P O R T F O L I O selected works 2014-2017 Jiayun Ke
B I 05. 08. 1993 I Jiayun Ke A I 312/9 The Arcade, Docklands, Vic I Melbourne, AUS T I +614 24660326 @ I kexddd@hotmail.com
CV Academics
The university of Melbourne / Melbourne, Vic, Australia
Miscellaneous
Mar 2013- / Bachelor of Environments, Major in Architecture
Further Academics
AAVS Barcelona -BODEGA . ENOLOGICAL METABOLISM
Union House Theatre Sets Design/ The University of Melbourne Mar2013- Oct2016 / Sets Designer / Editor
Awards
Year 11 Arts Achievement Award/ The International School Student Awards Program
July 2016 (10days intensive) 2013, State Governement Victoria Australia
“Outstanding Project� produced in 2016 for Design Studio Air 2016, The Univerity of Melbourne
Professional Experience
Internship at CSCEC (China State Construction Engineering Corporation) Nov 2015-Feb 2016 /Landscape Architecture & Planning Intern
Software skills
Rhinoceros 5.0 / Advanced Autocad 2012 / Good Adobe Illustrator CC / Advanced Adobe Photoshop CC / Advanced Adobe Indesign CC / Advanced Revit / Beginner
The architecture is positioned above the ground to interact with human, nature and other objects. It exists in both scale of spatial and tempory zone. The form of the architecture should not be isloated or degraded within the urban context but merging with surrouding environments and tracing the affluent spatial experience for the audience. In Macro level, my notion of architecture is suggesting such would be realized and be utilized by anyone who is using it or passing through it, and to provide a continuous journey interweaving within the city. On the other hand, in Micro level, I suggest any spatial experience would influence the people’s sensory and emotion in terms of circulation, interior spaces and material in order to be valued in moral aspect. I believe that if the building development only possess aesthetic appeal but without spatial sensory experience, it is only can be seen as a functional building instead of a valuable architecture. This portfolio records the process of my study and challenge that I kept exploring the potential of architecture based on my experience and interest.
Contents
Bachelor Thesis 01 Invisible Stream / MSD Semester 1, 2015 02 Fear / MSD Semester 1, 2015 03 Lacemorphology / MSD Semester 1, 2016 04 Nervesphere / MSD Semester 2, 2016 05 Wine Tasting Space / AAVS Barcelona Winter, 2016
Professional Work 06 Yunnan Technology Information Institute Landscape Design / CSCEC Shanghai Winter, 2015 07 Rainbow Bay Residential Landscape Design / CSCEC Shanghai Winter, 2015
Micellaneous 07 ‘Veronica’s Room’ Theatre Sets Design / UHT Semester 2, 2015 08 ‘The Cherry Orchard’ Theatre Sets Design / UHT Semester 2, 2016
BACHELOR THESIS
Invisible Stream Fear Lacemorphology Nervesphere Wine Tasting Space
Yunnan Tech-Information Institute Rainbow Bay Residential
Veronica’s Room The Cherry Orchard
Invisible Stream Design Studio- Earthtemura? Nihil hos cordi, nos, inaris hilicta duc rem tabuspecrit.
Location: Herring Island I Building type: Recreation Center Period: March 2015 - June 2015
The Herring Island is a natural space hidden in the urban city. However, refer to the hisitory, the island was only artificial bluestone quarry supprisingly hidden just 3km from the city. It wasn’t either shaped by nature, but a secret and a home to series of environmental sculptures hiding in the industrial landscape. My design project-Invisible Stream started with the observation of the site and the form of the flood regarding its local history. Due to its social value and the physical elements of its location. Thus, I utilized the social elements such as the accessible entrance and the human movement around the site to create a Recreation space that explore the secret of the Herring Island. By integrating with the flexible space, and orgnaic movement, the connection of the public, private and semi-public space is held in dynamic way which approach to my original ideas of invisible stream. As the level goes up, different view varies from close to half opened and eventually wildly opened. The architecture itself is a media which create human movement and influence their oppotunities of seeing and seeking. Thus, the audience could be able to seek the secret through their journey.
