Special Decatur-Garnett Family Presentation

James D. Julia, Inc. presents Winter Fine Art, Asian & Antiques Auction Special Decatur-Garnett Family Presentation February 8 & 9, 2018

Lot 1425

James D. Julia, Inc. Presents: 2-Day Winter Fine Art, Asian & Antiques Auction Special Decatur-Garnett Family Presentation February 8 & 9, 2018 Auction Thursday, February 8th at 10:00 a.m.

Friday, February 9th at 10:00 a.m.

Preview Wednesday, February 7th, 9:00 a.m.–5:00 p.m.

Thursday, February 8th, 8:00–10:00 a.m.

Friday, February 9th, 8:00–10:00 a.m.

There will also be preview during each auction session Special preview can be arranged by appointment

Front Cover: Lot 2068 Back Cover: Lot 1298

203 Skowhegan Road Fairfield, Maine USA 04937 P: (207) 453-7125 F: (207) 453-2502 antiques@jamesdjulia.com www.jamesdjulia.com Contacts: Bill Gage, Tony Greist or Megan Noyes Directions: Exit 133 off I-95, 1 mile North on US Route 201 Catalogs: $35 All catalogs are shipped U.S. Priority Mail. If you wish to have FedEx Next Day add $17; FedEx 2nd Day add $14. Outside North America, add $75 for shipping Prices realized are included and will be mailed approximately 2-3 weeks after the auction Auctioneer: James D. Julia | ME License: AR83/MA License: 1406/NH License: 2511 1

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Lot 1427 Visit www.jamesdjulia.com for more information

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Administration, Staff & Experts Administration & Staff:

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Department Head-Fine Art, Asian & Antiques

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Rebekah Kaufman Fine Art Specialist

Allyson Lee Asian Art Specialist

Joshua Chamberlain

Expert Departments:

Chief Firearms Consultant and Cataloger

J.R. LaRue (1940-2017) Firearms & Military Consultants & Catalogers

Gerald AlFares (military swords, Japanese swords & armor)

Leonardo Antaris, MD (European military pistols)

Wes Dillon (Sporting Arms)

Ron Gabel (Kentucky rifles)

Bruce Kauffman (20th C. military)

Master Sergeant John Keene (Class 3)

Josh Loewensteiner (Sporting Arms)

Malcolm MacGregor (Sporting Arms)

Doug McChristian (Indian Wars material)

Tom Power (American Firearms)

George Ruben (Antique & Military European small arms)

Dave Sanders (Winchesters, Colts, Sporting Arms)

Peter Schmidt (Colonial & Pre-Civil War firearms)

John Sexton (Cannons, Civil War & Confederate material)

Bill Shea (Nazi military accessories)

Brad Simpson (German Military Pistols)

Randy Trawnik (Imperial German Headgear)

John Wall (Mauser and Mannlicher Bolt Rifles)

W. Darrin Weaver (Imperial military)

Tony Wilcox (Colts, Winchesters and 19th & 20th century military)

Courtney Wilson (Civil War specialist)

Charles Woolley (20th C. aviation & military-particularly WWI) Indian Art Objects

John Bower Antiques & Fine Art (Furniture, Paintings, Folk Art & Accessories)

James D. Julia, Bill Gage, Tony Greist, Don Heller Asian Art & Artifacts

Tony Greist, Anthony Wu, Joshua Chamberlain Fine Art

Allyson Lee, Bill Gage Books

Charles Robinson Glass

Dudley Browne Paperweights

Debbie Tarsitano

James D. Julia, Inc. Offices 203 Skowhegan Road, Fairfield, Maine 04937 P: (207) 453-7125 | F: (207) 453-2502 Office Hours: Monday–Friday, 8:00 a.m.–5:00 p.m.

Telephone answering system after hours

The 1790 House 827 Main Street, Woburn, Massachusetts 01801 P: (781) 460-6800 Office Hours: Monday–Friday, please call ahead Telephone answering system after hours 3

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Session 1

1177. GEORGE SAVARY WASSON (American, 1855-1932) SCHOONER ‘POLLY’ BEACHED AT FORT MCCLARY Oil on canvas Housed in a vintage white and gold painted frame Signed “G.S. Wasson.”, history inscribed on verso stretcher and frame Note: “Polly”, built in 1804 at Amesbury, MA, was the oldest coaster afloat at the time of her running ashore in 1891 at Fort McClary, Kittery Point, ME. She was a privateer in the War of 1812 and captured several prizes 8” x 12”. Overall: 11” x 15” Provenance: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

Condition: Good with 1/2” restoration upper left sky and minor touch-up 52714-46 (2,000-4,000)

Lot 1177 1224.

Lot 1298 (w/close-up) Visit www.jamesdjulia.com for more information

ITALIAN SCHOOL (17th century) YOUNG MAN IN FEATHERED CAP Red chalk on paper Unframed Unsigned, bears collectors stamps “IR” in rectangle in black ink and a circle in green ink Note: lot is accompanied by a letter from Donald D. Webster of C.G. Sloane & Company, dated February 8, 1979 with provenance and attribution Lot 1224 information 7” x 8-1/2” Provenance: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

Condition: Trimmed edges with chips to paper, worm holes and staining 52714-185 (300-500)

1298. EDWARD BERGE (American, 1876-1924) DUCK MOTHER Bronze fountain Signed “Berge” Note: This bronze is fashioned as a fountain and has been listed by various sources with both titles above 21-1/4” h Provenance: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

Condition: Light brown patina with green oxidation due to outdoor use, wing of mother goose cracked 52714-119 (3,000-5,000) 4

Session 1 1353.

LARGE COLLECTION OF MISCELLANEOUS PRINTS AND DRAWINGS. Unframed to include: Asian gouache pith painting of two birds, Helen Hyde woodblock print, English botanical engraving by Reinagle, portrait print after John Singer Sargent, etching of woman with cat by George Mock, portrait print of elegant lady dated “1924”, hand-colored engraving of mother and child by Franz Lenbach, portrait print of Mrs. Larz Anderson, photographic print of a nude painting, English etching by Seymour Hayden, early 20th century etching of a city street, unsigned ink drawing of river view with artist’s annotations, partial watercolor sketch of a tree, two etchings by Henry Hoyt, etching by Walter Vaes, miniature watercolor of family signed “DuClair” and dated “May 12, 1911”, framed miniature painting of lake among mountains, two pencil sketches of Decatur house

by Maria Decatur Mayo Deyo, 1941. Sizes range: 4-1/4” x 5” to 15” x 18”. Provenance: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Condition: Many works have water staining, chipping, tears.

An interesting an eclectic lot 52714-199 (400-600) 5

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Session 1

Lots 1406-1450 are items from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. This estate has a long and varied family tree incorporating families of Decatur, Mayo, Deyo, and more. Many of these items have been acquired through the world travels of various family members. For full history of family lineage see the introduction in the Historical section of Session 2.

1406. YELLOW JADE SNUFF BOTTLE. China, 19th century. The stone of a pale yellow color having scattered white inclusions hand carved in flattened form while standing on a raised foot. Bottle is well hollowed and comes with a replacement stopper. SIZE: 2-1/4” h without stopper. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Small chip at edge of rim. 52714-68 (1,200-1,500)

Lot 1406

1407. GLASS SNUFF BOTTLE. China, early 20th century.

The bottle made in a flattened round form of coral colored glass with streaked design, comes with glass stopper. SIZE: 2-1/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Stopper a replacement and glued down, small chip on top rim. 52714-70 (400600)

Lot 1407

1408. SQUARE JADE SNUFF BOTTLE. China. The bottle carved in four sided form with recessed panels on each side, containing characters in shallow relief, the sides accented with mask and ring handles and stands on a raised foot rim. SIZE: 2-1/4” h with stopper. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Small chip to top rim, stopper glued down. 52714-69 (600-800)

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LOT OF ENAMELED PORCELAIN. China, 19th/20th century. Consisting of eight fitted sweetmeat dishes with yellow ground, along with six cut corner and four hexagonal bowls painted with rondels on a yellow ground and floral accented interiors. SIZE: Sweetmeat dishes each 6-1/4”. Hexagonal 5-1/2”. Cut corner 5-1/4”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Sweetmeat set is very good. Cut corner bowls three with chips on rim. Hexagonal bowls three with chips and losses to rim. 52714-91 (400-600)

Session 1

1409.

Lot 1409

Lot 1410 1411.

1410. PAIR OF TURQUOISE GROUND PORCELAIN BOWLS. China, early 20th century.

Each bowl with design of colorful butterflies flying amongst fruit filled vines. Undersides with apocryphal Jiaqing marks in iron red. Comes with wood stands.

SIZE: 7” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: One bowl with chip to rim and foot and small hairline at rim. 52714-76 (800-1,000)

LARGE LOT OF TURQUOISE GLAZED PORCELAIN. China, early 20th century. The lot consisting of fourteen 11-1/2” chargers and two 10-3/4” footed bowls. Each hand painted with floral sprays on a turquoise glazed ground. All with apocryphal stamped marks on the undersides. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Scattered chips to the chargers, foot of one bowl restuck. 52714-80 (1,000-1,500)

Lot 1411 1412. LOT OF TEN DAYAZHAI STYLE PORCELAIN DISHES. China, 20th century. Each dish painted with a group of peonies painted is grisaille surrounded by a lightly applied egg yolk glaze. The underside with three sprays of grisaille scrolling and marked in iron red. SIZE: 9-1/2” dia.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Three dishes with hairlines extending from the rim. 5271489 (800-1,200)

Lot 1412 7

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Session 1

1413. LOT OF WOOD AND POTTERY STATUES. China, 20th century and earlier. The lot made up of three wood examples including two with lacquered surface together with a pottery example finished in a Langyao glaze. SIZE: Pottery: 8” h, wood examples between 5-3/4” and 6-1/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Pottery with head broken off, now fitted loosely inside neck, wood examples with losses to the painted surface, one statue with loss to the fingers. 5271462 (400-600)

Lot 1413 1414.

CARVED WOOD BEAD NECKLACE. China, 20th century. The beads of uniform size, each carved with a shou character and displays a wood pendant with openwork scrolling. SIZE: Approximately 33” l. Pendant 2-3/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Very good. 52714-83 (600-800)

1415. LOT OF BRONZE AND METAL OBJECTS. China, 18th century and later. Included is a cast iron footed censer in flattened form with archaistic design, a bronze statue of a standing figure mounted on a wood base, a bronze seal paste box with relief dragons, and a ovoid form polished bronze censer with four character Xuande mark. SIZE: Lot 1414 Censer: 12” l, figure: 8” h with base, box: 2-1/2”, ovoid: 7-3/4” l. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Cast iron censer with tarnish to the surface, figure with loss to right hand, seal paste box very good, ovoid censer with numerous filled holes in the wall. 52714-93 (800-1,200)

Lot 1415 1416.

PEKING ENAMEL COVERED BOX. China, Qing Dynasty. The round box made in flattened form and hand painted on the cover with a woman on horseback along with two attendants. The underside with a six character Qianlong mark. SIZE: 4-1/4” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Discoloring to the enamel, small chip on cover, losses to cover interior, area of stress lines to lower half. 52714-82 (600-800)

Lot 1416 1417. CELADON GLAZED COVERED BOX. Korea, Choson Dynasty. The box in a round flattened form, decorated on the cover with a pair of birds in a sunburst pattern surrounded by scrolling. SIZE: 3-1/2” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-61 (800-1,200)

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SILK EMBROIDERED ROBE. China, early 20th century. On a blue silk ground, the robe is decorated with roundels of various figures within a landscape. The collar and seams accented with ruyi and fastened with gilded buttons. SIZE: 42” h x 54” across sleeves. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good, some fraying and separation at collar.

52714-114 (800-1,200)

Lot 1419 1420.

Lot 1418 (w/reverse)

1419. LOT OF ASIAN PORCELAIN. 20th century and earlier. The lot consisting of a matched pair of Chinese blanc de chine libation cups decorated around the exterior with a scene of animals in a landscape and dragon above, all done in relief under a lightly applied glaze. Two similar porcelain bottle vases decorated with underglaze blue highlighted with Famille Rose enamels and gilt accents. Together with a Japanese Kutani covered koro with bracketed handles and painted with a dragon and phoenix. SIZE: Libation 6-1/2” l. Bottle vases 6-1/2’ h. Kutani 4-3/4” h.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Libation cups with a couple small nips on the rims. One vase has a chip to rim, Kutani is very good. 52714-84 (500-700)

LOT OF FOUR PORCELAIN LAMPS. China, 19th century and later. The lot consisting of four porcelain lamps including a Ku form example with archaistic design, a rouleau form example with mask handles, and a pair in cylindrical form vases with applied white enamel. SIZE: Porcelain 13” to 14” tall. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Ku form with firing crack to raised accent. Rouleau with large crack in body. Cylindrical lamps very good. 52714-87 (300-500)

Lot 1421

1422.

Session 1

1418.

1421. LOT OF FAMILLE ROSE PORCELAIN TEA WARES. China, late 19th and early 20th century. The lot consisting of two teapots including one with fitted basket, two creamers, Lot 1420 a covered sugar, and various cups and saucers. SIZE: Teapots 6-1/2” and 6” tall. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Teapot with fitted basket very good, second teapot missing handle. One creamer with loss to spout, second creamer with staple repair to handle. Covered sugar very good.

Cups and saucers with scattered chips, hairlines, losses. 52714-92 (400-600)

PAIR OF CARVED AGATE PHOENIXES. China, early 20th century. Each bird shown in standing pose with tail wrapped around feet and heads raised. Both come with fitted openwork stands accented with lingzhi. SIZE: 7-1/2” t with stands.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Both with losses to tip of feathers, one stand with break and losses. 52714-74 (800-1,200)

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Lot 1422

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Session 1

1423. PEKING CUT OVERLAY SNUFF BOTTLE. China, Qing Dynasty. The bottle of a snowy glass ground with cut overlay design of various censers and vessels done in emerald green. SIZE: 2-3/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good, stopper glued down. 52714-72 (500-700)

Lot 1423

1424. SEATED BRONZE FIGURE. China, Ming Dynasty. The bronze depicting a woman seated with arm propped upon a raised knee. Traces of lacquer finish in areas along with spots of gilt highlights. Comes with fitted stand. SIZE: 7” t (without stand). PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Missing most of lacquered finish, wear to the surface. Stand with losses around the edges. 52714-75 (400-600)

1425. CARVED JADE GROUPING. China, 19th century. Carved from a milky off white stone, the grouping depicts a figure standing aside an openwork rockery with a crane Lot 1424 at his side and holding a peach filled branch behind his head. Comes with fitted stand. SIZE: 4-1/2” h (not including stand). PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Glue residue around base, chip to edge of sleeve. 52714-73 (4,000-6,000)

1426.

TWO IMARI PORCELAIN BOTTLES BY FUKUGAWA. Lot 1425 Japan, Meiji Period. Each bottle made in four sided form with tapered shoulders and short inverted neck. One bottle painted with trees and potted flowers with the other having a design of dragons and phoenix, both marked in iron red to the underside.

SIZE: 7-1/2” t. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Wear to the gilding. 52714-77 (600800) Visit www.jamesdjulia.com for more information

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Lot 1426

Session 1 1427.

SATSUMA POTTERY VASE BY YABU MEIZAN. Japan, Meiji Period. The vase made in beaker form and exquisitely painted with a continuous waterfront landscape around the lower half and a procession of figures around the top. Signed on the underside in gilt, comes with a wood stand. SIZE: 4� t (excluding stand).

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-79 (4,000-6,000)

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Session 1

1428. FRAMED SCROLL PAINTING OF PEACOCK. China, early 20th century.

Primarily done in black, the painting depicts a single peacock with one foot raised, standing within a flowery landscape. Feathers are touched with blue and green pigment and a single line of script along right margin. SIZE: Sight: 41-1/2” x 22”.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Overall: 531/4” x 28-1/4”. CONDITION: Appears to have been laid down, scattered splits and cracks in paper. 52714-53 (600-800)

1429. FRAMED PAINTING ON SILK. China, early 20th century. The image with women and children in a courtyard engaged in various activity along with three lines of script and one seal in the upper right. Housed in a gilt painted frame.

SIZE: 34” x 22-1/2”. Overall: 42” x 26”.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Scattered staining, minor loss upper left corner. 52714-51 (1,500-2,000)

Lot 1428

Lot 1430

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1430. FRAMED SCROLL PAINTING Lot 1429 AFTER GUISEPPI CASTIGLIONE. China, 20th century. Painting depicts an eagle perched upon an outcropping of rocks gazing upon the crashing waves below.

Numerous lines of script and seals above. SIZE: Image: 49-1/2” x 25-1/2”. Overall: 63-1/2” x 32-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Scattered splits in the image, areas of fraying to the silk ground, minor stains. 52714-52 (1,500-2,000)

1431. TIBETAN PAINTING OF SEATED BUDDHA. Tibet, 19th century. The canvas fragment painted with the Bodhisattva seated upon a lotus base with mandorla surrounding. Single line of script on reverse. SIZE: 131/2” x 12”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Some scratching to the surface, fraying around the edges.

52714-208 (100-200) 12

Lot 1431

FRAMED SCROLL PAINTING. China, early 20th century. Executed with gouache on paper, the image depicts a vast courtyard with central waterway and four elegant maidens standing in the foreground. SIZE: Image: 51” x 24-1/4”. Overall: 64-1/2” x 28-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Scattered splits in the paper, some wrinkling, foxing throughout. 52714-50 (2,000-2,500)

Lot 1432

1433. LARGE LOT OF CANTON PORCELAIN. China, 19th century. The lot consisting of a 16-1/4” charger, 11-3/4” bowl, 15-3/4” platter, a pair of 103/4” reticulated platters, 10-1/2” chestnut basket with underplate, 10-1/2” and 9-1/2” scalloped edge bowl, and a pair of 6-3/4” footed plates. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Charger has hairline and small chips to rim. Bowl with small chips and hairline to rim. Platter with glaze loss around rim. Reticulated platters very good. Chestnut basket and underplate very good. Scalloped bowls have chips, smaller example with hairline. Footed plates with small chips to the rim. 52714-85 (800-1,200)

Lot 1433 1434.

Session 1

1432.

TWO BLANC DE CHINE PORCELAIN STATUES. China, 20th century. The first of a standing Quanyin with robe blowing in the wind and holding a small bottle in her hand. She stands upon a lotus base above the crashing waves below with wood stand. The second shown holding a branch in her right hand and fitted as a lamp. SIZE: First 14-1/4” t. Second 15-1/2” overall, porcelain 12” t. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: First has losses and repair to left hand, loss to edge of robe. Second drilled through back when fitted for lamp. 5271478 (500-700)

Lot 1435

1435. LOT OF PORCELAIN DISHES. China, late Qing Dynasty. The lot made up of four 6-3/4” dishes and two 5” lobed pedestal dishes. Each hand painted with groupings Lot 1434 of pomegranate done in iron red and marked on the underside with a stamped seal. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Three dishes with chips and hairlines, one pedestal dish with hairline. 52714-90 (600-900) 13

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LOT OF ASIAN PORCELAIN. 18th century and later.

The lot made up of 14-3/4” platter painted in a cabbage leaf pattern, a 13-1/2” iron red decorated charger with pomegranates, an 11-1/2” lobe bowl with continuous scene of figures, 5” export porcelain teapot with scene of westerners, pair of 7” Famille Rose plates on celedon glazed ground, 5-3/4” Famille Yellow spoon, a set of three 10-1/4” porcelain tiles set in a wood frame. Together with a Japanese porcelain teacup and saucer with delicate design of butterflies and flowers on a stippled ground.

PROVENANCE: A most historical and important Lot 1436 collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Cabbage leaf platter with small losses to enamel. Charger with small hairline at rim. Lobe bowl with large chip and hairline.

Teapot with numerous cracks around the body. Pair of plates, one with hairline at rim. Tiles all broken and repaired. Japanese teacup and saucer very good. Spoon very good. 52714-110 (400-600)

1437.

LOT OF ASIAN TEXTILES. 19th and 20th century.

The lot made up of a large 67” l dragon fragment, a 86” l embroidered table runner, silk jacket and skirt, Japanese robe and four other fragments. SIZE: As noted above.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good, dragon textile with fraying, light stains, and minor losses, Robe with 2” pull along front left seam, silk jacket with minor fraying. 52714-117 (500-1,000)

Session 1

1436.

Lot 1437 1438.

LARGE LOT ASIAN TEXTILES. 20th century.

The lot made up of two robes, a velvet lined turquoise textile with lotus, pair of Japanese shoes, and various fragments. SIZE: Japanese kimono” 58” l, yellow robe: 52” l. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Very good overall, yellow robe with staining. 52714-116 (200400)

Lot 1439

Lot 1438

1439. POTTERY ROOF TILE OF WARRIOR ON HORSEBACK. China, Ming Dynasty. The tile showing figure on horseback with hand resting on his side with gleeful expression with head turned. Finished with a turquoise glaze accented with black. SIZE: 15” t. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Scattered losses, repair to tail of horse, repairs to head and shoulders to figure, repair to corner of base. 52714-88 (600-800)

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14

LOT OF FAMILLE ROSE EXPORT PORCELAIN. China, early 19th century. Lot includes two rectangular covered serving dishes with pine cone finials finished in gilt. Together with two shallow bowls decorated in Famille Rose enamels and having floral sprays in the center.

SIZE: Serving dishes 9-1/2” l x 8-1/2” w. Bowls 8-3/4” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Covered dishes very good, one shallow bowl with break to the rim. 52714-81 (600-800)

Lot 1441

1442.

Session 1

1440.

Lot 1440

1441. EXPORT PORCELAIN PUNCH BOWL. China, late 18th century. The bowl hand painted around the exterior with a flowery landscape done in vibrant enamels and accented in gilt. The interior with a large floral spray in the center and an alternating trim of iron red and stylized clouds in blue. SIZE: 13-3/4” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Line across base stabilized with staples, hairline at rim, formerly having a staple now removed. 52714-86 (600-800)

SPINACH JADE SNUFF BOTTLE. China, 20th century. Carved from a pale spinach colored stone with black inclusions made in flattened form and stands on a raised foot rim. SIZE: 3” to top of stopper. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-71 (400-600)

Lot 1442 1443. LOT OF FIVE SNUFF BOTTLES. China, 20th century and earlier.

Including three carved agate examples including one with design of trees growing from an out cropping of rocks, together with a porcelain example having a light crackle finish, and a large inside painted example depicting a continuous scene of warriors on horseback. SIZE: Smallest 2” h. Tallest 3-1/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Two stoppers glued down, otherwise very good.

52714-67 (800-1,200)

Lot 1443 15

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Session 1

1444. LOT OF STONE CARVINGS AND ACCESSORIES. China, 20th century. The lot consisting of numerous animals carved from various stones including fluorite, amethyst, malachite, serpentine, and agate. Together with two blue and white porcelain cabinet vases. SIZE: Largest: 5”, smallest: 1”. Cabinet vases: 2-3/4”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Stone carvings with numerous chips and losses, one cabinet vase with repaired section on top rim. 52714-96 (400-600)

Lot 1444 1445.

