CONTENT
REPORT
HINDI
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Ahmedabad Printing Press Association elects new managing committee
BUSINESS
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Six trends driving innovation in the flexographic printing market
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Pulp, paper, and packaging: Challenges for the next decade
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TECHTALK
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Printing flattens polymers, improving electrical and optical properties
TECHNOLOGY
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Getting the whites right Peak Irradiance & Energy Density
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A self-healing glass, inspired by a butterfly wing
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NEWS
GUJARAT GOVERNMENT TO OPEN SEVEN 3D PRINTING CENTRES OF EXCELLENCE The Government of Gujarat, today, in the presence of Honourable Chief Minister of Gujarat Shri Vijay Rupani, signed a MoU with the US Institute of 3D Technology in California & 3D Systems for establishing seven 3D printing centres of Excellence across the state of Gujarat. Gujarat Government’s
Education Department will work in collaboration with 3D Systems, one of the world’s leading 3D printing companies, and US Institute of 3D Technology to introduce the project in seven engineering colleges and technical institutes in the state. The seven chosen institutes are Vishwakarma Government College at Chandkheda-Ahmedabad, Government Engineering College at Gandhinagar, Bharuch and Rajkot, i-Hub, MS Polytechnic at Baroda, and Kalol Government Technical Institute at Kalol. This initiative will be extended in other institutes in the coming future.
The MoU was signed by Gujarat Knowledge Society Additional CEO Bhuptani and US Institute of 3-D CEO Deelip Menezes in presence of Chief Minister Vijay Rupani, Minister of State for Education Vibhavariben Dave and Principal Secretary for Education Anju Sharma. Others dignitaries present included Chief Minister’s Secretary Ashwini Kumar, Higher Technical Education’s Bhuptani, USI of 3-D Yogi Gandhi and others. The initiative will help bridge the major challenge of unavailability of skilled manpower faced by the 3D printing companies across India. The project will aim at developing 3D printing curriculum. This would help the students,
professionals and researchers. Since the technology has immense potential and capabilities in a wide range of sectors like aerospace, automotive, tooling, healthcare, etc., the technology is seen to be the future of manufacturing and it is of utmost importance that students and professional know about this technology. The US Institute of 3D Technology (USI3DT) California, USA, inspired by President Obama’s initiative and “America Makes”, was established to cater to the upcoming demand for professionals in the field of 3D Printing Technology. US Institute of 3D Technology India private Limited is wholly owned subsidy of US Institute of 3D Technology, a California Corporation.
TOPPAN DEVELOPS WORLD’S FIRST SYSTEM FOR GENERATING MOIRÉ PATTERN Toppan Printing (Toppan), a global leader in communication, packaging, décor materials, and electronics solutions, has developed the world’s first system enabling a moiré interference pattern to be generated for any image. The system was developed by
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applying Toppan’s technology for reducing the occurrence of moiré patterns in printed media. An image is separated into two patterns to produce a moiré pattern design, enabling 3D and dynamic effects, a sense of depth, and variations in color density, which can be effective for in-store POP promotional tools, warning signs, and other displays. Moiré patterns can occur unintentionally in printing due to the overlapping of aligned dots
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and lines. These interference patterns generally have a negative impact on the appearance and quality of printed media. Toppan, however, has applied the expertise cultivated in research into technologies to prevent such patterns to now be able to control and use them effectively for eyecatching designs and visual impact. The system developed separates an image into two patterns with different pitches and phases. The two images are then printed, and various methods, such as inserting a clear panel or leaving a space between them, are used to create the moiré pattern design. “This new method of controlling and creating moiré
patterns offers visual impact through a simple process,” said Luis Murillo, development manager at Toppan’s Technical Research Institute. “There is no need to use something like a lenticular lens, so it reduces the time and cost of producing something eye-catching that requires no power and gets people’s attention in shops for promotion or in the street for warning signs. It is an excellent example of how research into preventing something can actually be useful in learning to control and take advantage of it. We will now focus on enhancing visibility, enabling full color designs, and improving the system’s processing speed.”
NEWS
ASIA PACIFIC GLASS PACKAGING MARKET VALUATION TO REACH $25BN BY 2024 According to the Graphical Research new growth forecast report titled Asia Pacific Glass Packaging Market By Application (Alcoholic Beverages, Beer, Food & Beverages, Pharmaceuticals, Others), By Product (Borosilicate, De-alkalized Soda Lime, Soda Lime), Industry Analysis Report, Regional Outlook (China, India, Japan, Australia, Indonesia, Malaysia) Estimated to surpass USD 25 billion by 2024. Rising alcohol consuming population throughout the year is likely to be the key driver for the Asia Pacific glass packaging market in the forecast period. Glass as packaging material provides chemical inertness and stability, that which leads to insignificant chemical leeching into reusability,
sterility and glass. Though the plastics use may hamper the product growth, the consumer preference for glass packaging is increasing due to its use results in preservation of taste, quality and flavor of the contents. Glass supports in increasing the shelf life of the content, while preserving its quality. Additionally, transparency of glass helps consumers to view the stored contents. The product segments in the Asia Pacific glass packaging market, borosilicate glass, de-alkalized soda lime glass and soda lime glass. Additionally, the segment is likely to gain by more than 5.0% CAGR over the forecast period. Among the product segment, soda lime glass is likely to occupy a noteworthy share in the industry. Soda lime glass is
used in almost all glass packaging applications, especially, to store beverages bottles (alcoholic), beer, food and beverages etc. It is likely to grow significantly thus resulting in propelling Asia Pacific glass packaging market over the forecast timeframe. The application segment of glass packaging market includes alcoholic beverages, beer, food & beverages, pharmaceuticals and others. Alcoholic beverages is likely to hold a highest share capturing approximately 50% of the Asia Pacific glass packaging market by 2024. The
alcohol beverages mainly includes, spirits, wines etc. excluding beer. The growing alcohol consuming population over the globe will propel the segment’s industry growth. In healthcare applications, the glass packaging are preferred as they are sterility and provide chemical stability to the containing drug.
VACUUM PACKAGING MARKET PREDICTED TO BE WORTH US$23.8 BILLION BY 2025 The vacuum packaging market is significantly affected by a trend where eco-conscious consumers give preference to packaging that use biodegradable, recycled, or non-petroleum-based materials, which reduce the amount of waste. This has pushed the key players in the vacuum packaging market to invest extensively for R&D initiatives. New developments such as manufacturing of vacuum packages that possess barrier properties, recyclable packaging, and lightweight packaging are adding value to the vacuum packaging market. On the basis of application, the market is segmented as food, pharmaceutical, industrial packaging, and other applications. Food packaging holds maximum
share and is expected to retain its dominance over the forecast period. Various processes used in the technique include skin and shrink packaging. Polyethylene is expected to be followed by polyamide over the next seven years. High flexibility, transparency, thermoform ability, and high shrink properties offered by this material are expected to drive polyamide usage for packing. Increasing demand for transparent food covering, as it ensures food quality by visual inspection, is expected to drive the polyamide demand over the next seven years. The global vacuum packaging market is also divided on the basis of pack type which includes rigid packaging, semi-rigid packaging and flexible packaging. Flexible
packaging is likely to grow at a significant pace over the next ten years from 2018-2025. The global vacuum packaging market is segmented by region as North America, Europe, Asia Pacific and Rest of the world. The Asia Pacific is referred as the largest & fastest growing market for the vacuum packaging market. The market is later followed by the Europe & North America owing to increase consumption of processed and packaged food. Asia Pacific region is maintaining its dominance in the market due to rise in population, increasing packaged & expediency food demand,
and healthcare expenditure. Furthermore, the rapid increase in the industrialization in China, India, and Japan is predicted to propel the country level market of vacuum packaging. Global vacuum packaging market was valued at US$18.0 billion in 2018, and is predicted to attain valuation of US$23.8 billion over the forecast period from 2018 to 2025 by rising at a CAGR of 5.2% over the forecast period.
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NEWS
ACG ACQUIRES PHARMA PROCESSING EQUIPMENT PROVIDER XERTECS GMBH ACG Engineering (ACGE) – part of ACG Group, the only supplier in the world offering endto-end manufacturing solutions for the pharmaceutical industry – has acquired Germany-based pharma processing equipment company, Xertecs GmbH. The deal, which entails ACG acquiring 100% shareholding, comes following a
long and successful partnership between the two entities. For ACG Engineering, the acquisition provides a strong injection of European design into its capabilities roster, as the Xertecs facility and team in Muellheim, Germany becomes a key “Center of Excellence” to serve as ACG Innovation Centre Europe. The goal is to give customers the best of both continents: sophisticated European design combined with Indian value-centric engineering
and manufacturing. Xertecs develops and implements processes, products and services for pharma companies around the world. Its portfolio includes conceptualization; design engineering; prototype development; automation design and integration into MES systems; development and optimization of components; complete plant design including 3D modeling; process optimization and delivery of new process equipment. According to Richard Stedman, Group CEO, ACG Engineering: “This is a tremendous boost for our commitment to create next-generation machines that serve our pharmaceutical and nutraceutical customers. The
Xertecs team brings best-in-class design and product management skills to ACG Engineering. We are looking forward to developing a wide range of innovative, groundbreaking equipment solutions and best-practice initiatives between the two teams.” Klaus Groeschel, Managing Director, Sales & Marketing for Xertecs added: “This represents a great opportunity for ACG to meet global design standards throughout its product portfolio. This is the next logical step in the relationship between our two businesses. The team at Xertecs is very enthusiastic for the opportunity to continue contributing to ACG’s global product offerings and service capabilities.”
HP WATER-BASED CORRUGATED PRINTING INKS EARN ECOLOGO CERTIFICATION HP Inc. has announced that HP PageWide’s water-based corrugated packaging inks have received UL ECOLOGO® Certification for meeting printing inks sustainability standard, making HP the first digital corrugated printing solution to receive the credentials.
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The UL ECOLOGO Certification enables corrugated converters to meet their brands’ requirements for sustainability and reach new target audiences who seek green-related manufacturers. “Demand for corrugated packaging is growing rapidly, along with increasingly stringent requirements for environmental safety. HP is committed to socially and environmentally responsible manufacturing, striving to reach the highest sustainability standards to enable our customers to meet their
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environmental stewardship goals,” said Eric Wiesner, General Manager, HP PageWide Industrial Division, HP Inc. HP serves the digitally printed corrugated packaging market with its HP PageWide Press portfolio, including the HP PageWide C500 press for post-print production and HP PageWide T1100 series, using HP Thermal Inkjet technology and true water-based inks. HP digitally printed corrugated packaging provides an opportunity for brands to take advantage of sophisticated and high-quality graphics for product marketing, while enabling compliance with guidelines for sensitive and foodsafe packaging. “By earning the ECOLOGO Certification, HP has demonstrated
industry leadership in developing sustainable products,” said Alberto Uggetti, Vice President and General Manager of UL’s Environment and Sustainability division. “HP’s inks meet the UL standard for environmental and human health criteria of the entire ink lifecycle.” To receive the certification, HP submitted test results of digital corrugated print samples produced on the PageWide T1100 series and PageWide C500 presses, in addition to UL’s auditing of HP’s ink manufacturing facilities. UL ECOLOGO Certification ensures printing inks have met the requirements including: Minimum levels of VOCs, heavy metals, phthalates, halogenated solvents, other aromatic hydrocarbons and hazardous substances.
