SERIES ONE | UNDERGRADUATE
P O R T F O L I O 2019 - 2020 Jose Luis Miranda / Hernandez
P O R T F O L I O | 01
education Georgia Institute of Technology | Atlanta, GA • • • •
Candidate for Bachelor of Science degree in Architecture Professional Certificate in Sustainable Architecture GPA: 3.66/4.0 Scholarships Received: Zell Miller Scholarship, RaiseMe Scholarship, Dr. Stuek Scholar, U-Lead Scholarship, JCCO Scholarship, Rotary Essay Scholarship, William W. George International Study Abroad Scholar, and Pell Grant
East Jackson Comprehensive High School (EJCHS) | Commerce, GA • • •
High School Diploma ; Honor Graduate GPA: 3.94/4.0 Class Rank: 6/ 208
•
Enrolled in Six Dual Enrollment courses in high school ; National Society of Collegiate Scholars (placed in top 20% of UNG’s entire freshman class)
University of North Georgia | EJCHS Campus
experience
ABOUT ME. p + 706 | 215 | 1 502
email jmiranhernandez2000@gmail.com linkedin https://www.linkedin.com/in/JoseMirandaHer
I’m a current full-time architecture student at the Georgia Institute of Technology who can assist with a wide genre of design, strategic thinking, and drawing. I am a first generation college student from the small rural town of Jefferson, GA. My dedication and curiosity is something that has led me to be in the position I am today. I will continue to practice that same energy as I venture through every new opportunity and especially, my architectural pathway.
Desk Operator at Georgia Tech Communications Lab | Atlanta, GA •
A Federal Work Study Job focused on organizing documentation, checking in students into their appointments, supervising the work email, and running the front desk ; working on average 15-17 hours weekly
Farm Manager at Nick Potts Farm | Jefferson, GA •
Coordinating all activities around the farm from the chicken houses to the mulch site ; This position required substantial responsibility and quick decision-making in regard to ensuring everything flowed as needed
skills Social Communication Adobe InDesign Adobe Photoshop Adobe Illustrator Rhinoceros 6 GrassHopper V-Ray Climate Consultant LadyBug Model Making
Laser Cutting
P O R T F O L I O | 02
CONTENTS
01
05
Body, Site, Program, and Structure
The Urban Infill Project
03 - 10
02 Using Space As Your Medium
21 - 34
06 Iterative Pavilion
35 - 40
09 Additional Works
49 - 60
11 - 14
03 Formal Organization
15 - 18
07 Precedent Analysis
41 - 44
10 SPECTRUM Project
61 - 81
04
08
The Structure of Place
Perspectival Thinking
19 - 20
45 - 48
P O R T F O L I O | 03
01
Body, Site, Program + Structure Project This project consisted of analyzing and designing an effective study carrel located on the Georgia Tech campus perimeter. The proposed placement of this carrel was on the east facing facade of the Bunger Henry Building. With a limited amount of square footage given, we were challenged to use materials and space wisely and strategically. Our carrel must have accommodated all ADA regiments while also having a concise iteration of our design painted with sketched drawings and a physical model which included the surrounding environment.
Freshman Undergraduate Studio 01 Fall 2019 Instructor | Yousef Busheri
P O R T F O L I O | 04
Site Plan + Circulation Analysis
P O R T F O L I O | 05
Facade Geometry Analysis
P O R T F O L I O | 06
site model 01
section cut site model 02
P O R T F O L I O | 07
floor plan
P O R T F O L I O | 08
west side view
north side view
east side view
south side view
P O R T F O L I O | 09
exploded axonometric
P O R T F O L I O | 10
physical model
final model w/ site
bunger henry building
P O R T F O L I O | 11
02
Using Space As Your Medium This project translates and interprets space as a form of medium in which we can begin to mold an inviting space with at most 1,728 cubic feet. Using solely orthogonal forms to design every aspect of this area was one of the main objectives. The purpose behind this space is for one person to occupy and effectively sustain life. The user should be able to perform standard necessities and tasks such as eating. Sleeping, and reading. In addition it was the first opportunity in our studio where we experiment with light and shadows to transform our designs.