LOT OF CHINESE DECORATIVE OBJECTS. China, 20th century. The lot consisting of a 8-3/4” h painted soapstone table screen set in a wood frame, a 6” champlevé vase with lotus scroll design, five carved soapstone trays, and a grouping of miscellaneous carved hard stone fruit and branches.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Screen with cracks in panel, champlevé vase with handle detached but still present, soapstone trays with scattered chips and losses, hard stone carvings with scattered chips and losses. 52714-95 (200-400)

Lot 1445

1446. LOT OF WOOD STANDS WITH LACQUER BOX. China, 19th/20th century. The lot made up of wood stands in various forms including fitted examples together with a red lacquered wood box decorated with a dragon and phoenix on the cover. SIZE: Box: 13-1/4” l. Stands vary from 10” to 1.5”.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Stands with scattered losses, box missing part of the hinge. 52714-94 (400-600)

Lot 1446 1447.

LOT OF PEWTER VESSELS AND BOWLS. China, 20th century. The lot made up of a duck form tureen with incised characters, two covered tea canisters, and two porcelain lined pewter bowls. SIZE: Duck: 11” l, canisters: 5-1/2” h, bowls: 8” dia.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Duck and tea canisters with dents in the body. Porcelain bowls very good. 52714-97 (200-400)

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16

Session 1

1448. CHINESE CARVED ROSEWOOD TALL FERN STAND. Third quarter 19th century China. The rectangular paneled top above a conforming apron, hand carved with foliate filled urns and leaftips, raised on molded and carved square legs joined by a shaped carved box stretcher terminating in scrolled foliate feet. SIZE: 34” h x 16-1/2” w x 12” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Stand retains original surface, now darkened with age. Filler applied to areas of shrinkage in top at some point in time. Otherwise structurally good. Note: early “foot pads” were added to the bottoms of two legs to compensate for areas of deterioration from moisture, now stabilized. 52714-15 (800-1,000) 1449. PAIR OF LACQUERED DISPLAY CABINETS AND TEA TABLE. 20th century China. Each rectangular cabinet with a pair of panel doors opening to an interior fitted with a single shelf on molded base. Each decorated with cinnabar lacquer panels decorated with figures within a courtyard scene, the side panels decorated with floral sprays. Each panel with black borders. The tea table in black and cinnabar lacquer embellished with a scene of children at play with mothers and attendants outside a pavilion. The table raised on cabriole legs. SIZE: Cabinets 211/2” h x 15-3/4” w x 7-1/2” d. Table 12” h x 34-1/2” l x 22” w. PROVENANCE: A most historical and important collection from the estate of Lot 1448 Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Each with abrasion resulting in chafing to some decorated surfaces, notably at edges of base and at corners. Additionally, tea table with chafing damage in a diagonal line through center of table top and significant divot in top of table. 52714-14 (300-500)

Lot 1449

1456.

LOUIS VUITTON STEAMER TRUNK. Late 19th-early 20th century, France. A large example of typical form, fully fitted with removable, fabric-lined drawers. The lid with quilted interior retaining the original label noting only two retail locations in Paris and London, the stenciled serial number still visible: 162103. Trunk retains original locks in operational order, original carrying handle still present. SIZE: 22-1/2” h x 43” w x 22” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Trunk remains structurally sound, significant soiling and abrasions to exterior. The fitted interior trays present, key is absent. Most notable deterioration to cover of trunk along lower 2” of perimeter.

Fair to good overall. 52714-21 (1,500-2,500)

Lot 1456 17

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1458.

Session 1

TWO FRENCH CARRIAGE CLOCKS TOGETHER WITH A CRYSTAL REGULATOR SHELF CLOCK. Second half 19th century, France. The first brass carriage clock with repeater, the white enamel dial with Roman numeral chapter ring above a subsidiary dial with Arabic numerals.

The dial additionally marked “TIFFANY & CO. FRANCE”. The eight day brass movement with time and strike winders striking on a gong. The case with beveled glass panels on all four sides and additionally a beveled window on top, the case raised on a molded plinth.

Clock is accompanied by original leather traveling case, front protective door absent.

The second a small brass carriage clock with turned brass carrying handle and rectangular brass corner brackets joined to a thin platform base raised on ball feet.

Lot 1458 The four sides and glass panel on top all with beveled edge. The rear of the case with hinged door. Unsigned eight day brass movement, spring driven and time only. The enameled dial with Arabic numeral chapter ring, paint-decorated with floral garlands draped between the numbers and marked “BAILEY BANKS & BIDDLE CO. PHILADELPHIA” and additionally marked “FRANCE” beneath the numeral “6”. The third an oval French Crystal Regulator shelf clock, the embossed brass dial unmarked and back plate of movement with the maker’s mark of “S MARTI MADE IN FRANCE” and additionally stamped with the retailer’s mark “CALDWELL & CO PHILADELPHIA” and with the serial number “648539”. The spring driven eight day movement striking on a gong. The brass dial with Roman numeral chapter ring, time and strike apertures, and blued steel hands. The oval case with four curved glass plates with beveled edge. The clock is offered with original twin cylinder pendulum with one cylinder broken, the second cylinder empty. SIZE: First carriage clock: 5” h. Second carriage clock: 3-3/4” h. Regulator: 10-1/2” h x 7” w x 6-1/4” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: First carriage clock having repeater mechanism is frozen and currently inoperable. Carrying handle with significant corrosion at juncture to case. The brass case also with areas of significant corrosion. Coil gong with corrosion.

Upon inspection, movement appears to be cleaned and free of corrosion, although we do not believe it is operable. The second carriage clock’s beveled front plate with major diagonal fracture and loss of enamel upper right corner facing dial. Significant corrosion to case. Lesser corrosion present on movement. Movement needs cleaning and adjustment, currently inoperable.

Crystal Regulator with incomplete pendulum as noted. The Roman numeral chapter ring with significant abrasion from over-cleaning; the numerals “IV” and “V” absent, others partially obliterated. Brass movement appears clean and probably operational. 52714-98 (500-700)

Lot 1470 (partial lot) Visit www.jamesdjulia.com for more information

1470. CASED 85 PIECE STERLING FLATWARE SET BY CROSBY, MORSE & FOSS ALONG WITH 12 SHREVE, CRUMP & LOW STERLING SPOONS AND CARVING FORK. The set consisting of twelve 7-1/2” forks, twelve 6-3/4” forks, twelve 8-1/2” spoons, fifteen 5-3/4” teaspoons, ten solid silver 8” knives, twelve sterling hollow handled 9” knives with stainless blades, and twelve 9-1/2” sterling hollow handled knives with stainless blades. Each piece having a monogram “MSD” (probably Maria Susanna Decatur, fifth generation Decatur) and dated on reverse 1874.

Mahogany fitted case with heavy duty brass bale handles, lock with key.

Along with twelve 7” spoons monogrammed “MMD” by Shreve, Crump & Low, and an 11” meat fork. Weighable silver (no hollow handle knives): approximately 118 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Shows moderate use, bowls with some dings and dents but generally very good. Box in good condition with light scuffs and scratches. 52714-126 (1,500-2,500) 18

LOT OF FANCY STERLING SILVER FLATWARE PIECES INCLUDING TIFFANY & KIRK. 1-5) Five piece sterling handled carving set including two forks, two knives, and sharpener by Tiffany & Co in the “Chrysanthemum” pattern. Monogrammed “MDM” (Mayo family). 6) Tole stuffing spoon monogrammed “SDM”. 7) Scallop shell bowl serving spoon by S. Kirk & Son monogrammed “MDMD”. 8) Meat Fork by S. Kirk & Son with repoussé handle. 9) Two serving spoons by S. Kirk & Son with repoussé handles. 10) Two S. Kirk & Son repoussé berry spoons. 11) Sugar tongs by Tiffany & Co. in the “Wave Edge” pattern. 12) Durgin mustard ladle. 13) Mustard ladle.

14) Gorham sugar tongs in the “Lancaster” pattern. 15) Handled tea strainer. 16-20) Five sterling demitasse spoons. Weighable silver: 25 troy oz. SIZE: 1-5) 10” to 14-1/2”. 6) 13”. 7) 9-1/4”. 8) 8-1/2”. 9) 8-1/4” ea. 10) 5”. 11) 4-1/2”. 12) 4-1/2”. 13) 5”. 14) 4-1/2”. 15) 6”. 16-20) Lot 1472 (partial lot) 4-1/4”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Good, 1-5) All show wear, one knife with offset handle. 15) Bend in handle. 52714-142 (800-1,200)

1500. FEDERAL STYLE INLAID MAHOGANY CARD TABLE. Late 19th, early 20th century Baltimore, Maryland bearing the paper label of “POTTHAST BROS. BALTIMORE MARYLAND”. This fine bench made example with rectangular top and elliptic front hinged above the conforming frieze, inlaid with oval shell patera, flanked by figural mahogany panels all within string inlaid borders raised on square tapering legs, each with pendant belleflower inlays. The table affixed with original paper label on backboard. SIZE: 29-1/2” h x 35-1/2” w x 18” d.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally very good, retaining original polished surface with normal and expected craquelure. 52714-34 (800-1,200)

Lot 1500 1501.

FEDERAL STYLE INLAID MAHOGANY CARD TABLE. Late 19th-early 20th century, Baltimore, Maryland.

This fine bench made example with the label of Potthast Bros. with rectangular top and curved corners. The hinged single board top above the conforming frieze with elliptical cross banding raised on four tapered square legs with inlaid borders and rosewood crossbanded cuffs. The original paper label affixed to the underside of the top. SIZE: 29” h x 36” w x 18” d.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Table retains original surface, structurally good. One early structural repair at head of right rear proper leg at apron. Small loss to cuff proper left front leg. 52714-35 (800-1,200)

Lot 1501 19

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Session 1

1472.

Session 1

1502. PAIR OF QUEEN ANNE STYLE MAHOGANY AND WALNUT DISPLAY CABINETS. Early 20th century, England. In two parts, the bookcase top with single astragal-glazed door with molded bonnet cornice.

The door opening to three adjustable shelves set back on a deep chest of drawers fitted with four figural mahogany long drawers on a molded base raised on ogee bracket feet with scallop returns. SIZE: 78-1/2” h x 23” w x 21” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: All elements appear original, surface is undisturbed with good color and patina, good to very good overall condition. 52714-4 (1,0001,500)

Lot 1502 1503. FEDERAL STYLE MAHOGANY BOWFRONT SERVER. First half of 20th century American. This fine bench made example with rectangular top and bowfront above the conforming case, fitted with a long drawer above a kneehole opening with shaped apron flanked by short drawers, raised on square tapering legs with string inlay borders. SIZE: 32” h x 36” w x 21” d.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally very good with original dry surface. Figural mahogany veneers intact, in need of cleaning and re-polishing, good overall. 52714-1 (600-900)

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Lot 1503

1504. CENTENNIAL PHILADELPHIA CHIPPENDALE MAHOGANY LOW BOY. Early 20th century American. The rectangular top with notched corners projecting above the conforming case fitted with a long drawer above a central, deeply carved shell and foliate drawer flanked by short drawers, all with thumb molded edges above a scalloped apron carved with a basket of fruit flanked by leaf tips. The case with engaged, fluted quarter columns raised on cabriole legs with foliate carved knees terminating in ball-and-talon feet. Case retains original hand-cast and finished brasses. SIZE: 29” h x 36” w x 20” d.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Low boy with original polished surface and a mellow honey-brown color. Drawer runners worn and with minor splits and breaks, all pieces present. Missing one bale. 52714-16 (500-800) 20

Lot 1505 1513.

ASSOCIATED SET OF FIVE HEPPLEWHITE MAHOGANY SHIELD BACK CHAIRS. 19th century American. The set comprised of an armchair and two matching side chairs, each shield back with a five stalk sheaf of wheat above the pierced carved slat. Each fitted with woven rush seat set within the trapezoidal frame raised on fluted frontal legs and backswept rear legs, all joined by recessed box stretcher. Additionally, a pair comprised of an armchair and side chair similarly styled, each shield back carved with a sheaf of wheat above a pierced splat with central floral carved roundel. The trapezoidal seats fitted with conforming Lot 1513 seat frames as the previous three. SIZE: 37-1/2” h (back), 17-18” h (seats). PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Minor repairs to backs throughout, one seat frame a later replacement, one seat frame with break at rear of frame, all chairs retain early surface, somewhat crusty. Patina and coloration vary in slight degrees. 52714-12 (800-1,200) 1514.

Lot 1514

EVEN ENGLISH STERLING SILVER FLATWARE SERVING S PIECES. 1) 12-1/4” Scottish stuffing spoon, Edinburgh, 1865-6, by J. McKay. Latin phrase in a circle on handle. 2) 11-1/4” early Georgian stuffing spoon with indiscernible marks, maker’s mark “SW”, dog head crest on handle. 3) 12” fish knife, London 1808-9, maker’s mark of Wm. Eley, Wm. Fearn, & Wm. Chawner, monogrammed “CM”. 4) 8-1/2” spoon, London 18th century, Maker’s mark “WT”. 5&6) Pair of 6-1/2” ladles, one is London 1808-9, maker’s mark of Wm. Eley, Wm. Fearn, & Wm. Chawner, the other is London 1804-5 with illegible maker’s mark.

7) 6-1/2” acorn formed sugar tongs, London 1798-9, maker’s mark of Michael. Plummer. Along with a 12” silver plated skewer. Weight without skewer: 18 troy oz. SIZE: As listed above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Generally good. 52714-143 (800-1,200)

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Session 1

1505. PAIR OF CHIPPENDALE STYLE WING CHAIRS. 20th century American. The rectangular back with arched crest nails joined to ogival wings continuing to rolled arms centering the trapezoidal seat fitted with cushion, raised on square molded front legs and backswept rear legs joined by an H-form stretcher. SIZE: 41” height back, 15” height of seat x 29” w overall. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally good, legs in need of re-polishing. Original velvet upholstery present but extremely faded. Chairs are accompanied by current floral slipcovers. 52714-8 (400-800)

EIGHT ASSORTED PIECES OF STERLING SILVER TABLE WARES. 1) 12” x 10” reticulated edged oval low bowl by Gorham, marked “A 5743” and date marked 1906. 2&3) Pair of 6” x 5” heart shaped reticulated footed dishes monogrammed “MDM” (from the Deyo family) by Gorham, retailed by Black, Starr & Frost. Marked on bottom “3300” and date mark 1894. 4&5) Pair of 5” diameter reticulated dishes by Marcus & Co, New York. Marked on Bottom with name and “75”. 6&7) Pair of 6-3/4” diameter B&M sterling 1360 Bamboo pattern trophy dishes. The center having an enameled crest for “Chevy Chase Club”, both engraved “Chevy Chase Club / Mixed Foursums / 1960 / Low net / Winners / Mrs. and Dr. James H.P. Garnett”. 8) 2-3/4” h bulbous toothpick/vase marked “.925”. Total Lot 1515 weight: 40 troy oz. SIZE: As noted above.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1) Dents. 2&3) Some light bends and dents. 4&5) Some dents to bowls. 6&7) Very good. 8) Very good. 52714-148 (800-1,200)

1517.

THIRTEEN PIECES OF STERLING HOLLOW WARE AND ONE PIECE OF SILVER PLATE. 1) 2-1/2” h x 9” dia strawberry bowl by Tiffany & Co. The base marked “Tiffany & Co. / 137801 Makers 6529 / Sterling Silver / 925-1000 / M”, circa 1907-1947. 2) 2-1/2” h x 10” dia bowl by Gorham, marked “Sterling A5898”, monogrammed. 3) 2” h x 10-1/2” dia Gorham bowl marked “Sterling 368”, retailed by Shreve, Crump & Low Co. 4) 3-3/4” h x 7” dia compote by Mueck-Cary Co., INC, marked “Sterling 1115”. 5) 5-1/4” dia, eight sided dish by Tiffany & Co., marked “Sterling 1009”, monogrammed.

6) 2-1/2” h 5-1/2” dia, eight sided monogrammed by Gorham, marked “Sterling 5984 A”, date marked 1908. 7) 3” h x 5” dia reticulated, swing handle, footed basket with cobalt liner by Tiffany & Co., marked “Tiffany & Co. / 16428 Makers 4861 / Sterling Silver / 925-1000 / M”. 8-13) 3” dia dishes by Whiting, marked “Sterling 3834”, monogrammed. 14) Footed bail handle basket with frosted glass liner, unmarked, probably silver plate. Approximately 61 troy oz. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Generally good. 52936-12 (1,000-1,500)

Session 1

1515.

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CHIPPENDALE STYLE BENCH MADE MAPLE SLANT LID DESK. 20th century American. The rectangular dovetailed case with sloping hinged lid opening to an interior fitted with valenced pigeon holes alternating with fan carved document drawers above lopers and fitted with four graduated long drawers with thumb molded edges. Raised on a molded base with shaped bracket feet and scalloped returns. SIZE: 40” h x 30” case width x 17” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Structurally very good. Original surface now dry and in need of re-polishing. Minimal loss to 1” section thumb molded edge at top of lid. Old shrinkage crack proper right side of top now stable. Otherwise good condition.

52714-9 (200-300)

Session 1

1519.

Lot 1519

Lot 1525 1527.

1525. FINE NAVAJO BLANKET. First half 20th century, United States. A typical geometric design in soft earth tones incorporating twin lightning bolt, in soft gold and bow with two arrows in each corner.

The whole with a coffee-brown outer border. SIZE: 4’ x 6’ 3”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Overall very good with some light spotting and pulls around outer edge. 52714-107 (400-600)

GROUP OF FOUR NAVAJO BLANKETS. First half 20th century, United States. 1) Double saddle blanket depicting three interlocking rows of square design in earth tones of browns and greys within a coffee-brown outer border. 2) Storm pattern blanket with double edge sawtooth design in shades of brown with a coffee-brown center and border. 3) Saddle blanket with central post with square ends, two triangular designs at one end, mustard-yellow pattern squares at opposing end and green tassels on all corners. 4) Storm pattern blanket. The central device in shades of brown on a grey field, each corner tied with tassel. SIZE: 1) 3’ 2” x 6’ 3”. 2) 3’ 2” x 4’ 2”. 3) 2’ 8” x 4’ 1”.

4) 2’ 8-1/2” x 4’ 4”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Generally very good. Some pulling at ends. 2) Generally good, minor spotting. Minor separation at seams. Minor pulling to central devices. 3) Moderate stains through center. Spotting overall. Light soiling throughout, otherwise good. 4) Overall light spotting. Light soiling commensurate with age, otherwise very good. 52714-109 (500-800)

Lot 1527

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Session 1

1558. INTERESTING LOT OF SILVER ESTATE ITEMS. The lot includes a 6-1/2” sterling letter opener with tamper end in the form of a chicken leg with feather. A 5-1/4” tea caddy spoon with handle having St. George and the dragon and two dolphin fish, decorated bowl marked “.800”. a 6” double handled tea strainer marked “sterling Marcus & Co”. A 7” arts and crafts spoon marked “handmade sterling Allan Adler”, handle engraved “MMG” (with dents in bowl). A 6” sterling letter opener engraved “LFW”, (with bends).

A 7” sterling hand wrought two tined fork by Richard Blanchard, monogrammed “MMD”. a 4-1/4” enamel decorated sterling spoon

by Gorham (some loss to enamel) bowl inscribed “Leila”. A 5” sterling letter opener by S. Kirk & Son Co. Lot 1558 A 2” diameter unmarked sterling or coin napkin ring monogrammed “EP” also “M”. A 4-1/2” small fork with green stone handle. A 4” chatelaine scissors and holder. 13 liquor bottle labels, two sterling. Weighable silver: 10 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good unless otherwise noted above. 52714-141 (400-600)

1559.

AMERICAN STERLING SILVER 20+ PIECE ASSEMBLED DRESSER SET. Lot includes: 1) 10-1/2” hand mirror

by Tiffany & Co. marked “7880 M 625 sterling silver” with repoussé decoration of a cherub in an urn of flowers and garland. Silver good, mirror has some silver backing loss. 2) 8” round handled mirror

by Gorham marked “335A” with repoussé flowers, monogrammed “MG”. Small dents to outer rim. 3) 10” curved handled brush marked sterling. 4) 9” hairbrush by Gorham marked “502”, monogrammed “MG”. 5) 6-1/2” clothes brush marked Black, Starr & Frost sterling. 6) Pair of 6” x 2” clothes brushes by Gorham marked “607”. 7,8 & 9) 7-1/2” button hook, 6-1/2” Lot 1559 button hook, 4” button hook. 10) 6-1/2” small glove stretcher. 11) 8” shoe horn with damaged blade. 12) 4-1/2” shoe horn without handle. 13) 8” letter opener. 14) 4” nail buffer by Gorham. 15) 6-1/2” x 4” Gorham tray. 16) 6-1/4” x 2” sterling tray. 17 & 18) Two pair 4” scissors, one with loose handles. 19-25)Six miscellaneous handles, as-is. 26) Four sterling covered glass jars, 1-1/2” to 3” high. 27)1-1/2” covered cylinder box. Along with a 2” diameter pincushion by Tiffany & Co. Silver Plate. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Generally very good unless otherwise noted. 52714-167 (800-1,200) Visit www.jamesdjulia.com for more information

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THREE STERLING SILVER REVERE TYPE BOWLS. 1) A “Paul Revere” 1768 reproduction bowl with monogram “MDM”.

2) By international sterling (D260), not engraved. 3) Gorham (41659). Total weight approximately 58 troy oz. SIZE: 1) 4-3/4” h x 9” dia. 2) 4” h x 7-1/2” w. 3) 4-1/4” h x 7-1/2” Lot 1560 dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1) Dents to top and bottom rims. 2) Very good. 3) One small ding in top rim, otherwise very good. 52714-146 (600-900)

1573.

TEN STERLING SILVER SALTS, PEPPERS AND CASTER. Lot includes a pair of 3-3/4” Gorham repoussé pepper shakers, the sides decorated in a floral motif, the base numbered “2115”, date marked 1884. A pair of 4-1/2” pepper shakers, Birmingham 1901. 6” caster by Mappin & Webb, Birmingham 1932. A pair of 3-1/2” x 2-1/2” footed oval boat shaped salts, one marked Canfield & Bro. (Baltimore, MD), the other M.W. Galt Bro. (Washington, DC), each monogrammed “YMG”. A pair of 3-/2” x 2-1/2” oval footed open salt frames (no inserts), marked “sterling” and monogrammed on bottom “EPG”, some rust or tarnish with one side break. A 3-1/2” x 2-1/4” cobalt glass lined footed salt, the frame hallmarked Chester, 1904, maker’s mark “GNRH”, the Chippendale Lot 1573 style frame having tall ball-and-claw feet, the liner may or may not be original. Weighable silver: 21 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Very good, otherwise as noted. 52714-135 (600-900)

1574.

WO PAIR OF SIMILAR SILVER PLATED T CANDLESTICKS AND A PAIR OF SHEFFIELD HURRICANE LAMPS. The pairs are only slightly different, having square bases, long shafts with removable bobeches. The are illegible hallmarks and writing on bases, possible Sheffield marks. 2) The pair of Sheffield candlesticks having gadrooned round bottom edge and top fitted for elongated tulip formed clear shades. Unmarked, 19th century. SIZE: 1) 13” h. 2) 23” h.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Generally very good, one of each of the pairs have had the bottom plate removed and re-attached with weighting removed. 2) Base does not have bottom plate, but shows weighted element. One brass collar to shade has reinforcing plastic wrap. 52714-124 (800-1,200)

Lot 1574 25

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Session 1

1560.