NEWS
ASIA PACIFIC FLEXOGRAPHIC PRINTING INKS MARKET ON GROWTH PATH According to the Graphical Research new growth forecast report titled “Asia Pacific Flexographic Printing Inks Market analysis based on Product, Application, Industry Analysis Report, Regional Outlook, Growth Potential, Price Trends, Competitive Market Share & Forecast, 2018 – 2024”, estimated to exceed USD 4.5 billion by 2024. Rise in packaging industry of the Asia Pacific region is one of
the contributing factors for the flexographic market growth due to the usage of product for printing packaging materials. Growth in demand of flexible packaging owing to its wide range of application across pharmaceutical, food & beverage and household products will have a positive influence on the product demand in the forecast spell. Increasing purchasing power along with the advent of e-commerce has increases the availability and usage of consumer product thus boosting the demand of flexible packaging. The above-mentioned trends are likely to
continue and will give an up thrust to the product market growth by 2024. Based on products, the market is categorized into three segments namely solvent-based, UC cured and water-based inks. Solvent based inks hold the market of more than USD 800 million in the year 2017. The product properties such as ability to give higher printing rates along with scratch resistance widens the scope of product usage in various applications. The properties of UV cured inks such as gloss, chemical and rub resistance, color consistency will increase their application scope across various industrial verticals. The product has wide range of application for the printing of
flexible packaging as these types of packaging are used in retail, pharmaceutical, food & beverage and also in other consumer products. The rise in ecommerce has eased the reach of consumer durable goods to greater chunk of population thus giving the boost to packaging industry. This in turn will impact the product demand in positive manner over the forecast time period. The key players in Asia Pacific region for the flexographic printing market are Jiangmen Toyo Ink Co, DIC Corporation, Sakata INX, Flint Group, TOYO Ink Group, Hubergroup India, XSYS Print Solutions (Shanghai), Tokyo Printing Ink, INX International Corporation, T&K Toka, Taiyuan Coates Lorilleux Inks Chemical.
HEIDELBERG LAUNCHES NEW MODERN ERGONOMIC DESIGN For the many small and medium-sized printing companies, the 50 x 70 cm format is the perfect fit for their product range in commercial and packaging printing. Many packaging printers in the pharmaceutical and cosmetics segment in particular use the 50 x 70 format, which offers benefits for small folding carton sizes and a high level of embellishment, as well as short runs. Over 19,000 delivered Speedmaster CD 74, XL 75, and CX
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75 printing units are evidence of the demand for this model series in this format. Reason enough for Heidelberger Druckmaschinen AG (Heidelberg) to now upgrade the platform with a modern, ergonomic design to enhance its user-friendliness. Delivery of the redesigned Speedmaster CX 75 and XL 75 is set to begin in September 2019. Modern, ergonomic design Enhancement of the successful model series in the 50 x 70 format is ongoing. For example, the foundation for the Push to Stop philosophy was laid for
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drupa 2016 with the IntelliStart 2 user software. The Speedmaster CX 75 was presented one year later, optimally tailored to the needs of smaller printing companies in oneand two-shift operation thanks its much smaller footprint combined with high substrate flexibility. “We have seen how the topic of user ergonomics has increased in importance,” explains Frank Süsser, Product Manager for the 50 x 70 format. “Even though automation looks after many routine tasks today, the operator always has something to do on the machine, like staging printing plates, adding ink, changing washup cloths and rubber blankets, or doing maintenance. The generous space between the printing units in the Speedmaster XL 75 and CX 75 is
already useful, however we went a step further and modernized the entire gallery concept even more.” The design of the Speedmaster XL 106 was the inspiration for this, and was transferred to both machines. This includes both the gallery concept as well as the feeder and delivery gantries, which enhance the machines visually. The machines will be on display for the first time at Pack Print in Thailand in September 2019 and at a customer event in October 2019 in Heidelberg’s Print Media Center Commercial in WieslochWalldorf. “This is the first foretaste of drupa 2020. Other innovative solutions will follow to make our customers in the 50 x 70 format even more successful,” explains Frank Süsser.
FATAFAT
HP CEO WEISLER STEPS DOWN
TETRA PAK AND PAPERBOAT GIVE A SPIN TO HOLOGRAPHIC PRINTING
HP Inc. has announced that Dion Weisler would be stepping down as the President and CEO “due to a family health matter” and would be succeeded by Enrique Lores, the current president of the company’s printer division, from November 1. Weisler joined HP in 2012 and has served as President and CEO since 2015. HP has added approximately $7 billion in annual revenue, generated over $13 billion in free cash flow, since separation. Lores, who will succeed Weisler, has served as President of HP’s imaging, printing and solutions business since 2015 which had revenues of over $20 billion for fiscal 2018 and has consistently outperformed the company’s printing peer set. He continues to reinvent HP’s print business with a focus on differentiated innovation, business model transformation and strategic M&A – including HP’s acquisition of Samsung’s printer business in 2017.
Tetra Pak, the world’s leading packaging and processing solutions provider has launched the innovative holographic packaging called Tetra Pak(r) Reflect in India. Tetra Pak is introducing the sparkling new Tetra Pak(r) Reflect in partnership with Paperboat, a brand that is synonymous with innovation. The holographic packaging will be seen on Tetra Prisma Aseptic (330ml) packs offering Paper Boat’s Alphonso Aamras and Pomegranate flavours. The modern and appealing packs are designed to fit perfectly in consumers’ hands to give a comfortable and premium drinking experience. This new range Paperboat’s holographic packs will be available for Rs 50 through ecommerce on Grofers, and through institutional channels such as BB Instant (Big Basket’s vending platform), hotels, restaurants, multiplexes, and travel retail outlets across the country.
KAPIL SHARMA USED TO WORK AT PRINTING MILL
FM REJECTS INS REQUEST TO WITHDRAW 10% DUTY ON NEWSPRINT
Kapil Sharma has been winning hearts as a comedian on television for many years through his show - The Kapil Sharma Show. The popular comedian started his journey on television as a contestant on The Great Indian Laughter Challenge and he hasn’t turned back since then. Recently, Sonakshi Sinha and rapper Badshah appeared on The Kapil Sharma Show to promote their film Khandaani Shafashana. The actors had a lot of fun with the host Kapil Sharma and even talked about their first earning. Talking about the same Kapil Sharma revealed that his first salary was merely Rs 1500. The reports suggest before entering the world of comedy shows, Kapil Sharma used to work at a printing mill. On the show when Kapil revealed about his first job at the printing mill, Archana Puran Singh quickly intervened and teased him saying that now he is printing notes.
The Finance Minister has rejected the request to rollback 10% customs duty on newsprint. The Indian Newspaper Society had urged the government to save the newspaper industry by scrapping the “unbearable burden” of 10% customs duty on newsprint, uncoated paper used for printing newspapers and light-weight coated papers. The Finance Minister had made the announcement in her Budget speech. The total consumption of standard newsprint in India is 2.5 million tonnes and the indigenous mills have a capacity of 1 million tonnes only. INS calims that prima facie it appears the Indian newsprint manufacturers have misrepresented to the government that they are in a position to meet the entire requirement, it said. The quality of indigenous newsprint is inferior to those imported, restricting its usage on modern printing presses.
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FATAFAT
FLINT LAUNCHES NEW THERMAL NYLOFLEX XAH DIGITAL PLATE
HONEYCOMB PAPERBOARD PACKAGING MARKET TO GROW AT A 5%+ CAGR
The nyloflex XAH Digital, a hard round top dot plate with a smooth surface, is the latest addition to Flint Group’s line of nyloflex thermal printing plates designed for its nyloflex Xpress Thermal Processor. The new flexographic plate is formulated with a special AIF technology that keeps plates cleaner on press and results in faster print runs with fewer press stops. The company claims plate makers can expect to achieve all of the benefits of the nyloflex Xpress Thermal System – such as lower operating costs, higher sustainability and the quality of a solvent processed plate – producing plates in under one hour from imaging to finishing. The plate is perfect for applications with solvent-based inks and UV inks used in the flexible packaging and tag & label markets, particularly those where special AIF technology is required, and for plate makers who have flat top systems already in place.
Global honeycomb paperboard packaging market to grow at a CAGR of more than 5% by 2026. One of the key drivers contributing to the growth of this market is the high demand for protective and sustainable packaging. Rise of e-commerce is boosting the demand of honeycomb paperboard packaging market globally due to an inevitable need of safe transit of products. The material used for the production of honeycomb paperboard is recyclable, thus a safe option for manufacturers considering the environment point of view. Owing to the growing consumer demand for premium packaging, vendors are using several expensive elements, technologies, colors, and raw materials to develop premium packs. They are using decorative items made of precious metals and 100% recyclable materials, giving maximum focus on quality.
HIGH-QUALITY DIY COLOR LABEL PRINTING MADE EASY
EFI APPOINTS JEFF JACOBSON AS CHIEF EXECUTIVE OFFICER
Simple to install and easy to use, the QL-120X produces premium 1200 x 1200 dpi color labels for short or long production runs and will be on display at MinnPack 2019 October 23-24. Built on the pioneering Kiaro! QL-120 color label printing platform, It delivers premium quality 1200 x 1200 dpi color labels as-needed in a cost-effective manner. It can print labels as narrow as 0.5 in. or as wide as 4.2 in. while printing labels at a savings of up to 35% over pigment-based color labeling technologies to deliver cost savings over the lifetime of the printer. It comes with an industry-best two-year warranty for the assurance and reliability customers need to produce color labels in-house to fulfill users’ product labeling needs without compromise. The X in QL-120X signifies the eXtended life from the new second-generation printhead technology allows three times more labels than the original QL-120.
Electronics For Imaging, Inc. today announced the appointment of Jeff Jacobson, a 30-year veteran of the digital imaging and industrial technology sector, as CEO, effective immediately. He will retain his position as Executive Chairman. He succeeds Bill Muir, who is stepping down for personal reasons. Prior to joining EFI, Jacobson served as Chief Executive Officer of Xerox. Mr. Jacobson also served as both President of Xerox’s Technology Business and President of Xerox’s Global Graphic Communications Operations. Prior to joining Xerox in 2012, he was the Chairman, President and CEO of Presstek, a leading manufacturer of digital offset printing solutions. He has also served as CEO of Eastman Kodak’s Graphic Communications Group, where he was responsible for managing operations throughout North America, Europe, Japan, China, Israel and South Africa.
