The Traditional Collector — September 26, 2023 | John Moran Auctioneers

9.26.23—10am

Sale 256 145 East Walnut Avenue, Monrovia CA 91016

This

Previews: Friday, September 22nd: 12-4pm

Saturday, September 23rd: 12-4pm

Monday, September 25th: 12-4pm Tuesday, September 26th: Doors open 9am

Angela Past Head of Sale, Senior Specialist, Furniture & Decorative Art angela@johnmoran.com

Grant Stevens Decorative Arts Cataloguer grant@johnmoran.com

Anne Spink Fine Art Cataloguer anne@johnmoran.com

Sarah Beaver Decorative Arts Cataloguer sbeaver@johnmoran.com

Madison Ari Fine Art Cataloguer mari@johnmoran.com

Clark Silva Fine Art Cataloguer clark@johnmoran.com

Mario Esquivel Office Manager mario@johnmoran.com

Jamie Holthauser Client Services jamie@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

Bryan Ortega Client Services bryan@johnmoran.com

SINCE 1969

AUCTIONEERS &

1001

A French centerpiece with mirrored plateau

Early/mid-20th century

The plateau marked: Depose / Made in France; centerpiece twice marked: Fabrication

Each silver-toned cast metal piece with opposed handles and decorated with allover floral motif, comprising a centerpiece with inset cobalt blue glass set atop an associated mirrored plateau with wood backing to underside, 2 pieces

7” H x 16” W x 8” D

$1,000-1,500

1002

A pair of Baccarat molded and cut glass candelabra

20th Century

Each marked for Baccarat

Each four-light, lead glass candelabrum in molded frosted glass and cut clear glass, with a Classical style dolphin column issuing three scrolled arms and a central arm with removable prisms, 2 pieces

Each: 18.75” H x 12.5” Dia.

$1,500-2,000

1003

A Dutch Baroque-style marquetry vitrine

19th century

Appears unmarked

The walnut and satinwood veneered vitrine over marquetry depicting floral and avian tableaus motifs throughout; the vitrine with a single locking to reveal a later-added single light surmounting one lower, velvet-lined shelf, all atop a four-drawer with two cast brass pulls, and set upon four circular 75” H x 32.5” W x 21” D

$2,000-3,000

over chest construction with tableaus to each side and repeating floral locking door with glazing, opening surmounting two upper glass shelves and four-drawer chest, each locking drawer circular bun feet, electrified

1005

A Continental marquetry pedestal table

19th century

The square-topped table featuring a geometric parquetry border centering a marquetry scene depicting two figures, one smoking a pipe, set on a turned wood and parquetryinlaid post supported on four carved wood and parquetry-inlaid legs

28.25” H x 23.25” W x 23.5” D

$500-700

1004

A Continental marquetry pedestal side table

19th century

The square-topped table featuring a geometric parquetry border centering a marquetry scene depicting two figures, one playing a stringed instrument, set on a turned wood and parquetry-inlaid post supported on four carved wood and parquetry-inlaid legs

29.5” H x 24” W x 23.625” D

$500-700

1006 George Lucas (1863-1899) Still life with fruit, pitcher, and pheasant Oil on panel

Signed lower right: Geo. Lucas; inscribed indistinctly in pencil, verso 23.5” H x 17.5” W

$1,000-1,500

1007

19th Century European School

Children playing in an interior Oil on canvas laid to board

Signed indistinctly lower left

22” H x 20” W

$2,500-3,500

Century European School

playing

Monogrammed

24” W

$2,000-3,000

1009

Young

Appears unsigned 10.25” H x 14.5” W

$1,500-2,500

music through a window canvas laid to canvas

and dated lower left: TNB

17th/18th Century European School

reclining John the Baptist with lamb pointing to Jesus Oil on canvas laid to canvas

1010

A Persian Isfahan rug

Mid/late 20th century; Iran

Signed: Mr. Sanaie

The wool and silk on silk foundation rug with a polychrome Tree of Life motif on a scarlet ground

$2,000-4,000

Provenance: Cyrus Carpet, Tehran, Iran

Private collection, acquired from the above, 1975

Other Notes: This lot is accompanied by a sales receipt from Cyrus Carpet dated December 13, 1975.

5’ 5” H x 3’ 6” W

1011

A Persian Isfahan large area rug

Mid-20th century; Iran

12’ 3” L x 9’ 2” W

$1,500-2,500

The wool-on-silk foundation area rug with polychrome foliate designs surrounding a central medallion on an ivory ground

1012

A pair of French bronze statues

After Eutrope Bouret, late 19th/early 20th century Wheat-bearing figure signed to the base: Bouret

The two bronzes each depicting pastoral female figures in period costume, one bearing water and the other wheat, 2 pieces

Each: 16.75” H x 7” W x 5” D

$1,000-2,000

1014

Arthur de Gravillon (1828-1899)

A half length bust of Marie van Zandt, 1881 Patinated bronze

Signed and dated in the casting: Arthur de Gravillon / Paris; further marked: E. Jullien / Paris 12 / Rue Pasquier; marked to verso: A Mademoiselle Marie Van Zandt / Hommage et-Admiration

30” H x 19.5” W x 12.5” D

$500-700

1013

Alfred Boucher (1850-1934)

La Pensée

Patinated bronze

Siot foundry

Signed in the casting: A. Boucher. Impressed: Z 702 SIOT- PARIS

21” H x 11” W x 17” D

$2,000-3,000

1015

A Neoclassical-style chandelier

Early 20th century

The thirty-six-light chandelier with twelve converted to electrified lights, brass frame with multiple arms radiating from a central globe shape featuring allover faceted glass beading and cut leaded glass geometric tear drop prisms, suspended from a cut glass mount centering molded glass foliate forms by a crystal ensconced central pole, electrified 52” H x 32” Dia.

$800-1,200

1016

Early/mid-20th century

$800-1,200

A Neoclassical-style chandelier

The three-tiered, four-light chandelier with gilt-bronze frame and faux candle fixtures, featuring cut rock crystal and faceted leaded glass beads surmounted by a gilt-bronze gridded globe, electrified 40” H x 20” Dia.

1017

A Steinway Aeolian Duo-Art player piano

Early/mid 20th century

Marked on interior with serial number: 4474 and 9 / 30.Q / Pat. Oct. 1902

With a varnished mahogany veneered case decorated with carved crests to each side, set upon three dual columnar supports, along with a conformingly designed piano bench en suite; compartment in the center of the fallboard opens to the music roll port and a panel at the front of the keyboard drops open to reveal player piano control panel

32.5” H x 58” W x 72” L

$6,000-8,000

1018

A Pakistani area rug

21st century

The washed wool and silk on cotton foundation rug with foliate motifs in earth tones surrounding a central medallion on a dark navy blue ground 11’ 9” L x 9’ 2” W

$800-1,200

Provenance: Property from a Distinguished Palm Springs Estate

1019

A Pakistani Tabriz area rug

21st century

The wool-on-cotton foundation rug with all-over salmon and cerulean geometric motifs on a tan ground

13’ 1” L x 10’ 2” W

$800-1,200

Provenance: Property from a Distinguished Palm Springs Estate

1020

A Shiraz rug

20th century

The

8’ L x 5’ 4” W

$700-900

wool-on-wool foundation rug with polychrome repeating cartouches and geometric motifs on an umber ground

1021

A Persian Kerman palace-sized rug

Mid-20th century; Iran

Wool on cotton foundation, with polychrome floral motifs in hues of pink on a light sea green field

19’ 3” L x 12’ W

$1,000-2,000

1022

A Chinese Kangxi-style enameled porcelain ginger jar

Qing Dynasty (1644-1911) or later

Marked to the underside in blue enamel with a double ring

With large floral registers surrounded by cobalt ground

$1,000-1,500

11.5” H x 9” Dia.

1023

A Chinese Famille Rose porcelain bowl

Late Qing Dynasty (1644-1912) or later Marked to the underside in red enamel bearing the mark for Xuantong Period (1909-1912) of the Qing Dynasty (1644-1912)

With enameled phoenix and lotus scroll motifs in a Famille Rose palette to the interior

1.75” D x 9” Dia.

$600-800

1024

A Chinese enameled porcelain charger Republic Period (1912-1949) or later

Marked to the underside in red enamel bearing an apocryphal reign mark for Qianlong Period (1736-95)

With all-over pink enameling incised with vine, bat, and lotus motifs surrounding a central yellow medallion

2.25” H x 16” Dia.

$800-1,200

1025

A Chinese enameled porcelain stacking box

20th century

Marked to the underside in red enamel bearing an apocryphal reign mark for Qianlong Dynasty (1736-95)

The lozenge-shaped ceramic box with four fitted layers beneath the lid and above the base and all-over Famille Rose enameled decoration of foliate and avian motifs

8” H x 8” W x 5.5” D

$600-800

1026

A pair of Chinese millefleur porcelain vase lamps

Republic Period (1912-1945) or later

Mark to the underside in red enamel bearing the reign mark for Qianlong Nian Zhi

Each porcelain vessel with cylindrical neck encircled by a three-dimensional blue enameled chilong dragon atop the shoulders and enameled with a dense all-over polychrome floral motif; each retrofitted as a single light lamp, with pleated ovalshaped shade, and set upon a silver-leafed wood base

Each: 22” H x 13.5” Dia.

$600-800

1027

A pair of Chinese Qianlong-style cloisonné enamel vases

Late 19th/early 20th century

Each with apocryphal mark for Qianlong Dynasty (1736-1795)

Two brass and polychrome vases, geometric in form, each with dentil and keyed design as well as dragon mask and foliate enameled motifs, 2 pieces

Each: 13.5” H x 6.5” W x 6.5” D

$1,000-2,000

1028

A group of Chinese covered cloisonné boxes

20th century

Each appears unmarked

Wach brass box rendered in colorful enamels on blue ground, comprising a round box and pair of lidded containers in the form of long-beaked water fowl, 3 pieces

Larger: 4” H x 2.75” x 8” D; smaller: 3” H x 4.5” Dia.

$500-700

1029

Heinrich Hermanns (1862-1942)

Two figures in a park with monument Oil on canvas

Signed lower right: Heinrich Hermanns

16.75” H x 23.5” W

$1,500-2,500

Other Notes: One partial label and one F. Ponthier, Los Angeles label affixed to the backing of the frame.

1030

Aleksandr Fadeev (b. 1966)

“Spring in the Province,” 1994 Oil on canvas

Signed and dated lower right: A. Fadeev; titled verso

17.325” H x 26.75” W

$800-1,200

“On the Balcony,” 1909 Oil on canvas

Signed lower right: Alfred Hayward; inscribed lower right: Grasse; titled on a label affixed to the stretcher 22” H x 29” W

$2,000-3,000

Provenance: Belgrade Gallery, London, England, 1975

1031

Alfred Robert Hayward (1875-1971)

1032

A group of St Louis “Tommy” crystal stemware

Late 20th century

Most marked: St Louis / Cristal / France

The lead glass stemware decorated with diamond, bevel, and pearl cuts and a starburst base, comprising 11 fluted champagne glasses (8.125”), 12 burgundy wine glasses (6.75”), 11 continental goblets (7.125”), 5 water goblets (7.75”), 4 cordial glasses (4.25”), 1 highball glass (5.5”), and 1 champagne bucket (8.125” H x 9” Dia.), 45 pieces

$800-1,200

1033

An Hermes “Chiens Courants et Chiens D’Arret” part dinner service

Late 20th century; Paris, France

Each marked for Hermes / Paris / France; each further marked with pattern name and breed

The porcelain service comprising 18 dinner plates (10” Dia.), 9 salad plates (8.25” Dia.), and 8 soup bowls (8” Dia.) each centering depictions of various hunting breeds of dogs including Airedale Terrier, German Shorthaired Pointer, Labrador Retriever, Scottish Terrier, English Setter, Sealyham Terrier, Gordon Setter, Cocker Spaniel, Jack Russell Terrier, and Beagle, all with surrounding yellow rims and depictions of various hunted prey, 34 pieces

$1,000-1,500

1034

A Towle “Candlelight” sterling silver flatware service

Circa 1934

Marked: Towle Sterling / Pat. 1934 / Candlelight

Comprising 12 place knives (8.75” L), 12 butter spreader (5.75” L), 1 hollow butter spreader (6.75” L), 11 place forks (7.25” L), 12 salad forks (6.325” L), 1 five o’clock fork (5.875” L), 12 tea spoons (6” L), 11 cream soup spoons (6.5” L), 1 sugar spoon (5.875” L), 1 five o’clock tea spoon (5.325” L), 3 serving/table spoons (8.325” L), 1 cold meat serving fork (7.875” L), 1 gravy ladle (6.625” L), and 1 pie server (9.875” L), sold together with associated weighted silver-plate meat carving prongs (9.25” L), 81 pieces

Weighable sterling: 74.89 oz. troy approximately

$1,200-1,800

1035

A French gilt-metal and bronze mantel clock

Late 19th century

Movement signed: Roblin a Paris

The white enameled dial with blue Roman numeral hour markers, black Arabic numeral outer minute track, and two train movement under a glass bezel and set in a gilt-bronze case surmounted by two putti drinking wine, cream stone panels flanking the dial, and scrolled foliate trim

D

$400-600

14.5” H x 14.5” W x 4.25”

1036

A pair of East Asian cloisonné handled urns

Late 19th century or later

Each brass baluster vase with all-over polychrome enameled lotus scroll and mythical beast motifs and opposing curved handles; the underside of each with a single East Asian character reading fu/fuku, 2 pieces

Each: 14” H x 10.5” Dia.

$700-900

1037

A pair of Chinese cloisonné enamel vases

20th century

Each enamel cloisonne vessel with all-over floral design on a white ground, 2 pieces

Each: 17.75” H x 9” Dia.

$600-900

1038

20th Century

$500-700

A Chinese carved wood altar table

The altar table of Pingtou’an form with openwork apron depicting scrolled, meandering, and cash-medallion motifs, set upon four legs with carved wood stretchers 36.25” H x 53” W x 17.25” D

1039

Two chinoiserie lacquered wood end tables

20th century

Each lacquered wood table set on four legs joined by a square stretcher base, the tops decorated with low-relief and gilt-painted pastoral scenes depicting figures with horses

Each: 20” H x 20” W x 20” D

$500-700

1040

A pair of Chinese pig chests on stands

Early/mid-20th century

Each red lacquered pigskin chest featuring bat and shou medallion motifs, iron handles and latch hardware, and revealing an open cavity with a wood rectangular space divider and a gold tassel, set atop a painted red wood stand with four legs, 2 pieces

Each with stand: 34.5” H x 30.75” W x 20.325” D

$1,000-1,500

1041

A pair of Chinese red lacquered stands

20th century

The wood stands featuring polychrome landscape scene to top surface, the apron and six legs decorated with polychrome and gilt painted floral and meandering motifs, joined together at the base by a hexagonal stretcher, 2 pieces

Each: 35.5” H x 21.25” W x 21.25” D

$1,000-1,500

1042

A Chinese painted silk panel

18/19th Century or later

Unsigned

The oil and drybrush on silk panel painting depicting various figural scenes in a garden, possibly from the 18th century novel “Dream of the Red Chamber”

Sight: 61.5” H x 105” W

$5,000-7,000

1043

20th Century or earlier Chinese School

$400-600

Chicken and rooster with bamboo

Ink and watercolor on joined paper laid to board

A red ink seal at the lower left

Sight: 34.5” H x 17.5” W

1044

Flying ducks over bamboo

Ink on paper scroll with decorative paper borders

Seals in red ink at the upper left and right edges

Sight: 51” H x 23.25” W

$600-800

20th Century or later Chinese School

1045

A

Early/mid-20th century

Marked with a paper label: John Widdicomb Co. / Maker of Fine Furniture / Grand Rapids; further marker with the model number: 125

The fruitwood table with rounded edges and set on six fluted tapered legs with brass feet

Open: 29.25” H x 39” W x 37.5” D; stored: 29.25” H x 39” W x 21.5” D

$800-1,200

Pembroke-style drop leaf dining table

19th

$800-1,200

1046

An English Regency-style sewing stand

century

With a drop leaf top over an upper drawer and a lower pull-out fabric basket on a concave platform base with scrolled feet

28.25” H x 17” W x 16.5” D

1047

A Victorian walnut octagonal sewing table

19th century

With a hinged, locking marquetry inlaid top, opening to reveal various silk-lined compartments to the interior, over a conformingly designed pedestal, set upon out-swept carved wood tripod legs 29.5” H x 17.5” Dia.

$500-700

1048

A George III chinoiserie lacquered tall case clock

19th century

Marked to the face: Rich Fifield / Martyr Worthy / Strike Silent

The steel dial with black Roman numeral hour markers, black Arabic minute markers, and a sub seconds and calendar dial, with two-train movement, housed in a glozed bonnet over a lacquered wood case, all gilt with chinoiserie figures

96” H x 18” W x 9.25” D

$1,500-2,500

1049

20th

$500-700

A George III-style mahogany cabinet

century

The cabinet featuring two locking cabinet doors revealing four sliding selves, over two short drawers, with brass batwing hardware and opposed side handles, set on bracket feet with wood casters 38.25” H x 43.5” W x 23.75” D

1050

19th century

With two short over three long drawers, each with brass pulls and locking mechanisms, on four bracket feet

38.25” H x 43.75” W x 21.5” D

$500-700

A George III mahogany chest of drawers

1051

A Victorian English sterling silver tea and coffee service

Late 19th/early 20th century

Each marked with English hallmarks for London; maker’s mark for William & George Sissons; tipping kettle and creamer with British registration marks

Each with chased foliate banding and wreaths, the kettles with carved wood handles, comprising a hot water tipping kettle with silver-plated burner and stand (13.25”), a coffee pot (8.875”), a teapot (6”), a sugar bowl (4.375”), and a creamer (4”), 5 pieces 82.57 gross oz. troy approximately $2,000-3,000

1052

An English sterling silver trophy bowl

1900

Marked with English hallmarks for London; maker’s mark to underside: Hunt & Roskell / Late / Storr & Mortimer / 2073; further marked: 1851 / [impaled coat of arms with three rampant lions, checkered chevron field, and a pentafoil sun charge] / 1901

The vermeil-washed footed bowl decorated with repoussé acanthus and scrolls with a scalloped border

$1,000-2,000

7” H x 10” Dia.

1053

1894

With

$500-700

An English sterling silver overlay picture frame

English hallmarks for London

The repoussé silver overlay with animals and a cottage over blue velvet surrounding an oval opening 23” H x 18” W; opening: 15” H x 11.5” W

1054

A Royal Crown Derby “Old Imari” bone china dinner service 1980s/90s

Each backstamped with various date marks and further marked: Royal Crown Derby / English Bone China / [logo with crown] / Old Imari / 1128

The dinner service decorated with blue, red, and gilt floral and geometric motifs, comprising: 9 dinner plates (10.625”), 6 Sheffield fluted dessert plates (8.75”), 9 salad plates (8.625”), 9 bread and butter plates (6.325”), 7 footed cream soup bowl (5”), 6 soup bowl saucers (6.5”), 1 gravy boat (8.125”), 1 gravy boat saucer (8.5”), 9 flat cup saucers (5.875”), 9 flat cups (3.325”), 6 demitasse saucers (4.5”), 6 demitasse cups (2.325”), 1 creamer (5”), 1 lidded sugar bowl (6”), 2 lidded coffee pots (10”), 2 Tudor Rose trays (4.5”), and 1 “1995” tray (6.5”), 85 pieces

$1,000-1,500

1055

A set of Royal Cauldon porcelain dinner plates

Early/mid-20th century; Knottingley, Yorkshire, England

Each marked: Cauldon China / England / Est 1774

Each with polychrome floral and scrollwork decoration to the rim and scalloped gold edge, 10 pieces

Each: 10.25” Dia.

$500-700

1056

A set of Royal Worcester gilt porcelain cups

Late 19th/early 20th century

Each porcelain piece marked to the underside: Royal Worcester / Made in England; each spoon marked for 925; each spoon with various other assay and maker’s marks

Comprising 6 yellow and gilt demitasse cups (2”) with floral motif banding to the rim and 6 diminutive saucers (3.75” Dia.) with conforming decoration, along with 6 demitasse sterling silver and guilloche yellow enamel spoon (3.75”); accompanying satin-lined leather storage case, 19 pieces total Case: 2.75” H x 13.75” W x 10.25” D

$600-800

1057

A set of twelve Crown Sutherland porcelain dinner plates

Late 19th/early 20th century; Staffordshire, England

Each marked for: Crown Sutherland / England

Each bone china plate with enameled cobalt, gilt foliate, and polychrome floral decoration, 12 pieces

Each: 10.25” Dia.

$500-700

1058

A metal tree-form chandelier

Mid/late 20th century

Appears unmarked

The white painted metal twelve-light chandelier in the form of a tree with birds perched in the branches, each faux candle fixture with linen shade accented by grosgrain ribbon trim, electrified 50” H x 44” Dia.

$800-1,200

1059 Ludwig Blum (1891-1975)

Rabbis in a Jerusalem market Oil on canvas laid to canvas Signed lower edge at center: L. Blum

38.25” H x 30.75” W

$4,000-6,000

1060

Ludwig Blum (1891-1975)

City of Jerusalem, 1956

Oil on canvas

Signed and dated lower right: Ludwig Blum

29” H x 46” W

$4,000-6,000

1063

Yervand Nahapetian (1916-2006)

“Isfahan,” 1957

Watercolor on paper

Signed, titled, and dated lower right: Y. Nahapetian

Image/Sheet: 14.5” H x 17.25” W

$1,000-2,000

1062

Yervand Nahapetian (1916-2006)

“Isfahan,” 1958

Watercolor on paper

Signed, titled, and dated lower left: Y. Nahapetian

Sight: 21.5” H x 17.125” W

$800-1,200

1064

A carved rock crystal cabinet bottle with dragons

20th century

Marked with an etched diamond to the underside of the base Possibly Chinese, the footed vessel with opposing, finely carved dragons to each side, each with a frosted finish, and a flaming pearl finial; set upon a carved wood stand, 2 pieces With stand: 10” H x 6” W x 3” D

$2,000-3,000

1065

Two Chinese carved stone trees

Mid-20th century

Each unmarked

Each tree decorated with carved hardstone flowers and possibly nephrite leaves, affixed to woven fabric-encased and pliable “branches,” stemming from a painted plaster trunk, set in a weighted metal and enamel cloisonné pot with floral and avian motifs, 2 pieces

Each: 20.5” H x 28” W x 13.5” D approximately

$700-900

1066

A carved stone standing figure

Possibly South East Asian, in the style of the 9th-10th century The male figure, nude but for a minimal loin cloth, depicted standing 15” H x 5.5” W x 3.5” D

$1,000-1,500

Provenance: Property of the American Broadcasting Company, New Walt Disney Co., Burbank, CA, acquired by corporate merger with Private Collection, Los Angeles, CA, acquired from the above

standing upright on a double tiered lotus plinth New York, NY with the above

1067

A Chinese carved wood altar table

Late 19th/early 20th century

The altar table with openwork apron depicting eternal knot and cloud motifs, set upon four carved wood legs

33.5” H x 45.5” W x 16” D

$800-1,200

1068

Two Chinese carved wood and marble side tables

20th century

Each appears unmarked

Comprising one smaller and one taller table, each with pink marble top inset into elaborately carved hardwood four-legged bases, 2 pieces Larger: 37” H x 22” Dia.; smaller: 20” H x 17.5” Dia.

$600-900

1069

A Korean carved wood Buddha statue

18th century or later

The carved and polychromed wood sculpture of a deity, together with a contemporary wood stand, 2 pieces 19” H x 4.75” W x 4” D

$500-700

1070

A Louis XIII-style needlepoint upholstered walnut armchair

19th century

Appears unmarked

The high-backed armchair with carved foliate walnut frame and gros and petit point upholstery on the front and red velvet upholstery on the back, the edges of each accented with brass tacking

47.25” H x 25” W x 25.75” D

$600-800

1071

A pair of Baroque-style turned wood plant stands

Late 20th century

Each stand with a square beveled top centering a spiral column set upon four curved legs, 2 pieces

Each: 40.75” H x 15” W x 15” D approximately

$500-700

1072

Aime-Jules Dalou

(1838-1902)

“Le Grand Paysan,” circa 1903-1920

Patinated bronze

Signed to the stump verso: Dalou; further inscribed and stamped for the foundry: Susse Freres / Paris / 3 23” H x 7.5” Dia.

$800-1,200

1073

A bronze sculpture depicting the “Augustus of Prima Porta”

Second half 20th century

Appears unmarked

After the original marble sculpture of Caesar Augustus circa 10 A.D., rediscovered in 1863 and now on display in the Vatican Museum, the bronze sculpture depicting Caesar with Cupid at his right heel riding a Florentine dolphin

25.75” H x 13.75” W x 13.75” D

$700-900

1074

After Duchoiselle, Late 19th century

Signed: Duchoiselle

$600-800

A French bronze sculpture of “The Calling of Samuel”

The sculpture depicting Eli and the young Samuel 12.875” H x 9.5” W x 6.5” D

1075

Georg Kolbe

(1877-1947)

Model for Beethoven Monument

Bronze

Signed and stamped for the foundry to the base verso: GK I / H. Noack / Berlin

33.25” H x 13” W x 14” D

$30,000-50,000

Provenance: Leonard Hutton Galleries, New York, NY

1076

Follower of Pierre Jacques Volaire (1729-1799)

“1809 Eruption of Mt. Etna from Castiglione” Oil on canvas

Appears unsigned; inscribed lower edge: Eruzione e Lava del Mont’ Etna nella notte de 27 Marzo · tutti Li 6 Aprile 1809 da Castiglione

21.5” H x 34.5” W

$10,000-15,000

Provenance: Property from a member of a European royal family

Sold: Christie’s, New York, NY, “Old Master Paintings,” September 30, 2005, Lot 75

1077

A group of Chinese double gourd porcelain vases

20th century

Each marked to the underside in blue underglaze bearing an apocryphal reign mark for Qianlong Period (1736-1795)

Three vases of varying size comprising one glazed sky blue and two glazed celadon, 3 pieces

Largest: 9.5” H x 6” Dia.; smallest: 8” H x 4” Dia.

$1,500-2,500

1078

A pair of Chinese Dehua-style porcelain guardian lions Republic Period (1912-1949) or later

Each appears unmarked

Two glossy white ceramic lion figures, one male with embroidered ball under paw and one female with a cub alongside, each on a pedestal with wrap-around medallion motif, 2 pieces

Each: 7.25” H x 5.25” W x 3” D

$500-700

1079

A pair of Japanese step curio cabinets

20th century

Each appears unmarked

The ebonized wood cabinets with allover carved wood lotus scroll motifs and brass hardware, the upper half featuring variously shaped rectangular display compartments with plate glass doors and side panels, the lower half featuring two drawers above two large cabinets with locking mechanisms, 2 pieces

Each: 74.5” H x 36” W x 14.75” D

$6,000-8,000

1080

A Chinese hardwood armchair

Early 20th century

The carved hardwood chair with openwork back splat and armrests inset with marble discs, over a rectangular cushion with floral upholstery and raised on four curvilinear legs

42.5” H x 27.75” W x 21.5” D

$800-1,200

1081

A pair of Chinese Export blue glazed porcelain elephants

Qing Dynasty (1644-1911) or later

Each appears unmarked

Each with deep skin folds, heads turned to one side, and an allover turquoise glaze; set upon a fitted carved wood stand, 2 pieces

Each with stand: 8.5” H x 3.5” W x 9” D

$1,000-1,500

1082

A Japanese Meiji kutani porcelain lidded tureen

Meiji period (1868-1912) or later

Marked with Japanese characters in red enamel to the underside reading: Kutani Zo

The Buddha’s Hand citron-shaped lidded dish with various insect and animal motifs rendered in polychrome enamel and gilt accents surmounted by a three-dimensional handle in the shape of a gnarled branch stem

6” H x 5” W x 7” D

$500-700

1083

A Japanese Imari Ninshiki-style enameled porcelain charger

Late Edo Period (1603-1868) or later

Appears unmarked

The porcelain plate with all-over polychrome enameled decoration of foliate and geometric motifs with gilt accents to the recto and blue geometric motifs to the verso

2” H x 12.25” Dia.

