The Traditional Collector — April 25 & 26, 2023 | John Moran Auctioneers by johnmoranauctioneers

The Traditional Collector

A Two-Day Auction | April 25th & 26th, 2023

SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m

The Traditional Collector A Two-Day Auction | April 25th & 26th, 2023 Sale 244 145 East Walnut Avenue, Monrovia CA 91016

Day 1: April 25th, 2023—12pm (Lots 1001-1273) Day 2: April 26th, 2023—12pm (Lots 1274-1516)

This is an interactive catalogue. Click on any item description or hyperlink for more information.

Previews:

Friday, April 21st: 12-4pm Saturday, April 22nd: 12-4pm Monday, April 24th: 12-4pm Tuesday, March 14th: Doors open 10am

Meet the Team Roland Rynkiewicz Head of Sale, Vice President roland@johnmoran.com

Shannon Dailey Senior Decorative Arts Cataloguer shannon@johnmoran.com Sarah Beaver Grant Stevens Decorative Arts Cataloguer Decorative Arts Cataloguer sbeaver@johnmoran.com grant@johnmoran.com Anne Spink Fine Art Cataloguer anne@johnmoran.com

Madison Ari Fine Art Cataloguer mari@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

Jamie Holthauser Client Services jamie@johnmoran.com

Bryan Ortega Client Services bryan@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

Day 1 April 25th, 2023—12pm PDT Lots 1001-1273 4

T he Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1001

A Tiffany & Co. Aesthetic Movement sterling silver tea service

Circa 1873-1891, directorship of Edward Moore Each marked: Tiffany & Co. / 6536 Makers 4874 / Sterling Silver / 925-1000 / M Each with elaborate repoussé floral designs and high-profile angular handles, comprising a tea pot (6.25”), a covered sugar bowl (5”), and a creamer (4.5”), personalized, 3 pieces 57.16 oz. troy approximately $3,000-5,000

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1002

A pair of Meissen porcelain cockatoo figures

Late 19th/early 20th century Marked for Meissen [blue crossed swords]; further marked with impressed numbers Each glazed porcelain cockatoo with white and orange feathers on a tree stump, 2 pieces Larger: 10.375” H x 4” W x 6.75” D $600-800

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1003

A pair of Meissen porcelain bird figures

Late 19th/early 20th century Each marked for Meissen [blue crossed swords]; each with inscribed numbers “20” and “59” Each glazed porcelain parrotlet depicted on a stump, comprising a red parrot, model 20, designed by Johann Gottleib Kirchner (b. 1706) in 1730; and a lovebird, model 59, 2 pieces Larger: 12” H x 5.25” W x 4” D; smaller: 9” H x 5” W x 4” D $600-800

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1004

Suzanne Eisendieck

(1908-1998) “Juene Fille au Jardin” Oil on canvas Signed lower left: Suzanne Eisendieck; titled verso 15” H x 18” W $1,000-2,000 Provenance: The Paris American Art Co, Paris, France

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1005

A group of Versace “Le Roi Soleil” charger plates

20th century Each marked: Rosenthal / Germany / Versace / Le Roi Soleil Each Rosenthal for Versace, centering a figure with scrolled foliate border and gilt highlights on a red ground, 11 pieces Each: 0.875” H x 12.25” Dia. $1,000-1,500

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1006

A group of Versace “Le Voyage de Marco Polo” charger plates

20th century Each marked: Rosenthal / Germany / Versace / Le Voyage de Marco Polo Each Rosenthal for Versace, centering Chinese-style buildings surrounded by peacocks scrolled foliage on an orange and teal ground, 5 pieces Each: 0.875” H x 12.25” Dia. $500-700

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The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1007

An International 14k gold vanity set

Circa 1930s Comprising and a hand mirror, three brushes, a comb, three covered glass jars, nail file, a button hook, a shoehorn, a cuticle knife, and a nail buff, personalized, 13 pieces Mirror: 15.75” L x 4.875” W $6,000-8,000 Provenance: The Estate of Lady Leslie Ridley-Tree

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1008

A French singing bird automaton

Late 19th/early 20th century Stamped to the underside of the cage: Made in France The kinetic music box with giltwood base and squared wire cage with a domed top, three feather-covered birds on faux foliate perches on the interior, along with a brass metal stand, 2 pieces With stand: 67.25” H x 20” W x 6.5” D $800-1,000

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1009

An Omega windmill table clock

Circa 1950 Dial marked: Omega With enameled pictorial dial depicting a coastal windmill with figures loading a cart and black Roman numeral hour markers set in a glazed brass case with bun feet 4.625” H x 4.375” W x 2” D $500-700

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1010

A Cartier sterling silver tray

20th century Marked for Cartier sterling The rectangular tray with canted corners and beveled edge 1” H x 23” W x 15.5” D 82.23 oz. troy approximately $1,000-2,000

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1011

A group of Cartier sterling silver trays

20th century Marked for Cartier sterling Each rectangular tray with canted corners, 3 pieces Larger: 0.75” H x 12” W x 12” D; smaller: 0.75” H x 10.5” W x 10.5” D 66.71 oz. troy approximately $1,000-1,500

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1012

Katia Pissarro

(1936-2001) “Sandrine sur la Terrasse de la maison des Merles” Oil on canvas Signed lower left: Katia Pissarro; titled in ink verso 18” H x 21.75” W $500-700

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1013

Jules Joets

(1884-1959) Woman pouring tea at a table with mirror Oil on canvas Signed lower right: Joets; signed again on the stretcher, possibly in another hand 29” H x 23.75” W $500-700 Provenance: Ghenue, Emballeur [packer], Paris, France L. Helvig, Emballeur, Paris, France G. Chauvin, Emballeur, Paris, France

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1014

A Tiffany & Co. “Audubon” sterling silver flatware service

Mid-20th century Each marked: Tiffany & Co. Sterling Comprising 12 hollow-handled place knives (10.25”), 12 hollow-handled butter spreaders (6”), 11 (8.25”), 11 salad forks (6.75”), 11 cocktail forks (6.25”), 11 place spoons (7.25”), 11 oval cream soup spoons (7.125”), 11 teaspoons (6.25”), 90 pieces 132.22 oz. troy approximately $6,000-8,000 Provenance: The Estate of Lady Leslie Ridley-Tree

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1015

Georg Jensen (1866-1935)

An “Acorn” sterling silver flatware service Designed 1915, comprising 12 hollow-handled place knives (9.125”), 10 hollow-handled butter spreaders (6”), 13 place forks (7.5”), 11 salad forks (6.625”),- 1 cocktail spoon ( 5.75”), 10 place spoons (6.5”), 18 teaspoons (5.75”), 9 demitasse spoons (3.75”), 1 gravy ladle (7.5”), and 1 hollow-handled serving spoon (8.625”), 86 pieces Weighable sterling: 83.23 oz. troy approximately $4,000-6,000

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1016

A group of Versace “Le Roi Soleil” charger plates

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1017

xA group of Versace “Le Roi Soleil” salad plates

20th century Each marked: Rosenthal / Germany / Versace / Le Roi Soleil Each Rosenthal for Versace, with an octagonal form with scrolled foliate border and gilt highlights on a cobalt ground, 12 pieces Each: 0.75” H x 8.875” Dia. $600-800

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1018

A group of Versace “Le Roi Soleil” salad plates

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1019

A pair of Chinese Qianlong-style cloisonné vases

Late 19th/early 20th century Each with apocryphal mark for Qianlong Dynasty (1736-1795) Two brass and polychrome vases, geometric in form, each with dentil and keyed design as well as dragon mask and foliate enameled motifs, 2 pieces Each: 13.5” H x 6.5” W x 6.5” D $2,000-3,000

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1020

A monumental Chinese cloisonné vase

20th century Appears unmarked The baluster form vessel, the body enameled with all over polychrome foliate motifs on a turquoise ground, with two dragon handles, three guardian lion masks with rings handles, and three pixiu feet 30.75” H x 15” Dia. $800-1,200

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1021

A Bohemian art glass epergne centerpiece

19th century The centerpiece with a detachable center vase set on a stand with turn-down collar, acid-cut from opaque white to translucent glass decorated with panels of polychrome floral sprays alternating with diamond-cut panels against a field of gilt highlights 16” H x 8.5” Dia. $600-800

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1022

A pair of silver overlay trumpet vases

Early 20th century Appear unmarked Each cut translucent glass with silver overlay, 2 pieces Each: 12.25” H x 5” Dia. $500-700

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1023

Two small Continental porcelain cabinet vases Two works:

A Royal Vienna portrait vase Late 19th century Marked with blue painted Bindenschild; signed: Riemer; inscribed in German in black: Amor’s [illegible] The tall-neck vase centering a painted reserve of Diana and Cupid with gilt highlights on a cobalt blue ground 5.75” H x 3.25” Dia. A Sevres-style portrait vase Late 19th century Marked with blue underglaze double “L” containing “R” and inscribed in red: Mre Imple de Sevres The baluster-from vase centering a painted lozenge of a woman and putto against a red and gilt lattice motif ground with gilt-bronze mounts 5.5” H x 3.25” Dia. 2 pieces $400-600 32

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1024

A Jaeger-LeCoultre “Atmos” clock

Late 20th century Limited Edition: 70/500 Marked: Atmos / Jaeger Le Coultre / Swiss Made; Engraved: T.H.C. / Saudi Arabia 1977 With round dial, Arabic numeral hour markers, and a floating intermediate wheel housed in a glass and polished silver case 8.75” H x 7.125” W x 5.25” D $800-1,200

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1026

A Lalique “Tete D’Aigle” crystal mascot

Circa 1978 or later Signed: Lalique Æ France The frosted crystal mascot in the form of an eagle’s head 4.375” H x 3.375” W x 5.375” D $500-700

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1027

A Lalique “Zeila Panther” crystal sculpture

Circa 1980s-90s Signed: Lalique Æ France In frosted, clear lead glass depicting a crouching panther 4.25” H x 14.5” W x 3” D $800-1,200

1025

A Lalique “Versailles” crystal decanter

Circa 1978 or later Numbered 063 from the edition of unknown size Signed to the underside: Lalique Æ France Designed by René Lalique in 1939, the frosted clear lead glass decanter with translucent polished accents, a grapevine stopper, and a frieze of grapevines to the waist 12.25” H x 6.75” Dia. $600-800

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1028

A set of Baccarat “Harmonie” crystal barware

20th century Each with etched Baccarat mark Each designed with vertical beveled cuts, comprising a decanter with stopper (12.5” H x 3.25” Dia.), four double Old Fashioned glasses (4.25”), six Old Fashioned glasses (3.75”), and six small Old Fashioned glasses (3.125”), 17 pieces $600-800

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1029

An Art Deco Czech art glass vase

Circa 1930s The underside with illegible Czech inscription and dated 1937 The fluted, smoked glass vase with concave disc motif centering a frosted sunken relief of three agricultural figures 10.375” H x 7.75” Dia. $600-800 Notes: With impressed inscription “Dej Buh Stesti’” [God bless you] and engraved commemorative date to side “30.1.1938.”

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1030

A large Chinese Rose Medallion porcelain temple jar

Mid-19th century The famille rose porcelain jar with a Rose Medallion pattern, gilt highlights, and polychrome enamel decoration with alternating medallions of figures and birds against an abundant ground of green scrolls, flowers, and insects 25” H x 13.5” Dia. $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1031

A Chinese Rose Medallion porce

Mid-19th century The square body famille rose porcelai gilt highlights, and polychrome ename medallions of animals and birds again insects with opposed elephant mask h 19.5” H x 9” W x 7” D $1,000-1,500

elain vase

in vase with a Rose Medallion pattern, el decoration with alternating nst a ground of peonies, fruits, and handles

1032

A pair of Chinese Rose Medallion porcelain vases

Late 19th century Each famille rose porcelain vase with a Rose Medallion pattern, gilt highlights, and polychrome enamel decoration with alternating medallions of figures and birds against a scrolled gilt ground, 2 pieces Each: 14” H x 6.5” Dia. $800-1,200

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The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1033

A Japanese Rimpa School byobu screen

Circa 17th century, Edo period (1603-1868) Appears unmarked Ink, colors, and gold on paper depicting various flowers plants in six panels with a silk border Each panel: 61.375” H x 23.375” W x 0.75” D approx. $30,000-40,000 Provenance: From the estate of Kenneth and Margaret Childs, by descent

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1034

A Japanese Rimpa School byobu screen

Circa 17th century, Edo period (1603-1868) With Master of I-nen red seal Ink, colors, and gold on paper depicting multicolored chrysanthemums in six panels with a silk border Each panel: 68.25” H x 24.5” W x 0.75” D approx. $15,000-20,000 Provenance: From the estate of Kenneth and Margaret Childs, by descent

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1035

Mario Korbel

(1882-1954) “Andante, 1917 Patinated bronze Signed, dated, and inscribed in the casting: Mario Korbel / No. 1 © 27” H x 36” W x 6” D; with base: 30.25” H x 36” W x 10” D $20,000-40,000

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

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1036

RN 52266Pio Ricci

(1850-1919) “The Tiff” Oil on canvas Signed lower left: Pio Ricci; titled on a frame plaque 32” H x 24” W $6,000-8,000

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1037

Mather Brown

(1761-1831) “The Wedding of Henry VII and Elizabeth of York,” circa 1905 Oil on canvas Signed and inscribed along the lower edge, right of center: Mather Brown / Cavendish Square / London; titled and dated from a letter accompanying this lot 48.5” H x 40” W $4,000-6,000 Provenance: Gallery Stares, San Diego, CA Other Notes: This lot is accompanied by a letter written to Gallery Stares by Associate Professor Dorinda Evans, Emory University, Atlanta, Georgia, dated in ink 5/3/91. The letter outlines the attribution to Mather Brown, the subject matter, and the approximate date.

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1038

A Louis XVI-style commode after Jean-Henri Riesener

Early 20th century The large chest of drawers with puddingstone marble top over a parquetry inlaid carcass with two long drawers flanked by concave cabinets and decorated with gilt-bronze figural mounts 38.75” H x 83” W x 32.25” D $12,000-18,000

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The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1039

A Louis XVI-style commode after Jean-Henri Riesener

Early 20th century The large chest of drawers with white marble top over a parquetry inlaid carcass with two long drawers flanked by concave cabinets and decorated with gilt-bronze figural mounts 38.25” H x 81” W x 32.25” D $12,000-18,000

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1040

A Continental gilt-bronze mantel clock

Late19th/early 20th century The white enameled dial with black Roman numeral hour markers, outer minute track, and two train movement under a glass bezel and set in a slate case with gilt-bronze mounts and surmounted by a Dutch-style figure wearing a fur mantle and cloak playing a bagpipe, with a newer Kienzle movement 22.5” H x 11.25” W x 5.25” D $800-1,200

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1041

A Continental epergne centerpiece

Late 19th century/early 20th century The centerpiece with a black glass center trumpet vase and lower dish with turn-down rim and crocus flower border raised on a polished spelter base in the form of a woman surrounded by flowers 24.25” H x 11.25” Dia. $700-900

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1042

A French Louis XV-style tall case clock

Late 19th century With a gilt-metal dial with porcelain Roman numeral hour markers, outer minute track, and a decorated face plate under a glazed bezel and set in a Rococo-style glazed wood case with gilt-bronze mounts 92.5” H x 20” W x 14” D $5,000-7,000

The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1043

A bronze sculpture of Mercury, after Giambologna

20th century Signed to the base: Gianbologna [sic]; further marked: Firenze After the sculpture “Mercury” by Giambologna (circa 1580), depicting the Roman god, Mercury, brandishing a caduceus and wearing his winged helmet 34” H $800-1,200

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1044

Felix François Georges Philibert Ziem

(1821-1911) Sunset view of San Giorgio Maggiore island with ships and gondolas Oil on canvas signed lower left: Ziem 19.5”H x 31.5”W $10,000-15,000

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The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1045

A Bösendorfer Model 290 Imperial Concert Grand Piano

Circa 1985-86 Marked: Bösendorfer / Selected Artist Grand / Cristofori / Amsterdam; serial no. 38049-7147 With a black lacquer case, the single-owner example with ninety-seven keys, a full eight octaves, sound board, and rim case made of select naturally aged spruce, together with a Bösendorfer matching tufted bench, 2 pieces 39” H x 66” W x 114” L $30,000-40,000 Provenance: The Estate of Lady Leslie Ridley-Tree

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1046

Francois Boucher

(1703-1770) “The Vegetable Vendor: A Sheet of Studies,” c.1738 Red chalk heightened with white on buff paper Signed lower left: F. Boucher Image/Sheet: 10.375” H x 14.25” W $8,000-10,000 Provenance: David Tunick, Inc., New York, NY The Estate of Lady Leslie Ridley-Tree Literature: A. Ananoff, “L’Oeuvre dessine de Boucher” vol. I (Paris, 1966), No. 537, illus. Fig. 99 Other notes: According to a label affixed to the frame’s backboard, presumably prepared by David Tunick, Inc., this drawing is “A study for the important painting of ‘The Vegetable Vendor’ in the Chrysler Museum, Norfolk [VA], and related to the famous pastel of ‘The Boy with a Carrot’ in Chicago [Art Institute of Chicago], this drawing is an exciting rediscovery: It last appeared in 1925 in a sale in Paris, after which historians lost all trace of it. It had ‘vanished’ to a collector in South America until it was brought to New York this past year. It is here on public exhibition for the first time in 67 years.”

