magazine October 2013 Issue
CONTENTS 1 Pop Never Dies by Daniel Barron 2 Gallery: Fab Ciraolo 3-4 Laura by Vidyad Harghate 5-6 Coco before Chanel by Sarah Hart 7 The Art Block
FAb CirAolo - pop never dies
By Daniel Barron Fabian is an illustrator from Santiago, Chile who brings famous people of the past, like Marilyn Monroe, Che Guevara and Salvador Dali back to life in the twenty-first century. While letting the classic stars keep their significant style, he transformed them into icons of our present time. This resulted in colorful and edgy illustrations that make these old heroes of ours look like hipsters and rockstars. These interesting illustrations depict famous artists and movie protagonists, cartoon and comic book characters, as ‘Hipsters’. The Chilean illustrator, Fab Ciraolo, creates beautifully colored, vintage-looking, illustrations and has featured iconic people dressed in what would generally be perceived as ‘Hipster gear’. The talented Chilean artist was in attendance for his first US solo opening (opened July 17 and runs thru Saturday September 17) and LA Magazine was happy to take a few moments to speak with him about his work. Photo: Ralph Moore
How much of your work is performed digitally? It’s fifty-percent digital and fifty-percent hand-made. There was a time in my life when I was really obsessed with backgrounds, so I spent a year painting only backgrounds. I don’t know why, I didn’t know if I would use them in the future, but now I see that it works. When I started doing this series I started digitally mixing the texture and the backgrounds so that it would work well together. The characters are always fifty-percent watercolors, pencils, and acrylics. I use Photoshop to make the collage, add the textures, brighten the colors, add more shades, takes out shades…Digitally I try and find the true embodiment of the painting. I draw on smaller papers so all of these works are actually really little.
Can you talk a bit about your choice to focus on these American icons and what you hope to say about them by transforming them into- I was going to say American hipsters, but is that concept somewhat universal? Well, I never thought of them as hipsters. People started referring to them as hipsters, but I had no idea. It was about having fun. [points to piece featuring the twin girls from The Shining] This was the best scene in the movie and I wanted to draw them but give it a little twist. People see them so clearly in their mind, so it was really fun to take them from the popular mind of the people. What I want to do is have fun. If I don’t have fun with the characters or what I’m doing, then it doesn’t work for me. It’s really simple what I’m trying to do. It’s just about creating the characters that I want to see. I don’t really have a big message for people. Do you think it keeps them contemporary, in a way? For the current generation, Frida Kahlo might just be some person that existed a long time ago, but by putting her in a Daft Punk shirt suddenly she seems hip and engaging to a current audience? Well, yeah. Nowadays, we consume everything so fast. So for me it’s about finding another level. “What if Frida Kahlo was living here? What would she look like? What would she think about?” Nowadays, we don’t have these kinds of people. We don’t have a Hitchcock, anymore. We have James Cameron, but we don’t have a Hitchcock, who was a really brilliant mind. We don’t have a character like Hannibal Lecter, we don’t have a Marilyn Monroe, who was a real icon, you know? We have Lady Gaga. Lady Gaga is a product of forty people behind her that are playing with her hair, her image, so these people that I paint were truly themselves. So there’s a purity to these figures and what they represent to you. Yeah, we will never have an Elvis Presley, again. We have Justin Bieber. In fact, we will never have a Michael Jackson, again. He’s not reachable. If I try and do Justin Bieber it doesn’t have the same impact, it’s just that simple.
Written by Vidyad Harghate Every person nurtures an innate desire of looking good and feel ‘accepted’ in the socio-economic circle. The word fashion instantaneously brings to mind a flash of colour with a dash of glamour. Women are taking to fashion in a big way, and are experimenting with different looks, styles, and textures. Fashion plays an increasingly important role in an indivi dual’s life because it is considered as a means of selfexpression. The garments and accessories that man or women wear, help them to identify with a group of otherswhether it is a lifestyle, profession, a religion, or an attitude. Thus, the term ‘fashion’ has become synonymous with the overall growth of the country as well.
Several factors contribute to the evolution of fashion as a whole. It is a widely accepted fact that the rich and the famous, and the political figures and royalty have always moved the seasonal trends of fashion. The advertising media also contributes equally to update us about the daily style checks. Fashion in India, a land rich in culture and tradition, has evolved through the centuries. This country, rich in culture represents a kaleidoscope of changing trends and traditions. Here, clothes perform different functions depending on the occasion. Be it festivals, parties, profession, or just a matter of reflecting attitude fashion is simply ‘in’. Right from women who sport a dash of vermilion in the parting of their hair, to professionals on the go who wield the ladle and the laptop with equal ease.