Material Revegetation
Human Organic Movement Human Interaction
Social Meeting Point Dynamic Spatial Division
SITE
Nature
3.1 SITE ANALYSIS AND CONCEPTACLE
1.1 POINT / LINE / PLANE The point/ line/ plane in my design are not in literal meaning but integrated with the function of space ->meeting point. As shown in the grid map on the left hand side, the straight line-paths became dynamic as they followed the track around the intersection of the meeting points which are in differnt scale. Once shifting the view to the side, the basement touched the ground in order to pointed at a smaller scale. Each geometric component of the dynamic pavilion like design could be read as either line or plane.
The site analysis indicates the Herring Island as a natural space within the urban city. However, refer to the History, the island was man-made bluestone quarry. The island wasn’t either shaped by nature but man-made. The Herring Island itself is a secret hiding in the industrial landscape. My design started with the observation of the site. Due to its social value and the physical elements of its location, I decided to use the social elements such as the accessible entrance and the human movement around the site to create a sturcture that explore the secret of the Herring Island. By integrating with the flexible space, the audience could be able to seek the secret through their journey.
On the other hand, the material texture also can be read as lines. Such as the grains on the wood plank, they naturally formed lines in different density.
HUMAN ORGANIC MOVEMENT
SITE MOVEMENT
21
1.0 THREE RELAT
9
POINT/LINE/PLANE scale and function FRAME/INFILL MASS
ARCHITECTURAL ELEMENT 1: POINT/LINE/PLANE
6
6
ARCHITECTURAL ELEMENT 2: FRAME/INFILL
ARCHITECTURAL ELEMENT 3: MASS
e park
venue
SPACE DIVISION DIAGRAM
Space Divisions diagram
Top secret seeking space-view of the whole sculpture
40
SOUTH ELEVATION
Sem public -View of the south Alexander Avenue
Semi-Public Viewing Point-view of the people coming from Alexandar Ave
park
secret seeking space-view of the whole sculpture park Roof platform- only accessible by 1-3Top person Space Divisions diagram View of the Herring Island-sculpture park
enue
Section East-West
40
Semi-Public Viewing Point-view of the people coming from Alexandar Avenue
Space Division
WEST ELEVTION
West View
South View
Plan view of the physical model
Function Division Detail Diagram
41
MATERIAL: Concrete-Half artificial Cypress Pine Timber-relate to the idigenous material Glass-Glazing Panels-artificial->refer to the origin of Herring Island
f
2
Fear Body Architecture-Digital Design and Fabrication Suggesting transformation of human emotion through architecural space
e a r Team Project With: Hoi Yin Ho Model: Emma I Project type: Body Defending Structure Period: March 2015 - June 2015 A protection Gear that can be designed to wrap around certain sensitive areas of body. It is to give the person a sense of protection that actually interacting with the outside. People are aware of their personal space as when the space is intruded by others, it would trigger their emotion such as fear. The black appearance and Queen dress like appearance well captured the attraction. And at the same time lured the other people to have the sense of fear to the person inside the volume. The exterior volume on the raised shoulder is to show the scared/shocked emotional effect of a person when croching down. The interior volume allowed the person to kneel down and totally cover the body to provide an embracing and hiding effect in order to keep a person’s personal space fully to himself/herself. As sequence, the whole structure is able to provide not only an embracing but also defensive personal space.
