Borein
The imagery, romance, and mythology of the American those who never experienced it. Few artists lived the the lonely dust-filled roads in stagecoaches and wagons American nations of the West firsthand. One of those
The West was in Borein’s blood from the beginning. West to a family of ranchers. The work of the cowboy cattle and horses on the ranch, Borein began to sketch. as a cowboy on ranches throughout the state, all the for a month-long stint at the Art School of the San art as a career. Borein left school again and found work publishers.
After leaving the harsh conditions and grueling labor Old West. Borein set out for Mexico, learned Spanish, north and back to the United States, Borein spent Borein feverishly documented the life of the people published.
At age 30, Borein boarded a train for New York City behind, Borein adorned his Manhattan studio with Buffalo Bill Cody, Will Rogers, and his old friend from purpose in the West, then-president Theodore Roosevelt. in 1921. He set up his own studio in Santa Barbara, and worked with. Already a thriving artistic center, city, helping to establish the Fiesta Parade and holding Rogers. Edward Borein died in Santa Barbara in 1945,
While originally an ink and oil artist, Edward began or watercolor painting, etching became Borein’s specialty. life and instill the energy of the long-ago world of
American West have been painted, filmed, and written about for generations, but often by the harsh and unrelenting life of the cowboys and vaqueros they depicted. Few rode along wagons across desolate landscapes. Or witnessed the culture and customs of the Native those few who did was Edward Borein.
beginning. Born in 1872 in San Leandro, California, Borein grew up in the final decades of the Old cowboy came naturally to Borein, who by age twelve was driving cattle. While working with the sketch. Aged 18 and bored of school, Borein left to travel up and down California, working the while capturing the life of the ranchers in drawings. After returning to northern California Francisco Art Association, Borein was encouraged by classmate Maynord Dixon to pursue work at the Rancho Jesus Maria, and there began to send sketches out to magazine labor of Rancho Jesus Maria, Borein’s life became the epitome of the greatest legends of the Spanish, and journeyed from ranchero to ranchero through central Mexico. Making his way time among the Native American nations of the American Southwest. All the while people and communities around him, continuously sending off drawings and illustrations to be
City and left behind the life of a cowboy for a professional artist. Longing for the life he left with artifacts and trappings from California and Mexico. He entertained luminaries such as from art school, Maynard Dixon. Borein also befriend another figure who found meaning and Roosevelt. Longing for the Western life he left behind, Edward Borein returned to California Barbara, California, and began producing etchings and paintings of the colorful characters he lived Santa Barbara would be home to Borein for the rest of his life. He immersed himself in the holding court with notable artists and creatives like Leo Carrillo, Walt Disney, and his friend Will 1945, hailed as one of the most authentic artists of the American West.
began to study etching while in New York City. Never feeling as confident in the mediums of oil specialty. The frenetic linework of these etchings and the quality of their impressions bring to the Old West.
154
Edward Borein (1872-1945)
“Ready to Rope”
Drypoint in brownish-black on off-white paper
From the edition of unknown size
Signed and with the artist’s remarque, both in pencil, in the lower margin: Edward Borein
Plate: 4.875” H x 3.875” W; Sight: 6.75” H x 4.375” W
$800-1,200
Literature: Galvin 4
Provenance: H. Valdespino, San Francisco, CA
Edward Borein (1872-1945)
“Black Mesa, New Mexico”
Etching and drypoint in dark-brown ink on cream wove paper
From the edition of unknown size
Signed in pencil in the lower margin, at right: Edward Borein; with the artist’s remarque in pencil in the lower margin, at left
Plate: 6.375” H x 12.375” W; Sight: 7.375” H x 13” W
$1,500-2,500
Literature: Galvin 205
Edward Borein (1872-1945)
“The Overland Coach”
Etching and drypoint in brown ink on thin wove paper
From the edition of unknown size
Signed in pencil in the lower margin, right of center: Edward Borein
Plate: 10” H x 12” W; Sheet: 11.75” H x 15” W
$600-800
Literature: Galvin 139
157
Edward Borein (1872-1945)
“The Mud Wagon, No. 1” Etching and drypoint on Umbria Italia paper From the edition of unknown size
Signed in pencil in the lower margin, at right: Edward Borein; titled in pencil in another hand in the lower left margin corner
Plate: 7.25” H x 11.125” W; Sheet: 10.25” H x 15.125” W
$600-800
Literature: Galvin 144
158
Edward Borein (1872-1945)
Stagecoach sketches
India ink on paper laid to board
Unsigned Sheet: 10” H x 12.125” W; Paperboard: 10.5” H x 12.625” W
$400-600
Provenance: Estate of the artist
Carl Oscar Borg (1879-1947)
“Chief’s House, Moencopie [sic], Ariz,” circa 1916-1932
Etching and drypoint on cream-colored paper
Signed, titled, and inscribed “rare” in pencil in the lower margin: Carl Oscar Borg
Plate: 7.875” H x 9.75” W; Sight: 10” H x 11.25” W
$600-800
Notes:
Sold: John Moran Auctioneers, Monrovia, CA, “Art of the American West,” March 12, 2024, Lot 187
Gene Kloss (1903-1996)
“Corn Dancers Coming,” 1975
Etching and drypoint on wove paper
Edition: 45/50
Signed, titled, and numbered in pencil in the lower margin: Gene Kloss NA Plate: 11” H x 13.75” W; Sight: 11.5” H x 14.25” W
$600-800
Provenance:
Robert L. Parsons Fine Art, Taos, NM
Guchemand Collection, Baltimore, MD
Private Collection, by descent from the above
Literature: Sanchez 569
161
Tom Lovell (1909-1997)
“Toasted Buffalo,” 1995
Charcoal on paper
Signed lower right: Tom Lovell / © 1995; signed and dated again, and titled in ink on the frame’s backing board; signed again and inscribed in ink on a label affixed to the frame’s backing board
Sight: 11.5” H x 17.5” W
$800-1,200
Provenance:
“Prix de West Invitational & Sale,” National Cowboy Hall of Fame and Western Heritage Center, Oklahoma City, OK Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA, acquired from the above, June 10, 1995
Exhibited:
Oklahoma, OK, National Cowboy Hall of Fame and Western Heritage Center, “Prix de West Invitational & Sale,” 1995
Notes:
This lot is accompanied by a sales invoice dated June 10, 1995, from the exhibition mentioned above.
162
Everett Gee Jackson (1900-1995)
“Texas Farmer Bridling a Mule” Lithograph on wove paper
Signed and titled in pencil in the lower margin: Everett Gee Jackson; Lynton Richards Kistler, Los Angeles, CA, prntr. and pub., and with their blindstamp in the lower margin, at left Image: 11.5” H x 9” W (irreg.); Sheet: 17.625” H x 13.875” W $200-300
163
Elbridge Ayer (E.A.) Burbank (1858-1949)
Five works:
“Jerry,” 1929
Charcoal and graphite on paper
Unsigned; titled and dated in pencil upper right: 1929; inscribed in pencil verso
Sheet: 3.75” H x 7.375” W
“Frannie,” 1930
Charcoal and graphite on beige paper
Signed and dated in pencil lower right: E.A. Burbank / 1930; titled in pencil upper right Sheet: 8.75” H x 6.125” W
Untitled, praying dog, 1939
Graphite on paper
Signed and dated in pencil in the lower right corner of the image: E.A. Burbank 1939; with a type-written text collaged on the lower half of the sheet
Image: 3” H x 3” W; Sheet: 7.25” H x 3.625” W
Untitled, Valentine’s card
Stenciled pigment on two sides of vellum paper, folded as a greeting card
Initialed in ink on the inside: E.A.B; inscribed “Molly” in ink on the front Each Image: 5.125” H x 4.25” W; Opened card: 5.125” H x 8.375” W
Untitled, Easter greeting, 1933
White ink on black paper laid to paper
Initialed and inscribed in white ink in the lower margin: E.A.B.; dated in white ink in the image: April 1933
Image: 4.5” H x 3.875” W; Sheet: 6.25” H x 3.875” W
$500-700
164
Paolo Soleri (1919-2013)
A Cosanti wind bell ornament, mid/late 20th century; Paradise Valley, AZ
Two bells with cast Paolo Soleri cipher
The cast bronze garden ornament with three bells, each with clappers and sheet copper fins
Overall: 22.5” H x 17” W x 3.5” D
$700-900
Notes:
Rather than being displayed hung or suspended, this example is meant to set into a cylindrical base, not included with the lot.
Paolo Soleri (1919-2013)
A large Cosanti wind bell, mid/late 20th century; Paradise Valley, AZ With cast Paolo Soleri cipher
The cast bronze bell with clapper, upper centipede element, and sheet copper fin Overall: 37” H; Bell and upper portion: 26” H x 10.5” W x 7.5” D; Fin: 11.5” H x 7” W
$700-900
166
Paolo Soleri (1919-2013)
A Cosanti wind bell, mid/late 20th century; Paradise Valley, AZ With cast Paolo Soleri cipher The cast bronze bell with clapper, three upper links, and sheet copper fin Overall: 30.5” H; Bell: 12.5” H x 8” Dia.; Fin: 11.5” H x 7” W
$300-500
168
Paolo Soleri (1919-2013)
A Cosanti wind bell, mid/late 20th century; Paradise Valley, AZ
With cast Paolo Soleri cipher
The cast bronze bell with clapper, two upper links, and sheet copper fin
Overall: 23.5” H; Bell: 7.5” H x 3.375” Dia.; Fin: 5.5” H x 5.125” W
$100-200
167
Paolo Soleri (1919-2013)
A Cosanti wind bell, mid/late 20th century; Paradise Valley, AZ
With cast Paolo Soleri cipher
The cast bronze bell with clapper and sheet copper fin
Overall: 15” H; Bell: 8.5” H x 5.25” Dia.; Fin: 5.5” H x 4.75” W
$200-400
169
Jack Neil Swanson (1927-2014)
“Sack Hobbles,” 1987 Oil on Masonite
Signed, dated, and inscribed lower left: J.N. Swanson “CA” / © ‘87; signed again and titled in ink on a Cowboy Artists of America label affixed to the frame, verso; titled again on the frame plaque
10” H x 14” W
$1,000-1,500
Signed and dated lower left: A.T. Cox / 2012 / CA; titled on a label affixed to the frame, verso 9” H x 12” W
$2,000-3,000
Tim Cox (b. 1957)
“A Dusty Dawn,” 2012 Oil on Masonite
171
Craig Bergsgaard (b. 1952)
“Each Star’s a Pool of Water,” Circa 2010
Patinated and cold-painted bronze on wood plinth Edition: 1/10
Signed in the casting: Bergsgaard; numbered in ink; attributed and titled to wood plinth in gilt etching
Bronze: 14.75” H x 14.5” W x 7.5” D; Overall: 16.5” H x 13.5” W x 8” D
$800-1,200
172
Curt Mattson (b. 1956)
“Loop Full of Fight,” 2012
Patinated bronze on stone base and wood plinth
Edition: 1/9
Signed, numbered, and dated in the casting: Curt Mattson; attributed and titled to metal plaque applied to plinth
Bronze: 22.25” H x 27.75” W x 8.5” D; Overall: 24.75” H x 27.75” W x 9.25” D
$600-800
173
“Spring Watch,” 1986 Oil on canvas
Signed and dated lower right: Lorna Dillon / © ‘86; signed again, titled, and inscribed in ink on the frame, verso: “Painted For Arnold & Jane Dunyon” 20” H x 24” W
$600-800
Lorna Dillon (b. 1940)
174
Dan Mieduch (b. 1947)
“Uncanny,” 1986 Oil on Masonite
Signed and dated lower left: Dan Mieduch / 1986 ©; titled on the frame plaque; titled again on an auction label affixed to the verso of the frame 18” H x 24” W
$2,000-3,000
Provenance:
Sold: Scottsdale Art Auction, Scottsdale, AZ, “Annual Auction,” April 4, 2006, Lot 16
Marjorie Reed (1915-1996)
American artist Marjorie Reed’s vivid colors and expressive real and imagined American West. While Reed depicted the iconic image of the West, the stagecoach.
Born in Illinois in 1915 to a family of artists and art Reed, was a commercial artist, and as Reed grew older Reed family moved to Los Angeles when Marjorie Studios. Having done some commercial work for Disney, regimentation and repetitiveness of animation work.
Reed’s artistic direction would change once she began Jack Wilkinson Smith, Reed was encouraged to follow with the great outdoors and life of cowboys and ranchers became determined to capture the spirit of the West miles a day, exploring the countryside around Los Reed befriended Captain William Banning, who had a Model T, retracing the route of the famed Butterfield From these sketches, Reed created colorful, exciting Reed completed her first series of Butterfield Stage Reed would continue this research cycle, traveling, would continue through the 1960s and 1970s. Her times, spending much of her time in Tombstone, Arizona. the publisher of the San Diego Union and San Diego behind a voluminous legacy of American art.
expressive strokes bring to life some of the most engaging and entertaining images of the depicted scenes of cowboys and ranchers, what sets Reed’s work apart is her fascination with enthusiasts, Reed began dabbling in art at three years old. Reed’s father, Walter Stephen older and trained as an artist under him, she began to take on commercial work as well. The was 14, and later, like many Southern California artists, she took a job at Walt Disney Disney, Reed was taken into the animation department, but left soon after, disliking the work.
began taking art classes at Chouinard Art Institute in the mid-1930s. Under the tutelage of follow her passion for the outdoors and ranch life. Reed had become passionately enamored ranchers in the Southwest, and though she had been denied work in those fields, she West in her paintings. Some of her friends would even state that Reed would walk eighteen Angeles.
had been a stagecoach driver. Reed was inspired by these tales of the stagecoach, set out in Butterfield Overland Mail Stage, and sketching out images for paintings to be completed later. exciting images of the Butterfield stagecoaches soaring across the plains of the Southwest.
Stage paintings in 1957, with a book, “The Colorful Overland Stage,” published the same year. traveling, sketching, and painting, for the rest of her life. Other cycles of stagecoach and Western art Her passion for the images and history of the West would compel her to move over eighty Arizona. Her work became quite popular, collected by luminaries such as James S. Copley, Diego Tribune, and numerous private collectors. Marjorie Reed passed away in 1996, leaving
175
Marjorie Reed (1915-1996)
Cowboys and horses in a Western landscape Oil on canvas
Signed lower left: Marjorie Reed 20” H x 25” W
$2,000-3,000
Provenance:
Private collection, California desert, gifted from the artist By descent to the present owner
Notes:
Along with other California artists, Marjorie Reed was invited by the original owners of the present work to paint on their extensive date farm in the California desert, and she gifted the couple this painting in thanks.
176
Marjorie Reed (1915-1996)
“Hold up of the Benson Stage” Oil on canvas
Signed lower right: Marjorie Reed; signed again and titled in ink on an artist’s label affixed to the stretcher bar 24” H x 30” W
$2,500-3,500
177
Antonio Di Donato
(20th/21st century)
Cowboys at dusk Oil on canvas
Signed lower right: Di Donato
18” H x 24” W
$1,000-2,000
178
Antonio Di Donato
(20th/21st century)
Nocturnal cowboy and cattle
Oil on canvas laid to panel
Signed lower right: Di Donato
24” H x 18” W
$1,000-2,000
179
20th Century American School
Long shot, 1980
Acrylic on canvas
Initialed or inscribed and dated in pencil on the overlap of the canvas, upper left, verso: RMc / 2/17/80
69” H x 114.75” W
$1,000-2,000
Matt Suess
(20/21st Century)
“Monument Valley Sunset”
Photograph in colors on five canvases
Edition: 17/75 (canvas edition)
With the signature and numbering in silver at the lower right corner of the canvas furthest to the right: Suess; each with the printed signature, title, and numbering on the overlap of the canvas, verso
Each: 24” H x 16” W; Overall: 24” H x 80” W
$500-700
Antonio Di Donato (20th/21st century)
Italian-born artist Antonio Di Donato’s interest westerns, including the “Spaghetti Westerns” hero and adventurer Tex Willer. As a child, intense and spears. Horses were also an interest from and Native peoples.
In addition to his passion for the American West, executing charcoals for family members, he his father. When he finally enrolled at the Institute instruction from major Milan artists. In 1991, exhibited throughout North America, including
interest in the American West started at a young age. He grew up watching Westerns” filmed in Italy, and enjoyed reading Italian western comic books featuring intense games of “Cowboys and Indians” led to scars from homemade arrows from childhood, and Di Donato dreamed of living and riding with true cowboys West, from his childhood, Di Donato was a focused artist. Beginning with was admitted to an art academy but was delayed by the untimely death of Institute of Art at Il Castello in Milan, Italy, Di Donato took full advantage of Di Donato immigrated to the United States, where he has worked and including in Utah, Wyoming, Washington State, and Western Canada.
