The Traditional Collector Wednesday, December 16, 2020
The Traditional Collector Wednesday, December 16, 2020—12pm Sale 178 145 East Walnut Avenue, Monrovia CA 91016 Private Previews Available By Appointment
Meet the Team Roland Rynkiewicz Head of Sale, Vice President Furniture & Decorative Arts Director roland@johnmoran.com
Morgana Blackwelder Senior Vice President Fine Art Director morgana@johnmoran.com
Shannon Dailey Furniture & Decorative Arts Cataloguer shannon@johnmoran.com
Mike Hook Fine Art Cataloguer mike@johnmoran.com
Client Services Mario Esquivel Office Manager mario@johnmoran.com Ella Fountain Client Services ella@johnmoran.com
Hoofrish Patel Client Services hoofrish@johnmoran.com
1001
A Buccellati sterling silver three-leaf centerpiece
Third-quarter 20th Century, Italy Stamped: Buccellati / Italy / Sterling In the form of three large maple leaves issuing a branch-form handle 4.5” H x 17” W x 13.5” D 40.54 oz. troy approximately $2,500-3,500
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1002
A Buccellati sterling silver domino set
Late-20th Century, Italy Each stamped: Buccellati / Sterling / Italy Each with black enamel dots in branded wooden box, 28 pieces 1.875” H x 3.875” W x 2.375” D Weighable sterling: 24.975 oz. troy approximately $1,500-2,500
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1003
A partial Herend “Rothschild bird” porcelain dinner service
Second-quarter 20th Century Each stamped: Hand Painted / Herend / Hungary With varying motifs of colored insects and birds depicting the legend of the Rothschild Bird, scalloped basketweave edges, and gilt detailing, comprising 8 saucers #734 (5.75” Dia.), 8 footed tea cups #734 (2” H x 4.875” Dia.), 8 cream soup saucers #743 (7.125” Dia.), 8 footed cream soup bowls #743 (2.125” H x 6.75” Dia.), 8 bread and butter plates #1515 (6” Dia.), 6 salad plates #1518 (7.5” Dia.), 8 dinner plates #1524 (10.125” Dia.), 2 dessert plates #1520 (8.125” Dia.), 56 pieces $1,200-1,800
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1004
Louis Icart
(1888-1950, French) “Gust of Wind (Coup de vent),” 1925 Etching and aquatint with touches of handcoloring on paper under glass, Les Graveurs Modernes, Paris, pub. Edition 157/500, signed in pencil lower right: Louis Icart, numbered and blindstamped lower left, copyright and date in plate Sight: 22.25” H x 18.75” W $600-800 Literature: Holland, Catania & Isen, 235
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1005
A vintage Louis Vuitton leather travel trunk
Second-quarter 20th Century Label: Asnieres S/Seine / Louis Vuitton / Paris - 70 Champs Elysees / Nice 4 Jardin Public / Lille - 34 Rue Faidherbe / London - 149 New Bond St With tan leather exterior, white linen interior with jacquard branded strapping, branded brass tacking, brass hardware, and “LV” branded lockplates, personalized with “W” on each side 21.5” H x 24” W x 18.75” D $700-900
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1006
An Art Deco Puiforcat “Etchéa” silver plate and rosewood tea and coffee service
Circa 1927-1928 Each stamped: Puiforcat / France Designed 1928 by Jean Elysee Puiforcat (1897-1945, French) featuring rosewood handles and metal pearl embellishments each with slip-lock covers, comprising a coffee pot (5.125” H x 4.875” Dia.), a teapot (3.875” H x 4.875” Dia.), a cream jug (3.25” H x 2.75” Dia.), a covered sugar bowl (2.875” H x 4.25” Dia.), and undertray (1.5” H x 28.125” W x 15.75” D) with an additional covered sugar bowl with rosewood knob from a set designed in 1927 (4.75” H x 4.25” Dia.), 6 pieces $3,000-5,000
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1007
A set of Lalique “Roxane” stemware
Third-quarter 20th Century Etched to base: Lalique Æ / France Clear crystal glasses featuring a frosted detail of two entwined figures on the stem and scalloped beveling on the base of the chalice, comprising 14 fluted champagne glasses (8.75” H x 2.875” Dia.), 14 tall water goblets (8.375” H x 3” Dia.), 13 water goblets (7.875” H x 2.75” Dia.), and 1 bordeaux wine glass (6.875” H x 3” Dia.), 42 pieces $1,000-2,000
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1008
Gerald Festus Kelly
(1879-1972, English) “Portrait of Sasha” Oil on canvas Appears unsigned, titled on the right tacking edge Canvas: 31.75” H x 26” W; Sight of oval presentation: 27.5” H x 19.25” W $3,000-5,000
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1009
A pair of Oscar Bach-designed cast-bronze candlesticks
Second-quarter 20th Century Stamped: The Segar Studios N.Y. Each patinated bronze candlestick with a reticulated circular base featuring figural mask and foliage motifs and a hammered-style column with reticulated bird decoration, 2 pieces 17.75� H x 8.75� Dia. $400-600
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1010
A Mount Joye (Legras & Cie) gilt-bronze mounted vase
First-quarter 20th Century Marked: France With a green and clear art glass cylinder vase with an acid cut-back floral motif, mounted in a gilt-bronze Art Nouveau-style frame 14.75� H x 6� Dia. $400-600
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1011
A Tiffany Furnaces Favrile glass bud vase
Circa 1920-1924 Stamped: Louis C. Tiffany Furnaces Inc. / Favrile / 170 With green pulled feather ribbed floriform body on brass base with multicolored enamel detailing 12.625� H x 3.375� Dia. $1,000-1,500
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1012
Eight L.C. Tiffany Favrile glass goblets
Late 19th Century Marked: L.C.T. Favrile With blue, yellow, and pink coloring on balustrade-form stem, 8 pieces 3.75� H x 3� Dia. $1,200-1,800
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1013
A three-piece L.C. Tiffany Favrile console set
First-quarter 20th Century Each initialed: L.C.T. Comprising two candlesticks with twisted standards together with a floriform low bowl, each designed of Favrile glass, 3 pieces Each candlestick approximately: 5.25” H x 3.75” Dia.; Bowl: 1.5” H x 6” Dia. $600-800
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1014
A Tiffany Studios counter balance lamp with Favrile glass shade First-quarter 20th Century Base signed: Tiffany Studios / New York / 417; shade signed L.C.T. Favrile in fitter rim Bronze counter balance base with gold iridescent glass shade 16.25” H x 5” W x 10.75” D $4,000-6,000
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1015
A Tiffany Studios ten-light lily table lamp, No. 381
First-quarter 20th Century Base marked: Tiffany Studios #381 The patinated bronze base designed with lily pads issuing ten fluted floral-form Favrile shades with undulating edges, comprising five Louis Comfort Tiffany shades and six modern replacement shades 21� H x 15.75� Dia. $6,000-8,000
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1016
A Persian Tabriz area rug
Fourth-quarter 19th Century Wool on cotton foundation, with a central medallion and floral patterning on salmon field 175� L x 143� W $12,000-18,000
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1017
A pair of Persian Tabriz rugs
Mid-20th Century Wool on silk foundation, with central medallion and floral patterning on ivory field, 2 pieces Largest: 116� L x 72� W $6,000-8,000
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1018
A Persian Tabriz area rug
Mid-20th Century Wool and silk on silk foundation, with paisley designs on ivory field 190� L x 135� W $10,000-15,000
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1019
A near-pair of Persian Tabriz Mahi rugs
Second-half 20th Century Wool on cotton foundation, with central medallions and floral patterning, 2 pieces Largest: 51� L x 32� W $1,000-1,500
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1019A
A French marble top cabinet
Late-19th/early-20th Century The marble-topped single-door cabinet with gilt-bronze mounts and painted Sevres-style porcelain plaques enclosing one shelf 42.5” H x 30” W x 16” D $4,000-6,000
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1021
A French Louis XV-s
First-half 19th Century Interior of carton signe L. Cordier / 9, Rue de l Topped with marble an cartonniers enclosed in cabinet on slightly outs 62” H x 38.5” W x 14” $1,500-2,500
1020
A Louis XV-style extendable dining table
Late-19th/early-20th Century The round table with brass mounts to the rim adorning the apron and legs, with an extendable panel Extended: 30.5” H x 63” W x 48” D; Closed: 30.5” H x 48” Dia. $2,000-3,000
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style bronze-mounted cartonnier
ed: Reliure - Cartonnage / la Cloche - Doual / No. nd issuing sixteen leather and board n a veneer and gilt bronze-mounted swept feet �D
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1022
A pair of Louis XV-style giltwood wall mirrors
Late 19th/early 20th Century Each hand-carved mirror with openwork modified basket design to top flanked by cranes and adorned with garlands enclosing an oval mirror with replacement glass, 2 pieces Each approximately: 44” H x 25.75” W x 4” D $1,500-2,000
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1023
A tall Sèvres porcelain urn
19th Century The cobalt blue vase with applied gilt swags, floral garlands, and musical instruments centering a painted panel that wraps around the belly of a courting couple in an overgrown landscape 35.5” H x 9.5” Dia. $3,000-5,000
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1024
A pair of French bronze wall sconces
First-quarter 20th Century Each with a column adorned with leaves, a foliate finial, and a draping central festoon, issuing two curving arms emerging from fanned foliage and each terminating in a stylized torch capital with a light socket, surmounted by a decorative lidded urn with draped festoons, electrified, 2 pieces 29” H x 21” W x 10” D $2,000-3,000
1026
A bronze-mounted malachite box
20th Century With rounded top, malachite veneer, and bronze lid latch, strapping, and corner bumpers 6” H x 7.375” W x 5.5” D $600-800
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1025
A monumental malachite and gilt-bronze urn
20th century With a fluted gilt-bronze open-work gallery and acorn finial set atop figures of the Three Graces resting on a circular malachite veneer plinth set with gilt-bronze floral swags and medallions 34.5� H x 15.625� Dia. $8,000-10,000
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1027
Small sailboat near a rocky coastline
Late 18th/early 19th Century Continental School Oil on canvas laid to canvas Signed on the stretcher in pencil: George Moreland 18.25� H x 24.5� W $2,000-3,000
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1028
Sailboats in a rough harbor
Mid-19th Century Dutch School Oil on board Initialed and dated lower right: P.S. / 1860 10.5” H x 13.75” W $600-800
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1029
A Buccellati sterling silver octopus centerpiece Second-half 20th Century, Italy Stamped: Buccellati / Italy / Sterling With a naturalistically modeled octopus joining two open shells raised on six small shell-form feet 6” H x 16” W x 10” D 66.525 oz. troy approximately $10,000-15,000
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1030
A Buccellati “Empire” sterling silver lidded ice bucket
Third-quarter 20th Century, Italy Stamped: Buccellati / Sterling / Italy With stylized acorn finial over a widening lid set into a bulbous body flanked by swan handles modeled with scrolling necks and further adorned with acanthus leaf trim raised overall on a widening knopped base 12” H x 12” W 102.96 oz. troy approximately $6,000-8,000
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1031
A French gilt-bronze figural mantel clock
First-half 19th Century Mechanism stamped: 3903 Depicting the birth of Venus attended by two mer-putti blowing conch shell horns over a water-form body set with porcelain hour markers issuing two dolphins and flanked by sea horses raised on a rocaille and scrolling base, with pendulum and keys 22” H x 19.5” W x 8” D $1,500-2,500
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1032
Mathurin Moreau
(1822-1912 French) “Psyche” Gilt-bronze on marble plinth Signed: Moreau Math Scpt; Titled to marble base 21” H x 8” W x 6.75” D $1,800-2,200
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1034
A Roman molded-glass sauce bowl
Roman Empire, 1st century CE The ribbed bowl in blue-colored glass cast with concave base and twelve radiating ribs around the waist 1.75” H x 4” Dia. $600-800
103
An Ed
First-qu The bro with ma enclosi 73.5” H
$1,800
1033
A French marble and bronze tazza
19th Century Attributed to Barbedienne Centering a frieze of wisdom triumphing over violence surrounded by the inscription: La Violence Vaincue par la Sagesse, raised on a patinated and gilt-bronze tripodal base with female mask and acanthus leaf design 14” H x 14.5” Dia. $1,500-2,500
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dwardian Neo-classical curio cabinet
uarter 20th Century oken pediment over a demi-lune glazed cabinet arquetry veneer on squared tapering feet ing three glass shelves, electrified, with key H x 49� W x 16� D
0-2,500
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1036
A pair of Persian Qum hanging rugs
Third-quarter 20th Century Each silk on cotton foundation, centering a hunting scene surrounded by couplets about hunting, 2 pieces Each: 61.75� H x 43� W $3,000-5,000
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1037
A handwoven Savonnerie-style carpet
Second-quarter 20th Century Wool on cotton foundation, with floral designs on ivory field and mauve borders 216.5� L x 143� W $2,000-3,000 Provenance: Estate of actress Nora Dodo Denney
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1038
A large Persian area rug
First-quarter 20th Century Wool on cotton foundation, with floral pattern on blue field 305� H x 212� W $3,000-5,000
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1039
A Persian Nain area rug
Second-half 20th Century Wool and silk on silk foundation, with central floral medallion on ivory field 131� L x 86� W $1,500-2,500
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1040
A Chinese nephrite jade cup with cover
18th/19th Century The light green nephrite cup with tapering sides on a raised foot with a similarly carved lid 3.5” H x 3.75” Dia. $800-1,200
1041
A pair of Chinese green nephrite bowls
20th Century Each with wide rim tapering to a ring foot with presentation boxes and wood stands, 2 pieces Each: 3” H x 8” Dia. $2,000-3,000
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1042
A Chinese glazed white earthenware bowl
Possibly Song Dynasty With incised decoration to the interior glazed with a thick white glaze that drips down the exterior 2.5� H x 6.75� Dia. $1,000-2,000
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1043
A pair of Chinese porcelain table screens
First-quarter 20th Century Each centering a round porcelain plaque of a mountain scene with inscription enclosed in a carved hardwood frame, 2 pieces Each approximately: 25” H x 20” W x 7.125” D $800-1,200
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1044
Antique China Trade painting of boats on a lake 19th Century Continental School Oil on canvas laid to canvas Unsigned 18” H x 24” W $3,000-5,000
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1045
Antique China Trade painting of boats on a river 19th Century Continental School Oil on canvas laid to canvas Appears unsigned 18” H x 24” W $3,000-5,000
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1046
A Chinese export French-style automaton clock
First-quarter 20th Century Signed to mechanism: Cheon S’Nag Comton Painted and enameled face with Roman numeral hour markers set in a decorative case with pineapple finial, mechanized leaves, tiered rotating figural merchant and animal scenes on four elaborate scrolled feet Clock: 34” H x 12.75” W x 8.5” D $30,000-50,000 Provenance: Private Collection, Los Angeles, CA
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1048
A François Linke two-tier pastry table
Fourth-quarter 19th Century Signed: Linke The parquetry-veneered top self framed with gilt-b mounts issuing two scrolled handles over a widenin complementary under shelf over a rocaille and flor swag-mounted apron supported on cabriole legs 35.75” H x 39” W x 22.375” D $10,000-15,000
1047
A French polished brass gueridon table
First-quarter 20th Century The onyx top over a beaded and fluted apron raised on columnar legs joined by a glass-lined undershelf and knot stretcher 32.125” H x 18.75” Dia. $1,200-1,800
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bronze ng ral
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1049
A François Linke marquetry commode
Fourth-quarter 20th Century Signed to one mount: F. Linke The puddingstone marble top over two long drawers with floral marquetry veneer and giltbronze mounts raised on slightly outswept legs 35.75” H x 46” W x 20” D $8,000-12,000
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1051
A framed KPM plaque
Circa 1837-1844 Stamped: K.P.M. / 105 73 With a portrait of a lady with pink flowers in her hair in a gilt passepartout frame with grey velvet moulding 4” H x 2.75” W $600-800
1050
A French gilt-bronze mounted Japanese lacquer encrier
Meiji period: 1868-1912 Signed for MB Millet With two gilt-bronze lidded inkwells with lacquered exteriors and a scrolling foliate gilt-bronze pen rest set on a lacquered tray featuring an architectural scene with a gilt-bronze foliate base 5.25” H x 8.25” W x 8.5” D $1,200-1,800
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1052
1053
Late 19th/early 20th Century Apparently unsigned After “Countess Sophie Potocka” by Elizabeth Louise Vigee-LeBrun (1755-1842 French) enclosed in a giltwood frame Plaque approximately: 4.75” H x 6.75” W; Frame: 14” H x 10.25” W x 2.5” D
Late 19th/early 20th Centur Each signed: Le Brun The celeste blue set with ha couples, comprising ten pla Each plate: .5” H x 8.5” Dia
A framed painted porcelain portrait plaque
$800-1,200
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A Sèvres-style dessert s
$1,800-2,200
set
ry
and-painted friezes of flowers and courting ates and one oval platter, 11 pieces a.; Platter: 1.75” H x 14.25” W x 9.75” D
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1054
A Louis
Late 19t The carv work me adorned rectang 62” H x
$600-80
1056
A French Louis XVI-style ladies desk
First-quarter 20th Century The inset leather top framed by wood veneer over a single long drawer with tapering gilt bronze-wrapped legs joined by a stretcher bar 30.5” H x 40” W x 21” D $800-1,200
1055
A pair of Louis XVI-style giltwood fauteuils Late 19th Century With carved gilt wood and floral carvings at the crest rail, 2 pieces 43” H x 12” D x 27.5” W $1,500-2,500
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s XVI-style giltwood wall mirror
th/early 20th Century ved floral cornice with a circular openedallion atop a carved rectangular frame d with scrolls and rocaille enclosing a gular mirror x 37� W x 2� D
00
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1057
In the style of Jean-Marc Nattier
(1685-1766, French) Portrait of Anne Henriette of France playing the violoncello (1727-1752) Oil on canvas Appears unsigned 46” H x 36” W $2,000-3,000 Notes: Anne Henriette of France was a French princess, the twin of Louise …lisabeth of France, and the second child of King Louis XV of France and queen consort Marie Leszczynska.
