Jose Miranda | 2019 - 2020

Page 1

SERIES ONE | UNDERGRADUATE

P O R T F O L I O 2019 - 2020 Jose Luis Miranda / Hernandez


P O R T F O L I O | 01

education Georgia Institute of Technology | Atlanta, GA • • • •

Candidate for Bachelor of Science degree in Architecture Professional Certificate in Sustainable Architecture GPA: 3.66/4.0 Scholarships Received: Zell Miller Scholarship, RaiseMe Scholarship, Dr. Stuek Scholar, U-Lead Scholarship, JCCO Scholarship, Rotary Essay Scholarship, William W. George International Study Abroad Scholar, and Pell Grant

East Jackson Comprehensive High School (EJCHS) | Commerce, GA • • •

High School Diploma ; Honor Graduate GPA: 3.94/4.0 Class Rank: 6/ 208

Enrolled in Six Dual Enrollment courses in high school ; National Society of Collegiate Scholars (placed in top 20% of UNG’s entire freshman class)

University of North Georgia | EJCHS Campus

experience

ABOUT ME. p + 706 | 215 | 1 502

email jmiranhernandez2000@gmail.com linkedin https://www.linkedin.com/in/JoseMirandaHer

I’m a current full-time architecture student at the Georgia Institute of Technology who can assist with a wide genre of design, strategic thinking, and drawing. I am a first generation college student from the small rural town of Jefferson, GA. My dedication and curiosity is something that has led me to be in the position I am today. I will continue to practice that same energy as I venture through every new opportunity and especially, my architectural pathway.

Desk Operator at Georgia Tech Communications Lab | Atlanta, GA •

A Federal Work Study Job focused on organizing documentation, checking in students into their appointments, supervising the work email, and running the front desk ; working on average 15-17 hours weekly

Farm Manager at Nick Potts Farm | Jefferson, GA •

Coordinating all activities around the farm from the chicken houses to the mulch site ; This position required substantial responsibility and quick decision-making in regard to ensuring everything flowed as needed

skills Social Communication Adobe InDesign Adobe Photoshop Adobe Illustrator Rhinoceros 6 GrassHopper V-Ray Climate Consultant LadyBug Model Making

Laser Cutting


P O R T F O L I O | 02

CONTENTS

01

05

Body, Site, Program, and Structure

The Urban Infill Project

03 - 10

02 Using Space As Your Medium

21 - 34

06 Iterative Pavilion

35 - 40

09 Additional Works

49 - 60

11 - 14

03 Formal Organization

15 - 18

07 Precedent Analysis

41 - 44

10 SPECTRUM Project

61 - 81

04

08

The Structure of Place

Perspectival Thinking

19 - 20

45 - 48


P O R T F O L I O | 03

01

Body, Site, Program + Structure Project This project consisted of analyzing and designing an effective study carrel located on the Georgia Tech campus perimeter. The proposed placement of this carrel was on the east facing facade of the Bunger Henry Building. With a limited amount of square footage given, we were challenged to use materials and space wisely and strategically. Our carrel must have accommodated all ADA regiments while also having a concise iteration of our design painted with sketched drawings and a physical model which included the surrounding environment.

Freshman Undergraduate Studio 01 Fall 2019 Instructor | Yousef Busheri


P O R T F O L I O | 04

Site Plan + Circulation Analysis


P O R T F O L I O | 05

Facade Geometry Analysis


P O R T F O L I O | 06

site model 01

section cut site model 02


P O R T F O L I O | 07

floor plan


P O R T F O L I O | 08

west side view

north side view

east side view

south side view


P O R T F O L I O | 09

exploded axonometric


P O R T F O L I O | 10

physical model

final model w/ site

bunger henry building


P O R T F O L I O | 11

02

Using Space As Your Medium This project translates and interprets space as a form of medium in which we can begin to mold an inviting space with at most 1,728 cubic feet. Using solely orthogonal forms to design every aspect of this area was one of the main objectives. The purpose behind this space is for one person to occupy and effectively sustain life. The user should be able to perform standard necessities and tasks such as eating. Sleeping, and reading. In addition it was the first opportunity in our studio where we experiment with light and shadows to transform our designs.

