California Living — October 25, 2022 | John Moran Auctioneers

Wilson

Art Director

Shannon Dailey

Spink

Art

Art

Andrew

Ari

2001 Eduardo Vega (b. 1938)

Charger and vase Ceramic

Each with incised signature to front: E. Vega; each signed again to underside Charger: 17.75” Dia. x 2.25” D; vase: 22.125” H x 4” Dia.

$800-1,000

2002 Sascha Brastoff

2003 A contemporary studio pottery charger

2006 Andre Lhote (1885-1962)

Three works:

Seated woman Pencil on paper

Signed lower right: A. Lhote Sheet: 6.5” H x 4.25” W

Woman in a chair Ink on paper

Signed lower left: A. Lhote Sheet: 6.4” H x 5” W

Company in an interior Ink on paper

Signed lower left: A. Lhote Sheet: 4.75” H x 6.5” W

3 pieces

$600-800

Provenance: Sindin Galleries, New York, NY Property from Frances Luban Fine Art, Burbank, CA

2007 Andre Lhote (1885-1962)

“Pour le mimile” Pencil on paper

Signed and titled lower left: A. Lhote; titled lower right Sheet: 10” H x 6.5” W $500-700

Provenance: Sindin Galleries, New York, NY Property from Frances Luban Fine Art, Burbank, CA

2008 Gaston Lachaise (1882-1935)

“Standing Nude Arms Overhead,” c. 1928-1930 Pencil on paper

Signed left center: G. Lachaise; titled and dated on a gallery label affixed verso Sight: 11” H x 8” W $500-700

Provenance: Sylvan Cole Gallery, New York, NY

2009 Gaston Lachaise (1882-1935)

“Nude-Back View Arms Overhead,” Circa1928-1930 Pencil on paper

Signed lower right: G. Lachaise; titled and dated on a gallery label affixed verso Sight: 10.75” H x 7.5” W $500-700

Provenance: Sylvan Cole Gallery, New York, NY

2010 Aristide Maillol (1861-1944)

Standing Female Nude from the Back, from the portfolio “Aristide Maillol: Sculpture and Lithography,” 1925 Lithograph on paper Edition of 50 according to the label affixed to the frame’s backboard Signed with the artist’s monongram in the stone, lower right, and again in pencil, lower left, possibly in another hand; Galerie des Peintres Graveurs, Paris, pub., and with their blindstamp according to the label already mentioned Image: 10.75” H x 4.5” W; Sight: 12.75” H x 8.75” W

$400-600

2011 Tom Henry III (20th century)

“Nude Series #1,” No. 1-5, 1990, five pieces

Ink on ruled paper

Each: Initialed, dated and numbered verso: T.H.

Sheet of each: 11” H x 8.5” W

$500-700

Provenance: Dennis Anderson Gallery, Los Angeles, CA

Linda Cathcart Gallery, Santa Monica, CA

Estate of Linda Cathcart, Montecito, CA

2012 Louis Eilshemius (1864-1941)

“When No Ideas Come This Piffle Is Some” Ink on paper

Appears unsigned; titled and indistinctly inscribed, lower center Sight: 7.75” H x 5.25” W

$500-700

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2013

A contemporary mixed-metal and enamel pedestal 1981

Signed: Doretta / January 23, 1981 Wood pedestal with inlaid metal and enamel depicting a figure 24” H x 13” W x 13” D

$800-1,200

2014

A contemporary mixed-metal and enamel plaque 1982

Signed: Doretta / January © 1982

A framed plaque with inlaid metal and enamel depicting a figure Sight: 35.5” H x 35.5” W

$700-900

2016

An Italian art glass flacon bottle Mid-20th century

The vessel in frosted green hued glass with textured finish 7.75” H x 5.5”

x 2.25” D

$300-500

2017

A vintage Neal Small-style

the style

2019 A contemporary Lucite etagere 20th/21st century With two shelves and rotating

2020 Greg Mahoney (b. 1955)

“Night Cross,” 1983 Weathered steel quadrant joined to a panel quadrant treated with charcoal and pigment Signed, titled, and dated, verso 56” H x 56” W (displayed as a diamond)

$500-700

2022 Felix Ruvolo (1912-1992)

“Untitled,”1967, plate 9 from the portfolio “10 West Coast Artists” Lithograph in colors on Arches paper

A bon a tirer impression apart from the edition of unknown size Signed and inscribed in pencil in the lower right corner: Ruvolo; Ernest F. De Soto, prntr., with his blindstamp; Collectors Press, pub., with their blindstamp Image/Sheet: 30.125” H x 22.25” W

$400-600

Provenance: Property from Frances Luban Fine Art, Burbank, CA

Literature: Collector’s Press 101

Notes: We have also seen this work listed with the title “Samson & Delilah.”

2023

Arnold Hoffmann Jr. (1915-1991)

“Facets #1”

Screenprint in colors on paper Edition: 49/85

Signed, titled, and numbered in pencil along the lower edge of the image: Arnold Hoffmann Jr. Image: 20.375” H x 27.125” W; Sheet: 23” H x 35” W

$200-400

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2024 Arnold Mesches

“Mural

2025 Adrian Pearsall

2026 Eero Saarinen (1910-1961)

Knoll Executive chair, circa 1990s Designed 1950

Each with Knoll paper label

Chromed metal and black powder-coated metal with patterned rust upholstery 4 pieces

Each: 31.5” H x 25” W x 17.25”D

$1,000-1,500

Van Everen

2028

Cary Smith (b. 1955)

“I Can’t Explain It,” 1991 Oil and wax on panel Signed, dated, titled and inscribed verso: Cary Smith / For Linda Cathcart, with Many Thanks 22” H x 11” W

$500-700

Provenance: Estate of Linda Cathcart, Montecito, C

2029

Clarence H. Carter (1904-2000)

“Inferno,” or “Faces in a Grid (Red),” 1971 Silkscreen on fiberglass paper Edition: 52/75

Signed and dated in pencil in the lower right corner: Clarence H. Carter; numbered in pencil in the lower left corner; “Inferno” title from gallery label affixed to board back Image/Sheet: 30.125” H x 22” W

$400-600

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2030 Clarence H. Carter (1904-2000)

“Faces in a Grid (Red and Blue),” 1973 Silkscreen on fiberglass paper Edition: 5/75

Signed and dated in pencil in the upper right corner: Clarence H. Carter; numbered in pencil in the upper left corner Image/Sheet: 30.125” H x 22” W

$400-600

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2031

Karl Korab (b. 1937) Untitled, 1973 Lithograph on BK Rives Edition: 123/150

Signed and dated

Image: 18.375”

$300-500

Provenance:

pencil

2032 Carol Summers

Untitled, for “The Paris Review,” 1967 Screenprint in colors on paper Edition: 22/150

Signed, dated 1968, and numbered

the lower edge; The published to benefit The Paris Review Foundation

H x 25”

2033

Karl Korab (b. 1937)

Untitled, 1973

Lithograph on BK Rives paper

Edition: 59/75

Signed and dated in pencil lower right: K. Korab; numbered in pencil lower left Sheet: 30” H x 22” W; Image: 21.25” H x 17.75” W

$300-500

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2034 Herbert Schiffrin (b. 1944)

“Cool Papa Bell,” 1974 Screenprint on paper Edition: 34/100

Signed and dated in pencil lower right: Herbert Schiffrin; titled in pencil lower center; numbered in pencil lower left Image: 34..625” H x 25” W

$200-400

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2035

Estefan Vincente (1903-2001)

“Daylight”

Screenprint in colors on paper

Edition: 10/50

Signed, titled, and numbered in pencil in the lower margin: Estefan Vincente Image: 29” H x 22.25” W; Sheet: 33” H x 26” W

$300-500

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2036

Karl Korab (b. 1937)

Untitled, 1972

Lithograph on BK Rives paper

Edition: 42/150

Signed in pencil lower right: K. Korab; numbered in pencil lower left; Galerie Ariadne blindstamp lower left margin

Image: 19.25” H x 15” W; Sheet: 25.625” H x 19.75” W

$300-500

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2039

Eero Saarinen (1910-1961)

Knoll Executive chair, late 20th century Designed 1950

Each with Knoll paper label

Chromed metal and blue boucle upholstery 4 pieces

Each: 31.5” H x 25” W x 17.25”D

$800-1,200

2038

Richard Schultz (1926-2021)

1966 Dining Table for Knoll, mid-20th century Designed 1966 Appears unmarked Porcelain enamel on steel and powder-coated aluminum 26” H x 38” W x 38” D

$600-800

2040

Paolo Favaretto (b. 1950) Yellow Sintesi Venezia chairs, 2006 Each with embossed Sintesi and Venezia by Paolo Favaretto label; further labeled: Made in Italy Fiberglass reinforced polyurethane 8 pieces Each: 30.125”

x 19.5” W x 17.75”

2041

After Pablo Picasso (1881-1973)

“Picasso Sketchbook: A Limited Edition in Facsimile,” 1960 Facsimiles of original color and black and white drawings on paper From the edition of 1000 Unsigned and undated except as printed within the images; New York: Harry N. Abrams, Inc., and Paris: Editions Cercle d’Art, pubs.; inscribed Nanette & Ronald MacDougall in ink on the green, cardstock cover of the 25 sheet spiral-bound notebook of facsimile images; together with an 11 page pamphlet with forward by Goerges Boudaille; all housed in an illustrated, cloth-covered folio with printed mylar wrapper Each illustration:10.5” H x 16.5” W (or opposite)

$1,000-1,500

Notes: The works reproduced in this facsimile sketchbook were done between November 1, 1955 to January 14, 1956.

2042

Pablo Picasso (1881-1973)

Games of the XXIIIrd Olympiad - Opening Ceremonies, 1984 Poster on paper Signed and with the date of the original artwork in the stone lower right: Picasso / 25.7 61

Sight: 31.5” H x 21” W

$200-300

2043

Robert Goodnough (1917-2010)

“Composition 1,” 1973 Lithograph in colors on paper Edition: 113/150

Signed and dated in pencil lower right: Goodnough Image: 22” H x 30” W: Sheet: 26” H x 33.5” W 26” H x 33 1/2” W

$300-500

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2044

John Napper (1916-2001)

Three works: “Stove Plants,” 1970; “Yellow Rose,” 1971; and “Flowering Chestnut,” 1971 Each: Lithograph in colors on paper Edition: 29/50; 35/50; 26/50, respectively

Each: Signed, titled, dated and numbered in pencil in the lower margin: John Napper Image of largest: 22.25” H x 18.25” W; Each sheet: 30.25” H x 23” W

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2045 Jean Goodwin (20th century)

Woman with bird person, Two women embrace, and Man with night sky

Each: Linocut in colors on paper

From the editions of unknown size

The first signed and titled in pencil in the lower margin: Jean Goodwin; the second and third appear to be unsigned and untitled

Each image: 10.5” H x 5.5” W; or opposite; Each sight: 13.75” H x 8.5” W, or opposite

2046

Jean Goodwin (20th century)

“Chinigchinich Ascends to the Stars,” Giant woman holding a figure to the sun, and Two women holding hands descending from the clouds Each: Woodcuts on paper under glass

The first: signed and titled in the lower margin: Jean Goodwin; the second and third: appear unsigned Image of each: 5.5” H x 10.25” W

$400-600

2047

Julie Hawthorne (b. 20th century)

Face vessel

Glazed ceramic on concrete base 23” H x 15.5” W x 9.5” D; with base: 24” H x 15.75” W x 15.75” D

$800-1,200

2048

Julie Hawthorne (b. 20th century)

Figure Glazed ceramic 29” H x 16” W x 7.25” D

$800-1,200

2050 David Gilhooly (1943-2013)

Pig Sandwich

Glazed earthenware

4.25”

$3,000-5,000

2051

John Gallagher

(b. 20th century)

Motorcycle #14

Appears unsigned Wood, rubber, and scrap metal 10” H x 18.25” W x 3.5” D

$600-800

Provenance: Property of an Important New York Corporate Collection

2054

S. Weiner

2057

2062

Paolo Soleri (1919-2013)

A large Cosanti wind bell, mid/late 20th century Bronze and copper

With cast Paolo Soleri cipher 39” H x 10.5” W x 7” D

$1,000-1,500

2063

Paolo Soleri (1919-2013) Cosanti wind bell, mid/late 20th century; Paradise Valley, AZ Bronze and copper With cast Paolo Soleri cipher 23” H x 5.5” W x 3.25” D

$500-700

2064

Paolo Soleri (1919-2013)

Bronze

Lower bell marked with Paolo Soleri cipher, other bells not marked Cosanti wind bell, late 20th century; Paradise Valley, AZ Bronze and copper

Lower bell with cast Paolo Soleri cipher, other bells not marked 49.25” H x 10.5 “ Dia. approx.

