Design Studio 3 [ARC 2116]

Page 1

DESIGN

STUDIO TIOW TZE JINN

3 [ARC 2116]

1101P13103


Contents Project 1:Journey for the 5 senses Learning Outcomes 1. Identify and explain different spatial types in architecture, and how they inform spatial use and experience 2. Identify and analyze case studies to inform the design project 3. Create tectonic expressions of different spatial typologies which impact on the uses and experiential conditions of space 4. Generate design through conscious consideration of section-plan relationship with considerations of human scale, natural light, materiality and textures 5. Produce drawings (both 2D and 3D), modelling and verbal presentation to communicate and visualize architectural design and ideas.

Project 2: Site Analysis & Concept Development Learning Outcomes document, interpret and analyze the site context and the ‘genius loci’ of place.

Project 3: GENIUS LOCI Visitor Interpretive Centre (VIC) Learning Outcomes 1. Generate design based on the unique character and conditions of the site context 2. Generate design through conscious consideration of section-plan relationship with considerations of human scale, natural light, materials/texture 3. Design a small scale community building which response to the site (site topography, history and socio-cultural events), functional program and users’ experiences 4. Produce drawings (both 2D and 3D), modelling and verbal presentation to communicate and visualize architectural design and ideas.

Architecture Design Studio 3 [ARC 3116]

Computer Application [ARC 2713]

Building Construction 2 [ARC 2513]

Building Science 1 [ARC 2413]


Journey for the 5 Senses Project 1a: PRECEDENT STUDIES: Analysing spatial poetics & spatial typologies in architecture

YUSUHARA

WOODEN

SITE PLAN NTS

BRIDGE

MUSEUM

FLOOR PLAN NTS

Architects: Kengo Kuma and Associates Location: Japan SECTION NTS

Completion date: 2011 Site area: 14, 736.47sqm


Journey for the 5 Senses Project 1a: PRECEDENT STUDIES: Analysing spatial poetics & spatial typologies in architecture

TEMPIETTO

OF

SAN

PIETRO

Architects: Donato Bramante Location: Montario, Rome, Italy Date of Construction: 1502

Symmetry and Balance

FLOOR PLAN NTS

Circulation

The centralised heart of the Tempietto

ISONOMETRIC NTS

SECTION NTS


Journey for the 5 Senses Project 1b: The Journey for the 5 senses

There is another sky Emily Dickinson

There is another sky, Ever serene and fair, And there is another sunshine, Though it be darkness there; Never mind faded forests, Austin, Never mind silent fields— Here is a little forest, Whose leaf is ever green; Here is a brighter garden, Where not a frost has been; In its unfading flowers I hear the bright bee hum; Prithee, my brother, Into my garden come!

Analysis of the Poem:

Concentric Spatial Typology

1st - 4th Stanza: The poet was talking about hope and an optimism to see through the darkness. 5th - 6th Stanza: The poet is encouraging her brother, Austin who's child and mistress died the year that she wrote this poem. She is guiding her brother with tender love to walk out from the darkness stage of his life. 7th - 10th Stanza: She is telling her brother that he has to move on to have another chance to be free and be loved again. 11th - 12th Stanza: As long as her brother keeps a positive mind, there’s is always hope and better dreams to be achieved. 13th - 14th Stanza: The poet is bringing a sense of new hope and encouragement to those who are lost in the darkness.

Floor Plan 1:75


Journey for the 5 Senses Project 1b: The Journey for the 5 senses

Site erected: Slope with a small pond in the middle. From the exterior, the building looks like a monument protruding from the earth itself.

The Monumental Maze

High concrete walls - It is use to create the sense of lonliness and to recreate how Austin feels during depression after his family died.

Walking through the entrance, a narrow walkway in between two 6 meters high rough concrete walls. There is no railing on the stairs, so the user must touch the surface of the wall to guide them up the stairs towards the door.

Through the door, there will be a dark walkway, as the user walks down the stairs, he or she will find a peeping hole to have a glimsp of what he or she is heading for, to keep them going.