$500-700

1084

A group of Japanese Oribe-yaki sake and dinner service items

Mid/late 20th century

The group of earthenware studio pottery items comprising 1 drip-glazed wine server (5.125” H x 3.125” Dia.), 5 drip-glazed kobachi bowls (2” H x 3.75” W x 3.75” D), 5 medium plates (8” W x 8” D approx.), and 5 small plates (5.875” W x 4.5” D approx.), set inside four signed wooden boxes one reading likely Ryozan, one reading likely Kozan, one reading perhaps Yuchiko/Koshi, one box with unidentified signature,16 pieces

Largest box: 4.325” H x 9.325” W x 9.325” D; smallest box: 4.125” H x 4” W x 6” D

$500-700

1085

Mid-20th century

Appears unmarked

7”

$600-800

A large Chinese octagonal cloisonné lidded box

The eight lobed brass box decorated with all over polychrome enameling depicting dragons amid crashing waves

H x 14” Dia.

1086

A Chinese silver and enamel horse sculpture

20th century

Marked: Silver / 33

The silver horse with cloisonné enamel details and mounted to a wood base

Overall: 8.5” H x 11.75” W x 3.625” D 20.36 gross oz. troy approximately

$700-1,000

1087

Late 20th century

The wool-on-cotton rug featuring a blue border and medallion with geometric motifs on a red ground

9’ 6” L x 6’ 6” W

$1,000-1,500

A Tabriz area rug

1088

A Persian area rug 20th century; Iran Wool on cotton foundation, with minimal polychrome floral motifs in blue and rust on a cream field

11’ 8” L x 8’ 7” W

$1,500-2,000

1089

An International Silver “Royal Danish” sterling silver flatware service

Early/mid-20th century

Most items marked: U.S.A / Royal Danish / International Sterling; the place knives marked: Insico stainless; the bullion spoon marked for Georg Jensen

Designed 1939, comprising 8 place knives (9” L), 9 butter spreaders (6” L), 8 place forks (7.125” L), 8 salad forks (6.325” L), 1 pickle/olive fork (5.875” L), 2 lemon forks (4.75” L), 8 cream soup spoons (6.5” L), 12 tea spoons (6” L), 2 iced tea spoons (7.325” L), 1 sugar spoon (5.875” L), 10 demitasse spoons (4.125” L), and 1 table/serving spoon (8.5” L) , sold together with 1 associated bullion soup spoon (5.25” L), 71 pieces

Weighable sterling: 76.33 oz. troy approximately

$1,200-1,800

1090

An International Silver “Royal Danish” sterling tea and coffee service

Mid-20th century

Each marked: Royal Danish USA / C353 / International Sterling

The set designed in 1940, comprising 1 coffee pot, 1 tea pot, 1 lidded sugar, 1 creamer, and 1 waste bowl, 5 pieces

Largest: 8.875” H x 9” W x 5” D; smallest: 2.75” H x 4.5” Dia. 86.87 gross oz. troy approximately $1,000-1,500

1091

A group of assorted silver items

Early/mid-20th century

Weighted items, butter tray, and bowl marked for International Sterling “Prelude” pattern; other items with various maker’s marks including Rogers Bros. and American Silver Co. Comprising two weighted candle holders, a weighted bud vase, a lidded butter tray, a shallow bowl, and various sterling silver and silver-plate flatware items, sold together with a glass ash tray, 23 pieces

Compote: 6” H x 6.75” Dia.; smallest: 4.25” L Weighable sterling: 11.08 oz. troy approximately

$500-700

1092

A French Gothic Revival bronze portico clock

Mid-19th century

With a chased gilt-bronze dial, black Roman numeral hour markers, and twotrain movement set in a patinated and gilt-bronze Gothic-style architectural case with pointed arches, tracery, and columns centering seated figure

20.25” H x 9.25” W x 5.25” D

$800-1,200

1093

A pair of French bronze chenets

Late 19th century

Each marked on the reverse: HM / Each variously decorated with opposing fruit and foliate motifs, and pinecone

Each: 15.5” H x 15.25” W x 5” D

$600-800

chenets

994 / 39

opposing lion masks, eternal flames, pinecone finials, 2 pieces

1094

After Peter Paul Rubens (1577-1640)

Detail of “Diana Returning from the Chase” Oil on canvas laid to board

Unsigned 13.5” H x 11.25” W

$1,500-2,000

1095

After Raphael (1483-1520)

Portrait of Agnolo Doni Oil on canvas

Unsigned 24.25” H x 17.25” W

$800-1,200

Other Notes: Raphael’s original rendition of this wealthy Florentine fabric merchant, Agnolo Doni (1474-1539), which was done in oil on panel circa 1504-1507, together with a pendant portrait of Doni’s wife, Maddalena Strozzi (1489-1540), is part of the Uffizi Gallery collection in Florence, Italy.

1096

17th Century Dutch Genre School

Dutch tide chart

Watercolor and ink on paper

Unsigned Sight: 14” H x 11” W

$300-500

Other Notes: This lot is accompanied by a handwritten and typed translation of the Dutch inscriptions on the recto of the work. Both translations are on paper affixed to cardboard, and both are housed in a sleeve affixed to the frame’s backing paper.

1097

Attributed to Jan Josefsz van Goyen (1596-1656)

River landscape with boats and a church in the distance, 1649 Oil on cradled panel

Initialed and dated along the side of one of the boats at lower left: VG 40” H x 22.5” W

$3,000-5,000

1098

After Rembrandt (1606-1669)

Self-portrait, 19th century Oil on canvas

Unsigned

22.5” H x 18.25” W

$700-900

1099

18th Century Spanish School

Bearded saint reading

Oil on canvas

Unsigned 20.625” H x 16.75” W

$600-800

Other Notes: Two Sotheby’s labels are affixed to the stretcher.

1100

A Continental metal miniature suit of armor

20th century

Appears unmarked

The highly detailed, multi-piece miniature suit of armor with chased designs throughout accented by a terracotta thread fringe to the waist, set upon a painted wood stand

12.25” H x 4” W x 3” D

$500-700

1101

A matched pair of Italian Lazaro Lazarino holster pistols

Late 18th century

Each with an incised maker’s mark on top of the breech: Lazaro Lazarino

Made by Lazaro Lazarino of the Cominazzo Family from Brescia, Italy, each matched flintlock pistol with a carved solid walnut stock inlaid with scrolling brass accents, supporting a 9.25” octagonal breech and round barrel, and terminating in a scrolling flat brass pommel retained by a screw, 2 pieces

Each: 15.25” L x 6” W x 2.5” D approximately

$1,000-2,000

1102

A Collins & Co machete, no. 1005

Early 20th century

Marked to blade: No 1005 / Collins & Co / Hartford

The WWI-era machete with wood handle housed in a tooled leather scabbard

Blade: 15” L; with scabbard: 22.25” L

$500-700

1103

A Swiss army “pioneer” serrated sword

Late 19th/early 20th century

Ricasso marked: [Swiss flag] / Weyersberg / Kirschbaum & Cie / Solingen / 5495 / 84

The sword with serrated steel blade set in a brass hilt with carved cross-hatched wood grips housed in a metal scabbard with yellow braided string to throat

Blade: 19.75” L; with scabbard: 26.5” L

$500-700

1104

A French army bayonet

Circa 1879

Blade engraved: Mre D’Armes de St Etienne Mai 1879; further marked: 85485 / M [indecipherable]

The steel bayonet set in a brass hilt with wood grips and brass pommel, housed in a metal scabbard

Blade: 20.5” L; with scabbard: 26” L

$500-700

1105

“Polish Grenadiers,” 1850

Watercolor, gouache, and graphite on paper Appears unsigned; titled in pencil, presumably in another hand, on the frame’s backing paper

Image/Sheet:

$800-1,200

H x 8.125” W

Louis Eugene Lami (1800-1890)

4.625”

1106

In the style of Johann Michael Voltz (1784-1858)

“Triumph of 1813”

Ink and watercolor on vellum

Unsigned Sight: 9.5” H x 7.5” W

$500-700

Provenance: Private collection of the grandson of Andrew Saks, Founder of Saks 5th Ave., New York

Other Notes: A copy by an unknown individual of the political cartoon “Triumph of 1813” by German political satirist Johann Michael Voltz. The original cartoon commemorated Napoleon’s defeat at the Battle of Leipzig and his retreat from the Confederation of the Rhine. Napoleon’s features are made up of the German states of the Confederation and the bodies of slain German citizens.

This lot is accompanied by a handwritten English translation of the Italian text. The translation is affixed to the frame’s backing board, within a protective sleeve.

1107

A Tiffany and Co. silver-plated coffee and tea service

Early 20th century

Each marked: 6346 / Tiffany & Co. Makers / Silver-soldered; tray alternately marked: 5264 Each with all-over repoussé floral motif, comprising 1 three-pint wood-handled coffee pot (8.325” H x 9.25” W x 6.25” D), 1 two-pint wood-handled tea pot (5.5” H x 10” W x 6.625” D), 1 lidded sugar bowl (5.25” H x 5.875” Dia.), 1 creamer (3.75” H x 6.5”W x 4.75” D), 1 waste bowl (4” H x 8.325” W x 6” D), and 1 opposed-handled serving tray (1.5” H x 30.75” W x 19.875” D), personalized, 6 pieces

$800-1,200

1108

An R.J. Horner “Governor Winthrop” desk

Late 19th/early 20th century; New York, NY Metal tag to interior of top drawer: R.J. Horner & Co. / Furniture Makers / [address]

The Chippendale-style mahogany slant-front desk with brass hardware profusely decorated with allover carved acanthus leaf and scrolled motifs, highlighted by two opposed dragon heads to the sides and the slant front featuring carved dragons centering a water basin, which opens to reveal four letter slots and a pullout drawer to each side, centering a lockable document compartment, all above three oxbow and machine dove tailed drawers, set on lion paw feet to front and square feet to back, and surmounted by a brass gallery rail

44.5” H x 36.5” W x 24” D

$1,000-2,000

1110

A pair of Rococo Revival carved openwork parlor chairs

Mid-19th century

Each appears unmarked

The two walnut parlor chairs decorated with carved and openwork roses, acorns, and foliate motifs; the seat cushion and tufted oval back cushion upholstered in blue and gold foliate pattern, set upon carved cabriole legs with acanthus leaf feet on casters

Each: 36.25” H x 18.75” W x 26.75” D

$1,000-2,000

Other Notes: These chairs were previously attributed by repute to John Belter, circa 1860, per previous owner’s records.

1109

A Queen Anne-style fall-front secretary

Late 19th century

The tall wood secretary comprising an upper locking cabinet case revealing eighteen cubbies and surmounted by a swan neck broken pediment centering an urn and spiral finial, and a lower drop-front case revealing five shelves and thirteen drawers, all above four drawers with batwing escutcheons and raised on carved wood bracket feet, brass hardware, 90” H x 39.75” W x 21.5” D

$1,000-1,500

1111

A Chinese blue and white porcelain moon flask

20th century

Marked to the underside in blue underglaze bearing an apocryphal reign mark for Qianlong Period (1736-1795)

The flattened form ceramic vessel decorated with all-over blue underglaze vine and lotus scroll motifs on a white glazed ground

13.5” H x 10” W x 4” D

$500-700

1112

A pair of Chinese blue and white gu-form porcelain vases

20th century

Each marked to the underside in blue underglaze bearing an apocryphal reign mark for Xuande Period (1426-1435) of the Ming Dynasty (1368-1644)

Each with blue underglaze decoration of dragon, phoenix, and floral motifs and leaf banding to the neck, 2 pieces

Each: 11.25” H x 6” Dia.

$600-800

1113

20th century

Marked to the underside in blue underglaze bearing an apocryphal reign mark for Xuande Period (1426-1435)

Decorated in blue underglaze with dragon and cloud motifs encircling the high exterior walls and centered on the interior well on a white glazed ground

3.75” H x 8.25” Dia.

$500-700

A Chinese blue and white porcelain dragon bowl

1114

A group of Chinese blue and white porcelain jars

20th century

Each appears unmarked

Each decorated with four partitioned registers in blue underglaze on a white ground depicting scenes of flowering bushes surrounded by birds and butterflies and geometric banding to the foot, 3 pieces

Each: 22” H x 8” Dia.

$600-800

1115

A large East Asian carved wood statue

Early/mid-20th century

Appears unmarked

The large sculpture depicting Hotei, the laughing Buddha, astride a deer, and encircled by two dragons, set upon a carved wood base incised with meandering motif

With base: 64” H x 28” W x 10” D

$2,000-3,000

1116

An East Asian cast iron figure of a Bodhisattva

18th century or later

The cast iron figure, likely Avalokitesvara or Guanyin, standing upon a double lotus flower petal, the exterior surfaces displaying traces of blue, red, yellow, and white paint to the dress, jewelry, and hair as well as gilt to the face, hands, and feet

58.5” H x 14.5” W x 10.5” D

$1,000-1,500

1117

A Tiffany “Chrysanthemum” sterling silver flatware service

Mid/late 20th century

Each marked: Tiffany & Co / Sterling / Pat.1880.M

The set designed 1880, comprising 6 table knives (10.25”), 6 place forks (7.5”), 6 luncheon forks (6.325”), 6 salad forks (6.75”), 6 cream soup spoons (6.75”), 6 dessert spoons (7”), 6 tea spoons (5.75”), 6 oyster forks (5.875”), 6 demitasse spoons (4”), 6 butter spreaders (5.875”), and 1 pie/cake server (10.75”), 61 pieces

Weighable sterling: 91.265 oz. troy approximately

$4,000-6,000

1118

A Limoges “Jardin du Roi” porcelain dinner service

20th century

Each marked for Limoges and further marked: “Jardin Du Roi” / Tangara hupé de Cayenne. / Decor original crée en 1793 / de aprés l’histoire naturelle de Buffon / Musee de Buffon, Montbard France Comprising 6 dinner plates (10.125”), 6 salad plates (8.5”), 6 saucers (5.625”), and 6 coffee cups (3.125”), each depicting various birds on a yellow ground, 24 pieces

$500-700

1119

A R.J. Horner-style parlor set

Late 19th century

Metal tag to lower back of short-armed chair: Levin Bros. Inc. / Guaranteed Upholstered Furniture / Minneapolis, Minn

The walnut carved wood parlor set comprising a sofa and two chairs featuring ornately carved griffin heads to the backrest, sculptural griffin head armrests cresting carved wing supports, set upon four legs, the front two griffin paw feet; upholstered in burgundy velvet and sold together with five conformingly upholstered square pillows with brushed fringe trim, 8 pieces

Sofa: 40.625” H x 66.5” W x 29.25” D; each chair: 39.75” H x 32.5” W x 31.5” D

$1,500-2,500

1120

A pair of Chinese Dehua figural porcelain table lamp

Late Qing Dynasty (1644-1911) or later

One figure stamped on the verso with a seal reading: Xu Yunlin zhi

Two glossy white porcelain He Xiangu figures, each adorned with flowers and astride a deer, now mounted on a carved wood and brass square plinth base, retrofitted as lamps, each lacking a shade, electrified, 2 pieces

Each: 29” H x 7.5” W x 6” D

$1,000-1,500

1121

A pair of Old Paris porcelain spill vases

Late 19th century

Each with a Rococo-style pastoral scene with gilt highlights depicting a figure in fancy dress issuing a wide, fanned vase, 2 pieces

Each: 15” H x 11.5” Dia.

$400-600

1122

A Renaissance Revival bedroom set

Late 19th/early 20th century

Appears unmarked

Comprising a carved and burl walnut queen-sized bedframe, six-drawer dresser with pillared front, surmounted by a red marble top and ornately carved framed mirror, set upon four squared legs, and washstand with four drawers and one cabinet, surmounted by a red marble top and framed mirror, set upon four metal casters, each piece conformingly designed, 8 pieces

Largest: 79” H x 62” W x 81.5” D; smallest: 84” H x 40” W x 21.5” D

$1,000-2,000

1123

A Renaissance Revival-style highboy dresser

Late 19th/early 20th century

The hardwood six-drawer dresser with vertical side lock, each featuring brass pulls, surmounted by a carved wood gallery rail and accented with carved wood molding and floral motifs 59.75” H x 37.75” W x 22.5” D

$600-800

1124

An “Honor Patria” bronze figure

After Emile Picault (1833-1915), late 19th/early 20th century Titled in repoussé in the casting 31.75” H x 12.875” W x 12.75” D

$1,200-1,800

1125

A bronze figure of La Baigneuse (Venus au Bain) After Christophe-Gabriel Allegrain (1710-1792), 19th century Signed in the bronze to verso: Baigneuse / D’Allegrain

33.125” H x 11.25” W x 16.5” D

$2,000-3,000

Allegrain’s marble Baigneuse was completed in 1766 and is currently in the Louvre, Paris.

1127

A Renaissance Revival vitrine

Late 19th/early 20th century

The five-shelf display cabinet with curved original glass viewing p and sides, a mirrored back panel, and a door with brass hardware mechanism, featuring composite capped columns transitioning int columns, surmounted by a pediment and cornice with scrolled acanthus set on flattened bun feet

86” H x 50.25” W x 19” D

$3,000-5,000

1126

A Victorian Renaissance Revival wood pedestal

Late 19th century

The carved wood pedestal, three sides featuring female figural masks in high relief with rocaille, scrolled leaf, and swagged fabric highlights

39.325” H x 18.25” W x 18.25” D

$800-1,200

panels to front hardware and locking into rope twist lower acanthus leaf motif,

1128

A Bordallo Pinheiro Majolica shellfish dinner service

Mid-20th century

Each faintly impressed to underside: Made in Portugal / [illegible]; some with stamp: Bordallo Pinheiro C. Rainha; some with sticker: Made in Portugal

The Portuguese Palissy ware set comprising 14 dinner plates (11.325” Dia.), 3 salad plates (8.125” Dia.), 5 bread and butter plates 6.625” Dia.), and 2 lidded tureens (5.25” H x 9.5” Dia.) with serving spoons (8” L), 24 pieces

$500-700

1129

A Portuguese Palissy glazed ceramic lobster platter

Late 19th/early 20th century; Portugal

Stamped to the verso: Alvaro Jose Caldas / da Rainha / Portugal

The majolica three-dimensional hanging wall platter with realistically rendered ceramic lobster, mussels, and barnacles amongst textured sea vegetation and sand, all glazed in shades of red, green, blue, and brown

2.25” H x 12.5” Dia.

$500-700

1130

A Horner-style carved wood wall clock

Late 19th century

Appears unmarked

The two-train movement clock with enameled metal Roman numeral dial and carved wood front panel depicting dragons and griffins at the corners, housed in a rectangular carved wood case featuring turned columns and a molded drop finial with scrolled acanthus motif

50” H x 24” W x 9.25” D

$1,000-2,000

1131

A Victorian Gothic Revival wood pedestal

Late 19th century

The carved wood pedestal with a birdseye maple platform surmounting an openwork interlocking sculptural cross and tapered form profusely decorated with various carved geometric details including ovolo and beaded molding, set on four paw feet 48” H x 17.325” W x 17.325” D

$1,000-1,500

1132

A Chinese Kangxi-style lidded porcelain seal box

20th century

Marked to the underside in blue underglaze bearing an apocryphal reign mark for Kangxi Period (1662-1722)

The compressed circular ceramic box, the top of which depicts the Eight Immortals crossing the ocean

1.25” H x 3.25” Dia.

$400-600

1134

A French Neoclassical Late 19th/Early 20th Century Movement signed: A.D. The bronze and marble mantel numerals on the enameled pendulum, mounted to a bronze and gilt accents, bronze feet 16.75” H x 8.875” W x 4.625”

$600-800

1133

A blue and white dragon porcelain fishbowl table

20th century

Appears unmarked

The possibly Chinese large ceramic vessel with all-over blue underglaze decoration depicting dragons amid clouds, foliate banding, and turbulent waves encircling the foot; surmounted by a later added circular, beveled glass top, 2 pieces

20.5” H x 32.25” Dia.

$1,200-1,800

Neoclassical portico mantel clock

Century Mougin / Deux Medaille / 3187

mantel clock with two-train movement and black Arabic enameled metal dial, set in a bronze case with a masked sun gilt a white marble columnar base decorated with mounted pinecone finials, and surmounted by an urn, set on six

4.625” D

1135

Eduard Baerschneider (active late 19th century)

A KPM (Berlin) porcelain plaque depicting three sea nymphs

Signed lower left: Ed Baerschneider; impressed KPM and scepter marks verso, in a Florentine-style giltwood frame

Plaque: 6.625” H x 4.625” W

$1,000-1,500

1136

Jehan Vibert (1840-1902)

Artist courting maid Oil on canvas

Signed

$1,500-2,500

lower right: J. Vibert 22” H x 27” W

1137

Oil on canvas laid to canvas

Unsigned 40” H x 50” W

$2,000-3,000

19th Century European School

1138

George Augustus Holmes (1822-1911)

Children at a pig pen, 1900 Oil on canvas

Signed and dated lower left: G.A. Holmes

10.25” H x 14” W

$800-1,200

1139

Paul E. Harney Jr. (1850-1915)

Chickens in a coop, 1912

Oil on canvas

Signed and dated lower left: Paul E. Harney

10” H x 14” W

$1,000-2,000

Provenance: Noonan Kocian Co. Fine Arts, St. Louis, MO

1140

19th Century European School

Horses in a stable with attendant

Oil on canvas laid to canvas

Unsigned

12.75” H x 16” W

$600-800

1141

Arthur Wardle

(1864-1949)

“Tigers Drinking”

Oil on canvas

Signed lower left: Arthur Wardle; with the incised title on the stretcher

26” H x 38” W

$3,000-5,000

1142

A French Louis Philippe chandelier

Mid-19th

century

The twelve-light gilt and patinated bronze chandelier with foliate arms and faux candles, circling a scrollwork and foliate central medallion with a columnar form surmounted by an eternal flame finial, suspended by six cast foliate chains from an architectural cornice plate, electrified 36” H x 25.5” Dia.

$5,000-7,000

1144

A Chinese carved nephrite belt hook hand mirror

Early/mid-20th century

Appears unmarked

The oval handheld mirror framed by silver-toned metal embossed with foliate and avian motifs, with an inlaid nephrite dragon carved in relief to the verso, and the grip fashioned after an 18th century carved jade belt hook, with a larger dragon’s head and smaller dragon’s body decorating the handle

9.5” H x 4” W x 1” D

$600-800

1143

A pair of Chinese carved nephrite plaques Republic Period (1912-1949) or later

Each tall, thin rectangular pale green stone plaque carved raised relief to depict a bird perched amongst chrysanthemums and cherry blossoms, each panel now mounted by later added carved wood stands, 2 pieces

Each with stand: 13.75” H X 7” W x 3.5” D

$2,000-3,000

1145

A Tabriz area rug

20th century

The wool-on-cotton foundation rug with foliate motifs surrounding a central medallion on a tan ground

18’ 7” L x 13’ 11” W

$7,000-9,000

1146

Late 20th century

Signed to the lower edge: Stark

With all-over polychrome floral motifs and mustard yellow borders on a beige ground

25’ 11” H x 14’ W

$1,000-1,500

A Stark palace-sized needlepoint wool rug

20th century

10’ L x 5’ 6” W

$1,000-1,500

1147

A Bokhara area rug

The wool-on-cotton foundation rug with all-over polychrome geometric motif on a burgundy ground

1148

Early/mid-20th century

5’ 2” L x 3’ 1” W

$500-700

A Kork small area rug

The diminutive, washed wool on silk rug with allover foliate motifs surrounding a central medallion on a burgundy ground

1149

A Victor IV phonograph

Circa 1905-1912

With metal label: Victor / Made by Victor Talking Mch. Co. / Type Vic IV; serial number: 40763

The phonograph featuring a mahogany case, 10” turntable, double spring motor, tapered arm configuration, and an external steel and brass horn

Assembled: 28.5” H x 29” W x 16.25” D approx., dimensions variable

$1,000-1,500

1150

A Wooten Desk Co. walnut and burl maple cabinet secretary

Late 19th/early 20th century; Indianapolis, Indiana

Marked to brass plaque on the righthand door front: Manufactured by Wooton Desk Mnf. Co. / Indianapolis, Ind. / W.S. Wooten’s Patent / Oct 6 1874

The Rennaissance Revival office secretary with a walnut and burl maple carcass accented with gold leafed carving, with hinged, arched double doors, secured with a cast brass locking turn handle mechanism, opening to reveal a drop-front writing surface inset with gilt stamped black leather, the right interior door with one-hundred and ten pigeonholes, each with a green cardboard drawer, as well as variously sized cubby holes and drawers throughout the interior; all surmounted by a carved and gilt spindle gallery rail and set upon four metal casters

$5,000-7,000

1151

E. F. Caldwell & Co.

Founded 1895

The Great Sea Horse

Gilt-bronze and marble

With gilt plaque to recto: “He would not have minded having one pretty mermaid for his mistress...”

11.5” H x 12” W x 9.325” D

$1,000-2,000

Note: the quote is from “The Great Sea-Horse” by Isabel Anderson

1152 Eugene Antoine Aizelin (1821-1902)

Figure of a fashionable woman, 19th century marble

Signed to side of base: E. Aizelin

37.25” H x 11” W x 13” D

$1,000-2,000

1153

A pair of cold painted spelter Orientalist busts

Late 19th century

From the editions of unknown size and date

Comprising two painted Orientalist-style female busts, 2 pieces

Each: 12.25” H x 6.25” W x 4” D

$600-800

1154

After Émile Coriolan Hippolyte Guillemin (1841-1907)

“Cavalier Arabe”

Patinated and cold-painted spelter

Impressed: Barye fils / E el Guillemin; further impressed: Fabrication Francaise / Paris / Made in France

25.5” H x 19.325” W x 10.5” D

$500-700

1155

An ebonized wood walking cane with a 14k gold handle

Late 19th/early 20th century

Embossed to the handle: 14k

The slim wood cane with an all-over black finish and bulbous14k gold handle with scroll motifs

35.25” H x 1” Dia.

$400-600

1156

A group of wood walking canes

Late 19th/early 20th century

One hallmarked to the metal banding: [cipher] / T JD Co

Five walking canes comprising two ebonized wood canes with chased gold metal handles, one fruitwood cane with a woven gold metal handle, one mahogany cane with chased gold metal handle, and one ash wood cane with chased metal handle, 5 pieces

Largest: 35” H x 1” Dia.; smallest: 30.5” H x 1.25” Dia.

$500-700

1157

A group of ebonized wood walking canes

Late 19th/early 20th century

Each appears unmarked

Comprising three canes each with a cast gold metal handle decorated with scroll, foliate, and floral motifs, 3 pieces

Largest: 36.5” H x 1.5” Dia.; smallest: 36.25” H x 1.5” Dia.

$600-800

1158

A group of umbrellas and a cane

20th century

Each unmarked

Comprising one cane with gold-toned metal handle, two ebonized wood umbrellas with goldtoned metal handles, one wood umbrella with gold-toned metal and mother of pearl handle, and one wood umbrella with faux wood and silver-toned metal openwork overlay on bone handle, four personalized, 5 pieces

Largest: 39.625” L x 1” Dia.; smallest: 36” L x 0.75” Dia.

