PORTFOLIO Wang, Chienhwan(Jevons) Architecture & Interior Design
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CONTENTS
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QSSG office
Shuitou, China │ November. 2013 It is the building amount mosanic in the existing building of body, so we hope to have the regular pattem of lithe on the appearance, so the use of the concept of folding, the body can make new buildings orderly stack up while covering one by one functional space box. Taiwan Cultural and Creative Plaza Shenzhen, China │ November. 2013 As a cultural and creative space for the call of the compound, we expect the material surface, the appearance can be difference with traditional architectural sheet metal, at least we can make change possible under the standard specification.
Hsufuchi villa
Guangdong, China │ Auguster 2012 So in the space, we strive to combine with the land, leaving space for air like transparent body into the building in general, this way it will be like breathing. We believe that building a verb has been a major event, whether the user or to the land, it should be through the "build" of thinking, rather than blindly building materials.
Store of Atayal resort
Nantou, Taiwan │ March 2014 At that time when idea step thinking how can we meet the needs of the owner's dining seats, temporary stage performances, but do not just become a ready-made furnishings with it? After all, is a semi-outdoor space, and not quite have the amount of body design lines in space.
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Hwan House
Taichung, Taiwan │ September 2014 Even the decorations, I have hope that can be dialogue with and link to this space, so I specifically asked artist to create a unique art stuff for this space plan.
E&CO retail
Taichung, Taiwan │ July 2015 To change original display style, tried focus entire space by radiation shape display table, and used different arrangement clothes rod to create various atmosphere of interior space.
Turn voice installation
Canterbury, UK │ Feburary 2016 Through the music box theory to build an instrument that with three track and four different type sound tone and available to rearrange each tone object to reach the purpose for user operation.
The Terminal Beach
Canterbury, UK │ September 2016 How human ideas, has been the development of human civilization from word of mouth to the historical record of the narrative, and the literary imagination, human world often beyond the actual discussion, we are convinced that this is also a human civilized reason why higher than other species, imagination.
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王 健桓 Wang, Chienhwan 28 April, 1986 Taichung Taiwan
Experience interior designer at asia plus June 2012 - Present (2 years 9 months)
signal corps at R.O.C Marine Corps. July 2011 - June 2012 (1 year)
E-mail jevons.hwan@gmail.com
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Education University for Creative Art(UK) Master's Degree, Interior Design, 2015 - 2016 National Yunlin University of Science and Technology(Taiwan) Master's Degree, Architecture, 2008 - 2011 National Taichung University of Science and Technology(Taiwan) Bachelor's Degree, Interior Design, 2004 - 2008
Honors and Awards 2007 nation universities, colleges and institutes compete jointly design get Fifth 2009 strategic plan of town development in yunlin county 2009 UDBKCG "green celebration"o5r10 MRT station design competition
Focus Interior Architecture Interior Design Community Development
Skill CAD SketchUp 3D Studio Max InDesign PhotoImpact Photography sony vegas key shot vray
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DESIGN W O R K
12 棋盛石材辦公室 │ QSSG office │ Shuitou, China │ November. 2013
Q S S G office
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最初的設計構想 ? 因為這是個建造在一座既有大理石工廠角落的辦公空間，為了符合原本廠房的高度讓其建築高度控制在廠 房高度以內，所以採用讓最底層往下挖以取得更多建築高度的做法。 因為是一個鑲嵌在既有建築的量體，所以我們希望在外觀上能夠有規律的輕盈，於是採用了折疊的概 念，讓新的建築體能夠有秩序的往上疊，同時包覆一個個具功能性的空間盒子。
The original design concept? This is a office space built in a corner of the existing marble factory, in order to comply the building height allowed to be controled under the original plant building height, so make the most use of digging down to the bottom to get more building height. It is the building amount mosanic in the existing building of body, so we hope to have the regular pattem of lithe on the appearance, so the use of the concept of folding, the body can make new buildings orderly stack up while covering one by one functional space box.
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ROOF
SECONDD FLOOR FIRST FLOOR GROUND FLOOR UNDER GROUND
摺疊量體意象 (FOLD)
如何讓地下層擁有地面層的通透感 ? 為了讓下挖的樓層一樣具有地面層的通風及採
How to make sense of the basement has a transparent ground floor?
