James D. Julia's Fine Art, Asian & Antiques Auction 08 17 by James D. Julia Auctioneers

James D. Julia, Inc. presents 3-Day Summer Fine Art, Asian & Antiques Auction August 16, 17 & 18, 2017

Lot 1040

Lot 2207 1

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James D. Julia, Inc. Presents: 3-Day Summer Fine Art, Asian & Antiques Auction August 16, 17 & 18, 2017 Auction Wednesday, August 16th at 10:00 a.m. Thursday, August 17th at 10:00 a.m. Friday, August 18th at 10:00 a.m. Preview Tuesday, August 15th, 9:00 a.m.–5:00 p.m. Wednesday, August 16th, 8:00–10:00 a.m. Thursday, August 17th, 8:00–10:00 a.m. Friday, August 18th, 8:00–10:00 a.m. There will also be preview during each auction session Special preview can be arranged by appointment

U.S. Marines strongly storming Chapultepec castle under a large American flag Front Cover: Lot 2011, Presentation Sword to Nantucket Native Major Moses Barnard, Hero of the Battle of Chapultepec. See pages 274-275 Back Cover: (clockwise) Lots 2149, 1340, 2084 & 3608 203 Skowhegan Road Fairfield, Maine USA 04937 P: (207) 453-7125 F: (207) 453-2502 antiques@jamesdjulia.com www.jamesdjulia.com Contacts: Bill Gage, Tony Greist, Katya Tilton or Megan Noyes Directions: Exit 133 off I-95, 1 mile North on US Route 201 Catalogs: $35 All catalogs are shipped U.S. Priority Mail. If you wish to have FedEx Next Day add $17; FedEx 2nd Day add $14. Outside North America, add $75 for shipping Prices realized are included and will be mailed approximately 2-3 weeks after the auction Auctioneer: James D. Julia | ME License: AR83/MA License: 1406/NH License: 2511 3

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Lot 1255 Visit www.jamesdjulia.com for more information

Administration, Staff & Experts Administration & Staff:

Boston Office:

President & Auctioneer James D. Julia Vice President Sandy Julia Executive Assistant to the President Nancy Turcotte-Noonan Chief Executive Officer Mark Ford Executive Assistant to the CEO Sharon Bemis Marketing Director Scott Wentzell Operations Manager Gabe Wiegand Controller, Human Resources Tim Dean Accountant Callie Soule Credit and Collections Melanie DiFloures Firearms Sales Representatives Tony Wilcox, Jeremy Hatch Firearms Senior Consultant & Sales Representative Wes Dillon Firearms Administrative Manager Tara Schmitt BATF Compliance/Inventory Manager & Class 3 Specialist John Keene Firearms Administrative Assistants Chelsea Semple, Nell Inman Fine Art, Asian & Antiques Department Head Bill Gage Fine Art, Asian & Antiques Assistant Department Head Tony Greist, Katya Tilton Fine Art, Asian & Antiques Administrative Manager Megan Noyes Rare Lamps, Glass & Fine Jewelry Department Head Mike Fredericks Rare Lamps, Glass & Fine Jewelry Administrative Manager Julie Killam Graphic Design Lisa Oakes, Lisa Warren Information Technology & Web Development Jeremy Mahns Photography Jack Stepp, Tracy Grover, Katie Luce Shipping Scott Greeley, Ugo Liberti Operations Support Staff Tom Weston, Dave Labbe, Jim Weigel, Brady Inman, Chad Roger Administrative Support Staff Deb Duplisea Receptionist Jessica Greenwell

Department Head-Fine Art, Asian & Antiques Bill Gage Marketing and Business Development Coordinator for the Boston Area Rebekah Kaufman Fine Art Specialist Allyson Lee Asian Art Specialist Joshua Chamberlain

Expert Departments:

Chief Firearms Consultant and Cataloger J.R. LaRue Firearms & Military Consultants & Catalogers Gerald AlFares (military swords, Japanese swords & armor) Leonardo Antaris, MD (European military pistols) Wes Dillon (Sporting Arms) Ron Gabel (Kentucky rifles) Bruce Kauffman (20th C. military) Master Sergeant John Keene (Class 3) Josh Loewensteiner (Sporting Arms) Malcolm MacGregor (Sporting Arms) Doug McChristian (Indian Wars material) Tom Power (American Firearms) George Ruben (Antique & Military European small arms) Dave Sanders (Winchesters, Colts, Sporting Arms) Peter Schmidt (Colonial & Pre-Civil War firearms) John Sexton (Cannons, Civil War & Confederate material) Bill Shea (Nazi military accessories) Brad Simpson (German Military Pistols) Randy Trawnik (Imperial German Headgear) John Wall (Mauser and Mannlicher Bolt Rifles) W. Darrin Weaver (Imperial military) Tony Wilcox (Colts, Winchesters and 19th & 20th century military) Courtney Wilson (Civil War specialist) Charles Woolley (20th C. aviation & military-particularly WWI) Indian Art Objects John Bower Antiques & Fine Art (Furniture, Paintings, Folk Art & Accessories) James D. Julia, Bill Gage, Tony Greist, Don Heller Asian Art & Artifacts Tony Greist, Anthony Wu, Joshua Chamberlain Fine Art Allyson Lee, Katya Tilton, Bill Gage Books Charles Robinson Glass Dudley Browne Paperweights Debbie Tarsitano

James D. Julia, Inc. Offices 203 Skowhegan Road, Fairfield, Maine 04937 P: (207) 453-7125 | F: (207) 453-2502 Office Hours: Monday–Friday, 8:00 a.m. – 5:00 p.m. Telephone answering system after hours The 1790 House 827 Main Street, Woburn, Massachusetts 01801 P: (781) 460-6800 | F: (781) 935-3868 Office Hours: Monday–Friday, please call ahead Telephone answering system after hours 5

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Artist Listing Ahl, Henry 1328 Albert Jr., Ernest 1195 Albitz, Richard 1589 Allen, Junius 1032, 1166, 1231 Amundsen, C. Hjalmar 1116 Arigliano, Guiseppe 1604 Ariza, Gonzalo 1620 Armfield, George S 1350, 1351, 1357, 1358 Armfield, George S (Attr) 1359, 1364 Atwood, Robert 1478, 1482 Avery, Milton 1160 Bacon, Henry 1587 Badger, Solon F.M. 2143 Baker, Elisha T (Attr) 2113 Ballinger, Harry R 1491 Barber, Sam (Samir) 1256 Bareford, David 1125 Barker, J.P. 1353 Basquiat, Jean Michel (Mnr) 1522 Beal, Gifford 1228 Beal, Reynolds 1183 Benn, Ben 1374 Berger, J 1569 Bernstein, Theresa 1247 Berthelsen, Johann 1214, 1216, 1217 Betts, Louis 1250 Blossom, Christopher 2391 Blue, Bob 1104 Blunt, James S 2165 Bollee, Emile 1584 Bonnar, James K 1112, 1193, 1479 Boudreau, Denis 1525 Bower, Alexander 1092 Brackett, Walter M 1071 Bradford, Francis S 1254 Breck, John L (Attr) 1322 Breul, Hugo A 1423 Bricher, Alfred T 1040, 1041, 1043 Bricher, Alfred T (Attr) 1042 Briscoe, Franklin D 1184 Bristol, John B 1321 Brown, Ford M 1420 Brown, John A 1164 Browne, Harry 1585 Bruestle, Bertram 1467 Bruestle, George M 1201 Bryan, Alden 1115 Butler, Howard R 1046 Buttersworth, James E 2240, 2249, 2250 Buttersworth, Thomas 2435 Caples, Robert 1291 Carles Jr., Arthur (Attr) 1508 Carleton, Anne W 1488 Carlson, John F 1311 Caron, Paul 1463 Carpenter, J 2310 Catlin, George (Attr) 1292 Cavallon, Giorgio 1521 Chambers, Thomas 1220 Champney, Benjamin 1161, 1162 Charpentier, Eugene L 1400 Chase, Frank Swift 1190 Cheney, Russell 1171 Choultse, Ivan F 1435 Cirino, Antonio 1105, 1106 Clark, J 2412 Coates, Edmund 1219 Cochran, Allen D 1223

Connaway, Jay Hall 1072, 1073 Constable, John (Mnr) 1417 Cook, Otis P 1099, 1100 Coole, Brian 2390 Coombs, William 1063 Cooper, Thomas S (Style) 1580 Coppedge, Fern I 1192 Corey, Bernard 1206, 1207-1209, 1446-1448, 1534-1536, 1538-1540 Cornoyer, Paul (Attr) 1218 Corot, Camille (Mnr) 1393 Cortes, Edouard 1395 Curtin, Thomas R 1143-1147 Curtis, David 1475 Cuttan, E 2322 Czobel, Bela 1593 Dabo, Leon 1210 Daly, Thomas A 1531 Damrow, Charles 1295 Davis, Charles H 1198 Davis, Jim 1276 Davis, William R 1180, 1205, 1449, 1450, 1504-1506, 1544 De Grailly, Victor (Attr) 1330 De Haas, Mauritz 1501 Dean, Walter L 1487 Degas, Edgar (Attr) 1403 Delius, Louis 1624 Diaz De La Pena, Narcisse (Attr) 1392 Diehl, Arthur V 1270, 1271 Dietrich, Adelheid (Attr) 1422 Domergue, Jean G 1260 Drew, George 1196 Dring, William H 1582 Du Bois, Guy P 1240 Dufy, Raoul 1404 Dumond, Frank V 1272 Dyf, Marcel 1397 Ebert, Charles H 1024, 1035 Egan, Thomas H 2502 Enneking, John J 1176, 1177, 1451-1453 Enneking, Joseph E 1203 Ennis, George P 1025 Etnier, Stephen 1056 Falchetti, Guiseppe 1418 Farndon, Walter 1526 Fisher, Alvan 1329 Fiske, Gertrude 1045 Folinsbee, John 1503 Foster, Ben 1474 Francis, John F 1333 Freedman, Maurice 1241-1243 Frolich, Lorenz 1361 Fromuth, Charles 1498 Gallagher, E 1363 Gisson, A 1542 Gisson, Andre 1263, 1264, 1543 Glackens, William J 1245 Glass, Giorgio 1606 Glidden, Alva 1626 Gonclaves, Gilmar 1621 Goodwin, Arthur C 1141, 1142 Gore, Ken 1091 Graves, Abbott F 1067 Graves, Abbott F (Attr) 1541 Gray, Jack 1074-1076 Gray, Monica (Attr) 1365 Greacen, Edmund W 1259 Green, William B 1114

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Greene, Colin 1360 Greenleaf, Jacob 1170 Griggs, Samuel W 1512, 1160A Gruppe, Charles P 1096, 1098 Gruppe, Emile A 1034, 1077A, 1077B, 1078-1081, 1088, 1093-1095, 1108-1110, 1118-1121, 1158, 1159, 1186, 1224, 1268, 1315, 1316 Hamilton, Edward W D 1197 Handlen, Frank 1625 Hardwick, Melbourne H 1128 Hardy, Anna E 1062 Hardy, Heywood 1340-1342 Hardy, Jeremiah P 2372 Hart, William 1320 Hartley, Marsden 1018-1020 Hayden, Charles H 1199 Hemenway, Alice S 1305 Henner, Jean-Jacques (Attr) 1401 Herbe, A 1619 Heuze, Edmond A 1609 Hibbard, Aldro T 1153-1155, 1168, 1169 Hickok, Conde W 1204 Higgins, George F 1469 Hodgdon, Sylvester P 1137 Hoffman, Harry L 1462 Hondius, Abraham D 1553 Howland, Alfred C 1472 Hunt, Edgar 1579 Hunter, Robert D 1334 Huntington, Christopher 1066 Hutchens, Frank T 1281 Ilsley, Frederick 1038 Innocenti, Camillo G 1419 Jacobsen, Antonio 2170, 2171, 2239 Jacque, Charles E (Attr) 1399 Jacquet, Gustave-Jean 1396 Jenkins, Charles W 3079 John, Augustus E 1252 Johnson Jr., Marshall 1058 Johnson, David 1319 Jones, Francis C (Attr) 1251 Jones, Hugh B 1202 Jones, Paul 1349 Kearns, Stapleton 1064, 1065 Kennedy, Cecil 1414 Kenyon, Henry 1131 Kimbel, Richard 1140 King, Haynes 1577 Kloongian, Harold 1117 Knight, Louis A 1327 Knowles, Jen 1135 Knowles, Ken 1031, 1033, 1123, 1124 Koekkoek, Barend C 1442 Kruslin, Mihovil 1436 Kuehne, Max 1082, 1083 Kyhn, Knud C E 1622 Lalour, Eugene G 1611 Lazell, Blanche 1226 Leekney, Frederick 1586 Leonardi, Achille 1563 Lever, Hayley 1060, 1061, 1101, 1133, 1134, 1138, 1172, 1173, 1225, 1267 Lie, Jonas (Attr) 1466 Lincoln, James S 2397 Lord, Harriet 1129 Luks, George 1215 Macdonal 1607 6

Madden, Jack 2371 Marin, John 1021, 1022 Mario, Alessandro 1511 Maurer, Louis 1279 Mayerhoffer, Johann N 1421 McCord, George Herbert 1323 McGurl, Joseph 1499 McManus, James G 1471 Megargee, Edwin 1366 Meissner, Leo 1305A Melrose, Andrew W 1165 Metsu, Gabriel 1557 Mitchell, Glen 1275 Moore, Robert E 1457 Mora, F Luis 1529 Moran, Percy 1496 Moran, Thomas (Attr) 1294 Morgan, Frederick (Attr) 1415 Morrell, Wayne B 1126, 1130, 1317 Morviller, Joseph 1325 Mulhaupt, Frederick J 1309 Muller, Carl 1595 Murphy, John Francis 1326 Nadeau, Thomas 1048 Nakagawa, Hachiro 1600 Nelson, Robert A 1645 Newell, George G 1459, 1461 Nicholas, Tom 1127 Nicholson, George W 1484 Nieto, John 1373 Norton, William W 2436 Noyes, George L 1132, 1139 Oâ&#x20AC;&#x2122;Cualian, Jennifer 1296 Osborn, James 2417 Osyczka, Bohdan 1023 Owen, Robert E 1187, 1188 Ozanne, Nicolas M (Attr) 1614 Pape, E 1599 Parker, John A 1213 Parsons, Sheldon 1283 Peale, Rembrandt (Attr) 2238 Pearce, Leonard J 2404 Pearson, Marguerite S 1338-1339A Peirce, Alzira B 1011-1014, 1546-1552 Peirce, Waldo 1000-1100 Pellegrin, Honore (Attr) 2418 Pene Du Bois, Guy 1480 Perez, Alonzo 1598 Perry, Robert L 1494 Pertzoff, Constantin 1136 Peters, Carl W 1102, 1103, 1227, 1314, 1443, 1444 Peterson, Jane 1111, 1337, 1533 Phillips, Robert 1528 Pidding, Henry J 1345 Pissaro, Paul E 1402 Plummer, Willis H 1481, 1486 Pollard, James 1355 Porter, Charles E 1335 Post, William M 1200 Prior/Hamblin School 2162 Purdy, Donald R 1257 Quarterly, Arthur 1178 Raeburn, Sir Henry 2290 Ranger, Henry Ward 1485 Ray 1602 Reedy, Leonard H 1289, 1290 Reid, Robert L 1310 Reynolds, Sir Joshua 1576 Rhead, Louis J 1277

Richards, Frederick Debourg 1293 Richert, Charles H 1532 Rideout, Phillip H 1343 Ripley, Aiden L 1059, 1278, 1346 Rivas, Antonio 1605 Rizzi, James 1387-1390 Robinson, William S 1026, 1454, 1455 Rood, Ogden N 1623 Roos, Peter 1212 Roseland, Harry H 1304 Roy, Jamini 1434 Ryder, Chauncey F 1189, 1266, 1282 Saliger, Fritz 1594 Sanderson-Wells, John 1344 Santosh, Gulam R 1433 Sanzio, Raphaello (After) 1568 Schadler, Koo 1258 Schafer, Heinrich 1590 Schelfhout, Andreas 1440 Schnakenberg, Henry E 1167, 1509 Sexton, Frederick L 1194 Seymour, Samuel 2225 Shapleigh, Frank H 1163 Shattuck, Aaron D 1318 Sheppard, Warren 1179, 1181, 1182 Simpson, Charles W 1608 Smillie, George H 1222 Smith, Esther M 1502 Smith, George 1578 Smith, Royall B (Attr) 2116 Smith, Xanthus R 1303 Snyders, Frans (Attr) 1558 Spang, Frederick A 1352 Spencer, Robert 1312 Sprinchorn, Carl 1015-1017 Stahr, Paul C 1274 Steffelaar, Nicholaas 1439 Stephenson, R.R. 1574 Sterner, Albert 1262 Stevens, William L 1030, 1057, 1087, 1107, 1148-1152, 1156, 1157 Steward, Seth W 1027, 1028 Stokes, Stan 1230, 1493

Stoner, Harold G 1280 Streckenbach, Max T 1592 Strisik, Paul 1284, 1336 Stubbs, William P 2137 Styles, Walter 1460 Sully, Thomas (Attr) 1249 Swan, John 1068-1070 Swatland, Sally 1255 Tait, Arthur F (After) 1348 Takamatsu, Jiro 1159A Tamayo, Rufino 1369 Tarbell, Edmund C 1248 Tasker, William 1603 Tate, Gayle B 1507 Terelak, John C 1097 Thieme, Anthony 1036, 1084-1086, 1113, 1269 Thoma, Josef 1588 Thompson, Leslie P 1265 Thon, William 1051 Tiffany 1489 Titus, Earle A 1445 Tompkins, Frank H 1527 Tomson, Clifton 1356 Triscott, Samuel 1037 Tschaggeny, Edmund 1441 Tsvetinovitch 1438 Tyler, James G 1497, 2414 Van Laer, Alexander T 1191 Van Starkenborgh, W T 2454 Van Sweingen, Norma V 1253 Vernet, Claude-Joseph (Foll) 1554 Vickery, Robert 1246 Villon, A 1583 Vinogradov, Sergei A 1437 Von Menzel, Adolph 1596 Voorhees, Clark G 1468 Wagner, Jacob 1456 Walters, Samuel 2226 Warner, Everett L 1229 Warner, Lamont A 1465, 1470, 1473, 1495, 1500 Waugh, Frederick (Attr) 1627

Waugh, Frederick J 1047, 1490 Weaver, Jeff 1077 Weeks, James 1244 Wieghorst, Olaf 1285-1288 Weir, R.H. 2051 Welch, Thaddus 1464 Wengenroth, Stow 1039 Wenglein, Joseph 1617 Wentworth, Murray J 1050 Westchiloff, Constantin 1044 Wheldon, James 2403 Whittredge, Thomas W 1324 Whorf, John 1174, 1175, 1185, 1545, 1537 Wiles, Irving R (After) 1492 Williams, Joyce 1049 Williams, Micah 2271, 2272 Williamson, John 1211 Wilson, Richard (Attr) 1613 Woodward, Mabel 1273 Woodward, Stanley W 1089, 1090, 1122 Wuermer, Carl 1313 Wyant, Alexander H (Attr) 1477 Wyeth, Andrew N 1052, 1053 Zuniga, Francisco 1371 Prints Appel, Karel Basquiat, Jean-M Benton, Thomas H Chagall, Marc Di Cavalcanti, Emiliano Dufau, Clementine H Fazzino, Charles Hutty, Alfred Icart, Louis Kent, Rockwell Le Brun, Charles (After) Miro, Joan Nichols, Dale Orozco, Jose C Picasso, Pablo

1381 1384 1232-1237 1375, 1376 1640 1410 1386 1306, 1307 1638, 1639 1631-1636 1641 1382 1629, 1630 1372 1377, 1378

Skelton, Red Tamayo, Rufino Verner, Elizabeth Q O Warhol, Andy Weber, Max Whistler, James A M Wyeth, Andrew

1385 1370 1308 1384 1380 1628 1055

Photography Eisenstaedt, Alfred Feininger, Andreas Liberman, Alexander Newman, Arnold

1513 1517 1514 1515

Bronze & Sculpture Baur, Theodore Bergman, Franz Bergmann, Franz (Attr) Berjean, P Bolinger, Truman Bourdelle, Emile Antoine Carlier, Emile JN Cartier, Thomas F (After) Chenillon, Jean L (After) Dallin, Cyrus Deihle, Gottlob Flood, Daro Frishmuth, Harriet Gornik, Friedrich Greenough, Richard S Hebert, Pierre E (After) Jackson, Harry A Jahn, Adolf F W Kuaba, Carl (After) Leveque, Edmund LA Lugerth, Ferdinand Peiffer, Auguste J Picasso, Pablo Potvin, Moise Strong-Cuevas, Elizabeth Vonnoh, Bessie O P

1297 1432 1431 1411 1299 1405 1408 1407 1406 1298 1427 1301 1237A 1424 1239 1410 1300 1430 1302 1409 1425 1412 1379 2204 1426 1238

Important Information Regarding Artwork in Our Sales

Size All measurements are made to the nearest 1/4”. Sizes do not include the frame unless specifically stated in the description. Measurements are given with the height preceding the width. 1. Size – All measurements are the actual painting size. Oil on canvas works are measured to the outside of the stretcher; watercolors are to the edge of the paper; oil on board or panel works are to the edge of the board or panel. 2. Image size – Measurements of the image only, not including any margins. 3. Sight size – Measurements of what can be seen without the frame or mat without taking the work apart.

All paintings in this sale are covered under our Limited Guarantee as described in our Conditions of Sale.

Authorship Will be determined in the following ways described in the title of the item: 1. Emile A. Gruppe – In our judgment the work is by the artist and we are guaranteeing the painting for 45 days. 2. Attributed to Emile A. Gruppe – In our judgment the work may be ascribed to the artist on the basis of style. We do not guarantee this work to be by the artist listed even if the painting is signed. 3. School of, Manner of, Studio of, Style of, Follower of and After Emile A Gruppe – We do not guarantee the work to be by the artist even if the painting is signed. 4. Possibly by Emile A. Gruppe – In our judgment the work has the style and qualities of the artist. We do not guarantee this work to be by the artist listed even if the painting is signed.

Titles of Artwork 1. A title in quotations indicates a title provided on either accompanying paper or the work itself. 2. A title without quotations indicates a title assigned to the work by the auction house or third party. Condition As condition is a very subjective determinations, we advise all clients to contact us with any specific questions regarding condition statements about particular works. Unless specifically stated, our conditions do not include the frame. Please contact us if you need frame sizes or condition. 7

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Session 1: Wednesday, August 16, 2017 Session 1

Commencing at approximately 10:00 a.m. Please Read Conditions of Sale Before Bidding Lots 1000–1645

1000. WALDO PEIRCE (American, 1884-1970) “HAUNTED HOMES SURREY” Oil on canvas Housed in a slat wood frame Signed, titled and dated on verso “WPeirce 1939”, inscribed “Property Ellen Peirce” 27-1/4” x 34”. Overall: 27-3/4” x 34-3/4” Provenance: Descended within family of the artist Condition: Surface grime, stretcher marks, tack holes along top and surface scratch upper right 52284-7 (2,000-3,000)

Lot 1000 1001.

WALDO PEIRCE (American, 1884-1970) “BLUE RIBBON DOG SHOW” Oil on board Housed in a mid-century frame signed “Carl Sandelin N.Y.C.’ Signed with initials and dated lower right “WP. 62”, titled and dated on label affixed to verso “13 Feb 1962” and inscribed “Champion Elfinbrook Simon / Mrs. Florence Worcester and daughter Barbara / Wishing Wells Kennels Little Falls, NJ” 16” x 20”. Overall: 23” x 27” Provenance: Descended within family of the artist Condition: Very good, board slightly warped 52284-1 (2,500-4,000)

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Lot 1001

1002. WALDO PEIRCE (American, 1884-1970) “MATERNITY” Oil on canvas Housed in a giltwood frame Initialed lower right “W.P.”, signed and titled on verso “Maternity WPeirce Nov 41”, bears fragment of Mid-Town Galleries label on stretcher Exhibited: “The Saginaw Museum, loan number “L1949.104” 22” x 30”. Overall: 25” x 33-3/4” Provenance: Descended within family of the artist Condition: Surface grime, minor flake losses, otherwise very good 52284-2 (1,500-2,000)

Lot 1003 1004.

WALDO PEIRCE (American, 1884-1970) “THE CLOSSEN BROS’ GEESE, SEARSPORT” Oil on canvas Housed in a contemporary frame with linen liner Signed and dated with initials lower right “WP. ‘70, signed, titled and dated on verso 16” x 20”. Overall: 21” x 25” Provenance: Descended within family of the artist Condition: Canvas loose, buckling along left edge, otherwise good 52284-5 (1,000-2,000)

Lot 1004

1005. WALDO PEIRCE (American, 1884-1970) “EASTER THISTLE” Oil on canvas Housed in a rustic wood frame with gilding and linen liner Signed with initials, dated and inscribed lower right “Easter WP. ‘60”, signed, titled and inscribed on verso “WPeirce Easter Thistle Arizona ‘60” 43-1/2” x 31”. Overall: 52-1/2” x 40-1/2” Provenance: Descended within family of the artist Condition: Very good 52284-8 (4,000-6,000)

Lot 1005 9

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Session 1

1003. WALDO PEIRCE (American, 1884-1970) “PANSIES” Oil on canvas Housed in a contemporary frame with linen liner Initialed and dated lower right “WP. 45”, titled, signed and dated on verso “3 June 46 WPeirce Pansies” 7” x 10”. Overall: 12” x 15” Provenance: Descended within family of the artist Condition: Very good 52284-3 (800-1,200)

Session 1

1006. WALDO PEIRCE (American, 1884-1970) “A DAY IN JULY, SEARSPORT” Oil on canvas Housed in a slat wood frame Signed with initials and dated lower right “WP. ‘68”, signed, titled and inscribed on verso “Daisies and Tanzies and Queen Anne Lace Pour Moi Meme WP.” 43” x 31”. Overall: 43-1/2” x 31-1/2” Provenance: Descended within family of the artist Condition: Very good 52284-6 (3,500-5,000)

1007. WALDO PEIRCE (American, 1884-1970) WALDO AND ERNEST HEMINGWAY OUT SHOOTING Watercolor and ink on paper Housed in a giltwood frame, matted under glass Initialed lower right “WP.” Note: Waldo Peirce and Ernest Hemingway had a lifelong friendship. This was painted when the were working for the American Field Service, where Peirce was an ambulance driver. After WWI, Peirce toured Spain with writer Ernest Hemingway. 11-3/4” x 18-3/4”. Overall: 18” x 243/4” Provenance: Descended within family of the artist Condition: Several spots of discoloration, not examined out of frame 52284-11 (6,000-9,000)

Lot 1006

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Lot 1008 1009.

WALDO PEIRCE (American, 1884-1970) “THE BABY” Oil on canvas Unframed Signed with initials and dated lower left “WP. ‘48” and inscribed center “Karen ‘48”, inscribed, titled and dated on verso “For my little Karen / Pupper / WPeirce 49 The Baby” 22” x 30” Provenance: Descended within family of the artist Condition: Minor surface grime, surface abrasions, otherwise good 52284-9 (1,000-1,500)

Lot 1009

1010. WALDO PEIRCE (American, 1884-1970) NUDE FIGURE ON BEACH Oil on canvas Unframed Initialed and dated on verso “WP. ‘67” 16” x 30” Provenance: Descended within family of the artist Condition: Canvas is detaching from stretcher, surface grime, several pinholes upper left 52284-10 (800-1,200)

Lot 1010 11

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Session 1

1008. WALDO PEIRCE (American, 1884-1970) “SIESTA NEAR THE BROOK” Watercolor on paper Housed in a mid-century white painted wood frame, matted under glass Signed and dated lower left “24 Aug 1949 WPeirce”, titled on Mid-town Galleries label affixed to verso 13-1/4” x 19-1/2”. Overall: 23” x 29” Provenance: Descended within family of the artist Condition: Good, mat has discoloration and spotting, not examined out of frame 52284-4 (1,000-1,500)

Session 1

1011. ALZIRA BOEHM PEIRCE (American, 1908-2010) “CLAM DIGGERS” Oil on canvas Unframed Signed on verso & titled Partial Midtown Galleries label on verso of stretcher 31” x 43” Provenance: Descended through the family of the artist Condition: Some light scuffing, otherwise very good 52193-2 (1,500-2,500)

Lot 1011 1012.

ALZIRA BOEHM PEIRCE (American, 1908-2010) RELICS FROM THE SEA Oil on canvas Unframed Signed lower right “A P 37”; Also signed along side of canvas that wraps around the stretcher “A Peirce Still Life” 31” x 43” Provenance: Descended through the family of the artist Condition: Very good 52193-1 (800-1,200)

Lot 1012

1013. ALZIRA BOEHM PEIRCE (American, 1908-2010) “THE BLACK BARN, 1940” Oil on canvas Unframed Signed lower right “Alzira Peirce 1940”, Inscribed on verso of canvas with title, artist & March, 1940 31” x 43” Provenance: Descended through the family of the artist Condition: Some light chipping & scuffs, edge abrasion, good 52193-3 (800-1,200)

Lot 1013 1014.

ALZIRA BOEHM PEIRCE (American, 1908-2010) NIGHTTIME SHOOTING Oil on canvas Unframed Signed lower right “Alzira Peirce Sept. 1940” 28” x 36” Provenance: Descended through the family of the artist Condition: Right side has chipping, some other light chips, otherwise good 52193-4 (800-1,200)

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Lot 1015 1016.

CARL SPRINCHORN (American, 1887-1971) “LANDSCAPE WITH HEATHER” Oil on canvas Housed in a contemporary wood frame Signed lower right “Carl Sprinchorn”, titled on label affixed to stretcher 24” x 31-1/2”. Overall: 31” x 37-1/2” Condition: Canvas has been cut down, lined and mounted to new stretcher 52287-6 (4,000-6,000)

Lot 1016

1017. CARL SPRINCHORN (Swedish/American, 1887-1971), “MAINE WINTER SCENE” Oil on canvas Housed in a vintage giltwood frame with black paint and white liner Signed lower right “Carl Sprinchorn”, inscribed on stretcher “Carl Sprinchorn” 21-1/2” x 13-1/2”. Overall: 31” x 22-1/4” Condition: Several pinholes along top and 1/8” hole upper left, discolored varnish, otherwise good 52023-1 (1,500-2,500)

Lot 1017 13

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Session 1

1015. CARL SPRINCHORN (American, 1887-1971) HUNTER AND DEER Oil on canvas, circa 1950 Housed in a carved wood frame with white painted liner Estate stamped on stretcher, titled and attributed on label affixed to stretcher, bears several labels on frame including O’Farrell Gallery, Brunswick, Maine and Bates College Exhibited: Bates College, “Carl Sprinchorn: King of the Woods”, June 7-August 23, 2002” 30” x 24-1/4”. Overall: 39-1/2” x 34” Condition: Very good with minor touch-up and several small losses 52287-7 (4,000-6,000)

Session 1 1018.

MARSDEN HARTLEY (American, 1877-1943) “SUMMER HAZE” Oil on board Housed in a contemporary silver painted wood frame, matted under glass Signed lower right “Marsden Hartley”, labels on verso include Bates College Longterm Loan label, Sidney Osbourne Collector’s label with provenance history and conservation label from Jennifer McLaughlin, dated 1999 Exhibited: Bates College, exhibited as “Afternoon Haze, 1907”, April 13, 2000June 30, 2001; Georgetown Historical Society, “Georgetown Goes Modern” June 25-September 10, 2011 10” x 11”. Overall: 17-1/2” x 18-3/4” Provenance: Mr. Sidney Osbourne, New York and Ontario; Gerald F. Vulker, Ontario; by descent to Mylene Vulker Barre, Ontario; Christopher Huntington, Maine Condition: Very good 52286-1 (25,000-40,000)

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Lot 1019

1020.

MARSDEN HARTLEY (American, 1877-1943) “ALPINE MOTIVE” Ink on paper Housed in contemporary giltwood, frame matted under glass Signed and dated “Marsden Hartley Oct 27. 33.”, titled on several labels on verso, provenance listed on Eva Lee Gallery, Great Neck, New York label affixed to verso Exhibited: Corcoran Gallery of Art, “Fifteenth Anniversary of the Friends of the Corcoran”, March 19-April 11, 1976 10” x 7”. Overall: 22” x 18” Provenance: Marsden Hartley Estate, #457-A; Paul Rosenberg Gallery, Chidsey Collection #434; Mr & Mrs Frank M. Ewing Condition: Paper has been mounted to backing board in four corners, minor discoloration, otherwise good 52287-10 (4,000-8,000)

Lot 1020 15

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Session 1

1019. MARSDEN HARTLEY (American, 1877-1943) “SELF-PORTRAIT” Graphite on paper, circa 1908 Housed in a modern silver decorated wood frame with linen mat under glass Unsigned, titled on Babcock Galleries, New York label affixed to verso with inventory number “17238”, also bears Lepore Fine Arts label 11-3/4” x 8-3/4”. Overall: 22-1/2” x 19-1/2” Condition: Several small holes and restoration upper right corner in small area long right edge. Fox mark in figure, not examined out of frame 52287-9 (5,000-10,000)

Session 1 1021.

JOHN MARIN (American, 1870-1953) “WHITE MOUNTAIN COUNTRY #34” Watercolor on paper Housed in a silver gilt wood frame under glass Signed and dated lower right “Marin ‘27”, stamped on verso “property of the artist”, alternate title listed on The Downtown Gallery, New York label affixed to verso “# 34 - Franconia Range - Mountain and Fir Tree”, also bears exhibition labels from several museums and galleries. Exhibited: An American Place, New York as “Mountain and Fir White Mountain Country”; The University of Arizona, Tucson, “John Marin, 18701953”, February 9 - March 10, 1963”; The Santa Barbara Museum of Art, “Three Young Collections,” as “Fir Tree” January 15 - February 26, 1967. 16-1/2” x 21-3/4”. Overall: 23” x 27-1/4” Provenance: Collection of Andre Previn; Sotheby’s, New York, December 4, 2002; Private Maine collection Condition: Overall good condition, with paper mounted to mat board and framed with full sheet visible and paper cockling 51653-1 (40,000-60,000)

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Session 1 1022.

JOHN MARIN (American, 1870-1953) “MARIN ISLAND NO. 1, SMALL POINT-MAINE” Watercolor on paper Housed in a giltwood frame, matted under glass Signed lower right “Marin 26”, titled and dated on verso with dedication “To J. Meier-Graefe, with cordial greetings from John Marin...as a souvenir of the first American trip. Alfred Steiglitz...March 5, 1928, New York Room 308.”, bears Portland Museum of Art exhibition label and Andre Cheneu, Paris label on verso Exhibited: Portland Museum of Art, “Maine Modern: Art in Seguinland, 19001940”, June 4th-September 11th, 2011. 14 x 18-1/4”. Overall: 22-3/4” x 26-3/4” Provenance: Julius Meyergrefe, Esq., 1928 (gift from Alfred Steiglitz); Sotheby’s, New York, May 21, 2009, Lot 78 (according to the Sotheby’s catalog description, this lot has been authenticated by Norma Marin, the artist’s daughter-in-law); A private Maine collection Condition: Small pinhole lower left, several faint fox marks, otherwise good, not examined out of frame 51653-2 (40,000-60,000) 17

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Session 1

1023. BOHDAN OSYCZKA (American, 1932-1985) MONHEGAN Watercolor on paper Housed in contemporary silver wood frame, matted under glass Signed lower right “Osyczka” 21-3/4” x 29-3/4”. Overall: 29” x 37” Condition: Very good, not examined out of frame 52113-3 (2,000-4,000)

Lot 1023

1024.

CHARLES HENRY EBERT (American, 1873-1959) MONHEGAN Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Ebert” 25” x 30”. Overall: 33” x 38” Condition: Very good to excellent 52208-23 (8,000-12,000)

Lot 1024

1025. GEORGE PEARSE ENNIS (American, 1884-1936) “BUSY HARBOR DAY” Oil on canvas Housed in a fine replacement carved gilt wood frame Signed lower left “Ennis” 16” x 20”. Overall: 23” x 27” Condition: Some discolored varnish, light craquelure, otherwise very good 52320-2 (4,000-6,000)

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Session 1 1026.

WILLIAM S ROBINSON (American, 1861-1945) MONHEGAN Oil on canvas Housed in a fine carved and gilt modern wood frame Signed “Wm S. Robinson 1912” 40” x 50”. Overall: 47” x 57” Condition: Very good with some inpainting, lined 52208-3 (8,000-12,000)

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Session 1

1027. SETH W. STEWARD (American, 1844-1927) MONHEGAN COASTLINE Oil on canvas Housed in a vintage gold-tone wood frame Signed and dated lower right “S.W. Steward-1916-” 12” x 22”. Overall: 16” x 25-3/4” Condition: Minor surface grime, several spots of touch-up along top, shrinkage cracks lower left, area of touch-up in hills 52147-2 (1,500-2,000)

Lot 1027 1028.

SETH W. STEWARD (American, 1844-1927) “FERRY ENTERING MONHEGAN HARBOR” Oil on canvas Housed in a vintage gold-tone wood frame Signed and dated lower left “S. W. Steward-1914-”, titled on top stretcher 15” x 24”. Overall: 20” x 29” Condition: Surface grime, otherwise good 52147-1 (2,500-4,000)

Lot 1028

1029. UNSIGNED (American, 19th Century) PAIR OF PRIMITIVE LAKE SCENES Oil on canvas Housed in fabulous identical gilt gesso flower decorated frames Unsigned One appears to depict Mt. Kineo on Moosehead Lake; the other possibly a different view with town at distant shore 9” x 18”. Overall: 14-1/2” x 23-1/2” Condition: Very good 52373-2 (800-1,200)

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Lot 1030 1031.

KENNETH KNOWLES (American, 1968-) “WINTER HARBOR” Oil on canvas Housed in a modern gilt frame Signed lower left “Ken Knowles”; Also titled, signed & dated “08” on verso 24” x 30”. Overall: 31” x 37-1/2” Condition: Very good to excellent 52385-1 (3,000-5,000)

Lot 1031

1032. JUNIUS ALLEN (American, 1898-1962) BOATYARD MAINE Oil on canvas board Unframed Unsigned 16” x 20” Condition: Very good 52208-21 (2,500-3,500)

Lot 1032 21

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Session 1

1030. WILLIAM LESTER STEVENS (American, 1888-1969) LONE BIRCH BESIDE A LAKE Oil on canvas Housed in a carved giltwood frame Signed lower right “W. Lester Stevens.”, McClees Galleries, Pennsylvania label affixed to frame 40” x 32”. Overall: 44-1/2” x 36-1/2” Condition: Very good, craquelure arrested by lining, scattered restoration in sky 52275-1 (3,000-5,000)

Session 1

1033. WILLIAM LESTER STEVENS (American, 1888-1969) PANORAMIC NEW ENGLAND VIEW WITH LAKE Oil on canvas Housed in a modern giltwood frame Signed lower right “W Lester Stevens.” 32” x 40”. Overall: 38” x 45-3/4” Condition: Very good, lined with minor re-touch along edges, 8” vertical band of restoration in sky 52275-2 (3,000-5,000)

Lot 1033

1034.

EMILE ALBERT GRUPPE (American, 1896-1978) “SHORELINE WAVES” Oil on canvas Housed in a silver painted wood frame Signed lower right “Emile A. Gruppe” 24” x 36”. 27-12/2” x 39-3/4” Condition: Very good 52234-4 (2,500-4,000)

Lot 1034

1035. CHARLES HENRY EBERT (American, 1873-1959) COASTAL WAVES Oil on canvas Housed in a fine carved & gilt wide wood frame Signed lower right “Ebert” 25” x 36”. Overall: 32-3/4” x 44” Condition: Wax lined, scattered touch up mostly to edges, otherwise very good 52208-8 (3,000-5,000)

Lot 1035 Visit www.jamesdjulia.com for more information

Session 1 1036.

ANTHONY THIEME (American, 1888-1954) “MORNING EASTPORT, MAINE” Oil on canvas Housed in a modern giltwood frame Signature incised in paint lower right “A Thieme”, titled on Connecticut Academy of Fine Arts exhibition label affixed to verso Exhibited: The Connecticut Academy of Fine Arts, “Twentieth Annual Exhibition 1930”, No. 79 25” x 30”. Overall: 33” x 88” Condition: Good restored condition, lined, restoration throughout sky and scattered in several other areas 52099-44 (12,000-18,000)

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Session 1

1037. SAMUEL TRISCOTT (American, 1846-1925) FOGGY DAY MAINE COAST Watercolor Housed in simple giltwood frame, under glass Signed lower left “S.P. Rolt Triscott” Sight: 13-1/2” x 10-3/4”. Overall 15-1/2” x 12-3/4” Condition: Discoloration along bottom, foxing throughout sky 52059-1 (1,000-2,000)

Lot 1037 1038.

FREDERICK J. ILSLEY (American, 1855-1933) “LIFTING FOG, MONHEGAN ISLAND” Oil on canvas Housed in a contemporary silver giltwood frame Signed and dated lower right “FJ. Ilsley 1929.”, dedicated on verso “To my friend Scott H. Gordon / Fred-J. Ilsley” 17” x 22”. Overall: 22” x 27-1/2” Condition: Very good 52099-18 (800-1,200)

Lot 1038 1039. STOW WENGENROTH (American, 1906-1978) “MONHEGAN, MAINE” Ink on paper Housed in a modern distressed wood frame, matted under glass Signed lower right “Stow Wengenroth”, inscribed on verso “Original drybrush drawing for lithograph ‘Monhegan, Maine’ (Nov. 1938)” Exhibited: Rockport Art Association, “Paul Strisik: The Artist and his Collection,” October 4 -November 16, 2014 17-1/2” x 22-1/2”. Overall: 28-1/2” x 33” Provenance: Collection of Paul Strisik, Rockport, MA Condition: Good with some toning to paper, not examined out of frame 51959-1 (2,000-3,000)

Lot 1039 Visit www.jamesdjulia.com for more information

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1040.

ALFRED THOMPSON BRICHER (American, 1937-1908) “NEAR YORK BEACH, MAINE” Oil on canvas Housed in a period carved giltwood frame professionally restored, stretchers bear metal plates dated 1883-1885, Signed with monogram lower right “ATBricher”, bears Vose Galleries label affixed to backing board with inventory number 35067, conservation label from Fogg Art dated 2011, and frame bears “Wm. H. Stadden, Springfield, Mass” label Literature: Gill’s Twenty-Sixth Annual Exhibition of Original Paintings, Stadden’s Art Galleries, Springfield, Mass, 1903, illustrated pg 15 Note: Provenance information and conservation report accompany this lot 18” x 36”. Overall: 31” x 52” Provenance: Stadden’s Art Galleries, Springfield, Mass., c. 1903; Collection of Mr. and Mrs. Sumner Brown; by descent to son Roland B. Brown; Estate of Roland B. Brown being sold unreserved Condition: Very good, craquelure arrested by wax lining, small area of in-painting in sky and clouds 51952-1 (40,000-60,000)

Session 1

1041. ALFRED THOMPSON BRICHER (American, 1837-1908) “SUMMER DAY, OCEAN COVE” Watercolor on paper Housed in a gold painted wood frame under glass Signed with monogram lower left “ATBricher”, bears J.Somach, Staten Island label on verso, inscribed on verso frame “Bricher was a neighbor of ours on Staten Island/...we bought these painting from Mrs. Bricher about 1946 - M.R. (Madelyn Roberts)” Sight: 17-1/2” x 23-1/2”. Overall: 20-1/4” x 26-1/4” Condition: Appears to be in overall good condition, some fading 51855-2 (1,500-2,500)

Lot 1041 1042.

ATTRIBUTED TO ALFRED THOMPSON BRICHER (American, 1837-1908) SAILING ALONG THE COAST OF MAINE Oil on canvas Housed in a fine reproduction antique style gilt frame with name plaque Unsigned 24” x 42”. Overall: 31” x 49” Condition: Lined, some spot inpainting, under blacklight the lower right corner shows “T Bricher” 52350-1 (5,000-10,000)

Lot 1042 1043. ALFRED THOMPSON BRICHER (American, 1837-1908) CRASHING WAVES ALONG THE COAST Oil on board Housed in an early 20th century giltwood frame Signed lower right “ATBricher”, fragment of a Jon Taner art consultant label affixed to paper backing 9-3/4” x 22”. Overall: 18-1/2” x 30-1/2” Condition: Frame abrasion right edge and minor warping to board, otherwise very good 52099-50 (3,000-5,000)

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Session 1 1044.

CONSTANTIN ALEXANDROVITCH WESTCHILOFF (American, 1877-1945) “CAPE ELIZABETH” Oil on canvas Housed in its original gesso decorated gilt wood frame Signed and inscribed lower left “C. Westchiloff - Maine-”, titled lower right “Cape Elizabeth-” 37” x 48” (94cm x 122cm). Overall: 43” x 54-1/2” (109cm x 138cm) Condition: Very good with discolored varnish layer, lined 52280-1 (8,000-12,000)

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Session 1 1045.

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GERTRUDE FISKE (American 1878-1961) “THE OLD COVE, OGUNQUIT” Oil on canvas Housed in a carved giltwood frame Signed lower right “Gertrude Fiske”, titled on paper nailed to stretcher 24” x 30”. Overall: 28-3/4” x 38-1/2” Provenance: Descended through the family of the artist Condition: Very good, with minor surface dirt 52002-1 (10,000-15,000)

Lot 1046 1047.

FREDERICK J. WAUGH (American, 1861-1940) “COAST NEAR PORTLAND, MAINE” Oil on board Housed in a vintage gold painted wood frame Signed lower right “Waugh”, titled on Grand Central Art Galleries, Inc., New York label affixed to verso, inventory number “A7375”, also inscribed on verso “Coast Near Portland Maine / Gerald J. Foley” 25” x 30”. Overall: 25-1/2” x 34-1/2” Condition: Minor surface grime, scattered re-touch to rocks and possible restoration in sky. Frame has paint losses 52275-6 (1,000-2,000)

Lot 1047 1048. THOMAS NADEAU (American, 20th century) “EARLY MORNING” Oil on canvas Housed in a paint decorated wood frame Signed lower left “Thomas Nadeau”, titled on stretcher and inscribed “Early Morning” (Corn Crib) / Scene: Top Knot Farm, Middle Road, Cumberland, ME. / painted by Thomas Nadeau / purchased from the artist by Mr & Mrs F. P. Rice, July 15, 1974” 28” x 32”. Overall: 31-1/4” x 35-1/2” Condition: Very good with scattered restoration in white pigment, area of discoloration upper left 51995-1 (3,000-5,000)

Lot 1048 29

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Session 1

1046. HOWARD R. BUTLER (American, 1856-1934) “BALD HEAD CLIFF, OGUNQUIT MAINE” Oil on canvas Housed in a vintage giltwood frame Signed lower right “H.R. Butler” titled on artist’s label affixed to stretcher with alternate titles “Stormy Sea/ Moonlight with Single Star” 25” x 32”. Overall: 32” x 37-1/4” Condition: Craquelure in sky, restoration along edges and scattered throughout sky, otherwise good 52077-2 (3,000-5,000)

Session 1

1049. JOYCE WILLIAMS (American, 20th Century) “NEW ENGLAND SPRING” Watercolor Housed in a modern copper gilt frame with double mats behind glass Signed lower right “Joyce Williams, AWS, NWS” Sight: 21-1/4” x 29”. Overall: 31” x 38-1/2” Condition: Very good to excellent 52157-5 (500-1,000)

Lot 1049

1050.

MURRAY JACKSON WENTWORTH (American, 1927-2008) FIRST SNOW, MAINE LANDSCAPE Watercolor Housed in a decorative wood frame with double mats behind glass Singed lower right “Murray Wentworth N.A.” 15” x 22”. Overall: 25-1/2” x 32-1/2” Condition: Very good 52188-19 (600-800)

Lot 1050

1051. WILLIAM THON (American, 1906-2000) “COMING TO PORTLAND” Watercolor on paper Housed in a grey washed wood frame, matted under glass Signed lower right “Thon” 9-3/4” x 13-3/4”. Overall: 18-1/4” x 22-1/4” Condition: Very good, sheet has been affixed to mat backing, framed in full view 52099-49 (1,000-1,500)

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Session 1 1052.

1053.

ANDREW NEWELL WYETH (American, 1917-2009) MANUSCRIPT TWO PAGE AUTOGRAPHED LETTER AND ORIGINAL SKETCH. Ink on paper. Unframed. An original signed letter from Andrew Wyeth to Mr. Fisher dated Dec 8, 1946 from Chadds Ford PA. In the letter, the artist described the subject he has chosen for the British history series. He enclosed with the letter a sketch of the ship Vanguard to which he inscribes “Where Nelson is standing on his ship the Vanguard in my painting.” 10-1/2” x 7-1/4”. Provenance: Jenkins & Company, Texas, c. 1980 (Americana Specialists); Glenn Crain, Texas Private Collector; Randall House Books, Santa Barbara, CA ABAA; Doe Run Valley Books, Chadds Ford, PA. Condition: Very good, the letter has two punch holes along top. 51987-2 (6,000-10,000)

Lot 1052

ANDREW NEWELL WYETH (American, 1917-2009) COLLECTION OF FIVE SIGNED PRINTS. All five housed in modern wood frame, matted under glass. 1) “COOT HUNTER” (No. 1056), color print published by the Art Institute of Chicago, copyright Aaron Ashley Inc., Yonkers, N.Y., with original ink signature lower right “Andrew Wyeth”. The following four bookplates include Certificates of Authenticity signed by Lee Conklin. 2) “HELGA WITH TREE”, bookplate with pencil sketch remarque, signed lower right, “Andrew Wyeth”. 3) “THREE HUNTERS”, bookplate, signed lower right “Andrew Wyeth”. 4) “THE LAST OF AUTUMN”, bookplate, signed lower right “Andrew Wyeth”. 5) “PIRATES”, bookplate, signed lower right “Andrew Wyeth”. This lot is accompanied by a 1942 edition of American Artist, featuring a young Andrew Wyeth on the cover. The edition includes an illustration of “COOT HUNTER”. Size: 1) Plate: 17-3/4” x 291/2”. Overall: 28” x 39-1/2”. 2) Plate 6-1/2” x 5”. Overall: 15” x 131/2”. 3) Plate: 4-5/8” x 6-1/2”. Overall: 17” x 18-1/4”. 4) Plate: 6-1/4” x 8-1/2”. Overall: 18-3/4” x 20-3/4”. 5) Plate: 10” x 7”. Overall: 22-3/4” x 19-1/2”. Condition: 1) Very good. 2) Creases to paper. 3) Good. 4) Very good. 5) Very good. 51987-1 (3,000-5,000)

Lot 1053

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Session 1

1054.

TWO VOLUME LIMITED EDITION AUTOGRAPHED SET OF ANDREW WYETH BOOKS “CHRISTINA’S WORLD” AND “WYETH AT KEURNES”. Betsy James Wyeth. Christina’s World and Wyeth at Keurnes, Boston: Houghton Mifflin Company 1982; each copy is signed by the artist, Andrew Wyeth, and the author, Betsy James Wyeth, and numbered “166” from an edition of 200; 1st edition, quarto, halfbound in calf leather and white cloth with gilt lettering, including original slipcase SIZE: 13-1/2” x 10-3/4” x 3-1/4”. CONDITION: Books are in excellent condition, the slipcase has soiling and discoloration. 51987-3 (850-1,400)

Lot 1055 (partial lot)

1056.

1055. ANDREW NEWELL WYETH (American, 1917-2009) LOT OF ITEMS PERTAINING TO ANDREW WYETH. 1) Portfolio “Four Seasons Lot 1054 (w/cu's) Twelve Reproductions of Andrew Wyeth’s Work” 8 present, 2 black & white and 6 in color, with introductory page & outside portfolio cover 2) Book “Wondrous Strange, the Wyeth Tradition” inscribed on title page and signed “Jamie Wyeth Sept 26th 1998”. 3) Bronze medallion “Andrew Wyeth” dated 1988. 4) Small brochure from Macbeth Gallery, 1945 exhibit of Andrew Wyeth. 5) Letter involving an Andrew Wyeth painting being submitted by the catalog raisonné. 6) Pencil drawing of a boy fishing, possibly signed lower right “AW” with a date. The drawing is on letterhead belonging to Mrs. George C Sparks of Media, PA. Along with an envelope containing 3 sporting prints & a New Orleans print. CONDITION: Generally very good; Portfolio having some damage to cover, prints are very good. 51864-1 (800-1,200)

STEPHEN ETNIER (American, 1903-1984) BUOY Oil on canvas Housed in a mid-century giltwood frame with linen liner Signed and dated lower right “Stephen Etnier 56” 16” x 24”. Overall: 26-1/2” x 341/2” Condition: Very good with minor surface grime 52113-1 (3,000-5,000)

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1058.

Lot 1057

MARSHALL JOHNSON, JR. (American, 1850-1921) “OFF MOUNT DESERT, MAINE” Oil on canvas Housed in a modern giltwood frame Unsigned, titled on inventory label affixed to verso with date “circa 1875” and note stating “Frost and Adams stretcher Boston, Johnson lived at 12 West Boston exhibited National Academy 1887, Number 85” Lot is accompanied by paper relating to Johnson’s addresses 18” x 30”. Overview: 25-1/4” x 37” Condition: Good restored condition, lined with re-touch upper right and two restored tears in center 52275-5 (2,000-4,000)

Lot 1058

1059. AIDEN L. RIPLEY (American, 1896-1969) ALONG THE MAINE COAST Watercolor on paper Housed in a painted wood frame Signed lower left “A. Lassell Ripley A.N.A. “ Sight: 18-1/4” 29”. Overall: 27-1/2” x 38-1/4” Condition: Very good, minor mat burn and pinholes in four corners, not examined out of frame 52102-14 (2,000-4,000)

Lot 1059 33

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Session 1

1057. WILLIAM LESTER STEVENS (American, 1888-1969) BASS HARBOR HEADLIGHT, MOUNT DESERT, MAINE Oil on canvas Housed in a period gilt molded wood frame Signed lower right “W Lester Stevens, N.A.” Note: This view looks across from the lighthouse to Somes Sound and Mt. Cadillac in the distance 24” x 30”. Overall: 31-1/2” x 37-1/2” Condition: Very good 52225-1 (5,000-7,000)

Session 1

1060. HAYLEY LEVER (American, 1876-1958) COASTAL MAINE SCENE Oil on canvasboard Housed in a fine carved and painted frame with carved and painted liner by Motyka Frames Signed lower right “Hayley Lever” 18” x 24”. Overall: 24-1/2” x 30-1/2” Condition: Very good 52323-1 (2,000-3,000)

Lot 1060 1061.

HAYLEY LEVER (American, 1876-1958) DOCK SCENE Oil on cigar box Housed in a modern ebonized wood frame Signed on verso “Hayley Lever”, panel stamped “LA Libertad Juniors” 4-1/4” x 6”. Overall 9-1/4” x 11” Condition: Good with vertical craquelure and minor flake losses 52099-33 (1,000-2,000)

Lot 1061 1062. ANNA ELIZA HARDY (American, 1839-1934) TWO FLORAL STILL LIFES OF ROSES Oils on board One housed in a giltwood frame, the other in late 19th C mahogany frame Both signed lower right “AE Hardy” 1) Sight 8-1/4” x 10”. Overall 14-3/4” x 16-3/4”. 2) 8” x 10-3/4”. Overall 12” x 14-3/4” Condition: Very good, recently cleaned, minor retouch 52299-1 (400-600)

Lot 1062 1063.

WILLIAM COOMBS (American, 1947-2007) TWO BLUE PERIOD COASTAL LANDSCAPES Oils on board Housed in matching modern wood frames with linen liners 1) Three beached dories, signed lower left “Coombs” 2) Panoramic seacoast village view, signed lower left “William Coombs” 1) 7-1/4” x 9-1/4”. Overall: 12” x 14”. 2) 5-1/4” x 16-1/2”. Overall: 10-3/4” x 22” Condition: Both very good 52103-13 (600-900)

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Lot 1063

Lot 1064

1065.

STAPLETON KEARNS (American, 1952-) “ORLAND, MAINE” Oil on board Housed in a contemporary giltwood frame Signed lower left “Stapleton Kearns”, titled inscribed in pencil on paper backing 12” x 16”. Overall: 19-1/4” x 23-1/4” Condition: Very good to excellent 51972-8 (800-1,200)

Lot 1065 1066. CHRISTOPHER HUNTINGTON (American, 1938-) “OLD ORCHARD” Oil on panel Housed in a contemporary giltwood frame Signed and dated with initials lower left “CH 70”, inscribed on verso “Old Oarchard / Mt. Vernon / CL Huntington, bears Frost Gully Gallery, Portland, Maine label on verso 16” x 22”. Overall: 20-3/4” x 26-1/2” Condition: Good with discolored varnish, surface grime and minor flake losses 52279-9 (500-1,000)

Lot 1066 35

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Session 1

1064. STAPLETON KEARNS (American, 1952-) “BLUEBERRY FIELDS”, WALDO COUNTY, MAINE Oil on canvas Housed in a contemporary giltwood frame with linen liner Signed lower left “Stapleton Kearns” 12” x 16”. Overall: 19-1/4” x 13-1/4” Condition: Very good to excellent 51972-7 (800-1,200)

Session 1

1067. ABBOTT FULLER GRAVES (American, 1859-1936) PORTRAIT OF WOMAN IN PINK BONNET Oil in canvas Housed in a modern giltwood frame Signed lower right “Abbott Graves”, bears label on verso backing with number “TL565.5” 18” x 15”. Overall: 23” x 20” Condition: Good restored condition, lined 51653-4 (2,000-4,000)

Lot 1067 1068.

JOHN SWAN (American, 1948-) “THE SALMON GUIDE” Watercolor Housed in a contemporary goldtone wood frame Signed lower left “John Swan” , inscribed on verso “To my good friend Kathy, 2005 John Swan” Literature: Illustrated on page 155 in Joseph D. Bates, Pamela Bates Richards. Fishing Atlantic Salmon: the Flies and the Patterns, Stackpole Books, 1996 Sight: 10 x 16-1/4. Overall: 21-1/2” x 16-3/4” Condition: Very good to excellent 52004-3 (2,000-3,000)

Lot 1068 1069. JOHN SWAN (American, 1948-) “THE RIVER GALE” Watercolor Housed in a contemporary giltwood frame, matted under glass Signed “John Swan ‘96”, inscribed on verso with artist’s name and Portland address and stamped “All rights reserved” Sight: 16-1/4” x 29-1/4”. Overall: 26-1/2” x 39” Condition: Very good to excellent, not examined out of frame 52004-2 (2,000-3,000)

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Lot 1070

1071.

WALTER M. BRACKETT (American, 1823-1919) THE BIG CATCH Oil on canvas Housed in a period giltwood frame Signed and dated lower right “W.M. Brackett 1884”, bears label fragment on stretcher 12” x 20”. Overall: 21” x 29” Condition: Very good, canvas has Boston tabs, minor frame abrasion along edges 52260-3 (1,500-2,500)

Lot 1071

1072. JAY HALL CONNAWAY (American, 1893-1970) “EASTWARD” Oil on Masonite Housed in a carved wood frame with gilt highlights and linen liner Signed lower right “J Connaway”, titled on presentation plaque Exhibited: Rockport Art Association, “Paul Strisik: The Artist and his Collection”, October 4-November 16, 2014” 12” x 17-3/4”. Overall: 17” x 22-3/4” Provenance: Collection of Paul Strisik Condition: Very good to excellent 51959-6 (1,000-1,500)

Lot 1072 37

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Session 1

1070. JOHN SWAN (American, 1948-) “STUDY FOR CAMP FIRE” Watercolor Housed in modern wood frame, matted under glass Signed lower right “John - Swan”, inscribed upper right “Study for Camp Fire Oil ‘93”, signed and dated on verso “John Swan copyright 1997” - and inscribed in ink “To my good friends, the Hermanns, with regards, John” Literature: Illustrated on page 55 in Joseph D. Bates, Pamela Bates Richards. Fishing Atlantic Salmon: the Flies and the Patterns, Stackpole Books 1996 Sight: 7-3/4” x 11”. Overall: 15” x 19” Condition: Very good, not examined out of frame 52004-1 (1,000-2,000)

Session 1 1073.

JAY HALL CONNAWAY (American, 1893-1970) "MOONLIT SEA", MONHEGAN ISLAND Oil on Masonite Housed in a hand-carved Newcomb-Macklin 5" gold leaf finished frame Incised signature lower right "Connaway", titled on verso and inscribed "Property of Leonebel Connaway" and numbered "H22" Note: This painting was created by moonlight with the artist's easel tied to iron pins in the rocky ledge of Monhegan Island. These pins remain in the cliffs there today. Jay Connaway considered this work his moonlight masterpiece Reference: Illustrated on page 10 in the full color catalog Jay Hall Connaway A Major Exhibition of Paintings by an American Master. A copy of this catalog accompanies the painting 26" x 36". Overall: 32-1/2" x 42-1/2" Provenance: Leonebel Connaway, artist's daughter. Condition: Very good to excellent with only a few very minor spots of scattered retouch 52095-2 (15,000-25,000) Visit www.jamesdjulia.com for more information

Session 1 1074.

JACK LORIMER GRAY (American, 1927-1981) FISHERMAN AT SEA Oil on board Housed in an walnut frame with white painted liner Signed lower left “J.Gray” 22” x 30”. Overall: 29” x 37” Provenance: Acquired directly from the artist. Condition: Good, with discolored varnish 52114-1 (30,000-50,000)

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Session 1 1075.

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JACK LORIMER GRAY (Canadian, 1927-1981) “SNOWFALL, WATERFRONT” Oil on board Housed in an unfinished wood frame Signed lower left “Jack L Gray”, titled on verso and inscribed “J.G. #29” 20” x 24”. Overall: 30-1/2” x 26-1/2” Provenance: Acquired directly from the artist Condition: Board slightly warped, otherwise good 52114-2 (25,000-35,000)

Lot 1076

1077.

JEFF WEAVER (American, 21st Century) “THICK O’FOG, GRAND BANKS 2006” Oil on canvas Housed in a modern silver gilt molded wood frame Signed lower left “J Weaver”, also inscribed on reverse with title, artist and date of 2006 24” x 36”. Overall: 301/2” x 42-1/2” Condition: Very good to excellent 52320-3 (10,000-15,000)

Lot 1077 41

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Session 1

1076. JACK LORIMER GRAY (American/Canadian, 1927-1981) “LONE FISHERMAN” Oil on canvasboard Housed in a painted wood frame with two mounting holes Signed lower left “Jack L Gray” Retains “John H. Surovek, Palm Beach, FL” label on verso 22” x 30”. Overall: 27” x 35” Provenance: Private collection, Montreal, Canada, present consignor Condition: Scattered touchup, very good 52102-17 (12,000-16,000)

Session 1

1077A. EMILE A. GRUPPE (American, 1896-1978) "OUT OF PORT, GLOUCESTER" Oil on board Housed in a contemporary silver painted wood frame Signed lower left "Emile A. Gruppe", titled on verso 12" x 16". Overall: 15-/12" x 19-1/2" Condition: Very good 52102-4 (3,000-5,000)

Lot 1077A

1077B.

EMILE A. GRUPPE (American, 1896-1978) "MULLET BOATS" Oil on canvas Housed in a composite wood frame with white liner Signed lower right "Emile A. Gruppe", inscribed on stretcher "44A Mullet boats by Emile A. Gruppe" 20" x 24". Overall: 26" x 30" Condition: Very good with minor craquelure in sky 52102-1 (7,000-10,000)

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Lot 1078

1079.

EMILE ALBERT GRUPPE (American, 1896-1978) “SMITH COVE, GLOUCESTER” Oil on canvas Housed in a Paul Goodnow giltwood frame Signed lower right “Emile A. Gruppe”, titled on verso 25” x 30”. Overall: 35-1/2” x 401/2” Condition: Very good with minor canvas buckle lower half 52099-17 (10,000-15,000)

Lot 1079 43

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Session 1

1078. EMILE ALBERT GRUPPE (American, 1896-1978) “FISHERMAN’S WHARF, GLOUCESTER” Oil on canvas Housed in a contemporary silver giltwood frame Signed lower right “Emile A. Gruppe.”, inscribed on stretcher “Fisherman’s Wharf Gloucester Mass - 1948” 20” x 24”. Overall: 23-1/2” x 27-3/4” Condition: Good, with canvas buckle and minor surface grime 52099-16 (6,000-9,000)

Session 1 1080.

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EMILE ALBERT GRUPPE (American, 1896-1978) “MORNING, SMITH COVE, GLOUCESTER Oil on canvas Housed in a modern giltwood frame with linen liner Signed lower right “Emile A Gruppe”, titled and inscribed on stretcher 25” x 30”. Overall 33” x 38” Condition: Very good 51961-4 (9,000-12,000)

Session 1 1081.

EMILE ALBERT GRUPPE (American, 1896-1978) “MOTIF #1” Oil on canvas Housed in a silver painted wood frame Signed lower right “Emile A. Gruppe” 30” x 36”. Overall: 35” x 41” Provenance: Collection of Shirley Erwin, former owner of the Peg Leg Inn, Rockport, Massachusetts (where the painting hung for many years) Carl W. Stinson, Inc., Reading, Massachusetts, November 25, 2008; Private Collection. Condition: Very good. Double signature with one disappearing 52046-6 (15,000-25,000)

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Session 1 Lot 1082 1082.

MAX KUEHNE (American, 1880-1968) FIRST CONGREGATIONAL CHURCH, ROCKPORT, MASS Oil on Masonite Housed in a modern giltwood frame with linen liner Signed lower left “Kuehne”, Hirschl & Adler Galleries, Inc. label affixed to verso 24” x 30”. Overall: 30” x 37-3/4”. Provenance: The artist’s estate; Hirschl & Adler, New York; Private Collection, Maine; Present consignor Condition: Very good to excellent 52102-15 (8,000-12,000)

1083.

MAX KUEHNE (American, 1880-1968) ARTIST AND BROTHER SAILING Oil on canvas Housed in a mid-century painted wood frame Signed illegibly lower right, signed and dated on stretcher “Max Kuehne 1923” 18” x 15”. Overall: 24” x 21” Condition: Lined with significant restoration 52275-3 (2,000-4,000)

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Lot 1083

Lot 1084

1085.

ANTHONY THIEME (American, 1888-1954) STILL WATER Oil on canvas Housed in a good reeded modern gilt frame with artist place, having title on verso of canvas and numbered “540” Signed lower left “A Thieme” 25” x 30”. Overall: 31-1/2” x 361/2” Condition: Very good with some touch up 52351-4 (5,000-7,000)

Lot 1085 47

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Session 1

1084. ANTHONY THIEME (American, 1888-1954) “NETS AND SAILS” Oil on canvas Housed in a modern partial gilt frame with liner Unsigned, inscribed on back of stretcher “#448 Sardine Boats”, also inscribed on back of canvas “1924 A Nets and Sails $750” 30” x 36”. Overall: 37-1/2” x 43-1/2” Condition: Inpainting, light craquelure, otherwise good 52102-20 (10,000-15,000)

Session 1

1086. ANTHONY THIEME (American, 1888-1954) “BREAKING WAVES” Oil on canvas board Housed in a contemporary giltwood frame Signed lower right “A. Thieme”, titled on presentation plaque on frame, inscribed with alternative title on verso “East Wind” 11-3/4” x 15-3/4”. Overall: 18-1/4” x 22-1/4” Condition: Very good condition 52102-3 (3,000-5,000)

Lot 1086 1087.

WILLIAM LESTER STEVENS (American, 1888-1969) BASS ROCKS, GLOUCESTER, MASS Oil on canvas Housed in a period carved & gilt frame Signed lower right lightly “W Lester Stevens” 20” x 24”. Overall: 23-1/2” x 27-1/2” Provenance: From a private Western Massachusetts Collector Condition: Stable craquelure, stretcher lines, some minor inpainting, otherwise very good 52378-2 (1,500-2,500)

Lot 1087 1088. EMILE ALBERT GRUPPE (American, 1896-1978) “BASS ROCKS” Oil on canvas Housed in a grey painted wood frame with white liner Signed lower right “Emile A. Gruppe”, titled and inscribed on stretcher “Bass Rocks by Emile A. Gruppe 1967” 30” x 36”. Overall: 36” x 42” Condition: Very good to excellent 52234-3 (4,000-6,000)

Lot 1088 Visit www.jamesdjulia.com for more information

Lot 1089 1090.

STANLEY WINGATE WOODWARD (American, 1890-1970) “SURF AT LOBLOLLY COVE” Oil on canvasboard Housed in a silver giltwood frame Signed lower right “Stanley Woodward”, titled on verso and inscribed “Mrs. R. Sawyer 57 Beacon Apt# 5”, frame stamped “reproduction rights reserved by the artist Stanley Woodward” 19-3/4” x 24”. Overall: 24-1/4” x 28-1/4” Condition: Very good 52053-2 (3,000-5,000)

Lot 1090

1091. KEN GORE (American, 1911-1990) BREAKING SURF Oil on Masonite Housed in its original partial gilt molded wood frame with linen liner Signed lower right “Ken Gore” 24” x 30”. Overall: 30-1/2” x 36-1/2” Provenance: From a private Western Massachusetts Collector Condition: Very good 52378-5 (800-1,200)

Lot 1091 49

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Session 1

1089. STANLEY WINGATE WOODWARD (American, 1890-1970) CRASHING WAVE ON ROCKPORT ROCKS Oil on canvasboard Housed in a modern gilt wood frame Signed lower right “Stanley Woodward”, also signed on verso 20” x 24”. Overall: 26” x 30” Condition: Some touch up, very good 52245-2 (1,500-2,500)

Session 1

1092. ALEXANDER BOWER (American, 1875-1952) “THATCHER’S ISLAND LIGHT” Oil on canvas Housed in a naturalistic split log frame Signed lower right “Alexander Bower”, titles on verso of stretcher 18” x 22”. Overall: 21-1/2” x 25-1/2” Condition: Craquelure throughout, otherwise very good 51911-29 (1,500-2,500)

Lot 1092 1093.

EMILE ALBERT GRUPPE (American, 1896-1978) “NYMPH” Oil on canvas Housed in a grey-tone carved wood frame with painted liner Signed lower right “Emile A. Gruppe”, titled on exhibition label affixed to stretcher and inscribed on canvas “Jule” Exhibited: Salmagundi Club, “Summer Exhibition”, 1958 20” x 24”. Overall: 27” x 31” Condition: Very good 52234-5 (4,000-6,000)

Lot 1093 1094. EMILE ALBERT GRUPPE (American, 1896-1978) “WOMAN BY THE STREAM” Oil on canvas Housed in a good gilt molded wood frame Signed lower right “Emile A Gruppe”, On verso is a Rockport Art Association exhibit label October 5- November 23, 2008 “Emile Gruppe Retrospective”, also a Spanierman Gallery label. 24” x 20”. Overall: 28” x 24” Condition: Very good 51911-42 (5,000-8,000)

Lot 1094 Visit www.jamesdjulia.com for more information

Lot 1095

1096.

CHARLES PAUL GRUPPE (American, 1860-1940) NUDE GIRL ON ROCKY COAST Oil on canvas Housed in a carved wood frame with gold wash and linen liner Signed lower right “Chas P. Gruppe” 30” x 20”. Overall: 38-3/4” x 28-1/2” Condition: Good with large craquelure and minor surface dirt 52125-1 (3,000-5,000)

Lot 1096 51

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Session 1

1095. EMILE ALBERT GRUPPE (American, 18961978) “WOOD NYMPH” Oil on canvas board Housed in a contemporary giltwood frame with presentation plaque Signed lower right “Emile A. Gruppe”, titled on a Child’s Gallery label affixed to verso with date of “1922” 12” x 16”. Overall: 171/2” x 21” Condition: Very good with board slightly warped 52138-4 (7,000-10,000)

Session 1

1097. JOHN CHARLES TERELAK (American, 1942-) “BEACH RIDERS” GOOD HARBOR BEACH GLOUCESTER, MA Oil on canvas Housed in a fine gilt wide frame with linen liner Signed lower right “JC Terelak 95” 30” x 40”. Overall: 37-1/2” x 47-1/2” Condition: Very good to excellent 52316-1 (3,000-5,000)

Lot 1097

1098.

CHARLES P. GRUPPE (American, 1860-1940) PLOWING THE FIELD Oil on canvas Housed in a period giltwood frame Signed on lower left “Chas P Gruppe” 14-1/2” x 22”. Overall: 23-1/4” x 30-3/4” Condition: Good restored condition. Two holes repaired in center with inpaint, scattered retouch. Restored in 2016 by the Woodshed Gallery, Franklin, MA 52127-1 (2,000-4,000)

Lot 1098

1099. OTIS PIERCE COOK JR (American, 1900-1980) WINTER MORN, GRANITE PIER, ROCKPORT, MASS Oil on canvas Housed in its original gray painted frame with white liner Signed lower left “Otis Cook” 20” x 24”. Overall: 25” x 29” Provenance: From a private Western Massachusetts Collector Condition: Very good 52378-4 (2,000-4,000)

Lot 1099 Visit www.jamesdjulia.com for more information

Lot 1100

1101. HAYLEY LEVER (American, 1876-1958) "EAST GLOUCESTER, MASS, 1913" Oil on canvas laid on board (artist prepared) Housed in its original composite and giltwood with linen liner and presentation plaque Signed lower left "Hayley Lever", titled on label affixed to verso from "Clayton Laberatore Art Gallery" Board: 13" x 16" Overall: 18-1/4" x 211/4" Condition: Very good 52096-4 (10,000-20,000)

Lot 1101 53

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Session 1

1100. OTIS PIERCE COOK (American, 1900-1980) “GRANITE PIER, ROCKPORT MASS” Oil on canvas Housed in a rustic wood frame Signed lower right “Otis Cook”, titled on stretcher, bears Rockport Art Association Gallery label affixed to verso 20” x 24”. Overall: 26” x 30” Condition: Very good to excellent 51954-5 (1,000-1,500)

Session 1

1102. CARL W. PETERS (American, 1897-1980) ROCKPORT STREET SCENE Oil on canvas Unframed Signed lower right “Carl W Peters”, dedicated on stretcher “Merrie Christmas to Elaine and Don - 1969 from Dad and Blanche”, numbered “111 - A” on verso canvas Note: It appears by the inscription that this painting was originally a gift from the artist and his wife to their oldest daughter, Elaine Peters Woodbury, in 1969. 20” x 24” Provenance: Acquired directly from the family of the artist Condition: Minor surface grime, otherwise very good 51234-2 (1,000-2,000)

Lot 1102

1103.

CARL W. PETERS (American, 1897-1980) GLOUCESTER FISHING BOATS Oil on canvas Housed in a contemporary giltwood frame with linen liner Signed lower right “Carl W Peters” 20 x 24”. Overall: 24” x 28” Condition: Overall good condition with spotty discoloration on verso 51234-8 (2,000-4,000)

Lot 1103

1104. BOB BLUE (American, 1924-2008) “INNER HARBOR, GLOUCESTER” Oil on canvas Housed in a modern giltwood frame Signed lower right “Bob Blue” Note: No. 29 in Bob Blue Retrospective, May 2015 20” x 24”. Overall: 26-1/2” x 30-1/2” Condition: Very good to excellent 52130-1 (2,000-3,000)

Lot 1104 Visit www.jamesdjulia.com for more information

Lot 1105

1106.

ANTONIO CIRINO (American, 1889-1983) “GLITTERING SUN” Oil on board Housed in a contemporary giltwood frame Signed lower left “A. Cirino”, inscribed on verso “December 3, 1976 / Mr. Cirino called at the office today. He said this picture was painted at Lanesville Harbor Cape Anne” 10” x 12”. Overall: 17-1/2” x 19-1/2” Condition: Very good to excellent 52101-5 (1,500-2,000)

Lot 1106 55

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Session 1

1105. ANTONIO CIRINO (American, 1889-1983) MOORED BOATS ALONG ROCKPORT SHORELINE Oil on artist board Housed in contemporary giltwood frame Signed lower left, bears Antonio Cirino’s artist label affixed to verso 9-3/4” x 12”. Overall: 14” x 16” Condition: Very good 51852-5 (1,500-2,000)

Session 1 1107.

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WILLIAM LESTER STEVENS (American, 1888-1969) GLOUCESTER FARM HOUSE WITH STONE WALL Oil on canvas Housed in a substantial carved giltwood frame Signed lower right “W. Lester Stevens. 1921”, bears Vose Galleries label affixed to backing board 42” x 48” Overall 51-1/2” x 57” Provenance: Vose Galleries, Boston, inventory no. 35953 Condition: Very good with minor flake losses. Note: Some areas have canvas showing through which was the intention of the artist while other areas have tiny flake losses that do not distract from the overall image 52099-35 (15,000-25,000)

Session 1 1108.

EMILE ALBERT GRUPPE (American, 1896-1978) SWORDFISH SCHOONERS AT DOCK Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe” 30-1/2” x 25-1/4”. Overall: 39-1/4” x 34-1/4” Condition: Very good restored condition, canvas is lined, scattered re-touch along edges 52100-2 (8,000-12,000) 57

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Session 1 1109.

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EMILE ALBERT GRUPPE (American, 1896-1978) “OLD TIMER” Oil on canvas Housed in its original silver leaf molded wood frame created by the artist Signed lower right “Emile A. Gruppe”, titled on stretcher 36” x 30”. Overall: 40-1/2” x 35” Condition: Very good to excellent 52234-1 (9,000-12,000) 58

Session 1 1110.

EMILE ALBERT GRUPPE (American, 1896-1978) “THE SMELT FISHERMEN” Oil on canvas Housed in a fine wide carved and gilt wood frame with title and artist plaque Signed lower right “Emile A Gruppe” Reference: A smaller sketch for this piece is included in Gruppe’s excellent primer Gruppe On Painting, plate 82 30” x 36”. Overall: 39” x 45” Provenance: From a fine Massachusetts collector Condition: Very good to excellent 52322-1 (10,000-15,000)

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Session 1

1111. JANE PETERSON (American, 1876-1965) FISHING BOAT AT WHARF, GLOUCESTER Gouache Housed in a contemporary giltwood frame, matted under glass Signed lower right “Jane Peterson” 19-3/4” x 27”. Overall: 28-3/4” x 36” Condition: Very good, not examined out of frame 52099-20 (8,000-12,000)

Lot 1111 1112.

JAMES BONNAR (American 1883-1961) “OLD SCHOONER GLOUCESTER” Oil on canvasboard Housed in a modern giltwood frame Signed faintly lower right “Bonnar”, titled on artist’s label attached to verso 20” x 16”. Overall: 23-1/2” x 19-3/4” Provenance: Rockport Art Association, May 5, 2007, Lot 229 Condition: Good, restored with inpainting 51954-6 (800-1,200)

Lot 1112

Lot 1113 Visit www.jamesdjulia.com for more information

1113. ANTHONY THIEME (American, 1888-1954) “THE BREAKERS” Oil on canvas Housed in a whitewashed wood frame Signed lower left “A Thieme”, titled on Robinson Galleries, Inc. label affixed to verso Exhibited: Miami Boat Show Art Exhibit, Robinson Gallery, 1946 25” x 30”. Overall: 32” x 37-1/4” Condition: Good, with discolored varnish upper right 52025-2 (3,000-5,000) 60

Lot 1114 1115.

ALDEN BRYAN (American, 1913-2001) DOCKED BOAT AT SUNSET, GLOUCESTER Oil on Masonite Housed in a modern silver painted wood frame Signed lower left “Alden Bryan” 24” x 20”. Overall: 28-1/2” x 24” Condition: Good with surface grime 52097-4 (600-900)

Lot 1115 1116. C. HJALMAR AMUNDSEN (American, 1911-2001) FISHING TRAWLER AT DOCK Oil on canvas Housed in a modern bronze painted wood frame Signed lower left “J.J. Enwright-” Note: J.J. Enwright is a pseudonym for “Cappie” Amundsen 24” x 30”. Overall: 28-1/2” x 35” Condition: Good with yellowed varnish and craquelure 52099-5 (1,000-1,500)

Lot 1116 1117.

HAROLD KLOONGIAN (American, 1928-2017) GLOUCESTER HARBOR Oil on canvas Housed in a painted molded wood frame with white liner; Titled & signed on verso of stretcher Signed lower right “H Kloongian” 16” x 20”. Overall: 22-1/2” x 26-1/2” Provenance: From a private Western Massachusetts Collector Condition: Very good 52378-1 (300-500) 61

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Session 1

1114. WILLIAM BRADFORD GREEN (American, 1871-1945) “BASS ROCKS” Oil on board Housed in a contemporary giltwood frame Signed lower left “Wm Bradford Green”, inscribed on verso “Bass Rocks Gloucester by Wm Bradford Green” with Academy Board label 8” x 10”. Overall: 11-1/2” x 14-1/2” Condition: Very good to excellent 52146-2 (400-600)

Session 1

1118. EMILE ALBERT GRUPPE (American, 1896-1978) GLOUCESTER DRAGGERS Oil on canvas Housed in a stained wood frame with white liner Signed lower right “Emile A Gruppe”; Also having a biographical page & Rockport Art Association to verso 20” x 16”. Overall: 24-1/2” x 21-1/2” Provenance: From a private Western Massachusetts Collector Condition: Very good 52378-6 (3,000-5,000)

Lot 1118

1119.

EMILE ALBERT GRUPPE (American, 1896-1978) BOATS AT HARBOR Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A. Gruppe” 24” x 20”. Overall: 27-3/4” x 23-1/2” Condition: Very good 52102-2 (6,000-8,000)

Lot 1119 Visit www.jamesdjulia.com for more information

Session 1 1120.

EMILE ALBERT GRUPPE (American, 1896-1978) MORNING PREPARATIONS Oil canvas Housed in a modern giltwood frame Signed lower right “Emile A. Gruppe” Reference: Illustrated in Judith Curtis' article “In the Light of Cape Ann” for the 2017 Cape Ann Plein Air catalog 30” x 36”. Overall: 42” x 48” Condition: Very good to excellent 52100-3 (12,000-18,000)

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Session 1 Lot 1121

1121.

EMILE ALBERT GRUPPE (American, 1886-1978) “THE BAIT DIGGERS” Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Emile A Gruppe” and titled on stretcher 20” x 24”. Overall: 24-1/2” x 29-1/2” Condition: Very good with restored tear with in-paint right center 52077-1 (4,000-6,000)

1122.

STANLEY WOODWARD (American, 1890-1970) “MARSH” Watercolor on paper Housed in a contemporary giltwood frame, matted under glass Signed lower right “Stanley Woodward” and dedicated lower left “To John Kieran, bears Rockport Art Association auction label on verso Exhibited: Rockport Art Association, “Paul Strisik: The Artist and his Collection, October 4-November 16 2014” 11-3/4” x 15-3/4”. Overall: 20” x 23-1/2” Provenance: Collection of Paul Strisik. Condition: Very good, not examined out of frame 51959-4 (500-800)

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Lot 1123 1124.

KENNETH KNOWLES (American, 1968-) “THE GREEN DOOR WITH LILACS Oil on board Housed in a contemporary giltwood frame with linen liner and presentation plaque Signed lower center “Knowles”, titled and signed on verso 10” x 8”. Overall: 15-3/4” x 13-3/4” Condition: Very good to excellent 51852-6 (1,000-2,000)

Lot 1124

1125. DAVID BAREFORD (American 1947-) “SMITH’S COVE VIEW FROM ROCKY NECK, GLOUCESTER” Oil on canvas Housed in a vintage giltwood frame with linen mat Signed lower right “David Bareford”, titled on label affixed to frame 11” x 14”. Overall: 17-1/4” x 20-1/4” Condition: Very good 51991-1 (800-1,200)

Lot 1125 1126.

WAYNE BEAM MORRELL (American, 1923-2013) “SPRING DUCK MARSHES” Oil on Masonite Housed in contemporary gilt wood frame with liner Signed lower right “Wayne Morrell”, inscribed on verso: “One of my finest marsh paintings. / To the Collection of Willard and Muriel Dean / Spring Dark Marshes-1995 by Wayne Morrell”, bears Wayne Morrell Gallery label and Certificate of Authenticity on verso 22” x 28”. Overall: 29” x 35” Provenance: Mr. & Mrs. Willard Dean Condition: Very good to excellent 52245-3 (1,500-2,500)

Lot 1126 Visit www.jamesdjulia.com for more information

Session 1

1123. KENNETH KNOWLES (American, 1968-) “SUNSET SAIL” Oil on Masonite Housed in a modern gilt frame Signed lower left “Ken Knowles”; Also titled, signed & dated “2010” on verso 12” x 16”. Overall: 17-1/2” x 21-1/2” Condition: Very good 52385-3 (1,000-1,500)

Session 1

1127. TOM NICHOLAS (American, 1934-) “ADIRONDACK STREAM” Oil on canvas Housed in a goldtone frame with grey liner and presentation plaque engraved “Lindley I. Dean Memorial Award Rockport Art Association, Rockport Massachusetts 1970” Signed lower left “Tom Nicholas”, titled on Rockport Art Association exhibition label affixed to frame 30” x 40”. Overall: 39” x 49” Condition: Good with several flake losses upper left, minor touch-up upper center 52060-1 (3,000-5,000)

Lot 1127

1128.

MELBOURNE HAVELOCK HARDWICK (American, 1857-1916) DUNES NEAR CRANE BEACH, IPSWICH, MASSACHUSETTS Oil on canvas Unframed Signed lower left “Melbourne H Hardwick 1913” 40” x 50” Condition: Lined with minor spot inpainting, otherwise very good 52123-6 (2,000-4,000)

Lot 1128

1129. HARRIET LORD (American, 1879-1958) IPSWICH MARSHES Oil on canvas Housed in a modern giltwood frame Signed upper left “Harriet Lord” 20” x 24”. Overall: 23-1/2” x 27-3/4” Condition: Canvas has some craquelure and surface grime. Second ghost signature appears upper left 52282-9 (2,250-2,750)

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Lot 1130 1131.

HENRY KENYON (American, 1861-1926) VIEW OF IPSWICH Oil on board Housed in a giltwood frame Signed lower right “Kenyon” and numbered on verso “P636” Note: Most of Kenyon’s works are unsigned. This example shows an unrecorded style signature 10-1/2” x 13-3/4”. Overall: 14-3/4” x 18” Condition: Very good with minor touch-up 52099-9 (1,000-1,500)

Lot 1131

1132. GEORGE L. NOYES (American, 1864-1954) “NEWBURYPORT MARSHES” Oil on canvas Housed in a substantial giltwood and gesso frame with acorn motif Signed and dated lower right “G. L. Noyes -93-” 18” x 24”. Overall: 29-1/2” x 35” Provenance: Private collection, Westchester County, New York Condition: Good restored condition, canvas has been lined to arrest craquelure throughout sky. Frame has minor loss to one leaf 52208-10 (4,000-6,000)

Lot 1132 67

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Session 1

1130. WAYNE MORRELL (American 1923-2013) “SUNLIT IPSWICH WINTER STREAM” Oil on board Housed in contemporary giltwood frame with linen liner Signed lower right “Wayne Morrell”, signed and titled on verso with inscription “To Willard and Muriel Dean / Sept. 1995” 8” x 10”. Overall: 15” x 17” Condition: Very good to excellent 52245-6 (800-1,200)

Session 1 1133.

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HAYLEY LEVER (American, 1876-1958) EASTERN YACHT CLUB REGATTA, MARBLEHEAD, MASS Oil on canvas Housed in a molded wood frame Signed and dated lower left “Hayley Lever 1917”, bears fragments of a Worcester Art Museum label and an exhibition label from the Daniel Gallery, New York 30” x 36”. Overall: 33-1/2” x 40” Condition: Craquelure throughout sky, restoration in several areas mostly along bottom and in center, surface grime 52097-1 (20,000-30,000)

Lot 1134

1135.

KENNETH KNOWLES (American, 1968-) “NANTUCKET STROLL” Oil on Masonite Housed in a modern gilt frame Signed lower right; Titled, signed & dated “2010” on verso 16” x 20”. Overall: 22-1/2” x 26-1/2” Condition: Very good 52385-2 (1,500-2,500)

Lot 1135 69

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Session 1

1134. HAYLEY LEVER (American, 1876-1958) "SUNDAY AFTERNOON STROLL, MARBLEHEAD, MASS 1924" Oil on canvas Housed in its original composite and giltwood frame with linen liner Signed lower right “Hayley Lever” and titled and dated “1924” on lower stretcher 16-1/4" x 20". Overall: 21-1/4" x 25" Condition: Very good with light surface dirt. Upper left corner was not painted by the artist as a result of Plein Air painting 52096-3 (10,000-20,000)

Session 1

1136. CONSTANTIN A. PERTZOFF (Russian/American, 1899-1970) “NANTUCKET-SURF SIDE” Watercolor on paper mounted to board Housed in a simple wood frame with mat without glass Signed lower right “Constantin A. Pertzoff 1930” Also signed and titled on verso with address “70 Hammond St Cambridge” Note: Pertzoff was born in Russia and acquired a degree in architecture from Harvard. He was among the innovative architects who introduced the Modernist style to America Sight 23-3/4” x 19-1/2”. Overall 33-1/4” x 28-1/4” Condition: Good, one scraped area on mat edge 52073-2 (300-500)

1137.

Lot 1136

SYLVESTER PHELPS HODGDON (American, 1830-1906) “WAWINNET INN, NANTUCKET” Watercolor Housed in a wood frame, matted under glass Signed lower right “S.P. Hodgdon.” and titled and dated lower left “Nantucket 90.”, label affixed to verso inscribed “Wawinnet Inn” Note: Built in 1875, the Wawinnet Inn (alternate spelling Wauwinet) is nestled on the northeast shore of Nantucket beside the Coskata-Coatue Wildlife Refuge. The inn was named after the Chief of the Indian tribe that inhabited the eastern section of the island 11-1/4” x 19-1/4”. Overall: 19-1/2” x 27-1/2” Condition: Very good overall with paper toning, not examined out of frame 52094-18 (800-1,200)

Lot 1137

1138. HAYLEY LEVER (American, 1876-1958) “SUMMER COTTAGE AT MARTHA’S VINEYARD” Oil on canvas Housed in a vintage giltwood frame Signed lower right “Hayley Lever”, titled and dated on verso “Summer Cottage at Martha’s Vineyard 1935” 10” x 12”. Overall: 13” x 15-1/4” Condition: Very good with restoration in sky, lined 52046-1 (1,500-2,500)

Lot 1138 Visit www.jamesdjulia.com for more information

Lot 1139

1140.

RICHARD M. KIMBEL (American, 1865-1945) MENDING THE NETS Oil on board Housed in a contemporary giltwood frame Signed lower right “Richard Kimbel.” 13” x 16”. Overall: 16-1/2” x 19-1/2” Condition: Very good to excellent 52088-1 (1,000-2,000)

Lot 1140

1141. ARTHUR CLIFTON GOODWIN (American, 1864-1929) “T-WHARF IN BOSTON HARBOR” Oil on canvas Housed in a fine gilt gesso decorated frame with gilt liner Signed lower right “A.C. Goodwin”, also signed and titled on verso 20” x 26”. Overall: 27-1/2” x 34” Condition: Minor in-paint along edges, canvas is lined, craquelure in sky, otherwise good 51954-8 (2,000-4,000)

Lot 1141 71

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Session 1

1139. GEORGE LOFTUS NOYES (American, 1864-1954) SAILING THE INLETS Oil on canvas Housed in a stained wood frame with painted liner Signed lower right “G L Noyes” 12” x 15”. Overall: 16-3/4” x 19-3/4” Condition: Some small touch ups, very good 52123-5 (800-1,200)

Session 1

1142. ARTHUR CLIFTON GOODWIN (American, 1864-1929) BOSTON HARBOR Pastel Housed in a simple wood frame with mat behind glass Unsigned Sight: 18” x 23”. Overall: 26” x 30-1/2” Condition: Some foxing spots otherwise good 52316-2 (1,000-1,500)

Lot 1142

1143.

THOMAS R. CURTIN (American, 1899-1977) SUGARING TEAM Oil on board Housed in a contemporary giltwood frame Signed lower right “Thos. R. Curtin”, signed on verso 16” x 20”. Overall: 20-1/2” x 24-1/2” Condition: Very good 52237-1 (2,000-3,000)

Lot 1143

1144. THOMAS R. CURTIN (American, 1899-1977) “BIRCHES IN AUTUMN, BAKERSFIELD” Oil on canvas Housed in a modern giltwood frame Signed lower left “Thos. R. Curtin” 24” x 30”. Overall: 31-1/2” x 37-1/2” Condition: Very good to excellent 52237-2 (3,000-5,000)

Lot 1144 Visit www.jamesdjulia.com for more information

Lot 1145

1146.

THOMAS R. CURTIN (American, 1899-1977) “APPLE BLOSSOM TIME” Oil on board Housed in a contemporary giltwood frame with linen mat Signed lower left “Thos R. Curtin”, titled on Paul Strisik Gallery label affixed to verso Exhibited: Rockport Art Association, “Paul Strisik: The Artist and his Collection”, October 4-November 16, 2014” 10” x 14”. Overall: 18-1/2” x 22-1/2” Provenance: Collection of Paul Strisik Condition: Very good to excellent 51959-2 (2,000-3,000)

Lot 1146 73

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Session 1

1145. THOMAS R. CURTIN (American, 1899-1977) “RICHARDSON FARM ALONG SNOWY RIVER” Oil on board Housed in a contemporary giltwood frame Signed and dated lower right “Thos. R. Curtin 1960”, bears collector’s label inscribed “Property of John L. Hall / Given to our good friends Betty and Matt Welde with much love, John and Marion 11/29/80” 15-3/4” x 19-3/4”. Overall: 243/4” x 25-3/4” Provenance: Mr. John L. Hall, 1960; Mr. & Mrs. Matt Welde, 1980 Condition: Very good 52237-3 (2,000-3,000)

Session 1

1147. THOMAS R. CURTIN (American, 1899-1977) LATE FALL NEW ENGLAND LANSDCAPE Oil on canvasboard Housed in a contemporary giltwood frame Signed lower left “Thos. R. Curtin” 16" x 19-3/4". Overall: 21-1/2" x 25-1/2" Condition: Very good, with minor surface abrasion lower left 51852-3 (1,500-2,000)

Lot 1147

1148.

WILLIAM LESTER STEVENS (American, 1888-1969) “WINTER HOMESTEAD” Oil on canvas Housed in a gray painted molded wood frame Signed lower right “W Lester Stevens”; Verso with exhibition label Rockport Art Association W. Lester Stevens Retrospective, 2003 Reference: Page 29, full color illustration in “W. Lester Stevens, N.A. 1888-1969” Rockport Art Association 24” x 30”. Overall: 31” x 36” Provenance: From a private Western Massachusetts Collector Condition: Craquelure, otherwise very good 52378-3 (6,000-8,000)

Lot 1148 Visit www.jamesdjulia.com for more information

Session 1 1149.

WILLIAM LESTER STEVENS (American, 1888-1969) “WINTER TREES” Oil on Masonite Housed in a fine carved and gilt wide frame by Paul Goodnow with title and artist plaque Signed lightly bottom right “W Lester Stevens N.A.”, also retaining a Rockport Art Association exhibit label from the retrospective and illustrated full on page 47, alternate title on verso “Adam Dale Brook”, also having a John Gale business card taped to verso 23-3/4” x 30”. Overall: 33-1/2” x 39-3/4” Condition: Very good 52320-1 (12,000-18,000)

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Session 1

1150. WILLIAM LESTER STEVENS (American, 1888-1969) DAPPLED LIGHT ON THE CONWAY BRIDGE Oil on canvas Housed in a modern carved giltwood frame Signed lower right “W Lester Stevens N.A.” 24” x 30”. Overall 31-1/2” x 38” Condition: Very good 51914-5 (4,000-8,000)

Lot 1150

1151.

WILLIAM LESTER STEVENS (American, 1888-1969) MOORES CORNER, LEVERETT, MA Watercolor Housed in a giltwood frame matted under glass Signed lower right in pencil “W. Lester Stevens N.A.= A.W.S” Sight: 28-1/2” x 34-1/2”. Overall 35” x 40-3/4” Condition: Minor discoloration along edges, small scratch lower right corner, artist’s pinholes top corners, otherwise very good, not examined out of frame 52237-4 (1,000-2,000)

Lot 1151 Visit www.jamesdjulia.com for more information

Lot 1152

1153.

ALDRO THOMPSON HIBBARD (American, 1886-1972) “THE OLD SAW MILL” Oil on canvas Housed in a contemporary giltwood frame Signed lower right “A. T. Hibbard.”, bears an estate stamp on verso signed “Winifred J. Hibbard” and another estate stamp on stretcher signed “Lane Hibbard Clark”, numbered “6980” 24” x 32”. Overall: 31” x 39” Condition: Very good with minor canvas buckle upper left corner. Several brushstrokes of dark pigment standup under UV 52003-1 (10,000-12,000)

Lot 1153 77

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Session 1

1152. WILLIAM LESTER STEVENS (American, 1888-1969) WINTER IN SHELBURNE FALLS Oil on canvas Housed in a partial gilt ebonized frame Signed lower right “W Lester Stevens N.A.”, on verso is a Child’s Gallery Boston label with alternate title “The Rapids” Note: This view from below the old dam in Shelburne Falls Center looking toward Buckland side with the church in the background which now no longer has the steeple 36” x 40”. Overall: 45-3/4” x 493/4” Condition: Very good 52209-1 (6,000-8,000)

Session 1

1154. ALDRO THOMPSON HIBBARD (American, 1886-1972) WINTER LANDSCAPE VERMONT Oil on board Housed in a modern silver painted wood frame, under glass with wood liner Signed lower right “A.T. Hibbard.”, bears label affixed to verso “10-A” 9” x 12”. Overall: 16” x 19” Condition: Very good to excellent 52046-3 (6,000-9,000)

Lot 1154

1155.

ALDRO THOMPSON HIBBARD (American, 1886-1972) RURAL VERMONT WINTER SCENE Oil on canvas Housed in a modern giltwood frame with presentation plaque Signed lower right “A. T. Hibbard”, inscribed on verso “9X-32” 22” x 32”. Overall: 32” x 42” Condition: Very good, retouch within stretcher mark along right edge, scattered retouch along edges and in sky 52003-2 (10,000-12,000)

Lot 1155 Visit www.jamesdjulia.com for more information

Lot 1156

1157.

WILLIAM LESTER STEVENS (American, 1888-1969) “THE LANE” Oil on board Housed in a contemporary giltwood frame Signed lower left “W. Lester Steven”, inscribed on verso “The Lane / by Lester Stevens / Rockport Mass / To Oliver Newcombe / for her new house / Harry H. Marsales / 1960” 7-3/4” x 9-3/4”. Overall: 13-3/4” x 15-3/4” Condition: Very good to excellent 52245-4 (1,500-2,000)

Lot 1157 79

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Session 1

1156. WILLIAM LESTER STEVENS (American, 1888-1969) VERMONT HILLS Oil on canvas Housed in a period giltwood frame with presentation plaque Signed lower right “W. Lester Stevens.” 20” x 30”. Overall: 28” x 38” Condition: Very good with minor canvas buckle, upper right and minimal area of restoration, center 52003-3 (6,000-8,000)

Session 1

1158. EMILE ALBERT GRUPPE (American, 1869-1978) “VERMONT ROAD” Oil on canvas Housed in a copper colored carved wood frame having artist & title plaque Signed lower right “Emile A Gruppe” & titled by the artist on stretcher 25” x 30”. Overall: 32” x 36-1/2” Condition: Very good 52138-5 (6,000-9,000)

Lot 1158

1159.

EMILE ALBERT GRUPPE (American, 1896-1978) AUTUMN LANDSCAPE WITH STAND OF TREES Oil on board Housed in a modern silver wood frame with white liner Signed lower right “Emile A. Gruppe”, inscribed on verso frame “Gruppe painting belongs to J.M. Hugenberger” 16” x 20”. Overall: 22” x 26” Condition: Very good 52245-1 (3,000-5,000)

Lot 1159 Visit www.jamesdjulia.com for more information

Session 1 1159A.

JIRO TAKAMATSU ( Japanese, 1936-1988) SHADOW OF TWO KEYS (SKELETON & CHURCH KEY) â&#x20AC;&#x153;NO. 211â&#x20AC;? Lacquer and metal hook on wood panel Signed, dated and titled on verso "Jiro Takamatsu 1968 No. 211" along with "UP" with an arrow, bears Tokyo Gallery, Tokyo, Japan 13" x 9-1/2 x 3" Provenance: Descended through the family of Robert H. Chase of Greenwich Village. Robert Chase & his partner, Robert C. Hunsicker were both avid collectors of art, antiques & many other items that piqued their interest. Mr. Hunsicker was the Vicar of St. Paul's Chapel in NYC and in the 1980s the two purchased a large, old farmhouse in Sandisfield, MA and filled it with their acquisitions Condition: Horizontal craquelure and minor surface dirt 52301-1 (30,000-50,000) 81

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Session 1 1160.

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MILTON AVERY (American, 1885-1965) LANDSCAPE, PROBABLY JAMAICA, VT Watercolor on paper Housed in a contemporary wood frame with gilt molding, matted under glass Signed and dated lower left “Milton Avery 1943” 22” x 29-1/2”. Overall: 29-1/2” x 36-1/2” Condition: Minor mat burn, otherwise very good. Not examined out of frame 52227-10 (10,000-20,000)

Session 1 1160A.

SAMUEL W. GRIGGS (American, 1827-1898) GRAND MANAN Oil on canvas Housed in a modern gold tone frame Signed and dated lower left "S. W. Griggs 1861" 25" x 40". Overall 41" x 46" Condition: Good restored condition, several small patches on verso, large area of restoration in sky, scattered retouch 52003-14 (6,000-8,000) 1161.

Lot 1160A

BENJAMIN CHAMPNEY (American, 1817-1907) BOATERS ON A LAKE, WHITE MOUNTAINS, NEW HAMPSHIRE Oil on canvas Housed in modern giltwood frame Signed lower right “B. Champney” 19” x 29”. Overall: 24-1/2” x 34” Condition: Scattered inpainting, lined, otherwise very good 52106-1 (3,000-5,000)

Lot 1161 83

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Session 1

1162. BENJAMIN CHAMPNEY (American, 1817-1907) AUTUMN VIEW OF MT. WASHINGTON Oil on board Housed in a giltwood frame Inscribed and titled on verso “Ben Champney Mt Washington” 6” x 10”. Overall: 11-1/4” x 15-1/4” Condition: Very good with frame abrasion left edge and shrinkage cracks with in-paint right foliage 52099-58 (1,000-1,500)

Lot 1162

1163.

FRANK H. SHAPLEIGH (American, 1842-1906) “ON WILDCAT BROOK-JACKSON, N.H.” Oil on board Housed in a modern composite giltwood frame Signed and dated lower right “F.H. Shapleigh 1883”, signed and titled on verso 12-1/2” x 7-3/4”. Overall 18-3/4” x 14” Provenance: Private Collection, Naples, FL Condition: Very good with minor touch-up in sky 51954-10 (1,500-2,500)

Lot 1163 1164. JOHN APPLETON BROWN (American, 1844-1902) WHITE MOUNTAIN LANDSCAPE WITH FIGURE IN CANOE Oil on canvas Housed in contemporary giltwood frame Signed with monogram and dated lower left “JAB 66”, bears label fragment with artist information on stretcher 10” x 19”. Overall: 15-1/4” x 24” Condition: Old canvas lining, 3” restored tear lower right, several small areas of touch-up lower left and 2” area restoration in sky with scattered re-touch 52099-56 (2,000-3,000)

Lot 1164 Visit www.jamesdjulia.com for more information

Lot 1165

1166.

JUNIUS ALLEN (American, 1898-1962) “VERMONT VISTA” Oil on canvas Housed in a painted molded wood frame with white liner (with all over spot stains) Signed lower left “Junius Allen” Retaining a Salmagundi Club 1961 Annual Oil Exhibition label with artist & title on verso 21-1/2” x 38”. Overall: 27” x 43-1/2” Condition: Very good 52208-20 (3,000-5,000)

Lot 1166

1167. HENRY SCHNAKENBERG (American, 1892-1970) “VERMONT” Oil on canvas Housed in a fine modern gilt frame with linen liner Signed lower right “Schnakenberg” Kraushaar Galleries Inc. New York label to verso 20” x 30”. Overall: 25-3/4” x 35-3/4” Condition: Very good 52188-6 (1,500-2,500)

Lot 1167 85

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Session 1

1165. ANDREW W. MELROSE (American, 1836-1901) “CRAWFORD NOTCH, WHITE MOUNTAINS, NEW HAMPSHIRE” Oil on canvas Housed in an early 20th century giltwood frame Signed lower left “Andrew Melrose”, and inscribed lower right “White Mt. N.H.”, inscribed with title and artist on backing board attached to stretcher 15” x 20”. Overall: 21-1/2” x 26-1/2” Condition: Good restored condition, lined, several spots of re-touch in sky 52260-1 (2,000-4,000)

Session 1 1168.

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ALDRO THOMPSON HIBBARD (American, 1886-1972) WEST RIVER, VERMONT Oil on canvas Housed in a modern carved giltwood frame with presentation plaque Signed lower left “A.T. Hibbard”, inscribed on verso “63-4” 30” x 36”. Overall: 39-1/4 x 45-1/4” Condition: Very good 51854-1 (15,000-25,000)

Session 1 Lot 1169 1169.

ALDRO THOMPSON HIBBARD (American, 1886-1972) “BRANCH OF THE WEST RIVER” Oil on board Housed in a modern giltwood frame Signed lower left “A. T. Hibbard”, titled on Vose Galleries label on verso with inventory number “32-262AB”, inscribed “5X198” 18” x 25”. Overall: 26-1/4” x 33-1/2” Condition: Very good 52046-4 (5,000-8,000)

1170.

JACOB GREENLEAF (American, 1887-1968) “VERMONT HILLS” Oil on canvasboard Housed in a carved giltwood frame Signed lower right “J. Greenleaf ”, titled on Greenleaf Gallery label affixed to verso, inscribed on verso “Vermont Hills Greenleaf Gallery” 12’ x 20”. Overall: 16-1/2” x 24-1/2” Condition: Overall good, with minor restoration center left 51852-1 (1,000-1,500) 87

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Session 1

1171. RUSSELL CHENEY (American, 1881-1945) “PRETZEL THE CAT” Oil on panel Housed in a simple wood frame Signed lower right “Russell Cheney”, # inscribed with title on verso “The Cat Russell Cheney So. Manchester, Conn- / name of Pretzel Cobenzl Fernald, Kittery Maine” 15” x 18-/14”. Overall: 18-1/4” x 20-1/2” Condition: Very good to excellent 52287-11 (1,500-2,000)

1172.

Lot 1171

HAYLEY LEVER (American, 1876-1958) STILL-LIFE WITH PEARS Oil on panel Housed in a contemporary giltwood frame Sign and dated lower right “Hayley Lever 1942”, signed, dated and inscribed on verso “Hayley Lever N.A. 1943 / Pears from 140 E. 1st St Mt Vernon, NY” 16-1/2” x 25-1/2”. Overall: 22” x 31” Provenance: New Jersey collection. Condition: Good condition with several small losses lower right edge 52260-4 (3,000-5,000)

Lot 1172

1173. HAYLEY LEVER (American, 1876-1958) “BOUQUET” Oil on canvas Housed in its original giltwood frame with linen liner Signed lower right “Hayley Lever”, inscribed on tape affixed to stretcher “Bouquet” by 1876 - Hayley Lever 1958 - NA. RSA ORI AWA, bears Clayton-Liberatore Art Gallery, New York on frame 24” x 20”. Overall: 32-1/2” x 28-1/2” Condition: Very good, lined 52096-1 (8,000-12,000)

Lot 1173 Visit www.jamesdjulia.com for more information

Lot 1174

1175.

JOHN WHORF (American, 1903-1959) COASTAL FISH SHACKS Oil on canvas Housed in a contemporary giltwood frame Signed lower right “John Whorf ”, inscribed on stretcher

“Collection of John Gale” 12” x 28”. Overall: 15” x 31” Provenance: Collection of John Gale Condition: Very good condition 52102-8 (6,000-9,000)

Lot 1175 89

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Session 1

1174. JOHN WHORF (American, 1903-1959) THREE-MASTED SCHOONER OFF PROVINCETOWN Watercolor Housed in contemporary wood frame, matted under glass Signed lower right “John Whorf ” and inscribed lower center “My best wishes”, note on verso from artist “I hope you will accept this little sketch of the Vima in memory of a very pleasant visit aboard. John Whorf ” 14” x 21”. Overall: 22” x 28-3/4” Provenance: Marine Art Gallery, Salem, Massachusetts; Private collection; Leslie Hindman Auctioneers, 2013 Condition: Very good, not examined out of frame 52102-7 (3,500-5,500)

Session 1

1176. JOHN JOSEPH ENNEKING (American, 1841-1916) “FOREST MEADOW AT TWILIGHT” Oil on canvas Housed in a period gesso decorated gilt fancy frame with gilt liners with artist plaque with frame corner damage Signed lower right “Enneking 79” Note: Pierce Galleries Inc. label on verso indicating that this has been registered in the Pierce Catalog Raisonne, No 111-D250 16” x 20”. Overall: 28-1/2” x 323/4 Condition: Lined, some touchup, very good 52102-19 (4,000-7,000)

Lot 1176

1177.

JOHN JOSEPH ENNEKING (American, 1841-1916) AUTUMN SUNSET Oil on canvas Housed in a period gesso decorated gilt wide frame Signed lower right & dated “06” Verso retains a label from Pierce Galleries Inc., Hingham, MA indicating that this has been registered in the catalog raisonne No. IV-D-224 18” x 24”. Overall: 26” x 32” Condition: Very good 52138-6 (6,000-9,000)

Lot 1177 Visit www.jamesdjulia.com for more information

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1178.

ARTHUR QUARTLEY (American, 1839-1886) “AFTERNOON, RHODE ISLAND COAST” Oil on canvas Housed in a fabulous antique style wide gesso decorated gilt frame with gilt liner with title and artist plaque Signed lower right “A Quartley 74”, on verso is a Questroyal Fine Art label 23” x 44”. Overall: 36” x 57-1/2” Condition: Very good with some inpainting, lined 52208-1 (15,000-25,000)

Session 1

1179. WARREN SHEPPARD (American, 1858-1937) "BREAKERS ALONG THE SHORE NANTUCKET" Oil on canvas Housed in a fabulous gesso decorated gilt frame having large deep shells as corner and side decorations Signed lower left "Warren Sheppard" 30” x 48”. Overall 41" x 59" Provenance: Personal collection of Gerri Lenfest to our consignor Condition: Very good with only very minor touch-up, lined 52401-1 (10,000-15,000)

Lot 1179

1180.

WILLIAM DAVIS (American, 1952-) PORTRAIT OF THE TUG BOAT “NARRAGANSETT” OFF POINT JUDITH Oil on board Housed in a fabulous antique style reproduction gilt frame with artist & title plaque Signed lower right “William P Davis”. Also retaining a Roger King, Newport, Rhode Island gallery label 18” x 30”. Overall: 25” x 37” Condition: Very good to excellent 52138-3 (6,000-9,000)

Lot 1180 Visit www.jamesdjulia.com for more information

Lot 1181

1182.

WARREN SHEPPARD (American, 1858-1937) LUMINOUS SEASCAPE Oil on canvas Housed in a period giltwood frame Signed lower left “Warren Sheppard”, bears Questroyal Fine Art Gallery label and New Britain Museum of American Art exhibition label on backing board, also bears Questroyal Fine Art Gallery and J. A. Miller Framers label on verso frame Exhibited: New Britain Museum of American Art, “A Joint Venture: The Collection of Kathryn & Tom Cox”, January 25-June 2, 2013 20” x 30”. Overall: 32” x 42” Condition: Very good, lined with scattered restoration along edges, minor touch-up in sky and small area lower right in water. Frame has cracking and old repairs 52099-41 (7,000-9,000)

WARREN SHEPPARD (American, 1858-1937) CRASHING WAVES Oil on canvas Housed in a modern giltwood frame Signed lower left “Warren Sheppard” 20” x 30”. Overall: 26” x 36” Provenance: Philip & Mauriel Berman Foundation, NY; Private Collection Condition: Good, two large vertical restored tears, in-paint along top and right edge, canvas has been lined and restretched on new stretchers 51954-1 (2,000-4,000)

Lot 1182 93

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Session 1

1181.

Session 1 1183.

REYNOLDS BEAL (American, 1866-1951) “OCEAN FISHERMEN”, OFF MONTAUK LIGHT Oil on canvas Housed in a vintage gold finished frame with plaque bearing artist name and painting title Signed lower left “Reynolds Beal”, titled on stretcher and label affixed to verso and dated “1923” Literature: Sidney Bressler, Reynolds Beal Impressionist Landscapes and Seascapes, New Jersey: Associated University Presses, 1989, #814, pg 130 Note: Painted from sketches drawn from his Sharpie Yawl off Montauk Light, Beal captures and ocean fisherman at sea fishing for swordfish. The fishing schooner is headed into the wind with her sails luffing, awaiting the rowing dory carrying their catch, a swordfish, lashed to its stern. This fine painting exemplifies the artist’s working understanding of boats, wind, & waves. It was created in Beal’s Noank, CT studio where he summered for many years 30” x 48”. Overall: 35-3/4” x 54” Condition: Very good to excellent 52095-1 (30,000-50,000)

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Lot 1184

1185.

JOHN WHORF (American, 1903-1959) REELING IN THE BIG ONE Watercolor Housed in a fine modern decorative frame with double mats Signed lower right “John Whorf ” Sight: 30” x 22”. Overall: 40-1/2” x 32-1/2” Condition: Very good 52171-1 (6,000-9,000)

Lot 1185 95

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Session 1

1184. FRANKLIN DULLIN BRISCOE (American, 1844-1903) AFTER THE STORM Oil on board Housed in a fine antique style gesso decorated gilt frame Signed lower right “FD Briscoe 1892” 16” x 22”. Overall: 22-3/4” x 28-1/2” Condition: Very good, some inpainting 52216-3 (3,000-5,000)

Session 1 1186.

Lot 1186

EMILE ALBERT GRUPPE (American, 1896-1978) “SHELLING LONGBOAT KEY 1958” Oil on canvas Housed in an aqua painted wood frame with white wood liner Signed lower left “Emile A Gruppe” 20” x 24”. Overall: 26” x 30” Condition: Very good 52102-18 (8,000-12,000)

1187. ROBERT EMMETT OWEN (American, 1878-1957) “BLAIR COVERED BRIDGE, NH” Oil on canvas Housed in a gilt molded frame Signed lower right “R Emmett Owen” Old label on verso of stretcher with title 28-1/2” x 38”. Overall: 30-1/2” x 40-1/4” Condition: Lined, very good 52171-2 (2,000-4,000) Visit www.jamesdjulia.com for more information

Lot 1187 96

Lot 1188 1189.

CHAUNCEY RYDER (American, 1868-1949) MISTY MORNING Oil on board Housed in a contemporary giltwood frame Signed lower right “Chauncey F-Ryder”, titled on Spanierman Gallery, New York label affixed to frame Exhibited: Spanierman Gallery, New York, “John Francis Murphy and Chauncey Foster Ryder: Among Tonalism’s Many Faces”, May 6-Jun. 5, 2011 15-3/4” x 19-7/8”. Overall: 21” x 25” Condition: Very good, board is slightly warped 52102-5 (2,500-3,500)

Lot 1189

1190. FRANK SWIFT CHASE (American, 1886-1958) MIDDAY IN EARLY AUTUMN Oil on canvas Housed in a modern giltwood frame Signed lower left “Frank Swift Chase” 25” x 30”. Overall 35” x 40” Condition: Very good with area of restoration in sky, minor vertical craquelure in white pigments 51914-3 (4,000-8,000)

Lot 1190 97

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Session 1

1188. ROBERT EMMETT OWEN (American, 1878-1957) NEW ENGLAND FARM IN WINTER Oil on canvas Housed in a contemporary giltwood frame Signed lower right “R Emmett Owen.”, inscribed on top stretcher “R. Emmett Owen 983 No. Ave New Rochelle NY” 18” x 24”. Overall: 24-1/4” x 30-1/4” Condition: Very good 52208-13 (2,500-4,000)

Session 1

1191. ALEXANDER THEOBALD VAN LAER (American, 1857-1920) “AN APRIL DAY” Oil on canvas Housed in a fine reproduction carved and gilt frame by P.H. Miller (Virginia) Dated 2003 Unsigned front, signed and titled on stretcher, the back retaining a Cooley Gallery label 20” x 27”. Overall: 27” x 34” Condition: Very good with minor touch up 52188-14 (2,000-4,000)

Lot 1191

1192.

FERN ISABEL COPPEDGE (American, 1883-1951) “WHITE FARM HOUSE STUDY” Oil on panel Housed in a modern giltwood frame Signed lower right “Fern I. Coppedge”, bears label from the Vincent Price Collection, Sears, Roebuck and Co. affixed to verso 19-1/2” x 18-1/4”. Overall: 23-3/4” x 22-1/2” Condition: Horizontal craquelure, two 1/8” dia. wood plugs lower left and lower right, surface grime 51906-1 (6,000-9,000)

Lot 1192 Visit www.jamesdjulia.com for more information

Lot 1193 1194.

FREDERICK LESTER SEXTON (American, 1889-1975) COLONIAL HOME IN FALL Oil on canvas Housed in its original white painted molded wood frame (as found) Signed lower right “Sexton” 24” x 32”. Overall: 29” x 37” Condition: Minor touch up, generally good 52188-1 (400-600)

Lot 1194 1195. ERNEST ALBERT JR (American, 1891-1955) BIRCHES IN AUTUMN Oil on canvas board Housed in a modern giltwood frame Signed lower left “Ernest Albert. Jr.”, inscribed “Collection of John Gale” on verso, titled on Salmagundi Club Exhibition label 8” x 10”. Overall: 17” x 15” Condition: Very good 52188-9 (1,000-1,500)

Lot 1195 99

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Session 1

1193. JAMES K BONNAR (American 1883-1951) “HILLTOP REACH” Oil on canvas Housed in a period giltwood frame Signed lower right “James K Bonnar”, titled on Businessmen’s Art Club of Boston label affixed to frame, inscribed on stretcher “East Dorset, Vermont” 24” x 30”. Overall: 29” x 34-1/2” Condition: Very good condition 51715-1 (2,000-3,000)

Session 1

1196. GEORGE W. DREW (American, 1875-1968) “AN OLD OAK, POND EDGE” Oil on canvas Housed in its original gilt and carved frame in good condition Signed lower right “George W. Drew” 20” x 30”. Overall 27-1/4” x 37-1/4” Condition: Very good, stable craquelure mostly in sky 51882-1 (1,500-2,500)

Lot 1196 1197.

EDWARD WILBUR DEAN HAMILTON (American, 1864-1943) “NEW ENGLAND HILLS” Oil on canvas Housed in an outstanding carved & gilt frame with carved & gilt liner having a metal tag from Lopez Restorations Inc. Pencil titled on verso Signed lower right “EWD Hamilton” 17” x 24”. Overall: 26” x 33” Condition: Lined, some inpainting, very good 52208-5 (4,000-6,000)

Lot 1197

1198. CHARLES HAROLD DAVIS (American, 1856-1933) “SPRING PASTORAL” Oil in canvas Housed in a wonderful; carved and gilt frame with carved signature “CarrigRohane shop incorporated Boston” Signed lower left “CH Davis” 25-1/4” X 30-1/4”. Overall: 34-1/2” x 391/2” Condition: Very minor touch up, very good 52208-7 (10,000-15,000)

Lot 1198 Visit www.jamesdjulia.com for more information

100

Lot 1199 1200.

WILLIAM MERRITT POST (American, 1856-1935) “AUTUMN REFLECTIONS” Oil on canvas Housed in a fine reproduction carved and gilt wood frame having an artist and title plaque Signed lower right “W Merritt Post”, retaining a Cooley Gallery label to reverse 22” x 27”. Overall: 29” x 34” Condition: Minor touch up, lined, very good 52188-15 (2,000-3,000)

Lot 1200

Lot 1201

1201. GEORGE M. BRUESTLE (American, 1871-1939) “THE GOLDEN HOUR” Oil on canvas board Housed in a period giltwood frame with presentation plaque Signed lower left “Bruestle”, titled and inscribed on verso “The Golden Hour” by Geo. M. Bruestle 12” x 16”. Overall: 20-1/4” x 24-1/2” Condition: Good with minor restoration in sky 52117-10 (2,000-3,000) 101

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Session 1

1199. CHARLES HENRY HAYDEN (American, 1856-1901) PANORAMIC SUMMER LANDSCAPE Oil on canvas Housed in a carved and gilt wood frame with gilt liner Signed lower left “C-H-Hayden” 30” x 40”. Overall: 37” x 47” Condition: Very good 52208-11 (4,000-6,000)

Session 1

1202. HUGH BOLTON JONES (American, 1848-1927) SPRING LANDSCAPE Oil on canvas Housed in a carved and gilt frame with carved maker’s name of “PH Miller” (Virginia) dated 2004 Signed lower right “H Bolton Jones” 5-1/4” x 7-1/4”. Overall: 9-1/4” x 11-1/4” Condition: Very good, re-stretched on new stretcher 52188-18 (800-1,200)

1203.

Lot 1202

JOSEPH E. ENNEKING (American, 1881-1942) “GREY DAY” Oil on board Housed in a giltwood frame Signed lower left “J E Enneking”, titled on The Cooley Gallery label affixed to verso, with exhibition label on verso and inscribed “Grey Day J Eliot Enneking 17 Washington St Hyde Park, Mass.” Inscribed on additional label “No 25 Grey Day Mason’s Island off Noank, Conn.” Exhibited: Portland Society of Art, Spring Exhibition 1913, April 19-May 17, 2013 8” x 10”. Overall: 13-1/4” x 16” Condition: Several chips to board visible on verso (caused by nails), 1/2” losses to front lower middle and lower center, craquelure along top 52188-10 (800-1,200)

Lot 1203

1204. CONDE WILSON HICKOK (American, Possibly 1865-1933) BOY FISHING OFF TREE AND ROCK LINED SHORE Oil on canvas Housed in a gilt molded wood frame Signed lower left “Conde Wilson Hickok” Conde W. Hickok worked in the Chicago area, was known for landscape and figure paintings, and was a member of the Chicago Society of Painters. 28” x 22”. 33-1/2” x 27-1/2” Condition: Very good 51882-3 (1,000-1,500)

Lot 1204 1205.

WILLIAM R. DAVIS (American, 1952-) “AUTUMN BIRCH TREES” Oil on Masonite Housed in a modern decorative bronze color frame Signed & inscribed “Plein Air/Oct. 2012/Autumn Birch Trees/40 (degrees) Overcast/S. Woodstock VT.” Signed lower left “W Davis SIZE: 7” x 5”. Overall: 9” x 7” Condition: Very good to excellent 52352-1 (600-900)

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102

Lot 1205

Lot 1206 1207.

BERNARD COREY (American, 1914-2000) MORNING STROLL Oil on canvas board Housed in a modern giltwood frame Signed lower left “Bernard Corey”, bears landscape with barn sketch on verso 8” x 12”. Overall 12-3/4” x 17” Provenance: Purchased directly from the artist Condition: Very good 51914-1 (600-900)

Lot 1207 1208. BERNARD COREY (American, 1914-2000) “SUMMER REFLECTIONS” Oil on canvas Housed in a contemporary giltwood frame Signed lower left “Bernard Corey” 10” x 14”. Overall: 14-3/4” x 18-3/4” Provenance: Acquired directly from the artist Condition: Very good to excellent 52100-8 (1,000-1,500)

Lot 1208 1209.

BERNARD COREY (American, 1914-2000) RED BARN Oil on Masonite Housed in a modern giltwood frame Signed lower right “Bernard Corey” 9” x 12”. Overall 17” x 20” Condition: Very good 51217-1 (800-1,000)

Lot 1209 103

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Session 1

1206. BERNARD COREY (American, 1914-2000) SENESCENT FIELDS Oil on Masonite Housed in a giltwood frame Signed lower right “Bernard Corey” 9” x 14”. Overall 13-3/4” x 18-3/4” Provenance: Purchased directly from the artist Condition: Very good with restoration lower right 51914-2 (600-900)

Session 1 1210.

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LEON DABO (American/French, 1864-1960) “THE HUDSON, AUTUMN MORNING” Oil on canvas Housed in a reeded gilt period frame Verso of frame is a 15th Annual Exhibition Poland Springs Gallery label with artist and title Signed lower right with artist monogram and “Leon Dabo” 27” x 36”. Overall: 34” x 42-3/4” Provenance: Removed from the Maine State House, Poland Springs, Maine Condition: Lined (on verso Conserved by Gustav D. Klimann, Aug. 65), stable craquelure, one small area in upper left with inpainting, otherwise good 52369-2 (15,000-25,000)

104

1212.

Lot 1211

PETER ROOS (American, 1850-1920) “NIAGARA FALLS” Watercolor Housed in an early 20th century giltwood frame, matted under glass with linen liner Signed and dated lower right “P Roos 1903”, titled on presentation plaque 19-1/2” x 44”. Overall: 26” x 50-1/2” Condition: Watercolor has overall discoloration and faded. Not examined out of frame 52102-13 (1,000-1,500)

Lot 1212

1213. JOHN ADAMS PARKER (American, 1837-1900) BAXTER MOUNTAIN REGION OF THE ADIRONDACK MOUNTAINS, NEW YORK Oil on canvas Housed in a giltwood frame Signed lower left “J.A. Parker”, bears conservation label from “The Chicago Conservation Center” dated 1988 22” x 36-1/2”. Overall: 29-1/2” x 43-1/2” Condition: Good restored condition, lined, several scattered areas of re-touch in sky 52216-2 (4,000-6,000)

Lot 1213 105

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Session 1

1211. JOHN WILLIAMSON (American, 1826-1885) “CAVE OF THE WINDS” Oil on canvas Housed in a period giltwood frame with arched opening Signed lower right with monogram “JW”, inscribed on verso “Cave of the Winds / J. Williamson 1859” 13” x 11”. Overall: 21” x 19” Condition: Good restored condition, canvas has been lined with a window allowing the inscription to be read, restored tear upper right, minor touch-up in water and sky 52208-17 (10,000-15,000)

Session 1

1214. JOHANN BERTHELSEN (Danish/American, 1883-1972) “UNITED NATIONS” Oil on canvas Housed in a contemporary wood frame Signed lower right “Johann Berthelsen”, artist stamp on verso 20” x 24”. Overall: 27” x 31” Condition: Very good to excellent 52125-3 (6,000-8,000)

Lot 1214 1215.

GEORGE LUKS (American, 1867-1933) “EAST RIVER” Gouache Housed in its original giltwood frame, with handpainted mat under glass Signed lower left “Luks”, bears photocopy of a letter dated ‘July 28 / 70” from Mrs. George Luks (Mercedes Luks) and notarized in the State of New York, 1972 that states: “To whom it may concern, this small gouache...of two small boats on the East River...is an authentic work by my late husband George B. Luks....I would place the period of the work around 1930...” Exhibited: Greenville County Museum of Art, South Carolina, “American Realist and Impressionist Paintings from the Collection of Mr. & Mrs. Haig Tashjain”, March 10-April 22, 1984 (bears exhibition label on verso) 8-1/2” x 12”. Overall: 17” x 19-1/2” Condition: Gouache appears to be in very good condition with tiny paper fragment upper right 52125-2 (5,000-8,000)

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Lot 1215

106

Session 1 1216. JOHANN BERTHELSEN (American, 1883-1972) “LITTLE CHURCH AROUND THE CORNER” Oil on canvas board Housed in a composite wood frame with presentation plaque Signed lower right “Johann Berthelsen”, inscribed on verso “Little Church Around the Corner in Winter, New York City, Johann Berthelsen” 12” x 9”. Overall: 17” x 13-3/4” Condition: Very good to excellent 52117-5 (2,000-4,000)

Lot 1216

1217.

JOHANN BERTHELSEN (American, 1883-1972) TABLETOP STILL LIFE WITH CANDLESTICKS & BRONZE FIGURE Oil on canvas Housed in an antique gilt liner Signed center bottom “Johann Berthelsen” 22” x 28”. Overall: 27-1/2” x 32-1/2” Condition: Stable craquelure, very good 52125-4 (1,000-2,000)

Lot 1217 107

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Session 1

1218. ATTRIBUTED TO PAUL CORNOYER (American, 1864-1923) WINTER IN NEW YORK Oil on panel Housed in a vintage bronzed wood frame Signed and dated lower left “Paul Cornoyer - 1901” 13” x 20”. Overall: 17-3/4” x 24-3/4” Condition: Good, panel crack beginning to show from left edge 52300-1 (3,000-5,000)

Lot 1218

1219.

EDMUND COATES (American, 1816-1871) THE NARROWS FROM FORT HAMILTON, STATEN ISLAND Oil on canvas Housed in a giltwood frame Signed and dated lower right “E C Coates. 1863” 24” x 36”. Overall: 27-1/2” x 39-1/2” Condition: Good with discolored varnish, craquelure throughout, old coarse lining and a 2” restoration in water, left of tree 52099-12 (5,000-7,000)

Lot 1219 Visit www.jamesdjulia.com for more information

108

Session 1 1220.

THOMAS CHAMBERS (American, 1808-1866) VIEW FROM WEST POINT Oil on canvas Housed in a fine gilt molded wood frame Unsigned Reference: For similar view by Chambers see fig. 36 in The Hudson River and Its Painters by John K. Howat for a 1/2 page color illustration 18” x 24”. Overall: 23-1/2” x 29-1/2” Condition: One old patch on verso with corresponding inpainting, craquelure, scattered spot inpainting. Otherwise very good with strong colors and having its original canvas 52335-1 (8,000-12,000)

109

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Session 1

1221. AMERICAN SCHOOL (19th century) CATSKILL SCENE Oil on canvas Housed in a period giltwood frame Unsigned 15” x 21”. Overall: 22-1/2” x 28-1/2” Condition: Lined, restoration throughout, cracking and lifting to paint surface 52205-2 (2,000-4,000)

Lot 1221 1222.

GEORGE HENRY SMILLIE (American, 1840-1921) “SANDY HOOK” Oil on canvas Housed in a modern giltwood frame with presentation plaque Unsigned, inscribed and dated lower right “Sandy Hook October 1881” 15-1/2” x 24”. Overall 22-1/2” x 31” Condition: Painting has been mounted to new stretcher, small patch on verso corresponding to inpaint, scattered retouch throughout sky and foreground 51876-1 (1,000-2,000)

Lot 1222 1223. ALLEN DEAN COCHRAN (American, 1888-1971) WOODSTOCK, NEW YORK WINTER SCENE Oil on board Housed in a modern gilt molded wood frame marked Hackman Frames, Columbus, Ohio Signed lower right “Cochran” (which may have been added by Roger W. Dennis) On verso is an inscription by Roger Dennis “This sketch given to me by Allen Cochran of Woodstock, New York”. Also, “I spent some time sketching with Allen in Woodstock in the 40s”. Also, estate and studio stamped “Roger W Dennis” 8” x 10”. Overall: 11-1/2” x 13-1/2” Condition: Very good 52188-17 (600-800)

Lot 1223 Visit www.jamesdjulia.com for more information

110

Lot 1224 1225.

HAYLEY LEVER (American, 1876-1958) “SUMMER, HUTCHINSON PARKWAY, MT VERNON, NY, 1945” Oil on panel Housed in a contemporary composite frame Signed, titled, dated and inscribed on verso “1945 Summer Hayley Lever / side of Hutchinson Parkway Mt Vernon, NY” 9-3/4” x 11-3/4”. Overall: 13” x 15-1/4” Condition: Very good 52228-2 (4,000-6,000)

Lot 1225

1226. BLANCHE LAZZELL (American, 1878-1956) “INDIAN HEAD, WOODSTOCK, NY” Oil on canvas Housed in a modern carved & gilt wood frame Signed lower left “B Lazzell 1917” 16” x 18”. Overall: 22” x 24” Condition: Very good 52393-1 (1,500-2,500)

Lot 1226 111

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Session 1

1224. EMILE ALBERT GRUPPE (American, 1896-1978) MOUNTAIN OVERLOOK, WOODSTOCK, NY 1926 Oil on board Housed in a fine carved gilt frame with carved gilt liner and artist plaque Signed lower right “Emile A Gruppe” 12” x 15-3/4”. Overall: 20” x 24” Condition: Minor touch-up, very good 52102-30 (3,000-5,000)

Session 1

1227. CARL W. PETERS (American, 1897-1980) WINTER LANDSCAPE, NEW YORK Oil on canvas Housed in a gold tone wood frame with linen liner Unsigned, bears artist’s estate stamp on verso signed by Elaine P. Woodbury 20” x 24”. Overall 24-1/2” x 28-1/4 Provenance: Acquired directly from the family of the artist Condition: Good with area of restoration lower right 51234-10 (1,000-2,000)

Lot 1227

1228.

GIFFORD BEAL (American, 18791956) “WORLD’S FAIR” Gouache on paper Housed in a gesso decorated French style frame, hand painted mat (as is with discoloration) under glass Signed lower right “Gifford Beal”, Two C.W. Kraushaar Art Galleries New York label affixed to verso with artist name & title 8-3/4” x 11-3/4”. Overall: 14-3/4” x 173/4” Condition: Paper has some rippling, evidence of small water stains, otherwise good. Not examined out of frame 52190-1 (8,000-12,000)

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112

Session 1 1229. EVERETT LONGLEY WARNER (American, 1877-1963) NIGHTTIME CORNER IN THE CITY Oil on canvas Housed in a good antique gesso decorated gilt frame with gilt liners Signed lower left “Everett Warner” 19-3/4” x 15-1/2”. Overall: 27-3/4” x 231/2” Condition: Lined on new stretcher, some inpainting, very good 52208-14 (3,000-5,000)

Lot 1229

1230.

STAN STOKES (American, 20th Century) “LUSITANIA AT NEW YORK, 1907” Oil on canvas Unframed Signed lower right “Stokes” and inscribed on verso with title, artist name and date “2008” 34” x 46” Condition: Very good to excellent 51858-2 (1,500-2,500)

Lot 1230 113

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Session 1

1231. JUNIUS ALLEN (American, 1898-1962) “WATERFRONT GREENPORT” Oil on board Unframed Unsigned, titled inscribed on verso 16” x 20” Condition: Good 52208-22 (2,500-3,500)

Lot 1231

1232.

THOMAS HART BENTON (American, 1889-1975) “STRIKE” Lithograph, circa 1933 Housed in a chrome frame, matted under plexiglass Signed in pencil lower right “Benton” 9-3/4” x 10-3/4”. Overall: 18-1/4” x 21” Condition: Very good to excellent, not examined out of frame 52227-3 (5,000-10,000)

Lot 1232 Visit www.jamesdjulia.com for more information

114

Session 1 1233.