Negative Space Defending Protective Limit of range getting near Multi-sections
MEASUREMENT
TEMPERATURE, 2014
M2
M2
-DESIGN -DESIGN -2.1 DESIGN DEVELOPMENT-2.1 INTRO DESIGN DEVELOPMENT INTRO
COMBINING IDEAS THROUGH FINDING KEY WORDS: COMBINING IDEAS THROUGH FINDING KEY WORDS: INVISIBLE / PERSONALITY DEVELOPMENT / DEFENSIVE MECHANISM / NEGATIVE SPACE INVISIBLE / PERSONALITY DEVELOPMENT / DEFENSIVE MECHANISM / NEGATIV
A PROTECTION GEAR THAT CANABEPROTECTION DESIGNED TO WRAP AROUND SENSITIVE AREAS OF BODY. GEAR THAT CAN BECERTAIN DESIGNED TO WRAP AROUND CERTAIN SENSITIVE AREAS OF BODY. CREATE AN ILLUTION THAT THERECREATE ARE INVISIBLE FEATURES WRAPPING BODY INSTEAD OF AROUND SOLID COSTUME. GIVE THE PERSON A AN ILLUTION THAT THERE AREAROUND INVISIBLETHE FEATURES WRAPPING THE BODY INSTEAD OF SOLID TION BUT ACTUALLY STILL INTERACTING WITH THE OUTSIDE. TION BUT ACTUALLY STILL INTERACTING WITH THE OUTSIDE.
PEOPLE ARE AWARE OF THEIR PERSONAL SPACE B PEOPLE ARE AWAR
Sketch Model- Illusion/ Invisible/ Negative space/ Protection, Hoi Yin HO, 2015
HUMAN EMOTION TEMPERATURE, 2014 Sketch Model- Illusion/ Invisible/ Negative space/ Protection, Hoi Yin HO, 2015
According to studies, is associated SPACE IN INTRUDED BYFear OTHERS IT TRIGGER THEIR E SPACE IN INTRUDE with increased activity the chest and ANGER, SHYNESS, LOVE in ETC). ANGER, SHYNESS, L the upper body. Hence the temperature EMOTIONS ARE. GENERATED FROM HUMAN’SARE BRAIN will be higher Our design is toEMOTIONS express GE TOthe OTHER PARTS OF in THE BODY THROUGH NERVO emotion-fear the the vision of TO OTHER PARTS O BODY THEN WILL HAVE effect CERTAIN REACTIONS ACCO BODY THEN WILL H protecting and hugging regarding HEART BEATING RATE INCREASE HEART HENCEBEATING THE CHANG RA the three typical reactions (1. rasing IN DIFFERENT BODY PARTS. THISINDESIGN WILLBOD PR DIFFERENT shoulders 2. vovering face/head 3. PARTS OF BODY (AS THEY ARE BEING MORE SENSITIV PARTS OF BODY (A curl up to a ball/hiding) of a person when personal space is invaded. HUMAN EMOTION TEMPERATURE, 2014
1.WE CAME UP WITH A PATTERN1.WE THATCAME AFTERUP OFFS W PIECES, WILL CRAFT OUT THE NEGATIVE SPACE OF PIECES, WILL CRAF PROACHING PEOPLE SHOULD BEPROACHING (SET OUT A LIMIT PEOP ON THE SIDE, THE PATTERN FOLLOWED HUMA ON THE THE SIDE, THE OUTLINE TO CREATE MULTI-SECTIONS IN ORDER TO OUTLINE TO CREAT TIVE PERSONALITIES. TIVE PERSONALITIES
SKETCH MODEL - NEGATIVE SPACE/ SKETCH MODEL - NEGATIVE SPACE/ CONNECTION POINTS/ CUMULATE VOLUME, CONNECTION POINTS/ CUMULATE VOLUME, JIA YUN KE, 2015 JIA YUN KE, 2015
2.THE BODY PART WILL BE THE MAJOR PROTECTION 2.THE BODY PART W ALSO WHERE THE TWO PARTS OFALSO DESIGN JOINTHE TOG WHERE T
Rasing Shoulders
Hiding/Curl up
Cover Faces/Head
Precedent-The
COMBINING IDEAS THROUGH FINDING KEY WORDS: INVISIBLE / PERSONALITY DEVELOPMENT / DEFENSIVE MECHANISM / NEGATIVE SPACE
RECONFIGURED THE EGG CUTTER A PROTECTION GEAR THAT CAN BE DESIGNED TO WRAP AROUND CERTAIN SENSITIVE AREAS OF BODY. THE EGG CUTTER COULD BE RECONFIGURED INTO A SERIES OF CIRCULAR AND HORIZONTAL SECTIONS CREATE AN ILLUTION THAT THERE ARE INVISIBLE FEATURES WRAPPING AROUND THE BODY INSTEAD OF SOLID COSTUME. GIVE WHICH CREATE NEGATIVE SPACE -PROFILE. TION BUT ACTUALLY STILL INTERACTING WITH THE OUTSIDE.