光，我們並不把開挖的部分完全填滿做為室內 We do not completely fill the excavated as the 空間，反而挪出了 1/3 的空間完全透空讓光 interior space. Instead, set aside a third of the 線及空氣能夠流動，甚至建造了水景，反而讓 space is completely transparent to allow light and 這下挖的地下層有一個隔絕外在干擾的景觀動 air to air flow. 線。
16 入口動線的想法 ? 新的建築與廠區共用一個主入口 ( 畫面左側方向 )，而為了讓未來出入辦公室的人員車輛能夠與出入廠房 的人員車輛區隔，同時希望人員在進入辦公室的時候可以被強迫式的經過我們規劃的造景區域作為一種進 入建築物的儀式沉澱即將開始一天工作的心情，所以我們用大宅院庭院的概念，讓進入建築物的動線適度 的迂迴，從一樓園區進入空橋往下走入水景，再拐彎繞過大半個建築量體往上走入建築體，就像在走進建 築體前先越過一座花園一樣。
17 The idea of moving route of the entrance? The new building share a main entrance (picture on the left direction)with original factory, and in order to allow the future route of the office for personnel and vehicles can be separetet with route for the plant , and hope people can be forced into the office after pass the landscaping area to enter the building as a precipitate mood ceremony is about to begin a day's work, we use the concept of a large courtyard house, let's the routh roundabout moderately, entering the bridge from the first floor down into the water features, and then turning to bypass more than half the amount of body building and up into the building, just like across a garden first before entering the building.
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室內動線的計畫 ? 考量到不同使用者在空間內的不同需求，我們在建築內部假定了三種不同目地的路線行為，分別為主要動 線、工作動線以及休閒動線，讓使用者可以最大限度的運用空間並且讓每個空間配置都具備合理性。
Indoor moving line plan?
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Taking into consider the different needs of different users in the space, we assume that the route inside the building with three different route behavior for different walking goal, were the main route, work and leisure routes , allowing users to maximize the use of space and let each spatial conďŹ gurations with rationality.
MAIN ROUTE
MAIN ROUTE WORK ROUTE LEISURE ROUTE
WORK ROUTE LEISURE ROUTE
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建築物與自然元素的關係 ? 可能因為是石材廠的關係吧，設計的時候下意識的
Relationship of the building and the natural elements?
就想要讓空間帶入一點「軟」的東西，去中和一點
Probably because it is a marble factory, we
石材的堅硬印象，除了在戶外設計綠帶以外，更加
subconsciously wanted to make the space
入流動的藍帶透過高一層樓的水瀑，讓整個空間透
into a little 'soft' stuff, to neutralize the hard
過水的流動更加鮮活。
impression of stone, except at outdoor design
此外，建築物的日照、採光跟未來空氣流動的都因 為建築階梯型的設計而集中在建築體的中心。
green belt, also joined the flow of blue with a waterfalls through, so that make the entire space more fresh water flowing through. In addition, the sunshine, the lighting, the air flow of the building have since stepped architectural design and focus on the center of the building body.
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深圳 台灣文化廣場 │ Taiwan Cultural and Creative Plaza │ Shenzhen, China │ November. 2013
Taiwan Cultural and Creative Plaza
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29 原始空間的條件 ? 基地是位於中國深圳的藝文中心，因藝文中心遷往別處因此相關單位計畫將原建築改建成複合式的商業公 共空間。 原始空間類似校園空間，由一間間獨立封閉的空間單元組成，有走廊以及中庭天井，建築物還有一半以上 做為可容納 600 人的劇場使用。 但這樣的空間型態及配置並不利於未來想要發展的商業模式， 因此我們先初步建構原始的建築模型，再去置入我們預期的空間定性並且排列其在建築體內的關係，做為 接下來空間劃分的依據。
The original space conditions? The building is a art center, located in Shenzhen, China, because the arts center is intend relocate so the local group plans turned the building into composite commercial public space. The original space is similar campus space, by few separate enclosed space units, with corridor and courtyard patio, the building as well as more than half of which can accommodate 600 people theater use. But this space patterns and configurations are not conducive to the future development of the business use. Therefore, we first construct the original preliminary architectural models, we expect to go into space and arrangement of their qualitative relationship building in the body, as the basis for the next space is divided.
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creative store restaurant book store shop workshop youth hostel open space
31 空間如何重新劃分 ? 與業主討論後，將空間計畫成七大分類，並思考其重要性以及應該放在如何的動線順序上，並且同時思考 實體空間的區隔以及界定，同時重新規劃符合空間需求的動線分配，將其區分出工作貨梯、客用電梯、客 用樓梯等動線。
How to re-divide the space? After discussions with the owners, the spatial plan into seven categories and think about its importance and should be placed on how the route order, and at the same time thinking well defined physical space segment, while the re-planning meet the space requirements of route allocation, which distinguish the work freight elevators, passenger elevators, passenger stairs route.