$600-800

2065

Paolo Soleri (1919-2013) Cosanti wind bell, late 20th century; Paradise Valley, AZ Bronze and copper With cast Paolo Soleri cipher 22” H x 6.25” W x 3.5” D $300-500

2067 Charles Muench

2071

2072

A Japanese stepped tansu chest 20th century

The large, stepped cabinet with tiers of drawers and cabinets, fitted with iron hardware 84.25” H x 74” W x 27” D

$1,000-1,500

2076

Three

2078

Utagawa Hiroshige (1797-1858)

“Religious Festival at Atsuta Shrine in Miya”; with three others, 4 pieces

Each: Woodblock on paper

Each: Signed Sight of largest: 8.5” H x 13.25” W $300-500

Provenance: The Estate of George David Sturges

Literature: Hokusai and Hiroshige, p. 205, fig. 147; p. 233, fig. 174

2080

Utagawa Hiroshige (1797-1858)

Geisha’s, two works

Each: Woodblock on paper

Each: Signed Sight of largest: 14.5” H x 9.5” W

$300-500

Provenance: The Estate of George David Sturges

2081

Japanese School, Edo Period (1615-1868)

Five works in two frames:

A triptych of three women in a shallow bottom boat; two views with banners, one with a mountain and one with the sea

Each: Woodblock in colors on paper

Each: With a variety of chop marks

Sight of triptych: 14” H x 26” W

Sight of each landscape view: 13.5” H x 8.75” W

$300-500

Provenance: The Estate of George David Sturges

2082

After Kitigawa Utamaro (1753-1806)

Oyster farmers Color woodblock print on paper Signed in the plate right center Image: 10.75” H x 14.5” W $500-700

2083

Dorsey Potter Tyson (1891-1969)

“Feast of Lanterns,” 1928; “Song of the Wood Wind,” 1928; “The Dancing Gong Player,” circa 1928; and “Japanese Dragon Boat Festival,” circa 1928

Each: Etching and aquatint in colors with monotype highlights on paper Edition: Unknown size; unknown size; 44/100; and 42/100, respectively

Each: Signed and indistinctly inscribed in pencil in the lower margin: D P Tyson; the two unnumbered images dated MCMXXVIII in pencil in the lower margin, the other two two images numbered in pencil, as listed above, in the lower margin Plate of largest: 11.875” H x 9.875” W; Plate of smallest: 8” H x 6” W

$500-700

Provenance: The Estate of George David Sturges

Notes: According to information about the artist available online, while at first glance these works appear to be “...colour printed etchings, which have then been extensively coloured by hand. They are in fact, the result of skilful colour printing alone, using a technique which effectively combines the printing of a normal etching simultaneously with that of printing a monotype. The lines of the etched design, which compose the basic image art inked with black printer’s ink, and the surface of the plate is then cleaned in the manner used for printing a normal monochrome etching. Thick, coloured printerís inks are then painted onto the surface of the plate using a brush as though painting a plate for a monotype printing; the proof is then printed at one pull through the press.”

2084

Fumiyo Hashioka Kaneko (20th century)

“Minus Hands,” 1967 Drypoint etching and aquatint on paper Signed, dated, titled and inscribed lower margin: Fumiyo Hashioka / To Mr & Mrs Cathcart Plate: 23.5” H x 17.75” W

$600-800

Provenance: Estate of Linda Cathcart, Montecito, C

2085

Three Japanese ikebana baskets

19th/20th century

Each woven bamboo,

$400-600

Provenance:

with bamboo

2086

A Brutalist-style wrought iron floor candle holder

Mid-20th century

With eleven candle holders and stylized geometric star elements

$600-800

Mid-20th

Each

2088

Charles and Ray Eames (1907-1978 and 1912-1988)

Walnut stool for Herman Miller, circa 1960s-70s Unmarked Walnut 14.75” H x 13.25” Dia.

$500-700

Notes: These stools were originally designed in 1960 for the lobbies of the Time-Life Building in New York City.

2090

Two modern tulip swivel armchairs

Circa 1960s

In the style of Eero Saarinen,

swivel

Each:

beige

molded

2091

Charlotte Perriand and Pierre Jeanneret (1903-1999 and 1896-1967)

Chaise Longue - LC4 for Le Corbusier from Cassina, mid-20th century

Designed 1928

With Cassina stamp to frame

Chrome-plated steel, black enameled steel base, canvas, rubber, and leather 29.25” H x 24” W x 65.25” D (adjustable, dimensions variable)

$800-1,200

2092 Brian Blood (b. 1962)

“La Jolla Cove Beach” Oil on canvas

Signed lower left: B Blood; titled on the stretcher 16” H x 20” W

$2,000-3,000

2093

Cornelis Botke (1887-1954)

“California Coastal” Oil on canvas board

Signed lower right: C. Botke; titled on a gallery label affixed verso 7” H x 8” W

$700-900

Provenance: Sale, Butterfield & Butterfield, Los Angeles, CA, February 17-18, 1988, Lot 4368 DeRu’s Fine Arts, Lagune Beach, CA, acquired from the above From the Estate of DeWitt C. McCall III

Exhibitions: The Irvine Museum, Irvine, CA, “Painting Partners,” June 25September 22, 1998

2094

Nels Hagerup (1864-1922)

Coastal dunes with tall grass Oil on burlap

Signed lower left: N. Hagerup 18” H x 30” W

$600-800

Espoy (1879-1963)

2097

Angel Espoy (1879-1963)

Crashing waves

Oil on canvas

Signed lower left: A. Espoy 30” H x 40” W

$2,000-3,000

2098

Charles L.A. Smith (1871-1937)

Crashing waves on a rocky coastline Oil on canvas

Signed lower left: Chas. L.A. Smith 24” H x 30” W

$1,500-2,000

2103

Edwin Wright (20th century)

Homes above crashing waves

Watercolor on paper

Signed lower left: E. Wright

Sight: 10.5” H x 15.5” W

$200-300

2104

A Tuttle “Onslow” sterling silver flatware service

20th century

Each marked for Tuttle sterling

Designed 1931, comprising 12 hollow-handled New French place knives (8.875”), 12 place forks (7.375”), 12 salad forks (6.125”), 1 pickle fork (6.125”), 23 teaspoons (5.875”), 12 cream soup spoons (6.625”), 1 sugar spoon (5.75”), 1 gravy ladle (5.875”), 1 cold meat serving fork (8.5”), 1 serving fork (8”), 1 hollow-handled pie server (9.75”), and 1 hollow-handled cheese server (6.125”), 78 pieces

Weighable sterling: 103.805 oz. troy approximately $2,000-3,000

2105

Georg Jensen (1866-1935)

A “Continental” sterling silver flatware service, mid-20th century

Designed 1906

Each marked: Georg Jensen / Sterling / Denmark

Comprising 8 hollow-handled Modern luncheon knives (8.75”), 8 luncheon forks (7.25”), 6 fish forks (6.75”), 2 salad forks (6.875”), 8 teaspoons (5.875”), 6 coffee spoons (4.25”), 1 sugar spoon (4.625”), 1 hollow-handled salad serving spoon (9.25”), and 1 hollow-handled salad serving fork (9.25”), 41 pieces

Weighable sterling: 36.43 oz. troy approximately

$1,000-1,500

2106

A Tiffany & Co sterling silver centerpiece dish

Circa 1947-1956, directorship of Louis deBian Moore

Marked: Tiffany & Co. / Makers 143 / Sterling Silver / 23347 / M

With geometric fan-style handles 4.75” H x 16.5” W x 8” D 28.23 oz. troy approximately $800-1,200

2107

A Continental .800 silver mesh purse

Early/mid-20th century

Stamped to frame interior: Coda / 800 The purse designed with an oval frame handle suspending a triangular mesh bag finished with a tassel to the point 15.5” H x 6.5” W (with tassel) 245.8 grams

$200-300

2112

Sam Hyde Harris (1889-1977)

Landscape with smoke trees Oil on canvas

Estate signed lower right: Sam Hyde Harris; estate stamp verso signed by Mrs. Sam Hyde Harris 22” H x 28.25” W

$1,000-2,000

2113

Sam Hyde Harris (1889-1977)

“At Ease”

Oil on canvas board

Signed in pencil lower left: Sam Hyde Harris; estate signed lower left; with the estate stamp verso signed by Maureen St. Gaudens 18” H x 24” W

$1,500-2,000

2114

Sam Hyde Harris

(1889-1977)

Mountain landscape

Oil on Masonite Estate signed lower left: Sam Hyde Harris; estate stamp verso signed by Maureen St. Gaudens 18” H x 24” W

$1,500-2,000

2116

Brighton Sango (1958-1995)

2115

Jeffrey Laudenslager

2117

Warren Bakley (b. 20th century)

Totem

Glazed ceramic 30.5” H x 4.25” Dia.

$800-1,200

2118

Thomas Larkin

(b. 20th century)

Two “Votive Image” tower sculptures, circa 1991 Each patinated bronze, one on wood base

From an edition of 800, numbered illegibly One signed, dated, titled, and inscribed in pen to underside: T. Larkin / Bronze “91” / Votive Image

2 pieces

Largest: 16.25” H x 2.5” W x 2.25” D; smallest: 15.75” H x 2” W x 3.5” D

$300-500

2122 Warren Bakley

century)

2123

Alexis M. Podchernikoff (1886-1933)

“Mount Tamalpais” Oil on board

Signed lower right: Podchernikoff; titled on a gallery label affixed verso 10” H x 7” W

$800-1,200

Provenance: DeRu’s Fine Arts, Laguna Beach, CA

From the Estate of DeWitt C. McCall III

Literature: Illustrated in Dewitt Clinton McCall, “California Artists 1935 to 1956” (Bellflower: DeRu’s Fine Art Books, 1981), 185.

Notes: This lot is accompanied by a copy of McCall’s “California Artists 1935 to 1956.”

2124

Elliot Burton Torrey

“Mount Wilson,

on

Signed lower

Provenance:

Literature: Illustrated in Dewitt Clinton

Fine Art Books,

Notes:

2125

Alexis M. Podchernikoff (1886-1933)

Santa Inez Peak, Santa Barbara, Study for “Springtime Paradise” Oil on board

Signed lower left: A.M. Podchernikoff 7” H x 9” W

$800-1,200

Provenance: Sold: John Moran Auctioneers, Pasadena, CA, “California and American Fine Art,” February 17, 2004, Lot 11 DeRu’s Fine Arts, Laguna Beach, CA, acquired from the above From the Estate of DeWitt C. McCall III

Notes: This lot includes a copy of the artist’s pamphlet, “Russian Painters of Romantic Landscapes.”

