The Traditional Collector — Tuesday, December 6, 2022 | John Moran Auctioneers

Tuesday, December 6, 2022

The Traditional Collector AUCTIONEERS & APPRAISERS SINCE 1969

1001

A large Nymphenburg macaw porcelain figure Circa 1913

Marked with impressed Nymphenburg shield and numbered “3641” to underside; impressed “T Karner” with artists cipher and dated 1913 to side Designed by Theodor Karner, the glazed porcelain macaw resting on a plinth 14.5” H x 7.5” W x 24” D

$1,000-2,000

1002

A Japanese silver dragon tea service

Late 19th/early 20th century

Four marked with Chinese characters reading “Fine Quality / Pure Silver” and one likely marked with maker’s name

Each with elaborate, haute-relief dragon motifs, comprising a teapot (8”), a covered sugar bowl (4.5”), a creamer (3.5”), a waste bowl (3.25”), a small dish (4.25”), six teaspoons (4.625”), and tongs (5”), 12 pieces

57.10 oz. troy approximately $3,000-5,000

1003

A French Limoges enamel vanity box Late 19th/early 20th century Signed: Casa Vignes / France / Gamet / France The circular enamel-over-copper vanity box with pastoral figural scene depicting a courting couple to the lid and woodland scene to the base 3.625” H x 6” Dia.

$600-800

1004

A R. Lalique “Formose” glass vase

Circa 1924-1945

Impressed signature: R. Lalique; further inscribed in pencil to underside Designed 1924, the spherical vase in frosted light blue glass with low relief fish 6.5” H x 7” Dia.

$1,200-1,800

1005

A Gorham “Mythologique” sterling silver flatware service 20th century Each marked for Gorham and sterling Designed 1894 by F. Antoine Heller, comprising 12 hollow-handled Old French dinner knives (9.5”), 12 butter spreaders (6.5”), 12 dinner forks (7.875”), 12 place forks (7.125”), 12 small salad forks (6”), 12 oyster forks (6”), 12 teaspoons (6”), 12 demitasse spoons (4.125”), 12 gumbo spoons (6.875”), 12 ice cream spoons (5.625”), and 12 bouillon spoons (4.875”), 132 pieces Weighable sterling: 167.7 oz. troy approximately $3,000-5,000

1006

Three Meissen “Ming Dragon” porcelain table items

Circa 1934-1945

Each marked for Meissen [blue crossed swords]; various other numeral markings on each Comprising of two bowls and a tray, each with a dragon motif and lucky pearl motif; each bowl with gilt banding at the rim and foot, 3 pieces

Each bowl: 3.25” H x 6” Dia.; tray: 0.75” H x 15.25” L x 5.875” W

$500-700

1007

Two Meissen porcelain “Ming Dragon” vases Circa 1934-1945

Each marked for Meissen [blue crossed swords]; Various other numeral markings on each Each with dragon motif, one in blue and one in green, lucky pearl motifs, and gilt banding at the rim and foot, 2 pieces

Green dragon: 14.125” H x 5.25” Dia.; blue dragon: 13.875” H x 7” Dia.

$500-700

1008

An Amphora art pottery portrait vase Circa 1900 Signed: Amphora / Turn / RStK Turn-Teplitz Bohemia [Riessner, Stellmacher & Kessel] / Made in Austria / 1326 / 582 With slender neck and tapering body depicting a profile portrait of a woman with flower crown 13.5” H x 7” W x 6” D

$1,000-1,500

1009

An American sterling silver centerpiece dish Late 19th/Early 20th century Marked for Black, Starr & Frost and sterling; numbered: 5241 The large footed centerpiece bowl with abundant reticulated designs, rocaille motifs, and floral festoons flanked by scrolled handles 12.125” H x 18.75” W x 14.25” D 71.68 oz. troy approximately $2,000-4,000

1010

A Herend “Queen Victoria” porcelain dinner service

Late 20th century

Each marked with blue overglaze Herend backstamp

Each decorated with butterflies and floral sprays with green and gilt edges, comprising 1 teapot (6”), 1 coffee pot (10.25”), 1 mini covered sugar bowl (3.75”), 1 creamer (3.375”), 12 cups (4.875”), 12 saucers (5.75”), 1 covered cheese dish (3.5”), 1 gravy boat with attached underplate (4”), 1 vegetable serving bowl (10.25”), 1 covered tureen (11”), 12 bread and butter plates (6.25”), 12 salad plates (7.5”), 12 crescent salad plates (8.25”), 12 dinner plates (10.375”), 2 salt shakers (2.375”), and 2 pepper shakers (2.375”), 84 pieces

$2,000-3,000

1011

A Wallace “Grand Baroque” sterling silver flatware service Mid/late 20th century Each marked for Wallace and sterling Designed 1941 by William S. Warren, comprising 8 hollow-handled Modern dinner knives (9.75”), 8 hollow-handled butter spreaders (6.125”), 8 dinner forks (8”), 8 salad forks (6.5”), 8 teaspoons (6.25”), and 8 cream soup spoons (6.125”), 48 pieces

Weighable sterling: 52.115 oz. troy approximately $1,000-2,000

1012

A Meissen porcelain parrot figure

Circa 1947-1973

Marked for Meissen [blue crossed swords]; impressed: A43a Model A43a, designed by Johann Joachim Kandler (1706-1775) in 1765, the glazed porcelain parrot with blue and yellow feathers on a tree stump 16.75” H x 7” W x 8” D

$800-1,200

1014

Two Karl Ens porcelain cockatoo figures

Circa 1930s-40s

Each marked with underglaze ENS windmill; one with illegible impressed marks

Each glazed porcelain, comprising one mauve and one yellow cockatoo on pedestal bases, 2 pieces

Larger: 15.625” H x 7” W x 5.5” D

$600-800

1013

A Meissen porcelain parrot figure

Circa 1947-73

Marked for Meissen [blue crossed swords]; impressed: A43a Model A43a, designed by Johann Joachim Kandler (1706-1775) in 1765, the glazed porcelain parrot with blue and yellow feathers on a tree stump 16.5” H x 7” W x 8” D

$800-1,200

1015

Andre Hambourg (1909-1999)

“Temps Doux,” 1965 Oil on canvas

Signed lower left: a. hambourg; titled on frame plaque; initialed, titled and dated verso: a.h. 10.625” H x 18.125” W

$1,000-2,000

1016

Persis Kirmse (1884-1955) White terrier Pastel on paper Signed and indistinctly dated, possibly 47, lower right: Persis Kirmse Sight: 20.75” H x 26.5” W $800-1,200

1017

A Japanese Sukehiro katana sword 17th Century, Early Edo Period (1673-1681); Japan Blade signed: Tsuda Echizen no Kami Sukehiro With medallion-shaped bronze tsuba, blue cord wrapped ito on the menuki, a cast brass leaf decorated mekugi, and an armored seppa; sheathed in a leather wrapped wood saya with a blue, green, and ivory braided sageo Blade: 28.50” L ; overall sword (in saya): 39.50” L

$5,000-7,000

Notes: This maker developed the Toran-Midare pattern, which means large surging waves crashing to the shore. It was the first time such a pattern was seen before, and, became much sought after. One of the most beautiful hamon (the temper line) of the times. There after Tsuda Sukehiro became well known, as master of Toran-Midare hamon.

1018

A Japanese Bisansha export silver coffee and tea service Circa 1903

Marked: [Kangi maker’s mark] / Bisansha / 1903

The export silver set with low-relief iris motif and chased details, comprising a coffee pot (9.25” H x 8” W x 5.75” D), a teapot (9” H x 7.25” W x 5.25” D), a creamer (3.5” H x 6” W x 4” D), and a covered sugar bowl (4” H x 6.5” W x 4.75” D), 4 pieces

$5,000-7,000

1019

Five leaves from an Ottoman manuscript of prayers

Possibly 17th century or later; Turkey

Each: Gouache and gold on cream paper with lines of text written in black naskh script within clouds on a gold ground, surrounded by red and gold margins, with black catchwords; sold together with one leaf from a Persian manuscript of poetry 6 pieces

Sight of each: 9.75” H x 5.75” W

$5,000-10,000

Provenance: Ex-collection Mr. and Mrs. Thomas Wolff, first half 20th century

Notes: The painting on the five Ottoman leaves is consistent with extant examples produced between 1580-1600, however, the paintings may have been completed at a later date but executed on old paper. Areas of flaking pigment reveal visible text underneath, possibly indicating that the paintings were done on older, reappropriated manuscript pages.

The scenes are identified as:

1. Ibrahim is hidden in a tunnel by his father Azer

2. Ibrahim about to sacrifice his son Ismaíil

3. The Prophet Muhammad reveals to ëAli secrets of creation he was told during the miíraj journey

4. Adam and Eve expelled from Paradise

5. Imam ‘Ali and his Council; and

Together with a manuscript of Persian poetry, possibly “Divan” of Zahir al-Din Faryabi.

1020

A Lalique glass aquarium sculpture

1978-present

Each fish with engraved signature: Lalique ® France; case with Lalique label Comprising approximately one hundred glass fish in frosted and clear glass of varying hues, mounted to acrylic supports and displayed in an acrylic case

Overall: 14.75” H x 39.25” W x 13” D

$4,000-6,000

1021

A Lalique “Macaw” crystal vase 1978-present

Signed: Lalique ® France; numbered: 39/99

The frosted clear and amber lead glass vase with opposed macaw heads 13” H x 9.5” W x 6” D

$2,000-3,000

1022

A Daum pate de verre art glass fish sculpture

Late 20th century; Nancy, France

Engraved signature: Daum France

The molded glass figure in translucent clear and opaque green glass, raised on a black acrylic base

Overall: 10” H x 12” W x 5.5” D

$600-800

1023

A Meissen porcelain parrot figure Circa 1924-34

Marked for Meissen [blue crossed swords]; inscribed: L.W. 75; impressed: A, 43 Model A43a, designed by Johann Joachim Kandler (1706-1775) in 1765, the glazed porcelain parrot with blue and yellow feathers on a tree stump 16.5” H x 7” W x 8” D

$800-1,200

1024

Two Nymphenburg porcelain cockatoo figures

Early 20th century

Each marked with impressed Nymphenburg shield; one with green overglaze Nymphenburg mark

Each glazed porcelain with gilt highlights perched on a branch with berries, 2 pieces

Largest: 13” H x 5.25” W x 5.25” D

$400-600

1025

A pair of Karl Ens porcelain cockatoo figures

Circa 1919-1945

Each marked with green underglaze ENS windmill

Each glazed porcelain, comprising a pair of opposed pink cockatoos on corn stalk bases, 2 pieces

Larger: 14.5” H x 5.75” W x 6.25” D

$500-700

1026

A Gorham sterling silver floral centerpiece bowl 20th century

Marked for Gorham and sterling; further marked: Spaulding & Co., Chicago / A5567 The low centerpiece with pierced floral rim centering a silver-plated liner and wire floral-arranging frog 4” H x 15” Dia.

Weighable sterling: 47.795 oz. troy approximately $2,000-3,000

Provenance: The Estate of George David Sturges

1027

A Continental sterling silver tazza

Late 19th/early 20th century

Marked for sterling and with illegible hallmarks The gadrooned bowl raised on two standing cranes 10.75” H x 13” W x 9.5” D 33.485 oz. troy approximately

$600-800

1028

A French silver and champleve snuff box

Late 19th/early 20th century

Marked with Minerva head for .950 silver

The oval box with chased floral designs and blue champleve enamel to the lid 0.625” H x 3.25” W x 2.125” D 2.27 gross oz. troy approximately

$400-600

Provenance: The Estate of George David Sturges

1029

A French Coromandel-style commode

Late 19th/early 20th century Chinoiserie-style with painted figures on horseback in a landscape on a black lacquered case with gilt-bronze mounts 33” H x 52.5” W x 23” D $800-1,200

1030

A pair of Chinese cinnabar table screens 20th century

Each with carved designs to front and passages of Chinese text to the verso, 2 pieces

Each: 23” H x 16.5” L x 7” D

$800-1,200

1031

A pair of Chinese carved wood guardian lions

20th century

Each carved and polychromed wood with gilt highlights, 2 pieces

Each: 12.25” H x 28” W x 18” D

$800-1,200

1032

A pair of Chinese 20th century

Each marked to Two large fish bowl-style motif and geometric water foliate motif Each: 17” H x 20.25”

$600-900

1033

A Continental sterling 20th century

Marked: 925 Depicting a chariot with details, mounted on Overall: 6” H x 17.5”

$1,200-1,800

Chinese stoneware fish bowls

the underside with a red underglaze reign mark bowl-style planters, predominantly silver-metallic glazed with peony and heron geometric borders to the exterior; interior of each also painted with goldfish and motif on a white underglaze, 2 pieces 20.25” Dia.

sterling silver and enamel sculpture

with driver and four horses with guilloche enamel a wood base W x 12” D

1034

A Persian Sultanabad carpet Circa 1930-40s; Iran

With polychrome scrolled floral motif on a red ground; wool on cotton foundation 12’11” L x 7’11” W

$2,500-3,500

1035

A Persian Tabriz Sherkat area rug 20th century; Iran

With a central medallion and all-over border with salmon ground; wool on 9’9” L x 6’7” W

$2,000-3,000

rug

floral motif on an ivory ground; floral cotton foundation with silk highlights

1036

A Persian Tabriz Sherkat area rug Mid-20th century; Iran Signed: Agdary Central medallion with floral design on ivory ground and taupe/pink borders; wool on cotton foundation 11’4” L x 8’3” W

$2,000-3,000

1037

Louis Michel Eilshemius (1864-1941)

Nude female bathers under waterfall, 1921 Oil on sheet music laid to Masonite

Signed lower right: Eilshemius; dated lower left 10” H x 12.75” W

$6,000-8,000

Provenance: Property from Frances Luban Fine Art, Burbank, CA

1038

Louis Michel Eilshemius (1864-1941)

“Leda and the Swan” Oil on board

Appears unsigned; titled 30” H x 40” W

$2,000-3,000

Provenance: Collection Gifted to a personal friend Sold: William Doyle Galleries, G.W. Einstein Company Property from Frances

Notes: This lot is accompanied Doyle Galleries to the purchaser of this piece

Collection of the artist friend who cared for the artist while ill, circa late 1930s Galleries, Beverly Hills, CA, April 16, 1986, Lot 52, consigned by the above Company Inc., New York, NY, acquired from the above Luban Fine Art, Burbank, CA

accompanied by a letter written on May 10, 1986 by a director at William dealer Gilbert Einstein with provenance details he requested as the piece in their auction the month before.

Eilshemius

titled on a gallery label affixed to the backing board

1039

A Meissen porcelain parrot figure Circa 1947-73 Marked for Meissen [blue crossed swords]; inscribed: A436 The glazed porcelain parrot with red, green, yellow, and blue feathers perched on a tree stump 16.25” H x 6.25” W x 8.25”D

$800-1,200

1040

Three KPM porcelain bird figures

Early 20th century

Each marked with blue underglaze scepter; black magpie with red KMP mark and various impressed markings

Each glazed porcelain, comprising a white shoebill stork, a black magpie on a trunk, and a white magpie on a trunk with a snail; magpies originally designed by Johann Baptist Pedrozzi (17101778), 3 pieces

Largest: 13” H x 5.25” W x 8” D

$800-1,200

1041

Three Karl Ens porcelain parrot figures

Circa 1919-1945

Each marked with green underglaze ENS windmill

Each glazed porcelain with gilt highlights, comprising two blue parrots and one grey parrot, 3 pieces

Largest: 17.25” H x 5.75” W x 7.51” D

$800-1,200

1042

A Lalique “Deux Poisson” crystal sculpture Circa 1978 or later

Signed: Lalique ® France

The translucent and frosted lead glass sculpture depicting two fish 11.25” H x 9.5” W x 5.5” D

$1,200-1,800

1043

A Lalique crystal lion sculpture Circa 1978-present

Signed: Lalique ® France; with Cristal Lalique and Made in France labels The frosted clear glass figure depicting a seated lion 7.75” H x 3” W x 7.5” D

$500-700

1044

A Lalique “Tete D’Aigle” Crystal Mascot Circa 1978 or later

Signed: Lalique ® France

The frosted crystal mascot in the form of an eagle’s head

4.375” H x 3.375” W x 5.375” D

$500-700

1045

A Volkstedt porcelain macaw figure

Early 20th century

Marked with blue underglaze crown; impressed “AST” to side The glazed porcelain macaw perched on a tree stump with cherries 16” H x 6.25” W x 11.5” D

$500-700

1046

A Volkstedt porcelain parrot figure

Early 20th century

Marked with blue underglaze crown

The glazed porcelain parrot perched on a tree stump with cherries 20.25” H x 6.75” W x 8.5” D

$500-700

1047

A Samson porcelain parrot figure

Early 20th century

With blue underglaze mark

The glazed porcelain parrot with purple, yellow, and orange feathers with gilt highlights on a tree stump 16.25” H x 6.75” W x 12” D

$500-700

1048

A Daum pate de verre art glass vase Late 20th century; Nancy, France Engraved signature: Daum France The molded pink glass vase decorated with haute relief poppies 10.25” H x 9.25” Dia.

