Culture Lens
The Chinese Foundation Secondary School
The Music and Cultural issues February 2013
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Tea Poems (William Gladstone) Tea@Science Japanese Tea Ceremony Japanese Woodblock Prints La Traviata Café Müller Modern Architecture Science & Technology Innovation Drawings An Interview With “Fotanian” Artist Arts Critics Tea Poems (Ψථ)
p.3 p.4 p.5 p.6-7 p.8-9 p.10-11 p.12-13 p.14-15 p.16-19 p.20-22 p.23
There is a great deal of poetry and fine sentiment in a chest of tea. ~Ralph Waldo Emerson, Letters and Social Aims 22
If you are cold, tea will warm you;
If you are too heated, it will cool you;
If you are depressed, it will cheer you;
If you are exhausted, it will calm you.
William Gladstone (1809 – 1898)
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Tea@Science
Drinking regular cups of tea could help improve your memory
Results of laboratory tests by a team
from the University of Newcastle upon Tyne found that green and black tea inhibit the activity of certain enzymes in the brain which are associated with memory. The findings, which are published in the academic journal, Phytotherapy Research, may lead to the development of a new treatment for a form of dementia which affects an estimated ten million people worldwide, Alzheimer’s Disease (Դ ԃᛔքੱ). 4
Scientists
said it has long been believed that drinking green tea is good for the Spatial memory. Spatial memory is the part of memory responsible for recording information about one’s environment and its spatial orientation.
Japanese tea ceremony (Вҁૡၰ) Tea Philosophy The Four Principles of Tea The four principles of wa ()کkei (ལ)-sei (మ)-jaku (), or harmony, respect, purity and tranquility, act as the important role of the tea ceremony.
“”ک
stands for harmony. As there is harmony in nature, the Teishu will try to bring this quality into the tea room and the garden around the tea house.
ལ
“ ” stands for respect. The guests must respect all things, all matters without involving their status or position in life. They must crawl trough a small entrance called “Nijiriguchi”to get into the room.
మ
” stands for “ purity. Crawling into the tea room, one is to leave behind all thoughts and worries of daily life. The tea room or Chashitsu is a different world where one can revitalize, slow down, and enjoy the presence of friends.
“ ” stands for tranquility. Only after the first three concepts (harmony, respect, and purity) are discovered, experienced and embraced, people finally embody tranquility.
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Art Appreciation
ੌШᛤ)啰啷喲啲*! Japanese woodblock prints
T
The Great Wave off Kanagawa
he ‘Great Wave off Katsushika Hokusai (1760–1849) Kanagawa’ was created by Culture: Japan Hokusai Katsushika, one Medium: Polychrome woodblock print; ink and color on paper of the greatest Japanese printmakers and painters G of the 19th century. It was At sea, a huge wave R the first design for a series topped with foam is on E of originally 36 famous the point of breaking. A views of Mount Fuji, Japan’s The small boats seem to T T sacred mountain. The series be allowing themselves H was very successful in the to be carried forward by E W market, and thus was later the angry flood, passive A extended to 46 designs. before the waters V bearing down on them. E 6
What is Woodblock printing? Woodblock printing is a technique
for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and paper. Ukiyo-e (ੌШᛤ* is the best known type of Japanese woodblock art print. The art form rose to great popularity in Tokyo during the second half of the 17th century, originating with the singlecolor works of Hishikawa Moronobu in the 1670s.
Japanese Influences on Vincent van Gogh Van Gogh’s fascination with Japanese art extended beyond collecting prints and duplicating Japanese images.
Several of Van Gogh’s paintings imitate ukiyo-e in style and in motif. For example, Le Père Tanguy, the portrait of the proprietor of an art supply shop, shows six different ukiyo-e in the background scene. Le père Tanguy Van Gogh Japanese Flowering Plum Tree
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La traviata La traviata
Giuseppe Verdi Giuseppe Verdi
ૡ ζ
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A nineteenth-century Italian composer, a master of Italian grand opera. Among his best-known operas are Aïda, Otello, Rigoletto, and La Traviata. As a young man, Verdi composed operas much in the style of the earlier Italian Bel canto works. After a series of successes and setbacks, Verdi hit his stride in his “middle period” with the composition of such masterpieces as Rigoletto, Il Trovatore, and La Traviata. Many of the the arias from these operas are infused with much dramatic melody and Italian passion, and have become extremely well-known melodies.
