The Traditional Collector—September 23, 2020 | John Moran Auctioneers by johnmoranauctioneers

The Traditional Collector Wednesday, September 23, 2020â&#x20AC;&#x201D;12pm

The Traditional Collector Wednesday, September 23, 2020 â&#x20AC;&#x201D;12pm Sale 172 145 East Walnut Avenue, Monrovia CA 91016 Private Previews Available By Appointment

Meet the Team Roland Rynkiewicz Head of Sale, Vice President Furniture & Decorative Arts Director roland@johnmoran.com

Morgana Blackwelder Senior Vice President Fine Art Director morgana@johnmoran.com

Jardine Gates GIA G.G. Furniture & Decorative Arts Cataloguer jardine@johnmoran.com

Mike Hook Fine Art Cataloguer mike@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

A Tiffany & Co. sterling silver center bowl

Circa 1891-1902 Stamped: Tiffany & Co / 13780 Makers 1802 / Sterling Silver / 925-1000; Further stamped for Charles L Tiffany: T; Personalized to center The bowl with flower and clover leaf pattern to the rim 2.5” H x 10” Dia. 17.935 oz. troy approximately $800-1,200

Three Tiffany & Co. sterling silver serving trays

Circa 1891-1902 Each stamped for Tiffany / Sterling; Further stamped with individual maker’s marks and [T] for Charles L. Tiffany dates Comprising one footed bon bon dish with ornate foliate rim, one berry bowl with pierced berry and leaf motif to rim, and one low dish on four feet with hammered floral and shell edge each personalized to center, 3 pieces Tallest: 3.25” H x 7.25” Dia. 25.680 oz. troy approximately $1,000-2,000 1

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A Tiffany & Co. “Vine-Multi” sterling silver serving set Circa 1872-1891 Each stamped: Tiffany & Co. / Sterling; Further stamped for Edward C. Moore dates: [M] Comprising a cold meat serving fork (8.75”) and serving spoon (8.625”), 2 pieces 5.115 oz. troy approximately $300-500

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The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Lalique “Macaw” amber and frosted art glass vase

Fourth-quarter 20th Century Acid-etched signature and edition number: Lalique (R) France / 39/99 The vase with amber double parrot-head handles and molded parrot feathers throughout the body 13” H x 9.5” W x 6.5” D $2,000-3,000 Provenance: Property from a Northern Californian Estate

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A Daum amber pâte de verre glass cheetah

Fourth-quarter 20th Century Signed and editioned to tail: Daum / France / 241/1000 The limited edition “Guepard” sculpture by Jean-Francois Leroy depicting a seated cheetah 10.75” H x 11” W x 6.5” D $1,000-1,500 Provenance: Property from a Northern Californian Estate

A Daum pâte de verre lion

Fourth-quarter 20th Century Signed and editioned to tail: Daum / 358/1000 The recumbent lion in dark to light amber glass with paws crossed 8” H x 18” W x 5.5” D $2,000-3,000 Provenance: Property from a Northern Californian Estate

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A Ferdinand Liebermann porcelain sculpture, “Schreck” Circa 1910 Signed to reverse for artist and Rosenthal AG: Ferd. Liebermann The porcelain Pan figure with scarab 16.5” H x 12” W x 8.5” D $3,500-4,500 w w w. j o h n m o r a n . c o m

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

An opposing pair of RStK Amphora shell vases

Circa 1892-1905; Teplitz, Austria Each marked for Riessner, Stellmacher & Kessel Turn-Teplitz; Further stamped: 1138 / 8 The opposing male and female figures each with a large shell and floral base, 2 pieces Each approximately: 26.5” H x 8” W x 11” D $1,500-2,500

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A Royal Dux Art Nouveau vase

Circa 1900-1918 Marked for Royal Dux Bohemia: [Rose-Triangle Acorn] The large vase with a double-handled rim and additional handles to base adorned with pressed and painted ginkgo leaf design and gilt decoration 19.5” H x 12” W x 10” D $500-700

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A Wallace “Grand Baroque” sterling silver flatware service

Second-half 20th Century Each marked for Wallace / Sterling; Knives further marked: Wallace / Sterling Handle / Stainless Blade Designed 1941 by William S. Warren comprising 12 hollow-handled steak knives (9.5”), 12 hollow-handled dinner knives (9”), 1 master butter knife (6.625”), 12 dinner forks (7.5”), 12 salad forks (6.5”), 12 spoons (6.875”), 12 teaspoons (6.125”), 12 round-bowl soup spoons (6.125”), 2 serving forks (8.125”), 3 serving spoons (8.75”), 1 pierced serving spoon (8.75”), 1 gravy ladle (6.625”), and 1 sugar spoon (6.25”), 93 pieces Weighable sterling: 122.155 oz. troy approximately $2,500-3,500 w w w. j o h n m o r a n . c o m

Gustav Wentzel

(1859-1927, Norwegian) Mountain landscape, 1919 Oil on board Signed and dated lower left: Gustav Wentzel, dated again and inscribed in Norwegian verso 10â&#x20AC;? H x 16.25â&#x20AC;? W $1,000-1,500

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A Fabergé carved Gorilla hand with diamonds on Lucite stand

Late-19th/early-20th Century Stamped in Cyrillic for Karl Armfelt and Faberge: RA / [Cyrillic signature] / 88 The gorilla head with diamond eyes with possibly later-attached purple enamel and gold collar Overall: 5.5” H x 4” W x 4” D; Gorilla: 2.875” H x 2.75” W x 2” D $2,500-3,500

A Fabergé sterling bird head cane handle on Lucite stand Late-19th/early-20th Century Stamped in Cyrillic for Julius Rappoport and Faberge: [Imperial Warrant] / [Cyrillic Faberge Initials] / [IP] The eaglet head on a royal blue enamel staff Overall: 7.75” H x 3.625” W x 3.75” D; Faberge: 5.5” H x 1.375” W x 2.5” D $2,500-3,500

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The T he Tr ad iitt iio o n a l C o lle l l e c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A pair of Lalique art glass swans

Fourth-quarter 20th Century Each with acid etched signature: Lalique (R) France The pair of frosted and clear glass swans one with head raised, one with head lowered set on a mirrored oval plateau with etched waves, 3 pieces Overall: 9.75” H x 33” W x 22” D $2,000-3,000 Provenance: Property from a Northern Californian Estate

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A Lalique “Luxembourg” cherub bowl

Fourth-quarter 20th Century Acid etched to underside: Lalique / France The large center-bowl depicting frolicking cherubs 8.375” H x 13”ù Dia $1,200-1,800 Provenance: Property from a Northern Californian Estate

The T he Tr ad iitt iio o n a l C o lle l l e c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Lalique “Versailles” art glass urn

Fourth-quarter 20th Century Acid-etched signature and edition to foot: Lalique (R) France / 44 Originally designed by Rene Lalique in 1939, the classic urn shape inspired by the Medici vases with frosted floral motif 14” H x 9.5” Dia. $1,000-1,500 Provenance: Property from a Northern Californian Estate

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An Art Nouveau library table

Late-19th Century The table with figural bearded carved legs and apron 29” H x 54.5” W x 36” D $2,000-3,000

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A marquetry inlay table top jewelry box

Circa 1900 Signed in inlaid wood to lid: Galle The Art Nouveau jewelry box with hinged lid, inside mirror, and lift-out shallow drawer 7.75” H x 13.5” W x 9.5” D $1,200-1,800

A marquetry tray

Late-19th/early-20th Century Signed in inlay: Galle The tray with inlaid flower and leaf design 3.125” H x 24.125” W x 15.75” D $600-900

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A Loetz jack-in-the-pulpit style iridescent glass vase Late 19th/early-20th Century; Bohemia (Czech Republic) The Art Nouveau vase in rare red glass with hand-applied threading 12.125” H x 5.875” W x 4” D $600-900

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A Loetz tri-corner iridescent glass vase

Late 19th/early-20th Century; Bohemia (Czech Republic) The ribbon-style Art Nouveau vase in turquoise and red 9.125â&#x20AC;? H x 4.5â&#x20AC;? Dia. $600-900

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A Loetz iridescent glass vase

Late 19th/early-20th Century; Bohemia (Czech Republic) The two-handled Art Nouveau green glass vase with handapplied threading texture 12.125â&#x20AC;? H x 9.5â&#x20AC;? Dia. $800-1,200

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A Steuben crystal trout with fly in original box

Second-half 20th Century Signed to base: Steuben Designed 1966 by James Houston, the trout depicted leaping for an 18k yellow gold Royal Coachman fly in original leather and red velvet and satin box Overall: 8.75” H x 6” W x 2.25” D $600-900

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An assembled group of Steuben glassware

20th Century All but two personalized Comprising 12 plates (8.375” Dia.), 12 fingerbowls (2.5” H x 4” Dia.), 12 water goblets (5.25” H x 3.75” Dia.), 12 stemless goblets (4.25” H x 3.875” Dia.), 12 cordial glasses (4.375” H x 2.5” Dia.), 6 sherbets (3.75” H x 4.25” Dia.), and 6 flat champagne glasses (3.75” H x 4” Dia.), 72 pieces $1,200-1,800

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Four S. Kirk and Sons “Repousse” sterling silver objects Circa 1868-1890 Each stamped: S. Kirk & Son / 11 oz; Three pieces personalized Comprising two tea kettles, one cream jug, and one plate, 4 pieces Larger kettle: 8” H x 11” W x 6.75” D 91.240 oz. troy approximately $2,000-3,000

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Jean Albert Pougny

(1892-1956, Russian / French) Still life with “LE MI” Oil on canvas laid to panel with applied newsprint Signed lower left: Jean Pougni 13.75” H x 25.75” W $3,000-5,000

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Demétre Haralamb Chiparus

(1886-1947, Romanian) Young woman with Borzoi Bronze sculpture with gold and silver patina on marble base Inscribed to base: D.H. Chiparus / Bronze Veritable / Editions Reveyrolis / Paris 12.5” H x 27” W x 6.625” D $4,000-6,000

After Ernst Barlach

(1870-1938, German) “Das Wiedersehen” Patinated bronze over cast plaster Signed to base: E. Barlach; Further marked to base: (c) MPI Overall: 20.5” H x 8.25” W x 5.5” D $1,000-2,000 Notes: Marked to base (c) MPI, most likely a later reproduction.

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Romain (Erté) de Tirtoff

(1892-1990, Russian) “L’Amour,” 1990 Cold painted bronze Signed, editioned, and dated: Erte ; 320/500 / c 1990 / Seven Arts Ltd / London 19” H x 10” W x 9” D $1,500-2,500

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(1892-1990, Russian) “Chinese Legend,” 1988 Cold painted bronze Signed, editioned, and dat 1988 / Seven Arts Ltd / Lon 22” H x 9” W x 6.25” D

Romain (Erté) de Tirtoff

$1,500-2,500

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

Romain (Erté) de Tirtof

$1,500-2,500

ted: Erte / 383/500 / (c) ndon / DS

Romain (Erté) de Tirtoff

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1999, France Acid etched to base: Baccarat; Further numbered: 8/24 The blue crystal dish cut to clear 3.75” H x 12” Dia.

Fourth-quarter 20th Acid etched to unde with Baccarat mark t The decanter with co 18” H x 6” Dia.

A Baccarat “Coupe Arizona” dish

$2,000-3,000 Provenance: Property from a Northern Californian Estate Notes: Accompanied by the original Certificate of Origin.

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Baccarat clear a

$1,500-2,000

Provenance: Propert

and cobalt blue cut crystal decanter

Century erside: Baccarat / 41/90; Further marked to underside and to stopper obalt blue cut to clear crystal

A large American brilliant-cut glass punch bowl Late-19th/early-20th Century Apparently unmarked The large round bowl with vacillating sawtooth rim 7.25â&#x20AC;? H x 14.5â&#x20AC;? Dia. $800-1,200

ty from a Northern Californian Estate

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An American brilliant-cut glass pitcher Late-19th/early-20th Century Apparently unmarked The tall heavy pitcher with sawtooth rim and curved faceted handle 14” H x 8” W x 5.875” D $600-800

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

Three American brilliant-cut glass items Late-19th/early-20th Century Apparently unmarked Comprising a round plate, a small center dish, and a large oval center bowl each with sawtooth edges, 3 pieces Largest: 1.875” H x 17.25” W x 10.125” D $800-1,200

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A Gorham “Chantilly” sterling silver flatware service

20th century Most stamped for Gorham; Further stamped for Sterling; Some items further stamped: Chantilly; Four items stamped for various makers Comprising 86 Gorham pieces designed in 1895 by William C. Codman: 12 hollowhandled dinner knives (8.875”), a master butter spoon (6.75”), 8 butter spreaders (6.125”), 12 dinner forks (7”), 12 salad/dessert forks (6.5”), 8 iced tea spoons (7.625”), 20 teaspoons (5.875”), a two-piece carving set (knife 10.125”), a pie/cake server (10.5”), a serving fork (8.5”), 3 serving spoons (8.5”), a gravy ladle (6.5”), a small jelly server (6.125”), a shell sugar spoon (6”), a bon bon spoon (4.625”), a cocktail fork (5.75”), a lemon fork (4.375”); an S. Kirk & Sons Repousse bon bon spoon (5.125”), a Rogers Bros. silver plate bon bon spoon (6”), and 2 Irish-made demitasse spoons (4.375”), 90 pieces Weighable sterling: 75.495 oz. troy approximately $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

Jean-Jacques Henner

(1829-1905, French) Reclining nude Oil on canvas Signed lower left: Henner 17.75” H x 22” W $8,000-12,000

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A Jacob Petite painted porcelain clock Fourth-quarter 19th century, France Stamped: Guyerdel Paris The pale green, maroon, and gilt Rococorevival painted porcelain clock with Roman numeral hour markers surrounded by a gilt bronze ring and painted fruit and pastoral scenes topped by a small dish 17.125” H x 9.5” W x 7.5” D $2,000-3,000

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A French Louis XV-style bureau plat

19th century Signed with plaque inside drawer: Maison Forest / J. Bezier / Paris / 31 rue cambaceres The marble top over two side drawers with gilt-bronze mounts and rectangular form parquetry body on paw feet 30.5” H x 64” W x 35” D $3,000-5,000

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A Louis XV-style two-drawer commode

Late-19th Century The parquetry body with floral motifs, marble top, and gilt bronze mounts 36” H x 54” W x 23” D $3,000-5,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A pair of Henry Dasson gilt bronze sconces

Circa 1881 One signed and dated: Henry Dasson / 1881 Each figural bronze sconce with a trumpeting cherub and foliate design, 2 pieces Each approximately: 17.25” H x 9.625” W x 5.125” D $2,500-3,500

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A French trumeau mirror

Fourth-quarter 19th Century The mirror set under a painted classical scene 79.5” H x 40.5” W x 1.75” D $1,500-2,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Reed & Barton “Francis I” sterling silver flatware service

Second-half 20th Century Each stamped for Reed & Barton, further stamped: Sterling Designed 1907 by Ernest Meyers comprising 12 hollow-handled dinner knives (9.125”), 12 dinner forks (7.125”), 12 salad/dessert forks (6.125”), 12 round-bowl soup spoons (5.875”), 12 teaspoons (5.875”), and 12 bouillon spoons (5.25”), 72 pieces Weighable sterling: 80.525 oz. troy approximately $2,000-3,000

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A Continental p

Late-19th/Early-20 The equestrian-th amber glass bowl plateau together w handled, jockey-c and bowl painted Overall: 24â&#x20AC;? H x 1 $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

Two Legras acid-cut glass vases

Early-20th Century; France Each signed: Legras; One further marked: Made in France Comprising two pink-hued vases with acid-cut floral motifs, 2 pieces Taller: 7” H x 5” Dia.; Shorter: 5.75” H x 6.25” Dia. Taller: 7” H x 5” Dia.; Shorter: 5.75” H x 6.25” Dia. $800-1,200

punch set

0th Century hemed punch set comprising a large enameled with silver plated reticulated body on mirrored with twelve matching glasses and horse-head cap ladle and minerva-topped lid, each glass with garland and fruit motif, 15 pieces 17” Dia.