PEOPLE ARE AWARE OF THEIR PERSO SPACE IN INTRUDED BY OTHERS IT TR ANGER, SHYNESS, LOVE ETC).
Gridded Volume
Sketch Model- Illusion/ Invisible/ Negative space/ Protection, Hoi Yin HO, 2015
7
EMOTIONS ARE GENERATED FROM HU TO OTHER PARTS OF THE BODY THR BODY THEN WILL HAVE CERTAIN REA HEART BEATING RATE INCREASE HEN IN DIFFERENT BODY PARTS. THIS DE PARTS OF BODY (AS THEY ARE BEING
HUMAN EMOTION TEMPERATURE, 2014
1.WE CAME UP WITH A PATTERN TH PIECES, WILL CRAFT OUT THE NEGAT PROACHING PEOPLE SHOULD BE (SE ON THE SIDE, THE PATTERN FOLLOW OUTLINE TO CREATE MULTI-SECTIONS TIVE PERSONALITIES.
SKETCH MODEL - NEGATIVE SPACE/ CONNECTION POINTS/ CUMULATE VOLUME, JIA YUN KE, 2015
M3
2.THE BODY PART WILL BE THE MAJO ALSO WHERE THE TWO PARTS OF DES
Negative Spaces
-DESIGN -3.4 FINAL PROTOTYPE DEVELOPMENT + OPTIMISATION
DIGITAL FABRICATIONS: ARCHITECTURAL + MATERIAL TECHNIQUES/LISA IWAMOTO. NEW YORK: PRINCETON ARCHITECTURAL PRESS C2009
FROM THE READING, WE ARE INSPIRED THAT THE FREQUENCY OF THE SECTION WE MADE IN OUR ‘WAFFLE-GRID’ STRUCTURE WILL GIVE DIFFERENT VISUAL INTENSIFICATION. BY THAT, WE CAN MAKE OUR TWO LAYERS OF GRID WITH DIFFERENT DENSITY OF GRID. FOR EXAMPLE, THE EXTERIOR GRID CAN BE LESS DENSE TO SHOW THE FADING OF EMOTION AND COOLER TEMPERATURE AS IT GETS FURTHER FROM THE HUMAN BODY; THE INTERIOR GRID CAN BE DENSER TO SHOW STRONGER EMOTION AND HIGHER TEMPERATURE. ALSO, WE UNDERSTOOD THE DIVERSITY OF SECTIONING AND PROFILING AS A CONSTRUCTION TECHNIQUE, LARGE AMOUNT OF TECHNICS SUCH AS STACKED, GRIDDED, ALSO MAY INTERCROSS WITH FRAME AND INFILL/ SKIN AND BONES.