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REPORT
Ahmedabad Printing Press Association elects new managing committee
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rint The Ahmedabad Printing Press Association (APPA) recently announced the formation of a new managing committee. The team elected Falit Pandya of Print Vision Offset Pvt. Ltd. as the new President, and Nitin Vyas of Wilson Printcity Pvt. Ltd. as the Vice President. Harshadbhai Shah of Maruti Offset has been given the charge as Secretary of the association, while Madhvesh Patel of Ajay Offset has been appointed as the Treasurer of the association. APPA is an organisation with a rich history and a positive approach towards strengthening printing industry in the region. Over the years the association has engaged in several activities and events to bring together the printing community. The newly elected team announced that they shall be working on a three-point agenda: strengthening the industry standards through knowledge driven initiatives and technical seminars, increase the membership base through active engagement and involvement of the printing fraternity from the region, and contribute to the society through philanthropic initiatives.
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Here is the full list of elected members:
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BUSINESS
Six trends driving innovation in the flexographic printing market
S
mithers Pira identify six trends that are helping suppliers meet expectations in the evolving flexographic printing market.
Automation The flexographic process has often been reliant on skilled operator engagement to deliver quality results. New advances however, see the emergence of collaboration between OEM’s at every stage of the flexographic process. Driven by the improvements in process, make ready, and plate preparation – and hence turnaround especially on lower run work automation is increasingly a trend for flexo presses. Manufacturers are looking at all areas, from file preparation to print and finishing, to deliver an almost fully harmonious solution for operators. A further key growth, resulting from technology advancement, is the extended
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fixed colour palette to a near full pantone equivalent. Using fixed colours minimises plate and ink changeovers, reduces waste and offers a consistency between productions.
emphasis on operator interaction and knowledge. While the initiative may reduce the volume of personnel required, it will certainly stem the major problem facing the industry overall.
Skill shortages Increased automation also helps address the problem of skilled labour – especially in developed regions. The flexographic industry as a whole has been slow to react to this problem as skilled press operators retire from the workforce and it has been difficult to attract and retain younger talent. OEM’s are in fact leading the way for the flexographic industry, by evolving process and print production to digitise and automate many of the key flexographic functional requirements. The result has created far more intelligent and automated workflows and production with less
Digital threat The continued emergence of digital print into some of flexographic’s traditional core markets is driven by trends in lower volumes and personalisation options. As digital technology continues to evolve, the competitive volumes are constantly being challenged. Although flexographic remains a tried and trusted process for a wide range of materials, digital developments will see their range widen also. There are obvious benefits of digital, which flexographic and OEM’s are embracing, by offering both options as standalone solutions. We have also seen a transition into hybrid print units.
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BUSINESS
Pulp, paper, and packaging: Challenges for the next decade
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f you thought the paper industry was going to disappear, think again. Graphic papers are being squeezed by digitization, but the paper and forest-products industry overall has major changes in store and exciting prospects for new growth. From what you read in the press and hear on the street, you might be excused for believing the paper and forest-products industry is disappearing fast in the wake of digitization. The year 2015 saw worldwide demand for graphic paper decline for the first time ever, and the fall in demand for these products in North America and Europe over the past five years has been more pronounced than even the
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most pessimistic forecasts. But the paper and forest-products industry as a whole is growing, albeit at a slower pace than before, as other products are filling the gap left by the shrinking graphic-paper1 market (Exhibit 1). Packaging is growing all over the world, along with tissue papers, and pulp for hygiene products. Although a relatively small market as yet, pulp for textile applications is growing. And a broad search for new applications and uses for wood and its components is taking place in numerous labs and development centers. The paper and forestproducts industry is not disappearing—far from it. But it is changing, morphing, and developing. We
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would argue that the industry is going through the most substantial transformation it has seen in many decades. (Refer to exhibit 1 on the adjacent page.) Changing industry structure The structure of the industry landscape is changing. The changes are not dramatic individually, but the accumulation of changes over the long term has now reached a point where they are making a difference. Consolidation has been a major factor in many segments of the industry. The big have become bigger in their chosen areas of focus. At the aggregate level, the world’s largest paper
BUSINESS
and forest-products companies have not grown much, if at all, and several of them have reduced in size. What they have done is focus their efforts on fewer segments. As a result, concentration levels in specific segments have generally, if not universally, increased (Exhibit 2). In some segments such as North American containerboard and coated fine paper, ownership concentration as defined by traditional approaches to drawing segment boundaries may be reaching levels where it would be difficult for companies to find further acquisition opportunities that could be approved by competition authorities. A grouping of companies has emerged that is not identical to, but partly overlaps with, the group of largest companies, and is drawn from various geographies and market segments. Companies
in this group have positioned themselves for further growth through high margins and low debt (refer to Exhibit 3 on the next page). Our analysis suggests the financial resources available to some members of this group for strategic capital expenditure could be five to ten times greater than other top players in the industry. This potentially represents a powerful force for change in the industry, and over the next few years it will be interesting to see how these companies choose to spend their resources. Some of these companies with large war chests and sizable annual cash flows deployable for strategic capex might even face a challenge to find opportunities on a scale that matches these resources. Where there are leaders, there are also laggards. We believe the pronounced differences in performance among companies across the industry continues to pique the interest of investors and private-equity players in an industry that is already undergoing substantial restructuring and M&A. Changing market segments Whether companies are well positioned for further growth or still needing to earn the right to grow, they can expect demand to grow for paper and board products over the next decade. The graphic-paper market will continue to face declining demand worldwide, and our research has yet to find credible arguments for a specific floor for
future demand. But this decline should be balanced by the increase in demand for packaging— industrial as well as consumer—and tissue products. All in all, demand for fiber-based products is set to increase globally, with some segments growing faster than others. The picture is not without its uncertainties. One hazy spot in the demand skies might be concerns over how fast demand will grow in China. Expectations of growth from only a few years ago have proved a bit too optimistic, not only in graphic papers but also in tissue papers and packaging. And recently, as a result of turmoil in the market for recycled fiber, Chinese users of corrugated packaging have reduced their consumption, through weight reductions and use of reusable plastic boxes. Given China’s weight in the global paper and board market, even relatively modest changes can have significant impact. How these demand trends will translate into industry profitability will of course be heavily influenced by the industry’s supply actions. Supply movements are notoriously difficult to forecast more than a few years out, but we believe the following observations are relevant to this discussion. • Graphic papers, particularly newsprint and coated papers but also uncoated papers, will continue to face a severe decline in demand and significant pressure to restructure production capacity. We are likely to see continuing machine conversions into packaging and specialty papers, as well as more innovative structural moves that include innovations in distribution and the supply chain. Such structural changes are already having an impact and the profitability of graphic-paper companies has reemerged from several years in the doldrums. The turbulence in graphic papers has meanwhile spilled over to packaging and tissue segments, with capacity increases in segments that don’t really need it. • Consumer packaging and tissue will be driven largely by demographic shifts and consumer trends such as the demand for convenience and sustainability. It will grow roughly on par with GDP. We expect innovation to be a critical success factor, particularly in light of recent concerns over plastic packaging waste, which could harbor both opportunities and challenges for fiber-based consumer packaging. But we are uncertain how far packaging players can drive innovation by themselves. Clearly, they can take the lead on materials development, but they may need to follow the lead of—and cooperate with—retailers
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BUSINESS
and consumer-goods companies in areas such as formats, use, and technology. At the same time, the inflow of capacity from the graphic-paper segment will need to be managed. • Transport and industrial packaging will also see opportunities for innovation and a certain amount of value-creating disruption in the intersection between sustainability requirements, e-commerce, and technology integration. We
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estimate that e-commerce will drive roughly half of the demand growth in transport packaging over the next several years. As packaging adapts to this particular channel, it will have to find new solutions to a variety of issues, such as how to handle last-mile deliveries, the sustainability choice between fiber-based and lightweight plastic packaging, and the potential merging of transport (secondary) and consumer (primary) packaging, to name but a few. • Fiber has gone through some turbulent times in the past two years, largely to the delight of pulp producers and to the chagrin of users. Hardwood and softwood prices alike have seen steady increases since 2017, due to some slow start-up of capacity (hardwood pulp), limited capacity additions, and a certain measure of industry psychology. In the past two years, prices
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globally went through what we would term a “fly-up regime,” whereby prices are significantly and unusually higher than the cost of the marginal producer. Such situations, seen from time to time in many other basic-materials industries, are rarely long lived. Indeed, since the beginning of 2019, prices have come down—in China drastically so. But even with a readjustment of the market, the midterm prospects are likely to be in favor of the producers, with little new capacity until 2021–22 and some softwood capacity that is likely to be converted to other products, such as pulp for textile applications. For softwood particularly, challenges in expanding the forest supply are constraining new supply. Also, the fact that much of the industry’s softwood-production assets are aging and need complete renewal or substantial upgrades could further contribute to scarcity, especially since the scale of the investments required is a potential roadblock to them being made. The lingering question is whether such supply-side challenges can trigger an accelerated development of applications that are less dependent on wood-fiber pulp.
TECHTALK
Printing flattens polymers, improving electrical and optical properties
R
esearchers have found a way to use polymer printing to stretch and flatten twisted molecules so that they conduct electricity better. A team led by chemical and biomolecular engineers from the University of Illinois report their findings in the journal Science Advances. Conjugated polymers are formed by the union of electron-rich molecules along a backbone of alternating single and double chemical bonds. The conjunction allows electricity to travel very quickly through a polymer, making it highly desirable for use in electrical and optical applications. This mode of transporting charges works so well that conjugated polymers are now poised to compete with silicon materials, the researchers said. However, these polymers tend to contort into twisted spirals when they join, severely impeding charge transport. “The flatness or planarity of a conjugated polymer plays a large role in its ability to conduct electricity,” said chemical and biomolecular engineering professor Ying Diao, who led the
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study. “Even a slight twist of the backbone can substantially hinder the ability of the electrons to delocalize and flow.” It is possible to flatten conjugated polymers by applying an enormous amount of pressure or by manipulating their molecular structure, but both techniques are very labor-intensive, Diao said. “There really is no easy way to do this.” Postdoctoral researcher Kyung Sun Park and graduate student Justin Kwok noticed something while running printing experiments and flow simulations in Diao’s lab. Polymers go through two distinct phases of flow during printing: The first phase occurs when capillary action pulls on the polymer ink as it begins to evaporate, and the second phase is the result of the forces imposed by the printing blades and substrate, the researchers said. “Park and Kwok uncovered another phase that occurs during printing in which the polymers appear to have vastly different properties,” Diao said. “This third phase occurs in between the two already-defined phases, and shows the polymers
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being stretched into planar shapes.” Not only are the polymers stretched and flattened in this third phase, but they also remain that way after precipitating out of solution, Diao said, making it possible to fine-tune printer settings to produce conjugated polymers for use in new, faster biomedical devices and flexible electronics. “We are discovering a whole zoo of new polymer phases, all sensitive to the forces that take place during the printing process,” Diao said. “We envision that these unexplored equilibria and flowinduced phases will ultimately translate into new conjugated polymers with exciting optoelectronic properties.” Diao’s group collaborated with Rishat Dilmurat, Yoann Olivier and David Beljonne, of the University of Mons, Belgium; Xuyi Luo and Jianguo Mei, of Purdue University; and Seok-Heon Jung and Jin-Kyun Lee, of Inha University, South Korea. Diao also is affiliated with the department of materials sciences and engineering and the Beckman Institute for Advanced Science and Technology at Illinois.