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Paul Dubois

(1853-1938, French) “Le petit porteur d’eau” Patinated bronze Signed to base: P. Dubois / Paris 26.75” H x 8.25” W x 7.5” W $1,200-1,800

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

Eutrope Bouret

(1833-1906, French) Egyptian and Greek priestesses, 1872 Bronze bookends Each signed and dated: Bouret / 1872; Further stamped 21651 Each approximately: 13.75” H x 8” W x 5.75” D $1,000-2,000

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After Émile Coriolan Hippolyte Guillemin

(1841-1907, French) Soldiers Two silverplated bronze sculptures Each signed to base: E. Guillemin / L.M. / [Fleur de Lis] Taller: 11” H x 4.25” W x 3.5” D $800-1,200

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Persian Tabriz area rug Mid-20th Century The wool and silk on silk rug 143” H x 98.5” W $2,000-3,000 w w w. j o h n m o r a n . c o m

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Perisan area rug

Second-quarter 20th Century The wool on cotton rug with hunting motif 143â&#x20AC;? H x 99.5â&#x20AC;? W $1,000-1,500

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The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Nicole Freres Geneve Swiss music box

Fourth-quarter 19th Century Marked: Nicole Freres / Geneve / 46637 or 46632; Comb further marked twice: Nicole Freres The spring driven mechanism plays one of eight airs with a fixed widing lever on the left, on the right there are the two operating levers, the lid of the box with floral marquetry veneer and music motif, the music box together with corresponding table which hold the additional airs on either side of a sliding writing drawer, 2 items Overall: 41” H x 56” W x 30.5” D $20,000-30,000

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A tabletop Tambour Et Timbres Swiss cylinder music box

Fourth-quarter 19th Century Marked to Tambour & Timbres label inside with song list: No. 28589 The inlaid music box enclosing one cylander playing ten airs with drum and engraved bells and bee strikes 11” H x 24” W x 13” D $1,500-2,500

A Swiss music box

Fourth-quarter 19th Century Apparantly unsigned The wood case with two cylinders, hand crank, repeat/change switch, and lower storage drawer 10.5” H x 33” W x 13” D $1,000-2,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Reuge Swiss table top music box

20th Century Marked to inside stamp with playlist: Reuge Sainte-Croix / Music Switzerland The marquetry style inlaid case with turn key bottom enclosing three twirling dancers under a glass cover, and repeat/change and play/stop switches, the box plays three airs: Flots de Danube, Tales from the Vienna Woods, and Vienna Life 7” H x 15” W x 10” D $800-1,200

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A Japanese satsuma charger

Second-half 20th Century Makers mark painted to base Depicting a temple set against a cherry blossom and mountain landscape 2” H x 14.25” Dia $600-800

After Nicolai Lieberich

(1828-1883, Russian Federation) Hunters and hounds, 1884 Bronze attached to marble base Stamped to base: Fabr. C. F. Woerffel / 1884 / St. Petersburg; Further stamped with Finance Ministry stamp dated 1884 11.875” H x 17.75” W x 14” D $1,200-1,800

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Japanese Buddha on Lotus base

Late-19th Century The carved and gilt boxwood meditation Buddha sculpture in double-lotus pose 12” H x 9” W x 7.25” D $800-1,200

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A group of Japanese metal sword ornaments

20th Century Comprising 3 round tsuba (guards) and 2 dragon menuki (ornaments) all with gilt decoration Largest: 3â&#x20AC;? Dia. $600-800

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A pair of Chinese Famille Verte-style vases 20th Century Apparently unmarked Each with white body with painted genre scenes and flower and vine decoration, two handles, and wide sholdered open rim, 2 pieces Each approximately: 23.375â&#x20AC;? H x 10â&#x20AC;? Dia. $600-800

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A Persian Tabriz area rug The wool on cotton rug 131” H x 80” W $800-1,200

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Perisan Sarouk area rug Wool on cotton foundation 82” H x 55” W $1,000-1,500

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An Amphora figural chariot group

Circa 1905-1910; Teplitz, Austria Marked for Amphora Riesser & Kessel TurnTeplitz: Amphora / Austria / [Crown] / 4638; Further signed to base: Strasser The statue depicting Nero and his chariot accompanied by a pride of lions 16” H x 25.5” W x 11.5” D $800-1,200

An Amphora putto riding wild boar

Circa 1905-1910; Teplitz, Austria Stamped for Amphora Riessner & Kessel TurnTeplitz: [Crown] / Amphora / Austria / 4668 / 42 Depicting a putto riding a while boar with rosegarland reins and green baskets on either side 13.5” H x 13.5” W x 7.25” D $800-1,200

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A Persian Tabriz area rug

Mercerized wool on cotton foundation 157â&#x20AC;? H x 116â&#x20AC;? W $1,200-1,800

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A Persian Kerman area rug Wool on cotton foundation 221.5” H x 159.75” W $1,200-1,800

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A French SÈvres-style lidded urn

Late-19th/early-20th century The white porcelain body with painted courting couple and garden scenes with gilt bronze mounts and lid with pineapple finial set on a bronze swivel pedestal with paw feet 32.25” H x 10.5” Dia. $2,000-3,000

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A French Louis XV-style vitrine cabinet

Early-20th century The three-part cabinet having a large central glass-front case with two adjustable shelves and wired for lighting flanked by a narrow case on each side with adjustable shelves, inlay designed doors, brass mounts featuring female busts, scroll designed elements, and paw feet 67” H x 16.5” W x 61” D $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

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The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

A near-pair of painted commodes

First-half 20th century Each with contoured marble top, light blue painted pastoral designs, cabriole legs, and painted brass mounts and drawer pulls, 2 pieces Taller: 36” H x 46.5” W x 20” D; Shorter: 34” H x 48.5” W x 20.75 D $2,000-3,000

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A Venetian glass chandelier

Mid-20th Century The five-light chandelier with clear glass body and arms with pink accents 26â&#x20AC;? H x 28â&#x20AC;? Dia. $1,000-1,500

The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

An Italian Venetian wall mirror

20th century; Post-war Etched floral design to faceted border with blue and grey glass trim and rosettes 37” H x 54” W x 3” D $800-1,200

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A Royal Vienna portrait vase

Late-19th/early-20th century Signed to bottom: La Rose 7671; With blue overglaze mark for Royal Vienna The pine cone finial over a cobalt blue and gilt-highlighted body flanked by grotesque masks enclosing a portrait of a scantily clad woman raised on a stepped pedestal base 23.75” H x 10.25” W x 8.25” D $2,000-3,000

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A French Neoclassical bronze figure “Offrande A Minerve”

Fourth-quarter 19th Century Inscribed: Offrande Minerve; Futher titled to marble base The classical female figure shown laying laurel leaves at the feet of a statue to Minerva set on a marble base 17.625” H x 12.875” W x 7” D $800-1,200

A French onyx and enamel pedestal

Late-19th Century Illustrations signed: Max The green onyx pedestal with gilt bronze and cloisonne mounts enclosing scenes of a courting couple, the top portion on a swivel mechanism 44.325” H x 13.25” W x 13.25” D $4,000-6,000

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A French gilt-bronze cartel clock

Fourth-quarter 19th Century Dial signed: Martinoz / Paris The Belle Epoch-style ornate gilt-bronze clock a sunburst with a chariot and cornucopia surm the central white dial with Roman numeral hou and Arabic second track set in an acanthus lea atop the figures of Psyche and Eros 43” H x 24” W x 8” D $12,000-18,000

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k featuring mounting ur markers af setting

A monumental Sèvres lidded urn

19th Century Marked to lid for Sevres The white ground with gilt-bronze mounted acorn finial to lid and footed-base featuring classical musical scenes including one playing “Chanson de Printemps” 56” H x 15” Dia. $15,000-20,000

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A François Linke vitrine cabinet

Late-19th/early-20th Century Signed to top right mount: F Linke The breche d’alep marble top over gilt bronzemounted vitrine cabinet with ivory silk interior and one fitted adjustable shelf 42.5” H x 46.5” W x 17.75” D $12,000-18,000

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A pair of Louis XV-style pedestals

Late-19th Century Each with marquetry-inlaid bodies, marble tops, and lion-head gilt-bronze mounts, 2 pieces Each approximately: 52” H x 19” W x 17” D $8,000-12,000

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1993 Rolls Royce Corniche IV

VIN: SCAZD02D2PCX40502 Mileage: 44,162 Coach work: Mulliner-Park Ward Maroon exterior with ivory top and cream interior, 6.8 liter V8 engine, automatic transmission, new top, new front seat covering, new exterior paint, extra set of keys included $100,000-135,000

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A pair of Victor Paillard bronze lamps

19th Century Each stamped for Victor Paillard to base: VP Each two-light lamp with a flat diamond-shaped pierced floral finial over a double-handled urn with classical female faces and floral designs set on a square foot, 2 pieces 38.75” H x 725” S x 75” D $3,000-5,000

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A French red rouge marble and gilt-bronze clock

Fourth-quarter 19th Century Stamped to mechanism: 2111 / ND The rouge marble base with bronze bow and arrow, laurel wreath, and torch over a white dial with Roman and Arabic numeral markers and bronze mounts on a rouge marble column over decorative bronze onion feet 19” H x 15.5” W x 7.25” D $1,500-2,500

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A Gorham “Chantilly” sterling silver flatware service

20th Century Each stamped for Gorham; Sterling further stamped for Gorham / Sterling Designed 1895 by William C. Codman, comprising 12 hollow-handled dinner knives (9.25”), 12 hollow-handled knives (8.875”), 1 master butter knife (6.875”), 12 dinner forks (7.5”), 12 forks (7”), 18 salad/dessert forks (6.5”), 4 iced tea spoons (7.5”), 17 round-bowl soup spoons (6.25”), 32 teaspoons (5.75”), 1 two-piece carving set (knife 11.25”), 1 cake breaker (10.75”), 4 serving spoons (8.5”), 1 large pierced spoon (8.375”), 1 gold-wash berry/casserole shell spoon (8.75”), 3 sugar shell spoons (6”), 2 gravy ladles (6.75”), 1 bon bon spoon (4.625”), 1 hors d’oeurves fork (5.75”), 1 long-handled olive fork (5.5”), 1 lemon fork (4.375”), 1 dinner bell (5.25”), and 17 salt spoons (2.75”) together with an assembled set of 12 individual glass salt cellars, 168 pieces Weighable sterling: 141.5 oz. troy approximately $3,000-5,000

Roger Jourdain

(1845-1918, French) “Dernières feuilles d’Automne Oil on canvas Signed lower left: Roger Jourd signed again and titled in pen the stretcher 36.5” H x 26” W 83

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$2,000-3,000

eâ&#x20AC;?

dain, ncil on

A pair of Jacob Petit porcelain incense/ candle holders

Mid-19th Century Each marked for Jacob Petit: JP Comprising two seated figures of a sultan with an Arabic-style French fork beard and sultana each with a turban and gilt accents, probably made for the Turkish market, 2 pieces Larger: 8.5” H x 7” W x 5” D

A Paris porcelain figural reticulated basket

Second-quarter 19th Century, Empire Period; France Apparently unmarked The basket being held up by two cherubs on paw feet with lilac and gilt detail 14.375” H x 16.5” W x 8.5” D $1,500-2,500

A Linke flip top game table

Late-19th Century Signed to one bronze mount: F. Linke The marquetry inlaid game table with green felt interior surface and gilt-bronze mounts on scroll feet Open: 30” H x 32.5” W x 26.25” D; Closed: 29.5” H x 17” W x 26.25” D $4,000-6,000

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$3,000-5,000

A pair of Jacob Petit porcelain figural incense/candle holders Mid-19th Century Each marked for Jacob Petit: JP Comprising two seated Sicilian figures in traditional dress with gilt accents, 2 pieces Larger: 9.5” H x 4.25” W x 5.25” D $500-700

Three Jacob Petit porcelain items

Mid-19th Century Signed to base for Jacob Petit: JP Comprising an inkwell together with a seated lady and seated gentleman figures, 3 pieces Largest: 12.5” H x 10.5” W x 6” D $600-900 w w w. j o h n m o r a n . c o m

A Baile

20th Ce Each st / Sterlin Compri bowl, a applied Coffee 51.130

$2,000-

Mathurin Moreau

(1822-1912, French) “Livre d’Or” Gilt bronze and marble Signed and numbered: Math. Moreau / 5994; Pastille: Societé des Bronzes de Paris 31.25” H x 17” W x 12” D $3,000-5,000

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ey, Banks, Biddle & Co. sterling silver tea set

entury tamped with maker’s mark: Bailey Banks Biddle & Co ng / 48; Some further stamped ising a coffee pot, a tea pot, a cream jug, a sugar and a waste bowl, the coffee and tea pots with an d eagle to body marked: 1919, 5 pieces pot: 8.25” H x 8.25” W x 7.75” D oz. troy approximately

-3,000

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A Tiffany & Co. “English King” sterling silver flatware service

After 1885 Each stamped for Tiffany; Sterling further stamped: Tiffany & Co. / Sterling / 1885 M Comprising 12 hollow-handled knives (10.25”), 12 hollow-handled knives (9.25”), 12 butter spreaders (5.75”), 12 dinner forks (7.375”), 12 forks (6.75”), 12 salad/dessert forks (6.625”), 12 oyster forks (6”), 24 dinner spoons (7.125”), 11 iced tea spoons (7.5”), 26 teaspoons (5.75”), 11 fruit spoons (5.625”), 12 boullion spoons (5.125”), 12 demitasse spoons (4”), 1 two-piece large carving set (knife 14”), 1 two-piece carving set (knife 10.25”), 1 serving fork (8.5”), 1 large serving spoon (8.875”), 4 serving spoons (8.5”), 1 gravy ladle (7.125”), and 1 pair sugar tongs (4.125”), 192 pieces Weighable silver: 276.22 oz. troy approximately $10,000-20,000

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A Persi

Mid-20t Merceriz 157â&#x20AC;? H

$4,000-5

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A Persian Isfahan area rug

Circa 1970s The wool and silk on cotton rug with allover foliate motif 97” H x 60” W $2,500-3,500

ian Tabriz area rug

th Century zed wool on cotton foundation x 117” W

5,000

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Two Amphora pottery musicians

Circa 1905-1910; Teplitz, Austria Each stamped for Amphora Works Turn / Amphora Riessner & Kessel Turn-Teplitz: [Crown] / Amphora / Austria; Each numbered Comprising a male figure with a flute (#4934 / 48) and a female figure playing a lute (#4929 / 51), each next to a small pot, 2 pieces Man: 13.5” H x 7.5” W x 6.25” D; Female: 14.5” H x 6” W x 4.5” D $600-900

A Royal Dux veiled dancer

Late-19th/early-20th Century Stamped for Royal Dux Bohemia: [Pink Triangle] / 366 The dancer with tiara, scarf, and sash 22.375” H x8” W x 5.5” D $800-1,200

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An Amphora of a man on a camel

Circa 1905-1910; Teplitz, Austria Stamped for Amphora Works Turn / Amphora Riessner & Kessel Turn-Teplitz: [Crown] / Amphora / Austria / 8244 / 29 The Middle-Eastern figure depicted drinking from a jug on a camel 12.75” H x 13” W x 4” D $400-600

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100

A patinated bronze figure of an Arab storyteller Late-19th/early-20th Century Apparently unsigned The standing figure in robes with travel sacks 32.5” H x 9.5” W x 11” D $800-1,200

A cast iron Moorish figure

Late-19th Century The painted standing figure holding a later added dish on rock-formed base with decorative earrings and shoeelements 60” H x 20” W x 30” D $2,000-3,000

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A Moroccan carved wood side table

Late-19th/early-20th Century The hexagonal carved wood table with mother of pearl inlay, arch-shaped aprons, and undershelf 21â&#x20AC;? H x 17.5â&#x20AC;? Dia. $600-800

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101

Max Friedrich Rabes

(1868-1944, German) “Koran Worshipping, Cairo” Oil on canvas Signed lower right: Max Rabes, signed again and titled on the stretcher 17” H x 23” W $500-700

Lot 102 has been withdrawn.