181
(20th/21st century)
Cowboy and pack mule in the high country Oil on canvas
Signed lower right: Di Donato
20” H x 24” W
$1,000-2,000
Antonio Di Donato
182
Lorna Dillon (b. 1940)
“The Reesian Mountain Man,” 1988 Oil on canvas
Signed and dated lower right: Lorna Dillon / © ‘88; signed and dated again, titled, and inscribed on the stretcher: “Painted in April, 1988 especially for Arnold & Jane / By Lorna Dillon” 30” H x 15” W
$600-800
183
Wayne Baize (b. 1943)
“Through Brush and Cactus” Oil on canvas
Signed lower left: Wayne Baize © CA; titled on the frame plaque 12” H x 9” W
$700-900
184
Lorna Dillon (b. 1940)
Two works:
“Grazing”
Oil on canvas
Signed lower right: Lorna Dillon; titled and inscribed in ink on the upper portion of the stretcher: “Painted for the Death Vallery Show, 1986 / Chosen for auction,” and “For Jack / Best Wishes and warmest regards Lorna”
11” H x 14” W
“Hereford’s Hangout,” 1986 Oil on canvas
Signed and dated lower left: Lorna Dillon / © 86; signed and dated again, titled, and inscribed in ink on the frame, verso: “Painted September, 1986 / Especially for Arnold + Jane Dunyon / By Lorna Dillon”
11” H x 14” W
$600-800
185
James Regimbal (b. 1949)
“Highway to Home,” 1998
Patinated and cold-painted bronze on a wood base Edition: 49/75
Signed, dated, titled, and numbered in the casting: Jim Regimbal / © 1998; titled and attributed to metal plaque applied to base 14.5” H x 50.25” W x 7” D
$3,000-5,000
186
Arch D. Shaw (b. 1933)
“The Boys in Blue,” 1990 Oil on panel
Signed lower left: A.D. Shaw; signed again, titled, dated, and inscribed, all verso: “The Boys in Blue / Archie D Shaw / Dec 1990 “ 17” H x 21.5” W
$600-800
187
Arch D. Shaw
(b. 1933)
“Study for Battle Hymn,” 1990 Oil on canvas laid to panel
Signed lower left: A.D. Shaw; signed again, titled, and dated “10-90,” all verso 12” H x 16” W
$600-800
188
Willard Page (1885-1958)
“Belle Butte, Arizona” Oil on canvasboard
Signed lower left: W Page; titled by repute 13.875” H x 24.125” W
$400-600
Provenance: Estate of the artist
189
Willard Page (1885-1958)
“Volcanoes - Near Albuquerque, N. Mex.” Oil on paper board
Signed with initials lower right: WP; titled in the artist’s wife’s hand in pencil on the frame’s backing board; the artist’s ink stamp in the lower right corner of the frame’s backing board
Sight: 4.5” H x 6.5” W
$300-500
Provenance: Estate of the artist
190
Willard Page (1885-1958)
“Adobe Hut” Oil on paper board
Initialed in pencil lower left: WP; titled in pencil in the artist’s wife’s hand on the frame’s backing board
Sight: 3.25” H x 3.25” W
$200-300
Provenance: Estate of the artist
191
Willard Page (1885-1958)
“Longs Peak Road”
Oil on paper board
Signed with initials lower left: WP; the artist’s name and title in pencil on the frame’s backing paper, both presumably in another hand; the artist’s ink stamp on a piece of old mat board affixed to the frame’s backing paper
7” H x 5” W
$300-500
Provenance: Estate of the artist
192
Albert Marshall (1891-1970)
Smoke tree landscape
Watercolor on paper
Signed lower left: Albert Marshall
Sight: 18.5” H x 25.625” W
$600-800
Provenance: Private collection, San Diego, CA
193
Albert Marshall (1891-1970)
Desert mountain landscape
Watercolor on paper
Signed in pencil lower right: Albert Marshall
Sight: 13.375” H x 18” W
$400-600
Provenance: Private collection, San Diego, CA
194
A Joe & Cornelia Bowannie Zuni katsina inlay concho belt
Joe and Cornelia Bowannie (each b. 20th century, Zuni Pueblo)
20th century
Etched verso: Joe & Cornelia Bowannie
A belt with raised stone and shell mosaic inlay including turquoise, spiny oyster and other shells set to a large round buckle and ten smaller conchos, each depicting a stylized Zuni mask of possibly Yamuhakto, the wood carrier katsina, and all set to a black leather strap
Buckle: 3” Dia.; each concho: 2.25” Dia.; strap: 40.5” L x 1.625” H
352.7 grams gross
$800-1,200
A C. Begay Navajo sterling silver and petit point turquoise concho belt
Mid/late 20th century
Etched signature to buckle: C. Begay [possibly for Carlos Begay, Diné]; stamped: Sterling
Comprising a set turquoise buckle and eight medallion conchos, and eight half conchos, all mounted to an associated black suede leather belt
Buckle: 2.25” H x 3” W; each concho: 1.875” H x 1.875” dia. [or] 1” W; belt: 37.25” L x 1.125” H
254.4 grams gross
$500-700
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
196
A Southwest sterling silver concho belt
Late 20th century
Buckle marked with engraved pictograph of mountains and birds
A modernist-style belt with ribbed sterling silver elements including a stepped diamondshaped buckle and eight oval ribbed silver conchos, all mounted to a black leather strap.
Buckle: 1.75” H x 3.125” W; each concho: 1.375” H x 2.25” W; belt: 42.25” L x 1.25” H
488.9 grams gross
$700-900
197
A Western-style silver coin concho belt
Late 20th century
Unmarked
Comprising a silver buckle featuring two 1989 silver dollar coins, as well as eight silver dollar coin conchos, all mounted to a tooled black leather belt
Buckle: 2” H x 3.5” W; each concho: 1.5” Dia.; belt: 34.75” L x 1.25” H; waist: 28” to 24.5” approximately 443.1 grams gross
$300-500
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
198
A Southwest-style concho belt
Late 20th century
Unmarked
Comprising a chunky belt with ten silver-toned mixed metal conchos with set faux stones, with an associated silver-toned buckle, all mounted to an associated black suede belt
Buckle: 2” H x 3.25” W; each concho: 2” H x 1.5” W; belt: 37” L x 1.25” H
647.2 grams gross
$300-500
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
199
A Walt Doran First Phase-style sterling silver and brass concho belt Late 20th century
Marked to buckle: vv D [conjoined mark for Walt Doran] / S. Fe / 925
Comprising a chunky belt with a small butterfly concho silver buckle with brass accents, and eleven round silver conchos with silver and brass concentric overlay motifs, each with a tan leather backing and all mounted to a natural tan leather strap
Buckle: 1.75” H x 2.25” W; each concho: 2.75” Dia.; belt: 43” L x 0.625” H
695.1 grams gross
$1,000-2,000
Provenance:
Wadle Galleries, Ltd., Santa Fe, NM
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA, acquired from the above August 10, 1995
Notes: This lot is accompanied by a purchase receipt.
200
A Navajo sterling silver and onyx linked concho belt
Mid/late 20th century
Stamped: RH / Sterling [possibly Randy Hoskie, Diné]
A sterling silver link belt with a large buckle and eleven link conchos, each with elaborate floral, foliate, and feather silver overlay motifs, and each with a large bezel set oval onyx cabochon
Buckle: 2.5” H x 3” W; each concho: 1.5” H x 2.25” W; belt: 39.5” L
318.6 grams gross
$500-700
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
201
A group of Southwest commemorative silver spoons
Early 20th century
All but the Southwest motif spoon marked for sterling Comprising six sterling silver spoons, three with gilt wash bowls, variously reading “Used by William Howard Taft President of the United States October 14, 1911- In turning the first spadeful of earth for the Panama Pacific International Exposition to be held in San Francisco 1915,” “Grand Canyon of Arizona / View From Bright Angel Trail / Hopi Snake Dance,” “Hotel El Tovar / Grand Canyon Arizona,” “Mormon Temple Salt Lake City / Moroni Utah,” “Salt Lake City,” “Pikes Peak Signal Station Alt 14147,” and coin silver spoon stamped with Southwest motifs
7 pieces
Longest: 5.875” L
Weighable sterling: 3.4 oz. troy
$200-300
202
A natural burlwood pedestal
Late 20th century
The burlwood standard mounted with a live edge tabletop
32.5” H x 26” W x 22” D
$500-700
203
A Navajo Transitional banded blanket
Late 19th century, Diné
Woven in multicolor wool, depicting banded and geometric motifs
55.5” H x 34” W
$800-1,200
204
A Navajo Wide Ruins rug
Mid/late 20th century, Diné
Woven in multicolor wool, depicting banded hook and serrated diamond motifs
70.5” H x 51.25” W
$500-700
205
A Navajo regional rug
Early 21st century
Woven in multicolor wool, depicting alternating serration and step motif bands on a red ground
91” H x 64.5” W
$1,000-1,500
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
206
A Navajo Yei textile Mid-20th century, Diné
Woven in red, black, cream, grey, dark grey, ochre, and turquoise wool, depicting seven Yei figures, each holding corn stalks, within elaborate sawtooth upper and lower borders 36.5” H x 61” W
$800-1,200
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
207
A Navajo Yei pictorial textile
Mid/late 20th century, Diné
Woven in blue, red, ochre, black, cream, and light brown wool, depicting four figural elements centering a rainbow guardian
33” H x 39” W
$500-700
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
208
Jane Hayden (20th century, Diné)
A Navajo pictorial textile, late 20th/early 21st century
Signed in the weaving: JH
Woven in multicolor wool, depicting a loom and weaver, a jewelry maker, cattle, and a domicile within a landscape
40.5” H x 43.5” W
$300-500
209
A Navajo Teec Nos Pos rug
Mid/late 20th century, Diné
Woven in red, black, grey, brown, depicting central waterbug motif waterbugs on either side, within 48” H x 33.25” W
$200-400
210
Navajo Regional/Two Grey Hills rug Mid-20th century, Diné
brown, and cream wool, motif and elaborate within an elaborate border
Woven in dark brown, light brown, cream, and natural grey, depicting crosses within an elaborate stepped diamond motif
76” H x 48.25” W
$500-700
211
A group of Navajo rugs
Mid/late 20th century, Diné
Each woven in red, black, and natural grey wool, comprising one depicting banded, cross, and stepped motifs, a Ganado-style rug depicting central elaborate diamond motif, and a storm pattern rug
3 pieces
Largest: 31.5” H x 24” W; Smallest: 23.25” H x 18.25” W
$500-700
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
212
A group of Navajo regional textiles
Mid/late 20th century, Diné
Each woven in multicolor wool, comprising a Ganado-style rug depicting stacked stepped diamonds, a smaller textile with elaborate geometric motifs, and a small mat depicting central checkered motif with fringe to one edge
3 pieces
Largest: 26.25” H x 19.75” W; Smallest: 12” H x 11.5” W
$200-400
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
213
A group of Navajo Yei textiles
Mid/late 20th century, Diné
Each woven in multicolor wool, depicting Yei figures holding corn stalks, the two smallest with rainbow guardians
4 pieces
Largest: 20.25” H x 27.25” W; Smallest: 9.75” H x 13.5” W
$400-600
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
A group of Chimayo textiles
Mid/late 20th century; New Mexico
Each woven in multicolor wool with fringe to short ends, comprising three with banded and central geometric motifs, and one depicting a roadrunner figure
5 pieces
Largest: 33” H x 15.5” W; Smallest: 10.25” H x 10” W
$200-300
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
215
A Southwest sterling silver and turquoise cuff bracelet
Late 20th/21st century
Etched to terminal interior: Tew_ Cla_ [illegible]
A heavy cuff with pointed shaped edges and multiple rows of variegated turquoise sculptural cobblestone inlay
7.125” total inner C x 2” H, with a 1.5 “ gap
128.4 grams gross
$500-700
216
A Tommie Tso Navajo sterling silver and set stone cuff bracelet
Tommie Tso (b. 20th century, Diné)
Late 20th century
A chunky cuff with central bezel set turquoise and coral, flanked by graduated row set turquoise and coral, and with shaped and stamped edges
6.5” total inner C x 1.5” H, with a 1” gap
103.7 grams gross
$400-600
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
217
A Terrance and Dorothy Emery Ojibway/Jemez silver and stone inlay cuff bracelet Terrance Emery (1954-2012, St. Croix Ojibway) & Dorothy Emery (b. 20th century, Jemez Pueblo) Late 20th century Stamped: D/T Emery
An elegant tapered asymmetrical cuff with silver overlay Pueblo stepped motifs, and a tapered row of graduated stone inlay including lapis, turquoise, opal, onyx, and coral
6.5” total inner C x 1.5” H., with 1” gap
87.3 grams gross
$400-600
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
218
A Gary Reeves Navajo sterling silver and coral cuff bracelet
Gary Reeves (1962-2014, Diné)
Late 20th/21st century
A tapered cuff with stampwork edging and oval and triangular set coral cabochons
6.5” total inner C x 1.375” H, with a 1” gap
73.6 grams gross
$500-700
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
219
A Southwest sterling silver and coral cuff bracelet
Late 20th century
Stamped: DC / W/Yellowhorse / Sterling / USA
A cast silver cuff with spider-web overlay motif surrounding an oval coral cabochon, with tapered terminals
6.125” total inner C x 0.875” H, with a 0.875” gap
59.1 grams gross
$600-900
Provenance:
Hudgins Santa Fe Collection, Scottsdale, AZ
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA, acquired from the above October 22, 1992
Notes:
This lot accompanied by a Certificate of Authenticity.
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
220
A Southwest sterling silver and stone set bracelet
Late 20th century
Marked: JB / Sterling
A chunky hinged bangle bracelet with integral decorative clasp and hinge, with various shapes of set turquoise and coral stones amid silver dot and wire overlay designs
6” inner C x 1.25” H
119.6 grams gross
$300-500
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
221
A Panamint basket
Early 20th century; Central California
The coiled basket with stacked columns of points and rim ticking 6” H x 13” Dia.
$2,000-3,000
Provenance: The Auralia McClain Collection Private Collection
222
Two California basketry gaming trays
Early 20th century
Comprising one larger California coiled tray and one smaller Klamath/ Modoc twined tray with concentric circles of squares 2 pieces
Coiled: 2.25” H x 21.75” Dia.; Twined: 17” Dia.
$200-300
223
Two Maidu basketry bowls
Early 20th century; Northern California
The coiled baskets comprising one with dark red stacked point motifs and another with brown stacked figural motifs
2 pieces
Larger: 3.875” H x 5.875” Dia.; Smaller: 3” H x 5.25” Dia.
$600-800
224
Three Native American baskets Early 20th century
The twined baskets, comprising two Hupa/Yurok/Karuk baskets with geometric motifs, and a Northwest Coast basket with imbricated stepped motifs 3 pieces
Largest: 4.75” H x 9” Dia.; Smallest: 4.75” H x 7.25” Dia.
$300-500
225
A Pima basketry bowl
Early/mid-20th century, Akimel O’odham; Southwest United States
The coiled basket with a brown central star motif
5.75” H x 11.875” Dia.
$200-300
Three Papago baskets
Mid-20th century; Tohono O’odham; Arizona
The basketry vessels, comprising one dual handled with crosses motif, another single handled basket with a geometric figural pattern, and a low bowl with stepped motif 3 pieces
Largest: 10.75” H x 8.25” Dia.; Smallest: 2” H x 5” Dia.
$100-150
227
Three Apache burden baskets
Late 20th/early 21st century; Southwest United States
The twined basketry vessels, each featuring hide handles and tassel accents mounted with cut metal cones, two with hide woven into rim, comprising one larger depicting deer figures and two diminutive baskets with banded motifs
3 pieces
Larger without tassels: 12” H x 15” Dia.; Each smaller without tassels: 3.25” H x 3.5” Dia.
$500-700
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
228
Two contemporary Inuit-style masks
20th century
Each unmarked
The polychrome carved wood wall-mounted masks, comprising one anthropomorphic squid face mounted with fish figures and another mask depicted frowning with teeth bared and yarn hair
2 pieces
Squid: 32.625” H x 19” W x 4.25” D; Yarn: 19.5” H x 10” W x 3.25” D
$200-300
Provenance: The Collection of David and Holly Davis, Pasadena, CA
Lela Ahgook
(b. 20th century, Nunamiut/Anaktuvik Pass)
Inuit mask
Caribou hide, hooves, and fur
Appears unmarked, with associated bearing attribution taped to case verso: Authentic Handicraft from Alaska
Mask overall: 13.5” H x 11.5” W x 3” D approximately
$100-150
Provenance:
The Collection of David and Holly Davis, Pasadena, CA
230
Two Northwest Coast carved wood items
Late 20th century
Paddle faintly marked and attributed verso: Made By [possibly reading: ‘Kirk Pasco’] / Designed by [illegible]; whale plaque signed verso: John C. August; further incised JCA
Comprising a paddle with red and black eagle motif to one side and a polychrome whale-form plaque with polar bear motif to body by John C. August (b. 20th century, Coast Salish) 2 pieces
Paddle: 27.5” H x 5.125” W x 1.5” D; Whale: 10.375” H x 20” W x 3.25” D
$150-200
Provenance:
The Collection of David and Holly Davis, Pasadena, CA
231
A group of Inuit carved stone animal figures
Mid/late 20th century
Flounder marked: EVAGLOK [possibly for Alice Evaglok (b. 1917, Inuit; Coppermine/Kugluktuk)]; one incised illegibly to underside; one marked 1662
Comprising four stone fish, one mounted on a wood base, 4 pieces
Mounted fish: 4.25” H x 5” W x 1.5” D; Smallest: 1.325” H x 3.5” W x 0.875” D
$100-200
Provenance: Collection of Lura Gard Newhouse Palm Springs Art Museum, acquired as gift from the above
232
Three Northwest Coast basketry items
Early/mid-20th century
Comprising two twined Makah baskets, one with imbricated checkered design, and a handled coiled tray with imbricated arrow point motifs
3 pieces
Each basket: 6.25” H x 10” W x 4.5” D; Tray: 14.25” W x 12.25” D
$100-200
An Attu basket
Mid-20th century; Alaska
The twined oval basket with openwork rim
10.5” H x 14” W x 7.75” D
$100-150
234
Three Northwest Coast polychrome baskets Mid-20th century
The variously woven baskets, each depicting whales, sea-faring birds, and fishing boats, comprising one rectangular basket with two soft handles, one Makah basket with a circular rim and square bottom, and another basket with oval rim and rectangular bottom 3 pieces
Largest: 6.75” H x 9.75” W x 5.75” D; Smallest: 4” H x 10.25” W x 5.25” D
$150-200
A group of Northwest Coast polychrome baskets Mid-20th century
The twined baskets, most depicting nautical motifs, comprising four lidded baskets, two open baskets, one handled basket, and one narrow and deep rectangular basket
8 pieces
Largest lidded: 3” H x 6.875” W x 5.5” D; Smallest: 1.25” H x 2.875” Dia.
$400-600
A group of Northwest Coast baskets Mid-20th century
The twined baskets, each woven in various styles, comprising two lidded baskets, one openwork round basket, another openwork lidded rectangular basket, and a tightly woven round spruce basket
5 pieces
Tallest (spruce): 6.125” H x 9.5” Dia.; Shortest (lidded oval): 3.875” H x 8” W x 5.25” D
$300-500
237
A group of Northwest Coast baskets
Early/mid-20th century
The twined baskets, each variously decorated, most depicting nautical motifs, comprising six diminutive lidded baskets, one basketry tray, and one basketryencased glass bottle
8 pieces
Tray: 7.75” Dia.; Largest lidded: 2” H x 3” Dia.; Smallest: 1.25” H x 1.5” Dia.
$200-300
Three Makah lidded baskets
Early 20th century; Pacific Northwest Coast
The twined baskets, comprising one depicting alternating whales and fishing boats with squared bottom and circular rim, another small oval basket depicting avian and arrow motifs, and a small circular basket depicting seabirds
3 pieces
Largest: 3.375” H x 3.875” Dia.; Smallest (oval): 2” H x 3.625” W x 2.375” D
$200-300
A group of Northwest Coast polychrome lidded baskets 20th century
The twined baskets with various banded geometric motifs, one pictorial depicting a whale and a figure
5 pieces
Largest: 3.5” H x 5.75” Dia.; Smallest: 2.125” H x 3.375” Dia.
$200-300
A group of Nootka/Makah polychrome basketry items Mid-20th century; Pacific Northwest Coast
Each twined basketry vessel with imbricated whale figures and whaling boats to body, comprising seven miniature lidded vessels, three diminutive baskets, and a glass jar wrapped in a twined cover 11 pieces
Largest: 10” H x 4.625” W x 7.5” D
$400-600
241
A petrified wood bowl 20th century
The carved cross-section of a petrified log with natural edges
3” H x 15.5” W x 12” D
$300-500
242
A Pacific Northwest Coast carved wood side table
20th century
Unmarked
The totemic figural standard surmounted by a circular top depicting an eagle, raised on four legs with ball in claw feet
28” H x 10.75” Dia.
