ReDesigned Auction — July 13, 2021 | John Moran Auctioneers by johnmoranauctioneers

Tuesday, July 13, 2021 Featuring property from:

The Alan Schneider Collection

Tuesday, July 13

Sale 145 East Walnut Avenu

Public P Friday, July 9th - M 12-4 Or by app

Meet th Maranda Moran Co-Head of Sale maranda@johnmoran.com Shannon Daily Decorative Arts Cataloguer shannon@johnmoran.com

Client S Mario Esquivel Office Manager mario@johnmoran.com

3, 2021—12pm

192 ue, Monrovia CA 91016

Previews: Monday, July 12th 4 pm pointment

he Team Roland Rynkiewicz Co-Head of Sale roland@johnmoran.com Anne Spink Fine Art Cataloguer anne@johnmoran.com

Services Ella Fountain Client Services ella@johnmoran.com

Six gold Quezal art glass shades

First-quarter 20th Century Each signed: Quezal Each: gold and cream iridescent glass with bulbous body, 6 pieces Each: 3” H x 4.625” Dia. approximately; Fitter rim: 2.25” Dia. $700-900 Provenance: The Alan Schneider Collection

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Four gold Quezal art glass shades

First-quarter 20th Century Each signed: Quezal Each: gold iridescent glass with tones of pink and blue and ruffled rim, 4 pieces Each: 3” H x 6.25” Dia. approximately; Fitter rim: 2.25” Dia. $600-800 Provenance: The Alan Schneider Collection

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A set of Quezal iridescent art glass shades

First-quarter 20th Century Each signed: Quezal Each: gold iridescent bell-form glass with white and green pulled feather motif and iridescent interior with shades of green, 6 pieces Each: 5” H x 5.125” Dia.; Fitter rims: 2.25” Dia. $1,800-2,200

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A tall Quezal art glass vase

First-quarter 20th Century; New York, NY Acid stamp: Quezal The iridescent art glass vase with green and gold pulled feather motif on a cream ground with bulbous foot and top and slim tapered body with gentle ribbing 14” H x 4.5” Dia. $500-700 Provenance: The Alan Schneider Collection

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A blue Steuben Aurene glass vase

Circa 1905-1933; Corning, New York Signed: Aurene / 2412 The blue Aurene glass vase, model no. 2412, with wide-shouldered body and flared neck 8.25” H x 8.375” Dia. $300-500

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A pair of Steuben Aurene glass candlesticks

Circa 1904-1933; Corning, New York Each signed: Steuben Aurene / 6466 Each: iridescent gold Aurene glass with onion skin rim, 2 pieces Each: 4.5” H x 5.25” Dia. $200-300 Provenance: The Alan Schneider Collection

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Two gold Steuben Aurene glass bowls

Circa 1904-1933; Corning, New York Unsigned Each footed bowl gold iridescent Aurene glass shaded pink with opaque white exterior, comprising a tall flared bowl with onion skin to rim and a low bowl with flared lip, 2 pieces Larger: 4.5” H x 12” Dia.; Smaller: 3.25” H x 11.75” Dia. $600-800 Provenance: The Alan Schneider Collection

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Two gold Steuben Aurene glass item

Circa 1904-1933; Corning, New York Compote signed: Aurene / 1983; Bowl signed: Auren / 2852 Each gold Aurene glass shaded pink, comprising a compote, model no. 1983, and a footed bowl, model no. 2852, 2 pieces Larger: 5.5” H x 8” Dia.; Smaller: 3.5” H x 9” Dia. $300-500 Provenance: The Alan Schneider Collection

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Four gold Steuben Aurene glass shades

Circa 1904-1933; Corning, New York Each signed with Steuben aluminum ink stamp Each: gold iridescent glass with tones of blue, flared rim, and ribbed exterior, 4 pieces Each: 4.75” H x 4.875” Dia.; Fitter rim: 2.25” Dia. $500-700 Provenance: The Alan Schneider Collection

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Late 19th/early 20th Century Each vase in oil spot glass, comprising one iridescent blue tall-necked vase with pinched waist and bulbous body and one iridescent green spherical rose bowl with tri-form crimped top, 2 pieces Larger: 12” H x 3.875” Dia.; Smaller: 3.25” H x 4” Dia.

Circa 1924-1931; Millville, N Signed: Durand The low bowl of gold iridesc 1.375” H x 6.875” Dia.

Two Loetz-style art glass vases

$300-500 Provenance: The Alan Schneider Collection

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A Durand art glass bowl

$200-300

Provenance: The Alan Schne

New Jersey

cent glass

eider Collection

A Durand art glass vase

Circa 1924-1931; Millville, New Jersey Signed: Durand / 20139-10 The iridescent gold glass vase with wide-shouldered body, flared neck, and wide base 10.5” H x 7” Dia. $300-500 Provenance: The Alan Schneider Collection

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A Tiffany Studios counter-balance desk lamp

Circa 1902-1919; New York, NY Shade spuriously signed: Tiffany Studios / New York; Base signed: Tiffany Studios / New York / 417 The green Tiffany-style reproduction leaded glass shade with square brick pattern on a patinated bronze counter-balance base with curved stem, weighted ball, and adjustable head in foliate cradle, electrified Base: 15” H x 8” W x 12.5” D; Shade: 8” Dia. $2,500-3,500 Provenance: The Alan Schneider Collection

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A L.C. Tiffany blue Favrile glass compote

First-quarter 20th Century; New York, NY Signed: L.C. Tiffany / Favrile / W The blue iridescent Favrile glass compote with onion skin rim 2.75” H x 11.75” Dia. $400-600 Provenance: The Alan Schneider Collection

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A near-pair of Tiffany Furnaces gilt-bronze and glass candlesticks

Circa 1919-1928; New York, NY Each candlestick signed: Louis C. Tiffany Furnaces, Inc. / [L.C.T. monogram] / Favrile / 46; Glass appears unsigned A pair of Tiffany Furnaces gilt-bronze candlesticks with an associated near-pair of gold iridescent art glass bobeches with onion skin rims, 2 pieces Larger overall: 4.875” H x 5.875” Dia. $400-600 Provenance: The Alan Schneider Collection

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A L.C. Tiffany Favrile glass trumpet vase

1892-1893; New York, NY Signed: L.C. Tiffany / Favrile / 1900 The gold iridescent Favrile glass trumpet vase with onion skin rim and knopped stem raised on a slightly domed and ribbed foot 15.875” H x 4.875” Dia. $800-1,200 Provenance: The Alan Schneider Collection

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A L.C. Tiffany bronze and art glass trumpet vase

Circa 1919-1928; New York, NY Base signed: Louis C. Tiffany Furnaces, Inc.; Glass spuriously signed: L.C.T. / 1935 The blue iridescent art glass trumpet vase with flared rim and lightly ribbed exterior raised on a patinated bronze base with fluting and knopped stem 19.5” H x 5.25” Dia. $1,000-1,500 Provenance: The Alan Schneider Collection

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A Tiffany-style glass hanging pendant shade

20th Century Shade marked: 5672 The tear-drop shaped yellow iridescent glass shade with pulled feather motif mounted with metal fitter 12” H x 6” Dia. $600-800 Provenance: The Alan Schneider Collection

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A large Rookwood pottery vase, William Ernst Hentschel

1927 Marked for Rookwood; Further marked: WEH [William Ernst Hentschel] / XXVII / 2984 / Designed by William Ernst Hentschel, the urn-form Mat Modern vase in matte turquoise glaze with low relief purple foliate motif 16.5” H x 7.25” Dia. $500-700

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A Rookwood pottery lamp

1907 Marked for Rookwood; Further marked: VII / 1289 / [V-shaped trial mark] The two-light green modeled matte glaze base with low relief oak tree motif topped by a bell-form leaded slag glass shade with scale pattern, electrified Overall: 18” Hx 16” Dia.; Shade: 6.5” H x 16” Dia. $400-600

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A Pairpoint reverse-painted glass “Lansdowne” table lamp

Circa 1920; New Bedford, Massachusetts Shade unsigned; Base signed: Pairpoint [“P” diamond monogram] / D 3063 The domed “Lansdowne” shade with reverse-painted Italian “San Souci” lakeside garden landscape with Classical-style follies on a three-light patinated metal base with knopped column raised on a circular foot, electrified Overall: 23” H x 20” Dia.; Shade: 7.75” H x 20” Dia. $1,000-1,500 Provenance: The Alan Schneider Collection Literature: Shade: Louis O. St. Aubin, Jr., “Pairpoint Lamps: A Collector’s Guide,” 1974, p. 50, fig. 139.

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A Pairpoint reverse-painted puffy glass “Lotus” table lamp

1907-1929; New Bedford, Massachusetts Shade signed: The Pairpoint Corp.; Base signed: Pairpoint [“P” diamond monogram] / 3011 The mold-blown puffy frosted glass “Lotus” shade with reverse-painted polychrome lotus motif on a single-light silver plate base with repousse floral motif raised on four feet, electrified Overall: 15.5” H x 12” Dia.; Shade: 5.5” H x 12” Dia. $800-1,200 Provenance: The Alan Schneider Collection Literature: Shade: Edward and Shelia Malakoff, “Pairpoint Lamps,” 1990, p. 57.

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A Pairpoint reverse-painted puffy glass “Grape” table lamp

1907-1929; New Bedford, Massachusetts Shade signed: The Pairpoint Corp.; Base signed: Pairpoint Mfg Co. / 3089 The mold-blown puffy and frosted glass “Grape” shade with reverse-painted polychrome grapevine motif on a two-light gilt-bronze grapevine base with squared foot, electrified Overall: 18” H x 14.5” Dia.; Shade: 6” H x 14.5” Dia. $800-1,200 Provenance: The Alan Schneider Collection Literature: Edward and Shelia Malakoff, “Pairpoint Lamps,” 1990, p. 17.

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An American Brilliant cut glass table lamp

First-quarter 20th Century The cut glass lamp with a cylindrical, domed crown shade with daisy floral motif atop a metal ring support adorned with crystal prisms over a conformingly decorated fluted base, electrified Overall: 28” H x 12.25” Dia. $1,000-2,000 Provenance: The Alan Schneider Collection

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A Gallé cameo glass “Pommier Japonais” atomizer

Late 19th/early 20th Century; Nancy, France Signed: Galle The acid-etched cameo glass “Pommier Japonais” atomizer with a flattened circular body cut from orange to yellow frost with a silvered metal top 5.5” H x 4.25” W x 2.625” D $500-700 Provenance: The Alan Schneider Collection

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A Gallé cameo glass vase

Circa 1904-1906; Nancy, France Signed: Galle [starred] The acid-etched cameo glass vase with a wide-shouldered squat body and flared lip cut from amber and green to pink frost with a budding floral motif 3.25” H x 6” Dia. $300-500 Provenance: The Alan Schneider Collection Notes: Post-Gallé industrial glass from 1904-1906 was signed with Gallé’s signature preceded by a star.

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A Gallé cameo glass “Hawthorn” bowl

Circa 1904-1906; Nancy, France Signed: Galle [starred] The acid-etched cameo glass “Hawthorn” bowl with triform rim cut from dark green to medium green over yellow 2.5” H x 5.75” Dia. $800-1,200 Provenance: The Alan Schneider Collection Notes: Post-Gallé industrial glass from 1904-1906 was signed with Gallé’s signature preceded by a star.

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A Gallé cameo glass “Hibiscus” covered jar

Late 19th/early 20th Century; Nancy, France Signed: Galle The acid-etched cameo glass “Hibiscus” covered jar with undulating body and domed lid cut from purple to amber frost 4” H x 5.25” Dia. $400-600 Provenance: The Alan Schneider Collection

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A Gallé cameo glass “Honeysuckle” vase

Late 19th/early 20th Century; Nancy, France Signed: Galle The acid-etched cameo glass “Honeysuckle” vase with a tapered cylindrical body and wide mouth cut from purple and orange to yellow frost 4.5” H x 4” Dia. $400-600 Provenance: The Alan Schneider Collection

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A Gallé cameo glass “Wisteria” vase

Late 19th/early 20th Century; Nancy, France Signed: Galle The acid-etched cameo glass “Wisteria” vase with an urn-form body cut from purple to pink, yellow, and green frost 6.25” H x 3.625” Dia. $500-700 Provenance: The Alan Schneider Collection

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A Gallé cameo glass vase

First-quarter 20th Century; Nancy, France Signed: Galle The acid-etched cameo glass vase with wide-shouldered body cut from dark red and white to yellow frost with floral motif 5.5” H x 5.75” Dia. $300-500 Provenance: The Alan Schneider Collection

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Late 19th/early 20th Century; Nancy, France Signed: Galle The acid-etched cameo glass “Nasturtium” vase with a tapered cylindrical body and flared base cut from orange to pink and yellow frost 12.125” H x 6.125” Dia.

Late 19th/early 20th Centu Signed: Legras The acid-etched cameo gla and wide base cut from pu 21.25” H x 7” Dia.

A Gallé cameo glass “Nasturtium” vase

A large Legras cameo g

$400-600

Provenance: The Alan Schneider Collection

Provenance: The Alan Schn

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glass “Grapevine” vase

ury

ass “Grapevine” vase with a pinched neck urple and green to clear frost

neider Collection

A Charles Schneider Le Verre FranÁais cameo glass “Dahlia” vase Circa 1925; Epinay-sur-Seine, France Signed: Le Verre Francais / France / Ovington Made for Ovington New York, the acid-etched cameo glass “Dahlia” vase with a tapered neck and wide base cut from glossy purple to mottled pink frost 17.125” H x 5.25” Dia. $500-700

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Three Art Nouveau cameo glass table items

Late 19th/early 20th Century Various makers A D’Argental tapered landscape vase Cut from mauve to yellow and clear frost depicting a wooded lakeside 7” H x 3.125” Dia. 5.25” H x 5” Dia. A Cristallerie de Pantin “Fuschia” vase Cut from red to clear frost with a wide-shouldered body and flared rim A Valery powder jar Cut from orange to orange frost with floral motif 2.5” H x 3.75” Dia. 3 pieces $400-600

Provenance: The Alan Schneider Collection

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Two Daum mottled glass vases

Late 19th/early 20th Century; Nancy, France Each signed: Daum Nancy [Croix de Lorraine] Each in mottled green and blue frosted glass, comprising one tall weed vase with flared base and one molded oblong vase with rectangular neck, 2 pieces Taller: 18.375” H x 4.5” Dia.; Smaller: 4.5” H x 7” W x 3.125” D $300-500 Provenance: The Alan Schneider Collection

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A Jean Noverdy art glass pendant chandelier

Circa 1920; Dijon, France Shade signed: Noverdy France The orange and blue mottled glass domical shade fitted with one light socket, gilt-metal canopy, and three gilt-metal hanging chains with rose motif, electrified 28” H x 9” Dia. $400-600 Provenance: The Alan Schneider Collection

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A French art glass chandelier

First-half 20th Century Bears mark for Muller Freres Luneville The three-light chandelier with a mottled purple and orange frosted glass bowl mounted with three reeded gilt-brass arms, foliate canopy, and spiral mounts, electrified Overall: 30.5” H x 14” Dia.; Shade: 4” H x 14” Dia $400-600 Provenance: The Alan Schneider Collection

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A French art glass and wrought iron chandelier

First-half 20th Century Bears mark for Muller Freres Luneville The six-light chandelier with a mottled purple, blue, green, and pink frosted glass bowl mounted with three wrought iron scrolled arms with grapevine mounts terminating in drop pendant lights with matching glass shades and fitted with a three-arm wrought iron filigree harness and canopy, electrified 33” H x 25” Dia. $500-700 Provenance: The Alan Schneider Collection

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A Muller Frères Art Deco glass chandelier

Circa 1919-1935; Luneville, France Signed: Muller Freres Luneville The six-light chandelier with a molded frosted glass bowl with geometric and floral motifs mounted with three silvered metal arms with floral mounts terminating in drop pendant lights with matching glass shades and fitted with a silvered metal columnar harness with canopy, electrified Overall: 30” H x 24” Dia. $600-800 Provenance: The Alan Schneider Collection

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A French Art Deco glass chandelier

Second-quarter 20th Century Signed: Essenneve R The four-light chandelier with a molded frosted glass bowl with geometric and floral motifs mounted with three silvered metal arms terminating in drop pendant lights with matching glass shades and fitted with a three-arm silvered metal harness and tiered canopy, electrified Overall: 27.5” H x 25” Dia. $600-800 Provenance: The Alan Schneider Collection

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Lucia Stern (1895-1987, American)

Four works Untitled abstract with green, yellow, and red lines Ink drawing with colors on paper under Plexiglas Signed lower right: Lucia Sight: 7.5” H x 9.5” W “Come Back Again” Mixed media on paper under glass Signed vertically lower left: Lucia, signed again and titled verso Sight: 13.25” H x 10.25” W Untitled abstract Mixed media on paper under Plexiglas Signed vertically lower right: Lucia 13.25” H x 9.5” W Untitled abstract, 1939 Mixed media on paper under glass Signed and dated vertically lower left: Lucia 12” H x 9” W $1,000-1,500 Provenance: The fourth: The Museum of Non-Objective Painting, New York, NY From the Collection of the Dharam Damama’s 48

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Lucia Stern

(1895-1987, American) Untitled Mixed media and collage on paper under glass Signed lower left: Lucia, inscribed lower right: M.M. 29 14.25” H x 14.25” W $300-500 Provenance: From the Collection of the Dharam Damama’s

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Attributed to Lucia Stern

(1895-1987, American) Untitled Mixed media collage with screen on paper under glass Appears unsigned Sight: 25.5” H x 19.5” W $400-600 Provenance: From the Collection of the Dharam Damama’s

Nikos Kessanlis

(1930-2004, Greek) “Composizione No. 40,” 1957 Oil on canvas Signed and dated lower right: Nikos, signed and dated again and titled verso 33” H x 43” W $4,000-6,000

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Romaine (Ronni) Solbert

(b. 1925, American) “Phoenix,” 1959 Oil on canvas Signed and dated lower left: Solbert, signed and dated again and titled verso, and with the copyright symbol 71” H x 65.5” W $2,000-3,000

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Ed Gilliam

(b. 1941, American) Untitled, 1987 Oil on canvas Signed and dated twice verso: Gilliam 66” H x 84” W $1,500-2,500

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20th Century American School Abstract Acrylic on canvas Appears unsigned 54” H x 48” W $500-700 Provenance: From the Collection of the Dharam Damama’s

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20th Century French School

“Sunsetted Plants,” 1953 Oil on cardboard Signed lower left: Reichman, titled, dated, and inscribed in another hand on a label affixed verso: Paris 6” H x 8” W $500-700

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J. Schmidt

(20th Century, American) Colorful abstract landscape, 1982 Oil on canvas Signed and dated lower right: J. Schmidt / 82 47.5” H x 47.5” W $800-1,200 Provenance: From the Collection of the Dharam Damama’s

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Max Grundy

(20th/21st Century, American) “Flight of the Panopticon,” 2007 Acrylic on metal Signed and dated lower right: Max Grundy 30” H x 20” W $700-900 Provenance: The Collection of Dr. Denis Bettencourt Notes: The frame has been hand painted by the artist.

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Delos Van Earl

(b. 1951, American) “Torch Stele,” 2005 Painted metal Signed, dated, and titled: Delos / Torch Stele / 05 47” H x 12” W x 11.875” D $800-1,200

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Brad Howe

(b. 1959, American) Untitled Painted metal Signed: Brad Howe 7” H x 17.75” W x 11” D $400-600

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Brad Howe

(b. 1959, American) Untitled Painted metal Signed: Brad Howe 12” H x 9” W x 11” D $400-600

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Brad Howe

(b. 1959, American) Untitled Painted metal Signed and dated: Brad Howe / 93 17” H x 5.5” W x 5.25” D $400-600

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Perry Castellano

(20th/21st Century, American) Free-form metal sculpture Stainless steel Appears unsigned 84” H x 22” Dia. $800-1,200

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Laddie John Dill

(b. 1943, Long Beach, CA) “Volcanic Portal,” 2003 Mixed media on wood panel Signed, dated, and titled verso: Laddie John Dill 12.25” H x 24” W $500-700

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Leonardo Nierman

(b. 1932, Mexican) “El Castillo,” 1970 Acrylic on Masonite Signed lower right: Nierman, signed again, titled and inscribed verso, “ Para Fay y Louis Kozberg con todo mi afecto,” dated on a gallery label affixed to the stretcher 23.5” H x 31.5” W $1,000-2,000 Provenance: Galeria Mer-Kup, Mexico City, Mexico

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Leonardo Nierman

(b. 1932, Mexican) Abstract cityscape, 1967 Acrylic on Masonite Signed and dated lower right: Nierman / 67 23.5” H x 31.5” W $1,000-2,000

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Leonardo Nierman

(b. 1932, Mexican) “Crater,” 1964 Acrylic on Masonite Signed and dated lower right: Nierman / 64, signed again and titled verso 23.5” H x 31.5” W $1,000-2,000

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Leonardo Nierman

(b. 1932, Mexican) Abstract cityscape, 1964 Acrylic on Masonite Signed and dated lower right: Nierman / 64 15.75” H x 23.25” W $800-1,200

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George Lafayette

(20th/21st Century, American) “Seeker” Cold painted resin on stone base Signed: Geo. Lafayette 29.75” H x 6” W x 11.25” D $800-1,200 Provenance: The Collection of Dr. Denis Bettencourt

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Harold Frank

(1917-1995, Los Angeles, CA) Portrait of a woman with flowers Acrylic on paper under glass Signed lower right: H. Frank Sight: 10” H x 8” W $500-700

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Harold Frank

(1917-1995, Los Angeles, CA) Portrait of a young woman Acrylic on paper under glass Signed lower right: H. Frank Sight: 13.25” H x 10.25” W $500-700

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Harold Frank

(1917-1995, Los Angeles, CA) Portrait of a woman Acrylic on paper under glass Signed lower right: H. Frank Sight: 11.5” H x 9” W $500-700 Provenance: Images By-The-Sea, Santa Monica, CA

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Richard Bowman

(1918-2001, American) “Portrait (Imaginary),” 1942 Oil on Strathmore paper under glass Signed and dated upper left: R. Bowman, titled on an artist’s label affixed to the backing paper Sight: 7.25” H x 5” W $500-700 Notes: Authenticated by R. Bowman on an artist’s label affixed to the backing paper.