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1058
A pair of malachite violin-form table lamps
20th Century Each single-light lamp over a violin-form standard of malachite inlay with brass “strings” and inlayed F-holes raised on a brass base, 2 pieces Stands: 25.25” H x 7.25” W x 6.25” D; Shade: 14” Dia. $1,500-2,000
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1059
A KPM porcelain plaque
Circa 1837-1844 Stamped: K.P.M.; Back inscribed: Vetalin is Angelika Kauffman / Dresden After Angelika Kauffman’s Portrait of a Lady as a Vestal Virgin (1781-1782) 15.5” H x 10” W $2,500-3,500
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1060
A French Goldsmiths & Sons Carriage clock
19th Century Dial: Goldsmith and Co., London/Paris; Movement: impressed Glazed brass case, white enamel dial with Roman numerals, two train movement sticking in the hour and the half hour, repetition button to top 7” H (handle up) x 3.5” W x 3.25” D $500-700
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1061
A Chinese hongmu wood center table
19th Century Hongmu wood construction, the circular top centering a round inset marble panel and radiating six fan-shaped marble panels enclosed in a carved wood frame with meandering design over six fluted legs joined by a knotted stretcher terminating on fluted slightly outswept feet 32.5� H x 45� Dia. $6,000-8,000
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1062
A Chinese dark wood altar table
19th Century Signed to underside With rectangular top over a carved apron raised on post legs joined by a carved stretcher 33” H x 41.5” W x 26” D $800-1,200
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1063
A Chinese blue and white glazed vase Late Ming period Signed to base with double ring The wide-rimmed vase with knopped body flanked by slender rectangular handles with dragon motif throughout together with a carved wood base Vase: 7.25� H x 5.125� Dia. $2,500-3,500
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1064
A Chinese vase with dragon motif
First-quarter 20th Century Signature to bottom Designed with ring handles flanking carved and polychrome glazed body with raised dragon frieze enhanced by applied eyes 7.5” H x 5” Dia. $500-700
1065
A Persian Nain Todesh
First-half 20th Century Wool on cotton foundatio medallion and floral patte 93” L x 62” W $4,000-5,000
76
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h area rug
on, with central erning on cobalt field
w w w. j o h n m o r a n . c o m
77
1066
A Persian Nain Todesh area rug
Second-half 20th Century Wool and silk on silk foundation, with central medallion and floral patterning on cobalt field 99� L x 60� W $4,000-5,000
78
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1067
A Persian Nain area rug
Second-half 20th Century Wool and silk on silk foundation, with central floral medallion on ivory field 123� L x 83� W $1,500-2,500
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79
1068
A Turkish silve
20th Century Stamped: Harun With applied leaf 5.5” H x 18.25” W 65.205 oz. troy a $1,500-2,500
1069
A Moroccan-style low table 19th Century Designed elaborate geometric inlay patterns throughout 13.25” H x 37.75” Dia. $600-800
80
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er footed oval centerpiece bowl
Kara / 900 f and bead decoration and scrolled acanthus feet W x 9.25� D approximately
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81
1070
An Indo/Persian gold foil repoussé plaque
Approximately 7th/8th Century C.E. Partially complete repousse plaque depicting stylized ibex in four cartouches and chevron geometric motif, torn in three parts 14.25” H x 3.5” W $3,000-5,000
82
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83
1071
A pair of large malachite obelisks
20th Century With malachite veneer on tiered pedestal bases, 2 pieces 31” H x 6.375” W x 6.375” D $2,000-3,000
1073
A Louis Sauvageau French figural bronze clock
19th Century Signed to base of sculpture: Sauvageau / Movement signed: Japy Frères With a Japy Frères movement featuring a white painted metal dial with black Roman numeral hour markers and minute track, two train movement, beaded gilt-bronze bezel, dial 3.75” Dia., surmounted by a patinated bronze seated Egyptian Revival-style woman with a bird and a fan amid gilt palm trees and flowers on a gilt-bronze foliate base with scrolled feet 21.5” H x 22” W x 10” D $2,000-3,000
84
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1072
A pair of rock crystal obelisks
20th Century On tiered pedestal bases, 2 pieces 16.5” H x 3.75” W x 3.75” D $2,000-3,000
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85
1074
A French Empire gilt bronze-mounted portico clock
Late 18th/early 19th Century Face signed: Degre Surmounted by a gilt eagle atop a festooned and urn-adorned cornice centering the white enamel face with visible works, Roman numeral hour markers, Arabic seconds and date indices, raised on white and black marble supports on a gilt bronze-mounted base, with winding key 21.5� H x 14� W x 5.25� D $2,000-4,000
86
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1075
A French gilt-bronze clock of Napoleon on horse
Second-quarter 19th Century Inscribed: Souveur au courage malheureu / capitulation 17 Octobre 1805 With a gilt-bronze body, an open dial, two train movement with silk suspension, and French inscription 23” H x 14.75” W x 5.75” D $2,000-3,000
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87
1076
A Nicole Freres Geneve Swiss music box
Fourth-quarter 19th Century Marked: Nicole Freres / Geneve / 46637 or 46632; Comb further twice: Nicole Freres The spring driven mechanism plays one of eight airs with a fixed lever on the left, on the right there are the two operating levers, t of the box with floral marquetry veneer and music motif, the mus together with corresponding table which hold the additional airs side of a sliding writing drawer, 2 items Overall: 41” H x 56” W x 30.5” D $18,000-25,000
88
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marked
winding the lid sic box on either
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89
90
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1077
Attributed to Salomon van Ruysdael (1602/03-1670, Dutch) Figures walking along a country road Oil on panel Signed lower left: S Ruysdael 15.75” H x 19.25” W $3,000-5,000
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91
1078
Albert Saverys
(1886-1964, Belgian) Man fishing in an autumn landscape Oil on board Signed lower left: Saverys 23.5” H x 31.5” W $2,000-3,000
92
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93
1079
A hand-painted wall hanging
19th Century Signed to lower right corner: Bowman Depicting a Baroque figural tavern scene with three seated males and one standing female, smoking and drinking, with ornamental borde on an iron hanging rod with spear finials 63” H x 49” W $1,000-2,000
1081
An Antique Italian terra cotta bust after La Belle Florentine
Circa 1900 Stamped: Dini / e Cellai / Signa / 38; Paper label: U.S. Customs label from the 1915 Panama-Pacific International Exposition The antique Italian polychrome terra cotta bust with gilt details by Dini e Cellai, as a study of La Belle Florentine by a follower of Desiderio da Settignano (14281464), depicting Saint Constance 19” H x 16” W $600-800 Provenance: From the collection of Jim and Carolyn “Penny” Price, Fresno, CA
94
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h
all er
1080
Portrait of a Renaissance-era man holding a knife Mid-19th Century Italian School Oil on canvas laid to canvas Appears unsigned 29.5� H x 24� W $1,000-2,000
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95
1082
A Renaissance-Revival dining suite
First-quarter 20th Century Comprising a sideboard, a buffet, and a dining table and chairs; Each elaborately carved, the sideboard and buffet with three drawers featuring floral and acanthus leaf design with grotesque mask handles, one drawer of each lined with silk, the sideboard with three short cabinets, the buffet with two cabinets flanking a pigeon hole, 15 pieces Sideboard: 50.125” H x 81.5” W x 27.25” D; Buffet: 42.625” H x 60.25” W x 24.875”D; Dining table with leaves extended: 32.5” H x 152” L x 39.5” D; Each armchair: 52.5” H x 28” W x 24” D; Each side chair: 52.25” H x 20” W x 18.75” D $4,000-6,000
96
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97
1083
Fourteen Italian Venetian Murano glass goblets
Late-19th/first-quarter 20th Century Possibly Salviati, each hand-blown goblet with a red chalice and clear knopped stem and base, featuring gilt rims and scrolling decorations with white enamel jeweling, 14 pieces 5.75� H x 3� Dia. $800-1,200
98
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w w w. j o h n m o r a n . c o m
99
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1084
An Easterling “Southern Grandeur” sterling silver flatware service
Mid-20th Century Each stamped for Easterling; Further stamped: Sterling Designed 1944 by James Russell Price, comprising 12 modern hollow-handled knives (8.875”), 12 hollow-handled butter or fruit knives (6.75”), 12 forks (7.25”), 12 salad forks (6.625”), 12 cocktail forks (5.75”), 12 iced tea spoons (7.5”), 24 teaspoons (6”), 12 cream soup spoons (6.375”), 1 dessert/oval soup spoon (7.125”), 1 sugar spoon (6”), 2 table/ serving spoons (8.5”), 1 meat/serving fork (8”), 1 hollow-handled steak fork/carver (8.625”), 1 hollow-handled steak knife/carver (10.25”), 1 jelly spoon (6.125”), 1 butter server (6.875”), 1 gravy ladle (6.5”), 1 tomato sever (8.125”), 1 hollow-handled pie server (9.75”), 1 hollowhandled cake breaker (10.5”), 1 hollow-handled sterling and wood salad serving fork (10.75”), 1 hollow-handled sterling and wood salad serving spoon (10.75”), 123 pieces Weighable sterling: 101.34 oz. troy approximately $1,500-2,500
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1085
An Italian curio cabinet with gilt bronze figurines
17th Century, Florence, Italy The wood case opening to reveal and neo-classical carved wood interior with gilt-bronze statuary and busts that act as drawer pulls with an arrangement of short and secret drawers, lacking key 18” H x 27.5” W x 12” D $3,000-5,000
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1086
An Italian sideboard
18th Century Walnut construction, the rectangular top with rounded corners over a reeded apron flanked by carved columnar-form carvings of female masks and acanthus leaves issuing two short drawers and two single-door cabinets raised on squat paw feet 46” H x 61” W x 23” D $1,000-2,000
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1087
An Italian figural mosaic panel
Fourth-quarter 19th Century Signed: Salviati Attributed to Antoni Salviati, the mosaic panel of a standing Orientalist figure with two pots against an iridescent gold background 38.25� H x 15.75� W $6,000-8,000
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1088
A French figural gilt-bronze table clock
First-quarter 20th Century Movement signed: Samuel Marti, Medaille D’or Paris 1900 Surmounted by a Maenad holding grapes flanked by putti over a clock face set with a white porcelain dial with Roman numeral hour markers and Arabic numeral sub-seconds over a white marble base raised on toupie feet 15.5” H x 11.25” W x 7.75” D $1,500-2,500
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1089
After Claude Michel Clodion
(1738-1814, French) Cherubs with goat Patinated bronze Signed for foundry: Raingo Freres Bronze: 21.25” H x 18” W x 12” D $6,000-8,000
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1090
A patinated bronze statue
Late 19th/early 20th Century Signed: Societe Des Bronzes Depicting a standing Grecian woman 26.25” H x 7.875” W x 6.75” D $1,200-1,800
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1091
A French Louis XV-style kingwoodveneered dresser with mirror
19th Century Adorned with bronze mounts, gadroonin to border, a rocaille lock plate to drawer, book-matched marquetry 57” H x 38” W x 18” D $1,200-1,800
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ng and
1092
A pair of Louis XV-style gilt-bronze candelabras Late 19th/early 20th Century Each with scrolling foliage and floral motifs to base and column, each issuing eight scrolling foliate candle arms terminating in representational flower bud capitals with foliate bobeches, 2 pieces 29” H x 14” Dia. $2,500-3,500
1093
A pair of Louis XV-style pedestal stands
Late 19th/early 20th Century Each with white inset marble top over a gilt bronze-mounted pedestal with floral marquetry inlay adorned with lion’s skin gilt-bronze mounts and raised on paw feet, 2 pieces Each approximately: 49” H x 17.75” W x 18” D $15,000-25,000
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1094
A pair of gilt bronze-mounted Sèvres-style urns
19th Century Each of typical form flanked by scrolled gilt-bronze handles with foliate swags enclosing a blue celeste urn centering a frieze of courtiers at play in a lush landscape on one side and a castle in an overgrown landscape to the other, 2 pieces 31” H x 18” W x 14” D $4,000-6,000
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1095
A pair of gilt bronze-mounted Sèvres-style table lamps
Fourth-quarter 19th Century Each three-light candelabrum converted to a two-light lamp held aloft by a cherub standard resting on a SËvres-style cylindrical support adorned with floral garlands and putti, electrified, 2 pieces 31.5” H x 9” Dia. $1,200-1,800
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10
AD
Firs Ma Am ver /C Fah bas 38”
$60
1096
A French bronze candelabrum
Fourth-quarter 19th Century Featuring a draped cherub holding multi-branch candle arms in a circular formation with acanthus and ivy foliage and floral ornamentation 31” H x 18” Dia. $1,000-1,500
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097
Dollond of London English barometer
st-half 19th Century arked: Dollond / London mahogany bowfronted mercury stick barometer with silvered rnier scale calibrated in barometric inches and labeled “Fair Change / Rain” with vernier setting screw, a thermometer in hrenheit and Reaumur scale, and a vase-style cistern cover to se ” H x 4” W x 3.75” D
00-800
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1098
10
Early-20th Century Dial signed: Chelsea Ship’s Bell / Retailed by: Shreve Crump & Low Co. Boston; Serial number: 780885 The polished brass case with ship’s wheel surround, silver dial with black Arabic numerals, outer minute-track, eight-day two train movement, strikes on the hour and a half, wheel adjustment for slow/ fast, lever for silence, on custom wood base, dial 3.75” Dia. 9” H x 8.5” W x 3.5” D
FirstEach The track for s brass custo 9.5”
A Chelsea ship’s bell clock
$600-800
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A Ch
$1,0
099
helsea ship’s bell clock and barometer
-quarter 20th Century h marked Chelsea clock with a polished brass case, silver dial with black Arabic numerals, outer minutek, eight-day two train movement, strikes on the hour and a half, wheel adjustment slow/fast, lever for silence, on custom wood base; The barometer with a polished s case, silver dial with black Arabic numerals for inches, centimeters, and millibars, on om wood base, 2 pieces H x 13.75” W x 4” D; Dial: 6” Dia.
000-2,000
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1100
Edwin Hayes R.H.A.
(1820-1904, British) Fishing boats in a storm Oil on canvas laid to canvas Signed lower right: Edwin Hayes 12.25” H x 24.25” W $2,000-3,000
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1101
A pair of Matthew Boulton Neo-Classical silver plated wine coolers First-half 19th Century Stamped for Matthew Boulton, Sheffield Each with a krater-form body on a pedestal base featuring beaded rims, gadrooning to base and lower body, reeded handles with leaf joins, and a chased Grecian figural processional frieze decoration, 2 pieces 9.25� H x 9� Dia. $800-1,200
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1102
John Opie
(1761-1807, English) “Portrait of Lady Smith” Oil on canvas laid to canvas Signed and titled on the stretcher: John Opie, with a partial E. Facon Watson, London label affixed to the stretcher 30” H x 25” W $5,000-7,000
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1103
Portrait of Rt. Hon. James Fitzgerald (1742-1835) 19th Century English School Oil on canvas under glass Appears unsigned 24.5” H x 19.5” W (oval presentation) $1,000-2,000 Notes: Inscription verso reads: “Rt. Hon. James Fitzgerald, P.C., M.P., K.C., Prime sergeantat-law in Ireland. His daughter, by his wife, the Baroness Fitzgerald & Veser, was Hon. Mary Geraldine Fitzgerald, who married in 1809, Sir Ross Hahon, 1st Baronet of Castlegar.