1047

Vajda Zsigmo

(1860-1931) A pair of winge Oil on canvas Signed center, 31” H x 37” W $1,000-2,000

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ond

ed putti

, at right: Vajda Zsigmond W

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1048

A Royal Crown Derby “Lombardy” porcelain service

Circa 1956-2008 Each marked for Royal Crown Derby, numbered variously Designed 1956, comprising 8 dinner plates (10.25”), 8 crescent salad plates (8.25), 8 round salad plates (8”), 8 bread and butter plates (6.125”), 8 soup bowl saucers (6.75”), 8 handled soup bowls (6.5”), 8 teacups saucers (5.75”), 8 teacups (4.75”), 4 demitasse saucers (5”), 4 demitasse cups (3.25”), 1 coffee pot (8.25”), 1 creamer (3.75”), 1 covered sugar bowl (4”), and 1 two-tiered serving tray (10”), 76 pieces $1,200-1,800

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1049

A Gorham “Versailles” sterling silver flatware service

Late 19th century Each marked for Gorham and sterling Designed 1888 by F. Antoine Heller, comprising 8 hollow-handled Old French dinner knives (9.625”), 5 hollow-handled Old French place knives (8.75”), 3 hollow-handled New French place knives (9.375”), 8 butter spreaders (5.75”), 1 master butter knife (6.625”), 9 dinner forks (7.75”), 11 luncheon forks (6.75”), 8 Old Style salad forks (6.75”), 8 oyster forks (5.875”), 8 small ice cream forks (4.875”), 10 teaspoons (6”), 8 five o’clock spoons (5.125”), 8 oval soup/dessert spoons (7.125”), 8 gumbo spoons (6.75”), 8 bouillon spoons (5”), 1 table/serving spoon (8.5”), 1 pierced table/serving spoon (8.5”), 1 large jelly spoon (7.25”), 1 jelly server (6.25”), 1 sugar spoon (6.125”), 1 sugar shell spoon (6.125”), 1 sugar tongs (4”), 1 gravy ladle (6.75”), 1 cream ladle (5.75”), 1 medium cold meat serving fork (8.125”), 1 hollow-handled pie server (10.125”), 1 hollow-handled carving knife (10”), and 1 hollow-handled carving fork (8.75”), 124 pieces Weighable sterling: 141.925 oz. troy approximately $4,000-6,000

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1050

A Horner-style carved wood refectory table

Late 19th/early 20th century With parquetry veneered raised on elaborately carved legs with acanthus scrolls and dolphin masks, joined by a stretcher with column supports, with two extending leaves and glass top 31.25” H x 83.5” W x 43.5” D; extended: 131.5” W $1,500-2,500

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1051

An American carved wood tall case clock

Late 19th century Dial signed: Elliot London With a silvered metal dial with brass Arabic numeral hour markers, outer minute track, subseconds dial, cut iron hands, a calendar, moon face, a decorated brass face plate, and three train movement, set in a Horner-style carved wood case with figural masks and glazed door revealing nine tubes, chimes every quarter hour, plays Westminster, Whittington and Canterbury 94.5” H x 29” W x 18” D $4,000-6,000

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1052

A Chinese blue and white porcelain candleholder

Qing Dynasty (1644-1911) Inscribed with three Chinese characters; further marked with a wax seal near the base The pillar-style ceramic candlestick with foliate and geometric motif decoration in blue underglaze on a white glazed ground; with carved wood stand, 2 pieces With stand: 16.5” x 5” W x 5” D $1,000-1,500

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1053

A Chinese export Dutch silver-mounted porcelain dish

Circa 1867; Netherlands Porcelain unmarked; silver with Dutch hallmarks for 934 purity silver dated 1867, maker’s mark: A.C Each blue and white porcelain with architectural landscape scenes and sterling mounted rims and finial, comprising a small lidded dish with underplate, 2 pieces Dish: 3.25” H x 5” W x 3.75” D; plate: 0.75” H x 6.125” W x 5” D $800-1,200

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1054

A Chinese hardwood cabinet

20th century With three drawers and a central double-door cabinet decorated with openwork carved brackets and metal hardware 34.75” H x 73.25” W x 18.25” D $400-600

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1055

A pair of Chinese armchairs

20th century Carved fruitwood yoke back armchairs with stretcher-style base 43” H x 23.5” W x 20” D $300-400

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1056

Felix Francois Georges Philibert Ziem

(1821-1911) “Venice” Oil on cradled panel Signed lower left: Ziem; titled on the gallery label affixed verso 12” H x 15.5” W $5,000-7,000 Provenance: Williams & Son, London, England

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1057

A pair of French Victor Paillard porcelain jardiniéres

Mid-19th century Cold stamped to the bronze: V.P.; porcelain signed: Barriat; further marked to the interior: No. 2 Each porcelain body with hand-painted decoration of pink anemones, violets, and butterflies with gilt accents on a celeste blue ground, flanked by a gilt bronze footed base with four figural putti and a pierced floral baluster rim, 2 pieces Each: 15.75” H x 14” Dia. $30,000-50,000 Other Notes: An important and prolific artist, Victor Paillard learned the art of the chiseleur working for the bronzier Deniere as a youth. He opened his studio casting works in bronze in the 1830ís, first appearing at the Exposition des Products de líIndustrie in 1839. He was a member of the jury at the Exposition Universelle in 1855 and was made a Chevalier of the Legion díHoneur. During this period, he was known to employ nearly one hundred craftsmen. In 1874 he became mayor of Parisís third district.

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1058

A French Louis XV Transitional-style commode

Early 20th century With a grey breakfront-style top over a five-drawer base with book match veneer, inlay strapwork, and a shaped apron 33.5” H x 51.25” W x 23.25” D $1,000-1,500

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1059

A French Louis XV vernis Martin-style vitrine

Late 19th/early 20th century The vitrine with a single-door glazed cabinet with silk-lined interior and two glass shelves over five vernis Martin-style painted pastoral figural scenes, with gilt-bronze mounts and raised on splayed feet with sabots 80” H x 49.25” W x 20” D $2,500-3,500

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1060

A Cardeilhac Christofle “Bagatelle” vermeil sterling flatware service

Circa 1970s Each marked for Cardeilhac and Christofle, further marked: Sterling / France Comprising 39 hollow-handled dinner knives (9.375”), 23 hollow-handled luncheon knives (8.5”), 15 fish knives (8.125”), 2 hollow-handled steak knives (11”), 4 master butter spreaders (6.375”), 36 dinner forks (8.375”), 12 salad forks (7.625”), 12 luncheon/dessert forks (7.5”), 24 small fish forks (5.75”), 23 oyster forks (5.25”), 6 tablespoons (8.5”), 25 place spoons (7.375”), 24 teaspoons (5.25”), 24 demitasse spoons (4”), 24 ice cream spoons (5.125”), 2 sugar tongs (4.875”), 4 hollow-handled pie servers (10.375”), 3 cake serves (10.5”), 2 pastry servers (11.375”), 3 serving spoons (10.25”), 4 serving forks (10”), 3 salad serving spoons (9.75”), 4 salad serving forks (10”), and 1 ladle (11.25”), 319 pieces Weighable sterling: 437.555 oz. troy approximately $10,000-15,000 Provenance: Acquired at Asprey, London, England

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1061

A group of Christofle “Lotus” gilt silver-plated table items

Circa 1935-1983 Each marked for Christofle France Each “Lotus” pattern gold electroplate over silver plate, comprising 3 graduated oval platters, 1 fish platter, 2 round chargers, 2 round bowls. and 2 handled bowls, 10 pieces $800-1,200

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1062

A French champlevé, onyx, and gilt-bronze jardiniËre

Late 19th century Appears unmarked The tripod-footed vessel with onyx and champleve body and gilt-bronze lion masks, pinecone finial, and pierced baluster foliate rim 11” H x 10.5” Dia. $2,000-3,000

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1063

A pietra dura plaque depicting a vase with flowers

20th century Signed to verso in Farsi- and English: “Mian Naoi Uddin” The white marble plaque with various semi-precious stones and abalone shell inlaid, depicting a still life of flora in a vase set upon a tabletop 21.5” H x 15” W x 0.5” D $700-900

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1065

A pair of French Henry Dasson-style gilt-bronze candlesticks Late 19th century Each with impressed mark: HD Each in the form of a putti holding aloft a rose, 2 pieces 10.75” H x 4” Dia. $1,800-2,400

1064

A French gilt-bronze mantel clock

Late 19th century Dial signed: Hry [Henry] Dasson; movement appears unsigned Th white enameled dial with black Roman numeral hour markers, Arabic numeral outer minute track, and two train movement under a glazed bezel and set in a gilt-bronze Rococo-style case with lurael festoons topped by two birds in a nest 11” H x 5.75” W x 4.7” D $1,800-2,400

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1066

A Christofle silver-plate meat carving trolley

Mid-20th century Marked: Orfeverie / Christofle / Paris France The rolling cart with revolving silver-plated lid revealing a fitted interior for carving meats with carving surface, sauce basins, and lower warming burner raised on a mahogany base with wheels 42” H x 31” W x 20” D $2,000-3,000

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1067

A bronze sculpture of Archimedes

Late 19th century Appears unmarked The figural patinated bronze depicting the Greek scholar in classical dress, holding a compass and a tablet, with a tool known as “Archimedes screw” at his feet 17” H x 7.5” W x 6” D $600-800

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1068

A pair of Bailey, Banks & Biddle sterling silver trays

Early 20th century One marked: Bailey Banks & Biddle / Philadelphia; each marked: Sterling / 2042 / [maker’s mark for Frank Smith] Each with a pierced, undulating acanthus rim and reticulated pattern to the interior, personalized, 2 pieces 47.735 oz. troy approximately Each: 3.5” H x 14.5” W x 12.125” D $4,000-5,000

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1069

A Gorman sterling silver tea and coffee service

Early 20th century Each marked for Gorham sterling, numbered: 1004-2 Each with chased flowers and scrolls, comprising coffee pot (11”), a teapot (8.75”), a creamer (5.5”), and a covered sugar bowl (6.5”), sold together with two sugar tongs by various makers, personalized, 6 pieces 80.71 oz. troy approximately $1,500-2,000 Provenance: The Estate of Lady Leslie Ridley-Tree

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1070

A German Hanau silver centerpiece bowl

Late 19th/early 20th century With various Hanau hallmarks, possibly for B. Neresheimer & Sohne The bowl in the form of an openwork basket with ribbon bows and laurel festoons, with a thick cobalt blue glass insert 17.5” H x 13” W x 16” D 69.98 oz. troy approximately $1,500-2,000

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1071

A German Hanau sterling silver tea and coffee service

Late 19th/early 20th century Each marked for sterling; coffee pot marked: Hanau-R / Handarbeit Each with repoussé floral motif, comprising a coffee pot (9.875”), a teapot (8.5”), a creamer (6”), and a covered sugar bowl (5.5”), 4 pieces 79.72 oz. troy approximately $1,200-1,800

1072

Two German sterling silver master salt cellars

Late 19th/early 20th century Each marked: Sterling / German / 925 / 2 Each with a shell-form bowl raised on a Classical-style dolphin, 2 pieces Each: 6.25” H x 4.25” W x 3.125” D 14.78 oz. troy approximately $800-1,200

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1073

A Chinese export French-style automaton clock

Early 20th century Signed to mechanism: Cheon S’Nag Comton Painted and enameled face with Roman numeral hour markers set in a decorative case with pineapple finial, mechanized leaves, tiered rotating figural merchant and animal scenes on four elaborate scrolled feet Clock: 34” H x 12.75” W x 8.5” D $20,000-30,000 Provenance: Private Collection, Los Angeles, CA w w w. j o h n m o r a n . c o m

1074

A Chinese export Dutch silver-mounted porcelain teapot

Circa 1870; Netherlands Porcelain unmarked; silver with Dutch hallmarks for 934 purity silver dated 1870, maker’s mark illegible The blue and white porcelain teapot with chrysanthemum motif, figural dragon spout, and silver mounted rims and feet 11.25” H x 7.75” W x 6.25” D $3,000-4,000

1075

A pair of Chinese export Dutch silver-mounted porcelain dresser bottles Circa 1861; Utrecht, Netherlands Porcelain with Artemisia leaf-style mark; silver with Dutch hallmarks for 833 purity silver from Utrecht dated 1861, maker’s mark “HS” under a basket The blue and white porcelain possibly early Qing Dynasty or later, each silver mounting with European-style decoration of rocaille and flowers and the porcelain decorated with climbing branches and flowers, 2 pieces Each: 10.5” H x 4” Dia. $2,000-3,000

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1076

A Persian painting on ivorine 20th century Appears unsigned Watercolor on ivorine 17.75” H x 13.875” W $300-500

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1077

A Persian Kerman palace-sized rug

Early 20th century Wool on cotton foundation, with elaborate polychrome floral motifs with vines and medallions in hues of red and blue on a light brown field, with a cut-down segment, please see condition report 30’9” L x 15’1” W $2,500-3,500 Provenance: The Estate of Lady Leslie Ridley-Tree

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1078

A Persian Serab runner

Late 19th/early 20th century; Iran Camel hair on wool foundation, with polychrome geometric diamond motif 9’ L x 4’1” W $1,000-1,500

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1079

An India Agra-style rug

Late 20th century Wool on cotton foundation, with a repeating foliate pattern in hues of pink, beige, green, and blue on a black field 5’5” L x 3’5” W $500-700 w w w. j o h n m o r a n . c o m 1 0 1

1080

Johann Georg Stuhr

(1640-1721) “View of Mediterranean Seaport” Oil on canvas laid to canvas Signed lower left: JG Stuhr 19” H x 26” W $4,000-6,000 Provenance: Sold: Christie’s, London, England, September 12, 1937 William M Sabin and Sons, London, England, acquired from the above Mrs. Hetty Field, London, England, acquired from the above, June 1, 1938 By descent to the current owner, Los Angeles, CA Other Notes: This lot is accompanied by the original paperwork issued by William M Sabin and Sons, London, England, dated June 1, 1938.

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1081

A Steinway Style 2 Grand Piano

1867 Marked: Steinway & Sons / Makers / New York / London / Hamburg; serial no. 15846 With a polished rosewood case with scrolled acanthus motifs 38” H x 54.25” W x 86” D $8,000-12,000 Other Notes: Sold by order of the court pursuant to the Mark Abbey Slotkin legal case and subject to our bankruptcy terms. ‘As-Is’ all sales final.

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1082

A pair of Satsuma-style porcelain and gilt-bronze candelabra

Early 20th century Porcelain marked with red Japanese characters to underside; bronze signed in the casting: F. Barbedienne Each with a gilt and enameled Satsuma-style porcelain body depicting various figures fitted with a French gilt-bronze foot and seven-branch candelabrum, 2 pieces 34” H x 15.5” Dia. $5,000-7,000

1083

A Victorian Renaissance Revival library table

Late 19th century With intaglio carved gilt highlights and ebonized accents, the top with floral marquetry inlay raised on a turned and carved X-stretcher 29” H x 37.5” W x 25” D $800-1,200

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1084

After Antonin Mercie

(1845-1916) “David Le Vainqueur,” late 19th century Patinated bronze Signed to the base: A. Mercie; further marked for foundry: F. Barbedienne Fondeur Paris / A Collas Brevete [medallion] 41” H x 23” W x 11.5” D $3,000-5,000

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1085

A Lavar Kerman pictorial rug, depicting Reza Shah Pahlavi

Circa 1930s; Southeast Iran A fine hand-knotted woolen pile on cotton foundation, with elaborate polychrome floral ground centering a portrait of Reza Shah surrounded by a border of Persian historical figures and animals 8’9” L x 5’8” W $40,000-60,000

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1086

A pair of French Louis XVI-style armchairs

Late 19th/early 20th century Each chair with carved giltwood carcass and pink upholstery, surmounted by acanthus leaf crest flanked by two scrolled arms with elbow pads and raised on four spiraled legs, 2 pieces Each: 39.25” H x 25.5” W x 24” D $800-1,200

Top Detail View

1087

A French Louis XVI-style gilt-bronze and porcelain gueridon table

19th century Tabletop porcelain plaque signed: A. Gisard; further marked: Louis XVI The tripod table with an inset painted porcelain plaque depicting the Sun King framed with oromulu wreath and foliate mounts as well as four diminutive porcelain portrait plaques radiating around a central sunflower motif 26.25” H x 16” Dia. $1,500-2,500

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1088

A Persian Sultanabad runner

20th century; Iran Wool on cotton foundation, with polychrome floral motifs in hues of green and blue on a red field 12’4” L x 9’2” W $3,000-4,000

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1089

A Persian Sultanabad runner

Early 20th century; Iran Wool on cotton foundation, with polychrome scrolled floral motifs on a blue field 15’ L x 3’5” W $2,000-3,000

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1090

A Persian Kashan rug

Mid-20th century; Iran Signed: Gharidi Mahamaed Ghraidi A central medallion on red wine ground; Kork wool and silk on cotton ground 11’10” L x 8’8” W $2,500-3,500

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1091

Sergio Cirno Bissi

(1902-1987) “Florence,” 1964 Oil on canvas Signed, titled, and dated lower left: Bissi / Firenze 19.5” H x 25.5” W $800-1,200

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1092

Sergio Cirno Bissi

(1902-1987) “Il Giullare (The Jester)” Oil on canvas board Signed lower left: S C Bissi and inscribed Firenze; titled by repute 28” H x 20” W $400-600 Provenance: Sold: Treadway/Toomey Auctions, Cincinnati, OH, “20th Century Art and Design,” December 1, 2012, Lot 676

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1093

Sergio Cirno Bissi

(1902-1987) Ballerina, 1958 Oil on canvas Signed and dated lower left: S.C. Bissi 9.5” H x 7” W $300-500

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1094

A Korean Joseon Dynasty blue and white porcelain vase

Late 17th/early 18th century, Joseon Dynasty (1392-1910) Appears unmarked The bottle-form vessel, decorated in a blue and green underglaze with “ hwahwe yÚngmohwa” motifs of bamboo, flowers, water, and birds on a white glazed ground 20.5” H x 9.5” Dia. $5,000-7,000 Provenance: Property of the American Broadcasting Company, New York Walt Disney Co., Burbank, California, acquired by corporate merger with the above Private Collection, Los Angeles, California, acquired from the above Notes: The production of blue-and-white wares began in Korea around the mid-fifteenth century, the result of influence from the Ming dynasty (1368-1644) wares of China. In the early Joseon dynasty (1392-1910), the Koreans had to import ore from China to make cobalt blue. The first reference to a blue-and-white ware made using Korean ore comes from the annals of King Sejoís reign (1455-68), which tells of cobalt ore being discovered at SunchíÚn, a region in the extreme south of the peninsula, in the “eighth month of 1464.” The king was then presented with a porcelain decorated in blue from this native source. Blue-and-white wares were mainly used in the Korean court and the households of the upper class during ancestral rites, but they were also used as utilitarian kitchenware and tableware. On the pieces destined for the royal household, the underglaze blue decoration was executed by professional court painters. Images of plants, flowers, birds, and animals constitute one of the painting genres, known as hwahwe yÚngmohwa, borrowed from the traditional repertoire of literati painting.

