Made In Mexico — November 15, 2022 | John Moran Auctioneers

Phyllis M.

A pair of William Spratling sterling silver candlesticks William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico

Stamped for William Spratling and sterling

Each with three panels of silver and a large drip plate, 2 pieces

Each: 2.875” H x 3.25” Dia. 10.360 oz. troy approximately

$500-700

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 91, fig. 2-272.

Notes: “Spratling’s catalogs suggest that this design was made only for a year or two about 1957.” Phyllis M. Goddard

1003

A William Spratling sterling silver tea strainer and stand William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; further stamped 925 and 980 Comprising one tea strainer and one under tray, both with decorative scrollwork and ball accents, 2 pieces

Strainer: 5.125” L x 2.25” W 3.645 oz. troy approximately $200-400

Provenance: The Phyllis M. Goddard Collection

1004

A Willaim Spratling sterling silver tea strainer set

William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling and sterling

A round tea strainer with tab handles and matching underplate/bowl, both with incised motif and ball decoration, 2 pieces

Bowl: 1.25” H x 4.5”W; strainer: .375” H x 4.125” W 4.620 oz. troy approximately

$200-400

1005

A William Spratling sterling silver tea strainer and stand William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling and Spratling silver

A square tea strainer with trifoil handles and a matching underplate, 2 pieces

Undertray: 1.125” H x 3.75” Dia.; Tea strainer: 0.5” H x 2.25” W x 5” L 4.905 oz. troy approximately

$200-400

Literature: Tea strainer illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 43, fig. 2-74.

1006

Two William Spratling sterling silver cream jugs

William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling; Further stamped: [Eagle 30]

Two sterling silver creamers, both with pronounced spout and handle, shorter creamer with applied disc motif under handle, 2 pieces

Largest creamer: 3.25” H x 3” W; smallest creamer: 2.875” H x 3” W 4.070 oz. troy approximately

$300-500

1007

A William Spratling sterling silver tea service

William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling and sterling Each with rosewood handles, comprising a coffee pot (8.625” H x 9.125” W x 3.625” D), a hot water pot (7.75” H x 8.625” W x 3.25” D), creamer(2.25” H x 5” W x 3.5” D), sugar (2.25” H x 5” W x 3.5” D), 4 pieces 66.915 gross oz. troy approximately $1,000-2,000

Provenance: The Phyllis M. Goddard Collection

Literature: Coffee pot illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 51, fig. 2-119.

Notes: “This coffee pot is one of Spratling’s earliest designs for coffee and tea services. The heavy, square rosewood handle has a carved thumb rest at the top. The attachment of the handle to the pot is a square bracket mounted on an applied silver disc. While this pot was made in three sizes, this one, at more than nine inches was the largest.” Phyllis M. Goddard

This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1008

A William Spratling sterling silver cream and sugar set William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling; Further stamped: [Eagle 30]

A hinged creamer and lidded sugar each with rosewood handles, 2 pieces

Creamer: 3.25” H x 5.5” W; sugar: 3” H x 6” W 11.390 gross oz. troy approximately

$400-600

Provenance: The Phyllis M. Goddard Collection

Notes: “Covered sugar bowl with silver ball on top of lid. This is part of the Jaguar coffee and tea service. Although small jaguar finials appear on the lids of the coffee and tea pots, all of the photos of the entire coffee and tea service in Spratling’s original catalogs, show the sugar and creamer with only these round finials.” Phyllis M. Goddard

This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1009

A William Spratling sterling silver creamer and sugar William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling

A lidded, two handled sugar bowl with ball finial and a creamer, 2 pieces Sugar: 3.25” H x 5” W x 2.5” Dia.; creamer: 3.5” H x 4” W x 2.25” Dia. 7.970 oz. troy approximately

$200-300

Provenance: The Phyllis M. Goddard Collection

1010

A William Spratling ebony salad serving set

William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico Each stamped for William Spratling and sterling An ebony spoon and split fork salad set with twelve inset sterling silver balls to tapering handle, 2 pieces Each: 10.375”

3.390 gross oz. troy approximately $800-1,200

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 94, fig. 2-288.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1011

A William Spratling rosewood sterling silver salad serving set William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico Each stamped for William Spratling and sterling

A rosewood and silver salad serving set comprised of one salad fork and one salad spoon with ball and loop decoration, 2 pieces Fork: 11.625” L x 2.5” W; spoon: 11.5” L x 2.375” W 5.435 gross oz. troy approximately

$400-600

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 104, fig. 2-338.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1012

A group of William Spratling sterling silver and ebony spoons William Spratling (1900-1967)

Circa 1964-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling; Further stamped: [Eagle 30]

Comprising one large spoon and three smaller spoons, each with a sterling silver handle and an ebony bowl

Largest: 11.375” L; smallest: 6.125” L

5.715 gross oz. troy approximately

$600-800

Provenance: The Phyllis M. Goddard Collection

Literature: One spoon illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 104, fig. 2-339.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1013

A pair of William Spratling ebony salad serving set

William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling

An ebony spoon and split fork salad set with twelve inset silver balls to tapering handle, 2 pieces

Each: 10.375” L

3.810 gross oz. troy approximately

$800-1,200

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 94, fig. 2-288.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

A group of William Spratling sterling silver fruit knives William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling

A group of near-identical silver fruit knives with amethysts set to each side, 5 pieces

Each: 5.5” L 6.660 gross oz. troy approximately

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 45, fig. 2-80.

1017

A William Spratling sterling silver martini pitcher and spoon William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling; Further stamped: [Eagle 30] A cocktail shaker/mixer, goblet-shaped on a short stem, together with a spoon with ball and loop decoration, 2 pieces Pitcher: 5.125” H x 3.25” Dia.; spoon: 8.75” L 14.940 oz. troy approximately

$500-700

Provenance: The Phyllis M. Goddard Collection

Notes: Regarding the pithcer, in the “1958-59 Spratling wholesale catalogue the price was $50; 1967 catalogue the price was $61.20. The pitcher was made in at least two sizes. This one shown here is the smaller size. This design was included in the traveling museum exhibit ‘The World of William Spratling,’ which toured the U.S. in 1965.” Phyllis M. Goddard

A group of William Spratling sterling silver shot glasses William Spratling (1900-1967)

Circa 1931-1946, 1949-1967, First, Second, and Third Design Periods; Taxco, Mexico Each stamped for William Spratling and sterling; variously stamped: [Eagle 30] / [Conquistador’s Shield] / [Eagle 13] Comprising two sterling glasses each with a rounded ebony foot (each: 1.875” H x 1.125” Dia.), two sterling glasses each with a square azurmalachite foot (each: 2” H x 1.375” Dia.), two sterling glasses with square bases (each: 1.75” H x 1.125” Dia.), and one sterling glass with banding at base (1.875” H x 1.375” Dia.), 7 pieces 7.995 gross oz. troy approximately

Provenance: The Phyllis M. Goddard Collection

Literature: Malachite footed glass illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 77, 2-224.

Rosewood footed glass: Ibid., 93, 2-280.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

A pair of William Spratling sterling silver champagne goblets

William Spratling (1900-1967)

Circa 1956-1962, Third Design Period; Taxco, Mexico

Each stamped for William Spratling; Further stamped: [Eagle 30]

Each with ball accents on the twisted stems and gold wash applied to the interior of the bowls, 2 pieces Each: 5.875” H x 4.625” Dia. approximately 16.160 oz. troy approximately

$600-900

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 91, fig. 2-268.

Notes: “The wholesale price in a 1961 Spratling catalogue was $28; the price in 1967 catalogue was $30.80. This design was included in the 1965 traveling U.S. museum exhibit, ‘The World of William Spratling.’ Other sizes of this design were made: wine, cocktail, water, and liqueur. The champagne goblet was the first in the series. Spratling’s first use of this theme of diagonal silver wires appear in a letter opener created as one of the two hundred models he designed for the Alaskan project in 1949.” Phyllis M. Goddard

Two William Spratling sterling silver trays

William Spratling (1900-1967)

Circa 1949-1951, Second Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling; Further stamped: [Eagle 13 and the Conquistador Shield]

Each a round tray with an Art Deco-style stepped cigarette rest all on a raised foot

Each: 1.25” H x 4.125” Dia.

5.920 oz. troy approximately

$200-300

Provenance: The Phyllis M. Goddard Collection

1022

Two William Spratling sterling silver trays William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico Stamped for William Spratling and sterling

Each graduated, 2 pieces

Largest: 0.375” H x 6.126” Dia.; smallest: 0.25” H x 3.875” Dia. 7.160 oz. troy approximately $200-400

Provenance: The Phyllis M. Goddard Collection

1023

Two William Spratling table items

William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling; Cream pitcher stamped for Hotel Pierre Marques Comprising a handled mug with incised lines and applied depiction of the cross section of a Choluteca conch shell together with a small cream pitcher with the same conch shell motif, 2 pieces

Pitcher: 2.125” H x 1.625” Dia.; mug: 4.625” H x 3.5” Dia. 12.735 oz. troy approximately $300-500

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 97, figs. 2-306 and 2-305.

Notes: Although this mug is hallmarked with Spratling’s primary mark indicating sterling quality, it appears that it may actually be made of silver-plate designed as a model for the designs Spratling created for the Hotel Pierre Marques in Acapulco.

“In the mid 1950s, Spratling agreed to design for the Pierre Marques Hotel in Acapulco, a group of articles that included key tags, ashtrays, champagne buckets and stands, martini pitchers, finger bowls, beer mugs, butter dishes, crepe suzette pans, and coffee services. These designs were made of silver plate and ebony. All included an applied nautilus design that the hotel referred to as ‘The Pierre Marques Star.’ The primary hallmark (and only hallmark) that appeared on these silver-plated items is shown below. None of these materials have been seen in any material other than silver-plate, and therefore, no tertiary mark was used. Items stamped with this hallmark were Spratling’s designs, but the items were not produced by Spratling. Photos of many of these designs can be found in ‘Spratling Silver: A Field Guide’ on page 97.” Phyllis M. Goddard

This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1024

A William Spratling “Provincial “ sterling silver tea service William Spratling (1900-1967)

Circa 1964-1966, Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: [Eagle 30] Each designed with a swirling incised motif and accented with rosewood handles and finials; comprising a coffee pot (9” H x 10” W x 4.75” Dia.), a teapot (6.125” H x 10.25” W x 5” Dia.), a cream jug (3.325” H x 5.5” W x 3.325” Dia.), and a covered sugar bowl (3.25” H x 6” W x 3.325” Dia.), 4 pieces 70.555 gross oz. troy approximately $4,000-6,000

Provenance: The Phyllis M. Goddard Collection

Literature: Coffee pot illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 91, fig. 2-270

Notes: In the “1958-59 wholesale Spratling catalogue the price was $73; 1967 Spratling catalogue the price was $107.60. This design was included in the 1965 traveling U.S. museum exhibit, ‘The World of William Spratling.’ The complete tea service in this design is in the permanent collection of the Birmingham Museum of Art. This design was awarded a prize by the National Sindicate of Silver Manufacturers of Mexico. Spratling’s drawing of a very similar teapot is included in the William Spratling Folio of Drawings.” Phyllis M. Goddard

This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1025

A William Spratling sterling silver martini pitcher

Spratling (1900-1967)

1964-1966, Third Design Period: Taxco, Mexico

for William Spratling; Further stamped: [Eagle 30]

Provenance:

Spratling

Phyllis M.

in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a

(Altadena, CA: Keenan Tyler Paine, 2003), 122.

1027

A William Spratling “Eagle” rosewood and silver pitcher

William Spratling (1900-1967)

Circa 1940-1944, First Design Period; Taxco, Mexico

Stamped for William Spratling; Further stamped: Spratling Silver / Made in Mexico

A pitcher with a smooth-finish body issuing to a carved rosewood handle in the form of an eagle head terminating in a hobnail handle junction 6 .25” H x 6.75” W x 4.75” D.

16.545 gross oz. troy approximately

$2,000-3,000

Provenance: The Phyllis M. Goddard Collection

Notes: “This popular pitcher was also sold through Montgomery Ward for $65.00 in 1943.” Phyllis M. Goddard

This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1028

A William Spratling sterling silver vegetable serving bowl William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico Stamped for William Spratling and sterling With a raised and scalloped, gadrooned edge 1.875” H x 9.5” W x 14.5” D 37.120 oz. troy approximately $800-1,200

Provenance: The Phyllis M. Goddard Collection

1030

A William Spratling sterling silver vegetable server WIlliam Spratling (1900-1967)

Circa 1949-1952, Second Design Period; Taxco, Mexico Stamped for William Spratling and sterling; Further stamped: [Conquistador’s Shield and Eagle 13]

A sterling silver oval-shaped serving bowl with a scalloped edge 1.25” H x 7.875” W x 12.125” D 18.420 oz. troy approximately

$300-500

Provenance: The Phyllis M. Goddard Collection

1029

A William Spratling sterling silver serving tray William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Spratling Silver

A large silver serving tray with a scalloped, gadrooned edge 0.5” H x 13” W x 20” L 55.425 oz. troy approximately

$1,000-1,500

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 37, fig. 2-43.

1031

A William Spratling sterling silver tea and coffee service

William Spratling (1900-1967)

Circa 1945-1946, First Design Period; Taxco, Mexico Stamped for William Spratling and sterling Each with carved rosewood accents and a wrapped silver wire design, comprising a coffee pot (9” H x 10” W x 5.75” D), a tea pot (6.5” H x 10.5” W x 6.25” D), a creamer (2.25” H x 5.25” W x 4” D), and a covered sugar bowl (4.25” H x 5.75” W x 4” D), 4 pieces 79.115 gross oz. troy approximately

$1,500-2,500

Provenance: The Phyllis M. Goddard Collection

Literature: Coffee pot and suagr bowl illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 35 and 52, figs. 2-29 and 2-130.

Notes: This service was produced by Spratling y Artesanos after Spratling’s resignation from the company, wherein he agreed to provide sixty-five new designs before fully leaving the company. The service was designed in October 1945 and produced until 1946, it is believed few pieces from this service made it to production.

This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

A William Spratling “Voltero” sterling silver tea service

William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling; Further stamped: [Eagle 30]

Each with rosewood handles, comprising a chocolate/bachelors coffee pot (6.25” H x 7” W x 2.5” D), a creamer (2.625” H x 4.25” W x 3” D), and a sugar (2.125” H x 5” W x 2.375” D) together with an an ebony bottomed tray (0.875” H x 7” W x 8.75” L), 4 pieces 37.445 gross oz. troy approximately

$1,000-2,000

Provenance: The Phyllis M. Goddard Collection

Literature: Coffee pot and suar bowl illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 105 and 112, figs. 2-345 and 2-389.

Notes: The “1958-59 wholesale Spratling catalog price was $33.60; in 1961, the price was $36.80; and in a 1967 Spratling catalog the price was $56. The coffee pot was made in three sizes. This design was included in the traveling museum exhibit ‘The World of William Spratling’ which toured the U.S. in 1965.” Phyllis M. Goddard

This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1033

A group of William Spratling sterling silver table items William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling

Comprising of a cheese knife with rosewood handle (6.5” L x 0.625” W), a bowl with stars and a rosewood base (1.875” H x 4.125” Dia.), and a small candlestick with an engraved floral motif (2.375” H x 2.25” Dia.), 3 pieces 15.885 gross oz. troy approximately

$400-600

Provenance: The Phyllis M. Goddard Collection

Literature: Knife and bowl illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 37 and 43, figs. 2-41 and 2-73.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1034

A William Spratling sterling silver salad serving set William Spratling (1900-1946)

Circa 1944-1946, First Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling

Comprising a serving spoon and two forks with feathered motif to handles, 3 pieces Forks: 9.5” L; spoon: 9.5” L 9.325 oz. troy approximately

$1,000-1,500

Provenance: The Phyllis M. Goddard Collection

Notes: “The salad spoon and fork with the earlier hallmarks (‘WS Print’) were two of nineteen pieces of Spratling silver included in an exhibit at the Brooklyn Museum, ‘Contemporary Industrial & Handwrought Silver,’ held from November 20, 1937ñJanuary 23, 1938. On January 1, 1937, Louise Chase of the Museum’s Industrial Art Department wrote to Spratling and said ‘The case containing your silver is one of the most admired in the exhibition. The jewelry is shown against a dark red woolen background which tones in with the wood handles of the flatware. As your silver is the only example of Mexican craftsmanship in the exhibit, it has received a great deal of attention and admiration. We wish to thank you for your generous contribution.’” Phyllis M. Goddard

1035

Three William Spratling sterling silver serving pieces William Spratling (1900-1967)

Circa 1931-1946 and 1951-1967, First and Third Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling; Spoon further stamped: [Eagle 63]

Comprising two forks, one of which is in the “Amarres” pattern, and one spoon, 3 pieces

Spoon: 12.25” L; salad fork: 9.125” L; serving fork: 9.375” L 12.535 oz. troy approximately

$500-700

Provenance: The Phyllis M. Goddard Collection

Literature: One fork illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 34, fig. 2-26.

A group of William Spratling conch shell-form ashtrays

William Spratling (1900-1967)

Circa 1940-1944, First Design Period; Taxco, Mexico

Each stamped for William Spratling; Further stamped: Spratling Silver

Each repousse ashtray in the form of a conch shell with cigarette rest, raised on a square rosewood base, 5 pieces

Each: 2.125” H x 2.25” W x 1.25” Dia.

8.325 gross oz. troy

$200-400

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 40, fig. 2-54.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1037

A group of William Spratling sterling silver salt cellars William Spratling (1900-1967)

Circa 1964-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling; Salt dishes further stamped: [Eagle 30] Comprising four small silver salt dishes, two with ebony legs and two with rosewood legs, together with two rosewood handled salt spoons, 6 pieces Salt dishes: 1.5” H x 1.875” Dia.; Spoon: 2.625” L 4.600 gross oz. troy approximately

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 104, fig. 2-340.

Notes: “The 1961 Spratling wholesale catalog price was $5.20. The 1967 catalog price was $6.40.” Phyllis M. Goddard

This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1039

A group of William Spratling sterling silver table items

William Spratling (1900-1967)

Circa 1931-1946 and 1951-1967, First and Third Design Period; Taxco, Mexico

Each stamped William Spratling and sterling; Variously stamped: [Eagle 30] Comprising five salt dishes with shaped base (1.125” H x 1.75” Dia.), six salt spoons with silver balls (2.375” L), a salt dish on a base with applied silver half circles (1 H x 1.75” Dia.), and two footed cups with silver discs applied (1.625” H x 1.625” Dia.), 14 pieces 11.870 oz. troy approximately $400-600

Provenance: The Phyllis M. Goddard Collection

Literature: Spoon illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 38, fig. 2-45.