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1104
After Guillaume Coustou (1677-1746, French) “Cheval de Marly” Patinated bronze Signed: Coustou 17.75” H x 13” W x 6.75” D $600-800
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1105
A Neo-classical style giltwood wall mirror
Late 19th/early 20th Century Centering a hand-carved applied medallion at the top with a hand-painted p affixed in the center of the gold leaf wooden medallion frame shape adorned and flanked by turned supports 53.75” H x 68.5” W x 4” D $1,000-2,000
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porcelain medallion d with garlands
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1106
Jean Pierre Masier
(1878-1957, French) A male figure and a lion Patinated bronze on a black and white stone base Signed: Masier 29.25” H x 20” W x 9.25” D $800-1,200
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1107
A Guyerdet Aine gilt-bronze clock
Mid-19th Century Signed to dial: Guyerdet Aine Paris With a white porcelain dial with black Roman numeral hour markers and minute track, two train movement, surmounted by a gilt-bronze putto finial with scrolling foliage forming two handles on a metal urn-style body, upon a ornamental gilt-bronze base with floral motifs and two putto figures, on ball feet 22” H x 19” W x 7” D; Dial: 4” Dia. $2,000-3,000
1108
A Japanese bronze brazier
Meiji period: 1868-1912 Signed with Japanese characters The patinated bronze censer with relief narrative panels depicting a samurai fighting a dragon and a bird of prey overlooking a landscape and foliate bonzai handles on a pedestal base with cherry blossom ornamentation, manji symbols, and Seigaiha and Kikko patterning with dragon motifs throughout 10” H x 5.125” Dia. $600-900
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1109
Spanish Colonial depicting Saint Mark the Evangelist Dated in spanish lower left: May 18, 1803 Oil on canvas Indistinctly signed lower left 32� H x 20.75� W $1,000-1,500
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1110
Spanish Colonial depicting Jesus
Late 17th/early 18th Century Spanish School Oil on canvas Unsigned 30.75” H x 22” W $1,000-1,500
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1111
A Continental carved wood figure of Christ as the Man of Sorrows 17th century The standing Christ figure depicted as the Man of Sorrows with right hand raised in benediction with wounds of the Passion made of carved and polychromed wood, with associated stand Figure: 37.325” H x 22” W x 13” D $2,000-3,000
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1112
Three altar panel textiles
First-quarter 20th Century Comprising one with gold thread floral embroidery and scallop fringed edges on tulle base (10.375” H x 130” L approximately), one with gold thread floral embroidery and scallop fringed edges on tulle base with linen backing (10” H x 154” L), and one with gold thread embroidered quatrefoil designs and scallop fringed edges on light salmon base (11.25” H x 126” L), 3 pieces $800-1,200
1113
A pair of altar panels
First-quarter 20th Century Comprising two linen and gold thread alter panels with fleur de lis-style motifs and scallop fringed edges, 2 pieces 10.5” H x 88” L $800-1,200
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1114
A textile vestment
Late 19th/early 20th Century A long ivory and mauve silk vestment with gold threads featuring fleur de lis motifs and floral motifs and tassel edges, embroidered “IHS” 19.25” H x 110” L $800-1,200
1115
A liturgical stole
Late 19th/early 20th Century Designed in white silk with gold thread featuring silk floral designs and tassel edges 11.75” H x 84” L $800-1,200
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1116
A liturgical chasuble
Late 19th/early 20th Century With white silk and gold thread embroidered floral designs 44� L x 28.5� W $800-1,200
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1117
Two liturgical panels
First-quarter 20th Century Comprising two curtain-style panels with gold thread embroidered foliate motifs, one embroidered “IHS” and one with an alpha and omega cross, 2 pieces 53” L x 27” W $800-1,200
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1119
A French Gothic-Revival terra cotta wall shelf
Late 19th/early 20th Century Incised: 4 The French Gothic Revival polychrome and gilt terra cotta wall shelf with acanthus and grape leaf motifs and foil ornamentation 22” H x 22” W x 14” D $600-800
1118
Our Lady of Sorrows
Late 17th/early 18th Century Italian School Oil on canvas Appears unsigned 28.75” H x 23” W $2,000-3,000
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1120
A Gothic-Revival carved reliquery/prie-dieu cabinet
Third-quarter 19th Century Elaborately carved in the Gothic style with a galleried top over a double-door cabinet enclosing a space for three relics or figures in a velvet-lined cabinet flanked by two gilt-bronze angels with hands in prayer over a slanted prie-dieu with hinged cabinet 90” H x 26.5” W x 25.75” D $1,500-2,500
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1121
Wilhelm Albermann
(1835-1913, German) Blacksmith Patinated bronze Signed: Albermann fer Coeln A/RH 34” H x 13” W x 12.5” D $1,500-2,500
1122
Jules Dalou
(1838-1902, French) “Paysanne Française Allaitant son Enfant” Patinated bronze Signed to base: Dalou / cire perdu 15.5” H x 7.25” W x 9.5” D $4,000-6,000
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1123
Guiseppe Magni
(1869-1956, Italian) Chickens in an interior Oil on board Signed lower left: G. Magni 19.25� H x 22.5� W $800-1,200
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1124
Edwin James Douglas
(1848-1914, English) Young woman and calf walking, 1881 Oil on canvas laid to canvas Initialed an dated in cipher lower right: E.D. 55.75” H x 43.5” W $3,000-5,000
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1126
A carved and giltwood bullseye wall mirror Late 19th/early 20th Century Surmounted by an eagle with wings outstretched perched on a foliate crest over a round fluted and dotted giltwood frame enclosing a round bullseye mirror 54” H x 38.5” W x 4.75” D $800-1,200
1125
A Bailey, Banks, Biddle & Co. sterling silver tea set
20th Century Each stamped with maker’s mark: Bailey Banks Biddle & Co / Sterling / 48; Some further stamped Comprising a coffee pot, a tea pot, a cream jug, a sugar bowl, and a waste bowl, the coffee and tea pots with an applied eagle to body marked: 1919, 5 pieces Coffee pot: 8.25” H x 8.25” W x 7.75” D 51.130 oz. troy approximately $1,500-2,500
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1127
An American presentation banjo clock
First-quarter 20th Century White metal painted dial, black Roman numeral hour markers and minute track, single train weight-driven brass movement, painted glass tablets of patriotic American eagle, flags, and Hull battle scene, with mahogany case with gilt highlights, and brass eagle finial 40.5” H x 10.25” W x 3.75” D $300-500
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1128
Matthew Morgan
(1839-1890, American) A Battle during the Cuban Wars of Independence Oil on canvas Signed lower right: Matt Morgan Jr. 36� H x 45� W $9,000-12,000
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1129
A Eli Terry, Jr. & Co. federal pillar clock
Post-1833 Signed: Eli Terry, Jr. & Co. White painted metal dial, black Arabic numeral hour markers with minute track, eight-day two train weight-driven brass movement, strikes on the hour and a half, mahogany case, painted glass tablet 39” H x 18.5” W x 4.5” D $1,000-2,000
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1130
An Eli and Samuel Terry federal pillar and scroll clock 1824 Signed: Eli and Samuel Terry White painted wood dial with black Roman numerals hour markers and minute track, thirty-hour wooden works movement, patented five wheel movement, mahogany case with finials 29” H x 17.75” W x 4.5” D $600-800
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1131
A Paul Revere Reproduction sterling silver breakfast set
First-quarter 20th Century Each stamped: Feagan’s and Co. / Los Angeles / Sterling / P. Revere Reproduction; Each further numbered Each designed with pineapple finials comprising a coffee pot (6.5” H x 3.625” Dia.), a covered server (5” H x 3” Dia.), a sugar bowl (2.75” H x 3.125” Dia.), a creamer (3.125” H x 2.625” Dia.), and a saucer (4.5” Dia.), 5 pieces 29.240 oz. troy approximately $500-700
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1132
A Reed & Barton “Georgian Rose” sterling silver flatware service
Second-half 20th Century Each stamped for Reed & Barton; Most further stamped: Sterling Designed 1941 by George L. Turner comprising 8 hollow-handled knives (9.5”), 8 butter spreaders (6”), 8 forks (7.75”), 8 salad forks (6.125”), 8 cream soup spoons (6”), 16 teaspoons (6”), 9 demitasse spoons (4.25”), 1 hollow-handled pie server (10”), 4 serving spoons (8.5”), 1 sugar shell spoon (6.25”), 1 gravy ladle (6”), 1 jelly spoon (5.875”), 1 cream ladle (5.375”), and 1 lemon fork (5”), 75 pieces Weighable sterling: 70.550 oz. troy approximately $1,500-2,000
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1133
Edouard Drouot
(1859-1945, French) “The Mind Lights Up” Bronze sculpture on marble base Signed to bronze: E. Drouot; Shield reads: “L’Instruction Est Le Germe Du Progres Et La Force Des Peuples CH.D” Overall: 23.5” H x 12” W x 9.5” D $1,500-1,800
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1134
A French marquetry vitrine
Late 19th/early 20th Century Central painted panel signed The rocaille pediment over a glazed single-door cabinet with velvetlined interior over three painted panels, centering a panel of a man reading to two women in a lush landscape and flanked by two panels of a man and woman in a lush landscape, respectively, opening to a glazed display cabinet and under cabinet with wood shelves 94” H x 59” W x 18” D $3,000-5,000
1135
A gilt bronze-mounted SËvres porcelain side table
Late 19th/early 20th Century SËvres mark to base; Illustration signed: LeBrun Centering a platter enclosed in gilt-bronze mounts raised on a white porcelain pedestal on a scrolled gilt-bronze base 31.25” H x 20” Dia. $3,000-5,000
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1136
A Continental carved giltwood parlor suite
Late 19th/early 20th Century Each with ornate carved and pierced giltwood frames atop over-stuffed silk damask upholstery set on scroll feet, 3 pieces Each chair: 41.5” H x 37” W x 32” D; Sofa: 43.5” H x 86.75” W x 34” D $1,500-1,800
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1137
A Sèvres urn with courting scene
Fourth-quarter 18th Century Baluster-style cobalt ground vessel with a fluted neck on a tapered body depicting a courting scene and further decorated with gilt festoons, raised on a fluted base with gilt-bronze details, above a bronze footed support with beading and floral medallions, and a gilt-bronze flaming torch finial to lid, decorated with gilt highlight foliate, floral, and rocaille motifs throughout 35� H x 11� Dia. $3,000-5,000
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1138
A pair of gilt-bronze figural sconces
20th Century Each with a scrolling spindle capped with a figural mask, a festoon, and a putti demi figure issuing a large basin terminating in four floriform light sockets, electrified, 2 pieces 22” H x 6” W x 8” D $1,000-1,500
1139
A Japy Frères gilt bronze mantel clock
Third-quarter 19th Century Movement signed: Japy Frères With gilt-bronze dial featuring white enamel cartouches with black Roman numeral hour markers, two train movement, dial (5.5” Dia.), surmounted by a gilt-bronze eagle with cascading acorn boughs upon a rectangular base with central cartouche and figural paw-style feet 18” H x 20” W x 6.5” D $1,000-1,500
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1140
An Edwardian étagère display cabin
First-quarter 20th Century Lock plates stamped: S. Hall & Sons B’Ha The architectural cabinet with double glaz recessed panel flanked by two single doo desk outfitted with small drawers and pig short drawers on either side raised on flut undershelves adorned throughout with SË figural plaques 84.5” H x 58” W x 21.75” D $4,000-6,000
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net/desk
am; Thresher & Co. London zed doors over a mirror or cabinets over a pull-out geon holes flanked by two ted legs over veneered Ëvres-style portraits and
1141
A Persian Hereke rug
20th Century Silk on silk foundation, with floral patterning on blue field 49” L x 31.5” W $1,200-1,800
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1142
A Persian aristocratic Isfahan rug
Third-quarter 20th Century Wool on silk foundation, with floral patterning and bird motifs throughout on ivory field 99� L x 62� W $4,000-5,000
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1143
A Persian Kashan area rug
Circa 1980s Signed: Mahmood/Foroutan Wool on cotton foundation, with floral patterning on ivory field 126� L x 50� W $6,000-8,000
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1144
A John Hamilton Glasgow long-case clock
Fourth-quarter 18th Century Signed to dial: John Hamilton / Glasgow With a silvered dial with black Roman and Arabic numeral hour markers and minute track, cut iron hands, time and strike movement with brass plates, a calendar, moon face, and a rosette-style seconds bit, strikes on the hour and half hour, all in a decorated brass face plate with painted polychrome moon and stars, in a chippendale-style case with reeded pillars, scrolled top, ball and spire finial, inlaid cartouches with Prince of Wales feathers and shell, and original glass door 101” H x 26” W x 10.5” D $1,000-2,000
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1145
A set of Ovington Bros & Sons cabinet plates
First-quarter 20th Century; English Each plate signed to front: W. Birbeck; Further marked and titled verso Each porcelain plate painted with a castle landscape and identified verso, all with gilt rims, 18 pieces Each: .75� H x 10.375� Dia. $800-1,200
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1146
Wright Barker
(1864-1941, English) “A new Forest Pony and Foal,” 1894 Oil on canvas laid to canvas Signed and dated lower left: Wright Barker / ‘94, titled lower center 20” H x 27” W $3,000-5,000
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1147
In the style of James Nothcote (1746-1831, English) Two men hunting grouse with dogs Oil on canvas laid to canvas Appears unsigned 21” H x 26” W $2,000-3,000
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1148
An English “Welsh dresser”
First-quarter 19th Century In oak hardwood fabrication with three pull drawers, each dovetailed with original brass backplates, drop handle hardware, and escutcheons, with a figured apron resting on Queen Anne-style front legs 32” H x 79” W x 20” D $800-1,200
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1149
A Chadburns brass ship’s telegraph Second-quarter 20th Century Marked: Chadburns / Buzzer / 31343 / 2951 Polished brass double sided ships telegraph with bell function, electrified 48” H x 14.5” W x 12.75” D $1,500-2,500
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1150
A Chelsea ship’s bell clock
First-quarter 20th Century Dial signed: Bailey, Banks, Biddle Co. Philadelphia / Ship’s Bell; Signed: Chelsea Clock Co. / Boston USA, serial number: 124779 Silvered dial with black Arabic hour markers and outer minute track, eightday two train movement, strikes on the hour and a half, in a refinished brass case, personalized: Gift from Charles I. Junkin for the Cathcarts home in memory of his sister Louise Junkin Gonegys 1913 9.5” H x 9” W x 4.75” D $600-800
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1151
Two framed British maritime folk art woolworks
19th Century Also known as “woolies,” each with woven scenes depicting Victorian-era sea vessels flying British flags, comprising one depicting one ship at sea on a white ground with red and blue coloring and three illegible embroidered initials in lower left-center (12” H x 16” W) and one depicting three ships at sea on a gold ground (18” H x 24” W), 2 pieces $500-700 Notes: Woolworks were often created by sailors while at sea by weaving woolen thread into duck linen.
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1152
A pair of frame
19th Century Also known as “w colored grounds s featuring stylized Each: 18.75� H x 2 $400-600
Notes: Woolworks
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1153
Isadore Jules Bonheur
(1827-1901, French) “Le Grand Jockey” Patinated bronze on marble base Signed: I. Bonheur 23” H x 24.875” W x 6.25” D $1,000-2,000
ed British maritime folk art woolworks
woolies,” depicting scenes of Victorian-era sea vessels within circular cartouches on surrounded by regimental and national flags tipped with applique tassels and each name plates, one reading “Victoria and Albert” and one with illegible initials, 2 pieces 25.5” W
s were often created by sailors while at sea by weaving woolen thread into duck linen.