103

A framed porcelain KPM plaque of an eastern woman 1837-1844 Marked for KPM: [Impressed Scepter] The standing woman depicted under a key-hole archway in oriental clothing with a fan Frame: 16.125” H x 13.375” W; Plaque: 9.25” H x 6.375” W $1,500-2,500

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104

A François Linke gilt bronze-mounted marquetry table Late-19th/early-20th Century Signed to mount: F Linke The kingwood, mahogany, and fruitwood table with marquetry inlay, gilt-bronze mounts, and one locking drawer over cabriole legs terminating in scroll-shaped caps 29.75” H x 22” W x 12.5” D $10,000-15,000

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105

A Louis XV-style Chinoiserie two-drawer commode

Late-19th/early-20th Century The black laquered body with two drawers and gilt bronze mounts decorated with enameled Chinoiserie scenes on cabriole legs 34” H x 53” W x 21.5” D $3,000-5,000

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106

A pair of French gilt-bronze and rouge marble candelabra

Third-quarter 19th Century Each seven-light candelabrum over a fluted rouge marble and gilt-bronze standard with Greek key design over a tripodal scrolled base, 2 pieces 27.5” H x 11” W x 11.5” D $3,000-5,000

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107

A French carved and gilt wood wall clock “DeTouche” Late-19th Century; France Signed to dial: C. DeTouche / Paris The sunburst-style giltwood clock with white dial and red and black Arabic and Roman numeral markers 30” Dia. x 6” D $3,000-4,000

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108

Woman gathering clams at the seashore Early 20th Century Continental School Oil on canvas Signed lower left: Brent 21.75” H x 35.5” W $1,000-1,500

109

A Louis XV-style extendable small

Late-19th/early-20th Century The round table with brass mounts to th apron and legs with an extendable pane Extended: 30.5” H x 63” W x 48” D; Clo $3,000-5,000

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l dining table

he rim, decorating the el osed: 30.5â&#x20AC;? H x 48â&#x20AC;? Dia.

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110

Emmanuel Villanis

(1858-1914, French) “Sans-Souci” Bronze on marble base Impressed signature to base: E. Villanis 13.5” x 14” x 7.5” $1,500-2,000

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111

Frederic Debon

(1897-1920, French) Iris and Waterlilies Bronze vase Signed: F. Debon; Further marked for Susse Freres: Edts Paris / Bronze 11.625” H x 7.5” W x 5.5” D $1,000-1,500

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112

An American bedroom set in the French style

Circa 1920’s Comprising a bed, two nightstands, a vanity, a tall dresser, a low dresser and a mirror each with acanthus leaf twist handles and gilt mounts, 7 pieces Bed: 49” H x 82” W x 81” D $2,000-3,000

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113

An ebonized wood marble topped credenza

Late-19th/early-20th Century The ebonized wood credenza with marble top, gilt-bronze marquetry mounts throughout, and a single door with a central philosopher-themed bronze scene flanked by two corner columns all on four bun feet, interior designed for fitted adjustable shelves 48.25” H x 52.5” W x 17.75” D $2,500-3,500 1 0 9 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

114

A Reed & Barton “Georgian Rose” sterling silver flatware service

Second-half 20th Century Each stamped for Reed & Barton; Most further stamped: Sterling Designed 1941 by George L. Turner comprising 8 hollow-handled knives (9.5”), 8 butter spreaders (6”), 8 forks (7.75”), 8 salad forks (6.125”), 8 cream soup spoons (6”), 16 teaspoons (6”), 9 demitasse spoons (4.25”), 1 hollowhandled pie server (10”), 4 serving spoons (8.5”), 1 sugar shell spoon (6.25”), 1 gravy ladle (6”), 1 jelly spoon (5.875”), 1 cream ladle (5.375”), and 1 lemon fork (5”), 75 pieces Weighable sterling: 70.550 oz. troy approximately $2,000-3,000

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115

An Amphora Middle-Eastern figure on camel

Circa 1905-1910; Teplitz, Austria Stamped for Amphora Works Turn-Teplitz and Amphora Riessner & Kessel Turn-Teplitz: Amphora / Austria / [Crown] / 4513 / 5 The large sculpture of a traveller atop a camel 20.75” H x 14.5” W x 6.5” D $1,000-1,500

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116

A pair of Amphora vases

Circa1900; Austria One marked indistinctly to base: Austria / Amphora / 11629; One further labeled with remnants of makers tag Each two-handled Art Nouveau polychromed glazed ceramic vase with jeweled decoration and gilt details, 2 pieces Each: 11” H x 5.5” W x 5” D $500-700

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117

A Persian Heriz area rug 20th Century Silk on silk foundation 138.5” H x 99.5” W $4,000-5,000

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118

A Persian Tabriz area rug Mid-20th Century Silk on silk foundation 116” H x 81” W $2,500-3,500

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119

A pair of Chinese cloisonné enamel foo dogs

Second-quarter 20th Century Each hollow metal sculpture of a foo dog with cloisonne throughout on a painted wood stand, 2 pieces Each overall: 65” H x 28.5” W x 35.25” D $15,000-20,000 Provenance: Property from a Northern Californian Estate

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120

A Mandalay-style Burmese standing Buddha figure 20th Century Carved wood with painted and applied mirror and colored decoration 74” H x 27” W x 15” D $1,000-2,000

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121

A Chinese cinnabar floor lamp

First-quarter 20th Century The three-light lamp with scroll decorated shaft and foo dog tripod vase 63” H x 17” Dia. $1,000-2,000

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122

A Chinese silver cocktail shaker

First quarter 20th century Stamped: 85; Further stamped with two unidentified marks The shaker featuring a dragon with applied, raised whiskers and scales 12.085 oz. troy approximately $600-900

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123

A highly decorated hunting arquebus, likely Southern German

Late-17th Century Dragon proof mark to barrel A highly decorated wheel lock arquebus with octagonal barrel, elaborate wheel lock mechanism, carved and bone inlaid stock depicting boar hunting scene, castles and foliate motifs Barrel length: 32â&#x20AC;?; Overall length: 44.5â&#x20AC;? $3,000-5,000 Provenance: Property from a Northern Californian Estate

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124

A Continental flintlock arqueb

Late 17th Century Marked J*M*B to lock plate Possibly Italian, carved walnut stoc and horn accents, with further scro Barrel length: 23.25â&#x20AC;?; Overall len $3,000-5,000

Provenance: Property from a North

125

A pair of Continen

19th/20th Century Each engraved: R.P. F Approx. .58 caliber, 2 Length: 13â&#x20AC;?; Overall p $1,000-2,000

Provenance: Property

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bus

ck with octagonal barrel, brass fitments oll work and scenes depicting stags ngth: 34”

hern Californian Estate

126

A Continental flintlock pistol action 18th Century Apparently unmarked 3.50” H x 2” W x 7” D $300-500 Provenance: Property from a Northern Californian Estate

ntal vermeil flintlock dueling pistols

FANN (?) to top of octagonal to round barrel 2 pieces pistol length: 20”

y from a Northern Californian Estate

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127

William Woodhouse

(1857-1939, British) Portrait of a horse Oil on canvas Signed lower right: W. Woodhouse 18” H x 24” W $800-1,200

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128

Colin Graeme

(1858-1910, British) Bird dog in action Oil on canvas under glass Signed lower left: Colin Graeme Sight: 21.5” H x 17.5” W $800-1,200

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129

Heywood Hardy

(1843-1933, British) “Going to the meet” Oil on canvas Signed lower left: Heywood Hardy, titled by repute 20” H x 30” W $6,000-8,000

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130

A Continental flintlock carbine

Early-17th Century Marked to barrel: Heinrich Reimer; Further marked to lock plate: Antoni Spallek, Roma Mounted in carved and figured fruitwood stock with brass fitments, octagonal .52 caliber bore with seven rifled grooves, includes wooden and brass reinforced ramrod Barrel length: 15.5”; Overall length: 30” $2,000-3,000 Provenance: Property from a Northern Californian Estate

131

A fine Austrian Jaeger flintlock rifle

First-quarter 18th Century Gold inlaid proofmark to barrel; Lock plate engraved: Wien The fine Austrian Jaeger flintlock rifle converted to percussion, mounted in carved walnut stock with elaborate vermeil mounts, approximately .52 caliber with a smooth bore and octagonal, round, taper barrel Barrel length: 40.5”; Overall rifle length: 55” $2,500-3,500 Provenance: Property from a Northern Californian Estate

132

An American percussion Atkins long rifle

19th Century Stamped: Warranted .52 cal The octagonal barrel mounted in figured mapel stock with older repair in brass banding, replaced wooden ram rod and front nickel-silver sight blade Barrel length: 31.75”; Overall length: 48” $800-1,200 Provenance: Property from a Northern Californian Estate

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133

134

19th Century The three carved horn, wood, and metal gunpowder horns, one with handle, one with carved hunt scene, 3 pieces Largest: 9.75” H x 4” W x 1.5” D

Late-19th Century The rectangular cage enclosing a sing T-shaped branch with beaded flowers base with side turn key and play/stop 18.5” H x 9.75” W x 9.75” D

Three gunpowder horns

$700-900 Provenance: Property from a Northern Californian Estate

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A large mechanical bird cage

$1,500-2,500

ging bird seated on s on a carved wood p lever

135

A mechanical bird cage with three birds

Circa 1920s The domed and gilded cage enclosing three singing birds with turn key bottom 11.5â&#x20AC;? H x 7.25â&#x20AC;? Dia. $500-700

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136

An English sterling silver tea service

Circa 1820s; London, England Stamped for Joseph Craddock and William Reid / Sterling Comprising a teapot, cream jug, and sugar bowl, each raised on a decorative foot with embossed foilate scrolls, putti, and flower heads, and a slightly domed, hinged lid with embossed decoration surmounted by a detachable flower and leaf sprig finial, the teapot with later-added wood C-scroll handle Teapot: 6.25” H x 11.375” W x 7” D 58.2 gross oz. troy approximately $1,200-1,800

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137

An English grandfather clock

Late-18th/early-19th Century The cherrywood case of typical form, painted white dial with black roman numberal hour markers, outer minite track with Arabic every 5 min., painted florets, two train movement, gongs on the hour and the half, includes weight and pendulem 86.25” H x 19.75” W x 9.5” D $800-1,200

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138

An English William IV mahogany chair and desk 19th Century The oval table opens with hinged side to become an assistant’s writing desk and chair with leather writing surface and studded leather detailing 30” H x 25.5” W x 34” D $800-1,200

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139

Edwin Harris

(1855-1906, British) Gentleman reading a newspaper Oil on canvas Signed upper right: Edwin Harris 20” H x 16” W $1,000-2,000 1 3 5 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

140

Alexandre Couder

(1808-1879, French) Floral still life with pitcher, 1871 Oil on canvas laid to canvas Signed and dated lower right: A. Couder 21.75” H x 25.75” W $1,000-2,000 w w w. j o h n m o r a n . c o m 1 3 6

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141

An English “Abraham” brass telescope with fitted wooded case First-half 19th Century; Bath, England Stamped: Abraham / Bath The brass telescope on a tripod base with wooden case Assembled: 27” H x 39.5” W x 13” D $800-1,200

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142

A pair of Georgian-style urn-shaped knife boxes

Late-19th/early-20th Century Each urn-shaped box with acorn finial handle standing on a footed pedestal Each approximately: 23” H x 9” Dia. $800-1,200

143

Two Royal Doulton vessels

Fourth-quarter 19th Century; Lambeth, United Kingdom Each marked to base for Royal Doulton, Lambeth; Marked to handle: SW and G Each dark blue and white stamped vase in square-form with square handle and metal and cork stopper to spout, 2 pieces Each approximately: 9.25” H x 3.5” W X 4.25” D $300-500

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144

A large walnut artist’s folio cabinet

Late-19th/Early-20th Century The walnut cabinet with bottom-hinged front door held up by three legs enclosing a deep blue velvet lining and three dividers over a lower locking compartment Open: 56” H x 40” W x 64” D; Closed: 55” H x 40” W x 20” D $1,000-2,000

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145

A brass and metal kettle warming stove

19th Century The stove with an open-sided, domed top over a furnace and lower drawer 30” H x 15.5” W x 17.5” D $800-1,200

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146

Robert Watson

(1855-1921, English) “Highland Cattle” and “Highland Sheep,” 1898 (two works) Each: Oil on canvas under glass Each: Signed and dated lower right: R. Watson Each: 16” H x 24” W $6,000-8,000

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148

Two Japanese cloisonne item

20th Century A Japanese cloisonnÈ vase with g bird together with a small Japane shaped lidded vessel, 2 pieces Taller: 7.5” H x 4” Dia.; Smaller: 4 $800-1,200

147

A large Japanese Sumida Gawa figural vase Late-19th/early-20th Century The large red and black glazed vase with applied raised figures 30” H x 17” Dia. $2,000-3,000

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grape cluster and ese cloisonnÈ ball-

4.5” H x 3.5” Dia.