2127

William Alexander Griffith (1866-1940)

“Sheep Mountain (South of Palm Desert),” 1927 Oil on canvas board

Signed and dated lower right: W. A. Griffith; titled on a gallery label affixed verso; indistinctly inscribed verso 10.5” H x 14” W

$700-900

Provenance: Kerwin Galleries, Burlingame, CA Ex. Collection Roy Farriginton Jones, Marin Co., CA DeRu’s Fine Arts, Laguna Beach, CA, acquired from the above Purchased from San Rafael Auction Gallery, June 6, 2020, Lot 223 From the Estate of DeWitt C. McCall III

2129

A

$400-600

2130

Ludwig Mies van der Rohe (1886-1969)

MR Tables after Mies van der Rohe by Knoll, late 20th century

Designed 1927

Each with KnollStudio stamp

Glass and stainless steel

2 pieces

Each: 19.75” H x 27.25” Dia.

$300-500

David Lee Brown (b. 1939)

contemporary glass

century

smoke glass

2134

Eero Saarinen (1910-1961)

Tulip armless chair for Knoll, circa 1957-1961 Designed 1957

Each with Knoll label

Molded fiberglass, powder-coated cast aluminum, and upholstered cushions

6 pieces

Each: 32” H x 20” W x 21.25” D

$1,000-2,000

2135

Pepe Cortes (b. 1946)

Jamaica Barstools for Amat, circa 1990s

Each with cast manufacturer’s mark to underside Aluminum and chrome-plated steel 4 pieces

Each: 28” H x 17.75” W x 17.75” D

$400-600

2136

Lievore Altherr Molina (founded 1991)

Aro counter stools for Bernhardt, 21st century Each with Bernhardt label to underside Maple, walnut, and polished stainless steel 4 pieces

Each: 24.125” H x 15.875” Dia.

$300-500

2137

Giancarlo

Plia folding Designed 1967 Each with Castelli Chrome-plated 5 pieces

Each: 29.25”

$400-600

Peretti (b. 1940) chair for Anonima Castelli, mid-20th century 1967

Castelli mark to underside Chrome-plated steel, cast aluminum, and ABS plastic

18.5”

18.5”

2138

Arnold Mesches (b. 1929) Chairs, 1969 Serigraph on BK Rives paper

From the edition of unknown size Signed and dated in pencil lower right: Mesches Image: 24” H x 36”

Sheet: 29.75”

x 41.5”

2139

Arnold Mesches (1923-2016)

“Phoenix Sun,” 1973 Serigraph on paper Edition: A/P IX

Signed and dated lower right: Mesches; titled lower left Image: 17.5” H x 23.75” W; Sheet: 22.5” H x 28.75” W

$200-400

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2140

Arnold Mesches

(1923-2016)

“TV 5,” 1972 and “Telephone Pole,” 1973 Each: Screenprint on paper

The first: From the edition of unknown size Signed and dated in pencil lower right: Mesches; titled in pencil lower left The second: Edition A/P Signed and dated in pencil lower right: Mesches; titled in pencil lower left Sheet of first: 22.75” H x 39” W; Sheet of second: 28.5” H x 22.5” W $300-500

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2141

Arnold Mesches (1923-2016)

Three works:

“N.Y., N.Y.,” 1970 Screenprint on paper Edition: A/P

Signed and dated in pencil lower right: Mesches; titled lower left Image: 15” H x 14.5” W; Sheet: 26.75” H x 23” W

“Dukes,” 1970 Screenprint on paper Edition: A/P

Signed and dated in pencil lower right: Mesches; titled lower left Image: 14.25” H x 12” W; Sheet: 28.55” H x 22.5” W

“Telephone Poll w/ Gold,” 1973 Screenprint on paper Edition: A/P

Signed and dated in pencil lower right: Mesches; titled lower left Image: 15.25” H x 15” W; Sheet: 20” H x 20” W

3 pieces

$500-700

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2142

Arnold Mesches (1923-2016)

Two pieces:

“Bright Lights,” 1972 Screenprint on paper Edition: A/P

Signed and dated in pencil lower right: Mesches; titled in pencil lower left Sheet: 30” H x 22” W

“Billboard,” 1973 Screenprint on paper Edition: A/P

Signed and dated in pencil lower right: Mesches; titled in pencil lower left Sheet: 28.5” H x 22.5” W

2 pieces

$300-500

Provenance: Property from Frances Luban Fine Art, Burbank, CA

2143

Rolf Lehmann (b. 1931)

Untitled, 1965 Etching on paper

Signed lower right: Lehmann; signed again, dated and inscribed verso: Switzerland Plate: 19.5” H x

Sheet: 24.75” H x 19.5” W

$300-500

Provenance: Property from Frances Luban Fine Art, Burbank, CA

Andrew Parker

2146

Tarmo Pasto (1906-1986)

“Horse at the Inlet,” 1973 Oil on canvas

Signed and dated along the lower edge at right: Tarmo Pasto; titled on the stretcher, verso; titled again on the verso of the frame, possibly in another hand 34.25” H x 68” W

$1,500-2,500

Notes: This work is sold in a frame made by the artist.

2147

Tarmo Pasto (1906-1986)

“Cactus Country”

Oil on canvas

Signed lower right: Tarmo Pasto; signed again and titled verso 26” H x 34” W

$1,000-1,500

Notes: In a frame made by the artist.

2148

Tom Rierden

(b. 1960)

“Red Car”

Tempera on Masonite Signed lower right: Rierden; titled on a label affixed verso 24” H x 36” W

$1,000-2,000

2149

Art Riley (1911-1998)

“New Born”

Mixed media on Arches paper

Signed lower right: Art Riley; titled verso Sight: 21.25” H x 29.25” W; Sheet: 22.25” H x 30.25” W

$2,000-3,000

Cows

2151

Benigino Yamiro Ruiz (1880-1929)

Shepard with flock at sunset Oil on panel

Signed lower left: B.Y. Ruiz 5” H x 8” W

$400-600

Provenance:

2152 Hugo Anton Fisher (1854-1916)

Marsh landscape with cows Watercolor on paper

Signed lower left: Hugo Fisher Sight: 8.25” H x 17.5” W

$300-500

Bouthillier

2155

Antonio Citterio (b. 1950)

Visa lounge chair for Vitra, 21st century

Each with cloth Vitra tag

Red woven upholstery, black piping, and tubular chrome metal frame

2 pieces

Each:

$600-800

2156

Antonio Citterio (b. 1950)

Visa lounge chair for

2157

Antonio Citterio (b. 1950)

Visa lounge chair for Vitra, 21st century

Each with paper tag from upholsterer; original Vitra tag removed Rust ultrasuede upholstery and tubular chrome metal frame

2 pieces

Each: 29” H

$600-800

2160

Mark White (b. 20th century) “Orb,” 2009 Copper and stainless steel Signed and dated: Mark White © 2009 84” H x 21” Dia. $600-800

2161

Machine Age chromed metal hat stand

Circa 1930s

Unmarked Fluted X-form foot and eight pegs 69.25” H x 21.5” W x 21.5” D

$300-400

Provenance: Property from an important La CaÒada Flintridge estate

2162

A Casella “Skyscraper” brass floor lamp Circa 1980s

With Casella label to underside Playted-brass body with single light, electrified 72.5” H x 11” W x 7.5” D

$500-700

2163

Two contemporary acrylic

Late 20th/early 21st century

Each with frosted acrylic columns, pieces

Each: 66.5” H x 13.75” Dia.

$800-1,200

and glass torchieres

columns, brass collars, and trumpet milk glass shades, electrified, 2

2164

Three Quezal iridescent art glass shades

Early 20th century

Each signed: Quezal

Each bell-form gold iridescent glass shade with white swirl motif, 3 pieces

Each: 6” H x 4.25” Dia.; fitter rim: 2.25” Dia.

$600-800

2165

A pair of Handel glass torchiere mantle lamps

Circa 1910s-20s; Meriden, Connecticut

Each shade stamped: Handel 6989

Model no. 6989, each mantel lamp with a cylindrical glass shade decorated with reverse-painted daises and acid-etched textured exterior finish on a molded patinated metal base with finial, electrified, 2 pieces

Each: 14.5” H x 5.25” Dia.

$1,500-2,500

Literature: Illustrated in Carole Goldman Hibel et al., “The Handel Lamps Book” (Pittsfield, MA: Fontaine Publishers, 1999), 244.

2166

A Handel reverse-painted glass landscape table lamp

Circa 1910s-20s; Meriden, Connecticut Shade signed: Handel. 7103.; fitter rim marked: Handel Lamps / PAT’D. NO. 979664; base marked: Handel

The conical, ice chipped finished glass shade with reverse-painted wooded lakeside scene during a red and yellow sunset on a two-light patinated metal tapered base circular foot, electrified

Overall: 24” H x 18” Dia.; base: 24” H x 7.25” Dia.; shade: 8” H x 18” Dia.

$800-1,200

2167

A Handel reverse-painted glass “Parrot” table lamp

Crica 1910s-20s; Meriden, Connecticut

Shade signed: Handel 7128 Palme [George Palme]; fitter rim marked: Handel Lamps / PAT’D. NO. 979664; base marked: Classique Lamps / Lion

The domical shade in ice chipped and sand-finished glass with three reverse-painted macaw parrots resting on pink and ochre prunus blossoms against a marbleized ground on a two-light patinated metal base with geometric designs, electrified

Overall: 22” H x 18” Dia.; base: 22” H x 7.5” Dia.; shade: 8” H x 18” Dia. $3,000-5,000

Literature: Shade illustrated in Robert De Falco et al., “Handel Lamps: Painted Shades and Glassware” (Staten Island, NY: H&D Press, Inc., 1986), 139.

2168

A pair of beaded boudoir lamps

Early 20th century

Each with an Art Nouveau-style base decorated with devotional crosses, a beaded glass shade with fringe, and a carved nephrite finial, electrified, 2 pieces

Each: 20” H x 9” Dia.

$200-400

2169

Hans Gustav Burkhardt (1904-1994)

Seated nude female, 1971 Pastel on taupe paper

Signed and dated in pencil at the lower left: H. Burkhardt

Sight: 23.5” H x 17” W

$600-800

Provenance: Pasquale Iannetti Art Galleries, Inc., San Francisco, CA Property from Frances Luban Fine Art, Burbank, CA

2170 David Aronson (1923-2015)

“The Entertainer,” Circa early 1970 Encaustic on board

Signed upper right: Aronson; titled on a gallery label affixed verso 15.75” H x 9.75” W

$500-700

Provenance: Bernard Danenberg Galleries, New York, NY Property from Frances Luban Fine Art, Burbank, CA

2171

Gael

Signed

$700-900

Provenance:

2174

Leroy Neiman (1921-2012)

“Red Corrida,” 1974 Serigraph on paper Edition: 77/300

Signed lower right: Leroy Neiman Image: 18.5” H x 22.5” W

$700-900

Lichtenstein

pub., each sheet with the Amsterdam. Over the years, several autographed.”

