James D. Julia, Inc. Fine Art, Asian & Antiques Auction by James D. Julia Auctioneers

James D. Julia, Inc. presents Winter Fine Art, Asian & Antiques Auction February 8 & 9, 2018 a division of Morphy Auctions

Lot 1427

Lot 2281

Lot 1199 Visit www.jamesdjulia.com for more information

James D. Julia, Inc. Presents: 2-Day Winter Fine Art, Asian & Antiques Auction February 8 & 9, 2018 Auction Thursday, February 8th at 10:00 a.m. Friday, February 9th at 10:00 a.m. Preview Wednesday, February 7th, 9:00 a.m.–5:00 p.m. Thursday, February 8th, 8:00–10:00 a.m. Friday, February 9th, 8:00–10:00 a.m. There will also be preview during each auction session Special preview can be arranged by appointment

Front Cover: Lot 1025 Back Cover: Clockwise from top: Lots 2180, 2154, 2050, 2154, 2068, 2090, 2075 Background: Lot 2090

203 Skowhegan Road Fairfield, Maine USA 04937 P: (207) 453-7125 F: (207) 453-2502 antiques@jamesdjulia.com www.jamesdjulia.com Contacts: Bill Gage, Tony Greist or Megan Noyes Directions: Exit 133 off I-95, 1 mile North on US Route 201 Catalogs: $35 All catalogs are shipped U.S. Priority Mail. If you wish to have FedEx Next Day add $17; FedEx 2nd Day add $14. Outside North America, add $75 for shipping Prices realized are included and will be mailed approximately 2-3 weeks after the auction Auctioneer: James D. Julia | ME License: AR83/MA License: 1406/NH License: 2511 3

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Lot 1228 Visit www.jamesdjulia.com for more information

Administration, Staff & Experts Administration & Staff:

Boston Office:

President & Auctioneer James D. Julia Vice President Sandy Julia Executive Assistant to the President Nancy Turcotte-Noonan Chief Executive Officer Mark Ford Executive Assistant to the CEO Sharon Bemis Marketing Director Scott Wentzell Operations Manager Gabe Wiegand Controller, Human Resources Tim Dean Accountant Callie Soule Credit and Collections Melanie DiFloures Firearms Sales Representatives Tony Wilcox, Jeremy Hatch Senior Firearms Consultant & Sales Representative Wes Dillon Firearms Administrative Manager Tara Fredette BATF Compliance/Inventory Manager & Class 3 Specialist John Keene Firearms Administrative Assistants Chelsea Semple, Nell Inman Fine Art, Asian & Antiques Department Head Bill Gage Fine Art, Asian & Antiques Assistant Department Head Tony Greist Fine Art, Asian & Antiques Administrative Manager Megan Noyes Rare Lamps, Glass & Fine Jewelry Department Head Mike Fredericks Rare Lamps, Glass & Fine Jewelry Administrative Manager Julie Killam Graphic Design Lisa Oakes, Lisa Warren Information Technology & Web Development Jeremy Mahns Photography Jack Stepp, Tracy Grover, Katie Luce Shipping Scott Greeley, Chad Roger Operations Support Staff Tom Weston, Dave Labbe, Jim Weigel, Joe Noyes, Ugo Liberti Administrative Support Staff Deb Duplisea Receptionist Jessica Spaulding

Department Head-Fine Art, Asian & Antiques Bill Gage Marketing and Business Development Coordinator for the Boston Area Rebekah Kaufman Fine Art Specialist Allyson Lee Asian Art Specialist Joshua Chamberlain

Expert Departments:

Chief Firearms Consultant and Cataloger J.R. LaRue (1940-2017) Firearms & Military Consultants & Catalogers Gerald AlFares (military swords, Japanese swords & armor) Leonardo Antaris, MD (European military pistols) Wes Dillon (Sporting Arms) Ron Gabel (Kentucky rifles) Bruce Kauffman (20th C. military) Master Sergeant John Keene (Class 3) Josh Loewensteiner (Sporting Arms) Malcolm MacGregor (Sporting Arms) Doug McChristian (Indian Wars material) Tom Power (American Firearms) George Ruben (Antique & Military European small arms) Dave Sanders (Winchesters, Colts, Sporting Arms) Peter Schmidt (Colonial & Pre-Civil War firearms) John Sexton (Cannons, Civil War & Confederate material) Bill Shea (Nazi military accessories) Brad Simpson (German Military Pistols) Randy Trawnik (Imperial German Headgear) John Wall (Mauser and Mannlicher Bolt Rifles) W. Darrin Weaver (Imperial military) Tony Wilcox (Colts, Winchesters and 19th & 20th century military) Courtney Wilson (Civil War specialist) Charles Woolley (20th C. aviation & military-particularly WWI) Indian Art Objects John Bower Antiques & Fine Art (Furniture, Paintings, Folk Art & Accessories) James D. Julia, Bill Gage, Tony Greist, Don Heller Asian Art & Artifacts Tony Greist, Anthony Wu, Joshua Chamberlain Fine Art Allyson Lee, Bill Gage Books Charles Robinson Glass Dudley Browne Paperweights Debbie Tarsitano

James D. Julia, Inc. Offices 203 Skowhegan Road, Fairfield, Maine 04937 P: (207) 453-7125 | F: (207) 453-2502 Office Hours: Monday–Friday, 8:00 a.m.–5:00 p.m. Telephone answering system after hours

The 1790 House 827 Main Street, Woburn, Massachusetts 01801 P: (781) 460-6800 Office Hours: Monday–Friday, please call ahead Telephone answering system after hours 5

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In a Stunning Move, Morphy Auctions Merges with James D. Julia, Inc. Morphy Auctions has Merged with James D. Julia, Inc. to be an International Leader in Multiple Collecting Categories Effective December 14th, 2017, Dan Morphy of Morphy Auctions, proudly announced that he has successfully merged with the renowned international auction company of James D. Julia, Inc., which will become a division of Morphy Auctions. Morphy Auctions and James D. Julia, Inc. share a common purpose of delighting collectors worldwide with aligned missions and unparalleled customer service standards. Joining forces creates a synergistic team of passionate staff members to better serve our customers and strengthen the antiques and collectibles industry. Both companies take pride in having the most talented and knowledgeable experts in the industry. One of the biggest advantages to this merger is blending both teams of leading experts to enhance processes, descriptions and valuations. Morphy Auctions realized annual sales of $35 million within the last year. Within this same time, Julia’s generated $43 million in annual sales; for a combined gross of $78 million. With this combined total of annual sales, Morphy Auctions is one of the largest antique auctions house in North America. Morphy Auctions has experienced tremendous growth over the years. The combination of the highly experienced and much acclaimed Julia team together with the outstanding auction team that Morphy has already formed, will make Morphy Auctions the ultimate place to go for rare firearms and important lamp & glass; as well as toys, dolls, advertising, coin-op, automobilia and petroliana, and all forms of decorative arts. Dan Morphy, Founder and President of Morphy Auction Company stated, “I have literally spent all my life watching and learning from Jim. With nearly 50 years in the industry, Jim has an undisputed reputation and I admire and will emulate his business approach towards his clients and employees. It is an honor and privilege to have this new association with someone I have considered to be a mentor and leader in the industry. Over the years, Jim Julia crafted an extraordinary team and unique auction company as a result of his philosophy, business acumen and direct, honest approach with his clients whether they be buyers or sellers. I have always tried to incorporate the same approach. In merging with Julia’s extraordinary team, I intend to make the transition as seamless as possible. The bottom line is that I not only want to merge Jim Julia’s company and his people but I want to expand the philosophy of our business to include much of what created extraordinary success for Jim.” Jim Julia, Founder and President of James D. Julia, Inc., shared, “I had never considered not being in the auction business and I have, for many years, contended that I, like my father (who passed away at nearly 90 years old this past year), would continue to auction well into my 80s, provided my health allowed it. The limitation in my mind had always been my personal health. But in November of 2016, my wife received a devastating diagnosis of incurable brain cancer. I immediately realized that as much as I loved the people, the antiques, and the excitement of the auction, there was nothing more important in this world to me than my wife, Sandy, and I elected to devote my time to her. From November of 2016 until today, my auction company never skipped a beat and has been extremely successful under the leadership of my good friend and CEO, Mark Ford, who continued to lead, improve and expand our company. A short while ago, Dan Morphy called to speak with me and asked if I would consider selling the company or doing some sort of joint venture. I explained to him that there were 3 things that were incredibly important to me; first, of course, was what was in the best interest of me and my wife, secondly, my obligation to my incredibly loyal and dedicated team of employees, and thirdly, wanting to do what would best serve all of the wonderful consignors and buyers that the company had developed over the years. The ensuing conversations with Dan, and ultimately the deal we were able to put together, allowed me to cover all three of these factors. I have always admired Dan, his youth, his energy, his tremendous drive and his success. I knew and did business with Dan before he became an auctioneer and watched him as he entered the auction business and the subsequent dramatic growth he experienced. Dan is a superb leader and this was very clear and obvious during our negotiations about the melding of the two companies.” Julia’s Fine Art, Asian & Antiques auction will be held February 8 & 9, 2018 and their Firearms auction will take place on March 21–23, 2018. To facilitate a seamless transition, the Julia team will manage and conduct both auctions in Fairfield, Maine, as they have in the past. Morphy’s will hold all future auctions and accept consignments in their Pennsylvania and Nevada locations.

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Welcome to Morphy Auctions

in Lancaster County, Pennsylvania & Las Vegas, Nevada, has become one of the great success stories of the antiques trade. Founded by Dan Morphy in 1997, Morphy’s has realized tremendous growth and set numerous auction world records in many categories, while attracting a global following of buyers that grows exponentially with each successive sale. Our goal is to provide the best overall buying and selling experience for our customers. With one of the largest under-roof auction houses in the country, the Morphy Auctions east coast headquarters spans over 45,000 sq. ft. The building is customized to meet the growing and changing needs of the antiques industry. Our west coast location in Las Vegas, NV has recently undergone extensive renovations and facility upgrades. Upon entering either of our locations you will notice an inviting customer service area conveniently staffed with full-time, knowledgeable employees and antiques experts who are happy to assist you. Whether you visit us on the east or west coast, Morphy Auctions takes pride in providing you with quality antiques, professional service, and an enjoyable consignment experience.

Dan Morphy President & Founder

Morphy Auctions has a world class team of experts to assess your collection and assist you in every step of the consignment process. Our expert team includes specialists from all collecting categories, including: advertising, coin-op, toys, cast iron, dolls, fine and decorative arts, jewelry, firearms, plus many more. With our headquarters located in Denver, Pennsylvania, our proximity to Philadelphia, New York, Baltimore and Washington, D.C., makes us easily accessible to potential auction bidders and consignors. Similarly, our west coast location in Las Vegas, NV makes us easily accessible for those located in Los Angeles, San Francisco, and Sacramento. Morphy Auctions is grounded in the values of honesty and integrity. We continue to be the discriminating collector’s #1 choice when it comes to buying or selling antiques.

OUR DEDICATED DIVISIONS: •

Advertising & General Store

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Firearms & Militaria

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Americana & Folk Art

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Lamps, Glass & Fine Jewelry

• Automobiles

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Mechanical & Still Banks

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Sports Memorabilia

• Coins

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Toy & Pop Culture

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Coin-Op & Gambling

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Watch & Timepiece

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Dolls & Bears

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Western & Native American

•

Fine Art, Asian & Antiques

Automobilia & Petroliana

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Artist Listing Paintings

Adam, Edouard 2204 Adamson, Harry C 1134 Ariza, Gonzalo 1331 Armfield, George 1130 Armstrong, David B 1017 Bacon, Henry 1297 Baer, William Jacob 1343 Baker, Elisha T 2326 Baker, Harry B 1272, 1273 Barchus, Eliza R L (Attr) 1274 Barton, Georgie R 1262 Bateman, Robert 1143 Benson, Frank W 1148 Bergstrom, FV 1323 Berneker, Louis F 1320 Berry, Patrick V 1101 Betts, Louis 1235 Bliss, Robert 1284, 1285 Bond, Tom 1178 Botero, Fernando 1194 Boucher, Warren 1160 Boyd, John Rutherford 1010 Bridgman, Frederick A 1257 Briscoe, Franklin D 1163 Bunn, George 1175 Buttersworth, James E 2222, 2392 Cabat, Nicolai L 1255 Cahoon Jr, Ralph E 1173 Carpentier, Eugene L 1246 Castiglione, Guiseppi (After) 1430 Chabas, Paul E (Attr) 1227 Chapman, John G 2103 Cheney, Russell 1241 Childes, Eric 1290 Cohen, Arthur M 1097 Colyer, Vincent 2101 Constable, John (Mnr) 1220 Cook Jr., Otis P 1051 Cook, Otis Pierce 1033 Cooke, George (Attr) 2102 Coole, Brian 2390 Corey, Bernard 1082-1084, 1110-1112 Cottrell, Sheila 1276 Curtin, Thomas R. 1078-1081 Davidson, Julian O 1176 Davies, Brian 1242 Davis, William H (Mnr) 1268 Davis, William R. 1088-1090, 1152-1155 De Koningh, Leendert 1165 De Kooning, Willem 1195 De Simone, Antonio 1167, 1168 De Simone, Tommaso (Attr) 1169 Downer, Walter H 1120, 1121 Drew, Clement (Attr) 2527 Du Bois, Guy Pene 1348 Visit www.jamesdjulia.com for more information

Dummer, H Boylston 1136 Ebert, Charles Henry 1011 Enneking, John J 1095, 1098 Enneking, Joseph E 1096 Fechin, Nicolai 1193 Foley, Lois 1303 Franceschini, Marcantonio (After) 1221 Freedman, Maurice 1182, 1183 Fried, Pal 1233 Galvan, John 1301 Gatermann, Karl 1287 Gentileschi, Orazio (Attr) 1218 Gisson, Andre 1251 Goodwin, Philip Russell 1139 Gordon, Ida N 1108 Graves, Abbott F 1322 Graves, Mike 1008, 1030 Graves, Morris 1190-1192 Gray, Cleve 1184 Gray, Jack Lorimer 1161 Griggs, Samuel W 1117 Groome, Esther M 1037 Gruppe, Charles P 1062, 1321 Gruppe, Emile A 1039-1041, 1058, 1059, 1063-1065 Guillemet, Jean Baptiste A 1252 Hacking, Grant 1141, 1142 Hardy, James 2529, 2530 Hart, James M 1087 Hart, L 1335 Hetzel, George 1106 Hibbard, Aldro T 1029, 1052-1054, 1071, 1075 Hills, Laura C 1238 Ho, Quang 1319 Hopkins, Eric 1006 Horton, William H 2325 Howes 1332, 1333 Howes, Jerome (4) 2444, 2445, 2550, 2551 Jack, Richard 1232 Jackson, Alfred 1248 Jacobsen, Antonio N G 2323 Jaquettes 1256 Johnson Jr, Marshall 1171, 1172 Jones, Leon F 1247 Kaula, William (Attr) 1234 King, Paul 1164 Knowles, Ken 1009, 1092, 1260 Kuhn, Walt 1068, 1186-1189 Kulicke, Robert 1240, 1250 Leakos, S.P. 1020 Lever, Hayley 1045-1049, 1060, 1174, 1347 Levick 1197 Lewis, Edmund D 1105 Lie, Jonas (Attr) 1346 Loge, Daniel 1135 8

Lundeberg, Helen 1109 Lyne, Michael 1138 Macdonald, J 1289 Macknight, Dodge 1181 Mahaffey, Merrill 1275 Manship, Paul Howard 1026 McCullogh, Michael 1278 McFarlane, Duncan 2207 McGurl, Joseph 1180 McPherson, Bill 1137 Metsu, Gabriel (After) 1221 Meyerowitz, William 1196 Minewski, Alexander 1038 Mitchell, Thomas John 1032 Mosher, Christine 1244 Mumford, Elizabeth 2602, 2603 Nage, Paul 1254 Nicholson, George W 1296 Nowell, W. Charles 1249 Oâ&#x20AC;&#x2122;Neill, Frank C 1140 Olney, Ida J 1243 Palliser, Robert 1018 Palzer, Victor R. (Attr) 1279 Paravano, Dino 1144 Parlin, Ronal 1014, 1263 Paskell, William 1091 Patterson, Charles Robert 2446 Pauli, F 1103 Pearson, Marguerite S 1236, 1237 Peele, John T 1228 Peirce, Alzira (Boehm) 1002-1004, 1311-1318 Peirce, Waldo 1000, 1001 Pelham, Gene 1265 Perkins, Parker S 1036 Perry, Enoch W 1229 Peters, Carl W 1034, 1035 Peterson, Jane 1239 Pissaro, Paul E 1253 Pleissner, Ogden Minton 1113-1116 Prettyman, Clyde R. 1291-1293 Redmore, Henry 1162 Reeves, P.A. 2443 Rideout, Phillip H 1146 Roelofs, Willem 1259 Ross, Donald Stuart 1031 Roux II, Antoine 1170 Salmon, Robert (Possibly) 2230 Sanderson-Wells, John 1147 Santry, Daniel F 1104 Schadach, William 1150 Schianchi, F 1286 Schinzel, George William 1124 Schrag, Karl 1245 Scudder, James L 1125 Sewell, Robert 1016 Simoni, Scipione 1336

Sloane, Eric 1085, 1086 Soyer, Raphael 1324 Srebnik, Craig 1300 Stella, Joseph 1305 Stevens, William L 1050, 1055-1057, 1061, 1069, 1070 Stick, Frank 1119 Stokes, Stan 1156-1158 Strisik, Paul 1027, 1028, 1066, 1067, 1076 Stubbs, William P 2327 Tahoma, Quincy 1277 Tait, Arthur F 1122, 1123 Tamayo, Rufino 1201 Terelak, John 1132 Terpning, Howard 1271 Thieme, Anthony 1042-1044, 1072-1074 Titus, Earle A 1007, 1264 Tschaggeny, Edmund 1266 Tyler, James 2393 Van Laer, Alexander T 1100 Vytlacil, Vaclav 1185 Walker, William A 1230 Walton, William 1267 Wasson, George S 1177 West, Norman 1019 Whorf, John 1093, 1094 Wiggins, Guy A 1261 Wilkinson, Norman 1151 Withers, John 1334 Woodbury, Charles H 1012, 1013 Wurmser, Ryan 1340 Wyant, Alexander H (Attr) 1107 Yorke, Thomas Spencer 2391

Bronzes & Sculpture

Barye, Antoine-Louis (After) Berge, Edward Clark, Allan Drouot, Edouard Guino, Richard Houser, Allan Jennings, Helen Kauba, Carl Keczer, A. De Langlais, Bernard Lockwood, Crystal Manship, Paul H Moigniez, Jules Moreau, Mathurin Prost, Maurice Remington, Frederic S (After) Zach, Bruno

1269 1298 1199 1299 1327 1280 1329 1281 1308 1023, 1024 1310 1025 1270 1309 1200 1282, 1283 1330

Prints

Albers, Josef Baskin, Leonard Benton, Thomas H Bumbeck, David Dali, Salvador Di Cavalcanti, Emilliano Dufau, Clementine H Flint, William R Gottlieb, Harry Hutty, Alfred Leighton, Clare Matisse, Henri Moser, Barry Pissaro, Camille Shokler, Harry Van Rijn, Rembrandt H Welliver, Neil G. Wengenroth, Stow Whistler, James A M Wouwerman, Philips (After)

1207 1211 1208 1304 1202, 1203 1352 1349 1350 1214 1209 1210 1204, 1205 1212 1206 1214 1217 1021 1022 1215, 1216 1605

Lot 1162

Important Information Regarding Artwork in Our Sales

Size All measurements are made to the nearest 1/4”. Sizes do not include the frame unless specifically stated in the description. Measurements are given with the height preceding the width. 1. Size – All measurements are the actual painting size. Oil on canvas works are measured to the outside of the stretcher; watercolors are to the edge of the paper; oil on board or panel works are to the edge of the board or panel. 2. Image size – Measurements of the image only, not including any margins. 3. Sight size – Measurements of what can be seen without the frame or mat without taking the work apart.

All paintings in this sale are covered under our Limited Guarantee as described in our Conditions of Sale.

Authorship Will be determined in the following ways described in the title of the item: 1. Emile A. Gruppe – In our judgment the work is by the artist and we are guaranteeing the painting for 45 days. 2. Attributed to Emile A. Gruppe – In our judgment the work may be ascribed to the artist on the basis of style. We do not guarantee this work to be by the artist listed even if the painting is signed. 3. School of, Manner of, Studio of, Style of, Follower of and After Emile A Gruppe – We do not guarantee the work to be by the artist even if the painting is signed. 4. Possibly by Emile A. Gruppe – In our judgment the work has the style and qualities of the artist. We do not guarantee this work to be by the artist listed even if the painting is signed.

Titles of Artwork 1. A title in quotations indicates a title provided on either accompanying paper or the work itself. 2. A title without quotations indicates a title assigned to the work by the auction house or third party. Condition As condition is a very subjective determinations, we advise all clients to contact us with any specific questions regarding condition statements about particular works. Unless specifically stated, our conditions do not include the frame. Please contact us if you need frame sizes or condition. 9

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Session 1: Thursday, February 8, 2018 Session 1

Commencing at approximately 10:00 a.m. Please Read Conditions of Sale Before Bidding Lots 1000–1356 Art, Lots 1360–1451 Asian, Lots 1452-1646 Antiques

1000. WALDO PEIRCE (American, 1884-1970) “ANNA” Oil on canvas Unframed Incised with inscription and date lower right “Happy Birthday to Alzira 1942 W”, inscribed on verso “For Bill Happy Birthday to Alzira 1942 W.” 20” x 16” Condition: Surface grime, several pinholes and tear lower center, edges rough 52797-1 (500-1,000)

1001.

Lot 1000

WALDO PEIRCE (American, 1884-1970) TWO WATERCOLORS: ANN DANCING, AROUND A CHRISTMAS TREE 1932 1) Watercolor taped to board with mat, unframed, inscribed “Ann dancing for Mama 28 Oct 1939 WP”, 2) Watercolor mounted to board, shows six figures around a Christmas tree, unframed, inscribed on upper left “X-mas 1939 to mama”, signed on verso “W. Peirce” 1) 9” h x 12-1/2” w, Overall 13” h x 16” w, 2) 8-1/2” h x 11” w. Overall 12-1/4” h x 14” w Condition: 1) Some roughness to edges, right side fold mark, some spot and toning, 2) Some adhesive shadows, foxing, fair to good 52797-8 (800-1,200)

Lot 1001 1002. ALZIRA (BOEHM) PEIRCE (American, 1908-2010) TOASTING MARSHMALLOWS Oil on canvas Unframed Signed and dated lower right “Alzira Peirce 1941” 27” x 40” Condition: Good with minor surface grime 52797-2 (500-1,000)

Lot 1002 Visit www.jamesdjulia.com for more information

Lot 1003 1004.

ALZIRA (BOEHM) PEIRCE (American, 1908-2010) TWO WORKS: NIGHTTIME SHOOTING AND “ARRIVAL” Oils on canvas Unframed 1) Signed lower right “Alzira Peirce Sept. 1940” 2) Signed lower right “Alzira Peirce Sept 1946”, Midtown galleries label affixed to verso 1) 28” x 36”. 2) 22” x 30” Provenance: Descended through the family of the artist Condition: 1) Right side has chipping, some other light chips, otherwise good. 2) Craquelure, otherwise good 52797-13 (600-900)

Lot 1004 1005. ANNA ELIZA HARDY (American, 1839-1934) ARRANGEMENT OF WHITE AND PINK ROSES IN A GLASS VASE Oil on canvas Housed in a period T. W. Norman & Co. giltwood frame Signed lower right “A.E. Hardy”, frame label affixed to verso 11” x 16”. Overall: 18” x 23” Condition: Very good, minor surface grime 52829-69 (2,000-4,000)

Lot 1005 11

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Session 1

1003. ALZIRA (BOEHM) PEIRCE (American, 1908-2010) “THE BLACK BARN, 1940” AND PRELIMINARY WATERCOLOR SKETCH 1) Oil on canvas, unframed, signed lower right “Alzira Peirce 1940”, Inscribed on verso of canvas with title, artist & March, 1940 2) Watercolor, unframed, unsigned 1) 31” x 43”. 2) 15” x 22” Provenance: Descended through the family of the artist Condition: 1) Some light chipping & scuffs, edge abrasion, good. 2) Some water stains, good 52797-12 (600-900)

Session 1

1006. ERIC HOPKINS (American, 1951-) “CAMDEN HILLS I” Watercolor on paper Housed in a metal modern frame with white mat Signed lower right in pencil “Eric Hopkins” and titled lower left Sight 29-1/2” x 21-1/2”. Overall 35” x 27-1/2” Condition: Very good 52885-85 (1,000-2,000)

Lot 1006

1007.

EARLE A. TITUS (American, 1895-1962) “ROAD TO LOBSTER COVE MONHEGAN ISLAND MAINE” Oil on canvas board Housed in a painted wood frame Signed lower right “E A Titus” 22” x 30”. Overall: 29-1/2” x 37-1/2” Condition: Very good with spotty varnish in sky 52829-20 (2,000-3,000)

Lot 1007

1008. MIKE GRAVES (American, 1952-) “LOOKING DOWN, ACADIA” Oil on canvas Housed in contemporary giltwood frame Signed lower right “Mike Graves”, titled on stretcher 20” x 24”. Overall: 27” x 31” Condition: Very good to excellent 52899-5 (2,000-3,000)

Lot 1008 Visit www.jamesdjulia.com for more information

Lot 1009 1010.

( JOHN) RUTHERFORD BOYD (American, 1884-1951) SKETCHING ON THE COAST OF MAINE Watercolor Housed in a stepped wood frame with watercolor highlighted mat behind glass Signed lower left “Rutherford Boyd / Maine 1941” Note: This scene appears to be Schoodic Point in the Acadia region Sight: 12-1/2” x 19-1/4”. Overall: 20-1/2” x 28” Condition: Very good 53020-5 (1,500-2,000)

Lot 1010

1011. CHARLES HENRY EBERT (American, 1873-1959) LOOKING OFF MONHEGAN ISLAND Oil on canvas board Housed in a fine modern carved and gilt frame Signed lower right “Ebert” 12” x 16”. Overall 17-3/4” x 21-1/2” Condition: Very good 52736-8 (1,500-2,500)

Lot 1011 1012.

CHARLES HERBERT WOODBURY (American, 1864-1940) “DOG HEAD ROCK OGUNQUIT” Oil on canvas Housed in floral carved wood frame with gilt liner Unsigned 22” x 26”. Overall: 28” x 32-1/2” Condition: Good restored condition, lined and re-stretched on new stretchers, scattered restoration throughout 52781-5 (1,000-2,000)

Lot 1012 13

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Session 1

1009. KEN KNOWLES (American, 1968-) “PROSPECT HARBOR LIGHT” Oil on board Housed in a modern giltwood frame Signed lower left “Ken Knowles”, titled and dated on verso “Prospect Harbor Light Ken Knowles 08” 12” x 16”. Overall: 17-1/2” x 21-1/2” Condition: Very good 52386-2 (1,000-1,500)

Session 1 1013.

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CHARLES HERBERT WOODBURY (American, 1864-1940) PERKINS COVE Oil on canvas Housed in an antique lemon gold molded wood frame Unsigned 21-1/2” x 26”. Overall 26-1/2” x 31” Provenance: Perkins family of Ogunquit, Maine Condition: Lined, re-stretched on new stretcher, inpainting, very good 52987-4 (18,000-22,000)

Lot 1014

1015.

MONOGRAMMED “S J S” (American, 19th/20th century) GRAND MANAN Oil on canvas Housed in its original deep gesso decorated gilt frame with oak leaves and acorns Signed on the boulder lower right “S. J. S.” 20” x 36”. Overall 31” x 46-3/4” Condition: Unrestored with thinning paint in left sky, surface dirt, otherwise good 52987-9 (800-1,200)

Lot 1015

1016. ROBERT SEWELL (American, 1860-1924) “THE SCAVENGERS, FISH BEACH, MONHEGAN” Oil on canvas Housed in modern giltwood frame Signed and dated lower right “R.W. Sewell-03”, titled on label affixed to backing board 25” x 35”. Overall: 31” x 41” Condition: Very good, minor stretcher mark and canvas buckle upper right, minor touch-up 52967-5 (3,000-5,000)

Lot 1016 15

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Session 1

1014. RONAL PARLIN (American, 20th Century) “SOMESWHERE OVER THE RAINBOW”, SOMES SOUND, ACADIA Oil on panel Housed in a contemporary giltwood frame with linen liner Signed lower right “Ronal Parlin”, titled on label affixed to verso 30” x 40”. Overall: 39” x 49” Condition: Very good to excellent 52899-4 (3,000-4,000)

1017.

Session 1

DAVID B ARMSTRONG (American, 1947-1998) LOT OF FIVE WORKS. All five housed in contemporary frames matted under glass. 1) Muscles, watercolor, signed and dated lower left “David Armstrong 1995”, 2) Oil Lamps and Window, watercolor, signed and dated lower left “David Armstrong 1990”, 3) Daffodils in Window, color print, signed lower right “David Armstrong, numbered lower left “434/950”, 4) “Young Birds”, pencil on paper, titled and signed lower left “Young Birds-David Armstrong”, 5) Frenchmen Bay Conservancy Benefit poster, signed in ink lower right “David Armstrong”, numbered lower left “16/300”1. 1) 17-1/2” x 23-1/2”, 2) 21” x 14-1/2”, 3) 24-3/4” X 18”, 4) 9” X 12-1/2”, 5) 23” x 33-1/2”. Overall range: 19-1/2” x 23” to 31” x 40”. Condition: All in very good condition, not examined out of frames 52885-4752885-74, 52885-75 (400-600)

Lot 1017 1018. ROBERT PALLISER (American, 20th century) A SKETCHING PARTY Oil on board Housed in an outstanding gesso decorated antique frame Signed lower left “R. L. Palliser” 9” h x 12” w. Overall 19-1/2” h x 22-1/2” w. Condition: Very good, some minor touch-up in sky 53002-12 (1,000-2,000)

Lot 1018

1019.

NORMAN WEST (American, 20th century) LENNY Oil on canvas Housed in a simple wood slat frame Unsigned 36-1/2” x 34-1/2”. Overall 37-1/4” x 35” Condition: Very good 52987-13 (5,000-8,000)

Lot 1019 Visit www.jamesdjulia.com for more information

Lot 1020 1021.

NEIL G WELLIVER (American, 1929-2005) “TROUT AND REFLECTION” Hand-colored etching Housed in a contemporary wood frame matted under glass Signed lower right “Welliver” and numbered lower left “35/60” 1980 22-1/8” x 29-1/2”. Overall: 31-3/8” x 39-1/4” Condition: Very good with minor discoloration along edges in margin, not examined out of frame 52735-1 (2,000-4,000)

1022.

STOW WENGENROTH (American, 1906-1978) SIX LITHOGRAPHS. Unframed. Each signed lower left “Stow Wengenroth”. 1) Harbor View, inscribed lower left “ed/60”. 2) “North Village”, edition 60, 1938. 3) “Masons Quarry”, edition 60. 4) “Peg’s Window”, numbered lower left “ed/75”, titled in margin, 1974. 5) “My House”, numbered lower left “ed/75”. 6) Boat at Dock, edition 50, 1931. 1) 8-3/4” x 15”. 2) 5-1/2”x 12-3/4”. 3) 9-7/8” x 15-3/4”. 4) 13” x 9”. 5) 9-1/8” x 14-3/4”. 6) 9” x 12”. Largest overall: 16” x 20-1/4”. Provenance: 1 & 3) Wenninger Graphics. 2) Child’s Gallery. 4) Artist’s Studio 5-356. Condition: All six in very good condition, affixed to mats with hinges. 3 shrink wrapped, two loose matted. 4) Minor discoloration left edge. 52968-3 (1,4001,800)

Lot 1021

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Session 1

1020. S.P. LEAKOS (American, 1938-) “WOUNDED OR BROKEN CELLO IN DUMP” Watercolor and pen Housed in a red painted wood frame Signed lower right “Leakos”, on verso is his trademark, title and signature card with fingerprint, licked postage for DNA testing, postal mark, signature, title, registration number, etc... 11-1/4” h x 8” w. Overall 18” h x 13-1/2” w. Condition: Very good to excellent. 53003-1 (500-1,000)

Session 1 Lot 1023

1023.

BERNARD LANGLAIS (American, 1923-1977) LION Carved, stained and painted wood relief panel Housed in a slat wood frame Signed lower right “Bernard Langlais” Overall: 36-1/2” x 79” Provenance: From a coastal Maine collection Condition: 3” surface scratch and possibly a few missing tiles 52553-6 (15,000-25,000)

1024.

BERNARD LANGLAIS (American, 1923-1977) BIRD Carved wood relief Housed in a plexiglass shadow box Signed on backing paper upper left “Bernard Langlais”, inscribed on verso “Bernard Langlais Cushing Maine 461” 26-1/2” x 20-1/2”. Overall: 29” x 23-1/2” Provenance: From a coastal Maine collection Condition: Carving in very good condition, mounted within frame to paper backing, backing has acid staining 52553-5 (3,000-5,000)

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Session 1

Paul Manship Sagittarius Bronze

1025.

Session 1

PAUL HOWARD MANSHIP (American, 1885-1966) “SAGITTARIUS” “FROM A MODEL OF THE CELESTIAL SPHERE” Bronze Signed “Manship” and having the bronze foundry mark of “A. Valsuani” on the side behind his right shoulder 18-1/2” x 19-1/2” Provenance: A letter of presentation from Paul Manship to Will & Paul dated July 3, 1956 describes the bronze as being “from a model of the celestial sphere I made

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some years ago and repre-sent constellations for the sky – Sagittarius = the zodiacal sign = Nov 22 to Dec 21-22 with the Corona Australis = the little band of stars is the outline of the Milky Way”; Descended directly within the artist’s family Condition: Structurally fine having some light rubs & scratches, patina as shown in photograph. Verso are three tapped screw holes which were probably used by the family to mount it on the wall 52741-1 (500,000-700,000)

The Celestial Sphere is best known as the memorial created to honor the founding father of the League of Nations, President Woodrow Wilson, at the organization’s headquarters in Geneva, Switzerland. The 12’ Swiss version, installed in 1939, features 85 separately modeled constellations of the universe featured in both hemispheres—including the Sagittarius zodiac sign. A smaller version of the Celestial Sphere, scaled to 5’ with 66 constellations, was produced for the Aero Memorial in Aviator Park in Philadelphia to honor aviators who died in World War I. Measuring 18-1/2” high by 19-1/2” wide, this Sagittarius is signed both by the artist and by the foundry in the bronze and has been authenticated as a life-time cast authorized and overseen by Paul Manship by Rebecca Reynolds, a Manship scholar and curator who was formerly with the Museum of Fine Arts, Boston and currently is the board President for the Manship Artists Residency + Studios.

Session 1

This sculpture was given by Paul Manship to his nephew Will Manship. In an accompanying letter dated July 3, 1956, Manship writes in part to his nephew, “… from a model of the celestial sphere I made some years ago and represent constellations of the sky – Sagittarius = the zodiacal sign = Nov 22 to Dec 21-22 with the Corona Australis = the little band of stars is the outline of the milky way… curved as to conform to the sphere which is about 5 ft. in diameter = I made the sphere larger – about 12 ft. as a Woodrow Wilson Memorial at the Garden of the United Nations Bld. at Geneva Switz.”

James D. Julia, Inc. is honored to present this important Paul Manship bronze Sagittarius. The truly out-of-this-world discovery is from a model for his monumental “Celestial Sphere” masterpiece. The Celestial Sphere is recognized universally as a symbol of hope and peace and is among the finest works by Paul Manship, unquestionably one of the foremost, highly respected, and influential American artists of the Art Deco period.

Stella & William Manship with Sagittarius bronze mounted over their fireplace

The importance of this gift was not lost on Will, who retained and treasured his Sagittarius sculpture. He proudly displayed it over the fireplace mantel in his Minnesota home where it was enjoyed by generations of the Manship family and appears faithfully in snapshots taken at family gatherings over the course of many decades. Today the Manship family has decided to place this piece of American art history into the trusted hands of James D. Julia, Inc. to be included in this auction.

When the sculpture came to us it was such a nice reminder of the love he showed to all of us and of his generosity as well. We were lucky to have such a nice reminder of him and an art appreciation area in our home. —Manship Family

Celestial Sphere 1939, United Nations, Geneva

Aero Memorial 1948, Philadelphia, Pennsylvania

Manship described this sphere in the following words: “The representation of the heavenly constellations is derived from Babylonia and Assyria: the Greeks and Latins added their names and gave the constellations a local significance in some cases and I have adhered as closely as possible to the ancient forms. Thus the star, Aldebaran, which represents the eye of Taurus, dictates the character of the design, as is also the case of Regulus, Leo’s Heart, and so with all the constellations. The forms and attitudes of the figures have been made to correspond firstly with the positions and the meanings of the emblems themselves. After that the inter-relationship of the constellations was designed to create a harmonious ensemble.”

Aero Memorial is located in Philadelphia’s Aviator Park, across from The Franklin Institute at 20th Street and the Benjamin Franklin Parkway. The memorial is a tribute to those aviators who died in World War I, and it was initiated by the Aero Club of Pennsylvania in 1917 with the help of the Fairmount Park Art Association.

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Transcription of handwritten letter from Paul Manship to his nephews William and Paul

Session 1

or(24 Gramercy Park N.Y.C.3-) PAUL MANSHIP 10 EAST 17TH STREET NEW YORK 3. N.Y. -ALGONQUIN 5-2780 Dear Will + Paul-

July 3, 1956

This is to both of you and all the rest of the tribe- sweet pretty wives + gay little ones = yesterday – before I left Gloucester - I boxed two reliefs, one for each of you - I have in mind Paul’s saying that he wanted to use an old dilapidated panel in plaster for his new house = I hope he will find one of these to the proportion to fit his needs = Will will take the other if he wants it = they are from a model of the celestial sphere I made some years ago and repre-sent constellations for the sky – Sagittarius = the zodiacal sign = Nov 22 to Dec 21-22 with the Corona Australis = the little band of stars is the outline of the Milky Way – the other is one of the constellations of the southern sky – Centaurus – with Lupus = they are curved as to conform to the sphere which is about 5 ft. in diameter = I made the sphere larger – about 12 ft. as a Woodrow Wilson Memorial at the garden of the United Nations Bld at Geneva, Switz. The express is prepaid on the box. Thank you Will for your good letter + the photos of us all at Bald Eagle in May. = our trip was delightful. We visited with Chou Chou + her family at S. Francicso + with Mary at Manhattan Beach, also visited friends at Sta-Barbara – Claremont, + San Diego = the best of it was our visit with the Manships + their active children = Lanesville, Gloucester is flourishing and I have been there for a pleasant two weeks – with some work in the studio but most of the time out of doors enjoying the bounty of nature – digging in the ground – tying vines = getting the row boat ready for the water - + eating + sleeping – and seeing friends – lots of fun. I am busy here with some urgent work on hand which will keep me in N.Y. for another couple of weeks – Then I hope to go back + enjoy the beauty + pleasant climate of the country – fishing is good off the shore near us + a couple of times a summer I like to go out + fill the boat – and swimming in our ponds is lots of fun – the kids are in the water much of the time = love to Stella + Mary and = mother + the family- especially dear Florence – Isabel joins in all this – Yours Paul – In left margin: a little cleaning wax won’t do the bronzes any harm - + paint the background panel the color that suits the surroundings P.M.

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Session 1 Paul Manship

Manship Brothers with their Uncle Paul

Paul Manship (left) with Stella & William Manship

Mary, Isabel, Paul and William Manship (left to right)

Christmas 1965

Paul Manship with family members

The Sagittarius was witness to the messiness and fun of a large family life. Taken in sum, quite the treasure!â&#x20AC;&#x201D;Manship Family

Bob, Florence & John Manship

Christmas with the Manships

Stella & William Manship

Manship family gathering

Stella & William Manship with Sagittarius bronze mounted over their fireplace 23

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Session 1 Lot 1026 (selection)

1026.

PAUL HOWARD MANSHIP (American, 1885-1966) PERSONAL SKETCHBOOK CONTAINING TEN PENCIL DRAWINGS. Graphite on paper. Cover inscribed “Nancy Manship’s Scrapbook”, first page signed upper right “P H Manship”. Ten sketches including 4 head studies of men, a study of feet, a sketch of a sculpture of a female torso, a skeleton and 3 male full-length studies. Reference: In the book “Drawings by Paul Manship” published by the Minnesota Museum of Art 1987 they state on page 9 “Especially rare are juvenilia works. An exception is an appealing set of drawings still in the possession of the Manship family depicting solitary figures executed during the sculptor’s youth.” Accompanying this lot is a scan of page 9 and the cover. SIZE: 11” x 9” CONDITION: Front cover has black tape and is detached, composition book has several empty pages, several pages removed from center of book, first page has 1/4” tear upper left 52741-2 (3,000-5,000)

1027.

PAUL STRISIK (American, 1918-1998) “EAST GLOUCESTER” Oil on canvasboard Housed in a fine carved and gilt frame branded Goodnow Signed lower left “Strisik” Identified “Paul Strisik Gallery Rockport MA” label verso 16 x 20”. Overall: 23” x 26-1/2” Condition: Very good 52899-9 (3,000-4,000)

Lot 1027 1028. PAUL STRISIK (American, 1918-1998) GLOUCESTER HARBOR Oil on Masonite Housed in a contemporary giltwood frame Signed lower right “Strisik”, titled on cardboard affixed to verso with artist reproduction rights stamp 16” x 20”. Overall: 23-1/2” x 27-1/2” Condition: Very good with minor restoration lower left and lower right 52907-1 (1,500-2,500)

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Session 1 Lot 1029

1029.

ALDRO THOMPSON HIBBARD (American, 1886-1972) MOTIF #1 Oil on board Housed in a modern giltwood frame Signed lower right “A.T. Hibbard”, bears artists supply label on verso from Hatfield’s Color Shop 9” x 12”. Overall: 15-1/2” x 18” Condition: Very good 52798-2 (7,000-9,000)

1030.

MICHAEL GRAVES (American, 1952-) GLOUCESTER SCENE WITH BANNER HILL IN BACKGROUND Oil on canvas Housed in a contemporary gold frame Signed lower right “Mike Graves” 15-1/2” x 20”. Overall: 22-1/2” x 25-1/4” Condition: Very good 52899-6 (2,000-3,000)

Lot 1030 25

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Session 1

1031. DONALD STUART ROSS (American, 20th Century) GLOUCESTER DOCKS Oil on canvas Housed in gold tone wood frame Signed and dated lower right “Donald Stuart Ross 42” 24” x 32”. Overall: 28” x 35” Condition: Very good 52829-93 (800-1,200)

Lot 1031 1032.

THOMAS JOHN MITCHELL (American, 1875-1940) “GLOUCESTER FISHING BOATS” Oil on board Housed in a vintage giltwood frame Signed lower right “Thos. J. Mitchell”, titled on The Traxel Art Co, Cincinnati label affixed to verso 12” x 16”. Overall: 17-1/2 x 21-1/2” Condition: Surface grime and spotty varnish 52829-50 (1,500-2,500)

Lot 1032

1033. OTIS PIERCE COOK (American, Born circa 1900-1980) “ITALIAN WHARF, GLOUCESTER” Oil on canvas Housed in what appears to be its original molded gilt wood frame Signed lower right “Otis Cook” 25” h x 30” w. Overall 29-1/2” h x 34-1/2” w Condition: Very good 52989-1 (3,000-5,000)

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Lot 1034

1035.

CARL W. PETERS (American, 1897-1980) FIGURES ON A BEACH Oil on canvas board Housed in contemporary giltwood frame Signed lower right “Carl W Peters”, numbered on verso “121-D” 11-1/2” x 16”. Overall: 20-1/2” x 24-1/2” Condition: Very good, verso has discoloration 52736-10 (900-1,200)

Lot 1035

1036. PARKER S. PERKINS (American, 1862 - 1942) “GLOUCESTER DORYMATES” Oil on academy board Housed in a painted wood frame Signed twice lower right “Parker S. Perkins” (the second signature probably moved higher for cropping in illustrated work) 18” x 24”. Overall 25-1/2” x 31-1/2” Condition: Very good. 52989-3 (2,000-4,000)

Lot 1036 27

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Session 1

1034. CARL W. PETERS (American, 1897-1980) LANES COVE SEAWALL, CAPE ANN Oil on canvas Housed in a contemporary giltwood frame Signed with a Carl W. Peters estate stamp on verso by “Gay Peters Hammond”, inscribed on verso “L. Cove Sewall” 25” x 30”. Overall: 31” x 36” Condition: Very good, minor vertical crease center sky, light craquelure 52964-3 (4,000-6,000)

Session 1

1037. ESTHER M. GROOME (American, 1857-1929) BEACH GOERS ON GOOD HARBOR BEACH, GLOUCESTER, MA Watercolor Housed in a gilt decorative frame with mat and glass Signed lower left “E. M. Groome” Sight 9-1/2” x 14”. Overall 17-1/2” x 211/4” Condition: Good. 53002-2 (1,200-1,800)

Lot 1037

1038.

ALEXANDER MINEWSKI (American, 1917-1979) “COD SKULL” Casein on board Unframed Signed lower right “Minewski”, title and signed on verso 30” x 42”. Overall 30-1/4” x 42-1/4” Condition: Very good 52987-11 (1,500-2,000)

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Lot 1039

1040.

EMILE ALBERT GRUPPE (American, 1896-1978) “DRYING THE SEINE” Oil on canvas Housed in modern carved giltwood frame Signed lower right “Emile A. Gruppe”, titled in artist’s hand on verso 20” x 24”. Overall: 29-1/4” x 331/4” Condition: Very good with spotty varnish and minor paint splatter lower left 52798-1 (4,000-6,000)

Lot 1040 29

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Session 1

1039. EMILE ALBERT GRUPPE (American, 1896-1978) “BOATS AT DOCK, GLOUCESTER HARBOR, 1950” Oil on canvas Housed in a vintage paint decorated frame with linen liner Signed lower right “Emile A. Gruppe”, dated, titled and inscribed on stretcher “1950 ‘Boats at Dock’ Gloucester Harbor” 25” x 30”. Overall: 31” x 36” Condition: Very good 52781-1 (5,000-8,000)

Session 1 1041.

EMILE ALBERT GRUPPE (American, 1896-1978) SWORDFISH SCHOONERS AT DOCK Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe” 30-1/2” x 25-1/4”. Overall: 39-1/4” x 34-1/4” Condition: Very good restored condition, canvas is lined, scattered re-touch along edges 52796-9 (7,000-9,000)

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Session 1 1042.

ANTHONY THIEME (American, 1888-1954) “FISHING BOAT AT TWILIGHT”, ROCKPORT Oil on canvas Housed in a fine giltwood replacement frame from Guido’s of Boston Signed lower right “A. Thieme”, titled on verso 25” x 30”. Overall: 35” x 40” Condition: Very good, lined, scattered re-touch, photograph of original title inscription affixed to backing board 52964-2 (15,000-25,000)

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Session 1

1043. ANTHONY THIEME (American, 1888-1954) “BRIGHT LIGHT” Oil on canvas Housed in a Newcomb-Macklin giltwood frame Signed lower right “AThieme”, bear artist stamp and titled on verso with No. “1463” in circle 25” x 30”. Overall: 29” x 34-1/2” Condition: Very good, minor craquelure in sky upper right, some minor inpainting to edges of rocks and waves. 52399-4 (10,000-15,000)

Lot 1043

1044.

ANTHONY THIEME (American, 1888-1954) MOORED Oil on board Housed in a vintage giltwood frame Signed lower left “A Thieme”, stamped on verso “Anthony Thieme Boston Mass.”, and numbered “74.1182” 12” x 16”. Overall: 19” x 23” Condition: Good, board is lightly warped upper left and lower right 52903-5 (10,000-15,000)

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Lot 1045

1046.

HALEY LEVER (American, 1875-1958) “GLOUCESTER 1935” Oil on canvas Housed in a modern carved gilt wood frame Signed lower left “Hayley Lever” Identified on gallery label verso 6-7/16” x 9-5/8”. Overall: 16” x 19-1/4” Condition: Very good 52903-3 (6,000-9,000)

Lot 1046 33

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Session 1

1045. HAYLEY LEVER (American, 1875-1958) “THE HARBOR, GLOUCESTER, MASS” Oil on canvas Housed in giltwood frame with linen liner Signed lower left “Hayley Lever”, titled on stretcher “The Harbor, Gloucester, Mass. 1925”, bears Clayton-Libertore Art Gallery label on verso 16” x 20”. Overall 21-1/2” x 25” Condition: Good, minor surface grime and small loss lower right corner, scattered re-touch 529005 (8,000-12,000)

Session 1 1047.

HAYLEY LEVER (American, 1875-1958) “FISHING BOATS - SUNRISE” Oil on canvas Housed in a carved giltwood frame with linen liner Signed lower left “Hayley Lever”, titled on ClaytonLiberatore Art Gallery label affixed to verso frame “Fishing Boats-Sunrise”, Cornwall, England 1904 20” x 24”. Overall: 28-1/2” x 32-1/2” Condition: Very good 52900-2 (50,000-100,000)

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Lot 1048

1049.

HAYLEY LEVER (American, 1875-1958) “BASKET OF FRUIT” Oil on canvas Housed in a giltwood frame with linen liner Signed lower right “Hayley Lever”, titled on ClaytonLiberatore Art Gallery label affixed to stretcher 30” x 36”. Overall: 38-1/2” x 441/2” Condition: Good, lined, minor surface grime 52900-1 (8,000-12,000)

Lot 1049 35

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Session 1

1048. HAYLEY LEVER (American, 1875-1958) “FISHING BOATS, ST IVES, CORNWALL” Oil on canvas Housed in a giltwood frame with linen liner Signed lower left “Hayley Lever”, title inscribed on stretcher “Fishing Boats-St Ives-Cornwall. Eng. 1908” 16” x 20”. Overall: 21” x 25 Condition: Very good 52900-3 (12,000-18,000)

Session 1

1050. WILLIAM LESTER STEVENS (American, 1888-1969) CAPE ANNE MARSH THAW Oil on canvas Housed in what is probably its original painted frame with white liner Signed lower right “W. Lester Stevens” 20” x 24”. Overall 26” x 30” Condition: Very good 52989-2 (3,000-5,000)

Lot 1050 1051.

OTIS PIERCE COOK, JR (American, 1900-1980) NEW ENGLAND WINTER LANDSCAPE Oil on canvas Housed in a barn board frame Signed lower right “Otis Cook” 25” x 30”. Overall: 31” x 36” Condition: Very good 52829-92 (4,000-6,000)

Lot 1051

1052. ALDRO THOMPSON HIBBARD (American, 1886-1972) “VERMONT MOUNTAINS” Oil on canvas board Housed in a contemporary giltwood frame Signed lower left “A. T. Hibbard-”, titled on a Kennedy Galleries, Inc. New York label affixed to verso (Stock No. LE#1) 17” x 21”. Overall: “25 x 29” Condition: Very good to excellent 52964-1 (7,000-10,000)

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Lot 1053

1054.

ALDRO THOMPSON HIBBARD (American, 1886-1972) RURAL VERMONT WINTER SCENE Oil on canvas Housed in a modern giltwood frame with presentation plaque Signed lower right “A. T. Hibbard”, inscribed on verso “9X-32” 22” x 32”. Overall: 32” x 42” Condition: Very good, retouch within stretcher mark along right edge, scattered retouch along edges and in sky 52902-14 (10,000-12,000)

Lot 1054 37

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Session 1

1053. ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER LANDSCAPE VERMONT Oil on board Housed in a modern silver painted wood frame, under glass with wood liner Signed lower right “A.T. Hibbard.”, bears label affixed to verso “10-A” 9” x 12”. Overall: 16” x 19” Condition: Very good to excellent 52951-2 (3,000-5,000)

Session 1 1055.

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WILLIAM LESTER STEVENS (American, 1888-1969) “THE MERTON BACHELDER BARN” Oil on canvas Housed in a weathered wood frame with painted wood liner Signed lower right “W. Lester Stevens. N. A.” Retains on verso the Rockport Art Association Retrospective Exhibition label. Note; illustrated with a full page color illustration pg. 95 W. Lester Stevens, N. A. 1888 - 1969 by the Rockport Art Association. 35” x 42”. Overall 40” x 47” Provenance: From a significant Western Massachusetts Estate collection Condition: Very good 52989-5 (12,000-18,000)

Lot 1056

1057.

WILLIAM LESTER STEVENS (American, 1888-1969) “WINTER TREES” Oil on Masonite Housed in a fine carved and gilt wide frame by Paul Goodnow with title and artist plaque Signed lightly bottom right “W Lester Stevens N.A.”, also retaining a Rockport Art Association exhibit label from the retrospective and illustrated full on page 47, alternate title on verso “Adam Dale Brook”, also having a John Gale business card taped to verso 23-3/4” x 30”. Overall: 33-1/2” x 39-3/4” Condition: Very good 52903-1 (8,000-12,000)

Lot 1057 39

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Session 1

1056. WILLIAM LESTER STEVENS (American, 1888-1969) “TOP OF THE HILL” Oil on Masonite Housed in a modern gilt molded wood frame with linen liner Signed lower right “W. Lester Stevens, N. A.” Note; On verso is a letter from the Conway Historical Society attesting that this painting was included in the Exhibition of selected paintings by W. Lester Stevens, June 1518 2017, at the Field Memorial Library in Conway Massachusetts as part of Conway’s 250th celebration. 30” x 36”. Overall 37” x 43” Condition: Very good 52990-3 (8,000-10,000)

Session 1

1058. EMILE ALBERT GRUPPE (American, 1869-1978) STREAM IN WINTER LANDSCAPE Oil on canvas Housed in a silver giltwood frame Signed lower right “Emile A. Gruppe” 30” x 36”. Overall: 34” x 40” Condition: Very good 52858-1 (4,000-6,000)

Lot 1058

1059.

EMILE ALBERT GRUPPE (American, 1896-1978) “BRIGHT SUN ON A WINTER DAY” Oil on canvas Housed in a modern giltwood frame Signed lower right “Emile A Gruppe”, titled on presentation plaque on frame 30” x 25”. Overall: 35” x 30” Condition: Very good, with minor surface grime 52399-1 (6,000-9,000)

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HAYLEY LEVER (American, 1875-1958) “SNOW AND TREES” Oil on panel Housed in a giltwood frame with linen liner Signed lower right “Hayley Lever”, titled on verso “Snow and Trees, Caldwell. N.J.” 13-1/4” x 16”. Overall: 18-1/2” x 21” Condition: Very good with minor discolored varnish 52900-6 (3,000-5,000)

Lot 1060 1061.

WILLIAM LESTER STEVENS (American, 1888-1969) THE STONE MILLS Oil on canvas Housed in a replacement gilt molded wood frame with colored liner Signed lower right “W. Lester Stevens” 30” x 432”. Overall: 35-1/2” x 37-1/2” Condition: Very good, lined 53020-1 (4,000-6,000)

Lot 1061

Lot 1062

1062. CHARLES PAUL GRUPPE (American, 1860-1940) “DUTCH PASTURE” Oil on canvas Housed in its original gilt gesso decorated frame with gilt liner Signed lower right “Chas P Gruppe”, titled on verso stretcher 12” x 16-1/2”. Overall: 20-1/2” x 25-1/4” Condition: Some minor inpainting, very good 53020-2 (2,000-4,000)

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Session 1

1060.

EMILE ALBERT GRUPPE (American, 1869-1978) “BIRCHES IN FALL” Oil on canvas Housed in a silver giltwood frame Signed lower right “Emile A. Gruppe”, titled by the artist’s hand on stretcher “Birches in the Fall by Emile A. Gruppe” 30” x 36”. Overall: 35” x 41” Condition: Good with a vertical band of inpainting which suggests an elimination of a tree which may have been done by the artist 52796-4 (8,000-12,000)

Session 1

1063.

Lot 1063

1064.

EMILE ALBERT GRUPPE (American, 1869-1978) “OCTOBER VERMONT, 1934” Oil on canvas Housed in a contemporary gilt wood frame with gilt liner Signed and dated lower right “Emile A Gruppe” and dated 1934 Titled and identified on verso of canvas by the artist’s hand “Oct. Vermont, 1934 by Emile A. Gruppe” 18” x 20”. Overall: 23” x 26-1/2” Condition: Good 52796-3 (5,000-8,000)

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Lot 1065

1066.

PAUL STRISIK (American, 1918-1998) “SPARKLING LIGHT” Oil on Masonite Housed in a contemporary giltwood frame Signed and dated lower right “P.Strisik (c) 78”, titled on artist label affixed to verso with inventory number “01008” 12” x 16”. Overall: 18-1/2” x 22-1/2” Condition: Very good 52899-1 (2,000-3,000)

Lot 1066 1067. PAUL STRISIK (American, 1918-1998) “CLEARING” Oil on linen covered panel Housed in a modern gilt frame with linen and gilt liner Signed lower right “P. Strisik”, also having Strisik’s gallery label on verso 10” x 14”. Overall 18-1/2” x 22-1/2” Condition: Very good 52736-6 (1,500-2,500)

Lot 1067 43

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Session 1

1065. EMILE ALBERT GRUPPE (American, 1896-1978) STREAM IN AUTUMN Oil on canvas Housed in a modern giltwood frame Signed and dated lower left “Emile A. Gruppe 1916” 16” x 20”. Overall: 23-1/2” x 27-1/2” Condition: Very good, lined, scattered re-touch and date enhanced 52796-1 (3,000-5,000)

Session 1

1068. WALTER FRANCIS KUHN (American, 1877-1949) “RIVER BANK” Oil on canvas Housed in an ebonized wood frame Signed and dated lower left “Walt Kuhn 1945”, titled on artist’s label affixed to verso “To avoid confusion please make no change in title ‘River Bank’”, bears Kennedy Galleries, Inc. label affixed to stretcher Stock No. “242” and Walt Kuehn Gallery label inscribed with inventory number “WKC-105-0” Note: This landscape depicts Cape Neddick and York River 30” x 40”. Overall” 38-1/4” x 48” Condition: Good with 3” area of restoration right center, several other small areas of restoration, small flake loss lower left, stretcher marks 52877-1 (5,000-7,000)

Lot 1068 1069.

WILLIAM LESTER STEVENS (American, 1888-1964) WOODED ROAD IN WINTER Oil on canvas Housed in an ivory painted wood frame Signed lower right “W. Lester Stevens N.A.” 25” x 30”. Overall: 28-1/2” x 33-1/2” Provenance: Nord & Ruth Bowlen, Greenfield, MA; by family descent to private collection; Skinner, Inc., January 28, 2011, Lot 352 Condition: Good with minor surface grime 52399-9 (1,500-2,500)

Lot 1069

1070. WILLIAM LESTER STEVENS (American, 1888-1969) “SUGAR HOUSE, CONWAY, MASS” Oil on Masonite Housed in a molded wood decorated frame with painted liner Signed lower right “W. Lester Stevens, N. A.” 30” x 36”. Overall 38” x 43-1/2” Provenance: From a significant Western Massachusetts Estate collection Condition: Some touch up in-painting, otherwise very good 52989-4 (7,000-10,000)

Lot 1070 Visit www.jamesdjulia.com for more information

Lot 1071 1072.

ANTHONY THIEME (American, 1888-1954) VENICE SCENE Oil on board Housed in a modern giltwood frame Signed lower right in red “AThieme” and incised lower left 12” x 15-1/2”. Overall: 19” x 23” Condition: Very good 52736-3 (2,500-4,000)

Lot 1072

1073. ANTHONY THIEME (American, 1888-1954) “CALLE DE SAN FRANCISCO, ANTIQUA, GUATEMALA” Oil on canvas Housed in a Newcomb-Macklin frame Signed lower right “AThieme”, titled on verso, frame bears makers label 25” x 30”. Overall: 30” x 35” Condition: Very good 52399-3 (5,000-7,000)

Lot 1073 45

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Session 1

1071. ALDRO THOMPSON HIBBARD (American, 1886-1972) “THE OLD SAW MILL” Oil on canvas Housed in a contemporary giltwood frame Signed lower right “A. T. Hibbard.”, bears an estate stamp on verso signed “Winifred J. Hibbard” and another estate stamp on stretcher signed “Lane Hibbard Clark”, numbered “69-80” 24” x 32”. Overall: 31” x 39” Condition: Very good with minor canvas buckle upper left corner. Several brushstrokes of dark pigment standup under UV 52902-13 (10,000-12,000)

Session 1

1074. ANTHONY THIEME (American, 1888-1954) “SEGUI-KIRBY SMITH HOUSE, ST AUGUSTINE, FLORIDA” Oil on board Housed in a vintage giltwood frame with presentation plaque Signed lower right “AThieme”, inscribed on verso “Old Spain Florida, 1759” and stamped “Anthony Thieme Rockport Mass copyright reserved”, bears “Robbins Collection” label 16” x 20”. Overall: 22-1/4” x 26-1/4” Condition: Very good 52399-5 (5,000-7,000)

Lot 1074

1075.

ALDRO THOMPSON HIBBARD (American, 1886-1972) SPAIN: NET MENDER Oil on canvas board Housed in a good carved and gilt modern frame Unsigned (accompanied by an authentication letter by Hillary Turley Hibbard) 10” x 11-3/4”. Overall 17” x 19” Condition: Very good 52736-4 (2,000-3,000)

Lot 1075 1076. PAUL STRISIK (American, 1918-1998) “CASCADE MTN. BANFF, ALBERTA” Oil on canvas Housed in a contemporary gold carved frame signed and dated lower left “P Strisik ‘79” Identified on label verso 16” x 24”. Overall: 23-1/2” x 31-1/4” Condition: Very good 52899-7 (2,000-3,000)

Lot 1076 Visit www.jamesdjulia.com for more information

Lot 1077

1078.

THOMAS R. CURTIN (American, 1899-1977) FLETCHER GRANGE Oil on Masonite Housed in a modern molded wood gilt frame Signed lower right “Thos. R. Curtin” 24” x 32”. Overall 30” x 38” Condition: Very good 52990-2 (4,000-6,000)

Lot 1078 47

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Session 1

1077. THOMAS R. CURTIN (American, 1899-1977) “MANSFIELD FROM POINT NEAR FLETCHER STATION Oil on canvas Housed in a gilt modern wood frame having an artist and title plaque with alternate title “Mount Mansfield from Northeast” also having an original penned artist label on verso, with linen liner Singed lower right “Thos. R. Curtin” 20” x 25”. Overall 25” x 29” Condition: Very good 52990-1 (4,000-6,000)

Session 1

1079. THOMAS R. CURTIN (American, 1899-1977) WINTER EVENING Oil on board Housed in a silver gilt molded wood frame Signed lower right “Thos. R. Curtin” 13-1/2” x 16-1/2”. Overall 17-1/4” x 20-1/4” Provenance: From the collection of Wilfred Glenn, founding member of the musical group The Revelers Condition: Some flecking to left side, otherwise very good 52985-1 (2,000-4,000)

Lot 1079

1080.

THOMAS R. CURTIN (American, 1899-1977) WINTER SCENE Oil on Masonite Housed in a modern gold leaf frame Signed lower right “Thos. R. Curtin” 10” x 12”. Overall: 13” x 15-1/4” Condition: Very good. Surface grime. 52858-2 (1,000-1,500)

Lot 1080 1081. THOMAS R CURTIN (American, 1899-1977) NEW ENGLAND LANDSCAPE WITH SAILBOAT ON A LAKE Oil on canvas Housed in a brown painted wood frame Signed lower right “Thos R. Curtin” 25” x 30”. Overall: 30-1/2” x 35-1/2” Condition: Very good 52829-28 (3,000-5,000)

Lot 1081 Visit www.jamesdjulia.com for more information

Lot 1082

1083.

BERNARD COREY (American, 1914-2000) “HILLTOP FARM” Oil on board Housed in a contemporary giltwood frame Signed lower left “Bernard Corey” 10” x 15”. Overall: 15” x 20” Provenance: Purchased directly from the artist Condition: Very good to excellent 52796-5 (1,000-1,500)

Lot 1083 1084. BERNARD COREY (American, 1914-2000) MEADOW VIEW Oil on board Housed in a modern giltwood frame with presentation plaque Signed lower left “Bernard Corey”, stamped on verso “Royka’s, from the Estate of Bernard Corey, Estate No R.290” 9” x 12”. Overall: 15-1/4” x 18-1/4” Condition: Very good 52798-3 (1,200-1,500)

Lot 1084 49

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Session 1

1082. BERNARD COREY (American, 1914-2000) “WATERS FARM - DECEMBER” Oil on panel Housed in a contemporary giltwood frame Signed lower right “Bernard Corey” 8” x 11”. Overall: 13” x 16” Provenance: Purchased directly from the artist Condition: Very good 52796-7 (700-900)

Session 1 1085.

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ERIC SLOANE (American, 1905-1985) “SUN AND BARNWOOD” Oil on Masonite Housed in a barn board-style frame Signed and titled lower left “Eric Sloane NA Sun and Barnwood” Note: Accompanying the painting is a 2001 appraisal by Brady Galleries, Inc. 29” x 59”. Overall: 38” x 48” Condition: Very good to excellent 52622-1 (15,000-25,000)

Session 1 1086.

ERIC SLOANE (American, 1905-1985) “SUMMER IN VERMONT” Oil on Masonite Housed in a barn board frame Signed lower right “Eric Sloane”, titled lower left Note: Covered bridges were one of Eric Sloane’s favorite subjects. These structures from a bygone era are, without doubt, romantic and picturesque. The rustic covered bridge complete with “Walk Your Horses!” sign, greenery of a summer day, barefoot boys with fishing poles, dog, and you have a story of a very old bridge as it experiences a single, lovely summer moment in its seemingly timeless life 24” x 28”. Overall: 32” x 35-3/4” Condition: Good 52895-10 (10,000-20,000) 51

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Session 1

1087. JAMES MCDOUGAL HART (American, 1828-1901) SUMMER REST Oil on canvas Housed in a restored antique gold gesso decorated frame with gold liner having artist plaque Signed lower left “James M. Hart 1883” 39” x 30”. Overall: 53” x 44” Condition: Lined, some inpainting, very good 53038-6 (4,000-6,000)

1088.

Lot 1087

WILLIAM R. DAVIS (American, 1952-) “BEND ON THE SACO RIVER - NEAR NORTH CONWAY N.H.” Oil on Masonite Housed in a good gilt molded wood frame Signed lower left “W. Davis”, also signed and dated on reverse, October 2007 8” x 10”. Overall 13” x 15” Condition: Very good to excellent 52736-7 (1,500-2,000)

Lot 1088 1089. WILLIAM R. DAVIS (American, 1952-) “MOUNTAIN LAKE LIGHT” Oil on panel Housed in contemporary wood frame Signed lower left “W.Davis”, signed and titled on verso “William R. Davis Mountain Lake Light” 8” x 6”. Overall: 10” x 8” Condition: Very good to excellent 52899-10 (1,500-2,500)

Lot 1089 Visit www.jamesdjulia.com for more information

1091.

Lot 1090

WILLIAM PASKELL (American, 1866-1951) 19th CENTURY BOSTON CITY VIEW Oil on canvas Housed in a modern silver painted wood frame Signed lower left “Wm Paskell” Note: The church and square depicted bears significant resemblance to the church formerly located at the corner of Summer and Bedford streets in Boston. Founders of the New South Church first met around 1714 at the Old Bull Tavern, with original members including Samuel Adams, Samuel Greenleaf and Thomas Peck. The church was first built in 1719, however, in 1814, Charles Bullfinch built a new church on the same spot. The church was demolished in 1868, shortly before William Paskell arrived in Boston as a young boy. It is possible this painting was created as a commemorative work by the artist in the early 20th century 26” x 28”. Overall: 27-1/2” x 29-1/4” Condition: Very good with minor varnish discoloration 52738-26 (1,500-2,500)

Lot 1091

1092. KEN KNOWLES (American, 1968-) “COMMONWEALTH AVE FROM THE GARDENS” Oil on canvas Housed in a modern giltwood frame Signed lower left “Ken Knowles”, titled and dated on verso “Commonwealth Ave from the Gardens Ken Knowles ‘08” 20” x 24”. Overall: 26-1/2” x 30-1/2” Condition: Very good to excellent 52386-3 (1,000-1,500)

Lot 1092 53

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Session 1

1090. WILLIAM R. DAVIS (American, 1952-) “OLD STONE BRIDGE” Oil on board Housed in a contemporary giltwood frame Signed lower left “W. Davis”, signed and titled on verso “William R. Davis Old Stone Bridge” 10” x 8”. Overall: 16” x 14-1/2” Condition: Very good to excellent 52962-1 (800-1,200)

Session 1

1093. JOHN WHORF (American, 1903-1959) RAILROAD YARD Watercolor Housed in an ebonized wood frame, matted under glass Signed lower right “John Whorf.” 15-1/2” x 22”. Overall: 27-1/2” x 34” Condition: Good, paper discoloration and fading, not examined out of frame 52970-2 (2,500-3,500)

Lot 1093 1094.

JOHN WHORF (American, 1903-1959) SEPTEMBER AFTERNOON Watercolor Housed in a contemporary giltwood frame matted under glass Signed lower right “John Whorf.” 14-1/2” x 21-3/4”. Overall: 23-1/2” x 31-1/2” Condition: Very good, not examined out of frame 52970-1 (2,500-3,500)

Lot 1094

1095. JOHN JOSEPH ENNEKING (American, 1841-1916) “MILTON LOWER MILLS” Oil on board Housed in a gilt frame with linen mat Unsigned, identified on reverse with title, artist and owner 5-1/2” x 5-1/2”. Overall 11” x 11” Condition: Some surface chipping, in need of restoration, otherwise good 52987-2 (1,000-1,500)

Lot 1095 Visit www.jamesdjulia.com for more information

Lot 1096

1097.

ARTHUR MORRIS COHEN (American, 1928-2012) TWO WORKS: “TOWN WHARF” AND “PROVIDENCE TOWN HARBOR” Oil on panels Simple shadow box type wood frames Initialed lower right, also signed and titled on verso 4” x 8”, 5” x 8”. Overall 4-1/2” x 8-3/4”, 5-1/2” x 8-1/2” Condition: Very good 52987-16 (1,800-2,200)

Lot 1097 1098. JOHN JOSEPH ENNEKING (American, 1841-1916) AUTUMN LANDSCAPE Oil on paper board Housed in a modern gold frame with linen liner Titled and signed on verso in light pencil in what appears to be the artist’s hand “November sunset - Enneking” 7-1/2” x 12”. Overall: 13-1/2” x 17-1/4” Condition: Good, retouched lower left 52895-3 (800-1,200)

Lot 1098 55

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Session 1

1096. JOSEPH ELIOT ENNEKING (American, 1881-1942) FLOATING DOCK, EAST GLOUCESTER MASS Oil on canvas laid down on board Housed in a contemporary giltwood frame Signed lower right “J. Eliot Enneking”, inscribed on verso “...Float East Gloucester Mass” 10” x 12”. Overall: 17-1/2” x 19-1/2” Condition: Good, discolored varnish 52907-2 (1,500-2,500)

Session 1

1099. DALE PHILIP BESSIRE (American, 1892-1974) “GOLDEN MORNING” Oil on Masonite Housed in a vintage giltwood frame Signed lower left “Dale Bessire” 24” x 30”. Overall: 28” x 33” Note: Original purchase receipt accompanies lot Provenance: Eckert Fine Art Galleries, Indianapolis, IN; acquired from above by current owner in 2004 Condition: Very good with minor surface grime, work does not quite fit frame 52622-3 (2,000-4,000)

Lot 1099

1100.

ALEXANDER THEOBALD VAN LAER (American, 1857-1920) “AN APRIL DAY” Oil on canvas Housed in a fine reproduction carved and gilt frame by P.H. Miller (Virginia) Dated 2003 Unsigned front, signed and titled on stretcher, the back retaining a Cooley Gallery label 20” x 27”. Overall: 27” x 34” Condition: Very good with minor touch up 52949-1 (1,000-2,000)

Lot 1100

1101.

Lot 1101 Visit www.jamesdjulia.com for more information

PATRICK VINCENT BERRY (American. 1852-1922) PAIR OF LANDSCAPES Oil on canvases Both housed in wonderful glass front shadow box frames. The paintings have fabulous original gilt gesso decorated frames Each signed lower right “PV Berry” 12” x 10”. Overall: 25” x 23” Condition: Craquelure, otherwise very good. 53038-1 (1,500-2,500)

Lot 1102

1103.

F. PAULI (European, 19th/20th century) ALPINE VILLAGE WITH STREAM AND MOUNTAINS Oil on canvas Housed in a modern giltwood frame Signed lower right “F. Pauli” 17” x 24”. Overall: 22” x 29” Condition: Good restored condition, lined, craquelure, restoration along edges and scattered areas throughout trees 52624-2 (800-1,200)

Lot 1103

1104. DANIEL FRANCOIS SANTRY (American, 1858-1915) HOMESTEAD WITH STONE WALL Oil on canvas Housed in a gold painted composite frame Signed and dated lower right “D. Santry 92” 22” x 36”. Overall: 28” x 42” Provenance: By descent through the family of Major John Mead Gould Condition: Overall discolored varnish, surface grime, craquelure and old restoration 52936-8 (2,000-3,000)

Lot 1104 57

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Session 1

1102. AMERICAN SCHOOL (19th century) NATIVE AMERICANS NAIVE MOUNTAINOUS LANDSCAPE WITH LAKE Oil on canvas Housed in a giltwood frame Unsigned 18” x 24”. Overall: 24” x 30” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Good restored condition, lined with restoration throughout, large restored tear in center, stretchers replaced 52806-180 (1,000-1,500)

Session 1

1105. EDMUND DARCH LEWIS (American, 1835-1910) GOING FISHING IN THE POCONOS Oil on canvas Housed in a fine reproduction antique gilt decorated gesso frame Signed lower left “Edmund D. Lewis 1868” 31” x 46”. Overall: 40” 54-1/2” Condition: Very good, lined 53038-3 (6,000-9,000)

Lot 1105

1106.

GEORGE HETZEL (American, 1826-1899) SCALP LEVEL LANDSCAPE, PENNSYLVANIA Oil on canvas Housed in a period giltwood frame with presentation plaque Signed and dated lower left “Geo. Hetzel 1884” 14” x 22-3/4”. Overall: 21-1/2” x 30-1/4” Condition: Very good with large craquelure, minor flake loss in tree, minimal touch-up along right edge and in cracking 52822-1 (4,000-6,000)

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Lot 1107

1108.

IDA NASH GORDON (American, 1903-1983) IMPRESSIONIST LANDSCAPE WITH TREES Oil on canvas Housed in a carved walnut frame Signed lower right “Ida Nash Gordon” 30” x 24”. Overall: 35” x 29” Condition: Very good 52622-4 (400-600)

Lot 1108 1109. HELEN LUNDEBERG (American, 1908-1999) MOUNTAIN ROAD Oil on board Housed in a modern silver gilt frame with beveled linen mat Identified on verso with artist and title label 10” x 8”. Overall 16” x 14” Condition: Very good, one small scratch at bottom margin 52987-14 (3,000-5,000)

Lot 1109 59

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Session 1

1107. ATTRIBUTED TO ALEXANDER HELWIG WYANT (American, 1836-1892) “MORNING IN THE CATSKILLS” Oil on canvas Housed in a fine reproduction antique style gesso decorated gilt frame with gilt liner having gilt title and artist plaque Unsigned but having a spurious signature which may be “R. Blakelock”, but is illegible. The painting was submitted to the University of Nebraska for authentication and it was given an inventory number “NB-1-2184IV” (Tag on verso). Also on verso is an early Blakelock artist label “No 2957 / Owner: Blakelock / Artist: R.A. Blakelock / Date: Feby 7 189_” 18” x 33-1/2”. Overall: 25-1/2” x 41” Condition: Minor losses along bottom edge, very good with minor touch-up 53038-5 (2,000-4,000)

Session 1

1110. BERNARD COREY (American, 1914-2000) “BREAKING SUN” Oil on Masonite Housed in a contemporary giltwood frame Signed lower right “Bernard Corey” 8-3/4” x 11-1/2”. Overall: 13-1/2” x 16-1/2” Provenance: Purchased directly from the artist Condition: Very good 52796-8 (800-1,000)

Lot 1110

1111.

BERNARD COREY (American, 1914-2000)LOOSE STRIFE Oil on Masonite Housed in a signed Goodnow giltwood frame Signed lower left “Bernard Corey”, titled on label affixed to verso with Certificate of Authenticity signed by Caroline Grimley, also bears a Royka’s Fine Art label with provenance listed as “Estate of Bernard Corey”. 10” x 14”. Overall: 16-1/2” x 20-1/2” Condition: Very good to excellent 52903-4 (1,000-2,000)

Lot 1111

1112. BERNARD COREY (American, 1914-2000) “A SUMMER DAY” Oil on canvas Housed in a contemporary giltwood frame Signed lower left “Bernard Corey” 10” x 16”. Overall: 14-3/4” x 20-3/4” Provenance: Purchased directly from the artist Condition: Very good to excellent 52796-6 (1,000-1,500)

Lot 1112 Visit www.jamesdjulia.com for more information

Session 1 1113.

OGDEN MINTON PLEISSNER (American, 1905-1983) “A BIG ONE HOOKED” Watercolor on paper Housed in a modern giltwood frame matted under glass Signed lower right “Pleissner”, titled on The Caldwell Gallery label affixed to verso 17-3/4” x 27-3/4”. Overall: 29” x 39” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT; Ex-Collection Charles Shipman Payson; by descent Mrs. Charles Shipman Payson; Sotheby’s New York, May 25, 1988 Condition: Very good to excellent 52806-4 (80,000-120,000)

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Session 1 1114.

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OGDEN MINTON PLEISSNER (American, 1905-1983) GROUSE HUNTING Watercolor on paper Housed in a modern giltwood frame housed under glass Signed lower right “Pleissner” 19-1/2” x 23-1/2”. Overall: 31” x 35” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good to excellent, not examined out of frame 52806-159 (30,000-50,000)

Session 1 1115.

OGDEN MINTON PLEISSNER (American, 1905-1983) “THE CLIFFS AT BIG SALMON” Watercolor Housed in a contemporary gilt frame with gilt artist plaque and white mat behind glass Signed lower left “Pleissner”, attached to verso is a label from William Macbeth New York Gallery with title and artist. Also a loan tag from the circulating galley of the Dayton Art Institute 17-1/4” x 24”. Overall: 28” x 34” Condition: Very good, some slight mat burn on left edge 53029-1 (20,000-30,000)

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Session 1

1116. OGDEN MINTON PLEISSNER (American, 1905-1983) “NORMANDY” Watercolor Housed in a fine carved and gilt frame with linen mat behind glass Signed lower left “Pleissner”, also having on verso the Milch Galleries NY label with title and artist Sight: 17” x 28”. Overall: 27” x 38” Condition: Very good, not examined out of frame 53039-1 (4,000-6,000)

Lot 1116

1117.

SAMUEL W. GRIGGS (American, 1827-1898) LEAPING BROOK TROUT Oil on artist board Housed in a vintage giltwood frame liner Signed lower right “S W Griggs” 16-1/4” x 23”. Overall: 20-1/2” x 27-1/4” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Surface grime, discolored varnish, several small abrasions 52806-129 (1,500-2,500)

Lot 1117 1118. ENGLISH SCHOOL (19th century) STILL LIFE OF FISH IN A LANDSCAPE Oil on panel Housed in a modern giltwood frame Unsigned 16” x 20-3/4”. Overall: 19-1/2” x 24-1/4” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Shrinkage cracks throughout, old restoration around edges and surface grime 52806-39 (600-900)

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1120.

Lot 1119

WALTER H. DOWER (American, 1883-1934) FLY FISHING IN AUTUMN Oil on canvas Housed in a barn board-style frame with linen liner Signed lower left “Walter Dower” 20” x 30”. Overall: 28” x 38-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good 52806-153 (1,000-1,500) 1121.

Lot 1120

WALTER H. DOWER (American, 1883-1934) “HOME POOL” Oil on canvas Housed in a barn board style frame with linen liner Signed lower right “Walter Dower”, titled on stretcher 18” x 24”. Overall: 25-1/2” x 31-1/2 Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good with minor surface grime 52806-130 (1,000-1,500)

Lot 1121 65

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Session 1

1119. FRANK STICK (American, 1884-1966) SURPRISE ENCOUNTER Oil on canvas Housed in a modern carved gilt wide frame Signed lower right “Frank Stick” Note: Frank Stick worked for several outdoor magazines including Field and Stream and Sports Afield. He was an avid fisherman and co-authored and illustrated a book on surf fishing and illustrated several fishing books by Zane Grey and as friends they often fished together 38” x 27”. Overall: 46” x 35” Condition: Lined, restored with inpainting, very good 53021-2 (6,000-8,000)

Session 1 1122.

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ARTHUR FITZWILLIAM TAIT (American, 1819-1905) “QUAIL AND YOUNG” Oil on canvas Housed in a fine period giltwood frame Signed and dated lower left “AF Tait. 59”, bears gallery label from Gerold Wunderlich & Co on verso Reference: Illustrated on page 146 and listed as 59.1 in Arthur Fitzwilliam Tait, a Checklist of His Works by Henry Marsh 13-1/4” x 22”. Overall: 26-1/2” x 34-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good restored condition, lined, restoration along top right and scattered re-touch along edges 52806-107 (20,000-40,000)

Lot 1123 1124.

GEORGE WILLIAM SCHINZEL (American, 19th-20th century) QUAIL IN A LANDSCAPE Oil on canvas Housed in a modern gold tone frame Signed lower right “W. Schinzel” Note: According to the “Lain Directory of Brooklyn, George Schinzel is listed as a Brooklyn, New York artist in 1879 20” x 24”. Overall: 24” x 28” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: In good restored condition, lined, old restoration masked with varnish 52806-60 (1,000-2,000)

Lot 1124

Lot 1125

1125. JAMES LONG SCUDDER (American, 1836-1881) RUFFED GROUSE WITH CHICKS Oil on canvas Housed in period giltwood frame Inscribed on verso “J. L. Scudder 1879 & 80.” 14” x 20”. Overall: 19-1/2” x 20” Provenance: Private collection of James L. Scudder; by descent in the family; contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good, light craquelure with some minor touchup 52806-25 (1,500-2,000)

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Session 1

1123. ARTHUR FITZWILLIAM TAIT (American, 1819-1905) ROOSTER AND CHICKENS IN BARN INTERIOR Oil on panel Housed in a vintage gold finish wood frame Signed and dated lower right “A.F.Tait N.A. N.Y. 83” 9-3/4” x 12-1/4”. Overall” 12-1/2” x 15” Condition: Beveled panel is warped, tiny craquelure upper left 52931-1 (5,000-7,000)

Session 1

1126. ENGLISH SCHOOL (early 19th century) PHEASANT IN FLIGHT Oil on canvas Housed in a walnut frame, canvas stenciled on verso “Prepared by Roberson & Miller, London” Indiscernible inscription on stretcher 10” x 12”. Overall: 13-1/2” x 15-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Discolored varnish, stretcher marks and craquelure, losses along bottom edge, several small areas of touch-up 52806-113 (300-500)

Lot 1126

1127.

AMERICAN SCHOOL (early-20th century) “CAMPING OUT” AFTER CURRIER & IVES Oil on canvas Housed in a modern wood frame Unsigned 23-1/4” x 31-1/4”. Overall: 31” x 39” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Good with small area of discoloration lower right 52806-58 (2,000-4,000)

Lot 1127

1128. AMERICAN SCHOOL (19th century) NAIVE SPORTING SCENE OF DUCK HUNTERS BY A RIVER Oil on canvas Housed in a period giltwood frame Unsigned 22” x 36”. Overall: 27” x 41” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Frame has gilt losses and over-paint; painting has scattered re-touch mostly in upper right sky along edges 52806-62 (1,000-2,000)

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Lot 1129

1130.

GEORGE (SMITH) ARMFIELD (English, 1808-1893) TWO ENGLISH SETTERS IN MEADOW Oil on canvas Housed in a period giltwood frame with artist name engraved on liner Signed lower right “G Armfield” One of the finest examples of this artist’s works that we have handled 12” x 16”. Overall: 20-1/2” x 24-1/2” Condition: Good with small patch upper center on verso corresponding to re-touch, older restoration in sky and lower right foreground 52820-1 (4,000-6,000)

Lot 1130

1131. AMERICAN SCHOOL (late-19th century) NAIVE PAINTING OF TWO FOX HUNTERS AFTER THE KILL Oil on board Housed in a burlwood frame Unsigned 12” x 18-1/2”. Overall: 15-1/2” x 22-3/4” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Surface grime with discolored varnish 52806181 (600-900)

Lot 1131 69

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Session 1

1129. AMERICAN SCHOOL (Early-20th century) HUNTING SCENE WITH SPANIEL AND QUAIL Oil on canvas Housed in a moulded and bronze painted wood frame Bears inscription lower right “A.F.T” 22” x 36”. Overall: 29” x 43” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Surface grime, discolored varnish, cracks to paint surface in dog’s head and birch tree 52806-168 (800-1,200)

Session 1

1132. JOHN TERELAK (American, 1942-) HUNTER IN MARSH Oil on board Housed in contemporary giltwood frame Signed and dated lower right “JC Terelak (c) 79” 12” x 16”. Overall: 19” x 22-3/4” Condition: Very good 52736-9 (1,000-1,500)

Lot 1132 1133.

CONTINENTAL SCHOOL (19th century) TWO STILL LIFES OF HANGING GAME Oils on canvas Housed in matching giltwood frames Signed illegibly lower right “CGA...fecit” 21” x 17”. Overall: 27” x 23” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Both have surface grime, discolored varnish, stretcher marks and craquelure; 1) single bird has restoration lower right, 2) group of birds have restoration upper right 52806-47 (1,000-2,000)

Lot 1133

1134. HARRY CURIEUX ADAMSON (American, 1916-2012) “HONKERS IN LASSEN COUNTY” Oil on canvas Housed in a vintage ebonized wood frame Signed lower right “Harry Curieux Adamson”, titled on artists label affixed to stretcher 22” x 34”. Overall: 30-1/2” x 42” Condition: Minor stretcher marks and craquelure, otherwise very good 52880-5 (6,000-9,000)

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Lot 1135 1136.

H BOYLSTON DUMMER (American, 1878-1945) ILLUSTRATION OF A DOE AND BUCK IN A FOREST Charcoal, ink and gouache Housed in a vintage wood frame matted under glass Signed and dated lower left “H. Dummer. ‘05.” 17-1/4” x 12-1/4”. Overall: 29” x 24” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Very good, not examined out of frame 52806-172 (300-500)

Lot 1136 1137. BILL MCPHERSON (20th century) PORTRAIT OF A SPANIEL Pastel on paper Housed in a barn board style frame matted under glass Signed and dated lower right “Bill McPherson-1923-” 13” x 10-1/2”. Overall: 24” x 20-3/4” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good, not examined out of frame 52806-128 (300-500)

Lot 1137 1138.

MICHAEL LYNE (American/British, 1912-1989) HOUNDS ON THE SCENT Watercolor Housed in a modern wood frame with double mats Signed lower right “Michael Lyne 1956” Sight 15-3/4” x 21-1/2”. Overall 27” x 32” Condition: Very good 52984-1 (1,000-1,500)

Lot 1138 71

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Session 1

1135. DANIEL LOGE (American, 1954-) CANADA GEESE Oil on canvas Housed in a contemporary gold frame with linen liner Signed lower left “Daniel Loge” 13-1/2” x 27-1/4”. Overall: 19-1/2” x 33-1/4” Condition: Very good 52897-1 (800-1,200)

Session 1

1139. PHILIP RUSSELL GOODWIN (American, 1881- 1935) THE CONFRONTATION Watercolor and pencil on paper Housed in a vintage black painted wood frame with gilt mat under glass Signed lower left “Philip R. Goodwin.”, bears inscription on verso “Philip R. Goodwin...gave this original to Dad (Walter L. Morrell) when he was manager of John Poliver Co., Ltd...” 8” x 11-1/2”. Overall: 12-1/4” x 15-3/4” Condition: Good with minor discoloration center, not examined out of frame 52856-1 (2,000-3,000)

Lot 1139 1140.

FRANK CAROLAN O’NEILL (American, first half 20th century) TWO WESTERN ILLUSTRATIVE SCENES Oils on canvas Housed in ebonized wood frames 1) “Thoughts of the Morrow”, signed and dated lower left “Frank Carolan O’Neil, 1915.”, titled and inscribed on verso 2) “The Unexpected”, signed and dated lower left “Frank Carolan O’Neil, 1915.”, titled and inscribed on verso Note: Little is known about this American illustrator. He illustrated for “The Frontier” Magazine in an article titled “The Round-up at Gila Chasm” September 1925 1) 18” x 28”. Overall: 24” x 34”. 2) 18” x 28”. Overall: 24” x 34” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: 1) Overall very good with 1” area restoration lower right and minor surface grime. 2) Good restored condition with scattered re-touch throughout 52806-42 (3,000-5,000)

Lot 1140 1141. GRANT HACKING (American, 1964-) “BULL MOOSE-MT WASHINGTON” Oil on canvas Housed in a vintage gold painted wood frame Signed lower left “Grant Hacking”, titled and inscribed on verso “To the collection of Mark and Karen Collins 2010 (c) Grant Hacking” 30” x 40”. Overall: 34” x 44” Condition: Very good to excellent 52899-13 (3,000-5,000)

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Lot 1142 1143.

ROBERT BATEMAN (Canadian, 1930-) “SIBERIAN DUSK” Mixed Media including oil on board Housed in a wood frame matted under glass Signed and dated lower right “Robert Bateman 1998” 19” x 15-1/2”. Overall: 33” x 29” Condition: Very good, not examined out of frame 52474-2 (6,000-9,000)

Lot 1143 1144. DINO PARAVANO (American, 1935-) “BENGAL TIGER” Oil on canvas Housed in a barn board style frame Signed and dated lower left “Dino Paravano 1995”, titled on label from Jackson Hole Art Auction affixed to frame on verso 24” x 36”. Overall: 33” x 45” Condition: Very good to excellent 52474-1 (2,000-4,000)

Lot 1144 73

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Session 1

1142. GRANT HACKING (American, 1964-) “ON THE VERGE” AND “CLIFF DWELLERS” 1) “On the Verge, Mountain Goats”, oil on canvas, housed in a contemporary giltwood frame, signed lower left “Grant Hacking”, titled and inscribed on verso “Thanks to Greg Beecham (c) 2010 Grant Hacking”, 2) “Cliff Dwellers”, oil on canvas, housed in a barn board style frame, signed lower left “Grant Hacking”, titled, signed and dated on verso “(c) 2008 Grant Hacking” 1) 24” x 30”. Overall: 31” x 37”, 2) 24” x 30”. Overall: 31” x 37-1/2” Condition: Both, very good to excellent 52899-12 (3,000-5,000)

Session 1

1145. AMERICAN SCHOOL (20th century) NAIVE PAINTING OF TWO MEN IN A CANOE Oil on canvas Housed in a maple frame Unsigned 18” x 24”. Overall: 22” x 26-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Surface grime, craquelure, flake losses, water staining and patches on verso 52806-163 (300-500)

Lot 1145 1146.

PHILLIP H RIDEOUT (British, Circa 1860-1920) TWO WORKS: HUNTING SCENES Oil on paper Housed in matching gilt period frames One signed “P. Rideout 1898”, the other “P. Rideout” both bottom right 1) 7” x 13-1/2”. 13-1/2” x 20”. 2) 8” x 12”. Overall 14” x 18” Provenance: From a Woodstock, VT collection Condition: Example with fence has inpainting in sky, some light corner wrinkles, otherwise good 52950-3 (1,500-2,500)

Lot 1146 1147. JOHN SANDERSON-WELLS (British, 1872-1955) TWO WORKS: HUNT SCENES Oil on wood panel Housed in matching gesso decorated gold frames Signed lower left and lower right “JS Sanderson Wells” 1) 9-1/2” x 13-1/2”. Overall 16” x 20”. 2) 9” x 13”. Overall 15-1/4” x 191/4” Provenance: From a Woodstock, VT collection Condition: Very good 52950-1 (2,000-3,000)

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FRANK WESTON BENSON (American, 1862-1951) THREE FRAMED SPORTING ETCHINGS. Housed in matching black frames matted under glass. All three signed lower left “Frank W. Benson.” 1) “River Drifters”, inscribed lower right “1st Proof ”, 1914, Paff 36, 2) “Frightened Ducks”, numbered lower right “150”, 1915, Ordemann Lot 1148 53, 3) “The Start”, 1922, Paff 211, from an edition of 1/50. 1) 8-7/8” x 7”. Overall: 17” x 15”, 2) 4-7/8” x 5-3/4”. Overall: 12” x 13-7/8”, 3) 4-7/8” x 3-3/4”. Overall: 13-1/4” x 11-3/4”. Condition: All three not examined out of frame; 1) minor light staining in margins, 2) good, 3) paper has toning, impression 52880-3 (1,500-2,500) 1149. AMERICAN SCHOOL (20th century) THREE FRAMED SPORTING PRINTS 1) Joseph Knapp (American, 1875-1962), “River Marshes - Black Ducks”, drypoint, housed in vintage frame under glass, signed lower right “J.D. Knapp”, 2) Roland Clark (American, 18741957), “The Blind”, etching, housed in a black frame under glass, signed lower right “Roland Clark”, bears Schwartz Galleries Fine Art, New York label on verso, 3) Walter Bohl (American, 1907-1990), “Alarmed”, etching, housed in a simple wood frame under glass, signed lower right “Walter E. Bohl”, titled lower left and numbered “27/75”, bears F. H. Bresler Co label on verso. 1) 9-3/4” x 11-3/4”. Overall: 15-3/4” x 20-1/2”, 2) 8-1/4” x 11-3/4”. Overall: 15-3/4” x 18-3/4”, 3) 8-3/4” x 6-7/8”. Overall: 16-1/4” x 13-1/2”. Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. Condition: Not examined out of frame. 1) Several spots of discoloration, 2) minor discoloration, 3) good with minor mat burn 52806222 (200-300)

Lot 1149 1150.

WILLIAM SCHALDACH (American, 1896-1982) TWO SPORTING PRINTS Drypoints Housed in curly maple frames matted under glass 1) “Setters and Birches”, signed lower right “W.J. Schaldach”, 1930, from an edition of 50 2) “Spring Spaniel and Woodcock”, signed lower right “W.J. Schaldach”, 1930, from an edition of 50 1) 11-3/4” x 9-1/2”. Overall: 19” x 16-1/4”, 2) 7-5/8” x 10-3/4”. Overall: 15-1/2” x 18” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Both prints in very good condition, not examined out of frames; both have minor soiling on mats 52806-220 (300-500)

Lot 1150 75

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Session 1

1148.

Session 1

1151. NORMAN WILKINSON (English, 1878-1971) TWO FRAMED SPORTING ETCHINGS 1) “Salmon Fishing, Nepisiguit River”, signed in plate lower left and in pencil lower right “Norman Wilkinson”, titled on F. H. Bresler Co label affixed to verso 2) “Netting the Catch”, initialed in plate lower right “NW” and signed in pencil “Norman Wilkinson”, bears the Pernell Galleries label on verso 1) 8-3/4” x 11-3/4”. Overall: 15-3/4” x 18-3/4”, 2) 8-3/4” x 11-3/4”. Overall: 16-3/8” x 19-1/2” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Both not examined out of frame; 1) Discoloration to mat, print appears to be in good condition, 2) Foxing on mat, print appears to be in good condition 52806221 (200-400)

Lot 1151 1152.

WILLIAM R. DAVIS (American, 1952-) “STEADY BREEZE OFF WEST CHOP” Oil on canvas Housed in a modern giltwood frame Signed lower right “William R. Davis”, signed and titled on verso 10” x 20”. Overall: 17-1/4” x 27” Condition: Very good to excellent 52624-13 (4,000-6,000)

Lot 1152 1153. WILLIAM R. DAVIS (American, 1952-) “REFLECTIONS “ Oil on board Housed in a contemporary giltwood frame Signed lower left “W. Davis”, signed, titled and dated on verso “William R. Davis 2015 Reflections” 9” x 12”. Overall: 12-1/2” x 15-1/2” Condition: Very good to excellent. 52962-3 (800-1,200)

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Lot 1154

1155.

WILLIAM R. DAVIS (American, 1952-) “SCHOONER YACHT PASSING LINE FISHERMEN” Oil on panel Housed in an ebonized wood frame Signed lower left “W. Davis”, signed and titled on verso “William R. Davis” 5” x 7”. Overall: 10-1/4” x 12-1/4” Condition: Very good 52899-11 (1,500-2,500)

Lot 1155

1156. STAN STOKES (American, 20th Century) “U.S.S. VANDALIA” AT NEW YORK HARBOR - BROOKLYN BRIDGE Large oil on canvas Housed in a modern antique style gilt frame with gilt wood title and artist plaque Signed lower right “Stokes” Biographical and historical information available 36” x 48”. Overall 42-3/4” x 54-1/2” Condition: Very good to excellent 52919-3 (5,000-10,000)

Lot 1156 77

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Session 1

1154. WILLIAM R. DAVIS (American, 1952-) BECALMED AT SUNRISE Oil on board Housed in contemporary giltwood frame Signed lower right “W. Davis”, signed, dated and titled on verso “William R. Davis 2017 Becalmed at Sunrise” 8” x 13-1/2”. Overall: 13” x 18-1/2” Condition: Very good to excellent 52962-2 (1,500-2,500)

Session 1

1157. STAN STOKES (American, 20th Century) “USS HORNET” PURSUED BY HMS CORNWALLIS Oil on canvas Housed in a modern partial gilt decorative frame Signed lower right “Stokes” Note: Biographical information included with this lot 10-1/2” x 13-1/2”. Overall 15-1/4” x 18-1/4” Condition: Very good to excellent 52919-1 (2,000-4,000)

1158.

Lot 1157

STAN STOKES (American, 20th Century) “BROOKLYN BRIDGE TRAFFIC” Oil on canvas Housed in a gilt molded wood frame Signed lower right “Stokes”, also signed and dated “2009” on reverse Note: Biographical information included with this lot 9” x 12”. Overall 14-1/2” x 17-1/2” Condition: Very good to excellent 52919-2 (1,500-2,000)

Lot 1158

1159. SPECIAL DANA-FARBER CANCER INSTITUTE LOT. This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please note, the hammer price of the lot will be matched dollar for dollar up to a $1,000 match and donated to the Dana-Farber Institute, commonly known as the “Jimmy Fund” locally. Founded in Boston in 1947, DanaFarber Cancer Institute is world-renowned for its leadership in adult and pediatric cancer treatment and research. Your gift provides Dana-Farber with crucial dollars that can be directed where and when they are needed the most. Thank you for your participation. CONDITION: Very good. 51841-5 (300-400)

1160.

WARREN BOUCHER (American, 1922-1999) GRAND BANKS DORY RACING TOWARDS MOTHER SHIP Large oil on Masonite Housed in its original stepped molded wood wide frame with white liner Signed lower left “Warren Boucher” Biographical information available 30-1/2” x 48-1/2”. Overall 37” x 55” Provenance: Sold James D. Julia 8/25/2000, lot #1109, and at that time consigned by the original owner who bought it from the artist, MBNA Corporate Collection Condition: One small scratch is right corner sky, otherwise very good 52919-4 (5,000-10,000) Visit www.jamesdjulia.com for more information

Lot 1160 78

Session 1 1161.

JACK LORIMER GRAY (American, 1927-1981) FISHERMAN AT SEA Oil on board Housed in an walnut frame with white painted liner Signed lower left “J.Gray” 22” x 30”. Overall: 29” x 37” Provenance: Acquired directly from the artist. Condition: Good, with discolored varnish 52942-1 (18,000-25,000)

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Session 1 1162.

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HENRY REDMORE (British, 1820-1887) SHIPS ANCHORED IN CALM WATERS IN EVENING LIGHT Oil on canvas Housed in a fine period giltwood frame Signed and dated lower left “H. Redmore. 1873”, exhibition information provide on an Oscar & Peter Johnson, Ltd., London label affixed to stretcher Exhibited: Lowndes Lodge Gallery, “Henry & E.K. Redmore”, March 1971, No. 20 20” x 44”. Overall: 27” x 51” Provenance: From a prominent Boston family Condition: Very good restored condition, lined with minor re-touch along edges, 4” vertical restoration, left edge 52814-1 (10,000-15,000)

Lot 1163 1164.

PAUL KING (American, 1867-1947) STONY BROOK HARBOR, LONG ISLAND Oil on canvas Housed in a gold painted wood frame Signed lower right “Paul King”, signed and inscribed on verso “Paul King NA. Stony Brook Long Is ny” 32” x 40”. Overall: 36-1/2” x 44-1/2” Condition: Craquelure throughout, scattered restoration in center 52902-9 (4,000-6,000)

Lot 1164

1165. LEENDERT DE KONINGH (Dutch, 1777-1849) TWO WORKS: “WATERING THE FLOCK” AND “THE MARKET CART” Oil on canvases Housed in matching French style fancy gilt frames Signed lower right “L De Koningh”, Each having an export label indicating that they may be a collaboration between “Leemput and De Koningh”, also each having a Vose Galleries Boston label with title and artist numbered 20024 and 20025 19-1/2” x 25-3/4”. Overall 25-1/2” x 31-3/4” Condition: Lined, very good 53020-7 (6,000-8,000)

Lot 1165 81

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Session 1

1163. FRANKLIN DULLIN BRISCOE (American, 1844-1903) “BOATS IN DELAWARE BAY” Oil on canvas Housed in an antique gilt gesso decorated frame with gilt decorated liner having a new gilt artist and title plaque Signed lower left “F.D. Briscoe” with an illegible inscription above, also an old penned label on verso with artist and title 18” x 31-3/4”. Overall: 28” x 42” Condition: Lined, restored with inpainting, very good 53038-2 (2,000-4,000)

Session 1

1166. ITALIAN SCHOOL (19th century) FISHERMEN IN BAY OF NAPLES Gouache on paper Housed in vintage wood frame matted under glass Unsigned, bears “Charles H. Sargent, Boston, Mass” label on verso 11” x 15-3/4”. Overall: 18-3/4” x 23-1/2” Condition: Good, with round discoloration upper center, not examined out of frame 52885-52 (700-900)

Lot 1166 1167.

ANTONIO DE SIMONE (Italian, 1851-1907) “YACHT NARADA” Gouache on paper Housed in a modern silver molded wood gilt frame with mat behind glass Signed with initial lower right 15-1/4” x 23”. Overall 23-1/2” x 31” Condition: Very good, some light scratches to surface 52885-51 (2,000-4,000)

Lot 1167 1168. ANTONIO DE SIMONE (Italian, 1851-1907) SHIP GUITANO ENTERING HARBOR Gouache on paper Housed in a silver modern gilt molded frame with mat and glass Signed lower right and dated 1881 17-1/2” x 26”. Overall 25-3/4” x 33-1/2” Condition: Vertical dark lines where backboards met in previous framing, otherwise good 52885-50 (2,000-4,000)

Lot 1168 1169.

ATTRIBUTED TO TOMMASO DE SIMONE (Italian, 1805-1888) “BARCO BLONDINA P CAPTN. PAOLO SOICH” Gouache and watercolor on paper Housed in a period brown wood frame with gold painted liner Unsigned, identified in lower margin 18-1/2” x 27-3/4”. Overall: 22-1/2” x 31-1/2” Condition: Stable. Minor water damage to top center. Scattered minor abrasions. Not examined out of frame 52902-7 (1,000-1,200)

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Lot 1170

1171.

MARSHALL JOHNSON JR. (American, 1850-1921) PASSING SHIPS Oil on canvas Housed in its original gilt reeded frame Signed lower left “Marshall Johnson” 24” x 36”. Overall 30-3/4” x 42-3/4” Condition: Lined, scattered in-painting, very good 53002-9 (5,000-7,000)

Lot 1171

1172. MARSHALL JOHNSON JR. (American, 1850-1921) “A CLOSE CALL - SHIP SKYLARK JUST CLEARING DIEGO RAMIREZ OFF CAPE HOPE” Oil on canvas Housed in a modern partial gilt molded wood frame with old title plaque Signed lower left “Marshall Johnson” Note: Information about the Skylark accompanies this lot 24” x 36”. Overall 27-1/4” x 39-1/4” Condition: Craquelure, otherwise very good 53002-10 (5,000-7,000)

Lot 1172 83

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Session 1

1170. ANTOINE ROUX II (French, 1799-1872) ENGLISH FRIGATE IN MARSEILLES HARBOR Watercolor on paper Housed in a burl wood frame matted under glass Sign and dated lower right “Ant Roux Mar 82” 5” x 8”. Overall: 14-1/2” x 18-1/2” Condition: Sheet trimmed, mat burn lines, and several spots of discoloration, faded 52902-6 (800-1,200)

Session 1 1173.

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RALPH EUGENE CAHOON JR. (American, 1910-1982) MERMAIDS AND SAILOR IN A CHINESE LANDSCAPE Oil on Masonite Housed in a period China trade frame with gilt edge Signed lower right “R. Cahoon” 18” x 30-3/4”. Overall: 23” x 36” Condition: Very good 52624-9 (15,000-25,000)

HAYLEY LEVER (American, 1875-1958) PRESIDENTIAL YACHT “MAYFLOWER” Gouache on paper Housed in giltwood frame matted under glass Signed lower right “Hayley Lever” inscribed in pencil upper left “Haley Lever Mayflower”, inscribed on a Clayton-Liberatore Gallery label affixed to verso “This is the original painting for the one in the White House. Painted for President Coolidge by Hayley Lever”. Note: the oil on canvas was presented to President Calvin Coolidge in 1924. The USS Mayflower was a luxurious steam yacht built in 1896 by J. and G. Thompson for millionaire Ogden Goelet. The Mayflower was commissioned in 1905 as a presidential yacht. President Roosevelt introduced the Russian and Japanese Lot 1174 (w/photo) delegations on board to end the Russo-Japanese War for which President Roosevelt won the Nobel Peace Prize. Mayflower served as the Presidential yacht until she was de-commissioned in 1929 Literature: Lowrey, Carol. Haley Lever and the Modern Spirit. New York: Spanierman Gallery, 2010. The presentation of the painting to President Coolidge is illustrated on Hayley Lever, President Coolidge and page 41, Fig 13 in the exhibition catalog Commander Andrews at the White 17-1/2” x 22-1/2”. Overall: 26-1/2” x 31-1/2”. Condition: Very good, not examined out House, ca. 1924 of frame; frame has minor gilt losses 52900-4 (1,500-3,000)

Lot 1175

1176.

1175. GEORGE BUNN (American, fl 1885-1989) BOATS IN STORMY SEA WITH LIGHTHOUSE, NETHERLANDS Oil on canvas Housed in a modern giltwood frame Signed and dated lower right “G.Bunn. 85.” Note: George Bunn was born in Brussels but grew up in the United States. He served during the Civil War, sustaining a head wound that affected him the remainder of his life. In the 1880s he moved to Antwerp while working for a Hartford, CT art dealer where he began to paint the marine views along the coast of the Netherlands in the North Sea. In 1887, his work was exhibited at the National Academy of Design. The lighthouse depicted bears a resemblance to the Lighthouse at North Head, Netherlands 28” x 40”. Overall: 32” x 44-1/2” Condition: Good with minor craquelure and touch-up in mast of larger vessel 52829-30 (2,500-3,500)

JULIAN OLIVER DAVIDSON (American, 1853-1894) “HAVERSTRAW BAY” Oil on canvas Housed in its original magnificent gesso decorated gilt frame Signed lower right “J O Davidson 88”, titled and inscribed on verso canvas “Haverstraw Bay / by J O Davidson / Nyanck / NY / 1888”. Note; Haverstraw bay is on the Hudson river above New York City 12-1/2” x 24-3/4”. Overall 23-1/4” x 34-1/2” Condition: Some old restoration with in-painting, white over painted dot on left hand side, otherwise very good 53017-1 (1,200-1,800)

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Session 1

1174.

Session 1

1177. GEORGE SAVARY WASSON (American, 1855-1932) SCHOONER ‘POLLY’ BEACHED AT FORT MCCLARY Oil on canvas Housed in a vintage white and gold painted frame Signed “G.S. Wasson.”, history inscribed on verso stretcher and frame Note: “Polly”, built in 1804 at Amesbury, MA, was the oldest coaster afloat at the time of her running ashore in 1891 at Fort McClary, Kittery Point, ME. She was a privateer in the War of 1812 and captured several prizes 8” x 12”. Overall: 11” x 15” Provenance: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Condition: Good with 1/2” restoration upper left sky and minor touch-up 52714-46 (2,000-4,000)

Lot 1177

1178.

TOM BOND (American, 20th century) PULLING IN THE NETS Watercolor on paper Housed in a contemporary silver painted wood frame matted under glass Signed and dated lower left “Tom Bond 1988” 21” x 29”. Overall: 31” x 39” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Good with discoloration on mat and lower right corner of painting 52806-12 (1,000-2,000)

Lot 1178

1179. SIGNED INDISTINCTLY (British/French, early 20th century) COASTAL SAILING oil on canvas board Housed in a fine gilt antique frame with gild liner and glass Signed lower right 10” x 14”. Overall 17-1/2” x 21-1/2” Condition: Very good 53002-7 (700-900)

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Lot 1180 1181. DODGE MACKNIGHT (American, 1860-1950) INTERIOR Watercolor Housed in its original light stained molded wood frame with mat behind glass Signed lower right “Dodge Macknight” within a circle, on verso are three labels; 1) Museum of Fina Arts, Boston Massachusetts special loan exhibition of Dodge Macknight memorial exhibition with title, artist and owner (Mrs. Robert J. Clark of Boston Mass). 2) Doll & Richards, Inc. Boston, Mass indicating an exhibition March 19-31, 1897 and coming from the collection of Desmond Fitzgerald & Mrs. Robert J. Clark. 3) A typed label describing the painting which was taken from the Memorial Exhibition as follows: “Interior with three large red pottery jars on a low, tiled shelf. Below them large Lot 1181 decorated plates and jugs; above two shelves of jugs, and hanging on the wall many other dishes. A woman knitting, seated right... Purchased from Harriott Fitzgerald Clark in May 1953 by Susan Delano McKelvey presented to Mr. and Mrs. Walter Muir Whitehill in May 1956 by Susan Delano McKelvey.” Sight: 15” x 21-13/4”. Overall: 27-1/2” x 33-1/2” Condition: Very good 52987-18 (5,500-7,500)

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Session 1

1180. JOSEPH MCGURL (American, 1958-) “TWO SWIMMERS AT PIER” Oil on board Housed in a modern gilt and ebonized wood frame Signed lower right with initials “J.M.”, inscribed and dated on verso “Joseph McGurl 2017” 5” x 7”. Overall: 10-1/2” x 12-1/2” Condition: Excellent 52736-1 (1,000-2,000)

Session 1

1182. MAURICE L. FREEDMAN (American, 1904-1985) WAVES AT SQUEEKER COVE, MONHEGAN Oil on canvas Housed in a gilt edge wood frame with linen mat retaining a Midtown Galleries label on verso Signed lower left “Maurice Freedman” 30” x 34”. Overall: 34-1/2” x 381/2” Condition: Very good, small pencil point push in rock with light scratch 53018-1 (6,000-9,000)

Lot 1182

1183.

MAURICE L. FREEDMAN (American, 1904-1985) “AUTUMN REPAST” Oil on canvas Housed in its original weathered wood frame with linen liner Signed lower left “Maurice Friedman” and dated “59”, on verso of frame framing instructions from Kraushaar Galleries 16” x 30”. Overall: 22-1/2” x 36-1/2” Condition: Very good 52781-7 (3,000-5,000)

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Lot 1184

1185.

VACLAV VYTLACIL (American, 1892-1984) “FISH” Gouache on paper Housed in a simple wood frame matted under glass Signed and dated lower right “Vytlacil ‘48”, signed and titled on verso 14-1/2” x 15-1/4”. Overall: 24” x 25” Condition: Very good, paper laid down on illustration board 52877-2 (3,000-5,000)

Lot 1185

1186. WALT KUHN (American, 1877-1949) TWO NUDE STUDIES Ink on paper Unframed 1) Front Reclining Nude, signed and dated lower right “Walt Kuhn 1930”, 2) Reclining Nude Back, signed and dated right center “Walt Kuhn 1935” 6” x 11”. Overall: 11-1/4” x 16” Condition: Very good, shrink wrapped, not examined out of wrap 52967-4 (800-1,200)

Lot 1186 89

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Session 1

1184. CLEVE (GINSBURG) GRAY (American, 1918-2004) ABSTRACT IN GREEN AND GREY Gouache on D’Arches paper Housed in a chrome frame matted under glass Signed and dated lower right “Gray-’60”, bears Baltimore Museum of Art rental collection label on verso, Staempfli Gallery, Inc., New York inventory label “C-803” and Kulicke Frames label 22-1/4” x 30”. Overall: 30-1/4” x 38” Condition: Mat has staining, however work is float mounted with deckle edges visible mounted on four corners, appears to be in very good condition, not examined out of frame 52850-1 (800-1,200)

Session 1

1187. WALT KUHN (American, 1877-1949) WOMAN WITH PLUMED HEADDRESS Gouache on paper Unframed Signed and dated lower right “Walt Kuhn 1939” 16-1/4” x 11”. Overall: 20” x 16” Condition: Good with small chip to bottom edge, two 1/2” tears along top, crease lower left, bottom two corners taped to mat 52967-2 (7,000-10,000)

Lot 1187 1188.

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WALT KUHN (American, 1877-1949) PINK ACROBAT Gouache on paper Unframed Signed lower right “Walt Kuhn 1937” 14-3/4” x 10”. Overall: 20” x 16” Condition: Very good, hinged at top 52967-3 (5,500-7,500)

1189. WALT KUHN Lot 1188 (American, 1877-1949) THE BAND LEADER Gouache on paper Unframed Signed and dated lower right “Walt Kuhn 1940” 13-1/2” x 11”. Overall: 20” x 16” Condition: Very good with area of artist rework along face profile. Bottom corners taped to mat 52967-1 (4,000-6,000)

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1190.

MORRIS GRAVES (American, 1910-2001) “WAR MADDENED BIRD FOLLOWING ST ELMO’S FIRE” Tempera on paper Housed in a modern giltwood frame under glass Signed and dated lower right “M Graves 44”, bears multiple exhibition labels on verso Exhibited: M. H. DeYoung Memorial Museum “Morris Graves”, No. 3; The Phillips Collection, Washington, DC “Morris Graves: Vision of the Inner Eye”, April 9-May 29, 1983, Item 31C; Phillips Collection exhibition traveled to: Greenville County Museum of Art, South Carolina, July 1-August 28, 1983; Whitney Museum of American Art, September 14-November 27, 1983; Oakland Museum of Art, January 18-March 25, 1984; and the Seattle Art Museum April 19-July 8, 1984 24-1/2” x 59”. Overall: 26-1/2” x 61” Provenance: From a coastal Maine collection Condition: Very good 52553-3 (20,000-40,000)

Session 1

1191. MORRIS GRAVES (American, 1910-2001) “YOUNG OWL” Ink on paper Housed in a modern wood frame matted under glass Signed and dated lower right “Graves ‘57”, titled on Willard Gallery, New York label and exhibition label affixed to verso Exhibited: The American Federation of Arts, “The Drawings of Morris Graves”, September 1975-September 1976, Cat. No. 46 17-1/2” x 17-1/4”. Overall: 25-1/2” x 25-1/2” Provenance: From a coastal Maine collection Condition: Horizontal crease upper center, otherwise good, not examined out of frame 52553-2 (4,000-6,000)

Lot 1191

1192.

