M. Arch Candidate University of British Columbia
JAN LOUIS RODRIGUEZ
VERTICAL NEIGHBOURHOODS
RE-IMAGINING THE MIXED-USE TOWER thesis | year 3 | m.arch | mixed-use tower
The tower is envisioned as Vertical Neighbourhoods that accommodate a mix of lifestyles, demographics and income levels.
R E P E AT E D F L O O R P L AT E S
Re-imagining a mix-used tower that creates a complex and layered urban experience where the community can live in and among a wide range of urban activities, from cafes, places of entertainment to schools, offices and shops. Instead of passive lobbies of residential towers and commercial programming restricted to the first few levels of the building, what if there were restaurants or bars so that you could go downstairs for a beverage and snack with a neighbour, buy the newspaper, view artwork, take a dance or art class and meet your neighbour for a game of chess all in the same building. Each Neighbourhood is envisioned as its own system whose programs compliment and support each other. The move to break up the tower into three distinct neighbourhoods was motivated by the desire to create variety in the floor plans of all nineteen levels and to create dynamic building sections of a tower which are all to often forgotten in developments that are focused on profitability.
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PORTFOLIO
SCULPTURAL FORMS
NEIGHBOURHOODS
L O C AT I O N LEVELS 16 - 19
SINGLES
JOE FORTES L I B R A RY LEVEL 15
AMENITY
FITNESS / R E C R E AT I O N C E N T R E
LEVELS 9 - 14
RESIDENT’S OUTDOOR TERRACES
FA M I LY COMMUNAL FA M I LY S PA C E
D AY C A R E ’ S OUTDOOR TERRACE PRESCHOOL OUTDOOR TERRACE LEVELS 7 - 8
AMENITY
E N G L I S H B AY TERRACE
LEVELS 3 - 6
HARO ROOM
B A R C L AY R O O M
ARTISTS LIVE WORK
COMMUNITY LIVING ROOM AT R I U M
DENMAN ROOM
LEVELS 1 - 2
AMENITY
LECTURE HALL / E V E N T S PA C E
S TA N L E Y C O U R T ROOM
JAN
LOUIS
RODRIGUEZ
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HARO STREET
RESTAURANT
BOOK STORE
DENMAN STREET
LOBBY
LECTURE SPACE
LANEWAY
KING GEORGE SECONDARY SCHOOL
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PORTFOLIO
RAMP TO PARKING
STANLEY COURT ROOM
ICE RINK
JAN
LOUIS
RODRIGUEZ
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P O T T E RY S T UD IO
P O T T E RY S T U D IO
S O UT H P E RS P E CT IVE S E CT IO N B S CALE 1 : 1 0 0
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PORTFOLIO
JAN
LOUIS
RODRIGUEZ
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8
PORTFOLIO
JAN
LOUIS
RODRIGUEZ
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D
K ING GEOR GE SECOND ARY SCH OOL LIB R ARY
T O I C E R I NK
O F F IC E S
COMMUNITY LOUNGE ATR IUM
B
B
A
A
TO K ING GEORGE SCH OOL
N
2 ND L E V E L P L A N SCALE 1 : 75 D
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PORTFOLIO
D
A RTIS T LIV E / WO R K 2 B E D L O F TS
A RTIST S TOR AGE A ND L A UND RY SCULPTUR E STUD IO
A RTIS T L IV E / WO R K 1 BE D L O F TS
POTTERY STUD IO
TO ROOFTOP PARK
B
B
A
A
DENMAN R OOM
D
3RD LEVEL PLAN SCALE 1 : 75
JAN
LOUIS
RODRIGUEZ
N
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R O B S O N
M A R K E T P L A C E
VANCOUVER FARMER’S MARKET vertical design studio | year 3 | m.arch | market
education The program of this project has 3 aspects that utilizes the urban market to educate the public about Vancouver’s food system (concept of Farm to Table) by creating spaces that allows the public to see what can be grown in Vancouver, its processing and the retail of these products. Use of demonstration farms and highlighting new technologies will be use to educate the public about various farming processes that are available in Vancouver. The project will attract the a wide demographic by creating an active public walkway, “Social Street.” The Market is envisioned as an attractive place for people to enjoy a positive
education
experience for shopping and leisure. It promotes economic activity for small and medium size business. It does so by supporting the local farming economy providing fresh local produce and various products and incorporates existing vendors that sell at the Vancouver Farmer’s Market.