$300-500

1159

A Beaux Arts-style figural torchére

Late 19th/early 20th century

Appears unmarked

The gilt bronze depicting a female figure seated atop a pedestal base, decorated with Neoclassical-style motifs including acanthus leaves, fleurde-lis, and lion masks, surmounted by a single light with a frosted globe shade, and set upon three paw-form feet, electrified

70” H x 26” W x 21” D

$2,000-3,000

1160

A Louis XV-style bureau plat 20th century

The book match veneered wood desk with gilt-bronze mounts and inset gilt-stamped leather writing surface over one center drawer and four small drawers

32” H x 71.5” W x 36” D

$400-600

1161

A

Late 19th/early 20th century

$600-800

Louis XV-style japanned desk

The lacquered wood table with a painted scene of women in a garden and featuring gilt-bronze mounts, the apron fitted with an oxbow drawer with locking mechanism, supported on four curvilinear legs

32” H x 40” W x 26” D

1162

A set of four Continental terracotta portrait plaques

19th century or later

Each signed (possibly reading): H Scharn / 1875; one further stamped: [‘SU’ within in a shield] Representing the allegorical four seasons, each depicting a high relief bust of a female with an attribute of a season, 4 pieces

Each: 17” H x 10.5” W x 10.75” D approximately

$2,000-3,000

1163

A French frosted glass chinoiserie mantel clock

Late 19th century

Marked to movement: Tiffany & Co. / 1067

Possibly Baccarat, with a Tiffany & Co. two-train movement, black Roman numerals on the enameled metal dial set in a brass tongue and dart frame, housed in a frosted glass architectural pagoda carcass surmounted by a high relief Fu lion finial, set on a later added white gold-leafed wood base with an openwork apron and scrolled feet

With base: 16” H x 8.75” W x 8” D

$1,500-2,500

1164

A pair of French Orientalist spelter busts

Early 20th century

Each appears unmarked

Each in the style of Charles Henri Cordier (1827-1905), the spelter busts with gilt highlights on attached tetrahedral base with four claw feet, 2 pieces

Each: 30.5” H x 17” W x 12” D approximately

$1,000-1,500

1165

An International Sterling “Prelude” flatware service

Early/mid-20th century

Each marked for International Sterling “Prelude” pattern

Designed 1939, comprising 8 place knives (8.75” L), 10 butter spreaders (5.75” L), 1 master butter spreader (7.125” L), 8 place forks (7.25” L), 8 salad forks (6.5” L), 8 cocktail forks (5.5” L), 1 pickle/olive fork (5.75” L), 1 cold meat serving fork (8.875” L), 8 tea spoons (6” L), 1 sugar spoon (5.875” L), 1 citrus spoon (6.325” L), 2 serving/table spoons (8.5” L), 1 gravy ladle (6.625” L), and 1 pie server (10.125” L), 59 pieces total

Weighable sterling: 56.815 oz. troy approximately

$1,200-1,800

1166

A group of assorted sterling silver flatware items

Early/mid-20th century

Each marked for sterling with various maker’s marks including Towle and Wallace Comprising various styles of forks, spoons, knives, and serving utensils, some personalized, 55 pieces

Largest: 8” L; smallest: 3.5” L

Weighable sterling: 37.545 oz. troy approximately

$650-850

1167

A pair of French figural bronze candelabra

Late 19th century

Each three-light candelabrum with a patinated bronze young Dionysius figure donning a wreath of grapes and supporting three foliate gilt bronze candleholders, set upon a black stone pedestal base, 2 pieces, electrified

Each: 22.25” H x 9” W x 7” D

$800-1,200

1168

Jacobus Josephus Eeckhout (1793-1861)

A mother and her children at the shore Oil on panel

Signed lower right: J.J. Eeckhout 40” H x 31.5” W

$4,000-6,000

1169

Theodore Ghirardi (1816-1886)

Figures along a river bank

Oil on canvas laid to board

Signed lower left: Ghirardi

13” H x 17.5” W

$400-600

1170

Etienne de Lavallee-Poussin (1733-1793)

Capriccio of a monumental staircase before a Roman temple Ink, wash, and watercolor heightened with white on paper laid to board

Appears unsigned

Sight: 14.75” H x 12.875” W

$2,000-4,000

Provenance: Sold: Doyle’s, New York, NY, “English & Continental Furniture & Decorative Arts/ Old Master Paintings,” October 14, 2015, Lot 67

Other Notes: Annotated in pencil on the verso of the mat: Lefevre.

1171

Jean Francois De Sompsois (1755-1797)

Two works:

Portrait of a man

Pastel on paper laid to canvas

Appears unsigned

22” H x 18” W

Portrait of a woman

Pastel on paper

Appears unsigned

22” H x 18” W

$700-900

1172

Cristobal de Antonio (1870-1905)

“La Rencontre”

Oil on panel

Signed lower right: C. de Antonio

16” H x 12” W

$500-700

Provenance: Sold: Vanderkindere Auctioneer, Brussels, Belgium, “Art and Antiques,” March 24, 2021, Lot 494

1173

A pair of Chinese “Sijiangui” hardwood compound cabinets

Late Qing Dynasty (1644-1912) or later

Each appears unmarked

Each comprising a hat chest resting on a larger rectangular cabinet, the cabinet set with a pair of hinged doors within rectangular frames flanking a central stile, opening to a shelved interior with two drawers, fitted with a circular lock plate with pin and ‘fish’ pull handles, all raised on small legs of square section with baitong mounts, the upper hat chests echoing the cabinet’s construction without the apron and legs, 4 pieces

Each: 100.5” H x 55” W x 22.5” D

$3,000-5,000

1174

A pair of cloisonné and lacquered wood stools

Mid/late 20th century

Each appears unmarked

Each with red lacquered carved wood five-legged base and inset cloisonné panels for each seat, depicting birds and flowers, 2 pieces

Each: 19” H x 16” D

$600-800

1175

A Chinese Qiaotou’an softwood altar table

Late Qing Dynasty (1644-1910) or later

Appears unmarked

The multi-plank softwood tabletop surmounting plain aprons, secured with mortise and tenon joints, as well as carved ruyi-style spandrels to either side of the four squared legs, each joined by dual side stretchers

33” H x 92” W x 20” D

$800-1,200

1176

A Chinese Longquan celadon octagonal dish

Late Yuan Dynasty (1271-1368) or early Ming Dynasty (1368-1644) or later

Appears unmarked

The typical gray green glaze covering incised repeating lotus patterns, the recessed base showing the typical areas of biscuit hue and kiln flaws

2.25” H x 12.325” W

$500-700

1177

A Chinese celadon glazed porcelain moon flask

20th century

Marked to the underside in blue underglaze bearing an apocryphal reign mark for Qianlong Period (1736-1795)

With impressed Bajixiang designs to verso and recto and opposing scrollwork handles to the neck

10.5” H x 7” W x 3.5” D

$500-700

1178

A group of Chinese brown glazed porcelain vessels

20th century

One cup marked to the underside in blue underglaze bearing a reign mark for Wanli Period (1573-1620) of the Ming Dynasty (1368-1644); one marked bearing an apocryphal reign mark for Jaijing Period (1522-1566); one marked bearing an apocryphal reign mark for Tianqi Period (1621-1627)

Three porcelain vessels ach with an all-over coppery brown glaze comprising a stick neck vase, a zhadou (leys jar) and a footed cup, 3 pieces

Largest: 9.75” H x 5.25” Dia.; smallest: 4” H x 3.75” Dia.

$500-700

1179

A near-pair of Chinese flambé porcelain vases

20th century

One incised to the underside bearing an apocryphal reign mark for Yongzheng Period (1723-1735)

Each squared ceramic vase with opposing chilong dragon handles and all-over, scarlet-colored glaze

streaked with multi-tonal blue hues, 2 pieces

$1,200-1,500

20” H x 9” W x 8” D

1180

A pair of Chinese Export blue glazed porcelain vases

20th century

Each appears unmarked

Each with cerulean glazed ceramic vessel with cylindrical neck atop a globular body, decorated with the eight Taoist Immortals amongst stylized clouds in raised relief, 2 pieces

Each: 11.5” H x 7” Dia.

$700-900

1181

A Chinese turquoise enameled porcelain vase

Late Qing Dynasty (1644-1911) or later

Marked to the underside in red enamel bearing the reign mark for Guangxu Period (1875-1908)

With all-over decoration depicting a five clawed dragon writhing amid floral branches in grisaille enamels upon a turquoise enameled ground between bands of yellow encircling the rim and foot 17.5” H x 7.5” Dia.

$500-700

1182

A pair of Chinese brass and cloisonné pelicans

Mid-20th century

Each appears unmarked

Each brass pelican with all-over enameled scrollwork and avian motifs and carved, lacquered wood stand, 4 pieces

Each with stand: 19.5” H x 9” W x 10.5” D

$800-1,200

1183

A Chinese enameled brass sculpture of a horse and carriage

Mid-20th century

Appears unmarked

The cast brass and carved wood sculpture of a horse drawn carriage with a female rider, heavily embellished with polychrome enamel, faux carnelian and jade cabochons, brass chain, and freshwater baroque pearls, on a carved wood plinth base

12.5” H x 14.5” W x 5.75” D

$700-900

1184

Harry Lachman

(1886-1975)

“Pont St. Pierre Nemours”

Oil on canvas

Signed in pencil and titled in ink, both on the stretcher 20” H x 24” W

$800-1,200

1185

Harry Lachman (1886-1975)

“Path to the Church, Monterey” Oil on canvas

Signed lower right: Lachman; titled in ink on the stretcher 18.25” H x 22” W

$800-1,200

1186

Rinaldo Cuneo (1877-1939)

View of Notre Dame from the Seine Oil on canvas

Signed lower right: Rinaldo Cuneo

15” H x 17.75” W

$2,000-3,000

1187

Rene Genis (1922-2004)

“Plan D’Eau de la Graviere”

Oil on canvas

Signed near the lower edge, at center: Rene Genis; titled on a gallery label affixed to the frame’s cardboard backing 29” H x 36” W

$2,000-3,000

Provenance: Sold: Sotheby’s NY, “Modern & Contemporary Paintings, Drawings, and Sculpture,” June 7, 1996, Lot 109 David Findlay Gallery, New York, NY

1188

Yingzhao Liu (b. 1956)

Still life of plums in a porcelain bowl on a cinnabar table, 1995

Oil on canvas laid to waxed canvas

Signed in Chinese and dated lower right: Yingzhao Liu / 1995.8

32” H x 25.75” W

$3,000-5,000

1189

A Chinese Yuan-style porcelain flask vase

20th century

Marked to the body in blue underglaze bearing an apocryphal imperial mark

The squared flask-form vase with impressed decoration to each side depicting a dragon amongst the clouds and dual opposing applied dragon handles to each of the shoulders

15.5” H x 12” W x 3.75” D

$600-800

1190

A pair of Chinese carved stone trees

Mid/late 20th century

Each unmarked

The tress decorated with carved rose quartz and translucent orange hardstone peony flowers and stone leaves, affixed to woven fabric-encased and pliable “branches,” stemming from a painted plaster trunk, set in a weighted marble footed pot, 2 pieces

Each: 17” H x 13.5” W x 9” D approx., dimensions variable

$600-900

1191

A pair of Chinese enameled porcelain ginger jars

20th century

Marked to the underside in blue underglaze bearing an apocryphal reign mark for Yongzheng Period (1723-1735)

Each decorated in all-over red enamel and gilt five claw dragon, flaming pearl, cloud, and bat motifs on a white ground, 2 pieces

Each: 13.25” H x 7.5” Dia.

$500-700

1192

Two Chinese earthenware vessels

Song Dynasty (960-1279) or later

Comprising a straw glazed ceramic vessel with handle and spout and a green glazed

Cizhou-style ceramic vessel with slip glaze figural and foliate decoration, 2 pieces

Larger: 8” H x 7” Dia.; smaller: 8.5” H x 6” Dia.

$600-800

1193

20th century

Marked to the underside in blue underglaze with a six-character studio mark possibly reading: Koko sho’oku [shi gan] Perhaps a tokkuri or similar sake vessel, with an all-over stylized motif of branches and prunus in blue underglaze on a white ground 14.75” H x 7.5” Dia.

$500-700

A Japanese blue and white porcelain vase

1194

A Japanese Satsuma earthenware vase

Late 19th/early 20th century or later Marked to the underside with Kanji characters in gilt: Kinkozan The baluster-form ceramic vase with all-over enamel and gilt decoration depicting a continuous figural scene flanked by geometric motifs 22.5” H x 11” Dia.

$1,200-1,800

1195

$1,000-2,000

A monumental Japanese Satsuma porcelain vase

Circa 1930s

The large baluster-form vase with gilt highlights and polychrome enamel decoration depicting figural scenes against a dark green ground

42” H x 17.5” Dia.

1196

A Japanese Usubata bronze ikebana vase

Meiji Period (1868-1912) or later Stamped to the underside with Japanese characters (possibly reading): Kamehisa

The cast bronze vessel with a wide ledge/lip encircling the inset basin within the globular stand with high relief undulating bonsai decoration

10.25” H x 11.75” Dia.

$500-700

1197

A Japanese bronze vase with turtles

Meiji Period (1868-1912) or Taisho Period (1912-1926); Japan

Appears unmarked

The baluster form cast bronze vase with incised lobing of the body and five threedimensional cast bronze turtles of various sizes clustered around the neck 16” H x 7.5” Dia.

$700-900

1198

A Japanese bronze dragon vase

Meiji Period (1868-1912) or later, circa 1905-1915

Embossed to the underside with six-character mark (possibly reading): Dai Nihon Osaka [Shima]sada Seizo

The cylindrical cast bronze vase encircled by a raised relief dragon rendered in precise detail and meandering motif encircling the rim

12” H x 5.5” Dia.

$1,000-1,500

1199

An Art Nouveau style patinated bronze bust of a maiden

After Georges Straeten (1856-1928), 20th century

Signed to the verso: G van der Straeten; further marked verso with a medallion for the foundry: Societie des Bronzes de Paris

22” H x 15” W x 8.5” D

$600-800

1200

“Musee Grevin, Theatre les Fantoches de John Hewelt,” 1900

Lithograph in colors on cream wove paper laid to linen

A proof impression printed before the addition of the poster text

Signed and dated in the stone near the center of the right edge: J. Cheret 1900; with the printer

information in the stone along the left edge: Imprimerie Chaix (Ateliers Cheret), Paris

Image: 45.5” H x 32.75” W (approx.); Sheet: 49” H x 35” W

$1,200-1,800

Literature: Broido 471; Cheret 608

Jules Cheret (1836-1932)

1201

A Gallé cameo glass “Magnolia” moon vase

Late 19th/early 20th century; Nancy, France

Signed: Gallé

The circular “Magnolia” vase with a rotund body, pinched neck, and flared cupped lip in deep crimson to amber frost

12.5” H x 9.5” W x 4.25” D

$800-1,200

1203

A Pairpoint reverse-painted puffy glass “Stratford” table lamp

Circa 1910s; New Bedford, MA

Stamped to the glass shade in gilt: The Pairpoint Corp./ Patented July 9, 1907; base appears unmarked

The three-light table lamp with a “Stratford” glass shade depicting hummingbirds and roses, set upon a possibly later added brass base with three applied cast metal foliate accents, electrified

21.5” H x 13.75” Dia.

$2,000-3,000

1202

Émile Gallé (1846-1904)

A two-tiered marquetry occasional table, circa 1885-1904; Nancy, France

Signed in marquetry: Gallé

The two-tiered table with lobed, rectangular top with floral marquetry over a narrowing and shaped undershelf, raised overall on four splayed feet

28.5” H x 25” W x 18” D

$800-1,200

1204

An L.C. Tiffany silvered metal table lamp with enameled mesh shade Circa 1902-1928; New York, New York

Shade embossed under finial: Louis C. Tiffany Furnaces Inc. / 890 A / Pat. Appd. For; base embossed to the underside: Tiffany Studios / New York / 618

The enameled metal mesh shade with applied multicolor droplets, silver rope-style borders, and cast silver flattened bottom tear drop-shaped finial on a two-light, adjustable silvered metal base with cast Art Nouveau bamboo and lily motifs, electrified 20.5” H x 17.75” Dia.

$2,000-3,000

Literature: This base illustrated with the corresponding model number in: Robert Koch, “Louis C. Tiffany’s Glass Bronzes Lamps: A Complete Collectors Guide” (New York, NY: Crown Publishers, 1971), 199, fig. 65.

1205

Louis Icart (1888-1950)

“Sleeping Beauty,” 1927

Etching, drypoint, and aquatint in colors on paper

Signed in pencil in the lower margin, at right: Louis Icart; inscribed “SW,” possibly in another hand, in pencil in the lower margin, at left; with the artist’s windmill blindstamp in the lower margin, at left; Edite par les Artistes Modernes 5 rue Scribe, Paris, 1927, pub.

Image: 14.75” H x 18.5” W; Sight: 15.75” H x 19.5” W

$500-700

Literature: Holland/Catania/Isen 323

Other Notes: According to Holland/Catania/Isen, this work is sometimes known by its French title, “La Belle Au Bois Dormant.”

1206

Louis Icart

(1888-1950)

“Miss America,” 1927

Etching, drypoint, and aquatint in colors on paper

Signed in pencil in the lower margin, at right: Louis Icart; with the artist’s windmill blindstamp in the lower margin, at left, and his copyright and the year printed in the plate at the upper left: Copyright 1927 by les Graveurs Modernes 194 Rue de Rivoli, Paris, pub.

Image: 20.25” H x 16” W; Sight: 22.25” H x 18” W

$600-800

1207

Louis Icart (1888-1950)

“Flower Seller,” 1928

Etching, drypoint, and aquatint in colors on paper

Signed in pencil in the lower margin, at right: Louis Icart; with the artist’s windmill blindstamp in the lower margin, at left, and his copyright and the year printed in the plate, upper left; Les Graveurs

Moderne, Paris, pub.

Image: 18.75” H x 14.25” W; Sight: 19.5” H x 15.25” W

$500-700

Literature: Holland/Catania/Isen 336

Other Notes: According to Holland/Catania/Isen, this work is sometimes known by its French title, “Marchande de Fleurs.”

1208

Louis

“Hydrangeas,” 1929

Etching, drypoint, and aquatint in colors on paper

Edition: E 311/500

Signed in pencil in the lower margin, at right: Louis Icart; numbered and inscribed in pencil, and with the artist’s windmill blindstamp in the lower margin, at left; with his copyright and the year printed in the plate, upper left

Image: 16.125” H x 20.375” W; Sight: 16.75” H x 21.125” W

$500-700

Literature: Holland/Catania/Isen 373

Other Notes: According to Holland/Catania/Isen, this work is sometimes known by its French title, “Les Hortensias.”

Icart (1888-1950)

1209

Adelina Zandrino

Two works:

“La Fatica”

Oil on panel

(1893-1994)

Signed lower left: A. Zandrino; titled on the frame plaque; titled again and inscribed in pencil, possibly in another hand, on the frame, verso: “La - Fatica” (Work) / by- / Adelina Zandrino (of Genoa, -Italy)

24.5” H x 21.75” W

“La Terra”

Oil on panel

Signed lower: A. Zandrino; titled on the frame plaque; titled again and inscribed in pencil, possibly in another hand, on the frame, verso: La Terra (The Earth) / by Adelin Zandrino

24.5” H x 19.75” W

2 pieces

$1,000-2,000

1210

Ivan Vasilievich Simakov (1877-1925)

“Long Live the Proletarian Holiday 1st May,” 1921 Lithograph in colors on paper laid to linen With the printed signature, date, and Petrograd publishing stamp in the lower edge Sight: 28” H x 20” W

$600-800

1211

A group of Russian Palekh lacquerware boxes

Late 20th/early 21st century

Each variously marked for artist and date Comprising seven rectangular lidded boxes and one oval lidded box, each all-over lacquered and depicting hand-painted scenes from Russian fairytales, 8 pieces Largest: 1.75” H x 9” W x 7” D; smallest: 2” H x 3” W x 6.25” D

$700-900

1212

A group of Russian Palekh lacquerware boxes and plates

Late 20th/early 21st century

Each variously marked for artist and date

Comprising six rectangular boxes, one circular box, and on shield-shaped box, along with four plates, each all-over lacquered and depicting hand-painted scenes from Russian fairytales, 12 pieces

Largest: 1.75” H x 9.5” W x 5.5” D; smallest: 1” x 3.75” Dia.

$700-900

1213

Late 19th/early 20th century

Marked: Ghrenpreis Der Stadtgemeinde / St. Polten / 1 Preis des Hauptfahrens / I. Internat. Radwettfahren in St. Polten I Mai 1892

The patinated metal trophy depicted holding a laurel wreath, possibly hollow-cast and filled spelter

24.25” H x 10” W x 9.5” D

$1,200-1,800

A German cycling trophy

1214

A Le Verre Francais “Vigne” cameo glass vase, circa 1925 Etched signature to the lower edge: Le Verre Francais; further marked to the underside: France

The Art Deco vase with a mottled opaline yellow glass cased in violet glass, etched with a repeating motif of stylized grape clusters 13” H x 9” Dia.

$800-1,200

Charles Schneider (1881-1953) and Earnest Schneider (1877-1937)

1215

A George Betjemann & Sons inlaid mahogany dressing table

Late 19th/early 20th century

With a plaque to the interior front edge: Boyes, Bassett & Co., Shanghai; further marked with a second plaque: Rd No 541493

Retailed by Boyes, Bassett & Co., Shanghai, the fold-out poudreuse with book-matched mahogany veneer to the exterior, hinged lid opening to reveal a tryptic mirror, numerous inset cubbies in lacquered ivory wood for manicure pieces such as vanity jars, brushes, combs and hand mirrors, various leather-lined compartments to the interior fore beneath a glazed hinged lid, a hidden drawer behind, two beveled glass fold-out extensions, and two locking drawers to the exterior on either side; set upon four marlborough tapered legs, each with a brass end cap and caster

38.5” H x 35” W x 22” D

$500-700

1216

A pair of Chinese carved cinnabar plant stands

20th century

Each with various illegible paper labels to the underside

Each with a quadrilobate top above an in-set waist adorned in elaborate beast heads separated by phoenix and landscape reserves, set upon four modified cabriole legs with paw-form feet, 2 pieces

Each: 20” H x 20.5” Dia.

$600-800

1217

A pair of St. Louis gilt glass “Thistle” wall sconces

20th century

Each three-light sconce with faux candle fixtures on molded glass bases with draping prismatic tear drops and glass shades with banded gilt acanthus leaf scrolls, mounted on three rope spiral glass arms radiating from the gold metal wall mount with prismatic and molded glass accents, electrified, 2 pieces

Each: 20” H x 15.5” W x 15” D

$1,000-2,000

1218

A Bjorn Wiinblad for Rosenthal “Zauberflöte” porcelain dinner service

Late 20th century

Each marked: Rosenthal / Germany; flat items signed: Die Zauberflöte / Bjorn Wiinblad; further marked in gilt to the underside in the artist’s hand with various excerpts from the play

The bisque porcelain service with low relief decorations depicting the story of The Magic Flute, comprising 12 dinner plates (11.25” Dia.), 8 salad plates (8.75” Dia.), 12 bread and butter plates (7.325” Dia.), 12 flat cups (3.625” Dia.) with 4 saucers (6.325” Dia.), and 12 demitasse cups (2.325” Dia.) with 13 saucers (4.75” Dia.), 73 pieces

$800-1,200

1219

A Towle “Lady Diana” sterling silver flatware service

Mid/late 20th century

Each marked for Towle and sterling

Comprising 12 dinner knives (9.625”), 12 lunch knives (8.75”), 12 fish knives (6.75”), 12 butter spreaders (5.875”), 1 master butter knife (7”), 12 dinner forks (7.75”), 12 lunch forks (7.25”), 12 salad forks (6.75”),12 dessert forks (6.325”), 12 cocktail forks (5.625”), 12 cream soup spoons (6.25”), 12 bullion soup spoons (5”), 12 sorbet spoons (5.75”), 24 tea spoons (6”), 12 five o’clock tea spoons (5.75”), 1 sugar spoon (5.625”), 4 table/serving spoons (8.25”), 1 cold meat serving fork (7.75”), 1 jelly server (6.625”), 1 gravy ladle (6.75”), 3 cream ladles (5.5”), 1 pickle fork (6”), 1 olive fork (6”) 1 pierced olive spoon (6”),1 bonbon spoon (4.75”), 1 tomato server (7.325”), 1 pie server (10.125”), 1 large steak carving set (11.25” and 9.625”), and 1 small steak carving set (10” and 8.875”), sold together with a blue felt-lined hinged wood storage box with upper tray,

203 pieces

Weighable sterling: 172.81 oz. troy approximately

$2,000-3,000

1220

A pair of Louis XV-style bouillotte lamps

Early/mid-20th century

Each appears unmarked

Each cast in the form of two-light candelabra with a gilt-bronze foliate base surmounted by a painted metal shade with gilt chinoiserie decoration, electrified, 2 pieces

Each: 22.5” H x 9.75” Dia.

$500-700

1221

A pair of Royal Vienna-style porcelain vases

Late 19th/early 20th century

Each marked with blue Bindenschild; one further marked: Austria (possibly mark of Josef Riedl Giesshubel)

Each porcelain urn-form vase with opposed handles centering reserves with Classical-style scenes enclosed by gilt-highlights against a magenta and light green ground, 2 pieces

Each: 18.5” H x 8.25” W x 8.25” D

$700-900

1223

A Korean ebonized wood bedside chest

20th century

Appears unmarked

Likely a Morijang or bedside chest with a slightly the two locking doors opening to reveal variously all adorned in brass hardware and fittings incised scrollwork, and avian motifs

58” H x 42” W x 18.5” D

$1,000-2,000

1222

Two Chinese carved stone trees

Mid/late 20th century

Each unmarked

The trees decorated with carved quartz and various other hardstone peony flowers and possibly nephrite leaves, affixed to woven fabric-encased and pliable “branches,” stemming from a painted plaster trunk, set in a weighted brass and enamel cloisonné pot with foliate motif on a blue ground and a brass “basket” handle, 2 pieces

Each: 11.5” H x 18” W x 11” D approx., dimensions variable

$600-800

modified form, variously sized drawers, with foliate,

1224

A Korean Keyaki wood safe chest

Late Joseon Dynasty (1392-1910) or later Appears unmarked

Likely a Korean Gakkesuri or locking safe chest, the wood carcass with seven drawers arranged in two rows surmounting two doors, secured with a padlock, and opening to reveal interior shelving; all adorned with elaborate brass plates and hardware

34.5” H x 48.5” W x 16.75” D

$600-800

1227

A French Early 20th Appears unmarked The patinated each light 80.5” H x 29” $2,000-3,000

1225

Marius-Jean-Antonin Mercié (1845-1916)

David after the Battle

Patinated bronze

Marked: A Mercie; further marked: F. Barbedienne Fondeur / Reduction Mecanique

41” H x 23” W x 19.5” D

$2,000-3,000

1226

After Marius-Jean-Antonin Mercié (1845-1916)

“David Avant Le Combat”

Patinated bronze

Marked to base: a Mercie; further marked: F Barbedienne Fondour / Paris

31.5” H x 14.25” W x 9.75” D

$1,500-2,500

patinated bronze figural torchére of a Classical female figure century unmarked patinated bronze Classically draped figure raising a four-light torch fixture, with a later purple glass shade, set on a circular base, electrified 29” W x 24” D approximately

$2,000-3,000

1228

A French gilt bronze and champlevé enamel centerpiece

Late 19th/early 20th century

Bears a mark to the underside for retailer: Tiffany and Co. With three cast silver metal putti supporting a gilt brass pedestal, decorated with cobalt, red, and turquoise enamel inlay, surmounted by a glass platter with a gilt brass and enamel rim accented with conformingly designed opposing ring handles; all set upon an alabaster and gilt brass circular base

9” H x 8.5” Dia.

$1,000-1,500

1229

A set of Russian Imperial porcelain bowls

Circa 1825-1855, Period of Nicholas I

Each marked with blue underglaze imperial monogram for Nicholas I

Each porcelain plate with a scalloped rim, gilt highlights, and polychrome interlacing surrounding the Russian Imperial eagle, 12 pieces

Each: 2” H x 9.5” Dia.

$2,000-3,000

1230

A set of Russian Imperial porcelain plates

Circa 1825-1855, Period of Nicholas I

Each marked with blue underglaze imperial monogram for Nicholas I Each porcelain plate with a scalloped rim, gilt highlights, and polychrome interlacing surrounding the Russian Imperial eagle, 12 pieces

1.25” H x 9.75” Dia.