La traviata
is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils.
La traviata tells the
famous story of how beautiful but fragile courtesan Violetta is coerced into sacrificing her one hope of personal happiness for the sake of her lover’s reputation. A tragic and resonant tale of society and morality, it combines compelling characters with hugely powerful, moving and instantly recognisable melodies, making it one of the most emotionally engaging and popular operas of all time.
What is Opera? Opera, a staged drama set to music in its entirety, made up of vocal pieces with instrumental accompaniment and usually with orchestral overtures and interludes. In some operas the music is continuous throughout an act; in others it is broken up into discrete pieces, or recitative or by spoken dialogue.
Approach to Opera The secret to Verdi’s popularity was his ability to capture character, feeling, and situation in memorable melodies that sound both fresh and familiar. Many use a simple form such as AABA, making them easy to follow, and combine regular phrasing and plain harmony with an infringing rhythmic and melodic motive that catches the listener’s attention.
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Born July 27, 1940, in Germany, Pina Bausch began her studies at the age of 14 under the direction of Kurt Jooss at the Folkwang School, from which she graduated in 1959. Pina Bausch is one of the most influential figures towards the development of European dance in the late twentieth century. Bausch’s work, often described as ‘Dance-Theatre’, was originally a revolt against the classical traditions associated with dance.
Dance Appreciation
Bausch
looked to bring back emotion and expression through the body, rejecting the aesthetic beauty of codified classical dance. She focused on the smallest of gestures such as a leg or hip and tell a story through the audience association of such movements. By highlighting behavioural patterns and mannerisms she makes the audience aware of the danger of manipulation and body language.
““I’m I’m not not ssoo interested interested in in how how they they move move aass in w in what hat m moves oves tthem. hem.” Pina B Pina Bausch ausch
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P I N A B A U S C H
A piece by Pina Bausch
Café Muller
based on Bausch’s childhood memories of her parents’ establishment. Her grownup self (danced by Helena Pikon) re-enters the café as a sleepwalker, eyes shut tight, arms outstretched as if remembering the scene by touch/
The
Definition Of ... Tanztheater
union of genuine dance and theatrical methods of stage performance, creating a new, unique dance form (especially in Germany), which, in contrast to classical ballet, distinguis hes itself through an intended reference to reality.
The term Tanztheater had already been used by members of the German expressive dance movement of the 1910s and 1920s who wished to distance themselves from the traditions of classical ballet. 11
Music And Architecture
The House of Music, Denmark
Architecture as a Sequence
of Harmonic Spaces
Modern Music Hall Masterpieces The Sydney Opera House
Waltt D Walt Disney isney C Concert oncert H Hall all
Bengt Sjostrom Bengt Sjostrom Starlight Starlight Theater Theeater Th 12
What is
Modern Architecture?
Modern d Architecture Modern architecture is the term used to
describe the simplified, unornamented building styles of the late 19th and the 20th centuries. These building styles are also known by other labels like International Style, Neue Sachlichkeit or New Objectivity, and Functionalism. Modern architecture developed as a reaction to the design excesses of the Victorian and the Edwardian period.