$300-500
Five Hopi polychrome katsina figures
Five works:
Burton Uqualla (b. 1963, Hopi-Tewa)
A carved wood water bearer katsina figure, late 20th century
Signed to underside: Burton Uqualla / Hopi 13.75” H x 4.25” W x 4.75” D
Alexander R. Yenvella Sr. (b. 20th century, Hopi-Tewa)
A carved wood deer kachina figure, late 20th century
Signed and inscribed to underside: Alexander R. Youvella Sr. / Deer Kachina / Tewa / Hopi / [corn stalk cipher] / 1st Mesa / Polacca, Az. 12.75” H x 5” W x 4.25” D
Neil David Sr. (b. 1940, Hopi-Tewa)
A carved wood Crow Mother katsina figure, late 20th century
Signed illegibly to underside 10.5” H x 4.125” W x 4” D
Clayton Kaniatobe (1915-1984, Hopi-Tewa)
A carved wood warrior mouse figure, late 20th century
Signed and inscribe to underside: Clayton Kaniatobe Lomawisiama / Second Mesa / Warrior Mouse / A legendary figure that saves the Hopi’s chickens from the chicken hawk. 10.25” H x 4.5” W x 7.5” D
A carved wood cicada katsina figure, 1991
Signed, dated, and inscribed to underside: “Ma~Hu” / Van Burton 12.25” H x 4” W x 6” D
5 pieces
$500-700
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
244
Two Hopi polychrome katsina figures
Late 20th century
One signed and dated to underside: Baldwin / Huma / 85; the other titled and signed illegibly: Heheya Kachina
The painted carved wood figures, comprising a heheya katsina figure depicted holding a rattle and bundle of leaves, and a pahlik mana butterfly maiden figure with feathers mounted to elaborate tableta
2 pieces
Butterfly: 12.5” H x 4.75” W x 2.875” D; Heheya: 11” H x 4.75” W x 5.75” D
$200-300
245
Two Hopi polychrome katsina figures
Two works:
Silas Roy (b.1949, Hopi-Tewa)
A kwahu eagle dancer katsina figure, late 20th century
Signed and inscribed to underside: Silas Roy / Hopi / Eagle
The painted carved wood figure depicted with eagle wings and feathers mounted to helmet
9.5” H x 8.75” W x 4.5” D
An ewiro warrior katsina figure, late 20th century
Signed and inscribed to underside: “Ewiro” / Bert
Possibly by Harry Bert (b. 20th century, Hopi-Tewa/Navajo), the painted carved wood figure depicted holding two whips, the helmet mounted with feathers
Overall: 10.5” H x 5.75” W x 5.5” D
2 pieces
$200-400
Roy Fredericks
(b. 20th century, Hopi-Tewa)
“Eagle Dancer”
Polychrome carved wood, feathers, cotton, and dyed faux fur in an acrylic case
Signed and titled to underside: Roy Fredericks
Figure: 22.25” H x 25.5” W x 12.5” D; Case: 24.25” H x 27.125” W x 16.125” D
$50-75
247
Two sterling silver cuff bracelets
Late 20th century
Two works:
Suzie James (1954-2012, Diné)
A Navajo sterling silver watch cuff bracelet
Stamped: Suzie James / Sterling
A slightly tapered cuff with bands of elaborate stampwork to each terminal, and a central opening featuring an associated “Liberty 1911” watch
6.75” total inner C x 2” H, with a 1” gap
A modernist-style sterling silver cuff
Stamped: 925
A tall shaped gauntlet cuff with folded terminal details 7” total inner C x 2.375” H, with a 0.75” gap
2 pieces 168.7 grams gross
$200-400
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
248
Two Southwest-style silver and set stone cuff bracelets
Late 20th century
Lapis cuff marked to terminal: 925
Comprising a sterling silver tapered cuff with five bezel-set heart-shaped lapis lazuli stones, and with raised stamped edges, and a chunky silver cuff with multiple set stones and gemstones, including lapis, turquoise, and amber, 2 pieces
Larger: 7” total inner C x 1.25” H, with a 1” gap; smaller: 6.75” total inner C x 1.375” H, with a 1” gap
196.9 grams gross
$300-500
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
249
A group of Fred Harvey-style Mid-20th century
Two marked for sterling; one Six ornate silver and set stone including stampwork, thunderbirds, Largest: 6.375” inner C x 1.375”
161.8 grams gross
$300-500
Harvey-style Southwest silver cuff bracelets
one marked for Bell Trading Post; one marked for Gallup Co. with thunderbird stone cuffs, including turquoise and jasper, in various styles and sizes, with designs thunderbirds, storm clouds, feathers, and arrows, 6 pieces 1.375” H, with a 1” gap; smallest: 6.125” inner C x 1” H, with a 1” gap
250
A group of Southwest cast sterling silver and stone cuff bracelets
Late 20th century
Each marked for sterling and for maker: D. Reeves / A / LJ / FL Begay / TK [conjoined with feathers for Ray Tracey/Knifewing Segura]
Five sterling silver cuffs each with lapis lazuli, comprising a David Reeves (b. 1949-d., Diné) Navajo shaped stampwork cuff, an F.L. Begay (b. 20th century, Diné) Navajo chunky cuff with central rectangular lapis and set lapis to each terminal, a Lester Jackson (b. 1951, Diné) Navajo chunky cuff with lapis lazuli and textured silver raised inlay, as well as a Ray Tracey / Knifewing Segura (b. 1953, Diné & b. 20th century, Chiricahua Apache) tapered cuff with lapis, turquoise, and sugilite channel inlay, and a narrow openwork cuff with five set lapis cabochons, 5 pieces
Largest: 6.25” inner C x 0.375” H, with a 1.125” gap: smallest: 6” inner C x 0.5” H, with a 1” gap
170.8 grams gross
$400-600
251
A group of Fred Harvey-style Southwest silver and set stone cuff bracelets Mid-20th century
Five works:
Ralph Tawangyaouma (1894-1972, Hopi)
A Hopi three-wire cuff with set petrified wood stone
Stamped with artist’s storm/thundercloud pictograph
An elaborate cuff with oval petrified wood cabochon, extensive stampwork and applied silver accents 6.125” inner C x 1.125” H, with a 0.875” gap
Four Southwest silver and stone set cuffs
One marked for sterling
Comprising a two-wire cuff with central set turquoise, a five-wire cuff with three set turquoise plaques, an ornate silver and diamond-shaped set turquoise cuff, and a delicate three-wire cuff with set mother-of-pearl cabochon, 4 pieces
Largest: 6.25” inner C x 1” H, with a 1.125” gap; smallest: 5.75” inner C x 1.25” H, with a 1.25” gap
5 pieces total 111.6 grams gross
$200-400
252
A group of Southwest-style silver cuff bracelets
Late 20th century
Variously stamped: four for sterling; three for maker: AL / Masha / Stu Mons [?] Navajo [illegible etched marks]
Comprising an Augustine Largo (b. 20th century, Diné) Navajo three-wire cuff with set spiny oyster and silver floral and feather overlay, a Navajo two-wire cuff with multiple set purple shell stones and elaborate silver overlay, and a chunky “Masha” sterling silver cuff with set turquoise cabochon flanked by an elaborate overlay cluster of silver balls, wire and feather motifs, as well as a delicate sterling two-wire cuff with spiny oyster and floral motifs, and a chunky incised sterling silver “feather” cuff, 5 pieces
Largest: 6.75” total inner C x 1.25” H, with a 1.125” gap; smallest: 6” total inner C x 1” H, with a 1” gap 201.7 grams gross
$200-400
253
A Joan Slifka-style sterling silver and set stone charm bracelet
Late 20th century
Stamped to T-bar clasp: MAM / Sterling
A chunky chain link bracelet with set stone pictorial charms including hearts, moon, bear, boot and star in turquoise, lapis lazuli, spiny oyster, and purple stone, with stamped decorative motifs verso and T-bar clasp
7.5” L x 1.75” H
106.1 grams gross
$400-600
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
Two Navajo sterling silver and stone inlay belt buckles
Late 20th century
Two works:
Richard and Rita Begay (b. 20th century, Diné)
A Navajo cast sterling silver buckle with cobblestone inlay.
Stamped: RB / Sterling
With turquoise, coral, lapis lazuli and stone sculptural cobblestone inlay and geometric overlay motifs to edges
2” H x 3” W; bar width: 1.5”
Tim Yazzie (b. 20th century, Diné)
A Navajo cast sterling silver pictorial/storyteller overlay buckle
Stamped: Tim Yazzie / Sterling / Benavidez
With turquoise, coral, lapis lazuli and purple stone inlay
2” H x 3” W; bar width: 1.375”
2 pieces total 153.3 grams gross
$400-600
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
Notes:
The Tim Yazzie buckle accompanied by a copy of a purchase receipt from the Case Trading Post, The Wheelwright Museum, Santa Fe, NM, August 1995.
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
255
A Navajo textile loom Mid-20th century, Diné
The loom on natural wood standards with trestle supports, with a partially woven Chinle-style textile, together with two framed photographs of a Navajo weaver in front of the loom
3 pieces Loom: 70.5” H x 47.5” W x 28” D
$200-400
256
Elizabeth Medina (b. 1956, Zia Pueblo)
A polychrome pottery olla jar, late 20th/early 21st century
Signed near bottom: Elizabeth Medina / Zia
The four-color jar depicting two roadrunner figures centering stepped and rainbow motifs in red, orange, and brown on a white slip
7.5” H x 8” Dia.
$200-400
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
An Acoma Pueblo pottery owl figure
Marked to underside: Acoma NM
The three-color owl figure with parrot motif to abdomen and painted details in orange and black on white slip
6.875” H x 5.875” W x 5” D
$100-200
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
258
A Santa Domingo Pueblo pottery basket
Mid-20th century
The three-color basket with opposed spouts centering a lug handle, featuring orange and black geometric motifs on white slip
6.625” H x 7.375” W x 5.75” D
$200-400
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
259
Four Native American pottery cooking
Pre-historic or later
Comprising one possibly Mimbres jar with incised another pot, and a jar with opposed holes for 4 pieces
Largest: 4.5” H x 5.5” Dia. approximately; Smallest:
$100-150
cooking jars
incised details to shoulder, one Oola bottle, for a handle below a flared rim
Smallest: 4.125” H x 4.875” Dia. approximately
260
After Charles Marion Russell (1864-1926, American)
“Watcher of the Plains,” original cast 1901, recast 1981
Patinated and cold-painted bronze on wood plinth Edition: 25/100, with 6 private castings Bears inscription: CMR; with additional marking: Cottonwood; further marked: Nancy C. Russell Estate / Cast from an Original Model; attributed and titled to metal plaque applied to plinth Bronze: 11” H x 8.375” W x 7.5” D; Overall: 13” H x 9.375” W x 8.625” D
$300-500
Provenance:
The Plainsmen Gallery, Clearwater, FL
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA, acquired from the above, April 16, 1990
Notes:
This lot is accompanied by a purchase receipt and COA signed by James Browne, as well as a copy of correspondence between the owner of the original model, James. F. Browne, and an authenticator named Robert F. Morgan, Helena, MT, as well as a copy of correspondence between Browne and a Frederick G. Renner, Paradise Valley, AZ, wherein Renner expresses agreement with the authenticator’s assessment. Lastly, we have a typed explanation from an unnamed author, explaining that the Russell Estate used the original model, with permission from the James F. Browne Family Estate, to recast an edition of 100, with 6 private castings, using lost wax techniques.
261
A Jimmy Calabaza “CA ‘WIN” Santo Domingo Pueblo turquoise and sterling silver necklace
Jimmy Calabaza (b. 1949, Kewa)
Late 20th century
Stamped: “CA ‘WIN”
A chunky double stand turquoise necklace with graduated disc beads, silver stampwork spacers, and a central silver trapezoid pendant with large set turquoise cabochon
26.5” to 30” L x 1.875” H
271.3 grams gross
$1,000-2,000
Provenance: The Artist
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA, acquired from the above, August 20, 1995.
Notes: This lot is accompanied by a purchase receipt.
A Zuni Pueblo-style carved turquoise stacked fetish necklace
Late 20th century
Featuring an elaborate single strand necklace of stacked carved animal fetish figures, including a large central carved turquoise standing bear, flanked by chunky carved mountain lions and wolves, with various smaller animals such as foxes, bears, and wolves, with a traditional wrapped neck cord
31” L x 2” H
167.2 grams gross
$500-700
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
A Zuni Pueblo-style carved bone stacked fetish necklace
Late 20th century
Featuring an elaborate single strand necklace of stacked carved bone animal fetish figures, including a central carved standing bear, flanked by smaller bears and various animals such as mountain lions, beavers, foxes, turtles, frogs, and wolves, with a traditional wrapped neck cord
30” L x 1.625” H
134.0 grams gross
$200-400
A Zuni Pueblo-style carved multistone stacked fetish necklace
Late 20th century
Featuring an elaborate single strand necklace of stacked carved animal fetish figures, including a central carved turquoise standing bear, with various animals such as bears, birds, foxes, turtles, and wolves, in stones including lapis lazuli, amber, shell, coral, and turquoise, and with a traditional wrapped neck cord
32” L x 1.5” H
97.1 grams gross
$300-500
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
A Zuni Pueblo-style carved multistone stacked fetish necklace
Late 20th century
Featuring an elaborate single strand necklace of graduated stacked carved animal fetish figures, including a large central carved turquoise standing bear, flanked by four black carved jet bears, with various animals such as foxes and wolves, in stones including shell, various stones, and turquoise, and with a traditional wrapped neck cord
32” L x 2” H
125.5 grams gross
$400-600
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
Two Zuni Pueblo carved stone fetish necklaces
Late 20th century
Comprising a Louise Singer (b. 20th century, Zuni) frog fetish necklace, with twelve chunky carved stone frogs in various stones including turquoise, and a large central carved greenstone frog, on a fine shell heishi strand with a silver cone clasp (28” L), and a carved stone bison buffalo fetish necklace in various stones including turquoise, pipestone, spiny oyster, jet, abalone, and greenstone, with fine heishi spacers and a silver cone clasp (29” L x 2” H), 2 pieces
230.9 grams gross
$400-600
Two Zuni Pueblo carved fetish necklaces
Late 20th century
Comprising a double strand carved antler bear necklace with a central standing bear and heishi shell spacers and silver cone clasp (26” L), and a single strand necklace with various graduated carved multistone and bone animals including bears and birds, with white shell heishi spacers and silver cone clasp (28” L), 2 pieces 143.4 grams gross
$200-400
A group of Southwest shell, coral and trade bead strand necklaces 20th century
Ten works comprising three multistrand white heishi shell necklaces, two with traditional leather wrapped neck cords, together with two single strand graduated heishi shell necklaces, a diminutive carved shell bird fetish necklace with white shell spacers, a pale pink graduated delicate branch coral necklace, and a chunky white branch coral necklace, as well as two white bead necklaces, including a strand of white glass trade beads on a raffia cord, 10 pieces
Largest: 28” L; smallest: 19.5“ L
517.1 grams gross
$400-600
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
A group of Southwest style silver and lapis lazuli jewelry
Late 20th century
Eight works comprising four dark blue lapis lazuli bead necklaces in various sizes including a chunky five-strand necklace with rectangular lapis beads, with blue bead, heishi and silver bead spacers, and a delicate necklace with carved lapis fetish bear figures, as well as a single strand of diminutive lapis beads with a 14K gold arrowhead pendant, and a five-strand collar necklace, together with two pale blue sodalite bead necklaces, one with a chunky carved bear fetish pendant, and two pairs of earrings, one with lapis heishi beads and one with carved bears, 10 pieces
Largest: 31.5” L; smallest: 17.5” L; earrings: 2.5” H
451.4 grams gross
$400-600
A group of Southwest blue stone and turquoise jewelry
Late 20th century
Eight works:
Joanne Tenorio (b. 20th century, Kewa)
A set of Santo Domingo Pueblo carved stone fetish jewelry
Unmarked
Comprising a single strand necklace with carved lapis lazuli fetish bears, with lapis, heishi shell, and red stone beads, together with a pair of matching earrings, 3 pieces
Necklace: 32.5” L; earrings: 2” H
A group of Southwest stone necklaces comprising two further Santo Domingo Pueblo-style necklaces with carved lapis lazuli fetish bear accents, including one single strand with coral, turquoise and heishi, and a double-strand with turquoise nuggets, as well as two multi-strand lapis lazuli necklaces, one three-strand with small chips and heishi spacers, and one four-strand with lapis chips and various dark blue beads, and two further single strands with pale blue stone beads and one with blue coral, metal and red stone beads, 6 pieces
Largest: 32” L; smallest: 18” L
9 pieces total 427.6 grams gross
$600-800
Notes:
Artist’s attribution determined from retail tag affixed to necklace and earring card.
271
A Southwest Pueblo coral and silver necklace
Mid/late 20th century
A four-strand necklace with coral beads and diminutive silver bead spacers, with a traditional wrapped neck cord and turquoise bead to cord
28” L
58.1 grams gross
$400-600
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
272
A group of Southwest turquoise, coral, and red glass bead necklaces
Mid/late 20th century
Six works comprising a large six-strand necklace with coral, turquoise, and various stone beads, a red branch coral choker necklace, a chunky graduated strand of turquoise nuggets, and three red glass bead stranded necklaces including a single strand of red and white glass “white heart” trade beads, with two blue bead accents, and a three-strand white heart trade bead necklace with green stone bead accents, 6 pieces
Largest: 32” L; smallest: 19” L
441.1 grams gross
$200-400
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
273
A group of Southwest-style coral and stone necklaces
Mid/late 20th century
Four works comprising a delicate three-strand amethyst, coral, and heishi necklace, a double-strand graduated coral and purple stone nugget necklace, a single strand necklace of red branch coral, and a large multistrand fine coral heishi bead necklace, 4 pieces
Largest: 32” L; smallest: 18” L
437.0 grams gross
$400-600
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
274
A group of Southwest coral and turquoise necklaces
Mid/late 20th century
Five works comprising a six strand coral, turquoise, and multistone necklace, a three-strand branch coral necklace suspending two turquoise and shell jaclas, with a traditional wrapped neck cord, a single strand of graduated turquoise nuggets and heishi, a single strand of graduated red branch coral, and a large multistrand fine coral heishi bead necklace, 5 pieces
Largest: 29” L x 6” H; smallest: 19.5” L
675.5 grams gross
$500-700
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
A large group of Southwest amber, coral, and turquoise jewelry
Mid/late 20th century
Comprising six amber bead necklaces including a Joanne Tenorio Kewa-Santo Domingo Pueblo amber and lapis lazuli round bead necklace, a carved amber animal fetish necklace with black heishi spacers, a single strand of graduated amber nuggets, and three further strands, some with turquoise beads, including two extra-long rope necklaces, as well as a multistrand coral necklace with a traditional wrapped neck cord, and an amber and silver bead two-strand bracelet and a pair of amber and lapis lazuli earrings, 10 pieces Largest necklace: 77” L; smallest: 23” L; bracelet: 7.5” L; earrings: 3” H
400.1 grams gross
$500-700
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
A pair of vintage Tony Lama two-tone leather Western boots
Late 20th century
Each marked for maker and size
Comprising a pair of black and grey leather boots with contrast black lizard toes and elaborate contrast stitching in blue, white and grey (size 7B; style No. 7518), 2 pieces
Each: 15.5” H; heel: 2.25”
$50-75
277
A carved wood flute by George “Deer Tracks” Tyler
Late 20th century
Stand signed: Deer Tracks; flute with incised cipher of a deer hoof print
The flute with metal inlay, applied turquoise accent, carved wood bird-form tuner, and brain tanned hide accents with two feathers, set on a stand with natural wood supports and another applied turquoise accent
2 pieces
Flute: 23.5” L; Stand: 7.5” x 12.5” W x 4.5” D
$200-400
Provenance: The Artist
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA, acquired directly from the above, October 9, 1995 or 1998
Notes:
This lot is accompanied by a purchase receipt, a business card from the artist, original sales tag, instructions for playing, and another informational sheet.