THOMAS HART BENTON (American, 1889-1975) “WRECK OF THE OLD 97” Lithograph, 1944 (Fath 63) Housed in a contemporary black frame, matted under plexiglass Signed in pencil lower right “Benton”, titled on Surovek Print Gallery label affixed to verso 10-1/4” x 14-3/4”. Overall: 18-1/4” x 22-1/4” Condition: Very good to excellent, not examined out of frame 52102-16 (17,000-20,000)

115

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Session 1

1234. THOMAS HART BENTON (American, 1889-1975) “AFTER THE BLOW” Lithograph, 1946 Unframed, matted in clear sleeve Signed in pencil lower right “Benton” 9-7/8” x 13-7/8”. Overall: 16-1/4” x 20” Condition: Very good, attached to mat with two archival hinges along top 52102-11 (3,500-5,500)

Lot 1234 1235.

THOMAS HART BENTON (American, 1889-1975) “OLD MAN READING” Lithograph Housed in a modern wood frame, matted under glass Signed in pencil lower right “Benton”, also signed in plate lower right, c. 1941(Fath #44), from an edition of 250 circulated by Associated American Artists, New York, bears a Surovek Print Gallery label on verso Plate: 9-7/8” x 12”. Overall: 17-3/4” x 21-3/4” Condition: Very good, not examined out of frame 52102-10 (1,500-2,500)

Lot 1235

1236. THOMAS HART BENTON (American, 1889-1975) “JESSIE AND JAKE” Lithograph, 1942 (F.55) Unframed, matted in clear sleeve Signed in pencil lower right “Benton” 13-1/4” x 9-7/8”. Overall: 20” x 16-1/4” Condition: Very good, hinged to back mat with archival tape 52102-12 (2,000-3,000)

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116

Session 1 1237.

Lot 1237

THOMAS HART BENTON (American 1889-1975) TWO WORKS: “PLANTING”, 1939 & “IN THE OZARKS” ALONG WITH AARON GUNN PYLE. 1) Lithograph, “Planting”. Housed in modern wood frame, matted under glass, Signed in pencil lower right “Benton”, signed lower right in plate. 2) Lithograph, “In the Ozarks”. Housed in a modern wood frame with gilt liner, matted under glass. Signed in pencil lower right “Benton”, signed lower right in plate, Associated American Artist label affixed to verso 3) Black crayon on paper, “Old Orris’s Shack”. Housed in a wood frame, matted under glass, Signed lower left “G. Pyle”. Provenance: The Estate of Morris Racker. 1) Plate: 9-3/4” x 12-1/2”. Overall: 18-1/2” x 22-1/2”. 2) Plate: 10” x 13”. Overall: 18-3/4” x 21”. 3) Sight: 19-1/2” x 14-1/2”. Overall: 26-1/2” x 20-1/2”. Condition: Not examined out of frames. 1) Very good 2) Minor rippling to paper along top edge, otherwise good. 3) Mat burn along edges, otherwise good 51956-10, 51956-11, 51956-16 (2,500-4,500)

1237A.

HARRIET WHITNEY FRISHMUTH (American, 1880-1980) “THE STAR” Bronze Mounted to a black slate base Signed on edge of bronze base “Harriet W. Frishmuth 1918”; Also with “Gorham Co Founders”, “0505” stamp along edge of bronze base and numbered “307” Accompanying the bronze is the original purchase receipt dated August 24, 1977 from Nathan Liverant & Son Antiques, Colchester, CT Bronze: 19-1/4” h; Overall: 19-3/4” h Provenance: Nathan Liverant & Son Antiques; Dr. Donald Miner; Gifted to daughter; Current Consignor Condition: Retaining a wonderful verdigris & brown patina, very good 52431-1 (10,000-15,000)

Lot 1237A (w/close-ups) 117

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Session 1

1238. BESSIE ONAHOTEMA POTTER VONNOH (American, 1872-1955) SEATED YOUNG WOMAN Bronze Signed “Bessie Potter Vonnoh 18/250” Inscribed along edge “Roman Bronze Works N-Y-” 8-1/4” h x 6-1/2” d x 5” w Condition: Very good with a nice, dark brown patina 52351-1 (4,000-6,000)

Lot 1238 (w/close-up)

1239.

RICHARD SALTONSTALL GRENNOUGH (American/Italian, 1819-1904) MARBLE BUST PORTRAIT OF A YOUNG WOMAN Marble sculpture Signed at rear of bust “R.S. Greenough. / SCT. Newport 1872” NOTE: Greenough is recognized for working in both Italy and within the United States including Massachusetts & Rhode Island. This example is most likely a commissioned work by a wealthy Newport family, possibly along Bellevue Avenue. 29-1/2” h x 19” w (sight) Condition: White marble very good with very light soiling, no structural imperfections noted 52351-2 (3,000-5,000)

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118

Lot 1240

1241.

MAURICE FREEDMAN (American, 1904-1985) “QUEEN ANNE’S LACE” Oil on canvas Housed in a contemporary black and silver frame with linen liner Signed lower right “Maurice Freedman”, titled and signed on verso 22” x 30”. Overall: 28” x 36” Provenance: Collection of Morton May, St. Louis; private collection Condition: Two horizontal scratches with restoration upper right, otherwise good 52287-2 (3,000-5,000)

Lot 1241 119

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Session 1

1240. GUY PENE DU BOIS (American, 1884-1958) PORTRAIT OF A MAN WITH SPECTACLES Oil on canvas Housed in a vintage giltwood frame Signed and dated lower left “Guy Pene Du Bois 1936” 24” x 20”. Overall: 28-3/4” x 24-3/4” Condition: Minor touch-up with several vertical bands of restoration, frame abrasion right edge and craquelure 52287-4 (3,000-5,000)

Session 1 Lot 1242 1242.

MAURICE FREEDMAN (American, 1904-1985) “PIER STUDY” Oil on Masonite Housed in a carved wood frame Signed lower right “Maurice Freedman”, titled and dated “1950” on verso 20” x 39”. Overall: 25-1/2” x 45-1/2” Condition: Very good with minor touch-up 52287-1 (4,000-6,000)

1243.

Lot 1243 Visit www.jamesdjulia.com for more information

120

MAURICE FREEDMAN (American, 1904-1985) “DOLOMITE VAL GARDENA” Oil on canvas Housed in a contemporary wood frame Signed lower right “Maurice Freedman”, titled and signed on verso, bears Mid-Town Galleries label affixed to frame and stretcher 20” x 40”. Overall: 21-1/4” x 41-1/4” Condition: Very good with stretcher mark along right edge 52287-3 (6,000-9,000)

Session 1 1244.

JAMES WEEKS (American, 1922-1998) “BENJAMIN WITH DOG” Oil on canvas Housed in a slat wood frame Signed and dated on stretcher “James Weeks 1960”, titled and inscribed on stretcher “Benjamin W / Dog Poindexter N.Y.”, also a street address at each corner: “184-5st” and “21W56” Note: The “Poindexter, NY” on the verso probably refers to Poindexter Gallery whose records are held at the Montana Historical Society. Also it should be noted they received the “Poindexter Collection” from George and Elinor Poindexter. A similar painting of a girl with dog dated 1959 was sold at Bonham’s San Francisco 10/21/1993 titled “Girl and Dog 1959” 57-1/2” x 58”. Overall: 51” x 52” Provenance: Probably sold out of the Poindexter Collection prior to the collection gifted to the Montana Historical Society Condition: Surface grime and long craquelure lines throughout 52227-11 (10,000-20,000) 121

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Session 1

1245. WILLIAM JAMES GLACKENS (American, 1870-1938) FOUR BOYS WALKING A DOG Ink on paper Housed in a modern giltwood frame matted under glass Signed lower left “W Glackens” Sight: 7” x 10-1/4”. Overall 17” x 20-1/2” Condition: Horizontal center, several small fox marks, not examined out of frame 51999-1 (2,500-4,000)

Lot 1245

1246.

ROBERT VICKERY (American, 1926-2011) “SISTER CASSANDRA” Egg tempera on Masonite Housed in a contemporary silver giltwood frame with linen liner Signed lower left “R. Vickery”, titled on masking tape affixed to verso 6-1/4” x 9-1/4”. Overall: 14” x 17” Condition: Very good to excellent 52138-1 (2,000-4,000)

Lot 1246

1247. THERESA F. BERNSTEIN (American, 1890-2002) “YOUNG STUDENT” Oil on canvas board Housed in a white painted wood frame with linen liner Signed lower right “Bernstein”, inscribed on verso “Theresa Bernstein 44 Mt Pleasant Ave East Gloucester MA oil Young Student” Exhibited: Rockland Art Association, “Paul Strisik: The Artist and his Collection”, October 4-November 16, 2014 16” x 11-3/4”. Overall: 23” x 19” Provenance: Collection of Paul Strisik Condition: Good 51959-3 (1,200-1,800)

Lot 1247 Visit www.jamesdjulia.com for more information

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Session 1 1248.

EDMUND CHARLES TARBELL (American, 1862-1938) PORTRAIT OF ELIZABETH CHILD Oil on canvas Housed in a fine period gesso decorated gilt frame with gilt liner having a “J. Eastman. Chase, Boston” framing label Signed lower left “Edmund C Tarbell” 36” x 26”. Overall: 47-1/2” x 37” Provenance: Descended within the family, consigned by the great, great grandson of the sitter. Family states the portrait was executed in the 1920s in the Philadelphia area Condition: Fine stable craquelure, lined, some touch up, very good 52349-1 (4,000-6,000) 123

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Session 1

1249. ATTRIBUTED TO THOMAS SULLY (American, 1783-1872) PORTRAIT OF A YOUNG LADY WITH RED SHAWL Oil on canvas Housed in a period giltwood frame with molded decoration (as is) Unsigned 20” x 25”. Overall: 38” x 32” Condition: Craquelure arrested by wax lining, scattered in-paint within craquelure, surface dirt, otherwise very good 51911-15 (2,000-4,000)

Lot 1249 1250.

LOUIS BETTS (American, 1873-1961) YOUNG GIRL PETTING A WHITE DOG IN THE PARK Oil on canvas Housed in a contemporary giltwood frame Signed and dated lower left “L. Betts ‘96.”, bears O’Brien’s, Chicago label affixed to stretcher inscribed “No. 37...” 16” x 12”. Overall: 21-1/4” x 17-1/4” Provenance: Private New York collection Condition: Overall very good 52073-1 (4,000-6,000)

Lot 1250

Lot 1251 Visit www.jamesdjulia.com for more information

1251. ATTRIBUTED TO FRANCIS COATES JONES (American, 19th/20th Century) WOMAN ATTENDING HER ROSES Oil on canvas Unframed Signed lower right “F.H. Jones” Note: The only explanation for the second initial being “H” instead of “C” is the possibility that this was a collaboration with his brother, Hugh Bolton Jones, and himself thus the initials “F” for Francis and “H” for Hugh. There are recorded collaborative works between the two 28” x 19” Condition: Minor surface dirt, two tears to canvas, unrestored 51855-1 (2,000-4,000) 124

Lot 1252 1253.

NORMA VIRGIN VAN SWERINGEN (American, 1875-1965) and UNSIGNED (American School, 19th century) TWO PORTRAITS: KATHELINE TAPPEN AND ELISABETH TAPPEN 1) Mixed media, Housed in a period thin frame with black bordered glass front, Signed lower left “Norma Virgin Van Sweringer 29”, Sister of Elizabeth Ketcham and Granddaughter of Elisabeth Tappen 2) Oil on canvas, Housed in a carved Italian style wood frame (as found), Unsigned having a New York canvas stencil on verso of canvas, Grandmother of Katheline Tappen and Elizabeth Ketcham 1) Sight: 21” x 12-1/2”. Overall: 25-1/4” x 17-1/4”. 2) 26” x 18”. Overall: 34” x 26” Condition: 1) Frame and glass with losses, portrait very good. 2) One small scratch to right edge, otherwise very good 51885-2 (800-1,200)

Lot 1253

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Session 1

1252. AUGUSTUS EDWIN JOHN (British, 1878-1961) PORTRAIT OF ELIZABETH ARDEN Oil on canvas Housed in its original gesso decorated frame that is damaged Unsigned 24” x 20”. Overall: 31-1/2” x 27-1/2” Provenance: Descended within the family as follows: Elizabeth Arden, New York, to her niece Patricia Graham Young, to Charlie Young, to our consignor. Family history indicates that Elizabeth Arden sat for a first portrait which she did not like. She insisted and had a second sitting which produced the painting we have which she liked as she felt the artist had got the measure of her and she looked much steelier and tougher than in the first sitting. Ms. Arden kept the second sitting example and hung it in her Fifth Avenue apartment. She sent the first sitting portrait to London where it hung in her management offices. We are not sure whether the larger portrait sold at Christie's London 03/23/2017 was from the corporate office. Condition: Recently restored with inpainting, lined, very good 51921-1 (4,000-5,000)

Session 1

1254. FRANCIS SCOTT BRADFORD (American, 1898-1961) FULL LENGTH PORTRAIT OF ELIZABETH KETCHAM Oil on canvas Housed in a period giltwood frame Signed and dated lower right “Francis Scott Bradford ‘30”, inscribed indiscernibly on stretcher Note: Elizabeth Ketcham was sister of Katheline Tappen and Granddaughter of Elisabeth Tappen 78” x 29”. Overall: 79-3/4” x 32-1/2” Provenance: By descent through the family of the sitter Condition: Overall shrinkage cracks with 6” tear lower center, stretcher marks and craquelure, surface grime; frame has grime, losses and damage lower right 51885-1 (800-1,200)

Lot 1254

1255.

SALLY SWATLAND (American, 1946-) “OCEAN POINT” Oil on canvas Housed in a fine carved & gilt wood frame with gilt liner Signed lower right “Sally Swatland” Titled & signed on verso of stretcher 30” x 36”. Overall: 38” x 44” Condition: Very good to excellent 52138-13 (6,000-8,000)

Lot 1255 Visit www.jamesdjulia.com for more information

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Lot 1256 1257.

DONALD R. PURDY (American, 1924-) LADY WITH PARASOL AT THE BEACH Oil on Masonite Housed in a contemporary giltwood frame with linen liner Signed and dated lower left “83 Purdy” 18” x 14”. Overall: 27” x 23” Condition: Very good to excellent 52103-4 (800-1,200)

Lot 1257

1258. KOO SCHADLER (American, 1962-) “SISTER I ELIZA” Egg tempra on panel Housed in a paint decorated ebonized wood frame Signed, dated and titled on verso “Koo Schadler 2006”, inscribed with Proverb along bottom 9-3/4” x 6-3/4”. Overall: 15-1/2” x 12-3/4” Condition: Very good to excellent 52138-2 (2,000-3,500)

Lot 1258 127

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Session 1

1256. SAM (SAMIR) BARBER (American, 1943-) POND LILIES Oil on board Housed in a gilt frame with linen liner Signed lower right “Barber” 41” x 49”. Overall: 44” x 51-1/2” Condition: Very good 52376-4 (1,000-2,000)

Session 1

1259. EDMUND WILLIAM GREACEN (American, 1873-1949) “A NUDE” Oil on canvas board Housed in a fine carved & silver gilt period frame Signed lower right “Edmund Greacen”; Also retaining a Grand Central Art Galleries, Inc. New York label on verso. Also an artist inscription on verso, signed Edmund Greacen 16” x 12”. Overall: 21-1/2” x 17-1/2” Condition: Very good 52375-3 (2,000-3,000)

Lot 1259

1260.

JEAN GABRIEL DOMERGUE (French, 1889-1962) PORTRAIT OF AN ELEGANT, PARTIALLY NUDE PARISIAN WOMAN Oil on canvas Housed in a 19th century carved giltwood frame with acorn leaf decoration Signed lower left “Jean Gabriel Domergue” 39” x 30-1/2”. Overall: 45-3/4” x 37-1/2” Condition: Very good with two small patches on verso corresponding to restoration, several tiny flake losses 52024-1 (10,000-15,000)

Lot 1260 Visit www.jamesdjulia.com for more information

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Lot 1261

1262.

ALBERT STERNER (Anglo-American, 1863-1946) “THE BLIND” Oil on canvas Housed in a gold painted wood frame Signed and dated lower left “Albert Sterner, 1933”, signed with initials, dated and titled on verso 38-1/2” x 43-1/2”. Overall: 44” x 49” Condition: Very good with surface grime and minor cracking 52134-1 (2,000-4,000)

Lot 1262 129

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Session 1

1261. UNSIGNED (American, Early 20th century) NUDE FIGURE OF A YOUNG WOMAN Oil on canvas Housed in an early 20th century gilt wood frame with white painted liner Unsigned, bears inscription on frame verso “Garber portrait” (possible attribution to Daniel Garber, 1880-1958) 30” x 25”. Overall: 39” x 34-1/2” Condition: Surface grime, large impression to canvas upper right, craquelure throughout, restoration upper left corner and in figures ponytail 52099-13 (3,000-5,000)

Session 1

1263. ANDRE GISSON (American, 1921-2003) “A DAY AT THE BEACH” Oil on canvas Housed in a contemporary white washed wood frame with gilt highlights and presentation plaque Signed lower left “Gisson” 9” x 12”. Overall: 15-1/2” x 18-1/2” Condition: Very good to excellent 52117-1 (1,000-1,500)

Lot 1263 1264.

ANDRE GISSON (American, 1921-2003) “FLORAL SHADOWS” Oil on canvas Housed in a contemporary painted wood frame with linen liner Signed lower right “Gisson”, titled on a Miner’s Gallery Americana label affixed to verso 30” x 40”. Overall: 37” x 47” Provenance: Miner’s Gallery Americana, Carmel, CA; a Calgary estate Condition: Very good 52100-1 (2,000-4,000)

Lot 1264

1265. LESLIE PRINCE THOMPSON (American, 1880-1963) “LANDSCAPE ET BOLOGNE” Large oil on canvas Housed in its original carved & gilt frame with wide liner retaining three labels on verso including “Property of Hiram Ricker & Sons, Poland Spring Art Gallery”. Also a 14th Annual Exhibition Poland Spring Gallery with artist, titles, etc Signed lower left “Leslie P Thompson 05” 30” x 37-3/4”. Overall: 42-1/2” x 50” Provenance: Removed from the Maine State Building, Poland Springs, Maine Condition: Appears to be in untouched, original condition, very good 52369-4 (2,000-3,000)

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Session 1 1266.

CHAUNCEY FOSTER RYDER (American, 1868-1949) SUMMER AT TUILERIES GARDEN, PARIS Oil on canvas Housed in a late-19th century carved giltwood frame Signed indistinctly lower right 20” x 24”. Overall: 27-3/4” x 31-1/2” Condition: Good condition with craquelure and several small areas of re-touch throughout, lined 52208-6 (12,000-18,000)

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Session 1

1267. HAYLEY LEVER (American, 1876-1958) “CALM DAY, ST. IVES, CORNWALL, 1905” Oil on panel Housed in its original composite and giltwood frame with linen liner Signed lower left “Hayley Lever”, titled on label affixed to verso “Clayton Liberatore” and dated “1905” Panel: 12” x 15-3/4”. Overall: 171/4” x 21-1/4” Condition: Very good 52096-2 (10,000-15,000)

Lot 1267

1268.

EMILE ALBERT GRUPPE (American, 1896-1978) ALBUFEIRA, PORTUGAL Oil on canvas Housed in a modern giltwood frame Signed lower right “Emile A. Gruppe”, titled and dated “1969” by the artist on verso 16” x 20”. Overall: 23-3/4” x 273/4” Condition: Very good to excellent 52100-4 (5,000-8,000)

Lot 1268 Visit www.jamesdjulia.com for more information

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Lot 1269 1270.

ARTHUR V DIEHL (American, 1870-1929) UNLOADING THE BOAT Oil on board Housed in a modern giltwood frame Signed lower right “Arthur V. Diehl”, inscribed on verso “Mrs. Carl Boele(?)” 11” x 14”. Overall: 15-1/2” x 18-3/4” Provenance: From a fine New York Estate Condition: Very good with some minor touch up, signature may have been strengthened 51954-4 (800-1,200)

Lot 1270 1271. ARTHUR V DIEHL (American, 1870-1929) EUROPEAN FISHING VILLAGE Oil on board Housed in a contemporary gilt and paint decorated frame Signed lower left “Arthur V. Diehl” 24” x 22-1/4”. Overall: 27-3/4” x 26” Provenance: From a fine New York Estate Condition: Very good, with minor scattered in-paint in sky and hillside 51954-3 (1,000-2,000)

Lot 1271 133

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Session 1

1269. ANTHONY THIEME (American, 1888-1954) “PUNTA GORGE, LAGUNA DE ATITLAN, GUATEMALA” Oil on canvas Housed in a modern frame with gilt remnants Signed lower right “A Thieme”, titled with pencil inscription on verso, frame bears Robinson Galleries, Inc., Miami, Florida label 22-1/2” x 25-3/4”. Overall: 26-1/2” x 29” Condition: Good with surface grime, craquelure in water, gilt loss on frame with red base coat showing 52025-1 (3,000-5,000)

Session 1

1272. FRANK VINCENT DUMOND (American, 1865-1951) “THE MARGAREE RIVER VALLEY” Oil on canvas Housed in fine carved & gilt frame with carved & gilt liner having carved frame maker “Paul Carter Goodnow” Signed lower left “F V Dumond” Also Estate stamp on verso of canvas & stretcher, titled on stretcher 24” x 30”. Overall: 32-1/2” x 38-1/2” Condition: Very good with some inpainting 52208-9 (5,000-7,000)

Lot 1272 1273.

MABEL WOODWARD (American, 1877-1945) “THE GOAT HERD, TAORMINA, ITALY” Oil on board Housed in a gold painted wood frame Signed lower left “M. Woodward”, titled on verso 10” x 13”. Overall: 12-3/4” x 16” Condition: Good with craquelure, frame abrasion upper right 52287-8 (1,000-2,000)

Lot 1273 1274. PAUL C. STAHR (American, 1883-1953) PREPARATORY SKETCH FOR LIFE MAGAZINE, JULY 4, 1918 “NO LONGER FRIENDS” OR “WAR GAMES” Watercolor on paper mounted to board Signed lower left Paul Stahr Housed in a molded wood frame with gold liner 26-3/4” x 22”. Overall: 30-1/2” x 25-1/2” Condition: Horizontal crack through dog & child’s feet, water droplet stains & surface dirt 52073-3 (1,000-2,000)

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Lot 1275 1276.

JIM DAVIS (American, 1945-) “GARFIELD ROCKS” Oil on canvas Unframed Signed lower right “Jim Davis” Note: Accompanying the painting is a presentation folder having six photos of the making of this painting including the artist signing it. On verso it is numbered “546” and dated 2002 20” x 16” Condition: Very good 52013-30 (2,000-4,000)

Lot 1276 1277. LOUIS JOHN RHEAD (American, 1857-1926) PAIR OF CHILD BOOK ILLUSTRATIONS Watercolor Housed in identical blue painted modern wood frames Signed lower right in pencil “Louis Rhead”, on verso publishing tag indicating reproduced and indicating caption “Speak for it” Sight: 18-1/2” x 12-1/2”. Overall: 20” x 14” Condition: Some age toning and light staining, otherwise very good 52103-16 (1,200-1,800)

Lot 1277 135

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Session 1

1275. GLEN MITCHELL (American, 1894-1972) “EARLY BIRDS” Oil on canvas Housed in a vintage wood frame Signed lower left “Glen Mitchell” Exhibited: The Art Institute of Chicago, “Art Students League Annual Exhibition - 1920” (title was an original on label, which has been lost) 22” x 26”. Overall: 26-3/4” x 31” Condition: Surface grime, canvas buckle lower left, scattered restoration 52099-4 (1,000-1,500)

Session 1

1278. AIDEN L. RIPLEY (American, 1896-1969) “ESCAPE FROM DARTMOOR” Oil on canvas Housed in a modern silver painted wood frame Signed lower left “A.L. Ripley”, titled on presentation plaque Note: During the War of 1812, the British seized over 20,000 American seamen. Thousands were banished to Dartmoor,infamous prison on the bleak moors of Devonshire, 17 miles inland from Plymouth, England 23-1/2” x 16-1/4”. Overall: 30-1/2” x 23” Condition: Very good with minor touch-up 52003-11 (3,000-4,000)

Lot 1278

1279.

LOUIS MAURER (American, 1832-1932) FULL MOON OVER THE FROG BAND Oil on canvas Housed in a fine gilt molded wood modern frame Signed lower right “L Maurer” Note: Maurer was employed by Currier and Ives and produced over 100 prints including life of the fireman series and western genre pieces. This example is unusual for its subject matter and its whimsical nature, certainly one could visualize this as a potential lithograph 18” x 24”. Overall 22-1/2” x 281/2” Condition: Lined, very good 52190-2 (10,000-20,000)

Lot 1279 Visit www.jamesdjulia.com for more information

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1280.

HAROLD G. STONER (American, 1890-1971) ARCHITECT HAROLD STONER, ARCHITECT, LOOKING OUT OVER HIS BRIDGE CONCEPT FOR SAN FRANCISCO BAY Oil on canvas Unframed Signed and dated lower right “Stoner 1926” Note: Harold G. Stoner (1890-1971) was an American architect and artist who lived in San Francisco and worked in the early and mid-20th century and helped define some of the architectural style of the San Francisco area. After working for several architectural firms he settled into the firm of Lang Realty Company as their chief architect in 1921. He worked on many of the housing developments in many of the San Francisco neighborhoods including the Marina, Monterey Heights, Sherwood Forest and many others. Although most of Stoner’s work was involved in residential housing he did work on some commercial projects which became his most acclaimed work. These included the Tamalpais Theatre in San Anselmo, Sally Rand’s Nude Ranch at the Golden Gate International Exposition and Sutro’s Ice Rink. This painting shows an image of Stoner kneeling down and at his feet are architectural blueprints. He is overlooking a large bridge being completed over the San Francisco bay with the city’s skyline beyond. It was during this time when the city was soliciting plans and design concepts for the bridge that was to span the bay. In his vision is a bridge with an Art Deco design. Whether he fancied his participation in this project or was asked to participate it was the prize of any architect at that time in the “City by the Bay.” 15” x 42” Condition: Surface grime, stretcher mark, otherwise very good 52097-2 (5,000-10,000)

Session 1

Session 1 1281.

FRANK TOWNSEND HUTCHENS (American, 1869-1937) “AUTUMN TAOS CANYON” Oil on canvas Housed in a fine carved and gilt period frame attributed to Jean Woolsey (some finish loss) Signed lower left “Frank Townsend Hutchens Taos”; Paper label with artist title and “Return to Jean Woolsey Taos, New Mexico” on verso Note: We believe this work was created circa 1931-1932 as this was the only time that this artist is known to have painted in Taos Hutchens was born in Canandaigua, New York and was a painter of landscape, portraits & figures and was also noted for his watercolors. He studied with Irving R. Wiles & Frank DuMond at the Art Students League as well as in Paris where he was a member of the Paris Association of American Artists 36-1/2” x 40”. Overall: 43-1/2” x 47-1/2” Condition: Surface dirt, lower right corner with 1” puncture and small chip in green area; otherwise very good 52124-3 (8,000-12,000) Visit www.jamesdjulia.com for more information

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Lot 1282 1283.

SHELDON PARSONS (American, 1866-1943) NEW MEXICO LANDSCAPE WITH ADOBE Oil on board Housed in a vintage gold tone wood frame Signed lower left “-Sheldon Parsons-” 15-3/4” x 19-3/4”. Overall 23-1/4” x 27-1/2” Condition: Surface grime, tiny white paint splattered on surface of painting and frame 51419-1 (3,000-5,000)

Lot 1283

1284. PAUL STRISIK (American, 1918-1998) “CASCADE MOUNTAIN, BANFF” Oil on Masonite Housed in a contemporary giltwood frame with presentation plaque Signed lower right “P. Strisik”, titled on artist label affixed to verso with inventory “No. O-1090”, stamped “Strisik Collection” on verso 8” x 10”. Overall: 15” x 17” Condition: Very good to excellent 52101-4 (2,000-3,000)

Lot 1284 139

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Session 1

1282. CHAUNCEY F. RYDER (American, 1868-1949) WESTERN LANDSCAPE Oil on Masonite Housed in a contemporary giltwood frame Signed lower right “Ch-y F. Ryder”, inscribed on verso “Jan. 26 first Ryder” 15-3/4” x 12”. Overall: 22” x 18” Condition: Very good with 1/2” area of inpaint upper center 52046-7 (2,000-4,000)

Olaf Wieghorst (American, 1899-1988)

Session 1

Wieghorst created the four important works of Western art now offered at auction: “The Meeting,” “New Mexico Rancher,” “Coming Out High” and “Guns and Trouble.” Wieghorst as a young man served as a New York Police Department officer. These four works were acquired in the 1980s by a fellow NYPD officer and have been in the possession of his descendants ever since and have never appeared on the market.

1918. He learned horsemanship skills on a stock farm and later served in the U.S. Cavalry on the Mexican border during the days of Pancho Villa. He worked afterward in civilian life as a cowboy throughout the Southwest, and then as a mounted policeman, patrolling Central Park in Manhattan.

Born into an artistic family in Viborg, Jutland, Denmark, Wieghorst lived an adventurous life starting early as a child acrobatic performer with the Tivoli Theater in Copenhagen and then as a cabin boy on a steamer ship, arriving to the States in

Beginning a successful painting career on the side, he eventually was represented by the Grand Central Art Galleries. After relocating to Southern California, Wieghorst specialized in horse portraiture, with subjects including Roy Rogers’ Trigger and Gene Autry’s Champion. His work can be seen in the Eisenhower Library and the Whitney Gallery as well as in the private collections of several well-known American families.

1285.

OLAF WIEGHORST (American, 1899-1988) GUNS AND TROUBLE Oil on canvas Housed in a contemporary goldtone frame with linen liner Signed lower right “Olaf Wieghorst” 24” x 20”. Overall: 27-3/4” x 23-3/4” Provenance: From the artist to a private New York collection, 19361939, then by descent to the present owner. The paintings were authenticated, titled and signed by the artist at his home in Jensen Beach, Florida, in April 1986. The paintings are photo-registered with O. Wieghorst Productions, El Cajon, California. Condition: Good, yellowed varnish, very minor retouch 52055-1 (15,000-25,000)

Lot 1285 1286.

OLAF WIEGHORST (American, 1899-1988) “COMING OUT HIGH” Oil on canvas Housed in a contemporary goldtone frame with linen liner Signed lower right “Ol Wieghorst” Note: “2C” noted beneath the signature references the Quarter 2C Ranch in Arizona where he worked as a ranch hand. He adopted this brand as his insignia 24” x 20”. Overall: 27-3/4” x 23-3/4” Provenance: From the artist to a private New York collection, 19361939, then by descent to the present owner. The paintings were authenticated, titled and signed by the artist at his home in Jensen Beach, Florida, in April 1986. The paintings are photo-registered with O. Wieghorst Productions, El Cajon, California. Condition: Good, pigment inconsistency on retouch to point in sky 52055-3 (8,000-12,000) Visit www.jamesdjulia.com for more information

140

Lot 1286

Session 1 Lot 1287 1287.

OLAF WIEGHORST (American, 1899-1988) THE MEETING Oil on canvas Housed in a wood frame Signed lower right “O-Wieghorst” 21” x 45”. Overall: 24-1/2” x 48-1/2” Provenance: From the artist to a private New York collection, 1936-1939, then by descent to the present owner. The paintings were authenticated, titled and signed by the artist at his home in Jensen Beach, Florida, in April 1986. The paintings are photo-registered with O. Wieghorst Productions, El Cajon, California. Condition: Good, minor retouch, stable craquelure 52055-2 (10,000-15,000) 1288.

OLAF WIEGHORST (American, 1899-1988) “NEW MEXICO RANCHER” Oil on canvasboard Housed in a contemporary wood frame with linen liner Bears signature lower right “O - Wieghorst.”, with second and likely original signature, lower right “O. Wieghorst” (concealed by frame) 16” x 12”. Overall: 21” x 17” Provenance: From the artist to a private New York collection, 1936-1939, then by descent to the present owner. The paintings were authenticated, titled and signed by the artist at his home in Jensen Beach, Florida, in April 1986. The paintings are photo-registered with O. Wieghorst Productions, El Cajon, California. Condition: Good, contrasting pigment fluoresces 52055-4 (7,000-9,000)

141

Lot 1288 Visit www.jamesdjulia.com for more information

Session 1

1289. LEONARD H. REEDY (American, 1899-1965) COLLECTION OF FOUR WATERCOLORS OF COWBOYS AND CATTLE. All four housed in matching wood frames with linen and gilt liners. Each signed “Leonard H. Reedy”, each bears Findlay Galleries, Chicago label SIZE: 8” x 11”. Overall: 14-1/2” x 17-1/2”. CONDITION: All four in good condition with some toning and fading. 51911-33 (2,500-3,500)

Lot 1289 1290.

LEONARD H. REEDY (American, 1899-1956) TWO WESTERN SCENES Watercolors on paper Housed in matching contemporary wood frames, matted under glass Both signed “Leonard H. Reedy”, one titled on mat “Counting the Dead” and dated “1930”; the other titled on verso “Fighting of the Timber Wolves” Each: 7-3/4” x 10-3/4”. Overall: 15-1/2” x 18-1/2” Condition: Both have discoloration to paper, mat burn and fading. Mats have discoloration and spotting, not examined out of frames 52099-53 (1,000-1,500)

Lot 1290 1291. ROBERT CAPLES (American, 1918-1996) “HIGH NOON” Oil on board Housed in a contemporary giltwood frame Signed lower right “Caples”, titled label affixed to verso 12” x 16”. Overall: 19-3/4” x 23-3/4” Condition: Very good 52099-54 (1,000-1,500)

Lot 1291 Visit www.jamesdjulia.com for more information

142

Session 1 Lot 1292

1292.

ATTRIBUTED TO GEORGE CATLIN (American, 1796-1872) BUFFALO AND HUNTERS FLEEING A GREAT FIRE Oil on canvas Housed in a contemporary giltwood frame Unsigned, inscribed on stretcher “Gift: Henry H Brooks” Note: Partial labels on verso indicate this painting has been de-accessioned from a museum collection 24” x 42”. Overall: 27-1/2” x 45-1/2” Condition: Good restored condition, craquelure arrested with lining and new varnishes 52099-15 (10,000-20,000)

1293.

FREDERICK DEBOURG RICHARDS (American, 1822-1903) “PIKES PEAK” Oil on canvas Housed in an early 20th century giltwood frame Initialed lower left “FDR” Note: A framed letter dated 1875 addressed to J DeB. Richards, Esquire from Gebbie Barrie accompanies this lot. In the letter Mr. Barrie, a Philadelphia bookseller, praises the painting “Pikes Peak” and proposes an exchange for books 12” x 16”. Overall 17-1/4” x 21-1/2” Condition: Canvas has been trimmed and lined, with minor discoloration and spotty varnish, paint surface very low in places, otherwise fair 52099-32 (3,000-5,000)

Lot 1293 143

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Session 1

1294. ATTRIBUTED TO THOMAS MORAN (American, 1837-1926) GRAND CANYON Oil on canvas laid to a plywood panel Housed in an antique gilt gesso decorated frame with two gilt liners (intact having age toned surface) Titled on label affixed to frame “Thomas Moran/Oil/ Grand Canyon/The Laura Davidson Sears Collection, The Elgin Academy Art Gallery, Elgin Illinois Numbered “17” in pencil on verso of panel Signed indistinctly lower right in red paint with what appears to be “Th.”, parts of a last name and “pinx” Accompanying the painting is an Examination Report and Treatment Proposal by Ruth Barach Cox, Painting Conservation Inc. Along with the written documents are six large color photographs, one close up of the signature area 20-1/2” x 19-1/2”. Overall: 33-1/2” x 33” Provenance: Accompanying the painting is the original receipt from Lenz Art Studio, Milwaukee, WI 12/2/67 for purchase by Mr. Erdmann of Snow Hill, NC. Also is a photocopy of parts of the American Painting Catalog, this painting being No. 203 by the Lenz Art Gallery Condition: Horizontal band of loss, overall heavy varnish, significant losses along bottom and scattered losses throughout 52031-2 (2,500-4,000)

Lot 1294

1295.

CHARLES DAMROW (American, 1916-1989) EVENING ENCAMPMENT Oil on board Housed in a brass mounted wood frame Signed lower left “Charles Damrow”, inscribed on verso “B.Van Den Heuvel...” 24” x 36”. Overall: 27-1/2” x 39-1/2” Condition: Surface scratch with losses upper left, 3” horizontal inpaint in sky, otherwise good 52013-8 (800-1,200)

Lot 1295

1296. JENNIFER O’CUALIAN (American, 20/21st century) “DIAMONDBACK” Oil on Masonite Housed in a figured wood frame Signed lower right “O’Cualian”, titled and signed on verso 3-3/4” x 14”. Overall: 9” x 19-1/2” Condition: Excellent condition 52101-6 (800-1,200)

Lot 1296 Visit www.jamesdjulia.com for more information

144

Lot 1297 (w/close-up) 1298.

CYRUS DALLIN (American/French, 1861-1944) “MASSASOIT” Bronze Signed “Dallin” on side of base and titled at front of base Note: The large bronze of Massasoit (1920) is opposite Plymouth Rock, Plymouth, MA 11-1/2” h Condition: Nice brown patina, arm with pipe has three dings at elbow, otherwise very good 52003-8 (4,000-6,000)

Lot 1298 1299. TRUMAN BOLINGER (American, 1944-) “WILD AND RUGGED” Bronze Mounted to a shaped wood base Signed on base “Truman Bolinger 1973” Bronze: 20-1/2” h x 35” l. Overall: 21-3/4” h x 37” l Condition: Very good 52003-6 (4,000-6,000)

Lot 1299 (w/close-up) 145

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Session 1

1297. THEODORE BAUR (American/German, 1835-1894) “CHIEF CRAZY HORSE” Bronze Signed on side “Th Baur 1885 New York Copyright by Theodore Baur March 1885”. Also marked on side of base “Roman Bronze Works N.Y.” 14-1/2” h x 8” at widest Condition: Very good with some light rubs 52003-4 (4,000-6,000)

Session 1

1300. HARRY ANDREW JACKSON (American, 1924-2011) “COWBOY JACK” Bronze plaque Mounted to a square wood frame Signed lower left “H Jackson 1979” “CJ5” along with a fingerprint Note: Two books on Harry Jackson accompany the bronze Bronze: 11-1/2 sq. Overall: 12-1/4” sq Condition: Very good 52003-5 (1,500-2,500)

Lot 1300 (w/close-up) 1301.

DARO FLOOD (American, 1954-) “DREAM AWAY” Bronze Mounted to a wood plinth Signed on back of base “Daro 4/30” 21-1/2” h. Overall: 23-1/4” Condition: Nice brown patina, very good 52003-7 (1,000-1,500)

1302. AFTER CARL KAUBA (Austrian, 1865-1922) “THE SCOUT” Bronze Mounted to a round gray marble base Signed on bronze “C Kauba” 25” h x 14” at widest Condition: Very good 52083-1 (1,200-1,800)

Lot 1301 (w/close-up)

Lot 1302 (w/close-up) 1302A.

DENNIS B. SHEAHAN (American, -1900) WILLIAM JENNINGS BRYAN Bronze Signed “D.B.Sheahan / Sculpt / N.Y 1887” 18-1/2” h x 15-1/2” w Condition: The plaque offered unmounted with original untouched surface and with lustrous patina and golden brown color, light scuffs, very good overall 51911-47 (1,200-1,800)

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146

Lot 1302A (w/close-up)

Lot 1303

1304.

HARRY H ROSELAND (American, 1868-1950) “THE PALM READER” Oil on canvas Unframed Signed lower right “Roseland” 11” x 14” Provenance: Ex-collection Henry D. Audesse, Wenham, Massachusetts Condition: Good, restored, canvas has been lined 51909-1 (2,000-3,000)

Lot 1304

1305. ALICE SPAULDING HEMENWAY (American, 1866-) THE STREET SWEEPER Oil on board Housed in a molded wood frame Signed lower left “A S Hemenway” 38” x 32-1/2”. Overall: 42-3/4” x 38” Condition: Inpainting, very good 52394-3 (1,000-1,500)

Lot 1305 147

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Session 1

1303. XANTHUS R. SMITH (American, 1839-1929) HOMESTEAD ON THE SUSQUEHANNA RIVER Oil on canvas Housed in a modern giltwood frame Signed lower right “Xanthus Smith” Accompanied by a folder including a black & white image of the painting indicating “From the Collection of Frank S. Schwarz & Son, Philadelphia” 16” x 27”. Overall: 24” x 35” Provenance: A landscape painting titled “Landscape on the Susquehanna” appears in the inventory of the Estate of Russel Smith, listed as in the 2nd floor study Condition: Lined, good with scattered retouch 52273-2 (4,000-6,000)

Session 1

1305A. LEO MEISSNER (American, 1895-1977) "HARVEST TIME" Oil on board Housed in a contemporary giltwood frame Signed lower right "Leo Meisner", titled on verso with inscription "Painted on location in foothills of Smokies, N. Carolina purchased from the artist July 12, 1974 by Dr. & Mrs. Sprul(?)" 21-1/2" x 29-1/2". Overall 27-3/4" x 35-1/2" Condition: Very good, with minor surface grime upper right 51995-3 (2,000-4,000)

Lot 1305A 1306.

ALFRED HUTTY (American, 1877-1954) “OFF FOR THE DAY” Drypoint Housed in a black frame, matted under glass Signed in pencil lower right “Alfred Hutty”, and titled on the lower left “Off for the Day” 7” x 10-3/4”. Overall: 16-3/4” x 20-1/2” Condition: Mat burn, overall discoloration, not examined out of frame 52159-2 (1,500-2,500)

Lot 1306

1307. ALFRED HUTTY (American, 1877-1954) “VEGETABLES” Drypoint Housed in a black frame, matted under glass Signed lower right “Alfred Hutty” and titled lower left “Vegetables” 6-3/4” x 8-3/4”. Overall: 15-3/4” x 17-1/2” Condition: Mat burn and overall discoloration, small crease lower left, not examined out of frame 52159-1 (1,500-2,000)

Lot 1307 Visit www.jamesdjulia.com for more information

148

Lot 1308

1309. FREDERICK JOHN MULHAUPT (American, 1871-1938) “WINTER AFTERNOON” Oil on board Housed in a fine carved & gilt frame with two liners having wide linen mat behind glass Signed lower right “Mulhaupt” Salmagundi Club Thumbox Edition label with artist & title on verso 8” x 10”. Overall: 16-3/4” x 18-3/4” Provenance: Private New Jersey Collection Condition: Very good 52124-1 (4,000-6,000)

Lot 1309 149

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Session 1

1308. ELIZABETH QUALE O’NEILL VERNER (American, 1883-1979) “LOW COUNTRY, SOUTH CAROLINA” Etching Housed in a hinged mat Pencil signed lower right and numbered 46/80, pencil titled on bottom left Plate: 7” x 5”. Overall: 17” x 11-1/2”. With margins: 11-1/2” x 8-1/2” Condition: Some age toning, otherwise very good 51960-1 (1,000-2,000)

Session 1 1310.

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ROBERT LEWIS REID (Amercian, 1862-1929) “WINTER” Oil on canvasboard Housed in a fine carved and gilt wood frame with carved and gilt liner having title and artist plaque Signed in left foreground log “Robert Reid” Retains “Vose Gallery, Boston, MA” label on verso 18” x 24”. Overall: 26” x 32” Provenance: From a fine Connecticut collection Condition: Scattered inpainting, very good 52314-1 (10,000-20,000)

150

Session 1 1311.

JOHN F. CARLSON (American, 1874-1945) WINTER LANDSCAPE WITH COTTAGE Oil on canvas Housed in a contemporary giltwood frame Signed lower right “John F. Carlson” 24” x 34”. Overall: 29-1/2” x 39-1/2” Condition: Good with restoration, lined, craquelure throughout, minor re-touch lower center along edge 52216-1 (20,000-30,000)

151

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Session 1

1312. ROBERT SPENCER (American, 1879-1931) WINTER THAW Oil on canvas Housed in a giltwood frame Signed lower right “Robt Spencer” 25” x 30”. Overall: 29” x 34” Condition: Minor surface grime with several areas of restoration and stretcher marks 52099-40 (5,000-7,000)

Lot 1312

1313.

CARL WUERMER (American, 1900-1981) A WINTER DAY Oil on canvas Housed in a fine modern wide gilt wood frame, with framer’s plaque from Lopez Restorations Incorporated on verso Signed lower left “Carl Wuermer” 30” x 36”. Overall: 41-3/4” x 48” Condition: Lined on new stretcher 52208-12 (4,000-6,000)

Lot 1313 Visit www.jamesdjulia.com for more information

152

1315. EMILE ALBERT GRUPPE (American, 1896-1978) STREAM IN WINTER LANDSCAPE Oil on canvas Housed in its original silver leaf molded wood frame created by the artist Signed lower right “Emile A. Gruppe”, includes Flair Galleries advertisement affixed to verso 30” x 36”. Overall: 34” x 40” Condition: Very good 52234-2 (7,500-12,500)

Lot 1314

Lot 1315 153

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Session 1

1314. CARL W. PETERS (American, 1897-1980) WINTER RIVER VIEW WITH RED HOUSE Oil on canvas Housed in a contemporary giltwood frame Signed lower left “Carl W Peters, stenciled on verso “Carl W. Peters” 25” x 30”. Overall: 28-1/2” x 33-1/2” Condition: Overall good, with canvas being a bit loose, tiny pinholes visible when held to light 51234-9 (2,000-4,000)

Session 1 Lot 1316 1316.

Lot 1317 Visit www.jamesdjulia.com for more information

EMILE ALBERT GRUPPE (American, 1896-1978) “BIRCHES IN WINTER” Oil on canvas Housed in a white painted distressed wood frame with white liner Signed lower right “Emile A Gruppe” 30” x 36”. Overall: 37-1/4” x 43-1/4” Condition: Very good 52124-2 (6,000-9,000)

1317. WAYNE BEAM MORRELL (American, 1923-2013) WOODLAND STREAM Watercolor Housed in a modern partial gilt frame with linen mat Signed lower right “Wayne Morrell” Note: Accompanying the painting is a receipt from Orleans Art Gallery, Orleans, MA 5/1/71 for purchase of this painting Sight: 20-3/4” x 29-1/2”. Overall: 30” x 38-1/2” Condition: Very good, not examined out of frame 51911-61 (1,500-2,500)

154

Session 1 Lot 1318

1318.

AARON D. SHATTUCK (American 1832-1928) PANORAMIC LANDSCAPE WITH COWS BY A RIVER Oil on canvas Housed in a contemporary giltwood frame Signed lower left “A. D. Shattuck”, inscribed “#5 Shattuck” on label affixed to stretcher 10” x 18”. Overall: 16” x 24” Condition: Very good restored condition, canvas has been lined, restored tear in sky, minor touch up along edges, 2x4” area of restoration lower center in beach 52208-15 (4,000-6,000)

1319.

DAVID JOHNSON (American, 1827-1908) SUNRISE LANDSCAPE WITH COWS AT WATERING HOLE Oil on panel Housed in a modern giltwood frame with presentation plaque Signed with monogram lower left “DJ” 8” x 11-3/4”. Overall: 13-7/8” x 17-3/4” Condition: Very good, with tiny craquelure upper left and scattered inpainting 52273-1 (4,000-6,000)

Lot 1319 155

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Session 1

1320. WILLIAM HART (American, 1823-1894) COWS BY A STREAM Oil on canvas Housed in a period giltwood frame Signed and dated lower left “Wm Hart. 1888.” 10” x 14”. Overall: 16” x 20” Condition: Mahogany panel has been placed between the painting and the stretcher for extra support, however, canvas is not affixed to panel. Surface grime, small spot of restoration in and 1” area upper right 52129-1 (2,500-4,000)

Lot 1320 1321.

JOHN B. BRISTOL (American, 1826-1909) PANORAMIC RIVER LANDSCAPE WITH GRAZING COWS Oil on canvas Housed in a period giltwood frame Signed lower left “J.B. Bristol”, bears old Christie’s label affixed to stretcher, and numbered “19.84” on stretcher 18” x 30”. Overall: 23-1/2” x 36” Condition: Very good, with craquelure and minor re-touch along edges and in water 52260-2 (4,000-6,000)

Lot 1321

1322.

ATTRIBUTED TO JOHN LESLIE BRECK (American, 1860-1899) STROLLING AMONGST THE TALL TREES Oil on canvas Housed in a modern gilt decorated fancy frame with linen liner Signed lower right “John Leslie Breck” 24” x 19-3/4”. Overall: 32” x 28” Condition: Very good, patch to reverse with no corresponding inpainting 52317-1 (1,000-1,500)

Lot 1322 Visit www.jamesdjulia.com for more information

156

157

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1323.

GEORGE HERBERT MCCORD (American, 1848-1909) “SUNSET” Oil on canvas Housed in a magnificent period gesso decorated gilt frame with gilt liner and artist plaque Signed lower left “GH McCord”, on verso are two old labels indicating artist, title and “return to New York Art ____?” 23-1/2” x 47”. Overall: 37” x 51” Condition: Very good, some inpainting, lined. 52208-4 (7,000-10,000)

Session 1

1324. THOMAS WORTHINGTON WHITTREDGE (American, 1820-1910) A REST BY THE STREAM Oil on canvas Housed in a fine antique style gesso decorated gilt frame with gilt liner Signed lower left “W Whittredge” 8-1/4” x 13”. Overall: 16-1/2” x 21” Condition: Very good with some inpainting 52208-16 (7,000-10,000)

Lot 1324

1325.

JOSEPH MORVILLER (American/French, 1800-1870) PICNIC ON THE HUDSON Oil on canvas Housed in what is probably its original gesso decorated gilt frame with some loss Signed lower right “J Morviller” 22” x 30”. Overall: 30-1/2” x 38-1/2” Condition: Lined, some inpainting, very good 52171-4 (4,000-6,000)

Lot 1325

1326. JOHN FRANCIS MURPHY (American, 1853-1921) “EVENING” Oil on canvas Housed in a period giltwood frame with presentation plaque Signed and dated lower right “J. Francis Murphy 1914”, titled on catalog label affixed to stretcher 12” x 20”. Overall: 16” x 24” Condition: Lined, craquelure and scattered re-touch 52300-2 (2,500-3,500)

Lot 1326 Visit www.jamesdjulia.com for more information

158

159

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1327.

LOUIS ASTON KNIGHT (American, 1873-1948) RIVER VIEW Oil on canvas Housed in an outstanding carved and gilt antique style frame with artist plaque and with a makers plaque from Lopez Restorations Inc. on verso. Signed lower left “Aston Knight”, on verso are two labels, one from Spanierman Gallery, NY 27” x 45-3/4”. Overall: 36-1/2” x 55” Condition: Very good with some spot inpainting 52208-2 (12,000-18,000)

Session 1

1328. HENRY AHL (American, 1869-1953) “AN ANCIENT OAK” Oil on canvas Housed in a fine carved & gilt frame with carved maker’s name “Paul Carter Goodnow” Signed lower right “Ahl” Titled & dated on verso “1936” 25-1/2” x 30-1/2”. Overall: 33” x 38” Condition: Very good 52162-1 (1,500-3,000)

Lot 1328 1329.

ALVAN FISHER (American, 1792-1863) HUNTER WITH DEER BESIDE A LAKE Oil on canvas Housed in a period giltwood frame Dated lower right “18(?)3” 24” x 30”. Overall: 35” x 41” Provenance: De-accessioned from the Henry Ford Museum, Dearborn, Michigan Condition: Restored tear center with scattered re-touch along bottom edge, lined, original monogram lost during restoration, only part of the date remains. Frame has loss to upper left and right corner molding. Scattered re-touch in foliage upper right and sky 52275-7 (2,000-4,000)

Lot 1329

1330. ATTRIBUTED TO VICTOR DE GRAILLY (American/French, 1804-1889) PAYSAGE MONTAGNEUX A LA RIVIERE AVEC UNE BERGERE ET SON TROUPEAU Oil on canvas Housed in an antique gilt frame Unsigned however this painting was sold by Tajan in Paris, 6/18/07 and was sold as a Victor De Grailley and being signed lower right but we are unable to verify the signature 21-1/2” x 28-1/2”. Overall: 25-3/4” x 33” Condition: Lined, minor inpainting 51708-1 (3,000-5,000)

Lot 1330 Visit www.jamesdjulia.com for more information

160

Lot 1331 1332.

AMERICAN SCHOOL (19th century) FOLK ART TOLE PAINTED STILL-LIFE OF FRUIT ON A LEDGE An unsigned oil on tin still-life of peaches, pineapple, grapes, currants and a bowl of strawberries sitting on a ledge. Housed in an early 20th century giltwood frame 17-1/2” x 25-1/2”. Overall: 21-1/2” x 29-1/2” Condition: Several restored losses, rough surface with craquelure 52171-3 (1,000-2,000)

Lot 1332

1333. JOHN F. FRANCIS (American, 1808-1886) STILL-LIFE WITH PEACHES AND GREEN PLUMS Oil on cradled panel Housed in a modern giltwood frame with oval liner Unsigned 10-1/4” x 12”. Overall: 20-1/2” x 22-3/4” Provenance: Sotheby’s, New York, September 23, 1993, Lot 3. A copy of the auction catalog accompanies this lot Condition: Very good with horizontal band of restoration along top and scattered re-touch lower right 52274-1 (5,000-7,000)

Lot 1333 161

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Session 1

1331. UNSIGNED (American, Early 19th Century) RURAL VILLAGE LANDSCAPE Oil on canvas Housed in a gilt molded wood frame Unsigned 24” x 36”. Overall: 31” x 42-3/4” Condition: Lined, restored with inpainting 52094-22 (2,000-4,000)

Session 1

1334. ROBERT DOUGLAS HUNTER (American, 1928-2014) TABLETOP STILL LIFE WITH GINGER JAR Oil on canvas Housed in a modern gilt molded wood frame with linen liner Signed lower left “Robert Douglas Hunter, 80” 20” x 28”. Overall: 26-1/4” x 34-1/2” Condition: Very good to excellent 52138-12 (6,000-8,000)

Lot 1334 1335.

CHARLES E. PORTER (American, 1847-1923) STILL-LIFE WITH PINK ROSES Oil on canvas Housed in a contemporary giltwood frame Signed lower left “C. E. Porter” 12” x 16”. Overall: 19” x 23” Condition: Discolored varnish, old restoration upper left, craquelure, verso canvas applied sizing which is a known trait of Porter’s work in this time period 52099-3 (2,000-3,000)

Lot 1335

1336. PAUL STRISIK (American, 1918-1998) “YELLOW PANSIES” Oil on canvas mounted to panel Housed in a contemporary giltwood frame with linen liner and presentation plaque Signed lower left “P. Strisik.”, titled on artist label affixed to on verso with inventory “No. O-1960” 8” x 10”. Overall: 13” x 15-1/2” Condition: Very good to excellent 52101-3 (2,000-3,000)

Lot 1336 Visit www.jamesdjulia.com for more information

162

1338.

Lot 1337

MARGUERITE STUBER PEARSON (American, 1898-1978) “DELPHINIUM, CORAL BELLS & ROSES” Oil on canvasboard Housed in a fine modern silver gilt frame with silver gilt liner. Carved signature of Paul Carter Goodnow Godwin Gallery Pepperell, MA label on verso; Also including a letter dated 1984 with provenance Signed “Marguerite S Pearson” lower right 20” x 24”. Overall: 29” x 33” Condition: Very good 52162-2 (2,000-4,000)

Lot 1338 1339. MARGUERITE PEARSON (American, 1898-1978) STILL-LIFE WITH YELLOW AND ORANGE FLOWERS Oil on canvas Housed in a contemporary giltwood frame signed “Paul Carter Goodnow” Signed lower left “M.S. Pearson” 18” x 14”. Overall: 26” x 22” Condition: Craquelure, stretcher marks, restoration along edges, otherwise good 52162-3 (800-1,200)

Lot 1339 1339A. MARGUERITE STUBER PEARSON (American, 1898-1978) PORTRAIT OF A WOMAN WITH MANTILLA AND BLACK FEATHER FAN Oil on canvas Housed in a period 19th century giltwood frame Signed and dated upper right "M.S. Pearson '24" 30" x 25-1/4". Overall: 39-1/2" x 34" Condition: Good restored condition, lined, several small areas of re-touch throughout background, 1" area on her cheek 52117-12 (2,000-4,000) 163

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Session 1

1337. JANE PETERSON (American, 1876-1965) COLORFUL ZINNIA STILL LIFE Oil on board Housed in a painted & gilt molded wood frame (as found) Signed lower left “Jane Peterson” Sight: 17-1/2” x 23-1/2”. Overall: 25-1/2” x 31” Condition: Very good 52125-5 (2,000-3,000)

Session 1 1340.

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HEYWOOD HARDY (British, 1842-1933) “THE FIRST OF NOVEMBER” Oil on canvas Housed in a wonderful period gilt pierced gesso decorated frame having title and artist’s plaque Signed and dated lower left “Heywood Hardy 1906” 24” x 33-3/4”. Overall 30-1/2” x 39-3/4” Provenance: Christie’s South Kensington 3/11/10 Lot 14, From a Woodstock, VT collection Condition: Very good 51710-2 (40,000-60,000)

164

Session 1 1341.

HEYWOOD HARDY (English, 1842-1933) “PREPARING FOR THE HUNT” Oil on canvas Housed in a gilt wood frame. On verso a paper label “Lent by: Mrs Bernard F. Combemale” Signed lower right “Heywood Hardy” 18” x 27”. Overall 24” x 33” Provenance: Woolworth estate (F.W. Woolworth Dept, Store), Monmouth Maine. Sold James D. Julia Inc 2/11 lot 1029, From a Woodstock, VT collection. Condition: Craquelure, some touch up mostly along bottom edge otherwise very good 51710-1 (20,000-30,000)

165

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Session 1 1342.

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HEYWOOD HARDY (English, 1843-1933) THE MEET WITH RIDERS & HOUNDS Oil on canvas Housed in a modern paint decorated wood frame Provenance: From a fine New Hampshire home Signed lower right “Heywood Hardy” 20” x 30”. Overall: 26” x 36” Condition: Shrinkage cracks in center rider, canvas is buckling lower left, otherwise good 52210-13 (10,000-20,000)

166

1344.

Lot 1343

JOHN SANDERSON-WELLS (British, 1872-1955) TWO WORKS: HUNT SCENES Oil on wood panel Housed in matching gesso decorated gold frames Signed lower left and lower right “JS Sanderson Wells” 1) 9-1/2” x 13-1/2”. Overall 16” x 20”. 2) 9” x 13”. Overall 15-1/4” x 19-1/4” Provenance: From a Woodstock, VT collection Condition: Very good 51710-5 (4,000-6,000)

Lot 1344

Lot 1345

1345. HENRY JAMES PIDDING (British, 1797-1864) “SPORTSMAN AND DOGS” Oil on board Housed in a period gilt gesso decorated frame in very good condition Unsigned front but retaining what appears to be an original paper label affixed to verso with: “Sportsman and dogs / ... By H.J. Pidding” Exhibited: British Institution; Royal Academy; Society of British Artists (177 Works) 13-1/2” x 10”. Overall 18-1/2” x 14-3/4” Provenance: From a Woodstock, VT collection Condition: Very good, with some minor touch-up, craquelure 51710-4 (2,500-3,500)

167

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Session 1

1343. PHILLIP H. RIDEOUT (British, Circa 1860-1920) TWO WORKS: HUNTING SCENES Oil on paper Housed in matching gilt period frames One signed “P. Rideout 1898”, the other “P. Rideout” both bottom right 1) 7” x 13-1/2”. 13-1/2” x 20”. 2) 8” x 12”. Overall 14” x 18” Provenance: From a Woodstock, VT collection Condition: Example with fence has inpainting in sky, some light corner wrinkles, otherwise good 51710-9 (3,000-5,000)

Session 1

1346. AIDEN LASALLE RIPLEY (American, 1896-1969) WOODCOCK SHOOTING Watercolor Housed in a giltwood frame with handpainted mat Signed with stamp lower right and estate stamped lower left, bears a Haley and Steele Gallery label on verso 6-1/4” x 10”. Overall: 12-1/4” x 15-3/4” Condition: Very good, not examined out of frame 52101-2 (2,000-3,000)

Lot 1346 1347.

MANNER OF ARTHUR F. TAIT (American, 1819-1905) PORTRAIT OF A HUNTER Oil on canvas Housed in a mahogany frame Unsigned Note: The hunter’s pose and clothing closely resembles a photograph taken of Roosevelt in New York shortly after his first Dakota adventures. Differences include the hat and the fauna. The image can be found in the Theodore Roosevelt Collections, Harvard College Library 24” x 18”. Overall: 32-3/4” x 26-1/4” Condition: Canvas has been lined, buckle along top, minor spot of touch-up lower right, otherwise very good 52135-18 (3,000-5,000)

Lot 1347 1348. AFTER ARTHUR FITZWILLIAM TAIT (1819-1905) “HALT IN THE WOODS” Engraving by Cottin Housed in a fabulous naturalistic oak & leaf designed oak frame with mat having title cutout Sight: 21-3/4” x 27-1/2”. Overall: 32-1/2” x 38-1/2” Condition: Not examined out of frame, a few light foxing spots, frame with small corner losses, generally very good 52182-7 (500-1,000)

Lot 1348 Visit www.jamesdjulia.com for more information

168

Lot 1349 1350.

GEORGE (SMITH) ARMFIELD (English, 1808-1893) “DOGS PLAY” Oil on canvas Housed in a period giltwood frame Signed lower left “G Armfield”, titled on “Schillay & Rehs, Inc, New York” label on verso, bears conservator label from Janet B. Creswick 10” x 14”. Overall: 18” x 22” Condition: Good restored, lined, new varnish, touch-up in black dogs face, minor scattered re-touch 52104-4 (1,500-2,500)

Lot 1350 1351. GEORGE (SMITH) ARMFIELD (English, 1808-1893) FLUSHING OUT Oil on canvas Housed in a period giltwood frame Signed lower right “G Armfield” 8” x 12”. Overall: 15” x 19” Condition: Good restored condition, with frame abrasion right left edge, lined, with restoration throughout sky and scattered re-touch throughout 52104-3 (1,000-1,500)

Lot 1351 169

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Session 1

1349. PAUL JONES (English, 1855-1888) WATCHING THE FOXHOLE Oil on canvas Housed in a period giltwood frame Signed and dated lower left “1860 P. Jones.” 8” x 10”. Overall: 16-3/4” x 18-3/4” Condition: Good with minor scattered re-touch 52104-8 (1,500-2,500)

Session 1

1352. FREDERICK A. SPANG (American, 1834-1891) “MALLARD & SPOON BILL DUCKS” Oil on canvas Housed in its fine original gesso decorated gilt frame with artist plaque Verso of canvas inscribed with title, “Spang 1870”. Also having a Snow & Roos canvas stamp Signed lower right “F Spang 1870” 27” x 22”. Overall: 35-1/2” x 31” Condition: Very good with some minor touch up 51575-3 (4,000-6,000)

Lot 1352

1353.

Lot 1354

J. P. BARKER (American, late 19/early 20th century) NATURE MORTE Oil on canvas Housed in a period wood frame with gilt liner Signed and dated lower right “J.P. Barker 1895.” 26” x 14” Overall: 30-1/2” x 18-3/4” Condition: Patch on verso corresponding with restoration on front, surface grime and discolored varnish, several small losses and craquelure 52182-4 (800-1,200)

1354. AMERICAN SCHOOL Lot 1353 (19th century) SNOWY OWL Oil on canvas Housed in an early 20th century carved and gilt wood frame Unsigned 27” x 18”. Overall: 34-1/2” x 25-1/2” Condition: Good restored condition, canvas lined, scattered touch-up, restoration along bottom edge and 3” area middle right 52094-5 (800-1,200)

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170

Session 1 Lot 1355 1355.

JAMES POLLARD (British, 1792-1867) TWO WORKS: MEET AT THE SWAN & AFTER THE HUNT Oil on canvas Housed in matching gilt reproduction frames Signed bottom left “J. Pollard 1850” Exhibited: Royal British Academy 12” x 16”. Overall 18-1/4” x 22-1/4” Provenance: From a Woodstock, VT collection Condition: Craquelure, some inpainting, otherwise very good 51710-6 (5,000-8,000)

1356.

CLIFTON TOMSON (British, 1775-1828) CARRIAGE HORSE IN FULL HARNESS Oil on canvas Housed in a gilt molded wood frame Signed lower right “Clifton Tomson / Nott’m 182?” 25” x 30-1/2”. Overall 30” x 35” Provenance: From a Woodstock, VT collection Condition: Lined, restored with inpainting, very good 51710-3 (3,000-5,000)

Lot 1356 171

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Session 1 Lot 1357 1357.

GEORGE (SMITH) ARMFIELD (English, 1808-1893) TWO ENGLISH SETTERS IN MEADOW Oil on canvas Housed in a period giltwood frame with artist name engraved on liner Signed lower right “G Armfield” One of the finest examples of this artist’s works that we have handled 12” x 16”. Overall: 20-1/2” x 24-1/2” Condition: Good with small patch upper center on verso corresponding to re-touch, older restoration in sky and lower right foreground 52104-6 (5,000-7,000)

1358.

GEORGE (SMITH) ARMFIELD (English, 1808-1893) A SPANIEL AND TERRIER MEET Oil on canvas Housed in a period giltwood frame Signed lower right “G Armfield”, bears “G. Rowney & Co, London” stencil on verso canvas and an Abraham Marshall Gallery label on frame 12-1/4” x 16-1/4”. Overall: 21” x 25” Condition: Good with craquelure and spotty varnish 52104-5 (1,500-2,500)

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172

Lot 1358

Lot 1359 1360.

COLIN GREENE (English, 19/20th century) PORTRAIT OF TWO DOGS IN A LANDSCAPE Oil on board Housed in a giltwood frame Signed lower center “Colin Greene” 9” x 6-1/2”. Overall: 14” x 11-1/2” Condition: Very good to excellent 52099-7 (1,000-1,500)

Lot 1360 1361. LORENZ FROLICH (Danish, 1820-1908) PORTRAIT OF A HUNTING DOG Oil on canvas Housed in a molded giltwood frame with presentation plaque Signed with initials and dated lower right “LF 1838” 17-1/2” x 23”. Overall: 23” x 29” Condition: Canvas has old lining, buckling, several surface abrasions, restoration throughout background, touch-up in dogs face and in foreground 52118-1 (2,000-4,000)

Lot 1361 173

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Session 1

1359. ATTRIBUTED TO GEORGE (SMITH) ARMFIELD (English, 1808-1893) THREE TERRIERS IN INTERIOR Oil on canvas Housed in a period giltwood frame with oval liner Unsigned, bears Guild Antiques air-sea packing label affixed to frame, stretcher bears illegible inscription 11-3/4” x 12”. Sight diameter: 10-3/4”. Overall: 17-3/4” x 17-3/4” Condition: Good, lined, vertical restoration right edge with scattered touch-up. Frame liner has gilt loss and chips 52104-2 (2,000-3,000)

Session 1

1362. ENGLISH SCHOOL (19/20th century) PORTRAIT OF A HUNTING DOG WITH RED BACKGROUND Oil on canvas Housed in a contemporary gold and black painted wood frame Unsigned, with Dematteis Gallery, Maryland label affixed to verso 17-3/4” x 16-1/2”. Overall: 23-1/2” x 22-1/2” Condition: Stretcher marks, minor surface grime, restoration along bottom and throughout lower right background, scattered touch-up in dog 52104-10 (500-800)

1363.

Lot 1362

E. GALLAGHER (English, 19th century) PORTRAIT OF A BULLDOG Oil on board Housed in a late 19th century giltwood frame with presentation plaque Signed and dated lower left “E. Gallagher/1886 /”, small profile sketch of a man’s head on verso with artist supply stamp “Reeves and ... Manufacturers... 113 Cheapside” 10-3/4”” x 13”. Overall: 13-3/4” x 15-3/4” Condition: Very good, board slightly warped, spotty varnish, minor amount of touch-up. Board has been taped to gilt liner 52104-9 (1,000-1,500)

Lot 1363 1364. ATTRIBUTED TO GEORGE (SMITH) ARMFIELD (English, 1808-1893) CURIOUS PUPS Oil on canvas Housed in a giltwood frame Unsigned 10” x 12”. Overall: 14-1/2” x 16-1/2” Condition: Good restored condition with frame abrasion along top edge, lined, restoration lower right 52104-1 (800-1,200)

Lot 1364 1365.

ATTRIBUTED TO MONICA GRAY (English, fl. 1898-1918) PORTRAIT PROFILE OF RED AND WHITE SPANIEL Oil on canvas Housed in a giltwood frame Signed lower right “M Grey”, bears letter dated 2002 from Hamshere Gallery, London, attributing the work to Monica F. Gray 10” x 8”. Overall: 15” x 13” Condition: Patch on verso corresponding with restoration in dogs coat, the misspelling of the artist’s name may indicate that this was a later addition 52104-7 (800-1,200)

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174

Lot 1365

Lot 1366 1367.

ENGLISH SCHOOL (19th century) DOG BY THE SHORE Oil on board Housed in a burlwood frame Unsigned, with a J. Wikey Artist Supply, London label on verso 7-1/4” x 9-1/2”. Overall: 10-1/2” x 13” Condition: Very good with craquelure in varnish 52099-8 (800-1,200)

Lot 1367

1368.

ALBERT HIRSCHFELD (American, 1903-2003) “RUSSIAN CROWD” CIRCA 1974 Ink and Gouache on board Housed in a silver gilt frame with a linen liner, behind glass Unsigned, but, accompanying the lot is a Certificate of Authenticity from the Hirschfeld foundation Sight 20-1/2” x 18-1/2”. Overall 23” x 21-1/4” Condition: Very good 52228-4 (6,000-9,000)

Lot 1368 175

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Session 1

1366. EDWIN MEGARGEE (American, 1883-1958) PORTRAIT OF A GORDON SETTER PUPPY Oil on panel Housed in a Victorian giltwood frame with oval opening Signed lower center “Edwin Megargee” 9-1/2” x 7-1/4”. Overall: 16” x 14” Condition: Very good 52101-1 (2,000-3,000)

Session 1

1368A. SPECIAL DANA-FARBER CANCER INSTITUTE LOT. This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please note, the hammer price of the lot will be matched dollar for dollar up to a $1,000 match and donated to the Dana-Farber Institute, commonly known as the "Jimmy Fund" locally. Founded in Boston in 1947, Dana-Farber Cancer Institute is world-renowned for its leadership in adult and pediatric cancer treatment and research. Your gift provides Dana-Farber with crucial dollars that can be directed where and when they are needed the most. Thank you for your participation. CONDITION: Very good. 51576-3 (300-400)

1369.

RUFINO TAMAYO (American/Mexican, 1899-1991) FIGURAL STUDY Mixed media, graphite & colored pencil Housed in a fine gilt decorated frame with white mat behind glass Signed lower right “Tamayo 60”, upper right with “II” Sight: 6” x 5”. Overall: 16” x 14-1/2” Condition: Not examined out of frame, good 52376-6 (1,500-3,000)

1370. RUFINO TAMAYO Lot 1369 (American/Mexican, 1899-1991) SIRENAS Woodcut on velum paper(?) Housed in a decorative carved wood frame with white mat Signed in pencil lower right, from the unnumbered edition, with margins Sight: 7” x 9-1/4”. Overall: 14” x 16-1/4” Condition: Very good, not examined out of frame 52376-7 (800-1,200)

Lot 1370 1371.

FRANCISCO ZUNIGA (Mexican, 1912-1998) TWO WOMEN HUDDLED UNDER BLUE & YELLOW SHAWLS Watercolor on paper Housed in a fine gilt carved wood frame with wide linen & gilt wood mat Signed lower left and dated “1971” Sight: 19” x 25”. Overall: 28” x 34” Condition: Very good, not examined out of frame 52376-3 (3,000-5,000)

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176

Session 1

1372. JOSE CLEMENTE OROZCO (Mexican, 1883-1949) TORSO STUDY Silkscreen on paper Housed in a black & gold decorative frame Signed lower right “J C Orozco” and dated “1945” Sight: 19-1/2” x 13-1/2”. Overall: 23” x 17” Condition: Not examined out of frame, good 52376-5 (800-1,200)

Lot 1372 1373.

JOHN NIETO (American, 1936-) “JOURNEY” Acrylic on canvas Signed by buffalo’s back foot “Nieto”; Titled, signed & dated “2001” on verso Housed in a gilt wood frame 30” x 40”. Overall: 32” x 42” Condition: Very good to excellent 52376-1 (2,000-4,000)

Lot 1373

1374. BEN BENN (American, 1884-1983) “STILL-LIFE” Oil on canvas board Housed in a giltwood frame with linen liner Signed and dated lower left “Benn 40”, signed, dated and titled on verso, bears label from “Y Women’s Division New Jersey” 9-1/2” x 11-1/2”. Overall” 11-1/2” x 14-1/2” Condition: Good with minor board warping 52227-8 (800-1,200)

Lot 1374 1375.

MARC CHAGALL (French, 1887-1985) “VISION OF ISAIAH” Color etching Housed in a contemporary wood frame with gilt moldings and matted under glass Signed with initials in pencil lower right “M.Ch.”, numbered lower left “17 / 100” and signed in plate upper center “Chagall” 12-1/4” x 9-1/2”. Overall: 22” x 18” Condition: Very good, not examined out of frame 52227-7 (1,500-3,000)

Lot 1375 177

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Session 1

1376. MARC CHAGALL (Russian/American, 1887-1985) “LE CIRQUE” Lithograph in colors, 1967 (Mourlot 515) Housed in a contemporary black frame Unsigned from the same titled suite and published by Teriade, Paris 16-3/4” x 12-3/4”. Overall: 10-1/2” x 16-1/2” Condition: Sheet is mounted to back mat, overall good condition 52102-21 (500-1,000)

Lot 1376 1377.

PABLO PICASSO (Spanish, 1881-1973) “HIBU, VERRE ET FLEUR, GALERIE 65, CANNES” Lithograph in colors on Arches paper, circa 1956 Housed in a contemporary silver giltwood frame under glass Signed in pencil lower right “Picasso”, numbered lower left “98 / 100”, Published by Mourlot (M282) 29-1/2” x 22”. Overall: 32” x 24-1/2” Condition: Discoloration to paper, rippling, vertical band of discoloration along left edge, Arches watermark visible along right margin. Not examined out of frame 52227-9 (1,500-3,000)

Lot 1377 1378. PABLO PICASSO (Spanish, 1881-1973) “MANOLOA HUGUET, AFFICHE POUR LE MUSEE DE CERET” Lithograph, circa 1957 Housed in a silver giltwood frame Signed in crayon lower right “Picasso”, signed and dated in plate “Picasso 15.7.57.”, exhibition poster for the Musee d’Art Moderne “Ceret”, AugustOctober 1957, published by Mourlot (B.1278; M.301) 30” x 20-1/2”. Overall: 31-1/4” x 22-1/2” Condition: Discoloration along edges and toning, water stains to center, minor creases. Not examined out of frame 52227-1 (1,000-1,500)

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178

PICADOR AND BULL, CERAMIC BOWL BY PABLO PICASSO. Circa 1955. A Madoura pottery partial glaze ceramic bowl by modern master Pablo Picasso (1881-1973). Titled “Picador”, the bowl depicts a bullfighter on horseback with lance in hand jabbing a bull. The bowl is decorated in a partial white glaze with black and brown engobe. The underside is marked “Edition Madoura Picasso”. SIZE: 2-7/16” h x 4-1316” dia. CONDITION: Very good overall, with light surface soiling, no damage or restoration noted. 51911-35 (2,000-3,000)

Session 1

1379.

Lot 1379 (w/close-up)

1380. MAX WEBER (Swiss, 1897-1982) “ON THE SHORE #3” Lithograph on paper, c. 1928 Housed in a contemporary giltwood frame, matted under glass Signed in pencil lower right “Max Weber”, signed in plate lower left 7” x 11”. Overall: 14-3/4” x 18-3/4” Condition: Very good, not examined out of frame 52227-2 (500-1,000)

Lot 1380

1381.

KAREL APPEL (Dutch/American, 1921-2006) TWO COLOR LITHOGRAPHS 1) “Poisson”, circa 1966. Housed in a contemporary black frame, matted under glass. Signed in pencil lower right “Appel” and numbered lower left “97 / 200”. 2) “Heads in Colorful Landscape”, circa 1965. Housed in a contemporary wood frame with gilt molding and linen liner, under glass. Signed and dated in pencil lower right “Appel 65” and numbered lower left “2 / 200”. 1) 25-1/2” x 19-1/2”. Overall: 37-1/4” x 29-1/2”. 2) 22” x 30”. Overall: 27-1/2” x 35-1/4”. Condition: 1) Good with possible mat burn. 2) Full sheet visible, paper toned with discolorations at four corners where print has been mounted to backing board. Not examined out of frames. 52227-6 (800-1,200)

Lot 1381 179

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JOAN MIRO (Spanish, 1893-1983) FOUR COLOR LITHOGRAPHS ALONG WITH ALEXANDER CALDER (American, 18981976) “UNTITLED V, 1976”. All housed in metal frames, matted under glass. 1-3) Bear The Societe de Verification de la Nouvelle Gravure Internationale of New York and Paris Certificates of Authenticity affixed to verso, The Collector’s Guild Ltd Editions. 1) “SCULPTURES”, Maeght 950, signed lower right in plate; 2) LE SOLEIL Rouge, inscribed lower right in silver ink “Miro”; 3) LE CHANTEUR, inscribed lower right in silver ink “Miro”; 4) “THE GARDENER’S DAUGHTER”, Lithograph in color, matted under glass. Unsigned, published in the June-July Issue of “Derriere Le Mirroir”, published by Maeght in 1963. Accompanied by a certificate of authenticity from Merrill Chase Galleries. Literature: “JOAN MIRO Lithographs”, Vol. II, New York: Lot 1382 Leon Amiel Publisher, 1963, no. 346 & 347, pg 219; 5) Alexander Calder Lithograph in color, Housed in modern black frame, matted under glass, Unsigned, from the December 1976 issue of “Derriere le Miroir”, an art journal published in France, accompanied by a certificate of authenticity from Merrill Chase Galleries PROVENANCE: The Estate of Morris Racker. SIZE: 1) 16” x 25”. Overall: 20-3/4” x 29-1/2” 2) & 3) 12-1/4” x 9-1/4”. Overall: 18-1/4” x 15-1/4” 4) Sight: 14-3/4” x 21-3/4”. Overall: 23-1/2” x 30-1/2”. 5) Sheet: 14-3/4” x 21-3/4”. Overall: 22-3/4” x 29-1/2”. CONDITION: 1-3) Overall good condition, not examined out of frame. “Sculpture” has mat burn. 4) Affixed in four corners to back mat, vertical fold in center, minor discoloration 5) Two sided image with French text on verso. Vertical center fold, creases lower center, folds lower right and lower left corners. Not examined out of frame. 51956-12, 51956-13, 51956-14, 51956-15, 51956-17 (1,000-1,500)

1383.

COLLECTION OF FIVE FRAMED MODERN FRENCH DECORATIVE PRINTS AFTER FAMOUS ARTISTS. Including: 1) AFTER MARC CHAGALL, “LE BOUQUET DE RENONCULES”, color lithograph, housed in a black painted wood frame under glass, signed in plate “Chagall”, paper bears watermark “Marc Chagall Aria Gallery edition 1994”, bears Mourlot Collection blue stamp lower right. This print is after the original painting in the Mourlot Collection which is referenced on the Certificate of Authenticity affixed to verso. 2) AFTER MARC CHAGALL “PRINTEMPS”, color lithograph, housed in a contemporary giltwood frame matted under glass, identified on “The Great Dane Collection, Philadelphia” label affixed to verso, from a limited edition of 2000. 3) AFTER PABLO PICASSO, “SHAKESPEARE”, offset lithograph, housed in a contemporary black frame with gilt liner matted under glass, identified on “The Great Dane Collection, Philadelphia” label affixed to verso from Editions Cercle d’Art, Paris, 1965, numbered lower left “893/1000”. 4) AFTER PABLO PICASSO, “TOROS Y TOREROS”, lithograph, housed in a contemporary goldtone frame, identified on the “The Great Dane Lot 1383 Collection, Philadelphia”label affixed to verso, limited edition. 5) AFTER PABLO PICASSO, “XXe SIECLE L’ECHRITURE PLASTIQUE”, color lithograph on Arches paper, housed in a contemporary goldtone frame with black matting under glass, signed and dated lower left in stone, identified on “The Great Dane Collection, Philadelphia” label affixed to verso, published by Cahiers d’Art Paris, printed by Mourlot Freres, Paris, from a limited edition of 2000, signed and dated lower left in stone. This piece was executed for a book by Gualtieri di San Lazzaro and other authors SIZE: 1) Sheet: 38-1/2” x 28-1/2”. Overall: 46” x 36” 2) Sight: 13-1/2 x 19-1/4”. Overall: 283/4” x 24-1/4” 3) Sheet 9-1/4” x 10-1/2” . 32” x 26” 4) 14 1/2” x 10-1/2”. Overall: 26-1/2” x 22-1/2” 5) 12” x 9-1/2”. Overall: 26” x 21-1/2” CONDITION: All five are in excellent overall condition. 52013-9 (2,000-2,500)

Session 1

1382.

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180

Lot 1384 1385.

RED SKELTON (American, 1913-1997) CLOWN WITH CIGAR Commercial offset lithograph Housed in an antique gilt frame painted white frame under glass Double signed and dated in plate lower right “Red Skelton 1972” Sight: 19-1/2” x 15-1/2”. Overall: 25-1/2 x 21-1/2” Condition: Not examined out of frame, appears to be in good condition 52031-3 (250-400)

Lot 1385

1386. CHARLES FAZZINO (American, 1955-) “I’LL TAKE MANHATTAN” 3-D Serigraph Housed in a shadowbox type modern black frame with multiple mats Signed “Charles Fazzino” and Copyright 1991 on taxi door; Pencil numbered “A.P. 43” lower left From an Edition of 300, Titled in pencil at lower center (under mat) Sight: 36” x 29-1/2”. Overall: 45-1/2” x 38” Condition: Very good 52376-2 (1,000-1,500)

Lot 1386 181

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Session 1

1384. JEAN-MICHEL BASQUIAT and ANDY WARHOL (20th century) POSTER FOR WARHOL AND BASQUIAT EXHIBITION Commercial off-set and color lithograph poster Housed in a wood frame under glass Exhibition poster from Tony Schfrazi Gallery, September 14-October 18, 1985, photo credit Michael Hallsband 19” x 12”. Overall: 22-3/4” x 16-1/2” Condition: Poster has been mounted to backing board, minor creases along right edge, otherwise very good 52264-4 (2,000-3,000)

Session 1

1387. JAMES RIZZI (American, 1950-2011) “PEOPLE-1988” Three-dimensional color screenprint Housed in a shadowbox-type decorative frame with mat behind glass Signed “James Rizzi” and numbered “240/250” Plate: 16” x 26”. Sight: 18” x 28”. Overall: 26” x 36” Condition: Very good 52319-2 (1,500-2,500)

Lot 1387

1388.

JAMES RIZZI (American, 1950-2011) “A SHORE THING” Three-dimensional color screenprint Housed in a shadowbox-type decorative frame with double mats behind glass Pencil signed “RIZZI 88” and numbered “171/250” Plate: 7” x 12”. Sight: 9” x 13-3/4”. Overall: 17” x 22” Condition: Very good 52319-1 (1,000-2,000)

Lot 1388 1389. JAMES RIZZI (American, 1950-2011) “ON THE TOWN-84” Three-dimensional color screenprint Housed in a shadowbox-type decorative frame with white mat behind glass Signed in pencil “RIZZI” and numbered “131/150” Plate: 5-3/4” x 7-3/4”. Sight: 6-3/4” x 9”. Overall: 17” x 19” Condition: Very good 52319-3 (800-1,200)

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182

1391. NO LOT

Lot 1390

1392.

ATTRIBUTED TO NARCISSE-VIRGIL DÍAZ DE LA PEÑA (French, 1808-1876) FIGURE BESIDE WOODLAND POOL LOOKING ACROSS TO PASTURE Oil on canvas Housed in a carved gilt wood frame Possibly retaining partial signature lower left (obscured by restoration) 21-1/2” x 25-1/2”. Overall: 26-1/4” x 30-1/2” Provenance: The Webster Family Trust descended from the Rockefeller/Dodge Family Condition: Lined, craquelure, restored with inpainting 51508-1 (5,000-8,000)

Lot 1392 183

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Session 1

1390. JAMES RIZZI (American, 1950-2011) “OUTSIDE LOOKING IN-1990” Three-dimensional color screenprint Housed in a shallow shadowbox-type frame with double mats behind glass Pencil signed “RIZZI” and numbered “290/350” Plate: 8” x 5-1/2”. Sight: 9-1/2” x 7-1/2”. Overall: 18” x 16” Condition: Very good 52319-4 (1,000-1,500)

MANNER OF CAMILLE COROT (French, 19th century) BARBIZON LANDSCAPE Oil on canvas Housed in a contemporary giltwood frame Unsigned, stamped on verso “Copy from the original in the Metropolitan Museum of Art, July 9, 1923” 17” x 25”. Overall: 21-1/4” x 29-1/2” Condition: Restoration throughout sky and stretcher marks 52099-1 (2,000-3,000)

1394.

JEAN FRANCOIS RAFFAELLI (French, 1850-1924) WINTER STROLL Oil on board Housed in a fine gilt frame Signed lower right “J Raffaelli” Sight: 14-1/4” x 18-3/4”. Overall: 20” x 24-1/2” Condition: Very good, recently cleaned 52391-1 (8,000-12,000)

Session 1

1393.

Lot 1393

Lot 1394 Visit www.jamesdjulia.com for more information

184

Lot 1395

1396.

GUSTAVE-JEAN JACQUET (French, 1846-1909) FULL LENGTH PORTRAIT OF A YOUNG WOMAN WEARING A RED BLOUSE Oil on canvas Housed in an early 20th century giltwood frame with linen liner Signed lower right “G. Jacquet”, verso canvas stenciled “Hardy-Alan” and bears several labels on verso, including “John Surovek Fine Arts” 35-1/2” x 26”. Overall: 42” x 32” Condition: Good restored condition, lined with 4” area of restoration center background and minor scattered touch-ups 52117-9 (5,000-7,000)

Lot 1396 185

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Session 1

1395. EDOUARD CORTES (French 1882-1969) PARISIAN STREET SCENE AT NIGHT Oil on canvas Housed in a modern giltwood frame with white painted liner Signed lower right “Edouard Cortes” 18-1/2” x 27”. Overall: 31” x 39” Condition: Small patch on verso lower left corresponding with area of restoration, 1/8” indention upper left, otherwise good 52024-2 (8,000-12,000)

Session 1

1397. MARCEL DYF (French, 1899-1985) “MATERNAL CARES” Oil on canvas Housed in a composite and giltwood frame Signed lower right “Dyf ”, inscribed on lower stretcher “M. Dyf quai du Rhone ‘Arles’” Note: This lot is included in the Dyf Archives, reference #1807. The archive lists this work as painted in Saint Paul de Cence and has been authenticated by Madame Claudine Dyf. 18” x 15”. Overall: 25” x 22” Provenance: Private Collection, New York, NY Condition: Very good condition with minor touch-up along top edge 51954-9 (3,000-5,000)

Lot 1397 1398.

UNSIGNED (French, 19th Century) WASH DAY Oil on canvas Housed in a substantial period giltwood frame Unsigned, modern inscription on verso of stretcher “J F Millet 1874” 12-1/2” x 18-3/4”. Overall: 23” x 29-1/2” Condition: Good restored condition, craquelure arrested by lining, scattered re-touch in sky, center and 1/4” restoration left middle 52099-55 (2,000-3,000)

Lot 1398

1399. ATTRIBUTED TO CHARLES EMILE JACQUE (French, 1813-1894) SHEPHERDESS RESTING BENEATH A TREE Oil on canvas Housed in a contemporary giltwood frame Signed lower left “Ch. Jacque” 31-1/2” x 25”. Overall: 36” x 29-1/2” Condition: Good restored condition, scattered retouch in sky upper left and in foreground, 3” area restoration center, and a 4” vertical restored tear in tree foliage 52133-1 (1,500-2,500)

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186

Lot 1400 1401.

ATTRIBUTED TO JEAN-JACQUES HENNER (French 1829-1905) PORTRAIT OF A RED HAIRED BEAUTY Oil on panel Housed in a period giltwood frame Unsigned, attributed on presentation plaque mounted to frame, stenciled on verso “P. Contet Paris” and numbered with stencil “8” 8-1/4” x 14-3/4”. Overall: 25-3/4” x 22-3/4” Condition: Good restored condition with scattered re-touch throughout, 3” area of restoration lower left 52046-5 (2,000-3,000)

Lot 1401

1402. PAUL EMILE PISSARRO (French, 1884-1972) CHILDREN PICKING FIGS Oil on wood panel Housed in a gilt carved wood frame, Also on verso in pencil is Italian title and “Liverno-1941” Signed lower left “Paul Emile Pissaro” 13-1/2” x 19”. Overall” 18” x 24” Condition: Very good 52375-2 (5,000-10,000)

Lot 1402 187

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Session 1

1400. EUGENE LOUIS CHARPENTIER (French, 1811-1890) STILL LIFE OF FLOWERS Oil on canvas Housed in an antique gilt gesso decorated frame Signed lower right “E. Charpentier” 22” x 18”. Overall 29” x 25-1/4” Provenance: From a Woodstock, VT collection Condition: Very good, with some inpainting 51710-8 (4,000-6,000)

Session 1

1403. ATTRIBUTED TO EDGAR DEGAS (French, 1834-1917) BALLERINA Pastel and gouache over drypoint Housed in a giltwood frame, matted under glass Signed lower left “Degas” 9-1/4” x 5-14”. Overall: 15-1/2” by 11” Condition: Appears to be in very good condition with discoloration and staining on mat 52264-3 (2,000-4,000)

1404.

Lot 1403

RAOUL DUFY (French, 1877-1953) COURSES DEAUVILLE Ink on paper Housed in a contemporary giltwood frame, matted under glass Signed in pencil lower right “Raoul Dufy” Sight: 11-3/4” x 16-3/4”. Overall: 20-1/2” x 25” Provenance: We have been informed by our consignor that this work has been submitted & is included in the Catalog raisonne Des Dessins De Raoul Dufy being prepared by Fanny Guillon Laffaille Condition: In overall very good condition, minor crease upper right along mat edge (possibly with small tear), not examined out of frame 51954-7 (2,000-4,000) 1405.

Lot 1404

EMILE-ANTOINE BOURDELLE (French, 1861-1929) “MASQUE ENFANT ENDORMI” Bronze Attached with Velcro to a white marble rectangular base Signed on side at the base “By. Bourdelle” left side is stamped with the foundry mark “E Godard Cire perdue”, “3” Purchased April 8, 1957 from Musee Bourdelle of Paris, daughter of the artist, Rhodia Dufet-Bourdelle (1911-2002). A copy of the receipt & a letter regarding the bronzes purchased accompanies the lot Bronze 8” h x 7-3/4” w. Overall: 8-1/2” x 8-1/2” Provenance: From a Connecticut estate. Condition: Very good, fine patina and surface 52228-1 (6,000-9,000)

Lot 1405 (w/close-up) Visit www.jamesdjulia.com for more information

188

Lot 1406 (w/close-up) 1407.

1408.

AFTER THOMAS FRANCOIS CARTIER (French, 1879-1943) LION & LIONESS Bronze Mounted to a stepped marble base Signed on rock “Thomas Cartier” Bronze: 11” h x 13” l. Overall: 13” h x 13” w Condition: Repair to corner of marble base, wonderful greenish dark surface with some rubs 52011-10 (800-1,000)

Lot 1407 (w/close-up)

EMILE JOSEPH NESTOR CARLIER (French, 1849-1927) PAIR OF BRONZE BEAR BOOKENDS Bronze Signed on top “Carlier”, each with impressed “FABRICATION FRANCAIS PARIS” foundry mark at base of “Wall” on plinth 7-1/4” h x 8-1/4” l Condition: The bear bookend with hind legs on wall has two small holes at base of back one hole on top. The other with one hole at top of leg Bookends retain original undisturbed surface with verdigris. Overall good 51826-7 (800-1,200)

Lot 1409 (w/cu)

Lot 1408 (w/close-up)

1409. EDMUND LOUIS AUGUSTE LEVEQUE (French, 1814-1875) “DEAX ESCLAVES” Bronze Mounted to a ribbed oval black marble base Signed on edge “Leveque Sept” 19” h. Overall: 21-1/2” Condition: Some rubbing & minor losses to finish, chip to marble base, otherwise very good 52131-1 (2,000-4,000)

189

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Session 1

1406. AFTER JEAN LOUIS CHENILLON (French, 1810-1875) PULLING THE THORN Bronze Signed Chenillon on base with a “Thiebaut Freres Paris” Foundry seal on side 13-1/4” h x 19” l x 8-1/2” w Condition: Very good 52011-12 (500-700)

Session 1

1410.

AFTER PIERRE EUGENE EMILE HEBERT (French, 1828-1893) “THETIS” Bronze Mounted to an oval wood base Signed on top of bronze base “Emile Hebert” 15” h. Overall: 16” Condition: Very good 51826-8 (800-1,200)

1411.

P. BERJEAN (French, circa 1930) CHASSE AU LION Bronze on marble base signed at base on rock plinth 14-1/2” h x 34-1/2” l Condition: Very good with nice even patina with rubbing, man needs tightening to base 52123-1 (800-1,200)

Lot 1410 (w/cu)

1412.

Lot 1411

AUGUSTE JOSEPH PEIFFER (French, 1832-1886) “LES HIRONDELLES” Bronze Signed on base “Peiffer” 27-1/2” h Condition: Very good 52011-11 (1,500-2,000)

Lot 1412 (w/close-up) 1413.

CLEMENTINE HELENE DUFAU (French, 1869-1937) PARIS EXHIBITION PIECE, 1900 Lithograph in colors Housed in a modern giltwood frame, matted under glass Signed in plate lower right “C.H. Dufau” Note: Art Nouveau period poster, presumably created for the Paris exhibition of 1900, where she was awarded a silver medal Sight 51-1/2” x 36”. Overall 60-1/2” x 43-1/2” Condition: Very good with some creases, (not examined out of frame), appears to be framed in archival materials 51874-2 (1,000-2,000)

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190

Lot 1413

Session 1 1414.

CECIL KENNEDY (English, 1905-1997) STILL LIFE OF WHITE FLOWERS IN A GLASS COMPOTE Oil on canvas Housed in a carved giltwood frame Signed lower right “Cecil Kennedy”, canvas stamped on verso “120 C. Roberson & Co. Ltd., London”, bears Haynes Fine Art of Broadway gallery label on frame with inventory number 4321 30” x 25”. Overall: 36-1/2” x 31-1/2” Condition: Very good to excellent 51850-1 (10,000-20,000) 191

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Session 1

1415. ATTRIBUTED TO FREDERICK MORGAN (English, 1847/56-1927) PORTRAIT OF A YOUNG GIRL AMONG DAISIES Oil on canvas Housed in a contemporary giltwood frame Signature incised lower left “Fred. Morgan” 25-1/4” x 37”. Overall: 32” x 44-1/2” Condition: Shrinkage cracks and craquelure, canvas lined, large area of restoration in background, horizontal restored tear lower center, large vertical restored tear though girl’s right arm and surface grime 52099-42 (6,000-8,000)

Lot 1415 1416.

ENGLISH SCHOOL (Early 19th century) FAGOT GATHERERS Oil on canvas Housed in a 19th century giltwood frame Unsigned 30” x 50”. Overall: 38” x 58” Condition: Good, restored condition, craquelure arrested by lining, scattered retouch throughout sky, several large areas along top, large vertical restored tear lower right, minor scattered retouch in foreground 52094-11 (4,000-8,000)

Lot 1416

1417. MANNER OF JOHN CONSTABLE (English, 1776-1837) VALLEY FARM Oil on canvas Housed in an early 19th century giltwood frame Bears signature lower left “John Constable” 24” x 20”. Overall: 32” x 27” Condition: Yellowed varnish, small area of restoration upper right, scattered retouch, 1/2” retouch lower center, lined 52090-1 (2,000-4,000)

Lot 1417 Visit www.jamesdjulia.com for more information

192

Session 1 Lot 1418 1418.

GUISEPPE FALCHETTI (Italian, 1843-1918) STILL LIFE OF FRUIT Oil on canvas Housed in a fine deep antique gesso decorated gilt frame with linen liner Signed bottom right “Falchetti” 11-1/2” x 17”. Overall 23” x 29” Provenance: From a Woodstock, VT collection Condition: Lined, very good 51710-7 (4,000-6,000)

1419.

CAMILLO GIOVANNI INNOCENTI (Italian, 1871-1961) PORTRAIT OF A NEAPOLITAN WOMAN GATHERING TWIGS Oil on canvas Unframed Signed lower left “Innocenti” 59” x 39” Condition: Craquelure arrested by lining, minor discolored varnish, old and new restoration scattered throughout, minor inpaint in woman’s face 52099-29 (3,000-5,000)

Lot 1419 193

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Session 1

1420. FORD MADOX BROWN (English, 1821-1893) THE HOLY FAMILY WITH JOHN THE BAPTIST Oil on canvas laid down on Masonite Housed in a carved giltwood 19th century frame with gilt liner retaining an old title label “Holy Family” Signed and dated with monogram upper right (under the frame liner) “FMB 64” 51-1/2” x 34-1/2”. Overall 64” x 46-1/2” Provenance: Ex-collection Henry Audesse, Wenham, Massachusetts Condition: Scattered restoration throughout including touch up in three central figures, otherwise good 52099-27 (4,000-6,000)

Lot 1420 1421.

JOHANN NEPOMUK MAYERHOFFER (Austrian, 1764-1832) STILL-LIFE OF FLOWERS IN AN URN WITH BIRD Oil on canvas Housed in a period giltwood frame Signed lower right on ledge “Mayerhoffer.” 28-3/4” x 22-3/4”. Overall: 34” x 28-1/2” Condition: Surface grime, minor canvas buckle, touch-up along top edge and small area bottom left with old lining 52282-1 (9,000-12,000)

Lot 1421

1422. ATTRIBUTED TO ADELHEID DIETRICH (German, 1827-1891) STILL LIFE OF A BASKET OF FLOWERS IN A LANDSCAPE Oil on canvas Housed in a 19th century gilt wood frame with brass mounts Unsigned 26” x 22”. Overall: 30-1/2” x 26-1/2” Condition: Overall discolored varnish, shrinkage cracks, several small losses lower right, craquelure in sky 52099-14 (3,000-5,000)

Lot 1422 Visit www.jamesdjulia.com for more information

194

Session 1 1423.

HUGO AUGUST BREUL (German/American, 1854-1910) PORTRAIT OF A YOUNG WOMAN ARRANGING FLOWERS Oil on canvas Housed in a modern giltwood frame Signed lower right “Hugo Breul”, bears Charles G. Calder, Providence Rhode Island label on stretcher 48” x 36”. Overall 54-1/2” x 42-1/2” Provenance: Skinner Inc., May 9, 1997 lot 125 Condition: Lined, large area of restoration near hand and around face, minor scattered touch up, canvas has slight buckle 52099-28 (4,000-6,000)

195

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Session 1

1424. FRIEDRICH GORNIK (Austrian, 1877-1943) GLADIATOR WITH THREE LIONS ON LEASH Bronze Signed on top of base “Fried. Gornik/Wien 1906”. Also “Roma” on back of stump 20” h 25” l x 11” w Condition: Very good with wonderful brown patina 52011-9 (1,500-2,000)

Lot 1424 (w/close-up) 1425.

FERDINAND LUGERTH (Austrian, 1885-1915) BULL ELK Bronze Signed on base “Ferdinand Lugerth” 12” h x 16” at widest Condition: Very good 52011-14 (400-600)

Lot 1425 (w/close-up)

1426.

ELIZABETH STRONG-CUEVAS (American, 1929-) “MEDITATION, 1997” Patinated bronze Accompanied by a small Chinese style black lacquered oval stand Signed with initials, numbered “9/36” dated 1997, Foundry “TALLIX” 6-1/2” h x 5-1/2” at widest Condition: Very good, there are two threaded holes on bottom for mounting purposes 52228-3 (8,000-12,000)

Lot 1426 (w/close-up) Visit www.jamesdjulia.com for more information

196

Session 1

1427.

GOTTLOB DEIHLE (1856-1933) SHOT PUT Bronze Mounted to an oval bevel edge marble base Signed “G Deihle” Bronze: 13” h. Overall” 14” h x 10” w Condition: Nice brown patina, very good 52011-13 (400-600)

Lot 1427 (w/close-up) 1428.

GROUP OF FIVE BRONZE SCULPTURES. 1) Paul Auban (French, 1869-1945) GIRL IN PRAYER. Gilt bronze, mounted to a polished & beveled edge black marble base. Signed on side of pillow “P Aubun”. Also “Made in France” & “Fumiere et Cie”. 2 & 3) Pair of bronze musicians. Unsigned. 4) Small bronze of a Musketeer, unsigned. Mounted to a polished marble base. 5) After Antoine Louis Bayre (French, 1795-1875) Seated Cat. Signed on base. SIZE: 1) Bronze: 9-1/2”. Overall: 10-3/4”. 2 & 3) 10” h. 4) Bronze: 5-1/2”. Overall: 6-1/2”. 5) 4-3/4” x 3-1/2” CONDITION: 1) Very good. 2 & 3) Very good. 4) Loose attachment to base by one foot, missing scabbard. 5) Very good. 52011-15 (600-800)

Lot 1428

1429. THREE SCULPTURES. 1) Salvatore F Bilotti (American, 1879-1953) Bronze nude figure with shawl. Signed on base “S F Bilotti”, also marked Roman Bronze Works on back edge. 2) Arlene Eichengreen and Nancy Gensberg (American, 20th Century) brass sculpture of a standing nude. Etched signature on side of foot “Eichengreen/Gensberg 5/12”. Mounted on a square plinth. 3) Bronzed finished plaster bust of a man. Unsigned, mounted to a square wood plinth. SIZE: 1) 16” h. 2) 21-1/4” h. Overall: 24-1/2”. 3) 12-3/4”. Overall: 18-3/4”. CONDITION: 1) Good. 2) Very good. 3) Some very light nicks, good. 51921-2 (1,200-1,500)

Lot 1429

1430. ADLOF FERDINAND WALTER JAHN (German, 1858-1941) NATHAN “THE WISE” Tinted alabaster Mounted to a marble tapered plinth Signed “A Jahn” on side of base Note: Nathan was a prophet at the time of David and was the personification of tolerance and humanity. He was denounced for marrying Bathsheba and later his advice saved Kingdom for Salomon Figure: 8” h. Overall: 11-1/4” Condition: Very good 51575-8 (300-500)

197

Lot 1430

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Session 1 1431. ATTRIBUTED TO FRANZ BERGMANN (Austria, 1861–1936) COLD PAINTED BRONZE COBBLER SHOP LAMP Bronze Unsigned, base with impressed mark AUSTRIA Note: Illustrated on page 200 Antique Vienna Bronzes by Zobel 9” h x 9” w x 6-1/2” d Condition: Overall very good, original surface, paint and with good patina 51911-60 (4,000-6,000)

1432.

Lot 1431

FRANZ BERGMANN (Austria, 1861-1936) COLD PAINTED NAUGHTY BRONZE EGYPTIAN BOX WITH SPHINX Erotic cold painted bronze Monogrammed signature is impressed in platform behind her back Reference: For a variation of this model see Antique Vienna Bronzes by Joseph Zobel, pp 226227 5-3/4” h x 6-1/3” l x 4” w Condition: Very good overall. Release mechanism operational & painted surface with normal and expected minor in-use abrasion 52336-1 (2,000-4,000)

Lot 1432 (w/alternate view) Visit www.jamesdjulia.com for more information

198

Lot 1433 1434.

JAMINI ROY (Indian, 1887-1972) TWO MEN ON ELEPHANTS Gouache on card stock Unframed Signed lower center, inscribed on verso “Kemple Thu” and numbered “8158” 13-1/4” x 15-1/2”. Overall: 17-1/2” x 20” Provenance: Consignor reports the work was purchased in Calcutta by his father, an American engineer working in Dhaka, East Pakistan in the 1960s Condition: Minor cracking to paint lower right with small amounts of loss, several small losses to white pigment in collar, surface abrasion in elephant’s face, taped to front mat on verso 35 51713-1 (8,000-12,000)

Lot 1434 199

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Session 1

1433. GULAM RASOOL SANTOSH (Indian, 1929-1997) “THE PULL” Oil on canvas Housed in a modern black painted wood frame Signed and dated lower right “Santosh 62”, titled on verso “The Pull, Santosh” and inscribed “no=10, Kumar Gallery, N. Delhi 65”, bears label with title on stretcher and stamped Kumar Gallery on stretcher 26” x 20”. Overall 31” x 25” Condition: Good with minor craquelure upper left, surface dirt, and scattered flake losses 51953-1 (6,000-9,000)

Session 1 1435.

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IVAN F. CHOULTSE (Russian, 1874/77-1939) AUTUMN WOODS Oil on canvas Housed in a giltwood frame Signed and dated lower right “In. F. Choultse 22” Accompanied by a Condition & Treatment Report 34-1/2” x 23-1/2”. Overall: 42” x 31” Condition: Very good with minor stretcher mark along right edge and minor canvas buckle lower right 52277-1 (20,000-40,000) 200

Lot 1436 1437.

SERGEI ARSENEVICH VINOGRADOV (Russian Federation, 1869-1938) THE PROCESSIONAL Watercolor Housed in a modern decorative frame with blue mat behind glass Signed lower left in Cyrillic and dated “1898” Sight: 18-3/4” x 17”. Overall: 28” x 26” Condition: Right corner has 6” tear from right side to bottom, otherwise very good. Not examined out of frame 52166-12 (1,000-1,500)

Lot 1437 1438. TSVETINOVITCH (20th century) IMPRESSIONISTIC VIEW OF CITY BRIDGE WITH SAILBOAT Oil on canvas Housed in a paint decorated wood frame Signed lower left “Tsvetinovitch” 24” x 19-3/4”. Overall: 31-3/4” x 27-1/2” Condition: Surface grime, several flake losses 52094-6 (1,500-2,500)

Lot 1438 201

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Session 1

1436. MIHOVIL KRUSLIN (Croatian, 1882-1962) CROATIAN WINTER LANDSCAPE Oil on canvas Housed in a contemporary silver giltwood frame with linen liner Signed lower right “M Kruslin” 18-1/2” x 24-3/4”. Overall: 21-3/4” x 28” Condition: Very good 52103-10 (1,000-1,500)

Session 1

1439. NICOLAAS STEFFELAAR (Dutch, 1852-1918) ELEGANT WOMAN WITH FAN Oil on canvas Housed in a 19th century giltwood frame Signed and dated lower left “Nic.s Steffelaar 1872”, bearing artist red wax seal and inscribed “N Steffelaar” on verso canvas 29” x 21-3/4”. Overall: 35-1/2” x 28-1/4” Condition: Good with scattered restoration in several spots, minor touch-up in girl’s forehead 52117-2 (2,000-4,000)

Lot 1439 1440.

ANDREAS SCHELFHOUT (Netherlands, 1787-1870) WINTER IN HOLLAND Oil on wood panel Unframed Signed lower right “Schelfhout” 6-1/2” x 8-1/4” Condition: 2 surface cracks on left side, surface dirt, otherwise very good 52282-11 (3,000-5,000)

Lot 1440

1441. EDMUND TSCHAGGENY (Belgian, 1818-1873) MILKMAID ENTERING A FIELD WITH COWS AND SHEEP Oil on canvas Housed in a substantial period giltwood frame with molded acorn and leaf decoration (missing rear molding upper left & areas of overpaint Signed and dated lower left “Edmond Tschuggeny 1869” 30” x 43-1/2”. Overall: 45” x 59” Condition: Overall very good, craquelure throughout sky, minor canvas buckle upper right and upper left corners 52011-7 (4,000-6,000)

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202

Lot 1442 1443.

CARL W. PETERS (American, 1897-1980) FIGURES IN A WINTER VILLAGE Oil on canvas Housed in a contemporary grey-toned wood frame Estate stamped on verso “Carl W Peters”, signed by Elaine P Woodbury, daughter of the artist 20 x 24”. Overall: 25” x 29” Provenance: Acquired directly from the family of the artist Condition: Very good 51234-4 (1,000-2,000)

Lot 1443 1444. CARL W. PETERS (American, 1897-1980) FIGURE IN WINTER WOODLAND Oil on canvas Housed in a contemporary giltwood frame Estate stamped on verso “Carl W. Peters” and signed by Elaine Woodbury, the artist’s daughter 25” x 30”. Overall: 29 x 33-1/2” Provenance: Acquired by current owner directly from the artist’s estate. Condition: Very good 51234-5 (1,500-2,500)

Lot 1444 203

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Session 1

1442. BAREND CORNELIS KOEKKOEK (Dutch, 1803-1862) TRAVELER IN A FOREST LANDSCAPE Oil on beveled panel Housed in a 19th century molded giltwood frame with velvet liner Signed and dated lower left “B.C. Koekkoek 1851” 16-3/4” x 14-1/2”. Overall: 22” x 20” Condition: Good with yellowed varnish. Frame has losses to molding along top and gilt losses as well as wear to velvet liner 52099-2 (2,000-3,000)

Session 1

1445. EARLE A. TITUS (American, 1895-1962) DAPPLED SUNLIGHT IN SNOWY WOODLAND Oil on board Housed in a paint decorated wood frame Signed lower left “E. A. Titus” 24” x 32”. Overall: 29-1/2” x 37-1/2” Condition: Very good 52103-1 (800-1,200)

1446.

Lot 1445

BERNARD COREY (American, 1914-2000) WINTER LANDSCAPE Oil on board Housed in a giltwood frame signed Goodnow Signed lower left “Bernard Corey” and inscribed “Painted at Dudley, MA” on verso 9-3/4” x 16”. Overall: 16” x 22” Condition: Very good with frame abrasion 52162-5 (800-1,200)

Lot 1446

1447. BERNARD COREY (American, 1914-2000) STONE WALL Oil on Masonite Housed in modern giltwood frame Signed lower right “Bernard Corey” 10-1/2” x 13-1/2”. Overall: 16-1/4” x 19” Condition: 1/2” touch up upper left, spotty varnish, otherwise very good 51972-2 (800-1,200)

Lot 1447 1448.

BERNARD COREY (American, 1914-2000) TWO WORKS: HOUSE AND BARN IN SUMMER & SUMMER LANDSCAPE WITH RED BARN Oil on canvasboards Both housed in modern giltwood frames Both signed lower right “Bernard Corey” and “#49 “ on verso 1) 10” x 14”. Overall: 16”x 20” 2) 10” x 16”. Overall: 14-1/2” x 20-1/2” Condition: Very good 51972-3, 51972-6 (1,500-2,500)

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204

Lot 1449

1450.

WILLIAM R. DAVIS (American, 1952-) “WINTER LIGHT” Oil on Masonite Housed in a good molded wood gilt frame Signed lower right “W. Davis”. Also signed and titled on verso 5” x 7”. Overall: 10-3/4” x 8-3/4” Condition: Excellent 51852-8 (1,000-2,000)

Lot 1450

1451. JOHN JOSEPH ENNEKING (American, 1841-1916) “NEPONSET RIVER, HYDE PARK, MASSACHUSETTS” Oil on board Housed in a modern wood frame Signed and dated lower right, “Enneking “94”, inscribed with title on verso and “AF Smith” 8” x 11-3/4”. Overall: 10-1/4” x 14” Condition: Frame abrasion along bottom, small loss upper left edge, 2-1/2” area of restoration right edge, otherwise good 51953-3 (1,500-2,000)

Lot 1451 205

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Session 1

1449. WILLIAM R. DAVIS (American, 1952-) “WINTER GLOW” Oil on canvas panel Housed in a modern decorative gilt wood frame Signed lower left “W Davis” Titled on verso 6” x 8”. Overall: 11” x 13” Condition: Very good to excellent 52352-3 (800-1,200)

Session 1

1452. JOHN JOSEPH ENNEKING (American 1841-1916) MEANDERING STREAM Oil on artist board Housed in a contemporary giltwood frame Signed lower right “Enneking”, inscribed in pencil “Hamelton Foster” on verso 10” x 13-3/4”. Overall: 17-3/4” x 21-1/2” Condition: Very good 52138-7 (1,000-3,000)

Lot 1452 1453.

JOHN JOSEPH ENNEKING (American, 1841-1916) “THE WORK GANG” Oil on canvas Housed in a contemporary giltwood frame Signed and dated lower left “Enneking ‘84”, bears Kennedy Galleries, New York label on backing board 19-1/2” x 29”. Overall: 26” x 35” Provenance: From the collection of Robert Dickermann, NY Condition: Good, with minor scattered in-paint throughout background and along edges 51954-2 (2,000-4,000)

Lot 1453

1454. WILLIAM S. ROBINSON (American, 1861-1945) “AUTUMN IN LYME” Oil on board Housed in a contemporary giltwood frame signed and dated “Miller MMIV” Signed lower left “Wm. S. Robinson” and inscribed with artist name and dates on verso 8” x 10”. Overall: 14” x 16” Condition: Very good, with scattered re-touch 52188-5 (1,000-1,500)

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206

Lot 1455 1456.

JACOB WAGNER (American, 1852-1898) SWIMMING HOLE Oil on canvas Housed in a period giltwood frame Signed and dated lower right “J Wagner 1892” 14” x 20”. Overall: 19” x 25” Condition: Canvas lined retaining original Boston tabs, shrinkage cracks and craquelure visible throughout, scattered re-touch, 2” area of restoration center foliage. Frame has several losses to gilt moldings 52103-2 (1,000-2,000)

Lot 1456

1457. ROBERT E. MOORE (American, 1956-2003) SUMMER MEADOW Oil on canvas Housed in a modern ebonized wood frame Signed lower right “R.E. Moore” 18” x 25”. Overall 22” x 29” Condition: Very good to excellent 51914-4 (800-1,200)

Lot 1457 1458.

AMERICAN SCHOOL (19th century) SUMMER LANDSCAPE Oil on canvas Housed in an early 20th century giltwood frame Unsigned, inscribed on bottom stretcher “G.F. Morse” 12” x 17”. Overall: 17-3/4” x 23” Condition: Small patch on verso, frame abrasion along bottom edge with a horizontal line of gold paint 52147-5 (500-800)

Lot 1458 207

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Session 1

1455. WILLIAM S. ROBINSON (American, 1861-1945) CONNECTICUT LANDSCAPE Oil on board Housed in a modern molded wood gilt frame Signed lower right “Wm. S. Robinson 1913” 8” x 10”. Overall: 12” x 13-3/4” Condition: Very good with inpainting 52188-11 (800-1,200)

Session 1

1459. GEORGE GLENN NEWELL (American, 1870-1947) “DOVER PLAINS FARM” Oil on canvas Housed in a contemporary giltwood frame, signed and dated “P H Miller 2003” Signed lower right “G. Glenn Newell.”, bears illegible label on verso, titled on presentation plaque mounted to frame 13” x 16-1/2”. Overall: 18-1/2” x 22” Condition: Very good with minor touch-ups in sky and several small areas along bottom edge 52188-3 (1,000-1,500)

Lot 1459 1460.

WALTER STYLES (American, 1862-1948) COWS AT WATERING HOLE Oil on canvas Housed in a period giltwood frame Signed lower right “W B Styles”, art supply stencil on verso canvas “Dechaux & Co, New York” 20” x 30”. Overall: 26-1/2” x 36-1/2” Condition: Good with craquelure, several flake losses 52216-5 (1,500-2,000)

Lot 1460

1461. GEORGE GLENN NEWELL (American, 1870-1947) “CRITCHLOW CREEK” Oil on board Housed in a contemporary giltwood frame signed “Miller 2003” Signed lower right “Glenn Newell”, titled on presentation plaque affixed to frame and Salmagundi Club exhibition label affixed to verso 13-3/4” x 6-3/4”. Overall: 19” x 12” Condition: Very good, board slightly warped 52188-2 (1,000-1,500)

Lot 1461 1462.

HARRY L. HOFFMAN (American, 1871-1964) WINTER LANDSCAPE WITH RIVER, CONNECTICUT Oil on canvas board Housed in a Lowy giltwood frame Signed and dated lower right “H L Hoffman ‘13”, bears fragment of a Salmagundi Club label on verso 7” x 10”. Overall: 12” x 15” Condition: Very good with small touch-up lower left 52188-8 (800-1,200)

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208

Lot 1462

Lot 1463

1464.

THADDUS WELCH (Canadian, 1844-1919) WOODED LANDSCAPE WITH STREAM Oil on canvas Housed in a period giltwood frame Signed lower right “T Welch” 8” x 10”. Overall: 13-1/2” x 15-1/2” Condition: Discolored varnish, minor stretcher mark left edge, otherwise very good 52097-3 (1,000-2,000)

Lot 1464

1465. LAMONT A. WARNER (American, 1876-1970) TWO WINTER LANDSCAPES Oils on canvas 1) Forest glade in winter, housed in a blue and gold painted wood frame Signed and dated lower left “LaMont A Warner July 8th 1951” 2) Winter clearing, housed in a contemporary grey painted wood frame Signed and dated lower left “LaMont A Warner April 13 1969” 1) 22” x 26”. Overall: 27-1/2” x 31-1/4”. 2) 18” x 24”. Overall: 24” x 30” Condition: Both are in good condition with minor surface grime 52278-3 (1,000-1,500)

Lot 1465 209

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Session 1

1463. PAUL CARON (Canadian, 1874-1941) “HILL FARM, BAIE ST PAUL”, 1935 Watercolor on paper Housed in an original giltwood frame under glass Signed lower right “Paul Caron”, titled and dated “April 1935.” on Watson Art Galleries, Montreal label affixed to verso, authenticity label from Gallerie Walter Klinkhoff with blind stamp, affixed to verso Accompanied by the original purchase receipt from Galerie Walter Klinkhoff along with biography on artist on Klinkhoff letterhead Sight: 10-3/4” x 14”. Overall: 16-1/4” x 19-1/2” Condition: Appears to be in overall very good condition, with minor fading 51802-1 (2,000-3,000)

Session 1

1466. ATTRIBUTED TO JONAS LIE (American, 1880-1940) STREAM IN WINTER Oil on board Housed in a painted black molded wood frame Signed lower right “Jonas Lie” Sight: 18” x 22”. Overall: 24-1/2” x 28-1/2” Condition: Very good with minor touch up 52138-8 (1,000-3,000)

1467.

Lot 1466

BERTRAM BRUESTLE (American, 1906-1968) NEW ENGLAND LANDSCAPE WITH FARM Oil on board Housed in white washed wood frame with gilt highlights and linen liner Signed lower left “BGBruestle” 17-1/2” x 21-1/2”. Overall: 22-3/4” x 27” Condition: Very good. 52188-7 (600-800)

Lot 1467 1468. CLARK GREENWOOD VOORHEES (American, 1871-1933) THE WHITE SALT BOX Oil on board Housed in a fine carved and gilt modern frame with gilt liner Signed lower left “C G Voorhees” 8” x 10”. Overall: 13-1/2” x 15-1/2” Condition: Very good 52188-12 (800-1,200)

Lot 1468 1469.

GEORGE F. HIGGINS (American, 1850-) PANORAMIC VIEW OF A NEW ENGLAND LANDSCAPE WITH MOUNTAINS AND LAKE Oil on canvas Housed in a modern giltwood frame Signed and dated lower right “GF Higgins 71” 30” x 50”. Overall: 36-1/2” x 56” Condition: Good restored condition, canvas has been lined, in-paint lower right and lower left corners, several areas throughout sky and scattered areas of re-touch 52275-4 (1,500-2,500)

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Lot 1469 210

Lot 1470

1471.

JAMES GOODWIN MCMANUS (American, 1882-1958) “THE HOUSE IN THE HILLS” Oil on canvas Housed in a period carved and copper gilt wood frame Signed lower left “James Goodwin McManus, 1944”, the back retaining a Lyme Art Association exhibition tag with artist and title 25” x 30”. Overall: 31-1/4” x 36” Condition: Very good 52188-13 (1,500-2,500)

Lot 1471

1472. ALFRED C. HOWLAND (American, 1838-1909) LANDSCAPE WITH COUNTRY ROAD Oil on canvas board Housed in a period giltwood frame Signed and dated lower right “A.C. Howland ‘89” 7” x 11”. Overall: 14” x 18” Condition: Very good 52208-19 (1,000-1,500)

Lot 1472 211

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Session 1

1470. LAMONT A. WARNER (American, 1876-1970) APPLE BLOSSOMS Oil on canvas Housed in a green painted wood frame Signed lower left “LaMont A Warner.” 16” x 20”. Overall: 18-1/2” x 22-1/2” Condition: Craquelure and minor surface grime 52278-5 (1,500-2,500)

1473.

Session 1

LAMONT A. WARNER (American, 1876-1970) TWO LANDSCAPES WITH TREES Two oils on canvas. 1) Housed in a contemporary blue painted wood frame Signed and dated lower left “LaMont A Warner 1932”. 2) Housed in a composite frame under glass. Signed and dated lower left “LaMont A Warner 1955” 1) 22” x 26”. Overall: 26” x 30”. 2) 26” x 22”. Overall: 29-1/2” x 25-1/2”. Condition: 1)Very good with surface grime. 2) Very good with several small flake losses. 52278-4 (1,000-1,500)

Lot 1473

1474. BEN (BENJAMIN) A. FOSTER (American, 1852-1926) HOMESTEAD NEAR A COUNTRY LANE Oil on canvas Housed in a contemporary giltwood frame Signed lower right “Ben Foster” 14” x 18”. Overall: 22” x 26” Condition: Canvas has been lined, craquelure throughout, several areas of restoration 52188-4 (800-1,200)

Lot 1474

1475.

DAVID CURTIS (American, 1950-) “HERE BETWEEN” Oil on canvas Housed in a contemporary giltwood frame with linen liner Signed lower right “David Curtis”, titled on label affixed to verso 12” x 24”. Overall: 19-1/4” x 31-1/4” Provenance: Ex-collection MBNA Corporation Condition: Very good to excellent 52101-7 (800-1,200)

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212

Lot 1476 1477.

ATTRIBUTED TO ALEXANDER HELWIG WYANT (American, 1836-1892) PANORAMIC LANDSCAPE Oil on canvas Housed in a period antique gesso decorated gold frame with gilt liner having an artist’s plaque Signed lower right “A H Wyant” 9” x 10”. Overall: 16-1/2” x 17-1/2” Condition: Very good 52317-2 (600-900)

Lot 1477 1478. ROBERT ATWOOD (American, 1892-1970) LANDSCAPE WITH BIRCHES Oil on canvas Housed in a contemporary giltwood frame Signed and dated lower left “Robert Atwood 41” 30” x 36”. Overall: 42” x 36-1/2” Condition: Several surface abrasions along top, otherwise very good 52308-13 (1,500-2,000)

Lot 1478 1479.

JAMES K. BONNAR (American, 1883-1951) “AUTUMN” Oil on canvas Housed in pickled wood frame Signed lower right “James K. Bonnar”, titled on exhibition label on verso nailed to stretcher, inscribed on stretcher “James K Bonnar, Judkins Street, Newtonville Mass” Exhibited: Bethel Inn Exhibition, 1945 20” x 24”. Overall: 23-1/2” x 27-1/2” Condition: Very good 51715-2 (1,000-1,500) 213

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Session 1

1476. EDWARD HUGO EN _ _? (American, Mid 20th Century) LANDSCAPE WITH COLORFUL FOLIAGE Oil on canvas Housed in contemporary grey frame Signed and dated lower right illegibly, “Edw. H. Ena..man 50”, bears fragment of a label inscribed “Edward Hugo...” on frame 24” x 36”. Overall: 28-3/4” x 40-3/4” Condition: Very good 52099-45 (500-700)

Session 1

1480. GUY PENE DU BOIS (American, 1884-1958) BEND IN THE RIVER Watercolor and gouache on paper Housed in a modern silver and black painted wood frame, matted under glass Signed and dated lower right “Guy Pene Du Bois 1942” 14” x 21”. Overall: 22-1/2” x 29-1/2” Condition: Tack holes upper left and right corners, minor discoloration along edge, otherwise good 52287-5 (1,000-2,000)

Lot 1480

1481.

WILLIS HENRY PLUMMER (American, 1838-1935) LATE FALL WOODLAND ROAD Watercolor Housed in its period gilt liner with white mat Signed lower right & dated “93”? Sight: 13-1/2” x 19”. Overall: 22-1/4” x 28” Condition: Not examined out of frame, very good 52147-3 (500-1,000)

Lot 1481

1482. ROBERT ATWOOD (American, 1892-1970) FALL LANDSCAPE WITH STREAM Oil on canvas Housed in a white washed carved wood frame Signed lower right “Robert Atwood” 24” x 32”. Overall: 29” x 37” Condition: Minor surface grime, craquelure throughout 52308-12 (700-900)

Lot 1482 Visit www.jamesdjulia.com for more information

214

Lot 1483 1484.

AMERICAN SCHOOL (20th century) TWO AMERICAN SCHOOL WATERCOLORS 1) Susan Chase (American, 19/20th century) VILLAGE SCENE watercolor. Housed in a giltwood frame under glass. Signed lower left. 2) Amy Piedwell (American, 1875) HOLLY HOCKS, A NEW ENGLAND SCENE watercolor. Housed in a giltwood frame, matted under glass. Signed and dated lower right “1954 To M.T.N. Amy Piedwell”. 1) 21-1/2” x 17-1/2”. Overall: 23-1/2” x 19-1/2”. 2) 21-1/2” x 14-1/2”. Overall 31-1/2 x 23-1/2”. Condition: 1) Several fox marks and discoloration. 2) Mat badly stained. 51896-2 (800-1,200)

GEORGE W. NICHOLSON (American, 1832-1912) PASTORAL LANDSCAPE WITH STORM CLOUDS Oil on canvas Housed in a period giltwood frame Signed lower left “G. W. Nicholson” 10” x 14”. Overall: 15” x 19” Condition: Good restored condition, lined with restoration upper right and small area in sky 52117-7 (800-1,200)

Lot 1484 1485. HENRY WARD RANGER (American, 1858-1916) HIKERS IN A MOUNTAINOUS LANDSCAPE Oil on artist board Housed in a contemporary giltwood frame with linen liner Signed and dated lower right “H W Ranger 1903”, and stamped lower left with National Academy of Design Ranger Fund monogram, numbered “B393” on National Academy of Design Ranger Fund Pictures label affixed to verso, also bears typed biography of the artist 16” x 12”. Overall: 21-3/4” x 17-3/4” Condition: Very good with spotty varnish 52138-10 (1,000-2,000)

Lot 1485 1486.

WILLIS HENRY PLUMMER (American, 1838-1935) FISHERMEN IN A LANDSCAPE Oil on board Housed in a giltwood frame with grapevine motif Signed and dated lower left “W Plummer 1884” 8” x 17-3/4”. Overall: 11-1/4” x 21” Condition: Board is warped, several nail holes along edges, surface grime 52147-4 (500-1,000)

Lot 1486 215

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Session 1

1483.

Session 1

1487. WALTER LOFTHOUSE DEAN (American, 1854-1912) BEACH SIDE WAVES Oil on canvas Housed in a large gesso decorated gilt frame with finish losses & remnants of exhibition labels including what appears to be a partial 7th Annual Exhibition, Poland Springs Gallery Signed lower right “Walter L Dean” 20” x 30”. Overall: 33” x 43” Provenance: Removed from the Maine State House, Poland Springs, Maine Condition: Surface dirt, small closed tear in upper left sky, some inpainting mostly along top edge, otherwise good 52369-3 (2,000-4,000)

Lot 1487

1488.

ANNE W. CARLETON (American, 1878-1968) “THE CAUSEWAY”, PERKINS COVE Oil on board Housed in a modern giltwood frame Signed lower right “A. Carleton”, titled on verso 12” x 16”. Overall: 19-1/4” x 23-1/4” Condition: Board slightly warped, otherwise good 52282-7 (3,000-5,000)

Lot 1488

1489. TIFFANY (American, Late 19th Century) BEACH SCENE WITH FIGURES AND SAILBOATS Oil on beveled panel Housed in a William Hall giltwood frame Signed lower right “Tiffany” 6-1/2” x 15”. Overall: 11” x 19-1/2” Condition: Surface grime, minor touch-up in sky and right, otherwise good 52099-60 (5,000-7,000)

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216

Lot 1490

1491.

HARRY RUSSELL BALLINGER (American, 1892-1993) WAVES ALONG A ROCKY COASTLINE Oil on canvas Housed in a silver gilt frame with white liner Signed lower right “HE Ballinger”,the “E” probably is an “R” 25” x 30”. Overall: 30-1/4” x 35-1/4” Condition: Very good 52245-5 (800-1,200)

Lot 1491 1492. AFTER IRVING RAMSAY WILES (American, 1861-1948) SAILING Watercolor Housed in a modern silvered wood frame with double mat behind glass Signed lower right “Irving R. Wiles” 12” x 16-1/4”. Overall: 17-1/2” x 21-1/2” Condition: Very good 52317-4 (200-400)

Lot 1492 217

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Session 1

1490. FREDERICK JUDD WAUGH (American, 1861-1940) WAVES CRASHING INTO TIDAL POOLS Oil on canvasboard Housed in a partial gilt fancy frame with painted liner Signed lower right “Waugh” 12” x 16”. Overall: 18-1/2” x 22-1/2” Condition: Some surface dirt, good 52205-3 (1,000-2,000)

Session 1

1493. STAN STOKES (American, 20th Century) “SOVEREIGN OF THE SEAS”. Oil on canvas Housed in a modern gilt decorative frame Signed lower right “Stokes”. Also inscribed with title, artist & date of 2007 on verso of canvas 30” x 40”. Overall: 37” x 47” Condition: Very good to excellent 51858-1 (1,500-2,500)

1494.

Lot 1493

ROBERT LEE PERRY (American, 1909-1991) CLIPPER SHIP “JAMES BAINES”. Oil on canvasboard nautical scene shows a three-mast ship in full sail sailing right to left in choppy seas. All under blue & white cloud sky. Signed lower right “Robert Lee Perry”. Housed in a decorative gold frame with linen & gold liner. Titled on verso, also inscribed “Built by Donald McKay” 20” x 24”. Overall: 26-1/2” x 30-1/2” Condition: Very good 52394-1 (800-1,200)

Lot 1494 1495. LAMONT A. WARNER (American 1876-1970) ROCKY COAST Oil on canvas Housed in a modern gilt decorated wood frame Signed and dated lower left “LaMont A Warner Sept 1956” 22” x 26”. Overall: 26-1/2” x 30-1/2” Condition: Very good minor surface grime and right edge stretcher mark 52278-6 (500-1,000)

Lot 1495 1496.

PERCY MORAN (American, 1862-1935) BREAKING WAVES Oil on canvas Housed in a contemporary giltwood frame Signed and dated lower left “PERCY-MORAN-” 20”x 30”. Overall: 26” x 36” Condition: Three small patches on verso with corresponding in-paint, stretcher marks 52103-8 (800-1,200)

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218

Lot 1496

Lot 1497 1498.

CHARLES FROMUTH (American, 1858-1937) SAILBOATS Pastel on paper Housed in a modern gold painted wood frame Signed lower left “Charles Fromuth”, Doyle label affixed to verso 17-1/2” x 21-3/4”. Overall: 22” x 25-1/2” Condition: Paper has been laid down on board, several chips along edges including a 1/2” loss upper center, two water spots upper right (possibly in the making) 52103-15 (1,000-1,500)

Lot 1498 1499. JOSEPH MCGURL (American, 1958-) SEASCAPE WITH BUOY Oil on Masonite Housed in a modern copper gilt and ebonized frame Signed lower right with initials “JM”. Also signed and dated on verso “Joseph McGurl 2017” 5” x 7”. Overall: 10-1/2” x 12-1/2” Condition: Excellent 51852-9 (1,000-2,000)

Lot 1499 1500.

LAMONT A. WARNER (American, 1876-1970) THREE COASTAL LANDSCAPES Watercolor on paper All housed in matching contemporary giltwood frames, matted under glass Each signed lower left “LaMont A Warner”, Cliffs dated “Aug 7 / 63”, Crashing Waves dated “Aug 21, 1960”, Rocky Beach dated “July 24 / 61” Each 10-1/2” x 14-1/2”. Overall: 17” x 21” Condition: All three appear to be in very good condition. Crashing wave is slightly faded, not examined out of frames 52278-2 (1,000-1,500) 219

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Session 1

1497. JAMES G. TYLER (American, 1855-1931) COASTAL SEASCAPE WITH SCHOONER Oil on canvas Housed in an early 20th century giltwood frame Signed lower left “James G. Tyler” 9” x 18”. Overall: 14-1/2” x 23-1/4” Condition: Two small patches corresponding with restoration on front, otherwise in good, stable condition 52103-17 (1,000-1,500)

Session 1

1501. MAURITZ F. H. DE HAAS (Dutch/American, 1832-1895) COASTAL VIEW WITH SAILBOATS Oil on canvas Housed in a vintage giltwood frame Signed lower right “M.F.H. De Haas” 10” x 14”. Overall: 14” x 18” Condition: Craquelure, several pinholes, surface abrasion along frame edges and old re-touch in sky 52128-1 (1,000-2,000)

Lot 1501

1502.

ESTHER MORTON SMITH (American, 1865-) HARBOR VIEW WITH TRAWLER AND SAILBOATS Oil on canvas Housed in an early 20th century giltwood frame Unsigned, inscribed on top stretcher “Esther Morton Smith”, bears Staton Bros., Germantown, PA gallery label on verso 18” x 16”. Overall 23-1/2” x 21-1/2” Condition: Good with minor surface grime, stretcher mark top edge 52208-18 (1,500-2,500)

Lot 1502

1503. JOHN FOLINSBEE (American, 1892-1972) COASTAL LANDSCAPE Oil on canvas board Housed in a white painted frame stamped “Badura” Signed lower right “John Folinsbee” 10” x 14”. Overall: 14-3/4” x 18-3/4” Condition: Canvas is slightly warped, otherwise good 52138-9 (1,000-2,000)

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220

Lot 1504

1505.

WILLIAM R. DAVIS (American, 1952-) “FULL MOON” Oil on canvas panel Housed in a modern decorative black frame Signed lower left “W Davis”, signed & titled on verso having date “2017” 5” x 7”. Overall: 7” x 9” Condition: Very good to excellent 52352-5 (600-900)

Lot 1505

1506. WILLIAM R. DAVIS (American, 1952-) “LIFTING FOG” Oil on canvas panel Housed in a modern decorative gilt wood frame Signed lower left “W Davis” Titled on verso and dated “2017” 6” x 8”. Overall: 11” x 13” Condition: Very good to excellent 52352-2 (800-1,200)

Lot 1506 221

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Session 1

1504. WILLIAM R. DAVIS (American, 1952-) “HARBOR LIGHTS” Oil on canvas panel Housed in a modern decorative black frame Signed lower left “W Davis”, signed & titled on verso 5” x 7”. Overall: 7” x 9” Condition: Very good to excellent 52352-4 (600-900)

Session 1 Lot 1507 1508.