$2,000-3,000

1231

A transitional Louis XV/XVI-style marquetry demilune commode 20th century

The wood cabinet featuring marquetry veneer and mounted gilt-bronze trim and accents in egg-and-dart and scrolled laurel wreath patterns with a higher relief mask centering the latch-locked front cabinet door, revealing and open cavity, all surmounted by a beveled white and brown marble top and supported on four curvilinear legs with gilt-bronze paw feet

40.125” H x 46.5” W x 22.25” D

$800-1,200

1233

A pair of French Louis

Early 19th century

Each appears unmarked

Each with carved and painted with floral silk brocade

Each: 35.5” H x 25” W

$1,200-1,800

Louis XV-style fauteuils

unmarked painted frame and upholstered fabric, 2 pieces x 16.5” D

1232

A transitional Louis XV/XVI-style vernis Martin lighted vitrine cabinet

Late 19th/early 20th century

The single door wood carcass with a central painted panel depicting a courting couple to the door front, opening to reveal two glass display shelves and a velvet upholstered storage cubby, gilt bronze mounted throughout, and surmounted by an inset marble top and a brass reticulated gallery rail; set upon four cabriole legs, electrified 62.75” H x 27.25” W x 16.25” D†

$600-800

1234

An Aubusson wool and silk tapestry

19th century; Aubusson, France

Appears unmarked

Inspired by the 16th century “Les Chasses de Maximilien” series of twelve hunting tapestries, the finely woven tapestry in multicolored wool, with townscape beyond, and with polychrome fruit, flora and fauna borders, fully lined and with mounting loops attached to the top edge 4’ 4” H x 13’ 8” W

$2,000-3,000

Provenance: “Tapisseries de France,” “Le Got Barbat,” Aubusson, France

Acquired from the above by the present owner, 1984

Other Notes: This lot is accompanied by a copy of a purchase receipt and a copy of a letter of authentication from “Tapisseries de France,”

This tapestry appears to depict a composite of elements found in the September and October tapestries from the 16th century set of “Les Bernard van Orley, a leading tapestry designer at the time. The series of twelve tapestries depict various hunting scenes in the Soignes forest,

wool, silk and metal threads, depicting a partial scene of a forest and royal hunting party,

France,” “Le Got Barbat,” Aubusson, France, dated February and March 1984, respectively.

“Les Chasses de Maximilien” or “Hunts of Maximilian,” almost certainly after cartoons by forest, south of Brussels, with the court of Maximilian I, Holy Roman Emperor.

1235

A Victor Raulin Louis XVI-style encoignure

Late 19th century; Paris, France

Impressed to the top: Raulin

The corner cabinet with single drawer over a locking glazed door revealing three interior shelves, surmounted by a rouge marble top and finished with gilt-bronze mounts and satinwood inlay

38” H x 27.5” W x 17.25” D

$2,500-3,500

1236

A Louis XVI-style three piece salon suite

20th century

Comprising a settee and two fauteuils, each tapestry upholstered motifs to a carved giltwood carcass raised on fluted tapered

Settee: 40.25” H x 52.5” W x 28” D; each fauteuil: 38” H x 24.75”

$800-1,200

upholstered with floral and Classical legs, 3 pieces 24.75” W x 24” D

1237

A pair of Neoclassical side tables

20th century

Each gilt metal table with pierced floral motif apron and four columnar legs with tapered feet joined by a curvilinear X-stretcher, surmounted by a red marble top, 2 pieces

Each: 28.5” H x 18.75” Dia.

$400-600

1239

A French Empire-style chandelier

Early 20th century

Stamped to the mount: LB 1164

The six-light chandelier with six patinated and gilt-bronze Florentine dolphin and foliate motif arms, each surmounted by a faux candle light, radiating from a central medallion with an eternal flame finial to the top and pinecone finial to the bottom; suspended by three geometric linked chains, electrified 23.5” H x 20” Dia.

$700-900

1238

A Louis XVI-style inlaid wood game table

Early 20th century

Appears unmarked

The round gaming table with parquetry inlay of mahogany and satin wood veneers in repeating geometric motifs, two opposing drawers with cast brass pulls, and two slide out gaming surfaces with inset leather tops to either side; set upon four spade-shaped legs, each with a brass endcap 30” H x 35.5” Dia.

$500-700

1240

A Baktiari area rug

20th century

The wool-on-cotton foundation rug with polychrome geometric motifs surrounding a central medallion on a tan and terracotta ground

16” 5” L x 12’ 1” W

$3,000-4,000

1241

A Russian cloisonné enamel vanity box

Late 19th/early 20th century; Moscow Russia Stamped for maker to the right side in Cyrillic

In the style of Gustav Klingert, the silver footed casket with a hinged lid and locking mechanism, surmounted by a circular mirror within an ornate frame and set upon a metal plinth base, all with enameled scrollwork, avian, and foliate motifs

17” H x 10.25” W x 10” D

$1,200-1,800

1242

A Herend “Chinese Bouquet” porcelain dinner service

Mid/late 20th century

Each marked: Herend / Hungary / Handpainted; teapots marked: Hungary

The porcelain service in “rust,” with scalloped rims and decorated with floral motifs and gilt edges, comprising 8 dinner plates (10.25”), 8 salad plates (8.25”), 8 bread and butter plates (6.25”), 8 lidded cream soup bowls (5.5”) with 8 saucers (6.25”), 7 tea cups (3.625”) with 8 saucers (5.5”), 4 small lidded teapots (5.5”), 1 double salt dip (5.75”), 1 cache pot (7.25”), and 1 rounded compote (5.5”), 62 pieces

$800-1,200

1243

A Meissen “Indian” rust red porcelain dinner service 20th century

Each marked for Meissen (two crossed swords) and further marked with various press numbers

The floral and foliate design with gilt edges comprising 14 dinner plates (9.75”), 10 bread and butter plates (8.325”), 8 rimmed bowls (9.325”), 13 pierced dessert plates (8.325”), 6 tea cup saucers (5.75”), 4 coffee cup saucers (5.325”), 1 square salad serving bowl (10”), 1 square low serving bowl (9.5”), 2 leaf-form handled dishes (10”), 1 divided serving dish (13.325”), 2 large oval platters (20.5”), 2 large fish platters (23.625”), 1 oval serving platter (16”), 1 straight-sided circular serving bowl (9.625”), 2 charger plates (14”), 1 small charger plate (12.125”), 1 mustard pot with attached underplate and conforming ladle (6”), 1 cake stand (14.75”) 1 gravy boat with attached underplate (10.25”), 1 diminutive bonbonniere (3”), 12 open salts (1.325”), and 8 knife rests (3.875”), 93 pieces

$2,000-3,000

1244

An Atelier Le Tallec French Empire-style porcelain apothecary jar

Mid-20th century; Paris, France

Marked to the underside: Hand painted by Le Tallec / Paris / Made in France

The lidded, cylindrical jar with hand painted polychrome Neoclassical motifs and gilt accents on a matte cobalt blue ground

12.25” H x 5.5” Dia.

$1,000-1,500

Provenance: Connaissance Des Arts 1955

1245

A group of Limoges C. Ahrenfeldt porcelain soup bowls

Late 19th/early 20th century; Limoges, France

Each marked: France [Charles Ahrenfeldt] Depose; each further marked for retailer: Orvington Bros. / New York / Fabrique a Limoges

Manufactured by Ahrenfeldt porcelain factory (est. 1884), each bowl with a navy blue and gilt enameled rim, 10 pieces

Each: 1.5” H x 8.75” Dia.

$500-700

1246

$1,000-2,000

An Enrique Linares architectural model Early 20th century Stamped to bottom: No 58. / Enrique Linares. / Es Propiedad The gilt and polychromed plaster and faux marble model of an Alhambra facade, with carved openwork and felt backing Sight: 12.625” H x 8.125” W

1247

A triptych reliquary

19th century

A gesso and polychrome on a folding wooded traveling reliquary triptych, depicting Mother Mary and Baby Jesus in the center panel, with the cross above, and two saints surrounding the central figures, on the left and right panels, and with angels in the upper left and right panels, affixed to a red velvet fabric laid to Masonite

Open: 18.75” H x 15.25” W

$600-800

1248

A Vista Alegre “Christians vs. Moors” chess set

Circa 1960-1962

Each piece marked to underside: Made in Portugal / VA Portugal

$1,000-2,000

The black and white Lucite board with painted porcelain game pieces designed by Jeannine Hétreau

Board: 2.325” H x 13.325” W x 19” D; largest game pieces: 4.5” H

1249

Two Russian icons depicting the Mother of God

Late 19th/early 20th century

Each oklad marked for Russian sterling: 84

The larger with underpainting depicting the Virgin Mary and child with a repousse silver oklad and applied high relief halos for each figure and the smaller with underpainting depicting the Annunciation with a repousse silver okland overlay, 2 pieces

Larger: 8.5” H x 6.75” W x .75” D; smaller: 5.25” H x 4.5” W x 0.625” D

$400-600

1251

large Baroque-style carved and giltwood mirror century

Appears unmarked

carved and giltwood rectangular frame with egg-and-dart surmounted by scrollwork and acanthus leaf cornice x 60” W x 8.5” D

$1,500-2,500

1252

A Louis XVI-style cast iron pedestal 20th century

Appears unmarked With all-over cast foliate motifs 41” H x 24.25” W x 24.25” D

$1,000-2,000

1253

A pair of Baroque-style pricket altar sticks

Early 20th century

Each appears unmarked

Each metal alloy architectural candlestick with columnar body, footed pedestal base, and figural mask decoration depicting Jesus, Virgin Mary, and St. John the Baptist, 2 pieces

Each: 18.5” H x 4” Dia.

$500-700

1254

An Italian Renaissance-style marquetry armchair

19th century

The part ebonized carved walnut chair with fruitwood marquetry to the back splat depicting two lion figures and acanthus leaf scrolls centering a crest, the seat depicting two figures, one on horseback, on a hunt in a forest landscape, the front stretcher depicting the bust of a man, and the arms and legs conformingly inlaid and decorated 51.75” H x 21.75” W x 22.75” D

$400-600

1255

A pair of Spanish Colonial-style wrought iron table lamps

Early/mid-20th century

Each appears unmarked

Each single-light lamp with wrought iron scrollwork and foliate

tripod base and linen shade, electrified, 2 pieces

Each: 24” H x 9” Dia.

$500-700

1256

A Venetian wall mirror

Mid/late 20th Century

The Italian multi-panel mirror in octagonal form with mounted floral accents, surmounted by a scrolled foliate pediment 48” H x 31” W x 4.75” D

$600-800

1257

An Italian giltwood wall mirror

Mid/late 20th century Paper label to the verso: Made in Italy

The carved wood frame with Neo-Classical motifs including acanthus leaves and scrollwork, gilt with painted green accents, surrounding a rectangular beveled mirror

63” H x 39.5” W x 3.25” D

$1,000-1,500

1258

A pietre dura side table

20th century

The maple wood circular table with black stone top with inlaid cut stones depicting a bird and flowers, set on four tapered turned wood legs

19” H x 19.125” Dia.

$500-700

1259

A scagliola and brass coffee table

20th century

Appears unmarked

The top with avian, floral, and scrollwork motifs, set upon a cast brass base

17” H x 44.5” W x 22” D

$800-1,200

1260

Liu Yingzhao (b. 1956)

Still life of flowers in a porcelain vase, 1998

Oil on canvas

Signed in English and Chinese, and dated lower right: Liu Yingzhao / 1998.10; signed and dated again, verso 32” H x 25.5” W

$3,000-5,000

1261

A near-pair of large Chinese celadon porcelain vases

Early Qing Dynasty (1644-1911) or later

One marked to the underside in blue underglaze bearing the reign mark for Kangxi Period (1662-1722) within a double ring; one marked to the underside in blue underglaze bearing an honorific Chenghua Period (1465-1487) reign mark

Each with flared neck surmounting an inverted pear-shaped body, the exterior surfaces incised with vine and lotus scroll motifs and cov)ered in an all-over gray green glaze, 2 pieces

Each: 30.25” H x 12.25” Dia.

$8,000-12,000

1262

An English mahogany flip-top breakfast table

Late 19th/early 20th century

Appears unmarked

With a round top inlaid with brass banding and dots along the edge, set upon a carved pedestal base and four curved legs, each terminating in a paw-form brass end cap and brass caster 28.5” H x 48” Dia.

$800-1,200

1263

A Chinese lidded porcelain jar

20th century

Marked to the underside in blue underglaze bearing an apocryphal reign mark for Daoguang Period (1821-1850)

With continuous molded dragon and cloud motifs and an all-over pale teal glaze

7.5” H x 7” Dia.

$500-800

1264

Two Chinese blue and white porcelain vases

20th century

Vase marked to the underside in blue underglaze bearing an apocryphal reign mark for Yongzheng Period (1723-1735); lidded vase marked to the underside in blue underglaze bearing an apocryphal reign mark for Kangxi Period (1662-1722)

Two ceramic vases decorated with blue underglaze on a white ground comprising one ceramic vase with ribbed bulbous body, opposing applied handles, and flared rim with all-over foliate and scroll motifs and one lidded vase decorated with a continuous figural scene and guardian lion finial, 2 pieces

Larger: 15.5” H x 8” Dia.; smaller: 15” H x 5.5” Dia.

$700-900

1265

A

Late 20th century

Marked to the underside with artist’s name (possibly reading): Myeong Deuk/Meitoku With impressed scroll motifs and an all-over pale green glaze 16.25” H x 13” Dia.

$500-700

Joseon-style porcelain moon vase

1266

A pair of Chinese flambé porcelain fanghu vases

Qianlong Period (1736-1795) or later

Each incised to the underside bearing a reign mark for Qianlong Period (1736-1795)

Each rectangular potted ceramic vase with all-over streaked transmutation glazing in shades of blue, violet, maroon, and pale green, 2 pieces

Each: 12.5” H x 7.5” W x 7” D

$10,000-20,000

1267

A pair of Chinese side tables

Late 19th century

Each lacquered wood side table with mortise and tenon joints and a single drawer compartment with black iron pulls, set on four straight squared legs, 2 pieces

Each: 33” H x 14.5” W x 19” D

$400-600

Other Notes: This lot is accompanied by a previous seller’s price tag.

1268

A pair of 19th century

The wood and a carved with scroll

Each: 32.5”

$1,000-1,500

of Chinese demilune tables

century wood console tables in the manner of Queen Anne style, featuring mortise and tenon joints carved apron decorated with a yin and yang symbol, supported on four curvilinear legs scroll feet, 2 pieces

32.5” H x 46” W x 23.25” D approximately

$1,000-1,500

1269

Late 18th/early 19th century

The rounded rectangular wood gate leg drop-leaf table raised on four squared and slightly tapered legs

Open: 28” H x 33” W x 46” D; stored: 28” H x 33” W x 14.75” D

$500-700

A George III mahogany drop-leaf table

1270

A chinoiserie lacquered wood coffee table

Mid/late 20th century

Appears unmarked

The red and black lacquered, carved wood table with gilt accents depicting avian and foliate motifs on the tabletop; set upon four modified cabriole legs

17.5” H x 34” W x 22” D

$400-600

1271

A Howard and Sons mahogany revolving bookcase

Late 19th/early 20th century

Marked on a metal tag: Howard & Sons / Manufacturers / 25, 26, 27 Berners St / London, W.

The George III-style bookcase with two stacked divisions and turned wood spindles on each side, set on a quadruped base with brass casters

29.125” H x 23.5” W x 23.5” D

$600-800

1272

A set of Regency-style japanned nesting tables

Early/mid-20th century

Each black lacquered wood graduated nesting table decorated with painted bamboo motif and set on turned wood and carved legs with gilt accents, each with monogram, 6 pieces

Largest: 30.25” H x 27.5” W x 16” D; smallest: 25.325” H x 13.5” W x 10.325” D

$500-700

1273

A French tole and porcelain chandelier

Early/mid-20th century

The twelve-light chandelier with faux candle lights, each in a foliate holder, featuring green-painted sheet metal leaves and profusely decorated with white porcelain roses, electrified

44” H x 30” Dia.

$1,000-1,500

1274

Aubrey Schwartz (1928-2019)

“Moths & Butterflies,” 1963

A full leather-bound portfolio with 36 watercolors of moths and butterflies, in various sizes, all on wove paper with deckled edges, with the original interleaving tissue paper, title page, and embossed decorative end sheets, all housed in a leather and paper slipcase; 31 watercolors on paper laid to the original bound wove paper and 5 watercolors painted directly to the bound wove paper; 26 signed in pencil directly underneath the image, lower right: Abbey Schwartz; 10 initialed in pencil directly underneath the image, lower right: A.S.; the gilt title and date and 5 decorative embossed stamps on the spine of the full leather portfolio

Full leather portfolio: 20.5” H x 16.5” W x 2” D; Slipcase: 21.25” H x 16.75” W x 2.5” D

$700-900

1275

A carved semiprecious stone horse

20th century

Appears unmarked

The equine carved from gray green stone with brown inclusions, set on a carved wood stand, 2 pieces With stand: 10.25” H x 14.5” W x 6.5” D

$600-800

1276

A carved semiprecious stone horse

20th century

Appears unmarked

The equine carved from a dark green stone with mottled yellow and brown inclusions, likely nephrite, set on a carved wood stand, 2 pieces With stand: 12.5” H x 23” W x 10.5” D

$600-800

1277

A pair of Steuben cut glass pheasants 20th century

Each with engraved Steuben mark Each clear lead glass bird with cut designs, 2 pieces

Each: 6.25” H x 3” W x 11” D

$700-1,000

1278

A René Lalique “Oursin” vase

Circa 1924-1945; France

Sand blasted to the underside of base: R. LALIQUE FRANCE

The molded frosted glass spherical vessel with an all-over raised projections patterning, mimicking a sea urchin, in polished and frosted glass

7.25” H x 6.75” Dia.

$600-800

1279

Two Lalique glass vessels

Mid/late 20th century

The bowl with etched mark to underside: Lalique Æ France; one stencil sand blasted: LALIQUE/ FRANCE

Each in an Art Deco style, comprising a “Saint Emilion” (designed 1942) frosted glass vase with four high relief bird and foliate accents, and a “Pinsons” (designed 1933, relaunched 1951) etched and frosted glass bowl depicting finches and a foliate motif, 2 pieces Vase: 10.125” H x 9.25” Dia.; bowl: 3.625” H x 9.325” Dia.

$700-900

1280

Romain (Erté) de Tirtoff (1892-1990)

“Negligee,” 1984

Cold-painted and patinated bronze

Edition: 56/300

Signed, numbered, and dated: Erte / Fine Art Acquisition JM-FAA ©

17.125” H x 11” W x 5.5” D

$1,500-2,500

1281

Romain (Erté) de Tirtoff (1892-1990)

“Angel,” 1984

Polished, gilt, and cold-painted bronze

Edition: 225/350

Signed: Erte / Fine Art Acquisitions JM-FAA ©

13.75” H x 22” W x 6” D

$1,500-2,500

1282

A set of English-style cast stone garden figures

Late 20th century

Each appears unmarked

Comprising four allegorical figures of children, each with attribute representing the four seasons and set upon a concrete pedestal of square outline, 8 pieces

Each with pedestal: 43” H x 12” W x 9” D approximately

$1,000-1,500

1283

A George III brass-bound mahogany wine cooler

Late 19th/early 20th century

Appears unmarked

The oval-shaped beverage cooler with inlaid brass banding and opposing cast brass handles to either side, a hinged, locking lid, and set upon four squared legs, each with a brass casters

22” H x 21.5” W x 16.5” D

$500-700

1284

A traveling portrait case

Early/mid-19th century

The case in the form of a book with gilt-stamped leather spine, gilt edges, brass latches, and front and rear panels with mother-of-pearl and abalone inlay, the front panel with a raised relief carved mother-of-pearl profile bust of a woman; the interior revealing a diminutive portrait of a woman set in a gold-toned frame with protective velvet cushion to verso of front panel

5” H x 4.25” W x 1.125” D

$400-600

Other Notes: The portrait is of Rebecca Ford (1776-1851), wife of William Ford, who was the paternal grand uncle of car manufacturer Henry Ford.

1285

Two petrified wood spheres

20th century

Comprising two semi-precious stone spheres, one striated in tones of green and brown and the other green mottled with flecks of red and grey, each set upon a cast metal stand decorated with Neoclassical motifs, 2 pieces

Larger with stand: 12.5” H x 7” Dia.; smaller with stand: 10” H x 6” Dia.

$600-800

1286

A Federal mahogany veneered chest of drawers

Early 19th century

The cherry wood dresser with three short drawers over three long drawers, each with brass locking mechanisms, replaced wood hardware, and inlaid stringing, raised on four carved wood legs joined by a curvilinear apron

41.25” H x 45.5” W x 21.5” D

$400-600

1287

An American Federal game table

19th century

The table with gatefold leg extension and flip top revealing a game surface; featuring inlaid light wood and veneer details four attenuated square legs

Open: 28.25” H x 36” W x 35.5” D; stored: 28.25” H x 36” W

$500-700

1288

A George III Hepplewhite-style longcase clock

19th century

Appears unmarked

The two-train movement mahogany case clock with Roman and Arabic numerals, phases of the moon, and days of the month, housed in a bonnet with glass viewing panels to the sides and glazed door to the front, surmounted by a swan neck broken pediment centering an urn finial above two full relief reeded columns with Doric capitals, the trunk featuring quarter relief columns centering a cabinet door and set on bracket feet 101” H x 22.5” W x 10.5” D

$800-1,200

a red felt and set upon W x 17.75” D

1289 Henry Singleton (1766-1839)

“The Children of George III” Oil on canvas laid to waxed canvas Unsigned; titled on a frame plaque 32” H x 46” W

$2,000-3,000

1290

Follower of Jean-Auguste-Dominique Ingres (1780-1867)

Portrait of a young woman in black, 19th century or later Oil on canvas

Unsigned

47.5” H x 36.5” W

$6,000-8,000

Other Notes: A plaque on this work’s frame reads, “Jean Dominiqe[sic] Ingres / 1780-1867”

1291

Antonio Zona (1813-1892)

“Girl looking [at] herself at the mirror” Oil on canvas

Unsigned; titled and inscribed, possibly in another hand, verso: (Made in Italy)

25.5” H x 23” W

$1,000-1,500

1292

Alexandre Rene Veron (1826-1897)

River landscape people fishing, 1873

Oil on canvas

Signed and dated lower left: AR. Veron

17.5” H x 29” W

$1,000-1,500

Provenance: Anthois Gallery, Camden Drive, Beverly Hills, CA, acquired 1965, all according to an annotation on the stretcher

1293

(1854-1907)

“Home on the Hillside”

Oil on canvas

Signed

14.25” H x 20” W

$1,500-2,000

Provenance: Los Angeles Museum of Art

Henry Pember Smith

lower right: Henry P. Smith; titled on a label affixed to the stretcher

1294

Leo Roche (19th century)

A woman sewing a blanket

Oil on canvas

Signed faintly lower right: Leo Roche

14.25” H x 11.25” W

$600-800

1295

A pair of Chinese Export enameled porcelain figures

20th century

Each appears unmarked

Two polychrome enameled ceramic figures, each depicting a young man with a fan seated upon a raised platform with floral medallions, 2 pieces

Each: 8.25” H x 5.5” W x 4” D

$1,000-2,000

1296

Two yellow ground butterfly vases

Mid/late 20th century

Each marked to the underside in blue underglaze with an apocryphal reign mark for Qianlong Period (1711-1799) Each slightly different stick neck-form ceramic vase with all-over polychrome enameled decoration of fluttering butterflies on a mustard-colored ground, 2 pieces

Larger: 14.5” H x 7” D; smaller: 12.25” H x 7” Dia.

$500-700

1297

A Chinese flambé glazed porcelain moon flask

Late Qing Dynasty (1644-1911) or later

Marked to the underside in blue underglaze with an apocryphal reign mark for Kangxi Period (1662-1722)

The compressed circular body surmounted by a tall cylindrical neck separating curved handles with an all-over plum red glaze and streaks of lavender and deep purple

14.5” H x 10” W x 5.5” D

$800-1,200

1298

A pair of Chinese copper red porcelain jars

Early Republic Period (1912-1949) or later

Each appears unmarked

Each ovoid ceramic jar with an all-over deep crimson glaze, surmounted by a painted and carved wood lid with a teardrop-shaped finial, 2 pieces

Each: 13.25” H x 7” Dia.

$600-800

1299

A pair of Southeast Asian archaic-style bronze guardian lions

19th century or later

Each appears unmarked

Each possibly depicting the Singha, a mythical beast of protection in the form of part dragon, part lion, cast in bronze with stylized scroll-work motifs throughout and an all-over verdigris patination; each set upon a later added plinth base, 4 pieces

Each with base: 48” H x 32” W x 12” D

$4,000-6,000

1300

Four Chinese pig chests

Early 20th century

The red lacquered pigskin chests, each with iron opposed handles and latch hardware, two featuring bat and shou medallion motifs, and two with various gilt painted figural scenes or highlights, each revealing open cavities, 4 pieces

Largest: 11.25” H x 29.5” W x 19.5” D; smallest: 6.75” H x 27.5” W x 18.75” D

$400-600

1301

An East Asian blanket chest

Early/mid-20th century

The likely zelkova wood chest with black iron hardware and lock latching a drop-down door, revealing three small upper drawers above an open cavity, set upon carved wood legs

26” H x 40.75” W x 17” D

$500-700

1302

A carved black and red lacquer stand

Early/mid-20th century

The carved wood stand with waisted sides and flared apron raised atop four attenuated feet suspending a shelf and connected at the feet by stretchers; the exterior surfaces covered in black lotus scroll incised away to reveal the red ground beneath 30.325” H x

$600-800

16.5” W x 16.5” D

1303

Late 19th Century Japanese School

Colorful geisha hanging scroll

Ink and watercolor on paper with colored paper and silk applied borders

Appears unsigned; Japanese characters written above the figure as well as at the verso of the scroll’s top edge

Sheet: 42” H x 17.25” W; Overall with borders and wooden dowels: 74.75” H x 21.75” W

$500-700

1304

Toshio Aoki

(1854-1912)

Woman with parasol under a cherry blossom tree

Watercolor and gouache on toned paper

Signed lower right: T. Aoki; inscribed in Japanese characters lower left

Image/Sheet: 22” H x 14” W

$3,000-5,000

Other Notes: Inscribed on verso, possibly in another hand: Mrs Ross

1305

A Steinway grand piano

Circa 1896

Marked: Steinway & Sons / serial no. 86648; further marked to interior for various patents

With a mahogany case, set upon scrollwork carved legs; along with a later added bench with a needlepoint upholstered cushion, 2 pieces

Piano: 39” H x 56” W x 75” D; bench: 20” H x 36” W x 15” D

$4,000-6,000

1306

A Louis XVI-style parquetry Bonheur du Jour

Late 19th/early 20th century

The desk with a tambour superstructure revealing four drawers flanking an open cavity and two side drawers at the exterior, above a hinged top and a drawer with locking mechanism, featuring fruitwood inlays and bronze hardware and mounted accents, raised on squared attenuated legs with brass feet

40.25” H x 28.625” W x 16.25” D

$1,000-2,000

1307

A Louis XVI-style commode

Late 19th/early 20th century

The commode after a model by Jean-Francois Leleu, with gilt-bronze mounted accents and marquetry highlights, featuring a molded rectangular marble top above a frieze drawer with a pierced foliate cast panel, above two paneled long drawers quarter-veneered sans travers and gilt bronze pulls; the fluted angles of the commode are headed by scrolled acanthus cast clasps and it is raised on turned tapering legs with toupie feet

37.25” H x 63.5” W x 23” D

$1,000-1,500

1308

A pair of marble and brass side tables

Mid/late-20th century

Each appears unmarked

The tables with an inset black composite stone top surmounting three double bamboo-form bronze legs joined by a stretcher and terminating in curved feet, 2 pieces

Each: 25” H x 16.125” W

$600-800

1309

A pair of Linke Louis XVI-style side chairs

Early 20th century

Each double stamped to the wood underside: Linke / Made in France

The carved wood chairs with brass mounts and caned back and seat, raised on fluted tapered legs with brass feet

Each: 39.25” H x 20” W x 19.5” D

$1,200-1,800

1310

Mid-20th

A Persian Kashan area rug

century; Iran

Signed: Gharidi Mahamaed Ghraidi

The Kork wool and silk on cotton ground rug with central medallion on red wine ground 11’ 10” L x 8’ 8” W

$2,000-3,000

1311

A Heriz area rug

20th century

The wool-on-cotton foundation rug with olive green and salmon foliate motifs surrounding a central medallion on burgundy ground 15’ L x 11’ 3” W

$1,500-2,500

1312

Alexandre Falguiére (1831-1900)

Figural torchére

Patinated bronze, glass Barbedienne Foundry

Signed in the casting: Falguiére; further marked: F. BARBEDIENNE Fondeur 66.5” H x 15” W x 11” D approximately $2,000-3,000

Literature: This figure is one of the pair of torcheres that Barbedienne illustrates on page 63 of his 1886 catalogue “Bronzes D’ Art”. He lists them under the heading “Deux Femmes Debout” listed as “Porte-Lumiéres, style Renaissance” also indicating that they were modelled by Paul Dubois and Falguiére.