Freshman Undergraduate Studio 01 Fall 2019 Instructor | Yousef Busheri
P O R T F O L I O | 12
final model study model
P O R T F O L I O | 13
left side view
right side view
angled view 01
P O R T F O L I O | 14
angled view 02
P O R T F O L I O | 15
03
Formal Organization This project was intentionally designed to assist in the learning of deeper architectural language: simple, but complex. This project consisted of two parts in which we were given cubes in various dimensions in order to construct a design. Being allowed to manipulate these cubes as either voids or solids helped me discover a distinct arrangement for these cubes to express the creativity in simplicity. Given a strict 10’ x 10’ x 10’ invisible barrier to work with and a required list of schemes to abide by made this project tedious. My design followed a grid scheme while incorporating points of linear hierarchy.
Freshman Undergraduate Studio 01 Fall 2019 Instructor | Yousef Busheri
P O R T F O L I O | 16
PART A top view
angled view 02
grid scheme
angled view 01
angled view 03
P O R T F O L I O | 17
PART B
grid + linear hierarchy scheme
front view
right side view
P O R T F O L I O | 18
PART B-continued grid + linear hierarchy scheme
top view study model
angled view
P O R T F O L I O | 19
04
The Structure of Place This was the first large project given in studio. The goal of this project was to acknowledge site and environment throughout different scales of geographic landscape. Our location for the project depended on the place we held most connection to whether that was your home or another sentimental area. Every differing color of paper represented specific categories such as urban area, suburban, forest/ vegetation, physical features, and more. As one final panel, people can notice the diversity and distinction between the means of space from rural to urban.
Freshman Undergraduate Studio 01 Fall 2019 Instructor | Yousef Busheri
P O R T F O L I O | 20
SCALES jefferson, ga
1” = 30’
1” = 300’
1” = 3000’
P O R T F O L I O | 21
05
The Urban Infill Project Although this project was halted temporarily due to the coronavirus outbreak, that did not stop us from continuing to learn and adjust to this new condition. This project, being our final one for spring of 2020, was finally our chance to visit a site (Castleberry Hill, Atlanta, GA) and generate our design. This project asked to create a unified space that included a living quarters for two designer, a workshop, a gallery/ reception space, and an additional 10,000 sq foot area. There were various factors to account for but as you will see, we covered everything from the site history to the material choice of the building.
COVID-19 might have made this project a bit more difficult since we were unable to build an actual model, however, we improvised. We rendered visuals of our project which would best help in unraveling our design and concept. This was definitely the most time consuming project yet, but it was worth every second since it improved my skill set in all Adobe programs, V-Ray, Rhino, and rendering in general.
Freshman Undergraduate Studio 02 Spring 2020 Instructor | Megan McDonough
P O R T F O L I O | 22
INITIAL MASS MAKING 3 schemes
scheme 02 | chosen
scheme 01
scheme 03
scheme 02 | chosen
P O R T F O L I O | 23
casteberry hill site model 01
casteberry hill site model 02
P O R T F O L I O | 24
SITE ANALYSIS castleberry hill, atlanta, ga
casteberry hill site plan
circulation
nodes
landscape
viewshed
sun path
P O R T F O L I O | 25
CIRCULATION DIAGRAM PARTI parti model represetation COMPOSITION
circulation flow diagram
ARTISTS PATH GUEST PATH MODES OF TRANSPORTATION
P O R T F O L I O | 26
elevation view
P O R T F O L I O | 27
exploded axonometric program diagram
MATERIALITY DIAGRAM
materiality diagram
P O R T F O L I O | 28
section cut A - A
P O R T F O L I O | 29
section cut B - B
P O R T F O L I O | 30
axon section cut
P O R T F O L I O | 31
FLOOR PLANS A
FLOOR PLAN LEGEND 1
FLOOR PLAN LEGEND
1
LIVING CORRIDORS - 5th FLOOR
UP
2
ELEVATED INTERIOR PATIO - 4th FLOOR
3
GALLERY EXHIBITION SPACE - 3rd FLOOR
31
2 UP
LIVING CORRIDORS - 5th FLOOR
4
5
UP
UP
2
ELEVATED INTERIOR PATIO - 4th FLOOR
3
GALLERY EXHIBITION SPACE - 3rd FLOOR
4
OPEN TERRACE - 2nd FLOOR
5
MAIN STUDIO WORKSHOP - 1st FLOOR
UP
4
OPEN TERRACE - 2nd FLOOR
5
MAIN STUDIO WORKSHOP - 1st FLOOR
6
WALKING/VIEWING PLATFORM - BASEMENT 1
7
ADDITIONAL WORKSHOP - BASEMENT 2
6
WALKING/VIEWING PLATFORM - BASEMENT 1
8
FLOOR PLAN IN SITE PLAN
7
ADDITIONAL WORKSHOP - BASEMENT 2
8
FLOOR PLAN IN SITE PLAN
UP
UP
B
B
UP
DN
10 0
50
20
A
10 0
6
6
7
7
50
10 0
20
50 20
8 UP
10 0
10 0
10 50 20
0
20
50
50 20
P O R T F O L I O | 32
P O R T F O L I O | 33
P O R T F O L I O | 34
interior workshop render
P O R T F O L I O | 35
06
Iterative Pavilion For our third project of the spring semester we were told to use basic design tools / transformations to formulate a pavilion-type space. The trick to this project was that were randomly assigned another student’s past box project as a starting initial form. This, then would lead us to experiment various modifications such as boolean, rotate, split, make hole, and many more. We then chose our preferred design and used a software named Rhino to compose a digital version of the model. When it came to the digital processingI came in with multiple ideas in my head with a lack of understanding in how they could evolve into a coherent and clear architecture.