MORRIS GRAVES (American, 1910-2001) ABSTRACT BIRD IN BRUSH Charcoal on paper Housed in modern giltwood frame matted under glass Signed lower right “Graves” 22-1/2” x 9-1/2”. Overall: 31” x 38” Provenance: From a coastal Maine collection Condition: Bands of discoloration, small scattered paint splatter and 1/2” tear lower left, not examined out of frame 52553-4 (3,000-5,000)

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Session 1 1193.

NICOLAI FECHIN (Russian/American, 1881-1955) YOUNG GIRL Charcoal on brown paper with white gouache accents Housed in a modern giltwood frame matted under glass Signed with initials lower right “N.F.” 14-1/4” x 12”. Overall: 24” x 21-1/2” Provenance: Altermann Galleries lot 39, June 16, 2007 Condition: Paper has overall age toning, not examined out of frame 52399-7 (10,000-15,000)

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Session 1 1194.

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FERNANDO BOTERO (Colombian/American, 1932-) “A LAWYER” Pencil, watercolor and pastel on canvas Housed in a contemporary giltwood frame matted under glass Signed and dated lower right “Botero 98” Literature: Full page illustration in Fumaroli, Marc. “Botero Drawings”, Bogota, Columbia: Benjamin Villegas, 1999 48-1/2” x 40”. Overall: 60-1/2” x 52-1/2” Provenance: From a coastal Maine collection Condition: Very good, not examined out of frame 52553-1 (125,000-175,000) 94

Session 1 1195.

WILLEM DE KOONING (American/Dutch, 1904-1997) NUDES Pen and ink Unframed Signed lower right “de Kooning”, also inscribed in pencil on verso “#10-1934” Note: Accompanying this lot is a xerox copy of a Hanzel Galleries Inc, Chicago IL. invoice, with this drawing included. Also a xerox copy of a Xavier Fourcade Inc, New York list including #10 as a pen and ink on paper, watermark, nudes 1934. The paper indicates provenance as the collection of Elaine de Kooning 10-3/4” x 8-1/4” Condition: Unmounted having four white folded over tab pieces to back, paper toned with some black background rubbing 52910-1 (20,000-40,000) 95

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Session 1

1196. WILLIAM MEYEROWITZ (American, 1887-1981) MUSICAL QUINTET Oil on canvas Housed in a modern giltwood frame with linen liner Signed lower right “Wm Meyerowitz” 17” x 34”. Overall: 22” x 39” Condition: Very good with several tiny pinholes 52829-29 (3,000-5,000)

Lot 1196 1197.

JACK LEVIER (American, 1920-2003) GIRL WITH FLOWERS Watercolor on paper Housed in a black frame with mat, no glass Signed lower right “Levier” 20-1/2” x 14-1/4”. Overall: 281/4” x 22-1/4” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. Condition: Very good 52806170 (800-1,200) 1198. NO LOT

Lot 1197 1199. ALLAN CLARK (American, 1896-1950) “CHARMION” Bronze Mounted on a rouge marble base Signed “A Clark”, inscribed “R.B.W.” (Roman Bronze Works Foundry) 14-1/4” h. Overall: 16” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good with golden/reddish patina 52806-105 (6,000-8,000)

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Session 1 Lot 1200 (w/close-up) 1200.

MAURICE PROST (French, 1894-1967) FIGURE OF A PANTHER Bronze and marble Signed on the side of the marble base “M. Prost”, also “Susse Fres / Edit RS Paris” 14-1/2” l x 7-1/2” t Provenance: From an Unreserved Chicago collection Condition: Some rubs and light scratches to bronze, small roughness to edges of marble 53058-1 (4,000-6,000)

1201. RUFINO TAMAYO (Mexican/American, 1899-1991) “CABEZA EN OCRE” Etching on embossed Guarro paper Housed in a white stucco frame with metal liner under glass Signed lower right “R Tamayo” and numbered lower left “P de A x/x” Note: From the series “Rufino Tamayo 16 etchings 1976”. Edited for Edicionies Poligrafa, Barcelona. Edition consisted of 75 numbered 1-75, with 10 additional impressions numbered “P de A”, 10 numbered “HC” 1-10, and 5 unnumbered Literature: Pereda, Juan Carolos, “Rafino Tamayo Catalogue Raisonne Grafica Prints 1925-1991”, Mexico: Fundacion Olga y Rufino Tamayo, 2004, illustrated No. 200 on pg 169 29” x 22”. Overall: 37-1/2” x 30-1/2” Provenance: From a coastal Maine collection Condition: Very good, not examined out of frame 52553-8 (3,000-5,000)

Lot 1201 97

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Session 1

1202. SALVADOR DALI (Spanish, 1904-1989) BULLFIGHT NO. 1 Color lithograph on cream wove paper Unframed Signed in pencil lower right “Dali”, numbered lower left “261/300”, stamped “(c) sidney-zlucas”, published by Sidney Z. Lucas Paris, 1965. Michler/Lopsinger 1153 Full margins: 21-3/4” x 26-3/4” Condition: Very good 52909-1 (3,000-5,000)

Lot 1202 1203.

SALVADOR DALI (Spanish, 1904-1989) COTE D’AZUR Etching with stenciled color Housed in a gold tone metal frame matted under glass Signed lower right “Dali”, numbered lower left “3/200” 1974, Field 73/5 M/L719 19-5/8” x 14-1/4”. Overall: 31” x 25” Condition: Good, with minor mat burn and water staining to front mat lower left and backing board, not examined out of frame 52851-6 (500-700)

Lot 1203 1204. HENRI MATISSE (French, 1869-1954) RECLINING FIGURE IN INTERIOR Etching Housed in a simple giltwood frame matted under glass Signed and numbered in pencil lower right “Henri Matisse 22/25”, collector’s label affixed to verso “John A. Torson, New York”, also bears label fragment from Art Lending Service, The Museum of Modern Art, Loan # LS656-117 Literature: Duthuit, Claude, Henri Matisse Catalogue Raisonno, Paris, 1983, #180, circa 1929 3-1/2” x 4-3/4”. Overall: 14-1/2” x 15-1/2” Provenance: From a coastal Maine collection Condition: Discoloration in margins upper right, mat burn visible, not examined out of frame 52553-9 (3,000-5,000)

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HENRI MATISSE (French, 1869-1954) “VERVE: THE LAST WORKS OF HENRI MATISSE” Approximately 29 color lithographs as well as black and white lithographs bound in original Verve Summer orange hardcover binding with dust jacket designed by the artist with texts by Pierre Reverdy and Georges Duthuit. New York: Harcourt, Brace and Company, 1958. Note: The book was conceived by the artist as a dedication to the last works he created from 1950-1954. Before his death in 1954, Matisse forbade the reproduction of his recent works. It was his wish that all of the works of this period appear in one volume after his death. The forward of the books states “A volume that could stand as the comprehensive manifestation of this period.” This book is not just another art book, it is Lot 1205 considered Matisse’s final work. Matisse not only designed the cover, he also supervised the printing of the first lithographic plates in 1954. The body of work was published in two editions. First in French number 35/36 of Verve printed by Mourlot Freres, then this American edition in 1958 by Harcourt, Brace and Company in New York 14-3/8” x 10-3/4” Condition: Minor tears to dust jacket. Pages and plates in very good condition 52968-4 (2,000-4,000) 1206. CAMILLE PISSARRO (French, 1830-1903) “PAYSANNES A L’HERBE” Color etching and aquatint Housed in a modern giltwood frame matted under glass Unsigned, inscribed lower left “ep a’etat 1107”, titled lower center Conceived 1894 (date of impression unknown), Delteil, 111 4-3/4” x 6-1/4”. Overall: 17” x 17-3/8” Condition: Very good, not examined out of frame 52851-1 (5,000-7,000)

1207.

Lot 1206

JOSEF ALBERS (American, 1888-1976) HOMAGE TO THE SQUARE Silkscreen in yellow, orange and red Housed in a modern chrome frame, matted under glass Signed with initial and dated lower right in pencil “A 64”, circa 1964, numbered lower left “116/125”, from an edition of 125. Gallerie 99, Bay Harbor Island, FL affixed to verso 11” x 11”. Overall: 21-1/4” x 21-1/4” Condition: Very good, not examined out of frame 52853-1 (1,500-2,500) 99

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Session 1

1205.

Session 1

1208. THOMAS HART BENTON (American, 1889-1975) PRODIGAL SON Lithograph on paper Housed in a modern metal frame with glass Signed in pencil bottom right, the original Associated American Artist label attached to verso Sight 10-3/4” x 13-3/4”. Overall 16” x 20” Condition: When examined out of frame, the print has been taped down to the mat, but appears to be un-glued, very good 52980-1 (2,000-4,000)

Lot 1208 1209.

ALFRED HUTTY (American, 1877-1954) “VEGETABLES” Drypoint Housed in a black frame, matted under glass Signed lower right “Alfred Hutty” and titled lower left “Vegetables” 13” x 13”. Overall: 15-3/4” x 17-1/2” Condition: Mat burn and some age toning overall, small crease lower center, laid down to mat, where the margins are glued to the mat there is some wrinkling. Examined out of frame 529591 (1,500-2,000)

Lot 1209 1210. CLARE LEIGHTON (American, 1898-1989) FOUR WOOD ENGRAVINGS Unframed. All signed lower right “Clare Leighton”. 1) “Chair Badgers”, titled and numbered lower left “30/60”, 1936. 2) “Washing Clothes, Corsica”, titled and numbered lower left “19/60”. 3) “Breaking Camp”, titled and numbered lower left “88/100”, 1931. 4) “Net Menders”, titled and numbered lower left “XII/XX”. 1) 6-3/4” x 4-3/4”. 2) 8-1/2” x 10”. 3) 9” x 13”. 4) 6” x 7-1/2”. Overall: 16” x 20”. Provenance: Childs Gallery, Boston. Condition: Good, all four matted and shrink wrapped. 2 & 4) Minor spotting in margins. 52968-8 (2,000-3,000)

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1212.

LEONARD BASKIN (American, 1922-2000) TWO LITHOGRAPHS Both housed in ebonized wood frames under glass Each signed lower right “Baskin” 1) “Short Bull Sioux”, numbered lower left “3/85”, dated in plate “1972”, 2) “Quanah Parker Comanche”, numbered lower left “26/100”, titled and dated in plate “1974” 1) 29” x 28”. Overall: 34” x 32”, 2) 41” x 29. Overall: 45-1/2” x 33-1/2” Condition: Both sheets are fully visible, not examined out of frames. 1) Paper buckling, sheet affixed to backing at several spots, with discoloration, 2) Sheet affixed to backing at several spots, with buckling and discoloration, several vertical bands along top 52885-49 (800-1,200)

Session 1

1211.

Lot 1211

BARRY MOSER (American, 1940-) ALICE’S ADVENTURES IN WONDERLANDCRACKED PLATE EDITION Pennyroyal Press Sesquicentennial Edition of Lewis Carroll’s classic Alice’s Adventures in Wonderland Illustrated by Barry Moser. Limited edition, artist signed and numbered 332/350 on endpage. Volume three-quarter bound in purple leather with marbled boards. Including the original partial leather hardbound flip top case with portfolio containing an additional 74 artist signed original black and white wood engravings, with a letter from the artist explaining the cracked plate edition. West Hatfield, MA: Harold McGrath, Pennyroyal Press, 1982 Sheets: 16-3/4” x 11”. Boxed: 17-1/2” x 11-3/4” Condition: Book and portfolio of broken plates are in very good condition. Hardcover box has some staining and discoloration on each end 52968-2 (1,500-2,000)

Lot 1212 (selection of pages) 101

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1213.

Session 1

AMERICAN SCHOOL (20th century) COLLECTION OF EIGHT AFRICAN AMERICAN THEMED PRINTS BY VARIOUS ARTISTS. All unframed. 1) Howard Cook (1901-1980) “Cumberland Girl”, lithograph, signed lower right. 2) Irwin Hoffman (1901-1989) “El Jibaro”, etching, signed lower right and titled lower left, Associated American Artists edition, 1940. 3) Meyer Wolfe (1897-1985) “Red Eye’s Hall”, lithograph, signed and dated lower right, titled and numbered lower left “3/25”, 1934. 4) Nicki Wolfe (20th century) “Gratefully”, lithograph, signed and dated lower right, 1935, numbered lower left “ed. 25”. Lot 1213 Lynd Ward (1905-1985) Four Wood engravings, to include 5) “Song without Words”, signed and dated lower right “1936”. 6) “Vertigo”, signed and dated lower right “1937”. 7) Man with Telescope, signed lower right, 1930. 8) “Giant”, signed lower right and titled lower left. 1) 11-5/8” x 8-1/4”. 2) 12” x 9-1/4”. 3) 14” x 11”. 4) 12-3/4” x 9-3/4”. 5) 5-1/2” x 3-3/4”. 6) 5” x 3-3/8”. 7) 3-3/4” x 3-3/4”. 8) 16” x 5-1/2”. Provenance: 1) Mary Ryan Gallery, New York. 3) Jane Haslem Gallery, Washington, DC. 5-8) Werninger Graphics. Condition: 1 & 2) hinged at top, tape residue. 3) shrink wrapped. 4) loose, discoloration verso. 8) on tissue paper, with folds and discoloration 52968-1 (1,5002,000)

1214. HARRY GOTTLIEB AND HARRY SHOKLER (American, 20th century) TWO PRINTS OF NEW YORK CITY Color screenprints Unframed 1) Harry Gottlieb (1895-1992) “To Liberty”, signed in pencil in plate lower right “Harry Gottlieb”, titled lower center 2) Harry Shokler (1896-1978) “Coney Island”, singed in plate lower left “Harry Shokler” 1) 15-1/4” x 18-3/4”. Sheet: 17-3/4” x 22”. 2) 12-1/2 x 16”. Sheet: 18” x 22”. Largest overall: 23” x 25-3/4” Provenance: Both from Wenniger Graphics Condition: 1) Hinged to back mat, small 1/4” hole in margin upper right, 3” tear radiating from lower edge into image area. 2) Shrink wrapped, minor discoloration along edges in margins 52968-5 (1,400-1,600)

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1216.

Lot 1215

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903) “STREET IN SAVERNE” Etching Housed in a modern black frame with ivory mat behind glass; Armour Gallery label affixed to verso with title & artist, Also indicating this is a “Fifth State of Fifth” Signed in plate in the road “Whistler” Plate: 8” x 6”; Sight: 8-3/4” x 6-3/4”; Overall: 18-3/4” x 14-3/4” Condition: Some toning & foxing primarily seen in the margin, not examined out of frame 52816-1 (500-800)

Lot 1216

1217. REMBRANDT HARMENSZOON VAN RIJN (Dutch, 1606-1669) “PEASANT IN A HIGH CAP” Etching Housed in a modern giltwood frame under glass with linen mat Signed and dated in plate “Rembrandt f 1639” Conceived 1639, from collection of F. Gawet (Lugt 1005), Bartsch 133, Hind 164 and Bjorklund-Barnard 39B; only state Bartsch, 133 3-3/8” x 1-7/8”. Overall: 15” x 12-3/4” Condition: Float mounted in frame, affixed to back matting at top two corners, margins trimmed to plate edge, minor discoloration 52851-5 (3,000-5,000)

Lot 1217 103

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Session 1

1215. JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903) “PONTE DEL PIOVAN” Etching Housed in contemporary giltwood frame matted under glass with linen mat Signed in pencil with butterfly monogram on tab, label affixed to verso inscribed “From the Collection of B. B. MacGeorge, Lugt 394 and H.L. Quick, his initials verso”. 1879-1880, Kennedy 209, iii/vi 8-7/8” x 5-7/8”. Overall: 20-1/2” x 16-3/4” Condition: Print has been trimmed to plate mark as in tradition of Whistler, nice toning and good impression, float mounted in frame at four corners 52851-4 (4,000-6,000)

Session 1 1218.

ATTRIBUTED TO ORAZIO GENTILESCHI (Italian, 1562-1647) YOUNG WOMAN WITH A VIOLIN Oil on canvas Housed in an antique gesso decorated gilt frame Unsigned, on verso are several labels including a label stamped “Szepmoveszeti Museum / Biralat” (Museum of fine Arts Budapest, Hungary), four others, two have a round stamp in a foreign language which is illegible Reference: The original version is located at the Detroit Institute of Art under the same title, where they have commented “This image of a young woman playing the violin has traditionally been interpreted as a personification of Saint Cecilia, an early Christian martyr and the patron saint of music, whose presumed body had been exhumed intact in 1599. Orazio may have used his daughter, the painter Artemisia Gentileschi, as a model for the woman, thus adding a note of realism to his representation.” Note: It is known that Orazio Gentileschi used tracings both to replicate compositions and to do variants of them. Although, the quality varied. It is also known that Orazio retained templates of his compositions that he thought he could vary for the market as his work was in high demand. This work that we believe is a painting by Orazio looks to be a replica of his painting Saint Cecelia at the Detroit Institute which appears to be one of his finest works of highest quality. The damage to this composition by poor conservation does not resemble the high quality of the Detroit painting. However there is enough reason to believe that this is a work by the artist 30” x 39-1/4”. Overall 36-1/4” x 45-1/2” Condition: Heavily restored with inpainting, lined, craquelure, good. For those interested parties we can provide studio quality photographs for detailed assessment 52986-1 (30,000-50,000)

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Lot 1219 1220.

MANNER OF JOHN CONSTABLE (English, 1776-1837) VALLEY FARM Oil on canvas Housed in an early 19th century giltwood frame Bears signature lower left “John Constable” Note: “Valley Farm” is a well-known Constable subject 24” x 20”. Overall: 32” x 27” Condition: Yellowed varnish, small area of restoration upper right, scattered retouch, 1/2” retouch lower center, lined 52958-1 (1,000-2,000)

Lot 1220

1221. AFTER GABRIEL METSU (Dutch, 1629-1667) “THE POULTRY SELLER” Oil on tin Housed in an ebonized wood frame with gold liner Unsigned 22-1/2” x 17-1/2”. Overall: 28-1/2” x 23-1/2” Provenance: From a fine New Hampshire home. Condition: Very good 52889-2 (1,000-2,000)

Lot 1221 105

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Session 1

1219. ITALIAN/CONTINENTAL SCHOOL (18th century) STILL LIFE WITH FRUIT AND GOURDS Oil on canvas Housed in a period black painted wood frame Unsigned 28-1/2” x 38-1/2”. Overall: 34-1/2” x 44-1/2” Condition: Good condition with several large restored tears and scattered re-touch in fruit along edges, frame in poor condition with chips, cracks and losses 52829-47 (2,500-4,500)

Session 1

1222. AFTER MARCANTONIO FRANCESCHINI (Italian, 1648-1729) “LOVE CONQUERS ALL” Oil on canvas Housed in an early 20th giltwood frame Unsigned Note: this depiction of Cupid taking aim was originally painted by Franceschini in 1680 and currently resides in the Uffizi Gallery in Florence. This copy was likely painted in the 18th century by a follower of the artist 25-1/2” x 18”. Overall: 31” x 24” Condition: Good restored condition, lined, old restoration visible right center, as well as scattered areas 52874-17 (400-600)

Lot 1222 1223.

ENGLISH SCHOOL (19th Century) MADONNA AND CHILD Oil on canvas Unframed, unsigned 30-1/2” x 30-1/2” Condition: Canvas has been cut down and lined and restretched on original stretchers, surface dirt, losses, and craquelure 52952-2 (500-1,000)

Lot 1223 1224. ITALIAN SCHOOL (17th century) YOUNG MAN IN FEATHERED CAP Red chalk on paper Unframed Unsigned, bears collectors stamps “IR” in rectangle in black ink and a circle in green ink Note: lot is accompanied by a letter from Donald D. Webster of C.G. Sloane & Company, dated February 8, 1979 with provenance and attribution information 7” x 8-1/2” Provenance: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Condition: Trimmed edges with chips to paper, worm holes and staining 52714-185 (300-500)

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106

Lot 1225 1226.

ANGLO-AMERICAN SCHOOL (19th century) YOUNG BOYS AND THEIR DOG Pastel on paper Housed in natural wood frame with linen liner Unsigned 12-1/4” x 10”. Overall: 17-1/2” x 14-3/4” Condition: Stable. Some scratches and pigment displacement. 52895-15 (600-900)

Lot 1226

1227. ENOCH WOOD PERRY (American, 1831-1915) TEENAGE BOY WITH STICKS Oil on canvas Housed in a gilt decorated wood frame Signed lower left “E. Wood Perry N.Y.” 20” x 16”. Overall: 26” x 22” Condition: Good restored condition, lined with old scattered re-touch 52829-21 (1,500-2,500)

Lot 1227 107

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Session 1

1225. ENGLISH SCHOOL (19th/20th Century) PORTRAIT OF TWO CHILDREN Oil on canvas Housed in a vintage carved giltwood frame bearing presentation plaque with attribution to Sir Thomas Lawrence Unsigned 24” x 20”. Overall: 30” x 25-3/4” Condition: Craquelure throughout, lined, discolored varnish, minor touch-up and several small flake losses 52892-1 (2,000-4,000)

Session 1 1228.

JOHN THOMAS PEELE (British/American, 1822-1897) “BREAKFAST” Oil on canvas Housed in a later gesso decorated gilt frame Signed lower right “J. T. Peele 1888”, Note; accompanying the painting is a National Hall of Art certificate of Authenticity dated June 16, 1944. This painting was purchased by Dave Korf, owner of Korf Sixth Avenue clothing store in Kenorsha, Wisconsin, on a buying trip to New York city in 1944 and has remained in the family until 2017. Reference; John Thomas Peele, who was born in Peterborough, England, came to the United States when he was a child, and as a young man. He worked in Albany for two years as a portrait painter, and then in New York where he was elected a member of the National Academy of Design. Returning to London around 1851, he exhibited from 1852 to 1891 at the Royal Academy, British Institution and Society of British Artists, as well as at the Royal Society of Artists in Birmingham and Glasgow Institute of the Fine Arts. He returned to England from 1841-1844 and later in 1851, while still exhibiting in the U.S. He remained in England, becoming active in the Society of British Artists and living on the Isle Of Man from 1858 to 1865. He died in England in 1897. 42” x 32”. Overall 49” x 39-1/2” Condition: Lined, restored with in-painting, very good 52991-1 (7,000-10,000)

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108

Session 1 1229.

ATTRIBUTED TO PAUL EMILE CHABAS (French, 1869-1937)) “HAPPY NEW YEAR” Oil on canvas Housed in a magnificent period floral encrusted gesso decorated giltwood frame Signed lower left “-Chabas-”, titled on presentation plaque “Happy New Year - Chabas”, there is some confusion in that the artist the painting with an “S” that looks like a “D” and the plaque signifies the “S”, but neither indicates the artists first name. Paul Emile Chabas is known to have done formal portraits which this is inline with. 48-1/2” x 33-1/2”. Overall: 61-1/4” x 46” Provenance: From a coastal Maine collection Condition: Very good restored condition with minor areas of touch-up, lined 52553-13 (4,000-6,000)

1230.

NO LOT

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Session 1

1231. MF (American, 19th/20th century) SITTING IN FRONT OF THE FIREPLACE Oil on canvas Housed in a modern silver gilt wide frame with linen liner Initialed lower left “MF” 14-1/4” x 15”. Overall: 21” x 21-3/4” Condition: Lined, restored with inpainting, very good 53020-3 (1,000-1,500)

Lot 1231 1232.

RICHARD JACK (Canadian, 1866-1952) “THE DRAWING ROOM” Oil on canvas Housed in a period paint decorated and giltwood frame Signed and dated lower right “R. Jack 1923”, bears British Empire Exhibition label on stretcher dated 1925” Exhibited: London Royal Academy “The One Hundred Fifty Fifth Summer Exhibition 1923”, May 7-August 11, 1923, No. 237; London “British Empire Exhibition 1925, No. CC.31. Note: The present work may show the work from Jack’s London studio located at 2 Earle’s Court Square (source: Christie’s catalog, 5-23-17, Lot 33) 48” x 36-1/4”. Overall: 58” x 46” Provenance: Sotheby’s, December 17, 1985, Lot 3308; Hancock Gallery, London, 1987; private collection, Washington, D.C.; acquired from above by present owner Condition: Very good condition with minor restoration in her skirt and several areas of touch-up throughout interior 52740-1 (5,000-7,000)

Lot 1232 1233. PAL FRIED (American/Hungarian, 1893-1976) “NANETTE” AT THE MOULIN ROUGE Oil on canvas Housed in a modern giltwood frame Signed lower left “Fried Pal”, titled and numbered on verso “Nanette 19306” with artist copyright stamp 24-3/4” x 30”. Overall: 32” x 38” Condition: Very good with minor surface abrasion lower left 52851-7 (1,000-1,500)

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110

Lot 1234 1235.

LOUIS BETTS (American, 1873-1961) YOUNG GIRL PETTING A WHITE DOG IN THE PARK Oil on canvas Housed in a contemporary giltwood frame Signed and dated lower left “L. Betts ‘96.”, bears O’Brien’s, Chicago label affixed to stretcher inscribed “No. 37...” 16” x 12”. Overall: 21-1/4” x 17-1/4” Provenance: Private New York collection Condition: Overall very good 52954-1 (2,000-4,000)

Lot 1235 1236.

MARGUERITE STUBER PEARSON (American, 1898-1978) YOUNG WOMAN AT PIANO Oil on canvas Housed in its original grey wash frame with gilt highlights Signed lower right “Marguerite S. Pearson (c)”, stamped on verso stretcher “Reproduction rights preserved Marguerite S Pearson” 30” x 36”. Overall: 37” x 43” Condition: Very good 52895-9 (3,500-5,500)

Lot 1236 111

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Session 1

1234. ATTRIBUTED TO WILLIAM KAULA (American, 1871-1953) WOMAN NEXT TO WINDOW WITH FLOWERS Oil on canvas Housed in a partial gilt and black painted frame Retaining a Newcomb/Macklin company label on verso, unsigned 22” x 18”. Overall 26-1/2” x 22-1/2” Condition: Lined, fine craquelure, otherwise very good 52987-15 (1,200-1,800)

Session 1

1237. MARGUERITE STUBER PEARSON (American, 1898-1978) TWO WORKS: “WINTER ROCKPORT” AND “ROSES AND DELPHINIUM” Both oil on board Housed in decorative wood frames Signed lower right and lower left 8” x 10”, 10” x 8”. Overall 12-1/2” x 141/2”, 15” x 13” Condition: Very good 52736-5 (1,000-1,500)

Lot 1237

1238.

LAURA COOMBS HILLS (American, 1859-1952) BLUE AND WHITE DELPHINIUMS IN STONEWARE JAR Pastel Housed in a molded wood frame Unsigned 21-1/2” x 19-1/2”. Overall 23-1/2” x 21-1/2” Condition: Good 52987-1 (1,200-1,800)

Lot 1238 1239. JANE PETERSON (American, 1876-1965) “TULIPS” Oil on canvas Housed in a simple slat wood frame Signed lower right “Jane Peterson.”, titled on several labels affixed to verso, including exhibition label from American Women’s Association, Inc. Exhibited: The American Women’s Association Inc., “Exhibition of Members”, under the title “Flowers”; Studio Guild, Inc., 75th Avenue, New York, Item 9 (no date for either exhibition) 32” x 32”. Overall: 32-1/2” x 32-1/2” Condition: Good, 3” vertical band of restoration lower right, retouched along right edge, very minor craquelure, small area of paint loss in flowers 52781-3 (8,000-12,000)

Lot 1239 Visit www.jamesdjulia.com for more information

112

Lot 1240 1241.

RUSSELL CHENEY (American, 1881-1945) “TULIPS” Oil on canvas Housed in a vintage giltwood frame Signed lower left “Russell Cheney”, bears A. L. Cole Company, Lawrence, Mass label on stretcher and frame 28” x 16”. Overall: 31” x 18-1/2” Condition: Very good 52781-6 (800-1,200)

Lot 1241

1242. BRIAN DAVIES (British, 1942-2014) STILL LIFE WITH OYSTERS, FLAGON AND RHINE WINE Oil on canvas Housed in a partial gilt and veneered frame (losses to veneer) Signed lower right “Brian Davies” 18” h x 22” w. Overall 24” h x 28” w Condition: Very good 52987-3 (1,500-2,000)

Lot 1242 1243.

IDA J. OLNEY (American, 19th century) STILL LIFE OF FRUIT Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Ida J. Olney” 20” x 30”. Overall: 25-1/2” x 34-1/4” Condition: Restored with inpainting, lined, surface grime and craquelure 52895-2 (800-1,200)

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Session 1

1240. ROBERT KULICKE (American, 1921-2007) STILL LIFE OF FLOWERS IN A WHITE VASE Watercolor on paper Housed in a giltwood frame, matted under glass Signed and dated lower center “Kulicke 71”, inscribed on verso “KCB” 4/16/99” 6” x 8”. Overall: 12-1/2” x 15” Provenance: Acquired from the artist by Mr. & Mrs. Herbert Brill, New York; by descent to current owner Condition: Very good, not examined out of frame 52565-2 (1,500-2,000)

Session 1

1244. CHRISTINE MOSHER (American, 20th-21st century) “DIANA” Oil on canvas Housed in a contemporary gold frame. Signed lower left “Christine Mosher” Identified on Rockport Art Association exhibition label verso 16” sq. Overall: 23” sq Condition: Very good. Some losses to frame 52899-8 (1,500-2,500)

Lot 1244 1245.

KARL SCHRAG (American, 1912-1995) “FLOWERBED AND DISTANT WOODS” Gouache Housed in a giltwood frame, linen mat under glass Signed upper left “Karl Schrag”, titled on a Kaushaar Galleries, New York label affixed to verso 37-1/2” x 25-1/2”. Overall: 44” x 32” Condition: Very good, mat has large water stain lower right, not examined out of frame 52781-4 (2,000-3,000)

Lot 1245

1246. EUGENE LOUIS CHARPENTIER (French, 1811-1890) STILL LIFE OF FLOWERS Oil on canvas Housed in an antique gilt gesso decorated frame Signed lower right “E. Charpentier” 22” x 18”. Overall 29” x 25-1/4” Provenance: From a Woodstock, VT collection Condition: Very good, with some inpainting 52950-2 (2,000-3,000)

Lot 1246 Visit www.jamesdjulia.com for more information

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Lot 1247 1248.

AL ALFRED JACKSON (American, 1940-2001) APPLES Oil on canvas Housed in a carved gilt wood frame with linen mat (stained) Signed lower right “Al Jackson” 12” x 24”. Overall 19-1/2” x 31-1/2” Condition: A few small flecks of paint loss, otherwise very good 52987-5 (800-1,200)

Lot 1248

1249. W. CHARLES NOWELL (American, 1966-) “BOSC AND CHERRIES” Oil on board Housed in a contemporary giltwood frame Signed lower right “W. C. Nowell”, inscribed on verso “8-15 Bosc and Cherries” 10” x 8”. Overall: 13-1/4” x 11-1/2” Condition: Very good, with small area of gilt residue left edge 52899-2 (800-1,200)

Lot 1249 115

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Session 1

1247. LEON FOSTER JONES (American, 1871-1940) STILL LIFE OF FISH ON A TABLE WITH BRASS BUCKET Oil on canvas Housed in an ebonized and gilt decorated wood frame Signed and dated lower right “Leon Foster Jones 1913” 16” x 20”. Overall: 21-1/2” x 25-1/2” Condition: Good with several minor pin holes and minor touch-up upper left 52829-65 (2,500-3,500)

Session 1

1250. ROBERT KULICKE (American, 1921-2007) TWO FRUIT STILL LIFES OF PEACHES 1) Oil on paper “For a Peach of a Guy” Housed in a giltwood frame matted under glass Signed and dated lower center “Kulicke 92”, inscribed “For my pal Herb on his 80th”, annotated on border “For a Peach of a Guy on his 80th - Bob” 2) Pastel on paper “Peach” Housed in a giltwood frame matted under glass Signed and dated lower center “Kulicke 77”, inscribed on verso “KCB 4/16/99” 1) 6-3/8” x 9”. Overall: 12-1/2” x 15-1/4”, 2) 4-1/2” x 5-1/4”. Overall: 12” x 12-1/2” Provenance: Acquired from the artist by Mr. & Mrs. Herbert Brill, New York; by descent to current owner Condition: Both not examined outside of frame; 1) Sketch has horizontal band of discoloration in margin, 2) Very good 52565-1 (2,000-3,000)

Lot 1250 1251.

ANDRE GISSON (American/French, 1921 - 2003) MOTHER AND CHILD SWIMMING Oil on canvas Housed in its original French style painted frame Signed lower right “Gisson” 16” x 20”. Overall 23” x 27” Condition: Very good 53002-1 (1,500-2,500)

Lot 1251 1252.

Lot 1252 Visit www.jamesdjulia.com for more information

116

JEAN BAPTISTE ANTOINE GUILLEMET (French, 1843-1918) LANDSCAPE WITH WINDMILL Oil on panel Housed in a modern giltwood frame Signed lower left “A. Guillemet” 6-3/4” x 10-1/4”. Overall: 14-1/2” x 17-3/4” Condition: Minor surface dirt, otherwise very good 52851-3 (2,000-4,000)

Lot 1253 1254.

PAUL LUCIEN MAZE (French, 1887-1979) PICNIC IN THE PARK Pastel on paper Identically housed in partial gilt and painted frames behind glass and decorative mat Signed lower left and right 21-1/2” x 14-1/2”. Overall 29-3/4” x 23” Condition: Good, frames with some losses 52987-12 (1,000-1,500)

Lot 1254 1255. NICOLAI LOUIS CABAT (French, 1812-1893) BARBIZON LANDSCAPE WITH FIGURES BY A RIVER Oil on canvas Housed in an elaborate gilt gesso period frame Signed lower left “N. Cabat” 20” x 28”. Overall: 33-1/2” x 41-1/4” Condition: Good restored condition, minor scattered re-touch, lined, frame has losses to moldings 52929-1 (1,500-2,500)

Lot 1255 1256. JAQUETTES (French School, 19th century) SHEEP ON A SHORELINE PASTURE Oil on canvas Housed in its original gilt frame liner Signed lower left in script “Jaquettes”, also on verso stretcher is a partial label, which is illegible 25-3/4” x 36-1/2”. Overall 27-1/2” x 38” Condition: “L” shaped small tear in path, light scuffing, surface discoloration and grime, light craquelure, otherwise good 52987-8 (1,000-1,500)

Lot 1256 117

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Session 1

1253. PAUL EMILE PISSARRO (French, 1884-1972) “LE BAIN DE SUERE MONTAGNE” Pencil on paper Housed in a modern giltwood frame matted under glass Signed lower left “Paulemile-Pissarro”, titled on Alon Gallery label taped to verso 7-1/2” x 10”. Overall: 19” x 23” Condition: Several small spots of discoloration, otherwise good, not examined out of frame 52851-2 (800-1,200)

Session 1

1257. FREDERICK ARTHUR BRIDGMAN (American, 1847-1928) “THE MEETING PLACE” Oil on canvas Housed in a period giltwood frame Signed and dated lower left “F A Bridgman 1872”, titled on The Edwards Galleries, Scotland label affixed to verso frame, canvas stenciled “G & C 6245” 15” x 18-1/2”. Overall: 26” x 30” Condition: Very good. Great frame 52399-10 (2,500-4,000)

Lot 1257 1258.

ENGLISH SCHOOL (19th century) PASTORAL LANDSCAPE WITH COWS Oil on canvas Housed in a curly maple frame Illegible remnants of old signature lower left 16” x 22”. Overall: 20” x 26” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Restored, lined with scattered restoration and discolored varnish 52806-112 (300-500)

Lot 1258 1259. WILLEM ROELOFS (Dutch, 1822-1897) FIGURES IN A SUNLIT LANDSCAPE Watercolor Housed in a giltwood frame matted under glass Signed and dated lower left “W Roelofs 1880” 13” x 19”. Overall: 21” x 26-3/4” Condition: Good with minor foxing in sky and surface scratches, not examined out of frame 52796-2 (3,000-5,000)

Lot 1259 Visit www.jamesdjulia.com for more information

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Lot 1260

1261.

GUY ARTHUR WIGGINS (American, 1920-) “SUMMER AT THE METROPOLITAN MUSEUM” Oil on canvas Housed in a decorative wood frame Signed lower right “Guy A. Wiggins” also titled and signed on verso of canvas, attached to verso is a 2015 spring auction tag of the Salamagundi Club, New York City 16” x 20”. Overall 21” x 25” Condition: Very good 53015-1 (4,000-6,000)

Lot 1261

Lot 1262

1262. GEORGIE READ BARTON (American, 1902-1994) WINTER LANDSCAPE Oil on canvas Housed in a vintage giltwood frame Signed lower right “Georgie Read Barton” 24” x 30”. Overall: 28-1/2” x 34-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good with minor varnish discoloration, frame has gilt losses and over-paint. 52806-149 (500-800)

119

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Session 1

1260. KEN KNOWLES (American, 1968-) “THE WHITE BRIDGE”, VENICE ITALY Oil on canvas Housed in a modern giltwood frame Signed lower left “Ken Knowles”, titled, signed and dated on verso “The White Bridge”, Venice Italy Ken Knowles 07” 20” x 24”. Overall: 27” x 30-1/2” Condition: Very good to excellent 52386-1 (1,000-1,500)

Session 1

1263. RONAL PARLIN (American, 20th Century) “WHERE HARD AND SOFT MEET” Oil on panel Housed in a contemporary giltwood frame Signed lower left “Ronal Parlin”, signed, titled and dated on verso “Where Hard and Soft Meet oil Ronal Parlin (c) 2000” with inscription “This was painted on location out behind our house on the snowmobile trail. The stonewall separates the hard and soft wood roads.” 24” x 36”. Overall: 32” x 44” Condition: Very good to excellent 52899-3 (2,500-3,500)

Lot 1263

1264.

EARLE A TITUS (American, 1895-1962) “WINTER FANTASY” Oil on canvas laid down on Masonite Housed in a gold painted carved wood frame Signed lower right “E. A. Titus”, inscribed, signed and dated on verso “Waite River, VT ‘Winter Fantasy’ Earle A. Titus 1951” 24” x 32”. Overall: 29-1/2” x 37-1/2” Condition: Discolored varnish 52829-19 (2,000-3,000)

Lot 1264

1265. GENE PELHAM (American, 1909-2004) “WINTER BEAUTY” Oil on board Housed in a white washed wood frame Signed lower right “Gene Pelham”, titled on label from Mary Bryan Memorial Art Gallery, Vermont Artists Show, 1988 exhibition label 20” x 30”. Overall: 25-1/2” x 35-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Discolored varnish overall, and minor surface grime 52806-154 (500-1,000)

Lot 1265 Visit www.jamesdjulia.com for more information

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Lot 1266

1267.

WILLIAM WALTON (American, 1843-1915) COWS AT WATERING HOLE IN A MOUNTAINOUS LANDSCAPE Oil on canvas Housed in a contemporary giltwood frame Signed lower right “W Walton” 30” x 48”. Overall: 34” x 52-1/2” Condition: Good, several patches on verso, discolored varnish, minor surface grime, shrinkage cracks lower right, some touch-up/inpainting in sky 52933-1 (2,000-4,000)

Lot 1267 121

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Session 1

1266. EDMUND TSCHAGGENY (Belgian, 1818-1873) MILKMAID ENTERING A FIELD WITH COWS AND SHEEP Oil on canvas Housed in a substantial period giltwood frame with molded acorn and leaf decoration (missing rear molding upper left & areas of overpaint Signed and dated lower left “Edmond Tschuggeny 1869” 30” x 43-1/2”. Overall: 45” x 59” Condition: Overall very good, craquelure throughout sky, minor canvas buckle upper right and upper left corners 53040-1 (3,000-4,000)

Session 1

1268. MANNER OF WILLIAM H DAVIS (English, 19th century) THE PRIZE BULL Oil on canvas Housed in a curly maple frame with gilt liner Signed with initials lower right “WJS”, stenciled on verso “Geo Rowney & Co”, London, circa 1868-1883 17” x 22”. Overall: 21-1/2” x 27” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good with craquelure and tiny pinholes, minor restoration in sky 52806-148 (800-1,200)

Lot 1268

1269.

AFTER ANTOINE-LOUIS BARYE (French, 1795-1875) TAUREAU Bronze Signed “Barye” 12” h x 16” l Provenance: From a coastal Maine collection Condition: Good, dark brown patina with minor rubbing in places 52553-7 (5,000-8,000)

Lot 1269 (w/close-up) 1270. JULES MOIGNIEZ (French, 1835-1894) TWO WORKS: “POULE DE HOUDAN” AND ANOTHER CHICKEN Bronze Both signed “J Moigniez” 11-1/2” h Condition: Very good, brown patina 53035-1 (500-1,000)

Lot 1270 Visit www.jamesdjulia.com for more information

122

Session 1 1271.

HOWARD TERPNING (American, 1927-) “FACE OF MANY WINTERS” Charcoal on paper Housed in a modern frame matted under glass Signed and dated lower left “Terpning 1984”, signed, titled and inscribed on verso “All reproduction rights to this drawing are retained by the artist”, bears Altermann & Morris Gallery label on verso 19-1/2” x 15-1/2”. Overall: 32-1/2” x 28” Provenance: Coeur D’Alene Art Auction, July 30, 2005, Lot 160 Condition: Very good to excellent, not examined out of frame 52474-4 (15,000-25,000) 123

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Session 1

1272. HARRY BROWN BAKER (American, 1868-1941) THE HARMONICA PLAYER Watercolor and gouache on artist illustration board Housed in a carved wood frame under glass Unsigned 20” x 13-1/2”. Overall: 25” x 19-1/2” Provenance: This came from a large collection bequeathed from the artist to his New Jersey landlord Condition: Staining in margin lower center, not examined out of frame 52884-2 (3,000-5,000)

Lot 1272 1273.

HARRY BROWN BAKER (American, 1868-1941) THE LOOKOUT Gouache on illustration board Housed in a contemporary wood frame matted under glass Unsigned Note: At age 15, Virginia native Harry Baker traveled West and settled in Shawnee, Kansas. Influenced by the success of Frederick Remington, Baker moved to Oklahoma City in the heart of Indian Territory. His work eventually caught the attention of Eastern publishing companies and his career as an illustrator began. After seeking formal art training in Paris, Baker returned in 1906 and became a full-time artist and illustrator of books and magazines. He studied at the New York School of Fine Art as a protégé of Frank Parsons. Baker taught life drawing at the New York School, which later became known as the Parsons School of Design, until his death in 1941. Childless, the contents of his studio were bequeathed to his landlord. 21-1/2” x 14-1/2”. Overall: 32” x 25” Provenance: This came from a large collection bequeathed from the artist to his New Jersey landlord Condition: Very good, not examined out of frame 52884-1 (4,000-6,000)

Lot 1273 Visit www.jamesdjulia.com for more information

124

Lot 1274 1275.

MERRILL MAHAFFEY (American, 1937-) “MORNING IN MARBLE CANYON” Acrylic on canvas Unframed Signed lower right “Merrill Mahaffey”, titled, dated and inscribed on verso “Merrill Mahaffey ‘Morning in Marble Canyon’ acrylics 1997” Note: Illustrated on cover of the Mesa Southwest Museum exhibition catalog included with this lot Exhibited: Mesa Southwest Museum, “Merrill Mahaffey - Water, Grandeur and the American Landscape”, February 7-March 29, 1998 32” x 54” Condition: Very good to excellent 52622-2 (1,500-2,500)

Lot 1275

1276. SHEILA COTTRELL (American, 20th Century) “SCOUTS” Oil on board Housed in a modern giltwood frame Signed lower right “Cottrell” 9” x 12”. Overall: 16-1/4” x 19-1/4” Provenance: Trailside Galleries, Jackson, WY, 2007 Condition: Very good to excellent 52474-3 (1,500-2,500)

Lot 1276 125

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Session 1

1274. ATTRIBUTED TO ELIZA ROSANNA LAMB BARCHUS (American, 1857-1959) NATIVE AMERICAN ENCAMPMENT WITH MT. RAINIER Oil on canvas Housed in a period giltwood frame Unsigned 16” x 20”. Overall: 21-1/2” x 25-3/4” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Very good with craquelure throughout sky, one small chip in water 52806-176 (1,000-2,000)

Session 1

1277. QUINCY TAHOMA (Native American, 1921-1956) “NAVAJO CHILD AND PETS” Gouache and ink on paper Housed in a fine carved gilt frame with a white mat behind glass Signed lower right “Tahoma 53”, also pencil signed and titled on verso Sight 7” x 5”. Overall 16” x 13” Condition: Very good 52987-6 (1,500-2,000)

Lot 1277 1278.

MICHAEL MCCULLOGH (American, 1951-) NATIVE AMERICAN POTTERY Oil on canvas Unframed Signed and dated lower left “Michael C McCullough-11”, each pot is inscribed with tribe of origin, bears artist biography on verso and label from C M Russell Auction, dated 2003 30” x 40” Condition: Very good to excellent 52622-5 (500-1,000)

Lot 1278

1279. ATTRIBUTED TO VICTOR R. PALZER (American, First half 20th century) OVERLOOKING THE GRAND CANYON Oil on canvas Housed in its original gilt molded wood frame Initialed lower left “RP” but under close examination the rest of his name is in a lighter light green but only the RP show as dark purple 24” x 32”. Overall: 28-1/2” x 36-1/2” Condition: Lined, restored with inpainting, craquelure, good 53020-4 (1,500-2,000)

Lot 1279 Visit www.jamesdjulia.com for more information

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Session 1 1280.

ALLAN (HAOZOUS) HOUSER (American, 1914-1994) “I LIKE HIM” Bronze Signed “Allan Houser” and numbered “10/10” stamped “AF” in a trapezoid which probably denotes the foundry Note: Allan Houser, a Chiricahua Apache, was the greatgrandnephew Geronimo. Born in Apache, Oklahoma, 1914, he studied at the Indian Art School in Sante Fe and received a Guggenheim Fellowship. Houser is known as one of the most influential Native American artists of the 20th century 17-1/2” h Condition: Very good 52399-6 (8,000-12,000)

127

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Session 1

1281. CARL KAUBA (American/Austrian, 1865-1922) “TWO COWBOYS” Bronze Mounted on rouge marble base Signed “Kauba” 10-1/4” h. Overall: 11-1/4” Condition: Good with reddish brown patina and minor surface dirt 52829-33 (1,200-1,800)

Lot 1281 (w/close-up) 1282.

AFTER FREDERIC SACKRIDER REMINGTON (American, 1861-1909) “MOUNTAIN MAN” Bronze Mounted on a marble base Signed “Copyright by Frederic Remington”, title on presentation plaque affixed to bronze 27-1/2” h x 17” l Condition: Good, reddish-brown patina with surface grime and two small holes in front of figure, lasso and reins intact 52474-5 (800-1,200)

1283. AFTER FREDERIC SACKRIDER REMINGTON (American, 1861-1909) “BRONCO BUSTER” Bronze Mounted on an onyx base Signed “Frederic Remington”, title on presentation plaque affixed to base 23-1/2” h x 20” l Condition: Good, golden/brown patina with surface grime, several areas of oxidation to patina, reins and lasso detached 52474-6 (800-1,200)

Lot 1283 (w/close-up) Visit www.jamesdjulia.com for more information

128

Lot 1282 (w/close-up)

Lot 1284 1285.

ROBERT BLISS (American, 1925-1981) NUDE BOY Oil on panel Housed in a vintage wood frame Signed and dated lower right “R Bliss 65” 14” x 10”. Overall: 16-1/4” x 12-1/4” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Un-gessoed panel has surface scratches and natural hole lower right 52806-10 (2,000-3,000)

Lot 1285 1286. F. SCHIANCHI (20th century) TWO VIEWS OF YOUNG BOYS BY THE SHORE Oils on panel Housed in matching bronze toned composite wood frames Both signed lower right “F. Schianchi” 12” x 16”. Overall” 18-1/4” x 22-1/4” each Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: 1) Very good, 2) has discolored varnish and surface grime 52806-14 (1,000-1,500)

Lot 1286 129

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Session 1

1284. ROBERT BLISS (American, 1925-1981) BOY WITH BALL Oil on panel Housed in a vintage wood frame Signed and dated lower left “R Bliss 71” 13-3/4” x 10-1/2”. Overall: 15-1/2” x 12” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Very good 52806-182 (1,500-2,500)

Session 1

1287. KARL GATERMANN (German, 1883-1959) BATHERS Oil on panel Housed in a gold painted wood frame Signed lower left “K Gatermann” 20” x 24”. Overall: 24-1/4” x 28-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Surface grime, two vertical seams in panel extending from top to bottom, several small areas of touch-up along right edge 52806-43 (600-900)

Lot 1287 1288.

AMERICAN SCHOOL (early 20th century) NUDE MALE IN FOREST Oil on canvas mounted on panel Housed in a vintage giltwood frame Inscribed on verso wood “Saunte” 28” x 22-1/2”. Overall: 31-1/2” x 26” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Surface grime, spotty varnish, frame has gilt loss 52806-134 (400-600)

Lot 1288 1289. J MACDONALD (American, 19th century) “CAMPFIRE STORIES” ILLUSTRATION FOR HARPER’S WEEKLY Watercolor en grisaille Housed in a wood frame matted under glass Signed and dated lower right “J. Macdonald-85-”, titled and inscribed on label affixed to verso “Campfire Stories” artist J MacDonald Falmouth Hotel, Portland, ME. owner-esp Skillin-1912-.”. Note: Illustration for Harper’s Weekly March 21, 1885, Vol. XXIX-No. 1474, page 185. Original issue included with this lot 11-3/4” x 17-1/2”. Overall: 24” x 29” Condition: Very good, not examined out of frame 52880-2 (1,000-2,000)

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130

Lot 1290 1291.

CLYDE E. PRETTYMAN (American, 1886-) TWO WORKS: MEN WITH BOAT AND SCHOONER AND ROWBOAT Both watercolors Both unframed One is signed “Clyde Prettyman 48”, the second signed “Clyde Prettyman 39” 1) Image is 13” x 18”. Overall 17-1/4” x 22”. 2) 12” x 18”. Overall 18” x 231/2” Condition: First very good, second glued to mat and toning 53004-1 (800-1,200)

Lot 1291 1292. CLYDE E. PRETTYMAN (American, 1886-) TWO WORKS: NEW YORK BEACH AND TILLING THE SOIL Both are oil on canvas board Both unframed One is signed “Clyde Prettyman 69” the other lightly signed “Clyde Prettyman” 1) 16” x 20”. 2) 18” x 20” Condition: 1) Has some paint loss to surface, surface grim, stain in right bottom corner and roughness to corners. 2) Corners and bottom 1” has damage, some losses in sky, otherwise good 53004-2 (800-1,200)

Lot 1292 131

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Session 1

1290. ERIC CHILDES (English, 20th century) ILLUSTRATION OF WWII FIGHTER PLANE “FARM BOY” Gouache on paper Housed in a contemporary silver painted wood frame matted under glass Initialed lower right “EC”, inscribed on verso “Eric Childes Fleet Cottage East Wretham Norfolk 1944” 17” x 23”. Overall: 29” x 35-1/4” Condition: Very good, not examined out of frame 52624-14 (400-800)

1293.

Session 1

CLYDE E. PRETTYMAN (American, 1886-) NINE WORKS: LANDSCAPES, STILL LIFE AND ILLUSTRATIONS. All unframed. 1) Watercolor and goauche illustration of riveters in an industrial setting, signed lower right “Clyde Prettyman”. 2) Ink illustration of dancers, signed lower right “Clyde Prettyman”. 3) “Winter Road, Ohio, 1921” oil on board, signed lower right “C. P. 21”. Lot 1293 4) “Summer Camp on Lake at Cleveland, Ohio” oil on board, signed lower right “C. Prettyman”. 5) Harbor scene oil on board, unsigned. 6) Rowboats and swimmers oil on unstretched canvas, signed lower right “Clyde Prettyman”. 7) Elephant bath, oil on unstretched canvas, signed lower right “Clyde Prettyman”. 8) Mountains and road oil on board, signed lower right “Clyde Prettyman”. 9) Table top still life oil on canvas, signed lower right “Clyde Prettyman”. 1) 20” x 15”. 2) 12-1/2” x 16-3/4”. 3) 13-1/2” x 16”. 4) 101/2” x 13-3/4”. 5) 12” x 16”. 6) 18” x 20”. 7) 23” x 20”. 8) 18-1/2” x 23-3/4”. 9) 16” x 20”. Condition: 1) Very good. 2) Age toning, otherwise very good. 3) Losses to edges, surface grime, some minor chipping, good. 4) Edges and corner losses, otherwise good. 5) Edge losses, otherwise good. 6) Scratches and abrasions, fair. 7) Significant losses to surface and corners. 8) Losses to corners and edges, otherwise good. 9) Good condition some minor losses in corners. 53004-3 (800-1,200) 1294. NO LOT 1295. NO LOT 1296. GEORGE WASHINGTON NICHOLSON (American, 1832-1912) ORIENTALIST BEACH SCENE Oil on canvas Housed in a fine wide antique gesso decorated gilt frame with new artist plaque Signed lower left “GW Nicholson”, on verso is a loan tag from NEHL Beverage Company to the Indianapolis Museum of Art for their exhibit “Art From Business Collections” May 20- June 26, 1977 12” x 20”. Overall: 23” x 31” Condition: Wax lined, light craquelure, very good 53038-4 (1,000-1,500)

Lot 1296 1297.

HENRY BACON (American, 1839-1912) ORIENTALIST SCENE WITH WOMAN AND BABY ON A DONKEY Watercolor on paper Unframed Signed and dated lower right “Henry Bacon, 1904” 15-1/2” x 20-1/4”. Overall: 18-1/4” x 26” Provenance: From the estate of Katharine H. Ayer, Bray House, Kittery Point, Maine. Condition: Paper has been laid down on mat board (chipped), several vertical bands of discoloration, spotting throughout sky and mat burn 52956-1 (700-900)

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132

Lot 1297

Lot 1298 (w/close-up)

1299. EDOUARD DROUOT (French, 1859-1945) “LA MOISSONNEUSE” Gilt bronze Mounted on onyx base Signed “Drouot”, stamped “Garanti au titre Paris”, titled on presentation plaque affixed to base “Moissonneuse Exp des Beaux-Arts” 10” h. Overall: 11” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good with minor oxidation to patina in crevices 5280681 (1,000-2,000)

Lot 1299

Lot 1300

1300. CRAIG SREBNIK (American, 1957-) “AT THE WINDOW” Oil on Masonite Housed in a modern giltwood frame Signed and dated lower right “Srebnik 99”, titled on artist label affixed to verso 10-1/2” x 7-3/4”. Overall: 15” x 12-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good to excellent 52806-140 (400-600)

133

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Session 1

1298. EDWARD BERGE (American, 1876-1924) DUCK MOTHER Bronze fountain Signed “Berge” Note: This bronze is fashioned as a fountain and has been listed by various sources with both titles above 21-1/4” h Provenance: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Condition: Light brown patina with green oxidation due to outdoor use, wing of mother goose cracked 52714-119 (3,000-5,000)

Session 1

1301. JOHN GALVAN (American, 1945-) “CARRIE” Oil on board Housed in a contemporary giltwood frame with linen mat Signed and dated lower left “Galvan 82(S)” 12” x 16”. Overall: 22-1/2” x 18-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good 52806-161 (500-800)

Lot 1301 1302.

AMERICAN SCHOOL (19th/20th century) NUDE Oil on panel Housed in a vintage wood frame Signed with monogram lower left “CHB” 8” x 6-1/2”. Overall: 10-3/4” x 9” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Surface grime, spotty varnish, small flake loss upper left, 1” split to panel upper center 52806-48 (500-800)

Lot 1302 1303. LOIS FOLEY (American, 1936-2000) THE THREE GRACES Oil on canvas Unframed Signed and dated lower left “Lois Foley 75” 50” x 38” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Stretcher mark along top, minor discoloration on verso, otherwise good. 52806-150 (800-1,200)

Lot 1303 Visit www.jamesdjulia.com for more information

134

DAVID BUMBECK (American, 1940-) FIVE PRINTS OF FEMALE NUDES. Etching and aquatints. Unframed. All signed lower right “Bumbeck”. 1) “Alone”, titled and numbered lower left “37/100”, 1979. 2) “John”, titled and inscribed lower left “artists proof ”, 1979. 3) “Sunbathers”, titled and numbered lower left “7/40”. 4) “The Black Cat”, titled and numbered lower left “25/55”, 1981. 5) “Kasmir”, titled and numbered lower left “33/50”, 1980. 1) 5-3/4” x 8-3/4”. 2) 14-3/4” x 19”. 3) 133/4” x 17-5/8”. 4) 14-1/2” x 14-3/4”. 5) 11-3/4” x 14-1/2”. Largest: 19” x 23-1/2”. Provenance: Wenninger Graphics. Condition: Four shrink wrapped, two in red ink. 3) Minor discoloration in margins, tiny tear upper left edge in margin. 4) Loose. 52968-7 (1,000-1,500)

Session 1

1304.

Lot 1304

1305. JOSEPH STELLA (American, 1877-1946) SEATED MAN Graphite on brown paper Housed in a partial gilt wood frame with linen mat having gold edge Signed lower right “Joseph Stella”, also having a Rabin & Kruger Gallery label on verso Sight 11” x 7-1/2”. Overall 17” x 30” Condition: Wrinkles, and creases, one tear to upper border, good 52987-17 (800-1,200)

Lot 1305 1306.

INITIALED INDISTINCTLY (First quarter 20th century) LOVERS BY THE ROAD Oil on canvas Housed in a giltwood frame Signed indistinctly above ankle lower left with what possibly appears to be “WG per IG” which may account for the two modern inscriptions on verso of stretcher “William J Glackens”. Also in older pencil on stretcher is “Bazin Rua...” 19-3/4” x 24”. Overall: 26” x 30” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Good restored condition with large patch on verso that correlates to a restored tear on front 52806-127 (2,000-4,000)

Lot 1306 135

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Session 1

1307. CONTINENTAL SCHOOL (20th century) CLASSICAL NUDE FIGURE OF A WOMAN Bronze Titled in foreign script on base which appears to be five letters in Greek 33” h Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Very good with reddish-brown patina 52806-216 (1,500-2,500)

Lot 1307 (w/close-up)

1308. A. DE KECZER (Last Half 20th century) NUDE WOMAN’S TORSO AND ANOTHER CARVING Carved wood plaque is signed “A. De Keczer” Other standing woman is unsigned 11-1/2” h x 8-1/2” w. Figure 14” h Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT Condition: Very good 52806-11 (800-1,200)

Lot 1308

1309. MATHURIN MOREAU (French, 1822-1912) “LA VAGUE” Bronze Inscribed “Math Moreau” 22” h Provenance: The ex John F. Gale Collection, Cambridge, MA Condition: Plugged electrical wire and support holes, bright polished patina, good 529371 (1,200-1,800)

Lot 1309 Visit www.jamesdjulia.com for more information

136

Lot 1310 1311.

ALZIRA (BOEHM) PEIRCE (American, 1908-2010) THREE UNFRAMED WORKS Oils on canvas 1) “Busy Street Scene”, initialed lower right “A.P.” 2) “Men, Coal and Brick”, signed and dated lower right “Alzira Peirce 1939”, signed, dated and titled on verso 3) “Shoreside Pinochle”, signed, dated and titled on verso “Alzira Peirce 1943 N.M.U. Hiring Hall” 1) 20” x 24”, 2) 20” x 24”, 3) 28” x 36” Condition: All three have discolored varnish layer and surface grime, surface scratches and minor flake losses around edges 52797-3 (800-1,200) 1312.

Lot 1312 137

Lot 1311

ALZIRA (BOEHM) PEIRCE (American, 1908-2010) FOUR WORKS: TWO BUSTS, A PAINTED TRAY AND A PAINTING. 1) Unsigned, green painted plaster bust of a man. 2) Unsigned, red painted bust of a woman (thought to be the bathing nanny of the pierce children). 3) Unsigned, toleware tray painted with a scene of two children on a beach with dog. 4) Oil on canvas painting “Three People”, unframed, signed lower right “Alzira Peirce 32”, also signed on verso of canvas. 1) 15”. 2) 10”. 3) 17” x 23-1/2”. 4) 36” x 29”. Condition: 1) Chipping to surface, loss to ear. 2) Chipping to surface, loss to base. 3) Several hole, consolidation of paint, fair to poor. 4) Good 52797-11 (300-500)

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Session 1

1310. CRYSTAL LOCKWOOD (American, 1963-) NUDE WOMAN EMERGING Carved and patinated red wood Mounted on rotating verdigris marble base Unsigned 33-1-2” h x 12” x 12” b Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Very good, top and bottom of wood patinated to appear as charred 52806-217 (800-1,200)

Session 1

1313. ALZIRA (BOEHM) PEIRCE (American, 1908-2010) FOUR WORKS. Oils on canvas. Unframed. 1) Girl in Green Dress, unsigned, 2) “The Accusor, signed lower right “Alzira Peirce”, titled, signed and dated on verso “The Accusor” Alzira Peirce Oct. 1941”, 3) Vase of Flowers, signed and dated on verso “Alzira Peirce 1944”, 4) Unframed, watercolor study possibly of Waldo Pierce, on verso in pencil “Joe Fox lumber yard Alzira’s”. 1) 24” x 20”, 2) 16” x 20”, 3) 12” x 19”, 4) 25” x 18-1/2”. Overall 30” x 24”. Condition: 1) Surface grime, minor indention upper right, 2) several pinhole and flake losses with water staining on verso, 3) Surface grime, flake losses and water staining on verso, 4) Laid down to board, 6” tear at bottom, fair 52797-4 (800-1,200)

Lot 1313

1314.

ALZIRA (BOEHM) PEIRCE (American, 1908-2010) EIGHT WORKS. All oil on canvas. All unframed and unstretched. 1) Men with skies shooting, signed on verso “Alzira Peirce Nov 1939”, 2) Man and woman acrobat, signed on verso “Alzira Peirce Bangor Maine Jan 1936”, 3) El Rio restaurant in winter, signed lower left “A. P. 37” 4) Nighttime farm, unsigned, 5) Unsigned, subway station, 6) Man in rocker with boots, unsigned, 7) Still life of iris in pitcher, unsigned 8) bird in tree, signed on verso “Alzira Peirce”. 27” x 31” to 25” x 41”. Condition: All have been rolled with roll marks, creases, no tears, 7 and 8 are poor, rest are good 52797-6 (800-1,200)

Lot 1314

1315.

ALZIRA (BOEHM) PEIRCE (American, 1908-2010) SEVEN WORKS: LAYING THE CABLE. Unframed. Two watercolors, five lithographs. Watercolors are unsigned but preliminary sketches for the finished oil sold at James D. Julia Inc. 2/9/17, lot #1028, along with five black lithographs all titled and all signed “Alzira Peirce”. Watercolors 15” x 22”. Lithographs 12” x 16”. Condition: Watercolors have missing top left edge, some stains, otherwise good. Lithographs have some foxing, good 52797-9 (300-500)

Lot 1315 Visit www.jamesdjulia.com for more information

138

Lot 1316 1317.

ALZIRA (BOEHM) PEIRCE (American, 1908-2010) TEN MISCELLANEOUS WORKS. 1) Greenhouse, oil on canvas, unframed, signed and dated lower right “A.P. 1938”, signed and dated on verso “Alzira Peirce, June 1938”, 2) “White Water”, oil on board, housed in vintage frame with stained linen mat, initialed lower left “A.P.”, Signed dated and titled on verso “Alzira Peirce, April 1944, White Water”, 3) The Palm Reader, oil on canvas, unframed, signed with initials lower right “A.P.”, 4) Roofers, oil on canvas, unframed, signed with initials lower right “A.P.”, 5) The Red Roof, oil on canvas, unframed, signed and dated with initials lower right “A.P. ‘37”, 6) Winter Landscape with Figures, oil on canvas, housed in a silver painted wood frame, signed and dated lower left “Alzira Boehm Bangor 1929”, signed and inscribed on verso “Alzira Peirce Bangor ME”, 7) “Bucksport Circus”, lithograph, housed in wood frame matted under glass, signed, titled and numbered in pencil in margin “Alzira Peirce ‘40 Bucksport Circus 10/30”, Lot 1317 titled on exhibition label from Pennsylvania Academy of Fine Arts affixed to verso, 8) Oil on canvas, unframed, signed lower left “A. P.” A man working the fields, 9) Oil on Masionite, portrait of a man reading a book, unsigned, 10) Unframed, watercolor of a house, unsigned, mounted to cardboard. 1) 20” x 36”, 2) 12” x 17-3/4”. Overall: 20-1/2” x 26-1/4”, 3) 10-1/’4” x 14”, 4) 14” x 10-1/2”, 5) 20” x 24”, 6) 24” x 18”. Overall: 26” x 20”, 7) 11-1/4” x 15”. Overall: 20-3/4” x 23-3/4”, 8) 7” x 11”, 9) 20” x 16” , 10) 24” x 19”, Overall 28-1/2” x 24-1/2”. Condition: All oils on canvas have surface grime and minor water spotting on verso, 3) large vertical paint drip, 4) surface scratches, 6) significant surface grime, large tear lower right, 7) foxing throughout, 8) Losses to right side, in need of restoration, 9) Fair, 10) Water damage and foxing 52797-5 (400-800) 1318. ALZIRA (BOEHM) PEIRCE (American, 1908-2010) LARGE LOT OF SKETCHES. Mostly pen and ink, a few watercolors, and two oils. Unframed. Most signed. Sizes range from 23” x 18” to 7” x 10”. Condition: Mostly in good condition, some adhesive bleed, small tears, etc 52797-10 (200400)

Lot 1318 (partial lot) 139

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Session 1

1316. ALZIRA (BOEHM) PEIRCE (American, 1908-2010) SEVEN WORKS. All watercolors. Unframed. Either signed “Alzira” or “A. P.” or “Alzira Pierce”. Four are 13-3/4” x 16-1/2”, two are 15-3/4” x 14”, and one is 18” x 12”. Condition: Generally very good, some light toning 52797-7 (500-800)

Session 1

1319. QUANG HO (Vietnamese/American, 1963-) “DARKENED ROOM” Oil on board Housed in an ebonized wood frame Signed lower right “Quang Ho”, titled, dated and signed on verso “Darkened Room 2011”, frame bears exhibition label from Gallery 12/61, Denver, Colorado 20” x 24”. Overall: 30” x 34” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good 52806-141 (1,500-2,500)

Lot 1319 1320.

LOUIS F. BERNEKER (American, 1876-1937) NUDE WITH BUTTERFLY Watercolor and gouache Housed in a giltwood frame under glass Signed lower right “Louis F. Berneker.” 19-1/2” x 15-1/2”. Overall: 30” x 26” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Surface abrasion along top edge, otherwise good, not examined out of frame 52806-31 (800-1,200)

Lot 1320

1321. CHARLES P. GRUPPE (American, 1860-1940) “LUTE PLAYER” Oil on canvas Housed in a bronzed wood frame Signed lower left “Chas.P.Gruppe”, signed and titled on label affixed to stretcher 20-1/4” x 16”. Overall: 26” x 22-1/4” Condition: Good, with 3” patch on verso corresponding with restoration, stretcher marks and scattered re-touch 52399-2 (1,500-2,500)

Lot 1321 Visit www.jamesdjulia.com for more information

140

Lot 1322 1323.

FV BERGSTROM (Swedish School, 20th century) “AFTER BADET” Oil on Masonite Housed in a vintage painted wood frame Signed lower left “FV Bergstrom” 15-1/2” x 12-1/4”. Overall: 20” x 17” Condition: Very good 52806-169 (300-500)

Lot 1323

1324. RAPHAEL SOYER (American, 1899-1987) RECLINING NUDE Oil on board Housed in a vintage giltwood frame under glass Signed lower right “Raphael Soyer” 18” x 24”. Overall: 19-1/2” x 25-1/2” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Good with varnish discoloration upper right 52806-192 (1,000-1,500)

Lot 1324 141

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Session 1

1322. ABBOTT FULLER GRAVES (American, 1859-1936) RED HAIRED BATHER BY A STREAM Oil on canvas Unframed Signed lower right “Abbott Graves-” 20-1/4” x 14” Condition: Good, canvas with Boston tabs detaching from stretcher, surface grime, with scattered restoration in figure 52851-8 (1,500-3,000)

Session 1

1325. AMERICAN (20th century) NUDE COUPLE Spelter Unsigned 10” h Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Good, with brown patination 52806-174 (200-400)

Lot 1325 1326.

FRENCH SCHOOL (20th century) RECLINING FEMALE NUDE Bronze Mounted on a verde marble base Signed with initials “AM” or “AR” 6-3/4” h x 11” l Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Good, dark brown patina, with some rubbing and area of green oxidation 52806-189 (400-600)

Lot 1326 (w/close-up) 1327.

Lot 1327 (w/close-ups) Visit www.jamesdjulia.com for more information

142

RICHARD GUINO (Spanish, 1890-1973) & PIERRE-AUGUSTE RENOIR (French, 1841-1919) “LEDA AND THE SWAN” Bronze Mounted on verdigris marble base Signed “GUINO (c) “166 1986”, numbered “74/325” Note: This sculpture was originally designed by Renoir in collaboration with Guino. The bronze was cast posthumously in 1986 in an edition of 325 15-1/2” h x 13” l Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good condition, figure and swan have dark brown-red patina, drapery and ground have reddish patina, wear to patina on left elbow 52806-125 (800-1,200)

Lot 1328 (w/close-up) 1329.

HELEN JENNINGS (American, 20th century) SEATED FEMALE NUDE Bronze Signed and dated “Helen Jennings 1972” 12” h Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Good with light brown patina, oxidized green residue at back of head and feet 52806-24 (600-900)

Lot 1329 (w/close-up)

1330. BRUNO ZACH (Austrian, 1891-1945) “THE HUGGER” Bronze Mounted with black granite base Signed on bronze “B.Zach” 6-3/4” h. Overall: 7” Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Good with reddish brown matte patina 52806-195 (500-800)

Lot 1330 (w/close-up) 1331.

GONZALO ARIZA (American/Colombian, 1912-) “CRISANTEMOS” Watercolor Housed in a gilt wood frame with white mat, behind glass (age toned mat) Signed lower right “Gonzalo Ariza” Verso retaining a “Galeria Meindl Bogota” label Sight: 17” x 11”. Overall: 24-1/2” x 18-1/4” Condition: Very good, not examined out of frame 52819-1 (500-1,000)

Lot 1331 143

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Session 1

1328. AMERICAN SCHOOL (20th century) RECLINING NUDE WOMAN Bronze Unsigned 10” h x 21” l Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT Condition: Good with reddish brown patina, several areas of rubbing 52806-225 (300-500)

Session 1

1332. HOWES (American School, 20th century) STILL LIFE WITH OYSTERS AND LEMON Oil on canvas Housed in a vintage wood frame Signed lower left “Howes” 20” x 16”. Overall: 25” x 21” Condition: Very good with minor scattered re-touch along bottom 52474-7 (600-900)

Lot 1332 1333. HOWES (American School, 20th century) STILL LIFE WITH FRUIT AND PEWTER Oil on canvas Housed in a wood frame with velvet liner Signed lower left “Howes” 20” x 15”. Overall: 26-1/2” x 22-1/2” Condition: Very good to excellent 52474-8 (600-900)

Lot 1333 1334. JOHN WITHERS (British School, 19th century) HENRY VIII AND ANN BOLEYN AT THE PALACE OF CARDINAL WOLSEY Watercolor Housed in its original gilt period frame with losses with a wonderful decorated thick mat with gold edge Signed lower right “J. Withers 1881”, also titled lower left Sight 12” x 17-1/2”. Overall 24-1/2” x 31” Condition: Very good, not examined out of frame 52987-7 (600-800)

Lot 1334 1335.

L. HART (English School, 19th/20th century) PLAYFUL KITTENS Oil on panel Housed in a period composite giltwood frame Signed lower left “L Hart” 6-1/4” x 8-1/4”. Overall: 11” x 13” Condition: Good with minor surface grime and scattered touch-up, frame has losses with over-paint 52829-48 (800-1,200)

Lot 1335 Visit www.jamesdjulia.com for more information

144

Lot 1336 1337.

EUROPEAN SCHOOL (20th century) EROTIC NUDE MALE Bronze Mounted on granite base Signed “Nick” with “European Finery Bronze” medallion 10-3/4” h. Overall: 12-1/4” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good with golden brown patina 52806-86 (500-1,000)

Lot 1337 (w/close-up)

1338.

Lot 1338

THREE WORKS (20th century) MAN WITH BOW, WOMAN ON ROCK, AND NUDE WOMAN ON PLANK 1) Bronze nude man holding bow upwards mounted to marble base, unsigned, some rubs 2) Metal figure glued to rock, unsigned 3) Nude woman with wrists strapped to plank, signed “J. Patoue” numbered 183-500 and having a button “European Bronze Finery” 1) Overall 8” h. 2) Overall 3-1/2” h. 3) 11” h Provenance: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. Condition: As noted above, and very good 52806-202 (200-300)

145

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Session 1

1336. SCIPIONE SIMONI (Italian, 1853-1918) MONK DRINKING A GLASS OF WINE Watercolor on paper Housed in a vintage gold tone wood frame Signed lower right “S.Simoni”, bill of sale from Mystic Fine Arts dated 2000 affixed to verso 19-1/2” x 13-1/2”. Overall: 23-1/2” x 17-1/2” Condition: Fading with minor discoloration and scattered spotting, not examined out of frame 52829-86 (800-1,200)

1339.

Session 1

AMERICAN SCHOOL (20th century) COLLECTION OF ELEVEN NUDE FIGURAL PRINTS AND DRAWINGS. Unframed. Including 1) Benton Spruance (19041967) “Marge Resting”, lithograph, signed lower left and titled and numbered lower left “5/35”. 2) Nude Female, etching, signed illegibly lower right and numbered lower left “16/20”. 3) “Afternoon Light”, signed illegibly lower right, lithograph, titled on verso and numbered lower left “50/50”. 4) Hans Hanson (1881-1967), four charcoal life drawings, one signed “H.P. Hansen/Eve Life”. 5) Reynold Weidenaar (1915, 1985) “Nude Reverie”, mezzotint, signed lower right and titled lower left. 6) Walter Tittle (1883-1966) “The Bathers”, etching, signed lower right. 7) Warren Davis (1932-1974) “Abandon”, etching, signed in plate lower left, titled and numbered lower right “25/55”. 8) Harry Shokler (1896-1978) “Katherine”, color screenprint on brown paper, signed and dated in plate lower right, titled with inscription in margin “Edition 65 Colors 22”, 1941. 1) 13-3/4” x 9-1/4”. 2) 5-1/2” x 7”. 3) 8” x 11-1/2”. 4) 24-1/4” x 183/4” each. 5) 12-3/4” x 10-5/8”. 6) 10” x 14-1/2”. Lot 1339 7) 5-3/4” x 7-1/2”. 8) 12” x 10-1/4”. Provenance: 5, 7 & 8) Young Fine Arts Gallery. 6) Wenniger Graphics. Condition: 4) Edges chipped with discoloration. 5) paper discoloration, mat burn. 7) loose, chipped edges and soiling in margins, mat burn 52968-6 (1,000-1,500) 1340. RYAN WURMSER (American, 1973-) RECLINING NUDE Oil on canvas Housed in a giltwood frame Signed lower left “R. Wurmser” 9” x 14”. Overall: 14-1/2” x 19-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT Condition: Very good to excellent 52806160 (500-800)

Lot 1340 1341.

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AMERICAN SCHOOL (20th century) FEMALE NUDE Oil on board Housed in a modern gold painted wood frame Signed illegibly lower right “H.S..ean” 16” x 11-1/2”. Overall: 21-1/2” x 16-3/4” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT Condition: Very good 52806-190 (300-500)

146

Lot 1341

1343. WILLIAM JACOB BAER (American, 1860-1941) “DORIS” Watercolor highlighted print Housed in an easel type brass frame which has a brass title and artist plaque on verso, embossed copyright “W. J. Baer 1911” in lower left corner 4-1/4” x 6”. Overall 5” x 6-1/2” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT Condition: Very good 52806-197 (100-300)

Lot 1342

1344.

Lot 1343

THREE ANTIQUE GESSO DECORATED GILT FRAMES. 1) Stepped frame with stepped liner having leaf decoration. 2) Leaf and berry decorated. 3) Wide stepped frame with scrolling leaf decoration and gilt liner. SIZE: 1) Interior size 24-1/2” x 29-1/2”. Overall 40” x 351/2”. 2) Interior 21-3/4” x 27-3/4”. Overall 33” x 27”. 3) Interior 25-1/4” x 301/4”. Overall 35-1/2” x 40-1/2”. CONDITION: 1) Very good with only very minor imperfections. 2) Very good with some minor rubs and discoloration. 3) Some minor chipping to gesso, otherwise good. 53002-13 (750-1,250)

Lot 1344 1345.

NINE ANTIQUE GILT FRAMES. 1 & 2) Pair of lemon gold frames. 3) Frame with leaf corners. 4) Leaf decorated outside border. 5) Outside leaf design. 6) Outside leaf design. 7) Inside and outside scroll leaf border with small flowers. 8) Carved and gilt Arts and Crafts style. 9) Arts and Crafts style. 1 & 2) 16” x 20”. Overall 18” x 22”. 3) 13-1/2” x 16-1/2”. Overall 21-3/4” x 18-1/2”. 4) 15-1/4” x 30-1/4”. Overall 20” x 35”. 5) 15-1/2” x 28-1/2”. Overall 19-1/2” x 32-1/2”. 6) 8” x 18”. Overall 12-3/4” x 22-3/4”. 7) 18Lot 1345 1/2” x 24-1/2”. Overall 23-3/4” x 29-3/4”. 8) 13-1/4” x 16-1/4”. Overall 17-1/2” x 20-1/2”. 9) 10-1/4” x 17-1/4”. Overall 14-1/2” x 21-1/2”. Condition: 1 & 2) Very good with some imperfections. 3) Losses to inside edges and outside borders. 4) Only minor imperfections, very good. 5) Damage to corners. 6) Very good. 7) Significant losses to gesso. 8) Very good. 9) Very good, some rubbing losses. 53002-14 (750-1,250) 147

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Session 1

1342. TWO WORKS: RECLINING FEMALE NUDE AND “ANDY’S DOCK” 1) Oil on wood panel, unsigned, 20th/21st century. Housed in a decorative gold frame with gold liner. 2) Watercolor by D.W. Captiva ‘77, Housed in a bamboo style frame behind glass. 1) 5” x 7”. Overall 12-1/4” x 14-1/2”. 2) Sight 10-1/2” x 14-1/2”. Overall 11-3/4” x 15-3/4”. Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: 1) Very good. 2) Light foxing, good 52806-207 (100200)

Session 1

1346. ATTRIBUTED TO JONAS LIE (American, 1880-1940) STREAM IN WINTER Oil on board Housed in a painted black molded wood frame Signed lower right “Jonas Lie” Sight 18” x 22”. Overall: 24-1/2” x 28-1/2” Condition: Very good with minor touch up 52944-1 (800-1,200)

Lot 1346 1347.

HAYLEY LEVER (American, 1876-1958) “SUMMER COTTAGE AT MARTHA’S VINEYARD” Oil on canvas Housed in a vintage giltwood frame Signed lower right “Hayley Lever”, titled and dated on verso “Summer Cottage at Martha’s Vineyard 1935” 10” x 12”. Overall: 13” x 15-1/4”. Condition: Very good with restoration in sky, lined 52951-1 (700-900)

Lot 1347

1348. GUY PENE DU BOIS (American, 1884-1958) BEND IN THE RIVER Watercolor and gouache on paper Housed in a modern silver and black painted wood frame, matted under glass Signed and dated lower right “Guy Pene Du Bois 1942” 14” x 21”. Overall: 22-1/2” x 29-1/2” Condition: Tack holes upper left and right corners, minor discoloration along edge, otherwise good 52781-2 (500-1,000)

Lot 1348 1349.

CLEMENTINE HELENE DUFAU (French, 1869-1937) PARIS EXHIBITION PIECE, 1900 Lithograph in colors Housed in a modern giltwood frame, matted under glass Signed in plate lower right “C.H. Dufau” Note: Art Nouveau period poster, presumably created for the Paris exhibition of 1900, where she was awarded a silver medal Sight 51-1/2” x 36”. Overall 60-1/2” x 43-1/2” Condition: Very good with some creases, (not examined out of frame), appears to be framed in archival materials 52948-1 (400-600)

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148

Lot 1350

1351.

AMERICAN SCHOOL (20th century) ETTINGER PRINT AND TWO FOLK ART FRAMES 1) Churchill Ettinger (American 1903-1984), “Nailed Down”, drypoint, housed in a wood frame under glass, signed lower right “Churchill Ettinger”, titled lower left “ed 100”, 2) black and white photograph of a turn of the century fishing party preparing to board canoes with birch trees and cabins, housed in a folk art bark wood frame, unsigned, 3) Birch bark frame with commercial offset lithograph of bears hunting salmon 1) 7-5/8” x 8-3/4”. Overall: 17-3/4” x 18-3/4”, 2) 10-3/4” x 13-3/4”. Overall: 15-1/4” x 18”, 3) 12-1/2” x 8-1/4”. Overall: 15-1/2” x 11-1/4” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT Condition: Not examined out of frames. 1) Overall discoloration and fading, 2) photograph is not encased under glass, has buckling, 3) Good 52806223 (100-200)

Lot 1351

1352. EMILIANO DI CAVALCANTI (Brazilian, 1897-1976) “PEACE” Serigraph Housed in a modern frame behind glass and mat Signed in pen within arm Sight 5-1/4” x 9”. Overall: 9-1/2” x 12-1/2” Condition: Very good 52946-1 (200-400)

Lot 1352 149

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Session 1

1350. WILLIAM RUSSELL FLINT (English, 1880-1969) “RECLINING NUDE III” Color print Housed in a modern giltwood frame matted under glass Signed in plate “W.Russell Flint-”, blind stamp lower left “Michael Stewart Fine Art”, published 1983, numbered lower right “238/850” 15” x 22-1/2”. Overall: 27” x 33” Provenance: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Condition: Very good 52806-132 (200-400)

Session 1

1353.

LARGE COLLECTION OF MISCELLANEOUS PRINTS AND DRAWINGS. Unframed to include: Asian gouache pith painting of two birds, Helen Hyde woodblock print, English botanical engraving by Reinagle, portrait print after John Singer Sargent, etching of woman with cat by George Mock, portrait print of elegant lady dated “1924”, hand-colored engraving of mother and child by Franz Lenbach, portrait print of Mrs. Larz Anderson, photographic print of a nude painting, English etching by Seymour Hayden, early 20th century etching of a city street, unsigned ink drawing of river view with artist’s annotations, partial watercolor sketch of a tree, two etchings by Henry Hoyt, etching by Walter Vaes, miniature watercolor of family signed “DuClair” and dated “May 12, 1911”, framed miniature painting of lake among mountains, two pencil sketches of Decatur house by Maria Decatur Mayo Deyo, 1941. Sizes range: 4-1/4” x 5” to 15” x 18”. Provenance: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Condition: Many works have water staining, chipping, tears. An interesting an eclectic lot 52714-199 (400-600)

Lot 1353 1354. TWO SHIP CURRIER & IVES, “THE FLOWER DANCE” AND A PAIR OF BIRD PRINTS. 1) Currier & Ives lithograph “The Great Open Yacht Race”, housed in a period walnut and gilt lined frame. 2) Currier & Ives lithograph “The Magnificent Steamship “City of Paris” of the Inman Line”, housed in a decorative wood frame. 3) Lithograph by J. Baillie, 1846 “The Flower Dance, by the Vienna Children”, housed in a period mahogany frame behind glass. 4, 5) Pair of bird lithographs (summer or wood duck) and (Baltimore Oriole), after Audubon, identical frames. 1) Sight is 11-1/2” x 16-1/2”. Overall 15-1/2” x 20-1/2”. 2) Sight 10-3/4” x 15”. Overall 14-3/4” x 19”. 3) Sight 9-1/2” x 13-1/2”. Overall 12-1/2” x 16-1/2”. 4, 5) Sight 17” x 12-1/2”. Overall 25-1/2” x 201/2”. Condition: 1) Laid down, discolored margins, good. 2) Losses mostly in sky, stains, fair. 3) Very good. 4, 5) Not examined out of frame, toning, mats with molding and stains. 52885-48, 52885-53 (200-400)

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150

ESTATE LOT OF TWELVE FRAMED PAINTINGS AND MIRRORS. 1) Mimi Schwartz (1980), Oil on canvas, woman with dog in interior, simple slat wood frame, initials “M.S.” and signed on verso. 2) Attributed to Mimi Schwartz, Deck overlooking water, Oil on canvas, housed in a decorative wood frame, signed initials “M.S.” 3) Martha Batka (?) 1997, “Tumbling bears”, oil on canvas, housed in a simple white painted frame, signed “M.B.” 4) Signed in conjoined initials “H. B. 1858”, portrait of a man, housed in a gilt frame liner. 5) Portrait of a man, unsigned, housed in an antique gilt frame. 6) Mimi Schwartz (1982), “Louise Peonies I”, oil on canvas, simple wood frame, signed “M. S.” 7) Unsigned, still life of fruit, housed in a distressed antique frame. 8) Charlotte Jones, watercolor of ducks, housed in a metal frame with white mat and glass. 9,10,11,12) four wood framed mirrors. 1) 40” x 34”. Overall 40-1/2” x 34-1/2”. 2) 27-1/2” x 33Lot 1355 (partial lot) 1/2”. Overall 29-1/4” x 35-1/4”. 3) 24” x 30”. Overall 24-1/2” x 30-1/2”. 4) 27” x 22”. Overall 29” x 24”. 5) 26-1/4” x 23”. Overall 31” x 27-1/2”. 6) 13” x 24”. Overall 13-1/2” x 24-1/2”. 7) 16” x 20”. Overall 22” x 26”. 8) Sight 22” x 281/2”. Overall 30-1/2” x 36-1/2”. 9) Largest 28” x 18”. Condition: 1) Very good. 2) Very good. 3) Very good. 4) Loss to left side, unrestored. 5) Poor with holes and tears, in need of restoration. 6) Very good. 7) Very good. 8) Very good. 9) Good condition. 52885-78, 52885-79, 52885-82, 52885-83 (300-500)

1356.

ESTATE LOT OF TWELVE FRAMED PAINTINGS AND PRINTS. 1) Unsigned, oil on canvas, alpine mill scene, housed in a fabulous antique gesso decorated gilt frame. 2) Portrait of the schooner Francis Coffin, by S. Beal, oil on canvas board, housed in a Victorian walnut frame, signed “S. Beal”. 3) Jim Giddings, “Beach with Coleman coolers”, housed in a modern wood frame with mat and glass. 4) Hamel 1989, “Blossoms and Buds”, housed in a modern wood frame with white mat, signed lower right. 5) Unsigned, landscape, oil on board, housed in decorative frame (asis). 6) Untitled print after Joan Miro, housed in a black modern frame with double mats. 7) Print of roses. 8) Decorative print by Sgroi. 9) Print after Mary Ellen Sigsbee “Us Kids”, housed in a gilt antique frame. 10) Antique engraving, “Phaenissa” by John Boydell 1778, gilt frame with mat (as-is). 11) Print of Madonna and child in and antique mahogany frame with gilt liner. 12) Print of the schooner “Victory Chimes”, inscribed and dated in pen 1974, housed in a fine wood frame with white mat. 1) 22” x 27”. Overall 29-1/2” x 34-1/2”. 2) 18” x 24”. Overall 22” x 28”. 3) 9-1/2” x 131/2”. Overall 16” x 20”. 4) 3-1/2” x 9-3/4”. Overall 13” x 19”. 5) 7” x 10”. Overall 9-3/4” x 12-3/4”. 6) Sight 10-1/2” x 6-1/2”. Overall 17-1/2” x 13-1/2”. 7) Overall 17-1/2” x 14-1/2”. 8) Overall 12-1/2” x 15-1/2”. 9) Overall 18-1/2” x 15”. 10) Sight 13” x 10”. Overall 21-1/2” x 16”. 11) Sight 21” x 13-3/4”. Overall 27” x 19-3/4”. 12) Sight 20-1/2” x 23”. Overall 28-1/4” x 30-1/2”. Condition: 1) 2” tear, otherwise very good. 2) Surface grime, good. 3) Very good. 4) Very good. 5) Dirty, fair. 6) Very good. 7) Very good. 8) Very good. 9) Stain lower right. 10) Not examined out of frame, foxing and surface dirt. 11) Good. 12) Very good. 52885-77 (200-300)

Lot 1356

~ End of Fine Art ~ 151

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Session 1

1355.

~ Beginning of Asian Items ~ Session 1

1360.

SILVER TEA SET WITH COFFEE POT. Japan, Meiji period. Included is a handled tea pot, creamer, sugar, waste bowl, strainer, and tea caddy all finished with repoussé design of various flowers with leaves encasing the handles and spouts. Together with a similar repoussé decorated coffee pot. Tea set approximately 38 troy oz, coffee pot approximately 22 troy oz. SIZE: Teapot: 5” without handle, coffee pot: 8-1/4”. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for Lot 1360 more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good, tea set with small dent in handled basket and a couple of small dents to the creamer, tea caddy top slightly pushed down. 52549-1 (2,000-2,500) ESA

1361. JAPANESE MIXED METAL DISH. Meiji period. The dish with a scene of two figures on rafts under a moonlit sky with birds overhead. Signed on the reverse. SIZE: 12-1/2” dia. CONDITION: Very good, some spots of light rubbing and tarnish to the finish. 52875-15 (500-1,000)

Lot 1361

1362.

JAPANESE SILVER AND METALWORK SCULPTURE. Meiji period. Made in the form of a flag with central design having a single line of script mounted by two birds and surrounded by rondels. Framed with and mounted on a silver handle. SIZE: 21-1/2” h. CONDITION: Overall very good, tarnishing to the surface. 52875-14 (1,500-2,500)

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152

LOT OF SATSUMA AND IMARI POTTERY AND PORCELAIN. Japan, Meiji Period. The lot made up of five Satsuma vases including two covered examples having Shishi finials and liners. Together with two Imari porcelain vases having ruffled top rims. SIZE: Satsuma covered vases 10” t. Satsuma shortest 7-1/4” t. Imari 11-1/2” t. PROVENANCE: Property of Annie Allender Gould, a missionary during the Boxer Rebellion where she lost her life. CONDITION: Satsuma very good overall. Imari with one vase having breaks at the top rim with staple repairs and missing one section. 52936-14 (800-1,000)

Session 1

1363.

1363A. EXQUISITE GOLD JAPANESE CIGARETTE CASE. First half 20th century. Exterior with exquisite detailed Lot 1363 gold engraving with flowers and village scene. The reverse, a panel with an image of a palace enclosed in a five petal sketching surrounded by various species of flowers. The interior with image of Mt. Fujiami and signed by maker and script below. The interior also marked 24 gold (but does not test solid gold) with three petal design above. SIZE: 5-1/4” h, 3-1/2” w. CONDITION: Generally good. 53047-2 (300-600)

Lot 1363A

1364. LONGQUAN CELADON BOWL. China, Ming Dynasty. The bowl in shallow form with carved ribbed walls surrounding a lotus in the center done in shallow relief. SIZE: 12” dia. CONDITION: Very good. 52821-1 (800-1,200)

Lot 1364 1365. PAIR OF PORCELAIN FIGURES. China, early 20th century. Each depicting a bearded figure wearing flowing robes with one holding a scepter and the other a small child in his arms. Each with impressed seals to the underside. SIZE: 17-1/4” t and 173/4” t. CONDITION: Some craze lines to the porcelain on the face of each. 52975-1 (1,500-2,500)

Lot 1365 1366. TWO PIECE LOT OF EXPORT ARMORIAL PORCELAIN. China, early 19th century. The lot consisting of a covered oval form vegetable dish, and plate. Both hand painted in iron red and Mazarin blue with the arms of John Fam Timins of the East India Company. SIZE: Covered dish 11”. Plate 9-1/4”. CONDITION: Covered dish with crack extending from rim and loss to glaze on finial. Dish with line on base and chip on rim. 52927-11 (400-600) 153

Lot 1366

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Session 1 1367.

Lot 1367 (w/close-up)

ROSE MANDARIN BOWL. China, 19th century. Both the interior and exterior colorfully painted with reserves depicting figures surrounded by gilt key fret borders, all done under bands of flowers and precious objects accenting the rim. SIZE: 12” dia. CONDITION: With restoration, displays well. 52829-52 (1,200-1,800)

1368. NANKING PORCELAIN BASIN. China, 19th century. The large basin painted in the center with a single landscape and the outside with four sprays of flowering plants. SIZE: 21-1/2” dia. CONDITION: Very good. 52829-13 (3,500-5,500)

Lot 1368 (w/close-up)

1369.

ENAMELED SILVER VASE. China, early 20th century. The vase made in baluster form with openwork floral handles and decorated around the body with colorful applied enamels depicting a phoenix in flowery landscape. Marked on the underside. SIZE: 7-1/4” h. CONDITION: Small dent in body, loss to enamel in one flower. 52976-2 (800-1,200)

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154

Session 1

1370.

LARGE PAIR OF BRONZE FOO LIONS. China, 20th century. The large pair each depicting a standing foo lion with head raised and opposing front paws presenting forward. SIZE: 23” h x 22” l each. CONDITION: Very good. 52829-26 (2,000-3,000)

Lot 1370

1371. PAIR OF CHINA TRADE TEAK SIDE CHAIRS. Second quarter 19th century China. Each rectangular backed with scrolled ears framing a handcaned back panel above a modified balloon seat frame, frames absent. Raised on frontal tapering cylindrical reeded legs with ring-turned cuffs continuing to pointed feet. The rear legs backswept. Front and rear legs joined by a simple stretcher. SIZE: 32” h (overall), 18” h (seat) x 17” w. CONDITION: Surfaces now cleaned and ready for repolish. Structurally very good. Frames are absent on both, as previously noted. Reference for a similar example, see: 52807-1 (2,5003,500)

Lot 1371

1372.

NEPHRITE JADE BOULDER CARVING. China, 19th century. The stone of a pale celedon color with russet inclusions finely carved with a scene of an elder and child gazing upon a crashing waterfall cascading from the cliffs above. The reverse with a single prunus tree growing from the rocky terrain below. SIZE: 2-1/2” h. CONDITION: Very good, natural fissures in the stone. 52976-1 (800-1,200)

Lot 1372 155

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1373.

Session 1

JADE INLAID SIX PANEL FLOOR SCREEN. China, early 20th century. Each panel heavily inlaid with stone carving including numerous jade examples. Framed wood carvings of fruit in archaic design along the top edge and panels of carved trees just above the base. The reverse painted with polychrome landscapes highlighted in gilt. SIZE: Approximately 72â&#x20AC;? h x 102â&#x20AC;? l. CONDITION: Very good. 53020-6 (4,000-6,000)

Reverse

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156

JADEITE CARVING OF QUANYIN. China, 20th century. The deity shown wearing a flowing robe and beaded necklace holding a string of beads in one hand with the other raised in front of her chest. The stone of a grayish-white color having green highlights and scattered dark inclusions. SIZE: 16-1/2â&#x20AC;? t. CONDITION: Natural fissures in the stone. 52895-12 (3,000-5,000)

1375.

TURQUOISE GROUND FAMILLE ROSE CHARGER. Qianlong mark and possibly of the period, China. The charger with shallow rounded sides and openwork rim, is finished with meandering vines and blossoms all done on a turquoise glazed ground. The underside with matching design and stands on a slightly splayed foot with rose colored leaf accents ending at a smooth foot rim. Qianlong seal in iron red. The underside bears numerous labels including examples with the names of Marchant and Nathan Bentz, and is also accompanied with a paper receipt from the London San Knight Antique Gallery Museum, dated 1970. Our research has been unable to verify the references to these former collections. SIZE: 15-1/2â&#x20AC;? dia. CONDITION: Very good with scattered wear to the glaze, rubbing to the gilt. 53026-1 (10,000-20,000)

Session 1

1374.

Lot 1374

Lot 1375 (w/reverse) 157

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Session 1 1376. CELADON GLAZED SHALLOW BOWL. China. Made in octagonal form and carved with a single dragon in the center surrounded by floral reserves. All done under a dark celadon ground. SIZE: 13” dia. CONDITION: Very good. 52821-2 (600900)

Lot 1376 (w/alternate view)

1377.

FOOTED INK STONE. China, 20th century. The top with double well surrounded by relief design of bats and precious objects resting on four claw form feet. SIZE: 12-1/2” l. CONDITION: Rubbing to the surface. 52570-1 (600-800)

Lot 1377 1378.

LARGE LOT OF EXPORT PORCELAIN. China, 19th century. The lot including a 10-1/4” dia Rose Mandarin, 9-1/2” cut corner Scenic medallion bowl, 9-1/4” Rose Medallion cut corner bowl, 9-1/4” Famille Rose footed tazza, 7” h Rose Medallion square form covered tea canister, a pair of 7” Rose Medallion vases with foo lion handles, 5-1/2” h Rose Medallion strap handled teapot, a 9-1/2” Rose Mandarin vase fitted as a lamp, a 10” Rose Medallion beaker form vase with ormolu mounts, and an octagonal Rose Medallion cup and saucer set. Together with a four sided porcelain bowl painted with a continuous scene of figures standing on a splayed foot and marked with a seal in iron red. PROVENANCE: Property of Annie Allender Gould, a missionary during the boxer rebellion where she lost her life CONDITION: Mandarin bowl with two chips to the rim. Scenic Medallion bowl very good. Cut corner Rose Medallion bowl with chip to rim. Tazza with two re-glued sections on the rim. Tea canister with crack to both body and cover. Pair of vases one with chip to rim and one with restoration at the rim. Teapot is very good. Lamp with hairline extending from rim. Beaker vase with small hairline at rim. Cup and saucer very good. Four sided bowl with areas of restoration. 52936-13 (500-600)

Lot 1378

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158

PAIR OF EXPORT PORCELAIN INSERTS. China, early 19th century. Each made in ovoid form painted with various objects throughout the center surrounded by a band of yellow enamel with precious objects accenting the rim. Come with two later wood stands for display. SIZE: 11-3/4” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT .CONDITION: Areas of wear to the applied artwork. 52806-108 (800-1,200)

Session 1

1379.

Lot 1379 1380. INSIDE PAINTED SNUFF BOTTLE SIGNED YE ZHONGSAN (1875-1945). China, dated “jiyi” (1929), “xing yue” apricot (second) month. The bottle carved from hair crystal and nicely polished having inside painted decoration. One side with the scene of clustered swimming gold fish reversed with the village girls washing Chinese gauze near the pond. Upper left signed Ye Zhongsan with a painted seal. SIZE: 2-3/4” h to top of stopper. CONDITION: Chip to foot, small chip at rim, stopper glued down. 52977-1 (1,200-1,800)

Lot 1380 (w/reverse)

1381.

BLUE AND WHITE PORCELAIN VASE. China, 18th century. The body with ten vertical columns decorated with flowering vines and framed with two raised bands finished in blossoms. Stands on a slightly spayed foot with scroll work and marked on the underside with a Qianlong seal and dates of the period. SIZE: 8-1/2” h. CONDITION: Vase has been reduced, one hairline extending from the rim. 52778-1 (4,000-6,000)

Lot 1382 (w/reverse)

1382. FINE NATURAL JADEITE DIAMOND AND GOLD GUANYIN PENDANT. The Jadeite Guanyin coming with a Hong Lot 1381 Kong Gems Laboratory certificate indicating it is a 101.49ct “Natural Colour Fei Cui” (Type A). The Buddha surrounded by an 18k marked on back white gold frame having single lines of diamond melees. There is a hinged door on the back of the pendant. Housed on an unmarked probably 18k white gold chain. A sample testing of the diamonds indicates authentic diamonds. SIZE: Jadeite 2” h x 1” w. Overall 2-3/4” h x 1-1/4” w. CONDITION: Very good. 52895-16 (10,000-15,000)

159

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Session 1

1383. 18KT GOLD AND APPLE GREEN JADEITE BRACELET. The bracelet set with five rectangular arched cabochons of apple green color. Clasp marked 18K. Accompanied with GIA certificate stating the Jade of natural color, no indications of impregnation, GIA report #2161921387. SIZE: 7-1/2” dia. CONDITION: Very good. 52818-3 (3,000-4,000)

Lot 1383 1384.

BLUE AND WHITE PORCELAIN PUNCH BOWL. China, 19th century. The exterior painted with a continuous landscape done in underglaze blue beneath a band of crosshatched design accenting the top rim. SIZE: 14-1/4” dia. CONDITION: Star crack to base. 5288532 (200-300)

Lot 1384 (w/alternate view) 1385. CELADON GLAZED PORCELAIN POT. China, 20th century. The pot made in globular form with carved design of peonies around the body under an applied celadon glaze. A molded dragon and bat accent the top rim and the underside with an apocryphal Qianlong mark. SIZE: 5” dia. CONDITION: Very good. 52895-11 (600-800)

Lot 1385 1386.

FAMILLE ROSE PORCELAIN VASE. China, 20th century. The vase made in teardrop form and standing on a tall splayed foot. The body hand painted with a scene of women and children in a landscape and script on the reverse. The underside with an apocryphal four character Qianlong mark. SIZE: 10” h. CONDITION: Very good. 52878-1 (800-1,200)

1387. PORCELAIN DRAGON VASE. China, 20th century. Made in double gourd form the body is decorated with intricately carved dragons surrounded by stylized clouds. All done on a ruby colored sgraffito ground. The foot surrounded by crashing waves, and the underside with a carved Qianlong mark. SIZE: 14-1/4” t. CONDITION: Very good. 52778-2 (1,500-2,000) Visit www.jamesdjulia.com for more information

Lot 1386 160

Lot 1387

Lot 1388 1389. BRONZE STATUE OF SEATED BODHISATTVA. China, 20th century. The deity shown seated on a double lotus base with foot resting on extending blossom and hands posed in a mudra. SIZE: 8-1/4” h. CONDITION: Scattered wear to the surface. 5289513 (500-700)

1389A. PAINTED POTTERY STATUE OF STANDING HORSE. Tang Dynasty, China. The horse is shown Lot 1389 standing on a rectangular base with his head raised high and standing at attention. A saddle is draped over its back and bridle on its head. It is finished in a red wash, saddle and bridle painted black and white. Accompanied by Oxford Thermoluminescence test number C103Y37. SIZE: 12” h x 10-1/2” l. CONDITION: Overall very good, possible old restoration to top of front legs and at top of the neck. 53060-1 (2,500-3,500)

Lot 1389A 1390.

LARGE INLAID WALL PANEL. China, 20th century. The panel inlaid with semiprecious stones and cloisonné depicting various vessels. Encased in a wood frame with carved dragons, mounted with a gilded metal hanger. SIZE: 45-3/4” h x 28-3/4” w. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good. 52857-1 (1,000-1,500) ESA

Lot 1390 161

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Session 1

1388. LOT OF EIGHT SNUFF BOTTLES. China. 20th century. The lot consisting of six porcelain examples of various form along with two enamel on copper bottles. SIZE: Tallest 3” h. Smallest 2” h. CONDITION: Overall very good. Some stoppers missing spoons. 52943-1 (200-400)

Session 1

1391. SCROLL PAINTING OF TIGERS. China. 20th century. Executed on paper and mounted on a scroll backing. The image depicts a mother tiger and cub resting with branches overhead. Two lines of script with seals. SIZE: Image 27-1/2” h x 27” w. Overall 33-1/2” h x 34” w. CONDITION: Creasing. 52818-1 (100-200)

1392. HAND FAN WITH CALLIGRAPHY. China. 20th century. The fan of bamboo supporting a hand-painted scene on one side with snail and flowers. Calligraphy on the reverse along with one seal. SIZE: Sticks measure 12”. CONDITION: Very good. 52818-2 (100-200)

Lot 1391

Lot 1392

1392A. CARVED CHINESE AMULET. 19th century. Depicting a Chinese deity surrounded by open work carved vine design on a black cord with two small amber beads. SIZE: Approximately 1-3/4” h x 1-1/2” w. CONDITION: Generally excellent. 53047-3 (300600)

Lot 1392A 1393. PAIR OF ENAMELED BOTTLE VASES. China. The pair decorated with cranes and flowers around the body framed by a ring of ruyi and lappets surrounding the foot. The undersides heavily marked with an apocryphal Qianlong mark in the center. SIZE: 16-1/2” t. CONDITION: Very good. 52829-32 (600-900)

Lot 1393 1394. PAIR OF PORCELAIN VASES. China, 20th century. Made in bottle form, the pair are hand painted with reserves of figures on each side surrounded by a trim of scroll work vines on a Mazarin blue ground. Each marked on the underside with an apocryphal Kangxi six character mark. SIZE: 16-3/4” t. CONDITION: Very good. 52829-39 (600-900)

Lot 1394 1395. PAIR OF BLUE AND WHITE COVERED TEMPLE JARS. China, 20th century. Each jar painted in underglaze blue with a continuous underwater scene with fish and aquatic plants. SIZE: 18-1/2” t. CONDITION: Very good. 5282931 (600-900)

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Lot 1396 1396A. NINANI DOHACHI ( Japanese, 17831855) FINE STONEWARE TEAPOT (KYUSU). First half 19th century/Edo Period, Japan. The small teapot with bulbous body, spout, and a short hollow flared handle. Covered overall with a crackled cream glaze. Decorated with a freehand painted design of two horses in underglaze blue on one side, a long inscription in calligraphy on opposing side. Framed by a chevron border beneath the rim and decorated with a double line around Lot 1396A (w/alternate view) the foot below. The potter’s signature inscribed beneath the double line border above the foot, reading “Dohachi tskuru”. Teapot is offered with custom lid protector and is housed in period two-part presentation box. Note: this type of teapot was used for less formal “sencha” tea ceremonies, which uses steeped whole leaf tea as opposed to powdered matcha, and was popular with the Japanese literary community. Also note: This teapot was authenticated by Bruzo Nakanichi circa 1987 for the exhibition “Refreshment of the Spirit: Oriental Wine and Tea Vessels” at the Musee des BeauxArts de Montreal in 1990 as exhibit number 56, page 102 in the original catalog of the same name; a copy of this catalog will accompany the lot. SIZE: 2-3/4” h x 2-1/2” w x 2-1/2” d. CONDITION: Overall very good. With discoloration in the body due to reaction from heat over time. 52927-9 (500-800)

Lot 1396B

1396B. G LOBULAR FORM FLOWER ARRANGING BASKET SIGNED “CHIKUHOSAI”. Early 20th century, Japan. With the signature of Maeda Chikohu (1872-1950). The body constructed of a loose hemp leaf weave, overlaid by repeating bands of twining (nawa-ami) in graduated widths, finished at the rim with ornamental bamboo twigs, the handle made from a bent bamboo stalk, elegantly wrapped in ornamental knots which descend down each side to the bottom. Signature located on the underside. Note: Maeda Chikuho employed this type of design in a number of globe and ovoid shaped baskets, a style he created and for which he became famous. Chikuho was one of the most important bamboo artists working in the decades prior to WWII, which was known as the Golden Age of Japanese Basketry. This basket was offered at the Fine Asian Works of Art auction by Butterfield & Butterfield, San Francisco, California, sale number 70700, December 13, 1999, as lot number 6283. Basket is accompanied by a copy of the auction catalog and a copy of “Departures Magazine,” December 1999 edition, in which the works of Maeda Chikohu are featured. SIZE: 19-1/4” h x 11-1/3” dia. CONDITION: Overall extremely fine condition with undisturbed surface and rich chocolate-brown patina. 52927-10 (1,2001,800)

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Session 1

1396. B LUE AND WHITE PORCELAIN CHARGER. China, 20th century. The central reserve depicting a dragon in flight amongst stylized clouds surrounded by a border of lotus scroll. The underside with a six character Xuande mark. SIZE: 24” dia. CONDITION: Very good. 52829-40 (600900)

Session 1

1397. CARVED HARD WOOD LOW TABLE. China. Early 20th century. The table in rectangular form standing on four tapered legs with scrolling at the feet and aprons with openwork design of stylized dragons. SIZE: 30” l x 151/2” w x 30-1/2” h. PROVENANCE: Ex Collection: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Some separation at joints, shrinkage split to top panel. 53036-1 (300-500)

Lot 1397 1398.

LOT OF ASIAN ARTICLES. 20th century and earlier. The lot consisting of a small Chinese bronze mirror decorated in a pattern of squirrels and grape vines. Also included is a Persian silver on copper bowl along with an intricately carved small gourd. Also included is an inside painted glass snuff bottle, China, 20th century. The bottle made in slightly flattened form and Lot 1398 colorfully painted on the interior with a scene of two warriors on horseback. Signed with one line of script. SIZE: Bowl 6” w. Mirror 4” w. Gourd 4” h. Snuff 3-1/4” h (not including stopper). PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Bowl has significant loss to silvered surface, small dents. Mirror has small chip on the edge. Gourd is very good. Snuff bottle is very good with stopper missing spoon. 53028-6, 53028-10 (150-250)

1399. P AIR OF BRONZE SEATED FOO LIONS. China. 20th century. The pair in the form of a large male and female foo lion with one resting a front paw on a ball and the other a young pup. Both shown with fierce open mouth expressions and seated atop a rectangular plinth. SIZE: Overall 14” h. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Minor loss to the teeth, one plinth with repairs. 53028-3 (800-1,200)

Lot 1399

1400. PAIR OF POTTERY FOO DOG STATUES MOUNTED AS BOOKENDS. China. Qing Dynasty. The dogs molded in opposing form standing upon a leaf form base and finished in green, yellow, and aubergine glaze. The pair has been mounted on gilt bronze bases to act as bookends. SIZE: 6” h. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Both with chipping around the foot. 53028-7 (250-350)

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Lot 1401 1402. LONGQUAN CELADON GLAZED CENSER. China. Ming Dynasty. The heavily potted censer in compressed form resting on three tapered mask and claw feet. The exterior decorated with trigrams done in relief, and the interior with an impressed lotus blossom. SIZE: 12” w x 3-3/4” h. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Very good, minor chipping to unglazed underside. 53028-1 (700-800)

Lot 1402

1403. CELADON GLAZED FOOTED BOWL. China. Ming Dynasty. The walls of the bowl in slightly flared form and resting on three short legs. The body with carved cross-hatched design under a lightly applied celadon glaze. SIZE: 10-1/4” w x 7” h. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: One leg broken and re-glued. Hairline at rim. Crazing to the glaze. 53028-2 (600700)

Lot 1403 165

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Session 1

1401. FAHUA GLAZED FOOTED CENSER. China. Late Ming Dynasty. The censer raised on three cabriole supports and decorated around the body with applied dragons finished in turquoise. Comes with fitted wood stand. SIZE: 7-1/2” w x 6-1/2” h (without stand) PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Crack running the length of the body on one side. 53028-9 (400-600)

Session 1

1403A. TWO FAMILLE ROSE “THREE BOY” VASES. 19th/20th Century, China. Each vase in bottle form decorated around the body with bats and lotus scroll on a dual glazed ground. The top accented with a ring of ruyi and traces of gilt remain on the rim. Applied to both are three young boys at play including two perched upon the shoulder and one pulling a rope below. They are marked on the underside with iron red Qianlong seals on a turquoise glazed ground. SIZE: Approximately 12-1/2” h. PROVENANCE: Freeman’s, Fine Asian Arts, September 14, 2009, lots 581 and 582. CONDITION: Red above yellow example: 1/4” repair to foot of lowest boy, wear to enamel consistent with Lot 1403A age and use, loss to gold decoration on rim. Yellow above Ruby example: Head repaired to boy at shoulder, moderate wear to enamel. 53071-1 (15,000-20,000)

1404. P OTTERY ROOF TILE OF MYTHICAL CREATURE. China. Qing Dynasty. The creature depicted mid stride atop a stylized cloud with open mouth and main flowing back. SIZE: 14” l x 12-1/2” h. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Repairs to back legs. Scattered losses throughout. Flaking to the glaze. 53028-4 (800-1,200) 1405.

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NO LOT

1406. YELLOW JADE SNUFF BOTTLE. China, 19th century. The stone of a pale yellow color having scattered white inclusions hand carved in flattened form while standing on a raised foot. Bottle is well hollowed and comes with a replacement stopper. SIZE: 2-1/4” h without stopper. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Small chip at edge of rim. 52714-68 (1,200-1,500)

Lot 1406

1407. GLASS SNUFF BOTTLE. China, early 20th century. The bottle made in a flattened round form of coral colored glass with streaked design, comes with glass stopper. SIZE: 2-1/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Stopper a replacement and glued down, small chip on top rim. 52714-70 (400600)

Lot 1407

1408. SQUARE JADE SNUFF BOTTLE. China. The bottle carved in four sided form with recessed panels on each side, containing characters in shallow relief, the sides accented with mask and ring handles and stands on a raised foot rim. SIZE: 2-1/4” h with stopper. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Small chip to top rim, stopper glued down. 52714-69 (600-800)

Lot 1408 167

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Session 1

Lots 1406-1450 are items from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. This estate has a long and varied family tree incorporating families of Decatur, Mayo, Deyo, and more. Many of these items have been acquired through the world travels of various family members. For full history of family lineage see the introduction in the Historical section of Session 2.

1409.

Session 1

LOT OF ENAMELED PORCELAIN. China, 19th/20th century. Consisting of eight fitted sweetmeat dishes with yellow ground, along with six cut corner and four hexagonal bowls painted with rondels on a yellow ground and floral accented interiors. SIZE: Sweetmeat dishes each 6-1/4”. Hexagonal 5-1/2”. Cut corner 5-1/4”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Sweetmeat set is very good. Cut corner bowls three with chips on rim. Hexagonal bowls three with chips and losses to rim. 52714-91 (400-600)

Lot 1409

Lot 1410 1411.

1410. PAIR OF TURQUOISE GROUND PORCELAIN BOWLS. China, early 20th century. Each bowl with design of colorful butterflies flying amongst fruit filled vines. Undersides with apocryphal Jiaqing marks in iron red. Comes with wood stands. SIZE: 7” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: One bowl with chip to rim and foot and small hairline at rim. 52714-76 (800-1,000)

LARGE LOT OF TURQUOISE GLAZED PORCELAIN. China, early 20th century. The lot consisting of fourteen 11-1/2” chargers and two 10-3/4” footed bowls. Each hand painted with floral sprays on a turquoise glazed ground. All with apocryphal stamped marks on the undersides. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Scattered chips to the chargers, foot of one bowl restuck. 52714-80 (1,000-1,500)

Lot 1411 1412. LOT OF TEN DAYAZHAI STYLE PORCELAIN DISHES. China, 20th century. Each dish painted with a group of peonies painted is grisaille surrounded by a lightly applied egg yolk glaze. The underside with three sprays of grisaille scrolling and marked in iron red. SIZE: 9-1/2” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Three dishes with hairlines extending from the rim. 5271489 (800-1,200)

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168

Lot 1413 1414.

