Typographical Journeys
ATypI 2006: Lisbon, Portugal 27 September - 1 October 2006
Type, coffee and wine.
Typographical Journeys Table of Contents
Association Typographique Internationale is pleased to announce the 50th ATypI Conference in Lisbon, Portugal. Built on seven hills and touched by ocean breezes, the Portuguese capital is a centre of cultural diversity with a laid-back feel and filled with architectural treasures. Lisbon is one of the most enjoyable cities in Europe and the ideal location to host the premier conference for the international type community.
Contents: Type Tech Wednesday Thursday
4 5 7
Main Program Thursday Friday Saturday Sunday
9 10 12 16 20
Additional Info
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Type Tech Program Presentations timetable
Starts at 09:30, 27 September 2006, at Universidade de Lisboa Faculdade de Belas Artes, Lisbon, Portugal The two days prior to the main Conference will feature the ATypI TypeTech Forum--two days of technical seminars for font developers, in two tracks: The main TypeTech track has general font production topics, such as Unicode, OpenType and new type design and production tools. This year's main track is focused mostly on new topics not seen in previous years, including new tools, new ways to use existing tools, and what the new elements of the OpenType 1.5 specification mean for font makers. The second track has two days of seminars organized by FontLab Ltd and DTL FontMaster, featuring a mix of topics and tutorials, not all of which are specific to their tools. Attendees can switch between tracks as they wish. Although session lengths vary, breaks are at standard times to facilitate track-switching. You can register for TypeTech through our online store. Location is TypeTech unless otherwise specified.
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Wednesday 27 September Type Tech Program
10:00–10:15 Thomas Phinney Welcome
10:15–11:45
Jürgen Willrodt Status of OpenType support 2006 The presentation will summarize the status of OpenType support in different applications and on different platforms. We will give an overview of the feature support, the existing bugs, problems and shortcomings related to OpenType fonts.
11:45 Break
12:00–12:45
Sergey Malkin New tech for math fonts & typesetting Details on Microsoft's new math typesetting systems and how to make fonts with the new font tables that support them.
12:45–13:30
Tim Ahrens Advanced MM applications Methods for handling multiple masters beyond the conventional applications such as generating semi bold fonts. The method can be used to create small caps, Cyrillic lowercase and— since the horizontal and vertical scale factors can be chosen independently—even true condensed fonts.
13:30 Lunch
14:30–15:00
Thomas Phinney Advanced MM theory Advantages and limitations of axis-based approaches to font family development, including some not-very-well-known technical issues around linear interpolation.
15:00–15:30
Thomas Phinney Is lying OK? An introduction to issues around Unicode encodings and OpenType—Layout features where it may be tempting to construct fonts whose Unicodes/Layout features do not necessarily accurately map to what the font does.
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Wednesday 27 September Type Tech Program
[Cont. from previous page]
Wednesday Bar Suggestion
15:30–16:00
Targus Rua do Diário de Notícias, 40b, Lisbon, Portugal 1200144 21–347–7039 Owned by one of the most famous faces in Lisbon’s burgeoning social scene, this bar features a good range of musical backgrounds and an interesting crowd. Known for its good beer and drink selections and the media types who frequent. Perfect place to relax, have a drink and engage in a thoughtprovoking conversation.
V. Gaultney, P. K. Martin Gathering script information as a collaborative community The development of non-Latin and complex Latin fonts is hindered by a lack of information. Designers are hesitant to go beyond the common Latin letters because they don't have easy access to technical and design guidance on other scripts.
15:30–16:00
Jürgen Willrodt URW's new OpenType table editor
16:45–17:30
Frank Blokland Automating font production using DTL Fontmaster
17:30–18:00
Jürgen Willrodt How DTL FontMaster automatically produces OpenType layout features.
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Tertúlia Rua do Diário de Notícias, 60, Lisbon, Portugal 1200145 21–346–27–04 This low-key bar exudes an air of calm with jazz music playing softly in the background and the hum of conversation abounding. The ambience is traditional, and the crowd is a mix of the city’s young and old. Good place to relax with a drink or to kick-off an evening on the town. Tertúlia Pictured right
Thursday 28 September Type Tech Program
10:00–10:30
Ted Harrison The ubiquitous EULA Ted will demonstrate the use of the EEULAA in protecting your fonts from casual piracy and in improving your font sales.