2177 Rick Wolfryd (b. 1953)

After KAWS,

Vinyl and beads

Signed and

(Grey),

2178

Rick Wolfryd (b. 1953)

“Hip Hop Dancer (Mini),” 2022 Photopolymer resin and beads

Signed, titled, and dated on underside of base: Chroma aka Rick Wolfryd / T.P .0001 2022 / 3-D Smart Labs / Clemente Ramirez 17.25” H x 6.25” W x 8” D

$800-1,200

2179

Rick Wolfryd (b. 1953)

“Dance for Life Photopolymer

Signed, dated, Chroma aka Rick Florencio C.C. 16” H x 8” W x

$800-1,200

Wolfryd

KAWS “Astro Boy,” 2022

2181

Judee De Bourdieu (b. 20th century) Macrame camel, 1982 Jute, metal, and wood Edition: 15/35 Signed, dated, and numbered: Judee / De Bourdieu / 1982 31” H x 14” W x 13” D

$800-1,200

2184

A black iron bistro table and chairs

Circa 1920s-30s

Comprising an oval table, and armchair, and a side chair, 3 pieces Table: 31” H x 43.5” W x 31.25” D; armchair: 37.5” Hx 22” W x 20” D; side chair: 37.5” H x 18” W x 20” D

2185

John Caldwell (b. 20th century)

Mai Tai chairs and table for Brown Jordan, mid-20th century Designed 1956

Tubular metal frame, vinyl strapping, and glass 4 pieces

Each chair: 40.5” H x 28.5” W x 26” D; table: 14.5” H x 24.25” W x 24.25” D

$600-900

2186

A giant clam shell 20th century or earlier

Each Tridacna gigas from the South Pacific 11” H x 28” W x 18” D approx.

$1,000-2,000

2187

A giant clam shell 20th century or earlier

Each Tridacna gigas from the South Pacific 11” H x 28” W x 18” D approx.

$1,000-2,000

2188

Frank Gehry (b. 1929)

Cross Check armchair for Knoll, 2000 Designed 1990

Each with burned Gehry/Knoll mark and date

Bent-laminated maple

4 pieces

Each: 33.5” H x 28” W x 26.5” D

$800-1,200

2189

Thomas W. Stender (1947-2021)

Canilune chair, 1989 Signed: T.W. Stender #2 / copyright 1989 Padouk, lacewood, Bird’s Eye maple, and black velvet upholstry with gold shooting stars 52.25” H x 14.5” W x 15.75” D

$600-800

Provenance: Acquired from the Gallery of Functional Art in Santa Monica in 1989

2191

Contemporary custom painted dining table with chairs

Late 20th/early 21st century

The extendable dining table with custom painted top depicting a modernist book cover for Cecil Freeman Gregg’s crime novel “Mystery At Moor Street,” with fitted glass top and four conformingly designed chairs with leather upholstered seats and nail head trim, 6 pieces Table: 30.75” H x 59.875” W x 39.875” D; each chair: 36” H x 18” W x 20” D

$300-500

Provenance: Property from an important La CaÒada Flintridge estate

2192

Toyoda Hiroyuki (1946-2000)

ICF Pelle chair, 1985

Each with

2193 Arne Jacobsen (1902-1971)

Arne Jacobson for Fritz Hansen Series 7 chair, circa 2006 Designed 1955

Each with Republic of Fritz Hansen sticker label; further marked: Design Arne Jacobson / Made in Denmark 2006

Red polychrome plywood with chrome metal frame 4 pieces

Each: 30.5”

$400-600

2194

Vladimir Kagan (1927-2016)

“Snail” cocktail table, circa 1967 Walnut and glass

Unmarked

15.5” H x 36” W x 36” D

$2,000-3,000

2195

Vladimir Kagan (1927-2016)

“Snail” cocktail table, circa 1967

Walnut and glass

Unmarked

15.5” H x 36” W x 36” D

$2,000-3,000

2196

2198

George Nelson (1908-1986)

Saucer Bubble lamp for Herman Miller, mid-20th century Designed 1952 Sprayed fiberglass over steel frame Appears unmarked 7.25” H x 17” Dia.

$200-400

2199 George Nelson (1908-1986)

Saucer Bubble lamp for Herman Miller, mid-20th century Designed 1952 Sprayed fiberglass over steel frame Appears unmarked 7.25” H x 17” Dia.

$200-400

A Rookwood Pottery vase, by Charles Stewart Todd 1919 Marked for Rookwood; further marked: 2105 / C.S.T. (Charles Stewart Todd) Designed by Charles Stewart Todd (active 1910-1922), model number 2105, tapered vase with Arts and Crafts floral band to the neck and a brown and dark green glaze 4.5” H x 3” Dia.

2202

An Arts and Crafts art pottery vase

Late 19th/early 20th century

A tall vase with wide shoulder and tapered body, decorated with an iris in a dark greenish-brown glaze 15” H x 8.5 Dia.

$300-500

2203

John Bennett (1840-1907)

Vase with Dogwood berries, 1877 Glazed ceramic

Signed, dated, and inscribed: J Bennett / Oct. 1877 / 101 Lex Ave / N.Y.; with a partial Davis Collamore & Co. paper label 11.5” H x 6.5” Dia.

$1,000-2,000

2205 Dana Bartlett

“Not For

Signed lower

2207

Mentor Huebner (1917-2001)

Scenes from the movie “Lost Horizon,” two pieces Acrylic on board laid to board

Signed lower center on first: Mentor

$2,000-3,000

2208

Philip Reeve Wood (1913-2002)

“Four Seasons,” 1955

Each: Watercolor on paper

Each: Signed and dated lower right: Philip Wood; titled by repute

Sight of each: 8” H x 11” W

$300-500

2209

Gary Ray (b. 1952)

“Ventura”

Oil on canvas board

Signed lower left: Gary Ray; signed again and titled verso 18” H x 24” W

$800-1,200

2210

Sam Hyde Harris (1889-1977)

“Fog”

Oil on canvas board

Estate stamped lower right: Sam Hyde Harris; titled and numbered verso: 143; authentication stamped and estate numbered verso: 000655 12” H x 16” W

$1,500-2,000

Exhibitions: Pasadena, CA, Pasadena Museum of History, “Who Was Sam?

The Art of Sam Hyde Harris 1887-1977,” January - April 29, 2007

2212

Frank Lucien Heath (1857-1921)

“Stormy Weather” Oil on canvas

Signed lower left: F.L. Heath; signed again, titled and inscribed verso: Mountain Meadow, Santa Barbara, Ca 20î H x 30î W

$800-1,200

2214

Henry

2215

Ann Froman (1942)

1987

Patinated and gilt bronze, wire, beads, and glass jewels on a bronze base Edition: 53/175

Signed, dated, and numbered:

AFroman /

foundry mark: Fine Art Auctions

2216 George K. Brandriff (1890-1936)

“Chinon - France,” 1929 Oil on canvas laid to board Unsigned; signed, titled, dated and inscribed by the artist’s wife verso: Painted by George K. Brandriff / Mrs. George K. Brandriff (Widow) 11” H x 13” W

$1,000-1,500

2218 Daisy Marguerite Hughes (1882-1968)

“Book Stalls, Paris,” 1927

Oil on canvas board

Signed lower left: D.M. Hughes; signed again, titled, dated and inscribed verso: Nov. or Dec. /c/o M. Lefebvre-Foinet, 2 rue Brea, Paris 18” H x 15” W

$800-1,200

2217 Daisy Marguerite Hughes

(1882-1968)

“Rue Royale Paris” Oil on canvas board

Signed lower left: D.M. Hughes; signed again, titled, numbered and inscribed verso: No. 15 / c/o Lucien Lefebvre-Foinet, 2 rue Brea, Paris 15” H x 18” W

$800-1,200

2222

A stoneware table lamp 20th century

The ceramic lamp with tapered waist and two bands of ball details, electrified 24” H x 11.5” Dia.

$300-500

2223

Two large terracotta outdoor garden pots

Circa 1930s-40s

Each unglazed ceramic, comprising a tall oil jar pot (41” H x 24” Dia.) and a low planter (16.5” H x 21.5” Dia.), 2 pieces

$600-800

2224 Charles Payzant (1898-1980)

Nocturnal western street scene Watercolor on paper Signed lower right: Charles Payzant Sight:12.75” H x 18.75” W; Sheet: 13.5” H x 19.5” W $2,000-3,000

2225

Abraham S. Weiner (1897-1982)

Birdseye view of a mountain town, 1943 Watercolor on paper

Signed and dated lower right: A.S. Weiner Sight: 17” H x 21.25” W

$400-600

Priebe Gaston

2228

Jerome Priebe Gaston (1911-1989) Watertank in a landscape Watercolor on paper Signed lower left: J.P. Gaston Sight: 16.5” H x 21” W $200-300

Elmer Stanhope

2235 Ruth C. Melnicoe (1897-1959)

“Winter in San Carlos,” 1939 Watercolor on paper

Signed and dated lower left: Ruth C. Melnicoe

Sight: 16.5” H x 13.5” W

$200-300

2239 Jim McVicker (b. 1951)

“Apple Trees at Dusk,” 1990-1991 Oil on canvas

Signed and dated lower left: McVicker; signed and dated again and titled verso 60” H x 66” W

$3,000-5,000

2240 William Dorsey (1942-2009) Eucalyptus landscape Oil on canvas

Signed lower right: Wm. Dorsey 20” H x 24” W

$600-800

2241

20th Century American School

Towering eucalyptus with distant mountains Watercolor on paper under glass

Signed lower right: Easton Sight: 18.625” H x 27.625” W

$400-600

2242

2257

Arthur G. Rider (1886-1975)

“Spanish Fishing Boats”

Graphite on paper

Appears unsigned; titled on a gallery label affixed to the backing paper Sight: 6” H x 6” W $300-500

Provenance: DeRu’s Fine Art, Laguna Beach, CA

From the Estate of DeWitt C. McCall III

Notes: A letter of authenticity signed by the artist’s stepson, Robert Bethea, is affixed to the backing paper.

2260

Attributed to George K. Brandriff (1890-1936)

Sketch for “Loading Supplies,” 1929 Oil on canvas board

Unsigned; signed, dated and inscribed by the artist’s wife verso: Painted by George K. Brandriff / Mrs. George K. Brandriff (Widow) / Harbor - Douarnenez - France 11.25” H x 15” W

$2,000-3,000

2261

Leland S. Curtis (1897-1989)

“Sierra Lake”

Watercolor on paper

Signed lower left: Leland Curtis ©; titled on a gallery label affixed verso Sight: 20” H x 28” W; Sheet: 21” H x 28.5” W $1,000-2,000

Provenance: DeRu’s Fine Art, Laguna Beach, CA From the Estate of DeWitt C. McCall III

2262

Lorenzo P. Latimer (1857-1941)

“Fallen Leaf Lake,” 1917 Watercolor on paper on board Signed and dated lower right: L.P. Latimer; titled verso Sight: 10.5” H x 6.5” W

$600-800

Provenance: DeRu’s Fine Art, Laguna Beach, CA From the Estate of DeWitt C. McCall III

2263

Two Aerial Acoustics 7B Loudspeakers

Circa 1999

Serial no. 073492 and 073491

Each with black grills and walnt finish, electrified

Each: 43” H x 8.5” W x 15.5” D

$2,000-3,000

2265

Aerial

2270

Ken Auster

“Valet Parking” Oil on board

Signed lower left: Auster;

2271

Late 20th century, American

“Games of the XXIIIrd Olympiad, Los Angeles 1984” Color poster on paper Edition: AP/300

Signed and numbered in pencil in the lower corners: Ernie Barnes

34”

$500-700

x

Notes: According to text printed along the right edge of the poster, the image reproduced here under the

of the L. A. Oly Org. Com and Sales Corp of America is a painting, “Star in Motion,” done in 1980 by Ernie

2272

Ansel Adams (1902-1984)

Two works:

“The Portfolios of Ansel Adams”

Poster on paper

Signed lower center: Ansel Adams Sight: 35.5” H x 25” W

“Ansel Adams Images - 1923-1974”

Poster on paper

Signed lower center: Ansel Adams Sight: 35.5” H x 25” W 2 pieces

$300-500

2273

Jim McCrary (1939-2012) Garden triptych, 2006 Photograph on paper

Signed and dated lower right: Jim McCrary

Overall image: 18.25” H x 31.5” W

$500-700

Notes: McCray is most notable for shooting the album cover of Carole King’s “Tapestry” as well as The Carpenters’ “Ticket to Ride” and Joe Cocker’s “Mad Dogs and the Englishmen.”