Some
prominent modern architects were Louis Sullivan and Frank Lloyd Wright in the USA, Le Corbusier in France and Antoni Gaudi in Barcelona. The German architects Ludwig Mies Van der Rohe and Walter Gropius ran the famous Bauhaus school that was a major influence on the modern movement. At the outbreak of the Second World War, many of the leading Baushaus figures fled to the USA from Europe and took their design ideas with them. 13
Student’s Corner
Science & Technology Innovation Drawings
1D Yu Lap Ming
1E Kwan Ho Kwong 14 14
1B Chan Sze Wai
1A Ho Pui Ying
1A Kwong Tsz Kit
1E Lam Ching Yeung 15
ұࣅ᛬ೌπբ࠻໒ܫीჄ!2013 ȨұࣅȩཀᒏဂӧОࣅ πቷε༺ϣᆫǴჹ᛬ೌ кᅈ၈ޑұΓǶȨұ ࣅ᛬ೌπբ࠻໒ܫीჄȩ ࢂԃࡋޑҁӦ᛬ೌࣚ ٣Ƕ໒ܫВܭԃД ҽೱុܭ҃ຼঁٿОࣅπ ᖐՉǶ ϞයDvmuvsbm!Mfot!җঐד ᇬӕᏢೖୢኧՏٰԾόӕ ङඳޑ᛬ೌৎǴύхࡴ ᛤฝǵᓁ༟ǵషӝ൞ϟ ബբǶӧᇸݗޑΠǴ! ᆶдॺҬࢬബբЈளک ᡍǶ
᛬ೌೖ
ೖޣ ঐ;!ঐדᇬӕᏢ ڙೖޣ ഋ;!ഋዅ)!!ٽᓁ༟ৎǵ᛬ೌՉ ࡹΓ* ఉ;!ఉ፣!)ฝৎ* ᎄ;!ᎄల)!ەషӝ൞ϟ* Ц;!ЦϺϘ!)ᓁ༟ৎ*
ঐ;!ـ࣮ךգޑբࠔεӭаଛࣁفЬᚒǴፎୢգޑ᛬ೌബբᡫགவ ՖԶٰǻ ഋ;!வғࢲᄊࡋǴձΓჹޑךғࢲᄊࡋǴ٠வޑךғࢲᄊࡋך܈ჹ ΓޑғࢲᄊࡋԶٰǶӢࣁΓᆶΓϐ໔ሡाϕ࣬ଛӝǴԶύѸۓ ԖΓࢂЬفǴҭԖΓࢂкଛفޑفՅٰϕ࣬ЍǶԶޑךբࠔ ҅҅ۺགྷ߄ၲჹଛޑفख़ा܄Ƕ ঐ;!գନΑࢂӜ᛬ೌৎǴӕਔҭঋҺ᛬ೌՉࡹޑπբǴፎୢգᇡ ࣁ᛬ೌՉࡹԖՖख़ाǻ ഋ;!җܭ᛬ೌৎޑπբၨࣁᕷख़Ǵдॺሡाਔ໔ޜک໔ѐܭݙബ բǶԶ᛬ೌՉࡹߡёඹдॺೀ٤ՉࡹπբǴӵӼ௨Ӧǵӑ ᇙтނǴӳᡣ᛬ೌৎόҔϩЈೀՉࡹπբǴёЈֹԋԾ ρޑբࠔǶ 16