1507. GAYLE B. TATE (American, 1944-) “DAMAGED BY FIRE” Oil on panel Housed in a walnut frame Signature inscribed lower left “g.b. tate” Note: Gayle Tate is known for trompe l’oeil. This fantasy work depicts a painting supposedly from the Metropolitan Museum of Art that has been damaged by fire. The artist has used his own landscape and dated it “4-3-79 / Rathbone” 9” x 12”. Overall: 12-3/4” x 151/2” Condition: Restoration in mountain along left edge, otherwise good 52099-59 (1,000-1,500)

ATTRIBUTED TO ARTHUR CARLES JR (American, 1882-1952) STILL LIFE Oil on canvas board Housed in a simple gold and black tone frame Unsigned, bears “Russel Canvas Board F.Webber and Co. Philadelphia” label affixed to verso and inscribed on masking tape affixed to verso “Carles E3004-4 Arch” 10” x 6”. Overall 10-1/2” x 6-3/4” Condition: Good 52099-34 (1,500-2,500)

Lot 1508

1509. HENRY ERNEST SCHNAKENBERG (American, 1892-1970) FLOWERS IN A COPPER LUSTER PITCHER Oil on canvas Housed in a gesso decorated gilt frame with linen liner Signed lower right “Schnakenberg”. Also, dated “10-67” on verso of canvas 12” x 9”. Overall: 17” x 14” Condition: Very good 52188-16 (600-900)

Lot 1509 1510.

AMERICAN SCHOOL (19th century) STILL LIFE WITH MAGNOLIAS Oil on canvas Housed in a giltwood frame Unsigned, inscribed on verso in pencil “Bought for Dr. Aug...March 1889 Martin J Heade” 7” x 10”. Overall: 12-1/2” x 15-1/2” Condition: Craquelure throughout, discolored varnish, several flake losses and canvas has Boston tabs 52099-10 (800-1,200)

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222

ALESSANDRO MARIO (American, 19th century) STILL LIFE OF A BOWL OF RASPBERRIES Oil on canvas Housed in a period giltwood frame Signed lower left “A.Mario 1870” 12” x 10”. Overall: 18” x 16” Condition: Surface dirt, craquelure, appears to have original frame, otherwise good 52000-3 (800-1,200)

Lot 1511 1512.

SAMUEL W. GRIGGS (American, 1827-1898) STILL LIFE WITH GRAPES Oil on Masonite Housed in a 19th century giltwood frame Signed lower left “S.W. Griggs” 21-1/2” x 15-1/4”. Overall: 29” x 23” Condition: Good overall with small area of touch-up upper right in shadow. Surface grime and minor flake losses 52099-22 (1,000-1,500)

Lot 1512 1513. ALFRED EISENSTAEDT (American/German, 1898-1995) “CENTRAL PARK AFTER A SNOWSTORM, NEW YORK, 1959” Photograph Unframed Stamp on verso indicating “Permission is granted for editorial use of this photograph only in conjunction with the Eisenstaedt Exhibition being held at the Circle Gallery...” Image: 9-1/2” x 6-1/2”. Overall: 10” x 8” Condition: Very good 51653-5 (1,000-1,500)

Lot 1513 1514.

ALEXANDER LIBERMAN (Russian/American, 1912-1999) “THE ARTIST IN HIS STUDIO”, THREE PHOTOGRAPHS. Photographic prints mounted on boards with stretcher backs, Unframed, Unsigned, each bears a Museum of Modern Art, NY label with titles. 1) “Fernand Legere Seated Studying Stained Glass Window Designs For Church At Oudin Court, Paris 1953”, Paper label with description affixed to front. 2) “Pablo Picasso At ‘Nou Nou’s’ Golf Juan 1954”. 3) “Marc Chegall Portrait, Seated And Smiling, Venice, 1952”, Paper label affixed to the front SIZE: 1) 14” x 10-1/2”. 2) 7-1/2” x 11”. 3) 14” x 9”. CONDITION: Surface scratches and with losses. 51843-3 (1,000-1,500) 223

Lot 1514 Visit www.jamesdjulia.com for more information

Session 1

1511.

Session 1

1515. ARNOLD NEWMAN (American, 1918-2006) “THORNTON WILDER” Gelatin silver print Housed in an ebonized wood frame under glass Signed in pencil lower right on mat “Arnold Newman” and titled and dated lower left “Thornton Wilder 1962” 10-1/2” x 10-1/2”. Overall: 22-3/4” x 18-3/4” Condition: Several abrasions and scratches to surface with several fox marks, photograph is mounted to back mat 51653-3 (800-1,200)

1516.

Lot 1515

TWO WORKS. 1) DIRK REINARTZ (German, 1937-) “BIZMARK IN AMERICA”, 1998, Cibachrome, Unframed, Unsigned, titled and dated on verso with artist’s estate label. 2) FRATELLI ALINARI (Italian, 19th century) “MERCURY BY GIOVANNI BOLOGNA”, Sepiatone albumen print, Unframed, Unsigned, inscribed “ED. Alinari P.I.N. 2659. Firenze- R. Museo Naziolnale. Mercurio. (Giovan Bologna.)”, Note: Fratelli Alinari is the oldest photography firm in the world and was founded in Florence, Italy in 1852. SIZE: 1) Image: 6-1/2” x 9-3/4”. Overall 9-1/2” x 12”. 2) 10” x 7-1/2”. CONDITION: 1) Discoloration in margins, surface scratch lower left in image area, otherwise good. 2) Chip lower left, chips and small tear along top, hinged to mat at top, several creases. 51843-2, 518434 (200-300)

Lot 1516

1517. ANDREAS FEININGER (American, 1906-1999) THREE PHOTOGRAPHS OF TREE BARK. Gelatin silver prints. Housed in matching black metal frames, matted under glass. All signed lower right “Andreas Feininger” and numbered “1/100”. SIZE: 1) Oak Tree: 12-1/4” x 9-1/4”. 2) Beech Tree: 10-3/4” x 9-1/4”. 3) Shagbark Hickory: 12” x 9-1/4” Overall: 20-1/4” x 16-1/4” each. CONDITION: Not examined out of frames. 1) Small tear upper left corner, lifting. 2 & 3) Very good. 51843-1 (400-600)

Lot 1517 1518.

OUTSTANDING PAIR OF VICTORIAN WALNUT AND GILT FRAMES. The outside frame in carved and molded black walnut having an interior gilt liner with oil spot decoration. SIZE: 30” x 40”. Overall: 38” x 48”. CONDITION: Very good, only minor scuffing at corners 52235-6 (2,500-3,500)

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224

Session 1 Lot 1519 1519.

SIX ANTIQUE LARGE FORMAT FRAMES. 1-4) Walnut frames with gold liners. 5-6) Gesso decorated gilt frames SIZE: 1) Interior: 22” x 41”. Overall: 26” x 45”. 2) Interior: 25” x 30”. Overall: 32” x 37”. 3) Interior: 30” x 40”. Overall: 33-3/4” x 43-3/4”. 4) Interior: 29-1/4” x 35”. Overall: 37-1/4” x 43”. 5) Interior: 24-1/4” x 42-3/4”. Overall: 32” x 50-1/2”. 6) Interior: 27-1/4” x 38-1/4”. Overall: 34” x 45”. CONDITION: Generally very good, there is some scuffing and finish loss 52235-5 (1,200-1,500)

1520.

EUROPEAN STYLE (20th Century) MODERN CARVED GILTWOOD FRAME. Bears label from Allman-Ricks, Springville UT, manufacturer’s label indicates patina is 22K gold leaf. SIZE: Opening: 341/4” x 43”. Overall: 44-1/2” x 53-1/2”. CONDITION: Very good. 518182 (50-100)

Lot 1520

1521. GIORGIO CAVALLON (American, 1904-1989) UNTITLED ABSTRACT Watercolor on paper Housed in a contemporary giltwood frame, matted under glass Signed with initials and dated lower right “GC 49!” 15” x 21-3/4”. Overall: 25” x 31-1/4” Condition: Full sheet visible, mounted to back mat on four corners, small tack holes along edges, discoloration along edges, lower left corner curled, otherwise very good 52103-5 (4,000-6,000)

Lot 1521 225

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Session 1

1522. MANNER OF JEAN-MICHEL BASQUIAT (American, 1960-1988) UNTITLED FIGURE OF A WOMAN Oil stick on paper Housed in a wood frame under glass Unsigned 30” x 22-1/2”. x Overall: 33-3/4” x 26” Condition: Paper has been mounted to backing mat, otherwise good 52264-5 (1,000-2,000)

1523.

Lot 1522

FIVE 20th CENTURY MODERNIST ABSTRACT WORKS OF ART. 1) DICK BOROVSKY (American, 20th Century) “SUITE #13”, oil on canvas, unframed, signed and dated lower right “Dick Borovsky 5/24/61”, signed, dated, and titled on verso 2) (?) GOFF, Untitled Abstract, oil on canvas, unframed, signed lower left “Goff ” 3) W.H. EDWARDS, Untitled Abstract, oil on canvas, housed in metal frame, signed lower left “WH Edwards” 4) F. SILVI(?)MANN, Profile of a Man With Fish, oil on canvas, housed in a modern gold painted wood frame, signed and dated lower left “F. Silvi(?)mann 5) MOGENS BALLE (Danish, 1921-1988) Lot 1523 “FABLENS RET”, lithograph in color, housed in simple giltwood frame, matted under glass, signed and dated lower right “Balle 65”, titled lower center and numbered lower left “75/210”. PROVENANCE: The Estate of Morris Racker. SIZE: 1) 38” x 45” 2) 40” x 50” 3) 24” x 36” 4) 35-1/2” x 25-1/2”. Overall: 37-1/4” x 27-1/4” 5) Plate: 19” x 25”. Overall: 27” x 32-3/4” CONDITION: 1) Three wooden slats nailed to stretcher, surface dirt, otherwise good 2) Minor surface dirt, stretcher marks, otherwise good 3) Craquelure and shrinkage cracks, surface grime, losses to paint 4) Canvas buckle, minor flaking upper left, several losses 5) Minor paper discoloration, otherwise good, not examined out of frame. 51956-58 (500-1,000)

1524. AMERICAN SCHOOL (Early 20th century) TWO DESIGNS FOR CHINESE CARPETS Gouaches on paper Housed in matching giltwood frames, matted under glass One bears inscription on paper backing “painted in 1904 for N.Y. Design Show as samples for decorators and rug dealers” Each: 10” x 8”. Overall: 18-3/4” x 15-3/4” Condition: Both are in very good condition. Red carpet has 1/2” surface scratch 52099-65 (500-700)

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226

Lot 1525

1526.

WALTER FARNDON (American, 1876-1964) “DAWN AT THE DOCKS” Oil on board Housed in a contemporary black and gold frame Signed lower left “Walter Farndon N.A.”, titled on verso 9” x 11”. Overall: 14” x 16” Condition: Very good 52046-2 (2,000-3,000)

Lot 1526

1527. FRANK HECTOR TOMPKINS (American, 1847-1942) “HESTER PRYNNE” Oil on canvas Housed in a period gilt wood frame Signed “F.H. Tompkins” 36-1/4” x 28”. Overall: 47” x 40” Condition: Craquelure, and surface grime, scattered areas of retouch, otherwise very good 52403-1 (1,500-3,000)

Lot 1527 227

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Session 1

1525. DENIS BOUDREAU (American, 1947-) “OIL RIGS” Oil on canvas Housed in a contemporary giltwood frame Signed lower left “D Boudreau” 11” x 14”. Overall: 17-1/2” x 20” Condition: Very good to excellent 52113-2 (1,000-1,500)

Session 1

1528. ROBERT PHILLIPS (American, 1946-) PORTRAIT OF A WOMAN WITH RED COAT Oil on canvas Housed in a modern gilt wood frame Signed indistinctly upper right 17-1/4” x 13-1/4”. Overall: 25” x 21” Condition: Very good 52403-5 (300-500)

Lot 1528 1529.

F LUIS MORA (American, 1874-1940) “CHILDRENS PANTOMIME” Oil on canvas Housed in an early 20th century carved gilt wood frame Signed lower right “F. Luis Mora”, inscribed on verso “F. Luis Mora. N.A./Title. Childrens Pantomime” 36” x 48”. Overall: 41-1/2” x 53-1/2” Condition: Minor craquelure in boys pants, minor surface grime, otherwise very good 52403-2 (5,500-7,000)

Lot 1529 1530. AMERICAN SCHOOL (20th Century) AN EVENING AT THE THEATER Oil on canvas Housed in a modern giltwood frame Signed lower right “Corrigan” 30” x 40”. Overall 38-1/2” x 49” Condition: Very good 51961-2 (300-500)

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228

Lot 1531

1532.

CHARLES HENRY RICHERT (American, 1880-1974) THREE FRAMED LANDSCAPE WATERCOLORS Including: “Haystacks” signed lower right, “Cascading Stream” signed lower left, and “Landscape with trees”, estate stamped lower left All three matted and framed under glass Sight of largest 9-3/4” x 13-3/4”. Overall 15-1/2” x 18-1/2” Condition: Not examined out of frames, very good 52403-3 (400-600)

Lot 1532

1533. JANE PETERSON (American, 1876-1965) “STAND OF TREES I” Gouache Housed in a contemporary frame, matted under glass Signed lower left “Jane Peterson”, titled on a Finer Things, Harvard Square label affixed to verso 9-1/4” x 12-3/4”. Overall: 14-1/2” x 17-1/2” Provenance: Estate of the Artist; Finer Things Fine Art, Boston; Private Massachusetts Collection Condition: Vertical band of discoloration and small spot upper right. Not examined out of frame 52102-9 (500-800)

Lot 1533 229

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Session 1

1531. THOMAS AQUINAS DALY (American, 1937-) “BANK WILLOWS AND RIFFLE” Watercolor on paper Housed in a burlwood frame, matted under glass Signed lower right “TA Daly”, bears artist label with title and Gerald Peters Gallery label on verso, inscribed “Happy anniversary love... the best is yet to come! March 15, 2003” Sight 10-1/2” x 15-1/4”. Overall 18-3/4” x 23-1/2” Condition: Very good, not examined out of frame 51953-2 (1,000-2,000)

Session 1

1534. BERNARD COREY (American, 1914-2000) “MARCH THAW” Oil on canvas mounted to Masonite Housed in a contemporary giltwood frame Signed lower right “Bernard Corey”, numbered on verso “#203” 10” x 14”. Overall: 15” x 19” Provenance: Acquired from artist Condition: Very good to excellent 52100-7 (800-1,200)

Lot 1534

1535.

BERNARD COREY (American, 1914-2000) “GLACIAL OUTCROP, NEW HAMPSHIRE” Oil on panel Housed in a contemporary giltwood frame Signed lower right “Bernard Corey” 9-1/4” x 14”. Overall: 14” x 19” Provenance: Acquired directly from the artist Condition: Very good to excellent 52100-6 (800-1,200)

Lot 1535

1536. BERNARD COREY (American, 1914-2000) “BLUE MOUNTAINS, MAINE” Oil on board Housed in a contemporary giltwood frame Signed lower right “Bernard Corey” 9” x 14-1/2”. Overall: 14” x 19-1/2” Provenance: Acquired directly from the artist Condition: Very good to excellent 52100-5 (1,000-1,500)

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230

Lot 1537 1537A. EMILY NICHOLS HATCH (AMERICAN, 1871-1959) TWO WORKS: VALLEY LANDSCAPE WESTON VERMONT AND BUILDING IN PINES. Oil on canvas boards Housed in gilt molded wood frames Signed lower right "Emily Nichols Hatch" Actual 16" x 20" and 16" x 12". Overall 17-1/2" x 21-1/2" and 17-1/2" x 13-1/2" Condition: Surface dirt, generally good 52412-1 (1,000-2,000)

1538. BERNARD COREY (American, 1914-2000) TWO WORKS: HOMESTEAD IN WINTER & RED BARN Oil on canvas boards Both housed in modern giltwood frames Both signed lower right “Bernard Corey”; Red Barn also signed on verso and numbered “No.72” 1) 10” x 15-3/4”. Overall: 14-1/2” x 20-1/2”. 2) 8-1/4” x 11-3/4”. Overall: 13-1/4” x 17” Condition: Very good 51972-1, 51972-5 (1,500-2,500)

Lot 1538

1539.

Lot 1537A

BERNARD COREY (American, 1914-2000) HOUSE ALONG SHORELINE Oil on Masonite Housed in modern giltwood frame Signed lower right “Bernard Corey” 10” x 15-3/4”. Overall: 15-3/4” x 21-1/2” Condition: Very good 51972-4 (800-1,200)

Lot 1539 231

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Session 1

1537. JOHN WHORF (American, 1903-1959) THE RED BARN Watercolor and gouache on paper Housed in a wood frame, matted under plexiglass Signed lower right “John Whorf ” 12-1/2” x 18-1/2”. Overall: 23” x 29” Condition: Appears to be in very good condition, not examined out of frame 52217-1 (1,000-2,000)

Session 1

1540. BERNARD COREY (American, 1914-2000) GLOUCESTER INLET WITH FISHING SHACK Oil on board Housed in a Goodnow giltwood frame Signed lower right “Bernard Corey”, artist’s estate stamp on verso and estate label signed by “Carolynne J. Grimley” with estate number “DC144” 9” x 14”. Overall: 15-1/2” x 20-1/2” Condition: Very good 52162-4 (800-1,200)

Lot 1540

1541. ATTRIBUTED TO ABBOTT FULLER GRAVES (American, 1859-1936) A EUROPEAN COASTAL HOME Oil on canvas Housed in a decorative molded wood frame Signed lower right “Abbott Graves” 18-1/4” x 24-1/4”. Overall: 21-1/2” x 27” Condition: Lined, very good 52317-3 (400-600)

Lot 1541

1542. A. GISSON (American, 20th Century) WOMAN WITH DOG SURROUNDED BY FLOWERS Oil on canvas Housed in an elaborate contemporary giltwood frame with linen liner Signed lower left “A. Gisson” and dated on stretcher “1973” 16” x 12”. Overall: 26” x 22” Condition: Very good to excellent 52103-14 (1,000-1,500)

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232

Lot 1543

1544.

WILLIAM R. DAVIS (American, 1952-) “COCKTAIL TIME” Oil on panel Housed in a contemporary giltwood frame Signed lower left “William R Davis”, signed and titled on verso 11” x 14”. Overall: 15-1/2” x 18-1/2” Condition: Very good to excellent condition 51852-7 (2,000-3,000)

Lot 1544

1545. JOHN WHORF (American, 1903-1959) MALLARDS RISING Watercolor on paper Housed in an ebonized wood frame, matted under glass Signed lower right “John Whorf ” 14-3/4” x 21”. Overall: 22-1/2” x 29-1/2” Condition: Good, not examined out of frame 52102-6 (2,000-3,000)

Lot 1545 233

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Session 1

1543. ANDRE GISSON (American, 1921-2003) “LA COTE DE LA MANCHE” Oil on canvas Housed in a white painted wood frame with linen liner Signed lower left “Gisson”, titled on presentation plaque 12” x 16”. Overall: 18-3/4” x 23” Condition: Very good to excellent 52117-6 (1,000-1,500)

1546.

Session 1

ALZIRA BOEHM PEIRCE (American, 19082010) FIVE WORKS: 1) SWANEE INN, 2) “EASTER PROCESSIONAL”, 3) UNTITLED, WALDO AMONGST THE LADIES, 4) UNTITLED, ALZIRA AND CHILD, 5) UNTITLED, TABLETOP STILL LIFE. All oil on canvas. All unframed. 1) Signed “AP 38” bottom right. 2) Signed “AP” bottom right. 3) Unsigned, having a Museum of Fine Arts label on verso, also Gallery 144, New York label. 4) Unsigned. 5) Unsigned, possibly the work of Waldo Peirce. SIZE: 1 & 2) 31” x 43”. 3) 36” x 28-3/4”. 4) 36” x 28-3/4”. 5) 20” x 28”. PROVENANCE: Descended within the family of the artist. CONDITION: 1) Very good. 2) Very good with one small chip. 3) Good. 4) Good. 5) Good. All with surface dirt and possible light scuffing. 52193-10 (1,000-1,500)

Lot 1546

1547.

ALZIRA BOEHM PEIRCE (American, 19082010) SEVEN WORKS: 1) UNTITLED, WOMAN READING, 2) UNTITLED, CHILDREN READING, 3) “ANNA ON THE BEACH”, 4) UNTITLED, TWO LADIES, 5) “REHEARSAL IN PAMONA”, 6) “FISHERWOMAN”, 7) “THE MAP MAKERS”. 1-4, 6) Oil on canvas. 5 & 7) Oil on board. All unframed. 1) Signed lower right “AP 1937”. 2) Signed lower right “AP 38”. Retains Midtown Galleries label on verso. 3) Unsigned front, signed and titled on edge. 4) Signed lower right “AP 1939”. 5) Signed “AP” bottom right, also signed and titled on verso. Dated “Dec. 1942”. 6) Signed lower Lot 1547 right “Alzira Peirce May 1940”. Titled on edge. 7) Signed “Alzira” bottom right. Signed, titled and dated “Dec 1945” on verso. SIZE: 1 & 3) 24” x 20”. 2 & 4) 20” x 24. 5) 24” x 20”. 6) 18” x 24”. 7) 12” x 16”. PROVENANCE: Descended within the family of the artist. CONDITION: All with light scuffing and dirt. 6) With 1-1/2” hole at stretcher line. 52193-8 (800-1,200)

1548.

ALZIRA BOEHM PEIRCE (American, 19082010) FOUR WORKS: 1)”CIRCUS SEALS”, 2) UNTITLED, BADMINTON, 3) UNTITLED, TRAPEZE, 4) UNTITLED, BADMINTON. 1 & 3) Oil on canvas. 2 & 4) Oil on canvasboard. All unframed. 1) Unsigned front, titled signed and dated “Dec. 1935” on verso. 2) Unsigned front, signed and dated “October 1947” on verso. 3) Signed and dated “Feb 36” on verso. 4) Signed “AP” bottom right. Signed and dated “July 1947” on verso. SIZE: 1) 21-1/2” x 26”. 2) 16” x 20”. 3) 13” x 18-1/2”. 4) 12” x 15-3/4”. PROVENANCE: Descended within the family of the artist CONDITION: 1) Some light scuffing, generally very good. 2) Corner losses and one corner with corner crease. 3) Very good. 4) Edge losses, discolored varnish, otherwise good. 52193-7 (800-1,200)

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234

ALZIRA BOEHM PEIRCE (American, 1908-2010) THREE WORKS: “SHORESIDE CHECKERS”, “BLOWIN THE BREEZE” AND “DRUM RHYTHM”. All oil on canvas. Unframed. 1) Signed “A.P.” Titled and signed on verso and dated “Nov 1943”. 2) Signed “Alzira 44” Lot 1549 bottom right. Also titled, signed and inscribed “N.Y.C. Jan 45” on verso. 3) Signed “Alzira Peirce” lower right. Also signed, titled and dated “April 1944” on verso. SIZE: 1) 20” x 24”. 2) 24” x 20”. 3) 12” x 16”. PROVENANCE: Descended within the family of the artist CONDITION: 1) Title label stuck bottom left corner, otherwise good. 2) Good. 3) Some flaking, otherwise good. 52193-5 (1,000-1,500)

1550.

ALZIRA BOEHM PEIRCE (American, 1908-2010) SEVEN WORKS: 1) UNTITLED, FIRE, 2) “CONCERT IN THE PARK”, 3) “CHOW LINE: 6AM”, 4) UNTITLED, GUNNERY, 5) UNTITLED, BEAUTY SURGEON 1, 6) “BEAUTY SURGEON”, 7) UNTITLED, CLASSROOM. All on canvas. All unframed. 1) Signed “AP 43” lower right. 2) Signed and titled on edge. 3) Titled and signed on reverse. 4) Signed bottom right Lot 1550 “Alzira Peirce”. 5) Signed “AP” bottom right. 6) Signed, titled and dated “June 1943” on verso. 7) Signed on verso. SIZE: 1) 25” x 30”. 2 & 3) 22” x 30”. 4) 20” x 24”. 5) 10” x 14”. 6 & 7) 9” x 12”. PROVENANCE: Descended within the family of the artist. CONDITION: 1) Scuffs and some chipping. 2) Losses across center section. 3) Minor scuffing. 4-7) Good. All with minor scuffing and dirt. 52193-9 (800-1,200)

1551.

ALZIRA BOEHM PEIRCE (American, 1908-2010) EIGHT WORKS: 1) “FRUIT”, 2) UNTITLED, BOWL OF FLOWERS, 3) “FLOWERS”, 4) UNTITLED, POT OF FLOWERS, 5) UNTITLED, PITCHER OF FLOWERS, 6) “AFRICAN VIOLET”, 7) “LAUREL”, 8) UNTITLED, GREEN PITCHER OF FLOWERS. All oil on canvas except 6 which is oil on canvasboard. All unframed. 1) Signed “AP 35” center middle. Signed, titled and dated “1935” on verso. 2) Signed “AP” lower right. 3) Unsigned front, signed and titled on verso. 4) Unsigned front, signed “Alzira” on verso. 5) Unsigned. 6) Unsigned front, signed, titled and dated Lot 1551 “Nov 1944” on verso. 7) Signed bottom right “AP”, signed and titled on verso. 8) Signed “AP” bottom right, signed on verso. SIZE: 1) 25” x 33”. 2) 22” x 30”. 3) 23” x 20”. 4) 19” x 16”. 5) 18” x 15”. 6) 16” x 12”. 7) 16” x 12”. 8) 13” x 8-1/2”. PROVENANCE: Descended within the family of the artist. CONDITION: 1) As found with losses to bottom 3” and edges. 2-8) With surface grime, some light scuffing, but generally good. 52193-6 (500-1,000) 235

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Session 1

1549.

1552.

Session 1

ALZIRA BOEHM PEIRCE (American, 1908-2010) TWELVE WORKS: 1) MOUNTAIN LANDSCAPE, 2) “STILL LIFE”, 3) STILL LIFE WITH COFFEE POT, 4) BANJO, 5) MEN FIGHTING, 6) RED BARNS, 7) WOMAN READING, 8) BANANA CART, 9) HUNTER, 10)”THE RIVER STYX”, 11) DINNER OUT, 12) WOMAN. All oil on canvas. Unframed. 1) Unsigned, 2) Unsigned but retaining a 14th Biennial exhibition 1935 label with artist and title, 3) Signed “Alzira”, also signed on verso, 4) Signed on verso, 5) Unsigned, 6) Signed on edge, 7) Signed on verso, 8) Unsigned, 9) Unsigned, 10) Signed “Alzira Peirce 1939”, also signed and titled on verso, 11) Unsigned, 12) Unsigned. SIZE: 1) 25-1/2” x Lot 1552 32”. 2) 25” x 30”. 3) 21” x 25-1/2”. 4) 21” x 26”. 5) 24” x 20”. 6) 20” x 24”. 7) 24” x 20”. 8) 22” x 15”. 9) 21” x 17”. 10) 16” x 20”. 11) 20” x 16. 12) 18” x 15”. PROVENANCE: Descended within the family of the artist. CONDITION: All are generally good with light scuffing and dirt except #10 has 3” x 3” tear in water. 52193-11 (400-600) 1553. ABRAHAM D. HONDIUS (Dutch, 1630-1691) THE TAKEDOWN Oil on canvas Housed in a contemporary ebonized wood frame with gilt liner Monogrammed lower left with conjoined “AH” 25” x 28”. Overall: 30-1/2” x 34” Condition: Craquelure arrested by lining, touch-up along edges, several small restored areas 52216-6 (2,500-4,000)

1554.

Lot 1553

FOLLOWER OF CLAUDE-JOSEPH VERNET (French, 1714-1789) FIGURES AND CAMELS IN A COASTAL LANDSCAPE Oil on canvas Housed in period giltwood frame Inscribed on verso “RWL. No. 12” 20” x 37-1/2”. Overall: 27-1/2” x 45” Condition: Overall discolored varnish, surface grime, stretcher marks, tiny flake losses and several small holes. Frames has several losses to moldings and gilding 52282-6 (2,000-3,000)

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236

Lot 1554

Lot 1555

1556.

CONTINENTAL SCHOOL (18th century) FIGURES BY A WATERFALL Oil on canvas laid down on artist board Housed in a composite giltwood frame Unsigned 15” x 18”. Overall: 23” x 26-1/2” Condition: Canvas has been laid down on artist board, discolored varnish, restoration along top, several small areas of older restoration. Frame has green residue 52099-57 (3,000-5,000)

Lot 1556

1557. AFTER GABRIEL METSU (Dutch, 1629-1667) “THE POULTRY SELLER” Oil on tin Housed in a ebonized wood frame with gold liner Unsigned Provenance: From a fine New Hampshire home 22-1/2” x 17-1/2”. Overall: 28-1/2” x 23-1/2” Condition: Very good 52210-11 (1,500-2,500)

Lot 1557 237

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Session 1

1555. CONTINENTAL SCHOOL (18/19th century) SHEPHERDS IN A LANDSCAPE Oil on canvas Housed in an 18th century ebonized wood frame Bearing indiscernible signature lower right “T...nay” 26-1/2” x 34-3/4”. Overall: 34” x 41-1/2” Condition: Small craquelure, discolored varnish, canvas lined, minor touch-up upper right and upper left corner, scattered re-touches in foreground landscape 52094-7 (1,000-2,000)

Session 1

1558. ATTRIBUTED TO FRANS SNYDERS (Netherlands/Belgian, 1579-1657) HUNTING DOGS Oil on canvas Housed in a modern gilt wood frame Unsigned 24” x 29-1/4”. Overall: 28-1/2” x 34” Condition: Old lining, some inpainting, otherwise good 52094-21 (1,000-2,000)

Lot 1558 1559.

CONTINENTAL SCHOOL (18th century) INTERIOR OF CATHEDRAL WITH VISION OF SAINT MARY Oil on canvas Housed in a modern ebonized and giltwood frame Unsigned 22-3/4” x 29-1/2”. Overall: 28-3/4” x 35-1/2” Provenance: Estate of Peter Van Dyk Berg, Walpole, New Hampshire Condition: Canvas has shrinkage cracks, surface grime, buckling and low areas to under-painting along left edge 52099-39 (3,000-5,000)

Lot 1559

1560. OLD MASTER (17/18th century) CRUCIFIXION Oil on canvas Housed in an 18th century ebonized wood frame Unsigned 38” x 30”. Overall: 42” x 34” Condition: Lined with significant restoration along top edges and throughout 52099-36 (1,500-2,500)

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238

1562.

Lot 1561

ITALIAN SCHOOL (17/18th century) “VISION OF ST. AUGUSTINE” Oil on canvas Housed in a vintage gold painted wood frame Unsigned, titled on label affixed to verso with attribution “Vision of St. Augustine Albano.” Also bears information about the Italian Baroque artist Francesco Albani or Albano (1578-1660) 17-3/4” x 13”. Overall: 23” x 18-1/4” Condition: Canvas has water staining on verso (likely an old lining), stretcher marks and surface grime, flake losses in St. Augustine’s mid-section, old restoration with spotty varnish 52103-9 (800-1,200)

Lot 1562 1563. ACHILLE LEONARDI (Italian, 1800-1870) MADONNA AND CHILD Oil on canvas Housed in an elaborately carved and giltwood frame Signed and inscribed lower right “A. Leonardi pour Fontane Roma” 39” x 29”. Overall: 51” x 41” Condition: Several small patches on verso corresponding with old restoration, craquelure, surface grime, large area of restoration bottom left, scattered re-touch in Mary’s left hand and restored tear center, several restored losses and small tear upper left 52282-8 (3,000-5,000)

Lot 1563 239

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Session 1

1561. FRENCH SCHOOL (17/18th century) ALLEGORICAL PORTRAIT OF A WOMAN AND TWO CHERUBS Oil on canvas Unframed Unsigned 46-1/2” x 38” Condition: Good restored condition, canvas has been lined and restretched on new stretchers, scattered restoration along edges and throughout composition including woman’s face and cherubs 52099-37 (3,000-5,000)

Session 1

1564. ITALIAN SCHOOL (17/18th century) ST. FRANCIS OF ASSISI Oil on canvas Unframed Unsigned 60-3/4” x 48-1/2” Condition: Canvas has been lined and re-stretched on new stretcher, significant amount of restoration along edges and scattered areas throughout composition (his face has only minor touch-up). Possibly earlier than 17th century 52099-38 (3,000-5,000)

Lot 1564

1565.

ENGLISH SCHOOL (Late 18th century) PORTRAIT OF A LADY IN RIDING ATTIRE Oil on canvas Housed in an ebonized wood frame Unsigned, bears stencil from Thompson Collection, New York, numbered on verso “1347” 33” x 27-1/2”. Overall: 35-1/2” x 29-1/2” Condition: Good restored condition, lined, small area of retouch under left eye, old restoration in background, scattered touchup in scarf and jacket 52094-8 (5,000-10,000)

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240

Lot 1566 1567.

ITALIAN SCHOOL (17/18th century) PORTRAIT OF A WOMAN WITH ROSARY, IN THE MANNER OF GUIDO RENI Oil on canvas Housed in a gold painted wood frame Unsigned 25-3/4” x 21”. Overall: 33” x 28-1/2” Condition: Surface grime, old restoration in figures hair and scattered in background, small area of touch-up in her left eye, restoration in both sleeves and along bottom left edge 52282-4 (2,000-3,000)

Lot 1567

1568. AFTER RAPHAELLO SANZIO (19th century) “MADONNA DEL GRANDUCCA” Oil on cradle wood panel Housed in a wide carved wood gilt leaf decorated frame Unsigned 32-3/4” x 22”. Overall: 48” x 38” Condition: There are several vertical splits in panel that are tight but noticeable, consolidated varnish layer, some old touch up, otherwise good 52211-2 (1,500-2,500)

Lot 1568 241

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Session 1

1566. EUROPEAN SCHOOL (17/18th century) PORTRAIT OF MARGARET OF AUSTRIA, QUEEN OF SPAIN AND DUCHESS OF SAVOY Oil on canvas Housed in an early 20th century gold painted wood frame with linen liner Inscribed upper left “R.a Da Margta de Austria” Note: This naive portrait was likely fashioned after a well known portrait the sitter by Franz Pourbus, the younger, a Flemish 17th century court painter 23-1/4” x 19”. Overall: 31-1/2” x 27” Condition: Stretcher marks and canvas buckling along top, old and new restoration, tiny craquelure in face 52094-4 (2,000-3,000)

Session 1

1569. J. BERGER (Late 19th century) HERO FINDING LEANDER, AFTER FERDINAND KELLER Oil on canvas Housed in a period giltwood and composite frame Signed and inscribed lower right “After F. Keller P. by J. Berger” 35” x 25”. Overall: 43” x 33” Condition: Canvas lined, significant grime and varnish discoloration. Losses to gilt frame 52278-1 (800-1,200)

1570.

Lot 1569

ITALIAN SCHOOL (18/19th century) “LA FORNARINA”, AFTER SEBASTIANO DEL PIOMBO Oil on canvas Housed in an elaborate Florentine carved giltwood frame Unsigned Note: Piombo originally painted this portrait of a woman in 1512. The original hangs in the Uffizi Gallery, Florence. 26-3/4” x 20-3/4”. Overall: 40” x 36-1/2” Condition: Craquelure and surface grime throughout with discolored varnish, several chip losses along edges 52211-1 (1,500-2,500)

Lot 1570

1571. GERMAN SCHOOL (18th/19th Century) STILL LIFE WITH FRUIT, LOBSTER AND FOWL Oil on canvas Unframed Signed lower right indistinctly “Bei...”, stretcher inscribed “211/266/13 III.3. Made in Germany” 21-3/4” x 27” Condition: Canvas is detached from stretcher, several holes, surface grime 51626-1 (500-800)

Lot 1571 1572.

ENGLISH SCHOOL (19th Century) MADONNA AND CHILD Oil on canvas Unframed, unsigned 30-1/2” x 30-1/2” Condition: Canvas has been cut down and lined and re-stretched on original stretchers, surface dirt, losses, and craquelure 52000-4 (1,000-1,500)

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242

Lot 1573 1574.

R. R. STEPHENSON (English, 19th century) MAN IN INTERIOR THREADING A NEEDLE Oil on panel Housed in a maple frame Signed, dated and inscribed on verso “R. R. Stephenson Hulbridge 1856” 16” x 12-3/4”. Overall: 19-1/4” x 16” Condition: Good with scattered re-touch 3”, area lower center, 1” area upper left 5209416 (1,000-1,500)

Lot 1574

1575. ENGLISH (19th century) DOUBLE HEAD STUDY OF TWO MEN Oil on canvas Housed in a modern grey painted wood frame with gilt liner Unsigned 18” x 24”. Overall: 24” x 30-1/2” Condition: Lined, surface grime, minor touch-up and several small flake losses 52099-21 (800-1,200)

Lot 1575 1576.

AFTER SIR JOSHUA REYNOLDS (English, 1723-1792) “THE AGE OF INNOCENCE” Oil on canvas Housed in an elaborately carved giltwood 19th century frame Unsigned Note: The original painting, after which this has been copied, is in the collection of the Tate Gallery, London. 30” x 25”. Overall 40-3/4” x 35-3/4” Condition: Surface grime, shrinkage cracks, flake losses, large tear with loss in center as well as smaller tear lower left 51887-1 (800-1,200) 243

Lot 1576

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Session 1

1573. ENGLISH SCHOOL (17/18th century) PORTRAIT OF WILLIAM OF ORANGE Oil on canvas Housed in a modern black and giltwood frame Unsigned 19-1/2” x 16”. Overall: 24-1/4” x 21” Condition: Very good restored condition, lined, with several small areas of restoration, craquelure arrested with varnish 52094-15 (1,000-2,000)

Session 1

1577. HAYNES KING (English, 1831-1904) THE PINK BONNET Oil on canvas Housed in a period giltwood frame Signed and dated lower left “H King 1861” 12” x 10”. Overall: 18” x 16” Condition: Good with small patch on verso corresponding to small area of restoration, minor scattered touch-up, old discolored varnish 52117-11 (800-1,200)

1578.

Lot 1577

GEORGE SMITH (English, 1829-1901) “THE OLD LACE MAKER” Oil on panel Housed in an early 20th century giltwood frame Signed and dated lower right with monogram “GS 1852”, titled and inscribed on label affixed to verso “No 1-’The Old Lace Maker’ by George Smith 8 Gloucester Terrace New Kensington”, also bears old catalog description affixed to verso frame 11-3/4” x 14”. Overall: 17-3/4” x 19-3/4” Condition: Very good with minor touch-up. 52117-3 (800-1,200)

Lot 1578

1579. EDGAR HUNT (United Kingdom, 1876-1955) CHICKENS IN THE BARN Oil on canvas Housed in an antique mahogany veneered ogee frame Signed bottom right “E. Hunt” 8” x 10”. Overall 12-1/2” x 14-1/2” Condition: Very good 51882-2 (2,000-3,000)

Lot 1579 1580.

IN THE STYLE OF THOMAS SIDNEY COOPER (English, 1803-1902) LANDSCAPE WITH COW, SHEEP AND RAMS 20th/21st Century oil on wood panel Housed in an antique style giltwood frame Signed and inscribed with initials center left “TSC-York-”, bearing “Carvers and Gilders, Picture Makers and Restorers, England” label affixed to verso frame 11-3/4” x 15-1/2”. Overall: 19-1/2” x 23-1/2” Condition: Overall good, with minor varnish discoloration 52014-9 (800-1,000)

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244

Lot 1580

Lot 1581 1582.

WILLIAM HENRY DRING (British, 1904-1990) THE HAT SHOP Pastel on paper Housed in a fine gilt and painted frame behind glass Signed upper right & dated “1940” Sight: 16” x 19-1/2”. Overall: 24-1/2” x 28” Provenance: Private Riverside, CT Collection Condition: Very good 52351-3 (1,000-2,000)

Lot 1582 1583. A. VILLON (French, 19th century) INTERIOR OF BARN WITH CHICKENS, DUCK AND TURKEY Oil on canvas Housed in an early maple frame Signed lower right “A. Villon” 14-1/2” x 23”. Overall: 17” x 25” Condition: Canvas loose, stretcher marks and discolored varnish with surface grime 52115-13 (800-1,200)

Lot 1583 245

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Session 1

1581. FRENCH SCHOOL (19th Century) TWO LANDSCAPES WITH THATCHED ROOF COTTAGES Oils on beveled panel Housed in period molded giltwood frames Unsigned, each bearing indiscernible ink inscriptions on paper on verso Accompanied by black and white photographs of works with inscriptions on verso 9-1/2 x 12-3/4”. Overall 15” x 18” Condition: Overall very good condition, each with impressed marks upper right 51869-1 (1,000-1,500)

Session 1

1584. EMILE BOLLEE (French, late 19th/ early 20th Century) FRENCH SEASIDE VIEW WITH HOT AIR BALLOONS Oil on board Housed in a vintage wood frame with gilt liner, under glass Signed lower left “Emile Bollee” 26” x 41-1/4 “. Overall: 31” x 46” Condition: Small loss center, several losses along edges, discolored varnish, vertical crease down centerglass 52087-4 (3,500-4,000)

Lot 1584 1585.

HARRY E. J. BROWNE (English, 19th century) THE HAREM MUSICIAN Oil on canvas Housed in a giltwood frame Signed lower left “Harry EJ Browne” 30” x 60”. Overall: 36-1/2” x 66” Condition: Good, lined, scattered restoration. Frame has loss to upper molding 52282-3 (7,000-9,000)

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246

Lot 1586 1587.

HENRY BACON (American, 1839-1912) ORIENTALIST SCENE WITH WOMAN AND BABY ON A DONKEY Watercolor on paper Unframed Signed and dated lower right “Henry Bacon, 1904” 15-1/2” x 20-1/4”. Overall: 18-1/4” x 26” Provenance: From the estate of Katharine H. Ayer, Bray House, Kittery Point, Maine. Condition: Paper has been laid down on mat board (chipped), several vertical bands of discoloration, spotting throughout sky and mat burn 52233-3 (800-1,200)

Lot 1587

1588. JOSEF THOMA (Austrian, 1828-1899) ALPINE VILLAGE WITH STREAM Oil on canvas laid down on Masonite Housed in a period carved giltwood frame with presentation plaque Signed and dated lower left “J. Thoma 1875” 31” x 24-1/2”. Overall: 43” x 36-1/2” Condition: Good restored condition with surface abrasion upper right, old and new restoration in sky, scattered retouch. Frame has several chips and gilt losses 52103-6 (3,000-5,000)

Lot 1588 247

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Session 1

1586. FREDERICK A. LEEKNEY (Latvian/American, 1900-) INDONESIAN PUPPET SHOW Watercolor on paper Housed in a Foster Bros ebonized frame Signed lower right “F. A. Leekney.” and inscribed and dated “Solokarte, 25 Dec. 1916 / Wajang-Qulid Paul Loo-Lang” 8-3/4” x 12-3/4”. Overall: 9-1/2” x 11-1/2” Condition: Fox marks throughout, not examined out of frame 52099-61 (500-700)

Session 1

1589. RICHARD ALBITZ (German, 1876-1954) FIGURES NEAR A POND WITH WHITE GEESE Oil on canvas Housed in an ebonized wood frame with gilt liner Signed lower left “R Albitz”, presentation plaque affixed to verso frame with Grode Kunst - Aussliellung, Berlin label 33” x 28”. Overall: 42” x 37-1/2” Condition: Craquelure throughout with several minor losses, canvas is loose, otherwise good 51911-12 (2,500-4,500)

Lot 1589 1590.

HEINRICH SCHAFER (German, 1815-1884) “ST PIERRE EVREAUX, NORMANDY” Oil on canvas Housed in a molded paint decorated wood frame with presentation plaque Signed lower right “H. Schafer”, signed and titled on verso, canvas stenciled “Winsor - Newton, London” 18” x 14”. Overall: 24” x 20” Condition: Very good to excellent 52011-8 (800-1,200)

Lot 1590 1591. GERMAN SCHOOL (Late 19th century) TWO BAVARIAN LANDSCAPES WITH CASTLES Two watercolors Housed in matching composite and giltwood frames, matted under glass Each initialed “R.S.” Both: 15” x 10-3/4”. Overall: 27” x 21-3/4” Provenance: From the Joseph Pulitzer cottage, James D. Julia, Inc. , January 25, 2006, Lot 96. Condition: Each has extensive toning and discoloration to paper, minor foxing, not examined out of frame 52157-4 (800-1,200)

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248

1593.

Lot 1592

BELA CZOBEL (Hungarian, 1883-1976) TREE ABSTRACTION Oil on canvas Housed in a giltwood frame Signed lower left “Czobel” 12” x 17-1/2”. Overall: 15-1/2” x 21” Condition: Surface grime, staining on verso, otherwise good 52264-1 (2,000-3,000)

Lot 1594 1595.

Lot 1593

1594. FRITZ SALIGER (Austrian, 1896-) RIVER LANDSCAPE WITH BIRCH TREES Oil on canvas Housed in a contemporary wood frame with linen liner Signed lower right “Saliger”, numbered on verso “15820” and stamped with artist copyright 24” x 36”. Overall: 32” x 44-1/2” Condition: Very good with minor canvas indention in birch tree foliage, stretcher marks, canvas is slightly loose, small pinhole lower left and abrasion right edge 52103-12 (1,000-1,500)

CARL MULLER (Austrian, 1862-1938) SAILBOATS ALONG GRAND CANAL IN VENICE Oil on canvas Housed in a fine period carved and gilt arts & crafts style frame Signed lower left “C Muller” 16” x 24”. Overall: 20-1/2” x 28-1/2” Condition: Vertical craquelure, slight canvas buckle lower left, some loss to paint surface 51911-4 (1,500-2,500)

Lot 1595 249

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Session 1

1592. MAX THEODORE STRECKENBACH (Germany, 1863-1936) STILL-LIFE WITH MULTI-COLORED ZINNIAS IN A GREEN VASE Oil on board Housed in a giltwood frame Signed lower right “M Streckenbach 16” x 12”. Overall: 19” x 15” Condition: Very good with minor surface grime 52117-8 (600-900)

Session 1

1596. ADOLPH VON MENZEL (German, 1815-1905) ILLUSTRATION FOR THE “DAYS OF THE KING” Watercolor and graphite on paper Housed in a contemporary giltwood frame, matted under glass Signed and dated lower right “Ad. V Menzel-52.”, frontispiece of Bruno Frank’s book The Days of the King on verso 5-1/4” x 3-1/2”. Overall: 14-3/4” x 12-3/4” Condition: Very good with minor discoloration, not examined out of frame 52099-47 (2,000-3,000) 1597. NO LOT

Lot 1596 1598.

ALONZO PEREZ (Spanish, 1881-1914) “THE FLIRTATION” Oil on panel Housed in a white painted wood frame with gilt highlights and presentation plaque Signed lower right “Alonzo Perez” 15” x 11-1/2”. Overall: 26” x 23” Condition: Very good to excellent condition 52117-4 (1,000-2,000)

Lot 1598 1599. E PAPE (19th/20th Century) FULL-LENGTH PORTRAIT OF A SPANISH FLAMENCO GUITARIST Oil on canvas Unframed Signed lower left “E. Pape” 32” x 18” Condition: Canvas is detaching from stretcher upper right, significant losses along lower left and other edges, craquelure, discolored varnish 52099-64 (800-1,200)

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250

Lot 1600

1601.

CHINA TRADE (19th century) CHINESE JUNK IN CANTON HARBOR Watercolor on paper Housed in its original ebonized wood frame, under glass Signed with indiscernible monogram lower right 8-3/4” x 13-3/4”. Overall: 11-1/2” x 16-1/2” Condition: Toning along edges, discoloration with several small fox marks, faded 52094-14 (500-1,000)

Lot 1601

1602. RAY (America, 20th Century) CAT IN MEADOW WITH BUTTERFLY Oil on canvas Unframed Signed and dated lower right “Ray 1965”. Identified on verso on canvas “Fong Chung Ray 1965” 18” x 21” Condition: Very good with minor surface grime and tiny craquelure 52099-6 (1,000-1,500)

Lot 1602 251

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Session 1

1600. HACHIRO NAKAGAWA (American/Japanese, 1877-1922) FIGURE OUTSIDE FARM COLLECTIVE Watercolor on paper affixed to light board Unframed Signed lower right “H Nakagawa / Tokyo” 15” x 21” Condition: All over toned with loss of color, some edge losses 52226-1 (800-1,200)

Session 1

1603. WILLIAM TASKER (English, 1808-1852) FOX AND RABBITS IN A LANDSCAPE Oil on beveled panel Housed in a burlwood frame Signed and dated lower left “Wm. Tasker. 1837.”, stenciled on verso “EH216” 14” x 17-3/4”. Overall: 18-3/4” x 22-3/4” Condition: Surface grime, several shrinkage cracks, restored horizontal crack lower left quadrant, scattered restoration along edges, otherwise good 52291-1 (1,000-2,000)

Lot 1603 1604.

GUISEPPE ARIGLIANO (Italian, 1917-1999) A COASTAL ITALIAN VIEW, PORTOFINO IN BACKGROUND Oil on Masonite Housed in a grey painted wood frame Signed lower left “Arigliano” 15” x 19”. Overall: 21-1/2” x 26” Condition: Minor abrasion along edged, otherwise good 52261-1 (800-1,200)

Lot 1604

1605. ANTONIO RIVAS (Italian/Spanish, 1845-1911) INTERIOR ORIENTALIST SCENE Watercolor Housed in a modern decorative gold frame Signed upper right “A. Rivas Roma 89” 30” x 21”. Overall: 31-1/2” x 22-1/4” Condition: Very good, left top corner missing 52123-4 (1,250-1,750)

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Lot 1606

1607.

MACDONAL (Scottish, 19th century) DRIVING THE SHEEP HOME Oil on canvas Housed in a period giltwood frame Signed lower left “Macdonal” 14” x 24”. Overall: 23-1/2” x 33-1/4” Condition: Good with minor surface grime and discolored varnish 52282-2 (1,750-2,250)

Lot 1607

1608. CHARLES W. SIMPSON (English, 1885-1971) “DUCK POND” Watercolor and gouache Housed in a giltwood frame matted under glass Initialed lower left “C.S.”, titled on The Fine Arts Society, Ltd., London label affixed to verso dated “May 1964” 7-3/4” x 8-3/4”. Overall: 14” x 14-1/2” Condition: Paper overall discoloration, otherwise very good; not examined out of frame 52094-2 (800-1,200)

Lot 1608 253

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Session 1

1606. GIORGIO GLASS (Italian, 19th century) FOUR VIEWS OF MOUNT VESUVIUS ERUPTING Gouaches on paper Housed together in a silver painted wood frame, matted under glass Lower right view signed and titled “Eruzione del Marzo 1820 Giorgio Glass”, upper left view titled “Eruzione del 1810”, upper right titled “Eruzione del 1818”, lower left titled “Eruzione del 1817” Each: 4” x 5-1/2”. Overall: 17-3/4” x 21-3/4” Condition: Upper left has discoloration and abrasion, other three are in very good condition 52099-51 (1,000-1,500)

Session 1

1609. EDMOND AMADEE HEUZE (French, 1884-1967) LA PLAGE Watercolor Housed in a fine gilt wood frame with linen mat behind glass Signed lower left 8-1/2” x 12”. Overall: 18-1/4” x 21” Condition: Not examined out of frame, good to very good 52351-6 (800-1,200)

Lot 1609 1610.

ENGLISH SCHOOL (19th century) FIGURES PLAYING CROQUET Oil on canvas Housed in a 19th century giltwood frame Signed and dated lower right with initials “FK52” 14-1/2” x 12”. Overall: 19-1/4” x 17” Condition: Surface grime, craquelure, stretcher marks. Initials and date incised in paint 52099-19 (600-800)

Lot 1610

1611. EUGENE GALIEN-LALOUE (French, 1854-1941) TWO LANDSCAPES Oils on canvas Both housed in antique gesso decorated giltwood frames Both signed “M. Juliany” Note: M. Juliany is of several pseudonyms used by Laloue Each: 18” x 22”. Overall: 25-1/2” x 28-1/2” Condition: Both have minor surface grime; one has shrinkage cracks center, otherwise good 52117-13 (3,000-5,000)

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254

Lot 1612 1613.

ATTRIBUTED TO RICHARD WILSON (English, 1713-1782) LANDSCAPE WITH THREE FIGURES FISHING FROM THE BANK Oil on mahogany panel Housed in a period gilt wood frame Signed lower left “R. Wilson. RA PINX”, frame liner incised with artist’s name 5-3/8” x 6-1/2”. Overall: 12-1/2” x 13-1/2” Condition: Horizontal restored crack radiating from right edge through river, scattered retouch in sky 52094-20 (1,000-2,000)

Lot 1613

1614. ATTRIBUTED TO NICOLAS MARIE OZANNE (French, 1728-1811) PAIR OF SHIP FIGUREHEADS Ink and wash on paper Housed in identical gilt molded wood frames with water highlighted mats Unsigned, french inscription in pencil on verso of board Sight: 8-1/4” x 11”. Overall: 14” x 17” Condition: Not examined out of frames, light foxing spots throughout, otherwise good 52053-1 (1,500-2,500)

Lot 1614 1615.

EUROPEAN SCHOOL (19th century) LANDSCAPE WITH FIGURE AND COWS NEAR A STREAM Oil on canvas Housed in a pristine, carved giltwood frame, encased in its original traveling box with red velvet liner Signed lower right “Stahi...”, inscribed on verso frame “M. Emma Rayson” and canvas stenciled “No. 32195” 9” x 13”. Overall: 19” x 23” Condition: Very good to excellent, never removed from encasement 52295-1 (1,500-2,000) 255

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Session 1

1612. ENGLISH SCHOOL (19th century) LANDSCAPE WITH CASTLE RUINS Oil on canvas board Housed in a vintage giltwood frame Signed and dated illegibly lower right “Fr...We...1897”(?) 7-3/4” x 11-3/4”. Overall: 10-3/4” x 13-3/4” Condition: Very good with minor surface grime 52099-62 (500-700)

Session 1

1616. M GORHAM? (European School, 19th Century) STILL LIFE OF PEARS AND PEACHES IN A BASKET Oil on board Housed in a black and gold painted wood frame Signed and dated indistinctly lower right “M. S or G?ehan 91” 13” x 19”. Overall 17” x 23” Condition: Good restored condition 51961-1 (300-500)

1617.

Lot 1616

JOSEPH WENGLEIN (German, 1845-1919) BARBIZON STYLE PASTORAL LANDSCAPE Oil on canvas Housed in a substantial period carved giltwood frame Signed lower left “J Wenglein” Note: Joseph Wenglein (attended both the Munich Academy of Fine Arts and the Ludwig Maximilians University, where he studied law. Eventually, he chose to focus entirely on art and found a position in the studios of the landscape painter Johann Gottfried Steffan. He studied under A. Lier but was also influenced by Ed. Schleich. His favorite areas for painting were the Bavarian plateau and the area around the Isar River. In 1883 he became professor of the Munich academy, in 1886 its honorary. 23-1/2” x 42-3/4”. Overall: 38-3/4” x 57-3/4” Condition: Lined, restoration in sky, scattered restoration along edges, craquelure throughout 51712-1 (2,500-3,500)

Lot 1617

1618. EUROPEAN SCHOOL (17th century) MOONLIT ENCAMPMENT BY THE HARBOR Oil on canvas Housed in a contemporary black and gold wood frame Unsigned 26” x 34-1/2”. Overall: 31-3/4” x 40-1/4” Condition: Good restored condition, canvas is lined with scattered restoration throughout, several 2-3” areas in sky, horizontal 6” band upper center and 6” vertical band left quadrant 52094-9 (3,000-5,000)

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256

Lot 1619

1620.

GONZALO ARIZA (American/Columbian, 1912-) “CRISANTEMOS” Watercolor Housed in a gilt wood frame with white mat, behind glass (age toned mat) Signed lower right “Gonzalo Ariza” Verso retaining a “Galeria Meindl Bogota” label Sight: 17” x 11”. Overall: 24-1/2” x 18-1/4” Condition: Very good, not examined out of frame 51660-1 (1,500-3,000)

Lot 1620 257

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Session 1

1619. A. HERBE (20th Century) MORNING LIGHT RIVER LANDSCAPE Oil on canvas Housed in a modern giltwood frame Signed lower left “A. Herbe” 19-3/4” x 23-3/4”. Overall: 24-1/2” x 28-1/4” Condition: Good restored condition, lined, craquelure arrested with varnish, wax lining 52103-7 (800-1,200)

Session 1

1621.

GILMAR GONCLAVES (Brazilian, 20th century) FOUR WORKS. Four oils on canvas. All four in matching white painted wood frames. Each inscribed with title and date on verso, including: 1) “Menino com Pipa”, signed and dated lower right “Gilmar Gonclaves 2..8”. 2) “Menino com Boninhasde Sabao”, signed and dated lower right “Gilmar Gonclaves 2..7”. 3) “Bandinha”, signed and dated lower center “Gilmar Gonclaves 2..8”. 4) “Pequeno Musico”, signed and dated lower left “Gilmar Gonclaves 2..8”. SIZE: 1) 15-1/2” x 12”. 2) 15-1/4” x 11-3/4”. 3) 11-3/4” x 15-3/4”. 4) 15-1/2” x 11-3/4”. Overall of each: 18” x 14”. CONDITION: Very good, with minor surface dirt. 51989-2 (800-1,200)

1622. KNUD CARL EDVARD KYHN (Danish, 1880-1969) THREE WORKS ON PAPER. Watercolors Lot 1621 on paper. 1) Three Horses in Landscape, Housed in a silver painted wood frame under glass. Signed and dated with monogram lower right “19 KK 24”. 2) Two Horses on Beach with Seagulls, Housed in a giltwood frame under glass, Signed and dated with monogram lower right “19 KK 27”, bears label from “Wald. Stallknichts Eftf., Kobenhavn” on cardboard backing. 3) Two Ducks by the Sea, Housed in a modern green frame, matted under glass, Signed and dated with monogram lower right “19 KK 41” SIZE: 1) 19-1/2” x 24-3/4”. Overall 21” x 26-1/2”. 2) 19-1/2” x 25-1/2”. Overall 21-1/2” x 27-1/2”. 3) Sight 8-3/4” x 11”. Overall 13-1/2” x 15” PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: 1) Ingres paper, overall discoloration, foxing and pest holes lower right. Frame has losses. 2) Overall discoloration, tear upper left corner. 3) Very good. Not examined out of frame. 51871-3 (500-1,000)

Lot 1622 1623.

OGDEN NICHOLAS ROOD (American, 1831-1902) TWO SEASCAPES. Watercolor and gouache on paper. Housed in matching carved wood frames with gilt liners, matted under glass. 1) Waves crashing left, signed and dated lower right “O. N. Rood 1865”. 2) Waves crashing right, signed and dated lower right “O. N. Rood 1874”. Note: Rood was an American physicist and amateur artist best known for his work in color theory. He studied at Yale Lot 1623 and Princeton University in 18541858. He studied art in Germany and later became the Chair of Physics at Columbia University. In 1879, he published a book on color theory entitled Modern Chromatics With Applications to Art in Industry, published in 1879. Rood was a member of the American Watercolor Society and lectured about color theory at the National Academy of Design. SIZE: 1) 8-3/4” x 11-1/2”. Overall: 21” x 25”. 2) 9” x 11-1/2”. Overall: 21” x 25”. CONDITION: 1) Work looks good, mat is discolored and stained. 2) Some fading, mat has discoloration and staining. Both not examined out of frame. 52182-6 (1,000-1,500)

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258

Lot 1624 1625.

FRANK HANDLEN (American, 1916-) COASTAL LANDSCAPE Oil on Masonite Housed in a giltwood frame Signed lower right “Handlen”, numbered on verso “#184” 9” x 12”. Overall: 12” x 15” Condition: Minor surface grime otherwise good. Frame has gilt losses, surface grime and over-paint 52099-46 (500-700)

Lot 1625 1626. ALVA GLIDDEN (American, 20th century) NEW ENGLAND HARBOR SCENE Watercolor Housed in a contemporary giltwood frame, matted under glass Signed lower right “Alva Glidden” 14” x 19-3/4”. Overall: 22-1/2” x 48” Condition: Very good, not examined out of frame 52259-4 (500-700)

Lot 1626 1627.

ATTRIBUTED TO FREDERICK J. WAUGH (American, 1861-1940) COASTAL VIEW Watercolor Housed in contemporary giltwood frame Signed lower right “Waugh” 8-3/4” x 11-3/4”. Overall: 18-1/2” x 21-1/2” Condition: Very good condition, slightly faded 52146-3 (400-800)

Lot 1627 259

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Session 1

1624. LOUIS E DELIUS (American, 19th Century) COASTAL LANDSCAPE Watercolor Housed in a period gilt molded wood frame Signed lower right “L Delius” Sight: 13-1/2” x 19-1/2”. Overall: 17-1/2” x 23-1/2” Condition: Some light yellowing, otherwise very good 52394-2 (600-900)

Session 1

1628. JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903) “STREET IN SAVERNE” Etching Housed in a modern black frame with ivory mat behind glass; Armour Gallery label affixed to verso with title & artist, Also indicating this is a “Fifth State of Fifth” Signed in plate in the road “Whistler” Plate: 8” x 6”; Sight: 8-3/4” x 6-3/4”; Overall: 18-3/4” x 14-3/4” Condition: Some toning & foxing primarily seen in the margin, not examined out of frame 52345-1 (800-1,200)

1629.

Lot 1628

DALE NICHOLS (American, 1904-1995) “COMPANY FOR SUPPER” Lithograph, 1948 Housed in a contemporary frame, matted under glass Signed in pencil lower right “Dale Nichols”, titled lower left, from an edition of 250 published by Associated American Artists, New York 9-3/8” x 13-1/4”. Overall: 17-3/4” x 21-3/4” Condition: Very good to excellent, not examined out of frame 52102-23 (500-700)

Lot 1629

1630. DALE NICHOLS (American, 1904-1995) “PARTNERS 1950” Lithograph, 1950 Unframed Signed in pencil lower right “Dale Nichols”, from an edition of 250 published by Associated American Artists, New York 9-3/8” x 13-1/8”. Overall: 16” x 20” Condition: Good, sheet is loose and inserted into tabs affixed to archival mat board and encased in cellophane envelope 52102-22 (500-700)

Lot 1630 1631.

ROCKWELL KENT (American, 1882-1971) “AND NOW WHERE” Lithograph Housed in a modern white mat, shrink wrapped Signed lower right in pen “Rockwell Kent”. Pencil inscribed “H-C” Plate: 13” x 9-1/4”. Sight: 13-1/2” x 10”. Overall: 20” x 16” Condition: Very good, not examined out of mat 52102-26 (500-800)

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Lot 1632

Session 1

1632. ROCKWELL KENT (American, 1882-1971) “STARRY NIGHT” Wood engraving Housed in a folded mat. Glued at top only Signed lower right in pencil “Rockwell Kent” Plate: 7” x 5”. Overall print: 10” x 7-1/2”. Overall mat: 15-1/2” x 11 Condition: Some minor wrinkling in margins. Glue browning at top margin. Image very good 52102-24 (500-700) 1633. ROCKWELL KENT (American, 1882-1971) “MEDITATION” Lithograph Housed in a modern white mat, shrink wrapped Signed in lower right in pencil “Rockwell Kent” Plate: 10-1/2” x 7-1/2”. Sight: 11-1/2” x 8-1/2”. Overall: 18” x 14” Condition: Very good, not examined out of mat 52102-25 (500-700)

Lot 1633 1634. ROCKWELL KENT (American, 1882-1971) “THE SONNETS Lithograph Unframed, housed in a charcoal colored mat Signed lower right in pencil “Rockwell Kent” Plate: 8-1/4” x 6-1/4”. Overall: 12” x 10-1/2” Condition: Foxing line above knees and spot foxing. Otherwise good. Not examined out of mat 52102-28 (200-400)

Lot 1634 1635.

ROCKWELL KENT (American, 1882-1971) “BEOWULF AND GRENDEL’S MOTHER” Lithograph Housed in a modern white mat, shrink wrapped Signed lower right in penc1l “Rockwell Kent” Plate: 13-1/2” x 9-3/4”. Sight: 14” x 10-1/4”. Overall: 23-1/2” x 17-1/2” Condition: Very good, not examined out of mat 52102-29 (200-400)

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Session 1

1636. ROCKWELL KENT (American, 1882-1971) “THE BATHER” Lithograph Housed in a black wood frame with glass Signed in pencil “Rockwell Kent” Sight: 7-1/2” x 9-1/2”. Plate: 3-3/8” x 5”. Overall: 8-3/4” x 10-3/4” Condition: Very good 52102-27 (300-500)

1637.

Lot 1636

THREE FRAMED FRENCH PRINTS. 1) LOUIS ICART (French, 1888-1950) “EVE RECLINING”, etching and aquatint, housed in a contemporary silver gilt frame matted under glass, signed lower right “Louis Icart”, engraved upper right “Edite par joubert et cie Paris”, numbered lower left with blind stamp “128”. 2) GUILAUME AZOULAY (Israeli/American, 1949-) “DEUX BISONS”, sepia toned etching on rice paper, housed in a contemporary black frame matted under glass, signed in pencil lower right “Giulaume Az....”, blind stamp lower right “Waterman Edition”. 3) AFTER AUGUSTE RODIN (French, 1840-1917) TWO NUDES EMBRACING, from “La Varende”, offset lithograph, housed in a contemporary goldtone molded frame, numbered lower left 295/300 with “M.R” stamp and “#499” identified on “The Great Dane Collection, Philadelphia” label affixed to verso, published by Les Editions Rombaldi, Paris, printed by J. Dumoulin, Paris. SIZE: 1) Sight: 13-3/4 x 19-1/2”. Overall: 30-3/4” x 36-3/4” 2) Plate: 17-3/4” x 23-3/4”. Overall 29-1/2” x 35-3/4” 3) 13-1/2” x 10”. Overall: 28” x 24-1/4”. CONDITION: All three in very good condition, not examined out of frame. 52013-28 (1,000-1,500)

Lot 1637

1638. LOUIS ICART (French, 1880-1950) TWO NUDE PRINTS. Color offset lithographs. Housed in matching contemporary gold frames, matted under glass. 1) “EVE RECLINING”, printed signature lower right and “EDITE PAR TOUBERT ET CIE. V. RUE. SCRIBED. PARIS.”, numbered in pencil lower left “77/500”, with “L. ICART”, Paris blind stamp. 2) “VENUS”, printed signature lower right and “copyright 1928 by L. ICART. PARIS”, numbered lower left “75/500”, with “L. ICART Paris” blind stamp. SIZE: 1) Sight: 13-3/4” x 19 -1/4”. Overall: 23-1/2” x 29-1/2”. CONDITION: Minor creasing visible under raking light on “VENUS”, otherwise good. 51662-1 (1,000-2,000)

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Lot 1639 1640.

EMILIANO DI CAVALCANTI (Brazilian, 1897-1976) "PEACE" Serigraph Housed in a modern frame behind glass and mat Signed in pen within arm Sight size: 5-1/4” x 9”. Overall: 9-1/2” x 12-1/2” Condition: Very good 51989-1 (1,000-2,000)

Lot 1640

1641. AFTER CHARLES LE BRUN (1619-1690) SET OF FOUR ALLEGORICAL TAPESTRIES OF THE FOUR SEASONS BY SEBASTIEN LE CLERC Engravings Housed in identical black frames with white mats behind glass (not laid down) having some finish loss Sight: 14-1/4” x 17-3/4”. Overall: 20” x 23-1/2” Condition: Not examined out of frames, some light toning, generally very good 52094-12 (800-1,200)

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1639. LOUIS ICART (French, 1888-1950) “MUSETTA” Color etching and aquatint, circa 1927 (H.C.I. 319) Housed in a black painted wood frame with gold decoration Signed in pencil lower right “Louis Icart”, numbered lower left “353” with Icart blind stamp, inscribed upper right “Copyright 1927 by Les Graveurs Mooletnes 94 R. de Rivoli - Paris” Exhibited: Rockport Art Association, “Paul Strisik: The Artist and his Collection”, October 4-November 16, 2014 21” x 13-3/4”. Overall: 23” x 16” Provenance: Collection of Paul Strisik Condition: Discoloration to paper, some fading 51959-7 (500-800)

1642.

Session 1 1644.

THREE UNFRAMED PRINTS. Including: 1) GRANDMA MOSES (American, 1860-1961) WINTER SLEIGHING SCENE, color print signed in plate lower right and printed “G.M.E.”. 2) GRANDMA MOSES (American, 1860-1961) THE OLD OAKEN BUCKET, silk screen published by the New York Graphic Society, signed lower center in plate, stamped on back “Grandma Moses Property, Inc.”. 3) MARCO SASSONE (Italian, 20th Century) ST. LAURENT, color serigraph, signed lower right in margin, numbered lower left “45/100”. SIZE: 1) 18” x 23-1/2” 2) 22-1/4” x 27-1/4” 3) Sheet: 29-1/2” x 41”. CONDITION: 1) Paper is laid down on cardboard, discolored and buckling, losses lower right 2) Water damage to paper along top, staining visible on verso 3) Mat burn and discoloration, creases in margin. 52031-4 (450-700)

Lot 1643

1643. AMERICAN SCHOOL (20th Century) GARDEN PATH LEADING TO THE BAY Oil on canvas Housed in a modern giltwood frame Signed lower left “Torrens” 24” x 36”. Overall 32-1/2” x 45” Condition: Very good 51961-3 (200-400)

Lot 1642

COLLECTION OF TEN AMERICAN AND EUROPEAN PRINTS. 1) ANDY THOMAS, “DESPERATE RIDE”, giclee on paper, housed in a rustic wood frame, signed lower left “Andy Thomas” and numbered “163/350”, includes Certificate of Authenticity from Somerset Fine Arts, 2006; 2) ANDY THOMAS, “THE BURROW AND THE BAD MEN”, giclee on paper, housed in a rustic wood frame, signed lower right “Andy Thomas” and numbered “5/500”, includes Certificate of Authenticity from Somerset Fine Arts 2011; 3) Unknown, THE RESCUE, color poster, housed in a contemporary wood frame, unsigned; 4) AFTER RUSSELL, HUNTER AND BEAR commercial offset print, housed in a wood frame under glass; 5) AFTER N.C. WYETH “WILD BILL HICKOK AT THE CARDS”, commercial offset print from the Buffalo Bill Historic Center, housed in a contemporary wood Lot 1644 frame; 6) WALLACE NUTTING, “A LITTLE HOMESTEAD”, hand-colored photograph, housed in a vintage wood frame under glass, signed lower right “Wallace Nutting”, titled lower left; 7) DE CROISSET, “VILLAGE BRETON”, etching with aquatint, housed in original giltwood frame, titled lower left and signed lower right; 8) LANDSCAPE, etching, housed in a vintage wood frame, indiscernible signature lower right; 9) TWO WOMEN IN LANDSCAPE, etching, housed in a vintage wood frame, indiscernible signature lower right; 10) SAILBOATS ON RIVER, initialed in plate in lower right “G.W.B.”, housed in a wood frame with molded decoration, matted under glass SIZE: 1) Sight: 19-1/2” x 29-1/2”. Overall: 30-1/2” x 40-1/2”; 2) Sight: 17-1/2” x 24”. Overall: 29” x 35”; 3) Sight: 23-1/2 x 29-1/2”. Overall: 31” x 36”; 4) Sight: 9-1/2” x 13-1/2”. Overall: 14-1/2” x 18-1/2”; 5) Sight: 17-1/2” x 22-1/2”. Overall: 19-1/4” x 24-1/4”; 6) Sight: 7-1/4” x 9-1/2”. Overall: 12-1/2” x 141/2”; 7) Plate: 8-1/4” x 10-1/2”. Overall: 13-1/2” x 16”; 8) Plate: 6” x 8-1/2”. Overall: 11-1/2” x 14-1/2”; 9) Plate: 9” x 111/2”. Overall: 15-1/2” x 18-1/2”; 10) Plate: 10-1/4” x 30-1/2 Overall: 20-1/2” x 40-1/2” PROVENANCE: Estate of Warren Buxton CONDITION: 1 & 2) Very good to excellent; 3) Very good; 4) Paper is affixed to back mat, creases; 5) Very good; 6) Paper discoloration, spotting, minor fading; 7) Good; 8) Faded signature, minor discoloration to paper; 9) Several fox marks, faded signature, minor paper discoloration; 10) Mat burn along edges, minor discoloration. 51629-2 (50-100)

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Lot 1645

End of Session 1

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Session 1

1645. ROBERT ALLEN NELSON (American, 1925-) “THE WRONG BARNYARD FOOD” Mixed media and collage Housed in a contemporary frame Signed lower right “Nelson, Robt A.”, titled and inscribed along bottom “The Wrong Barnyard Food, Lakeside Oregon, Spring 2004” 30” x 44”. Overall: 39-1/2” x 54” Condition: Very good to excellent 51841-1 (100-200)

Session 2: Thursday, August 17, 2017 Commencing at approximately 10:00 a.m. Please Read Conditions of Sale Before Bidding Lots 2000–2573

Session 2 2000.

REVOLUTIONARY WAR ERA LION POMMEL AMERICAN LIGHT HORSE CAVALRY SABER. This is most unusual circa 1780 American made slotted guard sword with well-chased lion pommel, with most unusual grip made from strips of baleen. Norm Flayderman cataloged this sword in 1989, but noted the grip as being spiral carved horn which is not correct. Use of baleen will most likely denotes manufacture in the Northeast near the whaling industry. Sword measures 38-1/4” overall with a 33” single fullered American forged blade. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good overall. Blade is overall grey with areas of staining, edge wear. Brass hilt, ferrule and pommel have a medium mustard patina. Baleen grip is sound, though missing an additional flat brass wire wrap. 52260-5 (2,000-3,000) ESA

2001.

FINE CHERRY GRIPPED AMERICAN REVOLUTIONARY WAR OFFICER’S SWORD. This classic single fullered American hanger has 27” blade with single slotted brass guard and well patinaed round cherry grip. This is a fine example of an American made 18th century sword that survived in relatively fine, aesthetically pleasing condition. SIZE: 33” overall. CONDITION: Very good to fine overall. Blade is grey overall with scattered areas of staining, pitting and old sharpening. Brass has been cleaned and varnished with a slight bend to pommel. Cherry grip is sound and solid with hand worn patina and normal cosmetic blemishes from 200 years. 51778-1 (2,000-3,000)

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Session 2

Reverse

2002.

EXTREMELY RARE REVOLUTIONARY WAR “UNITED STATES” BRANDED CHARLEVILLE MUSKET. This is probably the only authentic and original Revolutionary War “United States” branded Model 1763 Charleville musket to ever come to public auction. On March 31, 1777, George Washington directed the Board of War that all Continental arms be stamped with “United States”. According to George D. Moller in his text American Military Shoulder Arms, Vol. I., 1993, this is the earliest identification mark on Continental muskets. This marking has been highly reproduced and faked over the years, but this example is guaranteed original and unaltered with excellent patina and completeness. Over the years, just a handful of armaments with this marking are known. “The vast majority of arms imported into the United States for the use of the American revolutionary forces were French. Well over 100,000 French muskets are known to have been imported...” SIZE: 59-1/2” overall. CONDITION: Good overall, standard configuration with 44” 69 caliber barrel. Metal dark and brown overall, with pitting. Several crack repairs to stock, including 9” crack which extends from trigger guard to buttplate, through the brand, but markings still very good and discernible. Top jaw screw is an old replacement. Band springs lack locking buttons. 52040-1 (7,000-9,000)

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2003.

Session 2

EXTREMELY RARE AND FINE ARCHIVE OF AMERICAN PATRIOT JOHN GLEN, JR. WHICH INCLUDES HIS INSCRIBED REVOLUTIONARY WAR AMERICAN SILVER MOUNTED, FLINTLOCK OFFICER’S FUSIL. The treasure in this archive is, perhaps, the finest known example of an American made fusil of the American Revolutionary War period. The maple stocked fusil has its original commercial flintlock marked “JOVER” and the 38 ½” 65 caliber smooth bore barrel has Birmingham proofs. All of the mountings are non-hallmarked silver with relief Rococo design and fine chiseled martial engraving. The ornate thumbplate has Glen’s initials in the 18th century style where “I’s” and “J’s” are interchangeable, “JGJr”. The sole of the buttplate is engraved in large block letters “JOHN GLEN Jr”. There is fine relief carving at the barrel tang. The overall architecture of the gun is superb. This fusil presents beautifully and was made for a man of means. It represents the finest achievement in mid 18th century American gun making. Col. John Glen Jr (1735-1828) was Quarter Master of the Continental Army of the Northern Department and was a close associate of George Washington, who on occasion stayed at the Glen Plantation in New York. Glen had prior service in the French and Indian Wars in various New York units from 1755. Archive also includes two documents: one bureaucratic signed by John Glen Sr October 21, 1745 and the second is a fine archivally framed document dated 1758, appointing John Glen Jnr as 2nd Lieutenant of the 3rd Company of Militia of Schenectady, signed by James Delancy, the British LieutenantGovernor and Commander-in-Chief of the Province of New York. The chair, which is a typical New England mid-18th century splat back chair, was in the Glen home when Commander-in-Chief George Washington visited and stayed there in 1775 during the Revolutionary War and at other times according to provided research. General Washington could very well have sat in this chair and could have handled this wonderful fusil that no doubt was a prized possession. After the Revolutionary War, the area around the Glen home was renamed “Glen’s Falls, NY’ a name by which it is known today. The area was originally named Wing’s Falls, but Abraham

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Session 2

Wing was not the ardent patriot as John Glen and John Glen was a patriot! There is a large file of research concerning the naming of “Glen’s Falls” and also information concerning George Washington’s visits to Col. Glen’s house and provenance on this archive. PROVENANCE: Montreal auction (1970s) of Glen Family items, descended in John Glen’s Jr’s oldest son’s family who were Torries and relocated to Canada prior to the War of 1812. Ex-collection Mark Berube, 2000; Alan Para collection, 2009. CONDITION: Fusil is very good to fine overall. Metal surfaces are dark grey/brown with light pitting. The wood has a rich, mellow, hand-worn patina. The silver mounts have a soft grey patina with minor losses from over 250 years. In the accompanying 2013 appraisal document by well known American Revolutionary War, Kentucky rifle expert and collector Stephen Hench of Lancaster, PA he states: “To the best of my knowledge, there is no finer, documented silver mounted American officer’s fusil from the Revolutionary war than this surviving example of John Glen Jr’s”. Framed commission is very good, complete with seal and stamp. Contemporary 2009 carved powder horn made for display purposes is in fine condition made in the style of 1759 when Glen was in the militia during the French and Indian Wars. Chair- old multiple coats of paint removed. Proper left side of splat absent. Seat remains mostly intact with normal and expected wear. 51936-1 (30,000-50,000)

Reverse Session 2

2004.

EXTREMELY RARE NEW HAMPSHIRE 1st BATTALION MARKED REVOLUTIONARY WAR CHARLEVILLE MUSKET. This is a fine example of a very rare Revolutionary War musket that are well chronicled in the literature. This Model 1768 musket with 44” 69 caliber barrel was shipped on the French vessel “Mercure” in the spring of 1777. Each battalion of New Hampshire muskets were marked on the barrels with the letters “NH” joined at the intersecting leg followed by either “1B”, “2B”, or “3B” and then a sequential number from 1-672. These guns were stamped by silversmith John Ward Gilman of Exeter, NH. A receipt dated May 6, 1777 shows that he stamped a total of 2,016 muskets or 672 muskets per battalion. Of these 2016 muskets, a total of 47 are known today according to research by Michael R. Carroll in a 2009 article. This gun is properly marked on breech “NH 1B No.497”. The 1st New Hampshire was incorporated into George Washington’s Continental Army as the 5th Continental Regiment. This unit took part in most of the major battles of the Revolutionary Army, including Bunker Hill (prior to issue), Siege of Boston, Defense of Canada, Lake Champlain, Trenton, Princeton, Valley Forge, Saratoga, Monmouth, Iroquois Expedition of 1779 and Yorktown. This is among the rarest identified Revolutionary War longarm you will find SIZE: 59-1/2” overall. CONDITION: Good overall. Stock is sound. Metal is brown/grey overall with pitting. Regimental markings are all discernible. French proof mark “R” is also seen under battalion markings. Lock markings discernible. Ramrod is replacement. 52040-2 (8,000-12,000)

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EXTREMELY RARE “WAYNE’S LEGION” REGULATION U.S. ARMY 1792-1796 SHOULDER BELT PLATE. This is the first regulation American officer’s accoutrement plate authorized by government regulation. Die-struck of heavy brass with gold plate with American “frog-legged eagle” great seal above “USA”. The first known reference appears in the General Orders published June 26, 1795 “Oval breastplate on white shoulder belt, 3” x 2-1/2”, ornamented with an eagle in gold or silver to match the buttons”. Major General “Mad” Anthony Wayne was the original commander of the Legion of the United States and this buckle has always been nicknamed in his honor. General Wayne accepted the surrender of all British forts in 1796 which were located illegally in the United States Lot 2005 (w/reverse) in violation of the Treaty of Paris which ended the Revolutionary War in 1783. The Legion was formed in June 1792. Recruited and raised in Pittsburgh, PA, the Legion was involved in protecting the American frontier, including the Siege of Ft. Jefferson, Siege of Ft. Recovery and the Battle of Fallen Timbers. The Legion built fortifications throughout the frontier, including Ft. Wayne which today retains it’s name honoring the Legion’s first General. Lewis and Clark were both members of the Legion and would likely have had same plates during their expedition mapping the Louisiana Purchase. An example of this plate was part of traveling bicentennial Lewis and Clark exhibit seen nationwide. PROVENANCE: The last example sold in major auction was from William Guthman Collection sale at Sotheby’s 12/1/2005 for $30,000. CONDITION: Very good overall, retaining most of its original plate, numerous small scratches, bend at top edge and other cosmetic blemishes. All in all, this is a beautiful example of a rare and popular American accoutrement plate. 52331-5 (15,000-20,000)

2006.

IMPORTANT PAIR OF CUT GLASS PRESERVE DISHES FROM MOUNT VERNON. Mid 18th century, England. Each oval rose cut preserve dish with ribbed edge cut with a row of stylized peacock feathers. Each alternate feather terminating in a bullseye. Each base with sunburst design. Mounted in original leather case with original purple silk liners. The lids engraved in gold letters “GEORGE WASHINGTON’S PRESERVE DISH USED AT MOUNT VERNON”. Accompanying this offering is the Parke-Bernet catalog entry. NOTE: Per Parke-Bernet listing; “These two dishes were sold at public Lot 2006 auction by Thos. Birch’s Sons, Philadelphia, Apr. 5, 1892, and the catalogue was entitled “Washington and T’aghman Correspondence” and contained books from the library of George Washington, and personal relics. These two dishes were No. 847 in the catalogue, and the printed note reads: “Inherited in a direct line by H. L. D. Lewis from General Washington’s estate. A certificate as to their genuineness will be furnished the purchaser”. Unfortunately the certificate mentioned has been lost. These two dishes are illustrated in the catalogue. SIZE: 1-3/4” h x 7-1/2” l x 5-1/4” w. PROVENANCE: Sotheby’s Parke-Bernet Galleries, October 25th, 1960. CONDITION: Very good, small number of minuscule flea bites on upper lip. 52232-7 (2,000-4,000)

Lot 2007

2007. UNSIGNED (American, 18th/19th Century) PORTRAIT OF GEORGE WASHINGTON. Pencil & colored pencil on laid paper shows a shoulder length portrait of George Washington wearing a military coat. Housed in an antique style frame by Peter Hopf behind glass. SIZE: Sight: 8-1/2” x 6-1/2”. Overall: 13” x 11”. CONDITION: Some soiling to paper with age spots, otherwise very good. 52094-19 (1,500-2,000) 271

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Session 2

2005.

RARE EARLY AMERICAN ARCHITECTURAL DISPLAYED EAGLE. Mid 18th century, American. This nice example carved from the solid in two parts. Affixed with early, if not original iron link hanging chain. The outstretched wings in carced deep relief with realistic depiction of feathers. The wings carved from the solid and fitted to the body. The eagle’s body with spread tail, legs and talons rendered as if in the act of landing. The eagle with elongated neck, the head and beak curiously rendered in the manner of a pigeon rather than a bird of prey, and with unusual carved plume. The whole with remnants of original gilt surfaces and plumage painted in later green and dark red, now turned to a coffee tone. SIZE: 15” h x 27” wingspan CONDITION: Decorated surfaces as noted. The carving with multiple losses to tips of talons, and with shallow sliver losses to ends of tail feathers. Small loss to tip of plume. Otherwise with normal and expected in use wear, abrasion to paint and light soiling. Otherwise very good with old untouched surfaces. 52331-4 (2,500-3,000)

2009.

BEAUTIFUL AND UNIQUE EARLY 19th CENTURY SCRIMSHAWED “AMERICAN EAGLE” POWDER HORN. 18” horn is beautifully scrimshawed with a 4” x 4” eagle on ornate pedestal with patriotic shield pierced by arrows holding a ribbon with “E Pluribus Unum” below 13 6-pointed stars. Horn has well defined carved bands with drapery-like scrimshaw decoration at bands. Base has numerous cut teeth and wood block is attached by numerous small brass tacks with scrimshaw decoration surrounding. This is a beautiful piece of early American art that would display beautifully with a custom stand so horn can be shown vertically. This horn was frontis in Bill Guthman Estate auction catalog. CONDITION: Very good to fine overall, hand worn patina. Hairline crack at base and five teeth are professionally restored in about a 1/2” arc. 52331-6 (3,000-4,000)

Session 2

2008.

Lot 2009 (w/close-up) Visit www.jamesdjulia.com for more information

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RARE CONGRESSIONAL PRESENTATION SWORD TO CHARLES WILLIAMSON FOR VALOR ON LAKE CHAMPLAIN DURING “THE WAR OF 1812”. You are bidding on a rarely offered War of 1812 Congressional presentation sword. The hilt and grip are of unique design showing panoply of naval arms with superposed spread-winged eagle. The underside of guard has 18 stars and the letters “US” separated by laurel wreath. The grip is rectangular with high relief mermaid holding an urn over her head on both sides. The pommel is a helmeted Roman soldier. The guard is pierced with a central medallion of a Romanesque woman’s bust. The blade reads “CHARLES L. WILLIAMSON, MID-SHIPMAN, LAKE CHAMPLAIN, 11 SEPTEMBER 1814” in large etched panel. Blade retains most of its original luster with crisp, finely detailed 22” etched panels. Latin motto is also inscribed in central panel: “ALTIUS IBUNT QUI AD SUMMA NITUNTUR” which translates to “He who aims highest, rises highest”. Other patriotic panels include panoply of naval arms, the naval battle on Lake Champlain, and a beautifully detailed American eagle. This sword, like others, was made by William Rose and so marked on ricasso and etched by John Meer and so signed on opposite ricasso. According to Peter Tuite’s exemplary study in U.S. Naval Officers, Their Swords and Dirks, 2004, 31 swords were presented by Congress for this action and this makes the 10th example known. This sword is new to market and just recently found in a local estate in “as found” condition. There is a file of historical background on these swords and the Battle of Lake Champlain accompanying this sword. SIZE: 39” overall. CONDITION: 33” blade retains most of its original polish and luster with scattered areas of staining and pitting. Retains original protective leather washer. Brass hilt retains most of its original gold gilt, as does the single remaining scabbard mount. Pommel is slightly loose. Leather scabbard body is dry, cracked and flaking. 52224-1 (20,000-30,000)

273

Session 2

2010.

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Session 2

2011.

SPECTACULAR & UNIQUE NANTUCKET PRESENTATION SWORD TO MEXICAN WAR HERO MAJOR MOSES BARNARD FOR “PLANTING THE 1ST AMERICAN FLAG ON PARAPET AT STORMING OF CHAPULTEPEC”, SEPTEMBER 13, 1847. “The course of history plays out with little regard for the lives of men. Fate or ability can propel individuals to the forefront of fame and accomplishment, but rarely do the man and his deed become merged to create an image that is an icon for the ages. The raising of the flag on Iwo Jima is such an image - symbolic of the struggle and victory in the Pacific during WWII. In the same way, the plating of the American flag on the battlement of Chapultepec became symbolic of the U.S. victory in the Mexican War in 1847. The image of a brave officer leading his troops to victory was used as a frontispiece in U.S. histories, paintings, prints and even wallpaper. The Mexican War has faded into the past, as has the memory of the man who first planted the flag on the parapet during the Storming of Chapultepec and became the symbol for the entire war. Moses J. Barnard was born in 1819, the eleventh child of Cromwell and Sarah Barnard on the island of Nantucket, Mass. His grandmothers were from the famous Coffin and Joy island families. It is likely he was raised among Quakers and whaling captains. Little is known of his early life, but he joined the U.S. “Voltigeurs” in Pennsylvania on February 16, 1847, as a Captain.” This is most likely the only historic sword presented by the overwhelmingly pacifist Quaker population of Nantucket Island. Sword is an exquisite piece of workmanship retaining most of its original gold plate and brilliant blue and gold decorated blade. The presentation engraved on either side of scabbard reads: “A TESTIMONIAL, / FROM THE CITIZENS OF NANTUCKET, MASS. / OCT. 18, 1848” and “TO BREVET MAJOR MOSES BARNARD / OF THE REGIMENT OF VOLTIGEURS: / DISTINGUISHED FOR HIS GALLANTRY IN MEXICO / AND FOR PLANTING THE FIRST AMERICAN FLAG, THE COLORS OF HIS REGIMENT / ON THE PARAPET AT THE STORMING OF CHAPULTEPEC, / SEPT. 13, 1847” The large file of provenance and history accompanying this sword tells of the short-lived history (1847-1848) of the American Voltigeur Regiment who were elite skirmishers. Copies of the numerous images made of Captain Barnard planting the flag at the pivotal battle of the Mexican War can be viewed in the provenance link on our website. Captain Barnard was indeed a national hero known all over America at this time. The Castle of Chapultepec sits atop a 200ft hill defending the approach to Mexico City.

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The storming of Chapultepec consisted of hand-picked troops including the Voltigeurs and a detachment of Marines. The Marines participation was immortalized in the Marine Corps Hymn which refers to Chapultepec as “The Halls of Montezuma”. Storming of Chapultepec was a heroic, glorious, bloody battle with ladders toppled and thrown up again until the American forces reached the parapet, and in hand-to-hand combat drove the Mexicans back. By 9:30, after two hours of fighting, the flag of the Voltigeurs flew above the east wall. During the attack, the color bearer was killed and Captain Barnard seized the flag, scaled the parapet and brandished the colors under terrible fire, receiving two wounds. It is this moment of courage that became an iconic symbol. Bernard was personalize cited by General Winfield Scott as “the first to plant a regimental color” and brevetted a major for “Gallantry and Meritorious Conduct at the Battle of Chapultepec”. The American troops moved on to Mexico City, which surrendered the next day. Bernard stayed in Mexico City with occupation forces until August 31, 1848 and returned home. In his absence, his friends and neighbors on Nantucket learned of his exploits and were determined to recognize his bravery. On October 21, 1848, this notice appeared in the Nantucket papers, The Inquirer and The Weekly Mirror: SWORD PRESENTATION. An interesting ceremony, without precedence on this island, took place at the Athenaeum on Wednesday evening last. The close of the course of lectures delivered at the Athenaeum by Major M. J. BARNARD, late of the Voltigeurs, upon Mexico and the incidents of the late war, was selected by several of his friends as a proper time to present him a fitting token of their personal esteem and warm appreciation of the bravery displayed by him at Chapultepec and elsewhere. An elegant SWORD was deemed the most appropriate gift to be presented to the gallant soldier. SIZE: 36-1/2” overall. PROVENANCE: Purchased directly from family of Barnard’s friends and descendants and in Simon Handleson’s collection ever since. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: 30” blade is overall bright, retaining 95% plus original gold and blue decoration, including panoply of arms. Scabbard, hilt and pommel retain most of their original gilting. Scabbard has finely chased decoration on either of side of ring mounts & drag, and a similar pattern between presentation and drag. A large American eagle with shield and rays is also engraved between ring mounts. The carved, polished bone grip has light patina. Scabbard has several small dents and scratches, and some staining around ring mounts as seen in photographs. All in all this sword shows very little wear and appears to have been well preserved since its presentation, still stored in its original chamois sleeve. 52331-1 (35,000-45,000) ESA 275

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Session 2

Reverse

Session 2

2012.

FINE AMERICAN HORSEMAN SABER, CIRCA 1820. Brass hilted and brass mounted horseman saber with fat 30-1/2” blade with blue and gold panels, including large Federal American eagle with shield with 15 stars and ribbon with “E Pluribus Unum” along with panoply of arms and Liberty Cap. SIZE: 37” overall. CONDITION: Very good overall. All original and complete. Blade retains much of its original luster with scattered staining, pitting and losses of blue and gold decoration. Leather grip is dry and cracked. Leather body of scabbard is complete, though with weak folded and cracked area at drag. Brass mounts and stirrup hilt have matching mustard/green patina. 52308-46 (3,000-5,000)

2013.

RARE “WAR OF 1812” US REGULATION NAVAL BATTLE AX. Rare early 19th century naval boarding ax stamped on 5” blade “U.S., NYW, JT”. The “NYW” denotes manufacture at the Navy Yard Washington. “JT” stands for the inspector, Captain Joseph Tarbell (1780-1815), who inspected naval weapons at the Navy Yard during the War of 1812. Hasp is almost 2’ long with an old pinned contemporary repair with correct bulbous end. Identical specimen is noted on pg 3 in Col. Robert Rankin’s text Small Arms of the Sea Services, 1972 and notes that these are quite rare. CONDITION: Good to very good overall. Iron is dark and pitted overall, but markings are all discernible though inspector “JT” is weak. Haft is still sturdy though repaired below languettes with several iron pins, glue and putty. 51908-1 (4,000-6,000)

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276

LIFE LONG COLLECTION AND PROBABLY LARGEST GROUP KNOWN OF 18th & 19th CENTURY FLINTLOCK GUN POWDER TESTERS WITH PROVENANCE. Most every type of powder tester seen is represented here. Many are actual examples pictured in the definitive text: Eprouettes, a Comprehensive Study of Early Devices for the Testing of Gunpowder, RTW Kempers, published by Royal Armouries, 1998. Kempers notes several examples in collection are unique or no other examples outside certain museum collections. Testers are also shown in the article “Powder Testers The Combinations” By Paul J. Wolf. Copies of the book and article accompanies the lot. Many were used by armories and are very well made. Very few are marked other than having numeric Lot 2014 ranges for the gun powder testing. There are all-iron examples, some with touch-holes for fire and others with complete flintlock mechanisms, three large spring loaded types have French makers or inspector marks. Some are crafted by gunsmiths or blacksmiths. Several are made in the style of single shot pistols which are the most often seen. There are also five made totally of brass of which one is dated 1852 and very heavily cast. Another of the all brass ones has a short cannon barrel with touch-hole and the pointer that reads the gauge is in the shape of a birds beak. There is a solid brass example which is maker marked by Henry Nock, London. Detailed pictures of every example will be on-line. This is a once in a lifetime opportunity to buy the best collection of handheld powder testers that we know of ever assembled. PROVENANCE: The Estate of Morris Racker. CONDITION: Overall very good. No restoration noted, though a few examples may be old facsimiles as these were very popular as novelties and curiosa collected in the early-20th century. All in all, this is a fine representative grouping that most appear original. 51956-57 (8,000-10,000)

2015. MINIATURE PAINTING ON IVORY OF MAJOR SAUNDERS OF THE AMERICAN REVOLUTIONARY WAR. Last quarter 18th century, America. The miniature portrait by Edward Greene Malbone (1777-1807) of Major Saunders possibly related to Thomas Saunders of Beverly, Massachusetts. The portrait is mounted in original oval rose gold case of unknown fineness. SIZE: Sight 2-1/4” h x 1-3/4” w. PROVENANCE: Family history places Major Saunders as Great Uncle to Sarah Whitney Haddock, daughter of Captain Michael Whitney whose miniature portrait on ivory is offered following this as lot 2016. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Portrait in very fine condition. 51799-1 (2,000-4,000) ESA

Lot 2015 277

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Session 2

2014.

Session 2

2016. FINE MINIATURE PORTRAIT ON IVORY OF CAPTAIN MICHAEL WHITNEY OF BEVERLY, MASSACHUSETTS. Late 18th early 19th century. The portrait depicting the Captain with curly brown hair, high white color and with vest, tie, and black coat. Mounted in period oval rose gold frame. The verso with a lock of hair fashioned into the shape of a feather, set beneath a delicate decoupage of a floral leafy sprig ribbon tied with a leaf of grain. SIZE: Sight 1-3/4” h x 1-1/4” w. PROVENANCE: Michael Whitney, father of Sarah Whitney Haddock, whose great uncle Major Saunders’ miniature portrait is also offered as lot 2015 in this sale. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very fine, with no blemishes or imperfections. Lock of hair and accompanying art work equally fine. 51799-2 (1,000-2,000) ESA

Lot 2016 2017.

FINE CIVIL WAR CDV ALBUM. This bound album contains 41 Civil War CDVs of which all but three are soldiers. There is one beautiful young woman pictured who is possibly the owner of the album. The album is inscribed “Lilian Bates Hawley” in front. Most of the cards are of officers and general officers, including a fine image of a full standing General David Birney wearing his sword. Birney was a brigade commander in Philip Kearny’s division. When Kearny was killed, Birney took over command of his division. Based on several photos of officers wearing Kearny Crosses, it is possible that this album may be associated with units in that division. Quick research of some of the named soldiers show six surgeons: Walter B. Morrison, 3rd Michigan Infantry; John Howe, 1st New York Infantry; H. F. L. Lyster, 5th Michigan Infantry; Edwin Miles, 5th Michigan Infantry; John Robinson, 38th New York Infantry. One other surgeon identified is Edward Donnelly who was in four different regiments and was wounded in action at Mechanicsville, confined at Libby Prison, was captured at 2nd Battle of Bull Run and at the Battle of the Wilderness and was allowed to operate on wounded Union soldiers. Donnelly had an interesting history; being an Irish immigrant who arrived in Philadelphia after his father, who was an officer in the British East India Company, was killed in Bengal. Donnelly was a renowned doctor prior to the war and offered his services as soon as the war began. Donnelly was among the first surgeons to prepare pathology slides from his Civil War patients. I’m sure there are other interesting stories to be told among these cards which appear to be overall fine original condition. CONDITION: Album is good overall, though pages are shaken and several are loose. Full leather binding, shows scuffing, but retains gilt decoration and functional brass clasps. CDVs examined are overall very good and are by numerous photographers. A few examined have rounded top corners and minor cosmetic defects. 52222-2 (3,000-5,000)

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278

OUTSTANDING MAINE HISTORICAL LOT INCLUDING PRESENTATION SWORD AND MEMORABILIA TO CAPTAIN JAMES LIBBY OF THE FIRST MAINE SHARPSHOOTERS, A SURVIVOR OF THE GETTYSBURG BATTLE. NSN. This group consists of two Civil War officer swords and a post-war photograph and copies of letters Libby wrote home from the war. First sword is a beautiful US staff and field officers sword with an eagle head quillon and a high grade spiral fluted metal grip. The sword has an inscription which reads, “presented to Lieut. J. W. Captain James Libby Libby by Co. E, First ME SS December 5, 1864”. The other sword is an imported non regulation iron hilted officers sword. Both swords as other articles originally came from the descendants of Captain Libby. There is a sketch of James Libby’s life written by his grandson E. Carl Libby which tells of his birth in 1840 in Leeds, Maine, his life on the farm, his schooling in one room schoolhouse and his later education at Monmouth Academy. When the war began in 1861 James Libby was entering his final year at Monmouth Academy. On August 6, 1861 James Libby left school and enlisted as a private in Company K, 7th Regiment Maine Volunteers. Several family letters tell of his life in the 7th. At the battle of Antietam over half of the 7th Maine men engaged where killed, wounded or missing. The unit was so reduced in numbers it was sent home in October of 1862 to recoup. Company K of which Libby was a part rejoined the war in January 1863 and were engaged at the Battle of Fredricksburg May 3, 1863 with a loss of 12 killed, 49 wounded and 39 missing. 7th Maine had heavy causality almost everywhere they fought. At Gettysburg the 7th Maine and Libby had position on Wolf Hill where the 7th Maine monument stands between two rock walls today. Only two men of the 7th Maine died from wounds from the battle of Gettysburg and are buried at the National Cemetery at Gettysburg along with 138 other men from Maine regiments. A patriotic letter to his sister written by Libby on August 16, just over a month after Gettysburg when he and the 7th were camped in Warrenton Springs, VA states, “Our country must be saved and now is the time to do it...” James Libby would serve his three years, be discharged and reenlist as a Veteran Volunteer. He would become a second lieutenant in November 1864 in the 1st Maine Sharp Shooters and then be promoted to Captain in Company K in the 14th Maine infantry in his last command. There is an interesting archive of research by Libby’s grandson that accompanies this lot including the listing of family members who own the copied letters and a copy of a signed CDV of Lieutenant Libby wearing the wonderful presentation sword that is the centerpiece of this lot. CONDITION: Staff and field officers sword is fine overall with 32” blade with 16” etched patriotic panels on both sides retaining 90%+ orig frosted details. Brass hilt retains about half its orig gold plating and brass scabbard mounts retain traces of gold in protected areas. Presentation is easily read as can be seen in photos and brass overall has a yellow patina. Iron scabbard body is sound and solid with traces of blue finish with scattered staining, rust and pitting. There are several small dents in scabbard mounts especially in drag as can be seen in photos. Non regulation sword is sound and solid overall. Grip retains all its orig shark skin with exception of one chipped area where wood and wrap are gone which measures about 1/4” x 1/4”. Tripe wire wrap over grip is only about 50% intact and loose in areas. 32” blade is gray overall with some areas of orig polish and shine. 7” etched patriotic panels are discernible on both sides as can be seen in photos. 52380-16 (7,500-10,000)

Photo of James Libby wearing the above sword 279

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Session 2

2018.

Session 2

2019. FINE RARE GILT AND CARVED “BUNTING” PATRIOTIC EAGLE. Circa 1800, American. This well-defined carved example designed for mounting on a wall. A gilt ring suspended from its talons, the purpose of which was to hang patriotic bunting through the ring in a series of similar eagles for political celebration. Features are well carved and with original gilding. SIZE: 23-1/2” at wingtips. 12” h overall. CONDITION: Re-gilt at beak, proper left shoulder at juncture with wing and proper left leg above talon. In use abrasions and small losses at wing tips and tip of tail. Otherwise all original and intact. Good to very good overall. Carving is offered with a piece of early bunting. 52331-3 (2,500-3,000)

Lot 2019 2020.

2021.

RARE AND FINE PAIR OF MEXICAN WAR VETERAN BADGES OF JAMES A. TERREL, 8th US INFANTRY. 1) large bronze Mexican War veteran medal, though not exceptionally rare, is scarce and rarely found in such fine original condition with the original red, white and blue ribbon in such solid condition. 2) quite rare and rarely offered is the 1-1/2” gold miniature medal. Both medals are finely engraved on versos “JAMES A TERREL / CO. K / 8TH U.S. INF.”. Accompanying these medals was a custom medal case for a round silver medal that is mentioned in an accompanying partial obituary. This case has long housed the bronze medal explaining its fine condition. The obituary also mentions both of these medals and that the large 2-1/2” shield on the red, white and blue ribbon was made from captured Mexican cannon. Obituary mentions some of his history serving under Col. W. J. Worth part of Winfield Scott’s Army in Mexico. CONDITION: Bronze medal and ribbon is very good to fine. Soldered top pin is loose at one solder joint, unaffecting aesthetics. Bronze is well patinaed with some toning. Gold medal has seen more use with some wear, but with good discernible markings and inscription. 518301 (2,000-3,000)

Lot 2020

ARCHIVE OF CALIFORNIA PIONEER MAJOR GEORGE PUTNAM, INCLUDING HIS ABRAHAM LINCOLN SIGNED MILITARY COMMISSION. Archive consists of a japanned Paymaster’s box with George Putnam’s name in gold paint, several documents including Ft. Walla Walla, Washington Territory, August 1864 dated document signed by Putnam. There is also a 20” x 17” framed military commission signed by President Abraham Lincoln and Edwin Stanton, Secretary of War, February 26, 1864. Major George A. Putnam (1825-1894) was a California pioneer. George was a farm boy where he grew up in Fitchburg, Mass. By the age of 15, he “started out to make his own way in the world” after the death of his father. After working in Boston for almost ten years, the news of the gold strike in California reached his ears, and his course was set. He traveled via Cape Horn and arrived in San Francisco July Lot 2021 5, 1849. He was one of the minority of gold miners who were quite successful in panning for gold (on the Yuba River). He worked as a Deputy Sheriff in Sacramento (1857-1863). He became a family man when he married Phoebe Sylvester in 1855; they became the parents of two sons, George and Charles. When the Civil War began, he was appointed Paymaster in the United States Army in 1863 with a Major’s commission. He mustered out upon the close of the war in June of 1865. After the war, he worked in several government offices, for the post office in Sacramento, Internal Revenue Assessor, Deputy Federal Collector, and City Tax Collector. Mr. Putnam was a member of many organizations including the Sacramento Pioneer Association, Masons, Oddfellows, Knight’s Pythias, Exempt Fireman’s Association, and the Grand Army of the Republic (Sumner Post) in Sacramento. He is buried in Sacramento City Cemetery in the “Pioneer Grove”. CONDITION: Painted strong box has broken lock and is bent where pried open; chipped paint and scuffs. The two original documents are good to very good overall. Leather wallet with Putnam’s name nicely gilt embossed is worn and scuffed. Framed commission was not studied outside of frame, has light fading with better than average Lincoln signature. Document is overall discernible, with several small bends and folds. 52292-1 (4,000-6,000)

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280

RARE IDENTIFIED CONFEDERATE SLOUCH HAT OF BRISCOE B. RANSON, COMPANY B 12th VIRGINIA CAV, ROSSER’S BRIGADE, WADE HAMPTON’S CORPS, JEB STUART’S CAVALRY CSA WITH SABER SLASH MARK AND BLOOD STAINING FROM WOUND AT BRANDY STATION. This is an iconic and well known identified Confederate slouch with a long collection history. Mildred Remsburg was an early collector of Civil War memorabilia and had a small museum in Sharpsburg, MD behind her general line antique shop. Hat was displayed with top of a 19th century “mustard plaster” box on which is written: “Hat - B. B. Ranson Co. B, 12th Va. Cav. Rosser’s Brigade ( J.E.B. Stuart’s cavalry) Hampton’s Corps C.S.A. - was wearing when he was sabered June 9th 1863, in Battle of Brandy Station”. Hat is classic imported slouch hat with a indiscernible makers mark which is now only seen with black light (see photo). Slouch hats were among the most popular of headgear during the Civil War. These hats which could be easily folded and carried, saw continued use after the war and few identified ones are known, especially Confederate. Amazingly, slouch hat shows a long 2” saber slash where Ranson was wounded June 9th, 1863 at the Battle of Brandy Station. Blood is evident with UV light where pooled in sweatband beneath saber mark. Ranson was captured following his wounding, but was exchanged 3 weeks later where he rejoined his unit and was finally paroled April 21, 1865. Pvt. Briscoe B. “Buck” Ranson (1844-1934) served with both the 12th Virginia Cavalry and 43rd Virginia Cavalry. When Briscoe entered service he was in school. After the war, he returned to school as a student in the medical department at the University of Virginia and later at the University of Maryland where he graduated with a degree of Doctor of Medicine in 1869. He practiced medicine at Harper’s Ferry for 30 years. He is buried in Charlestown, Jefferson Country, West Virginia. Hat is accompanied by file of collection history with old receipts, along with Ranson’s war record. PROVENANCE: Remsburg Museum, Sharpsburg, MD; George Gorman, about 1970; Bill Turner Collection; John Graham Collection, Alexandria, VA; Michael Cunningham Collection 1980; Jim Frasca Collection; Josh Landish Collection, Las Vegas, NV, 1992; The Estate of Morris Racker. CONDITION: Hat is sound and stable. Sweatband has been re-sewn in areas and original silk lining is detached but in place. Blood staining is quite evident with UV light, as is the maker’s mark which is almost invisible with regular light. There are several holes and reductions as typically seen on this pattern from the frequent folding when used. Hat band is complete as is the original brown sewn edging. Hat is soiled overall. The original sign used in museum with penciled inscription is soiled but otherwise solid and all text is discernible. 5195656 (6,000-8,000)

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Session 2

2022.

Session 2

2023. FINE ARCHIVALLY FRAMED GEORGE CUSTER AUTOGRAPH NOTE SIGNED AS “BRIGADIER GENERAL”, 1864. 3-1/2” X 4” 10line note written by and signed “GA Custer / Brig Genl”. Note is written March 13, 1864 at Headquarters 3rd Division Cavalry Corps. Ten days later Custer would fall with a concussion, and would be given 20 days leave where he and Libbie would visit Abraham Lincoln. Document is archivally mounted with an original Civil War eagle breastplate and a fine colored steel engraving of Custer with facsimile signature. Also included is a loose 1896 dated Custer photograph. SIZE: 25-1/2” x 23-1/2” overall frame. PROVENANCE: The Estate of Morris Racker. CONDITION: Archival shadowbox is fine overall with just minor scuffing and small chips on corners of wood veneer. Document was not removed, but appears very good with light soiling. Paper has yellowed slightly, but ink is dark and well discerned. The breastplate also appears very good with a dark mustard colored patina. 51956-55 (4,000-6,000)

Lot 2023 2024.

RARE PERSONAL MILITARY MAP OF THE GULF OF MAJOR GENERAL N. P. BANKS. 46” x 24” map with margins “ MAP OF THE MILITARY DEPARTMENT OF THE GULF, PREPARED BY ORDER OF MAJ. GEN. N. P. BANKS...JANUARY 1864”. Map shows Gulf of Mexico with state of Florida, Georgia, Alabama, Mississippi, Louisiana and parts of Texas, with military railroads. This map was purchased at a Boston auction from direct family descent, along with his Major General’s commission and presentation sword now part of an institutional collection. Map folds into 12” x 9” sections mounted on canvas like other military maps. General Nathaniel P. Lot 2024 Banks (1816-1894) was a Massachusetts Congressman and Governor prior to the Civil Way and had the unique distinction of having no previous military service and being appointed Major General in the United States Army by President Lincoln in 1861. Banks was in charge of the 19th Army Corps and was most noted for being in charge of the Union troops during the siege of Port Hudson and then the later disastrous Red River Campaign where he was routed at the Battle of Mansfield. After the war, Banks returned to Massachusetts, re-entering Congress. Military maps for field use are quite rare, especially those belonging to such prominent and high ranking officers. PROVENANCE: Banks family descent, Willis Henry Auctions, Boston, February 7, 2009. CONDITION: Good to very good overall, fading, staining, cracks at folds and soiling on exposed panels of canvas. 52379-1 (2,000-3,000)

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2025. G ROUP OF FIVE AMERICAN 19th CENTURY MILITARY IMAGES. 1) 6th plate tintype of young militiaman with gilted buttons housed in black gutta percha case. 2) 6th plate tintype of full standing Union enlisted man holding an Austrian rifle, wearing 9-button frock and kepi with US belt, eagle breast plate on his cartridge box strap, cap box and bayonet. 3) 9th plate ambrotype of young soldier wearing a kepi with a small oval photo of unknown origin pinned to face of hat. 4) Interesting W H Tipton Gettysburg cabinet card of J F Chase of the 3rd Maine, holding American flag and wearing GAR badge with his story. 5) Indian War era Pennsylvania National Guardsmen displaying their swords and marksmen medals CONDITION: 1) Very good overall. Noticeable scuffing to emulsion to top right edge. 2) Image is not cased and has numerous small scratches and soiling on surface. 3) Some flaking apparent in backing of image unaffecting facial detail. 4) image is faded, scuffed and broken bottom right corner. 5) Very good with some staining and soiling. 52012-8 (1,500-2,000) 282

Lot 2026 2027.

GROUP OF THREE FINE ARMED UNION CIVIL WAR INFANTRYMEN PHOTOGRAPHS. 1) 1/4 plate tintype of full standing private in regulation 9-button frock, wearing kepi with company letter, armed with Bowie knife, revolver and musket with attached bayonet. Image is housed in a fine brown gutta percha case with panoply of arms on both sides. 2) 6th plate ruby ambrotype of a standing private, waist up armed with Bowie knife and 69 caliber musket with bayonet housed in fine brown gutta percha patriotic embossed “Union” case. 3) 9th plate tintype of private wearing 4-button blouse, small revolver and a Bowie knife. CONDITION: Condition overall is very good with good contrast and especially good clarity on the ambrotype. 52049-3 (1,0001,500)

Lot 2027

2028. MAYNARD MODEL 1882 SPORTING RIFLE. 38 Caliber, 26” barrel, Serial No. 12259. Gun is blue and case colored with checkered pistol grip stock, elevating tang sight, shrouded front sight and German silver Scheutzen-style buttplate. Massachusetts Arms Company sold this gun in the 1880s and ‘90s as an “Improved Sporting Model No. 6”. CONDITION: Good to very good overall. Good markings, bore and functional action. Traces of original finish. Deluxe burled stock is broken and repaired at wrist (could be repaired much better by a competent gunsmith). 52013-20 (1,000-1,500)

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Session 2

2026. RARE GROUP OF FOUR HARD IMAGES OF LAWMEN, ALL WEARING BADGES, CIRCA 1860. This lot consists of three 6th plates and one 9th plate of lawmen wearing various badges. All are housed in gutta percha cases; two with fine American patriotic motifs. The three 6th plates are all tintypes and the 9th plate is a ruby ambrotype by S. Shattuck of Lowell, MA and image is identified as Sidney Allison Brown. CONDITION: Overall good to very good. Cases are all very good to fine. There are light scratches and creases to two of the tintypes, all with fair contrast and clarity. 52049-2 (1,000-2,000)

Session 2

2029. BALLARD SPORTING RIFLE, PATENTED 1861. 38 caliber, Serial No. 16522, 26” full octagonal barrel with 2-leaf adjustable rear sight and fixed front sight. Ballards were made between 1862 - 1880’s and in later years part of Marlin.. Frame is marked on right side “BALLARDS PATENT / NOV 5 1861” and opposite side of frame “MERWIN & BRAY AGT’S / NEW YORK”. CONDITION: Very good as refinished with good bore and functional mechanics. Hammer has old braised repair. Hole drilled in frame, rear of hammer that probably once held a tang sight. 52013-19 (600-800)

2030.

SPANISH AMERICAN WAR CAPTURED ARMY REVOLVER FROM THE SPANISH ARMORED CRUISER “INFANTA MARIA TERASA”, SANTIAGO, 1898. This is a fine Spanish brevet of LeFaucheux 12mm army revolver made at the Spanish National Armory and so marked on right side of frame “OVEIDO 1867”; Serial No. 1983 on opposite side of frame. Gun retains strong traces of original finish and is in “as found” condition. According to pinfire expert and author Chris Curtis, and his definitive text Systeme LeFaucheux: Continuing the Study of Pinfire Cartridge Arms, these guns were made in small quantities and were issued to Spanish officers. This is one of the highest serial numbers noted. Inset brass plaque at bottom of left grip reads “MARIA TERASA / SANTIARGO / 1898”. The story of the capture of “Maria Terasa” and the Battle of Santiago is quite interesting and should be read PROVENANCE: From the estate of Walter K. Carter, East Blue Hill, Maine. CONDITION: Very good overall. Gun retains about 50% thinning blue to plum finish on barrel and cylinder, scattered pitting and staining. Stocks are sound as is inset brass plaque which has a mustard colored patina. Mechanically, gun functions well with clean crisp bore. 52233-2 (600-1,000)

2031. COLLECTION OF FOUR EUROPEAN MILITARY FLINTLOCK MUSKETS. 1) Germanic brass mounted 18th century 50” overall fusil. Markings worn and indiscernible. Honest Revolutionary War era 69 cal. smooth bore. Appears complete and functional with good patina. 2) Revolutionary War era French flintlock musket with “ST ETIENNE” marked lock. 44-1/2” 70 cal. smooth bore barrel. 3) European percussion conversion military musket with 43-1/2” round barrel with pinned stock. Decorated brass trigger guard. Large club buttstock made without buttplate. 4) Composite flintlock musket with 40-1/2” unmarked octagonal to round barrel with two Austrian-style bands. Lock is marked “TOWER” with a crown. CONDITION: 1) Iron overall grey with staining and pitting. Brass has dark mustard color. Stock has hand worn patina and contemporary repairs when gun was altered to this 36” configuration with bayonet lug. 2) Appears complete and functional with well worn solid stock, with numerous cosmetic defects. Metal overall is dark grey/brown with rust and pitting. Barrel proof and lock marks are partially discernible. 3) Sound and solid functional lock. No discernible lock markings. Barrel proofs not discernible. Appears to be a composite of parts, possibly American stocked in early 19th century. Metal dark with pitting. Wood ramrod with iron worm appears original to time of use. 4) External lock components are replacements. Lock is functional. 52222-10 (1,500-2,000) Visit www.jamesdjulia.com for more information

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2033.

CIVIL WAR ERA 13-STAR AMERICAN FLAG. Large wool bunting flag measures 8’ on hoist and 12-1/2’ on fly with handsewn grommets over iron rings. 6” cotton stars are all hand-sewn and arranged 4, 5, 4. The 1-3/4” canvas hoist has an inked name “A.W. PIERCE”, Arthur Whiting Peirce, grandfather of our consignor, from Brunswick, Maine. CONDITION: Very good overall. Good color with reductions, especially at fly edge and top edge of canton. 51637-2 (1,500-2,500)

Lot 2033

2034. RARE 13-STAR 19th CENTURY PARADE FLAG. This flag retains part of its original stick, displaying 13 stars in an interesting configuration not seen in Collins. Printed glazed cotton flag measures 11-1/2” x 8” and is loosely fit into wooden frame with cut-out for the stick. SIZE: 15-1/2” x 11-1/2” frame. CONDITION: Good overall with reductions on fly edge. Red has patinaed to a dark orange. 10” of the stick is still retained. 52086-1 (1,200-1,500)

Lot 2034 285

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Session 2

2032. RARE IRISH FLINTLOCK VOLUNTEER RIFLE. This is a rare form measuring 32-1/2” overall, with 17”, 75 cal. smooth bore barrel with Brunswick-style bayonet lug marked “W & J RIGBY DUBLIN”. Lock is also marked by this renown maker. Brass mounted with two iron sling swivels and attached swivel ramrod. Gun appears original and complete. CONDITION: Good overall. Stock is sound with hand worn patina and scattered cosmetic defects and worm holes. Iron is dark with crisp markings, rust and pitting. Mechanically functional with pitted bore. 52222-8 (1,500-2,000)

Session 2

2035. RARE AND FINE SALTED PAPER PHOTOGRAPH OF CONFEDERATE SECRETARY OF THE NAVY STEPHEN MALLORY. This is a very rare and fine condition salt print photograph of Stephen Mallory when he was a Senator from Florida, circa 1855. Salted paper photographs were the earliest form of paper photography and were obsolete about the time of the Civil War, being supplanted by cheaper production albumin mediums. This rare image has excellent detail and contrast. We can find no others offered. Stephen R. Mallory (1812-1873) had a long and illustrious record of political service, most famously known as the Confederate Secretary of the Navy under President Jefferson Davis March 4, 1861 – May 2, 1865. Mallory served in many posts prior to and after the Confederacy. He was elected Senator from the state of Florida in 1850. Mallory, in his time in the Senate, was the prominent Chairman of the Committee on Naval Affairs. SIZE: 6-1/2” x 4-1/8”. CONDITION: Very good to fine overall. Edge wear, corners rounded and hinges on verso. 522971 (1,500-2,500)

Lot 2035 2036.

WONDERFUL ARCHIVE OF ANDERSONVILLE PRISON COMMANDANT HENRY WIRZ INCLUDING PORTION OF ROPE HE WAS HUNG WITH AND HIS NECKTIE TAKEN AFTER HANGING. This lot consists of two shadowboxes, one containing 2” section of rope: “cut from the rope from which Wirz was hung at the old Capital Prison in Washington, DC immediately after the execution by George N. Edmunds” and also a 26” long piece of green and white wool necktie: “portion of neck-tie worn by Wirz, the keeper of Andersonville Prison, when he died”. These two items were originally retained in a paper wrapper dated Washington, July 18, 1887, compliments of James Edmunds given to US Senator Richard Pettigrew, South Dakota’s first Senator. Second frame contains a clipped signature of Wirz mounted beneath 7-1/2” x 10-1/2” illustrated broadside advertising the 1865 publication THE DEMON OF ANDERSONVILLE or the TRIAL OF WIRZ For the CRUEL TREATMENT AND BRUTAL MURDER OF HELPLESS UNION PRISONERS IN HIS HANDS: THE MOST HIGHLY EXCITING AND INTERESTING TRIAL OF THE PRESENT CENTURY, HIS LIFE AND EXECUTION... Large file of archival material including service records and trial transcripts included with lot. SIZE: Large shadowbox: 16” x 17”. Frame: 16-1/4” x 13-1/4”. PROVENANCE: The Estate of Morris Racker. CONDITION: Rope sample is very good and nicely mounted on blackened board. Necktie sample shows insect damage and some reductions and is held by tacking stitches onto canvas backing in shadow box. 6-1/2” x 4” inscribed wrapper is glued to mounting board and is cracked at central fold appears brittle, foxed and stained. The rare Wirz signature appears very good as exposed in a 1-3/4” x 3/4” window cut in mat. It is not known how it is mounted, but ink is dark. The framed broadside has numerous reductions, especially at bottom and right side, effecting some text. We could find no other examples noted of this rare advertising broadside. 51956-1 (3,000-5,000)

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286

2038. PAIR OF EUROPEAN FLINTLOCK COACH GUNS. 1) 36-1/2” overall, 22” slightly swamped 70 caliber smooth bore barrel with metal bead front sight. Carved mouldings, brass mountings. Lock has engraved decoration and partially discernible makers mark under frizzen spring, possibly Italian. Cock has raised relief design and lock screw relief carved masked. 2) 33” overall brass lock blunderbuss with 18” iron Damascus barrel flaring to 1-3/4”. Barrel marked “MONAGHAN”. Lock is marked “BURRIS”. CONDITION: 1) Fair to good overall. Repaired crack at wrist and inset wood around lock. Long crack on right side of forestock. Metal is grey overall with staining, rust and pitting. 2) Good and sound overall. Gun appears original and complete with crack on cock. 52222-15 (1,200-1,500)

2039. LOT OF 2 AMERICAN LONG GUNS. 1) Very unusual and rare tiger striped maple full-stock fowler percussion conversion from flint, brass and silver mounted and elegantly signed on large 6” panel on barrel “JOHN MOORE ALBANY”. Buttplate and trigger guard are both unusually engraved with an American panoply of arms with American flags. This gun measures 48” overall with 34” smooth bore 70 caliber round barrel. John Moore utilized these parts when making this most interesting gun. John Moore is listed as a gun maker 1820-1835 in Albany and at least one other flintlock fowler by him is known. Gun is in need of restoration, but markings are beautiful. 2) Full stock Kentucky smooth bore fowler with heavy 47-1/2” octagonal barrel with engraved decoration and remnants of a signature. Brass mounted. CONDITION: 1) Fair to good. Gun has seen honest use with hand worn patina to wood. Lock is not functional and missing bolster, lock and tang screw. No doubt gun was longer when originally made and has been shortened. Most likely, this gun had an additional ramrod pipe, but stock has been shortened for a long time. Mustard colored patina to brass and silver/grey patina to key-way escutcheons and thumbplate. Decorative engraving on brass and iron all crisp and discernible. 2) Fair overall. Stock has significant damage, including several cracks, inset wood above lock and large area of insect damage at muzzle. Metal overall is grey with pitting. Mechanically functional with clear 60 caliber smooth bore. Thumbplate is old replacement. 52161-1 (4,000-6,000) 287

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Session 2

2037. RARE 19th CENTURY PERCUSSION HEAVY BARREL TARGET RIFLE WITH SCOPE. 30-1/2”, 49” overall barrel and 1-1/4” attached starter with bale-type lock, 36” iron scope. Weight: 16-1/4lbs. Barrel has Rochester, New York makers mark on top and what appears to read “MFG. BY R.G. RICE / WARREN OHIO”. Markings are pitted and hard to read. CONDITION: Fair to good overall. Functional with well defined multi-groove 44 caliber rifling. Starter is frozen in place and was not removed. Metal overall is grey/brown with pitting. There is a large inset repair to buttstock on right side. 52222-7 (800-1,200)

Session 2

2040. LIVERPOOL STATES JUG. 2nd half 19th century, England. Depicting an American ship on one side and great seal of the United States on verso within a border of interlocking rings each with a name of a state. SIZE: 7-1/4” h. CONDITION: Shallow chips to foot rim, otherwise good. 52312-1 (1,000-1,500)

Lot 2040 (w/reverse)

2041.

LIVERPOOL CREAMWARE COMMODORE PERRY JUG. 2nd half 19th century, England. A portrait of Commodore Perry on one side, the opposing side depicting Commodore Prebble’s squadron attacking the city of Tripoli, August 3, 1804. SIZE: 9” h. CONDITION: Shallow chips on foot rim, otherwise very good. 52312-2 (2,000-3,000)

Lot 2041 (w/reverse) 2042.

1777 DATED INDENTURE OF FIVE YEAR OLD CONNECTICUT BOY, ALONG WITH FINE PORTRAIT. Document measuring about 12-1/2” x 8” indentures Stephen Sabin, a five year old boy from Pomfret, Connecticut to apprenticeship to the family of Oliver Grosvenor. Stephen, whose mother is too poor to feed him, is bound to work as an apprentice until he is twenty-one years old. He is to behave himself and be good and faithful to his new family. His new family promises to provide sufficient food, washing, lodging and teach him to “read, write and cypher... and then give him a new small bible”. Document is witnessed by two citizens of Pomfret and signed and sealed by Oliver Grosvenor. Grosvenor was born in Sturbridge in 1743 and was a Minuteman during the Revolutionary War. Lot is accompanied by a 30” x 27” oval gilted gesso framed portrait of a benevolent looking woman. CONDITION: Portrait and framed document are very good overall with several small chips in gesso. Document was not studied out of frame and type of mounting is unknown, laid paper has cracks starting at folds, but text is all discernible. Soiling and slight reductions on right edge. 52014-6 (400-600)

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288

GROUP OF 40 WESTERN, COWBOY AND INDIAN WAR ERA SOLDIER IMAGES. This large grouping is a lifelong collection and should be viewed by prospective bidders. Photographs, mostly 19th century, range from large format albumins on 8” x 5” and similar sized cards, cabinet cards, a few photographic postcards and few other formats. Images show a variety of Western scenes, some staged and some in the field, such as two cowboys and pack animals dated 1884, several Indians, colored engraving of Nelson Miles. There is a series of five 8-1/2” x 5-1/4” albumin photographs of a parade in a western city with cattle and American flags. There is a copy tintype of Annie Oakley with two of her rifles and miscellaneous military cadets and soldiers. CONDITION: Overall, good to fine. Several of the paper images have scratches, soiling and other defects that should be viewed prior to bidding. 52049-1 (2,000-3,000)

Session 2

2043.

289

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Session 2

2044. VERY RARE E H COLLIER REVOLVING PISTOL CARBINE. 26”, 36” overall 50 caliber smooth bore barrel. Marked on lock “E.H. COLLIER PATENT NO. 6”. Gun is missing hammer. Elisha Collier was from Boston, Massachusetts, but had his guns made in England in the 1820’s. No more than a total of 150 were thought to be made. This gun has rare 7-shot cylinder. Collier may lay claim to being the first revolving rifle produced that was sold substantial quantities. Collier’s were originally made in flint, but conversions to percussion are known. Complete Collier revolving arms are quite rare and desirable and some fine examples have brought $20,000-$50,000 in recent years. This is not the best example, but it is fairly complete and a good gunsmith could turn it into something quite interesting if desired and you won’t find another at this estimate. CONDITION: Good overall. Stock is solid with much wear to checkering. Metal overall is brown with staining and pitting. Lock markings are discernible. Small silver thumbplate is intact. Detachable stock is missing. 52222-13 (800-1,200)

2045. GROUP OF FIVE EARLY FLINTLOCKS. This group consists of three flintlock pistols; two that are converted to percussion and two flintlock tinder lighters with pistol grips. 1) 10” brass mounted flintlock pistol with 5-1/8” octagonal to round cannon muzzle barrel. 2) Ornate “B. NASSE” signed brass mounted and brass inset Mediterranean-style flintlock to percussion conversation. 12-1/2” overall with 7” octagonal-round barrel. Stock mouldings and raised relief figural motifs on butt, trigger guard, thumbplate and barrel. 3) Brass barrel flint conversion to percussion with British commercial proofs. 14” overall. 4) Flintlock tinder lighter. 9-1/2” overall and functional, unusual external trigger with attached candle holder. 5) Flintlock powder tester appears made from a single shot flintlock pistol with spring loaded circular numbered disc that would lock when fired on a particular number, showing potency of gun powder. CONDITION: All guns appear complete and functional. Guns are all fair to good overall. Tinder lighter is rusted overall, but still functions. 52222-14 (800-1,200)

2046.

TWO MINIATURE FLINTLOCK KENTUCKY RIFLES. 1) 31-1/2” overall with 23-1/4” octagonal barrel marked “CARLSON, DIXON ILL”. Gun is totally iron mounted and mounted on a beautiful piece of striped maple. The bore mics .23”. This gun is well made and appears functional. 2) 15-1/4” overall. Non-shooting brass mounted flintlock with functional lock is accompanied by miniature hunting horn and 2-1/2” Bowie knife attached to hunting bag. PROVENANCE: The Estate of Morris Racker. CONDITION: 1) Overall very good. Iron is overall brown with scattered rust and pitting. Set trigger is not functioning and hammer will not hold at full-cock. 2) Very good overall. Hunting bag is scuffed and has broken strap. This miniature rifle, hunting horn and hunting bag with knife are all displayed in a very good condition glass topped oak shadow box. 51956-60 (1,000-1,500)

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290

Lot 2047

INE LOT OF 8 EUROPEAN TINDER LIGHTERS. Nice F grouping of 8 different genres and types include: two small pistol grip portable lighters, one only 3” long, one 5-1/4” long, all iron and engraved. The other six are “legged” and five of these have candle holders. One all iron example is engraved with a panoply of arms and Spanish markings. Two brass bodied examples have engraved panels, one with soldier as can be seen in photos. The largest tester in this group is 8” long and marked “WOOLEY”. PROVENANCE: The Estate of Morris Racker. CONDITION: All iron Spanish marked example is heavily pitted and has a restored set of “legs”. The “WOOLEY” marked example has replaced top jaw, top jaw screw, and set of “legs”. The larger of the two brass bodied lighters has restored main spring and candle holder. The other lighters all appear original and complete. All appear to function. You’ll never have to worry about running out of flints for your lighters as there is an additional bag of 20 or so extra flints. 51956-61 (2,000-3,000)

2048. GROUP OF FOUR MID19th CENTURY FULL STOCK FLINTLOCK FOWLERS. 1) 48” barrel, 63” overall. Brass mounted German silver and iron patchbox and inset iron hunters star. British proofed. 2) 47” barrel, 63” overall. British proofed with brass mounts, lock marked “J P MOORE”. 3) 44” two-stage octagon-round barrel, 60” overall. Barrel marked “LONDON”. Brass mounted. 4) 44-1/2” two-stage barrel, 59” overall. Percussion conversion from flint, probably a trade gun with simple sheet brass buttplate, iron trigger guard. CONDITION: 1) Good to very good as old restock. 2) Good to very good overall. Stock has several cracks in forend. Numerous scuffs and cosmetic defects. Tang is broken and contemporarily repaired with a nail. Frizzen has a recent break, piece missing, breech area rusted and pitted. 3) Fair to good overall with old repair to wrist. Metal has rust and pitting. 4) Fair overall. Stock is cracked with several old nailed repairs. Metal overall is dark with pitting and rust. Trigger guard is missing a screw and has crack and is bent. 52222-12 (1,200-1,500)

2049. FINE POSSIBLY SOUTHERN HALF-STOCK PERCUSSION CONVERSION LONG RIFLE. This is a most unusual gun with many North Carolina features that measures 54” overall with a 37” barrel with a patented percussion breech utilized after conversion from flintlock. Gun has numerous silver inlays including lock escutcheon made in shape of an eagle. Five small ivory insets are also found. Gun is checkered at the wrist and has relief carving on buttstock and behind tang. Bill Ivey in his exemplary text North Carolina School of Long Rifles 1765-1865 on page 68 attributes a gun to Craft Jackson which has a most unusual and unique side-hinged patchbox lid also seen here. This gun is much more ornate then the attributed gun, and this one is signed in a cartouche at breech “C.J” and a silver plaque on barrel has most unusual inscription “Lined Stub & Twisted / JACKSON”. Cataloger has no idea what this inscription means, regardless this is a very interesting gun that was originally longer and probably full stock but now shortened (stubbed as plaque suggests?). Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Good to very good overall, missing several silver inlays including three 2” silver eagles. Bore appears reamed to 44 cal. smooth bore, but appears to have hints of residual rifling. Mechanics are fine. 52222-5 (1,200-1,500) ESA

291

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Session 2

2047.

Session 2

2050. TWO FULL STOCK/FLINTLOCK AMERICAN KENTUCKY RIFLES. 1) 42” octagonal barrel, 58” overall, signed “H. M’CLALLEN”. Brass mounted with patchbox and brass and silver inlays. 2) 39-1/2” octagonal barrel, 54” overall. Brass mounted with pierced patchbox and some incised carving opposite patchbox. CONDITION: 1) Good overall as stock is restored forward of front pipe. Old brass wood repair under lock and large iron escutcheon opposite lock to help continued use of this gun. Lock has large iron nail at back to hold in place. Cock and frizzen are replacements. Brass has mixed mustard colored patinas. 2) Cock is missing top jaw and screw. Contemporary wrist repair utilizing large piece of flat pinned brass at wrist. Patchbox hinge has old repair. Metal is overall brown with rust and pitting, especially at breech. Brass has mixed mustard colored patinas. Stock has several long slivers of missing wood and old repair at toe. 52222-11 (1,200-1,500) 2051.