CARVED WOOD BEAD NECKLACE. China, 20th century. The beads of uniform size, each carved with a shou character and displays a wood pendant with openwork scrolling. SIZE: Approximately 33” l. Pendant 2-3/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-83 (600-800)

1415. LOT OF BRONZE AND METAL OBJECTS. China, 18th century and later. Included is a cast iron footed censer in flattened form with archaistic design, a bronze statue of a standing figure mounted on a wood base, a bronze seal paste box with relief dragons, and a ovoid form polished bronze censer with four character Xuande mark. SIZE: Lot 1414 Censer: 12” l, figure: 8” h with base, box: 2-1/2”, ovoid: 7-3/4” l. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Cast iron censer with tarnish to the surface, figure with loss to right hand, seal paste box very good, ovoid censer with numerous filled holes in the wall. 52714-93 (800-1,200)

Lot 1415 1416.

PEKING ENAMEL COVERED BOX. China, Qing Dynasty. The round box made in flattened form and hand painted on the cover with a woman on horseback along with two attendants. The underside with a six character Qianlong mark. SIZE: 4-1/4” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Discoloring to the enamel, small chip on cover, losses to cover interior, area of stress lines to lower half. 52714-82 (600-800)

Lot 1416 1417. CELADON GLAZED COVERED BOX. Korea, Choson Dynasty. The box in a round flattened form, decorated on the cover with a pair of birds in a sunburst pattern surrounded by scrolling. SIZE: 3-1/2” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-61 (800-1,200)

Lot 1417 169

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Session 1

1413. LOT OF WOOD AND POTTERY STATUES. China, 20th century and earlier. The lot made up of three wood examples including two with lacquered surface together with a pottery example finished in a Langyao glaze. SIZE: Pottery: 8” h, wood examples between 5-3/4” and 6-1/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Pottery with head broken off, now fitted loosely inside neck, wood examples with losses to the painted surface, one statue with loss to the fingers. 5271462 (400-600)

1418.

Session 1

SILK EMBROIDERED ROBE. China, early 20th century. On a blue silk ground, the robe is decorated with roundels of various figures within a landscape. The collar and seams accented with ruyi and fastened with gilded buttons. SIZE: 42” h x 54” across sleeves. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good, some fraying and separation at collar. 52714-114 (800-1,200)

Lot 1419 1420.

1419. LOT OF ASIAN PORCELAIN. 20th century and earlier. The lot consisting of a matched pair of Chinese blanc de chine libation cups decorated around the exterior with a scene of animals in a landscape and dragon above, all done in relief under a lightly applied glaze. Two similar porcelain bottle vases decorated with underglaze blue highlighted with Famille Rose enamels and gilt accents. Together with a Japanese Kutani covered koro with bracketed handles and painted with a dragon and phoenix. SIZE: Libation 6-1/2” l. Bottle vases 6-1/2’ h. Kutani 4-3/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Libation cups with a couple small nips on the rims. One vase has a chip to rim, Kutani is very good. 52714-84 (500-700)

LOT OF FOUR PORCELAIN LAMPS. China, 19th century and later. The lot consisting of four porcelain lamps including a Ku form example with archaistic design, a rouleau form example with mask handles, and a pair in cylindrical form vases with applied white enamel. SIZE: Porcelain 13” to 14” tall. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Ku form with firing crack to raised accent. Rouleau with large crack in body. Cylindrical lamps very good. 52714-87 (300-500)

Lot 1421

1422.

Lot 1418 (w/reverse)

1421. LOT OF FAMILLE ROSE PORCELAIN TEA WARES. China, late 19th and early 20th century. The lot consisting of two teapots including one with fitted basket, two creamers, Lot 1420 a covered sugar, and various cups and saucers. SIZE: Teapots 6-1/2” and 6” tall. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Teapot with fitted basket very good, second teapot missing handle. One creamer with loss to spout, second creamer with staple repair to handle. Covered sugar very good. Cups and saucers with scattered chips, hairlines, losses. 52714-92 (400-600)

PAIR OF CARVED AGATE PHOENIXES. China, early 20th century. Each bird shown in standing pose with tail wrapped around feet and heads raised. Both come with fitted openwork stands accented with lingzhi. SIZE: 7-1/2” t with stands. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Both with losses to tip of feathers, one stand with break and losses. 52714-74 (800-1,200)

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170

Lot 1422

Lot 1423

1424. SEATED BRONZE FIGURE. China, Ming Dynasty. The bronze depicting a woman seated with arm propped upon a raised knee. Traces of lacquer finish in areas along with spots of gilt highlights. Comes with fitted stand. SIZE: 7” t (without stand). PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Missing most of lacquered finish, wear to the surface. Stand with losses around the edges. 52714-75 (400-600)

1425. CARVED JADE GROUPING. China, 19th century. Carved from a milky off white stone, the grouping depicts a figure standing aside an openwork rockery with a crane Lot 1424 at his side and holding a peach filled branch behind his head. Comes with fitted stand. SIZE: 4-1/2” h (not including stand). PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Glue residue around base, chip to edge of sleeve. 52714-73 (4,000-6,000)

1426.

TWO IMARI PORCELAIN BOTTLES BY FUKUGAWA. Lot 1425 Japan, Meiji Period. Each bottle made in four sided form with tapered shoulders and short inverted neck. One bottle painted with trees and potted flowers with the other having a design of dragons and phoenix, both marked in iron red to the underside. SIZE: 7-1/2” t. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Wear to the gilding. 52714-77 (600800) 171

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Session 1

1423. PEKING CUT OVERLAY SNUFF BOTTLE. China, Qing Dynasty. The bottle of a snowy glass ground with cut overlay design of various censers and vessels done in emerald green. SIZE: 2-3/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good, stopper glued down. 52714-72 (500-700)

Session 1 1427.

SATSUMA POTTERY VASE BY YABU MEIZAN. Japan, Meiji Period. The vase made in beaker form and exquisitely painted with a continuous waterfront landscape around the lower half and a procession of figures around the top. Signed on the underside in gilt, comes with a wood stand. SIZE: 4â&#x20AC;? t (excluding stand). PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-79 (4,000-6,000)

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172

1429. FRAMED PAINTING ON SILK. China, early 20th century. The image with women and children in a courtyard engaged in various activity along with three lines of script and one seal in the upper right. Housed in a gilt painted frame. SIZE: 34” x 22-1/2”. Overall: 42” x 26”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Scattered staining, minor loss upper left corner. 52714-51 (1,500-2,000)

Lot 1428

Lot 1430

1430. FRAMED SCROLL PAINTING Lot 1429 AFTER GUISEPPI CASTIGLIONE. China, 20th century. Painting depicts an eagle perched upon an outcropping of rocks gazing upon the crashing waves below. Numerous lines of script and seals above. SIZE: Image: 49-1/2” x 25-1/2”. Overall: 63-1/2” x 32-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Scattered splits in the image, areas of fraying to the silk ground, minor stains. 52714-52 (1,500-2,000)

1431. TIBETAN PAINTING OF SEATED BUDDHA. Tibet, 19th century. The canvas fragment painted with the Bodhisattva seated upon a lotus base with mandorla surrounding. Single line of script on reverse. SIZE: 131/2” x 12”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Some scratching to the surface, fraying around the edges. 52714-208 (100-200) 173

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Session 1

1428. FRAMED SCROLL PAINTING OF PEACOCK. China, early 20th century. Primarily done in black, the painting depicts a single peacock with one foot raised, standing within a flowery landscape. Feathers are touched with blue and green pigment and a single line of script along right margin. SIZE: Sight: 41-1/2” x 22”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Overall: 531/4” x 28-1/4”. CONDITION: Appears to have been laid down, scattered splits and cracks in paper. 52714-53 (600-800)

1432.

Session 1

FRAMED SCROLL PAINTING. China, early 20th century. Executed with gouache on paper, the image depicts a vast courtyard with central waterway and four elegant maidens standing in the foreground. SIZE: Image: 51” x 24-1/4”. Overall: 64-1/2” x 28-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Scattered splits in the paper, some wrinkling, foxing throughout. 52714-50 (2,000-2,500)

1433. LARGE LOT OF CANTON PORCELAIN. China, 19th century. The lot consisting of a 16-1/4” charger, 11-3/4” bowl, 15-3/4” platter, a pair of 103/4” reticulated platters, 10-1/2” chestnut basket with underplate, 10-1/2” and 9-1/2” scalloped edge bowl, and a pair of 6-3/4” footed plates. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Charger has hairline and small chips to rim. Bowl with small chips and hairline to rim. Platter with glaze loss around rim. Reticulated platters very good. Chestnut basket and underplate very good. Scalloped bowls have chips, smaller example with hairline. Footed plates with small chips to the rim. 52714-85 (800-1,200)

Lot 1433 1434.

Lot 1432

TWO BLANC DE CHINE PORCELAIN STATUES. China, 20th century. The first of a standing Quanyin with robe blowing in the wind and holding a small bottle in her hand. She stands upon a lotus base above the crashing waves below with wood stand. The second shown holding a branch in her right hand and fitted as a lamp. SIZE: First 14-1/4” t. Second 15-1/2” overall, porcelain 12” t. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: First has losses and repair to left hand, loss to edge of robe. Second drilled through back when fitted for lamp. 5271478 (500-700)

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1435. LOT OF PORCELAIN DISHES. China, late Qing Dynasty. The lot made up of four 6-3/4” dishes and two 5” lobed pedestal dishes. Each hand painted with groupings Lot 1434 of pomegranate done in iron red and marked on the underside with a stamped seal. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Three dishes with chips and hairlines, one pedestal dish with hairline. 52714-90 (600-900) 174

LOT OF ASIAN PORCELAIN. 18th century and later. The lot made up of 14-3/4” platter painted in a cabbage leaf pattern, a 13-1/2” iron red decorated charger with pomegranates, an 11-1/2” lobe bowl with continuous scene of figures, 5” export porcelain teapot with scene of westerners, pair of 7” Famille Rose plates on celedon glazed ground, 5-3/4” Famille Yellow spoon, a set of three 10-1/4” porcelain tiles set in a wood frame. Together with a Japanese porcelain teacup and saucer with delicate design of butterflies and flowers on a stippled ground. PROVENANCE: A most historical and important Lot 1436 collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Cabbage leaf platter with small losses to enamel. Charger with small hairline at rim. Lobe bowl with large chip and hairline. Teapot with numerous cracks around the body. Pair of plates, one with hairline at rim. Tiles all broken and repaired. Japanese teacup and saucer very good. Spoon very good. 52714-110 (400-600)

1437.

LOT OF ASIAN TEXTILES. 19th and 20th century. The lot made up of a large 67” l dragon fragment, a 86” l embroidered table runner, silk jacket and skirt, Japanese robe and four other fragments. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good, dragon textile with fraying, light stains, and minor losses, Robe with 2” pull along front left seam, silk jacket with minor fraying. 52714-117 (500-1,000)

Lot 1437 1438.

LARGE LOT ASIAN TEXTILES. 20th century. The lot made up of two robes, a velvet lined turquoise textile with lotus, pair of Japanese shoes, and various fragments. SIZE: Japanese kimono” 58” l, yellow robe: 52” l. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good overall, yellow robe with staining. 52714-116 (200400)

Lot 1439

Lot 1438

1439. POTTERY ROOF TILE OF WARRIOR ON HORSEBACK. China, Ming Dynasty. The tile showing figure on horseback with hand resting on his side with gleeful expression with head turned. Finished with a turquoise glaze accented with black. SIZE: 15” t. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Scattered losses, repair to tail of horse, repairs to head and shoulders to figure, repair to corner of base. 52714-88 (600-800)

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Session 1

1436.

1440.

Session 1

LOT OF FAMILLE ROSE EXPORT PORCELAIN. China, early 19th century. Lot includes two rectangular covered serving dishes with pine cone finials finished in gilt. Together with two shallow bowls decorated in Famille Rose enamels and having floral sprays in the center. SIZE: Serving dishes 9-1/2” l x 8-1/2” w. Bowls 8-3/4” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Covered dishes very good, one shallow bowl with break to the rim. 52714-81 (600-800)

Lot 1441

1442.

Lot 1440

1441. EXPORT PORCELAIN PUNCH BOWL. China, late 18th century. The bowl hand painted around the exterior with a flowery landscape done in vibrant enamels and accented in gilt. The interior with a large floral spray in the center and an alternating trim of iron red and stylized clouds in blue. SIZE: 13-3/4” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Line across base stabilized with staples, hairline at rim, formerly having a staple now removed. 52714-86 (600-800)

SPINACH JADE SNUFF BOTTLE. China, 20th century. Carved from a pale spinach colored stone with black inclusions made in flattened form and stands on a raised foot rim. SIZE: 3” to top of stopper. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-71 (400-600)

Lot 1442 1443. LOT OF FIVE SNUFF BOTTLES. China, 20th century and earlier. Including three carved agate examples including one with design of trees growing from an out cropping of rocks, together with a porcelain example having a light crackle finish, and a large inside painted example depicting a continuous scene of warriors on horseback. SIZE: Smallest 2” h. Tallest 3-1/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Two stoppers glued down, otherwise very good. 52714-67 (800-1,200)

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Lot 1444 1445.

LOT OF CHINESE DECORATIVE OBJECTS. China, 20th century. The lot consisting of a 8-3/4” h painted soapstone table screen set in a wood frame, a 6” champlevé vase with lotus scroll design, five carved soapstone trays, and a grouping of miscellaneous carved hard stone fruit and branches. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Screen with cracks in panel, champlevé vase with handle detached but still present, soapstone trays with scattered chips and losses, hard stone carvings with scattered chips and losses. 52714-95 (200-400)

Lot 1445

1446. LOT OF WOOD STANDS WITH LACQUER BOX. China, 19th/20th century. The lot made up of wood stands in various forms including fitted examples together with a red lacquered wood box decorated with a dragon and phoenix on the cover. SIZE: Box: 13-1/4” l. Stands vary from 10” to 1.5”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Stands with scattered losses, box missing part of the hinge. 52714-94 (400-600)

Lot 1446 1447.

LOT OF PEWTER VESSELS AND BOWLS. China, 20th century. The lot made up of a duck form tureen with incised characters, two covered tea canisters, and two porcelain lined pewter bowls. SIZE: Duck: 11” l, canisters: 5-1/2” h, bowls: 8” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Duck and tea canisters with dents in the body. Porcelain bowls very good. 52714-97 (200-400)

Lot 1447 177

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1444. LOT OF STONE CARVINGS AND ACCESSORIES. China, 20th century. The lot consisting of numerous animals carved from various stones including fluorite, amethyst, malachite, serpentine, and agate. Together with two blue and white porcelain cabinet vases. SIZE: Largest: 5”, smallest: 1”. Cabinet vases: 2-3/4”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Stone carvings with numerous chips and losses, one cabinet vase with repaired section on top rim. 52714-96 (400-600)

Session 1

1448. CHINESE CARVED ROSEWOOD TALL FERN STAND. Third quarter 19th century China. The rectangular paneled top above a conforming apron, hand carved with foliate filled urns and leaftips, raised on molded and carved square legs joined by a shaped carved box stretcher terminating in scrolled foliate feet. SIZE: 34” h x 16-1/2” w x 12” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Stand retains original surface, now darkened with age. Filler applied to areas of shrinkage in top at some point in time. Otherwise structurally good. Note: early “foot pads” were added to the bottoms of two legs to compensate for areas of deterioration from moisture, now stabilized. 52714-15 (800-1,000) 1449. PAIR OF LACQUERED DISPLAY CABINETS AND TEA TABLE. 20th century China. Each rectangular cabinet with a pair of panel doors opening to an interior fitted with a single shelf on molded base. Each decorated with cinnabar lacquer panels decorated with figures within a courtyard scene, the side panels decorated with floral sprays. Each panel with black borders. The tea table in black and cinnabar lacquer embellished with a scene of children at play with mothers and attendants outside a pavilion. The table raised on cabriole legs. SIZE: Cabinets 21-1/2” h x 15Lot 1448 3/4” w x 7-1/2” d. Table 12” h x 34-1/2” l x 22” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Each with abrasion resulting in chafing to some decorated surfaces, notably at edges of base and at corners. Additionally, tea table with chafing damage in a diagonal line through center of table top and significant divot in top of table. 52714-14 (300Lot 1449 500)

1450. LOT OF CHINESE EXPORT PORCELAIN. China. 18th century. The lot including: 12” Famille Rose covered tureen with matching under-plate, 6-1/2” Famille Rose dish, 5-1/2” Famille Rose tub, 9” blue and white dish, 3-1/2” open salt. Together with a pair of Japanese openwork candles and a pair of 2-1/2” English soft paste coffee cans. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Tureen under-plate with chip at rim. Blue and white dish, good. Famille Rose tub cover with repairs & breaks. 6-1/2” dish with loss at rim. Salt cellar broken and restored. One coffee can with line at rim. 52947-1 (500-600)

Lot 1450 1451.

JAPANESE KATANA. Mounted in lacquered wood scabbard with brass mounts, cutting edge is 26” long. Appears in polish with full temper line. Blade could not be removed from handle to check for signature, blade is unsharpened near habaki and probably 20th century. CONDITION: Very good to fine overall. Wood saya appears more crudely carved than usually encountered with WWII military mounts on handle and plain Lot 1451 brass ring on body. 52519-1 (600-900)

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1452. BURL WALNUT SECRÉTAIRE A ABATTANT. Mid 19th century, Europe. The large rectangular case fitted with a long frieze drawer with swelled front flanked by conforming reeded pilasters above the vertical hinged lid opening to a writing surface and with an interior fully fitted with drawers and pigeonholes and with central architectural storage area in the form of a galleried ballroom with full marquetry floor and mirror back (now absent). The interior of burl Circassian walnut, the writing surface ebonized. All above a pair of cupboard doors. On a molded plinth raised on suppressed midmolded ball feet. Original keys present. SIZE: 63” h x 41” w (overall) x 20” d. CONDITION: The cabinet with some areas of lifting veneer, minor in nature and with stable shrinkage cracks. Pine backboards original. Interior of secrétaire is in very fine condition, original surface, clean and bright. 52829-56 (2,500-3,500)

Lot 1452 (w/close-up) 1453.

CARVED AND ETCHED BRASS JEWELRY CASQUE WITH PAINTED PORCELAIN INSERT. Napoleon, III period, mid-3rd quarter 19th century, France. The box with hinged lid, mounted with a rectangular porcelain plaque, polychrome painted, depicting a young couple entering a private garden, the lid opening to reveal a red velvet lined interior. The removable tray fitted for a parure. Upon removal, tray reveals a deep velvet lined storage area for larger pieces. The ends of the casque fitted with incised brass carrying handles. The whole, pierce carved, with incised decoration of delicate scrolling leaf tips and with foliate vinery. SIZE: 6” h x 10” l x 6-3/4” w. CONDITION: Box in very good structural condition with minor discoloration. Velvet liner original, now somewhat worn and faded. 52874-19 (400-600)

Lot 1453 179

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~ Beginning of Antiques ~

1454.

Session 1

FINE CLASSICAL REVIVAL MAHOGANY DRESSING BOX TOGETHER WITH A VICTORIAN INLAID WALNUT TANTALUS. First half 19th century, England. The inlaid mahogany casket form dressing box with dome lid and satinwood crossbanding, opening to an interior of fitted compartments. The lid interior with mirror plate, mounted with four gilt-metal mounted Corinthian engaged half columns beneath a cast-brass Classical chariot led by lions with frolicking cherubs, a female figure riding within the chariot with symbols of “plenty” throughout. The box raised on a concave molded pedestal joined to a rectangular plinth terminating in cast-brass claw feet. The burled Lot 1454 walnut Tantalus with slightly domed top, inlaid with foliate filled urns in the Classical taste within multiple ebony and string inlaid borders. The case sides serpentine, the whole in burled walnut and ebony. The hinged top and front panel opening to an interior with removable gilt metal tray, which retains original etched, decorated glass bottles with stoppers and with sixteen original stemmed cordials. The case sides also hinged to gain access to the tray and glassware. The whole raised on compressed ball feet. SIZE: Dressing box: 8” h x 12” w x 7-3/4” d. Tantalus: 11” h x 14-3/4” w x 10-1/2” d. CONDITION: The dressing box retains original surface with tight shrinkage crack across lid, now stabilized. Brass fittings original. Slight foxing to mirror plate, commensurate with age. Very fine condition overall. Tantalus with original surface and contents as noted. Small repair to molded edge at front of lid. Very fine condition with good, French polished surface. 52874-7 (1,000-1,500)

Lot 1455

1456.

1455. E ARLY LOUIS VUITTON STEAMER TRUNK BELONGING TO MRS. EDWARD DESHON BRANDEGEE. Late 19th century, France. The trunk of typical form, covered in Damier canvas print and with the monogram “B” painted at each end, along with later blue and red paint striping. The hinged lid opening to a well with three tie-down straps present, fitted top shelf absent. The interior compartment with eight dome shaped spacers of unknown purpose. “L. VUITTON MARQUE DE FABRIQUE DEPOSEE” stamped within black check of fabric periodically throughout pattern. SIZE: 22-1/4” h x 33-3/4” w x 20-1/2” d. PROVENANCE: Owned by Mrs. Edward Deshon Brandegee, also known as Mary Bryant Pratt Spraque Brandegee, who was credited with building the mansion on Faulkner Farm in 1890. Now called the Brandegee Estate, in Brookline, Massachusetts, it was added to the National Register of Historic Places in 1985. CONDITION: Fabric soiled but mostly intact. Wood strapping with abrasions and in-use wear with all rivets intact. Original locks and latches present. Key absent. No serial number observed. 52829-94 (3,000-5,000)

LOUIS VUITTON STEAMER TRUNK. Late 19th-early 20th century, France. A large example of typical form, fully fitted with removable, fabric-lined drawers. The lid with quilted interior retaining the original label noting only two retail locations in Paris and London, the stenciled serial number still visible: 162103. Trunk retains original locks in operational order, original carrying handle still present. SIZE: 22-1/2” h x 43” w x 22” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Trunk remains structurally sound, significant soiling and abrasions to exterior. The fitted interior trays present, key is absent. Most notable deterioration to cover of trunk along lower 2” of perimeter. Fair to good overall. 52714-21 (1,500-2,500)

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Lot 1456

Lot 1457 1458.

TWO FRENCH CARRIAGE CLOCKS TOGETHER WITH A CRYSTAL REGULATOR SHELF CLOCK. Second half 19th century, France. The first brass carriage clock with repeater, the white enamel dial with Roman numeral chapter ring above a subsidiary dial with Arabic numerals. The dial additionally marked “TIFFANY & CO. FRANCE”. The eight day brass movement with time and strike winders striking on a gong. The case with beveled glass panels on all four sides and additionally a beveled window on top, the case raised on a molded plinth. Clock is accompanied by original leather traveling case, front protective door absent. The second a small brass carriage clock with turned brass carrying handle and rectangular brass corner brackets joined to a thin platform base raised on ball feet. The Lot 1458 four sides and glass panel on top all with beveled edge. The rear of the case with hinged door. Unsigned eight day brass movement, spring driven and time only. The enameled dial with Arabic numeral chapter ring, paint-decorated with floral garlands draped between the numbers and marked “BAILEY BANKS & BIDDLE CO. PHILADELPHIA” and additionally marked “FRANCE” beneath the numeral “6”. The third an oval French Crystal Regulator shelf clock, the embossed brass dial unmarked and back plate of movement with the maker’s mark of “S MARTI MADE IN FRANCE” and additionally stamped with the retailer’s mark “CALDWELL & CO PHILADELPHIA” and with the serial number “648539”. The spring driven eight day movement striking on a gong. The brass dial with Roman numeral chapter ring, time and strike apertures, and blued steel hands. The oval case with four curved glass plates with beveled edge. The clock is offered with original twin cylinder pendulum with one cylinder broken, the second cylinder empty. SIZE: First carriage clock: 5” h. Second carriage clock: 3-3/4” h. Regulator: 10-1/2” h x 7” w x 6-1/4” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: First carriage clock having repeater mechanism is frozen and currently inoperable. Carrying handle with significant corrosion at juncture to case. The brass case also with areas of significant corrosion. Coil gong with corrosion. Upon inspection, movement appears to be cleaned and free of corrosion, although we do not believe it is operable. The second carriage clock’s beveled front plate with major diagonal fracture and loss of enamel upper right corner facing dial. Significant corrosion to case. Lesser corrosion present on movement. Movement needs cleaning and adjustment, currently inoperable. Crystal Regulator with incomplete pendulum as noted. The Roman numeral chapter ring with significant abrasion from over-cleaning; the numerals “IV” and “V” absent, others partially obliterated. Brass movement appears clean and probably operational. 52714-98 (500-700) 181

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1457. THREE PIECES OF SOFT LUGGAGE BY LOUIS VUITTON. Leather double handles with leather trim, two collapsible weekend bags and garment bag. SIZE: Weekend bags 20” h x 24” w x 9” d. Garment 48” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Like new. 52806-152 (8001,200)

Session 1

1459. OUTSTANDING STUDIO DECORATED POTTERY VASE. The tapered tall vase having six panels with nude figures and deer alternating between panels which are of checkerboard design with blue/gold squares alternating with purple. Wonderful crackle glaze to the figural panels and a cone shaped neck which is deep blue and ribbed. The bottom impress marked which is unidentified. SIZE: 16-1/2” h x 7” at widest. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good. 52806-95 (1,000-2,000) 1460. TIFFANY FAVRILE GLASS CENTER BOWL. Bottom marked “L.C. Tiffany Favrile 5999K”. Polished pontil, gold iridescent shallow bowl with bulging sides & rolled type lip. SIZE: 3” h 13” dia. CONDITION: Some staining & scratching to interior. There are two round glass imperfections in the bottom which do not rise to the surface. 52829-12 (1,200-1,800)

Lot 1459

Lot 1460

Lot 1461

1461. ARTS & CRAFTS HAMMERED BRASS INKWELL ATTRIBUTED TO GUSTAVE STICKLEY (1858-1942). Early 19th century. This unsigned example in the form of a hammered brass coffer with simulated hammered and forged hinges on the lid opening to a well fitted well with a single porcelain inkwell. The sides of the case with simulated riveted panels and riveted strapping at the corners being riveted to a conforming hammered base. NOTE: A similar signed double inkwell was sold at Julia’s Lamp & Glass auction December 1st & 2nd, 2006, lot #992. SIZE: 3” h x 8-1/2” l x 7” d. CONDITION: Structurally very good with original verdigris patinated surface. 52809-1 (800-1,200)

1462. LARGE KPM PLAQUE. Woman with two putti, unsigned. Housed in a fine reproduction vine decorated frame. The back has impressed mark (K.P.M 334-247 with another “H” and the scepter mark). SIZE: 13” h x 10” w. Overall 18-1/2” h x 15” w. CONDITION: Very good. 52874-8 (4,000-6,000)

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Lot 1463 1464.

TWO SMALL DECORATED PORCELAIN PLAQUES. 1) Small plaque of a boy talking to a girl with his arm around her shoulders. Titled in German script on back and numbered 107. There is an incised shield with crown mark, print stamped Germany. The front signed “Wagner”. Housed in a good gold painted frame with some corner losses. 2) Hand painted porcelain plaque “L’hiver”, after a painting by F. Aubert. The plaque shows cupid in a winter scene kneeling before a fire across a woman. Unsigned front but inscribed on reverse “L’hiver Aprais Aubert”, also a label from Saks of Lot 1464 the Mount Royal Hotel in Montreal with information. Housed in a Florentine pierced gilt frame. SIZE: 1) Plague 6” h x 4” w. Overall 13” h x 11” w. 2) Plaque 5” h x 7-1/2” w. Overall 9” h x 10-1/2” w. CONDITION: 1) Very good. 2) Very good. 52874-9 (1,000-1,500)

1465. ROCOCO REVIVAL MINIATURE PAINTED VITRINE WITH GILT METAL MOUNTS. Early 19th century, France. The miniature vitrine with sloping top centering a clear glass panel within a gilt-brass surround, within a satinwood frame paint-decorated with delicate floral sprays, opening to a silk lined display well. The apron with bombe sides, each decorated in the Vernis Martin taste and style. The whole raised on cast-brass cabriole legs with foliate moldings, C-scrolls and gilt cartouches terminating in cast-brass sabots; all on exaggerated grand scale. SIZE: 13-1/2” h x 7” w x 7” d. CONDITION: Surfaces original, the case sides with old stabilized shrinkage cracks and filler. Gilt bronze frame with good un-touched surface. 19th century silk liner soiled and deterioration, but remains serviceable. 52874-6 (1,000-1,500)

Lot 1465 183

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1463. LARGE KPM PORCELAIN PLAQUE DEPICTING CHILDREN CARRYING GARLAND OF FRUIT INITIALED A.J. The scene shows seven putti carrying an opulent garland of fruit through a landscape. Signed lower right “A.J.” Housed in a painted gold carved wood frame, the back having impressed scepter mark “KPM”. SIZE: 10” x 12-1/2”. Overall: 13-1/2” x 16”. CONDITION: Amateur addition of a red cloth across lower torso of putti at right, the piece has been re-varnished. We believe this would be a basic removal for a conservator to perform. 52851-9 (2,000-4,000)

Session 1 Lot 1466 1466.

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ROCOCO STYLE PIETRA DURA MARBLE CONSOLE WITH MOLDED GILT FLORAL DECORATION. Late 20th century, Europe. This decorative example inlaid with a polychrome hard stone urn framed by scrolling leaf tips within a white demilune border all set within a gray breschia marble top with molded edge above the conforming marble frieze inset with rectangular floral patera, rondels, and open gilt galleries of foliate vinery. Raised on six tapering cylindrical legs mimicking torches, each wrapped in spiraling gilt garlands alternating with ribbon tied floral garlands suspended beneath the apron. The cast elements appear to be a form of molded resin. SIZE: 35” h x 70-1/2” l x 24-3/4” d. CONDITION: Very fine. No damage or imperfections noted. 52829-58 (3,000-5,000)

1467. EXCEPTIONAL CARVED WALNUT SAVONAROLA ARMCHAIR IN THE MANNER OF LUIGI FRULLINI. Third quarter 19th century, Florence, Italy. Attributed to Luigi Frullini (Florence, 1839-1897). The panel back, carved in deep relief with a pair of crowned opposing eagles beneath the serpentine molded crest carved with a North Wind masque above a rondel carved with lion’s masque and inscribed book. The back panel bordered by winged griffins, joined to heavy foliate carved arms with lion’s head grips on multiple curved supports, hinged and joined to the panel seat carved with griffins in low relief, raised on a carved slat base comprising the Savonarola form joined to animal and foliate carved supports. SIZE: 48” h (back), 19-1/2” h (seat) x 32” w. CONDITION: Structurally very good with original surfaces. 52829-22 (4,0006,000) 184

Lot 1468 1469.

FRAMED ADVERTISING PAINTING FOR TRANS ATLANTIQUE FRENCH LINE. The oil on panel artist proof painting depicts the three stack ocean liner “Normandie” shown between New York city skyline and Le Havre skyline. Titled at the top and also having an advertising balloon for “Veuve Clicquot Champagne” trailing a banner “Le Luxe Francais En Mer”. All housed in a fine dark stained molded wood frame with gold edge, behind plexiglass. Note: the passenger ship “Normandie,” built by Chantiers & Ateliers de Penhoet, Saint-Nazaire, France. The keel laid 26 January, 1931 and launched 29 November, 1932. Propulsion by four screws powered by steam turbine engines. Passenger capacity of Lot 1469 1,972 occupants. The Normandie broke the speed record for a Trans-Atlantic crossing of four days, three hours, and fourteen minutes with an average speed of 31.37 knots. She was badly gutted by fire at New York City Pier Nine in February 1942, at which point in time she was converted to a troop transport ship and subsequently dismantled at the end of WWII in Port Newark, New Jersey in December 1946. SIZE: Sight 23-1/2” h x 47-1/2” w. Overall 28-1/2” h x 52-1/2” w. CONDITION: Generally very good. 52813-6 (4,000-5,000)

Lot 1470 (partial lot)

1470. CASED 85 PIECE STERLING FLATWARE SET BY CROSBY, MORSE & FOSS ALONG WITH 12 SHREVE, CRUMP & LOW STERLING SPOONS AND CARVING FORK. The set consisting of twelve 7-1/2” forks, twelve 6-3/4” forks, twelve 8-1/2” spoons, fifteen 5-3/4” teaspoons, ten solid silver 8” knives, twelve sterling hollow handled 9” knives with stainless blades, and twelve 9-1/2” sterling hollow handled knives with stainless blades. Each piece having a monogram “MSD” (probably Maria Susanna Decatur, fifth generation Decatur) and dated on reverse 1874. Mahogany fitted case with heavy duty brass bale handles, lock with key. Along with twelve 7” spoons monogrammed “MMD” by Shreve, Crump & Low, and an 11” meat fork. Weighable silver (no hollow handle knives): approximately 118 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Shows moderate use, bowls with some dings and dents but generally very good. Box in good condition with light scuffs and scratches. 52714-126 (1,500-2,500)

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Session 1

1468. ARTIST RENDITION OF AN ADVERTISING POSTER FOR UNITED STATES LINES. The large painting on panel advertising the S. S. America with trips between New York, Havre, and South Hampton. The two stack ocean liner is seen traveling left to right with a large bottle of Remy Martin cognac. Housed in a fine modern dark stained frame behind plexiglass. Note: The S. S. America built by Newport News Shipbuilding and Drydock in 1940; 33,532 tons, 660 feet in length, with a beam of 93 feet, twin screw propulsion, she could cruise at twentythree knots, keel laid 22 August, 1938; launched 31 August, 1939. She was taken over by the U.S. Navy on 15 June, 1941 and renamed West Point. She was reconditioned to passenger service in 1946. Sold to Chandris Line in 1964. She subsequently broke in half while being towed. SIZE: Sight 43-1/2” h x 51” w. Overall 46-1/2” h x 56-1/2” w. CONDITION: Very good. 52813-5 (4,000-6,000)

1471.

Session 1

FIVE PIECE STERLING SILVER TEA AND COFFEE SERVICE BY GORHAM. Each piece having an engraved foliate and leaf design, stepped urn style finials, paneled sides, all resting on tall pedestal base. Including 10” coffee pot marked “A5751”, 8” teapot “A5752”, 7” covered sugar “A5753”, 5-1/2” creamer “A5754”, 4” waste bowl “A5755”. Each monogrammed “P”, date marked 1910. Total weight: approximately 72 troy oz. SIZE: As noted above. CONDITION: Very good, minor small dings, teapot lid slightly sprung. 52830-1 (1,200-1,800)

Lot 1471

1472.

LOT OF FANCY STERLING SILVER FLATWARE PIECES INCLUDING TIFFANY & KIRK. 1-5) Five piece sterling handled carving set including two forks, two knives, and sharpener by Tiffany & Co in the “Chrysanthemum” pattern. Monogrammed “MDM” (Mayo family). 6) Tole stuffing spoon monogrammed “SDM”. 7) Scallop shell bowl serving spoon by S. Kirk & Son monogrammed “MDMD”. 8) Meat Fork by S. Kirk & Son with repoussé handle. 9) Two serving spoons by S. Kirk & Son with repoussé handles. 10) Two S. Kirk & Son repoussé berry spoons. 11) Sugar tongs by Tiffany & Co. in the “Wave Edge” pattern. 12) Durgin mustard ladle. 13) Mustard ladle. 14) Gorham sugar tongs in the “Lancaster” pattern. 15) Handled tea strainer. 16-20) Five sterling demitasse spoons. Weighable silver: 25 troy oz. SIZE: 1-5) 10” to 14-1/2”. 6) 13”. 7) 9-1/4”. 8) 8-1/2”. 9) 8-1/4” ea. 10) 5”. 11) 4-1/2”. 12) 4-1/2”. 13) 5”. 14) 4-1/2”. 15) 6”. 16-20) 4-1/4”. PROVENANCE: A most historical and important collection Lot 1472 (partial lot) from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Good, 1-5) All show wear, one knife with offset handle. 15) Bend in handle. 52714-142 (800-1,200)

1473.

EIGHTY SIX PIECE STERLING FLATWARE SET BY REED & BARTON IN THE “HEPPLEWHITE” PATTERN. Set consists of; twelve sterling handled 9-3/4” knives, eight 7-3/4” forks, nine 7” forks, ten 6” salad forks, twelve 5-1/2” hors d’oeuvre forks, nine 5-3/4” teaspoons, twelve orange demitasse spoons, six 8-1/4” tablespoons, twelve 7” spoons, five 5-3/4” butter knives, one 7” master butter knife. All monogrammed. The lot also contains ten miscellaneous sterling spoons and seven pieces of silver plate. The set is monogrammed “S F H” for Susan Frances Hill (Gould). A note of family history provided with lot (The Hills were in textiles in North Berwick, Maine). Accompanies by a stained wood box in as found condition. Approximately 100 troy oz. PROVENANCE: By descent through the Lot 1473 (partial lot) family of Major John Mead Gould. CONDITION: Some show use, otherwise very good. 5293610 (1,500-2,000)

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1474. APPROXIMATELY 125 PIECES OF STERLING SILVER FLATWARE. Lot includes; twenty-four pieces by Gorham in the “Melrose” pattern, eleven teaspoons by Gorham in the “Virginia” pattern, nine 7-1/2” forks by Bigelow Brothers & Kennard, along with various serving pieces and spoons. Included in the lot is a small lot of silver plated items. Approximately 80 troy ounces. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Some show use, generally very good. 52936-19 (500-600)

186

FINE AESTHETIC MOVEMENT WOOTON STANDARD GRADE WALNUT DESK. Second half 19th century, Wooton Patent Desk Company, Indiana. Of typical form, the gallery with carved urn finials and crenelated crest above the central panel with incised foliate carving flanked by full gallery borders. The rectangular case with hinged frontal apron above a pair of hinged cabinet doors, each with curved top and burl walnut panels, mounted on original cast-iron hinges opening to a fully fitted interior, the centermost with hinged lid over a bank of short drawers flanked by letter and document slots, all with bird’s eye maple panels. The lid hinged and opening to an additional interior fitted with a full complement of stationery compartments and an arrangement of small drawers, all with bird’s eye maple fronts. The cabinet doors with a full complement of compartments and openings on the left door facing. The right door facing with a bank of forty drawers composed of cardboard, each mounted with a brass ring pull, the drawer fronts covered with fabric and green paint. The desk raised on a trestle base. The case sides with recessed, molded panels. SIZE: 70” h x 43” w x 32” d. CONDITION: Desk retains original surface, professionally cleaned and polished. Surfaces with minor and minimal in-use wear. Small and light abrasions on rear panel at top and bottom. Hardware appears original. Very fine condition overall. 52874-1 (5,000-8,000)

Fully Open

Partially Open

187

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Session 1

1475.

Session 1

1476. ROCOCO CARVED MAHOGANY EASEL. Second half 19th century, probably New York. The easel with elaborately carved, scrolling foliate and floral crest centering a basket-form cartouche joined to molded supports centering a shell-carved medial stretcher over an adjustable display shelf above an ornate floral carved floor stretcher. The supports terminating in scrolled feet with returns of carved leaf tips. SIZE: 81” h x 28” w. CONDITION: Easel retains old polished surface, some restoration to basket cartouche. Otherwise very good. 52874-2 (1,000-1,500)

Lot 1476

1477. ORNATE CARVED WALNUT VICTORIAN MARBLE TOP ÉTAGÈRE. Third quarter 19th century, probably Boston, Massachusetts. The large molded shield crest with pierce carved leafy oak branches and leafy scrolls with volutes above the arched molded cornice centering the foliate subcrest all above an arched mirror plate within a molded surround flanked by graduated shaped display shelves, each with mirror behind, on pierce carved supports each joined to the molded back with scrolling molded edges above a shaped white Carrera marble shelf. The conforming serpentine frieze fitted with a central drawer with carved walnut handle on a molded base raised on short turned legs. CONDITION: Étagère retains original clean surfaces with good patina and original marble shelf. Very good overall. 52876-1 (1,500-2,000)

Lot 1477 1478. V ICTORIAN WALNUT CYLINDER SECRETARY BOOKCASE. Last quarter 19th century, New England. In two parts, the upper case applied with a crest, carved with roundels within squares, framed by burled veneer panels mounted to the cove-molding above a pair of glass panel doors with crenelated and molded borders opening to an interior fitted with three adjustable shelves above a burl walnut barrel roll within a molded frame opening to an interior of pigeon holes and stationery drawers above a pull-out writing slide with inset leather surface. The lower case with a long drawer above a bank of two drawers and paneled, hinged door all on a molded plinth. SIZE: 93” h x 40” w x 23” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Secretary retains original surface, now crusty and dry with normal and expected in-use wear. Good overall. Brass hardware appears original. 52885-1 (600-800)

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188

COLONIAL REVIVAL MAHOGANY TALL CASE CLOCK BY MAPPIN & WEBB. Early 20th century, London, England. The bonnet with serpentine arched crest applied with foliate carved molding above the frieze with carved shell subsidiary crest above a carved heart shaped cartouche over a molded arch, to which is fitted a glass panel door, flanked by free-standing Corinthian columns with cast-brass capitals and bases, fitted to the case above a molded platform over an astragal glazed glass panel door joined to the box base with incurved midmolding and with square raised panel, joined to a molded base raised on ogee bracket feet. The silvered dial with Arabic numeral chapter ring centering a time, strike, and musical aperture beneath a subsidiary seconds dial within cast-gilt-metal pierced foliate spandrels, each mounted with a masque, all on a brass plate; “MAPPIN & WEBB MONTREAL” engraved within the rondel of the numeral “6” above “MADE IN ENGLAND”. Within the arch are two small dials, one for chime and silent, the other for musical choice of either “Whittington” or “Westminster”, both within cast-brass foliate elements. The eight-day brass movement driven by three cylindrical weights on six pillars, striking on nine tubes; the musical selection on a brass cylinder. The clock has its original pendulum which originally contained mercury that was long ago removed. SIZE: 9’ 4-1/2” h x 24” w (case), 15” w (throat) x 16-3/4” d. CONDITION: The case structurally very fine with original surface and rich patina. Movement appears fully operational and very clean. Hands original. The silvered dial with uneven color due to excessive cleaning over time. Otherwise very good. The tubes original, as are the pendulum and weights. 52973-2 (3,500-5,000)

189

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1479.

Session 1

1480. AESTHETIC MOVEMENT BRONZE FIGURAL MANTEL CLOCK. Mid-19th century, France. The blue enameled dial with Roman numeral chapter ring centering a time and strike aperture, flanked by winged cherubs playing musical instruments beneath a cast crest with oval porcelain medallion decorated with a young woman in polychrome robes and dress. The clock resting on a rectangular base. The cast guilloches with turquoise porcelain polychrome decorated panels, raised on winged claw feet centering a cartouche cast within a bust of Minerva. The 8-day brass spring driven movement striking on a bell. SIZE: 15” h x 13” l x 5” w. CONDITION: The gilt case with original surface and good patina, with light surface soiling throughout. Porcelain in good condition. Plaque in base needs adjustment. Movement appears clean and intact, very good overall. 52874-10 (800-1,200)

Lot 1480 1481.

FRENCH BRASS CARRIAGE CLOCK WITH REPEATER. Second half 19th century, France. The cast ormolu brass case with fixed carrying handle and flattened columns on the corners centering beveled glass panels framing ornate pierced scrolling brass panels on three sides. The top of case with beveled glass window behind a repeating mechanism above the enameled dial with Arabic numeral chapter ring and blued steel hands, all above the frieze applied with delicate cast fleur-de-lis within scrollwork, raised on suppressed turned feet. The eight day brass movement is spring-driven, and striking on gong. Clock is offered with key. SIZE: 7-3/4” h (including fixed handle) x 3-3/4” w x 3-1/4” d. CONDITION: Movement appears clean and operational. Repeater mechanism in need of some adjustment. Otherwise very good. 52829-38 (1,500-2,500)

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Lot 1481

1482. VERNI MARTIN DISPLAY CABINET TOGETHER WITH A MAHOGANY MARQUETRY EXAMPLE. Early 20th century, American. The first a walnut bowfront china cabinet with extensive gilt metal mounts, the three lower panels decorated with romantic landscapes, raised on cabriole legs with cast metal sabots. The cabinet fitted with two plate glass conforming shelves and a felt lined shelf, the glass panels have been replaced with plexiglass. The second a mahogany bowfront cabinet with curved glass panels, the interior fitted with three plate glass shelves. The cabinet back with mirrored plate and pierced brass gallery above ribbon- and tassel-tied drapery. The frieze with scrolling marquetry vinery raised on thin cabriole legs with cast-brass sabots. One key accompanies both cabinets. SIZE: First 68” h x 30” w x 16” d. Second 56-1/2” h x 27-1/2” w x 14” d. CONDITION: Surfaces of both cabinets original and polished. Good overall. 52874-3 (1,0001,500) 190

RARE & DESIRABLE CAST IRON TOY “THE YANKEE SCHOOLMASTER” OR “EDUCATIONAL TOY” AKA ALPHABET MAN. This phenomenal toy is both intrinsically appealing and charismatic. This toy was made in the latter part of the 19th century and would be the focal point for an advanced toy, bank or folk art aficionado. Often called the alphabet man, its true name according to patent papers is “The Educator”. This short, stout fellow with disproportionate extremities, upon depressing the lever, lowers his pointing hand, blinks his eyes and a new letter appears at his bow tie while his hand rises back up pointing to said letter. Just as cast iron mechanical banks were designed to educate and encourage children to save, it is obvious this toy was designed as an early educational toy to teach the children the alphabet or various words with that first letter. Only a handful of these rare toys have survived over the past 100+ years. Made of cast iron and gaily enameled in vibrant colors, it contains a somewhat intricate mechanism concealed within his body. NOTE: This toy has been referred to as the “Alphabet Man” or “The Educator” however the original patent papers indicate that it’s called “The Educator” or “The Yankee Schoolmaster”. SIZE: 10” h. PROVENANCE: Ex- Robert Stuart Collection. This toy was prominently displayed at the famed Perelman Toy Museum in Philadelphia, PA for many, many years. CONDITION: Overall paint condition is very fine plus with understandable inuse wear, minor repair to finger lever, some paint restoration to blinking eyes, and small internal repair. 53076-32 (15,000-25,000)

Session 1

1483.

Lot 1483

Lot 1484

1484. GROUP OF CAST-IRON MECHANICAL BANKS. Last quarter 19th century. American. 1) Cast-Iron Teddy and the Bear mechanical bank. J & E Stevens Co. 2) “Bucking Mule” CastIron Mechanical Bank by The Judd Mfg. Co. 3) Man in period costume shooting at tree, J & E Stevens Co. Engraved “Creedmore Bank” in flat stone on base. Corning cap on base stamped “Feb 2 1875”. 4) Kyser & Rex Cast-Iron butting buffalo mechanical Bank with raccoon with mottled green paint decorated base. 5) Kyser & Rex lion and monkey bank with green mottled base. Patent date stamped on coin door “July 7 1883”. SIZE: Varying sizes from 6” h x 7-3/4” l to 9-1/2” h x 9-1/4” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: 1) Painted surfaces original. Mechanism in working order. 2) Bank with original paint and surface with some corrosion and wear. Mechanism operable. 3) Original paint surface. Mechanism operable. Head moves but needs adjustment. Good overall. 4) Painted surface original. Normal in use wear and abrasions. Mechanism operable but needs adjustment. 5) Mechanism functional but needs adjustments to throw coin. 52806-35 (2,000-4,000) 191

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1485. BLACK FOREST WALNUT CARVED STAG’S HEAD. Last quarter 19th century, Switzerland. This very fine example of a buck with 8-point antlers mounted on a carved linden frame of the period. The backboard carved with simulated bark and rocky outcrops. A small carved head of a doe proper left side near base. The frame carved of simulated tree branches. SIZE: 26” h x 17” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very fine original condition, retaining original surface. Three points on antlers appear to be reattached with additional coloring. Surfaces otherwise original and untouched with rich dark patina. Very good overall. 52806-3 (8001,200)

Lot 1485

1486. CARVED VICTORIAN PAINTDECORATED CORNER SHELF. Last quarter 19th century. The shelf with the scrolled, pierced foliate carvings centering a carved deer’s head mounted on a triangular shield plaque, joined to a shelf with molded and scalloped edges above a shaped, carved apron. The whole in original paint. SIZE: 18-3/4” h x 12” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Front section proper right side panel an early replacement. Early painted surface now with heavy craquelure. 52806-8 (200-400)

Lot 1486

1487. EXCEPTIONAL BLACK FOREST CARVED WALNUT HALL STAND. Last quarter 19th century Switzerland. This fine example depicting a Chamois on rockwork beneath a stylized tree surmounted by an agitated raptor. The stylized branches forming hat and coat hooks centering a shield shaped beveled mirror plate set within the trunk. The Chamois with glass eyes standing above a circular carved simulated tree root attached to the rockwork serving as an umbrella holder. An oval drip pan fitted within the tree roots. The rockwork with tree stump, moss, carved leaves, and roots. The whole raised on four short foliate feet. Note: the hall stand disassembles in two sections. SIZE: 7’ 6” h x 2’ 7” w x 2’ 7” d PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Hall stand retains old, if not original, surface. Section of umbrella holder has been reglued and refastened for stability. Shrinkage split present at front of base. Mirror plate appears original. No other serious areas of damage noted. Good condition overall. 52806-19 (4,000-6,000)

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Lot 1488 1489.

GOOD BLACK FOREST CARVED WALNUT MANTEL CLOCK. Circa 1938, Bavaria (modern day southeast Germany). The large case surmounted by mountain goats carved in deep relief on rock work above a hinged door opening with a carved bird to sound the hour above a carved dial with Roman numeral chapter ring mounted on white enameled cartouches centering time and strike apertures. The dial, flanked by a male figure blowing an Alphorn and mountain goat, all on leafy rockwork. The eight day brass fusee movement utilizing two mainspring barrels with fusee wheels, striking on a gong. The interior back of case stamped with either maker’s or retailer’s mark is faded and difficult to read. Clock is offered with pendulum and winder. SIZE: 24” h x 17-1/2” w. PROVENANCE: Contents of Lot 1489 a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Brass movement appears clean and functional. Bird present but with some damages to body. Mountain goat beneath dial with one ear absent. Uppermost mountain goat with repairs to proper left legs. Old original undisturbed surface with dark patina, good overall. 52806-59 (1,500-2,000)

1490. DIMINUTIVE BLACK FOREST CARVED LINDEN CUCKOO CLOCK. Late 19th/early 20th century, Bavaria (modern day southeast Germany). The case with pierced carved oak leaf cresting above the house form case with a molded Roman numeral chapter ring beneath double doors concealing a carved wood bird that sounds the hour, all within a frame simulating natural trees with carved oak leaves. The original pendulum, carved as a tree form disc with central oak leaf. The 8-day brass movement driven by three pine cone shaped iron weights on chains, set within a wood frame. The sounds assisted by two bellows. SIZE: 17-1/2” h x 13” w x 7” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Clock with original surfaces, now with mellow honey patina. Movement appears intact but in need of adjustment and cleaning. Good overall. 52806-184 (300-500)

Lot 1490 193

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1488. BLACK FOREST CARVED LINDEN MANTEL CLOCK. Late 19th century, Bavaria with spring driven, 8-day French brass movement by “JAPY FRERES”. The case surmounted by two mountain goats on a rocky outcrop above the carved dial with floral rosette and indigo enamel chapter ring with white enamel Roman numerals. The dial flanked by carved leaves above a pair of young mountain goats on rock work centering a fern above a grotto joined to a conforming walnut plinth with molded edge. The clock is accompanied by an original brass fob pendulum. SIZE: 18” h x 11” w x 6” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Case retains early if not original surface with rich dark brown patina. No restoration or damage is noted. The spring driven brass movement, striking a on a gong, appears functional and in need of cleaning and adjustment. Otherwise, good overall. 52806-116 (800-1,200)

Session 1

1491. BLACK FOREST CARVED PINE 3 WEIGHT CUCKOO CLOCK. Late 19th/early 20th century, Bavaria (modern day southeast Germany). Of typical form, the roof with grapevine crests surmounted by a bird. The case is Roman numeral chapter ring beneath a pair of doors opening on the hour with the appearance of two painted and carved birds that strike the hour, all within a pierce carved grapevine frame and grape pendant apron. A fox mounted on the shelf stalking the birds. The double train brass movement marked “MILLER & CIE GERMANY”; the movement, driven by three iron weights cast as pine cones, striking on two gongs, the sounds assisted by three bellows. The clock is accompanied by three original weights and a stick pendulum with grape leaf fob. Movement appears complete. Bellows intact and birds in place. Lot accompanied by 3 original weights and pendulum. SIZE: 29” h x 20-1/2”w x 10” x. CONDITION: Brass movement in need of cleaning, but appears operational. Normal and expected abrasions, notably on case and leaf tips. Original surface age darkened with coffee color patina, good overall. 52895-14 (3,000-5,000)

Lot 1491 1492.

BLACK FOREST STYLE LINDEN WOOD MIRROR. First third 20th century, Bavaria. The rectangular mirror plate within a frame carved in deep relief with scrolling grapevines, a pair of birds and their nest at the center of the upper frame. SIZE: 20-1/2” h x 19” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Frame intact with old cleaned surface, now with soft patina. Evidence of old insect damage, minor in nature, now inactive. Mirror plate newly replaced. 52806-191 (300-500)

Lot 1492 1493. ASSORTED LOT OF SILVER CHATELAINES AND ACCESSORIES. 1) English sterling chatelaine hallmarked London. The cast pierced work chatelaine having a hinged clip, five box style linked chains holding a button hook, wheel shaped pin cushion, small change purse, match safe, and screw top scent bottle. 2) Cast chatelaine decorated with putti and classical urn and medallion. Five chains with cast small masks and animal figures. Marked “G. D.” 3) Silver chatelaine with pressed decoration of hand and leaf holding a mask decorated hook and scroll decorated needle case. 4) Chatelaine in scroll design with a heart shaped coin holder marked “German Silver”. 5) Chatelaine clip, illegible hallmarks. Along with an accessory clip. SIZE: 1) Overall 16” l. 2) Overall 11”. 3) Overall 7”. 4) Overall 5-1/2”. 5) Overall 4-1/2” l. CONDITION: 1) Shows use with some dents, otherwise good. 2) Very good. 3) Good. 4) Good. 5) Good. 52874-15 (400-600)

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194

WO OUTSTANDING CHATELAINES. 1) Gilt metal chatelaine T having a fixed clip adorned with three figure decorated pieces, three short chains, two holding thimble holders, and a 4” tool kit with raised decoration of figures, scrolls, and flowers. The interior fitted with six tools including; file and clip, bobbin, knife, pencil, folding square, and scissors. Unmarked. 2) Gold chatelaine holding two chains, one with a gold open faced ladies pocket watch, unmarked, watch key, un-engraved seal. The clip is marked with two owl with “75” hallmark. Both pieces are gold plated or gold filled. SIZE: 1) Overall 9-1/2” l. 2) Overall 6” l. CONDITION: 1) Very good. 2) Very good. 52874-21 (800-1,200)

Lot 1494 1495.

THREE CHATELAINES AND A FAN. 1) An Art Nouveau style chatelaine having a clip with women’s head, a metal frame advertising book with attached pencil advertising a clothing shop and dated 1901. Attached is a scent bottle. 2) Chatelaine with no accessories with pierced phoenix bird decoration. 3) Art Nouveau chatelaine with attached metal note book decorated with poppies and having original pencil. 4) Floral painted black and gold morning fan with black feathers and gold embossed stays. SIZE: 1) Overall 8-1/2” l. 2) Overall 9” l. 3) Overall 7” l. 4) Overall 13” l. CONDITION: 1) Good. 2) Very good. 3) Good. 4) Two loose feathers otherwise very good. 52874-20 (400-600)

Lot 1495

1496. FRENCH HAND PAINTED PORCELAIN ORMOLU MOUNTED JEWELRY BOX. The large shaped box having a hinged top lid with ormolu edges the lid having an interior scene of a child with mother and nanny around a well adorned table. Signed “Lauqua”. All surrounded by thick gold embossing on a deep blue ground. The shaped sides having four wrap-around landscape scenes with water, trees, and sky, again with similar gold borders against a deep blue background. The bottom with a Sevres type mark surrounding an “A”. SIZE: 4-1/4” h x 9” w (widest) x 6” d. CONDITION: Very good. 52874-11 (1,000-2,000)

Lot 1496 1497.

FOUR SEVRES TYPE DRESSER BOXES. All with blue ground and gold embossed decoration, all hinged with Sevres type marks. 1) 6” w x 5” d shield shaped with scene of couple in landscape. Interior with roses. Signed illegibly. 2) 4-1/2” w x 2” d shaped box with young man and woman in garden landscape. Signed illegibly. The interior with flower sprays. 3) 3” w x 2-1/2” d rectangular box with man and woman with pet, unsigned. The interior with flower sprays. 4) 2-1/2” w x 2” d shaped small box with man playing guitar with woman on lid, three small landscapes on side. CONDITION: Very good. 52874-12 (1,000-2,000) 195

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1494.

Session 1

1498. FISCHER & MIEG PORTRAIT CHARGER. 2nd half 19th century, Czechoslovakia. The charger with the 3/4 bust profile portrait of a young woman in period dress within a foliate gilt border set within an outer border of painted floral sprigs. The reverse with impressed F & M mark. SIZE: 16” dia. CONDITION: Rim with flea bites, minor wear to gilt surface and to floral petal tips, otherwise good. 52809-2 (200-400)

Lot 1498 1499.

TWO CONTINENTAL CABINET PLATES WITH ARMORIAL CRESTS. 1) 10-3/4” dia plate with center crest surrounded by sprays of flowers and a gold and cobalt blue border. The back with a winged griffin under which “Rockingham Works / Brameld / Manufacturer to the King” also having a Sevres mark with a “B”. 2) 9-3/4” dia plate with central hand painted crest surrounded by flowers on a white background. A crossed sword with star mark on base. CONDITION: Generally very good, rubs on 1st plate. 5292712 (400-600)

Lot 1499

1500. FEDERAL STYLE INLAID MAHOGANY CARD TABLE. Late 19th, early 20th century Baltimore, Maryland bearing the paper label of “POTTHAST BROS. BALTIMORE MARYLAND”. This fine bench made example with rectangular top and elliptic front hinged above the conforming frieze, inlaid with oval shell patera, flanked by figural mahogany panels all within string inlaid borders raised on square tapering legs, each with pendant belleflower inlays. The table affixed with original paper label on backboard. SIZE: 29-1/2” h x 35-1/2” w x 18” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally very good, retaining original polished surface with normal and expected craquelure. 52714-34 (800-1,200)

Lot 1500 1501.

FEDERAL STYLE INLAID MAHOGANY CARD TABLE. Late 19th-early 20th century, Baltimore, Maryland. This fine bench made example with the label of Potthast Bros. with rectangular top and curved corners. The hinged single board top above the conforming frieze with elliptical cross banding raised on four tapered square legs with inlaid borders and rosewood crossbanded cuffs. The original paper label affixed to the underside of the top. SIZE: 29” h x 36” w x 18” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Table retains original surface, structurally good. One early structural repair at head of right rear proper leg at apron. Small loss to cuff proper left front leg. 52714-35 (800-1,200)

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Lot 1501

Lot 1502 1503. FEDERAL STYLE MAHOGANY BOWFRONT SERVER. First half of 20th century American. This fine bench made example with rectangular top and bowfront above the conforming case, fitted with a long drawer above a kneehole opening with shaped apron flanked by short drawers, raised on square tapering legs with string inlay borders. SIZE: 32” h x 36” w x 21” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally very good with original dry surface. Figural mahogany veneers intact, in need of cleaning and re-polishing, good overall. 52714-1 (600-900)

Lot 1504

Lot 1503

1504. CENTENNIAL PHILADELPHIA CHIPPENDALE MAHOGANY LOW BOY. Early 20th century American. The rectangular top with notched corners projecting above the conforming case fitted with a long drawer above a central, deeply carved shell and foliate drawer flanked by short drawers, all with thumb molded edges above a scalloped apron carved with a basket of fruit flanked by leaf tips. The case with engaged, fluted quarter columns raised on cabriole legs with foliate carved knees terminating in ball-and-talon feet. Case retains original hand-cast and finished brasses. SIZE: 29” h x 36” w x 20” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Low boy with original polished surface and a mellow honey-brown color. Drawer runners worn and with minor splits and breaks, all pieces present. Missing one bale. 52714-16 (500-800) 197

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Session 1

1502. PAIR OF QUEEN ANNE STYLE MAHOGANY AND WALNUT DISPLAY CABINETS. Early 20th century, England. In two parts, the bookcase top with single astragal-glazed door with molded bonnet cornice. The door opening to three adjustable shelves set back on a deep chest of drawers fitted with four figural mahogany long drawers on a molded base raised on ogee bracket feet with scallop returns. SIZE: 78-1/2” h x 23” w x 21” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: All elements appear original, surface is undisturbed with good color and patina, good to very good overall condition. 52714-4 (1,0001,500)

Session 1

1505. PAIR OF CHIPPENDALE STYLE WING CHAIRS. 20th century American. The rectangular back with arched crest nails joined to ogival wings continuing to rolled arms centering the trapezoidal seat fitted with cushion, raised on square molded front legs and backswept rear legs joined by an H-form stretcher. SIZE: 41” height back, 15” height of seat x 29” w overall. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally good, legs in need of re-polishing. Original velvet upholstery present but extremely faded. Chairs are accompanied by current floral slipcovers. 52714-8 (400-800)

Lot 1505 1506.

STERLING AND TURQUOISE NAVAJO BRACELET BY J. DELGARITO. The cuff bracelet with repoussé feather and flower head decorated cuff having a 1-1/2” wide x 1-1/4” tall turquoise cabochon with wonderful pale color and black marbling. SIZE: Interior: 2-1/2” x 1-3/4”. CONDITION: Very good. 52849-2 (400-600)

Lot 1506 1507. LARGE DECORATIVE NAVAJO TURQUOISE AND OYSTER SHELL NECKLACE WITH MATCHING EARRINGS. The three strand necklace made up of disc shaped turquoise graduated beads accented with sections of oyster shell along with a pair matching of pierced earrings. SIZE: 19” l. CONDITION: Very good. 52849-3 (1,200-1,800)

Lot 1507 1508.

CEREMONIAL NAVAJO NECKLACE WITH CLAM SHELL BEADS, TURQUOISE AND HARDSTONE. Three strands of graduated size clam shell beads between colorful inlaid pieces. The second necklace of two strands having pink disc beads interspersed with turquoise beads and silver accents. SIZE: 15” l each. CONDITION: Very good. 52849-1 (800-1,200)

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Lot 1509 1510.

EARLY AMERICAN TWO DOOR PINE STORAGE CUPBOARD IN OLD PAINT. Mid 19th century, New England. This primitive example with canted cornice above the rectangular case fitted with a pair of plank cupboard doors. Each door with wooden latch opening to an interior in grey paint with six fixed pine shelves. The exterior in a mustard paint over earlier blue. SIZE: 70” h x 47” w x 19-1/2” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Structurally good. Simple plank construction. Case sides with old shrinkage cracks now stable. Cabinet with original backboards. 52885-73 (400-500)

Lot 1510 1511.

WILLIAM IV FOUR DRAWER MAHOGANY CHEST TOGETHER WITH FEDERAL PINE THREE DRAWER CHEST. 1) Mid 19th century England and New England. 1) With rectangular top above the conforming case fitted with four graduated long drawers, all with wood knobs. Raised on tapering, ring-turned cylindrical legs on suppressed ball feet. 2) The rectangular pine top above a conforming case with three reverse graduated drawers above French feet with shaped returns. The chest with wooden knobs. SIZE: 1) 38” h x 43” w x 20” d. 2) 33-1/2” h x 36-1/2” w x 15-1/2” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: 1) With extensive soiling and in-use wear. Original surface in chocolate-brown color. Losses to decorative banding or strips along apron. 2) In-use abrasions. Chest has been striped and repolished, now in medium honey-brown color. Structurally good. CONDITION: 52885-6, 52885-66 (500-700)

Lot 1511 199

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Session 1

1509. EARLY AMERICAN PINE STEPBACK CUPBOARD. Second quarter 19th century, New England. In two parts, the upper case with angular cornice projecting above a pair of paneled doors opening to an interior of two shelves set back upon the lower case with conforming doors, opening to an interior of two shelves. Raised on bracket feet with shaped returns. The case sides with scalloped apron. The whole in a red wash. SIZE: 79” h x 46” w x 18” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Structurally very good with normal and expected in-use wear. Horizontal abrasion on proper lower right door. Backboards original. 52885-17 (400-600)

SHERATON MAHOGANY DROP LEAF TWO DRAWER WORK TABLE AND MASSACHUSETTS CARVED MAHOGANY SHERATON DROP LEAF SIDE TABLE. 1) Second quarter 19th century, New England. The square top with hinged D-form leaves projecting above the base fitted with two drawers, raised on ring-turned swelled and tapering rope-twist legs with ring-turned cuffs on tapering cylindrical feet. 2) Second quarter 19th century, Boston or Salem, Massachusetts. Square top with molded edge and hinged D-form leaves above the base, fitted with a pair of drawers with string inlaid borders, raised on spiral-turned cylindrical legs with ring-turned cuffs on brass capped casters. The rear of the table with simulated drawers. SIZE: 1) 29” h x 18” sq (closed), 36” w x 18” d (open). 2) 28-1/2” h x 17” sq (closed), 31-1/2” w x 17” d (open). PROVENANCE: From an unreserved Corea, Lot 1512 ME collection. CONDITION: 1) With original surface, top with some old staining and abrasion. Good, rich color and patina. Structurally very good. 2) Table retains original surface. Top with minor staining. Brasses now comprised of two pair of period molded brass knobs. Normal and expected in-use wear. Good color and patina. 52885-2, 52885-13 (800-1,200)

1513.

ASSOCIATED SET OF FIVE HEPPLEWHITE MAHOGANY SHIELD BACK CHAIRS. 19th century American. The set comprised of an armchair and two matching side chairs, each shield back with a five stalk sheaf of wheat above the pierced carved slat. Each fitted with woven rush seat set within the trapezoidal frame raised on fluted frontal legs and backswept rear legs, all joined by recessed box stretcher. Additionally, a pair comprised of an armchair and side chair similarly styled, each shield back carved with a sheaf of wheat above a pierced splat with central floral carved roundel. The trapezoidal seats fitted with conforming seat frames as the previous three. SIZE: 37-1/2” h (back), 17-18” h (seats). Lot 1513 PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Minor repairs to backs throughout, one seat frame a later replacement, one seat frame with break at rear of frame, all chairs retain early surface, somewhat crusty. Patina and coloration vary in slight degrees. 52714-12 (800-1,200)

Session 1

1512.

1514.

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EVEN ENGLISH STERLING SILVER FLATWARE SERVING S PIECES. 1) 12-1/4” Scottish stuffing spoon, Edinburgh, 1865-6, by J. McKay. Latin phrase in a circle on handle. 2) 11-1/4” early Georgian stuffing spoon with indiscernible marks, maker’s mark “SW”, dog head crest on handle. 3) 12” fish knife, London 1808-9, maker’s mark of Wm. Eley, Wm. Fearn, & Wm. Chawner, monogrammed “CM”. 4) 8-1/2” spoon, London 18th century, Maker’s mark “WT”. 5&6) Pair of 6-1/2” ladles, one is London 1808-9, maker’s mark of Wm. Eley, Wm. Fearn, & Wm. Chawner, the other is London 1804-5 with illegible maker’s mark. 7) 6-1/2” acorn formed sugar tongs, London 1798-9, maker’s mark of Michael. Plummer. Along with a 12” silver plated skewer. Weight without skewer: 18 troy oz. SIZE: As listed above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Generally good. 52714-143 (800-1,200) 200

EIGHT ASSORTED PIECES OF STERLING SILVER TABLE WARES. 1) 12” x 10” reticulated edged oval low bowl by Gorham, marked “A 5743” and date marked 1906. 2&3) Pair of 6” x 5” heart shaped reticulated footed dishes monogrammed “MDM” (from the Deyo family) by Gorham, retailed by Black, Starr & Frost. Marked on bottom “3300” and date mark 1894. 4&5) Pair of 5” diameter reticulated dishes by Marcus & Co, New York. Marked on Bottom with name and “75”. 6&7) Pair of 6-3/4” diameter B&M sterling 1360 Bamboo pattern trophy dishes. The center having an enameled crest for “Chevy Chase Club”, both engraved “Chevy Chase Club / Mixed Foursums / 1960 / Low net / Winners / Mrs. and Dr. James H.P. Garnett”. 8) 2-3/4” h bulbous toothpick/ vase marked “.925”. Total weight: 40 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Lot 1515 Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1) Dents. 2&3) Some light bends and dents. 4&5) Some dents to bowls. 6&7) Very good. 8) Very good. 52714-148 (800-1,200)

1516. SEVENTY TWO PIECES OF MISCELLANEOUS STERLING FLATWARE. 1) Eleven pieces by Watson Silver Co., probably in the “John Adams” pattern along with three other similar design patterns. 2) Twenty three of Dominic & Haff in the “Priscilla” pattern. 3) Thirty five pieces in the “John Alden” pattern by Watson Company. Approximately 58 troy oz. CONDITION: Generally very good, shows some use. 52885-63 (400-500)

Lot 1516 1517.

THIRTEEN PIECES OF STERLING HOLLOW WARE AND ONE PIECE OF SILVER PLATE. 1) 2-1/2” h x 9” dia strawberry bowl by Tiffany & Co. The base marked “Tiffany & Co. / 137801 Makers 6529 / Sterling Silver / 925-1000 / M”, circa 1907-1947. 2) 2-1/2” h x 10” dia bowl by Gorham, marked “Sterling A5898”, monogrammed. 3) 2” h x 10-1/2” dia Gorham bowl marked “Sterling 368”, retailed by Shreve, Crump & Low Co. 4) 3-3/4” h x 7” dia compote by Mueck-Cary Co., INC, marked Lot 1517 “Sterling 1115”. 5) 5-1/4” dia, eight sided dish by Tiffany & Co., marked “Sterling 1009”, monogrammed. 6) 2-1/2” h 5-1/2” dia, eight sided monogrammed by Gorham, marked “Sterling 5984 A”, date marked 1908. 7) 3” h x 5” dia reticulated, swing handle, footed basket with cobalt liner by Tiffany & Co., marked “Tiffany & Co. / 16428 Makers 4861 / Sterling Silver / 925-1000 / M”. 8-13) 3” dia dishes by Whiting, marked “Sterling 3834”, monogrammed. 14) Footed bail handle basket with frosted glass liner, unmarked, probably silver plate. Approximately 61 troy oz. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Generally good. 52936-12 (1,000-1,500) 201

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Session 1

1515.

Session 1

1518. CHILD’S CAMELBACK SQUARE SETTEE. Late 20th-early 21st century. This never-used settee, covered in pleasant green, blue, and ivory checked gingham with pink stitched highlights. SIZE: 35” h x 43-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good unused condition. 52806212 (200-300)

Lot 1518 1519.

CHIPPENDALE STYLE BENCH MADE MAPLE SLANT LID DESK. 20th century American. The rectangular dovetailed case with sloping hinged lid opening to an interior fitted with valenced pigeon holes alternating with fan carved document drawers above lopers and fitted with four graduated long drawers with thumb molded edges. Raised on a molded base with shaped bracket feet and scalloped returns. SIZE: 40” h x 30” case width x 17” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally very good. Original surface now dry and in need of re-polishing. Minimal loss to 1” section thumb molded edge at top of lid. Old shrinkage crack proper right side of top now stable. Otherwise good condition. 52714-9 (200-300)

1520.

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Lot 1519

LASSICAL REVIVAL BENCH MADE MAHOGANY C BACHELOR’S CHEST. Late 19th-early 20th century, Massachusetts. The diminutive chest with rectangular top above the conforming case, fitted with a single long drawer projecting above three drawers flanked by free-standing ring-turned columns on blocked base raised on ring-turned, tapering, cylindrical feet with ringed cuffs. SIZE: 39” h x 29-1/2” w x 191/2” d. CONDITION: Chest retains original surface, top with in-use wear. Full set of original brass bails. Structurally very good. Proper right case side with tight shrinkage crack, now stable. 52829-100 (800-1,200)

Lot 1521

1522. CHIPPENDALE STYLE BENCHMADE CARVED MAHOGANY BALL-ANDCLAW-FOOT WING CHAIR. Early 20th century, American. The serpentine crest joined to ogival wings continuing to rolled arms centering trapezoidal seat fitted with conforming cushion, raised on frontal, wellcarved cabriole legs, terminating in ball-andclaw feet with shaped returns, the rear legs backswept. SIZE: 46” h overall, 17” h seat x 31” w. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: With original pale blue velvet fabric now discolored and faded. Chair frame structurally solid. Legs with good color and patina. 52936-17 (500-700)

Lot 1523 1524.

Lot 1522

1523. FINE NORTHWEST COAST NATIVE AMERICAN CEREMONIAL DANCE MASK. Attributed to the Nootka/Makah Tribe, Washington State, Late 19th/early 20th Century. Made of cedar wood and depicting a mythological thunderbird. Original dry polychrome painted surfaces with fine patina. SIZE: 23” l x 9” h x 9-1/2” at widest. CONDITION: Fine professional restored bottom side piece, otherwise very good. 52738-32 (2,0005,000)

LOT OF AFRICAN AND NATIVE AMERICAN ITEMS INCLUDING: FOUR NATIVE AMERICAN BASKETS, THREE BOOKS, AND TWO AFRICAN COWRY SHELL AND BEAD WORK LADY’S DANCE ORNAMENTS. 1) 1st quarter 20th century. Lot includes; One 8” x 8” Piute polychrome bird in basket. Two Piute basketry pitch covered water bottles, larger 11” x 14”, smaller 12” x 9” has braided horsehair carrying straps. Late 19th century, 12-1/2” x 13-1/2” Eskimo covered woven in grass with minimal design. Along with three Native American reference books. 2) 1st half 20th century. Composed of cowry shells with pony beads and hide fringe dyed red. SIZE: 1) As noted above. 2) : 42” l x 14” h (including fringe). 47” l x 12” h (not including fringe). CONDITION: 1) Piute, finely woven, near mint condition. Water bottles, both good. Eskimo has detached lifting handle on top, various in-use wear on edge, stitch loss. 2) Good, minor ornamentation loss, minor fringe loss, minor breaks in bead work. 52891-1, 52891-3 (600-800) 203

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Session 1

1521. BENCHMADE CHIPPENDALE STYLE INLAID MAHOGANY CORNER CABINET. First half 20th century, American. The molded swan’s neck pediment centering an urn-form flame finial above the frieze with an oval inlay of the Great Seal of the United States. The case fitted with two pair of astragal glazed doors, each opening to an interior with adjustable shelving. The medial divider with an inlay of the Great Seal, flanked by oval inlays of Classical floral filled urns. SIZE: 81-1/2” h x 37” w x 25” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Cabinet retains original surface with nice color and patina. 52885-9 (500-700)

Session 1

1525. FINE NAVAJO BLANKET. First half 20th century, United States. A typical geometric design in soft earth tones incorporating twin lightning bolt, in soft gold and bow with two arrows in each corner. The whole with a coffee-brown outer border. SIZE: 4’ x 6’ 3”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Overall very good with some light spotting and pulls around outer edge. 52714-107 (400-600)

Lot 1525

1526.

SEMI ANTIQUE NAVAJO BLANKET, STORM PATTERN. First third 20th century, United States. Woven in soft earth tones of greys and browns depicting four interlocking lightning bolts with sharply defined, serrated edges on a beige ground. SIZE: 3’ 7” x 5’ 3”. CONDITION: Loose selvage on all sides, minor in nature. Two inch area of weakness in weave of center panel. Minor spotting. Otherwise very good. 52875-12 (400-600)

Lot 1526 1527.

GROUP OF FOUR NAVAJO BLANKETS. First half 20th century, United States. 1) Double saddle blanket depicting three interlocking rows of square design in earth tones of browns and greys within a coffeebrown outer border. 2) Storm pattern blanket with double edge sawtooth design in shades of brown with a coffee-brown center and border. 3) Saddle blanket with central post with square ends, two triangular designs at one end, mustard-yellow pattern squares at opposing end and green tassels on all corners. 4) Storm pattern blanket. The central device in shades of brown on a grey field, each corner tied Lot 1527 with tassel. SIZE: 1) 3’ 2” x 6’ 3”. 2) 3’ 2” x 4’ 2”. 3) 2’ 8” x 4’ 1”. 4) 2’ 8-1/2” x 4’ 4”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Generally very good. Some pulling at ends. 2) Generally good, minor spotting. Minor separation at seams. Minor pulling to central devices. 3) Moderate stains through center. Spotting overall. Light soiling throughout, otherwise good. 4) Overall light spotting. Light soiling commensurate with age, otherwise very good. 52714-109 (500-800)

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204

1529. RENAISSANCE REVIVAL CARVED MAHOGANY BOX SOFA. Mid 19th century, probably English. Carved in the manner and theme of a noble court. The horizontal crestrail with carved guilloches and leaf tips centering rectangular overupholstered back flanked by stiles carved in deep relief with classical maidens posed on foliate corbels joined to reeded armrests ending in acanthus carved grips. The supports carved in high relief with seated and posed Jester and Bard figures. Centering rectangular overupholstered seat fitted with three additional seat cushions. The whole raised on eight straight legs. SIZE: 44” h of back. Overall l 84”. 16” h of seat. 33” approx overall d. CONDITION: Settee has been recovered in muslin. Frame is structurally tight. Exposed carved surfaces professionally cleaned and repolished with rich dark brown color. Normal and expected in use wear. No major damage or restoration noted. Very good overall. 52829-55 (1,500-2,500)

Lot 1528

Lot 1529 205

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Session 1

1528. FINE AND RARE M. OHMER’S SONS CO. AMBERG PATENT STATIONERY FILING CABINET. Late 19th century, Dayton, Ohio. The rectangular case with guilloche molded cornice above the frieze affixed with the original maker’s label above a bank forty-eight stationery drawers. Each mounted with original brass handle with thumb switch, which may be used to roll slot doors up and to hold individual slots open. The cabinet atop a molded plinth. Fashioned from quarter sawn oak, the case sides paneled. SIZE: 69” h x 38” w x 18-1/2” d. PROVENANCE: This cabinet originally in the York County, Maine Superior Court House. It was one of the few pieces of furniture to survive the fire of 1947. CONDITION: Cabinet professionally refinished with well polished surfaces. The cabinet retains absolutely no trace of fire damage, neither visible nor does it retain any odor. Original brasses lightly burnished. Original label intact with only slight discoloration. Very fine condition overall. All mechanisms in working order. 52983-1 (1,2001,800)

1530.

Session 1

WILLIAM & MARY STYLE OAK WELSH DRESSER TOGETHER WITH AN EDWARDIAN OAK HALL STAND. Late 19th-early 20th century, England. The dresser in two parts, the upper case with molded cornice above a scalloped frieze over two fixed shelves, each mounted with cup hooks, fitted to the lower case with rectangular work surface above a pair of aligned drawers, raised on baluster- and ring-turned frontal supports. The rear legs square and tapered, all joined by a simple box stretcher. The hall stand with projecting molded crest above a pediment support carved with stylized tulips, flanked by scrolling supports above the rectangular beveled mirror plate flanked by cast-iron coat hooks, all above a central glove box with hinged lid, joined by a medial stretcher. The frontal legs baluster- and ring-turned surmounted by suppressed ball finials, all joined by a lower shelf fitted with pair of drip pans for canes and umbrellas. SIZE: Dresser: 79” h x 48” w x 17-1/2” d. Hall stand: 77” h x 40” w. CONDITION: Both items with old cleaned surfaces. No restoration noted. The molded cornice on the Welsh dresser has been reattached. 52874-5 (800-1,200)

Lot 1530

1531. PIETRA DURA AND WROUGHT-IRON GARDEN TABLE. Early 20th century, probably Western Europe. The octagonal black marble top inlaid with an arrangement of fruit and foliage in a Classical urn within a white marble border. Fitted upon a conforming wrought-iron base with scrolled legs and feet. SIZE: 21-1/2” h x 23” dia (top). CONDITION: The polychrome pietra dura top with nicely detailed arrangement of fruit retaining original polish surface. Loss of two small “seeds” at top of one fruit. Wrought-iron base with normal and expected corrosion and with remnants of original black paint. Structurally very good. 52829-79 (2,5003,500)

Lot 1531

1532.

RARE AND UNUSUAL VICTORIAN BAMBOO ARMCHAIR. Third quarter 19th century, probably New York. The rectangular back with horizontal double crest rail centering a decorative element of woven bamboo above an overupholstered heart shaped splat. The curved horizontal arms with turned bamboo supports. The back finials and arm grips of bamboo knots. The trapezoidal overupholstered seat retaining original leather cover. Raised on cylindrical bamboo legs joined by double box stretcher. Chair is offered with a later custom seat cushion. SIZE: 41” h (back), 17” h (seat) x 22-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally very good with original surface. Normal and expected shrinkage cracks in bamboo, which does not affect structural integrity. Pleasant worn patina. 5280628 (400-600)

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206

CARVED PORTUGUESE ROCOCO STYLE ROSEWOOD CENTER TABLE. Late 19th century. This fine example with rectangular top and gadrooned edge above conforming frieze. The apron carved in deep relief with scrolling vinery centering a shell within a C-scroll molded frame, the background carved with rows of floral squares. The table raised on bold cabriole legs with molded edge and large scalloped returns centering a carved cartouche of flower heads, scrolling leaf tips, and drapery. Raised on dramatic ball and paw feet with carved knuckles. SIZE: 33-1/2” h x 44-1/2” w x 28-3/4” d. CONDITION: The three board top with tight seam cracks, now stable. Table retains original surface with rich, dark patina. Minimal and minor restoration to edge of apron at leaf tips, now with good French polish. 53021-3 (6,000-8,000)

Lot 1534 1535.

Session 1

1533.

Lot 1533 1534. CARVED ROUND MAHOGANY CLAWFOOT BANQUET TABLE. Late 19th-early 20th century, America. The circular top above a foliate carved apron joined to a columnar ring-turned central pedestal on a platform base with incurved sides, raised on large carved claw feet headed by scrollwork. The pedestal splitting when table is extended, revealing a central cylindrical leg for additional support. Foliate carved apron of scrolling leaf tips. Table is accompanied by four original 11” leaves. SIZE: 28-1/2” h x 54” dia (closed), 98” fully extended. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Retains remnants of original surface, now scrubbed on top. Top locking mechanism needs adjusting but functional. Retains original casters. No repairs or restoration noted. Table with normal and expected in-use wear. Structurally good overall. 52936-3 (800-1,200)

THOS. MOSER CHERRY CONSOLE TOGETHER WITH AN ARMCHAIR AND MATCHING COFFEE TABLE. Circa 1996 and 1988, Auburn, Maine. The rectangular console table with bowfront and conforming apron of pegged construction, raised on square tapering legs. The armchair with geometric trellis work, back and arms, centering a plank seat fitted with original blue leather seat and back cushions, raised on square legs. The matching cherry coffee table with rectangular top projecting above the molded lattice work apron and raised on square legs. All three examples signed and dated by the craftspeople at Moser. SIZE: Console table: 28” h x 54” w x 20” d. Chair: 32” h (back) x 23-1/2” sq. Coffee table: 17” h x 48-1/2” w x 24” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: All retain original hand-rubbed finish. Surface of coffee table with light stain. All structurally very good. In-use wear to leather cushions. Lot 1535 52885-65 (800-1,200) 207

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1536.

Session 1

PAIR OF THOS. MOSER CHERRY BOWBACK WINDSOR ARMCHAIRS TOGETHER WITH A STICKLEY CHERRY FAN-BACK WINDSOR ARMCHAIR. Late 20th century, New York and Maine. The pair of Moser armchairs with oak spindles and shaped cherry saddle seats, raised on splayed, swelled, cylindrical legs. Beneath each seat is signed “Thos. Moser Cabinetmaker, Auburn ME” and both dated 1988, one chair being made by Scott Davis and the other chair marked the same but made by Jeannie Crane, with both makers’ signatures in pencil. The Stickley fan-back armchair of dramatic form and oversized with typical shaped crestrail and scrolled ears, raised on nine cylindrical spindles. The curved medial stretcher continuing to paddle-form arms above Lot 1536 the shaped saddle seat, raised on splayed, balusterturned legs joined by a conforming H-form stretcher. The Stickley armchair with the original Leopold Stickley label reading “Cherry Valley Stickley, Fayetteville, New York” and branded “STICKLEY”. SIZE: Moser armchairs: 41” h (back), 18” h (seat) x 24” w. Stickley armchair: 47” h (back), 17” h (seat) x 28” w. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: All chairs retain original, untouched surface with slight normal and expected wear and with good color and patina. Very good overall. 52885-18 (800-1,200)

1537. MODERN FOLK ART ROBOT MADE OF AUTOMOTIVE AND HOUSEHOLD ITEMS. The head made from an upside down water pitcher, the body from an unknown type tank. At midpoint is a spigot and pressure gauge, his two arms are extended out and one holds a bowl. A quite inventive and creative creation by an unknown artist. SIZE: 74” h x 21” w x 32” d. CONDITION: Very good. 52902-1 (2,000-3,000)

1538. LARGE TAVERN TRADE SIGN FOR “THE POTIN STIL”. The green background sign shows a large lobster holding a glass of Guinness Stout. The sign is decorated with vine and hops. The sign advertises “Guinness & Lobster Everyday”. The self framed sign with a molded wood with a gold and black border. Rectangular shape with cut-out dome top. SIZE: 72-1/2” h x 36-1/2” w. CONDITION: Very good. 52813-7 (2,500-3,500)

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Lot 1538 208

Lot 1539

1540.

LARGE OVERSIZED TOP HAT TRADE SIGN FOR CLAPP & JONES STEAM FIRE ENGINES, HUDSON, NEW YORK. The top hat design sign of painted wood, having a large ring for hanging and copper clad top. The front having a shield in red with gold lettering “Clapp & Jones”, below which is a ribbon in blue with white letters “Hudson, N. Y.”, above in black with gold shadow letters “Steam Fire Engine”. SIZE: 24” h (without ring) x 25” dia (widest). CONDITION: Tea stained varnish with several patches to simulate old appearance. 52813-8 (2,500-3,000)

Lot 1540

1541.

INE AND UNUSUAL CAST-IRON WHIPPET F UMBRELLA STAND. Second half 19th century, England by Coalbrookdale Company. This nicely cast example featuring an animated seated whippet on a scrolled tripod cabriole leg pedestal, joined by three scallop-shell-form pans, the end pans set within cast frames. Stamped “C B DALE CO” on proper right side of pedestal beneath hind leg of dog. SIZE: 30” h x 25” w x 17-1/2” d. CONDITION: Umbrella stand retains old unpainted surface with natural patination and dark tea-brown coloration. Original umbrella holders, once fastened at dog’s neck, now absent. Otherwise good. 52897-2 (3,000-4,000)

209

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Lot 1541

Session 1

1539. LARGE PAINTED AND CARVED DOUBLE SIDED TUNA TRADE SIGN. The hanging sign in the form of a blue fin tuna. Two metal brackets for hanging. Painted in several shades of blue with a white belly, yellow and black eyes. SIZE: 30” h x 79” l. CONDITION: Paint losses, 2 metal patches, minor loss to wood, scrapes, generally having a good weathered look. 528139 (2,500-3,000)

Session 1

1542. UNIQUE CARVED PINE STANDING PIG TRADE SIGN. First half 20th century or earlier, France. The standing pig with wrought-iron curled tail, forward facing notched ears and tack eyes. With original iron hanging ring above hind quarters, forward ring absent but with sheet copper mount intact. SIZE: 16-1/2” h x 33” l x 10-1/2” w. CONDITION: The carving with traces of original pink paint. Hanging brackets as noted. Tail original. A molded iron shaped cleat on proper right side stabilizing seam crack. Polished surfaces otherwise good. Structurally good. 52813-11 (2,000-3,000)

Lot 1542 1543.

RARE AND UNUSUAL PAIR OF CARVED PINE SEATED PIG TRADE SIGNS. First half 20th century or earlier, France. Each seated pig inlaid with a walnut fleur de lis at the center of the backs, carved with forward facing ears, upturned snout, and carved beaded eyes and each with a curled wrought-iron tail. The joined or laminated figures with sheet copper fasteners and supports at some seams. SIZE: 17-1/2” h x 34” l x 11” d. CONDITION: Signs with traces of original pink surface. Sheet copper fasteners as noted. Tails and ears original. Normal and expected inuse wear and weathering. Very good overall. 52813-10 (4,000-6,000)

Lot 1543

1544. FINE COLONIAL REVIVAL MINIATURE TALL CASE CLOCK. Late 19thearly 20th century, New York. With the label of “SYPHER & CO. NY”, the arched cove molded cornice above the frieze mounted with a gilt metal masque of a winged god above the circular silvered dial with Roman numeral chapter ring. The blued hands set within a hatch-carved ring above the time only aperture flanked by engaged flat Corinthian columns with cast brass capitals and bases above the throat, set with a boulle style rectangular panel within a molded brass border flanked by engaged rope-twist half columns on a cove molded waste above the box base with boulle style decoration, flanked by shaped pilasters on rolled feet. The case decorated in simulated tortoise shell, the moldings ebonized. The movement with spring-driven eight day time only movement of unknown origin with serial number “1313”. SIZE: 16-1/2” h x 5-1/2” w x 4-1/2” d. CONDITION: Proper left molded cornice reattached at seam. Boulle style panels on base and throat with small losses to brass inlay at center of each panel and with cosmetic repairs such as reattachment of brass elements. Otherwise structurally good. 52829-44 (1,500-2,500)

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210

Lot 1545 1546.

AESTHETIC MOVEMENT WALNUT THREE-FOLD DRESSING SCREEN, WALNUT WRITING TABLE, AND EASTLAKE WALNUT UPHOLSTERED SIDE CHAIR. Second half 19th century, American. The dressing screen surmounted by flame finials and engaged horizontal colonnettes carved with water leaves, the center-most panel with ceramic roundel of a putti in flight above a frieze with circassian walnut insert panel. Each section hinged and mounted with a paint-decorated insert of 18th century courting scenes, the reverse lined with brocade fabric. The library or writing table with rectangular top and burgundy tooled leather inset Lot 1546 writing surface within a burled walnut border and rounded, molded edge above the apron, fitted with a pair of aligned drawers on a carved trestle base. The end supports centering a Classical carved urn joined by a baluster- and reel-turned central stretcher on outswept molded legs raised on casters. The chair with pierced and crenelated crest rail above the padded back, joined to downswept hip supports, centering the trapezoidal overupholstered seat. Raised on ring-turned cylindrical tapering legs, the rear legs curved terminating in original porcelain casters. SIZE: Screen: 53-1/2” h x 59” l (overall). Table 29” h x 48” w x 27-1/2” d. Chair: 37” h (back), 17” h (seat). CONDITION: The screen with original, untouched surface. Painted panels intact. Normal and expected light abrasion and in-use wear. Very good overall. Writing table with clean surface. Leather top appears original. Burl walnut trim original with minor cosmetic repairs, good overall. Chair has been repolished, frame restored and tightened. Newly re-upholstered pale yellow-gold brocade with rows of pale blue floral designs. Very good overall. 52874-4 (800-1,200) 211

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Session 1

1545. FRENCH CRYSTAL REGULATOR MANTEL CLOCK. Last quarter, 19th century, France. The rectangular brass case with molded corners, fitted with four clear beveled glass panels and with hinged doors at front and rear. Raised on a concave molded plinth with bracket feet. The French brass eight-day movement with open escapement and Roman numeral chapter ring on the porcelain dial, centering time and strike apertures, striking on a gong. The movement driven by a two-barrel mercury pendulum. The brass back-plate impressed with the serial number 658. “THIS ITEM CANNOT BE SHIPPED AND MUST BE PICKED UP AT OUR FAIRFIELD, MAINE FACILITY DUE TO THE MERCURY PENDULUM. PROVENANCE: Ex private Massachusetts collection. CONDITION: Structurally very good. No imperfections noted. Porcelain face without blemish. Movement appears clean and functional. 53070-1 (400-600)

1547.

Session 1

FINE EBONIZED MARQUETRY SECRÉTAIRE A ABATTANT AND MATCHING TALL CHEST. Probably New York, last quarter 19th century. 1) The ebonized oak escritoire with abalone chip inlays all within borders of inset brass strips. The lid decorated with intricate marquetry of overall meandering tendrils and vinery centering a large floral bouquet composed of abalone and hardstone inlays. Each drawer front decorated with similar brass inlaid and painted vinery with abalone flower heads. The rectangular top with molded edge above the conforming case fitted with frieze drawer over a hinged vertical lid with molded inset panel as described above. The interior with recessed mirror over two aligned stationary drawers, the Lot 1547 writing surface fitted with olive green velvet. The whole above four long drawers flanked by freestanding Corinthian columns with cast gilt metal capitols, the bases applied with ribbon-tied garlands and cast Anthemion leaves, on molded base raised on suppressed ball feet. 2) The ebonized oak six drawer chest with abalone chip inlays all within borders of inset brass strips. Each drawer with intricate marquetry depicting brass tendrils and vinery with abalone flower heads. The rectangular top with molded edge above the conforming case fitted with six long drawers flanked by freestanding Corinthian columns with cast gilt metal capitols, the bases applied with ribbon-tied garlands and cast Anthemion leaves. The whole on molded base raised on suppressed ball feet. SIZE: 1) 52” h x 33-1/2” w x 20” d. 2) 52” h x 33” w x 19-1/2” d. CONDITION: 1) Ebonized lacquer surfaces with minor cracking in top, case with normal wear throughout. Small losses to wood frame of right hinge on lid that does not affect mechanics. Structurally sound, good overall. 2) Cracks in top, small areas of staining to ebonized surface, similar to alcohol spills. One brass Strip absent on fourth drawer from top. Two brass strips off of proper left side but present. Two brass strips near base proper right side in need of re-attachment, otherwise structurally sound. 53068-1 (6,000-7,000)

1548. CLOCKWORK DANCING FIGURE OF SOUTHERN AFRICAN AMERICAN. Late 19th century, American. The carved and painted articulated and jointed figure joined to a small steel rod which passes through the backboard affixed to chromo-lithograph paper illustrating a river scene with flat bottom pole barge alongside the riverbank filled with watermelons and barrels of fruit, all a backdrop for the dancing figure. Driven by a clockwork mechanism. SIZE: 8-3/4” h x 6-2/3” w. CONDITION: The figure of the dancer is complete. Original clothing with deterioration, discoloration and staining. The lithograph intact with minor abrasion along fence line, light soiling overall. Board structurally intact. Spring driven clockwork mechanism is operational, undoubtedly needs a thorough cleaning. Otherwise good. 52935-10 (1,800-2,200)

Lot 1548 1549.

GRENFELL LABRADOR INDUSTRIES BOOK COVER. The double scene shows two figures in a row boat with fish on the spine. Colors of green, orange, and brown. Original cloth tag on inside of cover. SIZE: 9” h x 14-1/4” w. CONDITION: The handles on either end are missing with one 4” piece separated but present. At the end of the spine there is damage on each end to the border. Otherwise good. 52789-5 (800-1,200)

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212

Lot 1549

FINE BENCHMADE INLAID MAHOGANY SIDEBOARD TOGETHER WITH FEDERAL STYLE SERVING TABLE. Second half 19th century, Portland, Maine. Attributed to Otto H. Lange of Portland, ME circa late 18th-early 19th century. 1) The diminutive sideboard with splash guard inlaid with three fan roundels. The case with serpentine front and elliptic ends fitted with a central serpentine drawer, flanked by banks of two bowfront drawers, all with contrasting fan-inlaid spandrels within string-inlaid borders above a medial shelf. The whole raised on square tapering legs inlaid with pendant bell-flowers. 2) Diminutive inlaid mahogany serving table, the rectangular single board top with half-serpentine ends and bowfront top above the conforming apron with central bowfront drawer, raised on square tapering legs. The table with contrasting crossbanding and string inlaid borders, each frontal leg headed by a rectangular veneer birch Lot 1550 panel and with string inlaid borders. Drawer with original oval brass hardware. SIZE: 1) 42-1/2” h x 43-1/4” w x 21” d. 2) 30” h x 36” w x 18-1/4” d. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: 1) With original, age-darkened surfaces, good color and patina. Small areas of crossbanding on drawer borders absent. One brass bail absent on proper right lower drawer. Otherwise very good. 2) Table with original surface, age-darkened with good patina and rich dark mahogany coloration. Structurally very good. 52936-4 (800-1,200)

1551. CHIPPENDALE STYLE MAHOGANY LOWBOY TOGETHER WITH A GOVERNOR WINTHROP MAHOGANY SLANT LID DESK. 1) 20th century, New England. The lowboy or dressing table with rectangular top and rounded edge above the conforming case fitted with a pair of aligned short drawers over three short drawers, the centermost shell-carved, above a molded apron raised on angular cabriole legs on ball-and claw-feet. 2) Chippendale style desk with rectangular case and hinged, sloping lid resting on lopers opening to an interior fitted with a shell-carved prospect door, flanked by pigeon holes above a row of small stationery and document drawers. The case fitted with four graduated reverse serpentine long drawers, molded base raised on ball and claw feet. SIZE: 1) 30” h x 36” w x 20” d. 2) 41” h x 40-1/2” w x 20” d. Lot 1551 PROVENANCE: From an unreserved Corea, ME collection. CONDITION: 1) Structurally very good. Surface now dry with some craquelure and with normal and expected in-use wear and minor abrasions. 2) Structurally very good. Somewhat sun-faded with slight craquelure. Original surface in need of repolishing, otherwise good. 52885-29, 52885-35 (300-500)

1552. COUNTRY HEPPLEWHITE PINE ONE DRAWER STAND WITH SERPENTINE TOP. First quarter 19th century, New England. The square top with serpentine edge and canted corners above the apron, fitted with single drawer, raised on square tapered legs. Table with remnants of original red-brown paint. SIZE: 28” h x 22” w x 19-1/2” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Table with extensive in-use wear. Traces of old paint, as noted. Structurally good. 52885-16 (300500)

Lot 1552 213

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Session 1

1550.

Session 1

1553. SHERATON TIGER MAPLE AND EBONIZED CHEST OF DRAWERS WITH SANDWICH GLASS HARDWARE. Second quarter 19th century, probably New York state. The chest of drawers with rectangular raised glove boxes and shaped splash guard set back upon the conforming case fitted with a deep long drawer projecting above three graduated drawers flanked by engaged half column pilasters, stencil decorated on blocked turnip legs with suppressed ball feet. The whole fitted with white Sandwich glass knobs of floral form, the drawer fronts all of tiger maple. The case sides with recessed panels. SIZE: 55” h x 44” w x 20-1/2” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Chest has been cleaned and polished. Original glass knobs with some repair. Otherwise good with pale honey color. 52885-34 (400-600)

Lot 1553 1554.

COUNTRY SHERATON PINE AND CHERRY CHEST OF DRAWERS. Mid 19th century, New England. The rectangular case with cherry splash guard and central brass roundel. The chest fitted with a single long drawer projecting above three conforming long drawers, flanked by engaged threequarter baluster-turned rope-twist pilasters, raised on tapering baluster- and ring-turned legs terminating in suppressed ball feet. SIZE: 48” h x 43” w x 21” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Chest retains early if not original surface with normal and expected in-use wear and a mellow, honey-brown color with good patina. Chest with period brasses but not matching. 52885-41 (300-400) 1555.

Lot 1554

WO PAIR OF MAPLE T SHERATON TWIN BEDS. 19th century, New England. The first pair with carved pineapple posts, each paneled headboard with scrolled ears on blocked posts with swelled, cylindrical, ring-turned legs, the beds joined by rectangular side rails with bolt fasteners. The second pair with ring-turned urn finials on columnar ring-turned posts on block supports with cylindrical ring-turned legs. Each headboard with simple rectangular pine panel; each bed now with rectangular custom side rails of later vintage, fastened by bolts. SIZE: First pair: 47-1/2” h x 80” l x 42-1/2” w overall; interior 76” l x 37-1/2” w. Second pair: 41-1/2” h x 83” l x 42” w (overall); interior 76” l x 36-1/2” w. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: All four beds structurally good with normal and expected in-use wear and abrasions. Brass bolt covers present on first pair, absent on second pair. Otherwise generally good. 52885-7 (400-600)

Lot 1555 1556.

ADVERTISING TRADE SIGN FOR THE AMOSKEAG MANUFACTURING CO. MANCHESTER, N.H. The maroon background sign having gold letters with a central oval picture of an early horse drawn fire engine. Flanked by items they manufacture. Self framed sign with molded edge having gold trim. Hammered copper to top edge. A very decorative contemporary sign. SIZE: Overall 32” h x 39” w. CONDITION: Very good. 52813-4 (2,000-2,500)

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214

Session 1

1557. CARVED AND PAINTED RUSSIAN WINE TRADE SIGN. Advertising for Michel Lerat Fils Et Cie. Indicating there is offices in Paris, Geneve, and Rheims, the rest of the writing is in Cyrillic. The rectangular sign having a pointed top and framed Russian crest in the peak. Nice lettering with colorful green grape clusters. SIZE: 65” h x 36” w. CONDITION: Very good. 52813-2 (2,500-3,500) 1558. INTERESTING LOT OF SILVER ESTATE ITEMS. The lot includes a 6-1/2” sterling letter opener with tamper end in the form of a chicken leg with feather. A 5-1/4” tea caddy spoon with handle having St. George and the dragon and two dolphin fish, decorated bowl marked “.800”. a 6” double handled tea strainer marked “sterling Marcus & Co”. A 7” arts and crafts spoon marked “handmade sterling Allan Adler”, handle engraved “MMG” (with dents in bowl). A 6” sterling letter opener engraved “LFW”, (with bends). A 7” sterling hand wrought two tined fork by Richard Blanchard, monogrammed “MMD”. a 4-1/4” enamel decorated sterling spoon by Gorham (some loss to enamel) bowl inscribed “Leila”. A Lot 1557 5” sterling letter opener by S. Kirk & Son Co. A 2” diameter unmarked sterling or coin napkin ring monogrammed “EP” also “M”. A 4-1/2” small fork with green stone handle. A 4” chatelaine scissors and holder. 13 liquor bottle labels, two sterling. Weighable silver: 10 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good unless otherwise noted above. 52714-141 (400-600)

Lot 1558

1559.

AMERICAN STERLING SILVER 20+ PIECE ASSEMBLED DRESSER SET. Lot includes: 1) 10-1/2” hand mirror by Tiffany & Co. marked “7880 M 625 sterling silver” with repoussé decoration of a cherub in an urn of flowers and garland. Silver good, mirror has some silver backing loss. 2) 8” round handled mirror by Gorham marked “335A” with repoussé flowers, monogrammed “MG”. Small dents to outer rim. 3) 10” curved handled brush marked sterling. 4) 9” hairbrush by Gorham marked “502”, monogrammed “MG”. 5) 6-1/2” clothes brush marked Black, Starr & Frost sterling. 6) Pair of 6” x 2” clothes brushes by Gorham marked “607”. 7,8 & 9) 7-1/2” button hook, 6-1/2” button hook, 4” button hook. 10) 6-1/2” small glove stretcher. 11) 8” shoe horn with damaged blade. 12) 4-1/2” shoe horn without handle. Lot 1559 13) 8” letter opener. 14) 4” nail buffer by Gorham. 15) 6-1/2” x 4” Gorham tray. 16) 6-1/4” x 2” sterling tray. 17 & 18) Two pair 4” scissors, one with loose handles. 19-25)Six miscellaneous handles, as-is. 26) Four sterling covered glass jars, 1-1/2” to 3” high. 27)1-1/2” covered cylinder box. Along with a 2” diameter pincushion by Tiffany & Co. Silver Plate. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Generally very good unless otherwise noted. 52714-167 (800-1,200) 215

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1560.

Session 1

THREE STERLING SILVER REVERE TYPE BOWLS. 1) A “Paul Revere” 1768 reproduction bowl with monogram “MDM”. 2) By international sterling (D260), not engraved. 3) Gorham (41659). Total weight approximately 58 troy oz. SIZE: 1) 4-3/4” h x 9” dia. 2) 4” h X 7-1/2” w. 3) 4-1/4” h x 7-1/2” Lot 1560 dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1) Dents to top and bottom rims. 2) Very good. 3) One small ding in top rim, otherwise very good. 52714-146 (600-900)

1561. ESTATE LOT OF STAMPS & MEMORABILIA. Lot includes: Inauguration of John F. Kennedy invitation (stained & toned); Four early Antiques Magazines from the 20’s; Framed International Philatelic Exhibition bronze & card, New York 1926. Medal was given to Mr. Daniel F. Kelleher; Handmade box of Mr. Kelleher’s with a stamp of Washington & Lincoln in cover on top; Four small boxes of assorted clipped stamps & envelopes collected by the Estate. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Good. 5288562 (200-300)

Lot 1561 1562.

PRIVATE COLLECTION OF 20th CENTURY US POSTAGE STAMPS. American. The collection comprised of five albums, all with mint stamps, to include thirteen imperforate four stamp blocks, approximately 455 perforated four stamp blocks, approximately 160 full sheets including fractional cents and airmail, and a large selection of centennial commemorative stamps depicting varying subjects, also included are an assortment of quarter and half sheets. An album titled “Normal Rockwell Classics combined with Historic American Stamps” published by the Postal Commemorative Society, containing approximately 91 first day covers. SIZE: Stamps of various sizes and denominations. CONDITION: Mostly mint, with the exception of the Normal Rockwell first day covers as previously noted. All housed in wax paper sleeves and bound in three-ring binders. 52496-1 (800-1,200)

1563.

LARGE ESTATE LOT OF MISCELLANEOUS ITEMS. Lot includes: Lot 1562 (partial lot) 23” l Life size carved Canada goose by Bill Conroy, 1983; 22” Gus Wilson style duck decoy; Modern Tang style horse; Carved elephant; Pottery/stoneware ram; Three toleware boxes; Houston’s Biscuit tin; #4 balance scale; Silver gallery tray; Small wire wine rack; 7-pieces of pewter; Creche figures; along with other miscellaneous pieces. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Goose is very good, antique pieces show wear, otherwise fair to good. 52885-58 (200-300)

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216

Lot 1564 1565.

OAK AND YEW BENCHMADE CRICKET TABLE. Second half 20th century England. The circular oak top with yew crossbanded edge raised on three triangular legs with chamfered edge joined to a triangular medial shelf with apron. Table top of pinned construction to apron. SIZE: 28” h x 30” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good with original surface and with good, rich color. 52806-33 (100-200)

Lot 1566 1567.

1566. EARLY AMERICAN PINE AND MAPLE TAVERN TABLE. Lot 1565 Early 19th century, New England. The rectangular single board top with breadboard ends projecting above the conforming apron, raised on blocked baluster-and ring-turned legs, joined by a rectangular box stretcher. SIZE: 28-3/4 h x 313/4 w x 25 d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Structurally sound. Earlier shrinkage cracks restored and stabilized. Feet original. Now with cleaned and repolished surface in a pale honey-brown color. Good overall. 52885-10 (300-400)

FEDERAL CHERRY PEMBROKE TABLE TOGETHER WITH MAPLE PEMBROKE TABLE. First quarter 19th century, New England. 1) The rectangular top with hinged leaves projecting above the conforming apron, fitted with a single drawer, raised on square tapered legs. 2) The rectangular top joined to hinged leaves with ogival corners projecting above the conforming frieze raised on square tapered legs. SIZE: 1) 27-1/2” h x 17” w closed, 33” open x 32” d. 2) 281/2” h x 17-3/4” closed, 36-1/2” open x 36” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: 1) Old surface with normal and expected in-use wear. Light staining to top. Old shrinkage crack on seam of top with splice repair. Period brass ring pull a period replacement. Otherwise good. 2) Top with old repolish, now a light honey-brown. No restoration noted. Structurally sound. Good overall. 52885-11 (500-700) 217

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Session 1

1564. AMERICAN CHIPPENDALE CARVED MAHOGANY SLANT LID DESK. Last quarter 18th century, probably New York. The rectangular dovetailed case fitted with a sloping hinged lid with thumbmolded edges opening to an interior of valanced pigeonholes, centering a shell carved door opening to a removable interior of pigeonholes and drawers, exposing two concealed valuables drawers, centering a shell carved prospect door, flanked by document drawers carved with stylized pineapples, further flanked by arrangements of small document drawers above molded lopers centering a long drawer over three additional graduated long drawers flanked by engaged fluted quarter columns, on a molded base, raised on ogee bracket feet with scalloped returns. SIZE: 42” h x 42-1/4” w (case) x 21-1/2” d. CONDITION: Desk retains old original surfaces with dark patina, the sides with old visible shrinkage cracks on seam. The original bracket feet with repairs. Replaced hardware in newly drilled holes. Some damage to thumbmolding on one drawer. Old damage to right lower facing. 53064-1 (1,000-1,500)

Session 1

1568. NEW ENGLAND SHERATON CHERRY CHEST OF DRAWERS. Second quarter 19th century. The rectangular case surmounted by a deck fitted with a pair of aligned short drawers and scalloped splash guard. The chest with a single long drawer projecting above three drawers flanked by free-standing spiral-twist columns joined to a blocked base, raised on ringturned turnip feet. SIZE: 51-1/2” h x 44” w x 20” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Structurally sound with repolished surface. Generally good overall. 52885-40 (400-600)

Lot 1568 1569.

EARLY AMERICAN PINE TWO DRAWER BLANKET CHEST. Early 19th century, New England. The rectangular single board top with applied molded edge joined to the case with rat tail iron hinges. The conforming case fitted with two long drawers with molded edges, raised on primitive bracket frontal feet. The case with bootjack ends. SIZE: 36” h x 37” w x 18” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Lid with multiple old repairs and stabilization of shrinkage cracks. Chest with scrubbed surfaces, now with honey-brown color. 52885-26 (500-700)

Lot 1569

1570.

FEDERAL MAHOGANY BOX SOFA. First quarter 19th century, probably Maine. The horizontal crest rail joined to downswept, overupholstered arms centering the rectangular seat raised on eight square, tapered legs terminating in brass-capped casters. SIZE: 37” h x 80” l x 30” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Structurally sound. Legs retain old, if not original, surface. Casters original. Good overall. 52885-14 (800-1,200)

1571.

SHERATON TIGER MAPLE DROP LEAF TABLE, SMALL PINE CABINET, AND TWO SHERATON STANDS. 19th century, New England. The first a tiger maple drop leaf table with hinged rectangular leaves projecting above the conforming apron, raised on swelled ball- and ring-turned legs. The second a pine single door storage cupboard with molded cornice above the rectangular case with hinged door opening to an interior with four shelves. The third a Sheraton one drawer maple stand with baluster-, ring-turned, swelled, cylindrical legs with spool-turned cuffs and tapering feet. The fourth a tiger and bird’s eye maple drop leaf one drawer stand with simulated two drawer front, raised on spool-turned tapering cylindrical legs. SIZE: Drop leaf table: 28” h x 42” w x 21” d (closed). Cabinet: 29” h x 31” w x 12-1/2” d. Sheraton stand: 25-1/2” h x 17-1/2” sq. Drop leaf stand: 29-1/2” h x 16” w x 19” d. (closed). PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Drop leaf table with seam separation on top. Repairs to top in area of two hinges. With normal and expected wear and abrasion. Top in need of re-attaching. Cabinet with abrasions on front of door. Iron hardware original. Molded base absent. Sheraton stand with small ring stains on top. Otherwise good. Drop leaf stand with one milk glass drawer pull significantly damaged. Surface staining on top, in need of re-polish. 52885-5 (400-600) Lot 1571

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Lot 1570

218

TWO MAHOGANY CUSTOM MADE TABLES. 1) The Chippendale style benchmade table with circular top with pie crust edge projecting above the birdcage support swiveling and tilting on a ring-turned spiral twist urnform pedestal raised on a tripod cabriole leg base with carved foliate sprays terminating in talon and ball feet. 2) The Sheraton style custom mahogany demilune card table with hinged top with contrasting string inlaid borders above a conforming frieze raised on swelled cylindrical reeded legs with ball-turned cuffs on turnip feet. Each leg headed by a diamond-form foliate inlay. The central apron inlaid with a Classical floral filled urn. SIZE: 1) Tilt top table: 30-1/2” h x 30” dia. 2) Demilune: 30” h x 30” w x 15” d. PROVENANCE: From an unreserved Corea, Lot 1572 ME collection. CONDITION: 1) Tilt top very good untouched original condition with undisturbed surface, rich color, and good patina. 2) Demilune structurally good, hinges need repair and reattaching. Table retains original surface with rich mahogany color and patina. CONDITION: 52885-12, 52885-30 (800-1,000)

1573.

TEN STERLING SILVER SALTS, PEPPERS AND CASTER. Lot includes a pair of 3-3/4” Gorham repoussé pepper shakers, the sides decorated in a floral motif, the base numbered “2115”, date marked 1884. A pair of 4-1/2” pepper shakers, Birmingham 1901. 6” caster by Mappin & Webb, Birmingham 1932. A pair of 3-1/2” x 2-1/2” footed oval boat shaped salts, one marked Canfield & Bro. (Baltimore, MD), the other M.W. Galt Bro. (Washington, DC), each monogrammed “YMG”. A pair of 3-/2” x 2-1/2” oval footed open salt frames (no inserts), marked “sterling” and monogrammed on bottom “EPG”, some rust or tarnish with one side break. A 3-1/2” x 2-1/4” cobalt glass lined footed salt, the frame hallmarked Lot 1573 Chester, 1904, maker’s mark “GNRH”, the Chippendale style frame having tall ball-and-claw feet, the liner may or may not be original. Weighable silver: 21 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Very good, otherwise as noted. 52714-135 (600-900)

1574.

WO PAIR OF SIMILAR SILVER PLATED CANDLESTICKS T AND A PAIR OF SHEFFIELD HURRICANE LAMPS. The pairs are only slightly different, having square bases, long shafts with removable bobeches. The are illegible hallmarks and writing on bases, possible Sheffield marks. 2) The pair of Sheffield candlesticks having gadrooned round bottom edge and top fitted for elongated tulip formed clear shades. Unmarked, 19th century. SIZE: 1) 13” h. 2) 23” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Generally very good, one of each of the pairs have had the bottom plate removed and re-attached with weighting removed. 2) Base does not have bottom plate, but shows weighted element. One brass collar to shade has reinforcing plastic wrap. 52714-124 (800-1,200)

Lot 1574 219

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Session 1

1572.

Session 1

1575. MISCELLANEOUS LOT OF 58 SMALL STERLING, COIN, AND OTHER FLATWARE PIECES. Lot includes: Sixteen coin and sterling salt spoons of which are two 4” spoons by Hester Bateman, two 3-1/2” spoons by William Mitchell Jr. (Richmond, VA), and one 3-1/4” spoon by Robert Keyworth (Washington, DC) monogrammed “YMG”. Remainder of lot includes nine child’s forks, spoons, and knives, various small spoons and some souvenir pieces. SIZE: Ranges from 2” to 7”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: There are some in-use wear, generally good. 52714-149 (800-1,200)

Lot 1575 1576.