This was what led me to follow a structuralized pattern system that kept me at ease from reaching too far in the planning of my pavilion. This pavilion enforced the notions of hierarchy in movement, symmetrical geormetric patterning, a juxtaposition of public / private space, and the playful variation in the use of filtered light. This project tested my capability in discovering a newly introduced software, Rhino, while also retracing back to the model making portion of last semester. It was a balanced medium in practicing concpetual thinking and skills learned prior.
Freshman Undergraduate Studio 02 Spring 2020 Instructor | Megan McDonough
P O R T F O L I O | 36
initially given design
finalized design
P O R T F O L I O | 37
FLOOR PLANS
plan at 4’ - 0”
plan at 8’ - 0”
plan at 16’ - 0”
DIAGRAMS circulation
nodes
transition zones
symmetry + duality diagrams
P O R T F O L I O | 38
P O R T F O L I O | 39
TRANSFORMATIONS boolean tool
rotate tool
scale tool
shear tool
TRANSFORMATIONS make hole tool
make hole + rotate tool
make hole + shell tool
final design
P O R T F O L I O | 40
P O R T F O L I O | 41
07
Precedent Analysis The second project of the spring semester had correlation to the project completed prior (Arnolfini Portrait). We were randomly assigned a famously known pavilion residence in which we, as architects, had to utilize our resources to understand and extract the entirety of the pavilion. It becomes clear that there is a progression towards the acknowledgment of design and conceptual thinking considering these past two projects tie back into the essential knowledge needed in order to reach a better sense of understanding. I was assigned the Gwathmey House by Charles Gwathmey.
The main attributes I desired to highlight consisted of the patterning of public / private space, the introduction of a spiral staircase, open terrace, and the strict geometry which was in play in the designing of this pavilion. Lastly, we were required to connect this precedent pavilion to our painting project by incorporating aspects into our rendered image. This project taught the basics of programs such as Illustrator, Indesign, Photoshop, and more.
Freshman Undergraduate Studio 02 Spring 2020 Instructor | Megan McDonough
P O R T F O L I O | 42
gwathmey house
parti model
P O R T F O L I O | 43
DIAGRAMS
axonometric drawing
spatial + hierarchy
axon circulation
P O R T F O L I O | 44
P O R T F O L I O | 45
08
Perspectival Thinking This project, being the first assigned during the spring semester, was guided towards understanding the deeper meaning and analysis of perspective amongst art. I was assigned “The Arnolfini Portrait� as my art piece where I would then have to research and gather details found in this painting. Afterwards, we would begin learning basic construction skills to formulate the painting into a 3 dimensional layered perspective. The Arnolfini Portrait contains various elements which held symbolism such as the dog, the one dimly lit candle, the scattered shoes, and the illusion of the woman carrying a child. I distinctively separated layers by importance and depth. My layered canvas persisted of around 13 acrylic sheets which formed to create a unified piece that was clear and comprehensible.
Freshman Undergraduate Studio 02 Spring 2020 Instructor | Megan McDonough
P O R T F O L I O | 46
frontal view w/ door feature
The Arnolfini Portrait
frontal view
P O R T F O L I O | 47
eye level view
flattened view
P O R T F O L I O | 48
low angled view
P O R T F O L I O | 49
09
Additional Works
Media + Modeling, Construction Tech, Environment Systems, and Architectural History This is a collection of works completed throughout various architecture-related courses. Each class varies in its unique way differing from climate dynamics to beam work construction. What this pertains are a photography based journal, climate analysis pavilions, precedent analysis, a bus stop design, and various other smaller projects. The media + modeling course, for our final project, we were given a four week deadline to complete a final poster showcasing a replica of a famouslyknown building. The one chosen by my duo group was the Serpentine Gallery Pavilion of 2002.