32 重新定義建築物的入口動線 ?
Redefine the entrance ?
地面層的入口重新定義，各樓層的的空
Redefine the Entrance on the ground floor and the
間定性也重新規畫使其符合未來的空間
space on each floor qualitative also re planning
需求。針對不同空間位於地面層的功能
to match future space requirements. For different
性，考量其空間特性跟是否需要獨立的
functional space on the ground floor, with consideration
出 入 口， 規 畫 了 一 個 進 入 主 建 築 物 出
of the spatial characteristics of the need for a separate
入口 (gate1)，跟兩個可以進入主建築
entrance, planning an main entrance into the building
物也可以作為進入獨立空間的對外出入
(gate1), with the two entrance can enter into the
口 (gate2 gate3)，以及三個定義明確
independent space can also be used as external
進入特定空間的出入口 (gate4 gate5
entrance (gate2 gate3), and three well-defined
gate7)。
entrance into the specific space (gate4 gate5 gate7).
33 符合新空間需求的垂直動線 ? 原本的建築物沒有電梯，而在改變建築空間目的之前也還需要考量客用電梯、樓梯以及工作貨梯、逃生梯 的需求考量，
vertical moving lines for new space? The original building has no lift, but they still need to consider the demand about passenger elevators, freight elevators, stairs and work elevators , escape ladders before design.
34 如何重新賦予既有的建築表皮新的設計意象 ? 身為一個以文創為號召的複合式空間，我們期許其表面的材質、樣貌能夠有別傳統的建築表材，至少希望 在制式的規範底下去做出盡可能的改變。 所以我們先將建築立面分為三大面向，分別附與「文化、資訊、理性」、「自然、土地、感性」、「空氣、輕 盈、放鬆」三個概念。
35 How to reassign existing building skin to design new images? As a cultural and creative space for the call of the compound, we expect the material surface, the appearance can be difference with traditional architectural sheet metal, at least we can make change possible under the standard speciďŹ cation. Therefore, we ďŹ rst divided into three facing facades, are attached with "culture, information, rational," "natural, land, sensual," "air, light, relax," three concepts.
36 對於室內的布局能否與延續對建築立面的想法 ? 在室內空間中我們也希望以大尺度的立面導入外觀的概念，因此將原本舊劇場內的挑高處 ( 後規劃為書 店 )，設置了植生牆，並在正上方的屋頂挖洞採光，讓其室內最大尺度的單一空間引入更多自然的光線及 綠意。
37 For the interior layout can be continuation of the idea of the building facade? In the interior, we also want to import the concep of the facade of a large-scale appearance, so the ceiling of the old theater (after planning for the bookstore), set up a plant raw walls and the roof just above the lighting by open, interior space is allowed introduction of more natural light and greenery in a single space.
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廣東 徐福記私人會館 │ Hsufuchi villa │ Guangdong, China │ Auguster 2012
Hsufuchi villa
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關於一個涵蓋相當比例庭園造景的設計案如何發想 ? 和自然地景的融入一直是近年來東方建築為世界所推崇的，從日本建築界吹向世界的清水模式建築，標榜 不以過多繁雜的裝飾加諸於建築表面，而是以量體的力量為其建築語彙做詮釋。 而清水模建築周遭的景觀造景更常以東方最擅長的山水意象軟化其清水模量體的剛硬線條；如此在表面裝 飾材料上的簡化卻意外地引起一陣建築狂熱，最大的原因在於不多加裝飾的建築空間，其動線、光影最能 被凸顯，也最為考驗設計者的空間組織能力以及想像力，但其成果往往讓人驚訝其空間與自然景物、光影 的完美結合。
How to design a project with East style garden landscaping like? It's highly praise by world that the feature about natural landscape has been the integration of the East Building in recent years, from Japan to the Exposed Concrete building, not too complicated decoration advertised to impose on building surfaces, but with the amount of body strength its architectural vocabulary to do the interpretation. The landscape surrounding architecture mode more often best at the Oriental landscape imagery to soften the rigid lines of the modulus; thus simplifying the decorative material on the surface but accidentally caused a building frenzy, the biggest reason is not pay more decorative architectural space, its routes, light and shadow can be the most prominent, and most of the spatial organization of the test for designer's ability and imagination, but the results are often surprising its space and natural scenery, the perfect combination of light and shadow.