LOT OF STERLING SILVER SUGARS AND CREAMERS AND THREE PIECE TEA SET WITH GALLERY TRAY. Lot includes: Gorham tea set with 7” teapot having wood carved handle and square base, matching 4-1/2” open sugar and 5” tall creamer marked “4445”. Also a 12” x 8” gallery tray marked sterling with no maker’s mark. A 4” high matched sugar and creamer with scroll and leaf handles marked Gorham “3255” and “3245”. A 2-1/2” high matched sugar and creamer by Reed & Barton marked “375”, with “MG” monogram and inscribed “1906” on bottom. A 4-3/4” high square base tall creamer By Bixby Silver Co. A 4-1/2” Lot 1576 diameter footed bowl and under liner marked sterling, monogrammed “LGD”. Total weight: 44 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Good, tea set with some small dents, teapot slightly tippy, sugar and creamers with small dents, bowl with dents. 52714-131 (1,000-1,500)

1577.

ARGE DECORATIVE PAINTED ADVERTISING MENU L BOARD FOR MOËT & CHANDON CHAMPAGNE. The large vertical panel shows a scene of eight men and women at an outside table with landscape background raising their champagne flutes which are being filled by cherubs that are dropping from the sky with full bottles. A blank menu board is painted at the bottom center. A gold arched border surrounded by a stepped frame. Unsigned. SIZE: Overall 51” h x 31” w. CONDITION: Very good. 52813-1 (2,500-3,500)

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Lot 1578

Lot 1580 1581.

1579. TRAMP ART MATCHSTICK COVERED BOX. Late 19th or early 20th century, American. The rectangular box mimicking a blanket chest with central inlaid heart flanked by inlaid diamonds. The rectangular lid with matchstick geometric decoration and diamond Lot 1579 inlays opening an interior with hidden tray sliding open to second storage well. The case with flattened walnut mid molding above shaped bracket base. SIZE: 5-1/2” h x 9-1/4” l x 5-1/3” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Original surface with mellow patina with normal and expected in-use wear and abrasions. Losses to upper right and left corner trim. Otherwise good. 52806-114 (800-1,200) 1580. INLAID MATCHSTICK TRAMP ART BANK. Late 19th or early 20th century, probably England. This well made example, with matchstick design in the form of reverse trapezoids creating a random effect of triangles, centering an eight-pointed yew wood inlaid star, all within yew crossbanding. The center of the top cut with a coin receptacle. SIZE: 6-1/2” h x 6” w x 6-1/4” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally very good. Surfaces with original varnish or shellac. Top somewhat dried in need of repolish. Otherwise very good. 52806-196 (300-500)

OUTSTANDING PAIR OF TRAMP ART CARVED WOOD FRAMES. The rectangular frames having a zig-zag pattern crisscrossing at corners and having a five step decoration to corners. Original glass. Each frame having a chromolithograph of men delivering speeches in The House of Commons in the 1830s. SIZE: Inside dimension 16-1/4” h x 22-1/2 w. Outside 24” h x 30” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Wonderful patina, in very good condition. Prints are foxed, glued down, but intact. 52806-219 (400-800) 221

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Session 1

1578. FRAMED GUINNESS STOUT ADVERTISING TAVERN SIGN. The painted panel in gold and black letters having a green background and gold edge stating “Pocock & Pearce / Pancras Rd. London. NW / Sole Proprietors of / Paddy Liqueur / Irish Whiskey / Guinness / Stout / ESTd. 1759 / On Draught/ The Nurses / Brand of / Bottled Beers”. All housed in a fine gilt molded wood frame behind plexiglass. On verso is a large label “Canterbury Heritage Collection” indicating that this was from the Reltgas? Tavern on Chandler Rd in London in 1964 and was part of a demolition auction lot #61. SIZE: 70” h x 35” w. Overall 74-1/2” h x 39-1/2” w. CONDITION: Some minor scrapes and losses, but generally very good. 52813-3 (3,0005,000)

Session 1

1582. CHIPPENDALE STYLE CUSTOM MAHOGANY WING CHAIR. Last quarter 20th century. Serpentine crest rail joined to shallow ogival wings continuing to rolled arms centering trapezoidal overupholstered seat with cushion raised on square frontal legs, backswept rear legs, and joined by a recessed box stretcher. Covered in a blue-green subtle plaid tweed. SIZE: 44-1/2” h (overall), 17” h (seat without cushion) x 35” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good overall. Upholstery clean and serviceable. No restoration or damage noted. 52806-151 (200-400)

Lot 1582 1583.

1584.

TWO BARREL BACK ARMCHAIRS. Mid 20th century, American. The first a high back example with horizontal crest rail. The over-upholstered chair with horizontal arms and in-curved supports on square tapered legs. Now covered in a beige textured fabric with tufted back, slip seat cushion, and double brass tack rows. The second chair with channeled curved back joined to rolled, over-upholstered arms, raised on acanthus-carved cabriole legs on ball-and-claw feet. Covered in older textured rose colored silk. This slip seat with fringed ends. SIZE: First: 45” h (back), 18” h (seat) x 30” w. Second: 37” h (back), 17” h (seat) x 32” w. Lot PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Both chairs in structurally good condition. The first with serviceable, clean cover. The second with faded and worn fabric. 52885-69 (100-150)

1583

GROUP OF ASSORTED EARLY AMERICAN STYLE FURNISHINGS. 19th/20th century, American. To include: Hepplewhite style cherry drop leaf harvest table has rectangular top with hinged D-form leaves projecting above the conforming shaped apron raised on square tapered legs. Brace-back Windsor style cherry armchair of typical form with shaped arms and rolled grips centering a rush and cherry seat frame on splayed, swelled, cylindrical legs joined by an H-form stretcher. Two modern ladderback armchairs, each with four shaped slats joined to balusterturned stiles with acorn finials, each chair with trapezoidal rush seat flanked by shaped arms with rolled grips raised on bobbinturned frontal legs and cylindrical rear legs joined by double Lot 1584 box stretchers. A maple spider leg tripod candle stand, branded “SHAKER WORKSHOPS”. A triple back French style settee with pressed cane inserts on the back and arms, the back centering a carved oval shell patera, the outswept arms centering the overupholstered seat, raised on short cabriole frontal legs with pad feet and backswept rear legs. SIZE: Harvest table: 30” h x 54” l x 19” d (closed). Windsor 37” h (back), 18” h (seat). Ladderbacks: 45-1/2” h, 18” h (seat). Settee: 32-1/2” h (back) x 80” l x 32” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Harvest table very good original condition with normal in-use wear. Mellow color and patina. Structurally very good. Windsor with slight stress cracking to crest rail, otherwise good. Ladderbacks with normal and expected soiling and in-use wear. Woven seats intact. Good overall. Windsor with slight stress cracking to crest rail, otherwise good. Ladderbacks with normal and expected soiling and in-use wear. Woven seats intact. Shaker candle stand with original surface, structurally very good. The caned settee structurally good with small damages to caning, upholstery is clean and serviceable. CONDITION: 52885-4, 52885-54 (300-500)

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1586.

BENCH WITH WICKER BASKETS, CROCKERY, AND OTHER DECORATIVE PIECES. 19th-20th century, New England. Selection includes a primitive pine bench with downswept arms and plank seat; three wicker baskets including two laundry and one picnic baskets, all with lids. Three stoneware crocks; two firkins, one with lid and swing handle, the other a primitive open example; two pine storage trunks and one steamer trunk. SIZE: Bench: 33” h x 69” l. Crocks: 1 gal to 5 gal. Picnic basket: 8” h x 22” w x 15” d. Pine storage trunk: 16” h x 30” l x 12” d. Firkin with lid: 14” h x 14” dia. CONDITION: All items with in-use wear. Crockery with cracks, chips, and other imperfections. Items range from fair to good. 52885-3 (300-500)

Session 1

1585.

Lot 1585

GROUP OF SEATING FURNITURE. 19th century, American. The group includes a pair of Sheraton arrowback fancy chairs with rush balloon seats; a child’s plank seat Boston rocker, the crest rail with painted and stenciled decoration; a Victorian grape-carved walnut cabriole leg side chair; a Victorian walnut cabriole leg footstool with floral needlework covering; a Sheraton style rush seat side chair in teal paint. SIZE: Child’s rocker: 23” h (back), 10” h (seat) x 15” w. Footstool: 15” h x 20” l x 16” d. CONDITION: Pair of fancy chairs with extensive paint loss and abrasions. All others good to very good. 52885-31 (300-400)

Lot 1586 1587.

GROUP OF SEVEN PIECES OF COUNTRY FURNITURE. 19th/20th century, New England. The group includes a Victorian cottage pine one-drawer stand, a Victorian spool towel rail, a Victorian maple one-drawer dressing table with shaped splash guard, a chestnut and oak captain’s armchair, an Arts and Crafts oak side table, a miniature bucket bench with bootjack ends, and a 20th century birch rectangular coffee table with tray top. SIZE: Ranging from 16” h x 21” l x 14” w to 34” h x 31” l x 15-1/2” w. CONDITION: All items with in-use wear. Light water stains on bucket bench and coffee table. All pieces structurally intact and serviceable. 52885-55 (250-350)

Lot 1587

1588. THREE UPHOLSTERED ARMCHAIRS, RIBBON BACK SIDE CHAIR, MARTHA WASHINGTON SEWING TABLE, AND SIDE TABLE. 20th century, American. The group consisting of a mahogany Martha Washington easy chair with arms, with red velvet upholstery; a carved mahogany Sheraton style wing chair with pineapple and acanthus leaf carving, upholstered in a chartreuse leather covering; a Chippendale style over-upholstered wing chair with ogival wings, rolled arms, a square tapered legs; an oak Chippendale style ribbon back side chair with pierced slats and reeded square legs; an inlaid mahogany Sheraton style Martha Washington sewing cabinet with bellflower inlay, hinged lids within the top revealing storage compartments, Lot 1588 three central drawers, raised on swelled, cylindrical, ring-turned legs; a two-tier Georgian style mahogany side table. SIZE: Chippendale wing chair: 42” h (back), 15” h (seat) x 32” w. Martha Washington sewing stand: 28” h x 28” w x 16” d. CONDITION: Easy chair and Sheraton style wing chair very good overall. Chippendale style wing chair structurally good, upholstery poor. Ribbon back chair, Martha Washington stand, and table with in-use wear, minor damage and repairs noted, generally fair. 52885-20 (400-600)

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GROUP OF FOUR CHAIRS TOGETHER WITH PAIR OF MAHOGANY STANDS. 19th-20th century American. The group comprised of 1) a transitional Queen Anne side chair with arched crest rail and backswept ears above a vasiform splat. Trapezoidal overupholstered seat on chamfered molded square legs joined by a box stretcher. 2) A Chippendale mahogany ribbon back side chair with pierced slats above a trapezoidal overupholstered seat raised on chamfered and molded square legs joined by an H-form stretcher. 3) A child’s Victorian bobbin-turned side chair, the back with conforming posts and turnings joined to the overupholstered seat with needlepoint cover raised on bobbin-turned legs. 4) A Sheraton transitional mahogany sabre leg side chair with foliate carved back centering a Lot 1589 tablet. The trapezoidal seat frame with needlepoint covering. 5) A pair of Chippendale style oval mahogany kettle stands, each with scalloped gallery and candle slide, raised on delicate square tapered legs with cuffs. SIZE: Height of chairs ranging from 30-1/2” to 36-1/2”. Stands 26” h x 14-1/2” w x 11-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: All retain original surface showing normal and expected wear, chair seats all good to very good, child’s chair with loss of knop to one finial. 52714-10 (400-600)

1590.

PINE FARMHOUSE TABLE TOGETHER WITH FOUR FRENCH STYLE COUNTRY BEECH URN-BACK CHAIRS. Late 20th century, American and Italian. The rectangular table with plank top and applied edging projecting above the conforming apron raised on ring- and ball-turned cylindrical cannon-barrel legs. The chairs each with shaped and curved crest rail above an ovoid splat joined to shaped stiles. The trapezoidal, hand-woven rush seat fitted within a conforming seat rail raised on angular square cabriole frontal legs and backswept rear legs joined by a simple box stretcher. SIZE: Table: 29-1/2” h x 60” w x 36” d. Chairs: 35” h (back), 18” h (seat) x 16Lot 1590 1/2” w. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Farmhouse table with distressed top and in-use wear, otherwise structurally good. Chairs very good, original surface, and near new condition. 52885-27 (300-400)

1591.

TWO PAINTED CHESTS AND CRICKET STOOL. The French pine dome-top trunk in red paint, identified in stencil decoration “Marquise de Sevigne Chocolat de Luxe Paris”. The box fitted with carrying handles. Small rectangular dovetailed box in original red paint with dovetailed case. The lid with molded edge. Cricket bench in pine with rectangular seat with turned, canted legs. The bench ends with applied molding. SIZE: 25” h x 32” w x 17” d. Box: 12” h x 28-1/2” l x 10-3/4” d. Bench: 8” h x 22” l x 15” w. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Structurally good, Lot 1591 significant surface soiling with abrasions and in-use wear. Box with original paint. Hinges need resetting and stabilization of splits. Normal expected in-use wear and soiling. Bench has single plank top with irregular shrinkage split, old braces beneath seat original. Traces of original cream paint. Good overall. 52885-24, 52885-71 (400-600)

Session 1

1589.

1592. OUTSTANDING COPPER AND METAL TURTLE FORM SPITTOON. The cast metal turtle body having a spring loaded head which when pushed down raises the pressed decorated copper shell which opens to reveal a removable tin pan. SIZE: 4-1/2” h x 13” l x 12” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Nice patina, one leg with old repair. 52806-119 (500-800)

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224

GROUP OF 3 CARVED FISH AND A TURTLE. Mid-20th century or earlier American. A child’s fishing rod with carved and paint-decorated grip of a fish. A carved figure of a brook trout. A carved and polychrome painted trout on a wood base. Carved and painted folk art snapping turtle. SIZE: Ranges: 4-1/2” l to 14” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good overall with original untouched surfaces. 52806-199 (200-300)

Lot 1593

1594. BRONZE SHELF CLOCK & FOUR BRONZE ANIMAL FIGURES. 19th Century Aesthetic movement style clock. Unmarked brass spring movement. Bronze figures include a seated lion, seated bear, female lion lying and a smaller seated lion. SIZE: Clock: 12” h x 8” w x 4” d. Bronzes: 2-1/2” l to 4” l. CONDITION: Clock: Case is good, unknown working order. Bronzes: Some rubs, generally very good. 52885-81 (300-400)

Lot 1594 1595.

PAIR OF NIPPON PORCELAIN VASES. Early 20th century, Japan. The pair in pillow form and hand painted on the body with irises hanging down from the neck. Each with gilt painted handles and beaded gilt bands around the body. SIZE: 8-3/4” h. CONDITION: One with flake to the foot. 52952-1 (50-100)

Lot 1595 1596.

PARTIAL SET OF ENGLISH DECORATED BONE CHINA CUPS AND SAUCERS. The bottoms marked “Salisbury Fine Bone China Made in England”. The lot consists of 3 pink cups and saucers, 3 yellow cups and saucers, 2 blue cups and saucers, and extra 2 green cups and one blue cup. SIZE: Saucers 5-1/2” dia. Cups 2-3/4” h. CONDITION: Very good. 52789-15 (50-75)

Lot 1596

Lot 1597

1597. RARE BEADWORK TRAY, ENGRAVED SILVER AND CORAL VICTORIAN BABY’S RATTLE AND A MEISSEN FIGURINE OF CUPID. 19th century, England and Germany. The framed needlepoint beadwork tray housed in a rosewood molded frame, on suppressed ball feet. The Victorian silver baby rattle with 6 pendant bells, a coral finial at one end; a whistle at the opposing end. A small Meissen figurine of Cupid mending a broken heart, posed against a tree stump on a simulated marble socle with crossed sword mark in underglaze blue. SIZE: 2” h x 21-1/2” l x 10-3/4” w. 6-1/2” l. 8” h. CONDITION: Tray very good. Needlepoint with vibrant colors. Rattle’s bells good with in-use wear, dense in multiple bells. Figurine very good. 52874-16 (800-1,200) 225

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Session 1

1593.

Session 1

1598. GROUP OF FIVE AMETHYST GLASS VESSELS. Late 19th or early 20th century, American. Group includes a tapered vase with wide ruffled edge and bulbous round foot, a short bulbous vase with shaped out-turned ruffled lip, a pinched flask with everted lip and opposing pouring spouts, and two pitchers: the first bulbous in form with textured surface, the second with ribbed interior, everted lip, applied handle and circular foot. All with broken pontil. SIZE: 8” h of tallest. 6-1/2” h of shortest. CONDITION: Bulbous pitcher with horizontal burst bubble defect on exterior of spout. Otherwise all very good with light soiling. 52891-2 (400-500)

Lot 1598 1599.

LOT OF TEN METAL & GLASS BOTTLE LAMPS. Lot consists of: Two fine olive colored demijohn bottles converted to lamps; Two large demijohn turquoise/green lamps; Three modern brass lamps; Sheffield type hurricane lamp (not electrified); small boudoir pottery lamp; antique Astral lamp with electric fixture. PROVENANCE: From an unreserved Corea, ME collection. SIZE: Range from: 33” h to 13” h. CONDITION: Good. 52885-72, 52885-76 (300-400)

Lot 1599 1600. NORTHWEST PERSIAN ORIENTAL RUG. Late 19thearly 20th century, northwest Persia. Overall polychrome design on midnight-blue field within a wine-red border of floral trellis work and with floral guard borders. SIZE: 3’ 3” x 6’ 1”. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Moderate wear throughout, showing foundation in areas. Multiple small holes in need of restoration. Loss of fringe. 52885-21 (200-300)

Lot 1600 1601.

FERREGHAN AND BOKHARA ORIENTAL RUGS. 1) Late 19th century, west Persia. The central stepped arabesque medallion with five trellised floral designs on a madder red field within zigzag floral chains and with sawtooth ivory border on a midnight-blue field with multiple aligned chains of flower heads, all within multiple floral guard borders. 2) Turn of the 20th century, Turkmenistan. Two rows of stylized ivory flower heads alternating with diamond medallions within a burgundy main border of stylized Turkoman guls. SIZE: 1) 4’ 4” x 6’ 5”. 2) 3’ 4” x 6’ 1”. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: 1) Normal and expected in-use wear and soiling. Overall exposure of foundation. Retains good color and palate. Loss of fringe. 2) Moderate wear and losses throughout. Fair condition. 52885-8 (500-700)

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226

GROUP OF THREE TEKKE BOKHARA RUGS. First quarter 20th century, Turkmenistan. 1) A single row of burgundy and ivory guls flanked by conforming rows of half guls within multiple crenelated, floral, and geometric guard borders, all in shades of indigo and burgundy. The end with a wide band of Turkoman guls. 2) Three rows of eight guls in ivory, mustard-yellow, indigo, and terracotta on a wine-red field within a main border of diamond shape forms, each with a central diamond with indigo highlights within guard borders of Lot 1602 latch hooks. 3) Two rows of seven guls, alternating with diamonds and Leshgi stars on a brick-red field within multiple borders of candlesticks, crenelations, and flower heads. SIZE: 1) 3’ 11” x 6’ 6”. 2) 3’ 11” x 5’ 6”. 3) 4’ x 4’ 10”. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: 1) Normal and expected wear. Retaining strong palate. Moderate loss to fringe at each end. Small low area at center position of third gul. Otherwise good. 2) Normal and expected wear. Small areas of foundation exposed. Losses to fringes at each end. Fair to good overall. 3) Moderate wear overall. Small areas of foundation exposed. Losses to two corners and fringe at one end. Loss to selvage at one area, continuing into outer guard border. Otherwise fair to good. 52885-22 (700-900)

Lot 1603 1604.

1603. TWO HERIZ PATTERN KARASTAN RUGS. Mid 20th century, American. These machine made examples have Heriz design. The first with a central arabesque medallion in pale indigo on a pale pink field with light blue and pink spandrels. The main border with scrolling flower heads of geometric design. The second with an oversized central medallion with a striated pink field within pale indigo spandrels, all with dense floral and geometric designs. The ivory main border with subsidiary medallions in rose and ivory, all within multiple guard borders. SIZE: 1) 5’ 10” x 9’ 7”, including fringe. 2) 8’ 2” x 12’. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: First very good overall with full pile. Second retains full pile with some remnants of old water stains at each opposing corner at one end in area of main border and spandrel. 52885-23 (600-800)

AFGHAN BOKHARA RUG TOGETHER WITH A HAMADAN ORIENTAL RUG. 1) Early 20th century, Turkmenistan. With three rows of seven guls of typical form on a brick-red ground within a main border of Leshgi stars flanked by star and diamond shaped guard borders. 2) Early 20th century, western Persia. The polled medallion of geometric design on a wine-red field with geometric devices with a main border of flower heads and trellis work. The camel guard borders with ribbon trellis work. SIZE: 1) 4’ 2” x 6’ 2”. 2) 4’ 3” x 6’ 11”. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: 1) Even wear throughout. Small areas of wear to foundation. Loss of fringe at each end. Damage to selvage with reweave at one corner. 2) Retaining strong palate. Normal and expected even wear throughout. No exposure of foundation. Loss to fringe at one end. Otherwise generally good. 52885-19 (200-300) 227

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Session 1

1602.

1605.

Session 1

AFTER PHILIPS WOUWERMAN (Dutch, 16191668) FOUR ENGRAVINGS BY JEAN MOYREAU AND ONE BY CHARLES NICHOLAS COCHIN THE YOUNGER. Titles include: L’ABREUVOIR FLAMANDE, PETITE MEUTE DE CHIENS, GARDES DE CAVALERIE, LE CONSEIL DES CHASSEURS, and ENTREE D’ABREUVOIR. All housed in black wood frames with glass with finish loss. All having good borders with signatures and title etc in plate. SIZE: 1-4) Sight: 15” x 19-1/2”. Overall: 16-3/4” x 21”. 5) 14” x 17-1/2”. Overall: 15-3/4” x 191/4”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Some toning, good, not examined out of frame. 52947-5 (200-400)

1606.

Lot 1605

WO GILT GOLD MIRRORS. 1) Adams style rectangular T mirror with urn of flower crest. 2) Oval gesso decorated gilt mirror. SIZE: 1) 31-1/2” h x 15-1/2” w. 2) 14” h x 12” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Some gold rubs, generally very good. 52714-42 (200-400)

Lot 1606 1607.

DELLA ROBBIA PLAQUE. 20th century, Italy. This nice earthenware plaque in blue and white glaze depicts the allegorical scene of the adoration of the infant Jesus. On base is the rooster Cantagalli mark, also “Italia”, also having two pressed Cantagalli rooster marks and three rectangular marks “Cantagalli Firenze Marca Depta” on verso. SIZE: 25” h x 161/2” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good overall with some residue at juncture of the head of the Madonna at the plaque. 52714-54 (400-600)

1608.

LARGE CHIPPENDALE STYLE WELL AND TREE SILVER PLATED Lot 1607 PLATTER BY TIFFANY & COMPANY. Circa 1902-1907. The stepped border decorated by scallop shells and foliate scrolls, the deep well with six branch tree ending in a large engraved monogram “EP”. Four embellished paw feet, the bottom marked “Tiffany & Co / 2742 makers 250 / silver-soldered-E.P. / double / 24in / C”. SIZE: 25” l x 18” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Some light knife marks, otherwise very good. 52714-129 (400-600)

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228

THREE SILVER PLATED GALLERY SIDED TRAYS. 1) 18-3/4” x 14” oval tray decorated with scrolls and flowers, the reticulated gallery having two handles. Sheffield, England. 2) 17” x 12-1/2” oval tray with reticulated gallery and engraved flower scrolling leaves and c-scrolls. Sheffield, England. 3) 15-1/2” x 6” rectangular double handled tray with reticulated gallery and flower and scrolling leaf engraving. Sheffield, England. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good, rectangular tray with one handle side separated from gallery. 52714-130 (300-500)

Lot 1610 1611.

Session 1

1609.

Lot 1609

1610. FINE LOT OF 18th/19th CENTURY CLEAR GLASS. Lot consists of an early cut glass center bowl with matching under liner, probably Irish of high quality, decorated with squares of diamonds having a sawtooth border. 9-1/4” h heavy pitcher with beveled circles. A pair of 6” h small compotes in petal form. A pair of 3-1/2” h pedestal salts. SIZE: Center bowl 5” h x 11” w x 6” d. Under liner 13” l x 8-3/4” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Center bowl and liner have very minor nicks. Chips and roughness to edges of compote pair. Roughness to bases and chips to rims of salt pair. 52714-123 (800-1,200)

TWENTY PIECES OF CLEAR AND COLORED STEMWARE AND MISCELLANEOUS. The lot consists of five 5-1/2” h cut glass stems with green cut to clear bowls, eleven pieces of clear glassware with pontilled bases in a vintage pattern, lot consists of four 6” h stems, four 5” h stems, two 4” h stems and a 3-1/2” h bowl. A pair of 3” h flint glass hexagonal footed salts. Two 3-1/2” h candle colored bohemian glass cups, one in amber, one in red. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Roughness at edges of salts. Red bohemian glass cup cracked. Otherwise good. 52714-127 (200-300)

Lot 1611

1612. ELEVEN PIECES OF EARLY ASSORTED CLEAR GLASSWARE. The lot consists of; six 4” h 18th/19th century wines with cut glass sheaths of wheat, matching 9-1/2” h decanter with stopper, 11” h 18th century decanter with swag design, 17” h covered pokal, two 18” h glass decanters in gourd form with stoppers which are attached to a silver collar. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Three wines with chips on foot. Very good. 52714-122 (300-500)

Lot 1612 229

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Session 1

1613. T WO FUR LAP ROBES. 1st half 20th century. Each robe with multiple matching pelts on a quilted silk foundation. SIZE: 1) 4’4” x 5’5”. 2) 4’7” x 5’10”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Both retain soft, pliant and flexible texture with no deterioration of pelts. The foundation with weaknesses and wear. Very good overall. 52714-113 (300-500)

Lot 1613 1614. CAPODIMONTE “BENACCHIO” FIGURINE OF A FISHERMAN. The figurine shows an elderly fisherman with spinning outfit landing a large fish. Signed on base “Benacchio” and a trademark of an anchor. SIZE: 21-3/4” h. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Some leaf tip breaks, generally good. 52806200 (200-300)

1615. IRIS IRIDESCENT VASE BY PEWABIC POTTERS. Dark Lot 1614 blueish-black iris in relief with a light green iridescent glaze elsewhere. The bottom impress marked “Pewabic Pottery 2000”. SIZE: 11-1/2” h x 7” at widest. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good. 52806-96 (200-300)

Lot 1615 1616.

SHEFFIELD SILVER PLATED LIGHTHOUSE SHAPED COFFEE POT BY GEORGE RICHMOND COLLIS & CO. Lighthouse formed with hinged lid, s-scroll handle, having each side with nice engraved area with cornucopia of flowers, c-scrolls and birds. Monogrammed “IG”, hallmarked on top of pot with pseudo hallmarks, base marked “G.R. Collis & Co, 130 Regent St London 635”. SIZE: 9” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Two pins missing from handle, otherwise very good. 52714132 (100-200) ESA

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230

Session 1

1617. THREE LIGHT SHEFFIELD STYLE SILVER PLATE CANDELABRA. Unmarked. The large candelabra of classic form with arms twisted around the body. Stands on tapered column resting atop a splayed base. SIZE: 19-3/4” h. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Scattered dents, base metal showing through at raised points. Scratching. 53028-8 (50-100) 1618. SHERATON CARVED MAPLE AND PINE PINEAPPLE FOUR POST BED. Second quarter 19th century, New England. The bed comprised of four carved and turned posts, each with large pineapple finial above acanthus leaves. The posts ring- and balusterturned raised on swelled ring turned legs. The headboard Lot 1617 with scrolling crest rail and rolled ears. The head and foot boards joined by original square wood rails. The bed is accompanied by custom made box spring and mattress. This bed is 3/4 size. SIZE: 51” h x 56” w (overall) x 80” l (overall), 48” w (interior) x 72” l (interior). PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: With old mellow finish and honeybrown patina. Small repair to one ear of headboard. Very good overall. 52806-146 (200-400) Lot 1618

1619.

QUEEN ANNE CENTENNIAL WING CHAIR. Early 19th century England. The serpentine crest rail joined to deep ogival wings continuing to rolled arms on incurved and outscrolled supports. The frame overupholstered in a salmon herringbone pattern. The chair raised on frontal cabriole legs with shaped returns on circular pad feet. The rear legs backswept with pointed feet. SIZE: 421/2” h (back), 17” h (seat without cushion) x 32” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Upholstery clean and serviceable. Frame is tight. Legs with good color and patina. Very good overall condition. 52806-142 (800-1,200)

Lot 1619 1620. MODERN UPHOLSTERED SOFA AND ARMCHAIR. Late 20th century American. Manufactured by “SHERRILL FURNITURE COMPANY”, each additionally signed by the upholsterers. Covered in vibrant upholstery with theme of flora and fauna. SIZE: Sofa: 31” h x 75” l. Chair: 36” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very fine overall. No structural defects. Fabric is clean and serviceable. 52806-2 (200-400)

Lot 1620

231

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1621.

Session 1

MODERN UPHOLSTERED SOFA AND ARMCHAIR. Late 20th century American. Manufactured by “SHERRILL FURNITURE COMPANY”, each additionally signed by the upholsterers. Covered in floral fanciful silk fabric with bold palate. SIZE: Sofa: 31” h x 70” w. Chair: 31” h (overall) x 36” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very fine overall. No structural defects. Fabric is clean and serviceable. 52806-55 (200400)

Lot 1621

1622. TWO FLAT SCREEN TVS AND DVD PLAYER. 1) 24” Sony model NSX-24GT1 (Sony internet TV), white case, remote is included. 2) 2007 Sony flat screen TV, model KDL-40V2500, full HD 1080 with remote and appropriate power cords. 3) Sony HDMI DVD and CD player also with a remote. SIZE: 1) 15” h x 22-1/2” w. 2) 29” h x 39” w. 3) 9” h x 17” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: All items were operating in house when taken. 52806-226 (250-300)

Lot 1622 1623.

BRITISH SEAGULL 5 HORSE POWER OUTBOARD BOAT MOTOR. Never used, in showroom condition. SK 11H 3. Accompanied by an original owners manual. SIZE: 41” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: As new. 52806-215 (500-800)

1624.

GROUP OF OUTDOOR TEAK GARDEN FURNITURE. 20th century. Comprised of a pair of chaise lounges with a matching side table, the chaises with teak rubber-bound wheels and slat construction, with two cushions. The side table of similar design. Together with a pair of armchairs with angled seats and backs, designed in a semiLot 1623 reclining position also of slat construction. SIZE: Chaise: 6’ 6” long. Table: 14” h x 19-1/2” l x 15” w. Chairs: 36” h (back), 15” h (seat) x 32” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Chaises and table in very good condition. Pair of armchairs with significant weathering and patina. 52806-210 (100-200)

Lot 1624 1625.

FOUR DECORATIVE LAMPS. 1) 13” floral decorated porcelain probably Bing & Grundel. With shade. 2) 12-1/2” h double handled red ware jar made into a lamp. The jar having a yellow glaze on upper third. With shade. 3) A 17-1/2” h blue glass kerosene lamp fitted with electric fixture. The blue font raised on a brass base on a marble foot. With shade. 4) 8” h clear pattern glass kerosene lamp fitted with electric fixture, accompanied by a mica shade. SIZE: 1) Overall 26” h. 2) Overall 27” h. 3) Overall 28” h. 4) Overall 18” h. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Generally very good. 2) Some chips to body, otherwise good. 52806-185 (200-300)

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232

Lot 1625

Lot 1626

1628.

1627. SIX MISCELLANEOUS OBJECTS. 19th/20th century. 1) Leather shot flask impressed with numeral “2-1/2” above letters “BS” with brass spout embossed with game figures of a pheasant and a rabbit. 2) Bronze nutcracker in form of a hunting dog. 3) Pewter cigarette box with carved shotgun mounted to the lid impressed with maker’s name “PALMER - SMITH”. The interior Lot 1627 beneath the hinged lid with four compartments. 4) Clam shell silver on brass box with hinged lid, marked on the base “VICTORIA”. 5) Two sterling silver clad bristle brushes with hallmark for R. Blackinton & Co, North Attleboro, MA. SIZE: 1) 7” l. 2) 9” l. 3) 10-3/4” l. 4) 6” l. 5) 4-3/4” l x 2-3/4” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: 1) Shot bag with original age darkened surface, weakness to stitching at bag corner. 2) Retains original surface with age darkened patina, good overall. 3) Good overall. 4) Silver has worn off of lid, exposing brass foundation, otherwise well polished. 5) Brushes in very good condition, bristles intact, not worn. Hammered silver covers with hallmark readable, very good overall. 52806-205 (200-300)

LARGE LOT OF BOOKS, MOSTLY IN SETS. Approximately 20’ of shelved sets and singles. Sets include: 1) The Writings, Prose, and Verse of Rudyard Kipling. Charles Scribner’s Son’s, 1897, 36 volumes. 2) The Works of Robert Louis Stevenson. Charles Scribner’s Son’s, 1919, 5 volumes. 3) Complete Works of Edgar Allen Poe. Fred De Fau & Co., 1902, 10 volumes. 4) Waverley Novels. Dana Estes & Co., 1893, illustrated cabinet edition, 13 volumes. 5) Mark Twain’s Works. By Harper & Brothers, 1904, Hillcrest edition, 13 volumes. 6) Victor Hugo. John Grant, 1903, 5 volumes. 7) The Lot 1628 Works of Shakespeare. George Rutledge & Son’s, 1866, 3 volumes. 8) Gibbon’s Roman Empire. by Edward Gibbon, 1802, 12 volumes. 9) Chesterfield’s Works. London, 1777, by M. Maty, 4 volumes. 10) Critical and Historical Essay’s. By Lord Macaulay, 1873, 3 volumes. Along with 24 other books some of which have leather bindings. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Most show wear and binding imperfections, most with decorative binding which are passable. 52806-90 (500-1,000)

Lot 1629

1629. TWO TRAMP ART TABLE LAMPS. Mid-20th century, American. The first example with matchstick design simulating a vanity with central “cabinet” flanked by picture frames. The wooden shade of similar design with sloping sides. The second lamp in the Adirondack style, fashioned from cut and shaped tree branches. SIZE: First 18” h x 12-1/2” w x 5-3/4” d. Second 22” h x 10-1/2” sq. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: The first with original shellac surface. Multiple minor losses to borders of matchstick shade. Otherwise good. The second with highly shellacked surface. Structurally very good. 52806-175 (200-300) 233

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Session 1

1626. MODERN PINE GUN CABINET. Late 20th century, American. The rectangular case, fitted with a pair of glass panel doors opening to an interior fitted for seven long arms above a pair of cupboard doors, the whole with wrought iron hinges and handles. SIZE: 75” h x 31” w x 14” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally very good overall. Cabinet in a white water wash finish. 52806-13 (100-200)

Session 1

1630. TWO ANTIQUE STONEWARE LAMPS AND STONEWARE JUG. 1) An 11” h squiggle decorated jug impressed “L. W. Roberts Binghamton NY”. 2) A 14” jug impress mark “J. S. Taft & Co., Keene, N. H.” Light fixture attached to top, not drilled but having imperfections from the making with indented sides. With shade. 3) An 111/4” h stoneware jar with glazed neck, fitted for double light bulb, not drilled. With shade. SIZE: 2) Overall 25-1/2” h. 3) Overall 22-1/4” h. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Generally good, and as noted above. 52806-131 (150-250)

Lot 1630 1631.

GROUP OF ASSORTED DECORATIVE OBJECTS. Late 19th and 20th century. The group comprised of: a pair of brass yard sticks mounted on mahogany strips, stamped with the maker’s name “J. Rabone & Sons, Birmingham / Made in England / No. 1320”; a whimsical folk art carved knifeform memento, carved from yew, engraved and decorated on both sides, the hilt carved with conjoined Gs, also carved “THE THORN THAT BROKE MY LEG 1880. 12. 5.” along the blade, the reverse carved with a fox head in low relief with cross-hatched carving on handle, the blade carved with a pair of fox hunting horns centering a pair of crossed fox tails over a log; a carved walnut Lot 1631 sculpture of a nude woman with draped robe, signed on the bottom in script “Venus de Modern S. Nisson”; a pair of concrete candlesticks mounted with pebbles, signed “Kym Nicolas 1994”; a small wood carving of a man in overalls chasing a pig; and a stein fashioned from a tree segment with branch handle and decorated with applied twigs. SIZE: Size ranging from 3” h x 4-1/4” w (pig statuette) to 37-3/4” long (mounted yard sticks). PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: All items are structurally in good condition. 52806-208, 52806-224 (200-300)

1632. THREE PIECES OF DECORATED POTTERY. 1) 6” h stag & hound Staffordshire vase. 2) 8-1/4” h Staffordshire vase with game & hunting bag. 3) 5-3/4” h earthenware pitcher with glaze decoration having woman with green leaves. SIZE: As noted above. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Minor glaze losses, tree missing limb on stag & hound piece. 52806-204 (150-250)

Lot 1632 1633.

TWO BRASS AND COPPER MUGS TOGETHER WITH A MODERN BRASS WATERING CAN. Late 19th/20th century, probably England. The first, hammered copper mug with applied brass rim, the body with two bands of incised decoration above the flared foot. Impressed to the right of handle at rim “QUART” followed by marker’s touch mark of a shield within a diamond. The second, a copper mug with flared sides and attached by three flat brass bands and a rectangular D-form handle, unmarked. The third, a 20th century brass watering can with hinged lid and tin lined interior and with fixed handle. SIZE: 5-3/4” h. 5-1/4” h. 8-3/4” h x 11” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: All three in generally fine condition. 52806-201 (200300)

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Lot 1633

TWO CAMPHOR TRUNKS. 1st half 20th century England or China. The first, a dovetailed example, the hinged lid opening to a storage well fitted with gallery tray on shaped bracket feet. The second, a brass bound example with campaign-style carrying handles, strapping and lock plates. Interior with storage well. SIZE: 1) 21 h x 41-1/2” l x 211/2” d. 2) 19 h x 41 l x 20-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett Lot 1634 of Kittery Point, Maine. CONDITION: Both trunks structurally intact with normal and expected soiling and abrasions from in-use wear. 52714-36 (800-1,200)

1635.

TWO CEDAR STORAGE TRUNKS, CHILD’S TOY CHEST AND HOOKED RUG. 1st half 20th century American. Rectangular cedar chests with hinged lids, each mounted on wheels, the purpose of which is to store beneath a bed. Maple toy chest in green paint with floral decoration. Oval hooked rug wrought with crossed yachting burgees. SIZE: 1) Chests: 9” h x 44” l x 24” d. 2) Toy chest: 20” h x 33” w x 18” d. 3. Rug: 30” x 55”. PROVENANCE: A most historical Lot 1635 and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Cedar chests very good, toy chest with extensive paint loss and dry crusty surface, rug very good overall. 52714-38 (200-400)

1636.

MISCELLANEOUS ESTATE LOT OF INTERESTING SMALL ITEMS. Lot includes silver plated tableware and flatware, items found in desks and drawers, five alabaster fruits, small primitive pieces including copper ware, wood ware, pewter plate, stoneware jug. Miscellaneous modern documents. SIZE: Sizes vary, largest 16” jar. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good. 52714-153 (200400)

1637.

Lot 1636 (partial lot)

LOT OF ESTATE PORCELAIN INCLUDING DINNER SERVICE. Lot consists of an 80+ piece dinner service by Johnson Brothers in the “Vigo” pattern, 11 Minton’s gold edge bone dishes, 5 colorful Dresden cups and saucers, an applied fruit reticlulated center bowl, and more. SIZE: Varies PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good, there are some cracks and chips. 52714-152 (200-400)

Lot 1637 235

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Session 1

1634.

1638.

Session 1

LARGE, DIVERSE AND QUALITY ORIENTED ESTATE LINEN LOT. The lot includes; table cloths, runners, napkins, place mats, doilies, in all manners of sizes and shapes. Also including lace work. A wonderful un-picked lot worthy of attention. SIZE: Sizes vary. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good. 52714-115 (500-1,000)

Lot 1638 1639.

LARGE LOT OF ESTATE LINEN AND TEXTILES. The lot includes many linen sheets, table cloths, napkins. Also a few pillows, bedspreads and more. SIZE: Varies. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-168 (300-500)

Lot 1639 1640. SMALL LOT OF ANTIQUE AND NEWER LADIES AND CHILDREN’S CLOTHES. Seven child’s whites, children’s accessories, bonnet and gloves. Six women’s dresses. SIZE: Varies. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good. 52714-111 (100-200)

Lot 1640 1641.

1642.

EIGHT ASSORTED FUR COATS, STOLES, AND COLLARS. 1) Light brown mink coat by Henri Rendel, New York. 2) White fur stole with a label from Robert’s fur’s of Boston. 3) Fox collar. 4) White tipped fur collar. 5) Mink stole, Zirkin of Washington, D.C. 6-8) Full skin mink stoles, one with two, two with three. SIZE: Varies. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good. 52714-112 (400-600)

Lot 1641

MISCELLANEOUS ESTATE LOT OF CURTAINS AND FABRIC. Several remnant pieces of upholstery fabric, some chintz style curtains and material. SIZE: Varies. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good. 52714-118 (200-400)

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236

Lot 1643

Lot 1645

1646.

1644. ANTIQUE BISQUE HEAD DOLL. Head marked “13”, sleepy eyes. Composition body as found & in pieces, not complete. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: As noted, head has chip off eyelid, otherwise good. 52714-128 (100-200) 1645. EARLY CARVED SANTOS FIGURE TOGETHER WITH TWO PAIR OF Lot 1644 FRENCH ABALONE AND BRASS OPERA GLASSES. 1) Santos of Mary and Jesus, Mary in flowing robes holding the baby Jesus in her arms. Mounted on a Chinese rockwork plinth. 2) Pair of “LEMAIRE” adjustable opera glasses with removable brass and mother of pearl handle which, when attached to the binoculars, gains the ability to adjust and focus the glasses; when the handle is removed, the glasses adjust as would normally be expected via twisting the central post. Together with lemon-yellow velvet pouch. 2) Small pair of “Carton QUEEN” opera glasses. SIZE: Varied, 8” h (largest - figure) PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Santos figure missing right forearm and with old rot to portion of base. With good undisturbed surface and patina. Opera glasses both functional and very good overall. 52714-154 (300-500)

MIXED LOT OBJET D’ART. Lot includes: 1) Miniature 3” x 2” eightpiece doll’s porcelain tea set by Limoges decorated with flowers & garland. 2) 2” x 1-1/2” change purse. 3) Four small Vienna type bronze animals (largest 1” h). 4) Two porcelain hinge lid boxes, both decorated. 5) 2” x 1-1/4” Battersea enamel box decorated with two men on horseback. 6) 3-1/2” x 2-1/2” papier-mâché decorated snuff box. Cover having a painted seated woman in landscape. 7) 3” h x 3-1/2” l bronze dog, unsigned. SIZE: 4) 3” x 3” & 2-1/2” x 2”, otherwise noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good, snuff box with damaged lid. 52714-151 (700-900)

~ End of Session One ~ 237

Lot 1646

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Session 1

1643. TWO DECORATIVE BRONZES; MERCURY AND DUCKS IN FLIGHT. 1) Classic Mercury standing on one foot holding a snake entwined staff supported by a head on round base. A nice piece for the garden. 2) Unsigned bronze flying duck sculpture showing two ducks and cat tails, mounted to a wood base. SIZE: 1) 25-1/2” h. 2) 16” h x 14-1/2” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Breaks in several places including hat wings, something held in hand, nice verdigris patina. 2) Good. 52714-120 (300-500)

Session 2: Friday, February 9, 2018 Commencing at approximately 10:00 a.m. Please Read Conditions of Sale Before Bidding Lots 2000–2612

2000.

Session 2

FRENCH AND INDIAN WAR POWDER HORN CARVED AT LAKE GEORGE FOR AMBROSE NICHOLSON, 1755. 13” horn inscribed in 3 large panels “Ofs NICHOLSONs HORN / D AT LAKE GEORGE / OBER THE 24TH 1755”. Ambrose Nicholson was a private in Col. Goodrich’s 2nd Regiment, Captain Starr’s 1st Company and served from May 14-November 27, 1755. He was 23 when he enlisted. He had continued service in 1756 and 1757 including marching for the relief of Fort William Henry. PROVENANCE: Ex-Bill Guthman Collection; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Dark “as found” surface. The horn has been shortened during its time of use as portions of text have been cut. Overall, very good and as used. Accompanied by very good custom stand. 52751-31 (2,000-3,000)

Lot 2000 (w/reverse)

2001. FRENCH & INDIAN WAR HORN OF JACOB BOGAR, FORT OSWEGO, 1759. Fine French & Indian War carved horn, about 16” overall with British coat of arms and five-line panel “JACOB BOGAR DUS HIS HORN MADE AT OSWAGO OCT YE 18 ANO 1759”. Bogar draws a fine rendition of Fort Oswego showing buildings and shows mortar emplacements outside the fort with lines drawn showing where balls have fallen apparently. Interesting detailed map with the word “Niagara” written to the left but this fort is not in the shape of Niagara, but Oswego. Horn is also embellished with a horse tied to a tree & prancing deer. A pleasant well patinaed & well preserved horn. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good and appears as found with smooth patina with good details, wear where expected, wood plugs still have remnants of old blue milk paint and iron staple. 52751-15 (4,000-6,000)

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2002.

EXTREMELY RARE & FINE FRENCH & INDIAN WAR PENNSYLVANIA MAP HORN. 16-1/2â&#x20AC;? overall including original plug which is retained by an attached chain & collar. This horn is in truly remarkable condition with fine surface and starts at base in Philadelphia and moves north along the Allegheny and its forks depicted as Monagahny and Ohio to Lancaster, Carlisle, Shippensburgh, Fort Louden, Fort Lettelton, Fort Stony Creek, Fort Bedford, Fort Ledgner, with great drawing of Fort Pitt with British flag on pole. There are few map horns of this era which show the 1758 Forbes Campaign in the west. Fort Pitt was built upon the abandoned French Fort Duquesne in 1858. This horn was probably carved about this time. Many troops would return to Philadelphia in 1859 and General Forbes died March 11, 1759 after being gravely ill through much of the campaign. This is a marvelous horn with beautiful surface that has been very well cared for and possibly the finest example of its type. PROVENANCE: Cowanâ&#x20AC;&#x2122;s Auctions, Cincinnati, Ohio, Nov. 4th, 2009, Lot 3; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good to fine. Horn has pleasant patina with some weathering near base but all in all about as fine as you will find for a horn over 250 years old. 52751-37 (15,000-20,000)

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Session 2

2003.

EXTREMELY RARE, FINE AND DETAILED EARLY FRENCH AND INDIAN WAR MAP HORN OF HENRY LIVINGSTON, SIGNED BY CARVER 1756. Until coming into present estate in 2012, the Henry Livingston horn had been maintained in the original family and has among the most untouched “as found” surfaces and patina with exquisite fine detail. Two panels read “HENRY LIVINGSTON HIS HORN” and “HIS HORN MADE BY SAMUEL PRISNER MORE JUNE YE 11TH 1756”. Though nothing is known of the carver, much is known about Dr. Henry Livingston (17141799) who lived near Poughkeepsie, New York. Dr. Livingston had a very large farm growing fruit maintained by slaves. Dr. Livingston served as County Clerk for Duchess County starting in 1742 and was a member of the Provisional Assembly, 1759-1768. He received his Captain commission in the Duchess County militia and “led a detachment to Albany in March 1757 to the relief of Fort William Henry when it was attacked by the enemy”. Livingston had 11 children and at least 2 fought in the Revolutionary War. Horn is 15” overall and is carved over the entirety of its body showing British coat-of-arms with motto beneath “THE LION AND THE YE UNICORN AFIGHTING FOR THE CROWN”. Bottom of horn starts with City of New York with rivers flowing north. The North and the Mohawk are labeled along with the towns of Albany, Schenectady, Saratoga, Stone Arabia, German Flatts and other commonly seen sights such as Half-moon tavern on powder horns of this era. Some of the forts noted are Hendrick, Stanwix, Edward, Hunter, and Fort at Stillwater. Four ships of the Royal Navy are shown and labeled with number of guns. Overall, this is among the finest early French and Indian War horns you will find. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good to fine overall, fine dark patina with good detail with only minor scuffing and light wear to high area. Wood plug originally had a leather strap of which only the ends remain and an old pair of initials carved. Great surface. Bottom end of horn has natural textural imperfections. Lot accompanied by very good custom stand. 52751-14 (8,000-12,000)

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2004.

FINE IDENTIFED FRENCH AND INDIAN WAR POWDER HORN OF MOSES WALCUT, FORT EDWARDS, 1758. 14” overall with slightly shorter spout but original from time of use. Profusely engraved with large central panel reading in three lines “MOSES WALCUT HORN MADE AT FORT EDWARDS”. A large British coat-of-arms is surrounded by birds, animals, trees and a wonderful, snarling tooth winged horse often referred to as a “hell horse”. There is a large panel of standing soldiers with muskets and the date “1758”. This well known horn is pictured on pages 28 & 29 in Jim Dresslar’s text The Engraved Powder Horn, 1996. Walcut’s served in the 5th Connecticut in the 1757 campaign in relief of Ft. Henry and the entire 1758 campaign in Col. Fitch’s 3rd Connecticut. Ft. Edward was an important fort on the Upper Hudson River built in 1755 at the site of a French trading post and stayed heavily fortified throughout the French and Indian Wars. This is indeed a magnificent horn with great aesthetics and surface. PROVENANCE: Jim Dresslar Collection; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Good to very good overall. Good surface with excellent detail, wear at high areas and one laminated 1” crack near base. Lot accompanied by very good custom stand. 52751-30 (8,000-12,000)

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Session 2

2005.

Session 2

FINE FRENCH AND INDIAN WAR MAP HORN WITH INSET SILVER PLAQUE OF OWNER. Interesting map horn, about 15” overall was much longer as spout has been cut and a 19th century style powder measure has been improvised for potential continued use. Map starts at base with New York, showing several New York cities and several cities in New Jersey and Pennsylvania; goes all the way into the West to Detroit and Ft. Pitt, over 20 cities and forts in all. Large British coat-of-arms is also found. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Good to very good as repaired with modern spout. Accompanied by a very good custom stand. 52751-24 (6,0008,000)

Lot 2005 (w/reverse)

2006. LARGE REVOLUTIONARY WAR POWDER HORN OF REUBEN SIKES, 1775. 15” overall, carved in long central spiraling ribbon “REUBEN SIKES HIS HORN MADE BY HIM IN ROCKSBURY CAMP NOVEM YE 6 1775”. Reuben carves a couple of ships and a nice set of buildings. This horn is pictured on page 28 of Warman’s Antiques and Collectibles 2015 Price Guide. PROVENANCE: Sotheby’s, Lot 240, January 21, 2011 from Estate of Edwin Hochberg; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Good to very good overall, scrimshaw easily discerned. Good patina, old thin varnish with craquelure. Accompanied by very good custom stand. 52751-38 (4,000-6,000)

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2007.

FABULOUS GROUP OF THIRTEEN REVOLUTIONARY WAR ERA POWDER HORNS CARVED BY ONE SCRIMSHAWER KNOWN AS THE “FOLKY ARTIST”. This group of horns represents 13 of about 30 known powder horns carved by same artist known as the “Folky Artist”. There are different schools of carving known on French and Indian War era horns and Revolutionary War era horns which is the period “Folky Artist” worked. The period between 1750 and 1790 was a time when every American military man carried a powder horn with his rifle. This is also the era of the greatest carvers of powder horns, few of which are known by name as they rarely signed their horns, but most are just known by their distinctive styles. There are groups of horns carved by the “Pointed Tree” carver, the “Memento Mori” carver and the subject carver the “Folky Artist”. These artists typically were paid by powder horn owner to be decorated and often named such that one man’s distinctive horn could not be mistook for another. Artistry skills and styles vary greatly among these 18th Century pieces of art. The “Folky Artist” is thought possibly to be a Southern artist as Southern characteristics such as palmetto trees, long leaf pine sprouts, scenes of dogs running deer, manatees, an alligator and what appears to be a Spanish mission are among the subjects engraved on his horns. There also appears on one horn to be the Hessian symbol of a double headed eagle. The only Hessian settlement in the South was at that time the Salzburger Colony on Saint Simons Island just off the coast of Savannah, Georgia. Of these 13 powder horns collected; 3 had Southern provenance. One horn known by this artist is identified to Aaron Lott of Charlestown, South Carolina and is dated 1777. There are recurring themes on many of this artist’s horns, the most distinctive being his unique curly haired lion, stylized coat of arms, his stylized sun with face, King Solomon’s Temple and among the most unusual is a hunter with bag, horn and flintlock rifle, dressed in Colonial attire; knee britches, frock coat, complete with tricorn hat. Many times he is with his dogs running an almost comical bug-eyed deer. At least twice he is found portraying “Adam” with his hat in one hand and accepting an apple from an 18th Century clad “Eve” in the other. Often circle designs are found with two or three smaller spheres inside with “sun, moon and stars” or other personified faces carved within them. Another unique feature of this carver is a moth-like bug and/or a floral type vine with a bloom resembling a thistle blossom. Mel Hankla who originally owned 12 of these horns (13th horn ex-collection of Jim Dressler). Hankla published an article in the May 2005 Gun Report and most of these horns are shown in that article including 4 which are on the cover. Mr. Hankla also had an award winning display at the 49th Annual Baltimore Antique Gun Show and produced a pamphlet “The Folky Artist” that details each of the 12 horns here from his collection. “My personal opinion, at this particular time, is that Folky Artist was on campaign. He was a soldier that was quite probably as far North as the Canadian border…but I also think he was at least as far South as Savannah, Georgia. Almost all of these powder horns have been engraved with an empty cartouche. Thus…I do not think that he was taking orders or making horns for particular individuals. Several have owner’s initials or a date scratched in, but most all seem to be from a different hand than that of the maker. I feel he was producing these horns for money or for trade. Perhaps he was producing these horns for someone that was actually dealing and selling these horns as a middleman; a merchant or a “drummer” as they would have been called in the day. Although his work is not what we would usually consider as professional, I think he was somewhat of a professional Horner. I believe he was influenced by what was around him; where he was, the people, where they were from and the norm of the accoutrements that they used. From looking at the whole spectrum of horns made by “Folky Artist” during the French and Indian War to his horns made well into the American Revolution, my personal opinion is that most were made in the field under a vast range of conditions producing much variety in the quality of workmanship. I feel some were produced under very good conditions and thus were very well wrought. And at the other end of the scale, one horn looks like it was perhaps an early attempt or maybe one of his last while laying on his deathbed!” This is a wonderful and probably

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the largest grouping that will ever be assembled by one French & Indian and Revolutionary War powder horn artist. SIZE: Horns vary in size from 9” to 14”. PROVENANCE: Ex-Mel Hankla collection, Michael Worley collection, 2006: except brass tag # 149 Jim Dressler collection with his collection # 59. The Gun Report, Vol. 50, #12, May, 2005 where 3 of these horns are pictured on the cover and 9 of the horns are pictured in the article on pgs. 24 thru 31. Pictured in article, pgs. 6-7 of the Dec. 2010 issue of The Horn Book. An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Overall condition on most horns is very good. Several of the horns have seen use later then their time of manufacture. Three of the horns have additional names and dates carved such as on the 1775 horn which has an added date of 1837; as can be seen in photographs. There is minor insect damage, if any to most horns. Surfaces of horns are mostly smooth with good patina with exception. “The Coat of Arms” horn with the Hessian eagle which has eroded areas about 2” into horn from base that makes engraving difficult to see in those areas, but this horn which is 14” overall and has 11” of carved design is only partially affected. This lot accompanied by 13 custom stands that are very good as seen in photography. 52751-8, 52751-10, 5275112, 52751-13, 52751-17, 52751-18, 52751-19, 52751-20, 5275123, 52751-25, 52751-26, 52751-27, 52751-29 (25,000-30,000)

Session 2

2008.

IMPORTANT AND HISTORIC IDENTIFIED REVOLUTIONARY WAR MAP HORN WITH REPRESENTATION OF AN EARLY PROPOSED COAT-OF-ARMS FOR THE UNITED STATES. 17” overall identified to “THOMAS BARBER 1780”. The great significance of this horn is a carved 3” x 3” panel framed in laurel with a central device of a hand holding 13 spread arrows in shape of a bow tie with the ends reading “UNITED STATES”, on either side of arrows is a large “GW” honoring General George Washington. Above the arrows are two furled early renditions of the “stars and stripes”, between the flags are a pair of crossed swords and a pair of drums. The bottom of the device has two cannon. The depiction of bundle of arrows in a hand is seen on other horns and dates back to 16th century heraldry. New Hampshire Colony had it as part of its seal and South Carolina used it on Colonial currency in 1775. The emblem was also used on a New York regimental battle flag, 1776. However, the depiction with other patriot devices is remarkable with wording “UNITED STATES” at arrow ends is remarkable. In 1780, this soldier must have been feeling victory and a new nation emerging. Horn is incredibly carved with a map showing various New York locations including Long Island, Staten Island, New York City, New Rochelle, West Point, Fishkill, Albany, and other

spots that abbreviations and old spelling could be decoded. Elizabethtown, New Jersey is shown just off of Staten Island. The Hudson River and Mohawk River are neither named on the map, but weave among the carvings with the various towns and forts. One fort shown in a settlement is flying an American “stars and stripes” flag which like in the central seal is so rarely seen on American horns. Other vignettes include a scene of Boston and ships between Staten Island and Long Island. Based on all the New York content in the map Thomas Barber is thought to be from Peekskill as he appears on a 1777 and 1799 muster roll with Captain Azor Barnum commanding company under Col. Hopkins militia which defended the south approaches of the Hudson River. Thomas Barber is listed as a private with war service 1778-1782 from the History of Little Nine Partners & Pine Plains, NY Duchess County, by Issac Huntting, 1897 (Chapter 6, page 54) PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall, good “as found” surface showing wear to high areas. The original carved wood plug is intact and complete but has lost its retaining nails which could easily be restored (and should). Lot is accompanied by very good custom stand. 52751-1 (8,000-12,000)

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2009.

IMPORTANT AND HISTORIC “SAMUEL LUMBARD” REVOLUTIONARY WAR POWDER HORN INSCRIBED “LIBERTY 1775”. This is as fine a Revolutionary War scrimshawed horn as you will find with wonderful “as found” patina and great surface. Inscribed in long panels “SOLOMON LUMBARD HIS / HORN MADE WICKED CAMBRIDG / OCTOBER 18 1775”. Inside curvature is finely scrimshawed in 4” long panel “LIBERTY 1775”. Rest of body is scrimshawed in floral, geometric and pinwheel devices in typical folk art style of the era. On the unusual 1-1/2” stepped-down portion of horn that abuts plug is inscribed somewhat cryptic name in 3 lines, possibly family members “ELIF”, “ELIPH”, “BEN”. This horn is pictured in a 5 page article in the Spring 2011 KRA Bulletin by Lauren Wengerd, Solomon Lumbard His Horn. “The date on the horn, October 18, 1775, is when the British trashed Falmouth, Maine. At that point, Solomon Lumbard’s home was in Gorham, Maine only 14 miles away.” Solomon Lumbard applied for a pension in 1833 when he was 80 years old stating that “he entered the service of the United States, under the following named officers, and served as herein stated, that on the 20th day of April 1775 he volunteered in a company raised in the town of Coventry in the State of Connecticut to go to Lexington in the state of Massachusetts, the day after the Battle of Lexington under the command of Lt. Samuel Robinson who acted as Commander. He and the whole company marched to Cambridge Massachusetts where they remained one month as volunteers. Then in the month of May, sometime the latter part, he enlisted into a company

commanded by Captain Israel Putnam in Col. Store’s regiment, for the term of 8 months and at the expiration of the term applied to General Putnam for his discharge who refused to discharge him and the other members of the company, and had him with the company marched to General Washington’s headquarters and informed him that he suspected the company was going to leave the army at a critical time, and that General Putnam was determined that they should not go although their term of enlistment was out. General Washington then told the company that if they would willingly stay one month longer, he would then discharge them himself, and give them one months pay to carry them home. In August 1776, Daniel Turner was drafted in Coventry to go to White Plains and Solomon Lumbard went and served as substitute for Turner in Capt. Riley’s company and Col. Stores regiment of militia and fought at the Battle of White Plains, October 28, 1776. Lumbard had continued service through 1779 according to his Revolutionary War pension record which is copied verbatim in the KRA Bulletin which accompanies this lot. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall, horn shows light wear at high areas and edges. Smooth patina as noted. One tiny chip on one edge does not affect aesthetics. Scrimshaw inscriptions are crisp and easily read. Yellow pine plug is scuffed with hand worn patina with an old ink collection number “185”. Accompanied custom stand is fine. 52751-28 (7,000-9,000)

Session 2

2010.

GROUP OF 4 REVOLUTIONARY WAR ERA POWDER HORNS. 1) 12” fully scrimshawed horn with row of houses, various foliage leaves and a duck. Pleasant, light patina with wood plug and carved rings toward spout. 2) 12” overall. Folky carved animal, fish and floral designs with name “ASA PATEE 1763” carved in one panel and an additional panel carved “1775” over “SANT JOHNS”. 3) 15” horn carved “FRAMINGHAM / P.D. HIS HORN”. Horn is covered with geometric and floral designs, notched top edge and spout. 4) Well crafted horn inscribed in script “TELASSER HEGINS”, “TH”. Interesting rendition of personage with rifle, deer, Tree of Life, cock, ship, wagon, house and other motifs. Horn is well crafted with carved plug with scallop decorated rim and pewter spout with wood plug. Not accompanied by stands. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: 1) Very good overall, smooth surface. Cracks and staining at tacks holding plug. 2) Good overall with old varnish coating. Surface has mixed light to dark surfaces. Plug still retains remnants of old red paint. 3) Good to very good overall. Smooth, well patinaed surface with staining and areas of insect damage. 4) Very good overall. Smooth, well patinaed surface with minor cosmetic chipping. 527514, 52751-6, 52751-41, 52751-45 (4,000-6,000)

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REVOLUTIONARY WAR ERA MICMAC DECORATED HORN OF ROBERT MERCER. Horn measures 14” overall with large panel with name “ROBERT MERCER”. Horn originally belonged to a relative of Robert’s as underneath Robert can be found remnants of original carving whose name starts with “JON”. Maybe brother or other relative was killed and Robert inherited this finely decorated horn with the varying designs of double curves commonly utilized by Northeastern Micmac tribe. Micmac designs on horns are quite rare and this is a fine example that further research may identify the owners. PROVENANCE: Ex-Jim Dressler Collection; Ex-Steve Fuller Lot 2011 Collection; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall. Good “as found” patina, original wood plug with carved swirl design. Accompanied by very good custom stand. 52751-44 (2,000-3,000) 2012. FINE REVOLUTIONARY WAR POWDER HORN OF BERIAH STILES. 11” overall with large panel “BERIAH STILES HIS HORN / MADE IN CAMPS MARCH 10TH 1777”. Horn has fine detailed vignettes of two forts with cannon; one labeled “FW” (possibly Ft. Washington on Manhattan Island) and the other “BH”. There is also a 3-masted ship labeled “THE S.R.”. Beriah Stiles (1760-1839) was born in Hebron, Connecticut and served in at least 3 enlistments during the way, 17751783 originally enlisting as a fifer, note he was 15 when he enrolled. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall, good detail, and clean surface with some erosion near butt as seen in photos. Accompanied by very good custom stand. 52751-46 (3,000-4,000)

Lot 2012

2013.

TWO INTERESTING 18th CENTURY AMERICAN POWDER HORNS OF ELISHA PROUTY, 1785 AND JOHN WOODLAND, OLD PERLICAN. 1) 16” overall, long panel reads “1785 ELISHA PROUTY HIS HORN”. The rest of the body is scrimshawed in geometrically framed panels with designs of hearts, animals, people, and geometric flourishes. This horn is mentioned in the Lot 2013 text American Engraved Powder Horns: A Study Based on the J. H. Grenville Gilbert Collection, 1945 as property of C. Stanley Jacob, Plainfield, N.J. 2) 14-1/2” horn engraved in two large panels “JOHN WOODLAND OLD PERLICAN”. Old Perlican was an early 17th C settlement in Newfoundland, Nova Scotia and I doubt there is another horn signed from there. Horn is decorated with sailing ship, mermaid, squid, gulls, and fish. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: 1) Very good, nice smooth surface with minor cosmetic defects. Wood plug is retained by a well patinaed iron wire which forms a loop for carrying strap. 2) Good to very good overall. Large bulbous plug has a glued repair at base and remnants of old white paint. Surface is fairly smooth with a couple branded pairs of initials. 52751-11, 52751-39 (2,000-3,000) 249

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Session 2

2011.

2014.

Session 2

WAR OF 1812 POWDER HORN “LIBERTY OR DEATH”. Fine 14” horn with central motto “LIBERTY OR DEATH” carved in 5” panel. Raised base of horn carved with “JAMES MCANE 1808”. Horn is also engraved with folk art, Masonic emblem, geometric and animal motifs. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall. Designs easily read with staining and light cosmetic insect damage. Wood plug has iron staple and nicely carved sunburst. Edges at top are notched with decorated borders. Accompanied by very good custom stand. 52751-9 (1,200-1,500)

Lot 2014 (w/reverse) 2015.

CIRCA 1836 TANSEL FAMILY POWDER HORN FROM DIRECT FAMILY DESCENT, “AS FOUND”. The Tansel family was probably the most famous and prodigious of 19th century American powder horn engravers. This 12” horn exhibits classic, well executed Tansel designs, 4” spread-winged eagle with riband below arc reading “E. PLURIBUS UNUM” and twenty-five stars. The eagle is gripping arrows in one talon and a very long and detailed olive branch in the other. Also carved is a well figured lion, a stag and another beast. There is also a cannon carved above a serpent. Classic fish mouth engrailing enhanced with v-notch cuts at spout end with drapery border at both ends. This horn is unsigned, so we don’t know which son of Francis Tansel made it, but based on the twenty-five stars, we can date this horn most likely to the year 1836 as there was only a one year period in American history when we had twentyfive states. Andrew Jackson was President of the United States when Arkansas was admitted to the Union June 15, 1836. Michigan became the twenty-sixth state, July 4, 1837. Not accompanied by stand. PROVENANCE: Keller/Hottel family direct descent, family still maintains long rifle that accompanied it. CONDITION: This horn saw long use in the field as the side that would rub against the hunting bag is worn quite smooth and lost all of its scrimshawed pattern, but horn has been well cared for with a good patina with some weathering as can be seen in photos. 52827-1 (3,000-5,000)

Lot 2015 (w/reverse) Visit www.jamesdjulia.com for more information

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2016.

VERY FINE POLYCHROME TANSEL FAMILY POWDER HORN. This is among the finest Tansel family horns noted. This 16” horn, including carved spout, exhibits fine scrimshawed classic, well-executed Tansel designs, 5” spread-winged eagle with riband reading “E. PLURIBUS UNUM” in arc, two deer, a serpent, bearded hunter wearing buckskins with flintlock rifle. Classic fish mouth engrailing enhanced with v-notch cuts at spout, and drapery border. This is a beautiful example which would be difficult to upgrade for overall surface and aesthetics. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Fine overall. Separate horn tip appears original to time of use with matching wear and patina with wood plug with iron staple. Tacked in place by combination of nails and brass tacks. Colors have faded substantially, but surface retains fine smooth mellow patina. The date “1790” below the eagle appears to be in a different hand, though well patinaed. Accompanying custom stand is fine. 52751-42 (5,000-7,000)

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2017.

FINE, LARGE NEW YORK MAP HORN. 17â&#x20AC;? overall. Beautiful surface with British coat-of-arms above panoply of arms. Map starts in New York Harbor with sailing ships, a compass and two rivers splitting showing the forts on the Hudson and Mohawk Rivers, also showing Lake George and Lake Champlain. Top part of horn also shows parts of Canada, including Ft. Ontario and Quebec. This is a beautiful, highly detailed horn also showing troops with much detail as can be seen in photographs. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall. Worn in high areas as expected. Missing plug and spout. Accompanied by very good custom stand. 52751-34 (8,000-12,000)

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2018.

INCREDIBLE CHARLESTON, SOUTH CAROLINA MAP HORN. About 12” overall with silver covered plug. Incredibly carved with exquisite detail showing a view of Charleston and the rivers running from Charleston branching into the “Congarees”, “Saux Tee”, “Keeowee” and others. Detailed figure of a soldier, two game cocks, two men dueling with swords and other vignettes as can be seen in photos. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall. Good patina and detail. Worn area at base of city drawing as can be seen in photos. Lobe is broken and has been missing for a long time as noted by patina and glue repair between remnant of lobe and silver disc which has engraved border decoration. Accompanied by very good custom stand. 52751-2 (8,000-12,000)

Session 2

2019.

RARE “TIMOTHY TANSEL” SIGNED POWDER HORN WITH GREAT COLLECTOR HISTORY. Classic Tansel family horn measuring 10-1/2” overall with 3” spreadwing eagle holding ribbon in beak “E PLURIBUS UNUM” in a cloud of stars. Other devices include 5 carved dogs and deer with 2” signature “TIM. TANSEL” in large shaded script. Signed Tansel family horns are quite rare, especially in such large panel. Cross-hatched drapery borders are found on either edge of carving at base and around plain fish mouth shape at top of body which retains carved spout. PROVENANCE: Joe Kindig Collection; Wallace Gusler Collection; Charlie Kaufman Collection; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Good to very good overall, traces of old polychrome, good detail. 1-1/2” reduction at base rim which appears from wear as it is well patinaed and rounded. Spout has several hairlines. Horn cap is smooth with metal tack and painted collection numbers. Lot accompanied by very good custom stand. 52751-3 (5,000-7,000)

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LARGE LOT OF 18th & 19th CENTURY POWDER HORNS, HUNTING BAGS AND IMPLEMENTS. This group consists of 8 powder horns of which 3 have fine scrimshaw decoration; one made for “CORNELIUS R FORBES MARCH 16 1811 IN MIDDLETOWN VERMONT”, another horn dated “1794”” with initials of owner, another scrimshawed with very interesting fantastical beasts and dated “1822”. Another horn 13” overall with 3-piece ebony and bone spout is relief carved with fish mouth engrailing, relief carved hearts, poly-chromed mermaid and “SEE WE FOOLS IN FOREST DARK FAR BEYOND TRUE LOVES HEART”. This particular horn is possibly carved by a mariner considering use of stepped ivory spacer between cap and body. Another horn is attached with strap to its hunting bag with carved horn measure attached. The other two hunting bags also retain powder measures; one carved horn, the other brass. Rest of grouping consists of 3 plain horns and leather and brass shot flask. Not accompanied by stands. SIZE: Sizes of horns vary, one 4”, others 8” to 11”. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Lot 2020 (partial lot) Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: The 3 full scrimshaw horns are each very good overall with fairly smooth patinas, the 1822 dated horn has several small chips as can be seen in photos. The mermaid horn has loose spout, overall good patina. Other horns are fair to good. Shot flask is dry but good impression of dog under tree, flattened functional measure. The leather hunting bag with horn attached is sound with resewn carrying strap and horn strap. Other two hunting bags are fair showing considerable use. One has re-attached thin strap. The earliest bag with deer skin front has leather strap, powder measure has small ball mold, worm and two carved bone tools inside now in display in case. Carrying strap is original but fragile and broken. 52751-5, 52751-7, 52751-16, 52751-32, 52751-33, 52751-35, 52751-43, 53751-47, 52751-48, 52751-49, 52751-62 (3,000-5,000) ESA

Lot 2021 (w/reverse and c/u)

2021. 1849 DATED TANSEL STYLE POWDER HORN. 10” overall, Tansel style 2-1/2” spreadwing eagle with holding ribbon in beak with “E PLURIBUS UNUM” in cloud of swirling stars. Other vignettes include dogs chasing a deer and two panels with owner’s initials “L.O.P.” and “1849”. Stylized fish mouth engrailing with drapery border. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Good to very good overall. Horn is dark and appears “as found”. Several chips in body. Base appears to have been shortened as drapery decoration is seen cut but has been done for a long time as patina appears matching including iron retaining pins. Wood cap missing its tack. Lot accompanied by very good custom stand. 52751-21 (2,0003,000)

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Session 2

2020.

2022.

Session 2

MASSIVE 19th CENTURY SCRIMSHAW HORN WITH RHYME, 28th REGIMENT. 20-1/2” green horn with large rendition of Neptune being pulled by team of seahorses. Infantry horn inscribed “28TH REGIMENT” and script initials of owner which appear to read “TBE”. There is also a rendition of a gentleman on horseback with pack of dogs apparently in a fox hunt and a great rhyme in 4 lines: “WHEN THE HORN CALLS TO ARMS / BRAVE SOLDIERS OBEY. / WHEN FREE FROM WARS ALARMS / THEY DRINK FROM THE HORN SO GAY”. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Good overall. Some erosion and wear of carving toward spout. Overlapping notched rim above plug is about 2/3 missing. Accompanied by very good custom stand. 52751-40 (800-1,200)

Lot 2022 (w/reverse)

2023. FINE CARVED POWDER HORN, QUEBEC. About 12” overall. Fine well patinaed horn which has worn smooth on inside diameter from long use. Horn is carved with city scenes of Quebec and has inscription above “QUIBECK”. Different buildings are coded with different letters of unknown meaning but an interesting, well preserved horn. PROVENANCE: Cowan’s Auctions, Cincinnati, Ohio, October 25, 2011, Lot 1. An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall, smooth surface with dark patina except where worn which is much lighter. Original plug has iron staple. 52751-22 (2,000-3,000)

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2025. VERY RARE NEZ PERCE SPONTOON WAR TOMAHAWK. Rarely seen are original & authentic “as found” spontoon tomahawks. This particular example has a hand forged head with small fleur de lis type hooks at the base measuring about 8-1/2” on a 21” haft with pewter inlay. Head is held tight by some additional well patinaed brass tacks on top. The weapon has good weight & balance and was no doubt made as a weapon in the early 19th Century. PROVENANCE: Collection of Ted & Lilly Jarvis; Sotheby’s, Lot 95, May 22, 2013; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall. Iron shows old cleaning, still showing file marks, sound rounding of point, staining & pitting, haft has several hairlines and hand worn patina. 52751-53 (10,00012,000)

Lot 2024 (w/reverse & close-up) 257

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Session 2

Lot 2024

2024. POWDER HORN “MARK BOND, BRIMFIELD 1776”, POSSIBLY CONTEMPORARY. This horn is carved almost identically to the John Bond horn shown on page 120 of Powder Horns Documents of History by Tom Grinslade, 2007. This horn shows dark amber color consistent with patina seen on antique horns but shows little or no wear. Two panels read “MARK BOND / HIS HORN” & “BRIMFIELD DEC 11 1776”. This Brimfield panel also has small arc beneath “MARK BOND”. Cap has brass tack decoration and pewter throat. As noted in the estimate we are not sure if this horn is a contemporary copy or old therefore the estimate reflects price as contemporary, but we are sure the experts will let us know if we are wrong. Not accompanied by stand. SIZE: 17-1/2” overall. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good to fine. Dark “as found” surface with light erosion near base, weathered plug, missing several tacks, the leather strap has been poorly resewn and glued. 52751-36 (500-700)

Session 2

Reverse

2026.

RARE & DESIRABLE PLAINS INDIAN MASSIVE PIPE TOMAHAWK WITH DOUBLE CUTOUT HEAD. 19-1/4” haft with pewter inset, forged head is 10-3/4” with a 4-1/4” cutting edge. Weighs fully 2 lbs. Quite a formidable axe in relatively fine condition from the well-known Francis Collection. The double bat wing & heart decoration is highly desirable and often forged. The pipe bowl still shows rifling where it was made from a rifle barrel. SIZE: As noted above. PROVENANCE: The Mark Francis Collection of American Indian Art, pg. 111, fig. 177; Sotheby’s, lot 93, May 23, 1993; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall. Iron has areas of original polish but overall iron is well patinad with staining and pitting. Haft has hand worn patina, pewter inlays have several cracks and breaks that do not defect the overall aesthetics. 52751-55 (15,000-20,000)

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2027.

RARE & HISTORIC PIERRE CHOTEAU MISSOURI MARKED WAR AXE. 24” haft having 7” head with 3-3/4” cutting edge with punch dot star decorations with central raised cartouche “P.& C.”. This mark has been associated with the well known Indian trader Pierre Choteau from St. Louis who worked circa 1780-1790. Similarly other forged iron implements with this mark are noted to be on display at the Missouri State Historical Society Museum along with additional items in of the Museum of the Fur Trade in Chadron, Nebraska. There is also a trade axe at the Museum of the American Indian with the same Choteau touch mark. This particular genre of Indian axe is quite rare, highly reproduced but this appears to be an original example with good provenance and condition. Similar examples found pg. 20, fig. 32 Tomahawks & Pipe Axes of the American Frontier by John Baldwin, 1995; Pg 11, fig. 21 and pgs. 43, fig. 141 Indian War Clubs of the American Frontier by John Baldwin, 2001; Pgs. 124-125 The Mark Francis Collection of American Indian Art, 2009; Pg. 1419 The Missouri War Axe: War Tomahawk of the Plains & The Prairie, 2010. SIZE: As noted above. PROVENANCE: Choteau Family; John Baldwin Collection; Sotheby’s, Lot 94, May 22, 2013; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall. Haft has fine hand worn patina, head has iron patina with pitting & firmly attached, decoration and marks are well discerned. 52751-52 (15,000-20,000) 259

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Session 2

Reverse

Session 2

Reverse

2028.

FINE EARLY SILVER MOUNTED PIPE TOMAHAWK. This is among the highlights of this estate collection in fine condition with 21-1/2â&#x20AC;? maple haft with six silver bands and twelve silver engraved insets along with silver mouthpiece. The well forged head with teardrop shaped eye also has two engraved silver insets in blade, one being half moon and the other a florally decorated oval. There are also filed designs on bowl & blade. This exact tomahawk is illustrated on pg. 34 of John Baldwinâ&#x20AC;&#x2122;s Tomahawks, Pipe Axes of the American Frontier, 1995 and attributed to the William Guthman Collection. This is as fine an example of a late 18th-early 19th Century pipe tomahawk you will encounter with great provenance coming from Guthman. SIZE: As noted above. PROVENANCE: Bill Guthman Collection; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good to fine. Appears as found with hand worn patina, head slightly loose and a few silver insets are rising, iron has a smooth gray patina & silver has a gray patina overall. 52751-50 (15,000-20,000)

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2029. FINE SILVER MOUNTED EARLY 19th CENTURY PIPE TOMAHAWK. Silver mounted 19” tiger maple haft has two silver bands, six inlays in shapes of stars & hearts and silver tip. The forged 7-1/2” head has inset brass bands and a half moon, an oval presentation plaque on either side of blade. SIZE: As noted above. PROVENANCE: John Baldwin Collection; John Painter Collection, Cincinnati, Ohio; Sotheby’s, Lot 106, May 22, 2013; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good to fine overall. Haft has hand worn patina with small dings, dents & scratches in the silver, one large gouge in wood & silver mouthpiece unaffecting overall aesthetics. Iron has mottled gray patina with old cleaning. 52751-59 (12,000-15,000)

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Session 2

Reverse

Reverse Session 2 2030.

FINE AMERICAN SILVER MOUNTED PIPE TOMAHAWK CIRCA 1810. 21-1/2”. Another highlight of this estate collection is this silver mounted tiger striped maple haft with 6-3/4” steel forged head with silver inset star, half moon with script “K” and small applied hearts, crosses & half moons along with inset silver bands & spots on bowl, top & bottom of blade, and teardrop center. The haft has 16 individual engraved inlays including a wonderful miniature pipe tomahawk just above the silver mouthpiece. There are 6 engraved silver bands and a silver cap. Bottom edge is totally covered with pieces of engraved sheet silver. This is an incredible & outstanding piece of art. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good to fine overall. Minor cosmetic dents & scratches in silver & wood. There is a chip in the cutting edge and the surface of the iron has scattered areas of staining & pitting and an overall plum/gray patina. Head & cap are slightly loose. 52751-57 (15,000-20,000)

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2032.

2033.

2034.

PLAINS INDIAN PIPE TOMAHAWK. Unusual 9” blacksmith made head with some filed decoration. This has provenance reported that it was bought by JW Carpenter from an unknown New York museum and an unknown date. There is an old painted inscription that has faded with time, the top word is indiscernible but appears to start “Seco.../Chief ”. Regardless, tomahawk appears original & authentic and typical of the 19th Century. The 18-1/2” haft has file branding and good patina. SIZE: As noted above. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall. Head has black smooth iron patina with as noted indiscernible old painted name on blade. Haft has been varnished. 52751-54 (2,000-3,000)

19th CENTURY PLAINS PIPE TOMAHAWK WITH PIERCED HEART DESIGN. Well preserved large 8-1/2” head with 3-1/4” cutting edge has cast pierced heart & two diamonds as part of design. This is among the earliest cast heads you will find, mid 19th Century. Some filed notch decoration, haft 17” overall with fire branding as possibly original to this head having lost its spacer as it still fits quite tightly even without it. Regardless, haft is very old and matches overall condition of head. This is aesthetically pleasing & unusual head. SIZE: As noted above. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good overall. Haft has hand worn patina, head has iron patina, overall mottled gray with staining and pin prick pitting, old sharpening. 52751-51 (2,000-3,000)

LOT OF TWO 18th CENTURY PIPE TOMAHAWKS AND EARLY COLONIAL AXE WITH ORIGINAL HAFTS. Two well weathered pipe tomahawks that appear to be on hafts on their era of use. All having an as found quality. The two pipe tomahawks both have old collection numbers, one with brass tack decorated haft, the other plain. The early forged axe has large touch marked “AT”. SIZE: 19-1/2” haft x 7-1/2” head. Pipe tomahawk with plain haft is 15” x 8-1/2” head. Primitive axe has 16” well worn hand patina haft with 6-3/4” head. PROVENANCE: Axe is from the Estate of Merl E. Campbell, past President KRA; An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Good to very good overall. Iron patina, pipe tomahawk with tacked decoration head is loose, missing many of the tacks, inset brass band in top on pipe bowl. 52751-56, 52751-58, 52751-60 (3,000-4,000)

Lot 2031

Lot 2032

Lot 2033

18th CENTURY STYLE WHIMSICAL HATCHET MADE BY A KENTUCKY RIFLE MAKER WITH TIGER MAPLE STOCK. This petite little axe is 13-1/2” overall with a whimsical curved butt with relief carving on sides of curl & on Lot 2034 top flat of haft. Axe is 3” with a 2-1/2” curved cutting edge. PROVENANCE: An extraordinary private estate collection of a distinguished Virginia gentleman. CONDITION: Very good to fine. Metal is gray overall with staining & light pitting, wood shows very little wear and almost appears to be newly made which is possible. Regardless, this is a beautiful little axe and we have not seen anything else quite like it. 52751-61 (400-600)

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Session 2

2031.

2035.

Session 2

INCREDIBLE, INSCRIBED AND HISTORIC 1813 AMERICAN INDIAN UNITED STATES TREATY GUN FOR IROQUOIS CHIEF “RED JACKET” AND ACCOMPANYING 19th CENTURY “RED JACKET” PAINTING. Inset seed bead decorated American Indian guns are extremely rare and few examples are known and this gun has impeccable surface and condition. Inset into right side of stock in white seed beads is Red Jacket’s Indian name and date of presentation “SAGOYEWATHA / 1813 / OTETIANI”. Red Jacket’s given name at birth was Otetiani which means “He is prepared”. Sagoyewatha, his name taken as adult, translates to “He causes them to awake”. 1813 is the year which Red Jacket, as Chief of the Seneca’s Wolf Clan agreed to fight for the American’s in the War of 1812. “Red Jacket” (1758-1830) was given this English name based on the fact he was given a red coat during the Revolutionary War. Previously, he wanted to remain neutral, due to his active participation on the British side during the American Revolution. During the War of 1812, he led his fellow tribesmen and fought gallantly at the Battle of Ft. George, August 17, 1813 and the Battle of Chippewa July 5, 1814. Red Jacket was among the most gifted and eloquent Indian orators of his day. He was quite famous

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from the time of the American Revolution until his death. A scholarly biography by Christopher Densmore, published by Syracuse University Press in 1999, Red Jacket - Iroquois Diplomat and Orator details all of this cataloger’s summation above. Interested parties no doubt will know the stature and notoriety of Red Jacket in early American history and culture and his negotiations with presidents from George Washington to Andrew Jackson.

This trade musket is US proofed on barrel and contract marked by Daniel Dana of Canton, Massachusetts. Gun is in same configuration and furniture following the pattern of circa 1810 militia longarms and Dana had several contracts during this period. Gun is fine “as found” attic condition, 54-1/2” overall with 39-1/2” 69 caliber barrel. Inset white seed bead decoration is the best that can be found utilizing a few hundred beads which are virtually all intact. Presentation on right side of stock continues across top of comb into several C-swirls on opposite side, a true piece of Eastern Woodlands Indian art. Note there is a small iron staple in stock just forward of lock, possibly for attachment of a totem. Accompanying gun is a notarized 1980 letter of provenance stating how the gun was bought from direct descent of a member of the Seneca tribe near Tonawanda Reservation.

The painting shows Red Jacket in full dress standing view wearing his George Washington Peace medal, holding tomahawk at his side and Niagara Falls as a background (present day Buffalo, NY where he resided).The Red Jacket painting was originally presented to the Brooklyn Museum in 1864 by New York Representative John Schumaker who was from the North Hudson River Valley. There is a 1966 letter from a Washington, DC gallery describing the painting stating it had been re-lined and cleaned and though unsigned, thought it to be the work of Charles Bird King. There is a conservation report to the last owner, Mr. Wester White, which tells of large areas of in-painting. Amazing that this painting was priced at $7,000 to Mr. White prior to his restoration in 1968. PROVENANCE: Painting: Brooklyn Museum, de-accessed at unknown date; Adams, Davidson & Co, Washington, DC; Wester A. White, Freeville, NY, 1966; Private Collection, 1980. Musket: Parker family, Seneca tribe; Gerald Gruber, Akron, NY, 1980; Private Collection. CONDITION: The gun is very good overall and as noted “as found” attic condition with dark iron patina and dark mustard patina to metal. Stock is sound and solid with an old inset repair above lock. Bead decoration and wood have hand worn patina. Mechanically gun functions well with smooth pitted bore. The painting which measures 25-1/2” x 36-1/2” including frame is very good to fine as restored (read accompanying 1971 conservation report). 53011-1 (20,000-25,000)

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Session 2

Reverse

Reverse Session 2 2036.

OUTSTANDING & EXTREMELY RARE PATTERN 1703 DOGLOCK COLONIAL MUSKET. Extremely rare Colonial era Pattern 1703, British long land service musket. Gun is 62” overall with 46”, 82 caliber barrel. Gun is properly brass mounted with military proofs on top and breech of barrel. Broad arrow proofs on lock on either side of crown/”AR” cypher. Contractor’s mark at tail of lock reads “W / NUTT / 8”. No doubt the “8” represents 1708, the date the gun was made. This is an extremely rare pattern that conforms in all specifications as noted by De Witt Bailey in his 2009 text Small Arms of the British Forces in American 1664-1815, pages 24 & 25. Gun appears in remarkably fine condition with just minor restoration and would fill a hole in just about every Colonial collector’s chronology of arms as pre-1718 patterns are virtually never seen. CONDITION: Very good to fine overall. There is a glued crack repair just forward of lock. Trigger is a well fabricated restoration. The iron ramrod fits well and even though originally wood was prescribed but has matching surface. Iron overall is brown/grey with pitting especially at breech. Vent hole has been wallowed out but is original flint. The “AR” cypher is light. Other markings are well discerned. Front brass ramrod pipe appears replaced. The stock overall is quite sound, solid with good color and hand worn patina. 53001-1 (7,000-9,000)

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LOT OF 2 AMERICAN LONG GUNS. 1) Very unusual and rare tiger striped maple full-stock fowler percussion conversion from flint, brass and silver mounted and elegantly signed on large 6” panel on barrel “JOHN MOORE ALBANY”. Buttplate and trigger guard are both unusually engraved with an American panoply of arms with American flags. This gun measures 48” overall with 34” smooth bore 70 caliber round barrel. John Moore utilized these parts when making this most interesting gun. John Moore is listed as a gun maker 1820-1835 in Albany and at least one other flintlock fowler by him is known. Gun is in need of restoration, but markings are beautiful. 2) Full stock Kentucky smooth bore fowler with heavy 47-1/2” octagonal barrel with engraved decoration and remnants of a signature. Brass mounted. CONDITION: 1) Fair to good. Gun has seen honest use with hand worn patina to wood. Lock is not functional and missing bolster, lock and tang screw. No doubt gun was longer when originally made and has been shortened. Most likely, this gun had an additional ramrod pipe, but stock has been shortened for a long time. Mustard colored patina to brass and silver/grey patina to key-way escutcheons and thumbplate. Decorative engraving on brass and iron all crisp and discernible. 2) Fair overall. Stock has significant damage, including several cracks, inset wood above lock and large area of insect damage at muzzle. Metal overall is grey with pitting. Mechanically functional with clear 60 caliber smooth bore. Thumbplate is old replacement. 52887-1 (600-800)

2038. FULL STOCK RELIEF CARVED LONG RIFLE BY GEORGE W. GLAZE, HAMPSHIRE COUNTY, VIRGINIA. 61” overall, 44-1/2” oct, 42 caliber rifled barrel with inset brass plate on top barrel flat “GEORGE W GLAZE”. George W. Glaze (1781-1862) probably made this gun in Hampshire County, Virginia, now West Virginia, circa 1820 though he moved to Indiana about this time. Gun is relief and incised carved with an engraved silver eagle medallion on cheek piece, 4-piece brass patchbox with a horn release button inset into floorplate at butt. Gun is brass mounted with 10 silver insets, set triggers. This is quite an elegant Virginia long rifle. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good as restored. Well done wood insets are found below lock along with several crack repairs. Gun is apparent reconversion. Ramrod is also restoration. Mechanically functional but needs tuning of set triggers to hold on fullcock. 52806-41 (2,000-4,000)

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Session 2

2037.

Session 2

2039.

UNIQUE AND PREVIOUSLY UNKNOWN AMERICAN REVOLUTIONARY WAR SILVER HILT OFFICER’S SWORD WITH IVORY GRIP MADE BY NATHANIAL HURD, BOSTON, MASSACHUSETTS. Classic American Revolutionary War era officer’s sword with 28-1/2”, 3-fullered blade, S-shaped silver guard hallmarked with rectangular raised letter cartouche “NH” Nathanial Hurd, (17291777). The guard consists of a 1” wide central lozenge with two narrow, tapering quillons terminating in either curl of the “S”. One side has attached silvered chain terminating in silvered capstan rivet. There are two small gutters cut on the edges of each quillon and bottom of central lozenge on guard. The wonderfully carved, tapering, bulbous, fluted ivory grip flares from 5/8” at its silver ferrule adjacent guard to 1-1/2” wide near top. This is a remarkable piece of craftsmanship not seen in any text and only other known sword by Hurd is a ball pommel small sword of typical design other than it also utilized rarely seen ivory instead of silver wire grip. PROVENANCE: Has been retained in a Boston family for several generations. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good to fine overall. Blade is overall grey/bright with areas of staining and pinprick pitting. Silver has grey patina. Cartouche is easily discerned. Ivory grip has some soiling and ivory patina. 53000-1 (6,000-8,000) ESA

2040.

CIVIL WAR PRESENTATION MODEL 1850 STAFF AND FIELD OFFICER’S SWORD, EDWARD M RAND, 27th MAINE VOLUNTEERS. Imported 1850 staff officer’s sword, 30-1/2” blade with patriotic American panels, including large US panoply of arms, American eagle and “E Pluribus Unum”, sharkskin grip with florally decorated hilt with cut-out letters “US”. Top scabbard mount engraved “Adjt Edward M. Rand / 27th Me Volunteers”. Edward Mussry Rand is shown to have been promoted to 1st Lieutenant and Adjutant September 19, 1862. He was from Portland, Maine. This sword is fresh to market from a local estate. CONDITION: Good to very good overall, re-peened at pommel; otherwise sword has a dark “as found” patina. Blade retains much of its original luster with rust and pitting. Iron scabbard body also with iron patina, brass mounts to scabbard and hilt exhibit dark mustard patina. Remnant of original sword knot is still tied. 52460-1 (8001,200)

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2041.

EXTREMELY RARE AND ICONIC 12-STAR CONFEDERATE 1st NATIONAL FLAG FROM THE RENOWNED BOLESLAW AND MARIE-LOUISE MASTAI COLLECTION. Wool bunting blend flag is archivally framed, all hand sewn, measuring 65” x 35” with silk embroidered motto “GOD ARMETH THE PATRIOT”. 6-1/4” polished cotton stars are double appliqué. Mastai’s collection stamp is found on verso on hoist. PROVENANCE: Boleslaw and Marie-Louise Mastai Collection; pictured on cover of the

Session 2

1973 text “The Stars and the Stripes: The American Flag as Art and as History From the Birth of the Republic to the Present” by Mastai; Sotheby’s, October 10, 2002. CONDITION: Flag exhibits bold colors with staining. Scattered reductions in red and blue. Silk fringe on top and bottom edges is about 90% intact. Red wool over linen hoist is intact with small reductions. Fraying and reductions at fly end. 52875-2 (40,000-60,000)

Session 2 2042.

RARE AND SPECTACULAR CONFEDERATE BATTLE FLAG. This is undoubtedly among the most beautiful and aesthetically pleasing of all Confederate battle flags extant. This classic square Western Theater infantry battle flag was originally found in an East Texas estate. This flag closely follows the pattern of ANV (Army of Northern Virginia) battle flags and is totally hand sewn. Not including fringe, flag measures 44” on hoist by 45” on fly with fringe measuring in additional 8”. Double applique stars are 5” and are cotton. The wool bunting and the sewing techniques in panels are much like Richmond Depot ANVs. One aesthetic feature of the flag is the original and unusual fringe that trims three sides. This identical fringe is found on at least two identified Confederate officers sashes, one being from Texarkana. This flag has been archivally and professionally and tastefully mounted in a dramatic presentation. The flag is complete with its original sewn-in rope hoist around heavy canvas. Rare is the opportunity to buy an original Confederate St. Andrews Cross battle flag particularly of this fine aesthetic. This flag was studied by the late vexicologist Howard Madaus and his notes are included in a comprehensive report by flag historian Greg Biggs which accompanies this flag. Reference Battle Flags of the Army of Tennessee by M. H. Madaus. PROVENANCE: Unknown East Texas Estate; Sumter Military Antiques, Charleston, SC, about 2000; private Boston collection, 2003; Stewart Taylor Collection, 2012. CONDITION: Very good. Flag retains most of the original silk braided fringe. Interesting there are four contemporary sewn repairs to holes in field and threads unraveled from the silk fringe were used for these wartime repairs. The red field of the flag shows scattered holes and damage, some of which are moth holes, some however are consistent with battle. The blue St. Andrew’s cross also shows some moth damage and deterioration but is generally good. There is the normal staining and soiling associated with battlefield used flags. The flag has been professionally mounted in an archival type framing measuring 63” x 61”. 52875-3 (60,000-80,000)

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2044.

FINE CIVIL WAR 34-STAR FLAG. All hand sewn wool bunting with 34 double applique, 3” hand sewn stars configured in 5 rows; 7, 7, 6, 7, 7. Flag measures 66” on hoist and 96” on fly. The 34th star represented Kansas which officially became a state July 4, 1861 and was official until July 4, 1863 with the admission of West Virginia. Abraham Lincoln was President during use of this flag. CONDITION: Good to very good overall. Strong colors, light soiling, mothing, small reductions and tears. Hoist still retains its three hand-whipped eyelets in a 1-1/2” folded canvas hoist with reinforced edges. One long separation at one stripe (easily repaired if wanted). 52978-1 (1,200-1,800)

Session 2

2043.

Lot 2043

RARE AND FINE JEFFERSON DAVIS & JUDAH P. BENJAMIN SIGNED CONFEDERATE APPOINTMENT DOCUMENT. Archivally framed 16” x 12” “HOYER & LUDWIG, RICHMOND VA” imprint of extremely rare Confederate Presidential appointment to Philip A. Clayton, Marshall of the District of Georgia, April 3, 1863. Document is boldly signed by Confederate President “JEFFERSON DAVIS” and Secretary of War “J. P. Lot 2044 (w/close-up) BENJAMIN”. Jefferson Davis signed appointments and commissions are extremely rare in any form and this particular document is the only example we note. Julia’s sold another unique, rare example February 10th (Lot 2021) of this year. Hoyer & Ludwig were official Confederate contract printers best known for stamps and currency. The quality seen in their currency can be seen in the details of this document. This is a great opportunity to obtain a rare pair of Confederate signatures on a beautiful and rarely seen Presidential Appointment. CONDITION: Very good overall. Document was not removed from archival framing. There are no apparent losses of text, though there are repaired cracks at folds. Signatures and inscription are dark and easily read. Impressed Confederate seal appears complete though cracked and details only partially discernible. The 42” x 25-1/2” frame is fine retaining document, portraits and biographies of both Jefferson Davis and Judah P. Benjamin. 53037-1 (8,000-12,000)

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Session 2 2045.

SPLENDID PATRIOTIC CIVIL WAR RECRUITING BANNER WHICH FLEW IN PARIS, KENTUCKY WITH GREAT PROVENANCE. This 51” x 35” 5-color lithograph on linen still retains the original tag of Medal of Honor winner Samuel C. Wright, 29th Massachusetts who was among the earliest collectors of war relics. It still retains his original inked tag “BANNER USED BY THE / UNION MEN OF KY / PARIS”. His circa 1900 “collection of war relics” lists 51 items published on pg 98 of Sylvia & O’Donnell’s 1978, text Illustrated History of American Civil War Relics and this item is listed as “Item 27” when on loan to Dalgren Post 2 of South Boston “BANNER USED BY UNION MEN OF PARIS, KY, WHILE ORGANIZING FOR UNION ARMY”. The image of Liberty is quite unusual as she is holding furled American flag in one arm and dropping broken slave shackles in the other. What an important sentiment in war time Kentucky as there were many large slave holders and plantations, and on the other hand many Unionists who favored emancipation. Banner has been archivally framed on acid free cotton in 42” x 58” frame and presents beautifully. PROVENANCE: Samuel C. Wright Collection of War Relics, GAR Post 2, South Boston, MA; Norm Flayderman Collection; Craig Caba, Gettysburg, PA; John C. Harrison Collection; Steve Munson, Bardstown, KY, 1998; John Armiger Collection, Timonium, MD, 1998. CONDITION: Banner was not removed from frame for closer examination, but colors are still vivid with numerous small tears, scuffs, folds and reductions that do not affect the overall aesthetics of this rare surviving Civil War banner. 52875-1 (6,000-8,000)

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Session 2 2046.

CIVIL WAR ABRAHAM LINCOLN SIGNED COMMISSION OF WILLIAM CHURCH, THE FOUNDER OF THE NATIONAL RIFLE ASSOCIATION. Fine framed vellum commission to William C. Church as “Commissary of Subsistence of Volunteers, with the rank of Captain” March 10, 1863, signed with full signature of President Abraham Lincoln and Secretary of War, Edwin Stanton. William Conant Church (18361917) “In his New York Times obituary, Church was lauded as one of the greatest journalists in the nation (“Col. W.C. Church”). He published in the Century, Scribner’s, the North American Review, the New York Times, and others. He also wrote biographies of John Ericsson and Ulysses S. Grant. Outside of the journalistic world, Church is best known as a co-founder of the National Rifle Association. He also helped found the Metropolitan Museum of Art and was a longtime member of the New York Zoological Society”. Church, along with fellow Civil War veteran George Wingate, founded the National Rifle Association (NRA) in 1871, which still upholds the original principles it established today. William Church was also the NRA’s second president, replacing General Ambrose Burnside in 1872. SIZE: 20” x 24” frame. CONDITION: Not removed from frame for inspection, but appears complete with good green embossed war department applied seal, some text is light but all discernible. 52906-1 (7,000-9,000) 273

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FINE FULL SET OF ALL FOUR DENOMINATIONS OF FAMOUS CONFEDERATE ERLANGER BONDS. Complete set of the beautifully engraved Erlanger bonds which were sold in England and France to raise much needed funds for the war. Printed in both British and French denominations and in both French and English text, all signed by Confederate Commissioner John Slidell, with beautiful vignette of Liberty holding the “stars and bars” her arm resting on bales of cotton standing over a tobacco plant with sailing ship in background. Each bond is also sealed with the “Confederate States of America Treasury Department” blind stamp with palmetto tree. Denominations are 100, 200, 500 and 1000 British pounds with corresponding amounts in French francs. These bonds have a most interesting history which can be found online. The British and French governments tried to collect on these bonds from the United States Government well into the 20th century. Bonds are complete with thirty-six Lot 2047 remaining coupons each up to the date of war’s end when interest was no longer being paid. Bonds measure about 23” x 18” and 29” x 23” archival frames. CONDITION: Not examined out of frames but appear very good overall, with folds. 52875-17 (6,000-8,000)

2048.

FOUR RARE AND FINE FRAMED FULL SHEETS OF 1861-1862 CONFEDERATE CURRENCY. Confederate currency in fine, uncirculated condition is scarce, especially in early notes and full un-cut sheets rarely come to market, all hand-signed and numbered. This lot consists of four fine sheets all purchased from R.M. Smythe Auction, September 18, 1998. 1) sheet of eight $20 notes (T-18) printed by Hoyer & Ludwig, Richmond, VA, September 2, 1861. 2) Sheet of ten $20 notes (T-20) printed by B. Duncan, Richmond, VA. 3) Sheet of eight $5 notes (T-36) printed by J. T. Paterson, Columbia, SC. 4) Sheet of ten $1 notes (T-44) printed by B. Duncan, Columbia, SC. These $1 notes in fine condition are quite scarce. CONDITION: 1) Uncirculated, full sheet, aged top edge, small reductions from acidic ink in Registrar’s signature, but much better then average T-18’s found. 2) Fine to very fine, several folds. 3) Very fine. Folds and trim. 4) Fine to very fine with two visible reductions; one in center of sheet about 1/4” and larger at right edge of sheet about 3/4”1/2”, trimmed. Not examined out of frame, but conditions appear to match the Smythe descriptions in the September 18, 1998 auction lots 1453, 1454, 1455 and 1456. 52875-13 (1,000-2,000)

Session 2

2047.

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Session 2 2049. FINE CONFEDERATE PASSPORT OF GEORGIA DIPLOMAT. Framed Confederate passport of Hansford D. Norrell who was a high level Confederate courier from Augusta, Georgia. The passport which is archivally framed measures 16-1/2” x 10” and is signed by Judah P. Benjamin, Secretary of State, September 29, 1963. The imprinted passport has a very crisp Confederate States of America blind stamp exhibiting a shield with the St. Andrews Cross with stars. This is a rare document not often offered in very fine condition, accompanied by Norrell’s named Southern Cross of Honor and a photograph of him wearing it, along with a small UDC pamphlet with his wife’s name inked. SIZE: 22” x 20-1/2” overall. CONDITION: Very good overall as archivally framed. 52875-18 (3,000-4,000)

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2050.

Session 2

SOLID GOLD TIFFANY PRESENTATION SNUFF BOX PRESENTED BY THE CITIZENS OF BUFFALO TO LT. JOHN WORDEN, HERO OF THE VICTORY OF THE MONITOR OVER THE MERRIMAC. One of the most important and historic American Civil War U.S. Navy artifacts to be presented for public sale. The unmarked SOLID GOLD (approximately 18 Karat) snuff box measures 3-5/8” x 2-3/8” x 6/8” weighing 252grams being a hinged rectangular snuff box with a thumb lip on the front. The perimeter of the box is presented with a two-strand twisted gold wire border simulating rope at the top and bottom. On the lid is an oval panel 3” x 1-5/8” framed with the identical twisted gold wire. Within the oval panel is engraved the battle scene between the U.S. Navy Ironclad “Monitor” and the Confederate Navy Ironclad “C.S.S. Virginia” (Merrimac). This engraving is done with the finest hand. The corners of the box (outside the oval panel) are shaded with engraved lines and decorated with nautical devices such as fouled anchors, laurels and tridents. In an arc across the top of the oval panel is engraved in old English script: “Lieut. John L. Worden, U.S.N.” immediately below in script “From the Citizens of Buffalo, N.Y./ April 8, 1862.” Arched at the bottom in very small Roman capital letters “YOU BEAT THE MERRIMAC AND SAVED THE MINNESOTA.” The presentation of this box is detailed in the “Buffalo Morning Express” April 9, 1862 on page two. This account tells us that the box originally cost $300.00 and that the amount was raised through subscription of 60 individuals all contributing $5.00 each. A contemporary description of the presentation box and the circumstances;

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“The citizens of Buffalo upon hearing of the Monitor’s victory over the Merrimac were so delighted at the act that they raised three hundred dollars, and sent it to Tiffany & Co. of this city. In return for the ..., Tiffany worked up eight ounces of eighteen carat gold into a box nearly four inches long, some two inches and a quarter broad, and about one inch deep. The edges of the box are ornamented with a solid twist border, representing the ship’s rope-cable. On the lid, a border of the same kind encloses a broad oval, within which is engraved a very spirited engraving of the most extraordinary sea-fight of this, or any other age. Over the engraving is the inscription “To Lieut. John L. Worden, U.S.N.” and under it “You beat the Merrimac and saved the Minnesota.” In the corners of the box are pretty little designs in etchings of a naval character. The snuff box is a very fine one though too heavy for use, its preposterous thickness of material happily exemplifying the ironclad Monitor.

Battle of the Merrimac & Monitor

Buffalo, NY had reason to be so proud of Worden and the Monitor’s victory as one of the original designers of ironclad ships was Captain Ebenezer Dorr of Buffalo. The Niagara Steam Forge Works among other Buffalo manufacturers made parts for the Monitor which was assembled in Brooklyn, NY.

This is an iconic and truly spectacular presentation gold box emulating “freedom boxes” given by other American cities to military heroes of earlier wars. PROVENANCE: Cape Elizabeth, ME Estate, 2003; Brad Witherell, Sacramento, CA, private collection. CONDITION: Very fine overall. Minor cosmetic scratching with fine toned luster. 52875-4 (30,000-50,000)

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Session 2 Lot 2051 (w/reverse) 2051.

RARE AND UNIQUE 54th MASSACHUSETTS SILVER ID PIN OF CORPORAL THOMAS WOODS, MARKED “COLORED TROOPS”. There are only a handful of these 1-1/4” die struck 54th Massachusetts silver ID pins known and this is the only example with the additional engraving for “colored troops”. Badge is engraved with “Ft. Sumter” and the Four Battles of the 54th: Wagner, James Island, Olustee and Darien. Of the other badges known, this is the only example to have engraved abbreviation “Col’d TPs” which is found on either side of the flag on Ft. Sumter. Around the edges of the circular portion of badge is engraved “Corp. Thos. Wood: Co. A. 54 MS”. Badge still retains its original t-bar pin. Thomas Woods is listed as a 38 year old Teamster from New York City who enlisted March 9, 1863 as a private in the newly formed black regiment. He was promoted to Corporal and was mustered out August 20, 1865 at Mt. Pleasant, South Carolina. In the 2013 text Smithsonian Civil War, 100 Treasures of the Smithsonian Civil War Collection there is illustration and example of another one of these rare badges. Their example is item 89 on page 224 entitled “Badge of Honor”. PROVENANCE: Bruce Bazelon Collection; Chuck Hart Collection; George Juno, Sr. Collection. CONDITION: Very fine overall. Dark silver patina. 52879-1 (5,000-7,000)

2052. SMALL CHEST AND ORNAMENTAL SASH ATTRIBUTED TO GENERAL FREDERICK BENTEEN. Small 7” x 5” x 4” miniature wood domed chest with tacked leather veneer inscribed “F. W. BENTEEN”. Contained within small chest is a green velvet with gold trimmed sash showing embroidered crossed sabers and a single star. Sash is in style of fraternal and ceremonial sashes, typical of Victorian era. Frederick William Benteen (1834-1898) was a military officer during the Civil War and Indian Wars. He is best known for not complying with George Armstrong Custer’s order to bring up ammunition during attack at the Battle of Little Bighorn. Benteen of course would survive along with the rest of Reno’s command. Benteen stayed in the military and was brevetted Brigadier General February 27, 1890. We have no provenance or history on this box, nor do we know of sash’s function. Paper label inside miniature trunk reads “JAMES DONALDSON, / NO. 247 WATER-STREET, NEAR PECK-SLIP, / NEW-YORK / MANUFACTURE OF / TRUNKS, COLLARS & HARNESS”. PROVENANCE: Outstanding estate collection of Confederate and historical arms of Morris Racker. CONDITION: Box is overall good. Missing some tacks, leather repairs to hinges internally, functional key. Sash is about 3’ overall by 3-1/4” wide. Good overall with sewn repairs to backing. 53063-1 (500-700)

Lot 2052 (w/close-up)

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278

TWO CIVIL WAR ERA WOODEN DRUM CANTEENS. Mid-19th century, Southern United States. The first a pine example with two iron bands and original leather strap, along with wooden spout. Scratch carved on face “J J MARSHALL / 33rd”, believed to be Confederate Army. The second in yellow pine, with two iron bands. Unmarked. SIZE: First 7” dia, second 7-1/2” dia. CONDITION: The first with general overall shrinkage on seams. Faces intact with undisturbed surface. With leather strapping missing an 8” section and stopper absent. The second with absent leather strap, spout, and plug. Faces intact. Both canteens in otherwise good condition. 52875-10 (1,500-2,500)

Session 2

2053.

Lot 2053 2054.

RARE JOHN HANCOCK SIGNED DOCUMENT PAYING A “NEGRO” ANTHONY VASSELL’S REVOLUTIONARY WAR PENSION. This is a most unusual document signed by then Massachusetts Governor John Hancock. Anthony Vassell was a slave owned by one of the wealthiest men in Cambridge, Massachusetts, John Vassell. As the war began, John Vassell and his family left for England, leaving Anthony his most trusted slave to manage his property. Vassell was never to return to America. The State of Massachusetts seized his properties and by an act of the State, February 6, 1781, Anthony was to be paid a pension of 12 pounds per year. Anthony and his family, now free, were among the original free black community of Boston and there is much written on his family including his life at the Vassell Estate such as when George Washington entered Cambridge in 1775. This is a unique document as we know of no others paying a pension to a newly freed slave. There is a link attached on the web to George Washington’s Headquarters National Park document which has extensive information on slavery in Boston and an entire chapter just on Anthony Vassell and his family starting Lot 2054 in 1770s. CONDITION: Document is framed and was not taken out to check for mounting; it does not appear dry mounted. Good discernible ink including a bold Hancock signature. 52884-3 (5,0007,000)

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A most important historical cache of goods from the Decatur-Garnett Family (Lots 2068-2149) Other items outside this historical section are noted as “A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine”

Session 2

Rarely does the opportunity come twice in a decade to represent a long and storied family in the sale of some of America’s historical treasures. The first cache of historical goods was sold in our February 4 & 5, 2010 auction and it represented the Armsden side of the Decatur family connection of Kittery Point, Maine. The collection included important books from George Washington’s library, letters written by George Washington, Thomas Jefferson, James Madison, Tobias Leer, and more; log books, and flags connected to the Storer/Decatur families, important silver, photographs, weapons, and hundreds of correspondence between family members. The star of the collection was the extraordinary and historically important Battle of Yorktown map which brought $1,150,000.

Century Tobias’s only son was Benjamin Lincoln Lear; President George Washington was Benjamin’s godfather. Another descendant represented in this family line is George Washington Storer; nephew of Colonel Tobias Lear. George Washington visited Portsmouth, New Hampshire twice, and on one of his visits he held the infant Storer and blessed him and his name became George Washington Storer in tribute. Washington only did this to two people, the aforementioned and Washington Irving. George Washington Storer was a career naval officer who was, in his final years, superintendent of the naval asylum and retired as a Commodore.

Battle of Yorktown map Sold for $1,150,000

A most important historical naval figure in this family is of course Stephen Decatur. Commodore Stephen Decatur, Jr. born January 1779, died March 1820. He was known for his heroism and great successes in both the War of 1812 and the Barbary Wars. He was the youngest man to reach the rank of Captain in the history of the US Navy. Commodore Stephen Decatur and his young wife Susan never produced children. Many of Stephen Decatur the future offspring from his siblings down through the generations would be named in honor of their illustrious ancestor. One of the future Stephen Decaturs, born in December 1814, was a lifelong career naval officer and attained the rank of Commodore on retirement after the Civil War.

It is with great pleasure that we have been selected to sell important items from the Maria Decatur Mayo Deyo (Lila) Garnett estate. She was one of the original benefactors of the division of the original estate which produced this historic offering. The Garnett estate has roots in several important families, equally as significant, a lineage as the Armsden branch. A historical figure related to this family is that of Captain Tobias Lear (father of Colonel Tobias Lear). Captain Tobias Lear from Portsmouth, New Hampshire was, for several years during the American Revolution, superintendent of the Continental Yard at Langdon’s (now Badgers) Island in the Piscataqua River opposite Portsmouth, New Hampshire. He was responsible for the construction of the historic John Paul Jones Continental ship the “Ranger.” Captain Lear fathered two children; Mary Lear and Colonel Tobias Lear. Colonel Tobias Lear was born in 1762 in Portsmouth, New Hampshire and expired on October 11, 1816 in Washington, DC. He was personal secretary to President George Washington and also one of Washington’s best friends. He was also agent and Consul General of the United States of America to the North African coast during the Barbary Wars. In the late 18th Visit www.jamesdjulia.com for more information

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Vice Admiral Morton Lyndholm Deyo ( July 1, 1887–November 1, 1973). Deyo had a storied 38-year naval career starting with his graduation from the United States Naval Academy in 1911, and proceeding through to the Second World War and beyond.

Vice Admiral Morton Deyo

Prior to WWII Deyo served on no fewer than 7 different ships and taught at the Naval War College and was an aid to the Secretary of the Navy.

rank of Lieutenant-Colonel, although he finished the War of 1812 as a Major. Decatur continued his career in the Navy, serving as Naval Store Keeper in the Brooklyn and Portsmouth Navy Yards. On April 8, 1829 President Andrew Jackson (an intimate friend of Decatur’s) appointed him Collector of the Customs for the District of Portsmouth, New Hampshire. Decatur was appointed Sutler to the Army at Fort Gibson, Arkansas in April of 1831 and died of typhoid fever on November 12, 1832.

After the landings at Normandy and assisting in the successful landings of the First U.S. Army in the Madeleine area as well as commanding a group of warships that blasted enemy strong points in the vicinity of Cherbourg, France he commanded task groups in the Pacific.

It was through this family connection that many of the items descended as John was Stephen’s brother and Stephen had no children.