Session 1

1575. MISCELLANEOUS LOT OF 58 SMALL STERLING, COIN, AND OTHER FLATWARE PIECES. Lot includes: Sixteen coin and sterling salt spoons of which are two 4” spoons by Hester Bateman, two 3-1/2” spoons by William Mitchell Jr. (Richmond, VA), and one 3-1/4” spoon by Robert Keyworth (Washington, DC) monogrammed “YMG”.

Remainder of lot includes nine child’s forks, spoons, and knives, various small spoons and some souvenir pieces. SIZE: Ranges from 2” to 7”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: There are some in-use wear, generally good. 52714-149 (800-1,200)

Lot 1575 1576.

LOT OF STERLING SILVER SUGARS AND CREAMERS AND THREE PIECE TEA SET WITH GALLERY TRAY. Lot includes: Gorham tea set with 7” teapot having wood carved handle and square base, matching 4-1/2” open sugar and 5” tall creamer marked “4445”. Also a 12” x 8” gallery tray marked sterling with no maker’s mark. A 4” high matched sugar and creamer with scroll and leaf handles marked Gorham “3255” and “3245”. A 2-1/2” high matched sugar and creamer by Reed & Barton marked “375”, with “MG” monogram and inscribed “1906” on bottom. A 4-3/4” high square base tall creamer By Bixby Silver Co. A 4-1/2” diameter footed bowl and under liner marked sterling, monogrammed “LGD”. Total weight: 44 troy oz. SIZE: As noted above.

Lot 1576 PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Good, tea set with some small dents, teapot slightly tippy, sugar and creamers with small dents, bowl with dents. 52714-131 (1,000-1,500)

1589.

GROUP OF FOUR CHAIRS TOGETHER WITH PAIR OF MAHOGANY STANDS. 19th-20th century American. The group comprised of 1) a transitional Queen Anne side chair with arched crest rail and backswept ears above a vasiform splat. Trapezoidal overupholstered seat on chamfered molded square legs joined by a box stretcher. 2) A Chippendale mahogany ribbon back side chair with pierced slats above a trapezoidal overupholstered seat raised on chamfered and molded square legs joined by an H-form stretcher. 3) A child’s Victorian bobbin-turned side chair, the back with conforming posts and turnings joined to the overupholstered seat with needlepoint cover raised on bobbin-turned legs. 4) A Sheraton transitional mahogany sabre leg side chair with foliate carved back centering a Lot 1589 tablet. The trapezoidal seat frame with needlepoint covering. 5) A pair of Chippendale style oval mahogany kettle stands, each with scalloped gallery and candle slide, raised on delicate square tapered legs with cuffs. SIZE: Height of chairs ranging from 30-1/2” to 36-1/2”. Stands 26” h x 14-1/2” w x 11-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: All retain original surface showing normal and expected wear, chair seats all good to very good, child’s chair with loss of knop to one finial. 52714-10 (400-600)

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WO GILT GOLD MIRRORS. 1) T Adams style rectangular mirror with urn of flower crest. 2) Oval gesso decorated gilt mirror. SIZE: 1) 31-1/2” h x 15-1/2” w. 2) 14” h x 12” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Some gold rubs, generally very good. 52714-42 (200-400)

Lot 1606

1607.

1608.

DELLA ROBBIA PLAQUE. 20th century, Italy. This nice earthenware plaque in blue and white glaze depicts the allegorical scene of the adoration of the infant Jesus. On base is the rooster Cantagalli mark, also “Italia”, also having two pressed Cantagalli rooster marks and three rectangular marks “Cantagalli Firenze Marca Depta” on verso. SIZE: 25” h x 16-1/2” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Good overall with some residue at juncture of the head of the Madonna at the plaque. 52714-54 (400-600)

Lot 1607

LARGE CHIPPENDALE STYLE WELL AND TREE SILVER PLATED PLATTER BY TIFFANY & COMPANY. Circa 1902-1907. The stepped border decorated by scallop shells and foliate scrolls, the deep well with six branch tree ending in a large engraved monogram “EP”. Four embellished paw feet, the bottom marked “Tiffany & Co / 2742 makers 250 / silver-soldered-E.P. / double / 24in / C”. SIZE: 25” l x 18” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Some light knife marks, otherwise very good. 52714-129 (400-600)

Lot 1608 27

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Session 1

1606.

1609.

Session 1

THREE SILVER PLATED GALLERY SIDED TRAYS. 1) 18-3/4” x 14” oval tray decorated with scrolls and flowers, the reticulated gallery having two handles.

Sheffield, England. 2) 17” x 12-1/2” oval tray with reticulated gallery and engraved flower scrolling leaves and c-scrolls. Sheffield, England. 3) 15-1/2” x 6” rectangular double handled tray with reticulated gallery and flower and scrolling leaf engraving. Sheffield, England. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Very good, rectangular tray with one handle side separated from gallery. 52714-130 (300-500)

Lot 1610 1611.

Lot 1609

1610. FINE LOT OF 18th/19th CENTURY CLEAR GLASS. Lot consists of an early cut glass center bowl with matching under liner, probably Irish of high quality, decorated with squares of diamonds having a sawtooth border. 9-1/4” h heavy pitcher with beveled circles. A pair of 6” h small compotes in petal form. A pair of 3-1/2” h pedestal salts. SIZE: Center bowl 5” h x 11” w x 6” d.

Under liner 13” l x 8-3/4” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Center bowl and liner have very minor nicks. Chips and roughness to edges of compote pair. Roughness to bases and chips to rims of salt pair. 52714-123 (800-1,200)

TWENTY PIECES OF CLEAR AND COLORED STEMWARE AND MISCELLANEOUS. The lot consists of five 5-1/2” h cut glass stems with green cut to clear bowls, eleven pieces of clear glassware with pontilled bases in a vintage pattern, lot consists of four 6” h stems, four 5” h stems, two 4” h stems and a 3-1/2” h bowl. A pair of 3” h flint glass hexagonal footed salts. Two 3-1/2” h candle colored bohemian glass cups, one in amber, one in red. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Roughness at edges of salts. Red bohemian glass cup cracked.

Otherwise good.

52714-127 (200-300)

Lot 1611

1612. ELEVEN PIECES OF EARLY ASSORTED CLEAR GLASSWARE. The lot consists of; six 4” h 18th/19th century wines with cut glass sheaths of wheat, matching 9-1/2” h decanter with stopper, 11” h 18th century decanter with swag design, 17” h covered pokal, two 18” h glass decanters in gourd form with stoppers which are attached to a silver collar. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Three wines with chips on foot. Very good. 52714-122 (300-500)

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Session 1 1613.

1616.

Lot 1613

WO FUR LAP ROBES. 1st half 20th century. Each robe with multiple matching pelts on a quilted silk foundation.

T SIZE: 1) 4’4” x 5’5”. 2) 4’7” x 5’10”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Both retain soft, pliant and flexible texture with no deterioration of pelts. The foundation with weaknesses and wear. Very good overall. 52714-113 (300-500) SHEFFIELD SILVER PLATED LIGHTHOUSE SHAPED COFFEE POT BY GEORGE RICHMOND COLLIS & CO. Lighthouse formed with hinged lid, s-scroll handle, having each side with nice engraved area with cornucopia of flowers, c-scrolls and birds. Monogrammed “IG”, hallmarked on top of pot with pseudo hallmarks, base marked “G.R. Collis & Co, 130 Regent St London 635”. SIZE: 9” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer.

CONDITION: Two pins missing from handle, otherwise very good. 52714132 (100-200) ESA

Lot 1616 29

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TWO CAMPHOR TRUNKS. 1st half 20th century England or China. The first, a dovetailed example, the hinged lid opening to a storage well fitted with gallery tray on shaped bracket feet. The second, a brass bound example with campaign-style carrying handles, strapping and lock plates. Interior with storage well. SIZE: 1) 21 h x 41-1/2” l x 211/2” d. 2) 19 h x 41 l x 20-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett Lot 1634 of Kittery Point, Maine. CONDITION: Both trunks structurally intact with normal and expected soiling and abrasions from in-use wear. 52714-36 (800-1,200)

1635.

TWO CEDAR STORAGE TRUNKS, CHILD’S TOY CHEST AND HOOKED RUG. 1st half 20th century American. Rectangular cedar chests with hinged lids, each mounted on wheels, the purpose of which is to store beneath a bed. Maple toy chest in green paint with floral decoration. Oval hooked rug wrought with crossed yachting burgees. SIZE: 1) Chests: 9” h x 44” l x 24” d. 2) Toy chest: 20” h x 33” w x 18” d. 3. Rug: 30” x 55”. PROVENANCE: A most historical Lot 1635 and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Cedar chests very good, toy chest with extensive paint loss and dry crusty surface, rug very good overall. 52714-38 (200-400)

1636.

MISCELLANEOUS ESTATE LOT OF INTERESTING SMALL ITEMS. Lot includes silver plated tableware and flatware, items found in desks and drawers, five alabaster fruits, small primitive pieces including copper ware, wood ware, pewter plate, stoneware jug. Miscellaneous modern documents. SIZE: Sizes vary, largest 16” jar.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Generally good. 52714-153 (200400)

Session 1

1634.

1637.

Lot 1636 (partial lot)

LOT OF ESTATE PORCELAIN INCLUDING DINNER SERVICE. Lot consists of an 80+ piece dinner service by Johnson Brothers in the “Vigo” pattern, 11 Minton’s gold edge bone dishes, 5 colorful Dresden cups and saucers, an applied fruit reticlulated center bowl, and more. SIZE: Varies PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Generally good, there are some cracks and chips. 52714-152 (200-400)

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LARGE, DIVERSE AND QUALITY ORIENTED ESTATE LINEN LOT. The lot includes; table cloths, runners, napkins, place mats, doilies, in all manners of sizes and shapes. Also including lace work. A wonderful un-picked lot worthy of attention. SIZE: Sizes vary. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good. 52714-115 (500-1,000)

Session 1

1638.

Lot 1638 1639.

LARGE LOT OF ESTATE LINEN AND TEXTILES. The lot includes many linen sheets, table cloths, napkins. Also a few pillows, bedspreads and more. SIZE: Varies. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-168 (300-500)

Lot 1639 1640. SMALL LOT OF ANTIQUE AND NEWER LADIES AND CHILDREN’S CLOTHES. Seven child’s whites, children’s accessories, bonnet and gloves. Six women’s dresses. SIZE: Varies. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Generally good. 52714-111 (100-200)

Lot 1640 1641.

1642.

EIGHT ASSORTED FUR COATS, STOLES, AND COLLARS. 1) Light brown mink coat by Henri Rendel, New York. 2) White fur stole with a label from Robert’s fur’s of Boston.

3) Fox collar. 4) White tipped fur collar. 5) Mink stole, Zirkin of Washington, D.C. 6-8) Full skin mink stoles, one with two, two with three. SIZE: Varies. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good. 52714-112 (400-600)

Lot 1641

MISCELLANEOUS ESTATE LOT OF CURTAINS AND FABRIC. Several remnant pieces of upholstery fabric, some chintz style curtains and material. SIZE: Varies. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good. 52714-118 (200-400)

Lot 1642 31

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Session 1

1643. TWO DECORATIVE BRONZES; MERCURY AND DUCKS IN FLIGHT. 1) Classic Mercury standing on one foot holding a snake entwined staff supported by a head on round base. A nice piece for the garden. 2) Unsigned bronze flying duck sculpture showing two ducks and cat tails, mounted to a wood base. SIZE: 1) 25-1/2” h. 2) 16” h x 14-1/2” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: 1) Breaks in several places including hat wings, something held in hand, nice verdigris patina. 2) Good. 52714-120 (300-500)

Lot 1643

Lot 1645

1646.

1644. ANTIQUE BISQUE HEAD DOLL. Head marked “13”, sleepy eyes. Composition body as found & in pieces, not complete.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: As noted, head has chip off eyelid, otherwise good. 52714-128 (100-200) 1645. EARLY CARVED SANTOS FIGURE TOGETHER WITH TWO PAIR OF Lot 1644 FRENCH ABALONE AND BRASS OPERA GLASSES. 1) Santos of Mary and Jesus, Mary in flowing robes holding the baby Jesus in her arms. Mounted on a Chinese rockwork plinth. 2) Pair of “LEMAIRE” adjustable opera glasses with removable brass and mother of pearl handle which, when attached to the binoculars, gains the ability to adjust and focus the glasses; when the handle is removed, the glasses adjust as would normally be expected via twisting the central post. Together with lemon-yellow velvet pouch. 2) Small pair of “Carton QUEEN” opera glasses. SIZE: Varied, 8” h (largest - figure) PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Santos figure missing right forearm and with old rot to portion of base. With good undisturbed surface and patina. Opera glasses both functional and very good overall. 52714-154 (300-500)

MIXED LOT OBJET D’ART. Lot includes: 1) Miniature 3” x 2” eightpiece doll’s porcelain tea set by Limoges decorated with flowers & garland.

2) 2” x 1-1/2” change purse. 3) Four small Vienna type bronze animals (largest 1” h). 4) Two porcelain hinge lid boxes, both decorated. 5) 2” x 1-1/4” Battersea enamel box decorated with two men on horseback. 6) 3-1/2” x 2-1/2” papier-mâché decorated snuff box. Cover having a painted seated woman in landscape. 7) 3” h x 3-1/2” l bronze dog, unsigned. SIZE: 4) 3” x 3” & 2-1/2” x 2”, otherwise noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good, snuff box with damaged lid. 52714-151 (700-900)

Lot 1646

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32

Hand Drawn and Painted Planning Map Used by Admiral Morton L. Deyo Aboard the USS Tuscaloosa who was in Charge of the Naval Bombardment on D-Day June 6, 1944

Vice Admiral Morton L. Deyo

Lot 2091 33

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A most important historical cache of goods from the Decatur-Garnett Family (Lots 2068-2149) Other items outside this historical section are noted as “A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine”

Session 2

Rarely does the opportunity come twice in a decade to represent a long and storied family in the sale of some of America’s historical treasures. The first cache of historical goods was sold in our February 4 & 5, 2010 auction and it represented the Armsden side of the Decatur family connection of Kittery Point, Maine. The collection included important books from George Washington’s library, letters written by George Washington, Thomas Jefferson, James Madison, Tobias Leer, and more; log books, and flags connected to the Storer/Decatur families, important silver, photographs, weapons, and hundreds of correspondence between family members. The star of the collection was the extraordinary and historically important Battle of Yorktown map which brought $1,150,000.

Century Tobias’s only son was Benjamin Lincoln Lear; President George Washington was Benjamin’s godfather.

Another descendant represented in this family line is George Washington Storer; nephew of Colonel Tobias Lear. George Washington visited Portsmouth, New Hampshire twice, and on one of his visits he held the infant Storer and blessed him and his name became George Washington Storer in tribute. Washington only did this to two people, the aforementioned and Washington Irving. George Washington Storer was a career naval officer who was, in his final years, superintendent of the naval asylum and retired as a Commodore.

A most important historical naval figure in this family is of course Stephen Decatur.

Commodore Stephen Decatur, Jr. born January 1779, died March 1820. He was known for his heroism and great successes in both the War of 1812 and the Barbary Wars.

He was the youngest man to reach the rank of Captain in the history of the US Navy.

Commodore Stephen Decatur and his young wife Susan never produced children. Many of Stephen Decatur the future offspring from his siblings down through the generations would be named in honor of their illustrious ancestor.

One of the future Stephen Decaturs, born in December 1814, was a lifelong career naval officer and attained the rank of Commodore on retirement after the Civil War.

Battle of Yorktown map Sold for $1,150,000 It is with great pleasure that we have been selected to sell important items from the Maria Decatur Mayo Deyo (Lila) Garnett estate.

She was one of the original benefactors of the division of the original estate which produced this historic offering.

The Garnett estate has roots in several important families, equally as significant, a lineage as the Armsden branch.

Vice Admiral Morton Lyndholm Deyo ( July 1, 1887–November 1, 1973).

Deyo had a storied 38-year naval career starting with his graduation from the United States Naval Academy in 1911, and proceeding through to the Second World War and beyond.

A historical figure related to this family is that of Captain Tobias Lear (father of Colonel Tobias Lear). Captain Tobias Lear from Portsmouth, New Hampshire was, for several years during the American Revolution, superintendent of the Continental Yard at Langdon’s (now Badgers) Island in the Piscataqua River opposite Portsmouth, New Hampshire. He was responsible for the construction of the historic John Paul Jones Continental ship the “Ranger.” Captain Lear fathered two children; Mary Lear and Colonel Tobias Lear. Colonel Tobias Lear was born in 1762 in Portsmouth, New Hampshire and expired on October 11, 1816 in Washington, DC. He was personal secretary to President George Washington and also one of Washington’s best friends. He was also agent and Consul General of the United States of America to the North African coast during the Barbary Wars. In the late 18th Visit www.jamesdjulia.com for more information

Vice Admiral Morton Deyo 34

Prior to WWII Deyo served on no fewer than 7 different ships and taught at the Naval War College and was an aid to the Secretary of the Navy.

rank of Lieutenant-Colonel, although he finished the War of 1812 as a Major. Decatur continued his career in the Navy, serving as Naval Store Keeper in the Brooklyn and Portsmouth Navy Yards.

On April 8, 1829 President Andrew Jackson (an intimate friend of Decatur’s) appointed him Collector of the Customs for the District of Portsmouth, New Hampshire. Decatur was appointed Sutler to the Army at Fort Gibson, Arkansas in April of 1831 and died of typhoid fever on November 12, 1832.

After the landings at Normandy and assisting in the successful landings of the First U.S. Army in the Madeleine area as well as commanding a group of warships that blasted enemy strong points in the vicinity of Cherbourg, France he commanded task groups in the Pacific.

It was through this family connection that many of the items descended as John was Stephen’s brother and Stephen had no children.

The family tree of this noted historical family is far more diverse than outlined above. The offering in this sale is represented by some of the above-mentioned individuals. A treasure trove and much more was rediscovered in the mid 20th Century when the family as a whole decided to sell an early barn on Kittery Point to one of its members. At the time the barn had served as a storage building for a vast amount of historical material that has been passed down through the generations. In cleaning out the barn, a significant archive of Tobias Lear papers and memorabilia was discovered and much, much more. The items were essentially divided up amongst the various existing branches of the family at that time; however, a copy of the exceedingly rare Dunlop version of the Declaration of Independence, also discovered in the same barn, had to be sold at the time because of its considerable value and to effect an equitable distribution.

Deyo was named to command Task Force 54, the bombardment group for the Okinawa invasion. Considered his crowning achievement in the Pacific was his command of gunfire and covering force for the assault on Iwo Jima and the occupation at the battle of Okinawa. For this service he was awarded the “Distinguished Service” medal. It was during this time his Flagship the “Tuscaloosa” was targeted by two Japanese kamikaze but was able to continue with the action after “splashing” them in their wake before harm could befall them. During the battle of Okinawa he was the last naval commander to form a battle line with battleships as they prepared to intercept the Japanese battleship “Yamato.”

At the war’s end, he accepted the surrender of Japanese forces in the Pacific at Sasebo, Kyushu. He received his second Legion of Merit award in the form of a gold star in lieu of a second award of the Legion of Merit.

After his death in 1973 his namesake lived on with the launching of the USS Deyo (DD 989) on March 31, 1979.

It was the 27th Spruance class destroyer. It saw action in both the Persian Gulf wars and supported Desert Storm. The destroyer was decommissioned on November 6, 2003.

USS Deyo

Stephen and Anne (Pine) Decatur had seven children. The most prominent being John Pine Decatur who was born on September 14, 1786. Siblings include Ann Pine (Decatur) McKnight Hurst (1776–1819), Commodore Stephen (1779–1820), John Pine (1781–1781), James Bruce (1782–1804), Elizabeth Josiah (1784– 1785), and Joseph Hill (ca. 1790–1802).

At the beginning of the Garnett estate we will sell important naval log books which come from the same source but from another branch of the Decatur family. (Lots 2055-2066)

John Pine Decatur was appointed a Master in the U.S. Navy on August 4, 1807 and married Maria Susanna Ten Ecyk on April 6, 1809. He resigned his commission at his wife’s behest on March 26, 1810.

Down through the years some of the artifacts had been identified by various generations of the Decatur family through small notes or word of mouth and in the presentation of the goods some of the items offered carry “family history.” We are extremely pleased to have the opportunity to present this exciting historical lot. On behalf of the Decatur descendants and our auction firm, we hope that you will find great pleasure and enjoyment in these many historic items.

After a brief career as one of the proprietors of the Bellona Powder Mills in Belleville, New Jersey, Decatur returned to the military. He was commissioned as a Captain of the Fifth Company of the Essex Squadron of Cavalry on May 11, 1812 and eventually rose to the 35

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Session 2

In WWII in the early 1940s he was commander of Destroyer Squadron II and in 1944 he commanded the Western Operation Neptune Force “U” supporting the landing of the American First Army at Utah and Omaha beaches. It was for this navel gunfire support at Utah Beach in the Normandy invasion that he was awarded his first “Legion of Merit” medal from the President. It was on the ship “Tuscaloosa” (CA-37) that he coordinated the bombardment.

2068.

Session 2

ICONIC AND EXCEEDINGLY RARE GOLD FREEDOM BOX, COMMODORE STEPHEN DECATUR FROM THE CITY OF NEW YORK, 1812. This important and historic American icon had been on display at the US Naval Academy Museum from 1940 until 2011. Gold Freedom boxes were used to confer honorary privileges on distinguished individuals which date from the mid-18th century. Freedom boxes in America presented by the City of New York were given to other notables such as General George Washington (1732-1799), Marquis de Lafayette (1757-1834), Baron von Steuben (1730-1794), Governor George Clinton (1739-1812) and Chief Justice John Jay (1745-1829).

The box given to Commodore Decatur weights 100 grams, measures 3-1/2” x 1-7/8” x 3/4” with clipped corners, top engraved with leaf motif, bordered by hatching round edges and center scored with an arc pattern; same motif and pattern on bottom and sides. Inscribed inside the top cover: “THE CORPORATION OF THE CITY OF NEW YORK / TO COMR. STEPHEN DECATUR IN /TESTIMONY OF THE HIGH SENSE THEY ENTERTAIN / OF HIS VALOR & SKILL IN THE CAPTURE OF THE / BRITISH FRIGATE MACEDONIAN BY / THE U.S. FRIGATE UNITED STATES. OCTR. 25. 1812”. 1” x 4” x 2-3/8” red leather case, lined with white satin cloth, small silver unmarked medallion with clipped corners on top and paper and ink label glued on bottom reading “PROPERTY OF MRS. W. R. MAYO”.

Stephen Decatur

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36

Session 2

Freedom box is made and hallmarked by goldsmith JeanBaptiste Lizon (1757-1811), Paris. Box also has French proofs for 18k gold. Commodore Stephen Decatur (1779-1820) was a great naval leader and hero of the Barbary Wars and War of 1812. During his command of USS United States he captured HMS Macedonian, in the Atlantic west of the Canary Islands on October 25, 1812, in one of the major ship-to-ship actions of the War of 1812 against Great Britain. On December 4, 1812, he towed the captured ship into New York harbor amid tumultuous national jubilation over the spectacular victory.