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Braulio Salazar

(1917-2007, Venezuelan/Spanish) Woman with flowers, 1982 Oil and pencil on canvas Signed and dated lower right: B Salazar 24” H x 20” W $3,000-5,000

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Two modern sculptures

Circa 1960-1970 Figure indistinctly signed; Cube singed: Sheldon Rose / Alpha Sculpt / 1968 Comprising a polychrome glazed earthenware female standing figure on a wood base and a Sheldon Rose “Alpha Sculpt” cast metal Brutalist cube, 2 pieces Figure with base: 13.875” H x 4.5” W x 3.5” D; Cube: 4.125” H x 4.125” W x 4.125” D $400-600 Provenance: From the Collection of the Dharam Damama’s

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Three Austrian figural items

First-half 20th Century One signed: WW [Wiener Werkst‰tte] / Made in Austria / 441 Comprising a polychrome glazed ceramic Wiener Werkstatte figural vase, a polychrome glazed ceramic dog, and a patinated bronze horse with stylized abstract rider, 3 pieces Largest: 6.5” H x 4.25” W x 3” D; Smallest: 3.25” H x 4.75” W x 2.125” D $400-600 Provenance: From the Collection of the Dharam Damama’s

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A painted wrought iron jackalope sculpture

Second-half 20th Century The wire-form wrought iron sculpture in the shape of a jackalope with highlights of red paint 24” H x 18” W x 19” D $300-500 Provenance: From the Collection of the Dharam Damama’s

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Carlos Marquez (b. 1968, American) Kris Cunz (20th Century, American)

“Bumper,” 2010 (a collaboration) Oil and acrylic on canvas laid to Masonite Signed, dated, and titled verso: Carlos Marquez / Kris Cunz 8” H x 18” W $800-1,200 Provenance: The Collection of Dr. Denis Bettencourt Notes: An invoice from May 27, 2011, in addition to a photo of the artists and the piece, accompanies this lot.

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Two Catalina Island Pottery ceramic chargers

Circa 1927-1937 Each marked: Catalina Island Comprising a matte blue and a glossy yellow glazed charger, 2 pieces Each: 18.5” Dia. $600-800

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A Picasso-style ceramic watering can

Second-half 20th Century Signed: JGS Possibly American, the glazed ceramic watering can with free-form undulating body decorated with polychrome abstract figural design 14.75” H x 21” W x 9” D $600-800

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Mark Kostabi

(b. 1960, American) “Two Figures,” 1991-1993 Acrylic on canvas Signed and dated lower right: Kostabi, signed and dated again and titled verso, with alternate title and artist’s note: Advise / “Cut, ?, and reverse” 44” H x 30” W $2,000-3,000 Notes: Painted on the verso of a recycled canvas.

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A contemporary reverse-painted mirror panel Circa 1972 Signed: A.M. / 72 / Westwood With polychrome reverse-painted geometric motif 24.75” H x 12.75” W x 1.375” D $400-600 Provenance: From the Collection of the Dharam Damama’s

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Nicholas Reynoza

(20th Century, American) Untitled abstract, 1985 Acrylic on Masonite Signed and dated on the right tacking edge: Nicholas Reynoza / 8-7-85 48” H x 96” W $800-1,200

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Rupert Jasen Smith

(1953-1989, American) “Fishing Lure #1,” 1987 Silkscreen with acrylic on canvas in a Plexiglas shadowbox Signed and dated verso: Rupert Smith, titled on a gallery label affixed to the backing board 18” H x 22” W $800-1,200 Provenance: Sale: Martin Lawrence Galleries, January 5, 1996 The Collection of Dr. Denis Bettencourt Notes: The original invoice from Martin Lawrence Galleries accompanies this lot.

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Andreas Lemberg

(b. 1951, German) Untitled, (dollar bill), 1994 Oil on canvas Signed and dated lower left: Andreas Lemberg / ‘94 47” H x 47” W $600-800 Notes: A collection of the artist’s exhibition pamphlets accompanies this lot.

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Dan Fogel

(20/21st Century, American) Three cubes, 2005 Oil on canvas Signed lower right: Fogel, signed again and dated verso 14.25” H x 12” W $500-700 Provenance: The Collection of Dr. Denis Bettencourt

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Michael Fram

(b. 1942, American) A cased acrylic box of curiosities, 1970 Acrylic and mixed media Signed and dated: Made by Michael Fram / x1970 12.75” H x 12.75” W x 3.75” D $500-700 Provenance: From the Collection of the Dharam Damama’s

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George Baker

(1931-1997, American) Two axis kinetic sculpture, 1991 Bronze and wood Signed, dated, numbered, and editioned: George Baker / 1991 / 141 / 1-10 29” H x 21.75” W x 9.5” D $600-800

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Jeffery Laudenslager

(20th/21st Century, American) “Broken Painting,” 1989 Enamel and metal Signed, dated, and numbered: Laudenslager / 5-17-89 / [numbered illegibly]; titled to verso 29” H x 19” W x 10” D $600-800

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Jeffery Laudenslager

(20th/21st Century, American) “Open Column,” 1989 Paint and metal Signed and dated: Laudenslager / 89; titled to verso 29.5” H x 14” W x 12.5” D $1,000-1,500

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Eduardo Chavez

(1917-1995, American) “Ouray,” 1977 Gilt bronze Signed, dated, and editioned: Chavez / 77 / 39-50 10.625” H x 6” W x 2.875” D $600-800

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A Leica M3 single-stroke 35 mm rangefinder camera

Circa 1953-1972 Marked: Leica / DBP / Ernst Leitz GmbH / Wetzlar Germany The Leica M3 rangefinder camera (serial no. 1101597) with bayonet-style Leica M-mounts and 35 mm lens (serial no. 2548172) in a brown leather Leica case, 2 pieces Camera: 3” H x 5.75” W x 3.5” D $700-900

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A Leica M3 single-stroke 50 mm rangefinder camera

Circa 1948-1959 Camera marked: Leica / DBP / Ernst Leitz GmbH / Wetzlar Germany The Leica M3 rangefinder camera (serial no. 1001225) with bayonet-style Leica M-mounts and 50 mm lens (serial no. 170829 in a brown leather Leica case, accompanied by a 135 mm interchangeable lens (serial no. 648846), and with brown leather Steinheil Munchen 50 mm and 135 mm lens cases, 5 pieces Camera: 3” H x 5.75” W x 3.5” D $1,000-1,500

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98)

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Brad Howe

(b. 1959, American) Untitled mobile Painted metal Signed: Brad Howe 30” H x 86” Dia. approximately, dimensions variable $1,000-1,500

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A Franco Albini 1928 desk for Knoll International

Mid-20th Century With Knoll International label Designed 1949 by Franco Albini, with a textured glass top over a wood veneer two-drawer module with pigeonhole to verso on a white painted metal X-form base with black feet 28” H x 47.25” W x 25.5” D $800-1,200

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A Warren Platner for Knoll steel side table

Late 20th/early 21st Century Designed 1966 by Warren Platner, the polished nickel-plated steel base constructed from curved rods forming a pinched circular base with an inset clear glass top 18.25” H x 16” Dia. $500-700

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Mid-20th Century The modern side table with a circular glass top over a brushed metal columnar base on a circular white glazed ceramic foot 20.75” H x 20” Dia. $600-800

Second-half 20th Century In the style of a Fresnel sta a black adjustable baffle w maximum, 120 volts, on a electrified 56” H x 12” Dia.

Provenance: From the Collection of the Dharam Damama’s

$600-800

A Russel Wright-style Jet Age side table

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A modern Fresnel-styl

le chromed-metal floor lamp

y age light with a chromed-metal fixture fitted with with barn doors, two prong light bulb, 100 watt a chromed-metal tubular base with circular foot,

A modern chrome-plated barbell table lamp

Mid-20th Century The three-light chrome-plated lamp with four spheres joined by tubular supports on a black wooden cube base, electrified 37” H x 16” W x 7” D $400-600 Provenance: From the Collection of the Dharam Damama’s

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A chromed-metal folding garment rack Circa 1970-1980 In a modern style with curved frame 31.5” H x 24.875” W x 16” D $400-600

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A modern aluminum and smoked glass ÈtagËre

Circa 1970 The modern-style etagere with a rectangular polished aluminum frame and five smoked glass shelves 75” H x 30.25” W x 16” D $600-900

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A Curtis Jeré peacock metal wall sculpture

1987 Signed and dated: C. Jere / 1987 In the form of a peacock with abstract, swirling tail feathers 59” H x 40” W x 1.5” D $300-500

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A Phillip and Kelvin LaVerne acid-etched cocktail table

Mid-20th Century The coffee table in bronze and acid-etched and enameled brass with free-form foliate motif top on bamboo-style legs 15.5” H x 60” W x 23.75” D $3,000-5,000

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Christian Heckscher

(20th/21st Century) Four-panel bronze wall sculpture, 2017 Acid-etched bronze over wood Signed and dated: Heckscher / ‘17 Largest panel: 39” H x 24” W x 1” D $2,000-3,000

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A modern Italian metal apÈritif set

Circa 1960 The silvered and gold-toned metal aperitif set with conical decanter and six cordial glasses decorated with etched geometric motif, with accompanying circular tray, 8 pieces Decanter: 7.375” H x 2.875” Dia.; Tray: .5” H x 7.25” Dia. $300-500 Provenance: From the Collection of the Dharam Damama’s

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Two modern C.R. Macintosh-style chairs by Cassina

Fourth-quarter 20th century Each with Charles Rennie Mackintosh / Cassina label; Armchair number: 2718 Each Glasgow Style chair in ash and beech, comprising a “Willow” armchair, based on Mackintosh’s 1904 design for the Willow Tea Rooms in Glasgow, with a tall semi-circular reticulated back over a beige upholstered seat with flip-top compartment, and a “Hill House” chair with elongated ladder back over a dark green velvet upholstered seat raised on spindle legs, 2 pieces Armchair: 47” H x 37” W x 16.5” D; Chair: 55” H x 16” W x 13.5” D $600-800

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100

An Op-art-style wall mirror

Circa 1970 With descending mirrored squares in a chrome frame 20.25” H x 20.25” W x 1.25” D $300-500

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101

A pair of Karl Springer-style spiral Lucite table lamps

Mid-20th Century Rectangular pleated brown linen shade on a clear, frosted and black spiral Lucite base, manufactured by Art Services, 2 pieces Each overall: 28.25” H x 19.125” W x 19.125” D $1,000-1,500

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102

A multi-piece hi-fi sound system

Late 20th/early 21st Century Various makers Comprising a McIntosh MCD550 SACD/CD player (serial number: ADN14220) with an 8-channel, 32 bit, 192kHz PCM/DSD digital to analog converter, a McIntosh MA7000 Integrated Amplifier (serial number: ZY2099) with 250 W output power, a Furman Elite-15 PF i Linear Filtering AC Power Conditioner (serial number: 123508749), a Nakamichi ZX-7 Discrete Head Cassette Deck with silent mechanism, microprocessor control, and a 4-track, 2-channel stereo (serial number: 04412), and two Dunlavy SC-IV/A loudspeakers with cherry veneer (serial numbers: 126-A and 126-B), 6 pieces Largest: 72” H x 19” W x 23” D; Smallest: 4.25” H x 17” W x 14.625” D $6,000-9,000

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103

A pair of modern curved-back loveseats

Late 20th/early 21st Century Each: a curved-back loveseat with a semi-circular body, raised back, and down cushions, with all-over sage green upholstery, raised on tapered and ribbed legs concealed by a skirt, 2 pieces Each: 32” H x 52.5” W x 29” D $500-700

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104

A pair of Berber-style large woven cushions

Circa 1970 One marked: A Marilyn Meltzer design for The Social Workshop Each: custom design handwoven in Earth-tone colors, 2 pieces Larger: 29” L x 29” W approximately $400-600

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105

Richard MacDonald

(b. 1946, American) “Capeo Flamenco,” 2002 Patinated bronze on marble base Signed and dated: R. MacDonald / ‘02 20.5” H x 21.5” W x 14” D; Overall: 22” H x 21.5” W x 14” D $3,000-5,000 Provenance: Private Collection San Mateo, CA

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106

Richard MacDonald

(b. 1946, American) Head study, 2000 Patinated bronze on marble base Signed and dated: R. MacDonald / 2000 Edition: 1/6 12.5” H x 8.5” W x 10” D; Overall: 18.75” H x 8.5” W x 10” D $2,000-3,000 Provenance: Private Collection San Mateo, CA

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107

Richard MacDonald

(b.1946, American) “Romeo,” 1996 Patinated bronze on marble base Edition: 18/90; signed and dated: R. MacDonald / ‘96 13.25” H x 15.5” Dia. $2,000-3,000 Provenance: Private Collection San Mateo, CA

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108

Charles Miltenberger

(b. 1950, American) Standing nude with veil, 1988 Oil on canvas Signed and dated on the stretcher: C. Miltenberger, and with the copyright symbol 40” H x 30” W $1,000-1,500 Provenance: Sale: Orlando Gallery, Sherman Oaks, CA, February 3, 1999 The Collection of Dr. Denis Bettencourt Notes: A sales receipt from Orlando Gallery in addition to a photo of the artist and the piece accompany this lot.

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109

Susan Clover

(b. 1944, American) Exiting the pool Oil on canvas Signed lower left: Susan Clover 24” H x 36” W $2,000-3,000 Provenance: The Collection of Dr. Denis Bettencourt

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110

Vincent Calenzo

(b. 1967, American) “The Keeper” Oil on canvas Signed lower right: Vincent Calenzo, titled on the artist’s website 40” H x 42.75” W $2,000-3,000 Provenance: The Collection of Dr. Denis Bettencourt

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111

Bill Barminski

(20th Century, American) Utopia, 2006 Mixed media on canvas and wood Signed and dated verso: Barminski 24” H x 29” W $1,000-2,000 Provenance: The Collection of Dr. Denis Bettencourt

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112

Dennis Larkins

(20/21st Century, American) “Play the Hand That’s Dealt You,” 2004 Dimensional mixed media on canvas under Plexiglas Signed lower left: D. Larkins 24” H x 18” W $800-1,200 Provenance: The Hive Art Gallery, Los Angeles, CA Provenance: The Collection of Dr. Denis Bettencourt

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113

Michael Chapman

(b. 1957, American) “City Sunlight #2” Watercolor on paper under Plexiglas Initialed and numbered in pencil lower right: MC-18, titled in pencil lower center Sheet: 9” H x 12” W $1,000-2,000 Provenance: The Collection of Dr. Denis Bettencourt

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114

Bradford J. Salamon

(b. 1963, American) “One Star Flag #1,” 2013 Oil on canvas Signed, dated, and titled verso: Bradford J. Salamon 40” H x 40” W $3,000-5,000

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115

Gene Gill

(b. 1933, American) “Happy Birthday,” 1976 Kinetic screenprint in colors on two layers of plastic Signed, titled, and dated verso: Gene Gill - 1/1976 18.5” H x 31.5” W $1,000-1,500

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116

Jack Spencer

(b. 1951, American) “Monte Alb·n,” tribal stilt dancers, 2000 Sepia toned silver gelatin print on paper under Plexiglas Edition 14/40, signed in pencil lower right, numbered in pencil lower left, titled, numbered again, dated and inscribed verso: “Oaxaca” Sheet: 24” H x 20” W; Image: 18.25” H x 18.25” W $800-1,000 Provenance: From the Collection of the Dharam Damama’s Notes: Monte Alb·n is a large pre-Columbian archaeological site in the Santa Cruz Xoxocotl·n Municipality in the southern Mexican state of Oaxaca.

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117

Two Hawaiian girls with fruit baskets

Circa 1900s Black and white photograph on paper under glass Unsigned Sight: 5” H x 3.5” W $300-500 Provenance: From the Collection of the Dharam Damama’s

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118

After Claes Oldenburg

(b.1929, Swedish-American) “English Plug,” poster for the artist’s exhibition at Sidney Janis Gallery, New York, 1967 Offset lithograph in colors on paper under glass Unsigned, initialed, titled and dated in the stone: C.O. ‘67 Sheet: 19” H x 29” W $500-700

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119

Pablo Picasso

(1881-1973, Spanish) “Le Vieux Roi,” 1959 Lithograph on paper under glass Unsigned, with the artist’s red stamped signature lower right, dated in the stone lower right: 6.1.59, from the unsigned edition of 1000 Sight: 25” H x 19” W $700-900 Literature: Bloch 869; Mourlot 317 Notes: This print was also produced in a signed and numbered edition of 200.

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120

121

(1915-1991, American) Untitled (from the “Flight” portfolio), 1970 Screenprint in colors on Arches paper, International Rescue Committee, New York, pub., Maurel Studios, New York, prntr. Edition 21/250, signed and numbered in pencil lower right: Motherwell Sheet: 25.5” H x 19.75” W

(b.1937, English) Three posters “David Hockney / An Exhibition of Costume Drawings and Set Designs Ash Poster in colors on paper under glass Signed and inscribed in green pencil lower center: for Claire with love from Sight: 29.75” H x 37.25” W “David Hockney for the Music Center Unified Fund...,” 1981 Poster in colors on paper under Plexiglas Signed in ink lower right: David Hockney Sheet: 27.5” H x 21.5” W “Hockney’s Progress / Graves Art Gallery Sheffield 19 September-26 Octob Poster on paper under glass Unsigned Sight: 27.5” H x 21.75” W

Robert Motherwell

$600-800 Provenance: Distinguished Los Angeles Collection Notes: The original sleeve from the “Flight” portfolio accompanies this lot. The portfolio was published in 1971.

After David Hockney

$1,000-1,500

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hmolean Museum, Oxford / May 18-June 30 1981”

m David H.

ber 1980...”

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122

20th Century Continental School

Abstract fish Color etching and aquatint on paper under glass Edition PI - WI - 1/75, signed indistinctly lower right Plate: 11.5” H x 11.5” W; Sheet: 26” H x 19.5” W $200-400

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123

Max Grundy

(20th/21st Century, American) “Kustoms & Hot Rods in Future City,” 2007 Screenprint in colors on paper under Plexiglas Edition 1/1 A.P., signed and dated in paint pen lower right: Max Grundy / 07, titled in paint pen lower center, editioned in paint pen lower left Sight: 29.75” H x 20” W $400-600 Provenance: The Collection of Dr. Denis Bettencourt

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124

Peter Max

(b. 1937, American) “New York Flower Show” Offset lithograph in colors with acrylic on paper under Plexiglas Signed lower right: Max Sheet: 22” H x 19” W $1,500-2,500

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125

Peter Max

(b. 1937, American) “Without Borders,” 2002 Oil on canvas Signed upper right: Max, signed again and inscribed on the frame verso: “Elizabeth, love Max” and with the artist’s 2002 copyright stamp verso 12” H x 9” W $1,000-2,000

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126

Yaacov Agam

(b. 1928, Israeli) Composition Agamograph in colors under glass Signed and numbered 44/99 in green ink in the lower margin Image: 15.25” H x 12.75” W $800-1,200 Provenance: The Collection of Dr. Denis Bettencourt

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127

David Muniz (20th/21st Century, American) Three works Red abstract Acrylic Signed and inscribed: Muniz / 4 Mun - 19 40” H x 16.5” W x 14” D Yellow abstract Acrylic Signed and inscribed: Muniz / 4 Mun - 28 27.5” H x 14” W x 12” D Green and purple abstract, 1993 Acrylic Signed and dated: [illegible] / 93 24” H x 14.5” W x 8” D $400-600

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128

Ben Abril

(1923-1995, Los Angeles, CA) “Angeles Flight Railway - Los Angeles, California 1935” Oil on canvas Signed lower right: Ben Abril, titled and dated on the stretcher 11” H x 14” W $2,000-3,000

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129

Ben Abril

(1923-1995, Los Angeles, CA) “First Firehouse - Los Angeles, Calif” Oil on canvas Signed lower right: Ben Abril, titled on the stretcher 11” H x 14” W $2,000-3,000

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130

Ben Abril

(1923-1995, Los Angeles, CA) “Plaza Rain” Oil on canvas Signed lower right: Ben Abril, titled and inscribed verso, signed and titled again on the stretcher 18” H x 24” W $1,200-1,800 Notes: Inscription verso reads, “In the city plaza, one of the oldest areas of Los Angeles, stands the red brick Pacific Hotel. Just west of the hotel is the oldest church in Los Angeles, “Mission Church of Nuestra Senore la Reina de Los Angeles.” It was built in 1814 by Franciscan fathers near Fort Moore Hill, and attended by many of the people on Bunker Hill.”