Deyo was named to command Task Force 54, the bombardment group for the Okinawa invasion. Considered his crowning achievement in the Pacific was his command of gunfire and covering force for the assault on Iwo Jima and the occupation at the battle of Okinawa. For this service he was awarded the “Distinguished Service” medal. It was during this time his Flagship the “Tuscaloosa” was targeted by two Japanese kamikaze but was able to continue with the action after “splashing” them in their wake before harm could befall them. During the battle of Okinawa he was the last naval commander to form a battle line with battleships as they prepared to intercept the Japanese battleship “Yamato.”

The family tree of this noted historical family is far more diverse than outlined above. The offering in this sale is represented by some of the above-mentioned individuals. A treasure trove and much more was rediscovered in the mid 20th Century when the family as a whole decided to sell an early barn on Kittery Point to one of its members. At the time the barn had served as a storage building for a vast amount of historical material that has been passed down through the generations. In cleaning out the barn, a significant archive of Tobias Lear papers and memorabilia was discovered and much, much more. The items were essentially divided up amongst the various existing branches of the family at that time; however, a copy of the exceedingly rare Dunlop version of the Declaration of Independence, also discovered in the same barn, had to be sold at the time because of its considerable value and to effect an equitable distribution.

At the war’s end, he accepted the surrender of Japanese forces in the Pacific at Sasebo, Kyushu. He received his second Legion of Merit award in the form of a gold star in lieu of a second award of the Legion of Merit. After his death in 1973 his namesake lived on with the launching of the USS Deyo (DD 989) on March 31, 1979. It was the 27th Spruance class destroyer. It saw action in both the Persian Gulf wars and supported Desert Storm. The destroyer was decommissioned on November 6, 2003.

USS Deyo

Stephen and Anne (Pine) Decatur had seven children. The most prominent being John Pine Decatur who was born on September 14, 1786. Siblings include Ann Pine (Decatur) McKnight Hurst (1776–1819), Commodore Stephen (1779–1820), John Pine (1781–1781), James Bruce (1782–1804), Elizabeth Josiah (1784– 1785), and Joseph Hill (ca. 1790–1802). John Pine Decatur was appointed a Master in the U.S. Navy on August 4, 1807 and married Maria Susanna Ten Ecyk on April 6, 1809. He resigned his commission at his wife’s behest on March 26, 1810.

At the beginning of the Garnett estate we will sell important naval log books which come from the same source but from another branch of the Decatur family. (Lots 2055-2066)

After a brief career as one of the proprietors of the Bellona Powder Mills in Belleville, New Jersey, Decatur returned to the military. He was commissioned as a Captain of the Fifth Company of the Essex Squadron of Cavalry on May 11, 1812 and eventually rose to the

Down through the years some of the artifacts had been identified by various generations of the Decatur family through small notes or word of mouth and in the presentation of the goods some of the items offered carry “family history.” We are extremely pleased to have the opportunity to present this exciting historical lot. On behalf of the Decatur descendants and our auction firm, we hope that you will find great pleasure and enjoyment in these many historic items.

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Session 2

In WWII in the early 1940s he was commander of Destroyer Squadron II and in 1944 he commanded the Western Operation Neptune Force “U” supporting the landing of the American First Army at Utah and Omaha beaches. It was for this navel gunfire support at Utah Beach in the Normandy invasion that he was awarded his first “Legion of Merit” medal from the President. It was on the ship “Tuscaloosa” (CA-37) that he coordinated the bombardment.

Session 2 2055.

RARE MANUSCRIPT PRESIDENTIAL NAVAL APPOINTMENT OF SAMUEL STORER SIGNED BY PRESIDENT JAMES MADISON. This unusual document on thin vellum measures 14-3/4” x 12” still housed folded in its original free-franked envelope signed by Charles W. Goldsborough who was Acting Secretary of the Navy during Madison’s administration. This document appoints Storer as the Navy Agent for the port of Portland, Maine and is dated March 9, 1809. Totally manuscript calligraphy, not printed appointments and commissions are very rare and this is beautiful example. CONDITION: Very good with fine seal, scattered areas of staining, light folds. Accompanying envelope has text stating “my father’s appointment...”. 52737-1 (800-1,500)

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282

RARE MANUSCRIPT RULES AND REGULATIONS OF USS CONGRESS AND USS CONSTITUTION, 1817-1821. The US Navy started with 6 original frigates from the Naval Act of 1794. The two most famous were Constitution and Congress which saw front line service during the War of 1812 and the Barbary Coast Wars. This well preserved total manuscript text was written by early American naval clerk for famous officers all with much acclaim in the early American Navy and are household names to any naval historian. Journal is about 200 pages and the first entry “FOR THE INTERNAL GOVERNMENT OF THE U.S. FRIGATE CONGRESS. CHARLES MORRIS, ESQ COMMANDER” dated September 1816 is 29 pages. Rules and regulations of every rank are noted. An additional 5 pages give details of the maintenance and firing of cannon. Interestingly enough, you have to turn the book over and upside down, now the book starts anew at the back which is now the front and we now have “INTERNAL RULES AND REGULATIONS OF THE USS CONGRESS, ARTHUR SINCLAIR, ESQ. COMMANDING”. These 80 pages of manuscript are dated December 20, 1817 detailing same rules and regulations of every rank, but more detail about gunning and “quarters for action”. The last entry “INTERNAL REGULATIONS OF THE US FRIGATE CONSTITUTION JACOB JONES, ESQUIRE COMMANDING” is 20 pages of text and dates about 1821. The text is signed by Benjamin W Booth who was “Master Commandant” on the USS Constitution at that time, previously having service during the War of 1812 and most likely this was his book as he moved from the Congress to the Constitution. Benjamin Waller Booth (1790-1828) was from a prominent Virginia family. His father Mordecai was somewhat of a hero in helping save Washington Navy Yard during the War of 1812. Benjamin continued into service in the Navy until his death at age 38. CONDITION: Very good overall. Well preserved for a manuscript text 200 years old. Binding is sound and signature solid, light soiling and foxing. 3/4 leather binding with French wallpaper covers are scuffed, heavy edge wear and a few reductions. Hinges are sound with scuffing on spine. Text is bright and discernible. 52737-2 (15,00025,000)

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Session 2

2056.

Session 2

2057. JOURNAL OF A CRUISE, UNITED STATES FRIGATES CONSTELLATION, POTOMAC AND DELAWARE, 1841-1843. This large bound folio measuring 13” x 8-1/4” contains 328 pages of day-by-day accounts commencing October 27, 1841 at the Boston Navy Yard, ending January 31, 1843 in Rio de Janiero, “52 days from New York”. Day-by-day accounts on the trip to the Brazilian coast for duty and in American ports are seen in several pages on-line. This journal is signed by Midshipman Robert B. Storer (1800-1875) who was his father’s, Captain George Washington Storer, clerk. Note: in the 1846-47 journal also being offered in this sale, was also written by Robert B. Storer and Julia’s sold his 1844-45 journal February 5, 2010 as Lot 2082. CONDITION: Very good. Journal has soiled edges, but signatures are tight, pages are clean with easily discerned text, heavy edge wear, scuffing to 3/4 leather binding. 52737-3 (3,0006,000)

Lot 2057 2058.

JOURNAL USS BOSTON, GEORGE WASHINGTON STORER, COMMANDER, 1830-1832. Fine, large manuscript leather bound folio, 10-1/2” x 8-1/2”. Titled on page 1 “JOURNAL OF A CRUISE IN THE UNITED STATES SLOOP OF WAR BOSTON, GEORGE WASHINGTON STORER ESQ, COMMANDER FROM NEW YORK TO THE MEDITERRANEAN SEA, COMMENCING JUNE 29, 1830”. This same page lists officers who began the trip, day-by-day occurrences are detailed on the approximate 200 pages, ending December 13, 1832 back at the Boston Navy Yard where the marines were transferred to the barracks and the men were discharged, finally hauling down the colors ending 2-1/2 year voyage at sea to the Mediterranean and back. The USS Boston was an 18-gun sloop of war launched in 1825. It served in Brazil 1826-1829 and then as part of the Mediterranean station which this journal details 1830-1832. The Boston was wrecked on Eleuthera Island in the Bahamas, November 15, 1846 during a storm, although the ship was lost, all hands were saved. CONDITION: Very good. Full leather binding is scuffed, but signatures and pages are tight and clean, French end papers and decorated raised spine. 52737-4 (1,500-3,000)

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2059. LETTER BOOK OF GEORGE WASHINGTON STORER, 1843-1846 WHILE IN COMMAND OF THE PORTSMOUTH NAVAL YARD. This book in beautiful condition has the first 118 pages with manuscript copies of letters to the Secretary of the Navy concerning shipyard maintenance, improvements, annual reports and details of the launching of the USS Portsmouth which was built at Portsmouth Naval Yard in 1843. Letters start November 1, 1843 and end October 9, 1846. George Washington Storer (1789-1864) was a lifelong Navy man, serving for over 50 years in numerous posts, beginning as Midshipman in 1809 and retiring with rank of Rear Admiral in 1862. CONDITION: Very good to fine, only light edge wear and scuffing at hinges. 52737-6 (1,500-3,000)

Lot 2059

Lot 2060

2060. L OG BOOK FOR THE SHIPS CUMBERLAND AND RARITAN, DURING THE MEXICAN WAR, 1846-1847. This beautifully preserved folio bound manuscript begins June 26, 1846 and ends March 21, 1847. There are about 50 full manuscript pages with day by day details, written for Captain French Forrest with several of his bold signatures throughout. Midshipman Robert B. Storer (1800-1875) was French Forrest’s clerk and his name is signed in front of book. There is especially good content as the Cumberland and later the Raritan, both under Forrest’s command, were the flagships of the Mexican War “home squadron”. Excellent content as seen in few sample pages posted on web concerns blockade, attack and capture of several Mexican coastal cities which should be read. The Cumberland ran aground July 28, 1847 off the coast of Alvarado and the ship was so badly damaged it had to be returned to Norfolk. Her crew, however, stayed behind and swapped ships with the sister frigate Raritan which had been at sea for 3 years and that crew was happy to go back stateside as the crew of the damaged Cumberland. The Raritan continued as the flagship and the text continues without a break, just changing ship name. This is French Forrest’s official journal as often in text he signs and approves the content that would be disseminated in copies by his clerk. French Forrest (1796-1866) was a long serving American naval officer from the War of 1812, the Virginia Navy in 1861 and then Confederate Captain and in that capacity raised and rebuilt the Confederate ironclad from the USS Merrimack. Ironically, the first ship to be sunk by the Merrimack was the Cumberland which was his flagship during the Mexican War and subject of this journal. James Julia Auctions sold Robert B. Storer’s previous journal, 1844-1845, for the ship Delaware as Lot 2082, February 4, 2010. CONDITION: Fine overall. 13-3/4” x 8-1/2” folio has been well maintained with French wallpaper covers and end sheets, 3/4 leather with raised gold bands on spine. Scuffing and corner wear. Text is fine. 52737-7 (2,000-4,000)

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2061.

Session 2

HISTORICAL LETTER BOOK OF USS RESACA, OCTOBER 1, 1866 TO NOVEMBER 30th, 1868 WITH DETAILS OF THE TRANSFER OF ALASKA FROM RUSSIA TO THE UNITED STATES FIRST ALASKA TERRITORY AMERICAN NAVAL FLEET. Large full leather bound letter book, 13” x 8-1/4” with over 200 pages of manuscript text beginning with the commissioning of the USS Resaca. A 3rd class screw steamer, its initial assignment was cruising off the Mexican and Central American Pacific Coast relieving the Jamestown. An outbreak of Yellow Fever among the crew of the Jamestown spread to the Resaca and resulted in both ships being sent to Alaskan waters in effect to quarantine. The first year of text mostly concerns the Yellow Fever outbreak and the deaths of sailors. There is a very interesting, large laid-in folio listing the names of 19 deceased sailors listing the value of their clothing which were thrown overboard by order of ships surgeon “to prevent the spread of Yellow Fever on board”. After leaving the Central American coast in early July 1867 for Alaskan waters, she made Vancouver August 31st and Sitka, Alaska September 26, 1867. There is a detailed 7-page letter written by Captain Bradford on October 23, 1867 (pages 135-143), which describes in detail what has occurred so far in the North Pacific describing various inland passages, forts, English naval presence, the Indians in Russian America, official meetings with an Inuit Prince, Russian naval officer, commerce and trade, meteorological observations. He also describes the ceremony with American and Russian Commissioners transferring the dominion and territory known as Russian America to the US Commissioner. “The Russian flag was saluted when hauled down and the Lot 2061 American when it was hoisted. Captain Emmons on the part of the Navy participated in the ceremony”. Bradford’s log from this date forward has the initials “AT” after his entries for Sitka for “Alaska Territory”. Alaska had just been purchased a few months earlier by a treaty ratified by the United States Senate, March 30, 1867 paying $7.2 million dollars for the territory of over half a million square miles. CONDITION: Good overall. Pages and signatures all very good. Front cover is dis-bound as is front fly sheet. Rear hinge intact, 3/4 leather. Binding is heavily worn and scuffed with much edge wear (could be easily re-bound by good antique book binder). 52737-8 (500-1,000)

2062.

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286

JOURNAL, USS COLUMBUS, CONSTELLATION AND POTOMAC, CAPTAIN GEORGE WASHINGTON STORER, JUNE 11, 1839-1841. Large folio journal kept by Captain George W. Storer commencing June 11, 1839, starting with the ship USS Columbus which was originally commissioned in 1819 and was a 90-gun ship-of-the-line. Columbus saw continued service until it was sunk at the Norfolk Navy Yard by withdrawing Union forces to prevent her from falling into Confederate hands. November 5, 1840 Storer is now given command of the Constellation. Entries start on that day where ship is provisioned and goes to sea December 10th. Day-by-day accounts cover over 150 manuscript pages. February 9, 1841, Storer again changes command to the US frigate Potomac. Dayto-day occurrences while in Brazilian waters are continued to the end of this journal, September 14, 1841. CONDITION: Very good, sound, overall, though 3/4 leather binding has reductions, scuffing and heavy edge wear. Text pages and signatures are tight and fairly clean. 52737-9 (1,000-2,000)

Session 2 2063.

JOURNAL OF A CRUISE ON THE USS CONGRESS, 1817-1818; USS CONSTITUTION, 1821-1822. Large folio 300 page journal, 13” x 7-3/4”, commencing December 4, 1817 “JOURNAL OF A CRUISE IN THE UNITED STATES FRIGATE CONGRESS, ARTHUR SINCLAIR COMMANDER FROM NORFOLK VIRGINIA TO SOUTH AMERICA”, 70 pages of text ending September 11, 1818. Interesting details about events around Brazil, Uruguay and Argentina. The back of the journal also contains detailed navigational aids in a 20 page text “INSTRUCTIONS FOR THE NAVIGATION OF THE RIO DE LA PLATA” where both Buenos Aires and Montevideo are found near the mouth. Journal now re-starts May 13, 1821 aboard the USS Constitution from Boston to the Mediterranean. 180 pages of text detail day-by-day accounts ending May 22, 1824 with the ship being hauled into the navy yard. When the Constitution left on its tour, it was the flagship of the Mediterranean fleet with Commodore Jacob Jones commanding, Captain Benjamin W. Booth and Lt. George Washington Storer who kept this journal. CONDITION: Very good overall. Book is sound and solid with tight signatures, good text and paper, soiled edges, scuffed covers. 3/4 leather binding has heavy edge wear, staining and scuffing. 52737-10 (15,000-25,000)

287

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RARE WAR OF 1812 “CHESAPEAKE BAY FLOTILLA” GUN BOAT LOG, US GUN BOAT NO 70 AND SHIP USS BLACK SNAKE. This fine folio bound manuscript is titled on front fly leaf “US GUN BOAT No. 70 / kept by “GEORGE WASHINGTON STORER, COMMANDER / COMMENCING FEBRUARY 23, 1813”. We know of no other logs of any ship from the “Chesapeake Bay Flotilla” which were commanded by Commodore Josiah Barney whose sailors and marines fought a defensive campaign on land and sea against the British Invasion and capture of Washington, DC. Josiah Barney submitted his plan of defense of Chesapeake Bay July 4, 1813. He estimated that a force of gun boats and barges that could be sailed or rowed. The Black Snake was indeed just a barge Lot 2064 that was rowed by crew with two deck cannon, it drew only 21 feet of water so could maneuver deep up river. The flagship was the USS Scorpion which the last entry in this text shows armaments and crew from Storer’s command were transferred to on September 4, 1813. The Chesapeake Bay Flotilla engaged the Royal Navy before Barney was forced to scuttle the vessels themselves in August 1814. The men of the Flotilla then served on shore in defense of Washington, DC and Baltimore. This day-by-day account of about 6 months, 46 pages, is sampled in a few pages which can be seen on line. An interesting note is that June 5-6, 1813 entries tells of the flagship Scorpion being grounded and assisted in removing her guns and provisions, etc., so that she could be re-floated. From this same family, a rare 16-star American flag of the Scorpion was sold on these floors February 4, 2010 as Lot 2087. At the time, of the flag’s cataloguing, this journal was not known. This book was re-used; if you turn book around and flip book upside down, George Washington’s Storer’s son, Colonel John L. Storer of the Maine State Militia, utilized this as a letter book (20 pages) from August 31, 1820 until the date of his resignation April 5, 1821. CONDITION: Good to very good overall. Pages and signatures are tight and intact, foxed and stained end papers and boards. Edge wear and worn 3/4 leather binding with scuffs to leather and French wallpaper boards. 52737-11 (3,000-6,000)

2065.

LETTER BOOK, USS BRANDYWINE, GEORGE WASHINGTON STORER COMMANDING, RIO DE JANEIRO, JULY 13, 1847-JULY 9, 1849. This excellent condition, full leather bound folio, 12-1/2” x 8-1/4”, with French wallpaper end sheets. Text concerns the re-supply and equipping of the Brandywine for its Brazil operations where it would cruise for close to 3 years before returning to the US in 1850. There is a tremendous amount of content on the 430 manuscript pages, plus 12-page index plus an additional 20 pages of rules and punishments for sailors. One letter dated September 5, 1848 Storer is investigating a vessel flying an American flag that is involved in the slave trade, and telling captains of other vessels that these vessels can be taken as prizes “You will use every effort to arrest, bring to well merited punishment all persons who on the open seas may disgrace the American flag by making it in anyway subservient to the pursuit and protection of this most nefarious commerce”. There is an interesting signature on the front fly leaf of book which must have been used by the US Ambassador when the Brazilian-American Claims Treaty was signed January 27, 1849. Inscription reads: “David Tod, esquire / Envoy Extraordinary / and Minister Plenipotentiary / of the United States / Rio de Janeiro”. Indeed, David Tod was the American representative who signed the claims document along with the Emperor of Brazil. The United States received 530,000 milreis to cover indemnifications against American interests which in dollar equivalents of 1850 was over one million dollars, which today is close to two billion dollars. This ledger must have been used as evidence and then returned to Storer. David Tod was best known to American historians as the effective Civil War governor of Ohio. CONDITION: Very good overall. Leather is scuffed, but contents are very good. Signatures tight as are hinges, leather title on spine chipped. Several long cuts and staining on cover. 52737-12 (1,500-3,000)

Session 2

2064.

Lot 2065

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288

Lot 2066 2067.

JOURNAL, USS MACEDONIAN, COMMANDED BY CAPTAIN JAMES BIDDLE, JUNE 12, 1826-OCTOBER 31, 1831. The USS Macedonian has the most interesting history in that it was captured during the War of 1812 by Stephen Decatur in the naval battle that would make him famous. HMS Macedonian was immediately preserved by Stephen Decatur as he realized the fledgling American Navy could well use this prized British frigate. The ship was brought to Newport, Rhode Island, refitted and renamed USS Macedonian. The Macedonian would next see service in Commodore Decatur’s second Barbary War as part of his 10-ship squadron. The Macedonian would see limited service in the Caribbean and the East Coast until being re-provisioned as flagship for James Biddle’s new “Brazil Squadron” to protect American interests in South America from the newly independent nations of Brazil, Argentina and Bolivia where fighting was rampant. This 165 page manuscript journal maintained by Mid-shipman William P. Livingston, is well preserved and shows daily details of ships position and notes daily as to specific actions and events. This cruise is the most significant action of Macedonian’s entire career and the entire chronology is maintained from the day it left Hampton Roads, June 18, 1826 until the day it returned October 31, 1828 and was immediately decommissioned. In this forgotten two year campaign, the American Navy would remain on the coast of South America protecting American merchant vessels and meeting with the various new South American ministers until peace was finally achieved by the warring Lot 2067 Brazilians and Argentinians (Buenos Aires) on August 29, 1828. August 30th Biddle’s squadron headed back to the United States and on the way discovered they had small pox on board with several sailors dying. The last entry October 31: “Came to anchor off Norfolk” would be the Macedonian’s last day in the Navy. The ship’s keel was utilized to rebuild the second USS Macedonian beginning in 1832 at the Gosport Navy Yard and finally launched in 1836 for 16 years of service. Accompanying lot is copied history of the Macedonian and typed script notes on many of the entries. CONDITION: Fair to good overall. Contents intact and easily discernible. 3/4 leather binding heavily scuffed, worn and stained at spine and edges. Hinges intact, but starting. Spine intact, partially split at bottom. Typed label pasted on cover, orange typed card tipped onto front fly leaf with penciled annotation “Capt. Biddle was the spiritual father of the US Naval Academy, Annapolis”. 52979-1 (6,500-7,500) 289

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Session 2

2066. JOURNAL OF THE USS DELAWARE, USS POTOMAC, USS LAWRENCE, USS FALMOUTH AND USS CUMBERLAND, 18441846. Large folio, fully leather bound, 13-1/4” x 8-1/4” contains over 300 pages of manuscript text commencing January 1, 1844 and ending June 19, 1846. Midshipman Robert B. Storer (1800-1875) gives day-by-day accounts of ship positions, observations and events as seen in sample pages on-line. The last half of this journal details events leading up to the war with Mexico and being part of the American “home squadron” blockading Vera Cruz and wreaking havoc on the Mexican Atlantic coast. In his last assignment on the Cumberland, Storer recounts American victories and the capture of General La Vija and a 13-gun salute to General Zachary Taylor. June 25, ends this journal with Captain French Forrest relieving Captain Dulany in command of this ship. This sequential journal in this group is also offered in this sale starting June 26, 1846. CONDITION: Very good overall, though full leather binding is scuffed with some reductions and tears around edges. Pages and signature tight with good text. 52737-13 (3,000-6,000)

2068.

Session 2

ICONIC AND EXCEEDINGLY RARE GOLD FREEDOM BOX, COMMODORE STEPHEN DECATUR FROM THE CITY OF NEW YORK, 1812. This important and historic American icon had been on display at the US Naval Academy Museum from 1940 until 2011. Gold Freedom boxes were used to confer honorary privileges on distinguished individuals which date from the mid-18th century. Freedom boxes in America presented by the City of New York were given to other notables such as General George Washington (1732-1799), Marquis de Lafayette (1757-1834), Baron von Steuben (1730-1794), Governor George Clinton (1739-1812) and Chief Justice John Jay (1745-1829). The box given to Commodore Decatur weights 100 grams, measures 3-1/2” x 1-7/8” x 3/4” with clipped corners, top engraved with leaf motif, bordered by hatching round edges and center scored with an arc pattern; same motif and pattern on bottom and sides. Inscribed inside the top cover: “THE CORPORATION OF THE CITY OF NEW YORK / TO COMR. STEPHEN DECATUR IN /TESTIMONY OF THE HIGH SENSE THEY ENTERTAIN / OF HIS VALOR & SKILL IN THE CAPTURE OF THE / BRITISH FRIGATE MACEDONIAN BY / THE U.S. FRIGATE UNITED STATES. OCTR. 25. 1812”. 1” x 4” x 2-3/8” red leather case, lined with white satin cloth, small silver unmarked medallion with clipped corners on top and paper and ink label glued on bottom reading “PROPERTY OF MRS. W. R. MAYO”.

Stephen Decatur

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290

Session 2

Freedom box is made and hallmarked by goldsmith JeanBaptiste Lizon (1757-1811), Paris. Box also has French proofs for 18k gold. Commodore Stephen Decatur (1779-1820) was a great naval leader and hero of the Barbary Wars and War of 1812. During his command of USS United States he captured HMS Macedonian, in the Atlantic west of the Canary Islands on October 25, 1812, in one of the major ship-to-ship actions of the War of 1812 against Great Britain. On December 4, 1812, he towed the captured ship into New York harbor amid tumultuous national jubilation over the spectacular victory. Decatur and his crew were lionized and received special praise from the President and Congress and many honors from Congress, states and cities. On December 17, 1812, the municipal authorities in New York City voted him “freedom of the city” recognized by a gold box and commissioned a life size portrait for city hall. On December 29, New York City gave a banquet in his honor. This box is pictured in a February 1982 article in Antiques Magazine titled “Gold and Silver Owned by Stephen Decatur, Jr” by J. S. Brown, pg 401 “The City of New York resolved on December 17, 1812 that the freedom of the city should be presented to Stephen Decatur in a gold box. The key to the city has since been lost, but the octagonal box that contained it, made in Paris in 1798. Both were given to Decatur at an elaborate dinner in his honor on December 29, 1812.” The inscription on the inside of the lid of the box acknowledges Decatur’s “valor and skill in the capture of the British Frigate Macedonian by the U.S. Frigate United States October 25, 1812.”

This is an extremely rare opportunity to own an American gold Freedom Box. We note only one previous sale of another and that was the John Jay box sold by Sotheby’s, June 26, 1991. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, who inherited the box from her mother Mrs. Maria Ten Eyck Decatur Mayo Deyo of Kittery, Maine (widow of Vice Admiral Morton L. Deyo, 1887-1973); who had received it from her mother, Mrs. Wyndham R. Mayo, Jr. nee Maria Decatur; who had received it from her father Stephen Decatur of Kittery Point, Maine, who was descended from John Pine Decatur, younger brother of Commodore Stephen Decatur (1779-1820). A photocopy of Stephen Decatur’s hand written will dated 1874 and a photocopy of a typed version of Maria Decatur’s will dated 1892 accompanies this lot. CONDITION: Very fine. Box shows little or no wear being protected in its custom case since its presentation. 52714-157 (125,000-175,000) 291

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2069.

Session 2

RONZE EGYPTIAN REVIVAL CANDLESTICK B FROM STEPHEN DECATUR FAMILY DESCENT, CAPTURED FROM HMS MACEDONIAN. Family legend states this early French bronze Egyptian Revival candlestick was taken as a souvenir after Decatur’s famous battle while in command of United States over HMS Macedonian during War of 1812. Elegant 7-1/2” bronze cylindrical candlestick is decorated with three Egyptian lionfaced figures of very similar design noted on ancient Egyptian art. Egyptian Revival architecture and decorative art began in earnest in France in the first quarter of the 19th century after Napoleon’s Egyptian campaigns, 1798-1801. SIZE: 7-1/2” x 3”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good to fine overall. Old cleaning residue and light bronze patina with staining. Ten 3-1/2” crystal drops are complete and matching. 52714-191 (300-500)

Lot 2069 2070.

PILLAR AND SCROLL MAHOGANY SETH THOMAS MANTEL CLOCK. First quarter 19th century Connecticut. Of typical form, the swan’s neck pediment centering a cast brass displayed eagle finial flanked by brass ball and spire finials above the hinged door with églomisé panel depicting the battle between the frigate USS United States and the HMS Macedonian. The paint decorated wood dial with Roman numeral chapter ring within floral spandrels. The dial with time and strike apertures. The case with engaged ring-turned half columns all on a simple wood plinth. The wooden movement driven by weights, striking on a gong. Clock is offered with two weights, rod, bob, and winder. SIZE: 38-1/4” h x 17-1/2” w x 5” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Clock retains original surface with good color and patina. Dial with original paint in very good condition, hands original, original paper label remains on backboards, age darkened and with staining. Some losses to paper label proper left side. Églomisé panel original. Movement appears intact. 52714-2 (700-900)

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292

Lot 2070

Lot 2071 2072.

GOLD SIGNET RING GIVEN TO COMMODORE STEPHEN DECATUR IN 1805 FROM THE BEY OF TUNIS UPON HIS SURRENDER OF TRIPOLI. Stephen Decatur became an international hero after his significant victory over the Barbary pirates in Tripoli, ending with the June 4, 1805 surrender to the United States. This signet ring is made of high karat gold with about a 3/4” Carnelian engraved with the seal of Hammuda Ibn Ali, ruler of Tunis from 1782 until his death September 15, 1814. In Alexander McKenzie’s text Life of Stephen Decatur..., 1846, pg 122 “At Naples, Decatur was praised and dubbed ‘Terror of the Foe’ by the local media. Upon hearing the news of their victory in Tripoli, Pope Pius the VII publicly declared that the United States, though in their Lot 2072 infancy, had done more to humble and humiliate the anti-Christian barbarians on the African coast in one night than all the European states had done for a long period of time.” It would be interesting to compare any of the official documents of surrender to see if they were sealed with this particular signet. This signet ring was such a prized possession of the Decatur family that a copy was made by Lila Mayo for and always worn by Admiral Morton L. Deyo. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good to very good overall. Carnelian has numerous tiny scratches to surface. There are apparent solder or braised marks internally. Interested parties should examine. 52714-158 (10,000-15,000)

2073. GOLD STEPHEN DECATUR MEMORIAL LOCKET WITH “LOCK OF HAIR”. Family tradition is that the large curl of hair inside this hinged, oval locket is that of Commodore Decatur’s. Decatur’s monogram “SD” found on obverse of case and reverse has presentation dated Jan. 14, 1876 from John Decatur’s son’s wife “Anna Rowell Philbrick Decatur to her grandson Stephen Decatur Mayo, “S.D.M. from A.R.P.D”. SIZE: 1-1/2” x 1-1/8”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good overall. 52714-159 (1,000-2,000)

Lot 2073 293

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Session 2

2071. COMMODORE STEPHEN DECATUR AUTOGRAPHED LETTER. Fine 1-pg ALS of American Naval hero Commodore Stephen Decatur, Jr (1779-1820) written in 1818, just prior to his untimely death in duel at age 41. ALS sent from Washington, DC to Virginia diplomat Littleton W. Tazewell (1774-1860), signed “Yours truly Stephen Decatur”. Letter concerns defending the town of Chesapeake, Virginia. SIZE: Mount: 10” x 12”. PROVENANCE: Direct family descent of family of John Pine Decatur, the Commodore’s brother; Stephen having no children, thence from the most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good overall. About 1” repaired crack at one fold. Ink dark and discernible in archival mount. Laid, watermarked paper 8” x 9-1/2” . Reverse of second page addressed to Tazewell in Norfolk. 52714-193 (1,000-2,000)

Session 2

2074. ANTIQUE WATCH FOB FROM ESTATE OF ADMIRAL MORTON L. DEYO WITH NOTE PURPORTING LINEAGE TO STEPHEN DECATUR. About 3” ornate silver and gold colored spinning fob with agate on one side of spinner and multi-colored flowers on other. Associated note reads “Watch fob said by Mrs. Deyo to belong to Stephen Decatur of Tripoli”. Also found on a typed family inventory that states the watch fob was “given to S. Decatur of Tripoli by Commodore Gordon”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good to very good. Wear to high areas and base metal exposed, dented side to top mount that holds ring. 52714-160 (400-600)

Lot 2074 2075.

TWO 19th CENTURY ENGRAVINGS OF STEPHEN DECATUR INCLUDING RARE ENGRAVED PORTRAIT BY SAINT-MEMIN. 1) Charles Balthazar Julien Fevert de Saint-Memin (1770-1852) was a well known portrait engraver of prominent Americans including George Washington, Benjamin Franklin, Paul Revere and Thomas Jefferson which are done in identical style to the Stephen Decatur portrait profile. Saint-Memin fled France during the French Revolution and lived in the United States and produced his art between 1793-1814. His work is quite distinctive and after he returned to France he was the Director of the Musee des Beaux-Arts de Dijon until his death. This is a fine portrait in an old frame with ink inscription on reverse which notes “The property of Lila Mayo Garnett after my death signed Lila Deyo”. Housed in a 9-1/2” wooden frame, the double matted vignetted round image is 2-1/4”. 2) Housed in a 9” x 7” wooden frame, printed portrait of full standing Commodore Decatur on board ship holding telescope. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Both appear very good, though not removed from frames. The Saint-Memin has staining and foxing. Both images show yellowing in paper. 52714194 (200-400)

Lot 2075

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294

Lot 2076

2077.

GROUP OF STEPHEN DECATUR’S ENGRAVED CALLING CARDS ALONG WITH EARLY WAX SEALS AND CAMEO STICK PIN. There are forty original calling cards measuring about 3-1/4” x 2” engraved on vellum in extremely fine condition with a finely detailed vignette of “United States and Macedonian” after the battle with the Macedonian showing broken mast and United States with full sails and large American flag. Above the vignette is a ribbon with “DECATUR” and American flags on either side and an eagle above. There are also two cards printed on cardstock, one inscribed on reverse, “Tripoli’s Stephen Decatur’s book plate-die-owned by Aunt Decatur Wright”. Included in this lot are three wax seals of various detail, one stating it was “Garnett Crest”. There is a tiny about 1/2” silver mounted relief carved red stone cameo mounted on mourning card of Miss Decatur with inscription “For baby Mayo from his Aunt Maria. The pin brought by his grandfather after his first cruise...”. SIZE: All housed in a 3-1/2” x 2-1/2” x 1” box. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Calling cards are fine, wax seals discernible with cracks. Mourning card is broken at both folds and detached but text discernible and pin is very good with silver patina to bezel. 52714-192 (200-400)

Lot 2077 295

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Session 2

2076. RARE CIRCA 1820 ENGRAVING OF STEPHEN DECATUR, FRAME MADE FROM DECKING OF HIS FRIGATE “UNITED STATES”. Framed steel plate engraving “Commodore Stephen Decatur / Engraved by Henry Meyer from an original picture by John W. Jarvis”. Wood backing of frame is inscribed: “This picture was given to my mother by General Page of Norfolk, VA. The frame is made of the hatch (live oak) of the Frigate United States”. Signed “Maria Susannah Decatur Mayo”. The frame has beautiful grain taken from the deck of the ship that made Stephen Decatur famous when he captured HMS Macedonian in the War of 1812. Wood in frame is quite dense with beautiful grain, weighing over 13lbs. SIZE: 12” x 15”, exposed paper image. Overall:19-1/2” x 231/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good overall. There is light warpage to beveled lower frame panel and several age cracks as can be seen in photos. Backing of frame still retains screws, probably original to the ship. Engraving was not removed from frame, but is good overall with light staining and a few small streaks unaffecting aesthetics. 52714-59 (1,200-1,800)

Session 2 Reverse

2078.

“BARBARY PIRATE” FLINTLOCK PISTOL FROM STEPHEN DECATUR ESTATE. This gun is as classic a real “pirate pistol” you will find. Family legend holds this was a souvenir from the Barbary Coast wars and this gun is of that vintage (1790-1820). The gun overall measures 15-1/2” with 9-1/2” 54 caliber tapered barrel. The barrel has Turkish proofs with incised engraving with gold decoration. Gun is brass mounted. Lock, hammer and brass mounts are all engraved with arabesque design. Stock has relief carved moldings and gun has overall elegant lines. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Gun appears original, complete and “as found” with dark mixed patinas to brass and iron. Stock is sound with hand worn patina and a small apparently contemporary inset repair on left side between trigger bow and lock escutcheon. Gun is functional though does not hold full-cock well. 52714-188 (1,000-2,000)

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296

Lot 2079 2080.

PAIR OF FRENCH EMPIRE BRONZE DOLPHIN CANDELABRUM TAKEN BY CAPTAIN STEPHEN DECATUR AS PRIZE FROM THE FRENCH PRIVATEER “CROYABLE” WHEN CAPTURED BY CAPT DECATUR JULY 7, 1798 IN COMMAND OF US WARSHIP DELAWARE. Beautiful pair of 16” cast bronze candelabrum with detailed bases of dolphins with curled tails holding florally decorated, detachable double candleholders. Beautiful patina. This is among the prized Decatur family heirlooms, though there is no inscription, only family provenance. During the Quasi War, Captain Stephen Decatur was commanding US warship Delaware and captured a French privateer Croyable off Great Egg Harbor, New Jersey, July 7, 1798. The Croyable was the first American capture of this undeclared war. The Croyable had previously captured a Philadelphia merchant ship, Liberty and also had boarded the merchant ship Alexander Hamilton, whose captain had informed Captain Decatur of Croyable’s position. SIZE: 16” x 12”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good to fine overall. Both appear complete and matching with mixed chocolate/olive patinas. 52714-206 (8,000-12,000)

Lot 2080 297

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Session 2

2079. LATE 18th CENTURY NAVAL OCTANT FROM STEPHEN DECATUR FAMILY. 15” x 12” ebony and brass with ivory scale, missing maker’s plaque. There is an anchor motif etched into center of ivory scale. Retains three original mirrors and sighting disc. “Attic condition” with untouched patina. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Fair to good. Heavy dark, grungy patina to brass. Ebony body fairly sound. Index arm functional. Ivory scales both worn, stained and discolored with verdigris. Mirror is cloudy and several brass components bent. 52714-190 (300-500) ESA

2081.

Session 2

GOLD MEMORIAL PIN OF JULIET UPSHUR, 1800. Unusually large mourning pin with large area of braided hair on verso under glass bezel. The front has blue cobalt colored outer bezel with a central 1-1/2” tall oval on opalescent white material mounted with a large curl shaped like the letter “J”, with tiny brass wire decoration holding it in place with numerous small pearl-like white beads with an inset cobalt blue and pearl decorated monogram “LU”. The inner gold bezel is engraved “JULIET UPSHUR, AD 1800”. Pin is retained in a hinged red veneered casing. The Mayo line of this family is descended from Littleton Ushur (1758-1811). This is a well known Virginia family. Juliet Upshur (1784-1854) was born at “Vaucluse”, Northampton County, Virginia and died in Norfolk where she is buried. SIZE: 2-3/4” x 2-1/4”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Fair to good overall. Gold bezel and mountings are fine, including T-bar pin. There are several breaks in the blue cobalt front bezel glass and one break in back bezel which is now retained by very old scotch tape. The white opal-colored central backing and bezel is Lot 2081 very good as its cover glass. One of the tiny wire loops that holds the hair in place has moved, as have a couple of the tiny pearl-like beads. Casing is intact with padded silk pillows, hinge is loose with worn, warped covers. Case also had scotch tape holding it closed. 52714-162 (400-600)

Lot 2082 2083.

2082. RARE 1812 DATED NEW JERSEY STATE MILITARY APPOINTMENT TO LT. COLONEL JOHN PINE DECATUR, BROTHER OF COMMODORE STEPHEN DECATUR. Archivally mounted, measuring 15-1/2” x 11-3/4” fancy calligraphy document dated December 4, 1812 and signed by Aaron Ogden, Governor of New Jersey. John Pine Decatur (1786-1832). After the War of 1812, John stayed in the US military with the rank of Captain and worked as a sutler on the Western frontier until his death in 1832. Commodore Decatur had no children and all of his personal artifacts disseminated through his brother’s estate. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Document overall is fair to good with repaired cracks at folds, some reductions. Wax seal is only about 30-40% intact, archivally mounted. 52714-195 (500-1,000)

IMPORTANT AUGUSTE EDOUART SILHOUETTE OF STEPHEN DECATUR AND MRS. J.P. DECATUR. Circa 1843, Philadelphia, Pennsylvania. The silhouette portrait shows Stephen Decatur (1814-1876) seated in a chair facing his mother, Mrs. John Pine Decatur (1789-1850) working on embroidery and seated in a chair facing her son. The back of the silhouettes identify the sitters as follows: Mrs. J.P. Decatur, Philadel. 28th Jan. 1843 and Stephen Decatur U. S. N. Philadelphia 28th Jan 7 1843. Additionally marked with original paper label of Arthur S. Bernay New York which states “This silhouette of Mrs. J.P. Decatur & Stephen Decatur was cut by Auguste Edouart during his visit to the United States 1839-1849. SIZE: 10” h x 12” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Condition of silhouettes very good. Condition of paper backing exhibits a border of toning along the outer edge. Housed in original simple ebonized frame. 52714-57 (3,000-5,000)

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Lot 2083

2085.

GOLD MOURNING RING OF JOHN PINE DECATUR, SURVIVING BROTHER OF COMMODORE STEPHEN DECATUR. John Pine Decatur (1786-1832) like his brother served in the Navy, but died as an Army sutler at Ft. Gibson, Indian Territory, November 12, 1832. This small, well made gold ring has miniature cut-out gold logo/monogram “JPD” inserted over a section of Decatur’s hair mounted under bezeled glass or crystal dome. This was probably made for his widow Maria Susanna Ten Eyck Decatur (1789-1850). Since Stephen Decatur had no children, all of Commodore Decatur’s memorabilia and artifacts are from descent of his brother’s lineage. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good overall with light band, as is the accompanying hinged ring box. 52714-161 (500-1,000)

Lot 2084

IMPORTANT JOHN PINE DECATUR INLAID MAHOGANY FEDERAL HUNT BOARD / BUTLER’S DESK. Circa 1810, Mid-Atlantic region. Rectangular top above the conforming case fitted with two simulated long drawers with hinged fronts opening to an interior fitted with an arrangement of valenced, blocked cubby holes, each with conforming drawer above centering a prospect door with inlaid oval fan patera opening to a bank of three blocked document drawers. To the right of the prospect door, the interior has been altered due to the later addition of a cupboard door on the proper left side of the case, which opens to a storage area. Beneath the butler’s desk section, are fitted three aligned short drawers with cockbeaded edges. The hunt board raised on four square tapered legs, each headed by an oval fan patera above string inlaid panels terminating in brass capped Marlborough feet. Accompanying the desk is a John P. Decatur calling card which was found in the desk. SIZE: 41” h x 54-1/2” w x 24-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Alterations as noted, one cockbeaded edge missing. Top with old repaired and filled shrinkage cracks along medial seam. Each front leg now strengthened by substantial iron angle brackets mounted within the case as reinforcement to early stress cracks and partial breaks to front legs at case. 52714-31 (3,000-5,000)

Lot 2085 299

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Session 2

2084.

2086.

Session 2

FINE TRAVELING CASED DECANTER SET. First half 19th century. The top hinged lid opens to reveal a compartmentalized sectioned interior holding six 9” h x 4” w x 2-1/2” d clear hand blown decanters with stoppers and two 7-1/2” h x 2-1/2” w x 2” d similar decanters. Also having two 4-1/2” h stemmed wines that fit sideways at the bottom underneath a compartment that holds two 3-1/2” tumblers. The case having its original key and has two brass bale handles for carrying. The top presentation plaque missing but a copy of John P. Decatur Lieutenant US Navy calling card is folded and included with the box. Family history notes that this tantalus was the property of John Pine Decatur 1786-1382, third generation Decatur. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: One decanter broken but intact, one wine glass broken and repaired. 52714-66 (2,000-3,000)

Lot 2086 2087. FOUR WAX PORTRAIT BUST SILHOUETTES. 1st half 19th century, British and American. All portraits molded and painted. The first of George Washington in military uniform. The second of John Holme, (1722-1808) a Scottish clergyman, dramatist and author. Portrait rendered with greying wavy hair dressed in an olive frock coat. Identification label affixed to back of frame. The third of “Bonny Prince Charlie”, grandson of James II, King of England (1720-1788), proper name of Charles Edward Louis Philip Casimir Stuart. Rendered with curled long brown hair, a tartan sash over right shoulder and with a tied linen scarf. Identification label affixed to back of frame. The fourth a bust portrait of Scottish poet Robert Burns (1759-1796). Rendered with wavy brown hair and dressed in what appears to be green tartan cape or sash around his shoulders. All housed in period frames. SIZE: Sight: 1) 4-1/2” h x 3-1/2” w. 2) 4” h x 3” w. 3) 4-1/4” h x 3-1/3” w. 4) 4-1/2” h x 3-3/4” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: The first with tight crack along base of neck running from ear to scarf, now repaired. The second with tight shrinkage crack at back of neck. The third is very good overall. The fourth with horizontal tight shrinkage crack at base of throat, appears stable. All four in overall good condition. Each mounted on fiberboard backing. 52714-65 (1,200-1,800)

Lot 2087 2088.

CEREMONIAL DAGGER. 19th century, possibly theatrical or decorative dagger measuring 13” overall with 9-1/2” blade with rounded edge point. Sheath tip is from Civil War era, Civil War bayonet. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Brass pommel and “C” shaped cross-guard of light mustard patina. Blade is grey. Scabbard is missing throat and utilized heavily eroded brass circa 1860 Springfield bayonet tip. 52714189 (300-500)

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300

RUSSIAN PORCELAIN CABINET PLATE WITH INSCRIPTION ON VERSO. Plate decorated with gold & green borders with a center medallion. Inscription states “Plate...Czar Alexander of Russia Given me by Secretary of War Dickenson, Moscow, Oct. 1910”; Jacob M. Dickinson (1909–1911) served under President Taft. SIZE: 9-1/2” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Chip to rim, part of inscription lost. 52714-198 (200-400)

Lot 2089 2090.

ADMIRAL MORTON L. DEYO ARCHIVE INCLUDING HIS WWII ERA VISOR CAP, TWO-STAR ADMIRAL’S PENNANT, TWO 48-STAR FLAGS THOUGHT TO HAVE BEEN WITH DEYO WHEN COMMANDING THE U.S.S TUSCALOOSA DURING THE BOMBARDMENT OF NORMANDY ON D-DAY. The two American flags are both commercial. 1) Cotton, printed canton with 6 rows of 8 stars, 34” on hoist, 62” on fly. 2) Wool bunting, 55” on hoist with Sterling maker’s label, about 90” on fly, double appliqué machine sewn cotton stars. 3) Dress visor hat is labeled Vice Admiral internally which would date 1947 but construction is in style of WWII with wicker body. Interestingly there is an earlier visor with fewer acorns & oak leaves which may have been from WWII accompanying this lot. His pair of Vice Admiral 3-star shoulder boards are also included along with two lightweight midshipman’s caps in white and a blue one with Annapolis label, probably upon his graduation at Annapolis in 1911. 4) Rear Admiral’s pennant with two stars, 40” on hoist, 60” on fly. This would be flown from any vessel when the Admiral was on board such as Tuscaloosa during coordination of D-Day naval bombardment, of German positions on Omaha Beach ahead of Troops Landing. This may be the only identified Admiral’s flag with D-Day history. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Very good overall, still retains some tying cords to attached grommets, light fading & wear at fly with light reductions. 2) Very good, good colors, light mothing, several contemporary repairs, in sailor fashion with matching colored thread woven over holes. 3) Very good overall some staining on the mid midshipman caps. 4) Very good overall, some rust stains on grommets. 52714-207 (5,00010,000 Vice Admiral Morton Deyo

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close-up of Rear Admiral’s pennant

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Session 2

2089.

2091.

Session 2

HISTORIC LOT OF FOUR MASSIVE HAND DRAWN AND PAINTED PLANNING MAPS USED BY ADMIRAL MORTON L. DEYO ABOARD THE USS TUSCALOOSA WHO WAS IN CHARGE OF THE NAVAL BOMBARDMENT ON D-DAY JUNE 6, 1944. Four maps in this archive include: 1) an overview of the British and French coast in one map, 2) view of the French beach with Utah Beachhead squared off 3) large map showing that section with pasted label “UTAH BEACH 6 JUNE 1944”. Details of mines, buoys and ship positions as they approach the beach are noted. 4) The most highly detailed map shows position of beach “Tare Green” and beach Uncle Red” code names for two entry points on Utah Beach with exit positions shown going inland. What an important group of maps used on D-Day by the Admiral in charge of bombardment of German positions as British and American troops would start their invasion of France. What an important large display suitable for museum. SIZE: 1) 44” h x 55” 2. 2) 44” h x 28” w. 3) 40-1/2” h x 56-1/2” w. 4) 44” h x 56”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good to very good overall as mounted to cardboard for display. There is soiling, foxing, reductions where maps are hinged, light fading and missing portions of some added text. 52714-176 (800-1,200)

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302

WONDERFUL, HISTORIC WWII, MASSIVE SHIP’S LOG/SCRAPBOOK OF REAR ADMIRAL MORTON L. DEYO. This massive album measures 25” x 17-1/2” is mostly dis-bound between two boards with rope hinges. There are over 70 pages with many inserted photographs, maps, notes and miscellaneous ephemera. Pages consist of reused various US & German WWII military naval charts with hundreds of photographs tipped in, many with captions, some loose. Photographs of Deyo and other officers and men are part of archive. There is a list inset on two long pieces of paper listing of over 60 photographs obviously taken during battle. A few samples of list are as follows: Bombardment of Wake Island, October 5 & 6, Direct hit on Bougainville, November 8 & 9, Splash One Zeke during air attack off Philippines, September 21 & 22, 1944, Lot 2092 Bombardment of Iwo Jima, July 4 & 5, 1944, Aerial view of Okinawa, October 10, 1944, Houston survivors on USS Mobile October 14, 1944, Bombardment and seizure of Iwo Jima, February 18-22, 1945, Naval bombardment of invasion beaches, 0900-H-Hour, The first wave lands Iwo Jima, Shellholes and trenches on high ground overlooking the landing beaches. Military photographs are almost exclusively 8” x 10” and 5” x 7”’s and smallest format photographs are 4-1/2” x 3-1/2”. This is an interesting and unique album showing Deyo’s time upon the Santa Fe, 1944-1945 including photos of him at the surrender table at Sasebo. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Fair to good overall. Many pages show water staining and photographs are all tipped in with yellowing scotch tape. No doubt, however, quite an interesting archive of photographs that may have never been seen before. 52714-169 (1,000-2,000)

2093. REAR ADMIRAL MORTON L. DEYO PRESIDENTIAL COMMISSIONS AND NAVAL ACADEMY DIPLOMA. Morton L. Deyo (1887-1973) was a lifelong naval officer and from a family of military men, his wife being a direct descent of John Pine Decatur, Commodore Stephen Decatur’s brother. This grouping of 8 large vellum documents starts with the United States Naval Academy Midshipman appointment signed by USNA Superintendent and 12 professors, showing completion of studies June 2, 1911. Document has beautiful naval vignettes and gold embossed seal. Seven Presidential Commissions chronicle his promotions starting with Ensign (William Taft, March 28, 1912), Lieutenant JG (Woodrow Wilson, January 25, 1916), Lieutenant (Woodrow Wilson, July 20, 1918), Lieutenant Commander (Warren G. Harding, December 21, 1922), Commander (Herbert Hoover, June 21, 1932), Captain (Franklin Roosevelt, July 21, 1939), and ending with Rear Admiral (Harry S. Truman, December 9, 1947). SIZE: Commissions are about 15” x 19”, Taft a little smaller 14” x 18”. Naval Academy document 13-1/2” x 21-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Documents overall very good. Slight browning and staining on Howard Taft signed document as can be seen in photos. 52714-170 (1,000-2,000)

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Session 2

2092.

Session 2

2094. RARE AND IMPORTANT ADMIRAL MORTON L. DEYO CEDAR NAVAL STORAGE TRUNK. 2nd quarter 20th century Far East. Rectangular hinged lid opening to a storage interior, fitted with chrome plated carrying handles on a molded plinth. The lid with presentation plaque reading “REAR ADMIRAL MORTON L. DAYO UNITED STATES NAVY”. SIZE: 20-1/2” h x 41” l x 20” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally very good. Loss to finish with chafing, proper left front quadrant of lid. Lid interior with minor shrinkage split on inside panel. 52714-37 (500-700)

Lot 2094

2095.

ARCHIVE OF ITEMS FROM VICEADMIRAL MORTON L. DEYO. This small archive of items were from the office and desk of Vice-Admiral Morton L. Deyo (1887-1973). They include desk nameplate “Vice- Admiral/Morton L Deyo, a 1948 presentation metal submarine model from the Portsmouth Naval Yard employees, a wooden cannon model measuring 15” overall on carriage with his name painted which appears to date probably at the time of his graduation from the U S Naval Academy in 1911. There Lot 2095 is also a framed 9” x 6” photograph of Deyo in uniform at the Academy, presentation silver and crystal mounted ashtray inscribed with his retirement date “May 7, 1953”, a sterling silver napkin ring inscribed “to Deyo” with the names of the 22 naval vessels he was assigned up to WWII, starting with his first service on the battleship “USS Virgina” and ending with the “USS Tuscaloosa” from where Deyo commanded troops during landing operations on D-Day. Also included in archive is a naval signal flag, and a couple of calling cards. Also included is a King George VI signed Distinguished Service Order to Rear Admiral Deyo, signed November 20, 1944, framed photograph of Eisenhower and Deyo, and several items concerning the commissioning of the destroyers “USS Decatur” and the “USS Deyo”. Presentation Sheffield box containing about 40 bronze tokens commemorating the christening of the “USS Deyo” at Pascagoula, Mississippi in 1979 and three souvenir hats from the christening. A 50” x 60” banner “USS Deyo DD-989”. A destroyer tie clip marked 59 and a small round pin “USS Deyo DD-989”. Presentation box (6” h x 17” l x 7” d) with christening bottle for the christening of Deyo (DD-989) March 31, 1979. A 13” x 9-1/2” shield shaped plaque from the christening ceremony of the Deyo (DD-989). Accompanied by a folder concerning the christening ceremony of Deyo DD989 including photographs. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Overall, good to very good. 52714-172 (400-600)

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2097.

Session 2

2096. PAIR OF CASED JAPANESE NIGHT VISION BINOCULARS WITH STAND. The fitted wooden case with front plaque in Japanese. During WWII the Japanese had technology better than the US and that their night vision binoculars were far superior so whenever a ship was captured or a chance to acquire these they were always taken. These were acquired during the battle of Okinawa by Rear Admiral Morton Deyo. SIZE: Binoculars: 23” l. Case: 9” h x 19-1/2” w x 27” l. Non- folding tripod: 62” h x 18” w at top. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Appear to be intact, good. 52714-39 (500-1,000)

JAPANESE OFFICER’S SWORD GIVEN BY JAPANESE ADMIRAL SUGIYAMA TO REAR ADMIRAL MORTON L. DEYO, USN. Accompanying Japanese army officer mounted Katana (Samurai sword) along with vintage photograph of Admiral Deyo with Vice Admiral Sugiyama sitting at Lot 2096 table with other officers during the formal surrender of the Sasebo Naval Station while aboard the USS Santa Fe. There are several accompanying letters from Japanese sword experts translating the signature on tang “Province-Owari; Maker-MASATAKA”. There is no other provenance other than family history that the sword was obtained by Admiral Deyo at the Sasebo Surrender, September 21, 1945. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good to fine overall. Blade still exhibits most of its visible temper with old polishing and one small nick in cutting edge. Cutting edge of blade is 26-1/2” and sword is 38-1/2” overall including saya. 52714-173 (1,000-2,000)

Lot 2097 305

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Session 2

2098. IMPERIAL JAPANESE NAVAL DIRK. This was a souvenir from WWII of Vice-Admiral Morton L. Deyo. This is a traditional Japanese naval dirk with simulated ray skin grip, gilded brass mounts with traditional Sakura blossoms and thin tanto-style blade with fuller. 16” overall with 9” blade. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good to very good overall. Brass has been cleaned with traces of old gilt. Blade is fairly bright overall and quite sharp and appears possibly hand made though tang is unsigned. 52714-175 (300-500)

2099.

JOHN RAMSIER (American/Swiss, 1861-1936) MINIATURE PORTRAIT OF MARIA VERN GARNETT. The oval miniature portrait shows a young woman in white with shawl at shoulder, blue and cloud sky as background. Signed lower right “J. Ramsier”, housed in a locket type brass frame. SIZE: 3-1/2” x 2-3/4”. Overall: 4-1/2” x 3”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Some scratch losses in hair, otherwise good. 52714101 (500-1,000)

2100.

MISCELLANEOUS LOT OF EPHEMERA, SILVER, AND BRONZE Lot 2099 RELATING TO THE MAYO AND WISE FAMILIES. 1) A 16” x 21” presidential commission for Wyndham R. Mayo for collector of customs for the district of Norfolk and Portsmouth, in the state of Virginia. Dated 1886, July 31. Signed by Grover Cleveland. 2) A 9” x 7” gouache on board Confederate States of America painting of flags, inscribed on back “No nation rose so far and ___, none fell so free of ci_/ for my dear friend Leigh Robinson with love of H.G.” Research indicates that Leigh Robinson 1840-1922 was a confederate soldier and orator. 3) 17” x 12-1/2” three page section of a book concerning Henry Alexander Wise. 4) 28” x 24” printed broadside titled “Confederate Roster of the Family of Henry A. Wise” dated 1908. 5) Two 13” silver plated stuffing spoons by Mappin, each spoon having an ancestral crest of an arrow through heart on scroll. Tag indicates belonging to Wise family. 6) A crucifix with bronze figure and wood cross 13” x 6”. SIZE: As noted above PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Stains, vertical folds and loss to right hand margin. 2) Some water stains, generally good. 3) Water stains. 4) Some soiling, top 6” with tears. 5) Very good. 6) Good. 52714186 (200-400)

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2102.

VINCENT COLYER (American, 1825-1888) TRIPLE PORTRAIT OF THE DECATUR CHILDREN. Charcoal and pastel portrait of the heads of three Decatur children. The brown eyed girl in the center depicts Maria Susanna Decatur (1853-1897). The boy to her left is her twin brother Edward Philbrick Decatur, who died in 1864, the year after the portrait was made, and the brown eyed boy on the right is William Beverly Decatur (1855-1934), who later changed his name to Stephen. Signed and dated lower right “V. Colyer 1863”. Housed in a period giltwood frame under glass. SIZE: 19-1/2” x 27”. Overall: 24” x 31-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Vertical bands of discoloration, foxing and slightly faded. Not examined out of frame 52714-43 (1,200-1,800)

Session 2

2101.

Lot 2101

PORTRAIT OF COLONEL EDWARD A. CABELL ATTRIBUTED TO GEORGE COOKE. Oil on canvas portrait of a man seated in half view holding hand at side wearing a black coat, white vest and brown pants. A red curtain drape is on viewers right with shadow cast on back wall. Unsigned, attributed to George Cook (American, 17931849). Portrait circa 1820-1830. Housed in a fine giltwood molded frame. The stretcher bearing a typed label with sitters identity and biographical information including birth “Union Hill” Virginia and death at “Norwood” Nelson Co. VA. Also indicating “painted by brown”. Exhibited: Corcoran Gallery of Art, “Works of Art from Collections in the Washington Area” Washington, D.C., 1952 Note: Colonel Cabell (1797-1869) was born at Union Hill, Virginia and attended William and Mary College. He inherited a large estate in Amherst County from his father. He married Mary Rice Garland in 1823 and was a member of the House of Delegates from 1837-1840. He was appointed to a federal position in the General Land Office in 1841 by President Tyler and chief clerk by President Fillmore. In this role, he became close to then senator Abraham Lincoln. Edward and Mary Cabell had seven children: William, David, Patrick, Edward, Jane, Mayo (died as Lot 2102 infant) and Paul. The portrait is listed in the Smithsonian American Art Museum Art Inventories Catalogue as IAP82400064 with attribution to George Cooke. In 1970, Judith E. Webster, a Maryland Appraiser, examined the portrait and listed the work as “by George Cooke.” SIZE: 30” x 25-1/2”. Overall: 40” x 35”. PROVENANCE: Mrs. Henry S. Venn, Washington, DC; A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good restored condition, craquelure arrested by lining. 5271444 (4,000-6,000) 307

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Session 2 2103.

PORTRAITS OF ANN JENNINGS WISE PROBABLY BY THOMAS SULLY AND HER TWO CHILDREN MARY AND OBADIAH JENNINGS WISE BY JOHN GADSBY CHAPMAN. 1) Oil on canvas portrait of Ann Jennings Wise shows a young woman seated with open book in lap looking at viewer. She wears a white fur edged burgundy shawl and has a large vase of flowers behind her on a green material covered table. Housed in a period giltwood frame. Unsigned, probably by Thomas Sully. A brass plaque attached to stretcher as follows “Ann ELizabeth Jennings / Born Dec. 31, 1808 - Died May 4, 1837 / First wife of Henry A. Wise of Va. / Daughter of Rev. Obadiah Jennings / & his 2nd wife Ann Wilson”. 2) Oil on canvas portrait of Mary and Obadiah Jennings Wise, circa 1833, shows the two children seated on the floor with Mary dressed in a white dress and Obadiah seated in a brown outfit holding a cluster of grapes. Signed and dated lower right “JC 1833”, the artist is John Gadsby Chapman (American, 18081889). On verso of canvas is written “Mary E. Wise AE 4 Years. / Obedia J. Wise AE 2-1/2 Years / John G. Chapman pinx 1833 / belonging to John S. Wise.”. A brass plaque affixed to verso says “Mary ELizabeth Wise / and / Obadiah Jennings Wise / Children of Ann ELizabeth Jennings / and Henry A. Wise / painted by Chapman”. Note: Ann Elizabeth Jennings Wise (1808-1837) was the first wife of Virginia Governor Henry R. Wise, and daughter of the Reverend Obadiah Jennings. Tragically, in 1837, Anne and one of their children died in a fire, leaving Henry with four children: two sons and two daughters. The portrait of the two children was painted in 1833 and depicts their oldest daughter Mary, age 4 years and her brother Obadiah, age 2 ½ years. The portrait is listed in the Smithsonian American Art Museum Art Inventories Catalogue as IAP82400045 with no attribution. In 1970, Judith E. Webster, a Maryland Appraiser, examined the portrait and stated the portrait of Ann Jennings Wise was “probably by Thomas Sully”. SIZE: 1) 36” x 29”. Overall: 45” x 38”. 2) 30” x 25”. Overall: 39” x 33-3/4”. PROVENANCE: Mrs. Henry S. Venn, Washington, DC; Mrs. Ellen Garnett, Washington, D.C., A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Good restored condition, craquelure arrested by lining, several areas of touchup in background, edges, and face. 2) Significant cracking (appears to have been rolled) with losses and surface grime, old restoration. 52714-45 (5,000-7,000)

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308

Session 2 2104.

PORTRAITS OF REVEREND AND MRS. OBADIAH JENNINGS. 1) Oil on canvas half portrait shows a standing young man in front of an open book resting on a red cloth. Unsigned, possibly the work of Rembrandt Peale, circa 1830. Housed in a modern giltwood frame. 2) Portrait of Ann Wilson Jennings possibly by Thomas Sully or Rembrandt Peale. Unframed, unsigned, circa 1830. Oil on canvas half portrait shows a woman on lace edged black dress with fur lined stole. She wears a lace bonnet and she sits in a wood framed green upholstered armchair. On verso is a brass plaque “Ann Wilson / Born 1787 - Died 1841 / 2nd wife of Rev. Obadiah Jennings / (Daughter of James Wilson of Wye Mills, Maryland & Sally Stuart) Mother of Ann Elizabeth Jennings, Wife of Henry A Wise.” Note: The Reverend Obadiah Jennings (1778-1832) was pastor of the First Parish Church, Wye Mills, Maryland. His wife Ann Wilson Jennings (1787-1841) was his second wife and the mother of Ann Elizabeth Jennings, who married Virginia Governor Henry Wise. In 1970, Judith E. Webster, a Maryland Appraiser, examined the portraits and listed the portrait of Obadiah as “possibly by Rembrandt Peale” and the portrait of Mrs. Jennings as “probably by Thomas Sully”. Another attribution might be Gilbert Stuart. SIZE: 1) 36” x 28-1/2”. Overall: 41” x 34”. 2) 36” x 29”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Canvas laid down on panel, vertical restored tear from top to bottom in center, scattered restoration throughout. 2) Good restored condition, lined, flake losses along top upper right. 52714-205 (8,000-12,000)

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2105.

FABULOUS AND IMPORTANT ASSEMBLED BOSTON SIX PIECE COIN SILVER COFFEE AND TEA SET WITH WHIPPET FINIALS ALONG WITH AN EARLY SHEFFIELD DOUBLE HANDLED TRAY. Lot consists of 1) 9-1/2” high coffee pot by George B. Foster (Salem, MA 1838-1854), monogrammed with “C” on side and inscribed on bottom “From Mary to Ellen”. 2) 12” high (with handle) water kettle on stand with burner by Lincoln & Foss (Boston, MA circa 1850), monogrammed “ARP”. 3) 6” high teapot by Lincoln & Reed, monogrammed “ARP”. 4) 6” high creamer by Lincoln & Foss (Boston, MA 1835-1844), monogrammed “ARP”. 5) 5” high covered sugar by Lincoln & Reed, monogrammed “ARP”. 6) 2-3/4” high waste bowl by Lincoln & Reed, monogrammed “ARP”. The four covers each having a full figure of a whippet.

Session 2

Each piece in a plain design, marked on bottom “Lincoln & Reed Boston Pure Silver Coin”. Along with a 28” x 17-3/4” Sheffield silver plated tray having dolphin fish handles and gadrooned edge. The center engraved with a family crest surmounted by a whippet dog. Note: “ARP” monogram is for Abigail Rowell Philbrick, a 1981 appraisal and family lore indicates that this was made from prize money of Commodore Stephen Decatur who Abigail was the niece-in-law. Total weight: approximately 116 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally in very good condition, shows use with some minor dents and dings. Tray with worn through plating with wonderful patina, some minor dents. 52714-165 (5,000-10,000)

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Session 2 2106.

FIVE STERLING AND COIN SILVER CHILD’S HANDLED CUPS FROM THE DECATUR/PHILBRICK FAMILIES. 1) American sterling silver child’s cup engraved “Stephen Decatur Mayo” by Shreve, Crump & Low, Boston, Massachusetts, circa 1875. The handled cup having a decorative border to base, marked on bottom “Shreve, Crump & Low/ Boston / 123 / English Sterling”. 3-1/2” h. Stephen Decatur Mayo 1875-1935, sixth generation Decatur. Son of Maria Susanna Decatur and Windham Robertson Mayo. 2) American coin silver child’s cup engraved “Philbrick” by Lows, Ball & Company, Boston, Massachusetts, circa 1840. The slightly tapered round cup having a simple rim with scroll handle. Hallmarked on bottom “Lows, Ball & Company”. 3-3/4” h. The first Philbrick that entered the Decatur line was Anna Rowell Philbrick who married Commodore Stephen Decatur (18141891) of the fourth generation. 3) American coin silver child’s cup engraved with a script “EP” by Bailey, Kettell & Chapman, Boston, MA, circa 1854-1858. The tapered cup having a scroll handle, the bottom marked “Bailey, Kettell & Chapman coin Boston.” 4” h. Possibly Edward Philbrick Decatur 1853-1864, son of Commodore Stephen Decatur (1814-1891) of the fourth generation and Anna Rowell Philbrick. 4) American coin silver child’s cup engraved “E.P.D.” by Vincent Laforme, Boston, MA, Circa 1850. The slightly tapered cup having an s-scroll handle, marked on the bottom “V. Laforme coin Boston.” 3-1/4” h. Probably Edward Philbrick Decatur 1853-1864, son of Commodore Stephen Decatur (1814-1891) of the fourth generation and Anna Rowell Philbrick. 5) American sterling child’s cup engraved “M.M.D. October 1st 1921” by Watson Company, Attleboro, MA, circa 1921. Round cup having a shaped handle, the bottom marked with the Watson hallmark “sterling 2077”. 2-3/4” h. Maria Decatur Mayo Deyo (Lila) Garnett 1921-2017, daughter of Maria Ten Eyck Decatur Mayo 1882-1979 seventh generation Decatur and Vice Admiral Morton L. Deyo 1887-1973. Total weight approximately 20 troy oz. SIZE: As listed above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1)Dents and creases to body, otherwise good. Some remnants of gilt interior. 2) Small dents and creases, the handle with repair at intersection of body. 3) Some small dents and creases, otherwise very good. 4) Dents and creases to both handle and body. 5) Dents along bottom edge and body. 52714-136 (2,000-3,000)

311

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Session 2 2107.

SIX STERLING AND COIN SILVER CHILD’S HANDLED CUPS INCLUDING PEABODY, CABELL, AND GARNETT FAMILY INSCRIPTIONS. 1) Coin silver child’s cup engraved “James Harper Peabody FEBY 18, 1837”. Hallmarked on bottom “P” with bust of man, circa 1837. A note found in family appraisal indicated that a similar mug at the Metropolitan Museum “ref. Winterthur DACP. Probably the mark of John Pitkin 1803-1891, working in Hartford CT with branch in Vicksburg, Miss. The cup having an s-scroll handle with molded top and bottom rim. 3-1/2” h. James Harper Peabody 1837-1884. Son of George Frederick Peabody and Anna Harper. 2) American coin silver presentation Christmas cup engraved “Presented to Col. E.A. Cabell by a friend Christmas 1840”, also on base “M.G. from her great aunt M.G.V. May 7, 1952” by M.W. Galt & Bro, Washington, D.C., circa 1840. The tapered cup with eight sides having a decorative scroll handle, the inscription on the side surrounded by a floral border. The base hallmarked “M.W. Galt & Bro”. 4” h. Brief research indicates that there was an E.A. Cabell in Amherst County, VA. 3) American sterling silver child’s cup engraved “Maria Garnett from her great grandfather, Henry A. Wise. Sept. 2d 1875”, also engraved on base “F.H.P.G. Jr. from M.G.V. Sept 6, 1949” by Whiting Manufacturing Company. Plain round body with molded rims and shaped handle, marked on base with the Whiting trademark “sterling 143”. 3-1/2” h. Maria Garnett (Venn) born September 2, 1875, died April 25, 1960 married Henry Straith Venn, 1869–1908. Henry A. Wise (December 3, 1806–September 12, 1876) was an American lawyer and politician from Virginia. He was a U.S. Representative and 33rd Governor of Virginia, and US Minister to Brazil. During the American Civil War, he was a general in the Confederate States Army. He was the father of U.S. Representatives Richard Alsop Wise and John Sergeant Wise. 4) American coin silver child’s cup engraved “Jennings Wise Garnett” by Bailey & Co, Philadelphia, PA, Circa 1850. Round stepped cup with bead bottom and top rim having a scroll handle, the bottom marked “Bailey & Co.” 4” h. with various hallmarks. Henry Wise Garnett probably uncle of Maria Garnett and brother of Henry Wise Garnett. 5) American coin silver child’s cup engraved “JHP” by Gorham Company, Providence, RI, mid-19th century. Round cup with short foot and small bead decoration having a decorative handle, engraved body with leaves and scrolls. A shield surrounds the initials. Bottom marked “103 coin” and three hallmarks used by the Gorham Company. 3” h. 6) Sterling silver and mixed metal child’s cup with no identifying engraving by George W. Shiebler & Co., New York, NY. The shaped body hand hammered with repoussé flowers and leaves having one copper colored applied fly, a fancy c-shaped handle, gold washed interior, the bottom marked with the Shiebler winged S “Sterling 312”. 3-1/2” h. Total weight approximately 27 troy oz. SIZE: As listed above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (18871973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1) Dents and creases, otherwise good. 2) Generally very good, only small dings. 3) Some minor dings and creases, generally very good. 4) Handle with repairs at juncture to body with two splits at top of juncture, small dings and creases. 5) Handle with pushed in top area, small dents and creases to body. 6) One pencil point dent near base, otherwise very good. 52714-137 (1,000-1,500)

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2109.

THREE PIECES OF STERLING AND COIN SILVER TABLE WARES. 1) American coin silver oval footed tray with engraved initials “YMG” (probably Mayo family) by Gorham Company, Providence, RI, retailed by M.W. Galt Brothers, Washington, D.C. The oval tray having a decorative border with engraved interior ovals centered on the three letter initials. Raised on four decorative curved feet, the bottom marked with Gorham hallmarks, “coin, M.W. Galt & Bro.” 2) American coin silver round dish supported by three griffin feet by Gorham Company, Providence, RI. The dish having a bead edge and stepped interior, the bottom marked with Gorham hallmarks “coin 50”. 3) American sterling silver handled mug engraved “HMV” (probably Mayo family) by S. Kirk & Son, Co., 1896-1925. The shaped mug with footed base having as s-scroll handle, marked on bottom “S. Kirk Son Co 925 / 1000 138”. Total weight 31 troy oz. Lot 2109 SIZE: 1) 3/4” h x 10” w x 17” d. 2) 1-3/4” h, 6-1/2” dia. 3) 5” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1) Some light dings, otherwise very good. 2) Rim is slightly out of round, minor dings, otherwise good. 3) Small dent on side, otherwise good. 52714-140 (1,000-1,500)

Lot 2110

2110. INTERESTING 18th CENTURY AMERICAN COIN SILVER LOW TAZZA INITIALED “MW” WITH POSSIBLE WASHINGTON PROVENANCE. Family lore states that this piece belonged to Mary Ball Washington, George Washington’s mother. The stepped rim top plate joined to a tapering round base with flared foot. The underside of the plate deeply engraved “MW”. 4.8 troy oz. SIZE: 1-3/4” h x 5-1/3” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (18871973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Some light bends and dents, generally good. 52714-138 (500-1,000) 313

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Session 2

Lot 2108

2108. PAIR OF COIN SILVER AMERICAN BEAKERS BY R&W WILSON. Robert & William Wilson circa 1825-1846, Philadelphia, PA. The beakers having a central 2” flower and leaf repoussé band with a Greek key foot band and molded rim, the bottom hallmarked “R&W Wilson”. SIZE: 4” h x 3” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (17791820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. 8.6 troy oz. CONDITION: One beaker has minor denting, the other with minor denting and separation along top rim. 52714-134 (800-1,200)

2111.

Session 2

AMERICAN STERLING MUG AND PLATE WITH MARIA TEN EYCK DECATUR MAYO INSCRIPTION. 1) Handled mug inscribed “Maria Ten Eyck Decatur Mayo from her uncle Stephen Decatur October 14, 1882”. The cyllinder shaped mug with c-form handle has all over hammered finish by Shreve, Crump & Low. The bottom marked “Shreve, Crump & Low sterling 82” with company date mark 1883. 2) Small plate inscribed “U.S.S. Decatur Christened by Maria Ten Eyck Decatur Mayo Richmond VA. September 26th 1900” by Bixby Silver Company, Providence, RI, circa 1900. Round stepped plate with beaded edge, the bottom marked “B.S.C. Sterling 40”. Maria Ten Eyck Decatur Mayo 1882-1979, sixth generation Decatur and great Lot 2111 grand-niece of Commodore Stephen Decatur. The USS Decatur (DD-5) was a Bainbridge-class destroyer in the United States Navy. Total weight approximately 7 troy oz. SIZE: 3-1/2” h. 2) 5” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: 1) Very good. 2) Small dings and dents. 52714-163 (500-800)

Lot 2112 2113.

2112. CHINESE STERLING SILVER FIVE PIECE DRESSER SET. The unmarked set with hand hammered design with an applied Mayo family crest. Set consists of 11-1/” hand mirror, 8-1/2” brush, 7-1/4” clothes brush, 7-1/2” button hook, 7-1/2” comb. SIZE: As listed above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Very good, one small backside chip to glass of hand mirror, 52714-166 (300-500)

FABULOUS LOT OF MINIATURE SILVER ITEMS. The lot includes a tea set with teapot, sugar, creamer, handled platter, with six saucers and five cups, overall size 5” x 2-3/4”. Six 2” fiddle ended spoons, a 4” high functional spinning wheel, a 1-1/2” high ladderback side chair, a 2” high English armchair by Lister & Sons hallmarked Birmingham 1858, and a 3-1/2” ladies slipper by Gorham marked “B2124”. Total weight: approximately 6 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Lot 2113 Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: Very good. 52714-145 (800-1,200)

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Lot 2114 2115.

ENGLISH STERLING SILVER INK STAND. This piece, made from an oval tray/soup plate (London, 1794, maker’s mark “PP”), has two gadroon decorated side handles, three circular holders which have been affixed to the bottom of the platter, all supported by four ball-andclaw foot legs. There are two cut glass clear inkwells, each having a removable sterling silver top (London, 1808, Lot 2115 with blurred maker’s mark). The center holds a sterling silver handled chamberstick (London, maker’s mark “HBS?”) with removable bobeche and candle snuffer. Silver weight: 46 troy oz. SIZE: 4-1/2” h x 17” w with handle x 9-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine, descendant of Commodore Stephen Decatur (1779-1820), Captain John Pine Decatur (1786-1832), and Vice Admiral Morton Deyo (1887-1973). Also Descending from the Ten Eyke and Mayo Families. CONDITION: The piece is made up of differing parts, the tray having a repair to 1” of the border, the glass inkwells have small base chips, the candlestick has a dent to the bottom foot. 52714-133 (600-900)

Lot 2116

2116. 18 PIECES OF AMERICAN COIN SILVER FLATWARE. The lot includes a 12” coin silver cake server with rectangular blade and a three sided rim made by Foss and Hunnewell, Boston, MA, 1835-1885. The handle engraved “A.P. Decatur” likely for Anna Rowell Philbrick Decatur, wife of Stephen Decatur, third generation Decatur, (nephew and godson of Commodore Stephen Decatur). Eleven matching 6” teaspoons, each spoon engraved “M. Deyo”. A 12” soup ladle by Philip B. Sadtler & Sons, Baltimore, MD 1837-1872, the ladle with a cut design and monogrammed “MSD” (Either Mrs. Maria S. Decatur wife of Colonel John Pine Decatur, third generation Decatur or their daughter Miss. Maria Susanna Decatur, fourth generation Decatur. A 9” spoon by John Burger, NY, NY, the spoon engraved “D.M.”, nice touch mark “Burger” with eagle head, 18th century. Pair of 8-1/4” spoons engraved “C” on handles by Williams & Victor, Lynchburg VA. 1814-1845 ( Jehu Wiliam Sr. & John Victor). 8” sugar sifter by Jones, Lows, & Ball, Boston, MA circa 1839. 6-1/2” sugar spoon monogrammed “JFW”. Total weight: 19 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good, cake server with bend and dents in blade and rim 52714-144, 52714200 (400-600) 315

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Session 2

2114. TWELVE STERLING CHINESE EXPORT FORKS AND SPOONS IN THE “BENJAMIN FRANKLIN” PATTERN. Heavy flatware having pseudo English marks. Family tags indicate that these were a Philbrick family item. Total weight: approximately 58 troy oz. SIZE: 7” forks, 7-1/2” spoons. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good, shows some wear. 52714-202 (800-1,200)

2117.

Session 2

43 PIECES OF COIN SILVER FLATWARE. Lot includes: 25 piece set of similar pattern coin silver forks and spoons by Ball, Tompkins & Black and S.Y. & Co, all marked “Jennings”. 18 pieces similar pattern coin silver spoons and forks by Lows, Ball & Company, initialed “P”. Along with a 8-1/2” English spoon. Total weight: approximately 61 troy oz. SIZE: 5-3/4” to 8”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Show use and wear. 52714-201 (500-1,000)

Lot 2117 2118.

LOT OF 52 PIECES OF COIN AND STERLING SILVER FLATWARE. The lot includes six 5” sterling ice cream forks by Whiting Manufacturing Company in the “Lilly” pattern, monogrammed. Six 5-1/2” sterling fruit/orange spoons by Durgin in the “Heraldic” pattern, all inscribed “JFW Deyo”. Six 4-1/2” sterling coffee? spoons by Dominick & Haff in the “New King” pattern with gold washed bowls, monogrammed. Six 5-1/2” sterling spoons by Gorham in the “Norfolk” pattern with Gold washed bowls, monogrammed “D”. Set of ten 5-1/2” hors d’oeuvre forks by the Whiting Manufacturing Company in a spiral pattern, monogrammed “D”. Six 4” demitasse spoons, possibly by Gorham, with fancy figural handles, monogrammed “D”. Twelve 7-1/2” coin silver hollow handled knives, unknown maker, no monogram. Total weight Lot 2118 without knives: 19 troy oz. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Coin silver knives with dents and one knife bent. 52714-150 (600-900)

2119. OUTSTANDING PAIR OF LARGE ENGLISH CUT CLEAR GLASS HURRICANE SHADES. First half 19th century. Having cut decoration of star and leaf swags with a double ovals chain neck. SIZE: 20-3/4” h, 6-3/4” dia. at small end and 8-1/4” dia. at large end. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very good. 52714-63 (800-1,200)

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316

Lot 2120 2121.

MASSACHUSETTS QUEEN ANNE MAHOGANY TILT-TOP TEA TABLE. Third quarter 18th century, probably Salem, MA. The serpentine top with rounded edge hinged and joined above the urn-turned standard raised on tripod cabriole leg base terminating in ribbed pad feet. SIZE: 28” h x 35” w x 36” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Table has been refinished. Top with full length split has been reglued and now stable. Some wood filler visible along underside of crack. The split was stabilized with corrugated metal fasteners visible from underside only. Each table leg has been reinforced with galvanized metal brace contoured to the underside of each leg. Two legs have been broken and repaired at curve of ankle, both now stable. 52714-11 (2,0002,500)

Lot 2121 317

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Session 2

2120. FINE FEDERAL PATRIOTIC GOLD GILT AND CARVED LOOKING GLASS WITH ÉGLOMISÉ PANEL. First quarter 19th century, American. The rectangular mirror plate beneath an églomisé panel, decorated with a version of the Great Seal of the United States, a banner in the eagle’s beak, clutching a shield and cluster of arrows above crossed bows of holly. The stepped molded cornice above a row of gilt acorn pendant finials. The frieze with molded acanthus leaf and guilloche carvings, a central drapery suspended from acorn finials in the apron, flanked by classical masks, further flanked by floral rosettes. Supported by pairs of engaged spiral twist columns with acanthus leaf capitols and spool-turned bases. SIZE: 46-1/2” h x 26-1/2” w. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Mirror plate and églomisé panel original, gilt surfaces original with some minor professional touch-up. Surfaces dry and crusty, most notably at top and bottom of mirror frame. Églomisé panel with paint loss and flaking, primarily in background, otherwise good. 52714-49 (1,500-2,500)

Session 2 2122.

Lot 2122

FINE AND RARE FEDERAL BRASS SERPENTINE FIRE FENDER. First quarter 19th century, New England. This pierced example with pronounced serpentine front features three displayed eagles depicting an interpretation of the Great Seal of the United States. SIZE: 6” h x 48” l x 20” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Normal and expected deterioration to ash tray, otherwise with normal and expected discolor and abrasion from typical usage. Very good condition overall. 52714-22 (500-800)

2123. FINE CHIPPENDALE MAHOGANY WING CHAIR. Third quarter 18th century, probably Massachusetts. The rectangular back with arched crest rail joined to pronounced ogival wings continuing to outscrolled arms, incurved supports centering trapezoidal seat frame, fitted with cushion. Raised on chamfered square frontal legs and chamfered backswept rear legs all joined by a recessed box stretcher. SIZE: 45-1/2” h (back), 15” h (seat) x 37” w (overall) x 34” deep (overall). PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Structurally sound with tight frame. Proper right and center stretcher replaced. 52714-7 (3,000-5,000)

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318

TWO HAND HOOKED RUGS. Early 20th century New England. 1) Geometric pattern rug comprised of squares within squares, solids and striped polychrome designs. 2) Vibrant polychrome floral rug depicting floral springs within an oval within a chocolate brown demilune within fruit and floral spandrels. SIZE: 1) 4’ 4” x 9’ 2”. 2) 4’ 5” x 5’ 9”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Overall good, one faded and slight stained corner. 2) Areas of spotting and light staining, colors otherwise remain vibrant. Even wear overall with soiling. 52714-104 (800-1,200)

Session 2

2124.

Lot 2124

2125. GROUP OF TWO HOOKED RUGS. Early 20th century New England. 1) Floral example depicting floral sprays and tendrils on a burnt gold ground backed on canvas. 2) A pictorial rug of recumbent lions. A vibrant example of female lion with her cub within a floral landscape within a red and black striped border. SIZE: 1) 2’ 6” x 3’ 10”. 2) 2’ 9” x 5’ 3”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Both rugs exhibiting normal and expected in-use wear, slightly matted down. 52714105 (800-1,200)

Lot 2125 319

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2126.

Session 2

FINE DUNLAP SCHOOL QUEEN ANNE MAPLE CHEST ON CHEST. Second half 18th century, New Hampshire. In two parts, the upper case with cove molded crest fitted with five graduated long drawers with thumbmolded edges mounted to the lower case with mid-molding. The lower case with an unusual arrangement of a deep drawer with simulated double drawer front above a second long drawer raised on pronounced short yet bandy cabriole legs with shaped returns terminating in spoon feet centering a pronounced scalloped and shaped frontal apron with four typical Dunlap “scrolls” at the center. The case fitted with original circular stamped brasses and matching escutcheons. One escutcheon absent. SIZE: 80” h x 42” w (overall), 36-3/4” w (case) x 20-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: The chest with normal and expected wear and abrasions, surface regularly cleaned over extended periods of time resulting in lighter-than-expected color and absence of optimal patina. Surface retains a pleasing color. Backboards, molding, legs, and returns all appear original. Very good overall. 52714-25 (7,0009,000)

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320

Lot 2127

2128.

HEPPLEWHITE WALNUT CHEST OF DRAWERS. First half 19th century, probably Virginia. The rectangular top with molded edge above the conforming case, fitted with four graduated long drawers with thumb molded edges, raised on outswept delicate French feet with shaped and scalloped undulating apron. SIZE: 34” h x 31-1/2” w (29-3/4 case) x 21-1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Chest remains structurally original, minor chip losses to feet, stable seam shrinkage cracks on case sides, oval brasses are of period but later additions to this chest. Good color and patina, yellow pine secondary to drawers. Top with light to moderate staining proper left front corner. 52714-18 (8001,200)

Lot 2128

Lot 2129

2129. GEORGIAN MAHOGANY TRIPLE TEA CADDY. Second half 18th century, England. The hinged rectangular top with concave molded edge fitted with a brass bail, opening to interior fitted with three aligned tin caddies with lids; the interior of lid and box with baise lining. The caddy with fine figural mahogany veneers. SIZE: 6-3/8” h x 10-3/4” w x 6” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Old repairs to veneer at top of lid. With two small areas of missing veneers, long absent. Front of caddy with marks from removal of adhesive tape, can be polished out. Otherwise good. Old surface with rich coffee-brown patina. 52714-125 (400-600)

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Session 2

2127. CHIPPENDALE CHERRY CHEST OF DRAWERS. Third quarter 18th century, Virginia or Mid-Atlantic region. The rectangular top with applied, molded edge above the conforming case with inset reeded quarter columns centering four graduated long drawers with cockbeaded edges on a molded base, raised on pronounced ogee bracket feet with scalloped returns. The chest fitted with oval brasses of the period, however not original to the chest. SIZE: 331/2” h x 36-1/2” w x 22” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Clean surface overall with light honey-brown color, old shrinkage cracks along seams at top and case sides. Feet appear original. Rear support proper left rear leg replaced. Structurally very good, some repairs to drawer guides, one minor repair to proper left side of drawer divider between top and second drawer. 52714-17 (800-1,200)

Session 2

2130.

NEOCLASSICAL BRASS SINUMBRA LAMP. Second half 19th century, Northeast USA. This nice example with original cut and etched shade and nearly full complement of prisms has been electrified and drilled for electrical cord and switch. Fluid reservoir intact, burner absent. SIZE: 27” h x 12” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Shade with no scratches, nicks, fleabites, or other imperfections. As noted, some prisms missing, and a few with chips. Overall good condition. 52714-121 (400-600)

2131.

SPECIAL ULSTER COUNTY, NEW YORK JANUARY 4, 1800 GAZETTE PUBLISHED WITH BLACK BORDERS MOURNING DEATH OF GEORGE WASHINGTON, ACCOMPANIED BY 18th CENTURY MAP OF LAKE GENEVA. Four sheet paper measures 24” x 17-1/2” with various memorials to Washington along with general news of the day. Undated map measures Lot 2130 20” x 16-1/4” plus borders. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Newspaper has several reductions and cracks at folds as can be seen in photographs, but is overall sound and displayable. Map has numerous tears at folds and edges with soiling, staining with minor reductions to printed image. 52714-187 (300-500)

Lot 2131 (partial lot)

2132.

WILLIAM & MARY INLAID AND FIGURED WALNUT CHEST ON FRAME. First half 18th century England. In two parts, the dovetailed upper case with molded cornice fitted with a pair of short drawers above three graduated long drawers, all with thumb molded edges. The figural burr walnut panels with contrasting arrow-form crossbanding, fitted to the lower case, with cove molded mid-moldings. The base with a pair of aligned drawers on five spiral twist supports joined by concave dividers and raised on turned feet of later vintage. The etched brasses and escutcheons of the period but not original to this chest. Moldings and backboards of upper case original. SIZE: 58” h x 39” w (overall), 35-1/2” w (case) x 21” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Minor and cosmetic old restorations throughout, notably to moldings and veneers. Structurally good overall with mellow color and patina. 52714-19 (1,500-2,500)

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322

Lot 2133 2134.

TEAK DOME TOP INLAID STORAGE TRUNK. Second half 19th century, Middle East. The rectangular dome top opening to an interior fitted with a lidded storage compartment, raised on a molded base with shaped bracket feet. The whole inlaid with bone and mother of pearl in a floral motif. SIZE: 20” h x 26-1/4” w x 15” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Top with restoration to front panel of lid. Surface is old and with moderate abrasion and soiling commensurate with age. Lock Lot 2134 absent. Old shrinkage split on lid now stabilized. 52714-33 (300-500) ESA

2135. CLASSICAL FIGURAL MAHOGANY DROP-LEAF SEWING TABLE. Second quarter 19th century Massachusetts. The rectangular top with D-form hinged leaves above the conforming case of two long drawers over a barrel-form storage drawer raised on ring turned cylindrical legs joined to a shelf with incurved sides above ring-turned suppressed ball feet on casters. SIZE: 29-1/2” h x 19” w closed/36” w open x 17-1/4” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Work table retains original surface, structurally good, barrel drawer intact and original. Old veneer losses to areas of lower shelf. Proper left front leg with loss to section of cuff beneath foot. 52714-5 (800-1,200)

Lot 2135 323

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Session 2

2133. RENAISSANCE CARVED OAK COFFER. Early 18th century, Mediterranean region. The rectangular hinged lid on original iron hinges, the lid of quartersawn oak opening to a storage well fitted with till. The case with paneled ends, the front with pair of aligned panels carved in low relief with stylized scrolling flowering shrubs with a crenelated carved border. The chest on a molded plinth, the front with canted, scrolling apron flanked by protruding shaped supports. SIZE: 24” h x 39” w x 23” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Chest retains original fumed oak surface, blackened by age. Hinges need reattaching and straightening, some losses to scalloped front apron with normal and accepted abrasions and wear. 5271423 (400-600)

2136.

Session 2

GROUP OF SIX HOOKED RUGS. Early 20th century New England. 1) Rug depicting clusters of fruit on a cream ground. 2) Rug of a grey hulled sailing ship. 3) Wrought with a central floral spray within a leafy border of orange and browns. 4) Floral rug, large floral spray within a pale blue and pale pink cartouche on a blue-grey ground with foliate corners. 5) Floral mat on a charcoal grey ground. 6) Welcome mat of a sailing ship within a floral border. SIZE: 1) Approx: 4’ 10” x 4’4”. 2) 2’ 6” x 4’2”. 3) 1’ 11” x 4’ 3”. 4) 1’ 10” x 3”. 5) 1’ 8” Lot 2136 x 2’ 7”. 6) 2’ 8” x 3’ 3”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Faded with some matting. 2) Poor. 3) Deterioration at the ends. 4) General wear and soiling. 5) Multiple small holes and matted down. 6) Multiple holes and pulls, fair overall. 52714-106 (400-600)

Lot 2137

2138.

2137. TWO SAILBOAT HALF MODELS AND FOUR FRAMED FLOWER PRINTS. 1) Half model signed F. Lewis of a two mast sailboat with white wood sails and brown and white hull. It is mounted to a stained hardwood board surrounded by a rope border. 2) Half model of a one mast sloop with painted wood sails and natural finish hull. On the reverse is a business card of Bob Johnson of the Deep 6 Model Shop, Marblehead, Mass. Mounted to a turquoise blue painted board. 3) Set of four framed P.J. Redoute prints by Mourlot Lithographers, plate II, X, VII, XII. SIZE: 1) 12” x 19”. 2) 16-1/4” x 11”. 3) Overall 16-3/4” x 14-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Very good.2) One sail repaired, dirty or toned varnish. 3) Prints are toned, otherwise good. Not examined out of frames. 52714-60 (200-400)

TWO SQUARE BACK FEDERAL ARMCHAIRS TOGETHER WITH A BOSTON FANCY CHAIR. First half 19th century, Massachusetts and Mid-Atlantic region. The two square back chairs with tapering classical revival splats within the molded frame continuing to shaped arms on incurved supports, each with trapezoidal seats now covered in floral needlework. Raised on square tapered frontal legs and backswept rear legs, each joined by a recessed box stretcher. The Boston armchair with various neoclassical elements including rope-twist crest rail and medial rail centering a carved slat with scrolled ends and central brass stamped floral roundel flanked by rolled arms on baluster-turned Lot 2138 supports centering a trapezoidal cane seat raised on sabre legs. SIZE: height of back from 32 to 36-1/2”, height of seat from 16-1/2” to 17-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Each chair with early, if not original, surface with undisturbed patina. The square back chairs with multiple repairs to legs at frame and at stretchers. Restoration to both arms of square back chair with slip seat frame. Fancy chair with later cane seat and with minor strengthening repairs to front legs at seat frame. 52714-13 (800-1,200)

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324

Lot 2139 2140.

TWO SHERATON MAHOGANY TILT TOP CANDLESTANDS. Second quarter 19th century, New York and New England. The first with single board figural top with molded edge and inset corners, hinged and tilting on a double vasiform ring-turned pedestal raised on a spider leg tripod base. The second with a round mahogany gallery top with reeded edge, hinged and tilting on a ring-turned urn form support raised on a spider leg tripod base with reeded edge terminating in ball feet. SIZE: (1) 28” h x 20” w x 22” d. (2) 28” h x 22” dia. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: The first table retains original surface with dark color and undisturbed patina, chips to elements of pedestal base, and repair to support block of pedestal. The second with original surface and with moderate soiling to Lot 2140 top, 1” loss to reeded gallery edge at mid-point, one leg broken at juncture to standard, reattached and reinforced with screw now stable, and a small rectangular patch to underside of top. 52714-6 (1,200-1,800)

Lot 2141

2141. EXCAVATED STONE EGYPTIAN HEAD OF A KING. Characteristic of the Ptolemaic Period, late in pharaonic history. The classic head in weathered stone with a Nemes style headdress. It appears that there may have been something at the top front portion of the headdress, probably a uraeus cobra at the front with its two small coils over his forehead. A black wood plinth has been fashioned to receive the head for display purposes. Accompanying the piece are eight early photographs, many of which show Charles Dalton (husband of Ruth Deyo) holding the piece. There is an inventory number on the side “B9476 / 500”. It comes in its original carrying crate stamped “Property of Ruth and Charles Dalton.” Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: 12” h x 11” at widest. With stand: 13-1/2” h x 10” w x 7” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Facial features, shoulder & back of head have chips & losses, some of the features have an overlay of plaster with reddish paint indicating potential later rework. 52714-41 (1,500-2,500) 325

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Session 2

2139. SHERATON MAHOGANY CARD TABLE. Second quarter 19th century, New York. The rectangular hinged top with bow front and elliptic ends hinged above the conforming frieze, all inlaid with figural panels raised on five tapered, reeded cylindrical legs with elongated turnip feet. SIZE: 28-1/2” h x 36” w x 18” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Both tops with old repairs along seams professionally spliced, filled, and repolished. Restoration to front legs at apron. All five legs ended out. Table retains good color and patina. 52714-29 (600-900)

Session 2 Lot 2142 2143.

2142. E GYPTIAN FAIENCE FIGURE IN THE FORM OF A CAT. Late period, after 700 B.C. but a genuine piece of antiquity. The cat is seen seated with head up. Accompanied by a wood and acrylic display case. Egyptian forms representing animals were attributed to a deity, the cat ascribed to Bast (the Goddess of warfare). Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: 5” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good, evidence of excavation. 52714-156 (1,000-1,500)

STAMPED GOLD AND AGATE RING ALONG WITH A BLUE GLAZED RING. 1) The ribbed gold band having a central hammered section holding a small polished multi colored agate stone. 2) The small pottery ting in blue glaze with what appears to be a small stylized bird impressed. Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled Lot 2143 to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: 1) 3/4” x 3/4”. 2) 1” w x 3/4” h. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: 1) Bent, completely intact. 2) Good. 52714-209 (500-1,000) 2144. L OT OF EXCAVATED GLAZED POTTERY INCLUDING SCARABS, AMULETS AND METAL PIECE. Three large scarabs with wings, three small scarabs, two amulets, and a light colored scarab. Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: Larges: 4-3/4” across x 2”. Smallest: 1/2” x 1/4”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: As excavated, generally intact. 52714-155 (500-1,000)

Lot 2144 2145.

TWO EGYPTIAN DECORATED BEAD SASHES. The elongated blue stick beads separated by a small white or blue bead. Solid bead border. Note: Ruth Lynda Deyo (18841960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that Lot 2145 time. Accompanying her on these trips was her husband Charles Dalton. SIZE: 27” l and 24”l. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good. 52714-213 (500-1,000)

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326

OUR EGYPTIAN BLUE GLAZED BEAD COLLARS. Of similar F form, all blue glazed long elongated beads. Note: Ruth Lynda Deyo (18841960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: 12”, 13”, 14” and 15”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Some thread breakage, good. 52714-212 (500-1,000)

Lot 2146 2147.

2148.

FOUR EGYPTIAN NECKLACES. All metal linked having blue glazed pottery stick beads along with orange colored round and tube beads. Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: 16”, 22”, 23” and 24”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good. 52714-210 (500-1,000)

Lot 2147

FOUR EGYPTIAN BEAD NECKLACES. The lot consists of a 40” large bead necklace comprised of pottery glazed round beads, a 16” necklace with small blue glazed beads with nine small glazed figures, a 20” necklace with 12 small blue glazed scarabs, and a 48” double strand with 18 large connecting beads. Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920s she traveled to Egypt where she performed frequently, composing Lot 2148 and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: As noted above. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Good. 52714-211 (500-1,000) 2149.

1 6 SINGLE STRAND NECKLACES AND MISCELLANEOUS PARTS ALONG WITH A MODERN NECKLACE. All elongated blue beads separated by a white washer type bead. Note: Ruth Lynda Deyo (1884-1960) was a successful concert pianist and traveled extensively during her career. In the 1920’s she traveled to Egypt where she performed frequently, composing and working as a pioneering ethnomusicologist and became something of an Egyptologist, something quite unusual for a woman at that time. Accompanying her on these trips was her husband Charles Dalton. SIZE: Sizes vary. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Generally good. 52714214 (500-1,000)

Lot 2149 327

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Session 2

2146.

Session 2

2150. RARE 44-STAR MEDALLION AMERICAN FLAG COMMEMORATING THE STATE OF WYOMING, 1891. Printed cotton. Canton is a triple wreath of concentric stars with a single star found in each quadrant. This is not a commonly found flag, and it is actually quite scarce in this configuration as most 44s are found with conventional rows of stars. SIZE: 23-1/2” X 31”. CONDITION: Flag unfinished at both longitudinal ends. Areas of minor weakness or loss most notably along fold lines in lower two white bars and first white bar from top. Light staining and minimal foxing most notable in white bars. Otherwise very good. Colors remain strong. 53030-1 (2,000-3,000)

Lot 2150 2151.

LOT OF SIX LARGE FRAMED CIVIL WAR SOLDIER PHOTOGRAPHS, ALL WITH WEAPONS. 1) Large format tintype 7” x 5” mounted with oval mat, ID’d on verso “Lucius C. Cole / Company G, 184th New York, died July 16, 1914, buried at Daysville”. Archive records show Lucien C. Cole, Company G 184th NY being promoted to Corporal September 16, 1864. Cole is holding an early model 1853 Enfield musket with bayonet, and wearing US belt with eagle breastplate clearly showing on his cross belt and a Colt pistol in his belt. 2) Full plate tintype with about 8-1/4” x 6-1/4” exposed of unknown, possibly Confederate soldier, holding a Whitney revolver across his breast and wearing a fancy dress Lot 2151 Bowie knife in his belt. 3) Full plate tintype of US infantryman with Springfield musket, cartridge box, cap box, belt and cross-belt holding what appears to be a Colt Model 1862 police revolver. Backing in frame has a large albumin photograph of “Great Aunt Polly Webber, Sister of Grandpa Nathaniel Webber”. Archive records show a Pvt. Nathaniel Webber enlisted October 1, 1861 into Company C, 77th Ohio Infantry and died of disease April 15, 1862 and is buried at the Shiloh National Battlefield Cemetery. 4) Large format tinted 7-1/2” x 5” tintype of full standing infantryman with Springfield musket with bayonet wearing Hardee hat with infantry horn and company letter “E”, still wearing his backpack, 9-button frock, cartridge box, belt and over the shoulder strap. 5) Full plate tintype of seated soldier holding Springfield musket with American flag flying in painted background. 6) Full plate tintype of seated cavalryman brandishing cavalry saber and Colt in his belt. Hardee hat at his side has crossed saber insignia. Soldier is wearing a cavalry shell jacket. CONDITION: Good to very good overall, though there are several scrapes and scratches to emulsion on image #3. All six images have been framed, several contemporarily that were not removed to check for any possible IDs. 52875-16 (3,000-5,000)

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328

Lot 2152

2153.

TWO FINE CIVIL WAR IMAGES OF CONFEDERATE AND UNION SOLDIERS WITH BOWIE KNIVES. 1) Crisp sixth plate ambrotype of seated Confederate about to go to war with a large classic D-Guard bowie knife still wearing his civilian garb, housed in tri-fold patent case. 2) Ninth plate tintype of Union soldier holding large bowie and pistol in either hand, housed in fine hard rubber case. SIZE: As noted above CONDITION: Both images are very good-fine overall. 52875-25 (3,000-4,000)

Lot 2153 329

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Session 2

2152. MEXICAN WAR ERA QUARTERPLATE DAGUERREOTYPE OF CRYSTAL CLEAR OFFICER WITH EAGLE HEAD SWORD. This fine circa 1850 image has amazing contrast showing very sharp details of this officerâ&#x20AC;&#x2122;s face. Every fold of skin in his face is seen as the details of the fabric his chapeau rests with the detailed eagle cockade and plume. His sash is tinted red and his uniform braid, epaulets and sword are gilded. A really stunning image and among the best of its day. CONDITION: Fine overall. Casing scuffed externally. 52875-21 (3,000-5,000)

Session 2

2154. TWO RARE IDENTIFIED CONFEDERATE QUARTERPLATE IMAGES. 1) Quarter-plate ambrotype of Arthur Cummings, Colonel, 33rd Virginia Stonewall Brigade. Cummings previously served as an officer in the Mexican War and was Brevetted Major for gallantry. In this image, he is wearing a pair of black straps which appear to have Colonel eagles, while holding a saber and 2-piece saber belt which is tinted. 2) Quarter-plate tintype of full standing Confederate soldier purported to be Lyle Corbett, 1839-1862, brother of Samuel Corbett 3rd Mississippi Volunteers, CSA. Corbett is holding musket with bayonet wearing war shirt and slouch hat. CONDITION: 1) Good to very good overall with some staining on emulsion and portion of black paint missing on back of image plate. 2) Very good overall with some scuffing at perimeters of emulsion. 52875-20 (3,0005,000)

Lot 2154 2155.

GROUP OF FIVE EXCEPTIONAL CIVIL WAR HARD IMAGES OF UNION SOLDIERS BRANDISHING REVOLVERS. 1) Incredible 1/6-plate ambrotype of a very young cavalryman holding two crystal clear New Model Remington Army revolvers across his chest. Young soldier is also wearing regulation cavalry shell jacket and a dapper piece of headgear. Housed in fine patriotic hard rubber Union case. 2) 1/6-plate ambrotype of cavalryman with his saber and Colt Model 1860 Army held across his chest. 3) 1/6-plate tintype of cavalryman wearing shell jacket, cavalry saber, eagle buckle and Colt Model 1860 Army clearly exposed in his belt. 4) 1/9-plate tintype of enlisted man wearing veteran Reserve Corps shell jacket with “US” buckle holding a Model 1849 6” Colt Pocket across his chest. Patriotic mats and patriotic hard rubber case. 5) Sixth Lot 2155 plate of Union sergeant wearing shell jacket, sword belt, displaying his saber and Colt revolver. CONDITION: 1) Very good to fine, minor cosmetic defects around edges of emulsion. 2) Most of image area is very good, though oxidized in an oval as you approach mat. 3) Very good overall. 4) Very good overall. Patriotic mat has bends. 5) Very good overall. 52875-22 (3,000-5,000)

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330

Session 2 2156.

EXCEPTIONAL LOT OF 10 FINE CIVIL WAR HARD IMAGES. 1) Extremely crisp quarter plate ambrotype of the young union cavalryman holding his saber and scabbard, tinted shell jacket, cavalry insignia on his kepi, with a Smith & Wesson pistol in his saber belt, housed in a fine patriotic hard rubber Union case. 2) Quarter plate crisp tintype of seated Union soldier wearing US belt, enlisted frock, stylish hat and holding a small book, possibly a Bible. Could this be a company chaplain? Regardless this is a well posed image of a dignified bearded soldier in a fine decorated hard rubber case. 3) Crisp sixth plate ambrotype of possibly a Confederate soldier with double breasted light colored frock and trousers, with bow tie, holding cavalry saber, clear eagle sword belt buckle, and revolver in belt. 4) Crisp sixth plate ambrotype of artilleryman, possibly Confederate holding cavalry saber, artillery insignia on his kepi, eagle sword belt plate. 5) Crystal-clear six plate ruby ambrotype of enlisted infantryman in the 47th Regiment. He is wearing a regulation enlisted frock coat with kepi with â&#x20AC;&#x153;47â&#x20AC;?, housed in fine patriotic hard rubber union case. 6) Six plate tintype of enlisted US infantryman holding saber bayonet, wearing frock coat with all his gear with clear eagle breastplate and US buckle, housed in fine patriotic hard rubber Union case. 7) Sixth plate tintype of rugged bearded cavalryman holding his saber across his chest with Colt Army revolver in his belt, slouch hat and crisp detail. 8-9) Unusual double ninth plate hard rubber patriotic Union case holding an elegant young Lieut. on one side and an apparent union infantry officer on the other side with wounded bandaged arm in a sling. 10) Especially sharp sixth plate tintype of full standing infantryman wearing enlisted frock coat and kepi, patriotic mats, and housed in hard rubber patriotic case with vignette of the monitor SIZE: As noted above. CONDITION: 1) Fine overall. 2) Fine overall. 3) Very good to fine, minor spackling and top of emulsion and image overall a little light. 4) Fine overall. 5) Fine overall. 6) Very good to fine, some staining scattered in emulsion. 7) Very good to fine. 8) Fine. 9) Spotting to emulsion, halo around mat. 10) Fine overall. 52875-28 (4,000-6,000) 331

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Session 2 2157.

LOT OF SIX ESPECIALLY CRISP ARMED CIVIL WAR HARD IMAGES OF UNION SOLDIERS. 1) 1/6-plate tintype of an NCO holding sword and American flag with a grand luminary canton American flag. Image has indiscernible name “Werner Joseph Er...” and “21 1/62”. 2) Large CDV size tintype, about 3-1/4” x 2-1/2” of seated 2nd Lieutenant holding a fancy officer’s sword that has been gilded and jeweled. Housed in fine hard rubber Union case. 3) 1/6-plate tinted tintype. Young recruit, probably in 1861, holding what appears to be a Suhl musket, “US” buckle, enlisted frock with shoulder scales. Housed in patriotic hard rubber case. 4) 1/6-plate tintype of Corporal with import musket, wearing gauntlets, cartridge box, belt and cap box. 5) CDV sized tintype of full standing infantryman with unknown musket with octagonal breech and a fixed brass handled saber bayonet wearing cartridge box and “US” belt. 6) 1/6-plate tintype of seated, decked out infantryman with tinted belt buckle, musket with sling, bummer’s kepi and two revolvers stuck in his belt. Fine hard rubber patriotic case. CONDITION: 1) Very good. 2) Very good. 3) Image is very good, quite crisp with light flaking at bottom edge. Case has large piece missing on lid at hinge. 4) Very good overall. 5) Very good. 6) Very good. 52875-23 (3,000-5,000)

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332

Session 2 2158.

GROUP OF 9 LARGE CIVIL WAR HARD IMAGES OF GROUPS OF SOLDIERS. 1) Half-plate tintype group of soldiers in the field with two officers, Sargent, Corporal, and three other enlisted men with arms stacked and tent in background. 2) Half-plate tintype of three unidentified Union officers housed in patriotic hard rubber case with panoplies of arms. 3) Quarter-plate tintype father and son, William and George Dunn. Father KIA, Cold Harbor (according to typed tag). 4) Quarter-plate of three young unidentified infantry men, possibly Confederate with a mix of muskets with angular bayonets attached. 5) Quarter-plate tinted tintype of two Union cavalry men wearing shell jackets and sky blue pants with sabers and one has pistol in his belt. 6) Quarter-plate tintype of two infantrymen seated with Hardee hats and eagle drum with regimental number painted on ribbon. 7) Quarter-plate tintype of two full standing cavalry men with sabers. 8) Outstanding sixth-plate ambrotype of three Ohio infantrymen wearing all their field gear with a clear â&#x20AC;&#x153;OVMâ&#x20AC;? belt buckle on middle soldier. 9) Quarter-plate tintype of two standing cavalry men with shell jackets, Hardee hats with insignia, eagle belt buckles, swords held up and each armed with a Remington army revolver held across their breast with a painted background with camp scene and American flag. CONDITION: 1) Fair to good, light creases. 2) Good to very good overall. Image still sealed to glass with Syracuse, New York marked paper. 3) Good overall, though image is dark. 4) Very good overall with halo around edges. 5) Good to very good. 6) Very good though dark. 7) Very good to fine. 8) Fine in patriotic hard rubber case. 9) Very good to fine. In fine patriotic hard rubber Union case. 52875-19 (4,000-6,000)

333

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Session 2 2159.

GROUP OF TEN OUTSTANDING ARMED CIVIL WAR HARD IMAGES. 1) Sixth plate tintype of Union cavalryman holding cavalry saber and pistol, wearing shell jacket and sword belt. 2) Quarter plate Ruby ambrotype, full standing infantryman holding musket, saber bayonet with Bowie knife and pepperbox pistol in his belt. 3) Sixth plate tintype of young Union private wearing all his field gear holding model 1861 Springfield across his chest, trousers tinted blue, eagle breastplate and US buckle are crisp. 4) Quarter plate tintype, tinted, seated Union cavalryman holding saber across his body, with painted camp scene backdrop. Housed in fine hard rubber union case. 5) Sixth plate ruby ambrotype of determined looking Union soldier holding his musket wearing tinted US belt. 6) Sixth plate tintype of full standing Union cavalryman holding his sword and scabbard in either hand, Cpl. stripes on his shell jacket, cavalry insignia on his Hardee hat, Bowie knife and pistol in his belt. 7) Sixth plate of full standing Union officer holding his foot officer’s sword across his chest wearing his frock coat with straps, sword belt with tinted red sash and pistol in holster. 8) Unmounted Union tintype, 4” x 2-1/4”, full standing enlisted man, wearing NCO sword and holding his musket with attached bayonet. 9) Ninth plate tintype of unidentified enlisted soldier, possibly Confederate holding musket across his chest with tinted oval buckle and cap box on his belt. 10) Ninth plate tintype of soldier holding foot officer’s sword with bullion knot, saber belt with eagle buckle and slouch hat with infantry insignia. SIZE: As noted above. CONDITION: 1) Very good. 2) Fair to good, with several chips and scratches in emulsion. 3) Good to very good. 4) Very good overall. 5) Very good overall. 6) Good to very good overall with some spotting and back ground halo. 7) Very good overall, one small dent in tin, light craquelure. 8) Very good overall. 9) Very good overall. 10) Very good overall, haloing near mat 52875-26 (4,000-6,000)

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334

Lot 2160 2161.

GROUP OF TEN ARMED CIVIL WAR UNION SOLIDER IMAGES. 1) Quarter-plate of unidentified Captain holding his foot officer’s sword, wearing frock coat, kepi and sword belt. Housed in patriotic hard rubber case. 2) Quarter-plate of enlisted soldier showing musket, eagle breastplate, kepi and American flag on table to his side. Housed in fine George Washington equestrian hard rubber case. 3) Sixth-plate tintype Lot 2161 of Union private with Model 1842 musket, “US” belt holding bayonet with Sheffield Bowie stuffed in belt. Housed in hard rubber Union case. 4) Ohio soldier holding Enfield musket, wearing “OVM” belt buckle with a small pistol in his belt. 5) 1/6-plate tintype of full standing Union soldier with Mississippi rifle holding saber bayonet across his chest, enlisted frock, cartridge box and belt set. 6) 1/6-plate tintype of full standing soldier with musket, saber bayonet and small Bowie knife in his belt with tinted “US” buckle. 7) 1/6-plate tintype of Union soldier holding Springfield musket across his chest, wearing enlisted frock with “US” buckle and kepi. Fine hard rubber patriotic Union case. 8) 1/6-plate ambrotype of enlisted soldier wearing great coat, holding musket across his chest with cartridge box, cap box and belt. 9-10) Double case of two 6-plate tintypes, one of infantrymen with musket and tinted accouterments wearing frock coat with camp scene in background; the other image is of a bearded soldier with slouch hat holding a rare Moore 7-shot revolver across his chest. Images are housed in a double cavity hard rubber case. CONDITION: 2) Very good but some flaking in back of emulsion. 2) Very good. 3) Very good. 4) Very good overall, though slightly dark and oxidation around edges. 5) Very good. 6) Very good overall with some oxidation and chipping of emulsion around mat. 7) Good to very good overall with some crazing to emulsion. 8) Very good overall. 9) Very good overall. 52875-24 (4,000-6,000) 335

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Session 2

2160. LOT OF MISC. CIVIL WAR ERA PHOTOGRAPHY AND PHOTOGRAPH CASES. Total of 11 complete cases, 7 are nice hard rubber Union cases, several retain civilian images and a couple damaged military images. Several have mats and glass. SIZE: Two 1/4 plates, five 1/6 plates, four 1/9 plates. CONDITION: Fair to good overall. 52875-30 (500-700)

Session 2 2162.