R H WEIR (American, 19th Century) PORTRAIT OF THE STEAM SIDEWHEELER “U.S.S. GENERAL GRANT”. Oil on canvas scene shows the steam sidewheeler on calm water flying American flag off back flagpole. A tent encampment is seen off the bow and military men are seen talking at the stern. Signed “R H Weir” lower right. The U.S.S. General Grant was a steamship chartered from the US War Dept. by the Union Navy during the American Civil War. The General Grant was used by the Navy as a gunboat in the waterways of the Confederate South. Housed in a gesso decorated gilt antique frame. SIZE: 13-1/4” x 20-1/4”. Overall: 17” x 24”. CONDITION: Puncture slit in water, surface dirt, otherwise good. 52308-1 (2,500-3,500)

Lot 2051

2052. FINE TRIPLE ARMED RUBY AMBROTYPE OF POSSIBLY A MINER OR SOLDIER. 6th plate ambrotype with crisp and clear detail of a bearded gentlemen with checkered shirt armed with large “IXL” Bowie knife and two revolvers, one being a Colt Model 1855 Root. You will see lots of identified miners and some Confederate soldiers wearing very similar shirts. Too bad this gentleman is unidentified as we are sure he would have a story to tell. It’s most unusual to see so clearly the “IXL” gold embossing on the knife scabbard which has a stag grip and a serrated crossguard attached to a large cloth belt with frog attachment made for a Bowie. CONDITION: Very good to fine overall. Case has repaired hinge and paper seal to image has been broken. 52222-19 (800-1,200)

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292

CIVIL WAR ERA GROUPING OF PHOTOGRAPHS AND MILITARY MANUALS. Included in this grouping is a nice 1862 dated military manual by D. H. Mahan Treatise on Field Fortification, complete with fold-out plates and 172 pages. Another early manual on field fortifications is dated 1801 published by the British War Office, Rules and Regulations for the Formations, Field-Exercise and Movements of His Majesty’s Forces. 104 pages with one folding plate. Rest of this grouping consists of 7 hard images of solider’s including one 6th plate of two armed soldiers; one exhibiting 2 pistols and the other a Bowie knife and a pistol, both wearing tall boots. There are 2 copy tintypes of Jefferson Davis in a gem sized case and General Custer in a CDV format. A CDV album with 26 photos of the Tribe Family. Included are 4 brothers: William, Pearson, James and John. A quick search of a Civil War database shows Pierson H. Tribe as enlisting at Owego, NY in the 64th New York in 1861. William Tribe also enlisting in Lot 2053 1861 in the 64th New York, killed at the Battle of Fair Oaks, June 1, 1861. John Tribe, also enlisted at Owego, New York in 1861 in the 5th New York Cavalry. He was awarded the Congressional Medal of Honor for action on August 25, 1862 at Waterloo Bridge, VA. William and Pierson are shown in uniform; John and James are in civilian dress. CONDITION: Both manuals are in good condition as far as text and completeness, but both have defects to covers. Spine chipping and loose front board on British. Images are all average “as found”. One case is missing top and two cases have loose tops. CDV album is “as found”. No images were removed and there are ink inscriptions under all images, identifying them. Interesting album starting with family matriarch, all the way to grandchildren and at least 3 Civil War soldiers. 52222-18 (1,200-1,500)

2054. LOT OF TWO CIVIL WAR AMES ISSUED OFFICER SWORDS. 1) Ames Model 1850 foot officer’s sword inspected and dated “1862”. This is a difficult sword to find government purchased, as most Civil War officers were volunteers and provided their own swords. This sword was regulation for company grade officers. 2) Ames Model 1840 non-commissioned officer’s sword dated “1864” and inspected “GKC”. CONDITION: 1) Good overall. Brass retains strong traces of original gilt, sharkskin grip is intact and twisted wire wrap appears complete though broken. 30-1/2” blade is grey overall with etched patriotic panels discernible. Inspector “JH” and 1862 date on either side of ricasso. Scabbard has several breaks in leather and missing small section near drag. 2) Sword overall is very good to fine. 32” straight blade retains most of its original luster, though near tip stained and pitted. Scabbard missing drag and bottom portion of leather scabbard. 52222-6 (800-1,200) 2055. COLLECTION OF SIX AMERICAN 19th CENTURY HALF-STOCK RIFLES WITH PATCHBOXES. 1) Rare “J. DOHERTY / PETERSBURG, VA” maker marked percussion half-stock rifle. German silver mounted 31” octagonal 48 cal. rifled barrel. German silver patchbox terminates in shape of a stag and there is also a stag inlay opposite lock. Paper inside patchbox has Confederate soldier listed in the 9th VA Cavalry. 2) Half-stock flintlock rifle. 32-1/2” octagonal barrel. Lock is marked “S W HILL PATENT”. Brass mounted with large brass patchbox, pewter nosecap. 3) Half-stock flintlock 40 caliber heavy barrel fowler. Lock marked “C. LANDER”. Tiger stripe maple. Brass mounted with pierced patchbox. 4) Heavy barrel half-stock rifle, “JOSH GULCHER” marked lock. Brass mounted, pewter nosecap. Weighs in at over 11-lbs. 5) Brass mounted half-stock percussion rifle with 33” octagonal barrel. Brass mounted with pewter nosecap. Unmarked. Striped maple stock. 6) Unusual brass barrel half-stock percussion fowler, 54 cal., brass mounted. CONDITION: 1) Functional, replaced cone; good markings. Stock has hairline opposite lock. Iron overall brown, stained and pitted. German silver mounts polished. 2) Good overall. Stock is sound, several cracks and erosion around lock and repair at toe. Metal dark and pitted. Inset wood above and forward of lock. Functional with pitted rifled bore. 3) Good overall. Stock has wood repair just forward of hammer. Replaced cock. Functional with pitted bore. 4) Functional lock with pitted 38 cal. bore, metal overall dark with pitting. 5) Good overall. Missing key, metal dark. Set trigger functional, but sloppy. 6) Fair to good. Fairly solid. Dark metal. Functional lock. 52222-9 (1,200-1,500) 293

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Session 2

2053.

2056.

Session 2

INTERESTING 19th CENTURY NORWAY, MAINE FAMILY ARCHIVE OF JONATHAN POTTLE FAMILY INCLUDING FINE PRESENTATION MARITIME TELESCOPE. Archive includes: two circa 1900 photographs of the Jonathan Pottle house in Norway, Maine with inked details on verso. Also included are two early 19th century ledgers with 1930 newspaper articles telling of the over 100 page manuscript arithmetic book. Numerous arithmetic problems in text show how to convert measures and money, so this was a practical arithmetic book. There also is a leather covered, 76 page ledger of Pottle’s daily accounts starting in 1806 through 1830’s. Folded in book are several receipts and a poor condition $20 Confederate note. Also included is an inscribed 1811 Dedham, Massachusetts imprint of The Psalms of David. There are two Victorian walking sticks with decorated gold tops, one inscribed “Sir Thomas Collyer, April 27 1836, April 27, 1886”. The other stick has a fancy monogram. Also included in lot is a very nicely conditioned 2-stage telescope which is 40” extended with 2-1/2” objective lens. Maker marked “SPENCER, BROWN & CO LONDON IMPROVED” with fine script inscription “PRESENTED / CAPTAIN A. LEWIS / BY THE OWNERS OF SCH. FLYING DART / APRIL 12 1857”. Telescope is all brass with original leather cover. The schooner “Flying Dart” is found mentioned in the Sacramento Daily Union, January 28, 1858 as being listed en route to San Francisco. CONDITION: Photographs are good overall with some scratching to gelatin surfaces. Photos measure 7-3/4” x 4-3/4” mounted on 8” x 10” boards with Frank Bartlett photographer stamps on verso. Ledgers are complete though shaken with yellowing and reductions at edges. The 1811 book appears complete, but full leather cover is heavily scuffed and heavily worn at edges. Walking sticks are very good overall, measuring 33” and 36”, both with ebonized wood shafts. Telescope is very good overall with light mustard to chocolate covered patina. Both lens covers are complete and functional. Leather body shows light shrinkage, most of its original polish, though numerous scuffs and other cosmetic defects, including large dark area where apparently burned. 52142-4 (2,000-3,000)

2057. BRASS BARRELED PERCUSSION BLUNDERBUSS WITH SPRING BAYONET. 14-1/4”, 29-3/4” overall brass barrel flaring to over 1” with English proofs marked “NOTTINGHAM”. Attached spring bayonet is functional. Lock marked “BRUNMITT”. Brass mounted. CONDITION: Good overall. Brass has old cleaning with mixed light mustard patinas. Iron is dark grey overall. Other brass hardware matches color of barrel. Wood ramrod appears to be an old replacement. Mechanically functional. Stock is sound and solid with staining and weathered areas on buttstock with loss of finish. 52222-4 (1,200-1,500) 2058.

COLLECTION OF ABOUT 100 PIECES OF CIVIL WAR ERA MEMORABILIA INCLUDING INSIGNIA AND PERSONAL AFFECTS. This lot consists of numerous small objects housed in about 20 butterfly cases. Items of note include: an original Model 1850 Civil War New York officer’s sword belt plate, 1861 dated dog tag of a New York cavalryman, and a rare Civil War Richard’s Patent knife, fork, spoon combo commonly found on battlefields but non-excavated sets are scarce, partial patent markings on one side. 19th Army Corps badge which appears to be war time, though it could be reunion era. Missing loops for attachment, Smith Patent 2nd Lt. shoulder board and a very rare soldier’s pewter pocket mirror marked with a star and “FIG”. This particular mirror is quite commonly excavated in Federal camps, but this is the first example this cataloger has ever seen of a fine non-excavated specimen. Also included are several tagged relics, miscellaneous small excavated items, several pieces of insignia and Lot 2058 (partial lot) buttons, many of which do not appear to be war time, but a few are. There are two folk art carvings including a well used pipe. CONDITION: Overall good to very good. Prospective bidders should examine. 52222-17 (1,000-1,500)

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294

EARLY AMERICAN MILITIA ARMS STORAGE CHEST, HEBRON, MAINE. Late 18th century, Hebron, ME. This historically relevant storage chest with family and town history and provenance is accompanied by personal accounts, description to follow, and with script chalk inscriptions on the interior of the lid together with what we believe Lot 2059 (w/close-up) is the maker’s mark of the iron fittings on the chest. Chest retains its original red wash. The rectangular single pine board lid opening to a storage compartment with till and with reinforcing iron rod joined at the exterior to original iron strapping fastened by rosehead nails. Lid is mounted with two wrought iron hasps mounted to iron rings on the lid and front face of storage chest. The fastenings are reinforced with pine and hewn blocks secured by hand cut nails. Chest retains its original hand cut iron hinges of exceptional length again fastened with original rosehead nails. Each end of the chest is bound on all four edges by a continuous iron band nailed to the case and joined at the mid point of the front edge. Top of band at the front edge is branded on the iron “B+Co+” presumed to be the mark of the blacksmith and possibly the maker of the storage chest. SIZE: 16” h x 99” l x 23-1/2” d. PROVENANCE: Affixed to the till is a handwritten sheet of paper which reads as follows “....pine boards-Civil War gun chest April 9, 1827...chest was used during civil War to keep ammunition-arms for town-in Hebron, Maine/was kept at Packard homein shed chamber”. Also accompanying the chest is a handwritten document which reads as follows “Provenance on gun chest/Hebron Center Packard Homestead by the grange hall around 1890. Fred Cushman married Edith Packard her son Dwight Cushman opened the place. In shed chamber it was kept for a gun chest so if any trouble broke out the townsfolks would know where to pick up the guns/next went to Joseph Hartley Cushman Greenwood Mtn. Hebron Center...” The partially legible chalk inscription under lid reads “26 guns-67balls-260 lb balls/421 flints Sept. 26-1818/April 9, 1827...”. CONDITION: Chest in very good original condition with normal and expected aging. Very good overall. 52231-1 (5001,000)

2060. 1833 DATED BRASS MOUNTED POTSDAM MUSKET. All original and matching “as found” Civil War era percussion conversion musket popular early Civil War. Gun is in standard configuration complete with original sling swivels and numbered ramrod. CONDITION: Very good overall. Metal is grey/ brown with pitting, especially at breech. Markings in metal all discernible. Stock has been refinished with two 3” insets of wood on left side of ramrod channel. Brass has light mustard patina overall. Gun appears completely original and authentic with exception of one lock screw. 52085-1 (600-800) 2061.

FIVE STEEL SHOOTING GALLERY TARGETS INCLUDING TWO EAGLES. Lot includes; two eagles and three round targets. Each target having a suspended metal plate behind which rings when bulls-eye is hit. The upraised winged eagle has three posts which were welded to Lot 2061 the back of the arcade game. The round targets also have three rods.. SIZE: Eagle 12-1/2” h. Round 12” diameter. CONDITION: Paint surface has only remnants remaining and rust. One back hanging plate has cracked and support holder has been broken, otherwise all remain intact. 52115-4 (800-1,200)

295

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Session 2

2059.

Session 2 2062.

MASSIVE MILITARY PHOTOGRAPHIC ARCHIVE, MOSTLY WWI-WWII, AMERICAN, ALLIED, GERMAN, JAPANESE. This archive is a lifelong collection of the consignor who has a publishing company and had hoped to publish photo history books utilizing images from this incredible archive. This dream never came to fruition and a change in life has instead led to the consignment of this treasured photo archive. Archive consists of about 33,000 vintage and first generation photographic prints and 18,900 negatives, over 500 slides. Also included are five 8mm newsreel films, one 16mm newsreel film (original German newsreel footage of Fallshirmjager troops parachuting into Holland), 25 stereocards and miscellaneous ephemera belonging to photographers whose work is now preserved in this photo archive including letters, correspondence and military service records. A large percentage of this archive is dedicated to WWI and WWII Air Corps and aviation. Many of the groupings are from professional American military photographers, German military photographers and soldiers in the field. A small percentage of this archive is made up of other content including trains, ships, cars (including 1919 Indy Race winners Ralph DePalma & Howdy Wilcox at a race on the Sheepshead Bay, NY track in their winning Indy car), Gar Wood & his co-pilot in executing an Oct. 1930 speed record run in the Harlem River as they ran the incredible speed boat, Miss America VIII, powered by twin Miller V16 supercharged engines, the 1939 Worldâ&#x20AC;&#x2122;s Fair showing the Lifesaver parachute tower ride later used for paratrooper training at Ft. Benning and many portraits and landscapes of 19teens-1940s that would be perfect for publishers as well as movie costume and movie set designers. The images are concentrated in WWI-WWII era, but there are earlier photos and more military photos from Korean War and even Vietnam War. Many negatives included in this archive are large format and glass plates. Virtually all of the archive has been researched for the historical content, placed in acid free archival sleeves and boxes and labeled. All the 8x10 custom-made, wetprocess prints were made by the consignor who has had fifty years of experience working in photo darkrooms. Over 1,000 sample images and a brief description of the contents are shown in our on-line catalog. Prospective bidders should examine this archive in person. CONDITION: Very good to fine overall. There are images that have damage, though vast majority are fine. Interested parties should examine lot in person. 52429-1 (20,000-40,000)

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Session 2 297

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Session 2

2062A. CIRCA 1900 ARCHIVE OF HISTORIC PHOTOGRAPHS AND GLASS PLATE NEGATIVES INCLUDING FABULOUS 8x10 NEGATIVE OF TEDDY ASISTANT SECRETARY of the NAVY ROOSEVELT IN HIS OFFICE SITTING AT BEAUTIFULLY CARVED DESK. Of the 100 glass plate negatives, 18 are 8” x 10”, including Teddy Roosevelt at his desk (ca. 1896), varying views of the White House ca 1903, Library of Congressca 1903, Maryland State House ca 1903, George Washington’s Tomb and Mount Vernon. Remainder of glass plate negatives are 4” x 5” and 8” x 5” including views of SpanishAmerican ships (The Great White Fleet) USS New York, US Battleship Iowa, USS Battleship Texas, US Warship St. Louis and troop ship St. Paul all on review in New York harbor. Other images include photos of Spanish-American troops, railroad stations, railroad cars and engines, view of work on Panama Canal from the French effort era, Maryland 3rd AC War Games (9 different views), miscellaneous portraiture, landscapes and more. Also in archive, is a 10” x 12” gelatin photograph of group of Spanish-American War era Illinois National Guard troop, including one member wearing Congressional Medal of Honor and Civil War Army of Potomac medal. Also in lot, 11 Indian War era cabinet cards, including albumin image of Geronimo holding a Dance Revolver with pencil inscription on verso stating “...a prisoner of ours at Ft. Sill”. Other cards include 2nd generation images of Little Bighorn combatants Benteen, Godfrey and Lt. James Calhoun. SIZE: Smallest: 4” x 10”. Largest: 8” x 10” CONDITION: Very good overall. Glass plates all have excellent contrast and are very good/fine overall. Several have reductions to emulsions, but all appear to have been stored well, two of the glass plates are broken, but these are both portraiture and can still be easily printed. The 5-1/2” x 4” Geronimo card is albumin mounted on black board with soiling and staining. Small fold in bottom right hand corner of albumin and mounting board is chipped with rounded corners. Indian War cards are average overall with some scratching, soiling and damage to cards. The three US 7th Cavalry officers appear to be photographs of photographs, all on heavier cardstock, mounted to period cards, and do not appear original to era. Glass plate negatives of the White House and Teddy Roosevelt are mostly quite fine. The view of Roosevelt is quite unusual, showing him sitting at his desk with scattered paper trash about his desk; his walls have seven framed prints, apparently of American naval battle scenes. His desk has panoply of arms carved along with relief carved gunboat on the visible edge. Large gelatin image of Illinois National Guard has several large cracks including upper right hand corner being broken off and repaired, scuffed and rounded corners. It shouldn’t be hard to identify seated Colonel wearing Medal of Honor and Army of the Potomac medals. 52429-2 (2,0003,000)

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THREE JAMES “WHITEY” BULGER AUTOGRAPHED LETTERS SIGNED FROM PRISON IN 2011. Three 2-pg ALS’ written to nephew Ryan Burns of Worcester, Massachusetts between September and December 2011, not long after Bulger’s re-incarceration. Content is quite interesting: “I don’t trust newspaper people - tv people - the law, etc., so it’s not possible for me to strike up a pen pal friendship. Visits are impossible. I’m in a cell 23 hours a day with a guard sitting outside my cell watching me through a glass panel - 3 8 Lot 2063 hour shifts, 24 hours a day and a camera is mounted on the ceiling monitor all the time. No contact with anyone - isolated...highlights of day “MAIL”. I get some from people who want to save my soul - people who want my autograph - ! A girl wants to know if I’m her father... I am currently reading Stephen Ambrose’s Undaunted Courage...have not decided if I will cooperate - only 14 or 15 Alcatraz ex-convicts still alive - I’m one of them. 82 years old... difficult for me to picture your job as a financial analyst, but in life it’s work or join the rank of crooks...15 years in Santa Monica it was a challenge that became a habit...even went to the 99cent store many bargains there...and had cash in wall $820,000 - Obama ought to let me handle the debt to China...” Lots of interesting content; prospective bidders should read letters on-line. Letters are all in their original envelopes each signed “James Bulger” with his ID, Unit and Room numbers at the Plymouth County Correctional Facility and each letter is simply signed “Jim”. CONDITION: Very good to fine overall. Envelopes are all coarsely torn at the top, but complete with stamps and postal marks. 52013-6 (1,200-1,800) 2064. ADOLPH HITLER SIGNED PROMOTION DOCUMENT, 1939. 10” x 14” document signed in facsimile by Adolph Hitler for the promotion of Walter Sensburg from Captain to Major, 1st of March, 1939. CONDITION: Very good including cover with one crease through document in cover, about 1” from bottom edge. Gilded cover, text and Nazi impressed seal, all excellent. 52222-3 (2,500-3,500)

Lot 2064

Lot 2066

2065. VICTORIAN STYLE CANNON ON CARRIAGE. 80lbs, 32” iron bbl, 1-3/4” bore raised relief decoration and dolphin handles mounted on 34” x 10” iron carriage. Carriage has similar raised relief decoration, including lion’s Lot 2065 head on front. Cannon was not made to shoot projectiles, but vent is bored though as such so that it could’ve been used as a noise maker or salute gun. SIZE: 51” x 10” overall. CONDITION: Good overall with iron patina, pitted overall. No discernible maker’s marking. 52222-23 (600-800) 2066. CIVIL WAR RE-ENACTORS GROUPING WITH ORIGINAL CIVIL WAR SURPLUS. 1) Rare January 28, 1862 dated patented mess kit retaining only 3 small rectangular tin trays and top tray. Stonewall Jackson supposedly had a nearly identical inscribed example. Regardless, great for display in a camp scene. 2) Regulation cloth covered Federal canteen with tan wool cover and partial sling. 3) Original 58 caliber US cartridge box with original tins and over the shoulder belt. 4) Reproduction Confederate cartridge box. 5) Leather valise with crows foot stitching often associated with Virginia. CONDITION: Items should be examined, but overall good. US cartridge box with sling is dry and flaking, one buckle is detatched but still attached to sling, stitching loose in areas. Other two leather boxes are fairly supple and sound. Mess kit retains much of its original Japanning, brass patented plaque has discernible text as can be seen in photos. Regardless, all are good for display. 52222-20 (800-1,200)

299

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Session 2

2063.

2067.

Session 2

EXTREMELY RARE UNINSCRIBED SILVER CONGRESSIONAL MEDAL FOR THE SURVIVORS OF THE “JEANNETTE” ARCTIC EXPEDITION OF 1879-1882. The round medal in silver has a depiction of the 3-mast ship with sails rolled and anchored to ice having a group of men, dogs and dog sleds beside, depicting the abandonment of the ship and the saving of some of its supplies. The reverse having an outer band of writing “Jeannette Arctic Expedition 18791882”, below this a blank area for the engraving of the survivors name that the medal would be Reverse given to. The bottom half “In Commemoration of Perils Encountered and as an Expression of the High Esteem in which Congress Holds His Services” “Act Approved Sept. 30. 1890.” The round medal having an attached small ring which is connected to an ivory colored silk ribbon attached to a pin with a spread wing eagle over a name plate “Jeannette”. NOTE: This medal was produced for either the survivors or the next of kin of those who had perished in the expedition. Eight gold and 25 silver medals were struck by the Philadelphia Mint and was designed by Asst Engineer M.A. Anderson. Records of the Philadelphia Mint indicate that there were three dies cast in 1892. According to the October 15, 1892, Army and Navy Journal 24 of the silver medals were engraved with names of the survivors or the deceased members of the expedition. This indicates that there was one medal that was unengraved and this medal that is being offered maybe that medal. The first gold medal was given to Engineer-in-chief Melville the only surviving officer of that expedition. Another of the gold medals having been given to the widow of Lt. DeLong. The story of the expedition was recounted in an 1882 book “Arctic Lost Ship Shipwreck Jeannette”. The account of the expedition and its survivors caught the attention of the American public and caused Congress to act with this medal. The crew consisted of 30 officers and men, and three civilians. It departed from San Francisco July 8, 1879. Shortly after September 4, it was caught fast in the ice pack near Wrangel Island. For the next 21 months, it drifted to the Northwest towards the North Pole, steadfast in the ice. On June 12, 1881 the pressure of the ice finally began to crush the Jeannette. It was at that time that provisions were unloaded and the ship sank the following morning. Three boats took off in hope of reaching the mainland. A storm blew up and one of the boats with eight men capsized and sank. The remaining two boats with 25 men continued on. George Melville’s boat with 11 men aboard reached safety; the other landed elsewhere and two men survived and met up with the Melville group. Our consignor has spent many hours researching this medal and refining the known history of the design, making, and dissemination of the medal. An alternate conclusion for the existence of this medal being offered is that it is a sample medal given to the Navy Department on June 17th. This would explain why there is no engraved name. This would mean that this is the first cast medal from the dies. In conclusion we do not believe that either possibility negates the rarity of this medal and its desirability amongst collectors. SIZE: Round medal: 1-1/2” dia. With ribbon: 3-1/2” l. CONDITION: Hardware in very good condition, ribbon in very good condition with only some slight soiling. 51917-1 (10,000-20,000) “The Sinking of the Jeannette” Engraving by George T. Andrew after a design by M.J. Burns, copied from “The Voyage of the Jeannette ...”, Volume II, page 575, edited by Emma DeLong, published in 1884.

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The following items (lots 2068–2109) were removed from the home of Dr. and Mrs. Earl A. Loomis, Jr., of Greenport, New York. The contents were originally from the palatial estate home of Miss Lousie Alida Livingson, on Remsen’s Lane in Oyster Bay, Long Island, New York. Appraisals dated 1965, 1967, and 1981 attest to the movement of most of these items. The Livingston family is far reaching, but originates well back into the 17th century in 1674 with the arrival of the Scottish immigrant Robert Livingston. He arrived under Royal Patent referred to as “Robert Livingston, Lord of Livingston Manor,” owner of 160,000 acres of the east bank of the Hudson River.

family, including George W. Bush, the entire Fish and Kean families, First Lady Eleanor Roosevelt, First Lady of New York Anna Morton, actors Montgomery Clift and Michael Douglas, actress Jane Wyatt, medical resident Asad Rizvi, poet Robert Lowell, cinematographer Floyd Crosby and his son David Crosby, author Wolcott Gibbs, and almost the entire Astor family.

The Livingston heirs permeated all facets of government and society. Many Americans have descended from the Livingston

It is with great honor that we were selected by the family to disperse a portion of this aristocratic family’s treasured possessions.

2068.

RARE INSCRIBED MODEL 1841 REGULATION US NAVAL OFFICER’S SWORD OF LT. HENRY T. WINGATE. Fine ivory gripped eagle-head sword inscribed on rear languette “H. TINGEY WINGATE / USN”. Henry T. Wingate was born in Charlestown, MA in 1817 and died in 1854 and is buried in Mt. Auburn Cemetery in Cambridge, MA. Wingate is listed as a mid-shipman on the USS Potomac in 1840. Accompanying this sword are five pieces of silver flatware, all with his last name “WINGATE”. Three of the pieces are coin and are marked “LINCOLN & REED” (Boston). SIZE: Sword & scabbard: 33” overall. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Sword is very good overall, 28” blade is overall grey with scattered areas of staining and pitting. Patriotic naval etched motifs are discernible, though weak. Rusted at ricasso and no discernible makers mark. Original scabbard which accompanies sword is broken in three pieces, but all three engraved mounts are intact and retain much of their gold plating with overall matching chocolate/ green patina to brass hilt. Carved ivory grip is complete with several hairlines. All in all, an honest “as found” scarce American naval sword. Flatware is very good overall. 51941-26 (800-1,200) ESA 2069. 18KT GOLD HUNTER CASE POCKET WATCH BELONGING TO PAINE WINGATE (1739-1838). 18th century. Gold hunter’s case testing 18kt decorated with a classical urn. The opposing side with a small oval cartouche. Each side with remnant of rayed decoration. The movement with enamel dial marked “Remond & Cie”. Jean George Remond (17831820), a Swiss watchmaker. The key wind and key set fuseé movement with original key. Watch accompanied by a scrap of paper identifying the owner of the watch and some family lore concerning its use. SIZE: Dial: 4-1/2 cm d. Case: 5 cm d. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Case edge with abrasions, wear and small losses. Enamel dial with losses of aperture. Movement of unknown order. Fair to good. 51941-25 (800-1,200)

Lot 2069 301

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Session 2

Livingston Family Items

Session 2 Lot 2070

2070. ITALIAN SCHOOL (18th Century) PORTRAIT OF ANNA FRANCISCA CANSACCHI. Half length oil on canvas portrait of an elegant lady holding a fan in her right hand, dressed in a beautifully adorned gown with floral bodice, and lace choker around her neck. A red feathered hat and floral jewels adorn her powdered hair, while the substantial cross shaped earring and pearl bracelet provide a clue to her status and wealth. Housed in a 19th century giltwood frame. Canvas inscribed upper left “ANNA FRANCISCA CAN-SACCHI AMERINA UXOR JOSEPHI MELCHIORRI. QUAE VIXIT ANN * XXXVI * OVVIT TURRITAE DIE XI JUNII ANN * MDCCLXXVI” (Loosely translated from the Latin as Anna Francisca Cansacchi, chosen wife of Josephi Melchiorri, who lived thirty years and died on 11 June in the year 1776) SIZE: 29” x 24”. Overall: 33-1/2” x 29-3/4” PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Surface grime & old restoration scattered throughout, craquelure, old lining, in need of cleaning & restoration 51941-17 (1,500-3,000)

2071.

FRENCH SCHOOL (18th Century) PORTRAIT OF A ROYAL GENTLEMAN, POSSIBLY KING LOUIS XVI. A bust length oil on canvas portrait of a seated gentleman with powdered wig wearing a brown velvet jacket with elaborate floral embroidery and lace collar and cuff. A clue to his identity is found in the royal medallion with the sun king design. Unframed, unsigned, bears indiscernible red wax seal on verso. SIZE: 35-1/4” x 28-1/2” PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: In original unrestored condition, overall surface grime, large tear upper center with significant amount of loss, several losses throughout, stretcher bars are damaged. 51941-16 (500-1,000)

2072.

PAIR OF LOUIS XV FAUTEUILS. 2nd half 18th century, France. Each chair with arched and shaped crest rail, floral cresting flanked by C-scroll molding continuing to foliate molded shaped styles centering a padded back Lot 2071 in the form of a cartouche. The out curved padded arms with molded grips on incurved supports centering the upholstered seat with serpentine front rail. Shaped seat with custom cushion. The chair raised on molded cabriole legs headed by flower heads and raised on molded pointed feet. Each chair retains early floral petty point upholstery. SIZE: 35” h (back) x 16” h (seat) x 24” w x 23-1/2” d (approximately). PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Chairs of pegged construction remain intact with loosening at most joints. Original paint surfaces have been removed. One chair with repair to proper left arm at juncture to stile and with old repairs to rear legs at seat rail. The second chair with old repairs to proper right front leg at seat rail, otherwise both chairs are structurally intact. We believe that the chairs were most likely repaired and tightened as long as one hundred years ago, which also appears to be the period of the pettipoint fabric. Chairs are honest and restorable. 51941-39 (400-800) Lot 2072

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Session 2 Lot 2073

2073.

LOUIS XV PROVINCIAL FIVE PIECE SALON SUITE. 2nd half 18th century, France. Comprising a large canape and four fauteuils a la reine. Each with scrolling foliate carved crest joined to downswept arms with molded out-turned scrolled grips and padded armrests on molded incurved supports centering a shaped over upholstered seat with serpentine foliate carved frontal seat rail, raised on foliate carved cabriole legs. All covered in early silk and damask fabric. SIZE: Settee 44” h x 15” h (seat) x 67” l x 32” d (approximately). Chair 38” h x 16” h (seat) x 28” w x 27” d (approximately). PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Frames retain old and original surface with significant abrasion, wear, and dryness. Upholstery with soiling and now with deterioration. One arm chair with rear leg damage and one chair with left crest rail repair at ear. Settee frame is structurally intact with extremely dry surface, frame is loose and in need of tightening. Please note that original surfaces were a combination of gilding and paint decoration, in need of total removal and restoration. 51941-13 (1,200-1,800)

2074.

OUTSTANDING CUSTOM ORDERED 19th CENTURY LARGE DINNER SERVICE BY SPODE. Pattern number 2961, each piece marked “Spode/2961”. The decoration is in sprays of colorful flowers against a white blank with raised flowers. Each piece having a gilt outside edge. Circa 1st quarter 19th century. Lot consists of: platters; two 22-1/2”, 20” (with visible surface scratches), 17-1/2”, two 16”, four 14” (two cracked), four 12”, four 10”, 20” well and tree, 18” well and tree. Three 10” covered serving bowls (one cover repaired). Three 7-1/2” covered sauce tureens with under plates. Two 13” h covered tureen with under plate. 9” square center bowl. Two 11” open serving bowls. Two 9-1/4” open serving bowls. Sixteen 9-1/2” shallow soup bowls. Forty-eight 9-3/4” plates. Eighteen 9-1/2” plates (one cracked). Forty-seven 8” plates. Approximately 162 pieces. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Generally this is in very good condition, there is some rubbing and losses, I’m sure some scratches can be found. 51941-3 (1,000-2,000)

Lot 2074 303

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Session 2 2075.

BOOK: LES ROSES, BY PIERRE-JOSEPH ROUDOUTE (1759-1840) AND CLAUDE ANTOINE THORY (1759-1827), PUBLISHED IN PARIS BY FIRMIN DIDOT (1817-1824). Three volumes. Folio (14” x 10”), engraved portrait of Roudoute by C.S. Pradier, after a painting by Gerard. Floral wreath opposite portrait and 169 stipple engraved plates printed in colors and finished by hand, by Lanlois Chapuy and others after Roudoute. The three volumes dated 1817, 1821, and 1824. 1817 volume has 56 colored rose illustrations. 1821 volume has 59 colored rose illustration. 1824 volume has 54 colored rose illustrations. Each of the rose illustrations has a tissue page. The inside of each book has a book plate of John Callendar Livingston. SIZE: 14” x 11”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: This lot was found in the attic where it had resided for many years. All three bindings are broken and as found. Color plates have strong color and very few have issues. There will be found some very light foxing spots, no tears, and all have been accounted for. The text has foxing but very readable and clear. 51941-24 (10,000-20,000)

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304

Lot 2076 2077.

FRAMED NEEDLEWORK PICTURE OF MOUNT VERNON. The rectangular needlework shows Mount Vernon with connected buildings overlooking water with boats all flanked by trees with one figure on the lawn. The needlework behind a black and gold bordered glass below which is titled “Mount Vernon”. SIZE: Sight: 16-1/4” x 22-1/2”. Overall: 20-1/2” x 26-1/2”. PROVENANCE: Original contents Lot 2077 from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Glass has cracks in bottom left with some loss to title, silk has stable cracks in top sky which appear to have been glued, a few other cracks in lower right sky, otherwise good. 51941-27 (500-800)

2078.

LIVINGSTON FAMILY LOT, INCLUDING: SIX SILHOUETTES & LINEN. The lot consists of six early 19th century framed silhouettes all impressed marked “King”, William King, New England, (active 1804-1806). Each are hollow cut bust length portraits backed with black paper or silk. Each housed in gold molded wood frames with églomisé mats. Two large linen pieces with embroidered family crest, a tablecloth with red crest, the other a sheet with white crest. SIZE: Overall 6” h x 5” w. Books 12” h x 10”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Mats have deteriorated, frames as found, silhouettes good. Linen pieces are very good. 5194122 (400-600)

Lot 2078 305

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Session 2

2076. CARVED AND GILT SANTOS FIGURE. 18th century or earlier. This well carved early example depicting aristocratic woman in ornately decorated robe in the act of prayer. Figure carved from pine, hollowed out through the center. The early surface with gesso foundation and with lacquer like paint-decorated surface over gilding. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Structurally good with one repair at lower rear of robe section. Reinforced with canvas on interior. Normal and expected abrasion to facial details. Gilt and painted surfaces age darkened with moderate chip loss. 51941-43 (500-1,000)

2079.

Session 2

PORTFOLIO OF LIVINGSTON FAMILY UNFRAMED WATERCOLORS. Watercolors on paper, comprised of approximately thirty three landscapes of mostly European subjects. The artist appears to be accomplished in both drawing and the use of the medium. Subject matters range from coastal scenes to architectural studies, mountain views, windmills, a landscape with soldier, a scene of St. Moritz, and several Italian village scenes with figures. Many initialed lower left “L.L.”. Portfolio is a vellum covered binding with Latin gilt letters on spine. Sizes vary from 6-1/2” x 3-1/2 to 10” x 16”. Note: According to the Yale University Library database, Louise was the only child of John and Susan Livingston. Their archive a family photograph of Louise taken in Nice, France, in 1904. One of the watercolors in this portfolio is inscribed “Where we got the milk for Alida. Lake Como”, indicating they referred to Louise as Alida, and she was a child at the time these works were created. This information helps us date the works to about 1904. SIZE: Overall size of portfolio: 17” x 11” PROVENANCE: Original contents from the estate of Lot 2079 Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Several works have tissue overlay, most with some type of minor discoloration, portfolio is in badly soiled and chipped condition 51941-23 (500-1,000) 2080. UNUSUAL QUEEN ANNE INLAID WALNUT HIGH CHEST ON FRAME. 2nd half 18th century, Pennsylvania possibly Philadelphia. The rectangular cove molded inlaid cornice above the conforming case, the frieze with an ornamental rectangular reeded panel. The case with canted corners and contrasting stringing centering three aligned short drawers over a pair of aligned short drawers, above four graduated long drawers all with string inlay and with cockbeaded edges. The case retains original brass bail hardware of the period. The chest fitted to an original molded frame with shaped apron raised on short cabriole legs. Raised on pronounced trifid feet. SIZE: 72” h x 37” w x 41” w (overall) x 24” d. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: With well maintained original surface, good rich golden brown color. Small repair to proper right rear side of case to repair split. Proper left rear side with missing 6” triangular section. Otherwise case sound and intact, no damage or restoration to feet noted. Very good overall. 51941-2 (1,500-2,500)

Lot 2080 2081.

OUTSTANDING LARGE LOT OF CRYSTAL STEMWARE, DECANTERS AND TABLEWARE ARTICLES DECORATED WITH LIVINGSTON CRESTS. The first stemware set includes; twelve 6” white wine stems, twenty-two 4-3/4” red wine stems, sixteen 4” cordial stems. This set having an engraved vine decoration and each piece having a cut coat-of-arms or the Livingston family. Along with a pair of 11” decanters which has the same crest but diamond point decoration and a 10” decanter of different design. The next set of fourteen 4-1/4” liqueur stems. Each of which have the same decoration as above but only have a gold monogrammed “L”. Set of seven 6” decanters, two 9” decanters, one 8” Lot 2081 decanter, one 9” glass, one 8” pedestal compote, and one 9” pedestal compote, all having the same etched coat-of-arms/family crest. Along with five other miscellaneous stems, and two etched decanters. Approximately 87 pieces. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Generally very good, there maybe some small nicks to stems, three 6” decanters have ring chips. 51941-5 (800-1,200)

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306

Lot 2082 2083.

GROUP OF FRENCH EMPIRE WALL SCONCES AND PAIR OF GARNITURES. Early through late 19th century, France. The group includes two pair of three-arm candle sconces comprised of bronze and gilt brass all in the Classical Revival taste, cast with athemion leaves and applied with scrolling leaf tips. Together with a pair of Classical garnitures in the Egyptian taste each depicting an urn raised on a pair of cast-brass swans on a brass pedestal cast with lion’s mask. The handle of each urn a cast-brass figure of Nike, Goddess of victory. SIZE: Sconce 6” d x 8-3/4” w. Garnitures 11” h x 7” l x 3” w. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the Lot 2083 family home, Greenport L. I., N.Y. CONDITION: All items with original untouched surfaces and extensive soiling from long term storage. Sconces retain old wiring and drilled. Each urn has a piece of the removable garniture on one side missing. 51941-34 (800-1,200)

2084.

FEDERAL INLAID MAHOGANY SERPENTINE SIDEBOARD. Circa 1800, mid Atlantic region, probably Baltimore. The deep well figured rectangular top with serpentine front and elliptic corners above the conforming case. Fitted with serpentine cutlery drawer with felt trays above a pair of cupboard doors, flanked by deep fitted bottle drawers, further flanked by bowed cupboard doors. Drawers and doors all inlaid with teardrop escutcheons and with contrasting line inlays. The case raised on square tapering legs, each headed by long rectangular figural birch inlaid panels over crossbanding, above pendant teardrop inlays within string-inlaid borders and cross-banded cuffs. Note: The secondary wood on sideboard is yellow pine. SIZE: 41” h x 80-1/2” l x 27-1/2” d. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: With old re-polished surface now a rich tea brown color with good patina. Stabilized shrinkage cracks on top and sides. A triangular 9” patch on top at proper left front corner above end door. Drawer divider and bottom apron each with a 1” square veneer loss at center of sideboard. Oval brasses are early 20th century replacements. Backboard original. Otherwise very good. 51941-1 (2,0004,000) Lot 2084 307

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Session 2

2082. LOT OF CHINESE EXPORT PORCELAIN. China. 18th century. The lot including: 12” Famille Rose covered tureen with matching under-plate, 6-1/2” Famille Rose dish, 5-1/2” Famille Rose tub, 9” blue and white dish, 3-1/2” open salt. Together with a pair of Japanese openwork candles and a pair of 2-1/2” English soft paste coffee cans. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Tureen under-plate with chip at rim. Blue and white dish, good. Famille Rose tub cover with repairs & breaks. 6-1/2” dish with loss at rim. Salt cellar broken and restored. One coffee can with line at rim. 51941-4 (800-1,200)

2085.

SET OF TEN MASSACHUSETTS QUEEN ANNE SIDE CHAIRS. 2nd half 18th century and later, probably coastal Massachusetts. The set is comprised of an original grouping of five with five additional matching chairs of later construction. The original five with mortise-and-tenon construction at the back and crest rail and with triangular frontal glue blocks and inset rear glue blocks within the seat frame. The shaped styles joined to yoke crest above the inverted bell splat joined to a serpentine seat rail with shaped apron. Each chair fitted with a framed woven rush seat. Raised on cabriole frontal legs with shaped returns and back-swept chamfered rear legs joined by blocked reel and baluster turned H-form stretchers terminating in platform pad feet with tapered tips. All in original black paint. SIZE: 40” h (at back) x 17-1/2” to 18-1/2” h (varied seat). PROVENANCE: Original contents from the estate of Louise Alida Livingston,

Session 2

Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Four of the five original chairs with structural repairs to tops of back at crest rails, one with structural reinforcement to proper right leg at seat frame, four with varying degrees of structural weakness and or repair at front of seat frames, all five with in-use wear and normal and expected abrasion and paint loss. The five later examples of doweled construction at crest rail, chair seats also doweled without the use of glue blocks, one chair with stress crack proper right ear of back, a second with splinter loss at joint of shoulder, no other structural issues noted, normal and expected abrasions from in-use wear otherwise structurally good. All ten rush seat frames are present, all with varying degrees of damage to woven rush, several seat frames are weak at the corners. The ten are considered fair to good overall. 51941-9 (1,000-2,000)

308

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Lot 2086 2087.

THREE PART HEPPLEWHITE MAHOGANY BANQUET DINING TABLE. First quarter 19th century, probably New York. Rectangular center table with conforming hinged leaves raised on six tapering legs with string inlay. Two legs hinged for leaf support, together with two demilune tables, string inlaid with conforming apron raised on four tapering legs. SIZE: 29” h. Drop leaf center section: 21-1/2” w closed. 531/2” l. 61” x 53-1/2” open. Demilune tables: 53-1/2” l x 26-1/2” d. Complete table size open: 9’ 6” l x 531/2” w. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., Lot 2087 N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Table has been professionally restored and repolished with repairs to leaves at hinges, string inlays, and including tightening of legs. Repolished top surface with good color and with light surface soiling and some light in use scratches and abrasions to top. Otherwise good overall. 51941-7 (1,200-1,800)

2088.

LOT OF ANTIQUE FRENCH SILVER FLATWARE AND COIN SILVER SUGAR TONGS. Some of the French silver could be as early as the 18th century. It includes: 12 pieces (seven 7-1/2” forks and five 7-1/2” spoons) with a diamond hallmark “F13G”. 16 pieces (seven 7-1/2” spoons, five 7-1/2” forks, and four 5” spoons) with a shield mark. Along with an early 8” spoon and fork which are hallmarked. Coin silver mustard spoon. 6” coin silver sugar tongs by Theophilus Bradbury Newburyport, MA. 24 silver plated flatware pieces. SIZE: As listed above. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Generally good, shows use. 51941-33 (600-900)

Lot 2088 (w/close-up) 309

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Session 2

2086. QUEEN ANNE MAHOGANY DROP LEAF TABLE. Late 18th century, America. The single board rectangular top of figured Honduran mahogany with rounded edge fitted with conforming hinged single plank leaves projecting above the apron. Raised on cylindrical slightly cabriole legs with scalloped returns terminating in round pad feet. SIZE: 27” h x 36” l x 13-1/2” w. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Table with early if not original surface, good patina with dark brown color. One leaf with 6-1/2” loss in area of outer hinge, and with slight warp. Sectional losses to three of four pad feet. Otherwise good. 51941-12 (800-1,200)

2089.

Session 2

MIXED LOT OF COIN AND STERLING SILVER. 19th and 20th century. The lot including a 5-3/4” Tiffany & Co. flask decorated with vines on a hammered ground marked “Tiffany & Co. / 6096 M 5414 / Sterling Silver / 2431”, a 6” fine hallmarked French gilded silver covered pedestal bowl having swan formed handles with under plate, a 5” Kirk & Son coin silver small handled pitcher with a scroll handle and repousse flowers, a 6-1/2” slender pitcher marked “APM” on the underside, a 13” sterling Gorham handled server in the Raphael pattern, and a set of four 8” Audubon Society plates depicting various birds including the wood duck, the ruffled grouse, the cardinal, and the goldfinch. Total weight approximately Lot 2089 66 troy oz. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Tiffany flask with small dent in side. French bowl with heavy tarnish and scratching. Slender pitcher with loss to wood handle and missing handle pins. Audubon dishes with scratching to the surface. 51941-32 (600-900)

2090. LARGE LOT OF CANTON WARE PORCELAIN. China. 19th century. Lot made up of 121 pieces including: a 12” boars head tureen (broken, missing cover), three 9-1/2” to 11-1/4” l lozenge form casseroles (chips, missing covers), two rectangular casseroles (chips and lines), two 7” l trays, six rectangular casserole covers, two 6-1/2” boars head sauce tureens (missing covers). Together with sixteen 10-1/4” plates, twenty nine 9-1/4” plates, fifteen 8-1/2” plates, three 10” plates, three 8-1/2” shallow bowls, eight 7-1/2” plates, ten 6” plates, two 4-3/4” saucers, three 4” bowls, four teacups, one demitasse cups, and five spoons. Accompanied by five Masons Ironstone 8” plates in the Blue Willow pattern. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., Lot 2090 N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Serving pieces as noted above. Plates and cups with scattered chips and/or hairlines. 51941-37 (800-1,200)

2091. FEDERAL CARVED AND GILT CONVEX MIRROR. The round convex mirror plate within a reeded ebony surround set within the deep conforming molded frame mounted with a row of spherules. The mirror surmounted by a displayed eagle posed on a rockwork plinth flanked by scrolling leaf tips carved in deep relief. The mirror with similar scrolling leaf tip pendant apron mounted with C-scrolls. SIZE: 43” h x 24” w. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Mirror retains original gilt surface now crusty and dry, old abrasions and shrinkage cracks at top and bottom of frame. Mirror plate appears original, back of frame retaining old if not original paper and wood backing. Additional old repair proper left leaf tips on top of mirror with loss to gesso and gilding, other leaf tips have been reattached, otherwise good. 51941-20 (800-1,200)

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310

Lot 2092 2093.

QUEEN ANNE MAHOGANY LOWBOY. Mid to 3rd quarter 18th century, New England. This small example with rectangular molded top projecting above the conforming case with single long drawer above three short drawers. The center-most fan carved above an arcaded apron with two pendant acorn finials. Raised on cabriole legs with shaped returns. The circular “spoon” feet joined to suppressed ball platforms. SIZE: 30” h x 36” w x 19-3/4” d. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Structurally restored with some replaced drawer guides and with replaced return proper right front leg. Drawers and case show evidence of an earlier gray paint surface now removed with 20th century re-polished surface, otherwise good. Long drawer bottom retains original hand-cut rose head nails. Retains original brasses. 51941-8 (1,000-2,000)

Lot 2094

Lot 2093

2094. MASSACHUSETTS CHIPPENDALE OXBOW MAHOGANY SLANT LID DESK. Last quarter 18th century, probably Boston. The rectangular dovetailed case with hinged sloping lid resting on lopers. The interior fitted with two rows of document drawers above a row of valanced pigeon holes over four graduated serpentine or oxbow drawers on a molded plinth raised on well defined ball and claw feet with scalloped and shaped returns centering a scalloped pediment. Desk with replacement brasses representative of the period in original holes. The lid a single board of figured mahogany. SIZE: 44” h x 42” w x 22” d. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Original cleaned surfaces with normal and expected wear, light soiling good color and patina, overall very good. 51941-11 (1,500-2,500) 311

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Session 2

2092. WELL CARVED CHIPPENDALE MAHOGANY CANOPY BED. Last quarter 18th century. The swelled, reeded, ring-turned posts carved with flower heads and with teardrop elements, continuing to a fluted and reeded column joined to the blocked base terminating in Marlborough feet. The head posts of simple ring-turned cylindrical form joined to cylindrical ring-turned column connected to a thin headboard with rounded edge continuing to square tapered legs on Marlborough feet. Side rails and cross supports with shaped returns, rope ties and double bolt fittings. Note: Rails are currently fitted with angle iron supports designed for custom box spring and mattress for a standard full size bed. SIZE: Overall height: 86”. Interior length: 73-1/2”. Interior width: 51”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Very good polished surface with red mahogany color. No structural restorations or imperfections noted. 51941-14 (1,000-1,500)

2095.

Session 2

LARGE ASSORTMENT OF BLUE AND WHITE EXPORT PORCELAIN. China. 19th century. The lot primarily made up of porcelains in the Canton pattern and includes: 14-1/4” platter, 13-3/4” deep platter, 14” platter, 13” platter (chips), 11” platter (chip and hairline), 9-1/2” platter, 6-3/4” platter oval stand, two 9-3/4” openwork stands, two 7” boars head tureens (chips, cracks, and repairs), 11-1/2” strainer, 13-1/2” covered hot water dish (chips), two 7” gravy boats with trays (chip to tray), 7-3/4” serving bowl, ten `10” plates, ten 8-1/2” plates, eight 6” plates, eight 4-1/4” saucers, eight 4” bowl covers, and eight demitasse cups. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed Lot 2095 from the family home, Greenport L. I., N.Y. CONDITION: Serving pieces as noted above. Plates and cups with scattered chips and/or hairlines. 51941-36 (1,000-1,500)

Lot 2096

2097.

2096. PAIR OF FEDERAL STYLE DEMILUNE INLAID MAHOGANY CARD TABLES. 2nd quarter 20th century, America. These nice benchmade examples each with hinged lids above the conforming frieze with contrasting string inlaid borders raised on tapered square legs with bellflower inlays and crossbanded cuffs. SIZE: 29-1/2” h x 36” w x 18” d. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Tables retain original surface now crusty and dry, otherwise structurally in good condition. Losses to banding. 51941-10 (500-1,000)

GROUP OF CANTON EXPORT DINNERWARE. 19th century, China. Approximately 42 pieces. A group of three platters each 13-3/4” l x 10-3/4” w, two with rim chips. Six deep platters of varying size ranging from 11” to 13” l, three with rim chips. One small covered boar’s head sauce tureen 4” h x 6” l, loss to part lid finial. One strap handle sauce boat and under plate, 7” l x 3” h, under plate 8-3/4” l x 6-3/4” w, under plate with shallow chip on rim. One sauce boat with scalloped edge 7-1/2” l, good. A strap handled cylindrical teapot with cover and two similar teacups, teapot and cups each with hairline crack. A square tea box 3-1/4” sq x 3-1/2” h, shallow small chips to top rim. Twelve 10” dinner plates, two with shallow chips on edge. Thirteen 9” plates, nine with either hairline cracks or shallow chips on edge. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: As noted above. 51941-38 (600-900)

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312

Lot 2097

2099.

PAIR OF LOUIS XV CARVED FRUITWOOD SIDE CHAIRS. Late 18th century, France. Each chair with scrolled and carved Lot 2098 crestrail continuing to conforming stiles centering an over-upholstered back panel joined to the trapezoidal shaped seat, over-upholstered with serpentine front, brass tacked throughout. The seat rail foliate carved raised on four cabriole molded legs. SIZE: 38-1/2” h, seat h: 18”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Frames retain original surface now age darkened with good patina. Structural weaknesses throughout. One chair with broken and repaired rear leg and proper left front leg at rail. Second chair crestrail needs structural repair, proper left rear leg with old repair at back and seat rail, a 3” x 1” section of proper left rear seat rail absent. 51941-40 (300-500)

Lot 2099

2100.

RARE PAIR OF LOUIS XVI CARVED OVAL FOOT STOOLS. Late 18th century, France. Each covered in a fine silk brocade with central motif depicting a plentiful harvest with in classical garland border. The fabric brass tacked to frame. The frame guilloche carved, raised on tapering cylindrical fluted legs carved with leaf tips. NOTE: Each retaining a Metropolitan Museum of Art sticker on the bottom Lot 2100 and were exhibited at the Museum. SIZE: 6-1/2” h x 14-1/2” l x 10-3/4” w. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Seats original as described, faded. Velvet border showing only traces of original salmon fabric, otherwise structurally very good with original surface, small losses to beading at base of legs, absence of probable original tapered foot. Otherwise good. 51941-28 (300-500)

2101.

CANTON PORCELAIN DINNER SERVICE. China. 19th century. The lot comprised of 91 pieces including: two 9-3/4” openwork platters, 7-3/4” shallow serving bowl, 10-1/2” scalloped edge bowl (chips and hairlines), 9” scalloped edge bowl (lines), 15” platter (chip and hairlines), 13-1/2” platter, 12-1/2” platter, 11” platter, 9-1/4” platter (chips), 9-3/4” shallow serving bowl, 9-1/4” rectangular covered casserole (cover does not sit flat), 9-1/2” lozenge form casserole (chips), 15” covered warming dish (chips), 14” covered warming dish, 12” boars head tureen (missing cover), two 6-1/2” covered sauce tureens (one cover loose), twelve 10” dinner plates, twelve 8-3/4” plates, twelve 8” plates, twelve 4-1/4” bowls, twelve spoons, twelve demitasse cups, and two leaf form 7-1/2” gravy boats. Lot 2101 PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Serving pieces as noted above. Plates, bowls, cups with scattered chips and/or hairlines. 51941-35 (1,000-1,500) 313

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Session 2

2098. DUTCH BAROQUE STYLE FAUX TORTOISE SHELL AND BRASS MOUNTED WALL MIRROR. 2nd half 19th century. The rectangular beveled mirror plate within a bolection molded faux tortoise shell surround beneath an architectural shaped crest applied sheets of molded brass depicting scrolling fruits and floral vines centering the bust of a cherub flanked by torches. The outer frame with ebonized molding trimmed with similar decorated brass throughout. SIZE: 44” h x 27” w. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Mirror plate very good. Faux tortoise shell with minor splitting and cracking, sheet brass decorations intact with old untouched surface. Very good overall. 51941-15 (1,000-2,000)

2102.

Session 2

LOT OF THREE RUGS. 20th century. 1) Woven in a needlepoint design of overall delicate vinery comprised of parallel rows of scrolled fern leaves all within a conforming foliate border. The whole in soft earth tones. The rug is designed in panels assembled into six rows, each with four panels to form the whole. Signed “A.L. 1944”, probably Alida Livingston. 2) A smaller version of the first with the same patterns, design and coloration. The rug is designed in panels assembled into three rows, each with three panels to from the whole. Signed in the corner “A.L. 1940”, probably Alida Livingston. 3) Rectangular floral hooked rug with rounded corners woven with a large central flower head on a beige ground within a narrow border of leaf tips all within the coffee brown main border of interwoven scrolling fronds in pale blues and greens, each side centered by a conforming pink and red flower head. Sewn into the rug is a hand written label: “Hooked by Hilda A. Loftus, Wollaston Massachusetts 19871988”. SIZE: 1) 7’ 10” x 3’ 9”. 2) 6’ 5” x 7’ 3” 3) 8’ 7” x 11’ 6”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: 1) With overall slight wear, several panels need to be rejoined along seams. 2) Lightly soiled, with light staining, otherwise good. 3) Good overall with minor, even wear and with small areas of spot staining. 51941-31 (500-1,000)

Lot 2102

2103. CASED RUSSIAN ICON WITH PAINTED FACES AND BRASS OVERLAY. Titled in Cyrillic. Unmarked frame with nicely rendered faces having slight craquelure. Housed in a custom walnut shadowbox case with glass front. SIZE: Overall 13-3/4” x 11-3/4”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Very good. 51941-42 (500-1,000)

Lot 2103

2104.

LUCERNE SILVER PLATE FAT LAMP WITH RARE MOTH REFLECTOR. Late 19th century. The lamp of Mid-Eastern design with four burners hung with an assortment of tools including wick cutters, adjusting on a cylindrical pole surmounted by a scrolling finial. The lamp on a multi-tiered molded circular base with fan design. This lamp comes with a rare silvered reflector in the form of a moth with spread wings. The wings with delicately etched design, joined to a curved arm joined to the post with a silver collar. SIZE: 34-1/4” h. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: The lamp heavily tarnished and with soiling, four tools are present, the pole shaft in need of reattachment and in need of correct re-assembly. Reflector in generally good condition with no structural issues. Fair to good overall. 51941-6 (400600)

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314

CM ROSS (American, 20th Century) TWO PASTEL PORTRAITS. 1) Half length portrait of an elegant woman in satin gown with fur stole, housed in a rustic wood frame under glass, signed lower left “CM Ross”, (sitter possibly Susan Livingston). 2) Portrait of the head of a young child with white lace collar and bow, housed in a painted wood frame under glass, signed lower left “CM Ross”, (sitter possibly Louise Alida Livingston as a child. SIZE: 1) Sight: 34” x 23”. Overall: 38-1/2” x 27-1/4”. 2) Sight: 18-1/2” x 14”. Overall: 27-1/2” x 22-1/2”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: 1) Pastel appears to be in good condition with only a small amount of pastel dust offset, frame has unfinished patina and glass has residue. 2) Pastel appears be in good condition with minor paper discoloration, frame is overpainted with gold paint, glass has residue. 51941-18 (1,000-1,500)

Session 2

2105.

Lot 2105

2106. PAUL CESAR HELLEU (French, 1859-1927) PORTRAIT OF MISS LOUISE ALIDA LIVINGSTON. Half length pastel portrait of a young lady wearing a pink dress with lace collar. Her strawberry blonde hair is partially pulled back away from her face with the rest of her hair tumbling down from beyond her shoulder, housed in a molded giltwood frame under glass and signed lower left “Helleu”. SIZE: 29” x 241/2”. Original: 34” x 29” PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Paper is cockling, several fox marks in background, frame has significant losses and separation at corners 51941-21 (500-1,000)

Lot 2106 2107.

RACHEL & HARVEY DINNERSTEIN (American, 20th/21st Century) PORTRAIT OF JOHN LIVINGSTON. Oil on canvas half portrait of a gentleman wearing black coat seated on a red sofa with a dark background. Housed in a light colored natural heavy molded wood frame. Inscription on verso indicates that this was a copy made by the artist and an early appraisal of Alida Livingston’s property mentions a 19th Century portrait of John Livingston which this painting was copied from. SIZE: 30” x 25”. Overall: 30-1/2” x 33-1/2”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Very good. 51941-29 (500-800)

Lot 2107 315

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2108.

Session 2

FRENCH SCHOOL (Early 20th Century) FOUR PORTRAIT PASTELS OF TERRIERS. All four framed in wood frames, matted under glass, two bear “R. Osmond, Rue De Vaugirard” labels affixed to verso. Three signed indistinctly lower right, another lower left and dated 24/5/48. 1) Two black terriers; 2) Single black terrier; 3) White terrier on grey paper; 4) Black terrier panting SIZE: Sight of all four: 15” x 123/4”. Overall of all four: 22-1/4” x 19-3/4” PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: All four having staining on mats, spotting on works and residue on glass 51941-19 (400-600)

Lot 2108

Lot 2109

2109. AFTER PHILIPS WOUWERMAN (Dutch, 1619-1668) FOUR ENGRAVINGS BY JEAN MOYREAU AND ONE BY CHARLES NICHOLAS COCHIN THE YOUNGER. Titles include: L’ABREUVOIR FLAMANDE, PETITE MEUTE DE CHIENS, GARDES DE CAVALERIE, LE CONSEIL DES CHASSEURS, and ENTREE D’ABREUVOIR. All housed in black wood frames with glass with finish loss. All having good borders with signatures and title etc in plate. SIZE: 1-4) Sight: 15” x 19-1/2”. Overall: 16-3/4” x 21”. 5) 14” x 17-1/2”. Overall: 15-3/4” x 19-1/4”. PROVENANCE: Original contents from the estate of Louise Alida Livingston, Oyster Bay, L.I., N.Y. Removed from the family home, Greenport L. I., N.Y. CONDITION: Some toning, good, not examined out of frame. 5194130 (400-600)

End of Livingston Collection 2110.

ANTIQUE KASHAN GARDEN RUG, CENTRAL PERSIA. First quarter 20th century. The midnight blue rectangular central panel depicting an arch flanked by flowering trees centering large ornate floral filled urn beneath a pair of fanciful opposing lions within a mustard main border with floral filled urns framed by guard borders of panels of calligraphy. SIZE: 4’ 3” x 6’ 9-1/2” CONDITION: Good, rug retains rich palette with overall even minor wear, upper right corner facing with more extensive even wear. Loss of fringe to one end. 51911-66 (2,000-3,000)

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316

FINE LEAPING STAG FULL BODY COPPER WEATHERVANE, PROBABLY CUSHING & WHITE. 3rd quarter 19th century, Cushing & White, Waltham, Massachusetts. This very nice early example with verdigris and darkened weathered surface. With well detailed antlers, ears, and distinctive upright tail. Mounted on original vertical rod. SIZE: 26” h (overall) x 30” l. PROVENANCE: Removed from a carriage house in Biddeford, Maine. CONDITION: Structurally very good, sizing or paint visible interior ears and back of tail. No repairs or damage noted. Overall very good. 52335-7 (10,000-15,000)

Session 2

2111.

Lot 2111 2112.

IMPORTANT MASSACHUSETTS CHIPPENDALE SERPENTINE BALL AND CLAW FOOT MAHOGANY CHEST. Last quarter 18th century, Attributed to Benjamin Frothingham, Jr. (1734-1809), Charlestown, Massachusetts. The single board rectangular top with strong graining and beveled edge projecting above the conforming case with serpentine front and four long graduated drawers. Molded plinth raised on abnormally large boldly carved ball and talon feet with scalloped returns, typical of the shop of Benjamin Frothingham, Jr. REFERENCE: See Albert Sack Volume 5, pg 1357, for a similar chest of drawers. SIZE: 34” h x 42” w x 21-1/2” d. CONDITION: With old cleaned surfaces, with replaced brasses of the period. Backboards original, feet and returns all appear original and untouched. Very good overall. 52235-2 (4,500-6,500)

Lot 2112 317

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Session 2

2113. ATTRIBUTED TO ELISHA TAYLOR BAKER (American, 1827-1890) PORTRAIT OF THE TWO-MAST SCHOONER “G. CARMANN”. Oil on canvas scene shows the twomast schooner sailing right to left in full sail flying the American flag and ships pennant. Schooner’s name is on the bow side. Many sails can be seen on the horizon line with a land mass off its bow. Unsigned. Housed in a gilt wood frame with original gilt liner. NOTE: Accompanying the painting is a letter from William Avery Baker who agrees with the attribution to the artist dated 1980. SIZE: 24” x 32”. Overall: 28-1/2” x 38-1/2”. CONDITION: Patch to verso with corresponding inpainting, minor spot inpainting elsewhere, otherwise very good. 52074-3 (7,00010,000)

Lot 2113

2114.

UNSIGNED (American, 19th century) PORTRAIT OF THE SHIP “CARRIE REED”, KENNEBUNKPORT, MAINE “APPROACHING BOSTON HARBOR”. Wonderful oil on canvas ship portrait of the three-mast ship in full sail having a black hull flying ships pennant and American flag. Several people are seen on deck with several sailboats & steamship on horizon line. A port is seen off the bow. Housed in a wonderful reproduction antique style gilt & gesso frame. Very retaining a Quester Gallery label. SIZE: 23-1/4” x 31-3/4”. Overall: 31” x 39-1/4”. CONDITION: Lined, some inpainting to top and left edge, craquelure, otherwise very good. 52074-4 (5,000-10,000)

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Lot 2114 318

Lot 2115

2116.

ATTRIBUTED TO ROYALL BREWSTER SMITH (American, 18011855) PORTRAIT OF A WOMAN IN GRAY DRESS. Unsigned oil on canvas bust length portrait depicting a woman wearing a gray dress with jewelery including a beaded necklace, earrings and a ring. The woman’s flesh tone and dark upswept hair contrast with the gradated pink background. Her left arm is resting on the back of her chair while she holds a pink purse. Housed in a modern giltwood frame. SIZE: 25” x 19-1/4”. Overall 28-1/2” x 23-2/4. CONDITION: Very good, relined with scattered inpainting and minor touch up. 51335-1 (1,500-2,000)

Lot 2116 2117.

IMPORTANT AND RARE CAMEL BACK MAHOGANY CHIPPENDALE SOFA. Mid 18th century, probably Massachusetts. The bold serpentine back joined to rolled downswept arms centering rectangular seat with down cushions raised on three molded frontal legs and three backswept rear legs all joined by recessed box structure. Over upholstered back retains flame stitched fabric, possibly original. REFERENCE: Fine Points of Furniture by Albert Sack, see p. 227 for similar eight leg example under “BEST”. NOTE: Legs and stretchers are mahogany. Maple walnut and pine secondary woods seen at exposed frame at sides. SIZE: 40” h x 75” l x 31” approx w. 17” seat frame h. CONDITION: Seat frame intact and stable. Minor old re-glued splits to each of side stretchers, one with added nail. Filled screw hole observed rear of upper center front leg. Otherwise very good overall. 51859-2 (4,000-8,000)

Lot 2117 319

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Session 2

2115. UNSIGNED (American, 18th Century) PORTRAIT OF ROBERT TREAT. Oil on canvas half portrait shown within an oval. He wears a brown coat, green & gold vest, and curly dark hair. A typed & written note included with the painting indicates that this is Robert Treat (1624-1710) Governor of New Haven, Milford, Branford, Guilford & Standford from 1683-1698. The painting was purchased from Mr. J. Bartholomew whose wife was a direct descendant. Housed in what appears to be its original frame liner. SIZE: 11-1/2” x 10-1/2”. Overall: 13” x 12”. CONDITION: Good. 52115-7 (1,000-1,500)

Session 2

2118. LARGE BLACK HAWK WEATHERVANE ATTRIBUTED TO J.W. FISKE. Last quarter 19th century. Of standard form featuring a horse in full stride. Not accompanied by a stand. SIZE: 34” l x 24” h. CONDITION: Weathered verdigris surface with multiple repaired and inpainted bullet holes. 51971-3 (5,0007,000)

Lot 2118 2119.

AMERICAN SILVER PORRINGER. 2nd half 18th century, Unmarked. Of Boston form, possibly Jacob Hurd or Daniel Parker. The porringer of typical form with raised center and rounded wall. Pierced keyhole handle with monogram. Weight is approximately 7 troy oz. SIZE: 5” w (bowl without handle). CONDITION: Small fissure in center branch of pierced handle. 51799-3 (1,000-2,000)

Lot 2120

2121.

2120. LARGE COLLECTION OF AMERICAN COIN SILVER SPOONS. Late 18th and 19th century. Lot 2119 Lot comprised of 109 coin silver spoons made by various silversmiths around the North East. Spoons include; teaspoon, coffee spoon, mustard ladle, and tablespoons. Most spoons in the 1st half of the 19th century, a small selection of early marks including; Ezekiel Burr, Robert Brookhouse, Robert Gray and others. Maine makers include; Crooker, Dole, Dunyon, Gerrish, and others. A partial list accompanies the lot. Weight is approximately 59 troy oz. SIZE: Longest 8-3/4”. Shortest 4-1/2”. CONDITION: Many examples monogrammed, scattered dents throughout. Overall wear. 52157-2 (700-900)

RARE CHIPPENDALE CARVED MAHOGANY DROP LEAF BUTLER’S SERVING TABLE. 3rd quarter 18th century, New England. The rectangular single board top with molded edge and hinged conforming leaf projecting above the rectangular arcaded frieze. Raised on angular tapering cabriole legs terminating in well defined talon and ball feet. SIZE: 26” h x 32” l x 18” w (closed), 34-1/2” l x 32” w (open). PROVENANCE: Ex Joann Schiff collection through Northeast Auctions. CONDITION: Stress crack to swing leg at juncture of gate. Opposing leg on one side with stress crack at shoulder beneath apron running down leg from apron approximately 5”, crack is visible on exterior two sides and on interior of leg at end of table, professionally stabilized. Table retains all original glue blocks. Table retains old surface. 52235-15 (2,500-3,500)

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320

Lot 2121

Session 2 2122.

FINE SEMI-ANTIQUE LAVAR KIRMAN PALACE CARPET, SOUTH PERSIA. First quarter 20th century. This quality example with an arrangement of eight cypress trees framed within delicate traceries of floral vinery ascending throughout amongst an arrangement of dense flower heads in soft pastels all on a rose pink ground within multiple floral guard borders centering an ivory main border of profuse pink floral decoration alternating with miniature cypress trees. SIZE: 14’ 4” x 20’ 7” PROVENANCE: Mid-Coast Maine Collection. CONDITION: Carpet retains a soft pleasing palette and remains quite supple throughout. Overall even wear throughout with light spot wear to foundation at mid point visible as a small horizontal line of wear exhibiting no breaks to foundation. End of guard stripe with single line loss at end. Otherwise very good. 52223-1 (6,000-9,000) 321

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Session 2

2123. MASSACHUSETTS CHIPPENDALE MAHOGANY SWING LEG DINING TABLE. 2nd third 18th century, Probably Salem. This fine example with rectangular molded one board top with molded edge. The conforming hinged one board leaves projecting above a well defined scalloped apron. Raised on angular cabriole legs terminating finely carved ball and talon feet. SIZE: 28” h x 17” w (closed) x 48” l. 48” x 48” (open). CONDITION: Table retains old polished surface, the top with darkened water stain. With good dark patina and rich brown color. Very good overall. 52143-7 (800-1,200)

Lot 2123 2124.

SIGNED PAIR OF BELL METAL AND IRON LEMON-TOP ANDIRONS TOGETHER WITH TWO FIREPLACE TOOLS. Early 19th century, Boston, MA. Branded “I:CLARK”, the mark of John Clark. The textured and belted lemon finials on columnar shafts, round plinths, spurred cabriole legs with slipper feet, and conforming log stops. Together with a pair of tongs and shovel with knopped acorn finials. SIZE: 163/4” h x 21-1/2”l. Tools: 29” and 30” l. CONDITION: Brass burnished. Dogs structurally sound. Minor pitting from in use wear, otherwise very good. 52132-2 (1,000-1,500)

Lot 2124 2125. FINE AND RARE BOSTON QUEEN ANNE EASY CHAIR. Mid 18th century, Massachusetts. The raked back with ovoid crest adjoining serpentine wings with rolled outswept arms centering the upholstered trapezoidal seat fitted with a custom cushion. Raised on frontal cabriole legs with shaped returns, the rear legs backswept all joined by block, ring and reel turned side stretchers. The front and rear stretchers swelled with arrow ends. Front legs, side and medial stretchers comprised of walnut. Rear legs and rear stretcher of maple. REFERENCE: New England Furniture, The Colonial Era by Brock Jobe and Myrna Kaye, see pg 362 - 364, figure 101, for a nearly identical example. SIZE: 45-1/2” h (back) x 15” h (seat) x 35” w (overall) x 32” d (approximately). CONDITION: Chair retains original surface now with rich dark color. The rich pink velvet upholstery in serviceable condition including down filled seat cushion. Very good overall. 51859-3 (4,000-8,000)

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322

Lot 2126 2127.

SMALL GAMECOCK WEATHERVANE. Last quarter 19th century. Typical form of a strutting rooster with cast iron legs. Accompanied by a stand. SIZE: 14” l x 18” h. CONDITION: Re-gilded surface, minor losses to comb on head. 51971-7 (2,000-3,000)

Lot 2127 2128. RARE AND FINE ISFAHAN PRAYER RUG, SOUTH CENTRAL PERSIA. Second quarter 20th century. The central ivory medallion with dense polychrome vinery set within a wine red field with dense floral vinery all beneath a mihrab set within cafe au Lait spandrels wrought with dense vinery all within an ivory main border with a row of shaped cartouche each with a scenic design including a pair of exotic birds, antelopes, aquatic landscape with garden and veranda and floral bouquets. *NOTE* Knot count is approximately 575 per square inch (24 x 24). SIZE: 5’ x 7’ 3”. PROVENANCE: From a private single owner estate of Maine, USA and Paris, France. CONDITION: The rug is in very fine condition, fitted with a display rod. It has been hung in a darkened room for at least the last 50 years and to our knowledge has never been on the floor. 51977-2 (2,000-2,500)

Lot 2128 323

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Session 2

2126. FINE CHIPPENDALE WALNUT AND MAHOGANY MASSACHUSETTS CANDLESTAND. Attributed to the shop of Joseph and John Short, Newburyport, Massachusetts. 1750 - 1820. The shaped walnut top with molded edge above the ring-and vase-turned cylindrical mahogany pedestal raised on arched cabriole leg tripod base terminating in elongated delicate bird’s feet with conforming shaped platforms. SIZE: 27-1/2” h x 17-1/2” x 17-1/4” l. CONDITION: Candlestand with old well maintained surface, top with light ring water stains. Base with old repair at juncture of one leg and early sheet iron triangular plate affixed to legs beneath base. A second professional repair to pedestal at juncture of adjacent leg now stabilized and well blended. Otherwise structurally good. Candlestand with pleasing proportions. 52235-17 (1,600-2,400)

Session 2

2129. RUNNING HORSE WEATHERVANE ATTRIBUTED TO A.L. JEWELL. Third quarter 19th century. Of typical form with cast metal head. Accompanied by stand. SIZE: 28” l x 17” h. CONDITION: Bullet hole repairs with paint touch up. 51971-1 (3,000-4,000)

Lot 2129

2130.

CHIPPENDALE MAPLE CHEST-ON-CHEST. Last quarter 18th century, New England. In two parts, rectangular dovetail upper case with cove molded cornice over four graduated thumb molded long drawers fitted to molded lower case of four graduated drawers with thumbmolded edges on molded base raised on bracket feet with dramatic shaped double returns matching central drop pendant. Chest on chest with original brasses. SIZE: 75-1/2” h x 36” case w x 38-1/2” overall w x 19” d. CONDITION: Old surface professionally cleaned and polished with wonderful mellow light honey brown color and good patina with original cornice and feet. Wide backboard original. Very good overall. 52135-3 (2,5004,500)

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Lot 2131

2132.

FINE SEMI-ANTIQUE KILIM, CENTRAL TURKEY. Last quarter 19th century. The rug of soumak weave with extremely dense rows of Mihrabs within a red and ivory striped main border within stylized guard borders of floral vinery. Each end with knotted tassels. SIZE: 4’ 1” x 6’ 4-1/2”. PROVENANCE: From the estate of Mildred C. Wasson, Bray House, Kittery Point, Maine. CONDITION: Very good, never having been used on the floor during its lifetime of ownership. Retains a smooth feel, threads remain lustrous. Rug exhibits no creasing, minor curl at corners. 52233-5 (2,000-4,000)

Lot 2132 325

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Session 2

2131. RARE ANTIQUE TURKISH PRAYER RUG. Mid 19th century, Turkey. The central Mihrab of classical design with a deep indigo ground densely filled with rows of crimson and ivory stylized crosses, the angular arch with pale rose red field and geometric flower heads within a dog tooth and serrated border flanked on all sides by a double row of tarantula like geometric forms in reds and indigos additionally decorated with polychrome centipede like figures all on an ivory ground within a red and white checkerboard guard border. SIZE: 2’ 11” w x 3’ 8” l. PROVENANCE: From the estate of Katharine H. Ayer, Bray House, Kittery Point, Maine. CONDITION: With heavy in-use wear. Patterns remain distinct and vibrant, salvage and fringe ends with wear, losses and tears, most notably at lower end of rug and proper right lower corner. We feel this fine example is well worthy of restoration. 52233-4 (3,0004,000)

Session 2

2133. EXCEPTIONAL AND RARE MASSACHUSETTS QUEEN ANNE TRANSITIONAL WALNUT BALL AND CLAW FOOT CORNER CHAIR. Second quarter 18th century, Massachusetts. The pillow stepped cresting continuing to in-curved chamfered arms with scrolled grips above two inverted urn splats alternating with ring and baluster-turned supports centering an insert seat frame with exaggerated bow front. The conforming seat rail with shaped apron of pin and tenon construction raised on four cabriole legs each terminating in boldly carved talon and ball feet all joined by blocked baluster and ringturned X-stretcher. SIZE: 31-3/4” x 28” w. Seat: 16-3/4” h. PROVENANCE: This chair originated with the Simon Lamprell family of Marblehead, by descent through Nicholas Lamprell 1779-1812. It has remained within the family until this time. A painting now located at the historical society of Marblehead, by J.O.J. Frost, depicts the original Lamprell home on Lee Street. The chair is believed to have been acquired by the Lamprell family from the King Hooper House, Marblehead. CONDITION: Very good to excellent, the chair in original untouched condition, surfaces undisturbed with fine patina, seat frame original. 52233-8 (12,00018,000)

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326

Lot 2134 2135.

ANTIQUE KAZAK RUG TOGETHER WITH A KARACHOPH PRAYER RUG, CENTRAL CAUCASUS. Second half 19th century. 1) With two madder red geometric crosses centering an ivory square medallion with dog tooth and crenelated border flanked by an arrangement of human forms, horses, and crab devices on a blue/black ground. The lower quarter of the inner panel with an arrangement of pale indigo squares woven with geometric devices of unusual form all within polychrome zig-zag borders. 2) Three aligned diamond polychrome medallions with geometric multiple borders in a medium indigo field comprising the Mihrab having dense geometric design. All within a main ivory border with candlesticks within polychrome diagonal trelliswork within dog tooth guard borders. SIZE: 1) 3’ 5” x 6’ 1-1/2”. 2) 3’ 5” x 6’ 4-1/2”. PROVENANCE: From the Lot 2135 estate of Mildred C. Wasson, Bray House, Kittery Point, Maine. CONDITION: 1) with overall significant wear commensurate with age, loss of fringe, some creasing and curled corners. 2) With overall even moderate wear commensurate with age, small areas of foundation visible, loss of fringe at ends into outer guard border, otherwise good. 52233-6 (1,000-1,500)

2136. PERIOD QUEEN ANNE WALNUT CHEST ON FRAME. New England, early to mid 18th century, probably Massachusetts. The rectangular dovetailed case with applied molded cornice fitted with a fan carved central deep drawer flanked by a bank of two short drawers over four long graduated drawers, all with thumbmolded edges and retaining original brass hardware. The case fitted within a molded frame with fan carved and scalloped apron raised on cabriole legs with shaped returns on platform pad feet. SIZE: 571/2” h x 39-1/2” overall w, 36” case w x 18” d. CONDITION: Stripped and refinished with original hardware as stated and with later carving. Right rear return facing missing. 52380-41 (2,500-3,500)

Lot 2136 327

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Session 2

2134. EARLY AMERICAN BANNER WEATHERVANE. Late 18th century, New England. In the manner of Shem Drowne. This good rare example with heavy gauge zinc arrow continuing to C-scrolled elements riveted to two heavy gauge banner form sheets of copper with honest verdigris. The weathervane mounted on a heavy iron post surmounted by copper ball with mid-molding. Accompanied museum stand. SIZE: Height with stand: 31” x 36” l. CONDITION: The weathervane hand cut, shaped and assembled. Original rivets remain in banner section joining the three parts together. Arrow with slight and minimal bow. Very good overall. 52163-1 (3,000-5,000)

2137.

Session 2

WILLIAM PIERCE STUBBS (American, 1842-1909) PORTRAIT OF THE FOUR-MAST SCHOONER “LUCY N. RUSSELL”. Oil on canvas scene shows a four-mast black-hulled ship in full sail sailing right to left in wavy blueish/green water with white tipped waves. Five flags, including the American Flag fly off each mast. Seven figures are on board. All seen under a blue & white cloud sky. The name emblazoned on the stern and a low land mass is seen in background. Signed lower left “W.P. Stubbs 87”. Housed in a gilt wood double liner missing its outside frame (with losses). SIZE: 26” x 42”. Overall: 31” x 47”. CONDITION: Lined on new stretcher, the surface shows all over craquelure which is raised causing a wrinkling effect to the canvas, restored showing areas of inpaint & restoration. Some surface abrasions. Chip losses mostly to left side. 52098-2 (2,000-4,000)

Lot 2137

2138. RARE AND FINE PAIR OF MIRRORED SCONCES OR CANDLE REFLECTORS. 18th century, New England. Each silvered mirror plate etched with a basket or urn filled floral arrangement, the urn with drapery. Mounted on conforming shaped pewter backs attached to hollow rolled sheet iron rods inserted into velvet hardwood block stands. *NOTE* This pair was previously offered at the Mary Thornton Auction held by Garth’s Auctioneer’s and Appraiser’s, January 9th/10th, 1976. SIZE: Mirror 10-3/4” h x 6-1/2” w. Overall 13-1/2” h. CONDITION: Each mirror with a diagonal hairline crack in glass that is stable. Pewter backings with fine patina, velvet covering of stands worn, otherwise very good. 51859-5 (1,5003,000)

Lot 2138 2139.

OUTSTANDING MASSACHUSETTS WILLIAM AND MARY INLAID WALNUT SLANT LID DESK. 2nd quarter 18th century, Boston. The rectangular case with hinged sloping walnut lid with two mariners compass inlays, each within string inlaid borders, resting on lopers. The interior with a row of pigeonholes above a row of document drawers centering a concave bank of four drawers, the upper most with fan inlay flanked by letter slides with engaged half column facings. All above four graduated string inlaid long drawers with cockbeaded edges on a molded plinth raised on ball feet. SIZE: 41” h x 35-1/4” w x 19-1/2” d. CONDITION: Desk lid with two butterfly cleat repairs to stabilize shrinkage crack on lid. Case front writing surface with old repair in area of hinges. Backboards original. Feet appear original. Desk has been professionally re-polished with cosmetic string inlay repairs minor in nature. Now with good natural color. Brasses are suitable replacements to original. Generally good. 52235-12 (8,000-12,000)

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Lot 2139

Lot 2140

2141.

ANTIQUE SERAPI CARPET, NORTHWEST PERSIA. Late 19th century. This fine carpet with overall saz leaf and floral geometric polychrome design on a madder red field within a bold turquoise main border woven with fanciful geometric scrolling vinery alternating with polychrome flower heads and three human figures within flanked by olive and rose red guard borders. SIZE: 11’ x 15’ 1”. CONDITION: Even wear throughout commensurate with age, foundation visible throughout but not severe, loss of fringe at both ends, vibrant yet soft color throughout. Rug remains quite supple. 51911-46 (6,000-8,000)

Lot 2141 329

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Session 2

2140. PERIOD QUEEN ANNE DROP LEAF DINING TABLE. Square leaves with swing legs. Four well carved cabriole legs and carved skirt. Branded on inside of table support “DHS”. SIZE: 27-1/2” h x 18” closed x 48” open x 42” d. CONDITION: Restoration to legs, otherwise good. 5238031 (1,000-2,000)

Session 2

2142. EXTREMELY RARE MASSACHUSETTS QUEEN ANNE MAHOGANY POLE SCREEN WITH CANDLE SHELF. Mid 18th century, Boston. The figured mahogany panel with accentuated bowed crest and with notched ogival corners mounted with a candle shelf with matching grain and with canted corners and molded edge, joined to, and sliding on the pole with turned knop finial. The pole joined to a classical form ring turned standard with urn form base. Raised on delicate arching cabriole leg tripod base, each leg spurred at junction of leg to pedestal. The legs ending in pronounced angular platform pad feet. SIZE: Pole 60-1/2” h. Screen 19” h x 13-1/4” w. Shelf 5” d x 9-3/4” W. CONDITION: Pole screen retains original surface now a dark chocolate brown color. The brass adjustable fasteners may be later replacements in Victorian era. The upper turned element of the pedestal beneath the pole has an old stabilization repair of a stress crack and is now secured with a screw. There appear to be no repairs or restoration to the legs or to the base of the pedestal. Overall very good. 52308-17 (6,000-9,000)

2143. SOLON FRANCIS MONTECELLO BADGER (American, 1873-1919) PORTRAIT OF THE SCHOONER “DAISY FARLIN”. Oil on canvas nautical scene shows the threemast schooner “Daisy Farlin” sailing right to left in a blue & green wavy sea. Four flags fly off the masts including the American flag off the back. Four figures can be seen on board with land & lighthouse in the background, all under blue & white cloud skies. Housed in an antique wood frame. Signed lower left “SFM Badger”. SIZE: 19” x 30” Overall: 22-3/4” x 33-3/4”. CONDITION: Lined, inpainting mostly to left edge, very good. 52380-42 (9,000-12,000)

Lot 2142

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331

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2144.

“AMERICAN GIRL” LARGE HORSE AND SULKY MOLDED COPPER WEATHERVANE. Last quarter 19th century, attributed to Fiske & Co., New York. This fine example with cast zinc head on horse and cast head and boots on jockey. The sulky with wire wheels and seat platform. The whole in a pleasing and undisturbed verdigris surface. Now offered with museum stand. SIZE: 23-1/2” h x 45-1/2” l. CONDITION: One bullet hole in back of left shoulder of jockey, some minor repair to reins & spokes. Very fine overall condition with very good to excellent surface. 51903-1 (15,000-25,000)

Session 2

2145. FINE PAIR OF BALLROOM SCONCES. Late 18th early 19th century, America. These rolled sheet iron examples with concave back plates each pierced with a hanging hole joined to a rolled edge down-swept fluted candle arm each with crimped drip pans and folded rim seamed candlecups. Each candle arm with crimped edge brace. SIZE: 14” h x 9-1/2” w. CONDITION: With fine dark patina showing remnant of original “tinned” surface. One solder seam detached at rear of horizontal candle arm brace, otherwise very good untouched condition. 51859-32 (1,200-1,800)

Lot 2145 2146.

PENNSYLVANIA CHIPPENDALE MAHOGANY PEMBROKE TABLE. Last quarter 18th century, probably Philadelphia, PA. The rectangular top with hinged conforming leaves above the base fitted with a single thumb-molded drawer with white cedar secondary and opposing plain apron raised on square chamfered legs with Marlborough feet joined by an X-form rectangular stretcher. SIZE: 28-1/4” h x 31” l x 20” w. Open: 41” x 31” open. CONDITION: Table with original brass and with undisturbed surface and mellow patina. 52335-3 (2,000-4,000)

Lot 2146 2147. LARGE RUNNING HORSE WEATHERVANE ATTRIBUTED TO A.L. JEWELL. Third quarter of the 19th Century. Horse in full stride with regilded surface. Accompanied by a stand. SIZE: 42” l; Overall 25” h. CONDITION: Minor body dents, small solder separation to top of tail. 51970-1 (6,000-8,000)

Lot 2147

2148.

FINE DIMINUTIVE FEDERAL INLAID MAHOGANY SERVER. Circa 1810, Massachusetts. The square table with elliptic front and half-elliptic ends fashioned from a single board above the conforming apron fitted with a single drawer mounted with original molded brass handles. The front with double string inlay beneath an elongated diamond escutcheon. The interior fitted with compartments. The side panels of figural mahogany each bordered with double string inlay. Raised on delicate tapering square legs, string inlaid with crossbanded cuffs. The server with professional French polished surface. SIZE: 34-3/4” h x 36” w x 17-3/4” d. CONDITION: Very fine and original with no restoration or blemishes. 52132-3 (6,000-8,000)

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332

333

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2149.

HARRIS & CO., SIGNED COPPER COW WEATHERVANE. Last quarter 19th century, A.J. Harris & Co., Boston. This full bodied example with cast-metal horns and ears. Clearly stamped A.J. Harris & Co., at the mid-point of proper right side. Now offered with a museum stand. SIZE: 231/2” h x 34” l. CONDITION: Open seam separation along back and on lower chest. Tips of horns slightly bent inward otherwise very good with fine verdigris surface. 51903-3 (4,000-6,000)

Session 2

2150. IMPORTANT PILGRIM CENTURY OAK SIX BOARD CHEST. 18th century, Massachusetts, probably South Shore. The rectangular two board top hinged on heart shaped wrought-iron strap hinges opening to a well. The case sides each of two board construction, joined to quarter round heavy styles. The two board back rough hewn. The styles continuing to feet above the step molded apron. SIZE: 25” h x 40” l x 20-1/2” d. CONDITION: Chest retains original or early surface well weathered, remains structurally intact, normal and expected board separation at seams. Proper right rear corner shrinkage split from edge to hinge. Good overall. 52235-18 (2,500-3,500)

Lot 2150

2151.

EARLY AMERICAN SHOEFOOT HUTCH TABLE IN SALMON PAINT. Late 18th early 19th century, New England. The rectangular three board top with rounded corners hinged to the chair base by wooden belaying pins passing through the horizontal arms with rolled grips centering single plank seat with pinned molded edge flanked by plank supports with crescent ends at arms and shoefoot base. SIZE: 52” h (open) x 53” w x 23-1/2” d. 27-1/2” h (table top) x 53” l x 42” w. CONDITION: The whole in structurally good condition with a good amount of salmon paint present. Hutch table with normal and expected inuse wear. No known restoration. 52308-16 (3,200-4,000)

Lot 2151

Lot 2152

2153.

2152. FABULOUS GIRL & HER DOG PAINTED FIRE BOARD. This mid to early 19th Century American fire board shows a young girl with curly blonde hair resting beside her faithful black dog. She holds the ribbons of a straw hat filled with flowers. A landscape with gardens & a neoclassical garden structure are seen behind. The single board has breadboard ends. SIZE: 241/4” x 36”. CONDITION: Recently cleaned, very good having very minor spot touch up. 52389-1 (3,0005,000)

RARE QUEEN ANNE ADJUSTABLE TWO LIGHT CANDLESTAND. Mid 18th century, Massachusetts. This unusual design with threaded post surmounted by an acorn finial with a spoolturned and blocked double candle arm above a cylindrical top with incised concentric circles above the baluster turned pedestal joined to a heavy circular disk base raised on swelled out-swept tripod leg base terminating in pointed pad feet. The whole now in black crusty paint over original red wash. SIZE: 44-3/4” h x 14” diameter. CONDITION: Candlestand top has been somewhat scrubbed and cleaned. Candle arm and top swivel freely on turned post. Minor checking to legs at bend of ankle, otherwise very good. 52236-10 (1,800-2,400)

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334

335

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MONUMENTAL, RARE & IMPORTANT STANDING “MASHAMOQUET” INDIAN SHOOTING BOW & ARROW WEATHERVANE. Late 19th/ early 20th Century. Molded copper with cast zinc arrow head. Accompanied by a museum stand. SIZE: 51” h x 41” l. CONDITION: Old regilded surface with traces or verdigris. Minor dents, minor, old solder repairs, otherwise very good condition. 51335-3 (15,00020,000)

Session 2

2154.

Session 2

2155. RARE RED DECORATED CHINESE COURTING MIRROR. Mid 18th century, China. The rectangular mirror plate within a pine molded surround, framed by rare red glass églomisé panels. Floral decorated overall in shades of gold, blue and green paint. A mirror plate within the arch, the frame with conforming pine molded edge. Reference: The Pine Furniture of New England by Kettell, pp. 191-2. Also, The Furniture Treasure by Nutting, see plates 3148-3151. SIZE: 16” x 12-1/4”. CONDITION: Mirror retains original iron hanger, backboard and nailing. Also mounted with added hanging wire. Scattered minor paint losses to églomisé panels. Mirror plates original. Very good untouched condition. 51859-33 (1,500-2,500)

Lot 2155 2156.

EXCEPTIONAL AMERICAN GRAIN PAINTED MIRROR FRAME. 2nd quarter 19th century, New England. The rectangular mirror plate within a stepped bolection molded frame exhibiting strong and original simulated tiger maple graining. SIZE: 40-1/2” h x 27-1/2” w. CONDITION: Original mirror plate now blued and with normal and expected deterioration of silver backing. The outer edges with normal and expected abrasion, main body of frame remains in very good untouched condition. 52235-8 (1,500-2,500)

Lot 2156 2157. GRAPHIC PAINT DECORATED EARLY AMERICAN BLANKET CHEST. Pennsylvania, late first quarter 19th century. The rectangular case with hinged lid applied with carved moldings opening to an interior fitted with a walnut and poplar till with hinged lid. Conforming rectangular dovetail pine case with molded base raised on short swelled legs on compressed turnip feet. The chest sponge-decorated overall with elaborate whimsical freehand patterns in shades of yellow and umber. SIZE: 22-3/4” h x 42” w x 21” d. CONDITION: Decorated surfaces now dry and finely alligatored. All surfaces original as are iron hinges. Mortised turnip and ball feet. The whole in very fine to excellent original condition. 51859-34 (1,500-2,500)

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336

Lot 2158

2159. RARE NEW YORK CITY SACK-BACK WINDSOR ARMCHAIR. Late 18th century, New York. The bow-back joined to nine spindles continuing through the medial rail, the arms with shaped paddle grips, the bow with tenoned “shoe ends”, the supports vase, ring and reel turned centering the carved saddle seat raised on vase, ring and reel turned splayed legs joined by bulbous H-form stretcher. The chair in old green paint of 19th century origin now dry and crusty. Reference: The Windsor Style in America Volume 2 by Santore, see plate 88 page 101 for a similar example. SIZE: 36” h x 29-1/2” w. Seat: 17” h. CONDITION: With minor abrasions overall and with minor surface seat splits, otherwise very good with normal and expected abrasion to front of seat. 51859-28 (1,500-3,000)

Lot 2159 2160. EARLY AMERICAN PINE AND MAPLE TAVERN TABLE. 2nd quarter 18th century, New England or possibly Pennsylvania. The two board scrubbed pine top projecting above the conforming rectangular splayed maple apron. Raised on splayed tapering ring-turned cylindrical legs terminating in elongated onion feet. The table with early dry Windsor Green paint over original red. SIZE: 27” h x 24” w x 28-3/4” l. CONDITION: Table with minor abrasions, scrub top with seam split stabilized with inserted wafer. Otherwise in very good to excellent untouched condition. 51859-14 (2,000-4,000)

Lot 2160 337

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Session 2

2158. RARE SHOEFOOT LIGHTING STAND WITH T-BASE. Late 17th/early 18th century, New England. The unusual bold T-shaped arched base with chamfered edges and mortise and tenon pegged joinery fitted with a hickory sausage turned standard adjoining a double socket candle arm affixed with a pine height adjusting wedge. The candle arm fitted with rolled sheet iron slotted candle cups, one inserted deeper into its socket than the other. SIZE: 54-1/2” h x 12” x 131/2” l. CONDITION: The oak, maple, and hickory example with untouched “attic” surfaces and with fine mellow patina, early wax residue evident around candle cups and base, small early chip loss bottom edge of shoefoot, otherwise in fine untouched original condition. 51859-42 (1,5002,500)

Session 2

2161. RARE LARGE CHALKWARE SEATED CAT. 19th century, American. Seated striped black and white cat with red ribbon collar on round plinth staring intently with yellow brown eyes. To find an example of this size in original condition is unusual SIZE: 15-3/4” h CONDITION: Surface with normal and expected wear and light soiling. Abrasions throughout. Intact and structurally sound. Good to very good. 52012-5 (5,000-6,000)

Lot 2161

2162.

PRIOR HAMBLIN SCHOOL (American, Mid 19th Century) PORTRAIT OF A BOY WITH WHIP. Oil on board depicts a half portrait of a young boy holding a whip. He wears a blue dress against a dark background. He has long straight blonde hair with blue eyes. Housed in a period grain painted ogee type frame with great surface. SIZE: 13-1/2” x 10”. Overall: 18” x 14-1/4”. CONDITION: Very good with some light touch up, fine craquelure. 52058-1 (7,000-9,000)

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338

EXCEPTIONAL AND RARE SHERATON MAINE PAINTED ONE DRAWER STAND. Second quarter 19th century, probably Paris, ME. The rectangular top with pronounced turret corners above the conforming frieze fitted with a single cedar drawer with tapering ring turned cylindrical legs headed by noteworthy turned pilasters with twelve suppressed disc turnings. The table terminating in turnip feet. The stand with exceptional simulated rosewood graining within green and mustard yellow lined borders. The side panels decorated with a single strawberry, the drawer front with a strawberry filled basket. Note: A select and small number of these stands have been discovered in recent years. Few retain an absolutely original untouched paint surface. This example is totally original with exceptionally bold and fine structural elements to which none can compare. Reference: American Painted Furniture by Cynthia V.A. Schaffner and Susan Klein page 112 illustration 5.9 for a nearly identical example. This work table was also attributed to South Paris, ME. CONDITION: Very fine to excellent, as noted above. 52335-4 (15,000-25,000)

339

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Session 2

2163.

Session 2 2164.

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JOHN SAMUEL BLUNT (American, 1798-1835) PORTRAIT OF LEONA (OR LENORE) FISKE OF UPTON. Fabulous oil on canvas half portrait of a young woman in blue dress with white lace collar, red neck tie. She wears a full ensemble of gold jewelry including earrings, necklace, brooch, two rings, cuff, belt buckle and watch & chain. She sits in a Empire style red upholstered sofa and over her shoulder is a woodland scene. Her hair is in long curls with a hair comb. Housed in an ogee mahogany frame. On verso of canvas is written in pencil “Lenore Fiske of Upton”. SIZE: 30” x 25”. Overall: 35-1/2” x 30-1/2”. CONDITION: Strip lined to reinforce tack area, original canvas, stable craquelure, very good. 52335-2 (10,00015,000) 340

Lot 2165 2166.

FINE WILLIAM AND MARY MAPLE AND PINE TAVERN TABLE. First quarter 18th century, New England. The oval scrubbed pine top retaining four original pegs with chamfered edge and medial cleat projecting above a canted pine frieze raised on baluster ringturned and blocked legs raised on elongated turnip feet joined by a tiger maple box stretcher base. SIZE: 26” h x 31-1/2” l x 24-1/2” w. CONDITION: Base with old varnish stained surface with rich mellow patina, two small early peg plugs of unknown purpose centrally located underside of one long stretcher. Underside of top and interior of apron with evidence of early black paint, table with normal and expected abrasions from in-use wear. Overall in very fine condition. 51859-38 (3,000-6,000)

Lot 2166 2167. EXCEPTIONAL PAINTED WOOD AND IRON CHANDELIER. First half 18th century, New England. The vigorously turned ball-ring-and reel-standard mounted with twelve S-curved candle arms, graduated in length, each with joining inverted mushroom cap drip pans and slotted black painted candle cups. The whole in original dry crusty green paint. Chandelier retains original forged iron hanging chain with dark oxidized surface. SIZE: 17-1/2” h of chandelier. 2-1/2” long S-hook. 16” d overall. CONDITION: Chandelier with minor age appropriate paint wear and with two short age splits at juncture of candle arm. Surfaces with dusty soiling from long term storage. In very fine untouched condition. 51859-8 (5,000-10,000)

Lot 2167 341

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Session 2

2165. GOOD PAIR OF NEW YORK CITY CONTINUOUS ARM WINDSOR CHAIRS. Last quarter 18th century. Each comprised of oak, hickory, maple and poplar woods. The chairs each of superb form with nine spindle backs joined to molded crest rail continuing to upswept arms with out turned paddle grips on raked and bulbous vase, ring and reel supports centering sharply chamfered shield form seats raised on splayed bulbous ring turned legs joined by ring, reel and vase turned bulbous H form stretcher base. SIZE: 1) 37” h at back. 17-1/2” h of seat. Overall w 20-1/2”. 2)36-3/4” h at back. 18” h of seat. Overall w 22”. CONDITION: With old refinished surfaces now with mellow brown patina. Small vestiges of red over original green paint can be seen beneath the chair. One chair with old tight surface fissures. Otherwise in fine original condition. 51859-41 (2,000-4,000)

2168.

Session 2

J EWELL FORMAL HORSE AND RIDER WEATHERVANE. Late 19th century. Attributed to A.L. Jewell, Waltham, Massachusetts. This fine example with verdigris and gilded surface depicting a rider in sheet copper silhouette, the horse with bead eyes, the sheet copper tail and mount. Accompanied by stand. SIZE: 27-1/2” h. Approximately 30” l. CONDITION: With good old surface, tail with possible old restoration at body, mounting rod on flange with later rivets, generally good. 52380-43 (7,500-9,500)

Lot 2168 2169.

RARE PILGRIM CENTURY X-BASE ADJUSTABLE CANDLESTAND. Late 17th/ early 18th century, New England. The octagonal top on a rectangular trammel cut post adjusting on a wood ratchet joined to a frame with horizontal cross bar joined to rectangular supports mounted to an X-form base. This pine and ash example of pegged mortise and tenon joinery throughout. Pivoting ratchet pin of ash, all other elements pine. REFERENCE: The Pine Furniture of Early New England by Kettell, see page 140 for nearly identical example. SIZE: 36” h x 15” square. CONDITION: Candlestand retains original dry thin brown stain with minor abrasion to top end of one foot, small nail added at ratchet pivot, rose head nail underside of base, overall in very fine untouched condition. 51859-25 (2,000-4,000)

Lot 2169 2170.

ANTONIO NICOLO GASPARO JACOBSEN (American, 1850-1921) PORTRAIT OF THE SHIP ANNIE H. SMITH. The oil on board scene shows the three mast ship sailing right to left in full sail in white tipped green ocean. A turquoise blue sky. The name of the ship emblazoned on the bow and stern. Signed lower right “Antonio Jacobsen 1917”. Pencil inscription on reverse “California Clipper”. Housed in a molded oak frame. Note: According to Antonio Jacobsen The Checklist on pages 32/33 the Annie H. Smith is mentioned twice as a sketch and larger finished oil dated 1915 and 1916. The ship flew the American flag was built in 1876 by Nickerson & Rideout in Calais, ME. The owner was F.H. Smith and it’s home port was New York. SIZE: 12” x 19-3/4”. Overall: 15-1/4” x 23-1/4”. CONDITION: Inpainting to all the sky, some fly specks, otherwise good. 52099-52 (4,000-6,000) Lot 2170

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342

Lot 2171

2172.

LARGE ETHAN ALLEN RUNNING HORSE WEATHERVANE ATTRIBUTED TO A.L. JEWELL. Third quarter 19th century. Of typical form with cast metal head. Accompanied by stand. SIZE: 41” l. Overall: 24” h. CONDITION: Old in use regilt surface, numerous dents to body by old solder repairs. Tip of tail re-attached. 51971-4 (6,000-8,000)

Lot 2172 2173. LARGE EARLY AMERICAN PINE HARVEST TABLE. Second quarter 19th century, New England. The wide single board top with hinged rectangular leaves projecting above the conforming apron fitted with a single drawer at one end raised on turned cylindrical legs with ring-turned cuffs. The whole in old natural surface. SIZE: 28” h x 84-1/2” l x 19” w. Open: 37” w. PROVENANCE: Nathan Liverant and Son, Colchester, CT. CONDITION: With rich color and good patina, retains original dovetailed drawer with original knob. No damage or restoration noted, very good overall. 52235-1 (4,000-6,000)

Lot 2173

343

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Session 2

2171. ANTONIO JACOBSEN (American, 1850-1921) THREE MASTED SCHOONER IN FULL SAIL. Oil on canvas depicting an American three-mast black hulled ship sailing left to right in full sail flaying American flag through choppy seas under a pink hued, white cloud & blue sky. Housed in a contemporary antique style gilt wood frame with gilt liner. Signed “Antonio Jacobsen 1918”lower right. SIZE: 8” x 30”. Overall: 25” x 37”. CONDITION: Very good, lined, restored with some inpainting, mostly along the top edge. 52098-1 (3,000-5,000)

2174.

Session 2

BELL METAL POSNET. 18th century. The bowl with everted lip raised on three legs of typical form. The handle engraved “LOVE THY xxxxBOR”. NOTE: Previously sold at Sotheby’s Auction House, May 22nd, 2002, lot #236. Ex-Sherwood collection. With label on bottom of posnet. SIZE: 5” h x 12-1/2” l x 5-1/4” diameter. PROVENANCE: Sotheby’s, May 22nd, 2002, lot #236. CONDITION: Very good original condition. With undisturbed surface and soft bronze patina. 52232-8 (1,000-2,000)

Lot 2174

2175. EARLY AMERICAN PINE TAVERN TABLE IN RED PAINT. The rectangular single plank top with breadboard ends projecting above the conforming apron fitted with a single long drawer. Raised on baluster blocked and ring turned legs terminating in suppressed ball feet, joined by a rectangular box stretcher. SIZE: 26-1/2” h x 40-1/2” l x 26-1/2” w. CONDITION: With old if not original surface. Top does not appear to have been re-set. Drawer retains original mushroom knob. Feet may be replacements. Structurally very good. Top with old stable shrinkage cracks, with good patina and color. 52236-5 (1,2001,800)

Lot 2175

2176.

FIGHTING COCK WEATHERVANE. Third quarter 19th century. Of typical gamecock form. Accompanied by stand. SIZE: 19” h x 16” w. CONDITION: Significant wear to vertical rod, regilded surface, minor BB dings on body 51859-39 (4,5005,500)

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344

Lot 2177 2178.

SEMI-ANTIQUE SAROUK MIRROR SCENIC PRAYER RUG, CENTRAL PERSIA. Last quarter 19th century. This exemplary example depicting a noble couple in a floral setting with dense polychrome floral trees and vinery throughout all on a plum ground. The upper vignette portrays two servants sitting cross legged, each holding a young goat, beneath a weeping willow flanked by conifers and flowering shrubs. There is a panel of calligraphy above each figure. Beneath this are pairs of wild animals including lions, hares, camels, and exotic birds. The lower vignette depicts the mirror image with a royal or noble couple centered by a large ornate floral filled urn above a final row of floral sprays and stylized shrubbery. There is a presence of tone on tone calligraphy adjacent to the royal figures. The total central scenic panel has the overall appearance of a prayer rug resulting from the scrolling shape of the panel border in the upper half framed by floral spandrels each featuring a peacock. The whole within a floral main border alternating with a dense foliate design functioning as the field flanked by two similarly designed ivory guard borders all with coffee ground and indigo borders. SIZE: 4’ 1” x 6’ 6”. CONDITION: Very good overall with minimal wear; the result of being mounted on a wall for the greatest part of it’s life. Colors remain rich yet slightly muted, the tightly woven rug remains supple, the four corners experience slight curling, the fringe is absent both ends. 51899-5 (2,000-3,000)

Lot 2178

2179. GEORGIAN ELM CURVED SETTLE. Late 18th early 19th century, England. Curved planked back with ogival ends and up-swept hand grips centering a conforming in-curved seat fitted with cushion and with conforming apron. Paneled sides continuing to supports. SIZE: 58-1/2” h x 44” w x 20” d. CONDITION: Re-polished. Structurally very good. 52236-6 (1,200-1,500)

Lot 2179 345

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Session 2

2177. EARLY CROWN SIX ARM CHANDELIER. Late 18th early 19th century. The unusual form comprised of rolled sheet iron, pig-tail ended forged iron hanging rod joined to the pierced ribbed circular ring with folded edge above an inverted splayed cap and collar joined to three tapered fluted down-swept arms. The arms joined to the circular rim to which is affixed six upswept candle arms, each mounted with a drip pan of piecrust design centering a slotted candle cup with folded rim. Each candle arm terminating in a folded down-swept terminus. SIZE: Overall 19” h x 24” dia. CONDITION: With fine dark lightly oxidized surface with remnants of white paint and old wax residue. Minor denting to drip pans and to upper hanging ring and collar. *NOTE* each drip pan with small hole extending through its arm and with matching hole at bottom of each down-swept arm. Purpose unknown. Very good condition overall. 51859-37 (1,500-3,000)

2180.

Session 2

RARE AND FINE WILLIAM & MARY WAINSCOT CARVED OAK TRAY TOP TEA TABLE. 1st half 18th century, England. The two board rectangular top with applied molded edge projecting above the delicately scalloped apron, raised on blocked ring-and baluster-turned delicately splayed legs joined by rectangular box stretcher terminating in baluster-and ball-turned feet. NOTE: The consignor brought this table to Alan Miller for his inspection and analysis who felt that this was an extremely rare English table, completely carved and assembled of Wainscot lumber. The legs and stretchers made from the thickest timber available. During the 17th and 18th century this very rare and desirable white oak was harvested by the Germans in the Black Forest. The lumber was shipped to England and Holland where it was sold at the docks to cabinet shops and lumber merchants. In England the most common use was in the manufacture of Wainscot chairs. Other use of this Wainscot lumber in other furniture is extremely rare making this table a rare and desirable item. SIZE: 25-1/4” h x 22” l x 17-1/4” w. CONDITION: Very fine original condition with old undisturbed surface and patina. 52235-13 (25,000-35,000)

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346

Lot 2181 2182.

WILLIAM AND MARY CARVED OAK BIBLE BOX ON STAND. Late 17th century, England. This fine rectangular box with hinged writing slope lid opening to a storage well with till fitted with wrought-iron hinges, lock plate and cover. Set within a table base with molded edge above a single door with arched arcaded apron with ball pendant finials raised on block and baluster turned legs joined by rectangular box stretcher on suppressed ball feet. SIZE: 33-1/2” h x 24” w x 19-1/2” d. PROVENANCE: From a fine New Hampshire home. CONDITION: Lid with old splint repair of shrinkage crack now stable, surfaces otherwise undisturbed and original with normal and expected age related use and wear. Very good overall. 52210-3 (700-900)

Lot 2182 347

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Session 2

2181. ANTIQUE FERRAGHAN SAROUK RUG, CENTRAL PERSIA. Late 19th/early 20th century. The central blue/ black poled medallion with jade green border and dense polychrome floral trelliswork within an ivory field with floral vinery within brick red spandrels. The whole within a midnight blue main border of scrolling trelliswork amidst flowering vines within brick red floral guard borders. SIZE: 4’ 4” x 6’ 6”. CONDITION: Good with overall even wear with some spot wear to foundation, loss to fringe at one end. 51911-24 (2,000-3,000)

Session 2

2183. TEKKE ORIENTAL RUG, WEST TURKMENISTAN. Last quarter 19th century. This fine example with four rows of ten Tekke guls on a dark terracotta ground alternating with rows of indigo and blue/black tarantula designs within an intricate main border of vibrant gul panels with tarantula, candlestick and other geometric designs within arrow dividing guard borders. The ends of typical indigo striped design on a wine red ground. SIZE: 6’ 9” x 9’ 6”. CONDITION: Very fine condition, with rich hues of wine red, indigo, and cream. Rug remains intact with strong palette and is very supple. 51899-1 (3,000-5,000)

Lot 2183

2184.

GEORGE III OAK WELSH DRESSER. Last quarter 18th century, England. In two parts, the bookcase top with molded cornice above a plain frieze fitted with three shelves, each with molded facing. Resting on a shoe foot joined to a rectangular base with three aligned drawers above a bank of three short drawers flanked by a pair of cupboard doors with astral panels above the plain apron and square legs. The case sides each with two molded panels. SIZE: 77-1/2” h x 56” w x 20-1/2” d. CONDITION: Cupboard retains old surface. Light staining on top with old shrinkage at seam. Now a dark tea brown color. Good overall. 51911-20 (1,200-1,800)

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348

Session 2

2185. MOLDED COPPER ROOSTER WEATHERVANE. Last quarter 19th century, attributed to Fiske & Co., New York. This nice full body example with sheet copper comb, wattle and feathered tail and with cast legs. Now mounted on museum stand. SIZE: 25â&#x20AC;? h x 24â&#x20AC;? l. CONDITION: Minor straight seam separations on throat and on horizontal rod, old bullet hole repairs and with bullet hole proper left side body, tip of tail with small bullet hole and tear at base of large tail feather minor in nature. Very good overall with fine surface. 51903-2 (8,000-12,000)

349

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2186. JACOBEAN CARVED OAK SLIPPER STOOL. Late 17th/early 18th century, England. The molded hinged lid above the conforming case opening to a storage interior raised on baluster turned on block legs joined by a box stretcher terminating in suppressed ball feet. SIZE: 17-3/4” h x 16-1/2” l x 13-3/4” w. PROVENANCE: From a fine New Hampshire home. CONDITION: Original surface with good patina, dark brown color, structurally sound, very good overall. 52210-4 (250-350)

Session 2 Lot 2186 2187.

POINTING HAND WEATHERVANE. Last quarter 19th century. Of typical form with cast lead hand. Not accompanied by stand. SIZE: 36” l. Overall: 28”. CONDITION: Three bullet holes, old solder seam repairs, old weathered verdigris surface to copper 51970-8 (1,500-2,500)

Lot 2187 2188. UNUSUAL JACOBEAN OAK COURT CUPBOARD. Late 17th or early 18th century, England. The rectangular top with sloping hinged lid opening to a well above the conforming case with molded frieze above a central paneled door opening to a storage area fitted with three original small shelves. The canted cupboard sides supported by swelled turned supports all above a central two paneled door in the case flanked by recessed molded panels above a reeded apron. The cupboard with quarter-sawn oak timber and with original untouched surface. SIZE: 50” h x 48” w x 16-3/4” d. PROVENANCE: From a fine New Hampshire home. CONDITION: Very good overall with interior reinforcing strip beneath hinges of sloping lid. 52210-5 (700-900)

Lot 2188 2189.

RARE PAIR OF HERIZ RUGS, NORTHWEST PERSIA. Second quarter 10th century. Each with three aligned geometric medallions. The central of tarantula form flanked by jade green medallions all on a madder red floral ground within a deep indigo guard border and midnight blue spandrels. The blue black main border with floral, lollipop, and saz leaf designs. SIZE: 1) 4’ 5” x 6’ 1”. 2) 4’ 5” x 6’ 2”. CONDITION: Very good, palette remains strong and vibrant, even wear throughout (one rug minimal, the other minimal to moderate), both with loss of fringe to ends. 52165-2 (800-1,200)

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350

2191.

BOOKS: SIX VOLUMES OF THE HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE, BY GIBBON, LONDON 1777-89, AND ONE VOLUME OF THE HISTORY OF THE GRECIAN WAR (PELOPONNESIAN WARRE): IN EIGHT BOOKS WRITTEN BY THUCYDIDES, TRANSLATED BY THOMAS HOBBES, LONDON, 1656. 1-6) Leather bound, Volume 1 is the third edition 1777, Volume 2-3 1789, Volume 4-6 1788. Volume 2 has map of the Eastern Part of the Roman Empire. Volume 3 has a map of the Western part of the Roman Empire. 7) Title page with engraved illustration, map of ancient Greece included (small tear in margin), also an engraving titled “Platea”, also another fold out map “Antient Sicele”, also a fold out map of “Syracvse”. Page 227 is misnumbered (247). Rebound. Complete with 357 pages plus the table. SIZE: 1-6) 11-1/2” x 9”. 7) 13” x 8”. CONDITION: 1-6) Bindings intact with losses and imperfections. Interior very good with Library stamp to title pages. 7) Very good. 52075-1 (2,500-3,500)

Lot 2191 2192. BOOK: BIBLIA SACRA LATINA (TWO VOLUME GUTENBERG BIBLE FACSIMILE BOOK SET) BY ARNO WERNER BOOKBINDERS. 20th century, facsimile reprint of the two volume Gutenberg bible, copper square printing in full size color. Originally 1000 copies printed. Lithograph printing with bronze powered ink. Sewn on hand-twisted linen having birch boards with 23k gold embossing, bound in antique calf by Arno Werner bookbinders. The text being the same as the lost Gutenberg project. SIZE: 19” h x 13” w. CONDITION: Very good to excellent. 52296-1 (10,00015,000)

Lot 2192 351

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Session 2

2190. ANTIQUE NORTHWEST PERSIAN RUNNER. Early 20th century. Seven aligned polychrome geometric medallions in a blue/black field of Lot 2190 polychrome floral design within a floral and saz leaf main border on a rose red ground within floral ivory guard borders. SIZE: 3’ 2” x 14’ 2”. CONDITION: Rug retains strong and vibrant colors, even wear overall. Wear at center of rug showing foundation, loss to fringe at edges with some damage to selvage. 51911-64 (800-1,200)

Session 2

2193. BOOK: LEVIATHAN OR THE MATTER, FOR ME, AND POWER OF A COMMON WEALTH ECCLESTIASTICALL AND CIVIL, BY THOMAS HOBBES OF MALMESBVRY, LONDON, 1651, PRINTED FOR ANDREW CROOKE. Leather bound book having bookplate of John Davies Knatchbull Lloyd F.S.A. First edition, first issue. Complete with folding table at pg 40, small folio with later handsome binding with spine label. Fine engraved illustrated title page with a secondary title page having small engraved ornament with penned signature. A very desirable copy of an important work. SIZE: 11-1/2” x 7-1/2”. CONDITION: Generally very good, binding has some edge roughness. 52075-2 (7,500-10,000)

Lot 2193 2194.

BOOKS: 26 VOLUMES ASSORTED LEATHER BOUND SETS AND SINGLES. Including; 1) The Works of Michael Drayton, London, printed by J. Hughs 1748. Complete with subscribers list. Illustrated title page, rebound with leather, tall folio. Lot 2194 2) Every Man In His Humour, A Comedy, London, printed by Richard Bishop 1640. Rebound with new end papers, pencil writing front pages. 3) The Plays of William Shakespeare, volume eight, London 1804, printed by T. Bensley. Rebound. Containing King Lear, Romeo & Juliet, Hamlet, Orthello. 4) Reflections on the Revolution in France... by Edmund Burke, London, 1790, sixth edition. 5-7) The History of Amelia, by Henry Fielding, London, 1808. Volumes 1-3. 8-16) The Plays of William Shakespeare, London, 1803, printed by C and R Baldwin. Volumes 2-10 (missing volume 1). 17-22) The Works of Alexander Pope, London, 1776. Volumes 1-6. 23-24) Two volumes Homer’s Iliad, in Greek. The bindings inscribed Oxford 1800. 25-26) Homer’s Odyssey, in Greek. The bindings inscribed Oxford 1800. SIZE: 1) 16-1/2” x 10-1/2”. 2) 11-1/4” x 7-1/2”. 3) 8-1/2” x 6”. 4) 8-1/2” x 5-1/2”. 5-7) 6-1/2” x 4”. 8-16) 7-1/2” x 5”. 17-22) 7” x 4-1/4”. 23-24) 7-1/2” x 6”. 25-26) 7-1/2” x 6”. CONDITION: 1) Very good, unfoxed. 2) Generally very good, some toning. 3) Very good. 4) Good, some wear to binding. 5-7) Good. 8-16) Bindings with damage, generally intact. 17-22) Bindings have burned edges, as found. 23-24) Generally good. 25-26) Generally good. 52075-3 (1,200-1,800) 2195. BOOK: SEVERAL CHIRURGICALL TREATISES BY RICHARD WISEMAN, LONDON, 1676. Leather bound book, front page with several owner inscriptions. The treatises include; Tumors (the first book), Ulcers (the second book), Disases of the Anus (the third book), Kings-evill (the fourth book), Wounds (the fifth book), Gunshot Wounds (the sixth book), Fractures and Luxations (the seventh book), Lues Venerea (the eighth book). Also included is a table of contents. SIZE: 13” x 8”. CONDITION: Generally very good, some light staining and foxing. Binding is intact with some imperfections. 52292-2 (1,000-2,000)

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352

THE LIFE OF GEORGE WASHINGTON, COMMANDER IN CHIEF OF THE AMERICAN FORCES, DURING THE WAR WHICH ESTABLISHED THE INDEPENDENCE OF HIS COUNTRY, AND FIRST PRESIDENT OF THE UNITED STATES WITH THE LIFE OF GEORGE WASHINGTON. MAPS AND SUBSCRIBERS’ NAMES. Philadelphia. 1804-1807., 1807. Five text volumes, plus atlas volume of 22pp. of subscribers’ names and nine maps most double-page (map number 9 missing). The five volumes leather bound with title Lot 2196 on binding edge. The map book having the inside two pages stuck with images of city of Washington. SIZE: Set of five 8-1/2” x 5-1/2”. Maps 11” /9”. CONDITION: Volumes are intact and appear to be complete, the bindings are as found and some writing on inside front an back pages. Map book has foxing, roughness to edges, and bottom right corners with losses, binding as found. 52157-1 (1,200-1,800)

2197. BOOK: COMPLETE 29 VOLUME SET (INCLUDING INDEX) OF THE 1910-11 11th EDITION OF THE ENCYCLOPAEDIA BRITANNICA. Title page indicating “Cambridge, England: / at the University Press / New York, 35 West 2nd Street / 1910”. Each volume having a green leather gilt embossed binding. SIZE: 12” h x 9” w. CONDITION: Generally good, some wear in-use wear evident. 52157-3 (800-1,200)

Lot 2197

2198.

FLYING HORSE THROUGH THE HOOP WEATHERVANE ATTRIBUTED TO A.L. JEWELL & CO. Third quarter 19th century. Depicting horse in full strive flying through hoop. Cast metal head. Accompanied by stand. SIZE: 17” h x 15-1/2” w. 29” l (all including hoop) CONDITION: Old small solder seam repair to tail with two small pinholes in tail. Ears, hoop and tail are original. Regilded gold leaf surface. 52115-2 (10,00015,000)

Lot 2198 353

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Session 2

2196.

Session 2

2199. ERMINA DRURY FAMILY RECORD. March 22, 1826, Worthington. The family record wrought in green and cream and brown thread on linen ground listing the names of various Drury family members from 1784-1826, all within an embroidered cartouche adorned with floral filled baskets and trees within a stylized zig-zag floral border. Housed in an oak frame. SIZE: 11-3/4” x 13” sight. CONDITION: Overall very good. No major deterioration to threads or foundation. Light even toning overall. 52340-1 (8001,200)

Lot 2199 2200.

UNUSUAL PICTORIAL SAMPLER. Wrought by Ann Bonds circa 1835. Of unusual form, this example designed and wrought in the form of a tapestry depicting a pastoral landscape with birds flying above hilly terrain with flock of sheep in foreground. A sailing ship and two swans on the water in mid-ground beside a church and house amongst stylized trees. A traveler in black hat looking on, all within a floral zigzag border. SIZE: 17” x 17” sight. CONDITION: Moderate toning with deterioration to foundation, now stabilized within frame. Some staining to right center facing, otherwise good. 52340-2 (1,000-1,500)

Lot 2200

2201. LEAPING STAG WEATHERVANE ATTRIBUTED TO WASHBURN & CO. 19th/20th century. Of typical form with cast metal head, ears and antlers. Accompanied by stand. SIZE: 20” h x 27” l. CONDITION: Newly resurfaced in white paint. 51859-15 (2,500-3,500)

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354

Lot 2202 2203.

DEXTER RUNNING HORSE WEATHERVANE ATTRIBUTED TO J.W. FISKE. Last quarter 19th century. Of typical form with cast metal head. Accompanied by stand. SIZE: 15” h x 33” l. CONDITION: A few very small BB dings to body, original verdigris surface with traces of old gilt. 51859-17 (3,000-4,000)

Lot 2203 2204.

FOLK ART CARVING “MORTAL COMBAT” ATTRIBUTED TO MOISE POTVIN (1876-1948), WOONSOCKET, RHODE ISLAND. The wood carving shows a ferocious male lion in combat with a large green spotted boa constrictor. The snake has coiled itself around the body of the cat and they are head to head with open mouths. Nicely carved with good detail and painted surface. Mounted on a rectangular black wood base with title in pencil on bottom. Possibly one of two known similar carvings. According to an article on the artist, he was a self taught carver and violin maker who moved to the United States from Quebec, Canada in 1891. He would travel in the States & Canada lecturing & showing his carvings. The carving is accompanied by a small group of biographical and historical information on his carvings. SIZE: 9-1/4” h x 18” l. Base: 19” x 7-1/2” x 1-3/4” h. CONDITION: Very good. 51037-1 (2,000-4,000)

Lot 2204 355

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Session 2

2202. FINE PICTORIAL SAMPLER WROUGHT BY SARAH TURNER 1815. This large example with three story stone manor house flanked by trees wrought with, shrubbery, floral filled urns and castles within a stylized floral trellis work border. Housed in a mahogany frame with gilt liner. SIZE: 191/2” x 15-1/2” sight. CONDITION: Generally good, with moderate toning and minimal deterioration to thread. Very good overall. 52340-3 (1,0001,500)

Session 2

2205. FINE CARVED AND PAINT DECORATED HORSE HEAD TRADE SIGN. Last quarter 19th century, America. The animated nicely carved pine trade figure with glass eyes and with original finely crazed paint. Carved from a single piece, the figure retains original bridle ring mounts. The color of the painted bridle appears to have been changed at the making from red to black. This was probably used as an amusement park ornament rather than part of a carousel figure. SIZE: 24-1/2” l x 17-1/2” d x 6-1/2” w. CONDITION: Minor abrasions and scuffs, high spots of ears and mane worn smooth from constant handling from children, iron mounting strap on backside added as later addition. Otherwise excellent untouched condition. 51859-26 (4,000-8,000)

2206. FINE CARVED CAROUSEL DOG IN THE MANNER OF HERSCHELL-SPILLMAN COMPANY. Late 19th - early 20th century, American. This realistically carved and well detailed figure of a dog with painted saddle and well structured body in natural darkened surface with good patina. SIZE: 29” h x 60” l x 11” w. CONDITION: Proper left rear leg with repaired split at area of hock. Both back feet re-glued at juncture of toes to foot. Otherwise good. Abrasions and losses to rear of saddle. 52397-2 (6,000-8,000)

Lot 2205

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356

357

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2207.

MONUMENTAL CARVED AND PAINTED RECLINING LION. Late 19th/early 20th century. The lion in a guarding position with mouth slightly open and ears alert. With a beautifully carved mane and ornamental drapings. Laminated in carved wood and mounted on a wooden plinth. SIZE: 37” h x 24” w x 74” l. CONDITION: In use lightly worn and weathered paint, minor seam separations to laminate. 52115-1 (8,000-12,000)

Session 2

2208. OUTSTANDING LARGE ARTICULATED ARTIST’S MODEL OR LAY FIGURE. The oversized wood figure having joint articulation at the ankles, knees, hips, torso, shoulders, elbows, wrists, and neck. The head and face painted and well carved. Additional layering has been built up on several areas of body. Wood pin construction, probably late 18th or early 19th century. SIZE: 31” h. CONDITION: All joints seem to be operational, only minor losses to tips of toes, nose and scuffs to facial area. 52282-10 (4,000-6,000)

Session 2

2209. RARE PRIMITIVE CHILD’S ROCKING HORSE. Mid 19th century, H.P. Crandal, branded New York beneath the body of the horse. The horse with stylized head and snout with jeweled eyes. The carved saddle cut and joined to the body. The horse raised on four splayed rectangular legs joined to two elongated rockers, a pine platform affixed to center. The horse sponge decorated in green and black. The platform and runners in red over original green. The horses tail of black horsehair. SIZE: 21-3/4” h x 44-1/2” l x 11” 2. CONDITION: Extensive in-use wear with expected soiling and abrasions. Losses to rear of saddle. Jeweled eyes original. Leather ears absent. Fair to good overall. 52236-4 (1,200-1,500)

Lot 2208

Lot 2209

2210. OUTSTANDING CARVED HANGING WALL SHELF BY HENRY LEACH (American, 1809-1885). This fabulous piece has a semi-circular shelf with naturalistic scene of a large tree hanging over an Eve type figure with cherub beside in a lush woodland. Below the shelf is step carved leading to a woman’s head with curtain draperies on each side. The carving is out of walnut and has a wonderful patina. The flesh tones being lighter than the rest of the piece. Double branded on back “H Leach Boston”. According to Myrna Kaye, Yankee Weathervanes, 1975, Henry “Harry” Leach grew up in New Milford in Susquehanna County, Pennsylvania. He carved wooden patterns for a Massachusetts manufacturer, L. W. Cushing and Sons, who used them to make molds for their copper weather vanes. SIZE: 44” l x 26” at widest. PROVENANCE: De-Accessioned from a New England Institution. CONDITION: There are several elements that must have been present in the original form as there are several holes which indicate other pieces may have been attached. Missing right side drapery on base but what is present is very good. 51533-1 (1,500-3,000)

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358

Lot 2211 2212.

RARE AFRICAN AMERICAN TOBACCONIST COUNTER TOP BUST FIGURE. Circa 1900, America. Carved from laminated pine stock depicting a smiling gentleman attired in blue jacket, white shirt, and red bow tie holding a bundle of cigars in left hand, his right hang grasping his coat lapel. Figure mounted to original red painted carved base. With old dry crusty and alligatored original painted surface. SIZE: 29” h x 19-1/2” l x 14-1/2” w. CONDITION: With minor old laminate joint age shrinkage notably to jacket and right hand, minor paint losses and abrasion from in-use wear, otherwise very good to excellent. 51859-35 (2,000-5,000)

Lot 2212 359

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Session 2

2211. RARE SMALL COUNTER TOP TOBACCONIST FIGURE. Late 19th century. Depicting a Native American with bandanna and loincloth all in dark brown paint. Standing on a plinth, a tomahawk attached to loincloth. This well carved pine example with original surface. SIZE: 13-1/4” h. CONDITION: Old painted surface intact and undisturbed, figure may have been holding an object in either hand, now absent. Good dark patina, structurally very good with normal and expected wear and abrasions. 52308-22 (2,500-3,500)

Session 2

2213.

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360

RARE, POSSIBLY UNIQUE, COPPER TOBACCO LEAF WEATHERVANE AND MOUNTING. This is truly outstanding and the only tobacco leaf weathervane we have ever seen. Obviously it must have originated from the South, possibly from an old plantation. The mounting components display stylized tobacco elements featuring tobacco buds, all of which is rendered in iron and copper. Mounting components have remnants of old gold painted surface. The tobacco leaf, itself, is made of copper with green verdigris. Was supposedly originally found in Virginia. A truly unique, large, and impressive weathervane. SIZE: Overall 109” h, leaf 48” l x 14” w. CONDITION: Generally very good. Leaf shows some re-soldering and one bud shows soldered repair. 52380-10 (10,000-20,000)

RARE EARLY OLD TOWN CANOE COMPANY DISPLAY SAMPLE, CIRCA 1912-1915. Limited number of Old Town Canoe samples were ever made and only a very small number of them were this earlier version. A similar example from this same time period was donated to the Smithsonian Institute by the Old Town Canoe Co. This is the earliest salesman model sample and they can be identified by the wording on the side which states; “Genuine Old Town Canoe Co. Canoes”. Later, by the 1920’s, the wording on the sides of the salesman sample canoes read, “Old Town Canoes”. Even later than that, the later samples stated simply, “Old Town” and is printed in script form. This example is generally believed to have been produced between 1912 and 1915. The open gunnel construction on this canoe is the style which began to appear in 1908 so it certainly is not any earlier than that. The canoe had originally been distributed to the Ray Ellis Bicycle Company in Wichita, Kansas. This sample canoe is accompanied by two appropriate period canoe paddles which are probably also Old Town. SIZE: 48” long. CONDITION: This is an exceedingly rare model. The lettering on one side “Old Town Canoe Company” is strong and bright, the other side is faded; (obviously it had been hanging in a store window for some time). Nearly all of the paint is original, the signage on the side of the canoe are original. The oval decals on the end, we are told, were replaced at some time. We were told that some restoration had been down to the thwat and seats although if it was, it was done in an expert manner as it is undetectable. A very rare canoe and in even rarer to find condition. 52384-1 (17,50022,500)

Lot 2215 (w/close-up) 2215.

RARE E.M. WHITE CANOE COMPANY SAMPLE CANOE. This canoe dates to around the 1920’s and is a 52” model. Edwin White of Maine was one of America’s earliest builders of wooden canoes. He was also an early builder of wooden boats and began making his canoes in the late 1880’s. This is obviously a White Canoe and exhibits the deck cut-out in the exact shape that Edwin White used. He was in direct competition with the famous Old Town Canoe Company in Old Town, Maine, who eventually bought the White Company out in the 20th century. According to scholars, there are only a couple documented White Canoe samples known so this is exceedingly rare. This canoe is fitted with two appropriate paddles of the period which may be Old Town paddles? One looks to be Birdseye Maple. SIZE: 52” l. CONDITION: With the exception of some scattered paint flecking, the canoe is in outstanding condition and most certainly a beautiful and rare example. 52384-2 (7,000-9,500)

361

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Session 2

2214.

Lot 2214 (w/close-up)

Session 2

2216. ELIZABETHAN STYLE CARVING OF A PAGEBOY. 19th century, Europe. Carved from the solid, this architectural carving of a young boy with shoulder length curled hair depicted in a flowing knee length tunic with leggings. His left arm crossed in front of his body. Now mounted on a 20th century plinth SIZE: Overall height 56”. Height of statue 47”. Overall width 16” x 16” d. CONDITION: Statue with loss of right arm, losses to left shoulder and lower left portion of tunic. Loss of left hand, lower right section of tunic, left foot from ankle forward. Area of deterioration from dry rot now stabilized proper right rear section of tunic. Surface at one time cleaned, now somewhat polished from years of touching by hands of passersby. 52369-1 (1,500-2,500)

2217. CARVED VICTORIAN LOUVERED SKYLIGHT. Last quarter 19th century, America. The demilune louvered opening within a dovetailed architectural frame mounted beneath pierced carved triangular scrolling elements. SIZE: 26” h x 38” l. CONDITION: Weathered with remnants of dry crusty old paint, carved corner elements with shrinkage and warping, otherwise intact. Good over all. 52012-7 (1,5001,800)

Lot 2216

Lot 2217

2218. CARVED PINE BUST OF BEARDED GENTLEMAN. 19th century, Found in Central Maine. This nice folk art example of a three dimensional bust carved in high relief. The gentleman with medium length hair, full beard and mustache with deep set eyes, Roman nose, wearing a formal jacket with collared shirt and tie. The carving from laminated pine boards, unsigned. SIZE: 13-1/2” h x 6-3/4” w x 7” d. CONDITION: With weathered painted surfaces, small losses above proper left eye and temple, checking right side of forehead including loss above in hair. 51970-5 (800-1,200)

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362

GROUP OF SEVEN MASON’S DUCK DECOYS. First half 20th century. The group to include a Mason’s canvasback drake and hen decoy. The drake with glass brown eyes. The head with losses and damage around neck with loss of putty. Decoy has been repainted but retains early lead weight. 6-1/2’ h x 15” l. The Mason canvasback hen with old paint surface and minor later touch-up, fitted with Lot 2219 brown glass eyes and a series of older lead weights. Neck of decoy with damage at seam with loss of putty. Otherwise good. 6-1/2” h x 15-1/2” l. A Mason’s premiere grade bluebill hollow body hen decoy together with a bluebill hollow body drake, each with brown glass eyes. The hen with separation on neck at head with cleaned and polished old surface with nice in use wear. Old if not original paint surface on majority of body. Structurally very good. 5-3/4” h x 13-1/2” l. The drake with old paint surface and light shot scarring. Head separation at seam of neck. Horizontal shrinkage crack throughout body at mid-point. Otherwise wear and abrasions commensurate with usage. Fair to good overall. 6” h x 13-1/2” l. Mason’s standard grade Mallard drake decoy. This thin decoy with painted eyes. Older painted surfaces have been heightened in areas of breast and tail. Seam separation of head at neck at body. The body with old horizontal shrinkage cracks now stable. Normal and expected in use wear. 6” h x 15-3/4” l. Mason’s black duck solid body challenge grade decoy. This nice decoy with brown glass eyes, well carved and painted, with old repairs to tail. Head has been professionally reattached. Old painted surfaces have been professionally heightened. Decoy has been nicely polished. Presents well with pleasing luster and patina. 6-3/4” h x 16-1/2” l. Mason’s snaky head Mallard drake decoy. The decoy with brown glass eyes, old if not original paint, with little in use wear. Proper right side with light shot scarring. Edges of tail and beak nicely worn with good patina. No structural issues noted. Very good overall. 6-3/4” h x 17” l. CONDITION: See description. 52013-1 (1,500-2,000) 2220. GOOD RED BREASTED MERGANSER DRAKE DECOY. 2nd quarter 20th century, New England. This fine example carved from the solid with slotted crest and glass eyes retaining old if not original paint. SIZE: 18-1/2” l. CONDITION: Paint worn, abraded, and with some flaking. Crest, eyes, and beak intact. In spite of wear retains good paint surface. 52050-4 (2,000-3,000)

Lot 2220 2221.