Freshman Undergraduate Studio 01 Fall 2019 Instructor | Yousef Busheri


P O R T F O L I O | 12

final model study model


P O R T F O L I O | 13

left side view

right side view

angled view 01


P O R T F O L I O | 14

angled view 02


P O R T F O L I O | 15

03

Formal Organization This project was intentionally designed to assist in the learning of deeper architectural language: simple, but complex. This project consisted of two parts in which we were given cubes in various dimensions in order to construct a design. Being allowed to manipulate these cubes as either voids or solids helped me discover a distinct arrangement for these cubes to express the creativity in simplicity. Given a strict 10’ x 10’ x 10’ invisible barrier to work with and a required list of schemes to abide by made this project tedious. My design followed a grid scheme while incorporating points of linear hierarchy.

Freshman Undergraduate Studio 01 Fall 2019 Instructor | Yousef Busheri


P O R T F O L I O | 16

PART A top view

angled view 02

grid scheme

angled view 01

angled view 03


P O R T F O L I O | 17

PART B

grid + linear hierarchy scheme

front view

right side view


P O R T F O L I O | 18

PART B-continued grid + linear hierarchy scheme

top view study model

angled view


P O R T F O L I O | 19

04

The Structure of Place This was the first large project given in studio. The goal of this project was to acknowledge site and environment throughout different scales of geographic landscape. Our location for the project depended on the place we held most connection to whether that was your home or another sentimental area. Every differing color of paper represented specific categories such as urban area, suburban, forest/ vegetation, physical features, and more. As one final panel, people can notice the diversity and distinction between the means of space from rural to urban.

Freshman Undergraduate Studio 01 Fall 2019 Instructor | Yousef Busheri


P O R T F O L I O | 20

SCALES jefferson, ga

1” = 30’

1” = 300’

1” = 3000’


P O R T F O L I O | 21

05

The Urban Infill Project Although this project was halted temporarily due to the coronavirus outbreak, that did not stop us from continuing to learn and adjust to this new condition. This project, being our final one for spring of 2020, was finally our chance to visit a site (Castleberry Hill, Atlanta, GA) and generate our design. This project asked to create a unified space that included a living quarters for two designer, a workshop, a gallery/ reception space, and an additional 10,000 sq foot area. There were various factors to account for but as you will see, we covered everything from the site history to the material choice of the building.

COVID-19 might have made this project a bit more difficult since we were unable to build an actual model, however, we improvised. We rendered visuals of our project which would best help in unraveling our design and concept. This was definitely the most time consuming project yet, but it was worth every second since it improved my skill set in all Adobe programs, V-Ray, Rhino, and rendering in general.