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1154
A Louis XV-style slant front desk
19th Century Bronze mounted with parquetry to desk top and slant top, featuring two front drawers and a fitted interior with drawers, shelves, and secret compartment 37” H x 25” W x 20” D $800-1,200
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1155
A pair of German gilt-bronze candelabras
Late 19th/early 20th Century Pair of inverted crossed arrows for Kalk/Germany Each candelabra with a hand painted porcelain figural center depicting three cherubs in garlands, 2 pieces 25� H x 12.50� Dia. $1,000-2,000
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1156
A Royal Vienna-set giltwood side table
Late 19th/early 20th Century Centering a portrait of Louise Bènèdicte de Bourbon, Duchesse de Maine with a border of ten portrait plaques of various queens and Duchesses of Europe set into a carved giltwood table with cabriole legs joined by a carved stretcher 30.5” H x 20.5” Dia. $4,000-6,000
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1157
A German silver flatware service
Early 20th Century Each marked for Bremer Silberwarenfabrik / .800 Comprising 6 hollow-handled table knives (10.25”), 6 hollow-handled place knives (9.25”), 12 hollow-handled luncheon knives (8.25”), 10 hollow-handled individual fruit knives (6.75”), 12 fish knives (8.625”), 12 table forks (8.5”), 12 salad forks (7.5”), 11 fish forks (7”), 11 hollow-handled individual fruit forks (5.875”), 12 table spoons (8.5”), 2 soup spoons (7.5”), 12 ice cream spoons (5.625”), 11 five o’clock tea spoons (5.5”), 12 demitasse spoons (4.125”), 1 hollow-handled master butter spreader (7.875”), 1 hollow-handled butter spreader (7.875”), 1 hollow-handled plastic-topped salad serving fork (7.75”), 1 salad serving fork (8.375”), 1 salad serving spoon (8.375”), 1 fish server (10.875”), 1 fish serving fork (9.125”), 1 pie server (8.75”), 2 medium cold meat serving forks (7.5”), 1 large cold meat serving fork (10.25”), 1 carving fork (11”), 1 gravy ladle (7.25”), 1 stuffing spoon (10.25”), 1 serving spoon (8.625”), most pieces monogrammed “G,” 156 pieces Weighable sterling: 153.635 oz. troy approximately $4,000-5,000
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1158
A pair of French gilt-bronze and rouge marble candelabra
Third-quarter 19th Century Each seven-light candelabrum over a fluted rouge marble and gilt-bronze standard with Greek key design over a tripodal scrolled base, 2 pieces 27.5” H x 11” W x 11.5” D $2,500-3,500
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1159
Max Liebermann
(1847-1935, German) Untitled interior scene with embracing couple Graphite on paper under glass Signed lower right: M Liebermann Sight: 6.5” H x 8.5” W; Sheet: 7.25” H x 10.25” W $2,000-3,000 Notes: With an unfinished work verso.
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1160
A large Louis XVI-style green trumeau mirror
18th Century The mirror under a hunting scene with giltwood framing set in a green-painted wood frame 79” H x 58” W x 2.5” D $1,200-1,800
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1161
Edmund Benjamin Herberte (1836-1899, French) (two works) French equestrian/hunt scene Oil on canvas 10” H x 14” W Signed and dated lower right: E.B. Herberte / 1882 French equestrian/hunt scene Oil on canvas 10” H x 14” W Signed and dated lower left: E.B. Herberte / 1882 $2,000-3,000 w w w. j o h n m o r a n . c o m 1 8 1
1162
A Dutch marquetry three-tier pastry table
19th Century The telescoping pastry table with graduated shelves adorned with flowers and horns Approximate maximum height: 43” H x 27” W x 21.5” D $800-1,200
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1163
Eleanora Lindstrom Hennig
(1852-1930, Swedish) “Portrait of Dr. Olaus Rudbeck,” 1905 (after the 1696 portrait done by Dutch artist Martin Mijtens [1648-1736]) Oil on canvas Signed, dated and inscribed right center: Eleanora Lindstrom Hennig / M. Mijtens d.a. 50” H x 39.5” W $600-800 Notes: Olaus Rudbeck (1630-1702) was a Swedish scientist and writer, professor of medicine at Uppsala University and for several periods rector magnificus of the same university.
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1164
A Persian Mashad Amoghli rug
Second-half 20th Century Signed to border Silk with wool and cork foundation, with central medallion and all-over floral motifs 99� L x 64� W $4,000-5,000
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1165
A Persian Sarouk Mohajeran area rug
Third-quarter 20th Century Wool on cotton foundation, with floral design throughout on salmon field 135� L x 96� W $1,000-1,500
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1166
A Persian Quom area rug
Mid-20th Century Silk on silk foundation, with central medallion on salmon field 49� L x 33� W $600-800
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1167
A Persian Malayer rug
Circa 1930s Wool on cotton foundation, with central medallion and two sub-medallions with geometric floral patterning 77� L x 50� W $800-1,200
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1170
A Japanese Samura
First-quarter 20th Cen Each stamped: Samur Featuring relief crane inkwell with a glass blo canisters (3.5” H x 5.2 (6.875” L), 3 pieces Weighable sterling: 5. $1,000-1,500
1168
A Continental Chinoiserie giltwood wall mirror
First-quarter 20th Century In the Chinoiserie style, the rectangular mirror with rounded corners enclosed in a carved openwork floral and architectural frame 69” H x 37.5” W x 3.75” D $2,500-3,500
1 8 8 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, De c e mb e r 1 6 , 2 0 2 0
ai Shokai silver double inkwell and pen
ntury rai Shokai / Yokohama / Sterling decoration on a stylized cloud ground, comprising a double ock interior and silver overlay with removable sterling inkwell 250” W x 2.5” D), a tray (7.375” W x 4.750” D), and a pen
.085 oz. troy approximately
1169
A Continental Chinoiserie curio chest on stand
19th Century Rectangular black lacquered wood exterior double-door chest with locking gilt-bronze hardware opening to reveal an arrangement of twelve short drawers variously adorned with miniature dioramas, reverse painted glass scenes, and gilt painted chinoiserie landscapes, raised on an associated carved giltwood stand centering a lion’s head with swags raised on scrolled feet, with replaced key 61.875” H x 41.125” W x 21” D $2,000-3,000
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1171
A clear intaglio cut glass vase
First-quarter 20th Century Marked: Libbey In a balustrade form with stylized sunflowers and geometric motifs 10� H x 5� Dia. $400-600
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1172
A Continental bronze vase
Second-half 19th Century With mixed inlaid metal designs in an Aesthetic Movement pattern with figural loose ringed handles and gilt metal mounts 9” H x 6” W x 4.5” D $600-900
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1173
A Baccarat “L’Escalier de Crystal” vase
20th century With acid-etched makers mark; Further signed and numbered: Baccarat / 4/18 With dore bronze blackberry branch wrapped over daisy etched clear vase 13.5” H x 7” W x 4.75” D $7,000-9,000 Provenance: Property from a Northern California Estate
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1174
A Steuben acid etched vase
Second-quarter 20th Century Jade green over alabaster with “Floral” pattern and scalloped edge 7” H x 7.5” Dia. $600-800
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1175
A Daum acid-etched and enameled cameo glass bowl Late 19th/early 20th Century Signed: Daum / Nancy With persimmons on an opaque pink and orange ground on a pedestal base 5.25� H x 11.5� W $1,200-1,800
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1176
Jose Benito Bikandi
(1896-1958, Spanish) Floral still life in a blue vase, 1944 Oil on canvas Signed lower left: Bikandi, signed again, dated and indistinctly titled verso: 44 35.5� H x 35.5� W $800-1,200
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1177
A pair of rock crystal lamps
20th Century Each columnar form on a square pedestal base with ornamental gilt banding, issuing two light sockets with pull chains, surmounted by a rock crystal ball finial (33” H x 5.25” W x 5.25” D), with a light brown velvet drum shade (10.5” H x 13.5” Dia.), 4 pieces 33” H x 5.25” W x 5.25” D $3,000-5,000
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1178
An oval rock crystal bowl
20th Century With shallow basin and flat cut edges 3.25” H x 15.75” W x 9.75” D $600-800
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1179
A Continental grand sonnerie picture frame clock
First-half 19th Century White porcelain glazed dial with black Arabic numeral hour markers and outer minute track, strikes hour and quarter-hours, silk thread suspension, with a decorated bronze glazed bezel, within a decorated giltwood picture frame style case with glazed door 21.25” H x 16.75” W x 5” D $400-600
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1180
A French Louis XV-style cabinet
Fourth-quarter 19th Century With serpentine body and all-over marquetry veneers issuing a single cabinet flanked with linen-wrapped sides enclosing three shelves, with key 44.75” H x 44.25” W x 17” D $800-1,200
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1181
A Louis XV-style gilt bronze-mounted commode
Late 19th/early 20th Century The marble top over three long drawers with gilt-bronze handles and wood veneers raised on slightly outswept feet 33.325” H x 48.75” W x 19.5” D $800-1,200
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1182
A pair of monumental malachite urns on stands
Mid-20th Century; Russian Each typical form monumental malachite veneer and gilt-bronze footed urn set with gilt-bronze scrolled and floral swag handles flanking an ornate frame enclosing a neoclassical scene raised on a gadrooned and scrolled support on an associated glass-topped corinthian columnar pedestal, 2 pieces Each overall: 88� H x 26� W x 21� D $40,000-60,000
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1184
A pair of Russian Kuznetsov porcelain ram-form boxes
Late 19th/early 20th Century Unsigned With gilt detailing to horns, 2 piec 4.5” H x 7” W x 3” D $600-800
1183
A pair of monumental malachite torchiËres
Mid-20th century Each two-tiered torchiere with gilt bronze candelabrum on a cylindrical standard raised on a triangular gilt-bronze base with creature masks and pay feet raised overall on a malachiteveneered triangular support 74” H x 19” W x 19” D $30,000-50,000
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1185
A silver plated surtout de table
Late 18th/early 19th Century The openwork gallery enclosing a three-p mirrored surface and raised on winged fe 3.25” H x 50.875” W x 20.5” D $3,000-4,000
ces
piece surtout de table with eet
1186
A Continental dome clock
First-quarter 19th Century With white dial with black Roman numeral hour markers and minute track, eight-day crown escapement movement with rare cowtail pendulum, on brass and gilt porcelain base, dial: 3.75” Dia. 10.5” H x 8” W x 8” D $1,000-1,500
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1187
A carved wood wall mirror
Late 18th/early 20th Century The carved shell-form crest over a curved frame flanked by two carved wood pillars each issuing two curved undershelves 70.5” H x 66” W x 5.25” D $1,000-1,500
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1188
An Empire mahogany cabinet with clock
19th Century Centering a white porcelain dial with black Roman numeral hour markers and minute track with seconds bit, time only single train weight-driven Vienna regulator movement, bronze bezel, dial 6.25” Dia., in a mahogany open-front cabinet with neo-classical and Egyptian Revival bronze mounts and tapered legs 79” H x 25” W x 16.25” D $800-1,200
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1189
A pair of marble and gilt bronze-mounted urns
Late 19th/early 20th Century Each white veined with black marble urn mounted with scrolling gilt-bronze handles and topped with a cut-work lid surmounted by a foliate finial, 2 pieces 14.5” H x 7” W x 4.5” D $3,000-5,000
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1190
After Germain Pilon
(1525-1590 French) The Three Graces Gilt-bronze and marble, converted to a plant stand Stamped: Reduction Mechanique / A. Collas; Further signed: F. Barbedienne Fondeur 23� H x 12� Dia. $1,800-2,200
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1191
A Gladding McBean & Co. planter with pedestal
20th Century Impressed to interior jardiniere: Gladding / McBean & Co. / Lincoln CAL / 63 With anemion, wave scroll, and gadrooning to body and rim 44� H x 23� Dia. $600-800
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1192
An Italian cast stone urn on pedestal
Late 19th/early 20th Century With gadrooning and a figural frieze to the urn raised on a winged lion pedestal, 2 pieces Overall: 47� H x 21.5� Dia. $600-800
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1193
Portrait of mother and son 19th Century German School Oil on canvas Appears unsigned 32.75” H x 27.75” W $1,500-1,800
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1194
A Vienna regulator wall clock
Third-quarter 19th Century White porcelain double sunken dial with brass bezels, black Roman numeral hour markers and minute track, thirty-day single train brass movement, within a faux-painted rosewood case 43.25” H x 13” W x 5.25” D $800-1,200
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1195
An ebonized wood library table
Fourth-quarter 19th Century Possibly by Horner, New York The breakfront-form calacatta marble top over a carved apron supported by two griffins and tapering legs joined by an I-form stretcher and raised overall on toupie feet 31.25” H x 54.25” W x 30.75” D $1,500-2,500
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1196
A pair of English glazed ceramic lion and gilt-bronze candlesticks
Fourth-quarter 19th Century Each with a glazed ceramic rearing lion posed with a stylized shield element on an oval base featuring chintz-style patterning and floral medallions which transition into a gilt-bronze scrolling foliate column issuing three candle arms with figural face motifs terminating in glazed ceramic capitals, 2 pieces 18� H x 10.75� W x 4.25� D $1,000-1,500
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1197
An English flatweave rug
1895 Signed to corner: MD 1895 Wool on cotton foundation, with floral patterning on ivory and orange field 158” H x 113” W $6,000-9,000 Provenance: Sotheby’s Lot 333, 22 February 1999
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1198
John Lavery
(1856-1941, United Kingdom) “Portrait of Doctor John MacPherson” Oil on canvas Signed and titled verso: J. Lavery 44” H x 34” W $8,000-12,000
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1200
A Baltimore-style c
First-half 19th Century Possibly George Hatc with minute track, eig rosewood case with o 33” H x 14.5” W x 4.2 $800-1,200
1199
The King’s Own Hussars
Mid/late 19th Century Watercolor and gouache on paper under glass Appears unsigned Sight: 21.25” H x 14.25” W $800-1,200 Notes: The 3rd (The King’s Own) Hussars was a cavalry regiment in the British Army, first raised in 1685.
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clock
y ch, white painted metal dial, black Roman numeral hour markers ght-day single train weight-driven brass movement, figure eight-style other secondary woods, black and gilt glass tablets 25� D
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1201
An American Banjo clock
Late 19th/early 20th Century Unsigned White metal painted dial, black Arabic numeral hour markers and minute track, single weight-driven brass movement, painted glass tablets with white and gilt scroll and flo decorations, with mahogany case with satin wood inlay, and brass bezel 30.25” H x 10” W x 3.5” D $800-1,200
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e train oral
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1202
An American figural banjo clock
Second-half 19th Century White painted metal dial, black Roman numeral hour markers with minute track, eightday single train weight-driven brass movement, mahogany case with brass bezel, and pendulum aperture 40.5” H x 10.25” W x 3.75” D $300-500
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1203
John Wesley Jarvis
(1780-1840, American) Portrait of Daniel D. Tompkins (1774-1825) Oil on canvas Inscribed and titled on the frame plaque: John Wesley Jarvis 27� H x 24� W $3,000-5,000 Notes: Daniel D. Tompkins was an American politician. The fourth Governor of New York from 1807-1817 when he became the sixth Vice President of the United States from 1817 to 1825. Born in Scarsdale, New York, Tompkins practiced law in New York after graduating from Columbia College.
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1204
A silvered and gilt model of the American paddle steamer Harlan, with Swiss musical movement
1866; American Inscribed to plaque: Presented to Saml. Harlan Jr. by his friend Chas. Morgan. June 1866. Made by J. Dean Benton. Wilm. Del.; Further marked: Sterling The silvered and gilt model of the paddle steamer “Harlan” with Swiss musical movement mounted on a glass covered rosewood single cylinder Swiss music box playing “The Star Spangled Banner” and “Le Marseillaise” Overall: 17.5” H x 25.25” W x 7.5” D; Steamer: 10” H x 19.75” W x 5.5” D $50,000-70,000 Provenance: Trevor Philip & Sons Ltd., London, UK Notes: The lot to be sold with the brochure from Trevor Philip & Sons, Ltd.
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1205
James Arthur O’Connor (1792-1841, Irish) “Mangerton Killarney” Oil on panel Signed and titled verso: James O’Connor 6.5” H x 8.25” W $800-1,200 Notes: Mangerton Mountain, at 838 metres (2,749 ft), is the 19th-highest peak in Ireland.