52 關於「造景」的觀點 ? 造景，是建築設計不可忽略的一環，“景”即境域的風光，也稱作風景。是由物質的形象、体量、姿態、聲 音、光影、色彩以至香味等組成的。景是園林的主體，欣賞的對象。自然造化的天然景（野景）是沒有經 過人力加工的。大地上的江河、湖沼、海洋、瀑布林泉、高山懸崖、洞壑深淵、古木奇樹、斜陽殘月、花 鳥蟲魚、霧雪霜露等，都是天然景。而東方在庭園造景的語彙上則相當講究，從主景和次（配）景、抑景 與揚景、夾景與框景、前景與背景、俯景與仰景、實景與虛景、內景與外景等相互搭配，再以植栽四季變 化為園林增添變化。 徐福記會館的庭園規劃中，我們選擇以流水瀑布為主、奇石植栽為輔，用人工的方式塑造層層的涓流，再 以卵石鋪底、圍塑河道；同時再讓巨石奇樹作為點景，流水在階梯般的河道層次流下，水生植物、錦鯉優 游其中，而四季的變換更為整座庭園注入流動的生命力。庭園遠方的建築主體因為其林園的點綴更顯豐 富，其中的石橋與石燈籠與林園搭配更富含了東方景觀的語彙，而與建築主題遙遙相望的觀景平台之間的 關係則隱喻了亭台樓閣的林園景致。
53 About "landscape" view? 造 景 (means make a landscape view), can not be ignored frome architectural design, " 景 (scene)" can be understand for realm of beauty, also known as the scenery. Is a matter of image, body mass, gesture, sound, light, color, fragrance and other components as well.
景
is the main of garden, enjoy the object. Natural good fortune of natural scenery (wild scene) is not the result of human processing. Rivers, lakes, oceans, waterfalls, mountain cliffs,odd trees, sun moon, flowers and birds, snow, fog frost, are the natural landscape. The Oriental garden landscaping on vocabulary is quite exquisite, from the main scene and minor scene, suppression scene and raise scene, foreground and background, overlooking the scene and elevation scene, real and imaginary scene, and other interior and exterior with each other, and then to the changing seasons for planting gardens add to change.
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對於建築體盒子的想像 ?
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一開始就被告知我們需要一個輕盈的玻 璃盒，最好是通透性高。但是要有足夠 的空架去安置硬體設備，所以我們嘗試 了幾種骨架造型，甚至用了許多結構和 相對的量體錯覺嘗試讓整個空間在視覺 上更加輕盈。 Imagine for a building body of the box? Outset were told that we needed a lightweight glass box, preferably high permeability. But there must be enough space to place the hardware equipment rack, so we tried several skeleton shape, even with a lot of structure and the relative amount of body illusion trying to get more light throughout the space visually.
56 最後的結購量體概念 ? 最能展現建築力道的不是立面上的花樣，而是量體間的比例組合。回歸建築的本質，結構。徐福記會館在 基地的使用以及建築的發想給予相當程度的自由，使其能夠設計出一棟順應地景的人造建築，在設計之初 發想了許多以結構體做為主要 concept 的設計方向，除此之外更從原先需求的平面量體，進一步的以平 面以下開挖的 3D 思維做組合，讓建築量體能夠更深刻地融入地景，也讓此案不可或缺的庭園造景有機會 藉此深入建築。 而在確立以清水模作為量體風格時，如何在視覺上減輕建築的沉重感隨即成為設計的重點；解決的方法之 一，便是從設計開始就一直在概念想法裡的增加建築視覺穿透力；因此在建築外觀上我們在 80% 的面積 使用通透的大面落地玻璃，不但增加了視覺的穿透力，更加強了室內空間的採光，另外為了收藏建築的服 務空間，我們將大部分的有形量體集中濃縮於建築後段，將必要的餐廚空間、設備機具收納於此，免除日 後冷氣主機、餐廚器具暴露在外的可能。
57 The final concept of structure? Best way to express the strength of the pattern is not building facade, but the ratio between the amount of body combinations. Return to the essential of the building, structure. Hsu Fu Chi vila at the base of the use and construction of the reflect to give a considerable degree of freedom to be able to conform to design an artificial architecture that fit natural landscape, designed from the beginning with a lot of structures idea as the main concept of the design direction , in addition to below the excavation of thinking to do a combination of 3D, so the amount of body building can be more deeply integrated into the landscape, but also to the case indispensable garden landscaping have the opportunity to take in-depth architecture.