149

A Japanese champlevé enamel and bronze jardinière Late-19th/early-20th Century Apparently unmarked The squat bronze jardiniere with landscape scenes set in a floral champleve body with wide scalloped rim 10” H x 14” Dia. $600-900

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150

Three Japanese Kutani porcelain items

Mid-20th Century Each with painted identification and makers’ marks to base Comprising two lidded teacups and a small vase each with painted genre scenes and gilt patterned decoration, each teacup with painted writings to inside, 3 items Each lidded cup: 4.25” H x 3” Dia. approximately; Vase: 3.5” H x 2” Dia. $600-800

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151

Hasui Kawase

(1883-1957, Japanese) “Gate of Kenchoji temple, Kamakura” and “Kiyomizu temple, Kyoto” (two works) Wood block prints on paper under glass Each signed lower right: Hasui Kawase, and with the artist’s chopmark, each titled in the lower margin, each inscribed in Japanese in the lower or lower left margin Sight of each: 14.5” H x 10” W $600-800

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154

Three Jacob Petit porcelain perfume bot

Mid-19th Century Each marked for Jacob Petit: JP Each lidded bottle with floral decoration and g pieces Tallest: 6.375” H x 3.5” Dia. $500-700

152

A French Vernis Martin-style vitrine cabinet

First-quarter 20th century The painted Bombay style mirrored cabinet with one adjustable fitted shelf, bronze mounts, and double doors 74.5” H x 36” W x 17” D $2,000-3,000

153

A French commode wi

Second-quarter 20th Cent The commode with marbl over marquetry inlay and b 35” H x 50.5” W x 22” D $4,000-6,000

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ttles

gilt accents, 3

ith marble top

tury le top over three long drawers, allbronze mounts on paw feet

155

A pair of Jacob Petit porcelain incense holders

Circa 1850-1865; Paris, France Each marked to base for Jacob Petit: JP The pair in the shape of a seated lady and a gentleman each holding an incense/candle holder, 2 pieces 7.375” H x 5.75” W x 3” D $500-700

156

A French gilt-bronze mantle clock

Late 19th century Stamped to movement: 6351 The reticulated body with C and S scrolls enclosing a porcelain dial with black Roman numerals and brass repousse inner ring under a floriate finial and flanked by Classical female heads and urns set on griffin feet 19.5” H x 10.75” W x 5” D $800-1,200

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157

A large Victorian gilt wood wall mirror

Late-19th/Early-20th Century The mirror with a column and scroll carved giltwoo centering a winged putto 84” H x 57” W x 8” D $2,000-3,000

158

A French seven-light gilt-bronze candelabra

Fourth-quarter 19th Century Stamped: H. Picard The figural candelabra featuring a child holding up plinth issuing seven arms at various heights decora with floral motifs seated on an elaborate base with scroll feet, converted to electric light 29.75” H x 15” W x 12” D $800-1,200

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od frame

159

Kate Lizard

(19th century) Shepherd boy Patinated bronze Signed to base: K. Lizard; Further stamped with foundry mark and (22) / 2182 12.75” H x 19.75” W x 10.5” D $1,000-2,000

pa ated

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160

Theodore Alexander Weber (1838-1907, German) Tug boat in rough seas Oil on canvas under glass Signed lower right: Th. Weber 22” H x 34” W $2,000-3,000

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161

A Leopold Widhalm Lautten violin

Germany, 1770 Label interior: Leopold Widhalm - und Geigenmacher in Nurnberg Fecit a 1770; Further branded to interior: L W Two piece maple back with medium a figured curl, ribs with slight some figured curl, spruce top with narrow grain, the scroll and neck of figured maple, ebonized finger board, exibit repairs and restorations. Length of back: 13.875â&#x20AC;? $1,500-2,500 Provenance: Estate of Eleonore and Alice Schoenfeld

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162

A School of Enrico Ceruti violin

Italy, mid-late 19th century Label to interior: Enricus Ceruti fecit G.B.C. Cremona anno *8** E.F.C. Two piece maple back with medium figured curl, ribs with medium figured curl, spruce top with narrow grain, two piece scroll and neck of figured maple, ebonized finger board, scraps, scuffs and repairs. Length of back: 14.125â&#x20AC;? $4,000-6,000 Provenance: Estate of Eleonore and Alice Schoenfeld

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163

A School of Giovanni (Joannes) Battista Guadagnini violin

Label to interior: Joannes Baptifta Guadagnini Cremonensis, Fecit Two piece maple back with light to medium a figured curl, ribs with slight some figured curl, spruce top with narrow grain, the scroll and neck of figured maple, ebonized finger board, As-Is with repairs Length of back: 14.125â&#x20AC;? $1,000-2,000 Provenance: Estate of Eleonore and Alice Schoenfeld

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164

165

166

19th century Each indistinctly branded: FN Voirin Paris Each with round wooden stick and silver mounted Each exibit wear and repairs

First half 20th century Branded W.E. Hill & Sons England Octagonal wood stick, mounted frog with inlayed rose gold fleurs de lis to each side and gold/mother of pearl adjuster. Length: 29.25â&#x20AC;?

19th a The Fi round The Se octaga The Th octaga

Three FN Voirin violin bows

$1,500-2,500 Provenance: Estate of Eleonore and Alice Schoenfeld

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A W.E. Hill & Sons gold-mounted bow

$2,000-3,000 Provenance: Estate of Eleonore and Alice Schoenfeld

Three

$600-8

Proven Schoe

e violin bows

and 20th century irst: Branded Albert Nurnberger, wooden stick, silver mounted econd: Branded Heinrich Stadlmair, anal wooden stick, silver mounted hird: Branded Miguel Huipe, anal wooden stick, silver mounted

800

nance: Estate of Eleonore and Alice enfeld

167

An Emile Bonnel violin

Rennes France, 1896 Label to interior: Medailles D’Or & D’Argent E. Bonnel, luthier No. 246 Rennes 1896 One piece maple back with medium figured curl, ribs with medium figured curl, spruce top with narrow grain, scroll and neck of figured maple, ebonized finger board, No. 246, scuffs and scraps. Length of back: 14” $1,000-2,000 Provenance: Estate of Eleonore and Alice Schoenfeld

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168

An Andreas Morelli violin

First-quarter 20th Century; Germany Signed to interior with label [Gun]: Reproduzzione Antonius Stradivarius Andreas Morelli Two-piece maple back with a figured curl, ribs with some figured curl, spruce top with narrow grain, the scroll and neck of figured maple, ebonized finger board, exibit repairs and restorations, includes modern case and bow, 2 pieces Length of back: 13.0625â&#x20AC;? $1,000-2,000

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169

170

Italy, 1886 Label interior in script: Giuseppe Scrampella Firenze Anno 1886 Two piece maple back with light to medium figured curl, ribs with medium figured curl, spruce top with narrow grain, the scroll and neck of figured maple, ebonized finger board, scuffs, scraps and repairs Length of back: 15 11/16ths

Early 19th century Label to interior One piece maple back with, ribs with no curl, spruce top with narrow grain, the scroll and neck with light to medium figured maple, ebonized finger board Length of back: 14 1/16â&#x20AC;?

A School of Giuseppe Scarampella viola

$1,000-2,000

A Franz Xaver Schweigl violin

$600-800 Provenance: Estate of Eleonore and Alice Schoenfeld

Provenance: Estate of Eleonore and Alice Schoenfeld

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171

A Sèvres table top jewelry box

Late-18th Century Marked for Sevres: [Double L] The celeste blue box with brass edges and padded gold silk interior featuring painted city scenes 8.5” H x 13.75” W x 9.625” D $1,200-1,800

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172

Auguste Moreau

(1834-1917, French) Woman with child and shield Marble Signed: A. Moreau 57” H x 34” W x 22” D $3,000-4,000

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173

A French Millet à Paris marquetry bookcase Fourth-quarter 19th Century Signed to one bronze mount: Millet a Paris The molded top over a gilt-bronze mounted body with parquetry panels issuing three glazed doors, set with wood shelves, and raised on bracket feet 74.25” H x 78.25” W x 20” D $8,000-12,000

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174

A French Paul Garnier figural bronze mantle clock 19th Century Signed to dial: Paul Garnier H’er Du Roi; Stamped: Paul Garnier H’er Du Roi / Paris / 1478 The clock set in a bronze and gilt bronze scene of Cupid and Psyche 33” H x 20” W x 9.5” D $12,000-18,000

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175

A French marble top cabinet

Late-19th/early-20th Century The marble-topped single-door cabinet with giltbronze mounts and painted Sevres-style porcelain plaques enclosing one shelf 42.5” H x 30” W x 16” D $4,000-6,000

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176

A pair of German silver three-light candelabra

Circa 1891-1906, Hanau Each with pseudomarks to base for George Roth Each on shaped base supporting three winged putto-form monopodiae, supporting a knopped column with figure of Cupid supporting three leaf-clad branches with vase-form sockets Each: 27â&#x20AC;? H x 8.5â&#x20AC;? Dia. 233.07 oz. troy approximately $4,000-6,000

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177

A French gilt bronze and malachite mantle clock

Early-20th Century Stamped to movement: Medaille D’Or / Paris 1900 / Samuel Marti / 7188; Further signed to porcelain dial: Theodore B. Starr Comprising porcelain dial clock clock surmounted by a bronze torch and arrow quiver beside a seated cupid on a green malachite base and bronze bun feet 13.25” H x 11” W x 6.375” D $3,000-5,000

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178

A pair of KPM porcelain urns

Fourth-quarter 19th Century Each marked to base: KPM [blue scepter] Each urn with a painted classical scene to one side, gilt decoration to the other, scrolled handles, and rolled rim, 2 pieces Each: 15” H x 6.5” W x 4.375” D $2,000-3,000

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179

A framed KPM plaque of Judith

Late-19th/early-20th Century Stamped for KPM: [scepter] / KPM / H; Further signed to front: Hel. Straus Depicting Judith with sword and the head of Holofernes in a frame with pink velvet liner Overall: 19” H x 17” W; Plaque: 10.5” H x 8.5” W $4,000-6,000

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180

After Antione-Louis Bayre

(1796-1875, French) Lion marchant Bronze on marble base Signed: Barye / F. Barbedienne Fondeur France 6.5” H x 10.25” W x 3” D $2,000-3,000

181

A pair of monumental Frankenthal porcelain figural groups 18th Century; Germany Painted with Frankenthal factory mark on underside: [Lion of the Palatinate / Lion rampant] Each figural group with the same scene escorting a lady to her bed, 2 pieces Each approximately: 19” H x 17.5” W x 12” D $2,000-3,000

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182

A French Baccarat clear cut-crystal mantle clock

Third-quarter 19th Century Apparently unsigned; Stamped to the back plate: 69 The circular white enamel dial with black Roman numerals, gilt center and rim, set in an urn-formed cut crystal case with diamond and floral motifs 14” H x 5.5” W x 5.125” D $4,000-6,000

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183

A Simpsons Hall Miller sterling silver flatware service

Circa 1900 Some stamped for International Silver and Sterling; Some items personalized (varying) The assembled set of flatware and serving utensils featuring various patterns including “Easter Lily”, 53 pieces Largest: 9.75” Weighable sterling: 40.625 oz. troy approximately $1,200-1,800

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184

A Tiffany & Co. sterling silver golf presentation tankard

Circa 1896-1897 Stamped to base: Tiffany & Co / 8435 Makers 6802 / Sterling Silver / 925-1000 / 5 Pints; Futher stamped for Charles L. Tiffany: T The large lidded tankard with golf ball and pinecone design and embossed presentation: Mid-Winter Golf Tournament, Ocean County Hunt and Country Club, Open Handicap Cup presented by Mrs. George Jay Gould, January 1st, 1897, Thirty-six holes medal play won by Herbert I. Pratt, Lakewood, N.J. 10.5” H x 9.25” W x 7.375” D 58.280 oz. troy approximately $3,000-5,000

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185

In the style of Camille Pissarro

(1830-1903, French/English) “The Magic of Summer” Oil on canvas Signed lower right: C. Pissarro, titled and numbered on a gum label affixed to the stretcher: 401 16” H x 20” W $800-1,200

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186

François Gall

(1912-1987, French) Figures in the park Oil on canvas under glass Signed and inscribed lower left: F. Gall / Paris 8.75” H x 10.75” W $700-900

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188

A continental porcelain plaque of a lady

Late-19th/early-29th Century The lady pictured with birds in an ornately carved giltwood frame Overall: 20” H x 15.5” W x 3” D; Plaque: 10” H x 7.25” W $1,800-2,200

187

A Royal Vienna portrait vase

Late-19th Century The tall vase with gilt rim, waist, and figural sides with painted woman in oriental clothing on a swivel base 26” H x 13.75” W x 11” D $3,000-4,000

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189

A French gilt bronze and porcelain mantle clock

Second-half 19th Century Bears signature to porcelain dial: Raingo Freres / A Paris; Further stamped to back: 281M The clock set in a cobalt blue urn with bronze mounts surmounted by a cupid and globe finial over a porcelain face with Arabic and Roman numeral markers atop a footed base 22â&#x20AC;? H x 19.5â&#x20AC;? W x 8â&#x20AC;? D $4,000-6,000

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190

A François Linke marble top gueridon table

Late-19th/early-20th Century Signed to mount: F Linke The oval marble top over a gilt-bronze mounted apron, cabriole legs, and terminating in hoof-shaped caps 29” H x 23.75” W x 18” D $3,500-4,500

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191

A French Louis XVI-style headboard

Late-19th Century The wood body with marquetry inlay and gilt bronze shell and lion-shaped mounts 48.5” H x 62” W x 5” D $800-1,200

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192

Gustave Adolphe Jundt

(1830-1884, French) “La Bouderie,” couple in a flower field, 1880 Oil on canvas laid to board Signed and dated lower left: G. Jundt, titled on the frame plaque 24.5” H x 20” W $1,000-2,000

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193

A Satinwood vitrine cabinet

First-quarter 20th century With satinwood inlays, mirrored back, teal velvet floor, and glazed single door and sides 75” H x 40” W x 14” D $1,000-1,500

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194

A pair of French Regency rouge marble and bronze urns Fourth-quarter 19th Century; Paris, France Each stamped to base: F. Barbedienne Each urn with gilt bronze mounts and lid, 2 pieces 23.5” H x 10” W x 8.5” D $5,000-7,000

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195

Édouard Drouot

(1859-1945, French) “La Force” Patinated bronze on marble base Signed: E. Drouot / Bronze 17.75” H x 25.5” W x 8.5” D $800-1,200

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196

After Etienne Maurice Falconet

(1716-1791, French) Putti fighting for a heart Terracotta Signed: Falconet; Further stamped and numbered to underside 16.75” H x 11.25” W x 9” D $1,200-1,800

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197

A bronze chandelier

First-half 20th Century The chandelier with twelve scrolled arms and eighteen lights 23â&#x20AC;? H x 37â&#x20AC;? Dia. $800-1,200

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198

An Amphora figural group with picador

Circa 1905-1910; Teplitz, Austria Marked for Amphora Works Turn-Teplitz: Amphora / Austria; Further marked for Amphora Riessner & Kessel Turn-Teplitz: [Crown] / 8216 / 3; Further signed: VOGT to base The figural group depicting a picador with rearing horse and bull 24.5” H x 21” W x 11” D $1,000-1,500

199

A Royal Dux figure of two fisherman

Circa 1920-1992 Marked to base for Royal Dux Eichler: Royal Dux Bohemia / [Acorn]; Further stamped: Made in Czechoslovakia / 203 / 15 The figural group depicting two fisherman pulling in a catch 15” H x 19” W x 9.5” D $600-900

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200

A large Persian Sarouk rug

First-quarter 20th Century The wool on cotton rug with wide border around a central inscription and signed to one end with foliate motif throughout 264â&#x20AC;? H x 142â&#x20AC;? W $2,500-3,500 w w w. j o h n m o r a n . c o m 1 8 8

201

202

Late-19th/early-20th Century The green and gold iridescent vase with wide rim 8.75” H x 3.5” Dia.

Late-19th/early-20th Century Shortest signed for Loetz: [A Comprising two multi-color p tapered necks, one green va and bronze floral three-arme squat vase with wide should Tallest: 10.75” H x 5.5” Dia.;

A Loetz-style iridescent glass vase

$500-700

Four Loetz iridescent gla

$600-900

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ass vases

y Arrows] / Austria purple vases with bulbous bases and ase with ribbon rim, graduated neck ed mounting, and one light-toned der and tapered base ; Shortest: 5.5â&#x20AC;? H x 5.75â&#x20AC;? Dia.