10:30–11:15
John Hudson OpenType vertical metrics revisited
11:15–11:45
R. K. Joshi From degree to 5-tier Vedic Sanskrit The presentation will draw comparative analysis between three-tier Devanagari Degree types and five-tier Vedic Sanskrit Open Type font design technologies and present the process of designing the font "RaghuVeda."
12:45–13:30
Adam Twardoch Taming tables Adam will present some essential features of FontLab Studio 5 and the free TTX tool that can help to tame and wrangle the binary tables.
13:30 Lunch
14:30–15:15
Y. Yarmola, A. Twardoch AsiaFont Studio 5: the XXL font editor Yuri and Adam will present some of the highlights of AsiaFont Studio 5.
15:15–16:00
Miguel Sousa Adventures in class kerning Location: Track 1 Miguel covers some advanced features of class kerning, such as: How to optimize the code of the kern feature.
Thursday Bar Suggestion Gringos Avenida 24 de Julho, 116–118, Lisbon, Portugal 1200 21–396–0611 A fun bar with a good beer selection and excellent service that is frequented by an interesting mix of Lisbon residents. Open until 3am, so visitors can make an all-nighter of it. Excellent margaritas!
16:15–17:15
Ben C Kiel Python scripting tutorial
17:15
End of TypeTech: delegates to main conference assemble for keynote and reception.
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Main Program
Presentations timetable
Association Typographique Internationale’s 50th ATypI Conference in Lisbon, Portugal, 27 September–1 October 2006 on the theme ‘Typographical Journeys’. Less is more! This year’s ATypI features fewer speakers, spread out over slightly longer, with just two simultaneous tracks. After a welcome and opening session early on Thursday evening, there are three solid days of presentation, using all of Sunday for valuable content (note to regular attendees: don’t book a flight home early on Sunday evening this time, or you’ll be missing out). Starting in the afternoon of Thursday 28 September, this year’s ATypI conference offers three full days of talks, seminars, events and games, winding up in the early evening of Sunday 1 October. Built on seven hills and touched by ocean breezes, the Portuguese capital is a centre of cultural diversity with a laid-back feel and filled with architectural treasures. Lisbon is one of the most enjoyable cities in Europe and the ideal location to host the premier conference for the international type community.
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Thursday
Thursday 28 September Main Program
18:30–19:15
Ellen Lupton The journey back to universalism opening keynote Location: Track 1 Design critic and curator Ellen Lupton considers the future of typography in terms of our modernist roots and our global present. Today's global society carries its own challenges. Lupton will connect typography to nomadic lifestyles, global markets, and typographic culture, and she will end her talk with a surprising proposal for how the type industry could help build a better world.
19:15–20:00
Welcome reception for delegates Location: Track 2 Refreshments and meeting your fellow delegates.
Thursday Bar Suggestion Avaneza Doca de Santo Amaro, Lisbon, Portugal 1350353 21–396–3522 A converted warehouse bar along the marina serving up good drinks and dinner options. Sweeping river views, relaxing atmosphere and interesting people make this a traveler’s favorite. Pictured right
Friday
Friday 29 September Main Program
09:45–10:00
Jean François Porchez Introduction and welcome Location: Track 1 Introduction from the President
10:00–10:45
François Chastanet Pixação letterforms Location: Track 1 During the nineties, São Paulo, Brazil, was totally invaded by a vernacular handwriting phenomenon called "pixação" which originated in the "favelas" (shantytowns). The "pixação" letterings can be seen as an expression of the consequences of conditions in a 21st Century megalopolis and present the recurrent question of identity.
10:00–10:45
Henrique Nardi Tipocracia Location: Track 2 This is an education project designed to stimulate and disseminate typographic culture throughout Brazil. Tipocracia has been performing lectures and workshops in most of Brazil's major cities since March of 2003.
10:45–11:30
Dino Dos Santos Calligraphia Portugueza Location: Track 1 From the "Nova Escola" of Manoel Andrade de Figueiredo (1722) to the "Methodo Calligraphico" of Pinto de Mesquita (1900–1910), it is possible to trace a history of Portuguese Calligraphy and to establish the main rules of what became known as Portuguese lettering.
10:45–11:30
Global Type--an attempt Location: Track 2 The basic idea is to offer through the internet a tool to explore every typeface designed. It would also include historical information. The aim is to integrate all existing typefaces and glyphs with all related data into an Open Content Project.
11:30 Break
12:00–12:45
Andreu Balius Planelles What's up in the neighborhood? Location: Track 1 This will be a brief analysis of type design in Spain during the digital realm, from the early 90's to the present.