A group of Southwest turquoise and stone necklaces
Late 20th century
Six works comprising a large multistrand necklace with turquoise, shell, and white stone beads, with a trade bead accent, as well as a single strand of graduated mottled gray stone beads with silver bead terminals, a single strand of carved shell nuggets and heishi shell spacers, and three further necklaces of small turquoise nugget beads, including a triplestrand, a double strand and a single strand, 6 pieces
Largest: 38.25” L; smallest: 29” L
480.3 grams gross
$300-500
A group of Southwest Pueblo-style turquoise jewelry
Mid/late 20th century
Six works comprising a six-strand necklace with small shaped turquoise nugget beads, one carved stone bird bead, and heishi shell spacers, with a traditional wrapped neck cord, and a pair of matching earrings, as well as a double strand chunky nugget turquoise necklace with coral and shell bead accents, and three further single strand necklaces in various sizes including a graduated green stone bead necklace with tiny silver bead spacers, 7 pieces
Largest: 34” L; smallest: 26” L; earrings: 3 “H
605.7 grams gross
$400-600
280
A large group of Southwest turquoise and stone bead jewelry
Mid/late 20th century
Thirteen works comprising ten necklaces in various stones and lengths including four necklaces of single and multi-stranded heishi beads in turquoise, malachite, jet, and silver, one with a matching jet and silver multistrand bracelet, as well as a chunky malachite graduated bead necklace with gold-tone beads and cone clasp, three necklaces with small turquoise nuggets or beads, including a five-strand necklace with shell heishi and a carved turquoise bear pendant, together with two heishi and carved stone fetish animal necklaces, one with a pair of matching earrings, and a pair of turquoise nugget earrings, 15 pieces
Largest: 28.5” L to 31.5” L; smallest: 16.75” L; bracelet: 7.25” L; earrings: 2.5” H & 2.25” H
394.6 grams gross
$600-800
281
A group of Southwest turquoise and stone jewelry
Late 20th century
Large frog signed verso: MB / Zuni
Six works comprising two chunky necklaces with various sized turquoise nuggets, two smaller shaped turquoise bead necklaces, one with diminutive silver bead spacers, and one with green stone beads and long sterling silver cone terminals and clasp, as well as a rolled turquoise and green stone Pueblostyle graduated disc bead necklace, and an expandable spiral wire-strung bracelet with various types of turquoise beads, Zuni carved fetish animals, and silver charms to terminals, 6 pieces
Largest: 35.5” L; smallest: 23” L; bracelet: 6” inner C (unstretched; expandable)
543.7 grams gross
$200-400
282
Two Plains beaded hide dolls
Early 20th century; Great Plains
The dolls with beaded rectangles to chests, fringe edges, and applied hair, one featuring a knife sheath
2 pieces
Each: 10” H x 7” W s 2.5” D approx.
$200-300
283
Two Native American beaded hide dolls
Mid-20th century
The dolls with beaded geometric motifs to chests, beaded accents to moccasins, and adorned with beaded necklaces and hair
2 pieces
Each: 11.5” H x 7” W x 2.25” D approx.
$50-75
284
Two Navajo beaded fabric dolls
Mid-20th century
Each doll with velvet dresses adorned with beads, featuring necklaces, earrings, and fabric belts
2 pieces
Larger: 18” H x 12” W x 2.5” D; Smaller: 13.75” H x 9.75” W x 3.5” D
$50-75
285
Two pairs of Navajo dolls
Mid-20th century
Each pair with a male and matching female, constructed with fabric pants and undergarments below velvet shirts and dresses, adorned with beaded jewelry and mounted cotton hair
4 pieces
Each female: 13” H x 7.5” W x 2.75” D approx.; Each male: 13.25” H x 4.75” W x 2.25” D
$200-300
A group of Southwest silver and stone set rings
Late 20th century Eight works:
Edison Cummings (b. 1962, Diné)
A Navajo modernist silver and lapis lazuli ring
Stamped with bison skull for artist, pre-1990s
A chunky silver ring with rectangular set lapis stone
Ring size: 8; 1” H
Lonn Parker (b. 1957, Diné)
A Navajo sterling silver and turquoise inlay ring
Stamped: Lonn Parker / USA / Sterling / [feather picto]
With a large concave plaque with silver foliate “tree of life”-style overlay and turquoise inlay to each side edge
Ring size: 4.75; 1.5” H
Russell Toledo (1948-2019, Diné)
A large Navajo sterling silver and lapis lazuli ring
Stamped: Russell Toledo / Navajo / Sterling
With silver feather motif overlay and stampwork edging
Ring size: 10; 2.625” H
Antonio J. Armijo (b. 20th century)
A modernist-style sterling silver ring with set turquoise
Etched signature to inner band
A freeform design silver ring with central set Bisbee turquoise cabochon
Ring size: 8.5
A group of four silver and set turquoise rings
Unmarked
In various sizes and styles including cluster-set, shadowbox, and bezel set stones, as well as an oval coral and turquoise shadowbox set ring, 4 pieces
Ring sizes: 9 to 7
8 pieces total 153.7 grams gross
$600-900
Provenance:
Armijo ring: Sunrise of Santa Fe, NM
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA, one ring acquired from the above
Notes:
Armijo ring accompanied by a Certificate of Authenticity, copy of purchase receipt, and artist’s information from Sunrise of Santa Fe, NM, dated July 3 1978.
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
287
A group of Zuni carved bone bear fetish figures
Mid/late 20th century
Some variously signed by the artist
Comprising fifteen bear figures from various makers such as Arnie & Claudia Calavaza, Andres Quam, and Calvin Peine, most with turquoise inlaid features, together with one carved mother of pearl figure mounted with offerings 15 pieces
Largest: 4” H x 2.5” W x 1.5” D; Smallest: 1.375” H x 0.875” W x 0.625” D
$200-400
289
A group of Zuni carved stone horse fetish figures
Mid/late 20th century
Some variously signed by the artist
Comprising seventeen horse figures from various makers such as Lorendina Seche, Emory Boone, Thelma Sheebe, Virginia Toombs, and Dan Poncho, most with turquoise inlaid features, eleven mounted with offerings 17 pieces
Largest: 2.25” H x 3.75” W x 0.625” D; Smallest: 1.5” H x 2.125” W x 0.625” D
$200-400
290
A group of Zuni carved stone rabbit fetish figures
Mid/late 20th century
Some variously signed by the artist
Comprising twelve rabbit figures from various makers such as Melissa Quam, Patricia Wayne, Arnie Claudia Calaraza, Arvella Cheama, Georgette Quam, and Emory Eriacho, most with turquoise, jet, or coral inlaid features, one possibly petrified wood mounted with offerings
12 pieces
Largest: 1.75” H x 2.375” W x 1.5” D; Smallest: 0.875” H x 2.125” W x 0.875” D
$200-400
291
A Southwest turquoise nugget necklace
Mid/late 20th century
Unmarked
A Southwest Pueblo-style chunky single strand with graduated turquoise nuggets and variegated shell spacers
32.5” L
144.5 grams gross
$200-400
292
Two Zuni Pueblo carved stone fetish necklaces
Late 20th century
Comprising a delicate two-strand necklace of carved turquoise fetish animals with a central owl figure, and others including bears, birds, turtles, and fish, with fine heishi spacers and silver cone clasp (27” L), as well as a two-strand necklace with carved white stone polar bears with fine turquoise heishi spacers, with a silver cone clasp ( 26-28” L), 2 pieces 144.6 grams gross
$400-600
A group of Southwest-style silver and turquoise jewelry
Late 20th century
Variously marked for maker and for sterling
Comprising a rounded graduated turquoise stone bead necklace with sterling cone clasp, as well as a pair of Federico Jimenez (b. 1941, Mixtec) sterling silver and turquoise cluster-set articulated earrings with silver dangles, and a pair of sterling silver and cluster set turquoise blossom-style earrings, 5 pieces
Necklace: 18.5” L; earrings: 2.25” H and 2.5” H
120.6 grams gross
$500-700
294
A group of Southwest silver and turquoise necklaces
Late 20th century
Silver necklace etched to tag: MW (likely made by Martha Wilson, Navajo/Diné with inlay done by Rosemary White)
Five works comprising a chunky silver bead necklace with turquoise inlay to the hip of each bead, a chunky turquoise choker necklace with teardrop carved rounded tabs, a threestrand necklace with small turquoise nuggets, and two ten-strand fine turquoise heishi necklaces, 5 pieces
Largest: 30” L; smallest: 16.25” L
451.2 grams gross
$700-900
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
295
A Southwest-style silver and set gemstone cross pendant necklace Circa 2000
With etched marks verso: HL-RRR [slight illegible signature] / Taos 2000 / Silver + Gold Fill
Comprising a large cross pendant with elaborate stampwork and set central mabé pearl and opals, suspended from an associated four-strand grey freshwater pearl necklace, 2 pieces
Pendant: 3.5“ H x 2.625” W; necklace: 18” L
122.0 grams gross
$300-500
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
Notes:
Owner’s notes indicate purchased Los Alamos, NM, 12/2000.
Two Southwest style mixed metal jewelry pieces
Late 20th century
Two works:
Wayne Aguilar (b. 1966, Kewa)
A Santo Domingo Pueblo mixed metal cross necklace
Pendant and clasps stamped with artist’s cipher
A stamped brass and stone bead necklace with a set coral mixed metal cross pendant 26” L x 4.5” H
A John West mixed metal cuff bracelet with set turquoise Circa 1976
Etched: John West #345 - ‘76
With alternating silver and row-set turquoise panels outlined with brass metal overlay 6.75 “ total inner C x 1.625” H, with a 1” gap
2 pieces 199.6 grams gross
$300-500
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
A group of silver and stone jewelry
Late 20th century Four works:
Patrick Yazzie (b. 20th century, Diné)
A Navajo sterling silver and amber cuff Stamped: Patrick Yazzie / Sterling
With three set amber cabochons and shaped silver overlay to terminals 6.5” total inner C x 0.75” H, with a 0.75” gap
Three necklaces comprising a multistrand coral bead choker necklace with chunky gold-tone hook clasp, as well as a multistrand amber nugget torsade choker necklace with 14K gold spring-ring clasp, and a silver metal Ethiopian Coptic-style cross pendant on an associated sterling silver ball chain, 3 pieces Largest: 23” L; smallest: 20” L x 2.25” H
4 pieces total
320.5 grams gross
$400-600
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
298
A group of Southwest-style cross pendants
Mid/late 20th century
Variously marked for maker and for sterling
A Gilo and Grace Nakai Navajo/Diné large sterling silver and set turquoise and gemstone cross pendant, a small OJ sterling silver and set gemstone pendant, a small DA double sided stone inlay pendant, and two Mexican sterling silver crosses, one with silver roses, and one with filigree wire overlay, as well as a Colonial-style triple-cross pendant with silver balls, 6 pieces
Largest: 6” H x 2.5” W; smallest: 1.75” H x 1” W
178.3 grams gross
$500-700
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
299
A group of Southwest turquoise and trade bead necklaces
Mid/late 20th century
Comprising four single strand necklaces each with chunky turquoise nuggets in various sizes, and with heishi or silver bead spacers, as well as a single strand of blue glass trade beads on a raffia cord, 5 pieces
Largest: 32” L; smallest: 27” L
782.5 grams gross
$200-400
300
A group of Southwest turquoise and shell jewelry
Mid/late 20th century
Pendant stamped: B / Sterling
Eleven works comprising a single strand pale green stone necklace with alternating barrel and disc beads with a stone set sterling silver pendant, a graduated strand of pale pink and white branch coral, and a turquoise heishi multistrand necklace with a pair of matching earrings, together with five further turquoise and green stone nugget and bead necklaces of various sizes and styles, and a pair of multistone graduated disc earrings, as well as a collection of approximately 64 loose carved stone fetish animal beads, 76 pieces approximately Largest: 32” L; smallest: 15” L; earrings: 2.5” H 398.5 grams gross
$500-700
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
A group of Zuni carved stone bird fetish figures
Mid/late 20th century
Some variously signed by the artist
Comprising twenty-eight figures of various bird species from various makers such as Melissa Quam, Gibbs Othole, and Florenda Lonasee, most with turquoise or coral inlaid features, three mounted with offerings
28 pieces
Largest: 3.875” H x 4.5” W x 2.75” D; Smallest: 1.125” H x 1.125” W x 0.75” D
$200-400
A group of diminutive Zuni carved stone animal fetish figures
Mid/late 20th century
Comprising twenty-five figures of various animals including beavers, bears, frogs, turtles, and others, from various makers including Emory Boone, most with turquoise or jet inlaid features, five mounted with offerings 25 pieces
Each: 1.25” cubed
$200-400
303
A group of Zuni carved stone frog fetish figures
Mid/late 20th century
Comprising twenty-three frog figures from various makers such as Alex Poncho, Louise Singer, Todd Ponch, Laura Quam, and Georgia Quam, most with turquoise or jet inlaid features, two mounted with offerings, one carved from bone 23 pieces
Largest: 1.375” H x 2.25” W x 1.25” D; Smallest: 0.5” H x 0.875” W x 0.625” D
$200-400
304
A group of Zuni carved jet bear fetish figures
Mid/late 20th century
Comprising fourteen bear figures from various makers such as Herb Halate, Bryson Bobelu, and Fabian Tsethlikai, most with turquoise or coral inlaid features, two with inlaid heartlines, seven mounted with offerings 14 pieces
Largest: 2.75” H x 5.125” W x 1.625” D; Smallest: 0.75” H x 1.375” W x 0.375” D
$200-400
305
A large group of Southwest-style animal and insect jewelry
Late 20th century
Twenty works:
Danny Romero (1954-2018, Yaqui/Spanish)
A group of Southwest silver and stone inlay lizard brooches
Two incised, one etched: D R.MER.