ঐ;ࣁϙ䂅գעύ୯ᛤฝϷࢬՉЎϯϡન่ӝܭബբϐύǻ ఉ;!२ӃךӧεᏢਔමᏢಞ୯ฝǴϐࡕҭԖ၂ᛤᇙᅐฝޑᡍǴ ԶךளฝᅐฝޑπڀǴٯӵฯΜϩӝԾςޑബբ൞ϟǴ܌ аԖԜᒧǶځჴӧᛤᇙᅐฝࢂ܈ύ୯πฝޑၸำύǴόᜤว ޣٿϐ໔Ӆ೯ޑϡનǴٯӵΒࢂࣣޣаጕచࣁЬǵӕኬԖࡐம ࡺޑ٣܄ǶࡺԜߡךགྷډஒΒ่ޣӝǴ٠໒ۈаᅐฝޑฯٰኳ үύ୯ฝޑགևрٰǶ ঐ;ࣁϙ䂅գฝύ୯ᛤฝګǻ ఉ;!ӢࣁྭྭޑጔࡺǴךёதௗډ୯ฝǴԶӧεᏢঅ᠐୯ฝፐ ਔǴΞวԾςჹځགډವεޑᑫ፪Ǵ܌аࡕߡ໒ۈฝύ୯ πǶ ঐ;ـ࣮ךգޑբࠔύӭаζࣁ܄ЬفǴύࢂցԖϙ䂅চӢǻ ఉ;!ځჴךόࢂڅཀޑǴёૈࢂӢࣁζ܄๏ޑךགКၨࢋ೬ǵჱ ᓉǴԶ೭ᅿག҅ӳଛӝךགྷ߄ၲޑϣǶ ঐ;!գ׆ఈၸբࠔၲډϙ䂅Ҟ܈ޑۺǻ ఉ;!׆ךఈૈჹـ܌ךǵ܌ᆪǴၸЄགྷǴճҔߚᙁൂޔௗޑЋ ݤǴԶࢂځдБԄჹࠤѱΓޑሽॶᢀکѱຝբрӣᔈǶ
ఉ;!ఉ፣!)ฝৎ* ఉ፣ܭ३ෝύЎεᏢ)3118 ᛬ೌബբᅺγ*Ǵബբ่ӝύ୯ ᛤฝϷࢬՉЎϯϡનǴճҔόӕ πڀևύ୯ฝݗޑǴኳጋৡ౦ ϐ໔ࣚޑज़Ƕ
ঐדᇬӕᏢ҅ೖୢ ᛬ೌৎఉ፣λۆ 17 1
ঐ;ࣁϙሶգ഻ᇙբᔔጤᓁ༟ǻ ᎄ;ӧךബբᔔጤᓁ༟ϐǴමவ٣ၸដᒮीޑπբǴၸำύว ԾρΜϩ഻Ȩጤȩ೭ᅿނǴߡ׆ఈаȨጤȩբࣁનബբǶ ՠ३ෝޑၗྍԖज़ЪܳǴ܌аߡךҔᔔጤբᓁ༟ނǴ٠໒ۈബ բᔔጤΓسӈޑբࠔǶ ঐ;ࣁϙሶգ഻Ȩጤȩ೭ᅿނګǻ ᎄ;ёૈࢂӢࣁѬྖΞϸӀǶ ঐ;аѲϷЕࣁബբ൞ࣚԖϙሶচӢکӳೀǻ ᎄ;ךΜϩ഻ȨѲȩ೭ᅿނǴԶЪჹȨѲȩޑᚑՅک፦ӦΨΜ ϩ௵གǶќѦǴךΜϩ഻ՅறᙦܿޑՋǴԶѲΞࡐܰډפ Ծρ഻ޑᚑՅǴգҭёᇥࢂᅿБߡǶՠᇥډӳೀБय़Ǵךᇡࣁ ೭൩ႽᚊکೈрӃࡕޑୢᚒǶҭջࢂډ࣮ࢂך೭ᅿނωѐബ բǴᗋࢂӢࣁബբԶ٬Ҕ೭ᅿނǶᗨฅѲࡐܰډפԾρ഻ ޑᚑՅǴՠࢂךΨ၂ၸӢפόډӝޑѲǴԶाԾρѲǶٯ ӵךԖҹբࠔᆶჸஎްԖᜢǴՠפόډӝޑѲǴߡךࢂܭ ԾՉӧѲᛤᇙमࣤਔжޑჸᇞǶ
ঐדᇬӕᏢ҅ೖୢ᛬ೌৎᎄలەλۆ 18
ᎄలەλޑۆπբ࠻
ঐ;գ׆ఈၸբࠔၲډϙ䂅Ҟ܈ޑۺǻ Ц;׆ךఈεόाᇡࣁ᛬ೌࢂᖑుᜤܴǴӢࣁ᛬ೌޑጄᛑΜϩቶ ᗡǴύԖభԖుǶࣰఈޑךբࠔคፕࢂεΓ܈λܻ϶܈όӕ୯ ᝤޑΓγࢂభқܴܰޑǴԶь೯ޑނࠠߡ҅҅ёၲډ೭ᅿ ਏ݀Ƕ ᎄ;!ᎄల)!ەషӝ൞ϟ*
