Graduate Portfolio by Jarrod David Haynes

J A R R O D H AY N E S

G R A D UAT E P O RT F O L I O

My name is Jarrod Haynes and I am a recent graduate from the University of Sydneyâ&#x20AC;&#x2122;s Bachelor of Architecture and Environments program. The degree was a perfect choice for me as it allowed me to combine my two great passions: Architecture and Planning. As a member of the first cohort of graduates from this program I was provided with opportunities to work alongside, and under the supervision of, the exceptional Faculty of Architecture, Design and Planning team. The depth and diversity of this program has provided me with the opportuÂnity to explore and experiment with architectural design, urban planning, policy, computational design, and even robotics. I found the exploratory and experimental nature of this program inÂcredibly appealing and I wish to continue discovering new ideas, technologies and techniques in my career within the built environment. Jarrod Haynes Melbourne, Australia jarrod.haynes1@gmail.com 0487 368 478 @jarrod.haynes

@jarrod.haynes

Museum of Bold New Art

Rehabilitation Centre for the Visually Impared

Annandale Multipurpose Hall Algorithmic Architecture - Data Driven Design

Code To Production

MUSEUM OF B OLD NE W ART The Museum of Bold New Art is an experiment that combines a large public space with a large, underground museum featuring the nation’s best absurdist, abstract and surreal art. The museum’s aim is to provide an expansive public space that can be used for events, outdoor exhibitions, as well as a wide variety of underground galleries and workshops embedded in iconic Sydney sandstone. The Museum of Bold New Art will provide a range of workshops for the local community, wider Sydney and interstate and international visitors. It will also provide a variety of restaurants, cafes and bars throughout the site. The museum and its large public space revitalises an area that has previously been ignored by both state and local governments. The site will be used as common ground to unite the two cities in the Sydney metropolitan area. The musuem’s design will likely be influenced by Daniel Libeskind’s Micromega drawings as well as his chamber works. The museum component of the precinct will likely borrow sharp angles from Libeskind’s Denver Art Museum, instead being underground, exposing a mixture of sandstone and shale and creating versatile, large, small and intimate spaces.

CONCEPT: URBAN JUNGLE The Museum of Bold New Art is an experiment that combines a large public space with a museum a large museum spanning three levels featuring absurd, surreal and bold artworks. MBNA challenges common conceptions of an art museum by placing a large public space in between two levels of the museum. In this space the public is given a chance to interact with artworks as well as to contribute their own works to the space; visitors themselves become works of the museum. Playful columns that penetrate the public space act in direct contrast with the extremes of the museum as the museum features absurd, surreal and dark artworks.

Traditional Building

Traditional buildings can act as barriers between public spaces.

Proposed Building

The proposed building will provide an expansive public space in between two levels of the museum.

Axonometric 1:1200

REHABILITATION CENTRE FOR THE VISIUALLY IMPARED

Materials are used throughout the building to provide nonvisual clues about the functions. The first level is split by two grades of concrete, the existing rough concrete on the staff side of the building and a finer polycon conrete on the patient side of the building. Similar haptic clues continue throughout thr building such as the use of rammed earth on level two to define the practice park from the library.

Timber signifies moveable objects such as doors wheras the existing brick walls help to contain and define the space. All furniture located on the patient side of the building will be fabric to encourage visitors to rest. Braille will be used strategically throughout the building to direct and inform patients on where they are in the building and where they are headed. Ths will notably be used on the copper ballustrade that will encompany the stairs,