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203

Theodor Schaepkens

(1810-1883, Dutch) Figure on horseback Oil on canvas Signed center right: Theodor Schaepkens 32” H x 26.5” W $1,200-1,800

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204

Petitions of the Vassals

1860 Oil on canvas Signed and dated lower right: W. Harsewinkel 41â&#x20AC;? H x 52â&#x20AC;? W $3,000-5,000

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205

Knighting of the Nobleman

1865 Oil on canvas laid to board Signed and dated lower right: W. Harsewinkel 43â&#x20AC;? H x 51â&#x20AC;? W $3,000-5,000

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206

Coronation of a Spanish Duke 1865 Oil on canvas Signed lower left: W. Harsewinkel 31” H x 43” W $2,500-3,500

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207

The Lovers

18th Century S Oil on canvas Appears unsig 77.5” H x 50” $3,000-5,000 1 9 5 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

208

Guiseppe Galli

(1866-1953, Italian) Men with woman Oil on canvas laid to canvas Signed and inscribed upper right: Galli / Firenze 36â&#x20AC;? H x 26.5â&#x20AC;? W $1,000-2,000 Provenance: Abbey Art Galleries, Pittsburgh, PA

Spanish School

gned W

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209

A leather high wing-backed sofa Second-quarter 20th Century 56.5” H x 91” W x 34” D $2,000-3,000

212: This lot has been withdrawn.

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211

An Italian mosaic of the Madonna

20th Century Labeled to reverse: Madonna “El Greco” part. / Rev. Fabbrica di S. Pietro in Vaticano / Studio del Mosaico / No 6531 The framed mosaic of the Madonna in the style of El Greco’s “Holy Family and Saint Anne” Overall: 28.5” H x 22.75” W x 1.75” D; Sight: 19.375” H x 15” W $2,500-3,500

210

A Spanish spice box

19th Century (or earlier) The elaborately decorated double-handled lock box with bone-inlay geometric designs a bottom-hinged front door enclosing 7 drawers 8.75” H x 14.75” W x 10.75” D $2,000-3,000

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213

Two 17th century flemish angels

17th Century Each carved wood angel set in a frame against burgundy velvet, 2 pieces Each framed: 21.5” H x 16.5” W x 2.5” D $1,500-2,500

215

A large Spanish trestle table

19th Century The large rectangular top over two shallow drawers, carved legs and stretchers 30.75” H x 78” W x 38.5” D $2,000-3,000

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214

A pair of carved Spanish silverwood pricket sticks Late-19th Century Each pricket stick with foliate shaped metal candle holder over a carved shaft and tripod base, 2 pieces 38.25â&#x20AC;? H x 11â&#x20AC;? Dia. $600-800

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216

Figures in a Spanish village

Late 19th/early 20th Century Spanish School Oil on canvas Appears unsigned 43.5” H x 63” W $1,200-1,800

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217

Figures in a Spanish village

Late 19th/early 20th Century Spanish School Oil on canvas Appears unsigned 43.5” H x 63” W $1,200-1,800

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218

A carved wood bishop

Late-19th Century; Possibly German The standing figure with bible wearing a crossed mitre and cope 42” H x 14” W 10” D $1,000-2,000

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219

A carved wood corner sculpture of three seated men

19th Century Three seated figures at a table in an architectural setting with a key hole to base 36” H x 16.5” W x8” D $1,000-2,000

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220

La Schiava (The Slave)

18th Century Italian School Oil on canvas laid to waxed canvas Appears unsigned 41” H x 35.5” W $3,000-5,000

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221

Portait of Saint Luke

18th Century Continental School Oil on canvas laid to canvas Unsigned 32” H x 18.5” W $800-1,200

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222

Francisco Cabral Bejarano

(1824-1890, Spanish) “St. Christopher” Oil on canvas laid to canvas Signed lower right: F. C. Bejarano, titled on the frame plaque 18.5” H x 12.5” W $800-1,200

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223

A Spanish Renaissance console

18th/19th century The console table over carved legs and crossed decorative stretcher bars each with large geometric scrolled design 29.625” H x 39” W x 22.25” D $1,000-1,500

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224

A rectangular Spanish console table

19th century The rectangular top over one long drawer with later-added blue stick-on fabric interior on barleytwist legs and bun feet joined by an X-form stretcher with decorative tall central finial 29.75” H x 38.625” W x 21.5” D $1,000-1,500

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225

A large pair of carved walnut angel torchieres

Late-19th/early-20th Century The opposing pair of angel shaped torchieres each standing on a scrolled-tripod base, 2 pieces Each approximately: 71” H x 30” W x 27” D $3,000-5,000

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226

A Sevres-style gilt bronze chandelier

Late-19th/early-20th Century The eight-light celeste blue porcelain chandelier dropping from an acanthus leaf top with giltbronze arms and mounts 27.5â&#x20AC;? H x 29â&#x20AC;? Dia. $1,000-2,000

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228

A French figural bronze and marble clock and garniture set

19th-Century Clock marked to dial: Faberge / A Montpelier; Further stamped to mechanism: Medaille de Bronze / 3770 / 6 / 9 The clock set in a bronze sphinx mount with urn and scene of a woman and cherub on a white marble base together with two six-light candelabra each with a cherub-shaped stem and floral arms on white marble base, 3 pieces Clock: 17.5” H x 28” W x 10” D; Each candelabrum approximately: 26.25” H x 12.5” W x 12” D $4,000-6,000

229

A French bur

Late-19th centu The cabinet ch Sevres-style pla flanking a cent console with br motif plaques a over a mirrored Overall: 60” H $2,500-3,000

Lot 227: This lot has been withdrawn.

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230

A Sèvres-style lidded vase

Late-19th/early-20th Century Sevres-style mark to lid The pinecone finial surmounting a cobalt blue lid with gilt highlights over a cobalt blue vase, centering friezes of an overgrown landscape to one side and a courting couple on the other flanked by female masks and raised on a pedestal base 29.5” H x 11” W x 7.75” D $1,200-1,800

rled walnut and Sèvres-style plaque cabinet

ury hest with brass accents and molding featuring two aques of Marie Antoinette and Mme. Elisabeth tral mirror on a corresponding three-drawer rass edging and mounts surrounding round floraland a central drawer with sliding writing surface d one-shelf base x 53” W x 22” D

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231

A gilt bronze-mounted candelabra

Early-20th Century Each six-light gilt-bronze candelabra with floral arms and a tall central lily-shaped stem over an urn-shaped base decorated with horned animals and cherubs on four bun-shaped feet, 2 pieces Each approximately: 34â&#x20AC;? H x 15â&#x20AC;? Dia. $1,800-2,200

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232

A large oval boulle-style center table

Circa 1900 The ornately-inlaid black, red, and gilt-painted boulle-style table on cabriole legs with bronze mounts 30” H x 55” W x 31.5” D $1,500-2,000

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233

A Louis XV-style long carved walnut bench Circa 1900 The bench with leather seat and brass studs over a carved floral apron and double X-form stretcher bars on six legs 18.5” H x 44” W x 17.25” D $800-1,200

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234

Ferdinand Barbedienne

(1810-1892, French) “Diana de Gabies” Bronze Stamped to base with Barbedienne foundry mark: F. Barbedienne Fondeur / Reduction Mecanique A Collas 26.75” H x 9.25” W x 6.875” D $1,000-1,500

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235

Portrait of a woman reading 19th Century Continental School Oil on canvas laid to canvas Appears unsigned 24.75” H x 18.5” W $700-900

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236

Albert Friedrich Schroder

(1854-1939, German) Cavalier with sword, 1898 Oil on panel Signed, dated and inscribed lower left: A. Schroder / 98 / Mn 12.5â&#x20AC;? H x 10â&#x20AC;? W $600-800

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238

An Amphora pitcher with dra

Early-20th Century Stamped: Eichwald / A / 430 The pitcher with shell pourer, a dra scaled feet, and painted birds and 18” H x 7” W x 6.5” D $800-1,200

237

Alfred Desire Lanson

(1851-1898 French) Jason and the golden fleece Patinated bronze Signed: Lanson Scpt; Pastille: Susse Freres Editeurs Paris 29.5” H x 14.5” W x 10.25” D $1,200-1,800

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agon and birds

agon handle and d bees

239

A Stellmacher Teplitz hunter and rhino

Late-19th/early-20th Century; Teplitz, Austria Stamped: Stellmacher / Teplitz / 627 / 15 The black figural group with a mounted hunter on horseback holding a spear over a rhinoceros 23.5” H x 19” W x 14” D $800-1,200

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240

A Persian Sarouk area rug Second-half 20th Century The cotton on cotton rug 96.5â&#x20AC;? H x 65â&#x20AC;? W $2,000-3,000

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241

A Perisan Kashan area rug

The wool on cotton rug with navy field and red central medallion 121â&#x20AC;? H x 97â&#x20AC;? W $1,000-1,500

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242

A Loetz pinched four-corner style iridescent glass vase

Late 19th/early-20th Century; Bohemia (Czech Republic) The Art Nouveau purple, blue, and black vase with ribbon-style rim 7” H x 3.625” Dia. $500-700

243

Three Loetz irridescent glass vases

Late 19th/early-20th Century; Bohemia (Czech Republic) Comprising three Art Nouveau glass vases in varying forms, one tall pink and blue irridescent vase, one narrow molded vase in purple and green glass, and one small green bud vase with bulbous base, 3 pieces Tallest: 12.125” H x 5.5” Dia. $600-800

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244

Two Loetz iridescent glass vases

Late 19th/early-20th Century; Bohemia (Czech Republic) Both vases in deep purple glass with applied iridescent purple and gold bubble pattern, the larger with black interior, 2 pieces Taller: 11.125” H x 4.5” Dia.; Shorter: 8.375” H x 4.5” Dia. $500-700

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245

A French inlay and gilt-bronze bed

Late-19th/early-20th Century With gilt bronze shell and ivy motif mounts and finials 59.5” H x 63” W x 84.5” D $1,200-1,800

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248

A Chinese carved side table

Fourth-quarter 19th Century The inset marble top over an ornat legs depicting hummingbirds and fl 31.5” H x 23” Dia. $800-1,200

246

A French bedside stand

Late-19th/early-20th Century The stand with marble top over one shallow drawer and marble-lined cabinet with gilt-bronze mounts and undershelf on tapered columnar legs 31” H x 17.5” W x 14.5” D $600-800 2 2 9 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

tely carved apron and flowers

247

A French bedside stand

Late-19th/early-20th Century The stand with Napoleon Tigre? marble top over one shallow drawer, marble-lined cabinet behind drawer-facade, and gilt-bronze mounts on round tapered legs 34” H x 20.25” W x 15” D $600-800 w w w. j o h n m o r a n . c o m 2 3 0

249

A pair of Chinese porcelain vases

20th century Each vase with white body and painted figur landscape, 2 pieces Each approximately: 18.5” H x 7.5” Dia. $500-700

250

A pair of Chinese hand painted vases

20th Century Each with maker’s mark to bottom Each white porcelain baluster form vase with a painted figural scene Each approximately: 17.5” H x 5.8” Dia. $500-700

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ral groups in

251

Two carved jade pendants

20th Century Two rectangular carved jade pendants one with a bird and branches, one with a figural scene and characters on the reverse, 2 pieces Larger: 2.125” H x 1.5” W x .375” D; Smaller: 2.25” H x 1.25” W x .25” D $600-800

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252

A pair of silverplated lamps

Late 19th/early-20th Century Each two-light electrified lamp with an acorn-finial urn-shaped top and lion decoration, possibly originally gas, 2 pieces Each approximately: 21.5” H x 16” W x 7” D $1,200-1,800

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253

A French figural gilt-bronze table clock

First-quarter 20th Century Movement signed: Samuel Marti, Medaille D’or Paris 1900 Surmounted by a Maenad holding grapes flanked by putti over a clockface set with a white porcelain dial with Roman numeral hour markers and Arabic numeral sub-seconds over a white marble base raised on toupie feet 15.5” H x 11.25” W x 7.75” D $1,500-2,500

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254

A pair of malachite veneered obelisks

20th Century Unmarked The Russian-style malachite veneered obelisks each raised on a stepped base, 2 pieces 30” H x 6” W x 6” D $1,500-2,500

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255

A pair of François Barbedienne table lamps

Fourth-quarter 19th Century Stamped: F. Barbedienne Each two-light grey marble urn-shaped lamp with bronze satyr mount, foliate and geometric motif, and double hooved feet, each topped with a flame-shaped bronze finial, 2 pieces Each: 30.375” H x 6.25” Dia. $4,000-6,000 w w w. j o h n m o r a n . c o m 2 3 6

256

A pair of French bronze-mounted two-door cabinets

Second-quarter 20th Century Each branded with a W.B. logo to the back Each faux-marble top over a double-door cabinet, flanked by sphinx masks, and raised on a carved base, one with a later added closure, 2 pieces Each approximately: 38.75” H x 46.75” W x 20” D $5,000-7,000

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257

Four French Louis XVI-style upholstered chairs

Late-19th/early-20th Century Each giltwood carcass with carved roses and leaves issuing an oval upholstered backrest with two upholstered arms over a spring upholstered seat raised on carved pole legs, 4 pieces 47.5” H x 24” W x 25.75” D $1,000-1,500

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258

A Sèvres-style table lamp

Late-19th Century With Sevres-style mark to underside Celeste blue and painted classical scenes on white porcelain body with bronze mounts 33” H x 11.5” W x 8.5” D $800-1,200

259

Mathurin Moreau

(1822-1912 French) “Psyche” Gilt-bronze on marble plinth Signed: Moreau Math Scpt; Titled to marble base 21” H x 8” W x 6.75” D $2,000-3,000

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260

Pierre-Eugène-Émile Hébert

(1828-1893, French) “Thetis,” 1867 Bronze on marble base Signed and titled: Emile Hebert / Thetis; Further marked: C&S / Medaille D’Or / 1867 16” H x 8” W x 6.75” D $800-1,200

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261

A pair of Amphora candleabra

Circa 1897-1906; Teplitz, Austria Marked for Ernst Wahliss Turn-Teplitz to base: Depose / Turn Wien Each figural three-light candelabrum with a fairy holding up flowers and grapes on a scrolled and footed base, 2 pieces Each approximately: 18” H x 12” W x 7” D $800-1,200

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262

A Johann Maresch terracotta vase

Late-19th Century; Aussig, Bohemia Marked to base: 1623 / JM The tall vase featuring Pan and a maiden in a scene from “A Midsummer Nights Dream” 24” H x 12.5” W x 12” D $1,000-1,500

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263

Jaroslav Friedrich Julius Vesin

(1859-1915 Czech/Bulgarian) “Trebiz,” circa 1880 Watercolor on paper under glass Signed lower left: J. Vesin, titled lower right, dated on the backing paper Sight: 9.5” H x 16” W $800-1,200

266

Walter Gr

(1861-1935 A Venetian Pastel on p Signed low Sight: 12” H

$800-1,200

Exhibitions: “Collecting

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264

Evert Moll

(1878-1955, Dutch) Harbor Scene, likely Rotterdam Oil on canvas Signed lower right: Evert Moll 16” H x 31.75” W $800-1,200

riffin

5, Portland, ME) bridge, 1913 paper under glass wer left: Griffin H x 15.25” W

: Brockton, Massachusetts, Brockton Art Center Fuller Memorial, g Collectors,” February 27 - April 27, 1975.

Lot 265: This lot has been withdrawn

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267

Charles-André Van Loo

(1705-1765, French) Seated nude male Sanguine on paper under glass Signed in the margin lower right: Charles AndrÈ Van Loo Sight: 20.5” H x 14.5” W; Sheet: 21.75” H x 16” W $1,500-2,500

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268

Max Liebermann

(1847-1935, German) Untitled Figures Among Trees Graphite on paper under glass Appears unsigned Sight: 4.25” H x 7.25” W; Sheet: 4.5” H x 7.5” W $4,000-6,000 Notes: With an unfinished work verso.