Today, fashion does not necessarily mean glamour, or the urge to follow the current trends. It is more a way of life, a reflection of inner beauty, where the intellect shines through, complete with comfort quotient. Fashion not only highlights the social history and the needs of person but also the overall cultural aesthetic of the various periods. The evolution of fashion dates back to several hundred years and as our attitude and culture change, fashion comes along with it. In India, the fashion scenario was different in different political periods. During the British rule in India, the fashion trend within high society was strongly influenced by the British fashion style and western clothes became a status symbol in India. Again during 1930s, emergence of different ideologies like communism, socialism and fascism imparted a more feminine and conservative touch to the women’s fashion. However, the period also witnessed the predominance of body hugging dresses with dark shades. The foundation of the Indian cinema also proved to be the strongest influence on revolutionising the fashion scene in those days. 1940s was a decade marked by the second World War and the ensuing independence of India. Hence, the period portrayed relatively simple yet functional women’s clothing. During 1950s, the advent of art colleges and schools led to popularity of narrow waist and balloon skirts with patterns. The adoption of khadi by Mahatma Gandhi made khadi garments a rage among women. In the 1960s, the sweeping changes in fashion and lifestyle resulted in highly versatile fashion trends. In 1970s, the traditional materials.
Excess of export materials were sold within the country itself, which resulted in popularity of international fashion in India. During 1980s and 90s, the advent of television and other advertising means gave a new edge to the Indian fashion scene. Influenced by ideas of several foreign designers, new design and pattern were introduced into garments. During these periods, power dressing and corporate look were the style statement. The revival of ethnicity was also witnessed in these decades. the ensuing independence of India. Hence, the period portrayed relatively simple yet functional women’s clothing. During 1950s, the advent of art colleges and schools led to popularity of narrow waist and balloon skirts with patterns. The adoption of khadi by Mahatma Gandhi made khadi garments a rage among women. In the 1960s, the Fashion trends keep changing and most fashion divas and models are the one to make them. The youth is a major follower of fashion trends. Fashion trends also get influenced from Bollywood as well as Hollywood. Metros like Mumbai and Delhi witness the quick changes in fashion especially in college going crowds, ndia has a rich and varied textile heritage, where each region of India has its own unique native costume and traditional attire. rapidly, with international fashion trends reflected by the young.
Sarah Hart
Coco Chanel wasn’t just ahead of her time. She was ahead of herself. If one looks at the work of contemporary fashion designers as different from one another as Tom Ford, Helmut Lang, Miuccia Prada, Jil Sander and Donatella Versace, one sees that many of their strategies echo what Chanel once did. The way, 75 years ago, she mixed up the vocabulary of male and female clothes and created fashion that offered the wearer a feeling of hidden luxury rather than ostentation are just two examples of how her taste and sense of style overlap with today’s fashion. Chanel would not have defined herself as a feminist--in fact, she consistently spoke of femininity rather than of feminism-yet her work is unquestionably part of the liberation of women. She threw out a life jacket, as it were, to women not once but twice, during two distinct periods decades apart: the 1920s and the ‘50s. She not only appropriated styles, fabrics and articles of clothing that were worn by men but also, beginning with how she dressed herself, appropriated sports clothes as part of the language of fashion. One can see how her style evolved out of necessity and defiance. She couldn’t
“Fashion is not simply a matter of clothes. Fashion is in the air, born upon the wind. One intuits it. It is in the sky and on the road.”
afford the fashionable clothes of the period--so she rejected them and made her own, using, say, the sports jackets and ties that were everyday male attire around the racetrack, where she was climbing her first social ladders. It’s not by accident that she became associated with the modern movement that included Diaghilev, Picasso, Stravinsky and Cocteau. Like these artistic protagonists, she was determined to break the old formulas and invent a way of expressing herself. Cocteau once said of her that “she has, by a kind of miracle, worked in fashion according to rules that would seem to have value only for painters, musicians, poets.” By the late ‘60s, Chanel had become part of what she once rebelled against and hated--the Establishment. But if one looks at documentary footage of her from that period, one can still feel the spit and vinegar of the fiery peasant woman who began her fashion revolution against society by aiming at the head, with hats. Her boyish “flapper” creations were in stark contrast to the Belle Epoque millinery that was in vogue at the time, and about which she asked.
It’s time again to be proud owners of these beautiful & original artworks by the most talented artists from around the world.
“Untitled” Acrylic, oil paint by Eric Rick
Acrylic, pens, pencils and marker on wood, 2013, 250x350mm by Margareta Goreta Rakowska
“Finding Yourself” Watercolour by Brian DeYoung
“Mermaid” Watercolour, pencil, gouache by April Henry
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