ANNANDALE MULTIPURPOSE HALL

PLAN 1:300

LONG SECTION 1:225

SHORT SECTION 1:150

WALL SECTION 1

WALL SECTION 2

1:60

ALGORITHMIC ARCHITECTURE DATA DR IVE N DE SIG N

Concept - Importance of View As urban living becomes more and more common, there becomes a need for urban planners and architects to find ways to maintain - or even reconnect - people with nature. As of 2014, 54% of the seven billion people living on this planet were residing in urban areas. This number has been predicted to increase to 66 per cent within the next three decades (United Nations, 2014). Around 89 per cent of Australia's population live in urban areas (World Bank, 2016) and of this 68 per cent live in major cities (Australian Bureau of Statistics, 2014). Thus, the need to provide adequate access - both physical and visual - to nature, and particularly parks, is an issue that faces urban planners in Australia. As cities such as Sydney, Melbourne and Brisbane become more dense the need to provide adequate access to parks and areas of nature will become more prevalent. Visual access to parks not only provides health benefits, it can also improve the value of residences and offices. As early as the nineteenth century, the financial benefits of parks have been studied. One great example is the creation of Central Park in New York City. Landscape Architect, Frederick Law Olmsted noted that within seventeen years of the creation of Central Park there was an increase of $209 million to the value of property situated around the park (American Planning Association, 2007). Our tool, View Obstruction Analysis, hopes to improve urban planning in increasingly dense cities. View Obstruction Analysis allows developers, architects and urban planners to determine an appropriate envelope for future developments. It is a tool that allows professionals to access a close estimate of the percentage of the building envelope that has visual access to a view. Furthermore, with the inclusion of galapagos, professionals will be able to run through differing envelopes in order to maximise floor space and building height. As large development companies such as Meriton and Deicorp acquire more land in Australia's cities, we believe that there would be suitable demand to create an innovative tool in order to quickly determine building envelopes in large-scale developments.

Case One - Example Output Show here is bother the view analysis' of the context and the subject building with an average view according to the scale View is to Hyde park (in green). The cluster outputs show the view deprivation of the surrounding buildings.

Case Two - Example Output The balcony of the red house is colour according to the scale. It showcases the average view percentage of the view point (not seen) of a far off water body. The grasshopper canvas shows he relevant numbers and classification of the view obstruction. The user can adjust the tree shape or size till the output are to their standards, i.e. The classification changes from Severe to Minor.

C ODE TO PRODUCTION Code to Production was a research elective that explores the potential of an iterative design process from parametric variations; to analysis and simulation. The course was based on a two-fold agenda: to examine the performance of complex geometries available through sophisticated computational design processes, and to translate the optimised design by digital manufacturing into robotic experimentation and prototyping. Student work from this elective has contributed to the following research paper: Reinhardt, D., Cabrera, D., & Hunter, M. (2017). ’A Mathematical Model Linking Form and Material for Sound Scattering’. CAAD Futures: Future Trajectories of Computation in Design, 150-163.

Flow

Flow is based on an algorithm known as ‘Field Lines’ sourced from [FORMul[a]RCH]. The algorithm is developed through the use of point chargers, force spins and field lines. Logic: 1. Create a boundary 2. Input points for visible charges, invisible charges, and spin forces 3. Set the field values for charges and forces 4. Merge all the charges and forces into one field 5. Assign the start points of the field lines 6. Trace the magnetic field Points, which have been created in Rhino but may also be constructed in Grasshopper, are set to either repel or spin curves. The same points that repel curves are also the starting point for these curves. The algorithm allows the user to determine the number of curves they wish to construct and, by determining how accurate the tool is, how dense the pattern will be.

Field Lines Example

Source: http://2.bp.blogspot.com/-8arjTM-Uo5I/VAfMSA9PNwI/AAAAAAAAA6I/A48FsevNdWg/s1600/field%2Blines%2Bsequence.png

Flow Paramaters: 1. Number of points to repel 2. Number of points to spin 3. Radius of spin around a point 4. Number of lines (steps) 5. Density of lines (accuracy)

Date: Weight: 40g Time: No. Points: Rotation: File name: Video: Tool:

24/11/2016 5 minutes 43 seconds 574 No flow_jarrodV3.gh https://www.youtube.com/watch?v=HNobUPS3cso Wire shaped to be a narrow, sharp ‘V’.

Spiral Paramaters: Width of spiral Height of spiral Number of points on spiral Radius of circles around points Number of points on circles

Date: Weight: Time: No. Points: Rotation: File name: Tool:

30/11/2016 50g 4 minutes 4 seconds 260 No Spiral2.gh Wire shaped to be a narrow, sharp ‘V’.

Jarrod Haynes jarrod.haynes1@gmail.com @jarrod.haynes

@jarrod.haynes