Other Notes: An example of this model was exhibited by Barbedienne at the 1867 Exposition Universelle and subsequently installed at the Ch‚teau de Compiégne as part of the refurbishment undertaken by Napoléon III and Empress Eugénie.

1313

A Regina “Corona” self-changing Late 19th/early 20th century; Rahway, Marked to the interior: Copyright With a mahogany case replete with corner columns, and openwork carving the inset glazing of the hinged, upper printed allegorical image of one of Erato, playing a lyre for the infant on the rear interior wall and twelve, playing a different melody; set upon 74.5” H x 38” W x 23.5” D

$4,000-6,000

self-changing 27-inch disc music box

Rahway, NJ

1894 / Regina Music Box Co. with a spindled gallery top, turned carving of two dragons above upper door, opening to reveal a of the Muses of Greek Mythology, Hermes surrounded by putti twelve, 27-inch metal discs, each for upon four metal casters

1314

A pair of bronze putti vases

After Auguste Moreau, early 20th century

Each signed to the bronze: Aug. Moreau

In the manner of French sculptor Auguste Moreau (1834-1917), each bronze fluted vase with a three-dimensional child scaling the vessel and floral and lizard motifs in relief; each set upon a pale green hardstone base, 2 pieces

Each: 9.25” H x 4.25” W x 3.25” D

$600-800

1315

A Chinese carved stone tree

Mid/late 20th century

Unmarked

The tree decorated with carved quartz and rose quartz peony flowers and possibly nephrite leaves, affixed to woven fabricencased and pliable “branches,” stemming from a painted plaster trunk, set in a weighted brass and enamel cloisonné pot with foliate motif on a blue ground

22.75” H x 16” W x 14.5” D approx., dimensions variable

$500-700

1316

A framed Chinese embroidered silk robe

Late Qing dynasty (1644-1911) or later

A five-button side closure cinnabar red silk damask short robe with multicolored silk and metallic thread embroidery depicting various birds, bats, moths, butterflies and floral motifs, with multicolored applied braid and black trim at neck and sleeves, and with blue lining, professionally framed and mounted within a custom Plexiglas frame 40” H x 55.5” W at shoulders; 30” W at hem

$2,000-3,000

1317

Yervand Nahapetian (1916-2006)

$300-500

“Ali Qapu & Masjid-i Shah,” 1968

Watercolor on paper

Signed, titled, and dated in the lower edge: Y. Nahapetian

Image/Sheet: 17.5” H x 22.675” W

1318

Yervand Nahapetian (1916-2006)

“Isfahan,” 1972

Watercolor on paper

Signed, titled, and dated lower left: Yervand

Image/Sheet: 17” H x 23” W

$700-1,000

1319

Yervand Nahapetian (1916-2006)

“Isfahan,” 1958

Watercolor on paper

Signed, titled, and dated lower right: Y. Nahapetian

Image/Sheet: 22.5” H x 17.5” W

$500-700

1320

Albert Leon LeBarque (1853-1939)

Orientalist male figure Oil on canvas

Signed lower right: LeBarque

15” H x 11” W

$700-900

1321

A large carved wood figure of Guanyin 17th century or later

The Water Moon (Shuiyue) Guanyin depicted in the posture of “royal ease” or rajalilasana, heavily adorned with jewelry and a tiara centering an Amitabha, and enrobed in flowing garments draped over an elaborate rock-form plinth base; traces of gilt and polychrome throughout 62” H x 30” W x 22” D

$2,000-4,000

1322

A pair of Chinese 20th century

Each chair featuring supported by curvilinear

Each: 30.5” H x 28.75”

$700-900

Quanyi chairs

crest rails of a modified horseshoe shape surmounting a carved backsplat, curvilinear arms set into a flat beveled seat set upon four legs, 2 pieces 28.75” W x 25.5” D

1323

A pair of East Asian lacquered and giltwood chests

20th century

Each lined with sheets of paper covered in Chinese characters and illustrations

Each lidded rectangular chest with indented corners, the sides covered in hiramaki-e-style lotus scroll, avian, and butterfly motifs, 2 pieces

Each: 22” H x 24” L x 18.25” D

$600-800

1324

A Chinese Famille Rose Bajixiang porcelain platter

Guangxu Period (1875-1908) or later

Marked to the underside in red enamel bearing the reign mark for Guangxu Period (1875-1908)

The large, low ceramic bowl with enameled decoration of the Eight Auspicious Emblems and floral scrolls surrounding a central medallion and the exterior with stylized floral motifs; along with a carved wood stand, 2 pieces

2.5” H x 13.5” Dia.

$3,000-5,000

1325

A pair of Chinese enameled porcelain vases

20th century

Each marked to the underside in red enamel bearing an apocryphal reign mark for Qianlong Period (1736-1795)

Each baluster form vase with polychrome enameled decoration depicting the ‘hundred antiques’ pattern and floral motifs on an unusual, speckled, turquoise-colored ground, 2 pieces

Each: 22.5” H x 8” Dia.

$1,000-1,500

1326

A Chinese Export enameled porcelain bowl

18th century or later

Appears unmarked

The exterior with a polychrome enameled wrap-around figural tableau and the interior rim with a blue and white band of repeating geometric motifs

5” H x 12.5” Dia.

$500-800

1327

A Chinese Famille Rose enameled porcelain fishbowl

20th century

Marked to the underside in red enamel bearing an apocryphal reign mark for Qianlong Period (1736-1795)

The ceramic jardiniére with all-over enameling in the famille rose palette depicting medallions of floral arrangements, alternating with figural scenes to the exterior, and goldfish and aquatic plants to the interior

15.5” H x 19” Dia.

$500-700

1328

A pair of Chinese lidded porcelain jars

20th century

Each appears unmarked

Each with all-over dense stylized vine, lotus, and peach motifs in red enamel on a white ground, 2 pieces

Each: 10” H x 8.5” Dia.

$500-800

1329

A group of Chinese enameled porcelain items

Tongzhi Emperor (1862-1874), Qing Dynasty (1636-1912); China

Butterfly bowls marked to the underside in red enamel bearing the reign mark for Tongzhi Emperor (1862-1874); bowl marked to the underside in red enamel with Chinese characters

Three enameled porcelain bowls comprising two butterfly shaped bowls with Famille Rose enamels and gilt accents and a small round dish, decorated in gilt and enamels depicting figures in a wooded scene, 3 pieces

Largest: 2.25” H x 7.25” W x 4” D; smallest: 1” H x 4.75” Dia.

$400-600

1330

Nino Caffe (1908-1975)

“Galleria”

Signed

$800-1,200

Provenance: Ansley Graham, Los Angeles, CA

Oil on panel

in the lower edge, at center: Caffe; titled on a label affixed, verso 4.75” H x 10” W

1331

Untitled from the “Hood Canal Series,” 1970

Signed and dated in Sumi ink lower right: Tsutakawa; titled on the frame’s cardboard backing

George Tsutakawa (1910-1997)

Sumi ink on mulberry paper

Sheet: 19” H x 23.75” W

$3,000-5,000

1332

Carol Coventry Haynes (1857-1951)

Woman in kimono with fan, 1890 Oil on canvas laid to canvas Signed and dated upper left: C. Coventry Haynes

21.375” H x 25.75” W

$600-800

1333

Beltran Bofill (1934-2009)

“Entre Flores”

Oil on canvas

Signed lower left: Beltran Bofill; the artist’s blue ink stamped name, verso; titled on a label affixed verso

38.25” H x 51.5” W

$5,000-7,000

Exhibited: Wally Findlay Gallery, Paris, France (according to a label affixed verso)

1334

Susumu Maki (b. 1936)

“Kikyo”

Gouache and ink on paper laid to paperboard

The artist’s red seal and device lower right; titled on a label affixed to the frame’s backboard

Image/Sheet: 17.75” H x 21.5” W

$1,000-1,500

Provenance: Sold: Bonhams, San Francisco, CA, “Period Art & Design,” February 23, 2014, Lot 2067

Other Notes: According to a label affixed to the frame’s backboard, this work also has an alternate title of “Chinese Bellflowers.” It was also painted in Tokyo, Japan, and awarded a prize, twice, at the annual Seiryuuden display.

This work is sometimes known by the title, “Bellflowers.”

1335

Abbas Moayeri (1939-2020)

Figures on a hillside, 1984 Gouache, watercolor, gold, and silver on paper Signed and dated in Farsi lower left Sheet: 11.625” H x 8” W

$800-1,200

1336

A set of Empire-style mahogany fauteuils

19th century

Each appears unmarked

Featuring carved and gilt dolphin motifs at the armrest junctures and red velvet upholstered backs with inner piping and seats with piped edges, 8 pieces

Each: 37.5” H x 23.5” W x 26” D approximately

$1,000-1,500

1337

A Continental Neoclassical-style silver-plated vase

Late 19th/early 20th century

Marked indistinctly to underside, possibly “Kyser”

The large, urn-form vase with figural masks wearing laurel wreaths and floral festoons

20.5” H x 9.25” Dia.

$500-700

1338

A Biedermeier-style

Late 19th/Early 20th century Appears unmarked The burlwood cabinet locking door, opening another larger drawer, 58” H x 31” W x 18.5”

$600-900

Biedermeier-style burl maple cabinet century

with a single drawer over a central to reveal interior shelving, above on four bracket feet

1339

An Italian bronze plaquette after Jacob Cornelis Cobaert 19th century; Italy

The gilt-bronze plaquette (ca. 1569) depicting in relief a “Pietà” scene after Jacob Cornelis Cobaert (1535-1615), based on a design by architect Guglielmo della Porta (1515-1577), framed in a painted wood frame 8.75”

$1,200-1,800

H x 6.5” W

1342

A French Empire-style draped chandelier

Early 20th century

The fourteen-light gilt-bronze chandelier with all-over wreath and rocaille motifs and featuring five full-scale figural swans, each with suspended cut lead glass shades hanging from three chains and all-over cascading prismatic tear drops and strands of faceted glass beading, electrified

50” H x 28” Dia.

$2,000-4,000

1340

A pair of French Restauration-style demilune console tables

Late 19th/early 20th century

Each wood table with mahogany veneer and three gilt paw-footed curvilinear legs atop a footed base, surmounted by a cream marble top, 2 pieces

Each: 34” H x 33.25” W x 18” D

$600-800

1341

A pair of John Widdicomb French-style fern stands

Late 20th century

Each with metal plaque to underside: John [JW] Widdicomb

The stands with faux marble tops centering a brass edge and fleur de lis accents mounted to black lacquered wood, set upon three attenuated legs joined by a stretcher at the base with three brass feet, 2 pieces

Each: 40.875” H x 16.75” Dia.

$600-800

1343 Ferdinand Roybet (1840-1920) “Flirtation” Oil on canvas Signed lower right: F Roybet; titled on frame plaque 24” H x 20” W

$3,000-5,000

1345 After William Bougereau (1825-1905) Portrait of a young girl, Oil on canvas Signed and dated lower 24” H x 20” W $500-700

Standing figure balancing a water bucket

Oil on canvas laid to canvas

Signed indistinctly lower left

15” H x 9” W

$400-600

Bougereau girl, 1884

lower right: W Bougereau

1344

Late 19th/Early 20th Century Continental School

1346

Emilio Fiaschi (1858-1941) Maiden in green Alabaster and gold leaf

Inscribed: P C E Fiaschi / Firenze

24.5” H x 7.25” W x 8” D

$500-700

1347

An Austrian cold-painted bronze figural ink well Early 20th century

Appears unmarked

Th cast bronze ink well depicting a male figure pulling a bamboo, wheeled cart with a singular large pineapple, which opens via a hinged lid to reveal the ink reservoir within, all painted in true-to-life hues

6.5” H x 4” W x 6.25” D

$800-1,200

1348

A French Louis XV-style gilt-bronze mantel clock

19th century

Marked to movement: JT / 1575

The mantel pendulum clock with two-train movement, black Roman and Arabic numerals on the enameled metal dial, set in a bronze case with allover rocaille and foliate decorations, accented with champlevé enameled foliate designs to the recto and finial

23” H x 12.75” W x 6” D

$1,000-2,000

1349

A pair of diminutive Sévres-style porcelain urns

Late 19th/early 20th century

Each appears unmarked

Two porcelain lidded vessels, each centering a painted reserve depicting a mother and child surrounded by cobalt glaze and gilt ornamentation; each set upon a gilt bronze pedestal, 2 pieces

Each: 6.5” H x 2” W x 2” D

$600-800

1350

A Christian Dior “Renaissance” porcelain dinner service

Circa 1991-1999

Each marked to underside: Christian Dior / Fine China / Renaissance © / Japan; some with sticker: Made in Japan / Fabriqué au Japon

The set comprising 14 dinner plates (10.875” Dia.), 12 salad plates (8.25” Dia.), 12 bread and butter plates (6.625” Dia.), 12 chop plate/round platters (12.125” Dia.), 6 oval serving platters (14.75” L), 14 large rim soup bowls (9.25” Dia.), 7 round vegetable bowls (9.25” Dia.), 16 with attached underplates (7.5” Dia.), 14 flat cups (3.5” Dia.) and saucers (6.25” Dia.), 12 mugs (2.875” Dia.), 1 sugar bowl (3.625” Dia.), (3” Dia.), and 1 lidded coffee pot (5.5” Dia.), 136 pieces

$500-700

plate/round gravy boats Dia.), 1 creamer

1351

A pair of contemporary silk upholstered room dividers

Late 20th/early 21st century

Comprising two hinged, five-panel upholstered room dividers each with red silk and white brocade trim

Each: 115” H x 92” W x 2” D

$1,000-2,000

1352

A pair of refinished Donghia side tables

Late 20th century

Each impressed to underside: © Donghia; further marked with metal plaque: Isabel Oneil / 1995 / Studio-Workshop

The wood tables have been refinished by an unknown student at the Isabel Oneil Studio Workshop school with gold-toned paint and a faux malachite finish featuring a checkered game tabletop, set on four attenuated post legs on brass casters, 2 pieces

Each: 30.25” H x 15” W x 15” D

$600-800

1353

A Burmese carved and giltwood Mandalay Buddha

Late 19th/Early 20th century; Mayanmar

Marked with inscribed indecipherable characters in red paint on the base verso

The carved wood standing Buddha figure, painted crimson red with gilt accents, adorned with inlaid multicolor mirrored metal discs forming a crown, and standing on a conformingly decorated pedestal; mounted on later added painted wood stand

With stand: 36.25” H x 13” W x 10.5” D

$800-1,200

1354

A Chinese carved earthenware alms bowl 20th century

Embossed to the underside bearing an apocryphal reign mark for Qianlong Period (1736-1795)

The crisply incised bowl, with an all-over white glaze, displaying bird and flower reserves on a bat and cloud ground

5.5” H x 8” Dia.

$1,500-2,000

1355

A pair of Chinese Famille Rose porcelain lidded jars

Late Qing Dynasty (1644-1911) or later

Each with a wax seal to the interior lid

Each lidded ceramic vessel enameled with wrap around scenes depicting multiple figures, one on horseback, as well as bats, 2 pieces

Each: 9.25” H x 7” Dia.

$500-700

1356

A pair of Chinese Gianjiangcai porcelain lamps

Late Qing Period (1644-1911) or later

One marked to the body with Chinese characters for the potter: [given name] Gu

Each lidded jar decorated with guardian lions rendered in red enamel and a lengthy colophon in black enamel on a white ground and retrofitted as a table lamp and mounted on a carved wood base, electrified Each: 25.75” H x 8” Dia.

$400-600

1357

A Chinese blue glazed porcelain vase

20th century

Embossed to the underside bearing an apocryphal reign mark for Qianlong Period (1736-1795)

The cerulean glazed ceramic vessel with a lobed lotus bulb body supporting a tall cylindrical neck

8.5” H x 5.25” Dia.

$500-700

1359

Four Chinese “guanmaoyi” dining chairs

20th century

The yolk-back chairs featuring a carved top rail with scrolled ends, s-shaped backsplat, and a square seat, set on four legs with three stretchers reinforced with carved wood accents, 4 pieces

Each: 39” H x 19.5” W x 19” D

$500-700

1358

A group of Chinese Yaozhou-style 20th century

Each appears unmarked

Each army green glazed bowl with incised

Largest: 2.25” H x 8.75” Dia.; smallest:

$500-700

celadon bowls

incised and/or impressed floral and fish motifs, 3 pieces 2.5” H x 7.25” Dia.

1360

Laszlo Mednyanszky (1852-1919)

Tarn

Signed

14”

$6,000-8,000

Lake in the Tatra Mountains Oil on canvas laid to canvas

lower right: Mednyanszky

H x 17.75” W

1361 Eugene Garin (1922-1994) “Tradewinds” Oil on canvas

Signed lower right: E. Garin; titled on label affixed to stretcher 24” H x 48” W

$1,000-2,000

1364

A Vanguard Craftwork green leather sofa and armchair

Late 20th/early 21st century

Each with a cloth tag: Craftwork / A Vanguard Company; each further marked with leather care instructions

The contemporary upholstered seating set, each upholstered in distressed forest green leather with brass tacking, 2 pieces

Sofa: 32.5” H x 78” W x 36” D; armchair: 36” H x 36” W x 36” D

$1,000-2,000

1363

A Murano glass millefiori ceiling fixture

Mid-20th century; Italy

Appears unmarked

In the manner of Barovier and Toso’s “flower basket” lighting fixtures, the fourlight fixture with overlapping multicolor, gold flecked glass flowers covering an oblong domed gilt bronze wire basket structure, suspended from a later added brass chain and cast medallion mount

22” H x 21” L x 6.25” D

$1,000-1,500

1362

A Congreve rolling ball clock

20th century

Appears unmarked

The gilt and polished brass congreve clock with fusee movement, three porcelain white dials for hours, minutes, and seconds, black Arabic numerals, and a thirty second table, raised on an ebonized wood base and housed in a brass and glass case cover with cabinet door

With cover: 18.625” H x 15.75” W x 15.25” D

$2,000-3,000

1365

A Henredon chinoiserie mahogany cabinet

Mid/late 20th century; Spruce Pine, NC

With a paper label to the verso: Henredon Furniture Industries, Inc. In the style of a Korean Bandaji chest, the double-doored cabinet, accented with foliate brass hardware including corner reinforcements and pulls, opening to reveal interior shelving, and set upon four Chinoiserie-style carved wood legs

32” H x 43” W x 12.5” D

$500-700

1366

A Widdicomb Co. chinoiserie lacquered wood credenza

Mid/late 20th century; Grand Rapids, MI

Metal tag to the interior left drawer: John Widdicomb / Grand Rapids / © 1900

The two-door wood cabinet with an applied faux tortoiseshell finish, all surfaces incised with figural tableaus, each framed by geometric motifs and dragons, opening to reveal two interior drawers surmounting dual shelving spaces; set upon four Chinoiserie-style carved wood legs

32.5” H x 48” W x 17.25” D

$600-800

1367

A Baker Furniture chinoiserie chest of drawers

Mid/late 20th century

With metal Baker Furniture tag to the interior of the top drawer; further stamped on the verso: 405

The chest of four drawers with a black leather wrapped front and top, low-relief, gilt accented figural and mythical tableaus to the top and each drawer front, cast brass foliate mounts, locks, and pulls, and set on four squared legs

35” H x 48” W x 19” D

$800-1,200

1369

Mathurin Moreau (1822-1912)

Night

Cast iron, electrified

Fonderie Val D’Osne, 19th century

Inscribed in raised letters on a metal plaque: FONDERIES D’ART DU VAL D’OSNE PARIS A MOTTEAU REPRESENTANT 1272 GARAY BUENOS AIRES

65” H x 21” W x 26” D approximately

$2,000-3,000

In 1850 Mathurin Moreau was employed by the Fonderie Val D’Osne to create numerous statues to be produced in cast iron and bronze. A model of this figural torchére is illustrated in the Société Anonyme des Haut Fourneaux & Fonderies du Val D’Osne catalogue with a different light and plinth. This torchére was cast in Buenos Aires by A. Motteau with permission from Val D’Osne.

1368

A pair of equine bronzes after Guillaume Coustou the Elder

Late 19th/early 20th century; France

Each signed to the base: Coustou

Each bronze statuette in the manner of Guillame Coustou’s (1677-1746) “Marly Horses,” depicting a rearing horse with its groom, 2 pieces

Each: 15” H x 5” W x 13” D

$800-1,200

1370

A pair of marble and hardstone obelisks

Mid/late 20th century

Each appears unmarked

The black hardstone obelisks decorated with various mounted hard and semi-precious carved and beveled stones set in alternating geometric patterns, 2 pieces

Each: 40.125” H x 9.25” W x 9.25” D

$1,000-2,000

1371

A Vista Allegre for Mottahedeh “Lowestoft Rose” porcelain dinner service

Late 20th century; Õlhavo, Portugal

Each marked: Vista Alegre / Portugal / for Mottahedeh

Comprising 12 dinner plates (10” Dia.), 10 salad plates (8.5” Dia.), 12 bread plates (7” Dia.), 13 rimmed soup bowls (9.75 Dia.), 12 saucers (5.75), 12 teacups (2.25” H), 1 gravy boat (3.5” H), 1 creamer (3”), 1 lidded sugar bowl (4.5” H), 1 square serving bowl (10.5” Dia.), and 1 oval serving platter (16.5” Dia.), 76 pieces

$1,000-2,000

1372

A Chinese carved nephrite box

Late Qing Dynasty (1636-1912) or later

With inscribed poem to the top in Chinese characters and seals for the author: Qian Long

An irregularly shaped, thin-walled rectangular box carved from nephrite and incised on the top to display an imperial poem; along with a carved wood stand

Overall: 3” H x 8” L x 4.5” D

$1,000-1,500

1373

A Miyao-style bronze samurai sculpture

Early/mid-20th century

Appears unmarked

Likely Japanese, the sculpture in the manner of Miyao Eisuke depicting a samurai clad in armor, a quiver full of arrows on his back, and wielding a bow

38” H x 26” W x 13” D

$2,000-3,000

1374

Allan Husberg (1917-2008)

“The Retreat” Oil on canvas

Signed lower right: Allan Husberg; titled on stretcher; signed again, verso

36.25” H x 59.5” W

$2,500-3,500

(1886-1975)

$800-1,200

1375

Harry Lachman

“Eglise de Montigny” Oil on canvas

Signed lower right: Lachman; titled twice by hand on the stretcher; also titled “Eglise a Moret” on a typed label affixed to the stretcher

22” H x 18” W

1376

(1886-1975)

“Moulin

18”

$800-1,200

Provenance: Dalzell Hatfield Galleries, Los Angeles, CA

Harry Lachman

sur l’Indre”

Oil on canvas

Signed lower left: Lachman; titled in ink on the stretcher; titled in ink and on two labels affixed to the stretcher

H x 21” W

1377

Angelo Brombo (1893-1962) Venetian waterfront Oil on canvas

Signed lower right: A. Brombo

12” H x 16” W

$500-700

Signed lower left: A. Brombo

$500-700

1378 Angelo Brombo (1893-1962) Venetian canal Oil on canvas

16” H x 12” W

(1854-1907)

$600-800

1379

Henry Pember Smith

Venetian canal with gondolas

Watercolor on paper

Signed lower right: Henry P. Smith

Sight: 13” H x 10.25” W

1380

Mid-20th

$400-600

A Hollywood Regency brass side table

century

The table featuring an octagonal beveled glass top set into a cast brass frame supported by opposing sculptural swan-like birds on a rectangular base with openwork scrolled and rocaille designs atop four trefoil-form feet

19.5” H x 25” W x 17.25” D

1381

An oak and felt craps table

Late 20th/early 21st century

Appears unmarked

The oak oval-shaped, trestle-style table with a continuous interior wall lined with green rubber pyramid bumpers encircling the felt-covered gaming board with requisite screen-printed bets, lines, and boxes of the game

32” H x 68” W x 42” D

$800-1,200

1382

Constant Troyon (1810-1865)

“Going to the Fair”

Oil on canvas laid to canvas

Signed lower right: C. Troyon; titled on the frame plaque 25.5” H x 35.75” W

$4,000-6,000

Provenace: Joe and Shirley Losinski

W.V. Liberace by repute

Other Notes: Inscription on the back of the frame reads: Owner / Joe and Shirley Losinski / A gift to my friend forever / Mr. W.V Liberace

1383

Thomas

“A

Initialed lower right: T.B; titled on the frame plaque; titled again and annotated in pen in another hand on the stretcher 24” H x 36” W

$1,000-2,000

Barker of Bath (1769-1847)

View Near Welbeck Abbey” Oil on canvas

1384

John Mulvany (1844-1906)

Figures by a lakeside Oil on canvas

Signed lower right: Jno. Mulvany; with the artist’s name again on the frame plaque

12” H x 18” W

$2,500-3,500

1385

John Middleton (19/20th century)

“Loch Lomond & Banfram” 1906

Oil on canvas

Signed and dated lower left: J. Middleton; titled on the stretcher 12” H x 18” W

$800-1,200

1386

Daniel Sherrin (1868-1940)

“Evesham on the Severn,” 1893 Oil on canvas laid to canvas

Signed lower left: D. Sherrin; titled and dated on the frame plaque; faintly titled again on a label affixed to the stretcher 30” H x 50” W

$800-1,200

1387

Giuseppe Carelli (1858-1921)

The town’s street market Oil on panel

Signed lower right: G. Carelli

6.5” H x 12” W

$600-800

$600-800

1388

Henry Charles Fox (1855-1929)

“Capel Carig, N. Wales,” 1884 Watercolor on paper Signed and dated lower left: H.C. Fox; titled on the lower section of the frame Sight: 21” x 29.5”

1389

Two carved wood Kongo “Nkisi Nkondi” figures

Late 19th/early 20th century; Kongo Peoples, Congo, Africa

The carved and polychromed wood Congolese Power Figures, each adorned with knotted strips of fabric, and pierced allover with nails, featuring abdominal cavities housing mirror-fronted metal and resin medicine cabinets, comprising one larger Nkondi figure depicted holding a spear and additionally adorned with land snail shells, a cowrie shell, and two woven baskets; one conformingly designed smaller Nkondi figure with a fabric sack on its back and further adorned with possibly nutmeg hulls, 2 pieces

Larger: 25.75” H x 11” W x 13” D; smaller: 11.25” H x 6” W x 5.75” D

$500-700

Other Notes: The Nkisi Nkondi were used as figures of spiritual importance and protection. The word “Nkisi” loosely translates to “spirit,” but more specifically refers to the medicine used by a healer, or “Nganga” in a community. The Nganga would commission a sculptor to carve the Nkondi figure out of wood, which was then imbued with the essence of the Nkisi spirit through use. Over time, the Nganga would adorn the figure allover with amulets and strips of knotted fabric, each one representing an oath, contract, treaty, or transaction made with the healer. Medicine was stored in cavities of the belly or “mooyo,” often with mirrored fronts.

The Nkisi spirits were also employed as protectors of the community as agents of jurisprudence to hunt down witches, oath breakers, and societal wrongdoers. In order to activate the spirit, the Nganga would hammer nails into the Nkondi, calling on the Nkisi spirit inside to do their bidding.