Decatur and his crew were lionized and received special praise from the President and Congress and many honors from Congress, states and cities. On December 17, 1812, the municipal authorities in New York City voted him “freedom of the city” recognized by a gold box and commissioned a life size portrait for city hall. On December 29, New York City gave a banquet in his honor.

This box is pictured in a February 1982 article in Antiques Magazine titled “Gold and Silver Owned by Stephen Decatur, Jr” by J. S. Brown, pg 401 “The City of New York resolved on December 17, 1812 that the freedom of the city should be presented to Stephen Decatur in a gold box. The key to the city has since been lost, but the octagonal box that contained it, made in Paris in 1798. Both were given to Decatur at an elaborate dinner in his honor on December 29, 1812.” The inscription on the inside of the lid of the box acknowledges Decatur’s “valor and skill in the capture of the British Frigate Macedonian by the U.S. Frigate United States October 25, 1812.”

This is an extremely rare opportunity to own an American gold Freedom Box. We note only one previous sale of another and that was the John Jay box sold by Sotheby’s, June 26, 1991. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, who inherited the box from her mother Mrs. Maria Ten Eyck Decatur Mayo Deyo of Kittery, Maine (widow of Vice Admiral Morton L. Deyo, 1887-1973); who had received it from her mother, Mrs. Wyndham R. Mayo, Jr. nee Maria Decatur; who had received it from her father Stephen Decatur of Kittery Point, Maine, who was descended from John Pine Decatur, younger brother of Commodore Stephen Decatur (1779-1820). A photocopy of Stephen Decatur’s hand written will dated 1874 and a photocopy of a typed version of Maria Decatur’s will dated 1892 accompanies this lot. CONDITION: Very fine. Box shows little or no wear being protected in its custom case since its presentation. 52714-157 (125,000-175,000) 37

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2069.

Session 2

RONZE EGYPTIAN REVIVAL CANDLESTICK B FROM STEPHEN DECATUR FAMILY DESCENT, CAPTURED FROM HMS MACEDONIAN. Family legend states this early French bronze Egyptian Revival candlestick was taken as a souvenir after Decatur’s famous battle while in command of United States over HMS Macedonian during War of 1812. Elegant 7-1/2” bronze cylindrical candlestick is decorated with three Egyptian lionfaced figures of very similar design noted on ancient Egyptian art. Egyptian Revival architecture and decorative art began in earnest in France in the first quarter of the 19th century after Napoleon’s Egyptian campaigns, 1798-1801. SIZE: 7-1/2” x 3”.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good to fine overall.

Old cleaning residue and light bronze patina with staining. Ten 3-1/2” crystal drops are complete and matching. 52714-191 (300-500)

Lot 2069 2070.

PILLAR AND SCROLL MAHOGANY SETH THOMAS MANTEL CLOCK. First quarter 19th century Connecticut. Of typical form, the swan’s neck pediment centering a cast brass displayed eagle finial flanked by brass ball and spire finials above the hinged door with églomisé panel depicting the battle between the frigate USS United States and the HMS Macedonian. The paint decorated wood dial with Roman numeral chapter ring within floral spandrels. The dial with time and strike apertures. The case with engaged ring-turned half columns all on a simple wood plinth. The wooden movement driven by weights, striking on a gong. Clock is offered with two weights, rod, bob, and winder. SIZE: 38-1/4” h x 17-1/2” w x 5” d.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Clock retains original surface with good color and patina. Dial with original paint in very good condition, hands original, original paper label remains on backboards, age darkened and with staining. Some losses to paper label proper left side. Églomisé panel original. Movement appears intact. 52714-2 (700-900)

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Lot 2070

Lot 2071 2072.

GOLD SIGNET RING GIVEN TO COMMODORE STEPHEN DECATUR IN 1805 FROM THE BEY OF TUNIS UPON HIS SURRENDER OF TRIPOLI. Stephen Decatur became an international hero after his significant victory over the Barbary pirates in Tripoli, ending with the June 4, 1805 surrender to the United States. This signet ring is made of high karat gold with about a 3/4” Carnelian engraved with the seal of Hammuda Ibn Ali, ruler of Tunis from 1782 until his death September 15, 1814. In Alexander McKenzie’s text Life of Stephen Decatur..., 1846, pg 122 “At Naples, Decatur was praised and dubbed ‘Terror of the Foe’ by the local media. Upon hearing the news of their victory in Tripoli, Pope Pius the VII publicly declared that the United States, though in their Lot 2072 infancy, had done more to humble and humiliate the anti-Christian barbarians on the African coast in one night than all the European states had done for a long period of time.” It would be interesting to compare any of the official documents of surrender to see if they were sealed with this particular signet. This signet ring was such a prized possession of the Decatur family that a copy was made by Lila Mayo for and always worn by Admiral Morton L. Deyo. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good to very good overall. Carnelian has numerous tiny scratches to surface. There are apparent solder or braised marks internally. Interested parties should examine. 52714-158 (10,000-15,000)

2073. GOLD STEPHEN DECATUR MEMORIAL LOCKET WITH “LOCK OF HAIR”. Family tradition is that the large curl of hair inside this hinged, oval locket is that of Commodore Decatur’s. Decatur’s monogram “SD” found on obverse of case and reverse has presentation dated Jan. 14, 1876 from John Decatur’s son’s wife “Anna Rowell Philbrick Decatur to her grandson Stephen Decatur Mayo, “S.D.M. from A.R.P.D”. SIZE: 1-1/2” x 1-1/8”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good overall. 52714-159 (1,000-2,000)

Lot 2073 39

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Session 2

2071. COMMODORE STEPHEN DECATUR AUTOGRAPHED LETTER. Fine 1-pg ALS of American Naval hero Commodore Stephen Decatur, Jr (1779-1820) written in 1818, just prior to his untimely death in duel at age 41. ALS sent from Washington, DC to Virginia diplomat Littleton W. Tazewell (1774-1860), signed “Yours truly Stephen Decatur”.

Letter concerns defending the town of Chesapeake, Virginia. SIZE: Mount: 10” x 12”. PROVENANCE: Direct family descent of family of John Pine Decatur, the Commodore’s brother; Stephen having no children, thence from the most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good overall. About 1” repaired crack at one fold. Ink dark and discernible in archival mount. Laid, watermarked paper 8” x 9-1/2” . Reverse of second page addressed to Tazewell in Norfolk. 52714-193 (1,000-2,000)

Session 2

2074. ANTIQUE WATCH FOB FROM ESTATE OF ADMIRAL MORTON L. DEYO WITH NOTE PURPORTING LINEAGE TO STEPHEN DECATUR. About 3” ornate silver and gold colored spinning fob with agate on one side of spinner and multi-colored flowers on other. Associated note reads “Watch fob said by Mrs. Deyo to belong to Stephen Decatur of Tripoli”. Also found on a typed family inventory that states the watch fob was “given to S. Decatur of Tripoli by Commodore Gordon”.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Good to very good. Wear to high areas and base metal exposed, dented side to top mount that holds ring. 52714-160 (400-600)

Lot 2074 2075.

TWO 19th CENTURY ENGRAVINGS OF STEPHEN DECATUR INCLUDING RARE ENGRAVED PORTRAIT BY SAINT-MEMIN. 1) Charles Balthazar Julien Fevert de Saint-Memin (1770-1852) was a well known portrait engraver of prominent Americans including George Washington, Benjamin Franklin, Paul Revere and Thomas Jefferson which are done in identical style to the Stephen Decatur portrait profile. Saint-Memin fled France during the French Revolution and lived in the United States and produced his art between 1793-1814. His work is quite distinctive and after he returned to France he was the Director of the Musee des Beaux-Arts de Dijon until his death. This is a fine portrait in an old frame with ink inscription on reverse which notes “The property of Lila Mayo Garnett after my death signed Lila Deyo”. Housed in a 9-1/2” wooden frame, the double matted vignetted round image is 2-1/4”. 2) Housed in a 9” x 7” wooden frame, printed portrait of full standing Commodore Decatur on board ship holding telescope. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Both appear very good, though not removed from frames. The Saint-Memin has staining and foxing. Both images show yellowing in paper. 52714194 (200-400)

Lot 2075

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Lot 2076

2077.

GROUP OF STEPHEN DECATUR’S ENGRAVED CALLING CARDS ALONG WITH EARLY WAX SEALS AND CAMEO STICK PIN. There are forty original calling cards measuring about 3-1/4” x 2” engraved on vellum in extremely fine condition with a finely detailed vignette of “United States and Macedonian” after the battle with the Macedonian showing broken mast and United States with full sails and large American flag. Above the vignette is a ribbon with “DECATUR” and American flags on either side and an eagle above.

There are also two cards printed on cardstock, one inscribed on reverse, “Tripoli’s Stephen Decatur’s book plate-die-owned by Aunt Decatur Wright”. Included in this lot are three wax seals of various detail, one stating it was “Garnett Crest”. There is a tiny about 1/2” silver mounted relief carved red stone cameo mounted on mourning card of Miss Decatur with inscription “For baby Mayo from his Aunt Maria. The pin brought by his grandfather after his first cruise...”. SIZE: All housed in a 3-1/2” x 2-1/2” x 1” box. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Calling cards are fine, wax seals discernible with cracks. Mourning card is broken at both folds and detached but text discernible and pin is very good with silver patina to bezel. 52714-192 (200-400)

Lot 2077 41

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Session 2

2076. RARE CIRCA 1820 ENGRAVING OF STEPHEN DECATUR, FRAME MADE FROM DECKING OF HIS FRIGATE “UNITED STATES”.

Framed steel plate engraving “Commodore Stephen Decatur / Engraved by Henry Meyer from an original picture by John W. Jarvis”. Wood backing of frame is inscribed: “This picture was given to my mother by General Page of Norfolk, VA. The frame is made of the hatch (live oak) of the Frigate United States”. Signed “Maria Susannah Decatur Mayo”. The frame has beautiful grain taken from the deck of the ship that made Stephen Decatur famous when he captured HMS Macedonian in the War of 1812. Wood in frame is quite dense with beautiful grain, weighing over 13lbs. SIZE: 12” x 15”, exposed paper image. Overall:19-1/2” x 231/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good overall. There is light warpage to beveled lower frame panel and several age cracks as can be seen in photos. Backing of frame still retains screws, probably original to the ship. Engraving was not removed from frame, but is good overall with light staining and a few small streaks unaffecting aesthetics. 52714-59 (1,200-1,800)

Session 2 Reverse

2078.

“BARBARY PIRATE” FLINTLOCK PISTOL FROM STEPHEN DECATUR ESTATE. This gun is as classic a real “pirate pistol” you will find. Family legend holds this was a souvenir from the Barbary Coast wars and this gun is of that vintage (1790-1820). The gun overall measures 15-1/2” with 9-1/2” 54 caliber tapered barrel. The barrel has Turkish proofs with incised engraving with gold decoration.

Gun is brass mounted. Lock, hammer and brass mounts are all engraved with arabesque design. Stock has relief carved moldings and gun has overall elegant lines. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Gun appears original, complete and “as found” with dark mixed patinas to brass and iron. Stock is sound with hand worn patina and a small apparently contemporary inset repair on left side between trigger bow and lock escutcheon. Gun is functional though does not hold full-cock well. 52714-188 (1,000-2,000)

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42

Lot 2079 2080.

PAIR OF FRENCH EMPIRE BRONZE DOLPHIN CANDELABRUM TAKEN BY CAPTAIN STEPHEN DECATUR AS PRIZE FROM THE FRENCH PRIVATEER “CROYABLE” WHEN CAPTURED BY CAPT DECATUR JULY 7, 1798 IN COMMAND OF US WARSHIP DELAWARE. Beautiful pair of 16” cast bronze candelabrum with detailed bases of dolphins with curled tails holding florally decorated, detachable double candleholders.

Beautiful patina. This is among the prized Decatur family heirlooms, though there is no inscription, only family provenance.

During the Quasi War, Captain Stephen Decatur was commanding US warship Delaware and captured a French privateer Croyable off Great Egg Harbor, New Jersey, July 7, 1798. The Croyable was the first American capture of this undeclared war.

The Croyable had previously captured a Philadelphia merchant ship, Liberty and also had boarded the merchant ship Alexander Hamilton, whose captain had informed Captain Decatur of Croyable’s position. SIZE: 16” x 12”.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Very good to fine overall. Both appear complete and matching with mixed chocolate/olive patinas.

52714-206 (8,000-12,000)

Lot 2080 43

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Session 2

2079. LATE 18th CENTURY NAVAL OCTANT FROM STEPHEN DECATUR FAMILY. 15” x 12” ebony and brass with ivory scale, missing maker’s plaque. There is an anchor motif etched into center of ivory scale. Retains three original mirrors and sighting disc. “Attic condition” with untouched patina.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Fair to good. Heavy dark, grungy patina to brass. Ebony body fairly sound. Index arm functional. Ivory scales both worn, stained and discolored with verdigris. Mirror is cloudy and several brass components bent. 52714-190 (300-500) ESA

2081.

Session 2

GOLD MEMORIAL PIN OF JULIET UPSHUR, 1800. Unusually large mourning pin with large area of braided hair on verso under glass bezel. The front has blue cobalt colored outer bezel with a central 1-1/2” tall oval on opalescent white material mounted with a large curl shaped like the letter “J”, with tiny brass wire decoration holding it in place with numerous small pearl-like white beads with an inset cobalt blue and pearl decorated monogram “LU”. The inner gold bezel is engraved “JULIET UPSHUR, AD 1800”. Pin is retained in a hinged red veneered casing. The Mayo line of this family is descended from Littleton Ushur (1758-1811). This is a well known Virginia family. Juliet Upshur (1784-1854) was born at “Vaucluse”, Northampton County, Virginia and died in Norfolk where she is buried. SIZE: 2-3/4” x 2-1/4”.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Fair to good overall. Gold bezel and mountings are fine, including T-bar pin. There are several breaks in the blue cobalt front bezel glass and one break in back bezel which is now retained by very old scotch tape. The white opal-colored central backing and bezel is Lot 2081 very good as its cover glass. One of the tiny wire loops that holds the hair in place has moved, as have a couple of the tiny pearl-like beads. Casing is intact with padded silk pillows, hinge is loose with worn, warped covers. Case also had scotch tape holding it closed. 52714-162 (400-600)

Lot 2082 2083.

2082. RARE 1812 DATED NEW JERSEY STATE MILITARY APPOINTMENT TO LT. COLONEL JOHN PINE DECATUR, BROTHER OF COMMODORE STEPHEN DECATUR. Archivally mounted, measuring 15-1/2” x 11-3/4” fancy calligraphy document dated December 4, 1812 and signed

by Aaron Ogden, Governor of New Jersey. John Pine Decatur (1786-1832). After the War of 1812, John stayed in the US military with the rank of Captain and worked as a sutler on the Western frontier until his death in 1832. Commodore Decatur had no children and all of his personal artifacts disseminated through his brother’s estate. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Document overall is fair to good with repaired cracks at folds, some reductions. Wax seal is only about 30-40% intact, archivally mounted. 52714-195 (500-1,000)

IMPORTANT AUGUSTE EDOUART SILHOUETTE OF STEPHEN DECATUR AND MRS. J.P. DECATUR. Circa 1843, Philadelphia, Pennsylvania. The silhouette portrait shows Stephen Decatur (1814-1876) seated in a chair facing his mother, Mrs. John Pine Decatur (1789-1850) working on embroidery and seated in a chair facing her son. The back of the silhouettes identify the sitters as follows: Mrs. J.P. Decatur, Philadel. 28th Jan. 1843 and Stephen Decatur U. S. N. Philadelphia 28th Jan 7 1843. Additionally marked with original paper label of Arthur S. Bernay New York which states “This silhouette of Mrs. J.P. Decatur & Stephen Decatur was cut by Auguste Edouart during his visit to the United States 1839-1849. SIZE: 10” h x 12” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Condition of silhouettes very good. Condition of paper backing exhibits a border of toning along the outer edge.

Housed in original simple ebonized frame. 52714-57 (3,000-5,000)

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Lot 2083

2085.

GOLD MOURNING RING OF JOHN PINE DECATUR, SURVIVING BROTHER OF COMMODORE STEPHEN DECATUR. John Pine Decatur (1786-1832) like his brother served in the Navy, but died as an Army sutler at Ft. Gibson, Indian Territory, November 12, 1832. This small, well made gold ring has miniature cut-out gold logo/monogram “JPD” inserted over a section of Decatur’s hair mounted under bezeled glass or crystal dome. This was probably made for his widow Maria Susanna Ten Eyck Decatur (1789-1850). Since Stephen Decatur had no children, all of Commodore Decatur’s memorabilia and artifacts are from descent of his brother’s lineage.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good overall with light band, as is the accompanying hinged ring box. 52714-161 (500-1,000)

Lot 2084

IMPORTANT JOHN PINE DECATUR INLAID MAHOGANY FEDERAL HUNT BOARD / BUTLER’S DESK. Circa 1810, Mid-Atlantic region. Rectangular top above the conforming case fitted with two simulated long drawers with hinged fronts opening to an interior fitted with an arrangement of valenced, blocked cubby holes, each with conforming drawer above centering a prospect door with inlaid oval fan patera opening to a bank of three blocked document drawers.

To the right of the prospect door, the interior has been altered due to the later addition of a cupboard door on the proper left side of the case, which opens to a storage area. Beneath the butler’s desk section, are fitted three aligned short drawers with cockbeaded edges. The hunt board raised on four square tapered legs, each headed by an oval fan patera above string inlaid panels terminating in brass capped Marlborough feet. Accompanying the desk is a John P. Decatur calling card which was found in the desk. SIZE: 41” h x 54-1/2” w x 24-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Alterations as noted, one cockbeaded edge missing. Top with old repaired and filled shrinkage cracks along medial seam. Each front leg now strengthened by substantial iron angle brackets mounted within the case as reinforcement to early stress cracks and partial breaks to front legs at case. 52714-31 (3,000-5,000)

Lot 2085 45

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Session 2

2084.

2086.

Session 2

FINE TRAVELING CASED DECANTER SET. First half 19th century. The top hinged lid opens to reveal a compartmentalized sectioned interior holding six 9” h x 4” w x 2-1/2” d clear hand blown decanters with stoppers and two 7-1/2” h x 2-1/2” w x 2” d similar decanters. Also having two 4-1/2” h stemmed wines that fit sideways at the bottom underneath a compartment that holds two 3-1/2” tumblers. The case having its original key and has two brass bale handles for carrying. The top presentation plaque missing but a copy of John P. Decatur Lieutenant US Navy calling card is folded and included with the box. Family history notes that this tantalus was the property of John Pine Decatur 1786-1382, third generation Decatur. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: One decanter broken but intact, one wine glass broken and repaired.

52714-66 (2,000-3,000)

Lot 2086 2087. FOUR WAX PORTRAIT BUST SILHOUETTES. 1st half 19th century, British and American. All portraits molded and painted.

The first of George Washington in military uniform. The second of John Holme, (1722-1808) a Scottish clergyman, dramatist and author. Portrait rendered with greying wavy hair dressed in an olive frock coat. Identification label affixed to back of frame. The third of “Bonny Prince Charlie”, grandson of James II, King of England (1720-1788), proper name of Charles Edward Louis Philip Casimir Stuart. Rendered with curled long brown hair, a tartan sash over right shoulder and with a tied linen scarf. Identification label affixed to back of frame. The fourth a bust portrait of Scottish poet Robert Burns (1759-1796). Rendered with wavy brown hair and dressed in what appears to be green tartan cape or sash around his shoulders. All housed in period frames. SIZE: Sight: 1) 4-1/2” h x 3-1/2” w. 2) 4” h x 3” w. 3) 4-1/4” h x 3-1/3” w. 4) 4-1/2” h x 3-3/4” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: The first with tight crack along base of neck running from ear to scarf, now repaired. The second with tight shrinkage crack at back of neck. The third is very good overall. The fourth with horizontal tight shrinkage crack at base of throat, appears stable. All four in overall good condition. Each mounted on fiberboard backing. 52714-65 (1,200-1,800)

Lot 2087 2088.

CEREMONIAL DAGGER. 19th century, possibly theatrical or decorative dagger measuring 13” overall with 9-1/2” blade with rounded edge point. Sheath tip is from Civil War era, Civil War bayonet. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Brass pommel and “C” shaped cross-guard of light mustard patina. Blade is grey. Scabbard is missing throat and utilized heavily eroded brass circa 1860 Springfield bayonet tip. 52714189 (300-500)

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46

RUSSIAN PORCELAIN CABINET PLATE WITH INSCRIPTION ON VERSO. Plate decorated with gold & green borders with a center medallion. Inscription states “Plate...Czar Alexander of Russia Given me by Secretary of War Dickenson, Moscow, Oct. 1910”; Jacob M. Dickinson (1909–1911) served under President Taft. SIZE: 9-1/2” dia.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Chip to rim, part of inscription lost. 52714-198 (200-400)

Lot 2089 2090.

ADMIRAL MORTON L. DEYO ARCHIVE INCLUDING HIS WWII ERA VISOR CAP, TWO-STAR ADMIRAL’S PENNANT, TWO 48-STAR FLAGS THOUGHT TO HAVE BEEN WITH DEYO WHEN COMMANDING THE U.S.S TUSCALOOSA DURING THE BOMBARDMENT OF NORMANDY ON D-DAY. The two American flags are both commercial. 1) Cotton, printed canton with 6 rows of 8 stars, 34” on hoist, 62” on fly. 2) Wool bunting, 55” on hoist with Sterling maker’s label, about 90” on fly, double appliqué machine sewn cotton stars. 3) Dress visor hat is labeled Vice Admiral internally which would date 1947 but construction is in style of WWII with wicker body. Interestingly there is an earlier visor with fewer acorns & oak leaves which may have been from WWII accompanying this lot. His pair of Vice Admiral 3-star shoulder boards are also included along with two lightweight midshipman’s caps in white and a blue one with Annapolis label, probably upon his graduation at Annapolis in 1911. 4) Rear Admiral’s pennant with two stars, 40” on hoist, 60” on fly. This would be flown from any vessel when the Admiral was on board such as Tuscaloosa during coordination of D-Day naval bombardment, of German positions on Omaha Beach ahead of Troops Landing. This may be the only identified Admiral’s flag with D-Day history.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Very good overall, still retains some tying cords to attached grommets, light fading & wear at fly with light reductions. 2) Very good, good colors, light mothing, several contemporary repairs, in sailor fashion with matching colored thread woven over holes. 3) Very good overall some staining on the mid midshipman caps. 4) Very good overall, some rust stains on grommets.

52714-207 (5,00010,000

close-up of Rear Admiral’s pennant

Vice Admiral Morton Deyo

USS Tuscaloosa 47

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Session 2

2089.

2091.