2275

Laurie Simmons (b. 1949)

“Woman/Flippers,”

Dye-bleach print

Edition:

Unsigned;

$1,000-1,500

Provenance:

2276

A group of Henry and Jane Fonda items 20th/21st century

Comprising two Legends of Hollywood Framed Stamp Collection, 2005; a Photo of Jane Fonda signed on the Plexiglas lower right; and a Henry Fonda “Geraniums” photograph, 4 pieces Sight of largest: 12” H x 17.75” W

$200-400

2277

Jules Cheret (1836-1932)

“Pastilles Geraudel” for the “Courier Francais,” 1891 Lithograph in colors on paper Edition of unknown size

Signed in the stone near the center of the right edge: J Cheret Sight: 20.875” H x 11.25” W

$500-700

2278

Musical Fidelity M250 monoblock power amplifier

Circa 2002; Middlesex, England Serial no. QY12151

Brushed silver metal front, electrified 5.125” H x 7.625” W x 18.25” D

$700-900

2279

Musical Fidelity M250 monoblock power amplifier

Circa 2002; Middlesex, England

Serial no. QY12132

Brushed silver metal front, electrified 5.125” H x 7.625”

x 18.25”

$700-900

2280

Musical Fidelity M250 monoblock power amplifier

Circa 2002; Middlesex, England Serial no. QY12167

Brushed silver metal front, electrified 5.125” H x 7.625” W x 18.25”

2281

Sheppard

Condition Reports

2001

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with inherent, typical crazing to the glaze. Issues and repairs include, but are not limited to: the charger with a 3” hairline to the lower left between 6 and 7 o’clock; the vase with a professional restoration to the upper neck and rim.

2002

Overall good condition with scattered scuffs, scratches, and shelf wear, commensurate with age. Scattered small abraided surface chips to enamel throughout. Accompanied by clear acrylic stand.

2003

Overall good condition with wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A small 3” hairline to the edge, likely dating to the time of manufacture.

2004

Overall good condition with wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: typical crazing, scattered pinholing and air bubbles, and small chips to the edge, largest 1”.

2005

Overall good condition with wear, scattered minor scuffs, light scratches, and inherent firing flaws commensurate with age. A small pin-sized inherent surface chip in the glaze to the upper right area on black, likely a ruptured air bubble.

2006

Each: Good condition. Toning to the paper. Framed floating and mounted to the back mat. Not examined out of the frame. The first with a perforated upper edge. The third with a fold down the center of the paper.

Framed of largest under Plexiglas: 13.5” H x 11.75” W x .75” D

2008

Good condition. Toning to the paper. Not examined out of the frame.

Framed under glass: 14.75” H x 11.75” W x .75” D

2007

Good condition. Toning to the paper. A 1” line of red ink left center. A few spots of staining to the paper scattered throughout. Framed floating and mounted to the back mat. Not examined out of the frame.

Framed under Plexiglas: 16.75” H x 13” W x .75” D

2009

Good condition. Toning to the paper. The paper is rippled along the edges. Reverse staining to the upper corners. Not examined out of the frame.

Framed under glass: 15” H x 12” W x 1” D

2010

Good condition. Soft cockling in the margins on all sides. A pinpoint-sized speck in the figure’s back, possibly stray printer’s ink. A diagonal crease across the lower right margin corner, not affecting the image. Not examined out of the frame.

Framed under glass: 20” H x 16.5” W x 2” D

2011

Each: Good condition. Minor toning to the paper. A few handling creases scattered throughout. With the perforation along the left edge. Not examined out of the frame.

Each framed under Plexiglas: 12.25” H x 9.75” W x 1” D

2012

Good condition. Toning to the paper. Handling creases scattered throughout. Not examined out of the frame.

Framed under glass: 14.75” H x 11.75” W x 1” D

2013

Overall fair to good condition with scattered scuffs and scratches commensurate with age. Scattered chipped losses to edge of wood, lifting and small losses to metal inlay, and surface wear.

2014

Overall good condition with scattered scuffs and scratches commensurate with age. Not examined out of frame.

Frame: 36.5” H x 37” W x 1.375” D

2015

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and wear to painted surface commensurate with age.

2016

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The stopper is frozen in place.

2017

Overall good condition with scattered scuffs, scratches, and wear commensurate with age. Some losses to black Styrofoam base structure that exposes the white underneath.

2018

Overall good condition with scattered scuffs, surface scratches, and nicks commensurate with age.

2019

Overall good condition with scattered scuffs and scratches commensurate with age.

2020

Good condition. Dust accumulation and occasional surface scuffs commensurate with age.

Unframed

Overall: 56” H x 56” W x 1.5” D

2021

Good condition. Minor toning to the paper. Minor handling creases in the upper right corner. Framed floating and mounted to the back mat. With margins. Not examined out of the frame.

Framed under Plexiglas: 28.25” H x 34.5” W x 1.5” D

2023

Very good condition. Full margins. Some stray printers ink in the lower portion of left margin edge. A few, minor scattered handling creases near the margin edges, showing mostly at the upper left margin corner. The sheet is loose, not mounted.

Unframed

2024

Good condition. Minor toning to the paper. With the full margins. The paper is loose, not mounted.

Unframed

2025

Each overall good condition with scattered scuffs, scratches, nicks, and wear commensurate with age and use. Heavier wear and nicks to the feet. The ottomans are not Pearsall.

2026

Each overall good condition with scattered scuffs and scratches to the metal bases commensurate with age. Upholstery for each in overall good condition with minor wear and small discolorations/staining throughout.

2027

Good condition. Minor toning to the paper. A small tear and fold to the paper along the right center edge. A very small tear to the paper along the lower center edge. Framed floating and hinged to the back mat with linen hinge tape in the lower corners.

Framed under Plexiglas: 9.25” H x 9.75” W x 1.25” D

2022

The full sheet with deckled edges. The sheet is unevenly toned, recto. Occasional creasing showing mostly in the lower right corner. The sheet is loose, not mounted.

Unframed

2028

Visual: Good condition. Very minor surface dirt and grime.

Blacklight: No evidence of restoration.

Unframed

2029

Overall very good condition.

Unframed

2030

Overall very good condition.

Unframed

2031

Overall very good condition. Full margins with deckled edges. Very minor handling marks in the margins.

Unframed 2032

Good condition. The colors fresh. A few very soft handling creases visible mostly in raking light. Not examined out of the frame.

Framed under Plexiglas: 43” H x 30.75” W x 1.25” D

2033

Overall good condition. Full margins with deckled edges.

Unframed 2034

Overall very good condition. Full margins. Minor, unobtrusive handling creases throughout only visible in raking light.

Unframed. 2035

Very good condition. Full margins. A dime-sized spot of slight yellowing in the upper left margin corner. A very soft crease at the lower right margin corner. The sheet is loose, not mounted.

Unframed 2036

Overall very good condition. Full margins with deckled edges.

Unframed 2037

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered inherent pinholing to the glaze and small repaired chips to the foot.

2038

Overall good condition with scattered scuffs, scratches, wear, and weathering commensurate with age and use. Scattered small superficial chipped losses to the enamel and powder-coated surfaces.

2039

Each overall good condition with scattered scuffs and scratches to the metal bases commensurate with age. Upholstery for each in overall good condition with minor wear and small discolorations/staining throughout.

2040

Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. some edges show light abrasion.

2041

Good overall condition. The sheets toned, primarily along their outer edges as time-staining. Shelf wear, slight staining, heavier to the head and tail of the spine, and dust accumulation commensurate with age. The printed mylar wrapper partially split.

Folio: 17” H x 11.25” W x 0.75” D

2042

Good condition. Minor toning to the paper. Minor handling creases throughout. Not examined out of the frame.

Framed under Plexiglas: 42.5” H x 32” W x 2” D

2043

Good condition. Minor toning to the paper. Staining to the paper scattered along the extreme edges from a previous mounting. Two very minor handling creases lower center. With the full margins. The paper is loose, not mounted.

Unframed

2044

Each: Very good condition. Full margins with deckled edges. The sheet is loose, not mounted.

Each: Unframed

2045

Each: Good condition. The sheet softly rippled within its frame. Unexamined out of the frame.

Each framed under glass: 15” H x 9.5” W x 1.25” D

2046

Each: Good condition. Very minor toning to the paper. Not examined out of the frame. The first with slight rippling along the edges.

Frame of each under glass: 9.5” H x 15” W x 1.5” D

2053

Good condition. The colors fresh. Not examined out of the frame.

Framed under glass: 25.5” H x 31.5” W x 1” D

2054

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under Plexiglas: 26” H x 29.5” W x 1.5” D

2055

2047

Overall good condition with wear, weathering, scuffs, and inherent firing flaws commensurate with age. The base with a repaired crack running through the front right corner.

2048

Overall good condition with wear, weathering, scuffs, and inherent firing flaws commensurate with age.

2049

Overall good condition with wear, weathering, scuffs, and inherent firing flaws commensurate with age. The plaque with a 0.5” hole to one corner and imperfect edges likely inherent to the creation process.

2050

Overall good condition with dust accumulation and inherent firing flaws commensurate with age. The glaze with inherent, typical crazing. Scattered small surface chips to glaze on the feet. Mounting putty residue to the underside.

2051

Overall good condition with scattered scuffs, scratches, and oxidation to metal commensurate with age and wear to materials inherent to their prior function.

2052

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 19.5” H x 26.5” W x 1” D

Good condition. Flecks of paper residue scattered throughout the sky. Not examined out of the frame.

Framed under glass: 25.5” H x 19.5” W x .75” D

2056

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 21.75” H x 28.75” W x 1.25” D

2057

Good condition. Not examined out of the frame.

Framed under glass: 18.5” H x 23” W x 1.75” D

2058

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 21.5” H x 26.75” W x 1” D

2059

Good condition. Minor toning to the paper. Handling creases scattered throughout. A small tear in the paper along the lower right edge. Not examined out of the frame.

Framed under glass: 23.25” H x 28.25” W x 1.5” D

2060

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 21.5” H x 28” W x 1.5” D

2061

Good condition. Not examined out of the frame.

Framed under Plexiglas: 25” H x 29.5” W x 1.25” D

2062

Overall good condition with oxidation and heavy verdigris to bronze commensurate with age. One of the uppermost plate links is broken in the center, the pieces is attached but not secured. The height does not include hanging chain. The fin with slight bending.

2063

Overall good condition with oxidation and heavy verdigris to bronze commensurate with age. The height does not include hanging chain. The fin with slight bending.

2064

Overall good condition with minor scuffs and oxidation commensurate with age. Each with verdigris. Each with small bell with rust/losses to the sheet metal fins. The larger central bell is marked for Paolo Soleri but the smaller bells are not marked, likely a marriage.

2065

Overall good condition with oxidation and heavy verdigris to bronze commensurate with age. The fin with slight bending.

2066

Visual: Good condition. A few minor scuff marks scattered throughout.

