California Living — May 17, 2022 | John Moran Auctioneers by johnmoranauctioneers

Tuesday, May 17, 2022

SINCE 1969

AUCTIONEERS & APPRAISERS

Tuesday, May 17, 2022—12pm Sale 211 145 East Walnut Avenue, Monrovia CA 91016 Sale Previews: Friday, May 13 Saturday, May 14 Monday, May 16 12pm-4pm pst or by Appointment

Meet the Team Maranda Moran Head of Sale maranda@johnmoran.com Shannon Dailey Decorative Arts Cataloguer shannon@johnmoran.com

Anne Spink Fine Art Cataloguer anne@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

1001

Sister Mary Corita Kent

(1918-1986, American) “Jacob’s Ladder,” 1960 Color screenprint on wove paper Edition size unknown; estate signed, inscribed with initials, and titled in pencil in the lower margin: Sister Mary Corita / HM [indistinct]; dated by repute Image: 14.5” H x 10.25” W; Sheet: 15.75” H x 11.625” W $300-500

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1002

Sister Mary Corita Kent

(1918-1986, American) “Word fulls,” 1960 Color screenprint on wove paper Edition size unknown; estate signed, inscribed with initials, and titled in pencil in the lower margin: Sister Mary Corita / HM [indistinct]; dated by repute Image: 10.25” H x 14.5” W; Sheet: 11.625” H x 15.75” W $300-500 Provenance: Immaculate Heart College, Los Angeles, CA, their ink stamp verso

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1003

Sister Mary Corita Kent

(1918-1986, American) “Yes,” 1960 Color screenprint on wove paper Edition size unknown; estate signed, inscribed with initials, and titled in pencil in the lower margin: Sister Mary Corita / HM [indistinct]; dated by repute Image: 10.375” H x 14.375” W; Sheet: 11.5” H x 15.5” W $300-500 Provenance: Immaculate Heart College, Los Angeles, CA, their ink stamp verso

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1004

Sister Mary Corita Kent

(1918-1986, American) “Yellow Spring,” circa 1962 Color screenprint on wove paper Edition size unknown; estate signed, inscribed with initials, and titled in pencil in the lower margin: Sister Mary Corita / HM [indistinct]; dated by repute Image: 30.25” H x 22” W; Sheet: 34.75” H x 23” W $300-500 Provenance: Reverend Jerome Doyle, Somerville, MA, according to ink inscription, verso w w w. j o h n m o r a n . c o m

1005

1006

(1918-1986, American) Madonna and Child Screenprint in metallic and colored inks on wove paper, tipped to a support board, as issued Edition size unknown; estate signed and inscribed with initials in pencil on the support board: Sister Mary Corita / H M Image/Sheet: 4.375” H x 3.25” W; Support board: 9.5” H x 7.25” W

(1918-1986, American) “Genesis 6,” 1960 Color screenprint on wove paper Edition size unknown; estate signed, inscribed in the lower margin: Sister Mary Corita / HM [ Image: 9.75” H x 30.25” W; Sheet: 11.5” H x

Sister Mary Corita Kent

$400-600

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Sister Mary Corita Kent

$300-500

d with initials, and titled in pencil [indistinct]; dated by repute 35” W

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1007

Sister Mary Corita Kent

(1918-1986, American) Two works: “Upside down,” 1960; and “The girl is green,” 1960 Each: Color screenprint on wove paper Each: Edition size unknown; each dated by repute The first estate signed, inscribed with initials and titled in pencil in the lower margin: Sister Mary Corita / HM [indistinct]; the second unsigned Each Image: 6.5” H x 9.25” W; Each Sheet: 8” H x 10.5” W $400-600 Provenance: Immaculate Heart College, Los Angeles, CA, ink stamp on the verso of the second

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1008

A mid-century modern teak rocking chair

Mid-20th Century The modern rocking chair with teak frame and orange, cream, and mustard striped upholstery 36.75” H x 27” W x 31.5” D $500-700

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1010

A modern Sonneman-style chrome floor lamp Mid-20th Century The mid-century modern chromed metal lamp with a white acrylic globe shade, electrified 64” H x 13.5” W x 15” D $600-800

1009

A Blenko-style lidded yellow glass vase

Mid-20th Century Appears unmarked The footed vase with a cylindrical body and elongated finial to lid, all in a slightly opalescent yellow glass 28” H x 6” Dia. $200-300

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1011

A set of Scandinavian modern teak nesting tables

Mid-20th Century Smallest with paper label: Made in Scandinavia / For Nordic Trends Inc. The mid-century modern teak nesting tables with rectangular and square tops on straight tapered legs, 3 pieces Larger: 19.5” H x 26.25” W x 15.75” D; Smaller:20.5” H x 15.5” W x 14.25” D $600-800

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1012

A Niels Erik Glasdam Jensen modern teak bar cart

Circa 1960s; Denmark With partially legible burn mark: Vantinge Mobelindustri / N.E. Glasdam Jensen / Made in Denmark The Danish mid-century modern expanding teak bar cart with sunken black Micarta top surfaces over two pull-out, split opening compartments that reveal an open interior with white laminate bottom, orange and light blue sliding panels, and a glass shelf, raised on casters 28.5” H x 34.25” W x 19.75” D; Open: 53.5” W $1,000-1,500

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1013

A Guiseppe Scapinelli-style modern credenza

Mid-20th Century The mid-century modern credenza with teak and book-matched veneers, brass hardware, a twotiered top centering two long drawers over four lower cabinets, and raised on flared pole legs 38” H x 78.5” W x 20.25” D $800-1,200

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1014

Karl Drerup

(1904-2000, American) Bowl (two jester figures dancing) Enameled copper Signed in enamel: Drerup 1” H x 5.75” Dia. $400-600

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1015

Two studio pottery vases Two works:

Jack Mason (1930-1986, American) Vase with figures, 1984 Glazed ceramic Incised signature, date, and inscription to underside: Jack Mason / Stone Mtn, GA. / 1984 / HCTGA-2 / W40T 11.5” H x 4.75” Dia. A figurative weed vase Mid-20th Century or later Unsigned Blue and white glazed ceramic in the form of a head 13.5” H x 6” Dia. $400-600

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1016

Jane Peiser

(b. 1933, American) Three tumblers with conforming interior decoration in figurative themes Glazed ceramic Each with incised signature to underside: Jane Peiser 3 pieces Larger: 7.5” H x 3.375” Dia. $400-600 Provenance: Sale: Jane Peiser Pottery Inc., Penland, NC, July 2010 Acquired from the above by present owner Notes: This lot is accompanied by a receipt of sale from the artist and inventory records dated July 2010.

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1017

Otto Heino

(1915-2009, American) Charger, 2005 Glazed stoneware Incised signature and date: Otto / [cross cipher] / 05 1.125” H x 12.25” Dia. $300-500

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1018

Robert Ervin

(20th Century, American) Abstract figure Bronze on slate base Edition 18/90; signed and numbered in the casting: Ervin 11.75” H x 8.75” W x 5.25” D $400-600

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1019

Two Scheurich Post-War West German art pottery vases Two works:

A large “Fat Lava” vase Circa 1960-70; Germany Impressed to underside: 730-35 The white clay vessel with thick grey and turquoise volcanic glaze centering panels of high-gloss red glaze 13.875” H x 7” W x 5.5” D A volcanic glaze vase Circa 1965-70; Germany Impressed to underside: 281-30 / W. Germany The white clay vessel with black volcanic glaze over high-gloss red glaze 11.875” H x 5.625” W x 3.5” D $400-600 Provenance: Sale: Rhode Island Antiques, Pawtucket, RI, June 30, 2009 Acquired from the above by present owner Notes: This lot is accompanied by a receipt of sale from Rhode Island Antiques dated June 30, 2009.

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1020

Edward Molyneux

(1891-1974, British) Still life with white flowers Oil on canvas board Signed lower right: Molyneux 8” H x 12” W $700-900

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S T c m 6

1021

A Japanese kiri wood tansu chest

20th Century With six drawers and two sliding-door cabinets, fitted with iron hardware and handles 33.75” H x 31.25” W x 17” D $400-600

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1023

A Japanese kiri wood tansu chest

Second Half 20th Century The post-war, kiri wood tansu chest with a sliding-door cabinet, five drawers, and a two-door cabinet, fitted with metal hardware 61” H x 36” W x16.75” D

$600-900

1022

A Japanese kiri wood tansu chest

Second Half 20th Century The post-war, kiri wood tansu chest with a sliding-door cabinet, five drawers, and a two-door cabinet, fitted with metal hardware 60.25” H x 34.75” W x 16” D $600-900

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1024

An Australian Aboriginal bark painting

20th Century Appears unsigned With two abstract, attenuated figures in polychrome pigments on bark in a Plexiglas shadow box 58” H x 19” W $800-1,200

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1025

An Amazonian bark cloth painting

20th Century; Ticuna People, Brazil Appears unsigned The abstract figural drawing with black, brown, and ochre pigment on bark cloth under Plexiglas 28” H x 69” W $600-800

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1026

Peter Keil

(b.1942, German) Abstract Portrait with Cigarette, 1972 Oil on Masonite Signed and dated lower right: P. Keil 27.75” H x 22.5” W $400-600

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1027

Peter Keil

(b.1942, German) Portrait with cigarette, 1984 Oil on board Signed and dated lower right: P. Keil 26” H x 20” W $400-600

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1028

Peter Keil

(b.1942, German) “Tanzender Faun,” 1979 Mixed media on paper under glass Signed and dated lower right: Peter Keil; signed again, titled and inscribed “Berlin” on the frame’s backing paper Sight: 20” H x 25.875” W $600-800

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1029

Peter Keil

(b. 1942, German) Two works: Head of a faun, 1965 Oil on canvas board Signed and dated lower left; signed and dated again, and inscribed “Berlin,” verso; ink stamp of the Peter Keil Museum Munich, verso 12” H x 9” W Head of a woman, 1963 Oil on canvas Signed and dated lower left; signed and dated again, and inscribed “Berlin,” verso; ink stamp of the Peter Keil Museum Munich, verso 24” H x 12” W $600-900

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1030

A Japanese kiri wood apothecary cabinet

20th Century With a series of small square drawers over two long drawers, fitted with iron hardware and side handles 32.5” H x 35” W x 11.25” D $300-500

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1031

A Japanese kiri wood tansu chest

20th Century With two sliding-door cabinets and six drawers, fitted with iron hardware and two side handles 34.75” H x 33.25” W x 14.25” D $400-600

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1032

A group of Japanese Ikebana baskets

19th/20th Century; Japan Each constructed of bamboo, comprising a crescent-shaped woven basket, a baluster-form woven basket, a tall cylindrical woven basket with copper insert, and a cylindrical bamboo shoot basket, 4 pieces Larger: 20” H x 8.5” W x 7.5” D; Smaller: 12.5” H x 12.5” W x 6.75” D $800-1,200

1033

A group of Japanese baskets

19th/20th Century; Japan Two with inscribed signature to underside Each woven bamboo, comprising six variously shaped ikebana baskets and one lidded basket, 7 pieces Larger: 24” H x 4.25” W x 3.75” D; Smaller: 6” H x 5” W x 4.75” D $300-500

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1034

Ruth Wall

(1927-2009, American) Untitled Oil and tempera on paper laid to panel Signed lower right: R. Wall 19” H x 24.75” W $400-600 Exhibitions: Gallery Huit, Paris, 1953 (according to a faint pencil notation on verso of the panel)

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1035

Florence Harrison Nesbit

(1910-2001, Bellingham, WA) Drydocked boats with figures Watercolor on Arches paper under glass Signed lower right: Florence Harrison Nesbit 22” H x 30” W $400-600

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1036

Helen Ray Harris

(1917-2001, Carmel, CA) “Snug Harbor” Acrylic on canvas Signed lower left: HR Harris; signed again and titled verso 24” H x 30” W $400-600 Provenance: Venture Art Gallery, Monterey, CA