TECHNOLOGY
Getting the whites right
S
hoppers identifying brands by colour on crowded supermarket shelves certainly don’t consider it, but without white ink they would have a tougher time finding their favourite products. White is so important because in many packaging applications, and especially in the fast-growing flexible packaging sector, it provides the foundation all the other colours need to show themselves at their vibrant, brightly-coloured best. Without a good, strong white there are a wide range of issues that negatively affect the final print, reducing its impact and perceived value to the customer, and thus undermining the key purpose of the packaging.
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Flexible packaging uses a great deal of white ink. White is typically 50% of the ink spend, but closer to 65% of the ink used, so its performance and the ability to minimise its use are critical factors in future initiatives. Yet printing a good, strong white ink layer is something that flexographic printing has traditionally struggled with. Printers can solve the problem, but often only by adopting methods that increase cost, and reduce productivity — complications that have also affected the growth of flexo applications. Recently, however, an effective solution has appeared in the shape of new technologies based on precision-engineered plate surface textures built specifically for whites.
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THE ESSENTIAL INGREDIENT There are numerous occasions in packaging printing when a layer of white ink must be laid down to act as the foundation for subsequent colours: for example, when printing on nonwhite substrates, on corrugated board, or — of critical importance on flexible packaging — on a transparent film. The opacity of the white ink blocks any colour coming from the products, whether beetroot in a glass jar, orange in a plastic soda bottle, or chocolates in a flexible pouch, preventing them contaminating the intended colours of the packaging. A solid white layer also performs the additional function of ensuring that any ink printed on top will reflect light in a controlled manner. Today, colours are usually built from the four process inks (cyan, magenta, yellow and black), although a growing number of printers are
TECHNOLOGY
adopting Extended Colour Gamut (ECG) process printing, which adds orange, green and violet. White is therefore essential to the consistent, predictable reproduction of colours that brand integrity depends on and brand owners demand — CocaCola’s red has to be just the right red, not dirty or pink. Shelf impact is vital to sales in the crowded environment of the supermarket, where there are often over 50,000 products, varieties and versions to choose from. Colours and graphics have to be reproduced precisely as intended so that consumers can identify and connect with products in a matter of seconds. Brand colours also foster and reinforce consumer loyalty to the brand. LETTING THE LIGHT IN Opacity varies, sometimes depending on the brand owner’s requirements, but sometimes on the level of defects in the white layer. One of the greatest challenges with white inks is printing a solid layer without pinholes (holes that allow the colour below to show through) or mottle (light and dark patterns). Pinholes naturally allow light through, reducing opacity. Flexography’s difficulty in achieving a good white print is principally because the cell walls in the anilox rolls leave voids in the ink layer. This allows all the colours to show through each other, resulting in dirty, inconsistent colours instead of clean, bright vibrant images. While these defects can occur on all colours, they have the greatest impact on white as a foundation colour, so that no matter how well the process colours are printed the final result is of “muddy colours”.
the white layer, so the colours may still appear muddy. A further downside is the increased drying time required, which necessitates running the press more slowly, reducing capacity and productivity. Extra “hits”: Two or more “hits” of white ink are commonly employed to fill the voids, effectively plugging the pinholes and giving an acceptable ink laydown. To do this, two or even three printing stations are used, using anilox rolls with different lines-per-inch rulings, so that the patterns do not match. This solution, however, typically consumes 50% or more extra white ink than does using a single station. This not only adds greatly to costs but also to drying time: because the energy used for drying on-press is predominantly concentrated on the white, printing speeds have to be reduced to enable effective drying of the white ink. Buy more expensive ink: Finer grades of white pigment tend to print better, with fewer voids — but, again, the cost is a lot higher. SURFACE TEXTURES ARE THE ANSWER Over the last five years considerable effort
has gone into finding a way to print the thinnestpossible ink layer, that is pinhole- or defect-free, gives the smoothest ink laydown, meets the target opacity value, provides the optimum foundation for the printed colours, and does so at the highest production speeds. In addition, and of critical importance, all these things have to be achieved at the lowest effective ink cost (which does not mean using the cheapest ink). Three approaches in particular have been explored: improved plate materials, random surface patterns, or engineered surface textures, and solutions based on the last two have been the most successful in increasing ink transfer. However, applying random patterns suffers from an inability to apply the features locally to keep printing clean, or enhance the final result. There is also always a compromise between the pattern and the applications, process vs. white, solvent vs. UV inks, etc. Consequently, the only truly flexible yet highly-controlled and consistent way is through precision-engineered surface textures applied electronically in the files and in imaging.
TRADITIONAL SOLUTIONS COME WITH A COST Printers can choose from a number of strategies to address these issues, but all have one of two unpleasant sideeffects — and in some cases both: they increase cost and decrease press capacity. The most common solution is to use more white ink in an effort to eliminate pinholes. This can be done in a number of ways: More volume: Increasing the volume of ink will increase opacity, but unless the pinhole issue is addressed this requires significantly more ink — which costs more — and results in very heavy ink deposits. There is also no guarantee that it will prevent contamination by whatever lies beneath
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TECHNOLOGY
Peak Irradiance & Energy Density
U
V curing refers to the unique way in which adhesives, coatings and inks are dried using photons from UV light sources rather than heat to drive evaporation of a solvent or water-based carrier. If you drive a car, use a smartphone, or drink single-serve beverages, there is a good chance that aspects of the product or packaging have been “cured� using UV light. There are two key parameters of an LED lamp that should be understood for the purposes of optimizing cure and establishing a process window. Identifying this process window will result in the most durable and desirable finish, as well as acceptable adhesion and surface cure: peak irradiance (Watts/cm2) and energy density (Joules/cm2). Peak Irradiance and Energy Density Peak irradiance, also called intensity, is the
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radiant power arriving at a surface per-unit area. With UV curing, the surface is the cure surface of the substrate or part, and a square centimeter is the unit area. Irradiance is expressed in units of watts or milliwatts per square centimeter (W/ cm2 or mW/cm2). Peak irradiance is instrumental in penetration and aiding surface cure. Peak irradiance is affected by the output of the engineered light source, the use of reflectors or optics to concentrate or contain the rays in a tighter surface impact area, and the distance of the source from the cure surface. The irradiance for UV
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LEDs at the cure surface decreases quickly as the distance between the source and the cure surface increases. Energy density, also called dose or radiant energy density, is the energy arriving at a surface per-unit-area during a defined period of time (dwell or exposure). A square centimeter is again the unit area and radiant energy density is expressed in units of joules or millijoules per square centimeter (J/cm2 or mJ/cm2). Energy density is the integral of irradiance over time. A sufficient amount of energy density is
TECHNOLOGY
necessary for full cure. Finding the Right Combination Conventional arc lamps typically emit peak irradiance in the range of 1 to 3 Watts/cm2 , while microwave lamps generally emit as much as 5 Watts/cm2 . Phoseon’s UV LED curing systems currently emit peak irradiance up to 16 Watts/cm2, for air-cooled heads and 24 Watts/cm2 for liquidcooled heads. Over the past 15 years, increasing UV LED peak irradiance has been instrumental for curing a growing number of formulations in a wide array of applications. Today, many UV formulations have been optimized for UV LED sources, and a higher peak irradiance often is no longer necessary. Research reveals that in many cases, excessive irradiance can negatively affect or hamper proper curing. Sometimes turning down the irradiance and providing more energy density is the way to improve cure for faster line speeds. The light source’s proximity to the substrate is important because irradiance decreases with distance. Manufactures can use optics to manipulate a higher irradiance over a greater distance. With or without optics, vendors compensate for this with different LED arrays, optical elements, or a combination of both. Energy density is a factor of the output of the engineered light source, the number of UV sources, and the exposure time. In other words, increasing the irradiance, slowing the line speed, or adding more or wider lamps will increase energy density for a given installation. It is important to understand that not all products with the same irradiance deliver the same energy density. Energy density also is impacted by the speed at which the substrate or part passes under the lamp; or conversely the lamp passes over the substrate or part. Theoretically, if a material is curing sufficiently at 50m/min, then increasing the speed to 100m/ min while doubling the irradiance will result in delivery of twice the energy density, which should cure the material sufficiently. Increasing the irradiance of a given lamp will increase the energy density by the same percentage. The cure surface is subsequently exposed to the same amount of dose. Unfortunately, most real-world applications are never perfect, and the chemistry doesn’t always scale up according to theoretical models of UV output. Some materials don’t cure faster when additional irradiance is provided. Increasing the belt speed to 100m/min sometimes
requires double the dwell time, not an increase in irradiance. As previously detailed, energy density is the integral of irradiance over time. In other words, it’s the area under the irradiance cure. In the image above, the UV power under Area 1 and Area 2 of the respective curves is equal, but each curve provides different peak irradiance. A material may cure better scanning across Area 2 with lower peak irradiance and a longer dwell time. Another material may be more suitable to Area 1. Think of it like medication. A doctor may instruct a patient to take one 50mg tablet
(irradiance) 4 times a day for 10 days (dwell time). The same dose can be delivered two alternate ways: • Take four 50mg tablets (200mg) once per day for 10 days; • Take one 50mg tablet twice a day for 20 days. Although the dose is the same for all three methods, according to the doctor, the two alternatives are not optimal. UV curing is similar in that the goal is to optimize the dose to properly cure the formulation. Another analogy is baking a cake. The recipe (dose) calls for an oven
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TECHNOLOGY
formulation and substrate also have a large impact on what is required as well as the material handling.
temperature (irradiance) over a period of time (dwell time). It instructs to heat the oven to 350°F and then bake the cake for 30 minutes, which results in a cake that is completely baked through, without burning. The cake experiences 350°F for 30 minutes. This is akin to the energy density, or dose, required to fully bake all the cake batter. If the cake is baked at twice the temperature for half the time, the cake burns. Conversely, if the cake is baked at half the temperature for double the time, it may not be baked in the center (not fully cured). For an individual lamp, peak irradiance is not impacted by line speed. It is an absolute magnitude of output that does not vary. But don’t assume a high irradiance lamp provides high energy density; it may or it may not. The idea is to match the correct UV curing source to the needs of the application.