1040

Two William Spratling “Disco” sterling silver steak knives

William Spratling (1900-1967)

Circa 1951-1956, Third Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling A near-pair of steak knives with wire wrapped ebony wood handle, carved loop terminal, stainless steel blades, 2 pieces

Each: 9.5” L

2.150 gross oz. troy approximately

$400-600

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 108, fig. 2-363.

Notes: “This design was also made in ebony. Spratling’s drawing of a very similar knife is included in the William Spratling Folio of Drawings. The wholesale price in a 1961 Spratling catalog was $5.20. This design was made from 1958 until 1967.” Phyllis M. Goddard

This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1041

A group of William Spratling “Amarres Disco” William Spratling sterling silver flatware William Spratling (1900-1967)

Circa 1931-1946 and 1951-1967, First and Third Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling; Three knives further stamped: [Eagle 63]

Comprising two steak knives and a child’s knife, all with wire banded shafts with applied flat discs and ball tips referred to as “Heavy Disc Pattern,” together with an “Amarres” child’s fork, 4 pieces

Two steak knives: 8.5” L, child’s fork: 5.215” L; child’s knife: 6.125” L 9.150 oz. troy approximately

$200-300

Provenance: The Phyllis M. Goddard Collection

Literature: Child’s fork and knife illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 34 and 90, figs. 2-27 and 2-261.

1042

A group of William Spratling sterling silver table items William Spratling (1900-1967)

Circa 1931-1946, First Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling

Comprising five silver salts with wire feet (each: 1.875” H x 0.875” W), a pair of rounded salts (2.875 H x 1.625” W), a small round tray with a decorative incised edge (0.125” H x 3.5” Dia.), and two sterling spoons, the larger one with a rosewood handle (4.375” L) and the smaller one with a wood bowl (2.875” L), 10 pieces

7.855 gross oz. troy approximately

$400-600

Provenance: The Phyllis M. Goddard Collection

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1043

A group of William Spratling sterling silver ashtrays William Spratling (1900-1967)

Circa 1931-1946 and 1951-1967, First and Third Design Period; Taxco, Mexico

Each stamped for William Spratling; Two further stamped: [Eagle 30]; Two further stamped: Spratling Silver a square silver ashtray with an applied silver disc to center supported by four rosewood legs (1” H x 3.625” L), a round silver ashtray with three curled rosewood legs (1.625” H x 4.25” Dia.), an ashtray with three ball feet and rows of five applied discs on three sides (2.25” H x 3.375” Dia.), a round silver bowl with three hollow “conch” legs (2.25” H x 3.75” Dia.), and a shell supported by a square rosewood base (2.25” H x 3.25” W), 5 pieces 17.005 gross oz. troy approximately

$500-700

Provenance: The Phyllis M. Goddard Collection

Literature: Ashtray with ball fee illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 34, fig. 2-24.

Round bowl with conch legs: Ibid., 40, fig. 2-55.

Ashtray with rosewood legs: Ibid., 89, fig. 2-256. Ashtray with curled rosewood legs: Ibid.,108, fig. 2-362. Seashell: Ibid., 96, fig. 2-300.

Notes: First: “The earliest examples of this design were made with rosewood. Wholesale price in Spratling catalogue of 1961 was $11.20; 1967 price was $12. This design was included in the ‘World of William Spratling’ museum exhibit that toured the U.S. in 1965.” Phyllis M. Goddard

Second: “The wholesale price in the 1958-59 catalogue was $8.80; in 1961 it was $9.60; and in 1967 catalogue it was $16.80. This design was included in the 1965 traveling U.S. museum exhibit, ‘The World of William Spratling.’” Phyllis M. Goddard

This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1044

A group of William Spratling sterling silver ashtrays

William Spratling (1900-1967)

Circa 1949-1951, Second Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling; Two further stamped: [Eagle 13] Comprising a near-pair of small round trays with a raised dragon motif (each: 0.25” H x 2.375” Dia.), one square and one rectangular with rosewood bases (largest: 1.25” H x 4.25” W; smallest: 1.125” H x 3.875 W), two small square platform trays (rectangle: 0.875” H x 2.625” W; square: 0.75” H x 2.375” W), and one round Art Deco tray with a malachite cabochon (1” H x 3.125” Dia.), 7 pieces 20.185 gross oz. troy approximately $600-800

Provenance: The Phyllis M. Goddard Collection

Literature: Scroll with rosewood foot illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 51, fig. 2-122.

Double circle with malachite: Ibid., 77, fig. 2-222. Two smaller with dragons: Ibid., 42, fig. 2-71.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1045

A group of William Spratling sterling silver table items William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling and sterling; Variously stamped: [Eagle 30] Comprising a chocolate/bachelors coffee pot (6.25” H), a silver tray (0.75” H x 8.75” W x 6.75” D), and a rosewood spoon (6.375” L), 3 pieces 31.055 gross oz. troy approximately

$800-1,200

Provenance: The Phyllis M. Goddard Collection

Literature: Coffee pot and spoon illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 52 and 104, figs. 2-130 and 2-341.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1047

Two William Spratling tin table items

WIlliam Spratling (1900-1967)

Circa 1931-1944, First Design Period; Taxco, Mexico

Each stamped for William Spratling; Further stamped: Taxco / Mexico

Comprising a candlestick with small domed feet and an octagonal serving bowl with decorative stamping and curved ruffled applied decoration, 2 pieces

Bowl: 3.25” H x 7.875” Dia.; Candlestick: 2.5” H x 5” W

$400-600

Literature: The bowl is illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 53, fig. 2-132.

1048

A group of William Spratling tin and copper tableware

William Spratling (1900-1967)

Circa 1933-1941, First Design Period; Taxco, Mexico

Each stamped for William Spratling; Further stamped: Taxco / Mexico

Comprised a copper pitcher, and two tin pitchers, each with decorative stamping to the neck, 3 pieces Each: 4.5” H x 5.25” W

$400-600

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003):

Copper pitcher: Ibid., 49, fig 2-112.

Tin pitcher: Ibid., 54, fig 2-141.

1049

A William Spratling silver cuff bracelet William Spratling (1900-1967)

Circa 1944-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Sterling A sterling cuff with Aztec-inspired design bordered with circular wire loops 6.5” total inner C x 2.25” H, including a 1” gap 151.9 grams

$1,000-1,500

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 36 and 59, figs. 2-38 and 2-172

Notes: “This “ancient Aztec” bracelet design was offered for sale in the Montgomery Ward Fall 1944 catalog for $17.95, and is similar to a pin of the same period. The bracelet is illustrated in six books.” Phyllis M. Goddard

1050

A William Spratling “River of Life” silver cuff bracelet William Spratling (1900-1967)

Circa 1933-1939, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Taxco / Mexico / 980 A sterling “River of Life” cuff with applied rope design rounds 6.75” total inner C x 2” H, including a 1.125” gap 128.7 grams

$1,000-1,500

Provenance: The Phyllis M. Goddard Collection

Literature: A similar design illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 20 and 46, fig. 2-93.

Illustrated in Penny C. Morrill and Carole A. Berk, “Mexican Silver: Modern Hand-Wrought Jewelry & Metalwork” 4th ed. (Atglen, PA: Schiffer, 2007), 37, fig. III-13.

1051

A William Spratling silver link bracelet

William Spratling (1900-1967)

Circa 1942, First Design Period; Taxco, Mexico

Stamped: Spratling Silver / Made in Mexico

A large, hinged link sterling bracelet with three graduated oval petate weave design panels and a pin closure 7” inner C x 2.375” H 149.3 grams

$1,800-2,250

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 56, fig. 2-153.

Illustrated in Penny C. Morrill and Carole A. Berk, “Mexican Silver: Modern Hand-Wrought Jewelry & Metalwork” 4th ed. (Atglen, PA: Schiffer, 2007), 50, figs. III-43 and III-44.

1052

A William Spratling silver cuff bracelet

William Spratling (1900-1967)

Circa 1940-1944; First Design Period; Taxco, Mexico

Stamped for William Spratling; Further stamped: Made in Mexico / Silver

A chased sterling “Cholula” design cuff with silver balls at terminal edges 6.75” total inner C x 1.125” H, including a 1” gap 79.0 grams

$800-1,200

Provenance: The Phyllis M. Goddard Collection

1053

A William Spratling silver and copper cuff bracelet

William Spratling (1900-1967)

Circa 1940-1944, First Design Period; Taxco, Mexico

Stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver

A braided mixed metal copper and silver cuff bracelet

6.75 total inner C x 1.375” H, including a 1.25” gap 95.4 grams gross

$800-1,200

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 49, fig. 2-105.

1054

A William Spratling silver and rosewood bracelet William Spratling (1900-1967)

Circa 1940-1944, First Design Period; Taxco, Mexico

Stamped for William Spratling; Further stamped: Made in Mexico / Silver

A bangle bracelet designed with alternating rosewood and silver sections further adorned with silver studs, with a pin closure

inner C x 0.875” H

grams

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 56, fig. 2-155.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

A William Spratling sterling silver link bracelet

Spratling (1900-1967)

1939, First Design Period; Taxco, Mexico

for William Spratling; Further stamped: Taxco / 980

heavy sterling link bracelet with alternating incised geometric X-motif links and a pin clasp

L x 0.75” H

grams

The Phyllis M. Goddard Collection

Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 36, fig. 236.

Spratling

Spratling (1900-1967)

1949-1951, Second Design Period; Taxco, Mexico

Spratling de Mexico / Sterling / [indistinct Eagle]

of four stylized arrow links with azurmalachite inlay and a repousse

M.

in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a

Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 75, fig. 2-216.

1057

A William Spratling rosewood and silver dot bracelet William Spratling (1900-1967)

Circa 1956-1962, Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Taxco / Mexico / 925 A rosewood cuff designed with inlaid silver discs in varying sizes 6.5 total inner C x 1.5” H, including a 1.25” gap 50.5 grams gross

Provenance: The Phyllis M. Goddard Collection

Literature: Illustarted in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 92, fig. 2-274.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1058

A William Spratling silver cuff bracelet William Spratling (1900-1967)

Circa 1942, First Design Period; Taxco, Mexico

Stamped: Spratling Silver / Made in Mexico

A sterling cuff with chased interlaced geometric motifs 6.25” total inner C x 1.125” H, including a 0.875” gap 67.6 grams

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 22, fig. 2-5.

Illustrated in Penny C. Morrill and Carole A. Berk, “Mexican Silver: Modern Hand-Wrought Jewelry & Metalwork” 4th ed. (Atglen, PA: Schiffer, 2007), 39, fig. III-18.

1059

A set of William Spratling silver jewelry William Spratling (1900-1967)

Circa 1942 and 1944-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Variously marked: Made in Mexico / Spratling Silver Comprising a sterling bracelet comprised of elaborate links of raised silver shapes edged with curled silver wire and a matching ring, 2 pieces

Bracelet: 7” L x 0.875” H; Ring size: 6.25 75.4 grams gross

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 42 and 56, figs. 2-69 and 2-156.

Two William Spratling silver bracelets William Spratling (1900-1967)

Circa 1933-1938 and 1939, First Design Period; Taxco, Mexico Each stamped for William Spratling; Variously stamped: Taxco / 980 Comprising two linked bracelets, one with pointed disc links and one with spherical disc links, each alternating with silver balls, 2 pieces

Each: 7” L x 0.75” H 70.9 grams

$800-1,200

Provenance: The Phyllis M. Goddard Collection

Literature: One design illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 56, fig. 2-154.

Both designs illustrated in Penny C. Morrill and Carole A. Berk, “Mexican Silver: Modern HandWrought Jewelry & Metalwork” 4th ed. (Atglen, PA: Schiffer, 2007), 43, fig. III-30.

1061

A William Spratling 18k gold and rutilated quartz ring William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: 18K Comprising an incised gold band with claw-set rutilated quartz cabochon and gold ball terminal accents Ring Size: 5.5; 1” Dia. 15.0 grams gross

$1,000-2,000

Provenance: The Phyllis M. Goddard Collection

Literature: This design illustrated: Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 106, fig. 2-351.

1062

A pair of William Spratling 18k gold and ebony cufflinks

William Spratling (1900-1967)

Circa 1951-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling; Further stamped: 18K

A pair of domed cylindrical cuff links with ebony accents, 2 pieces

Each: 0.375” H x 1.125” W

9.6 grams gross

$600-900

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 106, fig. 2-356.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1063

A William Spratling sterling silver collar necklace

William Spratling (1900-1967)

Circa 1980 and later; Taxco, Mexico Stamped for [Sucesores de] William Spratling; Further stamped: .925 / Taxco / Mexico / TS-24 Comprising a necklace designed with molded double-row links with seven silver applied discs 16.5” L x 0.75” H 154.8 grams

$2,000-3,000

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 89, fig. 2-260.

1064

A William Spratling sterling silver headband William Spratling (1900-1967)

Circa 1933-1938, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: 980 / Taxco Comprising a sterling repousse headband with braid design 12.75” L x 1” W; with 5”opening 68.7 grams

$800-1,200

Provenance: The Phyllis M. Goddard Collection

A William William Spratling Circa 1940-1944, Stamped for Silver Comprising a double-pronged 1.375” H x 17.7 grams

$500-700

Provenance: Literature: Recognizing 2003), 41 and Notes: This States. Please

William Spratling rosewood and silver brooch Spratling (1900-1967)

1940-1944, First Design Period; Taxco, Mexico for William Spratling; Further stamped: Made in Mexico / Spratling

Comprising a rosewood hand pin with silver cuff accented with three balls, with double-pronged hinged clip fastener

1.25” W grams gross

Provenance: The Phyllis M. Goddard Collection

Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, and 57, figs. 2-62 and 2-163.

This lot may require a CITES permit if being shipped outside the United Please contact your preferred shipping company for information.

1066

A William Spratling arrow brooch William Spratling (1900-1967)

Circa 1951, Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Spratling of Mexico / [Eagle 1] A stylized silver two-tone arrow pin set with onyx and obsidian inlay 4.25” H x 1.5” W 34.9 grams gross

Provenance: The Phyllis M. Goddard Collection

Literature: This design illustrated: Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 107, fig. 2-358.

A William Spratling two-tone belt buckle

Spratling (1900-1967)

1951-1956; Third Design Period, Taxco, Mexico

for William Spratling; Further stamped: 925

sterling silver and vermeil belt buckle with incised curved sections

H x 2.875” W

Phyllis M.

in Phyllis M.

“Spratling Silver: A Field Guide: Recognizing a

Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 106, fig. 2-349.

1068

A group of William Spratling silver belt buckles William Spratling (1900-1967)

Circa 1933-1938 and 1944-1946, First Design Period, Taxco, Mexico

Each stamped for William Spratling; Further variously stamped: Taxco / 980 / Made in Mexico / Sterling Comprising four sterling belt buckles with various incised and applied geometric designs, 4 pieces

Largest: 2” H x 1.875” W

grams

$500-700

Provenance: The Phyllis M. Goddard Collection

Literature: One design illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 42, fig. 2-68.

Two designs illustrated in Penny C. Morrill and Carole A. Berk, “Mexican Silver: Modern Hand-Wrought Jewelry & Metalwork” 4th ed. (Atglen, PA: Schiffer, 2007), 35, fig. III-7.

1071

A William Spratling botanical brooch

William Spratling (1900-1967)

Circa 1944-1946, First Design Period; Taxco, Mexico Partially stamped for William Spratling; Further partially stamped: Made in Mexico / __G [partial, likely Sterling] Comprising a sterling botanical brooch/pin with inset azurmalachite leaves and a two-pronged hinged pin clasp 3.5” H x 2.75” W 43.3 grams gross

$400-600

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 47, fig. 2-94.

1073

A William Spratling silver and rosewood lidded box

William Spratling (1900-1967)

Circa 1956-1962, Third Design Period; Taxco Mexico Stamped for William Spratling and sterling; Further stamped: Taxco Mexico / [Eagle 30] A rosewood box with a weighted overhanging silver lid 1.25” H x 4.125” W x 2.875” D 6.980 gross oz. troy approximately 1.25” H x 4.125” W x 2.875” D

$200-400

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 111, fig. 2-380.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

A William Spratling

Spratling (1900-1967)

Circa 1944-1946, First Design Period; Taxco, Mexico

for William Spratling; Further stamped: Made in Mexico

heavy collar necklace formed of multiple small silver ball links

L x 0.5”

Provenance: The Phyllis M. Goddard

Literature: This design illustrated: Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 57, fig.

A set of William Spratling silver and amethyst frog

Spratling (1900-1967)

1940-1944 and 1951-1956, First and Third Design Periods; Taxco, Mexico

stamped for William Spratling; Further variously stamped: Made in Mexico / Spratling

/ [chain: Eagle 30]

Comprising a carved amethyst frog pendant on a sterling chain, together with a pair of

carved frog earrings, 3 pieces

and each earring: 0.875” H; Chain: 18.75” L

Phyllis M.

1076

Two William Spratling box pendants William Spratling (1900-1967)

Circa 1939 and 1940-1944, First Design Period; Taxco, Mexico Each stamped for William Spratling; Variously stamped: Taxco / Mexico / [obscured] 980 / Spratling of Mexico / Silson Inc.; Chain stamped: Germany Comprising two pendant pill boxes, including a sterling silver pill box with set amethyst cabochons to each side with attached chain, and a silver-plated Silson pill box with rope trim, 2 pieces

Largest box: 2” H x 1.375” W x 1.375” D; Chain: 20.5 “ L 162.1 grams gross $600-800

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 37, fig. 2-40.

1077

A group of William Spratling earrings William Spratling (1900-1967)

Circa 1940-1944, First Design Period; Circa 1951, Second Design Period; Taxco, Mexico

Two stamped for William Spratling and for silver; Serpent earrings further stamped: Spratling of Mexico / Silson, Inc / Pat. Pending; Arrow earrings: Sterling / Mexico / [Conquistador shield] / [Eagle 11]

Comprising three pairs of earrings, including a pair of sterling repousse shell earrings (Each 1” H x 1.5” W); a pair of Silson round earrings with a serpent design (Each 1” Dia.), and a pair of sterling and azurmalachite inlay arrow design earrings (Each 1.375’ H), 6 pieces 56.0 grams gross $600-800

Provenance: The Phyllis M. Goddard Collection

Literature: Two designs illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 42 and 77, figs. 2-70 and 2-223.

1078

A group of William Spratling silver earrings

William Spratling (1900-1967)

Circa 1940-1944, 1944-1946, and 1949-1951, First and Second Design Period; 1949-1951, Second Design Period; Taxco, Mexico Each stamped for William Spratling; Further variously stamped: Made in Mexico / Silver / de Mexico / Sterling / [Eagle 13] Comprising four pairs of sterling earrings including a pair of incised square silver earrings (0.875” H), a pair of petate weave design earrings (1.25” H), a pair of silver and azurmalachite earrings with stylized arrows and silver loops (1.375” H), and a pair of azurmalachite and silver star earrings (1.375” H), 8 pieces 82.0 grams gross

$800-1,200

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 59, 77, and 79, figs. 2-175, 2-223, and 2-235.