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1206
An English pub wall clock
Second-half 19th Century Pewter dial with black Arabic hour markers, sub-second dial embellished with decoration, single train movement, within a carved oak case 53” H x 23.5” W x 8.25” D; Dial: 17.5” Dia. $600-800
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1207
A WMF Art Nouveau Gothic-style silver plated centerpiece set
First-quarter 20th Century Each marked for WMF silver plate Comprising two garniture items stamped with importer marks for Anezin Hermanos and Company, Argentina (12.75” H x 6” Dia.) and one raised centerpiece with a glass basin and affixed decorative mounted knights stamped with importer marks for Aragone Hermanos (12.75” H x 24.25” W x 9.5” D), all featuring oxidized medieval-style figural and knotted interlacing, 3 pieces $4,000-6,000
1208
A pair of glass and silver plated footed centerpieces
20th Century With frosted cut glass basins on silver plate stands featuring beading, solid and pierced Gothic-style scrolling foliage, pierced Gothic-style tracery edging, and foliate feet, 2 pieces 11.75” H x 20” W x 15” D $1,000-2,000
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1209
A pair of Bohemian cut-glass vases
Late 19th/early 20th Century Each of white glass cut back to clear adorned with gilt highlights, 2 pieces Each approximately: 11.325� H x 5� Dia. $1,200-1,800
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1210
A Victorian Rubina verde glass and enamel bride basket Late 19th/early 20th Century The scalloped-edged glass bowl adorned with enameled flowers and rocaille over a silver-plated base raised on rocaille feet 7.75” H x 12” Dia. $300-500
1211
A French kidney-shaped dressing table
Late 19th/early 20th Century The kidney-shaped parquetry-veneered top with curved guardrail at back over a locking gilt bronze-mounted cabinet flanked by two short drawers over fluted, tapering legs 31” H x 44.25” W x 22” D $1,500-2,000 2 3 4 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, De c e mb e r 1 6 , 2 0 2 0
1212
A French enameled jewel box
First-quarter 20th Century Adorned with flowers to the lid and garlands to the chamfered rectangular body set with gilt-metal mounts and raised on bow and ball feet 4.5” H x 5.5” W x 3.25” D $600-900
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1213
A pair of rock crystal and ruby glass girandoles 20th century Each set with rock crystal swags and drops on a carved giltwood base, electrified, 2 pieces 28.5� H x 13.5� Dia. $2,000-3,000
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1214
A pair of malachite obelisks
20th Century Each Russian-style malachite veneered obelisk raised on a stepped base, 2 pieces Each: 28.5” H x 6.5” W x 6.5” D $2,000-3,000
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1215
A pair of French bronze lamps
First-half 20th Century Each with tapered bodies depicting beastiary scenes, three reeded handles with figural motifs, and fluted necks with draping collars raised on three scrolling paw-style feet surmounted by roaring feline heads, each issuing six scrolling foliate faux-candle arms with scalloped bobeches and floral sconces, and a central ribbed column terminating in a light socket, 2 pieces 36� H x 8� Dia. $1,200-1,800
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1216
A French gilt-bronze rouge marble vase
Late 19th/early 20th Century The scrolled neck issuing two scrolled handles over a gadrooned shoulder on a red marble vase, centering a panel of muses of the visual arts, raised on a gilt-bronze support mounted to a red marble base raised overall on paw feet 33” H x 16.5” W x 9.5” D $6,000-9,000
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1217
A cast iron Moorish figure
Late-19th Century The painted standing figure holding a later-added dish on rock-form base with decorative earrings and shoe elements 60” H x 20” W x 30” D $1,000-1,500
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1218
Zoran Antonio Music
(1909-2005, Slovenian/Italian) Cityscape Oil on masonite Signed lower right: Music 36” H x 43” W $6,000-8,000 Provenance: Sale: Treadway, Cincinnati, OH, “Art + Design Auction,” April 7, 2019, Lot 253 An Austrian collection
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1219
A French Napoleon III brass inlaid ebonized cabinet
19th Century With brass inlay to the doors and writing surface, gilt-bronze mounts, and shelved interior over two short drawers, and one long drawer under writing surface, with pierced gallery toprail and egg and dart pattern to rim 53” H x 29.75” W x 19.34” D $700-900
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1220
A French silvered and gilt-bronze clock
19th Century Unsigned French movement With brass damascene dial with black Roman numeral hour markers and minute track, two train movement, with a gilt-bronze ivy bezel, in a rectangular silvered and gilt-bronze neo-classical case depicting a figure tied to a galloping horse 24.75” H x 19.625” W x 7.5” D; Dial: 3.75” Dia. $3,000-4,000
1221
A French gilt bronze-mounted white marble console table
Late 19th/early 20th Century The white marble top over an elaborate urn and pedestal base with female mask supported on paw feet raised overall on a curved square white marble and giltbronze base 29.75” H x 28” W x 11.125” D $2,000-3,000
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1222
Portrait of Charles De Morny (Duke of Morny)
Mid-19th Century Oil on canvas Signed and dated lower left: Alioise Lambredos - 56, titled on the stretcher 33.5� H x 26� W (oval presentation) $2,000-3,000
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1223
Portrait of Thomas Howitt of Derbyshire (1789-1823) 19th Century Continental School Oil on canvas laid to canvas Appears unsigned 30.25” H x 25” W $2,000-3,000
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1224
A pair of English porcelain urns
Late 19th/early 20th Century Marked to base Each of krater form with scrolling foliage, grape vine designs, and painted cartouches of baskets with flowers on a cobalt blue ground with gilt detailing, gadrooning, beading, and wovenstyle handles raised on a square plinth, 2 pieces 7” H x 8.25” Dia. $1,000-1,500
1226
An English skeleton clock
Mid-19th Century Silvered Gothic dial with black Roman numeral hour markers with Gothic-style chain and fusee single train movement, anchor escapement, on marble plinth, and replaced glass dome 17.25” H x 12.75” W x 7.75” D $800-1,200
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1225
An English Edwardian cylinder desk
First-quarter 20th Century Paper label to drawer: Made in England for / Wood & Hogan Inc. / New York Mahogany, the role-top desk opening to a leather-lined writing surface that can be hinged up to a 90 degree angle and an arrangement of six short drawers and eight pigeon holes to the main compartment over two short drawers flanked by two pull-out side panels raised on tapering legs 38” H x 30” W x 22.25” D $800-1,000
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1227
Attributed to Sir Godfrey Kneller
(1646-1723, British) Portrait of Carey, Countess of Peterborough Oil on canvas laid to canvas Appears unsigned 38.5” H x 33” W $5,000-7,000
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1228
A Royal Vienna covered urn
Late 19th Century Marked for Royal Vienna; Further marked: Austria / Othello With gilt foliate and star ornamentation and enamel detailing on a cobalt blue ground with two figural cartouches, one after Carl Ludwig Friedrich Becker’s (German, 1820-1900) “Othello Relating his Adventures to Desdemona,” on a pedestal base with gilt handles 20.5” H x 11” Dia. $1,800-2,200
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1229
A silver plated and cut crystal footed double inkwell Mid-19th Century With scrolling and floral motifs with central candlestick 7.25” H x 11.375” W x 7” D $600-900
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1230
1231
20th Century Marked to bottom of plinth: PMP / 1817 / Handpainted / Echt Kobalt Each surmounted by a pierced lid adorned with putti flanking a rocaille frame over a body of typical form flanked by Neo-classical ladies and raised on a complementary plinth, 4 pieces 30” H x 14” W x 11” D
First-half 20th Century Stamped for Caldwell On an oval backplate with a ga serpentine arms terminating in foliate bobeches, 2 pieces 12” H x 12.5” W x 7.125” D
A pair of white and blue porcelain urns on plinth
$2,000-3,000
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A pair of Caldwell silver p
$800-1,200
plated sconces
arland and ribbon border, issuing two n light socket capitals with pull chains and
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1232
A Royal Vienna portrait vase
Late-19th/early-20th Century Signed to bottom: La Rose 7671; With blue mark for Royal Vienna The pine cone finial over a cobalt blue and g highlighted body flanked by grotesque mask enclosing a portrait of a scantily clad woman a stepped pedestal base 23.75” H x 10.25” W x 8.25” D $1,800-2,200
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1233
After Etienne Maurice Falconet (1716-1791, French) Milo of Crotona and the Lion Bronze on marble plinth Signed: Falconet 19.25” H x 16” W x 13.5” D $2,500-3,500
overglaze
giltks n raised on
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1234
1235
First-half 20th Century On an oval base 52” H x 14.25” W x 9.5” D
First-half 20th Century Grotto-style with a human figure 41” H x 27” W
A cast stone standing figure of a Roman
$600-800
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A figural cast stone architectu
$800-1,200
ural panel
1236
A cast iron statue of a standing boy
First-quarter 20th Century The standing boy playing the flute and resting on a tipped urn 35” H x 12.5” W x 13.75” D $600-800
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1237
An Italian carved marble figural group bust
19th/first-quarter 20th Century Signed: G. Biagiotti Depicting three children’s busts with one playing the accordion and two reading sheet music 15” H x 18.5” W x 11” D $1,200-1,800
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1238
Man and boy playing in an interior 19th Century Continental School Oil on canvas laid to board Appears unsigned 15.5” H x 12.75” W $800-1,200 Provenance: Wunderly Brothers Fine Art Dealers, Pittsburgh, PA Antonio’s Antiques, San Francisco, CA, January, 2000
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1239
An E. Howard figure eight banjo clock
Circa 1970 Signed: E. Howard & Co. Boston Reissue, white painted dial with black Roman numeral hour markers and minute track, single train eight-day time only clock, original pendulum with lock down attachment, with original glass tablets with gilt 34.75” H x 11” W x 4.75” D $1,000-2,000
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1240
A Howard-type banjo clock
First-quarter 19th Century Unsigned White painted metal dial, black Roman numeral hour markers with minute track, eight-day single train weightdriven brass movement, mahogany case with original reverse-painted gilt glass tablets black with gilt highlights and brass eagle finial 32.5” H x 11.25” W x 3.75” D; Dial 7.75” Dia. $400-600
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1241
An American banjo clock
Second-quarter 19th Century White painted metal dial, black Roman numeral hour markers with minute track, eight-day single train weight-driven brass movement, mahogany case with brass bezel 33.75” H x 10” W x 3.5” D $300-500
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1242
A Horus Tifft banjo wall clock
Second-quarter 19th Century Signed: H. Tifft for Horace Tifft White painted zinc dial, black Roman numeral hour markers with minute track, signed H. Tiffts, eight-day single train weight-driven brass movement, mahogany case with original reverse painted gilt glass tablets featuring gilt floral decoration and eagle on black ground 33” H x 10” W x 3.5” D; Dial 7.75” Dia. $500-700
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1243
Wladimir Jettel
(1843-1888, Polish) Figure in a river landscape, 1893 Oil on canvas Signed and dated lower right: W. Jettel 32� H x 47.5� W $2,500-3,500 Provenance: Neuer Sachsischer Kunstverein, Dresden, Germany
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1244
An American glass and silver plate bride’s basket
Late-19th Century Base Marked: Quadruple Plate / Aurora S.P.M.F.C. Co. / Warranted / 0727 With a pink and white folded fan-style ruffled-edge glass basket with multicolor Rococo-style enamel decoration, set upon a silver plated Eastlake-style base with geometric and floral designs and owl figures 7.25” H x 11.5” Dia. $500-700
1247
A Rubina Verde glass and silver plate bride’s basket
Late 19th/early 20th Century Base signed: Derby Silver Co. / Quadruple Plate / 1250 Comprising a glass bowl with ruffle rim and with gold and enamel floral interior decoration on a silver plated figural base with cherubs, festoons, and fretwork 9.25” H x 7” Dia. $600-900
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1246
A Northwood Rubina Verde opalescent pitcher
Late 19th/early 20th Century The bulbous lemonade pitcher with ruffled rim with a gradation of purplish-pink to green in an opalescent coin dot style over a bulbous body with a clear applied handle raised on a squat foot 8” H x 5.5” Dia. $500-700
1245
Two American sterling silver holloware items
First-half 20th Century Each stamped for sterling Comprising a Brock & Co. of Los Angeles pitcher with a floral festoon design and flat topped handle stamped: Brock & Co. / Sterling / 83 28 B / 5.5 Pints (7” H x 6” Dia. approximately); and a McChesney children’s porringer featuring etched figural scenes depicting a children’s fable with engraved accompanying text, stamped: Sterling / W1 20 (1.75” H x 4.375” Dia.), 2 pieces 30.74 oz. troy approximately $500-700
1248
A round .900 silver footed serving tray Fourth-quarter 20th Century Stamped: 900 Silver INT With chased shell-form patterning and wavescroll edges on rocaille feet 4” H x 16.25” Dia. 44.32 oz. troy approximately $1,000-1,500
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1249
A figural Sèvres urn
Fourth-quarter 18th Century Marked to lid Baluster-style cobalt ground vessel with a fluted neck decorated with gilt highlight foliate motifs on a tapered body depicting a figural scene, raised on a fluted base with gilt bronze mounts, above a gilt bronze footed support with clawstyle feet, and a gilt bronze acorn finial to lid, scene signed “C. Velly” 31.5” H x 9” Dia. $2,000-3,000
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1250
A pair of green Bohemian glass portrait vases
Late 19th/early 20th Century Each forest green glass vase centering a hand-painted portrait panel further adorned with gilt highlights, 2 pieces 11� H x 4.75� Dia. $800-1,200
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1251
A silver plate vanity mirror
First-quarter 20th Century Stamped: Henneberg Warszawa The repoussé base enclosing a swiveled rectangular mirror 18” H x 23” W x 5.75” D $700-900
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1252
F.M. Howarth
(1865-1908, American) Cartoon Illustration (Man loses hat in the wind) Black ink on paper Signed lower right: F. M. Howarth Sight: 8.25� H x 6� W $400-600
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1253
Gerald Fellman
(Second-half 20th Century, American) “Three Dancing Hassidim” Patinated bronze on rotating wooden plinth Edition: 2/6; Signed: G. Fellman 12.125” H x 11.5” W x 13.5” D $800-1,200
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1254
1
20th Century Each stamped for sterling Comprising a round scalloped edge fruit bowl with scrolling foliage and shell patterning, stamped: 4136 / 78 / 12 in / Sterling (2.5” H x 12.25” Dia.); and a rectangular bread tray monogrammed: RSK, and stamped: Sterling / WD 140 (1.25” H x 11.875” W x 8. 625” D), 2 pieces 36.59 oz. troy approximately
La C Ea D fig an
An American sterling silver bread tray and fruit bowl
$500-700
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A
$6
1255
A green Wedgwood-style cheese dome with Wedgwood candlesticks
ate 19th/first-quarter 20th Century Candlesticks stamped: Wedgwood / Made in England ach of green jasperware with white relief decorations, comprising a cheese dome (6.5” H x 8.5” Dia.) and undertray (2.25” H x 10.5” Dia.) with stylized acorn finial, oak leaf border, and putti gures and two candlesticks (5.75” H x 3.875” Dia.) with Greco-Roman figural scenes and guilloche nd husk borders, 4 pieces
600-900
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1256
A marble sculpture after Michelangelo’s “David” 20th Century 48” H x 15.5” W x 11” D $700-1,200
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1257
A marble sculpture of the Venus de Milo 20th Century Modeled from antiquity 49” H x 14” W x 14” D $700-1,200
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1258
A group of German silver table items
Late 19th/early 20th Century Various marks Comprising four master figural salt cellars with shell form basin and fish stem surmounted by an ichthyocentaur holding a trident, stamped: Sterling / Germany (5.25” H x 3” W x 2.25” D); And two repoussÈ silver salt and pepper shakers with scrolling foliage, putti, and organic motifs, marked indistinctly (8.750” H x 2.625” Dia.), 6 pieces 25.610 gross oz. troy approximately $600-800
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1259
Four miniature sterling silver and metal boxes
Mid-19th/20th Century Two stamped for sterling Comprising a late-19th century German Hanau silver snuffbox in 18th century French style with floral motifs and a central medallion containing a bird and a cannon crossed with a scroll, stamped for J. Kurz & Co. (.625” H x 2.875” W x 1.5” D); A wood-lined sterling silver box with carved abalone floral decorations to lid with inscribed Chinese character in lower right corner, stamped: Sterling / 950/ K (1.375” H x 3.625” W x 2.375” D); A round sterling silver box with applied brass scrollwork and marcasite, stamped: Sterling / 463 (2” H x 2” Dia.); A rectangular metal box with scalloped ends, multi-colored enamel detailing, and floral motifs, engraved: M. Kella / from his Affectionate son / Louis / Sep. 25th 1853 (.75” H x 3.375” W x 1.875” D), 4 pieces Weight of items marked for silver: 8.355 oz. troy approximately $500-700
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1260
Two Moser-style glass items
First-quarter 20th Century Comprising a clear and opalescent cylinder-style vase with enameled pansies and foliage with gilt to rim (11.75” H x 5” Dia.) and a round clear green center bowl in a paneled design with ruffled edge, gilt rim, and gold enamel Rococostyle decoration (9.75” H x 11.5” Dia.), 2 pieces $600-900
2 8 0 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, De c e mb e r 1 6 , 2 0 2 0
1261
Two Moser-style Rubina glass vases
Late 19th/early 20th Century Comprising a rubina verde trumpet-style vase with enameled lilies and gilt decoration to rims (3.75” H x 4.25” Dia.), and a rubina swirl-style cylinder vase with enameled irises and gilt decoration to rim (9.75” H x 4.25” Dia.), 2 pieces $600-900
1262
Three Victorian pink art glass items
Late 19th/early 20th Century Comprising a balustrade-form shaded pink and white cased glass vase with enameled grapevines (7.125” H x 3.75” Dia.), a shaded pink and white satin glass humidor covered jar with enameled floral decoration (7” H x 6” Dia.), and a shaded pink and white satin glass vase with ruffled edge and central band of enameled daisies and vines with gilt rims (6.25” H x 4.5” Dia.), possibly Thomas Webb & Sons, 3 pieces $600-800
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1263
A collection of American sterling and silver plate flatware
First-quarter 20th Century Sterling: Watson Company / Sterling; Silver plate: Oneida Community / Reliance Plate With the Watson Company “Martha Washington” pattern comprising 12 hollow-handled New French place knives (9.625”), 6 hollow-handled blunt place knives (9.625”), 17 place forks (7.875”), 18 salad forks (5.875”), 23 teaspoons (5.75”), 18 butter spreaders (5.75”) and the Oneida Community “Exeter” pattern comprising 6 salad forks (6.125”) and 9 bouillon soup spoons (5.5”), all monogrammed “R,” 109 pieces Weighable Sterling: 89.135 oz. troy approximately $1,000-1,500
2 8 2 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, De c e mb e r 1 6 , 2 0 2 0
1264
Three .995 silver ingots
Weighing 95.865, 93.790, and 95.895 oz. troy approximately Each approximately: .75” H x 7.875” W x 3.25” W $4,000-6,000
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2 8 4 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, De c e mb e r 1 6 , 2 0 2 0
Condition Reports
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1001 Overall good condition with minor oxidation and tarnishing commensurate with age. 1002 Overall good condition with minor scratches to dominos and wear to box commensurate with age. 1003 Overall good condition with scuffs commensurate with age. Issues include, but are not limited to: a chip and subsequent 1.75” crack on one salad plate. 1004 Generally good condition. Minor toning to the paper. Not examined out of the frame. Frame: 33.5” H x 27.75” W x .75” D 1005 Overall good to fair condition commensurate with age. Issues include but are not limited to: cracking and drying to leather, evidence of water damage and soiling, tarnishing and wear to brass, tear to front leather strap, scuffs to interior linen, and wear to interior strapping commensurate with age and use. Personalized as stated. Features applied travel stamps. 1006 Overall good condition with tarnishing, light scratches, and wear to wood finish commensurate with age. Slight loosening of handle on coffee pot and covered sugar bowl. Significant wear to wood finish on teapot. Noticeable tarnishing on items due to being stored with tape across the lids. 1007 Overall good condition with minor shelf wear commensurate with age. Minor chipping of the rim on two champagne flutes, four tall water goblets, and four water goblets. 1008 Visual: Generally good condition. The canvas is slightly rippled in the corners and along the edges. Fine stable craquelure throughout. A series of hashmarks run at 1” intervals around the perimeter of the canvas. A tiny chip of paint loss upper left. Minor surface dirt throughout. A majority of the conditions listed above are obscured by the oval frame presentation. Blacklight: No evidence of restoration under blacklight.