Ц;!ЦϺϘ!)ᓁ༟ৎ*
ᎄలە३ෝύЎεᏢ᛬ೌسᏢγک ᅺγǶ႟Οԃ໒ۈᇙբᔔጤᓁ ༟ǶԾ3119ԃଆബբ॥ඳടᮥس ӈǴаԾρ८ᇙޑȨคҔȩടᮥಔ ӝԋεৎዕޑ॥ඳǶӴ࣬ߞࠔނ ࢂΓॺࢲޑ౩ၞǴаձΓीޑ ࠔނǴബբޑޣགکᐕᙯϯ ԋࣁ౦ኬΓЎ॥ඳǶ
ЦϺϘғܭ३ෝǴ3111ԃܭ ύЎεᏢ᛬ೌسǴࡕځவ٣ᓁ༟ ബբǴᏰஒࡵளޑቲЕǴ܈а ᄰюǴ܈ӵE/J/Z/ടॿаᖥํ ಔးǴࣵрь೯ނࠠޑЕ ᓁǴբࠔࣁ३ෝ᛬ೌᓔϷدΓᖼ ᙒǶЦМନҺᙍ᛬ೌ௲ػπբຬ ၸΜԃǴҭࣁӄౚ२Տ᛬ೌৎܭ ӦΠ៓ၡំӈًύᖐՉំǴ ߈ԃϩձᆶШࣚޕӜࠔจՉၠ ࣚӝբǶ
ЦϺϘӃғޑπբ࠻ ঐדᇬӕᏢ҅ೖୢ᛬ೌৎЦϺϘӃғ 19
Ƞ྾Γᇥფȡ! ࠤѱύޑ౧ᚆᆶې
ຑፕ ຑፕ
ȨϺԐఃǴလႜЉǸਬۅᙓவόӼޑᅵფύᒬٰǴวԾρӧ ᡂԋΑଫεளᓵΓ্ޑᙝǴฯӵ៓ҘޑङຠǶдัั ܩᓐǴ൩࣮ـԾρޑፃՅဎଯଯໜଆǴϩԋӭ༧۱ޑฯ ෘǴηӧᓐזᇂόՐΑǴᒿਔёૈྖပǶکᚳεيޑ᙮࣬ КǴٗӭᚈᆲಒளёኇǴคշӦӧдᆸǾȩ খ᠐ьϻьȠᡂȡǴགྷଆጓᆸৎᎿੇჱ܌ጓޑȠ྾Γᇥ ფȡǶ၀ឞᆸᗂቃׯጓԾซϼဴլբৎݤើǸьϻь)Franz Kafka*ӜλᇥȠᡂȡǶᡫགҭԖڗԾьϻьޑȠቩղȡϷ ځғѳǶǵഗ൰ǵ״ǴբࠔၸόӕަᡏᇟقǴଛ ӝॣǵᒵႽᆶၰڀǴ߄ࠤѱΓޑᓸᆶ౧ᚆǵόӼᆶېǶ
ᕅǸืǸѲ ېᐱǴࢂϱڹຉޑفЍǶךǴࢂգаࣁךޑǴࢂΓය္ࣰ ךޑǴᗋࢂޗύךޑǻᕅԖืǴื٠όࡪКٯǴεளႽ ߐǶᆸޣਔԶவืѦᑍ࣮ǴΞவืϣୂఈǴࢂ္ࢂѦǴᡣΓᜤа ϩమǶ ೭ឞᆸቃόஒȠᡂȡ ޑϣᙯϯԋᆸቃǴ׳ஒځ ᆒઓ่ӝόӕ᛬ೌԄᑼΕ բࠔϐύǶ൩ـ܌ޣǴ ҽཷۺԖٰԾଭճ)Rene Magritte*2:72ԃ܌ฝޑPortrait of Stephy LanguiǴᆸܭޣε ࠠǵ༝ࡱԄืޑΕǵوр ӦᑍຎఈǴᔼрᅿόዴ ܄ۓǴႽფႽǴኔਝᚆǴ зΓౢғҽᚶᅪᆶόӼགǶ Rene Magritte! Portrait of Stephy Langui (1961)