12:00–12:45
Jose Scaglione From laser printer to offset press Location: Track 2 Laser printers have an utterly important role in the professional practice of typeface design, which involves a significant level of trial and error until its completion.
12:45–13:30
Raquel Pelta Spain, avant-garde and typography Location: Track 1 Although an autonomous typographical avant-garde did not exist in Spain, we can affirm that there were people who knew about and disseminated international avant-garde ideas about typography. During the 1930's, Spanish typographers put into practice Russian Constructivism, Bauhaus and New Typography ideas.
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Friday 29 September Main Program
[Cont. from previous page]
12:45–13:30
Thomas Maier Technical translation of letterforms Location: Track 2 Some letterforms have taken a long journey through time and different printing techniques. Soon an imitation of the typewriter for letterpress printing was available, some of these foundry fonts even imitate the impression of the inked ribbon. This category, usually named office fonts, is here to stay with more or less similar typewriter letterforms.
13:30 Lunch
14:45–15:30
Julia Lila A journey into the future Location: Track 1 My graphic design work for Helsinki City Transport has broadened my appreciation of the role graphic design can play in city planning.
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14:45–15:30
Klaus-Peter Staudinger Letters from Old Europe Location: Track 2 You are invited on a journey into the typographical outskirts of the European continent where you will compare facile type designs in the Iberian, French, Scandinavian and Baltic areas with those from the Dutch, English and German outposts.
15:30–16:15
Paul Stiff Telling and showing everyday journeys Location: Track 1 The words "way finding" and "navigation" have become almost metaphorical, largely expressive of virtual environments. Here I turn to real journeys, suggesting that close observation of the typographic products that people make to support real acts of navigating and way finding offers a sharp reminder that in everyday life we generate not only mental events—such as elusive "cognitive maps"— but also tangible products.
15:30–17:00
Albert Corbeto Type design in Spain in the XVIIIth century Location: Track 2 The formation of the Royal Library type foundry should be understood within the context of the restoration of printing arts that had become a priority for a large number of Spanish intellectuals of the 18th century.
16:15–17:00
José Maria Ribagorda Gerónimo Gil, The Royal Print of Spain and Joaquin Ibarra Location: Track 2 On the occasion of the year of the Quijote, the Spanish National Chalcography, an institution created by Carlos III in the 18th century, ordered me to recover one of the fundamental typographies of the Spanish Royal Print. I currently work to develop the types that Gerónimo Gil fused for the Quijote, published by the Real Academy of the Spanish Language and printed by the famous printer, Joaquin Ibarra, in 1780.
Friday 29 September Main Program
[Cont. from previous page]
Friday Bar Suggestions
17:00–18:15
Macondo Bar Largo das Portas do Sol, 4, Lisbon, Portugal 1100411 21–887–4859 Great views of the river make this nightspot a delight any time of the year. Good ambience, wide selection of drinks and pleasant regulars. A must for visitors to the city.
Anthony Inciong Locating resonance Location: Track 2 The success of Adobe and Microsoft's OpenType font format is based not on endless typographic innovation, but rather upon a virtue that is perhaps incidental: the conservation of typographic character. OpenType has brought the modernist dream of worldwide relevance, quite literally, to our fingertips by way of "super fonts".
18:15–19:00
Thomas Phinney Character set voyages Location: Track 2 This will be a sweeping travelogue of the journey of coded character sets through time: the telegraph, ASCII, EBCDIC, single-byte and multi-byte codepages, CID character collections, Unicode, open-ended OpenType charsets, and SING.
Pictured right A Brasileira Rua Garret, 120, Lisbon, Portugal 1200205 21–346–9541 A fashionable and historic coffee shop that dates from the late 1800’s. A favorite for artists, poets and free thinkers looking for that perfect cup of coffee, light dining options and desserts or a good beer selection.
Saturday
Saturday 30 September Main Program
10:00–10:45
Verena Gerlach Going over and underground in Berlin Location: Track 1 Berlin constantly fascinates Verena, especially the many traces of typographic history on façades and in the streets, each of which still has a story to tell about Berlin's past, in particular the cold war period. The audience will enjoy a visual trip around the city throughout the last century to see the typographic traces, some of which have already been displaced.
10:45–11:30
R. K. Joshi 200 years long Location: Track 1 The locations of early printing activities in India (mid 16th to the end of the 18th century) can be traced in Goa on the western coast; Tranquebar on the southern coast; Madras, Calcutta and Serampore on eastern coast and finally Bombay, the industrial capital of India on the western coast.