Blacklight: No evidence of restoration.

Frame: 37.25” H x 31.25” W x 1.5” D

2067

Visual: Good condition. A few minor scratches and scuff marks scattered throughout.

Blacklight: No evidence of restoration.

Frame: 38” H x 32” W x 4.25” D

2068

Visual: Good condition. A small fleck of paint loss left center. Minor surface dirt and grime.

Blacklight: A pea-sized spot of touch-up lower right.

Frame: 16.25” H x 18.25” W x 3” D

2069

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 15.75” H x 18.75” W x 2.25” D

2070

Visual: Good condition. Tiny flecks of paint loss upper left and in the petal of a flower left center

Blacklight: No evidence of restoration.

Frame: 16.25” H x 20” W x 1” D

2071

Each: With wide margins. The paper somewhat toned and with scattered, mostly pale staining of various types throughout. Not examined out of the frame.

Each framed under glass: 19” H x 13.75” W x 0.5” D

2072

Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

2073

Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The hardware with rusting and oxidation. One piece of molding to the door is loose. Lacking keys.

2074

Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The hardware with rusting and oxidation. Includes keys.

2075

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Rubbed wear and surface chips/abrasions to painted surface.

2076

Each overall good condition with shelf wear commensurate with age.

2077

Good condition. Toning to the paper. Handling creases throughout.

Framed under glass: 22” H x 37.5” W x 1” D

2082

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 15.75” H x 19.75” W x 1” D

2078

Each: Good condition. Minor toning to the paper. Not examined out of the frame. The first with creases throughout.

Largest: Framed under glass: 15.75” H x 20.75” W x .5” D

2083

Each: Good condition and with margins. The paper slightly toned. Some soft handling creases, visible mostly in raking light. “Feast of Lanterns” with a very soft approximately 6.5” diagonal crease across the image. Not examined out of the frame.

Each framed under glass: 21” H x 17” W x 0.5” D

2079

Each: Good condition. Toning to the paper. Not examined out of the frame. The first with creases throughout. The third with foxing throughout the sky.

Each framed under glass: 20.75” H x 15.75” W x .5”

D

2080

Each: Good condition. Uneven toning to the paper. With water staining to the paper in the upper portion. Not examined out of the frame. The first with a crease in the paper right center.

Each framed under glass: 20.75” H x 15.75” W x .5”

D

2081

Good condition. The sheets toned and the colors slightly faded. The upper half of the seascape view has pale staining. Not examined out of the frames.

Triptych framed under glass: 19” H x 30.75” W x 0.5” D Landscape and seascape views framed together under glass: 20” H x 38.5” W x 0.5” D

2084

Good condition. Very minor toning to the paper. Not examined out of the frame.

Framed under glass: 30.5” H x 24.25” W x 1.5” D

2085

Each overall good condition with shelf wear commensurate with age. The largest with two lost stitches to the side.

2086

Overall fair to good condition with weathering and rust commensurate with age. Structurally sound but with heavy surface wear from rusting, evident of likely being placed outdoors.

2087

Each overall good condition with minor scuffs and darkening/oxidation to iron commensurate with age.

2088

Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age and use. Heavier scuffing and wear to the foot.

2089

Each overall good condition with scattered scuffs, scratches, and wear commensurate with age. Leather with typical wear, drying, and areas of fading from use.

2090

Each overall good condition with scattered scuffs, scratches, nicks, and wear commensurate with age. Each with superficial scratches to surface and minimal soiling to upholstery.

2091

Overall good condition with scattered scuffs, scratches, and wear commensurate with age. The chrome with some oxidation/rusting and pitting. The leather with light drying and scratches. The top ribbon fasteners on the leather cushion are torn.

2092

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 23.25” H x 27.25” W x 2” D

2093

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 10.25” H x 11.25” W x 1” D

2094

Visual: Good condition. Surface dirt and grime. Tiny, unobtrusive pinholes inherent in the weave of the burlap scattered throughout, concentrated mainly in the upper right corner.

Blacklight: No evidence of restoration.

Frame: 23.75” H x 35.5” W x 2.75” D

2095

Visual: Good condition. Minor frame abrasion along the edges. Surface dirt and grime.

Blacklight: A .75” H x 2” W area of touch-up in the sky upper left.

Frame: 19” H x 27” W x 1.75” D

2096

Visual: Good condition. Craquelure throughout. Stretcher bar creases along the edges. Minor frame abrasion along the edges. Small spots of paint loss scattered across the center and upper center. Uneven varnish discoloration upper right.

Blacklight: No evidence of restoration. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Frame: 36.75” H x 46.75” W x 2” D

2097

Visual: Good condition. Craquelure throughout. Stretcher bar creases along the edges.

Blacklight: A 2” H x 3.5” W area and a 2” H x 2.5” W scattered area of touch-up in the center, each with a corresponding patch verso.

Frame: 38.75” H x 48.75” W x 2.5” D

2098

Visual: Good condition. Slight stretcher bar creases along all four sides, showing mostly at the upper edge. Minor dust accumulation commensurate with age.

Blacklight: A 0.75” H x 2” W touch-up attendant with an old repair near the center of the right edge.

Framed: 29.5” H x 35.75” W x 2.5” D

2099

Visual: Good condition. Craquelure scattered throughout. Tiny spots of white house paint scattered throughout. Very minor surface dirt and grime.

Blacklight: A quarter-sized spot of touch-up right center.

Frame: 32” H x 42” W x 1.75” D

2100

Visual: Good condition. Craquelure scattered throughout. Very minor surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 26” H x 42” W x 3” D

2101

Visual: Good condition. Surface dirt and grime scattered throughout.

Blacklight: No evidence of restoration.

Frame: 45” H x 52.5” W x 2” D

2102

Visual: Good condition. Surface dirt and grime. The canvas is slightly loose in the upper corners. The painting has been reduced in size along the upper and lower edges.

Blacklight: Appears to have no evidence of restoration. Difficult to read under uneven varnish.

Frame: 38.75” H x 48.5” W x 1.75” D

2109

Visual: Good condition. Minor surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 17” H x 21” W x 1.5” D

2103

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 19” H x 24” W x 1.25” D

2110

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 11.5” H x 13.5” W x 1.75” D

2111

Visual: Good condition. Minor frame abrasion along the edges.

Blacklight: Small spots of touch-up scattered throughout the sky.

Frame: 19” H x 23” W x 2” D

2104

Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. One soup spoon with a bent handle.

2105

Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. Including case and original brochures.

2106

Overall good condition with tarnishing and light scratches commensurate with age.

2107

Overall good condition with light tarnishing and scratches commensurate with age and use.

2108

Visual: Good condition. Minor surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 13” H x 18.25” W x 1.75” D

2112

Visual: Stretcher bar creases along the edges. A 1.5” tear in the canvas with paint loss upper center. An area of scattered paint loss and instability lower center. Small spots of paint loss in the center. Spots of paint loss scattered along the edges due to apparent frame abrasion. The canvas is loose and slightly rippled.

Blacklight: No evidence of restoration. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Unframed

2113

Visual: Good condition. An area of the canvas lifting from the board along the upper right edge. A spot of torn canvas along the upper right corner. A .5” pencil line in the tree upper left. An artist’s pinhole upper center.

Blacklight: No evidence of restoration.

Unframed

2114

Visual: Good condition.

Blacklight: No evidence of restoration.

Unframed

2115

Overall good condition with weathering, scuffs, scratches, and oxidation with rusting commensurate with age and exterior installation. The title and signature on base have areas of heavy rusting obscuring parts.

2116

Overall good condition with wear, weathering, scuffs, scratches, and surface abrasions with small nicks commensurate with age and outdoor installation.

2117

Overall good condition with wear, weathering, scuffs, and inherent firing flaws commensurate with age.

2118

Each overall good condition with minor scuffs and oxidation to bronze commensurate with age.

Larger with base: 18” H x 3.125” W x 3.75” D

2119

Overall good condition with wear, weathering, scuffs, and inherent firing flaws commensurate with age.

2120

Overall good condition with wear, weathering, scuffs, and inherent firing flaws commensurate with age.

2121

Overall good condition with wear, weathering, scuffs, and inherent firing flaws commensurate with age.

2122

Overall good condition with wear, weathering, scuffs, and inherent firing flaws commensurate with age. Scattered faint hairlines visible throughout.

2123

Visual: Good condition. A small area of paint loss in the upper right corner.

Blacklight: No evidence of restoration.

Frame: 13” H x 39.75” W x 1.5” D

2124

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 15.5” H x 19.25” W x 1.75” D

2125

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 10” H x 12” W x 1.25” D

2126

Visual: Good condition. Heavy craquelure throughout. Stretcher bar creases along the edges.

Blacklight: A 3” H x 5.5” W scattered area of touchup in the sky upper right. Other pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Frame: 30.5” H x 36.5” W x 2” D

2127

Visual: Good condition. Frame abrasion along the edges. Minor varnish discoloration.

Blacklight: No evidence of restoration.

Frame: 15” H x 18.5” W x 1.75” D

2128

Each overall good condition with scattered scuffs, scratches, and nicks in the coated fiberglass surface commensurate with age. Upholstery for each is in good condition with only minor wear commesurate with use.

2129

Each overall good condition with scattered scuffs and scratches commensurate with age.

2130

Each overall good condition with scattered scuffs and scratches commensurate with age. Teh glass tops with very minor fleabites/abrasions scattered to the edges.

2131

Overall good condition with wear, weathering, scuffs, and inherent firing flaws commensurate with age.

2132

Overall good condition with scattered scuffs, scratches, and shelf wear commensurate with age. The base with very small surface scuffs/chips and flaked paint loss.

2133

Overall good condition with scattered scuffs, scratches, and surface wear commensurate with age.

2134

Each overall good condition with scattered scuffs, scratches, and wear commensurate with age. More localized wear to the feet. The cushions have been previously reupholstered.

2135

Each overall good condition with scattered scuffs and scratches commensurate with age.

2136

Each overall good condition with scattered scuffs, scratches, and minimal wear commensurate with age

2137

Each overall good condition with scattered scuffs, scratches, wear commensurate with age. Areas of localized heavier scratches. The chrome with areas of oxidation and pitting. The clear acrylic with slight yellowing.

2138

Overall very good condition. Full margins with deckled edges. Minor handling crease in the extreme upper left corner. A few flecks of printer ink in the lower left corner. A few very light marks throughout the image are visible in racking light.

Unframed

2139

Good condition. Very minor toning to the paper. Handling creases to the left corners. With the full margins. The paper is loose, not mounted.

Unframed

2140

Each: Good condition. Very minor toning to the paper. The paper is loose, not mounted. With full margins. The first with deckled edges.

Each: Unframed

2141

Each: Good condition. Minor toning to the paper. With the full margins. The paper is loose not mounted. “N.Y., N.Y.” with minor damage to the paper along the lower center, left center and upper center edges, handling creases in the lower right corner and staining to the paper scattered along the left edge. “Duke’s” with handling creases upper right and in the upper left corner and staining to the paper along the left edge. “Telephone Pole w/ Gold” with a small indentation in the paper along the left center edge.

Each: Unframed

2142

Each: Good condition. Minor toning to the paper. With the full margins. The first with deckled edges.

Each: Unframed

2143

Toning to the paper. A crease to the paper in the upper left corner. Slight damage to the upper right corner. Nicks and indentations scattered along the edges. Small spots of surface grime and staining scattered throughout. The sheet with wide margins. The upper and lower edges have been unevenly trimmed. The paper is loose, not mounted.