GROUP OF TEN OUTSTANDING ARMED CIVIL WAR HARD IMAGES. 1) Quarter plate tintype of full standing Union cavalryman, wearing field uniform and kepi with cavalry insignia holding cavalry saber and gauntlets. 2) Sixth plate tintype of two cavalryman, one brandishing Colt model 1860 Army revolver, the other holding his saber and scabbard, one wearing slouch hat and one a kepi. 3) Ninth plate of seated cavalryman holding his cavalry saber, slouch hat with cavalry insignia, housed in patriotic embossed veneered case. 4) Sixth plate full standing cavalryman holding Colt Navy revolver in one hand and saber in other, with scabbard hanging from saber belt, crisp image in patriotic hard rubber Union case. 5) Sixth plate tintype of seated Union infantryman holding his musket across his body, wearing frock coat and kepi housed in hard rubber case. 6) Ninth plate tintype of Union infantryman holding musket and small pistol across his chest, kepi and frock coat, housed in tri-fold patent case. 7) Ninth plate tintype of Union cavalryman holding his saber, cavalry insignia on his kepi, sword belt clearly shows his eagle buckle, and a small single shot pistol is stuck in his shell jacket, housed in fine patriotic hard rubber union case. 8) Ninth plate tintype of Union infantryman holding Enfield musket across his chest, housed in fine patriotic hard rubber Union case. 9) Ninth plate tintype of cavalryman with saber holding Colt revolver across his chest, housed in fine patriotic hard rubber Union case . 10) Sixth plate tintype of Union second Lieut. holding his sword wearing sword belt and Hardee hat SIZE: As noted above CONDITION: 1) Very good overall. 2) Very good overall. 3) Very good, including embossed patriotic case. 4) Very good. 5) Very good, cased without a mat. 6) Good to very good though emulsion has staining and craquelure. 7) Very good. 8) Good to very good. 9) Good to very good, haloing along mat. 10) Good to very good, some scratches and chips and emulsion 52875-27 (4,000-6,000)

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336

Session 2 2163.

EXCEPTIONAL LOT OF 10 FINE CIVIL WAR HARD IMAGES. 1) Quarter plate tintype of full standing Union cavalryman with upheld saber, painted patriotic background with American flag, camp scene and cannon. 2) Sixth plate of bearded enlisted man holding Bowie knife and small revolver across his chest. He is wearing greatcoat and kepi, patriotic hard rubber Union case. 3) Sixth plate tintype of enlisted man in shell jacket holding NCO sword across his chest, housed in hard rubber case. 4) Sixth plate tintype of Union soldier wearing sack coat, US belt and buckle, holding NCO sword 5) Sixth plate tintype of cavalryman holding saber with Colt Army revolver in his belt, housed in patriotic hard rubber union case with patriotic mats 6) Sixth plate tintype of cavalryman holding saber with Colt Army revolver in his belt. Patriotic hard rubber Union case. 7) Sixth plate tintype of seated Union soldier with large patriotic mat, housed in patriotic hard rubber Union case. 8) Sixth plate tintype of Union soldier with NCO sword across his chest, wearing US belt and buckle, along with sword belt with eagle buckle, sword blade covers part of the eagle cross belt plate 9) Sixth plate tintype of seated Union infantryman, kepi on table, wearing all his gear with bayonet by his side and small pistol stuck in his belt, housed in fine patriotic â&#x20AC;&#x153;Monitorâ&#x20AC;? hard rubber Union case. 10) Sixth plate tinted tintype of Union cavalryman, holding saber, pistol and belt, painted patriotic backdrop with American flag, camp scene and cannon. SIZE: As noted above CONDITION: 1) Very good overall though dark and several small dents in tin. 2) Very good, staining to light portion of emulsion at bottom left. 3) Very good overall. 4) Very good overall. 5) Good to very good, with craquelure. 6) Fine overall. 7) Good with craquelure, case and mats are fine. 8) Good to very good overall, minor chipping along old mat line, light creases in tin. 9) Very good-fine overall. 10) Very good overall. 52875-29 (4,000-6,000) 337

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2164.

WORLD WAR II BLUE STAR MOTHER’S FLAG. Machine made wool flag measuring 23” x 35” with two 4” stars representing two sons in service. CONDITION: Fair overall. Red has light fading and insect damage as can be seen in photos. 52807-2 (1,0002,000)

Session 2 Lot 2165 2166.

2165. INTERESTING LOT OF U.S. NAVY ITEMS. 1) 5” sq metal cigar ashtray from the Lot 2164 U.S.S. Lexington marked under rim “U.S.S. Lexington Officer’s Mess”. Accompanying the ashtray is a 4-page letter on U.S.S. Lexington stationary to Pay Clerk, Robert Stickel. Pair of 8-3/4” h fancy Sheffield candlesticks marked “U.S.N” by Webb, marked “501” having removable bobeches. 8-1/2” silver plated knife & fork marked “U.S.N.” and also with an anchor by International Silver Co., most likely from an Officer’s or Admiral’s mess. CONDITION: Generally good. 52927-2 (400-600)

EXTREMELY RARE SILVER CONGRESSIONAL MEDAL FOR SURVIVOR “CHARLES TONG SING” OF THE “JEANNETTE” ARCTIC EXPEDITION OF 1879-1882. The round medal in silver has a depiction of the 3-mast ship with sails rolled and anchored to ice having a group of men, dogs and dog sleds beside, depicting the abandonment of the ship and the saving of some of its supplies. The reverse having an outer band of lettering “Jeannette Arctic Expedition 1879-1882”, below this at the top center engraved “To Charles Tong Sing”. The bottom half “In Lot 2166 (w/reverse) Commemoration of Perils Encountered and as an Expression of the High Esteem in which Congress Holds His Services” “Act Approved Sept. 30. 1890.” Top bar and ribbon are missing, but medal still retains the clasp that would have held it. Note: This medal was produced for either the survivors or the next of kin of those who had perished in the expedition. Eight gold and 25 silver medals were struck by the Philadelphia Mint and were probably designed by Charles E. Barber or George Morgan, chief engravers to the mint. The story of the expedition was recounted in an 1882 book Arctic Lost Ship Shipwreck Jeannette. The account of the expedition and its survivors caught the attention of the American public and caused Congress to act with this medal. The crew consisted of 30 officers and men, and three civilians. It departed from San Francisco July 8, 1879. Shortly after September 4, it was caught fast in the ice pack near Wrangel Island. For the next 21 months, it drifted to the Northwest towards the North Pole, steadfast in the ice. On June 12, 1881 the pressure of the ice finally began to crush the Jeannette. It was at that time that provisions were unloaded and the ship sank the following morning. Three boats took off in hope of reaching the mainland. A storm blew up and one of the boats with eight men capsized and sank. The remaining two boats with 25 men continued on their harrowing, almost 2-year adventure, finally 8 survivors found native hunters in Northern Siberia. They were then guided to the Russian settlement, Bulun, where they procured good sleds and used reindeer in the place of dogs until they reached the Siberian Railroad where they eventually made their way to St. Petersburg, then to London and onto New York where they arrived in the spring of 1883. Two of these survivors went insane as a result of this experience and shot themselves. The surviving 6 men became quite the celebrities and much was written about their exploits in their day. The recipient, Charles Tong Sing, was a Chinese-American and had served as Captain’s Steward on the ill fated expedition. He proved to be one of the strongest of the surviving men as noted in a 1902 Los Angeles Herald newspaper article which should be read along with articles included in provenance. CONDITION: Medal overall very good to fine, rim nicks, some toning on verso at top edge. 52982-1 (12,000-18,000)

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338

PAIR OF INCREDIBLE MASSIVE ENGRAVED WALRUS TUSKS SIGNED NATHANIEL FINNEY. Circa 1870, San Francisco. This incredible pair of tusks measuring 27-1/4” each depict vignettes of well known actors who worked in San Francisco during the 1860’s-1870’s, mostly founding members of the California Troup of Actors associated with the California Theatre. Attached online is PDF with more information, biographies and stagebills. Obverses of each tusk have precisely executed portraits of William Burroughs (1840-1898), Ms. Charlotte Thompson, William Ayers Mestayer (1844-1896), Miss M.E. Gordon, James Edward McCullough, E.J. Buckley (who is father of Ms. Annie Buckley, a well-known New York City stage actress), Minnie Walton (1852-1879) who made her San Francisco acting debut in 1868, John T. Raymond (1836-1887), Emelie Melville (1851-1932), Lawrence Barrett (1838-1891). Also on obverses are found four vignettes of musical instruments and stage props, like a panoply of arms for the military, these represent the stage performing community. The reverses of each tusk has unnamed vignettes of four gentlemen, one appears to be William Ralson (1826-1875) who built the California Theatre in 1869 but is best known as founder of the Bank of California two on each tusk along with four patriotic motifs of eagles, one with motto “In Union is Strength” on ribbon in beak above a pair of clasped hands. Another unusual patriotic vignette shows a pair of clasped hands above the Constitution, a furled flag, fasces, & a cloud of stars. Each tusk is signed “Engd. by N.S. Finney”. Nathan Sylvester Finney was a master engraver. He was born in 1813 in Plymouth, MA. The earliest work attributed to him is a magnificent pair of carved whale’s teeth at the Mystic Seaport Museum depicting American victories during the War of 1812 at Lake Champlain and Lake Erie, carved prior to 1851. In 1858 the San Francisco Republican Standard noted the raffle of a 50 lb 3-1/2’ piece of whalebone carved with the likenesses of Revolutionary War figures Jefferson, Morris, Lee, Jay, Henry, J. Adams, Hancock, Rutledge, Otis, S. Adams & Franklin along with the equestrian statue of Washington in Richmond, VA. Of course this carved whalebone has never been seen since but this shows Finney was in San Francisco as early as 1858. Other signed Finney tusks are well known with patriotic motifs, such as the reverse of these tusks, with portraits of George Washington & Abraham Lincoln. Finney’s work is quite renowned and sought and this particular pair are fresh and previously unknown to the market from a local New England Estate. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good to fine. As found, crisp detail, minor cosmetic blemishes, small hairlines as expected. 52934-1 (6,0008,000) ESA

339

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Session 2

2167.

Session 2

2168. FIELD TELESCOPE INSCRIBED TO JESSE JAMES WITH PROVENANCE. This 5-stage telescope measures 3’ and less than one foot when contracted, still retaining hide leather cover and loop. Boldly inscribed as can be seen in photos “J. JAMES”. This wonderful relic was bought in 1917 by Christ Bjerkhol. He purchased it from a farmer residing near Northfield, Minnesota. The farmer told Bjerkhol that he found the optical instrument years before while plowing a field near his home. Everyone knows of the September 7, 1876 James-Younger Gang raid on the 1st National Bank of Northfield, Minnesota where only Frank and Jesse James survived capture or death. Could this be the telescope that Jesse James used to scout the town prior to the robbery and lost in his frantic escape? This object is shown in a full-page October 13, 1940 Deluth News-Tribune article on the eccentric collection of Mr. Bjerkhol showing off his numerous objects and the prize of his collection, “JESSE JAMES TELESCOPE”. A framed copy of this newspaper article accompanies the lot. NOTE: A two page appraisal done in 1987 accompanies lot. The appraisal corroborates that the scope was the type in use in the third quarter of the 19th century and that the engraved inscription is also in the style of script used in the third quarter of the 19th century. According to the appraiser Frederick Dose “script showing surface wear over the chasing itself ,this item appears the best of my knowledge and based upon conscientious examination of all the evidence at hand and with due research, to be a genuine article of the period stated and without evidence to the contrary to have belonged to Jesse Woodson James.” CONDITION: Good to very good overall. Brass has mottled mustard patina. Complete and intact with exception of front sliding cover. Optics are cloudy. Leather loop on 5” cover intact up un-sewn on top. 52838-1 (10,000-20,000)

2169.

LIEUTENANT GENERAL JAMES G. HARBORD ENGRAVED SILVER CIGAR CASE TOGETHER WITH IMPERIAL ORDER OF THE RISING SUN MEDAL SECOND CLASS. A 2” h x 6” x 9” sterling with wood sectioned interior cigar case marked “Yard / BH / Sterling / 800”. The lid having the following inscription surrounded by ten script autographs “Presented to / Major Gen. Jas. G. Harbord / From / The Board of Governors / Of / The Rockefeller Center Luncheon Club / 1938” below which is a script signature “John D. Rockefeller 3rd”. Along with a 9” x 4-1/2” lacquered presentation box holding two medals which comprise the Imperial order of the Rising Sun, Second class. The order comprised of a neck badge on ribbon and a breast star. Accompanying the lot is a two page letter dated March 31, 1948 explaining the purpose of the gift that he received it while chairman of the board of the Radio Corporation of America, and that this award was the same type of decoration given to John J. Pershing and was highly regarded by him. Harbord accompanied General John J. Pershing to France in WWI as Chief of staff and upon retirement was chairman of the board of the Radio Corporation of America. SIZE: As noted above. CONDITION: Lacquered presentation box as-is with losses and break, otherwise good. 52927-7 (1,000-1,500)

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340

GROUP OF SEVEN STERLING HIP FLASKS AND CIGARETTE CASES. 1) A 6” h hip flask which pulls apart midway for a cup, Birmingham 1893-4, maker’s hallmark “GU” (George Unite & Sons). The front having family crest of Robertson “Virtutis Gloria Merces”, monogrammed “FCR”. 2) A 5-1/2” h hip flask with separation at middle for cup, crest of standing lion on short crown for Ravenscroft. Hallmarked London 1868-9, makers mark “WS” (possibly for William Smalling). 3) A 4” h hip flask with crest of standing lion holding sprig of flowers. London 1838-9, hallmarked “CA” over “WS”. 4) 3” x 3-1/2” cigarette case, London Lot 2170 1899-1900. Maker’s mark “W&F”. Inscribed on cover “Prize for revolver shooting / Presented to / Gentleman Cadet Pile / R.M. Academy / July 1904”. 5) A 3-1/2” x 2-1/2” cigarette case, Birmingham 1903-4, makers mark “H&A”. The front inscribed “C.J. Paterson / Capt & Adjt / 1st Battn South Wales Borderers / Died of wounds / Ypres 1st Novr 1914”. On the backside a crest with eagle feeding three young surrounded by belt “Amore”. 6) A 3” x 2-1/2” cigarette case, London 1897-8, makers mark “FE” (Frederrick Edmonds). Interior marked by the retailer “Willson & Gill 134 Regent St London”, the front having an armorial crest with boar and banner “Firmum In Vita Nihil” with an interlocking monogram. 7) A 3-1/2” x 2-1/2” cigarette case, Sheffield 1888-9, makers mark “WN” , the front with armorial crest of stag head, Backside inscribed “Moylan J. Macdonell / R.N.A.S. 1918”. Ex Flayderman Collection. Total weight approximately 28 troy oz. SIZE: As noted above. CONDITION: All show use with some dents, good. 52927-1 (1,000-1,500)

2171. TURKISH ORDER OF THE MEDJIDIE. Silver and enamel badge inscribed on verso “D. Craigie / H.M. Ship / Rodney”. Research indicates there was a David Craigie as Master Pilot listed in the ship’s log. A photocopy of this list accompanies the lot. Also from the National Archives, a listing of the ships that he served on which includes the Rodney. Another copy indicates he retired as Captain in 1864. Also is a color copy of a model of the ship and a copy of a colored engraving. With other informative copies from the national archive. SIZE: Overall: 3-1/2” h x 2” w. CONDITION: Good. 52927-8 (500-800)

Lot 2171 (w/reverse) 2172.

ARCHIVE OF MATERIAL RELATING TO “THE LOST SQUADRON (A FLEET OF WARPLANES LOCKED IN ICE FOR 50 YEARS)”. The lot includes a group of letters relating to the Greenland Expedition Society; Correspondence dating to the early 1990’s; Material related to the P38-F Lightning that was thought to be able to return to flight; Newspaper articles related to the find; Recovery program from the Greenland Expedition Society; A diary of “Recovering Tomcat Flight”; Video tapes, one entitled “The Lost Squadron”; Typed transcript of the expedition; Copy of the radio log from the amateur station set up at the expedition; Two ammunition rounds Lot 2172 purportedly from the plane itself; Some material regarding amateur radio; Album of post card size amateur radio call sign cards. Lot contained in 18” x 18” box. CONDITION: Good. 52807-3 (1,500-2,500) 341

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Session 2

2170.

Session 2 2173.

MASSIVE WRIGHT BROTHERS BIOGRAPHY ARCHIVE. Wright, Orville (1871-1948) and Wilbur (1867-1912). A large archive of papers concerning the writing and eventual publication of the 1930 biography of Orville and Wilbur Wright by John R. McMahon (1875-….). Wright, Katherine (1874-1929) 3 letters and envelopes signed Dayton, Sept. 6, 1915, Sept. 17, 1915, and Sept. 27, 1921. An addition letter from co-author Earl Findley (1878-1956) Oct. 24, 1925 stating to McMahon that Katherine is worn out nursing Orville who is too sick to leave his bed, also “Orville is not satisfied with the story thinking that while it is more accurate than most, yet it contains too many inaccuracies on the scientific and other sides, for his diaries to be used….” This last letter from Findley tells the story in that though Orville had authorized the 1915 text which an original typescript in 12 parts and corrected by Katherine Wright accompanies (annotated) and never published (221 pages plus 4 page index and corrections) but rejected publication of book which was released to critical review in 1930, without Findley as co-author. The entire manuscript in corrected proof from of the author McMahon is here, 390 pages and 39 glass plate negatives (5” x 7”) that were the basis of the illustrations in The Wright Brothers, Fathers of Flight, Little, Brown & Co, Boston, 1930. Of the maybe 50 reviews taken from letters and clippings of 1930 in archive, even Scientific American, May 1930, chose it for sale in their bookstore: “Here for the first time is the complete story of Wilbur and Orville Wright based on unpublished letters and diaries of the two men and from data obtained from Orville and his family. Strong stress is laid on the personal human side. An entrancing story ably told”, $2.65 postpaid. There is also a large archive of letters from Earl Finley to McMahon from 1915 up past publication of book seeking financial return for his efforts plus attorney’s letters of Orville Wright stating he would not seek injunction to have book further printed and that Earl Finley was responsible for providing personal family information. Christies, December 14, 2016 (rare manuscript sale 12262, lot 343) sold a corresponding group of documents and the other original 1915 typescript owned by original co-author Earl Findley. CONDITION: Very good overall, foxing and rust staining from paper clips still holding typescript parts together, few reductions, glass plate are all fine, one has cracked corner, 390 page corrected text to 1930 book is very good and still housed in 2 stationery boxes. Misc. correspondence is also good-very good. 52713-1 (4,000-6,000)

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342

INTERESTING ARCHIVAL LOT RELATING TO OBED BAXTER. The lot includes; 11” h x 22” l cast iron gate top “Obed Baxter 1882”. 2-3) Framed 131/2” h x 11” w tin type of Obed Baxter and a framed 13-1/2” h x 11” w photo of his wife. Each are in period walnut frames behind glass. 4) 11” h x 15” w framed Lot 2174 family register. The register printed by Kellogg and Comstock. The entries in pen are for Gage and Nickerson, which relate to the Baxter family through Eleazer A. Nickerson, which this information is provided on the back of Baxter’s tin type. 5) An interesting 14” h x 18-1/2” w document dated May 4th, 1875 from Boston, certifying Capt. Obed Baxter admission as member of the Boston Marine Society. The document has engraved vignettes of Marine scenes and a large 8-sided wax seal which is intact. 6) A Victorian walnut framed family record with printed calligraphy type decoration and hand penned family members with births, deaths from the original Obed Baxter and Helen Mar Nickerson. Overall 28” x 24”. 7) A photocopy of a New York Times Death notice, February 18, 1884 indicating Captain Obed Baxter died of “chronic trouble” on the voyage. CONDITION: Certificates have staining and aging, photographs are good with some staining to mat, cast iron has some rust but generally very good. 6) Foxing, otherwise generally very good. 52902-8 (800-1,000)

2175.

NEW, AUTHENTIC, AND COMPLETE COLLECTION OF VOYAGES ROUND THE WORLD, UNDERTAKEN AND PERFORMED BY ROYAL AUTHORITY...CAPTAIN COOK’S 1st, 2nd, 3rd AND LAST VOYAGES AND OTHER ROYAL VOYAGES INCLUDING LT. WILLIAM BLIGH’S VOYAGE TO THE SOUTH SEA, COMMODORE BYRON’S VOYAGE AROUND THE WORLD, CAPT. CARATERET’S VOYAGE OF THE SOUTHERN OCEANS, SIR FRANCIS DRAKE’S VOYAGES, INCLUDING A NEW AND COMPLETE GENUINE HISTORY OF TRAVELS IN THE UNITED STATES OF AMERICA BY WARVILLE, 1788 AND OTHERS. This massive text is 38-1/2cm (15”) x 24cm (9-1/2”), 9cm thick (3-3/4”) with over 1000 pages, 90 full page copper plate engravings and a fine fold-out map by Thomas Condor, being a new map of North America, published by Alexander Hogg in Lot 2175 1794, London. SIZE: As noted. CONDITION: Fair. Leather spine appears to be a very old restoration, broken hinges and a few signatures separated, heavily worn corners, heavily scuffed, soiled. Most pages and plates are solid and complete with light soiling and foxing. Pages near the end and frontis are most soiled, stained and some reductions. Frontis plate of Captain Cook is missing upper left-hand corner. Other plates are complete as sampled but not collated. 52862-1 (1,500-2,500) 343

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Session 2

2174.

2176.

Session 2

RARE FIRST AMERICAN EDITION OF 1808 THOMAS CLARKSON, “THE HISTORY OF THE RISE, PROGRESS & ACCOMPLISHMENT OF THE ABOLITION OF THE AFRICAN SLAVE TRADE” OWNED BY FAMOUS BOSTON ABOLITIONIST SAMUEL PHILBRICK. Among the best known authors of the English slave abolition movement was Thomas Clarkson (1760-1846) best known for his 1807 text published in London. This first American edition here was printed in Philadelphia in 1808 in two volumes totaling 932 pages with each volume containing large fold-out illustrations bound in full leather with gilt edge ribbed spines. Front fly leaf in both books inscribed “Samuel Philbrick, a gift from William Rotch”. Samuel Philbrick (17891859) was a leading Boston Abolitionist and among the founders of the Massachusetts Anti-Slavery Society. The Philbrick home at 182 Walnut Street, Brookline, MA was one of the principle stations on the Underground Railroad. When Philbrick died in 1859 he told his son Edward “You will live to see a war over this slavery business”. William Rotch born on Nantucket was another prominent abolitionist (1734-1828). Made rich by his whaling fleet, Rotch was possibly the wealthiest man in New Bedford. He was also a charter member of the Providence Society for Promoting the Abolition of Slavery in 1789 and his son William Rotch Jr. was the first President of the New Bedford Anti-Slavery Society in 1834. Rotch’s ship Dartmouth was made famous in 1773 after delivering whale oil to England and unwittingly bringing British East India Company tea back to Boston. She arrived in Lot 2176 Boston on November 28, 1873, 18 days prior to the December 16, 1773 Boston Tea Party. SIZE: Books are 4-1/4” x 7-1/4”. CONDITION: Books are sound with light foxing and acid staining to fly leaves. Bindings are intact with scuffing, hinges sound but starting with scuffing. Spine inscriptions in gilt with author and volume numbers are good as can be seen in photos. Fold out plate in volume two showing African slaves stacked as cargo in drawing has old pasted about 3” tear repair with several cracks at folds. 52737-5 (800-1,500)

2177. BOOK: BIBLIA SACRA LATINA (TWO VOLUME GUTENBERG BIBLE FACSIMILE BOOK SET) BY ARNO WERNER BOOKBINDERS. 20th century, facsimile reprint of the two volume Gutenberg bible, copper square printing in full size color. Originally 1000 copies printed. Lithograph printing with bronze powered ink. Sewn on hand-twisted linen having birch boards with 23k gold embossing, bound in antique calf by Arno Werner bookbinders. The text being the same as the lost Gutenberg project. SIZE: 19” h x 13” w. CONDITION: Very good to excellent. 52957-1 (7,00010,000) 2178. AUTOGRAPHED PHOTOGRAPH OF TED WILLIAMS. Photograph of Ted Williams in his classic swinging pose wearing his Boston Red Sox uniform in Fenway Park. Signed in the center “To Mary Kelleher / With best wishes / Ted Williams / 1957”. SIZE: 10” h x 8” w. CONDITION: Good, glossy photograph with clear and strong autograph. 52885-61 (700-1,000)

Lot 2177

2179. SPECIAL DANA-FARBER CANCER INSTITUTE LOT. This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs Lot 2178 serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please note, the hammer price of the lot will be matched dollar for dollar up to a $1,000 match and donated to the Dana-Farber Institute, commonly known as the “Jimmy Fund” locally. Founded in Boston in 1947, Dana-Farber Cancer Institute is world-renowned for its leadership in adult and pediatric cancer treatment and research. Your gift provides Dana-Farber with crucial dollars that can be directed where and when they are needed the most. Thank you for your participation. CONDITION: Very good. 51841-6 (300-400)

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344

OUTSTANDING SOLID GOLD RUSSIAN HINGED BOX WITH MICRO MOSAIC CLASSICAL SCENE. The 2” h x 3” w micro mosaic scene shows a man on white horse crossing a river with others following. Three women are seen on foreground with three soldiers. 1000’s of different pieces make up this scene. The interior of the lid with Russian hallmarks including “A with backwards R” (St. Petersburg) for Aleksandr Ilyich Yashinkiv (1795-1826), two touch marks of crossed tools for the city of St. Petersburg. Surrounding the word “Baroe”. The box sides and bottom with an all over four dot diamond pattern. The corners with engraved leaves and flower heads. 14k gold or higher, total weight: . SIZE: 1-1/2” h x 3-1/2” w x 2-1/2” d. CONDITION: Very good, no losses or issues seen. 52875-8 (4,000-6,000)

345

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Session 2

2180.

SEVEN RUSSIAN ENAMEL PIECES AND TWO OTHERS. 1) 4-1/2” h x 3-1/2” dia two part egg. The inside gold washed, hallmarked “84”, face looking right, “A” (19081917) also a makers mark “H3” (N. N. Zverev 1898-1912). The inside of top marked with the same standard mark. The outside decorated in colorful enamels against a medium gray background. The decoration with scrolls and flowers. 2) 2-1/4” h x 1-1/2” dia egg, the bottom marked “1894”, “84”, and makers mark “CK”. The colorful enamels against a gray background. Decoration of flower heads and scrolls. 3) Lot 2181 2-1/2” dia hinged pill box having a gold wash interior, the lid edge marked “84” with makers marke “AO”. The lid and bottom decorated with a six point star in blue with a pink background, the sides having white flower heads. 4) 2-1/4” dia pill box, gold wash interior. The side of the cover hallmarked “84” with head facing left, “20”, “A”. The exterior on a turquoise ground with decorations of flowers. 5) 3” w x 2-1/2” d oval box. The interior with gold wash, the base marked “88”, head facing right, with a delta sign, and makers mark “IIA”. The cover having a relief decoration of a young woman’s head with flowing hair, with a flower and inset cabochon red stone. She is surrounded by purple and green flowers which is surrounded with stars an crescent moons. The sides of colorful enamels. 6) 3-1/2” scent bottle with stopper. The screw in stopper marked on edge “88”, head facing left, “S”. Marked with a backwards “N” and an “X”. The enamel decoration on a turquoise background with colorful rosettes. 7) 2” h x 1-1/4” w rectangular box with gold wash interior, marked “88”, head turned to the right, with delta mark. Maker’s mark “3 (backwards R) A”. Light pink ground with flower heads and symbols. 8) 3” w x 2” d rectangular box in engraved silver with some blue enameling surrounding a central scene of man and woman in a garden setting. Marked “800”, probably German or Austrian. 9) 1” h small hinged egg pendant with red enamel and gold wash interior. Unmarked. CONDITION: All generally very good. 52875-6 (4,000-6,000)

2182.

OUTSTANDING FRENCH ENAMELED SILVER ROUND HINGED BOX WITH PAINTED SCENE. The painted scene inset into the top shows a man and a woman in a garden setting with figural fountain with two white love birds. The watercolor is signed lower left “Vallir...” Blue enamel sides and sliver base. The interior having some of its gold wash present, hallmarked with a Roman head facing right and diamond with “AD”. Approximately 8+ troy oz. SIZE: 1-1/2” h x 3-3/4” dia. CONDITION: Very good. 52875-7 (1,000-2,000)

Session 2

2181.

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2183. 14K YELLOW GOLD AND PLATINUM Lot 2182 HINGED BOX BY CARTIER. The rectangular box decorated with alternating gold and platinum lines with applied initials “E M L” on cover. The interior inscribed “E. M. H. - L. C. L. / Nov. 1921”. The edge marked “Cartier New York 14K Platina”. 78 grams (approximately 2.5 troy oz). SIZE: 3/4” h x 2-3/4” w x 2-1/4” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Some minor dimples, good. 52714-204 (2,000-2,500)

346

Session 2

2184. DECORATED METAL ANIMATED BIRD MUSIC BOX. The rectangular box in white metal supported by four scroll feet, has a flying bird switch, when turned on a colorful bird pops up and sings and goes back at the end of the song. Accompanied by its bird shaped key. SIZE: 2-1/2” h x 4” w x 2” d. CONDITION: Working order, good. 52874-13 (1,000-1,500)

Lot 2184

Lot 2186

2185. EARLY ENAMEL DECORATED GOLD POCKET WATCH. 18th/19th century. The swing out movement, unmarked, having a white enamel dial with keyhole at 2 o’clock. The hinged bezel cover set with seed pearls. A replacement bezel unattached. The back of the watch with similar seed pearl border encompassing a wonderful enameled scene of a classical woman with putti, having a deep blue background. Along with the watch is Lot 2185 a chatelaine type watch chain having enamel decoration, including one 2-sided with woman and urn of flames on one side, and putti next to urn of flames on the other. Attached are a watch key and unengraved wax seal. Watch and chatelaine 14k or higher. SIZE: Watch 2” dia. Chatelaine 9-1/2” l. CONDITION: Watch unknown working order, bezel is separated from watch. Chatelaine is very good. 52874-14 (2,000-3,000)

2186. FINE DIMINUTIVE JACOBEAN CARVED OAK PRESS. 18th century, probably Holland. In two parts, the press with turned central rod within a carved frame surmounted by turned finials. Joined to the cabinet base, fitted with a single drawer carved with scrolling leaf tips. The side and rear panels similarly carved. The fluted frame with ebony inlays conforming with the pilasters. The press fitted to and mounted above a table base, the apron carved with scrolling leaf tips flanked by ebony inlaid pilasters, raised on pronounced bulbous legs beneath pierced, scrolled returns on blocked ball feet. SIZE: 61-1/2” h x 23-1/2” w x 18” d. CONDITION: Retains early, if not original, cleaned surface. Normal and expected wear. Small loss to base of one finial and to tip of threaded press rod. Old seam split to upper piece of press. Minor seam shrinkage splits to upper leg. Dowels and rosehead nails all original. Very fine condition overall. 52935-1 (3,5004,000) 347

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2187.

Session 2

FINE DIMINUTIVE LOUIS XV MARBLE TOP COMMODE MADE BY ANDRE ANTOINE LARDIN. Mid-18th century, France. The two drawer commode with Breche d’Alep marble top in shades of pink and grey with molded edge and notched corners, fitted above the case, which is branded in each front corner of the top “LARDIN”, additionally branded with “ME”, the mark of the French Furniture Maker’s Guild (Corporation des Menuisiers). The case fitted with two aligned short drawers above a single long drawer, all with rosewood and tulipwood crossbanding and mounted with highly decorative foliate ormolu handles and escutcheons. The case with bombe sides and front, all with matched kingwood and rosewood veneers. The frontal pilasters with foliate cast ormolu mounts above angular cabriole tapering legs terminating with brass-capped sabots. SIZE: 34-3/4” h x 313/4” w x 17-3/4” d. CONDITION: Commode professionally restored and now with a rejuvenated French polish surface. Marble original and intact with no blemishes or restoration. Very fine to excellent restored condition. 53055-3 (4,0006,000)

Lot 2187

2188. A NTIQUE KARAJA ORIENTAL RUG. Early 20th century, southern Persia. Three aligned geometric medallions on a wine-red field with dense polychrome devices, all within a midnight-blue main border of saz leaf and floral decoration within geometric dog tooth borders. SIZE: 4’ 6” x 6’ 2”. CONDITION: Rug retains strong palate with minimal, even wear. Loss to fringe. Selvage intact. Good overall. 52829-61 (1,500-2,500)

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348

FINE MARQUETRY INLAID TALL CASE CLOCK BY SYMON LACHEZ. First quarter 18th century, Utrecht, Holland. The bonnet with bombe cap with a rectangular molded crest above a stepped frieze. The molded arched, stepped cornice above the foliate frieze applied with scrolling, pierced foliate veneers over the arched glass panel door flanked by spiral, free-standing columns joined to the case above incurved molding, the throat with paneled door and circular molded viewing window above the molded box base, raised on shaped bracket feet. The case with excellent marquetry throughout. The door with floral filled Classical urns and with mother of pearl elements. The case overall with scrolling foliate marquetry, the case sides also with floral filled urns, centering a portrait bust of an Elizabethan-attired gentleman within a patera. The bonnet with similar marquetry accented with marquetry floral sprigs. The silvered dial with Roman numeral chapter ring within an Arabic minutes ring centering time and strike apertures beneath a subsidiary seconds ring above a calendar aperture within cast-ormolu pierced spandrels with masques. A silvered roundel in the arch signed in script “Symon Lachez / Utreght” mounted within a Royal Coat of Arms, flanked by cherubs. The eight-day weight-driven brass movement with five pillars striking on a bell. The brass backplate unmarked. SIZE: 95” h x 12-1/2” w (throat), 18-1/4” w (case) x 9-1/2” d. CONDITION: Case professionally restored, the French polished surfaces refreshed. The case now exhibits bright and vibrant coloration with very fine surface. One side molding absent at top of bonnet proper left side of crest. Movement appears intact and operational, recently restrung and cleaned. Very fine overall. 53055-1 (8,000-12,000)

349

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Session 2

2189.

Session 2

2190. DUTCH MARQUETRY WALNUT BOMBÉ DISPLAY CABINET. Second half 19th century, Holland. In two parts, the shaped molded cornice centering a floral and leaf tip crest above the conforming upper case with mirror back and two fixed glass shelves. Glass panel sides with shaped and molded surrounds. The single door with molded surround. Fitted to the lower case in the form of a chest of drawers with bombé front flanked by bombé angular pilasters raised on scrolled feet centering a shaped apron, all with intricate foliate marquetry. The matched set of brasses, cast with Classical urns decorated with foliate garlands. SIZE: 75-1/2” h x 42” w x 25” d (overall), 15” d (cabinet interior). CONDITION: Fully restored and professionally repolished. Original mirror backing with areas of foxing and some loss to silver backing. All shrinkage cracks stabilized. Cabinet now with French polish surface. Good overall. 52829-84 (2,500-3,500)

Lot 2190 2191.

TWO RARE QUEEN ANNE DOUBLE GOFFERING IRONS. 18th century, England. The first with baluster-turned shaft beneath two turned barrels for ironing raised on tripod cabriole leg base centering an inverted acorn finial Lot 2191 terminating in ridged platform pad feet. The second a tall example with baluster-, urn- and ring-turned iron shaft with a small and larger barrel surmounted by an urn form finial. The shaft adjoined to a tripod cabriole leg terminating in ridged pad platform feet. SIZE: The first: 11-1/2” h. The second: 18” h. CONDITION: Each iron cleaned and buffed, showing minor flecks, nicks, and abrasions from long-term use. With pleasing surfaces. Structurally very good. 52935-6 (2,500-3,500)

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2192. RARE NAPOLEONIC IRON AND BRASS FLATIRON STAND. Circa 1809 France. This unusual footed flatiron stand applied with carved brass ornamentation in the Classical style depicting a ribbon tied wreath within which are the initials of the owner above the date of “1809”, over a classical urn with foliate drapery joined to a ring turned carved handle. SIZE: 2” h x 17” l x 4-1/4 w. CONDITION: The stand with rust corrosion. Handle with dry and crusty old surface. Brass trim with well carved details in good condition overall. 52935-4 (2,400-2,800) 350

Lot 2193

2194. SCOTTISH IRON AND BRASS FLAT IRON ON ORIGINAL BRASS STAND. Mid-19th century Scotland. This fine example of typical form. The removable top section, latching with scrolled brass lever, opening to reveal a compartment designed to house a cast iron slug of conforming shape no longer present. The iron with baluster turned mahogany handle with turned brass terminals joined S-scroll Lot 2194 brass supports. Together with the original molded fitted brass stand raised on suppressed ball feet. SIZE: 6-3/4” h x 7-1/4” x 5-1/4” w. CONDITION: Iron retains original cleaned surface with normal and expected in-use wear and minimal corrosion. Very good overall. 52568-1 (1,200-1,800) 2195. FINE SHIRVAN ORIENTAL RUG. Late 19th-early 20th century, south Caucasus. With three aligned crab medallions alternating with flower heads on an ivory field with dense arrangement of exotic animals including birds and crabs, all within a burgundy main border of floral design within multiple polychrome guard borders. SIZE: 4’ 8” x 7’ 3”. CONDITION: Normal and expected in-use wear. Good color and pile remaining. Overall even loss to fringe. Otherwise very good. 52829-34 (8001,200)

Lot 2195 2196.

FINE GEORGE III MAHOGANY CELLARETTE. Third quarter 18th century, England. The rectangular stepped hinged top with bolection molding opening to the conforming case. The interior fitted with six bottle compartments. The case front with two molded panels with inset corners, the case sides fitted with brass carrying handles, the whole raised on original brass capped casters. SIZE: 32” h x 16” l x 11” w PROVENANCE: From a fine New Hampshire home. CONDITION: Cellarette retains original surface, untouched with fine patina and rich color, rear and side panels each with horizontal shrinkage cracks, now stabilized, otherwise very good. 52889-1 (1,500-2,500)

351

Lot 2196

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Session 2

2193. VICTORIAN BRASS AND PLATED FLATIRON. Mid-19th century Scotland. This fine example of typical form. The removable top section, latching with scrolled brass lever, opening to review the cast iron slug of conforming shape. The iron with baluster turned handle joined to cast brass S-scrolled supports. SIZE: 6-3/4” h x 8” l x 3-3/4” w. CONDITION: All original with original surface. Minor pitting to plated surface and with normal and expected wear to wooden handle. Very good overall. 52935-9 (2,000-2,500)

2197.

Session 2

IMPORTANT MAHOGANY ASTRONOMICAL REGULATOR, SIGNED DENT OF LONDON. Second quarter 19th century, London, England, Edward John Dent (1790-1853). The mahogany arched case fitted with two doors, the outermost door with circular glass plate within a molded surround, a rectangular pendulum viewing aperture below. The second door with full length glass plate drilled to gain access to the winding aperture. Door hinged and fitted precisely to the mahogany case which lines up to a half-round baize covered molded fitter. The case designed to stand either on a shelf and bolted to a wall or to equally stand on floor or platform. The 11” silvered dial, signed “DENT. London / Clock Makers to the Queen” centering a subsidiary seconds dial with blued steel hand above a 24 hour subsidiary dial. The winding aperture is to the left facing. The main chapter ring with Arabic numerals denoting the 60 minute cycle. The serial number “1155” located beneath the “0” of the 24 hour subsidiary dial. The brass movement with 4 pillars, the brass plates with burnished snailed decoration, the wheel train with maintaining power and with deadbeat escapement. The heavy brass, cased, adjustable pendulum with glass cylinder for mercury, swinging against a scale. The movement driven by a single brass cased weight. SIZE: 59-1/2” h x 16-1/2” w x 9” d. CONDITION: The mahogany case with original undisturbed surface and rich dark patina. The baise seal to the inner door intact and functional. The two door locks absent. The outer door retains original surface and latches remain in alignment. The molded surround with wear to original surface. Case is structurally very good with normal and expected wear and abrasions. The movement appears clean an operational. Hands appear original. Silvered dial overly polished resulting in uneven silvering with areas of brass showing through. Brass frame for dial in place and secure. Scale for English inches intact and original, as is horizontal beat scale. Pendulum and weight original and intact. The liquid mercury in pendulum now absent. Very good overall. 52973-1 (8,000-12,000)

Closed

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352

FINE GEORGIAN MAHOGANY AND ORMOLU BRACKET CLOCK. Second half 18th century, England. With the signature of “Charles Cabrier, London”, marked beneath an aperture in the silvered chapter ring. The case with molded casket form crest surmounted by five flame urn form finials above the concave molded cornice. The case with cast ormolu floral and caryatid engaged elements at the corners. Centering a glass panel door with molded arch beneath pierced spandrels opening to a silvered subsidiary “strike and silent” dial with blued steel indicators within cast ormolu foliate ornaments above the Roman numeral chapter ring within an Arabic numeral seconds dial centering time, strike, and calendar apertures above the calendar opening, all within cast ormolu spandrels. The bracket clock with four pillar spring-driven eight day movement with verge escapement. The hour striking on a bell and quarter chiming on eight bells. The clock with triple fusee cable movement and pull repeater. The brass back plate of the movement with elaborate and ornate chinoiserie decoration. The clock on a molded base raised on molded brass bracket feet with shaped returns. The repeater mechanism governed by a pull cord passing through the proper right side of the case. The case sides each pierced, carved mahogany panels with fabric backing to assist the sound of the bell’s chiming. Note: The clock is accompanied by door key, winder, and original pendulum. Literature: Baillie, Watchmakers and Clockmakers of the World, N.A.G Press, London, pg. 49. SIZE: 23” h x 14” w x 8-1/2” d. CONDITION: The case with old professionally polished surface with fine patina and rich golden-red-brown color. The ormolu and brass elements original. Brass movement appears clean and operational. Very fine overall condition. 53055-2 (8,000-12,000)

Session 2

2198.

Lot 2198 2199. LARGE THREE-PART “GUN DOG” MAJOLICA GAME DISH BY MINTON. The dish made up of three parts; top, bottom and removable insert. Base marked “Minton 964”. The oval dish having tree-branch intertwined handles, four paw feet and the sides in colorful panels, one depicting a pheasant, the other a hare. The inside in a turquoise blue. The cream colored insert with two thumb handles. The cover having a brown spotted, white dog laying atop a rifle and shooting bag. SIZE: 8-1/2” h x 14-1/2” l x 8” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good. 52806-51 (1,500-2,500)

Lot 2199 353

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Session 2

2200. MAJOLICA THREE-PART RABBIT DECORATED GAME DISH. The three-part dish having a brownish/green base with turquoise blue interior. A white porcelain insert having two thumb holds. The cover having a central branch handle and a brown rabbit laying on fern leaves surrounded by a border of dark majolica glaze. Unmarked but possibly by George Jones. SIZE: 7” h x 11” l x 8” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good, insert with discoloration & crazing. 52806-117 (1,500-2,500)

Lot 2200 2201.

LARGE TWO-PART BISQUE GAME DISH BY SPODE. The large base having two branch type handles, four log feet, and a basketry decoration covered with branches of oak leaves & acorns. The cover having a rabbit, duck, & game bird laying on fern & oak leaves. The cover marked “S”. SIZE: 9” h x 15-1/2” l x 10” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good, small nicks to inside rim of base. 52806-38 (800-1,200)

2202.

RARE FOUR-PART MAJOLICA GAME DECORATED PÂTÉ Lot 2201 DISH. The basketry formed base having a turquoise interior and light brown outside glaze has an original turquoise blue liner having thumb hold handles. A matching under tray with similar decoration and the cover having game bird & hare decoration. Impress mark for “Brown, West Head-Moore & Co.” partly obscured by export label. SIZE: 5” h x 8-1/2” l x 6-1/2” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good. 52806-83 (800-1,200)

Lot 2202

2203.

FABULOUS MAJOLICA QUAIL DECORATED CENTERPIECE. The piece having a central tree decorated with clusters of oak leaves & acorns having a round shallow bowl top. The base having two game birds in front of a spray of green leaves & natural decor. The base signed “JB 1204”. SIZE: 13” h x 8” at widest. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good. 52806-66 (800-1,200)

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354

EDOUARD ADAM (French, 1847-1929) PORTRAIT OF THE SHIP “JACOB A. STAMLER”. Large oil on canvas nautical scene shows broadside view of the black hulled ship with sails up, sailing right to left, flying American flag, ships pennant, and having several men on deck. Another view of the ship coming toward viewer is seen off the bow. All under a multi-colored cloud sky. Signed lower right “Ed. Adam / Harve 1874”. The ship was built at North Sixth St, Williamsburg; Thomas Stack was the builder and it was launched October 11th, 1856. Owners were William Laytin and Edwin Hurlbut. The ship was more of a carrier of immigrants than freight servicing. The ship was purchased by John Arbuckle in 1899; he was the son of a Scot/Irish immigrant. He made his money in the coffee business. The ship was made into a floating hotel which made Lot 2204 Saturday to Monday trips with activities and accommodations for the guests. Housed in a modern gilt frame. SIZE: 24” h x 36” w. Overall 30” h x 41-1/2” w. CONDITION: Lined, above the blue flag there is a slit in the old canvas which does not penetrate the lining, craquelure, otherwise very good. 52902-11 (5,000-7,000)

2205.

NAPOLEONIC PRISONER OF WAR BONE MODEL OF A 48 GUN FRIGATE. 1st quarter 19th century, England. This small model most likely made by French prisoners during the Napoleonic Wars while captive in Great Britain. Mounted in a domed glass case. The 3-masted frigate with planked bone decking and hull of pinned construction mounted with 48 guns on two decks. Model made with twisted silk or baleen strung rigging with well detailed fantail and female figurehead. Note: The war between Napoleon’s French Navy and the naval forces of England lasted so long that the captured French prisoners had to find ways to pass the time. Although the British did not treat them as convicts, they were confined to prison hulks, old castles or purpose built prison camps such as Dartmoor. Their captors encouraged the prisoners to form their own groups or guilds to produce small objects of art to sell in the camp’s civilian markets. Among the most popular were ship models that Lot 2205 they created representing British naval ships of the period. French prisoners of war obtained beef and mutton bones from the food rations issued to them. After gathering bones for use in model building, prisoners boiled the bones and bleached them in the sun, to make the bones easier to shape and carve. In addition to cattle and mutton bones, prisoners made use of their own hair to fashion sail rigging, and tissue paper to create sails. SIZE: Model: 14” h x 15-1/2” l. Dome: 16-1/2” h x 17-3/4” l x 8” approx. w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Glass dome and velvet covered base original and in good condition. The model is sound. Rigging generally complete. One area of rigging in disrepair on main mast beneath top gallant spar. Generally very good overall. 52806-213 (5,000-10,000) ESA

355

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Session 2

2204.

Session 2

2206. RARE AND EXTRAORDINARY OVAL SAILOR’S VALENTINE. 3th quarter, 19th century. This large example with multiple rows of varied polychrome shellwork. The inner rows of drapery design set with shellwork of three petal flower heads. The central oval with geometric triangles and arrows around a large pink and pale turquoise blue flower. The whole housed in a deep molded walnut frame of the period. The valentine mounted under glass. SIZE: Shellwork 23” h x 19” w. Overall: 26-1/2” h x 22-1/2” w. CONDITION: The shells retain vibrant color with no loose, damaged or restored areas. Very fine to excellent untouched condition. Frame retains original surface with good color and patina. 52829-74 (4,000-6,000)

Lot 2206 2207.

DUNCAN MCFARLANE (British, 1834-1871) PORTRAIT OF THE BARK “THOMAS MELLOR”. Watercolor nautical scene shows the three mast bark in a starboard view leaving Liverpool passing the south stack lighthouse bound for Brazil. There are a number of people on deck, including a man with a top hat at starboard. Another tall ship is being led by a pilot boat off the bow. Housed in a modern gilt frame having an artist and title plaque with a colorful mat. Unsigned. Note: The 257 ton bark “Thomas Mellor” was built in Holton Pans on the River Tyne in the north east of England in 1832. Constructed for the Liverpool shipowners Mellors & Co, she traded almost exclusively with Brazil from her registered port of Liverpool. Aside from a voyage to Bahia in 1839, her regular route was Liverpool-Pernambuco. Known as one of the fastest vessels Lot 2207 in the Brazil trade, she made many successful passages over the next 23 years. Her last entry in Lloyd’s Register was for 1855. About half of McFarlane’s known watercolors show this same background of the vessel outward bound from Liverpool with the distinct landmark of the South Stack, Anglesey off the bowsprit. SIZE: Sight 15” h x 23-1/4” w. Overall 22-3/4” h x 30-1/2” w. CONDITION: Good. 52953-3 (2,000-3,000) 2208. SCRIMSHAW WHALE’S TOOTH. Second half 19th century. Scrimmed with a ship of the line. The verso scrimmed with the figure of a woman in native costume with bonnet and basket of flowers. SIZE: 5-1/2” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good overall. Undisturbed natural surface with good patina. 52875-9 (1,0001,500) ESA

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356

TWO COCONUT DIPPERS TOGETHER WITH A COCONUT CUP WITH HANDLE. Third quarter 19th century American. The first dipper with turned, swelled, cylindrical oak handle with pewter inlaid rim depicting two sperm whales centering a bird in flight. The coconut cup of natural form with hollowed interior affixed with a C-scrolled whale bone handle. The second dipper with carved and polished surface carved with a cartouche scrimmed within: “MADE BY JAMES LONG NOV 6 1862”. The turned handle of rosewood. The handle joined to the cup by an ivory spacer, and terminating in a Lot 2209 polished round ivory knob drilled for a rawhide hanger. SIZE: Dipper: 12-1/4”l. Dipper 13” l. Cup: 3-1/2” dia. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: All items retain undisturbed surface with very nice patina. The cup with old fissure showing minute separation, otherwise very good. 52893-5, 52893-6 (800-1,200) ESA

2210. EXCEPTIONAL AND RARE MASONIC SCRIMSHAW DECORATED WHALE’S TOOTH SNUFF BOTTLE. Mid-late 19th century American. The elaborately decorated tooth with numerous Masonic symbols, swags, dot centered circles and compass legend. Additionally scrimmed with “BJ”. The tooth fitted with a tiger maple incised end cap, the opposing end with turned ebony or rosewood fill spout, plug absent. SIZE: 5” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: With undisturbed and fine patina, in excellent untouched original condition. 52738-31 (1,500-3,000) ESA

Lot 2210 (w/reverse) 2211.

TWO FINE CARVED COCONUT CANTEENS, ONE WITH TWO IVORY BEAD “EYES”. Late-19th century. The first, a patriotic themed canteen carved in deep relief with military trophy, a vignette of the Constitution beneath American flag with the name “T GORMAN” within a leafy branch and a third vignette of a fraternal crest inscribed “NATIONAL” above a hand extending an olive branch. The second with pewter spout and with pewter inserts to which are attached three brass chains for hanging. The canteen carved overall in low relief with floral rondels and with floral filled urns all within foliate borders. SIZE: First: 5” h. Second 5-1/2” h. Special Note: This item(s) contains plant Lot 2211 or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: The first with fitting for spout; spout now absent, otherwise good. Both with undisturbed, well polished surfaces with dark brown color and natural patina. Very good overall. Ivory beads with undisturbed patina. 52875-11 (1,000-1,500) ESA 357

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Session 2

2209.

2212. WONDERFUL AND WHIMSICAL LIFE SIZE CARVED SEAL PUP. Late 19th, early 20th century America. This pine example carved from the solid with brown painted and stained surfaces with well executed facial expression, flippers and tail. SIZE: 17-1/2” h x 41” l (approx). CONDITION: The carving, with two stable horizontal age fissures now stable. Very fine, untouched original condition. 52738-14 (1,500-2,500)

Session 2 Lot 2212 2213.

RARE UNITED STATES LIGHTHOUSE ESTABLISHMENT SETH THOMAS NO. 2 REGULATOR CLOCK. Circa 1910 or shortly thereafter New York. The enameled dial marked “U.S.L.H. ESTAB.” for the United States Lighthouse Establishment founded in 1910. The oak regulator of typical form with eight day time only spring driven movement driven by a brass circular weight, the original pendulum with brass clad bob. SIZE: Case height 36” x 15-3/4” d x 9-1/2” throat width. CONDITION: Movement appears intact and operational. Case with old cleaned surface and later varnish. Case retains original Seth Thomas paper label mounted at base of throat. Dial retains original painted numerals and inscription with some paint loss between the V and VII in the chapter ring. Abrasion from cleaning in several areas. 52893-1 (3,000-5,000)

2214.

SAILMAKER’S CARVED SEAM RUBBER AND CARVED PRODE OR “PERSUADER”. 19th century, America or England. The seam rubber with rope-twist handle and monkey’s paw knot pommel. The opposing end with a triangular spade-form “blade” embellished with carved leaf tips, the purpose of which was to smooth out and compress sail seams. A fine example of a carved officer’s prode, the tapered shaft with incised decorated band beneath a silvered shield cartouche continuing to the grip with studded inlay of a six-pointed star within a circular border, flanked by incised bands. The pommel carved in the form of a clenched fist clutching a snake’s head, the body entwined around the shaft. A rare example used by officers on board ships to prod and persuade a sailor into more action. SIZE: Seam rubber: 7” l. Prode: 15” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very fine condition. Surfaces undisturbed with rich patina and dark tea-brown coloration. Each item is drilled to accept a lanyard. 52893-3 (800-1,200) ESA

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358

Lot 2213

TWO SMALL SHIP’S BLOCKS TOGETHER WITH A SMALL IVORY BOX WITH LID AND A CHILD’S WHALEBONE BOWLING SET. Second half 19th century American. Two small ivory ship’s blocks; the larger with single roller; the smaller with double rollers. The small whalebone box with pewter binding and sliding lid with fan-shaped pull. Child’s bowling set comprised of 6 turned and carved bowling pins and a single ball. SIZE: Ship blocks: 4-3/4” h x 5-1/2” l. Whalebone box: 5-1/2” l overall. Bowling set pins: 1” h. Ball: 3/8” dia. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Ship blocks have original surfaces and very fine color and patina. Whalebone box good overall with old losses at one end in area of lid. Bowling set is very good, untouched condition. 52893-10 (1,8002,200) ESA

Lot 2215

2216. TWO SCRIMSHAW WHALES’ TEETH OF YOUNG WOMEN. Late-19th/ early-20th century. One depicting a young woman dancing in costume, the second depicting young woman in ribbon tied bonnet with puffy sleeved blouse together with a single display stand. SIZE: First overall: 7-1/2” l. Second overall: 6” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: The first in very good original condition with undisturbed natural patina. The second with display stand with some damage and repairs to base of tooth. Surface with undisturbed patina. 52893-8 (1,200-1,800) ESA

Lot 2216

2217. MAHOGANY CASED DOUBLE SAILOR’S VALENTINE. Last quarter 19th century. The octagonal hinged case opening to a conforming double shell Valentine. The left side facing with multi-triangular shell border forming and 8-pointed star with central rondel with the words “EVER THINE” in seed shells. Proper right side with central rondel depicting a heart beneath a floral spray within a border of pink and white shell flower heads. SIZE: 12” h x 12” w, 3-3/4” d closed CONDITION: All shells intact and in place. Mahogany case with polished surface, rich color and good patina. Very good all original condition. 52829-68 (4,000-6,000)

Lot 2217 359

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Session 2

2215.

Session 2

2218. LARGE SCRIMSHAW TOOTH INSCRIBED “GREAT CRY AND LITTLE WOOL”. 19th century, possibly England. This satirical themed example scrimmed with a scene depicting a squealing pig tied to a post in a barnyard while men attempt to shear it. Inscription is scrimmed beneath the scene. SIZE: Overall: 10” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good overall with undisturbed surface and good patina. The base of tooth with small drilled hole at base of tooth. 52893-7 (800-1,200) ESA

2219.

GROUP OF SAILOR MADE MARINE ITEMS. A large whalebone sailor’s fid of typical form, a scrimshaw ivory busk with a whaling scene on one side and the name and date “W BENDER 1881” framed within stylized harpoons and foliate vinery, and a pair of inlaid wood snatch blocks in green paint with diamond shaped whalebone inlays. SIZE: Fid: 13-1/2” l. Busk: 7-3/4” l. Snatch blocks: 7-1/4” l. Special Note: This item(s) contains plant or animal properties that may be covered Lot 2218 by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Fid has original polished surface and undisturbed patina, very good overall. Busk is very good with undisturbed surface. Snatch blocks have weathered surface, retaining original green paint. One eye hanger broken but present. 52893-11 (700-900) ESA 2220. GROUP OF TEN HANDMADE Lot 2219 WHALE BONE CLOTHESPINS. 19th century American. Of varying size, each with faceted top. The opposing end in form of wishbone. SIZE: Approx 2-1/2”. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good with original surface. 52893-4 (500-700) ESA

Lot 2220

2221.

UNUSUAL GRAPHIC PAIR OF SEAHORSE ANDIRONS. Early 20th century. Cast brass seahorses in profile joined to cast iron mounts and log rests. SIZE: 17” h x 19” d. CONDITION: Very fine untouched condition, no damages or restoration. 52738-3 (1,500-3,000)

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360

Session 2 Lot 2222 2222.

JAMES EDWARD BUTTERSWORTH (American/British, 1817-1894) PORTRAIT OF THE MERCHANT SHIP DOLPHIN OFF PORTSMOUTH ENGLAND. Fine oil on canvas nautical scene shows the three mast ship sailing right to left in green white tipped ocean. Several other ships are seen with some anchored off harbor walls. The ship is seen in full sail, flying ship’s pennant atop main mast. Colorful pink and blue sky with gray and white shaded clouds. Housed in a fine period gesso decorated gilt frame having some corner and edge loss, with gilt artist and title plaque. The unsigned work from Buttersworth’s late English period before he came to America in the late 1840’s. SIZE: 24” h x 36” w. Overall 30” h x 42” w. CONDITION: Very good, some light craquelure, some minor touchup, generally very good. 52953-2 (10,000-15,000)

2223.

BRASS CHELSEA PILOT HOUSE CLOCK. 1915-1919, Chelsea Clock Company, Chelsea Massachusetts. This fine wall clock with 9-1/4” dial and burnished brass case with the serial number 101038 engraved on back plate. The silver dial with Arabic numeral chapter ring centering a subsidiary seconds dial stamped with “CHELSEA”, the minute and hours hands in black paint above a time only aperture beneath the retailer’s name “REED & BARTON CO. NEW YORK”. The eight day movement not inspected but appears clean and operational. Clock is accompanied by winding key. SIZE: Case diameter 12” x 3” d. Dial: 9-1/4”. CONDITION: The case and dial in very fine original condition. Movement as previously stated. Very good condition overall. 52903-2 (3,000-5,000)

Lot 2223 361

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Session 2

2224. CASED SHIP MODEL OF THE YACHT “MAYFLOWER”, 1886 AMERICA’S CUP WINNER BY WILLIAM HITCHCOCK. Ship was winner over the Scottish challenger “Galatea”. Model shown with a white, black & red hull, planked deck, flying American flag and yachts pennant. Nice detailed work. Housed in a metal edged glass presentation case. A scarce model, built by Hitchcock for our consignor. SIZE: 30-1/2” h x 29” w x 7” d. PROVENANCE: Private California collector. CONDITION: Very good. 52919-7 (1,500-2,500)

Lot 2224 2225.

CASED SHIP MODEL OF THE US PRIVATEER “TEMPEST”. Twenty-first century American. Titled “On Alert” depicting the privateer Tempest sailing past a British island outpost in the Caribbean in 1812 made by A. Clark in a custom made cased. Case bears an additional retailer’s label for “THE AMERICAN MARINE MODEL GALLERY, SALEM, MASS”. SIZE: 17-1/2” h x 24” l x 14” d. CONDITION: In very fine, untouched condition. 52919-5 (1,500-2,000)

Lot 2225

2226. CASED SHIP MODEL OF THE YACHT “PURITAN”, 1885 AMERICA’S CUP DEFENDER BY WILLIAM HITCHCOCK. The “Puritan” was winner over the English challenger “Genesta”. The “Puritan” was built by George Lawley & Son of Boston and raced for the New York Yacht Club. The red & white hulled yacht having plank type deck with good detail. Housed in a custom brass edged glass case. Unsigned. Commission by our consignor to be built by William Hitchcock. SIZE: 27” h x 28” w x 8” d. PROVENANCE: Private California Collection. CONDITION: Very good. 52919-6 (1,500-2,500)

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362

Lot 2227 2228.

SMALL SCRIMSHAW WHALE’S TOOTH OF LADY LIBERTY. Third quarter 19th century American. This patriotic example depicting Lady Liberty with American flag and Great Seal, a whaling ship in the background. The opposing side carved with a half-bust scrimshaw image and a standing image of Liberty framed in leafy shrubbery. SIZE: 3-1/2” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Small old chip from base of tooth, otherwise very good with undisturbed patina. 52893-9 (700-900) ESA

Lot 2229

Lot 2228 (w/reverse)

2229. G ROUP OF NINE CAST-IRON NAUTICAL DOOR STOPS TOGETHER WITH A LIGHTHOUSE STILL BANK. First half 20th century, American. The group includes: a lighthouse on rockwork, stamped “A A Richardson”, Quincy, Massachusetts; a lighthouse with waves breaking, titled “Minots Ledge” with impressed maker’s mark titled “Original Lighthouse Collection 1886”; a pair of small lighthouses on rockwork with a stepped base, unmarked; a pair of lighthouse doorstops on rockwork with waves, unmarked; a pair of small cast-iron figural fisherman doorstops; a cast-brass three-dimensional round lighthouse on rockwork; a cast-iron lighthouse still bank titled “Light of the World” in black paint. SIZE: From 6” to 10” tall. CONDITION: All with original paint, with the exception of the still bank as noted above and the brass lighthouse, which retains original unpainted surface. 53002-5 (500-600) 363

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Session 2

2227. NAUTICAL THEMED DESK CLOCK WITH DOUBLE SHIP’S WHEEL. Late 19th/early 20th century. The brass ship’s wheel mounted with an Aneroid barometer; the opposing wheel with a spring driven clock with enamel dial and with Roman and Arabic numeral chapter rings, each with clear glass beveled bezel. Joined to, and turning on, a ratcheted capstan. The dials can be rotated on the base to view each side. The eight-day timepiece clock movement with balance escapement. The capstan joined to and mounted on a rectangular red marble base with sloping sides on a brass plate. SIZE: 8” h x 7” l x 4-1/2” w. CONDITION: Clock retains old original surfaces with nice in-use patina, bezels and dials are clean. Red marble with chip on one corner, otherwise good. 52893-2 (700-1,000)

2230.

Session 2

POSSIBLY BY ROBERT SALMON (American/Scottish, 1775-1844) BROADSIDE OF SAILING VESSEL IN MARSEILLES HARBOR. The watercolor shows a three mast black and white hulled ship with partial sails and crewmen on the deck and rigging. It flies an American flag and on the front sail is a black circle with lines raying out. There is a name on the bow which is indiscernible. A large fort can be seen off bow and some harbor buildings off to the right. The signature “Robert Salmon” in block letters and “1829” are bottom left. The ship is believed to be the same ship depicted in Salmon’s famous painting “Ward’s of Boston, 1829” a 40” h x 68” w oil on canvas which is in the Boston Society, Old State House, Boston. Housed in a modern black frame with colored silk style mat. SIZE: 15” h x 20-1/2” w. Overall 23-1/2” h x 29” w. CONDITION: Has toning and all over light foxing, not examined out of frame. 52902-12 (2,000-4,000)

Lot 2230

2231. AMERICAN SCHOOL (2nd quarter 19th century) FULL LENGTH PORTRAIT OF A YOUNG GIRL WITH CHERRIES. Stunning unsigned oil on canvas portrait of a cherubic blue eyed child wearing a coral necklace and blue dress with gold appliqué and lace edged collar with pantaloons. She stands on a floral decorated carpet holding a bunch of cherries in her hands with a basket of fruit on a velvet upholstered bench. Housed in a vintage giltwood frame. SIZE: 38” x 28”. Overall: 43” x 33”. CONDITION: Good restored condition, lined with 1” surface scratch in bench and minor discolored varnish. 52789-4 (3,0005,000)

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364

EXCEPTIONAL GRAIN PAINTED SLANT LID PINE DESK SIGNED GEORGE PIERCE, MANLIUS, NEW YORK. First quarter 19th century New England. The rectangular dovetailed case with hinged, sloping lid resting on lopers. The interior fitted with an arrangement of five document drawers. The case with four graduated long drawers with thumb molded edges and with original stamped brass floral handles raised on simple bracket feet centering a scalloped apron. The desk retains original free form sponge decoration with diagonal squiggle line borders. Tea brown decorations on a bold bittersweet orange ground. SIZE: 48” h x 36” w (case) x 20-1/2” d. PROVENANCE: Northeast Auctions August 2008, lot 894, Madeleine Killeen and David Zabriskie, New York,Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Original decorated and painted surfaces untouched with normal and expected in-use wear. Hardware original, backboards and feet original. Backboards retain hand-painted inscription in black paint; most likely the name and location of original owner or perhaps the maker. Backboards retain original hand-cut nails. Very fine, untouched condition overall. 52806-18 (8,000-12,000)

365

Session 2

2232.

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Session 2

2233. W ONDERFUL AND UNIQUE FOLK ART QUEEN ANNE PAINTED MIRROR. 2nd quarter, 18th century, New England. The rectangular mirror plate within a simple molded surround beneath an exuberant carved and scrolled crown form crest with scrolled ears at the corners, centering a fishtail carved pendant crest. The whole in Spanish brown original paint carved of pine. SIZE: 27” x 15-3/4”. CONDITION: Mirror plate original with age appropriate silvering losses, foxing and cloudiness. Backboard original. Paint surface crusty with age appropriate abrasions and undisturbed surface with good patina. Proper right upper ear with early groove repair. No filler added. Proper right lower ear with old wood brace on back. Otherwise very good to excellent untouched condition. 52738-42 (1,500-3,000)

2234. EARLY AMERICAN BANNISTER BACK ARMCHAIR. First quarter 19th century New England, possibly Connecticut. The pierced and scrolled Prince of Wales crest joined to block and baluster-turned stiles with turned finials and five Lot 2233 split banister splats joined to the molded arms with scrolled grips centering the trapezoidal woven seat raised on blocked and spool-turned frontal legs terminating in Spanish feet joined by a double box stretcher with reel- and ring-turned frontal stretchers. SIZE: 48” h (back), 18-1/2” h (seat) x 23” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Old cleaned surface with normal and expected wear. Rush seat old, if not original. Frame remains tight and sturdy. Good overall condition. 52806-91 (1,500-2,500) 2235.

RARE PAINTED RHODE ISLAND QUEEN ANNE DRESSING TABLE. 2nd quarter 18th century Newport, Rhode Island. The rectangular top projecting above Lot 2234 the conforming maple and pine case fitted with a two long drawers with molded edge; lower drawer with three simulated draw fronts, the center most fancarved. The dressing table raised on angular cabriole legs, tapering to slender ankles, terminating in ridged slipper feet unique to the Newport form. The arcaded apron with pendant turned ball finials. The whole with grain painted decoration over original red paint. Reference: See Albert Sack, Fine Points of Furniture, pg 182 for similar examples of Newport slipper foot. SIZE: 32” h x 39-1/2” w x 21-1/4” d. CONDITION: Top retains original pegs. Hardware of the period and in original holes. Finials original. Drawer sides built up at bottoms from wear. Old chip loss proper left front foot, otherwise with scattered grained pain losses. Excellent untouched structural condition. 52738-18 (5,000-10,000)

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366

RARE EARLY AMERICAN ARCHITECTURAL DISPLAYED EAGLE. Mid 18th century, American. This nice example carved from the solid in two parts. Affixed with early, if not original iron link hanging chain. The outstretched wings carved in deep relief with realistic depiction of feathers. The wings carved from the solid and fitted to the body. The eagle’s body with spread tail, legs and talons rendered as if in the act of landing. The eagle with elongated neck, the head and beak curiously rendered in the manner of a pigeon rather than a bird of prey, and with unusual carved plume. The whole with remnants of original gilt surfaces and plumage painted in later green Lot 2236 and dark red, now turned to a coffee tone. SIZE: 15” h x 27” wingspan CONDITION: Decorated surfaces as noted. The carving with multiple losses to tips of talons, and with shallow sliver losses to ends of tail feathers. Small loss to tip of plume. Otherwise with normal and expected in use wear, abrasion to paint and light soiling. Otherwise very good with old untouched surfaces. 52955-2 (1,000-2,000)

Lot 2237

2238.

2237. RARE MINIATURE TIGER MAPLE LOOKING GLASS. Second half 18th century New England. The rectangular mirror plate within a conforming rectangular tiger maple frame with tombstone crest and beveled edge above the carved cylindrical handle. The whole with bold tiger graining carved from a single piece. SIZE: 8” l x 2-3/4”. CONDITION: Mirror retains original thin, dry varnish finish with rich dark patina. Minor losses to silver backing within normal parameters. Very fine, untouched original condition. 52738-8 (1,200-1,800)

UNSIGNED (American School, Early 19th Century) PORTRAIT OF GEORGE WASHINGTON. Oil on canvas half portrait of George Washington at a later stage in his life well rendered and showing a very proficient and academically trained artist. Housed in a veneered & gilt decorated frame which is period to the painting. SIZE: 32” x 26”. Overall: 39” x 33”. CONDITION: Very good. 52121-1 (4,000-6,000)

Lot 2238 2239. PATRIOTIC GEORGE WASHINGTON HAND WORKED TAPESTRY. The needlework picture has an oval central half portrait of Washington surrounded by oak leaves and red, white, and blue shields in corners. The borders having applied twisted decorative rope. The tapestry has been mounted to a piece of Masonite and housed in an antique mahogany frame. Probably centennial or earlier. SIZE: 27” h x 23-1/2” w. Overall 321/2” h x 29” w. CONDITION: Glued to board, some fading, losses primarily in the blue areas. 52895-4 (3,000-5,000)

Lot 2239 367

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Session 2

2236.

Session 2 2240.

VERY FINE ANTIQUE SERAPI ORIENTAL CARPET. Last quarter 19th century, northwest Persia. The stylized midnight-blue arabesque medallion in madder red, ivory, and celadon within a madder red field of traditional, well-spaced floral tendrils and geometric designs with angular ivory, madder red, and blue-black spandrels, the main border with floral trellis work. SIZE: 9’ 3” x 13’ 1”. CONDITION: Rug has been professionally cleaned, revealing strong palate of subtle coloration. Normal and expected in-use wear, minimal in nature, with small areas of foundation showing, well within expected parameters. Very good overall. 52829-70 (15,000-25,000)

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368

SPECTACULAR AND RARE VINEGAR PAINT DECORATED DROPLEAF TABLE. Late 18th, early 19th century New England. This pine and maple example with vibrant original red, green, ochre and oyster white paint-decorated primarily utilizing a “turkey tail” motif. The rectangular single board top with hinged conforming leaves pegged to and projecting above the maple apron. Raised on boldly turned vase, ring and reel-turned maple legs terminating in ball feet. SIZE: 28” h x 18-1/2” width closed x 41” width opened x 41” l. CONDITION: All elements original and intact with no restoration or damage. Old small chip loss at corner of top at ruled edge. Early chip loss inner foot of one leg with minor paint abrasions. Very fine original condition. 52738-1 (10,000-20,000) 2242.

Session 2

2241.

Lot 2241 INE SILK EMBROIDERY BY MARY ANN THOMAS. Circa F 1797, New England. Wrought with a central flowering shrub in an urn amongst flying butterflies and two feeding birds, all within a delicate scrolling border of flowering vinery on a beige ground. Embroidered beneath the urn is “Mary.Ann.Thomas” over the date “1797”. Mounted beneath a black and gold églomisé glass panel, housed in a gold gilt frame. SIZE: Sight: 16” x 14”. Overall: 25-1/2” x 22-1/2”. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: The silkwork with overall toning of a light tea color. Embroidery generally good, retaining true colors. Sightly faded. 5288533 (1,000-1,500)

Lot 2242 2243.

SEMI ANTIQUE FEREGHAN SAROUK RUG. Late 19th-early 20th century, central Persia. The arabesque polled medallion with central ivory lobed flower head on a rose-pink ground with dense floral sprigs and vinery framed by black floral spandrels with ivory borders within a dense floral main border and multiple floral and crenelated guard borders. SIZE: 3’ 4” x 4’ 10”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: With overall even wear retaining moderate pile. Loss to fringe at each end. Selvage intact. Overall very good with no restoration noted. 52714-102 (400-600) 369

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2244. CARVED AND PAINTED 27” LAKE TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, inscribed “ 7 3/4# caught on Echo Lake/March 16, 1968” the backboard being painted birchbark. SIZE: 15” x 36” PROVENANCE: Ex-Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-11 (1,000-1,500)

Session 2

Lot 2244 2245.

CARVED AND PAINTED 37” STRIPED BASS BY LAWRENCE C. IRVINE, WINTHROP, ME. Mounted on its natural stained oval backboard, unsigned. Plaque on front reads “B.K Still-June 27, 1969 0 Popham Beach, Maine 21-1/2 lbs. 371/2” long”. SIZE: 48” x 17-1/2”. CONDITION: Very good. 5307619 (8,000-10,000)

Lot 2245

2246.

ARVED AND PAINTED 20” BROOK TROUT BY LAWRENCE C C. IRVINE, WINTHROP, ME. Signed on reverse of its backboard which is cut in the shape of the State of Maine, titled “Maine” and having a painted pine tree and pine branch with a pine cone against a simulated white birch bark backboard. SIZE: 34” x 22”. CONDITION: Very good. 53076-22 (1,750-2,250)

2247.

ARVED AND PAINTED 33” LEAPING SALMON BY C LAWRENCE C. IRVINE, WINTHROP, MAINE. Third quarter 20th century. Mounted on a natural oval back board. Signed on reverse. SIZE: Plaque: 16” h x 40” l. CONDITION: Very good. 53076-18 (1,750-2,750)

Lot 2246

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370

Lot 2248 2249.

CARVED & PAINTED 25” SALMON BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque. Backboard being a natural light stain. SIZE: 14-1/2” x 33-1/2”. CONDITION: Very good. 5307627 (800-1,200)

Lot 2249 2250. CARVED AND PAINTED 18” BROWN TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being painted birchbark. SIZE: 11” x 23 1/2” PROVENANCE: Ex-collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-2 (1,200-1,800)

Lot 2250 2251.

CARVED AND PAINTED 30” LAKE TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, the backboard being a natural light stain. SIZE: 15” x 36” PROVENANCE: ExCollection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-9 (800-1,200)

Lot 2251 371

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Session 2

2248. CARVED AND PAINTED 25” PICKEREL BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, the backboard being a natural light stain. SIZE: 14” x 33” PROVENANCE: Excollection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-6 (1,000-1,500)

2252. CARVED AND PAINTED 12 1/2” WHITE PERCH BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 9-1/2” x 15”. PROVENANCE: Ex-collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-5 (1,000-1,500)

Session 2 Lot 2252

2253.

CARVED AND PAINTED 20 1/2” BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being painted birchbark. SIZE: 12” x 28 1/2” PROVENANCE: Ex-Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-8 (1,400-1,800)

Lot 2253 2254.

FINE HEPPLEWHITE INLAID MAHOGANY DEMILUNE SIDEBOARD. First quarter 19th century, possibly coastal New England. The rectangular top with bowfront and rosewood crossbanding, projecting above the conforming case, fitted with three aligned drawers above a deep, central drawer fitted with bottle compartments, flanked by a cupboard door and deep drawer, all with contrasting string inlays and with mahogany and rosewood crossbanding. Raised on molded square tapered legs. SIZE: 39” h x 60” w x 28-1/2” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Sideboard retains original polished surfaces. Period brasses are later replacements. Case sides with horizontal shrinkage cracks now stabilized. Central frontal legs now with reinforcing corner brackets. Rear legs applied with reinforcement strips at back. Case now stable. Very good overall. 5288528 (800-1,200)

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372

Lot 2255

2256.

RARE STONEWARE JUG DECORATED WITH LEAPING STAG IN COBALT BLUE. Mid-19th century, Bennington, Vermont. J&E Norton 4 gallon jug. The cobalt blue decoration depicting a stag leaping over split rail fence in a pastoral landscape. SIZE: 17” h. CONDITION: A depression from the making in the center of the body. A shallow flake or chip approximately 2” above the base. Other minor glaze imperfections. Otherwise good. 52938-3 (7,000-10,000)

Lot 2256 373

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Session 2

2255. THREE GALLON STONEWARE JUG WITH ELABORATELY DECORATED COBALT BLUE BIRD IN A TREE. Mid-19th century, Bennington, Vermont. With impressed “J&E Norton” stamp and marked as 3 gallons. Vibrant cobalt decoration, the bird with long plumage perched in a large, leafless tree. SIZE: 15-1/2” h. CONDITION: With minor unevenness to color of glaze, notably to proper left side of tree. Otherwise very good. 52938-2 (4,000-6,000)

Session 2

2257. OUTSTANDING WATERCOLOR NEEDLEWORK PICTURE “FRIENDSHIP”. American/British school. The picture shows a woman holding a vine of leaves and flowers standing next to a young girl seated with a lamb. A red roofed house is seen under trees and a castle on a hill in background. On the right and side are two doves over a plinth which is written “Friendship”. The background is a lake with mountains and there are two boats with people all in watercolor. Wonderful period frame adorned with shells, oak leaves and acorns (one edge loss to upper left). The needlework is matted in an eight sided window with black and gold painted églomisé glass mat. SIZE: Sight: 19-1/2” x 24-1/2”. Overall: 26-3/4” x 31-1/2” CONDITION: Very good. 52902-4 (1,8002,500)

Lot 2257 2258.

RARE FEDERAL LADY’S EASY CHAIR. Late 18th century, New England. The frame comprised of mahogany, maple and pine. The narrow flaring back with crescent shaped crest rail, joined to shaped wings continuing to down-sloping arms with vertical supports centering a trapezoidal seat. The frame entirely over upholstered, raised on delicate, ring-turned, swelled cylindrical, tapering legs on ball feet raised on brass capped casters. SIZE: 50-1/2” h of back x 16-1/2” h of seat x 26” w. CONDITION: The upholstery of a coral hue with white flowers is in serviceable condition. The frame structurally fine with no visible repairs or restoration. Underside of seat frame now exposed for inspection. Excellent condition overall. 52738-24 (2,000-4,000)

Lot 2258 2259. FINE PORTSMOUTH BOWFRONT INLAID CHERRY CHEST OF DRAWERS. First quarter 19th century New Hampshire. The rectangular top with bowfront, the edge with rosewood crossbanding above the conforming case fitted with four graduated drawers. The dividers with cockbeaded edges above a shaped apron with central oval patera raised on flared French feet. Each drawer with three figured panels, all with crossbanded borders. SIZE: 36” h x 39-1/2” w x 23” d. CONDITION: Chest retains old surface with good color and patina. Brass hardware are not original to chest. Some later glue blocks along bottom edge and behind legs, otherwise original. Very good overall. 52829-17 (6,000-9,000)

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374

AMERICAN SCHOOL (19th century) FOLK ART PAINTING OF THE DEACON FLINT FOUNTAIN, BALDWIN MAINE. Oil on board depicting a horse drawn carriage standing in front of a white homestead with towering trees and round granite fountain on the road to the viewers left. Signed lower right “F. Sanford Art” and inscribed lower left “The Deacons Fountain Erected By Cyrus Woodman in Memory of Dea. Ephrim Flint in 1883.”, also inscribed lower center “Res. of Abishai Flint. Baldwin Me”. Housed in a period Victorian frame. SIZE: 21” x 27-1/2”. Overall: 26-1/4” x 33. CONDITION: Minor discolored varnish, 1/2” hole upper center, small losses, and craquelure. 52895-5 (3,000-5,000)

2261.

FULL BODIED COW WEATHERVANE BY HARRIS & CO BOSTON. Late 19th century. Accompanied by a museum stand. SIZE: 23” h x 34” l. CONDITION: Very good, very light verdigris surface. 52738-34 (5,000-10,000)

Session 2

2260.

Lot 2260

Lot 2261 375

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Session 2

2262. SEMI ANTIQUE MAHAL CARPET. First third 20th century, central Persia. The rug with rows of ivory, indigo, and pink subsidiary medallions on a terracotta ground with dense, scrolling polychrome floral vinery all within a midnight blue main border with lotus blossoms and floral sprays among scrolling floral trellis work within multiple polychrome floral guard borders. SIZE: 10’ x 14’ 2”. CONDITION: Rug retains nearly full pile with good palate. Small areas of insect damage along outer guard border, now inactive, affecting less than 1% of rug. Otherwise good. 52829-9 (2,5003,500)

2263. FINE COPPER COD FISH TRADE SIGN. Late 19th/early 20th century New England. This full body example with sheet copper fins, mounted with original linked iron hanging chains. The body comprised of tacked sheets of copper; the fins with crimped edges. Surfaces with original crusty red/brown paint with areas of verdigris on copper where paint is absent. SIZE: 37-3/4” l x 15” h approx. CONDITION: Early, if not original red/brown paint as noted. First anal fin with slight horizontal crease at mid-point. All fins and barbels intact and attached. Hanging chains original. Pleasing original surface with good patina and color. Very good overall. 52861-1 (2,000-3,000)

Lot 2262

2264. COPPER FISH-TACKLE TRADE SIGN. First half 20th century. In the form of a codfish bearing the word “TACKLE” in black on both sides. Old worn gold-leaf surface with good wear to iron hanging brackets. SIZE: 8” h x 30” l. CONDITION: Very good. 52843-3 (2,0003,000)

2265.

Lot 2263

UNIQUE FOLK ART CARVING OF A SALMON WITH ENCASED FISH HOOK. Late-19th/early20th century New England. Carved from the solid, the full body fish with sheet iron fins depicted with a large saltwater lure; the large hook wrapped with animal hair shown mounted within the body and encased in glass. The whole in original red paint beneath later gold paint. SIZE: 38-12/” l x 10”. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Surfaces as noted. Body with old horizontal shrinkage cracks now stable. Normal and expected deterioration to hair on lure. Surfaces undisturbed with good color and patina, very good overall. One glass panel with old crack. 52806-15 (2,000-4,000)

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376

Lot 2264

Lot 2265

2266. CARVED AND PAINTED 17-1/2” WHITE PERCH BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of its natural stained oval backboard. Plaque on front states “White Perch 2lbs 1oz Bear Pond 1982”. SIZE: 28” x 12”. CONDITION: Very good. 53076-15 (800-1,200)

2267.

Session 2

Lot 2266 CARVED AND PAINTED 29” SALMON BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 16” x 34”. PROVENANCE: Ex-collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-3 (800-1,200)

Lot 2267 2268. CARVED AND PAINTED 14” DOUBLE BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Unsigned on reverse of plaque, the background being a natural light stain. SIZE: 12” x 28” PROVENANCE: Ex-collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-4 (1,000-1,500)

Lot 2268 2269.

CARVED AND PAINTED 19 1/2” BASS BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 12” x 28” PROVENANCE: Ex-Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-7 (1,000-1,500)

Lot 2269 2270. CARVED AND PAINTED 21” BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 12” x 28”. PROVENANCE: Ex-Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-10 (1,0001,500)

Lot 2270 2271.

CARVED AND PAINTED 18” BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, the backboard being a natural light stain. SIZE: 12” x 28” PROVENANCE: Ex-collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-1 (800-1,200)

Lot 2271 377

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2272. CARVED AND PAINTED 16” BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque, inscribed “July 3, 1980”, the backboard being painted birchbark. SIZE: 10-1/2” x 23-1/2”. PROVENANCE: Ex-Collection of Marie & Don Stone, Winthrop, Maine. CONDITION: Very good. 53076-12 (1,250-1,750)

Session 2

Lot 2272 2273.

CARVED AND PAINTED 14” SMALL MOUTH BLACK BASS BY LAWRENCE C. IRVINE, WINTHROP, ME. Mounted on its natural stained rectangular backboard, unsigned but inscribed on reverse “Small Mouth Black Bass”. SIZE: 20” x 7-1/2”. CONDITION: Very good. 53076-16 (800-1,200)

Lot 2273 2274. CARVED & PAINTED 24” BROWN TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque. Backboard being a natural light stain. SIZE: 14” x 33”. CONDITION: Very good. 53076-26 (800-1,200)

Lot 2274 2275.

CARVED AND PAINTED 15-1/2” LANDLOCKED SALMON BY LAWRENCE C. IRVINE, WINTHROP, ME. Mounted on its simulated white birch bark rectangular backboard with applied dark stained molded edge, unsigned. SIZE: 171/2” x 7-1/4”. CONDITION: Some loss to the finish of the backboard, otherwise very good. 53076-17 (8001,200)

Lot 2275 2276. RARE LARGE SALMON PAINTED MIXING BOWL. The early 19th Century poplar bowl of New England origin. Wonderful dry original salmon paint, beveled finger hold approximately 2” below rim, interior use with worn scrubbed surface. SIZE: 6-1/2” h x 20-3/4” dia. CONDITION: Wonderful surface, some ancient & non-active insect holes, tight hairline crack on base which does not go through. 52738-11 (1,500-3,000)

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378

SELECTION OF THREE BLUE DECORATED STONEWARE CROCKS. Second half 19th century. The first 1-1/2 gallon “J. & E. Norton Bennington, Vermont” crock with lid. Free-hand decorated in cobalt blue of a fanciful bird perched on a leafless shrub. The second a jug with gently sloping sides decorated on front and verso with floral leafy sprays. The handles accented with underglaze blue at the terminus of each handle. The third a shallow stoneware cake crock with molded lip above incised line decoration. Decorated on front and verso with flowering branches, the handles with blue Lot 2277 decoration at the terminus with slip squiggles beneath, all in cobalt blue. SIZE: First: 10-1/2” h. Second: 101/4” h. Third 5-1/4” h x 8-3/4” dia. CONDITION: The first with well-fitted lid and with normal and expected variation in undecorated surface. No other imperfections noted, very good overall. The second with minimal normal and expected in-use wear. Two very shallow flecks within leaves on one floral branch. Small chip and fleabites on bottom rim. Typical variations in tone and color on undecorated portions. Very good overall. The third with in-use wear and shallow chips around edge of top rim. Burst firing bubble at tip of one leaf. Some minor in-use wear and abrasions on side, minimal in nature. Otherwise very good. 52938-5 (900-1,400)

2278.

DOUBLE SIDED PARCHEESI AND CHECKERS FOLDING GAME BOARD. Late-19th century American. This nice pine example with vibrant original painted surfaces. The Parcheesi side polychrome decorated in 7 colors, the checkers side red and black within a blue surround. The game board with bread board ends and brass hinges. SIZE: 18” x 18-1/2” open. CONDITION: With expected and normal in-use wear and abrasions. Slight warp of one board, otherwise very good, untouched original condition. 52738-38 (2,000-4,000)

Lot 2278 (w/reverse)

Lot 2279 2280.

2279. EXCEPTIONAL AND RARE LARGE PAINTED BEEHIVE-TURNED BURL BOWL. Late 18th century, New England. This nice ash example with strong dry original red-painted exterior. The round form with well-defined lipped rim over strong beehive turnings continuing to a shallow footed base. Interior well-figured and scrubbed with nutty patina. SIZE: 6-1/4” h x 17-1/2” dia. CONDITION: Structurally very good. Early putty-filled area on rim, probably to repair loss of knot. In otherwise fine, untouched condition. 52738-10 (4,000-8,000)

CARVED GILT WOOD EAGLE ON PLINTH. 19th century, American. This nicely carved example depicting a displayed eagle perched on a ball joined to a square plinth. SIZE: 19-1/2” h x 29-1/4” w (wings) x 141/2” d. CONDITION: Structurally intact and sturdy with multiple layers of white and red sizing, gesso, and gilding which has reduced the overall quality and appearance of the carving. Overall good with no visible major structural damage. 52941-1 (700-900)

Lot 2280 379

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Session 2

2277.

Session 2

2281.

IMPORTANT CARVED AND POLYCHROME PAINTED TOBACCONIST FIGURE OF NATIVE AMERICAN MAN, ATTRIBUTED TO THOMAS BROOKS. Last third 19th century, New York. This well carved figure, rendered with headband, with green robe over left shoulder and side, red-feathered tunic beneath. The figure’s right arm extended, offering a bundle of cigars. The Indian with breeches and stylized fringe on the exterior of each leg, right leg slightly extended. Mounted on its original rectangular base, raised on iron wheels. SIZE: 65” h (figure only), 75” h (overall). PROVENANCE: Arthur Bernd, Danbury, Connecticut Tobacconist, by descent to its current owner. This figure was illustrated on a 1/2 page in color in National Geographic Magazine, September 1931, vol. LX, number three, illustration VII. A copy of this publication accompanies the lot. CONDITION: Multiple layers of old paint of the period. The right arm supported by a later iron bracket. Proper left foot with restored and replaced front of foot. Fine color and patina with normal and expected in-use wear and soiling. Figure is now fitted with later support rod mounted to the base and joined to the underside of tunic. 52880-4 (20,000-30,000)

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380

Session 2

Reverse

Illustration from National Geographic Magazine, September 1931

Photo of figure in front of Berndâ&#x20AC;&#x2122;s Tobacco in Danbury, Connecticut

381

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Session 2

2282. FINE FOLK ART CARVING DEPICTING LORD NELSON IN FULL UNIFORM ON PLINTH. Late 18th-early 19th century, Nova Scotia, possibly Halifax. This nicely carved example depicting Admiral Nelson with right hand tucked beneath blouse, left hand resting by side with well-carved facial features and wearing bicorn hat, sword on left side, now mounted on a later plinth with raised panels. Note: this sculpture purportedly done at the time that Horatio Nelson served as Ship’s Chandlery Guard in Halifax, Nova Scotia. SIZE: 50” h (sculpture only) x 9” d x 131/2” w. Plinth 17” h x 16” sq. CONDITION: Multiple layers of old paint, muting many details of dress uniform. Old, vertical shrinkage cracks, now painted over and stable. Original iron mounting ring behind proper right shoulder. Old restoration to right arm, notably at elbow. Decoration to hat with old enhancements beneath layers of paint. Proper left toe of boot and foot probably with restoration, again under multiple layers of paint. Sculpture presents well with pleasing surface. 52902-2 (1,800-2,200)

2283. FINE WATERCOLOR ON VELVET THEOREM OF FRUIT COMPOSITION. First third 19th century, New England. A large and complex arrangement with numerous types of fruit amidst leafy sprigs on a stepped marble slab. Fruit includes pears, grapes, strawberries, cherries and a cut section of watermelon in the center with a knife present in the foreground. Housed in a birds eye maple frame with gilt liner. SIZE: Sight: 161/2” x 22”. Overall: 20-1/4” x 25-3/4”. CONDITION: Theorem retains vibrant color. Background with general foxing and toning. Veneer losses on side edge of frame. Otherwise good. 52738-25 Lot 2283 (1,500-3,000)

Lot 2282

2284.

THEOREM OF A BASKET OF FRUIT WITH FEEDING BIRD AND BUTTERFLY. Mid-19th century, New England. Painting on velvet depicting strawberries, cherries, grapes, and an eggplant in a wire basket with bird and butterfly. Housed in a molded frame. SIZE: 13-1/2” h x 16-1/2” w (sight). CONDITION: General toning throughout. Colors remain strong. Structurally good. 52789-3 (1,000-1,500)

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382

Lot 2285 2286.

FINE MASSACHUSETTS MAHOGANY CANDLESTAND. 3rd quarter 18th century, probably Salem. Serpentine square top with shaped corners and molded edge, hinged and tilting on urn form, ring-turned pedestal. Raised on a cabriole base, terminating in pointed platform pad feet. SIZE: 27-1/2” h x 18-1/4” x 18-3/4” w”. CONDITION: Structurally very good with untouched old surface with fine mellow patina. 52795-2 (2,000-3,000)

Lot 2286 383

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Session 2

2285. NEW ENGLAND QUEEN ANNE BIRCH AND MAPLE CHEST ON CHEST. Last quarter 18th century, probably New Hampshire. The case in two parts, the molded cornice joined to the dovetailed case above five graduated long drawers with thumb-molded edges, the uppermost shell-carved at the center flanked by simulated drawers. The upper case joined to the mid-molded lower case fitted with four graduated long drawers with thumb-molded edges, the uppermost drawer shell-carved beneath stylized drapery. Raised on angular, short cabriole legs terminating in circular pad feet centering a scalloped pendant with central cutout diamond. SIZE: 80-1/2” h x 40” w x 20” d. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: With mahoganized and old surface extensively cleaned. Brass batwing hardware replaced and of later vintage. Backboards original. Case now with later mahogany stain. Good overall. 52936-1 (2,000-3,000)

Session 2

2287. SHERATON MAHOGANY SECRETARY BOOKCASE. Second quarter 19th century, probably Massachusetts. The bookcase with swan’s neck pediment crest, alternating with large ball-and-spire brass finials above a figural mahogany frieze, over a pair of Gothic astragal-glazed doors with simulated reeded colonettes opening to an interior fitted with three fixed shelves over three aligned stationery drawer above a deep drawer, flanked by valenced pigeonholes. Set back and fitted to the mid-molded lower case with hinged baise-lined writing slope resting on lopers, centering three long drawers with thumb-molded edges, all fitted with original molded brass knobs decorated with shells and fruit, flanked by engaged three-quarter spiral-twist columns headed by stylized pineapple turnings. Raised on slender swelled ring-turned tapering legs terminating in ball feet. SIZE: 91-1/2” h x 39” w x 20” d. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: With original surface, now age-darkened with good patina and rich dark-brown color. Finials original. Repair to proper left ear of swan’s neck pediment. Loss of small piece proper right rear side of crest. Some glass panels proper right door with tight cracks. All but one glass panel original. Slight and minor warp to writing surface, not affecting function. Otherwise good. 52936-2 (700-900)

Lot 2287 2288.

SETTER DOG WEATHERVANE. First quarter 20th century. In old yellow paint with traces of gold leaf. Accompanied by a museum quality stand. SIZE: 15” h x 32” l. CONDITION: Very small minor dents, one old bullet hole repair, and a few BB dings. 52843-1 (3,000-4,000)

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Lot 2288

2289. LARGE CARVED GILTWOOD DISPLAYED EAGLE ON PERCH. Circa 1880, Wisconsin. Attributed to Father Adalbert Cipin, who emigrated from Bohemia (modern day Czech Republic) to America and became the priest of St. Lawrence Church in Stangelville, Wisconsin, for which he also carved the alter. Signed on the back of the proper left wing “Father Cipin”, dated “1880” on the back of the torso, and additionally signed “Carved for Sister...” with in illegible pencil script on the back of the tail. The sculpture mounted on a stepped wood plinth in black paint. SIZE: 21” h (carving only) x 32” w, 22-1/2” h overall. CONDITION: Eagle retains original gilding with light abrasions throughout, notably on either side of head and on wing tips. Two early, if not original, iron braces set into the back of the figure for stabilization of wings and additional carved wooden brace on proper left wing and rear. Otherwise good. 53002-8 (4,000-6,000) 384

Session 2 2290.

FINE SEMI-ANTIQUE LAVAR KIRMAN PALACE CARPET, SOUTH PERSIA. First quarter 20th century. This quality example with an arrangement of eight cypress trees framed within delicate traceries of floral vinery ascending throughout amongst an arrangement of dense flower heads in soft pastels all on a rose pink ground within multiple floral guard borders centering an ivory main border of profuse pink floral decoration alternating with miniature cypress trees. SIZE: 14’ 4” x 20’ 7” PROVENANCE: Mid-Coast Maine Collection. CONDITION: Carpet retains a soft pleasing palette and remains quite supple throughout. Overall even wear throughout with light spot wear to foundation at mid point visible as a small horizontal line of wear exhibiting no breaks to foundation. End of guard stripe with single line loss at end. Otherwise very good. 52886-1 (1,500-2,500) 385

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Session 2

2291. EXCEPTIONAL OVAL WOODLANDS BURLED BOWL. Late-18th/early-19th century. The deep oval bowl, well worn from extensive use, with extremely dense angular graining. SIZE: 5-1/2” h x 15-1/2” l x 10-3/4” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Structurally very good. Nicely polished surface. Probable loss and wear to shallow hand grips at ends. Undisturbed patina. 52806-135 (500-700)

Lot 2291

2292.

EXCEPTIONAL LARGE WOODLANDS BURL BOWL. Late 18th-early 19th century, New England. The large, deeply carved bowl with pronounced pierced hand grips and with primitive, unfinished bottom. SIZE: 9-1/4” h x 17-3/4” w x 15-1/4” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Small fissures, filled and polished. The rough-hewn interior retaining original surface with good patina. Bowl polished over time and with early brown wash. Structurally very good. 52806-77 (1,000-2,000)

Lot 2292

2293. FINE EARLY AMERICAN PINE STEPBACK CUPBOARD IN BLUE PAINT. Second quarter 19th century New England. The cupboard with rectangular molded cornice above a pair of four panel doors opening to an interior fitted with three shelves, with original red wash above a medial shelf over a pair of single panel cupboard doors raised on shaped bracket base with scalloped returns. The panels all with inset molded borders. The case sides with recessed panels. Now with pleasing robin’s egg blue later surface. SIZE: 75-1/2” h x 54” w x 19-1/2” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally very good with appropriate wear throughout. Some of the original red wash visible, the blue paint is new and has been distressed to simulate an old antique finish. Cabinet retains original iron hardware. 52806-76 (3,000-5,000)

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386

Lot 2294 2295.

2296.

QUEEN ANNE OVAL PINE AND MAPLE TAVERN TABLE. Late 18th century New England. The oval pine top projecting above the rectangular maple apron raised on tapering blocked and cylindrical splayed maple legs terminating in circular pad feet. SIZE: 25-1/2” h x 33” w x 24-1/2” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Originally painted, the table now stripped and repolished a pale honey-brown color. Structurally good. 52806-145 (700-900)

Lot 2295

FINE PENNSYLVANIA PAINT DECORATED PINE DOWRY CHEST. 18th century, Pennsylvania. The rectangular hinged lid with applied molded edge opening to a storage well with lidded till. The dovetailed case decorated with three stylized hearts within a persimmon cartouche with a simulated string inlaid border, the whole with a taupe ground. The molded base in tea-brown paint raised on dovetailed bracket feet with long shaped returns in celadon green. SIZE: 27-1/2” h x 52” l x 22” d. CONDITION: Original painted surface with normal and expected wear and abrasion. Lock original. Wrought-iron hinges are of the period but not original to chest. Feet original. Hinges have been re-set. Structurally good overall. 52829-95 (800-1,200)

Lot 2296 387

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Session 2

2294. BLACK PAINTED WINDSOR FAN-BACK ARM CHAIR. Late 18th century, Nantucket, Massachusetts. Shaped concave crest with simple tapering back spindles, elaborate vase- and-ring-turned side posts, having up-swept scrolling arms above vase- and ring-turned posts centering the pine carved saddle seat. Raised on bulbous baluster-turned splayed legs joined by turned H-form stretcher in black paint. SIZE: 45” h x 23” w x 20” d. CONDITION: Paint surfaces showing evidence of earlier thin multiple coats. Structurally good. No restoration noted. 52896-3 (1,500-2,500)

Session 2

Lot 2297

2297. UNUSUAL PAINT DECORATED BLANKET CHEST. Mid-19th century, possibly Pennsylvania or New York. The rectangular hinged lid with applied molded edge opening to an interior fitted with a lidded till. The dovetailed case on an applied molded base. The chest with unusual design featuring a central heart above an angular, stylized column flanked by scrolling “waves”, further flanked by conforming double columns at the corners with abstract architecturally inspired design. SIZE: 18” h x 38” w x 17-1/2” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Painted and decorated surface retains strong palate, the molded edges with normal expected wear and abrasion. Proper left molded edge of lid needs stabilization. Good overall condition. 52806-36 (600-900)

2298.

EARLY AMERICAN DECORATED PINE STEP BACK CUPBOARD. Late 18th-early 19th century New England. The rectangular case with molded cornice above a pair of single plank cupboard doors opening to an interior of three fixed shelves, each door with interesting molded stabilizers to prevent warping. The deep lower case with single door opening to a storage compartment with single shelf. The case sides with bootjack ends. The cupboard retains original feather decoration, most visible on case sides and interior of upper doors. SIZE: 78” h x 36” w x 18” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally sound, the medial shelf showing extensive in-use wear. Good color and patina throughout. Original lock on lower door present but inoperable, old tin patch on bottom shelf. Proper left front corner on lower case exhibits a 10” area of wear and loss of unknown origin. A good honest example of country furniture with undisturbed surface. 52806-34 (1,0001,500)

2299.

PAIR OF KNIFEBLADE ANIRONS TOGETHER WITH A LARGE SHOVEL AND 3-PRONG TRIDENT FORM POKER. Late 18th/ early 19th century, American. The andirons with flattened iron shafts joined to arched legs, terminating in penny feet, each with a faceted ring-turned and spiral twist brass finial. The shovel with square iron shaft, continuing to a twist middle center and continuing to a straight shaft with flatten spade terminus riveted to the flat shovel with flared sides and with a brass turned finial at head of Lot 2298 handle. The unusual trident form poker with cylindrical iron shaft, continuing to three curved tines, the center most spade form. The handle with a brass turned classical urn form handle of the period. SIZE: 23-1/2” h x 19-1/4” d. 441/2” l. 48” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: End of andiron finials have been reduced in size and burnished, with normal and expected corrosion on dogs and legs. The shovel has old braised brass repairs at shoulders of shovel. The poker has normal and expected corrosion and wear. The pieces are in generally good structural conditions, all with polished brass elements. 52806-121 (500-800) Lot 2299

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388

RARE PATRIOTIC BLACKSMITH FORGED WAFFLE IRON. 19th century, American. The iron tongs joined to circular discs attached by handdriven rivets, each marked “No 2” and each impressed with the Great Seal of the United States. SIZE: Lot 2300 (w/close-up) 26-1/2” l. CONDITION: Iron with good grey-black patina and with remnants of early black paint surface. Tongs work smoothly. Impression of Great Seal is crisp. Very good overall. 52896-4 (1,000-1,500)

2301. F EDERAL TIGER MAPLE TALL CASE CLOCK. First quarter 19th century, American. The molded swan’s neck pediment centering a brass urn form finial above the plain frieze. The molded arch above the glass panel door flanked by colonettes above the throat with concave molding over engaged reeded quarter columns with brass bases centering a rectangular door. Joined to the box base with concave molding, raised on slender French feet with scalloped shaped apron. The case, well figured, with clean surface. The clock now with wooden works, striking on a bell. The face with a rondel painted with a mountain landscape within the arch above the dial with Roman and Arabic numeral chapter rings. The center with subsidiary dials for seconds and calendar, all within painted spandrels decorated with acorns, vinery and floral sprays. SIZE: 881/2” h x 14” throat width, 18-3/4” case width, 9-3/4” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: The case with overly cleaned surface. No restoration or repairs noted, retains original glass panels in bonnet. The movement has been re-strung within the last 40 years. The wood face and dial have original paint. Movement needs refurbishing and adjustment. Sweeps second hand absent. 52806-20 (3,000-5,000)

2302. QUEEN ANNE TIGER MAPLE LOWBOY. Second half 18th century, possibly Pennsylvania. The rectangular three board top with stepped molded edge projecting above the conforming case fitted with a long drawer over three aligned short drawers raised on cabriole legs with shaped and notched returns terminating in circular platform pad feet. SIZE: 31” h x 38-1/2” w x 23” d. CONDITION: Structurally good. Brasses are later replacements. Top has been scrubbed, retaining some old, dark water stains. Backboard original. Tight shrinkage crack proper left front corner on seam. No damage or restoration noted. 52829-72 (2,0004,000)

Lot 2301

Lot 2302 389

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Session 2

2300.

Session 2

2303. SHERATON TIGER MAPLE TWO DRAWER SEWING STAND. Second quarter 19th century, New England. The thin rectangular figured top above the conforming case fitted with a bank of two drawers. The uppermost divided into compartments and finished with clear glass knobs, raised on ring-turned swelled cylindrical legs terminating in brass capped casters. Note: table is accompanied by a hand-written note dated 1954, identifying various owners within the family of this table. SIZE: 28” h x 19-3/4” w x 16-1/4” d. CONDITION: Table retains original surface, knobs, and casters. Top with normal and expected wear, and with overall good color and patina. Structurally very good. 52829-103 (1,200-1,800)

Lot 2303 2304.

FINE DIMINUTIVE TRANSITIONAL QUEEN ANNE TIGER MAPLE SLANT LID DESK. Mid-18th century, New England. The rectangular dovetailed case with hinged, sloping lid resting on lopers, opening to an interior fitted with compartments and small drawers with scalloped and shaped dividers and a central storage compartment over four graduated long drawers with thumb molded edges on a molded base raised on bracket feet with scalloped returns. SIZE: 40” h x 34” w x 15-1/2” d. CONDITION: Surfaces repolished with good, rich color. Matched set of oval brasses later replacements. Top fascia board of interior, framing pigeonholes, now absent; prospect door absent. Lid hinges reset or later replacements. Desk originally in two parts. 52829-90 (3,000-5,000)

2305.

FINE BIRD’S EYE MAPLE SHERATON FOUR POST Lot 2304 BED WITH LABEL OF JOHN NEEDLES. Circa 1824, Baltimore, Maryland. John Needles was a cabinet maker in Baltimore, Maryland from 1808 until his retirement in 1853. Known for producing fine pieces of furniture in mahogany and with some examples in curly maple. The four post bed with bold stylized acorn finials on turned posts. Paneled headboard with barrel horizontal crest rail terminating in acorn finials and with original paper label affixed to center of headboard. Footboard with conforming posts and with ring-and baluster-turned blanket rail. Frame joined with a pair of sturdy cylindrical side rails. When assembled, the bed frame is mounted with three iron angled supports within which a custom made box spring may be fitted. Headboard of finely grained figural tiger maple. Posts and rails of solid stock with some figural graining, notably to blocked posts. NOTE: Bed will accommodate a full size modern mattress with custom drop in box spring. SIZE: 54” h. Overall width 64”. Interior width 55”. Interior length 74” post to post. 76” interior length headboard to post. Overall exterior length 83”. CONDITION: Structurally very good. Bed retains original surface, now with mellow honey brown color and undisturbed patina. Surfaces dry and crusty in part. Label remains intact and very legible. A fine example of early American high country style Lot 2305 bedroom furniture. Very good overall. 52829-54 (2,500-3,500)

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390

FINE N. A. WHITE & SON THREE GALLON STONEWARE JUG DECORATED WITH FANCIFUL COBALT BLUE BIRD. Second half 20th century, Utica, New York. With impressed mark “N. A. White & Son Utica, New York / 3”. The numeral three within a laurel wreath. Decorated in cobalt blue with large and fanciful bird perched on a flowering branch. SIZE: 15-3/4” h. CONDITION: Small, shallow fleck in stoneware between leaves of branch and additionally on rear quadrant of jug. Intermittent areas of color variation behind bird’s head and behind tail. A large drip mark of blue glaze, a product of firing that obscures the letter “N” in company name. Otherwise very good overall. 52938-4 (2,000-4,000)

2307.

THREE DECORATED STONEWARE JUGS. Second half 19th century, New York and Vermont. The first a two gallon ovoid jug. Incised with “WM. ROGERS, HAVANA N.Y. / 2”. The jug with bold flowering plant beneath the maker’s name. The handle with cobalt blue border at top and bottom, the jug with a pronounced wide lipped rim. The second a rare “NICHOLS. & ALFRED BURLINGTON. V.T.” jug, volume unmarked but most likely 1 to 1-1/2 gallons. Showing a freehand stylized floral spray with broad, scrolling leaves. The third Lot 2306 an early Norton & Son of Bennington, Vermont ovoid jug. Incised “NORTON & SON 2” above a rare underglaze brown decoration of a fruit with stem above a wide leaf. SIZE: First: 14-3/4” h. Second: 12” h. Third: 13-1/2” h. CONDITION: The first with firing discoloration beneath the flower head, and with underglaze indigo splotches beneath design. A shallow flake beneath handle. Otherwise very good. The second with minimal minor spot losses to floral design. Unevenness of stoneware background. Otherwise very good. The third with two depressions below the medial center line from firing. Insignificant burst bubble marks in stoneware sides. Small and minor chips and fleabites along foot rim. Good early example in fine condition. 52938-6 (900-1,200)

Session 2

2306.

Lot 2307 2308.

THREE COBALT BLUE DECORATED STONEWARE PITCHERS AND A JUG. The first an unmarked large stoneware milk pitcher with banded rim and pinched spout. With two incised line decorations around the midpoint. Adorned with a central stylized tulip, the petals and leaves with squiggle decoration. The second a “J & E. NORTON BENNINGTON VT” jug of unidentified size, probably two gallon. Incised markings above a freehand bird perched on a branch in cobalt blue. Together with two 20th century unmarked examples; a pitcher and a tankard with pewter lid, each in a grey clay and freehand decorated fruit amongst scrolling leaves and Lot 2308 cobalt banding on tops and bases. SIZE: Milk pitcher: 10-1/4” h. Jug: 11-1/4” h. Small pitcher: 9-1/2” h. Tankard: 11-1/2” h. CONDITION: The first with a 3/4” shallow chip in the rim. Areas of discoloration in stoneware around base. Otherwise very good. The second with overall minor variations in color of undecorated stoneware. A small burst firing bubble on wing of bird. Otherwise very good. The pitcher and tankard with minor and minimal in-use wear, very good overall. 52938-1 (900-1,400)

391

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Session 2

2309. TWO RARE EARLY AMERICAN WROUGHT IRON CHOPPERS. Second half 18th century, probably Pennsylvania. The largest with spade shaped blade with a central 5-tine wrought iron decoration, scrolled and rolled as a conifer joined to a turned wood handle. The smaller with a D-form blade centering a 2-tine decorative heart-shaped device. The chopper joined to a turned wood handle. SIZE: Spade shape: 15” l x 9” w. Heart shape: 13” l x 6” w. CONDITION: Each chopper with normal and expected corrosion and in-use wear to the blades. Each handle well worn with old original surface and undisturbed patina. Very good overall. 52935-3 (2,000-2,500)

Lot 2309 2310.

LIGHT CHROME YELLOW PAINTED CARVED WOOD TRENCHER. The early 19th Century rectangular trencher with good carved sides, nice paint and scrubbed interior. SIZE: 5” h x 21” l x 12-1/2” d. CONDITION: One small sliver off one top edge, otherwise very good. 52738-13 (1,200-1,800)

Lot 2311

2312.

Lot 2310

2311. TWO EARLY AMERICAN PRIMITIVE WALL BOXES. 19th century, New England. The first a chip-carved wall box with scalloped front panel and slightly curved sides in crusty red paint. The second a poplar box with lollipop or paddle hanger. The back panel carved with a displayed eagle in shallow relief. Assembled with hand-cut and rosehead nails. The box with remnants of original blue paint. SIZE: First: 9” h x 11-1/4” w x 5-3/4” d. Second: 12” h x 12-1/4” w x 5” d. CONDITION: Structurally good. Hanging holes with honest wear. Surfaces dry and crusty with light soiling and abrasions throughout. Good to very good overall. 52896-6 (800-1,200)

CHIPPENDALE TIGER MAPLE TALL CHEST OF DRAWERS. Last quarter 18th century, probably Eastern Massachusetts. The rectangular case with applied, molded edge over two aligned short drawers above four graduated long drawers, all with thumb molded edges and with strong figural drawer fronts. The molded base raised on pronounced bracket feet with shaped returns. Chest with chestnut secondary wood throughout. Proper left top drawer with concealed locking mechanism. SIZE: 45” h x 38” w (overall), 35-3/4” w (case) x 19” d. CONDITION: Chest has been cleaned and repolished, now a light honey-brown. Cosmetic restorations to thumb molded edges of top two long drawers. Custom brasses of later vintage in original holes. Wide chestnut backboards original. Bracket feet are new replacements. Polished top with dark circular ring staining. Otherwise structurally good. 5282975 (2,500-3,500)

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392

Lot 2313

2314. FEDERAL TIGER MAPLE SIDE TABLE. First quarter 19th century New England. The rectangular top pinned and projecting above the conforming apron, fitted with a single drawer, raised on molded and chamfered tapered legs. SIZE: 27-1/2” h x 17-1/2” w x 15-3/4” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Top has not been reset but with slight warp. Table has been repolished with honeybrown color. Very good overall condition. 52806-166 (500-800)

Lot 2314

2315. TIGER MAPLE SHERATON DROP LEAF DINING TABLE. The rectangular, well-figured top with conforming hinged leaves projecting above the apron, raised on swelled, cylindrical, tapering, ringturned legs with ring cuffs on ball feet fitted with casters, the opposing ends swinging on gate for leaf support. SIZE: 29” h x 47” l x 14-1/4” w (closed), 45” w (open). CONDITION: The top with rubbed and cleaned surface. Skirt and legs with older surface, all in a mellow honey-brown color. Each leaf with slight warp, now stabilized with full length angle-iron bracing. 52829-73 (1,200-1,800)

Lot 2315 393

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Session 2

2313. FEDERAL TIGER AND FIGURAL MAPLE SLANT LID SECRETARY BOOKCASE. Second quarter 19th century New England. In two parts, the upper case with molded cornice above a pair of paneled doors opening to an interior fitted with three original adjustable shelves. Fitted to the lower case with hinged, sloping lid, the interior with four document drawers above a row of valenced pigeonholes over four additional drawers centering a mahogany prospect drawer with contrasting string inlaid borders. The interior fitted with small drawers and storage space, the lid resting on lopers. The case fitted with four graduated long drawers, each with string inlaid border. The whole raised on slender flared French feet. Note: found in a Castine, Maine home. SIZE: 7’ 4-1/2” h x 42-1/2” w x 21-1/2” d. CONDITION: Desk retains original surface with untouched, darkened patina. Backboards and feet original. Current wood turned knobs are replacements. Two inset escutcheons absent. Restoration to receiver of lid lock. Old losses to mid molding on case sides. Considerable in-use wear and abrasions, notably at case edges, bottoms of feet, and at juncture of crown molding and upper case. 52829-5 (2,500-4,500)

Session 2

2316. R ARE AND FINE ROUND NANTUCKET LIGHTSHIP BASKET WITH HINGED LID. Early 1920’s, Nantucket, Massachusetts. Attributed to A. D. Williams, working at 120 Orange Street, Nantucket, Massachusetts. The circular hinged lid with turned maple centerpiece and flattened round knob finial, the rim fastened with brass tacks opening on the conforming basket, fitted with a steam-bent D-form ash handle joined to and swiveling on copper “fingers”. The bottom formed by a circular maple disc; bearing evidence of an old paper label, now removed from the basket’s base. SIZE: 10-1/2” h (overall), 7-3/4” h (basket only) x 9-1/2” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Slightly out of round, perhaps due to a slight warping of handle causing one side to become slightly elongated. Basket otherwise structurally good and intact. One area of weaving absent on lid directly opposite hinge. Minimal and minor small breaks in area of midpoint of basket. Good color and pale honey-nut-brown patina. 52806-94 (1,500-2,500)

Lot 2316 2317.