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131

Ben Abril

(1923-1995, Los Angeles, CA) “4th and Olive,” Los Angeles, 1963 Oil on canvas Signed lower left: Ben Abril, titled, dated, and inscribed verso 24” H x 36” W $3,000-5,000 Notes: Inscription verso reads, “Looking north on Olive street we see a portion of the Olive Inn, The EMS Hotel, and the Casa Alta. All were elite hotels of their day.”

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132

A Marblehead Pottery polychrome ceramic bowl

Circa 1904-1936; Marblehead, MA Signed to underside with Marblehead cipher Shape no. 9A, the tapered ceramic bowl with blue matte glaze decorated with a green and yellow floral border 3” H x 5.75” Dia. $600-800

134

A set of Gainey Ceramics glazed cylinder planters

Circa 1960 Four signed: Gainey Ceramics / La Verne, Calif. / U.S.A.; Further numbered: SC-12 and AC-12; One medium planter unsigned Each a ceramic planter with cylindrical, black gloss glazed body, comprising one large planter and two medium planters with accompanying medium trays, 5 pieces Large planter: 19.75” H x 20” Dia. $600-800

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133

Otto and Vivika Heino

(1915-2009 and 1910-1995, American) Weed vase, circa 1980-1990 Glazed stoneware Signed: Vivika + Otto 4.5” H x 6.75” Dia. $400-600

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135

George E. Ohr

(1857-1918, Biloxi, MS) Handled vase, Early Period (1895-1905) Glazed ceramic Signed: Geo. E. Ohr / Biloxi Miss. 8.25” H x 4.75” W x 3.125” D $3,000-5,000

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136

George E. Ohr

(1857-1918, Biloxi, MS) Handled jug Bisque ceramic Signed, inscribed, and dated: G.E. Ohr / Expo Day /1904 5.25” H x 3” W x 2.75” D $500-700 Notes: The inscription likely refers to the Louisiana Purchase Exposition, also known as the St. Louis World’s Fair, held in St. Louis, Missouri in 1904.

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137

A Heritage-Heredon Frank Lloyd Wright-style low table with six chairs

Mid-20th Century Marked: Heritage-Heredon / No. 5264 The Heritage-Heredon low table, model no. 5264, with circular star motif veneered top raised on four straight legs joined by an arched X-stretcher, accompanied by six conformingly styled chairs with upholstered backs and seats, four chairs with yellow velvet upholstery and two chairs with brown floral silk upholstery, 7 pieces Table: 24” H x 60” Dia.; Each chair: 27.75” H x 21” W x 25” D $1,000-2,000

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138

An H.P. Hansen Danish modern teak executive desk with chair

Circa 1960; Denmark Desk with H.P. Hansen Mobelindustri label and impressed mark; Further marked: Made in Denmark; Chair with impressed mark: Danish [illegible maker] Designed by Arne Vodder, the modern Danish teak desk with rectangular top with curved ends over a three-drawer module and file cabinet module with sculpted pulls, centering a horizontal pigeon hole compartment, raised on four tapered legs joined by stretchers, with associated teak chair with black vinyl seat, 2 pieces Desk: 29” H x 60.25” W x 29.5” D; Chair: 31.25” H x 19.375” W x 18” D $800-1,200

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139

A Swedish teak extendable dining table by Skaraborgs

Third-quarter 20th Century Maked: Skaraborgs / Mobelindustri AB / Tibro / Made In Sweden The modern teak table with extendable rectangular top over straight apron raised on four gently tapered legs Closed: 28.25” H x 47.5” W x 33.5” D; Open: 28.25”H x 95” W x 33.5” D $1,000-1,500

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140

A Danish modern teak flip-top mobile bar cart

Mid-20th Century Marked: Made in Denmark The teak bar cart with rectangular flip-top over a removable teak and black laminate undertray, raised on four tapered legs with casters Closed: 25.25” H x 27.5” W x 17.25” D; Open: 24.5” H x 27.5” W x 34.75” D $400-600

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141

A pair of Eames for Herman Miller DCM dining chairs

Circa 1950 Without labels Each DCM dining chair with molded ash plywood back and seat on a tubular chrome frame with rubber shock mounts, 2 pieces Each: 29.5” H x 19.25” W x 20” D $500-700

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142

A Lied Mobler Norwegian lounge chair with ottoman

Third-quarter 20th Century Each with Lied Mobler label / Made in Norway The modern reclining armchair with a teak frame, slat back, and curved arms with light brown leather upholstery atop a star foot, with accompanying ottoman Chair: 34.75” H x 29.25” W x 34” D; Ottoman: 17” H x 21” W x 20” D $800-1,200

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143

K.O. Svendsen

(20th Century, American) “No. 10 - Rock and Roll,” 1958 Wood and stain Signed and dated lower right: K.O. Svendsen / 58; titled on a label affixed verso verso 25.25” H x 27” W $600-800

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144

Ivar Ålenius-Björk

(1905-1978, Swedish) “Chandelier” candle stand, circa 1950 Brass Signed: IAB / Ystad Metall / Made in Sweden 7.25” x 28” W x 6” D $600-800

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145

A copper elephant table lamp

20th Century The copper table lamp in the form of a stylized elephant with swiveling head and tail, electrified 10.125” H x 9.5” W x 5.25” D $400-600 Provenance: From the Collection of the Dharam Damama’s

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146

Hans Van de Bovenkamp

(b. 1938, Dutch) “Skyscraper” fountain,1976 Brass, copper, and silver alloy Unsigned 72” H x 16” W x 16” D $600-800 Provenance: From the Collection of the Dharam Damama’s Notes: This lot is accompanied by a copy of the “A Playground of the Mind” catalogue, issued by Kinetics Unlimited, Inc., with a photograph of the work.

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147

A Brutalist-style copper and glass figural sculpture Second-half 20th Century Copper and glass on travertine base Unsigned 27” H x 14” W x 13” D $600-800 Provenance: From the Collection of the Dharam Damama’s

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148

A pair of bronze Brutalist-style horses Mid-20th Century Each: patinated bronze on wood base Each unsigned Largest: 13.5” H x 10.5” W x 5.25” D 2 pieces $600-800 Provenance: From the Collection of the Dharam Damama’s

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149

A Winner Novelty Co. “Winner Dice” cast iron dice game

First-quarter 20th Century Marked: C.B. / 2363 With coin operated hand-crank lever, dice popper under a glass cloche, and front paper reward card 11.5” H x 6.625” W x 9.5” D $800-1,200

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150

Barry DeBaun

(b. 1956, American) Woman at work (maple sugaring) Watercolor on paper under glass Signed in ink lower right: DeBaun Sight: 12.5” H x 24.5” W $800-1,200

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151

John Held Jr. (1889-1958, American)

“Outlines of Sports” New York: Duttons, Inc., 1930 Signed: John Held Jr. First edition, limited edition numbered 69/100 11.25” H x 12.125” W x 1.875” D $2,000-3,000 Provenance: From the Collection of the Dharam Damama’s

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152

An assembled group of art books and first edition texts

Five works Alfred, Lord Tennyson “Crossing the Bar” Birmingham: Birmingham School of Printing, Central School Arts and Crafts, 1932 11.25” H x 7.75” W x .5” D Oscar Wilde “The Ballad of Reading Gaol” Illustrated by John Vassos New York: E.P. Dutton & Co., Inc., 1930 9.5” H x 7.375” W x .75” D John Camden Hotten and Henry Thomas Tavener “Charles Dickens: The Story of his Life by the Author of the ‘Life of Thackeray’” New York: Harper & Brothers, 1870 9.5” H x 6.125” W x .5” D Frances Butler “Career Options: A Catalog of Screens, Including the Gesture of Outward” New York: Poltroon Press, 1985 8” H x 6” W x .125” D Orrefors Glasbruk Catalogue Paris, 1937 10.75” H x 8.75” W x .25” D $300-500 Provenance: From the Collection of the Dharam Damama’s 1 8 4 ReD es i gn e d l Tu e s d a y, J u ly 1 3 , 2 0 2 1

153

Joseph Urban (1872-1933, Austrian-American)

“Theatres” New York: Theatre Arts, Inc., 1929 Signed: Joseph Urban First edition, limited edition numbered 83/200 12.25” H x 9.75” W x 2.75” D $500-700 Provenance: From the Collection of the Dharam Damama’s

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154

155

(1888-1963, American) “Him-Her,” 1948 Watercolor, pencil, and gouache on paper under glass Signed, dated, and inscribed in ink to the right of the image: Konrad Cramer / Nov. 6. 48 / #4 Sight: 11.5” H x 7” W

(1926-1975, Laguna Beach, CA) Resting figure in interior Oil on canvas Signed lower right: Kuntz, inscribed on the stretcher: Study #4 / Interior Series #4, other inscriptions are illegible 30” H x 40” W

Konrad Cramer

Roger Kuntz

$400-600

$1,500-2,500

Provenance: James Cox Gallery at Woodstock, Willow, NY

Exhibitions: Los Angeles County Museum, Exposition Park, Los Angeles, CA, S.O. No. 58-973N; Stanford Art Gallery, Stanford University, CA

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156

Phil Latimer Dike

(1906-1990, Claremont, CA) “Night Web,” 1977 Mixed media on paper laid to artist’s board under Plexiglas Signed and dated lower right: Phil Dike, signed and titled again on two labels verso Sheet: 24.25” H x 18.25” W $2,000-3,000 Provenance: Michael Johnson Fine Arts, Fallbrook, CA

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157

Renzo Vespignani

(1924-2001, Italian) “Ostia,” 1951 (small boats on a beach) Oil on canvas Signed and dated lower center: Vespignani / 51, titled on a gum label affixed to the backing board 19.75” H x 39.5” W $4,000-6,000 Notes: Ostia is the only district of Rome on the Tyrrhenian Sea, where many Romans spend the summer holiday.

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158

Still life in an interior

Early 20th Century Dutch School Oil on canvas Appears unsigned 30” H x 24” W $600-800 Provenance: From the Collection of the Dharam Damama’s Notes: Presented in a Larson-Juhl frame.

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159

Claude Buck

(1890-1974, Santa Cruz, CA) Mythological figural scene Oil on board Signed lower left: Claude Buck 20” H x 16” W $500-700 Notes: With an unfinished portrait verso.

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160

Dan Lutz

(1906-1978, Santa Barbara, CA) “Golden Field” Oil on canvas Signed lower right: Dan Lutz, titled on a partial gallery label affixed to the frame verso 20” H x 24” W $700-900 Provenance: Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles, CA

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161

Woodward Payne

(b. 1935, American) “Napa Hills II,” 1981 Oil on canvas Signed lower right: Woodward Payne, titled and dated on a gallery label affixed to the stretcher 52” H x 60” W $1,000-1,500 Provenance: Dubins Gallery, Los Angeles, CA Sale: John Moran Auctioneers, June 13, 2019, Studio Fine Art, Lot 2068

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162

Carl Rudolph Krafft

(1884-1938, Oak Park, IL) Landscape in the Ozarks, 1927 Oil on canvas Signed and dated lower right: Carl R. Krafft and with the artist’s thumbprint, inscribed in another hand verso: Chicago, U.S.A. 29.75” H x 56.5” W $2,000-3,000

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163

Frederik Grue

(1951-1995, Indiana) Forest landscape, 1976 Oil on Masonite Signed and dated lower left: Grue / 76 28” H x 22” W $2,000-3,000

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164

165

(b. 1958, American) Bernardo Bay California Oil on canvas Signed lower left: Robert Ferguson 36” H x 48” W

(1870-1938, Los Angeles, CA) View of a town, 1918 Oil on canvas Signed, dated, and indistinctly inscribe 37” H x 46” W

Robert A. (Bob) Ferguson

$1,000-1,500

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C. Harry Allis

$1,500-2,500

ed lower right: C. Harry Allis

166

Raymond Everett

(1885-1948, Austin, TX) “The Horse Tents, Ringling Bros.” Oil on canvas Signed with conjoined initials lower left: REverett, titled on the stretcher 18” H x 24” W $600-800

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167

Gerald Fellman

(20th Century, American) “Three Dancing Hassidim” Patinated bronze on rotating wooden plinth Edition: 2/6; signed: G. Fellman 12.125” H x 11.5” W x 13.5” D $600-800

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168

A wrought iron and brass Savonarola armchair

First-half 20th Century The armchair with foliate-style brass pommels atop a wrought iron X-form frame with gilt-stamped leather back and seat raised on stylized paw feet 31.5” H x 24” W x 18” D $300-500

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169

A Maitland-Smith console table

Fourth-quarter 20th Century The console table with a rectangular dark grey stone veneered top over a patinated steel base with gold-toned acanthus leaf and rosette motifs raised on scrolled legs 38” H x 57” W x 19.5” D $500-700

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170

Six figural cast brass wall sconces

First-quarter 20th Century Each: cast brass with an openwork panel depicting a standing knight in armor bearing a lance among scrolling thistle, issuing two lights with crenellated bobeches, acorn finials, pulls, and candle sleeves, with back plate, electrified, 6 pieces Each: 14” H x 10.25” W x 4.125” D $800-1,000

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171

Five figural cast brass wall sconces

First-quarter 20th Century Each: cast brass with an openwork panel depicting a standing knight in armor bearing a lance among scrolling thistle, issuing two lights with crenellated bobeches, acorn finials, pulls, and candle sleeves, with back plate, electrified, 5 pieces Each: 14” H x 10.25” W x 4.125” D $600-800

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172

Six linenfold-style cast brass wall sconces

First-quarter 20th Century Each: cast brass with a linenfold parchemin plisse panel issuing two lights with pulls and faux dripping wax candle sleeves, electrified, 6 pieces Each: 14.5” H x 8.75” W x 5.25” D $500-700

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173

Seven armorial cast brass wall sconces

First-quarter 20th Century Each: cast brass with a heraldic motif depicting an escutcheon topped by a crowned helmet among scrolling foliate mantling, issuing two lights with crenellated bobeches, acorn finials, pulls, and candle sleeves, electrified, 7 pieces Each: 14.25” H x 10.5” W x 4.75” D $800-1,000

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174

An Indonesian carved wood deity

Second-half 20th Century Mounted on a black painted wood base 42.5” H x 30” W x 12” D $800-1,200

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175

A Thai antefix with five-headed “Naga” serpent

Circa 1100 CE; Khmer People, Buri Ram or Surin, Thailand The carved sandstone, inward-leaning antefix depicting a five-headed rearing Naga serpent, the central serpent clasping a jeweled garland in its mouth as an offering, mounted on a black wooden base 31.5” H x 24” W x 13” D $3,000-5,000 Provenance: Private collection, San Francisco, CA Notes: This antefix is similar to an example in the collection of the Norton Simon Museum in Pasadena, California (accession number F.1983.23.S).

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176

A Japanese footed bronze bowl

Meiji Period (1868-1912) With artist’s cipher to underside The five-lobed patinated bronze bowl raised on cherry branch feet 4.5” H x 14” Dia. $500-700 Provenance: The Alan Schneider Collection

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177

A Japanese bronze urn

Late Meiji Period (1868-1912) The patinated bronze urn with bas-relief avian motif and two opposed shishi lion mask handles raised on three scrolled paw feet atop a circular base 20” H x 12” W x 8” D $600-800

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178

179

Late Meiji Period (1868-1912) Signed in Japanese to front The rust-colored painted copper kettle with stirrup handle, hammered base, and carved wood knob 13” H x 11” W x 9.25” D

Late Meiji Period (1868-1912) The large stoneware sake stor striped watermelon-style glaze 25” H x 15” Dia.

A Japanese copper kettle

$400-600 Provenance: Private Collection, San Mateo, CA

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A Japanese Shigaraki ston

$600-800

neware pottery sake jar

rage jar with vertical green e pattern on an ivory ground

180

A pair of Japanese cloisonné gourd vases

Meiji Period (1868-1912) Each: enamel cloisonne gourd vase with brass rim and base, decorated with polychrome avian and floral motifs on a red and dark blue ground, 2 pieces Each: 6” H x 3” Dia. $400-600 Provenance: The Alan Schneider Collection

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181

A pair of Japanese cloisonné vases

Meiji Period (1868-1912) Each: an enamel cloisonne baluster-form vase with brass rim and decorated with polychrome armorial and floral motifs on a blue and peach ground, 2 pieces Each: 7” H x 3.5” Dia. $300-500 Provenance: The Alan Schneider Collection

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182

Three Japanese cloisonné vases

Meiji Period (1868-1912) Each polychrome enamel cloisonne with brass rims, comprising a pair of baluster-form vases decorated armorial and floral motifs on a blue and purple ground and one wall pocket vase with butterflies on a green and blue ground, 3 pieces Larger: 7” H x 3” Dia.; Smaller: 6” H x 3” Dia. $400-600 Provenance: The Alan Schneider Collection

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183

A Japanese Satsuma teapot

Meiji Period (1868-1912) The gilt and polychrome enameled porcelain teapot with low-relief knotted tassels and shippo, kikko, and karakusa patterns centering figural reserves 12.25” H x 7.25” W x 6.25” D $200-300 Provenance: The Alan Schneider Collection

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184

Five Japanese “Nishikide” Imari porcelain plates

Late Edo Period (1600-1868) Each: a circular Imari ware plate with nishikide patterning, avian, plum, ama-ryu, and cloud motifs centering a floral roundel, blue underglaze with polychrome enamel overglaze, and gilt wave-style rim, 5 pieces Each: 1.625” H x 8.625” Dia. $300-500 Provenance: The Alan Schneider Collection

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185

A pair of Chinese cloisonné bowls

Republic Period (1912-1949) Each: an enamel cloisonne bowl with brass rim and decorated with polychrome dragon and cloud motif to interior and scale pattern on blue ground to exterior, 2 pieces Each: 3” H x 8.5” Dia. $500-700 Provenance: The Alan Schneider Collection

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186

Three Chinese cloisonné table items

Republic Period (1912-1949) Jar marked: China Each polychrome enamel cloisonne with brass rims, comprising an urn-form vase with pink flowers on a blue ground, a yellow and green lidded cylindrical jar, and a bowl with a polychrome floral spray on a light-blue ground, 3 pieces Largest: 7” H x 4.25” Dia.; Smallest: 4.125” H x 6.25” Dia. $400-600 Provenance: The Alan Schneider Collection

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187

A Chinese cloisonné bowl

Second-quarter 20th Century The cloisonne enamel bowl with raised lip, wide edge, and tapered basin with polychrome dragon motifs and geometric banding throughout against a turquoise ground supported on a carved teak stand, 2 pieces 5.5” H x 17” Dia. $800-1,200 Provenance: The Alan Schneider Collection

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188

A pair of Chinese cloisonné vases

Late Qing Period (1636ñ1912) Each: a lidded gourd-form vase with polychrome enamel cloisonne floral motifs, 2 pieces Each: 13.25” H x 6.25” W x 3.75” D $800-1,200 Provenance: The Alan Schneider Collection

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189

A Chinese cloisonné vase

Republic Period (1912-1949) The bulbous vase with pinched and flared neck decorated with polychrome enamel cloisonne floral motifs and brass rim 11” H x 6.5” Dia. $500-700 Provenance: The Alan Schneider Collection

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190

A pair of Chinese cloisonné ginger jars

Mid-20th Century Each: an enamel cloisonne ginger jar with brass rim and domed lid decorated with polychrome floral motifs on a blue ground, 2 pieces Each: 8.25” H x 6.5” Dia. $400-600 Provenance: The Alan Schneider Collection

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191

A pair of Chinese Imari porcelain vases

Late Qing Period (1636ñ1912) Each: an Imari ware vase with tapered square-form body and pinched neck decorated with blue underglaze and red and orange enamel overglaze floral motifs, with a cartouche framework to one side, 2 pieces Each: 8.75” H x 3.75” W x 3.75” D approximately $300-500 Provenance: The Alan Schneider Collection

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192

A Chinese Imari porcelain bowl

First-half 20th Century The circular Imari ware bowl with snapping turtle and frog motifs, geometric patterning, and blue underglaze with polychrome enamel overglaze and gilt rim 4” H x 12” Dia. $500-700 Provenance: The Alan Schneider Collection

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193

A pair of Chinese glazed ceramic “Shishi” guardian lions

20th Century Each: a red glazed ceramic guardian lion atop a rectangular pedestal base with draped carpet motif, 2 pieces Each : 35” H x 22” W x 15” D $600-800

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194

A Chinese carved stone table lamp

Second-half 20th Century The carved stone base with rose and dragon motif and openwork brass collar, lighted from the interior, atop an openwork carved wood foot over a metal base with inset carved stone medallions, issuing two light sockets with pull chains and topped by a flared silk shade, electrified Overall: 29” H x 17.5” W x 11.25” D; Shade: 12”H x 17.5” W x 11.25” D $600-800

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195

A Chinese carved wood stand

Late 19th/early 20th Century The pentagonal-shaped top with inset marble and beaded trim atop an openwork carved apron with dogwood blossoms centering Chinese characters, raised on five curved legs joined by a star stretcher 26.5” H x 17” Dia. $300-500

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196

A Chinese leather chest on a wood stand

20th Century The rectangular red pigskin chest with metal drop bail handles to the sides and lock plate, decorated with applied foliate and reticulated medallion motifs, set atop on a carved and polychromed wood stand raised on four straight bracket legs Overall: 21.25” H x 28” W x 18.5” D $500-700

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197

A Chine

20th Cen Silk on co Imperial d border ar 96” L x 6

$800-1,20

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ese silk dragon rug

ntury otton foundation, the polychrome rug depicting nine five-clawed dragons with scattered cloud knots enclosed in a rainbow outer round a wave inner border 60” W

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198

A large Teket ceremonial orator’s stool

Circa 1960; Iatmul people, Sepik River region, Papua New Guinea The figural carved wood stool painted with natural pigments, inset shell eyes, and trimmed wit 41.25” H x 12.5” W x 8.5” D $200-400 Provenance: The Collection of Marian and John Scott

Notes: Large figures such as this are used by the men of a village council during debates, rathe known as “Orator’s Stools” because when a member of the council wants to speak, they place the carving, which allows them to orate and also can be used to punctuate his speech. The ma spirit of a clan or village ancestor.