WITH THE SPIRAL NOTCHING AND THE MATT BLACK SPRAY PAINT CREATE THE ATMOSPHERE OF FEAR AND MYSTERY. ALSO, WITH THE DOUBLED GRID ALSO CREATES A VISUAL ILLUTION LIKE MOIRE EFFECT TO HIDE THE UPPER BODY. THE SHIFT OF VISIBILITY IS DISTINCTIVE.
e Drop Series DREAMS IN THE MONOCHROME, 2015
FabricationSpiral Notching 27
Exterior Volume
Interior Volume
Photography Open Stage of Melbourne University
f e a r
38
Lacemorphology Design Studio- Air Suggesting imitation of bilogical behaviour in architecural space
Team Project With: Antigone Gougoussis, Luke Latham, Mike Oh, Rebecca Yang, Lauren Boucher, Taylah Parker Location: GENarcist, 362 Victoria St, North Melbourne VIC 3051 I Architecture type: Light Installation Period: March 2016 - June 2016
Biomimetics
Swarm Logic Form The light installation attempted to locate in GENarcist hair salon is deigned in purpose of accentuating the beautiful and complex curve qualities of the minial surface in order to create an emotive and organic form inpired by nature. The organic trimming at yarying angles exhibits the qualities associated with butterfly swarm intelligence and create more natural and transitional effect throughout our design. It is also our purpose to experiment the imitation of biological behaviour in terms of architectural form and spaces. In terms of spacial experience, we were also trying to retain the interweaving spatial qualities associated with our gyroid minimal surface and highlight this complexity through our final outcome.
Swarm Intelligence Imitating biological behaviour
Pattern Biomimetics of Butterfly Wing
Structure Double Layers-skin & bones Interweaving Volumes
SITE
Form
The site is a hair salon called GENarcist located at 362 Victoria St. The design proposal is to apply a light installation in the salon in order to become an element in the space to cultivate creativity, and to demand a response from the client and his customers that is one of curiosity, excitement and intrigue. According to the client’s brief, the light installation would be applied to the space between the two mirrors on the wall. It is required to be minimal and clean in black and white colour to fit in the white wall and surrounding environmets.
1000mm 1000mm
3000mm
Biomimetics
Swarm Logic Form
Biology
Basic For
rm-Gyroid
PrecedentFabrication
Pattern Strips
Double Layers-Patterns
Macro Strips
Micro LayerBack
Edge Strips
Micro LayerFront Micro Strips
Photography Perspective of interweaving volume -by Ian Potter Photography
Awards Exhibition, 2016 Grimshaw Gallery Award for an “Outstanding Project” produced in 2016 for Design Studio Air
Nervesphere Design Studio-Fire Suggesting transformation of human biological emotion and vocal experience in multi-functional spaces
Location: Batman, Spencer St I Building type: Multi-functional commercial building Period: August 2016 - October 2016 Nervesphere echoes the effect of sound wave rhythms to the human nervous system, yet emphasizes the transformation of human biological emotion. This building is expected to evoke audiences’ desires towards mental wellbeing in ways such as sound therapy. The building imitates the way of circulation and the different meditation level of the Nervous System of human brain in both macro and micro level. In macro level, the building works as cell body within the Urban Network. In micro level, it is to track the micro eco acoustic of city, human and nature, thus effects the audience’s emotion.