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269

Max Liebermann

(1847-1935, German) Untitled Interior Scene with Embracing Couple Graphite on paper under glass Signed lower right: M Liebermann Sight: 6.5” H x 8.5” W; Sheet: 7.25” H x 10.25” W $4,000-6,000 Notes: With an unfinished work verso.

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270

Libero Andreotti

(1875-1933, Italian) “Laocoon,” 1908 Bronze on marble base Signed and dated to base: L. Andreotti / Milano 1908 28” H x 14” W x 13” D $5,000-7,000

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271

A carved Sienna marble bust of a man

Late-19th Century Apparently unmarked The man with flowing beard and laurel leaf crown 30” H x 23” W x 11” D $2,000-3,000

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273

A pair of French gilt bronze candlelabra

Late-19th/early-20th Century Each four-light candelabra with floral and leaf arms extending from a cobalt blue urn body on a bronze pedestal, 2 pieces 17.25” H x 10.5” W x 8” D $1,000-2,000

274

An Italian Roccoco-style console

20th century The carved giltwood console with a th leaf and scroll motif together with an Table: 33.25” H x 58” W x 16.5” D; M $1,200-1,800

272

A Scagliola marble-top center table

First-quarter 20th Century The round table featuring eight registers each depicting musical instruments over ornately cast and patinated bronze legs 26.25” H x 49.5” Dia. $2,000-3,000

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275

A pair of silverplate candelabra

20th Century Apparently unmarked Each five-light candelabra with grapevine motif and ornately footed bases, 2 pieces Each approximately: 21.25” H x 17” W x 17” D $1,200-1,800

e table and mirror

hin marble top over acanthus associated mirror Mirror: 61.5” H x 46” W x 4” D

276

A French Louis XV-style credenza

Fourth-quarter 19th Century The carved oak sideboard with marble top over four shallow drawers over a central cabinet with adjustable shelf and two glass side cabinets with adjustable fitted glass shelves each with brass handle and keyhole 43.5” H x 78” W x 26.5” D $2,000-3,000 w w w. j o h n m o r a n . c o m 2 5 2

2 A

20 Bis sta Th bro Ea

277

A pair of Louis VII-style carved giltwood armchairs

19th Century Each giltwood carved armchair with silver floral silk upholstery, 2 pieces Each approximately: 44” H x 30.5” W x 29” D $1,500-2,500

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279

pair of bisque and gilt bronze chenets

0th Century sque stamped with maker’s mark, further amped: 1989 / ML he two bisque figural pastoral scenes set in onze stands, 2 pieces ach approximately: 14” H x 15” W x 13” D

1,200-1,800

278

A Louis XVI-style carved low bench

First-quarter 19th Century Signed: Jacob D. R. Meslee The low bench with blue upholstery and associated floral blue and white pillow, 2 pieces Bench: 13” H x 33.5” W x 17” D; Pillow: 16” H x 30” W x 7” D $1,000-1,500 w w w. j o h n m o r a n . c o m 2 5 4

280

A pair of Austrian crystal and bronze compotes Fourth-quarter 20th Century Each stamped under base: Austria Each circular bronze base with three Classical figures in open gallery holding a cut crystal bowl, 2 pieces Each approximately: 14.25â&#x20AC;? H x 10â&#x20AC;? Dia. $1,500-2,500

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281

A French white marble and gilt bronze clock

Late-19th/early-20th Century Stamped: 1821/6 The white dial with Arabic and Roman numerals set in a bronze columnar-shaped body with rams heads, ribbons, and laurel leaf decoration under an acorn finial on a white marble base and three gilt bronze scrolled feet visible 21.5” H x17.5” W x 9” D $1,000-1,500

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282

Five antique Neopolitan carved folk figures

19th Century; Italian The five figures in traditional colorful dress with decorated skirts, embroidered aprons, bodices, and capes, and short pants, The skirts held in shape by sewn newsprint, 5 pieces Largest: 14.5” H x 5.5” W x 2.5” D; Smallest: 10.5” H x 5” W x 6” D $600-800 w w w. j o h n m o r a n . c o m 2 5 8

285

A large Louis XVI-style green trumeau mirror 18th Century The mirror under a hunting scene with giltwood framing set in a green-painted wood frame 79” H x 58” W x 2.5” D $1,200-1,800

283

A gilt bronze cherub

Late-19th/Early-20th Century The winged cherub on a marble plinth, 2 pieces Overall: 18” H x 10.25” W x 6.25” D $600-800

284

A French gilt-bronze vitrine cabinet

Second-quarter 20th Century The egg and dart crest over a sun king frieze over a glazed cabinet, issuing three glass shelves raised on squat gilt-bronze mounted feet 75.25” H x 68.25” W x 18.5” D $4,000-6,000

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287

A French Louis XVI-style settee with yellow damask upholstery Late-19th/early-20th Century The tall rectangular back over a wide seat and twisted legs 43.75” H x 56.5” W x 26” D $1,000-1,500

286

An ebonized wood marble-topped gueridon 20th Century The round inset white marble top with gilt-bronze mounts on a tripod base with gilt-bronze horned goat heads and cherubs 34.75” H x 35” Dia. $2,500-3,500

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288

Affortunato (Fortunato) Gory (1895-1925 Italian/French) Walking woman Gilt-bronze and alabaster Signed to base: Gory 26” H x 11.75” W x 9.5” D $3,000-5,000

289

Affortunato (Fortunato) Gory (1895-1925 Italian/French) Walking lady Gilt-bronze and alabaster Signed to base: A. Gory 27.5” H x 14” W x 11” D $3,000-5,000

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290

A tall Amphora figural sculpture

Fourth-quarter 19th Century Apparently unmarked Depicting a winged putto and fairy in embrace 22” H x 11.5” W x 7.375” D $600-900

291

An Amphora vase with young children

Circa 1905-1910; Teplitz, Austria Stamped for Amphora Works Turn / Amphora Riessner & Kessel Turn-Teplitz: [Crown] / Amphora / Austria / 20083 / 21 The two children playing tug-of-war with a doll in front of a rectangular column 13.25” H x 8.5” W x 5.25” D $600-900

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292

A Loetz fiddle-style iridescent glass vase Late 19th/early-20th Century; Bohemia (Czech Republic) The vase in purple and blue iridescent glass 10.75” H x 5.625” W x 3.5” D $500-700

2 6 3 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

293

Two Loetz iridescent glass vases

Late 19th/early-20th Century; Bohemia (Czech Republic) The two iridescent glass vase in purple, green, and blue, the shorter with a squat base, 2 pieces Taller: 12.5” H x 4.25” Dia.; Shorter: 8.25” H x 4.5” Dia. $500-700

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294

A pair of French bronze figural candelabra

Late-19th/early-20th Century Each six-light electrified candelabra with a bronze figure holding up scrolled arms on a plinth and marble base Each approximately: 33â&#x20AC;? H x 12.25â&#x20AC;? Dia. $1,000-2,000

2 6 5 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

295

A bronze bust of a man

Early-20th century Indistinctly stamped for Tiffany, NY The portrait bust of a man in suit and tie 11.5” H x 6.75” W x 7.75” D $800-1,200

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296

Johann Berthelsen

George Washington Bridge at Night, 1945 Oil on canvas Signed lower right: Johann Berthelsen, dated on the stretcher 12” H x 16” W $5,000-7,000

297

Johann Berthelsen

1883-1972, New York, NY Snow Storm, 5th Ave-New York Oil on canvas Signed lower right: Johann Ber 14” H x 10” W $2,000-4,000

2 6 7 The Tr ad i t i o n a l C o lle c t o r l We d n e sd ay, S e p te mb e r 2 3 , 2 0 2 0

rthelsen

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Condition Reports

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1 Overall good conditoin with tarnishing and light scratches commensurate with age. Personalized to center: MKC. 2 Each in overall good condition with tarnishing and light scratches commensurate with age. Each personalized to center of dish as mentioned: possibly ABB. Berry bowl: 1.375” H x 7.75” Dia. Low dish: 1.75” H x 7” W x 6.375” D 3 Each with tarnishing and light scratches commensurate with age. 4 Overall good condition with minor shelf wear commensurate with age. 5 Overall good condition with shelf wear commensurate with age. Green felt pads attached to underside. 6 Overall good condition with minor shelf war commensurate with age. 7 Overall good condition with rubbed wear and light scratches commensurate with age.

Condition Reports

8 Each in overall good condition with rubbed wear, dust accumulation, and light scratches commensurate with age.

271

9 Overall good condition with rubbed wear and light scratches commensurate with age. Possible touchups to handles, painted, and gilt decorations. 10 Each in overall good conditoin with tarnishing and light scratches commensurate with age. 11 Visual: Generally good condition. Minor surface dirt.

Blacklight: Tiny dots of touch-up scattered throughout the sky. Frame: 15.75” H x 22” W x 1.75” D 12 Overall good condition with minor scuffs, light scratches, and oxidation commensurate with age. 13 Overall good condition with minor scuffs and scratches commensurate with age. Chips and losses to enamel. 14 Each in overall good condition with minor shelf wear commensurate with age. Scattered surface scratches to mirror. Taller swan: 9.75” H x 12” W x 8” D Shorter swan: 7” H x 14” W x 8” D 15 Overall good condition with minor shelf wear commensurate with age. 16 Overall good condition with minor shelf wear commensurate with age. A surface scratch to interior of rim, approximately 1”. 17 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Cracking, splitting, and separation to the top surface. 18 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 19 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 20 Overall good condition with minor shelf wear commensurate with age.

21 Overall good condition with minor shelf wear commensurate with age.

29 Overall good condition with scattered scuffs and light scratches commensurate with age.

22 Overall good condition with minor shelf wear commensurate with age. Scattered losses to applied glass design noticeable to the touch.

30 Overall good condition with scattered scuffs and light scratches commensurate with age. Some rubbed wear to red paint especially to top.

23 Overall good condition with minor scuffs and scratches. In original box.

31 Overall good condition with minor scuffs and scratches commensurate with age.

24 Each in overall good conditoin with minor shelf wear commensurate with age. One cordial cut down (4.125” H x 2.5” Dia.). All but two monogrammed. 68 monogrammed: BMC; 2 monogrammed: BJD.

32 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Shield reattached.

26 Visual: Generally good condition. Minor frame abrasion along the four edges. A 1” scratch lower edge right. A quarter-sized spot of varnish discoloration lower right. Minor surface dirt. Blacklight: No evidence of restoration under blacklight. Spots of uneven varnish fluoresce under blacklight. Frame: 19” H x 31” W x 1.5” D 27 Overall good condition with minor scuffs, scattered spots of loss, and darkening to bronze commensurate with age. Bronze: 18.625” H x 7.75” W x 4.75” D 28 Overall good condition with minor scuffs and scratches commensurate with age.

33 Overall good condition with minor shelf wear commensurate with age. 34 Overall good condition with minor shelf wear commensurate with age. 35 Overall good condition with minor shelf wear commensurate with age. 36 Overall good condition with minor shelf wear commensurate with age. Scattered small chips to rim. 37 Each in overall good condition with minor shelf wear commensurate with age. Scattered small chips. Plate: 1.75” H x 11.5” Dia. Small dish: 4” H x 13.25” W x 8.5” D 38 Each in overall good condition with tarnishing and light scratches commensurate with age and use.

Condition Reports

25 Each in overall good condition with tarnishing and light scratches commensurate with age. Kettles and cream jug monogrammed: RIH. Smaller kettle: 8.25” H x 10.5” W x 6.5” D Cream jug: 6.625” H x 5.75” W x 4.25” D Plate: .375” H x 8” Dia.

272

39 Visual: Generally good condition. Craquelure scattered throughout. Tiny hole in the canvas along the right center edge. Tiny fleck of paint loss right center. The canvas is slightly loose in the upper left corner. Blacklight: A 1” x 2” area of touch-up near the woman’s neck and left shoulder.

47 Each in overall good condition with minor shelf wear commensurate with age. 48 Overall good condition with minor scuffs and darkening to bronze commensurate with age. One small chip to bronze at waist.

Frame: 27.5” H x 33.5” W x 4” D 40 Overall good condition with rubbed wear and light scratches commensurate with age. Scattered losses to painted elements. Working condition unknown; Moran’s does not guarantee working condition of clocks and watches. 41 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered cracks and tape residue to the marble and apron. Chips throughout the marble edges.

Condition Reports

42 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Marble top in fair condition with one front corner missing and with repaired cracks throughout. Separation to some mounts. Lacking key.

273

49 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age. 50 Each in overall good condition with tarnishing and light scratches commensurate with age. 51 Overall good condition with light surface soiling throughout, some loss to fringe edges and even pilewear commensurate with age and use. 52 Overall good condition with even pile-wear and soiling throughout, some wear to fringe edges commensurate with age and use.

43 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age.

53 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear to the finish, slight buckling to wood veneers. Scattered surface scratches, largest approximately 4”. Music box: 11” H x 41” W x 15.5” D Table: 31.5” H x 56” W x 30.5” D

44 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

54 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

45 Each in overall good condition with tarnishing and light scratches commensurate with age.

55 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Large crack underneath mechanism visible when cylander is removed. Working condition unknown.

46 Overall good condition with minor shelf wear commensurate with age and use. One glass with large chip to rim. Punch bowl: 21” H x 13” W x 11” D Each glass: 3.625” H x 2.625” Dia.

56 Overall good condition with scattered scuffs, nicks, and separtaion at joints commensurate with age.

58 Overall good condition with minor scuffs and scratches commensurate with age. Missing one side panel to hexagonal base. 59 Overall good condition with rubbed wear and light scratches commensurate with age. Some remnants of transferred paper stuck to underside. 60 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Chips to the sword slots, especially to the largest. 61 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. One with long repaired crack across body. Each with areas of repainting. 62 Overall good condition with scattered minor localized moth damage and some moth damage to foundation. Even pile-wear and minor surface soiling commensurate with age and use. 63 Overall good condition with even soiling and pilewear commensurate with age and use. 64 Overall good condition with rubbed wear and light scratches commensurate with age. One crack through one side of base. Top of lion’s harness chipped. 65 Overall good condition with scattered minor scuffs, crazing, dust accumulation, and inherent firing flaws commensurate with age. 66 Overall good condition with localized pile-wear to foundation and areas of patternation, light soiling throughout, and localized wear to selvage cords, some wear to the fringe edge.

67 Overall good condition with even pile-wear, localized soiling, even sun-fading, localized knot-pulling, and wear to loop-fringe at both ends. One re-woven repair to one end, approximately 9” x 5”. 68 Overall good condition with rubbed wear and light scratches commensurate with age. Scattered loss to gilt paint. 69 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One chip to the edge of the vitrine glass. Refinished. Lacking key. Wiring should be checked by a qualified electrician prior to use. 70 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One with one key bent and stuck in lock, retains second key. One lacking key. 71 Overall good condition with minor wear and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. 72 Overall good condition with scattered minor scuffs and light scratches commensurate with age. 73 Overall good condition. Each handle has been regilt, likely covering restoration, difficult to determine under paint. Rubbed wear and losses to the applied decoration. The figure with a 1.5” scuff to the body. Later-added museum putty to the lid. The vase is slightly loose from the base. 74 Overall good condition with scattered scuffs, scratches, nicks and chips to the marble commensurate with age. Minor chips and wear to the enamel. Glued repairs to the marble throughout, including to the base, the top, and the column.