Freshman Undergraduate Studio 02 Spring 2020 Instructor | Megan McDonough


P O R T F O L I O | 22

INITIAL MASS MAKING 3 schemes

scheme 02 | chosen

scheme 01

scheme 03

scheme 02 | chosen


P O R T F O L I O | 23

casteberry hill site model 01

casteberry hill site model 02


P O R T F O L I O | 24

SITE ANALYSIS castleberry hill, atlanta, ga

casteberry hill site plan

circulation

nodes

landscape

viewshed

sun path


P O R T F O L I O | 25

CIRCULATION DIAGRAM PARTI parti model represetation COMPOSITION

circulation flow diagram

ARTISTS PATH GUEST PATH MODES OF TRANSPORTATION


P O R T F O L I O | 26

elevation view


P O R T F O L I O | 27

exploded axonometric program diagram

MATERIALITY DIAGRAM

materiality diagram


P O R T F O L I O | 28

section cut A - A


P O R T F O L I O | 29

section cut B - B


P O R T F O L I O | 30

axon section cut


P O R T F O L I O | 31

FLOOR PLANS A

FLOOR PLAN LEGEND 1

FLOOR PLAN LEGEND

1

LIVING CORRIDORS - 5th FLOOR

UP

2

ELEVATED INTERIOR PATIO - 4th FLOOR

3

GALLERY EXHIBITION SPACE - 3rd FLOOR

31

2 UP

LIVING CORRIDORS - 5th FLOOR

4

5

UP

UP

2

ELEVATED INTERIOR PATIO - 4th FLOOR

3

GALLERY EXHIBITION SPACE - 3rd FLOOR

4

OPEN TERRACE - 2nd FLOOR

5

MAIN STUDIO WORKSHOP - 1st FLOOR

UP

4

OPEN TERRACE - 2nd FLOOR

5

MAIN STUDIO WORKSHOP - 1st FLOOR

6

WALKING/VIEWING PLATFORM - BASEMENT 1

7

ADDITIONAL WORKSHOP - BASEMENT 2

6

WALKING/VIEWING PLATFORM - BASEMENT 1

8

FLOOR PLAN IN SITE PLAN

7

ADDITIONAL WORKSHOP - BASEMENT 2

8

FLOOR PLAN IN SITE PLAN

UP

UP

B

B

UP

DN

10 0

50

20

A

10 0

6

6

7

7

50

10 0

20

50 20

8 UP

10 0

10 0

10 50 20

0

20

50

50 20


P O R T F O L I O | 32


P O R T F O L I O | 33


P O R T F O L I O | 34

interior workshop render


P O R T F O L I O | 35

06

Iterative Pavilion For our third project of the spring semester we were told to use basic design tools / transformations to formulate a pavilion-type space. The trick to this project was that were randomly assigned another student’s past box project as a starting initial form. This, then would lead us to experiment various modifications such as boolean, rotate, split, make hole, and many more. We then chose our preferred design and used a software named Rhino to compose a digital version of the model. When it came to the digital processingI came in with multiple ideas in my head with a lack of understanding in how they could evolve into a coherent and clear architecture.

This was what led me to follow a structuralized pattern system that kept me at ease from reaching too far in the planning of my pavilion. This pavilion enforced the notions of hierarchy in movement, symmetrical geormetric patterning, a juxtaposition of public / private space, and the playful variation in the use of filtered light. This project tested my capability in discovering a newly introduced software, Rhino, while also retracing back to the model making portion of last semester. It was a balanced medium in practicing concpetual thinking and skills learned prior.

Freshman Undergraduate Studio 02 Spring 2020 Instructor | Megan McDonough


P O R T F O L I O | 36

initially given design

finalized design


P O R T F O L I O | 37

FLOOR PLANS

plan at 4’ - 0”

plan at 8’ - 0”

plan at 16’ - 0”


DIAGRAMS circulation

nodes

transition zones

symmetry + duality diagrams

P O R T F O L I O | 38


P O R T F O L I O | 39

TRANSFORMATIONS boolean tool

rotate tool

scale tool

shear tool


TRANSFORMATIONS make hole tool

make hole + rotate tool

make hole + shell tool

final design

P O R T F O L I O | 40


P O R T F O L I O | 41

07

Precedent Analysis The second project of the spring semester had correlation to the project completed prior (Arnolfini Portrait). We were randomly assigned a famously known pavilion residence in which we, as architects, had to utilize our resources to understand and extract the entirety of the pavilion. It becomes clear that there is a progression towards the acknowledgment of design and conceptual thinking considering these past two projects tie back into the essential knowledge needed in order to reach a better sense of understanding. I was assigned the Gwathmey House by Charles Gwathmey.

The main attributes I desired to highlight consisted of the patterning of public / private space, the introduction of a spiral staircase, open terrace, and the strict geometry which was in play in the designing of this pavilion. Lastly, we were required to connect this precedent pavilion to our painting project by incorporating aspects into our rendered image. This project taught the basics of programs such as Illustrator, Indesign, Photoshop, and more.

Freshman Undergraduate Studio 02 Spring 2020 Instructor | Megan McDonough


P O R T F O L I O | 42

gwathmey house

parti model


P O R T F O L I O | 43

DIAGRAMS

axonometric drawing

spatial + hierarchy

axon circulation


P O R T F O L I O | 44


P O R T F O L I O | 45

08

Perspectival Thinking This project, being the first assigned during the spring semester, was guided towards understanding the deeper meaning and analysis of perspective amongst art. I was assigned “The Arnolfini Portrait� as my art piece where I would then have to research and gather details found in this painting. Afterwards, we would begin learning basic construction skills to formulate the painting into a 3 dimensional layered perspective. The Arnolfini Portrait contains various elements which held symbolism such as the dog, the one dimly lit candle, the scattered shoes, and the illusion of the woman carrying a child. I distinctively separated layers by importance and depth. My layered canvas persisted of around 13 acrylic sheets which formed to create a unified piece that was clear and comprehensible.

Freshman Undergraduate Studio 02 Spring 2020 Instructor | Megan McDonough


P O R T F O L I O | 46

frontal view w/ door feature

The Arnolfini Portrait

frontal view


P O R T F O L I O | 47

eye level view

flattened view


P O R T F O L I O | 48

low angled view


P O R T F O L I O | 49

09

Additional Works

Media + Modeling, Construction Tech, Environment Systems, and Architectural History This is a collection of works completed throughout various architecture-related courses. Each class varies in its unique way differing from climate dynamics to beam work construction. What this pertains are a photography based journal, climate analysis pavilions, precedent analysis, a bus stop design, and various other smaller projects. The media + modeling course, for our final project, we were given a four week deadline to complete a final poster showcasing a replica of a famouslyknown building. The one chosen by my duo group was the Serpentine Gallery Pavilion of 2002.