1079

A group of William Spratling sterling silver earrings

William Spratling (1900-1967)

Circa 1940-1946, 1942, and 1951-1956, First and Third Design Period; Taxco, Mexico

Each stamped for William Spratling; Further variously stamped: Made in Mexico / Spratling / Silver / 925 / [Eagle 30] Comprising four pairs of sterling earrings including a pair of conch shell earrings (1.5” H), a pair of silver half-sphere earrings, (0.635” Dia.) a pair of nautilus shell design earrings (1.25” H), and a pair of spiral sea shell earrings with set amethyst and silver cone accents( 1.75” H), 8 pieces 56.4 grams gross

$600-800

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 42 and 96, figs. 2-53, 2-56, and 2-301.

1080

A mixed set of William Spratling silver and amethyst jewelry William Spratling (1900-1967)

Circa 1940-1946, First Design Period; Taxco, Mexico

Each stamped for William Spratling; Further stamped: Spratling / Silver Comprising a cuff bracelet designed with silver hands holding carved amethyst flowers (6.25” total inner C x 2.5” H, including a 1.125” opening), a silver brooch of similar design (2.5” H), and a pair of floral earrings (each 1.5” H), 4 pieces 153.2 grams gross

$700-900

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 41, 46, and 59, figs. 2-61, 2-89, and 2-173.

1081

A set of William Spratling silver and amethyst jewelry

William Spratling (1900-1967)

Circa 1944-1946, First Design Period; Taxco, Mexico

Each stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver

Comprising a sterling silver and carved amethyst floral brooch and a pair of matching silver screw back earrings, 3 pieces

Brooch: 2” H x 1” W; Each earring: 1.125” H 36.7 grams gross

$500-700

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 43, fig. 2-75.

1082

A group of William Spratling silver jewelry

William Spratling (1900-1967)

Circa 1933-1938 and 1940-1944, First Design Period; Taxco, Mexico

Each stamped for William Spratling; Variously stamped: Taxco / 980 / Made in Mexico / Spratling Silver

Comprised of four sterling brooches in various designs, including a large ribbon brooch with set hardstone (2.75” H x 3” W), as well as a set amethyst ring (Ring size: 3.75), 5 pieces 99.4 grams gross

$300-500

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 38, 46, and 58, figs. 2-44, 2-90, 2-92, and 2-169.

1083

A group of William Spratling sterling silver jewelry William Spratling (1900-1967)

Circa 1933-1938 and 1940-1944, First Design Period; 1949-1951, Second Design Period; 1956-1962 and 19641967, Third Design Period; Taxco, Mexico Four stamped for William Spratling; Further variously stamped: Taxco / 980 / Spratling Silver / [Eagle 30]; Each earring stamped: [Eagle 11]

Comprising five works including a Pre-Columbian design double bird brooch with two sets of three hanging bells (1.5” H x 3.375” W), a single bird brooch with bells (2” H x 1.375” W), a conch shell design prong fastener/ brooch (2.25” H x 1.875” W), a silver and set obsidian arrow brooch (2.375” H x 1.625” W), and a pair of silver and azurmalachite arrow earrings (Each 1.25” H), 6 pieces 77.7 grams gross

$600-800

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 39, 77, 90, and 95, figs. 2-49, 2-223, 2-266, and 2-293.

1084

A group of William Spratling silver jewelry

William Spratling (1900-1967)

Circa 1933-1938,1940-1944, and 1944-1946; First Design Period; Taxco, Mexico Each stamped for William Spratling; Variously stamped: Made in Mexico / Spratling Silver / Sterling Comprising five brooches of various designs and sizes, including a sterling chased silver and repousse eagle (2.5” H x 2” W), a silver ribbon brooch with copper disc accent (3” H x 2.625” W), a small chased silver bird pin with rectangular amethyst cabochon (1” H x 1.5” W), as well as a sterling domed ring (Ring size: 3.5), 6 pieces 100.6 grams gross

$600-900

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 35, 38, 40, and 46, figs. 2-31, 2-34, 2-44 2-57, 2-87, and 2-89.

1085

A group of William Spratling gentleman’s silver jewelry

William Spratling (1900-1967)

Circa 1940-1944, First Design Period; 1962-1964 and 1964-1967, Third Design Period; Taxco, Mexico

Nine stamped for William Spratling; Further variously stamped: Made in Mexico / Spratling Silver / 980 / Taxco / [Eagle 30]; Lapel pin: Rec. 12778

Comprising nine works, including a “Continental Solidarity” silver lapel pin designed with clasped hands over a gilded world map (1” H), a sterling letter opener with attached coin (6” H x 1.25” W), a watch fob with incised paperclip chain links (23” L), two pairs of cuff links, including a pair of copper and silver “clasped hands” cuff links (Each: 0.75” H), two tie clasps, including one of silver and ebony (0.625” H x 2” W), and two chased silver money clips with the same plumed serpent design (Each: 1.25” H x 1.5” W), 11 pieces 136.5 grams gross

$500-700

Provenance: The Phyllis M. Goddard Collection

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 41, 58, 60, and 104, figs. 2-63, 2-165, 2-170, 2-180, 2-181, and 2-342.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

1086

A large group of William Spratling silver buttons William Spratling (1900-1967)

Circa 1933-1939, 1940-1946, First Design Period; 1958, 1964-1967, Third Design Period; Taxco, Mexico

Eight sets marked for William Spratling; Further variously marked: Taxco / 980 / Made in Mexico / Spratling Silver / Sterling / .925 / [Eagle 30]; One set marked: 980; Two sets variously stamped: Sterling / Made in Mexico; Two sets unmarked

A group comprised of thirteen sets of silver buttons in various sizes and designs, including two serpent head buttons (1.5” Dia.), two clasped hands buttons (1.125” Dia.), six silver fist buttons (0.75” H), six large plain silver buttons (1.25” Dia.), six small plain silver buttons (0.5” Dia.), five segmented silver buttons ( 0.75” Dia.), five square pyramid buttons (0.675” H), four silver knot earrings (0.675” Dia.), a single square button (1” H), five alligator textured buttons (0.75” Dia.) and three further sets of various sizes, all with metal shanks, approximately 52 pieces 242.4 grams

$800-1,200

Provenance: The Phyllis M. Goddard Collection

Literature: Two designs illustrated in Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 42 and 100, plate 2-70 and fig. 2-320.

Two designs illustrated in Penny C. Morrill and Carole A. Berk, “Mexican Silver: Modern Hand-Wrought Jewelry & Metalwork” 4th ed. (Atglen, PA: Schiffer, 2007), 55, fig. III-57.

1087

Sergio Bustamante (b. 1942)

Bust with alligators Ceramic and paint Edition: 4/25

Signed and numbered lower left: Sergio Bustamante 30” H x 20.5” W x 15.5” D

$3,500-4,500

1090

Frank Romero (b. 1941)

“Cousin Mary Helen in her Dodge,” 1993

Screenprint in colors on paper

One of five artist’s proofs aside from the edition of unknown size Signed, dated and inscribed “Art. Proof 5/5” in ink at the lower left: F. Romero; titled on a label affixed to the verso of the foam board

Image/Sheet: 30” H x 39.5” W

$700-900

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

Notes: Throughout his forty-year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha, and Gilbert Lujan helped to define and promote the new awareness of La Raza through murals, publications, and exhibitions. Los Four’s historic 1974 exhibition at the Los Angeles County Museum of Art was the country’s first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed over fifteen murals throughout the city and was a key contributor to the 1984 Olympic Arts Festival with “Going to the Olympics,” a large-scale mural which adorns one of Los Angeles’ busiest freeways (Highway 101). Romero has shown extensively in the United States, Europe, and Japan. Notable exhibitions include: “Chicanarte”(L.A. Municipal Gallery), “Hispanic Art in the United States” (Corcoran Gallery, Washington D.C. and national tour), “Le Demon des Anges” (Nantes, France; Barcelona, Spain; Lund, Sweden; and Brussels, Belgium), and “American Kaleidoscope” (National Museum of American Art, Smithsonian Institution, and Washington D.C.). His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA. Francisco Romero was a recipient of the prestigious 2001/2001 COLA Award Grant. Romero’s works can be seen at the Patricia Correia Gallery at Bergamot Station in Santa Monica and his newly created 44’ mural, “The L.A. River,” is currently on display at the Natural History Museum in Los Angeles’ “L.A.: Light/ Motion/Dreams” exhibition.

1091

Frank Romero (b. 1941)

“California Plaza,” 2001

Screenprint in colors on paper

Edition: 58/140

Partially signed and numbered lower left: F Rome; titled and dated by repute; Self Help Graphics and Art, Los Angeles, CA, prntr./pub., with their blindstamp in the lower right corner Image/Sheet: 37.75” H x 25.875” W

$700-900

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

1092

Frank Romero (b. 1941)

“New Follies,” 2004

Acrylic and mixed media on paper Signed in pencil at the lower left: F Romero; signed again, partially, along the upper edge, at right; titled and dated by repute 26” H x 42” W

$500-700

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

1093

Frank Romero (b. 1941) “Palm Drive-In,” 2002 Woodcut on cream paper Edition: 25/30

Signed and numbered in pencil in the lower margin: F Romero; titled and dated by repute; an unidentified blindstamp in the lower right margin corner Image: 22.25” H x 16” W; Sheet: 29.5” H x 22.5” W

$500-700

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

1094

Francisco “Frank” Romero (b. 1941)

“Freeway - Four Level,” 2003 Woodcut on cream paper Edition: 23/30

Signed and numbered in pencil in the lower margin: F Romero; titled and dated on a label affixed to the verso of the shrink wrap; an unidentified blindstamp in the lower right margin corner Image: 21” H x 16” W; Sheet: 28.5” H x 22.5” W

$500-700

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

1095

A William Spratling sterling siver and gold box

William Spratling (1900-1967)

Circa 1956-1962, Third Design Period; Taxco, Mexico

Stamped for William Spratling; Further marked: 925 / [Eagle 30]

The quilted body with hinged top and gold studs enclosing a single compartment

1.375” H x 3.626” W x 2.75” D

6.055 oz. troy approximately

$800-1,200

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 94, fig. 2-286.

1096

A William Spratling sterling silver and rosewood cuff William Spratling (1900-1967)

Circa 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Sterling / Spratling Silver Comprising a cuff designed with alternating rosewood and silver crescent shapes 6.875” total inner C x 1.625” H, including a 1.375” gap 77.1 grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 97, plate 87.

Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

William Spratling

Spratling (1900-1967)

link

1940-1946, First Design Period; Taxco, Mexico

for William Spratling; Further stamped: Made in Mexico / Silver

large, incised sterling links with scrolled cross motifs

1098

A William Spratling silver bird necklace William Spratling (1900-1967)

Circa 1939-1940, First Design Period; Taxco, Mexico

Stamped for William Spratling; Further stamped: 980 / Taxco

A link necklace designed as two stylized turkeys suspending three silver bells 20” L x 1.25” H 36.0 grams

$1,500-2,500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 86, plate 65.

Illustrated in Penny C. Morrill and Carole A. Berk, “Mexican Silver: Modern Hand-Wrought Jewelry & Metalwork” 4th ed. (Atglen, PA: Schiffer, 2007), 32, fig. III-3.

Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 35, fig. 2-32.

1099

A group of William Spratling silver and amethyst jewelry William Spratling (1900-1967)

Circa 1940-1946, First Design Period; Taxco, Mexico

Each stamped for William Spratling; Further variously stamped: Made in Mexico / Silver / Sterling

A pair of stone set amethyst bow brooches and a set amethyst ring, 3 pieces

Largest brooch: 2.25” H x 4.5” W; Ring: size: 10 128.7 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 46, fig. 2-92.

Illustrated in Penny C. Morrill and Carole A. Berk, “Mexican Silver: 20th Century Handwrought Jewelry & Metalwork,” (Atglen, PA: Schiffer, 1994), 45, fig. III-33.

1100

A group of William Spratling “Choluteca” silver and obsidian jewelry William Spratling (1900-1967)

Circa 1964-1967, Third Design Period; Taxco, Mexico

Each stamped for William Spratling; Further variously stamped: .925 / Taxco Mexico / [Eagle 63] / [Eagle 30]

Comprising two starfish brooches, a pair of matching earrings and a single matching earring, 5 pieces

Each brooch: 3” H x 3” W; Each earring: 2.75” H x 1.75” W approximately 72.5 grams gross $800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 96, fig. 2-302.

1101

Two William Spratling silver and amethyst star brooches William Spratling (1900-1967)

Circa 1940-1944, First Design Period; Taxco, Mexico

Each stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver [in oval]

Each brooch/clip fastener designed as a six-pointed star with four set amethyst cabochons and a double-pronged clip backing, 2 pieces

Each approximately: 2” H x 1.75” W 24.4 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1103

A pair of William Spratling silver and gem-set brooches William Spratling (1900-1967)

Circa 1933-1939 and 1940-1944, First Design Period; Taxco, Mexico

Each stamped for William Spratling; One stamped: Taxco / 980; One stamped: Made in Mexico / Spratling Silver

Each designed with Aztec motifs, centering one cabochon turquoise and one cabochon amethyst, 2 pieces

Each approximately: 2.125” H x 2.5” W 73.0 grams

$600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Phyllis M. Goddard, “Spratling Silver: A Field Guide: Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 22, fig. 2-4.

1102

A William Spratling sterling silver ring William Spratling (1900-1967) Circa 1940-1944, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver A sterling silver ring with segmented dome and silver ball accents Ring size: 6 16.0 grams

1104

Emilia Garcia (20th century) “Boda en Mictlan,” 2006 Giclee print on paper Edition: 5/50

Signed lower right: Emilia Garcia; titled lower center Image: 25” H x 20” W; Sheet: 28” H x 23” W

$300-500

Provenance: Artist’s Studio

The Carolyn J. Adrian Collection, South Pasadena, CA, acquired from the above, 2007

Notes: This work is accompanied by a Certificate of Authenticity from the artist’s studio.

1105

Emilia Garcia (20th century)

“El Gran Amor,” 2006 Screenprint in colors on paper Edition: 35/90

Signed, titled, and dated in pencil in the lower margin: Emilia Garcia; with an unidentified blindstamp in the lower left corner Image: 23.25” H x 17.25” W; Sheet: 27” H x 20.25” W $300-500

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

1106

Julio Cesar Pena Peralta (b. 1969, Cuban) Peralta (b. 1969)

Etching and aquatint in colors on paper under glass

A printer’s proof aside from the edition of unknown size

Signed, titled, dated and inscribed in pencil in the lower margin: Peña “Happy New Year,” 2007

Etching and aquatint in colors on paper under glass

A printer’s proof aside from the edition of unknown size Signed, titled, dated and inscribed in pencil in the lower margin: Pena Plate: 6.5” H x 4.5” W; Sight: 7.5” H x 5.5” W

$300-500

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

Notes: “My work is not about death. It’s about life. It’s about seeing ourselves. It’s like seeing life through an x-ray machine. We are all the same anatomically: What makes us different is the costume imposed on us when we are born.” ñ Peralta on his subject matter

A painter and printmaker from the Havana Experimental Workshop where he began printmaking in 1984. With an atelier in Central Havana his engravings, line cuts, silkscreens and monotypes can be found on recycled media have been exhibited in the U.S., Spain, Venezuela, Japan, France, England, Portugal, China, Mexico, and Argentina.

1107

An Antonio Pineda silver and moonstone necklace Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda; Further stamped: [Eagle 208] / Sterling / JCL / Taxco

A sterling collar necklace featuring ten square stylized links each inset with an oval cabochon moonstone 14.5” L x 1” H 141.7 grams gross $3,000-5,000

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 158, plate 225.

1108

An Antonio Pineda silver and moonstone bracelet Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda; Further stamped: [Eagle 17]/ Hecho en Mexico / 970 Comprising a sterling bracelet with curved links each with set moonstone cabochon 6.5” L x 0.75” H 57.3 grams gross $800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1109

An Antonio Pineda silver and moonstone bangle bracelet Antonio Pineda (1919-2009)

Circa 1953-1980; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / 970 / ZZ901 / [Eagle 17]

A hinged sterling bangle bracelet designed with nine floating oval moonstones and a moonstone clasp 6.5” inner C x 0.5” H 47.1 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 144, plate 182.

1110

An Antonio Pineda silver cuff bracelet Antonio Pineda (1919-2009)

Circa 1953-1980; Taxco, Mexico

Crown mark for Antonio Pineda; Further stamped: Hecho in Mexico / Silver / 970 / [Eagle 17] / ZZ661

A hammered domed silver cuff with tapered terminals 6.5” total inner C x 1.25” H, with a 1.25” gap 57.2 grams

$300-500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1111

A group of Antonio Pineda silver and onyx jewelry

Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda; Variously stamped: [Eagle 17] / Hecho en Mexico / 970; Bracelet stamped: F Gomez / Taxco Mexico / [Eagle 3]

Comprised of a graduated collar necklace with crescent-shaped set onyx links, along with a matching bracelet, earclips and curved set onyx drop earrings, 6 pieces Necklace: 15” L x 2.5” H; Bracelet: 7.5” L x 1.5” H; Largest earrings: 2.5” H 240 grams gross

$4,000-6,000

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 131, plate 157A, B.

Illustrated in Penny C. Morrill and Carole A. Berk, “Mexican Silver: Modern Hand-Wrought Jewelry & Metalwork” 4th ed. (Atglen, PA: Schiffer, 2007), 143, fig. XII-5.