Unframed

2144

Good condition. Minor toning to the paper. Handling creases in the four corners and along the right center edge. With the full margins. The paper with deckled edges. The paper is loose, not mounted.

Unframed

2145

Visual: Good condition. Lines of craquelure scattered throughout.

Blacklight: No evidence of restoration.

Unframed 2146

Visual: Good condition. Dust accumulation commensurate with age.

Blacklight: No evidence of restoration.

Frame: 38” H x 73” W x 1.5” D

2147

Visual: Good condition. Craquelure scattered throughout. Minor frame abrasion along the edges. A 5” scattered line of paint loss lower center. A small spot of paint loss left center. Very minor surface grime.

Blacklight: No evidence of restoration.

Frame: 33.75” H x 41.75” W x 2” D

2148

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 30” H x 42.5” W x 1.75” D

2150

Visual: Good condition. Vertical line of craquelure scattered throughout. Surface dirt and grime. The canvas is bowed out along the right edge of the painting.

Blacklight: No evidence of restoration.

Frame: 14.5” H x 16.5” W x 2.5” D

2149

Good condition. Hinged to the recto mat with archival tape along the upper edge.

Framed under glass: 30.75” H x 39” W x 1” D

2151

Visual: Good condition. Varnish discoloration throughout. A 3” scratch upper center.

Blacklight: Touch-up scattered throughout the lower right quadrant. A small area of crack-fill in the center.

Frame: 11” H x 14” W x 1.5” D

2152

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 11.5” H x 20.5” W x 2” D

2153

Good condition. Minor toning to the paper. A 1” tear to the paper left center. A few small scratches with minor paint loss scattered along the upper portion of the painting. Not examined out of the frame.

Framed under glass: 27” H x 32” W x 1.25” D

2154

Good condition. Minor toning to the paper. The paper is slightly rippled. Not examined out of the frame.

Framed under glass: 20.75” H x 27.75” W x 1” D

2155

Each overall good condition with scattered scuffs and scratches on chrome metal frames commensurate with age. Original manufacturing fabric with soiling and light wear commensurate with use for each.

2156

Each overall good condition with scattered scuffs and scratches on chrome metal frames commensurate with age. Upholstery has been replaced for each and Vitra cloth tag removed with original fabric. Current ultrasuede fabric with soiling and light wear commensurate with use for each.

2157

Each overall good condition with scattered scuffs and scratches on chrome metal frames commensurate with age. Upholstery has been replaced for each and Vitra cloth tag removed with original fabric. Current ultrasuede fabric with soiling and light wear commensurate with use for each.

2158

Each overall good condition with scattered scuffs and scratches on chrome metal frames commensurate with age. Original manufacturing fabric with soiling and light wear commensurate with use for each.

2159

Overall good condition with minor wear, scuffs, and light scratches commensurate with age. Two 1” chips to the body and foot glass panels near the brass bracket on one side. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

2160

Overall good condition with scuffs, weathering, and oxidation to copper commensurate with age.

2161

Overall good condition with scattered scuffs, light scratches, and oxidation with light pitting to chrome finish commensurate with age.

2162

Overall good condition with scuffs, scratches, and oxidation commensurate with age. Scattered small surface indentations throughout. Areas of oxidation with pitting to the base. Wiring should be checked by a qualified electrician prior to use.

2163

Each overall good condition with scattered scuffs, scratches, and wear commensurate with age. Each brass collar with rust and pitting. Each glass shade with scattered chips and fleabites to rim and fitter rims. Wiring should be checked by a qualified electrician prior to use.

2164

Each overall good condition with minor wear, scuffs, and light scratches commensurate with age. One shade with a chip to the fitter rim.

2165

Each overall good condition with minor shelf wear, scuffs, light scratches, and oxidation commensurate with age. One shade with a small chip to the foot. One with the finial screw detached from lid interior and does not screw on securely, lid is loose. Fraying and wear to the cord. Wiring should be checked by a qualified electrician prior to use.

2166

Overall good condition with minor shelf wear, scuffs, light scratches, and oxidation commensurate with age. The base with spots of heavier oxidation to foot. No evidence of hairlines. Needs rewiring. Wiring should be checked by a qualified electrician prior to use.

2167

Overall good condition with minor shelf wear, scuffs, light scratches, and oxidation commensurate with age. Scattered very minor, unobtrusive chips and fleabites to the rim. No evidence of hairlines. Two horizontal areas of white/grey surface scuffs along lower rim. Wiring should be checked by a qualified electrician prior to use.

2168

Each overall good condition with scattered scuffs, scratches, oxidation, and wear commensurate with age. Each beaded shade with areas of broken strands, bead loss, and slight bending. Each finial is detached from the shade but accompanies the piece. Lamps have been rewired. Wiring should be checked by a qualified electrician prior to use.

2169

Good condition. A 0.75” horizontal, soft, handling crease near the top of the left edge, not affecting the image. Not examined out of the frame.

Framed under Plexiglas: 37” H x 29.5” W x 2” D

2170

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 23” H x 16.75” W x 1.5” D

2171

Good condition. Not examined out of the frame.

Framed under glass: 14.75” H x 317.5” W x 1.25” D

2178

Overall good condition commensurate with age. Minor scattered areas of loss to beadwork.

2179

2172

Visual: Craquelure throughout. Stretcher bar creases and frame abrasion along the edges. Two small punctures in the linen upper center. Surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 34.75” H x 30” W x 2” D

2173

Visual: Good condition.

Blacklight: No evidence of restoration.

Unframed

2174

Good condition. Toning to the paper along the margins. Not examined out of the frame.

Framed under Plexiglas: 29.25” H x 32.25” W x 1.25” D

Overall good condition commensurate with age. Minor scattered areas of loss to beadwork.

2180

Overall good condition commensurate with age. Minor scattered areas of loss to beadwork.

2181

Overall good condition with dust accumulation, wear, and oxidation commensurate with age.

2182

Visual: Overall good condition with scattered scratches and chips commensurate with age. Gilt surface of the recto side has distressing that appears to be likely in the hand of the artist. The reverse side with animal (leopard) print has several gouges and scattered cracks in the paint surface. Additionally, areas of surface grime, primarily in the lower quadrant of the outer panel of the animal print side. Uppermost edge has brass wall brackets from previous mounting.

Blacklight: No evidence of restoration.

2183

2175

This is an assembled set in good condition. Whereas the left and right images are matching sizes and are printed on papers of matching shades and sizes, the middle image is slightly smaller and is printed on paper of a slightly darker shade and slightly smaller size. The sheets are loose, not matted.

Unframed

2176

Overall good condition commensurate with age. Minor scattered areas of loss to beadwork.

2177

Overall good condition commensurate with age. Minor scattered areas of loss to beadwork. Soiling and grime to the underside on one hand.

Overall good condition with scuffs, weathering, and oxidation/rusting commensurate with age. One leg with a slight bend.

2184

Each overall good condition with scattered scuffs, scratches, wear, and oxidation with rust commensurate with age. Areas of white paint splatter. Some possible repairs to chair splats with flathead screws, but still appear period.

2185

Each overall good condition with scattered scuffs, scratches, wear, and weathering commensurate with age. Each with heavy dust accumulation. One chair with a broken strap.

2186

Overall good condition with wear, weathering, and inherent abraded losses commensurate with age and function.

2187

Overall good condition with wear, weathering, and inherent abraded losses commensurate with age and function.

2188

Each overall moderate to good condition with scattered scuffs, scratches, and light wear commensurate with age. Each chair has areas where the fixative has weakened and the joined ribbons of maple have become separated, in need of readherence.

2189

Overall good condition with scattered scuffs, scratches commensurate with age. Upholstery in good condition with minor wear and fading commensurate with use.

2190

Each overall good condition with scattered scuffs, scratches, nicks, and wear commensurate with age and use. Heavier wear and nicks to the feet.

2191

Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Leather seats with drying and cracking.

2192

Each overall good condition with scattered scuffs, scratches, and wear commensurate with age. Each with localized areas of heavier surface scratches with loss to the finish of the leather, leather with overall drying, and small areas of stitch loss.

2193

Overall good condition with scattered scuffs, scratches, and nicks to the polychrome surface commensurate with age and use. Some chairs have heavier scuffing to the underside. One chair is missing one of the rubber foot caps.

2194

Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Localized scuffing and darkening/soiling to wood at base edge.

2195

Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Localized scuffing and darkening/soiling to wood at base edge.

2196

Overall good condition with oxidation and light rusting commensurate with age.

2197

Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age and use. Heavier scuffing and wear to the foot.

2198

Overall good condition with wear and surface scuffs commensurate with age. The fiberglass with slight toning.

2199

Overall good condition with wear and surface scuffs commensurate with age. The fiberglass with slight toning and cracks. Remnants of clear label to rim.

2200

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: moderate typical crazing, mostly to the rim, scattered traces of white paint splatter, and air bubbles throughout glazing surface.

2201

Overall good condition with shelf wear, scattered minor scuffs and scratches, and inherent firing flaws commensurate with age. Issues include, but are not limited to: typical crazing and thick, pooled glaze at the underside of the foot.

2202

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered air bubbles, some ruptured and typical crazing.

2203

Overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: typical crazing, scattered small pinholing, a repaired break to the neck at the base with attendant chips and visible adhesive, the largest 0.5”.

2204

Visual: Good condition. Minor surface dirt and grime.

Blacklight: A 2.25” x 3” jagged area and a pea-sized spot of touch-up upper right. A 1.5” x 5” area of touch-up left center. A 1.25” line of touch-up in the lower left corner partially affecting the signature. A scattered 1.5” line of touch-up upper center.

Frame: 12.5” H x 14.5” W x 1” D

2205

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 17.5” H x 17.25” W x 2.25” D

2206

Visual: Good condition. Dust accumulation and grime commensurate with age. Scattered craquelure, some of which is slightly unstable. A few pinhead-size pigment losses near the center of the lower edge. A 0.125” scratch at the left edge, just affecting the R of the artist’s name. A 0.5” x 0.5” uneven surface area near the center of the upper edge. Selective varnish application.

Blacklight: No evidence of restoration. Difficult to read under uneven varnish.

Frame: 32” H x 40” W x 2” D

2207

Visual: Good condition. The first with a 3” crack in the board right center and a few small flecks of paint loss scattered throughout. The second with a few tiny flecks of paint loss lower right.

Blacklight: No evidence of restoration.

Frame of larger: 16.75” H x 36.25” W x 1” D

2208

Good condition. Minor toning to the paper. Not examined out of the frame.

Frame of each under glass: 15.5” H x 18.5” W x 1” D

2209

Visual: Good condition. Craquelure throughout. A 10” light scuff mark upper center.

Blacklight: No evidence of restoration.

Frame: 24” H x 30” W x 2.25” D

2210

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 18.5” H x 22.5” W x 2” D

2211

Visual: Good condition. The paint is thin in certain spots allowing the canvas to show through.

Blacklight: No evidence of restoration. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Frame: 14” H x 18” W x 1.5” D

2212

Visual: Good condition. Craquelure throughout. Stretcher bar creases along the edges. Spots of paint loss scattered throughout. Surface dirt and grime.

Blacklight: Touch-up throughout, the largest a 6.5” H x 1.25” W scattered area lower right and a 2” H x 3.5” W area upper right.

Frame: 26.5” H x 36.75” W x 2.5” D

2213

Overall good condition with weathering, verdigris, and darkening/oxidation to bronze commensurate with age.

2214

Overall good condition with minor scuffs and oxidation to bronze commensurate with age. The stone base with small chips to corners.