$1,000-2,000

1049

A Daum Art Deco smoked glass vase Circa 1920s-30s

Engraved signature: Daum Nancy [Croix de Lorraine]

The translucent smoked the glass vase with Art Deco geometric designs 12.25” H x 9.5” Dia.

$1,000-1,500

1050

Adam Friedrich Zurner (1679-1742); and Pieter Schenk (1660-1711) “Americae Tam Septentrionalis Quam Meridionalis in Mappa Geographica Deliniatio . . .,” 1709 Engraving on paper

From the edition of unknown size and date

With the printed names of both the cartographer and the engraver showing in the cartouche at upper left: A. F. Zurneri; and Petri Schenkii, respectively Plate: 19.875” H x 23” W

$1,000-2,000

Notes: The edition was originally published in Amsterdam, Netherlands.

1051

Nicholaes Visscher (1618-1679)

“Novissima et Accuratissima Totius Americae Descriptio,” circa 1660 Engraving with hand-coloring on paper

From the edition of unknown size and date

With Visscher’s printed name showing in the cartouche at lower left; N. Visscher, Amsterdam, Netherlands, pub.

Plate: 17” H x 21.25” W

$1,000-1,500

1052

Pieter Schenk (1660-1711)

“America Septentrionalis Novissima / America Meridionalis Accuratissima,” 1696 Engraving with hand-coloring on paper

From the edition of unknown size and date

With Schenk’s printed name in the cartouche at lower left Sight: 19.25” H x 22.5” W

$800-1,200

Notes: The original edition was published in Amsterdam, Netherlands.

1053

Henri Abraham Chatelain (1664-1743)

“Mapmonde ou Description Generale du Globe Terrestre,” circa 1703 Engraving with hand-coloring on laid paper

From the edition of unknown size and date

F. l’Honore & Chatelain, Amsterdam, Netherlands, pub. Plate: 13.25” H x 17.375” W

$700-900

Notes: The original edition was published between 1703 and 1713.

1054

A Tiffany & Co. sterling silver ewer vase Circa 1907-1947, directorship of John C. Moore II Marked: Tiffany & Co. / 16710 A Makers 1160 / Sterling Silver / 925-1000 / M

The handled vase or ewer with a tall, gadrooned body with a band of hibiscus flowers to the shoulder 20.25” H x 6.25” W x 4.5” D 58.68 oz. troy approximately $3,000-5,000

1055

A Tiffany & Co. sterling silver vase Circa 1907-1947, directorship of John C. Moore II Marked to base: Tiffany & Co. / 16862A Makers 433 / Sterling Silver / 925-1000 / M The loving cup-shaped vase with two handles and etched Art Nouveau poppy motif 11.75” H x 11.5” W x 8.5” D 91.4 oz. troy approximately $4,000-6,000

1056

A Tiffany & Co. sterling silver claret jug 19th century

Marked: Tiffany & Co. / 76 / 549

The lidded jug with a chased and repousse grapevine motif 9.25” H x 5.75” W x 4.25” D 18.805 gross oz. troy approximately $2,000-3,000

1057

A French Empire-style gilt-bronze fairy mantle clock Mid-19th century

With enamel dial, black Roman numeral hour markers, and outer minute track set in a gilt-bronze case surmounted by a winged fairy representing the night spreading her cloak over the world and a rooster representing the day 17” H x 13.75” W x 5.25” D

$1,500-2,500

1058

A Louis XV-style demi lune 20th century With grey marble top over one drawer and a lower shelf with gallery rail, with gilt-bronze mounts and parquetry inlays 35.25” H x 34.75” W x 15.75” D $800-1,200

1059

Carved marble bust of a woman Late 19th/early 20th century A sculpture of a smiling woman in a headscarf and finely detailed garment 19.75” H x 14” W x 8” D

$600-900

1060

A French Louis XV-style coffee table 20th century With gilt-bronze mounts and parquetry top 20” H x 54” L x 30” W $800-1,200

1061

A set of Louis XVI-style dining chairs

Early 20th century

Each with a carved wood frame and bow topped backs all with new linen upholstery to backs and seats, 6 pieces

Each: 41” H x 20” W x 20” D

$1,500-2,500

1062

Ernest Rancoulet (1870 - 1915)

A bust of a noblewoman Patinated bronze Signed in the casting: Rancoulet 27” H x 16” W x 9” D $2,000-3,000

1064

A sterling silver bride’s basket

Late 19th/early 20th century Marked: Sterling / 2218 / [illegible maker’s mark]

The footed basket with a pierced foliate swing handle over a pierced foliate and lattice-decorated bowl 7.75” H x 10.25” W x 8.25” D 22.76 oz. troy approximately $700-900

Provenance: The Estate of George David Sturges

1063

An American weighted sterling silver vase

Late 19th/early 20th century

Marked for Shreve & Co. San Francisco and sterling

The large, weighted vase with a tapering fluted body, octagonal rim and foot, and acanthus leaf motif

17.25” H x 8.25” W x 8.25” D

$2,000-3,000

1065

John Frederick Herring, Sr. (1795-1865) “Elis,” 1836 Oil on panel Signed and dated lower right: J.F. Herring; titled on the frame plaque 8” H x 10” W $1,000-2,000

Provenance: Arthur Ackermann & Peter Johnson LTD, London, England

Notes: A label affixed verso states that the owner of the horse, Elis, was the Earl of Lichfield. As well as stating the six stakes that the horse participated in from 1835-1836.

1067

A French onyx and marble bust 20th century

With gilt-bronze mounts and raised on an onyx pedestal 72” H x 22” L x 13” D

$3,000-5,000

1068

A French Grand Piano, Gaveau et Cie Louis Birarello

Early 20th century

Marked: Modele 4; serial no. 51502; signed in various locations With a Louis XV-style case with fruitwood marquetry and gilt-bronze mounts, together with a matching contemporary bench 3’2.5” H x 5’4” W x 7’6” D

$30,000-50,000

1070A French bronze sculpture of Gloria Victis 20th century 33” H x 23” L x 21” D

$2,000-3,000

1071

A Gorham Martelé silver tea and coffee service 1906

Each marked for Gorham Martelé and .9584 silver; further marked: H / X D / Spaulding & Co. Chicago

The custom, hand-raised Britannica silver tea and coffee service decorated with an Art Nouveau maple leaf motif, comprising a hot water tipping kettle with burner (14.5”), a coffee pot (8.5”), a teapot (7.25”), a creamer (6.5”), a covered sugar bowl (5.5”), and a waste bowl (3.75”), 6 pieces 176.41 gross oz. troy approximately $15,000-20,000

Provenance: The Estate of George David Sturges

1072

A set of Gorham Martelé silver candlesticks Circa 1905

Each marked for Gorham Martelé and .9584 silver; further marked: H / R J Each custom, hand-raised Britannica silver candlestick with Art Nouveau grape leaf motif, 2 pieces

Each: 7.75” H x 4.75” Dia. 27.25 oz. troy approximately $3,000-5,000

Provenance: The Estate of George David Sturges

1073

A set of Gorham Martelé silver candlesticks

Circa 1905

Each marked for Gorham Martelé and .9584 silver; further marked: H / R J

Each custom, hand-raised Britannica silver candlestick with Art Nouveau grape leaf motif, 2 pieces

Each: 7.75” H x 4.75” Dia.

27.215 oz. troy approximately $3,000-5,000

Provenance: The Estate of George David Sturges

1074

A Gorham Martelé silver vase Circa 1906 Marked for Gorham Martelé and .9584 silver; further marked: K / O L The custom, hand-raised Britannica silver vase with Art Nouveau iris motif 9.25” H x 4” Dia. 17.925 oz. troy approximately $2,000-3,000

Provenance: The Estate of George David Sturges

1075

A Gorham sterling silver centerpiece bowl 1894

Marked for Gorham and sterling; numbered: 2635

The footed centerpiece with all-over floral and scrolled foliate motifs with a scalloped rim and gold washed interior

6.5” H x 15.5” W x 12.25” D 70.875 oz. troy approximately $1,500-2,500

Provenance: The Estate of George David Sturges

1076

A group of Gorham sterling silver table items 20th century Each marked for Gorham sterling Each with oak leaves and acorns, comprising a pair of sugar casters (5.25” H x 2.5” Dia.) and a pair of master salt cellars (1.625” H x 3” Dia.), 4 pieces 10.515 oz. troy approximately $400-600

Provenance: The Estate of George David Sturges

1077

A French silver traveling vanity set, by Gustave Keller

Late 19th/early 20th century

Each with French hallmarks for .900 silver; maker’s mark for Gustave Keller

Comprising a mirror, a shoe horn, a pair of tweezers, a button hook, a small tray, four jars, four bottles, a hand mirror, and six brushes, all in a custom fitted case monogrammed “M.L.,” 21 pieces

Largest piece: 1” H x 17.25” W x 13” D; case: 8.75” H x 24.5” W x 16.5” D

Weighable sterling: 165.99 gross oz. troy approximately

$3,000-5,000

1078

A large French Empire-style gilt-bronze mantle clock 20th century

The gilt-bronze clock with cut crystal columns 45” H x 33” L x 7” D

$4,000-6,000

1079

A French Regence-style commode 19th century With red marble top and gilt-bronze mounts 36.5” H x 53” L x 26” D $3,000-5,000

1080

A pair of Sevres-style porcelain urns 20th century

Each with blue “double L” mark containing “S” With gilt-bronze mounts on stone bases, 2 pieces

Each: 64” H x 20” L x 14” D

$8,000-12,000

1082

John Ferneley, Sr. (1782-1860)

“Jack and Dictator,” 1837 Oil on canvas Signed, inscribed, and dated at lower center edge: J. Ferneley, Melton Mowbray; titled and dated on frame plaque 41.5” H x 57” W

$8,000-12,000

Notes: There is an old, undated, handwritten note attached to the stretcher of this painting, outlining the potential interest of a one-time buyer.

1083

John Frederick Herring, Sr. (1795-1865)

Horse and dog in a stable, 1851 Oil on canvas laid to canvas Initialed and dated lower right: J.F.H 27.5” H x 32” W

$10,000-15,000

1084

A Paul Storr Ascot Cup silver racing trophy 1821

Lid and base with English hallmarks for London; maker’s mark for Paul Storr

The vermeil sterling silver trophy with a krater-form urn body, opposed acanthus handles with figural mask terminals, rolled edge with grape and leaf design, gadrooned details, and fluted foot; base engraved “Ascot Races 1822.” and personalized “The Most Notable Marquels [sic] Cornwallis, Steward.” 15.25” H x 9.75” Dia. 111.57 oz. troy approximately $30,000-50,000

1085

John Willis Good (1845-1879)

Equestrian racing trophy dedicated to Lord Rosebery, 1893 Silvered bronze

Signed to base: J Willis Good 1893; Inscribed: Rosebery. From HRH The Prince of Wales. Christmas 1893 13.75” H x 9.5” L x 4” D $2,500-3,500

The Waterford Castle Arkle Chase Trophy 1992

The Waterford cut crystal Arkle Chase horse racing trophy with engraved commemoration raised on a wood base with bronze model horse and plaque reading “Arkle Chase Cheltenham / Young Pokey / 1992” 27.5” H x 15” W x 15” D

$4,000-6,000

1087

A King George VI coronation Waterford champagne bucket Circa 1937 Unsigned In celebration of the 1937 coronation of King George VI, the Waterford crystal glass bucket etched with the coat of arms of Wallis Simpson, Duchess of Windsor 11” H x 7.125” Dia.

$800-1,200

1088

A pair of Georgian English sterling silver salvers 1823 and 1825

Each with English hallmarks for London; maker’s marks for William Brown and John Millington

Each footed serving plate with chased floral designs, 2 pieces

Each: 1” H x 9.75” Dia.

29.625 oz. troy approximately

$800-1,200

Provenance: The Estate of George David Sturges

1089

An English silver punch strainer 19th century With maker’s mark for Edward Aldridge II; not marked for sterling The pierced strainer with two scrolled handles 2.25” H x 12.25” W x 4.75” D $400-600

Provenance: The Estate of George David Sturges

1090

A Georgian English sterling silver salver 1752

With English hallmarks for London; maker’s mark for Charles Frederick Kandler The footed serving plate with chased floral designs and centering a heraldic device 1.625” H x 11.75” Dia. 32.07 oz. troy approximately $800-1,200

Provenance: The Estate of George David Sturges

1091

19th century British School Jockey on horseback in a grassy field, circa 1830s Oil on canvas laid to canvas Appears unsigned 25” H x 30” W

$1,000-2,000

Provenance: The Racing Scene Gallery, New York, NY

Notes: Aside from medium, and the gallery’s name and address, any other details as to artist, official title, or other information, are too indistinct to read on the label affixed to the frame’s stretcher.

1092

18th century British School Race horse in a field Oil on canvas laid to canvas Appears unsigned; an old, hand-written note taped to the verso of the stretcher identifies the work as: “Soldier”... / painted by Geo. Garrard / 1787; there are also portions of several typed labels, nearly illegible from age, affixed to the stretcher, that read: 102: “English Race Horse” and George R.A. Stubbs 15” H x 18.75” W”

$600-800

1093

A group of English and Irish sterling silver marrow spoons 19th century

Each marked with hallmarks for England or Ireland; various maker’s marks Comprising marrow spoons in various forms, 7 pieces

Larger: 9” L 10.01 oz. troy approximately $800-1,200

Provenance: The Estate of George David Sturges

1095

A group of English sterling silver flatware 20th century

Each with various hallmarks for England and maker’s marks

Comprising serving spoons of various forms and patterns, 14 pieces

Larger: 14.875” L 40.005 oz. troy approximately

$600-800

Provenance: The Estate of George David Sturges

1096

A group of English sterling silver punch ladles 19th/20th century Each with various hallmarks for England and maker’s marks Comprising six ladles with long wooden handles, 6 pieces Larger: 16.5” L 11.535 gross oz. troy approximately $600-900

Provenance: The Estate of George David Sturges

1097

A group of English sterling silver flatware 19th/20th century

Each with various hallmarks for England and maker’s marks Comprising serving spoons, ladles, and marrow spoons in various patterns, 11 pieces Larger: 13.625” L 25.125 oz. troy approximately $1,000-1,500

Provenance: The Estate of George David Sturges

1098

A contemporary three-panel room screen Late 20th century

Three hinged panels painted taupe and decorated applied French equine steel engravings, each 86.25” H x 60” L x 1.25” D $800-1,200

screen decorated with thirty-six each individually framed

1099

A Gothic-style tall case clock

20th century

With a silvered metal dial with brass Arabic numeral hour markers and minute track, cut iron hands, a calendar, moon face, and a decorated brass face plate, set in a Gothic-style carved wood case with figural supports and pointed arches

Overall: 103” H x 26” W x 20” D

$2,000-3,000

Provenance: The Estate of George David Sturges

1100

An English Sheffield silver-plated flatware service 20th century

Each marked: EP / R&D [Roberts & Dore] / NS / IV / Made in England Comprising 12 hollow-handled dinner knives (9.5”), 12 hollow-handled butter spreaders (7.25”), 12 fish knives (7.75”), 12 dinner forks (8.625”), 12 place forks (7.5”), 12 salad/fish forks (6.625”), 12 teaspoons (5.25”), 12 demitasse spoons (4.625”), 12 oval soup/dessert spoons (7.625”), 12 cream soup spoons (7.25”), 4 serving/tablespoons (9”), 2 gravy ladles (7.5”), 1 punch ladle (12”), 1 hollow-handled carving knife (14.25”), 1 hollow-handled carving fork (11”), and 1 hollowhandled knife sharpener (13”), presented in the original wood case, 130 pieces

$2,000-3,000

1101

Attributed to W. & D. Downey (1855-1941)

King George V and Queen Mary in Coronation robes in bespoke bronze frame, circa 1911

Photograph on paper

Signed and dated in ink by the sitters at the lower center margin: George [**], Mary; marked verso: Plante, Regent Place W, London; W. & D. Downey pub. and copyright at the upper right margin Sight: 24.25” H x 18.5” W

$1,000-2,000

Provenance: Hollywood Road Gallery, Chelsea, England

1103

A Ketch “Bank Fisherman”

Circa 1929

Metal plaque inscribed: Gertrude With intricate wood, metal, Case: 20.625” H x 25.5” W

$500-700

1102

A Joseph Somalvico barometer 19th century; England Signed: Josh. Somalvico / & Co. / London The carved wood case decorated with lion mask and eagle enclosing a mercury Fahrenheit and Centigrade temperature gauge and forecast dial

44” H x 8.5” W x 6” D $800-1,200

Fisherman” ship model

Gertrude L. Thebaud / (Bank Fisherman circa 1929) / L.O.A -135’; Scale 1/8” = 1” metal, and thread components, all built to scale; housed in a glass case with wood base W x 6.5” D

1104

Matthaus Seutter (1678-1757); and Gottfried Rogg (1669-1742) “Novus Orbis Sive America Meridionalis et Septentrionalis . . .,” circa 1730 Engraving with hand-coloring on paper From the edition of unknown size and date With the printed name of the publisher in the cartouche at lower left: Matth. Seutter Plate: 19.75” H x 22.75” W

$1,000-2,000

Notes: The edition was originally published in Augsburg, Germany. The map was engraved for Seutter by Gottfried Rogg.