58 這種獨立單元的建築空間與都市巨大的量體建築在設計思考上有甚麼差異 ? 面對高樓大廈這樣的巨大怪物，我們向自然挑戰般理性的一層樓一層樓的向上疊；然而處理如同徐福記會 館這樣的低樓層建築時，我們則是感性的讓所有可能交錯的延伸築起。 這裡加一座梯，那邊灑一道光，這邊長一面牆，對面開一扇窗，每一個尺寸、每一道角度都是從感覺出 發，經過思想後從理性落筆，或許用不上摩天大樓的高超工法，但卻用了最感性的創意和最謹慎的實踐。 不僅思考著如何把天馬行空的輪廓塗上色彩，更在這想法成畫之後煩惱著要加上怎樣的框。我們知道生活 的地方不應該是被建築物層層包裹，縱使我們將它打造的多麼自然高尚，因為唯有和真正的「環境」在一 起，我們的生活才不至於扭曲的太過畸形。 所以在空間上，我們力求與土地結合，留有通透的空間讓空氣好像融入建築體一般，如此一來這量體就會 像呼吸一般的和環境共處。我們認為動詞的建築一直以來都是一件大事，不論是對使用者或是對這個土 地，所以更應該是透過「築」的思維進行，而不是盲目的將建材水泥不斷的矗立在土地上而已。
59 what is the difference in design thinking between that kind single architecture space and huge building in the city? Faced with such a huge monster as skyscrapers, we are challenge to the nature oor by oor stacked up; however, as Hsufuchi when dealing with such a low-oor hall building, we are the emotional staggered extend all possible building play. Here plus a ladder, a light sprinkle over there, here a long wall opposite a window open, every size, every angle is from the feeling of starting, put pen to paper after rational thought, perhaps irrelevant skyscrapers superb engineering methods, but with the most creative and the most sensual prudent practices. Not only thinking about how to outline painted abstract colors after more consider with this idea to draw what you want to add frame. We know that life should not be wrapped in layers of buildings, even if we build it how noble nature, because only with true "Environment", our lives if they are not too distorted deformity. So in the space, we strive to combine with the land, leaving space for air like transparent body into the building in general, this way it will be like breathing. We believe that the verb of building has been a major event, whether the user or to the land, it should be through the "build" of thinking, rather than blindly building materials.
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玻璃天光屋頂 節能隔熱植披屋頂
外推觀景陽台
借景門
室內天景宴會廳
隱蔽服務空間
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藝文舞台
觀景涼亭
露天餐區
藝術平台
景觀水池
延伸過道
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南投 泰雅渡假村賣店規劃 │ Store of Atayal resort │ Nantou, Taiwan │ March 2014
Store of Atayal resort
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開放空間的座位區是怎樣的設計概念 ? 當時在發想階段時就思考怎麼樣才能滿足業主方 需要的用餐座位、臨時的表演舞台，但又不只是 淪為用現成的家具擺設呢？畢竟是一個半戶外的 空間，並沒有相當具備設計線條的量體在空間中。 所以我便設計了一個從地面不斷浮起抬高的量體， 好像一體成形一樣的一塊量體同時具備了地面、 階梯、舞台、桌面的尺寸，就好像都市地景的縮 小藍圖一般。 What's the concept of open space? At that time when idea step thinking how can we meet the needs of the owner's dining seats, temporary stage for performances, but do not just become a ready-made furnishings with it? After all, is a semi-outdoor space, and not quite have the amount of body design shape in space.So I designed a float from the ground elevation constant amount of body, it seems like one piece molded body along with the amount of ground, the stair, the stage, the size of the desktop, just like a blueprint for the city to narrow the landscape in general.
66 那在確定了這樣不斷攀升層次的概念後怎樣去決定在立面上高程配比 ? 當然在把需要的座位數量以及動線考慮進去後，我並不想要一個絕對對稱的設計，因為這樣與周圍 地表鑲崁又一體成形的設計希望能朝有機的流動量體去表現，所以我刻意營造一個由低點到高點從 ±0、15cm、30cm、45cm、75cm 到 150cm 不斷往一個大方向攀升的量體，其中依高度不同型塑成階 梯、舞台、座椅、桌面、吧檯等等功能。
How to decide each elevation after that concept project? Of course, after the required number of seats and the route into account, I do not want an absolutely symmetrical design, as it has with the surrounding surface integrally molded inlay design hopes to show the amount of body towards organic flow, so I deliberately create a continuous rise in the general direction of the amount of body from low to high from ± 0,15cm, 30cm, 45cm, 75cm to 150cm, which according to the height of the different shaped by a syair, stage, chairs, table, bar, etc. function.
