FOOD MEETING + REFLECTION

4 INCUBATOR THE HEART CO-WORKING

A JOURNEY THROUGH THE BUILDING 5 PRODUCTION WORKSHIPS MANUFACTURING

6 DISTRIBUTION LOGISTICS INFRASTRUCTURE

Production

Commercial Housing

Production

Commercial

Share Use Meeting

Housing

Studio

Share Use

Infrastructure

Studio

Meeting

Infrastructure

100 METERS

The architecture of the building is in its essence a linear path. Derived from the existing fabric of the elongated site, the collection of courtyards suggests a directed sequence. Starting with the park and the stimulus centre, people detach from their urban lives and allow thoughts and ideas to come.

The commercial zone is intended to attract a maximum of residents, visitors, passers-by and give stage for reflection and initial contact with other people.

The incubator or co-working space is the heart where ideas become knowledge, or a feasible product and the production courtyards are the manufacturing centres.

Underneath the highway are two more courtyards housing infrastructure like loading docks, parking garages and mechanical equipment.

Each courtyard has appropriate programme and sets the conditions for their specialised function.

Fig. 95: SEQUENCE DIAGRAM 111 | DESIGN

NETWORK 4 TYPES OF CIRCULATION

GREEN BAND | ROOF YELLOW LACE | FLOOR 2 RED CARPET | PLAZA BLACK BELT | STREET LEVEL

Fig. 96: CIRCULATION DIAGRAM

MASTER THESIS | 112

NETWORK

4 TYPES OF CIRCULATION

Fig. 97: CIRCULATION DIAGRAMS

BLACK BELT | GROUND FLOOR

The black belt is reminiscent of a conveyor belt and forms a circuit path within the productive base of the building. It has road access and enables relative freedom for the movement of goods into and throughout the building.

The black belt is coupled with cargo lifts serving all floors and allowing transport of goods to virtually anywhere.

RED CARPET | PLAZA

The red carpet is the defining circulation strand for the entire project. It serves the movement of people and functions as the main connector.

Starting at ground level an accessible ramp brings pedestrians to an elevated plaza forming the introverted centre of the project.

The red carpet enobles human activity and sets the stage for social interaction.

YELLOW LACE | FLOOR 1+2

The yellow lace is a main circulation network within the building. It has hubs and links forming a structured spine to access the modules from.

Corridors form paths, while nodes form hubs. Each of those hubs provide all necessary infrastructure for clusters to form around them.

The yellow lace is concentrated on one level with the meeting spaces at the nodes spanning two floors

GREEN BAND | ROOF

The green band is the counter part to the red carpet. It reacts to the form of the carpet and creates a generous green space on top of the productive building.

It is the aim to create a space where people from within the building can meet one another, but also mingle with people who do not live of work there. It is a shared zone for interaction recreation.

113 | DESIGN

MODULES FLEXIBLE CLUSTERS OF INTERLACED MODULES

Production Commercial Housing Studio Share Use Meeting Infrastructure

Fig. 98: INTERLACED MODULE TETRIS

MASTER THESIS | 114

MODULES

EXAMPLES AND CONCEPT

STUDIO MODULE CONCEPT

For maximum flexibility and adaptability, a series of modular units is proposed. Each module measures 4 x 6 meters and is self-contained by design. Users can choose from a variety of different “boxes” and use them for living, production or intellectual purposes.

LIVING 10 METERS

Fig. 99: EXEMPLARY FLOOR PLANS FOR MODULES

PRODUCTION

Modules are accessed from a centrally located corridor. From this spine, modules can fuse and interlace with adjacent boxes on three levels, forming an intricate three-dimensional network.

The aim is to provide optimum conditions for families, businesses and ideas to grow and inhabit whatever space need.

115 | DESIGN

PROCESS INTERMEDIATE DESIGN STEPS

Fig. 100: EARLY DESIGN CONCEPT MASTER THESIS | 116

PROCESS

INTERMEDIATE DESIGN STEPS

Fig. 101: PROGRESS DEPICTION OF THE DESIGN 117 | DESIGN

SITE PLAN

THE BUILDING AND THE CONTEXT

MARXER PLATEAU WILDERNESS > PARK

100 METERS Fig. 102: SITE PLAN AND FIGURE GROUND MASTER THESIS | 118

FIGURE GROUND

EXPLODED AXO

PIECES OF THE PROJECT

MODULES

GREEN BAND

RED CARPET

BUILDING

Fig. 103: EXPLODED AXO 119 | DESIGN

MARXER PLATEAU A NETWORK OF PARKS CONNECTING SANKT MARX

MARXER PLATEAU WILDERNESS > PARK

EUROGATE

ROBERT HOCHNER PARK

GREEN HEART

PARK

WILDGANSHOF GARDEN

MARXER FRIEDHOF PARK

200 METERS

MARXER PLATEAU

When visiting the site today, one is presented with an elevated green space with a diverse range of plants and wildlife. It is a space detached from the urban context with an atmosphere of tranquillity and serenity. An urban environment in such close proximity to the city centre is often deprived of such natural beauty. The space is truly unique.

The Europan design brief calls for a design proposal of 66.000m2 to be built on the park, which would eradicate its unique quality entirely.

Fig. 104: ATMOSPHERIC REPRESENTATION OF THE PARK

Fig. 105: A NETWORK OF PARKS CONNECTING SANKT MARX (TOP RIGHT) MASTER THESIS | 120

This project proposes the significant change of keeping the wilderness and make it accessible as a park. The building or series of buildings would instead be placed on the strategic site South of the original project site.

The exposed location of the park would be retained as the green space for interaction and recreation. The park would be one element in a chain of parks connecting Sankt Marx within.

MARXER PLATEAU

TRANSFORMING THE WILDERNESS INTO A PARK

60 METERS Fig. 106: MARXER PLATEAU SITE PLAN 121 | DESIGN

SCHEME

SIMPLE RENDERINGS FOR THE INITIAL PLACEMENT - LOOKING SOUTH

Fig. 107: SCHEMATIC RENDERING MASTER THESIS | 122

SCHEMATIC RENDERINGS

THE BUILDING AND THE CONTEXT - LOOKING NORTH

Fig. 108: SCHEMATIC RENDERING 123 | DESIGN

PLANS DEVELOPMENT

Production

Commercial Housing

Production

Commercial Housing

Share Use

Share Use

Meeting

2

Meeting

Studio

Studio

Infrastructure

Infrastructure

1

3 Production

Commercial Housing Share Use Meeting

Red Carpet

Studio

Public Spaces

Infrastructure

Light Wells

4

Park Individual Stages Incubator

Fig. 109: FLOOR PLAN DEVELOPMENT

PRODUCTIVE BASE

The productive base is located on street level and houses larger production units, as well as infrastructure spaces. A circular track gives access to spaces further inside and facilitates movement of goods within.

MASTER THESIS | 124

ZONING

There is a series of courtyards for different phases in the development of a product or idea. Commercial uses attract outsiders and an incubator space forms the creative heart. Productive uses generate goods and finally distribute them to the world.