1105

Johannes Baptist Homann (1663-1724)

“Totius Americae Septentrionalis Meridionalis Novissima Repraesentatio...,” circa 1702 Engraving with hand-coloring on paper

From the edition of unknown size and date With the artist’s name and city of publication in the plate at lower left; Johann Baptista Homann, Nuremberg, Germany, pub.

Plate: 19.25” H x 22.625” W

$1,000-2,000

Notes: The original edition was published between 1705 and 1715.

1106

Johannes L. van Luchtenburg (Late 17th/early 18th century); and Pierre Mortier (1661-1711) “Carte Generale du Monde, ou Description du Monde Terrestre & Aquatique...” Engraving with hand-coloring on paper

From the edition of unknown size and date

With the name of the cartographer-artist, van Luchtenburg, printed in the lower left corner of the plate; and the name of the publisher, city, and copyright, Amsterdam / Chez Pierre Mortier / Avec Privilege, printed in the lower right corner of the plate

Plate: 15.75” H x 18.625” W

$500-700

Notes: This world map shows California as an island, and includes such features as the Anian Straits, incomplete coastlines of New Zealand and Australia, merging with Papua New Guinea, the phases of the moon, day and night, and the world without water.

1107

John Leighy (1895-1986), “California as an Island” Leighly, John. “California as an Island: An Illustrated Essay.” San Francisco: The Book Club of California, 1972.

Hardcover book

From the edition of 450, Robert Grabhorn and Andrew Hoyem prntr., illustrated with twentyfive map plates, hand-colored title page and historiated initial, original brown Morocco-backed boards with gilt-stamped spine 14.125” H x 9.25” W x 1” D

$400-600

1108

A Chinese gilt-silver and cloisonne jar

Late 19th/early 20th century

The jar with carved jade medallion to lid, cloisonne enamel floral motifs, and inset stones and glass jewels on a metal mesh ground 3.5” x 3.75” Dia.

$600-800

1109

A Chinese silver and enamel horse sculpture 20th century

Marked: Silver / 33

The silver horse with cloisonne enamel details and mounted to a wood base

Overall: 8.5” H x 11.75” W x 3.625” D 20.36 gross oz. troy approximately $1,000-1,500

1110

Miyagawa Kozan (1842-1916)

A baluster guardian lion vase Circa 1890s; Japan

Marked on underside in underglaze blue: “Makuzu-gama Kozan Sei”

With a molded, diaper ground in white and two blue underglaze foo lions and a stylized peony in a copper red glaze 10.625” H x 7.5” Dia.

$1,000-2,000

Provenance: The Estate of George David Sturges

1111

Miyagawa Kozan (1842-1916)

A baluster vase with irises

Circa 1890s; Japan

Marked on underside in underglaze blue: “Makuzu-gama Kozan Sei”

With a molded, diaper ground in white and pale mauve amorphous glaze surrounding the central motif of irises rendered in gradient purple and blue glazes with green leaves 11” x 6.5” Dia.

$1,000-2,000

Provenance: The Estate of George David Sturges

1112

A Kamejo bronze carp ikebana vase

Late 18th century, Edo Period (1603-1807); Japan Signed to the underside: Kamejo [Turtle Woman] Cast with highly detailed scales, fins, and whiskers 13.5” H x 10” W x 6” D

$1,200-1,800

1113

A Japanese okimono bronze elephant

Late 19th century

Signed in the casting with characters at the underside The naturalistically modelled elephant, or “okimono,” in patinated bronze 4.75” H x 2.75” W x 7” D

$500-700

Provenance: The Estate of George David Sturges

1114

A Meissen porcelain cockatoo figure Circa 1924-34 Marked for Meissen [blue crossed swords]; inscribed: 1778X; impressed: 85 Model 1778, designed by Johann Joachim Kandler (1706-1775) in 1734, the glazed porcelain cockatoo with white and orange feathers on a tree stump 14.625” H x 5.5” W x 12” D

$1,000-1,500

1115

Three Karl Ens porcelain cockatoo figures

Circa 1930s-40s

Each marked with underglaze ENS windmill

Each glazed porcelain, comprising three cockatoos on pedestal bases, 3 pieces

Largest: 15.25” H x 5.5” W x 7.25” D

$1,000-1,500

1116

A pair of Steuben crystal pheasants

20th century

Each with engraved Steuben mark

Each clear lead glass bird with cut designs, 2 pieces

Each: 6.25” H x 3” W x 11” D

$1,000-1,500

1117

A Steuben crystal lion sculpture

Late 20th century

With engraved Steuben mark

The clear lead glass figure depicting a seated lion

Lion: 4.25” H x 3.25” W x 8” D; with stand: 6.5” H $500-700

1118

A group of decorative crystal objects

Three works:

A Baccarat Elephant clock

Late 20th century

With etched Baccarat mark and sticker label

The clear and frosted lead glass clock with haute relief elephants centering a white dial, with personalization to front

5” H x 10.5” W x 2.75” D

A Kosta Boda whale sculpture

Late 20th/early 21st century

With engraved Kosta Boda mark; numbered and inscribed: 92407 V. Lindstrand

The clear lead glass sculpture depicting Jonah and the Whale

5.75” H x 14” W x 3” D

A Daum glass seal sculpture

Late 20th/early 21st century

With engraved Daum France mark

The clear lead glass seal sculpture balancing a green ball with stars

10.75” H x 7.75” W x 8” D 3 pieces

$800-1,200

on a wood stand

H x 4.25” W x 9.5” D

1119

A German sterling silver tea and coffee service

Late 19th/early 20th century

Each marked with German hallmarks; maker’s mark for Jakob Grimminger

Each with rope-style border and wood handles, comprising a coffee pot (5” H x 7.5” W x 3.25” D), a teapot (3.5” H x 9” W x 5” D), a hot water pot (5.5” H x 6.25” W x 3.25” D), a creamer (4.75” H x 6.25” W x 3.5” D), and a tray (0.5” H x 21.25” W x 14” D), 5 pieces 89.28 gross oz. troy approximately

$2,000-3,000

1120

A German Hanau silver footed bowl

Late 19th/early 20th century Marked for Georg Roth & Co.

The footed bowl with all-over pierced design of floral medallions and festoons centering a tavern scene 2.5” H x 13.25” Dia.

$800-1,200

1121

A Continental silver master salt cellar

20th century

Appears unmarked Likely silver-plate, the salt cellar in the form of Cupid pushing a wheelbarrow 4.5” H x 5” W x 2.25” D

$600-800

1122

Two Karl Ens porcelain cockatoo figures

Circa 1919-1945

Each marked with green underglaze ENS windmill

Each glazed porcelain, comprising two grey cockatoos on pedestal bases, 2 pieces

Larger: 12.75” H x 5.5” W x 4.75” D

$400-600

1123

Three Karl Ens porcelain cockatoo figures

20th century

Each marked with ENS windmill, two underglaze and one impressed

Each glazed porcelain, comprising two pink cockatoos and one yellow cockatoo, 3 pieces

Largest: 15.5” H x 5.25” W x 6.5” D

$500-700

1124

Three Karl Ens porcelain bird figures

Circa 1919-1945

Two marked with green underglaze ENS windmill; one with illegible impressed marks

Each glazed porcelain, comprising two cockatoos and one small parrot, 3 pieces

Largest: 13” H x 4.25” W x 6” D

$600-800

1125

Two Nymphenburg porcelain parrot figures

Early 20th century

Each marked with impressed Nymphenburg shield; grey parrot signed and dated: F.C. 1913; blue parrot signed with cipher

Each glazed porcelain, comprising a blue and a grey parrot on a perch-style base with festoons, 2 pieces

Larger: 12” H x 10.75” W x 5.25” D

$800-1,200

1126

Albert Clark (1821-1910)

Race horse in a stable, 1895 Oil on canvas

Signed and dated indistinctly lower left: Albert Clark 19.75” H x 23.75” W

Race horse in a stable, 1895 Oil on canvas

Signed and dated indistinctly lower left: Albert Clark 19.75” H x 23.75” W

2 pieces $1,000-1,500

1127

A pair of 18th century hand-painted reverse-glass prints “Skyscraper by Highflyer,” after George Stubbs Mezzotint on paper affixed to glass, painted in oils, and varnished With the title, publisher’s name, and the date, 1795, in the plate; Laurie & Whittle, London, pub.

Sight: 14.5” H x 20.5” W

“Warter,” after John Nost Sartorius Mezzotint on paper affixed to glass, painted in oils, and varnished With the painter’s name, title, publisher’s name, and the date, 1802, in the plate; Laurie & Whittle, London, pub.

Sight: 14.5” H x 20.5” W

2 pieces $800-1,200

Notes: For one interesting description of the unique, multi-step process used to create reverse-glass prints, particularly between the late 17th and early 19th centuries, see https://www.roisinbeirne.com/reverse-glass-mezzotint-article

1128

Bernard Picart (1673-1733)

Four plates from “L’art de monter a cheval: ou Description du manege moderne, dans sa perfection,” after Baron d’Eisenberg

Each: Engraving with handcoloring on laid paper

Each: From the edition of unknown size and date, 1727 or later

Plate 2: 8.75” H x 11.875” W; plate 2 sheet: 10” H x 14.25” W approx.

4 works

$800-1,200

Notes: Comprising Plate 2: Le Barbe; Plate 3: L’ Allemand; Plate 5: Cheval Anglois; Plate 7: L’ Arabe.

1129

A French crystal lyre mantel clock Early 20th century

The gilt-bronze dial with Roman numeral hour markers and two train movement set in a lyre-form cut lead glass case with swan necks and a figural mask 24” H x 8” W x 5” D

$3,500-4,500

1130

A pair of Italian Neoclassical-style mirrors 20th century

Each with carved and painted wood frames with parcel gilt details and etches glass, 2 pieces

Each: 83” H x 44” W

$3,000-5,000

A French provincial serpentine commode 18th century With three drawers and brass hardware 37” H x 52” L x 27” D $1,500-2,000

1134

A French marble and gilt-bronze centerpiece 20th century

With rocaille-style gilt-bronze mounts

14.25” H x 23” W x 12” D

$4,000-6,000

1133

A pair of French Louis XV-style lamp tables

Late 19th/early 20th century

Each with inset figured marble top, gilt-bronze edge over a circular conforming base with Louis XV-style legs and gilt-bronze mounts throughout, with conforming stretcher and central fern stand with pierced gallery rail

Each: 30.25” H x 26” Dia.

$3,000-5,000

1132

A pair of French Sevres-style porcelain candelabra 20th century

Each five-light candelabrum in glazed porcelain with gilt highlights, 2 pieces

Each: 25” H x 14” L x 9.5” D

$1,000-1,500

1135

A Persian Tabriz rug Mid/late 20th century; Iran

With central medallion with all over floral patterns, ivory field, and light blue and mauve borders; wool and silk on cotton foundation 11’9” L x 8’1” W

$4,000-6,000

1137

An Isfahan area rug

20th century

Silk on cotton foundation, with an all-over foliate latticed ivory field with indigo border 8’6” L x 5’2” W

$2,500-3,500

1136

A Kashan room-sized rug Mid-20th century

Signed to the center of one end Wool on cotton foundation, with an open field with foliate motif and palmettes 10’6” X 14’2”

$4,000-5,000

1139

A pair of French Louis XV-style gilt-bronze chandeliers 20th century

Each ten-light chandelier with crystal basket and prisms, electrified, 2 pieces Each: 45.5” H x 34” Dia.

$7,000-9,000

1138

A monumental Tiffany & Co. bronze and marble centerpiece Late 19th century

Marked: Tiffany & Co.

The white marble bowl with gilt-bronze rim over a gilt and patinated bronze base in the form of standing putti and raised on a marble base with gilt-bronze feet and husk festoons 33.25” H x 21.5” Dia.

$40,000-60,000

Provenance: Previously offered Bonham’s Los Angeles, CA Lot 496, $40,000/50,000

1140

An English Scully & Scully satinwood breakfront 20th century

With three shelved cabinets behind glazed doors over conforming lower cupboards centering painted roundels of floral still-lifes 93” H x 89” W x 18” D $3,000-5,000

1141

A Royal Copenhagen “Flora Danica” porcelain dinner service 1962-1963

Each marked for Royal Copenhagen

Each with a gilt rim and decorated with various botanical motifs, comprising 16 pierced dinner plates (10.75”), 16 handled soup bowls (6.5”), 16 soup bowl underplates (6.75”), 12 butter/salt plates (3.125”), 3 relish dishes (larger: 7”), 63 pieces

$22,000-28,000

1142

A pair of Sevres-style porcelain urns 20th century

Each polychrome glazed and bisque porcelain with two handles, 2 pieces

Each: 19.5” H x 9.5” L x 8.5” D $700-900

1143

A pair of French Louis 20th century

Each with gilt-bronze mounts Each: 30” H x 33” Dia. $2,000-3,000

mounts and marble tops, 2 pieces

Louis XVI-style tables

1145

A French needlepoint weaving 20th century; France Wool basketry weave with ivory ground, floral motif throughout, and floral and ribbon border 9’ 11” L x 47’ 10” W

$1,000-1,500

1146

A Moorish mosaic parlor set 20th century

Each with spindle details and mosaic inlay, comprising a settee (56” H x 73” L x 24” D), a coffee table (19” H x 47” L x 25” D), and four chairs (56” H x 25” W x 24” D), 6 pieces

$2,500-3,500

1147

A pair of Damascus inlaid tables

20th century

Each Moorish-style with arched legs, 2 pieces

Each: 20” H x 24” Dia.

$1,500-2,000

1149

A Caucasian Kazak rug

Mid/late 20th century

With polychrome geometric motifs centering three small diamonds in a cartouche on a blue ground; wool on cotton foundation 7’7” L x 3’9” W

$1,200-1,800

1150

A Caucasian Kazak Borchaloo rug

Circa 1920

Dated in the weaving

Polychrome geometric motifs centering two diamonds on a red wine ground; wool on wool foundation 6’7” L x 3’10” W

$1,200-1,800

1151

A Caucasian Kazak “Eagle” rug

Early 20th century

Polychrome geometric motifs centering four stylized medallions on a red ground; wool on wool ground 9’6” L x 4’10” W

$1,000-1,500

1152

A Chinese carved nephrite scepter 20th century

With carved lion and scrolled motifs, in a custom fitted box 15.25” H x 3.25” W x 2” D $2,500-3,500

1154

Two Chinese ceramic celadon vessels Two works: A small Chinese carved celadon Song-style covered jar 20th century Paper label on interior: Christie’s Rancho Mi Solar 697; Further hand-written paper label on underside: Katherine Haley 6” H x 7” Dia.

A celadon incised scalloped washer Qing Period (1644-1912) 3.25” H x 7.25” Dia. 2 pieces

$300-500

Provenance: Covered jar: The Katherine H. Haley Collection Sold: Christie’s, Los Angeles, CA, “Rancho Mi Solar: Western Property from the Katherine H. Haley Trust,” October 30-31, 2000, Lot 697

Property of The Estate of George David Sturges, acquired from the above

Washer: Property of The Estate of George David Sturges

1155

A Chinese Ming Longquan lobed dish 16th/17th century, Ming Period (1368-1644) The celadon glazed bowl with ribbed cavetto, and a floral motif of lotus in the well, along with a decoratively carved wood stand, 2 pieces Bowl with stand: 4.375” H x 12.75” Dia. $800-1,200 Provenance:

1156

An Anglo-Indian colonial-style silvered-wood parlor set 20th century

Each with carved silvered-wood and red upholstered cushions, comprising a settee and two armchairs, 3 pieces

Settee: 43” H x 72” L x 25” D; arm chair: 43” H x 30”L x 26” D

$3,000-5,000

1157

A pair of Syrian shell inlaid tables

20th century

Each octagonal table with pierced details and shell, 2 pieces

Each: 24” H x 18” Dia.