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桓宅 │ Hwan House │ Taichung, Taiwan │ September 2014
Hwan House
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把原本的房間數縮減是很大的嘗試 ? 在台灣大部分的人喜歡所謂三房兩廳的格局，但在空間不足的條件下，硬要隔出數個房間只會壓縮到每個 空間的品質，尤其在使用者並沒有那麼多獨立空間需求時反而是一種浪費。以此案為例，屋主長年獨居卻 使用著無謂的三房兩廳，甚至還有兩套完整的衛浴，導致每個空間都過於狹小難以使用，加上整個空間的 採光都留給獨立的房間，導致房門一關整個室內變暗無天日，因此重新審視使用者需求將採光留給公共空 間，並且減少隔間，讓客廳、餐廳、廚房連貫，僅以家具界定空間，同時弱化整體空間中「走道」的功能，讓 路徑穿越空間，而不是另外挪出一個空間做為路徑，這些改變除了讓整個室內都有採光外，視覺的穿透性 也更強烈。
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The original is a great reduction in the number of rooms to try? Most of the people in Taiwan like house at less with three bedroom, but in the lack of space conditions, insist separated out several rooms will be compressed to the quality of each space, especially the user don't need so many independ room will be a space waste. In this case, for example, homeowners living alone for many years, but the use of unnecessary three-bedroom, two ensuit baths and even led to each space is too small it is difficult to use, otherwise the lighting throughout the space are left to separate room, if the door close the entire interior becomes dark, so the user needs to re-examine the light in the public space, and reduce the compartment, so that the living room, dining room, kitchen, coherent, only furniture deďŹ ning space, while weakening "aisle "function in the space, so the path through space, rather than a space set aside as a path to another, these changes in addition to the entire interior has lighting, but also more intense penetrating vision.
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專屬空間的藝術品 ?
Exclusive art of space?
即使是點綴、妝點，我都希望能和這個空間有點連
Even the decorations, I have hope that can
結對話，所以特地請人以平面圖為藍本創作出專屬
be dialogue with and link to this space, so I
這個空間獨一無二的作品。
specifically asked artist to create a unique art stuff for this space plan.
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空間裏面的展示不是單純的展示 ? 當然會想要能夠善用每一道牆去做裝飾性的佈置，例如各種建材、畫作等等，但是這畢竟是一個生活的空 間，所以還是希望能夠讓一些展示性的設計也能有一點機能性、功能性在，或是只是一點點跟這個空間有 連結的元素都可以，而不只是掛一幅別人家也有的畫；所以在入口的那一道牆刷了黑板漆，除了取漆料本 身的黑色外，更取了塗鴉作畫的功能，讓空間可以更加活潑，透露出使用者以及來訪客人的活力，在黑板 牆上還安裝了一個壁掛的單車架，讓屋主平時就在騎的白色鋼管車有一個地方放，更可以襯托整個空間。
The decotate inside space is not just a decoration? Of course you want to be able to make every wall be decorated, such as variety of building materials, paintings, etc., but after all this is a living space, they still need to be functional in every display design, not just hang a painting that some other people have; so that a wall located at the entrance of chalkboard, in addition to taking the paint itself black, but also take a graffiti painting functionality, so that space can be more lively, revealing the vitality of the user as well as our guests, at the blackboard on the wall also installed a bike holder so that the white steel bike homeowners usually riding has a place to put, but also set off the entire space.
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台中 E&CO 服飾店規劃 │ E&CO retail │ Taichung, Taiwan │ July 2015
E&CO retail
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To change original display style, tried focus entire space by radiation shape display table, and used different arrangement clothes rod to create various atmosphere of interior space.
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Turn voice installation │ Turn voice installation │ Canterbury, United Kingdom │ Feburday 2016
Turn voice installation
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Experiments A - Lamp Installation At first, the concept is use a easy way to display that device can reflect humen action. Used bulbs around stair with sensor that hide in each step, when people walk on the stair step by step, the behavior will active a part of bulbs turn on or off to make a easy conversation between device and audience.
sensor area
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A rough powered mobiles sketch of a plan for an aesthetically potent social environment a Horizontal plan b Vertical section taken throu'gh line L in horizontal plan. A = drive state display for male B = main body of male, bearing 'energetic' light projectors 0 and P C = upper 'energetic' receptors D = lower 'energetic' receptors U = non¡'energetic', intermittent signal lamp a = female receptor for intermittent positional signal b = vertically movable reector of female Z = bar linkage bearing male I and male II
= Drive motor = Free coupling = Fixed coupling = Bar linkage
93 Precedents A Conversation Theory Pask Gordon Gordon's primary contributions to cybernetics, educational psychology, learning theory and systems theory, as well as to numerous other fields, was his emphasis on the personal nature of reality, and on the process of learning as stemming from the consensual agreement of interacting actors in a given environment ("conversation"). His work was complex, extensive, and deeply thought out, “Cybernetics is a transdisciplinary approach for exploring regulatory systems, their structures, constraints, and possibilities. In the 21st century, the term is often used in a rather loose way to imply "control of any system using technology;" this has blunted its meaning to such an extent that many writers avoid using it.”