PUBLIC SPACE

As a consequence of the productive plinth, the public space is elevated by one floor. Along the central Red Carpet, multiple public spaces with different conditions open themselves along it. The focus is introverted.

CONSTRUCTION PHASES

The building can be separated into independent stages during construction. Starting with the incubator, construction would continue with the stimulus centre, before adding two production sections.

Production

Commercial

Housing

Share Use

Meeting

Studio

Infrastructure

PLANS

DEVELOPMENT

Production

Production

Commercial

Commercial

Housing

Housing

Share Use

Share Use

Meeting

Meeting

Studio

Studio

Infrastructure

Infrastructure

Production

Commercial Housing Share Use Circulation Shared Uses Infrastructure

Green Band

Meeting

Activated Terraces

Studio Infrastructure

200 METERS Fig. 110: FLOOR PLAN DEVELOPMENT

1ST FLOOR: PLAZA

On the plaza level with all public functions, there is a focus on shared and commercial functions. All functions are strategically placed to create atmospheres and conditions favourable for clusters to form above.

4TH FLOOR: SHARED SPACES

The building is envisioned to be an international centre of networking.

All lateral circulation is limited to the plaza and the 4th floor. This way the potential of crossing paths is enhanced.

4TH FLOOR: PROGRAMME

Adjacent to the network is a collage of different uses. The building is a scaffold for ideas to be placed in optimum conditions for growth. Programme is structured by uses on the plaza and is carried vertically.

ROOFS

The roof is defined by an additional circulation strand: Green Band responding to the Red Carpet below.

Recreational activities are placed here to build connection among people outside of work and routine.

125 | DESIGN

ture FLOOR PLAN EXPLANATIONS

BOXES

Up above the programmed spaces within the base and along the red carpet is a mass of empty boxes. As mentioned above, these boxes are unprogrammed and can be occupied by inhabitants. Uses can range from housing to productive uses or develop into a creative space: such as studio spaces. Clusters of related programmes are intended to from for optimum exchange.

ture

INCUBATOR

The incubator forms the heart of the project and is closely tied to the red carpet. A continuous flow of people meandering along the red carpet and can escape into the creative haven lining both sides. The programme consists mostly of shared uses, libraries, fabrication labs, lecture halls, class rooms and communal dining facilities, as well as lounges, forming a co-working space.

ture

PLAZA LEVEL

The plaza level is elevated by one floor and sits on top of the productive base. It is meant to feel like a street level but is elevated for numerous reasons. Adjacent “Rennweg� is a noisy four-lane road with little spatial quality and high pollution.

Bringing people into the space creates a more welcoming space for interaction and social life.

cture

BASE

The base located on street level is characterised by predominantly productive functions. Larger spaces can be rented and are then easily accessible for exchange of goods. Mixed in with the productive uses is infrastructure for the building, consisting of storage and mechanical spaces, as well as vertical and lateral circulation.

Fig. 111: FLOOR PLAN DIAGRAMS MASTER THESIS | 126

Production Commercial Housing Studio Share Use Meeting Infrastructure

50 METERS

FLOOR PLAN DETAILS

10 METERS Fig. 112: DETAILED EXPLANATION

LIBRARY AND FABRICATION LAB

In an environment that is designed to facilitate the formation of ideas, research is an essential part to understand the background and context an idea exists in. The way libraries function is changing over time, as the internet provides vast amounts of unfiltered information and access to the web is essential too.

Fabrication labs are prototyping laboratories allowing ideas to be modelled quickly. In a more product-based development this method is vital in three dimensionally visualising the idea.

MEETING ZONES

Throughout the entire building meeting zones form core spaces. Scattered in locations where paths intersect, these zones become the stage for communication, interaction and cross pollination.

The four different circulations systems function in a sequence of links and nodes. Each node is a potential meeting zone, as people are more likely to stop, change direction or intersect paths with others. Emphasising the existing potential by providing lounge uses, makes the most of a phenomenon already happening.

DATA CENTRE

The project is designed to become a machine to produce the future. Ideas are tested here and change is implemented on a scale that can be monitored. In a more drastic scenario the building can be understood as the manifestation of change.

In order to systematically introduce change, it makes sense to understand the present reality.

For this, life can be monitored in the form of data collection, providing a set of numbers to be analysed. The data centre has the potential to really understand what civilisation is.

127 | DESIGN

FLOOR PLAN

INCUBATOR: PLAZA LEVEL

Fig. 113: FLOOR PLAN: INCUBATOR MASTER THESIS | 128

25 METERS

FLOOR PLAN

25 METERS

INCUBATOR: SECOND FLOOR

Fig. 114: FLOOR PLAN: SECOND FLOOR 129 | DESIGN

FLOOR PLAN

INCUBATOR: UPPER FLOOR

Fig. 115: FLOOR PLAN: UPPER FLOOR MASTER THESIS | 130

25 METERS

FLOOR PLAN

25 METERS

INCUBATOR: PRODUCTIVE BASE LEVEL

Fig. 116: FLOOR PLAN: PRODUCTIVE BASE LEVEL 131 | DESIGN

SECTION INTERLACING AND INTERCONNECTING OF MODULES

MASTER THESIS | 132

SECTION

DETAIL

Fig. 117: SCHEMATIC SECTION 133 | DESIGN

MOCK ELEVATION

Fig. 118: MOCK ELEVATION MASTER THESIS | 134

CULTURAL CENTRE

The new Cultural Centre is intended to elevate the culture of Chinese in America. On six floors, exhibition spaces, auditoriums and assembly spaces provide more space for the existing organisation.

The building is made higher so that public green space can be given back to New Yorkers.

The base is formed by local brownstone, while the triangulated facade is in the spirit of ancient Chinese porcelain with modern elements and Feng Shui influences.

135 | DESIGN

DRAWINGS ELEVATIONS AND LONGITUDINAL SECTION

Fig. 119: EAST ELEVATION

Fig. 120: WEST ELEVATION

Fig. 121: LONGITUDINAL SECTION MASTER THESIS | 136

DRAWINGS

ELEVATION AND LONGITUDINAL SECTIONS

20 METERS 137 | DESIGN

VIEWS MARXER PLATEAU

Fig. 122: PERSPECTIVE LOOKING SOUTH MASTER THESIS | 138

VIEWS

PARK ON THE ROOF

Fig. 123: PERSPECTIVE LOOKING NORTH-WEST 139 | DESIGN

MODEL PHOTOGRAPHS

PERSPECTIVE MASTER THESIS | 140

MODEL

PHOTOGRAPHS

WILDGANSHOF AND BUILDING

CAMILLO SITTE + BUILDING + T-CENTER

TOP VIEW

MARXER PLATEAU

COURTYARDS

Fig. 124: MODEL PHOTOS 141 | DESIGN

PRESENTATION FINAL PRESENTATION HELD ON JUNE 20TH 2019

Fig. 125: PRESENTATION PANELS

MASTER THESIS | 142

EXHIBITION END OF YEAR EXHIBITION: DIA AT HOCHSCHULE WISMAR

Fig. 126: EXHIBITION PANELS

143 | DESIGN

COMPETITION SUBMISSION ENTRY FOR EUROPAN 15

Fig. 127: COMPETITION PANELS

MASTER THESIS | 144

COMPETITION

SUBMISSION ENTRY FOR EUROPAN 15

SYNOPSIS: THE STORY

In the productive city, the greatest potential lies in human cooperation and collaboration. There is great value in connections between people, be it efficient production processes or the joined effort to innovate. The principle of linking people to one another and creating spaces that allow for human interaction forms the basis of this project: The Red Carpet.