Session 2

HISTORIC LOT OF FOUR MASSIVE HAND DRAWN AND PAINTED PLANNING MAPS USED

BY ADMIRAL MORTON L. DEYO ABOARD THE USS TUSCALOOSA WHO WAS IN CHARGE OF THE NAVAL BOMBARDMENT ON D-DAY JUNE 6, 1944. Four maps in this archive include: 1) an overview of the British and French coast in one map, 2) view of the French beach with Utah Beachhead squared off 3) large map showing that section with pasted label “UTAH BEACH 6 JUNE 1944”. Details of mines, buoys and ship positions as they approach the beach are noted. 4) The most highly detailed map shows position of beach “Tare Green” and beach “Uncle Red” code names for two entry points on Utah Beach with exit positions shown going inland. What an important group of maps used on D-Day by the Admiral in charge of bombardment of German positions as British and American troops would start their invasion of France. What an important large display suitable for museum. SIZE: 1) 44” h x 55” 2. 2) 44” h x 28” w. 3) 40-1/2” h x 56-1/2” w. 4) 44” h x 56”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good to very good overall as mounted to cardboard for display. There is soiling, foxing, reductions where maps are hinged, light fading and missing portions of some added text. 52714-176 (800-1,200)

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WONDERFUL, HISTORIC WWII, MASSIVE SHIP’S LOG/SCRAPBOOK OF REAR ADMIRAL MORTON L. DEYO. This massive album measures 25” x 17-1/2” is mostly dis-bound between two boards with rope hinges. There are over 70 pages with many inserted photographs, maps, notes and miscellaneous ephemera. Pages consist of reused various US & German WWII military naval charts with hundreds of photographs tipped in, many with captions, some loose. Photographs of Deyo and other officers and men are part of archive. There is a list inset on two long pieces of paper listing of over 60 photographs obviously taken during battle. A few samples of list are as follows: Bombardment of Wake Island, October 5 & 6, Direct hit on Bougainville, November 8 & 9, Splash One Zeke during air attack off Philippines, September 21 & 22, 1944, Lot 2092 Bombardment of Iwo Jima, July 4 & 5, 1944, Aerial view of Okinawa, October 10, 1944, Houston survivors on USS Mobile October 14, 1944, Bombardment and seizure of Iwo Jima, February 18-22, 1945, Naval bombardment of invasion beaches, 0900-H-Hour, The first wave lands Iwo Jima, Shellholes and trenches on high ground overlooking the landing beaches. Military photographs are almost exclusively 8” x 10” and 5” x 7”’s and smallest format photographs are 4-1/2” x 3-1/2”. This is an interesting and unique album showing Deyo’s time upon the Santa Fe, 1944-1945 including photos of him at the surrender table at Sasebo. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Fair to good overall. Many pages show water staining and photographs are all tipped in with yellowing scotch tape. No doubt, however, quite an interesting archive of photographs that may have never been seen before. 52714-169 (1,000-2,000)

2093. REAR ADMIRAL MORTON L. DEYO PRESIDENTIAL COMMISSIONS AND NAVAL ACADEMY DIPLOMA. Morton L. Deyo (1887-1973) was a lifelong naval officer and from a family of military men, his wife being a direct descent of John Pine Decatur, Commodore Stephen Decatur’s brother. This grouping of 8 large vellum documents starts with the United States Naval Academy Midshipman appointment signed by USNA Superintendent and 12 professors, showing completion of studies June 2, 1911. Document has beautiful naval vignettes and gold embossed seal. Seven Presidential Commissions chronicle his promotions starting with Ensign (William Taft, March 28, 1912), Lieutenant JG (Woodrow Wilson, January 25, 1916), Lieutenant (Woodrow Wilson, July 20, 1918), Lieutenant Commander (Warren G. Harding, December 21, 1922), Commander (Herbert Hoover, June 21, 1932), Captain (Franklin Roosevelt, July 21, 1939), and ending with Rear Admiral (Harry S. Truman, December 9, 1947). SIZE: Commissions are about 15” x 19”, Taft a little smaller 14” x 18”. Naval Academy document 13-1/2” x 21-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Documents overall very good.

Slight browning and staining on Howard Taft signed document as can be seen in photos. 52714-170 (1,000-2,000)

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Session 2

2092.

Session 2

2094. RARE AND IMPORTANT ADMIRAL MORTON L. DEYO CEDAR NAVAL STORAGE TRUNK. 2nd quarter 20th century Far East.

Rectangular hinged lid opening to a storage interior, fitted with chrome plated carrying handles on a molded plinth.

The lid with presentation plaque reading “REAR ADMIRAL MORTON L. DAYO UNITED STATES NAVY”.

SIZE: 20-1/2” h x 41” l x 20” d.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally very good. Loss to finish with chafing, proper left front quadrant of lid.

Lid interior with minor shrinkage split on inside panel. 52714-37 (500-700)

Lot 2094

2095.

ARCHIVE OF ITEMS FROM VICEADMIRAL MORTON L. DEYO. This small archive of items were from the office and desk of Vice-Admiral Morton L. Deyo (1887-1973). They include desk nameplate “Vice- Admiral/Morton L Deyo, a 1948 presentation metal submarine model from the Portsmouth Naval Yard employees, a wooden cannon model measuring 15” overall on carriage with his name painted which appears to date probably at the time of his graduation from the U S Naval Academy in 1911. There Lot 2095 is also a framed 9” x 6” photograph of Deyo in uniform at the Academy, presentation silver and crystal mounted ashtray inscribed with his retirement date “May 7, 1953”, a sterling silver napkin ring inscribed “to Deyo” with the names of the 22 naval vessels he was assigned up to WWII, starting with his first service on the battleship “USS Virgina” and ending with the “USS Tuscaloosa” from where Deyo commanded troops during landing operations on D-Day. Also included in archive is a naval signal flag, and a couple of calling cards. Also included is a King George VI signed Distinguished Service Order to Rear Admiral Deyo, signed November 20, 1944, framed photograph of Eisenhower and Deyo, and several items concerning the commissioning of the destroyers “USS Decatur” and the “USS Deyo”. Presentation Sheffield box containing about 40 bronze tokens commemorating the christening of the “USS Deyo” at Pascagoula, Mississippi in 1979 and three souvenir hats from the christening. A 50” x 60” banner “USS Deyo DD-989”. A destroyer tie clip marked 59 and a small round pin “USS Deyo DD-989”. Presentation box (6” h x 17” l x 7” d) with christening bottle for the christening of Deyo (DD-989) March 31, 1979. A 13” x 9-1/2” shield shaped plaque from the christening ceremony of the Deyo (DD-989). Accompanied by a folder concerning the christening ceremony of Deyo DD989 including photographs. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Overall, good to very good. 52714-172 (400-600)

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2097.

Session 2

2096. PAIR OF CASED JAPANESE NIGHT VISION BINOCULARS WITH STAND. The fitted wooden case with front plaque in Japanese. During WWII the Japanese had technology better than the US and that their night vision binoculars were far superior so whenever a ship was captured or a chance to acquire these they were always taken. These were acquired during the battle of Okinawa by Rear Admiral Morton Deyo. SIZE: Binoculars: 23” l. Case: 9” h x 19-1/2” w x 27” l. Non- folding tripod: 62” h x 18” w at top. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Appear to be intact, good. 52714-39 (500-1,000)

JAPANESE OFFICER’S SWORD GIVEN

BY JAPANESE ADMIRAL SUGIYAMA TO REAR ADMIRAL MORTON L. DEYO, USN. Accompanying Japanese army officer mounted Katana (Samurai sword) along with vintage photograph of Admiral Deyo with Vice Admiral Sugiyama sitting at Lot 2096 table with other officers during the formal surrender of the Sasebo Naval Station while aboard the USS Santa Fe. There are several accompanying letters from Japanese sword experts translating the signature on tang “Province-Owari; Maker-MASATAKA”. There is no other provenance other than family history that the sword was obtained by Admiral Deyo at the Sasebo Surrender, September 21, 1945. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Very good to fine overall. Blade still exhibits most of its visible temper with old polishing and one small nick in cutting edge. Cutting edge of blade is 26-1/2” and sword is 38-1/2” overall including saya. 52714-173 (1,000-2,000)

Lot 2097 51

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Session 2

2098.

IMPERIAL JAPANESE NAVAL DIRK. This was a souvenir from WWII of Vice-Admiral Morton L. Deyo. This is a traditional Japanese naval dirk with simulated ray skin grip, gilded brass mounts with traditional Sakura blossoms and thin tanto-style blade with fuller. 16” overall with 9” blade. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good to very good overall. Brass has been cleaned with traces of old gilt. Blade is fairly bright overall and quite sharp and appears possibly hand made though tang is unsigned. 52714-175 (300-500)

2099.

JOHN RAMSIER (American/Swiss, 1861-1936) MINIATURE PORTRAIT OF MARIA VERN GARNETT. The oval miniature portrait shows a young woman in white with shawl at shoulder, blue and cloud sky as background. Signed lower right “J. Ramsier”, housed in a locket type brass frame. SIZE: 3-1/2” x 2-3/4”. Overall: 4-1/2” x 3”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Some scratch losses in hair, otherwise good. 52714101 (500-1,000)

2100.

MISCELLANEOUS LOT OF EPHEMERA, SILVER, AND BRONZE Lot 2099 RELATING TO THE MAYO AND WISE FAMILIES. 1) A 16” x 21” presidential commission for Wyndham R. Mayo for collector of customs for the district of Norfolk and Portsmouth, in the state of Virginia. Dated 1886, July 31. Signed by Grover Cleveland. 2) A 9” x 7” gouache on board Confederate States of America painting of flags, inscribed on back “No nation rose so far and ___, none fell so free of ci_/ for my dear friend Leigh Robinson with love of H.G.” Research indicates that Leigh Robinson 1840-1922 was a confederate soldier and orator. 3) 17” x 12-1/2” three page section of a book concerning Henry Alexander Wise. 4) 28” x 24” printed broadside titled “Confederate Roster of the Family of Henry A. Wise” dated 1908. 5) Two 13” silver plated stuffing spoons by Mappin, each spoon having an ancestral crest of an arrow through heart on scroll. Tag indicates belonging to Wise family. 6) A crucifix with bronze figure and wood cross 13” x 6”. SIZE: As noted above PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Stains, vertical folds and loss to right hand margin. 2) Some water stains, generally good. 3) Water stains. 4) Some soiling, top 6” with tears. 5) Very good. 6) Good. 52714186 (200-400)

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2102.

VINCENT COLYER (American, 1825-1888) TRIPLE PORTRAIT OF THE DECATUR CHILDREN. Charcoal and pastel portrait of the heads of three Decatur children. The brown eyed girl in the center depicts Maria Susanna Decatur (1853-1897). The boy to her left is her twin brother Edward Philbrick Decatur, who died in 1864, the year after the portrait was made, and the brown eyed boy on the right is William Beverly Decatur (1855-1934), who later changed his name to Stephen. Signed and dated lower right “V. Colyer 1863”. Housed in a period giltwood frame under glass. SIZE: 19-1/2” x 27”. Overall: 24” x 31-1/2”.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Vertical bands of discoloration, foxing and slightly faded. Not examined out of frame 52714-43 (1,200-1,800)

Session 2

2101.

Lot 2101

PORTRAIT OF COLONEL EDWARD A. CABELL ATTRIBUTED TO GEORGE COOKE. Oil on canvas portrait of a man seated in half view holding hand at side wearing a black coat, white vest and brown pants. A red curtain drape is on viewers right with shadow cast on back wall. Unsigned, attributed to George Cook (American, 17931849). Portrait circa 1820-1830. Housed in a fine giltwood molded frame. The stretcher bearing a typed label with sitters identity and biographical information including birth “Union Hill” Virginia and death at “Norwood” Nelson Co. VA. Also indicating “painted by brown”. Exhibited: Corcoran Gallery of Art, “Works of Art from Collections in the Washington Area” Washington, D.C., 1952 Note: Colonel Cabell (1797-1869) was born at Union Hill, Virginia and attended William and Mary College. He inherited a large estate in Amherst County from his father. He married Mary Rice Garland in 1823 and was a member of the House of Delegates from 1837-1840. He was appointed to a federal position in the General Land Office in 1841

by President Tyler and chief clerk by President Fillmore. In this role, he became close to then senator Abraham Lincoln. Edward and Mary Cabell had seven children: William, David, Patrick, Edward, Jane, Mayo (died as Lot 2102 infant) and Paul. The portrait is listed in the Smithsonian American Art Museum Art Inventories Catalogue as IAP82400064 with attribution to George Cooke. In 1970, Judith E. Webster, a Maryland Appraiser, examined the portrait and listed the work as “by George Cooke.” SIZE: 30” x 25-1/2”. Overall: 40” x 35”. PROVENANCE: Mrs. Henry S. Venn, Washington, DC; A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good restored condition, craquelure arrested by lining. 5271444 (4,000-6,000) 53

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Session 2 2103.

PORTRAITS OF ANN JENNINGS WISE PROBABLY BY THOMAS SULLY AND HER TWO CHILDREN MARY AND OBADIAH JENNINGS WISE BY JOHN GADSBY CHAPMAN. 1) Oil on canvas portrait of Ann Jennings Wise shows a young woman seated with open book in lap looking at viewer. She wears a white fur edged burgundy shawl and has a large vase of flowers behind her on a green material covered table. Housed in a period giltwood frame. Unsigned, probably by Thomas Sully. A brass plaque attached to stretcher as follows “Ann ELizabeth Jennings / Born Dec. 31, 1808 - Died May 4, 1837 / First wife of Henry A. Wise of Va. / Daughter of Rev. Obadiah Jennings / & his 2nd wife Ann Wilson”. 2) Oil on canvas portrait of Mary and Obadiah Jennings Wise, circa 1833, shows the two children seated on the floor with Mary dressed in a white dress and Obadiah seated in a brown outfit holding a cluster of grapes.

Signed and dated lower right “JC 1833”, the artist is John Gadsby Chapman (American, 18081889). On verso of canvas is written “Mary E. Wise AE 4 Years. / Obedia J. Wise AE 2-1/2 Years / John G. Chapman pinx 1833 / belonging to John S. Wise.”. A brass plaque affixed to verso says “Mary ELizabeth Wise / and / Obadiah Jennings Wise / Children of Ann ELizabeth Jennings / and Henry A. Wise / painted by Chapman”. Note: Ann Elizabeth Jennings Wise (1808-1837) was the first wife of Virginia Governor Henry R. Wise, and daughter of the Reverend Obadiah Jennings. Tragically, in 1837, Anne and one of their children died in a fire, leaving Henry with four children: two sons and two daughters. The portrait of the two children was painted in 1833 and depicts their oldest daughter Mary, age 4 years and her brother Obadiah, age 2 ½ years.

The portrait is listed in the Smithsonian American Art Museum Art Inventories Catalogue as IAP82400045 with no attribution. In 1970, Judith E. Webster, a Maryland Appraiser, examined the portrait and stated the portrait of Ann Jennings Wise was “probably by Thomas Sully”. SIZE: 1) 36” x 29”. Overall: 45” x 38”. 2) 30” x 25”. Overall: 39” x 33-3/4”. PROVENANCE: Mrs. Henry S. Venn, Washington, DC; Mrs. Ellen Garnett, Washington, D.C., A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Good restored condition, craquelure arrested by lining, several areas of touchup in background, edges, and face. 2) Significant cracking (appears to have been rolled) with losses and surface grime, old restoration. 52714-45 (5,000-7,000)

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Session 2 2104.

PORTRAITS OF REVEREND AND MRS. OBADIAH JENNINGS. 1) Oil on canvas half portrait shows a standing young man in front of an open book resting on a red cloth. Unsigned, possibly the work of Rembrandt Peale, circa 1830. Housed in a modern giltwood frame. 2) Portrait of Ann Wilson Jennings possibly by Thomas Sully or Rembrandt Peale. Unframed, unsigned, circa 1830.

Oil on canvas half portrait shows a woman on lace edged black dress with fur lined stole. She wears a lace bonnet and she sits in a wood framed green upholstered armchair. On verso is a brass plaque “Ann Wilson / Born 1787 - Died 1841 / 2nd wife of Rev. Obadiah Jennings / (Daughter of James Wilson of Wye Mills, Maryland & Sally Stuart) Mother of Ann Elizabeth Jennings, Wife of Henry A Wise.” Note: The Reverend Obadiah Jennings (1778-1832) was pastor of the First Parish Church, Wye Mills, Maryland. His wife Ann Wilson Jennings (1787-1841) was his second wife and the mother of Ann Elizabeth Jennings, who married Virginia Governor Henry Wise. In 1970, Judith E. Webster, a Maryland Appraiser, examined the portraits and listed the portrait of Obadiah as “possibly by Rembrandt Peale” and the portrait of Mrs. Jennings as “probably by Thomas Sully”.

Another attribution might be Gilbert Stuart. SIZE: 1) 36” x 28-1/2”. Overall: 41” x 34”. 2) 36” x 29”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Canvas laid down on panel, vertical restored tear from top to bottom in center, scattered restoration throughout. 2) Good restored condition, lined, flake losses along top upper right. 52714-205 (8,000-12,000)

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2105.

FABULOUS AND IMPORTANT ASSEMBLED BOSTON SIX PIECE COIN SILVER COFFEE AND TEA SET WITH WHIPPET FINIALS ALONG WITH AN EARLY SHEFFIELD DOUBLE HANDLED TRAY. Lot consists of 1) 9-1/2” high coffee pot by George B. Foster (Salem, MA 1838-1854), monogrammed with “C” on side and inscribed on bottom “From Mary to Ellen”. 2) 12” high (with handle) water kettle on stand with burner by Lincoln & Foss (Boston, MA circa 1850), monogrammed “ARP”. 3) 6” high teapot by Lincoln & Reed, monogrammed “ARP”. 4) 6” high creamer by Lincoln & Foss (Boston, MA 1835-1844), monogrammed “ARP”. 5) 5” high covered sugar by Lincoln & Reed, monogrammed “ARP”. 6) 2-3/4” high waste bowl by Lincoln & Reed, monogrammed “ARP”. The four covers each having a full figure of a whippet.

Session 2

Each piece in a plain design, marked on bottom “Lincoln & Reed Boston Pure Silver Coin”. Along with a 28” x 17-3/4” Sheffield silver plated tray having dolphin fish handles and gadrooned edge. The center engraved with a family crest surmounted by a whippet dog. Note: “ARP” monogram is for Abigail Rowell Philbrick, a 1981 appraisal and family lore indicates that this was made from prize money of Commodore Stephen Decatur who Abigail was the niece-in-law. Total weight: approximately 116 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally in very good condition, shows use with some minor dents and dings. Tray with worn through plating with wonderful patina, some minor dents. 52714-165 (5,000-10,000)

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Session 2 2106.

FIVE STERLING AND COIN SILVER CHILD’S HANDLED CUPS FROM THE DECATUR/PHILBRICK FAMILIES. 1) American sterling silver child’s cup engraved “Stephen Decatur Mayo” by Shreve, Crump & Low, Boston, Massachusetts, circa 1875. The handled cup having a decorative border to base, marked on bottom “Shreve, Crump & Low/ Boston / 123 / English Sterling”. 3-1/2” h. Stephen Decatur Mayo 1875-1935, sixth generation Decatur. Son of Maria Susanna Decatur and Windham Robertson Mayo.

2) American coin silver child’s cup engraved “Philbrick” by Lows, Ball & Company, Boston, Massachusetts, circa 1840. The slightly tapered round cup having a simple rim with scroll handle. Hallmarked on bottom “Lows, Ball & Company”. 3-3/4” h. The first Philbrick that entered the Decatur line was Anna Rowell Philbrick who married Commodore Stephen Decatur (18141891) of the fourth generation. 3) American coin silver child’s cup engraved with a script “EP” by Bailey, Kettell & Chapman, Boston, MA, circa 1854-1858. The tapered cup having a scroll handle, the bottom marked “Bailey, Kettell & Chapman coin Boston.” 4” h. Possibly Edward Philbrick Decatur 1853-1864, son of Commodore Stephen Decatur (1814-1891) of the fourth generation and Anna Rowell Philbrick. 4) American coin silver child’s cup engraved “E.P.D.” by Vincent Laforme, Boston, MA, Circa 1850. The slightly tapered cup having an s-scroll handle, marked on the bottom “V. Laforme coin Boston.”

3-1/4” h. Probably Edward Philbrick Decatur 1853-1864, son of Commodore Stephen Decatur (1814-1891) of the fourth generation and Anna Rowell Philbrick. 5) American sterling child’s cup engraved “M.M.D. October 1st 1921” by Watson Company, Attleboro, MA, circa 1921. Round cup having a shaped handle, the bottom marked with the Watson hallmark “sterling 2077”. 2-3/4” h. Maria Decatur Mayo Deyo (Lila) Garnett 1921-2017, daughter of Maria Ten Eyck Decatur Mayo 1882-1979 seventh generation Decatur and Vice Admiral Morton L. Deyo 1887-1973. Total weight approximately 20 troy oz. SIZE: As listed above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1)Dents and creases to body, otherwise good. Some remnants of gilt interior. 2) Small dents and creases, the handle with repair at intersection of body. 3) Some small dents and creases, otherwise very good. 4) Dents and creases to both handle and body. 5) Dents along bottom edge and body. 52714-136 (2,000-3,000)

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Session 2 2107.

SIX STERLING AND COIN SILVER CHILD’S HANDLED CUPS INCLUDING PEABODY, CABELL, AND GARNETT FAMILY INSCRIPTIONS. 1) Coin silver child’s cup engraved “James Harper Peabody FEBY 18, 1837”.

Hallmarked on bottom “P” with bust of man, circa 1837. A note found in family appraisal indicated that a similar mug at the Metropolitan Museum “ref. Winterthur DACP. Probably the mark of John Pitkin 1803-1891, working in Hartford CT with branch in Vicksburg, Miss. The cup having an s-scroll handle with molded top and bottom rim. 3-1/2” h. James Harper Peabody 1837-1884. Son of George Frederick Peabody and Anna Harper. 2) American coin silver presentation Christmas cup engraved “Presented to Col. E.A. Cabell by a friend Christmas 1840”, also on base “M.G. from her great aunt M.G.V. May 7, 1952” by M.W. Galt & Bro, Washington, D.C., circa 1840. The tapered cup with eight sides having a decorative scroll handle, the inscription on the side surrounded by a floral border. The base hallmarked “M.W. Galt & Bro”. 4” h. Brief research indicates that there was an E.A. Cabell in Amherst County, VA. 3) American sterling silver child’s cup engraved “Maria Garnett from her great grandfather, Henry A. Wise. Sept. 2d 1875”, also engraved on base “F.H.P.G. Jr. from M.G.V. Sept 6, 1949” by Whiting Manufacturing Company. Plain round body with molded rims and shaped handle, marked on base with the Whiting trademark “sterling 143”. 3-1/2” h. Maria Garnett (Venn) born September 2, 1875, died April 25, 1960 married Henry Straith Venn, 1869–1908. Henry A. Wise (December 3, 1806–September 12, 1876) was an American lawyer and politician from Virginia. He was a U.S. Representative and 33rd Governor of Virginia, and US Minister to Brazil.