NANTUCKET LIGHT SHIP BASKET. Mid-20th century Nantucket, Massachusetts. This unsigned example of unusual oval form, the lid with conforming walnut insert mounted with a small whales tooth attached to the basket. The woven rope hinges and ivory escutcheon form latch with receiver and with fid shaped pin. The basket with rectangular walnut base and D-form steam bent oak swing handle attached to the basket with turned ivory pins. SIZE: Handle extended: 9-1/2” h. Basket: 6-1/2” h. 9-1/2” l x 6-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good condition overall. Surfaces untouched with mellow color and natural patina. 52806-93 (1,5002,500) ESA

Lot 2317

2318. FINE SMALL NANTUCKET LIGHTSHIP BASKET. Late 19th-early 20th century, Nantucket, Massachusetts. This deep, smaller example in multishaded rattan. The fixed oak handle fitted to a hickory rim. The basket made with a pine base, on which the maker’s name is printed in pencil; somewhat illegibly signed but believed to be “C. BAKER”. SIZE: 11” h (including handle) x 9-1/2” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good overall. With fine nutty-brown variegated color and patina. 52806-124 (600-900)

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394

Session 2

2319. NANTUCKET LIGHTSHIP BASKET. Early 20th century, Nantucket, Massachusetts. Of typical form with D-form bent ash swing handle. The wide carrying basket with figured maple bottom, unmarked. SIZE: 5-3/4” h x 12-1/2” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Fine nutty-brown color and patina. Some surface soiling. The basket somewhat dry and crusty. Loss of a 2” woven section at midpoint. Otherwise good. 52806-98 (800-1,200)

2320.

Lot 2319

FINE NANTUCKET LIGHTSHIP BASKET MARKED WITH INITIALS “T. W. R.”. Late 19th-early 20th century, Nantucket, Massachusetts. This nice example with steam-bent oak swivel handle with tight, even spacing in stitching. The hardwood circular bottom with the initials “T. W. R.” on the interior, additionally carved with initials “M H И” followed by an indistinctly scratch carved “Y E...”. SIZE: 8” h x 11-1/4” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: With rich, nutty-brown color and patina. Structurally very good with no breaks or losses. 52806-78 (1,000-1,500)

Lot 2320

2321. NANTUCKET LIGHTSHIP BASKET. Late 19th-early 20th century, Nantucket, Massachusetts. This well-shaped, smaller example with steam-bent flattened half-round swing handle. The round wood base unsigned and unmarked. SIZE: 6-1/2” h x 101/2” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: With dry, crusty surface and good nutty-brown color and patina. No breaks or restoration. Very good overall. 52806-123 (600-900)

Lot 2321 2322.

FINE SAILING SHIP DIORAMA IN DECORATIVE FRAME. The half-hull model showing a three mast 19th century gun boat in full sail. The stern having paint decoration, the bow with a lady pointing figurehead. White wood sails with painted on rigging. All to a curved top painted background of blue and white cloud sky with a green plaster sea. Frame with ogee birds-eye maple having corner blocks with inlaid stars. 19th century. SIZE: Overall 18” h x 29-3/4” w x 3-1/2” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Some surface dirt, very light chipping in background, otherwise very good. 52806-171 (800-1,200)

395

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Session 2 2323.

ANTONIO NICOLO GASPARO JACOBSEN (American, 1850-1921) THE LARGEST JACOBSEN PAINTING IN THE WORLD: THE CLYDE LINE’S “S.S. APACHE”. Monumental oil on canvas ship portrait of the “Apache”. To our knowledge, the largest painting that Jacobsen ever produced. This painting appears in the Jacobsen Checklist and its dimensions are by far larger than any recorded there. The S.S. Apache with completed in August 1891 by the Reeder & Sons, of Baltimore, MD and weighed 416 tons being 190’ in length. Made of an iron hull and housed three guns. The Apache was the first to establish a direct passenger service between New York and Miami. The Apache was also featured on many postcards and tourist ephemera in the southern U.S. This monumental canvas shows the black hulled three-deck steamer traveling right to left with low points of land off bow and stern which is believed to be Florida. A three-mast sailing ship is moored off its port bow and several sails are seen on horizon. Three men in a dory row away from boat. Name is emblazoned on the front bow as well as on top of the pilot house. The Apache ship flag off front mast, the Company flag off back mast. The U.S. flag flies off the stern, all on a choppy white tip greenish/blue water. Signed lower right and dated “1917”. Housed in a magnificent 7” reeded gilt frame with gold liner. This painting by Antonio Jacobsen was originally de-accessed by the Seamen’s Church Institute on New York City. In 1999 the painting was conserved by Yost Studio in New York City. The restoration included the removal of the old wax lining and relining with beva. The old over paint was stripped off and the painting was cleaned and properly restored. Most of the current inpainting applied by the Yost team was to conceal staining or discoloration which occurred during the process of aging. It appears that the owners of the Apache took extremely great pride in the ship since their commission to Jacobsen for its portrait is apparently the largest Jacobsen ever produced. A very dramatic and handsome Marine ship portrait by one of the most renowned ship portrait artists. SIZE: 47-3/4” x 95-1/2”. CONDITION: Some restoration with inpainting, craquelure. Very good. 53076-31 (25,000-35,000)

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396

2325.

ANTONIO NICOLO GASPARO JACOBSEN (American/Danish, 1850-1921) PORTRAIT OF THE SHIP “S.S. PRINS WILLEM I”. Oil on board shows the one stack, two mast ship sailing left to right through choppy seas. Several people are seen on deck with black smoke billowing from the central stack and the Dutch flag flies off stern. Three lifeboats are seen attached to their cradles and the bow crashes through a wave under blue and white cloud sky. Signed lower right “Antonio Jacobsen 1906” and titled at center bottom “S.S. Prins Willem I”. Housed in a mahogany veneered antique frame. SIZE: 18” h x 29-1/2 w. Overall 22-3/4 h x 34” w. CONDITION: Some older restoration with in-painting, signature may be either enhanced or added. Surface dirt, fly specks with fine craquelure. Frame has some veneer loss. 52399-8 (3,000-5,000)

Session 2

2324.

Lot 2324

WILLIAM H. HORTON (American, late-19th century) REGATTA. Large oil on canvas scene shows a broadside view of the spectator boat “Alert”. It shows a captain in the wheelhouse and two ladies at the stern, one with binoculars the other is seated. A man can be seen in the windows and a starting cannon is seen on the top deck. An American flag flies off a mast at the stern. It sails right to left with five schooners in a regatta/race. On the right side is a harbor area with a two story yacht club type building with several sailboats docked near by. Signed lower right “Wm. H. Horton 87”. Housed in a modern gilt frame. SIZE: 30” h x 50” w. Overall 33-1/2” h x 53-1/2” w. CONDITION: There are two old patches to verso with corresponding in-painting, scattered in-painting, medial stretcher lines at center, otherwise good. 52895-1 (10,000-20,000)

Lot 2325 397

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Session 2

2326. ELISHA TAYLOR BAKER (American 1827-1890) SCHOONER “ABBY K. BENTLEY”. Oil on canvas, ship portrait of the black hulled three mast schooner sailing right to left, flying American flag and ships pennant. Several sails are seen in distance in front of low land mass. The unsigned work having all the attributes of Baker’s finer work. Housed in a fine reproduction frame by Guido Frames of Boston. SIZE: 24” h x 32” w. Overall 28-1/2” h x 36-3/4” w. CONDITION: Strengthening to tack line, scattered re-touch, very good. 53002-3 (4,0006,000)

Lot 2326

2327.

WILLIAM PIERCE STUBBS (American, 18421909) PORTRAIT OF THE SCHOONER “HUSTLER”. Oil on canvas laid to board scene shows the green and black hulled two mast schooner in full sail sailing right to left past the twin lighthouses of Thatcher Island off Rockport, MA. The central mast has the name pennant and off the top back sail the American flag. Eleven people are seen on deck. Signed lower left “W. P. Stubbs”. Housed in a modern gilt frame with linen liner. SIZE: 22” h x 36” w. Overall 25” h x 39” w. CONDITION: Craquelure, restored with significant inpainting. 52624-3 (3,000-5,000)

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Lot 2327 398

399

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RARE AND IMPORTANT GEORGE III CARVED PINE BREAKFRONT BOOKCASE. Last quarter 18th century England. The rectangular foliate and dentil molded cornice above the three part bookcase, each with single astragal glazed door with mahogany mullions in the Gothic taste fitted to the lower three part cabinet with foliate molded frieze above a single panel door applied with molded borders with inset corners, each corner centering a floral rosette. Joined to, and raised on, a later molded plinth. The bookcase now with adjustable plate glass shelves. Note: the cabinet in seven parts. SIZE: 7’ 2” h x 9’ 3” w x 20” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: All surfaces have been cleaned and repolished over time. The case retaining all its original elements. Plinth a later addition, as noted. The cabinet has electrical fittings for interior lighting. 52806-89 (4,0006,000)

Session 2

2328.

Session 2

2329. WILLIAM IV PINE CORNER CABINET. Mid 19th century England. The cove molded cornice above the frieze with picture frame molding. The upper case with architectural arch with tombstone pediment and engaged fluted half columns enclosing three scalloped fixed shelves above the mid molding over a pair of fielded panel cabinet doors raised on a molded plinth. The open upper case with cream colored shelf openings. SIZE: 78-1/2” h x 43” w x 27” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Cabinet retains old, if not original, cleaned surface. Cornice and plinth original, as are the backboards. Small moisture stains around nails in cornice. Tight shrinkage cracks found in the arch, now stable. Otherwise in good condition. 52806-1 (1,000-1,500)

Lot 2329 2330.

UNUSUAL LOUIS PHILIPPE FIGURAL WALNUT WRITING DESK. Mid-19th century France. In two parts, the rectangular top with molded edge, stepped back and fitted with three aligned drawers with molded edge above a molded shelf with cyma curved hinged frieze, hinged and opening to a mechanized drawer fitted with a tooled leather writing surface and scalloped gallery sides, the interior with three aligned stationary drawers. When open, the three upper drawers unlock. All on a conforming table Lot 2330 base fitted with three aligned drawers, each with molded edge, raised on ring and spool turned cylindrical molded legs with bell cuffs terminating in suppressed ball feet. SIZE: 44” h x 52” w x 27” d. CONDITION: Desk retains original surface with fine color and patina. Case with polished back panels. Normal and expected inuse wear. Original leather writing surface good. Desk remains fully operational. Very good overall. 52829-10 (1,500-2,500)

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2331. RARE WILLIAM AND MARY OAK HANGING CORNER CABINET. Early 18th century England. The wide molded cornice joined to the conforming cabinet with recessed molded panels centering a panel door mounted with original iron strap hinges, shield shaped escutcheon, and decorated iron lock. The interior fitted with two fixed shelves on a molded plinth. The cabinet door with original painted adornment of delicate scrolling foliate design within green painted moldings. SIZE: 48” h x 27” w (overall) x 17” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Cabinet retains original rosehead nails with original backboards and hardware. Very good overall condition. 52806-37 (2,5003,500) 400

2333.

Lot 2332

REGENCY MAHOGANY AND BEECH TALL CASE CLOCK, JOHN WONTNER, LONDON. First quarter 19th century, England. The bonnet with molded cornice and baluster-turned free-standing colonnettes centering the panel door, joined to the waisted case with arched door joined to a molded box base. The weight-driven brass movement striking on a bell. The backplate marked “OSBORNE”. The enameled face paint decorated with a marsh scene embellished with a swimming duck. The dial with Roman numeral chapter ring centering a seconds subsidiary ring above the calendar arch. The whole flanked by time and strike apertures, all above the painted inscription “J. Wontner / London” in black paint. The dial with delicate floral decoration in each corner. Clock is offered with two weights, pendulum, winder, and door key. SIZE: 80-1/2” h x 131/4” throat width x 9-1/2” d. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Movement appears intact and functional. Pendulum fastening pin absent. Case surface scrubbed and cleaned. Plinth and base molding on case are absent. 52936-7 (1,200-1,800) 2334. GEORGIAN WALNUT OYSTER VENEER CANDLESTAND. Second half 18th century England. The circular top with an arrangement of walnut oyster veneers and contrasting string inlaid borders on a pine foundation raised on a baluster turned, tripod cabriole leg base terminating in snake feet. Pedestal base in dark black varnish. SIZE: 27” h x 20-1/2” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: The candlestand with old, if not original, surface and age darkened nearly to umber. With restoration and reattachment of legs at base. Edge of top probably trimmed. 52806-99 (800-1,200)

Lot 2334

Lot 2333 401

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Session 2

2332. FINE YEW AND CHESTNUT BOWBACK WINDSOR ARMCHAIR. First quarter 19th century England. Bowed crest rail joined to the mid hoop continuing to tapered pointed paddle grips on incurved supports. The rear spindles alternating with shaped, pierced splats with turned rosettes. The shaped saddle seat of figural elm raised on splayed, turned legs joined by an elliptic box stretcher. SIZE: 40-1/2” h (back), 18” h (seat) x 24-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Well polished surfaces with good color and patina. Structurally very good overall. 52806-5 (1,200-1,500)

Session 2

2335. QUEEN ANNE ELM AND CHESTNUT TAVERN TABLE. Mid 18th century England. Rectangular top with molded edge above the conforming molded frieze, raised on tapering cylindrical legs terminating in platform pad feet. SIZE: 24-1/2” h x 28” w x 20-3/4” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Top with old shrinkage splits on seams. One leg broken and rejoined at midpoint. Substantial insect damage throughout, now inactive. Table retains good color and patina. 52806-9 (700-900)

Lot 2335 2336.

2337.

LOUIS XVI CARVED WALNUT DOUBLE DOOR BOOKCASE. Late 18th century Brittany, France. The foliate carved molded cornice projecting above the rectangular case with picture frame foliate carved molding centering a pair of cabinet doors with a pair of glass panels within shaped and scalloped molded surrounds carved with ribbon tied floral sprays above and below. The lower portion of the doors with raised panels above a molded apron. The bookcase fitted with four adjustable walnut shelves. The cabinets sides each with two raised panels. The whole in a fumed oak original finish. Note: bookcase with removable cornice, doors, and shelves. SIZE: 71” h x 50” w x 20” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Bookcase retains original surface with dark patina and coffee color. Carvings intact. Backboards and panels original. Frame of cornice has been rebuilt. All four legs have been spliced and replaced as a result of old insect damage, now inactive. Otherwise in good condition. 52806-7 (1,200-1,800)

Lot 2336

FINE HANGING IRON TWO SIDED TAVERN TRADE SIGN. Late 18th/early 19th century, England. The sheet iron sign, mounted within an iron frame, suspended from an iron rod with arrow finial terminals. One side wonderfully decorated, depicting a bearded jester wearing jester’s cap with pendant tassel. In profile with exaggerated pointed nose and goatee, framed within a stylized foliate spray in shades of blue and gold mounted above a memorial shield, flanked by fanciful rearing stag and antelope framing the crest above the banner “SIBI CONSTANT” (translation “consistent”). Above the tavern name “WALPOLE ARMS” at the base of the sign. The whole beautifully rendered and in vibrant colors on a pale blue ground within a deep indigo lined border. The reverse in white lettering: “THE / WALPOLE / ARMS / BULLARDS / FINE ALES / FULL LICENSED” on a black ground within a pale blue lined border. Rearing animals each with collar joined to chain anchored to weights flanking the banner. The painted side bearing the armorial of Robert Walpole (1676-1745), 1st Earl of Orford and the de facto first Prime Minister of Great Britain. SIZE: Overall: 38” h. 36” h x 30” w. CONDITION: Structurally very good, original condition, with the exception of one arrow finial which has been re-attached to hanging rod. The painted side with dry and crusty surface resulting from exposure to the elements over time. Painted surfaces old, if not original. Colors remain vibrant. The opposing side with weathered dry and crusty surfaces, overall fading. Wording legible and with moderate loss of paint. 52788-1 (1,200-1,800)

Lot 2337 (w/reverse)

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402

Lot 2338

2339.

DUTCH BAROQUE STYLE FAUX TORTOISE SHELL AND BRASS MOUNTED WALL MIRROR. 2nd half 19th century. The rectangular beveled mirror plate within a bolection molded faux tortoise shell surround beneath an architectural shaped crest applied sheets of molded brass depicting scrolling fruits and floral vines centering the bust of a cherub flanked by torches. The outer frame with ebonized molding trimmed with similar decorated brass throughout. SIZE: 44” h x 27” w. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Mirror plate very good. Faux tortoise shell with minor splitting and cracking, sheet brass decorations intact with old untouched surface. Very good overall. 52947-3 (1,000-2,000)

2340.

FINE AND RARE CARVED MANGLEBOARD WITH MERMAID Lot 2339 HANDLE. Circa 1791, Germany. The oak mangleboard carved in deep relief with stylized floral shrub beneath a stylistic bird. Additionally carved with flower heads and C-scrolled devices above leaf tips. The handle carved from the solid depicting a fanciful mermaid with curved tail, beneath which is an oval foliate patera carved with the initials “JCND” above the date of “1791”. Board is accompanied by a large roller pin. SIZE: 24-3/4” l x 6-1/4” w. CONDITION: The board with rich mellow patina and tea brown color. Mangleboard with 2” knot repair, proper left side molding and with old splice at proper left rear corner molding. Areas have been re-colored and blended in. Showing remnants of original dark brown paint. Surfaces well polished. The roller pin with natural surface and even wear retains part of original rawhide chord. Very good overall. 52935-5 (4,500-5,500)

Lot 2340 403

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Session 2

2338. CARVED AND GILT FLORENTINE STYLE 8-SIDED PINE MIRROR. First half 18th century or earlier, Northern Italy. The rectangular giltwood mirror with eight sides, foliate carved in deep relief in the Rococo Florentine style. The mirror plate of conforming size and shape. Note: the back of the frame is affixed with a Italian shipping label and a handwritten letter that discusses the fact that the mirror belonged to a friend in their home in Northern Italy and was removed from the home and given as a gift to this individual in 1934 and that it was shipped back to New York in the United States. CONDITION: Mirror with all original surface, original iron brackets for hanging in place, two sheet copper reinforcing strips located at upper proper right rear of frame reinforcing old age splits and original gilding. Very good overall. 52829-25 (1,500-2,500)

2341.

Session 2

TWO CARVED AND PAINTED MANGLEBOARDS WITH HORSE SHAPED HANDLES, ACCOMPANIED BY TWO ROLLERS. Early 19th century, Scandinavia, probably Denmark. The first, a beech example in red and blue paint intricately carved with star and pinwheel rondels of Gothic design, alternating with carved, fluted molded semi-circles, carved scrolling and floral vinery all within a molded border. The standing horse handle, carved from the solid, in front of which are two rectangular panels; the uppermost with painted initials “PKT” and “SDM”, identifying the betrothed couple. The second panel with the carved date, “1813”. This mangleboard is accompanied by a turned beech roller pin. The second, painted in forest green and red, carved in shallow relief with pinwheel and star rondels, alternating with carved fans. A small rectangular panel carved with the initials “MHD”. The full bodied standing horse handle, carved from the solid, and with a pinwheel rondel carved on the right shoulder. The under-surface of the oak mangleboard, additionally carved with small monograms, believed to be “DDS” and “DC”. This example is accompanied by a turned oak roller pin. SIZE: 27” l x 5-1/4” w. 28-3/4” l x 4-5/8” w. Rollers: 24” l. CONDITION: All are structurally intact, surfaces untouched. With good rich patina, very good overall. 52935-7 (2,000-2,500)

2342. RARE AND EXCEPTIONAL FOLK ART CARVED KEY HOLDER. Circa 1882, Sweden. Intricately carved in deep relief with a fanciful collage of carved figures. A central tablet with date “1882” framed by oak leaves above an arch with crown above letter “F”, flanked by flags over a panel of a gentleman smoking a long stem pipe, flanked by figures seated drinking at a table, further flanked by a fanciful lizard and lion above a scrolling foliate border. The background rendered as a hill from which conifers are growing, next to which a gentleman with pipe descends the hill on bicycle, opposing a soldier with Lot 2342 sword on horseback. The ends feature an ear of corn carved as a support to which is attached a carved link chain from which the key rack is suspended. SIZE: 15-1/2” h x 25-1/2” l. CONDITION: The whole in very fine condition, retaining original surface and mellow patina. A truly unique example. 52935-8 (5,000-7,000)

2343.

INE RARE AND WHIMSICAL FIGURAL CARVED WATCH HUTCH. Early 19th F century New England. The hutch with sliding door centering a circular glass panel, mounted with a hanging nail, joined to the backboard. Crested with a carved female nude upper torso. The apron carved with a saddled horse on stippled ground terminating in a scrolled tailpiece border. The watch hutch made of poplar. SIZE: 9” h x 2-3/4” w. CONDITION: With original dry, old surfaces. Minor old age fissure on sliding door beneath watch window now stable. Natural dark patina in very fine to excellent, untouched condition. 52738-7 (1,500-3,000)

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404

Lot 2344 2345.

ELIZABETHAN STYLE CARVING OF A PAGEBOY. 19th century, Europe. Carved from the solid, this architectural carving of a young boy with shoulder length curled hair depicted in a flowing knee length tunic with leggings. His left arm crossed in front of his body. Now mounted on a 20th century plinth SIZE: Overall height 56”. Height of statue 47”. Overall width 16” x 16” d. CONDITION: Statue with loss of right arm, losses to left shoulder and lower left portion of tunic. Loss of left hand, lower right section of tunic, left foot from ankle forward. Area of deterioration from dry rot now stabilized proper right rear section of tunic. Surface at one time cleaned, now somewhat polished from years of touching by hands of passersby. 52945-1 (1,000-1,500)

Lot 2346 2347.

2346. FOLK ART CARVED AND PAINTED NOAH’S ARK. Last quarter 19th century, Pennsylvania. Lot 2345 The Ark painted-decorated in classic form, the roof with simulated wavy shingles and decoration of a bird on one side in the Pennsylvania Dutch taste. Ark with removable side. Accompanied by more than sixty-five paint decorated animals including five human figures. SIZE: 9-3/4” h x 20-3/4” w x 6-1/2” d. CONDITION: The Ark with original crusty, dry paint and with normal and expected in-use abrasion. The animals retaining all original paint with minor losses and chip damage, most notably on applied appendages. Otherwise generally good. 52935-12 (1,800-2,200)

GROUP OF FOUR CARVED AND PAINT-DECORATED EXAMPLES OF NOAH’S ARK TOGETHER WITH A LARGE GROUP OF MORE THAN 50 CARVED AND PAINTED ANIMALS AND ACCESSORIES. Late 19th/early 20th century, American, possibly Pennsylvania. The largest ark with vibrant paint, the roof with 4 rows of shaped shingles, additionally painted with a dove. Two small painted arks, each with a complement of animals. The last, a three-dimensional unpainted ark carved from pine. SIZE: Largest: 11” h x 22-1/2” w. Smallest: 2-1/2” h x 4-3/4” w. CONDITION: Generally good with light soiling and with in-use wear and abrasions, generally good. 52789-10 (1,000-1,500)

Lot 2347 405

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Session 2

2344. VICTORIAN GOTHIC PAINTED AND CARVED WATCH HUTCH IN THE FORM OF A HOUSE. Last quarter 19th century, American. Carved in the form of a Victorian home with simulated Gothic leaded windows, twin chimneys, double front door and iron fence with architectural finials. The house painted with simulated brick front. Above the front door is a circular opening on which to display a pocket watch. SIZE: 9-1/4” h x 6-1/2” w x 5” d. CONDITION: With overall dry, crusty painted surface, now age darkened with light soiling and some abrasions. Two holes to left and right of doorway on which small lights may have been fastened, now absent, otherwise good. 52789-9 (400-600)

2348. CARVED & PAINTED 24” SALMON BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque. Backboard having a painted lake & shore scene. Housed in a molded light wood frame. SIZE: 15” x 29”. CONDITION: Very good. 53076-30 (1,750-2,750)

Session 2

Lot 2348 2349.

CARVED & PAINTED 27-1/2” LAKE TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque. Backboard painted & simulating birch bark. SIZE: 14” x 33”. CONDITION: Very good. 53076-25 (800-1,200)

Lot 2349 2350. CARVED & PAINTED 20” BROOK TROUT BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse on plaque. Backboard painted & simulating birch bark. SIZE: 12” x 28”. CONDITION: Very good. 53076-24 (800-1,200)

Lot 2350 2351.

CARVED & PAINTED 24” PIKE BY LAWRENCE C. IRVINE, WINTHROP, ME. Signed on reverse of plaque. Backboard being a natural light stain. SIZE: 12” x 28”. CONDITION: Very good. 53076-23 (800-1,200)

Lot 2351 2352. OUTSTANDING CARVED & PAINTED 45” SALMON BY EDWARD GERRARD & SONS. A clipped newspaper advertising for “Edward Gerrard & Sons Natural History Studios, London” attached to verso. The backboard is a stained quarter sawn oak which has a brass plaque by of fisherman “George R. Nutter/Fosland on the Namsen-Elv./Norway/July 21, 1932/Weight 44lbs.”. SIZE: 20” x 551/2”. CONDITION: Crack separation in backboard, otherwise very good. 53076-14 (7,000-9,000)

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406

CARVED & PAINTED 351/2” ATLANTIC SALMON. Nicely painted with good detail. Mounted on a dark stained board titled “Atlantic Salmon Caught by Harold Place of Manasquan, N.J. April 1954 21lbs 3oz.” SIZE: 161/2” x 45-1/2”. CONDITION: Four mounting holes in corners, small scrape through date & light scratches, otherwise very good. 53076-28 (4,000-6,000)

Session 2

2353.

Lot 2353 2354. BROOK TROUT TROPHY MOUNT. Circa 1939. The handpainted carved brook trout mounted on board. The 19lb 4oz example taken in Old Forge, New York by Frank Gebhardt in 1939. SIZE: 14-1/4” h x 37-1/2” l. CONDITION: Very good original condition. 53076-20 (800-1,200)

Lot 2354 2355.

CARVED SALMON TROPHY MOUNT. Circa 1902. The carved and painted male salmon of 26lb 2oz taken from the River Dee in 1902 mounted on a mahogany plank with molded edge and bearing two labels, the first “C. FARLOW & CO LTD. FISHING ROD MANUFACTURERS”. The second label “MCINDOE & SONS PERTH”. SIZE: 16” h x 50-3/4” l overall. CONDITION: With all original surfaces, some paint losses to raised surfaces of fins. 53076-21 (3,000-5,000)

2356. CARVED & PAINTED 29-1/2” AVON TROUT BY W.B. GRIGGS. The half model well painted trout mounted on an oak stained rectangular molded edge board. The board titled “Avon Trout/Caught on “Dodge” Line at Downton Wilts Oct 1932 Weight 11-1/2 lbs.”. On the right corner of the plaque is the taxidermy tag of W.B. Griggs of London. SIZE: 123/4” x 36-1/2”. CONDITION: Very good. 53076-13 (5,000-8,000)

Lot 2356 2357.

Lot 2355

FABULOUS CARVED & PAINTED 45” SALMON. The finely painted salmon mounted to a painted green wood backboard with black edge & breadboard ends. Having a printed tag “Caught on/Upper Stobhall/River Tay/Weight, 30 lb/25th, February 1933”. SIZE: 15” x 49”. CONDITION: Fish has one hole through tail which probably was a mounting hole, there are five mounting holes in backboard, two scuffs with paint loss to backboard. Otherwise very good. 53076-29 (4,0006,000)

Lot 2357 407

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Session 2

2358. ANTIQUE SAROUK RUG. Early 20th century, central Persia. The well-designed carpet with floral shrubbery flanked by conifers and flowering plants in classical urns centering a subsidiary central floral medallion within a plum field of floral and foliate sprays, all within a blue-black main border of scrolling flower heads within multiple ivory and indigo guard borders of trellis work. SIZE: 9’ 3” x 12’. CONDITION: Palate remains strong with deep, rich colors. Area of visible wear at midpoint of main border at center with wear at foundation partially extending into field. Otherwise good. Loss of fringe into outer guard border. Selvage with minimal losses. 52829-80 (2,000-3,000)

Lot 2358 2359.

LAVAR KERMAN PICTORIAL PRAYER RUG. Late 19th-early 20th century, south Persia. On this nice example, wrought with a large stylized flowering tree on a pale gold field amongst a profusion of floral sprigs beneath the mirab with scrolling foliate and floral vinery. The main border with conifers and flowering shrubs on a plum ground flanked by floral guard borders. SIZE: 4’ 3” x 6’ 10”. CONDITION: Rug retains good color and strong palate. Normal and expected even wear throughout. Loss of fringe. Selvage intact. No restoration or repairs noted. Good to very good overall. 53008-1 (800-1,200)

Lot 2359

2360.

ILGRIM CENTURY CROSS BASE OAK CANDLESTAND. Late 17th, early P 18th century New England. Old Spanish brown paint. The thin circular top joined to a chamfered cleat, further joined to a hand carved circular post mortise and tenon joined to crossed, stepped feet. SIZE: 26-1/2” h x 14-1/2-14-3/4” dia. CONDITION: Top with old fissure showing an iron strap mend beneath. One foot with fine horizontal age split, early peg repaired from beneath, minor normal and expected surface abrasions. Very good untouched condition. 52738-21 (1,500-2,500)

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408

Lot 2361

2362. EARLY AMERICAN LADDERBACK HIGHCHAIR. Last quarter 18th century New England. The back with three curved horizontal slats joined to cylindrical turned stiles with mushroom finials joined to horizontal cylindrical arms raised on sausage turned cylindrical frontal legs with turned knob hand grips centering a woven rope seat. The legs joined by double box stretcher. SIZE: 27-1/2” h (overall), 22” h (seat). PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Loss to topmost back splat. Seat a later replacement. Surfaces otherwise undisturbed with good dark patina. 5280692 (800-1,200)

Lot 2362 2363. RARE AND WONDERFUL PILGRIM CENTURY SCREW TOP CANDLE STAND. Late 17th/early 18th century, New England. This fine hickory and maple candle stand with knopped screw threaded post, supporting a circular chamfered edge drip plate above a swelled circular post, joined to a conforming platform, raised on three splayed and swelled turned mortised legs. The threaded post fitted with a double socket candle arm with pierced candle sockets. The whole with original never painted “attic” surfaces. SIZE: 43” h x 13” w. CONDITION: All elements original and intact. Age appropriate charring losses at pierced candle sockets, burn marks on drip pan. The screw post with old minor losses. Fine mellow patina, very good overall. 52738-22 (3,000-6,000)

Lot 2363

2364. THREE PAIR OF EARLY PEWTER CANDLESTICKS, INCLUDING TWO PAIR OF BULBOUS CAPSTAN BASE STICKS. 18th/19th century, England and Portugal. The first pair with stepped square bases and with baluster turned shafts. The second and third capstan formed candlesticks with circular bulbous bases on conforming stepped feet. Repair of miniature example with acorn form turnings. SIZE: Smallest: 5” h. Tallest: 10-1/4” h. CONDITION: All with varying degrees of in-use wear with abrasions. Two in need of slight straightening, otherwise good. 52789-8 (800-1,200) Lot 2364 409

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Session 2

2361. RARE SETTLE FORM POTTY CHAIR IN RED PAINT. Early 18th century New England. This unusual example with tall raked back and curved crest rail joined to down-swept wings terminating in up-swept hand grips centering the mortised seat the side panels with boot jack ends. The whole of rosehead nail construction. SIZE: 26” h of back, 6-1/2” h of seat x 14” w. CONDITION: Chair retains original red paint with a later 19th century back brace for stabilization. Age appropriate minor wear and imperfection from usage. Overall very good in untouched condition. 52738-28 (1,5002,500)

2365. FINE FORGED IRON FIVE ARM CHANDELIER. Early-Mid 18th century, American or English. The circular twisted, tapering shaft with pigtail hanging hook joined to downswept diamond shaped arms continuing to dished circular drip pans beneath slotted tab cleated candle cups with folded edge. Note: the arms forged from a single piece of stock. SIZE: 29-3/4” h x 21” dia. CONDITION: Chandelier with dry, original black-painted surfaces and with light oxidation. Excellent untouched original condition. 52738-41 (1,500-3,000)

Session 2

2366.

FINE NEW ENGLAND DRY SINK IN RED PAINT. Late 18th-early 19th century New England. The rectangular case of classic form, fitted with a dovetailed drawer beside a sink well with raised splash Lot 2365 guard and raised work surface. The case fitted with two paneled doors with wood knobs and latches opening to an interior fitted with a single fixed shelf. The case with bootjack bracket base, all in original paint with varnish overcoat. SIZE: 35” h x 47-1/2” w x 22” d. CONDITION: Structurally very good. Door handles are old replacements. Fine, dark patina and with normal and expected in-use wear and abrasions with some minor losses to paint. Very good overall. 52738-37 (2,000-4,000)

Lot 2366

2367. PRIMITIVE OAK COBBLER’S BENCH WITH TOOLS. The freeform bench fitted with a gallery compartment with tray. Additionally fitted with old leather strapping in which are set a selection of period tools. A simple box drawer fitted beneath the seat. The whole raised on splayed handhewn square legs. SIZE: 20” h x 39” w x 17” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Retains old original surfaces, showing appropriate abrasions and in-use wear. Nicely patinated. Bench remains sturdy and solid. 52806-27 (300-500)

Lot 2367 2368.

VIBRANTLY DECORATED JELLY CUPBOARD. 1st quarter 19th century New York State. The rectangular cabinet comprised of pine and basswood fitted with a pair of aligned short drawers above a long drawer over a pair of panel cupboard doors. The whole decorated with original faux exotic wood and wide stripe decoration in yellow and ochre paint. The case with cupids bow side panels, the case front with vigorously scalloped apron SIZE: 48-3/4” h x 42-1/2” w x 17-1/2” d”. CONDITION: All hardware original, as is decorated surface. Minor paint abrasions and imperfections. Proper right front top corner with old abrasion and a multitude of “pinpricks”, origins unknown. Very fine original condition. 52738-19 (3,000-6,000)

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410

UDSON VALLEY PINE HUTCH TABLE IN RED H PAINT. Early 19th century, New York. The circular top with mortised supports, hinged on a rod to the trestle form base with storage well on shaped supports, raised on chamfered shoe feet. The whole in early, if not original, terracotta red paint. SIZE: 27-1/2” h x 44” dia. CONDITION: Early paint as mentioned. Normal and expected in-use wear. Top surface scrubbed and with some light water staining with stable thin shrinkage cracks on seams. Expected abrasions on base and feet. Table retains original dowel pins and early, if not original, pivoting rod. Very good overall. 52896-7 (3,000-5,000)

Lot 2369 2369A. FINE HUDSON RIVER VALLEY TWO DOOR PANTRY CUPBOARD. Second quarter 18th century, New York. In original green paint, the one piece cupboard with two hinged panel doors within picture frame molded facade. The interior with three removable shelves, the uppermost a crescent shape. The case with simple bracket feet and boot jack ends with original hardware including wood latches. SIZE: 52” h x 48” w x 18-1/2” d. CONDITION: Surfaces with normal and expected in use wear with abrasions and soiling. Rose head nails throughout. Rear feet repaired at backboard, proper right rear foot restored, left foot reinforced, otherwise very good. 52738-29 (1,200-2,400) 2370.

DIMINUTIVE PAINT DECORATED PINE CHEST. First half 19th century Central Europe, probably Austrian. Lot 2369A The rectangular hinged lid with applied molded edge, mounted on wrought iron strap hinges opening to a storage well. The dovetailed case with sloping sides, the ends fitted with iron carrying handles. The front panel nicely decorated with a pair of opposing stylized rams within a painted rondel amidst flower heads centering a scrolling cartouche. Case ends decorated with a floral rondel above a stylized pendant belle flower. The chest with a blue-green background, sponge decorated, within mustard ochre borders. Chest is raised on a later simple box frame. SIZE: 15” h x 32” w x 15” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Painted surfaces original beneath layers of polish. The hardware and lock original. Normal expected in-use wear. Good overall condition. 52806-136 (800-1,200)

Lot 2370 411

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Session 2

2369.

Session 2

2371. EXCEPTIONAL PAINT-DECORATED BOSTON ROCKING CHAIR WITH ARMS. 1st quarter 19th century New England, perhaps the most exuberantly carved and decorated example we have handled. The rolled 3-dimensional crest rail continuing to boldly scalloped ears. The crest painted and stencil decorated with floral sprigs and fruit filled basket joined to baluster ring and spool-turned stiles centering six arrow form steam bent serpentine splats above the dramatically shaped plank seat. The rolled arms raised on raked spindles. The whole faux grained with mustard and green painted highlights. The frontal seat apron rolled and scrolled to conform with the crest rail. SIZE: 43” h of back x 15” h of seat. Overall width: 23”. CONDITION: Excellent untouched original condition with normal minor abrasions from in-use wear. 52738-23 (1,500-3,000)

Lot 2371 2372.

GRAPHIC LARGE COPPER RUNNING HORSE TRADE SIGN. Late 19th/early 20th century American. The two sided sign in heavy gauge silhouette form of a running horse depicted on a landscape base with strong verdigris surface. SIZE: 33-1/2” h x 45-3/4” l. CONDITION: Structurally very good. Sign with drilled holes in a horizontal line through head and around perimeter of base for mounting. Verdigris surface as previously noted. No structural damage or alterations, very good overall. Original mounting bracket absent. 52738-17 (1,400-2,400)

Lot 2372 2373. FOLK ART HOOKED RUG WITH A MOOSE IN LANDSCAPE. Mid-19th century, New England - probably Maine. Wrought in earth tones, the bull moose flanked by stylized scrolling shrubbery, hills and trees in the background. Professionally mounted in a stretcher with linen backing. SIZE: 23” h x 35” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Some oxidation, primarily in body of moose, accompanied by wear in center. Light soiling throughout. Otherwise good. 52806-46 (600-900)

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412

FOLK ART HOOKED RUG OF A FISH, POSSIBLY TROUT. Second half 19th century, New England. The fish depicted swimming from right to left in an abstract brook, river bank in foreground. Now professionally mounted on a stretcher. Rug with light canvas backing. SIZE: 21-1/2” h x 36-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Structurally very good. Light soiling throughout. With expected minor overall wear. 52806-101 (1,000-2,000)

Lot 2374

2375. FINE APPLE DESIGN HOOKED RUG. Late 19th-early 20th century, New England. Wrought with rows of colorful apples, each with stems and leaves, all bordered by free-form striated edges in brown and ivory. Backed in burlap. SIZE: 661/2” x 62”. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Normal and expected in-use wear. With light soiling. Minimal spot soiling. Minor and insignificant scattered small holes commensurate with age. 52806-97 (1,000-2,000)

Lot 2375 2376.

EXCEPTIONAL POLYCHROME DECORATED SLATE CHECKERS GAMEBOARD. 19th century, found in Vermont. The vibrant 7 color board utilizing circular and semi-circular motifs, surrounding a classic black and white checkerboard. All embellished with a striated faux marble ground. The designs all with incised borders. Housed in a modern frame for hanging. SIZE: Board: 19-1/2” sq. Exterior: 22-1/2” sq. CONDITION: Very minor surface abrasions. Very fine overall condition. 52738-5 (1,5003,000)

Lot 2376

2377. FINE NEW ENGLAND PINE GAMEBOARD. Second half 19th century. Square checkerboard within simple box molding, painted in black and chrome yellow. The border of scrolling vinery centering a heart at each corner. SIZE: 17-1/2” x 17-1/4”. PROVENANCE: Ex-collection of John W. Armiger Jr. Estate. CONDITION: Very good overall with original painted surfaces. 52896-2 (1,000-1,500)

Lot 2377 413

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Session 2

2374.

Session 2

2378. LARGE THEOREM OF A FRUIT FILLED BASKET. First half 19th century, East Coast United States. An arrangement of grapes, peaches, apples, and pomegranates with foliate branches and grape buddings in a Classical pedestal basket. SIZE: 141/2” h x 19-1/2” w (sight). CONDITION: The theorem with overall toning, now a medium tea color. No structural damage or restoration. Now housed in a 19th century gilt frame. 52789-6 (700-900)

Lot 2378 2379.

THEOREM ON VELVET WITH FLORAL FILLED BASKET. Mid 19th century, New England. Depicting a woven basket filled with polychrome flowers in the center of which is a small nest of bluebird hatchlings at feeding time with female perched above yellow flower head. Housed in a lemon gold gilt frame. SIZE: 16-1/4” x 20” sight. 20” h x 24” w overall. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Generally good with toning throughout. Colors remain vibrant. 52806-88 (800-1,200)

Lot 2380 2381.

Lot 2379

2380. F INE SCHOOLGIRL NEEDLEWORK ADAM AND EVE SAMPLER BY MARIE MARGUERITE AHIER 181_. The samplers central section depicts Adam and Eve with a large apple tree with snake, flanked by pictures of trees and birds, surmounted by Gabriel, with birds and stars, all of which is flanked by two large columns with a rainbow connecting them and a heart above. Other pictures of potted flowers, man and woman, pine trees, dogs, etc. all encompassed inside a vine strawberry border. Below the tree titled “Adam & Eve” and “Marie Marguerite Ahier agee de 11 ans ce 16 jour du mois d’Aoust 181_ (age 11 years old this 16th day of August 181_). Thought to be of New Brunswick Canada origin, research indicates that there was a child with this name from Philippe Ahier (1784-1870) m (1807) Esther Le Feuvre (1791-1850). SIZE: Sight: 26” x 17”. Overall: 27” x 18”. CONDITION: Generally very good, some pulls on outer edges, some foxing. 52902-5 (1,000-2,000)

PICTORAL SAMPLER WROUGHT BY MARY ELIZABETH JACKSON, WHITEHAVEN. Early 19th century, New Brunswick, Canada. This fine example woven on linen centering a poem. Framed by a row of floral vinery above and a row of floral and fruit leafy sprigs below and additionally woven with a single row of the alphabet followed by the numerals 1234. All within a scrolling leafy border with strawberries. Housed in a period birds eye maple frame. SIZE: Sight: 17” x 15-1/4”. Overall: 21-1/4” x 19-1/2”. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: All embroidery intact. Linen with overall toning, minimal in nature. Very good overall. 52806-139 (500-800)

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414

FINE HERIZ RUG. First quarter 20th century, northern Persia. The large blue-black arabesque medallion within a madder red field framed by ivory spandrels with subsidiary madder red device therein, all within a blue-black floral main border and multiple floral guard borders. The whole with dense polychrome saz leaf and floral motif. SIZE: 8’ 1” x 11’ 5”. CONDITION: Rug retains good pile throughout with minor even wear. Strong palate. Losses to fringe into outer guard border at each end. Selvage intact. Some insect damage along perimeter of rug, now inactive. No other restoration or damage noted. Good overall. 52829-41 (2,000-3,000)

Session 2

2382.

Lot 2382

Lot 2383

2383. ANTIQUE MALAYER ORIENTAL RUG. First quarter 20th century, northwest Persia. The rug designed with three rows of subsidiary tarantula medallions alternating in wine-red and dark blue on a blue-black field. The spaces filled with dense geometric designs and unusual tarantula medallion on either end in chartreuse, all within medium blue spandrels. The rose-red main border with floral trellis work within multiple floral guard borders. SIZE: 7’ 2” X 14’ 4”. CONDITION: Rug retains vibrant palate with minor even wear throughout. Losses to fringe, otherwise good. 52829-71 (3,000-5,000)

Lot 2384 (w/close-up)

2384. SILAS HOADLEY TALL CASE CLOCK. Second quarter 19th century, Connecticut, Silas Hoadley (1786-1870), Plymouth Connecticut. The bonnet with arched molded crest beneath three pediments alternating with scalloped crests. The glass panel door flanked by simple colonnettes above the case with molded corners over a thumbmolded panel door, flanked by engaged quarter columns, joined to the box base with mid-molding. The case terminating in simple bracket feet with crescent shaped apron. The whole in original beige painted surface. The wood face decorated with a floral spray in a gilt rondel in the arch. The dial with Roman numeral chapter ring with subsidiary seconds dial above simulated time and strike apertures, each within a gold gilt star, centering a decorated rondel painted with a displayed eagle and American shield, clutching arrows within a border painted “S. HOADLEY PLYMOUTH.”. The dial within painted spandrels of stylized red fronds flanked by mottled brown hills within a gilt triangular border. The wood weight driven movement striking on a bell. SIZE: 87-1/2” h x 18-3/4” case width x 14” throat width x 10” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: The case with original paint surface and glass paneled door. The surface with normal and expected wear and abrasion. No restoration noted. Dial with original paint with overall light craquelure. Sweep seconds hand absent. Light soiling overall, wood works appear intact, clock hands probably later replacements or repainted. 52806-32 (2,000-4,000) 415

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Session 2

2385. FEDERAL BENJAMIN SWAN INLAID BIRCH TALL CASE CLOCK. First quarter 19th century, Augusta, Maine. The molded arched bonnet surmounted by fretwork alternating with three pilasters with ball and spire brass finials above an arched glazed paneled door flanked by free standing ringturned colonettes with brass capitols and bases. The painted dial with a rocking ship in the arch above a Roman numeral chapter ring within an Arabic numeral ring above a subsidiary sweep seconds dial. The dial fitted with time and strike apertures centering a calendar dial. The dial additionally marked “Benj Swan / Augusta” all within spandrels of periwinkles within leafy sprays. The eight-day weight driven brass movement striking on a bell. The waisted case fitted with crossbanded and thumb molded door centering a birdseye inlaid panel and flanked by engaged quarter columns. The box base with recessed central panel, raised on bracket feet centering a shaped apron. Clock is offered with original pendulum with brass clad bob, iron and brass winder and a pair of cylinder weights. SIZE: 92” h x 14” w x 9-1/4” d. Overall: 18” w. CONDITION: Original fretwork intact. Case has been cleaned of original surface with minor shrinkage cracks, throat door filled shrinkage cracks in panel of face, glass panels in bonnet original. Clock dial with original paint surfaces with paint losses to ship. Posts of brass movement have resulted in corresponding paint loss to dial. Hands appear original. Painted dial with light craquelure throughout, otherwise good. Movement recently professionally cleaned and refurbished. 52732-1 (3,000-5,000)

2386. STANDING PAINT DECORATED PATRIOTIC BARBER POLE. Mid-19th century, New England. This large pine barber pole of bold form, with ball top above a reel-turned cap. The upper tapered cylinder continuing to medial reel turnings continuing to tapered lower cylinder on a ring- and reel-turned base. The pole turned from a single piece of stock. SIZE: 74-1/2” h. CONDITION: With original red, white, blue and gilt decoration. Paint surfaces dry and crusty with age appropriate abrasions and soiling. The pole with very minor early tight age splits. Very good overall in untouched condition. 52738-2 (4,000-8,000)

2387. FINE PAINT DECORATED BARBER POLE. Late-19th century American. The lozenge form pine pole with bold acorn finials at top and bottom, mounted to original forged iron angle mounting rod. The pole with early dry, crusty painted surfaces over original paint. SIZE: 351/2” l x 15-1/2” d including rod. CONDITION: Age appropriate minor abrasions and paint chips. Very good, untouched condition. 52738-20 (2,500-5,000)

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Lot 2386 416

Lot 2387

Lot 2388 2389.

THREE MASTED SCHOONER WEATHERVANE. Mid20th century. Old painted white and gold leaf surface, the three mast ship shown in full sail with wire rigging flying two pennants. Accompanied by a museum quality stand. SIZE: 36” h x 36” l. CONDITION: Very good. 52843-2 (2,000-3,000)

2390.

BRIAN COOLE (American/United Kingdom, 1939-) PORTRAIT OF THE SHIP “IDA”. Oil on canvas nautical scene shows the broadside view of a three mast, black hulled ship sailing left to right with white cliffs in the background. Off the stern is a red flag adorned with a Lot 2389 castle. Signed lower left “Brian Coole”. Housed in a modern decorative partial gilt molded wood frame. Canvas stamp on verso “Prepared by G. Roberson & Co. LTD. London”. SIZE: 20” h x 24” w. Overall 231/4” h x 27” w. CONDITION: Light stretcher marks and craquelure, otherwise very good. 52736-2 (1,000-2,000)

Lot 2390 2391.

THOMAS SPENCER YORKE (American, 19th Century) PORTRAIT OF THE SHIP “MARY DOANE”. Oil on canvas portrait of the green and white hulled three mast ship sailing right to left flying American flag and ships pennant, off her bow is a lighthouse and small building flying the American flag. Ten colorful figures are seen on deck and several other ships in background. Signed lower left “T. S. Yorke”. Housed in a modern gilt wood frame. SIZE: 23-1/4” h x 28-3/4” w. Overall 26” h x 31-1/2” w. CONDITION: Lined, surface dirt and varnish yellowing, otherwise good. 52789-17 (1,200-1,800)

417

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Session 2

2388. FINE HOROLOGY REPAIR TWO-SIDED TRADE SIGN. Later 19th century, American. This well carved and painted pine trade sign with cast iron “Stem” hanger. Relief carved from a single piece of stock with early dried paint surfaces. The trade name “KLEIN REPAIRING”. Note: the hands are set 8:17 indicating the time of Abraham Lincoln’s death. SIZE: 22-1/2” h x 17-1/4” d. CONDITION: Faces appear to be original paint with probable overpaint of trade name, bezel and stem in old repaint. Center “pin” for hands long absent. Normal and expected pleasing wear to top of stem. Surfaces crusty and dry with short fissures and abrasion losses from in use wear and exposure to the elements. Structurally good overall. 52738-43 (1,500-2,500)

2392.

Session 2

JAMES EDWARD BUTTERSWORTH (American, 1817-1894) PAIR OF YACHT RACING WATERCOLORS. Identically housed in Eastlake ebonized and gold frames with new ivory mats behind glass. One shows one boat rounding the buoy with four men on deck with the other yacht in the distance. Signed “JE Buttersworth”. The other unsigned, showing a green hulled boat passing a buoy with light house in distance. Literature: Bonham’s sale Lot 2392 21592, Fine Marine Paintings and Decorative Arts, 25 June 2014, Lot 179 for another example of A racing yacht on Great South Bay; Schaefer, Rudolph J., J.E. Buttersworth - 19th Century Marine Painter, Mystic Seaport, Mystic, CT., 2009, pg. 127 for the oil on canvas version of A racing yacht on Great South Bay. Schaefer, Rudolph J., J.E. Buttersworth - 19th Century Marine Painter, Mystic Seaport, Mystic, CT 2009, pg. 118 for a similar scene of yachts racing off Sandy Hook with the same lighthouse and buoy. SIZE: Sight: 7” x 9-3/4”. Overall: 15-1/2” x 17-3/4”. CONDITION: Foxing line and age toning, loss to small section of signature. 52953-1 (1,500-2,500) 2393. JAMES TYLER (American, 1855-1931) TUGBOAT “EDGAR BAXTER”. Watercolor on paper, nautical scene shows the yellow decked tugboat sailing right to left through white capped green ocean. Several other ships are seen on horizon line, all under a gray edged cloud and blue sky. Below the watercolor is the title “Edgar Baxter”. The Captain is seen behind the wheel with two deck mates on board. Flags flying along with ships pennant. Housed in a gilt frame with white mat. Note: A photograph of the “Edgar Baxter” accompanies the lot. SIZE: Sight 12-1/2” h x 20” w. Overall 17” h x 25” w. CONDITION: Very good. 53002-6 (1,000-2,000)

Lot 2393 2394.

SAILOR’S INLAID DITTY BOX. Late 19th/early 20th century, New England. The rectangular box with sliding lid, inlaid overall with hearts, diamonds and stars comprised of whale bone. The box sides, additionally inlaid with rosewood veneer depicting a sperm whale. SIZE: 4-1/2” h x 7-1/2” l x 5-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Special Note: This item(s) contains plant or animal Lot 2394 properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Surfaces original and well worn. Inlays intact. Surfaces have been cleaned but with some areas of original surface remaining, generally good. 52806-57 (800-1,200) ESA 2395. LARGE CARVED SOAPSTONE FIGURE OF A MERMAID AND WALRUS. The mermaid resting on a seated walrus. Unsigned, probably Inuit. SIZE: 18-1/2” h x 13” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good. 52806-17 (800-1,200)

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418

Lot 2396 (w/close-up) 2397.

THREE FRAMED MAPS: A CHOROGRAPHICAL MAP OF THE PROVINCE OF NEW YORK IN NORTH AMERICA BY WILLIAM FADEN, LONDON, 1779. William Faden, London, 1779. Copper-engraving, on six sheets joined as three, period hand coloring. The last and best large-scale map of an American colony. Drawn on a scale of five miles to the inch, it is the most detailed printed map of any extensive part of North America published during the Revolutionary period. Claude Joseph Sauthier was one of the most accomplished engineers working in America in the eighteenth century. Alsatian by birth, he accompanied Governor William Tryon to North Carolina in 1769. He surveyed several North Carolina towns and designed the Governor’s Mansion at New Bern before accompanying Tryon to New York in 1771. He subsequently conducted many surveys of New York, and during the Revolution he served as a military engineer producing a number of fine maps for the British Army. Identically housed in fine wood frames with white mats behind plexiglass. SIZE: Each sight 24” h x 54” w. Overall 32” h x 62” w. PROVENANCE: From Lot 2397 a coastal Maine collection CONDITION: Folds, evidence of transfer shadowing from opposite section when folded, highlighted colors still present, not examined out of frame, but appear to not be laid down. 52553-10, 52553-11, 52553-12 (6,000-9,000)

Lot 2398

2398. H. SCHEDLER 12 INCH TERRESTRIAL TABLE GLOBE. Last quarter 19th century, New Jersey/New York. The globe set within a metal annular ring, mounted on a three legged walnut table stand with cast-iron stretchers embossed with cartouche. The horizon ring with lithograph paper intact. SIZE: 12” diameter globe as noted. 17-1/2” high overall, 17” diameter of stand. CONDITION: Gores with surface soiling but with no areas of damage or of significant chafing. Corrosion on annular ring. Table stand retains original surface. Good condition overall. 52738-33 (2,000-5,000) 419

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Session 2

2396. LARGE SOAPSTONE CARVING OF A MERMAID. The base signed with unknown glyphs. The figure in polished mottled green soapstone with hand on unpolished side rock. The hair unpolished with texture. Accompanied by a 11-1/2” square black turntable base. Probably Inuit. SIZE: 14-1/4” h x 15” w x 12” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good. 52806-16 (800-1,200)

2399.

Session 2

DIMINUTIVE QUEEN ANNE CHERRY HIGHBOY. Last quarter 18th century, Connecticut. In two parts, the upper case with molded cornice fitted with four graduated long drawers, all with thumbmolded edges. Fitted to the mid-molded lower case fitted with a single drawer simulating three aligned drawers with central shell carving above a scalloped and shaped apron raised on bandy cabriole legs with shaped returns terminating in circular pad feet. SIZE: 67” h x 39” w x 20” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Surface has been repolished, now with a good light honey-brown color. Hardware later replacements. Backboard of lower case replaced. Legs with no evidence of restoration or repairs. Proper left front corner of cornice with abrasion. Generally good. 52885-42 (1,5002,500)

Lot 2399

Lot 2400 2401.

2400. F INE FEDERAL CHERRY, MAHOGANY, AND TIGER MAPLE BOW FRONT CHEST OF DRAWERS. Early 19th century, Northern Massachusetts or Seacoast New Hampshire. The rectangular cherry top with mahogany bow front edge above the conforming mahogany case fitted with four graduated long drawers, each with pronounced tiger maple panels within rosewood crossbanding and cockbeaded edges. Raised on delicate French feet. Now with matched set of later oval brasses with molded cornucopia design. SIZE: 36” h x 40” w x 23-1/2” d. CONDITION: Structurally very good. Professionally restored and repolished. 52829-85 (2,000-3,000)

THREE PART HEPPLEWHITE MAHOGANY BANQUET DINING TABLE. First quarter 19th century, probably New York. Rectangular center table with conforming hinged leaves raised on six tapering legs with string inlay. Two legs hinged for leaf support, together with two demilune tables, string inlaid with conforming apron raised on four tapering legs. SIZE: 29” h. Drop leaf center section: 21-1/2” w closed. 53-1/2” l. 61” x 53-1/2” open. Demilune tables: 53-1/2” l x 26-1/2” d. Complete table size open: 9’ 6” l x 53-1/2” w. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Table has been professionally restored and repolished with repairs to leaves at hinges, string inlays, and including tightening of legs. Repolished top surface with good color and with light surface soiling and some light in use scratches and abrasions to top. Otherwise good Lot 2401 overall. 52947-2 (1,000-1,500)

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420

EMPIRE TRANSITIONAL KENTUCKY MAHOGANY SIDEBOARD. Early 19th century, Lexington, Kentucky. Attributed to the workshop of Robert Wilson of Lexington, Kentucky. The rectangular top with bowfront center flanked by incurved edges mounted with a classical splash guard with central fan cresting flanked by square columns and capitals. The case with central bowed drawer above a pair of bowed cupboard doors, further flanked by short drawers above bottle drawers. The case ends each with short drawer above a long cupboard door. The incurved ends with blocked center. The case sides with recessed panels. The whole raised on swelled, ringturned, tapering legs with ring cuffs, raised on brass-capped fitted casters. Note: the secondary wood of this example is poplar and the long cupboard doors of laminate construction with mahogany veneers and fascia. SIZE: 56-1/2” h (overall), 43-1/4” h (case) x 76” w x 22-3/4” d. CONDITION: Proper left rear caster needs re-attaching. Sideboard retains all original surfaces. Top with light surface abrasion. Brasses are later replacements. Bottle drawer locks later replacements. Loss of fascia board to proper left door edge. Otherwise structurally good. 52829-96 (1,200-1,800)

Session 2

2402.

Lot 2402

2403. RARE CHILD’S LOUISIANA CAMPECHE CHAIR. 19th century. Probably Louisiana. Having a continuous raked back and seat connected to curule supports with curled feet. Covered with black leather fixed by brass studs. SIZE: Approximately 12-1/2” h, approximately 9-1/2” seat h, approximately 11” d, approximately 13” w. CONDITION: Generally very good. 53047-1 (1,500-2,500)

Lot 2403 2404. SHERATON MAHOGANY AND FLAMING BIRCH DROP LEAF SEWING TABLE. Second quarter 19th century New England. The square mahogany top with hinged D-form leaves and reeded edges above the conforming case, fitted with three drawers, the uppermost drawer with hinged writing surface, inkwells, and compartments. The bottom drawer with removable sewing bag, the drawer fronts with flame birch panels, raised on deeply caved, reeded, cylindrical legs terminating in brass capped casters. SIZE: 28” h x 19” w (closed), 37” w (open) x 181/2” d. CONDITION: Old polished surfaces with good patina, structurally sound and original. Turned brass knobs of later vintage. Casters original. Baise writing surface and liners are later replacements. Very good overall. 52829-43 (2,000-3,000)

Lot 2404 421

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Session 2

2405. ANTIQUE MALAYER RUG. Late 19th-early 20th century, northwest Persia. Seven rows of botehs on a dark indigo field with dense floral devices within an ivory guard border of scrolling floral lattice work within zigzag and floral guard borders. SIZE: 4’ 6” x 5’ 7”. CONDITION: Moderate and even in-use wear. Loss of fringe at each end. Colors faded overall. 52829-88 (1,200-1,800)

Lot 2405

2406.

ANTIQUE FEREGHAN SAROUK CARPET. First quarter 20th century, central Persia. The unusual oversized persimmon medallion with floral decoration joined by tendrils on a blue-black field with conforming polychrome floral design centered by ivory spandrels with delicate foliate sprigs, all within a midnight blue guard border with a dense row of lotus blossoms and other flower heads within lacy trellis work. The multiple guard borders in ivory, indigo, persimmon, and terracotta, all with floral lattice work. SIZE: 10’ 1” x 13’ 11”. CONDITION: Palate strong and vibrant. Rug remains supple with nearly full pile. Very good overall. 52829-87 (6,000-8,000)

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422

2408. SETTER DOG WEATHERVANE ATTRIBUTED TO WASHBURN AND COMPANY. Last quarter 19th century. With nicely defined features and details, the classic pointer stance with head and tail parallel to the ground. Accompanied by a museum quality stand. SIZE: 14” h x 32” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Good, with an old worn verdigris and painted surface, two old bullet holes, slight crease underneath tail. 52806-82 (5,000-8,000)

Lot 2407

Lot 2408 423

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Session 2

2407. FEDERAL MAHOGANY TALL CASE CLOCK WITH SIGNED DIAL. First quarter 19th century, probably Maine. The Roxbury style case with pierced fretwork alternating with three brass ball-and-spire finials above the arched, molded cornice over the glass panel door, flanked by free-standing reeded colonnettes with Doric brass capitals and bases. The case with concave molded throat above a door with inset birch panel flanked by engaged, reeded quarter columns with brass capitals and bases above the molded box base with mahogany panel within bird’s eye maple crossbanding. The case raised on French feet with scalloped returns. The wooden face paint decorated with floral sprays in the arch and with floral spandrels. The Roman numeral chapter ring and Arabic minutes ring centering time and strike apertures beneath the subsidiary seconds dial. The face signed “S. Edwards / Gorham” in script within an oval. The clock offered with two weights, pendulum, winder, and door key. SIZE: 8’ 2” h x 18” w, 13-1/2” throat width x 9-1/2” d. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Case with old, if not original, surface, now cleaned and polished. Minor repairs to fretwork with all original elements. Brass finials are of the period. Bonnet door glass possibly replaced. Old repair to proper right case molding beneath the bonnet. Wood dial original with original paint. Feet and backboards original. Movement appears intact and functional with one disconnected wire cable in need of replacement. Original wood wheels for weights present and intact. Otherwise generally good. 52936-9 (1,0001,500)

Session 2

2409. LEAPING STAG WEATHERVANE ATTRIBUTED TO WASHBURN & CO. The stag shown in leaping form with back legs extended and tail up. Accompanied by a museum quality stand. SIZE: 24” h x 27” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Newly re-gilded and painted surface, structurally very good. 52806-104 (2,0003,000)

Lot 2409 2410.

HAND CRAFTED FISH WEATHERVANE. Second quarter 20th century. Tin. The fish of generic form could represent both fresh water and salt water varieties. Open mouth with incised scales and fins. Accompanied by a museum quality stand. SIZE: 16” h x 35” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Worn old surface, minor dent to rear. 52806-84 (2,000-3,000)

Lot 2410 2411. LARGE BROWN TROUT TROPHY MOUNT. The fish mounted on a light green background with molded stained wood frame. The label at center bottom “Brown Trout / Caught in Lochluichart / 19th July 1926 / Weight 10-1/2 lbs / J. F. P.” SIZE: Fish 29” l. Overall 33-1/4” w x 14-1/4” h. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good. 52806-64 (800-1,200)

Lot 2411 2412.

CARVING OF A BROOK TROUT BY DICK HOLLIS. 1970’S, probably New York State. The sculpture depicting a polychrome paint-decorated brook trout, mounted on a piece of driftwood, joined to a molded, shaped walnut plinth, applied with sand to simulate a river bed. The letters “DH” carved at base of driftwood. The DH monogram also written on underside of base with the name “DICK HOLLIS” in ink. SIZE: 11” h x 26-1/2” l (including base). PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good overall. 52806-188 (800-1,200)

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Lot 2412 424

Lot 2413 2414.

TWO BASKETRY FISHING CREELS AND METAL MINNOW BUCKET. 1) Large basketry creel with bulging sides, having a weaved oval lid with wood lined receiving hole. Replaced raw-hide hinges. 2) Basketry creel with a wood carved lid having cut-out receiving hold and raw-hide hinges, one detached. The underside of the lid with 12” ruler. 3) Metal oval bail handled hinged top bait bucket. The metal bail handle with wood swivel grip, the top half hinge with star punch cutout. Chrome yellow paint which is 30% present. SIZE: 1) 10” h x 14” w (widest) x 7” d. 2) 8-1/2” h x 12” w x 6” d. 3) 6-1/2” h x 10” w x 6” d (without handle). PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Generally very good, some very minor breaks in basketry. 52806-40 (300-500)

Lot 2414

2415. FINE EARLY EEL SPEAR. The early steel spear having five tines with serrated edges fitted with a wood turned handle, which fits into a black plinth for display. SIZE: Spear 26” l. 31-1/2” h (in stand). PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good. 52806-79 (200-400)

Lot 2415

2416. FINE AND RARE PINE CHILD’S DECORATED BLANKET CHEST. First half 19th century, Germany. Painted in the Dutch or German style, the hinged lid with applied molded edge, opening to interior, lined with wallpaper, densely decorated with rows of floral rosettes and leaf tips within diamonds. The interior of the dovetailed chest fitted with a lidded till. The rectangular chest on a simple molded base, raised on suppressed ball feet. The whole paint decorated with a stylized floral filled urn, framed by a landscape of trees and hills within a rectangular cartouche, framed by a smoke decorated border on all sides, embellished with red and white triangles and with fanshaped forming spandrels at each corner of the cartouche. The lid decorated with an abstract image of a cloud filled sky. Each end paint decorated with a central tree flanked by stylized hills with scrolling shrubbery. SIZE: 10-1/4” h x 171/2” l x 10-1/4” d. CONDITION: In-use wear and abrasions, primarily along edges. Light soiling overall. Black paint on moldings and feet has been touched up at some point. Early insect damage, minimal in nature and now in active. 52935-11 Lot 2416 (2,000-2,500) 425

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Session 2

2413. TWO CARVED AND PAINTED FISH DECOYS, ATTRIBUTED TO OSCAR PETERSON (1887-1951). 20th century, Michigan. The first a brook trout, painted in dark green with brown splotches and cut sheet fins and with tack eyes. The second smaller example, in vibrant shades of yellow and orange, with brown spotted highlights along the back with bright orange and yellow fins. SIZE: First: 8-1/2” l. Second: 5-1/2” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Painted surfaces original with normal and expected wear. Corrosion on sheet tin fins on first, generally good. 52806-65 (1,000-1,500)

Session 2

2417. G RAIN DECORATED PINE DRY SINK. Mid 19th century, New England. The rectangular case with three aligned short drawers beneath the splash guard on in-curved supports above a single recessed shelf, all above a tray top well. The case additionally fitted with a pair of recessed panel molded cupboard doors. The whole with pale brown graining. SIZE: 52” h x 42” l x 19” d. CONDITION: With moderate in-use wear and expected abrasions and paint loss throughout, especially on case edges and within well. Dry sink remains structurally intact. Good to very good. 52961-1 (800-1,200)

Lot 2417 2418.

EARLY AMERICAN PINE TAVERN TABLE IN RED PAINT. The rectangular single plank top with breadboard ends projecting above the conforming apron fitted with a single long drawer. Raised on baluster blocked and ring turned legs terminating in suppressed ball feet, joined by a rectangular box stretcher. SIZE: 26-1/2” h x 40-1/2” l x 26-1/2” w. CONDITION: With old if not original surface. Top does not appear to have been re-set. Drawer retains original mushroom knob. Feet may be replacements. Structurally very good. Top with old stable shrinkage cracks, with good patina and color. 52961-3 (700-900)

Lot 2418

2419. EARLY AMERICAN FIRKIN WITH COVER IN GREEN PAINT. Mid-19th century New England. The pine firkin with oak bands and swing handle of typical form with original green wash. SIZE: 9-3/4” h x 10” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Original surface with normal expected wear and shrinkage on seams. Good overall. 52806-206 (200-400)

Lot 2419

2420. OUTSTANDING RED PAINTED MIXING BOWL. The early 19th Century birch bowl of New England origin having a strong, dry, original red painted exterior. Scrubbed surface interior with light chop marks. Rounded form ending on a shallow footed base. SIZE: 7” x 201/2” dia. CONDITION: Very good. 52738-12 (1,200-1,800)

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426

VERY LARGE DEEP BURL BOWL. First half 19th century. Carved showing hand hewn marks with footed bottom, separate inset walnut bottom. SIZE: 28” dia. x 10” h. CONDITION: Early wooden patch in lip, possibly at time of manufacture, with deep honey patina. 53027-3 (2,000-4,000)

Lot 2421 2422. AMERICAN SCHOOL (mid-19th century) BUST LENGTH PORTRAIT OF ABBY MELLISH SWEETSER. Circa 1830, unsigned oil on panel portrait of Abby Sweetser (1781-1859) wearing a black gown with lace collar secured by a mourning brooch and alace bonnet. Abby was the wife of Benjamin C. Sweetser, a leather worker and trunk maker from Portsmouth, New Hampshire. They had seven children. Housed in a heavy mahogany frame. SIZE: 29” x 23”. Overall: 35” x 30”. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Good, surface grime and abrasions, panel is slightly warped 52936-16 (500700)

Lot 2422 2423.

AMERICAN SCHOOL (19th Century) PORTRAIT OF A MOTHER AND CHILD. Unsigned oil on canvas depicting a mother in black gown with white lace collar holding her infant child on her lap. The child wears a gray dress, white lace bonnet with blue ribbons and rosy cheeks. The background is finished in brown tones with red velvet drapery in the upper right corner. Housed in a period black painted wood frame. SIZE: 30” x 25”. Overall 36-1/2” x 31-3/4”. CONDITION: Craquelure arrested with wax lining, small amount of old restoration, surface dirt and moisture damage along bottom. 52462-1 (800-1,200)

Lot 2423

Lot 2424

2424. FINE COIN SILVER THREE PIECE AMERICAN TEA SET BY BOYCE & JONES, NEW YORK, N. Y. Circa 1825-1830. The set decorated with bands of flowers and shells, scroll handles, and decorative basket of flower knops. Each piece raised on an oval base, and monogrammed. Each marked on bases “Boyce & Jones N. York”. Set consists of 10” h teapot, 9-1/2” h covered sugar, 7-1/2” h creamer. Approximately 74 troy oz. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good with only minor small imperfections. 52829-36 (2,500-4,500) ESA 427

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Session 2

2421.

Session 2

2425. FIVE PIECE STERLING AND COIN SILVER ASSEMBLED TEA SET. All with matching decoration and monogrammed “B”. Decorated with engraved swags of flowers, monogrammed within shield, claw feet and decorative knop. Set consists of; 9-1/2” h coffee pot marked Gorham Sterling 5493 and date marked 1895, 7” coin silver teapot marked J. E. Caldwell & Co., Philada, 6-1/2” h coin silver covered sugar unmarked, 7” coin silver creamer marked J. E. Caldwell & Co., Philada, 3-1/2” h waste bowl marked J. E. Caldwell & Co. Philada and Standard. Approximately 97 troy oz. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Each piece has dents except coffee pot with only slight dings, the waste bowls legs have been pushed in. 52936-11 (2,000-3,000)

Lot 2425 2426.

APPROXIMATELY 120 AMERICAN COIN SILVER FLATWARE PIECES BY VARIOUS MAKERS. The lot consists of an assembled set of 105 pieces with a similar but not exact pattern. Includes spoons, forks and some serving pieces by various makers including N. Harding & Co., Shreve, Brown & Co., Palmer Batchelder’s & Co., Fessenden Bro’s, Lowell & Senter, J.E. Caldwell & Co., T. Steele, F&H and more. Also eight 6” spoons by Wm. B. Durgin, two 8-1/2” spoons by Enoch Moulton (Portland, ME circa 1810), one 9-1/2” and one 9” spoon marked “WH” (possibly William Hamilin, Middletown CT), one 8” spoon by I.W. & J.K. Fellows, set of twelve 7-1/2 solid silver knives by Albert Cole, New York, NY. Approximately 150 troy oz. SIZE: As listed above. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Generally very good, there are some pieces that show loss due to wear. 52936-18 (700-900)

Lot 2426

2427. PAIR OF OAK SPIRAL TWIST CANDLESTICKS TOGETHER WITH AN IRON SPIRAL CANDLESTICK. 18th and 20th century England and America. The pair with open twist shafts, brass bobeche, oak drip pan joined to molded circular bases, the single candlestick with flat wrought iron shaft surmounted by a thumb grip and with adjustable ring rotating within the spiral joined to a primitive turned round base. SIZE: Pair: 12-1/2” h. Single: 7-1/4”. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: All three with original surface and undisturbed patina. Very good overall. 52806-23 (200-300)

Lot 2427

2428. CONTINENTAL EARLY 19th CENTURY FLINTLOCK TINDER LIGHTER. Box lock body lightly engraved, walnut pistol grip. SIZE: 7” overall. CONDITION: Appears original, complete. Iron patina, old cleaning and pitting, solid stock with hand worn patina. Mechanically functional. 52789-16 (200-300)

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428

Lot 2428

Lot 2429 2430.

2431.

PAIR OF LITHOGRAPH PRINTS BY WILLIAM H. BROWN THOUGHT TO BE HENRY CLAY. Mid 19th century, possibly Hartford Connecticut. The pair of silhouettes each depicting a full profile portrait of a gentleman in tails with top hat, a river landscape in background. The subjects are believed to be Henry Clay. Each signed in the stone “WM H.Brown.”Name of publisher not present. Housed in molded frames. SIZE: Sight: 14” x 10-3/4”. Overall: 15-1/2” x 12-3/4”. CONDITION: Both with even toning. Each with old water staining upper right corner facing. 52789-13 (1,000-1,500)

Lot 2430

GROUP OF THREE HOLLOW CUT SILHOUETTES OF WOMEN AND CHILDREN. 2nd half 19th century, American. The first example of a mother and child, one holding a purse and one with small toy whip. The second of a young girl with ribbon tied hair, a book in her hand wearing a long dress and pants. The third, a woman in gown and cap, a book in her right hand, the figure highlighted in gold accents. All three housed in period frames. SIZE: 9-1/4” x 6-3/4” sight. 7-1/4” x 5-1/2” sight. 9-1/2” x 6-1/2” sight. CONDITION: Very good overall, with minor and minimal foxing and toning. 52789-12 (500800)

Lot 2431 429

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Session 2

2429. FINE SIGNED FRUIT WOOD PEAR FORM TEA CADDY. 19th century England. This nice example with yew stem and hinged top opening to a silvered liner. The conforming base with shield form ivory escutcheon. Original lock and hasp. The underside with the incised initials “GA” above an incised line. SIZE: 8” h x 4-1/2” d approx. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Undisturbed surface, pleasing honey brown patina. Small repair to lid at hinge, otherwise good. 52806-50 (1,000-1,500) ESA

2432.

Session 2

GROUP OF SEVEN SILHOUETTES AND TWO SMALL PORTRAITS. First half 20th century, American. 1) Two small portraits. First, a small image of a gentleman in black coat with brown hair and blue eyes, painted on an ivory oval, housed in a conforming copper frame. The second, a half-bust gouache portrait of a young child in blue with white lace collar, blonde hair and blue eyes, housed in an oval foliate frame with bow tied ribbon crest. 2) Two full-body silhouettes. The first, an image of Louis Armitage and his cat “Chippy”. Signed lower right “N. CHAPMAN”. The second, an oval full-body gouache and ink portrait of a young girl holding a flower in a formal dress with ribbon tied sash and gold highlights. Marked on the back “H&J WALTER LONDON”. The third, full profile ink and gouache portrait of a gentleman in full length coat, top hat in Lot 2432 his right hand. 3) Paper cut bust portrait profile of a young gentleman with ribbon tied hair and lace cravat, mounted on a brown paper, together with an ink profile bust portrait of a gentleman in high color coat and cravat with bouffant style wavy hair, the whole with gold highlights. SIZE: 1) 1-3/4” h x 1-1/2” w. 2-3/4” h x 2-1/3” w. 7-5/8 h” x 5-1/2” w. 2) 7-3/4” h x 5-3/4” w. 4-1/2” x 4-3/2”. 7-1/2” h x 3-3/4” w. 3) 4-3/4” h x 3-3/4” w. 3-3/4” h x 2-3/4” w.” CONDITION: 1) Small portrait has a vertical crack on right third of portrait and smudging to areas of face between lips and nose proper right side. Portrait of child in blue, general slight fading. Structurally very good, frame original. 2) Armitage image: background paper with overall light even toning. Normal and expected abrasion to frame, otherwise very good. Young girl: all original, brass frame with original surface. The painting original and undisturbed. Very good overall. Gentleman: very good overall with minor, even toning. Frame with abrasions. 3) Both very good. 52789-14 (500-700) 2433. LARGE LOG CABIN HOOKED RUG. Late 19th century, New England. This fine example with six rows of eight square striated polychrome “logs” set in squares with triangular secondary patterns resulting in a pleasing contrasting effect overall. The rug bordered with a band of brown and black earth tones of abstract design. Now professionally mounted on a stretcher and with linen backing. SIZE: 67-1/2” x 51-1/2”. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Colors remain vibrant. With little or no pulling. Minimal surface soiling. 52806-143 (800-1,200)

Lot 2433 2434.

FINE AMERICAN HOOKED RUG OF “COMPASS” DESIGN. Late 19th-early 20th century. A fine example of a compass design in warm earth tones with orange highlights. The central compass flanked by half wheels within a woven polychrome striated border, the edge braided. SIZE: 43” x 57”. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Light surface soiling from in-use wear, otherwise very good overall. 52806-61 (500-800)

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430

Lot 2435

2436.

SHERATON MAHOGANY AND BIRD’S EYE MAPLE SECRETARY BOOKCASE. Second quarter 19th century New England. The case in two parts. The bookcase with swan’s neck pediment centering three turned finials above a pair of paneled doors opening to an arrangement of shelves and compartments in three tiers, stepped back and mounted on the lower case above an arrangement of two rows of small drawers behind a hinged, baize lined writing surface resting on lopers centering three graduated long drawers with rounded contrasting edges raised on swelled, tapering, cylindrical legs with ring-turned cuffs. The paneled doors and all drawer fronts with bird’s eye maple figured panels. SIZE: 76” h (overall without finials) x 38” w x 20-1/2” d. CONDITION: Surfaces original and undisturbed with good patina. Old repair to swan’s neck pediment. Old damage, including losses, to moldings beneath bookcase top and along lower case edges. Brasses are of the period but not original to the desk; original holes filled. Backboards and legs original. 52829-1 (4,0006,000)

2437. NEW HAMPSHIRE SHERATON MAHOGANY Lot 2436 WINGBACK CHAIR. Early 19th century, Probably Portsmouth. The serpentine crestrail joined to dramatic ogival wings continuing to out scrolled over upholstered trapezoidal seat with serpentine seat rail. Raised on blocked spool-ring-turned blocked and cylindrical legs. Terminating in suppressed ball feet. The rear legs backswept. REF: Portsmouth Furniture: Masterworks from the New Hampshire Seacoast by Brock Jobe, for a similar example see pg 374. SIZE: 47” h x 16” h (seat) x 341/2” w x 32” d (approximately). CONDITION: The chair has been recovered in a cream silk damask and is very good condition. Chair structurally very good. Legs retain original untouched surface with dark patina. Very good overall. 52890-1 (3,000-4,000)

Lot 2437 431

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Session 2

2435. INTRICATE FLORAL HOOKED RUG. Late 19th-early 20th century, New England. In the Waldoboro style; wrought in soft earth tones with highlights in red. The center designed with a spray of scrolling leaf tips on a grey field within a main border of scrolling vinery centering a cluster of fruit. SIZE: 3’ 3” x 6’ 1”. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Light soiling throughout. With wear and weakness to selvage on all sides. Otherwise good. 52806-122 (800-1,200)

2438.

Session 2

NEW ENGLAND MAPLE DROP LEAF HARVEST TABLE. First quarter 19th century, American. The rectangular single board top with conforming leaves projecting above the apron raised on slightly swelled ring-and urn-turned cylindrical tapering legs raised on onion feet with incised ankles. SIZE: 28” h x 72” l. 18-1/2” w closed. 40” w open. CONDITION: Top has been reattached and repaired at juncture of hinges with appropriate conforming square plugs in top. Normal and expected in use wear and abrasions now re-polished and with tones of medium honey brown color. Table is quite sturdy due to restoration. Good overall. 52829-53 (1,500-2,500)

Lot 2438

2439. CHIPPENDALE MAPLE TALL CHEST OF DRAWERS. Last quarter 18th century, New England. The dovetailed case with applied molded cornice above a pair of aligned short drawers over four graduated long drawers, all with thumb molded edges on a molded base, raised on bracket feet with shaped returns. SIZE: 43” h x 40-1/4” w x 19” d. CONDITION: Case with old restoration with butterfly cleats on interior of case sides. Period brasses appear to be original. Restoration to drawer guides. Bracket feet with original and later glue blocks, with rosehead nail fasteners. Surfaces have been cleaned. In need of re-polishing. Top with old ring stains and some abrasion. 52829-81 (1,200-1,800)

Lot 2439 2440.

QUEEN ANNE PINE AND BUTTERNUT TAVERN TABLE. Second half 18th century, New England. The rectangular scrubbed pine top projecting above the conforming base fitted with a single drawer with wood knob raised on tapered ring-turned cylindrical legs terminating in button feet. SIZE: 28” h x 40” w x 24” l. CONDITION: Structurally very good, base retains old red wash, table has been cleaned and re-polished with normal and expected abrasions. 52890-2 (700-900)

Lot 2440

2441. EARLY AMERICAN BIRCH RECTANGULAR HUTCH TABLE. Second quarter 19th century, New England. The three board top with shaped supports joined to the chair base with turned wood pins at front and rear. The chair base with shaped side panel supports and paneled, hinged seat. SIZE: 30” h x 54” w x 38” d. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Table with slightly scrubbed top, normal and expected wear with shrinkage along seams. Three of four original fastening pins present. Proper right side panel of base with seam shrinkage crack. Otherwise structurally very good and sound. Good color and patina. 52936-6 (300-500)

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432

Lot 2442

2443.

P. A. REEVES (British, Mid 20th Century) PORTRAIT OF THE OCEAN LINER “QUEEN MARY”. Interesting oil on canvas portrait of the three stack ocean liner Queen Mary. The front mast has an American flag and off the back is a British flag. A broadside view of the multi-deck ship seen under white and blue skies and turquoise ocean. A painted bottom border with legend “The QUEEN MARY, freshly painted in the livery of the CUNARD LINE, set sail for New York after her years of war time service-Aug. 29th. 1945”. On verso of canvas is pencil inscribed “Painted by P. A. Reeves ( Jnr. Radio Officer)”. Housed Lot 2443 in a modern decorative frame with gilt edge. SIZE: 13” h x 30-3/4” w. Overall 15-1/4” h x 33” w. CONDITION: Restored with in-painting, stretcher lines visible, otherwise very good. 52624-5 (1,000-1,500)

2444. JEROME HOWES (American, 1955-) PORTRAIT OF THE SIDEWHEELER “ISLAND HOME”. Oil on Masonite nautical scene shows the three deck sidewheeler sailing right to left flying multiple flags and having 32 people on decks. Off the bow is a lighthouse and off the stern are two sailboats. The scene all under a blue and decorative cloud sky. Signed lower right “Jerome Howes”. Housed in a gilt molded wood frame. SIZE: 22” h x 36” w. Overall 28” h x 42” w. CONDITION: Very good. 52624-1 (1,000-2,000)

Lot 2444 433

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Session 2

2442. FEDERAL INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS. First quarter 19th century, probably Massachusetts. The rectangular top with applied string inlaid edges above the conforming case, fitted with four string inlaid graduated drawers above the swelled apron, raised on modified French feet. The chest is fitted with later patriotic eagle molded brass oval hardware and with period stamped oval escutcheons. SIZE: 33” h x 41” w x 22-1/2” d. CONDITION: Chest retains early, if not original surfaces. Some repairs to feet using original timber. Backboard original. Small losses to crossbanding on top of right rear corner and loss of applied edge to proper left side of chest. 51916-1 (1,5002,500)

Session 2

2445. JEROME HOWES (American, 1955-) PORTRAIT OF THE SCHOONER MOLLY. Oil on Masonite nautical scene shows the two mast, black hulled schooner sailing right to left with a lighthouse and smaller boat present. Four men are seen on deck and the boat is shown in full sail flying “Molly” pennant off center mast and “Mob Jack Bay” pennant off front mast, American flag and other pennants are also flying. White tipped wavy sea, under a blue and colorful cloud sky. Signed lower right “Jerome Howes”. Housed in a good antique style gilt frame. SIZE: 19-1/2” h x 231/2” w. Overall 24” h x 28” w. CONDITION: Very good. 5262412 (1,000-1,500)

Lot 2445 2446.

CHARLES ROBERT PATTERSON (American, 1878-1958) PASSING CLIPPERS. Large oil on canvas nautical scene showing two American clippers passing each other. The left clipper coming towards the viewer, the right clipper going away. All from an on the water perspective. Light blue sky with puffy colorful clouds. Signed lower left “Charles Robert Patterson”. Housed in possibly its original fine carved and gilt frame. SIZE: 30” h x 40” w. Overall 34-1/2” h x 44-1/2” h. PROVENANCE: Originally from the contents of the Historic Fairhaven Colonial Club of Fairhaven, MA. CONDITION: Very good. 52902-10 (4,000-6,000)

Lot 2446

2447.

INE BAKHTIARI ORIENTAL CARPET. First quarter F 20th century, southwest Persia. The bold and vibrant arabesque polled medallion in ivory, rose-red, and blue-black-indigo set within a wine-red field of dense floral and saz leaf design set within turquoise blue spandrels. The ivory main border with scrolling floral trellis work alternating with polychrome flower heads within multiple ivory and wine-red guard borders, all with floral vinery. SIZE: 10’ 11” x 16’ 5”. CONDITION: With vibrant palate, the supple rug with minimal and even wear. No evidence of restoration or insect damage. Fringe present but with minor losses. Selvage intact. Very good overall. 52829-78 (4,000-6,000)

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434

Lot 2448

2449.

SEMI ANTIQUE PESHAWAR ORIENTAL RUG. First third 20th century, Pakistan. With three rows of diamond medallions alternating with rows of polychrome floral sprays on a taupe field within a pale gold main border with large, stylized flower heads enlightened in pale indigo and rose red with delicate polychrome floral trellis work within multiple pale indigo and terracotta guard borders with floral and candlestick design. Note: rug is signed at one end in middle of outer guard border; see photo. SIZE: 10’ 1” x 13’ 4”. CONDITION: Overall minor even wear. Soft color palate. One corner of rug with small area of discoloration in main border, showing slight coloration change. Fringe and selvage intact. Good overall. 52829-76 (4,000-6,000)

Lot 2449 435

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Session 2

2448. ANTIQUE BIDJAR RUG. First quarter 20th century, western Persia. Varying polychrome geometric devices on a rose-pink field within a pale blue main border of crab design alternating with flower heads, flanked by ivory guard borders of scrolling flower heads. SIZE: 4’ 3” x 7’ 5”. CONDITION: Wear overall. Foundation showing in the main field, within normal and expected parameters. Losses to fringe at either end and to selvage. 52829-91 (800-1,200)

2450.

Session 2

ENRY LEECH FOLK ART CARVING OF AN ELK’S HEAD H MOUNT. Henry Leech (1809-1885) Boston/Woburn, Massachusetts. This fine Victorian example of a carved elk’s head mounted with natural antlers, set on an oval plaque, branded on the reverse “H. LEECH WOBURN MASS”. Note: H. Leech, a recognized carver of nautical figureheads in greater Boston moved to Woburn, MA where he continued his craft. Another carving of a steer head sold by James D. Julia, Inc. in August 2012, Lot #2458. SIZE: 35” h approx x 24” w x 19” d. CONDITION: the carving with original, untouched surface. Ears reattached with contemporary screws. Minor loss to proper right eyelid. Repair to plaque of horizontal break, lower quadrant, otherwise very good. 52829-7 (3,000-5,000)

Lot 2450 2451.

WELL CARVED CAROUSEL HORSE HEAD SCULPTURE. Late 19th century American. The pine head with fully developed carving depicted with flared nostrils and open mouth. Carving retains original glass eyes and iron bridle rings. Bridle originally rendered with glass “jewels”, now absent. SIZE: 15-1/2” h x 21” l. CONDITION: Surfaces now with dry, crusty early in-use re-paint. Old chip losses to ears and forelock, also losses and abrasions at base. Laminate joint fissures evident at rear of head and center of mane. Nice, old patina and worn surfaces. Good untouched condition. 52738-16 (1,500-3,000)

2452.

RONZE STAG BUST. American, 19th Century. Life size having B superb verdigris patina & casting detail. Mounted on a later carved shield form mahogany mount fitted for wall hanging. Originally from a Boston Estate. SIZE: Approximately 41”; 24” at widest. CONDITION: Generally very good. 52738-39 (1,500-3,000)

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Lot 2451

436

Lot 2453 2454.

WHIMSICAL CARVED HORSE AND RIDER WHIRLIGIG. Late 19th/early 20th century, American. This amusingly rendered example with frontal wind mill. The horse and rider in fixed position, both primitively carved and painted in a pleasing manner. Now offered with a museum stand. SIZE: 25-1/2” h x 25-1/2” 1. CONDITION: Whirligig with early dry painted surfaces over original paint. Mounting post has been repositioned, all elements otherwise original and in very good untouched condition. 52738-15 (1,200-1,800)

Lot 2454

2455. RARE PAIR OF CAST IRON MASSASOIT FIGURAL ANDIRONS. Late 19th century New England. Each figure a full-body casing with hollow backs fitted to dovetailed log rests retaining original black paint. Note: Massasoit was the Wampanoag Chief who welcomed the Pilgrims on arrival at Plymouth, Massachusetts. His image was immortalized in the Massachusetts state seal. SIZE: 19” h x 18” d. CONDITION: Casting in fine detail. No damages, restorations or imperfections noted. Very fine original, untouched condition. 52738-4 (2,0004,000)

Lot 2455 437

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Session 2

2453. CARVED AND PAINTED WHIRLIGIG OF A CIVIL WAR SOLDIER. Second half 19th century, American. With carved facial features and mustache, the figure wears a military hat with leather strap and a blue and white uniform. The rotating arms hold saber-like swords that serve as wind paddles. Head made separately and connects to body with pivoting peg, allowing for variable positions. For comparable examples, see lot 95 from the Weiss Collection-Skinner Auction Feb. 2007 as well as lot 400, Skinner auction Nov. 5, 2006. SIZE: 25” h (paddle extended) x 6-1/2” w. CONDITION: Very good overall. Minor age cracks and paint wear. Visor of cap absent. 52896-1 (2,500-3,500)

2456. FINE LARGE WOODLANDS BURL BOWL. Late 18th-early 19th century, New England. This highly figured, round example in ash with large lipped rim and shallow footed base. Bowl presents a nice rich, nutty patina. SIZE: 5-3/4” h x 16” dia. CONDITION: Rim with old in-use wear. Well worn and polished surfaces. Very fine untouched and original condition. 52738-9 (1,500-3,000)

Session 2

Lot 2456 2457.

WOODLANDS BURL BOWL. 18th/19th century, North America. This well-figured, round example with footed base and with semi-circular wired old repair along top edge. SIZE: 5” h x 14” dia. CONDITION: An old wire repair, as noted. Some cosmetic old filling and polish on opposing side. Bowl with fine patina. Nicely worn. 52829-6 (1,500-2,500)

Lot 2457 2458. RAM WEATHERVANE. Third quarter 20th century. A good decorative copy ready for rooftop use, with a painted verdigris surface with traces of new gold leaf. Accompanied by a museum quality stand. SIZE: 26” h x 30” l. CONDITION: Very good. 52828-1 (1,500-1,800)

Lot 2458 2459.

FULL BODIED GILDED ROOSTER WEATHERVANE. First half 20th century. Possibly attributed to Washburne & Co. Accompanied by a wall mount. SIZE: 22” h x 20” w x. CONDITION: Good, some minor BB dings, old gold leaf surface. 52738-35 (1,500-3,000)

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438

ANNER WEATHERVANE. Last half 20th century. A B Shem Drowne style. With heavy gauge zinc arrow continuing to C-scrolled elements riveted to two heavy gauge banner form sheets of copper with verdigris. The weathervane mounted on a heavy iron post surmounted by copper ball with mid-molding. Accompanied by a museum stand. SIZE: Height with stand: 31” x 36” l. CONDITION: The weathervane hand cut, shaped and assembled. Original rivets remain in banner section joining the three parts together. Arrow with slight and minimal bow. Very good overall. 52735-2 (1,000-1,500)

Lot 2460 2461.

STYLISTIC FLYING GOOSE WEATHERVANE. First half 20th century. Made from sheet metal and painted in a thick white paint which has chipped off in certain areas but 90% intact. Accompanied by a museum stand. SIZE: 15” h x 35” l. CONDITION: Minor loss to top of wing, numerous bullet holes, loss to some solder seams, in a honest chippy white paint. One side showing some yellow paint splotches of undetermined origin. 52895-8 (800-1,200)

Lot 2461

2462. WENDELL GILLEY CARVED SEAGULL ON STAND. Ca. 1969, Southwest Harbor, Maine. This large example depicting a seagull perched on a weathered piling mounted on a plank. The artist’s signature inscribed on the post in black ink “Gilley/69”. SIZE: 53” h (overall) x 27” w x 27 1/2” d. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: The sculpture retains original surfaces with light soiling and with faint seam cracks at base of wings, tail, and upper legs. Glass eyes original and intact. Some minor abrasions to outer edge of proper left wing. Very good overall condition. 52714-27 (1,500-2,500) 2463.

WONDERFUL CARVING OF AN OSPREY CAPTURING A FLOUNDER BY WENDELL H. Lot 2462 GILLEY. Circa 1965, Southwest Harbor, Maine. Wendell H. Gilley (1904-1983). This signed and dated example titled “OSPREY” in black ink beneath the base depicting a naturalistic osprey preparing to eat a captured flounder. Both on a piece of driftwood mounted on an oval carved pine plinth. SIZE: 19-1/2” h x 11-1/2” l x 9-1/2”. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: The bird with diagonal hairline stress crack, upper proper left leg, otherwise very good overall with original undisturbed patina retaining rich color. 52714-99 (1,000-1,500) 439

Lot 2463

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Session 2

2460.

2464.

Session 2

TWO DUCK AND SHOREBIRD CARVINGS BY WENDELL H. GILLEY. Mid-1960s, Southwest Harbor, Maine. Carved by Wendell H. Gilley (1904-1983). The first, a lifelike carving titled “ESKIMO CURLEW”, dated “1966”, mounted on a natural wood plinth posed with the bird preening its plumage. Signed on the base “Gilley” in pen. The second, titled “PINTAIL”, signed and dated on the driftwood base “Gilley” above the date “1966”. The third, Lot 2464 a carving of a “ HEN PINTAIL” mounted on a driftwood base, unsigned and undated. SIZE: 5-3/4” h x 5” l. 5” h x 9-1/2” l. 5” h x 9-1/2” l. PROVENANCE: A most historical and important collection from the estate of Maria Decatur Mayo Deyo (Lila) Garnett of Kittery Point, Maine. CONDITION: Very fine untouched, original surfaces. 52714-100 (1,000-1,500)

2465. FOLK ART CARVED AND PAINT DECORATED OWL ON STAND. This whimsical example of a barn owl in pine, carved from the solid with brown glass eyes, in a perched position mounted on a wood stand. The carving, painted in shades of brown, with deep set circular eyes and small beak and ears, the ears back-swept, feathered striations throughout. The stand in ochre with dark brown striations. SIZE: Overall: 26-1/2” h. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good overall. Original paint surfaces. Proper left ear slightly loose at juncture to head, otherwise very good. 52806-45 (800-1,200)

Lot 2465 2466.

EARLY CARVED OWL DECOY. Late 19th/early 20th century, New England. This full body, life sized carving of a spotted owl depicted perched on a round, capped post. SIZE: 17-1/2” h. CONDITION: The carving with dry, original surfaces, age appropriate weathered condition with age splits and paint wear. Beak and proper right front leg long absent. Early chip losses to ears. Dry rot post losses, minor, otherwise with undisturbed surfaces and good patina. 52738-27 (1,200-2,200)

2467.

GREAT BLUE HERON GARDEN SCULPTURE. First quarter 20th century. Carved wood with old worn surface, mounted with metal legs and a cast stone base. The heron in an alert position. SIZE: Overall: 45” h. 30” l. CONDITION: Nice weathered patina, repairs to head and beak. 53059-1 (2,500-3,500)

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Lot 2466 440

Lot 2467

Lot 2468 2469.

TWO CARVED AND PAINTED MINIATURE WOODCOCKS BY HAROLD GIBBS. The first a carved woodcock signed and dated in pencil “H Gibbs / 1969” and additionally stamped for the retail seller “DONALD B. HOWES”. The first mounted on a burl walnut plinth. The second carved woodcock Lot 2469 on a piece of weathered driftwood. Titled under base “Woodcock” “H. G. / 1/31/1939. SIZE: The first: 1-1/2” h. The second: 2-1/4” h x 4-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good condition to both, with mellow surface and patina. 52806-74, 52806-75 (1,2001,800)

Lot 2470 2471.

2470. TWO MINIATURE CARVED RUFFED GROUSE BY HAROLD GIBBS. The first on a burled walnut plinth and signed “H Gibbs” and dated “1969”, bearing the stamp of Donald B. Howes. The second example on a piece of pine driftwood, marked “H G”. SIZE: First: 3-1/4” h x 3-3/4” w. Second: 3” h. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Both very good with undisturbed surface and mellow patina. 5280673, 52806-198 (800-1,200)

MINIATURE CARVING OF A RUFFED GROUSE BY RALPH E. STUART TOGETHER WITH A SECOND RUFFED GROUSE. The first carved by Ralph E. Stuart (1901-1965) Osterville, Massachusetts. Circa 1955, signed in ink “RUFFED GROUSE / R E STUART 1955”. The bird nicely painted in earth tones. Mounted on a natural driftwood plinth. The second signed “L. W. STEPHENS WINDHAM MAINE” depicting an adult ruffed grouse mounted on a natural cedar plank simulating a muddy riverbank, the grouse with muddy socks. SIZE: The first: 3-1/2” h x 6-1/4” w. The second: 3-1/2” h x 5” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: The first very good with undisturbed surface. The second with original paint surfaces. The base with rubbed oil stain. Structurally very good. 52806-68, 52806-69 (800-1,200)

Lot 2471 441

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Session 2

2468. FINE CARVING OF A CURLEW ON STAND. First half 20th century, New England. Carved in the style of George Boyd of Seabrook, New Hampshire. The curlew carved from the solid with delicately shaped beak and tack eyes. The plumage in earth tones of grey and brown, mounted on a pole joined to a driftwood stand. SIZE: 16” h x 17-1/2” l. Overall length: 17-1/2”. CONDITION: With all original surface, no damage or restoration noted. Surfaces original with very light soiling. Minimal and minor abrasions at tip of tail, otherwise very good. 52880-1 (600-900)

Session 2

2472. MINIATURE STANDING PHEASANT BY RUSS P. BURR. Carved by Russ P. Burr (American, 1887-1955) Hingham, Massachusetts. The pheasant posed on a pine knot simulating a natural rocky landscape. Stamped twice on underside of base by the artist. SIZE: 4-1/2” h. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good overall. Painted surfaces undisturbed, retaining rich color. 52806-71 (800-1,200)

Lot 2472 2473.

TWO CARVED AND PAINTED SCULPTURES OF QUAIL. Mid- to late20th century, New England. Each mounted on a piece of driftwood simulating natural ground. The first illegibly signed in pencil beneath the base. The second a life-size Lot 2473 sculpture posed with left leg withdrawn. Unsigned, attributed to craftsman John Mackenzie of Brewster, Massachusetts. SIZE: First: 3-3/4” h x 6-1/2” w. Second: 7-1/2” h x 12” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: First: probably loss of paint with later touch-ups to beak. Otherwise very good. Second: tight hairline stress crack at base of neck. Paint surfaces original with good patina. 52806-72, 52806-80 (800-1,200)

2474. MINIATURE PAIR OF BOBWHITES AND THEIR CHICKS BY ALLEN J. KING. Carved by Allen J. King (American, 1881-1963), North Scituate, Rhode Island. Depicting two adult bobwhites caring for their offspring. Mounted on a driftwood plinth simulating a natural hillside. SIZE: 2-1/4” h x 3-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very fine overall. Undisturbed surface. 52806-70 (1,500-3,000)

Lot 2474 2475.

RARE AND UNUSUAL FOLK ART SCULPTURE OF A HUNTING SCENE. Late19/early-20th century American. This whimsical example depicting two raccoons treed by hunting dogs beneath which stands a hunter with rifle drawn, lantern at his feet all on a rock work landscape. The landscape and tree in sand paint; the raccoons, dogs, hunter and lantern in enamel polychrome paint. SIZE: 19-1/4” h x 12-3/4” l x 8-3/4” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: All surfaces original. Reattachment of small tip to limb in tree. Gun intact, in need of reattachment to hunter. Small losses to sand paint along edge of base, otherwise very good. 52806-30 (400-600)

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442

Lot 2475

FINE LIFE SIZE CARVING OF A WOODCOCK ON DRIFTWOOD, SIGNED IN INK, LEWIS AND HOLLAND. Second half 20th century, Chiloquin, Oregon. Carved by Cindy Lewis and Mark Holland. This sculpture with finely textured plumage, with partially spread wings and tail, perched on driftwood in a simulated natural setting with gravel and moss, all on an oval molded walnut plinth. The signature is found on the side of the driftwood. The woodcock rendered with brown glass eyes. SIZE: 6-1/2” h x 10-1/2” l x 7” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: All original with untouched surface with warm earth tones, very fine to excellent overall. 52806-126 (400-600)

2477.

ENGLISH STERLING TEAPOT & CREAMER BY JOHN & JOSEPH ANGELL. London, 1830/1. Teapot having an Lot 2476 armorial crest with stag on log. The bottom having an inscription “Frederick Dalgarno Robinson/The Gift of His/Grand-Father Robinson/July 1831”. The creamer with identical crest with no inscription. Both fully hallmarked on base. WEIGHT: Approximately 30 tr. oz. SIZE: Teapot: 5-1/2” h; Creamer: 3-1/2” h. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Body dings, small dent in creamer, otherwise very good. 52927-6 (700-900) ESA

Session 2

2476.

Lot 2477 2478.

ENGLISH STERLING COVERED TEA CADDY. London, 1832-3. Makers mark “T”, “W”. The side and cover are hallmarked. The sides having large “C” scrolls at corners in tapering form with a square base. The square cover adorned with flowers. Approximately 31 troy oz. SIZE: 7” h x 6” w (widest). CONDITION: Very good, with only very minor dimples. 52829-37 (1,000-1,500)

2479.

EIGHT ENGLISH AND EUROPEAN SILVER ITEMS. Lot consists of; one 3” h x 3-1/2” dia covered round box hallmarked “London 1886-7” and makers mark “E B”. The box having a decorated lid with seated woman and bird, the rest decorated with scrolls and shells. Continental, probably Netherlands 6” h teapot, Lot 2478 repoussé decorated with wood handle, hallmark to base, solid silver. A pair of 2” h x 4” dia double handled cups with hallmarks on side, probably French, each with two scroll handles and panels of flowers with one panel a heraldic crest. 7” continental spoon having the bowl repoussé decorated with two cows in front of a building with steeple, illegible hallmarks on handle. Accompanying the spoon is an early letter explaining its marks. Along with a three piece silver plated set of mustard and two open salts all with cobalt glass liners. Weight without 3 piece set is approximately 23 troy oz. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Generally good. 52936-20 (400600)

Lot 2479

443

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2480.

Session 2

ENGLISH CHAMBERSTICK & DOUBLE INKSTAND. The well formed 3-1/4” h x 6” dia. saucer based chamberstick with finger hold having holder for snuffer which is present, separate bobeche. Fully hallmarked London, 1850/1. Inscribed on bottom “Hunt & Roskell/Late/Storr Mortimer & Hunt/5048”. Maker’s hallmark of John S. Hunt. Double headed eagle with crown crest, possibly Earl of Glasgow. The 4” Lot 2480 h x 9” w x 6-1/2” d inkstand, London, 1857/8, maker’s hallmark “RM” & “EH”. Inkstand having two square receivers for cut glass inkwells which match the hallmarks of the base. Central handle, two pen wells, all resting on four compressed ball feet. Crest with spread wing eagle. WEIGHT: Approximately 30 tr. oz. CONDITION: Chamberstick very good, inkstand with dents on sides. 52927-3 (500-700) 2481. FOLK ART GRAIN PAINTED CANDLE STAND. Mid 19th century, probably Maine. The octagonal top joined to the incised ring- and spoolturned pedestal raised on an arched tripod leg base. The whole grain painted on a persimmon ground. SIZE: 27” h x 16” wide x 14-3/4” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Top with crusty original surface and normal expected abrasion from use. Structurally intact. Some probable old restoration at juncture of legs at base. 52806-167 (200-400)

Lot 2481

2482. EARLY AMERICAN LADDERBACK ARMCHAIR. Late 18th-early 19th century New England. This unusual example of mixed wood with turned broom handle finials on sausage-turned stiles with cylindrical turned crest rail above two shaped slats. The horizontal cylindrical arms joined to sausage turned frontal legs centering a woven seat above a double box stretcher. SIZE: 42” h (back), 15” h (seat) x 21” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally very good, the frame with highly polished surface, the woven seat with losses but remains structurally functional. 52806-133 (200-400)

Lot 2482 2483. UNUSUAL WALNUT AND CHERRY TRAY TOP SIDE TABLE. Early 19th century mid-Atlantic region. The square single board walnut top with applied molded tray edge projecting above the conforming cherry frieze. Fitted with single drawer. Raised on square splayed legs. SIZE: 27” h x 16” h x 16-1/2” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Top with old rectangular 6” patch joined to the base with square peg construction. Old, if not original, surfaces throughout. Table apron with 1” thick stock. Pleasing color and patina. Good overall condition. 52806-6 (500-800)

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444

Lot 2484 2485.

QUEEN ANNE CHERRY BIRDCAGE TILT TOP TEA TABLE. Second half 18th century southern New England. The circular top, hinged and swiveling on a birdcage joined to a ring-turned cylindrical standard raised on a tripod cabriole leg terminating in flattened paddle feet. SIZE: 27” h x 29-30” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Stabilizing brackets at underside of top have been removed. One foot broken and reattached at ankle. Second foot replaced from heel to toe. One old repair to base of pedestal at juncture to leg. Surfaces cleaned and repolished. Old insect damage, some activity possible. 52806-67 (300-500)

Lot 2485

Lot 2486 2487.

2486. FRENCH SILVER SAUCE BOAT & PAIR OF SILVER CASTERS. 4-1/2” h x 10-1/2” l x 6” d sauce boat with attached under tray with two pouring spouts & side handles. Base with French hallmarks in the form of Minerva’s head with silver Soufflet mark. Pair of 6-1/4” h casters marked with French hallmark and “A. Risler & Carre, Paris”. Each having a monogram and crown above. Possibly a Royal crest. The bulbous casters decorated with swags & bows. WEIGHT: Approximately 30 tr. oz CONDITION: Sauce boat with dent in body, casters are very good having small dent in top. 52927-5 (600-900)

THREE ENGLISH STERLING HOLLOWWARE PIECES. 1) 7” h tapered repoussé flower decorated vase, London, 1893/4 with obscured makers mark. Side inscribed “Presented by H.R.H. Countess De Paris/To Charles Sturman/ Woodnorton Harriers, 1889-1894”. Marie Isabelle de Orléans y de Borbón was born an infanta of Spain and a Princess of Orléans and became the Countess of Paris by marriage. 2) 8-1/2” h presentation compote, Birmingham, 1910/11, makers mark “E & Co.” (Elkington). Inscribed on edge of base “The Gift of the Mercers Company in Commemoration of the Coronation of H.M. King George V June 22, 1911”. Base having a shield crest with a crowned figure & banner “Honor Deo”. 3) 9-1/2” h coffeepot hallmarked London, 1863/4, Richard Sibley. Inscribed on base “Thomas/Bond St.” Fancy monogram and armorial crest. WEIGHT: Approximately 51 tr. oz. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good. Lot 2487 52927-4 (800-1,200) ESA 445

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Session 2

2484. EARLY AMERICAN PINE TWO-DRAWER BLANKET CHEST IN RED PAINT. First quarter 19th century northern New England. The rectangular hinged top opening to a storage well. The conforming case with two simulated long drawers over two working drawers all with cockbeaded edged dividers. Raised on simple tapered bracket feet. The case with shaped bootjack ends. SIZE: 36” h x 43” w x 19” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Original red paint. Backboards, wooden knobs, and feet also original. Some strips of cockbeading absent. Top with normal and expected wear and abrasion. Very good overall condition. 52806-147 (800-1,200)

2488.

Session 2

RARE YEW WOOD LAP DESK. First half 19th century, England. Rectangular hinged lid fitted with baize-lined writing surface continuing and joined to the base, both sides opening to storage wells. The base additionally fitted with two inkwell holders, a tilting pen tray and small sloping tray. A brass pin with turned finial fitted to the base of the proper right side, when withdrawn, allows the concealed drawer on the end of the desk to open. The desk, fitted with brass carrying bales at each end, and with a brass escutcheon on the front. The yew well figured throughout. SIZE: 6-/12” h x 22” w x 10-1/4” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Early, but not original surface, cleaned, polished and with stabilized fissure cracks, now with rich, dark patina. One lower corner of desk with loss to wood strip at front and end of corner, otherwise generally good. 52806-118 (400-600) 2489.

Lot 2489 2490.

Lot 2488

ICTORIAN V ROSEWOOD AND MOTHER OF PEARL INLAID CASQUE FORM TEA CADDY. Third quarter 19th century, England. The rectangular hinged lid with sloping top and domed center, opening to an interior fitted with a pair of lidded tea bins centering a compartment with clear glass waste bowl. The caddy with sloping sides, the whole with foliate mother of pearl inlays, raised on ribbed feet. SIZE: 7-3/4” h x 12-1/2” l x 6-1/2” d. CONDITION: Tea caddy professionally cleaned and re-polished. Old shrinkage crack at rear of lid, stabilized and polished. Fleabites on edge of waste bowl. Otherwise very good. 52829-99 (800-1,200)

EXCEPTIONAL RARE WHITESMITH FORGED-IRON LIGHTING STAND. First half 18th century, American or English. The nicely formed standard tapering to a circular point on which is an adjustable double candle arm, fitted with spring loaded height adjuster cage. The arms fitted with pierced circular petal edge dished drip pans and cleated, tab-folded slotted candle cups with diamond shaped clean out holes. The shaft transitioning to a square midsection with a central hexagonal disk with fluted elements above a hexagonal section continuing to a round base of shaft joined to a triple upswept ram’s horn collar of tapering design, joined to downswept arched tapering legs terminating in bold penny feet. The shaft entirely forged from a single piece of stock. SIZE: 62-3/4” h. CONDITION: With old black painted surface, minor oxidation and paint wear, in very fine to excellent untouched original condition. 52738-40 (2,000-4,000)

Lot 2490

2491. SEMI ANTIQUE PERSIAN SAROUK CARPET. First quarter 20th century, central Persia. Overall dense floral sprays centering a small floral medallion on a rose pink field within and ivory main border with scrolling lotus blossoms within multiple pale indigo and rose red guard borders. SIZE: 11’ 10” x 16’ 4”. CONDITION: Generally very good with nearly full pile. Fringes absent. Selvage intact. No evidence of restoration or damage. 52829-3 (2,500-4,500)

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446

Lot 2492 2493.

FINE REGENCY INLAID TEA CADDY. Early 19th century England. This fine example of mixed hardwoods including yew, Circassian walnut, rosewood, etc. The rectangular caddy with canted corners, polished bone knop handle opening to an interior fitted with a conforming lid. The caddy sides with multiple lines of crossbanding and contrasting string inlays. SIZE: 4-3/4” h x 4-3/4” w x 4-1/2” d. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Professionally cleaned and re-polished with rich color. 52829-98 (1,200-1,800) ESA

Lot 2493

2494. PAIR OF COUNTRY FRENCH FARMHOUSE DOORS IN BLUE PAINT. Late 18th-early 19th century France. Each pine door with two iron grated panels above a raised pine panel. All in original blue paint. Doors retain original grates and iron fittings. SIZE: 71” h x 19” w (each). CONDITION: Original painted surfaces, well-worn and weathered. Mortise and tenon construction throughout with old iron strap repairs. Newly repaired section at lower frame of one door, now with later green paint. Otherwise good and original condition. 52829-27 (1,2001,800)

Lot 2494 447

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Session 2

2492. REGENCY INLAID SATIN WOOD TEA CADDY. Early 19th century England. The rectangular lid with oval inlaid shell patera within rosewood crossbanding and string inlaid border opening to interior fitted with a pair of lidded tea bins centering a waste bowl set within a frame. The case front inlaid with a pair of oval paterae, each with classical urn emitting sprigs of oak leaves. SIZE: 6-1/4” h x 12” l x 5-3/4” d. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Professionally restored and re-polished. Very good overall. 52829101 (1,200-1,800) ESA

Session 2

2495. GEORGIAN TALL CASE CLOCK ATTRIBUTED TO WILLIAM HUTCHINSON, CASTLEDAWSON, NORTHERN IRELAND. The case with swan’s neck pediment terminating in molded brass rosettes centering a ball and spire brass finial of later vintage. The bonnet with arched door flanked by spool-turned colonnettes joined to the waisted case with a reeded band. The paneled waist door flanked by canted, reeded corners joined to the box base with similar corners on a simple plank base. The whole in a varnished red wash. The weight-driven brass movement striking on a bell. The dial decorated with a large floral spray within the arch above an Arabic numeral chapter ring centering a calendar arch, time and strike apertures, and subsidiary seconds dial, all centered with polychrome painted floral spandrels. The minute and hour hands of interesting barb design with engraved scrolling floral devices throughout. SIZE: 85” h x 14-1/4” w (throat) x 9-1/2” d. CONDITION: Case of somewhat primitive design and construction, with old red wash as previously noted. Old repairs to swan’s neck pediment, the bonnet door, and colonnettes. Stabilized cracks on box base. Case feet absent. Dial with overall craquelure, soiling, abrasion to numerals, and loss of white enamel along most edges. Brass movement reasonably intact but in need of overall adjustment. Pendulum intact with original brass-clad bob. Period brass and iron winder and pair of iron weights included. Case in need of substantial restoration. Fair overall. 52712-1 (1,200-1,800)

2496. INTERESTING FRENCH MUSICAL PICTURE CLOCK BY GUYERDET AINE, PARIS. The oil on canvas laid to board Alpine scene shows a village with church and the steeple having an inset 1-1/4” clock. The background shows tall mountains with waterfall and the foreground having livestock, people on a grassy area. Unsigned. The front frame is hinge mounted at the top which opens to reveal an interior box enclosure mounted with brass movement connected to a single comb drum activated four tune music mechanism. The clock mechanism each signed Guyerdet Aine, Paris. There are several clock repair slips taped to the inside, dating from 1972 and 1980. The piece comes with a winder, but pendulum is missing. Housed in a gesso decorated frame with some light repair. SIZE: 28” h x 39-1/2” w. Overall 36-1/2” h x 48” w x 7” d. CONDITION: The movement is clean, but we were unable to verify its operation. Music mechanism in working order. Painting has craquelure, generally in good condition. 52529-1 (1,0002,000)

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Lot 2496 448

FINE REGENCY BRASS INLAID MAHOGANY LAP DESK. First quarter 19th century England. The grained simulated rosewood lap desk with unusual telescoping interior with hinged lid opening to a tooled leather and gilt writing surface. Upon opening the writing slope with ivory escutcheon and depressing the hidden mechanism within the lock receiver, the section housing the inkwells, pen tray and one lidded compartment with ivory knob rises up from within the case exposing three hidden drawers. The brass bound lap desk with brass carrying handles all in the Campaign style. SIZE: 6-3/4” h x 17-3/4” l x 10-1/4” d. Special Note: This item(s) Lot 2497 contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Professionally restored and re-polished. The outer surface of lid with old shrinkage crack repair now fully restored and polished. Good overall. 52829-97 (800-1,200) ESA

2498. REGENCY BIRD’S EYE AND TIGER MAPLE TEA CADDY. Early-19th century England. This nicely polished casque form caddy with faceted dome top. The hinged lid opening to an interior fitted with two lidded compartments for tea centering and open compartment with glass waste receptacle. The rectangular case with rounded corners, each corner with engaged mahogany molding raised on suppressed ball feet and with mother-of-pearl escutcheon. SIZE: 7-1/2” h x 12” l x 6” d. CONDITION: Professional restored and polished, very good overall. 52829-64 (800-1,200)

Lot 2498

2499.