social streets
There is a relationship of the market and its local commercial hub on Robson and Granville by virtue of the public seating and direct access to the Social Street from Robson street. The lower building height reinforces culture of the market that connects vendors to the public, educate about urban farming and ultimately create a human-scale experience of the urban market. Idea of “deployable pods” that would be stored at the downtowneducation market, but would
social streets
become satellite markets when deployed to existing sites around the city that holds farmer markets.
education
education
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social streets
social streets
PORTFOLIO
local economy local economy
local economy
JAN
LOUIS
RODRIGUEZ
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WOOD AND GLASS ROOF
WOODEN TRUSS AND BEAM
G R E E N R O O F D E M O N S T R AT I O N FA R M
R E S TA U R A N T S
MARKET
G R E E N R O O F D E M O N S T R AT I O N FA R M
R A M P A N D S TA I R D E M O N S T R AT I O N FA R M PA R K I N G PLAZA
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RICH
ARD
S ST
REE
T
PORTFOLIO
ROB
S
TR ON S
EET
DEP
LOY
A
ST BLE
ALL
ED T S E
S
JAN
LOUIS
RODRIGUEZ
A
A ES
ET
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16
PORTFOLIO
up up
up up
up up
up up
up
ADAPTIVE ENVIRONMENTS LOUIS RODRIGUEZ
N
17 GROUND LEVEL PLAN SCALE 1 : 200
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PORTFOLIO
JAN
LOUIS
RODRIGUEZ
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electrochromic panes of glass to control the sunlight. An existing graffiti wall along Beatty Street is integrated into the form and program of the VAG as it wraps around the building using a shotcrete wall to create a smooth continuous surface for graffiti. The wall speaks to the informal / formal relationship between the public and art and also the participatory nature of the contemporary gallery.
E N G A G I N G
S O L I D
V O I D
RECONCEPTUALIZING THE VANCOUVER ART GALLERY comprehensive design studio | year 2 | m.arch | art gallery
ONE BLACK BOX WITH WHITE SPACES SURROUNG
The culture of the contemporary art gallery is one that is interactive, participatory and aims to create a memorable experience for the user. Our design organizes its programmatic elements in a solid void relationship. We conceptualize the “black box” as solid volumes that spiral around a main core creating the “white spaces” which are the voids in between the spiralling black boxes. The black box is controlled to the AA standard for museum both thermally and in
DOUBLE HELIX BLACK BOXES WITH WHITE SPACES AROUND
luminance; the white boxes are the A standard galleries (or spaces) that utilize natural daylight via a curtain that uses electrochromic panes of glass to control the sunlight. An existing graffiti wall along Beatty Street is integrated into the form and program of the VAG as it wraps around the building using a shotcrete wall to create a smooth continuous surface for graffiti. The wall speaks to the informal / formal relationship between the public and art and also the participatory nature of the contemporary gallery. box is controlled to the AA standard for museum both thermally and in luminance; the white boxes are the A standard galleries (or spaces) that utilize natural daylight via a curtain that uses electrochromic panes of glass to control the sunlight. An existing graffiti wall along Beatty Street is integrated into the form and program of the VAG as it wraps around the building using a shotcrete wall to create a smooth
continuous surface for graffiti. The wall speaks to the informal / formal relationship between the public and art and also the participatory nature of the contemporary VOID SPACE CREATED BY BLACK BOXES ARE THE WHITE BOXES gallery.