This example may or may not have been made as a decorative item for sale. In the 1960s and trade of such pieces with tourists and it was thought that larger pieces had more value. Carver ceremonial and trade purposes. They are painted with natural earth pigments, frequently have trimmed with cassowary bird feathers.

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th cassowary bird feathers

er than for seating. They are e a stick or leaf on the seat of ask-like head represents the

1970s there was frequent rs made them for both e inset shell eyes, and are

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199

A painted cast iron pig doorstop 20th Century 5.5” H x 12” W x 4” D $500-700

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201

A hammered and hand-riveted copper and brass bucket 18th Century The large hand-riveted copper and brass bucket with hammered cylindrical body and swing handle 13” H x 15.75” Dia. $500-700

200

A Barnum steamer trunk

First-quarter 20th Century Marked: Barnum / Maker / Minneapolis, MINN. / Pat’d Nov 11 1902 With canvas over wood construction, white muslin interior, and padded pink silk lid interior with silk ribbon strapping and brass tacking, fitted with removable storage compartment, exterior with brass hardware and nail head trim, two leather strap handles, and two latches and central lock plate 24.5” H x 24.75” W x 21.25” D $800-1,200

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202

A Nantucket lightship basket

Late 20th/early 21st Century With artist’s monogram “B” to wood base The handwoven rattan and cane basket with oval body and swing handle, finished with carved bone knobs and toggle Handle up: 8.5” H x 9” W x 6.25” D $400-600

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203

204

Second-quarter 19th Century The maple and pine bentwood box with pink silk lining 2.5” H x 6.125” W x 4.125” D

Late19th/20th Century Comprising four papier-m‚chÈ boxes with inla tortoise shell box with metal mounts, 7 piece Largest: 1.875” H x 7” W x 3.5” D; Smallest:

A maple and pine bentwood Shaker box

$800-1,200

Seven diminutive boxes

$400-600 Provenance: The Alan Schneider Collection

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aid mother-of-pearl polychrome designs, two wood boxes, and a fauxes .5” H x 2.5” W x 2” D

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205

Six European porcelain match strikers

Second-half 20th Century Each polychrome porcelain in hues of red and blue advertising various hotels and liquors, one with accompanying ash tray, 6 pieces Largest: 4” H x 5.75” Dia. $300-500 Provenance: The Collection of Dr. Denis Bettencourt

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206

Six European porcelain match strikers

Second-half 20th Century One marked: Langley Ware / England Each polychrome porcelain in hues of blue, green, and brown, three advertising various hotels and liquors, 6 pieces Largest: 3.5” H x 5” Dia. $300-500 Provenance: The Collection of Dr. Denis Bettencourt

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207

A Swiss brass repeater travel clock

Mid-20th Century Movement marked: Avance / Retard / [Swiss cross] / 9242 The repeater travel clock with a white painted metal dial and black Roman numeral hour markers, outer minute track, and second track in brass case mounted on a rectangular brass base 3.25” H x 4.25” W x 1.5” D; Dial: 1.75” Dia. $700-900

208

After Ferdinando De Luca

(20th Century, Italian) Pair of Art Deco-style seated dancers Patinated bronze Each signed: F. de Luca Each: 29” H x 14” W x 11.5” D approximately $800-1,200

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209

Paul Louis …mile Loiseau-Rousseau

(1861-1927, French) Petit bust of a woman Patinated bronze Signed and numbered: Loiseau-Rousseau / 35 4.75” H x 2.625” W x 1.5” D $300-500 Provenance: The Alan Schneider Collection

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210

After Auguste Rodin

(1840-1917, French) “Adam” Patinated bronze Marked to base: Rodin / 1880 37” H x 11.5” W x 12.25” D $600-800

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211

Attributed to James Baylis Allan

(1803-1876, English) Two works Figure and stone bridge in a landscape Oil on canvas Signed lower left: Allan 8” H x 12” W River through a landscape Oil on canvas Signed lower left: Allan 8” H x 12” W $600-800 2 4 8 ReD es i gn e d l Tu e s d a y, J u ly 1 3 , 2 0 2 1

212

A Charles Beresford Hopkins for Royal Doulton painted porcelain vase

First-quarter 20th Century; Burslem, England Signed: C.B. Hopkins The cylindrical painted porcelain vase with beaded rim and foot and line border to the lip, depicting a sunlit pastoral landscape scene of cattle drinking at a stream 17” H x 6” Dia. $500-700

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213

A pietra dura specimen marble top coffee table

20th Century The rectangular ivory-colored marble top with various specimen marbles in a polychrome scrolling floral design raised on carved giltwood eagle legs atop marble bun feet 17.5” H x 57” W x 27” D $500-700

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214

A Limoges-style French dresser box

First-quarter 20th Century Signed: Ganiet / France The rectangular gilt-bronze vanity box with enamel-on-copper decoration to the lid, centering a pastoral figural scene depicting a courting couple enclosed in a bead and spindle cartouche with floral motifs against a blue guilloche ground, with stylized floral urn patterning to the sides and yellow velvet lined interior 3.25” H x 12.5” W x 4.375” D $500-700

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215

An Italian painted porcelain plaque after Raphael

Late 19th/early 20th Century The circular painted porcelain plaque after “The Madonna della Seggiola” by Raphael (1483-1520, Italian) enclosed in a carved giltwood frame Sight: 7.5” Dia. $1,000-1,500

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216

A Continental carved giltwood wall mirror

First-quarter 20th Century The carved giltwood frame with reticulated scrolling foliage and shell motifs enclosing a rectangular mirror 45.5” H x 36” W x 2.5” D $600-800

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217

A La Barge Rococo-style carved wood wall mirror

Second-half 20th Century With La Barge label; Marked: Made in Italy The silvered wood wall mirror with carved acanthus crest atop a mirrored upper segment over a rectangular fame enclosing a rectangular mirror 61.5” H x 36” W x 5.5” D $500-700

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218

219

20th Century Each with a scrolling spindle capped with a figural mask, a festoon, and a putti demi figure issuing a large basin terminating in four floriform light sockets, electrified, 2 pieces 22” H x 6” W x 8” D

Late 20th/ear The silvered m glass top raise 18” H x 42” W

A pair of gilt-bronze figural sconces

$800-1,200

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A contempo

$500-700

orary silvered metal coffee table

rly 21st Century metal coffee table with a shaped square frame and inset beveled ed on four scrolled legs joined by a diamond-form stretcher W x 42” D

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220

A pair of Austrian earthenware figures

First-half 20th Century Each marked: Made in Austria / Grumbach [illegible] Each: a polychrome glazed earthenware figure of a draped woman, 2 pieces Taller: 11.75” H x 4.125” W x 4.5” D $400-600 Provenance: From the Collection of the Dharam Damama’s

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221

Two Austrian ceramic figures

First-half 20th Century Child signed: Bosse / Austria [Walter Bosse]; Musician appears unsigned Comprising a Walter Bosse polychrome glazed ceramic seated child with dog and a polychrome matte glazed seated musician, 2 pieces Larger: 6.75” H x 7” W x 6.75” D $600-800 Provenance: From the Collection of the Dharam Damama’s

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222

Three Austrian ceramic items

First-half 20th Century One marked: Karau Austria / 603 / 9 Each polychrome glazed ceramic, comprising a pair of hanging wall putti and a lidded dish topped by a figure with a dog, 3 pieces Dish: 6.5” H x 5.25” Dia.; Each putto: 5.5” H x 4.25” W x 2.75” D approximately $300-500 Provenance: From the Collection of the Dharam Damama’s

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223

Five Staffordshire ceramic figures

20th Century or earlier Comprising a pastoral couple vase, a group of two cavalier King Charles spaniels with keg, a vase with two dogs in front of a tree trunk, and a pair of black and white cats, 5 pieces Largest: 9.75” H x 6.25” W x 3” D $300-500

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224

A group of Staffordshire figures

20th Century or earlier Comprising a pair of large spaniel figures, a woman on a horse, a dog with sleeping child vase, a pair of black and white cats, a seated spaniel, and a pair of diminutive seated spaniels, 9 pieces Largest: 13.75” H x 11” W x 5” D $400-600

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225

Seven Staffordshire ceramic dog figures

20th Century or earlier Each with cavalier King Charles spaniels, comprising two spaniels with a keg, a girl and spaniel, a pair of spaniel figures with a black dog, a seated spaniel with flower basket, a spaniel head coin bank, and an individual seated spaniel, 7 pieces Largest: 8.5” H x 6.375” W x 2.625” D $300-500

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226

A Licio Zanetti Murano glass toucan Third-quarter 20th Century Signed: Zanetti L The blown glass toucan on gilt-metal feet 14” H x 4” W x 11.125” D $1,500-2,000

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227

A pair of Italian Murano glass table lamps

Mid-20th Century Each with ribbed and pinched bodies in clear to white glass raised on four scrolled feet with gilt highlights and topped with cylindrical ivory silk shades, electrified, 2 pieces Each: 39” H x 14.25” Dia. $600-800

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228

A Baccarat crystal decanter

Fourth-quarter 20th Century Bottled signed: Baccarat / France The Baccarat crystal decanter presented in an original Remy Martin case Bottle: 8.5” H x 6.75” W x 3.375” D; Case: 4.75” H x 10.5” W x 10.5” D $1,000-2,000

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229

An English sterling-silver-mounted glass bowl

Circa 1900 Sterling marked for Birmingham, England; Sterling further marked: JTH / JHM; Glass marked: Rd No [Registered Design Number] 36652 The translucent art glass bowl with green freeform overlay and flared sterling silver rim 4.75” H x 8.875” Dia. 62.165 gross oz. troy approximately $400-600 Provenance: The Alan Schneider Collection

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230

Two Continental art glass table items

Late 19th/early 20th Century Comprising one Loetz Crete Papillon-style green double gourd vase with iridescent oil spot finish and one Austrian translucent iridescent flower bowl with green spun overlay and turned-down pinched rim, 2 pieces Larger: 6.75” H x 4.12” Dia.; Smaller: 4.5” H x 6.625” Dia. $300-500 Provenance: The Alan Schneider Collection

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231

A Lalique “Champs-Élysées” crystal bowl

Circa 1978 or later Signed: Lalique ® France Designed 1951 by Marc Lalique, the frosted crystal bowl with an ovoid body in the form of stylized trees inspired by the rows of trees lining the Champs-Elysees in Paris 7.5” H x 18” W x 10” D $800-1,200

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232

A near-pair of Lalique “Nancy” crystal ashtrays

Third-quarter 20th Century Each signed: Lalique / France Each oval dish of frosted and translucent glass with scalloped edge and radial undulating ridges with a wave-form band across the center, 2 pieces Larger: 2.75” H x 8.375” W x 7.125” D $300-500

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233

A Lalique for Forvil “Relief” glass parfume bottle

Circa 1924 Signed: R. Lalique The flattened, circular molded glass body decorated in relief with beaded spirals 8.25” H x 7” W x 2.25” D $300-500 Provenance: Private Collection, Las Vegas, NV Sale: John Moran Auctioneers, Monrovia, CA, “Studio Decorative Art,” May 23, 2017, Lot 3001

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234

A Lalique ìDeux Danseusesî crystal figural group

Third-quarter 20th Century Signed: Lalique France; With Lalique Paris label to front The clear and frosted crystal figural group depicting two dancers 10.125” H x 5.25” W x 4.75” D $300-500

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235

Three Lalique crystal “Perdrix” partridges

Circa 1945-1977 Each signed: Lalique France Each frosted and clear crystal, comprising a “Perdrix,” a “Perdrix Couchee,” and a “Pedrix Debout,” 3 pieces Tallest: 6.75” H x 3.25” W x 5.75” D $300-500 Provenance: The Alan Schneider Collection

237

A Lalique “Tete d’Aigle” cry

Circa 1978 or later Signed: Lalique Æ France The frosted crystal mascot in the 4.375” H x 3.375” W x 5.375” D $500-700

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236

A Lalique “Liberty Eagle” crystal figure

Circa 1978 or later Signed: Lalique Æ France / Cristal Lalique Paris [paper label] The frosted lead crystal figure in the form of a standing eagle 9.5” H x 5.25” W x 6.25” D $600-800

ystal mascot

e form of an eagle’s head D

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238

239

Second-half 20th Century Each with Baccarat acid stamp Comprising a clear cut crystal vase and a standing eagle figure, 2 pieces Vase: 6.875” H x 6.25” Dia.; Figure: 6.5” H x 5.125” W x 3.125” D

Circa 1934-1961 Each glass marked: Comprising nine do boxes, 9 pieces Each: 4” H x 4” Dia

Two Baccarat crystal table items

$300-500

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A set of Baccara

$600-800

at “Charmes” crystal barware

: Baccarat / France ouble Old Fashioned glasses, each with three rows of oval cuts, accompanied by seven original

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240

Seven Baccarat and Steuben crystal animal figures

Second-half 20th Century Five signed: Baccarat; Two signed: Steuben Comprising three elephants, a giraffe, an anteater, a hippopotamus, and a tiger, 7 pieces Largest: 9” H x 4.5” W x 5” D; Smallest: 2.75” H x 3” W x 1.5” D $500-700

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241

Four Baccarat and Steuben crystal feline figures

Second-half 20th Century Two signed: Baccarat; Two signed: Steuben Comprising four cats, two with frosted eyes, 4 pieces Largest: 8.625” H x 3.5” W x 3” D; Smallest: 3.5” H x 2.25” Dia. $700-900

242

Four Baccarat and Steuben crystal coastal animal figures

Second-half 20th Century Three signed: Baccarat; One signed: Steuben Comprising two pelicans, a sealion, and a sea otter, 4 pieces Largest: 4.5” H x 9” W x 2.75” D; Smallest: 2.75” H x 4.75” W x 1.75” D $400-600

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243

Three Baccarat and Steuben crystal figures

Second-half 20th Century Two signed: Steuben; One signed: Baccarat Comprising two snails and an apple, 3 pieces Largest: 4.125” H x 3.25” Dia.; Smallest: 2.75” H x 3.25” W x 1.25” D $200-300

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244

Seven Baccarat and Steuben crystal animal figures

Second-half 20th Century Five signed: Steuben; Two signed: Baccarat Comprising an owl, love birds, two foxes, a frog, a sparrow, and a horse bust, 7 pieces Largest: 5” H x 4.5” W x 3.25” D; Smallest: 2.25” H x 2.625” W x 2.875” D $300-500

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245

Four Steuben crystal dolphin and whale figures

Second-half 20th Century Each signed: Steuben Comprising two dolphins and two whales, 4 pieces Largest: 5.5” H x 3.25” W x 10” D; Smallest: 3.75” H x 2.75” W x 6.5” D $400-600 Notes: This lot is accompanied by two bills of sale from Steuben.

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246

Five Steuben crystal bird figures

Second-half 20th Century Each signed: Steuben Comprising two swans, two geese, and a dove, 5 pieces Largest: 4.625” H x 8.5” W x 3” D; Smallest: 3.5” H x 3.5” W x 2” D $300-500 Notes: This lot is accompanied by a bill of sale from Steuben.

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247

Four Steuben crystal and gem-set animal figures

Second-half 20th Century Three signed: Steuben Comprising a mink with diamond eyes, a badger with garnet eyes, a mouse, and a rabbit, 4 pieces Largest: 3.625” H x 8” W x 3.5” D $500-700

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248

Two Steuben crystal swimming trout figures

Second-half 20th Century Each signed: Steuben / H.S. Each: a curved swimming trout figure with internal controlled bubbles, 2 pieces Each: 3” H x 8” W x 4” D $300-500

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249

A Daum France crystal model Coupe Riviera

Fourth-quarter 20th Century Signed: Daum France Designed 1984 by Xavier Froissart, the model car in clear and frosted lead crystal 4” H x 15.5” W x 6.25” D $500-700

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250

A Daum France crystal model Cadillac Eldorado

Fourth-quarter 20th Century Signed: Daum France etched signature and with Daum France label Designed 1985 by Xavier Froissart, the model car in clear and frosted lead crystal 4” H x 16” W x 6.5” D $500-700

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251

A group of art glass vanity items

20th Century One signed: Verlys; One signed: Bottle Made by Lalique France / Coeur Joie / Nina Ricci Comprising a clear and frosted glass Verlys powder box with butterflies, a clear glass perfume bottle and lidded box with black tinted floral designs, and a clear and frosted glass Lalique “Coeur Joie” for Nina Ricci heartshaped perfume bottle, 4 pieces Largest: 4.25” H x 4.25” W x 1.75” D; Smallest: 3” H x 5” W x 2.875” D $300-500 Provenance: The Alan Schneider Collection

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252

Three Venetian Murano glass items

Mid-20th Century Likely by Venini, each clear glass with gold leaf inclusions, comprising a ribbed “Fazzoletto” handkerchief vase, a “Bullicante” bubble bowl, and a triform bowl, 3 pieces Largest: 7” H x 8” Dia.; Smallest: 2.25” H x 6.5” Dia. $400-600

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253

A Georg Jensen sterling silver grape compote, No. 263B

Post-1945 Marked: G 10 / 925 5 / Denmark / Sterling / Georg Jensen / 263 / B The hammered sterling silver compote with flared basin atop a twisted column with hanging grape clusters on a circular foot 7.25” H x 7.25” Dia. 22.09 oz. troy approximately $2,000-3,000

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254

255

1872 Marked for Gorham; Further marked: Sterling / E The sterling silver nut dish with oblong basin with chased shell motif and scrolled handle topped by a fowl and ivy leaves, raised on three squirrel feet 6.75” H x 10.5” W x 7.5” D 18.04 oz. troy approximately $400-600

20th Century One marked: Fisher / Sterling / 2 Towle / Sterling / 121; Two mark Comprising a Fisher footed pitch creamer and sugar bowl, a Towle pieces Largest: 9.25” H x 8.5” W x 6” D 58.025 gross oz. troy approxima

Provenance: The Alan Schneider Collection

$400-600

A Gorham sterling silver nut dish

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A group of American sterlin

ng silver holloware items

2026; Three marked for Worden-Munnis / Sterling / Dublin Pattern; One marked: ked Gorham / Sterling her, a Worden-Munnis coffee pot with black wooden handle and accompanying e waste bowl, and a Gorham creamer and sugar bowl set, variously personalized, 7

Dia.; Smallest: 2.75” H x 4.75” W x 3” D ately

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256

Five American sterling silver holloware items

Mid-20th Century One marked: Amston / Sterling / 272; One marked: Wallace / Sterling / 4292-9 / Larkspur; One marked: Reed & Barton / Sterling / X569 / Francis I; One marked: Gorham / Sterling / 27; One marked: Randahl / Sterling / 50 Comprising an Amston Silver Co. bowl with openwork border, a Reed & Barton “Francis I’ serving platter with repousse fruit motifs, a Wallace “Larkspur” platter with openwork floral sprays, a oblong Gorham dish, and a square-form Randahl dish with folded sides, 5 pieces Largest: 2.125” H x 10.625” Dia.; Smallest: 1.375” H x 5” W x 5” D 53.39 oz. troy approximately $300-400

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257

Lino Sabattini

(1925-2016, Italian) Candleholder centerpiece, circa 1960-1969 Silver plate Signed: Sabattini / Italy 4.25” H x 19” W x 8” D $500-700 Provenance: From the Collection of the Dharam Damama’s Notes: This lot is accompanied by a booklet autographed by the artist and letter from Italarte European Imports Sabattini Silver dated June 18, 1984.