During the late 19th century, many Nkondi figures were confiscated and destroyed by European missionaries. Many of the remaining examples of Nkisi Nkondis from that time have been found stripped of their adornments and the medicine stored within the mooyo cavities, effectively rendering them powerless and inert for spiritual or healing purposes. However, these examples seem mostly intact, with the previous contents of the medicine cavities unknown as they have since been sealed.

1390

A Mughal Empire painting on black cloth

16th century/19th century

Gouache on black cloth with red and white outlined and patterned margins

45” H x 34” W

$500-700

1391

A pair of Chinese enameled porcelain jars

18th/19th century or later

Each appears unmarked

Each ceramic jar with fitted lid, decorated in polychrome enameled continuous figural scenes and floral motifs, 2 pieces

Each: 25” H x 12” D

$2,000-3,000

1392

A Buccellati “Torchon” sterling silver flatware service

Mid/late 20th century

Each marked: Buccellati / Italy / Sterling

Comprising 8 place knives (9.625”), 8 place spoons (7”), 8 tea spoons (5.75”), 8 place forks (8.5”), 12 salad forks (7”), 2 dessert forks (7”), 1 table spoon, 1 serving fork (10.125”), 1 pierced vegetable serving spoon (8.875”), and 1 pie server (10.625”), 50 pieces

Weighable sterling: 90.0275 oz. troy approximately

$2,000-3,000

1393

A Richard Ginori “Ercolano Blak” porcelain china service

Late 20th century

Small items marked to underside: Richard Ginori / Manifattura di Doccia / Florence Italy; dinner plates marked: Richard Ginori / Italy / Finest in China since 1735 / Ercolano Blak

Comprising 14 dinner plates (10.5” Dia.), 14 bread and butter plates (6.325” Dia.), 14 handled cream soup bowls (4.325” Dia.) with 14 saucers (6.75” Dia.), 18 coffee mugs (3.25” Dia.) with 14 saucers (5.325” Dia.), 88 pieces

$800-1,200

1394

A Continental .800 silver Solitaire tea service

Early 19th century

Unidentified hallmarks to underside

The likely German set, comprising a tea pot, a covered sugar bowl, and a creamer, with embossed decorative panels depicting figures dancing in village settings, 3 pieces

$300-500

1395

A Persian Sarouk area rug

Mid-20th century; Iran

The wool-on-cotton foundation rug with all-over polychrome foliate motifs on a burgundy ground

11’ 9” L x 9’ W

$1,500-2,500

1396

A Bibikabad area rug

20th century

The wool-on-cotton foundation rug with all-over geometric motifs in neutral hues on a beige ground

14’ 2” L x 10’ 8” W

$2,000-3,000

1397

A pair of carved lapis lazuli stone obelisks

20th century

Each with paper tag to the underside for retailer: Trove / London

Each stone pillar constructed from three lapis lazuli geometric components with polished onyx square plates and beveled plinths interspersed between, 2 pieces

Each: 17.5” H x 4.25” W x 4.25” D

$800-1,200

1398

A group of frog figurines

20th century

One marked for sterling

Eight frog figurines of various size and material comprising three glass frogs, one lacquered carved wood frog with a hinged lid and interior compartment, one sterling silver frog, one Lucite frog, one cast bronze Jin Chan or Golden Toad, and one carved carnelian frog with applied glass eyes, set upon carved wood stand, 8 pieces

Largest: 3.5” H x 4.5” W x 6” D; smallest: 2” H x 2.5” W x 2” D

$400-600

1399

A pair of Chinese Dehua-style porcelain guardian lions Republic Period (1912-1949) or later

Each appear unmarked

The glossy white ceramic lions, each usually depicted with both the typical attributes of a male and female pairing, and set upon a porcelain pedestal decorated with cherry blossoms in relief; each on a wood plinth base, 4 pieces

Each on base: 16.25” H x 4.25” W x 6.25” D approximately

$1,000-1,500

1400

A pair of Qajar Dynasty paintings of Persian court scenes

19th century

Each: Oil and gold on board, with black and gold margins

Unsigned

Each: 12.75” H x 8.75” W

$500-700

1401

A partial Towle “Paul Revere” sterling silver flatware service

Early/mid-20th century

Each marked for Towle sterling, most marked for pattern: PR Designed 1906, comprising 8 place forks (7.125” L), 1 fish/pastry fork (6.875” L), 6 cocktail forks (5.625” L), 2 table/serving spoons (8” L), 7 place spoons (7” L), 2 bullion spoons (5.5” L), 2 tea spoons (5.57” L), 1 citrus spoon (5.5” L), and 1 demitasse spoon (4.5” L), two monogrammed, 30 pieces

Weighable sterling: 34.79 oz. troy approximately

$500-700

1403

Two sterling silver table items

Late 19th/early 20th century

Each marked for sterling; the bowl with London assay mark and date marked for 1891 Comprising a footed bowl with repoussé foliate motif and a tray with repoussé acanthus scrolls and floriate motif centering a scene with cherubs holding laurels, 2 pieces

Bowl: 5.325” H x 8.75” Dia.; tray: 2.625” H x 15” W x 10.625” D Weighable sterling: 39.17 oz. troy approximately

$500-700

1404

A pair of American sterling silver bowls

Early 20th century

One marked: Bailey Banks & Biddle / Philadelphia; each marked: Sterling / 2042 / [maker’s mark for Frank Smith]

Each with a pierced, undulating acanthus rim and reticulated pattern to the interior, monogrammed, 2 pieces

Each: 3.5” H x 14.5” W x 12.125” D 47.735 oz. troy approximately

$3,000-4,000

1402

Two Japanese jungin silver ceremonial sake cups

Mid/late 20th century

Each marked with a jungin silver mark; one marked: [star]; one marked: [flag] / 1000 Each ceremonial sake cup house in a wooden box bound by a purple ribbon, one with characters for “pure silver sake cup”

Each cup: 1.25” H x 3.625” Dia.; Each box: 2” H x 4.5” W x 4.5” D approximately 4.3 oz. troy approximately

$500-700

20th century

The washed wool on cotton foundation rug with floral arrangement motifs to each corner and repeating throughout the boarder surrounding a central medallion on a royal blue ground 9’

$1,000-1,500

1405

A Chinese Peking-style rug

7” L x 8’ 2” W

Late 19th/early 20th century

The

1406

A Caucasian Qashgai rug

wool-on-wool foundation with polychrome geometric motifs surrounding three central medallions on a royal blue ground

7’ 5” L x 4’ 10” W

$2,000-3,000

1407

A Malayer area rug

20th century

The wool and camel hair on cotton foundation rug with geometric central medallion on a tan ground and red, blue, and brown border in a geometric pattern

12’ 2” L x 6’ 2” W

$1,500-2,000

1408

A Malayer area rug

20th century

The wool-on-cotton foundation rug with pale blue and brown foliate motifs surrounding a central cartouche on an ivory ground 6’ 10” L x 4’ W

$500-700

1410

19th Century Continental School

Man presenting jewels to a woman and her maid, after Guercino Oil on panel

Appears unsigned

Sight: 9.5” H x 12.5” W

$500-700

The artist of this work appears to have used Guercino’s “Salome receives the head of John the Baptist” of 1637 as a basis for the figures and overall composition.

Portrait of a monk Oil on board

Signed upper left: Paul E Harney 12” H x 9” W

$800-1,200

Other Notes: Inscribed on the verso: J.France

1411

Paul E. Harney Jr. (1850-1915)

1412

Seated portrait

Oil on canvas

Signed indistinctly upper right

32” H x 21” W

$700-900

Provenance: Property of an Important New York Corporate Collection

20th Century Continental School

1413

A pair of life-size figures of Spanish guards

20th century

Each appear unmarked

Two life-size cast iron figures painted gold, each wearing a suit of armor and brandishing a spear, 2 pieces

Each: 82.5” H x 24” W x 20” D approximately

$2,000-3,000

Provenance: Property from the Rex Gilman Chase Collection, Berkeley, CA

Other Notes: It is purported that these life-size figures were part of the 1915 Panama Pacific Exhibition of 1915 in San Francisco, CA. However, there is no known documentation to support this claim.

Condition Reports

1001

Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Each with minor rubbing and scattered losses to the silver-toned finish. Surface grime and some scratching to mirror. Mirror is loose in its setting.

1002

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Scattered minor chips and fleabites throughout. One with three broken prisms.

1003

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment. The key accompanies this lot.

1004

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Three 4” cracks to the wood top mirrored on two sides. As well, the top with losses to the finish. Scattered losses to the parquetry inlay, concentrated at the side edges.

1005

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One 10” cracked split in the tabletop with a 2” split on the mirrored side. Scattered losses to the parquetry inlay, concentrated at the side edges and a 1” area at one corner. The top is slightly shaken from the base.

1006

Visual: Overall good condition. Primarily fine craquelure throughout, with two areas of more pronounced craquelure in the lower left and right quadrants. Very fine, unobtrusive surface scratches in the upper half.

Blacklight: Areas of touch-up throughout, the largest an approximate 8” H x 8” W area in the upper right quadrant.

Frame: 29.75” H x 24.25” W x 2” D

1007

Visual: Overall generally good condition. Dust accumulation, dirt, grime, craquelure throughout, varnish discoloration, and darkening, all commensurate with age. Frame abrasion along the upper and right edges.

Blacklight: A 13” horizontal area of touch-up along the upper edge, primarily at right. Other scattered areas of touch-up in the upper left and right quadrants, the largest measuring 1.5” H x 2.25” to the left of the clock, in the upper left quadrant.

Frame: 30.5” H x 28.5” W x 2” D

1008

Visual: Overall good condition. Dust accumulation, specks of grime, very fine craquelure, and stretcher bar creases along each side, all commensurate with age. Scattered pea-sized or smaller areas of faint discoloration and the surface of the pigment slightly raised, primarily in the outer edges, attendant with touch-ups. The canvas has been relined.

Blacklight: Touchups scattered primarily in the outer edges, the largest measuring 2.5” H x 3” W in the upper left quadrant.

Frame: 45” H x 33” W x 3” D

1009

Visual: Dust accumulation and grime commensurate with age. Craquelure throughout. The canvas is relined.

Blacklight: Small areas of touch-up throughout, the largest area measuring 1” H x 1” W on the torso of the reclining figure.

Unframed

1010

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of moth grazing throughout, localized areas of heavier wear to the pile, and wear to the selvedge and fringe edges.

1011

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe edges and minor soiling throughout.

1012

Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Surface dust and grime present on each bronze.

1013

Overall good condition with minor scuffs, dust accumulation, darkening, and oxidation to the bronze commensurate with age, with additional heavier oxidation on her arms. Allover dust accumulation and minor soiling.

1014

Overall good condition with dust accumulation, scuffs, and darkening/oxidation to bronze commensurate with age.

1015

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. One arm is detached and retained with the lot. Scattered chips and cracks to glass throughout with some wiring loose. Multiple arms are bent. Residual wax in the candle holders. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1016

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Strands of beading missing from both tiers. The crystal pieces with surface-reaching fractures and inherent inclusions. Scattered chips throughout. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1017

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, there is crazing to the varnish throughout the case. The music scrolls accompany this lot. Musical instruments have not been tested or tuned. Moran’s does not guarantee the working condition of musical instruments.

1018

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the selvage and fringe edges, scattered moth grazing throughout, scattered areas of dye migration, and scattered areas of yellow staining and discoloration.

1019

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the selvedge and fringe edges, scattered areas of loss to the pile throughout, minor soiling throughout, scattered areas of moth grazing, and the fringe edges have been cut down.

1020

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the selvedge and fringe edges, scattered areas of repair throughout, areas of abrash, and the rug is slightly out of square.

1021

Overall fair to good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading and soiling/staining.

1022

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered rubbed wear and pinholing to the enameled decoration throughout. No evidence of repairs or restorations under blacklight.

1023

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1024

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1025

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1026

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, the dragons on each vase with scattered small chips and losses. The reign mark has been drilled through in the process of retrofitting. Wiring should be checked by a qualified electrician prior to use for each. Moran’s does not guarantee the working condition of electronic equipment.

1027

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent production flaws commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles.

1028

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered minor chips and losses to the enameling throughout each box. The brass on each with scattered scuffs, light scratches, and oxidation commensurate with age.

1029

Visual: Overall good condition. Slight frame abrasions primarily along the upper right edge and the lower edge, at right. A rice-sized fleck of white pigment near the lower edge, at center, in the flowers of the foreground.

Blacklight: An approximate 3” horizontal line of pinhead-sized touch-ups along the upper right edge.

Frame: 25.5” H x 32” W x 3.5” D

1030

Visual: Overall good condition. Three small, unobtrusive, pinhead-sized flecks of grime in the upper right quadrant in the clouds.

Blacklight: No evidence of restoration. Some pigments dark under blacklight.

Frame: 22” H x 31.25” W x 2.25” D

1031

Visual: Overall good condition. Some dust accumulation and grime commensurate with age, showing primarily in the clouds. Small areas of fine craquelure through the sky near the mountains. Frame abrasion along the upper and left edges.

Blacklight: Large areas of touch-up throughout the sky and mountains of the upper half of the work. Touch-ups in the face, dress, and umbrella of the figure.

Frame: 27.5” H x 34.25” W x 3” D

1032

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. One burgundy glass with a 0.325” chip to rim edge. Each with dust accumulation and minor soiling, some with minor scratches to the undersides. The bucket with more scratches to underside.

1033

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Several plates with hairline cracks.

1034

Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1035

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. The dial with crazing and some chipping near the V, IX, and X. Some mounts are loose. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1036

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered losses and chips to the enameling on each vase. Lastly, scattered scuffs, light scratches, and oxidation commensurate with age.

1037

Each overall good condition with wear, scuffs, and scratches commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles, as well as scattered small surface chips.

1038

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. More concentrated scratching to the top. The inset bevels have moisture damage, one side with subsequent cracking to the finish. The apron openwork with four cracks in the wood, two subsequently loose in their mountings. One foot with 3.5” scratch.

1039

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The gilt with some rubbed losses and wear; some craquelure to the top decorations. One with shippers label to underside. Both with chalk-marked numbers to the undersides. As well, with applied metal feet to underside.

1040

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some warping to the hide covers, as well one with a 2” tear to the verso and one with two 3” tears to corners verso. One with two 1.5” tears in the top of the hide and subsequent loss. The interiors with general wear and possible staining from moisture damage. The stands with scattered scuffs and scratches, with a few crack in the paint and finish, concentrated at the joints. Lacking lock and key.

1041

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered pea-sized chips to top edges, with more concentrated scratching to the tops, mostly at the edges, one with a 2” long smudge. One with a few cracks to the lacquer if the legs near the base.

1042

Overall good condition for a work of this size and age. Overall good condition with loss to stitching and scattered areas of breaks to the silk commensurate with age. Dust accumulation, scattered short and unobtrusive creases, and occasional small pigment losses attendant with age and materials used.

Framed without glazing: 64.5” H x 108” W x 1.5” D

1043

Overall generally good condition. The sheet is laid down and toned throughout, and with a few small areas of reverse staining and scattered handling creases. Not examined out of the frame.

Framed under glass: 41.25” H x 23.75” W x 1.25” D

1044

Overall good condition. Vertical and horizontal creases and soft rippling commensurate with rolling of material. Not examined outside of the frame.

Framed under glass: 53.25” H x 26” W x 1” D

1045

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. More concentrated but minor scratches to the top surface. Note: This table is lacking the central leaf extensions.

1046

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been refinished. Evidence of wood worm to underside.

1047

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered losses and flaking to the veneer on the tabletop. Localized areas of fading, tearing, and soiling to the silk lining of the interior. The key accompanies this lot.

1048

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Working condition unknown. Appears to be lacking weights on the interior. As well, the minute hand is loose and dangling, and it may not operate as intended. Lastly, the front panel glazing is later added plexiglass. Moran’s does not guarantee the working condition of clocks and watches. Lacking key.

1049

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The cabinet doors with cracks in the wood along edges and one through the middle. As well, three cracks/ splits in the wood to one side. Scattered small chipped losses to edges. One sliding shelf is stuck. One drawer pull damaged. Lacking key.

1050

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The top with heavy staining, drink rings, and scattered scratches to the wood. Two chipped losses to the veneer of the front, the larger measuring 1.25” x 1”. One drawer missing the brass component to locking mechanism. Lacking key.

1051

Each overall good condition with tarnishing and light scratches commensurate with age. Rubbed wear to the wood handles of each. As well, the handle of the coffee pot is loose at the mounting. Weight includes non-sterling components.

1052

Overall good condition with tarnishing and light scratches commensurate with age. With some rubbed wear to the vermeil wash on the exterior of the bowl.

1053

Overall good condition with tarnishing and light scratches commensurate with age. Velvet with fading.

1054

Overall good condition with shelf wear, scattered minor scuffs, flea bites, and inherent firing flaws commensurate with age. Flea bites to underside of one coffee pot. One flat cup with 0.125” chip to underside. Three dinner plates with mounting putty residue to edge.

1055

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: crazing, hairline cracks, rubbed wear to the gilt edge, and discoloration/staining to the glaze layer.

1056

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Several saucers with crazing to the glaze layer on the underside. As well, four of the saucers with hairline cracks, the longest measuring 2.75” in length. Lastly, there is tarnishing to each of the silver spoons.

1057

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

1058

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Some rust shows through the white paint, with heavier rust underneath the shades. Overall dust and surface grime, with localized staining to shades. One of the light arms has been detached and is retained with the lot. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1059

Visual: Overall good condition. A rice-sized fleck of white pigment towards the center of the lower edge above the signature. The canvas is relined.

Blacklight: No evidence of restoration. Some pigments fluoresce under blacklight.

Frame: 48.25” H x 40.75” W x 3” D

1060

Visual: Overall good condition. Scattered clusters of pinhead-sized flecks of abrasions and pigment loss throughout, primarily showing in the upper half of the image throughout the sky, and a 2” H x 1” W area of the same clusters towards the center of the lower edge, by the footbridge.

Blacklight: No evidence of restoration.

Frame: 54.5” H x 37.5” W x 2.5” D

1061

Overall good condition. Very pale light staining. Not examined out of the frame.

Framed under glass: 22” H x 28.25” W x 1.75” D

1062

Pale light staining throughout. Not examined out of the frame.

Framed under glass: 30.75” H x 26.25” W x 1.25” D

1063

Overall good condition. A pinhead-sized abrasion at the extreme lower right corner. Adhesive residue on the verso of the lower corners and upper edge, at center. Slight rippling of the paper along the upper edge, commensurate with the medium. The sheet is secured to the back mat with one piece of archival tape affixed to the verso of the upper left corner, and by three clear archival corners.

Framed under glass: 21.75” H x 25.25” W x 2” D

1064

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. No evidence of restoration or hairlines under illumination. Scattered inclusions in the stone, the largest measuring 0.5” in length. As well, there are two small chips, one to an apex of the flame and one to a horn on a dragon. Mounting putty to the underside of the lid and foot.

1065

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Allover minor soiling, grime, and dust accumulation. The branches are slightly loose from the trunk. With a few scattered small chips to the stones.

1066

Overall fair to good condition with wear, dust accumulation, and minor scuffs commensurate with age. Previous restoration of a break with evidence of retouching to the upper right arm. The left arm is missing almost entirely. As well, there are losses to the front-facing portion of the topknot hairstyle. Likewise, the figure is broken from the pedestal at both ankles, but this has been previously restored with dowels installed and glue applied to upright the statue. It may be that this sculpture was found in several pieces and restored prior to its initial state.

1067

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some cracking at joints from separation. More concentrated scattered scratches to top. With felt feet applied to underside. Additionally with a few previous retailers’ stickers to underside.

1068

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered scratches to each marble top. As well, the taller table with heavily yellowed lacquer obscuring the marble top. Lastly, there are multiple cracks to the stretcher of the smaller table.

1069

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. There is one sizable crack radiating from the neck to the waistline of the figure. Likewise, scattered losses to the paint layer throughout. As well, one hand, likely in the teaching mudras position, is missing.

1070

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The tapestry upholstery with fading, wear, and moth grazing commensurate with age and use. Likewise, there are scattered holes in the seat, exposing the batting beneath.

1071

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One with two legs loose from their junctures and cocking to the top.

1072

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1073

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. With spots of moisture and subsequent oxidation to base, Cupid figure, and right leg of Caesar figure. Lacking the spear that would be held in the figure’s left hand.

1074

Overall good condition with scuffs and darkening/ oxidation to brass commensurate with age. The book is loose from its mounting.

1075

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1076

Visual: Overall good condition. Fine craquelure throughout. A 1.5” horizontal, hairline, surface scratch in the upper right quadrant near the larger flames. An area of small surface scratches and abrasions with commensurate pigment loss in the upper right corner. Slight surface abrasion with commensurate pigment loss in the “t” of “Etna” and the “A” in “Aprile.” Frame abrasion in places along the edges of the upper left corner and along the right side of the upper edge. The canvas is strip lined.

Blacklight: Occasional, scattered areas of touch-up, the largest measuring approximately 2” H x 2.5” W near the base of the volcano. The other touch-ups concentrated primarily near the outer edges.

Frame: 24.5” H x 36.25” W x 2.5” D

1077

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, each with adhesive residue to the body. One pinhole to the blue glaze layer of that vase.

1078

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. A few minor chips to the fine edges of the stylized fur.

1079

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One drawer with later added paper liner. Both cabinets with loose from apron, separated from original mounting position. Verdigris to the hardware. One compartment missing a hinge. Soiling to inside of drawers and cabinets. One foot with detached brass cover, retained with the lot. One larger cabinet with split crack in the wood down the middle.

1080

Overall fair to good condition with scattered scuffs, scratches, nicks, dust accumulation, shrinkage cracks, indentations, and separation at joints commensurate with age. All-over the joints are loose, subsequently one arm lifts from the seat and the seat lifts from the legs. The seat cushion has soiling and a 0.75” long repair to a tear.

1081

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered crazing and kiln flaws throughout the glaze surface of each, concentrated at the edges of the feet. No evidence of repairs or restorations under blacklight for each.

1082

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Crazing to the glazed finish throughout. Rubbed wear to the enameled decoration throughout, especially to the hand painted fauna. As well, there are two small chips to the interior rim of the lid. Felt pads applied to the underside.

1083

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, there is scattered pin holing and rubbed wear throughout. No evidence of repairs or restorations under blacklight.

1084

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each box with some shelf wear, scratching, and rubbed wear to wood, concentrated at edges. The smallest box with some chipping to the lid edge and box top at juncture.

1085

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered breaks in the enameled surface throughout, concentrated on the interior of the base.

1086

Overall good condition with tarnishing and light scratches commensurate with age. With areas of bending to elements throughout, the reins separated, and some of the enamel harness is detached but accompanies the lot. Weight includes non-sterling components.

1087

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered pulled threads to selvedge edge and minor wear to fringe.

1088

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: dye migration and wear to the fringe and selvage edges.

1089

Overall good condition with tarnishing and light scratches commensurate with age. The spoons with scattered minor fleabites to edges from use. Weight does not include hollow-handled items.

1090

Each overall good condition with tarnishing and light scratches commensurate with age, with more concentrated tarnishing lids, particularly to coffee pot. Weight includes insulators on handles of tea and coffee pots.

1091

Each overall good condition with tarnishing and light scratches commensurate with age. The ash tray in overall good condition with scattered unobtrusive scratches.

1092

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Includes key and pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1093

Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. One chenet has what appears to be white plaster residue throughout, particularly in the crevices of the cast design.

1094

Visual: Overall generally good condition. Dust accumulation and grime commensurate with age. A 1.5” horizontal surface scratch near the upper edge, at left. Frame abrasion along the lower and right edges.

Blacklight: A 1” H x 1.5” W area of touch-up near the upper edge of the upper right quadrant.

Frame: 23.25” H x 20.5” W x 3.25” D

1095

Visual: Dust accumulation, grime, varnish discoloration and craquelure commensurate with age.

A 0.25” H x 0.5” W U-shaped split in the canvas near the upper right corner. An approximately 3” H x 2” W L-shaped repaired tear in the sky to the right of the figure’s face, near the edge of the canvas, and another repaired tear, approximately 1.5” W, in the creases of the figure’s sleeve at right. Stretcher bar creases along all sides. Slight frame abrasion and occasional small losses to the brittle canvas edges from framing nails.

Blacklight: Small touch-ups scattered throughout, some older and some newer, difficult to read under uneven varnish.

Frame: 31.5” H x 24” W x 2” D

1096

Overall good condition. Quarter-sized or smaller areas of damp staining throughout, but primarily near the center and lower left quadrant of the image. Five small tears from the outer edges and affecting the image slightly, the largest measuring 1.25” at the top of the lighthouse on the left. No examined out of the frame.

Framed under Plexiglas: 18” H x 14.75” x 1” D

1097

Overall good condition. Dust accumulation, grime, and varnish discoloration commensurate with age. Fine craquelure throughout, with heavier areas in the upper left and right quadrants. A 1” horizontal scratch into the panel towards the center of the upper edge.

Blacklight: Touchups throughout, mostly quarter-sized or smaller. The largest touchup is a 39” horizontal band across the center of the image.

Frame: 31.5” H x 49” W x 4” D

1098

Visual: Craquelure throughout and stretcher bar creases along all four sides. A puncture to the canvas with an attendant pea-sized area of pigment loss, center, at right. Pinhead-sized or smaller areas of pigment loss scattered throughout.

Blacklight: Areas of touch-up throughout, both older and newer restoration.

Frame: 29.75” H x 25.5” W x 2” D

1099

Visual: Stretcher bar creases along each edge. Dust accumulation, grime, and varnish discoloration commensurate with age. Small areas of fine craquelure in the dark pigment of the clothing of the figures.

Blacklight: Touch-ups in the face and hand of the standing figure, the largest measuring 1.5” H x 1” W, and in the hair, arm, clothing, and book of the seated figure, the largest measuring 2” H x 1” W.

Frame: 25” H x 21” W x 1.25” D

1100

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Some fraying and wear to the thread fringe.

1101

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. Sold as-is: these are ornamental and non-functioning items.

1102

Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. The blade with heavy scratching and wear from use. As well, the handle with scuffs and scratches. The scabbard with soiling, scuffs, and general wear the leather and oxidation to metal components.

1103

Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. The blade with surface grime and soiling to the blade. The scabbard with allover oxidation.

1104

Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. The blade coated with thick lubricant. A few small dents/scratches to the wood grips. The scabbard with allover oxidation.

1105

Overall generally good condition. Time staining along the extreme sheet edges, and minor light staining. Two 0.5” H x 0.75” W areas of reverse staining, from the hinging tape used verso, appear on the recto, near the corners, of the upper sheet edge. The sheet is framed floating and hinged to the back mat. Not examined out of the frame.

Framed under glass: 11.5” H x 14.5” W x 0.5” D

1106

Overall good condition. Handling creases and staining commensurate with aging and use.

Framed under glass: 11.5” H x 9.5” W x 1.75” D

1107

Each overall good condition with tarnishing and light scratches commensurate with age. The tray with more allover tarnishing, scuffs, and scratches, concentrated to underside edges from handling. The coffee pot, sugar, and creamer with some pitting to interiors. Wood handle of coffee pot slightly loose. The tray has been monogrammed.

1108

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. More concentrated scratches and scuffing to desk surface, top surface, and legs. Some soiling to interiors of drawers and allover dust accumulation. The backside with more separation of the wood, scuffs, and scratches. Inner compartment locking mechanism seems ineffective. Top drawer lacking lock escutcheon plate. Front drop door lacking key.

1109

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some separation of the wood panels to front cabinet doors. Allover dust accumulation and light soiling to interior compartments. A loss to the front drop finial. The drawers with some splitting to bottom wood. The fall front with a 2” long ship to left corner. The front right bracket foot is loose. Including key.

1110

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One with separation at the right side wood joint of back splat and seat frame, with possible restoration. Each with allover dust accumulation. The upholstery in overall good condition with minor soiling. Each has been reupholstered.

1111

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1112

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with an orange discoloration to the interior of the neck.

1113

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, there is minor rubbed wear to the decoration throughout. No evidence of repairs or restorations under blacklight.

1114

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered pinpoint oxidation to the glaze throughout. One jar with a repair to the foot.