The architectural history course assigned a digital journal which was composed of three parts, the first being the initial documentation of architecture with the use of photography, and slowly we began choosing images which most categorized to one another and formed grouped treads based on elements found in architecture.
P O R T F O L I O | 50
MEDIA + MODELING I Spring 2019 | Instructor: James Park
exterior pavilion view 01
P O R T F O L I O | 51
exterior pavilion view 02
P O R T F O L I O | 52
P O R T F O L I O | 53
elevation view
P O R T F O L I O | 54
section cut view
P O R T F O L I O | 55
A R C H H I S T O R Y II Spring 2019 | Instructor: Marisabel Marratt
P O R T F O L I O | 56
Initial Composition Brittain Dining Hall
(chose 8-9 images per site) TREAD #5
LANDSCAPE AND INTERACTIO N
1 Caddell Building
2 MARTA station
3 C.U.L.C.
4 One Museum Place
5 1100 Peachtree
6 Federal Reserve Bank
7 Tech Square
8
TREAD #1 MATERIALIT Y AND TEXTURE
P O R T F O L I O | 57
CONSTRUCTION TECH I Fall 2020 | Instructor: Charles Eastman
P O R T F O L I O | 58
P O R T F O L I O | 59
E N V I R O N. S Y S T E M S I Fall 2020 | Instructor: Irmak Turan
 � � �
Â? Â Â Â Â
€  €
P O R T F O L I O | 60
P O R T F O L I O | 61
10
SPECTRUM Project Gothic Configuration Partner: Katia Riwayat
This semester long project analyzed and researched various architectural styles. We were partnered in a duo throughout the development of this project. My section focused on gothic window tracery and the curves which were extracted from those window designs. We then carried out multiple phases with these various curves in order to create sheets or fields of configurations which would eventually lead to the basic structural and physical walls of our building. This 8 - story building was programmed to be an LGBTQ+ center based in the inner heart of Chicago.
We then used unqiue techniqiues to form gaps and rooms which followed the processes seen in the inital composition of the curves. The addiiton of stained colored glass was intentionally placed as a refelective effect on the white surface which we represented as a blank canvas. The renderings are the most effetive way to express the conceptual decisions made in the development of this building.
Sophomore Undergraduate Studio 01
Fall 2020 Instructor | Lars Spuybroek
C-curves Depth J-curves
Depth J-curves
Asymmetry
Imbalance
Depth
Depth
Depth
Depth
Asymmetry
Asymmetry
Asymmetry
Asymmetry
Asymmetry
Asymmetry
Imbalance
Asymmetry
Reims Cathedral, France - 1211
York Minister, England - 1472
Depth
Asymmetry
J-curves
Asymmetry
Imbalance
J-curves
Notre Dame Cathedral, France - 1165 Bourges Cathedral, France - 1255
J-curves
Asymmetry
Imbalance
Asymmetry
Church of St. Wulfram, Great Britain - 1250’s
Depth S-curves
S-curves
S-curves
S-curves
S-curves
Imbalance
C-curves
Depth
Church of St. Peter, England - 1260
Asymmetry
Lincoln Cathedral, England - 1272
Asymmetry
York Minister, England - 1
Studio: Gothic Configuring Riwayat Katia & Jose Miranda-Hernandez