11:30 Break
12:00–12:45
Petr van Blokland Lecture Location: Track 1 For the Dutch state health department and 10 hospitals, we designed a system to generate patient's personalized information (both as website and PDF) using a limited set of parameters (gender, age, disease, stage of the disease, etc). An artificial intelligence program in the server generates the appropriate query to produce text, illustrations and movies with exercises fitted to the patient's needs.
12:45–13:30
Dawn Shaikh, Barbara Chaparro, Kevin Larson Font Personality Location: Track 1 Over 500 people participated in a survey characterizing the personalities of 20 different fonts. In the first part of the study, participants were asked to rate each font on several continuums, including formal-casual and assertive-passive. In the second part of the study, participants were asked about the kinds of documents that were most appropriate for each font. Results from a factor analysis showed that the fonts clustered into five main groups—serif, san serif, script/comical, modern display, and monospaced.
13:30 Lunch
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Saturday 30 September Main Program
[Cont. from previous page]
14:45–15:30
Roger Black Newspaper design in the Americas Location: Track 1 Please check website for information.
14:45–15:30
Andrew Barker The black art of book design Location: Track 2 The aim of this talk is to show a formula for designing books. It will, if anything, be like a cookery demonstration. I'll be talking about conventional text-based books. In the design of text pages there's a set of simple rules; following these rules can help you swiftly create a basic design structure for the text that you are working on.
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15:30–16:15
16:15–17:00
15:30–16:15
16:15–17:00
Mark Porter Redesigning the Guardian Location: Track 1 In 2003, The Guardian newspaper in London began to investigate new, smaller formats. This was the start of one of the most ambitious newspaper design projects ever: more than 16 sections; a custom typeface running to over 200 fonts; new grids and color palettes; a unique advertising system; and a whole new philosophy of page design and editing. Guardian Creative director Mark Porter tells the whole story.
Richard B. Doubleday Jan Tschichold, Designer—The Penguin Years Location: Track 2 Little is known about Jan Tschichold's tenure at Penguin Books (1947 to 1949). Penguin hired Tschichold to standardize its composition rules and redesign its books for mass production, and the result was that Tschichold revolutionized traditional typographic principles and initiated the rebirth of classical book design.
P. A. Barnes, C. Schwartz Does type design matter in newspapers? Location: Track 1 In 2003 Paul Barnes was approached to be the typographic consultant on the redesign of the Guardian newspaper. During the following two years, Barnes's role evolved from consulting on typography to designing a completely new typeface with his American collaborator Christian Schwartz. Barnes and Schwartz will walk the audience through the complete process behind the development of Guardian Egyptian.
John D. Berry Big text Location: Track 2 "Big text" is all that stuff we deal with every day that's somewhere between what we think of as "text" and what we unhesitatingly call "display" type. Visual books may use big text in juxtaposition with images. Small-scale signage confronts the same typographic problem from a different focal distance, as in museum captions. Even the slideshow or PowerPoint or Acrobat presentations involve this kind of intermediate typography.
Saturday 30 September Main Program
[Cont. from previous page]
17:00 Break
17:30–18:15
Gerard Unger The role of newspaper type in developing a unique voice Location: Track 1 Please check website for information.
17:30–18:15
Jo De Baerdemaeker Tibetan type forms Location: Track 2 The Tibetan script is used by about 6 million people in South Asia and by the Tibetan diasporas. It is one of the most complex writing systems to set in type since its syllables can be composed of vertically stacked letterforms. Using research from a PhD, started in October 2005 at the University of Reading, this talk survey of how Tibetan letterforms evolved from woodblock to pixel.
18:15–19:00
P. A. Barnes, M. Barratt, R. Black, J. Errea, M. Porter, C. Schwartz, G. Unger Newspaper design panel Location: Track 1 Gathering together the themes of the afternoon, this panel discussion has all the speakers from the newspaper design track, together with Javier Errea, in discussion about the present and future of newspaper design and welcoming comments and questions from delegates. Chaired by Mark Barratt.
18:15–19:00
L. Perondi, A. Perri Towards a non-linear typography Location: Track 2 When we think of writing and printing as visual forms, we always accept the linguistic and alphabetical model of linearity as the basis for organizing syntactically coherent and effective messages. The aim of this talk is to explore some historical evidences of a divorce between syntax and entaxis as shown in the Aztec writing system.