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1095

A Korean Joseon Dynasty blue and white porcelain vase

Late 17th/early 18th century, Joseon Dynasty (1392-1910) Appears unmarked The bottle-form ceramic vessel, decorated with a mountain village scene on one side and a sailing lake-side scene on the other side, all in blue underglaze 20.5” H x 10” Dia. $5,000-7,000 Provenance: Property of the American Broadcasting Company, New York Walt Disney Co., Burbank, California, acquired by corporate merger with the above Private Collection, Los Angeles, California, acquired from the above

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1096

A French gilt-bronze mantel clock

Late 19th century Movement signed: Roblin a Paris The white enameled dial with blue Roman numeral hour markers, black Arabic numeral outer minute track, and two train movement under a glass bezel and set in a gilt-bronze case surmounted by two putti drinking wine, cream stone panels flanking the dial, and scrolled foliate trim 14.5” H x 14.5” W x 4.25” D $800-1,200

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1097

Attributed to Eugene Delacroix

(1798-1863) “Une Jeune Juive De Marrak,” circa 1830 Oil on canvas laid to canvas Appears unsigned; titled and dated on a label affixed to the stretcher 22” H x 18” W $6,000-8,000 Other Notes: Accompanying this lot is a card affixed to the stretcher that reads: Mme et Mr Maurice Assouline / 7 Avenue Allal-Ben-Abdallah (Im. Tich) / Telephone 261-12 / Rabat

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1098

A French Louis XV-style commode

Late 19th century With puddingstone marble top over a bombe cabinet with parquetry inlay, gilt-bronze mounts, and two drawers 36.75” H x 55.5” W x 23” D $2,000-3,000 Provenance: The Estate of Lady Leslie Ridley-Tree

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1099

A French Louis VXIII-style tapestry and walnut armchair

19th century Appears unmarked The high-backed armchair with carved foliate walnut frame and figural wool tapestry upholstery on the front and red velvet upholstery on the bank, the edges of each accented with brass tacking 47.25” H x 25” W x 25.75” D $1,000-1,500

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1100

An Art Nouveau-style terracotta bust, after Goldscheider 20th century Impressed to back: Reproduction Reservee / 1803 / 80 / 24 / [Goldscheider mark]; signed in the casting After Goldscheider of Vienna, the earthenware bust depicting a woman in a wide hat with flowers 31.5” H x 18.5” W x 12” D $800-1,200

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1101

A pair of Marbro Lamp Co. brass lotus table lamp bases

Mid-20th century With Marbro labels Each two-light lamp with verdigris patinated brass base in the form of lotus flowers, electrified, 2 pieces Each: 49” H x 11” W x 8.5” D $800-1,200

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1102

A pair of framed Chinese blue and white porcelain plates 20th century or earlier Porcelain appears nmarked Comprising four glazed blue and white porcelain plates with landscape scenes set in two matching hardwood frames, 2 pieces Each: 35.5” H x 19.25” W x 1.25” D $2,000-3,000

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1103

A Chinese enameled brass sculpture of a horse and carriage

Mid-20th century Appears unmarked The cast brass and carved wood sculpture of a horse drawn carriage with a female rider, heavily embellished with polychrome enamel, faux carnelian and jade cabochons, brass chain, and freshwater baroque pearls, on a carved wood plinth base 12.5” H x 14.5” W x 5.75” D $1,500-2,500

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1104

A Chinese brass and carved jade vanity box

20th century With chased scrolling foliate design and inset carved nephrite jade panel 2.5” H x 4.25” W x 3.75” D $400-600

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1105

A Herend “Rothschild Bird” porcelain dinner service

Late 20th century; Hungary Each marked: Herend / Hungary / Handpainted; each with various other numerical markings Comprising 1 large serving plate (14”), 1 lidded tureen (12.5” W), 1 charger plate (11”), 12 dinner plates (10.25”), 5 flat salad plates (7.5”), 7 salad plates with slightly raised edge (7.5”), 9 bread and butter plates (6”), 10 teacup saucers (5.75”), 10 teacups (5”), 1 small creamer (2”), 1 diminutive (3.25”), 1 large oval serving platter (16.125”), 1 rectangular serving platter (12.25”), 1 lidded gravy boat with undertray (9.25”), and 1 vegetable bowl (7.5”), 62 pieces $2,500-3,500

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1106

A Reed & Barton “Francis I” sterling silver flatware service

20th century Designed 1907 by Ernest Meyers, comprising 6 hollow-handled Modern place knives (9”), 6 hollow-handled bevel blade steak knives (9”), 4 hollow-handled butter spreaders (6.5”), 6 place forks (7.25”), 6 salad forks (6.125”), 4 strawberry forks (4.875”), 6 ice cream forks (5.25”), 6 teaspoons (6”), 6 iced tea spoons (7.75”), 6 place spoons (7.25”), 5 round bowl cream soup spoons (5.875”), 6 bouillon spoons (5.375”), 6 orange spoons (5.875”), 1 sugar shell spoon (6.25”), 2 tablespoons (8.375”), 1 pierced tablespoon (8.375”), 1 tomato server (8.375”), 1 salad serving spoon (9.375”), and 1 punch ladle (12”), 80 pieces Weighable sterling: 96.44 oz. troy approximately $1,500-2,000

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1107

A Meissen “The Wine Pressers” porcelain figural group

Early 20th century Marked for Meissen [blue crossed swords]; inscribed: 55 / J3; impressed: 74 Model J3, designed 1785 by Johann Carl Schonheit (1745-1794), the glazed porcelain group depicting children playing around a wine press 13.25” H x 9” W x 9” D $1,000-2,000

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1108

A Meissen porcelain figural group

Early 20th century Marked for Meissen [blue crossed swords]; inscribed: 720; impressed: 58 “Deal with Goose” Model 720, designed 1745 by Johann Joachim Kandler (1706-1775), known as “The Deal with Goose,” the glazed porcelain group depicting a man and woman in provincial costume carrying a bucket of fish and with geese 6.5” H x 6.5” W x 4.375” D $800-1,200

1109

A Meissen porcelain figural group

20th century Marked for Meissen [blue crossed swords]; inscribed: 2728 Model 2728, designed 1760 by Johann Joachim Kandler (1706-1775), the glazed porcelain group depicting children dancing around a cherry tree 12.875” H x 6” Dia. $600-1,200

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1110

A Meissen porcelain dove figural group

19th century Marked for Meissen [blue crossed swords] The glazed porcelain group depicting two mourning doves on stumps with leaves 11” H x 11” W x 8” D $800-1,200

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1111

A Continental sterling silver caviar server

20th century Marked: B. Tobert / Sterling The urn-form cooler with haute-relief figural masks enclosed by grapevines containing a hammered silver caviar bowl with openwork grapevine rim 10.75” H x 8.5” Dia. 88.135 oz. troy approximately $800-1,200

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1112

A Continental pierced silver vase

19th century Appears unmarked, silver purity not indicated Possibly German, the vase with a flared body on a round foot and decorated with pierced scrolling floral motifs 14” H x 9” W x 5” D 24.56 oz. troy approximately $600-800

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1113

A Reed & Barton sterling silver handled basket Early 20th century Marked for Reed & Barton sterling With pierced scrolling foliate design 16.5” H x 10” W x 6.25” D 23.42 oz. troy approximately $800-1,200

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1114

After Louis Auguste Moreau

(1855-1919) Woman with a Water Jug Patinated bronze with marble base Signed to the base: Aug Moreau 38” H x 12” W x 10” D $1,000-2,000

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1115

A French tantalus set

Late 19th/early 20th century Encased in a marquetry wood cabinet with brass inlay opening to reveal a fitted interior housing four decanters and eleven cordial glasses, each clear glass with gilt decoration Overall: 10.25” H x 14” W x 11” D; each decanter: 8” H x 3” W x 3” D; each glass: 2.875” H x 1.75” Dia. $1,200-1,800

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1116

A French Louis XV-style side table

Late 19th/early 20th century With inset, asymmetrical green leather top over a single side-facing drawer an undertray with parquetry inlay and floral gilt-bronze mounts 29.75” H x 24” W x 15.5” D $600-800

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1117

Daniel Van Der Putten

(b. 1949) “Summer Afternoon on the Farm” Oil on panel Signed lower left: D. Van der Putten; signed again and titled in ink on a label affixed verso 11” H x 14” W $600-800

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1118

Late 19th/early 20th Century American School Small stream in a serene landscape Oil on waxed canvas Signed faintly at the lower right: M Stuart 8.25” H x 12” W $400-600

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1119

James Renwick Brevoort

(1832-1918) European town scene Oil on canvas Signed lower left: J.R. Brevoort 16.5” H x 24.25” W $1,500-2,000

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1120

Paul Vogler

(1852-1904) “Villeneuve,” 1886 Oil on canvas laid to canvas Signed, titled, and dated lower left: P. Vogler 18” H x 21.75” W $1,000-1,500

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1121

A pair of KPM porcelain vases

Late 19th/early 20th century Each with blue underglaze scepter Each tall-neck vase with a painted reserve of pastoral courting scenes with festoons and ribbons, mounted to acrylic stands, 2 pieces Each vase: 16.5” H x 6” W x 4” D; each overall: 17.25” H x 6.25” W x 5” D $800-1,200

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1122

A pair of Napoleon III-style Raingo Frvres candelabra

Late 19th century Each signed in the casting: Raingo Fres Each ten-light, gilt-bronze candelabrum with a silver-plated putti holding aloft a torch with scrolled acanthus arms issuing faux candle sleeves, electrified, 2 pieces Each: 40” H x 21” W x 15” D $15,000-25,000

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1123

Federico del Campo

(1837-1923) “Canal Scene Venice” Oil on artist board Signed and inscribed lower left: F. del Campo; titled on a gallery label affixed verso 12” H x 8” W $7,000-10,000 Provenance: Williams & Son, London, England

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1124

A French Louis XVI-style commode

Mid-20th century With green marble top over a cabinet with marquetry inlay, one short drawer, and two long drawers with gilt-bronze mounts 37.5” H x 61.25” W x 20.25” D $1,000-2,000

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1125

François Linke (1855-1946)

A gilt-bronze mounted armoire Signed to upper right mount: F. Linke; the lock plate signed for Clement Linke With three glazed doors revealing fitted interiors with shelves, the center cabinet with two lower drawers, finished with gilt-bronze mounts, converted to a vitrine 102” H x 78.75” W x 21” D $3,000-5,000

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1126

A Fabergé-style enameled vermeil silver egg

20th century Signed: Sarkis / 925 The vermeil silver gilt egg with deep purple guilloché enamel and diamanté accents surmounted by a horseshoe and supported on three rearing horses atop an onyx base, opening to reveal a small carriage 6.75” H x 3.125” Dia. 387.9 grams $1,800-2,200

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1127

A pair of gilt-bronze opposing figural busts

Late 19th century Each appear unmarked Two gilt-bronze busts, likely depicting the Greek god Dionysus and a Maenad, each with a grapevine crown and pedestal base with four foliate mask feet, 2 pieces Each: 13.25” H x 6.25” W x 6.5” D $1,800-2,400

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1129

A Turkish rug

20th century Signed to the top Silk on silk foundation, with polychrome botah/paisley motif in hues of red and ochre on a champagne field 5’6” L x 3’9” W $1,500-2,500

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1130

An Iranian Usak rug

20th century Wool on wool foundation, with polychrome geometric diamond motif in hues of brown, pink, orange, and teal on a beige field 11’3” L x 8’4” W $1,500-2,500

1128

A pair of Persian Tabriz rugs

20th century; Iran Each signed to the bottom Each silk on wool foundation, with polychrome floral motif in hues of pink, yellow, green, and purple on a light sea green field centering a rosette, 2 pieces Each: 7’9” L x 5’2” W approx. $3,000-5,000

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1131

Harry Lachman

(1886-1975) “La Prairie Mouillee” Oil on panel Signed lower right: H.B. Lachman; titled on a label affixed to the frame’s backboard 28.75” x 23.5” $1,200-1,800

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1132

Alexandre Desgoffe

(1805-1882) “Vallée de la Salle” Oil on panel Signed lower right: Alexandre Desgoffe; titled and inscribed indistinctly in ink, possibly in the hand of the artist, verso; with an unidentified ink stamp, verso 14” H x 14.75” W $700-900 Provenance: Sold: Clars Auction Gallery, Oakland, CA, December 12, 2015

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1133

A Japanese Tadahiro Wakizashi sword

Edo Period (1603-1867), Kanbun Era (1661-1673) Signed to the tang in Japanese characters: Omi Daijo Fujiwara Tadahiro; further marked for: 1640 With a medallion-shaped bronze tsuba decorated with various insects, each with shakudo gilt eyes, a gold cord wrapped ito on the menuki, a cast gilt beetle decorated tsuka, and a gilt seppa; sheathed in a lacquered wood saya with a brown braided sageo Sword: 26.5” x 3.25” W; in saya: 27.75” H x 3.25” W $3,000-5,000 Provenance: This lot is accompanied by a receipt of purchase dated November 28, 2013 from Merin Sangyo Co., Ltd.

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1134

1135

Late 19th century, Meiji Period (1868-1912) The large enamel cloisonné vessel with repeating floral medallions on a cobalt blue ground 17.25” H x 21” Dia.

Late 19th/early Each appears un Comprising five double-gourd fo Largest: 14.75”

A large Japanese cloisonné jardiniËre

$2,000-3,000

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A group of Ja

$300-500

apanese ikebana baskets

20th century nmarked e woven bamboo and wood baskets of various shapes and sizes including three orms with branches and two handled, footed round form baskets, 5 pieces H x 14” W x 8” D; smallest: 10” H x 9” D x 6.5” D

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1136

A small Japanese tansu chest

Late 19th/early 20th century Appears unmarked Likely constructed out of pine wood, the small storage chest with one large drawer set above seven smaller drawers of varying size, each with various iron pulls locking mechanisms, and iron corner guards 24” H x 25.5” W x 12” D $300-500

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1137

An Italian micromosaic

Late 19th/early 20th century Appears unsigned Depicting two figures fishing in the foreground and the city in the background, in a 19th-century brass frame 5.625” Dia. $3,000-4,000

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1138

A Royal Vienna porcelain tureen

Late 19th century Marked with blue underglaze Bindenschild; further inscribed in black overglaze; Die arcadischen hirten / Herse begibl sich zum Tempel der Minerva The large, porcelain tureen centering Classical scenes enclosed by gilt-highlights against a red ground, with lid, handles, and underplate 18” H x 15” W x 12.25” D $3,000-5,000

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1139

A pair of Royal Vienna porcelain vases

Late 19h/early 20th century Each marked with blue Bindenschild; one further marked: Austria (possibly mark of Josef Riedl Giesshubel) Each porcelain urn-form vase centering reserves with Classical-style scenes enclosed by gilt-highlights against a magenta and light green ground, 2 pieces Each: 18.5” H x 8.25” W x 8.25” D $1,500-2,500

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1140

Dennis Ainsley

(1880-1952) Flower market Oil on canvas Signed lower left: Dennis Ainsley 26” H x 36” W $300-500

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1141

Dennis Ainsley

(1880-1952) “Rouen Flower Market” Oil on canvas Signed lower left: Dennis Ainsley; signed again, titled, and numbered 533 in pencil on the stretcher; the artist’s black ink copyright stamp verso 30” H x 37” W x 2.5” D $300-500

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1142

Dennis Ainsley

(1880-1952) “The Shambles, York” Oil on canvas Signed lower left: Dennis Ainsley; signed again and titled in pencil on the stretcher 24” H x 36” W $300-500 Provenance: DuMouchelles Auctioneers, Detroit, MI, May 18, 2012, Lot 2112

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1143

Konstantin Konstantinovich Kuznetsov (1895-1980) A knight on horseback Watercolor on paper Signed in pencil lower right: K. Kusnezov Sight: 19.375” H x 15.25” W $700-900

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1144

Enrique Lagares

(b. 1931) Equestrian portrait of P Oil on canvas Signed and inscribed lo Baltasar Carlos de Vala 46.5” H x 35” W $300-500

Other Notes: This eque on horseback was orig Velazquez, one of the m Spanish Golden Age.

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Prince Balthasar Charles

ower left: Enrique Lagared / El Principe asquez/ Copia por Enrique Lagares

estrian portrait of Prince Balthasar Charles ginally painted circa 1636, by Diego most prominent painters during the

1145

Philippe Lodewijk Jacob Frederik Sadee (1837-1904) Returning from a catch Oil on panel Signed lower right: Sadee 9” H x 11.75” W $1,000-2,000

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1146

A Persian Tabriz rug

20th century; Iran Silk on wool foundation, with polychrome floral motifs with birds and insects centering a medallion on a cream field 10’7 L x 6’3” W $2,500-3,500

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1148

A Persian Tabriz rug

20th century; Iran Silk on silk foundation, with polychrome figural designs and poetic references 6’9.5” L x 4’6” W $2,000-3,000

1147

A Persian pictorial rug

20th century; Iran Wool on cotton foundation, with polychrome figural scenes centering a medallion of two figures surrounded by the zodiac signs 9’3” L x 6’ W $2,000-3,000

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1149

A French Louis XV-style gilt-bronze chandelier

Late 19th century The eighteen-light chandelier with a gilt-bronze Rococo-style acanthus structure with faux candle sleeves and frosted glass floral shades, electrified 34” H x 28” Dia. $3,000-4,000

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1150

An Italian giltwood wall mirror

Mid-20th century The carved giltwood frame with fluted molding surmounted by a hot air balloon crest surrounding a rectangular beveled glass mirror 49.5” H x 29” W x 3.5” D $400-600

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1151

Follower of Alexander Roslin (1718-1793) Portrait of Catherine the Great Oil on canvas Appears unsigned 34.25” H x 27.625” W $3,000-5,000 Other Notes: The original portrait painted by Alexander Roslin of Catherine the Great, is displayed in the Pozhalostin Art Museum, Ryazan, Russia.