1115

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Both the sculpture and the base have several large cracks to the wood, the largest measuring approximately 9” in length. As well, there are scattered breaks and chips to the wood throughout.

1116

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Given the potential age of this piece, there is evidence of expansion and contraction of the metal in the form of cracking. As well, there is all-over surface grime present, obscuring what remains of the applied polychrome and gilt. The left hand has suffered two breaks to the index and pinky fingers.

1117

Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1118

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered flea bites to undersides.

1119

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each has been reupholstered.

1120

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each lamp is missing its finial. No evidence of repairs or restorations under blacklight for each. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1121

Each overall good condition with shelf wear, scattered scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: rubbed wear to surface decoration.

1122

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. As well, there is denting and heavier wear to the lower edges of the dresser and washstand. Each piece appears to have been recently refinished. The drawer interiors and tracks appear to have been updated in the dresser and washstand. The casters on the washstand are also possibly later added or updated.

1123

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Left side with 5” area of scratching. Some soiling to interiors of drawers. Includes key, however, lacking one piece of the locking mechanism.

1124

Overall good condition with scuffs, dust accumulation, and darkening/oxidation to bronze commensurate with age. Scattered minor instances of rubbed wear to the patination.

1125

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. With allover grime, soiling, and dust accumulation, with more concentrated oxidation to the figure’s torso and shoulders.

1126

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. More concentrated rubbed wear to finish, scratches, and bumping to top surface, corners, and edges. The base possibly later added or refinished.

1127

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The pediment is loose from its mounting. Chipped loss to back left foot 5” x 2”. An eyehole screw to top near back for securing to wall.

1128

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One salad plate with 0.325” chip to edge.

1129

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered minor chips to the raised decoration throughout. As well, there is a section under the lobster’s tail, along the edge, where it appears as though the glaze layer has flaked off.

1130

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Chipped loss to the right paw of the lower left griffin. Terminus of drop finial is detached and retained with the lot. Includes winding key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1131

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Unevenness at the base causes the pedestal to rock back and forth a bit. Separation to the seam at the top surface.

1132

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Several small fleabite chips to the rims. No evidence of repairs or restorations under blacklight.

1133

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Surface grime to the interior of the vessel.

1134

Overall good condition with minor shelf wear, minor soiling, dust accumulation, scuffs, and light scratches commensurate with age. Scuffs and darkening/ oxidation to bronze commensurate with age. The gilt has accents have heavy rubbed wear. Two retailer’s stickers to bottom edge on the base with one retailer’s stamp to underside. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1135

Overall good condition. Scattered, unobtrusive pinhead-sized flecks of gold pigment through the lower half of the image, most likely from the giltwood frame. A faint, unobtrusive pinhead-sized spot of grime in the lower right corner.

Blacklight: No evidence of restoration.

Frame: 18” H x 13.5” W x 3.5” D

1136

Visual: Overall good condition. Minor dust accumulation and grime commensurate with age. Fine craquelure scattered throughout. Stretcher bar creases along all four sides.

Blacklight: Spots of touch-up scattered throughout, the largest measuring 4” H x 1” W in the upper left quadrant.

Frame: 31” H x 36.5” W x 3” D

1137

Visual: Overall generally good condition. Dust accumulation, specks of grime, slight varnish discoloration, and craquelure throughout, all commensurate with age. A pea-sized area of pigment loss in the upper left corner. Scattered frame abrasion along the upper and lower edges.

Blacklight: Touch-ups scattered throughout, primarily in the sky, and the largest area throughout the upper right quadrant.

Frame: 47.5” H x 57.5” W x 5” D

1138

Visual: Overall good condition. A 0.75” hairline surface scratch in the clouds towards the center of the upper edge. Three pinhead-sized holes in the upper left and lower corners, possibly in the hand of the artist.

Blacklight: No evidence of restoration.

Frame: 18.5” H x 22.25” W x 3.5” D

1139

Visual: Overall good condition. Slight dust accumulation and grime commensurate with age. A pea-sized fleck of white pigment towards the center of the left edge.

Blacklight: No evidence of restoration.

Frame: 16.25” H x 20.25” W x 2.25” D

1140

Visual: Dust accumulation and grime commensurate with age. Scattered scuffing with attendant pigment loss throughout. Pea-sized spots of white pigment in the upper right corner. The canvas is relined.

Blacklight: No evidence of restoration.

Frame: 17.5” H x 20.5” W x 2.25” D

1141

Visual: Overall good condition. Fine craquelure scattered in the upper left quadrant. Frame abrasion along the left and lower edges. A pea-sized puncture to the canvas, with attendant pigment loss. Slight puckering to the canvas in the upper right corner.

Blacklight: No evidence of restoration.

Frame: 36” H x 48” W x 3” D

1142

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Rubbed wear to gilt components throughout. Possible casting flaw to the body. Some of the faux candle paper sleeves are loose at the juncture and leaning. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1143

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Each with small grey flecked inclusions. The stone with inherent inclusions.

1144

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. scattered slight bending to the metal throughout.

1145

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges including a loss to the fringe edge approximately 40” in length, scattered areas of moth grazing, scattered areas of abrash, several repairs throughout, the largest a seamed rejoining along the edge measuring approximately 35” in length, and the fringe edge has been cut down.

1146

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered pulled threads throughout, scattered areas of minor moth grazing, and areas of heavier soiling concentrated to the center.

1147

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to selvedge and fringe edges, scattered repairs throughout, heavier wear to the pile in areas, and the fringe edges have been cut down into the wool and the edges sewn back on.

1148

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading and heavier wear on one end, wear to the fringe edge with a 7” area of loss, and staining throughout.

1149

Overall good condition with scratches, nicks, and indentations to the case commensurate with age. Some dents, scratches, and oxidation to the horn. Scattered oxidation to all metal components. Working condition unknown. Moran’s does not guarantee the working condition of musical instruments.

1150

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One small piece of wood has fallen off and is retained inside of the interior letter depository.

1151

Overall good condition with shelf wear, scuffs, dust accumulation, and darkening/oxidation to bronze commensurate with age. Some rubbed wear to gilt with scattered cracks in the gilt, one 1.5” L and one 1.25”L. Adhesive felt pads to underside.

1152

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Areas of heavier soiling throughout. The head was broken off and re-adhered.

1153

Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Scattered paint loss on each.

1154

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. With allover dust accumulation and scattered instances of rubbed wear to the patination and polychromed accents. The underside with felt applied to loose metal undercovering.

1155

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some wear to the ebonized finish on the wood. Handle is engraved with a personal monogram.

1156

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One cane missing its metal tip. Two canes with later added rubber tips. Four of the canes with personalized inscriptions and/pr monograms.

1157

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each handle with a personalized monogram or inscription engraved on the handle. One cane missing its metal tip.

1158

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. The silver-toned umbrella with some small losses to the metal. Surface soiling and staining to the fabric outer canopy of the umbrellas.

1159

Overall good condition with tarnishing and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. The figure and light appear to be loose on their mounts, making the fixture slightly unstable. Scattered areas of abrasion and losses to the gilding throughout. Moran’s does not guarantee the working condition of electronic equipment.

1160

Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with lifting, surface abrasions, and chips. The leather surface with wear, staining, moisture rings, peeling/lifting, and a 2.25” dent near the front. Lacking key.

1161

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The top surface with scattered scratches and small stains, the back with 4” long scratch, the sides with a few minor scratches. The table slightly shaken, as well the drawer slightly askew, with the right drawer pull loose. Lacking key.

1162

Each overall good condition with wear, scattered scuffs, some chipped losses, and inherent firing flaws commensurate with age. One with mounting chain to the verso broken. Each with chips and breaks throughout. As well, each with surface soiling and discoloration to the clay.

1163

Overall good condition with shelf wear, scuffs, and light scratches commensurate with age. The bottom of the glass carcass with 1” chipped losses to two corners and repairs to the other two corners. A 1.25” chip to right side under the roof of the pagoda. With a crack in the recto glass clock cover. The stand in fair condition with allover soiling and rubbed wear to the gold leaf and two cracks to the mounting juncture. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. With chip to front left pillar base at edge. Back glass clock cover cracked.

1164

Each overall good condition with scuffs and darkening/oxidation to spelter commensurate with age. Each with allover grime and dust accumulation. One sculpture lacking a foot. Rubbed wear to the gilt highlights.

1165

Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1166

Overall good condition with tarnishing and light scratches commensurate with age. A few with more severe tarnishing. Some personalized with various monograms. Weight is exclusive of enamel paint applied to one item.

1167

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1168

Visual: Overall good condition. Dust accumulation, specks of grime, darkening, and fine craquelure, all commensurate with age. Minor, scattered areas of frame abrasion along the left and right edges.

Blacklight: Pea-sized or smaller areas of scattered touch-ups mostly in the outer edges, occasionally along the silhouette of the figures, and in the waves. The largest measuring 4.5” H vertically near the left edge of the upper left quadrant.

Frame: 48” H x 40” W x 5” D

1169

Visual: Overall good condition. Fine craquelure throughout. Minor frame abrasion along the extreme edges.

Blacklight: Areas of touch-up throughout, concentrated mainly in the sky. A 2” crescent-shaped repair to a tear in the canvas upper right.

Frame: 17” H x 21” W x 1.5” D

1170

Overall generally good condition. One central vertical crease and one central horizontal crease, each visible primarily in raking light. A skillfully repaired, 1” V-shaped tear at the top of the arched opening, attendant with the vertical crease already mentioned, primarily visible in raking light. Slight dust accumulation commensurate with age. Laid down within the French mat.

Framed under glass:22.25” H x 19.5” W x 1” D

1171

Both portraits with minor dust accumulation and occasional specks of grime, commensurate with age. The portrait of the woman has multiple surface tears along the left edge, the largest being a 2” diagonal tear in the upper left corner and a 0.75” diagonal tear in the upper right corner.

Each framed under glass: 27.5” H x 24” W x 2.75” D

1172

Visual: Overall good condition. Dust accumulation and specks of occasional grime commensurate with age. A 1.5” area of frame abrasion in the extreme upper edge, at center.

Blacklight: A 3.25” diagonal area of touch-up at the center of the upper left quadrant. Scattered touchups along the upper edge.

Frame: 23” H x 19” W x 3” D

1173

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age and use. Each with heavier scratching to the front doors. As well, each with scattered larger cracked throughout the carcasses. Evidence of woodworm for each.

1174

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chips to the lacquered surfaces throughout each stool.

1175

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. Table appears to have been refinished.

1176

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some scattered pinholing and oxidation to glaze with exposed biscuit-toned porcelain to underside. One small machine adhesive label and one quarter-sized paper sticker applied to underside. No evidence of repairs or restorations under blacklight.

1177

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1178

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. The footed cup with a chip to the glaze along the rim and a hairline crack radiating from aforementioned chip, approximately 2.25” in length. Crazing to the glaze layer for each. No evidence of repairs or restorations under blacklight for each. Each with kiln flaws to the underside of the foot.

1179

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1180

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1181

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered rubbed wear to the enameled banding at the rim. No evidence of repairs or restorations under blacklight.

1182

Overall good condition with scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered areas of firing flaws throughout each enameled surface inherent to the production process. As well, darkening/oxidation to brass commensurate with age.

1183

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. As well, it appears as though several lengths of chain and attached jade teardrop-shaped stones are missing from the both the right and left side of the horse’s saddle. As well, the chain “bridle” appears to have loosened and fallen from certain adhesion points throughout.

1184

Visual: Dust accumulation, dirt, occasional specks of grime, and varnish discoloration, all commensurate with age. Very fine craquelure in the upper half of the painting. A 2” diagonal surface scuff, with attendant flecks of pigment loss, in the upper right quadrant. Minor frame abrasion along the right edge.

Blacklight: No evidence of restoration.

Frame: 28” H x 32.25” W x 4” D

1185

Visual: Dust accumulation, dirt, and grime commensurate with age. Pea-sized or smaller areas of pigment loss in the upper half of the painting, primarily in the upper left quadrant and at center. A quarter-sized reverse pressure mark in the lower left quadrant. Frame abrasion along the left edge.

Blacklight: No evidence of restoration.

Frame: 28” H x 32” W x 2.5” D

1186

Visual: Overall good condition. Slight dust accumulation and grime commensurate with age.

Blacklight: A 6” W x 1.75” H area of touch-up in the upper right quadrant.

Frame: 19” H x 21.75” W x 2” D

1187

Visual: Overall good condition. Dust accumulation, specks of occasional grime, and varnish discoloration commensurate with age. A 1” vertical surface abrasion in the upper right corner. Scattered and small pieces of loose paintbrush bristles embedded in the paint, attendant with the artist’s creative process.

Blacklight: No evidence of restoration.

Frame: 38.5” H x 46” W x 2” D

1188

Visual: Overall good condition. The canvas has been relined and laid to waxed canvas.

Blacklight: Touch-ups scattered throughout the extreme edges, primarily in the corners of the upper left and right quadrants, the largest measuring 4” H x 2.5” W in the form of an upside-down “L-shaped” touch-up in the upper left corner.

Frame: 40” H x 33.75” W x 3.5” D

1189

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Surface grime present throughout. No evidence of repairs or restorations under blacklight.

1190

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with allover minor soiling, grime, and dust accumulation. One with a chipped loss to a leaf, as well with a few scattered minor chips to stones.

1191

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered rubbed wear to the gilt and enamel decoration throughout each jar. No evidence of repairs or restorations under blacklight for each.

1192

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. The green glazed vessel with a hairline crack to the body. The strawglazed vessel with reconstructed spout and various repairs.

1193

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1194

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered rubbed wear to the decorative surfaces throughout. No evidence of repairs or restorations under blacklight.

1195

Overall good condition with wear, scattered scuffs, scratches, and inherent firing flaws commensurate with age. Issues include, but are not limited to: inherent crazing to the glaze, pinholing, rubbed wear, scattered chips to the foot, and a 3” chip to the foot.

1196

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1197

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. One turtle with a loss to the foot. Minor shelf wear and scratching to the underside.

1198

Overall good condition with tarnishing and light scratches commensurate with age. Scattered breaks to the dragon’s horns.

1199

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Scattered localized areas of verdigris throughout.

1200

Overall very good condition. With margins and the colors fresh. Pale time staining showing at the extreme vertical margin edges. Two pinhead-sized foxmarks near the upper margin edge. Hinged to the backmat with three pieces of archival tape at the upper margin edge.

Framed under Plexiglas: 55.5” H x 45.5” W x 1.25” D

1201

Overall good condition with shelf wear, dust accumulation, and minor scuffs and scratches commensurate with age. No evidence of restoration or hairlines under illumination. One inherent etching flaw to a petal.

1202

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The inlay with slight raised grain and lifting. Small traces of some splattered white residue to the undertray. Heavier wear to feet.

1203

Overall good condition with minor scuffs and light scratches commensurate with age. Some darkened areas to the white reverse-painting. No evidence of restoration or hairlines under illumination. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1204

The base in overall good condition with tarnishing and light scratches commensurate with age. The mesh of the shade with scattered minor tears and holes throughout. Wiring should be checked by a qualified electrician prior to use. Lamp has likely been rewired. Moran’s does not guarantee the working condition of electronics.

1205

Overall generally good condition. With margins. Light stained throughout, and the colors slightly attenuated. Three pinhead-sized areas of pale staining in the lower margin, at left. Not examined out of the frame.

Framed under glass: 25.5” H x 29.5” W x 2.25” D

1206

Overall good condition. With margins. The colors fresh. Occasional specks of pale foxing in the upper and right margins. Not examined out of the frame.

Framed under glass: 36” H x 30.5” W x 2.25” D

1207

Overall good condition. With margins. The sheet with a ring of mat staining showing outside the image. Outside the image: light staining and the colors attenuated. Not examined out of the frame.

Framed under glass: 27.25” H x 23.25” W x 1” D

1208

Overall good condition. With margins. The sheet with minor light staining and the colors attenuated. Not examined out of the frame.

Framed under glass: 23” H x 27” W x 0.75” D

1209

Visual of each: Overall good condition. Dust accumulation, specks of grime, and minor darkening, all commensurate with age.

Blacklight of each: No evidence of restoration.

Frame of each: Approximately 32” H x 28” W x 3” D

1210

Overall good condition. Very pale light staining throughout, commensurate with age. Damp staining in the lower left corner. Not examined out of the frame.

Framed under glass: 31” H x 25” W x 0.75” D

1211

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One with lid that appears to be adhered shut.

1212

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1213

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. With a 3” scratch to the verso of figure’s leg and a few scattered scratches throughout. Some rubbed wear to the plaque at the base, allover minor soiling and dust accumulation.

1214

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Scatted small scratches around the rim as well as slight rubber wear. Adhesive residue to the underside. One darker colored scuff to the body approximately 0.5” in length.

1215

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. The velvet lining to the interior with heavy wear to the pile and scattered bald areas. Likewise, the moire silk lining the same compartments is brittle and flaking off with multiple losses. The lacquered wood inserts with crazing, flaking, and losses to the ivory finish throughout. Lacking key.

1216

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One stand with the top completely detached. Each with losses to the lacquer and decoration throughout, primarily concentrated on the top.

1217

Overall good condition with scattered scuffs, light scratches, and oxidation to the metal commensurate with age. Scattered chipping and cracks to the glass, particularly at the base. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1218

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The dinner and salad plates with scattered soiling. One flat cup with pin-sized chip to rim.

1219

Overall good condition with light tarnishing and scratches commensurate with age. The sorbet spoons with more tarnishing. The box in good condition with scattered scratches, nicks, scuffs, and shelf wear commensurate with age, particularly to the top and edges. Some fading and wear to the felt lining. Weight does not include hollow-handled items.

1220

Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Heavier scuffing to the interior of each shade. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1221

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: each likely meant to have lids, each loose and wobbly on central rod joining the components, and each with museum putty throughout.

1222

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Allover minor soiling, grime, and dust accumulation. Handles are loose from their junctures. Possible small losses to the stone elements, with one missing.

1223

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Heavier scratching to the front of the right door. Wear and scattered knicks to the finish on the top. As well, there is a crack radiating through the top from the left side, approximately 8.5” in length. The key accompanies this lot.

1224

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. The top with scattered breaks to the finish, stains, and water rings.

1225

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Crack to right arm. More concentrated scratches, scuffs, and loss to patina on back of shoulders which appears due to plastic wrap.

1226

Overall good condition with scuffs, scratches, dust accumulation, and darkening/oxidation to bronze commensurate with age. With allover dust accumulation and some grime.

1227

Overall fair to good condition with scattered scuffs, scratches, and oxidation commensurate with age. Allover soiling, grime, and dust accumulation from outdoor storage/use. The light fixture is separated and tenuously remounted with metal wire. With a split through one arm. Wiring should be checked by a qualified electrician prior to use. Fraying and wear to the cord, likely needs to be rewired. Moran’s does not guarantee the working condition of electronic equipment.

1228

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. As well, there is a crack to alabaster base that extends from side to side. Scattered firing flaws and minor losses to the enamel throughout.

1229

Each overall good condition with rubbed wear to surface decoration, scattered minor scuffs, and inherent firing flaws commensurate with age.

1230

Each overall good condition with rubbed wear to surface decoration, scattered minor scuffs, and inherent firing flaws commensurate with age.

1231

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The marble top with a 27” crack through, which has been reassembled and restored. One side with trim slightly raised from its mounting. A pea-sized chip to the veneer of the door at the juncture. Lacking key.

1232

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Cabinet was likely refinished and some of the mounts appear to be later added. Lacking key. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1233

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. heavier flaking and losses to the painted frames of each. Each chair has likely been recently reupholstered.

1234

Overall good condition with dust accumulation, even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading to face. Scattered areas of breaks to the fibers and weave, primarily to the sky area, and pulled threads, as well as several areas of repair, primarily concentrated along the edges. As well, there are two mounting loops missing from the upper edge. Not examined verso.

1235

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered areas of loss and chipping to the veneer throughout, primarily concentrated to the interior shelving and the verso. As well, much of the gilt bronze mounts are loose and separating from the wood to which they are mounted. The wood lining the lower interior of the cabinet glazing has broken into several pieces and appears to be re-adhered. Both keys accompany the lot, one for the cabinet and one for the drawer.

1236

Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each armrest is lacking upholstery, one with upholstery remnants retained. The settee back slightly shaken and with 2” crack through the wood at the right corner of the back rest.

1237

Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. The marble tops with minor soiling and scattered small chips to the edges. As well, two larger chips measuring 0.625” and 0.5” long. Each table slightly shaken.

1238

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered losses and repairs to the veneer throughout, the largest measuring 2.5” in length. Three of the four brass end caps are lost, two are retained in a drawer.

1239

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Scattered minor rubbed wear and losses to the gilding. Several of the faux candles have come unglued and are no longer mounted in their respective holder bases. The finial at the base is slightly bent. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1240

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: heavier areas of wear to the wire throughout, scattered repairs throughout, and the fringe edges have been cut down.

1241

Overall good condition with minor scuffs and darkening and oxidation to the silver metal commensurate with age.

1242

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Minor soiling to exterior of cache pot. One teacup with pea-sized conchoidal chip with attendant surface-reaching 2” crack. One bread and butter plate with minor soiling to underside. Two teapots with pinsized chips to high-relief roses.

1243

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some pieces with very minor fleabite to undersides. Scattered rubbed losses to gilt edges, particularly to platters and serving dishes. The straight-sided serving dish with more rubbed wear to the gilt. One tea cup saucer with some soiling to underside. The cake stand with 0.75” chip to edge. The tureen with 3 small chips to underplate underside. One knife rest with 0.75” conchoidal chip.

1244

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered small knicks to the cobalt ground throughout.

1245

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

1246

Overall good condition with shelf wear, soiling, scuffs, and light scratches commensurate with age. Scattered rubbed wear to the model with losses, including one 0.5” and one 0.75”. Likely reframed. The frame with scattered nicks, rubbed wear, and indentations commensurate with age, including a chip to the upper edge. The frame backing is torn and lifting.

Frame: 16” H x 11.5” W x 1.625” D

1247

Overall generally good to fine condition with dust accumulation, grime, scattered areas of fine craquelure and paint shrinkage, areas of chipping to the wood with attendant pigment loss, and surface scuffs, all commensurate with age.

1248

The board in good condition with scattered scuffs, scratches, and shelf wear commensurate with age. The top is slightly bowed towards the middle. The pieces each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1249

Each overall good condition with tarnishing and light scratches commensurate with age. The larger icon with bending to the tips of the applied halos. Smaller icon with cracking to the oklad radiating from the edges of the opening exposing the Virgin Mary’s hands.

1251

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Several breaks and losses throughout the gilt wood frame.

1252

Overall fair to good condition with scattered scuffs, light scratches, and oxidation commensurate with age. This pedestal was displayed in an outdoor setting and has corrosion, oxidation, and patination commensurate with use.

1253

Each overall good condition with minor scuffs and darkening/oxidation to metal commensurate with age. Scattered casting flaws, including one hole, throughout each.

1254

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The back splat with 17” crack through the middle and possibly restored and reattached at the sides. Other possible restorations throughout, particularly at joints and junctures.

1255

Overall good condition with minor scuffs and darkening/oxidation to the metal commensurate with age. Each with later added decorative tassel. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1256

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. One mounted flower broken in half and retained with the lot. As well a few other mounted accents are loose.

1257

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered minor losses to the gilt and painted surfaces throughout.

1258

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. The black stone top with minor scratches, and one 1.25” long scratch to the wood border of the top. Scattered nicks to the legs and sides.

1259

Overall good condition with scattered scuffs, scratches, nicks, and separation at joints commensurate with age. The top with scattered losses to the inlay, the largest measuring approximately 1.75”. The metal base appears to have lost the finial at the center of the stretcher.

1260

Visual: Overall good condition. Scattered and minute flecks of pigment loss in the lower left and upper right quadrants.

Blacklight: A 1.5” H x 2” W area of touch-up in the upper right quadrant.

Frame: 41” H x 36” W x 2.5” D

1261

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, each with scattered pinholing and pinpoint oxidation to the glaze layer throughout. Scattered kiln and firing flaws throughout each. One vase appears to have areas of possible repair and retouching to the neck with some of the paint flaking off.

1262

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One large crack radiating from end to end on the first third of the table. As well, there is one brass dot inlay missing. Lastly, there are several areas of denting along the edges of the top.

1263

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1264

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. The smaller lidded vase with multiple chips to the foot and scattered fleabite chips to the rim of the lid. As well, on the lidded vase there are several spots of oxidation throughout the glaze layer. No evidence of repairs or restorations under blacklight for each.

1265

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

1266

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight for each.

1267

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wood likely refinished. One top with split through the wood through the middle, additionally the tops with more concentrated scratches and flaws in the finish. One marked to the underside twice with the number 14.

1268

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Both shaken from loose joints, one more-so than the other. Leg junctures appear to be restored. Drink rings and rubbed wear to the tops, one with an 11” crack in the wood.

1269

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The middle section with two cracks to the top surface measuring 15” and one 8” long. As well, a butterfly repair to the underside. One side with 2” long chipped loss to the wood near the juncture, the other side with 5” long chipped loss in the same area of the juncture. Scattered staining, scratching, and scuffs to the wood throughout surfaces and legs.

1270

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Losses to the lacquer throughout, concentrated on the legs, the largest measuring 5.5” in length. As well, there is minor nicking to the lacquered wood along the edges of the tabletop.

1271

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One of the casters has broken off and is retained with the lot. More concentrated soiling and scuffs to the top with possible minor moisture damage to the finish. A few of the spindles are loose in their junctures.

1272

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with general wear to the top, as well with loss, crazing, and cracking to the lacquer, concentrated more on the largest table. Largest table also has a crack in the wood to the underside. Some cracking and separation at joints affecting the lacquer, a few with possible previous restorations. Each with monogram “CL&E” to the top.

1273

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Scattered chips and breaks to the porcelain roses and some are a bit loose at their mounting. Possible retouching to the paint throughout. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1274

Overall good condition with wear commensurate with age. General wear/rubbing and minimal soiling to leather cover and spine. Cockling to the wove paper where the watercolors are, attendant with the material used. Handling creases, and occasional pale pinpoint-sized areas of foxing, and very pale toning, all commensurate with age. The slipcase with slight soiling, specks of grime, wear to the leather edges, and minor and uneven staining to the spine.

1275

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

1276

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

1277

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1278

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1279

Each overall good condition with shelf wear, scuffs, and light scratches commensurate with age. The vase with more concentrated scratches and felt feet applied to underside. The vase also with 0.25” chip to one of the high relief accents.

1280

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. More concentrated rubbed wear to paint at to verso of figure and oxidation at right earring of figure. Adhesive felt applied to underside.

1281

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Scattered scuffing to gilt of base.

1282

Each overall good condition with weathering, shelf wear, scattered minor scuffs, scratches, and inherent casting flaws commensurate with age. Each was displayed in a garden and therefore stored outside and bears the wear and tear associated with exposure to the elements. Each with soil remnants, algae and lichen growth, and erosion commensurate with outdoor display. Several of the pedestals with large chips and losses to the edges and corner.

1283

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The interior with crumbling to the wood, possible evidence of pests. Possibly missing a metal liner.

1284

Overall good condition with shelf wear, scuffs, and light scratches commensurate with age. Front panel with two losses to the inlay and some glue residue. Some losses and cracking to leather spine and interior at joints. The inlay bust figure seems to be upside-down compared to the orientation of inner portrait.

1285

Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

1286

Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Allover scratching and staining, concentrated heavily to the top surface, as well with scattered chipping to the veneer at the edges and corners. With a 2” x 0.25” chipped loss to the front above the middle drawer. The verso with bowing to the upper right side in the wood, cracking, and possible repairs. The drawers are lined with paper, one missing the brass locking hardware. Lacking key.

1287

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With some scattered losses to edge veneer including a 1.5” area near the front left. Slight buckling to the rear half of the flip-top.

1288

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Crazing a chipped losses to the enamel of the dial. With a 4” crack to the wood of the front of the base, which has staining and soiling. More concentrated wear to wood at the back and feet. The pendulum is detached and retained with the lot. Included cabinet key. Lacking winding key. Front lower left foot missing, possibly missing two finials to the top.