BLACK BELLIED PLOVER CARVED SHOREBIRD. Late 19th early 20th century, America. This fine early example with original painted surfaces, well carved with tack eyes and a small numbers of shot holes. SIZE: 10-1/4” l. CONDITION: Surfaces as noted, normal and expected wear, undisturbed surface, an area of the underside of beak with old loss and resulting crack possible repair. 52050-5 (1,500-2,500)

Lot 2221 363

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Session 2

2219.

Session 2

2222. CARVED HUTCHINS GOOSE HOLLOW BODY DECOY. Late 19th early 20th century, American. Also know as “cackling goose”, The genus name Branta is a Latinised form of Old Norse Brandgás, “burnt (black) goose”, and the specific epithet hutchinsii commemorates English surgeon Thomas Hutchins who was employed by the Hudson’s Bay Company. The decoy with old if not original painted surface and with iron weight, now well worn and abraded from in-use wear. SIZE: 17-1/2” l. CONDITION: Surface as stated, head section has been reattached with nail fasteners, old horizontal repair at mid-neck, otherwise good overall. 52050-3 (2,000-3,000)

Lot 2222 2223.

THREE OSCAR PETERSON FISH DECOYS, OLD TOWN CANOE PADDLE, AND FISHING HARPOON SPEAR. Lot includes: 6” l Oscar Peterson decoys of perch, brook trout & pickerel. 60” l natural wood finish Lot 2223 paddle with Old Town Canoe Co. decal. Interesting 50-1/2” l wood handled fishing spear with iron removable 8-1/2” spear tip attached to a long string. CONDITION: Decoys having some losses to fin paint, some scratches & minor paint loss, otherwise very good. Paddle with some loss to decal, otherwise very good. Harpoon shows use, good. 52013-12 (1,000-1,800)

2224.

GOOD GROUP OF EIGHT ASSORTED AMERICAN DECOYS INCLUDING A RARE PAIR OF OSCAR PETERSON DECOYS. 20th century, American. The two Peterson decoys, each with torpedo shaped bodies crudely carved of natural wood forms. The Mallard with repainted head and beak with large tack eyes. 5-1/2” h x 16” l. The bluebill with similar body with repair to head at neck Lot 2224 with some paint touch-up in this area. Otherwise, structurally very good. 5-3/4” h x 14” l. A pair of branded, standard grade wood duck decoys, restored by Patrick Kane of Kane Decoys, Midland, Michigan. The pair with paint crackled surface. The drake with yellow glass eyes, and hen with brown eyes. Each decoy now well polished with lustrous finish. In “as new” condition. Drake: 6-1/2” h x 13-1/2” l. Hen: 6-1/2” h x 14” l. Stevens redhead drake decoy. This nice example with flattened body and yellow glass eyes, retaining original anchor hook. The center with lead weight plug, the body etched with double “X”. Surface with good in use wear. Minimal abrasions. Painted surfaces mostly intact with old repair to tail, now with later paint. Old diagonal repair to neck of decoy, repainted to match. 6” h x 14” l. Mason’s Widgeon drake, challenge grade, restored by Patrick Kane. The decoy with crackled surface and light brown glass eyes. Branded at bottom of decoy. Surface now repolished with good luster. Very good overall. 6-1/2” h x 14” l. A Mason’s premier grade, hollow body, canvasback decoy. This good example with red glass eyes and long slender beak, well polished with good patina. Structurally very good. Painted surfaces appear old. 6-3/4” h x 16” l. Mason blue wing Teal standard grade decoy. Decoy with tack eyes and well worn painted surfaces. Head has been detached and remounted, now showing old stabilized shrinkage cracks along each side. Surface polished and lustrous. Minor shot scars overall. 5” h x 12” l. CONDITION: See description 52013-2 (1,500-2,000)

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364

Lot 2225

2226.

SAMUEL WALTERS (British, 1811-1882) CHEVY CHASE RETURNING FROM INDIA. Oil on canvas portrait shows the three mast ship in full sail sailing right to left under blue and puffy pink clouds. A white tipped green ocean in foreground with several ships, lighthouse and mountains in background. Several figures are seen on deck and the British flag flies off the back mast. Signed “S Walters 1864” bottom left. Housed in a fine reproduction antique style gilt frame. Literature: Illustrated page 158 Samuel Walters – Marine Artist, Fifty Years of Sea, Sail & Steam, by A.S. Davidson. SIZE: 20” x 32”. Overall: 25” x 37. PROVENANCE: Private Collection, U.K.; London Gallery, N.R. Omell; Private Collection Atlanta, Georgia. CONDITION: Very good with two small areas of inpainting, lined. 52351-5 (8,000-12,000)

Lot 2226 365

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Session 2

2225. SAMUEL SEYMOUR (American, Circa 17921822) PORTRAIT OF A SEA CAPTAIN. The large oil on canvas portrait shows a young man seated in a red upholstered carved chair with column and windowed landscape with water in background. The right corner with a curtain swag and dropped tassels. The man wears a black topcoat, white vest and blue bow tie. A gold watch chain hangs from his vest and he has a small red stone pinky ring. On his lap he has a blue cap with a gold button which probably indicates he is a ship’s captain. Signed lower left “Seymour”. On verso of the original canvas is a multi-line inscription which is very hard to decipher but appears to have the artist’s name “Seymour”. Housed in a decorative frame which has finish losses. SIZE: 39” x 34”. Overall: 46-1/2” x 41-1/2”. CONDITION: Puncture hole at center, some scuff losses in face, unrestored with edge chipping. 52115-8 (2,000-3,000)

Session 2

2227. CAMPHOR AND TEAK CAMPAIGN CHEST. Mid-19th century, England, The rectangular case in two parts, the upper case fitted with a pair of short drawers above a single long drawer fitted to the lower case of two long drawers on shaped bracket feet. The case sides and drawers all with inset campaign style brass hardware. The corners with brass strapping. The drawer fronts with contrasting ebonized string inlays. SIZE: 44” h x 40” l x 19-1/2” w. CONDITION: Overall structurally very good, retains original surface, mellow patina and light brown color. 52259-2 (8001,200)

Lot 2227 2228.

BOOK: BOUND VOLUME OF THE ENGLISH PILOT PART II AND III, AND MEDITERRANEAN PILOT WITH 38 LARGE MAPS. The binding having title English Pilot London 1736, including in the binding is the English Pilot part II for the Northern - Sea, text and coastal topography illustrations includes the following maps, Scotland, England, Flanders & Holland, England, Scotland & Ireland, Untitled missing large section of left page, Ireland, Dublin, Ireland from Dublin to London-Derry, Northwest Coast of Ireland, Bay of Galloway and River Shannon, Southwest Coast of Ireland, Harbour of Corke, Seacoast of France, Seacoast of France, Biscay and Gallicia, Gallicia and Portugal, Algrave and Andalusia, England to the Streights, Barbaria, Western Isles, Island of Cape Verd. Part III, Untitled missing left side, Straights of Gibraltar, Spain and Barbary, Spain and Barbary, Barbary, Valencia and Catalonia, Barcelona - Port Maon, Languedoc Provence, Sardinia and Corsica, Italy, Italy, Sicily, Venice, Island of Corfu, Pachfu..., Morea, Archipelago, Levant. Mediterranean Pilot; no maps, 32 pages of text. SIZE: 19” x 12” CONDITION: Generally the maps are good, except as noted, the first three have large dark toned areas. Binding is intact as found. 523985 (4,000-6,000)

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366

2230.

EXCEPTIONAL FINE NAPOLEONIC FRENCH PRISONER OF WAR CARVED AND DECORATED GAME BOX. Late 18th - early 19th century, England. The rectangular box with “peaked roof ” overlaid with sheets of carved bone. The peaked lid sliding on the conforming box, opening to a storage well containing Lot 2230 dominoes, playing cards and cribbage board pins. The lid additionally mounted with six rectangular painted bone panels under glass. Four panels of men and women in formal dress centering a pair of panels, paint decorated with floral filled classical urns all framed by plants. A scribed and carved cribbage board forms the frame for the sliding lid. The box ends each with a painted bone panel decorated with floral filled basket. The box sides mounted with six bone panels, all paint decorated with a row of commercial buildings along a stone wall. The apron of box adorned with tied drapery swags. The whole with delicately carved scalloped borders. SIZE: 3-1/2” h x 10-1/4” l x 4” w overall. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: The box with small and insignificant losses in apron, cribbage board and edges of lid at ends: all from in use wear. Game pieces all with some wear and minor soiling. Otherwise structurally good. All painted panels remain intact with normal and expected fading of pigment. Otherwise very good. 52398-6 (1,500-2,400) ESA

2231.

RARE TABUA SCRIMSHAW TOOTH OF PITCAIRN ISLAND. 19th century, Pitcairn Island, Pacific. This interesting tooth scrimmed with a scene of an island, a ship anchored near by and titled “Pitcairns Island”, an American patriotic eagle with shield and arrows scrimmed on the reverse. Strung with a natural twisted raffia cord joined at both ends. This piece of scrimshaw probably a gift to a local chieftain made by a sailor on a whaling ship. SIZE: 6-1/2” on curve. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Surface is original and untouched with rich golden patina and color, well polished from wear. 52213-9 (2,000-3,000) ESA

Lot 2231 367

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Session 2

2229. UNUSUAL AND RARE CARVED MAHOGANY AND LIGNUM VITAE TOOL CARVED IN THE FORM OF A DOLPHIN. 1st half 19th century, New England. The sailor made tool with hanging hole carved in the crook of the tail, a wedge of polished lignum vitae inserted within the stylized mouth and secured by flattened brass tacks. An inventory number 64H31 drawn on the insert from Norm Flayderman’s personal collection (see provenance below). The tool is formed to fit comfortably in the hand. SIZE: 6-1/2” l. PROVENANCE: Scrimshaw and Scrimshanders: Whales and Whalemen, By E. Norman Flayderman, see illustration pg. 126. CONDITION: Very fine condition with original surface. Mellow color and fine patina. 52213-5 (1,500-2,000)

2232.

Session 2

THREE SCRIMSHAW PORTRAIT TEETH AND A FOURTH WITH PORTRAITS OF AMERICAN SHIPS. 2nd half 19th century, America. The pair, each lightly scribed with a young woman in full-length period dress. The third tooth depicting a young woman in costume holding a bow in her hands and framed within delicate vinery, the tooth with a sharply curved tip. The fourth with a portrait of a fully rigged ship and scribed with a whaling ship on the reverse beneath a profile bust of a woman wearing a crown possibly Queen Victoria. SIZE: Pair 7” l., Lot 2232 3) 7” l. 4) 5-3/4” l. All on curve. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: All teeth with original surface, stabilized fissures at the base of two teeth, good polished surface with good undisturbed patina on all. 522133, 52213-4 (3,000-3,500) ESA

2233. NICE GROUP OF AUTHENTIC WHALEBONE TOOLS. 2nd half 19th century, America. Group includes a drill with turned handle, a haying hook, two handed spoke shave, small handheld chisel, and a scribe. SIZE: Drill 9” h x 10-1/2” w. Spoke shave 11-1/4” l. Chisel 4-1/2” h x 2-1/2” w. PROVENANCE: New Bedford Collection. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: All with original surface and in-use wear and soiling with good patina, iron elements in good condition. 52213-7 (2,000-3,000) ESA

Lot 2233

Lot 2234 2234.

CARVED WHALEBONE CAT-O-NINE TAILS. Fashioned with nine hemp tails with elaborate sailor knot macramé attachment to shaft. The cylindrical shaft with spiral twist and ring-turned section. The handle with crosshatched and cut grip. SIZE: Handle 14-1/2”. 30-1/2” l (overall). PROVENANCE: New Bedford Collection. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good, knotted tails either never used or are replacements. Handle with good original surface muted color and undisturbed patina. 52213-8 (2,000-3,000) ESA

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368

2235.

OUTSTANDING CARVED WOOD AND GILT NAME PLAQUE FOR THE SCHOONER “SARA A. SMITH”. This type of plaque was mounted to the side to identify particular schooners. This particular example may not have been placed in use due to its pristine condition. Definitely 19th/20th century, the carving at either end in relief of a trailing vine in gold. The letters carved in and painted gold. Black sand finish background. SIZE: 7-1/2” h x 96” l. CONDITION: Very good, some background loss, but a very presentable sign. 52279-5 (1,000-1,500)

2236.

WARREN W SHEPPARD (American, 1858-1937) “THE VIGILANT”. Oil on canvas portrait of the center board sloop, Vigilant, owned by a syndicate led by Charles Iselin, which included Cornelius Vanderbilt, Henry Astor Carey, and Edwin Dennison Morgan, amongst others. She was launched on June 14th 1893 and is best known for winning the 1893 America’s Cup against British challenger Valkyrie II. The single masted sloop sails left to right along the horizon line with a two-masted ship in the distance and a hardly visible point of land to its stern. Housed in a Friedrichs Company gold tone wood frame. Signed lower left “Warren Sheppard”. SIZE: 20” x 30-1/4”. Overall 24-1/2” x 34-1/2”. CONDITION: Very good. 5209930 (3,000-5,000)

Lot 2236

2237. KAZAK ORIENTAL RUG, NORTH CAUCASUS. Second quarter 20th century. With two bold eagle ivory medallions each with blue/ gray cross and wine red central medallion on a red/ pink ground with a row of flower heads and with trellis polychrome snowflake border flanked by blue/gray sawtooth borders. This rug has unusual braided tassel fringe. SIZE: 4’ 11” x 7’. PROVENANCE: From a private Connecticut collection. CONDITION: Very good overall, light soiling throughout. 52341-3 (3,0004,000)

Lot 2237 369

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Session 2

Lot 2235

2238.

Session 2 2239.

FINE THREE EAGLE KAZAK RUG, NORTH CAUCASUS. Circa 1910. Rug is dated at opposing corners. Three aligned ivory medallions each with central rose pink diamond medallions on a midnight blue ground filled with dense polychrome flower heads and with exotic animals and birds. The main ivory border with scrolling snowflake design within indigo guard borders. SIZE: 5’ 2” x 9’ 5”. PROVENANCE: From a private Connecticut collection. CONDITION: Rug retains very good pile throughout, ivory border with slight casting of red. Light soiling throughout. 52341-2 (2,000-3,000)

Lot 2238

ANTONIO JACOBSEN (American, 1850-1921) PORTRAIT OF THE AMERICAN SCREW STEAM-SAILER “NIAGARA” OF THE WARD LINE, NEW YORK, NY. Rare early and fine Jacobsen oil on canvas portrait of the black hulled Niagara steam-sail ship in heavy seas. The heavy swells are portrayed with luminous troughs and great variation qualities characteristic with Jacobsen paintings dating from 1870’s to mid. 1880’s primarily. (Later Jacobsen works have much more stylized waves and skies). The Niagara is shown flying an American flag and the Ward Line house flag. Seven figures can be seen on her deck, and the ship’s name is on the deck house. In the distance, another steamship is depicted with fine detail, just off the stern of the Niagara. A clearing sky with passing dark clouds and patches of blue sky is captured overhead. Signed lower right “Antonio Jacobsen NY 1877/2578th Ave near 23 St.” Housed in a fabulous gold leaf, period style frame with artist and title plaque, the back retaining a Quester Gallery label. The Niagara was built by John Roach & Son in Chester, PA for the Ward Line, a prominent mail steamship company operating out of New York, NY from 1841-1954. The Niagara registered 294’ L, 38’ D, 23’ B, and 2265 tons. LITERATURE: Sniffen, Harold S. Antonio Jacobsen - The Checklist. New York, NY: Smith Gallery Publications Office with The Mariner’s Museum, Newport News, VA; 1984. pp. 218-219. SIZE: 22” x 36”. Overall: 30” x 44”. CONDITION: Very good, lined on new stretcher, some minor inpainting. 520965 (10,000-15,000)

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370

Session 2 2240.

JAMES EDWARD BUTTERSWORTH (American/British, 1817-1894) SALUTING OFF GIBRALTAR. Outstanding oil on panel Mediterranean scene shows a three-mast American frigate sailing right to left with Gibraltar in background. The American ship is firing on a three-mast, three-deck Man of War. Several other boats are seen on a light greenish/blue sea with seagulls. The American ship has sails up flying the American flag & long ships pennant. Appears to be unsigned. The back having pencil inscription “Gibraltar-Men of War Saluting”. The board is stenciled “Muller Paris”. Housed in a fine modern gilt deep wood frame. SIZE: 6-1/2” x 9-1/4”. Overall: 12” x 14-3/4”. CONDITION: Very good, scuffing to frame edge. 52056-1 (15,000-25,000)

371

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Session 2 Lot 2241 2242.

2241. BRASS BOUND MAHOGANY CAMPAIGN CHEST. 1st quarter 19th century, England. This small chest in two parts. The upper case fitted with a pair of aligned short drawers over a long drawer, fitted to lower case with two long drawers all with incised edging. Raised on suppressed ball feet. The chest brass bound at the corners and fitted with inset campaign style brasses. The case in mahogany with oak secondary wood. SIZE: 40-1/2” h x 38-3/4” w x 18-1/2” d. CONDITION: Cleaned and re-polished, with normal and expected in-use wear, slight damage to lower proper right corner of upper case. 51911-62 (3,500-5,500)

SEA CAPTAIN WEATHERVANE. Last quarter 19th century. Sheet copper with iron pipe mounting post depicting a sea captain with peg leg peering through his spyglass. SIZE: 28” h x 17” w. CONDITION: Verdigris surface with traces of old gold paint. 51859-21 (3,000-4,000)

Lot 2242 2243. EXCEPTIONAL HEXAGONAL BOXED SAILOR’S VALENTINE. 2nd Quarter 19th century, New England. The hexagonal sloping lid fitted with six original astragal-glazed glass panels of the period fitted to the conforming bolection molded frame with beaded moldings. The box contains an exceptional Sailor’s shell valentine with gently sloping slides to a floral center rondel with an intricate design of seed shells arranged in a sun ray pattern. SIZE: 6-1/2” h x 16” diameter overall. CONDITION: Box retains original old simulated mahogany grained surface now with dark natural patina. Shells remain intact and retain vibrant color. Very good overall. 51911-40 (3,000-5,000)

Lot 2243

2244.

OUTSTANDING SAILOR MADE MACRAMÉ FRAME WITH OVAL WINDOW. 19th century. The frame made of seven different macraméd strips, the interior “mat” having a braided oval center, all on a wood back support. SIZE: 29-1/2” x 24-1/2” Overall, center window: 17” x 13”. CONDITION: Very good. 51880-1 (2,000-3,000)

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372

SAILOR’S DOUBLE SHELL VALENTINE. Late 19th century, Barbados, Caribbean. The hinged octagonal case opens to two shell works. The left with central rondel of seed shells with the message “A PRESENT FROM BARBADOS” within a pink shell border, further bordered by conjoined shell triangles of various color and type. The right side with central heart beneath a shell flower head within a border of geometric shapes of different color and shells alternating with four pink and white flower heads. SIZE: 9-1/4” w x 18-1/4” l (open). CONDITION: Case with repairs, otherwise old surface with dark color. The two tableaus of shellwork are intact and in good condition. 52213-14 (2,000-3,000)

Lot 2245

2246. WHALEBONE, IVORY, AND EBONY WALKING STICK. 19th century, America. A fine example with cylindrical whalebone shaft and well carved and polished ivory handle in the form of a birds head with hooked beak. The walking stick with ebony bands around the handle. SIZE: 33-3/4” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Item retains original undisturbed surface, good patina. Sections of handle with old fissures and shrinkage cracks now stable, very good overall. 52012-1 (3,000-3,600) ESA

2247.

TWO BRITISH SPYGLASSES. First half 19th century, England. The first, engraved “WATKINS. CHARING CROSS LONDON”. A single draw telescope with unusual faceted ten side mahogany tube. The second, a single draw brass telescope with mahogany barrel engraved “Dollond London”. SIZE: 1) 29” l closed. 2) 27-1/2” l closed. CONDITION: Both with original surface and intact lenses with normal and expected wear and abrasion. Good color and patina. 52398-7 (800-1,200)

2248.

DIMINUTIVE DOUBLE SAILOR’S VALENTINE. 3rd quarter 19th century. Of typical form with geometric patterns of shells, the left portion depicting delicate heart within circular borders surmounted by a flower head. The right side with a rondel of seed shells forming the phrase “THINK OF ME” within a wide polychrome border of shell flower heads. The hinged walnut case has been cleaned and in need of re-polishing. SIZE: 8-1/2” sq. CONDITION: Generally very good, a minimal number Lot 2247 of seed shells need reattachment. Otherwise very good. 52308-42 (1,8002,200)

Lot 2248 373

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Session 2

2245.

Session 2 2249.

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JAMES EDWARD BUTTERSWORTH (American/ British, 1817-1894) SHIPPING IN A BUSY CHANNEL. Oil on canvas scene shows a large gunship traveling at an angle toward viewer while others are seen on the horizon line and in front of and back of the ship. Initialed lower right very lightly, housed in a gilt molded wood frame with artist plaque. SIZE: 20” x 24”. Overall: 23” x 27-1/2”. CONDITION: Lined, craquelure, with inpainting, otherwise good. 52366-3 (10,000-15,000)

374

Session 2 Lot 2250 2250.

JAMES EDWARD BUTTERSWORTH (American, 1817-1894) PAIR OF YACHT RACING WATERCOLORS. Identically housed in Eastlake ebonized and gold frames with new ivory mats behind glass. One shows one boat rounding the buoy with four men on deck with the other yacht in the distance. Signed “JE Buttersworth”. The other unsigned, showing a green hulled boat passing a buoy with light house in distance. Literature: Bonhams sale 21592, Fine Marine Paintings and Decorative Arts, 25 June 2014, Lot 179 for another example of A racing yacht on Great South Bay; Schaefer, Rudolph J., J.E. Buttersworth - 19th Century Marine Painter, Mystic Seaport, Mystic, CT., 2009, pg. 127 for the oil on canvas version of A racing yacht on Great South Bay. Schaefer, Rudolph J., J.E. Buttersworth - 19th Century Marine Painter, Mystic Seaport, Mystic, CT 2009, pg. 118 for a similar scene of yachts racing off Sandy Hook with the same lighthouse and buoy. SIZE: Sight: 7” x 9-3/4”. Overall: 15-1/2” x 17-3/4”. CONDITION: Foxing line and age toning, loss to small section of signature. 52366-1 (3,000-5,000)

2251.

LARGE HORSE & SULKY WEATHERVANE. Late 19th/early 20th Century. Of typical form showing horse in full stride. Stand does not accompany weathervane. SIZE: 52” l x 33” h. CONDITION: Overall good condition. 51971-10 (8,000-12,000)

Lot 2251 375

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2252.

Session 2

FINE CHIPPENDALE CARVED CHERRY LOWBOY. Last quarter 18th century, probably Pennsylvania. The rectangular two board top with molded edge and notched corners projecting above the conforming case fitted with a long drawer above three short drawers each with thumb molded edge flanked by quarter round fluted columns above an arching scalloped apron. Raised on cabriole legs with shell carved knees and returns with scrolled volutes raised on well defined ball and talon feet. SIZE: 30” h x 36” w x 20-1/2” d. CONDITION: Professionally cleaned and re-polished, very good honey brown color. Drawer guides replaced or restored, top has been reset, butterfly cleat repair to shrinkage crack near proper left side edge. Returns appear original. Proper right front foot with early repair at leg, otherwise feet with full height. Long drawer with cosmetic repair to bottom drawer sides. Most rose head nails intact. Good overall. 52135-1 (2,5004,500)

Lot 2252

2253. EARLY 2nd GENERATION BANJO TIMEPIECE. 1820-1825, New Hampshire. The case surmounted with cast brass eagle finial above the painted iron dial with Roman numeral chapter ring and single aperture with blued cut hour and minute hands. The glass door bezel mounted with three tabs. The throat with floral decorated églomisé panel flanked by brass filets with cutouts typical of New Hampshire styling above the box base with églomisé panel decorated with pastoral landscape. The base bordered with gilt rope molding. The brass eight day time only movement mounted with a single screw through the backboard. Movement with steel crutch and with cutouts in keystone on both sides. Movement is unmarked. SIZE: 33-1/4” h. CONDITION: Clock has been re-strung with new weight cords. Original pendulum with butterfly tie-down. Lead weight is original. Throat glass with old crack now stabilized. Case with original finish. Dial with original paint. Professionally cleaned and adjusted. Very good overall. 52137-6 (800-1,200)

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376

377

GOOD NEW ENGLAND MAPLE BONNET TOP HIGHBOY. Second quarter 18th century, Massachusetts. This well proportioned example in two parts. The upper case with molded swan’s neck cornice centering three spiral flame finials above the frieze fitted with central fan carved drawer flanked by two conforming side drawers with shaped tops over four graduated long thumbmolded drawers fitted to mid-molded lower case with single thumbmolded long drawer above a central fan carved drawer flanked by short drawers above an arcaded apron raised on well defined cabriole bandy legs terminating in pad feet. The legs with sharply scalloped returns. SIZE: 87” h overall. 35-1/2” upper case w. 39-1/2” w overall. 21” d. CONDITION: Highboy retains a matched set of period brasses in original holes, probably old replacements. Backboard is original, bonnet top appears original. Old crusty surface cleaned and polished with good rich color and patina. Very good overall. 52135-8 (9,000-12,000)

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Session 2

2254.

2255.

Session 2 2256.

DOUBLE STAMPED HARRIS & SON FULL BODY COPPER RUNNING HORSE WEATHERVANE. Second half 19th century, Boston, Massachusetts. This fine large example with hollow copper head. Stamped “HARRIS & SON, BOSTON” on each side at mid point of body. The weathervane mounted on a tubular support rod above a mid molded copper sphere joined at fore and hind legs. The weathervane with pleasing surface. Now accompanied by museum wall mount stand. SIZE: 24-1/2” h (including support rod and finial) x 34” l overall. CONDITION: Structurally very good with minimal, if any, denting. Pleasing old regilded surface with variegated verdigris and with worn areas showing nicely patinated original copper surface. Very good overall. 52242-1 (3,000-5,000)

Lot 2255

RARE MASSACHUSETTS SHERATON INLAID MAHOGANY ONE DRAWER SERVING TABLE. 1st quarter 19th century, Salem, Massachusetts. The rectangular single board top above the conforming base with bow front fitted with a single short drawer with string inlaid oval patera, mounted with original brass. Handle cast with a lion’s mask. The table raised on spool ring-turned tapering cylindrical legs with ringed cuffs on tapered cylindrical elongated feet. The whole with undisturbed original surface. SIZE: 29-1/2” h x 27-3/4” w x 20” d. CONDITION: Structurally very good. Top with old darkened water stains. Proper left side with old crescent shrinkage crack, now stable. Small losses of veneer proper left side of apron, together with loss to half-round molding strip. Otherwise structurally good. 52143-5 (800-1,200)

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378

2258. IMPORTANT HEPPLEWHITE CARVED MAHOGANY FIVE BACK SETTEE. Late 18th/ early 19th century, carvings and characteristics, and frame with secondary beech wood suggests English style and construction. Each back with serpentine crests and scrolling leaf tips within a shield form molded frame centering three carved sheaf of wheat splats joined to molded dramatic S-scrolled downswept arms raised on molded supports centering the rectangular seat rail with curved sides. The frame raised on four tapering molded frontal legs carved with belle flowers and headed by floral patera terminating in pointed Marlborough feet and with four backswept rear legs. SIZE: 39” h x 83-1/2” l x 26” w (approx). CONDITION: Frame has been tightened and re-polished, now with a darkened chocolate brown mahogany. Overall very good. 52143-6 (5,000-7,000)

Lot 2257

Lot 2258 379

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Session 2

2257. INDO-KASHAN SILK ORIENTAL RUG. Last quarter 20th century. The central arabesque poled medallion with plum central mandala, midnight blue mid ground, border with foliate c-scrolls all on an ivory field filled with delicate polychrome floral sprays within plum and dark cream spandrels. The blue/black main border with dense floral trelliswork within taupe and dark cream guard borders of scrolling flower heads and lotus blossoms. SIZE: 9’ 1” X 12’ 3”. PROVENANCE: From a private Connecticut collection. CONDITION: Pile is in very fine condition, color rich and uniform, very good overall. 52341-10 (4,000-6,000)

Session 2

2259.

IMPORTANT ABEL HUTCHINS INLAID MAHOGANY TALL CASE CLOCK. Concord, New Hampshire. Abel Hutchins active 1786 through first quarter 19th century. This fine tall case clock circa 1810 with arched scrolling pierced fretwork alternating with inlaid pediments, each surmounted by original reeded ball and spire brass finials above the cove molded cornice supported by free standing fluted columns with brass capitals and bases centering the arched door opening to a painted dial with Roman numeral and Arabic chapter rings centering a subsidiary seconds dial and time and strike apertures above “Abel Hutchins” in flowing script above “CONCORD”. The dial within delicate painted gilt foliate spandrels all beneath a painted moon phase dial within the arch. The eight day brass movement striking on a bell. The cased throat with rectangular inlaid door with finely molded edges and central oval inlaid patera flanked by engaged stop fluted quarter columns joined to the cove molded box base raised on slender delicate French feet centering a shaped apron. The box base with oval figured maple inlaid patera. NOTE: Clock is accompanied by three brass finials, winder, door key, pendulum and pair of weights. SIZE: 7’10-3/4” overall height. Throat width 14-1/4”. 9-1/2” d. PROVENANCE: From a private Maine collection. CONDITION: Overall very good original condition with fine mellow patina and well polished and maintained surface. Brass finials and fretwork appear original as is dial and movement. Small stable shrinkage cracks above cased door and on box base. Losses to string inlay border of base. Otherwise very good. 52345-4 (5,0008,000)

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380

Lot 2260 2261.

FULL BODY COPPER COW WEATHERVANE ATTRIBUTED TO CUSHING & WHITE. Last quarter 19th century, Waltham, Massachusetts. This fine untouched example with verdigris and remnants of brushed on sizing. The cow with zinc head, molded copper ears, stylized udder and vertical hanging tail, mounted on original copper rod. SIZE: 15” h x 29-1/2” l (overall). PROVENANCE: Removed from a barn in Windsor, Maine, corner of RTE 17. CONDITION: Early surface as noted, loss of left horn, loss of support rod from foreleg forward. Otherwise very good with honest surface. 52335-6 (3,000-5,000)

Lot 2261 2262.

Lot 2262 381

XCEPTIONAL CARVED AND E DECORATED CANDLE BOX. Late 18th century, Pennsylvania. The basswood box with dry original blue and red painted surface. This carved example probably a wedding gift carved from a single piece with sliding lid, profusely carved with hearts and “X” symbols within carved borders of triangles. Underside of lid carved “1700”, the underside of box similarly carved under a band of cross-hatched incisions. SIZE: 2-3/4” h x 7-1/4” l x 3” w. CONDITION: Fine patina with age consistent paint wear and light abrasion. 51859-12 (2,000-3,000) Visit www.jamesdjulia.com for more information

Session 2

2260. SEMI-ANTIQUE SAROUK RUG, CENTRAL PERSIA. Early 20th century. The overall polychrome floral design on a midnight blue ground within a brick red floral filled main border framed by floral guard borders. SIZE: 3’ 4” x 5’ 1”. CONDITION: With overall even wear and with minor spot wear to foundation, a small 3/4” slit near exterior of main panel withing a floral garland. Losses to rug at ends well into outer guard border. Otherwise good. 51911-26 (600-900)

2263.

Session 2

THREE PAINT DECORATED BOXES. 1st half 19th century, Pennsylvania and New England. 1) A small dome top example decorated overall with vibrant floral sprays within gold paint borders on scrolling bracket feet. The dome top fitted with a simple handle opening to an interior fitted with a till. The back of the box inscribed in black paint “Grindring”. 2) Painted decorated with floral sprays and song birds, the domed lid in three parts with rows of flower heads all on a green ground. 3) A rectangular box paint decorated with geometric designs with black and red line borders. The interior divided into three compartments. SIZE: Largest 6-1/4” h x 14-1/2” l x 9” d. CONDITION: 1) Proper right end with two horizontal wood losses, painted surfaces with normal and expected soiling and abrasions from in-use wear. 2) Normal and expected in-use wear and abrasions resulting in minor paint loss notably proper left side. 3) With light soiling, otherwise very good. 52236-18 (600-800)

Lot 2263

2264. DIMINUTIVE PENNSYLVANIA CHIPPENDALE WALNUT HIGH CHEST OF DRAWERS. Circa 1780, Lancaster County. Rectangular dovetailed case with applied cove molding over three short aligned drawers over five graduated long drawers all with thumbmolded edges, flanked by engaged quarter columns on a molded base raised on bold ogee bracket feet. SIZE: 61-1/2” h. 41-1/2” case w. 44” overall w. 22-1/2” d. CONDITION: Chest professionally repolished and with very good cosmetic repairs where needed. All bracket feet professionally restored, now very good. 52135-4 (1,500-2,500)

Lot 2264 2265.

FINE PENNSYLVANIA CHIPPENDALE WALNUT SPICE CABINET. 1760-1770. The rectangular cabinet with molded crest, fitted with a hinged door opening to an interior fitted with an arrangement of ten dovetailed drawers, each with elongated mushroom knob. The whole on a molded base raised on bracket feet with shaped scalloped returns. SIZE: 19-1/2” h x 16-1/2” w x 10-1/2” Lot 2265 d. CONDITION: Cabinet now with rich tea brown color, top with remnants of old water stains, re-polished, structurally very good. 52135-15 (3,500-4,500) 2266. OUTSTANDING WOOLWORK COMPOTE OF FLOWERS ON CHECKERED TABLECLOTH. 19th Century. The still life shows a white ribbed compote full of different colorful flowers against a black background. The compote is set upon a white linen cloth which is set on a checkerboard diamond shaped cloth in deep blue, rose, green & white colors. Housed in a birdseye maple frame with gilt liner behind glass. SIZE: Sight: 12-1/2” x 15-1/4”. Overall: 16” x 19”. CONDITION: Very good. 52279-4 (800-1,200)

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382

THREE FRAMED PETITE POINT FLORAL NEEDLEWORKS BY HENRIETTE FONTAINE, PHILADELPHIA 1806. The three identically framed in replacement gilt molded wood frames each with a tied spray of flowers each incorporating roses. One accompanied inside the frame by the label with location, date and maker. SIZE: Sight: 11-1/4” x x11-1/4”. Overall: 13” x 12-3/4”. CONDITION: Stitching is very good with no loss, silk background has some soiling, and foxing. 52094-13 (600900)

Session 2

2267.

2268. ATTRIBUTED TO REMBRANDT PEALE (American, 1778-1860) PORTRAIT OF A GENTLEMAN. Unsigned oil on canvas half portrait of a young man with curly brown hair Lot 2267 wearing a brass buttoned greenish/black coat with hand on chair crest. A mottled brown background. Housed in a wide gesso decorated gilt frame behind glass. SIZE: 34” x 28”. Overall: 44-1/2” x 38”. CONDITION: Very good. 52115-6 (2,000-3,000)

Lot 2268 2269.

ANTIQUE SHIRVAN RUG, SOUTH CAUCASUS. Late 19th century. This fine example of asymmetrical design with four rose red irregular medallions each with polychrome phoenix design on an ivory ground. The whole on a dark indigo field interspersed with tarantula, crab, animal, and snowflake design within multiple polychrome floral and geometric borders. SIZE: 4’ 1” x 5’ 3-1/2”. CONDITION: Exhibits strong palette with even wear throughout commensurate with age. No repairs, damage or restoration noted. 51911-32 (2,000-3,000)

2270. FINE QUEEN ANNE CHERRY CANDLESTAND ATTRIBUTED TO THE SHOP OF Lot 2269 ELIPHALET CHAPIN. Windsor, Connecticut, workshop of Eliphalet Chapen (1741-1807). The square top with ovolo corners and canted edge joined to the swelled ring-turned standard. Raised on highly defined tripod cabriole leg base with notched and shaped returns on ridged pad feet. The pedestal with incised circular decoration throughout and with a characteristic in-curved spool turning beneath the urn. SIZE: 26-3/4” h x 19-3/4” l x 20-1/4” w. CONDITION: Table has been cleaned of original surface. Existing surface somewhat dry and in need of some polishing. Structurally very good. 52235-16 (1,200-1,800)

Lot 2270 383

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2271.

Session 2

MICAH WILLIAMS (American, 1782-1837) PORTRAIT OF A MOTHER & CHILD. Unsigned pastel half portrait of the mother holding her infant child on her lap who is wearing a Christening dress. The child holds her mothers finger and smiles looking at the viewer. The mother wears a gold earring with tortoise shell hair comb. Housed in a period black painted wood frame with gold liner behind glass. On verso is a conservation report by The Conservation Center for Art & Historic Artifacts, Philadelphia & dated 2004. NOTE: Williams’ method of mounting his works was unique. He affixed the back of the picture to newspaper and attached that to a frame which, in turn, was backed with more newspaper. The conservator has preserved the newspaper and it is mounted on verso. The following lot is the mate which presumably is the husband. SIZE: Sight: 25” x 21”. Overall: 29” x 26”. CONDITION: Some restoration as noted on conservators report, generally very good. 52283-1 (6,000-9,000)

Lot 2271

2272. MICAH WILLIAMS (American, 1782-1837) PORTRAIT OF A GENTLEMAN. Unsigned pastel half portrait of wearing a black coat & hand holding his lapel. Housed in a period black painted wood frame with gold liner behind glass. On verso is a copy of the conservation report by The Conservation Center for Art & Historic Artifacts, Philadelphia & dated 2004. NOTE: Williams’ method of mounting his works was unique. He affixed the back of the picture to newspaper and attached that to a frame which, in turn, was backed with more newspaper. The conservator has preserved the newspaper and it is mounted on verso. The preceding lot is the mate which presumably is the wife & child. SIZE: Sight: 24” x 21”. Overall: 29” x 26”. CONDITION: Restoration as noted in the conservation report, very good. 522832 (3,000-5,000)

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384

Lot 2273 2274.

BLACKHAWK WEATHERVANE ATTRIBUTED TO HARRIS & CO. Last quarter 19th century. Of typical form depicting a horse in full stride, with cast metal ears. Accompanied by stand. SIZE: 19” h x 23” l. CONDITION: Old in use regilded surface with touch up to tail and legs. 51859-18 (3,000-4,000)

2275.

Lot 2274

ENNSYLVANIA CHIPPENDALE CARVED WALNUT CHEST P OF DRAWERS. Second half 18th century. Rectangular top with applied molded edge above the conforming case fitted with four graduated long drawers with thumb molded edges on a molded base flanked by engaged fluted quarter columns on a molded base raised on ogee bracket feet. SIZE: 37” h x 44” w x 21-3/4” d. PROVENANCE: From a Maine and Pennsylvania estate collection. CONDITION: Chest retains original surface. Top with multiple water and alcohol stains. Original brasses absent, now with appropriate period brasses redrilled. Original feet with losses to proper left front and rear legs with old damages to bottom front of each front foot. Otherwise good. 52016-1 (800-1,200)

Lot 2275 2276.

FINE UNUSUAL FEDERAL INLAID MAHOGANY CARD TABLE. Circa 1810, New York. The hinged square top with ovolo corners hinged and opening to rest on a gated rear leg, revealing a baize lined hinged writing slope flanked by baize lined wells for gaming pieces above the conforming string inlaid apron with central drawer. Raised on tapered square legs with banded cuffs. SIZE: 29-1/2” h x 35-3/4” w x 17” d. CONDITION: The whole with professional French polish surface. The table with rich and vibrant color. 52132-4 (2,000-3,000)

Lot 2276 385

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Session 2

2273. FEDERAL INLAID MAHOGANY LOLLING CHAIR. Late 18th century, Newburyport, Massachusetts. The serpentine crest rail above the canted over-upholstered back joined to half serpentine arms continuing to out-scrolled hand holds raised on concave shaped and scrolled supports with string inlay joined to inlaid square tapering legs and raked rear legs all joined by a recessed box stretcher. The whole covered in a pale green damask. SIZE: 46” h x 25-1/4” l x approximately 25” w. Seat h: 14-1/2”. CONDITION: Very good overall condition, professionally cleaned and polished, no restoration or structural damage noted. 52135-14 (1,200-1,500)

Session 2

2277. ANTIQUE BANDERMAN SILK PRAYER RUG. The rose mihrab with delicate tendrils at the corners within a main border of floral flower heads joined by leafy trelliswork, within floral guard borders. The lower edge of the rug with long knotted fringe, the top of the rug with knotted and bundled fringe. SIZE: 3’ 7-1/2” w x 5’ 3” h (excluding fringe). CONDITION: This good early example with even wear overall nearly to foundation. Foundation remains solid and structurally intact. 52341-14 (400600)

2278.

Lot 2277

NEEDLEWORK MEMORIAL TO MRS. ESTHER SWEET BY HER DAUGHTER NANCY SWEET. The needlework has a central obelisk type monument with willow tree and grieving girl. A church is seen on the left side in a landscaped foreground. The monument has black stitch inscription “Consecrated to the remains of the best of Mother’s. Mrs Esther Sweet, who was born Dec. 23rd, 1778 and departed this life Oct. 3rd, 1811. In the 33rd year of her age and Elizabeth Richardson Sweet, who was born March 3rd, 1811 and departed this life November 3rd, 1811”. Housed in a lemon gold gilt Lot 2278 wood frame with glass having a black border with “Nancy Sweet” at bottom. SIZE: Sight: 20” x 23-1/2”. Overall 24” x 27-1/4”. CONDITION: There is some staining on the glass underneath with water stains to monument and across needlework. Stitching and background are intact. 52000-2 (800-1,200) 2279. THE FIRE BRIGADE APPROACHING THE CONFLAGRATION. Interesting 19th Century oil on canvas scene shows an antique fire engine pulled by two horses and six men can be seen atop the wagon. The brass steam engine billows fire as they rush to a warehouse type building in flames. Several onlookers are seen in the foreground. A possible partial signature can be seen lower right. Housed in a modern gesso decorated frame with gilt liner. SIZE: 10-3/4” x 14-3/4”. Overall: 15” x 19”. CONDITION: Three patches to the original canvas with some touch up. There is all over, very fine craquelure with some light chipping mostly to right side & corner. 522901 (2,000-4,000)

Lot 2279 2280.

RARE AND EXCEPTIONAL FIREMAN’S PARADE LAMP. Late 19th century, American. This rolled sheet iron example in original red paint with hinged swinging handle to be attached to wooden parade staff. Inscribed in white decoupage paper “THE HOOK AND LADDER CO. / WHAT THE FOREMAN SAYS GOES”. The opposing sides fitted with dark red glass panels, one side a hinged door. Each with foil painted image of a fireman beneath which is a scrolling banner inscribed “WHAT THE FOREMAN SAYS GOES”. The lantern roof of sarcophagus form with double semi-circular smoke baffle. Interior of the lantern fitted with a sheet iron oil wick lamp with brass burner within a circular sheet iron fence. SIZE: 13-3/4” h x 6-1/2” sq. CONDITION: Glass panels intact. Exterior red paint crusty and amalgamated with areas of weather foxing which now appears white. Otherwise in very good untouched condition. 51859-6 (2,000-4,000)

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386

Lot 2280

TWO RARE PICTORIAL SAMPLERS BY MARY ANN HANDSAKER. Circa 1837/8. The two samplers memorializing the birth and premature death of her son, Thomas Handsaker. The first dated February 2 1837 identifying Thomas Handsaker, and depicting a manor house flanked by stylized trees and birds, the figure of young child with dog in foreground within a border of green and cream floral trellis work. The whole woven on linen foundation. The second sampler woven in identical style and manner, dated August 24th, 1838 and signed “Mary Ann Handsaker”. The example woven with a stylized Lot 2281 flowering tree flanked by birds, smaller flowering shrubs and a basket filled with fruit and small dogs within an identical border to the first, also woven on linen. NOTE: It is our belief that the two samplers, woven by Mary Ann Handsaker, illustrate the brief story of her son, Thomas Handsaker, who we surmise died August 24, 1838, 17 months after his birth. Below is the text of these examples: 1) Thomas Handshaker was Born February th 2. Lord what his life tis like a flower That blossoms and is gone We see it flourish for an hour With all its beauty on. But death comes like a wintry day And cuts the pretty flower away. See the littel Darling Boy A father’s Hope A mother’s Joy May The Sins Sad ruin Flee And Subject To his parents Be. Life is short death is sure. 2) And shall I say its yet too soon To Seek for heaven or think of death A flower may fade before tis noon And I this day resign my breath. Our days on the Earth are but a shadow And there is no abiding Aug 24th 1838 Mary Ann Handsaker. Each housed in a pine frame with gilt surround. SIZE: Sight: 13-1/2” x 12-3/4”. CONDITION: The samplers each with toning. Colors with normal and expected fading. Minor and minimal deterioration of thread. Good to very good. 52340-4 (1,000-1,500)

2282. NEW HAMPSHIRE SHERATON MAHOGANY WINGBACK CHAIR. Early 19th century, Probably Portsmouth. The serpentine crestrail joined to dramatic ogival wings continuing to out scrolled over upholstered trapezoidal seat with serpentine seat rail. Raised on blocked spool-ring-turned blocked and cylindrical legs. Terminating in suppressed ball feet. The rear legs backswept. REF: Portsmouth Furniture: Masterworks from the New Hampshire Seacoast by Brock Jobe, for a similar example see pg 374. SIZE: 47” h x 16” h (seat) x 34-1/2” w x 32” d (approximately). CONDITION: The chair has been recovered in a cream silk damask and is very good condition. Chair structurally very good. Legs retain original untouched surface with dark patina. Very good overall. 52135-7 (4,0006,000)

Lot 2282 2283.

FEDERAL MAHOGANY PRESENTATION TIMEPIECE. First third 19th century, Concord, Massachusetts. Second generation case surmounted by gilt onion finial above the circular iron dial with Roman numeral chapter ring fastened by guide pins. The dial fitted with single aperture and with an inscribed spurious signature “Wood”. Door with original glass bezel held by three tabs. The eight day brass movement mounted with a single screw through the backboard. The case throat glass with églomisé keystone design with floral and gilt decoration flanked by diamond form cutout brass sidearms above the box base with hinged door fitted with églomisé panel depicting a young girl on stage with bouquet of flowers beneath drapery. The door is fastened with a key lock. The box base with gilt presentation bracket with double row of spherules. SIZE: 39-1/2” h. CONDITION: The unmarked movement with steel crutch. Repair to suspension spring and keystone. Lead weight and pendulum original. Églomisé panels original. Very good overall. 52398-4 (1,500-2,500) 387

Lot 2283

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Session 2

2281.

Session 2

2284. DRAMATIC FEDERAL INLAID MAHOGANY SERPENTINE CARD TABLE. First quarter 19th century, possibly New York. The deep serpentine sides with shortened elliptic front, the edges cross-banded above the conforming apron with figured mahogany veneers and an oval figural maple patera within a rectangle. The edges cross-banded. Raised on square tapering legs headed by birds eye maple inlaid panels and crossbanded cuffs tapering to pointed feet. SIZE: 29” h x 35” w x 19” d. CONDITION: With fine, well-maintained polished surfaces. No damage or restoration noted. Very good overall. 52345-3 (1,0001,500)

Lot 2284 2285.

EXCEPTIONAL SILK AND WATERCOLOR NEEDLEWORK PAINTING “SPRING”. Early 19th century, signed lower left beneath églomisé panel “Sarah Rofrase(?) 1813, age 11 years”. The work depicting a classically dressed affluent couple with their three children amidst a pastoral landscape; a rainbow in the sky and with details of water wheel mill, stream, tree, shrubs and flowers. The gentleman in foreground holding a garland of flowers while gazing at his daughter. The mother, holding a pouch of flowers gazing at and reaching out to a son. The second son with fishing pole in background. All mounted beneath an original églomisé glass panel titled “Spring”, on a pine stretcher housed in a gilt pine frame. SIZE: 18-3/4” h x 15-1/2” w. CONDITION: The work with minor silk loss, mainly to proper left knee of gentleman. Scattered small paint losses to églomisé panel. Frame with loss of gilding. Stretcher retains remnants of 1909 Milwaukee, Wisconsin newspaper over original wallpaper. Otherwise very good. 51859-40 (2,000-4,000)

2286. WONDERFUL PAIR OF 18th CENTURY NEEDLEWORK PORTRAITS. A matched pair identically housed in black frames with sandpaper gold mats behind glass. The oval presentation having a wreath border surrounding a man in one and a woman in the other. Landscapes can be seen behind in colorful blues, greens & browns. One with a house and the other with a castle having figures. SIZE: Sight: 10” x 8-1/4”. Overall: 14-1/4” x 14”. CONDITION: Generally very good, not examined out of frames, mats with discoloration. 52094-1 (1,500-2,500)

Lot 2286

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Lot 2285

388

18th CENTURY DIMINUTIVE CHIPPENDALE CARVED MAHOGANY CAMEL BACK SETTEE. Second half of the 18th century. The serpentine crest rail joined to boldly out scrolled arms on conforming shaped supports with deeply carved scrolling leaftips terminating in rolled ears centering the upholstered seat with serpentine rail raised on 6 slender cabriole legs terminating in small feet with molded scrolled flutes. Covered in early stripped silk fabric, (much deteriorated). A wonderful diminutive size with beautiful delicate proportions. SIZE: 37” h, overall 67” l, seat: 16-1/2” h. CONDITION: Frame is sound structurally with some small old replaced returns and left front leg repair. 52380-1 (1,500-2,500)

Session 2

2287.

Lot 2287

Lot 2288 2288.

FINE BIJAR CORRIDOR RUG, NORTHWEST PERSIA. Second quarter 20th century. The vibrant carpet with dense polychrome floral sprays aligned within a blue/black ground. The vibrant rose red main border with tarantula design alternating with lotus blossoms within scrolling floral polychrome guard borders. SIZE: 3’ 4” x 16’ 3”. CONDITION: The carpet with loss to fringes and wear and fading to corners at one end, fringe absent, pile otherwise remains full with strong color and suppleness. 51899-3 (1,000-1,500)

2289. RARE 18th CENTURY QUEEN ANNE ACCORDION GAME TABLE. This table with cabriole legs and pad feet, having a shaped top with rounded corners opens to reveal a felt-covered playing surface with four oval recessed areas for gaming chips. Each of the corners of the table recessed for a candle holder. The table having an all over carved decoration, some of which may be of Victorian era vintage. SIZE: Opens to 30” x 33”. CONDITION: Generally good. Some small veneer losses on the apron. 5238029 (2,750-3,750)

Lot 2289 (w/alternate view) 389

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Session 2 2290.

SIR HENRY RAEBURN (United Kingdom/Scotland, 1756-1823) PORTRAIT OF JOHN BALFOUR, M.P. Oil on canvas half portrait shows a handsome young man with curly brown hair wearing a brown coat, yellow vest & white stock. On verso of stretcher is a period penned inscription “John Balfour”. Housed in a fine gesso decorated gilt frame with artist & title “John Balfour of Trenabie. Orkney N.B.” IMPORTANT NOTE: Accompanying the painting is a 10-page booklet dated July 1921 by W. Roberts titled “John Balfour M.P.” by Sir Henry Raeburn R.A.. The booklet has, as it’s frontice piece, an engraving of this portrait and the history of the portrait and John Balfour. John Balfour was, for over half a century, head of the Orkney Branch and the family derives its’ name from Balfour Castle in Fifeshire. The first recorded ancestor was Siward who was slain by Macbeth, whose story has been immortalized by Shakespeare. John was born in 1750 and married in 1783. He was elected to the House of Commons as Member for Orkney and Shetland, first in July 1790 and secondly in April 1920. He lived in London and died in 1842. This portrait was recorded in Mr. James Greig’s monograph on Raeburn. SIZE: 30” x 25”. Overall: 37” x 32”. PROVENANCE: Descended in the family of Albert L. Ellsworth, founder of the British American Oil Company ((B/A), which was the predecessor to Gulf Canada. CONDITION: Old lining, very good. 52210-12 (10,000-20,000)

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390

Lot 2291 2292.

FINE GEORGE III MAHOGANY CELLARETTE. Third quarter 18th century, England. The rectangular stepped hinged top with bolection molding opening to the conforming case. The interior fitted with six bottle compartments. The case front with two molded panels with inset corners, the case sides fitted with brass carrying handles, the whole raised on original brass capped casters. SIZE: 32” h x 16” l x 11” w PROVENANCE: From a fine New Hampshire home. CONDITION: Cellarette retains original surface, untouched with fine patina and rich color, rear and side panels each with horizontal shrinkage cracks, now stabilized, otherwise very good. 52210-1 (1,500-2,500)

Lot 2292 2293. IMPORTANT GEORGE III MAHOGANY RIBBONBACK SIDE CHAIR. This fine example with molded serpentine pierced crest rail continuing to molded ears and pendant belle flowers over three conforming slats each with an oval floral carved rosette flanked by scrolling leaf tips, above the shaped saddle seat frame. Raised on frontal chamfered legs and back-swept rear legs joined by a recessed box stretcher. *NOTE* The consignor had this chair examined by Alan Miller who gave the opinion that this important chair has outstanding carving and opined that it was among the best example of this kind that he had ever examined. He appraised the chair for the client at 4,000 - 6,000. SIZE: 38” h, 17” h (seat) x 21” w (overall), x 21-1/4” d. CONDITION: Structurally very good, frame is fully exposed for examination. Retains original dry crusty surface with good patina and color. Very good overall. 52235-14 (4,000-6,000)

Lot 2293 391

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Session 2

2291. FINE SEMI-ANTIQUE KUBA ORIENTAL RUG, EAST CAUCASUS. Late 19th century. This fine example with dense rows of floral shrubbery within striking sawtooth borders all on a chocolate ground. The main polychrome floral border on an ivory ground alternating with bi-color arrow heads within multiple candy striped guard borders. SIZE: 4’ 1” x 6’ 2”. CONDITION: With minimal and minor even wear, rug remains very supple with strong palette and fine design, fringe absent at both ends into the exterior pale blue guard border. Outer edge of selvage partially exposed. 51899-6 (1,500-2,000)

Session 2

2294. SEMI-ANTIQUE SHIRVAN PRAYER RUG, EAST CAUCASUS. Circa 1900. Rows of candlestick and geometric floral polychrome designs within conforming sawtooth borders within a Mihrab of floral design. The main border of wineglass design on madder red ground. The guard borders of dog-tooth and crenelated design on pale indigo and midnight blue grounds. SIZE: 3’ 7” x 4’ 3”. CONDITION: With even wear throughout exposing some foundation, complete loss of fringe and wear to selvage, no significant restoration noted. 51899-7 (8001,200)

Lot 2294 2295.

GOOD GEORGE II MAHOGANY TRAY TOP KETTLE STAND. Third quarter 18th century, England. The octagonal tray top with nice figured mahogany joined to the ring and urn-turned pedestal, raised on three cabriole legs terminating in platform pad feet. SIZE: 23” h x 12” d. CONDITION: Very fine condition with undisturbed polished surfaces and good patina. No restoration noted. 51309-1 (800-1,200)

2296.

SHIRAZ ORIENTAL RUG. Second quarter 20th century. Three aligned poled medallions in maroon and ivory on a deep indigo ground with dense polychrome floral designs and Lot 2295 animal symbols within a scrolling border centered by wine red spandrels. The main border alternating with geometric squares, scorpion, and crab designs within multiple guard borders. SIZE: 6’ 6” x 9’ 4”. PROVENANCE: From a private Connecticut collection. CONDITION: Rug retains generally good pile with some spot low areas noticeably in one spandrel and in central ground. Rug retains soft and supple quality with good luster and good color. Light soiling throughout. 52341-1 (800-1,200)

Lot 2296 2297.

GEORGE III SILVER TEA CADDY. Circa 1786. Hallmarked for John Wakelin & William Tayor, London. The square hinged lid applied with a cherry sprig for a handle. Lid with impressed scrolling leaf tips. Caddy sides each with three classical pedestals surmounted by garlands all within beaded borders raised on C-scrolled feet. Hallmarks located on center of bottom (see detail photo). SIZE: 5-3/4” h x 4” square. CONDITION: Generally very good, with normal and expected wear, no structural damage. 51911-34 (4,500-6,500)

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392

ENGLISH STERLING SILVER SALVER, BIRMINGHAM 1849-50, BY ADIE BROTHERS. Salver with scroll and shell border resting on three rolled acanthus leaf feet. Fully hallmarked on the underside. Weight is approximately 35 troy oz. SIZE: 13” w (widest). PROVENANCE: The Webster Family Trust descended from the Rockefeller/ Dodge Family. CONDITION: Scratching to center, couple small dings to silver. 51508-44 (500-1,000)

2299.

Lot 2298

NGLISH STERLING SILVER COVERED LOVING CUP, E LONDON 1765-6 BY FRANCIS BUTTY & NICHOLAS DUMEE. The cup decorated around the body with repoussé design and applied scroll and acanthus leaf handles to each side. Comes with original cover. Both parts fully hallmarked on the underside of each piece. Weight is approximately 61 troy oz. SIZE: 14” h x 11-1/2” at widest. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Two small splits to the silver on foot. 51508-38 (1,500-2,500)

Lot 2299 2300.

IRISH STERLING SILVER OPEN SALTS, DUBLIN 1777. Each made in flattened form standing on claw form feet rising to lion’s heads accenting the bodies. The interiors finished in a gilt wash and the undersides hallmarked with Sterling Standard, City of Dublin, and a date mark of 1777. Lot 2300 Weight is approximately 24 troy oz. SIZE: 4-1/4” diameter. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: The feet on one have been slightly pushed up into the body. 51508-41 (800-1,200) 2301. PAIR OF SCOTTISH REPOUSSÉ SILVER BOWLS, EDINBURGH, 1842-3 BY MACKAY & CHISHOLM. The pair in shallow form with scalloped walls and decorated with repoussé mythological masks and shell design. Each fully hallmarked. Weight is approximately 25 troy oz. SIZE: 9-3/4” diameter. PROVENANCE: From a fine New Hampshire home. CONDITION: Very good. 522106 (500-750)

Lot 2301 393

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Session 2

2298.

Session 2

2302. SEMI-ANTIQUE SHIRVAN RUG, EAST CAUCASUS. Last quarter 19th century. With diagonal rows of bright polychrome snowflake devices on a midnight blue ground within a mustard modified key border. The madder red main border with geometric polychrome tarantula design bounded by lightning bolt ivory devices on a coffee ground. SIZE: 3’ 5” x 4’ 6”. CONDITION: Overall even wear with additional minimal areas of wear to foundation, fringes mostly intact as are selvages, rug remains very supple. Good overall. 51899-9 (800-1,200)

Lot 2302 2303.

TWO ANTIQUE KARABAUGH RUGS, NORTHWEST PERSIA. 1) Circa 1900. Four aligned crab medallions in ivory and medium indigo on a variegated terracotta and light brown ground, the main border of overlapping geometric designs within sawtooth guard borders. 2) Late 19th century. With two opposing tarantula madder red and ivory medallions on an indigo border with candy cane, snowflake and saz leaf designs within the field. SIZE: 1) 3’ 8” x 6’ 3”. 2) 3’ 4” x 6’ 6” PROVENANCE: From a private Connecticut collection. CONDITION: 1) Rug is worn overall commensurate with age and in use wear, small repairs to weave throughout, loss of braided fringe at both ends, one end into guard border. Light soiling throughout. Fair overall. 2) Wear overall to foundation in many areas, losses to selvage and fringes, moderate in use wear commensurate with age, soiling throughout. 52341-7, 52341-8 (8001,200)

Lot 2303

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2304. GEORGE III INLAID OAK CHEST ON CHEST. 3rd quarter 18th century, England. In two parts, the upper case with cove molded cornice above the mahogany frieze with Greek key contrasting inlays above an arrangement of two aligned short drawers over three long drawers, the case sides with canted corners with cross-banding fitted above the lower conforming case with mid-molding and with three long drawers all with thumb molded edges. Raised on a molded base of bracket feet with shaped returns. SIZE: 74-1/2” h x 43” w x 21-1/2” d. CONDITION: The case with reproduction brass hardware of correct styling. Case sides with stabilized age cracks professionally spliced and repaired. Chest re-polished, showing normal and expected age appropriate wear. Good overall. 51911-48 (1,200-1,800)

394

Lot 2305 2306.

FINE CLASSICAL ADAMS STYLE HEPPLEWHITE CARVED GILT WOOD AND GESSO MIRROR. First quarter 19th century, England. The oval beveled mirror plate within a beaded and foliate molded surround flanked by classical urns emitting fanciful floral totems joined to scrolling grapevines each centered with a floral rondel above which is perched a pair of standing opposing Phoenix birds. The crest applied with a classical urn ribbon tied with belle flower swags joined to the birds and raised on a floral pedestal above a cluster of pendant water leaves. The mirror joined to a pair of shaped shelves centering three scrolled candle arms with carved wood cups and bobeches above the pendant apron of three floral swags centering a putti on floral stand. SIZE: Overall 54” t x 26” w. CONDITION: All elements original, mirror has been reinforced with flat metal braces in the rear. Small areas of professional restoration to leaf tips and slight gilding touch-ups throughout, nicely blended and unobtrusive. 52229-9 (1,200-1,800)

Lot 2306 2307. ANTIQUE HERIZ RUG, NORTHWEST PERSIA. First third 20th century. The bold arabesque poled medallion in vibrant shades of midnight blue, pale indigo and wine red on a rose red field with dense geometric polychrome floral trellis work within ivory spandrels with sawtooth borders and dense polychrome designs including scorpion. All within a blue/ black guard border of floral trellis work with chartreuse guard borders of polychrome flower heads. SIZE: 7’ 3” x 10’ 2”. CONDITION: Carpet retains vibrant palette with generally good pile but with spot wear to areas of foundation. 51911-56 (1,200-1,800)

Lot 2307 395

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Session 2

2305. FINE GEORGE III CARVED MAHOGANY GAINESBOROUGH LIBRARY ARMCHAIR. Third quarter 18th century, England. The square overupholstered canted bank with serpentine crest joined to outcurved arms with floral carved grips raised on incurved reeded supports centering the trapezoidal overupholstered seat. The whole covered in early tan brass tacked leather upholstery. The chair raised on square molded and chamfered frontal legs with acanthus leaf carving, the rear legs backswept and chamfered, all joined by recessed box stretcher raised on original casters. SIZE: 39-1/2” h of back. 17” h of seat. 27-1/2” w. 28-1/2” approx d. CONDITION: Frame with untouched surface with dark color and good patina. Leather covering well worn with lustrous finish. Block reinforcement to inside of frontal seat rail. Cross stretcher has been repaired and tightened. Otherwise good. 52398-2 (1,200-1,800)

Session 2

2308. G EORGE III MAHOGANY LEATHER TOP DOUBLE PEDESTAL DESK. Last quarter 18th century, England. The desk in three parts. The rectangular top with molded edge fitted with three aligned drawers with cockbeaded edges, the centermost fitted with inkwell compartments and hinged writing slope (slope now absent). The top with inset tooled red leather writing surface. Each pedestal fitted with a bank of three drawers and three shelves with simulated books at the end. Each pedestal additionally fitted with two adjustable shelves at one end. Opposing molded panels at the front. The whole raised on molded bracket feet. SIZE: 30-1/2” h x 56” l x 31-1/2” w. CONDITION: With old untouched surface. Leather writing surface intact with in use wear and pleasing luster. Very good overall. 52398-1 (2,0004,000)

Lot 2308 2309.

HEPPLEWHITE MAHOGANY SLANT LID DOCUMENT BOX. First quarter 19th century, England. The shaped hinged sloping lid with string inlaid borders opening to interior fitted with stationery compartments aligned behind an inkwell compartment all within the conforming case fitted with brass carrying handles and with frontal escutcheon and matching brass latch all on a thin molded plinth. SIZE: 15” t x 8-3/4” w x 11-1/2” d. CONDITION: Case has been re-polished, veneers stabilized and with restored areas containing filler. Brass hardware appears original, one molded edge of liner needs reattachment, good overall. 52229-5 (600-800)

2310. J CARPENTER (British, 19th Century) PORTRAIT OF A GENTLEMAN SEATED WITH NEWSPAPER. Watercolor on paper mounted to linen portrait Lot 2309 shows a young man seated in a red upholstered armchair holding a newspaper. Extremely well rendered with details to clothing & facial features. Signed lower right “J. Carpenter” along with date of “1853” which may bee a later addition. Housed in an antique birdseye maple frame, being glass. SIZE: 21-1/2” x 16-1/2”. Overall: 24-3/4” x 19-3/4”. CONDITION: Examined out of frame, very good with some age toning. 51911-57 (800-1,200)

Lot 2310 2311.

PORTRAIT BELIEVED TO BE LORD JOHN RUSSELL HOLDING THE SECOND ISSUE OF “CONSTITUTION” NEWSPAPER. Oil on canvas half portrait depicts a half portrait of a young man with black coat & red tassel curtain behind. He holds a folded newspaper titled “Constitution” and appears to be dated January 12, 1812 which happens to be the second issue of this London newspaper. Unsigned. Later pencil inscription on verso “Lord Russell”. Housed in a modern gilt frame. SIZE: 29” x 24-1/2”. Overall: 34” x 29-1/2”. CONDITION: Lined, stable craquelure, generally very good. 52099-23 (1,000-1,500)

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396

2313.

FINE HEPPLEWHITE CLASSICAL CARVED GILT WOOD OVAL MIRROR. First quarter 19th century, England. In the Adams style, the oval mirror plate within a conforming frame with molded beaded edge. The crest with scrolling tasseled Lot 2312 banner swags hanging from a horizontal rod on which stands a classical urn emitting wheat plumes flanked by foliate sprigs. The mirror sides with foliate edges terminating in water lilies in which is perched a Phoenix from whose beak falls pendant chains of draped belle flowers attached to leaf tips and floral rosettes terminating at the base and joined to an inverted pendant foliate spray. SIZE: 47-1/2” t x 26” w. CONDITION: Structurally good and mostly intact with small areas of spot gilding loss, small areas of professional repair to tips of carved elements and spots of gilding minor in nature. Mirror plate is original with some slight foxing notably in upper edge and left side facing. Very good overall. 52229-8 (1,200-2,000) 2314. FINE REGENCY BIRD’SLot 2313 EYE MAPLE DOUBLE TEA CADDY. 1st quarter 19th century, England. The rectangular hinged top with sloping sides with ebony string inlay opening to an interior fitted with a pair of hinged lid tea boxes centering an opening for waste bowl, now absent. The case fitted with molded brass lion’s head carrying handles and raised on cast brass paw feet. SIZE: 7-1/2” h x 131/2” l x 6-1/4” d. CONDITION: Polished surfaces with honey brown color, very good overall. 51911-38 (1,000-1,500)

Lot 2314

2315.

REGENCY ROSEWOOD AND ABALONE TEA CADDY. The rectangular lid with central panel and sloping sides opening to an interior fitted with two lidded tea bins centering a velvet lined well to hold waste bowl (not present). The sides fitted with heavy brass ring handles. Front with abalone escutcheon above a reeded half-round molding raised on suppressed ball feet. Box inlaid with abalone panels depicting scrolling floral vinery. SIZE: 8” h x 14” l x 6-1/2” d. CONDITION: Professionally re-polished, structurally very good, good surface. 51911-37 (1,000-1,500)

Lot 2315 397

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Session 2

2312. QUEEN ANNE WALNUT OPEN ARMCHAIR. 18th century, England. The horizontal crest rail continuing to cylindrical shaped stiles centering a vasiform splat with chamfered edge. The arms with shepherd’s crook grips and supports centering an over-upholstered balloon seat raised on C-scrolled carved cabriole legs with shaped molded returns, the frontal legs with angular shoe feet and backswept rear legs. SIZE: 34-1/2” h x 24” w x 24” d. Seat h: 17”. PROVENANCE: From a fine New Hampshire home. CONDITION: Structurally very good, professionally cleaned, re-polished, and restored. Chair is sound and tight. 52210-2 (1,500-2,500)

Session 2

2316. INLAID MAHOGANY BUTLER’S SECRETARY BOOKCASE. Early 19th century, England. The rectangular case with molded inlaid and crossbanded cornice fitted to the two door bookcase with Gothic style astragalglazed doors, the interior with three adjustable shelves fitted to the lower case with contrasting maple veneer rectangular panels above a simulated drawer with hinged front opening to an interior of valanced pigeonholes flanked by stationery drawers all over three long drawers with cockbeaded edges above a shaped apron with inlaid mollusk shell patera. Raised on shaped French feet. SIZE: 83-1/4” h x 42” w x 17-1/2” d. CONDITION: Secretary has been repolished with professional cosmetic repairs. Brasses are period replacements. Otherwise good. 51911-72 (2,000-3,000)

Lot 2316 2317.

GEORGE III MAHOGANY CHEST ON CHEST. Late 18th century. England. The case in two parts. The upper case of two aligned short drawers over three long drawers, all with cockbeaded edges, with molded cornice, fitted to the mid-molded lower case of three long graduated drawers with cockbeaded edges on a molded base raised on bracket feet with shaped returns. SIZE: 71” h x 40” w x 21” d. PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Brasses later replacements, bracket feet are replacements, vertical minor shrinkage cracks on upper case sides, backboards original, one drawer edge with 3” loss to cockbeading, early refinish, otherwise very good. Structurally sound. 51871-1 (500-1,000)

Lot 2317 2318. UNSIGNED (British, 19th Century) PORTRAIT OF A THREE-MAST SHIP. Oil on canvas scene shows the ship sailing right to left with the Cliffs of Dover in the background. Perpendicular to the ship is a rendering of what probably is the same ship sailing toward the cliffs. Unsigned. Housed in a gesso decorated gilt modern frame. SIZE: 27-1/2” x 411/2”. Overall: 32-1/2” x 46”. CONDITION: Lined, craquelure, chips, inpainting, in need of restoration. 52306-1 (800-1,200)

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398

Lot 2319 2320.

MONOGRAMMED (American/British, 18th Century) PORTRAIT OF A GENTLEMAN. Oil on canvas depicts a half portrait of a seated man with thinning gray hair, bushy sideburns, wearing a brown coat & vest. Signed with an indiscernible monogram under which is “1799” approx. 8” from bottom left corner. Housed in a later antique gesso decorated gilt frame with corner loss. SIZE: 30” x 25”. Overall: 38” x 33”. CONDITION: Old restoration, wax lined, good. 52099-48 (1,000-1,200)

2321.

THREE FRAMED MARINE WORKS ON PAPER. 1) ENGLISH SCHOOL (19th/20th century) SEA NYMPH, Watercolor and gouache on paper, matted and framed under glass, unsigned. 2) WORDEN G WOOD (American, 1880 - 1943) USS NORTH CAROLINA, Watercolor and gouache on paper, matted and framed Lot 2320 under glass, signed lower left “Worden Wood”, titled on mat. 3) JOHN STOBART (American, b. 1929) THE SCHOONER YACHT “AMERICA”, color lithograph, limited edition published by Kennedy Gallery New York, blind stamped lower left. Signed lower right “John Stobart”. Mat is inscribed with signatures by all of the members of Princeton University Class of 1924 (and some of their wives), who attended a “Mini-Reunion” at Annapolis, MD on October 20, 1968. See verso for the handwritten covering note of one of the Class members, known as “Kipper,” sent to another Class member, “Jim,” transmitting and accompanying this Stobart lithograph for the reasons set forth in the note. SIZE: 1) 13” x 8”. Overall: 20-1/2” x 25” 2) 13-3/8” x 20”. Overall: 23” x 28-3/4” 3) 23” x 31”. Overall: 31-1/2” x 39-1/2”. CONDITION: Not examined out of frames. 1) Discoloration in sky. 2) Very good. 3) Mat burn around edges. 52403-4 (600-900)

Lot 2321 2322.

E. CUTTAN (19th/ 20th century) BOATING OFF SMALL ISLAND. Large oil on canvas scene shows two small sailboats in white crested greenish ocean with seagulls and island. Housed in a painted gold gesso decorated frame with gilt liner, signed lower left. SIZE: 24” x 36”. Overall: 32-1/2” x 45”. CONDITION: Craquelure, discolored varnish, inpainting, otherwise good. 52133-2 (800-1,200)

Lot 2322 399

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Session 2

2319. UNSIGNED (English, 19th Century) PORTRAIT OF THE TWO-MAST SCHOONER “MARY”. Oil on canvas ship portrait shows the black hulled vessel sailing left to right with full sails. She flies the British flag and other signal flags. Four men are seen on deck and the name is on the back side of the ship. Other ships are seen on the horizon line including a large steamer. Housed in a lemon gold molded wood period frame. SIZE: 24” x 36”. Overall: 29-1/2” x 39-1/4”. CONDITION: Craquelure, discolored varnish, restored with inpainting. 52094-10 (8001,200)

Session 2

2323. REGENCY OVAL BRASS BOUND MAHOGANY CELLARETTE. 1st quarter 19th century, England. The oval hinged lid brass bound with single knob, the top with conforming string inlay, above the conforming base. Fitted with a removable copper liner. The base with two brass bands, each end fitted with lion’s mask brass handle. The whole raised on square tapered string inlaid legs terminating in brass capped casters. SIZE: 29-1/2” h x 30” l (overall) x 20-1/2” d. CONDITION: Two shrinkage cracks in lid now stabilized, proper left side of cellarette with veneer loss behind brass handle, otherwise structurally good. Liner original, rich brown color. Good overall. 51911-50 (2,000-3,000)

Lot 2323 2324.

REGENCY MAHOGANY SEWING TABLE. 1st quarter 19th century, England. This delicate example with rectangular top and hinged D-form leaves above the conforming case fitted with a single drawer simulating two drawers and opposing sham drawers above a fitted sliding storage drum covered in pale lemon pleated silk within a yolk supporting frame joined to an in-curved standard on circular plinth. Raised on four out-swept legs applied with reeded rondels raised on casters. The table with bold Circassian walnut burl veneers. SIZE: 28” h x 16” w (closed) x 16-3/4” d. 28” x 16-3/4” (open). CONDITION: Surfaces untouched and original with good color and patina, normal and expected in-use wear. Good overall. 51911-5 (1,500-2,500)

2325.

CHIPPENDALE TRANSITIONAL GILT WOOD LEAF CARVED OVAL MIRROR AND HEPPLEWHITE CLASSICAL CARVED GILT WOOD MIRROR. 1) Late 18th early 19th century, England. In the Oriental taste, this classical oval mirror with conforming plate within a gadrooned molded surround Lot 2324 with leaf tip borders flanked by large C-scroll molded side arms beneath the crest formed by conjoined leafy boughs tied at the crest with molded banding. The base of each frond surmounted by pagoda formed roofs on C-scroll supports. The base of the mirror frame with molded C-scrolls centering a foliate pendant. 2) First quarter 19th century, probably England. The rectangular mirror plate within the molded frame with beaded edge surmounted by a classical urn with wheat cresting above S-scrolled foliate and floral decorative elements in the Adam’’s style. The pendant pierced apron similarly carved with central inverted pendant pineapple. SIZE: 1) 46” t x 27” w. 2) 52” t x 17” w. CONDITION: 1) Structurally very good, with original mirror plate, original gilding mostly intact. Some old professional repairs throughout, minor in nature, and with some re-touched gilding. Mirror plate with abrasions on silver backing with spot losses, blued glass appears original. Very good overall. 2) Mirror plate with diagonal crack lower left corner facing. With extensive foxing. The gilt and carved elements with some minor professional restoration and re-gilding. Molded edge of frame with areas of gilding and gesso loss. Otherwise good. 52229-6, 52229-7 (1,000-1,500)

Lot 2325

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400

2327. BIEDERMEIER SOFA. Circa 1830, Germany or Austria. An ambitious and successful example with pleasing lines, fine figured walnut wood choice and desirable marquetry scene inlaid at center of the crest rail; in appealing striped upholstery. SIZE: 36-1/2 t x 93” l. Height of seat 17”, approximate depth 28”. CONDITION: Good condition with minor old repairs and imperfections; upholstery in good condition. 51878-1 (2,000-4,000)

Lot 2326 2328.

PAIR OF LUNEVILLE FAIENCE RECUMBENT LIONS. Rare pair of Luneville Faience lions show each lion lying on a green sponged rectangular platform with tail curved over Lot 2327 their backs. Lions have bright polychrome glaze. Unsigned. SIZE: 17-1/2” l x 14” t. CONDITION: Very good to excellent with some very minor crazing and a small chip to the glaze on eyebrow of one lion. 52266-2 (800-1,200) 2329.

CARVED AND GILT BAROMETER/ THERMOMETER BY CHARLES BIESSE. Late 18th century, Orleans, France. This classic example with oval paper on wood dial, a glass thermometer in the center next to a post on which is mounted delicate cut iron pointer Lot 2328 arms, each with arrow form tip. The inscriptions, designs, dials and measurements all written in ink, the makers name, occupation, and location centered at the bottom of the dial centered at the bottom of the coil. The dial set within an oval molded frame carved with leaf tips and with beaded edge beneath a scrolling crest of foliate vinery centering a ribbon tied basket of fruit and farm tools above a garland. Base of the barometer with carved and gilt drapery centering an inverted sheaf of wheat. SIZE: Dial sight 14-3/4” h x 12-3/4” w. Overall 36” h x 201/2” w. CONDITION: Barometer dial all original, frame and carving with original gilt surface. Areas of red sizing visible. Generally intact with early loss to point of shovel, some old minor repairs to carved foliage. Gilding with minimal and minor touch-ups to areas of abrasion, otherwise with normal and expected in-use wear and with fading to ink. Otherwise very good and original. NOTE: Barometer may not be functional, barometer hands attached to a coil on verso and may have been driven by a mercury tube or reservoir, now absent. 52136-1 (1,500-2,000)

Lot 2329 401

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Session 2

2326. PERIOD GEORGIAN 8 DRAWER CHEST ON CHEST. Chest on chest features a delicate dental molding at the cornice with a relief lattice carved panel bordering the top. Each drawer with bead molding and fine mahogany veneer fitted with what appears to be the original brass pulls. The upper case with 2 smaller drawers at top and 3 graduated drawers below. The lower case with 3 graduated drawers all on a molded bracket foot base. SIZE: 44” l x 72” h x 22-1/2” w. CONDITION: Generally good. 52380-17 (2,7503,750)

2330.

Session 2 2331.

FRENCH PROVINCIAL CHERRY FARMHOUSE TABLE. Early to mid 19th century, France. Solid rectangular plank top with modified breadboard ends projecting above the conforming apron raised on angular cabriole legs terminating in hoof feet. Table fitted with cutlery drawer at each end. SIZE: 30” h x 79” l x 30-1/2” w. CONDITION: Table top with extensive in use wear and abrasions commensurate with age. Top has been stabilized and cracks have been professionally filled. Cutlery drawers have been rebuilt. Base with old surface in undisturbed patina. Good overall. 51915-2 (400-600)

Lot 2330

FOLK ART FULL BODIED COPPER ROOSTER WEATHERVANE ON SPIRE. 2nd half 19th century, France. With three-dimensional crest and large waddle rendered with open beak, the body with applied sheet copper wings. The fullblown tail continuing to sheet copper feathers mounted on a tapering square spire all in bright verdigris surface. Weathervane now mounted on iron rod joined to four legged base accompanied by square wood plinth. SIZE: 44” h (including stand) x 22” approx length x 5-1/2” w. CONDITION: Generally good with undisturbed surface. 52183-1 (1,000-1,500)

2332. UNUSUAL LARGE LOUIS XV PROVINCIAL BEECH FIVE LEG CANAPE. Late 18th century, France. The scalloped serpentine crestrail above the padded back joined to in-curved molded arms with out-scrolled grips continuing to curved and molded supports centering the overupholstered seat with cushions above. The seat rail scalloped and shaped with floral and foliate carved edge raised on five frontal foliate carved and molded cabriole legs terminating in scrolled snail feet. The five rear legs comprised of three square legs flanked by two shaped legs. The canape recently upholstered in pale pink damask. SIZE: 42” h of back x 8’8” l x 27” d. CONDITION: Structurally sound, frame with areas of old insect damage now inactive. Abrasions and in-use wear commensurate with age. One central rear leg repaired. Frame reinforcement done during re-upholstery process. 51875-4 (600-900)

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Lot 2332 402

Lot 2333 2334.

INTRIGUING GROUP OF 18 SMALL BOXES OF WIDELY VARIED FORM AND MATERIAL. Mid18th/late 19th century, European or possibly American. Most of the boxes are made of wood however shagreen, marquetry, papier mâché, and vegetable ivory examples are represented. Forms include heart, fist, shoe, square, round, and more delicately executed styles. A few larger examples have silver, mother of pearl, and brass pin inlays. A small music box has an intricately executed marquetry top. Others have added gilded or brass metal on the top. One small example has “Will you take a pinch?” written on the lid. SIZE: Smallest: 1” x 2”. Largest: 3-1/4” x 2-3/4”. CONDITION: Most boxes show expected wear but no abuse. All appear functional with no notable losses, all appear complete. 51628-7 (800-1,200)

Lot 2334

2335. FRENCH PORCELAIN VASE. 19th century, France. The vase in a tall cylindrical form with inverted neck and flared scallop top rim. Scrolled handles with acanthus leaves applied at the shoulder. The front displaying a ship flying an American flag. SIZE: 15” h. CONDITION: Restoration to the rim, loss to one leaf on the handle. 52103-11 (400-600)

Lot 2335 2336.

SMALL TERRESTRIAL GLOBE ON TURNED STAND. 19th century, Germany. Marked “THE EARTH published by J.G. KLINGER NUREMBERG constructed, delineated and etched by J.A. BUHLER”. SIZE: 5-1/2” diameter. Height with stand 11”. PROVENANCE: The Estate of Morris Racker. CONDITION: Gores mostly intact, one small triangular loss in area above New Guinea east of the Philippines. Moderate soiling throughout, otherwise intact. 51956-49 (400-800)

Lot 2336 403

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Session 2

2333. ROCOCO MARBLE TOP ROSEWOOD CENTER TABLE. Mid 19th century, Europe. The original rectangular black marble top with red and white striations with serpentine edges and turret corners projecting above the conforming rosewood base. Foliate carved overall with scrolling borders raised on cabriole legs with foliate scrolls terminating in boldly carved claw tipped claw feet. SIZE: 30” h x 43” l x 24” w. CONDITION: Table base has been repolished with stabilization of veneers in apron. Very good overall. 51911-16 (2,000-3,000)

Session 2

2337. FINE MARQUETRY QUEEN ANNE DROP LEAF SWING LEG TABLE. 2nd half 18th century, probably Holland. The top with two oval marquetry panels of floral filled urns within striped line inlay borders. Each demilune leaf with a central floral filled urn within a rondel flanked by floral filled cornucopia, each with a butterfly above. The top projecting above a floral marquetry apron raised on tapering cylindrical legs, each with a marquetry floral tendril terminating in flattened round pad foot. Each side with one leg hinged on a gate for leaf support. SIZE: 28” h x 413/4” l (closed) x 13” w (closed). 44-1/2” l (open) x 413/4” w (open). CONDITION: Table retains old if not original surface. Marquetry largely intact with minor professional repairs. Old repairs to areas of hinges, now stabilized. 51911-1 (4,000-6,000)

Lot 2337 2338.

FINE MARQUETRY SLANT LID LADY’S DESK. Mid 19th century, Holland. The rectangular case with bombe sides and hinged lid opening to an interior fitted with a bank of serpentine drawers, pigeon holes and prospect door, all with marquetry floral sprays and floral filled urns. The lid resting on lopers centering two long drawers above a scalloped apron raised on angular cabriole legs. The desk top with crossed floral filled cornucopia. The lid with dense floral marquetry, butterflies and birds all within a scrolling foliate border. The case sides each with a floral filled urn, the drawer fronts with floral filled cornucopia and butterflies. SIZE: 39” h x 36” w x 18-1/2” d. CONDITION: Desk retains old if not original surface with good rich color and patina all with polished surfaces. The two part case with professionally stabilized shrinkage cracks, marquetry with normal and expected minor wear with minimal restoration. 51911-58 (3,000-5,000)

Lot 2338

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2339. FRENCH MARBLE AND DORÉ MANTEL CLOCK. First half 19th century. The marble base surmounted by Doré bronze cased clock with time and strike apertures and blued steel moon hands on the enamel dial, the eight day brass movement striking on bell with count wheel system striking on the hour and half-hour. A Japy Freres medallion impressed on the backplate. The clock crest cast with simulated dressing table with jewelry casque; mirror and robe draped across the top surface of the clock, additionally cast with floral garlands. A seated bronze figure of a young woman seated on a classical vanity chair dressed in chased and carved gown. Doré bronze pet dog at her feet. Mounted on a stepped white marble base raised on molded circular Doré bronze legs with pointed feet. Clock is offered with pendulum and key. SIZE: 13-1/2” h x 16-1/2” l x 5-1/2” d. CONDITION: Bronze sculpture and clock in good untouched condition. Light soiling on marble base. Movement needs to be serviced to run properly. 52011-2 (800-1,200) 404

Lot 2340 2341.

BURL WALNUT SECRÉTAIRE À ABATTANT. Mid 19th century, Europe. The large rectangular case fitted with a long frieze drawer with swelled front flanked by conforming reeded pilasters above the vertical hinged lid opening to a writing surface and with an interior fully fitted with drawers and pigeonholes and with central architectural storage area in the form of a galleried ballroom with full marquetry floor and mirror back (now absent). The interior of burl Circassian walnut, the writing surface ebonized. All above a pair of cupboard doors. On a molded plinth raised on suppressed mid-molded ball feet. Original keys present. SIZE: 63” h x 41” w (overall) x 20” d. CONDITION: The cabinet with some areas of lifting veneer, minor in nature and with stable shrinkage cracks. Pine backboards original. Interior of secrétaire is in very fine condition, original surface, clean and bright. 51911-11 (4,000-6,000)

Lot 2341

2342. EARLY 19th CENTURY PAINT DECORATED STORAGE CHEST. An early 19th century storage chest probably Scandinavian with original bold red, blue and yellow decoration. SIZE: 24-1/2” x 18”, 15” h. CONDITION: Paint shows wear in places. Split in top lid. 52380-7 (400-600)

Lot 2342 2343.

ANCIENT RELIC WOODEN WAGON WHEEL. 15th century or earlier, Europe. This extremely weathered hard wood example of a cart wheel with iron binders and fasteners and with remnants of original iron axle collar now mounted on a museum stand. SIZE: 23” h x 21” dia. CONDITION: Old clean surface now polished with coats of preservative. 51911-44 (600-900)

Lot 2343 405

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Session 2

2340. RENAISSANCE REVIVAL CARVED SIDE CABINET. 19th century, Italy. The rectangular top with molded edge above the conforming case fitted with a frieze drawer carved with floral rosettes above a pair of recessed paneled cupboard doors flanked by carved pilasters each depicting a woman in classical garb above an apron carved with guilloches raised on pronounced knuckled paw feet. SIZE: 35” h x 38-1/2” w x 17-1/2” d CONDITION: Cabinet has been restored and re-polished. Some lifting to veneers on doors now stabilized, otherwise good. 51911-18 (1,200-1,800)

2344. SPECIAL DANA-FARBER CANCER INSTITUTE LOT. This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please note, the hammer price of the lot will be matched dollar for dollar up to a $1,000 match and donated to the Dana-Farber Institute, commonly known as the “Jimmy Fund” locally. Founded in Boston in 1947, Dana-Farber Cancer Institute is world-renowned for its leadership in adult and pediatric cancer treatment and research. Your gift provides Dana-Farber with crucial dollars that can be directed where and when they are needed the most. Thank you for your participation. CONDITION: Very good. 51576-4 (300-400)

Session 2

2345.

RARE PAIR OF JAMES TUTTLE BOW BACK WINDSOR SIDE CHAIRS. James Chapman Tuttle (1772-1849), Salem, Massachusetts. Each branded example with shaped molded crest centering eight simulated bamboo spindles joined to saddle seat. Raised on splayed and shaped cylindrical legs, joined by an H-form stretcher, in old green paint over original black. SIZE: 37-1/4” h x 16-1/2” h (seat). CONDITION: Structurally very good, with normal and appropriate wear. One chair with splinter loss to interior proper left side stretcher. Otherwise very good with clear visible brands. 52236-1 (1,000-1,400)

Lot 2345 2346.

SEMI-ANTIQUE KUBA ORIENTAL RUG, EAST CAUCASUS. Late 19th century. The central midnight blue field with dense diagonal polychrome tarantula devices, each with a Leshgi star within a border of crab medallions. Two additional terracotta guard borders with polychrome floral trellis work centering a medium indigo main border with polychrome saz leaf decoration, alternating with flower heads. SIZE: 4’2” x 6’6”. CONDITION: Even wear overall and with light soiling. Palette remains strong. Loss to fringe at each end. Loss into outer guard border at one end. Otherwise good overall. 52308-36 (800-1,200)

Lot 2346 2347.

FOLK ART HOOKED RUG OF A HOUSE. First quarter 20th century, American. A folky hooked rug depicting a homestead under a starry moonlit sky in bright colors including reds, blues, greens and more. Also with earthy whites and beiges. SIZE: 40” h x 48” w. CONDITION: Good. 52115-15 (3,000-4,000)

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406

GOOD AMERICAN FOLK ART HOOKED RUG OF HORSE IN LANDSCAPE. Late 19th century, New England. This entryway rug depicting a horse in green and browns walking through a landscape from right to left, large stylized tree on right side facing, two tiered fountain on left side facing, and a flowering branch above within a tan and rose pink border, arched across the top. SIZE: 27-1/2” h x 47” w. CONDITION: The rug has been professionally backed. Threads retain good pile with some oxidation at upper tip of brown two tiered fountain. Light soiling throughout with staining to lower blue border. Otherwise good. 52308-39 (1,000-2,000)

Lot 2348

2349. SHERATON PINE DROP LEAF HARVEST TABLE. 2nd quarter 19th century, New England. The rectangular single board top with conforming hinged leaves projecting above the straight apron, raised on swelled cylindrical spool-turned legs terminating in ball feet. SIZE: 29” h x 70-3/4” l x 20” w (closed), 37-1/4” w (open). CONDITION: Structurally very good with recently cleaned and polished surface. Table retains traces of original red wash. 52236-8 (1,200-1,800)

Lot 2349 2350.

OUTSTANDING PRIMITIVE STILL LIFE OF WHITE COMPOTE WITH FRUIT AND CHEESE. The painting on board shows a tall white compote holding blue grapes and a slice of cheese under which are two pears and three peaches with another slice of cheese all with a bluish grey background. Period frame with wonderful finish is square with raised square corners. The backboard marked in pencil “L.L. Cheevers Estate.” SIZE: 113/4” x 11-3/4”. Overall: 14-3/4” x 14-1/2”. CONDITION: Some light dirt spots, generally very good. 52279-8 (800-1,200)

Lot 2350 2351. RARE NEW YORK CITY SACK-BACK WINDSOR ARMCHAIR. Late 18th century, New York. The bow back joined to seven spindles passing through the medial rail continuing to flat shaped grips raised on vase, ring and reel turned supports centering the shaped saddle seat with well defined pummel raised on boldly splayed vase, ring and reel turned legs joined to well defined bulbous stretchers, the medial stretcher with ring turnings, the armchair of mixed woods: Oak arm rail and bow, hickory spindles, maple legs, stretchers, and arm supports with poplar or pine seat. REFERENCE: The Windsor Style in America Volume 2 by Santore, see plate 88 page 101 for similar example. SIZE: 36” h x 22-1/2” l x 21-1/2” w. Seat: 17” h. CONDITION: Very good overall with minor losses to underside of side stretchers and old dry varnish surfaces. 51859-27 (1,500-3,000)

Lot 2351 407

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Session 2

2348.

Session 2

2352. WONDERFUL PRIMITIVE PAINTING OF A CAT RESTING IN BASKET. The 19th century oil on board scene shows a white and grey cat lying in a gold striped green basket. Housed in a period gilt an ebonized frame retaining its original label in red and black “Manufactured by / S.H. Colesworthy / Portland, ME”. SIZE: 8-1/2” x 11”. Overall 11-1/2” x 14-1/4”. CONDITION: Very good. 52279-3 (8001,200)

Lot 2352

Lot 2353 2353.

TWO FINE AND UNIQUE CARVED 19th CENTURY DOG’S HEAD WALKING STICKS. 19th century, probably American. The first example of a carved Mastiff head with brown glass eyes, ivory ears and teeth joined to the cylindrical staff with ivory spacers and lanyard hole. Tapered figure maple shaft notched carved. The second walking stick of a well carved head of a hound. Ears laid back on head. Brown glass eyes and slightly elongated snout with protruding tongue as a handgrip. The dog fitted with a banded and studded brass collar serving as a lanyard holder joined to a knotted hickory shaft. Well polished with good patina. The dog well polished and carved with a pleasing expression. SIZE: 1) 34-1/4” l. 2) 36” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good, with all original surface and with mellow color and patina. 52331-2 (1,8002,500) ESA

2354.

SEMI-ANTIQUE SENNAH ORIENTAL RUG, CENTRAL PERSIA. 2nd quarter 20th century. With five rows of ten polychrome pinwheel medallions bordered by rows of pale indigo flower heads all on an ivory ground within a rich terracotta main border woven with turquoise flower heads and exotic stylized birds within turquoise guard borders. SIZE: 3’ 9” x 5’ 9”. PROVENANCE: From a private Connecticut collection. CONDITION: Rug retains good pile with even wear throughout, absence of fringe at one end pulling in some areas of selvage, light soiling throughout, otherwise very good. 52341-6 (500700)

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408

Lot 2354

Lot 2355 2356.

Lot 2356

GOOD EARLY AMERICAN COPPER BED WARMER. Late 18th or early 19th century, American. The bed warmer with domed hinged lid pierce carved with a floral filled Classical urn within a scrolling etched and pierced star border opening to the conforming copper pan joined to a ring-and-baluster-turned walnut handle with knop finial. SIZE: 42-1/2” l x 12-1/4” d of pan. CONDITION: Handle with untouched original surface and good patina and medium brown color. Pan appears structurally good with one small 1/2” tear at rim, right side facing. Good overall. 51971-26 (800-1,200) 2357. VERY LARGE DEEP BURL BOWL. First half 19th century. Carved showing hand hewn marks with footed bottom, separate inset walnut bottom. SIZE: 28” dia. x 10” h. CONDITION: Early wooden patch in lip, possibly at time of manufacture, with deep honey patina. 52232-3 (4,000-6,000)

Lot 2357 2358.

LARGE CARVED APPLE FORM TEA CADDY. 2nd quarter 19th century, probably England. This good honest tea caddy in the form of an apple with knopped stem, the hinged lid opening to reveal the remnants of the original liner. The caddy with original oval escutcheon. SIZE: 5” h x 5-1/4” diameter. CONDITION: Untouched surface with mellow patina and honey brown color. Very good overall. 52279-1 (1,000-1,500)

2359.

IRCH AND POPLAR BUCKET B BENCH. Mid 19th century, possibly Lot 2358 New York. The two tier bench with three quarter shaped gallery centering a shelf fitted with two aligned thumb molded drawers above an open shelf joined to shaped and curved side panels, additionally fitted with a pair of paneled covered doors. Drawers and doors fitted with original turned-button knobs. SIZE: 46” h x 36-1/2” w x 13-1/2” d. CONDITION: Original dry surface with in-use wear and staining on shelves. Structurally very good and sound. 52236-14 (800-1,200)

Lot 2359 409

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Session 2

2355. FEDERAL TRANSITIONAL SCHOOL MASTER’S DESK. 1st quarter 19th century, New England. In two parts, the rectangular slant lid upper case with applied molding opening to an interior fitted with a row of cubby holes and open well. Fitted to the lower case within a cove molding over a thumb molded long drawer with original brass handles. Raised on chamfered and faceted square legs joined by rectangular box stretcher. Desk retains untouched surface. SIZE: 47” h x 38” w x 23-1/2” d. CONDITION: Structurally intact. Hardware original. With good natural patina and fine reddish brown color. The lid with stable old shrinkage crack. Very good overall. 52236-13 (800-1,200)

2360.

Session 2 2361.

UNSIGNED (American School, 19th century) NEW ENGLAND AUTUMN LANDSCAPE WITH FIGURES. This unsigned New England folk art oil on canvas depicting a large stone house situated near a lake surrounded by autumn splendor. Other houses can be seen along the shoreline as well as a man in a canoe enjoying the calm water. Two well dressed gentleman on horseback are riding along the stone wall lined property where a young girl in red dress awaits with her white lamb by her side. All under a colorful sunset sky. SIZE: 34-1/2” x 47-1/2”. Overall: 38-1/4” x 51-1/4” CONDITION: Lined with scattered touch up and a 10” restored vertical tear, minor abrasions, and canvas ripples. 50636-1 (2,000-4,000)

Lot 2360

ANTIQUE KAZAK ORIENTAL RUG, NORTH CAUCASUS. Late 19th/ early 20th century. The four leshgi star medallions on an indigo field within a camel candlestick and saz leaf border within multiple indigo and camel geometric guard borders. SIZE: 4’ 6” x 9’. CONDITION: With good muted palette, even wear throughout, loss to fringes, selvage intact. Rug remains supple, small area of re-weave at one end within central field and within two medallions. Otherwise good. 51911-13 (2,500-3,500)

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410

NEW ENGLAND MAPLE DROP LEAF HARVEST TABLE. First quarter 19th century, American. The rectangular single board top with conforming leaves projecting above the apron raised on slightly swelled ring-and urn-turned cylindrical tapering legs raised on onion feet with incised ankles. SIZE: 28” h x 72” l. 18-1/2” w closed. 40” w open. CONDITION: Top has been reattached and repaired at juncture of hinges with appropriate conforming square plugs in top. Normal and expected in use wear and abrasions now re-polished and with tones of medium honey brown color. Table is quite sturdy due to restoration. Good overall. 51911-7 (2,000-3,000)

2363.

Session 2

2362.

Lot 2362

WO PRIMITIVE TRAMMEL LIGHTING DEVICES. Late 18th early 19th T century, New England. The first, a floor light fitted with a double wrought iron candle holder joined to an arm with ratchets suspended on a rectangular post with iron fasteners on a rounded square base. The second, a simple hanging pine trammel fitted with a club form platform for candle stick and mounted with a later rawhide hanger. SIZE: Floor 38-1/2” h to 60” h fully extended. Hanging 36” h to 51” h fully extended. CONDITION: Both original natural finish with normal and expected in-use wear. Very good overall. 52236-20 (1,000-1,500)

Lot 2363 2364.

RARE PAINTING ON VELVET OF A SONGBIRD ON PINE BOUGH. Last quarter 19th century, Maine. This small example mounted on a cardboard order sheet. SIZE: 6-1/2” h x 7-1/2” w. CONDITION: Very good, borders of velvet are marred from previous framing but do not affect the painting. 51706-1 (1,500-2,500)

Lot 2364 411

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Session 2

2365. GRAINED AND PAINT DECORATED DOME TOP BOX. Mid 19th century, probably Maine. The domed lid with brass carrying handle painted with the initials “EW” in script in green and mustard yellow within a green border, hinged to the conforming box. Grained overall with conforming green borders all with mustard trim. SIZE: 6” h x 15-1/4” l x 8” w. CONDITION: Two horizontal shrinkage cracks on lid originating from nailed fasteners. Edges of box with normal and expected wear and paint loss. Lock plate original as is latch. Brass handle of the period and original. Painted surface remains vibrant and original with some areas of dry and crusty surface. Generally very good. 52279-2 (500-800)

Lot 2365 2366.

FINE AMERICAN HOOKED RUG OF LIONESS AND HER CUB. Last quarter 19th century, Probably Edward Sands Frost, Biddeford, Maine. Believed to be a first pattern example of a lioness and her cub in a tropical setting with palm trees in the background within a red and black striped border. SIZE: 32” h x 62” l. CONDITION: Area of losses above haunch of lioness and additional holes in area of right foreleg and in lower right foreground facing. Colors remain vibrant. Otherwise structurally good. 52308-37 (400-600)

Lot 2366 2367. ARCHABALD AND SUSAN SMITH FAMILY RECORD. Circa 1829, York county, Maine. Drawn and presented by “John B. Stevens”, gouache and watercolor on paper, covering the family from 1762 through 1818. SIZE: Sight 13-1/4” h x 16-1/2” w. Overall 16-1/2” h x 19-1/2” w. CONDITION: Mounted in a period frame with original glass. Gouache with creases and staining throughout also with irregular tears now stabilized under glass. A nice example in spite of condition. 52308-3 (1,200-1,800)

Lot 2367 2368.

FRAMED BIRD’S EYE VIEW OF THE CITY OF HALLOWELL, MAINE. The scene from far above shows streets and houses along the Kennebec river with an inset rendering of the Classical Institute. 32 points of interest are numbered and can be found on the map. Published by J.J. Stoner, Madison Wisconsin. Housed in a walnut period frame behind glass. SIZE: Sight: 15-3/4” x 27-3/4”. Overall: 20” x 32”. CONDITION: Age toning, otherwise very good. 52137-5 (1,200-1,800)

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412

Lot 2369 2370.

UNSIGNED (American, Last half of the 19th Century) HOUSE PORTRAIT FROM MILBRIDGE, MAINE. Oil on board shows a light gray connected farmhouse with dark gray roofs. White rocks dot the edge of the dirt driveway and flowers line the road. A man leads his brown colt into the horse barn. A tripod with kettle is seen on right side with an American flag attached. Housed in a lemon gold period frame. SIZE: 14” x 20-1/2”. Overall: 16-1/4” x 23”. CONDITION: Very good, some spot touch up, right hand upper corner with repaired crease. 52185-1 (1,000-2,000)

Lot 2370

Lot 2371

2372.

2371. J ACK MADDEN (American, 20th Century) WONDERFUL PRIMITIVE PAINTING OF RANGELEY LAKE, MAINE. Mixed media watercolor, gouache & crayon scene shows a panoramic view from the lake looking onto shore shows a series of large buildings along a dirt road with trees. In the foreground is “The Matie” which was a tourist boat captained by a Mr. Hailey. Signed lower left “Jack Madden” & titled lower right “The Matie/Rangeley Lake House in 1911”. Housed in a painted frame with modern mat behind glass. SIZE: Sight: 131/2” x 23-1/2”. Overall: 19-1/4” x 29-1/2”. CONDITION: Very good, not examined out of frame. 52279-7 (800-1,200)

JEREMIAH PEARSON HARDY (American, 1800-1887) PORTRAIT OF REVEREND JOTHAM SEWALL (1761-1850) OF CHESTERVILLE, MAINE. Large unsigned oil on canvas half portrait shows a distinguished older gentleman with white hair and stern look. His hand is hidden in his vest, Napoleon style, and his other arm rests on the arm of a fancy carved wood & upholstered chair. Housed in a large gesso decorated gilt frame with gilt liner. The oil on canvas has been laid to Masonite and identified on verso with the typed label of sitter & artist. SIZE: 41” x 33-1/4”. Overall: 52-1/2” x 44-3/4” PROVENANCE: Deaccessioned through auction from the Bangor Theological Seminary in Bangor, Maine CONDITION: As noted above, some inpainting, craquelure generally very good 52373-1 (4,000-6,000)

413

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Session 2

2369. U NSIGNED (American, 19th Century) PORTRAIT OF DR RICHARDSON’S HOUSE IN NORTH BRIDGTON, MAINE. Oil on canvas portrait of a white connected New England House having green shutters, red chimneys and surrounded by a picket fence all seen under a blue and white cloud sky. Unsigned, housed in its original Victorian walnut frame with gilt liner. Modern label on reverse indicates location. SIZE: 9” x 15”. Overall: 13” x 19”. CONDITION: Very good. 52185-2 (1,000-2,000)

Session 2

2373. EARLY 19th CENTURY “STATE OF MAINE” SLANT LID SECRETARY. This two-part secretary dates to around 1820 (when Maine became a State). The upper portion, a cabinet with two-paneled front doors which open to reveal 5 dovetailed drawers and 5 compartmentalized openings. The base having a slant lid board that drops down for writing surface also consists of three full length dovetailed drawers on period Sheraton turned legs. SIZE: 42” w x 19-1/2” d x 55-1/2” h. CONDITION: Both mahogany veneered panel door fronts have old cracks. Brasses are Victorian replacements. 52380-39 (800-1,200)

Lot 2373 2374.

FOUR COLORED ENGRAVINGS/ LITHOGRAPHS OF YALE COLLEGE AND SURROUNDING NEW HAVEN. 1) “East Rock, New Haven” after a painting by George H. Durrie, dated 1853, lithograph by Sarony & Co, NY. Housed in a fine walnut period frame with gold liner and glass. 2) “West Rock, New Haven” after a painting by George H. Durrie, dated 1853, lithograph by Sarony & Co, NY. Housed in a fine walnut period frame with gold liner and glass. 3) “Yale College (New Haven)” after a painting by W.H. Bartlett and engraved by J. Sands, published in London by George Lot 2374 Virtue 1839. Housed in a birdseye maple frame with painted and gilt liner. 4) “Yale University, 1830”. SIZE: 1) Plate: 15” x 20-1/2”. Sight: 19-1/2” x 24-1/2”. Overall: 25-1/4” x 30-1/4”. 2) 14” x 20-3/4”. Sight: 18-1/2” x 24-3/4”. Overall: 24” x 30-1/2”. 3) Plate: 4-3/4” x 7”. Sight: 6-3/4” x 8-1/2”. Overall: 10-1/2” x 12-1/2”. 4) Sight: 8-1/2” x 11-1/2”. Overall 101/2” x 13-1/2”. CONDITION: 1) Some foxing, fading of colors, and age toning, otherwise very good. Not examined out of frame. 2) Some foxing, fading of colors, and age toning, otherwise very good. Not examined out of frame. 3) Very good, Not examined out of frame. 4) Foxing spots, good, faded. 52259-5 (700-900)

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2375. PENNSYLVANIA ARCHITECTURAL PINE KAS IN TWO PARTS. First half 19th century. The stepped dentil molded cornice above the reeded banded frieze over three six molded cupboard doors flanked by fluted pilasters. The central door opening to an arched interior with two fixed shelves flanked by flattened reeded columns. The end doors each opening to interior fitted with two fixed shelves. The lower case with three aligned thumb molded short drawers over two aligned conforming drawers on a molded base raised on shaped bracket feet. SIZE: 70” h x 69” w x 18” d. CONDITION: The kas has been totally refurbished. The case shows remnants of early, if not original red wash on the exterior. Interior with traces of old black paint. Lower case with now stabilized shrinkage cracks at both ends. Original backboards remain. Upper case backboards stabilized with wood strapping. Structurally sound due to restoration. Restored condition is noted. 52016-2 (1,500-2,500)

414

Lot 2376 2377.

TWO DIMINUTIVE OVAL SHAKER COVERED BOXES. Early 20th century. The smallest in persimmon paint. The largest in mustard yellow wash. Each with three tacked fingers. SIZE: Smallest 1-1/2” h x 3-1/2” l x 2-1/2” w. Largest 1-3/4” h x 4-1/2” l x 2-3/4” w. CONDITION: Very good overall original condition. All surfaces undisturbed, colors remain vibrant. Very good overall. 51971-22 (800-1,200)

Lot 2377

2378. SHAKER OVAL COVERED BOX IN RED WASH. Early 20th century. The oval box with three finger tacked construction. SIZE: 3” h x 7-1/2” l x 5” w. CONDITION: Very good, with original surface and fine natural patina, red wash intact and age darkened. Very good overall. 51971-21 (800-1,200)

Lot 2378 2379.

SHAKER PHYSICIAN’S TRAY WITH DRAWER. Late 19th or early 20th century, Alfred, Maine. This nice example in red wash. The tray form with shaped divider and carrying grip fitted with a single long drawer with wooden latch joined to a simple rectangular base. The tray sides slightly canted. SIZE: 6-3/4” h x 13” l x 8-3/4” w. CONDITION: Tray retains original red wash surface. Untouched with good color and undisturbed patina. 51971-25 (300-500)

Lot 2379

2380. SHAKER SKEIN BOX WITH TWELVE INDIVIDUAL SPOOLS OF YARN. Second half 19th century, Maine or New York. The rectangular dovetailed box in dark wash. Hinged lid opening to an interior fitted with a removable dovetailed tray. Box with six spools stored in bottom and six smaller spools in tray. SIZE: 6” h x 12-3/4” l x 8-3/4” d. CONDITION: Box retains original surface with normal and expected in use wear and with light abrasion throughout. Box retains original lock and keeper. Very good overall. 51971-16 (400-900)

Lot 2380 415

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Session 2

2376. GROUP OF FOUR AMERICAN BASKETS. 1st half 20th century. Including a round and rectangular example with steam bowed handles. A squat bulbous round woven basket and a deep carrying basket fitted with shoulder straps. SIZE: Largest 12” h x 27-1/2” l x 17-1/2” w. CONDITION: All with natural original surfaces, the first two with damage and loss to woven splats at bottom, the third very good overall, the fourth structurally very good with minor deterioration to strapping, otherwise good. 52146-5 (400-600)

2381.

Session 2

SHAKER NOTIONS BOX IN THE FORM OF A MINIATURE BLANKET CHEST. Late 19th century, Alfred, Maine. This unusual box with rectangular hinged lid and applied molded edge opening to an interior with til. Within the till are mounted four wooden spools of thread, a small hole drilled in the end of the blanket chest allowing the thread to be fed through. Beneath each hole is a small round head tack or nail to which each thread is secured. The dovetailed case with inlaid diamond polished bone escutcheon. The notions box on a molded base. Lot 2381 The whole in original red paint. NOTE: The interior of the lid with pencil inscription reading “Sister Sarah B. Alfred, M”. Contents of the box include tomato pincushion, group of approximately 15 bone buttons, and a sock darner. SIZE: 5” h x 9-3/4” l x 5-1/2” d. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Original painted surfaces intact with minimal in-use wear, notably at corners and edges, very good overall. 51971-15 (1,000-1,500) ESA

2382. FINE CARVED AND PAINTED SHAKER MADE ABACUS. Late 19th century, Canterbury Shaker Village, New Hampshire. This nice example with twelve rows of beads sliding on steel rods set within a rectangular frame of mortis-and-tenon construction with a nicely turned baluster form holder joined to a slender handgrip. SIZE: 14-3/4” h overall. Abacus: 10” h x 12” l. CONDITION: Very good overall. Surface of painted beads slightly crusty. Frame and holder with undisturbed patina. 51971-24 (1,000-1,500)

Lot 2382 2383.

SHAKER MARKET GATHERING BASKET. Attributed to the Alfred, Maine, Shaker community. The basket having a fixed, carved central “D” shaped handle, the top with wood splint reinforcement support and the base having three carved wood integral supports. A well designed and executed basket which would hold a good market load. SIZE: 15” h (with handle) x 17-1/2” w x 13”, interior 9” d. CONDITION: Very good. 5197123 (300-500)

Lot 2383 2384. SHAKER OVAL COVERED BOX IN RED WASH. Early 20th century. The oval box with three finger tacked construction. SIZE: 2-1/2” h x 6” l x 4” w. CONDITION: Very good, with original surface and fine natural patina, red wash intact and age darkened. Very good overall. 51971-20 (800-1,200)

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416

Lot 2385

2386.

FOLK ART NOAH’S ARK WITH COLLECTION OF HAND CARVED ANIMALS IN PAIRS. Mid 19th century, possibly Pennsylvania. The “Ark” in the form of a building or church hall with peaked roof, a row of Gothic inspired windows, on a rectangular base with pointed ends. The whole paint-decorated and grained. Accompanied by 22 carved animals including a pair of human figures all with natural surface. SIZE: Ark 9-1/2” h x 211/2” l. CONDITION: Structurally good, painted and decorated surfaces dry and crusty, original and untouched. Very good overall. 52012-6 (1,600-1,800)

Lot 2386

2387. FINE DECORATED TOLE COFFEE POT. Early 19th century, New York. The rolled sheet iron example of lighthouse form tapered body with rolled edge handle and tapered spout. With vibrant painted decoration of flowers and fruit in a rondel with a bright yellow foliate border. The lid similarly decorated. All on an asphaltam black ground. SIZE: 9” h x 6” diameter. CONDITION: Very minor in-use abrasions, painted surface with cracquelure, small areas of abrasion exposing metal surface. Otherwise very good untouched condition. 51859-13 (1,500-2,500)

Lot 2387 417

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Session 2

2385. FINE GROUP OF SEVEN OVAL COVERED PANTRY BOXES. Late 18th, 19th century, New England. Comprised of an assembled set of six graduated boxes in red wash and a seventh small example in mustard yellow paint, a pencil inscription in script “Harriet (Holccott) / Mar 1792”. Made of mixed woods including, oak, pine, and flecked birch. SIZE: Largest 2-1/2” h 7-1/4” l x 5” w. Smallest 1” h x 3” l x 2-1/4” h. CONDITION: All with original untouched surface. The nest of boxes with shadow oval ghost marks, otherwise very good. 51971-28 (700900)

2388.

Session 2

FINE TWO-SIDED PAINTED PINE GAME BOARD. Late 19th - early 20th century, New England. The solid pine game board with bread board ends. One side decorated for Parcheesi board, the reverse painted with checker board within a wide pale pink border within small borders of olive green and black. Board with brass hanging ring mounted at center of top. SIZE: 18” sq. CONDITION: Original painted surfaces, now crusty with amalgamation. Slight sap “bleed thru” or staining. Parcheesi side with in use wear and minor abrasions. All surfaces original. Board in very good condition overall with interesting color palette. 51971-27 (2,500-3,500)

Lot 2389

2390.

Lot 2388 (w/reverse)

2389. FINE PATRIOTIC CARVED EAGLE WALL PLAQUE. Second half 19th century, American. Pine plaque carved depicting an displayed eagle with crest in his talons and crossed furled flags with original polychrome paint decoration. Deeply relief carved from the solid. SIZE: 11-1/2” h x 30” w. CONDITION: Painted surfaces with age appropriate wear. Several minor tight fissures from prior outdoor display. Very small chip losses at central top edge of each wing, tip of proper left wing and proper left talon. Good condition overall with nice patina. 51859-36 (1,500-3,000)

BRIAN COOLE (American/ United Kingdom, 1939-) BOSTON HARBOR. Fine oil on board scene shows a busy Boston Harbor with tall ships, schooners, rowboats, and steam paddleboat. The city skyline can be seen in the distance, all under a striated colorful sunset sky. Signed lower right “Brian Coole”. Housed in a nice carved & gilt wood frame. SIZE: 22” x 28”. Overall: 27-1/2” x 33-1/2”. CONDITION: Very good to excellent. 51852-4 (4,000-6,000)

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418

Lot 2391 2392.

CARVED GILT WOOD EAGLE ON PLINTH. 19th century, American. This nicely carved example depicting a displayed eagle perched on a ball joined to a square plinth. SIZE: 19-1/2” h x 291/4” w (wings) x 14-1/2” d. CONDITION: Structurally intact and sturdy with multiple layers of white and red sizing, gesso, and gilding which has reduced the overall quality and appearance of the carving. Overall good with no visible major structural damage. 52074-1 (800-1,200)

Lot 2392 2393. NICE MATCHING THREE PIECE SCRIMSHAW PORTRAIT SET. 3rd quarter 19th century, America. The set comprised of a walrus tusk polychrome scrimmed depicting a courting couple standing with outstretched arms amidst delicate flowering tendrils. Beneath the couple are portraits of a woman in period dress, one scrimmed on either side of base of tusk, they are also framed by similar flowering plants. Two small sperm whale teeth complete the set, one with a young couple seated in conversation while the woman holds the gentleman hat, the verso scribed with a young woman in formal period gown, all colored in shades of grays and red. The figures also framed by delicate plants and geometric design borders. The second decorated with a dancing woman in formal period gown and a full-length red scarf, another female figure on the reverse in scrimmed in a dark top and knee-length red skirt all with matching trim, a Spanish type head fan worn in her dark wavy hair. The figures on this tooth also scrimmed amongst delicate tendrils and geometric borders. SIZE: Teeth 4-1/2” and 4-3/4” l. Walrus 14” l (on curve). Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Surfaces all with natural patina and with good evenly faded coloration. Very good overall. Walrus tusk with hole drilled in the tip. 52213-2 (3,000-5,000) ESA

Lot 2393 419

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Session 2

2391. CHRISTOPHER BLOSSOM (American, 1956-) THE PURSUIT. Oil on canvas nautical scene shows a threemast tall ship with sails up traveling at an angle toward the viewer from left to right. In the distance is another in pursuit. Morning type light reflecting on the water with low land masses on either side, possibly indicating the Hudson River. Signed lower right “Christopher Blossom 1976”. Housed in a decorative gilt frame with linen liner (stained). SIZE: 15” x 22” . 19-1/2” x 26-1/2”. CONDITION: Very good with discolored surface varnish. 52375-1 (4,000-6,000)

2394.

Session 2

PAIR OF LARGE SAILOR MADE SHELL VALENTINES NOW MOUNTED IN 19th CENTURY GILT FRAMES. One with central anchor and heart design within a circle of seashells inscribed with the words “Love is as Deep as the Ocean”. The second with central design of a heart and flower within a circle of seed shells spelling “HOME IS WHERE THE HEART IS”. Each with typical rows of colorful seashells forming geometric patterns. Now mounted within Lot 2394 modern shadow box frames. SIZE: 11-1/2” h x 15-1/2” l (sight). Overall 15” h x 19” l. CONDITION: Very good, all shells remain firmly affixed in their frames. Gold leaf with normal and expected wear. 5191151 (4,000-6,000)

Lot 2395 2396.

2395. SHERATON WALNUT DOLL’S CHEST OF DRAWERS. Mid 19th century, New England. The rectangular top with molded edge above conforming case fitted with a pair of aligned drawers over three long drawers flanked by engaged balusterturned half columns, the base with applied molded edge raised on bracket feet with scalloped returns. Each drawer fitted with turned and polished and bone knobs and with diamond shaped escutcheons. SIZE: 14-1/2” h x 15-3/4” w x 5-3/4” d. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Chest retains original surface, hand rubbed with good color and patina. One escutcheon maybe a later replacement, polished knobs are probably a mixture of original and later replacements. Otherwise good. 52213-11 (1,000-1,500) ESA

THREE PORTRAITS AND FAMILY PHOTOS OF WILLIAM GANO PIERCE. The lot consists of: 1) A portrait of William Gano Pierce who was father of Arthur Whiting Pierce and son of Asa Pierce. The half portrait shows a young man seated in a red chair wearing a brown coat and white shirt and vest. Unsigned, housed in a lemon gold period frame. 2 & 3) A pair of miniature oval portraits on ivory of Arthur Whiting Pierce (1860-1938) and his wife Harriet Winnifred Bolster Pierce (1865-1948) (Parents of William Bolster Pierce). Housed in molded wood gilt oval frames behind glass. 4) A group of photographs of the Pierce family including three tintypes, eight CDVs, four cabinet cards, a postcard, and a three fold photograph album. SIZE: 1) 24” x 18”. Overall: 29” x 23-1/4”. 2 & 3) 4-1/4” x 3-1/4”. Overall: 7-1/2” x 6-1/2”. 4) Ranging from 4” x 2-1/2” to 7” x 6”. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: 1) Lined with some inpainting. 2 & 3) Chipping on surface. 4) Generally very good. 51637-10 (1,000-1,500) ESA

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420

Lot 2397 2398. UNSIGNED (American, Mid 19th Century) PORTRAIT OF OLIVER BOURNE, KENNEBUNKPORT, MAINE (1797-1881). Oil on canvas half portrait shows a gentleman in black coat, red swag curtain behind. Housed in a lemon gold replacement frame. Pencil inscription on stretcher “Portrait of Oliver Bourne”. SIZE: 27” x 27”. Overall: 30-1/2” x 30-1/2”. CONDITION: Restored with inpainting, very good. 51970-4 (400-800) 2399.

FINE INLAID ROSEWOOD ROLL TOP TELESCOPING SLANT LID Lot 2398 DESK ON FRAME. 1st half 19th century, China/England. This rare example with barrel roll top opening to reveal a fitted expanding cabinet in front of a campaign style sloping lid opening to a black baize-lined writing surface with pen tray and ink compartments. The writing surface hinged and opening to an open well all over a single long drawer with campaign style brass hardware. Fitted to a later table stand. The desk is accompanied by an original turned brass candlestick that may be set into one of two original inset brass holders to either side of the writing surface. NOTE: The roll section is released and opened when the central drawer is opened, thus revealing the fitted cabinet component of the desk which lifts upward from the desk interior. The spring loaded stops becomes the equivalent of a secretary. This unit with bowed top lidded compartments and campaign handles fitted with additional ink wells. The dome lid compartments above a central prospect door flanked by pigeonholes above a row of small stationery drawers all with original turned ivory knobs. The central door inlaid with a small mariner’s compass within a string inlaid border. SIZE: Desk 11-1/2” h x 26” w x 19-1/2” d. Table 253/4” h x 27” l x 20” d. PROVENANCE: By descent through the family of William Gano Pierce (1825–1875) who sailed from New York on board the Samuel Russell under Captain T. D. Palmer to Hong Kong, arriving June 15th, 1849. He remained in China for eight years. By direct descent through the family to the current owner. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Desk retains original surfaces with no restoration. Lid is mounted with an inset silvered plaque in which is inscribed the family name of “Pierce” and dated February 9th, 1859. Exterior surfaces of desk dry and in need of a re-polish, otherwise completely functional, very good structural condition. Custom base as noted is nothing more than a functional stand for this rare piece of furniture. 51637-14 (800-1,200) ESA

Lot 2399

421

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Session 2

2397. JAMES SULLIVAN LINCOLN (American, 1811-1888) PORTRAIT OF ARTHUR WHITING PIERCE. Large oil on canvas full length portrait of a young boy wearing a gray three-piece suit, white shirt & blue bow tie. He holds a Derby hat and sits in a Lincoln rocker. The grayish background is flanked by a green curtain and a silhouetted column. Wonderful red hair and blue eyes. Wonderful facial features makes this a very pleasing portrait. Accompanying the portrait are two photographs, one before restoration treatment and one after, also a bill dated 1974 for the treatment with an appraisal and some biographical information regarding the artist. SIZE: 40” x 33”. Overall: 45” x 38”. CONDITION: Very good, lined, with some inpainting. 51637-9 (1,500-2,000)

Session 2

2400. CHINESE EXPORT TEA SERVICE. Early 19th century, China. The 39 piece set consisting of a barrel form teapot, covered sugar, helmet form creamer, flask form tea caddy, a waste bowl, shallow serving bowl, 10 handled cups, and 11 tea bowls. Each piece painted with an unusual design of two birds feeding at a large bowl. SIZE: Teapot 6” h. Largest bowl 8” diameter. CONDITION: Two shallow bowl broken and re-glued. Covered sugar missing a handle. One saucer broken and re-glued. Scattered small chips and hairlines to the remaining cups and saucers. 52259-7 (1,200-1,800)

Lot 2400 2401.

FABULOUS ORIENTAL EXPORT PATRIOTIC NEEDLEWORK “UNITED STATES ARMY TRANSPORT SUMNER”. One of the largest that this cataloger has seen. The tall needlework having a black background with a spread wing eagle atop crossed American flags, shield, and banner “E Pluribus Unum” surrounded by thirteen stars. The center having two globes with identified land masses flanked by two oval photographs (Presumably Captain Daker and an unknown person) surrounded by needlework berry vines. The bottom third in needlework shows the single stack two mast white and red transport ship sailing left to right in white tipped greenish blue ocean with land masses on each end all under a nighttime sky. Housed in a black painted wood frame with glass. Note: The US Army transport ship Sumner was built in 1883 in Hamburg Germany. Purchased by the Navy in 1898, sold to the War Department and re-fitted as an Army transport ship, wrecked on a trip to Panama on Bar Negal Schoals December 1916. The ship served on the Puerto Rico intervention- The Cuba Invasion- The Philippine Interventionand the Boxer Rebellion. Used “great circle” navigation under Captain Daker while returning from the Philippines (this is indicated by the two silk globes at the center of this memorial silk). SIZE: Sight: 57-1/2” x 37-1/2”. Overall: 631/2” x 43-1/2”. CONDITION: Very good. 52003-15 (2,500-4,000)

Lot 2401 2402. UNSIGNED (American, 19th Century) THE RACE BETWEEN FAVORITA AND THE CHESTER A. ARTHUR. Large oil on canvas racing scene shows the Favorita leading the Chester A. Arthur with another schooner, unnamed, following. They are approaching a twostory building with many people looking on. A tall flagpole flies the American flag and supports a long string of pennants. All is shown under a colorful sunset sky. The background has church steeples, buildings & docks. NOTE: The Favorita was a New York Yacht Club schooner which raced in 1858, 1859 & 1860 in multiple boat races around Long Island. Housed in a fine gilt molded wood frame. SIZE: 26-1/2” x 371/4”. Overall: 33” x 44”. CONDITION: Lined, restored with inpainting. Good. 52099-43 (6,000-8,000)

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422

Lot 2403 2404.

LEONARD JOHN PEARCE (British, 1932-) “LA COQUETTE” IN BOSTON HARBOR. Oil on canvas harbor scene shows the two-mast schooner “La Coquette” sailing right to left in a busy harbor with several different ships including the sidewheeler “Boston”. The Boston skyline is seen as the background under blue & white cloud sky. Signed lower right “L J Pearce”. Housed in a fine carved & gilt modern frame. SIZE: 20” x 28”. Overall: 28” x 36”. CONDITION: Very good to excellent. 52276-1 (1,200-1,800)

Lot 2404 2405. RARE PAINTED WHALE BONE OF THE SCHOONER CAMEO. Circa 1916, by Hope Gorham Clark, New Bedford, Massachusetts. The ship’s portrait painted on a fragment of whale bone depicting the schooner tied up at dock, signed lower left “Hope Gorham Clark, 1916”. Beneath the area of the painting is painted inscription “Schooner Cameo / Record voyage three + one half years / 4000 barrels of oil”, beneath is a painting of a rooster titled “The mascot Dominique”. Accompanying this lot is an anecdotal account of events during the Schooner Cameo’s history, including the newspaper account of the record voyage and details of events in Captain Joseph T. Edwards career with the schooner. Captain Edward’s papers are in the collection of the New Bedford Whaling Museum. SIZE: 25” l. PROVENANCE: Purchased by the consignor at Quinn Farmer Auction in Charlottesville, Virginia in 2008. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Surface with undisturbed patina now somewhat darkened from original. Whale bone is mounted with raw hide hanger. Good overall. 51575-6 (500800) ESA GOOD DOUBLE SAILOR’S SHELL VALENTINE. Each octagonal section within a hinged mahogany frame. The left section with a heart design of clams within a geometric shell border. The right side with an oval seed shell patera forming the words “HOME AGAIN” within a clam shell border within a geometric shell border comprising flower heads. SIZE: Case 3” h x 9” dia. CONDITION: Very good overall. Colors remain vibrant, a small number of shells need reattaching, otherwise intact. 52279-15 (1,500-2,500)

Lot 2405

2406.

Lot 2406 423

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Session 2

2403. JAMES WHELDON (British, 1830-1895) PORTRAIT OF THE CLIPPER SHIP “THREE BROTHERS”. Oil on board portrait of the three-mast black hulled ship sailing right to left by a lighthouse on rocky shoal with other land mass & ships on horizon. Ship sailing right to left in white tipped ocean, in full sail & flying the American flag. Ship’s name prominently on the bow. Signed lower left “J.W.”. Housed in a fine gilt decorative frame with glass & gold mat. “Three Brothers” was built in Greenport, Long Island, NY. SIZE: Sight: 12” x 19”. Overall: 23-3/4” x 32”. CONDITION: Very good. 52074-2 (800-1,200)

2407.

Session 2 2408.

CLARK G. VOORHEES CARVING OF A DOLPHIN. First third 20th century. With carved monogram and branded signature on the back of sculpture. A fine three dimensional profile sculpture of a swimming dolphin. The upper body in black and the underside in mottled cream. SIZE: 18 l. CONDITION: Very good with light surface soiling. Old cosmetic repair to split at lower tail fin. Otherwise good. 52279-11 (800-1,200)

Lot 2407

CLARK G. VOORHEES CARVING OF A SPERM WHALE. First third 20th century, Weston, Vermont. This small dramatic example of a sperm whale with open mouth fashioned with teeth. The whole in black paint typical of this artist. The back of the whale with carved artist’s monogram and branded “C VOORHEES WESTON Lot 2408 VT”. SIZE: 17” l. CONDITION: Original paint surface with light soiling and minor spot loss to paint. Rear of lower phalange of tail fin repaired. Otherwise very good. 52279-13 (800-1,200)

2409. DIMINUTIVE BENCHMADE POND MODEL. This nice model of pine construction with solid deck and simulated planking originally designed with two masts and bow sprit and with a nicely formed lead keel. The hull in black paint, simulated copper paint below the waterline. Mounted on it’s original turned wood base inscribed “1st SERPENTINE 1907”. SIZE: Overall including stand, 9-1/2” h. Model 25” l x 6-1/4” w. CONDITION: Model retains all original surfaces; all rigging now absent. Model shows normal and expected in use wear, otherwise good. 52087-8 (400-500)

Lot 2409

2410.

RARE, UNIQUE AND WHIMSICAL SILVER OVERLAID BROWN BOTTLE LABELED “SPAR VARNISH” IN FLORID SCRIPT. Late 19th or early 20th century, American. The flask shaped bottle overlaid in silver depicting a schooner rig yacht above “SPAR VARNISH” all within silver band borders. The bottle with threaded cap. One might wonder if a bottle such as this was ordered as a special token to the owner of a well fitted custom yacht. SIZE: 5-1/2” h x 3-*1/4” w. CONDITION: Very good original condition. Bottle with minimal and minor staining, otherwise very good overall. 52213-13 (1,200-1,800)

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424

CARVED WOOD HALF HULL MODEL. This seven lift example possibly of a schooner with original black hull and copper painted bottom. Carved from pine and mounted on a plank with breadboard ends. The model with good clean lines. SIZE: 7-1/2” h x 39-1/2” l overall. CONDITION: Model retains original painted surfaces as does the mounting board in blue/green paint. Some roughness to edges and with dent depression 3” from bow. 52058-2 (800-1,200)

2412. J. CLARK (American, 20th Century) SHIP PORTRAIT OF A TWO MAST AMERICAN STEAM SHIP. The green hulled ship having center stack and two masts in full sail. American flag flies and several figures on deck. Oil on wood panel, housed in a modern black molded wood frame. SIZE: 12” x 16”. Overall: 21” x 24-1/2”. CONDITION: Surface dirt, otherwise very good. 52308-5 (700-900)

2413.

Lot 2412

UNSIGNED (American, 20th Century) A BUSY SHIPPING LANE. Oil on canvas nautical scene shows a black hulled yacht steaming right to left flying American flag. It is flanked by two sailboats and a four mast ship flying American flags is off the bow. All under darkened sky. Housed in a Victorian black walnut carved frame with gilt liner. SIZE: 12” x 18”. Overall: 17-1/2” x 23-1/2”. CONDITION: Wax lined, some minor touch up and flattened stretcher lines, very good. 52308-8 (800-1,200)

Lot 2413 2414. JAMES GAYLE TYLER (American, 1855-1931) LEAVING THE HARBOR. Oil on canvas scene shows the number 7 pilot boat crashing through white tipped waves on its way out to meet a boat. Signed lower left James G. Tyler”. Housed in its fabulous original gilt frame with gilt liner. SIZE: 12” x 18”. Overall: 21” x 27”. CONDITION: Very good. 52182-5 (1,000-1,500)

Lot 2414 425

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Session 2

2411.

Lot 2411

2415.

Session 2

RARE WHALEBONE SCRIMSHAW BUSK. Mid 19th century or earlier, America. This piece of scrimshaw depicting a Naval battle between two American frigates and a single ship of unknown origin. The two American ships sailing right to left Lot 2415 while being fired upon by the single opponent. The broadside signified by cloud of dark smoke. The scene enacted on a wavy sea with green toning, the American flag in red, white, and blue. *NOTE* The entry for this busk when offered and sold at Cowan’s Auctions Inc. in 2010 reads as follows: “Scribed with a sea battle scene between the USS Chasseur, American privateer clipper ship and an unknown British ship (possibly the HMS St. Lawrence). The Chasseur is from the shipyard of Thomas Kemp in Fells Point, Baltimore. She was captained by Thomas Boyle and was responsible for the sinking of at least 17 British ships during the War of 1812... After her return to the United States she was renamed The Pride of Baltimore.” SIZE: 1-1/2” h x 7-1/2” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Structurally very good, with minor abrasions along edge. Old and original surface with light soiling that can be removed, good patina and color. 52213-6 (1,000-2,000) ESA

2416.

OLK ART INLAID ABALONE AND BONE MAHOGANY F WATCH HUTCH. 3rd quarter 19th century, America. The hutch in the form of a shelf clock with tack inlaid domed crest set with an abalone flower inlay in the arch, the square body with central aperture carved out to accept a pocket watch, which hangs from a hook. Flanked by inlaid polished bone simulating columns on a platform base with scrolled bracket feet centering a shaped apron centrally inlaid by an abalone heart. Hutch is accompanied by a General Watch Co. pocket watch that is inoperable. SIZE: 6-1/4” h x5-1/4” w. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: With polished early surface, dark rich brown color and nice patina. Hutch has a large chip out of back of case at top. Otherwise good. 52213-12 (1,000-2,000) ESA

Lot 2416 2417.

JAMES OSBORN (American, fl. 1827-1832) WATERCOLOR OF THE US FRIGATE CONSTITUTION, PORTLAND 1827. The watercolor shows a broadside view of the ship in full sail flying American flag. Many sailors are on deck with guns at ready. Off the first mast is a banner “Free Trade and Sailors Rights”. The title is on the bottom border and at bottom right “Drawn by James Osborn, Portland 1827. Housed in a lemon gold period molded wood frame behind glass. An old paper note is affixed to back indicating this was purchased in 1923 by Mrs. Carter from Dr. Bigelow who received it from a Mr. Bartlett who was one of the signers of the Declaration of Independence. SIZE: Sight: 141/4” x 18”. Overall: 18-1/2” x 22”. CONDITION: Not examined out of frame, there are cracks and tears in the paper, small foxing spots, having strong colors. 52308-2 (1,500-2,000)

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426

Lot 2417

Lot 2418 2419.