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1037

A Drexel “Declaration” modern walnut dining table with chairs

Circa 1950s Table with Drexel manufacturing marks to underside, numbered: 851-330-3 / 11-59 Designed by Kipp Stewart and Stewart MacDougall for Drexel, the mid-century modern walnut extension table with rectangular top and two leaves (29.25” H x 60” W x 40” D; extended: 104” W), together with four side chairs (32.125” H x 19.375” W 18” D) and two armchairs (32.1525” H x 22” W x 18” D) with newly upholstered seats, 9 pieces $800-1,200

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1038

A Drexel “Declaration” modern walnut china cabinet

Circa 1950s With burned Drexel mark to drawer and manufacturing marks to verso, numbered: 851-131-2 Designed by Kipp Stewart and Stewart MacDougall for Drexel, the mid-century modern walnut buffet with an upper cabinet with two glazed double-door cupboards with frosted shelves and lighted interior over a lower credenza with two cupboards centering four drawers with white porcelain pulls 71” H x 72.25” W x 20.5” D $600-800

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1039

J. Gabriel

(b. 19th Century, France) “Cernay Cottage Hotel: Vallee de Chevreuse,” circa 1920 Color lithograph on paper under Plexiglas From the edition of unknown size; appears unsigned; Charles Verneau, Paris, prntr./pub. Sight: 61” H x 44.5” W $500-700 Provenance: Property from an important La Cañada Flintridge estate

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1040

A pair of modern green club chairs

Mid-20th Century Each mid-century modern club chair with tufted back and sunken arms in green velvet upholstery, raised on four flared pole legs, 2 pieces Each: 31” H x 28” W x 31” D $600-800

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1041

A pair of Drexel “Declaration” modern walnut end tables

Circa 1950s Each with Drexel manufacturing marks to underside, numbered: 881-311-3 Designed by Kipp Stewart and Stewart MacDougall for Drexel, the mid-century modern walnut end tables with rectangular tops framed by a graduated lip over a cane shelf, 2 pieces Each: 20” H x 27” W x 22” D $700-900

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1042

Two California Faïence pottery items

Circa 1915-1959; Berkeley, CA Each incised: California Faience Each in sea green matte glaze, comprising a tall flared vase (6.125” H x 10.25” Dia.) and a low bowl (3” H x 10.25” Dia.), 2 pieces $500-700

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1043

A large Paolo Soleri bronze windbell

Mid-20th Century; Arizona Marked with Paolo Soleri cipher Comprising a canopy of three small floriform bells suspending a large central bell 49.25” H x 10.5 “ Dia. approximately $600-800

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1044

Three bronze windbells

Two groupings: A California bronze windbell Third-Quarter 20th Century 33.5” H x 3.5” Dia. Two Harmony Hollow Jeff Cross bronze windbells Third-Quarter 20th Century; Arizona Each with Harmony Hollow mark Each: 17” H x 3.375” W x 2.75” D approximately 3 pieces $600-800

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1045

Two Paolo Soleri bronze windbells

Mid-20th Century; Arizona Each marked with Paolo Soleri cipher Each bell with low relief geometric motifs, 2 pieces 22.75” H x 5” W x 2.75” D $500-700

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1046

Two California art pottery vases Two works:

A California Faïence vase Circa 1915-1959; Berkeley, CA Incised: California Faience The wide-shouldered squat pot in a sea green matte glaze 2.75” H x 4.25” Dia. A bisque porcelain cabinet vase First Half 20th Century Incised: A / WC The cylindrical vase in white bisque porcelain with repeating stylized petal motif 4.625” H x 3” Dia. 2 pieces $500-700

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1047

A group of Japanese Ikebana baskets

19th/20th Century; Japan One with inscribed signature to underside Each woven bamboo, comprising a tapered square-form basket with bamboo insert, a tall slender basket, a narrow circular basket, and a wide-mouth basket, 4 pieces Larger: 31.25” H x 5.25” W x 5.25” D; Smaller: 18.5” H x 13” W x 13.25” D $500-700

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1048

A set of Mexican sterling silver overlay Collins glasses

20th Century Each marked: JAE / Hecho en Mexico / Sterling / 0925 Each Collins glass with openwork floral motif sterling silver overlay, 6 pieces Each: 7” H x 2.5” Dia. 60.785 gross oz. troy approximately $200-300 Provenance: Property from an important La Cañada Flintridge estate

1049

A Japanese kiri wood t

Second Half 20th Century The post-war, kiri wood tan door cabinet, five drawers, fitted with metal hardware 60.875” H x 35.25” W x 15 $600-900

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tansu chest

nsu chest with a sliding, and a two-door cabinet,

5.25” D

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1050

Max Ernst

(1891-1976, French) “Untitled,” from René Crevel: “Feuilles …parses,”1965 Color etching and aquatint on paper under glass Edition 44/50; signed and numbered in pencil in the lower margin: Max Ernst; Louis Broder, Paris, pub. Plate: 8.25” H x 6.75” W $300-500 Literature: Spies / Leppien 70

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1051

Victor Pasmore

(1908-1998, British) “Linear Development 4” from “Points of Contact - Linear Developments Portfolio,” 1970-71 Screenprint in colors on wove paper Edition 8/60; initialed and dated in ink in the lower margin at right: VP Image: 16.625” H x 16.375” W; Sheet: 18.5” H x 18.75” W $600-800 Provenance: The Estate of Jane Reisman and Neil Peter Jampolis, Los Angeles, CA

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1052

Kiyoshi Saito

(1907-1997, Japanese) Two works: “Summer in Aizu,” circa 1960-70; “Winter in Aizu,” circa 1960-70 Each: Color woodblock on sturdy Japanese paper under glass Each: From the edition of unknown size; signed and with the red chop mark in the image, lower left; titled by repute Image of Summer: 10.5” H x 15.25” W; Image of Winter: 10” H x 15.5” W $500-700 Notes: Apparently these images were originally part of a series of six “Book-of-the-Month Club” woodblock images done by the artist for an American audience during the 1960s and 1970s. 70

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1053

Katsushika Hokusai

(1760-1849, Japanese) “Storm Below Mt. Fuji” Color woodblock on paper From the edition of unknown size; with Japanese characters in the image at the upper left Image: 7.75” H x 11.75” W; Sheet: 10.5” H x 14.75” W $300-500

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1054

Howard Kearns

(1907-1947, Provo, UT) Nighttime harbor scene Oil on board Very faintly signed at the lower right: H Kearns 38” H x 25.875” W $500-700

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1055

A set of mid-century modern wire mesh outdoor chairs

Mid-20th Century Each with a molded, wire mesh seat on an iron frame with a white powder-coated finish, 4 pieces Each: 35.25” H x 27” W x 27” D $600-800

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1056

A mid-century modern wire mesh outdoor chair and ottoman

Mid-20th Century With a molded, wire mesh seat on an iron frame with a white finish, together with a conformingly designed ottoman, 2 pieces Chair: 31” H x 32.5” W x 28.25” D; Ottoman: 14” H x 20.5” W x 20.5” D $500-700

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1057

James K. Bonnar

(1883-1961, North Adams, MA) Snowscape with figures Oil on canvas board Signed lower right: James K. Bonnar 16” H x 20” W $800-1,200

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1058

Paul Lauritz

(1889-1975, Glendale, CA) “California Winter” Oil on canvas board Signed lower left: Paul Lauritz; titled verso 16” H x 18” W $1,000-2,000

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1059

Ernest Henry Pohl

(1874-1956, San Diego, CA) “Temple Mountain, Canadian Rockies,” 1938 Oil on canvas Signed lower right: E.H. Pohl; signed again, titled and dated verso 25” H x 30” W $700-900

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1060

Carl Oscar Borg

(1879-1947, Santa Barbara, CA) “Mount Shasta” Gouache on artist board under glass Signed lower right: Carl Oscar Borg; signed again and titled verso Sight: 15.5” H x 19.25” W $1,000-1,500

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1061

A large Kay Bojesen carved teak articulating monkey Mid-20th Century; Denmark With burned mark: Bojesen / Denmark / Copyright Designed 1951, the mid-century modern large, carved teak monkey with moveable arms and legs 12.5” H x 17.25” W x 11” D $300-500

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1062

A Japanese kiri wood stepped tansu chest

20th Century The large, stepped cabinet with seven tiers of drawers and cabinets, fitted with iron hardware and handles 84” H x 69” W x 28.5” D $800-1,200

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1063

A large Van Briggle pottery vase

Circa 1916; Colorado Springs, CO Marked for Van Briggle with impressed double AA mark and dated indistinctly The tapering vase with bulbous top in dark green matte glaze with repeating, low-relief crane motif 21” H x 7” Dia. $1,800-2,200

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1065

A Van Briggle pottery “Climbing Bear” vase

Circa 1922-1926; Colorado Springs, CO Marked for Van Briggle with impressed double AA mark; Further marked: Van Briggle / USA The tall vase in Mulberry red matte glaze with two highrelief climbing bears to the neck 15” H x 5.5” W x 4.5” D $1,800-2,200

1064

A Van Briggle pottery vase

1905; Colorado Springs, CO Marked for Van Briggle with impressed double AA mark; Further marked: Van Briggle / 1905 / 284 The wide-mouth vase in dark blue curdled matte glaze with repeating, low-relief morning glory motif to the neck 6.75” H x 8” Dia. $2,000-2,500

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1066

James Swinnerton

(1875-1974, Palm Springs, CA) “Mountain Road,” 1915 Oil on board laid to Foamcore Signed lower right: Swinnerton; titled and dated by repute 16” H x 14” W $1,800-2,500

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1067

Ralph Holmes

(1876-1963, San Luis Obispo, CA) Mountain landscape Oil on canvas board Signed lower right: Ralph Holmes 16” H x 20” W $1,000-1,500

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1068

LeConte Stewart

(1891-1990, Kaysville, UT) “Winter in Liberty” Oil on linen Signed lower left: LeConte Stewart; titled on a label affixed verso 30” H x 36” W $15,000-20,000 Provenance: David Dee Fine Arts, Salt Lake City, Utah

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1069

Sam Hyde Harris

(1889-1977, Alhambra, CA) House in a desert landscape Oil on canvas board Signed lower left: Sam Hyde Harris 12” H x 16” W $1,000-1,500 Provenance: Private Collection Sold: Bonhams, Los Angeles, March 17, 2020, lot 91 Private Collection, California (acquired from the above)

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1070

Robert A. (Bob) Ferguson

(b. 1958, American) “RB Lilacs in the Morning Light,” 2020 Oil on canvas Signed lower left: Robert Ferguson; signed again, titled, inscribed, dated and numbered verso: 02539 30” H x 30” W $800-1,200

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1071

Beatrice Gildersleeve

(b. 1892, San Francisco, CA) “Palm Springs,” circa 1958 Oil on canvas board Signed lower right: Gildersleeve; titled and dated by repute Sight: 20.5” H x 31.25” W $200-300

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1072

Sam Hyde Harris

(1889-1977, Alhambra, CA) Desert scene Oil on canvas board Estate stamped lower left: Sam Hyde Harris; authentication stamped and estate numbered verso: 000658 12” H x 16” W $1,000-1,500 Provenance: Private Collection Sold: Bonhams, Los Angeles, March 17, 2020, lot 91 Private Collection, California, acquired from the above

1073

John W. Hilton

(1904-1983, Twentynine Palms, CA) Desert landscape, 1949 Oil on canvas Signature and date incised lower right: John W. Hilton 24” H x 36” W $800-1,200

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1074

A free-form driftwood table lamp

20th Century Constructed of assembled driftwood with a gessoed and gilt finish, with inset carved Buddhist-style figures and a kidney-shaped vellum shade, electrified Overall: 54” H x 31” W x 16.5” D $800-1,200

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1075

A free-form driftwood cocktail table base

20th Century Constructed of assembled driftwood with a gessoed and gilt finish with inset carved Buddhist-style figures 25” H x 27” W x 27” D $600-800

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1076

Dennis M. Doheny

(b.1956, Santa Barbara, CA) “Pintails,” 1984 Acrylic on Masonite Signed and dated lower right: Dennis M. Doheny; signed and dated again and with the artist’s copyright statement verso; titled verso 18” H x 22” W $1,000-1,500