Comprising four brooches, one in silver, and three with stone inlay of either purple stones, of turquoise green stones, and of dark blue stones, 4 pieces
Largest: 3” H; smallest: 2.5” H
A group of Southwest-style animal and insect jewelry
Variously marked for sterling and one for maker
Fifteen works comprising four brooches in motifs including two lizards, a peyote bird articulated brooch, and a stone inlay deer, plus a stamped silver lizard pendant/brooch, as well as three silver zipper fobs, including one lizard, and two turtles with turquoise inlay, plus a pair of stamped silver lizard earrings, together with six silver and stone insect pins in various sizes including four spider pins with stones such as malachite, turquoise, and spiny oyster, as well as a beetle pin with purple stone inlay, and a silver grasshopper pin, 16 pieces
Largest: 3.25” H; smallest: 1” H
20 pieces total 188.7 grams gross
$200-300
306
A group of Southwest-style silver cuff bracelets
Late 20th century
Three marked for sterling; one further marked for maker: AT [conjoined]
Seven works comprising an Alvin Thompson (b. 1955, Diné) Navajo chunky cast sterling silver cuff with zigzag shaping and arrow terminals, as well as a narrow sterling cuff with set turquoise cabochon, and a wide cuff with shadowbox wave forms and stamped banding, together with four further plain cuffs in various shapes and sizes, 7 pieces
Largest: 7” total inner C x 2” H, with a 0.75” gap; smallest: 6.25” total inner C x 0.5” H, with a 1” gap 282.1 grams gross
$100-200
A group of Southwest-style silver and set stone cuff bracelets
Late 20th century
Two marked for sterling and for maker: JC / SKJ
Comprising a Sibert and Janita Kallestewa (b. 20th century, Zuni) narrow shaped sterling silver cuff with turquoise and black stone channel inlay, as well as a JC narrow sterling silver cuff with blue and purple stone inlay, together with four further narrow shaped cuffs with stone inlay including turquoise and chipped mosaic turquoise and coral inlay, and four further V-shaped silver cuffs in various sizes, 10 pieces
Largest: 6.25” total inner C; smallest: 6” total inner C; each: 0.25” H, with 1.125” gap
168.4 grams gross
$100-200
308
A group of Southwest turquoise and stone necklaces
Mid/late 20th century
Comprising five necklaces in various sizes with multistone beads including turquoise, lapis lazuli, coral, heishi shell, and silver beads, including a double strand necklace with multiple silver Southwest motif charms, and two necklaces with carved stone fetish animal accent beads, 5 pieces
Largest: 33” L; smallest: 18” L
367.6 grams gross
$200-400
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
309
A group of Southwest carved stone fetish and turquoise necklaces
Mid/late 20th century
Comprising a turquoise nugget and heishi necklace with carved antler standing bear pendant, a carved turquoise fetish necklace with heishi spacers and various animals, two carved multistone fetish animal necklaces, one with a central turquoise thunderbird, and one with a central carved jet bear, as well as two strand necklaces of graduated turquoise heishi, each with a silver bead and hook clasp, 6 pieces
Largest: 33” L; smallest: 25.5” L
163.5 grams gross
$300-500
310
Three Southwest Pueblo turquoise necklaces
Late 20th century
Featuring a single strand necklace of stacked carved turquoise animal fetish figures, including a central carved turtle, flanked by various smaller carved animals such as birds, foxes, bison, bighorn sheep, rabbits, and bears, with a traditional wrapped neck cord (30” L x 1.5”H), and two chunky turquoise graduated stone bead necklaces, each with heishi shell and silver cone clasps (34” L & 33” L), 3 pieces
479.8 grams gross
$200-400
311
A group of Southwest turquoise and carved stone jewelry
Mid/late 20th century
Six works comprising a double-strand necklace with turquoise, coral, carnelian, and silver beads, with a pair of associated earrings, as well as four further turquoise heishi, nugget, and bead necklaces, some with coral and shell heishi, and one with a carved turquoise horse pendant, 7 pieces
Largest: 30” L; smallest: 17.5” L; earrings: 2.75” H
464.6 grams gross
$300-500
312
A group of Southwest-style amber and stone bead necklaces
Late 20th century
Comprising an elaborate three-strand collar necklace with coral, aventurine, and silver beads, suspending a long coral, agate, and silver pendant, as well as three necklaces each with various sized amber nugget beads, with either silver beads or heishi shell spacers, including a double-strand amber necklace with carved turquoise bear fetish figures and turquoise bead accents, 4 pieces
Largest: 34” L; smallest: 20” L x 8” H
495.0 grams gross
$400-600
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
A group of Southwest-style carved stone and bead necklaces
Mid/late 20th century
Six single strand necklaces including a strand of chunky large red jasper beads of various shapes, a necklace of yellow glass, coral and red stone beads with ceramic bead accents, a coral and carved multi-stone fetish animal necklace with a chunky stone inlay triangular pendant, a red glass “white heart” bead, shell, and carved stone fetish animal necklace with silver cone clasp, a single strand of large round brown multicolored glass beads, and a strand of graduated amber beads with silver bead spacers, 6 pieces
Largest: 34” L; smallest: 25” L
548.4 grams gross
$100-200
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
314
A group of Southwest coral, red glass, and carved stone necklaces 20th century
Wolf pendant signed to base: H Watson / Navajo
Nine works comprising an H Watson Navajo (b.20th century, Diné) carved green stone heartline wolf fetish necklace with coral heishi spacers, as well as a twelve-strand red and white “white hearts” glass bead necklace with twisted thread neck cord, together with a single strand necklace of red branch coral, two multistrand fine coral heishi bead necklaces, and four further single strand necklaces with various sized coral beads, one with silver beads and one with turquoise nugget accents, 9 pieces
Largest: 33” L; smallest: 19” L 608.7 grams gross
$500-700
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
315
A large group of trade beads and necklaces
Late 19th century and later
Comprising a single stand of blue and white glass chunky trade beads, as well as multiple single strands of yellow, brown, green, grey, blue, red, and white multicolored trade and various multicolored glass, millefiori and other style beads, including a chunky red glass bead and green striped glass bead necklace, and a short red melon-style glass bead necklace with silver spacers, and a multicolored bead bracelet, 19 pieces
Largest: 37” L; smallest: 15.5” L; bracelet: 8.5” L
2312.8 grams gross
$100-200
316
A group of Carol Felley sterling silver storyteller jewelry Late 20th century
Each variously marked for Carol Felly; further variously marked: 88 / 89 / Sterling
Comprising a cuff bracelet with three applied silver seated female storytellers with laps full of children, as well as a silver link bracelet with various storyteller figures and a tortoise, and a pair of earrings, 4 pieces Cuff: 7 “ total inner C x 1.5” H, with a 1.125” gap; link: 7” L x 0.875” H; earrings: 1.25” H 140.9 grams
$500-700
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
A group of Southwest and Mexican sterling silver cuff bracelets
Late 20th century Five works:
Frank Chee (b. 20th century, Diné)
A Navajo sandcast silver cuff
Stamped: F. Chee / Navajo / Sterling
An openwork cuff with intertwining motif
6.5” total inner C x 1.125” H, with a 1.125” gap
Lorencita Garcia (1938-2005, Kewa)
A Santo Domingo Pueblo set stone cuff
Stamped: LG
A chunky cuff with three row-set lapis lazuli cabochons and concentric engraving to each terminal 6.25” total inner C x 1.375” H, with a 1” gap
A large Southwest-style onyx set cuff bracelet
Stamped: LA [star] / Sterling
With a large central oval onyx cabochon and curved engraving to each tapered terminal 6” total inner C x 1.75” H, with a 0.875” gap
Two Mexican silver cuffs
Each marked: Mexico / Sterling / TA-165
Each with silver ball banding, 2 pieces
Larger: 6.875” total inner C; smaller: 6.5 “ total inner C; each with a 1” gap; 0.625” H
5 pieces total 273.6 grams gross
$600-800
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
318
A set of Southwest sterling silver and turquoise inlay pictorial bear jewelry Late 20th century
Each marked verso: Sterling / [unknown pictograph]
Comprising a heavy cuff with various sized blue stone inlay bears and small pieces of lapis, coral, and malachite, all surrounded by copper or enamel, together with a pair of matching clip earrings, 3 pieces
Cuff: 6.125” total inner C x 1.375” H, with a 1.125” gap; earrings: 1.125” H 139.1 grams gross
$200-400
Provenance: Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
319
Three Western-style sterling silver ranger belt buckle sets
Mid/late 20th century
Variously marked for Mexico, sterling, and maker
Three works comprising a “Real” Mexican chased sterling silver and mixed metal overlay ranger set with a buckle (1.875” H x 2” W), two keepers (0.875” H), and an end tip (0.75” H), as well as a mixed metal overlay buckle (1.5” H x 1.25” W), with two keepers and an end tip (each: 0.75” H), and an “A. Fonseca” small Mexican sterling silver buckle with chased overlay (0.875” H x 1.5” W) and two keepers (0.625” H), 11 pieces
119.2 grams gross
$200-400
Two Southwest Navajo sterling silver and set stone jewelry items
Late 20th century
Two works:
Larry Joe (b. 20th century, Diné)
A Navajo sterling silver and coral belt buckle Stamped: LRJ [within diamond] / Sterling
A hollow silver buckle with elaborate chased silver designs and a central set coral cabochon
2.125” H x 3” W
Adam Fiero (b. 20th century, Diné)
A Navajo sterling silver and turquoise bolo pendant Stamped: AF / Sterling
A chunky bolo slide clip with teardrop set turquoise cabochon and elaborate silver shadowbox overlay edging, lacking leather tie
2.75” H x 2.375” W
2 pieces total 157.8 grams gross
$400-600
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
Notes:
The bolo accompanied by a Certificate of Authenticity from Hudgins Santa Fe Collection, Scottsdale, AZ, dated October 1992.
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
321
A group of Southwest sterling silver and stone pendants
Late 20th century
Five works:
Ken Romero (b. 1956, Laguna/Taos)
A Pueblo sterling silver and coral inlay trapezoidal pendant
Stamped: Ken Romero / Taos / Sterling / [sun, mountain, stars pictograph]
A chunky pendant with two-tier sculptural coral cobblestone inlay 1.75” H x 1” W
Calvin Peterson (b. 20th century, Diné)
A Navajo sterling silver heartline bear pendant
Stamped to bail verso: [lizard pictograph] / Sterling
A chunky pendant with incised heartline and stampwork accents 2.75” H x 2.5” W
Dorothy Martinez (1949-1983, Diné)
A Navajo silver overlay pictorial storyteller pendant
Stamped to bail interior” [* pictograph] / Sterling
A large oval pendant with a mudhead figure to one side and man-in-the-maze motif verso 3.5” H x 1.5” W
Two Southwest-style pendants
Variously marked: LA [star] / Sterling / Balciar
Comprising an oval sterling silver pendant with set onyx cabochon, and a Balciar silver metal repoussé pendant of a bird in flight, 2 pieces
Largest: 3.75” H x 2.75” W; smallest: 2.375” H
5 pieces total 152 grams gross
$300-500
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
A group of Southwest-style silver brooches
Late 20th century
Variously marked for maker and for sterling
Comprising a Francis Jones (b. 1943, Diné) Navajo sterling silver Rainbow Guardian brooch, a PL silver lizard brooch, a signed Zuni-style Sunface dancer sterling silver pendant brooch with set turquoise, a signed diminutive sterling silver corn husk brooch with lapis, turquoise and coral cobblestone inlay, a large Balciar silver metal bird brooch, and an RW hammered sterling silver bird brooch, 6 pieces Largest: 3.75” H x 2.75” W; smallest: 1.5” H x 0,75” H
99.4 grams gross
$200-400
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
323
A group of Zuni carved stone mole fetish figures
Mid/late 20th century
Some variously signed by the artist
Comprising sixteen mole figures from various makers such as Louise Singer, L. Boone, Georgianne Quandelacy, Fred Weekety, Lex Tsethlikai, and Brandon Gasper, most with turquoise or jet inlaid features, eight mounted with offerings 16 pieces
Largest: 1.375” H x 4.375” W x 3.125” D; Smallest: 0.5” H x 1.75” W x 0.625” D
$100-200
324
A group of Zuni carved stone horned lizard fetish figures
Mid/late 20th century
Seven attributed to and marked in various hands: Louise Singer
Comprising eleven horned lizard figures, most with turquoise or coral inlaid eyes
11 pieces
Largest: 1” H x 3” W x 1.875” D; Smallest: 0.625” H x 1.875” W x 0.875” D
$200-400
A group of Zuni carved animal figures
Mid/late 20th century
Seven variously signed by the artist
Comprising nineteen figures of mammalian animals from makers such as Jessie LeBoeuf, Faylene Cachini, Thelma Sheehe, Evalena Boone, and Gabriele Quam, most with turquoise or jet inlaid features, fourteen mounted with offerings 19 pieces
Largest: 1.375” H x 4.5” W x 0.875” D; Smallest: 0.625” H x 2” W x 0.375” D
$200-400
A group of Southwest sterling silver and stone pendants
Late 20th century Four works:
Terrance Emery (1954-2012, St. Croix Ojibway) & Dorothy Emery (b. 20th century, Jemez Pueblo)
An Ojibway/Pueblo multistone mosaic inlay bear pendant
Stamped to ring interior: D/T EMERY
A chunky stylized bear pendant with turquoise, lapis lazuli, opal, and mother of pearl inlay, with a large inlaid stone bail, and decorative stamping verso
2.5” H x 2.5” W
Ken Romero (b. 1956, Laguna / Taos)
A Pueblo sterling silver and stone inlay trapezoidal pendant
Stamped: Ken Romero / Taos / Sterling / [sun, mountain, stars pictograph]
A chunky pendant with two-tier sculptural coral and lapis lazuli inlay
2.125” H x 1.125” W
Ray Tracey (b. 1953, Diné); Knifewing Segura (b. 20th century, Chiricahua Apache)
A Navajo/Apache sterling silver and stone inlay pendant
Stamped for Ray Tracey / Knifewing Segura [TK with double feather] / Sterling
A chunky arrowhead pendant with geometric mosaic inlay in lapis lazuli, sugilite, and sodalite
2.5” H x 2.375”
Ava Marie “Cool-Ca-Ya” Coriz (1948-2011, Santo Domingo Pueblo)
A Kewa sterling silver and chip inlay hand pendant
Stamped: AMC / Sterling
With small round turquoise, lapis lazuli, and coral mosaic inlay with a central spiral motif
2.75” H x 2” W
4 pieces total 128.3 grams gross
$400-600
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
A group of Southwest-style silver and stone set earrings
Late 20th century
Six works:
Sibert Bowannie (b. 20th century, Zuni Pueblo)
A pair of Zuni sterling silver and needlepoint cluster-set turquoise earrings
Etched verso: Sibert Bowannie / Zuni Each: 1.25” Dia.
Jennifer Juan Runnels (b. 20th century, Diné)
A pair of Navajo sterling silver oval earrings with striped silver overlay
Stamped: G & J Runnels / Sterling
Each: 1.5” H
A group of Southwest-style sterling silver earrings
Each variously marked for sterling
Comprising four pairs of earrings, three with various set stones including malachite, turquoise, and amber, 8 pieces
Largest: 2.25” H; smallest: 1” H
12 pieces total
67.0 grams gross
$100-200
Provenance:
Barbara and Frank Batsch Collection, Naples, FL, Santa Fe, NM, and San Diego, CA
Two Zuni Pueblo carved stone fetish necklaces
Late 20th century
Comprising a double strand necklace with carved brown stone bears, with a central standing bear and dark shell heishi spacers, with a silver cone clasp (26” L), and a three-strand multistone carved fetish necklace with various animals including bears, fish, frogs, birds, squirrels, rabbits, bison, and bighorn sheep, and with heishi shell spacers and silver cone clasp (23.5” L), 2 pieces 238.4 grams gross
$200-400
329
A group of Southwest silver and carved stone bear fetish jewelry
Late 20th century
Seven works
Large bear stamped: Nakai / Sterling; bear earrings stamped: B / Sterling
Seven works comprising a chunky carved red stone bear fetish necklace with turquoise and silver bead spacers, a delicate single strand carved multistone bear fetish necklace with shell heishi, a carved stone bear pendant with silver fittings and chain, a pair of similar style carved stone bear and sterling silver earrings, as well as a sterling silver Nakai heartline bear pendant, a small stylized bear pendant with fine chain, and a pair of spiny oyster and turquoise inlay earrings, 9 pieces
Largest necklace: 30” L; smallest: 20” L; pendant: 2.375” H x 2” W; earrings: 2.5” H & 1.25” H
208.7 grams gross
$200-400
330
Three Navajo silver necklaces
Mid/late 20th century, Diné
Unmarked
Comprising three silver bead necklaces designed with beads of various shapes and sizes, one with decorative stamping to bead tops and one with barrel beads, 3 pieces
Largest: 27” L; smallest: 25.5” L
316.0 grams
$200-400
331
A group of Southwest-style jewelry
Late 20th century
Four works:
A Gabriel Jurado Mexican sterling silver and set turquoise pendant, suspended from a Zina sterling silver modernist collar, 2 pieces
Each stamped for maker and for sterling
Pendant: 4.25” H x 1.25” W; collar: 13.5” L
A group of Southwest-style earrings
Two variously marked for maker and for sterling
Comprising a pair of John G. Begay Navajo (b. 20th century, Diné) hammered sterling silver wide hoop clip earrings (each: 1” Dia.), a pair of sterling silver earrings with inlaid turquoise (each: 2” H), and a pair of silver earrings with cluster-set teardrop green stones (each: 1” H), 6 pieces
8 pieces total 126.3 grams gross
$500-700
A large group of Southwest-style turquoise and stone bead jewelry
Mid/late 20th century
Comprising beaded and carved stone stranded necklaces in various styles and sizes, with multiple beads such as turquoise, malachite, lapis lazuli, amethyst, shell, and silver, including a turquoise and silver multi-strand choker, and a carved malachite animal fetish necklace, as well as an expandable spiral strand bracelet and a single strand nugget bracelet, 26 pieces
Largest: 33” L; smallest: 13” L; single bracelet: 7.5” L 1464.4 grams gross
$100-200
A group of bead strands and stone necklaces
Late 19th century and later
Comprising six strands of white beads, three strands of red and white glass “white heart” beads of various sizes, each on string, and three strands of fine dark heishi, as well as a chunky graduated bone tab necklace, a graduated greenstone strand with pipestone and clam beads and silver bead clasp, and a collar necklace of shell discs, 15 pieces
Largest: 26.5” L; smallest: 7.5” L
389.0 grams gross
$100-200
A group of Southwest silver, black, and red jewelry
Mid/late 20th century
Unmarked
Eight works comprising a silver bead squash blossom necklace with a two wire naja, a chunky red stone nugget collar necklace with carved stone bear fetish pendant, and two fine coral and black bead multistrand necklaces, one with silver and hematite-style bead spacers, as well as two single strand branch coral collar necklaces, one black and one red, and two glass bead necklaces, one with large round brown multicolored beads, and one single strand with red and white “white heart” beads and large multicolored glass millefiori accent beads, 8 pieces
Largest: 28” L; smallest: 16.5” L x 1” H
484.5 grams gross
$500-700
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
335
Two Southwest Pueblo heishi necklaces
Late 20th century
Unmarked
Comprising a Kewa/Santo Domingo Pueblo single strand of graduated hand rolled thin black jet heishi beads, strung on thread, with black beads to neck, and a smaller single strand of graduated cream/pink shell heishi with a metal hook clasp, 2 pieces
Larger: 34” L; smaller: 21.5” L
183.7 grams gross
$100-200
Notes:
This lot accompanied by a copy of a receipt from the Turquoise Nut dated July 1993, indicating the attribution and material of the rolled jet necklace.
A group of Southwest silver, purple shell and stone jewelry
Late 20th century Five works:
Danny Clark (b. 20th century, Diné)
Pendant stamped: D. Clark / Sterling
A Navajo single strand necklace with alternating turquoise beads and purple sugilite beads suspending a chunky sterling silver and set sugilite pendant with asymmetrical stamped edges
27.5” L x 2.5” H
A group of purple stone and shell jewelry
Double pendant stamped: Z / USA / Sterling
Six works comprising a long necklace with a double-stone pendant suspended on a strand of purple/pink stone beads and sterling silver beads, some with squash blossom motifs, as well as two further single strand necklaces, one with chunky graduated shaped charoite beads, and one with graduated amethyst nuggets, together with a strand of graduated spiny oyster shell and green stone discs, with silver bead spacers, and two pairs of spiny oyster earrings, 8 pieces
Largest: 31.5” L; smallest: 20” L; earrings: 2” H
9 pieces total
500.0 grams gross
$500-700
337
A large group of Southwest-style silver and turquoise jewelry
Mid/late 20th century
Variously marked for sterling, for Mexico, and for maker: HRM / TIH / MR / GS / MBP / [Eagle 3]
Twenty-five works comprising two necklaces, one with graduated turquoise disc beads and one with striped stone tabs and heishi shells spacers, as well as ten silver cuff bracelets in various sizes and styles, including four cuffs with stone accents such as set turquoise, set agate, mosaic stone chip inlay, and a mother-of-pearl shadowbox style cuff, together with seven pairs of earrings in various styles including stone set studs, turquoise and coral stone inlay hoops, concho-style stampwork with set mother-of-pearl, and modern turquoise dangles, as well as four silver and stone set rings including turquoise, red stone, and black onyx, and two brooches, one a Northwest Coast-style oval pendant brooch with bird motif, and one an openwork sterling silver Southwest-style hare/rabbit brooch, 32 pieces
Necklaces: 22” L & 19” L; cuffs: 7” inner C to 6.25” inner C; earrings: 1.375” H to 0.25” H; rings: sizes 10 to 6; brooches: 1.75” H x 1.75” W & 1.5” H x 1” W
376.1 grams gross
$300-500
A group of Southwest silver and turquoise jewelry
Mid/late 20th century
Naja stamped verso: MC; petit point etched verso: Marci T / Zuni
Four works comprising a two-wire naja pendant necklace with two set turquoise stones, suspended from a single strand of silver beads with turquoise bead accents, as well as an ornate chunky cast silver pendant with central set turquoise suspended from a single strand of graduated silver beads, a Zuni Pueblo silver and row-set petit point turquoise and coral pendant necklace with silver dangles, and a pair of row-set turquoise earrings, 5 pieces
Largest: 25.5” L x 3” H; smallest: 19.5” L x 2.25” H; earrings: 1.75” H
161.5 grams gross
$400-600
339
A group of Southwest-style silver and shell jewelry
Late 20th century
Eight works comprising a heavy multi-strand liquid silver necklace with sterling silver cone clasp, together with a matching multistrand bracelet and a pair of earrings, as well as a silver and set coral narrow tab necklace with a pair of matching earrings, a graduated white branch coral necklace, a black thin branch coral choker necklace, and a chunky necklace with shell discs, bronze-colored beads, and a wood and shell pendant, 10 pieces
Largest necklace: 32.5” L; smallest: 17.5” L x 2.25” H; bracelet: 7.25” L; earrings: 3.25” H & 2.25” H
409.7 grams gross
$400-600
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
A large group of Southwest-style silver and purple stone jewelry
Late 20th century
Eighteen works:
Sensa Eustace (b. 20th century, Zuni)
Each marked S.E. / Sterling
Comprising a Zuni Pueblo sterling silver and set purple stone teardrop pendant on a paper clip chain, as well as a matching three-wire cuff and a ring, 3 pieces
Necklace: 26” L x 1.375” H; cuff: 6.375” inner C x 1.125” H; ring: size: 7
A large group of silver and purple stone & shell jewelry
Variously marked for sterling and for maker: RB / DG / Y / JD /SC [within a cloud]
Comprising five necklaces in various styles including two amethyst stone bead strand necklaces, a strand of graduated garnet stones, a multistone necklace with grey clay figures, and a cluster set amethyst pendant with fine chain, together with seven pairs of earrings in various styles, with various stones and shells including turquoise, mother-ofpearl, sugilite, spiny oyster, coral, and heishi shell, as well as a silver bangle with set purple stones, a Silver Cloud ornate sterling silver and set sugilite ring, and an unmarked filigree cuff, 22 pieces
Necklaces: 40” L to 18” L; bracelets: 8.25” Dia. to 6” inner C; earrings: 3.5” H to 2” H; ring: size 9.75
25 pieces total 433.6 grams gross
$300-500
This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.