Condition Reports
Frame: 41” H x 33” W x 5” D
286
1009 Overall good condition with darkening to bronze commensurate with age. 1010 Overall good condition with minor shelf wear and darkening of bronze commensurate with age. 1011 Overall good condition minor shelf wear, scratches, and tarnishing to brass commensurate with age and use. Loss of enamel detailing to base.
1012 Overall good condition with minor shelf wear commensurate with age. Five glasses with scratch marks at joining of stem to chalice. All feature pontil marks and residual mounting putty to base. 1013 Each in overall good condition with minor shelf wear commensurate with age. 1014 Overall good condition with patina and scattered minor scuffs throughout and minor nicks to base. Cracks and nicks throughout the fitter rim. 1015 Overall good condition with minor wear commensurate with age. Moderate loss of patina on the switch. One Louis Comfort Tiffany shade and one replacement shade feature repaired cracks along the fitter rim of the shades. Three shades with later-added tape to the fitter rim. Wiring should be checked by a qualified electrician prior to use. 1016 Overall good condition with even pile wear to foundation and light surface soiling commensurate with age. Repairs to selvage edges. 1017 Overall good condition for each with even pile wear and surface soiling commensurate with age. Staining and dye run. One with extensive fringe wear. 1018 Overall good condition with even pile wear and light surface soiling commensurate with age. Minor losses to selvage edges and some localized staining 1019 Overall good condition for each with even pile wear and light surface soiling commensurate with age. One with rewoven selvage edge. 1020 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered damage to the tabletop surface varnish. 1021 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Two handles missing. Scattered losses to the veneers. Wear to the leather and warping to the cabinet fronts, some minor, others more extensive. 1022 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One appears repainted. Each with losses to carving. 1023 Overall good condition with scuffs, rubbed wear to the applied gilt decoration, and tarnishing to bronze commensurate with age. Issues include, but are not limited to: repaired cracks to fluted base.
1024 Overall good condition with tarnishing and wear to bronze commensurate with age. One decorative urn topper loose. Wiring should be checked by a qualified electrician prior to use. 1025 Overall good condition with scattered scuffs, scratches, and tarnishing commensurate with age. 1026 Overall good condition with tarnishing and scratches commensurate with age. Foam protector pads to underside. 1027 Visual: Fine craquelure throughout. The edge of the original canvas is visible along the upper edge. A 1.25” crack in the paint upper center. A .25” crack in the paint left edge center. A tiny fleck of paint loss lower center. A small divot in the paint on the rear of the boat. Surface dirt and grime. Blacklight: The small divot fluoresces under blacklight. Difficult to read under heavy varnish.
1035 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 1036 Each in overall good condition with even pile wear. One rug with an area of loss to the fringe. 1037 Overall good condition with even fading throughout and localized surface soiling commensurate with age. 1038 Overall fair condition with excessive localized wear to pile down to foundation. Localized areas of reweaving. Extensive soiling throughout. Wear to selvage edge and fringe edges. Needs cleaning. 1039 Overall good condition for each with even pile wear and light surface soiling commensurate with age. Localized areas of sun fading.
Frame: 23” H x 28.75” W x 3.5” D
Blacklight: No evidence of restoration under blacklight. Frame: 14.25” H x 17.5” W x 1.5” D 1029 Overall good condition with minor oxidation and tarnishing commensurate with age. 1030 Overall good condition with minor tarnishing and scratches commensurate with age. 1031 Overall good condition with oxidation, scuffs, and light scratches commensurate with age. Scattered minor dents primarily to one horse body. The porcelain hour markers apparently re-painted green. Moran’s does not guarantee the working condition of clocks and watches.
1040 Overall good condition with light scratches and shelf wear commensurate with age. A small chip to the handle of the lid and to the foot of the cup. 1041 Each in overall good condition with light shelf wear commensurate with age. One with tape residue and foam core remnants to the bowl. With stand: 5” H x 8” Dia. 1042 Overall good condition with inherent firing flaws commensurate with age. Scattered losses to the rim, the longest: .5”. Tape residue to the exterior. A 1.125” L-shaped loss to the exterior. A sizable firing crack to the bottom. 1043 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 1044 Visual: Generally good condition. Stable craquelure throughout. Small chip of paint loss lower left. Surface dirt and grime. Blacklight: No evidence of restoration under blacklight.
1032 Overall good condition with minor oxidation and rubbed wear. Base: 4.25” H x 10” W x 7.75” D 1033 Overall good condition with darkening to bronze and wear to gilt commensurate with age. Applied sticker to underside of tray.
Frame: 23.75” H x 29.5” W x 2.5” D 1045 Visual: Generally good condition. Stable craquelure throughout. The edge of the original canvas is visible along the right edge. Surface dirt and grime throughout. Blacklight: No evidence of restoration under blacklight.
1034 Overall good condition with wear to the surface commensurate with considerable age. A break to the base with glued repair and corresponding hairline cracks.
Frame: 23.5” H x 29.5” W x 2.5” D
Condition Reports
1028 Visual: Minor frame abrasion along the four edges. Craquelure throughout. A .25” x .5” gouge to the board upper edge left. Tiny nicks to the board lightly scattered throughout. Surface dirt and grime throughout.
287
1046 Overall good condition with general scratches, scuffs and wear commensurate with age. Scattered shallow surface scratches to sides of clock case. Retains key. Moran’s does not guarantee working condition of clocks and watches. 1047 Overall good condition with tarnishing and wear commensurate with age. 1048 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Losses to veneer and repairs throughout. 1049 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. A 1.25” x .75” gouge to the marble top. 1050 Overall good condition with tarnishing and wear commensurate with age. Minor cracks to lacquer surface. Minor loosening to bronze mounts. 1051 Overall good condition with minor scratches and wear commensurate with age. Puncture to backing paper on lower right corner. Framed: 8.25” H x 7.875” W. 1052 Overall good condition with minor scuffs and rubbed wear commensurate with age. Scattered nicks, separation at joints, and glued repairs to the frame. 1053 Overall good condition with scattered scuffs, light scratches, and rubbed wear commensurate with age. Six plates with restorations.
Condition Reports
1054 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repairs throughout. Modern reinforcements added to upper carving. Loosening of applied carved element. Glass has been replaced.
288
1055 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor soiling to textile. Some woodworm evident in one chair. 1056 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Some repair to stretcher and minor cavities to surface. Bronze repainted.
1057 Visual: Craquelure throughout. Frame abrasion along the four edges. The canvas is slightly rippled along the upper left edge. A 6” tear to the canvas lower right edge. Stretcher bar creases along the left and right edges and across the center with associated scattered paint loss. A dime-sized depression in the canvas in the center. A dime-sized spot of paint loss lower edge right. A series of small chips of paint loss right and left edge center. Surface dirt and grime. Blacklight: A diagonal line of restoration runs across the center. Difficult to read under heavy varnish. Frame: 52.5” H x 42.5” W x 3” D 1058 Overall good condition with scratches, wear, and dust accumulation commensurate with age. Wear to malachite rim around cap piece. Wiring should be checked by a qualified electrician prior to use. 1059 Overall good condition with light scratches commensurate with age. Minor wear and divots to frame. Rest of inscription unclear. Measurements with frame: 18.125” H x 12.5” W. 1060 Overall good condition with rubbing commensurate with age. Slight oxidation in the front bottom. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1061 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Bowing to top. Losses to brass inlay and surface-reaching fractures in marble. 1062 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 1063 Overall good condition with shelf wear commensurate with age. 1064 Overall good condition with scuffs and scratches commensurate with age. Scattered chips throughout raised friezes. One eye with a break. 1065 Overall good condition with even pile wear and light surface soiling commensurate with age. Minor abrash. 1066 Overall good condition with even pile wear and light surface soiling commensurate with age. 1067 Overall good condition with even pile wear and light surface soiling commensurate with age.
1069 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks to top, and separation at joints commensurate with age but remains stable. Minor losses to edge with fill. With modern reinforcements to underside. 1070 Overall fair condition with losses, wear and tears commensurate with considerable age. Later-added inventory number added in white paint. 1071 Overall good condition with scratches and shelf wear commensurate with age. One with small chip toward base of obelisk. Each with foam protector pads to underside. 1072 Overall good condition with scratches and wear commensurate with age. One obelisk has chipped corner to base, chip to top point. Each with sticker applied to base. Each with foam protector pads to underside. 1073 Overall good condition with darkening to bronze and wear to gilt commensurate with age. Fading to black numerals. Resurfacing to gilt bronze. Includes pendulum and key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1074 Overall good condition with general scuffs, scratches, fleabites and nicks to marble elements commensurate with age. Three gilt flowers deficient from lower urns. An approximately 1”-long area of shallow chipping to corner of one white marble support. Bell deficient; working condition unknown. Moran’s does not guarantee working condition of clocks and watches. 1075 Overall good condition with scuffs and wear commensurate with age. Clock does not run. Lacking a pendulum. Moran’s does not guarantee the working condition of clocks and watches. 1076 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear to the finish, slight buckling to wood veneers. Scattered surface scratches, largest approximately 4”. Music box: 11” H x 41” W x 15.5” D Table: 31.5” H x 56” W x 30.5” D 1077 Visual: Generally good condition. A stable crack to the board in the center running the width of the piece with corresponding bracing verso. Fine crazing scattered throughout. Tiny flecks of paint loss scattered throughout. Blacklight: Minor touch-up scattered throughout. Difficult to read under heavy varnish. Frame: 22” H x 25.75” W x 2.5” D
1078 Visual: Three .25” long and a small gouge to the board upper center. Pinholes in the four corners. Three small circular spots of paint loss in the lower right corner. A small and a pea-sized area of restored paint loss upper right. A .25” scuff of paint loss in the upper left corner. Minor surface dirt throughout. Blacklight: A small and a pea-sized area of touch-up upper right. Frame: 29.75” H x 37.5” W x 1.75” D 1079 Overall good condition with rubbed wear and dust accumulation commensurate with age. Fraying to canvas at rod and lower corners. Scattered areas of wear to painted surface throughout. Visible ridges to canvas. Small hole along center bottom. 1080 Visual: Craquelure throughout. A small dot of gold frame paint in the upper right corner. A .5” repaired tear upper right. A small chip of paint loss lower left. A 2” scratch to the varnish layer lower center. Minor surface dirt and grime. Blacklight: Areas of restoration scattered throughout. The largest, a 3” x 5” area upper center. Difficult to read under heavy varnish. Frame: 37.5” H x 32.5” W x 3” D 1081 Overall good condition with minor scrapes and slight rubbed wear of gilt on edges. 1082 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Glued repair to one element of the sideboard. Heat damage to the finish of the dining table. Scattered minor losses to the tops of the leaves. Keys intact. Scattered wear, soiling, and tears to the upholstery. 1083 Overall good condition with minor shelf wear, light scratches, and light rubbing to the gilt and enamel commensurate with age. 1084 Overall good condition with tarnishing and lights scratches commensurate with age. Weight does not include hollow-handled items. 1085 Overall good condition with separation at joints, nicks, scuffs, and minor shrinkage cracks commensurate with age. One bust detached, retained. One capital broken off, retained. Scattered older and newer repairs throughout. Some secret drawers stick, one has lost the string pull. 1086 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Modern reinforcements. Evidence of old woodworm throughout. Losses to the paw feet.
Condition Reports
1068 Overall good condition with tarnishing, light scratches, and minor dents commensurate with age. Feet not level.
289
1087 Overall good condition with abrasions, scuffs, and light scratches commensurate with age. Scattered losses to the mosaic, primarily a few tiles on the background. Approximately three spots of glued repair/replaced glass, two to the background and one to the edge.
1098 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Some wear to silver dial with oxidation. Moran’s does not guarantee the working condition of clocks and watches.
1088 Overall good condition with scattered scuffs and light scratches, commensurate with age. One arrow slightly bent. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.
1099 Overall good condition for each with scattered scuffs, scratches, and nicks commensurate with age. Dial signed: Chelsea Ship’s Bell, serial number: 862097. Working condition unknown. Oxidation to brass cases. Moran’s does not guarantee the working condition of clocks and watches.
1089 Overall good condition with darkening to bronze and dust accumulation commensurate with age. May have been partially refinished or lacquered. 1090 Overall good condition with scattered scuffs and light scratches, commensurate with age. Scattered drops of house paint throughout.
Blacklight: Area of restoration in the center fluoresces under blacklight. Difficult to read under heavy varnish.
1091 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Blemishes to veneer in general, some veneer lifting, and scattered veneer loss and repair.
1101 Overall good condition with tarnishing and light scratches commensurate with age. Only marked for Matthew Boulton with “double sun” marks, no other English hallmarks present.
1092 Overall good condition with light scratches, darkening to gilt bronze, and evidence of wear commensurate with age. Slight loosening of applied elements and of select capitals. 1093 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor wear and losses to the veneers. A 1” x .75” pushed in area to one veneer panel. 1094 Overall good condition with scuffs and losses to applied floral elements commensurate with age. Darkening and tarnishing to bronze.
Condition Reports
1095 Overall good condition with scuffs and losses to applied floral elements commensurate with age. Darkening and tarnishing to bronze. Wiring should be checked by a qualified electrician prior to use.
290
1100 Visual: Stable craquelure throughout. Minor frame abrasion to the four edges. Isolated tiny flecks of paint loss scattered throughout. Visible areas of restoration in the center and upper left.
1096 Overall good condition with minimal tarnishing and darkening of bronze commensurate with age. Presence of wax among the bobeches. 1097 Overall good condition with scattered scuffs, scratches, nicks, and cracks to wood commensurate with age. Wear to wood finish on reverse. Minor rusting to hardware on reverse. Upper band of wood molding on thermometer is missing. Cap molding is loose and can be removed. Special care and consideration needs to be taken when arranging for pick-up or shipment of clocks with mercury pendulums. Buyers are responsible for arranging shipping.