CAMPAIGN STYLE BURL WALNUT AND MAPLE TRAVELING WRITING CABINET. Mid 19th century, England. This campaign style rectangular cabinet with well figured burl walnut bookend veneers with ebonized trim. The case sided mounted with campaign style brass carrying handles. The cabinet with a pair of doors opening to an interior fitted with three aligned valanced pigeonholes above a pair of aligned short drawers over three long drawers, Lot 2419 the lower drawer opening to a hinged writing desk with original embossed leather writing surface and with pen tray and inkwell. All with figural maple drawer fronts and brass campaign style ring pulls. SIZE: 13-1/4” h x 16” w x 11-3/4” d. CONDITION: Cabinet with original surface with good rich tea brown color and undisturbed patina, normal and light inuse wear. Very good overall. 51826-9 (800-1,200)

Lot 2420

2421.

2420. S AILOR MADE PARQUETRY WALNUT AND MAHOGANY VIOLIN CASE. 2nd quarter 19th century. The trapezoidal case with hinged lid opening to a velvet lined interior with horsehair filling. The case decorated overall with parquetry pinwheels, octagons, and geometric spandrels with crossbanded borders of holly and ebony. The case fitted with brass carrying handle of the period centering a shield form escutcheon. SIZE: 6” h x 10-1/2” w x 31” l. CONDITION: Surfaces have been cleaned and re-polished, veneers stabilized with small areas of lifting. Good color and patina. 52003-16 (1,000-1,500)

FISHERMAN IN DORY WEATHERVANE BY JOHN GARRET THEW. Last half 20th century. Depicting a fisherman holding oars, rowing a dory. Stamped on underside of stern “JOHN GARRET THEW Norfolk, Conn, Dory 316”. Accompanied by stand. SIZE: 13” h x 26” w including oars x 29” l. CONDITION: Old in use verdigris surface. 51859-22 (2,000-3,000)

Lot 2421 427

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Session 2

2418. A TTRIBUTED TO HONORE PELLEGRIN (French/ American, 1793-1869) WATERCOLOR SHIP PORTRAIT OF THE SHIP CHARLES HENRY LEAVING MARSEILLES 1866 . The two mast ship sailing left to right in blue ocean with the port of Marseilles behind it. Several figures are seen on deck and sails are full. The name is emblazoned off the stern and the ships pennant on second mast. Legend at base inscribed “Charles Henry of Pictou , John McKay COMder leaving Marseilles April 1866”. Housed in a period walnut frame with gold liner and antique glass. SIZE: Sight: 16-1/2” x 23-1/2”. Overall: 21” x 27-1/2”. CONDITION: All over spot foxing, some scrape losses and scratches mostly to right side. 52308-9 (1,000-1,500)

Session 2

2422. SAILMAKER’S PAINT DECORATED TOOLBOX. Mid 19th century, New England. The rectangular box with hinged lid and spool handle wrapped in fishing line at the end of which is tied the key to the box. Painted in red with cream borders on the lid. Additionally squiggle decorated. The lid opening to an interior filled with wooden mallets, fids, augers, a leather and brass sail maker’s thimble glove together with three steel needles and a razor with rough hewn handle. SIZE: 6-1/2” h x 15” l x 8-1/2” d. CONDITION: Painted surface with normal and expected in-use wear and abrasion. Otherwise structurally intact. Tools are well worn with fine patina. 52003-13 (600-800)

Lot 2422 2423.

NICE SCRIMSHAW SAILOR MADE BUSK. Late 18th early 19th century, America. The busk scrimmed with five decorative panels, the upper most with a stylized sunburst setting into the Lot 2423 ocean within a border of stars above a fully rigged sailing ship, above a scribed classical urn flanked by leafy boughs above a panel scrimmed with the initials “A B”, above multiple floral borders, above a potted plant, the pot of leaf form flanked by fan decorations, all above a fully rigged ship of the line, above an eight pointed compass star within a circle of six stylized stars, above a stylized flowering plant. The reverse with a scratched inscription reading “Made by Jules Bailey over 100 yrs old in 1905”. SIZE: 13-1/2” l x 1-3/4” w. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: The busk with old insect damage, nicely polished with good patina. Very good overall. 52308-43 (800-1,000) ESA

2424.

ORIGINAL CARVED “CAT-ONINE-TAILS”. 19th century. This honest example with turned handle with brass tacked leather hand grip, the spiral twist shaft also studded. The opposing end with square leather filaments wrapped in a tacked leather sleeve bound with two leather filament reinforcing straps. SIZE: 19” l (shaft) x 1-3/4” diameter. CONDITION: With losses and deterioration of original “Nine-Tails”, the shaft and grip with undisturbed surface darkened patina and chocolate brown color. Otherwise structurally good apart from aforementioned tails. 52308-20 (600-800)

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Lot 2424

2425. CARVED WHALEBONE KNUCKLEBUSTER. Mid to late 19th century. Of typical form, nicely carved and well fitted with smoothed edges. SIZE: 3” h x 4-3/4” l (overall). PROVENANCE: New Bedford Collection. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Structurally very good, undisturbed surface with darkened color and good patina. 52213-10 (1,000-2,000) ESA

428

CLARK G. VOORHEES CARVING OF BLUE WHALE. First third 20th century, New England. This example with Voorhees brand on rear of sculpture depicting a blue whale in profile with partly open mouth and pronounced striations carved along lower third of body. The Lot 2426 whole in mottled muddy dark grey to black finish with traces of white along the striations and traces of red outlining upper and lower lips. SIZE: 18-1/2” l. CONDITION: Surface gives the impression of being excessively cleaned. Otherwise structurally very good with light minimal abrasions at tip of each tail fin. 52279-12 (800-1,200)

2427.

CLARK G. VOORHEES CARVING OF A SPERM WHALE. First third 20th century, New England. This larger example with Voorhees monogram over branded signature “C VOORHEES”. Graphic profile depiction in black paint, the partly opened jaw with row of angular teeth. SIZE: 35” l. CONDITION: Lot 2427 Painted surface somewhat mottled and spotted. Small repaired chip to lower edge of pectoral fin and old repair of split to upper tail fin. The seam of the jaw at connection to body appears to have loosened and been reattached. 52279-10 (1,000-1,500)

2428. K ELVIN-WHITE SHIP’S BINNACLE TOGETHER WITH TYFON BRASS FOGHORN. Late 19th - early 20th century, Boston, Massachusetts and Malmo, Sweden. The brass and mahogany binnacle with original deck stand fitted with port and starboard iron balls. With original brass cover. The interior of stand appears to retain several accessories. The foghorn with original brass label on horn and with operational pumping mechanism. SIZE: Binnacle: 45” h. Foghorn: 23”. CONDITION: Both structurally intact with good surface. Compass in foghorn operational. 52398-8 (800-1,000)

Lot 2428 2429.

GROUP OF THREE SAILOR WHIRLIGIGS. Early 20th to present, America. Each of typical sailor form with bowed legs and outstretched arms and Jack Tar hat. Each on a rod joined to a base, all with paddle arms. SIZE: Tallest 16-1/2”. CONDITION: Two with old surface, one a new Nantucket Island souvenir whirligig. All three with new paddles. 52279-17 (500-800)

Lot 2429 429

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Session 2

2426.

Session 2

2430. UNSIGNED (American, 19th/20th Century) CRAYON AND PENCIL DRAWING OF THE STEAMSHIP PADDLEWHEEL “PILGRIM”. The ship in pencil with watercolor highlights flying American flag and two other flags, one “Boston”. Underneath the paddle box is the name of the ship which is also at the bottom margin. Housed in a period gilt frame behind glass. SIZE: Sight: 13” x 19-1/4”. Overall: 16” x 22-1/2”. CONDITION: Some imperfections, generally good. 52308-7 (1,000-1,500)

Lot 2430 2431.

ARCHITECTURAL DRAWING OF THE TWIN SCREW STEAMER “TOLEDO AND THE ISLANDS”. The pen & ink rendering shows the single stack steamer sailing right to left flying the American flag with its name emblazoned on the side. Below which is written “Twin Screw Str. Craig S.B.Co. Toledo, O. Scale 1/8th” = 1ft”. Housed in a modern wood frame with colorful highlighted white mat. SIZE: Sight: 11” x 33”. Overall: 213/4” x 43”. CONDITION: Not examined out of frame, spot foxing, folds & some discoloration. Otherwise good. 515757 (800-1,200)

Lot 2431

2432. T HREE SHIP PORTRAITS. 1) Watercolor on paper mounted to cardboard of a steam yacht. Unframed, signed lower right Lou_ _? 2) Framed watercolor portrait of a steam & sail warship shown in full sail sailing right to left with other boats. Housed in a period frame behind glass. Unsigned, ship identified on verso in modern writing H.M.S. Edgar. 3) Unsigned watercolor/gouache portrait of a three-mast ship shows without sails under white cloud & blue sky. Housed in an antique birdseye maple frame with gold liner behind glass. SIZE: 1)Image: 12-1/2” x 19-3/4”. Overall: 14” x 22”. 2) 9-1/4” x 14-1/4”. Overall: 12” x 17”. 3) 8-1/4” x 11-1/4”. Overall: 10-1/2” x 14”. CONDITION: 1) As found with water stains & age toning. 2) Some imperfections & age toning, good. 3) Very good. 52308-41 (400-500)

Lot 2432 2433.

UNSIGNED (20th Century) SHIP PORTRAIT OF THE YACHT “MISS NELL”. Oil on board ship portrait shows a single stacked two mast yacht sailing right to left by a small lighthouse. Several figures are seen on deck and the name is emblazoned on its white hull. Housed in an antique gold frame. SIZE: 10-1/4” x 16-3/4”. Overall: 15” x 22”. CONDITION: Very good, some inpainting. 52308-6 (300-500)

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430

Lot 2433

LARGE EARLY WOOD AND IRON FISH WEATHERVANE. Circa Early 20th to late 19th century. Found in New Hampshire. Appears to be made of oak with mounted iron appendages. SIZE: 57” l x 20” h at its highest point. Wood itself is over 2” thick in places. CONDITION: Structurally sound. Paint worn. There are some wooden ball finials that accompany it which are very old and cracked and need re-gluing. 52380-37 (800-1,200)

Lot 2434

2435. THOMAS BUTTERSWORTH (British, 1768-1842) FRENCH AND BRITISH NAVAL BATTLE. Oil on canvas naval battle scene shows a three mast British gunship surrounded by other French vessels with a battle ensuing. Unsigned, housed in a birdseye maple period frame with gilt liner. SIZE: 19-1/2” x 24”. Overall: 22-1/4” x 26-1/2”. CONDITION: Very good, lined, restored with some inpainting. 52366-2 (3,000-5,000)

Lot 2435 2436.

WILLIAM EDWARD NORTON (American, 18431916) UNDER FULL SAIL. Oil on canvas scene shows a three-mast ship sailing at an angle to the viewer with ship on horizon, three seagulls flying in a white & gray cloud sky dotted with blue. Signed lower right “W E Norton 77”. Housed in a good modern gilt frame. On verso is a Frost & Adams, Boston label. SIZE: 16” x 27”. Overall: 21” x 32”. CONDITION: Lined, restored with inpainting otherwise good. 52003-12 (2,000-3,000)

Lot 2436 2437. WARREN W. SHEPPARD (American, 1858-1937) “RESCUE AT SEA”. Oil on canvas scene shows a large schooner being battered by large waves, a lifeboat has rescued some and is in the process of rescuing more. The ship is still intact but in the process of failing. Wonderfully rendered waves and ocean all under a gray to white sky. Note: On February 2nd, 1856 the schooner “Wave” left the port of New York and upon nearing Sandy Hook struck a “cake” of ice that tore hole in her hull. The pilot boat Gazette attended to the rescue and then filed for right to salvage. It was argued that the sinking was outside of the port of New York and that the Gazette was just following their duty and that they did not have right of salvage. Information provided by the United States Courts Schooner Wave V. Hyer Et Al. SIZE: 30” x 25”. Overall: 35” x 30”. CONDITION: Wax lined with scattered retouch, craquelure, very good. 52003-10 (3,000-4,000)

Lot 2437 431

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Session 2

2434.

Session 2

2438. LORING’S CELESTIAL GLOBE ON STAND. Circa 1854. Compiled from the works of WALLISON, FLAMSTED, DE LA CAILLE, HAVELIUS, MAYER, BRADLEY, HERSCHEL, MASKELYNE. The globe with ten intact gores. Stars with magnitude chart remain clear and readible, as do all the constellations. The horizon line marked with all of the signs of the zodiac and the monthly increments. The stand raised on four baluster-turned supports joined by an X-form cross stretcher. SIZE: 17” h x 16-1/2” d. CONDITION: Very good with intact surface with minor and minimal abrasions. The stand top support with old abrasions. Otherwise good. 51971-29 (3,500-5,000)

Lot 2438 2439.

2440.

FINE FRAMED CIRCA 1700 DUTCH MAP OF NEW ENGLAND SOUTH TO VIRGINIA. 18-1/4” x 21-3/4” engraving on larger paper. Framed in gilt gesso frame, hand tinted details. This iconic early map of the “New Netherlands” show a nice view of tiny New York City labeled as “NIEUW YORCK... NIEUW AMSTERDAM...MANHATTANS”. This famous map has been highly reproduced but this is an original. The first imprint edition of 1651 did not name New York, but only New Amsterdam. This edition with the added details still dates to about 1700. From the Jansson-Visscher series of maps. CONDITION: Not removed from frame but paper appears sound. There is a repaired crack at central fold. Colored details are touched up in areas, but engraving looks overall very good. 51971-19 (4,0006,000)

Lot 2439

TWO MAPS: “CARTE DU CANADA OU DE LA NOUVELLE FRANCE”. 1) Guillaume De’Lisle (1675-1726), map of Canada, the Great Lakes & Upper Mississippi. Ink on laid paper with later period color copper plate engraving. Paris, Early 18th C. Carte du Canada ou de la Nouvelle France is once of the earliest, most accurate maps of New France, the first map to include Detroit and the most complete, accurate portrayal of the Great Lakes. Housed in a decorative black frame with gesso decorated gold liner behind glass. 2) Covens & Mortier’s version of the De L’Isle map, published in Amsterdam, originally 1730. This 18th C map having watercolor highlighted boundary markers. Housed in a fine black frame with gesso decorated gold liner. SIZE: 1) Sight: 22-1/2” x 32”. Overall: 28” x 37-1/2”. 2) Sight: 211/2” x 26”. Image: 19-1/4” x 22-3/4”. Overall: 26-3/4” x 31-1/2”. CONDITION: 1) Several repaired tears, mostly at folds. Generally very good. 2) Appears to be laid down, two professional repaired tears on upper area, not examined out of frame. 52094-23, 52094-24 (1,000-1,500)

Lot 2440

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432

Lot 2441 2442.

FRAMED AND HAND COLORED EARLY JOHN OGILBY ATTRIBUTED MAP OF AMERICAS. 14-1/2” x 11 map image with margins, framed and matted. Hand colored details (at a later date) as can be seen in photograph. SIZE: 22-1/2” x 19-1/2” overall. CONDITION: Not removed from frame, but paper appears good with central fold starting at bottom, torn upper left-hand corner and crease at upper right-hand corner. 51971-18 (250350)

Lot 2442 2443.

CARVED SALMON TROPHY MOUNTED ON DISPLAY BOARD. Circa 1946, Scotland. This nicely carved example in original paint mounted on a mahogany plank with molded edge and inscribed “Ct. by WM. SMITH, MANASQUAN. RIVER SPEY. MARCH 25th. 1946. 15 lbs 3 oz”. SIZE: 13” h x 44-1/2” l. CONDITION: Structurally very good. Normal and expected paint loss and abrasion, notably on snout and fin edges, undisturbed surface with good patina, slight loss to painted inscription. 52182-1 (2,000-3,000)

Lot 2443 2444.

SALMON TROPHY FISH CARVING ON PLAQUE. Circa 1937, Scotland. This nicely carved example in original paint mounted on a mahogany plank with molded edge and inscribed “RIVER TAY. CUILALUINNS STRETCH. Feb. 1937, 12 lbs 9 ozs.” SIZE: 17-1/2” h x 39” l. CONDITION: Structurally very good. Normal and expected paint loss and abrasion, notably on snout and fin edges, undisturbed surface with good patina. 52182-2 (2,000-3,000)

Lot 2444 433

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Session 2

2441. SET OF FOUR FRAMED FRENCH MAPS: AMERIQUE, AFRIQUE, ASIE, EUROPE. All identically housed in modern lat black frames with deep white mat. The whole margin map is visible and spot glued not laid down. Each is lightly watercolor highlighted. Dated 1761 by Martinet. These are folded at the center and page numbered 35, 36, 37, and 38. SIZE: 17-1/4” x 221/2”. Overall: 26-1/4” x 32. CONDITION: Very good. 52216-4 (1,500-2,500)

2445.

Session 2

CARVED & PAINTED SWORDFISH PLAQUE BY BYRON BRUFFEE. Swordfish having dark blue & white paint, carved fins, large eye & long bill. Carved signature “B” on verso. SIZE: 55” l x 17” at widest. CONDITION: Very good. 52050-2 (1,200-1,500)

Lot 2445

2446.

INE REALISTICALLY CARVED PERCHING HAWK F SCULPTURE. 20th century, American. This finely carved example depicting a hawk perched on a tree branch (of driftwood) mounted on a weathered pine board. The hawk with glass eyes, carved from the solid, with well carved and scribed plumage. SIZE: 13” h. CONDITION: Very good, untouched surfaces. No blemishes, damage or repairs. With good color and patina. 52279-16 (600-900)

Lot 2446 2447.

DAVID FOOTER BROOK TROUT TROPHY MOUNT. Late 20th century, David A. Footer active Lewiston, Maine. This beautifully posed and painted taxidermy brook trout mounted on an oval plaque. SIZE: Overall 11” h x 24” l. CONDITION: Very fine condition. 52004-5 (500-1,000)

Lot 2447

2448.

Lot 2448 Visit www.jamesdjulia.com for more information

434

AVID FOOTER BROOK TROUT TROPHY MOUNT. D Late 20th century, David A. Footer active Lewiston, Maine. This beautifully posed and painted taxidermy brook trout mounted on an oval walnut plaque. SIZE: Overall 12” h x 27” l. CONDITION: Very fine overall condition. 52004-4 (5001,000)

Lot 2449

2450.

HUDSON VALLEY SPOON RACK IN RED PAINT. Late 18th or early 19th century, New York. This nice pine example with triple arch fan carved cresting above the backboard affixed with three horizontal spoon holders over an open well with canted front. The front with conforming fan decoration. The whole in original dry crusty red paint. Spoon holders may be later additions. SIZE: 29-3/4” h x 17” w x8-3/4” d. CONDITION: Structurally very good with normal and expected in use wear and abrasions. Old, if not original paint on back and well. 52120-1 (4,000-6,000)

Lot 2450 2451. HIGHLY FIGURED BURL BOWL. Late 18th century, New England. This exceptional ash bowl of beehive form with concave foot beneath a scribe line. The rim with bold out-set band above a finely beaded conforming line beneath. SIZE: 4-3/4” h x 12-3/4 dia. CONDITION: Untouched original “attic”, surface with rich patina, in excellent original condition. 51859-43 (1,500-3,000)

Lot 2451 2452.

NEW ENGLAND MAPLE TRENCHER IN BLUE PAINT. 19th century. Rectangular trencher with rounded ends deeply carved from the solid with old if not original robin’s egg blue painted exterior. SIZE: 5” h x 20” l x 11-1/4” w. CONDITION: One end with old shrinkage crack and remnants of staple repair, now stable. The opposing end with old notched chip at edge. The interior with in use wear commensurate with age. Painted surface appears original with appropriate in use wear. Retaining vibrant color. Very good overall. 52279-6 (600-900)

Lot 2452 435

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Session 2

2449. FOLK ART PAINTING DEPICTING NIAGARA FALLS. Unsigned, 19th Century oil on canvas shows a view of the falls with the Lady of the Mist. A fenced area in foreground with a sailor holding an oar. An interesting three-sided surround of a painted stage curtain in multi-colors with hanging tassels surround the scene. Housed in its original gesso decorated frame. SIZE: 22-1/2” x 30”. Overall: 28-1/2” x 36-1/2”. CONDITION: Untouched surface, surface dirt, otherwise very good. 52115-11 (1,000-1,500)

Session 2

2453. EARLY AMERICAN GRAIN PAINTED MINIATURE PINE BLANKET CHEST. 1st half 19th century, New England. The rectangular hinged lid with applied molded edge opening to an interior fitted with an open till. The case with reeded lower molding raised on tapered supports with deeply scalloped returns. The blanket chest with simulated mahogany graining in original red paint with dark highlights. SIZE: 7-1/2” h x 12-1/2” l x 4-3/4” d. CONDITION: Lid with normal soiling, structurally very good, the original painted surfaces with normal and expected in-use wear and abrasion. Very good overall. 51970-6 (1,000-1,500)

Lot 2453 2454.

ATTRIBUTED TO WILLIAM T VAN STARKENBORGH (American, Mid 19th Century) FOLK ART PAINTING OF NIAGARA FALLS. Unsigned naive oil on board landscape depicting figures on the rocky cliffs below Niagara Falls with steamboat Housed in a period giltwood frame. SIZE: 18” x 24”. Overall: 23-1/4” x 29-3/4”. CONDITION: Craquelure along bottom, several surface scratches, discolored varnish, otherwise good. 52235-19 (4,000-6,000)

Lot 2454

2455. ARCHITECTURAL CANT-BACK OPEN-TOP CUPBOARD IN BLUE PAINT. Second quarter 19th century, New England. The rectangular case with half round molded cornice above a single shelf within the open top over a pair of flat panel cupboard doors each with strapping on the interior for stabilization, opening to an interior of two fixed shelves above a panel base. The case sides with bootjack ends. The cabinet in rich sky blue paint over earlier light blue paint. SIZE: 73-1/2” h x 43” l x 15-1/2” w. CONDITION: Structurally very good, painted surfaces enhance areas of wear. 52243-1 (1,500-2,500)

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436

FINE AND UNUSUAL COBBLER’S BENCH IN BLUE PAINT. Mid 19th century, American. This unusual example a combination of workbench and leather covered seat of rectangular form. The bench fitted with an arrangement of three storage drawers, additionally fitted with a raised section having a top surface with three quarter gallery and with two banks of two short drawers above the working surface fitted with four tray form receptacles. The back rail with slotted tool holders. The opposing end of the bench “chair seat”. The rectangular curved back padded and covered in leather with brass tack border, attached to a hinged fitting allowing the chair back to adjust. The brass tacked leather seat fitted to a circular opening, all above a storage drawer. The whole raised on boot jack ends. SIZE: 35” h (overall) x 45-1/2” l x 22-1/2” d. CONDITION: The workbench with normal and expected in-use wear. Old painted surfaces abraded but with wonderful patina. Leather back and seat mostly intact but with extensive wear. Soiling to work surfaces, structurally very good. One side of gallery re-attached. A very unusual piece in untouched condition. 52235-4 (3,500-4,500)

Session 2

2456.

Lot 2456

2457. EARLY AMERICAN PINE POSTMASTER’S DESK ON LATER FRAME EACH IN BLUE PAINT. The desk and property of Captain Oliver Bourne (1797-1881), shipowner and postmaster of Kennebunkport, Maine. The pine desk in two parts. The original desk with hinged sloping lid with breadboard ends opening to an interior fitted with a bank of three small drawers flanked by pigeonholes within a well. The back fitted with a single enclosed shelf. The whole in early robin’s egg blue paint. Now fitted to a custom made pine frame. The desk within a molded frame raised on chamfered square legs joined by a chamfered and molded box stretcher. The desk frame in blue paint. SIZE: Overall 6’ 1-1/4” h x 33-1/2” w x 25-1/2” d. CONDITION: The desk with wonderful patina and color, surfaces untouched with normal and expected wear. The desk well fitted to its benchmade frame. Frame with no visible defects, damages, or repairs. Very good overall. 51970-3 (800-1,200)

Lot 2457 2458.

EARLY AMERICAN CHILD’’S ROCKING SETTLE ARM CHAIR TOGETHER WITH AN EARLY FOOT STOOL. Late 18th early 19th century, New England. The first, a fine example in original red paint with high back and shaped arms centering a planked seat joined to rockers with shaped foot rest. The second, a rectangular foot stool with rounded seat rail fitted with an upholstered insert raised on simple rounded legs with shaped returns each side with drop pendant, all in green paint with mustard borders. SIZE: Chair 19-3/4” h x Lot 2458 10-1/2” w x 24” l. Stool 10” h x 16” l x 14-1/4” w. CONDITION: Both with original surfaces and normal and expected wear to surfaces. The rocking chair with added structural supports to sides. Otherwise good. 52236-16 (400-600)

Lot 2459

2459. CHILD’S PAINTED SLED. Mid 19th century, New England. The sled with metal runners applied with swan’s head wrought-iron fittings at the front with apertures through which would pass reins for towing or for a towrope. The central shield form seatboard nicely paint decorated with a folk art galloping horse “POMPEY” stenciled between leaf tips. All within a black border. The sled frame joined and raised on cylindrical supports in red paint with delicate black accent lines. SIZE: 13-1/2” h x 32” approx l. CONDITION: Overall structurally very good, retaining original painted surfaces with age appropriate wear and abrasions. Seat panel remains vibrant with craquelure. 52012-4 (1,800-2,200) 437

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Session 2

2460. SAROUK ORIENTAL CARPET, CENTRAL PERSIA. First quarter 19th century. Central floral medallion on a wine red field with dense floral bouquets and flowering trees within a blue/black main border of scrolling floral vinery and lotus blossoms within floral guard borders. SIZE: 8’ 9” x 11’ 2”. CONDITION: Very good, carpet retains nearly full pile, vibrant colors and strong palette, loss to fringes at ends. 52165-1 (1,500-2,500)

Lot 2460 2461.

MONUMENTAL GAVEL WITH ARROW WEATHERVANE. First quarter 20th century. Copper form of a gavel propped above an arrow. Accompanied by a wall mount. SIZE: 27” h x 92” l. CONDITION: Good with old worn gold leaf surface and verdigris. 51859-30 (1,500-3,500)

Lot 2461 2462. PAINT DECORATED CUTLERY BOX. Mid 19th century, New England. The divided caddy with two open compartments for cutlery. The tray form with canted sides. The shaped borders conforming with the center divider surmounted by a turned handle with heart shape finger grip. Later black, blue, and green paint over earlier cream paint. SIZE: 9-1/4” h x 13” l x 9-1/2” w (approximately). CONDITION: With normal and expected inuse wear and abrasion due to softness of pine, with undisturbed patina, painted surface well worn and abraded. 52279-14 (1,0001,500)

Lot 2462 2463.

FINE ASH BURL BOWL. First half 19th century, medium size bowl with great old patina and very tight burl. SIZE: 12” dia. x 4” h. CONDITION: Has several cracks, some insect damage, burn mark on exterior bottom. 52232-2 (1,2001,800)

Lot 2463 2464. FINE ASH BURL BOWL. 18/19th century, New England. This unusual oval example with strong burled grain, well worn with natural surface. The sloping sides continuing to a flat bottom with pleasing irregular rim. SIZE: 5” h x 13-1/2” l x 11” d. CONDITION: Dry surfaces noted. No restoration or damage. Small natural knotholes. Very good. 52232-5 (2,000-4,000)

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438

Lot 2465 2466.

UNUSUAL EARLY AMERICAN X-FORM FOUR-ARM CHANDELIER. First half 19th century. Turned central shaft mounted with a pewter hanging ring and with inverted cup form turning at the opposing end fitted with four stepped rectangular arms, each mounted with a block-turned candle arm fitted with rolled tin seamed candle cup joined to a rolled bobeche. Each candle holder designed to slide along the arm. SIZE: 12-1/2” h x 28-1/2” square. CONDITION: With original dry surfaces, now with untouched patina. Pewter hanger with old age splits. The ring misshapen from usage. Candle cups and bobeches all with in-use wear. One arm with old nailed repair. Otherwise very good. 52236-19 (700-900)

Lot 2467 2468.

Lot 2466

2467. FINE SET OF FOUR CONNECTICUT WINDSOR SIDE CHAIRS IN BLACK PAINT. New London or possibly Windham county circa 1790. Each bowed, slightly arched, and flattened crestrail joined to nine spindles flanked by ring-and baluster-turned posts joined to a shallow shaped and chamfered saddle seat raised on splayed vase-ring and baluster-turned legs joined by swelled H-form stretcher. Seat of yellow poplar, spindles of maple and other undetermined woods. NOTE: the less exaggerated profile with baluster turned posts exemplifies the common practice for Windsors made along the Connecticut or Rhode Island border. SIZE: 36” h x 20-1/2” l x approx 18-1/2” w. Seat: 16” h. CONDITION: Chairs in untouched original condition with original paint surfaces with normal and expected in-use wear, very good overall. 52135-13 (1,800-2,200)

FINE CHIPPENDALE SPONGE DECORATED BLANKET CHEST. Late 18th century, New England. The pine chest with bright and graphic ochre and umber sponge decoration. The case and lid corners with fan shaped sponge elements with additional central sunburst elements. The hinged lid with applied molded edges opening to an interior fitted with molded edge lidded till and with original iron hinges, lock, and keeper. The dovetailed case with oval brass escutcheon with applied oval molded edge. Raised on bracket feet with shaped returns. SIZE: 22” h x 38” l x 17-3/4” d. CONDITION: Very good untouched condition with light soiling and with normal and expected in-use wear. Proper right front side foot missing small section at base. 51859-31 (1,500-2,500)

439

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Session 2

2465. DIMINUTIVE ROUND HUTCH TABLE IN RED PAINT. Early 19th century, probably New Hampshire. The circular three board round top with bow-tie cleats joined to the chair base by a dowel with faceted end. The chair with square arms joined to four square styles centering a well worn hinged plank seat opening to a storage well continuing to square legs. SIZE: 46-1/2” diameter x 28” h. CONDITION: Table with remnants of original red paint with good color and patina, with normal and expected in-use wear. Structurally very good and original. 52236-7 (2,500-3,500)

Session 2

2469. 18th CENTURY BRACKET FOOT 3 DRAWER BLANKET CHEST IN RED PAINT. This 18th century bracket foot chest with five simulated drawers. The top lid opens to reveal a deep compartment. The top two drawer fronts are faux front. The three lower drawers are full drawers with dovetailed construction and having molded frontices. Drawers appear to never have been fitted with pulls. SIZE: 36-1/2” w x 18-1/2” d x 44-1/2” h. CONDITION: Red paint, a later addition, some minor restorations. 52380-40 (350-550)

Lot 2469 2470.

SAROUK RUG, CENTRAL PERSIA. First third 20th century. This nice example with scrolling floral design in opposing pattern on a plum ground. The blue/black guard border with flower heads and foliage within ribbon guard borders. SIZE: 3’ 6” x 5’. CONDITION: Generally very good, rug retains nearly full pile with strong color. Loss of fringe to both ends. 51911-25 (800-1,200)

Lot 2470 2471. UNSIGNED (American School, Mid 19th Century) FOLK PORTRAIT OF A CHILD IN PINK DRESS WITH STRAW HAT OF FLOWERS. The child is seated at the base of a tree with a sunset landscape background. Housed in an antique gilt frame around it’s original liner. Label from McClees Galleries, Philadelphia label on verso of frame. SIZE: 34” x 27”. Overall: 40” x 33”. CONDITION: Lined, some minor old restoration, very good 52264-2 (1,500-3,000)

Lot 2471 2472.

SMALL EAGLE WEATHERVANE. Last quarter 19th century. Of typical form perched on ball with cast metal head. Accompanied by stand. SIZE: 16” l, 12” h. CONDITION: Old solder seam repairs, traces of multiple paint and gold leaf. 51971-6 (3,000-5,000)

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440

SQUIRREL WITH NUT WEATHERVANE ATTRIBUTED TO WASHBURN & CO. First half 20th century. Copper squirrel with cast metal ears, depicted with upswept tail and treasured acorn. Accompanied by stand. SIZE: 24” h x 29” l. CONDITION: Good with old in use gold leaf surface. 52115-3 (3,500-4,500)

2474.

HANNAH DAVIS BAND-BOX TOGETHER WITH THREE WALLPAPER BOXES. 1820s-1830s, Hannah Davis, Jaffrey, New Hampshire. 1) Large oval labeled box with period scenic blue and green wallpaper. 2) Sewing notions box with lid and pin cushion, covered in a floral wallpaper in blues and red, the pin cushion in a floral cotton fabric. 3) Small oval sewing notions box in red and blue snowflake wallpaper with plaid pin cushion fastened within a lace border, interior of lid with message in pencil script “This box was Grandmother Gottshalk’s, my Grandfather’s mother. It is very old, do not destroy it. About 150 yrs old maybe a little more. Shall be Esters Mother 6-20-30”. 4) Small dome top box, covered in a red and blue wallpaper of floral design. SIZE: Largest 12” h x 18-3/4” l x 14-1/4” w. Smallest oval 1-3/4” h x 4-3/4” l x 3-1/4” w. CONDITION: Overall well worn all with losses to wallpaper and with abraded edges and some with surface soiling. Fair overall. 52012-3 (1,800-2,200)

Session 2

2473.

Lot 2473

Lot 2474

2475. WALLPAPER HAT BOX WITH PATRIOTIC HAT AND TWO WALLPAPER COVERED BOXES. Late 19th century, American. The first with original patterned wallpaper fitted with a parade top hat simulating an American flag. A round covered box with wallpaper cover, and an oval covered box with wallpaper cover. SIZE: Tallest: 9-1/2” t x 12-1/2” l x 11-1/2” w. Smallest: 2-3/4” h x 4-1/4” d. CONDITION: All original but with rather extensive soiling and abrasions. Top hat intact, colors remain vibrant. Otherwise fair to good overall. 52012-2 (1,800-2,200)

Lot 2475 441

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2476.

Session 2

PINE SINGLE DOOR WAINSCOT DRY SINK. 2nd quarter 19th century, New England. The rectangular case with deep tray top, the plank top with drainage hole with sheet iron collar within a molded frame above the case fitted with single door on H-form hinges, the interior fitted with single shelf. SIZE: 33” h x 491/2” l x 19-1/2” d. CONDITION: Original paint surfaces have been removed, now with later varnish. The top and gallery with normal and expected wear and staining commensurate with age. Structurally very good. 52236-3 (800-1,200)

Lot 2476 2477. FEDERAL GRAIN PAINTED AND DECORATED TALL CASE CLOCK. Late 18th or early 19th century, Pennsylvania. Dovetail case with flat molded crest above plain frieze over arched door flanked by free standing swelled colonnettes. Enameled paint decorated tin dial with Roman numeral and Arabic chapter rings centering a subsidiary seconds dial, time and strike apertures above a crescent aperture. All within painted demilune gilt spandrels and with painted flower heads within a foliate border beneath an oval foliate cartouche with scrolling gilt leaf tips, all painted within the arch. The eight day brass movement striking on a bell. Unsigned and unmarked. Bonnet above the throat fitted with rectangular door with inset panel and cockbeaded molded edge flanked by reeded canted case corners joined to the box base by a bolection molding. Base with square panel and molded inset molding with conforming canted corners on outswept French feet with scalloped apron. SIZE: 7’3” h x 14” throat w. 19” overall w. 10-1/2” d. CONDITION: Case with slight abrasion and soiling. One spot upper right corner of throat door facing with abrasion. Bonnet door glass original. Case very good overall. Painted dial original but with small areas of touch up near center of dial. Otherwise good with original hands. Clock is offered with original pair of lead weights, pendulum and winder. Brass movement appears original with no issues noted. 52092-2 (1,500-3,000) 2478. TWO EARLY AMERICAN BURL BOWLS AND A SKIMMER. Late 19th century, New England. The first of burled ash example with straight sloping sides and a flat bottom. The concave interior with thin walls. The bowl exhibits fine swirling grain and birds eyes. The second, an ash example. The shallow bowl with sloping interior and flat bottom, also exhibiting fine graining with natural fissures. The skimmer of circular form from which is carved a cylindrical handle. CONDITION: All in very good structural condition. The first with small fissure at center of base. Surfaces are undisturbed with good color and patina. 52232-1 (3,000-5,000)

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Lot 2478 442

EARLY AMERICAN BURL BOWL TOGETHER WITH AN OAK EXAMPLE. The first a bucket shaped burled example with two early iron patches roughly hewn and primitive. The second bowl in oak carved from the solid with two sheet iron band repairs. SIZE: 1) 9” h x 11” d. 2) 6” h x 14” d. CONDITION: The first with natural untouched surface. Repairs as stated. Good overall. The second with stabilized old repairs as noted. Well polished surfaces with good color and patina. 52232-6 (2,0004,000)

Lot 2480

2481.

Lot 2479 2480. LARGE BURLED OAK BOWL TOGETHER WITH A SMALL BOWL AND PESTLE. Mid 19th century, Europe and New England. The large European oak bowl with strong burl grain and with natural knothole. Carved from the solid with thick sloping sides, roughly hewn. The small bowl of New England origin well figured with sloping sides and flattened base. The pestle carved from the solid with smooth surface. SIZE: 1) 6” h x 11-1/2” d. 2) 2” h x 5-1/4” d. Pestle: 5-3/4” l. CONDITION: Each item in very good condition. The pestle unpolished. All surfaces undisturbed with good color and patina. 52232-4 (1,800-2,400)

EARLY AMERICAN TURNED WOODEN BOWL WITH COVER IN ORIGINAL RED PAINT. Mid 19th century, New England. The circular lid with carved acorn knop finial within concentric incised circles and in-curved lip nicely fitted to the turned bulbous footed base. The whole in a soft red wash now with an even darkened patina. The covered bowl carved from the solid. SIZE: 7” h x 7” diameter. CONDITION: With normal and expected soiling and light abrasions from in-use wear, the lid edge with small shallow chip. Very good overall. 51971-14 (700-1,000)

Lot 2481 2482. WINDSOR ROCKING MAMMY’S BENCH. 3rd quarter 19th century, New England. The horizontal crest rail raised on twelve spindle and cylindrical styles joined to down-swept arms with rolled grips centering the pine plank seat. The conforming child’s tender bar with nine spindles. The bench raised on cylindrical turned legs with rectangular frontal and rear stretcher, the whole mounted on shaped rockers. SIZE: 43-1/2” h (back) x 40” l. CONDITION: Structurally very good, re-polished. 52236-11 (500-800)

Lot 2482 443

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Session 2

2479.

2483.

Session 2

TWO UNUSUAL EARLY AMERICAN WALL SCONCES. 19th century. The first, a large round mirror wall sconce within a sheet iron frame, the cylindrical foot mounted with a flat iron hanging bracket with rolled edge. A single conforming candle arm joined at the back edge of sconce at base with rolled candle cup above crimped bobeche. The candle cup slotted and with drilled hole at front. The second sconce, a large tin example with three dimensional sixpointed star on the back reflector beneath semi-circular punched decorations, each with a punched flower head within a molded border. The candle tray with triangular sides and rolled front apron, fitted with three aligned sheet tin candle holders, each open at the front. The sconce fitted with a tombstone hanging bracket Lot 2483 with hole for hanging. Deaccessioned from Colonial Williamsburg collection. SIZE: Mirrored sconce: 151/2” d. 17” overall h. Tin Sconce: 18-1/2” overall h x 14-1/4” w. CONDITION: The mirrored sconce with extensive silver loss to mirror fragments, a small number with hairline cracks. Remnants of original red paint on back of sconce and on candle arm. Otherwise good. Tin wall sconce with normal and expected corrosion. Some areas with slight crimping and creasing of backplate from in use wear. Otherwise, with good undisturbed surface. Two old tack holes, upper corners of backplate which were used for mounting to wall. 52236-22 (1,200-1,500)

2484. TWO AMERICAN HOOKED RUGS. 1st quarter 20th century. 1) Depicting a spaniel resting on a small checkerboard mat within an oval polychrome border and ground, framed by four black, brown, beige floral spandrels. 2) Depicting a pair of songbirds beneath floral boughs, each perched on a branch within an oval border of earth tones. SIZE: 1) 27” h x 44-1/2” l. 2) 21” h x 33-1/2” l. CONDITION: 1) Deterioration around edges and with light even soiling throughout. 2) Good pile, light soiling. Some bleeding to red dyes. Otherwise good. 52308-38 (250-350)

Lot 2484 2485.

RARE RED PAINTED SETTLE BENCH. 2nd quarter 18th century, New England. The pine rectangular bench in red crusty paint with hinged plank seat opening to a simple divided well. Each side with down-swept arm, some mustard trim evident beneath the seat board. SIZE: 30” h (at back) x 47-1/2” l x 17” d. CONDITION: Bottom board reversed at one time, sides with stable old age splits, bottom board with dry rot areas now stable, and with age commensurate wear and abrasions. Good over all. 51859-4 (3,000-5,000)

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444

SHIRAZ ORIENTAL RUG, PERSIA. First quarter 20th century. The rug with central floral mandala design poled medallion, the interior with c-scrolls containing dense floral and foliate vinery, the poled ends with stylized floral filled urns all on a midnight blue ground with pale indigo spandrels each with an ivory cartouche. The main border of dense floral scrollwork centering lotus blossoms. SIZE: 4’ 8” x 6’ 8”. PROVENANCE: From a private Connecticut collection. CONDITION: Good. Rug shows even wear throughout, general but minimal wear to foundation, rug remains very supple with strong palette, light soiling throughout. 52341-5 (400-600)

Session 2

2486.

Lot 2486 2487. CARVED AND PAINTED TRADE SIGN. Late 19th century, American. The sign carved from a single board. Applied with molded edge. Printed in black painted letters on white ground “PERKINS & CO’S EXPRESS”. SIZE: 15” h x 47” w. CONDITION: Structurally very good. Original lettering and paint surfaces remain intact with normal and expected in use wear. The white paint with craquelure throughout. Surface soiling form long term Lot 2487 storage that may be washed clean. Good to very good. 52397-3 (1,000-2,000)

2488. DIMINUTIVE CONNECTICUT QUEEN ANNE CARVED CHERRY HIGHBOY. Probably Hartford, mid 18th century. The highboy in two parts. The upper case with cove molded cornice above a central fan carved drawer, flanked by two banks of the short drawer over four long graduated drawers all with thumbmolded edges fitted to the molded lower case having a single long drawer over three aligned short drawers, the centermost fan carved. Raised on bandy angular cabriole legs with shaped returns terminating in pad feet centering a bold arcaded shaped apron. SIZE: 72” h x 34-3/4” case width x 39” overall w x 20-1/2” d. PROVENANCE: A New York state private collection. CONDITION: Old but not original surface, professionally cleaned and repolished, with traces of amalgamation. Interior of case retains original red washed surface. The highboy now with light honey brown color. Period brasses, not original to this piece but of the correct period. Structurally very good. 52398-3 (4,0006,000)

Lot 2488 445

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Session 2

2489. UNUSUAL CONNECTICUT FEDERAL INLAID CHERRY CANDLESTAND. Late 18th early 19th century. The square chamfered top with inlaid fans at the corners joined to a baluster ring-and-urn turned mid-section, above a spool turned pedestal, raised on unusual tri-pod cabriole leg base. Legs terminating in high-heeled shoe feet. Each shoe highlighted in black. SIZE: 29-1/4” h x 16” x 15-1/2” top. CONDITION: Candlestand retains original surface with mellow patina, one leg with old repair reattaching to base of pedestal. Top surfaces of the shoes with abrasion, otherwise good. 52259-3 (700-900)

Lot 2489 2490.

PUPPIES AT PLAY HOOKED RUG. Last quarter 19th century, American. Based on the Currier and Ives print “Puppies at Play.” Depicting puppies playing upon a hilltop with trees and a house in the background in natural earth tones of greens and browns. SIZE: 25-1/2” h x 50” w. CONDITION: Good, rug is professionally mounted. 52115-14 (2,500-3,500)

Lot 2490 2491. SOUTH PERSIAN ORIENTAL SCATTER RUG. Late 20th century. Three aligned conjoined hexagonal medallions with latch hook borders in a midnight blue ground filled with dense polychrome floral geometric and bird devices within madder red spandrels continuing to floral wave borders within a floral trelliswork main border flanked by crenelated and dogtooth borders. SIZE: 3’ 9” x 5’ 6”. PROVENANCE: From a private Connecticut collection. CONDITION: Very good, rug retains good pile throughout with soft muted color, remains supple, light soiling throughout. 52341-9 (400-600)

Lot 2491 2492.

ANTIQUE KARAJA, CAUCASUS. First quarter 20th century. The runner with aligned diamond geometric and cartouche form polychrome medallions on an ivory ground within diminutive mustard spandrels and with a medium indigo floral and saz leaf decorated main border flanked by taupe floral guard borders. SIZE: 3’ x 14’ 7”. CONDITION: General wear throughout with areas of more significant wear to foundation generally in middle third of rug, some losses to selvage, losses to fringe at both ends. 51911-63 (800-1,200)

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446

Lot 2493 2494.

NINETEENTH CENTURY 18K YELLOW GOLD SILHOUETTE LOCKET. The oval locket, found in the Shenandoah Valley, VA, having a marked 18k frame with bail. The bail marked with makers initials “ESM”. The locket holds an oval decorated gold cutout triple silhouette backed in black, showing a father and two children. The border being gold leaves with black background in a wreath design. On verso there is a monogram in gold backed by a thick lattice work of human hair. This is a unique form of memorial which we have never seen before. SIZE: 2-1/4” x 2” (without bail). CONDITION: Very good. 5211512 (1,500-2,500)

Lot 2494 2495. GROUP OF EIGHT FRAMED BUST SILHOUETTES. 19th century, American. Group includes four bust silhouettes of gentlemen, one with églomisé glass panel, two with high white collar. The fifth, a full silhouette of gentleman in long frockcoat with outstretched hands. Additionally, two bust silhouettes of an older woman with lace collar and a young girl. The last a silhouette portrait of a young boy dressed in a sailor type frock. SIZE: Largest: 4-1/2” x 2-1/4” sight. Smallest: 2-1/2” x 2” sight. CONDITION: Generally very good. Losses to églomisé glass. Minor toning to five. 5234010 (400-600)

Lot 2495 2496.

TWO CUT SILHOUETTE FAMILY PORTRAITS. Second half 19th century. The first, a portrait of two young girls. One showing her doll’s broken arm to mother. The taller sister reciting from a book. The attentive parents seated in chairs. The second, depicting three siblings in front of the outline of a manor house. The girls in conversation, one holding a basket of flowers, the boy with long caped jacket wearing hat with tassel holding a toy in hand. SIZE: Sight: 1) 8-1/3” h x 11-1/3” w. 2) 8-1/2” h x 11-1/4” w. CONDITION: The first with minor toning. The second with minor water staining. Otherwise good. Each in frames of the period. 52340-7 (800-1,200)

Lot 2496 447

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Session 2

2493. IMPORTANT FERRAGHAN SAROUK RUG, CENTRAL PERSIA. First quarter 20th century. The central arabesque poled ivory medallion centered by dense scrolling polychrome floral vinery on a wine red field within unusual midnight blue and deep turquoise spandrels with scrolling borders centered by a conforming main border highlighted with lotus blossoms within floral ivory guard borders. SIZE: 4’ 6-1/2” x 7’7”. CONDITION: Very good with full pile. 51911-31 (2,000-4,000)

2497.

Session 2

CARVED MAHOGANY 3-SHIELD BACK SETTEE. This late 19th century copy of a magnificent Sheraton shield back settee features 3 ornately carved oval splats with acanthus leaves retaining an attractive old burgundy and gilt brocade type upholstered seat. The scrolling arms with delicate carving, the legs tapered and molded with spade feet. SIZE: Approx. 55” wide x 38” to the top of the back splat x approx. 21” deep. CONDITION: Generally very good. 52380-44 (800-1,200)

Lot 2497

2498. NEW ENGLAND CHIPPENDALE CHERRY AND FIGURED BIRCH SECRETARY BOOKCASE. Third quarter 18th century, New London, Connecticut. This small example in two parts. The upper case with cove molded cornice above a pair of panel cupboard doors with chamfered panels opening to interior fitted with an arrangement of shelves over a row of pigeonholes. All above a single long drawer with thumbmolded edges, fitted to the lower case framed within molding above the hinged sloping lid opening to an interior fitted with a pair of serpentine blocked drawers and six valanced pigeonholes and with two drawers of pinwheel carved design centering the prospect door with matching carved pinwheel flanked by a pair of fluted document drawers. The case with four graduated long drawers, the uppermost drawer flanked by lopers. The whole step-molded base raised on ogee bracket feet with dramatic double scallop shaped returns. SIZE: 76” h x 44” w overall x 18” d. CONDITION: Secretary has been professionally restored, cleaned and polished, now with mellow honey brown color. Secretary retains original set of period brasses and locks. Legs appear original with replaced blocks. Lower case with three replaced backboards. Very good overall. 52135-5 (4,000-6,000)

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448

Lot 2499

2500.

PATCHEN HORSE WEATHERVANE WITH BALL & DIRECTIONALS. Second half of the 20th Century. Running horse having a darkened copper surface. Stand not included. SIZE: Overall: 29” h (with standard) x 42” l. CONDITION: Front section of mounting bar with dent & repair, otherwise very good. 51506-1 (800-1,200)

Lot 2500 2501.

FEDERAL INLAID MAHOGANY SIDEBOARD. Late 18th or early 19th century, Mid Atlantic region. Rectangular case with curved corners; the edges with contrasting stringing above the conforming case fitted with two drawers above the crossbanded arched apron. Flanked by two small square drawers over two bottle drawers each fitted with three original square clear glass blown decanters with teardrop stoppers flanked by a short drawer over cupboard drawer at each end, all with cockbeaded edges. Center drawers with segmented crossbanding, string-inlaid borders centering oval panels with figural mahogany veneers. The whole raised on six square tapered legs with banded cuffs. SIZE: 41” h x 73” l x 24-1/2” d. CONDITION: Sideboard has been professionally cleaned and repolished with good rich color. Case of mortise and tenon construction through the original backboard. Very good overall. 52135-2 (3,000-5,000)

Lot 2501

2502. THOMAS H. EGAN (American, Mid 19th Century) PORTRAIT OF EDWARD MANN OF CHARLESTON, SOUTH CAROLINA, 1836. Oil on canvas half portrait shows a handsome young man dressed in a black coat, white vest and shirt. He sits in a red upholstered chair and is beside an opening with a waterfall view. Inscribed on verso “Edward Mann/Presented this his likeness, To/Mr. and Mrs. Leavinworth/as a _ _ of perpetual gratitude to/them for their kindness to him during his apprenticeship/ Thos. H. Egan Pinx 1836”. Housed in a period flat mahogany veneered frame. REFERENCE: Thomas H Egan is listed in “Artists in the Life of Charleston Through Colony and State From Restoration to Reconstruction” by Anna Wells Rutledge. SIZE: 16” x 14”. Overall: 20-1/2” x 18-1/2”. CONDITION: Lined, fine stable craquelure, some touch up, very good. 51911-3 (1,500-2,500)

Lot 2502 449

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Session 2

2499. SET OF FOUR CHIPPENDALE CHERRY SIDE CHAIRS. Last quarter 18th century, Connecticut. Each with arched crestrail continuing to molded swept back ears above a pierced splat above the trapezoidal over-upholstered seat raised on molded and chamfered straight legs joined by a box stretcher. Each chair with old museum number on back stretcher. SIZE: 37-3/4” h x 19-1/2” w x 18-1/2” d. Seat h: 17-1/2”. CONDITION: Each with repaired stress crack at juncture of crestrail and splat. Surfaces re-polished. Normal and expected minor losses to tips of ears, otherwise good. 52135-9 (1,2001,800)

Session 2

2503. DIMINUTIVE INLAID MAHOGANY PEMBROKE TABLE. 1st quarter 19th century, possibly Charleston, South Carolina. The rectangular string inlaid single board top with hinged D-form leaves above the conforming frieze fitted with a single drawer flanked by diamond form inlays and an opposing sham drawer. Raised on tapered string inlaid legs with banded cuffs. SIZE: 28” h x 22-1/4” w 30-1/2” d. CONDITION: Very good structural condition with recent French polish surface, with some restoration to legs and to cuff banding. Very good overall. 52143-2 (800-1,200)

Lot 2503 2504.

2505.

FINE KAZAK ORIENTAL RUG, CENTRAL CAUCASUS. Late 19th/early 20th century. The central wine red panel with three aligned crab medallions within a deep indigo ground, a stylized horse at each corner centering leshgi stars all within a conforming wine red field with stylized animals at corners within a main border of stepped polychrome diamonds within multiple floral and geometric guard borders. SIZE: 4’ 6-1/2” x 6’ 9”. CONDITION: Very good, rug retains strong palette, even wear overall, some minor and minimal old creasing with corresponding wear at one end, loss to end fringes. 51911-21 (2,500-4,500)

Lot 2504

ANTIQUE SHIRVAN, NORTHWEST PERSIA. Last quarter 19th century. Nine rows of geometric floral designs within dogtooth iron brown borders on a mustard ground within an ivory main border of tarantula design within multiple polychrome guard borders. SIZE: 3’ 5-1/2” x 5’ 3”. CONDITION: Moderate wear throughout, foundation exposed notably at one end of rug, loss of fringe and minor loss to selvage. Rug slightly stiff. 51911-65 (1,000-1,500)

Lot 2505 2506. BLACK HAWK WEATHERVANE ATTRIBUTED TO J.W. FISKE. Last quarter 19th century. Of typical Blackhawk form. Not accompanied by stand. SIZE: 23” x 17” h. CONDITION: Old regilt in use surface, remnants of original gilt visible, good overall. 51971-2 (3,000-5,000)

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450

Lot 2507 2508.

FINE PORTSMOUTH NEW HAMPSHIRE FEDERAL INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS. Early 19th century. The rectangular case with bow front fitted with four graduated long drawers, each with three matched flame birch veneer panels and shield form original ivory escutcheons bordered by mahogany cross-banding and cock-beaded edges. Raised on splayed French feet centering a swelled apron. The chest with original oval eagle brasses. SIZE: 35-1/2” h x 41-1/2” w x 23” d. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Structurally very good, retaining old if not original surface professionally re-polished. One replaced 13” strip of cockbeading at center of top drawer. Legs original with no repairs or restoration. Very good overall. 51911-2 (6,000-9,000) ESA

Lot 2508 451

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Session 2

2507. FINE INLAID MAHOGANY FEDERAL CARD TABLE. Circa 1810, New York. This classic example with rectangular string inlaid hinged top with in-curved corners above the conforming frieze with central oval bird’s-eye panel within contrasting string inlaid border and spandrels. The sides and incurved corners all with similar borders, raised on five square tapered legs, each corner leg with bellflower pendant inlay and crossbanded cuffs. Each leg additionally headed by an inlaid oval bird’s-eye patera. SIZE: 30” h x 36” w x 17-3/4” d. CONDITION: Professionally restored and re-polished with minimal inlay repairs, structurally very good overall with good color. 51911-68 (3,000-5,000)

Session 2

2509. PAIR OF FEDERAL NEW YORK BRASS ANDIRONS TOGETHER WITH A PAIR OF TOOLS WITH BEEHIVE FINIALS. Early 19th century. The matching left and right andirons with acorn knobs on beehive turned finials continuing to a faceted standard raised on arched spurred legs terminating in ball feet, each with conforming brass log stop. Together with tongs and a shovel each with beehive ridged finial and spool turned hand grips. SIZE: 20” h x 23” l. Tools: 33” l. CONDITION: Brass burnished as are handles of tools. Shovel blade with normal and expected in use wear, andiron dogs in good condition. 52132-1 (1,500-2,500)

Lot 2509 2510.

FINE FEDERAL CHERRY OVAL CANDLE STAND ATTRIBUTED TO JOSEPH SHORT (1771-1819). First quarter 19th century, Newburyport, Massachusetts. The oval top with chamfered edge above the ring-turned, urn-form standard with incised decoration raised on angular cabriole leg tripod base with snake feet. The whole with mellow honey patina. SIZE: 29-1/2” h x 21-1/2” l x 17-1/2” w. CONDITION: Table retains old, if not original cleaned surface with old repairs to side of pedestal at base. Normal and expected wear to the tips of feet. Triangular hand-wrought iron brace at bottom of standard. Otherwise very good. 51309-2 (800-1,200)

Lot 2510

2511. TRANSITIONAL INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS. Early 19th century, New England. The rectangular top with bowfront and turret corners above the conforming case fitted with four bowfront drawers each with central panels inlaid with an oval bird’s-eye patera within a crossbanded border flanked by figural mahogany panels. The drawers flanked by reeded bobbin and ring-turned fluted cylindrical legs raised on ball feet. *NOTE* The interiors of drawers fronts with old period inscriptions that we believe identify various owners also stating Gorham, Maine. SIZE: 42-1/2” h x 45-1/2” w x 22-1/2” d. CONDITION: Structurally very good, professionally cleaned and re-polished, chest retains period oval brasses now burnished believed to be original to chest. Very good overall. 51911-67 (2,500-3,500)

Lot 2511 2512.

HAMADAN ORIENTAL RUG, NORTHWEST PERSIA. Second quarter 20th century. The rose pink geometric poled medallion with dense floral trelliswork in turquoise and midnight blue within four blue/black spandrels each woven with a flowering plant within a blue gray guard border of scrolling vinery within floral guard borders. SIZE: 4’ 3” x 6’ 5”. PROVENANCE: From a private Connecticut collection. CONDITION: Carpet retains good color and nearly full pile, fringe replaced at one end, worn original fringe at the other end. Light soiling throughout, generally good. 52341-11 (500-700)

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452

Lot 2512

Lot 2513 2514.

ARROW WEATHERVANE ON STAND ALONG WITH RUNNING HORSE WEATHERVANE. Last quarter of the 19th Century. Having weathered gold leaf & verdigris surface, cast iron tip on arrow. Arrow mounted on a standard (missing east & west). Accompanied by a running horse weathervane (without stand) having cast metal head, old gold leaf surface. SIZE: Arrow: 31” l x 12” h. Horse: 29” l x 21” h. PROVENANCE: The Estate of Morris Racker. CONDITION: Arrow is good. Horse with numerous dents to body & solder seam separations. 51956-18 (1,000-2,000)

Lot 2514

2515. RACING HORSE AND JOCKEY WEATHERVANE ATTRIBUTED TO J.W. FISKE. Last quarter 19th century. Both horse and jockey with cast metal heads. Accompanied by stand. SIZE: 18” h x 30” l. CONDITION: Multiple BB dings to body, proper left front leg dented. Verdigris surface with bird droppings. 51859-20 (5,000-7,000)

Lot 2515 2516.

LARGE HOLLOW BODY COPPER GRASSHOPPER WEATHERVANE. Late 19th - early 20th century, probably Cushing & White, Waltham, Massachusetts. This nice example with later gilt surface showing traces of old verdigris beneath. Well modeled with good detail. Hind legs with sheet copper barbs. Vertical mounting rod in center of body with ball-and-spire finial. Note: There is no museum stand with this weathervane. SIZE: 41” l x 20-1/2” overall height (including spire). CONDITION: Current later surface is lifting and peeling in some areas, most notable on rear legs. Seam separation at rear of support rod on stomach. Antennae intact. Structurally good overall. 52189-1 (2,000-4,000)

Lot 2516 453

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Session 2

2513. FEDERAL CHERRY, TIGER MAPLE AND MAHOGANY CHEST OF DRAWERS. Late 18th century, southern New England. Rectangular cherry top over the conforming case fitted with three aligned short drawers above three conforming long drawers all with figured tiger maple panels within mahogany crossbanded borders. The long drawers with simulated shield form escutcheons. The whole raised on narrow tapering French feet. SIZE: 38” h x 42-1/2” w x 19-3/4” d. CONDITION: Chest fitted with stamped oval thistle brasses of correct form but of later vintage. Backboards and feet original. Chest has been cleaned and repolished. Very good overall. 52135-17 (1,2001,500)

Session 2

2517. LLOYD THOMAS (American, 1910 - 1990) “RED JACKET”. Painted relief carving in pine shows the three mast black hulled ship sailing right to left in green ocean under blue and white cloud sky. The ship sails and water are relief carved and the piece is signed lower right illegibly. On verso of panel is written “Red Jacket/carved and painted by/Lloyd H. Thomas/Camden, ME/ Dec 13, 19a50”, also “No I/Series II”. SIZE: 11” x 15”. Overall 13-1/2” x 16-1/2”. CONDITION: Very good. 52411-1 (8001,200)

Lot 2517 2518.

EXCELLENT SMALL OPTICIAN’S TRADE SIGN. Last quarter 19th century, American. The zinc sign in the form of eyeglasses, double sided, the lenses marked “H.A. MOODY OPTICIAN” in white paint on a dark ground. Sign is cast zinc over an iron rod inner frame, retaining original iron hangers. SIZE: 6” h x 24” l. CONDITION: Dry original yellow, black and white painted surfaces with expected wear from outdoor exposure, nose bridge with a crack in zinc, otherwise good. 51859-11 (2,000-3,000)

Lot 2519 (w/reverse) 2520.

Lot 2518 (w/reverse)

2519. FABULOUS TWO SIDED APPLE FORMED TRADE SIGN IN PAINTED SHEET STEEL “APPLES - SPRAYED - HAND PICKED”. First half 20th century. The sign depicting a large delicious type apple with stem having a reddish background and three lines with each letter in deep green bordered in black. Two holes at top and two brackets on base for securing. SIZE: 57” h (without bracket) x 53” at widest. CONDITION: Very presentable with good color, there are scratches and scuffs to each side. Some rust to brackets. 52115-9 (2,000-4,000)

IMPORTANT LARGE CARVED AND PAINTED TRADE SIGN. Late 19th century, New Haven, Connecticut. Carved in deep relief “NEW HAVEN FEED AND GRAIN”, letters are in an art nouveau style painted in red and green, each letter with raised border with traces of old cream paint. The Lot 2520 plank background chisel carved. The left side of the sign of a circular form carved with a central bundled sheaf of wheat and carved above with scrolled word “Since” flanked by scrolls. Each with the words “FINEST GRAINS” all above a horizontal tied bundle of grain above the date “1871”. SIZE: 36” h x 10’ 8” l. CONDITION: Original painted surfaces present and somewhat faded from years of exposure, sign remains in good structural condition. The end of the rectangular sign has been trimmed at some point in the past so that the border to the right of the letter “N” is missing. Note that the opposing side of this sign has a much later carved sign for a 20th century Mexican restaurant. 52235-7 (4,500-6,500)

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454

Lot 2521 2522.

LARGE 63 DRAWER APOTHECARY CHEST. 19th century, Pennsylvania. Rectangular case with simple straight molded top above nine banks of small drawers, all with chamfered edges and porcelain knobs. Raised on a simple bracket foot base with straight apron. The whole in light cream paint. SIZE: 49-1/2” h x 73” w x 12” d. Lot 2522 CONDITION: This honest chest with in use wear, normal and expected soiling, and minor imperfections throughout. With original porcelain knobs. There appears to never have been a back to this cabinet. All drawers are visible from rear, and retain original undisturbed surface. Overall good. 52135-6 (1,500-2,500)

2523. ETHAN ALLEN RUNNING HORSE WEATHERVANE ATTRIBUTED TO A.L. JEWELL. Third quarter 19th century. Of typical form with cast head. Not accompanied by a stand. SIZE: 29” l x 17” h. CONDITION: Solder seam repairs to tail, old bullet hole repairs, minor BB dings to body. 51971-12 (3,000-5,000)

Lot 2523 2524.

HITCHCOCK DOUBLE BACK SETTEE. 1820-25, Connecticut, attributed to the Hitchcock Chair Company, Hitchcocksville, CT. This diminutive example stencil and paint decorated overall with simulated rosewood graining. The bowed two seat backrest above fine pierced lyre supports decorated with leaf tips flanked by three back-swept thumb back rear posts joined to down-swept arms with scrolled hand grips on raised reel and ring turned arm supports. The corner blocked shaped seats trimmed with wide flat banding centering the woven rush seat. The settee raise on tapered ring and reel turned cylindrical splayed legs, joined by turned frontal stretchers with diamond shaped center lozenge. The rear legs, side and rear stretchers of plain turned form. The whole terminating in button feet. REF: American Painted Furniture 1660-1880 by Dean A. Fales, plate 189, pgs 184, 185. SIZE: 34-1/2” h (at back) x 18” h (seat) x 39” l x 17-1/2” d (approximately). CONDITION: Rush seat original, painted surface retains vibrant color with very minor paint abrasions. Proper left arm with glue repaired crack at front, otherwise very good. 51859-29 (1,500-3,000) 455

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Session 2

2521. GRAIN DECORATED PINE DRY SINK. Mid 19th century, New England. The rectangular case with three aligned short drawers beneath the splash guard on in-curved supports above a single recessed shelf, all above a tray top well. The case additionally fitted with a pair of recessed panel molded cupboard doors. The whole with pale brown graining. SIZE: 52” h x 42” l x 19” d. CONDITION: With moderate in-use wear and expected abrasions and paint loss throughout, especially on case edges and within well. Dry sink remains structurally intact. Good to very good. 52236-2 (1,200-1,800)

Session 2

2525. DIMINUTIVE TIGER MAPLE APOTHECARY CHEST. Late 19th century, America. The rectangular case with molded edge above the conforming case fitted with five banks of three drawers on a molded plinth raised on bracket feet with scalloped returns. The whole with bold tiger maple veneers. SIZE: 16-1/2” h x 34” l x 9-1/4” d. CONDITION: Fully restored with professional polished surface. 51911-49 (2,500-3,500)

Lot 2525 2526.

PINE AND MAPLE SINGLE DROPLEAF TAVERN TABLE IN RED WASH AND GREEN PAINT. Mid-18th century, New England. The rectangular table top with breadboard ends and with single hinged leaf in red wash projecting above the maple conforming base with scalloped apron raised on tapering cylindrical blocked legs on round feet. SIZE: 28-1/4” h x 48” l x 28” w. Open: 35-1/2” w. CONDITION: The scrub top with normal and expected wear, likely an early 19th century replacement. The base with dry, crusty painted surface, the front with dramatically scalloped apron structurally very good. 52135-16 (800-1,200)

Lot 2526

2527. ROOSTER WEATHERVANE ATTRIBUTED TO CUSHING. Last quarter 19th century. Having cast metal legs. Accompanied by stand. SIZE: 22” w. Overall 31” h. CONDITION: Good with old in use regilded surface. 51970-7 (3,000-5,000)

2528.

NEW ENGLAND MAPLE HIGHBOY. Last quarter 18th century, probably coastal Massachusetts. In two parts, Lot 2527 the upper case with molded cornice and secret drawer in the frieze over two short aligned drawers above three long drawers fitted to the mid-molded lower case with two aligned drawers above three short drawers over an accentuated scalloped frieze. Raised on bandy cabriole legs with shaped returns on pad feet. SIZE: 71” h. Overall width 41”. Overall depth 22-1/2”. CONDITION: Surface is clean and re-polished. Period brasses in original holes. Backboard is original. Pendant finials absent. All four legs have been professionally remounted in lower case. Normal and expected minor losses along edges of some drawers. 2” triangular sliver absent proper left rear corner of upper case. NOTE: All secondary woods are chestnut. 51911-9 (4,000-6,000) Visit www.jamesdjulia.com for more information

456

Lot 2528

Lot 2529 2530.

CAST & SHEET IRON ROOSTER ATTRIBUTED TO ROCHESTER IRON WORKS. Last quarter 19th century. Of typical form. Not accompanied by a stand. SIZE: 23” l x 22” h. CONDITION: Late 19th/20th Century painted surface. Upon close examination we are unable to tell if this is the original tail and has possibly been re-attached. 51971-8 (4,000-6,000)

Lot 2531 2532.

Lot 2530 2531. SHERATON BIRD’S EYE MAPLE AND MAHOGANY GAMES TABLE. First quarter 19th century, New England. The rectangular hinged D-form top with contrasting string inlay above a conforming base with figured patera within a mahogany panel flanked by birds eye panels above cross banding raised on swelled tapering ring-turned and reeded cylindrical legs terminating in elongated turnip feet. SIZE: 29-3/4” h x 36” l x 17-3/4” w. CONDITION: Table has been professionally cleaned and re-polished, now a honey brown color. No structural restoration, very good overall. 52135-10 (1,200-1,800)

FEDERAL TRANSITIONAL MAHOGANY AND TIGER MAPLE TWO DRAWER STAND. 1st quarter 19th century, New England. The single board square top with hinged D-form leaves above the conforming case fitted with a bank of two drawers each with tiger maple veneers within contrasting ebonized inlays. Raised on ring-turned tapering cylindrical legs headed by contrasting inlaid rectangular panels. The legs terminating in suppressed ball or disk feet. SIZE: 28-1/2” h x 17-1/2” w x 17” d. CONDITION: Very good with re-polished surface and later cast and molded brass knobs. 51911-59 (1,000-1,500)

Lot 2532 457

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Session 2

2529. DIMINUTIVE FEDERAL MAHOGANY SLANT LID SECRETARY BOOKCASE. 1st quarter 19th century, Massachusetts. The upper case with cove molded cornice above the cross-banded frieze over a pair of astragalglazed doors with reeded molding. The interior fitted with three aligned document drawers over seven valanced pigeon holes. Stepped back above the lower case fitted with a hinged leather lined writing surface, resting on lopers. The case fitted with four graduated long drawers with cock-beaded edges and figural mahogany panels above the shaped apron. Raised on bracket feet with shaped returns. SIZE: 60” h x 40-1/4” w x 20” d. CONDITION: Desk retains original surface now crusty and dry, with in-use wear and abrasions throughout and with several small losses to moldings in upper and lower case, original glasses with one cracked panel. 51911-17 (1,200-1,800)

2533.

Session 2

FINE BIRD’S EYE MAPLE SHERATON FOUR POST BED WITH LABEL OF JOHN NEEDLES. Circa 1824, Baltimore, Maryland. John Needles was a cabinet maker in Baltimore, Maryland from 1808 until his retirement in 1853. Known for producing fine pieces of furniture in mahogany and with some examples in curly maple. The four post bed with bold stylized acorn finials on turned posts. Paneled headboard with barrel horizontal crest rail terminating in acorn finials and with original paper label affixed to center of headboard. Footboard with conforming posts and with ring-and baluster-turned blanket rail. Frame joined with a pair of sturdy cylindrical side rails. When assembled, the bed

Lot 2533 (w/close-up) frame is mounted with three iron angled supports within which a custom made box spring may be fitted. Headboard of finely grained figural tiger maple. Posts and rails of solid stock with some figural graining, notably to blocked posts. NOTE: Bed will accommodate a full size modern mattress with custom drop in box spring. SIZE: 54” h. Overall width 64”. Interior width 55”. Interior length 74” post to post. 76” interior length headboard to post. Overall exterior length 83”. CONDITION: Structurally very good. Bed retains original surface, now with mellow honey brown color and undisturbed patina. Surfaces dry and crusty in part. Label remains intact and very legible. A fine example of early American high country style bedroom furniture. Very good overall. 51911-8 (4,000-6,000)

2534. FULL BODY COW WEATHERVANE ATTRIBUTED TO J.W. FISKE. Last quarter 19th century. Full bodied form with cast metal head. Accompanied by stand. SIZE: 33” l. Overall CONDITION: Two old bullet hole repairs, old gold leaf with yellow sizing and verdigris surface. 51971-5 (7,00010,000)

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458

2536. PERIOD SHERATON 6 LEG SETTEE. Fine mahogany early 19th century 6 leg Sheraton settee with carved delicate ribbed arm supports and legs, having maple veneer panels on the frontice. SIZE: 70” w x 35” h, height to the top of the seat 17”. CONDITION: Cream tapestry upholstery in generally good condition with some soiling. 52380-2 (1,000-2,000)

Lot 2535

Lot 2536 2537. PERIOD SHERATON TURN LEGGED CRIB WITH FLUTED POSTS AND PINEAPPLE FINALS, PURCHASED FROM JOHN S. WALTON. First quarter 19th century. The high crib with solid paneled head and foot boards joined to cylindrical turned fluted and swelled posts surmounted with carved acorn finials, the high side rails each with turned spindles, one side rail hinged. The whole raised on ring-turned cylindrical legs terminating in brass capped casters. SIZE: 52-1/2” h x 48-1/2” l x 31” w. PROVENANCE: Purchased from John S. Walton, Inc. in 1960, CONDITION: Crib retains original surfaces with good patina. Minor old repairs to hinged side. 52380-46 (1,750-2,750)

Lot 2537 2538.

SHERATON TIGER MAPLE DROP LEAF WORKTABLE. 2nd quarter 19th century, New England. The square top with D-form hinged leaves above the conforming case fitted with a bank of two drawers. Raised on ring and bobbin turned swelled cylindrical legs, raised on molded turned ball feet. SIZE: 26-1/2” h x 16” w 161/2” d. CONDITION: Cleaned and re-polished, top with old darkened water stains, proper right leaf with old burn scar lower corner, otherwise good. 51911-6 (600-900)

Lot 2538 459

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Session 2

2535. EARLY WALNUT CORNER CUPBOARD WITH BURL WOOD DOORS. Fine cupboard with tombstone arched doors above having chamfered solid burl wood panels and paneled doors below with arched frames having a heavy cornice molding. SIZE: 81”; h x 49” w. CONDITION: Case and doors all original. Some restoration to the front of cabinet. 52380-8 (1,000-1,500)

2539. SHERATON FLAME BIRCH DROP LEAF TABLE. 2nd quarter 19th century, New England. The rectangular top with hinged serpentine leaves above the conforming apron. Raised on cylindrical bobbin-turned spiral twist tapered legs with ringed cuffs. SIZE: 30” h x 40” l (closed) x 20” w. Open 39” x 40”. CONDITION: The top with distinctive graining, re-polished. Skirt and legs with crusty old finish. Table retains original leaf supports. Very good overall. 52236-15 (500-700)

Session 2 Lot 2539 2540.

QUEEN ANNE WALNUT HIGHBOY BASE CONVERTED TO A SERVER. Last quarter, 18th century, Connecticut. Rectangular walnut top with beveled edge with conforming case with one long drawer over three aligned short drawers. The centermost fan carved above complex shaped and scalloped apron raised on cabriolet legs with shaped returns on pad feet. SIZE: 35” h x 41” w x 21-3/4” d. CONDITION: Top is later edition. Top drawer with replaced bottom. Proper left lower drawer with replaced bottom. Hardware 20th century additions. Returns on proper left and right case sides absent. 52375-9 (700-900)

Lot 2540

2541. PERIOD CHIPPENDALE BALL AND CLAW FOOT DOWER CHEST. This mahogany period chest with later carving and alterations features a dovetailed case with overhanging gadrooned lift top above three lipped drawers sitting on a shell carved ball and claw feet. The face of the chest decorated with two deep, large graphic shells and scrolled elements. SIZE: 48” w x 22” d x 29” h. CONDITION: Very good condition. Hinges re-set and brass replaced. Finish very old. 52380-33 (1,250-1,750)

Lot 2541 2542.

NICE SHERATON MAHOGANY THREE DRAWER WORK TABLE. Circa 1830, probably Massachusetts. Square table with hinged D form leaves, all with reeded edge above the conforming case fitted with a bank of three drawers. Uppermost with hinged writing slope, inkwell compartments and pen tray above a central drawer fitted with compartments over the third drawer frame fitted with original purple silk bag. Whole raised on ring turned tapering reeded legs with bold turned cuffs terminating in brass capped casters. SIZE: 28” h. Top 19-1/2” x 18” closed. 37” x 18-1/2” open. CONDITION: Table retains old surface. Top with some dark water staining and surface scratches. Top drawer with reinforced back and replaced drawer guide. All with replaced baise liners. Brass casters original. Minor veneer chips on drawer fronts. Otherwise structurally good. 51915-1 (300400)

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460

Lot 2543

2544. ANTIQUE “CASH STORE” PAINTED WOOD SIGN. Mid 19th century. The single board having a black painted thin wood frame which the sign set within. The black letters over a whitish background. SIZE: 11-1/2” h x 85-1/2” l. CONDITION: Appears to be original paint with crazed surface showing outside weathering, several holes which have been used over the years to mounting. One Square cut nail present. 52115-10 (1,500-2,000)

Lot 2544

2545. FINE EARLY AMERICAN PINE STEPBACK CUPBOARD. Second quarter 18th century, New England. The one part cupboard in original Spanish brown wash with stepped molded cornice above a pair of raised two panel doors opening to an interior of three fixed shelves, all above a narrow work surface with molded edge over a pair of single raised panel cupboard doors opening to an interior of two fixed shelves. Case sides of single wide pine plank. The back of two single planks with hand forged rosehead nails. SIZE: 87-1/2” h. 44-1/2” case width. 18-1/2” d. CONDITION: Cupboard retains original surface and hardware. Interior in old red paint with minor and expected in use chip losses at base. Proper left side cornice and short section of left front cornice restored. Otherwise very good overall. 51859-1 (2,000-4,000)

Lot 2545 461

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Session 2

2543. QUEEN ANNE TIGER MAPLE HIGHBOY. Late 18th century, New England. In two parts, the upper case with swan’s neck pediment mounted with stamped brass rosettes centering a later turned brass finial above a cove molded cornice. Case with five thumb molded graduated long drawers fitted to the lower case having a central drawer flanked by single deep drawers above the arched and molded apron with turned pendant finials raised on bandy cabriole legs terminating in spoon feet. SIZE: 78” h x 40” w overall. Case 35-1/2” w x 20” d. CONDITION: Surface has been excessively cleaned with loss of patina. Crest is believed to be a later addition. Brasses are period replacements. Central drawer in base has molding loss. 51844-1 (800-1,200)

2546.

Session 2

ARLY AMERICAN GRAIN PAINTED MULE CHEST. 1st half E 19th century, New York. The rectangular lid with applied molded edge above the conforming case with storage well above a pair of paneled cupboard doors on a molded base raised on bracket feet. The chest with original distinctive matched graining throughout. SIZE: 37” h x 38” w x 19” d. CONDITION: Top surface with normal and expected wear, light staining and abrasions. Feet, hardware, backboards all original. Very good overall. 52135-12 (800-1,200)

Lot 2546 2547.

NEW ENGLAND PINE SIX BOARD BLANKET CHEST IN RED PAINT. The interior of the lid inscribed in red chalk: “Sylvester Roswells chest, Croydon N.H. 1842”. The interior with hinged lid till, the conforming case with molded plinth. The whole in original red paint. SIZE: 17” h x 42” l x 17” d. CONDITION: The trunk with normal and expected abrasion and in-use wear. Structurally very good. Abrasion of paint loss most notable in plinth, good overall. 51911-28 (600900)

Lot 2547

2548. UNSIGNED (American, Mid 18th Century) PORTRAIT OF A GIRL IN A RED DRESS WITH BLUE SHAWL. New England oil on canvas portrait shows a 3/4 view of a standing child wearing a V-neck red dress with flowing blue shawl. She holds a ribbon of flowers. Housed in a modern frame with a Perry Hopf label. SIZE: 30” 25”. Overall: 35-1/2” x 30-1/2”. CONDITION: Lined, some inpainting & craquelure, otherwise very good. 52094-17 (2,000-4,000)

Lot 2548 2549.

PAINT DECORATED COMB-BACK ROCKING CHAIR WITH ARMS. The crest rail with painted grapevines above four arrow splats, each with a foliate sprig, joined to shaped arms with rolled grips on cylindrical supports joined to the shaped plank seat. Raised on splayed cylindrical legs of simulated bamboo joined by box stretcher terminating in shaped runners. The chair in green paint with muted yellow, mustard and brown floral and foliate design. SIZE: 43-1/2” h x 20” w. 16” h (seat). CONDITION: With dry original paint surface and showing normal and expected wear and abrasion, otherwise very good. 51970-2 (400-600)

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462

Lot 2549

Lot 2550

2551.

ARCHITECTURAL CAST-IRON DISPLAYED EAGLE. Late 19th early 20th century, America. This fine casting depicting a patriotic displayed eagle, holding a cluster of arrows, an olive branch and shield in its talons. Designed for exterior use with remnants of bluish/green paint, the shield with red, white, and blue painted surface. SIZE: 14” h x 32” w wingspan. CONDITION: Structurally very good with normally expected heavy oxidation and pitting from many years of outdoor use. 52235-9 (1,200-1,800)

Lot 2551

2552. WELL CARVED AND GILDED DOVE WITH ARROW. Mid 19th century, American. The carved dove with spread wings and tail holding an arrow in its talons and designed to be displayed from the front. SIZE: 12” h x 25” l (overall) x 22-1/2” w (wingspan). CONDITION: Original gilt surfaces, nicely carved in low relief. Repair to break of proper left talon. Otherwise very good with undisturbed surfaces. Normal and expected in-use wear and abrasion. 52308-21 (700-900)

Lot 2552 463

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Session 2

2550. RARE BUCKET BENCH WITH CUPBOARD TOP IN BLUE PAINT. Mid 19th century, New England. The one piece bench surmounted with a dove-tailed two door cupboard above the two plank bench seat. The sides supports with down-swept arms and shaped grips. The planked seat with scalloped and shaped apron. The whole in original Robin’s egg blue paint. SIZE: 56” h x 51” w x 24” d. CONDITION: The bench with remnants of original blue paint much of which has been removed artificially. The cabinet doors and latches with pleasing wear and patina as are the arms of the bench. Structurally very good. 52236-9 (2,500-3,500)

Session 2

2553. INTERESTING PAINTED PINE TRADE SIGN OF A BOOT. Late 18th/early 19th century, American. Carved and assembled in section with mortis-tenon and pin-construction. This nice example in black paint over early red paint. Painted with the words “SHOE SHOP” in florid lettering. The name of the owner on the foot of the boot “M. GILLISPI”. The sign affixed with old, if not original leather hanging loop. SIZE: 25-1/2” h of boot x 17-1/2” l. CONDITION: Very nice early, if not original surfaces. Paint now dry but remains visible. 52308-18 (800-1,200)

Lot 2553 (w/reverse)

2554.

RARE HALF-ROUND PHARMACISTS TRADE SIGN. Late 19th century, American. The half-round pine lathe turned mortar and pestle sign retaining old gold painted surfaces over pale yellow. With two inset hanging tabs. SIZE: 15-1/2” h x 10” w. CONDITION: Old chip proper left upper rear reattached with nail. Otherwise with age appropriate wear and minor abrasions, very good untouched condition. 51859-10 (2,000-3,000)

Lot 2555

2556.

2555. TWO PAINT DECORATED FEDERAL ONE DRAWER Lot 2554 STANDS. 1st quarter 19th century, State of Maine. The first a pine one drawer example with sponge decorated grained surface in mustard yellow with terra cotta graining. The second striated grained example in brown paint with red line decoration. Each on tapered square legs. SIZE: First 27” h x 16” w x 20” d. Second 28-3/4” h x 18” w x 16-3/4” d. CONDITION: Each table with normal and expected wear and light soiling with abrasions to painted surfaces within normal expected perimeters. Structurally sound. 52235-3 (600-800)

CHIPPENDALE MAPLE SLANT LID DESK. Second half 18th century, New England. The dovetailed case with hinged sloping lid opening to an interior fitted with an arrangement of small drawers and valanced pigeon holes with central drawer with engaged colonnettes above a thumb molded top drawer flanked by lopers over three graduated conforming long drawers on a molded base raised on bracket feet with shaped returns. SIZE: 43” h x case 37” w x 181/2” d. CONDITION: Desk has been cleaned and re-polished. Brasses are hand wrought but out of period. Horizontal shrinkage crack in lid. Chamfered backboards appear original. Bracket feet appear original, small repairs to feet using original parts. Other cosmetic restoration throughout. 51841-3 (300-500)

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464

Lot 2557

2558. FEDERAL PINE SLANT LID DESK. Late 18th century, New England. The rectangular dove-tailed case with sloping lid opening to interior fitted with a row of valanced pigeon holes above a row of stationery drawers. All above a storage well over a simulated long drawer above two long drawers all with thumb molded edges. Raised on French feet with shaped returns. The desk fitted with old if not original brasses. SIZE: 38” h x 36” w (case) x 18” d. CONDITION: Structurally Lot 2558 good with old varnish surface, some loss to thumb molded edge center of desk lid, otherwise good. 52236-12 (500-700) 2559. 18th CENTURY DELICATE TAPERED LEG SPLAY STAND IN OLD PAINT. This early stand with fitted square top supported on four very delicate tapering legs. The sides having remnants of the original streaked paint decoration. SIZE: 16-1/2” square, 27” high. CONDITION: Shows age and use. Top with a crack. The stand has period restorations during period of use. 52380-32 (300-500)

Lot 2559 2560.

FINE BIRDCAGE WINDSOR GRAIN PAINTED ROCKING CHAIR WITH ARMS. Early 19th century, Danvers, Massachusetts. The birdcage back of typical form of simulated bamboo spindles joined to horizontal arms on conforming supports centering the shaped saddle feet, raised on splayed cylindrical legs joined by box stretcher. The whole on shaped runners with simulated rosewood graining throughout. NOTE: An old paper label faded and nearly illegible is taped to the underside of the seat which reads “This chair belonged to Jethrow and Hannah Giddings of Putnam / Rebecca Nurse House / Danvers, Mass”. Rebecca Nurse House, a 17th century home located in Danvers at 149 Pine Street. The house was originally lease by a Reverend Allen to Francis and Rebecca Nurse. Rebecca was accused of witchcraft, condemned, and hanged. Among her accusers were John, Edward, and Ann Putnam, Jr. In 1784 Benjamin Nurse sells the home property to Phineas Putnam of the same Putnam family that accused Rebecca Nurse 92 years prior. Jetherow and Hannah Giddings, Hannah born Hannah Putnam. This appears to be the same Putnam family that has its roots in the Nurse family of Salem 17th century. SIZE: 31” h, 15” h (seat) x 19-1/2” w. CONDITION: Structurally sound, original grain decoration with normal and expected in-use wear. Original grain decoration very much intact. Front legs have been re-attached through seat with either dowels or screws and then filled and colored. Very good. 52236-17 (500-700) 465

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Session 2

2557. HEPPLEWHITE TAPERED LEG STAND IN ORIGINAL OLD RED PAINT. 18th or early 19th century. Delicate period stand with small overhang. Retaining original old red stain. (Purportedly from an early home in Phillips, Maine.) SIZE: 27-1/2” h. CONDITION: As found. Paint shows wear in various spots. Some imperfections include small partial split in top. 52380-26 (300-500)

Session 2

2561. QUEEN ANNE PINE AND BUTTERNUT TAVERN TABLE. Second half 18th century, New England. The rectangular scrubbed pine top projecting above the conforming base fitted with a single drawer with wood knob raised on tapered ring-turned cylindrical legs terminating in button feet. SIZE: 28” h x 40” w x 24” l. CONDITION: Structurally very good, base retains old red wash, table has been cleaned and re-polished with normal and expected abrasions. 52135-11 (8001,200)

Lot 2561 2562.

GOOD THUMB BACK WINDSOR YOUTH CHAIR. Early 19th century, Mystic, Connecticut. The horizontal crest rail over four swelled simulated bamboo spindles joined to back swept styles joined to cylindrical arms of conforming supports centering the pine plank seat raised on tall cylindrical simulated bamboo legs joined by a box stretcher. Affixed to the underside of the seat is an engraved brass plaque which reads “FROM COPP FARM OLD MYSTIC CONN. NOW PART MYSTIC WATER SHED. HOUSE BUILT 1650, DEMOLISHED 1940”. SIZE: 33-1/2” h (back), 22” h (seat), 18-1/2” w (overall). CONDITION: Structurally very good with remnants of original white paint now in clear varnish with mellow brown color and good patina. Normal and expected abrasions, wear, and soiling. Proper left ear with small chip. 52236-21 (400-500)

Lot 2562 2563. PAINT DECORATED TWO SIDED BOOT TRADE SIGN. 19th century, America. Carved from a single pine board, shaped in the form of a riding boot, in dark blue paint with red trim. Each side painted with the name “J. FALKERT”. The sign with an old leather strap hanger. SIZE: 20-1/2” h x 13-1/2” w. CONDITION: Early if not original paint now dry and crusty, normal and expected abrasions and wear, with weathering from the elements. Structurally very good. 52308-19 (400-600)

Lot 2563 (w/reverse) 2564.

UNUSUAL FOLK ART STEAM TRACTOR AND WAGON WEATHERVANE. First quarter 20th century, American. This sheet steel example of a steam powered farm tractor and wagon each on spoked wheels. Joined to a central pointed tube. The opposing end with C-scroll sheet steel element mounted on a rod with pointed tip and compressed ball finial. Now on a museum stand. SIZE: 18” overall h x 53” l. CONDITION: With significant corrosion and rust. Weather vane reinforced by welded addition of angle iron along the original tube. Weather vane retains polychrome painted surface. Structural integrity good. 52308-32 (700900)

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466

RTIST PALETTE WITH BRUSH WEATHERVANE. Mid-20th A century. The palette of flattened form with artist’s brush crossing through thumb hole and gilt repousse paint. Accompanied by wall mount. SIZE: 13” h x 17” l. CONDITION: Mounting collar un-soldered, light verdigris surface with gold leaf, open seams to body of palette. 51859-23 (400-600)

Session 2

2565.

Lot 2565 2566.

THREE PICTORIAL ALPHABET SAMPLERS. The largest, woven by Mary Crozer in 1840, embroidered with biblical verse centered by a row of flowering baskets, trees and birds beneath the verse. A large floral filled urn flanked by birds, bees and small flowering shrubs within a rose pink and pale green floral border. The second, a pictorial sample, woven by Estella Bryant Barbude September 6th 1884(?). Wrought with rows of alphabet beneath which is a scene of a beehive flanked by flowering shrubs over rows of stylized floral plants centered by tulips flanked by birds. Third example signed “Lucretia E Tappen Aged 9 Years”. This example with lines of alphabet within a border of flowering plants, squirrels, and trellis work all above a fruit and floral filled basket. Each housed in a frame. SIZE: 1) 16-1/2” square sight. 2) 13” x 10-3/4” sight. 3) 12” x 11-1/2” sight. CONDITION: The first two faded, most notably due to the pale green, blue and white threads utilized. The third, toned to a light tea color. Condition of foundation good on all three. Minimal and minor deterioration of silk thread. Good overall. 52340-5 (800-1,200)

Lot 2566

2567. THREE PICTORIAL SAMPLERS. The first, wrought by Mary Ann Clark Anno Domini 1811. The sampler with lines of verse defining the word CUSTOM above two hearts within tendrils flanked by flowering plants within a pink and pale green foliate border. The second, wrought by Elizabet Van Leewen Anno 1825 within an intricately woven square and framed by floral tendrils all within a row of stitched panels simulating rugs. The third, a memorial sampler to Genney White “DIED NOV. 3 1824”. Wrought with alphabet row. With floral filled basket, crown, birds, acorn and a bowl. SIZE: 1) 12-1/4” x 12” sight. 2) 14-1/2” x 12-1/2” sight. 3) 11-1/2” x 8-1/2” sight. CONDITION: Two samplers with extensive toning, fading of colors, and moderate deterioration of thread. The 1825 sampler with minor toning. Otherwise very good. 52340-6 (400-600)

Lot 2567 2568.

DECOUPAGE WATERCOLOR AND SILHOUETTE PORTRAIT OF CHILD WITH TOP HAT. Second half 19th century. A watercolor collage depicting a young boy and girl playing with a younger sibling in red dress. All rendered as silhouette profiles. A cutout silhouette portrait of “Fannie M Corrie” in full dress with pantaloons holding a top hat with heightened ink detail. Each housed in a frame. SIZE: Sight: 1) 7-1/2” x 9-1/2”. 2) 5-1/4” x 4” CONDITION: Generally very good. 52340-9 (500-800)

467

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Session 2

2569. INTERESTING FOLK ART PAINTING OF TWO CATS. The oil on canvas painting in the style of a 19th C primitive, shows a black & white tiger cat seated next to a standing white cat. A sponge decorated stoneware feeding dish is beside them as well as a floral painting above them. Work is signed lower right “H.M. Brandt”. Housed in a period stained pine frame. An old canvas and stretcher and it is our belief that this is a 20th Century piece. SIZE: 17” x 24”. 20-1/2” x 27-1/4”. PROVENANCE: The Estate of Morris Racker. CONDITION: A number of small restored holes. Under blacklight the entire painting reflects black. 51956-9 (250-350)

Lot 2569

2570.

UNSIGNED (American, 19th Century) PASTEL PORTRAIT OF AN AMISH FARM. Pastel shows a very prosperous horse farm with interesting design barn, large colonial home and outbuildings. At the center is a two horse carriage with four figures all having black hats. The farm is surrounded by fencing and hedges, and a railroad track runs in the foreground. Housed in a gilt rippled frame. SIZE: Sight: 17” x 22”. Overall: 21” x 26”. CONDITION: A light water stain at bottom, a repaired crack or fold line at center, otherwise very good. 52308-4 (700-900)

Lot 2570

2571. AMERICAN PRIMITIVE LANDSCAPE DEPICTING RIVERSIDE CAMP. Mid 19th Century oil on canvas depicts several people around a campfire and others in sailboat, rowboat & on shore. Mountain landscape background under a late afternoon sky. Housed in a modern carved decorative frame. Unsigned. SIZE: 21” x 25”. Overall: 24” x 28”. CONDITION: Minor touch up, very good. 52129-2 (800-1,200)

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468

Lot 2572 2573.

GRAIN PAINTED OPEN HANGING DISPLAY SHELF. Early 20th century, American. The three grain-painted fixed shelves joined to side supports pierced with hourglass shaped elements surmounted by scalloped crest and with a shaped and scalloped pediment beneath the shelf. SIZE: 25” h x 29” w x 6” d. CONDITION: Graining remains vibrant with light surface abrasions throughout. Good overall. 52308-15 (250-300)

Lot 2573

End of Session 2

469

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Session 2

2572. DIMINUTIVE SPICE CABINET. Late 19th century, New England. The rectangular case in original green paint fitted with thirteen drawers of varying size all with original ribbed glass knobs. Each drawer with simulated birds-eye maple fronts. SIZE: 23-1/2” h x 12” w x 5” d. CONDITION: Structurally good, drawer supports dovetailed into side panels, one drawer front with substantial loss to grained surface others with minor losses, otherwise generally good. 52146-4 (200-400)

Session 3: Friday, August 18, 2017 Commencing at approximately 10:00 a.m. Please Read Conditions of Sale Before Bidding Lots 3000–3247

FOUR MECHANICAL CAST-IRON BANKS. 1) Miniature combo bank cast with angel on top panel, still bank with three tin sides. 2) Bulldog bank Red blanket, J & E Stevens Co., designed by James H. Bowen, patented 4/27/1880. Place the coin on the nose of the dog, and as the tail is pulled, he will throw the coin off, catch it in his mouth, and swallow it. 3) Eagle with eaglets bank, J. & E. Stevens Company Cromwell, Ct. - Circa 1890 As part of their marketing campaign, Stevens played up the patriotic connection of the bald eagle and distributed this bank under the name “American Eagle Bank”. The bank is operated by placing a coin in the eagle’s beak and Lot 3000 pressing a lever at the rear. The eaglets rise from the nest as the eagle bends forward to feed them, the coin falls into the nest and disappears into the receptacle below. 4) Pig in chair bank, J & E Stevens Co., designed by Peter Adams, Patented 1897. Place a coin on the tray and press the lever. The pig catches it in his mouth, moves his tongue & then swallows it. SIZE: 1) 3-3/4” h. 2) 7-1/2” h. 3) 6” h. Length of base: 6-11/16”. 4) 5-5/8” h. PROVENANCE: The Estate of Morris Racker. CONDITION: All banks are functional. The eagle bank with possible heightening of black markings on back and wings. Otherwise all surfaces on all banks untouched and original. Good overall. 51956-28, 51956-35, 51956-36, 51956-40 (800-1,200)

3001.

GROUP OF SEVEN MECHANICAL CAST-IRON BANKS. 1) Uncle Sam bank. Shepard Hardware Company Buffalo, New York, circa 1886 Place a coin in Uncle Sam’s hand, depress the lever and it drops into his satchel. 2) World’s Fair bank, “patent applied for”. Made by J. & E. Stevens, Cromwell, Connecticut, circa 1893. This bank was made to commemorate the 400th Anniversary of Columbus’ discovery of America. A Charles Bailey creation. Place the coin in the slot at the feet of Columbus, press the lever and as the coin disappears an Indian chief leaps from his place of concealment in the log, extending the pipe of peace as Columbus salutes him. Note that the bottom plate of this example is cast with intricate scrolling floral vinery. Otherwise unmarked. 3) John Deere advertising bank depicting a blacksmith at his anvil. A spring Lot 3001 lever adjoining left leg operates a hammer which slides across anvil depositing coin. 4) An earlier model Tammany Bank, J. & E. Stevens Company, Cromwell, Connecticut. Cast “PATD DEC 23 187(3).” Place a coin in his hand and its weight causes the hand to lower and deposit the coin into his pocket. His nod signifies that he has accepted your “gift/bribe”. 5) Dog on turntable bank by H.L. Judd Mfg. Co., c. 1895. House with steps and dog featured on revolving platform. Tray in mouth accepts coin. Turning of crank causes platform to revolve. Dog returns from inside of house after making deposit. 6) Two Hall’s Excelsior cast-iron banks, one disassembled. Made by J. & E. Stevens, Cromwell, Connecticut, circa 1869. Put into production in 1869. The cashier rises up when the front door knob is pulled. Put a coin on the desk and the weight causes the figure to fall back in, thus depositing your coin. SIZE: 1) 11-1/2” h. 2) 6-1/4” h x 8-1/4” l. 3) 9-1/2” h. 4) 5-3/4” h. 5) 4-3/4” h. 6) 5-1/4” h. PROVENANCE: The Estate of Morris Racker. CONDITION: 1) With original surfaces. Paint abrasions throughout. Bank remains operational. Uncle Sam’s mouth remains open. 2) With monochrome surface showing normal and expected wear. Figure’s right arm functions with lever to deposit coin which releases lid on log. Log cover rises only manually. Indian within also moves only manually. Proper left foot absent. 3) Original painted surfaces. Extensive rust to arms and head of blacksmith. With deterioration to hammer. Bank functions with difficulty. 4) With original surface. Bank remains functional. While head moves freely, it is unclear if head nods upon receipt of coin. 5) Bank remains functional with all original surface. Crank is worn and appears held in place by small wire. In need of restoration. 6) This bank in need of extensive restoration. Doorknob is absent. Cupola may be lifted manually. The figure of the structurally intact bank is missing its original head. Second example, disassembled, in need of professional reassembly. 51956-34, 51956-32, 51956-33, 5195639, 51956-41 (800-1,200)

Session 3

3000.

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470

Lot 3002 3003.

GROUP OF FOUR CAST-IRON MECHANICAL BANKS INCLUDING NEW CREEDMOOR BANK, INDIAN AND BEAR, CREEDMOOR BANK, AND WILLIAM TELL. 1) New Creedmoor Mechanical Bank. Manufactured by J. & E. Stevens Co., ca. 1877. Pull the coin launcher back into position. Place the coin in front of the launcher and press the foot. The coin is fired into the tree. 2) Made by the J. & E. Stevens Company, Cromwell, Connecticut, circa 1885. Base cast with “PATD JAN 17 1888.” Bank lock impressed “PATD FEB 2 1875.” Cock the rifle and place a coin flat on the barrel. Pull the lever towards you and the Indian shoots the bear in the chest with the coin. 3) Classic bank made by the J. & E. Stevens Company of Cromwell, Connecticut, circa 1877. Cock the rifle and place a coin on the rifle barrel. Press the soldier’s right foot and coin is shot into the tree. 4) J & E Stevens Co., designed by Russell Frisbee, patented 6/23/1896. Place a coin in the proper position on the barrel of the rifle. Press the right foot and the rifle shoots the apple from the boy’s head. As the coin enters the castle it strikes a bell. SIZE: 1) 7” h x 10” l. 2) 7-1/2” h x 10-1/2” l. 3) 6-1/2” h x 10” l. 4) 6-3/4” h x 10-1/2” l. PROVENANCE: The Estate of Morris Racker. CONDITION: All banks functional and with original paint surfaces. All with varying degrees of abrasion and in use wear. Generally good to very good. 51956-30, 51956-31, 51956-37, 51956-38 (1,000-1,500)

Lot 3003 471

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Session 3

3002. PANORAMA MECHANICAL BANK BY J & E STEVENS. Desirable and rare, this cast-iron polychrome painted bank has great appeal. When a coin is deposited, the picture on the front of the building changes; revealing a new scene. A number of pictures contained on a wooden drum within would have allowed the child to be amused while saving money. SIZE: 7” t x 4-1/2” w. PROVENANCE: The Estate of Morris Racker. CONDITION: Black light inspection reveals some paint touch-up predominantly to roof and red window highlighting. Drum in interior is present. 51956-26 (2,000-3,000)

FOUR CAST-IRON MECHANICAL BANKS INCLUDING MASON BANK, BOY ON TRAPEZE, MAGIC BANK, PADDY & THE PIG. 1) Shepard Hardware Co., Patented 1887, cast-iron and hand-painted, the Hod carrier receives the coin and throws it forward, depositing it into the bank as the mason raises and lowers trowel and brick, while the Hod moves forward and backwards. 2) Late 19th century. Manufactured by Barton and Smith, Philadelphia. Place a coin in boy’s head, he tumbles forward depositing the coin in the slot on the base, and completing his turn. 3) Light green color, J & E Stevens Co., Cromwell, Connecticut”. After the door is opened, which brings the cashier to the front, a slight touch on a knob at the side causes him to disappear and place the money of the Lot 3004 depositor safely in the vault. The bank engraved beneath, “PAT’D AUG 5 1873. MAR 7 1876”. 4) J & E Stevens Co., “Patent August 8 1882” impressed in bottom of bank. “Paddy & the Pig.” Originally sold as the “Shamrock” bank. This model with brown coat and glass eyes. “Place the coin on the nose of the pig. Press the lever and the pig will strike the coin with its foot, when the man will open his mouth, catch it on his tongue, and swallow it; at the same time the eyes will roll, giving the face a pleased expression.” SIZE: 1) 7” h. 2) 9-1/2” h. 3) 5-1/4” h x 5” l. 4) 8-1/2” h x approx. 7-1/2” l PROVENANCE: The Estate of Morris Racker. CONDITION: 1) With original surface, areas of paint loss throughout. Bank is functional. 2) Original painted surfaces untouched with spot paint loss throughout. Manually operational. Figure tends to come to rest horizontally or in an inverted position.3) Bank is operational. We believe the green color was originally yellow. Other areas of repaint include frame of door. 4) Bank is partly operational. Pig will kick coin. Mouth of figure and tongue functioning. Paddy’s eyes do not appear to roll. May need cleaning and adjustments. Painted surfaces all appear original. All banks generally good. 51956-24 (2,000-3,000)

3005.

RARE “ARE YOU A BUFFALO?” BELL TOY. Fresh from a Midwestern home and produced by the famed Gong Bell Toy Company in the latter part of the 19th century. This toy depicts a buffalo standing on top of the world while questioning if you are a member of the Great Association of Buffaloes. A finely cast iron base with simulated wooden branches. The base cast with the number 57 which corresponds to the catalog/ item number in the Gong Bell catalog. Handsomely enameled in silver with a brown buffalo & blue “globe”. When pulled along the floor the buffalo would turn right to left while swinging the bell in his mouth. Due to the frailty of the iron casting it is very difficult to find this toy in complete and undamaged condition such as this example! SIZE: 5-1/2” l. PROVENANCE: The Estate of Morris Racker. CONDITION: Overall very fine plus. 51956-4 (2,000-4,000)

Session 3

3004.

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472

3006. BUICK ARCADE CAST-IRON TOY. Second quarter 20th century, American. Marked “Buick” on original back wheel. Nickeled driver and original rubber tires. Some paint chipping and wear. SIZE: 8-1/4” l. PROVENANCE: The Estate of Morris Racker. CONDITION: Very good overall. 51956-42 (2,5004,000)

3007.

SCARCE JEP VOISON BLUE TORPEDO WITH ORIGINAL BOX. Of the Jep series of automotive vehicles, this is a more elusive example. Enameled in dark blue with a nickel plated radiator and headlamps on either side. An open styled car with a simulated roof folded down with a clockwork mechanism that engaged the rear axle by means of a drive shaft. Oftentimes Jep incorporated this lifelike feature in their toy automobiles. Interior lever would engage the mechanism in forward or reverse. Steering is accomplished via the steering wheel within the vehicle. Accompanied by its original box with directions (in French of course) on underside of box lid, and with key. SIZE: 13” l. PROVENANCE: The Estate of Morris Racker. CONDITION: Box is in relatively good condition with a flap on the lid in need of reattachment. Blue coloring to chassis of car appears to have a fair amount of paint enhancement/ touch up. Otherwise good. 51956-45 (800-1,200)

Lot 3008 3009.

Session 3

Lot 3006

Lot 3007

3008. GROUP OF FOUR CLOCKWORK TIN AUTOMOBILE TOYS. First third 20th century, German and American. The first being a most interesting touring car. Emblazoned on the grill is the world with embossed “R&C” lettering. Of German manufacture, the car features seating for passengers with additional jump seats for children. The second being a red Bing open touring car (lacking driver) with fixed doors and a second yellow model with driver, each with classic “GBN” decal within a diamond. The fourth being American made similar in style to the famed Lionel race cars.. SIZE: Vary from 9” to 11” in length. PROVENANCE: The Estate of Morris Racker. CONDITION: All with normal and expected abrasions and losses from use. Yellow roadster has possible repaint to area behind seat. Good overall 51956-44 (800-1,200)

TIN CONVERTIBLE AUTO SET NUMBER 14 BY NEFF-MOON TOY COMPANY. By Neff-Moon Toy Company, Sandusky, Ohio. During its heyday in the 1920s and 30s, it wasn’t unusual for the custom body industry to offer different styled bodies on the same chassis. This large complete set of pressed steel toys include two friction drive trucks with Packard style front grilles. The six included additional bodies could be interchanged on truck chassis. The bodies include a two door coupe, moving van, Huckster body, police patrol, emergency van and more. All are contained in well labeled original box marked $8.00. Lid of box retains original labels. SIZE: Box measures 17” x 23”. Truck chassis measures 14” l. PROVENANCE: The Estate of Morris Racker. CONDITION: Although toy has been played with set remains complete and good to very good. Some rooftops of bodies show wear. Friction working on both truck bodies. 51956-23 (800-1,200) 473

Lot 3009

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3010. LARGE GROUP OF CHILDREN’S TIN, CAST-IRON AND WOOD TOYS. Including vintage cast-iron BB gun, animated bell pull-toy, carved wood rocking hobby horse, primitive wood racer, National Airmail U.S. Mail wooden airplane, Louis Marx clockwork tank, Marx black cat playing with ball, lithographic budget bank safe by Marx, clockwork rocking horse with rider, tin stick telephone with bell, “J. Chein & Co” Ferris Wheel, clown bank and tin monkey bank, cast-iron two horse drawn wagon, cast iron football kicker, single engine airplane toy and doll’s two drawer chest. SIZE: Hobby Horse: 27” h x 36” l. BB Gun: 35” l. Ferris Wheel: 16-1/2” t. Tank: 9-1/2” l. PROVENANCE: The Estate of Morris Racker. CONDITION: All items in “as found” attic condition. 51956-5, 51956-48, 51956-50, 51956-52, 51956-59 (200-300)

Session 3

Lot 3010 3011.

COLLECTION OF FIVE ASSORTED VINTAGE TYPEWRITERS INCLUDING TWO TIN CHILD’S TOYS. Late 19th or early 20th century. The selection includes the tin Simplex typewriter Special 2. The second, a tin toy DIAL TYPEWRITER. An unusual brass and polished steel ODELL’S TYPEWRITER CHICAGO ILLINOIS. A Blickensderfer No. 5 typewriter made in Stanford Connecticut together with an American Typewriter Company single key typewriter manufactured in New York. PROVENANCE: The Estate of Morris Racker. CONDITION: All are in “as found” condition. 51956-54 (400-600)

Lot 3011

Lot 3012 3013.

3012. GERMAN CARVED WHISTLER FIGURE TOGETHER WITH “SANTEE CLAUS” SHEET TIN CLOCKWORK TOY SLEIGH. Second quarter 20th century, Germany and America. 1) Of German manufacture (stamped on bottom). Wind-up display depicts mustachioed barkeep pouring a shot while he whistles a tune and moves his head left and right. 2) Ferdinand Strauss Corp., lithographed tin, depicts Santa riding open sleigh pulled by two reindeer. Clockwork driven. 10 3/4” l. SIZE: 1) 13-3/4” h 2) 11-1/2” l PROVENANCE: The Estate of Morris Racker. CONDITION: 1) Figure with normal and expected light soiling with nice patina. Whistling music box operational when wound but in need of adjustment as it appears stuck. 2) Graphics on sleigh and figures remain very crisp with minimal and minor surface scratches on edges. Very good overall. 51956-6, 51956-43 (300-600)

OUTSTANDING ANTIQUE AMISH BUILT DOLLS’ HOUSE. Late 19th century. This painted wooden brick dolls’ house is illustrated in the book Dolls’ Houses In America, by Flora Jacobs, published in 1975. This dolls’ house came directly from an Amish family in the Lancaster, PA area. There is a front and back porch, the roofs have hand-split shingles and the dark green shutters have raised panels with workable hinges. The house opens from the left side to reveal two large rooms with rafters. The interior of the house has dark stained woodwork with pastel painted walls. Floors are have crudely made planks of wood. Rooms measure approximately 19” w x 32” l x 9-1/2” h. Top floor has vaulted ceilings. SIZE: 32” h x 25-1/2” w x 39” d. CONDITION: Very good to excellent. 52380-28 (800-1,200)

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474

3014. ANTIQUE DOLL HOUSE FROM ALTOONA, PENNSYLVANIA. Circa 1900, this white clapboarded dolls’ house is a copy of a full-sized house at 19th Ave. and 11th Streets in Altoona, PA. It was built by the foreman for the Pennsylvania railroad shops. Both sides of the dolls’ house are hinged and when opened, there are four rooms on the left side and three rooms on the right with a hall on the right side. Rooms have old wallpaper inside but may not be original. SIZE: 38” h x 36” w x 34” d. CONDITION: Generally good, needs tightening of joints as floors and walls are somewhat slack. 52380-45 (400800)

Session 3

Lot 3014 3015.

VICTORIAN HOUSE MODEL ON STAND WITH DOLL CAROUSEL. 2nd half 19th century. Featuring a finely crafted mansard roof Victorian building with balustrade top, and spindled fence surround. The house is embellished with carved porch posts with decorative elements, bowed side windows, and glass around, the interior with a carousel fitted with two Victorian China Dolls all supported by a spool table base to conceal the mechanism for the carousel. The entire piece with original 3 color painted surface. SIZE: Overall 52” h. Building 22” h. Overall 22” d. 30” w. CONDITION: Very good overall, minor paint wear commensurate with age, carousel now fitted with two dolls apparently originally would have been more, one china doll with losses. 52333-1 (1,000-1,500)

3016.

Lot 3015 NICE FOLK ART COLLECTION OF ERZGEBIRGE BUILDINGS, ANIMALS, AND TREES. First half 19th century, Germany. The Erzgebirge region of Germany was the largest Christmas item and toy supplier in the world in the 1800’s and early 1900’s. The pieces arranged in five tableaux on rectangular platforms, all with hand painted details. SIZE: Largest: 3-3/4” h x 16” l x 4-3/4” w. CONDITION: All nicely hand painted with normal expected in use wear with pleasing palette and patina. Several building are missing their chimneys. One tree missing its crown, and some minor losses to thatched roof. Very good overall. 52308-11 (500-600)

Lot 3016 3017.

IVES SUFFRAGETTE CLOCKWORK TOY. This animated African-American woman with exaggerated features and bulging eyes stands atop a walnut base and podium proclaiming the rights for all women. The podium is topped with a red velvet cloth with a blue book centered atop. She stands behind the podium and she wears a dress that may or may not be original. When the clockwork mechanism is activated she leans forward, pounding her right hand on the podium while her head slowly turns to and fro. SIZE: 10-1/2” h x 4-1/2” d x 4” w. PROVENANCE: The Estate of Morris Racker. CONDITION: Mechanism moves but not properly. Figure is very good. 51956-3 (4,000-6,000)

Lot 3017 475

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3018. SCARCE VICHY BLOCK BANJO PLAYER AUTOMATON. Early piece with composition head, hands, and lower legs. The realistically modeled boy has an open mouth with six upper teeth, blinking glass eyes (functioning but may need some attention), mohair wig, and original clothing. When wound, the boy strums the banjo with his right hand, right leg moves up and down tapping in time with the music, and head moves up, down and around in gentle circular motion. SIZE: Overall including seat: 22” t (55cm). Figure seated: 16” t (41cm). PROVENANCE: The Estate of Morris Racker. CONDITION: Very good, other than deterioration to silk trousers and cap. Windup mechanism functioning but missing the thumb blade to wind. 51956-7 (3,500-5,500)

Session 3 Lot 3018

3019. CLOCKWORK DANCING FIGURE OF SOUTHERN AFRICAN AMERICAN. Late 19th century, American. The carved and painted articulated and jointed figure joined to a small steel rod which passes through the backboard affixed to chromo-lithograph paper illustrating a river scene with flat bottom pole barge alongside the riverbank filled with watermelons and barrels of fruit, all a backdrop for the dancing figure. Driven by a clockwork mechanism. SIZE: 8-3/4” h x 6 -2/3” w. CONDITION: The figure of the dancer is complete. Original clothing with deterioration, discoloration and staining. The lithograph with losses to decorative border and with some abrasion in top segment resulting in a small tear behind head of dancer. Also age darkened. Board structurally intact. Spring driven clockwork mechanism. Gears in mechanism appear operational, braking mechanism appears to interfere with uninterrupted operation of dancer. Very good overall. 52143-3 (500-700)

Lot 3019

3020. UNUSUAL CARVED AND PAINTED CHILD’S PINE ROCKING HORSE ON STAND. Second half 19th century, American. This carved fine example with old cream or pale blue paint, tacked leather harness, bridle and saddle. The saddle with straw filling joined to a plank platform attached to a mechanism of coiled flat springs on an axle joined to shaped supports with baluster-turned stretchers. SIZE: 38” h x 49” approx. l. CONDITION: Structurally good. Painted surface and all accoutrements extensively worn with several losses. Spring platform remains intact and operational. 52397-5 (300-500)

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476

PAIR OF CHILD’S PAINTED AND CARVED ROCKING HORSES. Late 19th century, American. Carved from the same hand, each rendered with glass eyes and horsehair manes and tails fitted with leather saddles and harnesses and with leather ears. Rocker supports now absent. One a black horse, the other white with black markings. SIZE: 18-1/2” h x 39” l. CONDITION: The white horse with old shrinkage crack along left hindquarter. Black horse with 1” sliver above right eye. Otherwise both remain structurally intact and solid with normal and expected in use wear. Each with soiling from long term storage. Good overall. 52397-4 (400-600)

Lot 3021

3022.

SCALE MODEL 1929 BENTLEY BLOWER 4.5 LITER MOTORCAR. Built to exacting standards, they don’t get any better than this. One can imagine the hours upon hours taken to bring this piece to life. Consisting of over 4,000 pieces of steel, brass, wood, rubber, and leather, this vehicle is the epitome of class and luxury. Created by Sapor Modelltechnik as one of only 25 produced, it is exact in nearly every respect to the original. Its classic green body houses an electric motor, shiftable gears, Lot 3022 brakes, headlamps, etc. Encased in a custom showcase with mirrored bottom so one can view every gorgeous angle. Also accompanied by a photo album showing the work in progress to its ultimate completion. SIZE: 22” l. PROVENANCE: The Estate of Morris Racker. CONDITION: Near excellent untouched condition. Slight wear to leather hood straps. 51956-21 (3,000-5,000)

3023.

1913 MERCER RACEABOUT SAPOR MODEL. Limited edition #13 of 25. Model 35J Raceabout by Sapor Modelltechnik, Germany. Mfg. in 1991. Outstanding craftsmanship and attention to detail includes electrically driven completely detailed engine which uses clutch shifting for gear changes. The model with working brass headlights, tail light and side carriage lamps activated by a switch on the well detailed dashboard. The model with wooden gun carriageLot 3023 spoked wheels, leather upholstery and working steering wheel. Details such as brake and shift levers, radiator and ornament, hinges, and rivet detailing all accurately cast in brass. Crafted from nearly 3000 individual parts. Impressive in design and execution. Comes with external power supply. Also included is original fitted carrying case for model car. SIZE: 21” l. PROVENANCE: The Estate of Morris Racker. CONDITION: As new. 51956-20 (3,000-5,000)

477

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Session 3

3021.

3024. WATERCOLOR & GOUACHE OF A JAGUAR XK 120, 1954. Side portrait of a light green car with Connecticut license plate, title below. Housed in a black molded wood frame with white mat. SIZE: Sight: 12-1/2” x 16-1/2”. Overall: 17-1/2” x 211/2”. CONDITION: Some finger smudges to background, good. 52094-3 (300-500)

Lot 3024 Session 3

3025.

LARGE COLLECTION OF CIGARETTE LIGHTERS AND SMOKING RELATED MATERIAL. 19th and 20th centuries, international. The group includes several novelty lighters in the forms of cameras, bottles, pens, cell phone, animals, hammer, etc. Also included is a group of ten brass and copper WWI trench lighters including French and American examples. Also included are various pocket lighters of the period. Additionally, there are five cigarette dispensers including a standing elephant, European marquetry box, a marquetry cigarette dispenser with heron and an English oak silverbound house form dispenser. SIZE: Lighters assorted sizes. Elephant dispenser: 5-1/2” h x 9” l. Marquetry dispenser: 4-1/2” h x 6*-1/4” l x 4-3/4” d. PROVENANCE: The Estate of Morris Racker. CONDITION: Generally good overall. The lighters displayed in five trays fitted with glass tops. Most lighters appear functional. Cigarette dispensers all with original surface. Mechanically and structurally intact. Good overall. 51956-53 (1,0002,000)

Lot 3025

3026. LOT OF 13 ASSORTED CAST IRON DOORSTOPS. Lot consists of: 12” h ship; 12” h ship; 9” ship (no paint but having rust); 10-1/2” h ship “Charles W Morgan”; 9” ship on sea; 8-1/2” lighthouse; 7” Pirate; Two 6-1/2” fisherman; 7-1/4” stagecoach; 7” Stagecoach (damaged, missing foot); 13” “Indian Days”; 6-1/2” Doctor. CONDITION: As noted above, generally good, loss to paint. 51978-1 (8001,200)

Lot 3026 3027.

UNSIGNED (19th century) VICTORIAN PORTRAIT OF A CHILD. Pastel portrait of a young child with short brown hair wearing a white dress adorned with blue ribbons. The child is holding two cherries to feed a pet bird perched in a cage. Housed in a 19th century gilt oval wood frame. SIZE: 23-1/2” x 18”. Overall: 28” x 23”. CONDITION: Overall good condition, not examined out of frame. Frame has several chips and cracks. 52205-1 (300-500)

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478

Session 3

3028. VICTORIAN WIRE BIRD CAGE IN THE FORM OF A STEAMBOAT. Third quarter 19th century, Southern region of America. This whimsical folk art example depicting a fantasy steamboat form of three decks with scrolling rails alternating with posts each mounted with potted shrubbery with latticework windows and ornamentation throughout. The circular front mimicking the bow and bridge of steamboat. The whole surmounted with flag on s scrolled wrought iron base. Painted in red, white and blue surfaces which appear original. SIZE: 25” h x 25-1/2” l x 14” w. CONDITION: Structurally good with normal and expected in use wear. The roof with slight abrasions and soiling throughout. 52308-10 (800-1,200)

Lot 3028 3029.

3030.

VICTORIAN CARVED AND PAINTED ARCHITECTURAL BIRD CAGE. Last quarter 19th century, America. The cage in the form of a business office in the Southern taste. The roof peak applied with the letters “H R” centering a butterfly carving flanked by two songbirds in silhouette attached above the roof arcade all above an entrance door scroll carved design flanked by porches slanting roof and scalloped arcades, the whole with a baluster-turned porch. SIZE: 16-1/2” h x 32” l x 14-1/2” d. CONDITION: Normal and acceptable in-use wear and soiling. Good overall. 51971-13 (1,000-1,500)

Lot 3029

ROCK ISLAND AND PACIFIC RAILROAD COMPANY TRADE SIGN. This fabulous large sign was made by the Western Sandblast Co. of Chicago, Illinois. There is purportedly only 50 of these large size signs made and less than half known to have survived. Reverse painted on glass with mother-of-pearl inlay. The original mahogany ogee style stained frame titled “Great Rock-Island Route”. The reverse painted scene shows a locomotive and tender with six long passenger cars traveling right to left. The train is inscribed “1112 United States Express Rocky Mountain Limited”. The foreground has cattle and one cowboy on horse. The background is a mountain range with snow peaks. SIZE: 27” h x 100” l. CONDITION: There are several spots in the sky where the decoration is lost, otherwise very good. 52397-1 (10,000-15,000)

Lot 3030 479

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Lot 3031

Session 3

3031.

EXTREMELY RARE GARY COOPER MOVIE BANNER FOR “THE VIRGINIAN”. This is believed to be the only example known. Banners, in general, are significantly rarer than movie posters and this is an outstanding one. It was for what turned out to be a fine and popular Western movie which included a young Gary Cooper. This important movie purportedly elevated Cooper from strong leading man to a super star. This is his first talking movie and the movie actually appeared without sound and with sound; depending upon where it was played. The banner features fabulous bright colors and is a great rarity; one of cinemas most famous action heroes. The movie was produced by Paramount in 1929. SIZE: 118” l x 35-1/2” h. CONDITION: Some small losses & tears on margin (see image); some vertical fold creases, also a couple of small tears; colors remain strong. 52382-1 (3,000-8,000)

3032.

WINCHESTER REPEATING ARMS CO. 1898 CALENDAR. The long rectangular poster after a painting by Arthur B. Frost (American, 1851-1928). The top scene shows two hunters one pointing to a hole in a large fallen stag, “The 30 Did It”. The bottom showing a duck hunter firing and hitting a duck in flight over a marsh area. The center section having the back print of the twelve months of 1898. In original condition this poster would have a tear off group of monthly calendars which are not present. Presently shrink wrapped with foam backing. SIZE: 26-1/2” h x 14” w. CONDITION: Tear off months missing, right margin missing is clipped and may be in the printing process of this calendar as others we have seen online have similar edges. Bottom right and left corners are dog-eared and are damaged. There is a dark stain in the left bottom quadrant, otherwise good. Not examined out of wrapping. 52013-29 (1,500-2,000)

Lot 3032 3033. INTERESTING WATERCOLOR HIGHLIGHTED HUNTING PHOTOGRAPH. Last half of the 19th Century. The large size photograph pasted to cardstock with watercolored highlights to men & background. Seven men are seen with their hunting rifles & shotguns with two hunting dogs sleeping at their feet. A mountain and lake landscape is shown in the background. Housed in an Eastlake designed frame behind glass with deep mat (mat with stains). A handwritten statement titled “Adirondack Museum Appraisal” indicates that this photo is a hand painted images taken in a studio. The photographer was Abner B. Gardner of Utica, NY, an established photographer in 1876, Utica City Directory. Gardner later became partners with Frey and together they specialized in hand colored photographs SIZE: Image Size: 14-1/2” x 13”. Overall: 29-1/2” x 22”. CONDITION: Examined out of frame, very good. 52182-3 (800-1,200)

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480

Session 3 481

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3034. LARGE ELK TROPHY MOUNT. Mid-20th century, North West region, America. This well executed example of a six point elk in fine state of preservation in a realistic pose with head slightly turned. SIZE: 58” h x 56” d x 60” w. PROVENANCE: From a private Mount Desert Island collection. CONDITION: Very good, original brown glass eyes, no deterioration. 51875-1 (800-1,200)

Session 3 Lot 3034 3035.

UNUSUAL BLERIOT DISPLAY MODEL OF SINGLE ENGINE FIXED WING EARLY AIRCRAFT. Early 20th century, France. Model attributed to Louis Bleriot, aircraft designer and architect. Model designed from all wood frame. Single two blade propeller at the center of fuselage designed with large engine coweling continuing to an open single pilot compartment with four spoke Lot 3035 steering wheel. Model with a tapered fuselage and unusual lower body triangular form. The airplane with single fixed wing design mounted at cockpit with unusual triangular tail fin section additionally fitted with three tail flaps. The entire fuselage covered in thin translucent waxed paper. SIZE: 31” overall h. 79-1/2” overall l. 89” approx w. CONDITION: All struts and frame appear intact. All wire stabilizers appear present. Generally good condition. 52115-5 (3,000-5,000)

3036.

LARGE 98-1/2” LAMINATED WOOD AIRPLANE PROPELLER BY SENSENICH BROTHERS, LITITZ, PENNSYLVANIA. The propeller marked model 98 AA-64 ser. no. F8830, Sensenich. The propeller made of eight laminations, the leading edge of the propeller blades reinforced by metal believed to be from an aircraft circa 1932. This model propeller was used on the following aircraft; Boeing PT 13 B, D, N 2 S-5, Lycoming R 680 11/220, Boeing PT 17, A, N 2 S-3, Continental R 670 5/220, Boeing PT 13, N2S375 Series, Lycoming R 680 11/220-225, Boeing PT 17, N3S375 Series. CONDITION: Generally very good. 52003-9 (600-800)

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482

FINE AMERICAN CARVED OAK TALL CASE CLOCK WITH MARKED TIFFANY & CO. DIAL. American carved oak tall case clock (1886-1909). Carved case by Tobey Furniture Co. of Chicago. 1) The brass and silvered dial marked “Tiffany & Co” beneath the chapter ring. The brass eight day movement, time and strike, striking on a coil driven by two weights. A moon phase dial in the arch. We believe that the movement may very well be an unmarked example manufactured by J.J. Elliot Co. Ltd. of London. 2) Many cases of this style and model were fitted with Elliot movements including the last example that we offered and sold in our Fine Art and Antiques Auction of February 2014, Lot 3091. The quarter sawn oak case is extensively carved, the bonnet having grotesque mask within the carved crest, a three dimensional bagpiper and horn player flanking bonnet door. The bonnet joined to case throat carved with lion heads within a foliate border above the molded panel door carved with C-scrolled volutes above a grotesque mask over trailing bellflower and foliate carved leaftips. The door flanked by engaged tapering square columns or pilasters carved with fan and shell cartouches on molded carved bases. The throat joined to box base with concave molding. The lower panel carved in high relief depicting a tavern scene with three figures gambling at a table flanked by conforming pilasters headed by carved lions heads. The whole on a floral dentil molded carved plinth raised on compressed ring-turned ball feet. 1) Similar case models were being offered by Tobey Furniture Co. in 1900. 2) JJ Elliot was a clock craftsman of the late 19th century. He was a great innovator, interested in creating high quality clocks that were interesting to listen to. In 1865 JJ Elliott began his clock making apprenticeship with “Bateman” of Smithfield, London. By 1882, Elliott was established as a “manufacturer of fine quality clocks”. In 1909 Elliot merged with Grimshaw Baxter. “Tobey Furniture Co. of Chicago” was founded in 1856 and was a leader in the marketplace for handmade carved furniture. In 1905 “Toby Furniture Co. of Chicago” opened a showroom in New York on West 32nd street, near 5th Avenue. This offered “Tobey Handmade Furniture” a market on the east coast. Having this new location probably is responsible for the collaboration between Tobey Furniture Co. and Tiffany & Co. A nearly identical clock reproduced from the Toby Catalog and referred to as a “Flemish” clock is illustrated in Duy Ly, Longcase Clocks and Standing Regulators, Part 1, Machine Made Clocks p. 422, fig. 979. SIZE: 8’ h x 26-1/2” w x 16-1/2” d. PROVENANCE: From a central Connecticut collection. CONDITION: Superior original condition. Original dark finish. Very fine old patina. Movement clean and operable. Some paint loss to moon phase dial. A glue repair to element of horn of bagpiper. Otherwise very good. 52011-1 (6,000-8,000)

483

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Session 3

3037.

Session 3

3038. TIFFANY STUDIOS GOLD DORÉ DESK LAMP. The base is finished in bright gold doré and signed on the underside “Tiffany Studios New York 424”. The base supports a gold doré shade with impressed band of geometric design. Shade is unmarked. SIZE: Base: 17” h. Shade: 8” d. 2” d of fitter ring. CONDITION: Base with all original surface. Abrasion spots along base of lamp now with verdigris. Socket and housing appear original. Surface of shade original and untouched. Slight irregularities in shade appear as shallow depressions, notably in area of banding. A dimple beneath mounting ring on shoulder. Otherwise very good. 51911-19 (3,000-5,000)

Lot 3038 3039. TIFFANY STUDIOS DAMASCENE DESK LAMP. Tiffany Studios desk lamp has bronze harp base with ribbed inverted saucer platform and 5-ball feet. The base is finished in bright gold dore and signed on the underside “Tiffany Studios New York 419”. The base supports a domed Damascene shade with Lot 3039 gold iridescent waves against a cream colored background. The iridescence shows subdued flashes of gold and platinum. Signed in the fitter “L.C.T. Favrile”. SIZE: Base: 13-1/4” overall h. Shade: 7” d. 2-3/8” d of ring. CONDITION: The base appears all original with undisturbed surface and light soiling overall. Socket, collar and screws all appear original. Shade with minimal and minor rubbing or wear around rim from handling. Top of shade by fitter ring with light surface soiling. Very good overall. 52259-6 (1,500-2,000)

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3040. TIFFANY CANDLESTICK LAMP BASE. Marked “Tiffany Studios New York no. 427”. Very beautiful cat’s paw candlestick has a desirable patina finish in brown, green and red. The candlestick base on a round platform. SIZE: 11” h (without harp). PROVENANCE: From the estate of Mildred C. Wasson, Bray House, Kittery Point, Maine. CONDITION: Old untouched surfaces noted. Candlestick lamp now with later socket and harp. 52233-1 (400-600) 484

3041. TIFFANY DAMASCENE PATTERN LAMPSHADE. Early 20th century, New York. The shade with etched mark “L. C. T. Favrile” visible within the fitter ring. Shade in iridescent damascene design. SIZE: 4-5/8” h x 7” diameter. Fitter ring 2”. CONDITION: Lip of fitter ring with multiple small chips and losses on more than 50% of total rim, otherwise interior with soiling with no other imperfections noted. Iridescence is bright. 51911-45 (4,000-6,000)

3042.

GROUP OF TIFFANY GOLD FAVRILE RAMEKINS WITH UNDER PLATES AND A GOLD FAVRILE CENTER BOWL. Late 19th early 20th century, New York. The group comprised of eight bowls with deeply folded and swagged edges. Eight under plates with undulating edge, and a 10” center bowl with undulating edge and ribbed panels. All with “L.C.T.” on the underside with the exception of one, the large bowl additional marked “favrile”. PROVENANCE: From a central CT family collection. SIZE: Bowls 4-3/4” diameter. Under plates 6” diameter. CONDITION: Very good, with varying iridescence of golds, reds and blues. No damage, restoration or flea bites noted, very good overall. 52011-6 (2,000-3,000)

Lot 3043

3044.

Session 3

Lot 3041

Lot 3042

3043. GROUP OF FOURTEEN TIFFANY GOLD FAVRILE STEMMED GOBLETS. Late 19th early 20th century, Tiffany & Co. New York. The group comprised of six iridescent 7” goblets with tapering long stem and eight iridescent 6-1/2” goblets with shaped pedestal stems. Each engraved “L.C.T.” at the button pontil on the underside. One with a style number “9591” etched on the underside. PROVENANCE: From a central CT family collection. CONDITION: Very good overall, tapered stems with some minor soiling in stem otherwise iridescence very good. No chips, cracks or flea bites noted. 52011-4 (2,0003,000)

GOLD DECORATED CERAMIC TEA SERVICE SIGNED TIFFANY & CO. Late 19th early 20th century, New York. The set comprising a 9” teapot with lid, 4-1/4” covered sugar, 3-3/4” creamer, together with twelve matching demitasse handled cups and matching saucers. All marked on the bottom in script “Tiffany & Co.” PROVENANCE: From a central CT family collection. CONDITION: All appear to be in near pristine very fine condition, the saucers have minimum and minor rub marks due to stacking, with no blemishes, damage or imperfections otherwise noted. 52011-5 (3,000-5,000)

Lot 3044 485

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Session 3

3045. LARGE TIFFANY & CO GILT CAST BRASS DOUBLE ARM WALL SCONCE. Last quarter 19th century, Tiffany & Co. New York. The rectangular beveled mirror plate within the brass surround densely cast cascading fruits and flower heads with fleur de lis at the corners, mounted with a pair of s-scrolled candle arms cast with leaftips terminating in foliate candle cups and bobeches mounted on a grotesque masque affixed to the lower border of mirror. The sconce surmounted by a pierced and scrolling crest cast with putti holding a shield form cartouche amongst floral vinery. The brass backplate stamped “TIFFANY & CO MAKERS” with model numbers of “0426” and “6210”. SIZE: 24-1/2” l x 11” w. PROVENANCE: From a New Orleans family collection. CONDITION: Very good overall with untouched original surface. Candle arms darkened from handling. 52371-1 (600-800) 3046. STERLING HAND HAMMERED PORRINGER BY TIFFANY & CO. The rounded body and handle with hand hammered design and marked around the front with “April 3rd, Ethel, 1884”, done in shallow relief. Marked on the underside “Tiffany & Co./ 5735 M 1737/ Sterling Silver”. Weight is approximately 8.2 troy oz. SIZE: 8-1/4” l. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Very good. 51508-40 (800-1,200)

Lot 3045

Lot 3046 3047. STERLING SILVER SHALLOW OPENWORK BOWL BY TIFFANY & CO. The shallow bowl of ovoid form with outturned rounded walls containing four openwork lattice reserves surrounded by a scrolled rim. Monogrammed in the center and marked on the underside “Tiffany & Co. / 11283 Makers/ 6774/ Sterling Silver/ 925-1000/ T”. Mark number 21 circa 1891-1902. Weight is approximately 31.5 troy oz. SIZE: 15” l. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Light scratching to the center. 51508-39 (1,000-1,500)

Lot 3047 3048.

RETICULATED CENTER BOWL BY TIFFANY & CO. The fourteen panel round bowl having reticulated top edge with leaf and scroll decoration. The bowl on a short round foot. Center triple monogram. Bottom marked “Tiffany & Co / 17000 Makers 977 / Sterling Silver / 925-1000 / M”. Circa 1907-1947. Weight of sterling silver is approximately 19 troy oz. SIZE: 3” h x 10” diameter. CONDITION: Very good. 52377-2 (400-600)

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486

3049. FINE PAIR OF VINTAGE HERMES “CONSTANCE” LADY’S HANDBAGS. 3rd quarter 20th century, France. Each black leather bag with polished brass fittings. Classical Hermes emblem on the flap. Each bag impressed beneath the flap “HERMES / PARIS / MADE IN FRANCE”. SIZE: 23 cm x 18 cm. CONDITION: Each bag in very fine condition, leather remains supple and without blemishes, very light abrasion from use. Both handbags from a single owner. 51968-1 (2,500-3,500)

3050.