341
An assortment of Southwest-style silver and stone earrings
Late 20th century
Variously marked for sterling and for maker
Fifteen pairs of earrings in various sizes and styles including a pair of sterling silver articulated leaf drop earrings with malachite inlay, as well as carved turquoise and stone fetish animals with heishi, set turquoise, purples stones with dangles, and one with elongated lizards, plus silver squash blossoms, diminutive hummingbirds, and two pairs of gem-set studs, 30 pieces
Largest: 3.5” H; smallest: 0.25” Dia.
59.2 grams gross
$200-400
342
A group of Southwest jewelry
Late 20th century
Variously marked for sterling and for maker: GS /RG
Fifteen works comprising primarily bear-themed jewelry including a heartline bear and feather pendant necklace with set turquoise and a pair of matching earrings, a small silver bear motif pendant on a fine chain, with a similar style sterling silver link bracelet, as well as a necklace with a carved stone bear pendant and a horse pendant, plus four pairs of carved stone animal earrings, in lapis lazuli, coral, turquoise, and tigers eye, and five further pairs of silver and set stone earrings, four in bear motifs and one a diminutive thunderbird pair, 24 pieces
Necklaces: 21” L to 18” L; earrings: 3.25” H to 0.5” H; bracelet: 8” L x 0.625” H 138.5 grams gross
$100-200
343
A large group of Southwest-style silver cuff bracelets
Late 20th century
Variously marked for sterling and two for maker: L. L Lee / Larry & Idella Bellson / Zuni
Comprising a Larson L. Lee (b. 20th century, Diné) Navajo sterling silver cuff with black stone and purple stone channel mosaic inlay, a Larry & Idella Bellson (b. 20th century, Zuni) single wire cuff with cluster set turquoise, as well as five further cuffs in various styles and sizes with set turquoise and greens stone, including cluster set, bezel set and inlay, together with a mixed metal and silver cuff with ornate floral and filigree overlay, and three further silver cuffs with silver ball banding, two marked sterling, 11 pieces Largest; 6.625” total inner C x 0.375” H, with a 1” gap; smallest: 5.625” total inner C x 0.125” H, with a 1” gap 197.3 grams gross
$300-500
344
A large group of Southwest-style silver and stone jewelry
Late 20th century
Variously marked for sterling and for maker: CM / RLD / RB / FY [conjoined script, within Shiprock mountain] / IHMSS
Nineteen works comprising three necklaces including two with liquid silver beads and bird and animal motif charms and carved shell figures, and a heartline buffalo charm necklace with feather dangles and turquoise, as well as a Charlie Morgan (b. 20th century, Diné) Navajo cast silver wolf pendant/brooch, and fifteen pairs of earrings in silver and various stones, including a pair of Foster Yazzie (d. 2001, Diné) Navajo teardrop set black stone earrings with dangles, together with seven pairs of silver and set turquoise earrings, including hummingbirds, bison, bear paw, cats, stranded beads and slab turquoise, and seven pairs of carved animal fetish earrings in various stones including turquoise, shell, and bone, 34 pieces
Necklaces: 25” L to 15” L; pendant: 2” H x 2” W; earrings: 4.125” H to 1.5” H
204.5 grams gross
$200-400
345
A group of Southwest-style silver and stone jewelry
Late 20th century
Variously marked for sterling
Comprising a silver collar torque-style necklace with turquoise drop, a carved turquoise and coral hummingbird pendant on an adjustable leather cord, and two silver and turquoise bead necklaces, as well as seven pairs of carved stone animal fetish earrings in various styles and stones including bears and rabbits, 18 pieces
Necklaces: 33.5” L to 12” L x 2” H; earrings: 2” H to 0.625” H
250.3 grams gross
$200-400
An assortment of Southwest-style silver earrings
Late 20th century
Variously marked for sterling and for maker: J. Woolsey / WW / NB
Fourteen pairs of silver earrings in various styles including liquid silver strands, heishi, squash blossoms, feathers, dangles, and pictorial motifs including lizards, wolves (WW), horses, and spider dreamcatchers, 28 pieces
Largest: 3” H; smallest: 1.75” H 110.8 grams gross
$100-200
347
A group of Southwest-style silver and set stone jewelry
Late 20th century
One marked for sterling
Comprising eleven pairs of silver earrings in various styles and with various stones including stranded liquid silver beads, set turquoise, row-set coral and turquoise, squash blossom, and carved stone and silver animal fetish figures, as well as a silver link bracelet with row-set turquoise, 23 pieces
Largest earring: 3.25” H; smallest: 1.5” H; bracelet: 7.5” L x 0.25” H 95.8 grams gross
$200-400
348
A group of Southwest silver and blue stone jewelry
Late 20th century
Variously marked for sterling and for maker: RW [possibly Rosana Williams, Navajo/Diné] / Douglas Etsitty / Denny / DN
Comprising a cluster-set silver, lapis lazuli and opal pendant necklace, with a pair of matching RW earrings, as well as seven further pairs of earrings with lapis lazuli stones in various styles including needlepoint dangles, set stones, teardrop slabs, and tiny nuggets, as well as two pairs with carved stone bear fetish figures and heishi, together with seven silver bangle bracelets, including four marked sterling: two with traditional stamping, and two Douglas Etsitty (b. 20th century, Diné) Navajo bangles with ornate stampwork banding, 24 pieces
Necklace: 22” L x 2.75” H; earrings: 3.25” H to 2.25” H; bangles: 8.75” Dia. to 7.5” Dia.
161.5 grams gross
$100-200
349
An assortment of Southwest-style silver and turquoise jewelry
Late 20th century
Variously marked for sterling and for maker: F / P / CK [?] / RB
Comprising a cast silver belt buckle with set turquoise, a mixed set of sterling silver bear paw motif jewelry with set turquoise including a cuff, a link bracelet, two pairs of earrings, and two rings, as well as five pairs of earrings and a pendant with feather and/or bison motifs with set stones, plus a pair of liquid silver strand earrings, and a pair with long flat dangles, 24 pieces
Buckle: 1.75” H x 3” W; bracelets: 6.25 “ inner C & 7.75” L; earrings: 3.25” H to 2.125” H; ring sizes: 7 & 5.5
135.0 grams gross
$100-200
350
A large group of trade beads including Southwest-style beads
Late 19th century to contemporary
Comprising three strands of various multicolored glass, millefiori and other style including African beads, each on a raffia cord, as well as three strands of blue glass and ceramic beads in various shades, including turquoise blue padre beads, a strand of dark blue/black beads with larger black and white spotted beads, a strand of brown and black striped ceramic beads and disks, and a small necklace with small turquoise and red and white glass “white heart” beads of various sizes, and a four-strand bracelet with red, blue, and multicolored beads, 10 pieces
Largest: 32” L; smallest: 21” L; bracelet: 7” L
661.5 grams gross
$50-75
June 3, 2025
Price Realized: $9,240
Consignment and Auction Inquiries: info@johnmoran.com Consign Today
SINCE 1969
A Clarence Lee Sterling Silver Story Teller Necklace
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Condition Reports
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 10.75” H x 13.625” W x 1.5” D
2
Visual: Overall good condition. Two pinpoint-sized, very unobtrusive abrasions near the center of the sky.
Blacklight: No evidence of restoration.
Frame: 32” H x 44” W x 2.25” D
3
Visual: Areas of grime scattered throughout. Fine craquelure with areas of unstable craquelure with attendant pigment loss scattered throughout the sky. A 2” H x 0.5” W scuff mark in the upper portion of the right edge, and other smaller, faint scuff marks primarily scattered in the outer edges and corners. Minor areas of creasing to the upper half of the work. Pinholes scattered along the edges and wear, denting, and slight peeling to the extreme corners.
Blacklight: No evidence of restoration.
Unframed
4
Overall good condition. The sheet is unevenly trimmed along all sides, but more noticeably along the upper and lower edges. A series of pin and/ or staple holes are scattered in places along the extreme sheet edges, visible primarily from the verso. The work is hinged to the overmat from the verso of the upper sheet corners.
Framed under glass: 27” H x 34” W x 2” D
5
Overall good condition. With deckled edges, the upper and right edges slightly trimmed unevenly, presumably in the hand of the artist. Staple holes along each sheet edge, presumably in the hand of the artist. The traces of graphite with dimension notes and markings scattered in the sheet corners and lower edge, at right, possibly in the hand of the framer. The sheet is loose, secured to the back mat with four clear archival corners.
Frame under glass: 20” H x 35.75” W x 2” D
6
Overall good condition. With deckled edges. Very minor cockling throughout. Staple holes along each sheet edge, presumably in the hand of the artist. Possible framing marks in graphite in the corners and along the left of the upper edge. The sheet is loose, secured to the back mat with four clear archival corners.
Framed under glass: 22.75” H x 30.25” W x 2” D
7
Overall good condition. Not examined out of the frame.
Framed under glass: 19.625” H x 24.5” W x 1.5” D
8
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 30.5” H x 26.25” W x 2.25” D
9
Visual: Overall good condition. Slight varnish discoloration and/or grime.
Blacklight: No evidence of restoration.
Frame: 46” H x 34” W x 2.5” D
10
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 47.5” H x 58.5” W x 3.5” D
11
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 54.5” H x 66.5” W x 2” D
12
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 24.5” H x 32.5” W x 3” D
13
Visual: Overall good condition. Pale flecks of foxing scattered in the lower portion of the verso.
Blacklight: No evidence of restoration.
Frame: 29.25” H x 33.125” W x 4” D
Overall good condition. Not examined out of the frame.
Framed under glass: 34.5” H x 40.5” W x 1.5” D
15
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 22.375” H x 26.25” W x 2” D
16
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 15” H x 17” W x 2” D
17
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 37.5” H x 29.5” W x 2.5” D
18
Overall good condition with dust accumulation, scattered minor scuffs, and darkening/oxidation to bronze commensurate with age. Bronze slightly loose from plinth.
19
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
20
Overall good condition. Some support sheets loose from the linen binding of the oblong octavo album. Wear, minor discoloration, small areas of staining, and scattered, faint scratches to the photographs, some more than others, all commensurate with age. The twelfth photograph with a 5” vertical tear along the right half of the sheet, thus taped with clear tape to the support sheet. Some photographs with clear tape for extra support to the support sheet, most likely inherent to the photograph not being tipped to the support sheet in places. The oblong octavo album with wear scattered throughout.
21
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 31” H x 27.125” W x 2.25” D
22
Overall good condition. Not examined out of the frame.
Framed under glass: 30.25” H x 25.375” W x 2.25” D
23
Overall good condition. Not examined out of the frame.
Framed under glass: 25.5” H x 21.25” W x 2” D
24
Overall good condition. The sheet is framed floating, hinged to the back mat. Not examined out of the frame.
Framed under glass: 19.25” H x 17” W x 2” S
25
Overall good condition. With deckled edges. The sheet with slight cockling. A pinhead-sized abrasion on the hair of the figure, in the upper right quadrant. The sheet is framed floating, hinged to the back mat. Not examined out of the frame.
Framed under glass: 19.25” H x 17.25” W x 2” D
26
Overall good condition. A pinhead-sized foxmark in the center of the lower edge.
Framed under glass: 21” H x 19.75” W x 1.75” D
27
Overall good condition With margins. A few minor handling marks in the margins, not affecting the image, mostly visible in raking light. Not examined out of the frame.
Framed under glass: 24” H x 18” W x 1.5” D
28
Overall good condition. Not examined out of the frame.
Framed under glass: 30” H x 26” W x 3.5” D
29
With wear, dust accumulation, and minor scuffs commensurate with age. With a few pea-sized chipped losses to headdress, a rice-sized chip to front bottom edge, and several localized rice or smaller-sized chips to left side proper. Rubbed losses to silvering of base with some attendant oxidation.
30
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Metal plaque with lifting.
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Bronze is slightly loose from the base, but can be tightened by removing the felt applied to underside. The base with a few minor small scuffs and scratches.
32
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
33
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
34
Visual: Overall good condition. Two very short lines of delicate frame abrasion near the upper right corner of the two abutting edges.
Blacklight: No evidence of restoration.
Frame: 17” H x 14” W x 2.25” D
35
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 17.25” H x 14.25” W x 2.5” D
36
Visual: Overall good condition. Slight varnish discoloration and dust accumulation. Scattered spots of grime visible primarily under blacklight.
Blacklight: No evidence of restoration.
Frame: 30” H x 26” W x 1.75” D
37
Visual: Overall good condition. Dust accumulation commensurate with age. A small group of rice-sized pigment losses in the green of the woman’s skirt, possibly in the hand of the artist.
Blacklight: No evidence of restoration. Certain pigments fluoresce under blacklight, but these appear to be in the hand of the artist.
Frame: 39” H x 31” W x 2” D
38
Visual: Overall good condition. A very unobtrusive pinpoint-sized abrasion near the upper right corner, mostly visible in raking light.
Blacklight: No evidence of restoration.
Frame: 23.5” H x 20.5” W x 3” D
39
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 29” H x 23.75” W x 3” D
40
Overall good condition. A 3” crease along the extreme upper edge, at right, not visible as currently framed. The work is loose within the frame.
Framed under glass: 30.5” H x 40.5” W x 3” D
41
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
42
Visual: Overall good condition. A pinhead-sized puncture with an attendant pigment loss, surrounded by a small area of slightly unstable craquelure, as well as a few very minor scratches, the largest 0.25,” all in the dark-brown pigment of the lower right quadrant. A very faint 4” horizontal scuff in the darkbrown pigment of the lower left quadrant.
Blacklight: No evidence of restoration.
Frame: 65” H x 53” W x 2.5” D
43
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 32.375” H x 38.375” W x 2.25” D
44
Visual: Overall good condition. A few scattered pinhead-sized areas of grime along the left edge.
Blacklight: No evidence of restoration.
Frame: 38” H x 22” W x 3.25” D
Visual: Overall good condition. Craquelure scattered throughout. A pea-sized pigment loss in the red of the upper right quadrant. An approximately thumbsized pressure mark with attendant craquelure below the center of the left edge.
Blacklight: No evidence of restoration.
Frame: 46.75” H x 45.75” W x 2” D
46
Visual: Overall good condition. Specks of grime scattered near the lower edge.
Blacklight: No evidence of restoration.
Frame: 39” H x 39” W x 4” D
47
Overall good condition with dust accumulation, soiling, and scattered minor scuffs and darkening/ oxidation to bronze commensurate with age.
48
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
49
Overall good condition. The work is framed floating, hinged to the back mat in various places along the verso of the sheet edges. Not examined out of the frame.
Framed under Plexiglas: 65” H x 45” W x 2.5” D
50
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
51
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
52
Visual: Overall good condition. Very slight and unobtrusive craquelure at the center of the figure’s chest, mostly visible in raking light. An unobtrusive pinhead-sized pigment loss to the right of the figure’s head. Pale foxing scattered on the verso, primarily in the lower half. The stretcher bars with newer stretcher keys.
Blacklight: No evidence of restoration.
Frame: 40.25” H x 34.25” W x 2.75” D
53
Visual: Overall good condition. Minor craquelure scattered throughout, mostly visible in raking light. A small stretcher bar crease along the center of the lower edge.
Blacklight: A 1” H x 3” W area of touch-up to the left of the figure’s left shoulder, a 3” H x 0.25” W area of touch-up near the lower left corner, and a few other smaller areas of touch-up scattered in the dark background.
Frame: 39” H x 33” W x 3.5” D
54
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 45.25” H x 69” W x 3.5” D
55
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 57” H x 69.125” W x 4.5” D
56
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 65” H x 49” W x 4” D (irreg.)
57
Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation to iron components. Some scattered chipped losses to the wood and wear to the finish. Seat underside with chewing gum.
58
Overall good condition with dust accumulation, soiling, and slight stiffening to hide commensurate with age. Scattered losses to grass wrapping, with attendant loose strands. A quarter-sized stain to one edge.
59
Overall good condition with dust accumulation and wear commensurate with age and fading to the pigmentation.
60
Visual: Overall good condition. A thin drop of stray red pigment, presumably in the artist’s hand, in the yellow pigment of the lower right quadrant. Not examined out of the frame.
Blacklight: No evidence of restoration.
Framed under glass: 28” H x 23.75” W x 2” D
61
Visual: Overall good condition. A pinhead-sized abrasion with attendant pigment loss, and two diagonal scuff marks, the longest 1,” just above the center of the left edge. A 0.25” diagonal scratch in the sky to the right of the figure’s head. Minor stretcher bar creases mostly visible in raking light. A few very minor, unobtrusive scattered specks of grime.
Blacklight: No evidence of restoration.