EX
PO
The culture of the contemporary art gallery is one that is interactive, participatory and aims to create a memorable experience for the user. Our design organizes its programmatic elements in a solid void relationship. We conceptualize the “black box” as solid volumes that spiral around a main core creating the “white spaces” which are the voids in between the spiralling black boxes. The black
CE
BC PLA AIN SKYTR N STATIO UI R
TY
UI
W
HAM
ER
HAM
ILTO N
PE
ND
HA
ER
RO
ST
BS
UVER VANCO Y LIBRAR
HOM
ON
IN GS
DU
ILTO N
PE
ND
ER
BIE
NS M
CAM
R
ES TG EO
RG I
A
DU NS M NG S HA ST I
AIN SKYTR N STATIO
BEAT
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PORTFOLIO HOM
ER
CULTURE OF THE GALLERY CONTEMPORARY GALLERY CULTURE
LIGHTING DESIGN GALLERY LIGHTING CONTROL SYSTEMS
JAN
LOUIS
RODRIGUEZ
21
SOUTH ELEVATION
WEST ELEVATION
EAST ELEVATION 22
PORTFOLIO
core
core
.
ch
me
END
rooftop space roo
ck
bla
fto
p
3m
ite wh ce a sp
bla
ck
future expansion
ALL PROGRAMS
bo
x
ck
wh
ite
arc
blackbox gallery
sp
bla
wh
ite
ac
e
me
hiv
sp
ica
ite
foy
er
bla
res
rooftop space
l
e
rag
sp
ck
white space gallery
.
ad
e
an
x
bo
min
ac
ch
es
wh
white space gallery
x
bo
sto
ac
e
bo
x
tau
ran
t
END core white space gallery
white space gallery
FIRE EXITS
foyer 3m START
white space gallery
art restoration mechanical multipurpose multipurpose
WHITE SPACE CIRCULATION
archive
rooftop space
TO MECHANICAL & SERVICES
reception black box gallery
mechanical administration
black box gallery TO WHITE SPACE GALLERY
core foyer black box gallery
START
START
3mfoyer
mechanical
3m
black box gallery
BLACK BOX CIRCULATION
EDUCATION CIRCULATION
MECHANICAL CIRCULATION
Level 6
Level 5
white space gallery black box gallery
mechanical
Level 4
white space gallery
white space gallery
Level 3
archives Level 2
black box gallery
Level 1 foyer
auditorium
restaurant
SECTION A - A
JAN
LOUIS
RODRIGUEZ
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mechanical
rooftop
white space gallery
black box gallery
white space gallery
black box gallery
archives
art restoration
queen elizabeth plaza
foyer
auditorium
West Georgia Street
Black Lane
B-B SECTION
B
BACK LANE
auditorium (+3 m) equip. storage loading backstage
area
building ope
rations
art storage
(+3 m)
(0 m)
BEATTY
CAMBIE
up
group entrance
coat check guest services foyer (+3 m)
up
up
gift shop (+3 m) staff
storage
up
Queen Elizabeth Plaza
main entrance
restaurant
up
(+6 m)
/ cafe (0 m)
up
A
up
(0m)
plaza (+3 m)
up
up
GROUND LEVEL PLAN 24
WEST GEORGIA
PORTFOLIO
10 9 8 7 6
mechanical
5
up
5
mechanica l (+33.5 m)
4
gallery
rooftop
SIXTH LEVEL
4
3
white space gallery (33.5 m)
up up
up
3
up
2
2
rooftop (33.5 m)
1
gallery
1
Sixth Level Plan Scale 1:300
10
gallery
mechanical
FIFTH LEVEL
9
L - 6
8 7 6 10 9 8 7 6
5
up
gallery
up up
white space gallery (+28 m)
5
4
up
4
3
mechanica l room (+28 m)
up
bb gallery
up
up
up
black box galler (+24.5 m) y
3
up up
2
FOURTH LEVEL
ws gallery
ws gallery
up
up
1
2
white space gallery (+26 m)
up
up
mechanical
Fifth Level Plan Scale 1:300
1
10 9
L - 5
8 7 6
10 9 8
art restoration
7 6
5
up
up
archives
up
black box gallery (+19 m)
bb gallery
THIRD LEVEL
5
4
up
ws gallery
4
white spac e gallery (+22 m)
up
3
up up up
white spac e gallery (+19 m)
mulipurpose
3
(+19 m)
up
2 up
up
up
up
administration
2
mechanica (+22 m) l
up
1
up
up
gallery
1
SECOND LEVEL
Fourth Level Plan Scale 1:300
10
L - 4
9 8 7 6 10 9 8 7 6
5
workshop
up
dust-free
up
meeting space 4
auditorium
sto.