$2,000-3,000

1158

A Caucasian Kuba rug

Early 20th century

With polychrome geometric motifs centering diamonds on a cream ground; wool on wool 6’7” L x 4’2” W

$1,200-1,800

centering three wool foundation

1159

A Caucasian Shrivan rug

Early 20th century

The possibly Zeykhur rug with polychrome geometric motif centering three stylized diamonds on a blue ground; wool on wool foundation

7’7” L x 4’1” W

$1,200-1,800

A French Samuel Martie clock set

Late 19th century

Signed to the movement: S. Martie et Cie / Medaille de Bronze / 684

The clock with brass dial, porcelain hour markers with blue Roman Numerals, and two train movement; along with a pair of candelabras, all with cobalt blue porcelain body, opposing gilt-bronze lion mask handles, and foliate pedestal base, 3 pieces

Clock: 19” H x 10.75” L x 7.5” D; each candelabrum: 19.75” H x 5.75” L x 5” D

$800-1,200

1162

Charles-Francois Daubigny (1817-1878)

French river scene with bridge and distant town Oil on canvas laid to canvas

Signed lower right: Daubigny 32.75” H x 18.5” W

$3,000-5,000

Provenance: A Gecele, St. Petersburg, Russia

1163 John James Audubon (1785-1851)

“Wood Pewee,” Plate CXV from “Birds of America,” by Robert Havell, circa 1855 Engraving and aquatint with hand-coloring on wove paper, watermark J. Whatman Turkey Mill 1855 From the edition of approximately 200 With the names of Audubon and Havell, as well as the title and plate number, engraved in the plate Plate: 19.5” H x 12.25” W; sheet: 38.25” H x 25.25” W

$1,000-2,000

1164

A Chinese Famille Rose porcelain Early 20th century

Marked to the underside with Comprising of an octagonal inkwell on a gilt background with two pots, a candle holder, and a brush 4” H x 7.25” L x 7.25” W

$600-800

1165

A pair of Japanese Imari porcelain lidded dishes

Late 19th century; Japan

Each Kinrand-style with foliate, monkey, and crane motifs and gilt touches throughout the design; completely gilt finial on each lid, 2 pieces

Each: 6” H x 9.5” L x 8.25” W

$700-900

porcelain inkwell

Chinese characters in red underglaze inkwell with foliate and butterfly polychrome motif porcelain handled seals, two removable ink brush rest, 5 pieces

1166

A pair of Japanese Imari porcelain oval serving dishes

Late 19th Century; Japan

Each marked with an embossed ‘6’ to the underside

Each Kinrand-style with foliate, monkey, and crane motifs and gilt touches throughout the design, 2 pieces

Each: 1.125” H x 17.875” L x 13.5” W $600-800

1167

A large figural bronze clock

Late 19th century

Dial signed: Raingo Fres / a Paris; movement signed for Raingo Freres The enamel dial with blue Roman numeral hour markers, black Arabic numeral outer minute track, and two train movement under a glazed bezel and set in a patinated bronze case surmounted by a recumbent woman on a gilt-bronze base 20.5” H x 33” W x 10.5” D

$10,000-15,000

1168

An English Chinoiserie table 18th century With carved giltwood base and painted top 31” H x 40” L x 24” D

$2,500-3,500

1169

A pair of French marble and gilt-bronze candle lamps 20th century

Each ten-light rouge marble urn-style lamp with gilt-bronze mounts and faux candle sleeves, electrified, 2 pieces

Each: 46” H x 18” W x 13” D

$12,000-18,000

1170

A pair of French Louis XV-style tables 20th century

Each mahogany with gilt-bronze mounts, 2 pieces

Each: 31” H x 30” Dia.

$3,000-5,000

1171

A Persian Tabriz area rug Mid-20th century; Iran

With double central medallion and micro floral all-over surrounding motif in predominantly dark blue, salmon, and baby blue; wool and cotton foundation 11’3” L x 8’2” W

$4,000-5,000

1172

A Persian Tabriz rug

Mid/late 20th century; Iran Central medallion with salmon and ivory field and all over floral patterns; wool and silk on cotton ground 13’1” L X 9’9” W

$4,000-6,000

A near pair of silk Kom rugs Mid-20th century

With central medallion with all-over floral motif and floral border on salmon ground; silk on silk ground

Each: 5’ L x 3’4” W $600-800

1175

Qi Baishi (1864-1957)

Cherry blossom branches and bees Ink and watercolor on paper laid to board, with a silk border Signed with the artist’s name and chop marks lower right Sheet: 26.25” H x 12.875” W $15,000-20,000

Notes: Roughly translated into English, the ink inscription reads, “The Honorable Bai shi”

1176

A Chinese Four-Panel Screen 20th century

Carved wood and whitewashed frames, each with an elaborate hand-embroidered silk panel under glass; each of the four panel embroidery sight: 13.50” x 51.50” Overall: 61” x 84”

$4,000-6,000

1179

A Baccarat crystal mantel clock

Early 20th century

Dial signed: Cristalleries / de / Baccarat; movement signed: Made in / France / A.D. Mougin

The enamel dial with black Roman numeral hour markers, outer minute track, and two train movement set in a lead glass case with serpentine columns and centering a portrait medallion 26.75” H x 8.25” W x 5” D

$10,000-15,000

1180

A Louis XVI-style desk

Late 18th/early 19th century

The mahogany desk with pierced gallery rail surrounding an inset gilt-stamped leather writing surface over two drawers with gilt-bronze mounts

28.25” H x 38.25” W x 19.75” D

$3,500-4,500

1181

A large French Louis XV-style Chinoiserie center table 20th century With gilt-bronze mounts, marble top, and painted Chinoiserie panels 32.5” H x 53” Dia.

$10,000-15,000

1182

A pair of Chinese ceramic fish bowls on stands 19th century

Each polychrome glazed ceramic with carved wood figural monkey bases, 2 pieces

Each: 40” H x 19” Dia.

$15,000-20,000

1183

Claire Jeanne Robertine Colinet (1880-1950)

Female dancer

Gilt bronze mounted to a marble base Signed in the casting: C.J.R Colinet 17” H x 7.25” W x 5” D; with base: 20.25” H x 7” W x 6” D $3,000-5,000

1185

A large French Louis XVI-style mirror 20th century With a carved, painted, and parcel gilt wood 91” H x 50” W x 2”

$800-1,200

1186

A French gilt-bronze chandelier 20th century

The nine-light chandelier with gilt-bronze frame and rock crystal prisms, electrified 35” H x 34” Dia.

$2,000-3,000

1187

A French provincial buffet a deux corps Mid-18th century

The carved chestnut wood cabinet with molded arch pediment over two conforming doors atop a cabinet base with two drawers and two doubledoors, matching hardware 97” H x 53.25” W x 22.75” D

$800-1,200

1188

A pair of French caned settees

20th century

Each with a caned back and upholstered center panel, 2 pieces

Each: 39” H x 53” L x 25” D

$1,200-1,800

1189

A pair of Sevres-style garniture urns Mid-20th century

Each glazed porcelain urn centering reserves of pastoral courting scenes surrounded by gilt enamel highlights on a white ground, 2 pieces

Each: 22.5” H x 7” Dia.

$500-700

1190

A pair of French Louis XV-style pedestals 20th century

Each with gilt-bronze mounts and marble tops, 2 pieces

Each: 51” H x 17.25” L x 17.5” D

$5,000-7,000

1191

A pair of Japanese Satsuma porcelain vases

Late 19th/early 20th century

Comprising of two baluster-shaped vessels with attenuated necks and gilt ring handles, each polychrome decorated with gilt accents in a peony motif, 2 pieces

Each: 24” H x 7” Dia.

$1,200-1,800

1192

Edouard Drouot (b. 1859)

La Mousquetaire Patinated bronze Signed: Drouot 31” H x 12” L x 10” W $1,200-1,800

1193

Carl Jutz I (1873-1915)

Farm scene with peacocks, chickens, and ducks Oil on cradled panel

Signed lower left: C. Jutz 11.25” H x 16” W $5,000-7,000

1195

A French gilt-bronze Japy Freres mantel clock

Late 19th/early 20th century Movement signed for Japy Freres

The enamel dial with gilt Roman numeral hour markers, outer minute track, and two train movement set in a gilt-bronze figural case surmounted by a female figure wearing a lion’s skin and feathers with two putti among a landscape of tropical leaves, possibly an allegory for the Americas 17” H x 21” W x 8” D

$1,000-1,500

1196

Pierre Alexandre Schoenewerk (1820 - 1885)

Time clipping Cupid’s wings

Patinated bronze with marble base

Signed and inscribed in the casting: Schoenewerk / Scpt. 20.5” H x 12.5” W x 19.5” D; with base: 22.5” H x 14” W x 21” D

$2,000-3,000

1197

A French carved giltwood console table

Late 19th/early 20th century

With a red marble top with over an egg-and-dart molding with laurel festoons atop a lower stretcher with urn 35.75” H x 50.25” W x 16.25” D

$1,200-1,800

1198

A pair of French Louis XV-style recamiers 20th century

Each with carved giltwood frames and upholstered seats and backs, 2 pieces

Each: 38” H x 54” L x 26” D

$1,000-1,500

1199

A French coffee table

Late 19th/early 20th century

Wood and marquetry veneer with marble top and gilt-bronze mounts

21.25” H x 28.25” x W 20.25” D

$800-1,200

1200

A Caucasian Lori-Pambak Kazak rug

Mid/late 20th century

Polychrome geometric motifs centering two medallions on a red ground; wool on cotton foundation 7’10” L x 5’8” W $1,200-1,800

1201

A Caucasian Kazak rug

Early 20th century

Polychrome geometric motifs centering four diamonds on a dark brown ground; wool on wool foundation 10’3” L x 4’7” W

$1,000-1,500

1202

A Caucasian Kazak rug

Early 20th century Geometric design on dark blue ground; wool on wool foundation 10’4” L x 4’4” W $800-1,200

A Viennese cold-painted bronze figure Late 19th/early 20th century Appears unsigned Attributed to Franz Bergman, depicting a standing female figure on a Persian rug with felt lining 8.5” H x 5” W x 11” D $1,200-1,800

1204 William Howard Yorke (1847-1921)

“The Ancon,” 1913

Oil on canvas laid to canvas Signed and dated lower left: W.H. Yorke; inscribed lower center: Ancon Av Tvedestrand / Capt. A. Pedersen; titled on a label affixed verso 24.25” H x 36.25” W

$4,000-6,000

1205

19th century British School Portrait of a gentleman Oil on canvas Appears unsigned 30” H x 25” W $500-700

1206

A pair of Italian carved marble lion sculptures 20th century

Each depicting a recumbent lion, 2 pieces

Each: 8” H x 4” L x 10.5” D

$1,000-1,500

1207

A pair of carved wood polychromed Putti

Late 18th/early 19th century

Two opposing decorative putto figures with gilt wings and loin cloths, 2 pieces

Each: 23.25” H x 12.25” W x 5” D

$800-1,200

1208

An Italian Carrara marble after the Belvedere Torso 20th century

On a square plinth

Overall: 66” H x 19” L x 19” D

$3,000-5,000

1210

A pair of Italian grotto-style giltwood piano seats

Each Venetian tripod seats in the style of a sea shell, 2 pieces

Each: 22” H x 19.5” L x 20” D

$1,200-1,800

1211

A pair of Italian grotto-style giltwood stands 20th century

Each with sea shell-style tops, 2 pieces

Each: 41” H x 20” L x 21” D

$1,200-1,800

1212

A Chinese cinnabar lacquered cabinet 20th century

Centering a double-door cabinet flanked by two side cabinets with fitted interiors and chased silver-toned metal hardware 74” H x 55” W x 25.5” D $600-800

1213

Japanese Takaoka bronze vase Circa 1880-1900, Meiji Period (1868-1912) With a multi-patinated surface, water-fowl in flight motif, and polished crescent moon 13.75”H x 7.5” Dia.

$600-800

Provenance: Property from Frances Luban Fine Art, Burbank, CA

1214

A Chinese gilt-bronze and rock crystal seated Buddha 20th century With rock crystal, lapis, and other colored stones 8” H x 6” W x 5” D $800-1,200

1215

A bronze figure of Tara 20th century or later; Nepal Depicting the Tibetan goddess Tara wearing a crown and adorned with flowering vines and inset stones, retains original finish with polychrome accents 8.75” H x 6.75” W x 4.5” D

$1,000-2,000

1216

A Chinese carved jade bowl 20th century

With flared rim, together with a custom-fitted case 4” H x 10.125” Dia.

$700-900

Provenance: The Estate of George David Sturges

1217

18th Century Italian School

A capriccio landscape with figures by a lake and castle Oil on canvas

Appears unsigned

19.875” H x 40.25” W

A capriccio landscape with figures along a lake Oil on canvas

Appears unsigned

19.875” H x 40.25” W

2 pieces

$2,500-3,000

1218

19th century Continental School

Venetian canal scene, 1975 Oil on canvas

Initialed and dated along the lower center edge: E.M. 22” H x 27.5” W

$1,000-1,500

An Italian marquetry trestle table 19th century With marquetry inlay panels to the apron 32” H x 78” L x 35” D $1,500-2,000

1221

A Persian Kashan rug Mid-20th century; Iran

Signed: Gharidi Mahamaed Ghraidi A central medallion on red wine ground; Kork wool and silk on cotton ground 11’10” L x 8’8” W

$2,500-3,500

1222

A Persian Bakshaish area rug Early 20th century; Iran

With polychrome floral and geometric motifs in primarily pink and blue; wool on wool foundation 14’8” L x 6’ W

$2,000-3,000

1223

An Indian Agra area rug

Early/mid-20th century; India

The pictorial rug woven with rabbits, goats, and fish in a flowering landscape; wool on cotton foundation 12’7” L x 8’8” W

$1,200-1,800

1224 A Persian area rug Early 20th century or earlier; Iran Wool on wool foundation, with polychrome medallions on a red field 4’ L x 3’2” W $500-700

1225

A silvered metal vanity box 20th century

The footed lid centering a roundel of a Vestal Virgin over the square box decorated with an Art Nouveau-style fairy surrounded by scrolling flowers concealing a velvet-lined interior 6.25” H x 15.5” W x 13” D

$1,500-2,000

1226

An Elkington silver-plated charger 1876

Marked to front: Elkington Co. / Morel-Ladeuil / invic Fecit / 1876 Design by Leonard Morel-Ladeuil (1820-1888) for the Philadelphia Centennial Exhibition in 1876, the charger depicting Helen of Troy, mounted in a green velvet frame Charger: 13” Dia.

$500-700

1227

A Continental silver-plated charger 19th century The repousse charger decorated with Classical figures and scrolled foliage 19” Dia. x 1” D $1,000-2,000

1228

A French etagere cabinet

Late 19th century Marquetry wood veneer with gilt-bronze mounts and porcelain plaques 57” H x 20.25” W x 50” D

$1,000-1,500

1230

A French gilt-bronze and champleve mantle clock set 19th century Retailed by Tiffany, together with two conformingly decorated candelabra, 3 pieces Clock: 19” H x 11” L x 5” D; candelabra: 17.5” H x 7” W x 7” D

$3,000-5,000

1231

A French Regence-style 20th century With carved gilt-wood 35” H x 65” H x

$3,000-5,000

Regence-style giltwood salon table gilt-wood frame and marble top x 31” D

1232

A pair of French onyx and porcelain pedestals 20th century

Each with gilt-bronze mounts, 2 pieces

Each: 48” H x 14” L x 14” D $2,000-3,000

1234

Pierre Eugene Emile Hebert (1828ñ1893)

Mother with child Patinated bronze Signed in the casting: E. Hebert 15.5” H x 7” W x 6” D; 17” H x 8.25” W x 7” D $800-1,200

1233

A pair of large Chinese temple jars 20th century

Each blue and white porcelain on carved giltwood bases with marble tops, 4 pieces

Each overall: 63” H x 27” Dia.

$2,500-3,500

1235

A carved wood chest with bronze figural supports 20th century With four bronze kneeling figures carrying a chest, 4 pieces 54.5” H x 94” L x 21.5” D $4,000-6,000

1236

A pair of Bagues-style rock crystal sconces 20th century

Each two-light centering a bird, electrified, 2 pieces

Each: 28” H x 21” L x 6” D

$3,000-5,000

1237

A pair of Bagues-style rock crystal sconces 20th century

Each two-light centering a bird, electrified, 2 pieces

Each: 28” H x 21” L x 6” D

$3,000-5,000

1238

A French Louis XV-style marble specimen table 20th century With gilt-bronze base 31” H x 32” Dia. $3,000-5,000

1239

A pair of Louis XVI-style malachite jardinieres 20th century Each with gilt-bronze mounts, 2 pieces 11.5” H x 16” L x 14” D $3,000-5,000

1240

A pair of French malachite side tables 20th century

With arabesque Gothic gilt-bronze bases, 2 pieces

Each: 28.5” H x 26” Dia.

