Louis Rodriguez Portfolio 2018

Page 1

M. Arch Candidate University of British Columbia

JAN LOUIS RODRIGUEZ


VERTICAL NEIGHBOURHOODS

RE-IMAGINING THE MIXED-USE TOWER thesis | year 3 | m.arch | mixed-use tower

The tower is envisioned as Vertical Neighbourhoods that accommodate a mix of lifestyles, demographics and income levels.

R E P E AT E D F L O O R P L AT E S

Re-imagining a mix-used tower that creates a complex and layered urban experience where the community can live in and among a wide range of urban activities, from cafes, places of entertainment to schools, offices and shops. Instead of passive lobbies of residential towers and commercial programming restricted to the first few levels of the building, what if there were restaurants or bars so that you could go downstairs for a beverage and snack with a neighbour, buy the newspaper, view artwork, take a dance or art class and meet your neighbour for a game of chess all in the same building. Each Neighbourhood is envisioned as its own system whose programs compliment and support each other. The move to break up the tower into three distinct neighbourhoods was motivated by the desire to create variety in the floor plans of all nineteen levels and to create dynamic building sections of a tower which are all to often forgotten in developments that are focused on profitability.

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PORTFOLIO

SCULPTURAL FORMS


NEIGHBOURHOODS

L O C AT I O N LEVELS 16 - 19

SINGLES

JOE FORTES L I B R A RY LEVEL 15

AMENITY

FITNESS / R E C R E AT I O N C E N T R E

LEVELS 9 - 14

RESIDENT’S OUTDOOR TERRACES

FA M I LY COMMUNAL FA M I LY S PA C E

D AY C A R E ’ S OUTDOOR TERRACE PRESCHOOL OUTDOOR TERRACE LEVELS 7 - 8

AMENITY

E N G L I S H B AY TERRACE

LEVELS 3 - 6

HARO ROOM

B A R C L AY R O O M

ARTISTS LIVE WORK

COMMUNITY LIVING ROOM AT R I U M

DENMAN ROOM

LEVELS 1 - 2

AMENITY

LECTURE HALL / E V E N T S PA C E

S TA N L E Y C O U R T ROOM

JAN

LOUIS

RODRIGUEZ

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HARO STREET

RESTAURANT

BOOK STORE

DENMAN STREET

LOBBY

LECTURE SPACE

LANEWAY

KING GEORGE SECONDARY SCHOOL

4

PORTFOLIO


RAMP TO PARKING

STANLEY COURT ROOM

ICE RINK

JAN

LOUIS

RODRIGUEZ

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P O T T E RY S T UD IO

P O T T E RY S T U D IO

S O UT H P E RS P E CT IVE S E CT IO N B S CALE 1 : 1 0 0

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PORTFOLIO


JAN

LOUIS

RODRIGUEZ

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8

PORTFOLIO


JAN

LOUIS

RODRIGUEZ

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D

K ING GEOR GE SECOND ARY SCH OOL LIB R ARY

T O I C E R I NK

O F F IC E S

COMMUNITY LOUNGE ATR IUM

B

B

A

A

TO K ING GEORGE SCH OOL

N

2 ND L E V E L P L A N SCALE 1 : 75 D

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PORTFOLIO


D

A RTIS T LIV E / WO R K 2 B E D L O F TS

A RTIST S TOR AGE A ND L A UND RY SCULPTUR E STUD IO

A RTIS T L IV E / WO R K 1 BE D L O F TS

POTTERY STUD IO

TO ROOFTOP PARK

B

B

A

A

DENMAN R OOM

D

3RD LEVEL PLAN SCALE 1 : 75

JAN

LOUIS

RODRIGUEZ

N

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R O B S O N

M A R K E T P L A C E

VANCOUVER FARMER’S MARKET vertical design studio | year 3 | m.arch | market

education The program of this project has 3 aspects that utilizes the urban market to educate the public about Vancouver’s food system (concept of Farm to Table) by creating spaces that allows the public to see what can be grown in Vancouver, its processing and the retail of these products. Use of demonstration farms and highlighting new technologies will be use to educate the public about various farming processes that are available in Vancouver. The project will attract the a wide demographic by creating an active public walkway, “Social Street.” The Market is envisioned as an attractive place for people to enjoy a positive

education

experience for shopping and leisure. It promotes economic activity for small and medium size business. It does so by supporting the local farming economy providing fresh local produce and various products and incorporates existing vendors that sell at the Vancouver Farmer’s Market.