Saturday Bar Suggestions Ginginha do Rossio Largo de São Domingos, 8, Lisbon, Portugal 1100373 This bar, named for the cherry brandy concoction for which it is famous, is a must for visitors to the city. Quaint atmosphere and fun crowd make this bar a popular stop. Serves only ginginha. Portas Largas Rua da Atalaia ,105, Lisbon, Portugal 1200 21–346–6379 This centrally located bar is adjacent to the Frágil club and is a popular spot for locals and tourists to people watch. Draws a chic crowd for drinks and socializing in the traditionally designed space.
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Sunday
Sunday 01 October Main Program
10:00–11:00
Jean François Porchez ATypI Annual General Meeting Location: Track 1 The annual meeting of the Association, open to all members in good standing and the supreme decision-making body of ATypI.
11:00–11:45
P. Bartl, A. Beckhöfer-Fialho Decommissioned communications Location: Track 1 When a piece of typography has been declared “dead” by society, its true life as a spiritual object begins. The Japanese philosophy of wabi-sabi celebrates the beauty and richness that is created by slow deterioration; be that deterioration through time, weather and nature reclaiming its own or a slow falling from the viewer’s favor as it becomes outdated. This is not a lecture in the usual sense, but rather a multi-level presentation of visuals, spoken words and music.
11:00–11:25
Mark Jamra Multiple exposures Location: Track 2 This presentation looks at a few paths in the typographical journey begun by students of graphic design in academic institutions and online, and which is continued throughout professional careers. The audience will be introduced to the letterform design instruction at Maine College of Art and the remarkable variety of results that it produces.
11:00–11:25
David Cabianca Education: Practicing theory Location: Track 2 The path a student takes is undoubtedly a slow and methodological journey, and the educational journey of the type designer perhaps among the slowest. The intent of this study is twofold. First, it examines how Gerrit Noordzij approached the classroom environment. Second, it examines the techniques and conceptual apparatus Noordzij introduced in the classroom and to the discipline.
11:00–11:25
Peter Bain Education: Digital lettering Location: Track 2 This presentation will explain the distinctive theory and methods of the communication design class taught at Parsons/The New School for Design. The goal is not necessarily to create specialist type designers or calligraphers, but to give students stronger design skills.
11:45
Victor Quelhas Dynamic typography Location: Track 1 Dynamic typographies are the temporal typographies which incorporate movement and include planar examples. Under the broad concept of dynamic typography, one has to distinguish between dynamic font models and kinetic typographies. The objective of this research project (DynTypo) was to break down these categories in order to understand dynamic typography within the pc environment.
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Sunday 01 October Main Program
[Cont. from previous page]
12:30 Break
13:45–14:30
E. Kindel, F. Smeijers The stenciled text Location: Track 1 To update our paper “Reconstructing stencil letters, c. 1700”, given at ATypI, Roma in 2002, we will report on recent developments in the history of text stenciling. Concentrating on Western Europe, the presentation will illustrate stencil work from the 16th, 17th and 18th centuries.
13:45–14:10
Jay Rutherford The Digital Design Image Archive (DDIA) Location: Track 2 DDIA began life as T3, the Typography Teaching Tool, which I presented to a small audience at the ATypI meeting in Rome in 2002. With a broader perspective and a new name, DDIA is putting high-quality, keyword-searchable images on a secure website for teachers and researchers in design.
13:45–14:10
Filip Blazek Diacritics project Location: Track 2 Diacritical marks are an integral part of a type for many languages. Typographers lack reliable sources of information about correct accents. I tried to fill this gap by creating the Diacritics Project, a free on-line database for designing correct diacritical marks.
13:45–14:10
M. Barratt, G. Leonidas The new education forum Location: Track 2 Presentation of the new online space for education coordinated by ATypI.
14:30–15:15
P. Baines, C. Dixon Nicolete Gray’s Lisbon Location: Track 1 During five known visits to Lisbon in the 1960s Nicolete Gray, author of the seminal, Lettering on Buildings in 1960, took more than 70 photographs of lettering in the city. The photographs now form part of the Central Lettering Record at Central Saint Martins College of Art & Design, London. Our paper will illustrate the unique contribution lettering makes to the cityscape of Lisbon.
15:15 Break
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Sunday 01 October Main Program
[Cont. from previous page]
Sunday Bar Suggestions
15:30–17:00
Solar do Vinho do Porto Rua de São Pedro de Alcântara, 45, Lisbon, Portugal 1250237 21–347–57–07 This Bairro Alto bar offers exclusive service of more than 300 different types of port wine by the bottle or the glass. Housed in a historic 18th century mansion. Varieties of wine include red, white and dry.