$3,000-5,000

1241

Louis-Albert Lefeuvre (1845-1924)

Mother and Child Gilt bronze on marble base Signed: Albert Lefeuvre 21” H x 8” Dia. $1,000-1,500

1242

A pair of French Neoclassical-style curule benches 20th century

Each carved giltwood with upholstered seats, 2 pieces

Each: 20” H x 26” L x 18.5” D

$800-1,200

1243

A pair of French Louis XV-style stands

Late 19th/early 20th century Marquetry cases with marble top with gilt-bronze mounts

Each: 32” H x 16” W x 10” D

$1,000-1,500

1244 A Caucasian Soumak area rug Early 20th century With polychrome medallions and geometric motifs in primarily blue and red; flat weave in wool on wool foundation 12’2” L x 9’9” W $3,000-5,000

1246

A Caucasian Shirvan kilim

Early 20th century

With alternating bands of polychrome geometric designs; flat weave in wool on wool foundation 10’ 1” L x 5’ 4” W

$800-1,200

1245

A Caucasian Kazak rug

Early 20th century

A Schillaci Kazak with geometric patterns on blue ground; wool on wool ground 6’9” L x 4’7” W

$1,000-1,500

1247

Maurice Dupuis (1882-1959) Hunter with dog and elk Oil on canvas laid to board Signed lower right: M. Dupuis 39.5” H x 59” W $1,500-2,500

1249

An Italian Carrara marble after Bernini 20th century After Bernini’s “The Rape of Proserpina” on a square plinth Overall: 61” H x 17” L x 17” D

$2,500-3,500

1250

A marble and alabaster table lamp 20th century Depicting a seated woman, electrified 25.25” H x 9.25” W x 9” D $1,000-1,500

1252

A pair of Chinese enameled porcelain jars 20th century

Each on a gilt-bronze base, 2 pieces

Each: 48” H x 18” L x 18” D

$2,000-3,000

1253

A pair of Continental silver-plated tazzas Late 19th/early 20th century Each bowl marked for R. Hodd & Sons, London; bases appear unmarked Each with a scallop-rimmed bowl raised on a rocaille-style base with two putti, 2 pieces

Each: 15.75” H x 10.25” W x 9” D

$10,000-15,000

1254

An Italian Carrara marble sculpture of putti 20th century Depicting two putti and a goat on a faux marble base 35” H x 32” L x 18” D

$3,000-5,000

1255

A Chibout French Empire-style gilt-bronze potpourri with lid 19th century

Signed to underside: Chibout A pot supported by three Greek sphinx figures atop a pedestal, with decoratively punched anthemion, stars, and bell flowers on the lid and foliate finial

14.75” H x 11.5” Dia.

$1,500-2,500

1256

A French parquetry salon table 19th century With gilt-bronze mounts 31.5” H x 53” L x 31.5” D $2,000-3,000

1257

A French music stand

Late 19th/early 20th century Carved, gilt wood and cane sheet music stand 31.5” H x 19.5” W x 16” D $800-1,200

1258

A pair of Louis XV-style giltwood window seats 20th century

Each carved giltwood with upholstered seats and sides, 2 pieces 28” H x 40” W x 20” D

$800-1,200

1261

A Caucasian Kazak rug

Early 20th century

With polychrome geometric and figural motif; four central octagons on a dark blue ground; wool on wool foundation 7’ L x 3’7” W

$1,000-1,500

1260

A Caucasian Kuba kilim area rug

Early 20th century

With bands of polychrome stylized medallions; flatweave wool on wool foundation 11’4” L x 7’2” W

$1,000-1,500

1262

A French Samuel Marti gilt-bronze mantle clock

Late 19th century

Signed to the movement: S. Martie et Cie / Medaille de Bronze / 11777 / EB

The dial with applied enamel hour markers with black Roman numerals and two train movement set in a gilt-bronze dial and case with dolphins, figural masks, and scrolled foliage 25.75” H x 19” W x 7.75” D

$3,000-5,000

1263

A tabletop Swiss cylinder

music box 19th century

The music box with a marquetry inlaid wood case enclosing one 13” cylinder playing eight airs, with six bells, stylized bird hammers, hand crank and repeat/change switch 7.5” H x 22.5” W x 11” D

$1,000-2,000

A large Spanish-style vargueno on stand 20th century

With various cabinets raised on a stand with all-over gilt-bronze mounts

75” H x 58” L x 23” D

$3,000-5,000

1265

A pair of French Louis XV-style mirrors 20th century Each with carved giltwood frames, 2 pieces Each: 44.5” H x 34” L x 5” D

$1,000-1,500

1266

A Christofle gilt-bronze centerpiece

Late 19th/early 20th century

The footed centerpiece with scrolled foliate motifs and two acanthus handles 6.5” H x 21” W x 12” D

$2,500-3,500

1267

A French miniature vitrine jewelry chest

Late 19th/early 20th century The table-top jewelry box with hinged, inset beveled glass lid revealing a velvet-lined interior, finished with gilt-bronze mounts and legs 10.25” H x 15” W x 11” D

$1,000-1,500

1269

A set of Louis XVI-style rock crystal candlesticks 20th century

Each with knopped columns, 4 pieces

Each: 10” H x 5” Dia.

$1,200-1,800

1270

A pair of modern rock crystal table lamps 20th century

Each with stacked rock crystal spheres, electrified, 2 pieces

Each: 22” H x 6.5” Dia.

$2,000-3,000

1272

A French Louis XIII-style provincial table 20th century With serpentine twisted legs and a single drawer 27.5” H x 35.5” L x 24.5” D

$600-800

A pair of large Asian bronze censers

20th century

Each with figural lion supports, 2 pieces

Each: 37” H x 22” L x 15” D

$2,500-3,500

1275

A Chinese hardwood cabinet 20th century With three drawers and a central double-door cabinet decorated with openwork carved brackets and metal hardware 34.75” H x 73.25” W x 18.25” D $800-1,200

A pair of Chinese oxblood porcelain gourd vases 20th century

Each double gourd vase with slender neck, 2 pieces

Each: 18” H x 10” Dia.

$600-800

1278

A pair of Chinese Famille Rose jardiniers

Early 20th century

Each marked with a red underglaze reign mark

Each Rose Canton porcelain vessel decorated with bird and floral motif and koi fish border, both with gilt accents around the rim and foot, 2 pieces

Each: 8” H x 12.75” Dia.

$400-600

1279

A Chinese carved zitan wood bench 19th century or earlier The bench with a red silk upholstered cushion over a carved rare zitan wood frame raised on four straight legs 13” H x 46.5” W x 23” D

$1,500-2,500

1283

Charles Koppel (fl. 1853-1865)

Plate X from “Los Angeles. U.S.P.R.R. Exp. & Surveys - Cal.,” 1856 Lithograph in black and beige, with ochre hand-coloring, on paper From the edition of unknown size and date

Appears unsigned Image: 5.875” H x 8.5” W; Sheet: 8.875” H x 11.25” W

$1,000-2,000

Literature: Deak 671 Stokes 1853-G-43d

Notes: Early view of Pueblo Los Angeles.

1284

Eugene Delacroix (1798-1863)

Studies for the Galerie d’Apollon after Dubois and Fréminet, circa 1850 Pencil on cream wove paper Estate stamped in red ink with the artist’s initials (Lugt 838, recto) at lower right, and inscribed in pencil upper right

Sheet: 8.5” H x 13.5” W

$1,000-2,000

Provenance: Galerie Paul Prouté, Paris, France

Sold: Swann Galleries, New York, NY, March 5, 2009, Lot 6 Mathis Gallery, Racine, WI

Sold: Hindman Auctions, Chicago, IL, December 13, 2018, Lot 0001

1285

A Faberge Imperial Chess Set 1986

Each marked for Faberge; each piece marked for sterling

The chess set with carved onyx and jasper pieces, each finished with 24k vermeil sterling silver, some pieces set with gemstones, contained in a velvet-lined fitted box topped with an inset marble chess board, 33 pieces Box: 4” H x 15.5” W x 15.5” D

$800-1,200

Notes: This lot is accompanied by a Certificate of Authenticity and original brochure.

1286

Russian silver sculpture on horseback

Late 19th/early 20th century Signed and inscribed in Russian in the casting: [*PA****] / 84 Russian silver sculpture of a figure on horseback mounted to a red marble base 6” H x 3” W x 6” D; with base: 9.25” H x 5” W x 8” D

$500-700

Provenance: The Estate of George David Sturges

1290

A Renaissance-style carved wood bench 19th century With elaborately carved back and arms over a lidded seat 56” H x 60” L x 21” D $800-1,200

1291

A Spanish Renaissance-style bench 20th century

The wood bench with an elaborately carved back panel depicting animals and urns 39” H x 49” L x 22.5” D

$800-1,200

1292

A Caucasian Kazak “Eagle” runner

Early 20th century Dated in the weaving With polychrome geometric motifs centering four serrated diamonds on a red ground; wool on wool foundation 10’ 2” L x 3’ 10” W

$1,200-1,800

1293

A Caucasian Kazak rug

Early 20th century

With polychrome geometric motifs centering three diamonds on a blue ground; wool on wool ground 6’9” L x 4’2” W

$1,000-1,500

1294

A Persian Soumak rug

Early 20th century; Iran

Geometric designs; wool on wool foundation, flatweave 9’6” L x 4’10” W

$1,000-1,500

1295

A Qum area rug 20th century Wool on cotton foundation, with polychrome registers of floral panels 12’1” L x 8’11” W

$1,000-1,500

1296

After Eutrope Bouret (1833 - 1906)

Female figure Patinated bronze on a base Signed in the casting: Bouret 23.35” H x 8.25” W x 10” D; with base: 25” H x 8.25” W x 10” D $1,000-1,500

1297

A set of French carved wood panels 20th century

Each with parcel gilt decoration, 2 pieces

Each: 87” H x 37” W

$4,000-6,000

1298

A pair of French Louis XVI-style cabinets 19th century

Each with gilt-bronze mounts, marble tops, and inset porcelain plaques, 2 pieces

Each: 38” H x 54.5” L x 21” D

$7,000-9,000

1299

A Christofle silver-plated centerpiece

Late 19th/early 20th century

Base and liner marked for Christofle

The footed centerpiece with all-over scrolled floral motif, floral festoons, and two acanthus handles 8” H x 28.5” W x 16.25” D

$5,000-7,000

1300

A pair of French gilt-bronze figural tazzas 19th century

Each with opposing putti and foliate motifs and decorative glass insets on a pedestal base, 2 pieces

Each: 11” H x 9” Dia. $1,200-1,800

1301

A set of four bronze wall plaques

Late 19th century

Each: Appears unsigned; inscribed in pencil verso on the plaque depicting spring Each bronze wall plaque depicts either winter, autumn, spring, or summer

4 pieces

Sight: 4.375” H x 9.625” W

$800-1,200

Notes: The handwritten inscription verso on the plaque depicting spring is dated, 2/16/99. It also describes that these are visual displays of the four seasons. The inscription details where is was bought from and who bought it.

1302

A Ferdinand Barbedienne champleve vase with plate Mid-19th century

Each engraved: F. Barbedienne The handled vase with polychrome champleve enamel floral design against a yellow ground atop a conformingly designed plate, 2 pieces Vase: 10.5” H x 5.25” W x 5.375” D; plate:1.75” H x 10.25” Dia. $2,000-3,000

1303

A French Samuel Martie porcelain and bronze clock set

Late 19th/early 20th century

Signed to the movement: S. Martie et Cie / Medaille de Argent 1889 / 2120

The porcelain dial with black Arabic Numeral hour markers and gilt outer minute track centering a painted putto; set in an architectural gilt-bronze case with glazed bezel, opposing half figures, inset porcelain plaques, and an urn style finial; along with two conformingly designed five-light candelabra, 3 pieces

Clock: 19.5” H x 8.25” W x 4” D

$2,000-3,000

1304

A large English Colonial-style center table 20th century With ebonized and inlay accents 31” H x 59” Dia. $2,000-3,000

1305

An Italian Carrara marble sculpture of a nymph 20th century

Depicting a nymph with two putti on a grey marble base 72” H x 25” L x 21” D

$5,000-7,000

1306

A pair of Chinese cloisonne vases 20th century

Each enamel cloisonne vessel with all-over floral design on a white ground, 2 pieces

Each: 17.75” H x 9” Dia.

$800-1,200

1307

A pair of French Regence-style pedestals

20th century

Each carved wood with parcel gilt details, 2 pieces

Each: 51.5” H x 18.5” L x 18.5” D

$1,000-1,500

1308

A pair of French figural gilt-bronze andirons

Late 19th/early 20th century

Each gilt-bronze chenet with opposing putti figures, eternal flames, anthemion, and scrolling foliage joined by a central grate, 3 pieces

Each: 14.5” H x 14” L x 5.75” W

$800-1,200

1309

An Italian pietra dura wall plaque 20th century

Signed to the verso: W.D. Gregory

A gray stone plaque with various inlaid semi-precious stone, depicting an interior scene with a Cistercian monk, a woman, and a cat at a table; in an ornate gilt frame

Including frame: 19” H x 24” W x 2.5” D

$4,000-5,000

1310

A pietra dura plaque depicting a vase with flowers 20th century

Signed to verso in Farsi- and English: “Mian Naoi Uddin”

The white marble plaque with various semi-precious stones and abalone shell inlaid, depicting a still life of flora in a vase set upon a table top

21.5”H x 15”W x 0.5”D

$800-1,200

1311

A Neoclassical-style marble bust of Hera 20th century

Inscribed “HPA” and on a faux marble base 27” H x 16.5” L x 15” D

$1,200-1,800

1312

A pair of Chinese porcelain vases 20th century

Each polychrome gooseneck vase on a carved giltwood base, 2 pieces

Each: 25” H x 14.5” Dia.

$1,200-1,800

1313

A pair of French Louis XV-style demi lunes 20th century

Each carved and painted wood with parcel gilt details and marble top, 2 pieces

Each: 35” H x 27.5” L x 16” D

$1,000-1,500

1314

A Persian Bijar area rug Mid/late 20th century; Iran With all-over floral motif on ivory ground and all-over floral border on salmon ground; wool on cotton foundation 9’10” L x 6’8” W

$1,200-1,800

1315

A Persian Nain area rug

Mid/late 20th century; Iran

Signed: Habbian Central medallion on a dark blue field with ivory borders and an all-over floral motif; wool and silk on cotton ground

14’4” L x 10’8” W

$7,000-9,000

1317

A Turkish Ottoman embroidered cover 19th century Gold silk with foliate embroidery and central medallion design 9’8” H x 6’ W

$1,000-1,500

1316

A Persian silk rug

Early 20th century; Iran With all-over tree of life motif; silk on silk foundation 5’3” L x 3’6” W

$600-800

1318

A set of Continental carved marble figures

Late 18th century

Each carved marble putto an allegory for the four seasons with one bearing fruit (summer), one bearing wheat (fall), one bearing flowers (spring), and one with fir tree boughs (winter), 4 pieces

Each: 19.75” H x 6” W x 5.5” D

$10,000-15,000

Provenance: Sold: Bonhams, Los Angeles, CA, November 16, 2021, Lot 132

1319

An Italian marble 20th century With wrought iron base 30” H x 71.5” L x 47.5”

$4,000-6,000

1320

A pair of French Louis XV-style parquetry pastry tables 20th century

Each with geometric parquetry inlay and gilt-bronze mounts, 2 pieces

Each: 35” H x 32” L x 21.5” D

$1,000-1,500

1321

An American Aesthetic-style mantle clock 19th century Retailed by Tiffany with gilt-bronze architectural case and bell strike movement 36” H x 16” L x 11” D

$1,500-2,000

1322

A Sevres-style porcelain centerpiece and garniture urns

Early 20th century

Each bears Sevres-style double “L” blue underglaze mark; Each further marked: Chateau des Tuileries

Comprising of two urns, each with opposing mask gilt handles, and a compote with gilt figural handles; all with cobalt blue glaze and gilt-bronze pedestals, 3 pieces

Compote: 15.5” H x 17.25” L x 9.625” D; each urn: 21.25” H x 5.25” Dia.

$2,500-3,500

1323

A pair of Italian Neoclassical-style 20th century

Each carved wood with parcel gilt

Each: 36” H x 48” L x 19.5” D

$2,000-3,000

Neoclassical-style console tables

gilt details and marble tops, 2 pieces

1325

A French Louis XVI-style Chinoiserie table 20th century

The carved giltwood table with ebonized top 32” x 39” Dia.

$2,500-3,500

1326

A pair of Italian Louis XV-style giltwood torchieres 20th century

Each carved giltwood, electrified, 2 pieces

Each: 94” H x 28” L x 28” D

$3,000-5,000

1327

A Wallace sterling silver tea and coffee service

Early 20th century

Each marked for R. Wallace & Sons and sterling; numbered: 1160 Each with an Art Nouveau iris motif, comprising a coffee pot (8.5” H x 9” W x 4.5”), a teapot (7” H x 8.5” W x 4.75” D), a creamer (4.75” H x 5.5” W x 3.75” D), and a covered sugar bowl (5.75” H x 7.25” W x 4.5” D), 4 pieces 43.35 oz. troy approximately $1,000-1,500

1328

A pair of American coin silver sauce boats

Circa 1853-1857

Each marked: Jones, Ball & Co. / Boston

Each handled sauce boat gadrooned body, 2 pieces

Each: 6” H x 8.25” W x 4.25” D

$600-800

1329

A pair of Chinese Rose Medallion vases Early/Mid-20th century

Each with polychrome and gilt decoration depicting court scenes surrounded by foliate, bat, bird, and butterfly motifs, 2 pieces

Each: 25” H x 8.5” W x 8.5” D $1,000-2,000

1331

A pair of Sevres-style porcelain tripod tables 20th century Each with white ground with painted floral sprays and gilt highlights 27” H x 18” Dia.