Cell Bodies Nerve System
Function 5 levels of Meditation Spaces 3 transition spaces
Circulation Biomimetics -movement of Nerve system Dendrites
SITE
Volume
Dendrites
Cell Body
Diagram NAVA Group
Daily Activities Schedule Car parking for guest Drop-off Area Lobby Bedroom
6
5
7
Restaurant
8
4 3
9
2
10
Seminar suite
1
11
Gallery Multipurpose Room
Bedroom
15
21
14
22
13
23
0
12 Outdoor Space
Lounge
16
17
18
19
20
Boutique retail Restaurant
Sleeping
Necessity activities
Reception Bedroom Restaurant
Outdoor Space
Therapy
Spontaneous activity
Gallery
Seminar
LOUNGE
Social Activities
DSI Group
Daily Activities Schedule
Car parking for guest Drop-off Area Reception Lobby, Baggage/cloak store Bedroom
5
6
7
4
Restaurant
8
Secretariats for DSI Group
3
9
2
10
Multipurpose Room
1
11
Hall
Consulting Suites
15
21
14
22
13
23
0
12 Boutique Retail
Therapeutic Lounge
16
17
18
19
20
Restaurant Outdoor space
Bedroom
Reception Bedroom Restaurant
Necessity activities
Therapy
Outdoor Space
Spontaneous activity
Hall
Boutique Retial
Social Activities
Sound Therapy Sound Gallery Multipurpose Room For Therapeutic Wellbeing Program Motel Room Seminar Suite Secretariats For DSI Group
Outdoor Area
$
Restaurant Lobby/Reception Entry
Toilets/Essential
Construction
Core & Secondary Circulation
Function Division
Lattice Columns (refer to Sendai Midiatheque)
(refer to function diagram colour code)
Facade Main Structure Rolled steel tube columns
Secondary Facade Structure Flat steel webbing & ETFE Panels
Functions
Transition Zone
Γ
Sound Therapy
Wellbeing Programs & Lounge
Δ
Motel Rooms
Θ A
Seminar Suites & Consulting Rooms &Staff Rooms
β Restaurant
Retails
Lobby/Retails
HUMAN Sound Gallery
Δ
Viewing Balcony
Sound Gallery
Wine Tasting Space AAVS Barcelona -BODEGA . ENOLOGICAL METABOLISM
Team Project With: Shawn Koh Jyh Shen, Matthew Kek, JiangLing Liao, Amy Wu, Ziyi Zhang Directors: Edouard Cabay, Carles Sala, Relja Ferusic, Alejandro Rondon Location: Winery, Barcelona I Architecture type: Recreation Pavilion Period: July 2016 Intensive (10days Workshop)
tasting space[...] adj. + noun Like Wine, architecture is an experience-crafted by the maker to share imagination that provokes the senses of its audience. The project aims to translate the architecture to a spatial organic manifestation, exploring and wine tasting elevating the experience through white and transparent architectural mediums. The light body of the manifestation captures and frames significant views allowing guests to relate to the origin of the wine as they partake of it. Tinted roofs mimic the action of looking through a glass when tasting a wine capturing the hues and sedimentation. As the day comes through the ceiling and its texture renders the pure white floors. It shelters with a play of light and shadow. A ramp in the middle of the manifestation breaks up the space filling the interiors with the aromas as bottles of wine are being tasted while pouring down the surface. In a unique exchange of circulation between wine and the user.
Slope of the wine yard Extrusion
Whiteness Aromas-Smell of Wine
Transparency Swirl the Wine light & shadow
SITE
Frame
Flow
Viscosity-Aroma
Light & Shadow
Structure
Whiteness
Transparency
Frame-Whiteness-Transparency
Structure-Flow of Wine
Light & Shadow-Swirl of Wine in glass
Viscosity-Aroma
AA Exhibition Roca Gallery, Barcelona
PROFESSIONAL PROFESSIONAL WORKS WORK
Invisible Stream Fear Lacemorphology Nervesphere Wine Tasting Space
Yunnan Tech-Information Institute Rainbow Bay Residential
Veronica’s Room The Cherry Orchard
Yunnan Technology Information Institute Landscape & Planning Design
Team Project With: Yan Fang, Xiao Wu, Juan Wu, Can Zhou, Daxing Zhou, Jeff Location: 757-1 Chuanjin Rd, Panlong Qu, Kunming Shi, Yunnan Sheng, China Period: November 2015 - Febrary 2016 Practicing the moral, Increasing the wisdom as the main concept is to create the campus landscape have both value of culture and the function. On one hand, based on people’s’ Daily behaviour, the landscape includes composite outdoor function for both students and school staffs; On the other hand, based on history and the excavations of the local culture background, the design outcome reflects the school cultural characteristics of landscape space. In moral perspective, the dominant landscape space regarding the corresponding culture contains memorial site, recrreation space, and sculptures. In Skill perspect, the dominant landscape space regarding corresponding function includes outdoor teaching areas, outdoor report hall, the rain garden and sports venues. Both two perspects of skill and moral are expressed by landscape spaces dominated by the cultural space and function in order to achieve the implementation into the landscape with the concept of skill & moral.