The Red Carpet views the productive city as a vision that will be created in phases over time. This proposal is an “innovation-machine”, cultivating ideas for the future city. None of us can predict the future, thus it is necessary to create an environment, a haven of sort, to test our wildest guess of what this future might be. A testing ground for reality. A place that innovates constantly in a controllable loop and slowly introduces change.

The approach suggests a sequence of buildings serving as the prototyping environment to invent and monitor the foundation and potential of a productive city. A productive ground floor and unprogrammed modules on levels above mix manufacturing, housing, amenities and creative functions in a diverse setup.

The architecture is dominated by circulation systems that follow the unique flow patterns of Goods, People + Ideas. The main spine is the Red Carpet, meandering like a river and flowing into multiple public spaces uniting the commercial, productive and knowledge-generating potential of the people. The superstructure is articulated through a series of courtyards creating an introverted focus and densifying the human interac-

tion within. A productive pedestal zone on street level accommodates production halls, storage rooms, as well as technical areas, transport routes and infra-structural spaces.

A highly flexible design of modular elements gene- rates a landscape of optimum conditions and growth potential. For reasons of efficiency, core resources and infrastructure are shared and at the same time form a functional backbone for the later arrangement of individual uses in modules.

A roof garden, called Green Band, connects the users of the building with the inhabitants of surrounding neighbourhoods and the outside world. An existing natural space or “Wilderness” in the north is opened up as a park and forms the beginning and the end of a collaborative and cooperative creative process. The aim of this project is not only to maximise economic potential but to move beyond that as well. It seeks to imagine a new societal structure that functions around the exchange of ideas and the pursuit of knowledge.

The resulting building is a complex, yet manageable superstructure that is oriented around a series of courtyards. The introverted focus helps facilitate social interaction and populates the vast structure. Highpoints provide identity and help with orientation, while the circulation systems regulate movement to, into and around the building. In an environment that is designed to facilitate the formation of ideas, research is an essential part to understand the background and context an idea exists in. The way libraries function is changing over time, as the internet provides vast amounts of unfiltered information and access to the web is essential too.

Fabrication labs are prototyping laboratories al-

lowing ideas to be modelled quickly. In a more product-based development this method is vital in three dimensionally visualising the idea.

MARXER PLATEAU: A PARK

When visiting the site today, one is presented with an elevated green space with a diverse range of plants and wildlife. It is a space detached from the urban context with an atmosphere of tranquillity and serenity. The space is truly unique.

The Europan design brief calls for a design proposal of 66.000m2 to be built on the wilderness, which would eradicate its unique quality entirely.

This project proposes the significant change of keeping the wilderness and make it accessible as a park. The building will instead be placed on the strategic site. The park would be one element in a chain of parks connecting Sankt Marx within.

This strategy of placing parks is found in urban planning throughout history. Even Otto Wagner claimed that there is no economic loss when installing a park, as real-estate value and quality of life in the area improve significantly.

CO: WORK / LIFE / PRODUCTION

The Co-Family of Co-Working, Co-Living and CoProducing is founded in our evolutionary necessity to work in teams. Human beings have developed systems of sharing and working together in order to jointly tackle the struggle for survival.

There is infinite potential in human interaction and the creative outcomes of combined brain power are often remarkable. If a person has an idea, how does this person get access to the collective brain required to allow the idea to grow?

The proposed project is intended to be a place with the purpose to do just that: Let an idea grow.

145 | DESIGN

COMPETITION EXPLANATIONS

LETTING IDEAS GROW

Conceptionally, the proposal covers all necessary steps from inspiring, generating and developing ideas, to prototype testing, transitioning into produc- tion and finally into a product that can be distributed. It is not defined yet if a product needs to be a physical product or if intellectual products are included in this concept.

A person can come to the site, get inspired, and go through a process to develop ideas with others. It could be an; exhibition, artwork, legislation proposal, product idea, research topic, suggestion to solve any given problem or idea to implement the productive city in the outside world.

People form a group, share knowledge, make prototypes in fabrication labs, reiterate, present their idea, take in advice and continue development, before finally releasing their findings or product to the world. Ideally, the loop continues while the productive outcome is optimised over and over again.

A JOURNEY THROUGH THE BUILDING

The architecture is in its essence a linear path, derived from the existing fabric of the elongated site. The collection of courtyards suggests a directed sequence. Starting with the park and the stimulus centre, people detach from their urban lives and allow thoughts and ideas to come.

The commercial zone is intended to attract a maximum of residents, visitors, passersby and give a stage for reflection and initial contact with other people. The incubator or co-working space is the heart where ideas become knowledge or feasible products. Underneath the highway are two more courtyards housing production halls, as

MASTER THESIS | 146

well as infrastructure like loading docks, parking garages and mechanical spaces. Each courtyard has the appropriate facilities to set the conditions for their specialised function: commercial, education, production, distribution...

SEQUENCE

Like a production process in general, the productive city will go through a process. At first, the existing wilderness will be made accessible as a park. This recreational space provides a relaxing atmosphere known to spark ideas.

With their idea, individuals will interact with likeminded people in the first courtyards before reaching the incubator. This place is designed to be a co- working space. Resources are shared and teams rent only what is essential for initial growth.

The incubator is a place to interact and soak up knowledge before moving on to the next courtyards. Libraries, meeting space, computer labs, fabrication labs and research facilities, are usable to the person or team.

Once knowledge is accumulated, the team moves on to find their own module in optimum conditions for their further growth. This search can be aided by an AI or chosen individually.

In their module, additional modules can be rented adjacent with the potential to double or triple the original size. Expansion is almost limitless, before projects have matured and can find offsite locations. If office spaces are required the T-Center has empty space available.

COURTYARDS

As a traditional typology in Vienna, courtyards have provided light, air and structure to many buildings. A series of courtyards makes sense in this project as it allows for specialised programme on ground level and flexible clustering above. Going from one courtyard to the next includes the transition through a threshold translating the conceptual closure of each phase into an architectural reality.

FLOW: MOVEMENT AND INTERSECTION

In this project, Goods, People + Ideas are the principle elements of the productive city. Each of them has a unique movement pattern and thus needs to be approached differently. Using this as a basis, the architecture needs to be driven by dynamic systems, creating links and nodes as the infrastructure to establish a network of social interaction.