P. Baines, C. Dixon Lisbon walk Location: Lisbon During five known visits to Lisbon in the 1960s Nicolete Gray took a series of more than 70 photographs of lettering in the city. This walk, led by Phil Baines and Catherine Dixon, will retrace Gray’s steps to see what has survived. The diversity of materials and quality of execution can, to the visitor, be breathtaking!
15:30–18:30
Petr van Blokland The design game Location: Track 2 In a series of 4 rounds totaling 3 hours, this “Design Game” creates a simulated design world with many surprises. This is the 25th showing of this event that addresses every aspect of the design process (except aesthetics). Anyone can participate: designers, typographers, students, or non-designers. Fun for everyone!
Pavilhão Chinês Rua Dom Pedro V, 89, Lisbon, Portugal 1250093 21–342–4729 Exemplary style and ambience highlight this artifact-themed nightspot. Good drinks and a fun atmosphere make this a very popular Lisbon bar. Try one of the first-rate cocktails.
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Additional Information
Other events Specialist meetings On Wednesday evening there will be a Country Delegates Forum for current and prospective ATypI Country delegates. On Thursday there will be a Brazilian Design Forum showcasing and discussing typography and type design in Brazil. On Sunday and Education Forum provides a space for educators from around the world. Exhibitions Several exhibitions are planned as part of ATypI Lisbon, and also to coincide with our conference.
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ATypI Auction Friday evening The ATypI Auction is an annual event, where friends of ATypI empty out their shelves and drawers of wonderful things that other ATypI attendees would love to own—and they can, if they bid high enough!
Location
Parties! Saturday evening is time for what used to be known as the Gala Dinner but is these days generally rather more relaxed. The food is almost always fabulous, the company sublime and the speeches largely absent.
Conference location address:
Bookshop An antiquarian bookshop featuring an exceptional selection of titles on type & typography will be provided on the conference site by Antikvariat Morris, a member of ILAB
The main program of the 50th annual ATypI conference will take place in a single location: at the Universidade de Lisboa Faculdade de Belas Artes.
FBAUL Largo da Academia Nacional de Belas-Artes 1249–058 Lisboa, Portugal The closest subway station is Baixa/Chiado. Check the Lisbon metro site. Walking directions from the conference location to the hotels are on the accommodation page. FBAUL, now approaching their 150th anniversary, is located in central Chiado, one of the most eclectic neighborhoods in Lisbon. They offer programs ranging from painting, sculpture, and art history to museum studies, multimedia studies, and communication design.
Accomodations
Sponsors and partners
More information
ATypI has arranged a special deal for conference delegates at the Hotel Tivoli Jardim. The Tivoli Jardim is in the centre of Lisbon and convenient for the conference, great restaurants and sightseeing. Opened in 1968, the 119-room Tivoli Jardim hotel is located close to Av. da Liberdade and next to the larger Tivoli Lisboa, approximately 25 walking minutes or one subway station from the conference location. We have negotiated a great price at Tivoli Jardim for anyone coming to the ATypI conference.
Sponsors Paragon sponsors Adobe Systems Inc Brevier sponsors Microsoft Font Lab
For more information, please contact the ATypI Secretariat & Conference Office.
Hotel Tivoli Jardim Rua Júlio César Machado 1250–135 Lisboa, Portugal phone: 351 21 359 10 00 fax: 351 21 359 12 45 email: htjardim@tivolihotels.com The ATypI deal If you are attending the conference, you can get a room for Single: 99 euro and Double: 109 euro. Rates per day, per room, including buffet breakfast, service and taxes.
Minion sponsors Dutch Type Library
ATypI Secretariat & Conference Office secretariat@atypi.org Maxstoke House, 104 Parkside Drive, Watford, Hertfordshire, WD17 3BB, UK t 44 0 19 23 80 04 25 f 44 0 19 23 80 04 23
Partners ATypI is organizing the 2006 conference in co-operation with Universidade de Lisboa Faculdade de Belas Artes. http://www.fba.ul.pt and Experimenta www.experimentadesign.pt/ Experimenta is a knowledge production unit and an active communication platform for design, architecture and project culture. Its main raw material is creativity and its primary field of action is culture and culture’s permanent transformation, from a contemporary, inclusive and multidisciplinary perspective.
To reserve your room at the Tivoli Jardim, email recepcao.jardim@tivoli.pt and state the following reference information: “ATYPI confirmation number 1610”.
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