Walking down the stairs, the user will see a seam of light seaping through the walls gap. The user will pause at the light and have a good look what he or she is heading towards.

Walking towards the center of the building, the user will find themselves looking at the reflection of the sky from the pond and also listening to the sound of the flowing water.


Journey for the 5 Senses Project 1b: The Journey for the 5 senses

Linear Spatial Typology

The Angular Walkway

Perspective View 1:150

The design is derived from our precedent studies - Tempietto of San Pietro. Using the lower ceiling design, we applied it in our design to inflict fear and darkness to the user of our building.

Floor Plan 1:100


Journey for the 5 Senses Project 1b: The Journey for the 5 senses

The walkway is a single directional building. The angles used on the design is to block out the light to create a atmosphere that provokes fear and depression. People will pause in between just to touch where the walls are to find the exit.

Section A - A’ 1:100

Section B- B’ 1:100


GENIUS LOCI Project 2: Site conditions & Analysis (Group Work)


GENIUS LOCI Project 2: Personal Interpretation and Concept Development as a response

Respect

Long Lost Memories

Love for their country

Sacrifice for the Country


GENIUS LOCI Project 2: Personal Interpretation and Concept Development as a response

CONCEPT DESIGN My conceptic design start off as a rigid design. A repetetive of the same shape and form is used. The repetition of the shape symbolises the repetition of war throughout the history. The study model was origianally placed on the cemetery, due to the circulation. However, placing it on the graves would disrupt the peace in the cemetery, because the existing graves need to be remove for the building to be built on site. Hence the idea of placing the building on site is disqualified.


Project 3: GENIUS LOCI Visitor Interpretive Centre (VIC)

SPATIAL PLANNING BOOK/ SOUVENIER SHOP

EXHIBTION / DISPLAY CENTER

OFFICE

PUBLIC GATHERING SPACE

PUBLIC GATHERING SPACE

PRIVATE UTILITY SPACE

STORAGE

PRIVATE UTILITY SPACE

OFFICE PRIVATE UTILITY SPACE

EXHIBTION / DISPLAY CENTER

STORAGE

STORAGE TOILET

TOILET

PANTRY

FINAL SPATIAL PLANNING

RECEPTION

BOOK/ SOUVENIER SHOP

OFFICE

DISCUSSION RECEPTION AREA

BOOK STORE / LIBRARY

TOILET

BOOK/ SOUVENIER SHOP

EXHIBTION / DISPLAY CENTER

OFFICE

TOILET

LOBBY/ RECEPTION

BRIEFING AREA WALKWAY

ENTRANCE PUBLIC GATHERING SPACE

ENTRANCE RECEPTION

BOOK/ SOUVENIER SHOP

OFFICE DISCUSSION AREA

TOILET

LOBBY

BOOK/ SOUVENIER SHOP

OFFICE

RECEPTION TOILET

ENTRANCE

STORAGE

EXHIBTION / DISPLAY CENTER

PUBLIC GATHERING SPACE

EXHIBITION/ DISPLAY CENTER

LOBBY

RECEPTION

DISCUSSION AREA

EXHIBTION / DISPLAY CENTER

ENTRANCE PUBLIC GATHERING SPACE

PUBLIC GATHERING SPACE


Project 3: GENIUS LOCI Visitor Interpretive Centre (VIC)

GROUND FLOOR PLAN

SECTION A-A’

FIRST FLOOR PLAN

SECTION B-B’

MEZZANINE FLOOR PLAN

SECTION C-C’

Legend 1 LOBBY / RECEPTION 2 OFFICE 3 TOILETS 4 BRIEFING AREA 5 WALKWAY 6 BOOK / SOUVENIER SHOP 7 EXHIBITION HALL 8 CAFE


Project 3: GENIUS LOCI Visitor Interpretive Centre (VIC)

EAST ELEVATION

WEST ELEVATION

NORTH ELEVATION

SOUTH ELEVATION


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