Goods are transported on conveyor belts during the production process and are transported from node to node within a logistical supersystem. After being purchased by the consumer, the product experiences a phase change in the form of consumption and continues as a waste product.

The flow pattern is linear.

Humans almost always deviate from the linear path as People have a tendency to meander.

Straight lines only rarely intersect, while meandering paths can intertwine voluntarily and by chance.

This is a sign of life and highlights the significance of random occurrences, encounters and interactions. Accidental collisions are designed to happen, as life makes us meander. It is a natural phenomenon that architecture can strengthen.

COMPETITION

SUBMISSION ENTRY FOR EUROPAN 15

Ideas are unique in that they occur to someone or multiple people independently. From there, ideas tend to spread. One person tells the next and everyone contributes to the growth of a wave sparked by someone having a thought.

Having analysed the three different movements goods, people and ideas undergo, this research can form the foundation for the underlying circulation systems. Each of these movements or flows, require human intervention, but are still distinctly different from one another.

The next step was an investigation of flows across a list of potential programmes to investigate potential; overlaps, distribution, orientation, loops, or any other significant alterations.

In this system, it becomes apparent that people are the most mobile components. Goods have selected distributions centres and are transported from one stop to the next. These stops can be clustered and strategically placed to minimise inefficient centralisation. Ideas are peculiar elements moving with people to certain locations.

The programme of these functions is relatively similar so that they can also be strategically placed to distribute the emergence of ideas.

CIRCULATION

There are four different kinds of circulation. The main one is the Red Carpet attracting people to the space and allowing for linear movement along the length of the building. The Red Carpet is replacing the existing bike path between the centre of Vienna and Simmering. In the productive base there is a logistics access route called the Black Belt, hinting at associated conveyor belts. It is drawing from logistics on cruise ships and distributes goods. The Yellow Lace is a light-

er interior circulation with communal zones and access to the modules (explained under “Modules” on page 4). Finally, the Green Band is a rooftop park for everyone to enjoy.

NETWORK

The structure of the building is intended to facilitate interaction between individuals with the same aim, but also with individuals of unrelated professions. Cross-pollination is key. For the network to be directed yet flexible, an interconnected cloud of clusters is a good conceptual fit.

Within the context of a universe of things, verticality plays an important role. Production in the city is a sector with sensitive demands for space so that stacking is a viable option. For this to work, it needs vertical infrastructure and circulation systems allowing goods to travel vertically.

Links and nodes create a network and meeting spaces form at these nodes.

BRIDGES

The brief asks for multiple approaches of linking neighbourhoods. What if, the proposed building becomes an introverted bridge in itself with multiple access and exit points? This way public space can be strategically placed, reacting to deficiencies in the context and link neighbourhoods from within. The existing bike path is relocated to within the building, which maximises interaction potential.

PUBLIC SPACE

For the project to find its footing in the existing urban context, strategically placed public spaces establish relationships between the existing and

the new. Urban analysis pinpointed strategically favoured locations. Within the concept of “implanting productive uses” these public spaces form the stage for interaction and consequently the space where the productive potential of collaboration is unleashed. In a second step; connections, opening, programme, and conditions will need to be determined. A sensible concept for circulation will be developed on the grounds of public space placement.

CONSTRUCTION PHASES

The building can be separated into independent stages during construction. Starting with the incubator, construction would continue with the stimulus centre, before adding two production sections (see panel 2, bottom).

PRODUCTIVE BASE

The productive base located on street level is characterised by; storage spaces, production halls, mechanical spaces and workshops. Larger spaces can be rented and are easily accessible for exchange of goods. Due to only one access road on Rennweg, an additional route, the Black Belt is added. It forms a circuit path within the productive base. It has road access and enables relative freedom for the movement of goods into and throughout the building. The Black Belt is coupled with cargo lifts serving all floors and allowing transport of goods and people to virtually anywhere. Light wells from the Red Carpet create visual relationships and give access to daylight.

147 | DESIGN

MASTER THESIS | 148

COMPETITION

SUBMISSION ENTRY FOR EUROPAN 15

DATA CENTER

The project is designed to be an innovation machine to produce the future. Ideas are tested here and change is implemented on a scale that can be monitored. In order to systematically introduce change, it makes sense to understand the present reality. For this, life is monitored in the form of data collection, providing mass data for analysis.

MODULES

The Red Carpet is the defining circulation strand for the entire project. It serves the movement of people, and functions as the main connector. Starting at ground level an accessible ramp brings pedestrians to an elevated plaza on top of the productive base, forming the introverted spine for the project. It is meant to feel like a street level, but is elevated for numerous reasons. Adjacent “Rennweg” is a noisy four-lane road with little spatial quality and high pollution.

Bringing people into this elevated space creates a more welcoming space for interaction and social life. The Red Carpet “enobles” human activity and sets the stage for social interaction.

For maximum flexibility and adaptability, a series of modular units is proposed. Each module measures 4 x 6 meters and is self-contained by design. Users can choose from a variety of different “boxes” and use them for living, production or intellectual purposes. Users are aided in finding optimum conditions. This takes inspiration from nature, as organisms are likely to settle where conditions are favourable.

In this project, courtyards are defined by various shared facilities, like workshops, a library, fabrication labs, storage units and so on. Each courtyard has a dedicated purpose. If a business requires access to any such facility, it makes sense to settle in a module in close proximity to such services.

Clusters of related intentions are welcomed to form for optimum exchange. Modules are accessed from a centrally located corridor of the Yellow Lace. From this spine, modules can fuse and interlace with adjacent boxes on three levels, forming an intricate three dimensional network.

The aim is to provide optimum conditions for residents, businesses and ideas to grow and inhabit what ever space needed.

INCUBATOR

CONCLUSION

RED CARPET

The incubator forms the heart of the project and is closely tied to the Red Carpet. It is envisioned as a vibrant co-working space, where all three of the elements: Goods, People + Ideas come together in a vertex of creativity. A continuous flow of people meandering along the Red Carpet can escape into the creative hub lining both sides.

The programme is inspired by co-working spaces and consists mostly of shared uses: libraries, fabrication labs, lecture halls, class rooms and communal dining facilities, as well as lounges.

invites everyone and needs everyone to function properly. Diversity and intersection are key: The Red Carpet will be better because of it.

Info: The Red Carpet, An Innovation Machine Location: Sankt Marx, Vienna, Austria Max height: 9 storey (33m) Normal height: 5 storey Modules: ca. 1850 Productive Base: ca. 25.000m2 Floor Space: ca .48.600m2 Total: ca. 73.600m2 Public Space: +12.000m2 Roof Garden: +8.400m2 *approximations

The proposed building is large, but mixes all sorts of city texture in new high quality spaces. It will be an icon for Vienna and attract investment as well as thinkers for a productive future. The Red Carpet is meant to be for everyone, people of all back- grounds, interests, and motivations.