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1152

An Italian carved giltwood console table

Late 19th century The carved giltwood base with egg and dart molding raised on griffin legs joined by a scrolled stretcher and surmounted by a faux marble top 46.25” H x 55.5” W x 23” D $1,200-1,800

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1153

A French Louis XV-style fireplace screen Late 19th/early 20th century The carved giltwood frame surmounted by a floral wreath and crossed torches centering an embroidered silk panel of parrots 41.25” H x 25.375” W x 15.25” D $500-700

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1154

A pair of French Empire-style gilt-bronze chenets

19th century Each appear unmarked Each with a Greek Sphinx figure wearing period costume and holding an emblematic shield, set upon a footed pedestal decorated with acanthus leaves and foliate motifs, 2 pieces Each:18.5” H x 8.5” W x 6” D $1,000-2,000

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1156

A gilt-bronze bust after Jean-Antoine Houdon’s Diana Late 19th /early 20th Century Appears unmarked Depicting the goddess Diana in the manner of Jean-Antoine Houdon (1741 - 1828) with her characteristic crescent moon crown and leather archer’s strap, on a rouge marble pedestal base 13.5” H x 7” W x 3.5” D $200-400

1155

A French Louis XVI-style brass fire fender

Early 20th century With scrolled acanthus leaves and baluster-style rail centering Classical urns 10” H x 60.5” W x 14.125” D $800-1,200

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1157

Miguel Montaner (1860-1940) Figures chatting in a barn Oil on panel Signed lower left: Montaner Sight: 4.25” H x 5.75” W

Figures playing cards in a barn Oil on panel Signed lower left: Montaner Sight: 4.25” H x 5.75” W 2 pieces $1,000-1,500

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1158

Manuel Robbe (1872-1936)

A group of women by the bay Etching and aquatint in colors on paper Signed in pencil in the lower right margin: Manuel Robbe Plate: 18” H x 23.5” W; Sight: 18.75” H x 23.75” W People by a fountain Etching and aquatint in colors on paper Signed in charcoal lower right: Manuel Robbe Plate: 11.75” H x 19.125” W; Sight: 13.125” H x 20.25” W 2 pieces $400-600 Provenance: Sold: Peachtree & Bennett Galleries, Atlanta, GA, 267 DuMouchelles, Detroit, MI

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1159

Early 20th Century Continental School

A faun with a wood nymph, 1908 Oil on canvas laid to canvas Signed indistinctly and dated lower left: Szvododa Karoly 38” H x 28” W $400-600

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1160

A pair of French silver-plated candlesticks

Mid-19th century Each unmarked Each plated candlestick with acanthus and husk motifs around a fluted column and foot, with removable bobeche, 2 pieces Each: 9.75” H x 5.5” Dia. $600-800 Provenance: The Estate of Lady Leslie Ridley-Tree

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1161

A Continental silver-plated vase

Late 19th/early 20th century Marked indistinctly to underside, possibly “Kyser” The large, urn-form vase with figural masks wearing laurel wreaths and floral festoons 20.5” H x 9.25” Dia. $1,000-1,500

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1162

A Japanese bronze and wood egret sculpture

Late 19th century, Meiji Period (1868-1912) Signed to the underside with the artist’s signature: Tsukasa [last character illegible] With shakudo gold irises and detailed feathers on a carved wood base depicting a rocky out-cropping with barnacles and sea foliage 15” H x 14” W x 18” D $800-1,200

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1164

A large Japanese Arita porcelain charger, by Aoki Kyodai-Shokai

Late 19th/mid-20th century With blue underglaze mark for Aoki Kyodai-Shokai [Aoki Brothers Company] to underside The blue and white glazed porcelain Artia/Imari sometsuke charger decorated with blue underglaze flying bird, bamboo, and flowers and finished with overglaze gilt highlights and enamel details surrounded by a geometric rim and with floral sprays to the verso 3.75” H x 23.75” Dia. $800-1,200

1163

A Japanese Arita Imari enameled and gilt porcelain bowl

Late Meiji Period (1868-1912) Marked to the underside with blue underglaze imitation Chinese Ming Dynasty Chenghua Period reign mark With polychromed floral and geometric motifs to the exterior and a central motif of an ikebana arrangement in the center if the interior bowl 8.5” H x 15” Dia. $800-1,200 Provenance: Private collection, by decent to present owner

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1165

A Japanese tansu chest

Circa 1930s-40s With variously designed geometric parquetry inlay and iron straps, with four drawers and one cabinet 34.25” H x 40.25” W x 18” D $800-1,200

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1166

Three Japanese Meiji Period Framed Scrolls

Late 19th/20th century Each marked with the artist’s or collector’s seal: possibly reading “Arushi no in” and “Kiminaga” Each scroll with ink and gouache on cream-colored silk laid to board; the first depicting blue hydrangeas and Japanese cherry blossoms; the second depicting the crescent moon in the background with green foliage in the foreground; the third depicting vines with hanging Japanese andromeda flowers Sight of each: 29.5” H x 13.5” W $500-700 Provenance: Sold: Christie’s, Los Angeles, CA, Lot 27

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1167

Stewart Maus

(20th century) “Home for Christmas” Oil on canvas Signed and titled lower right: Stewart Maus 24” H x 20” W $300-500

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1168

Marcel Dyf

(1899-1985) View of a hillside village, circa 1983; and View of small sailboats and person at a dock Each ink and watercolor on paper Each signed lower right: Dyf; the first inscribed in ink on the frame’s backing paper: Bill et Susan Killgallon / en souvenier de leur pemier voyage en France / Claudine et Dyf / Sep. 1983 2 pieces Sight of larger: 9.25” H x 10.75” W $400-600 Other Notes: The name “Claudine” in the inscription on the backing paper of the first frame refers to Claudine Godat. Thirty-six years Dyf’s junior when she met him at age 19 in 1954, they married two years later. They spent the rest of their marriage based in France, either at their main home near Versailles, or traveling to small villages around Provenance each winter.

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1169

An English Elkington silver-plated epergne centerpiece

Late 19th century Appears unmarked The centerpiece with a central glass bowl raised on palm tree-style supports and three smaller hanging glass bowls over an elk and a moose raised on a mirrored plateau 23.5” H x 15” Dia. $1,000-1,500 Provenance: The Estate of Lady Leslie Ridley-Tree

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1170

A silver-plated epergne candelabrum

Late 19th/early 20th century The four-light candelabrum with a central column issuing three arms on a tripod base surmounted by putti 23.25” H x 17.25” Dia. $600-800

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1171

A pair of Ignác Fischer majolica bowls

Ign·c Fischer (1840-1906) 19th century; Budapest, Hungary One signed to underside: Fischer J / Budapest Each ceramic bowl in the form of a rocaille shell with pink glaze, polychrome painted designs, and gilt highlights mounted on a gilt-bronze stand, 2 pieces Each: 10.25” H x 10.5” W x 5.25” D $600-800

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1172

A pair of Victorian bronze garniture ewers

Late 19th century Each gilt-bronze with elaborate ivy motifs and putti handles centering a patinated bronze frieze with a processional of dancing putti, 2 pieces Each: 22.5” H x 8.5” W x 6.25” D $800-1,200

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1173

A French Rococo-style wall mirror

Early 20th century With an asymmetrical carved giltwood frame with rocaille motifs centering a figural mask surrounding a beveled glass mirror 65” H x 48” W x 3.75” D $800-1,200

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1174

Henri Beek

(19th/20th century) Dutch flower market Oil on canvas Signed lower left: Henri Beek 30” H x 40” W $2,000-3,000

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1175

A French Provincial-style chest of drawers

18th/19th century With a serpentine top over a conforming body with nine drawers fitted with figural brass hardware on cabriole legs 35.5” H x 43.5” W x 19.75” D $1,000-1,500

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1176

An Austrian vermeil sterling silver and guilloché rotary clock

20th century Dial marked: Swiss / G Rua; silver marked: 925 / 935 / R-S / 925 Austria / Sterling / [hoopoe bird’s head] / [England Leo import mark] The small annular clock with silver rotary dial and black Roman numeral hour makers in an urn-form vermeil sterling silver body with pink guilloché enamel decoration on an onyx base 4.5” H x 2.25” Dia. $600-800

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1177

A Persian Tabriz rug

20th century; Iran Wool on cotton foundation, with polychrome floral motifs in hues of red and blue on a blue field with a red border 14’2” L x 10’11” W $3,000-4,000

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1179

An Eastern European flatweave rug

20th century Signed: Mugis The wool rug with polychrome floral motifs in hues of pink, red, blue, and yellow on a dark brown field and a geometric border on a beige field 12’9” L x 6’ W $800-1,200

1178

A Persian Heriz rug

Mid-20th century; Iran Wool on cotton foundation, with polychrome floral motifs in hues of red and blue on a red field with a blue border 11’10” L x 8’3” W $1,000-1,500

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1180

A Chinese carved amber figure of a dragon

Late 20th century The mythical beast intricately carved with individual scales and lithe tendrils, rearing from a bed of clouds and smoke 6” H x 3” W x 2.75” D $8,000-12,000 Other Notes: This lot is accompanied by a GIA report dated March 29, 2017.

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1181

A Chinese carved nephrite bowl

Late 19th century The carved nephrite bowl with a central floral-form bowl suspended with a carved web of flowering vines with a bird to front, raised on a carved wood stand and sold together with an acrylic case, 2 pieces Bowl: 2.375” H x 6.5” W x 4.75” D; on stand: 3.75” H x 6.5” W x 4.75” D $4,000-6,000 Provenance: The Estate of Lady Leslie Ridley-Tree Other Notes: This lot is accompanied by a professional jade test report from Mason-Kay dated March 8, 2023.

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1182

A Chinese nephrite carving

20th century Depicting a mountain landscape scene with figures and buildings, raised on an acrylic stand 7” H x 11” W x 4.25” D $3,000-5,000 Provenance: The Estate of Lady Leslie Ridley-Tree

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1183

A Chinese agate carving

20th century With label to underside: Ex Walker / Minn.; partial label: Ashke[...] Collection; inscribed in red paint: 13.25 Carved of banded agate depicting a mountain landscape scene with animals, on a carved wood base and sold together with an acrylic case, 2 pieces 5.25” H x 5” W x 2” D; with base: 6.75” H x 5.5” W x 2.75” D $2,000-3,000 Provenance: The Estate of Lady Leslie Ridley-Tree

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1184

Marcel Dyf

(1899-1985) “Concert au Chateau,” 1985 Oil on canvas Signed lower right: Dyf; Signed again, titled, dated, and inscribed “Especially painted for Emmett and Edwina,” all verso 28.25” H x 36.25” W $2,000-3,000 Provenance: The artist Mr. and Mrs. Emmitt Barnes III Sold: Shannon’s Fine Art Auctioneers, Milford, CT, “American and European Art,” October 24, 2012, Lot 129

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1185

Georges Croegaert

(1848-1923) A Cardinal enjoying a meal Oil on Masonite Signed and inscribed lower right: Georges Croegaert / Paris 11.5” H x 8” W $1,500-2,500

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1186

A French Empire-style pier mirror

19th century The large, architectural-style mahogany frame flanked by columnar supports, surmounted by a pediment crest, and with gilt-bronze mounts surrounding a rectangular mirror 82” H x 51” W x 4” D $1,500-2,500

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1187

A French Empire-style vanity

Mid-19th century The mahogany vanity octagonal mirror flanked by attached electric candelabra atop a book match veneered top over a center long drawer and three small drawers, raised on bun feet, and decorated with all-over gilt-bronze mounts, electrified 35.5” H x 48.25” W x 22.5” D $2,000-3,000

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1188

A French Empire-style sideboard

Mid-19th century The mahogany sideboard with gilt-bronze mounts and inset green marble back panel and top over two drawers and two shelves 56” H x 49” W x 17.5” D $2,500-3,500

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1189

A French Empire-style tall case clock

19th century With a silvered metal dial with black Roman numeral hour markers and Arabic numeral outer minute track, set in an Empire-style mahogany case with gilt-bronze mounts 78” H x 23” W x 13.25” D $1,500-2,500

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1190

A pair of French Empire-style bronze candlestick lamps

Late 19th/early 20th century Each patinated bronze tripod lamp with a reeded column issuing five candlestick arms and terminating in two electrical light sockets raised on three paw feet, electrified, 2 pieces Each: 36” H x 11.5” Dia. $800-1,200

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1191

Gabriel Herve

(19th/20th Century) “Girl with Dog” Oil on canvas Signed upper left: G. Herve; titled on a frame plaque 22” H x 18” W $600-800 Other Notes: A label written in French is affixed to the frame, verso.

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1192

In the style of Margaret Carpenter (1793-1872) Portrait of a young child Oil on artist board Appears unsigned 30.5” H x 25.25” W $500-700

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1193

An English Regency-style sewing stand

Late 19th/early 20th century With a drop leaf top over an upper drawer and a lower pull-out fabric basket on a concave platform base with scrolled feet 28.25” H x 17” W x 16.5” D $800-1,200

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1194

An English carved mahogany cellarette/beverage cooler

Late 19th century Appears unmarked The carved wood oval drum on four squared legs, with brass banding, opposing lion masks with ring handles, and foliate finial; lined with galvanized steel 29” H x 25.5” W x 17” D $600-800

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1195

An English drop-leaf tiered mahogany table

Early 20th century Appears unmarked The two-tier mahogany table, each tier with a dual hinged drop leaf, on a turned pedestal base with tripod legs and brass casters 43.25” H x 26.75” Dia. $600-800

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1196

An English sterling silver tipping kettle

1828 With English hallmarks for London, maker’s mark: Robert Gerrard II With chased scrolled foliate motifs, wooden finial, and woven handle on a footed base with burner, personalized 13.5” H x 10.5” W x 7.75” D 91.285 gross oz. troy approximately $1,500-2,000 Provenance: The Estate of Lady Leslie Ridley-Tree

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1198

A pair of English sterling silver candlesticks

1841 Each with English hallmarks for Sheffield; maker’s marks for Thomas, James & Nathaniel Creswick Each weighted candlestick with floral design and removable bobeche, 2 pieces Each: 11” H x 3.375” Dia. $500-700

1197

An English sterling silver tipping kettle

1841 With English hallmarks for London, maker’s mark: Edward, Edward junior, John & William Barnard; further marked: Goldsmith Alliance / Limited / Cornhill London / 102 With chased scrolled foliate motifs and floral finial raised on a footed base with burner 15.5” H x 11.75” W x 8.75” D 80.66 oz. troy approximately $1,200-1,800

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1199

Joseph Zeller

(1873-1948) Mountain valley Oil on canvas Signed lower right: J. A. Zeller 27.75” H x 39.75” W $800-1,200

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1200

Herbert Van De Walle

(b. 1930) “It’s time... (Il est temps...)” Oil on canvas Signed lower right: H. Van De Walle; titled on a label affixed verso 18” H x 14” W $600-800

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1201

A pair of carved marble guardian lions

20th century One male and one female, each carved of white marble depicted on a stand, 2 pieces Each: 22” H x 9” W x 11.5” D $1,000-1,500

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1203

A group of Chinese hardstone carvings

20th century Comprising a rose quartz rooster and hen, a rhodonite faux handled vessel, a sodalite figural group, an amethyst Guanyin, and a mossy jade faux floral vase, each affixed to a carved wood stand, 5 pieces Largest: 10.5” H x 7” W x 5” D; smallest: 7.75” H x 4” W x 2.5” D $800-1,200

1202

A coral branch and Japanese “suiseki” stone

20th century or earlier Comprising a red coral branch and a Japanese scholar’s stone or viewing stone with wood base, 2 pieces Coral: 11.75” H x 3.75” W x 3.125” D; stone with stand: 1.75” H x 5.5” W x 2.25” D $800-1,200

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1204

18th Century Italian School A group of bathers Oil on canvas Appears unsigned 14.5” H x 25” W $3,000-4,000

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1205

A pair of Edward F. Caldwell gilt bronze wall sconces

Late 19th/early 20th century; New York Each stamped to the verso: C [within a diamond] Two Louis XVI-style tri-light hanging sconces, each with tied ribbon and acanthus leaf motifs, 2 pieces Each: 24” H x 14.5” W x 7.75” D $600-800

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1206

An Italian Venetian glass wall mirror

20th century With scrolled crest over a beveled mirrored outer border around an octagonal mirror 49” H x 53” W x 2.5” D $750-1,000

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1207

A French marquetry cabinet

Late 19th century With serpentine, inset white marble top over a conforming base with floral marquetry, gilt-bronze mounts, and single door revealing a fitted interior with two shelves 42.25” H x 45.5” W x 17.5” D $2,000-3,000

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1208

A pair of Continental majolica figures with pedestals

19th century Each figure marked to the verso: BU / M / 8770 / 8769 The two porcelain female figures, each with symbolic attributes, one the Roman Goddess Diana with her crescent moon crown and quiver full of arrows and the other the Goddess Salacia with her fish, shell, and net, both decorated with painterly underglaze with gilt accents, and placed atop porcelain pedestals decorated with three-dimensional flowers, gilt accents, and architectural motifs, 4 pieces Each figure: 29.5” H x 13.5” W x 9” D; each pedestal: 36.5” H x 12.5” Dia. $2,000-3,000

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1209

A French Louis XVI-style cartel wall clock

19th century Movement marked: H&F / Paris / 1484 The clock with a white enameled dial with blue Roman numeral hour markers, black Arabic numeral outer minute track, and two train movement set in a gilt-bronze case with urns and festoons 28” H x 13” W x 3” D $700-900

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1210

A Dutch tambour door cabinet

Early 19th century The small cabinet with marquetry urn designs and inlaid banding with a roll-up tambour door compartment over a single-door cupboard 31.25” H x 13.5” W x 13.25” D $600-800

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1211

A group of bronze figural statuettes

Late 19th/20th century Each appears unmarked Three bronze statues comprising two figural busts of children, one laughing and one crying, and one sculpture depicting two children at play, likely a young Hercules and Dionysus, with the former feeding the latter grapes, 3 pieces Larger: 8” H x 5.5” Dia.; smaller: 6.25” H x 3.25” W x 3” D $600-800

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1212

A group of bronze figural statuettes

Late 19th/early 20th century Each appears unmarked Comprising three bronze sculptures of children, two an opposing pair of putti, likely depicting Eros and Venus as youths, each on a rouge marble pedestal and a figural bronze of a child reading on a white marble base, 3 pieces Largest: 10” H x 4.5” W x 7” D; smallest: 11” H x 5.5” W x 3” D $600-800

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1213

A near-pair French wall clock and barometer set

Late 19th/early 20th century Each carved giltwood with silvered metal dials and black numerals, 2 pieces Larger: 28” H x 10” W x 3.5” D $800-1,200

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1214

Bernard Louis Borione

(1865-1920) A gentleman inspecting a painting Watercolor on paper Signed and inscribed lower left: B. Borione / Paris Sight: 13.75” H x 8.25” D $600-800

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1215

Joan Wilkie

20th century Nun at the museum Oil on panel Signed lower right: Wilkie 10.125” H x 4.125” W $500-700

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1216

A Chinese glazed pottery model of a dog

Han Period (206 BCE-220 CE) With a prior gum label from Christie’s The glazed earthenware dog standing foursquare, with upturned tail and ears pricked, the harness buckled to an upright loop on the back 9” H x 12.5” W x 4.5” D $2,500-3,500 Provenance: Christie’s, New York, “Important Chinese and Japanese Works of Art,” December 2, 3 & 4, 1982, Lot 1562

1218

A Chinese Tang-style earthenware horse and rider

Tang Dynasty (618-907 CE) or later Appears unmarked The ceramic figure wearing robes and sitting atop a horse, decorated with pigments in shades of red and yellow; all on an earthenware base 13.75” H x 3.25” W x 10.25” D $300-500

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1217

A Chinese Tang-style earthenware horse with rider

Tang Dynasty (618-907 CE) or later The ancient polychrome painted earthenware statuette of a robed figure riding a horse, intricately decorated with floral motif to the saddle, under an acrylic case Statuette only: 13.25” H x 9.75” W x 3.25” D; including case:16.25” H x 13” W x 8.5” D $1,000-1,500

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1219

Jules Edouard Diart

(1840-1890) Floral still life Oil on canvas Signed lower left: Diart; signed again verso, possibly in the hand of the artist: E. Diart 25” H x 37” W $2,000-3,000 Provenance: The Sloane Gallery, London, England

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1220

In the style of John Barker

(1811-1886) Three dogs waiting Oil on canvas laid to canvas Bears signature lower left: John Barker 24” H x 36” W $2,000-3,000

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1221

Antonio Giovanni Lanzirotti

(1839-1921) “Le Printemps de la Vie” Patinated bronze Signed in the casting: G. Lanzirotti / France; titled to the base 33.5” H x 15.5” W x 12” D $2,000-3,000

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1222

A pair of French bronze candlestick lamps

Early 20th century Each gilt-bronze and brass lamp with three faux candle sleeve lights with acanthus arms raised on a tripartite eagle head support on a round base, electrified, 2 pieces Each: 44” H x 11” Dia. $800-1,200

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1223

A French vernis Martin-style vitrine

Early 20th century The gilt-painted vitrine with a single-door glazed cabinet with mirrored and lighted interior and two glass shelves over three vernis Martin-style painted pastoral figural scenes, with gilt-bronze mounts and raised on scrolled feet, electrified 63” H x 27” W x 16” D $800-1,200

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1224

François Linke (1855-1946)

A small marquetry side table, 20th century Signed to right upper mount: F. Linke; further marked with metal plate to the underside: From the Collection of Loyd-Paxton / Dallas, Texas The three-drawer table constructed of tulipwood, purple wood, and satin wood veneer with foliate bois de bout inlay, finished with giltbronze mounts 29.25” H 21.5” W x 15” D $5,000-7,000

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1225

A pair of Louis XV-style gilt-bronze and marble candelabra

Late 19th century Each appears unmarked Each five light foliate gilt bronze candelabrum with patinated bronze winged putti figure, carved rouge marble pedestal base, and four gilt bronze feet 2 pieces Each: 24.25” H x 9” W x 8.5” D $2,000-3,000

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1226

A pair of French porcelain urns

19th century Each marked: Porcelain de Paris / [ crossed arrows] / France / [red Samson Ceramics mark for Chinese replica porcelain] Each in the form of a Chinese lidded temple jar, in glazed porcelain with painted floral design, gilt highlights, and the Coat of Arms of HRH Prince Albert, 2 pieces Each: 17.5” H x 9.5” Dia. $1,000-2,000

1227

A French bronze sculpture of a boy with a lizard

Late 19th century Signed to the base verso: Francios / 1632; further marked with foundry medallion: Madaille d’Or / Paris The figural bronze depicting a child, fearful of a lizard, set on a green marble pedestal base 10” H x 4.75” W x 5.5” D $600-800

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1228

John Frederick Herring, Sr.