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1077

A Drexel “Declaration” modern walnut cabinet

Circa 1950s With Drexel manufacturing marks to verso, numbered: 881-440-2 Designed by Kipp Stewart and Stewart MacDougall for Drexel, the mid-century modern walnut cabinet with two doors revealing a shelved interior 31.25” H x 36” W x 20” D $400-600

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1078

An Ole Wanscher modern armchair

Mid-20th Century; Denmark With metal tags: Made in Denmark / PJ / Design Ole Wanscher / Furniture Makers / Danish / Control The Danish mid-century modern armchair with caramel-colored leather upholstered back and seat on a teak frame 34” H x 25” W x 22” D $300-500

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1079

Marion Kavanagh Wachtel

(1876-1954, Pasadena, CA) Study - landscape with house in valley Oil on Masonite Signed lower right: Marion Kavanagh Wachtel 6.5” H x 9” W $1,000-1,500

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1080

John Modesitt

(b. 1955, Solano Beach, CA) Lake in a mountain landscape, 1995 Oil on canvas Signed lower left: Modesitt; signed again and dated on the stretcher 24” H x 30” W $1,500-2,000

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1081

Hanson Duvall Puthuff

(1875-1972, Corona Del Mar, CA) Mountain landscape Oil serigraph on canvas laid to board Signed lower left: H Puthuff 11.25” H x 14.75” W $800-1,200

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1082

Paul Lauritz

(1889-1975, Glendale, CA) Mountain landscape Oil on canvas laid to canvas Signed lower left: Paul Lauritz 25” H x 30” W $1,000-2,000

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1083

Ray Strong

(1905-2006, Santa Barbara, CA) “Aspens, Flagstaff” Oil on canvas board Signed lower right: Ray Strong; titled on the frame’s backboard 12” H x 24” W $1,500-2,000 Notes: A notation on the frame’s backboard reads: Purchased from Ray Strong 9/23/04 & signed by him on that date.

1084

Charles Dormon Robinson

(1847-1933, San Rafael, CA) Wildflowers in a mountain landscape Oil on board Signed with conjoined initials lower left: CDRobi 8” H x 10” W $600-800

Provenance: Private Collection, Southern Californ

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1085

David Chapple

(b. 1947, California) “The 18th at Indian Wells” Acrylic on canvas Signed lower right: Dave Chapple; titled and inscribed on the frame plaque: The Bobe Hope Chrysler Classic, 1994 18” H x 24” W $1,500-2,000

inson

nia

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1086

An André Desgranges Art Deco bronze table lamp

Circa 1920s-30s; France Signed: A. Desgranges The two-light, French Art Deco lamp in patinated dinanderie bronze depicting a procession of Harlequin clown performers and flappers, together with a contemporary replacement shade, electrified Overall: 19” H x 10.25” W x 10.25” D $800-1,200

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1087

An Art Deco black lacquer desk

Circa 1930s The black lacquer desk with inset brass banding and black leather writing surface over two short drawers raised on box legs with rounded corners 30” H x 86.625” W x 39.375” D $2,000-3,000

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1088

A Tansu-style dresser

Mid-20th Century The pine Tansu-style chest with sixteen short drawers and wrought iron handles 30” H x 68” W x 19.125” D $500-700

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1089

A Cartier crystal ice bucket

Mid-20th Century Signed: Cartier The blue-tinted lead glass bucket with square-form body with rounded corners and a gilt-metal bail handle 9.25” H x 5.625” W x 5.625” D $400-600

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1090

An Allan Adler sterling silver and rosewood salad set

Third-Quarter 20th Century Each marked: Allan Adler / Hand Hammered / Sterling Each hammered sterling on a rosewood handle and personalized with a sterling “J” initial, comprising a fork (9.25”) and spoon (9.125”), 2 pieces 4.79 gross oz. troy approximately $200-300 Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

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1091

Three Hans Olsen reversible side tables or stools, for Bramin

Circa 1950s-60s; Denmark Unmarked Each Danish mid-century modern teak side table with a reversible triform top converting to a stool with an inset upholstered cushion, raised on a tripod frame, 3 pieces Each: 16.5” H x 18” W x 18” D $300-500

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1092

Robert Wood

(1889-1971, Bishop, CA) “Texas Bluebonnets” Oil on board Signed lower left: G. Day; titled by repute 8” H x 9” W $2,500-3,500

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1093

Harry L. Engle

(1870-1968, Chicago, IL) Pastoral landscape with fence, 1919 Oil on board Signed and dated lower right: H.L. Engle 21.75” H x 25.5” W $800-1,200

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1094

Marion Kavanagh Wachtel

(1870-1954, Pasadena, CA) “View Down the Valley” and a mountain landscape (double-sided) Each: Oil on canvas Each: Signed lower right: Marion Kavanagh Wachtel 13” H x 17” W $3,000-5,000 Provenance: Sold: Bonhams, Los Angeles, CA, “California and American Paintings and Sculpture,” August 5, 2008, Lot 239 Notes: In a Mayen Olson frame.

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1095

Attributed to Orrin White

(1883-1969, Pasadena, CA) Sycamore landscape Oil on board Appears unsigned; signed in another hand, verso 20” H x 24” W $3,000-5,000 Provenance: Sale: John Moran Auctioneers, Monrovia, CA, May 23, 2017, Lot 4116

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1096

William Posey Silva

(1859-1948, Carmel, CA) “Eucalyptus Against the Sky - Sou. Calif.” Oil on canvas board Signed lower right: William P. Silva; titled on an artist label affixed verso 10” H x 8” W $800-1,200

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1097

Ludmilla Pilat Welch

(1867-1925, Santa Barbara, CA) Figures on a tree-lined road Oil on canvas Signed lower right: L.P. Welch 11.5” H x 13.75” W $300-500

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1098

Lockwood de Forest

(1850-1932, Santa Barbara, CA) Tree in the woods, 1881 Oil on paperboard mounted to board Signed and dated lower right: L de F / June 7/81; indistinctly titled lower left and verso 9.5” H x 7” W; Support board: 15” H x 10” W $800-1,200

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1099

William Keith

(1838-1911, Berkeley, CA) Pond in wooded forest interior Oil on Masonite Signed and inscribed lower left: W. Keith / S.F. 26” H x 16” W $2,000-3,000

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1100

A contemporary area rug

21st Century Wool on cotton foundation, with a taupe grey repeating oval pattern on a burgundy red field 117.125” L x 96.5” W $800-1,200

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1101

A Kilim rug

20th Century Wool on cotton foundation, with polychrome central diamond surrounded by smaller diamonds and enclosed by a geometric border 104” L x 69” W $300-500

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1102

Percy Gray

(1869-1952, San Francisco, CA) Northern California landscape with oaks Watercolor on paper laid to board under glass Signed lower left: Percy Gray Sheet: 7.25” H x 9.75” W $3,000-5,000 Provenance: William A. Karges Fine Art, Carmel, CA Private Collection, Southern California

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1103

Benjamin C. Brown

(1865-1942, Pasadena, CA) “Pasadena,” 1900 Watercolor on paper under glass Signed, titled and dated lower right: B.C. Brown Sight: 6.5” H x 4” W; Sheet: 7” H x 4.25” W $1,000-1,500

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1104

Elmer Wachtel

(1864-1929, Pasadena, CA) Southwestern landscape, 1894 Watercolor on paper under glass Signed and dated lower right: E. Wachtel, ‘94 10” H x 14” W $1,000-1,500

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1105

Mentor Charles Huebner

(1917-2001, Los Angeles, CA) “The Old Ones,” 1956, view of palm trees in MacArthur Park, Los Angeles Oil on Masonite Signed and dated lower right: Mentor; signed and dated again and titled verso 24” H x 30” W $1,000-1,500

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1106

Joseph Aaron

(b. 1959, Laguna Beach, CA) Atmospheric landscape Oil on canvas Signed lower left: Joseph Aaron 18” H x 24” W $600-800

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1107

Peter Adams

(b.1950, Pasadena, CA) “Alders Along the Arroyo” Oil on Masonite Signed lower right: Peter Adams; titled on a label affixed verso 22” H x 18” W $1,000-1,500

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1108

Lewis H. Meakin

(1850-1917, Boston, MA) Riverside grove Oil on canvas laid to waxed canvas Signed lower right: L.H. Meakin 14” H x 32” W $800-1,200

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1109

Frank Montague Moore

(1877-1967, Carmel, CA) Moonlight and lake through the pines Oil on Masonite Signed lower right: F M Moore 17.875” H x 14” W $800-1,200

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1110

Al Proom

(1933-2006, San Francisco, CA) Still life of watermelon and an artichoke with ribbons Oil on canvas laid to Masonite Signed upper left: Al Proom; signed again and with the artist’s copyright statement, possibly in another hand, verso 12” H x 24” W $1,500-2,000

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1111

A Gustav Stickley oak settle, no. 222

Circa 1901-1916; Eastwood, NY With Stickley shop mark [joiner’s compass] The oak box settle with slanted sides and modern dark green leather drop-in seat pad with five side pillows 39.5” H x 69.5” W x 32.25” D $4,000-5,000

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1112

A L. & J.G. Stickley single-door bookcase, no. 641

Circa 1912-1917; Fayetteville, NY Label: The Work of L. & J.G. Stickley The original finish oak single-door bookcase with raised back panel over keyed mortise and tenon slab sides and one sixteen-lite glazed mullion door finished with a hammered copper drop handle and lock plate, enclosing a fitted interior with three stationary shelves 55.25” H x 34” W x 12” D $2,000-3,000

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1113

Hans Zimmer

(1910-1996, German/American) Steam engine at a factory Oil on canvas Signed lower right: Hans Zimmer 22” H x 28” W $2,000-3,000 Provenance: Private Collection, Pasadena, CA Sold: John Moran Auctioneers, Pasadena, CA, “California & American Fine Art,” October 19, 2010, Lot 72 Private Collection, Seal Beach, CA Sold: John Moran Auctioneers, Monrovia, CA, “Studio Fine Art,” August 8, 2017, Lot 2001

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1114

A large Pacific Pottery garden urn

20th Century The large baluster-form earthenware vessel with bead motif banding at the neck and two loop handles, in an apple green glaze 32” H x 23” Dia. $800-1,200 Provenance: Property from an important La Cañada Flintridge estate

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1116

A near-pair of Hampshire Pottery tulip lamp bases

First-Quarter 20th Century Each marked: Hampshire Pottery [one very faint] Each two-light, art pottery table lamp base with matte green glaze and tulip motif, electrified, 2 pieces Each: 18” H x 8” Dia. $800-1,200

1115

An Arts & Crafts oak hall chair, by Michigan Chair Co.

First-Quarter 20th Century Appears unmarked The solid oak chair with a tall, slab-style back with cut-out triform motif over a triangular seat raised on straight legs 42.125” H x 15.5” W x 15.75” D $300-500

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1117

Ludmilla Pilat Welch

(1867-1925, Santa Barbara, CA) Two works: Portrait of two terriers; Portrait of one terrier Each: Oil on canvas board The first signed lower right: L.P. Welch; The second unsigned Each: 11.25” H x 10.75” W $800-1,200

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1118

A Victorian cane reclining lounge chair

Fourth-Quarter 19th Century The lounge chair with a reclining back and attachable extended foot rest, in herringbone pattern woven rattan on a wood frame, 2 pieces Chair: 37” H x 27.25” W x 26.5” D; With foot rest: 50” D $600-900

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1119

Ben Austrian

(1870-1921, Reading, PA) “Autumn,” 1919 Oil on canvas Signed and dated lower right: Ben Austrian; titled and inscribed verso: “Painted by Ben Austrian from his studio window Clovelly at the Pinnacle at Kempton near Reading PA. Winter studio The Royal Poinciana Palm Beach Fla.” 36” H x 48” W $4,000-6,000

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1120

Thaddeus Welch

(1844-1919, Santa Barbara, CA) Rolling hills landscape with cows grazing Oil on canvas laid to board Signed lower right: T. Welch 11” H x 17.75” W $1,000-2,000 Provenance: Property from a Private Southern California Estate

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1121

Elizabeth Pond

(1886-1955, California) “The Berkeley Hills” Oil on board Unsigned; signed and dated in another hand upper left, verso: 1906; titled on gallery label verso 12” H x 17.25” W $1,200-1,800 Provenance: Steven Stern Fine Art, Beverly Hills, CA Private Collection, Southern California Notes: In a Vandeuren, Los Angeles frame.