1113

A group of Antonio Pineda silver and hardstone jewelry Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda and Eagle 17; Each variously stamped: Sterling / Mexico / 970 / Silver / YY715 / Made in Mexico / ZZ615 / Hecho en Mexico

Comprising an oval aventurine quartz link necklace (16” L x 0.5” H) with matching earrings (Each: 1.375” H), an aventurine quartz bird pendant suspended on detachable chain (19” L x 1.75” H), and a green stone hinged bracelet (6.75” L x 1” H), 6 pieces

169.9 grams gross

$1,000-1,500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1114

An Antonio Pineda silver and green stone bracelet Antonio Pineda (1919-2009) Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / Silver / 970 Comprising a bracelet with five sterling horseshoe links each with a set oval green stone 6.5” L x 0.625” H 59.4 grams gross $800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1115

An Antonio Pineda silver and turquoise bracelet Antonio Pineda (1919-2009) Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda and Eagle 121 Comprising a sterling geometric open link bracelet with square set cut turquoise spacers 6.75” L x 1” H 91.8 grams gross $800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Antonio Pineda silver and gemstone brooches Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda and Eagle marks: Each variously stamped: Mota Tasco / Mexico / 970 / Hecho en Mexico / JVL Taxco / Taxco

A group of abstract and starburst brooches and a pendant set with turquoise, amazonite, colorchange synthetic sapphire, and amethyst, 5 pieces

Turquoise pendant: 2.75” H x 2” W

grams

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1117

A suite of Antonio Pineda silver jewelry Antonio Pineda (1919-2009)

Circa 1949-1953; Taxco, Mexico

Each stamped: Antonio / Jewels / Taxco; Further variously stamped: Y 459 [necklace] / ZZ 549 [each bracelet] Comprising an incised scroll link necklace and two matching bracelets, which all connect together to form a longer necklace, 3 pieces

Necklace: 15.5” L x 0.75” H; Each bracelet: 7” L and 7.5” L x 0.75” H; Total length: 30.5” 203.0 grams

$800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A

Pineda (1919-2009)

1953-1979;

mark

Necklace:

variously

Hecho en Mexico / Silver /

chunky,

1119

Two Antonio Pineda silver and hardstone pillbox pendants

Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda; Variously stamped: [Eagle 17] / Hecho en Mexico / Silver / 970 / [Eagle 208] / JCL / Taxco / 925; Chains appear unmarked

Comprising two sterling pillbox pendants, one with a central tiger’s eye cabochon (2” H) and one with a central malachite cabochon (2.25” H), each suspended from a detachable chain, 4 pieces Chains: 19” L and 18.5” L 150.5 grams gross

$600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A set of Antonio Pineda silver jewelry Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda and Eagle 17; Each variously stamped: Hecho en Mexico / 970 / ZZ777 / JFL / YY641

A silver necklace and bracelet each comprised of stylized wave abstract links, 2 pieces Necklace: 16.25” L x 0.625” H; Bracelet: 7.5” L x 0.875” H 175.5 grams

$1,000-2,000

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1121

Two Antonio Pineda silver bracelets Antonio Pineda (1919-2009) Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda and Eagle 17; Each variously stamped: Made in Mexico / Silver / ZZ616 / Hecho en Mexico / Silver / 970 / ZZ571

Comprised of two hinged silver bracelets, one with square concave links (6.5” L x 0.75” H), and one with U-shaped links (6.375” L x 0.875” H), 2 pieces 244.9 grams

$1,200-1,800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1122

Rufino Tamayo (1899-1991)

“Figura de Pie,” 1977

Mixographia on handmade paper Edition: IX/X

Signed in pencil lower right: R. Tamayo; numbered in pencil lower left Sight: 27” H x 19.5” W $2,000-3,000

Literature: Turner 189

Notes: This lot is accompanied by a sales receipt from B. Lewin Galleries

1123

Rufino Tamayo (1899-1991)

“Langosta,” 1973

Color lithograph on paper Edition: 6/75

Signed lower right: R. Tamayo; numbered lower left Sight: 28” H x 22” W

$1,500-2,500

Literature: Turner 138

Notes: This lot is accompanied by a sales receipt from B. Lewin Galleries.

1124

Francisco Toledo (1940-2019)

“La Cuadrada,” 1976

Etching and soft-ground in colors on paper under glass Edition: 10/15

Signed and numbered in pencil in the lower margin; titled and dated on a gallery label affixed to the frame’s backboard Plate: 6” H x 7” W; Sight: 12.5” H x 9.25” W

$800-1,200

Provenance: Sta. Carrie Adrian, according to the gallery label mentioned above Galeria Arvil, Mexico City, Mexico

The Carolyn J. Adrian Collection, South Pasadena, CA

Notes: Born in Juchitan, Oaxaca in 1940, Francisco Toledo spent his childhood between Juchitan and Minatitlan, Veracruz. As a young man, Francisco Toledo followed his father into the jungles of Oaxaca on wild animal hunts. Later, he moved to Mexico where he took up the trade of lithography from the engraving workshops at the local School of Arts and Crafts. In 1959, after developing his craft, Toledo exhibited his works at Antonio Souza’s gallery in Mexico and at the Fort Worth Art Center in Texas. These early years informed the artist he would become. “Toledoís is the art of shamanism,” Christopher Goodwin of The Guardian wrote in 2000, “in which people are transformed into beasts and animals and may take on human characteristics.” President Andres Manuel Lopez Obrador of Mexico announced the death on Twitter, calling Mr. Toledo “a true defender of nature, customs, and traditions of our people.” While he preferred anonymity, his service to cultural preservation and celebration of traditional imagery gained him national acclaim. His first one-man show at 19 years set the stage for his travels to Paris where he was supported by poet Octavio Paz and the painter Rufino Tamayo. Toledoís fascination with the metaphors of indigenous animals as symbols of Mexican history and mythology abound in his art. He settled definitively in Mexico in 1967.

Jose Clement Orozco (1883-1949)

“Mural Detail,” 1929

Lithograph on paper Edition: 22/100

Signed and titled in pencil lower right margin: Jose Clement Orozco; signed again in pencil lower left

13” H x 10” W; Sheet: 16” H x 11.5” W

Notes: Printed by George Miller.

Jose Clement Orozco (1883-1949)

Cabeza de Mujer (Woman’s

Lithograph

Signed

1127

Angel “Andy” Eusebio Rivero Sierra (b. 1965)

“Frijoles negros con ketchup,” 2003 Collograph in colors on paper

An artist’s proof aside from the edition of unknown size Signed, titled, dated and inscribed “P/A” in pencil in the lower margin: Andy Plate: 27” H x 19” W; Sight: 28 75” H x 20.25” W

$500-700

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

Notes: Angel “Andy” Eusebio Rivero Sierra is a contemporary Cuban painter and graphic designer. Graduating in 1987 from the Institute of Industrial Design of Havana, Cuba, Sierra has emerged as an important representative of the current Cuban abstract expressionism. Sierra is a founder of the prestigious Cuban artistic association “Hermanos Sa”z”. He’s also a member of the Experimental Workshop of Engraving of Havana and the Cuban National Union of Artists and Writers (UNEAC).

His oil paintings, acrylic paintings, and prints have been successfully exhibited in numerous private collections and public exhibitions in Cuba, United States, Spain, Switzerland, Finland, Poland, Russia, Japan, Argentina, Brazil, Mexico, Colombia, Puerto Rico, Panam· and Per˙.

A Molina sterling silver pitcher

Mid-20th century

Marked to underside: Hecho in Mexico / Molina / 925 With wood handle 9.5” H x 7” Dia. 30.875 gross oz. troy approximately $400-600

Notes: Inscription reads “XVII Tourno Pancario Golf 1966, Corporcacion Financiera L.A., Manuel Marron G.”

1130

A Mexican sterling silver tea service

Circa 1920-30s

Stamped: Alameda Plateria Juarez 58 / Sterling / Mexico

Comprising a water pitcher, tea pot, coffee pot, creamer, sugar, and sauce boat with underplate; all embellished with a floral motif and three-dimensional flower finials; both tea and coffee pot handles accented with banding of white stone, 7 pieces

Largest: 12.25” H x 7.75” W x 5” D; smallest: 2.875” H x 8.75” W x 4.25” D

$2,000-3,000

7.5”

1133

An Antonio Pineda silver and amethyst cuff bracelet Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda and Eagle 17; Further stamped: Silver / Hecho en Mexico / 970 A concave cuff bracelet with a central row of floating amethyst cones 6.25 total inner C x 1.625” H, including a 1” gap 71.5 grams gross $1,000-2,000

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 149, plate 194.

1134

An Antonio Pineda silver and amethyst bracelet Antonio Pineda (1919-2009) Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 3] / Hecho en Mexico / 970 / MPC Taxco / ZZ750

An architectural hinged bangle bracelet with set amethyst closure 6.5” inner C x 1.25” H 91.7 grams gross

$1,200-1,800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 139, plate 167.

1136

Two Antonio Pineda silver and amethyst bracelets Antonio Pineda (1919-2009)

Circa 1948-1953; Taxco, Mexico

Each stamped: Silver by Tono; Further stamped: Mexico

Comprising a link bracelet with pear shaped amethyst (8” L x 1.25” H) and a half cylindrical link bracelet (7” L x 0.625” H), 2 pieces 149.1 grams gross

$1,200-1,800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A set of Antonio Pineda silver and amethyst jewelry Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda, Eagle 17 and Eagle 58; Variously stamped: 970 / Hecho en Mexico

A sterling link necklace and similar style link bracelet comprised of teardrop amethyst wrapped in abstract silver frames, 2 pieces

Necklace: 17” L x 0.625” H; Bracelet: 7.25” L x 0.75” H 127.2 grams gross

$1,000-2,000

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Angel “Andy” Eusebio Rivero (b. 1965)

“Dame un Chacito para Vivir,”

Signed, titled, dated, inscribed, and numbered in the lower margin: Andy, La Habana

16” H x 21.5”W;

18.5”

Notes: A certificate of

signed by, Angel (“Andy”) Rivero Sierra. affixed verso.

photo of Angel “Andy” and Iliana Rivero, in Havana, 2002, affixed verso.

Angel “Andy” Eusebio Rivero Sierra (b. 1965)

“Tierra Viento y Fuego,” 2002

Collagraph on paper Edition: 13/13

Signed, titled, and dated in pencil in the lower margin: Andy Plate: 24.5” H x 16” W

$500-700

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

Notes: Angel “Andy” Eusebio Rivero Sierra is a contemporary Cuban painter and graphic designer. Graduating in 1987 from the Institute of Industrial Design of Havana, Cuba, Sierra has emerged as an important representative of the current Cuban abstract expressionism. Sierra is a founder of the prestigious Cuban artistic association “Hermanos Sa”z”. He’s also a member of the Experimental Workshop of Engraving of Havana and the Cuban National Union of Artists and Writers (UNEAC). His oil paintings, acrylic paintings, and prints have been successfully exhibited in numerous private collections and public exhibitions in Cuba, United States, Spain, Switzerland, Finland, Poland, Russia, Japan, Argentina, Brazil, Mexico, Colombia, Puerto Rico, Panam· and Per˙.

1140

Francisco Zuniga (1912-1998)

“Soledad Acostada,” 1973 Lithograph in colors on paper Edition: 53/100

Signed and dated: Zuniga Image: 22.5” H x 30” W

$1,000-1,500

1141

Francisco Zuniga (1912-1998)

“Juchiteca’s Platicando,” 1985

Lithograph in color on paper Edition: 18/150

Signed, dated, and numbered in pencil lower left: Zuniga Sight: 22.5” H x 30” W

$1,000-1,500

Notes: This lot is accompanied by a sales receipt from The Upstairs Gallery.

1142

Francisco Zuniga (1912-1998)

“Mujeres de Mexico,” 1973

Lithograph in colors on paper Edition: 53/100

Signed, dated, and numbered in pencil lower left: Zuniga Image: 22.5” H x 30.25” W

$1,000-1,500

1144

A set of Antonio Pineda sterling and onyx jewelry Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda and Eagle 17; Each variously stamped: Silver / 970 / Hecho en Mexico / Sterling / Mexico / Silver Comprising a necklace of crossover silver bars alternating with faceted diamond-shaped onyx, with matching earclips, 3 pieces

Necklace: 17.5” L x 0.75” H; Each earring: 1.25” H 140.2 grams gross $800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A trio of Antonio Pineda silver and onyx jewelry

Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

mark for Antonio Pineda and Eagle 17; Each variously stamped: Silver / 970 / Sterling / Mexico / ZZ700

Comprised of an onyx set sterling bracelet with similar design earrings, each designed with crossed silver curved bars alternating with faceted diamond-shaped onyx, 3 pieces

Bracelet: 6.625” L x 1” H; Each earring: 1.375” H

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1146

An Antonio Pineda silver and green stone bracelet Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda; Further stamped: [Eagle 17] / [Eagle 9] / Hecho en Mexico / Silver / 970 Comprising a sterling Modernist bracelet with hourglass silver links alternating with green hardstone cabochon links

6.5” L x 0.75” H 104.1 grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1148

Two Antonio Pineda silver and stone bracelets Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda; Each variously stamped: [Eagle 17] / Hecho en Mexico / 970 / Silver Comprising two bracelets with geometric links; one set with faceted amethyst and one with diamond shaped green stone, each with a chain guard, 2 pieces

Each: 7” L x 0.75” H

grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1147

An Antonio Pineda silver and onyx bracelet Antonio Pineda (1919-2009) Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 17] / Sterling / Mexico / Silver / 970 Comprising a sterling geometric open link bracelet with square cut set onyx spacers 6.25” L x 0.875” H 83.6 grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1149

A set of Antonio Pineda silver and onyx jewelry Antonio Pineda (1919-2009)

Circa 1953-1979 and 1962-1963; Taxco, Mexico

Crown mark for Antonio Pineda; Variously stamped: [Eagle 17] / Sterling / Mexico / Silver / 970 / ZZ767 / Los Castillo Soc Coop Scl Sec 2

Comprising a bracelet with stylized geometric links with set curved onyx and silver balls and a pair of matching earclips, 3 pieces

Bracelet: 7” L x 0.875” W; Each earring: 1” H 102.2 grams gross

$600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Antonio Pineda silver jewelry Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda; Each variously stamped: [Eagle 17] / [Eagle 3] / Hecho en Mexico / 970 / ZZ609 / YY510 / JVL Taxco

A link necklace (16” L x 0.75” H), matching link bracelet (6.75” L x 1.25” H) and pair of earclips (Each: 1.375” H), each comprised of stylized leaves, 4 pieces 229.2 grams

$1,500-2,500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A mixed set of Antonio Pineda silver jewelry Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda and Eagle 17; Each stamped: Hecho en Mexico / Silver / 970 Comprising a necklace of concave geometric links and a similar style link bracelet, 2 pieces Necklace: 17.5” L x 0.5” H; Bracelet: 6.5” L x 0.75” H 257.0 grams

$1,000-2,000

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A mixed set of Antonio Pineda silver jewelry Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda and indistinct Eagle marks; Each further variously stamped: Hecho en Mexico / 970 / Silver / Made in Mexico Comprising a link necklace (YY510) and link bracelet (ZZ609), each designed in a leaf motif, 2 pieces

Necklace: 18” L x 0.875” H; Bracelet: 6.5” L x 1.125’ H 192.3 grams

$1,000-2,000

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jesus Mariano Leuus (b. 1948)

Figure with watermelon,

Singed and dated lower

Leuus

1155

Vladimir Cora (b. 1951)

Untitled (#70), Abstract strip, 1985 Oil on canvas

Signed and dated lower left: Vladimir Cora 27.5” H x 23.375” W

$2,000-3,000

Notes: This lot is accompanied by a sales receipt from B. Lewin Galleries.

1156

Reyna Castano (b. 1963)

Geometric Desires IV, 1992 Mix media and oil on canvas Signed and dated lower left: Reyna Castano 35.5” H x 43.25” W

$1,000-2,000

1157

Two Antonio Pineda silver and amethyst brooches Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda and Eagle 17; Further variously stamped: Hecho en Mexico / Silver / 970 / [design number]

Comprising a brooch of bunched trumpet blossoms tipped with silver and amethyst (4.25” H x 2.25’ W) and a “pea in a pod” brooch with amethyst peas (PR571; 3.5” H x 1” W), 2 pieces 56.9 grams gross

$400-600

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1158

Two Antonio Pineda silver floral brooches Antonio Pineda (1919-2009)

Circa 1941-1950 and 1953-1979; Taxco, Mexico One with crown for Antonio Pineda; Variously stamped: AP / Sterling / Mexico / 970 / [Eagle 17] Comprising two sterling flower brooches, one in oxidized silver with wire tendrils (2.5” H x 3.5” W) and one with a spray of buds and blooms (1.5” H x 3.625” W), 2 pieces 52.4 grams

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: One brooch illustrated in Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 32, plate 15.

1159

A group of Antonio Pineda silver jewelry Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: [Eagle 208] / [Eagle 58] / JVL Taxco / 925 / Silver / 970; Earrings attributed to Pineda Comprising two domed silver rings, two rings with geometric silver overlay motifs, and one pair of thick hoop clip earrings, 6 pieces Largest ring size: 10; smallest: 7; Each earring: 1.125” Dia. 74.3 grams

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1160

A group of Antonio Pineda Lascaux-motif silver jewelry Antonio Pineda (1919-2009) Circa 1953-1979; Taxco, Mexico Each with crown mark for Antonio Pineda and 970 Four works:

A mixed-metal buckle with a flock of birds motif on a black leather belt

Further stamped: [Eagle 17] / Hecho en Mexico / Silver Buckle: 2” H x 5” L; Belt: 31” L

A large shadowbox-style Lascaux-motif oval belt buckle on a black leather belt Further stamped: [Eagle 17] / Hecho en Mexico / Silver / PZ148 2.375” H x 5.75” W; Belt: 32” L

A shadowbox Lascaux-motif rectangular buckle Further stamped: [Eagle 17] / Hecho en Mexico / Silver / PZ155 1.125” H x 2.25” W

A pair of oval Lascaux-motif cufflinks Further stamped: [Eagle 3] / VJ / Taxco / Mexico Each: 1” H x 1.5” W 5 pieces 424.3 grams gross $800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1161

Two Antonio Pineda Lascaux-motif silver belt buckles Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda and 970; Each variously stamped: [Eagle 17] / [Eagle 3] / Hecho en Mexico / Silver / [design number] / Taxco Mexico VJ Comprising two shadowbox style belt buckles depicting Lascaux-inspired hunting scenes, one a large oval buckle (PZ148; 2.5” H x 5.75” W), and a smaller rectangular buckle (1.125’ H x 2.375” W), 2 pieces 175.5 grams

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1162

A suite of Antonio Pineda Lascaux-motif silver jewelry Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda; Further variously stamped: [Eagle 17] / [Eagle 3] / Hecho en Mexico / 970 / Sterling / Taxco / 925 / Hilda / Mexico

A group of silver accessories designed with shadowbox-style hunting motifs, including a silver belt buckle, a pair of oval silver cufflinks and a tie clip, 4 pieces

Buckle: 1.125” H x 2.5” W; Cufflinks: 1.25” H x 1.75” W; Tie clip: 2” W 81.5 grams

$400-600

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Similar designs illustrated in Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 141, plates 172-174.