During the American Civil War, he was a general in the Confederate States Army. He was the father of U.S. Representatives Richard Alsop Wise and John Sergeant Wise. 4) American coin silver child’s cup engraved “Jennings Wise Garnett” by Bailey & Co, Philadelphia, PA, Circa 1850. Round stepped cup with bead bottom and top rim having a scroll handle, the bottom marked “Bailey & Co.” 4” h. with various hallmarks. Henry Wise Garnett probably uncle of Maria Garnett and brother of Henry Wise Garnett. 5) American coin silver child’s cup engraved “JHP” by Gorham Company, Providence, RI, mid-19th century. Round cup with short foot and small bead decoration having a decorative handle, engraved body with leaves and scrolls. A shield surrounds the initials. Bottom marked “103 coin” and three hallmarks used by the Gorham Company. 3” h.

6) Sterling silver and mixed metal child’s cup with no identifying engraving by George W. Shiebler & Co., New York, NY. The shaped body hand hammered with repoussé flowers and leaves having one copper colored applied fly, a fancy c-shaped handle, gold washed interior, the bottom marked with the Shiebler winged S “Sterling 312”. 3-1/2” h. Total weight approximately 27 troy oz. SIZE: As listed above.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (18871973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1) Dents and creases, otherwise good. 2) Generally very good, only small dings. 3) Some minor dings and creases, generally very good. 4) Handle with repairs at juncture to body with two splits at top of juncture, small dings and creases. 5) Handle with pushed in top area, small dents and creases to body. 6) One pencil point dent near base, otherwise very good. 52714-137 (1,000-1,500)

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2109.

THREE PIECES OF STERLING AND COIN SILVER TABLE WARES. 1) American coin silver oval footed tray with engraved initials “YMG” (probably Mayo family) by Gorham Company, Providence, RI, retailed by M.W. Galt Brothers, Washington, D.C. The oval tray having a decorative border with engraved interior ovals centered on the three letter initials. Raised on four decorative curved feet, the bottom marked with Gorham hallmarks, “coin, M.W. Galt & Bro.” 2) American coin silver round dish supported by three griffin feet by Gorham Company, Providence, RI. The dish having a bead edge and stepped interior, the bottom marked with Gorham hallmarks “coin 50”. 3) American sterling silver handled mug engraved “HMV” (probably Mayo family)

by S. Kirk & Son, Co., 1896-1925. The shaped mug with footed base having as s-scroll handle, marked on bottom “S. Kirk Son Co 925 / 1000 138”. Total weight 31 troy oz.

Lot 2109 SIZE: 1) 3/4” h x 10” w x 17” d. 2) 1-3/4” h, 6-1/2” dia.

3) 5” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families.

CONDITION: 1) Some light dings, otherwise very good. 2) Rim is slightly out of round, minor dings, otherwise good. 3) Small dent on side, otherwise good. 52714-140 (1,000-1,500)

Lot 2110

2110. INTERESTING 18th CENTURY AMERICAN COIN SILVER LOW TAZZA INITIALED “MW” WITH POSSIBLE WASHINGTON PROVENANCE. Family lore states that this piece belonged to Mary Ball Washington, George Washington’s mother. The stepped rim top plate joined to a tapering round base with flared foot. The underside of the plate deeply engraved “MW”. 4.8 troy oz. SIZE: 1-3/4” h x 5-1/3” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (18871973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Some light bends and dents, generally good. 52714-138 (500-1,000) 59

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Session 2

Lot 2108

2108. PAIR OF COIN SILVER AMERICAN BEAKERS BY R&W WILSON. Robert & William Wilson circa 1825-1846, Philadelphia, PA. The beakers having a central 2” flower and leaf repoussé band with a Greek key foot band and molded rim, the bottom hallmarked “R&W Wilson”. SIZE: 4” h x 3” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (17791820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families.

8.6 troy oz. CONDITION: One beaker has minor denting, the other with minor denting and separation along top rim. 52714-134 (800-1,200)

2111.

Session 2

AMERICAN STERLING MUG AND PLATE WITH MARIA TEN EYCK DECATUR MAYO INSCRIPTION. 1) Handled mug inscribed “Maria Ten Eyck Decatur Mayo from her uncle Stephen Decatur October 14, 1882”. The cyllinder shaped mug with c-form handle has all over hammered finish by Shreve, Crump & Low. The bottom marked “Shreve, Crump & Low sterling 82” with company date mark 1883. 2) Small plate inscribed “U.S.S. Decatur Christened by Maria Ten Eyck Decatur Mayo Richmond VA. September 26th 1900” by Bixby Silver Company, Providence, RI, circa 1900. Round stepped plate with beaded edge, the bottom marked “B.S.C. Sterling 40”. Maria Ten Eyck Decatur Mayo 1882-1979, sixth generation Decatur and great Lot 2111 grand-niece of Commodore Stephen Decatur. The USS Decatur (DD-5) was a Bainbridge-class destroyer in the United States Navy. Total weight approximately 7 troy oz. SIZE: 3-1/2” h. 2) 5” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1) Very good. 2) Small dings and dents. 52714-163 (500-800)

Lot 2112 2113.

2112. CHINESE STERLING SILVER FIVE PIECE DRESSER SET. The unmarked set with hand hammered design with an applied Mayo family crest.

Set consists of 11-1/” hand mirror, 8-1/2” brush, 7-1/4” clothes brush, 7-1/2” button hook, 7-1/2” comb. SIZE: As listed above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families.

CONDITION: Very good, one small backside chip to glass of hand mirror, 52714-166 (300-500)

FABULOUS LOT OF MINIATURE SILVER ITEMS. The lot includes a tea set with teapot, sugar, creamer, handled platter, with six saucers and five cups, overall size 5” x 2-3/4”. Six 2” fiddle ended spoons, a 4” high functional spinning wheel, a 1-1/2” high ladderback side chair, a 2” high English armchair by Lister & Sons hallmarked Birmingham 1858, and a 3-1/2” ladies slipper by Gorham marked “B2124”. Total weight: approximately 6 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Lot 2113 Admiral Morton Deyo (1887-1973).

Also Descending from the Ten Eyke and Mayo Families. CONDITION: Very good. 52714-145 (800-1,200)

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Lot 2114 2115.

ENGLISH STERLING SILVER INK STAND. This piece, made from an oval tray/soup plate (London, 1794, maker’s mark “PP”), has two gadroon decorated side handles, three circular holders which have been affixed to the bottom of the platter, all supported by four ball-andclaw foot legs. There are two cut glass clear inkwells, each having a removable sterling silver top (London, 1808, Lot 2115 with blurred maker’s mark). The center holds a sterling silver handled chamberstick (London, maker’s mark “HBS?”) with removable bobeche and candle snuffer. Silver weight: 46 troy oz. SIZE: 4-1/2” h x 17” w with handle x 9-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: The piece is made up of differing parts, the tray having a repair to 1” of the border, the glass inkwells have small base chips, the candlestick has a dent to the bottom foot. 52714-133 (600-900)

Lot 2116

2116. 18 PIECES OF AMERICAN COIN SILVER FLATWARE. The lot includes a 12” coin silver cake server with rectangular blade and a three sided rim made by Foss and Hunnewell, Boston, MA, 1835-1885. The handle engraved “A.P. Decatur” likely for Anna Rowell Philbrick Decatur, wife of Stephen Decatur, third generation Decatur, (nephew and godson of Commodore Stephen Decatur). Eleven matching 6” teaspoons, each spoon engraved “M. Deyo”. A 12” soup ladle by Philip B. Sadtler & Sons, Baltimore, MD 1837-1872, the ladle with a cut design and monogrammed “MSD” (Either Mrs. Maria S. Decatur wife of Colonel John Pine Decatur, third generation Decatur or their daughter Miss. Maria Susanna Decatur, fourth generation Decatur. A 9” spoon by John Burger, NY, NY, the spoon engraved “D.M.”, nice touch mark “Burger” with eagle head, 18th century. Pair of 8-1/4” spoons engraved “C” on handles by Williams & Victor, Lynchburg VA. 1814-1845 ( Jehu Wiliam Sr. & John Victor). 8” sugar sifter by Jones, Lows, & Ball, Boston, MA circa 1839. 6-1/2” sugar spoon monogrammed “JFW”. Total weight: 19 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good, cake server with bend and dents in blade and rim 52714-144, 52714200 (400-600) 61

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Session 2

2114. TWELVE STERLING CHINESE EXPORT FORKS AND SPOONS IN THE “BENJAMIN FRANKLIN” PATTERN. Heavy flatware having pseudo English marks. Family tags indicate that these were a Philbrick family item. Total weight: approximately 58 troy oz. SIZE: 7” forks, 7-1/2” spoons.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Generally good, shows some wear. 52714-202 (800-1,200)

2117.

Session 2

43 PIECES OF COIN SILVER FLATWARE. Lot includes: 25 piece set of similar pattern coin silver forks and spoons by Ball, Tompkins & Black and S.Y. & Co, all marked “Jennings”. 18 pieces similar pattern coin silver spoons and forks by Lows, Ball & Company, initialed “P”. Along with a 8-1/2” English spoon. Total weight: approximately 61 troy oz. SIZE: 5-3/4” to 8”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Show use and wear. 52714-201 (500-1,000)

Lot 2117 2118.

LOT OF 52 PIECES OF COIN AND STERLING SILVER FLATWARE. The lot includes six 5” sterling ice cream forks by Whiting Manufacturing Company in the “Lilly” pattern, monogrammed. Six 5-1/2” sterling fruit/orange spoons by Durgin in the “Heraldic” pattern, all inscribed “JFW Deyo”. Six 4-1/2” sterling coffee? spoons by Dominick & Haff in the “New King” pattern with gold washed bowls, monogrammed.

Six 5-1/2” sterling spoons by Gorham in the “Norfolk” pattern with Gold washed bowls, monogrammed “D”. Set of ten 5-1/2” hors d’oeuvre forks by the Whiting Manufacturing Company in a spiral pattern, monogrammed “D”.

Six 4” demitasse spoons, possibly by Gorham, with fancy figural handles, monogrammed “D”.

Twelve 7-1/2” coin silver hollow handled knives, unknown maker, no monogram. Total weight Lot 2118 without knives: 19 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Coin silver knives with dents and one knife bent. 52714-150 (600-900)

2119. OUTSTANDING PAIR OF LARGE ENGLISH CUT CLEAR GLASS HURRICANE SHADES. First half 19th century. Having cut decoration of star and leaf swags with a double ovals chain neck. SIZE: 20-3/4” h, 6-3/4” dia. at small end and 8-1/4” dia. at large end. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-63 (800-1,200)

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Lot 2120 2121.

MASSACHUSETTS QUEEN ANNE MAHOGANY TILT-TOP TEA TABLE. Third quarter 18th century, probably Salem, MA. The serpentine top with rounded edge hinged and joined above the urn-turned standard raised on tripod cabriole leg base terminating in ribbed pad feet. SIZE: 28” h x 35” w x 36” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Table has been refinished.

Top with full length split has been reglued and now stable. Some wood filler visible along underside of crack. The split was stabilized with corrugated metal fasteners visible from underside only. Each table leg has been reinforced with galvanized metal brace contoured to the underside of each leg. Two legs have been broken and repaired at curve of ankle, both now stable. 52714-11 (2,0002,500)

Lot 2121 63

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Session 2

2120. FINE FEDERAL PATRIOTIC GOLD GILT AND CARVED LOOKING GLASS WITH ÉGLOMISÉ PANEL. First quarter 19th century, American. The rectangular mirror plate beneath an églomisé panel, decorated with a version of the Great Seal of the United States, a banner in the eagle’s beak, clutching a shield and cluster of arrows above crossed bows of holly. The stepped molded cornice above a row of gilt acorn pendant finials.

The frieze with molded acanthus leaf and guilloche carvings, a central drapery suspended from acorn finials in the apron, flanked by classical masks, further flanked by floral rosettes. Supported by pairs of engaged spiral twist columns with acanthus leaf capitols and spool-turned bases. SIZE: 46-1/2” h x 26-1/2” w.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Mirror plate and églomisé panel original, gilt surfaces original with some minor professional touch-up. Surfaces dry and crusty, most notably at top and bottom of mirror frame. Églomisé panel with paint loss and flaking, primarily in background, otherwise good. 52714-49 (1,500-2,500)

Session 2 2122.

Lot 2122

FINE AND RARE FEDERAL BRASS SERPENTINE FIRE FENDER. First quarter 19th century, New England.

This pierced example with pronounced serpentine front features three displayed eagles depicting an interpretation of the Great Seal of the United States. SIZE: 6” h x 48” l x 20” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Normal and expected deterioration to ash tray, otherwise with normal and expected discolor and abrasion from typical usage. Very good condition overall. 52714-22 (500-800)

2123. FINE CHIPPENDALE MAHOGANY WING CHAIR. Third quarter 18th century, probably Massachusetts. The rectangular back with arched crest rail joined to pronounced ogival wings continuing to outscrolled arms, incurved supports centering trapezoidal seat frame, fitted with cushion.

Raised on chamfered square frontal legs and chamfered backswept rear legs all joined by a recessed box stretcher. SIZE: 45-1/2” h (back), 15” h (seat) x 37” w (overall) x 34” deep (overall). PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally sound with tight frame. Proper right and center stretcher replaced. 52714-7 (3,000-5,000)

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64

TWO HAND HOOKED RUGS. Early 20th century New England. 1) Geometric pattern rug comprised of squares within squares, solids and striped polychrome designs. 2) Vibrant polychrome floral rug depicting floral springs within an oval within a chocolate brown demilune within fruit and floral spandrels. SIZE: 1) 4’ 4” x 9’ 2”. 2) 4’ 5” x 5’ 9”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Overall good, one faded and slight stained corner. 2) Areas of spotting and light staining, colors otherwise remain vibrant. Even wear overall with soiling. 52714-104 (800-1,200)

Session 2

2124.

Lot 2124

2125. GROUP OF TWO HOOKED RUGS. Early 20th century New England. 1) Floral example depicting floral sprays and tendrils on a burnt gold ground backed on canvas. 2) A pictorial rug of recumbent lions. A vibrant example of female lion with her cub within a floral landscape within a red and black striped border. SIZE: 1) 2’ 6” x 3’ 10”. 2) 2’ 9” x 5’ 3”.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Both rugs exhibiting normal and expected in-use wear, slightly matted down. 52714105 (800-1,200)

Lot 2125 65

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2126.

Session 2

FINE DUNLAP SCHOOL QUEEN ANNE MAPLE CHEST ON CHEST. Second half 18th century, New Hampshire. In two parts, the upper case with cove molded crest fitted with five graduated long drawers with thumbmolded edges mounted to the lower case with mid-molding. The lower case with an unusual arrangement of a deep drawer with simulated double drawer front above a second long drawer raised on pronounced short yet bandy cabriole legs with shaped returns terminating in spoon feet centering a pronounced scalloped and shaped frontal apron with four typical Dunlap “scrolls” at the center. The case fitted with original circular stamped brasses and matching escutcheons. One escutcheon absent. SIZE: 80” h x 42” w (overall), 36-3/4” w (case) x 20-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: The chest with normal and expected wear and abrasions, surface regularly cleaned over extended periods of time resulting in lighter-than-expected color and absence of optimal patina.

Surface retains a pleasing color.

Backboards, molding, legs, and returns all appear original. Very good overall. 52714-25 (7,0009,000)

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66

Lot 2127

2128.

HEPPLEWHITE WALNUT CHEST OF DRAWERS. First half 19th century, probably Virginia. The rectangular top with molded edge above the conforming case, fitted with four graduated long drawers with thumb molded edges, raised on outswept delicate French feet with shaped and scalloped undulating apron. SIZE: 34” h x 31-1/2” w (29-3/4 case) x 21-1/2” d.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Chest remains structurally original, minor chip losses to feet, stable seam shrinkage cracks on case sides, oval brasses are of period but later additions to this chest.

Good color and patina, yellow pine secondary to drawers. Top with light to moderate staining proper left front corner. 52714-18 (8001,200)

Lot 2128

Lot 2129

2129. GEORGIAN MAHOGANY TRIPLE TEA CADDY. Second half 18th century, England. The hinged rectangular top with concave molded edge fitted with a brass bail, opening to interior fitted with three aligned tin caddies with lids; the interior of lid and box with baise lining. The caddy with fine figural mahogany veneers. SIZE: 6-3/8” h x 10-3/4” w x 6” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Old repairs to veneer at top of lid.

With two small areas of missing veneers, long absent.

Front of caddy with marks from removal of adhesive tape, can be polished out. Otherwise good. Old surface with rich coffee-brown patina. 52714-125 (400-600)

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Session 2

2127. CHIPPENDALE CHERRY CHEST OF DRAWERS. Third quarter 18th century, Virginia or Mid-Atlantic region. The rectangular top with applied, molded edge above the conforming case with inset reeded quarter columns centering four graduated long drawers with cockbeaded edges on a molded base, raised on pronounced ogee bracket feet with scalloped returns. The chest fitted with oval brasses of the period, however not original to the chest. SIZE: 331/2” h x 36-1/2” w x 22” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Clean surface overall with light honey-brown color, old shrinkage cracks along seams at top and case sides. Feet appear original.

Rear support proper left rear leg replaced. Structurally very good, some repairs to drawer guides, one minor repair to proper left side of drawer divider between top and second drawer. 52714-17 (800-1,200)

Session 2

2130.

NEOCLASSICAL BRASS SINUMBRA LAMP. Second half 19th century, Northeast USA. This nice example with original cut and etched shade and nearly full complement of prisms has been electrified and drilled for electrical cord and switch. Fluid reservoir intact, burner absent.

SIZE: 27” h x 12” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Shade with no scratches, nicks, fleabites, or other imperfections. As noted, some prisms missing, and a few with chips. Overall good condition. 52714-121 (400-600)

2131.

SPECIAL ULSTER COUNTY, NEW YORK JANUARY 4, 1800 GAZETTE PUBLISHED WITH BLACK BORDERS MOURNING DEATH OF GEORGE WASHINGTON, ACCOMPANIED BY 18th CENTURY MAP OF LAKE GENEVA. Four sheet paper measures 24” x 17-1/2” with various memorials to Washington along with general news of the day. Undated map measures Lot 2130 20” x 16-1/4” plus borders. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Newspaper has several reductions and cracks at folds as can be seen in photographs, but is overall sound and displayable.

Map has numerous tears at folds and edges with soiling, staining with minor reductions to printed image. 52714-187 (300-500)

Lot 2131 (partial lot)

2132.

WILLIAM & MARY INLAID AND FIGURED WALNUT CHEST ON FRAME. First half 18th century England. In two parts, the dovetailed upper case with molded cornice fitted with a pair of short drawers above three graduated long drawers, all with thumb molded edges. The figural burr walnut panels with contrasting arrow-form crossbanding, fitted to the lower case, with cove molded mid-moldings. The base with a pair of aligned drawers on five spiral twist supports joined by concave dividers and raised on turned feet of later vintage. The etched brasses and escutcheons of the period but not original to this chest. Moldings and backboards of upper case original. SIZE: 58” h x 39” w (overall), 35-1/2” w (case) x 21” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Minor and cosmetic old restorations throughout, notably to moldings and veneers. Structurally good overall with mellow color and patina. 52714-19 (1,500-2,500)

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Lot 2133 2134.

TEAK DOME TOP INLAID STORAGE TRUNK. Second half 19th century, Middle East. The rectangular dome top opening to an interior fitted with a lidded storage compartment, raised on a molded base with shaped bracket feet. The whole inlaid with bone and mother of pearl in a floral motif. SIZE: 20” h x 26-1/4” w x 15” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Top with restoration to front panel of lid. Surface is old and with moderate abrasion and soiling commensurate with age. Lock Lot 2134 absent. Old shrinkage split on lid now stabilized. 52714-33 (300-500) ESA

2135. CLASSICAL FIGURAL MAHOGANY DROP-LEAF SEWING TABLE. Second quarter 19th century Massachusetts.

The rectangular top with D-form hinged leaves above the conforming case of two long drawers over a barrel-form storage drawer raised on ring turned cylindrical legs joined to a shelf with incurved sides above ring-turned suppressed ball feet on casters. SIZE: 29-1/2” h x 19” w closed/36” w open x 17-1/4” d.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Work table retains original surface, structurally good, barrel drawer intact and original. Old veneer losses to areas of lower shelf. Proper left front leg with loss to section of cuff beneath foot. 52714-5 (800-1,200)

Lot 2135 69

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Session 2

2133. RENAISSANCE CARVED OAK COFFER. Early 18th century, Mediterranean region. The rectangular hinged lid on original iron hinges, the lid of quartersawn oak opening to a storage well fitted with till. The case with paneled ends, the front with pair of aligned panels carved in low relief with stylized scrolling flowering shrubs with a crenelated carved border. The chest on a molded plinth, the front with canted, scrolling apron flanked by protruding shaped supports. SIZE: 24” h x 39” w x 23” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Chest retains original fumed oak surface, blackened by age. Hinges need reattaching and straightening, some losses to scalloped front apron with normal and accepted abrasions and wear. 5271423 (400-600)

2136.

Session 2

GROUP OF SIX HOOKED RUGS. Early 20th century New England. 1) Rug depicting clusters of fruit on a cream ground. 2) Rug of a grey hulled sailing ship. 3) Wrought with a central floral spray within a leafy border of orange and browns. 4) Floral rug, large floral spray within a pale blue and pale pink cartouche on a blue-grey ground with foliate corners. 5) Floral mat on a charcoal grey ground. 6) Welcome mat of a sailing ship within a floral border.

SIZE: 1) Approx: 4’ 10” x 4’4”. 2) 2’ 6” x 4’2”. 3) 1’ 11” x 4’ 3”. 4) 1’ 10” x 3”. 5) 1’ 8” Lot 2136 x 2’ 7”. 6) 2’ 8” x 3’ 3”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Faded with some matting. 2) Poor. 3) Deterioration at the ends. 4) General wear and soiling. 5) Multiple small holes and matted down. 6) Multiple holes and pulls, fair overall. 52714-106 (400-600)

Lot 2137

2138.

2137. TWO SAILBOAT HALF MODELS AND FOUR FRAMED FLOWER PRINTS. 1) Half model signed F. Lewis of a two mast sailboat with white wood sails and brown and white hull. It is mounted to a stained hardwood board surrounded by a rope border. 2) Half model of a one mast sloop with painted wood sails and natural finish hull. On the reverse is a business card of Bob Johnson of the Deep 6 Model Shop, Marblehead, Mass. Mounted to a turquoise blue painted board. 3) Set of four framed P.J. Redoute prints by Mourlot Lithographers, plate II, X, VII, XII. SIZE: 1) 12” x 19”. 2) 16-1/4” x 11”.

3) Overall 16-3/4” x 14-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Very good.2) One sail repaired, dirty or toned varnish. 3) Prints are toned, otherwise good. Not examined out of frames.

52714-60 (200-400)

TWO SQUARE BACK FEDERAL ARMCHAIRS TOGETHER WITH A BOSTON FANCY CHAIR. First half 19th century, Massachusetts and Mid-Atlantic region.

The two square back chairs with tapering classical revival splats within the molded frame continuing to shaped arms on incurved supports, each with trapezoidal seats now covered in floral needlework. Raised on square tapered frontal legs and backswept rear legs, each joined by a recessed box stretcher.