Considerations UV curing is applicationspecific. The substrate, formulation and UV energy must be combined to maximize each contribution and minimize each shortcoming. For instance, increasing material thickness from 10 µm to 20 µm drastically impacts the cure, as the photons have 2x the density to penetrate and polymerize the material. Increasing the belt speed from 50m/min to 100m/min requires double the irradiance for the same curing reaction and dose, all else being equal. But as with most things in life, doubling the speed may lead to other unknown or unforeseen challenges and may not be optimal. Each wavelength has unique properties and must be matched with the correct photo initiator to ensure proper cure. In general, longer wavelengths (UVA and UVV) result in deeper through-cure. Also, beware of marketing claims, such as “highest irradiance.” A product may have a higher peak irradiance compared with another product, but it may have drastically
What’s More Important: Irradiance or Energy Density? In any curing situation, users often ask: What’s more important, peak irradiance or energy density? Unfortunately, the answer depends on the implementation and both play an important role in cure. A minimum “threshold” irradiance is needed to start the polymerization process, and then a dwell time of dose is needed to finish the curing process. For some applications, a low dose is required. For others, a larger dose is needed. For some applications, a high peak irradiance is beneficial, for others it can diminish cure. The
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reduced energy density. The type of material being cured and what type of light source will best match the curing needs must be considered for each application. Working closely with the ink, coating or adhesive supplier, the light source supplier and the integrator or machine builder will result in a wellmatched total solution. Which lamp is best for me? What determines the proper lamp for a specific printing application? Ink suppliers provide cure parameter specifications, but each supplier typically derives those specifications from bench top lab testing using their own, established test methods. For example, two different inks from two different suppliers can have the same cure parameter specifications. However, those specifications likely are derived using two different test methods, including the use of different UV LED lamps. What if supplier A ink and supplier B ink have the same curing specifications: • Peak wavelength = 395nm • Irradiance = 6W/cm² Both inks require 6W/cm² to start the curing process and both are designed for lamps with a peak wavelength of 395nm. But, how much dose or dwell time is required to complete the cure? Unfortunately, it can be difficult to determine. Additional information on the specification sheet may help, especially if recommended belt speed and the lamp used in testing is known. To add one more bit of confusion, ink specification data sheets clarify their curing parameters as, “your results may vary” — and they usually do. However, it is a starting point.
TECHNOLOGY
A self-healing glass, inspired by a butterfly wing
I
n nature, lotus leaves, moth eyes, and butterfly wings have repellent characteristics that keep them free of fog, dirt, and water. Recreating such valuable omniphobic qualities in glass, however, has always been a challenge — that is, until a team from the University of Pittsburgh turned to machine learning. Using an automated probability theory known as Bayesian optimization, the Pitt researchers created an anti-fogging, liquid-resisting, and selfcleaning glass that they hope will soon support technologies like displays, laptops, tablets, and solar cells. “We used machine learning to suggest variables to change, and it took us fewer tries to create this material as a result,” said Paul Leu, PhD, associate professor of industrial engineering, whose lab conducted the research.
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The fabrication process produced randomized nanostructures on the top surface of the glass — an arrangement much like the glasswing butterfly, whose transparent wing features are smaller than the wavelengths of visible light. Then, with the help of machine-learning models from San Francisco-based software company SigOpt, the team determined the optimal characteristics for the material. The surface demonstrated static water and ethylene glycol contact angles of 162.1 ± 2.0° and 155.2 ± 2.2°, respectively. The glass also exhibited resistance to condensation, an antifogging efficiency more than 90%, and a departure of water droplets smaller than 2 μm. The nanostructured creation has self-healing properties as well. While abrading the surface with a rough sponge damages the coating,
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heating restores the glass to its original function. The Pitt team envisions the glass being used in a variety of optical applications where self-cleaning, antifouling, and antifogging functionalities are essential. Dr. Leu and Sajad Haghanifar, lead author of the paper and doctoral candidate at Pitt, said, “High-transparency reduces a display’s brightness and power demands, extending battery life, for example, and lower haze results in clearer images and text. Not only is the glass very transparent (over 99%) and very clear (with haze less than 0.1%), but it also has good antireflection properties over high incidence angles (less than 5% at 50º). Furthermore, it has additional functionalities such as liquid repellency, anti-fogging, and self-healing. The glass repels a wide variety of liquids such as water, oils, blood, milk, coffee, and ketchup. When the glass is abraded, it loses its liquid repellency, but by heating the glass up, it can self-heal and recover its excellent liquid repellency properties. There could be a wide variety of applications for this glass such as laptops, tablets, watches, displays, e-readers, and solar panels.”
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| July - August 2019
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ìskeÌveesuee@peer ³en HeÀesìeve keÀer peien FueskeÌì^eve keÀe Glmepe&ve keÀjlee nw~ Deboj efveJee&le neslee nw Deewj nceeje ueQHe GlHeeove kesÀ mece³e ner meerue nes peelee nw,FmeefueS efjkeÌle mLeeve (efveJee&le) mLee³eer jnlee nw~ yeoueves ceW Deemeeve Deewj íesìe DeekeÀej íesìs efÒebefìbie Deewj efHeÀefveefMebie ueeF&ve ceW ueQHe keÀes efHeÀì keÀjves ceW Fmes Deemeeve yeveelee nw~ ueQHe ³etefveì Jele&ceeve ceW 100 mes 460 efceceer keÀer Heefj®eeueve ®eewæ[eF& ceW GHeueyOe nw~ Fyeer FbkeÀ keÀeDees keÀesefuevme FmekeÀe FbkeÀpesì keÌJeebìe Fyeer FbkeÀ ceekexÀì ceW uee³es~ ef¬eÀmìerve S[ce keÀeDees keÀeefuevme kesÀ ceekexÀefìbie cewvespej keÀnleer nQ, ³eÐeefHe leye keÀesF& Yeer J³eJemeeef³ekeÀ GHe³eesiekeÀlee& veneR Lee~ Jen keÀnleer nQ, peye Fyeer ìskeÌveesueespeer ye´eb[ v³et lekeÀveerkeÀ Leer,nce DeefOekeÀ mece³e FmeceW efyeleeles Les efkeÀ JeemleJe ceW ³en nw ke̳ee Deewj ke̳ee veneR nw Deewj ³en ke̳eeW kegÀí SHueerkesÀMeve kesÀ efueS yengle yeefæ{³ee nue nw~ nceejs Heeme keÀF& F®ígkeÀ Heeefì&³eeW kesÀ keÀF& ÒeespeskeÌì nQ Deewj nce ìskeÌveesueespeer Heeì&vej kesÀ meeLe FbkeÀ keÀes ³eesi³e yevee jns nQ efkeÀ keÀF& efÒebì ns[ kesÀ meeLe keÀece keÀj mekesÀ~ nce ³en Gcceero keÀjles nQ efkeÀ 2017 kesÀ Meg©Jeele ceW ³en GHeueyOe nes pee³e~ keÀesefuevme keÀe Fyeer ke̳eesjsyeue FbkeÀ ³etSme SHeÀ[erS ceeFûesMeve ceevekeÀ Heeme efkeÀ³ee Deewj keÀesueervme kesÀ meYeer Fyeer FbkeÀpesì IeìkeÀ efmJeme DeO³eeosMe Deewj HewkesÀefpebie kesÀ FbkeÀ mebmkeÀjCe 02-2014 vesmues ieeF[svme veesì ceW met®eerye× nQ~ Fyeer kesÀ J³eeHekeÀ uesves ceW ne[&Jes³ej ueeiele meerefcele keÀejkeÀ nesiee,GvekeÀe ceevevee nQ:’Fyeer FbkeÀ ³etJeer/SueF&[er kesÀ legueveelcekeÀ ©He mes ueeiele ceW nw~ ueeiele ceW Je=ef× efpemekeÀe ceQ GuuesKe keÀj jne ntB Jen ke̳eesefjbie GHekeÀjCe nw~ kegÀí meeue Henues peye nce F&yeer keÀer lejHeÀ osKevee Meg© efkeÀ³ee Lee, leye keÀercele Deepe keÀer leguevee ceW leerve iegveer Leer~ pewmes - pewmes DeeJeM³ekeÀlee íesìs keÀer lejHeÀ yeæ{leer ieF&,Jewmes - Jewmes efmebieue Heeme SHueerkesÀMeve kesÀ efueS DeefOekeÀ yengcegKeer nesles ieS~ cegPes efJeéeeme nw efkeÀ oece veer®es Dee³eWies~ cegPes ueielee nw leveeJe kesÀ efueS ³en cenlJeHetCe& nw~ pewmee efkeÀ nce osKeles nQ F&yeer Deewj ³etJeer/SueF&[er mene³ekeÀ lekeÀveerkeÀ nw ve efkeÀ ÒeeflemHeOeea~ GveceW kegÀí meceevelee Deewj cetueYetle efJeefYeVelee³eW nQ~ Deblele: ®e³eve Òeef¬eÀ³ee pees meyemes GÊece nw GmekesÀ DeeOeej Hej nesveer ®eeefnS~ meyemes GÊece efHeÀì ceW kewÀefHeìue keÀemì,DeeHejsefìbie keÀemì,ÒeeHeìea, HetÀ[ HewkesÀefpebie kesÀ efueS efHeÀìvesme Meeefceue nw~ F&yeer kewÀmes keÀece keÀjlee nw?