social streets

There is a relationship of the market and its local commercial hub on Robson and Granville by virtue of the public seating and direct access to the Social Street from Robson street. The lower building height reinforces culture of the market that connects vendors to the public, educate about urban farming and ultimately create a human-scale experience of the urban market. Idea of “deployable pods” that would be stored at the downtowneducation market, but would

social streets

become satellite markets when deployed to existing sites around the city that holds farmer markets.

education

education

12

social streets

social streets

PORTFOLIO

local economy local economy

local economy


JAN

LOUIS

RODRIGUEZ

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WOOD AND GLASS ROOF

WOODEN TRUSS AND BEAM

G R E E N R O O F D E M O N S T R AT I O N FA R M

R E S TA U R A N T S

MARKET

G R E E N R O O F D E M O N S T R AT I O N FA R M

R A M P A N D S TA I R D E M O N S T R AT I O N FA R M PA R K I N G PLAZA

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RICH

ARD

S ST

REE

T

PORTFOLIO

ROB

S

TR ON S

EET


DEP

LOY

A

ST BLE

ALL

ED T S E

S

JAN

LOUIS

RODRIGUEZ

A

A ES

ET

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16

PORTFOLIO


up up

up up

up up

up up

up

ADAPTIVE ENVIRONMENTS LOUIS RODRIGUEZ

N

17 GROUND LEVEL PLAN SCALE 1 : 200


18

PORTFOLIO


JAN

LOUIS

RODRIGUEZ

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electrochromic panes of glass to control the sunlight. An existing graffiti wall along Beatty Street is integrated into the form and program of the VAG as it wraps around the building using a shotcrete wall to create a smooth continuous surface for graffiti. The wall speaks to the informal / formal relationship between the public and art and also the participatory nature of the contemporary gallery.

E N G A G I N G

S O L I D

V O I D

RECONCEPTUALIZING THE VANCOUVER ART GALLERY comprehensive design studio | year 2 | m.arch | art gallery

ONE BLACK BOX WITH WHITE SPACES SURROUNG

The culture of the contemporary art gallery is one that is interactive, participatory and aims to create a memorable experience for the user. Our design organizes its programmatic elements in a solid void relationship. We conceptualize the “black box” as solid volumes that spiral around a main core creating the “white spaces” which are the voids in between the spiralling black boxes. The black box is controlled to the AA standard for museum both thermally and in

DOUBLE HELIX BLACK BOXES WITH WHITE SPACES AROUND

luminance; the white boxes are the A standard galleries (or spaces) that utilize natural daylight via a curtain that uses electrochromic panes of glass to control the sunlight. An existing graffiti wall along Beatty Street is integrated into the form and program of the VAG as it wraps around the building using a shotcrete wall to create a smooth continuous surface for graffiti. The wall speaks to the informal / formal relationship between the public and art and also the participatory nature of the contemporary gallery. box is controlled to the AA standard for museum both thermally and in luminance; the white boxes are the A standard galleries (or spaces) that utilize natural daylight via a curtain that uses electrochromic panes of glass to control the sunlight. An existing graffiti wall along Beatty Street is integrated into the form and program of the VAG as it wraps around the building using a shotcrete wall to create a smooth

continuous surface for graffiti. The wall speaks to the informal / formal relationship between the public and art and also the participatory nature of the contemporary VOID SPACE CREATED BY BLACK BOXES ARE THE WHITE BOXES gallery.