(1795-1865) “Farmstead at Dorchester” Oil on canvas Signed lower right: J.F. Herring; titled on a label affixed to the stretcher 27” H x 36” W $5,000-7,000

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1230

In the style of Francis Barlow

(1626-1704) Still life of a rooster, chickens, and pigeons Appears unsigned 35.5” H x 47” W $3,000-5,000

1229

John Arnold Alfred Wheeler

(1821-1903) Horse and gentleman in a stable, 1876 Oil on canvas laid to canvas Signed and dated lower right: J. Wheeler 22” H x 30.5” W $2,000-3,000

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1231

An English Elkington gilt-bronze epergne centerpiece

Late 19th century Appears unmarked The centerpiece with a central plateau and scrolled acanthus arms, each with a later-added shell-form gilt-metal liner, supported on a column covered by acanthus leaves and raised on a tripod base with putti terminals and lion’s mask-headed feet 21.5” H x 20” Dia. $4,000-6,000 Provenance: Previously offered John Moran Auctioneers, Inc. September 26th 2006, Lot #1226, Sold for $6000.00

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1232

A Continental silvered bronze centerpiece

Early 20th century With hallmark-style markings: TW / [3 in a circle] / MR [illegible] Depicting a Classical-style figure holding aloft a cornucopia basin and raised on a scrolled acanthus base, personalized 19.375” H x 9.25” Dia. $700-900

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1233

A Reed & Barton silver-plated centerpiece 19th century Marked for Reed & Barton In the form of two putti holding aloft a trumpetshaped plateau on a round base 11.375” H x 6.75” Dia. $300-500

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1234

A Chinese polychromed wood sculpture of a scholar Early 20th century The carved and polychromed wood sculpture depicting a standing figure in robes, likely Confucius 70” H x 19.5” W x 13.5” D $1,000-1,500 Provenance: The Estate of Lady Leslie Ridley-Tree

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1235

A pair of Chinese carved mahogany floor torchieres

Late 19th/early 20th century Each appears unmarked Two carved wood candle pillars each with stylized dragon, cloud, and scrollwork motifs and four scrollwork feet, 2 pieces Each: 65’ H x 11” Dia. $800-1,200 Provenance: The Estate of Lady Leslie Ridley-Tree

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1236

Three Chinese carved cinnabar avian boxes

20th century Each lidded box with intaglio-cut enamel decorated with various geometric and scrolled foliate motifs, comprising two chickens with blue enamel interior and one swan, 3 pieces Each chicken: 9.25” H x 8.75” W x 12” D; swan: 8.75” H x 6.75” W x 12.25” D $800-1,200

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1237

A Chinese celadon earthenware platter with three Peking glass vases

20th century Each appear unmarked The celadon glazed ceramic platter with incised foliate motifs along with three Peking diminutive jadeite glass vases, 4 pieces Platter: 2.25” H x 13.25” Dia.; each vase: 3.5” H x 2” Dia. $300-500

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1238

A set of Chinese carved wood nesting table

Late 19th/early 20th century Each marked to the underside: Industrial [indecipherable] Y.M.C.A. / Nanchang-Ganzhou China Comprising four tables of gradually decreasing size, each tabletop with a different carved border motif, including bamboo, dragons, cherry blossoms, and residential scenes; each tables one four legs with stylized dual-headed dragon feet, 4 pieces Largest: 26” H x 23” W x 14” D; smallest: 24” H x 17” W x 13” D $300-500

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1239

Celso Lagar Arroyo

(1891-1966) Three clowns Oil on canvas Signed lower right: Lagar Sight: 7” H x 10.25” W $800-1,200 Other Notes: There is a large and partially illegible oval black ink stamp, verso

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1240

Maxim Bugzester

(1910-1978) Woman on a bench Oil on Masonite Signed lower right: M. Bugzester 10” H x 8” W $500-700

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1241

Maxim Bugzester

(1910-1978) Abstract dining room Oil on Masonite Signed lower right: M. Bugzester Sight: 24.25” H x 19.125” W $500-700

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1242

Maxim Bugzester

(1910-1978) View of a busy street Oil on Masonite Signed lower right: M. Bugzester 11.75” H x 9.5” W $500-700

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1243

A Louis Fontinelle figural bronze and marble table lamp

Early 20th Century Signed to marble base: L. Fontinelle; further marked to the underside: 130 The Art Deco lamp with a cast bronze caped woman and dog, likely a Saluki, alongside a small frosted glass globe light, all set on a black marble plinth base with inlaid sun and moon motifs in red and ivory hardstone, electrified 17.5” H x 16.5” W x 4.5” D $500-700

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1244

An Art Deco figural spelter and marble table lamp

Circa 1920s-30s Appears unmarked With a patinated spelter female figure in period costume alongside two cast birds, one of which is chained to the base supporting the conical, frosted glass light; all on a geometric pink and green marble base, electrified 12” H X 18.5” W x 5.5” D $500-700

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1245

A Streamline Moderne Art Deco buffet

Circa 1930s The buffet with walnut veneer, black veined marble top, rounded sides, two drawers, two side cabinets, and a central glass front cabinet with a mirrored interior 44” H x 48” W x 19” D $300-500 Other Notes: Sold by order of the court pursuant to the Mark Abbey Slotkin legal case and subject to our bankruptcy terms. ‘As-Is’ all sales final.

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1246

A French Art Deco clock and garniture set

Circa 1930s Movement signed: F. Martin; dial signed: Popot / Orleans The brass dial with black Roman numeral hour markers and two train movement under a glazed bezel and set in red and green marble case surmounted by a a spelter Art Deco-style woman and peacock, with two conformingly designed garniture stands, 3 pieces Clock: 14” H x 19.5” W x 5” D; each stand: 7.25” H x 6.25” W x 4.5” D $600-800

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1247

A Spanish-style wood and metal console table

Late 20th century Appears unmarked With a walnut veneered wood top raised on antiqued metal base with scrolled legs, apron, and stretcher 29.5” H x 53” W x 18.75” D $600-800

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1248

A Seville Studio wrought iron sewing bench

Early/mid-20th century; Cleveland, Ohio Paper tag to the underside: Seville Studio / Creators of Beau-Metal Art Objects / East Cleveland The Art Deco-style single-seater bench with a painted iron frame and flocked foliate-motif upholstery seat 24” H x 26.5” W x 12” D $800-1,200 Other Notes: Sold by order of the court pursuant to the Mark Abbey Slotkin legal case and subject to our bankruptcy terms. ‘As-Is’ all sales final.

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1249

An American Art Deco figural table lamp

Mid-20th century Stamped to the base: U.S.A. With a patinated cast spelter female figure holding up the stepped geometric milk glass shade, electrified 33” H x 12” Dia. $300-500

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1250

A Max Le Verrier figural bronze and marble table lamp

Circa 1930s Signed to the base of figure: M LeVerrier The Art Deco lamp with a cast bronze woman in period costume, supporting a frosted and textured glass shade; all set upon a square black marble plinth base, electrified 19” H x 13.5” W x 7” $300-500

1251

An Art Deco figural spelter and marble table lamp

Circa 1920s-30s Foil label to the underside: Brook and Son / Goldsmiths / Edinburgh With a bronzed spelter female figure in period costume supporting a marbled, crackle glass globe light, set on an olive marble plinth base, electrified 19” H x 13.5” W x 7” D $300-500

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1252

An Oscar Bach-style wrought iron console table

20th century The grey marble top over an openwork scrolled iron base with acanthus leaves 31.25” H x 72.5” W x 18” D $500-700

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1253

A Tuttle “Onslow” sterling silver flatware service

Circa 1931-1974 Each marked for Tuttle sterling Designed 1931, 24 hollow-handled dinner knives (9.75”), 18 hollow-handled place knives (8.875”), 19 hollow-handled butter spreaders (5.75”), 19 dinner forks (7.75”), 19 place forks (7.375”), 34 salad forks (6.125”), 20 place spoons (6.75”), and 34 teaspoons (5.875”), 187 pieces Weighable sterling: oz. troy approximately $2,500-3,500

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1254

An International “Trianon” sterling silver flatware service

Circa 1921-1974 Each marked for International and sterling Designed 1921 by Alfred G. Kintz, comprising 12 hollow-handled Old French dinner knives (9.875”), 12 hollow-handled Old French place knives (8.875”), 1 hollow-handled butter spreader (7”), 4 solid butter spreaders (5.625”), 7 dinner forks (7.625”), 12 place forks (7.25”), 9 salad forks (6.125”), 11 ice cream forks (5.5”), 9 teaspoons (6”), 9 iced tea spoons (7.375”), 8 demitasse spoons (4.125”), 12 orange spoons (6”), 12 gumbo spoons (7”), 10 bouillon spoons (5.5”), and 6 table/serving spoons (8.375”), 134 pieces Weighable sterling: 117.425 oz. troy approximately $2,500-3,500

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1255

A pair of Tiffany & Co. sterling silver candlesticks

Circa 1907-1947, directorship of John C. Moore II Each marked: Tiffany & Co. / 20132 Makers 10548 / Sterling Silver / 925-1000 / M Each with a tapering column and banded designs, 2 pieces 25.82 oz. troy approximately Each: 9.75” H x 4.375” Dia. $800-1,200

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1256

A polychrome and giltwood Buddha sculpture

19th century A Pralambanasana Buddha figure in teaching mudras pose with red and blue polychrome geometric and floral decoration over a gilt ground, possibly Thai 17” H x 7.5” W x 7.5” D $600-800

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1258

A Chinese shell inlaid lacquer sewing table

Late 19th/early 20th century Appears unmarked The black lacquered hinged box on scrollwork legs, all with mother-of-pearl and abalone inlay, the tabletop depicting a rooster and hen amongst cherry blossoms and other foliate motifs; the interior fitted with a compartmentalized tray and embroidered silk sewing bag underneath 30” H x 14.5” W x 10.5” D $400-600

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1259

Two Chinese lacquer and porcelain stacking boxes/food carriers

Late 19th/early 20th century Each appears unmarked The handled boxes, possibly for food transport, each with a convex porcelain lid, one enameled in polychrome palette to depict ladies at leisure in a garden and the other blue and white glazed depicting a guardian lion and pup amid stylized tufts of smoke, 2 pieces Each: 10.75” H x 11.5” W x 5.5” D $300-500

1257

A Chinese partial marble sculpture of Quanyin

Late 19th/early 20th century Appears unmarked A caved marble bust depicting the Buddhist Goddess of Mercy, Quanyin, with a foliate and floral headdress 13.5” H x 7” W x 6.5” D $500-700

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1260

A Persian area rug

20th century; Iran Wool on cotton foundation, with minimal polychrome floral motifs in blue and rust on a cream field 11’8” L x 8’7” W $2,000-3,000

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1262

A Persian rug

Mid-20th century; Iran Silk on silk foundation, with polychrome floral motifs in hues of magenta, lavender, and blue centering a medallion on a cream field 6’10” L x 4’5” W $1,000-1,500

1261

A Persian Qom rug

Mid/late 20th century Signed to top and bottom Silk on silk foundation, with polychrome floral motifs and scrolling vines in hues of red ochre on a dusty blue field 5’ L x 3’4.5” W $1,500-2,500

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1263

A French walnut trestle table

Late 18th/early 19th century With plank top raised on two lyre-shaped slap sides with keyed mortise and tenon joinery 30.5” H x 50.75” W x 24” D $300-500

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1264

A French carved walnut occasional table

Early/mid-20th century Appears unmarked The hexagonal table on a fluted pedestal base decorated with carved acanthus leaves and various architectural motifs 31.75” H x 31” Dia. $500-700

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1265

An Italian silver tea service

20th century Each marked: 176 FI / 800 / [woman’s bust] Each with tiered, ribbed body, acanthus handles, and pierced rim, comprising a coffee pot (7.75”), a teapot (7.5”), a covered sugar bowl (5”), and a creamer (5.75”), 4 pieces 56.37 oz. troy approximately $1,000-1,500

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1266

A Portuguese silver wall plaque

20th century With Portuguese hallmarks for 835 silver The repoussé wall plaque with haute-relief heraldic motifs centering a coat of arm surrounded by C-scrolls 20” Dia. x 2” D 54.38 oz. troy approximately $800-1,200

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1267

1268

20th century One marked for silver plate, four unmarked Comprising a plated footed dish, a pierced bowl with scalloped rim, a plate with raised pierced rim, an oval pierced dish, and a figure of a reindeer with a sleigh, 5 pieces Largest: 4.375” H x 10.75” Dia.

20th century Each appears unmarke Each with a square tab medallion between th Each: 25” H x 24” W x

A group of miscellaneous silver table items

$800-1,200

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A pair of industrial

$500-700

Other Notes: Sold by legal case and subject

riveted metal side tables

ed bletop, dual “X”-shaped braces accented by a central he legs, and flared feet x 24” D

order of the court pursuant to the Mark Abbey Slotkin t to our bankruptcy terms. ‘As-Is’ all sales final.

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1269

An American reverse-painted wall mirror

20th century With polychrome reverse-painted Classical motifs encircling a rectangular mirror surmounted by a rounded top and giltwood eagle crest 62” H x 30” W x 1.25” D $400-600 Other Notes: Sold by order of the court pursuant to the Mark Abbey Slotkin legal case and subject to our bankruptcy terms. ‘As-Is’ all sales final.

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1270

A figural bronze console table

20th century Each figure marked: Kinnaree With a smoked glass top supported on a bronze base in the form of two kneeling figures 40” H x 65” W x 19” D $800-1,200

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1271

A group of sterling silver plates

20th century Each marked for sterling with respective maker’s marks Comprising a set of 11 Towle “Louis XIV” bread plates (6.5”) and a set of 12 MFH bread plates (6”), personalized, 23 pieces 61.735 oz. troy approximately $1,200-1,800

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1272

An Indian silver tea set

Late 19th/early 20th century Each with repoussé designs, comprising a tea pot (5.5”), a covered sugar bowl (4.75”), a creamer (4.125”), and a small tray (0.5” H x 12.25” W x 9.25” D), personalized, 4 pieces 48.88 oz. troy approximately $800-1,200

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1273

A set of German silver goblets

Early 20th century Each with German hallmarks for 800 silver, further marked: Netter Each with a shallow cup with gold washed interior on a tall stem and plain foot, 12 pieces Each: 6.75” H x 3.125” Dia. 57.14 oz. troy approximately $800-1,200

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Day 2 April 26th, 2023—12pm PDT Lots 1274-1516 3 0 2 T he Tr ad it io n a l C o l l e c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

SINCE 1969

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1274

A model twin cylinder overcrank water pumping engine Late 19th/early 20th century Built by K. & L. Maskiner, on a wood plinth under an acrylic case Overall in case: 17.25” H x 17.25” W x 11.25” D $2,000-3,000 Provenance: Sold: Christie’s, Los Angeles, CA, “Scientific and Engineering Works of Art,” October 17, 2000, Lot 86 Other Notes: This lot is accompanied by a receipt of sale from Christie’s dated October 24, 2000.