The Boston armchair with various neoclassical elements including rope-twist crest rail and medial rail centering a carved slat with scrolled ends and central brass stamped floral roundel flanked by rolled arms on baluster-turned Lot 2138 supports centering a trapezoidal cane seat raised on sabre legs.

SIZE: height of back from 32 to 36-1/2”, height of seat from 16-1/2” to 17-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Each chair with early, if not original, surface with undisturbed patina. The square back chairs with multiple repairs to legs at frame and at stretchers. Restoration to both arms of square back chair with slip seat frame. Fancy chair with later cane seat and with minor strengthening repairs to front legs at seat frame. 52714-13 (800-1,200)

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Lot 2139 2140.

TWO SHERATON MAHOGANY TILT TOP CANDLESTANDS. Second quarter 19th century, New York and New England. The first with single board figural top with molded edge and inset corners, hinged and tilting on a double vasiform ring-turned pedestal raised on a spider leg tripod base.

The second with a round mahogany gallery top with reeded edge, hinged and tilting on a ring-turned urn form support raised on a spider leg tripod base with reeded edge terminating in ball feet. SIZE: (1) 28” h x 20” w x 22” d. (2) 28” h x 22” dia.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: The first table retains original surface with dark color and undisturbed patina, chips to elements of pedestal base, and repair to support block of pedestal.

The second with original surface and with moderate soiling to Lot 2140 top, 1” loss to reeded gallery edge at mid-point, one leg broken at juncture to standard, reattached and reinforced with screw now stable, and a small rectangular patch to underside of top.

52714-6 (1,200-1,800)

Lot 2141

2141. EXCAVATED STONE EGYPTIAN HEAD OF A KING. Characteristic of the Ptolemaic Period, late in pharaonic history. The classic head in weathered stone with a Nemes style headdress. It appears that there may have been something at the top front portion of the headdress, probably a uraeus cobra at the front with its two small coils over his forehead. A black wood plinth has been fashioned to receive the head for display purposes.

Accompanying the piece are eight early photographs, many of which show Charles Dalton (husband of Ruth Deyo) holding the piece. There is an inventory number on the side “B9476 / 500”. It comes in its original carrying crate stamped “Property of Ruth and Charles Dalton.” Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: 12” h x 11” at widest. With stand: 13-1/2” h x 10” w x 7” d.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Facial features, shoulder & back of head have chips & losses, some of the features have an overlay of plaster with reddish paint indicating potential later rework. 52714-41 (1,500-2,500) 71

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Session 2

2139. SHERATON MAHOGANY CARD TABLE. Second quarter 19th century, New York. The rectangular hinged top with bow front and elliptic ends hinged above the conforming frieze, all inlaid with figural panels raised on five tapered, reeded cylindrical legs with elongated turnip feet. SIZE: 28-1/2” h x 36” w x 18” d.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Both tops with old repairs along seams professionally spliced, filled, and repolished.

Restoration to front legs at apron. All five legs ended out. Table retains good color and patina. 52714-29 (600-900)

Session 2 Lot 2142 2143.

2142. E GYPTIAN FAIENCE FIGURE IN THE FORM OF A CAT. Late period, after 700 B.C. but a genuine piece of antiquity. The cat is seen seated with head up. Accompanied by a wood and acrylic display case. Egyptian forms representing animals were attributed to a deity, the cat ascribed to Bast (the Goddess of warfare). Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time.

Accompanying her on these trips was her husband Charles Dalton. SIZE: 5” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good, evidence of excavation. 52714-156 (1,000-1,500)

STAMPED GOLD AND AGATE RING ALONG WITH A BLUE GLAZED RING. 1) The ribbed gold band having a central hammered section holding a small polished multi colored agate stone. 2) The small pottery ting in blue glaze with what appears to be a small stylized bird impressed. Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled Lot 2143 to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time.

Accompanying her on these trips was her husband Charles Dalton. SIZE: 1) 3/4” x 3/4”. 2) 1” w x 3/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Bent, completely intact. 2) Good. 52714-209 (500-1,000) 2144. L OT OF EXCAVATED GLAZED POTTERY INCLUDING SCARABS, AMULETS AND METAL PIECE. Three large scarabs with wings, three small scarabs, two amulets, and a light colored scarab.

Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: Larges: 4-3/4” across x 2”.

Smallest: 1/2” x 1/4”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: As excavated, generally intact.

52714-155 (500-1,000)

Lot 2144 2145.

TWO EGYPTIAN DECORATED BEAD SASHES. The elongated blue stick beads separated by a small white or blue bead. Solid bead border. Note: Ruth Lynda Deyo (18841960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that Lot 2145 time. Accompanying her on these trips was her husband Charles Dalton. SIZE: 27” l and 24”l. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good. 52714-213 (500-1,000)

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OUR EGYPTIAN BLUE GLAZED BEAD COLLARS. Of similar F form, all blue glazed long elongated beads. Note: Ruth Lynda Deyo (18841960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: 12”, 13”, 14” and 15”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Some thread breakage, good. 52714-212 (500-1,000)

Lot 2146 2147.

2148.

FOUR EGYPTIAN NECKLACES. All metal linked having blue glazed pottery stick beads along with orange colored round and tube beads.

Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: 16”, 22”, 23” and 24”.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Good. 52714-210 (500-1,000)

Lot 2147

FOUR EGYPTIAN BEAD NECKLACES. The lot consists of a 40” large bead necklace comprised of pottery glazed round beads, a 16” necklace with small blue glazed beads with nine small glazed figures, a 20” necklace with 12 small blue glazed scarabs, and a 48” double strand with 18 large connecting beads. Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920s she traveled to Egypt where she performed frequently, composing Lot 2148 and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time.

Accompanying her on these trips was her husband Charles Dalton. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Good. 52714-211 (500-1,000) 2149.

1 6 SINGLE STRAND NECKLACES AND MISCELLANEOUS PARTS ALONG WITH A MODERN NECKLACE. All elongated blue beads separated by a white washer type bead. Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: Sizes vary. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good. 52714214 (500-1,000)

Lot 2149 73

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Session 2

2146.

Session 2

2183. 14K YELLOW GOLD AND PLATINUM HINGED BOX BY CARTIER. The rectangular box decorated with alternating gold and platinum lines with applied initials “E M L” on cover. The interior inscribed “E. M. H. - L. C. L. / Nov. 1921”. The edge marked “Cartier New York 14K Platina”. 78 grams (approximately 2.5 troy oz). SIZE: 3/4” h x 2-3/4” w x 2-1/4” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: Some minor dimples, good. 52714204 (2,000-2,500)

Lot 2183

2243.

SEMI ANTIQUE FEREGHAN SAROUK RUG. Late 19th-early 20th century, central Persia. The arabesque polled medallion with central ivory lobed flower head on a rose-pink ground with dense floral sprigs and vinery framed by black floral spandrels with ivory borders within a dense floral main border and multiple floral and crenelated guard borders. SIZE: 3’ 4” x 4’ 10”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: With overall even wear retaining moderate pile.

Loss to fringe at each end. Selvage intact.

Overall very good with no restoration noted.

52714-102 (400-600)

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Lot 2462 2463. WONDERFUL CARVING OF AN OSPREY CAPTURING A FLOUNDER BY WENDELL H. GILLEY. Circa 1965, Southwest Harbor, Maine. Wendell H. Gilley (1904-1983). This signed and dated example titled “OSPREY” in black ink beneath the base depicting a naturalistic osprey preparing to eat a captured flounder. Both on a piece of driftwood mounted on an oval carved pine plinth. SIZE: 19-1/2” h x 11-1/2” l x 9-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: The bird with diagonal hairline stress crack, upper proper left leg, otherwise very good overall with original undisturbed patina retaining rich color. 52714-99 (1,000-1,500)

Lot 2463

2464. TWO DUCK AND SHOREBIRD CARVINGS BY WENDELL H. GILLEY. Mid-1960s, Southwest Harbor, Maine.

Carved by Wendell H. Gilley (1904-1983). The first, a lifelike carving titled “ESKIMO CURLEW”, dated “1966”, mounted on a natural wood plinth posed with the bird preening its plumage. Signed on the base “Gilley” in pen. The second, titled “PINTAIL”, signed and dated on the driftwood base “Gilley” above the date “1966”. The third, a carving of a “ HEN PINTAIL” mounted on a driftwood base, unsigned and undated. SIZE: 5-3/4” h x 5” l. 5” h x 9-1/2” l. 5” h x 9-1/2” l.

PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very fine untouched, original surfaces.

52714-100 (1,000-1,500)

Lot 2464

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Session 2

2462. WENDELL GILLEY CARVED SEAGULL ON STAND. Ca. 1969, Southwest Harbor, Maine. This large example depicting a seagull perched on a weathered piling mounted on a plank. The artist’s signature inscribed on the post in black ink “Gilley/69”.

SIZE: 53” h (overall) x 27” w x 27 1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine.

CONDITION: The sculpture retains original surfaces with light soiling and with faint seam cracks at base of wings, tail, and upper legs. Glass eyes original and intact. Some minor abrasions to outer edge of proper left wing. Very good overall condition. 52714-27 (1,500-2,500)

Conditions of Sale - Please Read

Fine Art, Asian & Antiques Division Please be sure to read the conditions before participating in the sale.

For years, we have worked hard to develop a reputation for honesty and fairness. We have tried to apply this same principle in preparing this ­particular sale. So that you might know what the limitations are for this sale, we have tried to clearly outline the conditions below, which will specifically ­indicate how various circumstances will be handled.

1. Guarantee We have attempted to make a consistent effort in cataloging and correctly describing the property to be sold. The catalog descriptions carry a limited guarantee. Please be sure that you know that. It is a guarantee to protect you against major discrepancies that would have a major effect upon the value of the item. Under no circumstances do we guarantee against anything less than a major discrepancy that would have less than a major effect upon value.

This limited guarantee covers authenticity. It also covers any major restoration or repair not described. Also we guarantee against fakes, reproductions or major fabrications. As outlined above, our guarantee is limited, however, it is almost unique in a business that operates “Caveat Emptor”. This is not a perfect system, however, and it is important to be aware of that.

Our i­ntention is to be as fair as possible in our catalog descriptions but it is virtually impossible to adequately describe an antique or collectible item that has been used and shows signs of wear.

Imperfections, slight damages, handling marks, natural imperfections that are inherent with the manufacturing of the objects are the types of things that we absolutely do not guarantee against. These are commonplace with antiques and with most buyers this is understood and accepted, however, if you are a discerning, highly particular customer, expecting mint or near mint condition, it is advisable that you not ever submit absentee bids here or at any auction house without seeing the item in person, since your definition of condition might be far more particular than what any cataloger would have time or space to specify. The entire purpose of our catalog description is to give our readers a general description and idea of what the lot is and we will stand behind that description regarding a major discrepancy only. If the discrepancy is less than a major discrepancy, under no circumstances would any adjustment or refund be made. Should the need arise, the auctioneer reserves the right to make verbal ­ corrections and provide additional information from the block at the time of the sale. Absentee bids will not be executed on items that are found to be other than described in the catalog unless we were able to contact you prior to the lot being sold and advise of this discrepancy. If we are unable to reach you or if time does not Visit www.jamesdjulia.com for more information

permit, we will not execute your bid. Please Note: the only thing we guarantee is what is in print in the catalog and what is announced from the block at the time of sale. Absolutely nothing discussed over the telephone or in person prior to the auction shall be construed as part of the guarantee. Since opinions can differ, ­particularly in the matter of condition, the auctioneer will be the sole judge in the matter of refunds.

This guarantee is limited to the following time ­duration and limits. Please read: A. Time Limit For live bidders it is expected that you have examined the items before you purchased them and that as you pick them up, you will re-examine them one last time. If there is a problem regarding condition, it is expected that you would notify us immediately before leaving the auction facility. If you are an absentee bidder then it is your responsibility to examine the lot immediately upon receipt. If a major discrepancy should be discovered, it is your responsibility to contact us immediately. Please note: All guarantees and options for refunds or adjustment become null and void 45 days after the auction. We pay consignors on the 45th day. Once we have paid our consignors we no longer have control for the payment and under no circumstances can we consider any refunds. If you suspect that there is a major discrepancy or ­problem with authenticity of your lot, it is your responsibility to contact our office before the 45 days are up and let us know that you need some extra time. We can usually make arrangements to extend the guarantee for a few days if you personally advise us. Please note: If you pay late and thus, receive your items late, it does not qualify for special privileges. The guarantee is null and void 45 days after the auction. It is your responsibility to pay for and acquire your purchases in a timely fashion. So if there is a major discrepancy, you have time to notify our office. Please remember that if you call us 46 days after the auction, there is nothing we can do about a major discrepancy except apologize to you. If you want to be considered for an adjustment or refund, it is your responsibility to notify us within 45 days after the auction.

B. Limit of Restitution Under no circumstances will the auctioneer be responsible for lost profits or other financial damages. Refunds requested on the grounds of authenticity must be accompanied by at least a supporting written statement from an authority ­recognized by the auctioneers. Auctioneer will not be responsible for shipping costs, after auction appraisal fees, testing or any other post auction costs. If it is agreed that an item may be 76

returned, it is the buyer’s responsibility to return it in the same condition as received.

C. Type of Restitution An item that qualifies for an adjustment is limited to one of the following options: 1) Major problems, (i.e. fakes, significant alteration, major unannounced restoration, etc.) will result in a refund in sale price, adjustment in sale price or repair by the auctioneer. The auctioneer shall be the judge as to the final resolve.

2) Less than major problems or discrepancies are not part of the guarantee and no refund or adjustment will be considered for less than major problems.

2. Receipt of Goods All goods sold will be tagged and can be claimed upon presentation of paid receipts ONLY. All items to be wrapped will be wrapped by the purchaser, unless the items are to be shipped.

3. Protested Bids In case of a disputed bid, the Auctioneer is the sole determinant as to who is the successful bidder and at his d ­ iscretion may re-offer and resell the article in dispute.

4. Tax State of Maine sales tax is 5.5% and will be collected at time of payment unless a current sales tax certificate is on file or if shipped anywhere except Maine and Massachusetts. If purchases are shipped to a Maine address, sales tax of 5.5% shall be collected unless a current sales tax certificate is on file. If purchases are shipped or delivered to a Massachusetts address, sales tax of 6.25% shall be collected unless a current sales tax certificate is on file.

5. Nominal Bids The Auctioneer may reject nominal bids, small opening bids or very nominal advances made with purpose of ­disparaging an item. If a lot fails to open for 25% to 30% of the low estimate, the item may be passed from the block by the Auctioneer and may not be re-offered until a later sale.

6. Absentee Bids Phone, fax or mail bids will be accepted with a 20% deposit, late bids or last minute bids can be confirmed with a Visa, MasterCard, Discover or American Express number, in many cases. In such case, the bookkeeper will execute such bids competitively. It is entirely possible to buy items by absentee bid for less than your top bid price.

Please Note: Absentee bids are a service provided

to our customers free of charge. Every effort is made to execute all absentee bids; however, you must know that this is not a perfect system neither here nor at any other auction house. In the event of an error of omission or failure to properly execute absentee bids, the auctioneer shall not be held liable.

7. Terms All items are to be paid for in American funds at the day of the auction. Non-residents who have not established an account with us and wish to pay by check, must do so prior to the beginning of the auction by presenting a current letter of reference from their bank or by providing references which are suitable to the auctioneer.

Absentee Bidders - Directly after the auction a bill will be sent to you for the items you purchased and a total amount due. This bill is due upon presentation and must be paid immediately. The auctioneer reserves the right to hold merchandise purchased by personal check until the check has cleared the bank, if the auctioneer deems such action necessary to protect his interest. For bidders located outside of the United States we only accept payment by checks drawn on U.S. banks or wire transfer.

8. Interest and Default Payment is due upon receipt. If the buyer’s invoice is not paid in full within 15 days of the auction, James D. Julia, Inc. has the right and will charge the buyer’s credit card of record on file for the total invoice amount. Interest will be charged on all balances not paid at the rate of 1-1/2% monthly (18% APR) effective 15 days from the date of purchase/auction. All goods not retrieved by Buyer within 120 days after the last day of the auction, shall be subject to a storage fee of $50 per item per month. Buyer authorizes auctioneer to sell any goods not retrieved after the 120 day period in any manner deemed appropriate by the auctioneer and the proceeds will be applied to all sums owed by the buyer to the auctioneer under this or any other agreement between the parties. If the sale is conducted by the auctioneer, in addition to all sums due hereunder, buyer shall pay the auctioneer’s standard commission fees and 1% insurance fee. Buyer specifically authorizes any such sale to be held without reserve. Buyer shall be responsible for any deficiencies between the sale price and all sums due hereunder.

9. Reserves Some items in this auction may carry a conservative reserve. Therefore, the auctioneer may bid on behalf of the owner or for the auction house. The purchaser will be the highest bidder acknowledged by the auctioneer. Please note that when a lot carries a reserve, the reserve is usually somewhere below the low estimate in the catalog. Actual reserve figures cannot be divulged, but we will tell you if an item carries a reserve should you ask.

10. Withdrawal We reserve the right to withdraw any property before sale and shall have no liability whatsoever for such withdrawal.

11. Title A title passes upon the fall of the Auctioneer’s hammer. It will then be the responsibility of the buyer to make full payment prior to removing the goods from the premises. It is both the buyer’s risk and expense for removal and must be made at the conclusion of the sale unless other arrangements are made with the Julia’s Operations Manager. Please note any lots we might make arrangements for moving or storing are solely at the risk of the owner and any damage or loss occurring after the fall of the hammer becomes that of the buyer.

12. Phone Bids At the discretion of the auctioneer, phone bidding may be arranged on more expensive items, (i.e. $500 or more). In order to make arrangements to bid on the telephone at the time a lot is being sold, you must contact our office in advance of the auction. We will make arrangements to call you just prior to the lot being sold so that you may bid over the telephone. There are usually a limited number of phone lines available into the room, so if you wish to bid over the telephone, it is important for you to make your arrangements early. “Cover-me Bids”: if you wish to bid by telephone, you might also want to consider a “cover-me bid” at the time you make arrangements for phone ­bidding. A “cover-me bid” allows your phone contact here at Julia’s to still execute a predetermined bid amount for you in the case that they cannot get through to you on the telephone. Your phone agent is the only person who will have this bid and will only use it to bid in the event that he/she cannot reach you. Assuming you are reached via telephone, they would not use your bid, but rely on your verbal instructions. “Cover-me bids” are not mandatory, you can place one at your discretion, they are simply a safety device in the event you cannot be reached by telephone in time.

13. Agent Responsibility If you are registering or executing a bid for someone else under your number, please bear in mind that you are responsible for the settlement of that account with us regardless of whether the person you’re executing or registering for pays you or not.

in addition shall be 22% of the final bid price over $100,000 which will be applied to each lot sold, to be paid by the buyer as part of the purchase price. Winning bids placed through a third-party online platform may be subject to a higher buyer’s premium. If the Buyer’s Premium set forth on any such platform exceeds the Buyer’s Premium set forth herein, Buyer agrees to pay such additional premium charge.

15. Endangered Species Act The laws of various countries and states regulate the import, export and transport of certain plant and animal items. Julia’s has taken steps to ensure that items offered for sale that are covered by the Endangered Species Act (ESA) meet the standards for sale under this Act. Transport of these items may require special permits or licenses for import, export or delivery into certain states. It is the bidder’s responsibility to obtain all such licenses or permits. Delay or failure to obtain any such permit or license does not relieve the buyer of paying for the item and obtaining title to the item. The company makes no representation or warranty and accepts no liability whatsoever to the seller, purchaser or any third party with respect to compliance with the ESA or with respect to the availability or issuance of valid import and export permits.

16. Legal Dispute Any legal disputes arising from this auction shall be settled in the court system in the State of Maine.

17. Uniform Commercial Code The Maine Uniform Commercial Code, Title 11, Section 2-328 applies to this auction sale.

18. Acceptance of Conditions Bidding on article(s) indicates your acceptance of all of the above terms.

19. Maine Auctioneer Rules and Regulations The Maine Auctioneer Rules and regulations are regulated by the Maine Board of Licensing of Auctioneers, 35 State House Station, Augusta, Maine 04333.

20. Auctioneer’s License Numbers Auctioneer: James D. Julia ME License #AR83; NH License #2511 Mass. License #1406 Not responsible for typographical errors or omissions.

14. Buyer’s Premium Shall be reduced to 21% of the final bid price up to and including $100,000 and reduced to 19% of the final bid price over $100,000 which will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. This is assuming the account is paid by cash, check or any equivalent of cash. If you settle your account by credit card, the Buyer’s Premium shall be the standard 24% of the final bid price up to and including $100,000 and 77

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Shipping Information Our Shipping Department here at James D. Julia, Inc. can package and ship most items anywhere in the world. We use a proven method of packaging your items which includes each item being individually wrapped in bubble wrap surrounded by packaging peanuts (in most cases) and double boxing. We use Federal Express as our preferred ­shipper however we are happy to a­ ccommodate just about any requests you may have.

Payment and Forms Please allow 14-21 days from the time your payment is received for shipping. You will find our shipping forms on our website. If you are a successful absentee, phone or internet bidder, our shipping forms will be mailed to you along with your purchase invoice. These forms must be completed and returned to our offices along with your payment if you request that we ship your purchases. Purchases paid for by credit card or other secure methods will expedite the shipping of your purchases. Items paid for by personal or business check will be held for 10 days before processing by the shipping department.

Cost Domestic Buyers We do charge for this service. You will be billed for labor at an hourly rate of $38.00 ($9.50 per 15 minutes). The material used in packaging your items includes bubble wrap, peanuts and

corrugated boxes. Insurance costs will be $.75 per $100.00 in value (based on the hammer price + the buyer’s premium). You may of course elect not to insure your items; in this case we will require you to sign a release absolving James D. Julia, Inc. of any liability. Federal Express or other shipper’s Charges will also be applied.

International Buyers We do charge for this service. You will be billed for labor at an hourly rate of $38.00 ($9.50 per 15 minutes). The material used in packaging your items includes bubble wrap, peanuts and corrugated boxes. Insurance costs will be $1.50 per $100.00 in value (based on the hammer price + the buyer’s premium). You may of course elect not to insure your items; in this case we will require you to sign a release absolving James D. Julia, Inc. of any liability. Federal Express or other shipper’s charges will also be applied. We will not declare less than the full sale price on any international paperwork.

Delivery of Larger Items and or Special Items Below you will find the delivery company that we use most often. Please feel free to contact them directly for a pre- or post-auction delivery quote. You will need the ­auction date, lot number and zip code of the delivery location along with any s­ pecial delivery requests. Any arrangements made with this company, whether arranged for

by James D. Julia, Inc. or the buyer, does not

Sales Tax Information The State of Maine charges a 5.5% sales tax which must be collected unless the following conditions apply.

A. State of Maine Dealers: must furnish a copy of their current year’s resale certificate in order to be exempt from sales tax. The business type must pertain to the items being purchased.

B. State of Massachusetts Buyers: 1. If you have a Massachusetts state resale certificate that pertains to the types of items you have purchased you are exempt from Sales Tax. 2. If you do not have a resale certificate and purchase and pick up your items at our offices in Maine, there will be a 5.5% Maine Sales Tax. 3. If you do not have a resale certificate and have your purchases shipped to you at a Massachusetts address there will be a 6.25% Massachusetts Sales Tax.