1163

A group of Antonio Pineda silver cufflinks

Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico

Crown mark for Antonio Pineda and Eagle 17; Variously stamped: Silver / Hecho en Mexico / 970 Comprising three pairs of shadowbox style animal motif cufflinks, including a bull, an elephant and a deer, 6 pieces

Deer pair: 1” H x 0.875” W 80.5 grams

$400-600

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1164

A group of Antonio Pineda silver accessories Antonio Pineda (1919-2009)

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Variously stamped: [Eagle 17] / [Eagle 3] / Hecho en Mexico / 970 / JVL / Taxco / Silver

Comprising two silver tie clips (2” H and 1.25” H), an obsidian inlay money clip (2.25” H), a pair of silver cufflinks with geometric overlay (1.125” H) and a matching tie clip (1.25” H), and a pair of hardstone inlay cufflinks (1.25” H), 8 pieces 87.5 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1165

Luis Enrique Camejo (b. 1971)

“Calles,” 2005 Oil on canvas

Signed and dated lower left: L.E. Camejo; titled by repute 39.25” H x 51” W

$1,000-1,500

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

Notes: Luis Enrique Camejo (born January 19, 1971 in Pinar del Rio, Cuba) is a contemporary painter who won several prizes, including the First Place Prize in the V Painting Contest Nicomedes Garcia Gomezin in 2003. Camejo currently lives and works in Havana, Cuba. Luis completed his studies in the field of Plastic Arts. From 1982 to 1986, Luis Enrique Camejo attended the lessons of the Pinar del Rio School of Arts, before entering the National Art School in Havana from 1986 to 1990. He graduated from the Superior Art Institute of Havana (ISA) in 1996. Since 1996, Luis teaches Plastic Arts at the Superior Art Institute of Havana. Luis Enrique Camejo’s favorite themes are the relationship between man and his environmentóespecially urban environments at night. These themes are materialized by lights and color effects such as blurring or dripping in order to evoke the speed of modern times. Camejo is a member of the Cuban Artists and Writers Organization. He’s interested in the fleeting, immediate relationship of man with his environment. Although Camejo’s cities present images reminiscent of parts of Havana, they are always cosmopolitan, pluralistic places. Camejo is fascinated by capturing the movement and dynamics of the city. Cars, bicycles, buses, and passers-by seem to be always on the move. His cities are always frenzied. They don’t invite us to peace and quiet but to take part in the nomadic life of the great urban jungle.

1166

Luis Enrique Camejo (b. 1971)

Untitled, from “After the Rain” series, 2003 Watercolor on Arches paper

Signed and dated at the lower left: L. E. Camejo; titled by repute Sight: 21.5” H x 29.5” W

$800-1,200

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

1167

Luis Enrique Camejo (b. 1971)

“Bicicleta,” 2004

Metallic acrylic on paper under glass

Signed and dated lower left: L.E. Camejo; titled by repute

Sight: 26.75” H x 38.5” W

$800-1,200

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

1168

Luis Enrique Camejo (b. 1971)

Bicycle with aquamarine landscape, 2002 Watercolor on paper under glass

Signed and dated lower left: L. E. Camejo 22” H x 30” W

$700-900

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

Aguilar

Aguilar (1905-1986)

1940-1945; Taxco, Mexico

HA / Sterling [in box] / Made in Mexico

delicate necklace designed with alternating spade and point-form links with raised linework, strung

thin rope wire with a hook

L x 1”

Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda”

PA: Schiffer, 1996), 31, fig. I-28.

1170

A set of Hector Aguilar silver and copper jewelry Hector Aguilar (1905-1986)

Circa 1948-1962; Taxco, Mexico Each stamped: HA / .940 / Taxco / [Eagle 9] Comprised of a collar link necklace and matching bracelet, each formed of silver and copper chevron links, each with a hook clasp, 2 pieces

Necklace: 16.5 “ L x 1” H; Bracelet: 7” L x 1” H 197.4 grams gross $800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda” (Atglen, PA: Schiffer, 1996), 139, fig. III-109.

1171

A set of Hector Aguilar silver jewelry Hector Aguilar (1905-1986)

Circa 1940-1945; Taxco, Mexico

Bracelet stamped: HA / Taxco / 940

Comprised of a collar necklace and matching bracelet of geometric links, each with hook closure, which may be linked to form a longer necklace, 2 pieces

Necklace: 15.25” L x 0.75” H; Bracelet: 8.25” L x 0.75” H 139.8 grams

$800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda” (Atglen, PA: Schiffer, 1996), 65, fig. I-112.

1172

Two Hector Aguilar silver concho items Hector Aguilar (1905-1986)

Circa 1940-1945 and 1948-1962; Taxco, Mexico

buckle stamped

Further variously stamped: Sterling / Made in Mexico / .940 / Taxco / Mexico / Taller Borda / [Eagle 9]

Comprised of a black suede bracelet with three X-form conchos and a silver clasp buckle, together with a belt with five X-form conchos set to black fabric, with a silver clasp buckle, 2 pieces Bracelet: 7” L x 1.625”

Each concho: 1.75”

x 2”

Belt: 32” L x 1.375”

Each concho: 1.25” H x 2.125”

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda” (Atglen, PA: Schiffer, 1996), 107, fig. III-24.

Hector Aguilar “Armadillo”

Aguilar (1905-1986)

1943-1948; Taxco, Mexico

HA / Sterling / Made in Mexico

belt

two-piece clasp belt buckle of graduated hammered silver concave discs with rivet accents and

edges, together with a

2.75” H x 7.75”

of

soft black leather belt, 3 pieces

Tietze-Hodosh and Stuart Hodosh

A Hector Aguilar silver and copper “Armadillo” belt Hector Aguilar (1905-1986)

Circa 1948-1962; Taxco, Mexico Stamped: HA / .940 / Taxco / Mexico Comprising a mixed-metal two-piece buckle designed with concentric scales, together with a black leather belt, 3 pieces Buckle: 2.125” H x 4.75” W; Belt: 30.25” L 62.0 grams gross

The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1175

A Hector Aguilar sterling silver link bracelet Hector Aguilar (1905-1986) Circa 1948-1962; Taxco, Mexico Stamped: HA / [Eagle 9] / .940 / Taxco / Mexico Comprising a sterling two-link hinged bracelet with foliate motif panels 6.5 “ inner C x 1.25” H 126.4 grams

Literature: Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda” (Atglen, PA: Schiffer, 1996), 29, fig. I-25.

A Hector Aguilar

Aguilar (1905-1986)

1940-1948; Taxco, Mexico

HA / Taxco / 940

link

stylized “X” and curvilinear chevron links, with a pin

L

1”

of

in

Tietze-Hodosh

C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the

Borda” (Atglen, PA: Schiffer, 1996), 28, fig. I-23.

1177

Hector Aguilar

Aguilar (1905-1986)

1948-1962; Taxco, Mexico

HA / Taxco / Mexico / .940 / Taller Borda / [indistinct eagle]

link bracelet with stylized “X” and quatrefoil links, with pin closure

L x 1” H

of

Tietze-Hodosh

Stuart Hodosh

1179

A Hector Aguilar sterling silver cuff bracelet Hector Aguilar (1905-1986)

Circa 1940-1945; Taxco, Mexico

Stamped: HA / Taxco / 940

A cuff with a heavy rope braid overlay within a border of flattened twisted wire, finished with ball terminals 6.75” total inner C x 1.25” H; including a 1” gap 119.7 grams

$700-900

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda” (Atglen, PA: Schiffer, 1996), 89, fig. II-39.

1180

A set of Hector Aguilar sterling silver jewelry Hector Aguilar (1905-1986)

Circa 1940-1945, 1953, and 1948-1962; Taxco, Mexico

Each stamped: HA / Taxco / 940; Variously stamped: Mexico / [Eagle 9]

Comprising a sterling triple-ball and wave-link “Lyre” necklace with a matching link bracelet and a pair of earrings, 3 pieces

Necklace: 16.25” L x 0.75” H; Bracelet: 7.375” L x 0.5” H; Each earring: 0.75” H 190.7 grams

$800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda” (Atglen, PA: Schiffer, 1996), 30, fig. I-26.

1181

A set of Hector Aguilar sterling silver jewelry Hector Aguilar (1905-1986)

Circa 1940-1945 and 1948-1962; Taxco, Mexico

Each stamped: HA / 940; Variously stamped: Taxco / [Eagle 9] / Taller Borda Comprised of a collar link necklace, a matching bracelet and a pair of earrings, designed with stylized incised crescent-shaped riveted links, 4 pieces

Necklace: 17” L x 1” H; Bracelet: 7.5” L x 1” H; Each earring: 1” H 185.7 grams $800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda” (Atglen, PA: Schiffer, 1996), 149, fig. III-135.

A set of Hector Aguilar sterling silver jewelry Hector Aguilar (1905-1986)

Circa 1948-1962 and 1953-1962; Taxco, Mexico

Each stamped: HA / Taxco / .940 / [Eagle 9]; earrings stamped: Mexico Comprising a flat disc sterling link necklace and a pair of graduated flat disc screw-back earrings, 3 pieces

Necklace: 17” L x 0.625” H; Each earring: 1.75” H 110.3 grams

$800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Hector Aguilar silver jewelry Hector Aguilar (1905-1986)

Circa 1940-1945; Taxco, Mexico

Each stamped: HA; Variously stamped: Sterling / Made in Mexico / TB [conjoined] Comprised of two chunky rippled-edged square-link bracelets and a pair of matching earrings, 4 pieces

Each bracelet: 7.25” L x 1” H; Each earring: 0.875” H 216 grams

$700-900

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda” (Atglen, PA: Schiffer, 1996), 68, fig. I-117.

A group of Hector Aguilar sterling silver floral brooches Hector Aguilar (1905-1986)

Circa 1940-1945 and 1948-1962; Taxco, Mexico

Each stamped: HA / Taxco; Variously stamped: 940 / 990 / .940 / Mexico / [Eagle 9] / Taller Borda Comprised of three sterling floral bouquet brooches, including one with lily of the valley bell flowers, 3 pieces

Largest: 3.75” H x 3.5” W

grams

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1185

A mixed group of Hector Aguilar silver jewelry

Hector Aguilar (1905-1986)

Circa 1948-1962; Taxco, Mexico

Four stamped: HA / Taxco / .940 / [Eagle 9]; Two further stamped: Taller Borda; conchos unmarked Comprised of a linked bracelet (7.5” L x 1” H), a brooch (1.25” Dia.), one screw-back earring and one dangle earring (Each: 1.25” Dia.), as well as nine conchos (Each: 2.25” H x 2.75” W), all formed from incised openwork discs with an arabesque design, 13 pieces 228.3 grams

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1186

A group of Hector Aguilar sterling silver belt buckles

Hector Aguilar (1905-1986)

Circa 1940-1945 and 1948-1962; Taxco, Mexico

Each stamped: HA / Taxco; Further variously stamped: 940 / .940 / Mexico / [Eagle 9]

A group of five silver buckles with various incised designs, 5 pieces

Largest: 1.5” H x 2.75” W 175.8 grams

$400-600

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda” (Atglen, PA: Schiffer, 1996), 28, fig. I-22.

1187

Victor Gutierrez (b. 1950) Seated woman, 1987 Patinated bronze Edition: VII-X Signed, dated, and numbered in the casting: Victor Gutierrez / 87 32” H x 27” W x 15.25” D $2,000-4,000

A Matl sterling silver and vermeil necklace

Poulat (c. 1900-d. 1960)

1935-1948; Taxco, Mexico

to plaques: Matl / Hecho en Mexico / 0.925

by Matilde Poulat, an elaborate silver and gold wash link necklace with dove-motif

centerpiece with set turquoise and coral accents and a turquoise fringe

L x 3.125” H

The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A Matl silver pendant/brooch Matilde Poulat (c. 1900-d. 1960) Circa 1934-1955; Mexico City, Mexico Stamped to round plaque: Matl / 0.925 / Hecho en Mexico Designed by Matilde Poulat, the elaborate dove-motif articulated sterling silver brooch with central set turquoise, set coral and coral fringe 3.125” H x 2.875” W

grams gross

Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1190

A Matl silver, coral and opal pendant Matilde Poulat (c. 1900-d. 1960) Circa 1934-1940; Mexico City, Mexico Pendant stamped: Matl; Chain stamped: 925 Designed by Matilde Poulat, a quatrefoil pendant with filigree wire overlay and set coral and opals, on a silver chain Pendant: 1.875” H x 1.5” W; Chain: 19” L 19.5 grams gross

$800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1191

A Matl silver bird brooch Matilde Poulat (c. 1900-d. 1960)

Circa 1934-1948; Mexico City, Mexico Stamped: Matl

Designed by Matilde Poulat, comprising a repousse bird brooch with turquoise eye and silver backing 4” H x 2.75” W 37.3 grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1192

A Matl silver link bracelet with turquoise Matilde Poulat (c. 1900-d. 1960)

Circa 1934- 1948; Mexico City, Mexico Stamped to plaque: Matl Designed by Matilde Poulat, a bracelet with repousse links and set turquoise to central panel

7” L x 1.75” H 67.8 grams gross

1194

A trio of Matl silver and hardstone jewelry Matilde Poulat (c. 1900-d. 1960)

Circa 1934-1940 and 1934-1948; Taxco, Mexico

Each variously stamped: Matl

Designed by Matilde Poulat, comprising an articulated brooch with an opal cabochon and set turquoise (1.25” H), a silver quatrefoil brooch with set coral and turquoise, (1.25” Dia.), and a silver cruciform pendant with set coral and turquoise (1.25” H), 3 pieces 21.5 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Manuel Jimenez Ramirez carved wood animals

Manuel Jimenez Ramirez (1919-2005)

Circa 1960s-70s

Two marked with “517” in chalk; Frog with a paper “Made in Mexico” label

A collection of Oaxacan-style carved and polychrome painted wood alebrije figures comprising a pig (6.75” H x 10” L), a frog (4” H x 7.5” L), and a lion (6.5” x 13” L), 3 pieces

$800-1,200

1196

David Sisquerios (1896-1974)

Ariel view of Mexico City

Lithograph in colors on paper

Edition: XI/XXV

Signed in pencil lower right: DA Sisquerios; numbered in pencil lower left Image: 20.75” H x 15.5” W Sight: 22.75” H x 16.75” W

$600-800

1197

David Sisquerios (1896-1974)

“Los Indios, De La Carpeta”

Lithograph in colors on paper Edition: Artist’s Proof

Signed lower right margin: DA Sisquerios; Image: 21.25” H x 15.75” W; Sight: 23.25”

$700-900

1198

Luis Lopez Loza (b. 1939)

“The Mountain of Hope,” 1985 Mixed media etching and mezzotint in colors on paper Edition: 27/100

Signed lower right: Luis Lopez Loza; numbered lower left; titled and dated affixed on attached paper verso Plate: 7.75” H x 11.5” W; Sight: 10.5” H x 14” W

$400-600

Notes: A printed essay about Luis Lopez Loza affixed verso.

A mixed set of Los Castillo sterling silver and gem-set jewelry Circa 1940-1945 and 1950-1965; Taxco, Mexico

Each stamped: Los Castillo / Taxco / Sterling / [Design number]; Further variously stamped: Mexico / Made in Mexico

Comprised of an elaborate scrolled link necklace with set cut stones, No. 636 and similar style clip silver scroll earrings, No. 324, 3 pieces

Necklace: 18” L x 2” H; Each earring: 1.75” H 129.4 grams

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1202

A mixed group of Los Castillo jewelry

Circa 1940-1965; Taxco, Mexico

Two stamped: Los Castillo; Variously stamped: Taxco / Hecho en Mexico / [Eagle 15]; Ring stamped: Sterling / ___eca [likely partial Azteca]

Comprising a collar necklace formed of graduated links of set blue glass cabochons alternating with silver rectangular links with applied silver balls (15.25” L x 1” H), a matching blue glass and silver ring (Ring size: 6.25), and a similar style link bracelet of blue glass cabochons and silver ball spacers with a glass teardrop dangle (7.25” L x 2” H), 3 pieces 221.5 grams gross

$500-700

Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

1203

A set of Los Castillo silver and amethyst jewelry

Circa 1940-1945; Taxco, Mexico

Each stamped: Los Castillo / Taxco / Sterling / Made in Mexico / 514

Comprised of a “Fish in the Waves” silver plaque link bracelet and a matching brooch/pendant, each designed with amethyst cabochons, No. 514, 2 pieces

Bracelet: 7” L x 1.875” H; Brooch: 1.875” H x 3.375” H 115.5 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: This design illustrated: Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 105, pl VI-19.

A set of Los Castillo sterling silver jewelry

Circa 1940-1945; Taxco, Mexico

Necklace stamped: Los Castillo / Taxco / Sterling / Made in Mexico / 263; Bracelet appears unmarked

Comprising a link necklace and an associated smaller scale bracelet in stylized curls with ball joints, each with hook and eye closures

Necklace: 17.5 L x 1.25” H; Bracelet: 7” L x 1.125” H 283.4 grams

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 108, plate VI-22.

A suite of Los Castillo sterling silver jewelry

Circa 1940-1945; Taxco, Mexico

Each stamped: Los Castillo / Taxco / Sterling / Made in Mexico / [design number]

Comprised of an incised geometric link necklace No. 261 and bracelet No. 652, 2 pieces Necklace: 16.25” L x 0.75” H; Bracelet: 7” L x 0.625” H

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A set of Los Castillo sterling silver jewelry Circa 1940-1945; Taxco, Mexico

Each stamped: Los Castillo / Taxco / Sterling / Made in Mexico Comprising a sterling belt and matching necklace each designed with silver shadowbox style teardrop links, 2 pieces

Belt: 31.25” L x 1” H; Necklace: 15.5” L x 0.75” H 301.3 grams

$800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A mixed set of Los Castillo “Onix Negro” jewelry Circa 1959-1965; Taxco, Mexico Each stamped for Los Castillo; Variously stamped: Onix Negro / Hecho en Mexico / [Eagle 15] / Sterling / Made in Mexico / 30 / 43

Comprising a necklace of inlaid stone and silver links suspending an inlaid stone and silver pendant with silver dangles, as well as a link bracelet of similar design with clasp closure and chain guard and a pair of screw back earrings, 4 pieces

Necklace: 15.25” L x 3” H; Bracelet: 8” L x 0.5” H; Each earring: 0.75” H 146.6 grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1208

A group of Mexican silver jewelry

Two works:

A Los Castillo large filigree wire cuff bracelet

Circa 1950-1965; Taxco, Mexico

Stamped: Los Castillo / Taxco / Sterling / Made in Mexico / [Eagle 15] / 649

7” total inner C x 4” H, including a 1.5” gap

A pair of Reveriano Castillo silver wire earrings

Reveriano Castillo (b. 20th century)

Circa 1952-1980; Taxco, Mexico

Stamped: R [within] C / Taxco / Sterling / Mexico / 98

Each earring: 1.75” H

3 pieces 86.9 grams

$300-500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Los Castillo silver and amethyst jewelry Circa 1940-1945; Taxco, Mexico Each stamped: Los Castillo / Taxco / Sterling / Made in Mexico / [Design number]; Earrings further marked: A Comprised of an orchid brooch No. 723 (2” H x 2.5” W) two floral brooches Nos. 591 and 695 (Largest: 2.625” H x 2” W), and a pair of earrings No. 298 (Each: 1” H), all with a central set amethyst cabochon, 5 pieces 108.3 grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A large group of Los Castillo silver brooches Circa 1940-1945 and 1950-1965; Taxco, Mexico

Nine stamped: Los Castillo / Taxco / Sterling / Made in Mexico / [Design number]; One further stamped: [Eagle 15]

Comprising ten incised sterling brooches in various designs including two elaborate brooches of a diving fish, each set with a blue glass cabochon (No. 514), a bow brooch with suspended blue cabochon (No. 692), a brooch/pendant of a pair of swans (No. 516) and five brooches in various botanical designs (Nos. 220, 466, 543P, 548, 595), as well as a hand-hammered foliate dress pin, 10 pieces

Largest: 1.75” H x 3.5” W 239.1 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: One design illustrated in Penny C. Morrill and Carole A. Berk, “Mexican Silver: Modern HandWrought Jewelry & Metalwork” 4th ed.- (Atglen, PA: Schiffer, 2007), 80, fig. VI-1.