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258

A pair of glass and silver plate footed centerpieces

20th Century With frosted cut glass basins on silver plate stands featuring beading, solid and pierced Gothic-style scrolling foliage, pierced Gothic-style tracery, and foliate feet, 2 pieces 11.75” H x 20” W x 15” D $600-800

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259

Two English sterling silver teapots

1821/1838 Each with English sterling hallmarks Comprising one lobbed teapot with pinched neck, grape vine rim, floral motif, eagle finial, and foliate handle raised on four scrolled feet and one pumpkin-form teapot with leaf and floral motif, floral finial, and foliate handle raised on four flared feet, 2 pieces Larger: 7” H x 10.75” W x 6.875” D; Smaller: 5.625” H x 10.75” W x 7” D 50.295 oz. troy approximately $500-700

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260

Two silver table items

Late 19th/early 20th Century One marked for Sheffield Sterling 1900 by Henry Atkin [H.A.]; One marked: Germany Comprising an English sterling silver repousse footed bowl with foliate and C-scroll motifs and one German .800 Hanau silver openwork and repousse tazza with figural pastoral scene of figures dancing the maypole, 2 pieces Larger: 5.75” H x 9.5” Dia.; Smaller: 4.75” H x 9” Dia. 34.05 oz. troy approximately $400-600

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262

A pair of Tiffany & Co. sterling silver flower candleholders

20th Century Each marked: Tiffany & Co. / Portugal Each: Portuguese sterling silver in the form of a flower, retailed by Tiffany & Co., 2 pieces Each: 1.875” H x 4.125” Dia. 8.755 oz. troy approximately $500-700

261

Four reticulated silver bowls

Late 19th/early 20th Century Two marked for sterling Comprising one oval repousse bowl with pastoral courting scene, one oval repousee bowl with putti and floral swags, one bowl with acorn and oak leaf border, and one footed bowl with grape and vine motif, personalized; makers include: Woodside Sterling Co., 4 pieces Largest: 4” H x 9.25” Dia. 58 gross oz. troy approximately $800-1,200 Provenance: The Alan Schneider Collection

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263

A Russian silver and niello salt chair

1873; Moscow, Russia Marked: BC [Vasilii S. Semenov] / R.C. 1873 / 84 / [Moscow] The Pan-Slavic-style silver salt chair with hinged seat, engraved and niello decoration, and Russian inscription to lid reading: “Without salt and bread, it is half a dinner” 2.625” H x 1.875” W x 2” D 3.35 oz. troy approximately $400-600 Provenance: The Alan Schneider Collection Notes: Cyrillic “BC” maker’s mark, translates to “VS” in Latin script, for VasiliÏ S. Semenov.

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264

A Wallace “Romance of the Sea” sterling silver flatware service

Circa 1950-2009 Each signed: Wallace / Sterling / Romance of the Sea Designed 1950 by William S. Warren, comprising 12 hollow-handled Modern place knives (9”), 1 master butter knife (7.25”), 12 butter spreaders (6.25”), 12 place forks (7.375”), 12 salad forks (6.5”), 8 cocktail forks (5.5”), 16 teaspoons (6.125”), 1 sugar spoon (6.125”), 2 table/serving spoons (8.625”), and 1 cream ladle (5.75”), 77 pieces Weighable sterling: 102.545 oz. troy approximately $1,800-2,200

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265

A Gorham “Alencon Lace” sterling silver flatware service

Circa 1965-1991 Each marked: Gorham / Sterling Comprising 9 hollow-handled Modern place knives (9.125”), 8 hollow-handled butter spreaders (6.5”), 9 place forks (7.5”), 11 salad forks (6.75”), 8 desert/oval soup spoons (6.875”), 8 teaspoons (6”), 1 sugar shell spoon ( 6.25”), 1 table/serving spoon (8.625”), 2 pierced tablespoons (8.5”), 1 gravy ladle (7.125”), 1 cold meat serving fork (8.875”), 59 pieces Weighable sterling: 61.26 oz. troy approximately $1,200-1,800

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266

A Fine Arts sterling silver “Southern Colonial” flatware service

Circa 1945-1979 Each marked: Fine Arts / Sterling / Southern Colonial Designed 1945, comprising 7 hollow-handled Modern place knives (9.25”), 1 master butter knife (7”), 8 place forks (7.375”), 1 salad fork (6.5”), 10 cream soup spoons (6.5”), 23 teaspoons (5.875”), 12 iced tea spoons (7.375”), 1 gravy ladle (6.5”), and 1 pierced table/serving spoon, 64 pieces Weighable sterling: 65.055 oz. troy approximately $800-1,200

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267

Three Salvador Ter·n and Los Castillo brass table items

Third-quarter 20th Century Two marked: Handwrought / Salvador / Hecho en Mexico; Further numbered: 433 and 421; One marked: Los Castillo / Taxco / Handwrought / Hecho en Mexico / 43 Comprising a Salvador Teran footed brass pitcher and tray with inset stones and decorated with figural motifs, and one Los Castillo brass and mixed-metal figural ashtray, 3 pieces Largest: 7.25” H x 8” W x 6” D; Smallest: 2.5” H x 3” Dia. $400-600 Provenance: From the Collection of the Dharam Damama’s

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268

A group of modernist rings

Third-quarter 20th Century Most stamped for maker and for silver Comprising a Sam Kramer wire-wrapped ring and other rings set with stones as well as bands from various Mexican and American makers, including Los Ballesteros, ATE, AP, Eagle 16, Eagle 1, 18 pieces Sizes: 5-11 108.8 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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269

A James Parker silver and gem-set ring

Third-quarter 20th Century; San Diego, CA Stamped for James Parker; Further stamped: Hand Made / Silver Centering a simulated turquoise cabochon set into a modernist knot ring Ring size: 8.25 16.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

270

A modernist Mexican cuff bracelet

Mid-20th Century Stamped: Hecho en Mexico Of architectural structure with bars terminating in cabochon onyx 6.5” L x 1.75” W 78.8 grams $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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271

272

Mid-20th Century Otto Robert Bade bracelet stamped: ORB / Sterling Comprising an Otto Robert Bade asymmetrical silver wire cuff (7” L x 3” H, wrist opening: 1”), a tapered sterling silver cuff (7.5” L x 1.65”-2” W), and a sterling stacked-wire styled cuff (6.5”L x 1.45” W, wrist opening: 1.25”), 3 pieces 238.7 grams gross

Three gr

A group of modernist silver cuff bracelets

$250-350

A group

Two Anto Circa 195 Stamped Compris

A James Stamped The acid 1.5” H x

A Finnish 1972; Tu Stamped Designed 1.125” H

$600-800

Provenan

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p of modernist jewelry

roupings

onio Pineda silver brooches 53-1979; Taxco, Mexico d: Crown mark for Antonio Pineda; Each variously stamped: Eagle 17 / [indistinct eagle] / Made in Mexico / Silver / PR531 / Hecho en Mexico sing one with inset tubes (2.75” H x .875” W) and one set with onyx (1” H x 2.25” W)

s Parker modernist brooch d for James Parker; Further stamped: Hand Made / Silver d-etched surface with applied elements 3.625” W

h Matti J. Hyvarinen sterling silver link bracelet urku, Finland d: MJH / 925H / T7 d with links of textured and polished sliver H x 7” W 4 pieces 145.2 grams gross

nce: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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273

A group of modernist silver jewelry Mid-20th Century or later

A Richard Lawless silver scribble brooch Stamped: Lawless 4” H x 3” W A Toni Vigeland of Norway starburst pendant Stamped: [T within V/ N+ for Applied-Arts Workshop] / PLUS / 925S 2.5” Dia. A mixed-metal hinged fish bangle Stamped: JMS / 925 / [other marks obscured] 6.75” C A modernist brooch Stamped: LC / Taxco / 925 2.5” L A pair of mixed-metal Los Castillo screw-back earrings Stamped: Los Castillo / Taxco Each: .75” Dia. 6 pieces $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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274

A group of Mexican dot jewelry

20th Century Necklace stamped: Emma / VJC / Taxco /Mexico / 825; Link bracelet stamped: Victoria / Mexico / Sterling / [eagle mark]; Cuff bracelet stamped: Brenda Schoenfeld / 1993 / 925 / Mexico Comprising a necklace centering three plaques (17” L x .75” H), a spherical link bracelet (7.5” L), and a cuff bracelet (6.5” L x 1” H), 3 pieces 114.4 grams $300-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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275

A studio mixed-metal collar necklace

Second-half 20th Century Appears unmarked Hammered copper with brass ball studs and hand drop pendants 17” L x 3.5” H, collar: .75”-1.5” W 158.2 grams $100-200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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276

A group of modernist Mexican jewelry Second-half 20th Century Three groupings

A modernist Adan Alvarado gem-set bolo tie Stamped for Adan Alvarado; Further stamped: Sterling Taxco 925 In a stylized Aztec-motive suspending a twisted-motif pendant set with a synthetic color change sapphire on a cord with pointed silver tips Bolo pendant: 3.625” H x 2.75” W Two Erika Hult de Corral pendants Each stamped: Ric / Taxco / Hecho en Mexico / 925; The larger stamped: Eagle 3 Comprising a large silver pendant (5.125” H x 3.875” W) and a silver and green stone pendant (3.25” H x 3.875” W), 2 pieces A Leopoldo and Enrique Betancourt modernist belt buckle Stamped: Betancourt/ Hecho en Mexico 5 pieces $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 3 1 5

277

A William Spratling silver and amethyst pendant with chain

1949-1956 and 1964-1967, Second and Third Design Periods; Taxco, Mexico Each Stamped for William Spratling; Further stamped: 925/ Taxco Mexico / Eagle 30 The stylized cross inset with carved amethyst suspended on a silver chain, 2 pieces Pendant: 2.325” H x 2.125” W; Chain: 24” L 83 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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278

A William Spratling sterling silver and azurmalachite brooch 1950-1967, Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: 925 The stylized hummingbird set with inlaid azurmalachite panels 4.625” H x 1.75” W 47.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure,” 2003, p. 107, fig. 2-358.

279

A William Spratling silver and copper brooch

1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver The stylized Aztec sun-motif brooch with copper accents 2.325” Dia. 27.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure,” 2003, p. 49, fig. 2-106.

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280

A William Spratling “Lorenzo” silver and amethyst brooch

1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver The stylized parrot brooch set with an amethyst cabochon, designed in honor of Spratling’s pet parrot, Lorenzo 4.5” H x 1.25” W 39 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C Morrill and Carole A. Berk. “Mexican Silver: 20th Century Handwrought Jewelry & Metalwork,” 1994. p. 38, fig. III-16.

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281

A William Spratling “Yin Yang” sterling silver pendant

1965-1967, Third Design Period Stamped for William Spratling; Further stamped: Eagle 63 Designed as two crossed hands with a mosaic green stone inlay 3.125” H x 5” W 55.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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282

A group of William Spratling “Cholulteca Conch” brooches

1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Made in Mexico / Silver/ Sterling A group of three brooches and one clip-back brooch of varying sizes, each designed as stylized conch shells, 4 pieces Largest: 2” L x 2.75” W; Two Medium: 2” L x 1.75” W; Smallest: 1.5” L x 1.5” W 60.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure,” 2003, p. 40, fig. 2-56.

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283

A group of Los Castillo brooch/pendants

Circa 1942-1948; Taxco Mexico Variously stamped: Los Castillo/ Taxco / Sterling / Made in Mexico / 658, 438, 418 Comprising a sunburst brooch topped with a cabochon amethyst (2.10” D), a scrolled quatrefoil brooch (2.25” L x 2.50” W), a conjoined circle brooch (3.40” L x 1.75” W), a five lobed brooch (2.50” D), and an eight part floral brooch/pendant (2.25”D), 5 pieces 148.5 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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284

A group of Los Castillo “Onix Negro” mixed-metal and hardstone tie pins 1950-1970; Taxco, Mexico Stamped: Los Castillo; Each variously stamped: Eagle 15 / Hecho en Mexico / Onix Negro The modernist tie pins of various shapes designed in silver, copper, turquoise, and black stone, 18 pieces Largest: .625” Dia. x .5” D 63.50 grams gross $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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285

A group of Los Castillo silver jewelry

Circa 1942-1970; Taxco, Mexico The suite stamped: Los Castillo; One stamped: Mosaico Azteca / Los Castillo / 925 / 377; One stamped: Los Castillo / Hecho en Mexico / Eagle 15 Comprising a Los Castillo suite of a necklace (19” L), a bracelet (6.75” L), and a pair of screw-back earrings (1” Dia.); a spiral link necklace (17” L); an enameled spiral motif Los Castillo suite of a necklace (14.75” L), a bracelet (7” L), and a pair of stud-backed earrings (1.25” L ), 9 pieces 447 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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286

A suite of Los Castillo silver jewelry

Circa 1945-1970; Taxco, Mexico Stamped; Los Castillo; Indistinct eagle; Each variously stamped: Sterling / Made in Mexico / Taxco / 480; Earrings unmarked Comprising of a stylized chevron-motif necklace (16.5” L x .9” W), a bracelet (7.5” L x .9” W), and a pair of clip-back earrings en suite (1” H x .9” W), 4 pieces 198.4 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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287

A group of Los Castillo “Onix Negro” mixed-metal jewelry

Circa 1950-1970; Taxco, Mexico Each stamped: Los Castillo; Variously stamped: Eagle 15 / Hecho en Mexico / Onix Negro Comprising a necklace of alternating tubular links of oxidized and polished silver ( 14” L) with matching bracelet (7” L ); a face brooch (1.75” L x 1.25” W); an abstract profile brooch/pendant set with onyx ( 2.25” L x 1.6” W); an enameled cat brooch ( 1.25” W x .75” L); an enameled brooch with two figures (1.25” L x 1” W); an enameled scorpion money clip (2.25” L x 1” H); an enameled animal ring (size 9); and a starburst pendant ( 1.5” L x .75” W), 9 pieces 222 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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288

A Los Castillo floral belt and bracelet

Circa 1942-1948; Taxco, Mexico Each stamped: Los Castillo / Sterling / Taxco / Made in Mexico / 662 Comprising a linked belt (28” L x 1.25” W) and a bracelet en suite (7.5” L x 1.25” W), 2 pieces 246.9 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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289

A Los Castillo mixed-metal and stone belt buckle

Circa 1950; Taxco, Mexico Stamped: Los Castillo / Taxco / Hecho en Mexico / 070 The brass buckle with silver, copper, turquoise, and malachite inlay in abstract design, clip removable from an alligator belt Buckle: 2.125” W x 1.25” H; Belt: 43.25” L Buckle only: 42.2 grams $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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290

An assembled suite of Piedra y Plata silver and tiger’s eye jewelry

Third-quarter 20th Century Stamped: Piedra Y Plata; Further stamped: Eagle 3 / Martinez / Sterling / Taxco / 101 / 258 Comprising a necklace designed with concave silver and alternating tiger’s eye panels designed by Felipe Martinez with a matching bracelet and similar-style drop screw-back earrings en suite, 4 pieces Necklace: 14” L x 1” H; Bracelet: 6.75” L x 1” H; Each earring: 2.5” H x .5” W 236 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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291

Three Graziella Laffi jewelry items

Third-quarter 20th Century; Peru Each stamped: Laffi / Peru / Sterling or 925 Comprising a bib necklace (16.75” L x 1.25” H), a bird-motif cuff bracelet (7” C x 2.24” H, wrist opening: 2.125”), and a cuff bracelet with geometric design (7.25” C x 1.25” H, wrist opening: 1.25”), 3 pieces 232.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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292

A group of Hubert Harmon mixed-metal and hardstone foot jewelry

1942-1944 and 1944-1948; Taxco, Mexico Stamped for Hubert Harmon; Each variously stamped: Sterling / Made in Mexico / Mexico / Hand made / Taxco; Metal pin attributed to Harmon Comprising a foot-form tray with various hardstone feet, a brass and silver foot-motif brooch, ten foot buttons, and a metal foot pin, 13 pieces Largest: .5” H x 5.5” W x 3.5” D 178.5 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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293

A group of Fred Davis silver and onyx mask jewelry

Pre-1948; Mexico Each stamped: FD [Fred Davis]: Variously stamped: Silver / Made in Mexico Comprising a hinged panel bracelet featuring a carved onyx mask (7” L x 1.65” W) and two similar brooches (3” H x 1.95” W and 1.5” H x 2” W), 3 pieces 139 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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294

A group of Fred Davis silver and amethyst jewelry

Pre-1948; Mexico Two stamped: FD [Fred Davis]; Further stamped: Silver / Made in Mexico; Pendant attributed to Davis The stylized amethyst-set medallion link bracelet (7” L x 1” W) en suite with a matching brooch (1.75” L x 1.75” W) and pendant converted from a bracelet link (unsigned), 3 pieces 85 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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295

An assembled set of Fred Davis silver and amethyst jewelry

Pre-1948; Mexico Each stamped: FD [Fred Davis]; Bracelets further stamped: Mexico / Silver Comprising a pair of matching bracelets with cabochon amethysts, measuring approximately 13 mm, set on silver half-sphere clusters (7.75” L x 0.75” W & 7” L x 0.75” W), paired together with a matching necklace (18”L x 1.1” H), 3 pieces 284.5 grams $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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296

A Salvador Ter·n sterling silver necklace

Third-quarter 20th Century; Mexico City, Mexico Stamped: Salvador / Sterling / Mexico / 137 Strung on a velvet cord suspending two silver openwork drop pendants 26” L x 4.5” H 71.4 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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297

A group of Salvador Ter·n and ARS sterling silver

Third-quarter 20th Century Stamped: Taller / Sterling / Taxco / 141; Further stamped en Mexico / Sterling Comprising a twisted studded pendant suspended from chain (16.5” L x 2.6” H), a pair of matching studded pend L), a second pair of earrings (1.5” L), together with an ass marked ARS (7.5” L), 6 pieces 159.5 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and

298

A group of Salvador Ter·n modernist silver jewelry

Third-quarter 20th Century; Taxco, Mexico Two stamped: Salvador / Sterling / Eagle 36 / 199; Bracelet stamped: Taller / Sterling / Mexico / 199 Comprising a bracelet (6.5” L x 2” H), a matching brooch (2.25” H x 1.75” W), and a pair of screw-back earrings (1.25” H x 1” W), each with a two-tone silver pattern with applied protrusions, 4 pieces 103.7 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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r studded jewelry

d: Plata / 925 / Hecho

a bespoke neck dant earrings (1.6” sociated bracelet

Stuart Hodosh

299

A group of Salvador Ter·n jewelry

Third-quarter 20th Century; Mexico City, Mexico Stamped: Salvador / Sterling / Mexico / Eagle 36 Comprising a hinged rigid collar suspending two interchangeable starburst pendants with a cabochon onyx and rose quartz (17” L x 2.325” H) and a pair of screw-back earrings set with rose quartz (1.25” H x 1.25” W), 4 pieces 116 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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300

A group of Salvador Ter·n modernist jewelry

Third-quarter 20th Century; Taxco, Mexico Each stamped: Salvador; Variously marked: Sterling / Mexico / Eagle 36; Model numbers: 116, 180, 136 Comprising a tapered bar link necklace suspending a detachable spiked central terminal with twelve cabochon emeralds (14.5” L x 2.1” H), a rigid bar link necklace suspending a detachable abstract face pendant (14.5” L x 3.1” H), a rigid link necklace centering a bird centerpiece (16.5” L x 2” H), and a large abstract figural pendant/brooch (3” H x 4” W), 6 pieces 245 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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301

An Antonio Pineda silver and amethyst bangle bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Indistinct eagle; Further stamped: Hecho en Mexico / Silver / 970 / ZZ750 The architectural hinged bangle bracelet with amethyst closure 6.25” C x 1.325” H 93 grams $700-900 Literature: This bracelet illustrated: Stuart Hodosh, et al. “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 139, plate 167.

302

An Antonio Pineda silver and onyx bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Indistinct eagle; Further stamped: 970 / Hecho en Mexico / ZZ750 An architectural tapered hinged bangle bracelet with onyx closure 6.5” L x .5 -1.5” W 92.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Stuart Hodosh, et al. “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 139, plate 167.

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303

An Antonio Pineda silver and onyx bracelet

Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Silver / 970 / Hecho en Mexico A geometric link bracelet comprising of faceted onyx and half round silver links 6.5” L x 1” W 113 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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305

An Antonio Pineda silver bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 28 / Sterling / 970 / JVL Taxco A stylized open twist cuff 7” L x 3.25” H, wrist opening: 1” 91.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

304

Two Antonio Pineda silver bracelets

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each further stamped: Eagle 1 / Eagle 17 / Hecho en Mexico / 970 / Taxco / Silver / ZZ780 Comprising a circle link bracelet (6.5” L x .75” W) and a “C” link bracelet (7” L x .8” W), 2 pieces 126 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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306

Four Antonio Pineda silver bangle bracelets

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Each variously stamped: Silver / Sterling / Mexico / 970 / Hecho en Mexico Comprising two oxidized and two polished concave bangle bracelets, 4 pieces 8” L x .5” H 100.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

307

An Anton

Circa 1953 Crown mar Designed a 7” C x 1.75 115 grams

$1,000-1,5

Provenance

Literature: Pineda; fro

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308

An Antonio Pineda silver and chrysoprase bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle mark; Further stamped: 970 / Hecho en Mexico A domed tapered cuff featuring a floating cabochon chrysoprase 6.5” L x .5-1.1” W 66.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

nio Pineda silver and onyx bracelet

3-1979; Taxco, Mexico rk for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 / Silver as matchstick-form links forming the letter “A” tipped with faceted onyx 5” H

500

e: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

This bracelet illustrated: Stuart Hodosh, et al. “Silver Seduction: The Art of Mexican Modernist Antonio om the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 153, plate 209.