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1122

Jean Mannheim

(1863-1945 Pasadena, CA) “Flintridge” Oil on Masonite Signed lower left: J. Mannheim; titled on an old paper label as well as a gallery label affixed verso 12” H x 16” W $1,000-1,500 Provenance: Bowater Gallery, Los Angeles, CA

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1123

Emil J. Kosa Jr. NA

(1903-1968, Los Angeles, CA) Stormy landscape Watercolor on paper under Plexiglas Signed lower right: Emil Kosa Jr. Sight: 15” H x 22.5” W $800-1,200

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1124

Vernon Nye

(1915-2013, Napa County, CA) “Nevada Windstorm,” 1972 Acrylic on Arches wove paper under Plexiglas Signed and inscribed lower right: Vernon Nye AWS; titled and dated on a label affixed to the frame’s backing paper Sight: 22.75” H x 38.25” W $600-800 Notes: According to information written on the frame’s backing paper, the work was “painted from data gathered by the artist between Reno & Carson City, Nev.” The acrylic surface is unvarnished, and the full sheet size behind the overmat is 26” H x 40” W. Additionally, the notations indicate that the paper is either afffixed to Masonite or, more likely, is simply loose and lying against a piece of it.

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1125

Ludmilla Pilat Welch

(1867-1925, Santa Barbara, CA) Cows grazing along a lakeside, 1907 Oil on canvas Signed and dated lower right: L. P. Welch 10” H x 18” W $400-600

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1126

Concetta K. Antico

(20th Century, Australian) “Bella Vista - Montecito” Oil on canvas Signed lower right: C.K. Antico; signed again, titled and inscribed verso: En Plein Air 30” H x 22” W $700-900

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1127

An Art Nouveau walnut double-door bookcase

Late 19th/Early 20th Century The walnut bookcase with arched bonnet with high relief carved lily pads atop two glazed doors with gilt-metal handles and an adjustable shelved interior over two drawers with gilt-metal handles raised on four bracket feet 96” H x 52” W x 20” D $2,000-3,000 Provenance: The Alan Schneider Collection 1 5 4 C al i fo r ni a L iv i n g l Tu e s d ay, M ay 1 7 , 2 0 2 2

1128

A Glasgow Style hammered copper candle sconce

Late 19th/Early 20th Century Appears unmarked The Scottish Arts and Crafts hammered copper wall sconce with chased Glasow Style geometric floral motif issuing two articulated candle arms 20” H x 18” W x 8” D $500-700

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1129

A Continental Art Nouveau copper dinner gong

Circa 1910 The polished copper gong with impressed hatch mark pattern hung on an iron stand with wood and felt beater 2.625” H x 24” W x 7.625” D $800-1,200

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1130

A Edwardian wood and marble fern stand

First-Quarter 20th Century The carved wood plant stand with an inset marble top over a guilloche motif skirt raised on fluted legs joined by an undertray 43” H x 14.5” W x 14.5” D $600-900 Provenance: Property from an important La Cañada Flintridge estate

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1131

A Bradley & Hubbard table lamp with a leaded glass shade

20th Century Interior of base plate marked: B&H The pink and green floral motif leaded glass shade, possibly by Handel, on a three-light patinated spelter base with impressed roundels containing interlace triquetras raised on four flared feet, electrified Overall: 26” H x 18.25” Dia. $2,000-3,000

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1132

A Wilkinson leaded glass table lamp

First-Quarter 20th Century; Brooklyn, NY The leaded glass, skirted dome shade with a stylized iris flower band and scalloped edge in hues of yellow, red, and green on a two-light patinated metal base with floral motifs and a concentric circle patterned foot, electrified Overall: 21” H x 18.75” Dia. $1,000-1,500

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1133

William Posey Silva

(1859-1948, Carmel, CA) House in a beach landscape Oil on canvas Signed lower left: William Silva 25” H x 30” W $3,000-5,000

1135

Ammi Merchant Farnham

(1845-1922, San Diego, CA) San Diego coast with figures Oil on canvas Signed lower right: A. M. Farnham 12” H x 20” W $1,000-1,500 Provenance: DeRu’s Fine Arts, Bellflower, CA

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1134

Armin Carl Hansen

(1886-1957, Carmel, CA) “Beach Houses, Belgium” Oil on waxed canvas Signed with incised initials at the upper right: AH 10” H x 14” W $1,200-1,800 Notes: This lot is accompanied by a 1987 insurance appraisal from Maxwell Galleries Ltd., San Francisco, CA.

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1136

Roi Clarkson Colman

(1884-1945, Laguna Beach, CA) “The Flight of Day” Oil on canvas Signed lower right: R. Clarkson Colman; titled and numbered on the stretcher: #228 22” H x 30” W $2,000-3,000 Provenance: William A. Karges Fine Art, Los Angeles, CA

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1137

Angel Espoy

(1879-1963, Seal Beach, CA) Sunset coastal Oil on canvas Signed lower right: A. Espoy 25” H x 30” W $2,000-4,000

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1138

Luigi Kasimir

(1881-1962, Austrian) “Golden Gate Calif.” Color etching and aquatint on paper From the edition of unknown size; signed in pencil just below the center of the etched borderline: Luigi Kasimir Plate: 11.5” H x 12” W; Sheet: 14” H x 16.5” W $300-500

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1139

Victor Coleman Anderson

(1882-1937, White Plains, NY) “Old Bear, Young Boy, Big Fish” Charcoal on paper laid to board under glass Signed lower left: Victor C. Anderson; signed again and inscribed verso: Meadowdale, Albany Co., N.Y.; titled and numbered on an American Magazine label affixed to the backing paper: 4494 Sight: 22.75” H x 17.75” W; Sheet: 25.25” H x 20” W $2,000-3,000

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1140

Maynard Dixon

(1875-1946, San Francisco, CA) Portrait of a man in profile, 1904 Pencil on tan paper under Plexiglas Appears to be dated in pencil at the lower left: Dec. 04 [indistinct] Sight: 4.25” H x 3.5” W $800-1,200

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1141

Maynard Dixon

(1875-1946, San Francisco, CA) “Black Hair, Black Suit,” 1904 Conte crayon on pale green paper under Plexiglas Indistinctly inscribed or possibly initialed, and dated, in pencil at the lower left; artist attribution and titled on the label affixed to the backboard of the frame Sight: 4.25” H x 3” W $800-1,200

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1142

A Stickley Brothers hammered copper jardinière, no. 71 Late 19th/Early 20th Century With impressed model number to underside The hammered copper pot with flared waist and two handles 7” H x 16.5” Dia. $800-1,200

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1143

A large hammered copper and iron cooking pot Mid-19th Century With fitted lid and iron hanger Handle up: 25” H x 25” W x 16” D $300-500

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1144

An English Arts & Crafts hammered copper jardinière

Circa 1910 The large jardiniere with banded waist and two wrought iron ring handles 11.25” H x 20” W x 17” D $1,000-1,500

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1145

Einar C. Petersen

(1885-1986, Danish) “Dry Dock,” 1939 Oil on canvas Signed lower left: Einar C. Petersen; signed again, titled and dated verso 20” H x 24” W $800-1,200

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1146

Emil J. Kosa Jr. NA

(1903-1968, Los Angeles, CA) “Coming In” Watercolor on paper under glass Signed lower right: Emil Kosa Jr.; signed again and titled verso Sight: 21” H x 29” W; Sheet: 21.5” H x 30” W $2,000-3,000

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1147

Ben Abril

(1923-1995, Los Angeles, CA) “Morro Bay Pier” Oil on canvas Signed lower right: Ben Abril, titled on the stretcher 24” H x 36” W $2,000-3,000

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1148

C. Hjalmar Amundsen

(1911-2001, Long Island, NY) “Gloucester Harbor” Oil on canvas Signed lower right: J. J. Enwright; signed again, titled and numbered on the stretcher: #6970 16” H x 20” W $800-1,200 Notes: J. J. Enwright was a pseudonym used by Amundsen.

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1149

Arthur Beaumont

(1890-1978, Los Angeles, CA) Sailboats and US Navy Cruisers Watercolor on paper under glass Signed lower right: Arthur Beaumont Sight: 19” H x 15” W $1,000-1,500

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1150

Richard Whorf

(1906-1966, Hollywood, CA) New England harbor scene Oil on board Signed upper right: Richard Whorf 20” H x 24” W $1,000-1,500 Provenance: Galerie Juarez Inc., Los Angeles, CA Notes: There is an unsigned work by the artist verso.

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1151

Donna Schuster

(1883-1953, Los Angeles, CA) “Exposition” Watercolor and gouache on paper Signed lower right: Donna Schuster; signed again and titled verso 14” H x 14” W $1,000-1,500

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1152

Galen Rowell

(1940-2002, Bishop, CA) Yosemite, 1970 Color photograph on paper under Plexiglas Edition 15/300; signed, dated and numbered in pencil, lower right, on the overmat Sight: 17” H x 25.75” W $400-600

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1153

Edward Weston

(1886-1958 Carmel, CA) “China Cove, Point Lobos,” 1940 Gelatin silver print on paper, a later printing by Cole Weston With the Edward Weston stamp verso, signed, titled, dated, and numbered in pencil by Cole Weston verso: PL40-K-4 Sheet: 9.5” H x 7.5” W $1,200-1,800

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1154

A Buffalo Studios leaded glass table lamp

20th Century Base impressed: Buffalo Studios / Pasadena, CA / 1940 The polychrome leaded glass shade with dogwood motif and a pierced bronze heatcap on a single-light patinated bronze base with three arms and a mushroom-style foot, electrified Overall: 15.5” H x 11.5” Dia. $1,000-2,000

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1155

Harold L. Doolittle

(1883-1974, Pasadena, CA) “Yosemite Sunrise” Aquatint on paper under glass From the edition of unknown size; signed lower right: Harold Doolittle; titled lower left Plate: 8.75” H x 10.75” W; Sheet: 12.5” H x 13.75” W $1,000-1,500

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1156

Harold L. Doolittle

(1883-1974, Pasadena, CA) “Canyon Twilight,” 1954 Aquatint on paper under glass From the edition of 60; signed and titled in pencil in the lower margin: Harold Doolittle; dated by repute Plate: 8.625” H x 11.625” W; Sight: 9.75” H x 12.75” W $400-600

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1157

Harold L. Doolittle

(1883-1974, Pasadena, CA) “Desert Skies” Aquatint on paper From the edition of unknown size; signed and titled in pencil in the lower margin: Harold Doolittle Plate: 9” H x 11.75” W $300-500

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1158

Harold L. Doolittle

(1883-1974, Pasadena, CA) “Summer Snows” Aquatint on paper From the edition of unknown size; signed and titled in pencil in the lower margin: HL Doolittle Plate: 9.75” H x 13.75” W; Sheet: 15.5” H x 19” W $300-500

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1159

Two California-themed etchings Two Works:

Harold L. Doolittle (1883-1974, Pasadena, CA) “Tall Pines with Mountain Peak,” circa 1945 Etching and aquatint on paper under Plexiglas From the edition of unknown size; signed in pencil in the lower margin, at right: H Doolittle; titled and dated by repute Plate: 3.75” H x 3.125” W; Sight: 6.75” H x 4.625” W Lee Stephenson (1895-1940, Oakland, CA) Monterey coastal view Etching and aquatint in brown ink on paper under glass From the edition of unknown size; signed in pencil in the lower margin, at right: Lee Stephenson Plate: 9.875” H x 7.75” W; Sight: 10.5” H x 8.25” W $200-300