$1,000-1,500

1333

A pair of French Neoclassical-style 20th century

Each with gilt-bronze frame, two 29” H x 32” Dia.

$3,000-5,000

1332

A French bronze porcelain mantle clock

Late 19th century

Dial signed: Gille l’aine a Paris; Movement signed: A.D. Mougin / Deux Medaille

The enamel dial with black Arabic numeral hour markers, outer minute track, and three train movement set in a rocaille-style gilt-bronze case with porcelain flowers and a porcelain figure of Athena 18.5” H x 14” W x 10” D

$1,500-2,000

Neoclassical-style gueridon tables two tiers, and white marble tops

1334

A pair of Chinese cloisonne porcelain vases

20th century

Each large vase with cloisonne enamel on porcelain and raised on carved giltwood bases, 4 pieces

Each overall: 44” H x 21” Dia.

$4,000-6,000

A French Louis XV-style center table 20th century With gilt-bronze mounts and white marble top 30.5” H x 40” Dia. $1,200-1,800

1336

A pair of French marble and gilt-bronze cassolettes 20th century

Each raised on a column pedestals, 4 pieces

Each: 68.5” H x 18” L x 18” D

$1,500-2,000

1337

A Sevres-style porcelain urn 19th century

The cobalt blue vase with enamel gilt swags, floral garlands, and musical instruments centering a painted panel that wraps around the belly of a courting couple in an overgrown landscape 35.5” H x 9.5” Dia.

$2,500-3,500

1338

A Gorham sterling silver punch ladle 20th century Marked for Gorham and sterling The handle decorated with fruit and floral motifs and with a gold wash bowl 12.5” L 9.359 oz. troy approximately $400-600

Provenance: The Estate of George David Sturges

1339

A group of silver flatware

20th/21st century

Each with various maker’s marks, nine marked for sterling

Comprising sterling, coin, and silver-plated spoons and a ladle of various forms, patterns, and makers, 17 pieces

Largest: 12.25”

Weighable sterling: 20.06 oz. troy approximately $600-800

1340

A group of Art Nouveau sterling silver table items Late 19th/early 20th century Candlesticks and dish marked for sterling; tray with partially obscured Austro-Hungarian marks Comprising a pair of James Allan Co. weighted candlesticks (each: 10” H x 4.75” Dia.), an oval serving tray with pierced border (0.625” H x 15” W x 11.5” D), and an Alvin lily pad candy dish (1.875” H x 6.625” W x 7.5” D), 4 pieces Weighable sterling: 24.28 oz. troy approximately $800-1,200

1341

A Persian Bijar area rug

Mid-20th century; Iran Central diamond pattern medallion with floral border on mauve/ivory ground; wool on cotton foundation 11’1” L x 8’1” W

$2,500-3,500

1343

Tekke Bakassa rug

19th century polychrome geometric motifs centering bands of medallions on a red ground; wool on cotton foundation 3’7” W

$600-800

1344

A Persian Sarouk area rug Mid-20th century; Iran With floral motifs throughout on a burgundy ground; wool on cotton foundation 8’7” L x 6’ W

$700-900

1346

A French Art Deco-style bar cabinet 20th century

With three drawers and a central cabinet 48” H x 56” W x 19” D

$1,200-1,800

1345

An Art Deco clock by Cartier

Circa1930s; France

Signed to the movement: Just / 265 / CH. Hour / France; additionally signed to the dial: Cartier

With a circular dial with black Arabic numeral hour markers and outer minute track, black Breguet style hands, and fifteen jewel key wind and set movement in a brass and enamel case with grape and vine motif 3.375” H x 3.5” x 3.5”

$2,500-3,500

1349

An Art Deco-style cello-form chest of drawers 20th century With four drawers 61” H x 20” L x 13” D

$1,000-1,500

1350 Herman Hahn (1868-1945)

Two standing women

Patinated bronze

Each signed in the casting: H Hahn; each further impressed: Guss V.A. Brandstetter, Munchen

2 pieces

Larger: 17.5” H x 7.5” W x 5.5” D; smaller: 17.5” H x 7” W x 5.5” D

$1,200-1,800

1351

An Austrian silver traveling breakfast service 19th century

Each with Diana mark for .800 silver, double-headed eagle mark, and maker’s marks for Josef Carl Klinkosch; Each with imperial-style crowned “X” monogram

With foliate motifs and carved wood handles, comprising a teapot (5.5” H), a sugar dish (2.5” H), a creamer (2.5” H), a tea strainer (3.5” H), a bread and butter plate (5.625” Dia.), a breakfast plate (8.5” Dia.), a tray (11.75” Dia.), a porridge bowl (4.5” H), a porridge spoon (7.5”), an egg spoon (4.625”), an egg cup (2.875” H), presented in an original fitted box, 11 pieces 85.87 oz. troy approximately

$3,000-5,000

1352

A pair of Polish Judaica Shabbat silver-plated candlesticks

Late 19th century; Warsaw, Poland

Each marked: Warszawa / Galw. [“Galwanizacja” for “Galvination”] / WMF [Wurttembergische Metallwarenfabrik] / W s[all inside a triangle]

Each with grape motif, 2 pieces

Each: 12” H x 5” W x 5” D

$600-800

1353

A group of silver flatware 19th/20th century

Three with hallmarks for England and maker’s mark for Paul Storr; two unmarked Comprising an English serving spoon and two ladles by Paul Storr, together with two coin silver tablespoons, 5 pieces

Larger: 9.375” L

Weighable sterling: 4.195 oz. troy approximately $500-700

Provenance: The Estate of George David Sturges

1354

A framed painted porcelain plaque 19th century Paper sticker to the verso: 6919A / Derby / c. 1800 Depicting a still life with various fruit, flora in a vase, and a snail on a tabletop, within an ornate gilt frame with velvet border With frame: 16” H x 13.75” W x 1.5” D $600-800

1355 European School 19th century or later Castle in a mountainous landscape Oil on canvas laid to board Signed illegibly lower left (possibly S Ward Jr) 20” H x 13.5” W $600-800

1356

A pair of Schierholz porcleain table lamps

Mid-20th century

Each with blue overglaze stamp for Schierholz Porzellanmanufaktur

Each two-light porcelain lamp with pierced shades and a figural base depicting a group of dancers, electrified, 2 pieces

Each: 26.5” H x 9” Dia.

$1,200-1,800

1357

A set of Italian Neoclassical-style portraits of Caesar 20th century

With wrought iron frames, 4 pieces Each: 17” H x 13” W

$2,500-3,500

1358

A pair of monumental tiger’s eye obelisks

20th century

Each with tiger’s eye veneer and gilt-bronze mounts, 2 pieces

Each: 6” H x 5” L x 7.5” D

$5,000-7,000

1359

A French Louis XV-style bureau plat desk

Early 20th century

Branded mark “MP” to underside

The veneered wood desk with gilt-bronze mounts 30.5” H x 54.5” W x 31” D

$1,500-2,500

mounts and inset gilt-stamped leather writing surface

1360

A pair of gilt-bronze figural candlesticks

Late 19th/early 20th century

Opposing pair of standing putti holding a four-light candelabra on a pedestal base, 2 pieces

Each: 19.5” H x 9.25” L x 7.25” D

$800-1,200

1361

A set of Biedermeier-style armchairs 20th century

Each with scrolled backs and upholstered seats, 6 pieces

Each: 35.5” x 23” W x 21” D

$1,000-1,500

1362

A Persian Safavid-style silver ewer

Early 20th Century Appears unmarked

The pitcher with abundant repousse and chased figural decoration with a banded waist of script and copper liner 13.25” H x 8.5” W x 5.5” D 37.715 oz. troy approximately $800-1,200

1363

An Art Nouveau walnut double-door bookcase

Late 19th/early 20th century The walnut bookcase with arched bonnet with high relief carved lily pads atop two glazed doors with gilt-metal handles and an adjustable shelved interior over two drawers with gilt-metal handles raised on four bracket feet 96” H x 52” W x 20” D

$2,000-3,000

Provenance: The Alan Schneider Collection

1364

A pair of Neoclassical-style glass table lamp bases

Circa 1920s-30s

Each single-light lamp with a handled vial-style green glass insert in a bronze tripodal support with winged lamassu figures on a round onyx base, electrified, 2 pieces

Each: 28” H x 6” Dia.

$800-1,200

1365

A Reed & Barton “Victorian” silver-plated tea and coffee service Circa 1956-57

Each marked for Reed & Barton and variously numbered Comprising a hot water tipping kettle with a burner (13” H x 10.5” W x 6.5” D), a coffee pot (9.5” H x 11” W x 5.25” D), a teapot (5.25” H x 11.75” W x 5.25” D), a creamer (5.5” H x 6” W x 3.5” D), a covered sugar bowl (6” H x 7.5” W x 4.25” D), a waste bowl (4” H x 6” W 4.25” D), and a tray (4” H x 28” W x 18.5” D), 7 pieces $1,000-1,500

1366

An English Sheffield silver-plated hot water urn 19th century With gadrooned body, opposed acanthus handles, and all-over foliate accents on a square foot 17” H x 13.5” W x 13” D

$600-800

1367

An ancient Egyptian wooden Late Dynastic Period, 26th Unmarked The rare hand-carved, likely the lower section is joined via 21” H x 7” W x 6.75” D

$3,000-5,000

Provenance: Miss Mona Philip BC Antiquities, Los Angeles, Private Collection, Los Angeles,

Notes: Affidavit from consignors With a copy of a Special Customs

wooden sarcophagus to 31st Dynasty

likely cedar, lidded mummiform sarcophagus depicting a falcon bird or the god Horus, via wooden pegs/dowels

Philip George, Los Angeles, CA Angeles, CA Angeles, acquired from the above, 1974 consignors stating they purchased the piece 1974, signed and dated July 27, 2022. Customs Invoice, dated February 28, 1972.

1368

Four Sinhalese porcupine quill and ebony boxes

Late 19th/early 20th century A group of Sri Lankan-made boxes constructed out of porcupine quills and ebony wood with ivory disc inlay; the two smaller boxes have a sliding mechanism lid while the two larger boxes have a hinging mechanism to open and close the lid, 4 pieces

Largest: 3.5” H x 8” L x 5.875” W; smallest: 1.75” H x 6.875” L x 3.5” W $500-700

Provenance: The Estate of George David Sturges

Condition Reports

1001

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: a previous, unobtrusive repair to the tip of the tail feathers.

1002

Each overall good condition with tarnishing, scattered indentations, and light scratches commensurate with age. Teapot with larger dents to underside. Sugar lid’s flange slightly out-of-round, still fits snuggly. Waste bowl with small dent to interior and scattered smalls cracks along rim.

1003

Overall good condition with minor shelf wear and light scuffs commensurate with age. Each ball foot with some chipping to enamel and a prior restoration.

1004

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1005

Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1006

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Tray with rubbed wear to border decoration. No evidence of repairs or restorations under blacklight.

1007

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Adhesive and paper sticker residue on the underside of each. Felt pads adhered to the foot of the blue dragon vase. No evidence of repairs or restorations under blacklight.

1008

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some scattered small areas of browncolored splashed surface residue. No evidence of repairs or restorations.

1009

Overall good condition with tarnishing and light scratches commensurate with age.

1010

The coffee pot lid a possible marriage from another pot’s lid, the diameter is slightly larger than the pot. The sugar bowl lid with a small chip to one flower petal. One salad plate with a small area of loss to gilt at rim. The creamer with a small break to a vine on the handle.

1011

Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1012

Overall fair condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: a previous repaired break to the tail feathers, breaks and repairs to both feet/legs and surrounding trunk area, and loss to cherry stems.

1013

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: some small breaks to the tree stump roots at bottom, a break to one claw and one tail feather, and a previous repair to stump branch at tail feathers.

1014

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: the yellow cockatoo with a small break to the tip of the crest feather.

1015

Visual: Overall good condition. Frame abrasion resulting in pea-sized or smaller areas of paint loss along the upper and right edge. Minor dust accumulation and grime commensurate with age.

Blacklight: No evidence of restoration.

Frame: 11.5” H x 19” W x 1.25” D

1016

Overall good condition. The paper very slightly toned. Not examined out of the frame.

Framed under glass: 24.5” H x 30.25” W x 0.75” D

1017

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. There is taupe paint on one side of the saya approximately 3.25” x 1.5”. Sword has a cast brass leaf accented mekugi (secure peg) within the cord wrapping the menuki (grip). Surface grime on and discoloration to the sageo (hanging cord) commensurate with age and use.

1018

Each overall good condition with tarnishing and light scratches commensurate with age. The coffee pot handle with a small dent and personalization to the neck.

1019

Each: Overall good condition with wear commensurate with age. Each leaf was previously mounted to paper, and each sheet is now presently dry mounted to an archival matted folio. Issues include, but are not limited to: some with very small areas of typical fading to gold; each with toning; one with moisture damage and tidelines to the upper and lower right corners; three with fragments of old, previously applied clear tape; each with craquelure and four with attendant areas of flaked losses to paint.

1020

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1021

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. A small chip to foot. Adhesive felt pads to underside.

1022

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Scattered small ruptured air bubbles and surface imperfections inherent to the mold casting process. No evidence of restoration or hairlines under illumination.

1023

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1024

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: each with small chips and losses to leaves at base.

1025

Each overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1026

Overall good condition with tarnishing and light scratches commensurate with age. The liner with small indentations around the rim.

1027

Overall good condition with tarnishing, light scratches, and small indentations commensurate with age.

1028

Overall good condition with tarnishing and light scratches commensurate with age.

1029

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The piece has been refinished and regilt.

1030

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with cracking to back lacquer.

1031

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, surface wear, and separation at joints commensurate with age.

1032

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Surface grime present on each, with heavier build-up on each interior. No evidence of repairs or restorations under blacklight for each.

1033

Overall good condition with tarnishing and light scratches commensurate with age.

1034

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: abrash throughout, fading throughout, moth damage, and repairs throughout, the largest: 9” x 4”.

1035

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: some areas of slight dye migration.

1036

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1037

Visual: Overall good condition. Minor surface dirt and grime. The printed notes of the sheet music show through slightly in the lighter pigments of the background. The painting appears to have been reduced along the vertical edges.

Blacklight: No evidence of restoration.

Frame: 16.75” H x 19.5” W x 2” D

1038

Visual: Overall good condition. Frame abrasion along the edges. A 1” scratch with minor paint loss upper center. A minor crack in the board along the lower left edge. Surface dirt and grime.

Blacklight: Touch-ups throughout.

Frame: 33.75” H x 43.75” W x 1.5” D

1039

Overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: scattered small breaks to the leaves.

1040

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: the black magpie with a small 0.25 chip to the tip of one wing; the white magpie with a break to one claw and the snail missing an antenna.

1041

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1042

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. A 0.5” chip to the verso of one fin. Adhesive felt pads to underside.

1043

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With adhesive felt pads to underside.

1044

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1045

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: a small break to one cherry stem at base and a visible hairline in the glaze to the underside.

1046

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: scattered small chips and breaks to the leaves.

1047

Overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: a break to the end of one wing and breaks to the cherry stems.

1048

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Scattered small ruptured air bubbles and surface imperfections inherent to the mold casting process. No evidence of restoration or hairlines under illumination.

1049

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1050

Overall good condition. A rich impression with margins and inky plate edges in places. The usual central vertical crease. A handful of foxmarks in the image, the two largest in the blank at left. Not examined out of the frame.

Framed under glass: 29” H x 32.25” W x 0.75” D

1051

Overall good condition. With the usual central vertical crease, possibly split along the lowest 2.5” section. The paper slightly toned and with minor surface soiling. Not examined out of the frame.

Framed under glass: 29” H x 30” W x 0.75” D

1052

With the usual central vertical crease, split and possibly backed along the lowest 3” section. Two diagonal creases at left, the longest approximately 8 inches. Not examined out of the frame.

Framed under glass: 27.5” H x 31” W x 1” D

1053

Overall good condition. With margins and the usual central vertical fold. The paper very slightly toned. An occasional tiny foxmark in the margins. Not examined out of the frame.

Framed under glass: 23” H x 27” W x 1” D

1054

Overall good condition with tarnishing and light scratches commensurate with age.

1055

Overall good condition with tarnishing and light scratches commensurate with age. Monogrammed “ER.”

1056

Overall good condition with tarnishing, light scratches, and small indentations commensurate with age. The handle is slightly loose. The lid doesn’t close fully. A small area of sticker label residue to the side.

1057

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Scattered losses to the gilt surface. Some joined components slightly loose. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1058

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Missing a drawer pull. Water damage and rust staining to the marble.

1059

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Some scuffing to the left upper quadrant of her garment, as well as surface erosion to the textured areas of the headscarf.

1060

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1061

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

1062

Overall good condition with minor scuffs and oxidation to the bronze commensurate with age.