SITE
MORAL SKILL
Imply the subject of local culture into the campus landscape
Achieve Garden Landscape Campus
Landscape Garden of Campus
垡 Practicing the Moral
Campus landscape f u n c t i o n i n rationaliziing layout
Axis of the campus layout combing Chinese and Western landscape concept
技 Practicing the Skill
The circulation of the circuitt regarding the overall Architectural & Landscape planning
Gathering
Stroll
Education
Club activities/students recruitment/art music performance/intercollegiate contest/market/dinner
Rest/dating/think/Courier
Morning read/study/reading/ outdoor classroom/Excursion
Exhibition
Exhibition
Sports
Literature and art exhibition/ academic/intercollegiate exchange
Open Day activities/Excursion
Gym/sports activities/games/ sports
4
4
3 3
1
3
2
1
4
3
2
1
4
3
3
2
4
2
3
3
2
According to the users' activity analysis, the distribution of the main activities can be specially concluded that the semi-private activities like reading, strolls and communication are suitable in the courtyard spaces. While gathering, exhibitions, recreation, exercising and sports are more suitable to take space at the main two green zones, the axis and the central plaza.
Public Space
1
Semi-public Space
2
Semi-private Space
3
Private Space
4
1 16
2 7
1
6 3
4 9
10
11
5 4
4
17 8 18
Master Plan
25
19 24 22 21
德技
15
Moral（Culture） Skill（Function）
16
16
12 13 14
20
23
22
1 The main entrance square 2 The Sculpture of Moral&Skill 3 YU REN Mountain Park 4 The rain garden 5 The outdoor theater 6 Observation platform 7 Car park 8 South entrance of Park 9 The Square of Conscience 10 Water shaft square of Moral & Skill 11 Flag Platform 12 Zhonglin Mountain Reading garden 13 The "supreme good" sculpture 14 Observation platform 15 North campus secondary entrance 16 The garden sculpture 17 The avenue of "Skill" 18 Outdoor Report hall 19 Secondary Entrance Square 20 Tree Array Square 21 Outdoor playground 22 Outdoor basketball court 23 Outdoor tennis court 24 Car Park 25 South campus entrance
2 Mountain 5 Axis 5 Functional Area
宿舍区
教学区
商业服务区
“两山”文化园区
教学区
运动区
Main Axis Secondary Axis Main Entrance Secondary Entrance
Main Landscape Nodes
P
P P
P
P
Th e m a i n e nt ra n ce square YU REN Mountain Park
消防车机动车行
学生步行路线
汽车机动车行
观光访问路线
非机动车行
机动车行
学生步行路线
动车行
观光访问路线
P
The Square of Conscience Water shaft square of Moral & Skill Cultural Reading garden Tree Array Square Corridor square
车行
Secondary Entrance Square
技
SILL（Function）
A-A Section
A
A
Rainbow Bay Residential Residential Landscape Design Cae estrem di co viviterum lartura? As cus At fici privivi denequo ac rehebenis?
Location: Caihongwan Residential District Phase 1, Jiangyang S Rd 305, Hongkou, Shanghai, China, Period: November 2015 - Febrary 2016 Residential area is a living environment. It is in the concept of “Aggregation� regarding the value of the universe in which the intergalactic flow changes, and follows the path of day and night, but still will converge to the origin. The circulation of the residential landscape follows the Galaxy links and as the main structural elements. The purpose is to to create a simple and high quality geometric form of landscape environment in terms of function, form, color, and material. Rainbow bay residential landscape would provide the residents with daily life entertainment space to achieve economic security housing base in high quality.