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1160

Harold L. Doolittle

(1883-1974, Pasadena, CA) Two works: “Snowclad Heights” Aquatint on paper From the edition of unknown size; signed and titled in pencil in the lower margin: HL Doolittle Plate: 12” H x 9” W; Sheet: 16” H x 11.5” W “Alpine Fir - Rainier” Aquatint on paper From the edition of unknown size; signed and titled in pencil in the lower margin: HL Doolittle Plate: 7.5” H x 10” W; Sheet: 10” H x 15.5” W 2 pieces $400-600

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1161

Alice C. Baker

(b. 20th Century, Baltimore, MD) Floral still life Color aquatint and etching on paper under glass From the edition of unknown size; signed and inscribed in green pencil in the lower margin: Alice C. Baker / 75 Plate: 8.875” H x 7.5” W; Sight: 9.75” H x 8” W $300-500

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1162

Walter Farrington Moses

(1874-1947, Los Angeles, CA) Floral still life with vases Oil on Masonite Signed lower left: Farrington 22” H x 26” W $700-900 Provenance: Property from a Private Southern California Estate

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1163

Lilian Mackendrick

(1906-1987, New York, NY) Pitcher with multi-colored flowers Oil pastel on paper Signed lower left: Mackendrick Sight: 18” H x 11.75” W $400-600

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1164

A Brown Jordan “Day Lily” wrought iron garden dining set

20th Century Most with Brown Jordan label to verso Each white coated wrought iron with stylized day lily motif, comprising eight armchairs with cushions and an oval table, 9 pieces Table: 28.75” H x 85” W x 44” D; Each chair: 35.75” H x 24.5” W x 23” D $1,500-2,000 Provenance: Property from an important La Cañada Flintridge estate

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1165

A group of bronze California Mission bells

Fourth-Quarter 19th/Early 20th Century From various Missions and locations throughout Southern and Central California, comprising fifteen bells along with six sanding bells commemorating El Camino Real, 21 pieces Larger: 9.75” H x 3” W x 3.5” D; Smaller: 1.5” H x 1.625” Dia. $800-1,200 Notes: This lot is accompanied by a VHS copy of “The Bells of El Camino Real” from the public television program “California’s Gold,” produced and hosted by Huell Howser. The episode is show no. 124, or episode 3 in season 7, dated 13 March, 2005.

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1166

A large bronze bell

Circa 1961 Marked: Butterworth / Rancho Cuadarrama / Olancha California / Ano 1961 With verdigris oxidation 18.5” H x 18” Dia. $600-800

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1167

Douglas Shively

(1896-1991, Santa Paula, CA) Mission complex with a strolling monk, 1979 Oil on board Signed and dated lower left: Douglas Shively Sight: 15.375” H x 11.25” W $600-900

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1168

1169

(1881-1952, Los Angeles, CA) San Juan Capistrano Mission Pastel on paper under glass Signed lower left and lower right: H.G. Villa Sight: 13” H x 9” W

(1901-1974, Orange County, Mission scene with figures, C Watercolor on paper under P Signed lower left: Lloyd Hart Sight: 21.5” H x 29.5” W

Hernando Villa

$500-700

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Lloyd Harting

$800-1,200

y, CA) California Plexiglas ting

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1170

1171

(1864-1940, Los Angeles, CA) Landscape with adobes Oil on canvas board Signed lower right: Jospeh Greenbaum 8.5” H x 11” W

20th Century Each signed with artist’s cipher Each square earthenware tile wi Chinoiserie decoration depictin pieces Each: 11.875” H x 11.75” W x 0

Joseph Greenbaum

$800-1,200

A pair of art pottery tiles

$400-600

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in lower corners ith polychrome glazed ng peonies and birds, 2

0.875” D

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1172

A Claycraft Potteries scenic art pottery tile

Circa 1921-1939; Los Angeles, CA Impressed to verso: Claycraft The earthenware plaque with polychrome painted and high gloss glazed landscape scene depicting a family driving a covered wagon with longhorn steers, mountains, and cacti 7.875” H x 16.125” W x 0.625” D $500-700

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1173

Dong Kingman

(1911-2000, New York, NY) “Tree and Old House,” circa 1942 Watercolor on paper under glass Signed lower right: Kingman; titled and dated on a label affixed to the verso of the frame 17.5” H x 15.875” W $1,000-1,500 Provenance: Barbara W. Menker Notes: A notation written in ballpoint ink on the verso by a previous owner reads: Dong Kingman Original / Property of Barbara W. Menker

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1174

Ben Abril

(1923-1995, Los Angeles, CA) “Newhall Home” Oil on canvas Signed lower right: Ben Abril; titled on the frame plaque 16” H x 20” W $500-700

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1175

20th Century American School

“N.Y. Sunday - Mirror Mae” Oil on canvas Signed illegibly at the lower right; titled verso 24.25” H x 16” W $300-500 Provenance: Property from an important La Cañada Flintridge estate

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1176

Theodore Jackman

(1878-1940, La Crescenta, CA) Spanish woman Oil on canvas Signed lower left: Theodore Jackman 20” H x 16” W $600-800

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1177

Marie Cornwell

(19th/20th Century, American) “Bonnie Jean (Campbell),” 1922 Oil on canvas Signed and dated lower right: Cornwell; titled on an exhibition label affixed to the verso of the frame 26” H x 22” W $400-600 Exhibitions: Minneapolis, MN, Minneapolis Institute of Arts, “Annual Exhibition of Local Artists,” n.d., no. 1075.

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1178

A pair of McCoy-style garden pots

20th Century Each unmarked Each cast ceramic composite with matte green finish centering a medallion with radiating spirals, flanked by two buttresses, and with banded shoulder, 2 pieces Each overall: 12.5” H x 17” W x 15” D $800-1,200 Provenance: Property from an important La Cañada Flintridge estate

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1179

A leather club chair and ottoman

20th Century Each in brown leather upholstery, comprising an armchair with stuffed back cushion and wood feet together with an ottoman on castors, 2 pieces Chair: 31.5” H x 33.5” W x 35.5” D; Ottoman: 16” H x 34” W x 23” D $600-800

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1180

A collection of California orange crate labels

Early 20th Century American Color zincographs on paper under Plexiglas From the editions of unknown size 14 pieces Sight of larger: 10.5” H x 10.5” W; Sight of smaller: 4.5” H x 11.5” W $500-700 Provenance: Property from an Important La Cañada Flintridge estate Notes: 12 of the labels are for citrus products. The two remaining, and smallest, labels are for grapes and green beans. The works are in what appear to be matching, custom-carved wooden frames.

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1181

A group of 10 lenticular post cards from the 1939 New York World’s Fair 1939 Lenticular and iridescent postcards under glass From the editions of unknown size Each: 3.5” H x 5.5” W $300-500 Provenance: Property from an important La Cañada Flintridge estate

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1182

A pair of hand-stitched Amish or Mennonite quilts, by Mary Koons

2001; Mifflinburg, PA Each quilt with Mary Koons label By Mary Koons (1917-2014), each hand-stitched cotton quilt with multi colored panels of stylized floral patterns and birds with hearts, comprising two matching quilts (each: 97.5” L x 67” W) and two matching pillow shams (each: 20.5” H x 26.5” W), 4 pieces $400-600 Notes: The artist’s obituary can be found here: https://www.dailyitem.com/mary-e-koons-92-mifflinburg/article_0d51fa62-3261-5980-8b15-92eec0d6dd5c.html

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1183

A Contemporary Stickley Prairie-style settle

Late 20th/Early 21st Century; Manlius, NY With Stickley burned mark and metal factory tag The blonde oak box settle with solid sides and light brown leather seat and cushions with two side pillows 29” H x 81” W x 36” D $1,000-1,500

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1184

A Contemporary Stickley double-door cabinet

1996; Manlius, NY With Stickley burned mark and metal factory tag; Further dated and numbered: NOV 14 1996 / # 35 / 89-1815 The blonde oak double-door cabinet with raised back panel over two glazed mullion doors enclosing a fitted interior with four glass shelves, finished with mortise and tenon joints, two interior down lights, and hammered copper hardware 78” H x 38.25” W x 15” D $1,200-1,800

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1185

A Contemporary Stickley Mission-style coffee table

1999; Manlius, NY With Stickley burned mark and metal factory tag; Further dated and numbered: APR 09 1999 / # 35 / 89-797 In blonde oak with a rectangular top over spindle sides and an undershelf raised on straight legs with corbels and mortise and tenon joints 17” H x 44” W x 36” D $600-800

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1186

A Restoration Hardware Morris chair and ottoman

Circa 1990s With Restoration Hardware manufacturer’s labels The contemporary Arts and Crafts-style oak Morris chair with bow arms and adjustable back, together with a matching ottoman, 2 pieces Chair: 30.5” H x 34” W x 40” D; Ottoman: 16” H x 25” W x 18” D $400-600 Provenance: The James M. Cole Collection, Visalia, CA

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1187

Rockwell Kent

(1882-1971, New York, NY) Two plates from the “Memoirs of Jacques Casanova de Seingalt,” 1925 Each: Line cuts after pen-and-ink drawings under glass Each: Signed in pencil in the lower margin: Rockwell Kent; Adventuros, NY, pub. Image of each: 7.5” H x 5.25” W; Sight of each: 8” H x 5.75” W $600-800

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1188

Vernon Jay Morse

(1898-1965, Sierra Madre, CA) “Shadows of Chinatown” Linocut on paper under glass Edition 72/100; signed, titled, and numbered in pencil in the lower margin: Vernon Jay Morse Image: 10.5” H x 14.5” W; Sheet: 11.375” H x 16.5” W $500-700

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1189

Milford Zornes

(1908-2008, Claremont, CA) “The Road Toiling” Ink on paper under glass Initialed in the image at the lower right: MZ; inscribed in pencil in the lower margin, at right: “The road toiling over some of the world’s most rugged terrain, The Lower Himalayas” Sight: 12.5” H x 16.75” W $400-600

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1190

Dale Nichols

(1904-1995, Chicago, IL) “Company for Supper,” 1948 Lithograph on paper under glass From the edition of 250; signed in pencil in the lower margin, at right: Dale Nichols; titled on the original information label affixed to the frame’s backboard; Associated American Artists, New York, pub. Image: 9.5” H x 13.375” W; Sight: 9.875” H x 14” W $700-900

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1191

A set of Mexican sterling silver cordial goblets with tray

Mid-20th Century; Mexico Each goblet marked: Sanborns / Mexico; Tray marked: Anton / Sterling / Taxco Comprising eleven small Sanborns cordials cups with chased floral motifs together with an associated Anton tray with repousse flowers, 12 pieces Each cup: 2.75” H x 1.5” Dia.; Tray: 0.5” H x 12.25” W x 3” D 18.695 oz. troy approximately $800-1,200

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1192

Two Maciel sterling silver sombrero dishes

20th Century; Mexico City Each marked: Maciel / Sterling; One marked with Eagle 32 Each dish in the form of a sombrero hat with chased flowers, an eagle, and reading “Mexico” Larger: 2.75” H x 6” Dia.; Smaller: 2.5” H x 6.375” Dia. 15.355 oz. troy approximately $300-500

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1193

1194

(1907-1975, Carpinteria, CA) “Al Anocheser,” circa 1937 Color woodcut on paper under Plexiglas From the edition of unknown size; signed, indistinctly dated and titled in pencil in the lower margin Image: 10” H x 8” W

(1889-1949, Jewish/American) The set of seven plates from “S Woodcuts on Japanese paper, From the edition of 150; each w of the support sheets with the p Image of largest: 8” H x 6” W; I

$300-500

$800-1,200

Provenance: Property from an important La Cañada Flintridge estate

Notes: The works are titled: Jer Yemenite Beggar; and Beggars two of the modern frames read

Helena May Seegert

Notes: Although the exact size of this edition is not known, it is thought to be approximately 25 impressions.