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1275

A Steuben crystal “Cathedral” obelisk sculpture

Mid/late 20th century With engraved signature: Steuben Designed circa 1954 by George Louis Thompson (1913-1981), the clear lead glass triangular obelisk in the style of a cathedral spire with three engraved ecclesiastical figures surrounded by Gothic-style architectural details, raised on a wood base 15.5” H x 6” W x 4” D $3,000-5,000

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1276

A group of Murano Cenedese glassware

20th century The bowl with Murano Cenedese Vetri label to underside Each forest green translucent glass with gilt enamel foliate and floral vines, comprising 1 footed bowl (9.25” H x 9.5” Dia.), 11 water glasses (6”), 9 red wine goblets (6.5”), and 11 white wine goblets (6”), 32 pieces $600-800

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1277

A Cartier sterling silver tray

20th century Marked for Cartier sterling The rectangular tray with canted corners 1” H x 19..5” W x 13.5” D 64.99 oz. troy approximately $1,000-1,500

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1278

A group of Cartier sterling silver trays

20th century Marked for Cartier sterling Each rectangular tray with canted corners, 3 pieces Larger: 0.875” H x 16” W x 12 D; smaller: 0.875” H x 13.875” W x 10.25” D 112.87 oz. troy approximately $1,200-1,800

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1279

A Royal Doulton “Chang” ceramic table lamp base

Circa 1920s With script Chang Royal Doulton mark and signed for Charles Noke and Harry Dixon; impressed with model no. 7866 and with Doulton & Co. Limited paper label hand-numbered 7866 By Charles Noke and Harry Dixon, the two-light lamp with fluted ceramic body with mottled red, blue, and cream thick running glaze, finished with gilt-bronze mounts and base, electrified 36” H x 83.5” Dia. $3,000-4,000

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1280

A group of Versace “Medusa” charger plates

20th century Each marked: Rosenthal / Germany / Versace / Medusa Each Rosenthal for Versace, with a gorgon head, Classical motifs, and gilt highlights on a red ground, 11 pieces Each: 0.875” H x 12.25” Dia. $1,200-1,800

1281

A group of Versace “Medusa” charger plates

20th century Each marked: Rosenthal / Germany / Versace / Medusa Each Rosenthal for Versace, with a gorgon head, Classical motifs, and gilt highlights on a red ground, 10 pieces Each: 0.875” H x 12.25” Dia. $1,200-1,800

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1282

A group of Versace “Medusa” salad plates

20th century Each marked: Rosenthal / Germany / Versace / Medusa Each Rosenthal for Versace, with scrolled foliate border and gilt highlights on a red ground, 15 pieces Each: 0.75” H x 9” Dia. $600-800

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1283

A German Renaissance Revival tall case musical clock

Late 19th century Likely Lenzkirch, the silvered-metal dial with black Arabic numeral hour markers, German weight driven time and strike movement, and a brass center under a molded glass bezel, set in a carved walnut case topped by turned finials and with intaglio carved strapwork centering a glazed door, over a paneled lower door revealing a Polyphon Musikwerke (Leipzig, Germany), single-comb, disc music box, plays on the hour with option lever in base, sold together with multiple music discs 100” H x 26.25” W x 13.5” D $3,000-5,000

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1284

A Mills Novelty Co. “Liberty Bell” five cent slot machine

Circa 1920s-30s; Chicago, Illinois Slot machine wheel marked: Copyright 1901 / Mills Novelty Co. / Chicago The Mills Novelty Co. gooseneck five-cent slot machine with polychromed liberty-themed decoration to the metal body and wood base 23” H x 15.25” W x 15” D $700-900

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1285

Erte Romain (Erté) de Tirtoff

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1286

A group of glass and silver overlay objet de vertu

Late 19th/early 20th century Three marked for sterling, one appears unmarked Comprising a powder jar with sterling silver lid set with central purple jewel and three cut glass perfume bottles with silver overlay, 4 pieces Largest: 10.25” H x 1.75” Dia. $600-800

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1287

A group of sterling silver overlay glass items

Early 20th century Four marked for sterling, one appears unmarked Comprising a Gorham ruby glass decanter bottle, a handled jug, a forest green glass perfume bottle with stopper, a square perfume bottle with stopper, and a lidded jar, personalized, 5 pieces Largest: 9.375” H x 5.25” Dia.; smallest: 6” H x 3.5” Dia. $500-700

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1288

Two cut glass and sterling vanity powder jars

20th century Each marked for sterling, one marked for Black, Starr & Frost Each translucent, cut glass jar with repoussé sterling silver lid, personalized, 2 pieces Larger: 6.25” H x 5.25” Dia.; smaller: 5” H x 6.25” Dia. Weighable sterling: 5.975 oz. troy approximately $400-600

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1289

A group of sterling silver and glass vanity bottles

Late 19th/early 20th century Each marked for sterling, two with English hallmarks for London Each translucent glass in globular form, two with silver overlay and two with silver lids, personalized, 4 pieces Larger: 6.125” H x 4.25” Dia. $500-700

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1290

An Austrian Art Nouveau sterling silver overlay ceramic vase Circa 1900 Marks: 9 / Made in Austria / 4647 / Sterling Silver Deposit The tapered ceramic vase with sterling silver overlay decorated with standing figure and lily pad motifs 8.875” H x 4.5” Dia. $600-800

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1291

An Amphora art pottery portrait vase

Circa 1900 Signed: Amphora / Turn / RStK Turn-Teplitz Bohemia [Riessner, Stellmacher & Kessel] / Made in Austria / 1326 / 582 With slender neck and tapering body depicting a profile portrait of a woman with flower crown 13.5” H x 7” W x 6” D $500-750

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1292

Émile Gallé (1846-1904)

A two-tiered marquetry occasional table, circa 1885-1904; Nancy, France Signed in marquetry: Galle The two-tiered table with lobed, rectangular top with floral marquetry over a narrowing and shaped undershelf, raised overall on four splayed feet 28.5” H x 25” W x 18” D $800-1,200

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1293

A pair of Continental cobalt glass vases

Late 19th/early 20th century Each slender vase with blown cobalt blue glass body with gilt-bronze floral mounts centering portrait roundels, 2 pieces Each: 12.75” H x 3.75” Dia. $1,000-1,500

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1294

Clemens Friedell (1872-1963)

An Arts & Crafts hammered sterling silver pitcher, early 20th century Marked: Friedell / Sterling / Pasadena Centering a repoussé monogram “LS” 8” H x 8.75” W x 6 “D 19.605 oz. troy approximately $1,000-1,500

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1295

A John Dilly mantel clock

20th century Dial signed: John Dilly The battery powered clock with silvered-metal dial and black Roman numeral hour markers raised on a black wood base with clear acrylic cover 16.125” H x 9” W x 7.125” D $500-700

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1296

A set of English sterling silver candlesticks

1998 Each with English hallmarks for Sheffield and maker’s mark for C J Vander Ltd Each filled silver candlestick in the form of a fluted column, 12 pieces Each: 5.75” H x 3.25” W x 3.25” D $1,000-1,500 Provenance: The Estate of Lady Leslie Ridley-Tree

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1297

A Lladro “Fox Hunt” porcelain figural group

20th century Marked for Lladro to underside, numbered: 279 Depicting a fox hunt with hounds and figures on horseback, with a conforming Lladro wood base Overall: 17” H x 33” W x 14” D $1,000-1,500

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1298

A group of Versace “Barocco” charger plates

20th century Each marked: Rosenthal / Germany / Versace / Barocco Each Rosenthal for Versace, centering a figural mask with elaborate scrolled foliage and gilt highlights on a black and white ground, 14 pieces Each: 0.875” H x 12.25” Dia. $1,500-2,000

1299

A group of Versace “Barocco” salad plates

20th century Each marked: Rosenthal / Germany / Versace / Barocco Each Rosenthal for Versace, with scrolled foliate border and gilt highlights on a black ground, 13 pieces Each: 0.75” H x 9” Dia. $600-800

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1300

A group of Versace “Barocco” salad plates

20th century Each marked: Rosenthal / Germany / Versace / Barocco Each Rosenthal for Versace, with scrolled foliate border and gilt highlights on a black ground, 12 pieces Each: 0.75” H x 9” Dia. $600-800

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1301

A Jaeger-LeCoultre “Atmos” clock

Late 20th century Serial number: 11612; marked: Atmos / Le Coultre / Swiss Made / VXN With round dial, black Arabic numeral hour markers, and a floating intermediate wheel housed in a glass and polished brass case 9.25” H x 8.25” W x 6.25” D $600-800

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1302

A Herschede Virginian tall case clock

Late 20th century Dial signed: Herschede Model 276, with a silvered metal dial with black Arabic numeral hour markers, outer minute track, subseconds dial, cut iron hands, a calendar, moon face, a decorated brass face plate, and three train movement, set in a carved wood case with floral crest, columnar supports, and glazed door revealing nine tubes, chimes every quarter hour, plays Westminster, Whittington and Canterbury 79” H x 22” W x 13.5” D $1,500-2,500

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1303

A Loro Piana backgammon set

Late 20th/early 21st century Marked: Loro Piana / Made in Italy The attache-style oak case opening to reveal an inlaid oak gaming board with fitted slots for dice and accessories 14.5” H x 18.5” W x 2.75” D $1,000-1,500

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1304

Two vintage Gucci Monogram luggage cases Late 20th century Two works:

A Monogram vinylized canvas suitcase/travel bag with brown leather handle and trim, twill canvas lining and two branded interior compression straps and with Gucci branded zippers and lock strap Marked and numbered: Gucci / Italy with shield motif on verso of lock strap; 24.010.524.75 to interior by zip closure 18” H x 27” W x 7.5” D A Monogram canvas fabric garment bag/case with rigid sides, with brown leather handle and trim, and with exterior hanging hook, twill fabric lining, interior zip pocket, brass hanging rail, and original interior compression strap with wood batten Marked: Gucci /Italy with shield motif on verso of interior flap 23” H x 22” W x 10.75” D (closed); 51.5” H x 5.25” D (open) 2 pieces

$500-700

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1305

An English sterling silver overlay picture frame

1901 With English hallmarks for London The repoussé silver overlay with openwork scrolled rocaille motifs over blue velvet surrounding an asymmetrical opening, personalized 23” H x 27.5” W; opening: 15” H x 19” W $600-800

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1306

An English sterling silver overlay picture frame

1894 With English hallmarks for London The repoussé silver overlay with animals and a cottage over blue velvet surrounding an oval opening 23” H x 18” W; opening: 15” H x 11.5” W $500-700

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1307

Sally James Farnham

(1876-1943) “New York City Mounted Policeman in the Rain” Patinated bronze Signed at rear top of base: Sally James Farnham 11.5” H x 11” W x 4” D $5,000-7,000 Provenance: Sold: James Graham and Sons, November 21, 2006 Other Notes: This lot is accompanied by a receipt of sale from James Graham and Sons dated November 21, 2006 as well as a biography of the artist, description of the sculpture, and photograph.

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1308

A Cartier sterling silver tea tray

20th century Marked for Cartier sterling The rectangular tray with canted corners and handles 3” H x 23” W x 14.25” D 87.035 oz. troy approximately $1,200-1,800

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1309

Three Cartier Paul Revere sterling silver bowls

20th century Each marked for Cartier sterling In graduated sizes with tiered foot, the largest with hammered finish, 3 pieces Largest: 5.75” H x 11.25” Dia.; smaller: 3.25” H x 6.125” Dia. 58.06 oz. troy approximately $500-700

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1310

An Italian Rococo-style console table with mirror

Late 19th/early 20th century Each carved giltwood with elaborate scrolled acanthus and rocaille motifs with figural masks, comprising a large mirror over a marble-topped table, 2 pieces Mirror: 61” H x 53.5” W x 5” D; console: 36” H x 57.25” W x 15.75” D $1,500-2,500

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1311

An Italian Grotto-style giltwood and velvet side chair

19th century Appears unmarked The diminutive armchair with velvet upholstered seat, gilt carved foliate and mask armrests, four gilt carved Rennaissance dolphin supports, and a relief-carved lion brandishing a sword and a book on the verso 41” H x 24” W x 21” D $1,500-2,500

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1312

A pair of Chinese glazed earthenware burial figures

Tang Dynasty (609-907 CE) or later Each appear unmarked Two Tang-style straw glazed ceramic warrior figures, 2 pieces Each: 10” H x 3.25” W x 2.25” D approx. $300-500

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1313

A Chinese Yuan Dynasty carved wood scholar figure

Yuan Dynasty (1271-1368) Appears unmarked The figure, clothed in official scholar’s robes and holding a book, with allover polychrome painted decoration 20.25” H x 5.25” W x 3.5” D $300-500

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1314

A pair of Chinese cloisonné vases

Mid/late 20th century Each appear unmarked Two baluster form vases, each decorated in polychrome enameled all over floral and bird motifs flanked by geometric banding to the neck and foot, 2 pieces Each: 20” H x 8.5” Dia. $400-600

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1315

A Chinoiserie inlaid lacquered wood bar cabinet

Circa 1940s-50s Appears unmarked The rounded cabinet with a hinged top, interior mirrored bottle storage, and variously sized additional storage cabinets, all decorated with carved hardstone inlay depicting dimensional figures, plants and animals in gilt-painted wooded settings on both the exterior and interior 40” H x 32” W x 15.75” D $800-1,200

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1316

A Vienna regulator wall clock

Mid-19th century With a ceramic dial with black Roman numeral hour markers and single train movement set in a plate glass glazed satinwood case 35.75” H x 11” W x 4.75” D $600-800

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1317

A Y. Hayashi for Liberty & Co. “Japonisme” dining suite

Early 20th century Each with burn mark: Y. Hayashi / Nikko Each of various woods with hand-carved iris flowers with elements of Arts & Crafts and Art Nouveau design, comprising a round dining table with eight matching chairs, a buffet with tiger maple top, and a small chest, 11 pieces Table: 30.25” H x 57” Dia.; each chair: 46.875” H x 17.25” W x 17.25” D; buffet: 58” H x 60” W x 24.5” D; chest: 20” H x 30” W x 21” D $2,500-3,500 Collection of Y. Hayashi

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1318

A Gorham Martelé silver tea and coffee service

1906 Each marked for Gorham Martele and .9584 silver; further marked: H / X D / Spaulding & Co. Chicago The custom, hand-raised Britannica silver tea and coffee service decorated with an Art Nouveau maple leaf motif, comprising a hot water tipping kettle with burner (14.5”), a coffee pot (8.5”), a teapot (7.25”), a creamer (6.5”), a covered sugar bowl (5.5”), and a waste bowl (3.75”), 6 pieces 176.41 gross oz. troy approximately $10,000-15,000 Provenance: The Estate of George David Sturges

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1319

A Gorham “Athenic” sterling silver vase

1903 Marked for Gorham sterling The weighted sterling trumpet vase with a tall, widening neck and squat base decorated with repoussé chrysanthemums 18.5” H x 6” Dia. $5,000-7,000

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1321

A silver repoussé mirror

Early 20th century With an elaborated design of birds and flowers surrounding a beveled rectangular mirror on a blue velvet backing 19.5” H x 15.5” W $1,000-1,500 Provenance: The Estate of Lady Leslie Ridley-Tree

1320

An American silver lidded tureen

1852 With maker’s mark for William Gale & Son New York and dated, not marked for silver purity The ovoid dish with scrolled acanthus and floral motifs, two handles, and a lid raised on a footed base, together with a gold washed ladle, personalized, 2 pieces Tureen: 11.25” H x 15.25” W x 10” D; ladle: 13.75” L 100.45 oz. troy approximately $5,000-7,000

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1322

A Continental silver-plated table mirror

Late 19th/early 20th century With unidentified hallmarks: [man’s profile, running ram, crown, and initials “JJ,” “TT,” or “dd”] The silver-plated mirror with repoussé floral designs centering a coat of arms surrounding a rectangular beveled glass mirror 20.5” H x 14.5” W $500-700

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1324

A pair of Flemish-style giltwood wal

1323

A French gilt-bronze and porcelain mantel clock

Late 19th century The clock with celeste blue porcelain dial with black Roman numeral hour markers and two train movement set in a gilt-bronze case with inset porcelain plaques and surmounted by a seated putto 15.5” H x 12.25” W x 4.25” D $800-1,200

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19th century Each with a carved giltwood crest in open subsidiary inset oval mirror over a rectang gilt frame with inset marginal mirrors, 2 pie Each: 35” H x 22” W x 1.75” D $800-1,200

ll mirrors

n acanthus scrolls centering a gular mirror surrounded by a eces

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1326

A pair of Louis XVI-style giltwood console tables

Late 19th/early 20th century Each with a white and beige marble top over a carved giltwood base centering a wreath and raised on scrolled acanthus legs, 2 pieces Each: 38.75” H x 36.5” W x 13.25” D $800-1,200

1327

A French Louis XVI-style occasional table

Early 20th century The carved wood table with oval, inset black marble top over floral swags and raised on pole legs with an X-stretcher 23” H x 30” W x 21” D $300-500

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1325

A French Louis XV-style commode

20th century With green marble top over a bombe cabinet with burl veneer, figural gilt-bronze mounts, and two drawers 34” H x 49” W x 20” D $600-800

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1328

A Chinese gilt and polychrome enameled porcelain bowl Mid/late 20th century Appears unmarked With allover enameled floral motif decoration on gilt ground and central interior enameled motif of women in kimonos in a garden scene, along with a carved wood stand With stand: 8.75” H x 14” Dia. $600-800

1330

A Chinese cinnabar lacquered cabin

20th century Centering a double-door cabinet flanked side cabinets with fitted interiors and cha toned metal hardware 74” H x 55” W x 25.5” D $300-400

1329

A Chinese blue and white porcelain vase

Mid/late 20th century Marked to the underside with an apocryphal: “Da Ming Chenghua Nian Zhi” The baluster form vase with elongated neck and two stylized handles, decorated with foliate and geometric motifs on either side of a figural scene in blue underglaze on a white ground, with carved wood stand On stand: 17.25” H x 6.25” Dia. $300-500

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net

d by two ased silver-

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1331

A Persian Sarapi Heriz rug

Late 19th/early 20th; Iran Wool on cotton foundation, with polychrome geometric motifs in hues of salmon, rust, brown, and light and dark blue on a beige field 12’8” L x 9’7” W $8,000-10,000

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1332

A Persian Bakhshayesh rug

Late 19th century; Iran Wool on cotton foundation, with polychrome geometric motifs in hues of light blue and rust on a cream field 12’6” L x 9’6” W $7,000-9,000

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1333

An Italian porcelain portrait plaque

Late 19th/early 20th century Marked on the verso with a black Florentine Crest backstamp and 300 After Raphael’s Madonna della Seggiola within an ornate giltwood frame Plaque: 12” Dia. $800-1,200

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1334

An Italian porcelain portrait plaque

Late 19th/early 20th century Marked on the verso with a black Florentine Crest backstamp; inscribed in pencil verso: Madonna della Seggiola de Raphello After Raphael’s Madonna della Seggiola within an ornate giltwood frame Sight: 3.75” Dia.; frame: 14.5” H x 12.25” W x 1.75” D $600-800

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1335

Roberto Lupetti

(1918-1997) Portrait of a Rabbi Oil on canvas Signed lower right: Roberto Lupetti; signed again in ink and with the artist’s thumbprint, verso 20” H x 16” W $600-800

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1336

Two religious silver book covers

20th century Larger appears unmarked; smaller marked: Sterling / Made in Israel Each with Jewish iconography and Hebrew text, 2 pieces Larger: 8.75” H x 7” W x 1” D; smaller: 5.125” H x 3.75” W x 0.875” D $300-500

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1337

Yaacov Heller

(b. 1941) “David Slaying Goliath,” late 20th century Sterling silver, gold wash, and slate Signed to the shield: Yaacov Heller / 17 D; further marked: 925 18” H x 7.5” W x 13” D $400-600

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1338

Yaacov Heller

(b. 1941) “The Judgement of King Solomon,” late 20th century Sterling silver, gold wash, and slate Signed to slate base: Yaccov Heller / 13 D; further marked: 925 8” H x 11” W x 8.5” D $600-800

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1339

A group of silver Judaica items

Late 20th century Cups and tower marked for sterling; plate marked for 800 silver Comprising a sterling Besomim spice tower, two sterling Kiddush cups, and a small .800 silver plate, sold together with a figural trophy set on an acrylic base, 5 pieces Largest: 7.875” H x 2.25” Dia.; smallest: 4.625” H x 2.875” W x 1.875” D Weighable sterling: 6.725 oz. troy approximately $500-700

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1340

A French mantel clock retailed by Tiffany & Co.