Session 3

Lot 3049 R. LALIQUE “CHAMARANDE” VASE NO. 974. 20th century, France. The vase with out-scrolled floral handles continuing along the vase sides with thorned branches. Engraved on the vase “R. LALIQUE / FRANCE”. SIZE: 8” h x 5-3/4” diameter. Overall 9-1/4” w. PROVENANCE: From a fine New Hampshire home. CONDITION: Tight vertical hairline crack 1” above foot rim. 52210-9 (1,000-1,500)

Lot 3050 3051. R. LALIQUE “MURES” VASE. The vase, signed “R. LALIQUE FRANCE”, this frosted glass example with raised berries on thorn filled vines. SIZE: 7-3/8” h x 8-1/4” diameter. PROVENANCE: From a fine New Hampshire home. CONDITION: Flea bit on edge of top rim, surface scratches and abrasion on foot rim, otherwise good. 52210-10 (1,000-1,500)

Lot 3051 3052.

R. LALIQUE “ARIES” RAM’S HEAD SCULPTURE. Rene Jules Lalique (1860-1945), France. This frosted glass signed example in the art deco taste of a ram’s head with dramatic curled horns. Etched signature along bottom of base. SIZE: 6-1/4” h x 7-3/4” l. CONDITION: Very good overall, with no scratches or abrasions noted. 52031-1 (400-650)

Lot 3052 487

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3053.

TWO SIGNED LALIQUE BOWLS. Mid 20th century, France. The first an 8” bowl in the Dahlia pattern, “R. LALIQUE / FRANCE” marked on the rim exterior. The second a 13” bowl in the Felix pattern, designed with fern leafs, etched signature on the underside bottom “R LALIQUE / FRANCE”, also etched next to the signature is an identification number “No. 389”. SIZE: As noted above. PROVENANCE: From a fine New Hampshire home. CONDITION: Both very good, no flea bites or cracks. 52210-8 (500-800)

Lot 3053

Session 3

3054. LARGE SIGNED MURANO ART GLASS AQUARIUM. 3rd quarter 20th century, Murano, Venice, Italy. This example is one of the largest produced by the Murano glass blowers and remains in it’s original carton and packaging with inventory label which reads “BISAZZA / IMMERSIONI / Acquario / grande 3338 / colore: multicol. / Murano Venezia Italy”. The aquarium rendered with six brilliantly colored fish centering a glass jellyfish with turquoise band within a garden of underwater reeds above a rainbow hued “reef ”. The whole framed by columns of rising air bubbles. NOTE: The reeds are created from glass rods called murrina skillfully embedded while molten within the glass “tank”. This example clearly marked on the base with etched circular Murano signature and affixed with an adhesive label with the model number “3338” which corresponds with the number on the shipping box. SIZE: 11-1/2” h x 12” w x 4” d. CONDITION: Very fine unused condition. 51863-5 (800-1,200)

Lot 3054

3055.

LOT OF HAWKES CUT CRYSTAL STEMWARE. The lot comprised of six 7-1/2” stems, eight 6-3/4” stems, and five 6-1/2” stems, all with faceted and cut columns with marks on the top of each foot. PROVENANCE: Downeast Maine home, descendant of Knud Rasmussen, famous Danish arctic explorer whose “greatest achievement” was the massive Fifth Thule Expedition (1921–1924) being sold unreserved. CONDITION: Very good. 51871-2 (200400)

Lot 3055 3056. ART NOUVEAU SILVER TRAY, LONDON 1910-11, BY RAMSDEN & CARR. The tray made in four sided form with slightly rounded walls and decorated in the center with scroll work and flowers. A raised twist rope design added at the rim and stands on six claw and ball feet. Marked on the underside “OMAR RAMSDEN ET ALWYN CARR ME FECERVNT MCMXI”. Weight is approximately 23 troy oz. SIZE: 12” l. CONDITION: Wear to the surface, scratches. 51847-4 (1,2001,500)

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488

3057. ROOKWOOD FLORAL DECORATED VASE BY KATARO SHIRAYAMADANI (1865-1948). Circa 1925, Rookwood Pottery Company. Vase with Rookwood mark, shape number 419, with incised signature of Kataro. Decorated with flowering fruit tree blossoms. The interior an eggplant color, the exterior neck in shades of coffee transitioning to yellow/green at the shoulder, the body in blue/ black tones. SIZE: 8” h. CONDITION: Very good overall. No abrasions, flea bites, or imperfections noted. 52345-2 (800-1,200)

3058.

3059.

TWO PIECE LOT OF ROOKWOOD STANDARD GLAZE POTTERY. The lot consisting of a 9-1/4” handled ewer decorated with cherries done by Frederick Rothenbusch, and dated 1900. Together with 8-1/2” covered jar decorated with poppies done by Olga Geneva Reed with a date of 1893. PROVENANCE: Maralyn Young estate, Arundel/Falmouth Maine, being sold unreserved. CONDITION: Crazing to the glaze, line on cover of jar. 51884-2 (800-1,200)

Session 3

Lot 3057

Lot 3058

TWENTY-ONE PIECE GROUP OF DEDHAM POTTERY. 1st half 20th century, Dedham, Massachusetts. Group includes; a 12-1/2” diameter x 3” h, rabbit bowl with everted rim and flat bottom, with tight vertical hairline running from edge of top rim to within 1” of foot rim, otherwise good. A 9” diameter x 3-3/4” h, rabbit bowl, very good. 5” h, rabbit mug with unglazed bottom, top rim with roughness on edge from firing, glaze absent. 3-1/4” h, rabbit creamer, small firing imperfections in mid band otherwise good. 4-1/2” diameter x 2” h, rabbit bowl, very good. Six 10” plates, one turkey, two rabbit, and one berry pattern, generally good, berry plate with small fleck on edge. 7-1/2” diameter, rabbit plate, very good. Three 8-1/2” diameter, rabbit plates, two very good, one with slight discoloration, otherwise good. 8-1/2” iris plate, very good. Six 10” diameter, rabbit plates, generally very good. 10” diameter, magnolia Lot 3059 plate, chips on foot rim, otherwise good. All pieces with Dedham mark in underglaze blue, except for mug with unglazed bottom. CONDITION: As noted above. 51623-1 700-900)

Lot 3060

3060. G OOD ARTS AND CRAFTS SIGNED OAK SMOKING STAND. 1st quarter 20th century, Australia. With engraved monogram “THB” carved into the interior of hinged lid and highlighted in red, possibly the mark of Thomas Howard Brown. The rectangular quarter sawn top with a circular copper lined compartment with conforming chip carved and molded round cover flanked by a pair of rectangular hinged book form lids with hammered strap hinges. One opening to a copper lined humidor, the other opening to an interior fitted with pipe racks. The first carved with the phrase “OH VANITY OF WORLDLY STUFF”. The second engraved with the words “GONE WITH A SINGLE HUFF”. The top itself well carved with a profiled figure of a man with peaked cap smoking a long stemmed pipe in profile. Additionally carved and centered within the top with a pipe emitting elaborate swirls of smoke carved in the art nouveau taste. Table raised on rectangular shaped incurved legs and trimmed with hammered copper strapping. SIZE: 30” h (overall) x 28” l x 17-3/4” w. CONDITION: Table retains old surface now age darkened with good patina. Structurally good, with appropriate in-use wear. 52212-3 (800-1,200)

489

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3061.

ARTS AND CRAFTS HAMMERED BRASS INKWELL ATTRIBUTED TO GUSTAVE STICKLEY (1858-1942). Early 19th century. This unsigned example in the form of a hammered brass coffer with simulated hammered and forged hinges on the lid opening to a well fitted well with a single porcelain inkwell. The sides of the case with simulated riveted panels and riveted strapping at the corners being riveted to a conforming hammered base. *NOTE* A similar signed double inkwell was sold at Julia’s Lamp & Glass auction December 1st & 2nd, 2006, lot #992. SIZE: 3” h x 8-1/2” l x 7” d. CONDITION: Structurally very good with original verdigris patinated surface. 52014-4 (2,500-3,500)

Lot 3061

Session 3

3062. BRONZE PICTURE FRAME AND JEWELRY CASQUE. Last quarter 19th century, probably American. The square tabletop picture frame cast with swimming koi amongst stylized waves in the Art Nouveau taste. The jewelry casque of Classical form cast overall with scrolling floral vinery set within panels. The hinged lid opening to an open well lined with original dark emerald green velvet. The whole of rectangular form with canted corners. The top mounted with a fraternal crest surmounted by eagle. SIZE: Frame: 6” square. Box: 2” h x 4-1/2” l x 3” d. CONDITION: Both structurally intact. Surfaces undisturbed with darkened appropriate patina. Very good overall. 52182-8 (500-800)

Lot 3062 3063.

ART DECO IRON & BRONZE MIRROR ATTRIBUTED TO EDGAR BRANDT (1880 - 1960). Second quarter 20th century, France. The rectangular mirror plate applied with an oval resin rope decoration mounted with raised luminescent dots within a reticulated frame decorated with a row of pierced “stars” within rows of notches. The circular wrought iron crest centering the bust of a German Shepard dog framed by pierced scrolling vinery applied with tendrils and berries continuing down the outer edges of the frame. The lower frame edge applied with ribbon bow tied scrolling berry sprigs. SIZE: Overall 21-3/4” t x 28” w. CONDITION: Mirror plate with shell fracture at back of mirror proper left lower corner. Frame retains original surface with very good color and patina. Losses of several berries at tips of stems throughout, otherwise very good. 51826-2 (500-700)

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Lot 3063 490

Session 3 Lot 3064 3064.

THREE PIECE PARLOR SUITE, VIENNA AUSTRIA. Early 20th century. The suite comprised of a settee, two armchairs bearing the paper label of Mundus. The settee and armchairs similar to earlier example marketed by Jacob & Josef Kohn as suite no. 423. The settee and armchairs each with bent beech wood, brown stained and polished U-form outswept crest rail joined to vertical bentwood supports centering a curved padded back above a U-shaped seat,each seat frame with suspended spherules beneath the front corners. Frame fitted with cushioned pad. The whole within a U-shaped frame, the pilasters continuing as leg supports. Now covered in a burgundy leather fabric in the style of the Wiener Werkstätte. NOTE: The seating group similar to a design by Josef Hoffmann in 1906 and manufactured initially by J. & J. Kohn as model no. 423 C/F. The set shows the design principles of Jugendstil in Vienna. The form is based on a semicircular seat frame. Vertical flat rods on a U-stand are supported by spherical links. Seats and rests are padded and covered with a fabric in the style of the Wiener Werkstätte. Jacob & Josef Kohn. Jacob Kohn (1791–1866) founded his company together with his son Josef (1814– 1884) in 1849. They produced wooden components and soon began producing bentwood. They opened production centers in Bohemia, Krakow and Russia and already in 1900 more than 6300 workers were busy producing more than 5500 pieces of furniture each day. Thanks to the cooperation with such renowned artists as Josef Hoffmann, Otto Wagner, Adolf Loos and Gustav Siegel, the company soon made a name for itself as the producer of fashionable and modern furniture. They received many awards, gold medals and even medals from Austria, Spain, Belgium and Russia. The company merged with the Mundus AG in 1914 that also produced for Thonet (Thonet-Kohn-Mundus). Mundus Furniture: In 1914 Mundus merged with J. & J. Kohn, and in 1922 with Gebrüder Thonet. SIZE: Armchairs: 30-1/2” h x 17-1/2” seat height x 22-1/2” w x 22-1/2” d. Settee: 31” h x 18-1/2 seat height x 49” w x 23-1/2” d. CONDITION: Settee and armchairs with irregularly sun-bleached surfaces. Proper left hand grip of settee with crescent shaped patch. Proper right arm with rectangular patch on outer edge of hand grip. Otherwise structurally good. 52123-3 (800-1,200)

3065.

CIRCULAR SIDE TABLE BY JOSEPH HOFFMAN, VIENNA, AUSTRIA. Early 20th Century. The table with sheet hammered brass top within a bentwood beech frame raised on a column with incurved sides fitted to a circular plinth base covered with conforming hammered brass base cover raised on compressed ball feet. Josef Hoffmann (1870-1956). Josef Hoffmann was the son of intellectual, supportive parents who ensured he received the best possible education at the State Industrial School in Brno and later at the Academy for Fine Arts in Vienna under Otto Wagner. It was here, he got to know Joseph Maria Olbrich with whom he founded the Vienna Secession in 1897 that he already left again in 1905. He worked as a teacher at the arts college from 1899. In 1903 he founded the Vienna Workshop with Fritz Warndorfer and Koloman Moser. He co-founded the German Werkbund and, in 1912, the Austrian Werkbund. He worked as a designer and architect and his designs are still extremely popular. SIZE: 29” h x 22-1/2” dia. CONDITION: Tabletop in need of reattaching to table frame. Two of the six compressed ball feet absent otherwise good. 52123-2 (1,000-1,500)

491

Lot 3065

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3066. INTERESTING STUDIO PRODUCED CERAMIC DECORATED PITCHER. Trumpet formed pitcher with angular pouring spout. Glazed in a gradient green, decorated with large and small chickens under a radiant sun. Blue glazed handle. The bottom marked with an unknown maker with conjoined initials “AT”. Probably mid20th century. SIZE: 10-3/4” h. CONDITION: Minor imperfection in the making, mostly bubbles in glaze, crazing to inside glaze at spout. Otherwise very good. 51826-1 (800-1,200)

Session 3

Lot 3066 3067.

3068.

GROUP OF FIFTEEN PIECES OF AMERICAN ART GLASS. Last quarter 20th century. Stuart Abelman art glass Van Nuys, California. Approximately half with etched engraved signatures. The remainder clearly from the same hand but unmarked. The group comprised of vases, egg paperweights and perfume bottle. The large vase and perfume bottle with decorated flowering branch. A bulbous vase with pinched neck with bright iridescent free form designs in purples, blues and reds. SIZE: Largest vase: 8” h. Perfume bottle with stopper: 7-1/2” h. Smallest, 1” egg. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Very good overall. 51508-45 (1,200-1,800) NO LOT

3069. EXCEPTIONAL RARE PAILLARD “DINNER” MODEL MUSIC BOX ON STAND. Last quarter 19th century, Switzerland. The rectangular burled walnut case with mahogany cross-banding and ebonized borders fitted with the original fired machine with three combs and zither attachment and with five 18” cylinders each playing six tunes. The case fitted to the original table base similarly inlaid raised on spool turned spiral twist tapering cylindrical legs terminating in cast lion’s mask holding a wooden ball foot. The table fitted with a single large drawer designed for storage of four cylinders, underside of the drawer with original Paillard stencil. NOTE: Music box was purchased from Ruth Bornand Music Box Specialist in Pelham, New York, in 1979 and is briefly described in an article by Lynn Ames in the New York Times Sunday edition, August 19th, 1979. The music box has remained in the consignor’s family since that time. SIZE: 50” h x 55-1/2” w x 20-1/2” d. CONDITION: Case and table with original surface with minimal and minor veneer loss, lid with very slight bow. All cylinders in very good condition as are the workings of the Paillard movement. 52010-1 (4,000-6,000)

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Lot 3067

492

Lot 3070 3071.

GEORGE BAKER & CO. 19-1/2” CYLINDER MUSIC BOX. 8-tune music box with beautiful burled veneers with border inlay. Case has been restored, a new lid with original veneers, patched as necessary, and nicely refinished. Repaired splits to veneer on top lid. Ornate cast brass handles, possibly silver-plated, no tune card. Includes appropriately sized, but not matching table. SIZE: Case: 37” l x 10-1/2” h x 15” d.; table: 54” w x 29” h x 22” d. CONDITION: Beautiful rich tone. Nice nottoo-old restoration, needs some damper regulation, retains original decal under glass cover. Powerful 2-spring drive mechanism. 16396-38 (1,000-1,500)

Lot 3071

3072.

ALNUT BABY GRAND PIANO BY CUNNINGHAM PIANO CO. W PHILADELPHIA. Square tapered legs, 52 all original period ivory keys. Number 81720 branded in sounding board. SIZE: 56” w x 60” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Unrestored, sounding board cracks. 52380-35 (800-1,200) ESA

Lot 3072 493

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Session 3

3070. PAILLARD & CO. INTERCHANGEABLE MUSIC BOX WITH THREE 13” EIGHT TUNE CYLINDERS. Burled walnut cabinet with hinged lid affixed with early, if not original song index for each of the three cylinders. Marked with maker’s name and no. 11013. Each cylinder playing on a silver comb. Brass bed plate impressed with no. A18742. Music box mounted on its original walnut table with ebonized turned legs fitted with a single drawer in which are housed two additional cylinders. NOTE: Music box is accompanied by 1985 receipt for the restoration and recondition of this music box completed by “The Musical Wonder House”, Wiscasset, Maine. SIZE: Case: 7-1/2” h x 29-1/2” l x 10-3/4” d. Table: 29-1/4” h x 40” l x 20-1/2” d. PROVENANCE: From the Pierce family of central Maine. CONDITION: The cabinet and table with original surface and undisturbed patina. Cylinders and movement reconditioned as noted. 51637-5 (2,000-2,500)

Session 3

3073. WM KENARD & COMPANY PLAYER GRAND PIANO. This ampico model with all original ivory keys of traditional form with double tapering legs ending in brass cups with brass casters. SIZE: 54-1/2” w x approximately 68” l. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Generally good, shows use. 52380-50 (3,000-4,000) ESA

Lot 3073 3074.

SD & HW SMITH AMERICAN ORGAN COMPANY ROSEWOOD MELODEON. Third quarter 19th century, Boston, Massachusetts. The rectangular case with folding cover and reticulated music stand opening to the 43 key keyboard. The frieze with stenciled label of company name and location. Melodeon raised on tapering faceted cylindrical legs of typical form with turned cuffs on pointed feet. SIZE: 32-1/2” h x 56” l x 26” d. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: The case with original surface. Pedals need adjustment and re-attachment. Bellows dry. The mechanism needs professional restoration and is currently inoperable. 16396-36 (300-500) ESA

3075. KASVIN ORIENTAL CARPET, CENTRAL PERSIA. Mid-20th century. The ivory poled medallion on a crimson ground within scrolling ivory and pale blue spandrels within an ivory main border of polychrome flower heads all within multiple ivory and pale indigo guard borders filled with floral trelliswork. The whole with dense pastel floral sprays. SIZE: 9’ 8” x 18’ 5”. CONDITION: Areas of wear at each end of carpet exposing foundation. The ends additionally with overall fading, otherwise carpet retains good pile. An evident tea brown stain in outer guard border 5’ from end of rug. 51637-12 (800-1,200)

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Lot 3074

494

Lot 3076

CAUCASIAN ORIENTAL RUNNER. 2nd half 20th century. This striking example with ten hexagonal aligned geometric medallions on a medium indigo field filled with an array of symbolic objects such as flower filled urns, animals, snow flakes and polychrome flower heads within triple mustard yellow and deep indigo borders with x-form devices. SIZE: 2’ 4” x 13’ 8”. CONDITION: Rug retains full pile with vibrant color, loss to some fringe at ends, light soiling throughout, otherwise good. 52341-12 (500-700)

3077.

E. HOWARD & CO. #10 GALLERY CLOCK WITH MARBLE FACE. Circa 1898, Boston, Massachusetts. The square 24” marble dial with painted inscription: “Gift of Gilbert Alden Tolman 1898” above the hands aperture. Additionally painted in gold “E. Howard & Co. “. The dial with applied brass Arabic numerals and seconds markers in the chapter ring, all with painted surface. The eight day brass movement marked “E. Howard & Co”, driven by a single weight. SIZE: 24” square. CONDITION: Dial with original undisturbed surface. Nicely patinated. Brass movement original and has been cleaned, bushed, and oiled. Very good overall. 52137-2 (2,000-3,000)

Lot 3078 (w/family crest)

Session 3

3076.

3078. MONUMENTAL ROCOCO E. HOWARD & CO. CARVED WALNUT CLOCK. Second quarter Lot 3077 19th century, Boston, Massachusetts. The keystone stepped molded crest flanked by scrolled leaftips continuing to carved pendant bellflower elements beneath scrolled volutes centering the circular molded hinged door opening to 12-3/4” enameled iron dial with Roman numeral chapter ring and sub seconds dial, both with steel blued original hands. The hour and minute hands in cutout diamond form. The seconds dial with diamond arrowhead. Marked in Gothic lettering “E. Howard & Co. BOSTON”. The eight day time only brass movement with maintaining power mechanism. Clearly marked on the front plate “E. Howard & Co. BOSTON”. The case fitted with a tombstone door with black and gold Howard style églomisé brass panel through which is viewed the pendulum with gilt wood rod and large Damescene pendulum bob in front of the weight board. The whole on a stepped molded plinth beneath scrolled leaftips. SIZE: 64-1/2” h x 28” w x 8” d. PROVENANCE: From the estate of Albert W. Lamprell. Originating from the estate of Daniel Coit Gilman (18311908), first president of Johns Hopkins University, Baltimore, Maryland. CONDITION: Case with original surface with medium brown color and mellow patina. The dial with original paint surface with craquelure. Paint loss due to dial corrosion, notably between numerals XII and I, and V and VII. Normal and expected abrasion around all apertures. No evidence of repaint. Brass movement measures 6-1/4” h x 4” w x 2” d. Original with no alterations or restoration. Pendulum rod and bob original. Églomisé panel original but probably re-set. Original lead weight and crest with numeral I (probably the same as a weight for a Howard #1 regulator). 52233-7 (3,000-5,000) 495

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3079. CHARLES WALDO JENKINS (American, 1821-1896) PORTRAIT OF A WOMAN. Oil on canvas half portrait of a woman in lace collared, blue stripe dress. She wears gold earrings, gold brooch & gold watch chain. She sits in a red upholstered chair and looks straight at the viewer. Housed in a wonderful fancy gilt rectangular frame with oval window The canvas is rectangular stretched and has a canvas stamp to verso. Signed lower left “C W Jenkins 1856”. SIZE: 31” x 25”. Overall” 40” x 34-1/2”. CONDITION: Minor touch up, very good. 51575-4 (1,500-2,500)

Session 3 Lot 3079 3080.

ELABORATE CARVED VICTORIAN ÉTAGÈRE WITH CARVED MAIDEN HEAD. Third quarter 19th century. This fine American example surmounted by pierce carved crest of scrolling vinery centering a female mask within a carved crest above a conforming molded cornice supported by pierced scrolling brackets. The central tombstone mirror within a molded surround flanked by three pair of shaped shelves all with pierced supports and shaped mirror backs. Base fitted with a D-form white marble shelf and molded edges above the conforming base fitted with a central drawer, the whole raised on spool turned feet. SIZE: 8’ 6” h x 48” w x 15-1/2” d. CONDITION: Very fine overall with professionally polished surfaces and with original white marble shelf. 52380-48 (1,500-2,500)

Lot 3080 3081. FINE ROCOCO WALNUT SHAPED MARBLETOP TABLE. Third quarter 19th century, American. White carrera marble turtletop table with molded edges, frieze carved with floral clusters, raised on four cabriole legs at the corners carved with scrolling leaf tips terminating in scrolled snail feet joined by serpentine stretchers centering large urn finial. The whole raised on brass casters. SIZE: 29” h x 41” l x 30” w. CONDITION: Very good overall with original surfaces. 52380-38 (400-700)

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496

Lot 3082

3083. EXTRAORDINARY VICTORIAN SIGNED R.J. HORNER, NEW YORK, CARVED MAHOGANY CHINA CABINET. 19th Century. This outstanding carved lion head china cabinet has both front glass door and sides and features carvings of floral rosettes and guilloche carved frieze above the central bowed glass door flanked by acanthus carved pilasters topped by a fully carved lion masks. The interior of the cabinet fitted with four conforming glass shelves and the cabinet having a mirrored back. The entire cabinet is supported by raised carved pawed feet. The original R.J. Horner label affixed to the back which reads, “R.J. Horner & Company, furniture makers and importers, 61, 63, 65, West 23rd Street, New York”. Truly a superb and impressive cabinet by one of the foremost American makers. SIZE: 66-1/2” h x 50” w x 19” d. CONDITION: Original finish and appears all original. 52380-11 (5,500Lot 3083 8,500) 3084. VICTORIAN ROCOCO REVIVAL-STYLE CARVED OAK BOOKCASE. Third quarter 19th century, possibly New York. The molded and scrolled cornice crested with a carved fruit cluster and flanked by turned finials. The case with two glass panel doors surmounted by scrolling carved foliage opening to an interior fitted with two adjustable shelves stepped back on lower case fitted with two aligned molded drawers above the foliate carved molded apron. SIZE: 8’11” h x 66” w x 22” d. CONDITION: Bookcase retains original surface, now dry and crusty with mellow patina. Structurally good overall. 52380-3 (1,750-2,750)

Lot 3084 497

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Session 3

3082. ORNATE CARVED WALNUT VICTORIAN MARBLE TOP ÉTAGÈRE. Third quarter 19th century, probably Boston, Massachusetts. The large molded shield crest with pierce carved leafy oak branches and leafy scrolls with volutes above the arched molded cornice centering the foliate sub-crest all above an arched mirror plate within a molded surround flanked by graduated shaped display shelves, each with mirror behind, on pierce carved supports each joined to the molded back with scrolling molded edges above a shaped white Carrera marble shelf. The conforming serpentine frieze fitted with a central drawer with carved walnut handle on a molded base raised on short turned legs. NOTE: A nearly identical labeled étagère from the same collection to be offered in this session. SIZE: 7’10” h x 51” w x 17-1/2” d. PROVENANCE: Southampton Antiques to the current owner. CONDITION: Étagère retains original clean surfaces with good patina and original marble shelf. Very good overall. 52380-49 (1,250-1,750)

FINE BURLED WALNUT CARVED TILT TOP BREAKFAST TABLE. Third quarter 19th century, England. Large serpentine burled shaped top with serpentine sides and ovolo corners, with matched bookend veneers and molded edge above a conforming molded frieze. Hinged and tilting on a ring-spool-and bell-turned foliate carved pedestal raised on four arched and outswept molded legs terminating in rolled feet with scrolled volutes. Each leg carved with acanthus leaves. The whole raised on original porcelain casters. SIZE: 30” h x 58” l x 42-1/2” w. CONDITION: Table retains original surface with Lot 3085 fine patina and rich color. Top professionally re-glued at seam and stabilized with butterfly cleat. Old repair to platform of base at juncture of bolts. Pedestal and legs intact with no restoration or damage. Very good overall. 51309-3 (600-800)

3086.

LOUIS XV STYLE MARQUETRY GILT METAL MOUNTED CENTER TABLE. Late 19th early 20th century, probably France. This nice bench-made example with rosewood, kingwood, walnut, satinwood, marquetry top. The center with classical foliate and floral filled urn within scrolling borders. An additional border of four floral filled cornucopia, a shell cartouche at each side, with an additional border of C-scroll vinery. The turtle shaped top bound by cast gilt metal border of leaf tips projecting above the conforming serpentine apron fitted with single drawer and with marquetry floral vinery. Raised on angular cabriole legs each headed by a cast gilt female bust, the legs terminating in cast brass sabots. SIZE: 30-1/2” h x 41-1/2” l x 27-1/2” d. CONDITION: Table retains original untouched surface, small veneer loss upper right corner of drawer front. Otherwise very good. 51977-1 (700900)

Session 3

3085.

Lot 3086 Visit www.jamesdjulia.com for more information

498

TWO BAROQUE REVIVAL SAVONAROLA INLAID CHAIRS. Third quarter 19th century, Italy or Spain. Each chair with arched, scalloped and shaped removable back, slotted into the bank of each square arm terminating in spherical handgrips. Joined to eight serpentine interlocking supports rotating within the central plank seat terminating in elongated shoe feet. Each with intricate celluloid inlays simulating ivory. The first chair inlaid with the “D’AUTREMONT OF LORRAINE” family crest. Centered by delicate scrolling vinery, the arms inlaid with bellflowers, the seat inlaid with a fleur-de-lis within circles. The arm and leg supports inlaid with diamond devices. The second chair structurally identical to the first. The back inlaid with a silhouette bust portrait of a male figure with hood and robe with inlaid circles flanked by cherubs with bows and arrows amidst a delicate scrolling floral vinery. The arms inlaid with floral filled urns in the classic taste. The seat with conforming inlay. SIZE: 38-1/2” h of back x 28-1/2” w x 21” d. PROVENANCE: The family of Hubert D’Autremont, who in 1793, was arrested, condemned, and put to death by the guillotine. His widow and children emigrated to America. Alexandre-Hubert D’Autremont, son of Hubert D’Autremont, married Abigail Dodge, daughter of Major Dodge. Louis D’Autremont, son of Alexandre-Hubert D’Aturemont born 20 January 1805,. Louis fathered Charles D’Autremont, born 20 March 1845. Charles emigrated to New York, where he established a family estate in Angelica, New York. At this time, and prior to the taking of the estate by the state of New York by eminent domain in the 1930’s the desk and Savonarola chairs arrived from France and remained there until the property was demolished. It was during this period that the family descendants of the consignor acquired them along with other family heirlooms, including a pair of D’Autremont ancestral portraits sold by this company in the late 20th century. CONDITION: Both chairs with significant inlay losses. Dry crusty surface, dark patina and color, and surface soiling. Both chairs remain functional and operational. 52212-1 (800-1,000)

3088.

FINE BAROQUE REVIVAL INLAID ABALONE AND CELLULOID ROSEWOOD DESK. Third quarter 19th century,Italy or Spain. The rectangular desk fitted with raised stepped back case of drawers. The upper section fitted with two aligned short drawers flanked on either side by a bank of two small drawers with bow fronts, each bank with scrolled pilasters. The upper and lower case fitted with three simulated ivory inlaid panels. All with stylized urns emitting delicate floral tendrils and vinery. Populated with putti, songbirds, griffins and boars heads, each within stylized woven leaf garlands. The desk fitted with central drawer above a bowed door in the kneehole. Flanked by banks of three short drawers, all with bow fronts alternating with scrolled engaged pilasters raised on eight ring-turned faceted tapered cylindrical legs. Each set of four legs joined by flattened X-form inlaid stretchers raised on pointed ring-turned feet, all with ebonized trim. The desk drawer fronts each inlaid with a Lot 3088 pair of opposing griffins holding a cartouche. The central door with urn emitting tendrils. The pilasters each with classical putti with upstretched arms posing on a pedestal above floral filled urn. The legs inlaid with pendant bellflowers. Each side panel depicting a mythological Greek or Roman helmeted soldier with spear and shield posed beneath a classical arch beneath a floral filled trophy urn flanked by ribbon-tied bellflowers and urns. SIZE: 42” h x 55-1/2” l x 26” d. PROVENANCE: The family of Hubert D’Autremont, who in 1793, was arrested, condemned, and put to death by the guillotine. His widow and children emigrated to America. Alexandre-Hubert D’Autremont, son of Hubert D’Autremont, married Abigail Dodge, daughter of Major Dodge. Louis D’Autremont, son of Alexandre-Hubert D’Aturemont born 20 January 1805,. Louis fathered Charles D’Autremont, born 20 March 1845. Charles emigrated to New York, where he established a family estate in Angelica, New York. At this time, and prior to the taking of the estate by the state of New York by eminent domain that the desk and Savonarola chairs arrived from France and remained there until the property was demolished. It was during this time period that the family descendants of the consignor acquired them along with other family heirlooms, including a pair of D’Autremont ancestral portraits sold by this company in the late 20th century. CONDITION: The desk in structurally good condition with untouched surface. Dark coloration and patina with multiple losses to celluloid veneers. The desk and pair of Savonarola armchairs are accompanied by a box of original inlays salvaged from these pieces, which will aid in any future restoration. We do not suggest that all the missing of inlay are present. 52212-2 (4,000-6,000) 499

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Session 3

3087.

3089.

Session 3

FINE EBONIZED MARQUETRY SECRÉTAIRE À ABATTANT AND MATCHING TALL CHEST. Probably New York, last quarter 19th century. 1) The ebonized oak escritoire with abalone chip inlays all within borders of inset brass strips. The lid decorated with intricate marquetry of overall meandering tendrils and vinery centering a large floral bouquet composed of abalone and hardstone inlays. Each drawer front decorated with similar brass inlaid and painted vinery with abalone flower heads. The rectangular top Lot 3089 with molded edge above the conforming case fitted with frieze drawer over a hinged vertical lid with molded inset panel as described above. The interior with recessed mirror over two aligned stationary drawers, the writing surface fitted with olive green velvet. The whole above four long drawers flanked by freestanding Corinthian columns with cast gilt metal capitols, the bases applied with ribbon-tied garlands and cast Anthemion leaves, on molded base raised on suppressed ball feet. 2) The ebonized oak six drawer chest with abalone chip inlays all within borders of inset brass strips. Each drawer with intricate marquetry depicting brass tendrils and vinery with abalone flower heads. The rectangular top with molded edge above the conforming case fitted with six long drawers flanked by freestanding Corinthian columns with cast gilt metal capitols, the bases applied with ribbon-tied garlands and cast Anthemion leaves. The whole on molded base raised on suppressed ball feet. SIZE: 1) 52” h x 33-1/2” w x 20” d. 2) 52” h x 33” w x 19-1/2” d. CONDITION: 1) Ebonized lacquer surfaces with minor cracking in top, case with normal wear throughout. Small losses to wood frame of right hinge on lid that does not affect mechanics. Structurally sound, good overall. 2) Cracks in top, small areas of staining to ebonized surface, similar to alcohol spills. One brass strip absent on fourth drawer from top. Two brass strips off of proper left side but present. Two brass strips near base proper right side in need of re-attachment, otherwise structurally sound. 51881-1, 51881-2 (6,000-7,000)

3090. BIJAR ORIENTAL CARPET, NORTHWEST PERSIA. First half 20th century. The central Shah Abbas poled medallion with ivory star and pale indigo borders on a rose red field with dense polychrome floral sprays within scrolling midnight blue spandrels. The midnight blue main border with lotus blossoms and scrolling floral trelliswork within multiple polychrome floral guard borders. SIZE: 10’ 9” x 14’ 5”. CONDITION: Good, with overall even wear, colors remain rich and vibrant, evidence of minor old insect damage, moderate loss to fringe at one end, opposing end with recently replaced fringe, selvage intact. 51884-1 (1,000-2,000)

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500

Session 3 3091.

KIRMAN ORIENTAL CARPET, SOUTH PERSIA. Mid-20th century. The central arabesque midnight blue and rose pink medallion within an ivory ground with dense polychrome floral vinery within pink and pale blue Mihrab shaped spandrels. The blue/black main border with profuse floral sprays and vinery flanked by mustard and pale blue floral guard borders of dense vinery. SIZE: 11’ 3” x 18’. CONDITION: Rug is very supple with good pile. One faint circular stain in field at one end, otherwise very good. 50955-1 (1,200-1,800) 501

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3092. COIN SILVER WATER PITCHER BY KIRK & SON. The pitcher decorated around the body with repoussé flowers and vines. The underside marked “S. Kirk & Son, 11 oz”. Weight is approximately 18.5 troy oz. SIZE: 7-1/2” h. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: One shallow dent in the body. 51508-37 (1,000-1,500)

Session 3

Lot 3092 3093.

OUTSTANDING THREE PIECE STERLING SCENIC DECORATED TEA SET BY S. KIRK & SON. The set consisting of; a 13” h teapot, 8” h covered sugar, and an 8-3/4” h creamer. Each piece set on a round pedestal base, the covers adorned with flower and leaves, the squared scrolled handles having a ram’s head corner with flowers. The body decorated with a landscape scene of a man and woman in canoe paddling below a castle like house on bluff. Trees, flowers are elsewhere while the backside shows classical structures with trees and a man with his dog. The sugar and creamer have similar Lot 3093 scenes one with a man fishing, the other tending a garden. Bases marked “S. Kirk & Son Inc / Sterling 925-1000 / 262L”. Weight of sterling is approximately 68 troy oz. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Creamer and sugar have dents to edge of base making it out of round. 51847-3 (3,000-3,500) ESA

3094.

EXCEPTIONAL EARLY FOUR PIECE COIN SILVER TEA SERVICE BY S. KIRK & SON. The set consisting of; 11” h teapot, 9-1/2” h creamer, 7” h covered sugar, and a 5-1/2” waste bowl. Each piece marked “S. Kirk & Son”. Each piece set on a round tall pedestal foot, the bodies decorated with repoussé leaves and flowers. Each piece having a family crest which incorporates a running deer and stag horn crest. The two covers have as their finials stag horn rack, which may indicated that this was a special commission. Circa 1846-1861. Weight of silver 83 troy oz. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Creamer with base pushup with slight crease. Otherwise very good. 51508-36 (3,000-4,000) ESA

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502

FINE NINE PIECE LOT OF STERLING SILVER BY S. KIRK & SON, INCLUDING THREE PIECE TEA SET. 1-3) Three piece tea set comprised of 10-3/4” teapot, 7” covered sugar, 5-3/4” creamer. Each piece with repoussé flowers, fancy handles and finials. The bases marked “Hand Decorated / S. Kirk & Son Inc. / Sterling / 74”. Monogrammed “B” and inscribed “Christmas 1931” also on base. 4) 11-1/2” diameter low bowl with border of repoussé flowers with plain interior with monogrammed “B”. Marked “Hand Decorated / S. Kirk & Son Inc. / Sterling / 224”. 5-6) Two oval 4-1/2” x 3-1/4” nut dishes marked “S. Kirk & Son Inc. / Sterling / 142”. Monogrammed Lot 3095 “B” in center. 7-8) Pair of 3” salt and pepper shakers with repoussé flowers, monogrammed “B” and “S. Kirk & Son Inc. / Sterling / 59”. 9) 4-1/2” pair of sugar tongs with repoussé flowers and bird claws. Marked “S. Kirk & Son Co. 925-1000 Sterling”. Weight of sterling silver is approximately 84 troy oz. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good. 52057-1 (2,000-3,000) ESA

3096. FABULOUS SET OF TWELVE FANCY STERLING SILVER SERVICE PLATES REDLICH & CO., NY. Each plate with pierced rim featuring four medallions of flowers surrounded by scroll work. Marked on the underside “Sterling, 5842, 11”. Weight is approximately 258 troy oz. SIZE: 11” diameter. CONDITION: Scratching to the surface, a couple dishes with minor dents. 52326-1 (5,000-8,000)

Lot 3096 503

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Session 3

3095.

3097.

Session 3

PRESENTATION GORHAM STERLING FLASK COMMEMORATING AN IMPORTANT SILVER MINE. This magnificent sterling silver flask was one of only 15 produced for silver mogul Alex Shepherd. Shepard used these special flasks to commemorate his fabulously successful silver mine and in turn presented this flask to Hallett Kilbourn in 1888. The reverse of the flask has an engraved relief portrait bust of Shepherd together with the inscription to his friend. The front of the flask has in relief a fabulous large cactus designs on either side. The center portion of the flask being engraved with a highly detailed scene depicting the mountain into which the silver mine was dug and a huge silver refining plant in the center. The detail is fabulous. Alex Shepherd was originally on the board of Public Works in Washington D.C. and became governor of the district during the corrupt period under Ulysses S. Grant. By 1876 Shepherd has gone bankrupt and in 1879 he went to Mexico and invested in the silver mine in Batopilas, Chihuahua, Mexico. The old mine turned into a tremendous profitable thing for Shepherd and the population of the local town, when he arrived was 300, but within a few years the population had grown to 4,000. In 1877, Shepherd returned to Washington with great fan-fare to promote his mine and it was at this time that he ordered these very special flasks that would serve as presentations to important figures and friends. Mr. Hallett Kilbourn, who received this flask was born in 1833 and was a real-estate broker and journalist in Washington D.C. and had business dealings and became a friend with

Shepherd through both of these professions. Kilbourn was famous for refusing to testify before a judiciary committee investigating realestate dealing in Washington and it was at that time that Shepherd had gained notoriety in the real-estate pool and had in fact become known as “Boss Shepherd”. Kilbourn as president of the Washington Critic News printed vary favorable reports about Shepherds return to the city and helped organize a gala & parade attended by 100,000 people on October 6, 1887. There were 15 of these flasks produced, 5 were given to the Mexican government official and 10 to American’s. Four flasks are currently in museum collections. Two are in the National Museum of American History at the Smithsonian Institution, one is in the Fine Arts Museum in Houston, and the fourth is in the Brooklyn Museum. SIZE: Approximately 7-1/2” h x 5-1/2” w and 1-1/2” deep. CONDITION: The hinged sterling lid, which is corked line, when lifted exposes the pouring spout. There is a small dent on this pouting spout, which is completely covered by the lid when the lid is in place. Otherwise, the flask is in outstanding condition. 16399-3 (5,000-15,000)

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504

IMPRESSIVE STERLING SILVER TEA AND COFFEE SERVICE BY TETARD FRERES. Paris, France. Circa 1910. The set comprised of a 16” t hot water urn, 10-1/2” t coffee pot, 9” t teapot, 6” t covered sugar, 6-1/4” t creamer, 4” t waste bowl and 27-1/2” l handled serving tray. Most with slender paw form feet ending at acanthus leaves where they meet the body. The two pots and urn with dragon form spouts and all are marked on the underside with makers mark and matched numbers. Each monogrammed. Total weight is approximately 290 troy oz. PROVENANCE: Commissioned from Tetard in 1910 by Doctor Martin Ferreyra of Cordoba, Argentina. Made for their house The Palacio Ferreyra (done by the Parisian firm Sanson), said to be one of the greatest examples of French Classicism in Latin America. Through the family Lot 3098 by descent. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Each piece with scattered shallow dents. Each pot retains two “certifiable antique” ivory heat absorbing spacers. Urn has four “certifiable antique” ivory feet, two handles and stopcock finial. 51930-1 (4,000-8,000) ESA 3099. 107 PIECES OF STERLING FLATWARE BY GEORG JENSEN, DENMARK, IN THE ACORN PATTERN. Lot consists of; twelve 6-3/4” spoons, twenty-four 5-3/4” teaspoons, twelve 5” bullion spoons, twelve 7-1/2” dinner forks, twelve 6-1/2” forks, twelve 9” dinner knives with hollow handles, twelve 8” luncheon knives with hollow handles, nine 6” butter knives with solid silver blades, 6” shell sugar spoon, and 101/2” cake knife. Total weight of sterling silver is approximately 101 troy oz. Housed in a blue lined wood silver chest. CONDITION: No monograms, very good, lightly used. Box shows scratches and wear. 52192-1 (4,500-6,000)

Lot 3099 3100.

STERLING FLATWARE SET BY GORHAM IN THE CHANTILLY PATTERN AND 13 PIECES OF MISCELLANEOUS STERLING SILVER FLATWARE. Set consists of; four 7-1/2” dinner forks, ten 7” luncheon forks, eight 6-1/2” salad forks, two 6” forks, three 8-1/2” serving spoons, seven 6” teaspoons, eight 6-1/4” soup spoons, one 4” demitasse spoon, two 9-3/4” dinner knives, ten 9” luncheon knives, eight 5-3/4” solid handle butter knives, one 6” sugar shell, 5-3/4” serving fork, 7” ladle, 4-1/2” bonbon spoon, 7” meat fork, 4-1/4” lemon fork, 6” jelly server, 6-1/2” hollow handle cheese server. Along with; 5-1/4” Georg Jensen sterling blossom spoon, seven pieces Reed & Barton in the L’Elegante pattern, five other sterling teaspoons, and two pieces silver plate. Weight of sterling silver is approximately 90 troy oz. Housed in a wood silver box. CONDITION: Generally good, shows some use. 52212-4 (900-1,100) 505

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Session 3

3098.

3101. OUTSTANDING CASED 26 PIECE ENGLISH STERLING FISH SET BY HENRY MATTHEWS AND DAVIS & LIONEL SPIERS. Birmingham, 1894. The ornate set comprised of a 13” fish knife, 10” fish fork, twelve 7” forks, twelve 8” knives. Each piece with wonderful scrolling foliate design, the handles with feather edge. Unmonogrammed, and each piece hallmarked including handles. Housed in a fine fitted mahogany case with two removable inserts. The box having a lock (no key) and an unmonogrammed shield on cover. Weight of silver is approximately 56 troy oz. SIZE: Box 4-1/2” h x 14” l x 11” d. CONDITION: Silver set appears to be like new condition. Box with top cracks, otherwise good. 51983-1 (1,000-2,000)

Session 3

Lot 3101 (partial lot) 3102.

SET OF 73 PIECES OF STERLING FLATWARE BY TOWLE IN THE FRENCH PROVINCIAL PATTERN. Set consists of; seven 7” luncheon forks, seven 6-1/4” salad forks, seven 6-1/4” soup spoons, twentyfour 6” teaspoons, seven 5-1/2” solid butter knives, seven 9” luncheon knives, 8-1/2” serving spoon, 5-3/4” sugar spoon, 6-1/2” jelly server, 6-1/2” ladle, 7” master butter (hollow handle), 7” cheese server, and 10-1/4” pie server. Weight of sterling silver is approximately 62 troy oz. Housed in a like new black with gray lined silver chest. CONDITION: Very good. 51911-43 (1,500-2,000)

Lot 3102 (partial lot) 3103. FIVE PIECE STERLING SILVER TEA AND COFFEE SERVICE BY GORHAM IN THE PLYMOUTH PATTERN. Each piece with raised bands on the body and rest on pedestal feet. Marked on the underside. Comes with Gorham silver soldered serving tray. Weight of sterling is approximately 71.5 troy oz. SIZE: Coffee 9-1/2” h. Teapot 7” h. Tray 24-1/2” l. CONDITION: Very good, light scratches. 52345-6 (1,8002,200)

Lot 3103 3104.

FOUR PIECE GORHAM STERLING SILVER TEA AND COFFEE SERVICE. The set comprised of a 9” coffee pot, 6-1/2” teapot, along with a creamer and sugar. All four pieces raised on pedestal bases and inscribed with dates of “1881-1906” within a scrolled reserve. Hallmarked on the underside with the marks of Gorham “Sterling”, “A2413”. Also marked with retailers name of Bailey, Banks & Biddle. The covers adorned with wood turned urn finials and the pots with nice carved handles. Weight is approximately 49 troy oz. Together with silver plated sauce boat decorated with a flowery garland. CONDITION: Overall very good. 52259-1 (800-1,200)

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506

3105. FIVE PIECE INTERNATIONAL STERLING TEA AND COFFEE SERVICE. The set made up of a 8-1/2” coffee pot, 7-1/2” teapot, 5-3/4” covered sugar, 4-1/2” creamer, 4-1/2” handled bowl, and comes with a 23-1/4” Rogers silver plated tray. Weight of sterling is approximately 59 troy oz. CONDITION: Very good. 52092-1 (800-1,200)

3106.

FIVE PIECE ENGLISH STERLING TEA SET WITH SMALL STERLING SALVER. Tea Set: Birmingham, 19231925, hallmarked “B.B.S. Ld”. Set consists of 9” coffee or teapot, 5” teapot, 4-1/2” covered sugar, 4” waste bowl, 3-1/2” creamer. The set having a half rib pattern with decorated water leaf handles. Each of the covers with an ivory and silver finial. Salver: The 7-1/2” diameter tray, hallmarked “London 1818-1819” by John Angell. The interior nicely decorated with scrolls and flowers with a heraldic crest. Weight is approximately 92 troy oz. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Tea Set: Very good. Salver: very good. 49849-1 (1,500-2,500) ESA

Session 3

Lot 3105

Lot 3106

3107. FIVE PIECE STERLING SILVER TEA SET BY GEBELEIN, BOSTON. Early 20th century. The set comprised of a 5-1/2” h teapot with 7” x 5-1/2” fitted stand, 4” h creamer, 3” waste bowl, and 3-1/2” open double handled sugar. Each with bands of leaves and berries accenting the rims. All marked on the underside “Gebelein, Sterling, Boston”. All pieces monogrammed. Weight is approximately 47 troy oz. SIZE: As noted above. CONDITION: Wear and scratching to the surface, scattered shallow dents. 51911-14 (2,000-3,000)

Lot 3107 3108.

STERLING SILVER SHELL FORM DISH, LONDON 1931, BY LIONEL ALFRED CRICHTON. The molded dish in shell form with openwork scroll design and resting upon three dolphin fish form feet. Fully hallmarked on bottom. Weight is approximately 11 troy oz. SIZE: 6” w x 4-1/2” h. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: A couple shallow dents. 51508-42 (250-400)

Lot 3108 507

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3109. COLLECTION OF SILVER BOXES AND CONTAINERS. 19th and 20th century. The lot made up of 22 silver boxes in various form and origin. Examples include a standing crane, scallop shell, violin, filigree chest, and others. Weight is approximately 24 troy oz. SIZE: Largest 6” h. Smallest 1-1/4” h. CONDITION: Overall very good, scattered dents and wear to the surfaces. 51628-5 (1,000-1,500)

Session 3

Lot 3109 3110.

LARGE STERLING SILVER PEDESTAL DISH BY FRANK WHITING. The slightly concave dish with shallow well in the center and openwork band around the rim done with scroll work and flower design. Stands on a pedestal base and marked on the underside with “6505 Sterling”. Weight is approximately 27 troy oz. SIZE: 13-3/4” diameter. CONDITION: Very good, some light scratches. 52345-5 (400-600)

Lot 3110

3111. T HREE LIGHT SHEFFIELD STYLE SILVER PLATE CANDELABRA. Unmarked. The large candelabra of classic form with arms twisted around the body. Stands on tapered column resting atop a splayed base. SIZE: 19-3/4” h. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Scattered dents, base metal showing through at raised points. Scratching. 51508-43 (250-350)

Lot 3111 3112.

74 PIECE SILVER PLATED FLATWARE SET BY ROBERTS & BELK IN THE FIDDLE, THREAD & SHELL PATTERN AND 15 OTHER PIECES OF SILVER PLATE. Set includes: Six 8-1/4” dinner forks, twelve 7-1/4” luncheon forks, four 9” serving spoons, six 7-1/2” tablespoons, six 7” soup spoons, six 6” bouillon spoons, four 5” coffee spoons, two 4-1/2” demitasse spoons, six 10” dinner knives, six 8-3/4” luncheon knives, six 7-1/2” fruit knives, six 6-1/4” butter knives, 7-1/2” ladle, 8” cheese knife, 6” pickle fork, and a 10” cake knife. Along with eight 7” French sauce spoons by Christofle, 7” claw form silver plate ice tongs, and six silver plated ice tea spoons by Rogers Brothers. PROVENANCE: From a fine New Hampshire home. CONDITION: Set purchased in 1995 and in as new condition. No monogram. Other pieces are very good. 52210-7 (200-400)

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508

Lot 3112 (partial lot)

Lot 3113

3114.

VERY FINE AESTHETIC MOVEMENT BRASS SHELF CLOCK. Last third 19th century, England. The dial inscribed with the retailer’s name “Thomas Armstrong & Brother”. 1868 - Thomas took his brother, George Booth, into partnership and changed the company’s name to Thomas Armstrong & Brother. The silver dial centering a rondel cast with a scene of a woman with attendant seated in a landscape with buildings in the distance. The dial also inscribed “Paris”. Clock surmounted by a brass and silvered dome in the Eastern taste. Raised and set within a foliate gallery above a bollection molded cornice. The case front beautifully carved caste and chased with a scene of a tiger hunt, the hunters firing from the Howdah as the tiger mounts the hind quarters of the elephant in pursuit of the hunters. Another hunter on the opposing side of the scene in the act of reloading with his attendants and rifle bearer. The carved hunt scene may very well have been done with the use of mixed metals, i.e. silver, copper, etc. The scene is framed beneath the dial and flanked by a pair of ornately carved pillars beneath an arabesque arch cast with rondels and flower heads in the Indian architectural style. Continuing to a molded base cast with leaptips and flower heads on a conforming rectangular plinth, raised on outswept legs with scrolled feet. The eight day brass time and strike movement striking on a coiled gong at the hour and half-hour. The movement stamped on backplate “HP & CIE”. Additionally stamped with the serial number “2301” on left lower corning facing. The bottom right of plate stamped “19 3”. Additionally, impressed with award medal which reads “JAPY FRERES & CO Med. D’Honneur.” Clock is accompanied by pendulum and winder. SIZE: 19-1/2” h overall x 10-1/2” w x 6-1/2” d. CONDITION: Spring and gears appear in good order. Suspension spring is broken. Case surface very good. Very good overall. 52011-3 (1,500-2,000)

509

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Session 3

3113. FINE AND RARE FRENCH DROCOURT ROCOCO GILT BRONZE & PORCELAIN CARRIAGE CLOCK WITH REPEATER RETAILED BY TIFFANY & CO NEW YORK. Mid-19th century, France. With the mark of Pierre and Alfred Drocourt impressed on the backplate. The gilt case deeply cast and chased with scrolls and flowers and a putto on each corner, the crest with two putti at front and rear centering a Sevres style plaque decorated with two putti beneath a fixed cast carrying handle supported by intertwined cornucopia. The clock sides each with Sevres style painted panels depicting two young women with putti in classical dress within sky blue and gilt borders. The repeater and alarm mechanism controlled by the button protruding from the top of the case. Case fitted with a front and rear glass panel surmounted by a cast bronze grip with which to remove the rear panel to gain access to the movement. The enamel dial with Roman numeral chapter ring above a sub alarm dial. Additionally marked with the name “Tiffany & Co./ New - York”. The brass movement marked with serial number “18406”, as is the bottom cover and plate, and impressed with Drocourt maker’s mark as previously noted. Rear of plate also fitted with two winding arbors, one arbor for adjusting hands and one arbor for alarm. The clock striking on a gong with two hammers. The case terminating in scrolled feet centering a small oval Sevres style plaque on each side. SIZE: Dial: 2-1/2” d. Case: 9-1/2” h x 5-1/2” w x 5” d. CONDITION: Case in very fine condition. One porcelain plaque with professionally restored hairline crack. Dial very good. Movement appears clean and with no observed alternation or restoration. 52281-1 (9,000-12,000)

3115.

Session 3

IMPORTANT ROCOCO REVIVAL BOULLE MARQUETRY SHELF CLOCK. Late 19th century, France/Germany. In the 18th century French style, the case surmounted by a cast bronze figure of a younger partially robed Father Time holding a sickle in his right hand and a sundial(?) in his left hand. Seated on a globe, he is centered by four classical form cast-brass urns, all above the bolection molded frieze over a cast floral draped architectural gallery with seated puttis at the corners. The case with shield shaped glass door within a foliate and guilloche frame cast with floral and berry leafy branches and rayed device in the apron. The case with incurved glass panel sides with similar brass borders. The interior of the hinged backboard with dense boulle marquetry depicting a fanciful foliate and floral landscape with birds, gryphons and dancing figure. The case raised on scrolling foliate supports cast with female mythical winged figures set on a molded marquetry boulle plinth with concave molded sides centering a brass parquetry floor. The shaped apron with canted corners, raised on cast square legs with bombé sides, additionally cast with acanthus leaves and tapering to a narrow foot. The central shaped apron with scrolling foliate boulle marquetry vinery within leafy brass borders with scrolled volutes. The dial cast with a royal profiled bust within a trophy filled urn above a crown within the Roman numeral chapter ring comprised of white enamel cartouches, each with Roman numeral. Dial with blued steel foliate pierce carved hands over time and strike apertures. The dial with floral pierced cast Ormolu apron, mounted with enamel plaque, inscribed with the name “Adolf Oppermann/KGL HOFUHRMACHER/Berlin”. The French brass eight day movement striking on coil gong at the hour and half-hour. Spring mechanism incorporates rack-and-snail system. Movement now in good clean working order. The movement incised on the backplate “MADE IN FRANCE”. Additionally stamped with award “MEDALLE ARGENT VINCENTI 1865”. **Note: Vincenti & Company was awarded a silver medal by king Louis Philippe in 1865. The front and back plates of movement with impressed serial number “1155 7-10 6”. This matching serial number is also found incised on the back of the clock dial. Movement is fitted with original cast-brass pendulum in the form of Louis XIV “The Sun King”. NOTE: A similar clock was once the property of the Vanderbilt family and is listed in the inventory of the Vanderbilt estate in Asheville, North Carolina, where it was at one time on display in the main salon. The inventory record entry, as reported to the current owner, states: “Large French 18th century table clock. Gilded brass frame and finial of figure of soldier carrying spear. Glass enclosed works and pendulum. Framed heavily decorated with Ormolu. Bronze face with blue Roman numeral on white porcelain. 42” x 15” x 9”.” SIZE: 43-3/4” overall h x 22-3/4” w x 10” d. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: All cast fittings and decorations are intact and without structural damage or restoration. The boulle case with no losses to brass marquetry. Parquet floor on clock base with loss to one tortoise shell segment. Some lifting of brass parquet inlays demonstrating lifting from possible warping in the oak case foundation. One brass plate absent above proper right rear foot in the apron. Dial in very fine condition. Pendulum original as noted. Brass movement clean and operational. The clock in very fine condition. 52011-16 (4,000-6,000) ESA

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510

Lot 3116 3117.

A.H. ANDREWS & CO 18” TERRESTRIAL LIBRARY GLOBE ON WALNUT STAND. Last quarter 19th century, Chicago, IL. Comprising two sets of 13 chromolithographic gores. Signed in cartouche “Andrews’ / 18inch / terrestrial globe / Chicago / A.H. Andrews...”, mounted within a carved walnut stand with stretcher compass. The walnut stand in the style of the aesthetic movement. SIZE: 44” h x 23” dia. CONDITION: Globe and stand with original surface, absence of several areas of loss to lithographic gores, losses to most lithograph paper on astrological meridian. Fair to good overall. 52143-1 (1,200-1,500)

Lot 3117 (w/close-up) 511

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Session 3

3116. FINE CLASSICAL REVIVAL FRENCH BRASS PORTICO CLOCK. Second half 19th century. Of typical form with burnished brass case. The rectangular case with molded cornice cast with flowers and dentil molding above the frieze applied with a cast floral wreath flanked by lyres, raised on free standing Corinthian columns centering the burnished brass dial within a wreath border. The Roman numeral chapter ring with time and strike apertures, striking on a bell at the hour and halfhour. The movement with count wheel. The backplate stamped with the numeral “386” with original brass pendulum. The brass base with intertwined cast floral wreaths in the apron above the athemion leaf molded plinth raised on square feet. SIZE: 22-1/2” h x 11” w x 5-3/4” d. CONDITION: Burnished brass case in very good condition. Movement appears clean and serviceable, but with broken suspension spring. Otherwise very good. Patinated dore suface has been abraded and worn away on proper left front corner of portico roof. 52335-5 (1,000-1,500)

3118.

Session 3

FINE GROUPING OF EIGHTEEN CANES AND WALKING STICKS. 19th through mid 20th centuries, America, Europe and United Kingdom. Including three carved-and-turned lignum vitae and ebonized examples. The first, a ring-turned spiral carved example with curved handle and thumb rest on a tapered shaft with abalone spot accents. The second, a baluster-and-ringturned cylindrical walking stick with celluloid spacers. The third an ebonized walking stick with rare and unusual globe form hand grip, chased and decorated overall with stars and moons in diagonal rows. The hinged lid of globe released by depressing button to reveal a spring driven clock set within globe. The side of the glove is fitted with what appears to be flap which when straightened and turned is the winder for the watch. The watch with roman numeral and Arabic chapter rings on an enamel dial 15/16 of an inch in diameter. Four additional canes and walking sticks with cylindrical turned shafts. One with reeded hand grip joined to brass collar, mahogany shaft, and the handle of polished bone. A reproduction walking stick with baluster-turned hickory shaft, the walnut or teak hand grip with a band of scrimshawed resin with the scrimmed words “Liberty” and “Freedom” alternating with American flags, the upper shaft with five pointed stars and the scrimmed date “1776”. The third, a cylindrical walking stick with hard rubber or resin grip; the top fitted with compass and sundial. The fourth, a knotted walking stick, probably hickory, surmounted by a silver band with the name “Daryl Ryder, April, 1867”, the turned ivory hand grip well worn with good patina. Five additional walking sticks comprised of a hickory crop with brass banding and carved stag horn grip to which is attached a short sword blade. A tapered cylindrical walking stick with tooled silver grip that can be removed to reveal a flint lighter. A cane with curved horn handle and simulated bamboo shaft opening to a fully calibrated measured brass extension and extending square believed to measure the height of horses. A cylindrical oak sword cane with faceted handle and polished blade. Another sword cane with grained cylindrical shaft and shepherd’s crook handle carved in shallow relief with leaves. A carved hickory walking stick with curved handle mounted overall with souvenir emblems of European cities in Germany, Switzerland and Bavaria. A carved folk art cane, with the name “GEO. H BRADFORD. CARRIE BRADFORD. ST. LOUIS. 1877”. An interesting walking stick of amorphous natural form. Two nondescript canes and a polished bone cane of simulated bamboo scrimmed beneath the grip with a patriotic eagle with turned teak hand grip inlaid with an 8 Reales Mexican silver coin circa 1882. SIZE: Length ranges from 26-1/2” to 37”. PROVENANCE: The Estate of Morris Racker. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Condition ranges from fair to very good. None with any major structural issues. 51956-22 (1,500-2,500) ESA 3119. SPECIAL DANA-FARBER CANCER INSTITUTE LOT. This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please note, the hammer price of the lot will be matched dollar for dollar up to a $1,000 match and donated to the Dana-Farber Institute, commonly known as the “Jimmy Fund” locally. Founded in Boston in 1947, Dana-Farber Cancer Institute is world-renowned for its leadership in adult and pediatric cancer treatment and research. Your gift provides Dana-Farber with crucial dollars that can be directed where and when they are needed the most. Thank you for your participation. CONDITION: Very good. 51576-5 (300-400)

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512

Session 3

3120. LARGE FLORA DANICA OVAL SOUP TUREEN WITH LID. Second quarter 20th century, Denmark. Signed and numbered example including title and model number beneath the urn. The oval lid is floral decorated. The twig formed handle with three dimensional polychrome floral terminals and fitted to tureen with similar handles and floral decorated overall. The interior of lid titled “Convolvulus sepium”. The underside title in black script “Potentilla reptans”. The opposite side title “Orobus niger”. SIZE: 10-1/2” h x 14-1/4” l x 9-3/4” w. CONDITION: Tureen with small chip to flower petal beneath handle on urn. Otherwise very good to excellent. 52375-11 (4,0006,000)

Lot 3120 3121.

ROYAL DANICA FLORAL DECORATED PLATE. Second quarter 20th century Denmark. Royal Copenhagen mark in underglaze green above three waves and with pattern no. 3526 and artist’s monogram in underglaze green and blues. With gilt decorated reticulated shaped edge titled “Viola tricolor L”. SIZE: 10-1/2” d. CONDITION: Very good overall with no abrasions, scratches or flea bites. 52375-10 (800-1,200)

3122.

PAIR OF MP SEVRES BLUE FLAMBE BOWLS. The bowls of shallow form with slightly curved walls and fitted with Cartier silver rims, inscribed Lot 3121 “G.McA.W.” Marked on the underside “MP Sevres”. SIZE: 4” diameter. PROVENANCE: The Webster Family Trust descended from the Rockefeller/ Dodge Family. CONDITION: Very good. 51508-34 (100-150)

Lot 3122 3123.

LARGE KPM PORCELAIN PLAQUE DEPICTING CHILDREN CARRYING GARLAND OF FRUIT INITIALED A.J. The scene shows seven naked children lugging a heavy garland of fruit through a landscape. Signed lower right “A.J.” Housed in a painted gold carved wood frame, the back having impressed scepter mark “KPM”. SIZE: 10” x 12-1/2”. Overall: 13-1/2” x 16”. CONDITION: Very good. 52192-2 (2,000-4,000)

Lot 3123 513

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3124. KPM PLAQUE OF CLASSICAL SCENE BY WAGNER. The rectangular porcelain plaque showing two figures at doorway, one decorating a large urn, the other looking on. Signed “Wagner” lower left, impressed scepter mark “KPM” to verso. Housed in a gold painted gesso decorated frame with velvet liner. SIZE: 7” x 5”. Overall: 14” x 11-1/2”. CONDITION: There are some scrapes to surface and consolidation in upper left, otherwise good. 52391-2 (1,000-1,500)

Session 3

Lot 3124 3125.

WEDGEWOOD FAIRYLAND LUSTRE OCTAGONAL BOWL. First quarter 20th century, England. The exterior of this fine bowl with Woodland Elves VI, Fiddler in the Tree pattern all against a midnight blue lustre background. Interior of bowl is decorated with Ship & Mermaid pattern against a white lustre background. The base marked with model number “Z4968”, additionally over glaze marked “WEDGEWOOD / ENGLAND”. SIZE: 3-3/4” h x 8-1/2” dia. CONDITION: Rubbing losses to small areas of gilt borders in bottom of bowl and lower section of interior, otherwise very good. 52192-3 (1,000-2,000)

Lot 3125

3126. VICTORIAN WALNUT MARBLE ÉTAGÈRE. Third quarter 19th century, American. The pierce carved molded crest with C-scroll flanked by reticulated cartouches on the corners above the shaped mirror plate within a molded surround, flanked by shelves with molded edges on ringreel-and baluster-turned supports. Mounted on a shaped Carrara marble shelf with turret corners. The marble fitted to a conforming molded frame raised on molded cabriole legs joined by a shaped lower shelf. SIZE: 78” h x 42” w x 19-1/2” d. CONDITION: Wood chip near top of mirror frame. Lower left shelf with crack. Étagère with original surface and professionally repolished. 52380-47 (600-900)

Lot 3126

3127. WELCH & COMPANY WALL REGULATOR CALENDAR CLOCK. Last quarter 19th century. The walnut case with incise scroll decoration centering a calendar dial; time only. 8 day movement pendulum. SIZE: 34-1/2” l x 14-3/4” w x 5-3/4” d. CONDITION: Some restoration to the case. Case has been finished and oiled. 52380-6 (350-550)

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514

Lot 3127

Session 3 Lot 3128 3128.

IMPORTANT ROCOCO BELTER TYPE ROSEWOOD TURTLE TOP CENTER TABLE. Third quarter 19th century. An important example in the manner of John Henry Belter, with insert Carara marble top within a gadrooned shaped serpentine border above the conforming molded frieze carved with scrolling flowerheads, each corner with carved pineapple pendant finial (one missing), raised on a bulbous reeded pedestal ring-turned and gadrooned, the base with floral carved paterae, raised on four scrolling foliate-carved legs, each mounted with a carved pineapple finial, and raised on casters. SIZE: 30” h x 47-1/2” l x 33” w. CONDITION: Professionally refinished some time ago and restored. One small knee finial missing, otherwise generally good with rich brown color. 52380-23 (10,000-15,000)

3129.

ELABORATE VICTORIAN CARVED MAHOGANY POLE SCREEN WITH NEEDLEWORK. Circa 1860. The rectangular molded frame with scrolled pierced crest, containing a fine floral needle-and-beadwork panel mounted on a mahogany pole with carved urn finial, with adjustable brass mounts, above the bulbous carved standard, raised on acanthus- and floral-carved tripod cabriole legs with scrolled pad feet, raised on original porcelain and brass casters. SIZE: 2” overall h. Screen: 25” x 21” overall. CONDITION: Very fine original condition, with split at base of pedestal. Good color and patina. 52380-30 (6001,200)

Lot 3129 515

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Session 3

3130. WATERBURY MAHOGANY MODEL 67 WALL CLOCK. Circa 1906, Connecticut. Rectangular case with multi-tiered molded cornice, applied with crennelated gallery crest impressed with flowering plants. The case fitted with single long door with molded edge pressed with guilloches above the molded base over the pendant panel applied with pressed carved leaftips. The 12” enameled dial with twin apertures and subsidiary seconds hand with blued silver hands inscribed on the label “MANUFACTURED BY WATERBURY CLOCK CO. U.S.A.”. The eight day brass time only movement driven by two original grained weights with deadbeat escapement maintaining power. At the bottom of case, an original enameled plaque is attached to the rear and with original black paper label at bottom of case. Clock retains original brass pendulum with oak rod. Clock is accompanied by winder. SIZE: 50-1/2” h x 22” w x 8” d. CONDITION: In all original condition, clock currently in working order. Movement recently cleaned and calibrated. 52137-1 (1,000-1,500)

Lot 3130 3131.

JACOBEAN STYLE ENGLISH MARQUETRY SIDE CABINET. Late 19th/early 20th century, English or Continental. Having very well carved face & drawer front with tabernacle style lower doors having floral and bell flower inlaid panels, and graphic parquet inlaid frame. Entire cabinet with carved molding & raised panel ends Lot 3131 having forged hardware held in place with forged nails, retaining an old if not original dark finish. SIZE: 37” h x 41” w x 18-3/4”. CONDITION: Overall very good with minor drying splits in end panels & minor water stains on top. 51846-1 (200-400) 3132. PAIR OF MAHOGANY TABLE TOP DISPLAY CABINETS. These would make a great pair of table top display cabinets. Second quarter 20th century. The clear glass rectangular tops with molded edges above the conforming frieze comprising a velvet lined shadow box interior of opposing drawers, raised on tapering cylindrical fluted legs joined by a shaped H-form stretcher. Each end drawer mounted with a cylinder lock which is currently locked with no available key. SIZE: h. 29-1/2” x l 59” x w. 23-1/2”. CONDITION: Very good original condition. Note that drawers are locked. 52380-34 (600-1,200)

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516

Lot 3133

3134. UNIQUE SPOOL ART ARMCHAIR. Late 19th century, American. This unusual example of folk art with scrolling gilt metal crest above rectangular back with central padded upholstered panel joined to arms with padded brass tacked panels. The supports in the form of cast-metal serpents centering the over-upholstered seat raised on spool turned legs terminating in gold gilt suppressed ball feet. The entire chair frame comprised of an arrangement of spools forming colonettes and lattice work. The seat rail with crossed spool design. The chair is additionally decorated with molded brass reeded rosettes. A truly unique and fine example. SIZE: 53-1/2” h at back x 18” h of seat x 23” w. CONDITION: Structurally very good with old original surface. Later gold paint on crest and dragon supports over original paint. 52140-1 (1,000-1,500)

Lot 3134 3135. ELABORATE FRENCH CHINA CABINET WITH ORMOLU MOUNTS. Circa 19th century. The mahogany cabinet with glass paneled sides, beveled glass doors, mirrored interior. The lower portion of the doors paneled with carved decoration and Ormolu mounts. SIZE: 63” h x 37-1/2” w x 17” d. CONDITION: Cabinet retains original surface with good honey brown color. Cast Ormolu mounts intact and present. Three plate glass shelves present. Good overall. 52380-18 (800-1,200)

Lot 3135 517

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Session 3

3133. UNUSUAL BLACK FOREST VANITY MIRROR ON STAND. Last quarter 19th century. The circular mirror plate swiveling on a carved wishbone support further joined to a circular base fitted with a conforming drawer. The whole intricately carved with vinery. SIZE: 31” h x 14-1/2” dia. CONDITION: Overall very good with original surfaces. Cleaned. Repair to splits in mirror frame. 52380-5 (1,250-1,750)

Session 3

3136. MIR SAROUK OR SERABAND ORIENTAL CARPET, CENTRAL PERSIA. Second quarter 20th century. the carpet woven with rows of floral botehs on a muted terracotta ground within multiple crenelated and floral trellis work guard borders centering a main border of scrolling floral vinery. Probably chemically treated, now with a muted palette with blue/black borders and design trim. SIZE: 10’ 3” x 16’. CONDITION: Overall even wear with small areas of foundation showing, some evidence of old staining. 51875-2 (800-1,200)

Lot 3136

3137.

KASVIN ORIENTAL CARPET, NORTH CENTRAL PERSIA. First half 20th century. Woven throughout with delicate scrolling floral sprays and vinery with lotus blossoms and chrysanthemums all on muted pale beige ground. The main border with large intricate flower heads alternating with minor flower heads amongst foliage within multiple scrolling floral borders. The whole with a muted pleasing palette of soft pastels and earth tones. SIZE: 13’ 2” x 21’ 8”. CONDITION: With overall even wear, retaining adequate pile, a circular stain present in one corner in main field, scattered areas of minor staining throughout outer third of central area in carpet. Additional light staining in corner of main border, some pulling of thread throughout. 51875-3 (800-1,200)

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518

LORI PANBIK ORIENTAL RUG, SOUTH CAUCASUS. Mid-20th century. Three vibrant emerald green and sapphire blue aligned central medallions each with a variant of leshgi star in wine red all on a burgundy field within an ivory main border of floral trelliswork flanked by wave guard borders of blue and green. SIZE: 5’ 10” x 8’ 4”. PROVENANCE: From a private Connecticut collection. CONDITION: Very good with full pile and vibrant palette. A chocolate brown fringe has been added to each end. Light soiling throughout. 52341-4 (8001,200)

Lot 3138 3139.

TABRIZ RUG, SILK TABRIZ RUG, AND AN AFGHAN RUNNER. Second half 20th century. 1) With rows of dense polychrome flower heads within foliate borders on an ivory ground within an indigo floral main border of similar design within dark indigo guard borders of floral trelliswork. 2) Silk and cotton blend Isfahan with a central Shah Abbas rondel on a dark indigo ground with a dense arrangement of overall floral vinery and sprays within which are the figures of antelope and other similar creatures all within a pale lavender main border with lacy and delicate floral design of similar color and form to the central medallion with terracotta and cream guard borders of floral vinery. 3) The Hamadan design runner, possibly Pakistan, with three aligned rows of polychrome flower heads, the center-most on a rose red field within multiple Lot 3139 feathered borders flanked by the outer rows on indigo ground all within multiple polychrome serrated floral and lightning bolt guard borders. SIZE: 1) 2’ 9” x 4’ 2”. 2) 4’ x 6’ 1”. 3) 2’ 8” x 9’ 7”. CONDITION: 1) Well maintained with little if any wear, clean with good color, fringes and selvage intact, very good overall. 2) Rug retains full pile, very good. This rug has also been used as a wall hanging. 3) Very good, retaining full pile. 51899-8 (500-700)

3140. FINE SET OF TWELVE RUSSIAN NIELLO DECORATED SPOONS. Each spoon having black enamel border gilt decorative areas on back and front of handle and back of bowl. Each spoon marked “84” (875/1000), makers mark impressed in the Cyrillic alphabet corresponds to the English letters KB. SIZE: 6-1/2” l. CONDITION: Very good. 52377-1 (2,000-3,000)

Lot 3140 519

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Session 3

3138.

Session 3

3141. FINE RUSSIAN ENAMEL FOUR PIECE DESSERT SET BY IVAN SAZIKOV. Ivan Sazikov (1899-1908), Russia. This wonderful enameled set in its presentation box comprising a tea strainer in the form of a spoon, tea spoon, desert fork, and sugar tongs. Each with gold wash surface and fine polychrome enamel inlays. Each with the Cyrillic mark for “IS”, and additional assay mark “84” which is the silver standard mark. SIZE: Strainer 6” l. Teaspoon 4-1/2” l. Fork 5” l. Tongs 5” l. CONDITION: Very fine condition, no losses or damage to enamel. 52166-5 (3,000-4,000)

Lot 3141

3142.

IMPORTANT IMPERIAL RUSSIAN GOLD PRESENTATION BOX BY IVAN ANDREYEVICH. 1896-1908, Russia. The hinged gold box mounted with an Imperial Eagle on the cover and mounted with an Amethyst cabochon latch. The interior with the hallmark of Ivan Andreyevich and assay mark of 56 plus bust profile, for gold standard on both sections. SIZE: 2-1/4” w x 3-1/2” l. CONDITION: Very good. 521669 (4,000-6,000)

Lot 3142 3143. RUSSIAN SILVER PLIQUE-A-JOUR BOX. Late 19th century, Russia. Each side of the box with colorfully enameled design of a mythical creature surrounded by vines and done on a ruby colored Plique-A-Jour ground. The interior with gilt wash and reveals makers mark possibly for Antip Kuzmichev alongside a kokoshnik mark with the number of 88. SIZE: 3-1/4” h x 2-1/4” w. CONDITION: Overall very good, surface grime and tarnishing to the metal. 51628-3 (3,000-5,000)

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520

LOT OF 8 RUSSIAN AND EUROPEAN ENAMEL BOXES. Late 19th/early 20th century. Five of the boxes are silver and three are brass or gilded in finish. All boxes share some form of enamel decorated finish. Most are executed in a style resembling cloisonné, others have solid enamel tops with underlying decoration. Most of the motifs are geometric but one box features animal decoration. Including a fine 3-1/2” x 2-1/2” silver hinged box with the cover having light blue engine turned enamel decoration with center pierced leaf spray. The interior having what appear to be French hallmarks and an illegible makers mark. SIZE: Smallest: 3/4” x 1”. Largest 3-1/2” x 2-1/2” CONDITION: Boxes generally show very little wear and appear quite complete. There is no notable damage to any of the enamel decorations, some pieces show wear to the finish but no damage. 51628-2 (8001,200)

Lot 3144 Session 3

3144.

Lot 3145 3145.

RARE FABERGÉ GOLD AND ENAMEL PENCIL HOLDER. Early 20th century, St. Petersburg, Russia. The holder of oval form with pale lavender enamel with the appearance of “snakeskin” pattern, the opening with gold collar in which is fitted the original small pencil marked with crossed hammers and “JOHANN”. The handle with a hallmark “AA” and a right facing head with “56” for gold standard. NOTE: Andre Carlovich Adler, a Swiss citizen and owner of goldsmith workshop ARND in St. Petersburg. Adler supplied the firm of Fabergé with small guilloche enamel objects like pencil holders, pens, lockets, cufflinks, match box cases, match strikers, cigarette and vesta cases. (see Fabergé And St. Petersburg Jewelers by T.Fabergé, A. Goryina and V. Skurlov, 1997, page 111). Most of his guilloche enamel pieces were made between 1908 and 1917. SIZE: 3-1/2” l. CONDITION: Very good overall, gold handle with wear to markings as noted. 52166-10 (4,0006,000)

3146.

LOT OF 11 METAL BOXES. Boxes range in date from the mid-19th century to the early 20th century. All boxes are ornately decorated. Six are silver and five have a brass or gilded finish. Four of the silver boxes have damascene decorations most featuring Middle Eastern or near eastern scenes. Hallmarks are in Arabic. One silver box has embossed Arabic writing throughout, another has debossed decoration with a mother of pearl embellished lid. The gilded and brass boxes also share a damascene style decoration, they feature arabesque/Moorish decoration with the cigarette case having Arabic language panels included in the geometric design. SIZE: Size ranges from 1-1/2” in circumference to approximately 2-1/2” x 4” CONDITION: Boxes generally show light wear and Lot 3146 appear complete. One of the silver boxes has extensive verdigris on one end, the box with the mother of pearl lid has losses to silver highlights on the top. The gilded/brass boxes show very little wear however one has areas of verdigris on one side. 51628-1 (800-1,200)

521

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3147. ENGLISH GEORGIAN SILVER PLATE WITH RUSSIAN IMPERIAL SEAL. London, 1776-77 by George Heming and William Chawner. The large plate with gadrooned border having a crest with two headed eagle with crown above. English hallmarked on the underside, also marked “12” on underside of outer rim. Also on the outer rim is punch marked with three Cyrillic letters and “12”, probably “TPL” which designates the type of piece within the Imperial Russian Service. Weight is approximately 26.5 troy oz. SIZE: 12” dia. CONDITION: Shallow dents and scratches to the surface. 52166-4 (1,000-1,500)

Session 3

Lot 3147 3148.

RUSSIAN IMPERIAL SILVER DISH FROM GRAND DUKE NICHOLAI NIKOLAEVICH, SERVICE MADE BY FABERGÉ. The dish finely engraved in the center with an imperial cypher of Nicholai Nikolaevich with crown above. The edge with a raised banded design and is marked on the back with “IP” for Julius Rappoport (the primary silversmith for Fabergé), a date of 1894 below the assayer mark and “84”. Weight is approximately 17.5 troy oz. SIZE: 10” diameter. CONDITION: Very good. 52166-2 (4,000-6,000)

Lot 3148 3149. RUSSIAN IMPERIAL SILVER CHARGER FROM GRAND DUKE NICHOLAI NIKOLAEVICH, SERVICE LIKELY MADE BY FABERGÉ. The round charger with banded rope edge surrounded the seal in the center for Nicholas Nikolaevich. Traces of hallmark on the underside, now illegible but most likely made by Julius Rappoport. Weight is approximately 29 troy oz. SIZE: 12-1/2” diameter. CONDITION: Very good, light scratching. 52166-3 (6,0008,000)

Lot 3149 3150.

RENAISSANCE REPOUSSÉ SILVER BOWL. The shallow bowl with a rounded wall ending at a ruffled top rim. The interior decorated in repoussé with various animals and putti within meandering vines surrounding a central raised florette. Marked on the outside of the rim with the numbers “10621, 11”, and also has a Russian import mark corresponding to the city of St. Petersburg. Weight is approximately 8.5 troy oz. SIZE: 7-1/2” diameter. CONDITION: Overall very good, minor dings along the ruffled edge. 52166-1 (2,500-3,500)

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522

Lot 3150

Session 3

3151. ENAMEL AND JEWELED RUSSIAN CROSS. 2nd half 19th century, Russia. This two sided example with blue and green enamels bordered by silvered filament centering a handpainted image of mother and child, each with a halo, additionally set with what appear to be fresh water pearls and a blue/green cabochon. The reverse also enameled centering a lacy scrolling design of gold colored metal filaments or cloisons. The cross suspended on a hinged enameled tulip form hanger. The cross mounted in a custom fitted display box with hinged lid and molded edge and lined in original red velvet. SIZE: Cross 5-3/3” h x 3-3/4” w. Case 11-1/2” h x 6-1/2” w. CONDITION: Glass panels cracked. Moderate loss to enamels on both sides of cross, otherwise good. 52166-6 (1,000-1,500)

Lot 3151 3152.

RUSSIAN IMPERIAL PRESENTATION GOLD JEWELED LADY’S WATCH. Pavel (Paul) Buhre, circa 1902, Russia/Switzerland. The outer case engraved “Present De Sa Majeste / L’empereur Nicolas II / A Mme E. Baletta / 3 Fevrier 1902”, SN “0 583”. The enamel dial with Arabic numeral chapter ring and subsidiary chapter ring in red enamel marking the minutes. The minute and hours hand of cast scrolling gilt metal, enamel dial with tight hairline cracks radiating from center post. The exterior of the front cover overlaid with an Imperial Eagle with blue enamel crown further inlaid with diamond chips and a central diamond. The movement with Lot 3152 Cyrillic for “LU”, the inner rear case cover stamped with the numeral “54484”. SIZE: Diameter of dial 25.4 mm. Diameter of watch 31.75 mm. CONDITION: Case appears in very good condition, one spot loss to blue enamel in area of crown, all stones present. We do not guarantee working order of this watch. 52166-7 (4,000-6,000)

3153. FINE BAROQUE NUREMBERG JEWELED CROSS. Circa 1780. This fine late 18th century example set with seed pearls, natural green and white gemstones (possibly emeralds and diamonds), and Amethyst set in a gold setting of undetermined fineness. The whole suspended on a fine link and seed pearl chain. Assay mark not observed, “N” hallmark at base of cross on reverse (see photo) for Nuremberg. Accompanied by a later fitted leather box. SIZE: Cross 2-1/2” x 2-1/2”. CONDITION: Very good overall. 52166-11 (10,000-12,000)

Lot 3153 523

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3154. 19th CENTURY ROSE GOLD AND OPAL ARMORIAL PENDANT. The oval pendant having a loop hanger supporting an oval rose gold frame. The frame holds an oval flat polished opal wafer held between two glass bezels. The front sandwiched with a period cut corner rectangular piece of paper with ink lined border surrounding an inscription “A stone that is fit for the wall will not be left in the way”. The other side having a gold crown and monogram “B A” in script. The pendant is housed in its original red leather silk-lined hinged case having gilt inscription “Honble...Lyulph Ogilvy”. Research indicates that Lyulph Ogilvy is the Honorable Lyulph Gilchrist Stanley Ogilvy. He was the second son of the seventh Earl of Airlie who took him to Colorado on a visit in 1879 where he bought him a ranch near Greeley, CO. There he spent 20 years. SIZE: 3” oval without loop x 2-1/4” w. CONDITION: Horizontal tight crack with small chip at end, otherwise very good. 16398-105 (800-1,200)

Session 3

Lot 3154 3155.

3156.

UNUSUAL AND FINE CHASED AND CARVED SILVER BELT BUCKLE WITH THREE GOLD COINS. The oval buckle deeply engraved and chased with scrolling leaf tips centering three inset American gold coins; 1908 Indian head 10 dollar gold coin, 1904 liberty head 10 dollar gold coin, centering a 1903 liberty head 20 dollar gold coin. The back of the buckle with a hand engraving difficult to read; “GoyoBend. Mex Sterling / 14k”. SIZE: 5-5/8” l x 2-1/2” w. PROVENANCE: The Estate of Morris Racker. CONDITION: With normal and expected tarnishing, slight abrasion and shallow dents in to the frames around each coin. Light soiling overall. Structurally very good. 51956-2 (3,000-5,000)

Lot 3155

GROUP OF FOUR AMERICAN POCKET WATCHES. Late 19th - first third of 20th century. 1) An E. Howard & Co. open face pocket watch with 14K gold case, size 16S. Inside of back case marked “E. Howard Watch Co. Boston”. Movement similarly marked. Watch with serial number “1,228,113”. The porcelain dial with original blue steel hands and Roman numeral chapter ring with subsidiary seconds hand. Watch is stem-wind and stem-set. 2) Elgin Hunter case, 14K gold pocket watch, 10S size. The case nicely engraved with age appropriate wear and small dimples around the case edges. Watch with double sunk porcelain dial and original fine blued steel moon hands. Dial marked “Elgin”. Serial number on movement “3,006,087”. Circa 1888. Stem-wind and lever-set. 3) Elgin National Watch Company open face 14K gold filled pocket watch, size 18S. The watch with double sunk porcelain dial. Stem-wind and stem-set hands. The enamel dial with Roman numeral chapter ring and subsidiary seconds dial with blued steel spade form hands. With beveled glass bezel. Serial number 4,951,227. Circa 1892. 4) Hamilton Watch Co. silver pocket watch. The silver case with monogram “ECL” Lot 3156 within a diamond. The sides with brightwork of leaftips. The silver dial with Arabic chapter ring and secondary seconds dial with blued steel arrow hands. SIZE: 1) Dial: 4 cm d. Overall: 4-1/2 cm d. 2) Dial: 33 mm d. Case: 4 cm d. 3) Dial: 45mm d. Case: 57mm d. 4) Dial: 4 mm. Case: 45 mm. CONDITION: 1) Overall, watch is very clean and currently operational in running condition. With original crystal. Appropriate light wear and abrasion to case within normal parameters. 2) Condition of case as noted. Dial with minor hairline. Movement is non-working. Good overall. 3) Case nicely worn. Glass bezel with light surface scratches. Currently in running order. 4) Condition of movement unknown. This watch is accompanied by 8” section of watch chain. 52142-3 (700-900)

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524

RARE HOWARD DOUBLE DIAL HANGING RAILROAD SLAVE CLOCK. Second half, 19th century, Boston, Massachusetts. The quarter sawn oak case in the form of an inverted “Napoleon Hat” shelf clock. The enameled iron dial marked “E. Howard & Co Boston” within the Roman numeral chapter ring. The case with hinged molded door on either side. The base with raised shaped panel. The clock designed to be suspended from the ceiling and fitted with a brass button beneath the numeral VI. Designed to set the hour hand. This slave clock retains original brass movement marked “E. Howard & Co Boston” and with the numeral 2486 also inscribed on the front plate. The clock now operated by a Piexx which acts as the master. SIZE: 21” h x 37” w. PROVENANCE: Clock originally hung in Lot 3157 the Central Railroad Station located in Granby, Quebec, Canada to a Newport, Vermont antiques dealer to a private collection in Wayne, Maine to the current owner. CONDITION: Case very good overall with original cleaned finish. Dials original with some areas of minor paint loss. Notable loss to one dial near the numeral IIII of the chapter ring. Cut blued steel hands original. Very good overall. Note that clock is functional with Piexx. 52137-4 (1,200-1,500)

3158.

OWARD & DAVIS WEIGHT DRIVEN REGULATOR CLOCK. Second H quarter 19th century, Boston, Massachusetts. The rectangular case with full length panel door. The case interior with original sponge decoration, the exterior with grained decoration. The unusual 16” convex wood dial with Roman numeral chapter ring. The eight day brass movement signed “Howard M Davis” on the front plate driven by a single weight. The movement with deadbeat escapement. Original Howard M. Davis paper labels affixed to interior panel of door. SIZE: 43” h x 22-1/2” w. CONDITION: Movement has been cleaned, bushed and oiled. Case with old original surface, undisturbed with good dark color and patina, now crusty and dry. Original cut steel cloverleaf hands, original pendulum rod and polished pendulum bob. Very good overall. 52137-3 (1,5002,000)

Lot 3158 3159.

OUTSTANDING LEADED & STAINED GLASS FIGURAL WINDOW. Wonderful leaded and stained window has border trim of nicely mottled purple glass with a ribbon and bow of light blue glass and sides with scrolls and Fleur de lis set with jewels. The center panel depicts a young hunter with bow and arrow carrying his game. Panel is painted with background of mountains, trees and birds in the sky. The window is mounted in its own light box. SIZE: Window approx. 28” x 34”. Overall 33” x 38-1/2”. CONDITION: Slight bowing to the leaded panel, otherwise very good. 52380-27 (2,000-4,000)

Lot 3159 525

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Session 3

3157.

3160.

Session 3

THREE FRAMED FRENCH POSTERS. 1) Jules Cheret (French 1836-1932) Palais De Glace Champs-Elysees circa 1900. Lithograph in colors published by Ateliers Cheret, Paris, printed by Chaix, Paris. Housed in a modern black frame behind glass. 2) Jules Cheret (French 18361932) Saxoleine circa 1892. Lithograph in colors, housed in a modern black frame behind glass. 3) Georges Redon (French, 1869-1943) Theatre De L’Opera circa 1900. Lithograph in colors, housed in a modern gesso decorated gilt frame behind plexiglass. SIZE: 1) Sight: 47” x 33-1/4”. Overall Lot 3160 49-1/2” x 35-1/4”. 2) Sight: 47” x 33-1/4”. Overall 49-1/2” x 35-1/4”. 3) Sight: 59” x 39-1/4”. Overall: 64” x 44”. CONDITION: Note: All three posters have had some amateur restoration and in need of restoration. 1) Partial restoration with some filling in of color on losses, water stain, tears, losses, as found condition, not examined out of frame. 2) Splits at folds, losses which have been colored in, water stain to bottom, in need of restoration. 3) Not examined out of frame, with tears, losses, some filled colored area, stains. 52223-2 (800-1,200)

3161. A RTIST MOCK UP FOR AN ADVERTISING POSTER FOR THE CUNARD WHITE STAR LINE. The oil on canvas poster concept shows the Queen Mary steaming right to left in white tipped ocean with a large bottle of White Star Moet & Chandon. The title reads “Cunard White Star Line / The only choice for the discerning traveler.” The bottom margin “Southampton - Cherbourg - New York.” The unstretched canvas is mounted to a backing board and housed in a modern wood frame with plexiglass. SIZE: Image: 43” x 32-1/2”. Overall: 52” x 41”. CONDITION: Some lettering unfinished, some losses, abrasions, generally good. 52087-2 (3,500-4,500)

Lot 3161 3162.

ORIGINAL VEUVE CLICQUOT OIL ON CANVAS ADVERTISING PANEL. First half 20th century, France. This vibrant painting depicting a large hot air balloon shown directly above the city of Paris, the Eiffel tower and river Seine in the foreground. The balloon painted with the crest of Maison Veuve Clicqout. The passenger gondola with eight figures flying the French flag beneath the company emblematic flag. In the right foreground is painted a cartouche with the phrase “Origine / De Terroir / Exceptionnel” within a border or garlands. SIZE: Overall 32” h x 44-1/2” w. CONDITION: Canvas is unframed with light surface soiling and minor abrasion spots primarily along crease line at mid-point of sky and balloon and city foreground. Canvas with full borders and tack holes from previous mounting to stretcher now missing. Good overall. 52087-6 (2,500-3,000)

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Lot 3162 526

Session 3

3163. LARGE OVAL OAK CHAMPAGNE BARREL ON LATER STAND. Late 19th, early 20th century, France. Barrel with six iron bands. One end with original spigot with later paint decoration in cream paint with green borders. The numeral 19 within a rondel above the inscribed company name “Pol Roger & Co.” within an oval green panel. SIZE: 34” l. Overall: 24” w x 33” h. 43” h on stand. CONDITION: Surfaces are original and undisturbed. Base is later edition as noted. Generally good, with weathered surfaces scuffed and abraded from normal use. 52087-9 (1,500-2,000)

Lot 3163 3164.

FRENCH/RUSSIAN HAND PAINTED WINE IMPORTERS TRADE SIGN. 20th century. The column sided sign having two panels with hand painted basket of grapes in five varieties. French title above and Russian writing below. SIZE: 35” h x 45” w. CONDITION: Very good. 52087-5 (2,000-2,500)

Lot 3164 3165.

PAIR OF CAST-IRON RECUMBENT RETRIEVER GARDEN ORNAMENTS. Late 19th or early 20th century, American. These large newly painted cast example with well cast fur and facial features depicting retrievers on a natural rectangular plinth. SIZE: 21” h x 48” l x 15” w. CONDITION: Very good, we believe there is restoration at junction of legs to body but the paint obscures any examination on one dog. 52149-1 (2,000-4,000)

Lot 3165 3166.

FOUR ALLEGORICAL GARDEN STATUES. First half, 20th century. The four statues of Putti representing “the four seasons”. Each figure holding representative symbols such as floral bouquet, holly leaves, and grape cluster. Each on a molded socle. All in white paint. SIZE: 26” h approx. PROVENANCE: From a private Massachusetts collection. CONDITION: One statue with damage and reattachment of left arm and with some damage to base of socle. Others with chips and minor damage. Painted surfaces worn and peeling. Normal and expected weathering to top of statues. 50800-94 (1,0002,000)

Lot 3166 527

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3167. GREAT BLUE HERON GARDEN SCULPTURE. First quarter 20th century. Carved wood with old worn surface, mounted with metal legs and a cast stone base. The heron in an alert position. SIZE: Overall : 45” h. 30” l. CONDITION: Nice weathered patina. 52115-16 (2,500-3,500)

Session 3

3168. DIMINUTIVE FEDERAL STYLE INLAID MAHOGANY SECRETARY BOOKCASE. Second quarter 20th century. This fine benchmade example in two parts, the upper section with pediment cresting fitted with three classical urn form finials above a pair of astragal-glazed doors with gothic arches over a pair of tambour slides centering a prospect door, all opening to interiors fitted with valanced pigeon holes and small drawers. Stepped back on the lower case with hinged baise-lined writing surface resting on lopers centering three long drawers all with figural mahogany rectangular panels within cross-banding and all with bow fronts. Raised on square tapered legs. SIZE: 81” h x 29” w x 20” d. PROVENANCE: Collection and shop contents of Linda and the late Vito Peri (owners of the Blue Dolphin Antique Shop, Northport, Maine). CONDITION: With nicely polished figured surfaces. Inlays and veneers intact. Very good. 52380-12 (1,200-1,800)

Lot 3167

Lot 3168

3169. EIGHT-PIECE MAHOGANY COLONIAL REVIVAL DINING ROOM SUITE. Last half of the 20th Century. Set consists of a two-pedestal Duncan Phyfe style table having flame mahogany veneered top having cross-banded and inlaid border, two turned pedestal bases with three outsweeping legs ending in brass animal claw feet with casters. The table having two leaves supported by two long rails. A bowfront sideboard with mahogany veneers and crossbanded border. Fan inlay at leg corners, tapered square legs. The set also having six Chippendale style chairs with slip seats and ivory upholstery (two arm, four side). SIZE: Table: 29-1/2”; h x 48” w x 87” (closed); 125” (open). Sideboard: 38”; h x 71-1/2” w x 23-1/2” d. Armchair: 38” h. Side chair: 37-1/2”. CONDITION: Very good with only minor imperfections & losses. 52380-14 (1,750-2,750)

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528

Session 3

3170. QUEEN ANNE STYLE MAHOGANY TEA TABLE. First half 20th century, American. A bench made example with rectangular tray top above scalloped and shaped apron with applied carved shells. The molded cabriole legs with foliate carving terminating in stocking feet. SIZE: 29” h x 30-1/2” l x 20” w. CONDITION: Structurally sound with dry finish. Good overall. 52380-19 (400-800)

Lot 3170 3171.

PAIR OF HAND WROUGHT IRON AND BRASS PENNY FOOT CANDLESTANDS. 20th century, American. Each with wrought iron double arms surmounted by seamed candle cups joined to brass bobeches. The arms with spring loaded fasteners swiveling and adjusting on a central rod surmounted by a brass ball finial raised on arched downturned tripod legs terminating in penny feet. SIZE: 55” h x 17” l. CONDITION: Untouched very good condition 52143-4 (600-800)

Lot 3171 3172. SMALL HALF-ROUND FRENCH ORNAMENTED CURIO CABINET WITH PAINTED SURFACE. 19th century French curio cabinet. The glass panels framed with bronze or brass mounts supported on 3 cabriole legs with painted shelf beneath. Complete with glass shelves. SIZE: 54-1/2” h x 26-1/2” w x 14-1/2” d. CONDITION: Paint worn in places. Structurally sound. 52380-24 (450-750)

Lot 3172

3173. FRENCH EMPIRE BRONZE AND MARBLE TAZZA AND TWO PAIRS OF EMPIRE CANDLESTICKS. 1) The foot with ring molding and numerous bands of various design surmounted by three winged maidens hoisting the platform overheard which is fitted with a black and green marble. 2) 19th century. The 13-1/2” pair in gilt bronze resting on a tripartite paw form foot. The smooth cylindrical columns ending in a Corinthian style cap mounted with an urn. The second an 11” brass pair with stepped circular bases holding the tapered column with fish scale and fluted design. SIZE: 1) 10-1/2” x 9-3/4”. 2) As listed above. CONDITION: 1) Very good, minor wear to the surface, marble disk loose. 2) Overall very good, minor wear to the surface. 522293, 52229-4 (1,500-2,000)

Lot 3173 529

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3174. FRENCH PATINATED BRONZE ATHENA CLOCK. Circa 1850. The case, themed modeled after the goddess of war. The classical bust with plumed helmet at top. Tapering square case cast with trophies of war and with sheathed sword entwined with snake. On a conforming plinth case with Athemion leaves raised on suppressed reeded ball feet. The silvered dial with Roman numeral chapter ring and time and strike apertures within an ormolo brass surround cast with five-pointed stars. The French eight day brass movement striking the hour and half-hour on a soft bell. Backplate incised with the letter “R” and serial number “422”. SIZE: 14-3/4” h x 5-1/4” overall w x 5” d. CONDITION: Case surfaces with minimal and minor abrasions. Dial with abrasions around winding aperture, primarily between numerals IIII and V. Movement in good working order. Spring in barrel is good. Clock is offered with pendulum and key. 523641 (800-1,200)

Session 3 Lot 3174

3175. EARLY AMERICAN GLASS CAKE STAND WITH SELECTION OF PAINTED ALABASTER FRUIT. Early 19th century, American. The hand-blown, clear glass cake stand with broken pontil offered with an arrangement of carved alabaster and painted fruit including peaches, oranges, lemon, bananas, cherries and grapes. SIZE: Grape cluster: 10” l. Banana: 5” l. Orange: 2-1/2” d. CONDITION: Generally good. Fruit intact with normal and expected abrasion. Cake stand good with no chips or damage. 51971-17 (400-600)

Lot 3175 3176. SET OF FOUR SEVRES PLATES. Each plate decorated in the center with a transferred scene of putti surrounded by a scalloped rim heavily accented with gilt. SIZE: 9-1/2” diameter. CONDITION: Very good. 51960-2 (800-1,200)

Lot 3176 3177.

FISCHER & MIEG PORTRAIT CHARGER. 2nd half 19th century, Czechoslovakia. The charger with the 3/4 bust profile portrait of a young woman in period dress within a foliate gilt border set within an outer border of painted floral sprigs. The reverse with impressed F & M mark. SIZE: 16” dia. CONDITION: Rim with flea bites, minor wear to gilt surface and to floral petal tips, otherwise good. 52014-10 (500-700)

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530

PAIR OF BLUE AND WHITE VILLEROY AND BOCH CHARGERS, C. 1900 AND THREE FRENCH FAIENCE POTTERY CHARGERS, 19th CENTURY. 1) Both chargers depicting waterfront scenes with various figures along the waters edge and boats off in the distance. Both marked on the reverse in underglaze blue. 2) The lot including a pair of 153/4” chargers with polychrome design painted with a classical scene in the middle, marked on the reveres in underglaze blue. Together with a 16-3/4” charger with a central reserve of geese along the waters edge, surrounded by a deep cobalt border accented with vines and berries. Marked on the reverse “Manuf Lot 3178 Re De Sevres”. SIZE: 1) 17-1/4” dia. 2) As listed above. CONDITION: 1) Overall very good, crazing to the glaze. 2) Charger with geese with chip on underside of rim. Pair with small spots of glaze loss. 52229-1, 52229-2 (1,200-1,800)

3179. GROUP OF SIXTEEN TRINKET AND PILL BOXES. The lot including examples of porcelain, pottery, enamel, along with Battersea. SIZE: Largest 4-3/4” w. Smallest 1-3/4” w. CONDITION: Overall good. Battersea examples with chips, losses, and repairs. 51628-6 (800-1,200)

Lot 3179 3180.

QUM BAG FACES, KIRMAN RUG, AND SEMIANTIQUE LAVAR KIRMAN PORTRAIT RUG, PERSIA. Late 19th/ early 20th century. 1) The bag faces each with a rich mandala alternating with lantern designs on a blue/black ground within scrolled floral spandrels all within scrolling floral vinery borders. The bag faces have been joined at the center. 2) The small Kirman rug with overall floral design in pale indigo, mustard and browns on an ivory ground within a pale indigo main border filled with floral sprays within mustard guard borders. 3) The portrait rug with fine detailing and signature. A Lot 3180 seated figure of royalty depicted on a throne beneath floral leafy trees amidst exotic birds and flowers all on a blue/black ground. The rug with scrolling polychrome floral main borders on a grey/green ground. NOTE: the small cartouche above the figure’s crown with calligraphy presumably identifying the sitter. SIZE: 1) 1’ 9” x 4’ 4”. 2) 2’ x 4’ 2”. 3) 1’ 11” x 2’ 7”. CONDITION: 1) Very good with minimal wear, nearly full pile and strong color. Loss to fringe at each end, joined as noted. 2) Generally good with even wear throughout, some slight pulling to threads, loss of fringe at ends, minor loss to selvage. 3) With overall wear, areas with foundation showing, rug retains good color and with no restoration. Loss to fringe. A fine and rare example. 51899-4 (400-600)

3181.

NORTHWEST PERSIAN RUNNER. Second quarter 20th century. The runner of very good quality with three rows of floral medallions alternating with saz leaf designs on a blue/black ground within a floral ivory main border within floral tea color guard borders. SIZE: 3’ 2” x 14’ 7”. Lot 3181 CONDITION: Even overall wear with small spots of foundation showing and with some minor bleeding to red and orange dyes. A very slight cast to rug with loss of fringe. Otherwise good. 51899-2 (800-1,200) 531

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Session 3

3178.

3182. LARGE LOT OF ANTIQUE REFERENCE BOOKS AND AUCTION CATALOGS. This large library includes hundreds of auction catalogs and a fine collection of antique reference books, including; books on firearms, China trade, price guides (Warman’s, Cobel’s, Schroeder’s, and Miller’s), glassware, furniture, art, antiques, folk art, collectibles, clocks, pewter, Shaker, textiles, Oriental rugs. Auction catalogs include; Swann’s, Decoy’s, Christie’s, Sotheby’s. The includes approximately 35 boxes, evenly split between auction catalogs and books. Please note additional The Connoisseur magazine is included. CONDITION: Generally good to very good. 50948-1 (500-1,000)

Session 3

Lot 3182 3183.

DIMINUTIVE ENTERPRISE TABLETOP COFFEE GRINDER. Late 19th century, Philadelphia, Pennsylvania. This desirable example cast with company name on both wheels and on base. Original decals on reservoir, with original cast-iron drawer and mounted to an early wood base. Grinder surmounted by cast-brass eagle. SIZE: 14” h x 10” w (including handle). PROVENANCE: The Estate of Morris Racker. CONDITION: All surfaces worn and abraded with soiling. Workings of grinder appear intact and operational. Painted and decorated surface should be considered fair. 51956-19 (300-500)

3184. OUTSTANDING LOT OF GLASS APOTHECARY BOTTLES AND JARS. The lot includes; seven 7” to 9” covered milk-glass jars with integral labels (one cover broken), six 9-1/2” clear bottles with gold and Lot 3183 black glass labels and stoppers, four 8” clear glass bottles with stoppers having white and black glass labels, five 10” glass jars with white and black glass labels, five 9-1/2” glass jars with gold bordered glass labels, six clear glass jars with black and gold glass labels sizes ranging from 8” to 12”, two 12” glass jars with glass labels, fifteen other clear glass bottles and jars without labels, six cobalt blue 7” to 8” stoppered bottles. Along with a miscellaneous box of medicine bottles including; two early unidentified medicines. Approximately 65 plus miscellaneous bottles. CONDITION: Most glass labels are intact some with cracks. 52212-5 (800-1,000)

Lot 3184 3185.

TWO CASED SETS OF OLD OPTOMETRIST LENSES. 1) This antique optometrist case dates to the late 19th to early 20th Century and includes approx. 200 lenses. Believed to be complete as all of the slots have a lens in place. Fitted with ivory-like celluloid, I.D. labels also marked “Manufactured by American Optical Co., Southbridge, Mass”. 2) Dark fumed oak wood case probably dates to the late 19th to early 20th Century. The glass framed door lifts to reveal a compartmental tray housing over 200 various test lenses. The two drawers below include a few miscellaneous optical tools, at least one of which is marked “American Optical Co.”. This is the first one we have ever had in a special oak display case, most generally these are found in suitcase type carrying cases. SIZE: 1) 21-1/4” w x 12-1/4” d. 2) 18” h x 14-1/2” deep at base x 4-3/4” deep at top x 23-1/2” w. CONDITION: 1) Generally good, as found. Shows some wear. 2) Generally good. 52380-22 (500-750)

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532

Session 3

3186. UNUSUAL CARVED FIREMAN’S TRADE SIGN. Carved in the form of a vintage fireman’s helmet. The helmet badge identified as “VETERAN FIREMEN’S ASSOCIATION NEW YORK CITY 48W & 18TH ST”. White helmet mounted with a hanging bolt. SIZE: 20” h x 32” l x 24” w. CONDITION: Structurally very good. One old sheet copper repair proper right brim of helmet at mid point. Otherwise very good. 52087-1 (3,500-4,500)

Lot 3186

3187.

PAINTED TRADE SIGN FOR “THE SILSBY MANUFACTURING CO.”. The painted wood badge form sign with gold lettering and decorative surrounds inscribed “The Silsby Manufacturing Co / Island Works / Seneca Falls, N.Y. / Builders of the / Celebrated / Silsby Rotary / Steam / Fire Engine / H.C., Horace / and / Charles T. Silsby.” Attached to bottom and top are two iron mounting brackets. SIZE: Without brackets: 48” h x 23-1/2” w. CONDITION: Some light scuffs and scratches, otherwise. 52087-3 (2,200-2,600)

Lot 3188

3188. UNUSUAL “JOHN DORY” FISH TRADE SIGN. 1st half 20th century, Australia or England. This double sided three dimensional carved pine sign depicting Lot 3187 a “John Dory” also known as “St. Peter”, “St. Pierre”, or “Peter’s fish”. The dorsal fin fitted with ten curved iron “spines” which are also present on the anal fins, the sign also rendered which a cylindrical walnut “eye” at upper mid body, characteristic to this species. The sign with tack eyes and slightly open mouth with tack teeth. The original painted surfaces have been mostly removed, the body re-polished. *NOTE* The fish has a large dark spot, and long spines on the dorsal fin. John Dory are coastal fish, found on the coasts of Africa, South East Asia, New Zealand, Australia, the coasts of Japan, and on the coasts of Europe. SIZE: 40” h x 42” l. CONDITION: Surfaces as noted, sign retains original linked hanging chains, a pleasing old sheet copper repair to proper left pectoral fin and to tail at juncture of body, an additional sheet copper repair along seam split along proper right side of body and to anal fin. Otherwise very good with pleasing color and patina. 52087-7 (2,500-3,500)

533

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3189. CARVED AND GILT HARLEY DAVIDSON MOTORCYCLE SIGN. 20th century. The sign having a spread wing eagle over a sign with banner “Motor / Harley-Davidson / Cycles / An American Legend”. Probably used as a display in a Harley Davidson dealership. SIZE: 19” h x 40” w. CONDITION: Very good. 52050-1 (3,000-5,000)

Lot 3189 3190.

Session 3

ROCOCO STYLE PIETRA DURA MARBLE CONSOLE WITH MOLDED GILT FLORAL DECORATION. Late 20th century, Europe. This decorative example inlaid with a polychrome hard stone urn framed by scrolling leaf tips within a white demilune border all set within a gray breschia marble top with molded edge above the conforming marble frieze inset with rectangular floral patera, rondels, and open gilt galleries of foliate vinery. Raised on six tapering cylindrical legs mimicking torches, each wrapped in spiraling gilt garlands alternating with ribbon tied floral garlands suspended beneath the apron. The cast elements appear to be a form of molded resin. SIZE: 35” h x 70-1/2” l x 24-3/4” d. CONDITION: Very fine. No damage or imperfections noted. 51911-55 (6,000-9,000)

Lot 3191

3192.

Lot 3190

3191. ORNATE MARQUETRY CABINET WITH GREEN MARBLE TOP. 20th century. Green and black Breschia marble top with stepped molded edges and canted corners. Above the conforming case, with a central frieze drawer over two long drawers with a central panel of marquetry decorated with overflowing baskets and urns of fruit and flowers. Case sides in curve. The cabinet gilt metal mounted overall with floral swags and with garlands. Case raised on shaped tapering gilt metal mounts, acanthus carved. SIZE: 37-1/2” h x 61” l x 20-1/2” d. CONDITION: Marble top with chip to proper right center front, over frieze drawer. Shrinkage crack in marquetry panel. Otherwise very good with metal mounts intact. 52380-21 (1,2501,750)

EARLY 19th CENTURY EMPIRE MARBLE-TOPPED CENTER TABLE. This large period table supported by vase-shaped pedestal and rolled elephant-type feet. SIZE: Approximately 36” dia, 29-1/2” h. CONDITION: Veneer shows wear. Original marble top cracked through the center. 52380-15 (300-500)

Lot 3192 Visit www.jamesdjulia.com for more information

534

RENAISSANCE REVIVAL CARVED MAHOGANY BOX SOFA. Mid 19th century, probably English. Carved in the manner and theme of a noble court. The horizontal crestrail with carved guilloches and leaf tips centering rectangular overupholstered back flanked by stiles carved in deep relief with classical maidens posed on foliate corbels joined to reeded armrests ending in acanthus carved grips. The supports carved in high relief with seated and posed Jester and Bard figures. Centering rectangular overupholstered seat fitted with three additional seat cushions. The whole raised on eight straight legs. SIZE: 44” h of back. Overall l 84”. 16” h of seat. 33” approx overall d. CONDITION: Settee has Lot 3193 been recovered in muslin. Frame is structurally tight. Exposed carved surfaces professionally cleaned and repolished with rich dark brown color. Normal and expected in use wear. No major damage or restoration noted. Very good overall. 51911-10 (2,000-4,000)

3194.

FINE BENCH MADE OAK PEDESTAL WRITING DESK. Circa 1922, Marstal, Denmark. Rectangular top with foliate molded edge, the writing surface comprised of bookend veneers above the conforming frieze fitted with three aligned drawers raised on elaborately carved S-scrolled foliate supports terminating at top and bottom with foliate rondels centering a rectangular pedestal support at each end with matching bookend veneers conforming to the writing surface. The ends joined by a rectangular molded stretcher serving as a footrest. Trestle base raised on flattened round disc feet. SIZE: 30-1/2” h x 31-1/2” w x 59” l. PROVENANCE: The writing desk was commissioned by Christian Vogensen, a prominent pharmacist in the towns Lot 3194 of Marstal, Odense, Svendborg and in Skjern, Denmark. The desk was kept by Mr. Vogensen until his death in 1947 when it was passed down within the family and now to the current family member and consignor. CONDITION: Very good original condition with no structural problems, damages or restoration. Minor and light ring glass stains on top of writing desk which may easily be cosmetically removed. 51994-1 (200-400)

3195. UNUSUAL CAMPAIGN STYLE CAMPHOR CARVED CLOTHES PRESS. First quarter 20th century, Asian. The rectangular dovetailed case with pair of paneled doors. The top and door panels carved with bamboo trees in deep relief. The case fitted with four long drawers, each with inset campaign style brasses, the whole raised on stylized heavily carved claw feet. The chest is offered with original key and locking mechanism. NOTE: The chest was obtained by the grandparents of the current owner in Panama, in the early 1930s. SIZE: 40” h x 48” w x 22” d. CONDITION: Very good overall, with undisturbed surface and light soiling. 51842-1 (600-900)

Lot 3195 535

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Session 3

3193.

3196. QUEEN ANNE DECORATED TILT TOP TEA TABLE. Mid-19th century, New England. This centennial example with overall delicate scrolling floral decoration in the Orientalist taste. The circular top with central floral spray within a gilt and floral border hinged and tilting on an urn turned pedestal raised on a tripod cabriole leg base terminating in pointed pad feet, floral decorated overall. SIZE: 36” h x 29-3/4” dia. CONDITION: Painted and decorated surfaces original, surface untouched, good overall. 52235-10 (600-800)

Session 3 Lot 3196 3197.

CLASSICAL REVIVAL MAHOGANY LIBRARY TABLE. Circa 1900. The benchmade example with rectangular top above the conforming convex sloping frieze fitted with a pair of aligned drawers, the case corners foliate-carved, raised on square legs continuing to flared feet, the legs joined by a medial shelf. SIZE: 28-3/4” h. x 54” l. x 34” Lot 3197 w. CONDITION: Writing table retains original surfaces and hardware, minimal surface scratches. Small damage to corners of two feet, each with triangular chip missing. Otherwise very good. 52380-4 (400-600) 3198. ELABORATE VICTORIAN ERA GESSO MIRROR. Circa mid-19th century. This impressive mirror is mounted on top with a huge collage of elaborate flowers and fruits. The upper sides of the mirror ornamented with cornucopias spilling fruit being held by a frolicking putti. The entire surface is an old gold finish with a sand surface. SIZE: 70” high x approximately 36-1/2” wide. CONDITION: Damage and loss to the lower right edge of the frame. Also a small loss at the very top. 52380-9 (400-600)

Lot 3198 3199.

DELICATE MAHOGANY TAMBOUR SMOKING STAND. Top with plain gallery edge, the upper portion fitted with a tambour sliding door opening to reveal an open compartment for humidors, etc. Beneath that, one full-length dove-tail drawer. All supported on very delicate tapered legs. SIZE: 18” w x 111/2” d x 26-1/2” h. CONDITION: Generally good. 52380-25 (450-650)

Lot 3199 Visit www.jamesdjulia.com for more information

536

PAIR OF CARVED AND INLAID TABORETS TOGETHER WITH A SMALLER EXAMPLE. Second quarter, 20th century, Middle East. The pair with circular tops relief carved with bands of grapevines and floral vinery, centering a rondel, inlaid with floral sprigs. Fitted to the base comprised of eight hinged pierce carved foliate panels. The third taboret with octagonal top carved overall with grape and floral vinery, mounted on a base comprised of eight piercecarved hinged panels. SIZE: 25” h x 23-1/2” dia. (pair). 19” h x 20” dia. (single). PROVENANCE: From a private Massachusetts collection. CONDITION: All in good overall condition with dark brown coloration. 50800-39, 50800-40 (300-500)

Lot 3200

3201. T WO NAVAJO SQUASH BLOSSOM NECKLACES. Second half 20th century. 1) Sterling double beaded Navajo necklace with ten squash blossoms with floral design surmounted with sea foam turquoise and large naja with dangling pendant. 2) Sterling Navajo necklace with four floral design squash blossoms with high quality green turquoise having beautiful matrix, naja with hanging pendant. SIZE: 1) 24” end to end. Naja 2-3/4” w x 2-3/4” l. Squash 1-1/2” l x 1” w. 2) 19-1/2” end to end. Squashes 1-1/2” w x 1-1/2” l. Naja 2-3/4” w x 2-1/8” l. CONDITION: 1) Near excellent. 2) Near excellent. 52009-3 (1,200-1,500)

Lot 3201 3202.

LOT OF NAVAJO AND NATIVE AMERICAN TURQUOISE AND STERLING SILVER JEWELRY. Includes two squash blossom with coral and turquoise necklaces. Contemporary sterling cluster necklace and earrings. Sterling silver and coral choker. SIZE: Longest 25” with 1-1/2” l x 1” w squash, naja 2-1/2” l x 2-1/2” w. Choker 16” l. CONDITION: Overall lot is very good. 52013-10 (700-900)

Lot 3202 3203.

AVAJO SILVER AND TURQUOISE JEWELRY. Lot N includes; Large ladies bracelet, signed “Cecilia S. Lekya”, 1-3/4” x 5-1/2” diameter, large cabochons applied to platforms mounted on round wire shank. Bracelet marked “Samuel Lee”, sea foam turquoise nuggets with applied floral leaves and silver dot design. Small 15” shadow box choker, cabochons mounted on cast silver deco style pendants, center 2-1/2” x 1-1/8”. Turquoise and silver squash blossom necklace, ten blossoms are 1-1/4” x 7/8” with sea foam nuggets and applied floral decoration, naja with applied floral design 3” x 3”. Small pair turquoise stud earrings. CONDITION: Overall good. 51927-1 (1,400-1,800)

Lot 3203 537

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Session 3

3200.

3204. LOT OF NAVAJO JEWELRY. Lot includes: Shadow box deco style 5-1/4” sterling bracelet with high quality oval turquoise cabochons, marked with cartouche. Two sterling watch bracelets with watches, ladies with floral applied decoration with coral and turquoise stones on half-round wire shank. Mans watch with applied decoration having turquoise and coral stones. Sterling buckle marked with cartouche with turquoise and coral. CONDITION: Buckle has damage to turquoise. Otherwise good. 52013-23 (400-600)

Session 3

Lot 3204 3205.

LOT OF NAVAJO BRACELETS AND BELT. Lot includes; Circa 1950. Small 37-1/2” long Navajo concha belt stamped sterling with hand stamped design, concha are 1-3/4” l x 7/8” w. Along with a 6” (inside circumference) contemporary Mexican watch bracelet, overlay silver work with stamped design surmounted with red stones. Sterling clip belt buckle with inscription on back “Handmade by Ron Davis”, turquoise slab set on large platform with ball and twisted wire setting. Contemporary ring and bracelet combo set with turquoise. 1950’s Navajo bracelet 1/2” w x 5-1/2” (inside circumference) with five coral stones mounted on triangular Lot 3205 stamp shank with twisted wire and silver dob ornaments. 1960’s leaf bracelet with coral and turquoise mounted on half-round wire shank, impressed with “AS3V”, 1-1/4” w. CONDITION: Overall good. 52013-24 (400-600) 3206. MIXED LOT OF MEXICAN AND NAVAJO JEWELRY. Lot includes; Sand-cast sterling 17” starburst (largest starburst 2” w) choker, high quality turquoise. Other Navajo items include; sterling naja. One stone bracelet. Small Bangle. Floral sterling cross with turquoise stone. Sterling inlaid bird pin. Conch pin. Mexican includes; Mixed metal pendant of clown clergy. Bangle bracelet. CONDITION: Overall good. 52013-25 (400-600)

Lot 3206 3207.

FIVE PIECE LOT OF SILVER NATIVE AMERICAN AND SOUTHWEST JEWELRY. Inlaid Arizona belt buckle, finely engraved. Large ball 18” necklace, largest ball is 1” diameter, marked Mexico. Cast silver 3” x 3” sterling bucking bronco bolo slide signed, “R. Miller”. Deco style 7” x 1-5/8” sterling bracelet with malachite stones. Also included a contemporary simulated turquoise necklace. CONDITION: Overall good. 52013-22 (400-600)

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538

3208. MIXED LOT OF NATIVE AMERICAN TURQUOISE AND SILVER, MEXICAN SILVER, AND COSTUME JEWELRY. Two Navajo bracelets. Two bangles. Two pairs of Zuni inlaid earrings. Navajo floral coral and turquoise earrings. Malachite ring. Small shadow box choker with turquoise, stamped. Mosaic pendant. Nugget and sterling bead necklace. Contemporary relief carved pin. Accompanying this lot are six pieces of Native American style jewelry. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Overall good. 52009-4 (700-800) ESA

3209.

Session 3

Lot 3208 SIGNED YAZZIE NAVAJO RUG BY PHILOMENA YAZZIE. Circa 1988, Burntwater Arizona. The rug woven in earth tones of browns, grey, and blue all originating from vegetable dyes which is credited as the foundation for the Burntwater regional style. The design elements of a central diamond medallion with multiple zig-zag borders within pale grey spandrels is a combination of design elements taken from Gnado and Two Grey Hills. Each spandrel woven with a geometric stylized phoenix, the whole within geometric stepped guard borders with pale turquoise central medallions all within an elaborate reciprocating border pattern. As mentioned, the vegetable dyes utilized in this rug are known as “Burntwater colors”. This lot is accompanied by a copy of the appraisal done on this rug by Navajo Rug Repair Co. Tucson, AZ. This is a truly fine and rare example woven by an accomplished Native American weaver illustrating all original elements. SIZE: 4’ 9” x 7’. PROVENANCE: This rug won first place at the Intertribal Ceremonial, Gallup New Mexico in 1988 and also won first premium at the New Mexico State Fair also in 1988. CONDITION: Very good with rich palette. 51725-1 (5,0008,000)

Lot 3209 3210. FINE NAVAJO “TWO GREY HILLS” RUG WOVEN BY BESSIE MANY GOATS. 1930’s-40’s, Southwest United States. The central elongated geometric medallion, a diamond medallion with lightning bold border at each end centered by geometric devices at the corners and quadrants all on a pale grey and ivory woven ground within an ivory arrow head border within a black outer border. SIZE: 4’ 4-1/2” x 6’ 9-1/2”. PROVENANCE: Purportedly purchased in the 1960’s-70’s from the Harmon Estate, Henderson, Nevada. CONDITION: Rug exhibits small areas of weakness in stitching that would need minor restoration of tightening. No deterioration of thread observed, no insect damage, and no staining 52013-5 (2,000-3,000)

Lot 3210 539

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3211.

INE & EXCEPTIONAL EYEDAZZLER NAVAJO RUG. Circa 1900. Having F three borders of black, gray & red. The bottom and top with an extra gold border. The red field having a central vertical row of repeating & connected geometric patterns in black & blue. On either side are similar rows of green & gold geometric patterns. The outside rows having smaller connected geometric patterns. The colors are bright and the rug has fine proportions. Presently mounted within a simple wood frame behind plexiglass. SIZE: Approximately 43” x 69”. CONDITION: Very good, bottom 6” of red background has slightly different red. Not examined out of frame. 51874-1 (1,0001,500)

Session 3

Lot 3211 3212.

MEXICAN SALTILLO. Circa 1860. Finely woven Mexican Saltillo, woven in two pieces and joined in the center. Colors are indigo blue, red, yellow, pink, purple, light green, white, and brown ground. Central diamond divided into four quadrants of diamonds, laid on striped field with overlay stripes and striped pattern. SIZE: 81” l x 45” w. CONDITION: Four areas of darning stabilization, some wool loss. 52308-25 (800-1,200)

Lot 3212

3213. N AVAJO SEVEN FIGURE MUDHEAD YEI RUG. Circa 1930. Finely woven depicting Navajo Yei Mudhead figures holding rattles, wearing kilts, squash blossom necklaces, and feathers on their heads. Colors are red, rust, brown, maroon, green, white, and black. SIZE: 40” l x 56” w. CONDITION: Very good, with minor soiling. 52308-24 (1,200-1,800)

Lot 3213

3214.

NAVAJO YEI RUG ON BLACK BACKGROUND. Circa 1920. Striking example with Yeis dancing wearing kilt’s holding cornstalks. Finely woven in red, blue, orange, yellow, gray. SIZE: 65” l x 45-1/2” w. PROVENANCE: Old California collection. CONDITION: One very small hole. 52308-23 (1,200-1,800)

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540

3215.

GROUP OF FOUR NAVAJO RUGS INCLUDING SADDLE BLANKET. 1) 1930’s finely woven two gray hill Navajo geometric design rug, diamond pattern with step border in black, white, beige, and light brown. 2) Navajo double saddle blanket with geometric and striped design. 3) Circa 1940’s, Navajo eye dazzler. 4) Large Navajo eye dazzler with black, white, red and gray. SIZE: 1) 29” w x 40”. 2) 32-1/2” w x 32” l. 3) 59” l x 35” w. 4) 112” l x 51” w. CONDITION: 1) Very good. 2) Minor bleeding, minor edge loss. 3) Bleeding, large stabilizing patch to one corner. 4) Some bleeding. 52308-14 (400-600)

Session 3

Lot 3215

Lot 3216

3217.

3216. G ROUP OF TWO SMALL NAVAJO REGIONAL RUGS TOGETHER WITH PICTORIAL BLANKET. 1) Circa 1910, Navajo regional rug in brown, beige, tan, and red. 2) 1920 geometric Navajo rug, natural brown, gray white, and dark brown. 3) Pictorial Navajo rug depicting U.S. flag with 50 white diamonds representing the stars on a bluish/purple field with red and white stripes. United States of America woven into the red and white strips. SIZE: 1) 31-1/4” w x 58-1/2” l. 2) 48” l x 28” w. 3) 32” l x 38” w. CONDITION: 1) Minor wool loss, 3” area of darning for stabilization. 2) Edge fraying, minor wool loss, minor stains. 3) One small area of yarn pull about 1” across, otherwise good. 52308-34 (300-400)

MID 19th CENTURY CHEROKEE EFFIGY PIPE WITH STEM DEPICTING SEQUOIA. Finely carved stone pipe with effigy of Sequoia reading a book (Sequoia translated the English Alphabet to the Cherokee’s), with old original wooden stem. SIZE: Pipe 3” l x 1-1/2” h x 1” w. Stem 10” l. PROVENANCE: From an old Maine collection. CONDITION: Showing excellent patina and inuse wear, otherwise good. 52308-44 (800-1,200)

Lot 3217

3218.

MID 19th CENTURY CHIPPEWA EFFIGY PIPE. Finely carved stone effigy pipe depicting a beaver with tooled end and bowl. With old or original wood stem. Old museum number scratched on bottom, found on Lot 3218 Cape Cod. SIZE: Pipe 3” l x 2-1/2” h x 1” w. Stem 11-3/8” l. PROVENANCE: From an old Maine collection. CONDITION: Front end of pipe is chipped, shows good old in-use wear. 52308-45 (800-1,200)

541

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3219.

RARE 19th CENTURY INLAID PRESENTATION TRADE TOMAHAWK. Nickel plated steel blade mounted on ash halved with copper and wood inlays depicting pipe, arrow head, and tomahawk. Wrapped with copper wire. SIZE: Overall 17-1/4” h x 9-1/4” w. CONDITION: In untouched condition, showing great patina. Deterioration to nickel plating on blade, otherwise good. 52308-31 (800-1,200)

Lot 3219 Session 3

3220. LOT OF THREE POSSIBLE INDIAN ASSOCIATED KNIVES. Lot of three consists of: one commercial skinning knife in beaded and rawhide fringed sheath and two primitive knives made from file blades; one Lot 3220 measuring 10-1/2” overall with 6-3/4” double-edged dagger point with brass crossguard and crown stag grip. The smaller knife measures 10” overall with 6-1/2” blade with shaped stag grip. CONDITION: Good to very good overall. The larger stag gripped knife has large solder reinforcement at ricasso. Beaded sheath is dry and stiff with seam opening near point. 52013-26 (800-1,200)

3221.

19th CENTURY LAKE MOXIE, MAINE, PENOBSCOT LAUNDRY STICK, WOODLANDS SHAMAN EFFIGY STAFF WITH TWO PENOBSCOT CANOE PADDLES. 1) Penobscot laundry stick, finely Lot 3221 chipped carved with incised name “Lake Moxie, ME”, initials “MR JW” on reverse. 2) Woodlands bird effigy staff, probably Seneca, finely carved birds head with old alligatored finish. 3) Penobscot paddle with old patina, finely carved stepped handle. 4) Penobscot paddle with exceptional carved, stepped, chamfered handle. SIZE: 1) 35” l x 2-3/4” w. 2) 37” l. 3) 68-1/4” l x 7” w. 4) 70” l x 7” w. CONDITION: 1) Great untouched patina, showing good in-use wear, 1” chip in end of handle. 2)Showing great patina and good in-use wear, otherwise very good. 3) Good patina, showing good in-use wear, paddle portion has 5” crack with old staple repair. 4) With excellent patina and showing good in-use wear. 52308-33 (700-900)

3222. TROMP L’OIEL STYLE PAINTING WITH WESTERN THEME. The oil on canvas shows a stuffed buffalo plaque against a red wall surrounded by artifacts and photos of the west including a catlinite peace pipe, trade axe, skull cracker, and photos including Buffalo Bill and Native Americans. Housed in an antique wood frame with gold liner. SIZE: 17” x 13”. Overall: 20” x 16”. CONDITION: Very good. 52099-11 (1,000-1,500)

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542

3224. TWO 19th CENTURY APACHE BEADED AWL CASES. 1) Fine Apache beaded awl case with tin cone danglers on hide with yellow ochre decoration, bead colors include white heart reds, greasy green, greasy yellow, turquoise blue, clear green, cobalt, pony trader blue. 2) Fine Apache beaded awl case on hide with tin cone danglers. Bead colors black, white, white heart red, cobalt. SIZE: 1) 15” l (including dangler) x 1-1/2” w. 2) 10-1/2” l (including dangler) x 2” w. CONDITION: 1) Scattered bead loss, some cones missing. 2) Very good. 5230830 (1,000-1,200)

Lot 3223

Lot 3224 3225. 19th CENTURY NORTHERN PLAINS QUILL AND BEADED BAG. Pony beaded and quilled bag with tin cone decoration. Sinew sewn, traces of yellow ochre. Bottom of bag is buffalo. SIZE: 15-1/2” l x 6” w. CONDITION: Inuse wear, missing one tin cone quilled adornment, minor quill loss. 52308-29 (500700)

Lot 3225

3226. RARE LATE 18th CENTURY IROQUOIS BEADED AND QUILLED BAG. Finely quilled, smoked buckskin with silk edging having white edge beads. Quills are dyed blue and persimmon. Interior is lined with very early trade cloth. No stiffness. SIZE: 8-1/2” w x 8” l. PROVENANCE: From an old Maine collection. CONDITION: Bead loss, silk loss, wear to quill work, light inset grazing. Overall pleasing appearance for very rare bag. 52308-40 (3,500Lot 3226 4,500) 543

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Session 3

3223. LARGE DOUBLE SPOUTED SANTA CLARA WEDDING VASE. Large double spouted Santa Clara black pottery vase with carved geometric relief, signed on bottom Margaret Tafoya. SIZE: 15-3/4” h x 10” w. CONDITION: Minor scratches, otherwise good. 52009-7 (800-1,200)

3227. LATE 19th CENTURY SIOUX DOLL TOGETHER WITH A PAIR OF BEADED DOLL MOCCASINS. Beaded female doll with very small seed beads in red, green, yellow, cobalt, and white, with horsehair on deerskin hide, thread sewn. Foundation is early trade cloth muslin. Together with paraflech soles, finely beaded doll moccasins. SIZE: Overall 15-1/2” h x 101/2” w. Moccasins 3” l. CONDITION: Soiling, insect grazing, missing one legging and moccasin. Not stiff. Extra moccasins very good. 51837-1 (8001,200)

Session 3

Lot 3227 3228.

TWO PLAINS UMBILICAL EFFIGY FETISHES TOGETHER WITH PAIR OF LATE NINETEENTH CENTURY MOCCASINS. Late 19th century, Sioux youths moccasins, finely beaded on deer hide with paraflech soles. Geometric pattern with cross designs, white heart reds, turquoise, greasy green, greasy yellow, and clear beads, sinew sewn. Beaded turtle fetish on buffalo with tin cone danglers geometric pattern. Greasy yellow, greasy green, turquoise, white heart red, and opalescent. Turn of the century Sioux lizard with salt-n-pepper pattern, sinew sewn on buffalo. SIZE: Moccasins 8” l x 3” w. Turtle 5-1/2” l x 3” w. Lizard 6-1/4” l x 3-1/2” w. CONDITION: Moccasins are very good. Turtle is good, missing four tin cones. Lizard missing one tin cone, otherwise good. 52308-28 (600-800)

Lot 3228

3229. TWO POLYCHROME ACOMA OLLAS. 1) 1930s/1940s. 12” x 9” and marked on bottom “ACOMA, N.M.” 2) 1950s/1960s. 8-3/4” x 7-3/4” and marked on bottom “W. Patricio ACOMA NM”. CONDITION: Larger has minor surface abrasion, otherwise good. Smaller is good with minor surface abrasion. 52009-9 (400-600)

Lot 3229 3230.

GROUP OF FOUR NATIVE AMERICAN BASKETS TOGETHER WITH THREE BOOKS. 1st quarter 20th century. Lot includes; One 8” x 8” Piute polychrome bird in basket. Two Piute basketry pitch covered water bottles, larger 11” x 14”, smaller 12” x 9” has braided horsehair carrying straps. Late 19th century, 12-1/2” x 131/2” Eskimo covered woven in grass with minimal design. Along with three Native American reference books. CONDITION: Piute, finely woven, near mint condition. Water bottles, both good. Eskimo has detached lifting handle on top, various in-use wear on edge, stitch loss. 52009-1 (800-1,200)

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544

Lot 3230

3231.