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Todros Geller

Seven Palestinian Motifs Cut on Wood,” 1930 tipped to original support sheets, under Plexiglas work signed in pencil on the support sheet, directly below the image, at right; each printed titles in both English and Hebrew, near the lower edge Image of smallest: 4.25” H x 3.625” W

rusalem; the Pioneer; Street in Jerusalem; Eucalyptus Alley; Homeward Bound; s. Ink notations on old pieces of brown paper tape affixed to the backboards of ds: Purchased 12/25/32 Cincinnati, Ohio / Framed 10/30/37 Baltimore, Md

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1195

A large Mexican terracotta garden urn

Fourth-Quarter 20th Century The large, wide-shouldered pot with flared neck and decorated with highrelief floral band, coin molding, and tassel-style trim 19.5” H x 18” Dia. $400-600 Provenance: Property from an important La Cañada Flintridge estate

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Condition Reports

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1001 Generally good condition. The colors fresh. Very slight surface soiling. The sheet is loose, not mounted. Unframed 1002 Generally good condition. The colors fresh. Very slight surface soiling commensurate with age. A small, old, effaced, ink price in the lower right margin corner. The sheet is loose, not mounted. 1003 Generally good condition. The colors fresh. Very slight surface soiling commensurate with age. A small, old, effaced, ink price in the lower right margin corner. The sheet is loose, not mounted. Unframed 1004 Surface soiling and soft creasing commensurate with age. Various pale stains in the margins and on the verso, one of which slightly affects the signature in the lower margin, at left. Two 0.5” long edge tears in the margins, upper and left edges, neither of which affect the image. An irregular paper loss with attendant creasing near the lower left margin corner, not affecting the image. Orange ink offsetting from a separate impression showing verso. Small patches of surface skinning and tape remains, from previous mounting, verso. The sheet is loose, not mounted.

Condition Reports

Unframed

238

1005 Generally good condition. A delicate, diagonal, 1.5” scratch, lower left. Dust accumulation and occasional pale stains on the support board. As mentioned, the printed sheet is tipped down to the support board at the reverse of the sheet edges. Unframed 1006 Generally good condition. Slight surface soiling commensurate with age. Soft creasing, scattered foxing and occasional pale stains in the margins and on the verso, none of which affect the image. The sheet is loose, not mounted Unframed

1007 Each: Generally good condition. The colors fresh. Very slight surface soiling commensurate with age. The second with a very small, old, ink price in the lower right margin corner. The sheets are loose, not mounted. Each: Unframed 1008 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Upholstery with fading. Arms with rubbed wear and fading to finish. Heavier wear and scratches to feet. 1009 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1010 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1011 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The larger with areas of fading to the top from use. Heavier wear to feet. The large and medium tables with rectangular tops, the small table with a square top and longer legs so that all the tables rest on the smaller; could possibly be a marriage but all have matching construction, fit properly into the slides, and appear to go together. 1012 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Orange sliding panel fits loosely in track and is prone to fall. Black Micarta surface with scratches and wear. 1013 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of woodworm to framework verso. With restorations and reinforcements. Includes key.

1015 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with adhesive felt pads to underside. 1016 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with inherent, typical pinholing and crazing to glaze. 1017 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Mounted with wire wall hanger.

1022 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. More prominent scratches to the sides and shrinkage cracks to back paneling. Metal hardware with oxidation. Lacking key. 1023 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. More prominent scratches to the sides and shrinkage cracks to back paneling. Metal hardware with oxidation. Lacking key. 1024 Generally good condition. The surface slightly rippled, commensurate with the materials used. Framed floating and mounted to back mat. Not examined out of the frame. Frame: 65” H x 25.75” W x 4.75” D

1018 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Base with minor chips along edges.

1025 Generally good condition. Dust accumulation, slight toning and soft rippling commensurate with age and materials used. Framed floating and mounted to the back mat.

With base: 13.25” H x 8.75” W x 5.25” D

Frame: 34” H x 76.25” W x 2” D

1019 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The larger with one chip to the foot and the smaller with two chips to the foot.

1026 Visual: Generally good condition. Minor surface dirt and grime including a dime-sized spot in the upper right corner.

1020 Visual: Generally good condition. Craquelure and paint shrinkage scattered throughout. Minor frame abrasion along the four edges. Some oxidation in the darker pigments of the background.

Frame: 29.75” H x 24.25” W x 1” D

Blacklight: No evidence of restoration.

1027 Visual: Generally good condition. Minor craquelure throughout. Dust accumulation commensurate with age. Not examined out of the frame.

Frame: 15” H x 18.5” W x 2.25” D

Blacklight: No evidence of restoration. Frame: 28.5” H x 22.5” W x 0.75” D

1021 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Loss to top drawer’s lock plate.

1028 Generally good condition. Occasional craquelure showing in the black pigment. Not examined out of the frame. Frame: 26.75” H x 32.5” W x 1” D

Condition Reports

1014 Overall good condition with scattered scuffs and light scratches commensurate with age. Enamel with localized areas of typical, inherent crazing.

239

1029 Visual of each: Generally good condition. Surface dirt, grime and occasional craquelure. Blacklight of each: No evidence of restoration.

1036 Visual: Generally good condition. Blacklight: No evidence of restoration. Unframed

Frame of Faun: 20.5” H x 17.5” W x 2” D; Frame of Woman: 31” H x 19” W x 2” D 1030 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some drawers retract and stick out farther than others. Prominent shrinkage cracks to sides and back. 1031 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Sliding doors with stiffness while opening, one with loose pull, one lacking pull. With scattered chipped losses and prominent shrinkage cracks to back. Oxidation to wood with surface scratches. Evidence of woodworm. 1032 Each overall good condition with shelf wear commensurate with age. Bamboo shoot basket bottom insert is loose. Copper insert with oxidation.

Condition Reports

1033 Each overall good condition with shelf wear commensurate with age. Basket with branch handle’s woven bottom insert is slightly loose. The lidded basket with soiling and staining to interior lining.

240

1034 Visual: Generally good condition. A 0.125” x 0.75” diagonal abrasion causing an accordion-type crumple of the paper at one end and revealing the underlying panel, near the right edge. Occasional pale and scattered foxmarks showing near the edges. Blacklight: No evidence of restoration. Frame: 19.5” H x 25.5” W x 1.75” D 1035 Generally good condition. The colors fresh and the sheet with deckled edges all around. The sheet is framed floating, hinged to the back mat. Not examined out of the frame. Frame: 31” H x 38” W x 1” D

1037 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Chairs with contemporary upholstery and dust covers. Heavier wear to feet. 1038 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Top of credenza with sun fading and tonal differences surrounding where cabinet sat. Heavier scratches to the top. Chipped losses to veneer at rear edges. Wiring should be checked by a qualified electrician prior to use. 1039 Generally good condition. The sheet with margins and the colors vibrant. A 2.5” horizontal crease in the image, lower center. A 0.5” horizontal crease in the left margin, not affecting the image. Not examined out of the frame. Frame: 68.5” H x 51.5” W x 2” D 1040 Each overall fair to good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Upholstery with typical signs of wear from use, fading, and soiling; one with a 5” X 3.5” L-shaped tear to the back’s verso. Legs appear to have been previously painted. 1041 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with more prominent scratches to the top.

1043 Overall good condition with minor scuffs and oxidation commensurate with age. Each with verdigris. Each with small bell with rust/losses to the sheet metal hangers. 1044 Each overall good condition with minor scuffs and oxidation commensurate with age. Each with verdigris. Each with slight bending to the sheet metal hangers. One Jeff Cross bell and the California bell lacking top hanging hook. 1045 Each overall good condition with minor scuffs and oxidation commensurate with age. Each with verdigris. Each with bending to sheet metal hangers. 1046 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 1047 Each overall good condition with shelf wear commensurate with age.

1050 Visual: Generally good condition. With margins. Not examined out of the frame. Frame: 15.5” H x 14” W x 1.25” D 1051 Generally good condition. Full margins deckled all around. A very pale stain in the lower margin at left, not affecting the image. Soft creasing at the tip of the top left margin corner. Old hinges at the verso of the margin corners. The sheet is loose, not mounted. Unframed 1052 Each: Generally good condition. “Summer” not examined out of the frame. “Winter” with approximately 1” margins on all sides; hinged to the overmat from the verso of the upper sheet edge. Frame of each: 17” H x 22.5” W x 1.25” D 1053 Generally good condition. Minor toning to the paper. The lower corners are discolored from a previous mounting. Hinged to the back mat with clear tape in places along the upper edge. Matted but unframed 1054 Visual: Generally good condition. Dust accumulation, grime, varnish discoloration and craquelure commensurate with age. A pinhead-size gouge mark at the upper right. Old frame abrasions and general wear along the edges of the board.

1048 Each overall good condition with tarnishing and light scratches commensurate with age. Some with scattered minor indentations to silver. One with a break to overlay silver.

Blacklight: No evidence of restoration. Difficult to read under uneven varnish.

1049 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. More prominent shrinkage cracks to back paneling. Metal hardware with oxidation. Some metal side brackets with unobtrusive breaks. Lacking key.

1055 Each overall good condition with scattered scuffs, light scratches, and oxidation/rusting commensurate with age. Scattered areas of chipped losses to white finish and attendant rusting.

Unframed

1056 Each overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Chair with a small indentation to the mesh at top back.

Condition Reports

1042 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: each with scattered inherent pinholing to the glaze; the flared vase with color variations in the glaze ranging from brown to grey; and the bowl with adhesive felt pads to underside.

241

1057 Visual: Generally good condition. Blacklight: A very small spot of touch-up upper center. Frame: 23.75” H x 27.75” W x 1.25” D

1058 Visual: Generally good condition. Frame abrasion along all four sides. Dust accumulation commensurate with age. Blacklight: No evidence of restoration. Frame: 16.75” H x 18.75” W x 1.5” D

1063 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to, scattered inherent pinholing to the glaze. 1064 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: glaze is thickly applied with attendant inherent imperfections, comprising scattered pinholing, thin areas to the glaze on one side, and a localized 3” area of accumulated globules of thick glaze near the foot; a very minor chip to glaze along the rough edge of the foot and a small chip to the glaze at the rim.

1059 Visual: Generally good condition. Craquelure occasionally scattered across the snowy mountain tops. A pea-sized spot and a small spot of paint loss in the rock lower left. Very minor surface dirt and grime.

1065 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: scattered inherent pinholing to the glaze.

Blacklight: Two pea-sized spots of touch-up lower left. A small spot of touch-up upper left.

1066 Visual: Generally good condition. Frame abrasions on all four sides. Dust accumulation commensurate with age.

Frame: 30” H x 35” W x 2” D

Blacklight: Touch-ups along the upper edge, the largest measuring 3” diagonally. 1060 Generally good condition. The artist board is slightly toned, commensurate with age. Taped to the overmat with masking tape along the verso of the edges. Frame: 28.25” H x 32.25” W x 1.75” D

Frame: 21.25” H x 19.25” W x 1.25” D 1067 Visual: Generally good condition. Surface dirt and grime.

Condition Reports

Blacklight: No evidence of restoration.

242

1061 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. One hand with prominent break at joint, the other hand detachable from arm. One foot with glued repairs, the other foot reattached with glue. 1062 Overall fair to good condition with scattered scuffs, scratches, nicks, prominent shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipped losses and abrasions throughout. Evidence of woodworm.