EX

PO

The culture of the contemporary art gallery is one that is interactive, participatory and aims to create a memorable experience for the user. Our design organizes its programmatic elements in a solid void relationship. We conceptualize the “black box” as solid volumes that spiral around a main core creating the “white spaces” which are the voids in between the spiralling black boxes. The black

CE

BC PLA AIN SKYTR N STATIO UI R

TY

UI

W

HAM

ER

HAM

ILTO N

PE

ND

HA

ER

RO

ST

BS

UVER VANCO Y LIBRAR

HOM

ON

IN GS

DU

ILTO N

PE

ND

ER

BIE

NS M

CAM

R

ES TG EO

RG I

A

DU NS M NG S HA ST I

AIN SKYTR N STATIO

BEAT

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PORTFOLIO HOM

ER


CULTURE OF THE GALLERY CONTEMPORARY GALLERY CULTURE

LIGHTING DESIGN GALLERY LIGHTING CONTROL SYSTEMS

JAN

LOUIS

RODRIGUEZ

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SOUTH ELEVATION

WEST ELEVATION

EAST ELEVATION 22

PORTFOLIO


core

core

.

ch

me

END

rooftop space roo

ck

bla

fto

p

3m

ite wh ce a sp

bla

ck

future expansion

ALL PROGRAMS

bo

x

ck

wh

ite

arc

blackbox gallery

sp

bla

wh

ite

ac

e

me

hiv

sp

ica

ite

foy

er

bla

res

rooftop space

l

e

rag

sp

ck

white space gallery

.

ad

e

an

x

bo

min

ac

ch

es

wh

white space gallery

x

bo

sto

ac

e

bo

x

tau

ran

t

END core white space gallery

white space gallery

FIRE EXITS

foyer 3m START

white space gallery

art restoration mechanical multipurpose multipurpose

WHITE SPACE CIRCULATION

archive

rooftop space

TO MECHANICAL & SERVICES

reception black box gallery

mechanical administration

black box gallery TO WHITE SPACE GALLERY

core foyer black box gallery

START

START

3mfoyer

mechanical

3m

black box gallery

BLACK BOX CIRCULATION

EDUCATION CIRCULATION

MECHANICAL CIRCULATION

Level 6

Level 5

white space gallery black box gallery

mechanical

Level 4

white space gallery

white space gallery

Level 3

archives Level 2

black box gallery

Level 1 foyer

auditorium

restaurant

SECTION A - A

JAN

LOUIS

RODRIGUEZ

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mechanical

rooftop

white space gallery

black box gallery

white space gallery

black box gallery

archives

art restoration

queen elizabeth plaza

foyer

auditorium

West Georgia Street

Black Lane

B-B SECTION

B

BACK LANE

auditorium (+3 m) equip. storage loading backstage

area

building ope

rations

art storage

(+3 m)

(0 m)

BEATTY

CAMBIE

up

group entrance

coat check guest services foyer (+3 m)

up

up

gift shop (+3 m) staff

storage

up

Queen Elizabeth Plaza

main entrance

restaurant

up

(+6 m)

/ cafe (0 m)

up

A

up

(0m)

plaza (+3 m)

up

up

GROUND LEVEL PLAN 24

WEST GEORGIA

PORTFOLIO


10 9 8 7 6

mechanical

5

up

5

mechanica l (+33.5 m)

4

gallery

rooftop

SIXTH LEVEL

4

3

white space gallery (33.5 m)

up up

up

3

up

2

2

rooftop (33.5 m)

1

gallery

1

Sixth Level Plan Scale 1:300

10

gallery

mechanical

FIFTH LEVEL

9

L - 6

8 7 6 10 9 8 7 6

5

up

gallery

up up

white space gallery (+28 m)