F&yeer ke̳eesefjbie ³etJeer ke̳eesefjbie kesÀ meceeve ner keÀe³e& keÀjlee nw: êJe FbkeÀ Hej meerOes Tpee&, peneB ³en íesìs ÞebKeuee Jeeues ceesveescej ceeueerke̳etume keÀes íesæ[lee nw Deewj pegæ[keÀj Heeueercej yeveeles nQ~ SkeÀ otmejs mes iegLevee GvekesÀ Deemeeve keÀoce keÀes jeskeÀlee nw~ FmeefueS yeæ[s mlej Hej Jes þesme yeve peeles nQ~ meeuJeWì keÀer pe©jle veneR nesleer Deewj meYeer ueiee³es ieS FbkeÀ efyevee Jee<HeerkeÀjCe kesÀ ke̳eesj efHeÀuce ceW yeoue peeles nw~ DeefOekeÀlej ceeceueeW ceW ³en Òeef¬eÀ³ee leerJe´ nesleer nw~ efveefM®ele ©He mes FbkeÀ ì®e [^eF& nQ pewmes ner Jen efÒebìme& mes yeenj Deeles nQ~ ³en Fmes legjble jer - jerefuebie , efHeÀefveefMebie, uewefcevesMeve ³ee SHueerkesÀMeve keÀes meBYeeueves keÀer Dee%ee oslee nw~ ³etJeer Deewj F&yeer ceW yengle yeæ[e Deblej ³en nw efkeÀ íesìs lejbieowO³e& ceW Henuee Òe³eesie HeÀesìeve FueskeÌì^escewivesefìkeÀ jsef[³esMeve Heeueercej keÀes GÜsefuele keÀjlee nw~ F&yeer FueskeÌì^eve keÀer Oeeje keÀes Òe³eesie ces ueelee nw~ ³etJeer ueeF&ì De¢M³e met³e&Hegbpe (meveyeerce) mes mebyeefOele neslee nw pees metjpe keÀer iejceer oslee nw Deewj lJe®ee keÀes vegkeÀmeeve HengB®eelee nw FmeefueS DeeHejsìj keÀes megj#ee keÀer pe©jle nesleer nw~ FueskeÌì^eve mecetn yengle no lekeÀ SkeÌmejs kesÀ meceeve neslee nw~ FmeefueS ke̳eesefjbie ³etefveì ceW megj#ee keÀer DeeJeM³ekeÀlee nesleer nw~ JeemleJe ceW F&yeerce ìskeÌveesueespeer keÀe@cesì mecetn mes iegieueer nw,pees efkeÀ Fb[efmì^³eue SkeÌmejs GHekeÀjCe yeveeves keÀer yeæ[er kebÀHeveer nw~ ³etJeer kesÀ meeLe mecem³ee ke̳eesj efkeÀ³ee ngDee FbkeÀ mLee³eer Deewj megjef#ele nw~ peyeefkeÀ Fmes ke̳eesj keÀjvee DeYeer Yeer ®egveewleer yeveer ngF& nw~ ueeF&ve DeeHeÀ meeF&ì Hej Òeef¬eÀ³ee keÀe DeLe& nw efkeÀ JeemleJe ceW ÒekeÀeMe DeCeg Hej Òenej keÀjlee nw HeeueercejeF&pesMeve kesÀ efueS~ peyeefkeÀ THej kesÀ mlej ceW HeÀesìeve Meg© keÀjves Jeeues Fveerefme³esìj DeeOeej mlej Hej HengB®eves mes Henues ³etJeer ÒekeÀeMe keÀes DeJeMeesef<ele keÀj uesles nQ,peyeefkeÀ FbkeÀ ceW
jbie keÀCe Yeer DeJeMeesef<ele keÀjles nQ Deewj kegÀí ÒekeÀeMe keÀe jemlee jeskeÀles nQ~ HeefjCeece ³en neslee nw efkeÀ ceesìe FbkeÀ efHeÀuce leueer ceW ke̳eesj veneR nes Heelee~ ³en ceeref[³ee kesÀ yeeBOeves keÀer MeeqkeÌle keÀes ÒeYeeefJele keÀjlee nw~ uesefkeÀve FmekeÀe DeLe& ³en Yeer nw keÀce DeCegYeej, efyevee ke̳eesj efkeÀ³ee ngDee ceesveescej Deewj HeÀesìeve kesÀ ìgkeÀæ[s Hejefce³esyeue (mJeerke=Àle) mlej ceW Meesef<ele nes mekeÀles nQ pewmes keÀe[& ³ee HesHej ³ee ìskeÌmeìeF&ue,Deewj otmejs lejHeÀ pees Yeer jnlee nw Gme Hej~ Deveke̳eesj[ ³etJeer mJeemL³e kesÀ efueS neefvekeÀejkeÀ neslee nw,meebmees kesÀ Üeje ³en lJe®ee ceW HengB®e peelee nw~ efpemekesÀ Üeje iebYeerj Suepeea efjSkeÌMeve nes mekeÀlee nw~ Deepe FbkeÀ Flevee efjmkeÀer veneR nw efpelevee oes oMekeÀ Henues ngDee keÀjlee Lee~ uesefkeÀve Yeespeve Deewj oJee efve³eb$eCe efJeYeeie ves FmekesÀ Òe³eesie kesÀ efueS ÒeefleyebefOele efkeÀ³ee nw,kesÀJeue keÀce ceeFûesMeve Jeeuee meefì&HeÀeF[ FbkeÀ ÒeeLeefcekeÀ HewkesÀefpebie kesÀ efueS veeefcele efkeÀS ieS nQ pees Keeves kesÀ mebHeke&À ceW Deelee nw~ ³es FbkeÀ ìskeÌmeìeF&ue ieejceWì ceW Ssmeer peien peneB efyevee ke̳eesj efkeÀ³ee ngDee FbkeÀ ceeûesì keÀjs Deewj lJe®ee kesÀ mebHeke&À ceW Dee³es JeneB FmekeÀe Òe³eesie veneR efkeÀ³ee peelee nw~ F&yeer FbkeÀ kesÀ Heeme HeÀesìeve Fveerefme³esìj veneR nesles, efpemekeÀe DeLe& keÀce og&iebOe Deewj keÀce KelejveekeÀ ~ FueskeÌì^eve yeerce FbkeÀ efHeÀuce mes meYeer lejn mes ®egYeeslee nw efpemekesÀ meeLe ueeFve DeeHeÀ meeFì keÀer mecem³ee veneR nesleer~ Hetjer ieejbìer kesÀ meeLe ke̳eesj kesÀ DeueeJee, ³en DeOesmeve(ef®eHekeÀeJe) keÀes GVele keÀjlee nw peneB Deboj keÀer Hejle mlej kesÀ mebHeke&À ceW Deeleer nw~ F&yeer meesme& þb[e nw FmeefueS yengle Heleues Deewj mebJesoveMeerue ceeref[³ee kesÀ meeLe GHe³eesie efkeÀ³ee pee mekeÀlee nw efpemeceW efmekegÀæ[s uesyeue Meeefceue nw~ HeejbHeefjkeÀ cejke̳etjer JesHej ³etJeer ueQHe keÀer lejn pees yengle iece& nes peelee nw, veneR neslee peyeefkeÀ ve³ee keÀce Tpee& Jeeuee ³etJeer
July - August 2019 |
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ìskeÌveesuee@peer ueQHe Deewj SueF&[er Yeer þb[e neslee nw~ lees Flevee ueeYe mHe<ì veneR nw~ ke̳ee ³en yebo nes pee³esiee? FbkeÀ efvecee&lee mees®eles nQ efkeÀ F&yeer HeejbHeefjkeÀ Òeef¬eÀ³ee ceW DeHeveer peceerve ÒeeHle keÀjlee jnsiee Deewj Mee³eo vewjes Jesye uesyeue kesÀ efueS efmebieue Heeme FbkeÀpesì ceW ìtì mekeÀlee nw,uesefkeÀve yeæ[s HeÀecexì ceW efveefM®ele veneR nw~ S[ce Deewj keÀesueerve keÀes veneR ueielee nw efkeÀ DeYeer peuoer F&yeer yeæ[s HeÀeces&ì ceW peeves Jeeuee nw~ efJemle=le Òee©He kesÀ efueS meerefcele keÀjves Jeeuee keÀejkeÀ ³en nw ke̳eesefjbie GHekeÀjCe~ Jele&ceeve ceMeerve mkewÀefvebie ns[ kesÀ meeLe mebiele veneR nw,kesÀJeue efmebieue Heeme nw~ Ssmee keÀnves kesÀ efueS veneR nw efkeÀ YeefJe<³e ceW Ssmee veneR nes mekeÀlee,uesefkeÀve Fmes efJekeÀefmele keÀjves keÀer DeeJeM³ekeÀlee nesieer~ Heerì meb[me& mevepesì kesÀ efyepevesme ns[ keÀnles nQ efkeÀ Fyeer keÀes FbkeÀpesì kesÀ efueS GHe³eesie veneR keÀjves keÀe keÀejCe FmekeÀe keÀce ³ee p³eeoe ueeiele nw~ FbkeÀ pesì cegK³ele³e: efmebieue Heeme nesles nQ~ FmeefueS ³es ceBnies nesles nQ uesefkeÀve HeÌueskeÌmees keÀer DeHes#ee keÀce nesles nQ~ Fve meyekesÀ DeueeJee ³eefo DeeHe F&yeer ceW efveJesMe keÀjles nQ lees SkeÀ keÀoce otj nes mekeÀlee nw~ FmeerefueS ueesie keÀce ceeFûesMeve Jeeues ³etJeer keÀes Henues osKeles nQ~ peyeefkeÀ Jen Fme yeele Hej peesj osles nQ efkeÀ F&yeer Deewj ³etJeer oesveeW Fme yeele keÀes meePee keÀjles nQ efkeÀ ³es FbkeÀpesì efÒebì ns[ keÀes yueekeÀ veneR keÀjles~ FmekeÀe keÀejCe ³en nw
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efkeÀ ³es efmeHe&À FmeefueS veneR GHe³eesie ceW uee³es peeles efkeÀ Jes Òeef¬eÀ³ee kesÀ Deble ceW De®íer efHeÀuce osles nQ~ cegK³e keÀejCe ³en nw efkeÀ ³es Del³eefOekeÀ Deemeeve nw efÒebìns[ ceW jKe jKeeJe ceW~ otmejs MeyoeW ceW efÒebì ceW FbkeÀ êJe kesÀ ©He ceW ner jnlee nw Deewj keÀYeer Yeer veneR metKelee,³ee veespeue keÀes peece veneR keÀjlee~ efmebieue Heeme FbkeÀ pesì ceW ³en efJeMes<e ©He mes cenlJeHetCe& nw Deewj FmekeÀe DeLe& ³en nw efkeÀ veespeue keÀer keÀce efj[v[Wmeer keÀer DeeJeM³ekeÀlee nw pees ns[ keÀer keÀercele keÀes keÀce keÀjlee nw~ SHueerkesÀMeve ke̳ee nw? S[ce keÀnles nQ,KeeÐe mebyeefOele SHueerkesÀMeve F&yeer kesÀ efueS meyemes GÊece nw~ uesefkeÀve meyemes p³eeoe efoue®emHeer kebÀp³etcej Òees[keÌì kebÀHeefve³eesb mes Dee jner nw~ peneB GlHeeo,mJeemL³e,megj#ee keÀer ÒeeLeefcekeÀlee meyemes Henues nesleer nw~ efyevee mecePeewlee efkeÀS ef[efpeìue Fcesefpebie keÀes FvekeÀejHeesjsefìbie keÀjvee SkeÀ meblegueve Yeje keÀe³e& nw~ Deye F&Jeer ke̳eesjsyeue kesÀ meeLe Kesue Leesæ[e yeoue ie³ee nw~ keÀwefueveer keÀnleer nQ, ke̳eeWefkeÀ Deye ke̳eesefjbie ìskeÌveesueespeer Deewj FbkeÀ kesÀ meeLe keÀce peesefKece pegæ[e neslee nw~ peye nceeje ûeenkeÀ nceejs Heeme Deelee nw lees ³en meeceev³e nw efkeÀ GvekesÀ Heeme Ssmee SHueerkesÀMeve nw peneB ³etJeer ³ee otmejs HeejbHeefjkeÀ lekeÀveerkeÀ kesÀ meeLe kegÀí efokeÌkeÀle nw~