Condition Reports

57 Overall good condition with minor scuffs and darkening to bronze commensurate with age.

274

75 Overall good condition with minor scuffs, rubbed wear, and darkening to bronze commensurate with age. Scattered chips to the edges and corners of marble base. 76 Overall good condition with general scratches, scuffs, wear, and darkening to bronze commensurate with age. Working condition unknown; Moran’s does not guarantee working condition of clocks and watches. 77 Overall good condition with rubbed wear and light scratches commensurate with age. 78 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 79 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Some separtaion to inlay and scattered scratches to marble surfaces. 80 Starts, runs, drives, and stops. Service records from 2003-present included. Scattered minor chips and dings to the body. Passenger windows need adjustment/repair. Engine appears clean and original. Wheel covers appear original. Top not tested for functionality. Interior: Minor wear and blemishes.

Condition Reports

81 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age.

275

82 Overall good condition with scattered scuffs, scratches nicks, and chips to the marble and darkening to bronze commensurate with age. Lacking bell. Moran’s does not guarantee the working condition of clocks and watches. 83 Each in overall good condition with tarnishing and light scratches commensurate with age. Salt cellars with nicks and scratches commensurate with use. Two salt spoons personalized.

84 Visual: Generally good condition. Minor frame abrasion along the four edges. A series of small, circular impressions upper center. Blacklight: No evidence of restoration under blacklight. Frame: 43” H x 32.5” W x 3” D 85 Overall good condition with rubbed wear and light scratches commensurate with age. Some areas regilded. 86 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 87 Each in overall good condition with rubbed wear and light scratches commensurate with age. 88 Each in overall good condition with rubbed wear especially to gilt and light scratches commensurate with age. Male figure with one chip to edge of base. 89 Each in overall good condition with rubbed wear and light scratches commensurate with age. Each smaller approximately: 6.5” H x 4.25” W x 3.75” D 90 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Scattered small dents to one elbow. 91 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered small dents to the bodies of the cream jug, sugar bowl, and waste bowl. One dent to the rim of sugar bowl. Tea pot: 6” H x 9.25” W x 5.375” D Cream jug: 4” H x 6.375” W x 4.25” D Sugar bowl: 4.625” H x 6.875” W x 4.5” D Waste bowl: 3” H x 4.375” Dia.

92 Each in overall good condition with tarnishing and light scratches commensurate with age and use. 93 Overall good condition with sun-fading throughout. Spots of no fading and abrash. Extensive damage to corded sevage edge.

101 Visual: Frame abrasion in the upper right corner. Tiny chips of paint loss scattered throughout. A small area of craquelure in the center. Visible restorations in the upper center and lower left. Blacklight: Restoration scattered throughout. Difficult to read under varnish. Frame: 24” H x 30” W x 3” D

95 Overall good condition with rubbed wear and light scratches commensurate with age. 96 Each in overall good condition with scattered minor scuffs, crazing, dust accumulation, and inherent firing flaws commensurate with age. 97 Overall good condition with scattered minor scuffs, crazing, dust accumulation, and inherent firing flaws commensurate with age. 98 Overall good condition with scattered scuffs and darkening to bronze commensurate with age. Some areas repainted. 99 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered small pieces missing to wood carving and inlay. Missing two raised edges to undershelf. One crack width-wise through the undershelf. 100 Overall good condition with minor scuffs and darkening to bronze commensurate to age.

102 Overall good condition with tarnishing and light scratches commensurate with age. 103 Overall good condition with rubbed wear and light scratches commensurate with age. 104 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Some craquelure to varnish and wood inlay. 105 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 106 Each in overall good condition with scuffs, nicks, and rubbed wear commensurate with age. The rouge marble with scattered filled cracks and glued repairs. One standard with two repaired cracks running through the diameter of the piece. 107 Overall good condition with scattered nicks, shrinkage cracks, and separation to wood elements commensurate with age. Scattered evidence of woodworm. Remnants of glue and paint to back. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

94 Overall good condition with light soiling and even pile-wear commensurate with age and use.

276

108 Visual: Generally good condition. Fine craquelure throughout. Small chips of paint loss scattered along the upper edge. A dime-sized area of tiny flecks of paint loss upper center. Small indentation to the canvas left edge center. Minor surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Frame: 28.5” H x 42.5” W x 2.5” D 109 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered damage to the tabletop surface varnish. 110 Overall good condition with minor scuffs and scratches commensurate with age. 111 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

Condition Reports

112 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Tall dresser: 54” H x 36” W x 20.5” D Low dresser: 34” H x 52” W x 22.5” D Each nightstand: 29.5” H x 14” W x 14” D Vanity: 30” H x 50” W x 19” D Mirror: 43.5” H x 26” W x 1.5” D

277

113 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Cracks throughout marble top including one from front to back of left side and both front corners. No interior shelving. Lacking key. 114 Each in overall good condition with tarnishing and light scratches commensurate with age. 115 Overall good condition with scattered minor scuffs, crazing, dust accumulation, and inherent firing flaws commensurate with age.

116 Each in overall good condition wtih scattered minor scuffs, rubbed wear especially to the gilding, and inherent firing flaws commensurate with age. Scattered crazing to each, more prominent at the bases. 117 Overall good condition with even pile-wear, localized light surface soiling and some loss to fringe edges commensurate with age and use. 118 Overall good condition with reinforced edges, staining to fringe and localized sun-fading. Even pilewear and spots of soiling throughout with evidence of localized spotting in areas, largest approximately: 3” x 8”. Abrash to one end. 119 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Scattered losses to cloisonne details. One foo dog with dented head (top) and indented lower metal base underneath figure. Each foo dog: 45” H x 26” W x 33.5” D 120 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Losses to varnish, particularly throughout edges. 121 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wiring should be checked by a qualified electrician prior to use. 122 Overall good condition with tarnishing and light scratches commensurate with age. One small dent to the foot of the shaker. 123 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Not tested for working condition.

125 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Not tested for working condition. 126 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Not tested for working condition. 127 Visual: A .5” visible repaired tear upper center with corresponding patch verso. A scattered group of chips of paint loss with instability and flaking along the left edge center and lower left edge. Craquelure scattered throughout with a small area of instability in the upper right corner. Minor separation of the varnish layer in the center. Blacklight: A dime-sized area of touch-up to the repaired tear. A pea-sized spot of touch-up in the upper right corner. A quarter-sized area of touch-up along the left edge center. Unable to read under varnish. Frame: 26” H x 32” W x 2.75” D 128 Visual: Generally good condition. Blacklight: Two small spots of touch-up upper edge left. Difficult to read under Plexiglas. Not examined out of the frame. Frame: 29.25” H x 25.5” W x 3.75” D

129 Generally good condition. Scattered craquelure throughout. A repair to a 3.5” tear in the canvas in the lower left corner. Blacklight: A 7” x 2” area of scattered touch-up in the center. A 5.5” x 4” area of scattered touch-up upper center. A 6.5” x 2” area of scattered touch-up upper left. A 10” x 1.5” area of scattered touch-up left center. A 5.5” x 2” area of scattered touch-up lower left. Scattered spots of touch-up upper right and right center, the largest quarter-sized. Scattered small spots of touch-up lower right. Touch-up in the woman`s chest on the right. Frame: 27.5” H x 37.5” W x 3” D

130 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Not tested for working condition. 131 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Not tested for working condition. 132 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Evidence of heavy use and multiple repairs. Not tested for working condition. 133 Overall good condition with wear commensurate with age and use. 134 Overall good condition with minor scuffs, scratches, and dust accumulation commensurate with age. One side of cage bent inward. Cage missing side screws to base. 135 Overall good condition with minor scuffs, scratches, and dust accumulation commensurate with age. One bird does not move beak with tune.

Condition Reports

124 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Not tested for working condition.

278

136 Each in overall good condition with tarnishing and light scratches commensurate with age and use. Teapot with later-added wood handle as mentioned. Sugar bowl: 4.75” H x 8” W x 5.5” D Cream jug: 4.5” H x 6” W x 4.5” D 137 Good overall condition for age. does exibit chips, cracks, shrinkage and minor losses. One columnar element and mount to body are loose. Clock does not run. 138 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 139 Visual: Generally good condition. Fine craquelure scattered throughout. Artist’s pinholes in the four corners. Small repaired puncture upper right with corresponding patch verso. Blacklight: Quarter-sized area of touch-up upper right to address repaired puncture. Difficult to read under varnish. Frame: 28.75” H x 25” W x 3.5” D 140 Visual: Fine craquelure scattered throughout. A few tiny flecks of paint loss upper center and upper left. A 4” line of paint loss under the signature lower right. The varnish layer is beginning to separate along the right edge. Blacklight: Touch-up scattered throughout. Difficult to read under heavy varnish.

Condition Reports

Frame: 27” H x 31.25” W x 3” D

279

141 Overall good condition with scattered scuffs, scratches, and dust accumulation commensurate with age and use. 142 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One missing an area of wood inlay to edge.

143 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. 144 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Some peeling and damage to velvet lining. 145 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 146 Visual: Each: Generally good condition. Cattle: Fine craquelure scattered throughout. Very light 3” surface scratch in the center. A 2” light surface scratch and a .5” black line in the upper right corner. Sheep: Frame abrasion along the upper edge. Fine craquelure scattered throughout. Blacklight: No evidence of restoration under blacklight. Each frame: 28” H x 36” W x 3.5” D 147 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. 148 Each in overall good condition with rubbed wear and light scratches commensurate with age. One chip to larger vase approximately .5”. 149 Overall good condition with minor scuffs and darkening to bronze commensurate with age. 150 Each in overall good condition with rubbed wear and light scratches commensurate with age. Each teacup with chips to rim and a thin crack to underside of the lid. Scattered losses to the painted decoration. 151 Each: Generally good condition. Minor toning to the paper. Not examined out of the frame. Frame of each: 22.5” H x 17.75” W x .75” D

153 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 154 Each in overall good condition with rubbed wear and light scratches commensurate with age. 155 Each in overall good condition with rubbed wear and light scratches commensurate with age. 156 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Small drilled hole to each side near the marble top probably dating from time of manufacture. Working condition unknown; Moran’s does not guarantee working condition of clocks and watches. 157 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Some loss to gilding and carved elements especially to base. 158 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Several arms are bent. Scattered drill holes, varying in size, and glue residue, associated with later electric wiring. Wiring should be checked by a qualified electrician prior to use. 159 Overall good condition with minor scuffs, scratches, and dust accumulation commensurate with age.

160 Visual: Generally good condition. Stable craquelure throughout. Frame abrasion with small chips of paint loss scattered along the upper edge. Blacklight: Apparently no restoration under blacklight. Difficult to read under glass. Frame: 35” H x 46.5” W x 4.5” D 161 Good overall condition, needs to be restrung. Restorations throughout. Scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

162 Good overall condition, needs to be restrung. Restorations throughout. Scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

163 Good condition, needs to be restrung. Restorations throughout. Scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

164 Each in fair to good overall condition. Each needs new hair. Each exibits extensive wear. Scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

165 Good overall condition. Needs new hair. Frog has some chips. Scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

166 Each in fair to good overall condition. Each needs new hair. Scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

Condition Reports

152 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Inside painted bronze. One bronze foot mount detached but retained. Wired for lighting, includes key. Wiring should be checked by a qualified electrician prior to use.

280

167 Good overall condition, need to be restrung. Some restorations. Scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

168 Violin in good overall condition with previous restorations. 169 Good overall condition, needs to be restrung. Some restorations. Scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

170 Fair overall condition, in need of complete restoration. Major scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

171 Overall good condition with rubbed wear and light scratches commensurate with age.

Condition Reports

172 Overall good condition with scattered scuffs, scratches, nicks, and chips to the marble commensurate with age.

281

173 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One cabinet hangs to one side. Minor lifting and notches to the veneers. One shelf with a 13” x 6” area of staining. Scattered shelves with wear and losses to the finish. Keys intact, one key bent. 174 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Clock and sculpture repositioned on base, 2 drill holes visible to lower front of base.

175 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Lacking key. 176 Each in overall good condition with tarnishing and light scratches commensurate with age. 177 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Moran’s does not guarantee the working condition of clocks and watches. 178 Each in overall good condition with rubbed wear and light scratches commensurate with age. Rubbed loss to gilt decoration especially to the handles, necks, rims, and bases. 179 Overall good condition with rubbed wear and light scratches commensurate with age. Scattered cracks to frame. 180 Overall good condition with minor scuffs and darkening to bronze commensurate with age. 181 Each in overall good condition with rubbed wear and light scratches commensurate with age. One with repaired break through the base lengthwise and other restorations. 182 Overall good condition with light fleabites, scattered minor chips, and some wear to the gold highlights commensurate with age. Slight fleabite to gold rim. Chip to the body of the clock case near the bezel: .375”-long. Severed silk suspension thread. In working condition with twin train chimes on the hour and half-hour, does not run. Has a pendulum, lacking key. Moran’s does not guarantee the working condition of clocks and watches. 183 Each in overall good condition with tarnishing and light scratches commensurate with age. General marks, light scratching, rubbing, and wear.

185 Visual: Generally good condition. The canvas is loose and rippling. Stretcher bar creases along the four edges with associated craquelure across the upper edge. Minor surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Frame: 20.75” H x 24.75” W x 2” D 186 Visual: Generally good condition. The canvas is slightly cupped across the upper edge. A dime-sized spot of blue paint in the center. Minor surface dirt. Blacklight: The blue spot fluoresces under blacklight. Frame: 18” H x 20” W x 2” D 187 Overall good condition with rubbed wear and light scratches commensurate with age. Two areas of restoration and one small chip to paint evident. 188 Overall good condition with rubbed wear and light scratches commensurate with age. Scattered breaks to frame edges. 189 Overall good condition with scattered minor scuffs, light scratches, and darkening to bronze commensurate with age. Moran’s does not guarantee the working condition of clocks and watches. 190 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 191 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

192 Visual: Generally good condition. Minor frame abrasion along the left and right edges. Visible restoration along the upper edge and upper right corner. Blacklight: Touch-up along the upper edge and upper right corner. Difficult to read under varnish. Frame: 37” H x 32.75” W x 5” D 193 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Some wood elements loose. Joined door edge slightly separated from frame. 194 Each in overall good condition with scattered scuffs, scratches, nicks, chips, and cracks to the marble and minor scuffs to bronze commensurate with age. Bronze has been painted gold, some gold paint remnants on marble. 195 Overall good condition with minor scuffs and darkening to bronze commensurate with age. 196 Overall good condition with scattered minor scuffs, inherent firing flaws, and rubbed wear commensurate with age. 197 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Wiring should be checked by a qualified electrician prior to use. 198 Overall good condition with rubbed wear and light scratches commensurate with age. 199 Overall good condition with rubbed wear, small cracks, and light scratches commensurate with age.

Condition Reports

184 Overall good condition with tarnishing and light scratches commensurate with age. Scattered small dents to lid and body. Filled-in, drilled hole to base most likely from a previous mounting.

282

200 Overall good condition with extensive soiling, moth damage, and wear throughout commensurate with age and use. Localized wear to pile. 201 Overall good condition with minor shelf wear commensurate with age. 202 Each in overall good condition with minor shelf wear commensurate with age. Bronze mounting is loose to vase. 203 Visual: Fine craquelure and tiny flecks of paint loss scattered throughout. Visible restorations scattered throughout, the largests upper left with corresponding patch verso. Small chip of paint loss left center. Minor surface dirt and grime. Blacklight: Spots, lines and areas of touch-up scattered throughout, the largest a 4” x 3” area upper left. Frame: 36.75” H x 32” W x 2.5” D 204 Visual: Frame abrasion along the left and right edges. Fine craquelure throughout. Three chips of paint loss with some instability in the upper right corner. Minor surface dirt. Blacklight: A 12” x 21” area of restoration in the upper left corner. Areas of touch-up scattered throughout the rest of the painting.