The vastness of empty space has the capability to be an anchor for affordable housing and production under one big roof. A mixed community of workers and thinkers coming together in a vivid, bright, diverse hub. The Red Carpet intentionally

149 | DESIGN

B

LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DO KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SA TUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO D DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALI NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DO LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBU CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SE MATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NON ET JUSTO DU LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LA STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CON DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JU LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DO KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SA TUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSU UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DU LOREM IPSUM DOLOR ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUS AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETE VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCT TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO D DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALI NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DO LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DU LOREM IPSUM DOLOR SI ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUS AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET AC SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABOR CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETE VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCT TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SA TUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DU LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. L LORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLU RE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STE TETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AME DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLIT SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLU EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD T DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM ALIQUYAM ERAT, SED DIAM VOLUPTLOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TE DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DU LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPS AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LO INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS E TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO D DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALI NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DO LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBU CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SE MATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NON ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTLOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, S MATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NON ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AME STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CON DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AME SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. S

BIBLIOGRAPHY

MASTER THESIS | 150

OLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA ADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM IQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, D DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET OLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT UM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, ED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKINUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. NSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED A SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY USTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. OLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA ADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. UA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO UM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM A TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM SAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET ETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM TUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM IQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, D DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET OLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT IT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM A TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM SAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT O SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED CCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR RE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET ETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM TUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD O DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMODLOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA ADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR UPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABOET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSEAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA Y EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET ET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET TA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR UPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO M DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA EMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO M DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA SCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. OREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR S ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM IQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, D DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET OLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT UM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, ED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKINUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKINUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DU LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. NSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED A SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY ET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, AKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAKIMATA SANCTUS EST LOREM IPSUM DOLOR SIT AMET. LOREM IPSUM DOLOR SIT AMET, CONSETETUR SADIPSCING ELITR, SED DIAM NONUMY EIRMOD TEMPOR INVIDUNT UT LABORE ET DOLORE MAGNA ALIQUYAM ERAT, SED DIAM VOLUPTUA. AT VERO EOS ET ACCUSAM ET JUSTO DUO DOLORES ET EA REBUM. STET CLITA KASD GUBERGREN, NO SEA TAK

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Stratis, Socrates PhD | 2018

Titel: ‚Drei Ansätze für eine inklusive Stadt der Maker‘ Publication: Europan 14 Documentation Publisher: Europan Germany

Tomlinson, Jim | 2015

Titel: ‚De-Industrialisation not decline defines Britain‘s economic experience since the 1950s.‘ Publisher: University of Glasgow Source: http://www.ehs.org.uk/press/de-industrialisation-not-decline-defines-britain-s-economic-experience-since-the-1950s

Accessed: 19. May 2019

WEB SOURCES

A+E Network | 2019

Titel: ‚Industrial Revolution‘ Publisher: History.com Source: https://www.history.com/topics/industrial-revolution/indutrial-revolution

Accessed: 19. May 2019

Büning, Haufe, Petereit | 2019

Titel: ‚Dielenhaus Geschichte‘ Publisher: Fleisch­hau­er-79 Bü­ning Hau­fe Pe­te­reit GbR Source: https://www.dielenhaus.de/geschichte.shtml Accessed: 19. May 2019

Bundeszentrale für politische Bildung | 2019

Titel: ‚Kapitalismus‘ Publisher: Bundeszentrale für politische Bildung Source: https://www.bpb.de/nachschlagen/lexika/lexikon-der-wirt-

schaft/19938/kapitalismus

Accessed: 01. June 2019

Busch Systems Resource Center | 2019

Titel: ‚New Urbanism‘ Publisher: Busch Systems Source: https://www.buschsystems.com/resource-center/knowledgeBase/glossary/what-is-new-urbanism

Accessed: 24. May 2019

Congress for New Urbanism | 2019

Titel: ‚What is New Urbanism‘ Source: https://www.cnu.org/resources/what-new-urbanism Accessed: 24. May 2019

Eltschinger, Cyrill | 2007

Titel: ‚China Rising‘ Publisher: Forbes Source: https://www.forbes.com/2007/11/29/china-outsourcing-

leader-oped-cx_cel_1129china.html#5994b6865ed9

Accessed: 24. May 2019

ETH Zürich | 2019

Titel: ‚Congress Internationaux d‘Architecture Moderne‘ Publisher: gta Archiv Source: https://archiv.gta.arch.ethz.ch/sammlungen/ciam-cong-

res-internationaux-d-architecture-moderne

Accessed: 19. May 2019

Europan | 2019

Titel: ‚Wien (AT)‘ Publisher: Europan Europe Source: https://www.europan-europe.eu/en/session/europan-15/

site/wien-at-1

Accessed: 20. May 2019

Grimm | 2012

Titel: ‚Infoblatt Modell des sektoralen Wandels nach Fourastié‘ Publisher: Klett Source: https://www2.klett.de/sixcms/list.php?page=infothek_arti-

kel&extra=TERRA-Online%20/%20Gymnasium&artikel_id=92652&inhalt=klett71prod_1.c.136783.de

Kalkbreite | 2019

Titel: ‚Willkomme bei der Genossenschaft Kalkbreite‘ Source: https://www.kalkbreite.net Accessed: 26. May 2019

New Urbanism Organisation | 2019

Titel: ‚Creating Livable Sustainable Communities‘ Source: http://www.newurbanism.org Accessed: 24. May 2019

Sager, Tore | 2011

Titel: ‚Neo-liberal urban planning policies: A literature survey 1990–2010‘ Publisher: Norwegian University of Science and Technology Source: https://www.sciencedirect.com/science/article/pii/

S0305900611000511

Accessed: 24. May 2019

SCRC | 2006

Titel: ‚A brief history of outsourcing‘ Publisher: North Carolina State University Source: https://scm.ncsu.edu/scm-articles/article/a-brief-history-of-

outsourcing

Accessed: 24. May 2019

Siegel, Charles | 2016

Titel: ‚The progressive roots of New Urbanism‘ Publisher: Congress for New Urbanism Source: https://www.cnu.org/publicsquare/progressi-

ve-roots-new-urbanism

Accessed: 24. May 2019

Statistisches Bundesamt | 2016

Titel: ‚Alterung der Bevöl­kerung durch aktuell hohe Zuwan­derung nicht umkehrbar‘ Publisher: Statistisches Bundesamt Source: https://www.destatis.de/DE/Themen/Gesellschaft-Umwelt/

Bevoelkerung/Bevoelkerungsvorausberechnung/_inhalt.html?__blob=publicationFile

Accessed: 05. June 2019

Accessed: 19. May 2019

153 | BIBLIOGRAPHY

LITERATURE REFERENCES

Webb, Craig | 2014

Titel: ‚To Build a Business that lasts, think like a Redwood‘ Publisher: Remodelling Magazine Source: https://www.remodeling.hw.net/business/leadership/to-

build-a-business-that-lasts-think-like-a-redwood_o

Accessed: 24. May 2019

Wien | 2019

Titel: ‚City of Vienna‘ Publisher: Magistrate of the City of Vienna Source: https://www.wien.gv.at Accessed: 24. May 2019