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precedents B Sharing Face Kyle McDonald For eight months starting in October 2013 Kyle McDonald shared photos between Anyang, Korea and Yamaguchi, Japan. Visiting the installation at either location would match your expression and pose in realtime with these photos of someone else who once stood in front of the installation. Thousands of people visited the work, and saw themselves reected in the face of another person. This concept used artwork to be a media to bridge people, make a sort of conversation, people not talk directly but transfer message to art work and to real person.
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Precedents C Simple Harmonic MotionPask Memo Akten Simple Harmonic Motion is an ongoing research and series of projects investigating complexity from simplicity; exploring the nature of complex patterns created from the interaction of simple multilayered rhythms. It is set a series process rules for system that the graphic will change variety by any kind of operation but logically, just like graphic can answer user's operation and respond make sense result.
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Experiments B Dream Chord La Monte Young This experimense tried to create an enviroment that with obviously rules and can reect user's operation and according that to change different output to audience. 1.2. The art work used the Dream Chord that is a chord used prominently in the works of La Monte Young. It is made up of the pitches G-C-C sharp-D. 3. For example, when audience input G note to the system. 4. System will process that audience input and process it visable by letter and graphic to describe tone. 5. And react the result to the enviroment to feedback audience. 6.7. When audience receive the result by system she/he can decide what should input next, and system will process and feedback to audience again to nake a cycle.
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Precedents D Instruments This step tried to research the sound theory of instrunents, to ďŹ nd a way to make noise and think about creat a different device can depict the communication concept by sound
5. music box disk
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1.2.3.4. Entire device combined by 60 different objects with four different height (20mm, 30mm,40mm, 50mm) 5. Each object can be re arrange in any way in the same track. 6
6. The device with three track can play sounds in the same tume.
Experiments C Turn Sound Through the music box theory to build a instrument that with three track and four different type sound tone and avaliable to re arrange each tone object to reach the purpose for user operation. The model creat a ďŹ xed rule (the tone of each object unit), and supply the operation ability to user that can re arrange every object by themselve. But because the ďŹ xed rule, the system still can make sure the result of user operation is under control and logically. This situation creat an enviroment of conversation betwen art piece and audience, audience "talk" and input message by chane the arrange of tone object, system can according the arrange to respond different sound to user.
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1. 2. 3. First idea model made by corrugated paperand brass 4. 5. Draw the design graphic and tried to replace the material to wood 6. The rough size of each object 7. Modify each object to precision size 8. Modify all of them to correct variety height
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1. Test the feature of reed. 2. 3. Enter the hole and put the tenon inside 4. 5. Build the base of object 6. Assemble them 7. 8. 9. Final model
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The Terminal Beach │ The Terminal Beach │ Canterbury, United Kingdom │ September 2016
The Terminal Beach
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Capture How human ideas, has been the development of human civilization from word of mouth to the historical record of the narrative, and the literary imagination, human world often beyond the actual discussion, we are convinced that this is also a human civilized reason why higher than other species, imagination. Science ďŹ ction is the product of human knowledge and imagination, he not only has humanity been worship of science and technology but also to reflect on human development and, more importantly, it combines been scientific knowledge of mankind, so that even humans clues Construction science ďŹ ction world. By trying to construct an image and model ways to convey the human imagination of the world, taken from JG. Ballard short story, establishing fictitious scenario building to blend in among the civilized image of modern society, to convey the human reality once over imagine the possibilities.
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1.The movie "the inception” 2.La tentación de San Antonio 3.The movie "the inception” 4.La persistencia de la memoria
There has been a lot of artists imagination and surreal depiction of the creative process, such as the famous painting “Eternal Memory “ by Salvador Dalí it is abstract deconstruction time and restructuring items to put together real-life childhood memories , and with progress with the creation of mediums , artists there are more ways to interpret a variety of imagination , so that in particular the growth of science and technology of film , almost like genuine person with computer special effects to make the human imagination can be figurative , easy to use image organoleptic it understood that worldview reality outside. “I thought that the dream space should be all about the visual, but it’s more about the feel of it. My question is what happens when you mess with the physics of it all?”—Ariadne The movie “the inception” depict a successful abstract world above real world concept, in there, every object is inspired by actual human world but with unreasonable different like Illogical physical characteristic.