5

4

up

4

3

mechanica l room (+28 m)

up

bb gallery

up

up

up

black box galler (+24.5 m) y

3

up up

2

FOURTH LEVEL

ws gallery

ws gallery

up

up

1

2

white space gallery (+26 m)

up

up

mechanical

Fifth Level Plan Scale 1:300

1

10 9

L - 5

8 7 6

10 9 8

art restoration

7 6

5

up

up

archives

up

black box gallery (+19 m)

bb gallery

THIRD LEVEL

5

4

up

ws gallery

4

white spac e gallery (+22 m)

up

3

up up up

white spac e gallery (+19 m)

mulipurpose

3

(+19 m)

up

2 up

up

up

up

administration

2

mechanica (+22 m) l

up

1

up

up

gallery

1

SECOND LEVEL

Fourth Level Plan Scale 1:300

10

L - 4

9 8 7 6 10 9 8 7 6

5

workshop

up

dust-free

up

meeting space 4

auditorium

sto.

5

multipurpos e room (+13 m)

art restoration (+13 m)

up

black box gallery (+13 m)

up

foyer

3

4

up

multipurpos

e room

storage

up

up

(+13 m) library servic

3 up

es

2

Staff

up

restaurant

up

archive (+13 m)

Paid

white spac e gallery (+16 m)

up

1

2

up up

Free

Paid vs Free Program Diagram

storage 1

Third Level Plan Scale 1:300 10 9

L - 3 JAN

LOUIS

RODRIGUEZ

8 7 6

25


26

PORTFOLIO


JAN

LOUIS

RODRIGUEZ

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F L U X

S O C I A L

S P A C E

HOME LY COMPETITION open competition | year 3 | m.arch | residential

In a conventional home, activity is organized according to its programmatic relationships to each other such as having the dining space by the kitchen. This creates a fixed space, where the relationship of the rooms remain static. In response to the way we live today, spaces need to be more fluid and adaptable for change. In contemporary living, the introduction of a “flux” space accommodates this need. However, flux space is often reduced to an inflexible and inadequate space that cannot adapt to various uses. Our proposal for Homely will aim to explore the possibilities of rethinking “flux” space and how it may affect the re-organization of many programmatic elements of the home. Our definition of flux is “social space” that can be reshaped to respond to the changing needs of the occupants. Typically change in the home takes place every few years, our proposal acknowledges that in the millennial lifestyle, changes occurs more frequently. By mobilizing the bedrooms into modular units, the “flux” social space is left to be defined by the user. The modular units act as dividers to shape and reorganize the space creating a truly free plan. Our proposal encourages communal living and interactions between residents that has been diminished as technology increasingly mediates our everyday lives.

“FLUX SOCIAL SPACE”

Storage Bedroom

Utilities

Dining

Bathroom

Storage Bedroom

Bathroom

Kitchen

Utilities

Kitchen

CONVENTIONAL HOUSING ORGANIZATIONAL SCHEME 28

Bedroom

Bedroom

Living

Dining

Living

PORTFOLIO

PROPOSED HOUSING SCHEME FOR HOMELY


BEDROOM MODULEs

RAISED FLOOR allows for rewiring of each module

SINGLE BEDROOM

DOUBLE BEDROOM

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30

PORTFOLIO


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A

B

32

500 1 bedroom

2000 sqft 4 bedroom - 4 people

Option b 4 bedroom - 5 people

125sqft personal space 375sqft social space

125sqft personal space 1500sqft social space

125sqft personal space 1500sqft social space

PORTFOLIO


A

B

500 1 bedroom

2000 sqft 4 bedroom - 4 people

Option b 4 bedroom - 5 people

125sqft personal space 375sqft social space

125sqft personal space 1500sqft social space

125sqft personal space 1500sqft social space

option c 4 bedroom - 6 people

option d 4 bedroom - 7 people

option e 4 bedroom - 8 people

125sqft personal space 1500sqft social space

125sqft personal space 1500sqft social space

125sqft personal space 1500sqft social space

JAN

LOUIS

RODRIGUEZ

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