A mixed group of Mexican silver and hardstone Zodiac jewelry Two works:

A group of Los Castillo “Mosaico Azteca” zodiac brooches and charms

Circa 1950-1965; Taxco, Mexico

Each stamped for Los Castillo, Mexico and design no. 114; Further variously stamped: Taxco / Mosaico Azteca / Sterling / Silver / 925 / [Eagle 15]

Comprising eight zodiac design brooches/charms, with each designed in silver and mosaic hardstone inlay, including Leo, Gemini, Virgo, Scorpio, Pisces and Sagittarius (Each: 1.75” H), 8 pieces

A Margot de Taxco silver link bracelet Margot Van Voorhies (1896-1985)

Circa 1948-1978; Taxco, Mexico Stamped: [Eagle 16] / 5233

Comprising a circle link charm bracelet, No. 5233 8.25” L x 0.625” H 9 pieces total 222.7 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Los Castillo silver astrological items

Circa 1948-1955 and 1950-1965; Taxco, Mexico

Each stamped: Los Castillo / Taxco; Variously stamped: Sterling / 925 / Made in Mexico / [Eagle 15] / [Design number]; Ring stamped: Mosaico Azteca Comprising nine works, each with a shadowbox Zodiac figure, including three pair of earrings with motifs of Cancer, Aquarius, and Libra (146) and five silver money clips, with three of Capricorn and two of Leo (Four: 185; one: 146), as well as a silver and hardstone inlay ring with a Cancer sign (114), 12 pieces

Largest earring: 1.125” H; Largest clip: 1” H x 2.375” W; Ring size: 5.75 125.0 grams gross

$300-500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1213

A group of Los Castillo silver and mixed metal buckles

Circa 1950-1965; Taxco, Mexico

Each stamped for Los Castillo; Variously stamped: Hecho en Mexico / Taxco / Onix Negro / [Eagle 15] / 72 / 77 / 5 / Metales / 146

Comprising five buckles, including four “Onix Negro” silver and stone inlay belt buckles with various geometric motifs as well as a stylized animal mixed-metal ‘Metales” buckle, 5 pieces

Largest: 1.25” H x 2.25” W

Silver buckles: 124.0 grams gross

$300-500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1215

Jose Luis Serrano (b. 1947)

“Boton de Flor,” 1977

Silicografia on panel Signed and dated lower right: Serrano; titled on a gallery label affixed verso Sight: 23.5” H x 23.5” W

$200-300

Provenance: Galeria Arvil, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA, acquired from the above 1978

Notes: Serrano was born Jose Luis Ramirez Garcia on March 20th, 1947 in Guadalajara, Jalisco. Serrano studied art at the prestigious “La Esmeralda” Academy in Mexico City from 1963 until 1968. Since 1970, he’s showcased his work in numerous solo exhibitions in Mexico City, Michoacan, Guadalajara, La Paz, Oaxaca, Cancun, and Monterrey in Mexico as well as Tucson, AZ and San Francisco, CA in the United States and Vancouver, BC in Canada. He developed a print technique that he calls Silicografia that gives his work layers of texture along with colors. Between 1975 and 1976 he became a professor at his alma mater, La Esmeralda Academy.

1216

Jose Luis Serrano (b. 1947)

“Hombre del Manana,” 1976

Silicografia on canvas laid to Masonite Signed and dated lower left: Serrano; titled on a gallery label affixed verso 23.5” H x 17.75” W

$200-300

Provenance: Galeria Arvil, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA, acquired from the above 1978

1217

Jose Luis Serrano (b. 1947)

“Re-Encuentro No. 2,” 1977 Silicografia on canvas laid to board Signed and dated lower right: Serrano Sight: 23.5” H x 23.5” W; Board: 24” H x 24” W

$200-300

Provenance: Galeria Arvil, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA

1218

A Fernando Calderon black ceramic necklace Fernando Calderon (b. 1959) Late 20th century; Lima, Peru Signed to reverse: Calderon / Lima / Peru Formed of black matte glazed ceramic pieces of various shapes and sizes joined with and suspended from narrow braided beige cordage, interspersed and finished with brass aglets 35” L x 2.25” H

$600-800

1219

A Fernando Calderon black ceramic necklace Fernando Calderon (b. 1959) Late 20th century; Lima, Peru Signed to reverse: Calderon Formed of black matte glazed ceramic pieces of various shapes and sizes joined with and suspended from narrow braided beige cordage, interspersed and finished with brass aglets 33” L x 3.5” H

$600-800

1220

A Mexican sterling silver cuff bracelet Late 20th/21st century; Mexico Stamped: MFR / 925 / TF-07

A freeform silver modernist cuff with repousse dimple accent and raised edges 6.5” total inner C x 3.75 H, including a 1.5” gap 142.5 grams

$200-300

1221

Juan Alcazar Mendez (1955-2013)

“Hoyos al Vinito,” 1996

Etching and aquatint on paper

Edition: P.I 2/2

Signed, titled, dated, and numbered in pencil in the lower margin: Alcazar Plate: 21” H x 16.5” W; Sheet: 29.5” H x 21.5” W

A group of Salvador Teran sterling silver jewelry Salvador Teran (c. 1920-d. 1974)

Circa 1955-1970; Mexico City, Mexico

Each stamped: Salvador / Sterling / Mexico / 132 / [Eagle 36]

Comprising a silver Mayan warrior-inspired collar necklace (14” L x 1.25” H), a matching bracelet (6.5” L x 1.325” H), and a pair of screw-back earrings (1.125” H), 4 pieces

grams

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Salvador Teran Aztec-motif jewelry, for Marbel Salvador Teran (c. 1920-d. 1974)

Circa 1955-1970; Mexico City, Mexico

Each stamped: Marbel / SA / Salvador / Mexico / 1

Each in gold-plated base metal, comprising an elaborate link necklace with central black glazed ceramic mask (16.5” L x 2.5” H) and an elaborate articulated pendant with green glazed ceramic mask (5.25” H x 2.125” W), 2 pieces

grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Teran (c. 1920-d.

/ Mexico /

/ [Eagle

0.5”

7”

/

No. 161, 2

A group of Salvador Teran sterling brooch/pendants Salvador Teran (c. 1920-d. 1974)

Circa 1955-1970; Mexico City, Mexico

Each stamped: Salvador / Sterling / Mexico / [Eagle 36] [except small fish] / [Design number]

Comprising two pendant/brooches, including a parrot, No. 175 (3.5” H), and a shadowbox bird, No. 171 (1.75” H), as well as two further brooches, one of a swordfish No. 106 (2.25” H x 4” W) and a small shadowbox fish with set turquoise, No. 166 (2.375” H), 4 pieces 81.7 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C. Morrill, “Silver Masters of Mexico: Hector Aguilar and the Taller Borda” (Atglen, PA: Schiffer, 1996), 175, figs. IV-45 and IV-46.

A group of Abraham Paz sterling silver and amethyst jewelry

Abraham Paz (b. 20th century)

Mid-20th century; Mexico City, Mexico

Each stamped: AP / Sterling / Mexico; Variously stamped: [Eagle 1 ?] / [Eagle 22] Comprising two bracelets, one with rectangular silver links set with amethyst cushion cabochons (7” L x 1.125” H) and one with alternating silver shield and amethyst set diamond links (6.5” L x 1.125” H), as well two rings, including one with a teardrop set amethyst (Ring size: 6.5) and one set with a carved amethyst mask (Ring size: 5.5), 4 pieces 140.9 grams gross

$600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A set of Abraham Paz sterling silver jewelry

Abraham Paz (b. 20th century)

Circa 1940-1950; Mexico City, Mexico

Each stamped: A. Paz / 0.925; Necklace further stamped: Hecho en Mexico

Comprised of a link necklace and matching bracelet designed with trapezoidal links, 2 pieces Necklace: 17” L x 0.75” H; Bracelet: 6.75” L x 0.875” H 94.7 grams

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A mixed group of Parra silver jewelry Horacio de la Parra (b. 20th century)

Circa 1945-1948; Mexico City, Mexico

Each bracelet stamped: PARRA / Silver / Mexico; One earring stamped: PARRA / Mexico / 925 / [Eagle 30] / Alpaca [clip]; one earring: JP / Hecho en Mexico / 925

Comprised of a three-panel hinged bracelet with green hardstone cabochons, silver balls and incised foliate designs, a similar style three-panel hinged bracelet with large round onyx stones, and a near-pair of silver ball earrings, 4 pieces

Each bracelet: 7” L x 1.375” H; Each earring: 0.625” Dia. 216.0 grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1231

20th Century Mexican School

Two works:

“Gozando,” 2007

“Lesbianas,” 2007

Etching and aquatint on paper

Each: Edition: P/A; Signed, titled, dated, and numbered in pencil in the lower margin

Each plate: 6.5” H x 5” W; Each sheet: 11” H x 7.5” W

$300-500

1233

Kadir Lopez Nieves (b. 1972)

“Esperando la Marea,” 2004 Acrylic on linen Signed together with the artist’s birth year lower right: Kdir / 1972; titled and dated by repute 41.25” H x 55” W

$1,000-1,500

Provenance: The Carolyn J. Adrian Collection, South Pasadena, CA

Notes: Kadir Lopez Nieves was born in 1972 in Las Tunas, a provincial Cuban town. Lopez overlays “remaindered” 1950s American signage with translucent images to capture, preserve, and convey his take on post-1950s historical events and anecdotes. The results are multidimensional creations bound in the context of time and influence with a unique blend of homeland relic and memory. The signs are old, battered, and on occasion even have bullet holes. Kadir then paints, draws, or prints historic images of Cuba onto the worn signs, purposely utilizing ceramic paints, resins, or enamels to create transparent images that float on top, instead of concealing the image.

His watercolors here, have environmental and political imagery, keeping with his motivation for his work to continue commentary on free will, adolescence, and more. Kadir Lopez Nieves currently lives and works in Cuba.

A Margot de Taxco “Serpent” silver and enamel bracelet Margot Van Voorhies (1896-1985) Circa 1955-1978; Taxco, Mexico

Stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / 5554 [faint] Comprising a hinged green melange enamel serpent link bracelet 7” L x 1.625” W 55.6 grams gross

Literature: This design illustrated: Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 138, plate VIII-7.

A group of Margot de Taxco silver and enamel jewelry Margot Van Voorhies (1896-1985)

Circa 1955-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / [Design number] Comprising a “Floral Spiral” bib necklace (16” L x 1.75” H) in black with similar earclips (Each: 0.875” H), each No. 5384 and a “Circular Spiral” bib necklace in black, No. 5357 (15” L x 1.75” H), 4 pieces 132.3 grams gross

$700-900

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Margot de Taxco silver and enamel jewelry Margot Van Voorhies (1896-1985)

Circa 1955-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Made in Mexico / Sterling / [Eagle 16] / [Design number] Comprising a teal enamel “Square Scroll” hinged bracelet No. 5376 (6.5” L x 1” H), a turquoise and white melange “Mum in Circle” pendant/brooch with detachable chain No. 5842 (23.5” L x 2.325” Dia.) and a teal “Circular Spiral” bib necklace No. 5357 (16” L x 1.75” H), 3 pieces 207.5 grams gross

$800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Spiral design illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 132, plate VII-37.

An assembled suite of Margot de Taxco silver and enamel jewelry Margot Van Voorhies (1896-1985) Circa 1955-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / [Design number]

A group of white, purple, teal and green enamel jewelry including a “Quetzal Bird” necklace with detachable pendant/brooch and an additional brooch and pair of earclips, each No. 5755, as well as an oval “Flowers in a Circle” brooch/pendant No. 5860, and an additional pair of butterfly earclips, No. 5861, 7 pieces

Necklace: 21.5” L x 2” H; Largest brooch: 2” H; Largest earclip: 1.5” H 118.5 grams gross

$700-900

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 10 and 154, plates Ack-1 and IX-4.

A group of Margot de Taxco silver and blue glass jewelry Margot Van Voorhies (1896-1985)

Circa 1948-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / 5240 Comprising a sterling necklace of stylized feather links set with blue glass cabochons, together with a matching double-width bracelet and two pair of earclips, all No. 5240, 6 pieces Necklace: 15.5” L x 0.875” H; Bracelet: 7.5” L x 1.5” H; Each earring: 1.25” H 207.9 grams gross

$700-900

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen, PA: Schiffer, 2010), 110, plate VI-26.

A suite of Margot de Taxco “Classic Scrolls” jewelry Margot Van Voorhies (1896-1985)

Circa 1955-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16, indistinct] / 5583 Comprising a blue and white enamel “Classic Scrolls” bib necklace, together with a matching link bracelet and a pair of earrings, 4 pieces

Necklace: 15” L x 0.75” H; Bracelet: 6.25” L x 1.25” H; Each earring: 1.75” H 159.0 grams gross

$400-600

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 18, plate 4.

A suite of Margot de Taxco “Shadow Box” silver and enamel jewelry Margot Van Voorhies (1896-1985) Circa 1955-1978; Taxco, Mexico Two stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / 5461; Earrings unmarked

Comprised of a link collar necklace with a matching link bracelet, each designed with square enamel links in black, white and brown, together with a pair of matching clip earrings, 4 pieces Necklace: 15” L x 0.625” H; Bracelet: 6.5” L x 0.625” H; Each earring: 0.875” H 149.8 grams gross

$600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 136, plate VIII-5.

A mixed group of Margot de Taxco silver and enamel jewelry Margot Van Voorhies (1896-1985) Circa 1955-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / [Design number] Comprising a brown and black enamel floral “Chrysanthemum” link bracelet with matching earclips, each No. 5685, as well as a black and silver foliate bib necklace No. 5719, 4 pieces

Necklace: 17” L x 1.375” H; Bracelet: 6.75” L x 1.25” H; Each earring: 1.375” H 148.5 grams gross

$800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 20 and 21, plate 6 and 7.

1244

A suite of Margot de Taxco silver and enamel jewelry Margot Van Voorhies (1896-1985)

Circa 1955-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Made in Mexico / Sterling / [Eagle 16] / 5626

Designed by Margot Van Voorhies in the “Small Curled Leaf” design with stylized leaves in green and white enamel, comprising a link necklace, a double-width link bracelet, and a pair of screwback earrings, 4 pieces

Necklace: 15.5” L x 1” H; Bracelet: 6.75” L x 1.25” H; Each earring: 1.75” H 136.6 grams gross $800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 50, plate I-1.

1246

A group of Margot de Taxco silver and enamel devotional jewelry Margot Van Voorhies (1896-1985)

Circa 1955-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / [Design number]; Chain stamped: 042KGF

Comprised of two circular pendants, one of St Christopher, No. 5537, and one on a chain, of the Madonna and Child, No. 5532, as well as a green and black cross form pendant/brooch No. 5431, 4 pieces

Each pendant: 1.875” Dia.; Brooch: 2.125” Dia.; Chain: 23.5” L 98.5 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: One design illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 93, plate V-14.

A

Voorhies (1896-1985)

A set of Margot de Taxco

Van Voorhies (1896-1985)

1948-1978; Taxco, Mexico

stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / 5370

a sterling chain link collar necklace and matching link charm bracelet No. 5370, 2

Necklace: 16.5”

0.625”

Bracelet: 8”

0.625”

A group of Margot de Taxco sterling silver jewelry Margot Van Voorhies (1896-1985)

Circa 1948-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / [Design number] Comprising a molded plaque link bracelet No. 5120 (7.25” L x 1.5” H), a foliate hinged cuff bracelet (6.25” inner C x 2” H) and a pair of matching earclips (Each: 1.625” H), each No. 5474, as well as a pair of foliate earclips No. 5488 (each 1.25” H) and a pair of pierced floral earrings No. 5578 (1.5” H), 8 pieces

grams

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Floral earrings, no. 5578, illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 36, plate 22.

Foliate cuff design: Ibid., 57, plate 1-11.

1250

A set of Margot de Taxco sterling silver jewelry Margot Van Voorhies (1896-1985)

Circa 1948-1978; Taxco, Mexico

Three stamped to plaques: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / 5104; Each earring stamped: De Taxco / 5104

Comprising three sterling repousse shell link bracelets which combine to make one necklace or a necklace and bracelet, along with a single extension link and a pair of matching earclips with hoop dangles, all No. 5104, 6 pieces

Two bracelets: 7” L x 1” H; one: 7.25” x 1” H; Total length as a necklace: 21.5” L; Each earring: 1.625” H 147.9 grams

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 146, plate VIII-20a & b.

A Margot de Taxco Capricorn “Zodiac” charm bracelet Margot Van Voorhies (1896-1985) Circa 1948-1978; Taxco, Mexico

Stamped: Margot de Taxco / Sterling / Made in Mexico / 5223; Chain stamped: Sterling / Mexico

A silver chain link bracelet with a large round astrological pendant/charm of Capricorn Charm: 1.625” Dia.; Chain: 7.75” L 47.8 grams

$300-500

Literature: This design illustrated: Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 148, plate VIII-24.

1252

A group of Margot de Taxco silver “Zodiac” jewelry Margot Van Voorhies (1896-1985)

Circa 1948-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / [Design number]

Comprising a chunky chain link bracelet with attached charm of Leo (5370, 5227), four circle charms including Scorpio, Taurus and Capricorn (5223, 5230, 5231), two circle brooches, Taurus and Leo (5227, 5230), three figural brooches, Capricorn and Scorpio (5223, 5231), one square charm of Gemini (5451), and a square charm keychain of Virgo (5450), 12 pieces

Bracelet: 7.5” L; Each circle charm/brooch: 1.75” Dia. 239.0 grams

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: The charm designs illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 148, fig. VIII-24.