1063

Overall good condition with tarnishing, light scratches, and scattered small indentations commensurate with age.

1064

Overall good condition with tarnishing and light scratches commensurate with age.

1065

Visual: Overall good condition. Fine craquelure scattered throughout. Minor surface dust accumulation and grime commensurate with age.

Blacklight: Pea-sized or smaller areas of touch-up throughout, concentrated at the upper edge. Hard to read under heavy varnish.

Frame: 11” H x 13” W x 1.5” D

1066

Visual: Overall good condition. A 0.125” unobtrusive area of paint loss at the center and on the horse’s back. Minor surface dust accumulation and grime commensurate with age.

Blacklight: Small areas of paint loss scattered throughout, primarily in the background. The largest being 1.5” H x 0.5” W.

Frame: 13.625” H x 15.625” W x 2” D

1072

Each overall good condition with tarnishing and light scratches commensurate with age. Each monogrammed to underside “LCP.”

1073

Each overall good condition with tarnishing and light scratches commensurate with age. Each monogrammed to underside “LCP.”

1074

Overall good condition with tarnishing and light scratches commensurate with age.

1075

Overall good condition with tarnishing and light scratches commensurate with age. Monogrammed to interior.

1076

1067

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

1068

Overall good condition with wear commensurate with age. Spuriously signed for F. Linke on one bronze mount. Light cracks to sound board. Moran’s does not guarantee to working condition of musical instruments.

1069

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1070

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1071

Each overall good condition with tarnishing and light scratches commensurate with age. With scattered minor, unobtrusive surface indentations. Each monogrammed to underside “LCP.”

Each overall good condition with tarnishing, light scratches, and scattered small indentations commensurate with age. Each monogrammed “LCP.”

1077

Each overall good condition with tarnishing and light scratches commensurate with age. The case with wear. Weight includes attached glass and bristles of relevant items.

1078

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Movement not signed. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1079

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Minor nicks to marble top. Older repairs and minor losses to veneer.

1080

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One with an 1.5” repair to the foot.

1081

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1082

Visual: Overall good condition. Pea-sized or smaller areas of frame abrasion in places along the edges. A 0.25 horizontal unobtrusive surface scratch along the left horses belly. A pinhead-sized unobtrusive pressure mark at the center right. Very minor paint shrinkage. Varnish discoloration throughout.

Blacklight: Scattered areas of touch-ups throughout. Difficult to read under heavy and uneven varnish.

Frame: 47.5” H x 62.875” W x 2.5” D

1083

Visual: Overall good condition. Stable craquelure scattered throughout. Stretcher bar creases along all four edges. Small areas of frame abrasion, resulting in paint loss at the upper section of the right edge. Two unobtrusive, pea-sized or smaller pressure marks in the background below the horses neck. Minor dust accumulation and grime commensurate with age.

Blacklight: Possible touch-ups throughout. Difficult to read under very heavy varnish.

Frame: 35” H x 39.5” W x 2.625” D

1084

Overall good condition with tarnishing and light scratches commensurate with age.

1085

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Tarnishing of the silver wash throughout.

1086

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1087

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1088

Each overall good condition with tarnishing and light scratches commensurate with age.

1089

Overall good condition with tarnishing and light scratches commensurate with age.

1090

Overall good condition with tarnishing and light scratches commensurate with age.

1091

Visual: Overall good condition. Evidence of slight overcleaning, concentrated mostly in the trees and grassy field

Blacklight: Delicate touch-ups and crack-fill scattered troughout. The sky apparently heavily overpainted, difficult to read under varnish.

Frame: 29.5” H x 34.5” W x 2.25” D

1092

Visual: Indications of overcleaning throughout.

Blacklight: Small touch-ups throughout, concentrated primarily at the upper left. Difficult to read under heavy varnish.

Frame: 19” H x 23” W x 1.25” D

1093

Overall good condition with tarnishing and light scratches commensurate with age. Three personalized.

1094

Overall good condition with tarnishing and light scratches commensurate with age.

1095

Each overall good condition with tarnishing and light scratches commensurate with age. Eight personalized.

1096

Each overall good condition with tarnishing and light scratches commensurate with age.

1097

Each overall good condition with tarnishing and light scratches commensurate with age. Most personalized.

1098

Overall good condition with scattered scuffs, scratches, and minor nicks commensurate with age and use.

1099

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1100

Each overall good condition with tarnishing and light scratches commensurate with age.

1101

Pea-sized or smaller foxmarks in all the margins. Mezzotint shows considerable damage from silverfish grazing to image surface. The bronze frame is missing 1” roundels to each corner.

Framed under glass: 34” H x 25.5” W x 1.5” D

1102

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With a break at the top of the spiral of the glass coil, mercury appears intact. Care should be taken when shipping items that contain mercury, please consult your preferred shipper for more information.

1103

Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Glass case has a significant crack in the top panel.

1104

The usual central vertical crease, with attendant short diagonal creases near the lower edge of the plate. At least three very small paper fills, with attendant pale staining, in the blank at upper center, the largest approximately pea-sized. A 0.5” vertical tear, and the tip of the upper left corner made-up, both issues just into the outermost portion of the engraved border at the upper left corner. Scattered pale foxing throughout. Not examined out of the frame.

Framed under glass: 28” H x 31.5” W x 0.75” D

1105

With the usual central vertical crease, partially split along the lowest 1.5 inches. An approximately 1.25” s-shaped tear in the cartouche at lower left. A diagonal printer’s crease across the upper left corner of the plate. Four vertical tears just into the plate at the lower edge. Not examined out of the frame.

Framed under glass: 28.25” H x 31.5” W x 1” D

1106

Overall good condition, with the usual central vertical fold. Not examined out of the frame.

Framed under glass: 23.5” H x 26.5” W x 1” D

1107

Overall good condition with wear commensurate with age. The maps with some rippling. The pages with deckled edges. A small pin-sized black ink mark to the verso. The corners with some bumping.

1108

Overall good condition with shelf wear, scuffs, scratches, and tarnishing commensurate with age. Lacking one jewel in the lid’s rim.

1109

Overall good condition with tarnishing and light scratches commensurate with age. With areas of bending to elements throughout, the reins separated, and some of the enamel harness is detached but accompanies the lot.

1110

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1111

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Surface grime present inside and out. No evidence of repairs or restorations under blacklight.

1112

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. One small, inherent casting flaw on the edge of the tail. C-shaped scratch above one eye.

1113

Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1114

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: a break to the tip of one crest feather and a small chip to the base.

1115

Each overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1116

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1117

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1118

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Seal with adhesive felts pads to underside. Working condition of clock unknown. Moran’s does not guarantee the working condition of clocks and watches.

1119

Each overall good condition with tarnishing and light scratches commensurate with age. The teapot with a small indentation to the side.

1120

Overall good condition with tarnishing and light scratches commensurate with age.

1121

Overall good condition with tarnishing and light scratches commensurate with age.

1122

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1123

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: the yellow cockatoo with a small surface chip to one claw.

1124

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1125

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1126

Visual of each: Dust accumulation and flecks of grime commensurate with age. The first overall good condition. The second has slight stretcher bar creases along all edges, except the lower edge. Pea-sized or smaller areas of flaking, unstablility, and paint loss concentrated at the lower edge, the largest measuring 0.25” H x 0.75” W. Craquelure scattered throughout the lower region. A 0.125” H unobtrusive area of paint loss at the center left.

Blacklight of each: Touch-ups scattered throughout, concentrated at the upper background. Difficult to read under uneven varnish.

Frame of each: 23” H x 26.75” W x 1.75” D

1127

Each: Overall good condition. Toning and varnish discoloration commensurate with age. “Warter” with scattered areas of spotting, pea-sized or smaller, in the sky. Each: Unexamined out of the frame.

Each framed under glass: 13.75” H x 25” W x 1” D

1128

Plate 2: Overall good condition. With wide margins, binding holes along the extreme left margin edge. Minor dust accumulation and very pale staining commensurate with age. A small unobtrusive foxmark in the blank at lower left. A 0.25” horizontal tear at the right margin edge, not affecting the plate. Hinged to the backmat at the verso upper margin corners. The other three plates unexamined out of their frames, however, they appear to be in similar overall good condition.

Frame under glass: 17” H x 20.25” W x 0.75” D

1129

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With scattered small fleabites and abrasions to glass throughout. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1130

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With previous professional restorations.

1131

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1132

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with professional repairs.

1133

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Refinished.

1134

Overall good condition with scattered scuffs and scratches joints commensurate with age. Marble with scattered chips, abrasion, and fills/repairs, possibly inherent to the time of manufacture. Mounts loose.

1135

Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. Minor areas of selvage edge wear.

1136

Overall good condition commensurate with age and use.

1137

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1138

Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1139

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wiring should be checked by a qualified electrician prior to use.

1140

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with minor areas of lifting, surface abrasions, and chipped losses. The painted roundels with inherent, typical craquelure. The central upper cabinet door lock nonfunctioning, the interior of the door that would receive the lock is broken. Includes key.

1141

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One soup bowl with a repair to the handle.

1142

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Showing signs of wear to gold enamel.

1143

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1144

Overall good condition with creasing and minimal signs of wear commensurate with age. Some scattered stitch loss.

1145

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Localized area of sun fading.

1146

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Minor repairs to three finials.

1147

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1148

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1149

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor stitch loss to selvage edges and fraying to the fringe edge.

1150

Overall fair to good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fraying and losses to the fringe edge, scattered staining throughout, moth damage, and fading. Localized area of heavy wear with a 3” hole.

1151

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: some fraying and unweaving at the fringe and selvedge edges, moth damage, localized staining, and light fading throughout. One patch/repair to the center.

1152

Overall good condition with wear, minor scuffs, abrasions, and inherent inclusions commensurate with age. Two areas of small chipping with surrounding fractures visible to the verso.

1153

Overall fair to good condition with shelf wear, scattered minor scuffs, scratches, and inherent production flaws commensurate with age and use. One sizable chip (1.25”) to the enameled surface along the edge of the upper left quadrant.

1154

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. The washer bowl has some rubbed wear to glazed edges. No evidence of repairs or restorations under blacklight.

1155

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Pottery has adhesive residue and tape to the underside. Several small pinholes in glaze inherent to the firing process. No evidence of repairs or restorations under blacklight. Slight fading and wear to the finish of the wood stand.

1156

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1157

Each overall good condition with scattered scuffs and wear commensurate with age.

1158

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: some losses to the fringe edges, small areas of moth damage, localized area of abrash and fading, and scattered minor repairs, including patches to each corner.

1159

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered repairs and patches throughout, localized areas of abrash and fading, and moth damage.

1160

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Abrash to quarter of the rug.

1161

Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. The painted enamel Roman Numeral for nine has been lost and was replaced with a piece of paper with ‘IX” stenciled on it. Surface grime present on each. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1162

Visual: Overall good condition. Surface grime commensurate with age. Scattered stable craquelure. The canvas has been strip-lined.

Blacklight: Scattered touch-up throughout, mostly pea-sized, the largest approximately 0.5” H x 1.5” W at the lower left. Difficult to read under varnish.

Frame: 32” H x 45.5” W x 7.5” D

1163

Overall good condition. With nearly full margins. Very pale mat staining showing in the outer margins. Occasional pinhead-sized foxing showing mostly in the margins. One pea-sized foxmark near the lower left margin corner. Very minor handling creases in the outer margins. Hinged to the back mat in two places at the verso of the upper margin edge.

Framed under glass: 42” H x 32.75” W x 1.5” D

1164

Each piece overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. One seal with chipping and loss to the decoratively glazed surface. Felt pads applied to the underside of the feet. No evidence of repairs or restorations under blacklight.

1165

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age and use. Surface grime present on each. Each with rubbed wear to gilt decoration, particularly at the edge. Oxidation of the gilt surface on the finials in particular as well as loss of the gold glaze. Hairline cracks present on the interior of one of the lids. No evidence of repairs or restorations under blacklight for each.

1166

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age and use. Surface grime present on each. A 0.25” circular area of loss to the glazed motif on one. Recesses to the glaze/pinholing are present in the surface for each. There oxidation of the gilt surface as well as loss of the gold glaze for each. Each with rubbed wear to gilt decoration, particularly at the edge. No evidence of repairs or restorations under blacklight for each.

1167

Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1168

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some minor losses to gessoed top and noticeably on legs.

1169

Each overall good condition with scattered scuffs and scratches joints commensurate with age. Some candle sleeves with chipping, bending, dents, and losses. Some mounts loose. Marble with scattered chips, abrasion, and losses, one with a repair to the neck. Wiring should be checked by a qualified electrician prior to use.

1170

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1171

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: light wear to selvage and fringe edges.

1172

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Even fading throughout.

1173

Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. Localized areas of low pile.

1174

Overall good condition with even pile-wear with scattered areas of low spots, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: evidence of light abrash and light wear to selvege and fringe edges.

1175

Overall good condition. An approximately dimesized, slight surface irregularity in blank of the paper, upper center, visible only in raking light. A small series of delicate diagonal creases in the blank upper and lower left corners of the sheet, apparently attendant with the delicate paper being laid to the support board.

Framed under glass: 33.25” H x 19” W x 0.5” D

1176

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. No losses, tears or repairs to silk or frames. Evidence of foxing ender silk panels.

1177

Overall good condition with scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Light abrasion and joint separation on frame, as well as losses to the lacquered surface. Adhesive reside from a sticker in the upper right corner of the frame. Minor warpage to thin wood panel on reverse.

1178

Overall fair to good condition with heavy tarnishing and light scratches commensurate with age. The floral festoons with breaks, one missing.

1179

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With some light abrasion and losses to area where portrait medallion is inserted. Includes key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1180

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. More prominent shrinkage cracks to the drawers. Lacking keys.

1181

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1182

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scuffs and scratches to the wood bases, minor repair to one tail.

1183

Overall good condition with minor scuffs and oxidation to the bronze commensurate with age. The sculpture is slightly loose from the marble base.

1184

Each overall good condition with scattered scuffs and wear commensurate with age. Minor repairs to tops, one with minor losses to black stone. With professional restorations to black lacquer finish.

1185

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1186

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Wiring should be checked by a qualified electrician prior to use.

1187

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Areas of woodworm throughout. Modern reinforcements. Includes key.

1188

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1189

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with rubbed wear to the gilt.

1190

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With minor losses to veneer at top edges.

1191

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Significant rubbed wear and oxidizing to the gilt handles and rim for each. Surface grime present on each, which is heavier on the interior of both. No evidence of repairs or restorations under blacklight.

1192

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1193

Visual: Overall good condition. Dust accumulation, grime, and varnish discoloration commensurate with age. A few unobtrusive hairline horizontal surface cracks in the panel.

Blacklight: Two approximately pea-sized touch-ups in the foliage to the right of the peacock. Apparently no other touch-ups. Difficult to read under heavy varnish.

Frame: 15.5” H x 20.5” W x 3” D

1194

Visual: Overall good condition. Varnish discoloration and craquelure throughout. Stretcher bar creases along the edges. An area of varnish loss upper right.

Blacklight: Touch-up scattered throughout, concentrated mainly in the sky.

Frame: 30.25” H x 34” W x 3.25” D

1195

Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1196

Overall good condition with minor scuffs and oxidation to the bronze commensurate with age. Minor surface dust commensurate with age.

1197

Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The marble top with a crack running through.

1198

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1199

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1200

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized areas of abrash, repair to the selvage edge, moth damage, and fraying to the fringe edges.

1201

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fraying and losses to the fringe and selvedge edges, moth damage, localized areas of heavy pile wear, and light fading and abrash.

1202

Overall good condition with abrash, soiling, and areas of low spots throughout commensurate with age. Repairs throughout, the longest: 19”. Asymmetrical. Losses to selvage and fringe edges. Some re-weaving to fringe edges.

1203

Overall good condition with minor scuffs and oxidation to the bronze commensurate with age. With scattered areas of small surface chips to the finish. The foot that is attached to the rug is loose.

1204

Visual: Overall good condition. Surface dirt and grime. Minor frame abrasion along the edges. Signs of overcleaning scattered throughout.

Blacklight: Touch-up throughout the sky.

Frame: 29.25” H x 41.25” W x 2.25” D

1205

Visual: Overall good condition. Frame abrasion along the lower and left edge. Small scattered specks of house paint. Fine and stable craquelure throughout the figure.

Blacklight: Areas of touch-up scattered throughout. Difficult to read under heavy varnish.

Frame: 35.375” H x 30.25” W x 2.375” D

1206

Each overall good condition with wear commensurate with age. Each with abrasions and minor losses.

1207

Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Large crack to the belly of one putto. Losses to painted surface throughout on each. One putto is missing a wing and mounted wings are loosely adhered to each. Both figures appear to have later-date restorations to the verso (paint color does not match). Modern mounting hooks also added to the back side of each for hanging.

1208

Overall good condition with wear and scuffs commensurate with age.

1209

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1210

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1211

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1212

Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear to red surafce throughout.

1213

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Adhesive residue to the underside. Surface grime on the interior.

1214

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.