Frame: 44.5” H x 32.5” W x 2.5” D
62
Overall good condition. The sheet is hinged to an invisible back mat from the verso sheet edges and corners, and that mat board is subsequently affixed to the back mat. Not examined out of the frame.
Framed under glass: 19.125” H x 25.125” W x 1.5” D
63
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 31.75” H x 25.5” W x 2” D
64
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 25” H x 25” W x 2” D
65
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 33.125” H x 57.125” W x 5” D
66
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 33.5” H x 27.5” W x 4” D
67
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 14.25” H x 14.75” W x 2” D
68
Overall good condition. The full sheet with deckled edges. Not examined out of the frame.
Framed under Plexiglas: 34” H x 28.5” W x 1” D
69
Overall good condition. The full sheet with deckled edges. Hinges at the verso of the upper sheet corners visible recto due to slight bulging of the paper surface in those two sheet corners. The sheet is framed floating, hinged to the back mat from the verso of the upper sheet corners. Not examined out of the frame.
Framed under glass: 28” H x 31.25” W x 0.5” D
70
Overall good condition. The full sheet with deckled edges. An unobtrusive speck of dust or possibly a minute surface scuff near the lower left corner. The sheet is framed floating, hinged to the back mat from the verso of the upper sheet corners. Not examined out of the frame.
Framed under Plexiglas: 30.25” H x 38” W x 2” D
71
Visual: Overall generally good condition. Dust accumulation and specks of grime commensurate with age. Pinpoint-sized (or smaller) areas of pigment loss scattered mostly in the upper right quadrant. An unobtrusive pinhead-sized pigment loss with an attendant touched-in area on the sideburn of the main figure. Two pinhead-sized punctures in the canvas near the lower edge, left of center. A 1” H x 9” W band of visible touch-up to the right of the rainbow, and a 1” H x 1.5” W area of visible touchup above the rightmost figure.
Blacklight: Touch-up in the areas mentioned above, and a few scattered areas of touch-up on the central horse, all with attendant patches on the verso.
Frame: 45” H x 58.5” W x 2.5” D
Visual: Overall generally good condition. Grime, soft craquelure scattered in the sky, and minor varnish discoloration, all commensurate with age. Soft rippling throughout the canvas, mostly concentrated in the upper half, and primarily visible in raking light. A dime-sized pressure mark near the upper edge, left of center.
Blacklight: A 3” H x 3” W area of touch-up in the lower right corner, a 1” H x 1” W area of touch-up in the hair of the right-most figure, and possible areas of touch-up along the lower portion of the left edge.
Frame: 32” H x 50” W x 2” D
73
Visual: Overall generally good condition. Slight varnish discoloration commensurate with age. A few horizontal scuffs and scratches, some with attendant pinhead-sized (or smaller) pigment losses, primarily in the upper half. Very unobtrusive bubbling of the canvas in places in the upper half, mostly visible in raking light.
Blacklight: No evidence of restoration.
Frame: 49.75” H x 37.75” W x 5.25” D
74
Dust accumulation, grime, dirt, and minor darkening commensurate with age. Several long tears/cracking to the paper, mostly in the lower half of the work. A 2” H x 4” W paper loss at the lower left corner, with attendant, dark-brown pigment added to the same area on the support board, presumably in another hand. Some other, smaller areas of paper loss in places at the edges and corners. The board is lifting slightly from the Masonite. Other minor defects.
Framed under glass: 30” H x 24.75” W x 1.5” D
75
Visual: Varnish discoloration commensurate with age. Abrasions with attendant pigment loss and lifting of the board in areas along the upper and left edges as well as two rice-sized pigment losses in the upper edge and upper right corner. A 1.5” vertical crack in the board, with surrounding areas of lifting of the board to the left of center of the upper edge. A 3.5” diagonal crease in the board in the upper right corner. The board is slightly convex.
Blacklight: An approximately 2” H x 5” W triangular area of touch-up in the upper right corner, and a 1” H x 2.5” W area of touch-up at the center of the upper edge.
Visual: Overall good condition. Three very faint reverse pressure marks along the left side of the work. Very slight frame abrasion scattered in the lower portion of the right edge.
Blacklight: No evidence of restoration, however, specks of grime fluoresce under blacklight.
Frame: 30.75” H x 35.75” W x 2.75” D
77
Overall good condition. The sheet with slight toning. Two pinhead-sized pinholes to the left of the rightmost figure. Not examined out of the frame.
Framed under glass: 33.75” H x 28.25” W x 2” D
78
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 36.5” H x 32.75” W x 3.25” D
79
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Previous seller’s sticker applied to felted underside of plinth.
80
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
81
Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.
82
Each overall good condition with scattered scuffs, scratches, and oxidation to iron components commensurate with age. One shade with a 2” long tear. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.
83
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 30.75” H x 24.5” W x 2.5” D
84
Frame: 35” H x 31.25” W x 1.25” D 76
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 40.5” H x 82” W x 2.25” D
85
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 25” H x 31” W x 2.25” D
86
Visual: Grime and craquelure, some of which is slightly unstable, with attendant small pigment losses, pea-sized or smaller, scattered throughout. A 1” H x 0.5” W area of loss to the top pigment layer, exposing the white underpaint, with surrounding attendant very unstable pigment, in the lower portion of the left edge. A rice-sized pigment loss, exposing the canvas, near the center of the upper edge. Stretcher bar creases showing mostly along the upper, lower, and right edges.
Blacklight: Small, possible touch-ups scattered in the upper half.
Frame: 28.75” H x 33.75” W x 2.25” D
87
Visual: Overall good condition. Dust accumulation and grime. An occasional short and unobtrusive line of craquelure. Old tack holes in the upper and lower right corners, with attendant lack of pigment surrounding the tack holes, presumably in the hand of the artist. As part of the artist’s process, the upper edge of the canvas was unevenly trimmed prior to being laid to the board, and the painted vertical edges wrap around to the verso of the board.
Blacklight: No evidence of restoration.
Frame: 12” H x 16” W x 1.25” D
88
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 25.25” H x 29.25” W x 3” D
89
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 31.25” H x 47.25” W x 2.5” D
90
Overall good condition with dust accumulation, soiling, and scattered minor scuffs and darkening/ oxidation to bronze commensurate with age.
91
Overall good condition with scattered minor scuffs commensurate with age.
92
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
93
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
94
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 31” H x 47” W x 3” D
95
Visual: Overall good condition. An unobtrusive pinhead-sized pigment loss near the center of the right edge.
Blacklight: No evidence of restoration.
Frame: 31.25” H x 37.25” W x 3.25” D
96
Visual: Overall good condition. Very minor grime and varnish discoloration, primarily in the sky and snow of the mountains.
Blacklight: No evidence of restoration.
Frame: 37.5” H x 52.5” W x 3.25” D
97
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 25” H x 35” W x 2.5” D
98
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 35.25” H x 25.25” W x 1.5” D
99
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 34.25” H x 28.25” W x 2” D
100
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 18.5” H x 22.5” W x 2.5” D
101
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 15.25” H x 18.25” W x 3” D
102
Visual: Overall good condition. Very minor grime and varnish discoloration. A 1” diagonal scuff to the left of center of the far background hills. The canvas is slightly puckered in the upper left and lower right corners.
Blacklight: No evidence of restoration.
Frame: 32.5” H x 38.5” W x 3” D
103
Visual: Overall generally good condition. Scattered flecks of grime and varnish discoloration commensurate with age. Two 1.25” vertical splits to the pigment in the cream-colored area of the lower left quadrant. A pea-sized reverse pressure mark in the center of the lower edge. A few scattered faint bands of scuffing, the longest approximately 1.5,” primarily in the upper left quadrant.
Blacklight: Scattered large areas of touch-up in the hills, the center horizon line, and the center cloud, the largest 1” H x 6” W. A pea-sized touch-up in the center of the lower edge attendant with the reverse pressure mark, and a few more pinhead-sized touchups scattered along the lower edge.
Frame: 28.25” H x 32” W x 2” D
104
Visual: Overall good condition. Frame abrasion, primarily in the upper and right edges. A dime-sized area of grime in the center of the extreme lower edge. Very minor scattered pinhead-sized or smaller pigment losses, primarily in the thick impasto in the trees of the upper half. A pinhead-sized surface scuff with white residue in the mountain near the left edge. The canvas is slightly puckered at the lower right corner.
Blacklight: No evidence of restoration.
Frame: 31” H x 36” W x 3” D
105
Visual: Overall good condition.
Blacklight: Several specks of touch-up scattered throughout the foreground and the mountains.
Frame: 17.5” H x 21.5” W x 1.5” D
106
Overall good condition. A few very unobtrusive scattered pinpoint-sized or smaller foxmarks primarily along the left edge. Not examined out of the frame.
Framed under glass: 29” H x 32.75” W x 2” D
107
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 13.75” H x 13.75” W x 1.75” D
108
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 19.5” H x 23.5” W x 2.25” D
109
Visual: Overall good condition. Several short, delicate, irregular, uninked lines in the lower right corner, possibly in the hand of the artist. An occasional speck of grime. Minor frame abrasion along the left edge.
Blacklight: No evidence of restoration.
Frame: 18” H x 16” W x 1.75” D
110
Visual: Overall good condition. Slight varnish discoloration commensurate with age.
Blacklight: No evidence of restoration.
Frame: 20.25” H x 24.5” W x 2” D
111
Visual: Overall good condition. Very minor scattered craquelure, primarily in areas with green pigment.
Blacklight: No evidence of restoration.
Frame: 28” H x 38” W x 3” D
112
Visual: Overall good condition. The canvas very slightly puckered at the tip of the upper right corner, presumably in the hand of the artist or of the person who originally stretched the canvas.
Blacklight: No evidence of restoration.
Frame: 17.5” H x 20” W x 3” D
113
Visual: Overall good condition. An unobtrusive 1” diagonal scuff in the upper right quadrant. A very minor thumb-sized reverse pressure mark in the upper right quadrant, primarily visible in raking light.
Blacklight: No evidence of restoration.
Frame: 25” H x 28.75” W x 2.25” D
114
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 23.75” H x 39” W x 3” D
115
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 31.625” H x 43.625” W x 2” D
116
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 33” H x 45” W x 3.25” D
117
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 24.75” H x 37” W x 2.5” D
118
Visual: Overall generally good condition. Specks of grime and minor varnish discoloration. A few pinpoint-sized pigment losses scattered in the sky, near the upper edge, and occasionally on the ponies. Pale time-staining, a 0.5” diagonal indentation in the extreme upper left corner, a 0.625” horizontal loss of the canvas in the extreme lower left corner, and scattered minor wear/abrasion to the extreme canvas edges, most of which is not visible as currently framed.
Blacklight: Small touch-ups corresponding to the areas of pigment loss mentioned above.
Frame: 14.375” H x 14.375” W x 1.25” D
119
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
120
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 28.5” H x 34.5” W x 2.75” D
121
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Unframed
122
Visual: Overall good condition. A 0.25” delicate fleck of stray yellow pigment, left of center, in the lower portion of the canvas. Two very unobtrusive, slight surface scuffs, each approximately 3” long: one appearing as an arch-shaped line near the left corner of the lower edge; the other as a diagonal line in the lower right corner, not affecting the signature or date.
Blacklight: No evidence of restoration.
Frame: 36.5” H x 48.5” W x 2.5” D
123
Visual: Overall good condition. A few very faint, scattered scuff marks, primarily in the outer edges. A pinhead-sized area of paper-like residue adhered to the center of the green pigment below the mountains.
Blacklight: No evidence of restoration.
Unframed
124
Visual: Overall good condition. Not examined out of the frame.
Blacklight: No evidence of restoration.
Framed under glass: 41” H x 49” W x 1.75” D
125
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 26.75” H x 32.625” W x 1.25” D
Visual: Overall good condition. Dust accumulation and grime commensurate with age. A pinhead-sized fleck of unrelated black and beige pigment or board affixed to the surface of the upper left quadrant. The extreme edges and corners of the board somewhat dog-eared, particularly at the upper and lower left corners, with attendant small pigment losses, the largest 1” H x 0.125” W at the tip of the lower left corner.
Blacklight: No evidence of restoration.
Unframed
127
Visual: Overall generally good condition. Slight varnish discoloration. Scattered stable craquelure, including a few areas where the lines of craquelure combine into “cobweb” patterns. Stretcher bar creases along all sides, showing primarily along the left, top, and right sides.
Blacklight: No evidence of restoration.
Frame: 30” H x 46” W x 1.5” D
128
Overall good condition with scuffs, dust accumulation, and darkening/oxidation to bronze commensurate with age.
129
Overall good condition with scattered minor scuffs, dust accumulation, and darkening/oxidation to bronze commensurate with age. The marble with a few fleabite chipped losses to edges.
130
Overall good condition with light tarnishing and faint scratches commensurate with age and use. Stones with scattered light abrasions.
131
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. Not tested for sterling.
132
Overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface-reaching fractures. Not tested for sterling.
133
Overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface-reaching fractures. One stone with small chip near one edge. Tests for sterling.
134
Overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface-reaching fractures. Stones not tested for treatment.
135
Visual: Overall good condition. Stable craquelure scattered throughout.
Blacklight: Scattered pea-sized (or smaller) areas of possible touch-up in the lower half.
Frame: 31” H x 43.25” W x 3.5” D
136
Visual: Overall good condition. Occasional specks of grime and slight varnish discoloration in the sky. A thumb-sized pressure mark at the center of the sky, and another smaller reverse pressure mark to the left of center in the sky, both primarily visible in a raking light.
Blacklight: No evidence of restoration.
Frame: 37.25” H x 32.25” W x 3.5” D
137
With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered older losses and older evidence of wood worm throughout. Oxidation to metal components. Some hardware updated. Lacking key.
138
Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.
139
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 39” H x 39” W x 3” D
140
Visual: Overall generally good condition. An approximately 2” H x 1” W pressure mark in the neck of the guitar in the lower right quadrant.
Blacklight: No evidence of restoration.
Unframed
141
Visual: Overall good condition. Minor frame abrasion along the extreme left and right edges.
Blacklight: A thin, curved 1” H x 2” W touch-up on the cover of the buggy, near the center of the right edge. Thin bands of touch-up scattered along the extreme upper and right edges, and a pinhead-sized touch-up near the center of the upper edge.
Frame: 26.5” H x 22.5” W x 2.25” D
142
Overall good condition. Slight time, light-, and mat staining throughout except at the upper sheet corners where hinges on the verso have caused those areas to bulge slightly, thereby keeping them away from a previously acidic back mat. A 1” vertical, delicate line of pale staining in the sky at upper center. Two foxmarks, verso, one of which shows through to the recto very slightly near the right sheet edge. The work is framed floating, hinged to the back mat from the verso of the upper sheet corners.
Framed under glass: 13” H x 15” W x 0.75” D
143
Overall good condition. The work is loose, not hinged.
Framed under glass: 16.75” H x 15.25” W x 2” D
144
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 53.75” H x 36” W x 2.75” D
145
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 4.375” H x 24.25” W x 3” D
146
Visual: Overall good condition. An unobtrusive, curved, 0.25” long handling mark in the blank at lower right, not affecting the signature. Not examined out of the frame.
Blacklight: No evidence of restoration.
Framed under glass: 19.25” H x 16.75” W x 1.5” D
147
With scattered minor scuffs and darkening/oxidation to bronze commensurate with age. With some losses to cold-painted elements, wear to patina, and lower portion with verdigris. Oxidation and rubbed wear degradation to metal plaque. Base with moisture damage/stains and attendant oxidation/rust.
148
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
149
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
150
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. White residue in some of the crevices of signature and date.
151
Visual: Overall good condition. The overmat is partially affixed in places to the margin edges of the illustration board.
Blacklight: No evidence of restoration.
Unframed
152
Overall good condition. The colors good. Not examined out of the frame.
Framed under glass; 19” H x 16.5” W x 1” D
153
Each overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
154
A good impression with a delicate veil of platetone. With margins. Not examined out of the frame.
Framed under glass: 17.25” H x 13” W x 0.5” D
155
A good impression with a delicate veil of platetone. With wide margins. Light-staining affecting the image as well as 0.5” of the margin outside the platemark on all sides, attendant with the window opening of the overmat. The sheet is attached to the back mat with old brown paper tape along all of the margin edges.
Framed under glass: 14.625” H x 19.125” W x 0.75” D
156
Overall good condition. Full margins with deckled edges. A good impression with platetone and touches of burr on the drypoint. A thin band of old glue residue along the verso of the upper margin edge showing through slightly to the recto.. The sheet is hinged to the overmat with two pieces of hinging tape from the verso of the upper margin edge.
Framed under glass: 17.75” H x 19.25” W x 1” D
157
Overall good condition. Full margins with deckled edges. A rich impression. Pale mat staining along the margin edges. A pale and unobtrusive pinpointsized foxmark in the blank of the plate near the lower edge, left of center. The sheet is hinged to the back mat with two pieces of tape from the verso of the upper margin edge.
Framed under glass: 17.25” H x 21.25” W x 1.5” D
158
Overall generally good condition. Uneven old mat and light-staining. A few pale pinpoint-sized foxmarks scattered primarily in the outer edges. Two small paper losses at the tips of the lower left and upper right corners. Two 0.5” (or smaller) tears in the lower portion of the extreme right edge. Two artist’s pinholes at the upper edge. As mentioned, the sheet is laid to paperboard. The work is hinged to the overmat from the verso of the upper edge of the paperboard.
Framed under glass: 17.5” H x 18.75” W x 1” D
159
Overall generally good condition. A rich impression with velvety burr on the drypoint, and with wide margins. Pale old light-staining showing throughout the image and also affecting 0.25” of the margin beyond the platemark on all sides. Not examined out of the frame.
Framed under glass: 16” H x 17.5” W x 1” D
160
Overall good condition. With margins. A rich impression with burr. Not examined out of the frame.
Framed under glass: 18.5” H x 20.5” W x 0.5” D
161
Overall good condition. Not examined out of the frame.
Framed under Plexiglas: 17” H x 23” W x 2” D
162
Overall generally good condition. Full margins with deckled edges. Pale light-staining throughout the image and portion of the margin exposed by the overmat’s opening. Minor handling creases scattered primarily in the outer margins. The sheet is hinged to the back mat with two pieces of brown tape from the verso of the upper margin edge.
Unframed
163
Each overall good condition. Minor scattered creasing to some of the sheets. Some sheets with wear to the extreme edges and corners. The Valentine’s card with paper remnants on the verso, and toning throughout. “Frannie” with a few pinhead-sized (or smaller) holes along the left, right, and lower edges, a 6.125” horizontal crease across the lower sheet edge, and time-staining along the upper sheet edge. The Easter work and “Jerry” with residue on the verso. Each work is unframed.
164
Overall good condition with scuffs, scratches, oxidation, and verdigris to bronze commensurate with age.