A group of Margot de Taxco sterling silver jewelry Margot Van Voorhies (1896-1985)

Circa 1948-1978; Taxco, Mexico

Each stamped: Margot de Taxco / [Eagle 16] / Made in Mexico / Sterling / 5243

Comprising a silver link necklace with matching link clasp bracelet and pair of earclips, No. 5243, 4 pieces

Necklace: 16” L x 0.875” H; Bracelet: 7” L x 1.25” H; Each earring: 1.375” H 120.8 grams

$800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1254

A group of Margot de Taxco silver and enamel jewelry Margot Van Voorhies (1896-1985)

Circa 1955-1978; Taxco, Mexico

Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / [Design number]; Bracelet further stamped: 925

Comprised of two bib link necklaces, one in yellow and green enamel, the other in green and black enamel, each in a “Jeweled Circles and Squares” design No. 5603, as well as a hinged plaque link bracelet in green, black and yellow enamel in a “Quetzal Feathers “ design No. 5695, 3 pieces

Each necklace: 16” L x 0.75” H; Bracelet: 7” L x 1.75” H 183.5 grams gross $800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: Two designs illustrated in Penny C Morrill, “Margot Van Voorhies: The Art of Mexican Enamelwork” (Atglen PA: Schiffer, 2010), 32-33, plate 18-19.

1255

A carved wood Nuestra Senora de Dolores, by Victoria Garcia Parrett 21st century

Signed: Victoria Garcia Parrett The devotional carved wood sculpture depicting Nuestra Senora de Dolores, Our Lady of Sorrows 15” H x 3.25” W x 2.5” D

$200-400

A group of Fred Davis silver and turquoise jewelry

Fred Davis (1880-1961)

Pre-1948; Mexico City, Mexico

Stamped for Fred Davis; Further stamped: Mexico / Silver / Made in Mexico; Earrings attributed to Davis

A necklace comprised of silver half sphere clusters each centering a cabochon turquoise (16” L x 1” H), together with two matching bracelets (7.5” L and 7.75” L) and a pair of screw-back earrings (Each: 1” H) , 5 pieces 252 grams gross

$1,500-2,500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1257

A group of Fred Davis silver and amethyst jewelry

Fred Davis (1880-1961)

Pre-1948; Mexico City, Mexico Stamped for Fred Davis; Further stamped: Made in Mexico / Mexico / Silver Comprising a rectangular carved amethyst link bracelet with ring and a pair of screw back earrings, 4 pieces

Bracelet: 7.25” L x 1” H; Each earring: 0.75” H; Ring size: 6”; 1.125” H 98.1 grams gross

$600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1258

A group of Fred Davis silver and green hardstone brooches

Fred Davis (1880-1961)

Pre-1948 and Post-1948, Mexico City, Mexico

Three stamped for Fred Davis; Variously stamped: Silver / Mexico / Sterling / Made in Mexico; Two brooches stamped: [Eagle 22]

Comprising a floral brooch with green hardstone and three various-sized angel brooches set with central turquoise, 4 pieces

Floral brooch: 3.625” H x 2.25” W; Large angel: 1.875” H x 1.875” W 58.5 grams gross

$600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Fred Davis silver and amethyst brooches

Fred Davis (1880-1961)

Pre-1948; Mexico City, Mexico

Each stamped for Fred Davis: Further stamped: Silver / Mexico

A group of stylized flower brooches with carved amethyst flowers, 3 pieces Largest: 3.325” H x 1.5” W 101 grams gross

$800-1,200

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A set of Fred Davis silver and obsidian mask jewelry

Fred Davis (1880-1961)

Pre-1948; Mexico City, Mexico

Each stamped for Fred Davis; Variously stamped: Made in Mexico / Silver Comprising a carved obsidian mask and silver link necklace with a matching bracelet, 2 pieces Necklace: 15” L x 1.5” H; Bracelet: 8” L x 1” H 106.7 grams gross

$700-900

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Fred Davis silver and obsidian jewelry Fred Davis (1880-1961) Pre-1948; Mexico City, Mexico Stamped for Fred Davis; Ring further stamped: Silver Comprised of three carved obsidian mask brooches (Largest: 2” H x 2.75” W), a carved obsidian and set turquoise brooch (2” H x 1.5” W), a carved obsidian ring (Ring size: 7.25), and a similar pair of cufflinks (Each: 0.625” H), 7 pieces

grams

The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

(d.

/ Hecho en Mexico / 925 / Plateria

/ [Eagle 3] /

1265

A Enrique Ledesma mixed metal bracelet Enrique Ledesma (d. 1979) Circa 1955-1979; Taxco, Mexico Stamped: Ledesma / Hecho en Mexico / 925 / [Eagle 3] / 284 Comprising a mixed-metal hinge link bracelet with central silver mask with hardstone inlay features 7” L x 1.625” H 85.4 grams gross

$400-600

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1266

A group of Enrique Ledesma silver and hardstone jewelry Enrique Ledesma (d. 1979)

Circa 1955-1979; Taxco, Mexico

Each stamped for Ledesma and silver; Two further stamped: Platera CortÈs / Hecho en Mexico / [Eagle 3] / 925 / Taxco / [Design number]; one further stamped: Mexico Comprised of a Platera Cortes silver and stylized azurmalachite inlay flower link necklace No. 201 (16” L x 0.75”) and matching bracelet No. 202 (7” L x 0.75” H), as well as a silver trapezoidal link necklace with azurmalachite inlay (13.5” l x 0.5” H), 3 pieces 158.9 grams gross $600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1267

A group of Enrique Ledesma silver and obsidian jewelry Enrique Ledesma (d. 1979)

Circa 1955-1979; Taxco, Mexico

Each stamped: Ledesma / Taxco / Hecho en Mexico / 925 / [Eagle 3 or 60] / [Design number]; Variously stamped: 1 / Plateria Cortes / 8F P

Comprising a silver link necklace with obsidian and silver fringe No. 243 (16.75” L x 1” H), a Plateria Cortes chunky link bracelet No. 004 (6.25” L x 1.125” H), and a pair of earclips No. 307 (Each: 0.875” H), 4 pieces 225.1 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1269

Two Mexican silver and amethyst bracelets

Mid-20th century

Two works:

A Jorge “Chato” Castillo silver and amethyst bracelet Pre-1948; Taxco, Mexico

Stamped: JC [conjoined] / Taxco / 980

A five-link sterling bracelet with applied geometric motifs, each link with a central set amethyst 6” L x 1.75” H

A six-link silver and amethyst bracelet with stacked ball motif Stamped to clasp: [partial] Hecho___ / Guadal / Alpaca 7.375” L x 1” H

2 pieces 187.5 grams gross $500-700

1270

A group of figurative Mexican silver brooches

Mid/Late 20th century

Each marked for silver and Mexico or Taxco; Variously marked: Victoria / Metales / Cony / 214 / Anton / Plata / Juarez / SM

Comprised of various pins and brooches including an Anton silver and turquoise fish; A Juarez silver and turquoise butterfly; a Victoria mixed metal butterfly; a silver dragonfly with turquoise eyes; a miniature silver butterfly; a tall, narrow incised silver butterfly; a silver fish with a green stone eye; a larger fish with turquoise eye; and a stylized insect pin with central turquoise cabochon, 9 pieces

Largest: 2.5” H x 3.25” W 121.1 grams gross $400-600

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1271

Four Mata Ortiz pottery items

Four works:

A Dulces N. Melero figural animal vase

Late 20th century; Mata Ortiz, Mexico

Signed: Dulces N. Melero

With duotoned black and red geometric designs on cream with a figural animal head opening 6.5” H x 4.25” Dia.

An Ana Trillo redware pottery vessel

Late 20th century; Mata Ortiz, Mexico

Signed: Ana Trillo

The diminutive redware vessel with black geometric and figural motifs 3” H x 3” Dia.

A Guillermina Corona redware roadrunner pottery vessel

Late 20th century; Mata Ortiz, Mexico

Signed: Guillermina Corona

The redware roadrunner vessel with black geometric motifs 5” H x 7.5” W x 3.5” D

An Elias Peña turkey pottery vessel

Late 20th century; Mata Ortiz, Mexico

Signed: Elias Peña

With duotoned black and red geometric designs on cream 7” H x 6.5” W x 4.5” D

4 pieces

20th century;

Monteros / TM-100 / T / M-970 / Mexico

sterling collar necklace with graduated chevron trapezoidal links,

center links set with triangular onyx to the ends

L x 1.25”

1273

A mixed group of Hubert Harmon cuff links and money clip

Hubert Harmon (1913-2004)

Circa 1942-1944 and 1942-1948; Taxco and Mexico City, Mexico

Each stamped for Hubert Harmon; Variously stamped: Sterling / Made in Mexico / Hubertus / Taxco / Mexico / [winged feet]

Comprising six sets of cuff links in various designs including set amethyst cones, dangling stars, a set of bare feet, a pair of silver fish set with turquoise eyes, a pair of books with hinged covers, and a pair of onyx-set brass discs, together with a money clip with an applied silver reclining nude figure, 13 pieces

Largest cuff links: 1.5” H; Clip: 1” H x 2.625” W 101.3 grams gross

$600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A

(1913-2004)

1942-1948;

1275

A Hubert Harmon fish bracelet and belt conchos Hubert Harmon (1913-2004)

Circa 1942-1948; Mexico City, Mexico

Each buckle variously stamped: Hubert Harmon / Mexico / [winged feet cipher]

Designed with conjoined repousse brass fish with set amethyst eyes and comprising a leather bracelet with two fish conchos and brass buckle, as well as a brass fish two-piece buckle accompanied by four matching fish conchos, 7 pieces

Bracelet: 6.75” L x 1.875” H; Each concho: 2” H x 3.5” W; Buckle: 2” H x 3.5” W

$200-400

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1276

A group of mixed metal Casa Maya Mexican jewelry

Mid-20th century

Each stamped: Maya / Mexico

A group of six works including a copper cuff bracelet with a brass and enamel figural motif (6.25” inner C x 2.5” H), a hammered copper and enamel serpent cuff (7.5” inner C x 2.25”H), a pendant necklace (16” L x 3” H), a round pendant/ brooch with filigree wire overlay and dangles with green stone beads (3.25” H x 2” W), a figural key chain (4.75” H x 1.5” W), and a pair of round screw post earrings, each with a central green stone (Each: 0.875” Dia.), 7 pieces

$300-500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1277

A group of Mexican silver and hardstone earrings Mid-20th century; Mexico

Most variously marked: [Eagle 17] / Taxco / Mexico / 925 / TE-92 / TL-41 / TH-82 / M-970 / Monteros / TM-100

Comprising six pairs of stone set earrings, including a pair of modernist style silver and obsidian earrings (1.25” H), a pair of modernist earrings with teardrop amethysts (1.125” H), a pair of triangular pierced earrings with central set amethysts (1.375” H) and three pairs of onyx and silver clip earrings (largest: 2.5” H), 12 pieces 105.9 grams gross

$500-700

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1278

A mixed group of Mexican silver jewelry Three works: Two Parra silver brooches Horacio de la Parra (b. 20th century) Circa 1940; Mexico City, Mexico

Each stamped: Parra / Mexico; Variously stamped: Silver / HNO5 / Sterling Comprising a stylized floral brooch with set amethyst cabochon (3” H x 3.25” W) and a brooch of a key suspending a lock (2.5” H x 3” W), 2 pieces

A bracelet designed with geometric hook shaped links centering a carved set amethyst face Stamped with conjoined FRE; Further stamped: Hecho en Mexico / 388 [indistinct] 7” L x 1.25” H

3 pieces total 172.6 grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Mexican stone-set silver bracelets Mid/Late 20th century

Three works:

A narrow bracelet with bell shaped links and rectangular set amethysts Stamped: Made in Mexico / Sterling 7.25” L x 0.25” H

A chevron link bracelet with central amethyst cabochon Stamped: Mexico / Silver 7” L x 1” H

A rectangular link bracelet with inset onyx accents Stamped: NMO / Taxco / Mexico / Sterling / 925 7” L x 0.625” H

3 pieces 111.8 grams gross

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Two Modernist bolo ties

Mid/Late 20th century

One stamped: RA / 925 / Mexico

Each centering a disk designed with geometric motifs in layers of mixed materials, one set onto a rubberized tie terminating in spring tips (Pendant: 1.5” Dia.; Tie: 21.5” L) and one with a braided cord (Pendant: 1.125” Dia.; Tie: 17” L), 2 pieces

$200-300

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1281

A group of original Taxco silver retail packaging Mid-20th century; Taxco, Mexico

Various Taxco artisan labels

A group of sterling silver retail packaging comprising of fabric bags and cardboard boxes with original stickers/stamped logos; including six bags labeled William Spratling, four bags labeled Margot de Taxco and two bags labeled Antonio Pineda; as well as original boxes from Hector Aguilar (Taller Borda) and Antonio Pineda, 23 pieces

Largest fabric bag: 7.25” L x 5.5” W; smallest fabric bag: 2.75” L x 2” W

$300-500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Condition Reports

2001

In overall good condition with light scratches.

2002

In overall good condition. There is a clasp on the bracelet with some flexibility in the links. It is not a hard bangle.

2003

In overall good condition with a minor nick in the aquamarine.

2004

In overall good condition.

2005

In overall good condition. Arthritic hinged shank has been added. Visible glue residue on the pearl.

2006

In overall good condition. Overall well matched with some off round and minor surface imperfections.

2007

Overall good condition. Scattered stones with abrasions.

2008

In overall good condition.

2009

Overall good condition.

2010

In overall good condition.

2011

Each in overall good condition with light scratches commensurate with age.

2012

Each in overall good condition.

2013

Overall good condition. Scattered stones with abrasions.

2014

2015

In overall good condition.

2016

Each in overall good condition with light scratches commensurate with age. One pearl is lightly spotted.

2017

In overall good condition with light scratches. Center stone to be sold unmounted with ring mounting. Wear on the mounting and scattered stones with abrasions. Ring cannot be sized.

2018

Overall good condition.

2019

Overall good condition with tarnishing and light scratches commensurate with age and light signs of wear. Scattered stones with abrasions and chips. The earrings have closed backings so depth could not be determined.

2020

In overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2021

In overall good condition with light scratches and scattered stone abrasion. The crescent moon and tassel segment hinges back and forth. Two pendant bails at the top of the piece. Some solder markings on the reverse.

2022

In overall good condition with scratches to the enamel cherub scene. Scattered scratches to the metal.

2023

In overall good condition with light scratches and bent pronts. Center stone to be sold unmounted with ring mounting. Two large chips in the diamond. Please reference the report for details.

2024

In overall good condition. The necklace has no clasp.

2025

Each in overall good condition. Earrings are for pierced ears only.

2026

In overall good condition. The brooch can be separated into two double clips.

2027

Each in overall good condition with light scratches commensurate with age. Center sapphire has abrasions to the top facets and chips around the girdle. Shank has an arthritic hinged shank.

2028

Each in overall good condition with light scratches commensurate with age. Parts of the blue enamel shows signs of chipping, wear and repair.

2029

In overall good condtion. The colored diamonds have not been tested for treatment.

2030

In overall good condition with light scratches commensurate with age. Emerald has natural surface reaching inclusions and a chip next to a prong.

2031

Overall good condition.

2032

Overall good condition with light tarnishing, scratches commensurate with age. Slight bend that should be addressed by jeweler.

2033

In overall good condition.

2034

Each in overall good condition. A diamond is loose in the setting.

2035

In overall good condition with light scratches.

2036

In overall good condition with light scratches commensurate with age. The emerald shows natural, surface-reaching inclusions. The stone is slightly loose in the setting and shows minor abrasion to the top facets.

2037

Each in overall good condition.

2038

In overall good condition with light scratches. Eternity band cannot be sized.

2039

In overall good condition. One side of necklace appears slightly squished.

2040

In overall good condition with light scratches to the gold and minor chips around the sapphire’s girdle.

2041

Each in overall good condition with light scratches and tarnishing commensurate with age. Loops on reverse for detachable drops. Clip backings

2042

In overall good condition with light scratches.

2043

In overall good condition with light scratches and some signs of wear.

2044

In overall good condition with light abrasion to the peridot. Arthritic shank has been added with hinges.

2045

In overall good condition.

2046

Each in overall good condition. Ear clips have retractable post backings.

2047

Overall good condition.

2048

In overall good condition. Surface reaching fractures and inclusions to the ruby.

2049

In overall good condition.

2050

In overall good condition.

2051

Each in overall good condition with light scratches.

2052

Each in overall good condition with light scratches. Scattered stones with abrasion.

2053

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. The center jadeite is loose in the setting.

2054

In overall good condition.

2055

Each in overall good condition.

2056

Overall good condition. Scattered stones with abrasions.

2057

Overall good condition. Scattered stones with abrasions.

2058

Overall good condition.

2059

Overall good condition. Scattered stones with abrasions.

2060

Each in overall good condition with light scratches.

2061

In overall good condition. Diamond shows eye visible inclusions and strong blue fluorescence.

2062

Each in overall good condition with light scratches commensurate with age. Ear clips have screw backings.

2063

In overall good condition with light scatches. Minor nicks and abrasion to the amethyst.

2064

Good overall condition. Dail: Good conditon, light oxidation. Movement: good condtion, does not run, may need service by qualified watch technician. Case: Good condition: light surface abrasion, bracelet is a later added gold tone aftermarket bracelet. Moran’s does not guarantee the working condition of clocks and watches.

2065

In overall good condition with light scratches.

2066

Each in overall good condition. Minor abrasion to ring’s table facet.

2067

Each in overall good condition with light scratches commensurate with age. Each with scattered stones with abrasions. Watch winds sets, runs and stops. Moran’s does not guarantee the working condition of clocks and watches.

2068

In overall good condition.

2069

In overall good condition.

2070

Subtle misalignment on the right side where the necklace meets the diamond section. In overall good condition.

2071

Overall good condition.

2072

In overall good condtion.

2073

In overall good condition with light scratches.

2074

Overall good condition.

2075

In overall good condtion.

2076

Overall good condition. Scattered minor abrasions.

2085

Each in overall good condition.

2086

Overall good condition. Scattered stones with abrasions.

2087

Each in overall good condition with light scratches commensurate with age.

2088

In overall good condition.

2089

In overall good condition. Please note, the diamonds go half way around the bracelet.

2077

In overall good condtion. The double pin backing is bent.

2078

Overall condition good.

2079

Each in overall good condition with light scratches commensurate with age. One link in necklace is kinked.

2080

In overall good condition. The emerald shows surface-reaching fractures with a window in the center.

2081

In overall good condtiion. The center horse intaglio can be removed from a loop on the reverse.

2082

In overall good condition with light scratches.

2083

Each in overall good condition. Scattered stones with abrasions. The emerald shows surface-reaching fractures.

2084

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. For pierced ears only.

2090

In overall good condition with light scratches.

2091

In overall good condition.

2092

In overall good condition.

2093

Overall good condition. Scattered stones with abrasions.

2094

Overall good condition. Scattered stones with abrasions.

2095

In overall good condition.

2096

Each in overall good condition. Loops on reverse for detachable drops.