Wright, Ian and Susan Cleary | 2011

Titel: ‚Are we all neoliberals now? Urban planning in a neoliberal era‘ Publisher: Planning Institute Australia - Herbert Geer Source: https://www.planning.org.au/documents/item/5004 Accessed: 24. May 2019

LECTURES

Aureli, Pier Vittorio and Maria S. Giudici | 2018 Titel: ‚Domestication and its Discontents‘ Publisher: Architectural Association Source: https://www.aaschool.ac.uk/VIDEO/lecture.php?ID=3937 Accessed: 29. November 2018

EXHIBITIONS

Architekturzentrum Wien | 2019

Titel: ‚Critical Care‘ Curators: Angelika Fritz, Elke Krasny Exhibition: 25.04 - 09.09.2019, AZW Source: https://azw.at Accessed: 24. May 2019

Stadt Wien | 2019

Titel: ‚Wien wird WOW‘ Curators: Angelika Fritz, Elke Krasny Exhibition: 29.04 - 19.05.2019 Source: https://wienwirdwow.at Accessed: 24. May 2019

MASTER THESIS | 154

VIDEOS

ORF | 2017

Titel: ‚Otto Wagner: Die Wiener Stadtbahn‘ Source: https://www.youtube.com/watch?v=dgJeK2k7sIE Accessed: 02. June 2019

VOX | 2017

Titel: ‚The world is pooly designed. But copying nature helps‘ Availability: Youtube Source: https://www.youtube.com/watch?v=iMtXqTmfta0 Accessed: 24. May 2019

ADDITIONAL SOURCES Aureli, Pier Vittorio | 2013 Titel: ‚The City as a Project‘ Publisher: Ruby Press

Burdett, Ricky and Philipp Rode | 2018

Titel: ‚Shaping cities in an Urban Age‘ Publisher: Phaidon, London Editors: London School of Economics and Alfred Herrhausen Gesellschaft

Bouwmeester Maitre Architects | 2018 Titel: ‚Brussels Productive City‘ Publisher: bouwmeester Maitre Architects

Carroll, Sean | 2009

Titel: ‚Are Cities Just Very Large Organisms?‘ Publisher: Discover Magazine, Waukesha, WI Source: http://blogs.discovermagazine.com/cosmicva-

rice/2009/04/29/are-cities-just-very-large-organisms/#.V06T3GNf--Q

Accessed: 01. June 2016

Citation | 2019

Titel: ‚Harvard Referencing Style‘ Publisher: Cite this for me.

Source: http://www.citethisforme.com/harvard-referencing Accessed: 19. May 2019

Dovey, Kim | 2016

Titel: ‚Urban Design Thinking‘ Publisher: Bloomsbury

Guallart, Vicente | 2019

Titel: ‚Sociópolis - Project for a City of the Future‘ Publisher: Actar + Architekturzentrum Wien

Hahn, Thomas | 2014

Titel: ‚Neue Wiener Dichte - Städtebau im Zeitalter der Stadt‘ Publisher: Wien Kultur

Hall, Peter and Kathy Pain | 2009

Titel: ‚The Polycentric Metropolis - Learning from Mega-city regions in Europe‘ Publisher: Earthscan

Jackson, Iain | 2015

Titel: ‚The Architecture School Survival Guide‘ Publisher: Laurence King Publishing, London

Jocher, Thomas and Sigfrid Loch | 2012

Titel: ‚Raumpilot‘ Publisher: Wüstenrot Stiftung, Ludwigsburg and Karl Krämer Verlag Stuttgart + Zürich

Lewis, Paul and M. Tsurumaki, D.J. Lewis | 2016 Titel: ‚Manual of Sections‘ Publisher: Princeton Architectural Press, New York

Rushkoff, Douglas | 2019

Titel: ‚Team Human‘ Publisher: W. W. Norton & Company Ltd., New York

Neufert, Ernst | 2012

Titel: ‚Neufert Bauentwurfslehre, 40. Ausgabe‘ Publisher: Springer Verlag

Waldheim, Charles | 2016

Titel: ‚Landscape as Urbanism: A General Theory‘ Publisher: Princeton University Press

Lim, CJ | 2017

Titel: ‚Inhabitable Infrastructure‘ Publisher: Taylor & Francix Ltd.

ILLUSTRATION REFERENCES

INTRODUCTION 01 Figure

Name: Title Collage: Designing the Future Source: JH Höhnk Inspiration: https://www.theatlantic.com/sponsored/volvo-2018/ designing-for-the-future/1757/ (Edited)

02Figure

Name: Aerial View of Wismar (2002) Source: Historic Centers of Stralsund and wismar. Unesco Report for

the 26th Session of the World Heritage Committee

03 Figure

Name: City Scape of Glasgow (Industrial Revolution) Source: https://www.englishfinecottons.co.uk/journal/heritage/

potted-history/attachment/industry-factories-industrial-town-eng-

land-wood-engraving-circa-1880-1880s-19th-century-historic-historical-chimney-c/

04 Figure

Name: Tom Holbrook, Architect, 5th Studio London + RMIT Source: Bauwelt 35.2016, Page 18

SITE ANALYSIS 05 Figure

Name: Territorial Topography Source: Europan Competiton Files (Edited)

06 Figure

Name: Europan Sites Map Source: https://www.europan-europe.eu/en/session/europan-15/ sites (Edited)

07 Figure

Name: Europe Map with the location of Austria and Vienna Source: Google Earth (Edited)

08 Figure

Name: Map of Vienna with Europan Site and Context Source: Europan Competiton Files (Edited)

09 Figure

Name: Karlskirche in Vienna

Source: https://commons.wikimedia.org/wiki/File:Wien,_Karlskirche_

und_TU.jpg (Edited)

10 Figure

Name: Notable buildings in Vienna Image 1: Schloss Belvedere Source: https://www.flickr.com/photos/24736216@N07/7976740909 Image 2: Stephansdom Source: https://pixabay.com/de/photos/wien-stephansdom-dom-

stadt-428021/

Image 3: Stadtbahn Source: http://www.potyka-partner.at/projekte/hochbau/generalsanie-

rung-u6-stationen/

Image 4: Karl-Marx-Hof Source: JH Höhnk Image 5: Staatsoper Source: https://commons.wikimedia.org/wiki/File:Wien_-_Wiener_

Staatsoper_03_-_2018-08-24.jpg

Image 6: Hundertwasserhaus Source: JH Höhnk Image 7: Schloss Schönbrunn Source: JH Höhnk

11 Figure

Name: Tourist Map Source: https://www.pinterest.com/pin/7670261848253340/

12 Figure

Name: Diagrams from Vienna‘s Development Strategy Source: Wien Stadtentwicklungskonzept: Produktive Stadt: Step 2025.