| July - August 2019
HetÀ[ HewkesÀefpebie SkeÀ nw uesefkeÀve ³en Yeer meeceev³e nw~ peye ke̳eesefjbie kesÀ Heerís MeejerefjkeÀ efme×eble ³etJeer Hej veneR ueeiet nesles nQ~ ceQ Su³egefceefve³ece HeÌJee³eue cesìue kesÀ yeejs ceW mees®e jne ntB~ FueskeÌì^eve keÀCe nQ~ Jes mlej keÀer ef¬eÀ³ee Üeje vener ÒeYeeefJele neslee nw~ peye ³etJeer ke̳eesefjbie GHe³eesie ceW efue³ee peelee nw lees FbkeÀ pesì ceW SkeÀ mecem³ee ³en nw~ uesefkeÀve F&Jeer kesÀ meeLe ³en mecem³ee veneR nw~ iueeme efmejwefcekeÌme Deewj ìskeÌmeìeF&ue ceekexÀì keÀeHeÀer ÒeYeeJeMeeueer yeepeej nw~ Jen keÀnleer nQ,nceejs Heeme efmejsefcekeÌme Fb[mì^er mes mebyeOe nw,pees Leesæ[s oeefkeÀ³eevetme efJe®eejeW kesÀ nesles nQ~ FbkeÀ keÀes ke̳eesj keÀjves keÀer Òeef¬eÀ³ee Fme mece³e yengle De®íer lejn mLeeefHele nw~ FbkeÀ keÀes ke̳eesefjbie keÀjves keÀer Òeef¬eÀ³ee Fme mece³e yengle De®íer lejn mLeeefHele nw uesefkeÀve Jes F&Jeer kesÀ HeÀe³eos keÀes yelee jns nQ Deewj pees GvnW uee mekeÀlee nw~ iueeme kesÀ efueS kegÀí peejer jnves Jeeuee meef¬eÀ³e meerOee DeekeÀej nw~ Fme ceeceues ceW meyemes GÊece FbkeÀ keÀer ke̳eesefjbie Deewj De®íer lejn ef®eHekeÀeJe ceW Jes legjble ©ef®e efoKeeles nQ~ ìskeÌmeìeF&ue ceekexÀì keÀer ©ef®e efHeíues kegÀí ceefnveeW mes F&Jeer kesÀ efueS JeemleJe ceW yeæ{ jner nw~ nceves FmekesÀ Henues Fme yeepeej ceW keÀYeer veneR ÒeJesMe efkeÀ³ee Lee~ S[ce keÀnles nQ keÀeDees keÀesefuevme ìskeÌmeìeF&ue keÀer lejHeÀ Yeer osKe jns nQ~ ìskeÌmeìeF&ue kesÀ efueS nceves kegÀí ÒeejbefYekeÀ Òe³eesieelcekeÀ F&Jeer peeb®e yeæ[er yeæ[er keÀHeæ[s yeveeves Jeeueer kebÀHeefve³eeW kesÀ meeLe efkeÀ³ee nw~ FbkeÀ keÀe ÒeoMe&ve Deewj efÒebì keÀer iegCeJeÊee keÀæ[e veneR ueepeJeeye Lee~
ìskeÌveesuee@peer
HeefjJele&ve nesves Jeeues [eìe efÒebefìbie : ìskeÌveesueespeer mes Deeies peekeÀj efveJesMe keÀjvee meYeer ef[efpeìue efÒebefìbie ìskeÌveesueespeer yengle íesìs keÀeHeer efÒebì keÀjves keÀer SkeÀ Devetþs efJeMes<eleeDeeW keÀes meePee keÀjles nQ~ ³en keÀF& ©ef®ekeÀj SHueerkesÀMeve pewmes Heme&vueeF&pe efÒebì Deewj ceeBie kesÀ Devegmeej efÒebì keÀes Keesuelee nw~ peyeefkeÀ ³en De®íer lejn peeveer peeves Jeeueer G®®e Dee³eleve Jeeueer ìesvej Hej DeeOeeefjle ef[efpeìue efÒebefìbie leb$e nw,pees J³eeHekeÀ ef[efpeìue efÒebefEìie Hej yeoueves Jeeues DeeBkeÀæ[eW keÀe GHe³eesie keÀjlee nw pees De®íer lejn efJekeÀefmele veneR nw ³ee J³eeHekeÀ mlej Hej Òe³eesie ceW veneR uee³ee peelee~ yeoueves Jeeues [eìe efÒebefìbie keÀe DeLe& nw efkeÀ Deeves Jeeuee Òel³eskeÀ He=<þ ³ee Meerì Hej Deueie Deueie meeceûeer,SkeÀ IeìkeÀ pewmes ef®e$e,veece Deewj N Helee Deueie nes mekeÀlee nw~ DeeHe FmekeÀe Òe³eesie keÀj mekeÀles nQ DeHeves Devegmeej DeHeves ÒeespeskeÌì keÀes yeveeves kesÀ efueS,³ee meeOejCe ©He mes kegÀí Òel³eskeÀ efÒebì kesÀ meeLe yeoueeJe uee mekeÀles nQ~ mece³e
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Deewj Hewmee oesveeW keÀer ye®ele nesleer nw Deewj yeæ[s Òee©He Jeeues Heefj³eespeveeDeeW kesÀ efueS DeefÜleer³e DeJemej Òeoeve keÀjleer nw~ Òel³eskeÀ meHeÀue efJeefYeVeleeDeeW Jeeues [eìe efÒebì ÒeespeskeÌì De®íer lejn ÒeyebOe efkeÀ³ee ngDee Deewj jKe jKeeJe efkeÀ³ee ngDee [eìeyesme neslee nw~ Deepe yengle ner Òe®eefuele Jeeke̳eebMe nw efyeie [eìe~ ³en efkeÀmeer Yeer efoS ieS efJe<e³e ³ee ef¬eÀ³eekeÀueeHe keÀes mebyeesefOele keÀjlee nw~ [eìe cegK³e©He mes Fbìjvesì Üeje cewvespe efkeÀ³ee peelee nw~ DeeHe DeHevee [eìe yevee mekeÀles nQ, DeHeves ûeenkeÀ kesÀ ,³ee mece=× ûeenkeÀ kesÀ Yeer~ yeoueves Jeeues [eìe efÒebefìbie kesÀ meeLe efì^keÀ ³en nw efkeÀ De®íer lejn cewvespe efkeÀ³ee ngDee [eìe Keespevee ³ee yeveevee~ GoenjCe kesÀ efueS veewpeJeeve efm$e³eeb efpevekeÀer Gce´ 20-30 Je<e& kesÀ yeer®e nw DeeHe GvekesÀ Heeme DeHeves GlHeeo kesÀ mesume Òe®eej kesÀ efueS HengB®evee ®eenles nQ,efyeukegÀue
| July - August 2019
pe©jle kesÀ efnmeeye mes [eìe yesme kesÀ efueS DeeHe ©ef®e efoKee³eWies pees cesìe [eìe jnsiee J³eeqkeÌleiele,efueie Deewj Gce´ kesÀ Devegmeej~ DeeHekesÀ HeefjJele&veer³e [eìe ÒeespeskeÌì ceW DeeHekeÀer ©ef®e kesÀ Devegmeej íeBìvee [eìe ceeFefvebie keÀnueelee nw,Deewj ³en efkeÀme ÒekeÀej neslee nw, [eìe keÀer iegCeJeÊee Hej efveYe&j keÀjlee nw Deewj efkeÀlevee DeHeìt[sì nw~uesefkeÀve ÒeYeeefJekeÀlee me®e& Fbefpeve keÀer iegCeJeÊee Hej Yeer efveYe&j keÀjlee nw,Deewj SueeiejLece keÀe GHe³eesie GHe³eesieer [eìe Deewj ©ef®ekeÀj ®egveves ceW Òe³eesie ceW ueevee ®eeefnS pees efkeÀ Òee³e: yengle yeæ[e [eìeyesme neslee nw~ ³eefo DeeHe DeHevee Kego keÀe [eìeyesme yevee uesles nQ,lees DeeHekeÀes Fmes ueieeleej DeHe[sì keÀjves keÀer DeeJeM³ekeÀlee nw Deewj Fmes cenlJeHetCe& yevee³es jKevee nw~ FmeefueS peye DeeHe DeHevee efJemle=le Òee©He Jeeuee DeHeveer ©ef®e keÀe ÒeespeskeÌì yeveevee ®eenles nQ lees DeeHekeÀes efceue
ìskeÌveesuee@peer mekeÀlee nw pees DeeHe ®eenles nQ~ Fme lejn keÀe meerOee jKe jKeeJe ogYee&i³e mes Òee³e: GHesef#ele jnlee nw~ FmekeÀe DeLe& ³en ngDee efkeÀ [eìe yesme keÀer Hetjer #ecelee keÀes keÀYeer Yeer GHe³eesie ceW veneR efue³ee ie³ee ³ee HeefjJele&veer³e [eìe kesÀ HeefjCeece efvejeMe keÀjves Jeeues nQ~ ke̳ee keÀjW ke̳ee ve keÀjW peye HeefjJele&veer³e [eìe ÒeespeskeÌì keÀer mebj®evee keÀj jnW nes lees DeeHekeÀes efÒebìs[ GlHeeo keÀes uesves Jeeues kesÀ yeer®e J³eeqkeÌleiele lejerkesÀ mes meblegueve yeveevee ®eeefnS,Deewj GvekeÀer SkeÀlee keÀe mecceeve keÀjvee ®eeefnS~ neueebefkeÀ ³en SkeÀ ÒeueesYeve nw Deblejbie Deewj efce$eleeHetCe& ìesve keÀe Òe³eesie keÀjvee~ kegÀí ueesieeW keÀes efmeHe&À íesæ[ efo³ee pee³esiee ³eefo DeeHe SkeÀ keÀjeryeer oesmle yevevee ®eenles nQ,peye DeeHe SkeÀ Depeveyeer keÀes mebyeesefOele keÀj jnW nes~ ³en efJeMes<e©He mes me®e nw ³eefo DeeHe ÒeeHle keÀj mekeÀles nw efpemes ieesHeveer³e ³ee J³eeqkeÌleiele met®evee kesÀ ©He ceW osKee peelee nw~ J³eeqkeÌleiele ©He mes ìesve kesÀ yepee³e efjmeerJej kesÀ ©He ceW SkeÀ IegmeHewþ kesÀ ©He ceW Deeves mes jeskeÀ efo³ee pee³e~ FmeefueS peye nce meeceev³ele: J³eeqkeÌleiele mebosMe yeveeles nQ lees Fmemes nceW HeÀe³eoe nesiee~ nce Fmes otj lekeÀ veneR {kesÀue mekeÀles~ lekeÀveerkeÀer ©He mes Deye nceW efÒebì Heefj³eespevee kesÀ efueS yeveeF& ieF& keÀueeke=Àefle kesÀ meeLe efvekeÀeues ieS kegÀí peesæ[er keÀer DeeJeM³ekeÀlee nw~ íesìs Deewj DeefOekeÀ meeOejCe Heefj³eespeveeDeeW kesÀ efueS DeeHe SkeÌmesue ceW yevee³es ieS [eìe HeÀeF&ue ceW Dee³eele keÀj mekeÀles nQ,GoenjCe kesÀ efueS Fveef[peeF&ve~ uesefkeÀve DeefOekeÀ peefìue Deewj yeæ[s ÒeespeskeÌì kesÀ efueS DeeHekeÀes meceefHe&le meceeOeeve keÀer pe©jle Heæ[sieer, efJeefYeVelee Jeeues [eìe GlHeeove kesÀ efueS~ Fme Hej ceoo keÀjves kesÀ efueS yeepeej ceW keÀF& meeHeÌìJes³ej GHekeÀjCe nQ GoenjCe kesÀ efueS nsJeuesì HewkeÀ[& keÀe mceeì& mì^erce ef[peeF&vej,Dee@ypeseqkeÌìHeÀ uegves Deewj J³eeqkeÌleiele ÒeYeeJe Deewj meerOes SkeÌmecHeer mes,³es lees kegÀí GuuesKe efkeÀ³ee nw mewkeÀæ[eW nw~ DeeHekeÀe Deieuee lekeÀveerkeÀ keÀueeke=Àefle mes Deewj [eìe efÒebefìbie efmemìce mes pegæ[e neslee nw~ efJeMes<e ©He mes jemìj Fcespe Òeesmesmej(DeejDeeF&Heer)pees DeeGìHegì GHekeÀjCe keÀes Deeies yeæ{eleer nw~ Fmes keÀYeer keÀYeer ef[efpeìue ÖebÀì Sb[([erSHeÀF&) ³ee Jeke&ÀHeÌuees efmemìce keÀne peelee nw~ F&SHeÀDeeF& HeÀe³ejer efjHe ef[efpeìue GHekeÀjCe Deewj keÀF& meyemes ueeskeÀefÒe³e Deewj meHeÀue ([erSHeÀF&) nw keÀF& HeefjJele&veer³e [eìe meuetMeve kesÀ efueS~ DeeHekeÀe efÒebì mesJee osves Jeeuee peevesiee efkeÀ GmekeÀe Jeke&ÀHeÌuees efmemìce efkeÀme megefJeOeeDeeW kesÀ meeLe keÀece keÀjlee nw Deewj meJeexÊece efÒebefìbie ÒeespeskeÌì kesÀ efueS meJeexÊece ¢ef<ìkeÀesCe kesÀ efueS meueen os mekeÀlee nw~
GoenjCe lees,efkeÀme ÒekeÀej kesÀ HeefjJele&veer³e [eìe SHueerkesÀMeve keÀe GHe³eesie keÀj efJemle=le mJe©He Jeeues efÒebìj keÀe GHe³eesie mebYeJe nw? þerkeÀ nw,meeceev³e leewj Hej ef[efpeìue efÒebefìbie ceW SkeÀ yeæ[e DeJemej Deewj mebYeeJeveeDeeW keÀes osles nQ Deewj mHe<ì ©He mes meerefcele keÀejkeÀ DeeHekeÀer keÀuHevee ceW nw~ uesefkeÀve DeeFS nce SkeÀ meeOejCe GHe³eesie kesÀme uesles nQ: SkeÀ cenlJeHetCe& keÀvÖeWÀme kesÀ efueS veece Jeeuee yewpe DeeHe efÒebì keÀjves keÀer ³eespevee yevee jnW nQ~ veece Deewj yewpe SkeÀ keÀs yeeo SkeÀ meeceev³e ©He mes efÒebì keÀjles nQ~ Òee³e: Svee@ueeie m¬eÀerve efÒebefìbie keÀe GHe³eesie keÀjles nQ,³ee mebYeJele: SkeÀ íesìe ef[efpeìue efÒebìj pees yewpe kesÀ efueS meceefHe&le nes~ uesefkeÀve DeeHekesÀ Heeme ³en DeeF&ef[³ee nes ~ uesefkeÀve ke̳ee ³eefo DeeHekesÀ Heeme SkeÀ jbie efyejbiee DeeFef[³ee iegueeyeer HueskeÌmeeriueeme Hej nes, DeeHekeÀer kebÀHeveer kesÀ ueesiees kesÀ DeekeÀej ceW? ³en meyemes p³eeoe keÀefþve Deewj ceBniee ÒeespeskeÌì nes mekeÀlee nw~ Deewj Fmes efkeÀveejs efkeÀ³ee pee mekeÀlee nw ke̳eeW efkeÀ ³en DeeF&ef[³ee Del³eble ner pebieueer nw~ uesefkeÀve SkeÀ efceveì Fblepeej efkeÀefpeS ke̳ee ³eefo DeeHe J³eJenej keÀjles nw ke̳ees efkeÀ ³en HeefjJele&veer³e [eìe ÒeespeskeÌì nw Deewj Huewì yes[ yeæ[s Òee©He keÀs efÒebìj keÀe GHe³eesie keÀjles nQ? Deye DeeHe mebYeJele: meYeer yewpespe keÀes SkeÀ ner jbieerve
HeÌueskeÌmeer iueeme Hej efÒebì keÀj mekeÀles nQ~ DeejDeeF&Heer efmemìce Üeje SkeÀ otmejs ceW Meeefceue efkeÀS ieS Deeì& Jeke&À Deewj [eìeyesme keÀer peevekeÀejer (®eefueS nce J³eeqkeÌle keÀe veece Deewj kebÀHeveer keÀe veece Deewj Mee³eo GvekeÀe Meer<e&keÀ) Deewj DeekeÀej keÀes uespej keÀefìbie yees[& keÀe GHe³eesie keÀjkesÀ keÀeìvee~ Debeflece GlHeeo yengle yeæ[e efÒebì veneR nw,uesefkeÀve GHekeÀjCe pees Fmes efÒebì keÀjlee nw Jen pe©j yeæ[e Lee~ uesefkeÀve ³en oMee&lee nw efkeÀ ke̳ee mebYeJe nw, SkeÀ yeej peye DeeHekesÀ Heeme Deewpeej Deewj DeeF&ef[³ee nes efkeÀ efkeÀme lejn GHe³eesie keÀjvee nw~ J³eeHeeefjkeÀ ueeYe ®eens DeeHe keÀejesyeejer,ef[peeFvej ³ee efÒebì keÀjves Jeeueer kebÀHeveer kesÀ ceeefuekeÀ nes,HeefjJele&veer³e [eìe kesÀ mebYeeefJele ueeYe DeJemejeW keÀes peeveves keÀe DeLe& DeeHe lew³eej nQ peye Yeer DeJemejeW keÀe #eCe Deelee nw~ keÀnves keÀer pe©jle veneR nw,DeeHe oesvees mes ueeYe Gþe mekeÀles nw uesefkeÀve Jejer³elee Jeeues [eìe efÒebì ìskeÌveesueespeer keÀe Òe³eesie keÀjves kesÀ keÀejCe efÒebefìbie ÒeesspeskeÌì ceW mece³e Deewj ueeiele keÀes keÀce keÀj mekeÀlee nw~
July - August 2019 |
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43
EVENTS
NATIONAL 12 - 14 December 2019
OCTOBER 2019 11 - 13 October 2019 PUNE PHOTO FAIR 2019 Leading Expo on Photography Industry. At : Pandit Farm, Karve Nagar, Pune. www.punephotofair.in 11 - 13 October 2019 SIGN INDIA 2019 Leading Expo on Signage Industry. At : Chennai Trade Centre, Chennai. www.bltf.in 21 - 23 October 2019 PROPAK INDIA 2019 Leading Expo on Packaging & Processing Industry. At : Bombay Exhibition Centre, Mumbai. www.propakindia.com
PACPROCESS INDIA 2019 Leading Expo on Processing & Packaging Industry. At : NSIC Grounds, Okhla, New Delhi. www.pacprocess-india.com
JANUARY 2020 06 - 09 January 2020 PAMEX 2020 Leading Show on Printing & Packaging Industry. At : Bombay Exhibition Centre, Mumbai. www.pamex.in
06 - 09 January 2020 INDIA PACKAGING SHOW 2020 Leading Expo on Packaging Industry. At : Bombay Exhibition Centre, Mumbai.
NOVEMBER 2019
www.indiapackagingshow.com
15 - 17 November 2019 SIGN INDIA 2019 Leading Expo on Signage Industry. At : Bombay Exhibition Centre, Mumbai. www.bltf.in 20 - 22 November 2019 TECHTEXIL INDIA 2019 Leading Expo on Technical Textiles. At : Bombay Exhibition Centre, Mumbai. www.techtextil-india.in.messefrankfurt.com
16 - 20 January 2020 PLASTIVISION INDIA 2020 International Plastics Exhibition & Conference. At : Bombay Exhibition Centre, Mumbai. www.plastivision.org
MARCH 2020 03 - 05 March 2020 INDIAN CERAMICS ASIA 2020
DECEMBER 2019 03 - 06 December 2019 PAPEREX 2019 International Expo on Pulp, Paper & Allied Industries. At : Pragati Maidan, New Delhi. india.paperex-expo.com
Leading Expo on Ceramics Industry. At : The Exhibition Centre, Gandhinagar, Gujarat. www.indian-ceramics.com
19 - 22 March 2020 STATIONERY & WRITE SHOW 2020
05 - 08 December 2019 ITMACH INDIA 2019 Leading Show on Textile Machinery. At : The Exhibition Centre, Helipad Ground, Gandhinagar, Ahmedabad. www.itmach.com 11 - 12 December 2019 AMTECH EXPO 2019 Leading Expo on 3D Printing Industry. At : Bombay Exhibition Centre, Goregaon (E), Mumbai. www.amtechexpo.in
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| July - August 2019
Leading Expo on Stationery & Gift Industry. At : Bombay Exhibition Centre, Mumbai. www.stationerytradeshow.com
20 - 22 March 2020 PACKPLUS 2020 Leading Expo on Packaging Industry. At : HITEX, Hyderabad, Telangana. www.packplussouth.in