2097

Each in overall good condition with light scratches commensurate with age. Carved onyx ring has abrasion to the onyx.

2098

In overall good condition.

2099

In overall good condition.

2100

Each in overall good condition.

2101

In overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Light abrasion to the top of the sapphires.

2102

In overall good condition with light scratches.

2103

Each in overall good condition with light scratches.

2104

In overall good condition.

2105

In overall good condition.

2106

Each in overall good condition .

2107

Each in overall good condition with light scratches. The ear pendants have clip on backings. The citrine drops are detachable.

2108

In overall good condition.

2109

In overall good condition. A sizing bar has be soldered inside the band.

2110

In overall good condtion. Center diamonds show eye visible inclusions.

2111

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2112

Each in overall good condition.

2113

In overall good condition. Deep abrasion to one tanzanite’s top facet. Earrings are for pierced ears only.

2114

In overall good condition. The synethic ruby drops detach with a loop on the revese. Light scratches and scattered abrasion to the stones.

2115

In overall good condition. The petals all spin and shake which is a purposeful technique.

2116

Ring in overall good condition. Mounting has moderate wear and the sapphire is dark in color with abrasions and chips around the girdle. Prongs might have been re-tipped in a different metal.

2117

In overall good condition. Diamonds have not been tested for treatment.

2118

Each in overall good condition.

2119

In overall good condition with light scratches. Some links have small dents or out of alignment.

2120

In overall good condition with light scratches.

2121

In overall good condition.

2122

In overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2123

In overall good condition. Earrings are post back for pierced ears only.

2124

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2125

Overall good condition.

2126

In overall good condition. Scattered stones with abrasions.

2127

Each in overall good condition with light scratches. Loops on the reverse to add drops.

2128

In overall good condition. The diamond has surface reaching inclusions.

2129

Overall good condition.

2130

Each in overall good condition. Pendant has minor tarnishing.

2131

In overall good condition.

2132

Overall good condition. Scattered stones with abrasions.

2133

Each in overall good condition.

2134

Each in overall good condition.

2135

In overall good condition. Some discoloration and scratches to the gold.

2136

Fair to good overall condition. Dial: Good condition, some losses to lumious dots, light discoloration. Movement: Not examined, does not run, may need service or battery replaced by qualified watch technician. Case/bracelet: Fair condition, extensive wear with surface scratches. Moran’s does not guarantee the working condition of clocks and watches.

2137

Each in overall good condition with light scratches.

2138

Very good overall condition. Dial: Very good condition. Movement: Winds, sets and runs, not examined. Case/bracelet: Very good condition, light surface abrasion due to use.

2139

In overall good condition with light scratches commensurate with age. Agate has surface reaching natural inclusions.

2140

Good overall condition. Dial: Good condition, light oxidation and surface grim. Movement: Fair to good condition, winds, sets, runs and stops. May need service by a qualified watch technician. Case: Good condition, surface abrasion and scratches throughout. Moran’s does not guarantee the working condition of clocks and watches.

2141

Each in overall good condition with light scratches commensurate with age.

2142

In overall good condition with light scratches commensurate with age. Sapphire has natural surface reaching inclusions and abrasion to the top.

2143

Each in overall good condition.

2144

Good overall condition. Dial: Good condition. Light hairline cracks, chip to edge. Movement: Good overall condition, winds, sets and runs, light surface abrasion. Case: Good overall condition, light surface abrasion. Moran’s does not guarantee the working condition of clocks and watches.

2145

Each in overall good condition.

2146

Each in overall good condition with light scratches commensurate with age. Visible glue residue on the blue agate cufflinks.

2147

Good overall condition. Dial: Good conditon, light oxidation. Movement: good condtion, Looks to be aftermarket replaced movement, does not run, may need service and or battery replaced by qualified watch technician. Case: Good condition: light surface abrasion. Moran’s does not guarantee the working condition of clocks and watches.

2148

Each in overall good condition.

2149

In overall good condition. Earrings are post back for pierced ears only.

2150

Good overall condition. Dial: Good condition. Movement: not examined, sets and does not run, may need service or battery by qualified watch technician. Case: Good condition, light surface abrasion and some wear.

2151

In overall good condition. Earrings are for pierced ears only.

2152

Overall good condition Dial: Good condition. Movement: Good condition, does not run may need service or battery replacement by a qualified watch technician. Case/bracelet: Good condition with light scratches and surface abrasion. Moran’s does not guarantee the working condition of clocks and watches.

2153

Overall good condition. Scattered stones with abrasions.

2154

Overall good condition with tarnishing and light scratches commensurate with age

2155

In overall good condition.

2156

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2157

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Sapphires show natural, surface reaching inclusions.

2158

Each in overall good condition. Tie pin backings are included in the sale.

2159

Overall good condition.

2160

Each in overall good condition with light scratches commensurate with age.

2161

In overall good condition with light scratches. Earrings are post back for pierced ears only.

2162

Pen is in good overall condition. Looks like it is not inked and never used.

Box is in good overall condition, with surface scratches and some surface dents and chips. Moran’s does not guarantee the working condition of pens.

2163

In overall good condition. Scattered stones with abrasions For pierced ears only.

2164

In overall good condition.

2165

Each in overall good condition with light scratches. Scattered stones with abrasions.

2166

Each in overall good condition. A few rhinestones missing.

2167

In overall good condition.

2168

Overall good condition with light wear and scratches to leather commensurate with age and use. Light wear to corner and side edges. Light tarnishing to metal components. Stitching undone at lower right front seam. Light surface dust to interior seams and pockets. Slightly crushed to center.

2169

Overall good condition. Scattered stones with abrasions.

2170

In overall good condition.

2171

In overall good condition with light scratches and tarnishing. Gemstones have surface reaching fractures. Some prongs are raised. Ruby has not been tested for treatment.

2172

Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with chips and abrasions. Earrings are for pierced ears only.

2173

In overall good condition. Stones with scattered abrasions and chips. Rubies show eye visible surface reaching inclusions.

2174

Overall good condition. The emerald shows typical, natural surface-reaching inclusions.

2175

Good overall condition. Dial: Good condition. Movement: Fair condition, winds does not run, may need service by qualified watch technician, surface abrasion. Case: Good condition, surface abrasion. Moran’s does not guarantee the working condition of clocks and watches.

2176

In overall good condition with light scratches commensurate with age. Each jade was tested on the report.

2177

In overall good condtion.

2178

In overall good condition. Dial: Good condition light oxidation. Movement: Good condition, winds sets and runs. Case/bracelet: good condition with light scratches commensurate with age. Scattered stones with abrasions. Moran’s does not guarantee the working condition of clocks and watches.

2179

In overall good condition.

2180

In overall good condition with slight wear around the platinum edges. The ring has been sized and there is a small section of platinum between the diamonds.

2181

In overall good condition.

2182

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2183

In overall good condition. Dial: Good condition light oxidation. Movement: Good condition, does not run, may need service by qualified watch technician. Case/bracelet: good condition with light scratches commensurate with age. Scattered stones with abrasions. Moran’s does not guarantee the working condition of clocks and watches.

2184

In overall good condition with light scratches commensurate with age. Scattered stones with abrasions and chips. Top of the lapis is chipped.

2185

Each in overall good condition. Each showing natural, eye visible inclusions.

2186

The pear shape does not have a pointed culet but a large flat bottom. Eye visible inclusions. Minor surface abrasions.

2187

Each in overall good condition with light scratches commensurate with age. Moderate wear along the surface.

2188

In overall good condition. Missing blue enemel on the bottom of brooch.

2189

In overall good condition. The diamond has not been tested for treatment or color enhancment.

2190

In overall good condition.

2191

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2192

Each in overall good condition. The pattern on the ring is eternity so should not be sized. Bracelet has light scratches.

2193

Each in overall good condition with light scratches commensurate with age.

2194

Each in overall good condition with light scratches commensurate with age.

2195

Earrings in overall good condition. Bangle shows signs of wear and many pieces of enamel are missing. Tanishing and scratches to the silver and gold.

2196

¬ Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Chips and minor/moderate abrasion to the peridot.

2197

Each in overall good condition.

2198

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions and chips.

2199

Each in overall good condition with light scratches.

2200

Each in overall good condition with light scratches commensurate with age. scattered stones with abrasions. Eye visible natural inclusions visible in the ruby.

2201

Each in overall good condition. The back of each ear clip has a loop where an attachment could hang from.

2202

Each in overall good condition with light scratches. Some links on the wider bracelet are loose.

2203

Each in overall good condition.

2204

Each in overall good condition.

2205

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2206

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Center synthetic sapphire has moderate abrasions.

2207

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2208

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2209

Each in overall good condition with light scratches commensurate with age. Minor abrasion to the synthetic sapphires. Each stone is loose in the setting and one of pair of the 14k gold clip backing a loose.

2210

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2211

In overall good condition.

2212

Each in overall good condition with light scratches commensurate with age.

2213

Each in overall good condition. Moderate scratches to the bottom of the ring shank.

2214

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Ring shank is split in half.

2215

Each in overall good condition with light scratches and tarnishing commensurate with age. Some denting to individual charms.

2216

Each in overall good condition with light scratches commensurate with age. Clip backing is loose on one earrings

2217

Overall good (proof) condition, uncirculated, within stock case, not graded

2218

Each in overall good condition with light scratches commensurate with age.

2219

Overall good (proof) condition, uncirculated, within stock case, not graded, without COA

2220

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Some discoloration and tarnishing to some coins.

2221

Each in overall good condition.

2222

Each in overall good condition with light scratches commensurate with age. One bezel bail is missing a screw and one is loose.

2223

Overall good (proof) condition, uncirculated, within stock case, not graded, without COA

2224

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2225

Overall good (proof) condition, uncirculated, within stock case, not graded, with COA

2226

In overall good condition. Surface reaching inclusions and clarity imperfections visible.

2227

Some abrasions to the stones. Each with visible color zoning and natural inclusions.

2228

Each in overall condition with light abrasion and minor nicks to the stones. Each emerald shows natural, surface reach inclusions. Stones not tested for clarity enhancements, treatments or origin.

2229

Each in overall good condition with light scratches. Nacre wear to the top of the Tahitian pearl.

2230

Each in overall good condition. Earrings are for pierced ears only.

2231

Each in overall good condition with light scratches commensurate with age.

2232

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2233

Each in overall good condition.

2234

Each in overall good condition with light scratches. Earrings are post back for pierced ears only.

2235

Each in overall good condition.

2236

Each in overall good condition with light scratches and some dents to the chain bars. Moderate wear to the pendant bail.

2237

Each in overall good condition with light scratches commensurate with age. 18k pendant has some dents and is warped.

2238

Each in overall good condition with minor scratches. Scattered stones with abrasion.

2239

In overall good condition. Color is a mottled grayish green.

2240

In overall good condition.

2241

In overall good condition. Cannot be sized.

2242

Each in overall good condition with minor scattered abrasions.

2243

Each in overall good condition with light scratches and minor scuffs to the mother-of-pearl.

2244

Each in overall good condition. Jade has not been tested for treatment. Most likely nephrite. Light scratches commensurate with age.

2245

Each in overall good condition with natural surface reaching inclusions. Jade has not been tested for treatment.

2246

Each in overall good condition. Jade has not been tested for treatment.

2247

Many of the pieces have drill holes, some are broken, abraded or chipped. Colors and quality varies.

2248

In overall good condition.

2249

Each in overall good condition. Jade has natural surface reaching inclusions. The rings cannot be sized. Jade has not been tested for treatment.

2250

Two bracelets are in good condition with minor scratches and abrasions. Lavender bangle is has a large fracture along the circumference of the stone.

2251

Each in overall good condition. Diamond and jade earrings have clip backings with posts. Both jade drops were tested on the report. The earrings attachments have not been tested for treatment.

2252

Each in overall good condition.

2253

Each in overall good condition.

2254

The pearl strand is broken and needs restringing. Also, a pearl and clasp segment is missing since the necklace doesn’t connect to each other.

2255

In overall good condition with some surface reaching inclusions. Not tested for color or clarity enhancements.

2256

Each in overall good condition. Minor surface imperfections to the pearls (moderate to one pearl).

2257

Stones not tested for natural vs. treated color. The stones show surface-reaching fractures and inclusions. All measurements are approximate.

2258

Overall good condition with tarnishing and light scratches commensurate with age.

2259

Each in overall good condion. Light scratches and tarnishing to the metal. Scattered stones with abrasions. Bangle shows denting and is off round slightly.

2260

Overall good condition with tarnishing and light scratches.

2261

Each in overall good condition with light tarnishing and scratches.

2262

Each in overall good condition with light tarnishing, scratches commensurate with age.

2265

Each in overall good condition with light scratches and tarnishing commensurate with age. Scattered stones with abrasions. One sapphire missing in the golf club pin.

2266

Each in overall good condition with light scratches commensurate with age. Moderate wear along the surface. Scattered stones with abrasions and chips.

2267

Please note many of the mosaic tiles are missing or cracked on both pieces and one onyx plaque is shattered on the bracelet with multiple chips on many of the plaques and one onyx plaque broken in half on the earrings

2268

Each in overall good condition with light scratches and tarnishing commensurate with age. Scattered stones with abrasions.

2269

Overall fair condition with denting and scratches commensurate with age.

2270

¬ Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2271

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Please note, no center stone in the semimount pendant.

2272

Several sapphires are missing in the eternity band. The moonstone is loose in the brooch. The amethyst is loose in the ring. Many tiles are missing or broken in the micromosaic brooch. Scattered stones with abrasions and scratches to the metal.

2263

Overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions. 2264

Overall good condition with tarnishing and light scratches commensurate with age.

2273

Each in overall good condition with light scratches commensurate with age. Earrings are post back for pierced ears only.

2274

Each in overall good condition with light scratches commensurate with age.

2275

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Earrings are post back for pierced ears only.

2276

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Earrings are for pierced ears only.

2277

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Diamond color and clarity is H-J I1-I2.

2278

Each in overall good condition with light scratches commensurate with age. All the earrings are hollow and very light weight. Some dents to the metal. A few posts are crooked.

2279

Each in overall good condition with light scratches commensurate with age. The large dolphin pendant is hollow with minor dents.

2280

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2281

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions and chips. Stones were not tested for treatment.

2282

Each in overall good condition with light scratches commensurate with age.

2283

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2284

Each in overall good condition.

2285

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Prasiolite ring is out of round. Please note, most of the colorless stones are simulated diamonds.

2286

Each in overall good condition.

2287

Each in overall good condition with ligh scratches.

2288

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2289

Each in overall good condition with light scratches commensurate with age. The 22k gold necklace has some kinks in the chain.

2290

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Jadeite insert ring cannot be sized.

2291

In overall good condition with light scratches. The four thin bangles have some dents are are off-round.

2292

Each in overall good condition.

2293

¬ Each in overall good condition with light scratches commensurate with age. Some small dents and some of the thin bangles are off round.

2294

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. Moderate wear to the blue enamel. Center stone is missing from the ruby/opal ring. Ring sizer currently in the quartz mineral ring.

2295

Light scratches commensurate with age. Most of the bangles are misshapen and off round with some dents to the metal.

2296

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2297

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2298

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions. The simulated diamond ring shank is off round.

2299

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2300

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2301

Each in overall good condition with light scratches. Scattered stones with abrasions. Earrings are for pierced ears only.

2302

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions and chips.

2303

Each in overall good condition with light scratches commensurate with age. Scattered stones with abrasions.

2304

Each in overall good condition. Moderate scratches to the metal and missing stones and broken prongs . The ear clips are screw back.

2305

In overall good condition. Various blemishes to pearls.

2306

Light scratches commensurate with age. Scattered stones with abrasions. Navette ring is missing stones and the shank is off round.

2307

Each in overall good condition with tarnishing and light scratches commensurate with age and signs of wear. Some stones are chipped with abrasion.

2308

Overall good condition with tarnishing and light scratches commensurate with age and signs of wear. Malachite is broken, Chips to several of the stones and inlay, Most backings are plastic and some are missing. The gram weight was taken with the plastic backings on. Heavy abrasion to the top amber stones. All earrings are for pierced ears only.

2309

Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Stones with scattered abrasions. Cherub earrings lacking post backs. Bustamonte pendant with broken top loop. Frog necklace with one matching earring. Fine birdhouse charm bracelet lacking clasp.

2310

Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Stones with light scattered abrasions. Los Castillo brooch with faulty clasp lock. Square openwork brooch missing some small stones. Sailboat brooch missing two dangles.

2311

Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Stones with scattered abrasions. One pair of earrings lacking post backs.

2312

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones and enamel with scattered light abrasions.

2313

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions. One dolphin earring lacking post backing.

2314

Each in overall good condition with tarnishing and light scratches commensurate with age. Visible glue residue on the back of the pearl brooch.

SPECIALISTS

Head of Sale, Vice President, Silver, Western, and American Indian Specialist Maranda Moran President, Auctioneer Jeffrey J. Moran Silver, Western and American Indian Cataloguer Sally Andrew

Senior Vice President Morgana Blackwelder AAA Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Fine Art Director Jenny Wilson Post-War & Contemporary Fine Art Specialist Hayden Hunt 20th Century Design Specialist Matthew Grayson Fine Art Cataloguer Anne Spink Fine Art Cataloguer Madison Ari Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen

Senior Fur niture & Decorative Arts Cataloguer Shannon Dailey

Fur niture & Decorative Arts Cataloguer Sarah Beaver Jewelry Director Mollie Burns Keith, G.J.G

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain Finance Administrator Jamie Holthauser

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Operations Coordinator Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Angel Sanchez Art Handler Jacob Baer Art Handler Alek Ellis

MARKETING

Advertising & Marketing Director, Art Design Nathan Martinez Brenda Smith PR Manager/Social Media Graphic Designer Brian Olivas

PHOTOGRAPHY

Photographer Keith Berson

Photographer Madison Torres

Michael Mizerowski

TRUSTS & ESTATES

Department Administrator Melissa Brownell

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS:

BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards.

Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments

$500 - $950 @ $50 increments

$1,000 - $1,900 @ $100 increments

$2,000 - $4,750 @ $250 increments

$5,000 - $9,500 @ $500 increments

$10,000 - $19,000 @ $1,000 increments

$20,000 - $47,500 @ $2,500 increments

$50,000 - $95,000 @ $5,000 increments

$100,000 - $190,000 @ $10,000 increments

$200,000 - $480,000 @ $20,000 increments

$500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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Conditions of Sale

AUCTION HOUSE AS AGENT

Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION

(a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

(b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

(c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION

(a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording.

(b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment.

(c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive.

(d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

(e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION

(a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full.

(b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service

(c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date.

(d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee.

(e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY

(a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot.

(b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability.

(c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

(d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

(e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase.

(f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS

(a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

(b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California.

(c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.

(d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.