165
Overall good condition with scuffs, scratches, oxidation, and verdigris to bronze commensurate with age.
166
Overall good condition with scuffs, scratches, oxidation, and verdigris to bronze commensurate with age.
167
Overall good condition with scuffs, scratches, oxidation, and verdigris to bronze commensurate with age.
168
Overall good condition with scuffs, scratches, oxidation, and verdigris to bronze commensurate with age.
169
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 19” H x 23” W x 2” D
170
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 17.25” H x 20” W x 2.5” D
171
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
172
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
173
Visual: Overall good condition. Two specks of black stray pigment above the signature. A 0.5” horizontal area of stray gold leaf from the frame in the upper right corner.
Blacklight: No evidence of restoration.
Frame: 30.25” H x 34.25” W x 3.5” D
174
Visual: Overall good condition. A pinhead-sized area of old darkened varnish near the center of the lower edge.
Blacklight: No evidence of restoration.
Frame: 29” H x 35” W x 3.25” D
175
Visual: Overall good condition. A few very faint areas of craquelure in the lower right quadrant.
Blacklight: No evidence of restoration.
Frame: 24” H x 28” W x 2.5” D
176
Visual: Overall good condition. An unobtrusive pinpoint-sized pigment loss in the extreme upper right corner.
Blacklight: No evidence of restoration.
Frame: 31” H x 37” W x 2.5” D
177
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 23.25” H x 29.25” W x 3.25” D
178
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 30” H x 24” W x 2” D
179
Visual: Overall good condition. A 0.5” H x 0.5” W and pea-sized area of paper residue adhered to the top of the longhorn’s head. A minor 2” horizontal abrasion with an attendant pinhead-sized pigment loss near the lower right corner. Foxing scattered throughout the verso, mostly concentrated in the lower half of the work.
Blacklight: No evidence of restoration.
Frame: 69.5” H x 115.25” W x 3” D
180
Each overall good condition.
Each unframed
181
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 24.25” H x 28.25” W x 2” D
182
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 35” H x 20” W x 2.25” D
183
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 19” H x 16” W x 2.125” D
184
Visual of each: Overall good condition.
Blacklight of each: Not evidence of restoration.
Frame of each: 17.25” H x 20.25” W x 2.25” D
185
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
186
Visual: Overall good condition. A few hairline surface scuffs in the left half of the work, visible primarily under blacklight
Blacklight: No evidence of restoration.
Frame: 23” H x 28” W x 1.75” D
187
Visual: Overall good condition.
Blacklight: No evidence of restoration.
Frame: 20.75” H x 23.75” W x 2.75” D
188
Visual: Overall good condition. Slight varnish discoloration and/or grime.
Blacklight: Possible older touch-up in places along the upper and left edges, and near the tip of the lower right corner. Two pea-sized areas lacking varnish near the left edge fluoresce under blacklight.
Frame: 17” H x 27” W x 1” D
189
Visual: Overall good condition. Dust accumulation and occasional scattered specks of grime.
Blacklight: No evidence of restoration.
Frame: 6” H x 8” W x 0.75” D
190
Visual: Overall good condition. Occasional flecks of grime scattered in the upper half of the work.
Blacklight: No evidence of restoration.
Frame: 4” H x 4” W x 0.5” D
191
Visual: Overall good condition. Slight varnish discoloration and occasional scattered specks of grime. Some vertical lines of stable craquelure in the sky. A rice-sized pigment loss in the trees near the upper portion of the right edge
Blacklight: No evidence of restoration.
Frame: 8” H x 6” W x 0.75” D
192
Overall generally good condition. The colors slightly attenuated. A very faint 5” vertical crease to the left of center at the upper edge, and another 2.5” vertical crease in the lower left quadrant, both primarily visible in raking light. Very minor, unobtrusive, pinpoint-sized foxmarks, primarily in the upper right quadrant. The sheet with soft cockling, primarily affecting the outer edges Not examined out of the frame.
Framed under glass: 28” H x 34.5” W x 1.75” D
193
Overall good condition. Not examined out of the frame.
Framed under glass: 22.75” H x 26.75” W x 1.5” D
194
Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A couple of inlay pieces with single hairlines. Adhesive label residue to buckle verso. Light wear to leather. Tests for sterling.
195
Overall good condition with light tarnishing and scratches commensurate with age and use. Minor wear to leather. Stones with scattered abrasions. Stones not tested for treatment.
196
Overall good condition with tarnishing and scratches commensurate with age and use. Minor wear to leather. Tests for sterling.
197
Overall good condition with light tarnishing and scratches commensurate with age and use. Minor wear to leather. Belt with sympathetic stitched leather extension repair to each end.
198
Overall good condition with light oxidation and scratches commensurate with age and use. Minor wear to leather. Does not test for sterling; tests for mixed metal. Conchos are held in place with small screws verso.
199
Overall good condition with light tarnishing and scratches commensurate with age and use. Minor wear to leather, with slight darkening and faint scratches.
200
Overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with light abrasions.
201
Each with tarnishing and light scratches commensurate with age. A few with indentations. Southwest bent at handle juncture. Rubbed losses to gilt washes. Weight does not include non-sterling item.
202
Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Some wear to tabletop finish. Older chipped losses to base.
203
With dust accumulation and typical signs of wear commensurate with age and use. Dye migration throughout. Stitch repairs at short ends, scattered breaks in the selvage cording, and areas of loose weave along selvage edges.
204
Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. A few minor pulled threads to selvage edges.
205
Overall good condition with very minimal even pilewear commensurate with age and use.
206
Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Minor crease through middle from storage.
207
Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.
208
Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Fading to side A.
209
Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Two pulled loose threads at one short edge.
210
With dust accumulation and typical signs of wear commensurate with age and use. Several scattered small holes, areas of uneven wear revealing the warp, and a few stitched repairs. One short end with breaks and losses to cording. Long ends with losses to cording. Side A with scattered stains.
211
Each overall good condition with dust accumulation and typical signs of wear commensurate with age and use.
212
Each overall good condition with dust accumulation and typical signs of wear commensurate with age and use.
213
Each overall good condition with dust accumulation and typical signs of wear commensurate with age and use. The middle-sized textile with fading to side B.
214
Each overall good condition with dust accumulation and typical signs of wear commensurate with age and use.
215
Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered light abrasions. Tests for sterling.
216
Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
217
Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. Tests for sterling.
218
Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions.
219
Overall good condition with light wear and scratches commensurate with age and use. Stone with scattered light abrasions and a few faint fine scratches.
220
Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. One stone with longer fracture across center.
221
Overall good condition with fading, dust accumulation, and shelf wear commensurate with age and use. Darkening to underside.
222
Each overall good condition with dust accumulation, fading, and light wear commensurate with age and use. Larger with splotchy discoloration, possibly remnants of old designs.
223
Each overall good condition with dust accumulation and light wear commensurate with age and use. The smaller with a 1.25” x 0.75” area of offsetting white substance to underside.
224
Each with fading, dust accumulation and light wear commensurate with age and use. Each Hupa basket with a 2.25” long tear near base and a few localized areas along rim of losses.
225
Overall good condition with dust accumulation and light wear commensurate with age and use. Minor fading to motifs. A few scattered stitch breaks to body. A string fastened to body at middle.
226
Each in overall good condition with dust accumulation and wear commensurate with age and use. Losses to stitches throughout baskets, most apparent on large basket with 1” L loss to brim.
227
Each overall good condition with shelf wear and dust accumulation commensurate with age. The larger with a few scattered stitch breaks
228
Each overall good condition with dust accumulation, shelf wear, and scattered minor scuffs, scratches, and nicks commensurate with age.
229
Not inspected out of display case. Overall good condition. Minor shelf wear to case.
Case: 18.5” H x 16.375” W x 3.75” D
230
Each overall good condition with minor shelf wear, dust accumulation, and scattered minor scuffs and scratches commensurate with age.
231
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Each with glued numbered label to underside. The flounder with previous retailer’s sticker to underside and one with sticker ghost.
232
Each overall good condition with dust accumulation, fading, and light wear commensurate with age and use. One basket with two localized breaks/tears in the rim.
233
With multiple tears/breaks at base. With dust accumulation and light wear commensurate with age and use. Localized area of openwork rim with two breaks.
234
Each overall good condition with dust accumulation and light wear commensurate with age and use. Each with minor fraying to scattered fibers.
235
Each overall good condition with dust accumulation, slight fading, and light wear commensurate with age and use. Rectangular with multiple breaks at rim. Oval lidded with rubbed wear to the lid polychrome.
236
Each overall good condition with dust accumulation and light wear commensurate with age and use. The oval lidded basket with break to one end of lid handle. Spruce with stiffening.
237
Each overall good condition with dust accumulation and light wear commensurate with age and use. Some with slight fading to motifs.
238
Each overall good condition with dust accumulation, fading, and light wear commensurate with age and use. Oval basket motifs very faded. Largest out of round at shoulder/rim.
239
Each overall good condition with dust accumulation and light wear commensurate with age and use. The largest with fading, soiling, and two tears in the inner rim.
240
Each overall good condition with dust accumulation and wear commensurate with age and use. One miniature bowl with a few stitch breaks at rim. Some with fading to the polychrome.
241
Overall good condition with wear, dust accumulation, minor soiling, and scattered scuffs commensurate with age.
242
With scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. One leg very loose from its mounting, others possibly remounted, with attendant wear around junctures. As well, the juncture of tabletop and standard likely remounted with similar wear. Tabletop with staining/ darkening.
243
Each overall good condition with minor shelf wear, dust accumulation, and scattered minor scuffs and scratches commensurate with age. Deer with missing antler and repairs to other antler. Cicada with repairs to mounted feathers.
244
Each overall good condition with minor shelf wear, dust accumulation, and scattered minor scuffs and scratches commensurate with age. Butterfly maiden missing one arrow from tableta. Heheya missing one feather from mask.
245
Each overall good condition with minor shelf wear, dust accumulation, and scattered minor scuffs and scratches commensurate with age. Ewiro missing a feather to mask, the end of another feather, and second whip unmounted.
246
Overall good condition with minor shelf wear. One edge of acrylic box separated at the juncture.
247
Each in overall good condition with tarnishing and scratches commensurate with age and use.
Watch marked verso: Stainless Steel back; Japan Movement; Bat: SR626SW. Moran’s does not guarantee the working condition of clocks and watches.
248
Each overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
249
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Jasper stone with hairline fracture across tip of stone. Three-stone cuff with minor fracture to one smaller stone. Stones not tested for treatment. Not tested for sterling.
250
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Stones not tested for treatment.
251
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with light abrasions and surface reaching fractures. A few scattered minorchips to some stones.
252
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Stones not tested for treatment. Not tested for sterling.
253
Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
254
Each overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.
255
Loom frame shaken. Overall good condition with dust accumulation, scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age.
Larger photo framed: 9.25” H x 7.25” W
256
Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A few scattered rice-sized spaulding losses. Minor scuffing around widest part of body. Underside with a 1” x 0.5” area of faint previous dealer’s markings.
257
Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.
258
Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Aras of minor crazing as well as white scuffs and small stains. Some degradation to interior.
259
Each with degradation, soiling, losses, and inherent firing flaws commensurate with age and use. Each with previous dealer’s stickers applied, possibly indicating origins. Each with chipping to rim. One pot with a 2.25” x 2” loss at rim, with two attendant vertical cracks.
260
Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.
261
Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
262
Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. One mountain lion with minor break and loss to tail. Light wear to neck cording. Stones not tested for treatment.
263
Overall good condition with light wear and scratches commensurate with age and use. Carved bone with scattered abrasions and surface reaching fractures. Light wear to neck cording.
264
Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear to neck cording. Stones not tested for treatment.
265
Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear and a couple of areas of faint green discoloration to neck cording.
266
Each overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.
267
Each overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.
268
Each in overall good condition with light tarnishing and scratches commensurate with age and use.
Stones and beads with scattered light abrasions. Light wear and faint soiling to neck cords.
269
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. One pair of earrings lacking ear wires.
270
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. Stones not tested for treatment.
271
Overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
272
Each in overall good condition with light wear, tarnishing, dust accumulation, and scratches commensurate with age and use. Stone beads with scattered light abrasions and surface reaching fractures.
273
Each in overall good condition with light wear, tarnishing and scratches commensurate with age and use. Stones and beads with scattered light abrasions, surface reaching fractures, and visible inclusions. Branch coral necklace lacking hook clasp to one end.
274
Each in overall good condition with light wear, tarnishing and scratches commensurate with age and use. Stones and beads with scattered light abrasions, and surface reaching fractures.
275
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones and beads with scattered abrasions, surface reaching fractures and visible inclusions. Stones not tested for treatment.
276
Each in overall good used condition with wear and light scuffing commensurate with age and use. Scattered light scratches and small spots and marks to leather. Each with wear to soles. Slight discoloration and scattered dust accumulation to interior.
277
Overall good condition with minor shelf wear commensurate with age. The mouthpiece with some discoloration from use. Working condition unknown. Moran’s does not guarantee the working condition of musical instruments.
278
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
279
Each in overall good condition with light wear and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. Light wear to neck cords.
280
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. Stones not tested for treatment.
281
Each in overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. Stones not tested for treatment.
282
Each overall good condition with dust accumulation, soiling, and stiffening to hide commensurate with age. Hair pieces loose from their mounting, with some broken stitches.
283
Each overall good condition with dust accumulation, minor soiling, and wear to hide commensurate with age. Each with a few small scattered stains to hide.
284
Each overall good condition with minor soiling and dust accumulation to fabric commensurate with age. Some dye migration to undergarments. One with dye migration to face.
285
Each overall good condition with soiling, fading, and dust accumulation to fabric commensurate with age.
286
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Stones not tested for treatment.
287
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Most with previous dealer’s stickers applied to underside.
288
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.
289
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Most with previous dealer’s stickers applied to underside.
290
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Most with previous dealer’s stickers applied to underside.
291
Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A larger nugget with a subtle minor chip to one edge.
292
Each overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A few scattered minor losses to some turquoise animals. Stones not tested for treatment.
293
Each overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Stones not tested for treatment. One blossom earring with slight distortion to one element.
294
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. A few tiny scattered tiny chips to edges of turquoise heishi. One heishi necklace with adjusted clasp. Stones not tested for treatment.
295
Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions.
296
Each in overall good condition with light tarnishing, oxidation, and scratches commensurate with age and use. Scattered stones with abrasions.
297
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Beads and stones with scattered abrasions and surface reaching fractures.
298
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures.
299
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. Stones not tested for treatment.
300
Each in overall good condition with light wear, tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. Stones not tested for treatment.
301
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Most with previous dealer’s stickers applied to underside. One owl figure missing eye and beak.
302
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Most with previous dealer’s stickers applied to underside.
303
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. A few with previous dealer’s ink markings to underside.
304
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Most with previous dealer’s stickers applied to underside. Largest with losses to heartline inlay.
305
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Not tested for sterling.
306
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Stone with scattered abrasions and surface reaching fractures. Stone not tested for treatment. Not tested for sterling.
307
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. JC cuff with tiny hairline to one inlay section. Coral chip cuff with a few scattered tiny chips. Stones not tested for treatment. Not tested for sterling.
308
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. Stones not tested for treatment.
309
Each in overall good condition with light wear, tarnish, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Stones not tested for treatment.
310
Each overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Stones not tested for treatment. Light wear to neck cording.
311
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
312
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. Amber not tested for treatment.
313
Each in overall good condition with light wear, dust accumulation, tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Scattered minor small chips to a few edges of some cylindrical beads.
314
Each in overall good condition with light wear, tarnishing and scratches commensurate with age and use. Stones and beads with scattered light abrasions and surface reaching fractures.
315
Each overall good condition with dust accumulation, tarnishing, faint scratches, and wear commensurate with age and use. Scattered minor chips to a few bead edges.
316
Each overall good condition with light tarnishing and scratches commensurate with age and use.
317
Each overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with light abrasions and surface reaching fractures.
318
Each overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
319
Each in overall good condition with tarnishing, light scratches and wear commensurate with age and use. Medium buckle with distorted prong. One belt end tip with attached fragment of original leather belt.
320
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
321
Each overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.
322
Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
323
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Most with previous dealer’s stickers applied to underside
324
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. A few with previous dealer’s stickers applied to underside.
325
Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. The double with one offering unmounted. Most with previous dealer’s stickers applied to underside.
326
Each overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Bear pendant with hairline fracture to one stone. Hand pendant with a few scattered tiny gaps to inlay ground.
327
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Stones not tested for treatment.
328
Each overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Bear necklace with distorted clasp, fixed closed. Three strand necklace with break and loss to one strand, beads and figures retained.
329
Overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Red bear pendant with minor chip to front leg.
330
Each overall good condition with light wear, tarnishing, and scratches commensurate with age and use.
331
Each overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.
332
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures. A few scattered stones with tiny minor chips. Stones not tested for treatment.
333
Each overall good condition with dust accumulation, tarnishing, faint scratches, and wear commensurate with age and use. A few scattered minor chips to a few bead edges.
334
Each in overall good condition with light wear, tarnishing, dust accumulation, and scratches commensurate with age and use. Stones and beads with scattered light abrasions.
335
Each overall good condition with minor wear and scratches commensurate with age and use. Beads with scattered light abrasions. Each with a few scattered minor small chips to some beads.
336
Each in overall good condition with tarnishing, light wear, and scratches commensurate with age and use. Stones and shell with scattered light abrasions, surface reaching fracture, and visible inclusions. Stones not tested for treatment.
337
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Red stone ring with minor hairline fracture to stone. Not tested for sterling.
338
Each overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Cast pendant turquoise with minor hairline fracture to one corner. Silver not tested for sterling.
339
Each in overall good condition with light wear, tarnish, and scratches commensurate with age and use. Stones and shell with scattered light abrasions. Black coral with loss of one branch, retained. Shell disc necklace with repair knot to cord, with retained shell discs and a metal bead.
340
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions, surface reaching fractures, and visible inclusions. Not tested for sterling. Stones not tested for treatment.
341
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Not tested for sterling.
342
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. One earring lacking ear clip. Not tested for sterling.
343
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. One green stone with small fracture to one end, Stones not tested for treatment. Not tested for sterling. Smallest cuffs with slight distortion from wearing.
344
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. One carved white bear earring with minor break and loss to front paw. One carved stone wolf earring with subtle tiny repair to front paw. Stones not tested for treatment.
345
Each overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Stones not tested for treatment.
346
Each in overall good condition with wear, tarnishing, and scratches commensurate with age and use. Not tested for sterling.
347
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Two earrings lacking clips or wires. Not tested for sterling.
348
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Not tested for sterling.
349
Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Not tested for sterling.
350
Each overall good condition with dust accumulation, faint scratches, and wear commensurate with age and use. Scattered minor chips to a few bead edges.