5
multipurpos e room (+13 m)
art restoration (+13 m)
up
black box gallery (+13 m)
up
foyer
3
4
up
multipurpos
e room
storage
up
up
(+13 m) library servic
3 up
es
2
Staff
up
restaurant
up
archive (+13 m)
Paid
white spac e gallery (+16 m)
up
1
2
up up
Free
Paid vs Free Program Diagram
storage 1
Third Level Plan Scale 1:300 10 9
L - 3 JAN
LOUIS
RODRIGUEZ
8 7 6
25
26
PORTFOLIO
JAN
LOUIS
RODRIGUEZ
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F L U X
S O C I A L
S P A C E
HOME LY COMPETITION open competition | year 3 | m.arch | residential
In a conventional home, activity is organized according to its programmatic relationships to each other such as having the dining space by the kitchen. This creates a fixed space, where the relationship of the rooms remain static. In response to the way we live today, spaces need to be more fluid and adaptable for change. In contemporary living, the introduction of a “flux” space accommodates this need. However, flux space is often reduced to an inflexible and inadequate space that cannot adapt to various uses. Our proposal for Homely will aim to explore the possibilities of rethinking “flux” space and how it may affect the re-organization of many programmatic elements of the home. Our definition of flux is “social space” that can be reshaped to respond to the changing needs of the occupants. Typically change in the home takes place every few years, our proposal acknowledges that in the millennial lifestyle, changes occurs more frequently. By mobilizing the bedrooms into modular units, the “flux” social space is left to be defined by the user. The modular units act as dividers to shape and reorganize the space creating a truly free plan. Our proposal encourages communal living and interactions between residents that has been diminished as technology increasingly mediates our everyday lives.
“FLUX SOCIAL SPACE”
Storage Bedroom
Utilities
Dining
Bathroom
Storage Bedroom
Bathroom
Kitchen
Utilities
Kitchen
CONVENTIONAL HOUSING ORGANIZATIONAL SCHEME 28
Bedroom
Bedroom
Living
Dining
Living
PORTFOLIO
PROPOSED HOUSING SCHEME FOR HOMELY
BEDROOM MODULEs
RAISED FLOOR allows for rewiring of each module
SINGLE BEDROOM
DOUBLE BEDROOM
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LOUIS
RODRIGUEZ
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PORTFOLIO
JAN
LOUIS
RODRIGUEZ
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A
B
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500 1 bedroom
2000 sqft 4 bedroom - 4 people
Option b 4 bedroom - 5 people
125sqft personal space 375sqft social space
125sqft personal space 1500sqft social space
125sqft personal space 1500sqft social space
PORTFOLIO
A
B
500 1 bedroom
2000 sqft 4 bedroom - 4 people
Option b 4 bedroom - 5 people
125sqft personal space 375sqft social space
125sqft personal space 1500sqft social space
125sqft personal space 1500sqft social space
option c 4 bedroom - 6 people
option d 4 bedroom - 7 people
option e 4 bedroom - 8 people
125sqft personal space 1500sqft social space
125sqft personal space 1500sqft social space
125sqft personal space 1500sqft social space
JAN
LOUIS
RODRIGUEZ
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