With base: 24” H x 9.25” W x 6” D

2215

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

With base: 36” H x 22” W x 17” D

2216

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 16.5” H x 18.5” W x 2.25” D

2217

Visual: Good condition. Surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 21” H x 24” W x 2” D

2218

Visual: Good condition. Surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 24” H x 21” W x 2” D

2219

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

2220

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

2221

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wood with subtle fading. Tiles with inherent firing flaws, grout with some superficial cracks.

2222

Overall good condition with wear, scattered scuffs, chips, and inherent firing flaws commensurate with age. With a large spot of black fire clouding. Wiring should be checked by a qualified electrician prior to use.

2223

Each overall good condition with weathering, wear, and inherent firing flaws commensurate with age. Each with areas of heavy surface wear, abrasions, and time-worn chips and losses to rims.

2224

Good condition. Hinged to the recto mat with linen hinge tape along the upper edge. Remnants of brown paper tape from a previous mounting remain along the edges verso.

Framed under glass: 21.5” H x 26.5” W x 1.5” D

2225

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under Plexiglas: 25” H x 29.25” W x 1.5” D

2226

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 24.75” H x 28.75” W x .75” D

2227

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 21.25” H x 26.75” W x .75” D

2228

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 25” H x 29.5” W x .75” D

2229

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 21” H x 24” W x 1” D

2236

Visual: Good condition. Craquelure scattered throughout. Stretcher bar creases along the edges. Minor surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 21.5” H x 29.5” W x 1.75” D

2230

Good condition. Not examined out of frame.

Framed under glass: 21.25” H x 28.25” W x 0.75” D

2231

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 20” H x 26.25” W x 1.25” D

2237

Visual: Generally good condition. Minor frame abrasions along the four edges. Cracks to the board along the right edge. Minor surface dirt and grime.

Blacklight: Appears to have no evidence of restoration. Difficult to read under uneven varnish.

Frame: 26.5” H x 30.5” W x 1.25” D

2232

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 23.75” H x 28.5” W x 1” D

2238

Visual: Good condition. Craquelure scattered throughout. Minor surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 19.5” H x 23.25” W x 2.25” D

2233

Visual: Good condition. Minor surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 21.25” H x 25.25” W x 1” D

2234

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 20.5” H x 25.5” W x 1.5” D

2239 Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 60.75” H x 66.75” W x 2” D

2240

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 27.25” H x 31.25” W x 1.5” D

2235

Good condition. Toning to the paper. Not examined out of the frame.

Framed under glass: 25.25” H x 22.25” W x 1” D

2241

Good condition. The paper somewhat toned. Not examined out of the frame.

Framed under glass: 32” H x 40” W x 1.25” D

2242

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Heavy sun fading throughout, possible moisture damage to the top’s rear left corner and drawer interiors, and heavier wear to feet.

2243

Overall good condition with scattered scuffs, scratches, nicks/minor surface chips, indentations, and separation at joints commensurate with age.

2244

Each overall good condition with scattered scuffs, scratches, nicks, and wear commensurate with age. More localized wear to feet and legs.

2245

Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age.

2246

Visual: Good condition. An area of craquelure upper left. Minor surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 38.5” H x 48.5” W x 2.5” D

2247

Visual: Good condition. Minor frame abrasion along the edges. Surface dirt and grime.

Blacklight: Touch-up throughout, concentrated mainly in the sky.

Frame: 12.5” H x 15.5” W x 2” D

2248

Visual: Good condition. Minor surface dirt and grime.

Blacklight: Touch-up scattered throughout the sky.

Frame: 12” H x 24” W x 2.75” D

2249

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 17” H x 21” W x 1” D

2250

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 32.5” H x 40.5” W x 1.25” D

2251

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 22.5” H x 28.5” W x 1” D

2252

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under Plexiglas: 22.75” H x 27.75” W x 1” D

2253

Good condition. Minor toning to the paper. Artist’s pinholes visible in the upper right corner. Not examined out of the frame.

Framed under glass: 21.75” H x 28.25” W x 1.25” D

2254

Good condition. Minor toning to the paper. A peasized spot of paint loss upper right. An apparent quarter-sized spot of restoration upper left. Not examined out of the frame.

Framed under glass: 26” H x 30.5” W x .75” D

2255

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 19.75” H x 26” W x 1” D

2256

Good condition. Toning to the paper. The paper is slightly rippled throughout. Not examined out of the frame.

Framed under glass: 21.5” H x 28.5” W x 1” D

2262

Good condition. Not examined out of the frame.

Framed under glass: 22” H x 19” W x 2.5” D

2257

Good condition. Minor toning to the paper. A small spot of purple paint upper center. Not examined out of the frame.

Framed under glass: 13.75” H x 13.75” W x .75” D

2263

Each overall good condition with wear commensurate with age. Working condition unknown. Wiring should be checked by a qualified electrician prior to use.

2264

Overall good condition with wear commensurate with age. Working condition unknown. Wiring should be checked by a qualified electrician prior to use.

2258

Visual: Good condition. Craquelure scattered throughout the sky. Scuff marks upper left and upper center.

Blacklight: No evidence of restoration.

Frame: 32.5” H x 44.5” W x 2.25” D

2259

Visual: Good condition. Minor surface dirt and grime. The canvas is very slightly loose lower right.

Blacklight: No evidence of restoration.

Frame: 25.25” H x 29.25” W x 2.5” D

2260

Visual: Good condition. Minor surface dirt and grime.

Blacklight: No evidence of restoration.

Frame: 18” H x 21.5” W x 2.5” D

2265

Overall good condition with wear commensurate with age. Working condition unknown. Wiring should be checked by a qualified electrician prior to use. An area of adhesive glue residue to top left corner.

2266

Overall good condition with wear commensurate with age. Working condition unknown. Wiring should be checked by a qualified electrician prior to use.

2267

Visual: Good condition.

Blacklight: No evidence of restoration. Spots of possible mold fluoresce under blacklight.

Frame: 17” H x 21” W x 1.75” D

2261

Good condition. Minor toning to the paper with heavier toning along the extreme edges. The sheet appears to have been trimmed along the left and upper edges.

Framed under glass: 32.25” H x 43.75” W x 2” D

2268

Good condition. Minor toning to the paper. Not examined out of the frame.

Framed under glass: 20.25” H x 27.5” W x 1.5” D

2269

Visual: Good condition. Craquelure and paint shrinkage scattered throughout. Small spots of paint loss scattered throughout. Dust accumulation in the impasto commensurate with age.

Blacklight: No evidence of restoration.

Frame: 32.5” H x 73.75” W x 1.5” D

2270

Visual: Good condition.

Blacklight: No evidence of restoration.

Frame: 12” H x 36.5” W x 1.5” D

2271

Good condition. Not examined out of the frame.

Framed under glass: 34.25” H x 22.25” W x 0.75” D

2272

Each: Good condition. Minor toning to the paper. Surface dirt, grime and residue. Not examined out of the frame.

Each: Framed under glass: 37.25” H x 27” W x 1” D

2277

Good condition. Pale toning to the paper. Handling creases scattered in the upper portion of the paper. Not examined out of the frame.

Framed under Plexiglas: 28.75” H x 18.25” W x 1.25”

D

2273

Good condition. Minor creases in the lower corners. Very minor indentations to the paper along the upper edge.

Unframed

2274

Good condition. Not examined out of the frame.

Framed under glass: 20.75” H x 24.75” W x 1” D

2278

Overall good condition with wear commensurate with age. Working condition unknown. Wiring should be checked by a qualified electrician prior to use.

2279

Overall good condition with wear commensurate with age. Working condition unknown. Wiring should be checked by a qualified electrician prior to use.

2280

Overall good condition with wear commensurate with age. Working condition unknown. Wiring should be checked by a qualified electrician prior to use.

2281

Overall good condition with wear commensurate with age. Working condition unknown. Wiring should be checked by a qualified electrician prior to use. Scattered small surface chips to black finish.

2282

Overall good condition with wear commensurate with age. Working condition unknown. Wiring should be checked by a qualified electrician prior to use.

2275

Good condition.

Framed under glass: 16.5” H x 20.25” W x 1” D

2283

Visual: Fair condition. Stretcher bar creases along all four edges. Scattered scuffs and scratches throughout, the largest measuring 3” long at the lower left corner. Minor oxidation throughout.

2276

Each: Good condition. Not examined out of the frame.

Largest: Framed under glass: 25.25” H x 19.5” W x 0.75” D

Blacklight: Minor touch-ups scattered throughout the lower left quadrant. The largest measuring 1” H x 2” W. Difficult to read under uneven varnish.

Unframed

Visual: Fair condition. Stretcher bar creases along all four edges. Scattered flaking and instability throughout. Tears in the canvas at upper left and lower right, the largest measuring 1.75” H. Small punctures at and upper right corners. Oxidation throughout.

Blacklight: Minor touch-ups scattered throughout the lower half, the largest measuring 0.25” H x 9” W. Difficult to read under uneven varnish.

Unframed

2285

Visual: Fair condition. Stretcher bar creases along all four edges. Scattered scuffs and scratches throughout, the largest measuring 2.5” H x 0.5” W at the left most edge. Minor oxidation throughout.

Blacklight: Minor touchups scattered throughout the lower center. The largest measuring 1” H x 0.5” W. Difficult to read under uneven varnish.

Unframed

John

SPECIALISTS

Head of Sale, Junior Specialist / Senior Fine Art Cataloguer

Bobby Cullen President, Auctioneer Jeffrey J. Moran

Senior Vice President Morgana Blackwelder AAA Fine Art Director Jenny Wilson

Vice President, Furniture & Decorative Arts Director

Roland Rynkiewicz

SIlver, Western, and American Indian Specialist Maranda Moran Post-War & Contemporary Fine Art Specialist Hayden Hunt 20th Century Design Specialist Matthew Grayson

Silver, Western and American Indian Cataloguer

Sally Andrew Fine Art Cataloguer Anne Spink Fine Art Cataloguer Madison Ari

Senior Fur niture & Decorative Arts Cataloguer Shannon Dailey Fur niture & Decorative Arts Cataloguer Sarah Beaver Jewelry Director Mollie Burns Keith, G.J.G

CLIENT SERVICES

Office Manager Mario Esquivel

Client Services Ella Fountain Finance Administrator Jamie Holthauser

OPERATIONS

Vice President, Business Director, Auctioneer

Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Operations Coordinator Ian Anderson

Art Handler Joe Miranda Art Handler Richard Corral Art Handler Angel Sanchez

Art Handler Jacob Baer Art Handler Alek Ellis

MARKETING

Advertising & Marketing Director, Art Design

Nathan Martinez

PR Manager/Social Media Graphic Designer Brian Olivas

Brenda Smith

PHOTOGRAPHY

Photographer Keith Berson

Photographer Madison Torres

Photographer Michael Mizerowski

TRUSTS & ESTATES

Department Administrator Melissa Brownell

FOUNDERS

Founder

John H. Moran (1942-2017)

Co-Founder Madeleine Moran

This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS:

BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments

$500 - $950 @ $50 increments

$1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments

$5,000 - $9,500 @ $500 increments

$10,000 - $19,000 @ $1,000 increments

$20,000 - $47,500 @ $2,500 increments

$50,000 - $95,000 @ $5,000 increments

$100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

Conditions of Sale

AUCTION HOUSE AS AGENT

Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION

(a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

(b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

(c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION

(a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording.

(b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment.

(c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive.

(d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

(e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION

(a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full.

(b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service

(c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date.

(d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee.

(e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY

(a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot.

(b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability.

(c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

(d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

(e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase.

(f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS

(a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

(b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California.

(c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.

(d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.