1215

Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Lacking some inset stones.

1216

Overall good condition with wear, minor scuffs, abrasions, and inherent inclusions commensurate with age.

1217

Visual of each: Heavy craquelure scattered throughout. Stretcher bar creases along all four edges. Dust accumulation and grime commensurate with age. The first has frame abrasion along the upper and right edge. The canvas is slightly rippled near the right edge.

Blacklight of each: Areas of touch-up scattered throughout, primarily in the background. Difficult to read under varnish.

Frame of each: 24.125” H x 44.5” W x 2.5” D

1218

Visual: Heavy craquelure scattered throughout. A 2.5” horizontal area of unstable craquelure in the lower left corner. Stretcher bar creasing along all four edges. The canvas is loose and rippled throughout, but concentrated at the upper left and lower right corner. Minor dust accumulation and grime commensurate with age.

Blacklight: Apparent touch-up scattered throughout. Difficult to read under heavy varnish.

Frame: 28.5” H x 34” W x 2” D

1219

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1220

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1221

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1222

Overall fair condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: patches and repairs throughout, abrash and fading in localized areas, and possible moth damage. Some light wear to fringe edge.

1223

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Areas of abrash and extensive scattered areas of low spots. Areas of moth damage throughout.

1224

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: moth damage, areas of reweaving, and pile wear.

1225

Overall good condition with tarnishing and light scratches commensurate with age. Some areas of lifting or flaking to the silvered finish.

1226

Overall good condition with tarnishing and light scratches commensurate with age. The velvet with slight fading.

Frame: 1.5” D x 16” Dia.

1227

Overall good condition with tarnishing and light scratches commensurate with age. Mounted for wall hanging.

1228

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some cracks throughout as well as surface scratches.

1229

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Showing signs of wear to gold enamel.

1230

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1231

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1232

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1233

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The wood with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1234

Overall good condition with minor scuffs and oxidation to the bronze commensurate with age. Child figure with slight looseness to upper torso component.

1235

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1236

Each overall good condition with scattered scuffs and wear commensurate with age. With scattered small chips to edges of crystals. Wiring should be checked by a qualified electrician prior to use.

1237

Each overall good condition with scattered scuffs and wear commensurate with age. With scattered small chips to edges of crystals. Wiring should be checked by a qualified electrician prior to use.

1238

Overall good condition with scattered scuffs and scratches commensurate with age.

1239

Each overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1240

Each overall good condition with scattered scuffs and scratches commensurate with age. Bism Allah Alrahman alrahim. In the name of Allah most merciful.

1241

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1242

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1243

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Two losses to leg mounts.

1244

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized areas of abrash and fading and scattered areas of repair, largest: 3” x 2”.

1245

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Several areas of noticeable abrash throughout. Wear to fringe and selvedge edge with losses to selvedge edge. Largest loss is 1” x 1” large. Evidence of localized moth damage.

1246

Overall fair to good condition with even wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fraying and losses to tassel fringe, scattered holes throughout, possible moth damage, and abrash and light fading in localized areas.

1247

Visual: Craquelure throughout. Frame abrasion along the four edges. The edge of the original canvas is visible along the left edge. Stretcher bar crease along the left edge. A 1” tear to the canvas upper right. A network of heavy unstable craquelure upper right. Two small chips of paint loss lower left corner. Surface dirt and grime throughout.

Blacklight: Large areas of touch-up throughout the right side of the painting. The largest a 12” H x 18” W area right center. Touch-up scattered along the lower edge. Touch-up to the eye of the elk.

Frame: 54.5” H x 74.5” W x 5.5” D

1248

Visual: Overall good condition. Craquelure throughout. An 11” surface scratch lower left. Small flecks of paint loss scattered along the lower edge. Minor frame abrasion. Signs of overcleaning scattered throughout.

Blacklight: Touch-up throughout. Difficult to read under varnish.

Frame: 43.75” H x 55.25” W x 3” D

1249

Overall good condition with wear and scuffs commensurate with age.

1250

Overall good condition with wear, scuffs, abrasions, and small chips commensurate with age. The globe with a previous restoration. Wiring should be checked by a qualified electrician prior to use.

1251

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1252

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1253

Each overall good condition with tarnishing and light scratches commensurate with age. The bowl with small indentations. Some attached elements loose.

1254

Overall good condition with scattered scuffs and wear commensurate with age.

1255

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Wear to the finish of the interior of the pot. Slight spotted discoloration on the underside of the lid. Possibly regilt at a later date causing some inconsistencies in the gold finish. Slight waxy residue on the underside.

1256

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With minor losses and lifting to the veneer one the legs.

1257

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipping to the gilt surface throughout.

1258

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1259

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Localized areas of moth damage throughout. Two holes, the largest is 1” diameter. Subtle wear to selvage edge and fringe.

1260

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor abrash, losses to the selvage edge, moth damage, and repair to the selvage edge cords. Additionally fraying and losses to the fringe edges with one edge of fringe cut off.

1261

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: losses to fringe edges and selvedge edges, localized areas of abrash, and moth damage.

1262

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. The enamel hour markers with some wear. Includes key and pendulum. The hands are broken. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1263

Overall good condition with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. Heavier shrinkage cracks to lid. The pull tab of the inner glazed lid is removed. Lacking key.

1264

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1265

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One with a 1” crack to upper right quadrant.

1266

Overall good condition with tarnishing, oxidation, and light scratches commensurate with age. The metal liner with heavy wear from use.

1267

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The lid with slight separation from bronze mount due to shrinkage. Light fading and wear to velvet interior. Lacking key.

1268

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One of the knobs on the lid of an interior compartment is loose from its mount. Velvet covering the writing surface has lost much of its pile. As well, gilt hardware has oxidation commensurate with age and use. Lacking key for lock.

1269

Each overall good condition with scattered scuffs and light scratches commensurate with age.

1270

Each overall good condition with scuffs commensurate with age. Wiring should be checked by a qualified electrician prior to use.

1271

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With prior repairs to the feet.

1272

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1273

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered veneer loss throughout.

1274

Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1275

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One foot bracket detached but accompanies the piece.

1276

Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear to finish on each. some components appear to have been repaired or readhered on each.

1277

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1278

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Heavy surface grime and discoloration on the interior of each. No evidence of repairs or restorations under blacklight.

1279

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Modern reinforcements to underside. Upholstery with fading, soiling/staining, and tears.

1280

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1281

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1282

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1283

Overall good condition. Wide margins, with binding holes and related soft handling creases along the extreme lower margin edge. Toning and time-staining showing in the margins and on the verso. Two stray brown stains near the left edge of the image. Scattered foxing in the image. Hinged to the back mat with linen tape at the verso of the upper margin corners.

Framed under glass: 14.5” H x 17” W x 0.75” D

1284

Good condition. Minor toning to the paper. Spots of staining to the paper throughout. A few light handling creases scattered throughout. Framed floating and hinged to the back mat.

Framed under glass: 26.75” H x 30.75” W x 1.5” D

1285

Each overall good condition with scattered scuffs, scratches, and minimal wear commensurate with age and use.

1286

Overall good condition with scattered scuffs, scratches, nicks and rubbed wear commensurate with age. The horse is slightly loose from the silver rock structure.

1287

Overall good condition with tarnishing and light scratches commensurate with age. Painted surfaces have yellowed varnish and scattered losses, the largest being on the hand of the Madonna. The wood surface on the verso is roughly hewn.

1288

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Slight yellowing of the varnish on painted surfaces.

1289

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Shrinkage cracks to lidded seat.

1290

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1291

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1292

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fraying and losses to the fringe edge, moth damage, scattered small holes throughout, areas of dye migration, localized area of abrash, and light fading.

1293

Overall fair to good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fraying and losses to the fringe and selvedge edges, scattered losses and holes (with the largest being 3” diameter), moth damage, localized abrash and fading.

1294

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Localized areas of wear to weave and areas of abrash.

1295

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fraying and wear to fringe edges, scattered pulled stitches, and fading.

1296

Overall good condition with minor scuffs and oxidation to the bronze commensurate with age.

1297

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1298

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1299

Overall good condition with tarnishing and light scratches commensurate with age. The liner with scattered small dents and heavier tarnishing from use. Areas of verdigris oxidation. A break to the middle leaves on one handle. Personalized to the central shields.

1300

Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Slight scratching to the underside of each glass insert.

1301

Each: Overall good condition with rubbed wear, minor scuffs and scratches, and oxidation to the bronze commensurate with age

Frame of Each: 8.625” H x 14” W x 1.25” D

1302

Each overall good condition with wear, scuffs, and scratches commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles. The plate with a small dent to the rim with attendant chip in enamel.

1303

Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Wear to the gilt glaze on the porcelain body of each candelabra. As well, each candelabra has slight bending of the arms. Surface grime present on each. Glazing is missing from the rear door. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1304

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1305

Overall good condition with wear and scuffs commensurate with age.

1306

Each overall good condition with wear, scuffs, and scratches commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles, as well as scattered small surface chips.

1307

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1308

Overall good condition with minor scuffs and darkening/oxidation to gilt bronze commensurate with age. Heavier oxidation and some verdigris on the interior. Surface grime throughout.

1309

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Inlaid stone with inherent surface-reaching fractures, inclusions, and abrasions.

1310

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Scattered darker inclusions throughout white marble plaque. Inherent surface-reaching fractures, inclusions, and abrasions in various stones throughout.

1311

Overall good condition with scattered scuffs and wear commensurate with age.

1312

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1313

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With previous professional restorations.

1314

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized areas of light fading and evidence of moth damage.

1315

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1316

Overall good condition with even pile-wear with areas of low spots, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to selvage and fringe edges with some losses, scattered moth damage throughout, and knot pulling throughout.

1317

Overall good condition with natural wear to embroidered silk foundation including scattered losses and tears commensurate with age and use.

1318

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Each with inherent surface-reaching fractures, inclusions, and abrasions. Each with surface grime and slight patina. ‘Winter’ with an epoxy repair to the base.

1319

Overall good condition with scattered scuffs and wear commensurate with age. With scattered small chipped losses to beveled top edges.

1320

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1321

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1322

Each overall fair to good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Some marring of the gilt bronze surface for each. The gilt bronze rim of the compote is lifting off, exposing the rim of the porcelain body, from which the paint is chipping off. Interior of the compote with severe scratching. Each of the urns have mounting putty on the feet. As well, all mounts for components are very loose for each. Lastly, one urn with scuffing of the cobalt surface near the juncture with the pedestal. On the same urn one mask handle is broken and missing the lower portion. No evidence of repairs or restorations under blacklight.

1323

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1324

Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. With professional repairs.

1325

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1326

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wiring should be checked by a qualified electrician prior to use.

1327

Each overall good condition with tarnishing, light scratches, and scattered small indentations commensurate with age. Each monogrammed: “HMH.”

1328

Each overall good condition with tarnishing, light scratches, and small indentations commensurate with age. Each monogrammed.

1329

Each overall fair to good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. One vase has evidence of extensive restoration, including epoxy to the underside and retouching of the gilt and polychrome throughout. The other vase has evidence of restoration in the form of retouching to the gilt and polychrome surfaces. Color and reflective qualities are not a match and the retouching is evident for both. A varnish appears to have been applied at a later date to both, inside and out, and has yellowed with age. Lastly, there is rubbed wear to the gilt rim of each.

1330

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One with a small 0.25” flaw to veneer on lacquered top at one corner.

1331

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

1332

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. The porcelain flowers with scattered chips, a loss to the smaller figure’s finger, and a possible repair to Athena’s hand. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1333

Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. A minor 0.5” abrasion to surface of one top.

1334

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Wood with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

1335

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1336

Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. One with a prior repair to the waist of one. Chips and abrasions to corners.

1337

Overall good condition with scuffs, rubbed wear to the applied gilt decoration, and tarnishing to bronze commensurate with age. Issues include, but are not limited to: repaired cracks to fluted base.

1338

Overall good condition with tarnishing and light scratches commensurate with age. Monogrammed to back of handle.

1339

Each overall good condition with tarnishing and light scratches commensurate with age. Eight pieces variously personalized.

1340

Each overall good condition with tarnishing, light scratches, and small indentations commensurate with age.

1341

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Localized area of light fading.

1342

Overall fair condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of unweaving to foundation.

1343

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fraying and losses to fringe edge, slight fading, moth damaged throughout, and scattered small holes throughout.

1344

Overall good condition with even pile-wear with localized areas of low spots down to foundation, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered knot pulling and wear to selvage edges and fringe areas with losses.

1345

Overall good condition with minor shelf wear, scuffs, light scratches, and tarnishing commensurate with age. Oxidized dial, hinged rear lid. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1346

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1347

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1348

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1349

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1350

Each overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1351

Each overall good condition with tarnishing and light scratches commensurate with age. Box interior with staining, surface scuffs, and remains of paper label.

1352

Each overall good condition with tarnishing and light scratches commensurate with age. Each with inherent casting flaws.

1353

Each overall good condition with tarnishing and light scratches commensurate with age. Three personalized.

1354

Overall good condition with minor scratches, and inherent firing flaws commensurate with age. Intentional wear to gilt frame to expose the red bole ground.

1355

Visual: Surface dirt and grime. Occasional very small areas of thinly-painted canvas which appear to be in the hand of the artist.

Blacklight: Scattered small touch-ups concentrated mostly along the upper and left edges. Difficult to read under varnish.

Frame: 24” H x 18” W x 2” D

1356

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: scattered small chips and losses to floral details. Wiring should be checked by a qualified electrician prior to use.

1357

Each overall good condition with scattered scuffs and wear commensurate with age.

1358

Each overall good condition with shelf wear, scuffs, and scattered commensurate with age.

1359

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With losses and chips to veneer. The leather surface with stains and soiling. Includes keys.

1360

Each overall good condition with minor scuffs and darkening/oxidation to gilt bronze commensurate with age. Several mounts loose on each. Some bending to the arms of each candelabra.

1361

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1362

Overall fair to good condition with tarnishing/ oxidation, indentations, and light scratches commensurate with age. A large dent to the shoulder. Possible scattered repairs. Silver purity is undetermined, likely .800 silver. Weight does not include copper liner.

1363

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Areas of veneer shrinkage and buckling throughout. Doors lacking hinges and attachment screws to bonnet top.

1364

Each overall good condition with minor shelf wear, scuffs, light scratches, and oxidation commensurate with age. One wirh a bent finial, finials don’t match. Each glass insert with fleabites to the bottom edge where it meets the bronze. Wiring should be checked by a qualified electrician prior to use.

1365

Each overall good condition with tarnishing, light scratches, and scattered small indentations commensurate with age. The tray with localized spots of heavier wear to the finish.

1366

Overall good condition with tarnishing, light scratches, and scattered indentations commensurate with age.

1367

Overall good condition commensurate with age. Stable age crack around neck and feet on top portion of sarcophagus.

Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Smallest box is missing 1.75” of quills on one side. Each missing several inlaid ivory discs. Second largest box has several pieces that have fallen off and are retained inside of the box. Both of the larger boxes with the hinged lids are lined with fabric on the interior of the lid. Fabric on the interior of the largest box is degraded and falling off of the wood substrate.

Lastly, the hinge on the left side of the second largest box is separated and missing a key component.

SPECIALISTS

Head of Sale, Vice President, Furniture & Decorative Arts Director

Roland Rynkiewicz

President, Auctioneer Jeffrey J. Moran

Senior Vice President Morgana Blackwelder AAA Vice President, Silver, Western, and American Indian Specialist Maranda Moran

Fine Art Director Jenny Wilson

Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen

Senior Fur niture & Decorative Arts Cataloguer Shannon Dailey Fur niture & Decorative Arts Cataloguer Sarah Beaver

Fine Art Cataloguer Anne Spink Fine Art Cataloguer Madison Ari Post-War & Contemporary Fine Art Specialist Hayden Hunt 20th Century Design Specialist Matthew Grayson Silver, Western and American Indian Cataloguer Sally Andrew Jewelry Director Mollie Burns Keith, G.J.G

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain Finance Administrator Jamie Holthouser

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Operations Coordinator Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Angel Sanchez Art Handler Jacob Baer Art Handler Alek Ellis

MARKETING

Advertising & Marketing Director, Art Design Nathan Martinez Brenda Smith PR Manager/Social Media Graphic Designer Brian Olivas

PHOTOGRAPHY

Photographer Keith Berson

Photographer Madison Torres

Photographer Michael Mizerowski

TRUSTS & ESTATES

Department Administrator Melissa Brownell

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS:

BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments

$500 - $950 @ $50 increments

$1,000 - $1,900 @ $100 increments

$2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments

$10,000 - $19,000 @ $1,000 increments

$20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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AUCTION HOUSE AS AGENT

Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION

(a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

(b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

(c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION

(a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording.

(b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment.

(c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive.

(d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

(e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION

(a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full.

(b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service

(c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date.

(d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee.

(e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY

(a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot.

(b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability.

(c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

(d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

(e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase.

(f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS

(a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

(b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California.

(c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.

(d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.