Late 19th century Movement signed: Japy Freres / Made in France; dial signed: Tiffany & Co. The white enameled dial with black Arabic numeral hour markers, outer minute track, floral festoons, and two train movement under a glazed bezel and set in a red marble architectural case flanked by two patinated bronze putti and inset gilt-bronze mounts 12.75” H x 25.25” W x 5.75” D $3,000-4,000

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1341

A pair of Barbedienne gilt-bronze and marble table lamps

Late 19th century; France Signed to the bronze: Barbedienne Two dual socket lamps, each with a grey marble body and base, accented with gilt-bronze Dionysian masks, foliate mounts, and eternal flame finial, electrified, 2 pieces Each: 30.5” H x 6” W x 6” D $4,000-6,000

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1342

In the manner of Filippo Gherardi

(1643-1704) Esther fainting before King Ahasuerus Oil on canvas laid to canvas Appears unsigned 23.5” H x 29.25” W $4,000-6,000

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1344

A pair of carved giltwood wall shelves

19th century Each in the form of scrolled acanthus leaves, 2 pieces Each: 14.25” H x 13” W x 7.25” D $500-700

1343

A French Louis XV-style commode

Early 20th century With grey marble top over a bombe cabinet with sun-face parquetry inlay, gilt-bronze mounts, shaped apron, and two drawers 35.75” H x 44.5” W x 19.5” D $800-1,200

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1345

A French tapestry

Circa 1860s The wool tapestry depicting Hades and Persephone 6’11” L x 5’5” W $3,000-5,000

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1346

A pair of Classical-style figural brass candlesticks

Late 19th/early 20th century Each appears unmarked Each with a Classical female caryatid figure beneath an ionic capital on a circular base with relief decoration, 2 pieces Each: 10.5” H x 4.75” Dia. $600-800

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1347

A French Louis XV-style gilt-bronze desk set

Late 19th century Signed: Rambaud / Susse Freres The gilt-bronze set decorated with foliate motifs and a figural mask, comprising a double inkwell with glass liners, a blotter, a stamp, a letter opener, a magnifying glass, and a wax seal remover, 6 pieces Inkwell stand: 7” H x 20.5” W x 9” D $3,000-4,000

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1349

A pair of Louis XV-style armchairs

Late 19th/early 20th century Each with a carved walnut carcass and cream upholstered seat, back, and elbow pads with nail head trim and shell motifs, 2 pieces Each: 42” H x 28” W x 28” D $1,000-1,500

1350

A Louis XV-style te

Late 19th/early 20th c With oval, inset marb drawer and kidney-sh 29.25” H x 22.25” W $500-700

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1348

A Louis XV-style bureau plat

20th century The book match veneered wood desk with gilt-bronze mounts and inset giltstamped leather writing surface over one center drawer and four small drawers 32” H x 71.5” W x 36” D $800-1,200

ea table

century ble top surrounded by a brass gallery rail over a single haped undertray with parquetry inlay x 17” D

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1351

A zebra wood writing desk

Circa 1810 With an interior purple velvet-lined writing surface, gilt scrollwork hardware, various internal compartments, and a pen rest 4.25” H x 14” W x 10” D $300-400

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1353

A Roman-style glass bud vase

Late 19th/early 20th century The small vase in translucent clear glass with a slight iridescent finish and traces of organic alkaline residue 4.375” H x 2.375” Dia. $200-300

1352

A bronze sculpture in the manner of the “The Dying Gaul”

20th century Appears unmarked The sculpture, after the ancient Roman marble, depicts a wounded Galatian Celt with a Celtic torc around his neck and a sword and trumpet on the surrounding ground 12” H x 21” W x 10.25” D $600-800

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1354

A Roman bronze brazier

Circa 1st/3rd century CE or later The bronze tripod bowl with cast gorgon masks mounted above each griffin-shaped foot, accented with three ring handles 5” H x 11.5” Dia. $3,000-5,000 Provenance: Property of the American Broadcasting Company, New York, NY Walt Disney Co., Burbank, CA, acquired by corporate merger with the above Private Collection, Los Angeles, CA, acquired from the above

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1355

An Indian devotional cast brass horse with rider

Early/mid-20th century; South India Marked to the underside: Made in India / NS036 The mobile horse on four wheels, intricately decorated with applied metalwork in a foliate motif 11.75” H x 7” W x 11.25” D $300-500 Provenance: Property of the American Broadcasting Company, New York, NY Walt Disney Co., Burbank, CA, acquired by corporate merger with the above Private Collection, Los Angeles, CA, acquired from the above

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1356

An Indian diminutive rosewood and brass bridal chest

Late19th century With hinged and handled lid, two small drawers beneath the main storage compartment, and a hinged latch for locking; all decorated with cut and hammered brass in foliate, geometric, and hoopoe bird motifs 7.5” H x 11.25” W x 8” D $300-500 Provenance: Property of the American Broadcasting Company, New York Walt Disney Co., Burbank, California, acquired by corporate merger with the above Private Collection, Los Angeles, California, acquired from the above Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information. CITES is a multilateral treaty to protect endangered plants and animals.

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1357

A pair of Rajasthani polychromed wood wedding horses

19th century; India Marked to underside: 5 6 Two brightly painted, carved wooden horses, each with free-moving tails; both mounted to a wooden platform with four wheels 16.5” H x 15.75” W x 11.5” D $300-500 ABC provenance

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1358

Two Incan Chimu carved wood figures with cloth garments

Imperial Era (1300-1460 CE); Northern Peru Each with a square face, painted with rust-colored pigments and round, watchful eyes and clothed in multi-color woven ponchos and head coverings; mounted on a single metal stand, 3 pieces Each with stand: 12” H x 10.5” W x 3” D $500-700 Provenance: Property of the American Broadcasting Company, New York Walt Disney Co., Burbank, California, acquired by corporate merger with the above Private Collection, Los Angeles, California, acquired from the above Other Notes: These small totemistic figures likely served as spiritual guardians. Usually smaller, wood sculptures were also part of a free-standing funerary processional tableaux and architectural models that were deposited in burials. These figures have particularly well-preserved woven garments. The fabric used by the Chimu was spun from cotton and the wool of camelids, such as alpaca, vicuÒa and llama. This fabric was then often colored, using dyes created from plants such as walnut; minerals, such as clay; and insects such as cochineal.

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1359

A Burmese silver bowl

Circa 1900 With a register of haute-relief repoussé figural scenes between bands of various foliate designs 5.125” H x 9.25” Dia. 29.66 oz. troy approximately $800-1,200

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1360

An Mende “Ndoli Jowei” carved wood helmet mask

Early 20th century; Sierra Leone, West Africa The carved and burnished wooden mask with elaborately carved replication of the hairstyle worn by the Mende women, the braids accented with small metal chains, and the diminutive face with notched carving into the forehead and cheeks representing ritual scarification 13.5” H x 8” Dia. $500-700 Provenance: Property of the American Broadcasting Companies, New York Walt Disney Co., Burbank, California, acquired by corporate merger with the above Private Collection, Los Angeles, California, acquired from the above Other Notes: This type of mask is used by the Sande, a female secret society within the Mende culture, on important occasions: handing down justice, attending funeral ceremonies, and going through initiation rites. The Mende initiation rite for young women is the only known masquerade tradition where the mask-wearers are female. Sowei refers most specifically to medicineóthe kind of medicine that female healers/herbalists utilize. The ndoli jowei helmet mask is owned and worn by a Sowei, the senior official of the Sande. Embodied in this idea of medicine is a spiritual force. The mask, when danced, is a visual expression of this spirit. The term also refers to the custodian of the medicine. The interior of the mask is carved out for ceremonial wear, and several perforations around the base allow for the suspension of a large textile costume.

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1361

A Yoruba carved wood maternity altarpiece

Late 19th/early 20th century; Nigeria, Africa Label affixed to the underside: Altar Piece (Yoruba) / Acquired 12.29.81 The hand-carved statue of a woman and her child, likely a spiritual figure formerly placed in a shrine with activating medicines to ensure conception and healthy offspring 14.5” H x 5” W x 9.5” D $500-700 Provenance: Property of the American Broadcasting Company, New York Walt Disney Co., Burbank, California, acquired by corporate merger with the above Private Collection, Los Angeles, California, acquired from the above Other Notes: Maternity figures are among the most common sculptural types found in Africa, attesting to the critical importance of motherhood.

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1362

A Bamum “Tu-Ngunga” carved wood helmet mask

Early/mid-20th century; Bamum Peoples, Grassfields, Cameroon, East Africa Appears unmarked The large carved wood helmet mask with a toothy grimace, prominent ears, and an ornately carved coiffure; on later added metal stand, 2 pieces, Mask:18.5” H x 12” W x 11.5” D; with stand: 25.25” H x 12” W x 11.5” D $300-500 Provenance: Property of the American Broadcasting Company, New York Walt Disney Co., Burbank, California, acquired by corporate merger with the above Private Collection, Los Angeles, California, acquired from the above Other Notes: The Nsorro military society consists of male members that have killed an enemy of the Bamum fon during a battle and as such are recognized for their bravery and allegiance to the fondom. The “Tu-Ngunga” mask (meaning ëhead for the danceí; tu meaning ëheadí, ngunga meaning ëdanceí) is a ceremonial worn headdress during the funerals of deceased Nsorro members, Fons and other members of royalty within the Bamum society. The mask is worn atop the head with a raffia shield to disguise the wearer. Used to invoke images of deceased fons and their wives, “tu ngunga” masquerades always dance in male / female pairs with the male headdress represented wearing a Bamum prestige cap and the female headdress represented with an elegant female coiffure. w w w. j o h n m o r a n . c o m 3 9 1

1363

Hermanus Koekkoek Jr.

(1836-1909) Ships leaving the shore Oil on panel Signed lower right: H. Koekkoek Jr. 12” H x 16” W $1,000-1,500 Provenance: Galerie O’Deauville, Deauville, France Literature: Frank Buunk and Nicole van der Schaaf, “Romantiek rond de Familie Koekkoek” (Ede: Simonis & Buunk, 1994) Other Notes: This lot is sold together with a copy of an invoice in French from the Galerie O’Deauville, dated July 20, 1984. It is also accompanied by an exhibition catalog, “Romantiek rond de Familie Koekkoek” [Romance Around the Koekkoek Family].

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1364

20th Century British or American School

Boats leaving Venice at twilight Oil on paper laid to canvas Signed and with the artist’s copyright, both partially illegible, in the lower left corner: Copyright / Alfred [...]/ Elizabeth[...] Sight: 8” H x 10.5” W $300-500

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1365

A Persian Kerman palace-sized rug

Mid-20th century; Iran Wool on cotton foundation, with polychrome floral motifs in hues of pink on a light sea green field 19’3” L x 12’ W $2,000-3,000

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1367

An Indian Agra-style rug

Late 20th century Wool on cotton foundation, with polychrome foliate and floral motifs with vines on a red field with cream border 12’10” L x 8’10’ W $1,000-1,500

1366

An Indian Agra-style rug

Late 20th century Wool on cotton foundation, with floral motifs with vines in hues of red and brown on a brown field 14’1” L x 10’2.5” W $1,000-2,000

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1368

A French Louis XV-style Provincial sofa

Late 18th/early 19th century The wood carcass with serpentine crest rail and scrolled arms over a paisley upholstered seat and back raised on cabriole legs with triffid feet 35” H x 101” W x 26” D $1,000-2,000

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1369

A Comodex long library cabinet

Circa 1970s; Romania With Comodex shop label and Russian import labels The large, bookmatch parquetry veneered cabinet with three cupboards alternating with two glazed cupboards over three drawers 64.25” H x 113” W x 18” D $800-1,200

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1370

Pierre Ernest Ballue

(1855-1928) Thatched cottages beside a small pond Oil on canvas Signed lower left: Pierre Ballue 19” x 25” $1,000-1,500 Notes: It appears that this artist sometimes signed his name as Pierre Ballue, and other times as E Ballue.

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1371

A Louis XV-style bureau plat

20th century With book match veneer, gilt-bronze mounts, and three drawers 31.24” H x 65.5” W x 34.5” D $500-700

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1372

A pair of Old Paris porcelain spill vases

Late 19th/early 20th century Each with a Rococo-style pastoral scene with gilt highlights depicting a figure in fancy dress issuing a wide, fanned vase, 2 pieces Each: 15” H x 11.5” Dia. $800-1,200

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1373

A pair of Old Paris Empire-style porcelain tureens

Circa 1920s-30s Each glazed white porcelain with beige and brown grapevines motif and opposed handles, 2 pieces Each: 6” H x 9” W x 7.75” D $600-800

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1374

19th Century European School Man and woman with a dog Oil on canvas Appears unsigned 30.5” x 22.5” $1,000-2,000

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1375

19th Century Continental School Portrait of a young boy Oil on canvas Appears unsigned 39.25” H x 26” W $500-700

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1376

Two Chinese Qianlong enameled and gilt porcelain Immortal figures

Qianlong Emperor (1735-1796), Qing Dynasty (1636-1912) Each appear unmarked The ceramic figurines, each depicting a Taoist immortal, one Qin Gao (Kinko) with a large red carp and the other He Xian Gu, holding a lotus flower and riding a qilin, both enameled with gilt accents, 2 pieces Kinko: 5.75” H 4.5” W x 4” D; He Xian Gu: 8” H x 5.25” L x 2.25” D $3,000-5,000

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1377

A large Chinese cloisonné jardiniére with stand

Mid-20th century Appears unmarked With all-over polychromed motifs of guardian lions on the exterior, turquoise enameled interior, and faux gilt repoussé figural masks and ring handles, along with carved wood six-legged stand with dragon motifs, 2 pieces Jardinière: 20” H x 24.5” Dia.; with stand: 36” H x 24.5” Dia. $400-600

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1378

A Chinese carved wood chest

20th century With haute-relief carving depicting a battle scene and a single drop-front door revealing a fitted interior with two shelves and raised on figural dragon legs 25” H x 28.75” W x 14.5” D $500-700

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1379

Two Chinese blue and white porcelain vases

20th century Larger vase with apocryphal mark for Qianlong Period (1711-1799) Comprising one taller baluster vase with blue underglaze decoration of female figures in a garden setting and one smaller jar form vase decorated with floral and bird motifs in blue underglaze and iron oxide banding at the rim and foot, 2 pieces Larger: 11.75” H x 6” Dia.; smaller: 5.25” H x 4.5” Dia. $400-600

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1380

A group of East Asian blue and white porcelain items

Late 19th/early 20th century Two marked with reign mark for Kangxi; one marked in Japanese characters Four ceramic items comprising three bowls, one marked for Japanese manufacture and two marked for Chinese manufacture, along with an unmarked dual handled vessel with wood stand, 4 pieces Largest: 5.5” H x 6” W x 4.25” D; smallest: 2.25” H x 4.25” Dia. $400-600

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1381

A near-pair of Chinese Kangxi-style enameled porcelain plates

Early 20th century Marked with symbol in blue underglaze: [diamond with two loops and two tails] Two plates, each enameled in the Famille Rose palette, with foliate and geometric motifs, 2 pieces Each: 2” H x 15” Dia. $700-900

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1382

A near-pair of Chinese Qing Dynasty porcelain lidded vessels

Circa 1880-1920, Late Qing Dynasty (1636-1912) or early Republic Period (1912-1949) Each appears unmarked Two lidded porcelain jars, each decorated with polychrome underglaze painted figures and guardian lions in wooded scenes, 2 pieces Each: 9.25” H x 7” Dia. $400-600

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1383

A Korean “Bandaji” zelkova wood chest

Early 20th century Appears unmarked The footed storage chest with a front padlocked, hinged access panel and decorative ironwork 18.25” H x 28.5” W x 13.75” D $200-300

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1384

A Russian icon of Mother of God Joy “Umilenie”

18th century With underpainting on wood depicting Mother of God Joy “Umulenie” made together with pearls and semiprecious stones, and under a repoussé and embossed silver with goldplated riza, and with applied high-relief halo 12.875” H x 10.75” W x 1.75” D $4,000-6,000 Provenance: Nenov Icon Gallery, West Hollywood, CA Other Notes: This lot is sold together with a letter from Svetlana Nenov, an expert in fine Russian art, signed in ink and dated April 1, 1983, and with the red ink stamp of the gallery. The letter contains background information about the piece in this lot.

4 1 2 The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1385

A Russian icon of Christ’s Feast

Circa 1800 With underpainting on wood depicting Christ’s Feast under a 19th-century removable embossed silver with gold-plated riza, with semi-precious stones; with an incised inscription in Russian, verso: From antip Tobolski and Sergei Voronezki to Dimitry Procofied Dorovikov / From Polnokov to Knopkatkin 14” H x 12.25” W x 1.25” D $3,000-4,000 Provenance: Nenov Icon Gallery, West Hollywood, CA Other Notes: This lot is sold together with a letter from Svetlana Nenov, an expert in fine Russian art, signed in ink and dated December 29, 1983. The letter contains background information about the piece in this lot. Accompanying this lot is another letter signed and dated in ink, Svetlana Nenov, December 27, 1983, and with the gallery ink stamp. This letter details the style of this Russian Icon and the silver, gold-plated riza.

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1386

A Russian icon of John the Baptist

19th century Russian hallmark: M.F. [Mathey Fetisov]; dated on a label affixed, verso: 1849 With underpainting on wood depicting John the Baptist under a repoussé and embossed vermeil oklad, or riza, with applied high-relief halo 10.125” H x 8” W x 1.125” D $1,500-2,500 Provenance: Nenov Icon Gallery, West Hollywood, CA Other Notes: This lot is sold together with an invoice from the Nenov Icon Gallery and signed in ink by Svetlana Nenov on August 27, 1981, and with other related material related to this lot from the Nenov Icon Gallery.

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1387

A Russian icon of St. George on the Horse Slaying the Dragon

19th century Tempera on wood, with incised lines, embossed patterns, and gilding depicting St. George, with a Russian title near the lower edge, at center, in a silver-plated frame 12.125” H x 10.25” W $1,000-2,000 Provenance: Nenov Icon Gallery, West Hollywood, CA Other Notes: This lot is sold together with a letter from Svetlana Nenov, an expert in fine Russian art, signed in ink and dated October 14, 1981, and with the red ink stamp of the gallery. The letter contains background information about the piece in this lot.