Frame: 21.75” H x 25.75” W x 1.5” D

1068 Visual: Generally good condition. Slight stretcher bar creases along all four edges. Blacklight: Scattered touch-ups, primarily in the sky at upper left. The largest approximately 2” x .5” Frame: 38” H x 43” W x 2.5” D

Blacklight: No evidence of restoration. Frame: 18” H x 22” W x 2” D 1070 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 40.5” H x 40.5” W x 2.5” D

1071 Visual: Generally good condition. Very occasional specks of grime. Blacklight: No evidence of restoration. Frame: 24” H x 35” W x 1” D 1072 Visual: Generally good condition. Slight dust accumulation commensurate with age. Blacklight: An area at upper right fluoresces under blacklight, however this appears to be in the hand of the artist. Frame: 18” H x 22.5” W x 2” D 1073 Visual: Generally good condition. Stretcher bar creases along the four edges. Blacklight: A small spot of touch-up in the center of the sky. Frame: 27.5” H x 39.5” W x 1.5” D

1074 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and weathering inherent to the material commensurate with age. Scattered chips, cracks in gessoed surface, and repairs to carving. Lamp shade with areas of loss and unweaving to leather trim. Wiring should be checked by a qualified electrician prior to use. Base: 54” H x 31” W x 14” D Shade: 17.5” H x 30” W x 16.5” D

1075 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and weathering inherent to the material commensurate with age. Scattered chips, cracks in gessoed surface, and repairs to carving. Does not come with a top. 1076 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 27.5” H x 31” W x 1” D 1077 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Top with localized area of heavier scratching with touchups. Scattered minor chipped losses to veneer along bottom edge. 1078 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Leather with minor spots of wear, discoloration, and scratches. 1079 Visual: Generally good condition. Surface dust and grime commensurate with age. Blacklight: No evidence of restoration. Frame: 9” H x 11.5” W x 1” D 1080 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 31” H x 37” W x 1.75” D

1081 Visual: Generally good condition. Surface dirt, grime and craquelure. Slight frame abrasions and general edge wear along all four sides and corners. Blacklight: No evidence of restoration. Frame: 17.75” H x 21” W x 1.75” D

Condition Reports

1069 Visual: Generally good condition. Slight surface dust and grime commensurate with age.

243

1082 Visual: Generally good condition. Craquelure throughout. Slight stretcher bar crease along the upper edge. Blacklight: A few small spots of touch-up along the upper edge.

1088 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Possibly part of a larger stackable console, with unfinished top. More prominent scratching to areas around handles and shrinkage cracks to verso, sides, and unfinished top. Likely refinished.

Frame: 31” H x 36” W x 3” D

1083 Visual: Generally good condition. Minor dust accumulation commensurate with age. Blacklight: No evidence of restoration. Certain pigments fluoresce, however, these appear to be in the hand of the artist. Frame: 15” H x 27” W x 0.75” D 1084 Visual: Generally good condition. Fine craquelure throughout. Blacklight: Small spots of touch-up scattered throughout the sky and mountain. A 1” x 1.75” area of touch-up in the upper right corner. Frame: 14.25” H x 16.25” W x 2.5” D

1085 Visual: Generally good condition.

1089 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Heavier scuffs and scratches to underside. Height measurement is with handle up. No evidence of restoration or hairlines under illumination. 1090 Each overall good condition with tarnishing and light scratches commensurate with age. 1091 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Cushions with fading and wear to upholstery and depression to padding. One with moisture rings to the top. 1092 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 11.5” H x 12.5” W x 1.5” D

Condition Reports

Blacklight: No evidence of restoration.

244

Frame: 29.75” H x 35.75” W x 3” D

1093 Visual: Generally good condition. Surface dust and grime commensurate with age.

1086 Overall good condition with minor scuffs, light scratches, and oxidation to bronze commensurate with age. Lacking finial. Upper column insert (above sockets) is loose, can be removed. Wiring should be checked by a qualified electrician prior to use.

Blacklight: No evidence of restoration.

Base: 12.25” H x 7” W x 5.25” D Shade: 9” H x 10.25” W x 10.25” D

Frame: 29” H x 33” W x 2” D 1094 Each: Visual: Generally good condition. Each: Blacklight: No evidence of restoration. Frame: 19” H x 23” W x 1.75” D

1087 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Lacking key.

Blacklight: Apparently no evidence of restoration. Difficult to read under uneven varnish. Frame: 26.5” H x 30.5” W x 1.25” D

1096 Visual: Generally good condition. Dust accumulation and minor grime commensurate with age. Blacklight: No evidence of restoration. Frame: 12.5” H x 10.5” W x 0.75” D 1097 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 16.5” H x 18.75” W x 1” D 1098 Visual: Generally good condition. Five artist’s pinholes at the edges and in the corners. The tip of the paperboard missing at the top left. Surface skinning, with attendant paint loss, and an old crease at the lower right corner. The outermost edges slightly abraded. Surface dust and occasional scuffs commensurate with age. As mentioned, the paperboard is mounted to another, larger, support board. Blacklight: No evidence of restoration. Matted but unframed 1099 Visual: Generally good condition. A couple of small scratches with minor paint loss right center. Minor varnish discoloration.

1101 Overall fair to good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: soiling/staining with scattered patches of blue viscous residue, fading to both sides, abrash, and moth damage with scattered areas of loss to weft. 1102 Generally good condition. Minor frame abrasion along the edges. The paper is laid down as stated. Frame: 12.5” H x 15” W x 1.5” D

1103 Generally good condition. Minor toning to the paper. Hinged to the back mat with archival tape at the upper corners. Frame: 20.25” H x 15.25” W x 2.25” D 1104 Generally good condition. Slight light-staining showing at the outermost edges. Occasional remains of old glue in the upper and right sheet edges, recto, and around all of the sheet edges, verso. Hinged to the back mat from the verso of the upper edge. Frame: 17.75” H x 21.5” W x 1” D

1105 Visual: Generally good condition. Five small spots of paint loss in the tree trunk area, one dime-sized area of loss upper center, a line of loss in the center and scattered losses along the edges. Varnish discoloration throughout with some varnish drips in the lower corners. Blacklight: No evidence of restoration. Unframed

Blacklight: Touch-up scattered throughout, the largest a 1.5” x 1.75” scattered area lower left and a thin 3” line in the center.

1106 Visual: Generally good condition.

Frame: 33.5” H x 23.5” W x 2.25” D

Blacklight: No evidence of restoration. Frame: 24.25” H x 30.25” W x 2” D

1100 Overall good condition with minimal signs of wear commensurate with age and use.

Condition Reports

1095 Visual: Generally good condition. Minor frame abrasion along the four edges. Cracks to the board along the right edge. Minor surface dirt and grime.

245

1107 Visual: Generally good condition. Drips of surface grime along the right edge. Blacklight: No evidence of restoration. Frame: 30.75” H x 26.75” W x 1.75” D

1108 Visual: Generally good condition. Craquelure throughout, predominantly in the sky. Blacklight: No evidence of restoration. Frame: 20” H x 38” W x 1.25” D 1109 Visual: Generally good condition. Surface dirt and varnish discoloration. Scattered frame abrasions along the edges. Blacklight: No evidence of restoration. Frame: 23.5” H x 19.5” W x 1.5” D

1110 Visual: Generally good condition. Craquelure showing mostly in the black background. Minor varnish discoloration. Blacklight: A 2” long line of possible touch-up at the upper center. Difficult to read under uneven varnish.

Condition Reports

Frame: 20.25” H x 32” W x 2” D

246

1111 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wood with natural oxidation. Modern leather upholstery with localized areas of rubbed wear. 1112 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Verso of back with chipped surface losses to panel at bottom. Lacking key.

1113 Visual: Generally good condition. Occasional craquelure. Stretcher bar creasing and slight frame abrasion showing mostly along the upper edge. A few very unobtrusive flecks of paint loss lower center. An unobtrusive, pea-sized, slight indentation at center. Blacklight: Small spots of scattered touch-up, primarily in the upper half, the largest pea-sized. A 1.25” line and a 1.25” x 1.25” scattered area of touch-up upper center. Frame: 26.5” H x 32.5” W x 2” D 1114 Overall good condition with shelf wear, scattered minor scuffs, weathering, and inherent firing flaws commensurate with age. 1115 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. More localized wear to feet. 1116 Each overall good condition with shelf wear, scattered scuffs, light scratches, and inherent firing flaws commensurate with age. One lamp a darker green glaze. Each with inherent pinholing. One lacking interior base plate. Wiring should be checked by a qualified electrician prior to use. 1117 Visual of each: Generally good condition. Frame abrasions along all of the edges of both works. A 1” band of slightly uneven surface along the lower edge of the second portrait. Blacklight of each: No evidence of restoration to the first portrait. A few minor touch-ups in the lower left corner of the second portrait. Difficult to read under uneven varnish. Frame of each: 13.75” H x 13.25” W x 1” D 1118 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered restorations and repairs to frame visible from underside. Various minor breaks and chips to reed wrapping around seat rail, arms, and stretcher. The seat with a 1.5” area of broken reeds at front edge center.

1119 Visual: The canvas is loose and rippled. Stretcher bar creases along the four edges. Craquelure throughout. A pea-sized puncture in the canvas upper left. A .5” tear in the canvas lower left. 1” scratches in the upper and lower left corners. A 11” x 2” area of instability with multiple chips of paint loss down the center. Areas of scattered paint loss along the upper and lower edges, at right.

1125 Visual: Generally good condition. Slight dust accumulation and grime commensurate with age.

Blacklight: Small spots of touch-up lightly scattered throughout.

1126 Visual: Generally good condition. Spots of what appears to be mold scattered throughout.

Frame: 13” H x 21” W x 0.75” D

Blacklight: No evidence of restoration.

1120 Visual: Dust accumulation commensurate with age. Occasional frame abrasions along the edges.

Frame: 34.75” H x 26.75” W x 1.5” D

Blacklight: Scattered small dots, lines and dime-size or smaller touch-ups throughout. The largest area showing as a vertical, approximately 3” x 0.5” touchup in the hills at center left. A 2.5” long, diagonal line of touch-up in the lower right corner, just affecting the signature.

1127 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Areas of veneer shrinkage and buckling throughout. Doors lacking hinges and attachment screws to bonnet top.

Frame: 14.25” H x 21” W x 1.5” D 1121 Visual: Generally good condition. Blacklight: A 1.25” H triangle-shaped area of touchup in the upper left. Frame: 16.25” H x 22.5” W x 2” D 1122 Visual: Generally good condition. Surface dirt, grime and varnish discoloration. Slight paint shrinkage. Blacklight: No evidence of restoration. Frame: 17.75” H x 21.75” W x 2.5” D 1123 Generally good condition. Not examined out of the frame. Frame: 26” H x 33.5” W x 1.5” D 1124 Generally good condition. Not examined out of the frame. Frame: 36.5” H x 52” W x 2” D

1128 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Two areas of indentation and scratching caused from the arms hitting the back plate. The wood backing with shrinkage cracks. The candle bobeches with slight bending. 1129 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Iron stand with possible resoldering to one beater hook and middle juncture at bottom of base. 1130 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Table is slightly wobbly. 1131 Overall good condition with shelf wear, minor scuffs, and oxidation to metal commensurate with age. Shade possibly by Handel, but lacking any marking or “Handel” metal tag. Shade with approximately fifteen glass panels with cracks and scattered areas of possible repairs to lead. Lamp has been rewired. Wiring should be checked by a qualified electrician prior to use.

Condition Reports

Frame: 47.25” H x 59.5” W x 2.25” D

Blacklight: No evidence of restoration. Difficult to read under uneven varnish.

Shade: 8” H x 18.25” Dia. 247

1132 Overall good condition with shelf wear, minor scuffs, and oxidation to metal commensurate with age. Approximately seven glass panels with cracks. Wiring should be checked by a qualified electrician prior to use. 1133 Visual: Generally good condition. Surface dust, grime and craquelure commensurate with age. Stretcher bar creases showing mostly along the upper edge and horizontally across the center. Occasional, very unobtrusive, pinhead-size pigment losses showing mostly in the sky. Blacklight: Spots and lines of touch-up showing mostly in the sky, the largest being a scattered area approximately 5” x 3.5”, to the right of center. An unobtrusive, horizontal, 0.5”, split in the canvas of the beach area left of center, with a related quartersized patch on the verso. Frame: 29.5” H x 34.5” W x 2.5” D 1134 Visual: Generally good condition. Dust accumulation and grime commensurate with age. Blacklight: Occasional small areas of touchup showing mostly in the sky, the largest area approximately 0.25” x 0.375”, near the upper right corner. Difficult to read under varnish. Frame: 13.5” H x 17.5” W x 1.25” D

Condition Reports

1135 Visual: Generally good condition. Surface dirt, grime and varnish discoloration commensurate with age. Occasional craquelure, including lower center, at left.