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309

An Antonio Pineda silver belt buckle

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / PZ198 The stylized sash belt buckle with oxidized silver stripes 4.75” W x 2” H 66.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This belt buckle illustrated: Stuart Hodosh, et al. “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 142, plate 177.

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310

Two Antonio Pineda silver and onyx jewelry items

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: Eagle 17 / Eagle 3 / Hecho en Mexico / 970 / APC Taxco / Silver / Sterling / Mexico / PZ192 Comprising a silver and onyx belt buckle (3” L x 1” W) and a money clip (2.45” L x 1.10” W), 2 pieces 72 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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311

An Antonio Pineda silver and azurmalachite bracelet

Circa 1941-1950; Taxco, Mexico Stamped for Antonio Pineda; Further stamped: Silver / Mexico / ZZ447 Designed with concave and convex links featuring oval azurmalachite cabochons 6.5” L x 1.125” H 137.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This bracelet illustrated: Stuart Hodosh, et al. “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 111, plate 119.

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312

An Antonio Pineda silver and amethyst bracelet

Circa 1948-1953; Taxco, Mexico Stamped: Silver by Tono; Further stamped: Mexico Comprising eight cabochon amethysts, measuring approximately 20 mm diameter, set within heavy silver frames 6.85” L x .75” W x .5” H 117 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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313

An Antonio Pineda silver and amethyst bracelet

Circa 1953-1979; Taxco, Mexico Stamped for Antonio Pineda; Indistinct eagle; Further stamped: Hecho en Mexico / Silver / 970 Comprising concave oval links, each centering a bezel-set faceted oval amethyst measuring approximately 9 mm x 6 mm 7” L x .75” W 92 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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314

An Antonio Pineda bracelet

Circa 1962-1963; Taxco, Mexico Stamped: Crown mark for Antonio Pineda / 58 / 970 / Hecho en Mexico Designed with ten hinged panels with abstract motif 7” L x 1.1” W 111.45 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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315

A group of Antonio Pineda silver and hardstone earrings

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: Eagle 17 / Eagle 58 / Sterling / Mexico / 970 Comprising a pair of swirl onyx screw-back earrings (1.1” L x 0.75” W), a pair of screw-back onyx chevron earrings (1.3” L x 0.75” W), and a pair of clipback obsidian drop ear clips (1.5” L x 0.5” W), 6 pieces 53.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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316

Five Antonio Pineda silver and cultured pearl abstract brooches Circa 1953-1979 and 1962-1963; Taxco, Mexico Each with crown mark for Antonio Pineda; Variously stamped: Hecho en Mexico / 970 / Eagle 17 / Eagle 58 / Los Castillo Soc Coop Scl Sec 2 A pea pod brooch Featuring nine loose fresh-water pearls 3” L An abstract modernist brooch Set with a rough polished malachite and cultured pearl 1.75” L x 2.45” W An abstract modernist brooch Set with a cultured pearl and a spherical onyx 2” L x 1.75” W A scrolled brooch Set with a single cultured pearl 1.25” L x 2” W A triangular-styled modernist brooch Set with a single cultured pearl 1.5” L x 2” W 5 pieces 78 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 3 5 1

317

An Antonio Pineda silver and amethy

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further sta Hecho en Mexico Designed with curved sterling links set with measuring from approximately 16 mm x 12 15” L x .75” H 105 grams $1,000-1,500

Provenance: The Collection of Cindy Tietze

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yst necklace

amped: Eagle 183 / 925 / Mota Tasco /

h thirteen pear-shaped amethysts, each 2 mm x 6 mm to 20 mm x 11 mm x 7 mm

e-Hodosh and Stuart Hodosh

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318

An Antonio Pineda silver and moonsto

Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Further stam A collar necklace featuring square stylized lin 14.5” L x .65” H 98.5 grams $1,200-1,800

Provenance: The Collection of Cindy Tietze-

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one necklace

mped: Sterling / Mexico / 970 nks inset with ten round cabochon moonstone

-Hodosh and Stuart Hodosh

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319

Three Antonio Pineda silver, hardstone and enamel rings

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Silver / Mota Taxco / 970 / Sterling / Mexico / Comprising a rectangular plaque ring topped with a ridge of obsidian, ring size: 7, a ring topped with a dome of onyx, ring size: 9.75”, and a buckle style ring inlaid with black onyx, ring size: 6.50 28 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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321

Two Antonio Pineda silver belt buckles

Circa 1953-1979 and 1962-1963; Taxco, Mexico The first: crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970; The second: crown mark for Antonio Pineda; Further stamped: Eagle 3 / 970 / Hecho en Mexico / Los Castillo Soc Coop Scl Sec 2 Comprising an abstract shaped belt buckle featuring a textural motif detailed with agate (2.25” L x 1.50” W) and a modernist oval belt buckle of textural finish with various shaped onyx (2.50” L x 1.25” W), 2 pieces 87.7 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

320

Four Antonio Pineda mixed-metal rings

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Silver / Sterling / Mexico / 970 Comprising a pair of domed crested rings (ring size: each 8.5), a silver bypass ring topped with a ridge of brass (ring size: 6.5), and a tear drop horizontal ring inlaid with a dot of copper and brass (ring size: 7.25), 4 pieces 63 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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322

An Antonio Pineda silver and obsidian belt buckle

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Hecho en Mexico / Silver / 970 / PZ162 A rectangular belt buckle centered with obsidian tubes 1.625” H x 5.625” W 125 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This belt buckle illustrated: Stuart Hodosh, et al. “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 143, plate 179.

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323

Two Sigi Pineda adventurine quartz jewelry items

Third-quarter 20th Century; Taxco, Mexico Each stamped for Sigi Pineda; Variously stamped: Eagle 3 / Tasco / Sterling / Hecho en Mexico; Numbered: 408 / 265 A hinged rigid collar set with round cabochon adventurine measuring 16 mm x 6 mm (16.5” L x 1.60 H) and hinged bangle bracelet centering a cabochon adventurine measuring 30 mm x 20 mm x 11mm (7” L x 1.25” W), 2 pieces 145 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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324

A Hector Aguilar “Armadillo” sterling silver belt

Circa 1943-1948; Taxco, Mexico Stamped for Hector Aguilar; Further stamped: Made in Mexico / Sterling The shaped sterling silver buckle set into a fabric belt 2.75” H x 5.75” W; Belt: 36.75” L 154.5 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

326

A bow guard cuff bra

20th Century Unmarked Designed with repousse 4” H x 7.5” L - 9” L, wris 175.4 grams $200-300

Provenance: The Collect

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325

Three Hector Aguilar silver cuff bracelets

Circa 1943-1948 and 1949-1962; Taxco, Mexico Each stamped for Hector Aguilar and sterling silver; Two further stamped: Eagle 9 Comprising a stylized scale cuff (6.25” C x 1.625” H, wrist opening: .875”), a scroll-motif cuff (7” C x 4” H, wrist opening: .875”), and a cuff bracelet designed with applied half-spheres (6.5” C x 2.75” H, wrist opening: 1.325”), 3 pieces 286.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

acelet

e star motif in low karat silver st opening: 1.5” - 2”

tion of Cindy Tietze-Hodosh and Stuart Hodosh

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327

A group of mixed-metal Mexican jewelry 20th Century Three groupings

A silver and copper bracelet and earring set Necklace stamped: Victoria / Taxco / Mexico / Sterling / 327 Each of alternating silver and copper diagonal motif, with screw-back earrings, 3 pieces Bracelet: 7” L x 0.85” W A Los Castillo silver and copper necklace and earring set Necklace stamped: Los Castillo / Eagle 15 / Sterling / Taxco / Mexico / 382 The trapezoid-shaped link necklace with screw-back earrings, 3 pieces Necklace: 14.5” L x 0.60” W A Los Castillo silver and copper chevron bracelet Stamped: Los Castillo / Made in Mexico / Sterling / 480 With alternating silver and copper chevron shaped links 6” L x 0.85” W 7 pieces $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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328

Three Mexican silver and amethyst bracelets

Mid-20th Century; Mexico City, Mexico Two stamped: Parra [Horachio de la Parra] / Mexico / Sterling; One stamped: JP / Silver / Mexico / 925 Comprising a Parra amethyst six-hinged link bracelet with beveled rectangular amethyst (7” L x 1.45” W), a Parra bracelet with six round links and cabochon amethysts (7.25” L x 1” W), a JP hinged bracelet eight rectangular panels with basket weave and small round cabochon amethysts (7.25” L x 1.1” W), 3 pieces 189.85 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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329

A group of Mexican silver jewelry

Second-half 20th Century Panel bracelet stamped: Salvador/ Taxco / Mexico/ 151; Necklace stamped: Eagle 3 / Taxco Comprising a Salvador Teran modernist panel bracelet (7.5” L x 1.2” W), an abstract spherical link necklace (23” L x 2” H), a buckle bangle (6.5” L), a hinged bangle topped with onyx (7”), and a free-form link bracelet (6.5”), 5 pieces 191 grams gross $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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330

Fourteen pairs of Mexican cufflinks

20th Century Makers include: Los Castillo, Salvador Teran, Emma Melendez, and Enrique Ledesma; Variously stamped: Taxco / Mexico / Sterling / Hecho in Mexico; Variously numbered Comprising a pair of copper cufflinks with recessed horse motif (1” D), a pair of silver cufflinks with recessed rabbit motif (1.5” L x .85” W), a pair of silver cufflinks with inlaid copper archer motif (1.1” L x .75” W), a triangular pair of cufflinks with figural motif (1.375” L x .875” W), a pair of tubular cufflinks terminating with inlaid turquoise (.85” L), a pair of silver fish scale cufflinks (1.5” L), a pair of domed silver cufflinks with domed oxidized starburst (.75” L), a pair of double-link domed silver cufflinks (1” L x .5” W), a pair of silver Hercules knot cufflinks attached by chain to a bar link ( 1” L), a pair of turquoise checker board cufflinks (unmarked) (1” L x .4” W), a pair of rectangular cufflinks with recessed oxidized bars (.8” L x .5” W ), a pair of rectangular cufflinks set with onyx darts (1” L x .6” W), a pair of triangular domed cufflinks with turquoise inlay (.875” L x .625” W), a pair of stylized bird cufflinks with turquoise inlay (.9” L), 28 pieces 238 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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331

Two Antonio Reina silver tapered hinged bangles

Mid-20th Century Each stamped: AAR [Antonio Reina] / Hecho en Mexico / 925 / Sterling / Taxco Comprising a tapered bangle set with three turquoise dots (7” L x .85-1.35” W) and a tapered bangle set with three onyx dots (7” L x .7-1” W), 2 pieces 161.7 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Made In Mexico | August, 3 2021 Carlos Merida (1891-1984, Mexican) “Abstraction, No. 3,” 1976 $20,000-30,000 Consignment and Auction Inquiries: marandam@johnmoran.com

bid in person - absentee - telephone - live online

145 East Walnut Avenue, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 3 6 8 R eD es i gn e d l Tu e s d a y, J u ly 1 3 , 2 0 2 1

Consign Today

Contemporary | September 2021 Andy Woll (b. 1984, American) “Mt. Wilson (Passage IV),” 2018

Sold: $15,000.00 Consignment and Auction Inquiries: bree@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 w w w. j o h n m o r a n . c o m 3 6 9

Consign Today

Art of the American West | August 2021 Gaspard de Latoix (1858-1918, English/American) “Two Indians on horseback,” 1890

Sold: $37,500.00

Consignment and Auction Inquiries: bree@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 3 7 0 R eD es i gn e d l Tu e s d a y, J u ly 1 3 , 2 0 2 1

Consign Today

Fine Jewelry & Timepieces | September 2021 An Indian diamond and blue enamel necklace

Sold: $9,100.00

Consignment and Auction Inquiries: bree@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 w w w. j o h n m o r a n . c o m 3 7 1

3 7 2 ReD es i gn e d l Tu e s d a y, J u ly 1 3 , 2 0 2 1

Condition Reports

w w w. j o h n m o r a n . c o m 3 7 3

1 Each overall good condition with minor wear, scuffs, and light scratches commensurate with age. One shade with a chip to the fitter rim. 2 Each overall good condition with minor wear, scuffs, and light scratches commensurate with age. One shade with chips to the fitter rim. 3 Each overall good condition with minor wear, scuffs, and light scratches commensurate with age. Four shades with chips to the fitter rim. Two shades with hairline cracks running along lower rim. 4 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Interior residue visible when illuminated. 5 Overall fair to good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Heavier scuffing and minor fleabite to lip. More prominent horizontal scratching to shoulder. A 6” vertical hairline crack running from rim to center of body, visible under illumination. 6 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with wax residue commensurate with use. 7 Each overall good condition with minor shelf wear and light scuffs commensurate with age. The first with scattered minor scratches to interior and adhesive label residue to underside. The second with scattered minor scratches to interior rim. 8 Each overall good condition with minor shelf wear and light scuffs commensurate with age. The first with minor scratches to rim, flaws to base inherent to the time of manufacture, and adhesive label residue to underside. The second with scratches to interior, chips to base, and adhesive label residue to underside.

Condition Reports

9 Each overall good condition with minor wear, scuffs, and light scratches commensurate with age. Each shade with chips to the fitter rim.

374

10 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The first with minor chip to base. The second with a minor surface imperfection likely dating to the time of manufacture. 11 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 12 Overall good condition with minor shelf wear and light scuffs commensurate with age. Minor scattered scratches to exterior. Adhesive label remnants and residue to underside.

13 Overall good condition with shelf wear, minor scuffs, and oxidation to bronze commensurate with age. Original base with reproduction shade. Depth measurement reflects lowest articulated position. Wiring should be checked by a qualified electrician prior to use. 14 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Damage to interior finish in basin of bowl. 15 Each overall good condition with minor shelf wear, scuffs, light scratches, and tarnishing commensurate with age. Each candlestick with wax residue commensurate with use. Each glass bobeche with minor chips and nicked abrasions to fitter rim. One bobehce with shades of blue and one with shades of pink. 16 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Two chips to pontil mark. Visible filming to the interior. 17 Overall good condition with shelf wear, minor scuffs, and darkening to bronze commensurate with age. Glass vase detachable from bronze base. Glass spuriously signed for L.C. Tiffany. 18 Overall good condition with minor shelf wear and light scuffs commensurate with age. With metal fitter but lacking hanging chains and fixture. 19 Overall good condition with shelf wear and inherent firing flaws commensurate with age. Scattered minor pinholing to the glaze. No evidence of repairs or restorations under blacklight. 20 Overall good condition with shelf wear, light scratches, and inherent firing flaws commensurate with age. Base with adhesive residue to underside and scattered pinholing to the glaze. Original light sockets with paddle switch; later-added riser. No evidence of repairs or restorations under blacklight. Approximately seven glass panels with cracks. Wiring should be checked by a qualified electrician prior to use. 21 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Shade with fleabites and scattered minor chips along lower rim. Base with deterioration and losses to original rubber along fitter ring and label adhesive residue. No evidence of restoration or hairlines under illumination. Lamp has been rewired. Wiring should be checked by a qualified electrician prior to use. 22 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Shade with fleabites and scattered minor chips to rim. No evidence of restoration or hairlines under illumination. Base with tarnishing and adhesive felts pads to shade ring. Lamp has been rewired. Wiring should be checked by a qualified electrician prior to use.

24 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Shade, prisms, and base with scattered fleabites throughout. Base with two chips to lower edge. Wiring should be checked by a qualified electrician prior to use. 25 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Lacking atomizer pump. No evidence of restoration or hairlines under illumination. 26 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. One pitted chip to external decoration on a floral bud. No evidence of restoration or hairlines under illumination. 27 Overall good condition with minor shelf wear and light scuffs commensurate with age. 28 Overall good condition with minor shelf wear and light scuffs commensurate with age. Localized area of scratching to side. 29 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Putty residue to underside. One chip and scattered fleabites to bottom rim. One pitted chip to shoulder exterior. No evidence of restoration or hairlines under illumination. 30 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Putty residue to the underside. One minor chip to rim. No evidence of restoration or hairlines under illumination. 31 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. No evidence of restoration or hairlines under illumination. 32 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Minor fleabites to bottom rim. Light residue and mineral buildup to interior. No evidence of restoration or hairlines under illumination. 33 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Scattered minor ruptured air bubbles dating to time of manufacture. Adhesive felts pads to underside; underside with inscribed “WOT” in black. No evidence of restoration or hairlines under illumination.

34 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. No evidence of restoration or hairlines under illumination. 35 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The first with minor scattered nicks to surface decoration. The second with two chips to the rim. The third with hairline crack to top of the lid and minor nicks to rim. 36 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Weed vase with minor chipping to rim. Small vase with fleabites to rim and a .5” buffed chip, possibly dating to the time of manufacture, and label residue to underside. No evidence of restoration or hairlines under illumination. 37 Overall good condition with wear, minor scuffs, and light scratches commensurate with age. Shade with minor nicks along rim and mounting holes. Label sticker residue and tape to shade rim. Tarnishing to metal hardware. Rubbed wear to acid-etched signature. Wiring should be checked by a qualified electrician prior to use. 38 Overall good condition with wear, minor scuffs, scratches, and darkening/oxidation to metal commensurate with age. Each loop bracket on glass bowl with break in loop. No evidence of repairs or restorations under blacklight. Signature possibly spurious. Wiring should be checked by a qualified electrician prior to use. 39 Overall good condition with wear, minor scuffs, and oxidation and scattered areas of rust to wrought iron commensurate with age. Each pendant shade with scattered minor fleabites to fitter rim and lower rim. With updates to wiring. Later-added second canopy at top. Signature possibly spurious. Wiring should be checked by a qualified electrician prior to use. 40 Overall good condition with wear, minor scuffs, scratches, and tarnishing commensurate with age. Each pendant shade with chips and fleabites to fitter rim, short hairlines to lower rim, and scattered minor chips to exterior decoration. Central bowl with scattered chips and short hairlines along rim. Silvered metal hardware with light tarnishing/pitting. One pendant arm loose and with updates to hardware. No evidence of repairs or restorations under blacklight. Has been rewired. One pendant light socket nonoperational, in need of service. Wiring should be checked by a qualified electrician prior to use. 41 Overall good condition with wear, minor scuffs, scratches, and tarnishing to metal commensurate with age. Each pendant shade with scattered chips and fleabites to fitter rim and lower rim and short hairlines along lower rim; one with minor chips to exterior side decoration. Central bowl with chips and fleabites to rim and exterior decoration. Inherent internal air bubbles to the glass. No evidence of repairs or restorations under blacklight. Has been rewired. Wiring should be checked by a qualified electrician prior to use.

Condition Reports

23 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Shade with scattered fleabites to rim. Gold stamped signature to shade with fading and wear. No evidence of restoration or hairlines under illumination. Bae with oxidation commensurate with age and shade ring slightly wobbly. Wiring should be checked by a qualified electrician prior to use.

375

42 Each: Generally good condition. Not examined out of the frames. The second: the netting elements appear to have shifted downward out of place. A pea-sized and small lines of yellow staining appear to have splashed across the lower portion of the paper. The third: a small nick to the lower edge of the paper. A tiny dot of yellow staining left center.

50 Visual: Generally good condition. Dark drip of varnish lower left.

Frame of first: 20.25” H x 16.25” W x 1.25” D Frame of second: 23.25” H x 19.5” W x .75” D Frame of third: 21” H x 17” W x 1.25” D Frame of fourth: 23.25” H x 19.5” W x .75” D

51 Visual: Generally good condition.

Blacklight: Drips of uneven varnish visible under blacklight. Frame: 48.25” H x 48.25” W x 2.25” D

Blacklight: No evidence of restoration under blacklight. Frame: 37.25” H x 27.25” W x 1.25” D

43 Generally good condition. Hinged to the back mat with artist’s tape in the upper corners. The paper is not square, the lower left corner is rounded off. Small pieces of artist’s tape adhered along the perimeter of the paper. Frame: 19.75” H x 19” W x 1” D 44 Generally good condition. A .75” tear to the screen lower edge right. Not examined out of the frame. Frame: 31.5” H x 25.5” W x 1” D 45 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

52 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 53 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 54 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 55 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Adhesive felt pads to underside.

Frame: 34” H x 44” W x 1.5” D 46 Visual: Generally good condition. Frame abrasion along the upper edge. Stretcher bar crease across the center. Minor surface dirt and grime throughout. Blacklight: No evidence of restoration under blacklight. Frame: 72” H x 66.25” W x 1.5” D 47 Visual: Generally good condition. 55” line of scattered mildew/ mold spots along the upper edge.

56 Overall fair to good condition with scattered scuffs, scratches, weathering, and oxidation commensurate with age. Various areas of breaks/disconnection to soldered points and one sculptural element detached. 57 Generally good condition. Small nick to the upper right corner. Minor dust accumulation.

Blacklight: No evidence of restoration under blacklight.

58 Visual: Generally good condition. Three of the four corners are creased with minor losses. A series of light surface abrasions upper left.