13 Figure

Name: Europan Site Sankt Marx Source: Europan Competition Files (Edited)

14 Figure

Name: Europan Site Sankt Marx Source: Europan Competition Files (Edited)

15 Figure

Name: Site Visit Photographs (6 images) Source: JH Höhnk (Edited)

16 Figure

Name: Site Visit Photographs (2 images) Source: JH Höhnk (Edited)

17 Figure

Name: Site Analysis (3 diagrams) Created: JH Höhnk

18 Figure

Name: Site Analysis (3 diagrams) Created: JH Höhnk

19 Figure

Name: Site Analysis (2 diagrams) Created: JH Höhnk

20 Figure

Name: Site Analysis (3 diagrams) Created: JH Höhnk

21 Figure

Name: Historic Images Sankt Marx Image 1: Former City Defences Source: https://seen-suechtig.jimdo.com/wiener-brauereien/sankt-

marx/

Image 2: Hospital for the Poor Source: https://de.wikipedia.org/wiki/Sankt_Marx#/media/File:Sankt_

Marxer_Spital_um_1724.jpg

Image 3: Canal for Transport Source: https://de.wikipedia.org/wiki/Sankt_Marx#/media/File:Kanal-

maut_St.Marx.jpg

22 Figure

Name: Diagrams of historic Situation (2 diagrams) Created: JH Höhnk

23 Figure

Name: 3D Analysis | Top View Created: JH Höhnk

24 Figure

Name: 3D Analysis | Looking South Created: JH Höhnk

155 | BIBLIOGRAPHY

ILLUSTRATION REFERENCES

25 Figure

Name: 3D Analysis | Looking North Created: JH Höhnk

26 Figure

Name: Asset Diagrams (3 diagrams) Created: JH Höhnk

27 Figure

Name: Challenges Diagrams (3 diagrams) Created: JH Höhnk

PRECEDENT: E14 ANALYSIS 28 Figure

Name: Europan 14 Site, Vienna Liesing Source: https://www.wettbewerbe.cc/storyitem/article/europan-14/

29 Figure

Name: Winner | 3L‘s for liesing Source: https://www.wettbewerbe.cc/storyitem/article/europan-14/

30 Figure

Name: Runner-Up | Potent-IAL Source: https://www.wettbewerbe.cc/storyitem/article/europan-14/

31 Figure

Name: Amsterdam Papaverdriehoek Source: https://www.wettbewerbe.cc/storyitem/article/europan-14/

32 Figure

Name: Winner | Maker Neighbourhood Source: https://www.wettbewerbe.cc/storyitem/article/europan-14/

33 Figure

Name: Runner-Up | Coliving Source: https://www.wettbewerbe.cc/storyitem/article/europan-14/

PRECEDENTS: LITERATURE 34 Figure

Name: Huckepackbahnhof, Hamburg Source: https://www.bauwelt.de/themen/bauten/Huckepackbahn-

hof-Hamburg-Konzepte-Zukunft-Gewerbegebiet-HENN-2662340.html

MASTER THESIS | 156

35 Figure

Name: Aspern Seestad, Vienna Source: https://www.aspern-seestadt.at/jart/prj3/aspern/data/

downloads/workflow_Moderne_Arbeitswelten_aspern_Seestadt_2018-12-03_1212975.pdf

36 Figure

Name: Firma Wittenstein Source: https://www.wittenstein.de/de-de/unternehmen/produk-

tion-der-zukunft/urbane-produktion/

37 Figure

Name: Wet-Gewerbehof, Hamburg Source: www.iba-hamburg.de

38 Figure

Name: Nordbahnhofviertel, Vienna Source: 1. https://www.nordbahnhalle.org/events/nordbahnhofvorlesung-ge-

meinschaftsraeume-was-frustriert-was-funktioniert/attachment/z2009_ studiovlay02_projekte115_nord_wien01_arbeitsordner05-2/

2. https://upload.wikimedia.org/wikipedia/commons/7/79/Rudolf-Bednar-Park_03.jpg

39 Figure

Name: Dome , Caen Source: https://www.detail.de/artikel/experimentier-und-innovations-

freudig-dome-in-caen-30098/

PRECEDENTS: INDIVIDUAL THEMES 40 Figure

Name: Holzhafen Berlin, Kleinhues Source: https://www.baunetz.de/meldungen/Meldungen-Kleihu-

es_Kleihues_bauen_mit_Graft_am_Berliner_Spreeufer_3543885.html

41 Figure

Name: Credit Suisse Zürich Source: http://evolution-design.info/ger/Office/Credit-Suisse-Zuerich

42 Figure

Name: Unilever Headquarters Hamburg Source: https://behnisch.com/work/projects/0344

43 Figure

Name: Shanghai Grand Opera House Source: https://snohetta.com/projects/409-shanghai-grand-opera-

house

44 Figure

Name: Unité d‘Habitation Section Source: A. Ol, K. Iwanow, A. Ladinski, Wettbewerbsentwurf für ein

kommunales Haus, 1927, axonometrischer Schnitt.

45 Figure

Name: Research Centre Sorbonne | BIG Source: https://visuall.net/2011/11/19/big-off-win-the-competition-

to-design-a-research-centre-in-paris/

46 Figure

Name: Library Jussieu | OMA Source: https://oma.eu/projects/jussieu-two-libraries

47 Figure

Name: Medienbunker, Hamburg Source: https://www.hamburg.de/sehenswuerdigkeiten-erleb-

nis/10445612/bunker-feldstrasse/

48 Figure

Name: Playground in Copenhagen, JAJA Architects Source: Detail Magazine: 7/8 (2018), page 32

49 Figure

Name: Gund Hall, Cambridge, MA | John Andrews Source: Screenshot from: https://www.youtube.com/watch?time_con-

tinue=35&v=Mmo7f4R-i1c

50 Figure

Name: Borough Market, London Source: https://www.cntraveller.com/gallery/borough-market-res-

taurants

51 Figure

Name: Science City Bahrenfeld, Hamburg Source: Screenshot from: https://www.youtube.com/watch?-

v=Htns4djW7cg, https://www.uni-hamburg.de/newsroom/campus/2019/0122-sciencecitybahrenfeld.html

ILLUSTRATIONS REFERENCES

52 Figure

62 Figure

71 Figure

53 Figure

63 Figure

72 Figure

Name: The Spark, Worldwide | Snøhetta Source: https://snohetta.com/projects/388-the-spark Name: Europa City | Snøhetta Source: https://snohetta.com/projects/84-europa-city

54 Figure

Name: Vancouver Tower | BIG Source: https://dailyhive.com/vancouver/vancouver-house-tower-is-

set-to-change-the-face-of-this-city-forever

55 Figure

Name: Library Zürich | Calatrava Source: https://www.zuerich.com/en/visit/attractions/faculty-of-law-li-

brary

56 Figure

Name: 88 Wood Street, London| RSH-P Source: https://www.rsh-p.com/projects/88-wood-street/