metry
Imbalance
C-curves
Depth
Reims Cathedral, France - 1211
Asymmetry
Lincoln Cathedral, England - 1272
C-curves
Asymmetry
Asymmetry
York Minister, England - 1472
C-curves
lance
metry
472
gothic window tracery P O R T F O L I O | 62
Depth
Depth
Depth
Varied Configurations for Quatrefoils
Depth
Depth
C-curves Dep
C-curves Dep
C-curves Dep
C-curves Dep
C-curves Dep
C-curves Dep
Imbalance
Asymmetry
Depth
Asymmetry
Depth
S-curves
Depth
C-curves
Depth
C-curves
Depth
Asymmetry Depth
J-curves
Depth
J-curves
Depth
S-curves
Depth
S-curves
Depth
S-curves
Depth
Asymmetry
Imbalance
J-curves
Imbalance
Asymmetry
Asymmetry
Depth
Asymmetry
Depth
Asymmetry
Depth
Experimentation for Open Nodes
Depth
Depth
S-curves Imbalance
J-curves
Experimentation for Open Nodes
Asymmetry
S-curves
Depth
C-curves
Asymmetry
Asymmetry
Asymmetry
Depth
Depth
Asymmetry
Asymmetry
J-curves
Asymmetry
Depth
Depth
Varied Configurations for Trefoils
Asymmetry
Imbalance
S-curves
Depth
S-curves
Depth
Depth
S-curves
Depth
Imbalance
Depth
J-curves
Depth
Asymmetry
S-curves
Imbalance
J-curves
S-curves
Depth
Varied Configurations for Trefoils
J-curves
Depth
J-curves
Imbalance
Asymmetry
Asymmetry
Asymmetry
Depth
S-curves
Depth
Imbalance
Asymmetry
Depth
Varied Configurations for Trefoils
C-curves
Depth
C-curves
Depth
J-curves
Depth
J-curves
Depth
S-curves
Depth
S-curves
Depth
Depth Asymmetry
Imbalance
C-curves
Depth
J-curves
Depth
S-curves
Depth
Imbalance
Asymmetry
Depth
Asymmetry
S-curves
Depth
Depth
J-curves
Asymmetry
C-curves
S-curves
J-curves
Depth
Depth
Asymmetry
S-curves
Depth
Imbalance
Imbalance Imbalance Notre Dame Cathedral, France - 1165 Bourges Cathedral, France - 1255
J-curves
Imbalance
Asymmetry Depth
Imbalance
S-curves
Depth
Depth
S-curves
Depth
Varied Configurations for QuatrefoilsC-curves
C-curves Varied Configurations for Quatrefoils
Depth C-curves
Depth
S-curves
Depth
Asymmetry
Imbalance
Depth
Depth
J-curves
Imbalance Church of St. Peter, England - 1260
Asymmetry
Asymmetry Asymmetry
Depth
S-curves
J-curves
Depth
Reims Cathedral, France - 1211
Depth
Asymmetry
Asymmetry
Depth
C-curves
Asymmetry
Asymmetry
S-curves
Depth
J-curves
Asymmetry
Imbalance
C-curves
C-curves
Imbalance
Reims Cathedral, France - 1211
J-curves
Depth
Asymmetry
C-curves
Depth
Asymmetry
J-curves
Church of St. Peter, England - 1260
Asymmetry
Depth
Asymmetry
C-curves
C-curves
Asymmetry
J-curves
S-curves
Depth
Imbalance
Depth
Notre Dame Cathedral, France - 1165 Bourges Cathedral, France - 1255
Asymmetry C-curves
C-curves
Asymmetry
J-curves
Depth
Depth
Asymmetry
Depth
Imbalance
C-curves
Asymmetry
Imbalance
Lincoln Cathedral, England - 1272
Imbalance
York Minister, England - 1472 J-curves
Imbalance
Asymmetry
Depth
S-curves
Depth
York Minister, England - 1472
Asymmetry Asymmetry
Church of St. Peter, England - 1260
C-curves
Reims Cathedral, France - 1211
J-curves
Depth
J-curves
York Minister, England - 1472
Asymmetry
Lincoln Cathedral, England - 1272
C-curves
C-curves
C-curves
Depth
Depth
Asym
Imba
Asym
Church of St.