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ԶᡣࣁޣϐޑќჿǴᡫགӕኬٰԾଭճޑฝբǴࢂ ၨԐයޑ2:39ԃThe Lovers IIǶࢤΓޑΟΓᆸङࡕǴԖჹت ζǴдॺޑᓐᓍӚԾᆾ༧ѲǴᓉЗӵݨฝӦ֤ǶόΦǴд ॺ໒ۈӅᆸǵឺޟǴࠅΞँฅӵႝ໒ჹБǶьϻьӧВ ύමॊǺȨӕζΓӧଆғࢲࡐᜤǶΓॺ೭ሶǴࢂढ़ғགǵӕ ЈǵԺኅǵᖌ۾ǵᄪၳрٰޑǶѝӧుೀωԖިྛࢬǴѬωᆀ ளངǴ೭ངࢂפόޑډǴѬᙯջೳǶȩ ᆸޣᆶᆸ࣬ޣᇡǴฅࡕ࣬בǶᆸѠഭΠޑǴࢂېᐱǶ ܡᏔǸ ࢂӭܭঁܡᏔޑᖂॣǴख़ᙟ㰢ȨᅀเǾǾᅀเǾǾȩޑࠩǴ ଛӝᒳถคፓޑ܄႟࿗ࡓǶӦᐩӀܶསǴѝԖǴ೭ ࡐख़ाǴѬࢂᆸቃޑਡЈҽǶьϻьޑբǴόፕܭȠᡂ ȡࢂ܈ȠቩղȡǴϪࣣҗЬفᅵᒬޑڅ໒ۈวғǶԶ೭ ܭᆸቃȨଆޑڅȩ໒ۈрǴӜتηᐱԾ፴ӧᆶΓဂ႖ ๊Ǵүӵ३ෝγය໔Ǵੰޣຎࣁ౦ᜪǴ႖ᚆኬǶ ጓᆸৎᎿੇჱමॊӴ࣮ၸьϻьޑբࠔࡕǴϸࡘࣁՖΓ௨Ѿ౦ ρǴЀځӧ3114ԃγᛈวਔ൩Ԗ೭ᅿགǶΓॺӢ೭ᅿࢉੰ Զགډᡋ৮Ǵ্܂ࢉǴԶ೭ҭ٬ޣԖᅿࡐుϪېޑᐱགǶ Ψ೭ᅿ౧ᚆགǵьϻьԄޑόӼᆶېᐱǴ҅҅ࢂጓޣബբ೭բࠔ ਔགྷޑǶ ൩ӧᆸቃޑΠъǴวғܭ೭ǶጓޣཀҔڀԖமࠂࠩޑ ॣᒧࢤǴଛӝᆸڀॺޣΚࡋϷೲࡋޑ܄ቸၢբǴ፺ࢬӦܭ ᆸǶᆸޑޣᛈวΚעᄽрޑࠩӛଯঢ়Ǵԋࣁкᅈགޑ ჿǶ ݤ୯ᒵႽ᛬ೌৎSeba LallemandཀᇙբᆶფნԖᜢޑቹႽǶ ଫᙝǴచܫεߏᅈѴЛޑᆲǴᡣΓགྷډȠᡂȡ္تޑЬ فǴჿფύԖფޑȠ྾ΓᇥფȡǴӭ൞ᡏޑᒵႽኞܫǴࣁᄽрቚ уΑᔍቃޑቫԛǴӕਔᙦΑঁᆸѠޑຎਏ݀Ƕ
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״ ନΑຎਏ݀Ǵᄽрӕኬݙख़᠋ϡનǶନΑኞܫซϼဴޑж ђॣڂৎGyörgy LigetiޑբࠔǴٯӵHungarian Studies: I. Mirror CanonѦǴᗋԖSchnittke܌ቪॣޑǴଛӝᆸޣᒋ፪ޑբǵ၅ ޑय़߄Ǵ٬բࠔкᅈᔍቃགǶќѦॶளගࢂޑǴܭᄽрֹ่ ޑჿǴՏتηǴ৾㰢״ᗲǴ၂ӛঁΓངٗ ҽǴ๏ᢀόϿᡋ഻Ƕ၅ޑᖍ߄ᆶަᡏբǴ߄ၲځჹང ޑᆶᘂ۳ǶᆸޣӛӭՏ౦܄Ǵࣗ܈ӕ܄ངǴՠளό㰢Ƕ่ ݀ၢΠѠӛᢀǵࣗԿӦᆅڗǴԶ่݀ฅӕኬӦளό 㰢Ƕՠ೭ᅿϕԄޑᄽрǴࠅૈቚமᢀޑΕགǶჿԖαᜤ ޑقངՉǴкᅈቃࡉޑ܄ᓨᄽрǶԶ೭բࠔځჴҗቃҞஒ ȨThe Comedy of KȩޔࣁȨKޑ഻ቃȩǴςණวՅࡉᓨǶ ᘶ൰Ǹܺڋ ޣޔаၰࣁڀϪΕᗺᅐၯوቃޑόӕفပǴಖܭပӧ ᆸܺޑޣးيǴࢂഗᘶ൰کܺڋǶΓॺВதЬࢬޑሽ ॶᢀǴ܌ᒏޑჴ܌వؒǴซӵᆸቃЬفLคவញܫǶሸԶ֡ ܺڋޑǴࢂޗೕጄǴӕਔΨࢂᔿғࢲ߄ޑቻǶᆸޣᘶ൰ ซӵय़ڀΓǶޑВηǵϺᐏޑՉΓǵӦ៓ً൶ϣޑᏱ ᔒǴঁΓځჴёаࢂቃύޑΓނǴ༾λԶᓸǶ Ȩଷӵ೭ࢂឞ഻ቃǴд୲עѬᄽֹǶȩ೭ࢂтനࡕჿޑ ϟಏǴઢύํคޑڼKǴࢀࢂޑցգ!@ךک