Unframed.

Blacklight: No evidence of restoration under blacklight.

Condition Reports

Frame: 31.5” H x 39.25” W x 1.75” D

376

48 Visual: Generally good condition. Paint shrinkage throughout. Blacklight: A 5” x 2” area of touch-up to address paint loss lower right with corresponding patch verso. Frame: 55.5” H x 49.5” W x 2.25” D 49 Visual: Generally good condition. Slight wear in the four corners. A tiny fleck of paint loss upper center. Minor surface abrasions scattered throughout. Blacklight: No evidence of restoration under blacklight. Frame: 6.25” H x 8.25” W x 1.5” D

59 Visual: Generally good condition. Isolated lines of surface abrasions to the varnish layer scattered throughout. Tiny chip of paint loss left edge center. Minor surface dirt throughout. Blacklight: No evidence of restoration under blacklight. Frame: 31.25” H x 39” W x 1.75” D

60 Visual: Generally good condition. A 1” gouge to the board upper left. A series of tiny dots of white house paint right center. Minor surface dirt throughout.

70 Overall good condition with scuffs, oxidation to iron, weathering, and losses to painted surface commensurate with age.

Blacklight: No evidence of restoration under blacklight.

71 Visual: Generally good condition. A quarter-sized area of craquelure in the center. Isolated areas of very fine craquelure scattered throughout the left side.

61 Visual: Generally good condition. Minor chipping to the board upper edge right. Blacklight: No evidence of restoration under blacklight. Frame: 22.25” H x 30” W x 1.5” D 62 Overall good condition with shelf wear commensurate with age. Scattered areas of gloss sealant among matte sealant. Repaired horizontal break to head medallion. Adhesive felt pad to underside. With base: 31.75” H x 6” W x 11.25” D 63 Generally good condition. The paper is slightly rippled. Not examined out of the frame. Frame: 18.5” H x 15” W x 1” D 64 Generally good condition. Not examined out of the frame. Frame: 22.5” H x 18.5” W x 1” D 65 Generally good condition. Not examined out of the frame. Frame: 21.75” H x 17.75” W x 1” D

Blacklight: No evidence of restoration under blacklight. Frame: 8.75” H x 18.5” W x 1.5” D 72 Each overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Each with scattered recesses/pinholing to the glaze. Yellow charger with minor nick in glaze to the underside and scuffing to rim. Each with spots of imperfections in the glaze to the underside inherent to the time of manufacture. 73 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. With scattered purposeful imperfections in the glaze, areas of pinholing, and crazing. No evidence of repairs under blacklight. 74 Generally good condition. A few spots of fine craquelure in the sky upper center. A series of tiny chips of paint loss left edge center and right edge center. Frame: 46.25” H x 32” W x 2.5” D 75 Overall good condition with scuffs, light scratches, and dust accumulation commensurate with age. Frame with discoloration along lower edge.

66 Visual: Generally good condition. Not examined out of the frame.

76 Visual: Generally good condition. A pea-sized chip of paint loss upper edge center. Minor surface dirt and dust accumulation.

Blacklight: No evidence of restoration under blacklight.

Frame: 12.75” H x 10.25” W x .75” D

Unframed

67 Visual: Generally good condition.

77 Generally good condition. Small areas of light rubbed wear in the four corners. Not examined out of the shadowbox.

Blacklight: No evidence of restoration under blacklight. Frame: 29.5” H x 25.5” W x 2.5” D 68 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Figure with inherent firing flaws commensurate with age and adhesive felt pads to underside. Cube with wear and losses to painted finish. 69 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Ceramic figures with inherent firing flaws and imperfections to the glaze. The vase with minor chips to the rim and one corner of base. Bronze figure with oxidation and scattered scratches.

Frame: 25” H x 28.5” W x 3.25” D 78 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Unframed on stretcher. 79 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 15.5” H x 13” W x 1.75” D

Condition Reports

Frame: 31.5” H x 39.5” W x 1.75” D

377

80 Overall good condition with dust accumulation and light scratches commensurate with age. Upper-right corner with chip to acrylic. 81 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. One kinetic blade with loosening to welded joint on verso. Wood base with chips and a glued repair running across the center. Adhesive felt pads to underside. 82 Overall good condition with scattered scuffs and light scratches commensurate with age. 83 Overall fair to good condition with scattered scuffs, scratches, possible weathering, and oxidation commensurate with age. Losses to painted surface throughout with areas of rust to metal. Heavier wear to base. 84 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. 85 Overall good condition with wear including light scratches and dust accumulation commensurate with age and use. Lens in overall good condition with light dust accumulation commensurate with age. Leather case and strap with heavier wear and cracking/drying, also with a separated tear and taped repairs on the front flap where it secures to the bottom of the camera. Working condition unknown. 86 Overall good condition with wear including light scratches, dust accumulation, and a small area of lifting to faux skin on reverse commensurate with age and use. Lenses in overall good condition with light dust accumulation commensurate with age. Light scratches to leather cases. Working condition unknown.

Condition Reports

87 Overall good condition with light scuffs and scratches commensurate with age.

378

88 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor fleabites along glass edges. Heavy scuffing and wear to white finish on metal legs. Wooden drawers with buckling/ lifting and chipping to veneer, heaviest at right side. Possibly replacement glass. 89 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 90 Overall good condition with minor wear, scuffs, and light scratches commensurate with age. Ceramic foot with scattered minor pinholing to the glaze. Glass top with localized area of heavier scratches.

91 Overall good condition with minor wear, scuffs, and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. 92 Overall good condition with scattered scuffs, light scratches, and oxidation/tarnishing commensurate with age and use. Adhesive felt pad to underside. Wiring should be checked by a qualified electrician prior to use. 93 Overall good condition with scuffs and scratches commensurate with age. 94 Overall good condition with scuffs and light scratches commensurate with age. Each shelf with surface scratches commensurate with use. One shelf with heavier surface scratches and minor pitted chips toward center. One shelf with a small chip to one corner. One shelf with a .5” chip to one edge. 95 Overall good condition with oxidation commensurate with age. Repair to the peacock’s neck. 96 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. 97 Overall good condition with scattered scuffs, scratches, and minor oxidation commensurate with age. 98 Overall good condition with scattered scuffs, light scratches, and tarnishing commensurate with age. 99 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Willow chair with 5” area of scuffing to lower verso and soiling and two areas of loose stitches to upholstery. Hill House chair with two minor losses to veneer at seat edge. 100 Overall good condition with minor scuffs and light scratches commensurate with age. 101 Each in overall good condition with minor scuffs, scratches, and dust accumulation commensurate with age. Oxidation to each harp. Scattered small tears to interior lamp liners. Each lamp: 28.25” H x 8” W x 8” D Each shade: 11” H x 19.125” W x 19.125” D

102 Each overall good condition with minor shelf wear, scuffs, light scratches, and dust accumulation commensurate with age. Each Dunlavy speaker with lifting to the veneer, heavier lifting to the verso. Working condition unknown. Some with original packaging.

103 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Updated upholstery. Upholstery to seat cushions and skirt with slight areas of discoloration/fading commensurate with use.

113 Generally good condition. The left edge of the paper is perforated. The paper is lightly rippled. Light skimming to the paper in the corners and along the left edge center, possibly from a previous mounting. Light handling creases in the upper left corner. Framed floating and hinged to the back mat with tape in the four corners.

104 Each overall good condition with light signs of wear and soiling commensurate with age and use. One retains the label of Marilyn Meltzer. Each with minor areas of pulled stitches.

Frame: 16.75” H x 19.5” W x 1.5” D

105 Overall good condition with minor scuffs and darkening to bronze commensurate with age.

Blacklight: Certain pigments fluoresce under blacklight, likely in the hand of the artist.

107 Overall good condition with minor scuffs and darkening to bronze commensurate with age. With base: 15.5” H x 18” Dia. 108 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 46.75” H x 36.5” W x 2” D 109 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Unframed on stretcher. 115 Generally good condition. In original aluminum frame. Not examined out of the frame. Frame: 25.5” H x 37.25” W x 2.75” D 116 Generally good condition. Hinged to the recto mat with artist’s tape along the upper edge. Fortified with blue painter’s tape along the upper and lower edges. Frame: 28.25” H x 25.5” W x .75” D 117 A pinhole in the paper lower center. A .25” tear upper right edge. Minor handling creases scattered throughout. Not examined out of the frame. Frame: 20” H x 14” W x 1.25” D

110 Visual: Generally good condition. Tiny chip of paint loss lower left corner.

118 The paper toned and the colors attenuated. Scattered soft handling creases. A .25” vertical tear at the upper sheet edge near the left corner. Reverse staining attendant with hinges at the upper sheet corners. The lower 4” of the sheet trimmed and affixed to the backing board. Framed floating and hinged to the back mat. Not examined out of the frame.

Blacklight: No evidence of restoration under blacklight.

Frame: 22.25” H x 32” W x 1” D

Frame: 24.5” H x 36.5” W x 1.5” D

Unframed. 111 Visual: Generally good condition. Paint loss and scratches scattered throughout but these appear to be in the hand of the artist. Blacklight: No evidence of restoration under blacklight. Unframed 112 Visual: Generally good condition. Not examined out of the frame. Blacklight: No evidence of restoration under blacklight Frame: 26.5” H x 21” W x 3” D

119 Generally good condition. The paper slightly toned. Not examined out of the frame. Frame: 32.25” H x 26” W x 1” D 120 Toning to the paper. Scattered pale foxing showing mostly in the lower portion of the sheet and on the reverse. The paper is loose, not mounted. Unframed.

Condition Reports

106 Overall good condition with minor scuffs and darkening to bronze commensurate with age. With original fabric protective cover.

114 Visual: Generally good condition.

379

121 Each: Generally good condition. Not examined out of the frame. The first: The colors very slightly attenuated. The second: The sheet with some soft and unobtrusive rippling attendant with its framing. The third: The paper slightly toned. Frame: First: 30.5” H x 38.25” W x 1” D; Second: 28” H x 22” W x 1.5” D; Third: 28.75” H x 22.75” W x 1.5” D 122 Generally good condition. Minor toning to the paper. Pinholes in the upper corners. The upper and lower edges are deckled. Framed floating and mounted to the backmat. Frame: 32” H x 25.75” W x 2” D 123 Generally good condition. A .25” scratch lower edge center. Not examined out of the frame. Frame: 35.5” H x 25.5” W x 1” D 124 Tiny flecks of paint loss scattered throughout the center of the image. Framed floating and hinged to the back mat. Not examined out of the frame. Frame: 36.25” H x 33.25” W x 1.25” D 125 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 21.5” H x 18.5” W x 2” D 126 Generally good condition. A few short scratches (the largest 1.25”) in the Plexiglas of the outer, added, frame. Not examined out of the frame. Inner frame: 17.25” H x 15” W x 1” D; Outer frame: 27.5 “ H x 25” W x 1” D

Condition Reports

127 Each overall good condition with minor scuffs and light scratches commensurate with age. The second with a more prominent scratch to two tips.

380

128 Visual: Generally good condition. Fine craquelure scattered throughout the sky upper right. Blacklight: No evidence of restoration under blacklight. Frame: 18.75” H x 21.75” W x 2” D 129 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 18.75” H x 21.75” W x 2” D

130 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 26.25” H x 32.25” W x 2.25” D 131 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 31.25” H x 43.25” W x 2.25” D 132 Overall good condition with scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. 133 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. Scattered minor pinholing to glaze. Putty residue to underside and label residue to side. No evidence of repairs or restorations under blacklight. 134 Each overall good condition with scattered minor scuffs, scratches, weathering, crazing and surface imperfections to glaze, and inherent firing flaws commensurate with age. The large planter with one minor chip in glaze along bottom edge. One medium planter with chips in glaze along bottom edge. First tray with two chips in glaze along bottom edge. Second tray with one chip in glaze along bottom edge. Planter interiors with weathering and hardwater build-up due to use. First medium planter: 11.75” H x 12.75” Dia. Second medium planter: 12.25” H x 13” Dia. Each tray: 1.5” H x 12.5” Dia. 135 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Chipped texture to rim inherent to the time of manufacture. Scattered areas of light pinholing. 136 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Small drill hole to the underside. 137 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Table and chairs with heavier signs of wear, indentations, nicks/ chips to legs and stretchers. Table top with scattered indentations, moisture rings, and localized area of wear to the finish at one side. Each chair with age-related deterioration to cushion fill. One floral chair and one velvet chair with opening in seat upholstery and fill coming out. One floral chair with seat loose from chair frame. One velvet chair wobbly with loosening of seat from frame and chipped losses at top rail joint and back post joints.

139 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered minor indentations and scratches to top, heavier wear to edges and legs commensurate with use. Prominent wear to interior of folded leaves with filled shrinkage cracks, moisture damage, and discoloration. 140 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. With scattered minor indentations commensurate with use. Top with moisture rings, minor staining, and fading to finish. Areas of splattered dark residue to legs and undertray and one leg with white paint transfer. Undertray with a .5” area of indents to side. 141 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Each with pitting and oxidation to chrome finish, one with heavier oxidation to seat support and legs. Each with minor chipped abrasions along plywood edges and areas of soiling and sun fading to the finish. One seat with heavier fading. One with slight wobble to back rest and one with slight wobble to seat. 142 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Leather with scattered areas of soiling/staining commensurate with use. Light indentations and darkening of finish to arms. Minor spot of white paint to back’s verso. Chair reclined: 34.75” H x 29.25” W x 47” D 143 Overall good condition with scattered scuffs, scratches, nicks, and minor shrinkage cracks commensurate with age. Wood panel verso with a 15” shrinkage crack and chipped abrasions along edges. Possible sun fading to various woods. Minor chipped loss to female figure’s hairline at forehead. 144 Overall good condition with scattered scuffs, light scratches, oxidation/tarnishing, and surface corrosion commensurate with age. Capitals with wax residue commensurate with use. Underside with spots of possible paint transfer/residue. 145 Overall fair to good condition with scattered scuffs, light scratches, and oxidation/tarnishing commensurate with age. Areas of verdigris throughout. lamp body wobbles slightly. Scattered minor indentations throughout. Base plate with rusting. Wiring should be checked by a qualified electrician prior to use.

146 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Verdigris patination throughout. Repairs and areas of resoldering to upper elements, one soldered element disconnected from framework. Electrified. Wiring should be checked by a qualified electrician prior to use. 147 Overall good condition with scuffs, dust accumulation, and oxidation to metal commensurate with age. With base: 33.75” H x 14” W x 13” D 148 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each wood base with scattered scuffs, scratches, and nicks. Largest with base: 14.25” H x 10.5” W x 5.25” D 149 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Fitter ring for cloche lacking one screw. Interior with wear to black iron finish. Coin mechanism nonoperational. Bumpers to underside. Possibly refinished. Includes key. 150 Generally good condition, the colors fresh. Not examined out of the frame. Frame: 20.25” H x 32.25” W x .75” D 151 Overall good to very good condition with shelf wear commensurate with age. Linen slip case with scattered areas of light scuffing, soiling/staining, wear to linen at corners, more prominent wear/ separation of linen covering and boards at top and bottom spine, light abrasions to front paper label. Accordion-bound boards in good condition with rubbed wear, scuffing, and fraying to edges of outer spine. Front cover outer edge with a 1” area of frayed loss to covering. Leaves in overall good condition with areas of inherent speckling to paper and minor areas of light ink transfer to facing leaves. 152 Each overall fair to good condition with shelf wear commensurate with age. Tennyson with sun fading and wear to spine, yellowing/ acid burn to front and rear endpapers. Wilde with damage to dust jacket with only back flap remaining, light wear to gilt spine stamping, sun fading and wear to cover bottom, light yellowing to leaves, and scattered leaves with untrimmed/deckled edges. Hotten with wear to gilt spine stamping, light staining to front cover, light fraying to bottom edge of spine, light yellowing and rippling to leaves, scattered foxing, a 1.25” separation from binding at bottom of front endpaper and first four leaves, and scattered leaves with minor tears and folds commensurate with use. Butler with abrasions to front cover and small area of wear to bottom edge. Orrefors catalogue with heavy wear, damage to spine and binding, rebound with tape, losses and moisture damage to covers, previous retail label to back cover, and scattered leaves with yellowing, tears, and folds.

Condition Reports

138 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Desk with scattered surface scratches, minor indentations, and areas of discoloration commensurate with use. Right side panel with a 3” scratch. Drawers with minor chipped losses to side edges. Chair with minor spot of white paint to back of rear leg.

381

153 Overall fair to good condition with shelf wear commensurate with age. Front and back covers with light scuffing, minor area of white scuffing to lower-right front, and bending/wear to corners. Spine with more prominent wear/damage with loss to covering, headband, and tailband that expose the binding. Cracked hinge with front endpapers with a 3.5” detachment from binding at top. Light yellowing to leaves throughout. With intentional deckling/ untrimmed edges. Plates in good condition. 154 Generally good condition. Not examined out of the frame.

Frame: 28.5” H x 32.5” W x 2.25” D 161 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 53” H x 61” W x 1.75” D

155 Visual: Generally good condition. Scattered areas of paint loss upper center and lower center. Small areas of craquelure left center and lower center. Surface dirt and grime throughout, including a horizontal surface drip across the upper portion of the painting.

162 Visual: Generally good condition. Spots of paint loss scattered throughout, including partially affecting the signature. A small puncture to the canvas with paint loss lower right. Very fine craquelure throughout the sky.

Blacklight: No evidence of restoration under blacklight.

Blacklight: Apparently no restoration under blacklight.

Unframed

Frame: 39” H x 65.75” W x 2.5” D

156 Generally good condition. A .5” L-shaped rust stain at the lower edge, not affecting the image. The extreme sheet edges with minor losses and curling attendant with the sheet being slightly larger than the board to which is it laid.

163 Visual: Generally good condition.

157 Visual: Generally good condition. The canvas is slightly loose and rippled. Isolated areas of fine craquelure scattered throughout. Surface dirt throughout. Blacklight: No evidence of restoration under blacklight. Frame: 28” H x 47.5” W x 2.75” D 158 Visual: Craquelure throughout. A 1” scratch and two pea-sized scuffs to the paint lower left edge. Small chip of paint loss lower right corner. Tiny chip of paint loss upper right. Surface dirt throughout. Blacklight: Isolated spots of touch-up scattered throughout. A 2” x 2.5” area of touch-up lower left.

Condition Reports

Blacklight: No evidence of restoration under blacklight.

Frame: 18.75” H x 14” W x 1” D

Frame: 34” H x 28.5” W x 1.5” D

382

160 Visual: Generally good condition. A 1” x 2” scattered area of minor paint shrinkage lower center.

Frame: 34” H x 28” W x 1.5” D 159 Visual: Generally good condition. Areas of paint shrinkage scattered throughout. Blacklight: No evidence of restoration under blacklight. Frame: 24.5” H x 20.25” W x 1.5” D

Blacklight: No evidence of restoration under blacklight. Frame: 36.75” H x 30.75” W x 2.25” D 164 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 47” H x 59” W x 2.5” D 165 Visual: Generally good condition. Craquelure scattered throughout. Blacklight: Touch-up scattered along the lower edge. Frame: 46.25” H x 55.25” W x 3” D 166 Visual: Generally good condition. Craquelure scattered throughout. Paint loss scattered along the lower edge, the largest a .5” line lower center. Blacklight: No evidence of restoration under blacklight. Frame: 28” H x 34” W x 3.5” D 167 Overall good condition with minor scuffs, darkening to bronze, dust accumulation, and shelf wear commensurate with age. With base: 15.125” H x 11.5” W x 13.5” D

169 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 170 Each overall good condition with scattered scuffs, light scratches, and tarnishing/oxidation commensurate with age. Each with white paint transfer to edges and verso and crazing/chipped losses to surface of candle sleeves. One lacking both pulls. Fraying and wear to the cord. Wiring should be checked by a qualified electrician prior to use. 171 Each overall good condition with scattered scuffs, light scratches, and tarnishing/oxidation commensurate with age. Each with white paint transfer to edges and verso and crazing/chipped losses to surface of candle sleeves. Fraying and wear to the cord. Wiring should be checked by a qualified electrician prior to use. 172 Each overall good condition with scattered scuffs, light scratches, and tarnishing/oxidation commensurate with age. Each with white paint transfer to edges and verso and crazing/chipped losses to surface of candle sleeves. One lacking one pull. One with loosening of arms joined to the back panel. Fraying and wear to the cord. Wiring should be checked by a qualified electrician prior to use. 173 Each overall good condition with scattered scuffs, light scratches, and tarnishing/oxidation commensurate with age. Each with white paint transfer to edges and verso and crazing/chipped losses to surface of candle sleeves. One lacking one pull and the other pull nonoperational. Fraying and wear to the cord. Wiring should be checked by a qualified electrician prior to use. 174 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, chipped losses, and signs of weathering commensurate with age. Scattered areas of repaired cracks throughout. With base: 52” H x 30” W x 12” D 175 Overall good condition with wear, scuffs, weathering, and rubbed and chipped losses to stone commensurate with age. Painted wood base with scratches and chipping along lower edge. With bases: 34.5” H x 24” W x 14.5” D 176 Overall good condition with minor scuffs, scratches, indentations, and oxidation to bronze commensurate with age. Evidence of repairs to one foot.