The architectural history course assigned a digital journal which was composed of three parts, the first being the initial documentation of architecture with the use of photography, and slowly we began choosing images which most categorized to one another and formed grouped treads based on elements found in architecture.


P O R T F O L I O | 50

MEDIA + MODELING I Spring 2019 | Instructor: James Park

exterior pavilion view 01


P O R T F O L I O | 51

exterior pavilion view 02


P O R T F O L I O | 52


P O R T F O L I O | 53

elevation view


P O R T F O L I O | 54

section cut view


P O R T F O L I O | 55

A R C H H I S T O R Y II Spring 2019 | Instructor: Marisabel Marratt


P O R T F O L I O | 56

Initial Composition Brittain Dining Hall

(chose 8-9 images per site) TREAD #5

LANDSCAPE AND INTERACTIO N

1 Caddell Building

2 MARTA station

3 C.U.L.C.

4 One Museum Place

5 1100 Peachtree

6 Federal Reserve Bank

7 Tech Square

8

TREAD #1 MATERIALIT Y AND TEXTURE


P O R T F O L I O | 57

CONSTRUCTION TECH I Fall 2020 | Instructor: Charles Eastman


P O R T F O L I O | 58


P O R T F O L I O | 59

E N V I R O N. S Y S T E M S I Fall 2020 | Instructor: Irmak Turan

 � � �

�    ­

€  €


P O R T F O L I O | 60

­

­ ­


P O R T F O L I O | 61

10

SPECTRUM Project Gothic Configuration Partner: Katia Riwayat

This semester long project analyzed and researched various architectural styles. We were partnered in a duo throughout the development of this project. My section focused on gothic window tracery and the curves which were extracted from those window designs. We then carried out multiple phases with these various curves in order to create sheets or fields of configurations which would eventually lead to the basic structural and physical walls of our building. This 8 - story building was programmed to be an LGBTQ+ center based in the inner heart of Chicago.

We then used unqiue techniqiues to form gaps and rooms which followed the processes seen in the inital composition of the curves. The addiiton of stained colored glass was intentionally placed as a refelective effect on the white surface which we represented as a blank canvas. The renderings are the most effetive way to express the conceptual decisions made in the development of this building.