57 Figure

Name: TGZ, Wismar| Jean Nouvel Source: https://www.db-bauzeitung.de/allgemein/hafenbau/#sli-

der-intro-7

58 Figure

Name: Urban Design Proposal, Pittsburgh | BIG Source: Pittsburgh https://big.dk/#projects-pitt

59 Figure

Name: Cheonggyecheon, Seoul Source: https://gizmodo.com/6-freeway-removals-that-chan-

ged-their-cities-forever-1548314937

60 Figure

Name: Kalkbreite, Zürich Source: https://www.kalkbreite.net

61 Figure

Name: RTBF Kiest, Brussels | Canvas Source: https://www.canvas.be/cultuur/rtbf-kiest-brussels-ontwerp

Name: Sunken Garden Melbourne Created: JH Höhnk Name: 66 Hudson Boulevard, BIG Source: https://www.langan.com/portfolio/the-spiral-66-hudson-bou-

levard/

PRECEDENT ANALYSIS 64 Figure

Name: Architectural Association, London Created: JH Höhnk

65 Figure

Name: Unilever Headquarters, Hamburg Created: JH Höhnk

EXHIBITIONS

Name: Flow Diagrams (3 diagrams) Created: JH Höhnk Name: Metabolism Diagram Created: JH Höhnk

73 Figure

Name: Flow Diagrams (2 diagrams) Created: JH Höhnk

74 Figure

Name: Colourful Block Sketch Created: JH Höhnk

75 Figure

Name: Modul Sketches Created: JH Höhnk

66 Figure

76 Figure

67 Figure

77 Figure

Name: Exhibition Photograph Created: JH Höhnk Name: Exhibition Photograph Created: Kelly van Homrigh

CONCEPT 68 Figure

Name: Analysing the Brief Created: JH Höhnk

69 Figure

Name: Initial Response Created: Kelly van Homrigh

70 Figure

Name: Initial Sketches Created: JH Höhnk

Name: Courtyard Sketches Created: JH Höhnk Name: Programme Consideration Created: JH Höhnk

78 Figure

Name: Adjacency Diagram Created: JH Höhnk

79 Figure

Name: Network Concept Sketch Created: JH Höhnk

80 Figure

Name: Pedestrian Access Concept Sketch Created: JH Höhnk

81 Figure

Name: Vertical Ecosystem Concept Sketch Created: JH Höhnk

157 | BIBLIOGRAPHY

ILLUSTRATION REFERENCES

82 Figure

Name: Public Space Concept Sketch Created: JH Höhnk

83 Figure

Name: Mix of Programme Concept Sketch Created: JH Höhnk

84 Figure

Name: Individual Demand Investigation Created: JH Höhnk

85 Figure

Name: Schnürsenkel | The Lace Created: JH Höhnk

86 Figure

Name: Sequence Development Created: JH Höhnk

87 Figure

Name: Development Phases Created: JH Höhnk

88 Figure

Name: Red Carpet Concept Sketch Created: JH Höhnk

89 Figure

Name: Swirl Concept Sketch Created: JH Höhnk

90 Figure

Name: Cluster Concept Sketch Created: JH Höhnk

91 Figure

Name: RTBF Kiest, Brussels | Canvas Source: https://www.canvas.be/cultuur/rtbf-kiest-brussels-ontwerp

DESIGN 92 Figure

Name: Strategic Diagrams (2 diagrams) Created: JH Höhnk

93 Figure

Name: Design Diagrams (8 diagrams) Created: JH Höhnk

94 Figure

Name: Design Figure Ground and Context Created: JH Höhnk based on Open Street Mao Data

95 Figure

Name: Sequence Diagram Created: JH Höhnk

96 Figure

Name: Concept Diagrams (8 diagrams) Created: JH Höhnk

97 Figure

Name: Circulation Diagram Created: JH Höhnk

98 Figure

Name: Circulation Diagrams (4 diagrams) Created: JH Höhnk

99 Figure

Name: Interlaced Module Tetris Created: JH Höhnk

100 Figure

Name: Exemplary Floor Plans (9 diagrams) Created: JH Höhnk

101 Figure

Name: Early Design Concept Created: JH Höhnk

102 Figure

Name: Progress Depiction of the Design Created: JH Höhnk

MASTER THESIS | 158

103 Figure

Name: Site Plan and Figure Ground (2 diagrams) Created: JH Höhnk

104 Figure

Name: Atmospheric Representation of the Park Created: JH Höhnk

105 Figure

Name: A Network of Parks connecting Sankt Marx Created: JH Höhnk

106 Figure

Name: Exploded Axo Created: JH Höhnk

107 Figure

Name: Marxer Plateau Site Plan Created: JH Höhnk

108 Figure

Name: Schematic Rendering Created: JH Höhnk

109 Figure

Name: Schematic Rendering Created: JH Höhnk

110 Figure

Name: Floor Plan Development Created: JH Höhnk

111 Figure

Name: Floor Plan Development Created: JH Höhnk

112 Figure

Name: Floor Plan Diagrams Created: JH Höhnk

113 Figure

Name: Detailed Explanation Created: JH Höhnk

ILLUSTRATIONS REFERENCES

114 Figure

Name: Floor Plan: Incubator Created: JH Höhnk

115 Figure

Name: Floor Plan: Second Floor Created: JH Höhnk

116 Figure

Name: Floor Plan: Upper Floor Created: JH Höhnk

117 Figure

Name: Floor Plan: Productive Base Created: JH Höhnk

118 Figure

Name: Schematic Section Created: JH Höhnk

119 Figure

Name: Mock Elevation Created: JH Höhnk

120 Figure

Name: East Elevation Created: JH Höhnk

121 Figure

Name: West Elevation Created: JH Höhnk

122 Figure

Name: Longitudinal Section Created: JH Höhnk Figure

123 Figure

Name: Perspective Looking South Created: JH Höhnk

124 Figure

Name: Perspective Looking North West Created: JH Höhnk, based on a rendering by Thomas Heatherwick for the Google HQ in London

159 | BIBLIOGRAPHY

MASTER THESIS | 160

DECLARATION OF ACADEMIC HONESTY EIDESSTATTLICHE ERKLÄRUNG

EIDESSTATTLICHE ERKLÄRUNG

Hiermit erkläre ich, Jan-Hendrik Höhnk, dass ich die vorliegende Master Thesis selbstständig angefertigt und nur die angegeben Quellen und Hilfsmittel benutzt habe.

I hereby declare that the attached master thesis is my own work, and that no part of it has been copied from any work produced by any other person, present or past. All information I got from other sources has been fully and properly acknowledged.

Wismar, 11. Juni 2019

Jan-Hendrik Höhnk

161 | BIBLIOGRAPHY

MASTER

Jan-Hendrik Hรถhnk Hochschule Wismar 2019

Dedicated to my parents and grandparents who continue to support my education.