SITE
This project is located in Hongkou District of Shanghai, the total land area is 60641.1 square meters. It's used to be the secondary textile machinery industrial area, thus this zone has traffic advantages. "Rainbow bay" is the one of the largest affordable housing construction project of the "twelfth five-year" city center. The public facilities area is accounted for nearly twenty percent,within the scope of community service which includes commercial center, pre-school education, pensions and other facilities.
Rainbow Bay Residential Master Plan 序号 1 2 3 0
10
20
40
80m
4
1
Main Entrance
2
Secondary Entrance
3
The elderly activity center
4
Landscape corridor
5
Square Garden
6
Observation Platform
7
landscape wall
8
Basketball Court
9
Recreational square
10 Children's activity centre
名称 红线面积 建筑占地面积 景观设计面积 a.园路 b.活动场地 c.塑胶场地 d.绿地面积 绿化率
工程量 60641 11450 35290 1950 1217 420 31703 52.3
1 10
单位 平方米 平方米 平方米 平方米 平方米 平方米 平方米 %
1
4
6
9
2
3 5
7
8
Circulation
03
设计说明
上海虹口区彩虹湾保障房景观设计
交通路线分析 虹
湾
路
Entrance The underground parking entrances 出入口
凉
水
地下车库出入口 市政道路
城
电
小区内车行道
Municipal road
人行园路 消防登高
Roadway
路
路
Pedestrian Pathway Fire up
三
门
路
10
03
设计说明
上海虹口区彩虹湾保障房景观设计
景观结构分析
Landscape Nodes 景观节点
Entrance
出入口 景观轴线 入口景观空间
Landscape Axis
Entrance Square 说明：以星系链接为
主要结构元素，景观 轴线连接两大活动广 场（儿童活动中心 -> 日；老年活动中心 -> 月），于中心休憩广 场相交（日月同辉。 两个主要活动空间分 布在小区楼房密集中 心，满足居者的可达 性。
9
A
Elders Activity Sqaure
1
2
5
4
7
3
0 2.5 5
10
6
8
20m
1
Landscape corridor
4 Landscape
7
Basketball Court
2
Platform Flower bed
5 Leisure chair
8
Elders Activity Square
3
Flower bed
6 Wall
Pavilion
Landscape
1
MISCELLANEOUS MICELLANOUS
Invisible Stream Fear Lacemorphology Nervesphere Wine Tasting Space
Yunnan Tech-Information Institute Rainbow Bay Residential
Veronica’s Room The Cherry Orchard
Veronica’s Room Union House Theatre -University of Melbourne Veronica’s Room is a theatrical play by Ira Levin mounted in 1973. The horrible scene was expressed through the several sets objects including the mirror and the fabric wall coorperating with distinctive lighting effect.
Down to Dressing Rooms
REAR WALL
REAR WALL 31 Storage Bar 30 Cyc 29 28 27 26 25 Lx 5 24 Leg D 23 Border D
P A T C H
22 21 20 19
Lx 4
18 17
Leg C Border C
16 15
C Tabs
G A L L E R Y
14 13 Lx 3 12 Leg B 11
Border B
10 9 8 7
Lx 2
6
Leg A
5
Border A
4 3
Cinema Screen
2 1 Lx 1 House Curtain Fire Curtain
Down to Dressin g Rooms
Down to Dressin g Rooms
House Curtain
FOH 2
FLY PLOT
Drawn By: C. Jones 04/06/02 NB:A3 Scale Only
AUDITORIUM FOH 3
The Cherry Orchard Union House Theatre -University of Melbourne Nominated by Union House Theatre as the best sets design in 2016 The center portion of the stage was elevated, marking out three distinct divisions that created visual height and depth. The flying system well coorperated with the lighting effect,
Scene 1
Scene 2
Scene 3
Scene 4