FRAMED:
DANI RUSSO
third-year studio art major concentration in 3D and sculpture @drusso.sfx
“Fear is a very humbling emotion and a full sensory to a surrealist lens with much of my work, and I experience in a lot of ways. At the same time though, look to create work that showcases an almost nonit’s also one of the most actively sought out and human or 'oddity' quality to the body. “I think a lot of people just don’t really know intriguing experiences. People love to be scared and a ton about practical special effects in general. I love to challenge themselves [with] what they are think because special effects is a dying art, and afraid of in a lot of ways. In this way, I’m focusing many of the effects that we see nowadays are CGI on that dichotomy and really intrinsic relationship — especially the more fantasy or sci-fi effects that of attraction and repulsion. we see in film — people kind of don’t realize that “There are so many different things that special special effects is a really involved art form. Moreover, effects can accomplish. For instance, I am really because we live in such a digital age, I think practical drawn to the realism and the illusion of reality that special effects can be seriously overlooked in terms I can achieve with special effects. I’ve played a lot of media production. There’s so much that goes into with really gory physical trauma effects in the past, an effect, from that one bruise in that medical drama and with those pieces, getting a visceral reaction to that horrifying death trap in Saw. It’s a detailed from people being really disgusted or having to look and laborious process but it can yield some of the away was what I was after and what I prided myself most believable and tangible effects.” on most. Recently, however, I’ve been more drawn