Frame: 20” H x 31.75” W x 2.5” D
1102 Visual: Scattered minor frame abrasion along the upper edge. Fine stable craquelure throughout. A vertical line with scattered craquelure running the full height of the canvas down the right side. A 3” line of scattered rubbed wear in the upper left corner. A small scattered group of tiny flecks of paint loss right edge center. A tiny chip of paint loss lower right edge. Blacklight: Small dots, lines and areas of touch-up scattered throughout. Difficult to read under heavy varnish. Frame: 35.5” H x 30.5” W x 2.25” D 1103 Visual: Generally good condition. The canvas is slightly rippled. Small spots of yellow staining to the varnish layer scattered throughout. Blacklight: No evidence of restoration under blacklight. Difficult to read under varnish. Frame: 31.75” H x 26.75” W x 2” D 1104 Overall good condition with minor scuffs and dust accumulation and wear commensurate with age. 1105 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 1106 Overall good condition with darkening to bronze commensurate with age. Measurements with base: 31” H x 20” W x 11.5” D
1108 Overall good condition with darkening to bronze commensurate with age. Signed with maker’s name and instructions for use in Japanese on underside of base and underside of top. 1109 Visual: Craquelure throughout. Stretcher bar creases along the four edges. A .75” tear in the canvas upper left. Two repaired tears upper left with corresponding patches verso. A series of 3” white surface scratches upper center. A 1” line of craquelure with instability upper left edge. A series of horizontal surface scratches along the width of the canvas at the shoulder level of the subject. A pea-sized chip of paint loss with instability right edge center. A .5” L-shaped tear in the canvas lower center. Scattered chips of paint loss scattered along the lower edge. Blacklight: Evidence of restoration scattered throughout. The largest, a 2.5” x 2.5” area lower right. Difficult to read under heavy varnish. Frame: 37.5” H x 26.5” W x 1.5” D 1110 Visual: Craquelure throughout. The canvas is rippled in the upper right corner. A 2.5” x 1” loss of the paint and canvas with corresponding patch verso left center. Two repaired tears in the canvas with corresponding patches verso upper left and lower left. A small hole in the canvas with paint loss lower left. Small chip of paint loss right edge center. Small chips of paint loss with instability upper right corner. A series of indentations to the canvas lower center. Surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Difficult to read under varnish. Frame: 35” H x 26.25” W x 1.25” D 1111 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, losses to paint, and separation at joints commensurate with age. Repairs and evidence of reconstruction throughout. Evidence of old woodworm throughout. 1112 On scalloped tulle panel, extensive wear and deterioration to tulle. On scalloped floral panel with backing, fraying to edges of linen, loose stitches, holes to tulle, and soiling throughout. On scalloped quatrefoil panel, loose stitches, areas of fringe detachment, wear to fabric, and soiling throughout. 1113 Overall good condition with wear commensurate with age. Each with areas of fabric soiling throughout. 1114 Overall good condition with wear commensurate with age. Minor fraying of stitches.
1115 Overall good condition with wear commensurate with age and use. Areas of fabric soiling throughout. Extensive deterioration to silk backing. 1116 Overall good condition with wear commensurate with age and use. Separation of silk backing, areas of fraying, and minor holes throughout. 1117 Overall good condition with wear commensurate with age. Fraying to stitches throughout. 1118 Visual: A series of losses to the canvas with corresponding patches verso encompassing a majority of the lower portion of the painting. The largest is 1.5” x 3.25” along the lower edge center. A .5” loss to the canvas upper right with no patch. Extensive surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Frame: 33.75” H x 27” W x .5” D 1119 Overall good condition with minor scrapes and light rubbed wear to edges. 1120 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Top-half leans forward, with later-added bracket for securing to a wall. Cracks and evidence of old woodworm damage to the back of the upper cabinet. 1121 Overall good condition with minor scuffs and wear to the surface commensurate with age. Presence of transfer of white paint on figure’s right shoulder. Evidence of possible gluing of tool tip to anvil. 1122 Overall good condition with darkening to bronze commensurate with age. 1123 Visual: Generally good condition. Five small nail holes scattered around the perimeter. Minor frame abrasion along the right edge. Small chip to the board lower edge right. A .25” light scratch lower left. Minor surface dirt and grime. Blacklight: Small spots of touch-up scattered throughout. Difficult to read under varnish. Frame: 23” H x 26.25” W x 2” D
Condition Reports
1107 Overall good condition with wear to gilt commensurate with age. Working condition unknown. Minor loosening to bronze mounts. Moran’s does not guarantee the working condition of clocks and watches.
291
1124 Visual: Craquelure throughout. Frame abrasion along the four edges with associated paint loss scattered throughout. A pea-sized chip of paint loss upper edge right. A 1” scratch and a small chip of paint loss in the upper right corner. A 1” triangle-shaped area of restoration with scattered paint loss above the woman’s head. A quarter-sized scattered area of tiny chips of paint loss upper left edge. A .5” scratch with paint loss right edge center. A series of small chips of paint loss lower left. An 8” scattered diagonal scratch line lower right. A small chip of paint loss lower right. Surface dirt and grime. Blacklight: The triangle restoration fluoresces under blacklight. A series of small dots of touch-up around the woman’s legs and feet. A 2.5” line of touch-up left center. Frame: 66.75” H x 54.5” W x 4.5” D 1125 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered small dents to the bodies of the cream jug, sugar bowl, and waste bowl. One dent to the rim of sugar bowl. Tea pot: 6” H x 9.25” W x 5.375” D Cream jug: 4” H x 6.375” W x 4.25” D Sugar bowl: 4.625” H x 6.875” W x 4.5” D Waste bowl: 3” H x 4.375” Dia. 1126 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repairs throughout. 1127 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Repairs, cracks, and two cracks to lower glass tablet. Crazing to dial. Repairs to finial base. Moran’s does not guarantee the working condition of clocks and watches. 1128 Visual: Stable craquelure scattered throughout. A small chip of paint loss in the upper right corner. A 3” scratch upper right. A .75” x .5” area of scattered paint loss lower center. A 3” x 3” area of creased canvas lower right corner. A 1.25” and a .25” scratch in the lower left corner. Blacklight: Small spots, lines and areas of touch-up scattered throughout. Difficult to read under heavy varnish.
Condition Reports
Frame: 44.75” H x 53.75” W x 3.75” D
292
1129 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Repairs and cracks to hinge points. Repairs and cracks throughout. Hinges need repair. Signed paper label to interior. Moran’s does not guarantee the working condition of clocks and watches. 1130 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Appears to have original glass tablet and case finish. Tablet has minor flaking. Crazing to dial. Top scrolls have been repaired. Hands possibly replaced. Key not original and does not engage lock. Repairs throughout. Moran’s does not guarantee the working condition of clocks and watches.
1131 Overall good condition with tarnishing and light scratches commensurate with age. Insulators on coffee pot handle are loose, handle is insecure. 1132 Each in overall good condition with tarnishing and light scratches commensurate with age. 1133 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Cast as multiple pieces. Several elements loosely attached and some joinings visible. Scattered filled holes probably dating to time of manufacture; particularly to female’s shoulder. A drilled hole to back of female figure and top of the child’s head.
1134 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Alligatoring and cracks to finish of the painted panels. An approximate 1” loss to one painted panel. Shallow losses and housepaint drops to the wood panel verso. 1135 Overall good condition with scattered scuffs, scratches, oxidation and rubbed wear commensurate with age. Mounts are slightly loose. 1136 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear, pulled threads, and minor loss stitches to upholstery. Some tears to the arms. Section of trim missing from one chair. Sections of the trim have been replaced. 1137 Overall good condition with scuffs and wear to gilt commensurate with age. Repaired break to lid. Visible repair to neck. No mark visible. 1138 Overall good condition with wear and scratches commensurate with age. Possible repainting or refinishing to gilt. Five branching light sockets disconnected, one finial light socket detached, and one finial light socket missing. Wiring should be checked by a qualified electrician prior to use. 1139 Overall good condition with wear to gilt commensurate with age. Includes pendulum and key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1140 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 1141 Overall good condition with even pile wear and light surface soiling commensurate with age.
1143 Overall good condition with even pile wear and light surface soiling commensurate with age. 1144 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Shrinkage cracks to lower front. Minor losses and repairs to veneer. Includes pendulum and key. Mechanism: 20.25” H x 14.25” W. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1145 Each in overall good condition, with general minor scuffs, light surface scratches, and rubbed wear and losses to gilt decoration commensurate with age. One with a circular crack to the underside, partially visible from the top. 1146 Visual: Generally good condition. Blacklight: Two small dots of touch-up in the center. A 2” x .25” line of touch up along the back of the white horse. Certain pigments fluoresce under blacklight, likely in the hand of the artist. Frame: 33.75” H x 40.75” W x 3” D 1147 Visual: Craquelure throughout. The upper two inches of the canvas are cracked and flaking with small chips of paint loss. A pea-sized chip of paint loss lower center. Three small chips of paint loss lower edge right. Surface dirt and grime. Blacklight: Small spots and lines of touch-up scattered throughout, concentrated mostly along the upper and lower edges. Difficult to read under varnish. Frame: 25.25” H x 30” W x 2.5” D
1151 Overall good condition with fading of textile pigment and minor scratches to frame commensurate with age. 2.5” chip to wooden frame on larger woolwork. Each feature loosening and fraying of fibers. Unsigned. Framed: 15.75” H x 19.875” W / 25.75” H x 32” W. 1152 Overall good condition with fading of textile pigment and minor scratches to frame commensurate with age. Heavy deterioration to backing paper. Unsigned. Framed: 24.875” H x 31.625” W. 1153 Overall good condition with dust accumulation and minor wear commensurate with age. Measurements with base: 24.75” H x 24.875” W x 6.25” D 1154 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Shrinkage cracks to carcass and bowing to slant top. Minor veneer loss throughout. Localized areas of woodworm. Lock to slant top with missing key. 1155 Overall good condition with scuffs, losses, and tarnishing commensurate with age. Issues include, but are not limited to: one with chip to porcelain ground. 1156 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Ninon de Lenellos and Mad de Sevigne with crazing and restoration. Scattered porcelain plaques with missing jewels, rubbed wear, and light scratches. 1157 Overall good condition with tarnishing and minor scratches commensurate with age. Some loosening to joins on hollowhandled items. Bending to two table spoons. One fish fork with bent tine. Plastic salad serving fork not marked. Monogrammed as stated.
1148 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Evidence of woodworm throughout. Does not retain shelf. Replaced rear plank.
1158 Each in overall good condition with scuffs, nicks, and rubbed wear commensurate with age. The rouge marble with scattered filled cracks and glued repairs. One standard with two repaired cracks running through the diameter of the piece.
1149 Overall good condition with tarnishing, oxidation, and scratches commensurate with age. Missing bolt on front upper left corner of stand. 49.5” H with base. Wiring should be checked by a qualified electrician prior to use.
1159 Generally good condition. Minor toning to the paper. Minor handling creases scattered throughout. Mat burn along the four edges. A pea-sized light colored stain right edge center. Tape remnants from a previous mounting in the upper corners verso. Hinged to the recto mat with brown paper tape along the upper edge.
1150 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Some oxidation to dial with localized wear. Refinshed brass case. Personalized inscription into case. Moran’s does not guarantee the working condition of clocks and watches.
Frame: 14.5” H x 15.5” W x 1.5” D
Condition Reports
1142 Overall good condition with even pile wear and light soiling to surface commensurate with age.
293
1160 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Some chips to mirror edges. 1161 Visual: The first: Minor frame abrasion along the left and lower edges with severe abrasion with paint loss along three inches of the lower left edge. Craquelure scattered throughout. Paint shrinkage with minor paint loss scattered throughout the limbs of the tree. A .75” scratch lower right. A quarter-sized area of discoloration lower left. Surface dirt and grime with a heavily oxidized varnish layer. The second: The canvas is slightly loose and rippled. Craquelure scattered throughout. Frame abrasion to the upper and right edges with associated paint loss. A .75” scattered tear in the center with corresponding patch verso. A small chip of paint loss lower edge right. Surface dirt and grime with an oxidized varnish layer. Blacklight: Each: No evidence of restoration under blacklight. Difficult to read under varnish layer. Frame of each: 12.75” H x 16.75” W x 1” D 1162 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Alligatoring to the finish of the top. Warping to the top tier. Slight warping to the bottom two tiers. 1163 Visual: Repaired holes in the canvas on the subject’s nose and below the signature with corresponding patches verso. Small punctures to the canvas lower left, lower right and to the subjects right shoulder. A .5” repaired tear upper left. A .5” scratch left edge center. A 1.25” scratch to the subjects left hand. A 2.75” line of scuff marks lower left. Surface dirt and uneven varnish throughout. Blacklight: Spots and areas of touch-up scattered througout. The largest a 8” x 5” triangular area above the subjects right shoulder. Frame: 55” H x 44” W x 2.25” D
Condition Reports
1164 Overall good condition with even pile wear and light soiling to surface commensurate with age. 2” area of wear to selvage edge corner.
294
1165 Overall good condition with even pile wear and light surface soiling commensurate with age. Sun fading throughout. Minor areas of moth losses. 1166 Overall good condition for each with even pile wear and light surface soiling commensurate with age. Some wear to selvage cords. With dye run and losses to each fringe edge border. 1167 Overall good condition for each with even pile wear and light surface soiling commensurate with age. Localized low spots to foundation. 2.25” x 1.25” rewoven area of selvage border.
1168 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repairs to some of the elements throughout. Scattered minor losses to carvings. Wear to mirror back. Repainted. 1169 Overall good condition with scattered scuffs, shrinkage cracks, wear to paint, wear to finish, insect damage, and nicks commensurate with age. The diorama panels with loose elements and dust accumulation. The reverse-painted panels with paint loss and flaking to paint primarily in the sky. Wear to interior lock mechanism, door does not lock properly. A section of loss to one front swag. Each swag with glued repairs. 1170 Overall good condition with tarnishing and light scratches commensurate with age. One sterling inkwell canister insert has broken base that is detatched. Left lid latch missing. Minor dents to tray. Pen nib has significant rust and deterioration. 1171 Overall good condition with minor shelf wear and scratches commensurate with age. Signed “Libbey” to the underside of base as stated. Small surface chip near upper rim and small scratch to middle. 1172 Overall good condition with oxidation and rubbed wear and with polished residue scattered throughout. 1173 Overall good condition with minor shelf wear, scattered scuffs, and light scratches commensurate with age. 1174 Overall good condition with minor shelf wear commensurate with age. Surface chip near lower base. Unmarked. 1175 Overall good condition with scuffs, scratches, and wear commensurate with age. 1176 Visual: Craquelure throughout, unstable in some areas. Stretcher bar creases along the four edges. A .5” x .25” chip of paint loss upper right. Small and tiny chips of paint loss scattered throughout. Surface dirt and grime throughout. Blacklight: No evidence of restoration under blacklight. Frame: 46.75” H x 46.5” W x 2.25” D 1177 Overall good condition with shelf wear and minor chips commensurate with age and use. Minor areas of wear to paper liner of shades. Wiring should be checked by a qualified electrician prior to use. 1178 Overall good condition with scratches and wear commensurate with age. Eye-visible inclusions and surface-reaching fractures throughout. With foam protector pads to underside.
1179 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Losses to gilt throughout. Missing rear panel. Moran’s does not guarantee the working condition of clocks and watches. 1180 Overall good condition with scattered scuffs, scratches, nicks, localized shrinkage cracks, and separation at joints commensurate with age. Some fading to veneer, minor veneer lifting, minor losses to veneer, surface abrasions to top, and pleated sides may have been replacements for glass panels. 1181 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor losses/lifting to veneers. Drawers stick a bit. 1182 Each in overall good condition with minor scuffs and chips to malachite with some oxidation, denting, and visible seams to bronze elements commensurate with age. Each urn: 39” H x 26” W x 21” D Each pedestal: 49” H x 19” W x 19” D
1190 Overall good condition with oxidation, scuffs, and nicks, commensurate with age. Possible repair to figure’s neck. A chip to one corner of the marble base. 1191 Overall good condition with chips, cracks, and losses througout. Wear to rim. 1192 Overall good condition with weathering, professional repairs, and signs of hairline cracks throughout. Losses along the base of both the urn and the pedestal. 1193 Visual: Stretcher bar creases along the four edges and down the center with associated paint loss down the center. Craquelure throughout. A 1.5” x 13” area of scattered paint loss along the center of the lower edge. A small area of scattered flecks of paint loss lower left. A small area of scattered flecks of paint loss lower right. A small fleck of paint loss left center. Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish.