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Ƞૡȡఉ)໋ޚ2:5:.3124*
ؒԖᖍϾ வૡ္݆ݱٰ ѝࢂૡယఎη ᇥ϶Γٰೖ ኧཪලՅૡޑᗺᗺᐩӀ ᓉᓨύតᅈ࿊ ᚈᚈহࢃޑڹ வϺٰߐޑ ΞԾߐࡕޑѐΑ ۶Ԝ࣬႖Α೭ሶӭੌݱ ؒԖᓉΠٰ ჹޑڅ ଽฅ࣬ـ࣬ޑག ซ՟ᇿᇻޑૡ३ត۹ ЋѝᐱԾᖐଆ ݆ύޑቹηਗ ૡ३ύᕴԖधᔴګ ݆ۭޑफಹᛐ ܈ᆫ܈ණ܈ԋკ )2:84*
ΨථǴҁӜఉ໋ޚǴ३ ෝբৎǴ३ෝᔂࠄεᏢύ ЎسКၨЎᏢᖱ০௲Ƕ Μӭྃ໒ۈബբǴ31ྃԋ ࣁឯբৎǴΎΜԃж ୖᆶӚᚇᇞጓᒠǴමΟ ࡋᕇளȨ३ෝύЎЎᏢᚈ ԃዛȩǴ3123ԃᕇ३ෝਜ ᗎࣁȨԃࡋբৎȩǴ ߄ඦдၸѐ߈ъঁШइа ٰӧЎᏝڑޑຫԋ൩کଅ Ǵࢂ३ෝനख़ाЎϯΓ ϐǶ
3124ԃ2Д6ВϱǴΨථ ӧϘӼᙴଣѳᓉޑӀ ύǴձΓ໔ 23
Circulation C irculation & Subscription Subscription The C The Chinese hinese F Foundation oundation Secondary Secondary School School ύ୷ߎύᏢ ύ୷ߎύᏢ 9H Harmony armony R Road, oad, Siu Siu Sai Sai Wan,Hong Wan,Hong Kong Kong ३ෝਮλՋݒၰ:ဦ ३ෝਮλՋݒၰ:ဦ Tel: (852) Tel: (852) 2904-7322 2904-7322 Email: iinfo@cfss.edu.hk Email: nfo@cfss.edu.hk Printed b Printed byy Wise & W Wise Wide i de D Design esign & Printing Printing Co.LTD. Co.LTD. ᛄ݅ඵीӑڇԖज़Ϧљ ᛄ݅ඵीӑڇԖज़Ϧљ
IIssue ssue 0033 F February ebruary 22013 013 500 ccopies 500 opies 24