Notre Dame Cathedral, France - 1165 Bourges Cathedral, France -
P H A S E O N E : figuring
Asymmetry
C-curves
Depth
J-curves
Depth
Depth
S-curves
Asymmetry
Depth
Imbalance
S-curves
Depth
Imbalance
Asymmetry
J-curves
Depth
J-curves
Varied Configurations for Trefoils
J-curves
Depth
S-curves
Depth
Asymmetry
C-curves
Imbalance
C-curves
Depth
Asymmetry
C-curves
Depth
Asymmetry
Experimentation for Open Nodes
Asymmetry
nandez
P O R T F O L I O | 63
C-curves
C-curves
Depth
S-curves
Depth
P O R T F O L I O | 64 P H A S E T W O : configuring (1/4) Studio: Gothic Configuring Riwayat Katia & Jose Miranda-Hernandez
Transformation: Mirror
1
Transformation: Mirror & Overlap
3
2
Transformation: Mirror & Overlap
7
Transformation: Rotation & Mirror
Transformation: Mirror & Overlap
8
Transformation: Rotation, Overlap &Mirror
4
Transformation: Rotation, Overlap &Mirror
9
Transformation: Mirror & Stacking
10
Transformation: Overlap, Mirror & Stacking
5
Transformation: Mirror & Overlap
11
Transformation: Mirror & Stacking
6
Transformation: Mirror & Overlap
12
P O R T F O L I O | 65
PStudio: H AGothic S Configuring E T W O : configuring (2/4) Riwayat Katia & Jose Miranda-Hernandez
4
2
2.3 Brown Noise
4.1 White Noise
2.1 White Noise
2.4 Intermittent Noise I
4.2 Pink Noise
4.5 Intermittent Noise II
4.3 Brown Noise
4.4 Intermittent Noise I
4.6 Thermal Noise
4.7 Impulsive Noise
4.8 Phase Noise
2.6 Thermal Noise
2.7 Impulsive Noise
2.8 Phase Noise
2.2 Pink Noise
2.5 Intermittent Noise II
P O R T F O L I O | 66
P H A S E T H R E E : thickening + multiplying Studio: Gothic Configuring Riwayat Katia & Jose Miranda-Hernandez
Studio: Gothic Configuring Riwayat Katia & Jose Miranda-Hernandez
Photography & Shadows
Photography & Shadows
Diagrams Noise Pitch Diagram
Final Sheets Density Diagram
Diagrams Noise Pitch Diagram
Final Sheets Density Diagram
P O R T F O L I O | 67
Site Analysis P H A S E F O U R : site + programming (1/3)
by the 1920s a gay village had emerged in the an early LGBT rights advocacy organization nvolvement began in the 1960s alongside the and Lesbian Democrats was the main LGBT ed LGBT political involvement in Chicago. rown Health Center, LGBT health care cenommunities, Chicago Gay and Lesbian Hall Archives and Museum, collects and exhibits ary of gay and lesbian titles in the Midwestrch in June of 1970. This march encouraged g the community. PRIDE continued to grow ort of many local politicians and businesses. Chicago Gay and Lesbian Hall of Fame was nited States, and possibly in the world.” The
Columbia College
Jewish Workplace Columbia Issues College Library
The Congress Plaza Hotel
Restaurants Illinois Technical College
Priorities for strengthening academic core in 2000
Food Court Area
Open Parking
StubHub Chicago
Goodman Center
Hilton Chicago Hotel
Columbia College Lecture Hall
Travelodge
HMMC Inc.
Pizza Restaurant
city’s health department. In what it describes cago Department of Public Health estimates ensure a greater quality of life and access to llenges specific to, Chicago’s LGBT commug providers, elected officials and community strengthen the community.” The study comchoolers and the random telephone Healthy esbian, gay or bisexual while 10,500 identify the actual number to be even higher,” said he age of data. Nearly everything Center on in providing that the program met its goal,” offered by Center on Halsted.” The research are more likely to engage in risky behaviors e and exclude sexual and gender minorities opulation health disparities specific to these eeds of sexual and gender minorities.
Implement Grant Park design guidelines to enhance the qualities of this great urban asset.
Establish design guidelines to regulate the appearance and maintenance of all parking lots and structures in the district. - 2000.
Sixt Car Rental
Open Parking
New parking should be directed to the periphery of the district, in the South and West Loop - 2000.
Restaurants
N site analysis
P O R T F O L I O | 68
P H A S E F O U R : site + programming (2/3)
program axon diagram
spatial axon diagram
P O R T F O L I O | 69
Exploded Axonometric
P O R T F O L I O | 70
1st Floor
2nd Floor
3rd Floor
4th Floor
5th Floor
7th Floor
8th Floor
section A-A
9th Floor
section B-B
6th Floor
P O R T F O L I O | 71
Site Plan
P O R T F O L I O | 72
P O R T F O L I O | 73
interior first floor view 01
P O R T F O L I O | 74
exterior view 02
P O R T F O L I O | 75
beamwork ceiling view
P O R T F O L I O | 76
interior hallway view
interior view 02
P O R T F O L I O | 77
P O R T F O L I O | 78
interior view 03
P O R T F O L I O | 79
beamwork ceiling view
P O R T F O L I O | 80
P O R T F O L I O | 81
interior first floor view 04
P O R T F O L I O | 82
PORTFOLIO|