105 Experiments Reality Location Folkeston
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Experiments Reality Location Warden
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Experiments Reality Location Ramsgate
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concept space model
concept space model
concept space model
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Experiment Significance and Contribution create abstract Trying to deconstruct people’s understanding of the world and surreal space
imagination “Our over-mechanized age underestimates ‘the irrational imagination’, which appears to be impractical, but is nonetheless fundamental to all these discoveries.” ---- Salvador Dali Today’s society scientific rationality and logic of language concept are promoted to a terrible height , in the era of that human deeply be rules by calculated distinguish instrumental, rationality and empirical evidence utility and scientism , so people can only see, hear and feel they know things. Surrealism committed to exploring the transcendental dimension of human experience and strive to break through the logical and true view of reality, trying to blend reality concept and instinct, subconscious and experience of the dream to demonstrate an absolute or transcendent real scenarios.
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Experiment transform reality image
Methodologies Construct a 3D model of the virtual world, a conceptual ďŹ ctional world, which covers the human imagination has been on the future of the world. Capture images of the real world in order to express the moment of appearance of civilization, while synthetic manner fusion constructs virtual reality scenes more realistic picture to convey these are from human imagination. In the movie clip script way to create a set of narrative story Construction of the model way to create a space to describe the world. In virtual reality, environment has created a way to provide the viewer to explore
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Experiments Environment Prototype - LANDSCAPE Looking for the object from the particular place that can correspond background description and transform it and make it abstract but still can be recognize. By investigate the landscape of beach of Kent, I collect various image and video to hunt for characteristic object, at last I collect some fortress artiďŹ cial structure, this kind of object with unnatural shape and easy to be impressive if people see it in the environment around it. First, I capture the shape from the image I shoot, keep the feature of image and rebuild to a different solid, make it look similar but not exactly same. And I have to deconstruct and restructure the scene, keep the elements from design concept include real world object and real world environment, and I also need to plan the explore route with these elements. In addition to, for increase the relative of real world, trying to projecting the video image which I capture from investigation to these independent object, as a result, these exact real world video image can display in virtual environment with abstract frame that transform from real world structure. I create four different prototype scene with different explore route and different environment layout. Prototype 1- cycle Prototype 2- straight Prototype 3- arc Prototype 4- landscape Each scene with simulation dynamic ocean and sky, I use Suimono Water system and Tenkoku Dynamic Sky by Tanuki Digital in unity to create virtual reality space. Otherwise using sketch up software build model and import to Keyshot for rendering and create part of animation.
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audience reaction
Virtual Reality vision display in HMD
Experiments Environment Prototype1- CYCLE
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Experiments Environment Prototype - STRAIGHT
audience reaction
Virtual Reality vision display in HMD
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Virtual Reality vision display in HMD
Experiments Environment Prototype - ARC
audience reaction
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Experiments Unity Vitural Reality The technique of this project have three different step, first one is capture elements from source, second one is simulation space design, third is environment virtual reality technology. a. 3D model building From concept, idea inspire and 3D draft model print, to create scene to depict story environment. b. Modify in Unity After finish model, next is to define physical feature to them, in Unity have to set up every mesh with “collider” and gravity, and replace some object and material that build for still solid model to dynamic unity object, in this stage cloud move in the sky, ocean wave at your feet, rain falls in front of audience’s eyes. c. FPS Player Controller with Oculur SDK When finish unity model modify, more need to set up the particular controller to present audience in virtual reality world.
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Experiments Oculus Vitural Reality
Head-mounted display Oculus Rift has an OLED display, 1080×1200 resolution per eye, a 90 Hz refresh rate, and 110° field of view. It has integrated headphones which provide a 3D audio effect, rotational and positional tracking. The positional tracking system, called “Constellation”, is performed by a USB stationary infrared sensor that is picking up light that is emitted by IR LEDs that are integrated into the hmd(Head-mounted display). This creates 3D space, allowing for the user to use the Rift while sitting, standing, or walking around the same room. Constellation Constellation is the headset’s positional tracking system, designed by Oculus, used to track the position of the user’s head as well as other VR devices, consisting of external infrared tracking sensors which optically track specially designed VR devices. The Rift being tracked by the system, is fitted with a series of precisely positioned infrared LEDs under or above the surface, set to blink in a specific pattern. By knowing the configuration of the LEDs on the objects and their pattern, the system can determine the precise position of the device with sub-millimeter accuracy and near-zero latency, with near-zero lag. X BOX Gamepad Using Xbox wireless controller to control player action in VR environment like walking and moving, except sight direction (sight control by HMD)
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PORTFOLIO Wang, Chienhwan(Jevons) Architecture & Interior Design
2016