Sophomore Undergraduate Studio 01

Fall 2020 Instructor | Lars Spuybroek


C-curves Depth J-curves

Depth J-curves

Asymmetry

Imbalance

Depth

Depth

Depth

Depth

Asymmetry

Asymmetry

Asymmetry

Asymmetry

Asymmetry

Asymmetry

Imbalance

Asymmetry

Reims Cathedral, France - 1211

York Minister, England - 1472

Depth

Asymmetry

J-curves

Asymmetry

Imbalance

J-curves

Notre Dame Cathedral, France - 1165 Bourges Cathedral, France - 1255

J-curves

Asymmetry

Imbalance

Asymmetry

Church of St. Wulfram, Great Britain - 1250’s

Depth S-curves

S-curves

S-curves

S-curves

S-curves

Imbalance

C-curves

Depth

Church of St. Peter, England - 1260

Asymmetry

Lincoln Cathedral, England - 1272

Asymmetry

York Minister, England - 1

Studio: Gothic Configuring Riwayat Katia & Jose Miranda-Hernandez

metry

Imbalance

C-curves

Depth

Reims Cathedral, France - 1211

Asymmetry

Lincoln Cathedral, England - 1272

C-curves

Asymmetry

Asymmetry

York Minister, England - 1472

C-curves

lance

metry

472

gothic window tracery P O R T F O L I O | 62

Depth

Depth

Depth

Varied Configurations for Quatrefoils

Depth

Depth

C-curves Dep

C-curves Dep

C-curves Dep

C-curves Dep

C-curves Dep

C-curves Dep


Imbalance

Asymmetry

Depth

Asymmetry

Depth

S-curves

Depth

C-curves

Depth

C-curves

Depth

Asymmetry Depth

J-curves

Depth

J-curves

Depth

S-curves

Depth

S-curves

Depth

S-curves

Depth

Asymmetry

Imbalance

J-curves

Imbalance

Asymmetry

Asymmetry

Depth

Asymmetry

Depth

Asymmetry

Depth

Experimentation for Open Nodes

Depth

Depth

S-curves Imbalance

J-curves

Experimentation for Open Nodes

Asymmetry

S-curves

Depth

C-curves

Asymmetry

Asymmetry

Asymmetry

Depth

Depth

Asymmetry

Asymmetry

J-curves

Asymmetry

Depth

Depth

Varied Configurations for Trefoils

Asymmetry

Imbalance

S-curves

Depth

S-curves

Depth

Depth

S-curves

Depth

Imbalance

Depth

J-curves

Depth

Asymmetry

S-curves

Imbalance

J-curves

S-curves

Depth

Varied Configurations for Trefoils

J-curves

Depth

J-curves

Imbalance

Asymmetry

Asymmetry

Asymmetry

Depth

S-curves

Depth

Imbalance

Asymmetry

Depth

Varied Configurations for Trefoils

C-curves

Depth

C-curves

Depth

J-curves

Depth

J-curves

Depth

S-curves

Depth

S-curves

Depth

Depth Asymmetry

Imbalance

C-curves

Depth

J-curves

Depth

S-curves

Depth

Imbalance

Asymmetry

Depth

Asymmetry

S-curves

Depth

Depth

J-curves

Asymmetry

C-curves

S-curves

J-curves

Depth

Depth

Asymmetry

S-curves

Depth

Imbalance

Imbalance Imbalance Notre Dame Cathedral, France - 1165 Bourges Cathedral, France - 1255

J-curves

Imbalance

Asymmetry Depth

Imbalance

S-curves

Depth

Depth

S-curves

Depth

Varied Configurations for QuatrefoilsC-curves

C-curves Varied Configurations for Quatrefoils

Depth C-curves

Depth

S-curves

Depth

Asymmetry

Imbalance

Depth

Depth

J-curves

Imbalance Church of St. Peter, England - 1260

Asymmetry

Asymmetry Asymmetry

Depth

S-curves

J-curves

Depth

Reims Cathedral, France - 1211

Depth

Asymmetry

Asymmetry

Depth

C-curves

Asymmetry

Asymmetry

S-curves

Depth

J-curves

Asymmetry

Imbalance

C-curves

C-curves

Imbalance

Reims Cathedral, France - 1211

J-curves

Depth

Asymmetry

C-curves

Depth

Asymmetry

J-curves

Church of St. Peter, England - 1260

Asymmetry

Depth

Asymmetry

C-curves

C-curves

Asymmetry

J-curves

S-curves

Depth

Imbalance

Depth

Notre Dame Cathedral, France - 1165 Bourges Cathedral, France - 1255

Asymmetry C-curves

C-curves

Asymmetry

J-curves

Depth

Depth

Asymmetry

Depth

Imbalance

C-curves

Asymmetry

Imbalance

Lincoln Cathedral, England - 1272

Imbalance

York Minister, England - 1472 J-curves

Imbalance

Asymmetry

Depth

S-curves

Depth

York Minister, England - 1472

Asymmetry Asymmetry

Church of St. Peter, England - 1260

C-curves

Reims Cathedral, France - 1211

J-curves

Depth

J-curves

York Minister, England - 1472

Asymmetry

Lincoln Cathedral, England - 1272

C-curves

C-curves

C-curves

Depth

Depth

Asym

Imba

Asym

Church of St.

Notre Dame Cathedral, France - 1165 Bourges Cathedral, France -

P H A S E O N E : figuring

Asymmetry

C-curves

Depth

J-curves

Depth

Depth

S-curves

Asymmetry

Depth

Imbalance

S-curves

Depth

Imbalance

Asymmetry

J-curves

Depth

J-curves

Varied Configurations for Trefoils

J-curves

Depth

S-curves

Depth

Asymmetry

C-curves

Imbalance

C-curves

Depth

Asymmetry

C-curves

Depth

Asymmetry

Experimentation for Open Nodes

Asymmetry

nandez

P O R T F O L I O | 63

C-curves

C-curves

Depth

S-curves

Depth


P O R T F O L I O | 64 P H A S E T W O : configuring (1/4) Studio: Gothic Configuring Riwayat Katia & Jose Miranda-Hernandez