ANTIQUE HERIZ RUG. Early 20th century, northern Persia. The large blue-black, pale indigo, and madder red arabesque medallion on a madder red field with geometric saz leaf and foliate design within stepped pale indigo and rose red spandrels of unusual form. The blue-black main border with saz leaf, floral, and geometric trellis work among dense polychrome star devices within pale indigo guard borders of floral trellis work. SIZE: 9’ 11” x 12’ 10”. CONDITION: End fringes absent. Selvage with areas of loss. Overall wear with areas of visible foundation; notably in central medallion. Minor insect damage along outer borders, now inactive. 52829-66 (3,000-5,000)

Lot 2499 449

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Session 2

2497.

2500.

Session 2

ANTIQUE CLOUDBAND KAZAK ORIENTAL RUG. Late 19th century, Caucasus. The rug with three aligned medallions in shades of indigo in the cloudband design on a wine-red field with polychrome animals and geometric devices with latch-hook borders. The ivory main border with interlocking crab design. SIZE: 3’ 10” x 8’ 3”. CONDITION: Rug retains strong palate. Small areas of reweave professionally done. Normal and expected in-use wear throughout. Generally good. Loss to fringe at both ends. 52829-60 (2,500-3,500)

Lot 2500

2501. CHIPPENDALE MAPLE SIX DRAWER TALL CHEST. Second half 18th century, probably New Hampshire. The rectangular dovetailed case with applied concave molded cornice over six graduated long drawers, all with thumb molded edges on a molded base raised on bracket feet with shaped returns. The matching backboards with deeply chamfered edges. Newly repolished chest shows vestiges of original red paint. SIZE: 51-3/4” h x 40” w (overall), 36-1/2” w (case) x 19-3/4” d. CONDITION: Chest with repolished surface as previously noted. Matched set of hardware are later replacements in original holes. Cosmetic repairs to molded edge of two top drawers as noted. Backboards original. Bracket feet appear original. Normal and expected in-use wear with old abrasions now polished on top. Very good overall. 52829-83 (1,500-2,000)

Lot 2501 2502.

CHIPPENDALE TIGER MAPLE SLANT LID DESK. Second half 18th century, Massachusetts. The rectangular dovetailed case with hinged, sloping lid resting on lopers. The interior fitted with a row of shaped document compartments centering a prospect door, the interior fitted with two drawers, flanked by four banks of two drawers all above three graduated long drawers with molded edge, raised on a molded plinth on bracket feet with shaped returns. SIZE: 40” h x 38” w x 22” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Desk retains old surfaces. Lid with large, old rectangular patch in area of lock, 12” x 3-3/4”. Exterior of lid with similar patch, 4” sq. Brass hardware of the period but not original to desk. Feet and backboards original. 52885-15 (8001,200)

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450

Lot 2503

2504.

GOOD COUNTRY SHERATON BIRD’S EYE MAPLE ONE DRAWER SIDE TABLE. Second quarter 19th century northern New England. The rectangular pine top projecting above the conforming case fitted with a single bird’s eye maple deep drawer with incised edge, raised on spool-turned, swelled cylindrical legs with ring-turned cuffs continuing to tapered feet. The case sides of pine, the legs of pronounced bird’s eye maple. Top and case sides in original red paint. SIZE: 28-1/4” h x 22-1/4” w x 18-1/2” d. CONDITION: Structurally very good, surfaces as noted. 52829-35 (800-1,200)

2505.

LARGE BURLED OAK BOWL TOGETHER WITH A SMALL BOWL AND PESTLE. Mid 19th century, Europe and New England. The large European oak bowl with strong burl grain and with Lot 2504 natural knothole. Carved from the solid with thick sloping sides, roughly hewn. The small bowl of New England origin well figured with sloping sides and flattened base. The pestle carved from the solid with smooth surface. SIZE: 1) 6” h x 11-1/2” d. 2) 2” h x 5-1/4” d. Pestle: 5-3/4” l. CONDITION: Each item in very good condition. The pestle unpolished. All surfaces undisturbed with good color and patina. 53027-4 (800-1,200)

Lot 2505 2506.

EARLY AMERICAN BURL BOWL TOGETHER WITH AN OAK EXAMPLE. The first a bucket shaped burled example with two early iron patches roughly hewn and primitive. The second bowl in oak carved from the solid with two sheet iron band repairs. SIZE: 1) 9” h x 11” d. 2) 6” h x 14” d. CONDITION: The first with natural untouched surface. Repairs as stated. Good overall. The second with stabilized old repairs as noted. Well polished surfaces with good color and patina. 53027-5 (1,0001,500)

Lot 2506 451

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Session 2

2503. FINE BIRDCAGE WINDSOR GRAIN PAINTED ROCKING CHAIR WITH ARMS. Early 19th century, Danvers, Massachusetts. The birdcage back of typical form of simulated bamboo spindles joined to horizontal arms on conforming supports centering the shaped saddle feet, raised on splayed cylindrical legs joined by box stretcher. The whole on shaped runners with simulated rosewood graining throughout. *NOTE* An old paper label faded and nearly illegible is taped to the underside of the seat which reads “This chair belonged to Jethrow and Hannah Giddings of Putnam / Rebecca Nurse House / Danvers, Mass”. Rebecca Nurse House, a 17th century home located in Danvers at 149 Pine Street. The house was originally lease by a Reverend Allen to Francis and Rebecca Nurse. Rebecca was accused of witchcraft, condemned, and hanged. Among her accusers were John, Edward, and Ann Putnam, Jr. In 1784 Benjamin Nurse sells the home property to Phineas Putnam of the same Putnam family that accused Rebecca Nurse 92 years prior. Jetherow and Hannah Giddings, Hannah born Hannah Putnam. This appears to be the same Putnam family that has its roots in the Nurse family of Salem 17th century. SIZE: 31” h, 15” h (seat) x 19-1/2” w. CONDITION: Structurally sound, original grain decoration with normal and expected in-use wear. Original grain decoration very much intact. Front legs have been re-attached through seat with either dowels or screws and then filled and colored. Very good. 52961-9 (300-500)

Session 2

2507. AMERICAN SCHOOL (19th century) HALFLENGTH PORTRAIT OF A YOUNG BOY HOLDING A BOOK. Unsigned oil on canvas portrait of a young brown haired boy wearing a green jumper adorned with three rows of brass buttons with a ruffled white collar. Housed in a period giltwood frame. SIZE: 30” x 26”. Overall: 36” x 32” CONDITION: Good restored condition, lined with scattered re-touch in face and along edges, background low in places. 52829-49 (2,500-4,500)

Lot 2507 2508.

AMERICAN SCHOOL (19th century) FULL LENGTH PORTRAIT OF YOUNG BOY SEATED HOLDING A CROP. Unsigned oil on canvas portrait of a blue eyed boy wearing a green shirt and brown plaid skirt with lace pantaloons. He is seated on a red painted and leather upholstered chair with red velvet drapery to his left. The child holds a crop in his right hand and the string to his toy wagon in his left hand. Housed in a modern giltwood frame. SIZE: 44” x 34”. Overall: 52” x 42”. CONDITION: Very good, craquelure arrested by lining with only minor restoration along edges. 52829-11 (2,500-4,500)

Lot 2508 2509. AMERICAN SCHOOL (19th century) HALF-LENGTH PORTRAIT OF WOMAN WITH LACE BONNET. Unsigned oil on canvas housed in a period unfinished carved wood frame, depicting a middle aged woman wearing a fancy lace bonnet and a black gown with wide lace collar, seated on a red velvet upholstered chair. SIZE: 36” x 28”. Overall: 45” x 36-1/2” CONDITION: Good with discolored varnish, craquelure, canvas buckle and surface grime. 52829-62 (1,200-1,800)

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452

EDERAL GILT CONVEX MIRROR WITH EAGLE CREST. First quarter F 19th century, America. The circular mirror plate within a molded ebony surround, set within a molded gilt frame, mounted with spherules.. Surmounted by a displayed eagle perched on rock work, flanked by scrolled pierced leaf work carvings at the shoulders, all above a pendant floral and leaf tip apron. SIZE: 33-1/2” h x 20” d. CONDITION: Gilding with abrasions and some losses, notably on outer frame. Mirror plate original, in good condition with minor foxing. Some shrinkage cracks in outer edge of molded frame, restoration to apron and with some touch-ups to gold leaf. Mirror is accompanied by a single spherule suspended from chain which may have originally been attached to beak of eagle. 52829-67 (1,200-1,800)

Lot 2510 2511.

FLATTENED FULL BODIED ROOSTER ON ARROW WEATHERVANE. Late 19th century. Mounted on wood stand. SIZE: 21” h x 22”l. CONDITION: One side blushed in with verdigris colored paint, one bullet hole in tail and a bullet ding in arrow. 52738-36 (1,500-3,000)

2512.

HAND CRAFTED WOODEN ROOSTER WEATHERVANE. 19th/20th century. The folk art rooster made in pieces with repairs and paint simulating old repairs and painted surface. Accompanied by a museum quality stand. SIZE: 16” h x 19” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Newly repainted surface, with multiple cracks, and old tin repairs. 52806-103 (2,000-3,000)

2513.

FINE COLLECTION OF 26 PIECES OF BENNINGTON AND ROCKINGHAMWARE. Though none of these pieces are marked “Bennington”, many can be ascribed to the factory such as the covered pipkin is photographed on page 104 of Bennington Pottery and Porcelain By Barrett and the covered tobacco jar page 95. The lot consists of a 10-1/2” h tulip form vase, 8-1/2” and 8” candlesticks, 7” covered tobacco jar, 7-1/2” covered pipkin, two 5-1/2” h cow creamers, a 5-1/2” bear bank, a 4” h chicken on basket bank, a 2-1/2” h pedestal ed soap dish, a 9” dia. bundt cake mold, a 10” h hexagonal pitcher, 8” planter, 6” dia. soap dish, 5” pitcher, three 10-1/4” plates, three 9” plates, a 121/2” dia. milk pan, a 9” dia. milk pan, 8-1/2” dia. bowl, 6-1/2” cut corner dish, and Lot 2512 a 7” round covered serving dish. SIZE: As noted above. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Generally very good, no major issues seen, pipkin with hairlines to base. 52806-85 (1,000-1,500)

Lot 2511

Lot 2513 453

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Session 2

2510.

Lot 2514

Session 2

2514.

TWO FINE AND UNIQUE CARVED 19th CENTURY DOG’S HEAD WALKING STICKS. 19th century, probably American. The first example of a carved Mastiff head with brown glass eyes, ivory ears and teeth joined to the cylindrical staff with ivory spacers and lanyard hole. Tapered figure maple shaft notched carved. The second walking stick of a well carved head of a hound. Ears laid back on head. Brown glass eyes and slightly elongated snout with protruding tongue as a handgrip. The dog fitted with a banded and studded brass collar serving as a lanyard holder joined to a knotted hickory shaft. Well polished with good patina. The dog well polished and carved with a pleasing expression. SIZE: 1) 34-1/4” l. 2) 36” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good, with all original surface and with mellow color and patina. 52955-1 (1,200-1,800) ESA

2515.

TWO UNUSUAL EARLY AMERICAN WALL SCONCES. 19th century. The first, a large round mirror wall sconce within a sheet iron frame, the cylindrical foot mounted with a flat iron hanging bracket with rolled edge. A single conforming candle arm joined at the back edge of sconce at base with rolled candle cup above crimped bobeche. The candle cup slotted and with drilled hole at front. The second sconce, a large tin example with three dimensional six-pointed star on the back reflector beneath semi-circular punched decorations, each with a punched flower head within a molded border. The candle tray with triangular sides and rolled front apron, fitted with three aligned sheet tin candle holders, each open at the front. The sconce fitted with a tombstone hanging bracket with hole for hanging. Deaccessioned from Lot 2515 Colonial Williamsburg collection. SIZE: Mirrored sconce: 15-1/2” d. 17” overall h. Tin Sconce: 18-1/2” overall h x 14-1/4” w. CONDITION: The mirrored sconce with extensive silver loss to mirror fragments, a small number with hairline cracks. Remnants of original red paint on back of sconce and on candle arm. Otherwise good. Tin wall sconce with normal and expected corrosion. Some areas with slight crimping and creasing of backplate from in use wear. Otherwise, with good undisturbed surface. Two old tack holes, upper corners of backplate which were used for mounting to wall. 52961-10 (800-1,200)

2516. FINE BRAIDED RUG OF LOLLIPOP DESIGN. First quarter 20th century, New England. Of rectangular form, the rug with a pair of aligned oval central medallions within a border of polychrome circular subsidiary medallions simulating flower head;, the center of each woven with varied designs. SIZE: 7’ 5” x 10’. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good overall. Showing minimal, if any, in-use wear. Strong and vibrant palate. 52806-158 (800-1,200)

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454

FINE HOOKED RUG OF FLORAL DESIGN. Late 19th-early 20th century, New England. This large example with six rows of ten flower heads in shades of pink and green divided by olive-green lattice work, all on a light grey ground. Coffee-brown crenelated border further bordered by a braided edge. SIZE: 4’ 5” x 7’ 2”. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Light soiling throughout. With minor spotting. Areas of outer borders with restoration. 52806144 (400-600)

Session 2

2517.

Lot 2517 2518. LARGE ROUND CARRYING BASKET. First half 19th century, New England. This fine large example with oak banded rim of tacked construction with flattened D-form handles. The circular pine base of dish form. SIZE: 12” h x 24-1/2” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Natural varnished surfaces original with some minor breaks to the weave, otherwise with undisturbed surface and mellow patina. Some slight water stains, primarily on interior of side in lower quadrant. Good to very good overall. 52806-102 (400-600)

Lot 2518 2519.

LARGE NATIVE AMERICAN CARRYING BASKET. Late 19th-early 20th century. Abenaki Native American tribe northeast North America. The flat weave basket in natural blue-black and red colors with D-form ash handles. SIZE: Overall h: 12-1/4 x 23”l x 13w” PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Basket retains all natural surfaces with undisturbed color and patina. Minor losses to wrapping on rim. Normal and expected wear and abrasions. Small losses to weave in body of basket. Generally good. 52806-111 (300-500)

Lot 2520

Lot 2519

2520. LARGE GRAPE GATHERING BASKET. 19th century France. The large and exaggerated buttocks basket form, woven with handles at either end and with a central bent branch carrying handle. SIZE: 15-1/2” h x 43” w x 16-1/2” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally intact with normal and expected in-use wear. Small breaks and some missing strands of grapevine. Good overall condition with undisturbed color and patina. 52806-63 (500-800) 455

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Session 2

2521. FEDERAL INLAID MAHOGANY CARD TABLE IN THE MANNER OF JOHN AND THOMAS SEYMOUR. Late 18th, early 19th century Boston, Massachusetts. The hinged top with half-serpentine ends and serpentine front above the conforming frieze, all with rosewood crossbanding figured mahogany panels and contrasting string inlays, raised on square tapering legs with crossbanded cuffs. SIZE: 29” h x 35-3/4” w x 16-3/4” d. CONDITION: Structurally very good. Surfaces have been cleaned re-polished, minor cosmetic veneer restoration notably on cuffs, otherwise very good overall. 52795-1 (2,0003,000)

Lot 2521 2522.

CHIPPENDALE INLAID MAHOGANY CHEST ON CHEST. Last quarter 18th century. The case in two parts. The molded crenelated cornice above the crossbanded frieze above a pair of aligned short drawers over three graduated long drawers flanked by crossbanded canted case corners. Fitted to the lower case at mid-molding having three long drawers with thumb-molded edges, molded base with bracket feet and shaped returns. SIZE: 74-1/2” h x 43” w x 22-1/2” d. PROVENANCE: From an unreserved Corea, ME collection. CONDITION: Surfaces have been cleaned and repolished. Now mounted with 20th century oval brasses. Old vertical shrinkage cracks on case sides. Backboards and feet original. Good overall. 52885-36 (1,500-2,500)

Lot 2522 2523. EXCEPTIONAL SHERATON MAHOGANY AND BIRD’S EYE MAPLE SEWING TABLE. Second quarter 19th century Massachusetts. The square mahogany top with reeded turret corners fitted with three drawers, each with bird’s eye maple panels and original floral stamped brass handles. The lower drawer with original, removable tambour mahogany basket. Raised on spiral turned legs headed by deeply carved, reeded pilasters terminating in turnip shaped and ball-turned feet with ringed cuffs. SIZE: 28” h x 20” sq. CONDITION: Table retains early, if not original, surface. Nicely polished with rich color and undisturbed patina. Fitted with high quality pressed foliate brass knobs. The reeded tambour basket original and intact. 52829-45 (1,200-1,800)

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456

2525.

Lot 2524

INDO-KASHAN SILK ORIENTAL RUG. Last quarter 20th century. The central arabesque poled medallion with plum central mandala, midnight blue mid ground, border with foliate c-scrolls all on an ivory field filled with delicate polychrome floral sprays within plum and dark cream spandrels. The blue/ black main border with dense floral trelliswork within taupe and dark cream guard borders of scrolling flower heads and lotus blossoms. SIZE: 9’ 1” x 12’ 3”. PROVENANCE: From a private Connecticut collection. CONDITION: Pile is in very fine condition, color rich and uniform, very good overall. 53061-1 (2,000-4,000)

Lot 2525 2526.

EMI ANTIQUE HERIZ CARPET. First quarter 20th S century, northwest Persia. The deep indigo, burgundy, and jade green polled central medallion on a wine-red field with dense geometric and floral devices within ivory and indigo spandrels of conforming design within a midnight blue main border of geometric trellis work within multiple floral guard borders. SIZE: 9’ 10” x 12’ 10”. CONDITION: Minimal and even overall wear. Generally very good. Fringes absent. Selvage intact. No evidence of restoration or insect damage. 52829-4 (2,5003,500)

Lot 2526 457

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Session 2

2524. CHIPPENDALE CENTENNIAL INLAID MAHOGANY BOW FRONT CHEST OF DRAWERS. First half 19th century, American. The rectangular top with bow front with contrasting string inlaid edge above the conforming case, fitted with four graduated long drawers with cockbeaded edges on a molded base, raised on ogee bracket feet with shaped returns. SIZE: 32” h x 39” w x 20-1/2” d. CONDITION: Chest has been fully restored. Mahogany veneers intact on white pine secondary. Oval brasses are later replacements of correct style. Surface now repolished. 52829-102 (1,200-1,800)

2527.

Session 2

ATTRIBUTED TO CLEMENT DREW (American, 1806-1889) SHIP IN DISTRESS. Oil on canvas, nautical scene shows a three mast ship with part sails up, floundering near coastal rocks in rough seas. It may have cleared the worst of it as skies clear from dark pink clouds to blue sky. Housed in a modern gilt frame. Unsigned. SIZE: 22” h x 30” w. Overall 26” h x 33-3/4” w. CONDITION: Light craquelure, some in-painting, very good. 53002-11 (3,000-5,000)

Lot 2527 2528.

INTERESTING LOT OF FINE ART RELATING TO THE US FRIGATE CONSTITUTION. Old Ironsides is represented by 1) Oil on canvas by T. Bailey showing the ship in full sail sailing right to left under colorful skies. Housed in its original molded wood frame with title plaque. 2) A bronze plaque of the ship in full sail sailing left to right, the bronze titled “Old Ironsides” and signed “JWN”. 3) Jack (Frank) Bowling (American, 1903-1979) eighteen signed woodcuts of the USS Constitution. All unframed but matted but housed in a pocketed binder. All of the images are signed bottom right “Jack Bowling” also titled lower left, also the mats titled and identified “Jack Bowling Lieut. J.F. Bowling U.S.N.”. All of the images are prior to the 1929 refitting and restoration of this mighty ship. It also should be noted Lot 2528 that the Constitution is going through a restoration which is presently in process. Note: Bowling graduated from the United States Naval Academy in 1927 and was named a Commanding Ensign in the United States Navy that same year. During World War II he served on the staff of Admiral King and also commanded the Anti-submarine Task Force in the North Atlantic from 1944-1945. Bowling graduated from the United States Naval War College in 1945, retiring from the Navy in 1947 with the rank of Rear Admiral. Prior to the War, Bowling had already achieved an international reputation as an engraver and printmaker. (Information provided by Pennsylvania Historical and Museum Commission, 2013. http://www.phmc.state. pa.us/bah/dam/mg/mg392.htm.) SIZE: 1) 24” x 32-1/2”. Overall 30” x 38”. 2) 8” x 12”. 3) Smallest: 3-1/2” x 1/2”. Largest: 6-1/2” x 4-1/2”. Largest Mat: 14” x 11”. CONDITION: 1) Very good. 2) Very good. 3) Very good. 52902-3 (1,000-2,000)

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2529. JAMES HARDY (British, 20th Century) SAILING VESSELS OFF THE COAST. Oil on board scene shows nine different sailing vessels on a white tipped light green harbor area with buildings and hills in the background. Signed lower right “James Hardy”. Housed in a modern gilt molded wood frame. SIZE: 16” h x 24” w. Overall 18” h x 26” w. CONDITION: Very good. 52624-10 (700-900)

458

Session 2

2530. GALLEONS ON A CALM RIVER. Oil on Masonite scene shows three galleons on calm water two with no sails, one with sails appearing to fire their cannon. Signed lower right “James Hardy”. Housed in a decorative modern gilt wood frame. SIZE: 20” h x 30” w. Overall 22” h x 32” w. CONDITION: Very good. 52624-11 (700-900)

Lot 2530 2531.

FEDERAL CHERRY, TIGER MAPLE AND MAHOGANY CHEST OF DRAWERS. Late 18th century, southern New England. Rectangular cherry top over the conforming case fitted with three aligned short drawers above three conforming long drawers all with figured tiger maple panels within mahogany crossbanded borders. The long drawers with simulated shield form escutcheons. The whole raised on narrow tapering French feet. SIZE: 38” h x 42-1/2” w x 19-3/4” d. CONDITION: Chest fitted with stamped oval thistle brasses of correct form but of later vintage. Backboards and feet original. Chest has been cleaned and repolished. Very good overall. 52890-3 (1,000-1,400)

Lot 2531

2532. SHERATON FLAME BIRCH DROP LEAF TABLE. 2nd quarter 19th century, New England. The rectangular top with hinged serpentine leaves above the conforming apron. Raised on cylindrical bobbin-turned spiral twist tapered legs with ringed cuffs. SIZE: 30” h x 40” l (closed) x 20” w. Open 39” x 40”. CONDITION: The top with distinctive graining, re-polished. Skirt and legs with crusty old finish. Table retains original leaf supports. Very good overall. 52961-8 (400-600)

Lot 2532 2533.

CHIPPENDALE MAPLE SLANT LID DESK. Last quarter 18th century New England. The rectangular dovetail case with hinged, sloping lid opening to an interior fitted with valenced pigeonholes over serpentine document drawers centering a bank of blocked small drawers, the uppermost fan carved. The case fitted with four graduated long drawers and lopers, the drawer with thumbmolded edges. Raised on bracket feet with scalloped returns. SIZE: 42” h x 36” w (case) x 18” d. CONDITION: Desk retains original backboards, feet, and batwing brasses. Good honey-brown color and undisturbed patina. Desk lid with old horizontal narrow shrinkage cracks, now stabilized, filled, and polished. Very good overall. 52829-2 (2,500-4,500)

Lot 2533 459

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Session 2

2534. UNSIGNED (American, Early 19th century) PORTRAIT OF GEORGE WASHINGTON. Oil on cotton ticking, half portrait shows Washington wearing a black coat and white cravat. Housed in its original molded gilt wood frame. SIZE: 29-1/2” h x 24-1/2” w. Overall 33-3/4” h x 28-3/4” w. CONDITION: Several small punctures, craquelure, some varnish discoloration, otherwise good. 52987-10 (1,000-1,500)

Lot 2534 2535.

MERICAN SCHOOL (19th A century) NAIVE BUST LENGTH PORTRAIT OF A YOUNG GIRL WITH FLOWERS. Unsigned oil on canvas portrait of a brown haired, rosy cheeked young girl wearing a white dress with red and white checkered sash. Housed in a modern giltwood frame with gilt oval Lot 2535 mat. SIZE: 25-1/2” x 20”. Overall: 29” x 24” CONDITION: Discolored varnish, surface grime and abrasions upper center. 52829-51 (1,500-2,500)

2536.

MERICAN SCHOOL (19th century) BUST LENGTH PORTRAIT OF A A YOUNG CHILD. Unsigned oval oil on canvas depicting a sweet brown eyed blonde child floating in pink clouds. Stenciled on verso “From Theo. Kelley artist colors Phil”. Housed in a Rococo style period gilt gesso oval frame. SIZE: 20” x 17”. Overall: 38” x 24” CONDITION: Good, minor surface grime, discolored varnish, craquelure, minor touch-up. 52829-63 (1,200-1,800)

Lot 2536 2537.

THREE ENGLISH ITEMS: ROSEWOOD TEA CADDY, TURNBRIDGE BOX AND EARLY STRAINING SPOON. 1) Sarcophagus shaped rosewood tea caddy supported on compressed disc feet, sides with two wood ring handles, brass inset monogrammed plaque (blank) and shield escutcheon. The interior fitted with its original hinged lid boxes, each having a small cut glass stoppered bottle. The center fitted with a glass bowl. Key present. 2) Turnbridge hinged glove box, decorated with flowers and decorative border. Absent of key. 3) 12” early English slotted straining spoon. The bowl having two sides with a central straining divider. Dublin 1783, makers mark “J. P.” ( John Pittar). SIZE: 1) 7-1/2” h x 13” w (widest) x 6-1/2” d. 2) 3-1/2” h x 10” w 4” d. CONDITION: 1) Very good. 2) Some roughness and edge losses, otherwise very good. 3) Good. 52874-18 (8001,200)

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460

Lot 2537

Lot 2538 2539.

ANGLO-INDIAN CAMPAIGN STYLE CAMPHOR TRUNK. First half 19th century, England and India. The dovetailed trunk of typical form, with rectangular hinged lid, opening to a storage well lined with period wallpaper and mounted with original label within lid inscribed Agar. The trunk with brassbound corners and edges, additionally mounted with brass carrying handles. SIZE: 19-1/2” h x 41” w x 21” d. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Trunk retains original surface with normal and expected wear. Seam shrinkage cracks present but stable. Old repair to area of lid at proper right hinge. Strapping and carrying handles original. 52936-15 (400-600)

Lot 2539

2540. G EORGIAN WAG ON THE WALL CLOCK. Late 18th century, England. The brass dial engraved “Wm & B. Huggin / Ashwellthorp” (probably for Ashwellthorpe, Norfolk, England) within a Roman numeral chapter ring within a seconds Arabic ring, framed by cast brass scrolled foliate and shell-carved spandrels. The weight-driven brass movement striking on a bell. Clock is accompanied by lead cylinder weight, probably original. SIZE: Dial: 8” sq. Clock body: 11” h x 8” w x 5” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: The clock is “as-found” condition. Currently offered with a partially disassembled movement and associated circular ring weight on cord and with clothes line winder in lieu of chain. Original iron hands with extensive corrosion. 52806-218 (200-400)

Lot 2540

2541. A NTIQUE NORTHWEST PERSIAN RUNNER. First quarter 20th century, northwest Persia. With three rows of polychrome “guls” on a blue-black field within three guard borders of floral trellis work. SIZE: 3’ 4” x 13’. CONDITION: With normal and expected wear. Runner lies in true line. Loss of fringes at each end. Spot wear to selvage. Otherwise good. 52829-46 (1,200-1,800)

Lot 2541 461

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Session 2

2538. TWO FINE ASH BURL BOWLS. 1) First half 19th century, medium size bowl with great old patina and very tight burl. 2) 18/19th century, New England. This unusual oval example with strong burled grain, well worn with natural surface. The sloping sides continuing to a flat bottom with pleasing irregular rim. SIZE: 1) 12” dia. x 4” h. 2) 5” h x 13-1/2” l x 11” d. CONDITION: 1) Has several cracks, some insect damage, burn mark on exterior bottom. 2) Dry surfaces noted. No restoration or damage. Small natural knotholes. Very good. 53027-2, 53027-6 (1,000-2,000)

2542.

Session 2

ANTIQUE SHIRVAN RUG. Late 19th century, south Caucasus. This good example with unusual coloration with five aligned medallions on a midnight blue field with candelabra devices within a conforming angular geometric border of polychrome saz leaf design, all within a main border of saz leaf and candlesticks withing striped guard borders of multiple colors. SIZE: 4’ 1” x 7’ 9”. CONDITION: Overall substantial wear with some soiling. Significant restoration to one end. Loss of fringe including partial guard border. Old staining within middle third of rug. Fair overall. 52829-14 (1,200-1,800)

Lot 2542

2542A. WM KNABE & COMPANY PLAYER GRAND PIANO. This ampico model with all original ivory keys of traditional form with double tapering legs ending in brass cups with brass casters. SIZE: 54-1/2” w x approximately 68” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Generally good, shows use. 53047-5 (500-1,000) ESA

Lot 2542A 2542B. WALNUT BABY GRAND PIANO BY CUNNINGHAM PIANO CO. PHILADELPHIA. Square tapered legs, 52 all original period ivory keys. Number 81720 branded in sounding board. SIZE: 56” w x 60” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Unrestored, sounding board cracks. 53047-4 (300-500) ESA

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462

2543. BIRCH AND POPLAR BUCKET BENCH. Mid 19th century, possibly New York. The two tier bench with three quarter shaped gallery centering a shelf fitted with two aligned thumb molded drawers above an open shelf joined to shaped and curved side panels, additionally fitted with a pair of paneled covered doors. Lot 2542C Drawers and doors fitted with original turned-button knobs. SIZE: 46” h x 361/2” w x 13-1/2” d. CONDITION: Original dry surface with in-use wear and staining on shelves. Structurally very good and sound. 52961-7 (600800)

Lot 2543 2544.

FINE EARLY AMERICAN BIRCH DROP LEAF HARVEST TABLE. First quarter 19th century, probably New Hampshire. The rectangular two board top with hinged leaves projecting above the conforming apron raised on delicate vase-, ring-, and reel-turned legs terminating in elongated turnip feet. The table with original Spanish brown paint. SIZE: 28-3/4” h x 19-3/4” w (closed), 34-1/2” w (open) x 71-1/2” d. CONDITION: Scrubbed top and leaves with vestiges of original paint. Leaf supports Lot 2544 and hinges original. Normal and expected paint wear to lower legs. Overall very fine, untouched original condition. 52738-30 (2,000-4,000) 2545. EARLY AMERICAN LADDERBACK ARMCHAIR. Early 19th century New England. Of mixed woods, the four slat ladderback with knop ball finials on sausage turned stiles joined to slightly curved flattened arms above the trapezoidal woven seat. The frontal turned legs with mushroom cap grips, all joined by double box stretcher. SIZE: 41” h (back), 14” h (seat) x 20” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Legs have been ended out. Proper left rear leg cut between stretchers with 7” section of lower leg replaced. Woven seat appears original. Chair has been overly cleaned. 52806-155 (200-400)

Lot 2545 463

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Session 2

2542C. ELABORATE VICTORIAN ERA GESSO MIRROR. Circa mid-19th century. This impressive mirror is mounted on top with a huge collage of elaborate flowers and fruits. The upper sides of the mirror ornamented with cornucopias spilling fruit being held by a frolicking putti. The entire surface is an old gold finish with a sand surface. SIZE: 70” high x approximately 36-1/2” wide. CONDITION: Damage and loss to the lower right edge of the frame. Also a small loss at the very top. 53047-6 (100-200)

Session 2

2546. FEDERAL PINE SLANT LID DESK. Late 18th century, New England. The rectangular dove-tailed case with sloping lid opening to interior fitted with a row of valanced pigeon holes above a row of stationery drawers. All above a storage well over a simulated long drawer above two long drawers all with thumb molded edges. Raised on French feet with shaped returns. The desk fitted with old if not original brasses. SIZE: 38” h x 36” w (case) x 18” d. CONDITION: Structurally good with old varnish surface, some loss to thumb molded edge center of desk lid, otherwise good. 52961-6 (300-500)

Lot 2546 2547.

THREE AMERICAN BRAIDED RUGS. Late 19thearly 20th century, New England. 1) An oval example in varied warm earth tones. 2) An oval example wrought in deep rich colors incorporating distinctive accents. 3) A circular example in varied soft colors and tones, wrought with a central needlepoint rondel depicting a house on a wooded hill with birds in flight overhead. SIZE: 1) 5’ 9” x 8’ 6”. 2) 4’ 10” x 6’ 3”. 3) 3’ 9” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: 1) Very good overall with normal and expected light surface soiling. 2) Very good overall with varied and vibrant palate. 3) Very good overall with light normal and expected in-use wear. 52806-156 (400-600)

2548. TWO SMALL HOOKED RUGS TOGETHER WITH TWO BRAIDED EXAMPLES. Early 20th century, New England. 1) An interesting example wrought with nine orbs of various colors, marbleized diamond-shaped background with conforming light blue spandrels within a border of multiple stripes. 2) Wrought with two fruits bordered by leaf tips in shades of red and grey within a braided border. 3) An oval braided rug of typical form in dark polychrome. 4) An oval rug with a combination of braiding and hooking of multicolored stripes. SIZE: 1) 2’ 7” x 3’ 5”. 2) 2’ 3” x 2’ 9-1/2”. 3) 2’ 5-1/2” x 3’ 8-1/2”. 4) 1’ 10” x 3’ 1-1/2”. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Each with light soiling and age appropriate wear. Fair to good overall. 52806-187 (300-500)

Lot 2547

Lot 2548 2549. NO LOT. 2550. JEROME HOWES (American, 1955-) PORTRAIT OF A SCHOONER UNDER SAIL. Oil on Masonite, the black hulled two mast schooner, flying American flag is sailing right to left under full sail. Other ships and boats are seen on either side all under a blue and white cloud sky. Signed “Jerome Howes” on the lower right. Housed in a modern gilt wood frame. SIZE: 16” h x 25-3/4” w. Overall 21” h x 31” w. CONDITION: Very good. 52624-7 (1,000-1,500)

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464

Session 2

2551. JEROME HOWES (American, 1955-) SUMMER SAILING. Oil on Masonite scene shows two day sailors on light wavy water off low beach land area. The are seen under blue and colorful cloud skies. Signed lower right “J. Howes”. Housed in a gilt molded wood frame. SIZE: 11” h x 14” w. Overall 14-1/2” h x 17-1/2” w. CONDITION: Very good. 52624-4 (200-400)

Lot 2551 2552.

PIETRA DURA FRAMED SCENE OF AN AMERICAN PADDLE STEAMER. The inlaid marble on slate scene shows the side wheeler sailing right to left flaying American flag. Signed on reverse “Richard Blow Montici ‘61”, also marked “Made in Italy 1961-VIII-Fracassini”. Housed in a black and gold frame. SIZE: Plaque 8” h x 12-1/2” w. Overall 11” h x 15-1/2” w. CONDITION: Very good. 53002-4 (800-1,200)

Lot 2552 2553. CHIPPENDALE WALNUT CHEST OF DRAWERS. Last quarter 18th century, probably Pennsylvania. The rectangular top with applied molded edge above the conforming case with four graduated long drawers with thumb molded edges and string inlaid borders, raised on ogee bracket feet with scalloped returns. SIZE: 34-1/2” h x 40” w x 21-1/2” d. CONDITION: Chest retains early surface with rich tea-brown color and good patina. The figural top with old repairs to tight shrinkage cracks and with patch at proper left rear corner. Proper left front corner with loss of 1” x 1-1/4” sliver. Period brasses are replacements. Backboards and feet original. Drawer bottoms and frames stabilized. Good overall condition. 52829-16 (1,500-2,500)

Lot 2553 2554.

FINE SHAKER COMMUNITY LIFTTOP PINE STORAGE CHEST. Mid19th century attributed to either Hancock, Massachusetts or New Lebanon, New York. The rectangular chest with hinged lid of pegged stile and panel construction. The lid with breadboard ends. The whole in strong, original, vibrant red paint. Note: top of posts with interesting chamfered details. SIZE: 21” h x 49” l x 18-1/2” d. CONDITION: Excellent, untouched original condition with minor abrasions. 52738-6 (1,500-3,000)

Lot 2554 465

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Session 2

2555. SHERATON MAPLE AND BIRD’S EYE MAPLE CHEST OF DRAWERS. Second quarter 19th century, probably New York. The rectangular top with applied, rounded tiger maple edge above the conforming case, fitted with four graduated long drawers with cockbeaded edges and bird’s eye maple panels. The case sides with recessed panels raised on spool- and ring-turned legs terminating in ball feet. The chest fitted with good, original molded, foliate decorated brass pulls. SIZE: 39” h x 41-1/2” w x 21” d. CONDITION: Chest retains original surface with minimal, normal and expected wear. Backboards and legs original. Brasses as noted. Very good overall. 52829-8 (1,200-1,800)

Lot 2555 2556.

FEDERAL MAHOGANY BOW FRONT CHEST OF DRAWERS. First quarter 19th century, New England. The rectangular top with bow front above the conforming case fitted with four graduated long drawers, all with cockbeaded edges, raised on French feet centering a deeply scalloped apron. SIZE: 36” h x 39” w x 21” d. CONDITION: Chest with matched set of replaced oval brasses. Chest cleaned and repolished. Top with light surface scratches and some areas of uneven color due to application of polish. Structurally good. 52829-77 (1,2001,800)

Lot 2556

2557. WINDSOR ROCKING MAMMY’S BENCH. 3rd quarter 19th century, New England. The horizontal crest rail raised on twelve spindle and cylindrical styles joined to down-swept arms with rolled grips centering the pine plank seat. The conforming child’s tender bar with nine spindles. The bench raised on cylindrical turned legs with rectangular frontal and rear stretcher, the whole mounted on shaped rockers. SIZE: 43-1/2” h (back) x 40” l. CONDITION: Structurally very good, re-polished. 52961-5 (500-800)

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466

Lot 2558 2559.

SHERATON INLAID MAHOGANY FOUR DRAWER CHEST. Second quarter 19th century New England. The rectangular top with turret corners raised on turned and reeded pilasters. The case fitted with four graduated long drawers, each with cockbeaded edge, figural mahogany panels, and rosewood crossbanding. The case sides with matched, recessed panels. The whole raised on turned legs with ring cuffs and ball feet centering a scalloped apron, the case sides with similar aprons. SIZE: 411/2” h x 41-1/2” w x 20” d. CONDITION: Case retains original surface with age darkened, colored patina. Proper left front turret corner with veneer losses. All drawers with loss to cockbeading on edges. Veneer facae on case sides have loosened from case and in need of reattachment. Case is somewhat loose throughout, needing stabilization. Backboards and legs original. Lion mask hardware are replacements. 52829-18 (1,200-1,800)

2560.

Lot 2559

NTIQUE LILLIHAN RUG. First quarter 20th A century, northwest Persia. This nice example woven with an arrangement of floral sprays on a blue-black field within diminutive shaped spandrels in rose-pink, each with a floral filled vase within four floral guard borders. SIZE: 5’ 2” x 6’ 4”. CONDITION: Color remains strong and vibrant with normal and expected even wear. Loss of fringes. Good overall. 5282959 (1,200-1,800)

Lot 2560 467

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Session 2

2558. PINE SINGLE DOOR WAINSCOT DRY SINK. 2nd quarter 19th century, New England. The rectangular case with deep tray top, the plank top with drainage hole with sheet iron collar within a molded frame above the case fitted with single door on H-form hinges, the interior fitted with single shelf. SIZE: 33” h x 49-1/2” l x 19-1/2” d. CONDITION: Original paint surfaces have been removed, now with later varnish. The top and gallery with normal and expected wear and staining commensurate with age. Structurally very good. 52961-2 (700900)

Session 2 Lot 2561

2561.

ANTIQUE MAHAL CARPET. Early 20th century, northern Persia. The unusual turtleback polled medallion in rosered, chartreuse, and pale indigo on a blue-black field with dense geometric design, the field with undulating wave border continuing to similarly designed spandrels. The rose-red main border with floral trellis work within plain camel-brown guard borders. SIZE: 6’ 4” x 16’ 8”. CONDITION: Rug with normal and expected wear overall. Retains moderate pile and strong palate. Now with replaced fringe. This example has been professionally washed and treated, resulting in some slight unevenness of color notably apparent in camel borders within normal and acceptable parameters. 52829-89 (3,000-5,000)

2562.

FINE SHERATON ONE DRAWER CHERRY SIDE TABLE. Circa 1825, Massachusetts. In the manner of Spooner & Fitz of Athol, MA. The rectangular figural top projecting above the conforming frieze. Fitted with a single bird’s eye maple drawer with original molded brass knobs raised on delicate ring turned swelled cylindrical legs with double ringed cuffs terminating in suppressed ball feet. SIZE: 27-1/4” h x 19-1/2” w x 15” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Slight bow in single board top. Proper right front leg broken and restored at juncture to apron. Seam remains visible. Otherwise with old polished surface. 52806-162 (200-400)

Lot 2562 2563. EARLY AMERICAN BANISTER BACK ARMCHAIR. Early 19th century New England. The scrolling crest rail in the Gothic taste above four split banister splats, the block- and baluster-turned stiles headed by turnip finials joined to horizontal arms with rolled grips on turned supports centering woven trapezoidal seat raised on block- and spool-turned frontal legs and square rear legs joined by a cylindrical double box stretcher. SIZE: 46” h (overall), 17” h (seat) x 23-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Mellow honey-brown color. Old, if not original, rush seat. Good overall condition. 52806-100 (400-600)

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468

THREE 19th CENTURY SAMPLERS. The first an alphabetical sampler dated 1817 by Elizabeth Young titled “Elizabeth Young’s Work” and mimicking the form of a horn book. Ribbon tied at base with rows of alphabet and Arabic numerals, the date flanked by crowns, all within a zig-zag border. Mounted in a simulated rosewood ogee frame. The second a pictoral sampler wrought by Agness (last name and date Lot 2564 rendered indistinct through age and insect damage). The sampler depicts a manor house flanked by trees, a Scottish thistle, crowns, and birds beneath flower-filled urns under rows of alphabet. The third sampler embroidered by Mary Hutcheson and dated 1815. Sampler is finely wrought with a poem within a dogtooth border with arrangements of fruit, flowers, and songbirds above the girl’s name and flanked by stags, fruit-filled trees, and butterflies, all on a linen ground. SIZE: First: 11-1/4” h x 4-1/2 (sight). Second: 16-1/4 h x 13-1/2” w (sight). Third 15-1/4” h x 12-1/2” w (sight). CONDITION: First: very good with minor and minimal soiling and toning. Second: with insect damage to name and date at bottom as noted. Even discoloration to foundation, now a pale tea color. Colors remain vibrant. Third: finely wrought with light but even toning to foundation; now a pale beige. Colors remain strong. Structural condition very good. 52789-7 (700-900) 2565. TWO NATIVE AMERICAN CARVED WOODEN SPOONS TOGETHER WITH CARVED WOODEN PADDLE. 19th century, New England. The first a flat, shallow scoop with notched design at end of handle and a tombstone form hanging hook. The second a deep serving spoon with curved and shaped handle with a beehive form hanging hole. The third a paddle with flattened handle grip and shaped, sword-like blade. All mounted on museum stands. SIZE: First 121/2” h. Second: 16” h. Third: 23” h. CONDITION: All three retain rough surfaces. Light reddishbrown patina. Structurally very good. Normal and expected in-use abrasion to tips of spoon bowls and blade. Good to very good overall. 52896-5 (250-500)

Lot 2565

2566. TWO EARLY AMERICAN BURL BOWLS AND A SKIMMER. Late 19th century, New England. The first of burled ash example with straight sloping sides and a flat bottom. The concave interior with thin walls. The bowl exhibits fine swirling grain and birds eyes. The second, an ash example. The shallow bowl with sloping interior and flat bottom, also exhibiting fine graining with Lot 2566 natural fissures. The skimmer of circular form from which is carved a cylindrical handle. CONDITION: All in very good structural condition. The first with small fissure at center of base. Surfaces are undisturbed with good color and patina. 53027-1 (1,000-1,500)

Lot 2567

2567. TWO PRIMITIVE THREE-LEGGED STOOLS. 18th/19th century, England. The first a round turned hardwood example with incised decoration raised on three cylindrical splayed ring-turned oak legs. The second fashioned from a plank segment of nice form with gnarled knots and polished surface showing in-use wear from edged tool, raised on three splayed legs formed from tree branches. SIZE: The first 12” h x 12-1/2” dia. The second 14” h x 18-1/2” w x 14-1/2” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Both well worn with good patina. 52806-110 (300-500)

469

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Session 2

2564.

Session 2

2568. P AIR OF ORNATE GILT WALL MIRRORS. Late 19th century, France. Each with shaped mirror plate within a conforming gilt frame carved in deep relief with scrolling leafage and molded C-scrolls. Each with a prominent leafy crest and pendant C-scrolled apron. SIZE: Overall: 30-1/2” h x 17” approx w. CONDITION: Mirror plates appear original with minor foxing. Frames with light soiling and with scattered losses to leaf tips and to edges. Small shrinkage cracks visible in now stable frames. One mirror with old break at base of apron, reinforced on the backing in need of permanent reattachment. 52829-82 (800-1,200)

Lot 2568 2569.

SPONGE DECORATED AND GRAIN PAINTED EARLY AMERICAN PINE BLANKET CHEST. Second quarter 19th century New England. The rectangular hinged top with applied moldings opening to an interior fitted with a lidded till. The case with rounded bootjack ends. The whole with bold sponge and grain decoration in earth tones of browns and yellows. SIZE: 21-1/2” h x 37” w x 15-1/2” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Chest with normal and expected wear and abrasions. Lid with diagonal shrinkage crack, now stable. Otherwise in good condition. 52806-186 (1,000-1,500)

Lot 2569 2570. P AIR OF GEORGE AINLEY CONTINUOUS ARM WINDSOR CHAIRS. Circa 1998, Perkinsville, Vermont. Each benchmade example signed beneath the seat “Made by Geo. Ainley Perkinsville, Vermont 1998”. The molded crest rail continuing to flat paddle-shaped arms. The back with thirteen cylindrical spindles and baluster turned raked supports above the shaped saddle seat raised on raked baluster turned legs joined by a swelled and turned H-form stretcher. SIZE: 38” h (back), 18” h (seat) x 25” w (overall). PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good overall. Dark coffee brown original surface. 52806-21 (600-900)

Lot 2570 2571.

HEPPLEWHITE FIGURED MAPLE DROP LEAF TABLE. First quarter 19th century New England. The rectangular single board top with conforming hinged leaves projecting above the conforming frieze raised on square tapered legs. SIZE: 27-1/2” h x 36” w x 18” d (closed). PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Top with minor water staining. Old shrinkage split now stabilized. Top has been reset with slotted screws. Legs with minor warping. Fair to good overall condition. 52806-54 (300500)

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470

Lot 2572 2573.

CM ROSS (American, 20th Century) TWO PASTEL PORTRAITS. 1) Half length portrait of an elegant woman in satin gown with fur stole, housed in a rustic wood frame under glass, signed lower left “CM Ross”, (sitter possibly Susan Livingston). 2) Portrait of the head of a young child with white lace collar and bow, housed in a painted wood frame under glass, signed lower left “CM Ross”, (sitter possibly Louise Alida Livingston as a child. SIZE: 1) Sight: 34” x 23”. Overall: 38-1/2” x 271/4”. 2) Sight: 18-1/2” x 14”. Overall: 271/2” x 22-1/2”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. Lot 2573 CONDITION: 1) Pastel appears to be in good condition with only a small amount of pastel dust offset, frame has unfinished patina and glass has residue. 2) Pastel appears be in good condition with minor paper discoloration, frame is overpainted with gold paint, glass has residue. 52947-4 (800-1,200)

2574. PORTRAIT WATERCOLOR OF A YOUNG GIRL HOLDING A ROSE. 1st half 19th century, American. The young woman seated in a delicate chair with brown hair in ringlets attired in a long dress with puffy sleeves holding a pink rose in her left hand seated within a theatrical arch bordered by orange drapes. Housed in a period maple frame with gold liner. SIZE: 12” x 10”. CONDITION: Painting is somewhat faded with three ink stains along the base and additional stains upper right corner facing. Otherwise good. 52789-1 (700-900)

Lot 2574 471

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Session 2

2572. ROUND WOOD TUB WITH CUTOUT HANDLES AND BENTWOOD STAVES IN GREEN PAINT. 19th century England. Probably designed as a coal hod or wood carrier. Barrel form, now somewhat shrunken around the sides. Pleasing color and patination. SIZE: 21-1/2” h x 21-1/2” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Good overall condition with pleasant patina and traces of green paint. 52806-26 (500-800)

Session 2

Lot 2575 (w/reverse)

2576.

2575. TWO SIDED PINE GAME BOARD. Second half 19th century New England. The rectangular pine game board with applied gallery edge. The checkers side with additional wood strips for game pieces. The checkerboard in red and yellow squares on a cream ground. The verso decorated with a Parcheesi board in red and black squares on a ocher ground. SIZE: 27” l x 19” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Dry, crusty original surfaces with craquelure throughout. Normal and expected in-use wear and abrasions, especially to gallery edge. Board retains original hanging ring. Two shrinkage seam splits run the length of the board, now stable, otherwise good overall. 52806-137 (800-1,200)

TWO PRIMITIVE FRAMED SILK WORKS. Late 18th/early 19th century, probably England. The first of oval form wrought depicting a young woman seated beneath a willow tree holding a bonnet in left hand at play with her dog, within a fruit and foliate border on a silk ground. Housed in a walnut frame. The second, a primitive example depicting a young child with silk button dress with ribbon-tied cuffs, wearing pantaloons and red shoes, holding a toy whip fashioned from a needle and thread, standing on a rectangular mat, the fringe made of common pins and adorned with foil rosettes and brass stars. Mounted on a lithograph print of an ivy covered cottage. Housed in an oak frame of the period. SIZE: Example one: 8” h x 6-1/2” w, overall: 10Lot 2576 1/2” x 8-1/2”. Example two: 5-3/4” h x 4-3/8” w, overall: 8-1/3” x 7”. CONDITION: Frames, glass and silkworks all original. The first example very good overall; the second with some deterioration to child’s dress. Surfaces original and undisturbed. 52789-11 (500-800)

2577. SILKWORK EMBROIDERY OF A SHEPHERDESS AND SHEEP. Circa 1810, probably America. The embroidery accompanied by the original églomisé panel, which reads “MARY MINOR’S EMBROIDERY. 1810”. The pastoral scene in soft hews, depicting a shepherdess wearing a robe or cape with staff carving the initials of her beau into the trunk of a tree while her sheep sleep at her feet. Now mounted in a later frame. SIZE: 16-1/2” h x 12-1/2” w (sight). CONDITION: Generally very good. Minimal deterioration to silk. Subtle earth tones. Overall light surface soiling. Églomisé panel broken in four pieces but accompanies silkwork. 52789-2 (600-700)

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472

Lot 2578 2579.

UNUSUAL OVAL BARREL TUB. 19th century England. Of typical slat construction, joined by four iron staves, a tree branch handle at either end. SIZE: 20” h x 34” w x 17” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally very good. Minor overall insect damage, now inactive. Good color and patina. 52806-109 (400-600)

Lot 2579 2580.

INE HEPPLEWHITE TIGER MAPLE DROP LEAF F TABLE. First quarter 19th century New England. The rectangular figural maple top with hinged leaves with shaped corners projecting above the conforming frieze raised on square tapered legs. SIZE: 28-1/4” h x 41” l x 20” w (closed). PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: The single board top with minimal warping. Hinges have been slightly reset, otherwise structurally very good. The top with very strong and pronounced graining. Surfaces have been cleaned but retain good color. Legs retain early, if not original surface. 52806-22 (8001,200)

Lot 2580 2581.

PAINTED PINE CHECKERS GAME BOARD. Late 19th century American. The single plank board with breadboard ends in red and black paint, primitively drawn. SIZE: 17-1/2” l x 14-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: The game board with original painted surface, hand planed. The ends fastened with rosehead nails. Normal and expect dry crusty surfaces and abrasions. Structurally sound, very good overall. 52806-44 (300500)

Lot 2581 473

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Session 2

2578. UNIQUE FOLK ART MERMAID CHECKERS GAME BOARD. 20th century New England. This pine example with applied gallery edge additionally mounted with two strips at either end of the checkerboard to house the game pieces. Each compartment decorated with a swimming mermaid with flowing hair holding a brush and mirror. The checkerboard in pale red on ocher ground; the whole with forest green trim. The artist’s monogram on the verso signed in black ink with a conjoined “DM”. SIZE: 17” l x 14-1/2” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: With dry, crusty paint surfaces. The board with vertical shrinkage split through center, now stable. Otherwise good. 52806-183 (500-700)

Session 2

2582. AMERICAN/BRITISH SCHOOL (19th century) FOLK ART LANDSCAPE OF FARM. A naive view of a cottage with a woman watching a soldier and elderly man traveling along the road with cattle in the foreground. Inscribed lower right “Welsh Cottage” and signed indistinctly “Eddler”. Housed in a burlwood frame with gilt liner. SIZE: 20” x 30”. Overall: 24-3/4” x 343/4” PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Lined, with scattered restoration. 52806-138 (300-500)

Lot 2582 2583.

PAPIER MÂCHÉ TRAY TABLE ON CUSTOM TABLE BASE. Third quarter 19th century. The large kidney shaped tray with gilt decoration and mother of pearl inlays around the border, fitted to a custom, bench made stand with simulated bamboo legs and cross stretcher. SIZE: 18” h x 32-1/2” w x 25” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Wear to surfaces of tray with chips along edge. Dry crusty finish with crackle. Custom base in as-new condition. 52806214 (200-400)

Lot 2583

2584. GROUP OF THREE TIGER MAPLE CHAIRS TOGETHER WITH A BOWBACK WINDSOR CHAIR. Late 18th-early 19th century American. The group comprised of a pair of tiger maple sabre leg chairs with vasiform splats, a sabre leg tiger maple side chair with horizontal slat, and a bowback Windsor seven spindle side chair branded “MP”. The pair of maple chairs with custom seat cushions. SIZE: Height of backs: 33”-36”. Height of seats: 16”-17”. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Pair of side chairs originally painted, otherwise good. Single side chair very good. Windsor chair with remnants of original green paint, structurally sound. 52806-164 (200-400)

Lot 2584

2585.

PAIR OF YEW AND CHESTNUT WINDSOR SIDE CHAIRS. First half 19th century England. The bow back with six cylindrical spindles centering a shaped pierced splat joined to the trapezoidal saddle seat raised on ring-turned cylindrical legs joined by an H-form stretcher. SIZE: 35-1/2” h (overall), 17-1/2” h (seat). PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Proper left side stretcher of one chair with warp and corresponding stress split. 52806-173 (200-400)

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474

Lot 2586 2587.

THREE AMERICAN HOOKED RUGS. Late 19th-early 20th century. 1) Designed with three rows of eight-sided stars within colorful striped crossborders. 2) With two rows of pinwheel florettes joined by striated polychrome crosses. 3) With two rows of pinwheel rosettes in pinks and greys on a tea-brown ground alternating with three-dimensional crosses in shades of gold and beige. SIZE: 1) 32-1/2” x 53-1/2”. 2) 26” x 44-1/2”. 3) 27-1/2” x 45”. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Each with normal and expected minimal wear. Light surface soiling commensurate with age. No stain, damage, or repairs. Very good overall. 52806-165 (600-900)

Lot 2587

2588. GROUP OF FIVE HOOKED RUGS. First half 20th century, New England. 1) Small mat woven with Maine state black bear, chickadees perched in pine boughs in a floral landscape with a fruit and floral border. 2) A rectangular hooked rug signed in script “M. E. K.” on a cream field edged by floral and berry sprays with a black border. 3) A small rectangular mat wrought with a central floral spray in soft colors on an ivory ground with undulating blue borders. 4) a rectangular mat wrought with a central floral spray within a border of scrolling leaf tips and flower heads. 5) A doormat depicting two sailors and a black lab in a dory beneath the sun and stars. SIZE: Range from 2’ x 3’ to 2’ 8” x 4’ 10”. CONDITION: Each example with wear, soiling, and staining. Poor to fair overall. 52885-46 (75-125)

Lot 2588 2589.

WALNUT CARVED INLAID FITTED BOX. Mid-19th century Pennsylvania or Mid-Atlantic region. The rectangular hinged lid with molded edge carved with a cartouche centering a bone inlay; stylized pinwheels at the corners. Opening to interior with till fitted with a conforming box with sliding lid, nicely carved with molded edge and bone inlay. The dovetailed box with molded base and bone shield form escutcheon retaining original lock and hasp. Box is offered with key. SIZE: 5-1/4” h x 13-1/2” l x 8-1/2 d. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Old if not original surfaces. Nicely polished with fine patina and mellow tea brown color. Lid slightly warped. Very good overall. 52806-49 (600-900) ESA

Lot 2589

475

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Session 2

2586. MILKING STOOL TOGETHER WITH AN ARTS AND CRAFTS STYLE FERN STAND. 19th-early 20th century. The pine stool with rectangular hand grip above a conforming base with four square legs joined by a rectangular box stretcher. The base with original red paint and dark crackle surface. The fern stand with hexagonal top and medial shelf, joined by four supports in the Arts and Crafts style. SIZE: Stool is 20” h x 15” w x 10-1/2” d. Stand is 18” h x 11” sq. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Good overall. 52806-29 (100-200)

2590.

Session 2

CAMPAIGN STYLE BURL WALNUT AND MAPLE TRAVELING WRITING CABINET. Mid 19th century, England. This campaign style rectangular cabinet with well figured burl walnut bookend veneers with ebonized trim. The case sided mounted with campaign style brass carrying handles. The cabinet with a pair of doors opening to an interior fitted with three aligned valanced pigeonholes above a pair of aligned short drawers over three long drawers, the lower drawer opening to a hinged writing desk with original embossed leather writing surface and with pen tray and inkwell. Lot 2590 All with figural maple drawer fronts and brass campaign style ring pulls. SIZE: 13-1/4” h x 16” w x 11-3/4” d. CONDITION: Cabinet with original surface with good rich tea brown color and undisturbed patina, normal and light inuse wear. Very good overall. 53066-1 (500-700) 2591. G EORGE III OAK WELSH DRESSER. Last quarter 18th century, England. In two parts, the bookcase top with molded cornice above a plain frieze fitted with three shelves, each with molded facing. Resting on a shoe foot joined to a rectangular base with three aligned drawers above a bank of three short drawers flanked by a pair of cupboard doors with astral panels above the plain apron and square legs. The case sides each with two molded panels. SIZE: 77-1/2” h x 56” w x 20-1/2” d. CONDITION: Cupboard retains old surface. Light staining on top with old shrinkage at seam. Now a dark tea brown color. Good overall. 52829-57 (1,000-1,500)

Lot 2591

2592. G EORGIAN ELM CURVED SETTLE. Late 18th early 19th century, England. Curved planked back with ogival ends and upswept hand grips centering a conforming in-curved seat fitted with cushion and with conforming apron. Paneled sides continuing to supports. SIZE: 58-1/2” h x 44” w x 20” d. CONDITION: Re-polished. Structurally very good. 52961-4 (800-1,200)

Lot 2592

Lot 2593 Visit www.jamesdjulia.com for more information

2593. GEORGIAN MAHOGANY HANGING CORNER CABINET. Last quarter 18th century, England. The molded cornice above the conforming cabinet with single astragal-glazed door opening to an interior fitted with three fixed shelves on a molded plinth. SIZE: 43” h x 30” w x 19” d. PROVENANCE: By descent through the family of Major John Mead Gould. CONDITION: Cabinet retains original surface, undisturbed with dark patina. Glass panels all original and undisturbed. Molding and backboards original. Very good overall. 52936-5 (300-500)

476

2594.

DECORATED REDWARE LOAF DISH. Rectangular shaped shallow dish with whitish/yellow spot decorated pattern having pie crimp type edges. SIZE: 12-1/2” x 10”. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Surface scratches, very good. 52806-115 (400-600)

2595. GROUP OF SIX ENGLISH PEWTER MEASURES TOGETHER WITH A PEWTER SCOOP. 19th century, England. The tankards range in size from a 1/4 gill to quart size. Makers include Caskell & Chambers and two by James Yates. The scoop has illegible marks. SIZE: Range from: 2” h to 6-1/2” h. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: All with extensive in-use wear. Mugs all with undisturbed surface. 52806-53 (300-500)

Lot 2595 2596.

2597.

TWO CANADA GEESE & DUCK DECOY. 1) Standing Canada goose with three wire feet, no name. In-use paint, glass eyes. 2) Primitive early goose with some paint present. 3) Duck marked on bottom tag “Lonny Ganton West Haven, CT Circa 1940”. Traces of original paint under newer finish. SIZE: 1) 13” h x 21” l. 2) 8-1/2” h x 19” l. 3) 6” h x 14” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: As noted above, there are open cracks, show use & wear. 52806-52 (400-600) TWO CARVED & PAINTED DUCK DECOYS. 1) Last quarter of the 20th Century. Nicely painted with brown & blue feathers, glass eyes. 2) Flat bottom hollow decoy, bottom with masking tape label “Quarles Rig (early) Algonar, 1963”. Some original paint under the high gloss finish. SIZE: 1) 17” l. 2) 15” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: As described, otherwise very good. 52806-194 (300-500)

Lot 2596

Lot 2597

2598. DUCK DECOY TABLE LAMP. Mid-20th century, American. The decoy of a mallard, stripped of its field paint and with natural clear finish. The shade of oval form with a design of mallards in flight over a marsh with painted highlights, the whole with pinprick accents to enhance the effect when lit. The lamp on an oval molded base. SIZE: 24” h overall x 16” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally good. In need of updated wiring. Shade with original decorated surface and intact. 52806-157 (200-300)

Lot 2598 477

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Session 2

Lot 2594

Session 2

2599. PAIR OF CAST-BRONZE DEER GARDEN FIGURES. Late 20th century. A well patinated buck and doe, hollow-cast, designed for outdoor use and display. SIZE: Buck 55” h x 34” w. Doe: 41” h x 32” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very fine original condition. Dark green patination. No imperfections noted. 52806-211 (1,500-2,500)

Lot 2599

2600.

THREE PIECES OF CAST-IRON GARDEN FURNITURE. Late 19th-early 20th century. The group comprised of a cast-iron fern-form Victorian settee and armchair and a later cast iron circular side table decorated in a grapevine motif, all in seafoam green paint. SIZE: Settee: 29” h (overall), 19” h (seat) x 43” w. Armchair: 29” h (overall), 16” h (back) x 23” w. Table: 16-1/2” h x 21-1/2” dia. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Settee and armchair very good, some abrasion to painted surface. All cast elements appear intact. Side table very good, no defects noted. 52806-209 (1,000-1,500)

Lot 2600

2601. THE FIRE BRIGADE APPROACHING THE CONFLAGRATION. Interesting 19th Century oil on canvas scene shows an antique fire engine pulled by two horses and six men can be seen atop the wagon. The brass steam engine billows fire as they rush to a warehouse type building in flames. Several onlookers are seen in the foreground. A possible partial signature can be seen lower right. Housed in a modern gesso decorated frame with gilt liner. SIZE: 10-3/4” x 143/4”. Overall: 15” x 19”. CONDITION: Three patches to the original canvas with some touch up. There is all over, very fine craquelure with some light chipping mostly to right side & corner. 52960-1 (1,000-2,000)

Lot 2601 Visit www.jamesdjulia.com for more information

478

Lot 2602 2603.

ELIZABETH MUMFORD (American, 20th/21st Century) “WHY DO FIREMEN WEAR RED SUSPENDERS?”. Oil on wood panel in square form depicts a colonial coastline scene with grammar school, connected home and large federal municipal building. Community has come out to view the parade which is lead by Civil War veteran on horseback leading six rows of firemen in front of a horse drawn fire engine. The background with sailboats on a calm ocean. The outside border in black with gold scallop shell and leaf corners and red written title. Signed “Elizabeth Mumford 1994”. SIZE: 15” x 15”. Overall 17-1/2” x 17-1/2” CONDITION: Very good 52624-8 (1,500-2,500)

Lot 2603

Lot 2604 2605.

2604. UNUSUAL IRON-BOUND PANELED FRUITWOOD COFFER. 18th century Mediterranean region. The rectangular coffer with rows of small recessed panels, iron-bound at the corners. The top with central four panel hinged door with iron latch. The whole raised on turned ball legs with disc feet. SIZE: 22” h x 40-1/2” w x 20” d. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally very good. Old in-use repairs and patches in several panels on top. Pleasing color and patina. 5280656 (600-900)

TWO PIECES OF DECORATED MAJOLICA. 1) 12-1/2” x 9-1/2” tray with turquoise blue background decorated with corn, wheat and red flowers. Signed “Wedgwood” on base. 2) 5” h x 6” w mermaid decorated shell dish and signed on base with a shield and “K” & “M”. SIZE: As noted above. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good. 52806-203 (200-300)

479

Lot 2605 Visit www.jamesdjulia.com for more information

Session 2

2602. ELIZABETH MUMFORD (American, 20th/21st Century) “O’ER THE LAND OF THE FREE, AND THE HOME OF THE BRAVE”. Oil on Masonite, nighttime scene shows three men on the edge of a large ship looking out over a fort flying the American flag with star shells exploding in the air. Fire has erupted inside the fort and two ships are seen in the water on their sides. Signed lower left “Elizabeth Mumford 2012”. The bottom border in black with gold scallop shell decorations and title. Housed in a modern black and gold frame. SIZE: 18” x 24”. Overall 22-1/2” x 28-1/2” CONDITION: Very good 52624-6 (1,000-2,000)

Session 2

2606. TWO QUILTS. 1) Child’s quilt with six rows of seven stars in mustardyellow with a mustard border. 2) Geometric quilt with stepped squares on crosses within trellis work in pumpkin orange and ivory. SIZE: 1) 6’ 1” x 5’ 2”. 2) 5’ 8” x 7’ 3”. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: 1) With minor spotting. Otherwise good overall. 2) Quilt has been mounted with hanging loops along long side. Very good with no staining, damage, or repairs. 52806-178 (200-400)

Lot 2606

Lot 2608

2609.

2607. THREE HANDMADE QUILTS. 20th century, New England. 1) A sawtooth square in crimson and forest green. 2) A pair of quilted spreads for single beds in a square geometric pattern in shades of blue, green, and pink with polychrome squares, each with a label for “Judy Boisson, American Country”. SIZE: 1) 6’ 9” square. 2) 5’ 2” x 7’ 2”. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: All in nearly new, very good condition. 52806179 (200-300)

2608. APPLIQUÉ TULIP QUILT. Early 20th century, New England. The quilt wrought with sixteen squares of crossed tulips with pink and yellow blossoms. SIZE: 6’ 4-1/2” square. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Very good overall. 52806-177 (200-300)

Lot 2607

FRUITWOOD APPLE TEA CADDY. 20th century. The apple form caddy with wood stem. The hinged lid opening to a storage well, lined with metallic foil. Caddy fitted with ivory shield form escutcheon. Tea caddy is offered with functioning lock and keys. SIZE: 5” h x 4-1/4 dia (approx). PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Original surface with good color. 52806-193 (800-1,200) ESA

Lot 2609 Visit www.jamesdjulia.com for more information

480

PAIR OF ENGLISH SILVER FINISHED QUAIL TABLE DECORATIONS. Unmarked, probably first half 20th century. One in standing formation, the other bending down. SIZE: 6-1/2” h x 8-1/2” l. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: Very good, one will not stand in its own. 5280687 (400-600)

Lot 2610 2611. SMALL WATERWHEEL CARVED AND PAINTED GARDEN FOUNTAIN. First half 20th century, American. This small fountain with fittings for a common garden hose, rendered as a two story mill with waterwheel set within a concrete base molded as a rock foundation with stone walls. SIZE: 10-1/4” h x 12” l x 9-3/4 w.” PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. CONDITION: Structurally good with normal and expected crusty paint weathering and in-use wear. Small fountain with remains functional. 52806-120 (400-600)

Lot 2611 2612.

THREE ANTIQUE MIRRORS. 1) Period Chippendale mirror having a curved top and bottom, original plate. 2) A Sheraton period split column grain painted picture mirror, having a connected colonial house amongst the trees. Original plate. 3) Birds-eye maple mirror with nice figuring. SIZE: 1) 27” h x 17-1/4” w. 2) 25” h x 32” w. 3) 19-3/4” h x 17” w. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. CONDITION: 1) Repairs to crest, cracking, otherwise good. 2) Some speck losses to picture, mirror has lost some back silver, otherwise generally good. 3) Very good, replaced mirror plate. 52806-106 (400-600)

Lot 2612

~ End of Auction ~

481

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Session 2

2610.

Notes

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482

Notes

483

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Firearms Division

Save the Date for our Spring Extraordinary Firearms Auction March 21â&#x20AC;&#x201C;23, 2018 in Fairfield, Maine

Centerpiece to a Colt Collection, Fine Colt 1839 Paterson Rifle with Flask, Mold, and Capper

Incredible Parker CHE 28 ga Skeet Gun

Incredible Big Bore Stopping Rifle! Westley Richards .577 Nitro, Finely Engraved in Extremely High Condition Visit www.jamesdjulia.com for more information

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Rare Lamps, Glass & Fine Jewelry Division Consignments Wanted for our Spring 2018 Auction

The Next Rare Lamps, Glass & Fine Jewelry Auction will be held at Morphy Auctions in Denver, PA

Tiffany Studios Nasturtium Chandelier (est. $65,000-80,000) | Sold for $84,700

Daum Nancy Farm Scene Vase (est. $5,000-7,000) | Sold for $10,890

Galle Butterflies in Flight Cameo Vase (est. $18,000-22,500) | Sold for $19,360

Whether you have one item or an entire collection please contact Mike Fredericks at lg@jamesdjulia.com 485

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Fine Art, Asian & Antiques Division

Consignments Wanted for our Summer 2018 Auction

The Next Fine Art, Asian & Antiques Auction will be held at Morphy Auctions in Denver, PA

Book: Les Roses, by Roudoute and Thory (est. $10,000-20,000) | Sold for $65,340

Presentation Sword to Mexican War Hero Major M. Barnard (est. $35,000-45,000) | Sold for $41,140

Celadon Glazed Bottle Vase (est. $2,000-3,000) | Sold for $19,360 Visit www.jamesdjulia.com for more information

486

Considering Selling? Whether you have one important item to sell or an entire collection, there are a number of reasons why you should contact James D. Julia’s:

Reputation for Honesty & Fair Dealings Over the years we have established a sterling reputation with both buyers and sellers. For the seller, this means their goods will be properly and professionally handled with hassle free straight forward dealings. The buyer has also learned to trust the Julia reputation for honest descriptions. This means they can place their ultimate bid with confidence that the goods will be as represented.

Expertise Our expertise as auctioneers is unrivaled and extends over a period of nearly thirty-five years. In addition, each Julia specialty auction is cataloged by a nationally renowned expert within that field. In order to be part of the Julia team, these experts have to enjoy a similar reputation for honesty and fair dealings and be fully knowledgeable in their specific field. Our specialists have 15-35 years of experience in their chosen fields. This not only instills confidence in the seller, but even more importantly instills confidence in our buyers, many of whom don’t attend the auctions but utilize our catalogs freely knowing that they can trust our catalog descriptions.

Web Presence: We utilize our website to load advance notices of our clients’ goods to be included in upcoming auctions. In addition, we load our entire auction catalog, complete with photos, on our website so that the world can preview the catalog free of charge. We also have an arrangement with Invaluable, Bidsquare (Lamp & Glass and Fine Art Auctions only) and Proxibid (Firearms Auctions only). The end result is that usually our entire catalog with photos is loaded onto these platforms two weeks prior to the auction where any customer in the world can submit a bid. The day of the auction our entire catalog is offered on these platforms. The innovative technology allows a person to sit at their computer regardless of where they are in the world and view the progression of the auction. If they have registered in advance they can bid on anything in the catalog the moment it is being offered at auction. This has proven to be a convenience for some of our absentee bidders and it also increases the exposure for our sellers. Our online auctions are a very successful method of marketing certain types of goods. It greatly benefits buyers and sellers alike. However, our live catalogs are still the best way to auction better quality and more desirable items, particularly the rare and choice items.

Record Prices

Promotional Package We utilize a highly diversified and structured promotional campaign for each auction. This includes, but is not limited to, professionally prepared, fully detailed and illustrated catalogs, and a tremendous diversity of advertisements in various types of media all over North America. A highly detailed and fully illustrated p romotional brochure is sent out to our mailing list. Our mailing list includes numerous specialty departments including a vast number of names of special collectors and dealers all over North America. The use of special press releases provided to key publications throughout North America also maximizes exposure. We also represent our clients’ goods at various key antique shows throughout the country, and in addition have an aggressive telemarketing program to promote your goods. We spend a tremendous amount of money and energy making certain that your goods have the maximum exposure to potential buyers.

The Julia Auction Firm has established records in numerous specialty fields over the years. In some cases, both national and world record prices are set at our auctions. In short, our experience, sterling reputation, hard work, and aggressive marketing plans add up to the ultimate return to you, the seller. We have one of the most competitive commission rates in the country. If you have an individual expensive item or high quality items you will find that no one will beat our commission rates. We are always striving to serve our customers better, both buyers and sellers. Some current innovations include our Trade Up Program. This is a new program at Julia’s which essentially allows the collector to obtain new and exciting items for their collection and at the same time dispose of unwanted items from their c ollection. The net result can be no cash outlay on the collector’s behalf to obtain items he/she desires to add to their collection. To our knowledge we are the only auction firm in North America providing this p rogram. The concept or p ossibilities are virtually limitless. Parties wishing to explore this should call our office for more details. Arrangements to participate in this program must be made prior to the actual purchase at auction.

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Hotels and Lodging Waterville (5 miles South)

Augusta (25 miles South)

Best Western Plus/Waterville Grand Hotel (4 miles away) (Formerly Holiday Inn) 375 Main Street, Waterville, ME 04901 (207) 873-0111 Indoor pool & health club, restaurant Auction attendees eligible for special low rate, mention Julia Auctions

Senator Inn & Spa (26 miles South) 284 Western Ave., Augusta, ME 04330 (877) 772-2224 Restaurant, indoor pool & health facility Best Western Plus-Civic Center (23 miles South) 110 Community Drive, Augusta, ME 04330 (207) 622-4751 Restaurant & lounge

Fireside Inn & Suites (4 miles away) 356 Main Street, Waterville, ME 04901 (207) 873-3335 or (800) 528-1234 Fitness center and seasonal outdoor pool Auction attendees eligible for special low rate, mention Julia Auctions

Comfort Inn (22 miles South) 281 Civic Center Drive, Augusta, ME 04330 (207) 623-1000 Restaurant, indoor pool & health club Fairfield Inn & Suites (22 miles South) 14 Anthony Avenue, Augusta, ME 04330 (207) 623-2200 Indoor pool

New Holiday Inn Express & Suites (4 miles away) (Formerly Comfort Inn & Suites) 332 Main Street, Waterville, ME 04901 (844) 306-6086 Indoor pool & exercise room

Hampton Inn Augusta 388 Western Ave, Augusta, ME 04330 (207) 622-4077

The Pleasant Street Inn (5-1/2 miles away) 84 Pleasant Street, Waterville, ME 04901 (207) 680-2515 Bed & Breakfast

Homewood Suites by Hilton Augusta 377 Western Avenue, Augusta, ME 04330 (207) 480-2050

Hampton Inn (8 miles away) 425 Kennedy Memorial Drive, Waterville, ME 04901 (207) 873-0400 Indoor pool and fitness center

Oakland (approx. 7 miles away) Pressey House Bed & Breakfast 32 Belgrade Road, Oakland, ME 04963 (207) 465-3500

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488

Restaurants Waterville (5 miles South)

Fairfield (1 mile South)

Restaurants, franchises and take-out • 18 Below (D) (207) 861-4454 • Amici’s Cucina (L, D) (207) 861-4440 • Applebee’s (L, D) (207) 872-6702 • Buen Apetito (Mexican) (207) 861-4649 • Burger King • Cancun Mexican Restaurant (207) 872-7400 • Eric’s (207) 859-8761 • Governor’s (B, L, D) (207) 872-0673 • Jewel of India (207) 877-1957 • Jin Yuan (L, D) (207) 861-4488 • Joseph’s Fireside Restaurant (steak house) (207) 877-8385 • Kentucky Fried Chicken • Last Unicorn (L, D) (207) 873-6378 • McDonald’s • Mainely Brews Tavern (207) 873-2457 • Mirakuya (sushi & hibachi) (207) 616-0088 • O’Brien’s Restaurant (207) 873-0111 • Pad Thai Too (207) 859-8900 • The Proper Pig (207) 616-3975 • The Pub (207) 873-5255 • Ruby Tuesday’s (L, D) (207) 859-8991 • Sam’s Italian Foods (207) 861-9090 • Selah Tea Cafe (B, L, D) (207) 660-9181 • Silver Street Tavern (L, D) (207) 877-8300 • Taco Bell • Thai Bistro (207) 872-2200 • Wendy’s

Home Cooking • Flatlanda’ Diner (207) 238-9300 (400 yards from auction facility) • The Purple Cow (1 mile South) (207) 453-1371 Restaurants, take-out & sandwich shops • Belanger’s (take out) • Cheung Lee Express (L, D) (207) 453-8088 • Fairfield House of Pizza (L, D) (207) 453-9896 • Sonny’s Pizza (L, D) (207) 453-7624

Oakland (5 miles away) •

Skowhegan (18 miles North) •

Heritage House (L, D) (207) 474-5100

Augusta (25 miles South) Fine Dining • The Senator Inn (207) 622-0320 Franchises • 99 Steak House (L, D) (207) 623-0999 • Applebee’s (207) 623-8255 • The Ground Round (B, L, D) (207) 623-0022 • The Olive Garden (L, D) (Italian) (207) 621-9930 • Margarita’s (D) (Mexican) (207) 622-3465 • Texas Roadhouse (207) 621-8383

Winslow (3 miles away) • • • • •

Riverside Farm Market & Café (L, D-Seasonal) (207) 465-4439

Lobster Trap & Steakhouse (L, D) (207) 872-0529 Asian Café (207) 877-6688 Big G’s (B, L, D) (unique sandwiches) (207) 873-7808 The Pointe Afta (207) 872-0521 McDonald’s

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Conditions of Sale - Please Read

Fine Art, Asian & Antiques Division Please be sure to read the conditions before participating in the sale. For years, we have worked hard to develop a reputation for honesty and fairness. We have tried to apply this same principle in preparing this particular sale. So that you might know what the limitations are for this sale, we have tried to clearly outline the conditions below, which will specifically indicate how various circumstances will be handled.

1. Guarantee We have attempted to make a consistent effort in cataloging and correctly describing the property to be sold. The catalog descriptions carry a limited guarantee. Please be sure that you know that. It is a guarantee to protect you against major discrepancies that would have a major effect upon the value of the item. Under no circumstances do we guarantee against anything less than a major discrepancy that would have less than a major effect upon value. This limited guarantee covers authenticity. It also covers any major restoration or repair not described. Also we guarantee against fakes, reproductions or major fabrications. As outlined above, our guarantee is limited, however, it is almost unique in a business that operates “Caveat Emptor”. This is not a perfect system, however, and it is important to be aware of that. Our intention is to be as fair as possible in our catalog descriptions but it is virtually impossible to adequately describe an antique or collectible item that has been used and shows signs of wear. Imperfections, slight damages, handling marks, natural imperfections that are inherent with the manufacturing of the objects are the types of things that we absolutely do not guarantee against. These are commonplace with antiques and with most buyers this is understood and accepted, however, if you are a discerning, highly particular customer, expecting mint or near mint condition, it is advisable that you not ever submit absentee bids here or at any auction house without seeing the item in person, since your definition of condition might be far more particular than what any cataloger would have time or space to specify. The entire purpose of our catalog description is to give our readers a general description and idea of what the lot is and we will stand behind that description regarding a major discrepancy only. If the discrepancy is less than a major discrepancy, under no circumstances would any adjustment or refund be made. Should the need arise, the auctioneer reserves the right to make verbal corrections and provide additional information from the block at the time of the sale. Absentee bids will not be executed on items that are found to be other than described in the catalog unless we were able to contact you prior to the lot being sold and advise of this discrepancy. If we are unable to reach you or if time does not Visit www.jamesdjulia.com for more information

permit, we will not execute your bid. Please Note: the only thing we guarantee is what is in print in the catalog and what is announced from the block at the time of sale. Absolutely nothing discussed over the telephone or in person prior to the auction shall be construed as part of the guarantee. Since opinions can differ, particularly in the matter of condition, the auctioneer will be the sole judge in the matter of refunds. This guarantee is limited to the following time duration and limits. Please read: A. Time Limit For live bidders it is expected that you have examined the items before you purchased them and that as you pick them up, you will re-examine them one last time. If there is a problem regarding condition, it is expected that you would notify us immediately before leaving the auction facility. If you are an absentee bidder then it is your responsibility to examine the lot immediately upon receipt. If a major discrepancy should be discovered, it is your responsibility to contact us immediately. Please note: All guarantees and options for refunds or adjustment become null and void 45 days after the auction. We pay consignors on the 45th day. Once we have paid our consignors we no longer have control for the payment and under no circumstances can we consider any refunds. If you suspect that there is a major discrepancy or problem with authenticity of your lot, it is your responsibility to contact our office before the 45 days are up and let us know that you need some extra time. We can usually make arrangements to extend the guarantee for a few days if you personally advise us. Please note: If you pay late and thus, receive your items late, it does not qualify for special privileges. The guarantee is null and void 45 days after the auction. It is your responsibility to pay for and acquire your purchases in a timely fashion. So if there is a major discrepancy, you have time to notify our office. Please remember that if you call us 46 days after the auction, there is nothing we can do about a major discrepancy except apologize to you. If you want to be considered for an adjustment or refund, it is your responsibility to notify us within 45 days after the auction. B. Limit of Restitution Under no circumstances will the auctioneer be responsible for lost profits or other financial damages. Refunds requested on the grounds of authenticity must be accompanied by at least a supporting written statement from an authority recognized by the auctioneers. Auctioneer will not be responsible for shipping costs, after auction appraisal fees, testing or any other post auction costs. If it is agreed that an item may be 490

returned, it is the buyer’s responsibility to return it in the same condition as received. C. Type of Restitution An item that qualifies for an adjustment is limited to one of the following options: 1) Major problems, (i.e. fakes, significant alteration, major unannounced restoration, etc.) will result in a refund in sale price, adjustment in sale price or repair by the auctioneer. The auctioneer shall be the judge as to the final resolve. 2) Less than major problems or discrepancies are not part of the guarantee and no refund or adjustment will be considered for less than major problems. 2. Receipt of Goods All goods sold will be tagged and can be claimed upon presentation of paid receipts ONLY. All items to be wrapped will be wrapped by the purchaser, unless the items are to be shipped. 3. Protested Bids In case of a disputed bid, the Auctioneer is the sole determinant as to who is the successful bidder and at his d iscretion may re-offer and resell the article in dispute. 4. Tax State of Maine sales tax is 5.5% and will be collected at time of payment unless a current sales tax certificate is on file or if shipped anywhere except Maine and Massachusetts. If purchases are shipped to a Maine address, sales tax of 5.5% shall be collected unless a current sales tax certificate is on file. If purchases are shipped or delivered to a Massachusetts address, sales tax of 6.25% shall be collected unless a current sales tax certificate is on file. 5. Nominal Bids The Auctioneer may reject nominal bids, small opening bids or very nominal advances made with purpose of disparaging an item. If a lot fails to open for 25% to 30% of the low estimate, the item may be passed from the block by the Auctioneer and may not be re-offered until a later sale. 6. Absentee Bids Phone, fax or mail bids will be accepted with a 20% deposit, late bids or last minute bids can be confirmed with a Visa, MasterCard, Discover or American Express number, in many cases. In such case, the bookkeeper will execute such bids competitively. It is entirely possible to buy items by absentee bid for less than your top bid price. Please Note: Absentee bids are a service provided

to our customers free of charge. Every effort is made to execute all absentee bids; however, you must know that this is not a perfect system neither here nor at any other auction house. In the event of an error of omission or failure to properly execute absentee bids, the auctioneer shall not be held liable. 7. Terms All items are to be paid for in American funds at the day of the auction. Non-residents who have not established an account with us and wish to pay by check, must do so prior to the beginning of the auction by presenting a current letter of reference from their bank or by providing references which are suitable to the auctioneer. Absentee Bidders - Directly after the auction a bill will be sent to you for the items you purchased and a total amount due. This bill is due upon presentation and must be paid immediately. The auctioneer reserves the right to hold merchandise purchased by personal check until the check has cleared the bank, if the auctioneer deems such action necessary to protect his interest. For bidders located outside of the United States we only accept payment by checks drawn on U.S. banks or wire transfer. 8. Interest and Default Payment is due upon receipt. If the buyer’s invoice is not paid in full within 15 days of the auction, James D. Julia, Inc. has the right and will charge the buyer’s credit card of record on file for the total invoice amount. Interest will be charged on all balances not paid at the rate of 1-1/2% monthly (18% APR) effective 15 days from the date of purchase/auction. All goods not retrieved by Buyer within 120 days after the last day of the auction, shall be subject to a storage fee of $50 per item per month. Buyer authorizes auctioneer to sell any goods not retrieved after the 120 day period in any manner deemed appropriate by the auctioneer and the proceeds will be applied to all sums owed by the buyer to the auctioneer under this or any other agreement between the parties. If the sale is conducted by the auctioneer, in addition to all sums due hereunder, buyer shall pay the auctioneer’s standard commission fees and 1% insurance fee. Buyer specifically authorizes any such sale to be held without reserve. Buyer shall be responsible for any deficiencies between the sale price and all sums due hereunder. 9. Reserves Some items in this auction may carry a conservative reserve. Therefore, the auctioneer may bid on behalf of the owner or for the auction house. The purchaser will be the highest bidder acknowledged by the auctioneer. Please note that when a lot carries a reserve, the reserve is usually somewhere below the low estimate in the catalog. Actual reserve figures cannot be divulged, but we will tell you if an item carries a reserve should you ask.

10. Withdrawal We reserve the right to withdraw any property before sale and shall have no liability whatsoever for such withdrawal. 11. Title A title passes upon the fall of the Auctioneer’s hammer. It will then be the responsibility of the buyer to make full payment prior to removing the goods from the premises. It is both the buyer’s risk and expense for removal and must be made at the conclusion of the sale unless other arrangements are made with the Julia’s Operations Manager. Please note any lots we might make arrangements for moving or storing are solely at the risk of the owner and any damage or loss occurring after the fall of the hammer becomes that of the buyer. 12. Phone Bids At the discretion of the auctioneer, phone bidding may be arranged on more expensive items, (i.e. $500 or more). In order to make arrangements to bid on the telephone at the time a lot is being sold, you must contact our office in advance of the auction. We will make arrangements to call you just prior to the lot being sold so that you may bid over the telephone. There are usually a limited number of phone lines available into the room, so if you wish to bid over the telephone, it is important for you to make your arrangements early. “Cover-me Bids”: if you wish to bid by telephone, you might also want to consider a “cover-me bid” at the time you make arrangements for phone bidding. A “cover-me bid” allows your phone contact here at Julia’s to still execute a predetermined bid amount for you in the case that they cannot get through to you on the telephone. Your phone agent is the only person who will have this bid and will only use it to bid in the event that he/she cannot reach you. Assuming you are reached via telephone, they would not use your bid, but rely on your verbal instructions. “Cover-me bids” are not mandatory, you can place one at your discretion, they are simply a safety device in the event you cannot be reached by telephone in time. 13. Agent Responsibility If you are registering or executing a bid for someone else under your number, please bear in mind that you are responsible for the settlement of that account with us regardless of whether the person you’re executing or registering for pays you or not.

in addition shall be 22% of the final bid price over $100,000 which will be applied to each lot sold, to be paid by the buyer as part of the purchase price. Winning bids placed through a third-party online platform may be subject to a higher buyer’s premium. If the Buyer’s Premium set forth on any such platform exceeds the Buyer’s Premium set forth herein, Buyer agrees to pay such additional premium charge. 15. Endangered Species Act The laws of various countries and states regulate the import, export and transport of certain plant and animal items. Julia’s has taken steps to ensure that items offered for sale that are covered by the Endangered Species Act (ESA) meet the standards for sale under this Act. Transport of these items may require special permits or licenses for import, export or delivery into certain states. It is the bidder’s responsibility to obtain all such licenses or permits. Delay or failure to obtain any such permit or license does not relieve the buyer of paying for the item and obtaining title to the item. The company makes no representation or warranty and accepts no liability whatsoever to the seller, purchaser or any third party with respect to compliance with the ESA or with respect to the availability or issuance of valid import and export permits. 16. Legal Dispute Any legal disputes arising from this auction shall be settled in the court system in the State of Maine. 17. Uniform Commercial Code The Maine Uniform Commercial Code, Title 11, Section 2-328 applies to this auction sale. 18. Acceptance of Conditions Bidding on article(s) indicates your acceptance of all of the above terms. 19. Maine Auctioneer Rules and Regulations The Maine Auctioneer Rules and regulations are regulated by the Maine Board of Licensing of Auctioneers, 35 State House Station, Augusta, Maine 04333. 20. Auctioneer’s License Numbers Auctioneer: James D. Julia ME License #AR83; NH License #2511 Mass. License #1406 Not responsible for typographical errors or omissions.

14. Buyer’s Premium Shall be reduced to 21% of the final bid price up to and including $100,000 and reduced to 19% of the final bid price over $100,000 which will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. This is assuming the account is paid by cash, check or any equivalent of cash. If you settle your account by credit card, the Buyer’s Premium shall be the standard 24% of the final bid price up to and including $100,000 and 491

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Shipping Information Our Shipping Department here at James D. Julia, Inc. can package and ship most items anywhere in the world. We use a proven method of packaging your items which includes each item being individually wrapped in bubble wrap surrounded by packaging peanuts (in most cases) and double boxing. We use Federal Express as our preferred shipper however we are happy to a ccommodate just about any requests you may have. Payment and Forms Please allow 14-21 days from the time your payment is received for shipping. You will find our shipping forms on our website. If you are a successful absentee, phone or internet bidder, our shipping forms will be mailed to you along with your purchase invoice. These forms must be completed and returned to our offices along with your payment if you request that we ship your purchases. Purchases paid for by credit card or other secure methods will expedite the shipping of your purchases. Items paid for by personal or business check will be held for 10 days before processing by the shipping department. Cost Domestic Buyers We do charge for this service. You will be billed for labor at an hourly rate of $38.00 ($9.50 per 15 minutes). The material used in packaging your items includes bubble wrap, peanuts and

corrugated boxes. Insurance costs will be $.75 per $100.00 in value (based on the hammer price + the buyer’s premium). You may of course elect not to insure your items; in this case we will require you to sign a release absolving James D. Julia, Inc. of any liability. Federal Express or other shipper’s Charges will also be applied. International Buyers We do charge for this service. You will be billed for labor at an hourly rate of $38.00 ($9.50 per 15 minutes). The material used in packaging your items includes bubble wrap, peanuts and corrugated boxes. Insurance costs will be $1.50 per $100.00 in value (based on the hammer price + the buyer’s premium). You may of course elect not to insure your items; in this case we will require you to sign a release absolving James D. Julia, Inc. of any liability. Federal Express or other shipper’s charges will also be applied. We will not declare less than the full sale price on any international paperwork. Delivery of Larger Items and or Special Items Below you will find the delivery company that we use most often. Please feel free to contact them directly for a pre- or post-auction delivery quote. You will need the auction date, lot number and zip code of the delivery location along with any s pecial delivery requests. Any arrangements made with this company, whether arranged for by James D. Julia, Inc. or the buyer, does not

Sales Tax Information The State of Maine charges a 5.5% sales tax which must be collected unless the following conditions apply. A. State of Maine Dealers: must furnish a copy of their current year’s resale certificate in order to be exempt from sales tax. The business type must pertain to the items being purchased. B. State of Massachusetts Buyers: 1. If you have a Massachusetts state resale certificate that pertains to the types of items you have purchased you are exempt from Sales Tax. 2. If you do not have a resale certificate and purchase and pick up your items at our offices in Maine, there will be a 5.5% Maine Sales Tax. 3. If you do not have a resale certificate and have your purchases shipped to you at a Massachusetts address there will be a 6.25% Massachusetts Sales Tax.

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C. Out of State Buyers: There are two ways to be exempt from the collection of Maine State Sales Tax according to Maine State law. 1. The buyer must furnish a copy of their current resale certificate as well as proof of b usiness type (eg: invoice, business card, brochure, etc.) in order to be exempt from Sales Tax. The business type must pertain to the items being purchased. 2. If the item(s) are shipped or delivered out of state with a rrangements made by James D. Julia, Inc. (this is very important) by common carrier or James D. Julia, Inc., the item(s) are not subject to State of Maine Sales Tax. If the buyer makes their own shipping arrangements, or if item(s) are picked up at our facility by the bidder or a designated proxy, the buyer will be required to pay Sales Tax according to Maine State law.

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involve James D. Julia, Inc. and any damages or delivery issues will be between you and them. James D. Julia, Inc. may decline to ship large, fragile or problem items. In such case you would need to use this outside delivery company or make other arrangements. Sure Express toll free 800-335-9996 or 877-877-0889 Making Your Own Shipping Arrangements If you are a successful bidder and would like to make your own shipping arrangements, or if your item(s) are picked at our facility by you or a designated proxy, you as the buyer will be required to pay sales tax according to Maine State Law and to sign an insurance waiver to release any item(s). Please note that Julia’s complies with all firearms rules and regulations and therefore cannot and will not release any modern firearms to a 3rd party shipper or proxy. Pick-up of all items is required within 15 days of the close of the auction. Contacts Please feel free to contact our offices at 207453-7125, or email shipping@jamesdjulia.com. Understand that just prior to and immediately after auctions we are flooded with calls and requests for estimates and information. Rest assured your calls will be returned.

Frequently Asked Questions Concerning Bidding It’s always best to attend the auction in person to bid on the items you wish, but if for some reason you can’t attend, there is no reason that you can’t obtain some of the items that you would like to purchase. At Julia’s, absentee bidding is always a convenient, easy and safe means of acquiring items that you want. As you can see, our specialty catalogs illustrate all lots to be sold, and as well give a complete description which includes condition. These descriptions, as per the conditions of our sale in the front of your catalog, are guaranteed against major discrepancies with a major impact on the value. If there are some items here that you think you would like to own but can’t attend the auction, we have many options to help you bid without being in the audience. If you are the winning bidder, after the auction you will receive an invoice via email and then in the mail from us. Typically the email invoices are sent out within 24 hours after the auction, and the paper invoice is sent out 2 business days after the auction.. 1. Bidding Options a. Leave a Bid Send in the form in your catalog or download a bid form from our website http://jamesdjulia. com/absentee-bidding/. You can bid by mail by simply filling out the form in the back of the catalog and sending along a 20% deposit check or credit card information. You can fax the form to us, email it to us, or call us with your absentee bid. A valid credit card is required. Your account is charged only if you are delinquent in making your payment. (There are additional fees associated with using credit cards.) If you provide us with your email address, we will send you a confirmation email to verify the lot numbers, description and amount of your bid. Please review this confirmation to make sure that everything is entered properly. Remember, at Julia’s, the way we conduct the absentee bids, it’s entirely possible to buy something for less than your top bid since your bids are executed competitively by our team in an attempt to buy the lot as reasonably as possible, just as though you were in attendance.

c. Live-time Bidding via the Internet Julia’s has partnered with third party online bidding platforms to offer customers the ability to bid live online from anywhere. Julia’s loads all the information contained in our printed catalog on the online bidding sites about two weeks prior to the auction. The lot number, an image of the lot, and a brief description with a presale low and high estimate will be shown on the screen. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform. Julia’s may occasionally experience Internet and/ or Server service outages during which bidders may not be able to participate in the auction. Julia’s policy is to continue to conduct the auction. d. Absentee Bidding via the Internet Julia’s loads all the information contained in our printed catalog on third party online bidding platforms about two weeks prior to the auction. You may view any of these items and submit bids up to 2 weeks prior to the auction by following their registration and absentee bid instructions. Specific information on how to do this is available on each of their sites. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform. Julia’s may occasionally experience Internet and/ or Server service outages during which bidders may not be able to participate in the auction. Internet absentee bidders are advised that their absentee bids may not be executed in the event of technological problems. Julia’s policy is to continue to conduct the auction. 2. How Do I Set Up a Phone Bid? Simply send in your bid form from your catalog

or download a bid form from our website www. jamesdjulia.com/absentee-bidding/ and mark the bid as a phone bid, email it to us at bid@ jamesdjulia.com, fax it to us at 207-453-2502 or call into the office 207-453-7125 to register for the lots for which you would like to bid on the telephone. 3. How Do I Register to Bid Online? To register, contact the online bidding service, Invaluable at www.invaluable.com, www. bidsquare.com (included only during Lamps & Glass and Fine Art auctions) or www.proxibid. com (included only during Firearms auctions) at www.proxibid.com and register in advance of the auction. You will be notified that you have been approved to bid and your registration will be complete. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform. 4. How Do I Bid Live Through the Internet Bidding Platforms? You will need to register for the auction with the third party online bidding platform first. Once you have been registered, watch for your lot. When the lot comes up for bid, a window will display a price the auctioneer is asking for. If the window is flashing $5,500, it means the auctioneer is asking for $5,500. As the auctioneer receives that bid and then asks for a higher bid a new amount will flash in that window. If you have registered to bid you may bid in the auction by simply clicking the bid button on your screen. Regardless of where you are in this country or where you are in the world it will automatically register on a computer at our auction site where a technician will see your bid and bid on your behalf. This innovation allows you to bid live-time during the auction. Online bidding allows the bids to be almost instantaneously transferred to you and to us, so subsequently you can bid within the confines of that time. There are some people who like to bid

b. Phone Bids On the more expensive lots, ($500+ and up) if you feel you would really like to purchase them and not be restrained by the process of a written bid, we can make arrangements to call you at the time the lot is coming up and you may bid over the telephone on the lots as they are being sold. Remember phone bids must be arranged well in advance of the auction (see instructions above on how to leave a bid). Also please remember there are a limited number of phones available, so if you would like to phone bid, you should make your arrangements early. 493

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this way and some of our clients have found it both interesting and convenient to do so. If you have any questions about this please don’t hesitate to call our office, or contact Invaluable, BidSquare (included only during Lamps & Glass and Fine Art auctions) or Proxibid (included only during Firearms Auctions). Invaluable also provides a web tutorial on bidding for those who would like more details, along with an extensive FAQ section http:// www.invaluable.com/invaluable/help.cfm. 5. How Much Time Do I Have to Bid on a Lot? If the asking bid is something you are willing to pay, do not hesitate. For the most part, the auctioneer does not stop or slow down, he simply moves along at a very brisk pace. It is always assumed by the auctioneer that the bidder knows what they want to bid and if they do not bid or hesitate to bid, it means they are not interested. The auction process moves very rapidly whether you are live at the auction, online or on the phone. For anyone wanting to be successful, it is important that you know or make up your mind before the lot is sold just how high you will bid on that particular lot. Those who wish to think about it while the auction is in process and bid on impulse, will find themselves not being as successful, being frustrated and sometimes even paying more than they normally intended to. 6. How Much Do I Bid? Bid whatever you wish, our online and printed catalogs as well as online listings offer item descriptions which include estimated low to high value range. These estimates are in no way an indication of what the items will definitely bring. If you will check our past catalogs, you will find some items bring less than low estimates, some items bring far more than the high estimate. So it’s totally dependent upon how badly people want the items. 7. Who Bids? There are generally two categories of absentee bidders. a. The collector type, who seriously wishes to purchase a given lot or lots. To that buyer we encourage you to bid as high as you feel comfortable bidding. If you seriously want the lot you should not hesitate to consider going above the high estimate to ensure that you get it. b. The next type of absentee bidder is the person who is a dealer buying for stock or a collector willing to buy items only if they are at a real bargain. This type of bidder will often bid on a large number of items knowing full well that not everything will bring a strong price, there are bound to be some things that will fall well below our estimate and that bidder knows that if they leave a large number of bids that they have a chance of picking up a few things at a very Visit www.jamesdjulia.com for more information

reasonable price. Some bidders will leave 3, 4, 5 or 6 pages of bids with us, based with that theory in mind. And usually they are successful with a few items and the items they are successful with tend to be very good buys. 8. What Is a “Plus 1” Bid? Some bidders not wishing to lose a lot for the same price or just slightly above what their top bid was elect to use our “Plus 1” policy. What this does is empower our staff to go one more bid for you in the event someone in the audience has bid the exact same amount of your top bid or just slightly above it. The bookkeeper will then bid one more bid which sometimes is all it takes to get the lot. Typically the auctioneer raises the increments by 10%. If you submit a “Plus 1” Bid, we will increase your bid by 10% over your bid amount. A “Plus 2” bid will increase your bid by 20%. 9. What is a “Cover” Bid? The phone bidding system is not a perfect one. You may be out mowing the lawn and forget about your bid. Or somehow, the phone number got transposed and the phone agent is desperately trying to reach you but unbeknownst to them, they are calling the incorrect number. Or the phone system could break down. Any myriad of other issues can arise. If you seriously want a particular item, your best strategy is to leave a cover bid. A cover bid is a bid which you leave along with your phone bid instructions. If for any reason at all, your phone agent is not able to get in contact with you, they are authorized to bid up to that amount. Please note, your agent does not use the cover bid if they have you on the telephone. You are in control when you are on the telephone. The cover bid is only an insurance policy in the unlikely event that your phone agent is unable to make a connection with you. Subsequently, the only way your cover bid is utilized is if your phone agent cannot get through to you. They will bid up to your cover bid and no more. Again, please remember, the cover bid means nothing if your phone agent gets ahold of you. 494

Even though you left a $10,000, when your phone agent has you on the phone, you might decide not to go any higher than $4,000. That is your prerogative. On the other hand, you might change your mind and decide to go to $15,000. That is still your prerogative and the benefit of being on the telephone. If you choose to not leave a cover bid and if we do not reach you on the phone, there is nothing we can do at that point. 10. Will Julia’s Tell Me What the Top Bid is on a Lot? Absolutely not. At Julia’s we never ever divulge how much an absentee bid is or who has left bids. Under no circumstances do we ever divulge that information. We can advise you and assist you with your bids. For instance, if you only have $3,000 to spend but are interested in three separate lots all in the general value range of $3,000 and don’t know which one you should pursue, you may call our office and if two of the lots you are interested in seem to have a great deal of interest in them and the third lot has no interest whatsoever, we will gladly advise you of that. Remember, under no circumstances would we ever divulge who has bid or how much any of our absentee bids are. 11. Can I Leave an Unlimited Bid? Absolutely not. We cannot honor bids which do not have a set top amount. If you want a lot very badly, then we suggest you bid well above the estimate and pick a figure that you would feel comfortable owning it at should it go that high. 12. Does Absentee Bidding Work? Absolutely. At our specialty auctions from anywhere to 25% to 45% of all merchandise is purchased by absentee bidders. And some items are acquired for well less than their top absentee bid. 13. Does the Auctioneer Reopen Bidding? The James D. Julia Auctioneers must conduct their auctions in accordance with UCC statutes which specifically state that when the hammer

falls, the bidding is concluded and the winning bidder announced is the new owner. Because of this law, the auctioneer cannot and will not reopen the bidding because you decided too late to bid. This is a law and the auctioneer must abide by this. The only exception is “where a bid is made while the hammer is falling in acceptance of a prior bid. The auctioneer may in his discretion reopen the bidding or declare the good sold under the bid on which the hammer was falling.” This is the only exception. Therefore, if you seriously want a lot, do not hesitate to bid because once the hammer falls it is sold and there is nothing the auctioneer can do about it. 14. How Do I Know if I Won? After the auction is over with, our staff will send out bills to all the successful bidders on the next business day. Please do not attempt to call the auction facilities the day of the auction. Our lines are frequently busy with phone bidders and we cannot tie up the lines and the office staff when not on the phone with absentee bidders. They are extremely busy cashing out customers and very rarely have time to check the records for bids at that time. If you must call, we would advise you to call the afternoon of the first business day following the auction. 15. What is a Late Bid? We frequently process thousands of bids for an auction. Please make sure your absentee bid form is received by Julia’s no later than 4:00 pm EST the date before the auction. If you are an international bidder, or first time bidder, please allow two additional days to establish your account with Julia’s If you are mailing or faxing bids we encourage you to phone our office before the auction to confirm that we received your bids. A while ago, we sent a group of eight letters out to people in various parts of the country and for some reason, the entire packet of eight letters took 14 to 16 days to get to their destination. Please be sure to call and confirm that we’ve received your bids if they’ve been sent out seven to ten days prior to the auction.

16. How Much Does it Cost? a. Absentee Bids processed by Julia’s are a service provided to our customers totally free of charge, there is no cost to you. b. Phone Bids processed by Julia’s are a service provided to our customers totally free of charge, there is no cost to you. c. When you win an item through an internet platform, there are additional service fees. Please see the Conditions of Sale for the third party online bidding platforms for more information.

the speaker system broadcasting everything the auctioneer is saying and in front of the phone bidders sits a myriad of auction participants, many of which may be speaking with one another. Bottom-line is that an auction is an incredible arena of activity and noise and very difficult for your phone agent. The best way for success is to be prepared and do not try to converse with your agent in the process; simply say a “Yes” bid or “No” bid. If you are silent your agent may think the call has been lost and so it is always best to let them know when you are “Out” and would like to stop bidding.

17. How Does the Phone Bidding Process Work the Day of the Auction? What Should I Expect? Your phone agent will call usually a few lots early to be sure to get you on the telephone on time to bid for the lot. Your phone agent will remind you of a few important instructions on how to successfully bid.

18. What Can I Do When I am Phone Bidding to Better My Chances of being the Winning Bidder? a. Know what you want to bid in advance.

The most successful bidders are the ones that are prepared. To maximize success, you should study the lots and make a decision as to what your ultimate bid should be before you even get on the telephone. If you know you are willing to go to $10,000 and no more and the phone agent tells you that the auctioneer is looking for $5,500, you do not need to think about anything, you simply say “Yes.”Your agent will tell you and repeat one of two messages; either “We have it,” which means there is no need to bid at this moment or “The auctioneer is looking for $5,500, do you want to bid? The auctioneer is looking for $5,500, do you want to bid?” If you want to bid, do not hesitate, do not try to invoke a strategy, do not try to measure the “pulse” of the auction bidding; simply say “Yes, bid,” but say it loudly so there can be no question that your phone agent hears you and perhaps repeat yourself. You need to understand the auction environment for your phone bid agent. The phone bidder is at a table, sometimes there are as many as 10 or 20 other phone bidders on either side of your phone bidder speaking to their bidders. In the background and overhead is

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b. During the bidding process, only communicate to your phone agent whether you want to bid when they ask you. Speak loudly.

d. Do not hesitate. The auctioneer will not wait for you anymore than he would for someone in the audience. It is a fact that at every single auction, there are one or two phone bidders who complain and feel the auctioneer should have waited to give them more time to make their decision. If you want to bid, then you need to bid. e. Last of all, when arranging your telephone bids leave a cover bid as a form of insurance. Good luck. If you have any questions concerning this service, please call before the auction and we will be glad to assist you in any way we can. —Jim Julia

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Absentee Bid Conditions

Please read if you are submitting absentee bids. 1. Important Note: Absentee bids are a service provided to our customers free of charge. Every effort is made to execute all absentee bids. However because of the thousands of bids that must be processed just prior to an auction, it is inevitable that a few mistakes will occur. Your best protection is to attend in person, but if you cannot, please understand that this is not a perfect system at any auction house. To better serve our absentee bidders, we have what’s referred to as a Plus One and on phone bids a Cover Bid. You should definitely read about both of these in below sections and consider using them to help ensure your participation. We will do everything in our power to execute your bids properly, however, in the event of an error of omission, or failure to properly execute absentee bids, the Auctioneer shall not be held liable. 2. All absentee bids must be accompanied by a 20% deposit, which will be refunded immediately after the auction if your bid is unsuccessful. If your bid is successful, your 20% deposit will be applied to the purchase price and the balance due upon presentation of our bill. If time does not permit a 20% deposit, you may confirm your bid by your Visa, MasterCard, Discover or American Express. If you provide a credit card number, we would use your credit card number if you don’t pay by 15 days after the auction for the balance due. 3. To execute an absentee bid, fill out the absentee bid form that can be found in the auction catalog, call us at 207-453-7125, or you can also click the BID NOW button on our website that appears on every lot in the auction and use our online absentee bid form. All of these forms require your contact information, item information including lot number and description, as well as the top bid price (not including the buyer’s premium) and/or cover bid (phone bidders only) and Plus 1 bid (if desired) for each lot you would like to bid on. We encourage you to submit your absentee bids as soon as possible. If two absentee bids are received with the exact same amount, the first one received will take precedence. Your absentee bid must be received by Julia’s no later than 4:00 p.m. EST the day before the auction. If you are an international bidder or first time bidder, please allow two additional business days to establish your account with Julia’s. 4. Bids are handled in a competitive manner by our staff who bids on your behalf in an attempt to buy the object for less than your top bid. If your bid is the only bid on a lot we will not start bidding, we will wait until the audience opens the bid and then compete with them until you have either won the lot or it has Visit www.jamesdjulia.com for more information

gone beyond your limit. It is therefore possible to buy a lot well under your top bid. If two or more bids are received on the same item from different people, the bidding will open at the next increment above the second highest bid. 5. All bids must be in even dollar amounts. Bids in fractions of dollars or odd amounts will be rounded up to the next bid increment. Therefore, if someone leaves a bid of $ 2,350 we will automatically round it off to $ 2,500. The following is our standard increment table: Low

High

$249.99

Increment

$25

$250

$499.99

$50

$500

$1,999.99

$100

$5,000

$9,999.99

$500

$2,000

$4,999.99

$250

$10,000

$19,999.99

$1,000

$50,000

$99,999.99

$5,000

$20,000 $100,000

$49,999.99 +

$2,500

$10,000

The auctioneer reserves the right to change any bid increment from the podium at their discretion. 6. Open bids or bids with no set top amount or orders to just simply buy the lot cannot be accepted by us. You must have a definite top limit before we can execute your bid. Some bidders concerned that their lot might just go for one bid above their top limit, leave a top bid Plus One bid. This works as follows: The top bid submitted might be $1,000, but not wishing to lose the lot for simply one more bid, the Plus One bid allows our staff to bid one more time on your behalf. So if you left a $1,000 bid plus 1 it would allow us to go $1,000 plus $100. If you said $1,000 plus 2 bids that would mean $1,000 plus $200. Pursuant to the above table, if you left a “Plus 1” bid for a $2,000 item, the next bid would be $2,250. If you left a “Plus 2” bid, it would be $2,500. (NOTE: One possible problem that occasionally arises with absentee bids is when someone in the audience bids exactly the amount which you specify is your limit. In such a case, we would not go one extra bid unless your bid sheet indicates Plus One bid.) 7. If you wish to bid by telephone, you might also want to consider a Cover Bid at the time you make arrangements for phone bidding. A Cover Bid allows your phone contact here at Julia’s to still execute a predetermined bid amount for you in the case that they cannot get through to you 498

on the telephone. Your phone agent is the only person who will have this bid and will only use it to bid in the event that he/she cannot reach you. Assuming you are reached via telephone, they would not use your bid, but rely on your verbal instructions. Cover Bids are not mandatory, you can place one at your discretion, and they are simply a safety device in the event you cannot be reached by telephone in time. 8. Notification of Success: Only successful bidders are contacted. Winning bidders will receive a bill via email within one business day of the last day of the auction. A written bill is usually sent within three (3) working days after the auction. The bill will be accompanied by shipping information. Unsuccessful bidders are not contacted. Phone inquiries regarding your success cannot be answered until the afternoon of the first business day after the auction. 9. Shipping: If you are a successful bidder, a bill will be sent shortly after the auction. This bill is due upon receipt. Enclosed with the bill is a shipping form. If you wish to have us assist you with shipping, please complete this form. A charge for this service includes labor, packing materials, shipping and insurance. We require that all shipping be paid for at the time of shipment, so we will need payment in full, or your credit card information to process the charges. The Auctioneer reserves the right to hold merchandise purchased by personal or business check until the check has cleared the bank, if the Auctioneer deems such action necessary to protect his interest. Use of certified funds, wire transfers or other form of guaranteed funds will expedite shipping. Payment by credit card is 3% higher than using wire transfers, certified funds or checks. Shipping typically takes 14 to 21 days after payment has cleared (depending on shipping department workload). The Shipping Department may decline to execute instructions to ship items which are too large or too fragile to be shipped by common carrier. In such cases, the only way we can ship these special items is by way of a letter from the buyer releasing us from the responsibility of any damage that might occur in shipping 10. Confirmation of Bids: Typically within one business day of submitting an absentee bid, you will receive an email from Julia’s confirming the lot(s) and the bid information you provided. If there is an error, please contact us immediately. 11. Bidding on any article(s) indicates your acceptance of these terms above and the Conditions of Sale. If you need additional information on any of the items, please contact our office.

Absentee Bid Form James D. Julia, Inc. a division of Morphy Auctions

Office Use Only BIDDER #:

Auction Name & Date:

Date:

Employee taking bid:

Abs. Bid

Time: Phone

203 Skowhegan Rd. Fairfield, ME 04937 T: (207) 453-7125 F: (207) 453-2502 email to bid@jamesdjulia.com

Both

Auth: RFC#:

Name Business Address Address City State Country Postal Code Email Phone 1 Phone 2 Cell Fax Credit Card # Exp. Date

Office Use Catalog Number

Description

Terms. In addition to the terms contained in this Absentee Bid Form, the Conditions of Sale and the Absentee Bid Conditions set forth in the catalog for this auction (online and printed versions) are incorporated by reference, just as though fully set forth herein. Payment. Payment for all items purchased is due upon the earlier of (a) 15 days from the date of auction or (b) upon receipt of invoice. If payment is not made within 15 days of the date of the auction, James D. Julia, Inc. is hereby authorized to charge my credit card for the total purchase price together with the applicable Buyerâ&#x20AC;&#x2122;s Premium and any accrued interest. Interest shall accrue on all amounts due at the rate of 1.5% per month (18% annually). I desire to bid on the following items in the sale. The bids are to be executed by James D. Julia, Inc. up to, but not exceeding the amount(s) specified on the below bids.

Bid Amount

Cover or +1

Office Use

Please make sure your bid sheet is received by Julia's no later than 4:00 p.m. EST the day before the auction. If you are an international bidder or first time bidder, please allow two additional business days to establish your account with Julia's.

Signature of bidder

Date 499

rev. 01-05-18

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BIDDER #: Office Use Catalog Number

Description

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Bid Amount

500

Cover or +1

Office Use

Lot 2173

James D. Julia, Inc., a division of Morphy Auctions 203 Skowhegan Road, Fairfield, ME 04937 (207) 453-7125 | www.jamesdjulia.com