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C. Out of State Buyers: There are two ways to be exempt from the collection of Maine State Sales Tax according to Maine State law.

1. The buyer must furnish a copy of their current resale certificate as well as proof of b ­ usiness type (eg: invoice, business card, brochure, etc.) in order to be exempt from Sales Tax. The business type must pertain to the items being purchased.

2. If the item(s) are shipped or delivered out of state with a­ rrangements made

by James D. Julia, Inc. (this is very important) by common carrier or James D. Julia, Inc., the item(s) are not subject to State of Maine Sales Tax. If the buyer makes their own shipping ­arrangements, or if item(s) are picked up at our facility by the bidder or a designated proxy, the buyer will be required to pay Sales Tax according to Maine State law.

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involve James D. Julia, Inc. and any damages or delivery issues will be between you and them.

James D. Julia, Inc. may decline to ship large, fragile or problem items. In such case you would need to use this outside delivery company or make other arrangements.

Sure Express toll free 800-335-9996 or 877-877-0889 Making Your Own Shipping Arrangements If you are a successful bidder and would like to make your own shipping arrangements, or if your item(s) are picked at our facility by you or a designated proxy, you as the buyer will be required to pay sales tax according to Maine State Law and to sign an insurance waiver to release any item(s). Please note that Julia’s complies with all firearms rules and regulations and therefore cannot and will not release any modern firearms to a 3rd party shipper or proxy.

Pick-up of all items is required within 15 days of the close of the auction.

Contacts Please feel free to contact our offices at 207453-7125, or email s­hipping@jamesdjulia.com.

Understand that just prior to and immediately after auctions we are flooded with calls and requests for estimates and information. Rest assured your calls will be returned.

Frequently Asked Questions Concerning Bidding It’s always best to attend the auction in person to bid on the items you wish, but if for some reason you can’t attend, there is no reason that you can’t obtain some of the items that you would like to purchase. At Julia’s, absentee bidding is always a convenient, easy and safe means of acquiring items that you want. As you can see, our specialty catalogs illustrate all lots to be sold, and as well give a complete description which includes condition. These descriptions, as per the conditions of our sale in the front of your catalog, are guaranteed against major discrepancies with a major impact on the value.

If there are some items here that you think you would like to own but can’t attend the auction, we have many options to help you bid without being in the audience.

If you are the winning bidder, after the auction you will receive an invoice via email and then in the mail from us. Typically the email invoices are sent out within 24 hours after the auction, and the paper invoice is sent out 2 business days after the auction..

1. Bidding Options a. Leave a Bid Send in the form in your catalog or download a bid form from our website http://jamesdjulia. com/absentee-bidding/. You can bid by mail by simply filling out the form in the back of the catalog and sending along a 20% deposit check or credit card information. You can fax the form to us, email it to us, or call us with your absentee bid. A valid credit card is required. Your account is charged only if you are delinquent in making your payment. (There are additional fees associated with using credit cards.) If you provide us with your email address, we will send you a confirmation email to verify the lot numbers, description and amount of your bid.

Please review this confirmation to make sure that everything is entered properly.

Remember, at Julia’s, the way we conduct the absentee bids, it’s entirely possible to buy something for less than your top bid since your bids are executed competitively by our team in an attempt to buy the lot as reasonably as possible, just as though you were in attendance.

c. Live-time Bidding via the Internet Julia’s has partnered with third party online bidding platforms to offer customers the ability to bid live online from anywhere. Julia’s loads all the information contained in our printed catalog on the online bidding sites about two weeks prior to the auction. The lot number, an image of the lot, and a brief description with a presale low and high estimate will be shown on the screen.

Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform.

Julia’s may occasionally experience Internet and/ or Server service outages during which bidders may not be able to participate in the auction.

Julia’s policy is to continue to conduct the auction. d. Absentee Bidding via the Internet Julia’s loads all the information contained in our printed catalog on third party online bidding platforms about two weeks prior to the auction. You may view any of these items and submit bids up to 2 weeks prior to the auction by following their registration and absentee bid instructions. Specific information on how to do this is available on each of their sites. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform.

Julia’s may occasionally experience Internet and/ or Server service outages during which bidders may not be able to participate in the auction.

Internet absentee bidders are advised that their absentee bids may not be executed in the event of technological problems. Julia’s policy is to continue to conduct the auction.

2. How Do I Set Up a Phone Bid? Simply send in your bid form from your catalog

or download a bid form from our website www. jamesdjulia.com/absentee-bidding/ and mark the bid as a phone bid, email it to us at bid@ jamesdjulia.com, fax it to us at 207-453-2502 or call into the office 207-453-7125 to register for the lots for which you would like to bid on the telephone.

3. How Do I Register to Bid Online?

To register, contact the online bidding service, Invaluable at www.invaluable.com, www. bidsquare.com (included only during Lamps & Glass and Fine Art auctions) or www.proxibid. com (included only during Firearms auctions) at www.proxibid.com and register in advance of the auction. You will be notified that you have been approved to bid and your registration will be complete. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform.

4. How Do I Bid Live Through the Internet Bidding Platforms?

You will need to register for the auction with the third party online bidding platform first. Once you have been registered, watch for your lot. When the lot comes up for bid, a window will display a price the auctioneer is asking for. If the window is flashing $5,500, it means the auctioneer is asking for $5,500. As the auctioneer receives that bid and then asks for a higher bid a new amount will flash in that window. If you have registered to bid you may bid in the auction by simply clicking the bid button on your screen. Regardless of where you are in this country or where you are in the world it will automatically register on a computer at our auction site where a technician will see your bid and bid on your behalf. This innovation allows you to bid live-time during the auction.

Online bidding allows the bids to be almost instantaneously transferred to you and to us, so subsequently you can bid within the confines of that time. There are some people who like to bid

b. Phone Bids On the more expensive lots, ($500+ and up) if you feel you would really like to purchase them and not be restrained by the process of a written bid, we can make arrangements to call you at the time the lot is coming up and you may bid over the telephone on the lots as they are being sold.

Remember phone bids must be arranged well in advance of the auction (see instructions above on how to leave a bid). Also please remember there are a limited number of phones available, so if you would like to phone bid, you should make your arrangements early.

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this way and some of our clients have found it both interesting and convenient to do so. If you have any questions about this please don’t hesitate to call our office, or contact Invaluable, BidSquare (included only during Lamps & Glass and Fine Art auctions) or Proxibid (included only during Firearms Auctions).

Invaluable also provides a web tutorial on bidding for those who would like more details, along with an extensive FAQ section http:// www.invaluable.com/invaluable/help.cfm.

5. How Much Time Do I Have to Bid on a Lot? If the asking bid is something you are willing to pay, do not hesitate. For the most part, the auctioneer does not stop or slow down, he simply moves along at a very brisk pace. It is always assumed by the auctioneer that the bidder knows what they want to bid and if they do not bid or hesitate to bid, it means they are not interested.

The auction process moves very rapidly whether you are live at the auction, online or on the phone. For anyone wanting to be successful, it is important that you know or make up your mind before the lot is sold just how high you will bid on that particular lot. Those who wish to think about it while the auction is in process and bid on impulse, will find themselves not being as successful, being frustrated and sometimes even paying more than they normally intended to.

6. How Much Do I Bid? Bid whatever you wish, our online and printed catalogs as well as online listings offer item descriptions which include estimated low to high value range. These estimates are in no way an indication of what the items will definitely bring. If you will check our past catalogs, you will find some items bring less than low estimates, some items bring far more than the high estimate. So it’s totally dependent upon how badly people want the items.

7. Who Bids?

There are generally two categories of absentee bidders. a. The collector type, who seriously wishes to purchase a given lot or lots. To that buyer we encourage you to bid as high as you feel comfortable bidding. If you seriously want the lot you should not hesitate to consider going above the high estimate to ensure that you get it. b. The next type of absentee bidder is the person who is a dealer buying for stock or a collector willing to buy items only if they are at a real bargain. This type of bidder will often bid on a large number of items knowing full well that not everything will bring a strong price, there are bound to be some things that will fall well below our estimate and that bidder knows that if they leave a large number of bids that they have a chance of picking up a few things at a very Visit www.jamesdjulia.com for more information

reasonable price. Some bidders will leave 3, 4, 5 or 6 pages of bids with us, based with that theory in mind. And usually they are successful with a few items and the items they are successful with tend to be very good buys.

8. What Is a “Plus 1” Bid? Some bidders not wishing to lose a lot for the same price or just slightly above what their top bid was elect to use our “Plus 1” policy. What this does is empower our staff to go one more bid for you in the event someone in the audience has bid the exact same amount of your top bid or just slightly above it. The bookkeeper will then bid one more bid which sometimes is all it takes to get the lot. Typically the auctioneer raises the increments by 10%. If you submit a “Plus 1” Bid, we will increase your bid by 10% over your bid amount. A “Plus 2” bid will increase your bid by 20%.

9. What is a “Cover” Bid? The phone bidding system is not a perfect one.

You may be out mowing the lawn and forget about your bid. Or somehow, the phone number got transposed and the phone agent is desperately trying to reach you but unbeknownst to them, they are calling the incorrect number.

Or the phone system could break down. Any myriad of other issues can arise. If you seriously want a particular item, your best strategy is to leave a cover bid.

A cover bid is a bid which you leave along with your phone bid instructions. If for any reason at all, your phone agent is not able to get in contact with you, they are authorized to bid up to that amount. Please note, your agent does not use the cover bid if they have you on the telephone. You are in control when you are on the telephone.

The cover bid is only an insurance policy in the unlikely event that your phone agent is unable to make a connection with you. Subsequently, the only way your cover bid is utilized is if your phone agent cannot get through to you. They will bid up to your cover bid and no more.

Again, please remember, the cover bid means nothing if your phone agent gets ahold of you.

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Even though you left a $10,000, when your phone agent has you on the phone, you might decide not to go any higher than $4,000. That is your prerogative. On the other hand, you might change your mind and decide to go to $15,000.

That is still your prerogative and the benefit of being on the telephone.

If you choose to not leave a cover bid and if we do not reach you on the phone, there is nothing we can do at that point.

10. Will Julia’s Tell Me What the Top Bid is on a Lot? Absolutely not. At Julia’s we never ever divulge how much an absentee bid is or who has left bids. Under no circumstances do we ever divulge that information. We can advise you and assist you with your bids. For instance, if you only have $3,000 to spend but are interested in three separate lots all in the general value range of $3,000 and don’t know which one you should pursue, you may call our office and if two of the lots you are interested in seem to have a great deal of interest in them and the third lot has no interest whatsoever, we will gladly advise you of that. Remember, under no circumstances would we ever divulge who has bid or how much any of our absentee bids are.

11. Can I Leave an Unlimited Bid? Absolutely not. We cannot honor bids which do not have a set top amount. If you want a lot very badly, then we suggest you bid well above the estimate and pick a figure that you would feel comfortable owning it at should it go that high.

12. Does Absentee Bidding Work?

Absolutely. At our specialty auctions from anywhere to 25% to 45% of all merchandise is purchased by absentee bidders. And some items are acquired for well less than their top absentee bid.

13. Does the Auctioneer Reopen Bidding?

The James D. Julia Auctioneers must conduct their auctions in accordance with UCC statutes which specifically state that when the hammer

falls, the bidding is concluded and the winning bidder announced is the new owner. Because of this law, the auctioneer cannot and will not reopen the bidding because you decided too late to bid. This is a law and the auctioneer must abide by this. The only exception is “where a bid is made while the hammer is falling in acceptance of a prior bid. The auctioneer may in his discretion reopen the bidding or declare the good sold under the bid on which the hammer was falling.” This is the only exception. Therefore, if you seriously want a lot, do not hesitate to bid because once the hammer falls it is sold and there is nothing the auctioneer can do about it.

14. How Do I Know if I Won? After the auction is over with, our staff will send out bills to all the successful bidders on the next business day. Please do not attempt to call the auction facilities the day of the auction. Our lines are frequently busy with phone bidders and we cannot tie up the lines and the office staff when not on the phone with absentee bidders.

They are extremely busy cashing out customers and very rarely have time to check the records for bids at that time. If you must call, we would advise you to call the afternoon of the first business day following the auction.

15. What is a Late Bid? We frequently process thousands of bids for an auction. Please make sure your absentee bid form is received by Julia’s no later than 4:00 pm EST the date before the auction. If you are an international bidder, or first time bidder, please allow two additional days to establish your account with Julia’s If you are mailing or faxing bids we encourage you to phone our office before the auction to confirm that we received your bids. A while ago, we sent a group of eight letters out to people in various parts of the country and for some reason, the entire packet of eight letters took 14 to 16 days to get to their destination. Please be sure to call and confirm that we’ve received your bids if they’ve been sent out seven to ten days prior to the auction.

16. How Much Does it Cost? a. Absentee Bids processed by Julia’s are a service provided to our customers totally free of charge, there is no cost to you. b. Phone Bids processed by Julia’s are a service provided to our customers totally free of charge, there is no cost to you. c. When you win an item through an internet platform, there are additional service fees. Please see the Conditions of Sale for the third party online bidding platforms for more information.

the speaker system broadcasting everything the auctioneer is saying and in front of the phone bidders sits a myriad of auction participants, many of which may be speaking with one another. Bottom-line is that an auction is an incredible arena of activity and noise and very difficult for your phone agent. The best way for success is to be prepared and do not try to converse with your agent in the process; simply say a “Yes” bid or “No” bid. If you are silent your agent may think the call has been lost and so it is always best to let them know when you are “Out” and would like to stop bidding.

17. How Does the Phone Bidding Process Work the Day of the Auction? What Should I Expect?

Your phone agent will call usually a few lots early to be sure to get you on the telephone on time to bid for the lot. Your phone agent will remind you of a few important instructions on how to successfully bid.

18. What Can I Do When I am Phone Bidding to Better My Chances of being the Winning Bidder? a. Know what you want to bid in advance.

The most successful bidders are the ones that are prepared. To maximize success, you should study the lots and make a decision as to what your ultimate bid should be before you even get on the telephone. If you know you are willing to go to $10,000 and no more and the phone agent tells you that the auctioneer is looking for $5,500, you do not need to think about anything, you simply say “Yes.”Your agent will tell you and repeat one of two messages; either “We have it,” which means there is no need to bid at this moment or “The auctioneer is looking for $5,500, do you want to bid? The auctioneer is looking for $5,500, do you want to bid?” If you want to bid, do not hesitate, do not try to invoke a strategy, do not try to measure the “pulse” of the auction bidding; simply say “Yes, bid,” but say it loudly so there can be no question that your phone agent hears you and perhaps repeat yourself. You need to understand the auction environment for your phone bid agent. The phone bidder is at a table, sometimes there are as many as 10 or 20 other phone bidders on either side of your phone bidder speaking to their bidders. In the background and overhead is

c.

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b. During the bidding process, only communicate to your phone agent whether you want to bid when they ask you.

Speak loudly.

d. Do not hesitate. The auctioneer will not wait for you anymore than he would for someone in the audience. It is a fact that at every single auction, there are one or two phone bidders who complain and feel the auctioneer should have waited to give them more time to make their decision. If you want to bid, then you need to bid. e. Last of all, when arranging your telephone bids leave a cover bid as a form of insurance.

Good luck. If you have any questions concerning this service, please call before the auction and we will be glad to assist you in any way we can.

—Jim Julia

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Absentee Bid Conditions

Please read if you are submitting absentee bids.

1. Important Note: Absentee bids are a service provided to our customers free of charge.

Every effort is made to execute all absentee bids.

However because of the thousands of bids that must be processed just prior to an auction, it is inevitable that a few mistakes will occur. Your best protection is to attend in person, but if you cannot, please understand that this is not a perfect system at any auction house. To better serve our absentee bidders, we have what’s referred to as a Plus One and on phone bids a Cover Bid. You should definitely read about both of these in below sections and consider using them to help ensure your participation.

We will do everything in our power to execute your bids properly, however, in the event of an error of omission, or failure to properly execute absentee bids, the Auctioneer shall not be held liable.

2. All absentee bids must be accompanied by a 20% deposit, which will be refunded immediately after the auction if your bid is unsuccessful. If your bid is successful, your 20% deposit will be applied to the purchase price and the balance due upon presentation of our bill. If time does not permit a 20% deposit, you may confirm your bid by your Visa, MasterCard, Discover or American Express. If you provide a credit card number, we would use your credit card number if you don’t pay by 15 days after the auction for the balance due.

3. To execute an absentee bid, fill out the absentee bid form that can be found in the auction catalog, call us at 207-453-7125, or you can also click the BID NOW button on our website that appears on every lot in the auction and use our online absentee bid form. All of these forms require your contact information, item information including lot number and description, as well as the top bid price (not including the buyer’s premium) and/or cover bid (phone bidders only) and Plus 1 bid (if desired) for each lot you would like to bid on.

We encourage you to submit your absentee bids as soon as possible. If two absentee bids are received with the exact same amount, the first one received will take precedence. Your absentee bid must be received by Julia’s no later than 4:00 p.m. EST the day before the auction. If you are an international bidder or first time bidder, please allow two additional business days to establish your account with Julia’s.

4. Bids are handled in a competitive manner by our staff who bids on your behalf in an attempt to buy the object for less than your top bid. If your bid is the only bid on a lot we will not start bidding, we will wait until the audience opens the bid and then compete with them until you have either won the lot or it has Visit www.jamesdjulia.com for more information

gone beyond your limit. It is therefore possible to buy a lot well under your top bid. If two or more bids are received on the same item from different people, the bidding will open at the next increment above the second highest bid.

5. All bids must be in even dollar amounts.

Bids in fractions of dollars or odd amounts will be rounded up to the next bid increment.

Therefore, if someone leaves a bid of $ 2,350 we will automatically round it off to $ 2,500.

The following is our standard increment table: Low

$0

High

$249.99

Increment

$25

$250

$499.99

$50

$500

$1,999.99

$100

$5,000

$9,999.99

$500

$2,000

$4,999.99

$250

$10,000

$19,999.99

$1,000

$50,000

$99,999.99

$5,000

$20,000 $100,000

$49,999.99 +

$2,500

$10,000

The auctioneer reserves the right to change any bid increment from the podium at their discretion.

6. Open bids or bids with no set top amount or orders to just simply buy the lot cannot be accepted by us. You must have a definite top limit before we can execute your bid. Some bidders concerned that their lot might just go for one bid above their top limit, leave a top bid Plus One bid. This works as follows: The top bid submitted might be $1,000, but not wishing to lose the lot for simply one more bid, the Plus One bid allows our staff to bid one more time on your behalf. So if you left a $1,000 bid plus 1 it would allow us to go $1,000 plus $100. If you said $1,000 plus 2 bids that would mean $1,000 plus $200. Pursuant to the above table, if you left a “Plus 1” bid for a $2,000 item, the next bid would be $2,250. If you left a “Plus 2” bid, it would be $2,500. (NOTE: One possible problem that occasionally arises with absentee bids is when someone in the audience bids exactly the amount which you specify is your limit. In such a case, we would not go one extra bid unless your bid sheet indicates Plus One bid.)

7. If you wish to bid by telephone, you might also want to consider a Cover Bid at the time you make arrangements for phone bidding. A Cover Bid allows your phone contact here at Julia’s to still execute a predetermined bid amount for you in the case that they cannot get through to you 82

on the telephone. Your phone agent is the only person who will have this bid and will only use it to bid in the event that he/she cannot reach you.

Assuming you are reached via telephone, they would not use your bid, but rely on your verbal instructions. Cover Bids are not mandatory, you can place one at your discretion, and they are simply a safety device in the event you cannot be reached by telephone in time.

8. Notification of Success: Only successful bidders are contacted. Winning bidders will receive a bill via email within one business day of the last day of the auction. A written bill is usually sent within three (3) working days after the auction. The bill will be accompanied by shipping information. Unsuccessful bidders are not contacted. Phone inquiries regarding your success cannot be answered until the afternoon of the first business day after the auction.

9. Shipping: If you are a successful bidder, a bill will be sent shortly after the auction. This bill is due upon receipt. Enclosed with the bill is a shipping form. If you wish to have us assist you with shipping, please complete this form. A charge for this service includes labor, packing materials, shipping and insurance.

We require that all shipping be paid for at the time of shipment, so we will need payment in full, or your credit card information to process the charges. The Auctioneer reserves the right to hold merchandise purchased by personal or business check until the check has cleared the bank, if the Auctioneer deems such action necessary to protect his interest. Use of certified funds, wire transfers or other form of guaranteed funds will expedite shipping. Payment by credit card is 3% higher than using wire transfers, certified funds or checks. Shipping typically takes 14 to 21 days after payment has cleared (depending on shipping department workload).

The Shipping Department may decline to execute instructions to ship items which are too large or too fragile to be shipped by common carrier. In such cases, the only way we can ship these special items is by way of a letter from the buyer releasing us from the responsibility of any damage that might occur in shipping 10. Confirmation of Bids: Typically within one business day of submitting an absentee bid, you will receive an email from Julia’s confirming the lot(s) and the bid information you provided.

If there is an error, please contact us immediately.

11. Bidding on any article(s) indicates your acceptance of these terms above and the Conditions of Sale. If you need additional information on any of the items, please contact our office.

Absentee Bid Form James D. Julia, Inc. a division of Morphy Auctions

Office Use Only BIDDER #:

Auction Name & Date:

Date:

Employee taking bid:

Abs. Bid

Time: Phone

203 Skowhegan Rd. Fairfield, ME 04937 T: (207) 453-7125 F: (207) 453-2502 email to bid@jamesdjulia.com

Both

Auth: RFC#:

Name Business Address Address City State Country Postal Code Email Phone 1 Phone 2 Cell Fax Credit Card # Exp. Date

Office Use Catalog Number

Description

Terms. In addition to the terms contained in this Absentee Bid Form, the Conditions of Sale and the Absentee Bid Conditions set forth in the catalog for this auction (online and printed versions) are incorporated by reference, just as though fully set forth herein.

Payment. Payment for all items purchased is due upon the earlier of (a) 15 days from the date of auction or (b) upon receipt of invoice.

If payment is not made within 15 days of the date of the auction, James D. Julia, Inc. is hereby authorized to charge my credit card for the total purchase price together with the applicable Buyer’s Premium and any accrued interest. Interest shall accrue on all amounts due at the rate of 1.5% per month (18% annually).

I desire to bid on the following items in the sale.

The bids are to be executed by James D. Julia, Inc. up to, but not exceeding the amount(s) specified on the below bids.

Bid Amount

Cover or +1

Office Use

Please make sure your bid sheet is received by Julia's no later than 4:00 p.m. EST the day before the auction. If you are an international bidder or first time bidder, please allow two additional business days to establish your account with Julia's.

Signature of bidder

Date 83

rev. 01-05-18

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BIDDER #: Office Use Catalog Number

Description

Visit www.jamesdjulia.com for more information

Bid Amount

84

Cover or +1

Office Use

Lot 2105

James D. Julia, Inc., a division of Morphy Auctions 203 Skowhegan Road, Fairfield, ME 04937 (207) 453-7125 | www.jamesdjulia.com