Transformation: Mirror

1

Transformation: Mirror & Overlap

3

2

Transformation: Mirror & Overlap

7

Transformation: Rotation & Mirror

Transformation: Mirror & Overlap

8

Transformation: Rotation, Overlap &Mirror

4

Transformation: Rotation, Overlap &Mirror

9

Transformation: Mirror & Stacking

10

Transformation: Overlap, Mirror & Stacking

5

Transformation: Mirror & Overlap

11

Transformation: Mirror & Stacking

6

Transformation: Mirror & Overlap

12


P O R T F O L I O | 65

PStudio: H AGothic S Configuring E T W O : configuring (2/4) Riwayat Katia & Jose Miranda-Hernandez

4

2

2.3 Brown Noise

4.1 White Noise

2.1 White Noise

2.4 Intermittent Noise I

4.2 Pink Noise

4.5 Intermittent Noise II

4.3 Brown Noise

4.4 Intermittent Noise I

4.6 Thermal Noise

4.7 Impulsive Noise

4.8 Phase Noise

2.6 Thermal Noise

2.7 Impulsive Noise

2.8 Phase Noise

2.2 Pink Noise

2.5 Intermittent Noise II


P O R T F O L I O | 66

P H A S E T H R E E : thickening + multiplying Studio: Gothic Configuring Riwayat Katia & Jose Miranda-Hernandez

Studio: Gothic Configuring Riwayat Katia & Jose Miranda-Hernandez

Photography & Shadows

Photography & Shadows

Diagrams Noise Pitch Diagram

Final Sheets Density Diagram

Diagrams Noise Pitch Diagram

Final Sheets Density Diagram


P O R T F O L I O | 67

Site Analysis P H A S E F O U R : site + programming (1/3)

by the 1920s a gay village had emerged in the an early LGBT rights advocacy organization nvolvement began in the 1960s alongside the and Lesbian Democrats was the main LGBT ed LGBT political involvement in Chicago. rown Health Center, LGBT health care cenommunities, Chicago Gay and Lesbian Hall Archives and Museum, collects and exhibits ary of gay and lesbian titles in the Midwestrch in June of 1970. This march encouraged g the community. PRIDE continued to grow ort of many local politicians and businesses. Chicago Gay and Lesbian Hall of Fame was nited States, and possibly in the world.” The

Columbia College

Jewish Workplace Columbia Issues College Library

The Congress Plaza Hotel

Restaurants Illinois Technical College

Priorities for strengthening academic core in 2000

Food Court Area

Open Parking

StubHub Chicago

Goodman Center

Hilton Chicago Hotel

Columbia College Lecture Hall

Travelodge

HMMC Inc.

Pizza Restaurant

city’s health department. In what it describes cago Department of Public Health estimates ensure a greater quality of life and access to llenges specific to, Chicago’s LGBT commug providers, elected officials and community strengthen the community.” The study comchoolers and the random telephone Healthy esbian, gay or bisexual while 10,500 identify the actual number to be even higher,” said he age of data. Nearly everything Center on in providing that the program met its goal,” offered by Center on Halsted.” The research are more likely to engage in risky behaviors e and exclude sexual and gender minorities opulation health disparities specific to these eeds of sexual and gender minorities.

Implement Grant Park design guidelines to enhance the qualities of this great urban asset.

Establish design guidelines to regulate the appearance and maintenance of all parking lots and structures in the district. - 2000.

Sixt Car Rental

Open Parking

New parking should be directed to the periphery of the district, in the South and West Loop - 2000.

Restaurants

N site analysis


P O R T F O L I O | 68

P H A S E F O U R : site + programming (2/3)

program axon diagram

spatial axon diagram


P O R T F O L I O | 69

Exploded Axonometric


P O R T F O L I O | 70

1st Floor

2nd Floor

3rd Floor

4th Floor

5th Floor

7th Floor

8th Floor

section A-A

9th Floor

section B-B

6th Floor


P O R T F O L I O | 71

Site Plan


P O R T F O L I O | 72


P O R T F O L I O | 73

interior first floor view 01


P O R T F O L I O | 74

exterior view 02


P O R T F O L I O | 75

beamwork ceiling view


P O R T F O L I O | 76

interior hallway view

interior view 02


P O R T F O L I O | 77


P O R T F O L I O | 78

interior view 03


P O R T F O L I O | 79

beamwork ceiling view


P O R T F O L I O | 80


P O R T F O L I O | 81

interior first floor view 04


P O R T F O L I O | 82


PORTFOLIO|


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.