177 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. 178 Overall good condition with scattered scuffs, light scratches, and oxidation to metal commensurate with age. Lid with an approximate 4” scratch. 179 Overall good condition with scattered scuffs, scratches, and inherent firing flaws commensurate with age. Issues include, but are not limited to: scattered recesses to the glaze/pinholing, areas of ruptured air bubbles, a 1” area of imperfections to the glaze surface inherent to the time of manufacture, and chipped abrasions to unglaze stoneware at bottom rim. 180 Each overall good condition with minor shelf wear and light scuffs commensurate with age. Each with scattered recesses/air bubbles to the enamel, surface imperfections, and minor losses to decoration throughout. One with four areas of spiderwebbing impact cracks. 181 Each overall good condition with minor shelf wear and light scuffs commensurate with age. Each with scattered recesses/air bubbles to the enamel and surface imperfections. One with a .25” crack to the shoulder, U-shaped crack to base rim, and possible restorations to base rim. One with scattered minor losses to enamel to sides and along base rim. 182 Each overall good condition with minor shelf wear and light scuffs commensurate with age. Each with scattered recesses/air bubbles to the enamel and surface imperfections. Pocket vase with minor stress hairlines along rim. One urn-form vase with loss to enamel along rim. 183 Overall good condition with rubbed wear and light scratches commensurate with age. Issues include, but are not limited to: scattered pinholing and crazing to the glaze. Presence of residue at rim that fluoresces under blacklight. 184 Each overall good condition with rubbed wear and light scratches commensurate with age. Issues include, but are not limited to: each with scattered recesses to the glaze/pinholing, minor spots of oxidation to glaze visible on underside, and crazing to glaze; one with spot of abrasion to glaze; one with scattered minor chips to rim; one with chip to underside lip; one with prior labels to underside. No evidence of repairs or restorations under blacklight. 185 Each overall good condition with minor shelf wear and light scuffs commensurate with age. With scattered recesses/air bubbles to the enamel and surface imperfections. One with a crack to brass rim and subsequent cracks in associated enamel. 186 Each overall good condition with minor shelf wear and light scuffs commensurate with age. With scattered recesses/air bubbles to the enamel and surface imperfections. Vase with a minor chip in enamel to side. Jar with a 1.25” circular crack in enamel to underside.

Condition Reports

168 Overall fair condition with scattered scuffs, scratches, oxidation, and possible weathering commensurate with age. Surface rusting to wrought iron throughout. Leather back and seat with heavier wear, cracking/drying, soiling, and discoloration commensurate with use. The seat with a 4” tear to leather at front.

383

187 Overall good condition with shelf wear and minor scuffs commensurate with age. Scattered recesses and minor chips to the enameling throughout. Carved wood easel with scattered scuffs, scratches, and nicks with a shrinkage crack to the left scrolled foot. 188 Each overall good condition with minor shelf wear and light scuffs commensurate with age. Each with scattered recesses to the enamel and surface imperfections. One lid with repair to knob. 189 Overall good condition with minor shelf wear and light scuffs commensurate with age. With scattered recesses to the enamel and surface imperfections. 190 Each overall good condition with minor shelf wear and light scuffs commensurate with age. With scattered recesses to the enamel and surface imperfections. One with a minor area of losses to enamel to side. One with a .5” dent with losses to side. 191 Each overall good condition with rubbed wear and light scratches commensurate with age. Issues include, but are not limited to: each with pinholing and minor spots of oxidation to glaze; one with areas of more prominent rubbed/chipped losses to enamel overglaze and a hairline crack visible from the exterior running vertically from the shoulder into the body. No evidence of repairs or restorations under blacklight. 192 Overall good condition with rubbed wear and light scratches commensurate with age. Issues include, but are not limited to: scattered recesses to the glaze/pinholing and minor spots of oxidation to glaze visible on underside. No evidence of repairs or restorations under blacklight.

Condition Reports

193 Each overall good condition with scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with inherent surface imperfections, pinholing, and crazing to the glaze. Each with scattered minor chips to base corners and edges. One with chips to openwork ball. One with a more prominent 2” chip to base edge.

384

194 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Shade overall good condition. Stone with inherent surface-reaching fractures, inclusions, and chipped abrasions throughout. Possible resoldering of light socket fixture to column. No evidence of repairs or restorations under blacklight. Wiring should be checked by a qualified electrician prior to use. 195 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor chipping throughout. Separation of joints to top around inset marble, marble slightly loose. A .5” chipped loss to one apron bracket. One leg slightly loose at stretcher. One leg with chipped losses and shrinkage cracks at stretcher joint.

196 Overall fair to good condition with scattered scuffs, scratches, and nicks commensurate with age. Leather chest with discoloration, rubbed wear, buckling, craquelure, and chips to the polychromed surface. Heavier wear to the lid with hole to front left corner. Interior of chest with soiling commensurate with use. Lifting and loose stitches to lower left trim. Wood stand with minor nicks and scratches. 197 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: light soiling and scattered minor pulled stiches to verso. 198 Overall good condition with oxidation, scuffs, shrinkage cracks, nicks, and rubbed wear commensurate with age. Scattered minor losses to the carving. 199 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Wear and losses to painted surface throughout. 200 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Exterior with scattered spots of white paint, loss to central loop handle atop lock plate, drying and cracking to leather side handles. Interior with discoloration and soiling/staining to muslin lining, fraying and lost stitches to fabric edge, a 1” x 2” and a 1” frayed loss along lid edge. Interior compartment with drying and cracking to central snapping leather strap, each outer strap missing, and a 4.5” tear to folding lid. Includes key. 201 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Areas of verdigris throughout with heavier verdigris to bottom and edge of one side. Bucket with a slight ovoid shape to the body. 202 Overall good condition with light scuffs commensurate with age. 203 Overall good condition with scattered scuffs, scratches, and indentations commensurate with age. Lid with light darkening to finish around edge. Two tack holes to silk lining on side. Adhesive label residue. 204 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age and use. Papier-mache boxes with crazing, minor cracking, and wear to surface; largest lacking key. 205 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The Grand Hotel with inherent imperfection to the glaze on rim. Aux Lions de Faience and Cassis Quenot with rubbed wear to applied decoration. Royer Hutin with rubbed wear to gilt decoration.

207 Overall good condition with tarnishing and light scratches commensurate with age. Minor scratch to left side of glass. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. Includes key. 208 Each overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. 209 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. 210 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Oxidation throughout the surface.

216 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered areas of repairs and regilding throughout. Verso has been refinished, sticker label covered due to refinishing and is illegible. 217 Overall good condition with scattered scuffs, scratches, nicks, dust accumulation, and separation at joints commensurate with age. 218 Overall good condition with wear and scratches commensurate with age. Possible repainting or refinishing to gilt. Five branching light sockets disconnected, one finial light socket detached, and one finial light socket missing. Wiring should be checked by a qualified electrician prior to use. 219 Overall good condition with wear, scuffs, and light scratches commensurate with age. Wear with scattered minor chips to silvered surface throughout. Glass top with minor surface scratches commensurate with use.

211 Each: Visual: Stretcher bar creases along the four edges. Craquelure throughout. Tiny dots of gold frame paint scattered throughout. The first: repair to the canvas right center with corresponding patch verso. A tiny pinhole lower edge left.

220 Each overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

Each: Blacklight: Spots of touch-up scattered throughout.

221 Each overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: child with chip to tip of one hair curl and repair to dog’s tail.

Frame of each: 11.75” H x 15.75” W x 2” D 212 Overall good condition with rubbed wear and light scratches commensurate with age. Wear to gilt decoration. Approximately three minor scratches to painted body. Later drilled drainage hole to underside. Maker’s mark likely lost in the process of drilling the drainage hole. 213 Overall good condition with scuffs and scratches commensurate with age. The top with a 3” area of chipped loss and other scattered minor chips to edges. Underside of top with cracks visible to one corner. Repairs to one leg at join to table. One leg with losses to tips of eagle wing. 214 Overall good condition with shelf wear, scattered scuffs, light scratches, and tarnishing to metal commensurate with age. Upperright enamel guilloche panel with hairline crack to inner corner. Velvet interior with soiling/staining commensurate with use and is pulling away from box. 215 Overall good condition with minor scuffs commensurate with age. Plaque not examined out of frame. Frame with scattered wear/ losses to gilt decoration, scuffs, scratches, nicks, shrinkage cracks, and separation at joints. No evidence of repairs or restorations under blacklight. Frame: 19” H x 15.75” W x 2.25” D

222 Each overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: dish with inherent glaze imperfections, pinholing, and a minor chip to lid flange; one putto with minor chip to nose and drapery; one putto with repair to wing. 223 Overall good condition with scattered minor scuffs, rubbed wear to decoration, and inherent firing flaws commensurate with age. Two with adhesive felt pads to underside. Issues include, but are not limited to: couple vase with discoloration to crazing and chip to underside edge visible from front; and dogs with keg with discoloration to crazing. No evidence of repairs or restorations under blacklight. 224 Each overall good condition with scattered minor scuffs, rubbed wear to decoration, crazing, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: large spaniels with discoloration to crazing; vase with chips in glaze around vase rim and minor chip to left bottom edge; one black and white cat with chip to front right corner and losses to decoration on ears, one black and white cat with chip to bottom center and label residue to back; each diminutive spaniel with chips to underside rim, one with repaired break to neck.

Condition Reports

206 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Three with rubbed wear to applied decoration.

385

225 Overall good condition with scattered minor scuffs, rubbed wear to decoration, crazing to glaze, and inherent firing flaws commensurate with age. Three with label residue to underside. Issues and repairs include, but are not limited to: spaniels with a keg with discoloration to crazing, deeper horizontal crack in glaze to right dog, and repaired chip to bottom left edge; girl and spaniel with chip in glaze to lower left; one spaniel with black dog with minor chips to bottom edge; coin bank with heavier wear/ losses to decoration. 226 Overall good condition with minor shelf wear, dust accumulation, scuffs, and light scratches commensurate with age. Minor ruptured air bubble to join of red base with body. 227 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Adhesive felt pads to feet. Shades with scattered staining, scuffing, and glued repairs to piping. Wiring should be checked by a qualified electrician prior to use. Base: 37” H x 7.5” Dia. Shade: 17.25” H x 14.25” Dia. 228 Overall good condition with minor shelf wear and dust accumulation commensurate with age. Age unknown. Case with minor areas of lifting to faux-leather surface.

Condition Reports

229 Overall good condition with tarnishing, light scratches, and shelf wear commensurate with age.

386

234 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With felt pads, putty, and adhesive residue to underside. 235 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The “Perdrix” with a .875” repaired break to the beak and the “Perdrix Couchee” with a minor chip to beak point. Each with adhesive label residue to underside. 236 Overall good condition with minor shelf wear and light scratches commensurate with age. Minor scuff to top of the head and to chest. Imperfections to frosted surface on edge of right wing likely dating to the time of manufacture. Minor nick to tip of beak. Adhesive pads to underside. 237 Overall good condition with minor shelf wear and light scratches commensurate with age. 238 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Vase with minor fleabites to rim. Eagle with adhesive felt pads to underside. No evidence of restoration or hairlines under illumination. 239 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age and use. Eight glasses with seven original boxes. One glass with minor fleabites to rim.

230 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The first with an inherent imperfection along the rim and an inherent imperfection to side that resembles a hairline crack when illuminated and viewed from the exterior, but does not appear to be a crack when seen from the interior. The second with a pitted chip and minor nick to the interior rim, scattered minor chips and hairline cracks to the spun overlay.

240 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The anteater with adhesive felt pads to underside.

231 Overall good condition with minor shelf wear and light scratches commensurate with age. Scattered nicks and a minor chip to the rim. Small repair to one point.

242 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The taller pelican with small chip to tip of beak. Sealion figure with adhesive felts pads to underside.

232 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with heavier scratching to the underside. The first with nicked abrasions to four corners, minor chip to one corner, and .75” x .625” chip to one corner. The second with nicked abrasions to two corners. 233 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Two minor nicks to foot. Some original threading to neck retained. Scattered fleabites to opening rim and stopper rim.

241 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

243 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Larger snail with adhesive felt pads to underside. 244 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Horse and frog with adhesive felt pads to underside. 245 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The largest dolphin with a minor pitted chip to the tail.

246 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

259 Each overall good condition with tarnishing and light scratches commensurate with age. The first does not sit level.

247 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Mink appears unsigned. Badger with fleabite to lower edge.

260 Each overall good condition with tarnishing and light scratches commensurate with age.

248 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

261 Each overall good condition with tarnishing and light scratches commensurate with age. The fourth personalized as stated. Weight includes unmarked items.

249 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

262 Overall good condition with tarnishing and light scratches commensurate with age.

250 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

263 Overall good condition with tarnishing and light scratches commensurate with age. Marked to underside and hinged lid further marked to interior.

252 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. No evidence of restoration or hairlines under illumination. 253 Overall good condition with tarnishing and light scratches commensurate with age.

264 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 265 Overall good condition with tarnishing and light scratches commensurate with age. Two salad forks with slightly bent handles. Weight does not include hollow-handled items. Includes storage chest. 266 Overall good condition with tarnishing and light scratches commensurate with age. One iced tea spoon with bent handle. Weight does not include hollow-handled items.

254 Overall good condition with tarnishing and light scratches commensurate with age. Applied fowl decoration loose.

267 Each overall good condition with scattered scuffs, light scratches, and oxidation/tarnishing commensurate with age. Pitcher with scattered minor indentations to base. Ashtray with heavier surface scratching.

255 Each overall good condition with tarnishing and light scratches commensurate with age. Pitcher personalized “R.” Gorham creamer and sugar bowl personalized “MRC.” The WordenMunnis coffee pot with possible silver-plate foot and lid.

268 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with scuffs and nicks. One amethyst and one green stone slightly loose in setting. Weight does not include rings not marked for silver content.

256 Each overall good condition with tarnishing and light scratches commensurate with age. 257 Overall good condition with scattered scuffs, light scratches, and tarnishing commensurate with age. 258 Overall good condition with tarnishing and light scratches commensurate with age.

Ring sizes left to right, top-down in photo: 11, 6.5, 8.5, 7.25, 8, 6, 8.25, 8.25, 8.5, 6, 8.5, 9, 5.5, 6, 7, 5, 9, 5.25 269 Overall good condition with tarnishing and light scratches commensurate with age. The stone with eye-visible inclusions. 270 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

251 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Powder box with scattered minor chips to the lid’s rim and chipping around screw hole for knob likely dating to time of manufacture. Black-tinted perfume bottle with scattered fleabites throughout, a chip to the stopper’s corner, and abrasions to base corners. Black-tinted box with fleabites throughout, a chip to the lid’s flange, and chips to two corners of lid. Each with adhesive label residue.

387

271 Each in overall good condition with light tarnishing, scratches commensurate with age.

284 Each in overall good condition with light tarnishing, abrasions, scratches commensurate with age.

272 Each in overall good condition with tarnishing and light scratches commensurate with age. The first with visible solder marks likely dating to time of manufacture. The second with one onyx slightly loose.

285 Each in overall good condition with light tarnishing, scratches commensurate with age.

273 Each overall good condition with light scratches commensurate with age. Metal content unknown. Clasp on modernist brooch broken. 274 Each in overall good condition with light tarnishing, scratches commensurate with age. 275 Overall good condition with light tarnishing, scratches commensurate with age. 276 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

277 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions. Stones with typical, natural eye-visible inclusions and surface-reaching fractures. Visible glue to the setting.

388

286 Each in overall good condition with tarnishing, light scratches commensurate with age. 287 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones and enamel with minor chipping and abrasions. 288 Each in overall good condition with evident tarnishing and scratches commensurate with age. 289 Fair condition. Chipping and fractures to stones. Tarnish and discoloration to metals. Rubbed wear, losses, and separation to the alligator skin belt. 290 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions. 291 Each in overall good condition with tarnishing and light scratches commensurate with age.

278 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, chips, and minor losses. Losses to the cement. Stones with typical, natural eye-visible inclusions and surface-reaching fractures.

292 Each in overall good condition with tarnishing, oxidation and light scratches commensurate with age. Scattered stones with abrasions and scuffs.

279 Overall good condition with tarnishing and light scratches commensurate with age.

293 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

280 Overall good condition with tarnishing and light scratches commensurate with age. The amethyst with scattered abrasions. Stones with typical, natural eye-visible inclusions and surfacereaching fractures. 281 Overall good condition with tarnishing and light scratches commensurate with age. Scattered chips and losses to the inlay. 282 Each in overall good condition with light tarnishing, scratches commensurate with age. 283 Each in overall good condition with light tarnishing, scratches commensurate with age. Amethyst with abrasions and surface reaching inclusions.

294 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions. The pendant is an additional item converted from a bracelet link and unsigned as stated. 295 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

296 Overall good condition with light tarnishing, scratches commensurate with age. 297 Each in overall good condition with light tarnishing, scratches commensurate with age.

298 Each in overall good condition with light scratches commensurate with age.

311 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with minor abrasions. One stone with a chip missing from the side.

299 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

312 Overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions. One stone is fractured and chipped.

301 Overall good condition with tarnishing and light scratches commensurate with age. The amethyst with typical, natural eyevisible inclusions and surface-reaching fractures. Scattered minor dents throughout. 302 Overall good condition with heavy tarnishing in parts, scratches commensurate with age. 303 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. 304 Each in overall good condition with light tarnishing, scratches commensurate with age. 305 Overall good condition with light scratches commensurate with age. 306 Each in showing denting and bending with tarnishing, scratches commensurate with age. 307 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions. Scattered settings with visible glue. 308 Overall good condition with light tarnishing, scratches commensurate with age. Stones with abrasions.

309 Overall good condition with tarnishing and light scratches commensurate with age. 310 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

313 Overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

314 Overall good condition with light tarnishing, scratches commensurate with age. 315 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

316 Each in overall good condition with light tarnishing, scratches commensurate with age.

317 Overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

318 Overall good condition with tarnishing, light scratches commensurate with age. Scattered stones with abrasions. 319 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones and enamel with abrasions. 320 Each in overall good condition with light tarnishing, scratches commensurate with age. 321 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

322 Overall good condition with tarnishing and light scratches commensurate with age. Solder marks to one support. Scattered minor abrasions to stones. Two stones are slightly loose. 323 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

300 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

389

324 Overall good condition with tarnishing and light scratches commensurate with age. 325 Each in overall good condition with tarnishing and light scratches commensurate with age. The third with minor dents to the silver. 326 Overall good condition with evident tarnishing, scratches commensurate with age.

327 Each in overall good condition with light tarnishing, scratches commensurate with age. The earrings are not stamped. 328 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions. 329 Each in overall good condition with light tarnishing, scratches commensurate with age. 330 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

331 Each in overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions

390

Consign Today

Fine Jewelry & Timepie An Indian diamond and blue enamel necklace

Sold: $9,100.00

Consignment and Auction Inquiries: bree@johnmoran.com

bid in person - absentee - telephone - live onlin 145 East Walnut Ave, Monrovia, CA 91016 | www.joh

Postwar & Contemporary Art + Design eces |November September2021 2021 Edward Ruscha (b. 1937, American) “Made in California,” 1971

Sold: $100,000.00 (A NEW AUCTION RECORD) Consignment and Auction Inquiries: bree@johnmoran.com

bid in person - absentee - telephone - live online ne hnmoran.com 145 · East info@johnmoran.com Walnut Ave, Monrovia, · (626)CA 793-1833 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

Condition Reports

Consign Today

391

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Co-Head of Sale, Western, American Indian Specialist Maranda Moran Co-Head of Sale, Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Senior Vice President, Fine Art Director Morgana Blackwelder AAA Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Furniture & Decorative Arts Cataloguer Shannon Dailey Fine Art Cataloguer Anne Spink 20th Century Furniture and Decorative Arts Specialist

John Simon Taylor

Jewelry Director Mollie Burns Keith, G.J.G.

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Consignment Coordinator Julia Hamilton Operations Coordinator Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

MARKETING

Advertising & Marketing Director, Art Design Nathan Martinez Graphic Designer Brian Olivas

Photography

Photographer Keith Berson Photographer Madison Torres

TRUSTS & ESTATES

Department Manager Noelle Valentino AAA Department Administrator Angela Bryant

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the nal bid, plus uyer s Premium on the nal bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided. Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid. New bidders will be asked to provide financ al accoun nforma on as a reference All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance. UYER S PRE IU : P s calcula ed a on e firs $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

uyers outside of the United States must submit payment via wire transfer Credit cards are not an accepted form of payment for buyers outside of the United States

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and re uested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank. Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In e e en of a e b d e e s ra on Form rece ed firs ll be reco n ed as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

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European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

How did you hear about our services?

Sellers permit info: Contact of ce for veri cation State: I agree that I have read Signature:

Native American Objects Prints & Multiples

Telephone (secondary):

Permit #

Modern & Contemporary Art

Turn of the Century Design / Arts + Crafts Western Art a e a s ec fic y e of em you are n eres ed n let us know:

Exp: oran s Conditions of Sale and shall be bound by them This affects my legal rights Date:

rev. 7/2018

Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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