1289

Visual: Overall generally good condition. Dust accumulation, dirt, specks of grime, and scattered fine craquelure, all commensurate with age. A 4” vertical area of wear to the pigment, and with an attendant pea-sized area of stray beige pigment to the left of the background figure in the lower left quadrant. Slight wear to the faces of the figures in the foreground.

Blacklight: Areas of touch-up along the upper and right edges, the largest measuring 8” horizontally in the upper edge, at center.

Frame: 39.5” H x 53.5” W x 3.5” D

1290

Visual: Overall good condition. Scattered craquelure, slight grime, and dust accumulation commensurate with age. An unobtrusive, pea-sized spot of unrelated white pigment near the figure’s right hip.

Blacklight: Scattered small touch-ups, including on the figure’s right cheek and hair, the largest area measuring approximately 5” H x 3” W near the center of the lower edge.

Frame: 56” H x 45.5” W x 4” D

1291

Visual: Dust accumulation, grime, and varnish discoloration commensurate with age. Fine craquelure primarily throughout the lower half of the work. Scattered pinhead-sized flecks of white pigment, possibly house paint, throughout.

Blacklight: No evidence of restoration.

Frame: 32.5” H x 29.75” W x 3” D

1292

Visual: Overall good condition. Dust accumulation, grime, and fine craquelure throughout, all commensurate with age. Pinhead-sized or smaller areas of frame abrasion along each of the extreme edges, and with an attendant pea-sized area of pigment loss in the lower right corner.

Blacklight: Thin vertical lines of touchups from the center to the right edge. Small clusters of pea-sized spots of touch-up in the clouds of the upper left and right quadrants.

Frame: 25” H x 35.25” W x 3” D

1293

Visual: Overall good condition. Minor dust accumulation, grime, and varnish discoloration, all commensurate with age. A rice-sized pigment loss in the lower right corner near the signature. Minor frame abrasion along the lower right edge.

Blacklight: Pea-sized areas of touch-up in the sky and clouds. The largest measuring 1” H x 1” W in the sky, of the upper left quadrant.

Frame: 21.75” H x 27.75” W x 2.5” D

1294

Visual: Overall good condition. Dust accumulation and occasional specks of grime. Frame abrasion along the upper and right edges.

Blacklight: No evidence of restoration.

Frame: 21.5” H x 18.5” W x 2” D

1295

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

1296

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight for each.

1297

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, there is crazing and pinholing to the glaze drips encircling the unglazed foot. Likewise, there are two flattened areas around the foot that may be chips but could also be inherent to the production process.

1298

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, each jar with chips to the interior rim of the opening. Each jar with kiln flaws and breaks to the foot. The interior of each jar is glazed white with breaks in the glaze surface inherent to the firing process. One lid with the finial detached and retained with the lot. No evidence of repairs or restorations under blacklight for each.

1299

Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1300

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Soiling and staining throughout. Some with chipped losses to the skin at the corners and edges and allover heavier rubbed wear. One with moisture damage to the interior. Only one include the lock, but lacking a key, and one chest has a broken latch, which has been retained with the lot.

1301

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. More scratching and wear to the finish concentrated on the top. One of the drawers is stuck shut and has a 1.5” chip to the bottom corner. One rear foot with 4” x 1.5” chipped loss, the other rear foot with similarly sized crack. Lacking key.

1302

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The frame is slightly shaken, with separation at joints of the shoulder. Possible restoration to the top, visible from the underside. Some cracking to the lacquer on the top as well as more concentrated scratches and a 0.5” chip. Scattered areas of rubbed wear to the black details.

1303

Overall generally good condition. Various creases, pale stains, and/or minor surface soiling. Occasional tiny edge tears, not affecting the image. A pea-sized hole as well as a few narrow paper losses at the left edge of the uppermost olive-green paper border.

Unframed

1304

Areas of damp staining in the lower right quadrant, the lower left corner, and towards the center of the left edge. Pink discoloration of the white pigment along the upper edge, and at the upper corners of the left and right edges.

Framed under glass: 23.75” H x 15.75” W x 1.25” D

1305

Overall fair to poor condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The finish and veneer are flaking. As well, there is sun fading to the case throughout. Various cracks to the soundboard. Likely needs refinishing and tuning. Moran’s does not guarantee the working condition of musical instruments.

1306

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The tambour sliders stick a little bit, particularly in the most open position. Including key.

1307

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Repair to front left leg. Veneer lifting to upper left edge of bottom drawer, as well, the gilt bronze trim to upper right edge is lifting. One more lifted veneer to upper drawer in a 3” x 1.5” area. Lacking key.

1308

Each overall good condition with wear, dust accumulation, and minor scuffs and scratches commensurate with age.

1309

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. A few of the brass leg mounts are loose. Possibly re-caned.

1310

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1311

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the selvedge and fringe edges, scattered areas of heavier wear to the pile throughout, and the fringe edges have been cut down.

1312

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Oxidation and verdigris throughout, with surface abrasions, scuffing, and rubbing to localized areas, particularly the raised elbow. Scattered soiling throughout. Fraying to the cord, needs to be rewired. Lighting fixture is loose. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1313

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, there is surface grime and dust to both in the interior and exterior. The image on the interior rear wall is tacked back up as it appears it came loose. This music box was restored in 2013 according to an interior paper label reading: Christian Eric / Antique Music Box Restoration / Costa Mesa, CA / Dec. 2013. Moran’s does not guarantee the working condition of this item.

1314

Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Scattered flea bites chips along the edges of each of the stone bases.

1315

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Allover minor soiling, grime, and dust accumulation. As well, the trunk at the base seems to be cracking but not loose from the weighted substance of the pot. Two of the plaster branches with cracks at the junctures from over-articulated branches.

1316

Overall good condition with dust accumulation, light wear and minor soiling commensurate with age. Slight fading to shoulders and one area of side front. Scattered areas of wear to decorative braid. Scattered single loose/raveled metal threads. Robe mounted and suspended via an acrylic rod and brackets attached to fabric-covered backing. Textile measurements approximate; textile not examined out of frame.

Frame: 44.5” H x 61.5” W x 5” D

1317

Insect damage throughout, with a larger concentration in the upper left quadrant. Pale light staining. Backboard staining, verso. Taped to the overmat with brown tape in places along the verso of the sheet edges and corners.

Unframed

1318

Overall good condition. The colors fresh. The sheet is drymounted to the back mat.

Unframed, but matted: 22.75” H x 29.25” W

1319

Pale light staining. Backboard staining, verso. Some insect damage in the upper half and lower right quadrant of the image. A pinhead-sized hole in the upper right quadrant to the right of the mosque dome. Taped to the overmat with pieces of brown and scotch tapes in places along the verso of the upper sheet edge.

Unframed

1320

Visual: Overall good condition. Dust accumulation commensurate with age. Occasional scattered craquelure. Stretcher bar creases along all four sides.

Blacklight: A few rice-sized touch-ups near the outer edges. Heavy varnish.

Framed: 22.5” H x 19” W x 3” D

1321

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. All-over weathering and wear to the surface appropriate for an item of this age. Possible larger repair verso from previous mounting. Likely the sculpture was previously polychrome. There are multiple repairs to the multitude of shrinkage cracks and several losses to this piece commensurate with age. Base on which the sculpture rests is a possible later construction.

1322

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. More concentrated but still minor scratches and scuffs to seat top and legs.

1323

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with possible restoration and later added plastic feet.

1324

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Rubbed wear to the gilt and enameled finish. No evidence of repairs or restorations under blacklight. The wood stand with a break and loss to one foot, causing it to lean.

1325

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each vase drilled through the reign mark. Each with several small possible repairs that fluoresce under ultraviolet light. As well, one vase with two hairline cracks to the rim.

1326

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, there are two hairline cracks present on the interior, the larger approximately 4” in length, both of which is visible through the exterior as well. The larger crack causing a small loss to the adjacent enamel. No evidence of repairs or restorations under blacklight.

1327

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. With scattered rubbed wear to the enamel and gilt decoration throughout. No evidence of repairs or restorations under blacklight.

1328

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered rubbed wear to the enamel throughout for each. No evidence of repairs or restorations under blacklight for each.

1329

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, there is rubbed wear to the gilt rim of each butterfly bowl. No evidence of repairs or restorations under blacklight.

1330

Visual: Overall good condition. Dust accumulation commensurate with age.

Blacklight: No evidence of restoration.

Frame: 11” H x 16.25” W x 1.75” D

1331

Overall good condition. With margins. Pale light staining. Slightly uneven time staining at the extreme margin edges. Specks of unobtrusive foxing, occasionally scattered in the outer edges. The sheet is hinged to the back mat with various pieces of white hinging tape along the recto of each sheet edge.

Framed under Plexiglas: 24.5” H x 30” W x 2” D

1332

Visual: Craquelure throughout. The canvas is relined.

Blacklight: Areas of touch-ups throughout, the largest measuring 4” H x 0.5” W in the lower left quadrant from the background into the fan. Areas of uneven varnishing.

Unframed

1333

Visual: Overall good condition. A few pinhead-sized areas of pigment loss in the lower right corner. Very fine and occasional craquelure in the thick white pigment, near the center, and to the left of the figure in the center.

Blacklight: No evidence of restoration.

Frame: 50” H x 63” W x 4” D

1334

Overall good condition. Extremely pale and reverse staining along the extreme edges of the sheet. The she is laid to the paperboard.

Framed under Plexiglas: 25” H x 28.75” W x 2” D

1335

Overall good condition. The upper edge is slightly trimmed unevenly, possibly in the hand of the artist, and during the creative process. The sheet is framed floating and mounted to the back mat. Not examined out of the frame.

Framed under glass: 16.5” H x 12.5” W x 1” D

1336

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One with cracked and loose front leg. More concentrated scratches and scuffs to top edges, legs, and arm rests, four with more significant scuffs to the arm rests. Upholstery in overall good condition with minor wear to the velvet, one with 1” dia. area of focused wear to seat cushion.

1337

Overall good condition with tarnishing and light scratches commensurate with age. Sits slightly wobbly. With some scattered dents and an area of possible restoration to the shoulder. Areas of exposed base metal.

1338

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The top with one circular stain. The back panel of this cabinet has been cut out, reveling the shelving verso. As well, there has been a jack for wiring screwed onto the verso. The key accompanies this lot.

1339

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.

1340

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One with two of the feet of the base are disconnected and retained with the lot. With more scattered nicks and scratches at edges and corners. The marble with minor small scattered flea bites, mostly to front and back edges, one with adhesive ghost to underside.

1341

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Minor scattered scuffs and scratches to the top.

1342

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Some of the glass components have been replaced as well as the gold wiring. Scattered chips, cracks, and breaks to glass pieces throughout. Rubbed wear to the gilt finish. Surface grime and dust accumulation throughout. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1343

Visual: Overall good condition. Fine areas of craquelure, showing primarily in the areas of dark/ black pigment. Grime and varnish discoloration commensurate with age.

Blacklight: A pinhead-sized spot of touch-up in the upper left corner and a 0.5” x 0.75” area of touch-up in the lower right corner.

Frame: 34.25” H x 30” W x 3.75” D

1344

Visual: Overall good condition. Dust accumulation, dirt, and occasional specks of grime commensurate with age. Delicate craquelure scattered throughout.

Blacklight: No evidence of restoration.

Frame:21.75” H x 15.75” W x 2.125” D

1345

Visual: Overall good condition. Scattered pinheadsized flecks of grime in the background around the figure. Fine craquelure in areas of dark pigment, showing primarily in the hat and coat of the figure.

Blacklight: No evidence of restoration.

Frame: 29.5” H x 25.5” W x 3.25” D

1346

Overall good condition with wear, dust accumulation, soiling, and minor scuffs commensurate with age. Rubbed wear and losses to the gilt. Some soiling to the base and minor soiling throughout.

1347

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. As well, there are scattered losses throughout the paint layer.

1348

Overall good condition with minor shelf wear, dust accumulation, scuffs, and light scratches commensurate with age. Minor allover rubbed wear to the gilt finish of the bronze. Scattered small cracks to champlevé enamel decorations. Surmounted decorations are slightly shaken and loose. The front glass cover with small chip and possible repair to upper edge. With adhesive tape applied to underside of feet. Lacking back clock cover. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1349

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, each with rubbed wear to the gilt rim and liD’s edge.

1350

Each overall good condition with shelf wear and scattered minor scuffs commensurate with age. One bread and butter plate with 0.325” x 0.5” chip to edge. One flat cup with pea-sized chip to underside. Some handled items with rubbed wear to the gilt. One gravy boat with minor soiling to the underside of underplate.

1351

Each overall good condition with creasing and minimal signs of wear commensurate with age. Scattered puncture holes to the upholstery fabric throughout each screen.

1352

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with previous seller’s sticker to underside.

1353

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. Scattered losses to the pigment and gilding throughout the sculpture. Likely previously mounted and there are losses to the wood pedestal verso.

1354

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1355

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. A few scattered chips to the edges of each lid. As well, each with heavy rubbed wear to the enameled decoration causing some imagery to be hard to decipher.

1356

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each jar drilled for wiring. Wiring should be checked by a qualified electrician prior to use foe each. Moran’s does not guarantee the working condition of electronic equipment.

1357

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

1358

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

1359

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with more concentrated scratches to seats and lightening to the finish near the top rails. One chair with stamped lettering to the seat surface in an area measuring 9” x 1”. Marked with chalk to the undersides.

1360

Visual: Overall good condition. Slight dust accumulation, occasional specks of grime, and very fine craquelure throughout, all commensurate with age. Frame abrasion showing on the upper left edge. The canvas has been relined.

Blacklight: Areas of touchup in the lower left quadrant, the largest measuring 1” H x 1.5.”

Frame: 26.75” H x 22.75” x 2.5” D

1361

Visual: Overall good condition. Dust accumulation, grime, and varnish discoloration.

Blacklight: Scattered clusters of spots of touch-up throughout the sails of the ship.

Frame: 32.25” H x 56.25” W x 3.5” D

1362

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. The base with scattered scuffs, scratches, and nicks, concentrated at junctures and with a few small chips at edges. The glass case with light scratches, scuffs, dust accumulation, and one 1” area of adhesive residue. Includes key and ball. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1363

Overall good condition with minor wear, scuffs, and light scratches commensurate with age. Scattered hairline cracks to several of the glass petals throughout. The drop chain and ceiling flush mount are likely later added. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

1364

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with scattered scuffs and scratches throughout the leather upholstery, One dime-sized stain to the leather on one of the cushions of the sofa.

1365

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. There are a few scattered more prominent knicks to the front of the cabinet.

1366

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. There are scattered nicks and breaks to the faux finish throughout, exposing the wood beneath.

1367

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered areas of rubbed wear and nicking to the leather surface throughout. The key accompanies this lot.

1368

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. One sculpture with a bolt missing and the left rear hoof is loose from the base, causing the horse to wobble.

1369

Overall fair to good condition with scattered scuffs, light scratches, rusting, and oxidation commensurate with age. Allover oxidation with scattered stains from outdoor storage. The torch is separated from the handle. Some chipping bottom of glass shade. Wiring should be checked by a qualified electrician prior to use. Likely needs to be rewired. Moran’s does not guarantee the working condition of electronic equipment.

1370

Each overall good condition with wear, dust accumulation, and minor scuffs and scratches commensurate with age.

1371

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Several plates with chips to the rim.

1372

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. The stone with inherent surface-reaching fractures and inclusions. Scattered minor chips and rubbed wear to the wood base.

1373

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1374

Visual: Overall good condition. A very slight 4.5” H x 0.5” surface scuff with attendant pigment loss in the lower right corner above the signature. A shallow canvas dimple towards the center of the upper edge.

Blacklight: No evidence of restoration.

Frame: 44.25” H x 68.5” W x 2.75” D

1375

Visual: Overall generally good condition. Dust accumulation, dirt, and occasional specks of grime commensurate with age. Very fine and occasional craquelure in the upper left quadrant. Artist pinholes in three places along the upper edge, and one pinhole in the lower right corner. Scattered flecks of white paint primarily in the upper half of the painting.

Blacklight: No evidence of restoration.

Blacklight: 31” H x 27.25” W x 4” D

1376

Visual: Overall good condition. Dust accumulation, occasional specks of grime, and fine craquelure, all commensurate with age.

Blacklight: No evidence of restoration.

Frame: 25.5” H x 28.75” W x 4” D

1377

Visual: Overall good condition. Dust accumulation commensurate with age.

Blacklight: No evidence of restoration.

Frame: 13.5” H x 17.5” W x 1.5” D

1378

Visual: Overall good condition. Dust accumulation and occasional craquelure commensurate with age. Stretcher bar creases and occasional frame abrasion in places along all four edges, the latter with attendant small pigment losses, rice-sized or smaller.

Blacklight: No evidence of restoration.

Frame: 18” H x 14” W x 1.5” D

1379

Overall good condition. Very pale light staining. Not examined out of the frame.

Framed under glass: 21.25” H x 18.5” W x 1” D

1380

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The brass with some darkening around recessed details. The glass with minor scratches, two more prominent measuring 2-3” long. The support wings on one side are slightly loose at their junctures.

1381

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Localized areas of water damage and tidelines to the base. As well, there is debris, soiling, and dust throughout the felt tabletop. Likewise, the tabletop screen printed lettering and lines of demarcation with fading and wear from use. Localized areas of abrasion to the felt surface throughout. The dice and dice stick do not accompany this lot.

1382

Visual: Overall good condition. Dust accumulation and grime commensurate with age. The canvas is relined.

Blacklight: Areas of touch-ups throughout. Older areas of touch-ups throughout the background sky, the tree on the right, and village on the left. Areas of newer touch-ups in the figures and cows. A 2.5” H x 2.5” t-shaped canvas repair and and attendant touchup in the lower left quadrant between the cows.

Frame: 35.75” H x 45.75” W x 4.25” D

1383

Overall good condition. Dust accumulation, grime, and varnish discoloration commensurate with age. Very fine craquelure throughout, primarily in the tree foliage, and darker pigments, in the upper and lower right quadrants.

Blacklight: A 0.5” H x 0.5” W area of repair and touch-up in the lower left corner. A 1.25” horizontal repair, in the upper center, verso. The artist’s initials have been strengthened.

Frame: 30.75” H x 43.5” W x 3” D

1384

Visual: Overall good condition. Scattered craquelure.

Blacklight: Touch-up attendant with a skillfully repaired 1” V-shaped tear in the clump of trees on the bank at right. Two horizontal areas of touch-up along the upper edge, one measuring approximately 2” near the upper left corner and the other measuring approximately 4” near the upper right corner.

Frame: 20” H x 25” W x 3” D

1385

Visual: Dirt, specks of grime, slight darkening, and minor varnish discoloration, all commensurate with age. Craquelure throughout, primarily showing in the sky. A pinhead-sized puncture in the upper edge, at center.

Blacklight: No evidence of restoration.

Unframed

1386

Dust accumulation, dirt, specks of grime, varnish discoloration, and fine craquelure, all commensurate with age. A pea-sized reverse pressure mark in the lower right corner. Scattered areas of staining to the canvas, verso. The canvas has been strip lined.

Blacklight: No evidence of restoration.

Frame: 36.5” H x 56.5” W x 3.5” D

1387

Visual: Overall good condition. Dust accumulation, dirt, specks of grime, varnish discoloration, and minor darkening, all commensurate with age.

Blacklight: No evidence of restoration.

Frame: 18” H x 12.5” W

1388

Overall good condition. The colors fresh. Not examined out of the frame.

Framed under glass: 32.25” H x 40.75” W x 2.5” D

1389

Each overall good condition and structurally sound with the appropriate patina, soiling, scratches, and rust to the nails, and brittleness to fabrics commensurate with age. The smaller figure lacking spear and with adhesive rubber feet applied to underside. The larger with one rubber foot applied to underside and mounting wire twisted around one of the nails.

1390

Overall good condition. Slight dust and dirt accumulation commensurate with age. A 5” vertical band of orange stray pigment in the left margin, at center. The cloth is framed floating and secured in a double-sided acrylic frame.

Framed under acrylic: 51.5” H x 40.5” W x 1” D

1391

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. One jar with a repair to juncture of the finial and another possible repair to the foot.

1392

Overall good condition with tarnishing and scratches commensurate with age. Weight does not include hollow-handled items.

1393

Each overall good condition with shelf wear, scattered minor scuffs, dust accumulation, and inherent firing flaws commensurate with age. One saucer with 2.75” crack from rim to center, one saucer with 1.75” crack from rim towards center. One saucer with small area of sticky residue to underside. One bowl with previous retailer’s sticker to underside.

1394

Overall good condition with tarnishing and light scratches commensurate with age.

1395

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the selvedge and fringe edges, areas of heavier wear to the pile, several areas of repair, the largest measuring 6” by 6” approximately, patching to the verso, scattered small holes, areas of soiling, and the fringe edges have been cut down.

1396

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: small areas of red staining, scattered pulled threads, and the fringe edges have been cut down.

1397

Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. As well, each with scattered fleabite chips to the edges and inherent inclusions.

1398

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1399

Each overall fair to good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with multiple cracks and separations at the junctures to the interior and exterior inherent to the production process. One lion with a pinhead-sized spot of oxidation to the glaze on the upper left leg, recto. Possible repair to one lion as it appears to have been re-adhered to the porcelain base with an adhesive.

1400

Visual of each: Dust accumulation, dirt, occasional specks of grime, craquelure throughout, surface scratches, pea-sized or smaller areas of scattered pigment loss, small areas of raised surfaces attendant with touch-ups, and minor frame abrasion, all commensurate with age.

Blacklight of each: Scattered pea-sized areas of touchup, primarily in the figure’s faces.

Frame of each: 13.5” H x 9.5” W x 0.5” D

1407

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe edges that have been cut down, as well a localized area of heavier wear with several repairs, scattered loose threads. The rug is slightly out-ofsquare.

1408

1401

Overall good condition with tarnishing and light scratches commensurate with age. Some items with more tarnishing than others. One spoon with incised personalization “Frank Davis,” one with monogram “M.”

1402

Each overall good condition with light scratches commensurate with age. The boxes in overall good condition with minor shelf wear. Fraying to ribbon ends, one with pulled threads.

1403

Each overall good condition with tarnishing and light scratches commensurate with age. The tray with more tarnishing to underside.

1404

Each overall good condition with tarnishing and light scratches commensurate with age. One monogrammed to interior.

1405

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear the selvedge and fringe edges, several possible repairs, scattered areas of heavier wear throughout, several areas of abrash and minor soiling, and the fringe edges have been cut down.

1406

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered area of abrash throughout, several areas of soiling, and wear to the selvedge and fringe edges. Lastly, the fringe edges have been cut down.

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: heavy fading throughout, heavier wear to the pile in localized areas, areas of abrash, wear to the selvedge and fringe edges and the fringe edges have been cut down.

1409

Visual: Grime, varnish discoloration, and craquelure throughout, all commensurate with age. Small areas of surface abrasion scattered in the extreme edges. A shallow 3” vertical surface scratch from the center of the upper edge down along the hair of the figure. Pinhead-sized surface abrasions with attendant pigment loss near each corner, with the largest area being a 1” H x 1.5” W cluster to the left of the figure’s head. Faint scuff marks with some pigment loss in the upper right quadrant, near the figure’s head. The canvas has been relined.

Blacklight: Scattered spots of old and newer touchups with the largest being a quarter-sized spot in the right forearm of the figure.

Frame: 39.75” H x 32.5” W x 4” D

1410

Visual: Dust accumulation and grime commensurate with age. A few spots of pinhead-sized flecks of gold pigment throughout. A 0.5” vertical scratch with commensurate pigment loss towards the center of the lower edge. A faint, unobtrusive 3” W horizontal surface scratch through the face of the male figure.

Blacklight: No evidence of restoration. Slight varnish dripping in the center of the work.

Frame: 13.5” H x 16.5” W x 1.5” D

1411

Visual: Overall good condition. Very slight dust accumulation and grime commensurate with age.

Blacklight: No evidence of restoration. Uneven varnish application.

Frame: 21.5” H x 19” W x 3” D

1412

Visual: Overall good condition. Dust accumulation and grime commensurate with age. Craquelure scattered throughout, showing mostly in the upper portion of the seated figure. Specks of pigment loss in the upper right corner.

Blacklight: Areas of touch-up throughout. Difficult to read under heavy varnish.

Framed under glass: 28” H x 37.5” W x 2.5” D

1413

Each overall good condition with minor scuffs and darkening/oxidation to the metal commensurate with age. The gilt paint applied all-over each figure appears to be later added as the original leaf gilding and underlying bole layer are evident on the underside of each figure’s shoes. Similarly, there are losses to the gilt painted surface throughout each figure. As well, there are losses to each figure, primarily concentrated in the area of the feet.

SPECIALISTS

President, Auctioneer

John Moran Auctioneers, Inc

Head of Sale, Senior Specialist, Furniture & Decorative Arts

Senior Vice President, Director Trusts & Estates

Vice President, Silver, Western, and American Indian Specialist

Director, Fine Art

Specialist, Post-War & Contemporary Design

Vice President, Specialist, Silver, Western, and American Indian

Associate Specialist, Fine Art

Department Administrator, Fine Art

Department Administrator, Furniture & Decorative Arts

Silver, Western and American Indian Cataloguer

Cataloguer, Fine Art

Cataloguer, Fine Art

Cataloguer, Fine Art

Cataloguer, Furniture & Decorative Arts

Cataloguer, Furniture & Decorative Arts

Silver, Western, & American Indian Cataloguer

Director, Jewelry & Watches

Senior Specialist, Jewelryc& Watches

Regional Representative, Arizona

CLIENT SERVICES

Office Manager

Client Services

Finance Administrator

Client Services

OPERATIONS

Vice President, Business Director, Auctioneer

Finance & Human Resources Director

Consignment Coordinator

Warehouse Supervisor, Senior Art Handler

Transport Supervisor, Senior Art Handler

Art Handler

Art Handler

MARKETING

Director, Advertising & Marketing

Brenda Smith

Graphic Designer

PHOTOGRAPHY

Photographer

Photographer

Photographer

Photography Assistant

TRUSTS & ESTATES

Director, Appraisals

Administrator, Appraisals

Administrator, Trusts & Estates

FOUNDERS

Founder

Co-Founder

Jeffrey J. Moran

Angela Past

Morgana Blackwelder, ISA AM

Maranda Moran

Jenny W ilson

Matthew Grayson

Maranda Moran

Bobby Cullen

Ian Anderson

Alek Ellis

Sally Andrew

Anne Spink

Madison Ari

Clark Silva

Sarah Beaver

Grant Stevens

Sally Andrew

Tom Burstein

Peggy Gottlieb

Deborah Davis

Mario Esquivel

Ella Fountain

Jamie Holthauser

Bryan Ortega

Stephen Swan

Maha Darwish

Jean Rapagna

Richard Corral

Joe Miranda

Joseph Corcoran

Romero Corral

Nathan Martinez

PR Manager/Social Media

Brian Olivas

Keith Berson

Madison Torres

Michael Mizerowski

Jacob Baer

Mariam Whitten, ISA AM

Shannon Dailey

Melissa Brownell

John H. Moran (1942-2017)

Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS:

BUYER’S PREMIUM is calculated at 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 - $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments

$500 - $950 @ $50 increments

$1,000 - $1,900 @ $100 increments

$2,000 - $4,750 @ $250 increments

$5,000 - $9,500 @ $500 increments

$10,000 - $19,000 @ $1,000 increments

$20,000 - $47,500 @ $2,500 increments

$50,000 - $95,000 @ $5,000 increments

$100,000 - $190,000 @ $10,000 increments

$200,000 - $480,000 @ $20,000 increments

$500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

AUCTION HOUSE AS AGENT

Conditions of Sale

Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION

(a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

(b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

(c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION

(a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording.

(b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment.

(c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive.

(d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

(e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION

(a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full.

(b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service

(c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date.

(d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee.

(e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY

(a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot.

(b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability.

(c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

(d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

(e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase.

(f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS

(a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

(b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California.

(c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.

(d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.