THREE PIECE LOT WITH TWO PLAINS CHILD’S ARROWS, TWO EARL TESUQUE RAIN GODS, AND PAINTED TAOS DRUM. 1) Circa 1930. Two pottery rain God’s with painted designs, Larger is 6” and smaller is 5”. 2) 19th century, plains child’s 16-1/2” arrows with painted design, sinew attached steel points. 3) Circa 1900, Pueblo cottonwood and hide painted drum, 4-3/4” h x 6-1/4” diameter. CONDITION: 1) Paint deterioration, chip on nose on smaller. Otherwise good. 2) Fragmented feathers. 3) Good, shows good in-use wear, two small holes in hide. 52308-35 (150-200)

3232. GROUP OF SEMINOLE PATCHWORK CLOTHING TOGETHER WITH DOLL. Lot includes; Youth shirt. Two men’s jackets, size large. Ladies Glades Cross mission skirt, 29-1/2” long. All with typical patchwork design circa 1930’s through 1960’s. And a 12-1/2” doll. CONDITION: Very good, youth shirt shows in-use wear and some fade. 5230826 (400-500)

Lot 3232

3233.

GROUP OF TWO ESKIMO ITEMS: FEAST LADLE TOGETHER WITH SNOW GOGGLES. 1) Early 20th century. Large decorative feast ladle made of cedar, painted with mineral based paint, having old collection number on back. 2) Unusual cedar wood carved Eskimo snow goggles, finely carved relief in two pieces joined together by cotton twine. SIZE: Ladle 19-1/2” l x 7-3/8” w. Goggles 6-1/2” l x 1-3/8” w. CONDITION: 1) Good patina, handle detached and re-glued (original piece). 2) Good patina, and in-use wear. 52308-27 (400500)

Lot 3233

3234. LOT OF THREE NATIVE AMERICAN RELATED ITEMS. 1) 19th century, wooden tribal clapper. 2) Soapstone style effigy pipe. 3) Collection of Indian art catalogs, books and magazines. SIZE: Clapper 10” l x 2” w. Pipe 6” (overall). CONDITION: Clapper is good showing nice patina and age. Pipe crudely carved with large chip at mouth piece. Books in used condition. 51896-1 (200-400)

Lot 3234 545

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Session 3

Lot 3231

3235. TWO AFRICAN COWRY SHELL AND BEAD WORK LADIES DANCE ORNAMENTS. 1st half 20th century. Composed of cowry shells with pony beads and hide fringe dyed red. SIZE: 42” l x 14” h (including fringe). 47” l x 12” h (not including fringe). CONDITION: Good, minor ornamentation loss, minor fringe loss, minor breaks in bead work. 52009-5 (1,5002,500) 3236.

Session 3

SIX FRAMED SILHOUETTES OF CHILDREN TOGETHER WITH A FRAMED PRINT OF A SHEPHERDESS AND PIPER. Late 19th and 20th centuries. The first, a silhouette of a young boy on rocking horse “leading a Lot 3235 charge” with upraised saber as his father in top hat blows a bugle. The second, group silhouette of brother and sister posed next to a Gothic hall chair. The boy in cap with tassel, a ball on the ground beneath the skirt of the girl. The third, a whimsical silhouette group depicting two sisters and their brother at play with dolls, hoop and other small toys. The young boy preparing to pull the pigtail of his older sister. Together with, three later framed silhouette groupings. The first a robed gentleman with conical hat, pipe and robe seated beneath a tree accepting a gift of garland from two children with their pet. The second depicting two witch-like figures on hillside engaged in a dispute with barking dog. The third, a group silhouette depicting a gentleman asking directions of two horsemen with church in the background. The framed color print titled “Pastoral Scene”, notated that it is taken from a watercolor found in a home in Southwicke, Massachusetts, depicting a shepherdess with sheep Lot 3236 beside a young boy playing a flute. SIZE: Largest: 10” x 12-1/2” sight. Smallest: 2-1/2” x 3-1/2” sight. CONDITION: Generally very good with minimal, if any, toning. All are housed in molded frames, the first of simulated graining. 52340-8 (600-900)

Lot 3237 3238.

3237. TWO KELIKI KAWAN MINIATURE FESTIVAL PAINTINGS. 20th century, Bali. Keliki Kawan is home to a group of artists who specialize in painting miniature paintings in the traditional Ubud style. Each watercolor includes a multitude of native and mythological figures and Gods in an abundant landscape. Both works are signed and inscribed lower right “Win / Karma Bali”. Housed in matching giltwood frames, matted under glass. SIZE: 1) 6-1/4” x 9-1/2”. Overall: 10” x 13-1/2”. 2) 4-1/4” x 2-1/2”. Overall: 10-3/4” x 9”. CONDITION: Very good. 52099-63 (500-700)

FRANKLIN MINT 1988 FACSIMILE OF THE TIFFANY TEDDY ROOSEVELT PRESENTATION BOWIE KNIFE. 13-1/2” overall with about 8” blade, with raised relief panels of bears and deer. Silver handle with “Roosevelt” in raised relief. Casing also holds facsimile bullet embossed with Roosevelt’s signature. The original Roosevelt knife sold just last year for almost one-half million dollars, making it the most expensive Bowie knife ever sold. CONDITION: Extremely fine. Retains most all its original silver plating. Blade is still well sharpened. Lock is not functional on casing, which has numerous small dings and dents, and two re-glued corners to lid that holds glass in place. 52013-27 (300-400)

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546

Lot 3238

3239. LIMOGES PORCELAIN PLANTER ON STAND. The planter of tapered form and hand painted around the body with flowers and lion head handles applied at the shoulders. Comes with original porcelain stand resting on four claw form feet. Both pieces marked “D & Co.” SIZE: 13-1/4” h x 18” diameter. CONDITION: Loss and repair to one handle. 51911-27 (600900)

Lot 3239 PAIR OF NIPPON PORCELAIN VASES. Early 20th century, Japan. The pair in pillow form and hand painted on the body with irises hanging down from the neck. Each with gilt painted handles and beaded gilt bands around the body. SIZE: 8-3/4” h. CONDITION: One with flake to the foot. 52000-1 (200-400)

Session 3

3240.

Lot 3240 3241. GROUP OF FIVE AMETHYST GLASS VESSELS. Late 19th or early 20th century, American. Group includes a tapered vase with wide ruffled edge and bulbous round foot, a short bulbous vase with shaped out-turned ruffled lip, a pinched flask with everted lip and opposing pouring spouts, and two pitchers: the first bulbous in form with textured surface, the second with ribbed interior, everted lip, applied handle and circular foot. All with broken pontil. SIZE: 8” h of tallest. 6-1/2” h of shortest. CONDITION: Bulbous pitcher with horizontal burst bubble defect on exterior of spout. Otherwise all very good with light soiling. 52009-8 (1,200-1,800)

Lot 3241

3242.

LOUIS PHILLIPE GILT TOLE CHANDELIER. Third quarter 19th century, France. The hexagonal galleried annular ring issuing three chains supporting a tapered galleried hexagonal bowl. The gallery is parchment lined, a scrolled wrought-iron candle arm with crimped bobeche joined at each corner, each of the six candle arms with simulated beeswax candle. The hexagonal bowl embellished with gilt metal leafage above a reeded sphere all gilt-decorated. SIZE: 48” h x 29” dia. PROVENANCE: From a private Massachusetts collection. CONDITION: Structurally good, gilt and tole painted surfaces original with normal and accepted inuse wear. 50800-43 (400-600)

Lot 3242 547

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3243. 19th CENTURY SIX ARM BRONZE CHANDELIER. The central shaft having six S-shaped arms decorated with flower heads. Presently electrified and having a ceiling mount with four link chain. SIZE: Including chain: 42” h x 27-1/2” w. Without chain: 29” h. CONDITION: Structurally very good. Nice dark patina. Minor spot abrasions on patinated surface. 45389-1 (100-200)

Lot 3243 Session 3

3244.

PAIR OF STERLING SILVER CORINTHIAN COLUMN CANDLESTICKS. Late 19th century. Each stop fluted column, surmounted by a capitol serving as a candle cup. The bases decorated with foliate floral garlands on a stepped base raised on C-scrolled feet. Base of each stamped 925 sterling. SIZE: 11-3/4” h. CONDITION: Bobeches absent. Bases originally weighted now removed. Otherwise with overall shallow denting. Fair to good overall. 51911-41 (600-900)

Lot 3244

3245. HERIZ ORIENTAL RUG. Mid-20th century. Geometric central medallion within a stylized diamond shape red field centered by ivory spandrels, the whole filled with dense polychrome geometric devices within a blue/black saz leaf main border. SIZE: 8’ 2” x 4’ 7”. PROVENANCE: Collection of Elwyn Dearborn, Medford, NJ & Portland, ME. CONDITION: Retains good pile with scattered areas of moth damage around perimeter. 26678-372 (100200)

Lot 3245 3246.

LARGE LOT OF SILVER PLATED ITEMS. Lot includes; trays, bowls, teapots, hairbrushes, goblets, boxes, serving pieces, and miscellaneous. 70 plus pieces. SIZE: Varies. Largest two handle tray 20-1/2” x 18”. CONDITION: Fair to good. 51629-1 (50-100)

Lot 3246

3247. LOT OF MISCELLANEOUS ESTATE ITEMS. Lot includes; 5 steins, 3 bottles, 4 sad irons, 4 catlinite pipes, 3 pieces of soapstone carving, 2 hay hooks, box of stamps, 3 leather rifle scabbards, and 2 Mexican throws. SIZE: Varies. Longest pipe is 30”. CONDITION: One pipe stem broken, everything shows use otherwise good. 51629-3 (100-150)

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548

Session 3 Lot 3517 549

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Session 3, Asian Section: Friday, August 18, 2017 Commencing at approximately 1:00 p.m. Please Read Conditions of Sale Before Bidding Lots 3500–3672

Session 3

3500. CELADON GLAZED FOOTED BOWL. China. Ming Dynasty. The walls of the bowl in slightly flared form and resting on three short legs. The body with carved cross-hatched design under a lightly applied celadon glaze. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 10-1/4” w x 7” h. CONDITION: One leg broken and re-glued. Hairline at rim. Crazing to the glaze. 51508-6 (600-700)

Lot 3500 3501.

LONGQUAN CELADON GLAZED CENSER. China. Ming Dynasty. The heavily potted censer in compressed form resting on three tapered mask and claw feet. The exterior decorated with trigrams done in relief, and the interior with an impressed lotus blossom. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 12” w x 3-3/4” h. CONDITION: Very good, minor chipping to unglazed underside. 51508-5 (700-800)

Lot 3501

3502. LARGE SANCAI GLAZED POTTERY ROOF TILE. China. Ming Dynasty. The tile depicting a standing official with a tablet in one hand and a serpent climbing from the other sleeve. He is shown standing upon stylized waves resting atop an arched base. Comes with wood stand. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 17-3/4” h (without stand). CONDITION: Discoloring to one side of the figure. 51508-2 (800-1,200)

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550

ARGE GLAZED POTTERY ROOF TILE. China. Ming Dynasty. The tile L depicting a standing official wearing a flowing robe along with a monkey at his side. Finished in lightly applied glazes and standing upon a group of lingzhi. Comes with wood stand. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 18-1/2” h (without stand). CONDITION: Some discoloration. Minor spots of glaze loss. 51508-15 (800-1,200)

Session 3

3503.

Lot 3503

Lot 3504 3504. THREE PIECE LOT OF ENAMELED SILVER. China. Early 20th century. The lot made up of a footed ashtray mounted with a jade bangle of a light grayish color, also included are two footed bowls with enameled fish resting on the walls which are made up of jade and another carved stone. SIZE: Ashtray 3” dia. Bowls 2-3/4” and 2-1/2” dia. CONDITION: Tarnishing to the silver, minor enamel loss to fish. 52153-2 (800-1,200)

3505. CARVED JADE BOULDER. China. 20th century. The stone of a black and gray color with russet inclusion. Depicts a scholar and attendant walking a path under overhanging branches. Two carved characters finished with gilt on the front. SIZE: 5” h. CONDITION: Minor rough spots at the edges. 52064-1 (1,500-2,000)

Lot 3505 551

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3506. LARGE AND ELABORATE AGATE CARVING. China. 20th century. The large carving displaying a detailed network of figures, buildings, birds, and animals amongst trees and clouds above the waves below. Comes with fitted wood stand. SIZE: 9-1/4” h (without stand) PROVENANCE: Robert C. Eldred Co., August 22nd, 1984, Lot #53. CONDITION: Very good. 52153-3 (2,000-2,500)

Session 3 Lot 3506

3507. SCROLL PAINTING. China, 20th century. The image depicts a traveler walking on a narrow path alongside a quiet stream, meandering through a mountainous landscape. Framed under glass. SIZE: Painting 45” x 16”. Overall 53” x 23-1/4”. CONDITION: Significant foxing, staining along the bottom, discoloration. 52099-31 (500-800)

Lot 3507 3508. PAINTING ON PAPER. China. Qing Dynasty. The scene showing a scholar in a landscape with attendant by his side. A dragon emerging from the clouds above and all framed with lotus scroll border. SIZE: 23-1/2” h x 14” w. CONDITION: Laid down on board, significant splits and losses to the pigment, significant creasing. 51626-2 (1,5002,000)

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552

OT OF SIX SNUFF BOTTLES. China. 20th century. The lot L consisting of five inside painted snuff bottles of various shape along with an over-painted enamel on copper example. SIZE: Tallest 3-1/2” h (with stopper). Smallest 2” h. CONDITION: Copper example with filled chip to the enamel on body. 51863-6 (600-800)

Session 3

3509.

Lot 3509 3510.

LARGE INSIDE PAINTED GLASS SNUFF BOTTLE. China. 20th century. The bottle made in slightly flattened form and colorfully painted on the interior with a scene of two warriors on horseback. Signed with one line of script. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 3-1/4” h (not including stopper). CONDITION: Very good. Stopper missing spoon. 51508-30 (400-500)

Lot 3510

3511.

OT OF EIGHT SNUFF BOTTLES. China. 20th century. The lot L consisting of six porcelain examples of various form along with two enamel on copper bottles. SIZE: Tallest 3” h. Smallest 2” h. CONDITION: Overall very good. Some stoppers missing spoons. 51863-7 (700-900)

Lot 3511 3512.

MOTHER OF PEARL INLAID BOX. China. 1st half 20th century. The box of flattened rectangular form inlaid with mother of pearl depicting a pair of cranes in a landscape on the cover surrounded by various precious objects and flowery vines around each side. SIZE: 15-1/2” w x 11-3/4” d x 2-1/2” h. CONDITION: Scattered shrinkage cracks, small losses to the mother of pearl inlay, small loss to top panel surround. 51826-5 (600-800)

Lot 3512 553

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3513. FRAMED TABLE MIRROR IN CARVED STAND. China. Qing Dynasty. The large rectangular mirror housed in a wood frame and swivels on an intricately carved stand perched upon the backs of two recumbent foo dogs with bun feet. PROVENANCE: By descent through the family of William Gano Pierce (1825–1875) who sailed from New York on board the Samuel Russell under Captain T. D. Palmer to Hong Kong, arriving June 15th, 1849. He remained in China for eight years. By direct descent through the family to the current owner. SIZE: Overall 28-1/2” h x 22-1/4” w. CONDITION: Some elements loose, some deterioration to the mirror, minor loss to carved scrolling. 51637-13 (600-800)

Session 3

Lot 3513 3514.

3515.

LOT OF ASIAN BOXES AND ACCESSORIES. Asia. 19th/20th century. The lot comprised of boxes made in various forms and include silver, paktong, and mixed metal examples. Also included is a carved wood netsuke in the form of a group of turtles, a five section lacquer inro, and as cloisonné beaker. SIZE: Largest 4-1/4” l. Smallest 1-1/4” l. CONDITION: Minor wear to the surfaces, tarnish, scattered shallow dents. 51628-4 (1,500-1,800)

Lot 3514

LOT OF THIRTY-TWO VARIOUS SMALL BOXES AND ACCESSORIES. Asia. 19th/20th century. The boxes and accessories made of metals including silver, brass, and bronze and originating from various countries throughout Asia. Forms include a peanut, fish, bird, chest, book, and more. SIZE: Largest 4-1/4” l. Smallest 1-1/4” l. CONDITION: Overall wear to the surfaces, minor dents. 51628-8 (1,0001,500)

Lot 3515

3516. MUGHAL STYLE COVERED BOX WITH JADE. 19/20th century. The box made of a lower grade silver and mounted with numerous colorful cabochons surrounding a jadeite ring and pearl on cover. The body mounted with a Chinese carved jade bangle. SIZE: 3” dia. CONDITION: Overall very good. Some small losses and chips to the stone cabochons. 51826-4 (600-800)

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554

Session 3 3517. EGYPTIAN BRONZE OF ISIS AND HORUS. Possibly 26th through 30th Dynasty. The goddess seated with her feet resting on a plinth and offering her left breast to her son Horus seated in her lap. Mounted on polished stone plinth. SIZE: Overall 7-1/4” h. Bronze 5-1/2” h. CONDITION: Overall very good. Typical patination to the surface. 51719-1 (6,000-8,000)

Lot 3517 (w/close-up)

3518.

PAIR OF CELADON GLAZED PLANTERS. Japan. Meiji Period. The planters of a squat form decorated with blue and white swallows done in shallow relief on a light celadon ground. SIZE: 11” w x 7-3/4” h. CONDITION: Gaps to the glaze, one with chip on outside of foot. 52089-2 (300-500)

Lot 3518 555

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3519. TWO PIECES OF GLAZED POTTERY. Japan. 19/20th century. The lot comprised of a square form bottle decorated with landscapes in underglaze blue. Comes with a cylindrical vase painted with birds and flowers. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: Bottle 8” h. Cylindrical vase 4-3/4” h. CONDITION: Bottle with discoloring to the pottery throughout, line in the body on one side. Cylindrical has one crazed line to the interior. 51508-26 (200-250)

Session 3

Lot 3519 3520.

CLOISONNÉ VASE. Japan. Meiji Period. The vase displaying birds perched upon maple branches with cherry blossoms below. Chrysanthemum scrolling around the mouth and two bands of geometric design above the foot. SIZE: 10” h. CONDITION: One side of the foot with large dent with corresponding enamel loss and significant cracking to the area. 52078-11 (600-800)

3521. CLOISONNÉ VASE WITH RELIEF. Japan. Meiji Period. The vase made in tapered form depicting a dove perched upon a blossoming branch. Executed in both wired and wireless enamel work with the leaves and flowers done in shallow relief. Signed on the Lot 3520 underside. SIZE: 9-3/4” h. CONDITION: Lines in the enamel around the rim, scattered stress lines to the body, areas of discoloration to the gray enamel ground. 52078-2 (1,000-1,500)

Lot 3521 3522.

FIVE CLOISONNÉ VASES. Lot includes: Four Cloisonné work vases with decorations of birds and flowers. Late 19th century, Japan. One Meiji Period (18681912), Japanese vase with decoration of cherry blossoms on alternate striped black and yellow ground. Da Ming mark on base. NOTE: Hand written letter accompanying this vase pertaining to provenance. SPECIAL NOTE: This lot is being sold to benefit the St. Jude Children’s Hospital. SIZE: Tallest: 9-3/4” t. CONDITION: Very good, with one vase having a hairline crack and other vases with chips. 51841-2 (300-500)

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556

Lot 3522

Session 3 3523.

TSUGUHARU FOUJITA ( Japanese, 1886-1968) “A BOOK OF CATS: BEING 20 DRAWINGS”. New York: Covici Friede, 1930. 4to (328 x 247 mm). Poems in prose by Michael Joseph. [2], 84 pp. Illustrated with 20 hors-texte etchings by Foujita. Printed on Arches paper. Book divided into sections by a decorative page with individual cat’s name followed by poem and sketch. Original salmon-colored cloth stamped in silver. Limited edition, signed by Foujita on the limitation page, no 344 from an edition of 500. SIZE: 13” h x 10-1/4” w. CONDITION: Some light wear to the cover, minor splits to inner joints, light toning to the paper along with minor spots of foxing mainly around the edges. 52155-1 (10,00015,000)

557

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3524. BLUE AND WHITE FOOTED PORCELAIN DISH. China. 18th century. The round dish resting upon three cabriole shaped legs accented with ruyi. A scene of five figures within a landscape painted in the center surrounded by a spear head border and cross-hatched design around the scalloped edge. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 11” w x 3” h. CONDITION: Restoration to one leg. restored chips along rim, loss and hairline at rim. 51508-11 (700-800)

Lot 3524

3525.

Session 3

3526. LOT OF EXPORT PORCELAIN FOR THE AMERICAN MARKET. China. 18/19th century. The lot made up of a tea set painted with an eagle done in sepia accented with gilt, includes: 5-1/2” h teapot, 5-1/2” h covered sugar, 5” h tea caddy, 5” h helmet form creamer, 7-1/2” plate, 5-1/2” saucer, 3-1/2” cup, and 3-3/4” handled cup. PROVENANCE: By descent through the family of William Gano Pierce (1825–1875) who sailed from New York on board the Samuel Russell under Captain T. D. Palmer to Hong Kong, arriving June 15th, 1849. He remained in China for eight years. By direct descent through the family to the current owner. CONDITION: Scattered crazing to the glaze, covered sugar with line at rim, tea caddy with line at rim, cup with hairlines. 51637-3 (600-800)

NO LOT

Lot 3526

3527. FRAMED PORCELAIN TILE. China. Early 20th century. The tile depicting an official with attendants in a landscape along with one holding a young child. Comes housed in a wood frame. SIZE: Sight 15” h x 10” w. Frame 21-1/2” h x 16-1/2” w. CONDITION: Very good. 52146-1 (1,000-1,500)

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558

Session 3

3528. PORCELAIN TILE PAINTING. China. 20th century. The tile painted with a man having a gleeful expression on his face while attending to two small children playing in a large sack. Large group of script overhead along with two seals. Done in the style of Wang Qi. With box. SIZE: Tile 14-3/4” h x 9-3/4” w. CONDITION: Small chip to corner. 51893-1 (6,000-9,000)

Lot 3528

3529. ENAMELED HEXAGONAL BOWL. China. Late Qing Dynasty. The bowl with flared walls, painted with a design of blossoming vines and bats on a turquoise glazed ground. Rests on a splayed foot decorated with blue scrolling and is marked on the underside in iron red. Comes with wood stand. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 7-1/2” w. CONDITION: Wear to the glaze. Stand with losses. 51508-23 (150-200)

Lot 3529 559

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3530. TWO TURQUOISE GLAZED PORCELAIN STANDS. China. 20th century and earlier. The first in round form raised on five inverted legs having mask accents at the base. The second in hexagonal form with open center and resting on six mask accented legs ending at claw form feet. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: First 9-3/4” w x 3-3/4” h. Second 4-3/4” w x 2” h. CONDITION: Both are very good. 51508-8, 51508-14 (70-100)

Lot 3530

Session 3

3531.

GLAZED POTTERY TILE MOUNTED AS A SCROLL WEIGHT. China. 18th century. The small tile with intricate design of foo lions amongst stylized clouds all done under a lightly applied lime green glaze. The tile has been mounted in a later brass frame to act as a scroll or desk weight. SIZE: 4-1/2” h x 3” w. CONDITION: Minor small chips around the edge, scattered glaze loss to raised design. 51626-3 (800-1,200)

Lot 3531

3532. SIX PANEL CARVED WOOD SCREEN INSET WITH PORCELAIN TILES. China. Early 20th century. Each section contains five graduated porcelain tiles surrounded by detailed openwork and accented with mother of pearl embellishments. The tiles hand-painted in the Famille Verte palette with the largest examples depicting various scenes of figures. SIZE: Overall 75” h x approximately 90” w. Largest tiles 11-3/4” h x 8” w. CONDITION: Minor loss to mother of pearl inlay, two tiles broken and repaired. 51840-1 (4,000-6,000)

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560

3533. 14KT GOLD LAVENDER JADEITE SUITE. Comprised of a bangle, pendant, earrings and ring. Bangle is of hinge design with carved gold caps and is 8.2mm wide. Pendant is set with a 60.0mm carved jade disc in a gold frame with texture detail. Earrings are set with 20.30mm circle cabochon jade discs in gold frames with post backs. Ring is centered by a foliate carved jade within an openwork gold mount and is 17.0mm x 17.5mm. All are stamped “14K”. SIZE: Ring is 5-1/2. CONDITION: Very good to excellent. 51753-1 (1,000-1,500)

Lot 3533 CARVED JADE AND HARD STONE NECKLACE. China. 19th century. The necklace made up of alternating agate and turquoise beads supporting a central nephrite carved flower with central turquoise cabochon. SIZE: Necklace 15” l. Pendant 2” w. CONDITION: Loss to two of the flower petals. 52085-2 (1,200-1,800)

Session 3

3534.

Lot 3534

Lot 3535 3535.

18KT GOLD AND APPLE GREEN JADEITE BRACELET. The bracelet set with five rectangular arched cabochons of apple green color. Clasp marked 18K. Accompanied with GIA certificate stating the Jade of natural color, no indications of impregnation, GIA report #2161921387. SIZE: 7-1/2” dia. CONDITION: Very good. 51919-4 (3,000-4,000)

3536.

JADEITE CARVING OF A MAIDEN. China. Late Qing Dynasty. The carving in the form of an elegant maiden wearing a flowing robe and gazing at herself in a mirror. The stone of a creamy white color with dark inclusions. Comes with fitted stand. SIZE: 7-1/4” h (without stand). CONDITION: Some natural fissures in the stone. 52064-2 (800-1,200)

Lot 3536 561

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Session 3

Lot 3537

3537.

LOT OF THREE THANGKAS. Early 20th century, Tibet. Each thangka hand painted with various deities and mythical creatures. Done in vibrant colors and accented with gilt. Each comes with matching silk borders. SIZE: 48” h x 32-1/2” w overall. CONDITION: Overall wear and scattered staining. 51779-1 (700-900)

3538.

SCROLL PAINTING. Japan. 20th century. The image of a single figure walking along a path following the rivers edge and executed in soft colors on silk. Comes with wood box. SIZE: Overall 75” h x 26-1/4” w. Image 451/2” h x 20” w. CONDITION: Very good. 52078-6 (400-600)

3539.

SCROLL PAINTING OF COCKEREL. Japan. 20th century. Painted on silk, the scene depicts a cockerel and a hen feeding in the flowery landscape. Signed lower right with two seals. SIZE: Image 45-1/2” h x 16” w. Overall 72” h x 20-3/4” w. CONDITION: Small split to backing along bottom edge, minor creasing to the image. 52078-5 (300-500)

Lot 3538 Visit www.jamesdjulia.com for more information

562

Lot 3539

Session 3

3540. LARGE SCROLL PAINTING OF LOHAN. Japan. 20th century. The painting depicting a Lohan mid stride with small pearl clutched in his fingers and head turned back at a dragon emerging from the clouds. Signed Zun Zhi. SIZE: Image 54” h x 29-1/2” w. Overall 74” h x 34” w. CONDITION: Creases, toning, small split in center. 52038-2 (600-800)

Lot 3540

3541. SCROLL PAINTING AFTER YANG ZHI. China. 20th century. The image possibly depicting Lie Tieguai drinking from a ewer with his staff on the ground by his side and bushes growing from a rockery overhead. Signed upper left with three seals. SIZE: Image 46” h x 23” w. Overall 86” h x 28-1/2” w. CONDITION: Very good. 52038-3 (1,000-1,500)

Lot 3541

3542. SCROLL PAINTING OF BASKET WITH FLOWERS. China. The painting with an elaborate and colorful arrangement of flowers held within a handled basket. Group of script along the left margin and bears the name of Emperor Guangxu. SIZE: Painting 49” x 26”. Overall 87” x 32”. CONDITION: Some staining and toning to the paper along with scattered creases and minor repairs. On newer mount. 51997-1 (6,000-8,000)

Lot 3542 563

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3543. LOT OF VARIOUS TEXTILES. China. 19th/20th century. The textiles in various form including wall hangings, coverlets, framed fragments, and sleeve bands. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: Largest 68” h x 55” w. Smallest 14” h x 12-1/2” w. CONDITION: Many with fraying, scattered stains and toning. 51508-31 (700-900)

Session 3

3544. SILK LAMPAS TEXTILE FRAGMENT. China, 13th century. The long fragment with alternating panels of phoenix and confronting dragons done with gold accented thread. SIZE: 62” x 11-1/2”. CONDITION: In fragile condition, scattered tears and small losses. Wear consistent with age. 51415-1 (2,000-3,000)

Lot 3543

Lot 3544

3545.

EMBROIDERED SLEEVELESS ROBE. China. 20th century. The entire exterior decorated with meandering vines accented with silvered thread. Comes with embroidered stole accented with metallic thread tassels. SIZE: 46-1/2” h. CONDITION: Fraying to interior liner, scattered wear and toning to exterior. Fraying around edge of stole. 52014-2 (600-800)

Lot 3545 (w/reverse) Visit www.jamesdjulia.com for more information

564

Session 3

3546. CHINESE EMBROIDERED WALL HANGING. China. Qing Dynasty. The large textile beautifully embroidered with a colorful network of playful foo lions and various blossoms all below a band of roundels of basket and flowers along the top edge. SIZE: 82” h x 55” w. CONDITION: Scattered insect holes. 52014-1 (1,500-2,000)

Lot 3546 3547.

BRONZE FIGURE OF MAHAKALA AND YUMARI. Tibet, 19th century. The deity depicted on ovoid lotus pedestal with feet resting upon small figures on top of the base. Shown with eight wrathful faces and sixteen arms holding various objects finished in red pigment. Fitted wood stand. SIZE: 8” h. CONDITION: Generally good with wear to the surface, small chip off figures crown, one applied hardstone missing. 51554-1 (1,000-1,500)

Lot 3547 3548. PAIR OF BRONZE SEATED FOO LIONS. China. 20th century. The pair in the form of a large male and female foo lion with one resting a front paw on a ball and the other a young pup. Both shown with fierce open mouth expressions and seated atop a rectangular plinth. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: Overall 14” h. CONDITION: Minor loss to the teeth, one plinth with repairs. 51508-9 (2,000-2,500)

Lot 3548 565

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Lot 3549 3549.

Session 3

GILT BRONZE RITUAL DAGGER. 18th/19th century, Tibet. Makala headed triangular blade vajra hilt with Hayagriva finial. SIZE: 14-1/2” l. CONDITION: Generally good. 51554-2 (1,000-1,500)

3550.

Lot 3550 Visit www.jamesdjulia.com for more information

566

SILVER INLAID IRON CENSER. Korea. Choson Dynasty. The vessel made in hexagonal form with rounded walls ending at a flattened top rim. The exterior intricately inlaid with silver and stands atop six spade form feet. Comes with openwork wood cover. SIZE: 7-3/4” w x 7” h (not including cover). CONDITION: Very good. Tarnishing to the surface. 51847-1 (4,000-6,000)

567

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3551.

INDIAN KUTCH SILVER FOUR PIECE TEA SERVICE. Late 19th century, India. Each piece finely crafted with three bands of meandering vines accented with various animals and flowers. Elephant form handles applied to each with inset ruby eyes. Comes with a cut corner tray decorated with scenes of wildlife and fitted with bamboo form handles. Weight is approximately 116 troy oz. SIZE: Tray: 22-1/2” l. Teapot: 7-1/4” h. Sugar: 5-3/4” h. Creamer: 5-1/4” h. CONDITION: Overall very good. Loss of one ruby to elephant eye on creamer. 51911-30 (8,000-12,000)

Session 3

3552.

NO LOT

3553. PAIR OF POTTERY FOO DOG STATUES MOUNTED AS BOOKENDS. China. Qing Dynasty. The dogs molded in opposing form standing upon a leaf form base and finished in green, yellow, and aubergine glaze. The pair has been mounted on gilt bronze bases to act as bookends. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 6” h. CONDITION: Both with chipping around the foot. 51508-29 (250-350)

Lot 3553 Session 3

3554.

AIR OF DAYAZHAI STYLE ZHADAO VASES. P China. 20th century. Each hand-painted with colorful blossoming vines on a lightly applied turquoise ground which continues down the interior of the flared rim. Both having a six character Guangxu marks in iron red. Comes with wood stands. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 3-1/2” h. CONDITION: Both with chips to the rim. One with a hairline. 51508-28 (500-600)

Lot 3554

3555. COPPER RED GLAZED BOTTLE VASE. China. Qing Dynasty. The round body slowly tapering to a short neck and finished with an evenly applied copper red glaze which stops cleanly just above the foot rim. Comes with wood stand. PROVENANCE: The Webster Family Trust descended from the Rockefeller/ Dodge Family. SIZE: 13” h (without stand). CONDITION: Very good. 5150819 (800-1,200) 3556. COPPER RED GLAZED BOTTLE VASE. China. Qing Dynasty. The vase with rounded body slowly tapering to a short cylindrical neck. The exterior finished in a rich copper red colored glaze which fades to clear at the top rim and stops cleanly just above the foot. Comes with wood stand. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 12-3/4” h. CONDITION: Very good. 51508-48 (800-1,200)

Lot 3555 Visit www.jamesdjulia.com for more information

Lot 3556 568

THREE YIXING POTTERY TEAPOTS. China. 20th century. 1) A 6-1/3” h globular pot decorated with the 8 immortals done in shallow relief. 2) A 3-3/4” h melon form pot with recumbent animal finial. 3) A 3-1/5” h pot of compressed form with incised design of calligraphy and blossoming branches and having dragon form spout. CONDITION: 1) Chip to spout, small chip to rim, possible replacement cover. 2) Very good. 3) Very good. 52078-10 (1,000-1,500)

Lot 3557

3558. PEWTER ENCASED YIXING POTTERY TEAPOT WITH JADE FINIAL. China. Late Qing Dynasty. The pot of a splayed hexagonal form incised with blossoming branches on one side and calligraphy on the other. The interior lined with Yixing pottery and bearing raised seal in the center. The handle with inlaid characters. SIZE: 5-3/4” w x 3-1/4” h. CONDITION: Significant denting to the underside and as a result does not sit flat. 52078-9 (1,200-1,500)

Lot 3558

3559.

YIXING LINED PEWTER TEAPOT. Early 20th century, China. Pewter pot in leaf form decorated with incised landscape on one side and a poem on the reverse. Jade applied to handle and spout. Yixing pottery lining the interior with signature. Poem is discussing the smell of the leaves playfully floating. SIZE: 6-1/2” l. CONDITION: Denting to exterior, bend to handle, cracks to Yixing liner. 51779-3 (400-800)

Lot 3559 3560. EXPORT PORCELAIN PUNCH BOWL. 18th century, China. The bowl painted in the Famille Rose pallet depicting figures in a courtyard with a body of water and hills in the distance. SIZE: 11-1/2” diameter. CONDITION: Restoration to walls. 51911-39 (1,5002,000)

Lot 3560 569

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Session 3

3557.

3561. EXPORT PORCELAIN MANDARIN PUNCH BOWL. 18th century, China. The exterior colorfully painted with numerous figures in the foreground along with buildings and boats in the hilly landscape behind them. The interior with a single roundel and stands on a tall narrow foot. SIZE: 11-1/2” dia. CONDITION: Restored. 51911-71 (1,000-1,500)

Lot 3561 Session 3

3562.

MANDARIN PATTERN PORCELAIN PUNCH BOWL. 18th century, China. The exterior elaborately painted with two large panels of figures and dogs flanked by reserves of baskets overflowing with flowers. SIZE: 11” dia.. CONDITION: Restored. 51911-70 (1,000-1,500)

Lot 3562 3563. FAMILLE ROSE PORCELAIN BOWL IN MANDARIN PATTERN. 18th century, China. The bowl colorfully painted with two large reserves of figures within landscapes flanked by two smaller ones. The interior accented with a single roundel bordered by iron red and gilt spearheads along with a band of trim at the rim. SIZE: 10” dia. CONDITION: Restored. 51911-69 (1,000-1,500)

Lot 3563

3564.

ROSE MANDARIN CIDER JUG. 19th century, China. Each side painted with matching reserves of figures in a landscape tending to animals at their feet. The trim made up of butterflies, insects, and flowers on a turquoise ground. Strap handle applied to the body and comes with original dome cover. SIZE: 11-1/4" h. CONDITION: Having restoration, otherwise very good. 52312-3 (1,500-2,000)

Lot 3564 Visit www.jamesdjulia.com for more information

570

3565.

CARVED HARD WOOD STAND IN RECTANGULAR FORM. China. Early 20th century. The low rectangular stand with openwork top standing on in-turned feet with aprons carved with elegant lotus scroll. SIZE: 27-1/2”l x 13-1/2” w x 6-1/2” h. CONDITION: Wear to the finish, one foot with chip to corner. 51819-1 (100-200)

3566.

ECTANGULAR HARD WOOD SIDE TABLE. 19th R century, China. The table of a slender form accented around the apron with bats and stylized Shou done in relief. SIZE: 36-1/2” l x 28-1/2” h x 14-1/2” d. CONDITION: Surface has been repainted or stained. Some water stains and shrinkage cracks to wood. 51911-23 (400-600)

Lot 3566 3567.

PAIR OF HORSESHOE BACK ARMCHAIRS. China. 20th century. The top rail extending beyond the front corner posts and ending at out-turned hooks. The curved splats showing a nice graining and hard mat seats set within a rectangular frame. SIZE: 38-1/2” h x 25-1/2” w. Seat 20” h. CONDITION: Overall very good, some splits in the wood. 51863-1 (800-1,200)

Lot 3567 3568.

ARDWOOD ALTAR TABLE. China. 20th century. The H rectangular top supported by four slightly splayed cylindrical legs connected with two pairs of stretchers. SIZE: 40-1/2” l x 17-1/2” w x 31-1/2” h. CONDITION: Overall very good. Minor splits to the wood. 51863-2 (600-800)

Lot 3568 571

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Session 3

Lot 3565

Session 3 Visit www.jamesdjulia.com for more information

572

IMPRESSIVE HUANGHUALI AND HARDWOOD, CORNER LEG SIDE TABLE. Qing Dynasty, China. The top of a single quarter inch thick Huanghuali panel resting in a rectangular frame perched upon four slightly tapered legs ending in hoof feet. Each side of the table with rounded front stretchers supporting elements of openwork scrolling. PROVENANCE: From the Janet and Richard B. Hobart Collection. This table was purchased in 1923, Peking and has remained in the Hobart family ever since. Hobart Collection established the benchmark for the Chinese antiquities market in the United States at two famous sales conducted at Sotheby’s, New York December 12, 1969 and also in 1970. This collection is now part of the Museum of Fine Arts in Boston, the Metropolitan Museum of Art in New York, the Fogg Museum at Harvard University, the British Museum, and the Asia Society. SIZE: 65-1/2” l x 24” w x 33” h. CONDITION: Slight warping and shrinkage cracks to top panel. Four small dowel holes filled along edge of top panel. Some staining to the wood. Openwork elements with minor repairs and one with loss. 52145-1 (20,000-40,000)

Session 3

3569.

Reverse

573

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Session 3

3570. LOT OF THREE LARGE LACQUERED BOXES. China. 19th/20th century. 1) A mother of pearl inlaid stationery box with 5 sectioned interior. 2) A large pewter lined master tea caddy with inlaid decoration and handles. 3) Gilt decorated footed game box. Interior complete with original fitted containers and trays. Comes with carved mother of pearl game counters. PROVENANCE: By descent through the family of William Gano Pierce (1825–1875) who sailed from New York on board the Samuel Russell under Captain T. D. Palmer to Hong Kong, arriving June 15th, 1849. He remained in China for eight years. By direct descent through the family to the current owner. SIZE: 1) 15-1/4” l x 9-1/2” w x 8-1/4” h. 2) 14-1/4” l x 10” w x 11” h. 3) 15-1/4” l x 11-3/4” w x 5-1/4” h. CONDITION: 1) Chipping around the edges, some Lot minor loss to inlay. 2) Losses to the inlay, chipping and stress cracks to lacquer surface, minor denting to pewter lining, locking mechanism not functional. 3) Minor losses to the lacquered surface, some splitting to the lacquer to the interior at seams. 51637-7 (1,500-2,000)

3571.

3570

CARVED OPENWORK BAMBOO BRUSH POT. China. 20th century. The pot carved with a continuous landscape containing figures engaged in various activities. SIZE: 6-1/2” h. CONDITION: Shrinkage cracks. 51826-6 (600-800)

3572. PEKING GLASS CUT OVERLAY BOWL. 20th century, China. The bowl molded in lobed form having a flared top rim and recessed foot. The exterior with carved ruby glass design of various blossoming flowers on a white ground. SIZE: 8-1/2” w. CONDITION: Very good. 51635-3 (1,000-1,500)

Lot 3571

Lot 3572 3573.

CUT OVERLAY GLASS DOUBLE GOURD BOTTLE. China. The milk colored base molded in double gourd form decorated with turquoise cut overlay design of birds flying amongst blossoming lotus. SIZE: 9” h. CONDITION: Some scattered rough spots to the applied turquoise glass. 51635-2 (800-1,200)

Lot 3573 Visit www.jamesdjulia.com for more information

574

HITE GLASS BRUSH POT. China, Qing Dynasty. The pot molded in W cylindrical form from an off white colored glass giving the appearance of carved nephrite. Stands on a slightly raised flattened foot and is well polished. SIZE: 5-1/2” h. CONDITION: Small nips around the top rim. Scuffing to foot. 51635-1 (600-900)

3575.

EKING GLASS BOWL. China. The bowl molded from a honey amber glass in P lobed quatrefoil form. Stands on a raised foot and has flared top rim. SIZE: 9-1/4” l. CONDITION: A couple shallow nips on the rim. 51635-4 (1,000-1,500)

Session 3

3574.

Lot 3574

Lot 3575

3576. LARGE JAPANESE EMBROIDERY. Japan. Meiji Period. The intricately embroidered wall hanging depicted a qilin peering up at a Phoenix overhead and all done on a solid network of flowers and leaves. SIZE: Overall 80” h x 53-1/2” w. CONDITION: Fraying and losses to trim, fading to central design. 52078-3 (600-800)

Lot 3576 3577.

LARGE SIX SECTION FLOOR SCREEN. Meiji, Japan. Each section with a large hand painted polychrome deities framed with gold leaf and patterned silk accenting the border. SIZE: 147” l x 72” h. CONDITION: Numerous splits to the panels, deterioration to silk border, losses to paint on wood frame. Tears and losses to paper backing. 52349-2 (2,000-4,000)

Lot 3577 575

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Reverse

3578.

IMPORTANT JAPANESE SAMURAI SWORD, TACHI. Signed “BIZEN OSAFUNE MOTOSHIGE SAKU” Oriikoshi mei (folded over signature) with origami (certificate of appraisal) by the well known famous appraiser of the early 20th Century, Fukushima Seido. Of the existing swords by MOTOSHIGE very few are signed, most are attributed. He lived and worked in the village of Osafune (now Okayama) & he worked early to mid 14th Century. Tempering and point are typical of his work, possibly re tempered. Translation of envelope: “FUKASHIMA SEIDO, SENSEI SHINTEI”. Translation of paper: BIZEN OSAFUNE MOTOSHIGE SAKU - MEI (signature) BIZEN OSAFUNE MOTOSHIGE SAKU - JIDAI JOJI KORO (about mid 14th century) - NAGASA (length) NI SHAKU ICHI SUN HACHI BU (about 65 cm or 26-1/16 length) ORIKOSHI MEI (folded over and inlaid signature) - SHINOGI ZUKURI (ridge blade) KOGISAKI (small point) - YAKIBA (temper pattern) KOGUNOME (small rounded bead pattern) JIAETSU SEIHI NISHITE

Session 3

- NIOI SHIMARI BOSHI (temper pattern in the point) TOGARITE NOBITE AGARI - SUKOSHI MARUKUKDERU KONO OSHI NI KOMOSAKUNO - TOKUCHO ARA WARU - SHOWA ROKU NEN GO GATSU ( date of paper May 1931). - SAIDO (name with seal). REFERENCE: Fujishiro kotohen page 559, rating JO JO saku, old Hawley’s first edition MO 639 rating 100 BKS 300. CONDITION: Blade in very good old polish in old shirasaya (resting case) with purple bag along with its original saya (scabbard). With excellent worked gold foil habaki (collar). 523871 (10,00015,000)

576

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TWO ENAMELED PORCELAIN BOWLS. China. Early 20th century. Each bowl made in rectangular form with cut corners and standing on a slightly splayed foot. The exteriors finished with a design of vines and flowers and the interiors with a lightly applied turquoise glaze. PROVENANCE: Lot 3579 The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 7” l x 5-1/4” w. CONDITION: One bowl with loss at one corner. Both with glaze pitting and shallow chips around the rim. 51508-22 (100-150) 3580. LARGE CELADON GLAZED CHARGER. China. The large strongly potted charger molded with numerous flutes encircling the center surrounded with a foliate shaped rim. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 18-1/2” dia. CONDITION: Stains to the interior. 51508-7 (800-1,200)

Lot 3580

3581.

FAHUA GLAZED FOOTED CENSER. China. Late Ming Dynasty. The vessel perched upon four scrolled legs with molded dragons and finished in vibrant aubergine, turquoise, green, and egg yolk colored glazes. An opening on each side of the neck which formerly held removable handles. Comes with wood stand. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 8-1/2” w x 8” h. CONDITION: Loss to the head of each applied dragon. Scattered flaking to the glaze, two cracks extending from the rim. Handles no longer present. 51508-18 (400-500)

Lot 3581

3582. FAHUA GLAZED FOOTED CENSER. China. Late Ming Dynasty. The censer raised on three cabriole supports and decorated around the body with applied dragons finished in turquoise. Comes with fitted wood stand. PROVENANCE: The Webster Family Trust descended from the Rockefeller/ Dodge Family. SIZE: 7-1/2” w x 6-1/2” h (without stand) CONDITION: Crack running the length of the body on one side. 51508-47 (400-600)

Lot 3582 577

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Session 3

3579.

3583.

Session 3

PAINTED POTTERY STATUE OF STANDING HORSE. Tang Dynasty, China. The horse is shown standing on a rectangular base with his head raised high and standing at attention. A saddle is draped over its back and bridle on its head. It is finished in a red wash, saddle and bridle painted black and white. Accompanied by Oxford Thermoluminescence test number C103Y37. SIZE: 12” h x 10-1/2” l. CONDITION: Overall very good, possible old restoration to top of front legs and at top of the neck. 52344-1 (7,000-10,000)

Lot 3583

3584. LARGE CELADON GLAZED BOTTLE VASE. China. Qing Dynasty. The impressive vase with carved design of fierce dragons in flight below a band of ruyi and key fret accenting the top rim. The glaze of a light tone stopping cleanly above the rounded foot rim. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 23” h. CONDITION: Very good. 51508-3 (2,0003,000)

Lot 3584 Visit www.jamesdjulia.com for more information

578

Lot 3585 Lot 3586 3586. PAIR OF LARGE CLOISONNÉ BOWLS. China, early 20th century. Each bowl having standing on a tall splayed foot and having a gently flared top rim. Decorated on a turquoise ground with colorful foo lions around the outside and the interior displaying lotus blossoms on a pinwheel ground. SIZE: 5-1/4” h x 10-1/8” dia. CONDITION: Very good. 51919-1 (400-800)

3587. IMPRESSIVE CLOISONNÉ FOOTED CENSER. Early 20th century, China. The body of the censer decorated with archaic Taoists masks on a teal enameled ground. Stands on three tapered legs and loop handles applied at the rim. SIZE: 20-1/4” h x 171/2” w. CONDITION: Restoration to the top of one leg, scattered areas of pitting to enamel, slight dents at the top rim. 51779-2 (1,500-3,000)

Lot 3587 579

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Session 3

3585. LARGE CARVED JADE AND CLOISONNÉ EMBELLISHED PANEL. China. 20th century. The large panel inset with design of precious objects carved from various stone, embellished with cloisonné. Housed in a wood frame accented by cloisonné panels decorated in lotus scroll. SIZE: Overall 39-1/4” h x 25-1/2” w. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item(s) meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item(s) into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item(s) and consummating the purchase. CONDITION: Very good. 51646-1 (1,2001,800) ESA

3588. LARGE CLOISONNÉ HU VASE. China. Late Ming Dynasty. The globular body resting upon a tall splayed foot and tapers towards the flared top rim. Decorated with colorful lotus scroll on a solid turquoise ground. SIZE: 13-1/2” h. CONDITION: Scattered pitting throughout. Top rim with dent and minor loss to the enamel. Craze lines to enamel on one side of rim. 52152-1 (6,000-8,000)

Session 3 3589. FOUR POTTERY VESSELS. Thailand. The lot comprised of four glazed pottery vessels displaying both carved and underglaze painted design. SIZE: Tallest 9-1/4” h. Shortest 5-1/2” h. CONDITION: Very good. Smallest vase with hairline at the rim. 52078-7 (400-600)

Lot 3588

Lot 3589

3590. LOT OF VARIOUS ASIAN METAL STATUES AND ACCESSORIES. Asia. 19th/20th century. The lot comprised of various metal objects including statues of seated Buddha, animals, and other figures, along with various covered containers including a Japanese covered box with dragons. SIZE: Largest 8” h. Smallest 1-3/4” h. CONDITION: Minor losses, tarnishing to the metals, scattered shallow dents. 51628-9 (1,000-1,500)

Lot 3590 Visit www.jamesdjulia.com for more information

580

3591. LOT OF ASIAN ARTICLES. 20th century and earlier. The lot consisting of a small Chinese bronze mirror decorated in a pattern of squirrels and grape vines. Also included is a Persian silver on copper bowl along with an intricately carved small gourd. PROVENANCE: The Webster Family Trust descended from the Rockefeller/ Dodge Family. SIZE: Bowl 6” w. Mirror 4” w. Gourd 4” h. CONDITION: Bowl has significant loss to silvered surface, small dents. Mirror has small chip on the edge. Gourd is very good. 51508-24 (200-300)

3592.

LOT OF ASIAN WORKS OF ART. 20th century. The lot comprised of a 19” bronze tripod footed censer, 20” h reverse painting on glass of seated official housed in a wood frame, together with a 11-1/2” h Tibetan bronze frieze with figures done in relief and lines of script along bottom margin. CONDITION: Very good overall. 52014-5, 52014-8 (500-700)

3593.

LOT OF CANTON PORCELAIN SERVING PIECES. 19th century, China. The lot comprised of an 11” chestnut basket, 10-34” openwork rimmed underplate, 9-3/4” cut corner bowl, 11-1/4” covered warming dish, 11” covered vegetable dish, and a 6” covered sauce tureen. CONDITION: Basket and cut corner bowl both badly broken and glued together. Other pieces with minor chipping to the rim. 5197130 (800-1,200)

Session 3

Lot 3591

Lot 3592

Lot 3593 3594.

LOT OF ASIAN PORCELAIN. 18th and 19th century. The lot comprised of a 10” blue and white dish with a small roundel of figures in the center, an 11” shallow bowl with a continuous network of vines, 9” canton bowl painted with a landscape, 7” shallow bowl with yellow glaze ground, and a 6-3/4” blue and white Arita dish. CONDITION: Dish with figures having crack extending from rim, shallow bowl with chip and lines on rim, canton bowl with chip to rim, yellow bowl broken and restored. 52375-7 (1,000-2,000)

3595.

Lot 3595 581

Lot 3594

AIR OF ROSE MEDALLION BARREL FORM P GARDEN SEATS. China. 19th century. The seats made in barrel form with alternating reserves of figures and birds amongst flowers. Raised knobs finished in gilt encircle each barrel with openwork coins on the sides and top. SIZE: 19” h. CONDITION: Very good. Light wear to the enamels. 519401 (2,000-4,000) Visit www.jamesdjulia.com for more information

3596.

EXTENSIVE FAMILLE ROSE PORCELAIN DINNER SERVICE. China. 19th century. The impressive service decorated with bunches of flowers, fruit, and insects encircled by flying dragons and various precious objects. Made up of a 16” punch bowl, 19” well and tree platter (small chip to foot), 18” platter with strainer (small chip to rim), 15” charger, 18-1/2” platter, set of six nesting platters from 18-1/2” w to 12-1/2” w (one platter broken and restored), two 14” l x 10-1/2” h covered tureens with under-plates, two 9-1/2” w covered bowls, two 10-3/4” covered vegetable dishes, three 8” l x 5-1/2” h covered sauce tureens, two with under-plates (the handle of one tureen missing), 10-1/4” shrimp dish (large chip to handle), 9-1/2” h covered coffee pot, 7-1/2” covered tea pot, 5” h covered sugar bowl with under-plate (chip

Session 3

to cover), 5-1/2” cream jug, 9” w x 5” h pedestal dish, 8-1/2” pedestal dish (chip and hairline). Also included are thirty-six 9-3/4” plates, nineteen 8-1/2” plates, 12 egg cups, five 4” w coffee cups, seven 3-3/4” tea cups, 15 demitasse cups, twelve 4” saucers, eight 5-1/2” saucers, eleven 6” saucers, and one 7-1/2” round server. PROVENANCE: By descent through the family of William Gano Pierce (1825–1875) who sailed from New York on board the Samuel Russell under Captain T. D. Palmer to Hong Kong, arriving June 15th, 1849. He remained in China for eight years. By direct descent through the family to the current owner. CONDITION: Serving pieces noted above. Some of the plates, cups and saucers with chips and/or hairlines. Overall very good. 516374 (5,000-6,000)

582

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ANGLO-INDIAN CARVED ROSEWOOD SIDE TABLE WITH MARBLE TOP. 19th century. The table resting upon four ornately carved cabriole legs with shell and scrolling that continue throughout the apron. The top fitted with a single rectangular marble panel. PROVENANCE: By descent through the family of William Gano Pierce (1825–1875) who sailed from New York on board the Samuel Russell under Captain T. D. Palmer to Hong Kong, arriving June 15th, 1849. He remained in China for eight years. By direct descent through the family to the current owner. SIZE: 62” l x 27” d x 32-1/2” h. CONDITION: Overall very good. Some minor splits to the wood. 51637-6 (4,000-6,000)

Session 3

3597.

Lot 3597 3598. CARVED HARD WOOD LOW TABLE. China. Early 20th century. The table in rectangular form standing on four tapered legs with scrolling at the feet and aprons with openwork design of stylized dragons. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 30” l x 15-1/2” w x 30-1/2” h. CONDITION: Some separation at joints, shrinkage split to top panel. 51508-4 (300-400)

Lot 3598 3599.

ELABORATE CARVED ORIENTAL HARDWOOD CABINET. Second half 19th century. The rectangular case with deeply carved arch crest depicting opposing fighting dragons within cloud bands above the rectangular case, densely carved overall. With prunus, conifers, cranes, songbirds, and multiple dragons. The cabinet fitted with an arrangement of doors, drawers, and open shelves centering an arched footbridge. Valance and side panels with foliate pierce carved panels. The door panels, drawer fronts, and medial back panels each fitted with a gold lacquer plaque inlaid with ornately carved chrysanthemums, peonies, iris, and other floral sprigs and sprays, in deep relief and of excellent quality. The whole on a carved base of opposing dragons centering a foo dog mask, all with inlaid abalone eyes. The whole raised on scrolled feet. SIZE: 82” h x 48” w x 20” d. PROVENANCE: The cabinet was originally part of the Christian Heurich, Jr. family collection of Washington, D.C. CONDITION: Generally very good with original surfaces. Most carved elements in place with minimal and minor losses of some petals. 52380-36 (2,000-4,000)

Lot 3599 583

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3600. SET OF THREE FRAMED PAINTINGS. 19th/20th century, China. All three paintings done with water color and gouache on paper depicting various scenes and mounted in a large frame under glass. SIZE: Frame 37-1/2” l 151/4” h. Sight of each 9-1/4” h x 8-1/4” w. CONDITION: Minor staining and foxing to the paper. Not examined out of frame. 52227-4 (500-1,000)

Lot 3600

Session 3

3601.

ZHANG YI (Chinese, 20th/21st Century) PAINTING OF IRIS AND BUTTERFLY. Dated 1944. Executed with watercolor on paper, the image depicts two small butterflies in flight over a group of blossoming iris. Group of script in upper left and signature on the right. Framed. SIZE: Overall 32-1/2” sq. Sight 25” sq. CONDITION: Slight toning to the paper, not examined out of frame. 52208-24 (1,000-1,500)

Lot 3601 3602. SCROLL PAINTING. China. The image depicting two young women seated together on a rockery reading a book of teachings with bamboo growing in the background. Signed lower left along with three seals. SIZE: Image 20-1/2” h x 13-1/2” w. Overall 63” h x 18-1/4” w. CONDITION: Repair in upper right, laid down on newer backing, toning to the paper. 52038-1 (1,000-1,500)

Lot 3602

3603.

SCROLL PAINTING OF LOTUS. China. 20th century. The image depicting a lotus blowing in the wind with leaves folded over below. After Zhang Daqian (1899-1993). SIZE: Image 22-1/4” h x 17-1/4” w. Overall 35-1/2” h x 22-1/2” w. CONDITION: Scattered foxing. 51893-2 (2,0004,000)

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584

3605. SCROLL PAINTING. 20th century, China. The large painting with vibrant cherry blossoms attached to a twisted central branch. Script in upper right along with two seals. SIZE: Image 52” h x 26-1/4” w. Overall 71” h x 33” w. CONDITION: Painting very good. Silk backing with a cut and some minor staining. Scroll cut from mounts. 52321-2 (1,000-2,000)

Lot 3604 3606.

Lot 3605

INGBAI GLAZED PORCELAIN Q DISH. China. The dish with flaring walls and standing on a narrow foot with a lightly applied glaze having a crackle finish and revealing a light teal color where pooled. Comes with wood stand. SIZE: 6-1/2” dia. CONDITION: Very good. 52078-1 (1,5002,000)

Lot 3606

3607. GLAZED POTTERY STATUE OF A PARROT. China. Qing Dynasty. The pottery statue depicting a parrot perched upon an open-work rockery and finished with an apple green glaze. SIZE: 8-1/4” h. CONDITION: Scattered losses to the glaze, small hole in the body of the parrot. 52078-4 (200-300)

Lot 3607 585

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Session 3

3604. SCROLL PAINTING OF STANDING MAIDEN IN THE MANNER OF ZHANG DAQIAN. 20th century, China. The image depicts the woman wearing a loose fitting robe and holding a single blossom along side her face. Inscribed Daqian Zhang Yuan & sealed Zhang Yuan Shiyin & Daqian Jushi. SIZE: Overall 84” h x 28” w. Image 49” h x 23” w. CONDITION: Overall good, minor creasing. 52321-1 (2,000-4,000)

3608.

Session 3

TWO FAMILLE ROSE "THREE BOY" VASES. 19th/20th Century, China. Each vase in bottle form decorated around the body with bats and lotus scroll on a dual glazed ground. The top accented with a ring of ruyi and traces of gilt remain on the rim. Applied to both are three young boys at play including two perched upon the shoulder and one pulling a rope below. They are marked on the underside with iron red Qianlong seals on a turquoise glazed ground. SIZE: Approximately 12-1/2" h. PROVENANCE: Freeman's, Fine Asian Arts, September 14, 2009, lots 581 and 582. CONDITION: Red above yellow example: 1/4" repair to foot of lowest boy, wear to enamel consistent with age and use, loss to gold decoration on rim. Yellow above Ruby example: Head repaired to boy at shoulder, moderate wear to enamel. 52409-1 (20,00030,000)

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586

Lot 3609 3610.

CARVED AMETHYST BRUSH WASHER. China. 20th century. The washer in a flattened oval form accented with squirrels and vines around the top rim. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 6-1/4” l. CONDITION: Glue repairs & 1-1/4” edge piece missing. 51508-25 (100-150)

Lot 3610

3611. MAN’S JADEITE RING. China. 20th century. The stone of a apple green color with some lighter inclusions and carved with a slightly flattened dome top. SIZE: Top 1-1/4” l x 1/2” w. CONDITION: Very good. 51919-5 (500-700)

Lot 3611 587

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Session 3

3609. IMPRESSIVE PAIR OF FAMILLE ROSE PORCELAIN FLOOR VASES. China. Late Qing Dynasty. The large pair made in a flattened hexagonal form and painted with reserves of figures around each section surrounded by trim made up of colorful flowers along with other precious objects. Applied chilongs at the shoulders and scepter form handles flanking the necks. PROVENANCE: By descent through the family of William Gano Pierce (1825–1875) who sailed from New York on board the Samuel Russell under Captain T. D. Palmer to Hong Kong, arriving June 15th, 1849. He remained in China for eight years. By direct descent through the family to the current owner. SIZE: 34-1/2” h. CONDITION: One very good. The second badly broken throughout the neck and mouth with old staple repairs. 51637-8 (5,000-7,000)

3612. CARVED JADEITE PENDANT. China. Late 19th to early 20th century. This big and heavy pendant is in a slightly tapered form carved with fruit filled vines on one side of the full green. The reverse of a dark russet color carved with a deer atop lingzhi. SIZE: 3” h. CONDITION: Very good. 51919-6 (1,500-2,000)

Session 3 Lot 3612 3613.

J ADE AND BRASS COVERED BOX. China. Qing Dynasty. The box made in oblong form decorated around the exterior with design of birds and blossoming vines. The cover fitted with a nicely carved jade plaque depicting a bird on openwork scrolling. SIZE: 3-1/2” l. CONDITION: Very good. 51847-2 (1,5002,000)

Lot 3613

3614. CARVED JADE FOOTED CENSER. China. Qing Dynasty. The censer carved with archaistic masks on each side and rests on a tall splayed foot. Handles accent each side of the body carved with key fret design and a the head of a mythical creature resting atop. Comes with fitted wood stand. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 6-3/4 w (at handles) x 3-1/4” h. CONDITION: Jade is very good. Wood stand old repairs. 51508-27 (1,000-1,500)

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588

JADE COVERED VASE. China. Qing Dynasty. The vase carved from a grayish colored stone having russet inclusions. The exterior with a wide band of archaistic design above a ring of lappets accenting the tall splayed foot. Two large mask and ring handles on each side along with four smaller handles adorning the neck. Comes with original domed cover, having lotus form finial. The vase is very well hollowed and comes with fitted wood stand. SIZE: 8-1/2â&#x20AC;? h (without stand). PROVENANCE: Sold Robert C. Eldred Co., August 22nd, 1984, lot #155. CONDITION: Overall very good, a few small rough spots along the edges. 52153-1 (12,000-15,000)

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Session 3

3615.

589

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3616. IMPORTANT PAIR OF FINE POLYCHROME DECORATED PHOENIXES. Qing Dynasty, China. Each pottery bird posed on rockwork in opposing directions with rich and vibrant coloration. SIZE: 19-1/2â&#x20AC;? h. CONDITION: Very good. Small flake underside of one. 52266-1 (6,000-9,000)

Session 3 Lot 3616

3617.

TURQUOISE GROUND FAMILLE ROSE CHARGER. Qianlong mark but possibly later, China. The charger with shallow rounded sides and openwork rim, is finished with meandering vines and blossoms all done on a turquoise glazed ground. The underside with matching design and stands on a slightly splayed foot with rose colored leaf accents ending at a smooth foot rim. Qianlong seal in iron red. The underside bears numerous labels including examples with the names of Marchant and Nathan Bentz, and is also accompanied with a paper receipt from the London San Knight Antique Gallery Museum, dated 1970. Our research has been unable to verify the references to these former collections. SIZE: 151/2" dia. CONDITION: Very good with scattered wear to the glaze, rubbing to the gilt. 52381-1 (10,000-20,000)

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Lot 3617 (w/close-up) 590

3618. BLUE GLAZE SHALLOW BOWL. China. Qing Dynasty. The bowl of a porcelaneous stoneware is finished with a lightly applied blue glaze which stops at the foot to expose the smooth rounded foot rim. SIZE: 9-1/4” w. CONDITION: Numerous hairlines and small chips to the rim. 51626-4 (800-1,200)

Lot 3618 SET OF FOUR PORCELAIN PLAQUES. China. 20th century. Each plaque showing various insects including cicada, praying mantis, and dragonfly climbing upon various plants. All with a group of script and three having a seal. SIZE: Each 8” h x 5-1/4” w. CONDITION: Minor chipping around edges. 52089-1 (1,500-2,500)

3620. F AMILLE ROSE FLOWERS & BIRDS VASE. 20th century. Of globular form, the large vase body painted with magpie birds on plum flower trees, while flowers blossom around them. Chinese calligraphy poetry on the side, artist signature “Zhang Zhi Tang”, bottom bears additional mark. SIZE: 15” h x 9” d. CONDITION: Very good. 51554-3 (600-900)

Session 3

3619.

Lot 3619

Lot 3620 3621.

CARVED WOOD SEAL BOX INSET WITH JADE DRAGONS. 20th century, China. Made in square form the box is intricately carved on each side with a fierce central dragon floating from within clouds along with the top being inset with five jade dragons. The base carved with lappets and scroll work and a wave form wall meant to contain a seal. SIZE: 9” h x 9-3/4” w. CONDITION: Discoloring to the wood, wear to the surface. 52375-8 (1,5002,500)

Lot 3621 (w/close-up) 591

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3622. STONE CARVING OF SEATED BUDDHA. China. 18th century or earlier. The sculpture of a seated Buddha with legs crossed and hands in a mudra. The deity seated atop a tall plinth resting on a stepped base. SIZE: 11-1/2” h. CONDITION: Break and repairs to the halo. 51575-2 (600800)

Session 3 Lot 3622

3623. BRONZE FIGURE OF WWII ERA JAPANESE NAVAL OFFICER. Fine bronze figure of Japanese Naval officer holding binoculars in right and sword with handguard in scabbard in left hand. From the estate collection of a WWII U.S. Navy veteran. Bronze figures such as these were often given as retirement gifts to Japanese officers. This one may have been given to a schoolmaster at one of the U.S. Japanese training academies. Maker’s marked at rear of base which is hollow. SIZE: 19-1/2” h. Base 5-1/2” x 5-5/8”. CONDITION: Overall appearance is very good to extremely fine with some slight brassing at high edges around binoculars and top of cap. Sword has become detached at base and lower sword hanger strap detached at ring which could be soldered. Overall a very fine and attractive and interesting souvenir of WWII. 52202-1 (5001,000)

Lot 3623

3624. BRONZE STATUE OF TWO HERONS. Unmarked, Early 20th Century. Depicts a mother & child, both resting on a lily pad shaped base. Bronze having scattered green verdigris finish. SIZE: 15-1/2” h x 7” l. CONDITION: Some casting flaws, otherwise good. 52013-21 (800-1,200)

Lot 3624 3625.

LACQUERED SHRINE. 19th century, Japan. The black lacquered cabinet with bi-fold doors opening to latticework bi-fold wire doors beneath a gilt foliate carved filigree opening to a galleried interior, gold gilt with compartments. SIZE: 35-1/2” h x 18-1/2” w x 15” d. CONDITION: Very good with intact surfaces. 52380-20 (475-675)

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592

Lot 3626

3627.

HAND FAN WITH CALLIGRAPHY. China. 20th century. The fan of bamboo supporting a hand-painted scene on one side with snail and flowers. Calligraphy on the reverse along with one seal. SIZE: Sticks measure 12”. CONDITION: Very good. 51919-3 (200-400)

Lot 3627 3628. SCROLL OF FIGURES IN LANDSCAPE. China. 20th century. Image depicts a group of figures in a landscape including two attending an elephant with a quiet stream below. Script upper right along with numerous seals along margin. Possibly an embellished print. SIZE: 54” h x 30-1/2” w. CONDITION: Toning, couple small tears along margins, trimmed. 52038-4 (400-600)

Lot 3628

3629. SCROLL OF AVALOKITESVARA. China. 20th century. The Bodhisattva shown seated upon a rockery with legs crossed with numerous figures and creatures below. A group of script framed by dragons along top margin. Possibly an embellished print. SIZE: Image 50” h x 21-1/4” w. Overall 81” h x 26-1/2” w. CONDITION: Creasing, scattered stains, minor split to scroll backing, toning to the paper. 52038-5 (300600)

Lot 3629 593

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Session 3

3626. FRAMED SILK FAN PAINTING BY YUAN DING. China, 19th Century. The painting in round form depicting a figure crossing a bridge away from a building in the foreground with a mountainous terrain overhead. Cyclically dated to the 5th Month of 1820 or 1880. Housed in a mid 20th C square huali hardwood frame with carved dragons around the border having a hardwood thin veneer mat with round window, all under glass. SIZE: 30-1/4” h x 34” w. Painting is 11” dia. CONDITION: Appears to be laid down on a board, hole repair right of mountain, some separation to stitching, light foxing, otherwise stable & good. Wood mat with splits and warping. 51856-1 (1,750-2,250)

3630. LARGE CARVED WOOD DISPLAY CABINET. China. 20th century. Made in two sections, the top with a network of interlocking display shelves with the lower portion having two drawers carved with dragons and shelving below. SIZE: 72-1/2” h x 35-1/2” w. CONDITION: Very good. 51863-3 (600-800)

Session 3 Lot 3630

3631. CHINESE STYLE GLASS FRONT DISPLAY CABINET. 20th century. The brass mounted cabinet made in two sections with the top having a paneled glass front and two center doors above four drawers. Each shelf fitted with lighting. The lower section with a large central compartment flanked by two smaller doors below two drawers. SIZE: 73-1/4” h x 51” w x 19-1/2” d. CONDITION: Very good. 51863-8 (800-1,000)

Lot 3631 3632. BRONZE STATUE OF STANDING ELDER. China. 20th century. Sculpture in the form of an elder wearing a loose fitting robe and one hand clutching a tall staff with hanging scroll. The other hand outstretched in front of him. SIZE: 10-3/4” h. CONDITION: Very good. 51826-3 (600-800)

Lot 3632 3633.

LARGE BRONZE HANDLED CENSER. Early 20th century, China. The censer in a squat four sided form with mythical creatures around the body done in relief on a ground of intricate waves. Two scepter form handles extending from each side ending at a ruyi. The underside with an apocryphal six character Xuande mark. SIZE: 17” w x 11” h. CONDITION: Some tarnishing to the surface, minor pitting to the body. 52375-5 (1,000-1,500)

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594

Session 3

3634. BRONZE FOOTED CENSER. Early 20th century, China. The large rounded censer decorated around the body with dragons chasing a flaming pearl along with dragon form handles applied to each side of the rim. The underside with an apocryphal six character Xuande mark. SIZE: 121/2” diameter x 10-1/2” h. CONDITION: Casting flaw and fissures to one leg. 523754 (1,000-1,500)

Lot 3634 3635.

LARGE BRASS PAGODA SCULPTURE. China. 20th century. The large tiered pagoda holding a network of bells and rests atop a wood plinth. SIZE: 49” h (without base). CONDITION: Overall very good. 51637-11 (400-600)

3636. FAMILLE ROSE PLAQUE. China. The famille rose plaque enameled with three roosters in forest setting looking for food, with poetry calligraphy, artist signature and mark on top left, framed in wood. SIZE: 16-1/2” l x 10-1/2” w. CONDITION: Generally good. 49307-1 (500-800)

Lot 3635

Lot 3636 3637. PAIR OF PORCELAIN VASES FITTED AS LAMPS. Early 20th century, China. Each vase made in a four sided Hu form and painted around the body with a continuous scene containing blossoming plants and birds. Each fitted as a lamp. SIZE: Overall 27-1/4” h. Vases 11-1/4” h. CONDITION: Overall very good. 51911-22 (300-500)

Lot 3637 595

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3638. PAIR OF PORCELAIN LANTERNS. 20th century, China. Each lantern made in hexagonal form with openwork walls containing a single roundel of flowers. Both rest on their original inverted bases, finished with scroll work on turquoise and yellow grounds. SIZE: 12-1/2” h. CONDITION: One lantern with loss to openwork. 52371-2 (500-700)

Session 3

Lot 3638 3639.

GLAZED POTTERY NARCISSUS BOWL. China. 20th century. The bowl made in hexagonal form standing on three ruyi form feet and finished with a dripped teal colored glaze. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 7-3/4” w. CONDITION: Very good. 51508-12 (50-75)

3640.

Lot 3639

AIR OF ANCESTRAL PORTRAITS P REVERSE PAINTED ON GLASS. China. 20th century. The pair depicting a male and female official wearing elaborate robes adorned with dragons and seated on a large throne. SIZE: Overall 15” h x 11” w. CONDITION: Scattered light wear to the paint. 51863-4 (300-500)

Lot 3640 3641.

SCROLL PAINTING OF TIGERS. China. 20th century. Executed on paper and mounted on a scroll backing. The image depicts a mother tiger and cub resting with branches overhead. Two lines of script with seals. SIZE: Image 27-1/2” h x 27” w. Overall 33-1/2” h x 34” w. CONDITION: Creasing. 51919-2 (300-500)

Lot 3641 Visit www.jamesdjulia.com for more information

596

3642. SCROLL DEPICTING SEATED KWANYAN. 20th century. Central image shows the goddess seated on a lotus base with flaming mandorla above. SIZE: Overall 58” h x 23” w. Image 25” h x 17-3/4” w. CONDITION: Minor stains. 52321-3 (400-600)

Session 3

Lot 3642

3643. SATSUMA POTTERY VASE. Japan. Early 20th century. The vase made in ovoid form with two large panels depicting warriors on one side and women and children on the reverse. The trim with applied enamels and accented with gilt. SIZE: 23-1/2” h. CONDITION: Chip and hairline to rim. Chips around foot. 52085-3 (400-500)

Lot 3643

Lot 3644 3644.

EMBROIDERED SILK ROBE. Japan. Early 20th century. The elegant robe finally embroidered with a network of blossoming vines all done on a periwinkle ground. Still retains label from Iida & Company, Yokohama. SIZE: 47” h x 56” w (across the sleeves). CONDITION: Overall very good. Some minor fading. 52142-2 (400-600)

3645.

PAIR OF FRAMED COLORED PRINTS. 20th century, Japan. The images depicting a seated figure in each with framed characters in the upper corner and a single line of script. Both matted and framed under glass. SIZE: Frame 13” w x 12” h. Sight 6-1/2” w x 5-1/4” h. CONDITION: Toning to each. 52227-5 (200400)

Lot 3645 597

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Session 3 Lot 3646

3646.

LOT OF JAPANESE WOODBLOCKS AND OTHER PRINTS. The lot made up of eight framed prints including examples by Hiroshige, Hokusai, and a large triptych. SIZE: Sight triptych 27-1/2” h x 13-3/4” w. Sight of smallest 11-1/2” h x 7-1/2” w. CONDITION: Scattered creasing, toning to some images. Not examined out of frames. 52129-4 (800-1,200)

3647.

CASED BOOK ON JAPANESE ART. Japan. Shippo no monyo, ed. Hayashi Toshimitsu, pub. by Maria Shobo, Kyoto 1977. Hardcover book with illustrations of Japanese art and the ability to depict scenes on various forms. With case and shipping box. SIZE: Case 16-1/2” l x 12-2/4” w. CONDITION: Very good. 52078-13 (300-500)

Lot 3647

Lot 3648

3649.

3648. FOOTED BRONZE PLATFORM. 20th century, India. The platform made in ten sided form each corner accented with a standing figure holding a leaf form bowl in front of their body and with a claw and ball foot below. SIZE: 15” dia. CONDITION: Overall wear to the surface, top panel possible added later. 523756 (500-1,000)

BRONZE CENSER. 18th century or earlier, China. Fish shaped handles, six-character Hsuan Te mark on the base. SIZE: 5-3/4” h x 11” dia. CONDITION: Very good. 52402-1 (400-600)

Lot 3649 Visit www.jamesdjulia.com for more information

598

Session 3

3650. GOUACHE DEPICTING RAJA RAWAL LAWANI SINGHJI ON HORSEBACK. India. 19th/20th century. The ruler shown riding a galloping horse with attendants by his side. Framed and matted under glass. SIZE: Overall 17-1/2” h x 13” w. Sight 11-1/2” h x 7-3/4” w. CONDITION: Paint loss along bottom edge. Not examined out of frame. 52014-7 (400-500)

Lot 3650 3651.

ENGRAVED ROUND BRASS TRAY. 20th century, Persia. The tray intricately decorated with a continuous band of alternating figures and animals surrounding a central flower. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 21” diameter. CONDITION: Some spots of tarnishing to metal, minor denting. 51508-46 (50-75)

Lot 3651

3652. POLYCHROME DECORATED SHALLOW BOWL. 18th/19th century, Persia. The pottery bowl with short rounded walls decorated with a central star surrounded by a band of leafy vines on the rim. Stands on a slightly inverted foot with the underside having a thinly applied glaze. PROVENANCE: From the collection of the late George Finney, Virginia. SIZE: 14-3/4” dia. CONDITION: Broken with staple repairs. 51575-5 (200-400)

Lot 3652 3653. FRAMED PORCELAIN PLAQUE. China, 20th century. The painted scene depicting a group of playful children in a landscape with a tree growing from a rockery overhead. Comes housed in an openwork frame which sits in a stand. SIZE: Porcelain 16-1/4” x 10”. Overall 28” t. CONDITION: Very good. 51997-3 (200-400)

Lot 3653 599

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3654. LANGYAO GLAZED CABINET VASE. China. Early 20th century. The vase made in a diminutive baluster form and finished in a Langyao glaze which fades to clear above the raised foot rim. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: 5-1/4” h. CONDITION: Very good. 51508-21 (50-70)

Session 3

Lot 3654

3655. LARGE BLUE AND WHITE PORCELAIN CHARGER. 20th century, China. The charger painted in under-glaze blue with scenes of duck and lotus in the center surrounded by a foliate rim. SIZE: 23” diameter. CONDITION: Very good. 51911-53 (400-600)

3656. GLAZED POTTERY STATUE. China. 17th century. Statue in the form of a seated Lot 3655 figure wearing a loose fitting robe exposing the chest. Finished in vibrant glazes of green, egg yolk, turquoise, and aubergine. Now set as a lamp. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: Pottery 14-1/2” h. Lamp 23-1/2” h (without shade). CONDITION: Break and repair to the neck of the figure. 51508-16 (1,000-1,500)

Lot 3656

3657. JADE INLAID HARD WOOD SCEPTER. 20th century, China. The scepter of curved form is inset with three jadeite carvings. The wood inlaid with silver wire having stylized characters at the top. SIZE: 13” l. CONDITION: Very good. 51847-5 (1,0001,500)

Lot 3657

3658. LARGE CARVED SOAPSTONE SEAL. China. 20th century. The seal made in octagonal form carved with a continuous landscape and two dragons perched on top chasing a flaming pearl. SIZE: 6” h. CONDITION: Very good. 52146-6 (300-500)

Lot 3658 (w/close-up) Visit www.jamesdjulia.com for more information

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3659.

IVE PIECE LOT OF JADE AND OTHER STONE F CARVINGS. China, 20th century. The lot comprised of a 6-1/2” white jade belt hook, 5-3/4” jade hook in scepter form, 3-1/4” stone carved seal with ducks and lotus, and two 2-3/4” jadeite bangles. CONDITION: Very good. 51997-2 (600-800)

3660.

Session 3

Lot 3659 APPROX. THIRTY ASSORTED DECORATIVE BOXES. All fabric covered and lined (some silk lined). SIZE: Ranging from 1-1/2” h x 3-1/2” w x 2-3/4” d to 6-3/4” h x 13-1/2” w x 7-1/2” d. CONDITION: Generally very good, some show slight wear. 49256-1 (100-150)

Lot 3660 3661. L ARGE ASSORTMENT OF SILK LINED BOXES. The lot made up of numerous silk lined Chinese shipping boxes, most of diminutive size. SIZE: Largest 9-3/4” x 9-3/4”. A majority 4-1/2” x 3-1/2”. CONDITION: Most very good, some with tape to exterior and light wear. 51818-1 (50-100)

Lot 3661 3662. LARGE ASSORTMENT OF WOOD STANDS. China. 19th/20th century. The lot made up of a large assortment of wood stands. Most round in form with openwork walls. SIZE: Largest 10” w. Smallest 1” w. CONDITION: Scattered breaks and losses. 51818-3 (100-200)

Lot 3662

3663. LOT OF THREE CHINESE WORKS. Early 20th century and later. 1) A framed Kesi textile depicting warriors on horseback in a landscape. 2) A jade carving with opposing foo lion and removable bowl perched upon their back. 3) A silver covered box in the form of a recumbent lion. SIZE: 1) Overall 39” h x 11” w. 2) 5-1/2” h. 3) 3-1/2” l. CONDITION: 1) Scattered foxing, not examined out of frame. 2) Very good. 3) Tarnish to the surface. 52129-3 (800-1,200)

Lot 3663 601

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3664. PAIR OF COVERED PORCELAIN TEMPLE JARS. 20th century, China. Each jar hand painted with a mirrored scene of a bird perched upon an outcropping of rocks within a flowery terrain. Each come with original domed cover. SIZE: 18-3/4” h. CONDITION: Very good. 51911-52 (600-900)

Session 3

Lot 3664 3665. LOT OF GLAZED POTTERY. 20th century. The lot made up of a turquoise glazed bowl with pink glazed interior, a green glazed planter stand, and rectangular shaped dish with slightly flared form and turquoise glaze. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: Bowl 7” w. Stand 5-3/4” w. Rectangular 5” w. CONDITION: Turquoise dish with chip and hairline to one corner. 51508-13, 51508-20 (30-40)

Lot 3665

3666. CARVED SOAPSTONE FOO DOG. China. Early 20th century. The well carved sculpture depicting a foo lion with head turned to the side and paw resting on a brocade ball. He is shown atop a rectangular plinth having panels around the outside carved with horses done in shallow relief. Now fitted as a lamp. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. SIZE: Stone 7-1/2” h. Lamp 12-3/4” h (without shade). CONDITION: Scattered small chips, staining to the shade. 51508-17 (150-200)

Lot 3666 3667. LARGE LACQUERED SWEETMEAT BOX. 20th century, China. Foliated shape. Black with floral scrolling and cash coin pattern around a central reserve of a dragon and a pearl. Fitted interior. SIZE: 15-1/2” dia x 3-1/2” h. CONDITION: Rubbing to the surface and chips to the edges. 52157-6 (300500)

Lot 3667 Visit www.jamesdjulia.com for more information

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3669. LARGE PORCELAIN HU FORM VASE. China. 20th century. The large example colorfully painted with a network of blossoming vines accented with a band of relief leaves and ruyi encircling the neck along with two elephant form handles. An apocryphal Qianlong seal to the underside. SIZE: 23” h. CONDITION: Very good. 52014-3 (300-400)

Lot 3668

3670. PAIR OF PORCELAIN BOTTLE Lot 3669 VASES. 20th century, China. Each vase with flower form reserves depicting birds in a flowery landscape. All done on a yellow ground accented with scroll work vines and precious objects. SIZE: 19-3/4” h. CONDITION: Very good. 51911-54 (400-600)

Lot 3670 3671.

COLLECTION OF CARVED MINIATURE ASIAN FIGURES. Early 20th century. These miniature carvings generally depicting everyday events of farmers and tradesmen, examples include, blacksmith, weaver, carpenters cutting boards, farmer plowing field, gristmill, and others. Clay figure of child with rabbit, two clay ocarinas. All housed in a contemporary metal box painted with a seascape. SIZE: Smallest 1-3/4" h x 1-1/2" w. Largest 2-1/4" h x Lot 3671 3-1/4" w. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. CONDITION: Generally good, most figures intact. 51508-33 (200-250)

3672.

FAMILLE ROSE PORCELAIN JAR. Early 20th century, China. Famille Rose decoration of lotus plants. SIZE: 6-1/2" h x 6-1/4" dia. CONDITION: Very good. 51955-1 (100-200)

Lot 3672

End of Auction 603

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Session 3

3668. CARVED AND PAINTED WOOD BUDDHA. 20th century, China. The Buddha depicted in a seated position with legs crossed and hands in a mudra. He is finished in red and blue paint accented with gilt. SIZE: 19-1/2” h. CONDITION: Scattered losses to paint, splits in the wood. 51779-4 (150-300)

Notes

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Considering Selling? Whether you have one important item to sell or an entire collection, there are a number of reasons why you should contact James D. Julia’s:

Reputation for Honesty & Fair Dealings Over the years we have established a sterling reputation with both buyers and sellers. For the seller, this means their goods will be properly and professionally handled with hassle free straight forward dealings. The buyer has also learned to trust the Julia reputation for honest descriptions. This means they can place their ultimate bid with confidence that the goods will be as represented.

North America. The use of special press releases provided to key publications throughout North America also maximizes exposure. Advance notices and the complete catalog with photos are loaded onto our website available to the world. We have a special arrangement with Invaluable, Bidsquare (Lamp & Glass and Fine Art Auctions only) and Proxibid (Firearms Auctions only) so our catalogs are also loaded on their websites. This allows all Invaluable, Bidsquare (Lamp & Glass and Fine Art Auctions only) and Proxibid (Firearms Auctions only) clients to bid on the items in our auction whether as an absentee bid or in live-time the day of the auction via their computer. We also represent our clients’ goods at various key antique shows throughout the country, and in addition have an aggressive telemarketing program to promote your goods. We spend a tremendous amount of money and energy making certain that your goods have the maximum exposure to potential buyers.

Record Prices

Expertise Our expertise as auctioneers is unrivaled and extends over a period of nearly thirty-five years. In addition, each Julia specialty auction is cataloged by a nationally renowned expert within that field. In order to be part of the Julia team, these experts have to enjoy a similar reputation for honesty and fair dealings and be fully k nowledgeable in their specific field. Our specialists have 15-35 years of experience in their chosen fields. This not only instills confidence in the seller, but even more importantly instills confidence in our buyers, many of whom don’t attend the auctions but utilize our catalogs freely knowing that they can trust our catalog descriptions.

The Julia Auction Firm has established records in numerous specialty fields over the years. In some cases, both national and world record prices are set at our auctions. In short, our experience, sterling reputation, hard work, and aggressive marketing plans add up to the ultimate return to you, the seller. We have one of the most competitive commission rates in the country. If you have an individual expensive item or high quality items you will find that no one will beat our commission rates.

Promotional Package

Innovative Programs

We utilize a highly diversified and structured promotional campaign for each auction. This includes, but is not limited to, professionally prepared, fully detailed and illustrated catalogs, and a tremendous diversity of advertisements in various types of media all over North America. A highly detailed and fully illustrated promotional brochure is sent out to our mailing list. Our mailing list includes numerous specialty departments including a vast number of names of special collectors and dealers all over

We are always striving to serve our customers better, both buyers and sellers. Some current innovations include our Trade Up Program. This is a new program at Julia’s which essentially allows the collector to obtain new and exciting items for their collection and at the same time dispose of unwanted items from their collection. The net result can be no cash outlay on the collector’s behalf to obtain items he/she desires to add to their collection. To our knowledge we are the only auction firm in North 605

America providing this p rogram. The concept or possibilities are virtually limitless. Parties wishing to explore this should call our office for more details. Arrangements to p articipate in this program must be made prior to the actual purchase at auction. Web Presence: We utilize our website to load advance notices of our clients’ goods to be included in upcoming auctions. In addition, we load our entire auction catalog, complete with photos, on our website so that the world can preview the catalog free of charge. We also have an arrangement with Invaluable, Bidsquare (Lamp & Glass and Fine Art Auctions only) and Proxibid (Firearms Auctions only). The end result is that usually our entire catalog with photos is loaded onto these platforms two weeks prior to the auction where any customer in the world can submit a bid. The day of the auction our entire catalog is offered on these platforms. The innovative technology allows a person to sit at their computer regardless of where they are in the world and view the progression of the auction. If they have registered in advance they can bid on anything in the catalog the moment it is being offered at auction. This has proven to be a convenience for some of our absentee bidders and it also increases the exposure for our sellers. Our online auctions are a very successful method of marketing certain types of goods. It greatly benefits buyers and sellers alike. However, our live catalogs are still the best way to auction better quality and more desirable items, particularly the rare and choice items.

Visit www.jamesdjulia.com for more information

Firearms Division

Consignments Wanted for our October 2017 Auction

One of the Finest A.H. Foxes Extant FE, Grade 20 ga (Tauber Collection, the finest offering of A.H. Fox Shotguns to ever come to auction)

Fantastic Dance Dragoon, SN 14, Among the Very Finest and Among the Earliest Made with Great Collection History (Racker Collection)

One of Holland & Hollandâ&#x20AC;&#x2122;s Most Famous Masterpiece Shotguns Whether you have one item or an entire collection please contact Tony Wilcox or Jeremy Hatch at firearms@jamesdjulia.com Visit www.jamesdjulia.com for more information

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Rare Lamps, Glass & Fine Jewelry Division Consignments Wanted for our Fall 2017 Auction

Tiffany Studios Wisteria Leaded Window (est. 100,000-150,000) | Sold for $257,850

Outstanding Tiffany Studios Dragonfly Chandelier (est. 100,000-150,000) | Sold for $228,100

Daum Nancy Swan Vase (est. 2,000-3,000) | Sold for $6,655

Whether you have one item or an entire collection please contact Mike Fredericks at lg@jamesdjulia.com 607

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Fine Art, Asian & Antiques Division

Consignments Wanted for our Winter 2018 Auction

Matin J. Heade, Florida Pastoral (est. $300,000-500,000) | Sold for $359,000

Yoshimitsu Bronze Okimono of Standing Archer (est. $5,000-10,000) | Sold for $24,200

Extremely Rare Horse & Rider Weathervane by J. Howard & Co. (est. $60,000-80,000) | Sold for $65,175

Whether you have one item or an entire collection please contact Bill Gage, Tony Greist or Katya Tilton at antiques@jamesdjulia.com Visit www.jamesdjulia.com for more information

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Satellite Office

Historic 1790 House in Woburn, Massachusetts

Historic 1790 House in Woburn, MA at 827 Main Street

Serving our clients from Massachusetts and beyond

Bill Gage

Joshua Chamberlain

Allyson Lee

Rebekah Kaufman

Division Head Fine Art, Asian & Antiques

Asian Art Specialist

Fine Art Specialist

Marketing & Business Development Coordinator for the Boston Area

Please call ahead as we are frequently on house calls 781-460-6800

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Estates & Collections Department What will happen to your collection? Plan ahead with our unique “Plan in Place” The numerous benefits derived from collecting do come with an important responsibility–the eventual dispersal of our collection. The James D. Julia “Plan in Place” addresses exactly this responsibility–the planned dispersal of our collections. Unfortunately, many passionate collectors never make plans for the dispersal of their collection. They simply don’t want to think about it. This, however, is not a smart, practical or considerate approach. We all know that someday we will die and most smart and considerate mates prepare wills and/or trusts to deal with their personal assets after they are gone. (If you haven’t yet, it is very important that you do.) It is not often that a collector has a documented, well-laid-out plan for the disposition of their collection after they are gone or become unable to handle their own affairs. The lack of a “Plan in Place” can prove to be a great burden and hardship for our survivors in their time of greatest stress and loss. A collector, as they say, might “roll over in his/her grave” if he/ she knew what stress, confusion, or significant financial loss the dispersal of their collection generated due to the absence of a well laid-out plan.

Julia’s is renowned for their expertise and appraisal services. They regularly provide appraisals for insurance, estate and auction purposes. Here, President Jim Julia discusses the value and significance of some outstanding sporting guns with longtime Firearms Consultant J.R. LaRue.

A unique service department serving collectors of antiques and featuring our “Plan in Place” 1. Based on gross sales, James D. Julia, Inc. is one of the top ten antique auction houses in North America. Our sales in 2014 were over $54 million. 2.

We have an impeccable reputation for honesty and fair-dealing.

We provide three types of expert appraisals: a) Estate Appraisals for Probate Purposes, b) Insurance Appraisals for Retail Replacement Values, and c) Verbal Appraisals for Auction Purposes.

3. Julia’s has a wide area of expertise. We regularly utilize 40 specialty expert consultants and advisors to evaluate and catalog our clients’ goods.

Our three specialty catalog auction divisions are the finest of their type, not only in the United States but in the world. Julia’s divisions are: a) Rare Firearms and Militaria, the world’s leading auctioneer in rare firearms, b) Rare Lamps, Glass & Fine Jewelry, one of the top three in the world, and c) Fine Art, Asian & Antiques, one of the nation’s leaders. Our Estates & Collections Planning Department featuring our “Plan in Place” is one of the only departments of its type in North America today, providing special, formal planned dispersals of collections and valuable estates.

A 40 year tradition of success based on honesty, expertise, professionalism and personable service.

James D. Julia, Inc., 203 Skowhegan Road, Fairfield, ME 04937 email: ecd@jamesdjulia.com www.jamesdjulia.com Tel: (207) 453-7125 Fax: (207) 453-2502 Auctioneer: James D. Julia Lic#: ME: AR83 NH: 2511 Visit www.jamesdjulia.com for more information

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The James D. Julia, Inc. Stimulus Plan The auction process is a powerful marketing device. A quality selection of goods with realistic estimates will assure a cadre of buyers and sometimes the results can be exciting. Auctions still represent the very best way to turn a quality collection, an entire estate or a large inventory into a respectable sum of cash with minimal effort on the owner’s behalf. Now is a great time to consider selling at auctions. “Cash is King.” For the first time in many years, there are extraordinary buying and investment opportunities so it makes great sense to consider consigning to our upcoming auctions. But there is also another reason to consider…

seller’s commission. That’s right, only 0% c ommission on expensive items. Also very competitive rates on less expensive items. Julia’s has a lways tendered some of the best terms in the industry and this is, in part, just one of the many reasons why we are one of the leading auction houses in North America.

Successes

Colt Walker A Co. 210 Sold for $920,000 (est. $500,000-1,000,000)

World record for the most expensive single firearm sold at auction in history, at the time

Cash advances. On important collections or consignments.

Finder’s fees. We pay significant fees for leads on large and important collections (one agent received a check for $165,000 for his lead on a single collection). As Abraham Lincoln is credited with once s aying, “…knowledge is your stock in trade.” If you know about a collection that could possibly be coming to market, call us immediately. How could you ever make a significant amount of money in an easier way?

Free pick up on large collections and large consignments, anywhere.

5. The finest marketing and promotion plan in the business. Our promotion and marketing efforts are the most aggressive in the business. Our catalogs are the finest within the industry. We work for you and we do everything we can to maximize your return. 6.

We are auctioneers only, not dealer/auctioneers. Our time, energy, money and efforts are all expended on you. We do not c ompete with our buyers’ buying or with our sellers’ selling. We work for you only! Financial security. James D. Julia’s is solid as a rock: in the business for over 40 years with our last 5 being the most successful in our history. Banking references available from our banker of many, many years.

Washington’s Personal Map for the Siege of Yorktown Sold for $1,150,000 World record for the most expensive map ever sold at auction. Record for most expensive antique sold at auction in Maine.

8. The strongest rate of return! For a matter of years now, our firm has consistently conducted the highest grossing firearms auctions in history. In addition, we have m aintained the h ighest average sale value per lot on a c onsistent basis. The last couple of auctions have averaged around $10,000 per lot, per sale. Our Firearms, Rare Lamps, Glass & Fine Jewelry and Fine Art, Asian & Antiques Divisions are all leaders in their fields. If you are considering consigning, your primary goal should be to obtain the greatest net return for yourself. In order to do that, two things must be in play 1) select the auctioneer who will get the greatest return for your goods, and 2) select the auctioneer that will give you the lowest commission terms. Julia’s does exactly that; the greatest rate of return for the lowest cost. This means the most money for you. Call today. All inquiries are confidential and without obligation.

Taffany Drop-Head Dragonfly Table Lamp Sold for $515,475 (est. $120,000-180,000) 611

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Hotels and Lodging Waterville (5 miles South)

Augusta (25 miles South)

Best Western Plus/Waterville Grand Hotel (4 miles away) (Formerly Holiday Inn) 375 Main Street, Waterville, ME 04901 (207) 873-0111 Indoor pool & health club, restaurant Auction attendees eligible for special low rate, mention Julia Auctions

Senator Inn & Spa (26 miles South) 284 Western Ave., Augusta, ME 04330 (877) 772-2224 Restaurant, indoor pool & health facility Best Western Plus-Civic Center (23 miles South) 110 Community Drive, Augusta, ME 04330 (207) 622-4751 Restaurant & lounge

Fireside Inn & Suites (4 miles away) 356 Main Street, Waterville, ME 04901 (207) 873-3335 or (800) 528-1234 Fitness center and seasonal outdoor pool Auction attendees eligible for special low rate, mention Julia Auctions

Comfort Inn (22 miles South) 281 Civic Center Drive, Augusta, ME 04330 (207) 623-1000 Restaurant, indoor pool & health club Fairfield Inn & Suites (22 miles South) 14 Anthony Avenue, Augusta, ME 04330 (207) 623-2200 Indoor pool

New Holiday Inn Express & Suites (4 miles away) (Formerly Comfort Inn & Suites) 332 Main Street, Waterville, ME 04901 (844) 306-6086 Indoor pool & exercise room

Hampton Inn Augusta 388 Western Ave, Augusta, ME 04330 (207) 622-4077

The Pleasant Street Inn (5-1/2 miles away) 84 Pleasant Street, Waterville, ME 04901 (207) 680-2515 Bed & Breakfast

Homewood Suites by Hilton Augusta 377 Western Avenue, Augusta, ME 04330 (207) 480-2050

Hampton Inn (8 miles away) 425 Kennedy Memorial Drive, Waterville, ME 04901 (207) 873-0400 Indoor pool and fitness center

Other Area Lodging Wings Hill 9 Dry Point Drive, Rome, ME 04963 (207) 495-2400

Oakland (approx. 7 miles away) Pressey House Bed & Breakfast 32 Belgrade Road, Oakland, ME 04963 (207) 465-3500

Visit www.jamesdjulia.com for more information

Village Inn 157 Main Street, Belgrade Lakes, ME 04918 (207) 495-3553

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Restaurants Waterville (5 miles South)

Fairfield (1 mile South)

Restaurants, franchises and take-out • 18 Below (D) (207) 861-4454 • Amici’s Cucina (L, D) (207) 861-4440 • Applebee’s (L, D) (207) 872-6702 • Buen Apetito (Mexican) (207) 861-4649 • Burger King • Cancun Mexican Restaurant (207) 872-7400 • Eric’s (207) 859-8761 • Governor’s (B, L, D) (207) 872-0673 • Jewel of India (207) 877-1957 • Jin Yuan (L, D) (207) 861-4488 • Joseph’s Fireside Restaurant (steak house) (207) 877-8385 • Kentucky Fried Chicken • Last Unicorn (L, D) (207) 873-6378 • McDonald’s • Mainely Brews Tavern (207) 873-2457 • Mirakuya (sushi & hibachi) (207) 616-0088 • O’Brien’s Restaurant (207) 873-0111 • Pad Thai Too (207) 859-8900 • Papa John’s Pizza (207) 877-7272 • The Proper Pig (207) 616-3975 • The Pub (207) 873-5255 • Ruby Tuesday’s (L, D) (207) 859-8991 • Sam’s Italian Foods (207) 861-9090 • Selah Tea Cafe (B, L, D) (207) 660-9181 • Silver Street Tavern (L, D) (207) 877-8300 • Taco Bell • Thai Bistro (207) 872-2200 • Wendy’s

Home Cooking • Flatlanda’ Diner (207) 238-9300 (400 yards from auction facility) • The Purple Cow (1 mile South) (207) 453-1371 Restaurants, take-out & sandwich shops • Belanger’s (take out) • Cheung Lee Express (L, D) (207) 453-8088 • The Dancing Elephant (Indian) (207) 238-0453 • Fairfield House of Pizza (L, D) (207) 453-9896 • Sonny’s Pizza (L, D) (207) 453-7624

Oakland (5 miles away) •

Skowhegan (18 miles North) •

Heritage House (L, D) (207) 474-5100

Augusta (25 miles South) Fine Dining • The Senator Inn (207) 622-0320 Franchises • 99 Steak House (L, D) (207) 623-0999 • Applebee’s (207) 623-8255 • The Ground Round (B, L, D) (207) 623-0022 • The Olive Garden (L, D) (Italian) (207) 621-9930 • Margarita’s (D) (Mexican) (207) 622-3465 • Texas Roadhouse (207) 621-8383

Winslow (3 miles away) • • • • •

Riverside Farm Market & Café (L, D-Seasonal) (207) 465-4439

Lobster Trap & Steakhouse (L, D) (207) 872-0529 Asian Café (207) 877-6688 Big G’s (B, L, D) (unique sandwiches) (207) 873-7808 The Pointe Afta (207) 872-0521 McDonald’s

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Conditions of Sale - Please Read

Fine Art, Asian & Antiques Division Please be sure to read the conditions before participating in the sale. For years, we have worked hard to develop a reputation for honesty and fairness. We have tried to apply this same principle in preparing this particular sale. So that you might know what the limitations are for this sale, we have tried to clearly outline the conditions below, which will specifically indicate how various circumstances will be handled.

1. Guarantee We have attempted to make a consistent effort in cataloging and correctly describing the property to be sold. The catalog descriptions carry a limited guarantee. Please be sure that you know that. It is a guarantee to protect you against major discrepancies that would have a major effect upon the value of the item. Under no circumstances do we guarantee against anything less than a major discrepancy that would have less than a major effect upon value. This limited guarantee covers authenticity. It also covers any major restoration or repair not described. Also we guarantee against fakes, reproductions or major fabrications. As outlined above, our guarantee is limited, however, it is almost unique in a business that operates “Caveat Emptor”. This is not a perfect system, however, and it is important to be aware of that. Our intention is to be as fair as possible in our catalog descriptions but it is virtually impossible to adequately describe an antique or collectible item that has been used and shows signs of wear. Imperfections, slight damages, handling marks, natural imperfections that are inherent with the manufacturing of the objects are the types of things that we absolutely do not guarantee against. These are commonplace with antiques and with most buyers this is understood and accepted, however, if you are a discerning, highly particular customer, expecting mint or near mint condition, it is advisable that you not ever submit absentee bids here or at any auction house without seeing the item in person, since your definition of condition might be far more particular than what any cataloger would have time or space to specify. The entire purpose of our catalog description is to give our readers a general description and idea of what the lot is and we will stand behind that description regarding a major discrepancy only. If the discrepancy is less than a major discrepancy, under no circumstances would any adjustment or refund be made. Should the need arise, the auctioneer reserves the right to make verbal corrections and provide additional information from the block at the time of the sale. Absentee bids will not be executed on items that are found to be other than described in the catalog unless we were able to contact you prior to the lot being sold and advise of this discrepancy. If we are unable to reach you or if time does not Visit www.jamesdjulia.com for more information

permit, we will not execute your bid. Please Note: the only thing we guarantee is what is in print in the catalog and what is announced from the block at the time of sale. Absolutely nothing discussed over the telephone or in person prior to the auction shall be construed as part of the guarantee. Since opinions can differ, particularly in the matter of condition, the auctioneer will be the sole judge in the matter of refunds. This guarantee is limited to the following time duration and limits. Please read: A. Time Limit For live bidders it is expected that you have examined the items before you purchased them and that as you pick them up, you will re-examine them one last time. If there is a problem regarding condition, it is expected that you would notify us immediately before leaving the auction facility. If you are an absentee bidder then it is your responsibility to examine the lot immediately upon receipt. If a major discrepancy should be discovered, it is your responsibility to contact us immediately. Please note: All guarantees and options for refunds or adjustment become null and void 45 days after the auction. We pay consignors on the 45th day. Once we have paid our consignors we no longer have control for the payment and under no circumstances can we consider any refunds. If you suspect that there is a major discrepancy or problem with authenticity of your lot, it is your responsibility to contact our office before the 45 days are up and let us know that you need some extra time. We can usually make arrangements to extend the guarantee for a few days if you personally advise us. Please note: If you pay late and thus, receive your items late, it does not qualify for special privileges. The guarantee is null and void 45 days after the auction. It is your responsibility to pay for and acquire your purchases in a timely fashion. So if there is a major discrepancy, you have time to notify our office. Please remember that if you call us 46 days after the auction, there is nothing we can do about a major discrepancy except apologize to you. If you want to be considered for an adjustment or refund, it is your responsibility to notify us within 45 days after the auction. B. Limit of Restitution Under no circumstances will the auctioneer be responsible for lost profits or other financial damages. Refunds requested on the grounds of authenticity must be accompanied by at least a supporting written statement from an authority recognized by the auctioneers. Auctioneer will not be responsible for shipping costs, after auction appraisal fees, testing or any other post auction costs. If it is agreed that an item may be 614

returned, it is the buyer’s responsibility to return it in the same condition as received. C. Type of Restitution An item that qualifies for an adjustment is limited to one of the following options: 1) Major problems, (i.e. fakes, significant alteration, major unannounced restoration, etc.) will result in a refund in sale price, adjustment in sale price or repair by the auctioneer. The auctioneer shall be the judge as to the final resolve. 2) Less than major problems or discrepancies are not part of the guarantee and no refund or adjustment will be considered for less than major problems. 2. Receipt of Goods All goods sold will be tagged and can be claimed upon presentation of paid receipts ONLY. All items to be wrapped will be wrapped by the purchaser, unless the items are to be shipped. 3. Protested Bids In case of a disputed bid, the Auctioneer is the sole determinant as to who is the successful bidder and at his d iscretion may re-offer and resell the article in dispute. 4. Tax State of Maine sales tax is 5.5% and will be collected at time of payment unless a current sales tax certificate is on file or if shipped anywhere except Maine and Massachusetts. If purchases are shipped to a Maine address, sales tax of 5.5% shall be collected unless a current sales tax certificate is on file. If purchases are shipped or delivered to a Massachusetts address, sales tax of 6.25% shall be collected unless a current sales tax certificate is on file. 5. Nominal Bids The Auctioneer may reject nominal bids, small opening bids or very nominal advances made with purpose of disparaging an item. If a lot fails to open for 25% to 30% of the low estimate, the item may be passed from the block by the Auctioneer and may not be re-offered until a later sale. 6. Absentee Bids Phone, fax or mail bids will be accepted with a 20% deposit, late bids or last minute bids can be confirmed with a Visa, MasterCard, Discover or American Express number, in many cases. In such case, the bookkeeper will execute such bids competitively. It is entirely possible to buy items by absentee bid for less than your top bid price. Please Note: Absentee bids are a service provided

to our customers free of charge. Every effort is made to execute all absentee bids; however, you must know that this is not a perfect system neither here nor at any other auction house. In the event of an error of omission or failure to properly execute absentee bids, the auctioneer shall not be held liable. 7. Terms All items are to be paid for in American funds at the day of the auction. Non-residents who have not established an account with us and wish to pay by check, must do so prior to the beginning of the auction by presenting a current letter of reference from their bank or by providing references which are suitable to the auctioneer. Absentee Bidders - Directly after the auction a bill will be sent to you for the items you purchased and a total amount due. This bill is due upon presentation and must be paid immediately. The auctioneer reserves the right to hold merchandise purchased by personal check until the check has cleared the bank, if the auctioneer deems such action necessary to protect his interest. For bidders located outside of the United States we only accept payment by checks drawn on U.S. banks or wire transfer. 8. Interest and Default Payment is due upon receipt. If the buyer’s invoice is not paid in full within 15 days of the auction, James D. Julia, Inc. has the right and will charge the buyer’s credit card of record on file for the total invoice amount. Interest will be charged on all balances not paid at the rate of 1-1/2% monthly (18% APR) effective 15 days from the date of purchase/auction. All goods not retrieved by Buyer within 120 days after the last day of the auction, shall be subject to a storage fee of $50 per item per month. Buyer authorizes auctioneer to sell any goods not retrieved after the 120 day period in any manner deemed appropriate by the auctioneer and the proceeds will be applied to all sums owed by the buyer to the auctioneer under this or any other agreement between the parties. If the sale is conducted by the auctioneer, in addition to all sums due hereunder, buyer shall pay the auctioneer’s standard commission fees and 1% insurance fee. Buyer specifically authorizes any such sale to be held without reserve. Buyer shall be responsible for any deficiencies between the sale price and all sums due hereunder. 9. Reserves Some items in this auction may carry a conservative reserve. Therefore, the auctioneer may bid on behalf of the owner or for the auction house. The purchaser will be the highest bidder acknowledged by the auctioneer. Please note that when a lot carries a reserve, the reserve is usually somewhere below the low estimate in the catalog. Actual reserve figures cannot be divulged, but we will tell you if an item carries a reserve should you ask.

10. Withdrawal We reserve the right to withdraw any property before sale and shall have no liability whatsoever for such withdrawal. 11. Title A title passes upon the fall of the Auctioneer’s hammer. It will then be the responsibility of the buyer to make full payment prior to removing the goods from the premises. It is both the buyer’s risk and expense for removal and must be made at the conclusion of the sale unless other arrangements are made with the Julia’s Operations Manager. Please note any lots we might make arrangements for moving or storing are solely at the risk of the owner and any damage or loss occurring after the fall of the hammer becomes that of the buyer. 12. Phone Bids At the discretion of the auctioneer, phone bidding may be arranged on more expensive items, (i.e. $500 or more). In order to make arrangements to bid on the telephone at the time a lot is being sold, you must contact our office in advance of the auction. We will make arrangements to call you just prior to the lot being sold so that you may bid over the telephone. There are usually a limited number of phone lines available into the room, so if you wish to bid over the telephone, it is important for you to make your arrangements early. “Cover-me Bids”: if you wish to bid by telephone, you might also want to consider a “cover-me bid” at the time you make arrangements for phone bidding. A “cover-me bid” allows your phone contact here at Julia’s to still execute a predetermined bid amount for you in the case that they cannot get through to you on the telephone. Your phone agent is the only person who will have this bid and will only use it to bid in the event that he/she cannot reach you. Assuming you are reached via telephone, they would not use your bid, but rely on your verbal instructions. “Cover-me bids” are not mandatory, you can place one at your discretion, they are simply a safety device in the event you cannot be reached by telephone in time. 13. Agent Responsibility If you are registering or executing a bid for someone else under your number, please bear in mind that you are responsible for the settlement of that account with us regardless of whether the person you’re executing or registering for pays you or not.

in addition shall be 22% of the final bid price over $100,000 which will be applied to each lot sold, to be paid by the buyer as part of the purchase price. Winning bids placed through a third-party online platform may be subject to a higher buyer’s premium. If the Buyer’s Premium set forth on any such platform exceeds the Buyer’s Premium set forth herein, Buyer agrees to pay such additional premium charge. 15. Endangered Species Act The laws of various countries and states regulate the import, export and transport of certain plant and animal items. Julia’s has taken steps to ensure that items offered for sale that are covered by the Endangered Species Act (ESA) meet the standards for sale under this Act. Transport of these items may require special permits or licenses for import, export or delivery into certain states. It is the bidder’s responsibility to obtain all such licenses or permits. Delay or failure to obtain any such permit or license does not relieve the buyer of paying for the item and obtaining title to the item. The company makes no representation or warranty and accepts no liability whatsoever to the seller, purchaser or any third party with respect to compliance with the ESA or with respect to the availability or issuance of valid import and export permits. 16. Legal Dispute Any legal disputes arising from this auction shall be settled in the court system in the State of Maine. 17. Uniform Commercial Code The Maine Uniform Commercial Code, Title 11, Section 2-328 applies to this auction sale. 18. Acceptance of Conditions Bidding on article(s) indicates your acceptance of all of the above terms. 19. Maine Auctioneer Rules and Regulations The Maine Auctioneer Rules and regulations are regulated by the Maine Board of Licensing of Auctioneers, 35 State House Station, Augusta, Maine 04333. 20. Auctioneer’s License Numbers Auctioneer: James D. Julia ME License #AR83; NH License #2511 Mass. License #1406 Not responsible for typographical errors or omissions.

14. Buyer’s Premium Shall be reduced to 21% of the final bid price up to and including $100,000 and reduced to 19% of the final bid price over $100,000 which will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. This is assuming the account is paid by cash, check or any equivalent of cash. If you settle your account by credit card, the Buyer’s Premium shall be the standard 24% of the final bid price up to and including $100,000 and 615

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Shipping Information Our Shipping Department here at James D. Julia, Inc. can package and ship most items anywhere in the world. We use a proven method of packaging your items which includes each item being individually wrapped in bubble wrap surrounded by packaging peanuts (in most cases) and double boxing. We use Federal Express as our preferred shipper however we are happy to a ccommodate just about any requests you may have. Payment and Forms Please allow 14-21 days from the time your payment is received for shipping. You will find our shipping forms on our website. If you are a successful absentee, phone or internet bidder, our shipping forms will be mailed to you along with your purchase invoice. These forms must be completed and returned to our offices along with your payment if you request that we ship your purchases. Purchases paid for by credit card or other secure methods will expedite the shipping of your purchases. Items paid for by personal or business check will be held for 10 days before processing by the shipping department.

Cost Domestic Buyers We do charge for this service. You will be billed for labor at an hourly rate of $38.00 ($9.50 per 15 minutes). The material used in packaging your items includes bubble wrap, peanuts and corrugated boxes. Insurance costs will be $.75 per $100.00 in value (based on the hammer price + the buyer’s premium). You may of course elect not to insure your items; in this case we will require you to sign a release absolving James D. Julia, Inc. of any liability. Federal Express or other shipper’s Charges will also be applied. International Buyers We do charge for this service. You will be billed for labor at an hourly rate of $38.00 ($9.50 per 15 minutes). The material used in packaging your items includes bubble wrap, peanuts and corrugated boxes. Insurance costs will be $1.50 per $100.00 in value (based on the hammer price + the buyer’s premium). You may of course elect not to insure your items; in this case we will require you to sign a release absolving James D. Julia, Inc. of any liability. Federal Express or other shipper’s charges will also be applied. We will not declare less than the full sale price on any international paperwork.

Sales Tax Information The State of Maine charges a 5.5% sales tax which must be collected unless the following conditions apply. A. State of Maine Dealers: must furnish a copy of their current year’s resale certificate in order to be exempt from sales tax. The business type must pertain to the items being purchased. B. State of Massachusetts Buyers: 1. If you have a Massachusetts state resale certificate that pertains to the types of items you have purchased you are exempt from Sales Tax. 2. If you do not have a resale certificate and purchase and pick up your items at our offices in Maine, there will be a 5.5% Maine Sales Tax. 3. If you do not have a resale certificate and have your purchases shipped to you at a Massachusetts address there will be a 6.25% Massachusetts Sales Tax.

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C. Out of State Buyers: There are two ways to be exempt from the collection of Maine State Sales Tax according to Maine State law. 1. The buyer must furnish a copy of their current resale certificate as well as proof of b usiness type (eg: invoice, business card, brochure, etc.) in order to be exempt from Sales Tax. The business type must pertain to the items being purchased. 2. If the item(s) are shipped or delivered out of state with a rrangements made by James D. Julia, Inc. (this is very important) by common carrier or James D. Julia, Inc., the item(s) are not subject to State of Maine Sales Tax. If the buyer makes their own shipping arrangements, or if item(s) are picked up at our facility by the bidder or a designated proxy, the buyer will be required to pay Sales Tax according to Maine State law.

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Delivery of Larger Items and or Special Items Below you will find the delivery company that we use most often. Please feel free to contact them directly for a pre- or post-auction delivery quote. You will need the auction date, lot number and zip code of the delivery location along with any special delivery requests. Any arrangements made with this company, whether arranged for by James D. Julia, Inc. or the buyer, does not involve James D. Julia, Inc. and any damages or delivery issues will be between you and them. James D. Julia, Inc. may decline to ship large, fragile or problem items. In such case you would need to use this outside delivery company or make other arrangements. Sure Express toll free 800-335-9996 or 877-877-0889 Contacts Please feel free to contact our offices at 207453-7125, or email shipping@jamesdjulia.com. Understand that just prior to and immediately after auctions we are flooded with calls and requests for estimates and information. Rest assured your calls will be returned.

Frequently Asked Questions Concerning Bidding It’s always best to attend the auction in person to bid on the items you wish, but if for some reason you can’t attend, there is no reason that you can’t obtain some of the items that you would like to purchase. At Julia’s, absentee bidding is always a convenient, easy and safe means of acquiring items that you want. As you can see, our specialty catalogs illustrate all lots to be sold, and as well give a complete description which includes condition. These descriptions, as per the conditions of our sale in the front of your catalog, are guaranteed against major discrepancies with a major impact on the value. If there are some items here that you think you would like to own but can’t attend the auction, we have many options to help you bid without being in the audience. If you are the winning bidder, after the auction you will receive an invoice via email and then in the mail from us. Typically the email invoices are sent out within 24 hours after the auction, and the paper invoice is sent out 2 business days after the auction.. 1. Bidding Options a. Leave a Bid Send in the form in your catalog or download a bid form from our website http://jamesdjulia. com/absentee-bidding/. You can bid by mail by simply filling out the form in the back of the catalog and sending along a 20% deposit check or credit card information. You can fax the form to us, email it to us, or call us with your absentee bid. A valid credit card is required. Your account is charged only if you are delinquent in making your payment. (There are additional fees associated with using credit cards.) If you provide us with your email address, we will send you a confirmation email to verify the lot numbers, description and amount of your bid. Please review this confirmation to make sure that everything is entered properly. Remember, at Julia’s, the way we conduct the absentee bids, it’s entirely possible to buy something for less than your top bid since your bids are executed competitively by our team in an attempt to buy the lot as reasonably as possible, just as though you were in attendance.

c. Live-time Bidding via the Internet Julia’s has partnered with third party online bidding platforms to offer customers the ability to bid live online from anywhere. Julia’s loads all the information contained in our printed catalog on the online bidding sites about two weeks prior to the auction. The lot number, an image of the lot, and a brief description with a presale low and high estimate will be shown on the screen. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform. Julia’s may occasionally experience Internet and/ or Server service outages during which bidders may not be able to participate in the auction. Julia’s policy is to continue to conduct the auction. d. Absentee Bidding via the Internet Julia’s loads all the information contained in our printed catalog on third party online bidding platforms about two weeks prior to the auction. You may view any of these items and submit bids up to 2 weeks prior to the auction by following their registration and absentee bid instructions. Specific information on how to do this is available on each of their sites. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform. Julia’s may occasionally experience Internet and/ or Server service outages during which bidders may not be able to participate in the auction. Internet absentee bidders are advised that their absentee bids may not be executed in the event of technological problems. Julia’s policy is to continue to conduct the auction. 2. How Do I Set Up a Phone Bid? Simply send in your bid form from your catalog

or download a bid form from our website www. jamesdjulia.com/absentee-bidding/ and mark the bid as a phone bid, email it to us at bid@ jamesdjulia.com, fax it to us at 207-453-2502 or call into the office 207-453-7125 to register for the lots for which you would like to bid on the telephone. 3. How Do I Register to Bid Online? To register, contact the online bidding service, Invaluable at www.invaluable.com, www. bidsquare.com (included only during Lamps & Glass and Fine Art auctions) or www.proxibid. com (included only during Firearms auctions) at www.proxibid.com and register in advance of the auction. You will be notified that you have been approved to bid and your registration will be complete. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform. 4. How Do I Bid Live Through the Internet Bidding Platforms? You will need to register for the auction with the third party online bidding platform first. Once you have been registered, watch for your lot. When the lot comes up for bid, a window will display a price the auctioneer is asking for. If the window is flashing $5,500, it means the auctioneer is asking for $5,500. As the auctioneer receives that bid and then asks for a higher bid a new amount will flash in that window. If you have registered to bid you may bid in the auction by simply clicking the bid button on your screen. Regardless of where you are in this country or where you are in the world it will automatically register on a computer at our auction site where a technician will see your bid and bid on your behalf. This innovation allows you to bid live-time during the auction. Online bidding allows the bids to be almost instantaneously transferred to you and to us, so subsequently you can bid within the confines of that time. There are some people who like to bid

b. Phone Bids On the more expensive lots, ($500+ and up) if you feel you would really like to purchase them and not be restrained by the process of a written bid, we can make arrangements to call you at the time the lot is coming up and you may bid over the telephone on the lots as they are being sold. Remember phone bids must be arranged well in advance of the auction (see instructions above on how to leave a bid). Also please remember there are a limited number of phones available, so if you would like to phone bid, you should make your arrangements early. 617

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this way and some of our clients have found it both interesting and convenient to do so. If you have any questions about this please don’t hesitate to call our office, or contact Invaluable, BidSquare (included only during Lamps & Glass and Fine Art auctions) or Proxibid (included only during Firearms Auctions). Invaluable also provides a web tutorial on bidding for those who would like more details, along with an extensive FAQ section http:// www.invaluable.com/invaluable/help.cfm. 5. How Much Time Do I Have to Bid on a Lot? If the asking bid is something you are willing to pay, do not hesitate. For the most part, the auctioneer does not stop or slow down, he simply moves along at a very brisk pace. It is always assumed by the auctioneer that the bidder knows what they want to bid and if they do not bid or hesitate to bid, it means they are not interested. The auction process moves very rapidly whether you are live at the auction, online or on the phone. For anyone wanting to be successful, it is important that you know or make up your mind before the lot is sold just how high you will bid on that particular lot. Those who wish to think about it while the auction is in process and bid on impulse, will find themselves not being as successful, being frustrated and sometimes even paying more than they normally intended to. 6. How Much Do I Bid? Bid whatever you wish, our online and printed catalogs as well as online listings offer item descriptions which include estimated low to high value range. These estimates are in no way an indication of what the items will definitely bring. If you will check our past catalogs, you will find some items bring less than low estimates, some items bring far more than the high estimate. So it’s totally dependent upon how badly people want the items. 7. Who Bids? There are generally two categories of absentee bidders. a. The collector type, who seriously wishes to purchase a given lot or lots. To that buyer we encourage you to bid as high as you feel comfortable bidding. If you seriously want the lot you should not hesitate to consider going above the high estimate to ensure that you get it. b. The next type of absentee bidder is the person who is a dealer buying for stock or a collector willing to buy items only if they are at a real bargain. This type of bidder will often bid on a large number of items knowing full well that not everything will bring a strong price, there are bound to be some things that will fall well below our estimate and that bidder knows that if they leave a large number of bids that they have a chance of picking up a few things at a very Visit www.jamesdjulia.com for more information

reasonable price. Some bidders will leave 3, 4, 5 or 6 pages of bids with us, based with that theory in mind. And usually they are successful with a few items and the items they are successful with tend to be very good buys. 8. What Is a “Plus 1” Bid? Some bidders not wishing to lose a lot for the same price or just slightly above what their top bid was elect to use our “Plus 1” policy. What this does is empower our staff to go one more bid for you in the event someone in the audience has bid the exact same amount of your top bid or just slightly above it. The bookkeeper will then bid one more bid which sometimes is all it takes to get the lot. Typically the auctioneer raises the increments by 10%. If you submit a “Plus 1” Bid, we will increase your bid by 10% over your bid amount. A “Plus 2” bid will increase your bid by 20%. 9. What is a “Cover” Bid? The phone bidding system is not a perfect one. You may be out mowing the lawn and forget about your bid. Or somehow, the phone number got transposed and the phone agent is desperately trying to reach you but unbeknownst to them, they are calling the incorrect number. Or the phone system could break down. Any myriad of other issues can arise. If you seriously want a particular item, your best strategy is to leave a cover bid. A cover bid is a bid which you leave along with your phone bid instructions. If for any reason at all, your phone agent is not able to get in contact with you, they are authorized to bid up to that amount. Please note, your agent does not use the cover bid if they have you on the telephone. You are in control when you are on the telephone. The cover bid is only an insurance policy in the unlikely event that your phone agent is unable to make a connection with you. Subsequently, the only way your cover bid is utilized is if your phone agent cannot get through to you. They will bid up to your cover bid and no more. Again, please remember, the cover bid means nothing if your phone agent gets ahold of you. 618

Even though you left a $10,000, when your phone agent has you on the phone, you might decide not to go any higher than $4,000. That is your prerogative. On the other hand, you might change your mind and decide to go to $15,000. That is still your prerogative and the benefit of being on the telephone. If you choose to not leave a cover bid and if we do not reach you on the phone, there is nothing we can do at that point. 10. Will Julia’s Tell Me What the Top Bid is on a Lot? Absolutely not. At Julia’s we never ever divulge how much an absentee bid is or who has left bids. Under no circumstances do we ever divulge that information. We can advise you and assist you with your bids. For instance, if you only have $3,000 to spend but are interested in three separate lots all in the general value range of $3,000 and don’t know which one you should pursue, you may call our office and if two of the lots you are interested in seem to have a great deal of interest in them and the third lot has no interest whatsoever, we will gladly advise you of that. Remember, under no circumstances would we ever divulge who has bid or how much any of our absentee bids are. 11. Can I Leave an Unlimited Bid? Absolutely not. We cannot honor bids which do not have a set top amount. If you want a lot very badly, then we suggest you bid well above the estimate and pick a figure that you would feel comfortable owning it at should it go that high. 12. Does Absentee Bidding Work? Absolutely. At our specialty auctions from anywhere to 25% to 45% of all merchandise is purchased by absentee bidders. And some items are acquired for well less than their top absentee bid. 13. Does the Auctioneer Reopen Bidding? The James D. Julia Auctioneers must conduct their auctions in accordance with UCC statutes which specifically state that when the hammer

falls, the bidding is concluded and the winning bidder announced is the new owner. Because of this law, the auctioneer cannot and will not reopen the bidding because you decided too late to bid. This is a law and the auctioneer must abide by this. The only exception is “where a bid is made while the hammer is falling in acceptance of a prior bid. The auctioneer may in his discretion reopen the bidding or declare the good sold under the bid on which the hammer was falling.” This is the only exception. Therefore, if you seriously want a lot, do not hesitate to bid because once the hammer falls it is sold and there is nothing the auctioneer can do about it. 14. How Do I Know if I Won? After the auction is over with, our staff will send out bills to all the successful bidders on the next business day. Please do not attempt to call the auction facilities the day of the auction. Our lines are frequently busy with phone bidders and we cannot tie up the lines and the office staff when not on the phone with absentee bidders. They are extremely busy cashing out customers and very rarely have time to check the records for bids at that time. If you must call, we would advise you to call the afternoon of the first business day following the auction. 15. What is a Late Bid? We frequently process thousands of bids for an auction. Please make sure your absentee bid form is received by Julia’s no later than 4:00 pm EST the date before the auction. If you are an international bidder, or first time bidder, please allow two additional days to establish your account with Julia’s If you are mailing or faxing bids we encourage you to phone our office before the auction to confirm that we received your bids. A while ago, we sent a group of eight letters out to people in various parts of the country and for some reason, the entire packet of eight letters took 14 to 16 days to get to their destination. Please be sure to call and confirm that we’ve received your bids if they’ve been sent out seven to ten days prior to the auction.

16. How Much Does it Cost? a. Absentee Bids processed by Julia’s are a service provided to our customers totally free of charge, there is no cost to you. b. Phone Bids processed by Julia’s are a service provided to our customers totally free of charge, there is no cost to you. c. When you win an item through an internet platform, there are additional service fees. Please see the Conditions of Sale for the third party online bidding platforms for more information.

the speaker system broadcasting everything the auctioneer is saying and in front of the phone bidders sits a myriad of auction participants, many of which may be speaking with one another. Bottom-line is that an auction is an incredible arena of activity and noise and very difficult for your phone agent. The best way for success is to be prepared and do not try to converse with your agent in the process; simply say a “Yes” bid or “No” bid. If you are silent your agent may think the call has been lost and so it is always best to let them know when you are “Out” and would like to stop bidding.

17. How Does the Phone Bidding Process Work the Day of the Auction? What Should I Expect? Your phone agent will call usually a few lots early to be sure to get you on the telephone on time to bid for the lot. Your phone agent will remind you of a few important instructions on how to successfully bid.

18. What Can I Do When I am Phone Bidding to Better My Chances of being the Winning Bidder? a. Know what you want to bid in advance.

The most successful bidders are the ones that are prepared. To maximize success, you should study the lots and make a decision as to what your ultimate bid should be before you even get on the telephone. If you know you are willing to go to $10,000 and no more and the phone agent tells you that the auctioneer is looking for $5,500, you do not need to think about anything, you simply say “Yes.”Your agent will tell you and repeat one of two messages; either “We have it,” which means there is no need to bid at this moment or “The auctioneer is looking for $5,500, do you want to bid? The auctioneer is looking for $5,500, do you want to bid?” If you want to bid, do not hesitate, do not try to invoke a strategy, do not try to measure the “pulse” of the auction bidding; simply say “Yes, bid,” but say it loudly so there can be no question that your phone agent hears you and perhaps repeat yourself. You need to understand the auction environment for your phone bid agent. The phone bidder is at a table, sometimes there are as many as 10 or 20 other phone bidders on either side of your phone bidder speaking to their bidders. In the background and overhead is

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b. During the bidding process, only communicate to your phone agent whether you want to bid when they ask you. Speak loudly.

d. Do not hesitate. The auctioneer will not wait for you anymore than he would for someone in the audience. It is a fact that at every single auction, there are one or two phone bidders who complain and feel the auctioneer should have waited to give them more time to make their decision. If you want to bid, then you need to bid. e. Last of all, when arranging your telephone bids leave a cover bid as a form of insurance. Good luck. If you have any questions concerning this service, please call before the auction and we will be glad to assist you in any way we can. —Jim Julia

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Absentee Bid Conditions

Please read if you are submitting absentee bids. 1. Important Note: Absentee bids are a service provided to our customers free of charge. Every effort is made to execute all absentee bids. However, you must know, that because of the hundreds, and sometimes thousands, of bids that must be processed just prior to an auction, it is inevitable that a few mistakes will occur. Your best protection is to be there in person, but if you cannot, you must understand that this is not a perfect system and it is not at any auction house. To better serve our absentee bidders, we have what’s referred to as a “plus 1 bid” and on phone bids a “cover me bid”. You should definitely read about both of these and consider using them to help insure your participation. We will do everything in our power to execute your bids properly, however, in the event of an error of omission, or failure to properly execute absentee bids, the Auctioneer shall not be held liable. 2. All absentee bids must be accompanied by a 20% deposit which will be refunded immediately after auction if your bid is unsuccessful. If your bid is successful, your 20% deposit will be applied to the purchase price and the balance due upon presentation of our bill. If time does not permit the physical 20% deposit, you may confirm your bid by your Visa, MasterCard, Discover or American Express. Should you provide a credit card number, the only way that we would use your credit card number is if you default on payment, then we would bill your account for the amount due.

bid. If your bid is the only bid on a lot she will not start bidding, she will wait until the audience opens the bid and then compete with them until she has either won the lot or it has gone beyond her limit. It is therefore possible sometimes for you to buy a lot well under your top bid. If two or more bids are received on the same item from different people, the bidding will open at the next logical raise above the second highest bid. If two absentee bids are received with the exact same amount, the first one received will take precedence. 5. All bids must be in even dollar amounts. Bids in fractions of dollars or odd amounts will be considered the next lower even dollar amount. The minimum bid increment is usually 10% of the last bid. Therefore, if someone leaves a bid of $100.50 we will automatically round it off to $100. If you should leave a bid of $103 we will round it off to $100. 6. Open bids or bids with no set top amount or orders to just simply buy the lot, cannot be accepted by us. You must have a definite top limit before we can execute your bid. Alternatives to this are as follows:

3. To execute an absentee bid, fill out the enclosed form, listing catalog number, description and your top bid price (not including the buyers p remium). Send this together with your deposit as soon as possible. If your bids are sent seven days or fewer prior to the auction, you should call our offices three days prior to the auction to confirm that we have received your bids. If they have not been received at that point in time, you should submit your bids over the telephone.

a. Telephone Bids: Lot must be worth $500+ each. This can be done by giving us a credit card number to affirm your bids or sending a 20% deposit for what you might anticipate to bid on the object. (NOTE: There are limited phone lines and phone bids will be handled on a first come, first served basis.) Cover Me Bid: To help ensure that you don’t miss out on an object, some people like to place a cover me bid at the time they make phone bid arrangements. No system is perfect and sometimes it is impossible, for one reason or another, to get through to the client on the telephone. A Cover Me Bid is a bid left only with your phone agent. If he/she cannot get through to you on the phone, they will bid up to that amount on your behalf. The only way they execute this bid is if they cannot get through to you.

4. Bids are handled in a competitive manner by our bookkeeper who bids on your behalf in an attempt to buy the object for less than your top

b. Plus 1 Bid: Some bidders concerned that their lot might just go for one bid above their top limit, leave a top bid plus one. This works as

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follows: the top bid submitted might be $1,000, but not wishing to lose the lot for simply one more bid, the plus one bid allows the bookkeeper to bid one more time on your behalf. Generally a bid increment is 10%, so if you left a $1,000 bid plus 1 it would allow her to go $1,000 plus 100. If you said $1,000 plus 2 bids that would mean $1,000 plus $200. (NOTE: One possible problem that occasionally arises with absentee bids is when someone in the audience bids exactly the amount which you specify is your limit. In such a case, we would not go one extra bid unless your bid sheet indicates plus one bid.) 7. Notification of Success: Only successful bidders are contacted. A written bill is usually sent within three (3) working days after the auction. The bill will be accompanied by shipping information. Unsuccessful bidders are not contacted. Phone inquiries regarding your success cannot be answered until the second business day after the auction. 8. Shipping: If you are a successful bidder, a bill will be sent shortly after the auction. This bill must be paid upon receipt. Purchasers should indicate their desired method of shipment if such is necessary. We will be pleased to assist you by shipping items which you purchase. A charge for this service includes labor, packing materials, shipping and insurance. Please Note: Certified check, or wire transfers or any other form of guaranteed funds will expedite shipping. Shipping can take 14 to 21 days after payment is received (depending upon gallery work load). 9. The Shipping Department may decline to execute instructions to ship items which are too large or too fragile to be shipped by common carrier. In such cases, the only way we can ship these special items is by way of a letter from the buyer releasing us from the responsibility of any damage that might occur in shipping. 10. Bidding on any article(s) indicates your acceptance of these terms above. If you need additional information on any of the items, please contact our office.

Absentee Bid Form James D. Julia, Inc.

Office Use Only BIDDER #:

Auction Name & Date:

Date:

Employee taking bid:

Abs. Bid

Time: Phone

203 Skowhegan Rd. Fairfield, ME 04937 T: (207) 453-7125 F: (207) 453-2502 www.jamesdjulia.com email to bid@jamesdjulia.com

Both

Auth: RFC#:

Name Business Address Address City State Country Postal Code Email Phone 1 Phone 2 Cell Fax Credit Card # Exp. Date

Office Use Catalog Number

Description

Terms. In addition to the terms contained in this Absentee Bid Form, the Conditions of Sale and the Absentee Bid Conditions set forth in the catalog for this auction (online and printed versions) are incorporated by reference, just as though fully set forth herein. Payment. Payment for all items purchased is due upon the earlier of (a) 15 days from the date of auction or (b) upon receipt of invoice. If payment is not made within 15 days of the date of the auction, James D. Julia, Inc. is hereby authorized to charge my credit card for the total purchase price together with the applicable Buyerâ&#x20AC;&#x2122;s Premium and any accrued interest. Interest shall accrue on all amounts due at the rate of 1.5% per month (18% annually). I desire to bid on the following items in the sale. The bids are to be executed by James D. Julia, Inc. up to, but not exceeding the amount(s) specified on the below bids.

Bid Amount

Cover or +1

Office Use

Please make sure your bid sheet is received by Julia's no later than 4:00 p.m. EST the day before the auction. If you are an international bidder or first time bidder, please allow two additional business days to establish your account with Julia's.

Signature of bidder

Date 623

rev. 05-08-17

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BIDDER #: Office Use Catalog Number

Description

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Bid Amount

624

Cover or +1

Office Use

Lot 2062A

James D. Julia, Inc. 203 Skowhegan Road Fairfield, ME 04937 (207) 453-7125 www.jamesdjulia.com