Condition Reports

Frame: 47” H x 58” W x 2.75” D

283

205 Visual: Fine craquelure throughout. A .5” scratch in the center. A series of small scratches/gouges in the lower left corner. A 4” scratch with scattered paint loss lower right. A series of small chips of paint loss lower right. Two .25” scratches upper left. The edge of the canvas is visible for 16” along the upper edge left. Blacklight: Touch-up scattered throughout. The most extensive is in the draperies upper right. Frame: 48.75” H x 56.25” W x 2.75” D

206 Visual: Frame abrasion along the upper edge. Fine craquelure throughout. A series of small chips of paint loss lower center. Minor surface dirt and grime. Blacklight: Touch-up throughout. The largest, a 12” x 12” irregular shape in the upper left corner. Frame: 37” H x 49” W x 2.5” D 207 Visual: Very fine craquelure througout. Repaired tears upper left, upper right and two lower center with corresponding patches verso. Frame abrasion along the upper edge. Spots of flaking and instability with paint loss upper center. A .75” line of paint loss upper right. Two punctures center right with tape verso. Two small spots of paint loss in the center. A 1” tear lower left. Small area of separation of the varnish layer in the center. Surface dirt and grime. Blacklight: Repaired punctures are visible under blacklight. Touch-up around the perimeter of the woman’s face as well as the fingertips of both of her hands. Difficult to read under varnish. Frame: 82.5” H x 55” W x 3.25” D 208 Visual: Generally good condition. Fine craquelure throughout. White lines of touch-up/crackfill on the left man’s face. Tiny white spots throughout the woman’s red blouse. Spot of grime lower left. Blacklight: A quarter-sized spot of touch-up near the center man’s right ear. A pea-sized spot of touch-up on the left man’s nose. Small spots and lines of touchup scattered throughout. Difficult to read under varnish. Frame: 45” H x 35” W x 3.5” D 209 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. A glued repair to one leg. 210 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Areas of loss and repair throughout. One crack to bottom. Retains key.

212 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Two large vertical cracks to sculpture. Losses to decoration and edges. 213 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One wing reattached. Each angel approximately: 12.5” H x 7.5” E x 2” D 214 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Some bending to metal candle holders. 215 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 216 Visual: Small repaired tear right center with corresponding patch verso. Fine craquelure and paint shrinkage throughout. Surface dirt and grime.

218 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation to wood commensurate with age. One long crack down the inside edge of robe, approximately: 21”. Missing crosier or staff in one hand. 219 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation to wood commensurate with age. Large vertical crack through the center likely dating to time of manufacture. 220 Visual: Generally good condition. Fine craquelure and crazing throughout. Small area of varnish layer separation in the upper right corner. Two small spots of paint loss lower left. Blacklight: A few small spots of touch-up scattered throughout the lower portion. Very hard to read under heavy varnish. Frame: 49.5” H x 44.25” W x 3.5” D 221 Visual: Craquelure throughout. A quarter-sized area of visibly restored paint loss upper center. Surface dirt and grime. Blacklight: Restoration throughout. Difficult to read under heavy varnish.

Blacklight: Aforementioned areas of restoration fluouresce under blacklight.

Frame: 35.5” H x 23.25” W x 2” D

Frame: 56” H x 75.5” W x 4.75” D

222 Visual: Craquelure throughout. Frame abrasion along the four edges. A .5” line of paint loss left center. Small spots of separation of the varnish layer in the center and lower center. Surface dirt and grime.

217 Visual: A 5” L-shaped repaired tear left center and a small repaired tear in the center with corresponding patches verso. Isolated areas of fine craquelure and paint shrinkage scattered throughout. A few dots of house paint lower left. Scattered bulges in the canvas along the lower edge caused by debris between the canvas and the stretcher. Surface dirt and grime. Blacklight: The aforementioned areas of restoration fluoresce under blacklight. Frame: 56” H x 75.5” W x 4.75” D

Blacklight: Spots and dots of touch-up scattered throughout. Difficult to read under heavy, uneven varnish. Frame: 29” H x 23” W x 3” D 223 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered woodworm to the underneath of the table surface.

Condition Reports

211 Overall good condition with minor scuffs and scratches commensurate with age.

284

224 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered woodworm to back, underneath, and feet.

232 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Separation around some wood inlay.

225 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separtaion at joints commensurate with age. Wings carved from multiple pieces of wood, some glued repairs visible.

233 Overall good condition with scattered scuffs, scratches, nicks, and shrinkage cracks commensurate with age. Tack holes to the underside of the apron. New supports and glue residue to underside.

226 Overall good condition with rubbed wear and light scratches commensurate with age. Three of eight gold chains detached from arms. Wiring should be checked by a qualified electrician prior to use.

234 Overall good condition with minor scuffs and scratches commensurate with age.

227 each in overall good condition with scattered scuffs, scratches, nicks, and chips to the marble commensurate with age. Larger with several repaired cracks to base. 228 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age. Each with scattered cracks, scuffs, scratches, nicks, and chips to the marble. Several arms of candelabra bent. Lacking back of clock. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

229 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.Scattered loss and separation to the wood veneers. Separation at brass mounts and bead strands. Lacking key.

285

230 Overall good condition with scattered scuffs, light scratches, and rubbed wear commensurate with age. 231 Each in overall good condition with minor scuffs, light scratches, and slight bending to the arms commensurate with age.

235 Visual: Craquelure throughout. A pinhole in the lower right corner. The edges of the original canvas are visible and have nicks, small tears and losses scattered around the perimeter. Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish. Frame: 33.75” H x 27” W x 2.5” D 236 Visual: Generally good condition. Minor frame abrasion along the four edges. Very fine craquelure throughout. Minor surface dirt. Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish. Frame: 21.5” H x 19.25” W x 3.25” D 237 Overall good condition with darkening to bronze and minor rubbed wear. 238 Overall good condition with scattered minor scuffs, crazing, dust accumulation and inherent firing flaws commensurate with age. 239 Overall good condition with scattered minor scuffs, rubbed wear, and light scratches commensurate with age.

241 Overall good condition with even pile-wear and very light surface soiling, soiling to fringe, and some fringe loss commensurate with age and use. 242 Overall good condition with minor shelf wear commensurate with age. 243 Each in overall good condition with minor shelf wear and scattered small chips to rim commensurate with age. Tallest with one small chip and shallow surface scratch to foot. Purple vase: 6.25” H x 3” Dia. Green vase: 4.75” H x 4” Dia. 244 Each in overall good condition with minor shelf wear commensurate with age. 245 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 246 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 247 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. 248 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Visible scratches throughout marble top surface. 249 Each in overall good condition with minor shelf wear and light scratches commensurate with age.

250 One in overall good condition; one in fair condition with a large circular repaired break to one side, still missing one chip. Each with rubbed wear and light scratches commensurate with age. 251 Each in overall good condition with minor scuffs and scratches commensurate with age. One with scattered small chips to edges. 252 Each in overall good condition with tarnishing and light scratches commensurate with age. Added putty to each light socket. Sockets unmatched to each other. Wiring should be checked by a qualified electrician prior to use. 253 Overall good condition with scattered scuffs and light scratches, commensurate with age. One arrow slightly bent. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 254 Each in overall good condition with light scratches, scuffs, and wear commensurate with age. 255 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. One lamp with beading re-glued to base. Chips and abrasions to the corners of the marble. Wiring should be checked by a qualified electrician prior to use. 256 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age. Each with a thin darkening paint wash to interior. Scattered losses and repairs to the corners. 257 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor losses to the gilding. Each seat and arm with shredding and scattered soiling to the upholstery.

Condition Reports

240 Overall good condition with even soiling and pilewear commensurate with age and use.

286

258 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Wiring should be checked by a qualified electrician prior to use. 259 Overall good condition with minor oxidation and rubbed wear. Base: 4.25” H x 10” W x 7.75” D 260 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Bronze: 14.75” H x 6” W x 5.25” D

Frame: 21.5” H x 16.25” W x 2.5” D 266 Generally good condition. Not examined out of the frame. Frame: 22” H x 25” W x 1.5” D 267 Generally good condition. The paper has a horizontal fold crease across the center. Hinged to the recto mat with brown paper tape across the upper edge and upper left and right edges.

262 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

Frame: 28.75” H x 23” W x 1” D

Frame: 17” H x 24” W x 1” D

Condition Reports

Blacklight: No evidence of restoration under blacklight.

261 Each in overall good condition with rubbed wear, light scratches, and dust accumulation commensurate with age.

263 Areas of flaking and paint loss scattered throughout the darker pigments of the lower half of the paper, the most prominent lower right under the cow and left center in the tree. Small scuffs to the paper scattered throughout, concentrated mostly running down the right side. A few small spots of staining upper left.

287

265 Visual: Generally good condition. Tiny chip of paint loss upper right corner. Indentation in the canvas verso causing a .25” line of paint loss in the center. Minor surface dirt and grime.

264 Visual: Generally good condition. The canvas is slightly rippled in the upper corners. Small scuff upper edge right. Isolated areas of very fine craquelure scattered throughout. Surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Frame: 25” H x 41” W x 4” D

268 Generally good condition. Minor toning to the paper. Artist’s pinhole in the lower left corner. Clear tape with some scuffing remains in the upper corners verso. The left edge of the paper is deckled. Hinged to the recto mat with brown paper tape in three places along the upper edge. Frame: 11.75” H x 14.75” W x 1.25” D 269 Generally good condition. Minor toning to the paper. Minor handling creases scattered throughout. Mat burn along the four edges. A pea-sized light colored stain right edge center. Tape remnants from a previous mounting in the upper corners verso. Hinged to the recto mat with brown paper tape along the upper edge. Frame: 14.5” H x 15.5” W x 1.5” D 270 Overall good condition with minor scuffs and darkening to bronze commensurate with age.

272 Overall good condition with scattered scuffs, scratches, nicks, and rubbing to bronze commensurate with age. Scratches, separations, and losses to the scagliola designs. Losses to the table edges and throughout table rim. 273 Each in overall good condition with minor scuffs and light scratches commensurate with age. Regilded. 274 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. The console is a bit unsteady. 275 Each in overall good condition with tarnishing and light scratches commensurate with age. One fitted insert missing to one bobeche. 276 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repaired cracks to center of marble top. Key possibly mismatched. 277 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Significant wear to upholstery on each arm and below each seat. Each seat cushion ripped to one side. 278 The bench in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. The pillow in overall good condition with soiling and wear throughout.

279 Each bronze in overall good condition with minor scuffs and darkening to bronze commensurate with age. Bisques in overall good condition with rubbed wear, minor scuffs, and inherent firing flaws commensurate with age. 280 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age. Bronze has been re-painted gold. Bowls do not sit entirely flush with mounts. Crystal in overall good condition with scattered surface scratches mostly to bottom. 281 Overall good condition with minor scuffs and darkening to bronze; scattered scuffs, scratches, nicks, and chips to the marble base commensurate with age. Moran’s does not guarantee the working condition of clocks and watches. 282 Each in overall good condition with minor scuffs and scratches commensurate with age. 283 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. The statue made in pieces, seams visible. A chip to marble base, approximately: 1.25” x 1.25”. Cherub: 13.5” H x 8.5” W x 6.25” D 284 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Electrified. A separation to the wood top from a shrinkage crack. 285 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Some chips to mirror edges. 286 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

Condition Reports

271 Overall good condition with scattered scuffs, scratches, nicks and chips to the marble commensurate with age. One glued repair to crown. One piece of front of crown broken and retained.

288

287 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor soiling and wear to fabric, especially to armrests. 288 Overall good condition with minor darkening and rubbed wear to the arms. Overpaint to each hand likely covering a repair, difficult to determine the extent of the repair. 289 Overall good condition with darkening to bronze commensurate with age. Left hand with overpaint and a crack to the pinky, extensive restoration difficult to determine under paint. Right wrist with a crack. 290 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Scattered paint loss. Possible repair to putto’s waist. 291 Overall good condition with scattered minor scuffs, crazing, dust accumulation, and inherent firing flaws commensurate with age. 292 Overall good condition with minor shelf wear commensurate with age.

Condition Reports

293 Each in overall good condition with minor shelf wear commensurate with age. Both with scattered chips to rim.

289

294 Each in overall good condition with minor scuffs and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use. 295 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Possible area of repair to lower back: approximately .5”.

296 Visual: Generally good condition. The canvas is slightly rippled in the upper left corner. Minor surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Frame: 20.25” H x 24.5” W x 3” D

297 Visual: Generally good condition. Minor surface dirt and grime concentrated mostly along the upper edge. Blacklight: No evidence of restoration under blacklight. Frame: 21” H x 17” W x 2.75” D

Consign Today

The Traditional Collector December 2020

A Chinese mechanical/automaton table clock Price Realized: $62,500

Consignment and Auction Inquiries: roland@johnmoran.com 145 East Walnut Ave, Monrovia, CA 91016 www.johnmoran.com Âˇ info@johnmoran.com Âˇ (626) 793-1833

Consign Today

California & American Fine Art November 17, 2020

Granville Redmond (1871-1935, Los Angeles, CA) Landscape with poppies and lupine $80,000-120,000

Consignment and Auction Inquiries: morgana@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com Âˇ info@johnmoran.com Âˇ (626) 793-1833 w w w. j o h n m o r a n . c o m 2 9 1

Consign Today

Fine Jewelry & Timepieces December 2020

A Buccellati peridot and diamond ring Price Realized: $6.875

Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com Âˇ info@johnmoran.com Âˇ (626) 793-1833 w w w. j o h n m o r a n . c o m 2 9 2

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Vice President, Furniture & Decorative Arts Director Senior Vice President, Fine Art Director

Roland Rynkiewicz Morgana Blackwelder

Junior Specialist / Senior Cataloguer: Furniture & Decorative Arts Jardine Gates, GIA G.G. Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Fine Art Cataloguer Mike Hook 20th Century Furniture and Decorative Arts Specialist John Simon Taylor Post War & Contemporary Fine Art Bree Hughes American Indian Specialist Maranda Moran Head of Sale Jewelry Director

Mollie Burns Keith, G.J.G.

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Property Manager Emmett Clements Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

ADVERTISING, MARKETING, DIGITAL DESIGN

Advertising & Marketing Director, Art Design Nathan Martinez Photographer Madison Torres Photographer Keith Berson Graphic Designer Brian Olivas

TRUSTS & ESTATES

Department Manager Noelle Valentino

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYERâ&#x20AC;&#x2122;S PREMIUMS: BUYERâ&#x20AC;&#x2122;S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyerâ&#x20AC;&#x2122;s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "â&#x2014;&#x160;" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyerâ&#x20AC;&#x2122;s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the nal bid, plus uyer s Premium on the nal bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided. Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid. New bidders will be asked to provide financ al accoun nforma on as a reference All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance. UYER S PRE IU : P s calcula ed a on e firs $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

uyers outside of the United States must submit payment via wire transfer Credit cards are not an accepted form of payment for buyers outside of the United States

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and re uested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank. Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In e e en of a e b d e e s ra on Form rece ed firs ll be reco n ed as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

How did you hear about our services?

Sellers permit info: Contact of ce for veri cation State: I agree that I have read Signature:

Native American Objects Prints & Multiples

Telephone (secondary):

Permit #

Modern & Contemporary Art

Turn of the Century Design / Arts + Crafts Western Art a e a s ec fic y e of em you are n eres ed n let us know:

Exp: oran s Conditions of Sale and shall be bound by them This affects my legal rights Date:

rev. 7/2018

Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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