1184 Overall good condition with scuffs and wear commensurate with age and use. Unsigned.
1194 Overall good condition with scratches and nicks commensurate with age. Working condition unknown. Repairs and cracks throughout. Crack to glass panel side. .25” x 1.5” loss of veneer to upper corner. Repairs to case. Moran’s does not guarantee the working condition of clocks and watches.
1185 Overall good condition with tarnishing and light scratches commensurate with age and use. Bending to openwork gallery on center piece. Some areas of metal wear and breakage to openwork gallery.
1195 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One recessed area of the apron pushed in. Losses to the finish of the top. Later-added reinforcements underneath to top.
1186 Overall good condition with tarnishing and wear commensurate with age. Cracks and repairs to porcelain base. Dome has 1” x 1.5” crack repair to lower rim. Missing ornament at top of cowtail pendulum. Minor cracks to dial. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.
1196 Overall good condition with tarnish, dust accumulation, and wear commensurate with age. Issues include, but are not limited to: one featuring a repair to the lion’s arms and join to upper node of shield, repairs to lion’s feet, one missing lion’s fang, chipping to ceramic under base, and loosening of bronze elements; one featuring repair to lion’s arm with possible recracking occuring, evidence of possible repair to lion’s body. Restorations inconsistent in glazing.
1187 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered losses to the carving and repairs throughout. 1188 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Includes pendulum. Working condition unknown. Losses to veneer. 1189 Overall good condition with wear to bronze commensurate with age. Minor wear to marble on corners. With applied felt padding to underside.
1197 Overall fair condition with scattered areas of unweaving to foundation. 1198 Visual: Generally good condition. The canvas is loose. Stretcher bar creases along the four edges and across the center with associated scattered craquelure. A 3” scattered line of rubbed wear left center. A pinhole in the canvas right edge center. Blacklight: Small dots of touch-up scattered in and around the man’s face. A quarter-sized area of touch-up in the lower right corner. A 3” scattered line of touch-up left center. A series of small dots of touch-up lower center and lower right. Difficult to read under heavy varnish. Frame: 50.25” H x 40.25” W x 1.75” D
Condition Reports
Frame: 40.25” H x 35.75” W x 2.5” D 1183 Overall good condition with scuffs, scratches, and tarnishing commensurate with age.
295
1199 Generally good condition. Toning to the paper. The mat has surface dirt and staining throughout. Not examined out of the frame.
1208 Overall good condition with tarnishing and light scratches commensurate with age.
Frame: 36.25” H x 29” W x 1.5” D
1209 Each in overall good condition with minor rubbed wear.
1200 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Repairs and cracks throughout. Dial replaced and severe cracks and repairs to lower part of case due to weight. Moran’s does not guarantee the working condition of clocks and watches. 1201 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Repairs and cracks throughout. Crazing to dial. Replaced bottom. Chip to lower glass panel. Moran’s does not guarantee the working condition of clocks and watches. 1202 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Oxidation to dial. Replaced glass. Moran’s does not guarantee the working condition of clocks and watches. 1203 Visual: Frame abrasion along the lower edge. A .25” x .5” chip of paint loss upper right edge. A pea-sized spot of rubbed paint loss lower left. Fine craquelure scattered throughout, most prominent in the darker pigments. Tiny chip of paint loss below the subject’s left eye. Surface dirt and grime with oxidation to the varnish layer. Blacklight: Possible quarter-sized area of touch-up in the lower right corner. Difficult to read under varnish. Frame: 34.5” H x 31” W x 2.5” D 1204 Steamer in overall good condition with tarnishing and light scratches commensurate with age. Casing in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints. One dent to top edge of one metal edge of case. In working condition, retains key.
Condition Reports
1205 Visual: Generally good condition. Vertical fine craquelure inherent to the board throughout. Overall yellowing of the varnish layer.
296
1210 Overall good condition with rubbed wear to the bowl and oxidation to the base commensurate with age. Totters. 1211 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 1212 Overall good condition with oxidation to the metal and rubbed wear to the glass commensurate with age. The lid is not secured to the frame, needs to be re-glued. Totters. 1213 Each in overall good condition with light scratches and nicks commensurate with age. Small chip to base on one. The rock crystal shows typical, natural eye-visible inclusions and surfacereaching fractures. Wiring should be checked by a qualified electrician prior to use. 1214 Each in overall good condition with glue residue, minor scuffs, nicks, and scratches throughout. One corner of one obelisk with losses to the cement. 1215 Overall good condition with tarnishing and darkening to bronze commensurate with age. Some loosening to sconces on fauxcandle capitals. Wiring should be checked by a qualified electrician prior to use. 1216 Overall good condition with oxidation, scuffs, light scratches, and nicks commensurate with age. 1217 Overall good condition with scattered scuffs and darkening to bronze commensurate with age. Some areas repainted.
Blacklight: A 2” area of touch-up down the right edge from the upper corner. Small lines of touch-up scattered throughout the upper right quadrant. Difficult to read under heavy varnish.
1218 Visual: Generally good condition. Tiny chip of paint loss upper left corner. A .75” scratch upper left.
Frame: 15” H x 16.5” W x 3” D
Blacklight: Small spot of grime fluoresces under blacklight lower center.
1206 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Includes pendulum. Moran’s does not guarantee the working condition of clocks and watches.
Frame: 36.75” H x 43.75” W x 1.25” D
1207 Overall good condition with tarnishing and light scratches commensurate with age. One mounted knight loose on base.
1219 Overall good condition with scattered scuffs, scratches, nicks, localized shrinkage cracks, and separation at joints commensurate with age. Some losses to brass banding, evidence of being refinished, repairs to brass inlay and banding, and repairs to top.
1221 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Scattered chips and minor losses to the marble primarily to foot. 1222 Visual: The canvas is loose and rippled. Craquelure throughout. Stretcher bar creases and frame abrasion around the perimeter. A 1” area of scattered tiny flecks of paint loss on the subjects left shoulder. A .5” scratch with paint loss and a small chip of paint loss upper center. Blacklight: The scratch and chip upper center has been touched up. Frame: 40.5” H x 33” W x 3.5” D 1223 Visual: Generally good condition. Fine craquelure throughout with areas of heavier stable craquelure scattered throughout. Frame abrasion along the upper edge. Surface dirt and grime throughout. Blacklight: No evidence of restoration under blacklight. Difficult to read under heavy varnish. Frame: 35.5” H x 30.5” W x 3.25” D 1224 Overall good condition with scuffs, scratches and wear to gilt commensurate with age. Rusting to mounting hardware. Minor imperfections in glazing. Evidence of wear to joining between base and urn. Unidentified mark to base. 1225 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repairs throughout.
1229 Overall good condition with tarnishing and light scratches commensurate with age. Hinge on right inkwell broken. No markings. 1230 Overall good condition with scuffs and losses to applied floral elements commensurate with age. Issues include but are not limited to: one with evidence of repaired break to torso of right figure; one with possible repair to flower on plinth and break to flower stamen and crack to leaf on urn; securing putty on upper rims and to surface of both plinths; protective foam padding to feet of one plinth. 1231 Overall good condition with tarnishing, scratches, and minor dents commensurate with age. One sconce with broken pull chain. Wiring should be checked by a qualified electrician prior to use. 1232 Overall good condition. Each handle has been re-gilt, likely covering restoration, difficult to determine under paint. Rubbed wear and losses to the applied decoration. The figure with a 1.5” scuff to the body. Later-added museum putty to the lid. The vase is slightly loose from the base. 1233 Overall good condition with minor scuffs and darkening to bronze commensurate with age. One visible plug to the leg. Scattered chips and nicks to marble plinth: longest .75”. 1234 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. 1235 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. 1236 Overall fair condition with weathering, cracks, and repairs throughout. Cracks and attempted repairs primarily concentrated to the figure.
1226 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. 5.75” crack to glass dome. Minor oxidation and wear to dial. Oxidized brass movement. Moran’s does not guarantee the working condition of clocks and watches.
1237 Overall good condition with scattered scuffs, scratches, nicks, and chips to the marble commensurate with age. Break to accordion player’s pinky finger. Signed to back as stated.
1227 Visual: Generally good condition. Stable craquelure throughout. Stretcher bar creases along the four edges. Frame abrasion along the upper left and lower right edges.
1238 Visual: Stable craquelure throughout. Frame abrasion along the four edges. The edge of the original canvas is visible along the upper edge. A 1.25” area of paint loss along the upper edge center. Tiny dots of gold frame paint lightly scattered along the perimeter. Surface dirt and grime.
Blacklight: Small spots and lines of touch-up scattered throughout. Difficult to read under heavy varnish. Frame: 38.5” H x 33” W x 2.5” D 1228 Overall good condition with scuffs, minor scratches, dust accumulation, and minor wear to gilt commensurate with age.
Blacklight: No evidence of restoration under blacklight. Difficult to read under heavy varnish. Frame: 24.5” H x 21.75” W x 3” D
Condition Reports
1220 Overall good condition with tarnishing and scratches commensurate with age. Includes key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.
297
1239 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Crazing and oxidation to dial. Minor paint loss to dial. Signed as stated. Moran’s does not guarantee the working condition of clocks and watches. 1240 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Scattered repairs throughout case. Replaced bottom. Moran’s does not guarantee the working condition of clocks and watches. 1241 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Repairs and cracks throughout. Replaced wood bottom. Moran’s does not guarantee the working condition of clocks and watches. 1242 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Working condition unknown. Repairs, cracks, and one crack to glass tablet. Crazing to dial. Replaced finial base. Repairs throughout. Moran’s does not guarantee the working condition of clocks and watches. 1243 Visual: Generally good condition. The canvas is rippled in the four corners. Stretcher bar creases along the upper and left edges and down the center. Isolated areas of fine craquelure scattered throughout concentrated mostly in the sky and mountains. Light drips of varnish upper center. A .5” scratch with paint loss lower center in the river. Surface dirt and spots of grime scattered throughout. Blacklight: No evidence of restoration under blacklight. Difficult to read under varnish. Frame: 38” H x 53.75” W x 2.5” D 1244 Overall good condition with shelf wear and tarnish commensurate with age.
Condition Reports
1245 Overall good condition with tarnishing and light scratches commensurate with age. Minor dents to jug throughout.
298
1246 Overall good condition with minor shelf wear commensurate with age. Extra 2” to width with handle. 1247 Overall good condition with tarnishing, light scratches, oxidation to underside, and minor dents commensurate with age. Minor nick to the glass rim, rubbed wear to the enamel, and light scratches. 1248 Overall good condition with minor tarnishing and light scratches commensurate with age and use. 1249 Overall good condition with scuffs and wear to gilt commensurate with age. Evidence of repairs to lid.
1250 Overall good condition with scattered rubbed wear commensurate with age. 1251 Overall good condition with tarnishing, rubbed wear, minor dents, and light scratches commensurate with age. Cracks to the mirror back. 1252 Generally good condition. Minor toning to the paper. Tiny dots of yellow foxing lightly scattered throughout. Measurements and marks in pencil in the hand of the artist along the right, upper and lower edges. Light smudges scattered throughout. Not examined out of the frame. Frame: 14” H x 11.5” W x 1.25” D 1253 Overall good condition with dust accumulation and wear commensurate with age. Measurements with base: 15.125” H x 11.5” W x 13.5” D 1254 Overall good condition with tarnishing and light scratches commensurate with age. Bread tray monogrammed as stated. 1255 Overall good condition with scuffs, scratches, and nicks commensurate with age and use. Issues include, but are not limited to: evidence of superficial cracks in applied white relief decorations; imperfections in porcelain surface on cheese dome; repaired chip on rim and minor chipping on underside base of cheese dome; evidence of wax residue on candlesticks. Candlesticks marked as stated. Cheese dome unmarked. 1256 Overall good condition with scattered scuffs, scratches, nicks, and chips to the marble commensurate with age. One loss to left index finger: approximately 1.5”. Repaired breaks to the bottom half throughout, including to the base and both legs. 1257 Overall good condition with scattered scuffs, scratches, nicks, and chips to the marble commensurate with age. Chips to the base. Two small brown stains. 1258 Overall good condition with tarnishing and light scratches commensurate with age. One salt cellar is missing raised hand and trident, and one salt cellar shows possible signs of repair to trident. 1259 Overall good condition with tarnishing and light scratches commensurate with age. Minor dents to round box and minor wear of enameling on enamel box. Enamel box engraved as stated. 1260 Overall good condition with minor shelf wear commensurate with age. On cyclindrical vase, surface imperfections below uppermost pansy, adhesive residue to base inscribed with “13” in red ink. On round bowl, surface imperfections and wear to gold enameling.
1261 Overall good condition with minor shelf wear commensurate with age. 1262 Overall good condition with minor shelf wear and scratches commensurate with age. Base of humidor jar marked: 532. Base of balustrade from vase marked: 4. 1263 Overall good condition with tarnishing and light scratches commensurate with age. Monogrammed as stated.
Condition Reports
1264 Each in overall good condition with tarnishing and light scratches commensurate with age.
299
Bid Now
Fine Jewelry & Timepieces December 15, 2020
Lot: 55 A Tiffany & Co. sapphire and diamond ring $7,000-9,000
Consignment and Auction Inquiries: jewelry@johnmoran.com
145 East Walnut Ave, Monrovia, CA 91016 www.johnmoran.com · info@johnmoran.com · (626) 793-1833
Consign Today
The Traditional Collector Spring 2021
Heywood Hardy (1843-1933, British) “Going to the meet”
Price Realized: $11,875
Consignment and Auction Inquiries: roland@johnmoran.com
145 East Walnut Ave, Monrovia, CA 91016 www.johnmoran.com · info@johnmoran.com · (626) 793-1833
John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran
SPECIALISTS
Head of Sale, Vice President, Furniture & Decorative Arts Specialist Roland Rynkiewicz Senior Vice President, Fine Art Director Morgana Blackwelder Junior Specialist / Senior Cataloguer: Furniture & Decorative Arts Jardine Gates, GIA G.G. Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Fine Art Cataloguer Mike Hook Furniture & Decorative Art Cataloguer Shannon Dailey 20th Century Furniture & Decorative Arts Specialist John Simon Taylor Post War & Contemporary Fine Art Bree Hughes American Indian Specialist Maranda Moran Head of Sale, Jewelry Director
Mollie Burns Keith, G.J.G
CLIENT SERVICES
Office Manager Mario Esquivel Client Services Ella Fountain
OPERATIONS
Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford
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Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran
This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.
BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.
BIDDING INCREMENTS:
$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.
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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the
purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.
Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]
General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the nal bid, plus uyer s Premium on the nal bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided. Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid. New bidders will be asked to provide financ al accoun nforma on as a reference All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance. UYER S PRE IU : P s calcula ed a on e firs $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.
uyers outside of the United States must submit payment via wire transfer Credit cards are not an accepted form of payment for buyers outside of the United States
Title:
First Name:
Paddle number
Sale number
Please email or fax the completed Registration Form and re uested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank. Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In e e en of a e b d e e s ra on Form rece ed firs ll be reco n ed as the winning bid.
Please list lots for absentee bidding on reverse
In order to better serve you, please mark the checkbox’s below for your auction interests.
Last Name: Driver’s License number:
18th & 19th Century Furniture & Decorative Art
Company Name:
20th Century / Modern Design
Address 1:
American Art
Address 2:
Asian Art & Objects
City:
Couture / Luxury Goods
State:
Postal Code:
European Art
Country:
Jewelry & Timepieces
Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.
Telephone (primary):
Rugs & Carpets Silver
Fax: Have you registered with Moran’s before? Yes
No
How did you hear about our services?
Sellers permit info: Contact of ce for veri cation State: I agree that I have read Signature:
Native American Objects Prints & Multiples
Telephone (secondary):
Permit #
Modern & Contemporary Art
Turn of the Century Design / Arts + Crafts Western Art a e a s ec fic y e of em you are n eres ed n let us know:
Exp: oran s Conditions of Sale and shall be bound by them This affects my legal rights Date:
rev. 7/2018
Registration Form (Attendee / Absentee / Telephone Bidding)
Paddle number [For office use only] FOR OFFICE USE ONLY
General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion
Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:
Absentee & Telephone Bidding Lot Number
Lot Description
***Absentee bids must be at least half of the low estimate*** Maximum Bid
(Excludes Buyer’s Premium) Absentee only
FOR OFFICE USE ONLY
Y/N
Last Bid $
PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid
Received By:
Date:
rev. 7/2018
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