248

Blacklight: A few very small spots of touch-up in the sky, the largest approximately 0.375” H x 0.25” W, attendant with a vertical line of craquelure, near the right edge. Frame: 16” H x 24” W x 2” D 1136 Visual: Generally good condition. A tiny puncture in the canvas left center. The canvas is slightly loose. Blacklight: A 1.5” x 2.5” area of touch-up upper left. A few small spots of touch-up scattered throughout the sky. Frame: 29.5” H x 37.5” W x 2.5” D

1137 Visual: Generally good condition. Craquelure scattered throughout. Slight stretcher bar creases along the edges. Very minor varnish discoloration. Blacklight: No evidence of restoration. Frame: 36” H x 41” W x 3” D

1138 Generally good condition. With wide margins. A 0.25” tear at the tip of the lower right margin corner. Hinged to the back mat with Japanese tissue hinges at the verso of the upper margin corners. Matted but unframed 1139 Generally good condition. Toning to the paper. Tape remnants from a previous mounting along the four edges. Frame: 27” H x 21.5” W x .75” D 1140 Generally good condition. Not examined out of the frame. Frame: 9” H x 7” W x 0.75” D 1141 Pale and unobtrusive scattered foxing. Not examined out of the frame. Frame: 9.5” H x 8” W x 0.75” D 1142 Overall good condition with scattered scuffs, scratches, and oxidation with verdigris commensurate with age. Scattered indentations throughout, inherent to the process of manufacture. More prominent indentation to waist at one handle. One handle with oxidized losses to one rivet. 1143 Overall good condition with scattered scuffs, scratches, and oxidation with verdigris commensurate with age. Scattered indentations.

1144 Overall good condition with scattered scuffs, light scratches, localized indentations, and oxidation commensurate with age. Iron handles with rusting to interior. 1145 Visual: Generally good condition. Craquelure scattered throughout. Very minor varnish discoloration.

1151 Visual: A soft and very unobtrusive diagonal crease at the lower left, showing mostly in raking light. Occasional soft creases and edge tears at the corners, the longest measuring 0.5” in the upper right corner. Pale time staining at the sheet edges. Surface skinning and remains of old glue at the verso of the sheet corners. Old backboard staining verso. The sheet is loose, secured in its mat with clear, archival corners. Unframed

Blacklight: No evidence of restoration. Frame: 28” H x 32” W x 3” D 1146 Generally good condition. The upper edge appears to have been trimmed. The paper is loose, not mounted. Frame: 25.5” H x 34” W x 1.75” D 1147 Visual: Generally good condition. Craquelure scattered throughout the sky. Scuff marks upper left and upper center. Blacklight: No evidence of restoration. Frame: 32.5” H x 44.5” W x 2.25” D 1148 Visual: Generally good condition. Surface dirt and grime. Scattered pinhead-sized pigment losses showing mostly in the sky. Blacklight: No evidence of restoration. Frame: 19.5” H x 23.5” W x 2” D

1152 Generally good condition. Not examined out of the frame. Frame: 29” H x 39” W x 1.5” D 1153 Generally good condition. Dry mounted to the back mat. Unframed 1154 Overall good condition with shelf wear, minor scuffs, and oxidation to bronze commensurate with age. Approximately ten glass panels with cracks. Fraying and wear to the cord. Wiring should be checked by a qualified electrician prior to use. Base: 10.5” H x 9.5” W x 10.75” D Shade: 5.75” H x 11.5” Dia. 1155 Generally good condition, with margins. Minor toning to the paper. Tipped down to the back mat from the verso of the upper corners.

Frame: 27.5” H x 23.5” W x 1.25” D 1150 Visual: Generally good condition. Spots of what appears to be mold scattered throughout. Lines of graphite in the center and left center. Blacklight: No evidence of restoration. Frame: 30” H x 34” W x 2” D

1156 Generally good condition. Very pale light-staining showing in the margins. A few very pale and unobtrusive foxmarks. Frame: 14” H x 18” W x 1” D

Condition Reports

Frame: 23.25” H x 19.5” W x 1” D 1149 Generally good condition. Two spots of foxing upper center. The recto and verso mats are glued together.

249

1157 Generally good condition and with wide margins. Minor toning to the paper. Hinged to the back mat with archival tape at the verso of the upper margin corners. Matted but unframed. 1158 Generally good condition and with wide margins. Minor toning to the paper. Hinged to the back mat with brown paper tape along the upper margin edge. Matted but unframed. 1159 Doolittle: Generally good condition. A fine impression with good contrasts. Not examined out of the frame. Stephenson: A rich impression with platetone. A horizontal tear in the left margin extending 1” into the left edge of the image. Two printing irregularities showing in the image, one at the upper left corner and the other at the left edge, just below the horizontal tear already mentioned. Not examined out of the frame. Frame of Doolittle: 14” H x 11” W x 0.75” D Frame of Stephenson: 17.5” H x 13.25” W x 0.75” D 1160 Each: Generally good condition. Minor toning to the paper. Tape remnants from a previous mounting remain in the upper corners. The paper is loose, not mounted.

Condition Reports

Each: Unframed

250

1161 Generally good condition. Not examined out of the frame. Frame: 18.5” H x 14.5” W x 0.5” D 1162 Visual: Generally good condition. Dust accumulation commensurate with age. Blacklight: No evidence of restoration. Frame: 26.5” H x 30.5” W x 1.75” D

1163 Generally good condition. Not examined out of the frame. Frame: 27.75” H x 20.75” W x 0.5” D 1164 Each overall good condition with scattered scuffs, light scratches, weathering, and oxidation commensurate with age. Seat cushions with sun fading. 1165 Each overall good condition with scuffs, scratches, and darkening/oxidation to bronze commensurate with age. Most with verdigris. 1166 Overall good condition with scattered scuffs, scratches, weathering, and oxidation with verdigris commensurate with age. 1167 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 19.75” H x 15.75” W x 1.75” D 1168 Generally good condition. Spots of pale foxing scattered throughout the sky. Not examined out of the frame. Frame: 29.75” H x 25.75” W x 3” D 1169 Generally good condition. Very minor toning to the paper. Not examined out of the frame. Frame: 29” H x 37” W x 1.5” D 1170 Visual: Generally good condition. Surface dust and grime commensurate with age. Blacklight: No evidence of restoration. Frame: 11.75” H x 14” W x 1.75” D

1171 Each overall good condition with wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: each with inherent pinholing/ruptured air bubbles to the glaze, scattered minor chips along edges, and localized touch-ups to surface scuffs.

1177 Visual: Generally good condition. Dust accumulation commensurate with age. Blacklight: A few very small areas of touch-up near the lower corners, the largest approximately 0.75” x 0.25” in the lower right corner. Frame: 31” H x 27” W x 2” D

1172 Overall good condition with wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: a possible restored chip to lower left corner. 1173 Generally good condition. Traces of old brown paper tape in places along the upper and lower sheet edges. Minor surface soiling commensurate with age. Hinged to the overmat from the verso of the upper edge. Frame: 29” H x 26” W x 1.25” D

1174 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 23.25” H x 27.25” W x 1.5” D

1178 Each overall good condition with wear, weathering, scattered scuffs, and inherent casting flaws commensurate with age. Scattered chips to edges. 1179 Each overall good condition with scattered scuffs and scratches commensurate with age. Leather with fading and drying with attendant minor surface cracking. 1180 Generally good condition. Occasional very minor handling marks. “Royal Gold Sunkist: Puente Mutual...” with a short tear extending 0.5” into the gold background at the upper left edge; “Splendor Sunkist: San Fernando....” with a vertical crease through the center and a pea-sized abrasion near the upper edge; “Fidelity Sunkist: Glendora Mutual...” with horizontal cockling throughout. Not examined out of the frames. Frame of Larger: 16.5” H x 16.5” W x 2” D; Frame of Smaller: 10.25” H x 17.25” W x 2” D+

1175 Visual: Craquelure scattered throughout. Stretcher bar creases along the edges. Paint loss and instability lower left and lower center. Diagonal scratches with minor paint loss left center and right center. Surface dirt and grime.

1181 All generally good condition. Minor scuffs and scratches. Not examined out of the frames. Frame of each: 7” H x 5” W x 0.5” D

Frame: 29.25” H x 21.25” W x 2” D

1176 Visual: Dust accumulation and craquelure throughout. Stretcher bar creases along all four edges. Blacklight: A few small lines of touch-up in the sleeve at left, the largest approximately 1” long. Difficult to read under varnish. Frame: 25” H x 21” W x 1.5” D

1182 Each overall good condition with minimal signs of wear commensurate with age. Very minor spots of staining. 1183 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The leather hide with natural variations in tone and texture. Leather at front seat rail with localized area of heavier rubbing.

Condition Reports

Blacklight: No evidence of restoration.

251

1184 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 1185 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Heavier wear and scratches to feet. 1186 Overall fair to good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Arms with prominent fading/discoloration from rubbed wear. Leather with fading, rubbed surface wear, and drying with subsequent cracking. 1187 Each generally good condition. The paper toned overall. Not examined out of the frames. Frame of each: 13.5” H x 10.5” W x 0.75” D 1188 Generally good condition. With wide margins on the left and right. The sheet very slightly cockled. Pale light-staining recto and pale mat-staining verso. A few unobtrusive inky finger prints at the outer edges of the margins. Brown paper tape at the tips of the upper margin corners. Partially affixed to the backboard at the lower edge left of center. Frame: 21” H x 25” W x 0.75” D

Condition Reports

1189 Generally good condition. Not examined out of the frame.

252

Frame: 24” H x 28” W x 2” D 1190 Generally good condition. Mat staining showing in the margins. Not examined out of the frame. Frame: 16.5” H x 20.5” W x 0.5” D 1191 Each overall good condition with tarnishing, indentations, and light scratches commensurate with age. Approximately eight cups with minor indenting at rim, slightly out of round.

1192 Each overall good condition with tarnishing and light scratches commensurate with age. 1193 Generally good condition. Not examined out of the frame. Frame: 30.25” H x 25.5” W x 2.5” D 1194 All generally in good condition. Minor discoloration showing through from the verso of the margin corners on most of the sheets where they are tipped down to the support sheets, as issued. An occasional scattered foxmark. “The Pioneer” with a 2.5” curved handling or printer’s crease in the lower right corner, showing mostly in raking light. This plate also with what appears to be some stray printer’s ink and traces of extra glue on the support sheet above the image. Not examined out of the frames. Frame of each: 16.5” H x 12.5” W x 1.25” D 1195 Overall good condition with surface wear, weathering, scattered scuffs, and inherent casting flaws commensurate with age. Scattered minor superficial chips to the relief decoration and rim.

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Sold at John Moran Auctioneers: Edgar Alwin Payne (1883-1947, Hollywood, CA) “San Juan Capistrano”

Price Realized: $46,875

SINCE 1969

AUCTIONEERS & APPRAISERS

Consign Today

California & American Fine Art Fall 2022

Ben Abril (1923-1995, Los Angeles, CA) “3rd Street East Los Angeles,” 1959

Price Realized: $28,125 Consignment and Auction Inquiries: fineart@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 254

Consign Today

Fine Jewelry & Timepieces September 2022

In our upcoming May 3, 2022 auction: Multiple lots of David Yurman jewelry to be offered.

Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Western, American Indian Specialist Senior Vice President, Fine Art Director Vice President, Furniture & Decorative Arts Director Junior Specialist / Senior Fine Art Cataloguer Furniture & Decorative Arts Department Manager / Junior Specialist Furniture & Decorative Arts Cataloguer Fine Art Cataloguer 20th Century Design Specialist

Maranda Moran Morgana Blackwelder AAA Roland Rynkiewicz Bobby Cullen Danielle Kim Shannon Dailey Anne Spink John Simon Taylor

Silver, Western, American Indian Cataloguer Post-War & Contemporary Fine Art Specialist Jewelry Director

Sally Andrew Hayden Hunt Mollie Burns Keith, G.J.G

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Consignment Coordinator Julia Hamilton Operations Coordinator Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Jacob Baer

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Advertising & Marketing Director, Art Design Graphic Designer

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Photographer Photographer

TRUSTS & ESTATES

Associate Director

FOUNDERS

Nathan Martinez Brian Olivas

Keith Berson Madison Torres

Noelle Valentino AAA

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

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