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1388

A set of Russian Imperial porcelain plates

Circa 1825-1855, Period of Nicholas I Each marked with blue underglaze imperial monogram for Nicholas I Each porcelain plate with a scalloped rim, gilt highlights, and polychrome interlacing surrounding the Russian Imperial eagle, 12 pieces 1.25” H x 9.75” Dia. $2,000-3,000

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1389

A set of Russian Imperial porcelain bowls

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1390

A Russian icon of Christ-Pantocrator

19th century With underpainting on wood depicting Christ-Pantocrator under a repoussé and embossed silver with goldplated riza, and with applied high-relief halo; dated on a label affixed, verso: 1867 12.25” H x 10.5” W x 1.25” D $1,200-1,800 Provenance: Nenov Icon Gallery, West Hollywood, CA Other Notes: This lot is sold together with a letter from Svetlana Nenov, an expert in fine Russian art, signed in ink and dated October 14, 1981. The letter contains background information about the piece in this lot. Svetlana Nenov in the letter writes that “It is very clear to see, that the icon and the “riza” weren’t done by the same master. The riza is richly decorated with different designs and ornaments, while the icon itself has none of the above.”

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1391

A Russian icon of the Virgin Mary and Child

Late 19th/early 20th Century With underpainting depicting the Virgin and Child under a repoussé and embossed brass riza, with applied high-relief halo Overall: 12.75” H x 11” W x 2” D $800-1,200

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1392

A Russian icon of the Coronation of the Holy Virgin

19th century Marked: 1813, D.Z./ 84/ A.S. [Alexey Solomachin] With underpainting on wood depicting the Coronation of the Holy Virgin under a repoussé and embossed Russian silver riza, with applied low-relief halo 8.75” H x 6.875” W x 1.125” D $800-1,200 Provenance: Nenov Icon Gallery, West Hollywood, CA Other Notes: This lot is sold together with a letter from Svetlana Nenov, an expert in fine Russian art, signed in ink and dated October 14, 1981. The letter contains background information about the piece in this lot.

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1393

A Russian icon of Archangel Michael

19th century Marked: E. CH. [Egor Cheryatov]/ 84 With underpainting on wood depicting the Coronation of the Holy Virgin under a removable repoussé and embossed Russian silver with gold-plated riza, and with applied low-relief halo 6.75” H x 5.375” W x 1.25” D $600-800 Provenance: Nenov Icon Gallery, West Hollywood, CA Other Notes: This lot is sold together with a letter from Svetlana Nenov, an expert in fine Russian art, signed in ink and dated October 14, 1981. The letter contains background information about the piece in this lot.

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1395

A Chinese Qing Dynasty glazed earthenware temple figure Qing Dynasty (1644-1911) Appears unmarked The ceramic figure, wearing scholar’s robes, glazed with transparent, blue, and iron oxide underglazes, with later-added stand With stand: 13” H x 4” W x 4.5” D $500-700

1394

A Chinese Late Ming Dynasty bronze footed bowl

17th century or later Appears unmarked The tripod footed bowl with dragon motif handles, geometric banding around the rim, and guardian lion mask feet 3.75” H x 7.5” Dia. $600-800

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1396

A Chinese Qing Dynasty glazed earthenware temple figure

Qing Dynasty (1644-1911) Appears unmarked The ceramic figure, wearing scholar’s robes, glazed with transparent and iron oxide underglazes, with later-added stand With stand: 13.5” H x 5.5” W x 3” D $300-500

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1397

A pair of Chinese cloisonné vases

Late 20th century Each with sticker to side: Made in China Each gilt-brass vase with polychrome floral and avian decoration on a carved wood stand, 2 pieces Each overall: 11.625” H x 5.25” Dia. $300-500

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1398

A Korean Bandaji chest

20th century The tall, dark wood chest drop-front top door, paper-lined interior, and fitted with reticulated brass hardware raised on four bracket feet 38.25” H x 36.25” W x 17” D $600-800

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1399

A Persian rug

20th century; Iran Silk on silk foundation, with polychrome floral motifs centering a smaller blue medallion inside a larger red medallion surrounded by a blue border 9’3” L x 6’ W $800-1,200

1400

A Caucasian rug

Late 19th/early 20th century Wool on wool foundation, with polychrome geometric motifs centering two medallions 5’10” L x 3’8” W $600-800

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1401

A Persian Sarouk palace-sized rug

Mid-20th century; Iran Wool on cotton foundation, with polychrome floral motifs in hues of red and blue on a red field with a blue border 17’9” L x 11’11” W $1,000-1,500

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1402

A French Boulle-style mantel clock

Late 19th century Dial marked: Hry Marr a Paris; movement signed: Hy Marr / Paris With enameled white dial with black Roman numeral hour markers, outer minute track, glazed bezel, and two train movement set in a carved wood case with brass and Boulle-style inlay 18.5” H x 12.25” W x 6.25” D $1,200-1,800

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1403

An Italian Louis XV-style commode

Late 18th century The Rococo-style chest of drawers with a serpentine marble top above a conforming bombe-form case fitted with two drawers and decorated with diamond parquetry and gilt-metal mounts 35.5” H x 26.5” W x 17” D $2,000-3,000

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1404

Giuseppe Magni

(1869-1956) Untitled, 1925 Oil on canvas laid to canvas Signed and dated lower right: G. Magni; titled indistinctly on a label affixed verso 31” H x 40.75” W $4,000-6,000 Exhibited: Florence, Italy, “National Association of Artists: Permanent Exhibition: Largest Collection of Modern Works in Paintings and Sculptures,” 1928

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1405

An Italian carved giltwood console table

19th century The shaped, peach-colored inset marble top with lobed corners over an openwork carved rocaille motif apron raised overall on four cabriole legs on scrolled feet joined by an X-stretcher centering a foliate finial 40” H x 62.25” W x 20” $800-1,200

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1406

Two Meissen “Under the Apple Tree” porcelain figural groups

20th century Marked for Meissen [blue crossed swords]; inscribed: D94 / 62 Model D94, designed 1772 by Michael Victor Acier (1736-1799), each glazed porcelain group depicting three figures with baskets under an apple tree picking apples, comprising two iterations of the group with slightly different coloring and design, 2 pieces Larger: 10” H x 6” W x 5” D $1,200-1,800

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1407

A Meissen porcelain figural group

20th century Marked for Meissen [blue crossed swords] Model 485, designed 1740 by Johann Joachim Kandler (1706-1775), the glazed porcelain group depicting a shepherdess and shepherd lovers under a tree with a dog 10” H x 9.75” W x 6.25’ D $800-1,200

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1408

A Meissen porcelain figural group

20th century Marked for Meissen [blue crossed swords]; inscribed: D96 Model D96, designed 1770 by Michael Victor Acier (1736-1799), the glazed porcelain group depicting musical figures and dancers around a tree 18.25” H x 8.5” Dia. $800-1,200

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1409

A Meissen porcelain figural group

20th century Marked for Meissen [blue crossed swords]; inscribed: B 60 / 33 / 51 Model B60, designed 1767 by Johann Joachim Kandler (1706-1775), the glazed porcelain group depicting four children with flowers on a round base 10” H x 5.75” Dia. $500-700

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1410

A pair of Venetian Rococo-style wall mirrors

Early 20th century Each of asymmetrical form with a carved giltwood frame surrounding a mirror with etched designs centering a male and female figure, 2 pieces Each: 46.5” H x 31.5” W x 3” D $600-800

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1412

An Italian carved wood occasional table

Late 19th century With a burl veneer top over an openwork carved apron and raised on four legs 21” H x 27.25” W x 18.75” D $600-800

1411

Two small carved wood demilune tables

20th century Each with inset black marble top, one with Greek sphinx supports over an undershelf and one with putti supports over a stretcher, 2 pieces Larger: 25” H x 25.25” W x 13.75” D; smaller: 23.5” H x 25” W x 13.5” D $600-1,000

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1413

Early 20th Century Continental School

Garden party Oil on canvas Appears initialed and indistinctly inscribed lower right: M.T.A. 88” H x 114.5” W $6,000-8,000

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1414

August Stephan Sedlacek

(1868-1936) Music in the salon Oil on canvas Signed lower right: Stephan Sedlacek 24” H x 36” W $2,500-3,500

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1415

An Indian Agra-style rug

Late 20th century Wool on cotton foundation, with polychrome floral motifs with vines on a red field with a green border 14’ L x 9’11” W $1,000-2,000

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1417

A Heriz rug

Mid-20th century Wool on cotton foundation, with polychrome geometric motifs and central medallion on a red and cream field 11’ L x 8’4” W $800-1,200

1416

A Persian Kerman variety rug

Circa 1930s Wool on cotton foundation, with polychrome floral motifs in hues of red and blue on a blue field 9’8” L x 7’10.5” W $800-1,200

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1419

A pair of Chinese carved wood lamp stands

Early/mid-20th century Each appear unmarked Comprising two circular tables each with carved floral mo radiating down the four legs and a pink marble top 36” H x 14” Dia. $500-700

1418

A pair of Chinese cloisonné vases

Late 20th century Each haitangzun-form, gilt-brass vase with polychrome floral decoration, 2 pieces Each: 12” H x 7.5” Dia. $500-700

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otifs

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1420

A Chinese Late Qing enameled and gilt porcelain vase

Circa 1880-1920, Late Qing Dynasty (1636-1912) Appears unmarked The baluster form vase with polychrome enameled decoration depicting scenes of children carrying a dragon puppet amongst New Year’s revelry, along with a carved wood stand With stand: 24” H x 8” Dia. $300-500

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1421

A group of Chinese Nanjing-style enameled earthenware vases

19th century Each marked to the base with Chinese characters Three large, baluster form ceramic vases, each decorated with polychrome enameled scenes on their lower half of warrior figures in jousting, combat and warrior games on foot and on horseback, as well as iron oxide glazed, three-dimensional dragons and guardian lion handles, each with carved wood stand, 3 pieces Each (with stand): 19.5” H x 7.75” Dia. $600-800

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1422

A group Chinese green glazed earthenware ginger jars

Circa 1920s-30s Each appears unmarked Eight green ceramic vessels comprising four smaller jars without lids decorated with various foliate and geometric motifs, one with a woven wicker carrying sheath, and four larger vessels, two with lids, each decorated with foliate and geometric motifs, 8 pieces Largest: 5.5” H x 4.75” Dia.; smallest: 3.75” H x 3.25” Dia. $300-500

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1423

19th Century Continental School

Portrait of a noble woman, 1848 Oil on canvas Signed indistinctly and dated verso; the sitter, Marie W[?]anderer, maiden name, Bratsch, and possible death date, 1901, all handwritten together with other identifying information on a small old paper label affixed verso 28” H x 22” W $700-900

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1424

19th Century European School Portrait of a man Oil on canvas Appears unsigned 30” H x 25” W $600-800

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1425

A pair of Victorian brass garniture ewers

19th century Each faux ewer with elaborate cast scrollwork and foliate motifs with a large, scrolled handle surmounted by a griffin head and with am applied figural mask plaque to the front, 2 pieces Each: 29” H x 11” W x 7.25” D $800-1,200

1427

A French Louis XVI-style commode

Mid-20th century With green marble top over a carcass with rounded sides, three drawers, and a central cabinet flanked by two concave cabinets, decorated with gilt-bronze mounts 38” H x 71” W x 22.5” D $1,000-1,500

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1426

A French giltwood wall mirror

Late 19th/early 20th century The carved giltwood frame surmounted by a floral basket and acanthus scroll crest around a rectangular mirror 58.5” H x 32’” W x 3” D $600-800

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1428

19th Century Continental School

Portrait of Emma Dommershuizen Oil on canvas Signed lower and dated lower right: A. Aug. Neve; Signed and dated again, verso; inscribed verso: Emma Dommershuizen aged 6 1/2 44” H x 29” W $400-600

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1429

19th Century American School Portrait of Rebecca Ford Oil on canvas Appears unsigned; titled by repute 27” H x 22” W $700-900 Other Notes: Rebecca Ford was married to Henry P. Ford (1837-1905), a prominent bookkeeper and industrialist. Henry Ford was the mayor of Pittsburg, Pennsylvania, from 1896-1899.

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1430

A Royal Vienna porcelain urn

Early 20th century Marked with blue underglaze Bindenschild (possibly for Ackermann and Fritze Volkstedt); further marked in red overglaze: Love’s Offering / Love’s Awakening; scene signed illegibly The porcelain urn-form lidded vase with central register depicting Classical-style scenes with putti enclosed by gilt-highlights against a cobalt blue ground 17” H x 8.5” Dia. $1,000-1,500

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1431

A pair of Royal Vienna porcelain vases

Late 19th century Each marked with blue underglaze Bindenschild Each glazed porcelain lidded vase with a scene of Classical figures in a landscape against a cobalt blue ground, 2 pieces Each: 8.5” H x 4.5” Dia. $800-1,200

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1432

A pair of French torchière stands

Early 20th century Each with a round puddingstone marble top over a base with floral marquetry inlay and decorated with laurel leave gilt-bronze mounts, raised on four legs on a square foot, 2 pieces Each: 46.75” H x 15” W x 15” D $800-1,200

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1433

Attributed to Pietro Bellotti

(1625-1700) “Lachesi” Oil on canvas Appears unsigned; titled on the frame plaque 44.5” H x 37” W $4,000-6,000 Provenance: Property of an Important New York Corporate Collection Other Notes: The name on this frame plaque reads G. Francesco Cippi Todeschini This painting represents the Parca Lachesi, repeatedly reproduced by Bellotti. In fact, many variants of this same composition are known: one is preserved in Stuttgart Staats Gallerie, a smaller one in Rovigo Accademia dei Concordi, others in private collections.

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1434

A French planter stand

Early/mid-20th century The parquetry veneered stand with gilt-bronze mounts, gallery rail, and metal liner under a handled lid and raised on serpentine legs with an undertray 31” H x 23” W x 10” D $400-600

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1435

Jean Baptiste Camille Corot

(1796-1875, French) Figures in a landscape Oil on paper laid to plaster laid to cradled panel Signed twice lower right: Corot 8.25” H x 6.5” W $3,000-5,000

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1436

A French Provincial credenza

Late 18th/early 19th century The carved oak buffet with three short drawers over three cabinets, decorated with shell motifs and brass hardware 44.25” H x 78” W x 19” D $600-800

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1437

A pair of French Empire-style gilt-brass sconces

Late 19th century Each stamped on the verso: HF / 5576 Two brass dual candle-holder wall sconces, each with a central patinated urn motif from which a gilt torch and smoke motif rises opposite the foliate motifs at the base, 2 pieces Each: 16” H x 7.75” W x 4.5” D $500-700

1438

A pair of French marquetry commodes

Early/mid-20th century Each with puddingstone marble top over a carcass with floral marquetry inlay, gilt-bronze mounts, shaped apron, and three drawers, 2 pieces Each: 32.25” H x 31” W x 16.25” D $800-1,200

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1439

In the Style of Sir Peter Lely

(1618-1680) His and her portraits Each: Oil on canvas laid to canvas Each: Appears unsigned 2 pieces Each: 30” H x 25” W $3,000-4,000

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1440

19th Century American School Portrait of Rebecca Ford Oil on panel Appears unsigned; titled by repute 10” H x 8” W $300-500 Other Notes: Rebecca Ford was married to Henry P. Ford (1837-1905), a prominent bookkeeper and industrialist. Ford was the mayor of Pittsburg, Pennsylvania, from 1896-1899.

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1441

A group of English sterling silver flatware

Circa 1818-1873 Each with English hallmarks for London, various makers In three patterns, the first pattern comprising 12 hollow-handled dinner knives (9.5”), 10 hollowhandled luncheon knives (8.625”), 13 dinner forks (8.375”), 11 salad/luncheon forks (7.25”), 11 oval soup/place spoons (7.25”), 4 teaspoons (5.875”), 12 tablespoons (8.875”), 1 gravy ladle (7.25”), and 1 punch ladle (13”); the second pattern comprising 23 dinner forks (8.25”), 17 salad/luncheon forks (7”), 12 oval soup/place spoons (7.125”), 16 teaspoons (5.75”), 5 chocolate spoons (4.375), 18 tablespoons (9”), 1 fish server 12.375”), 2 large serving spoons (12.125”), 1 punch ladle (12.875”), 1 gravy ladle (6.875”), and 1 cream ladle (5”); and the third pattern comprising 1 hollow-handled cake knife (13.125”), 1 hollow-handled pie server (10.25”), 1 hollow-handled carving fork (10.5”), 2 hollow-handled luncheon knives (8.5”), 1 luncheon fork (6.875”), 1 teaspoon (5.875”), and 1 five o’clock teaspoon (5.375”), 180 pieces Weighable sterling: 397.525 oz. troy approximately $4,000-6,000

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1442

An English sterling silver tray

1862 With English hallmarks for London, maker’s mark for John Samuel Hunt; further marked: Hunt & / Late / Storr & Mortimer / 16 11 The handled tray with gadrooned border centering the Bevan family Coat of Arms, personalized 1.5” H x 29.5” W x 18.25” D 141.88 oz. troy approximately $800-1,200

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1443

A sterling silver and glass cruet set

1793 With English hallmarks for London, maker’s mark for Robert Hennell I Comprising seven translucent glass bottles with sterling mounts and one jar with sterling spoon set in a fitted caddy, 8 pieces Overall: 9.5” H x 11.625” W x 6.875” D $800-1,200

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1444

A ship’s model of the “Sovereign of the Seas NY”

Early 20th century The carved and painted wood miniature three-masted clipper ship with silk sails housed within a custom glazed wooden case 18.75” H x 34” W x 12” D $2,500-3,500

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1445

A ship’s model of the “USS Constitution”

Early 20th century The carved and painted wood miniature three-masted, wooden-hulled heavy frigate housed within a custom glazed wooden case 44” H x 35” W x 16” D $1,500-2,500

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1446

An English Arnold & Dent Two-Day Marine Chronometer, no. 948

Circa 1840 Dial: Arnold & Dent. / 84 Strand London No. 948 With 3.5” silvered-metal dial, black Roman numeral hour makers, outer minute track, subsidiary dials for wind speed and seconds, and with a key-wound fuse movement set in a gimbal mount within a fitted three-part, lidded mahogany case with brass mountings Overall: 6.375” H x 6” W x 6” D $2,000-3,000

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1447

An English burl wood pillared Davenport desk

Late 19th Century Appears unmarked The carved carcass with an inclined hinged top with book-matched veneer and tooled, gilt leather writing surface, which opens to reveal an interior storage compartment with two small drawers, as well as three functioning storage drawers on the right side and three decorative drawer fronts on the left side, set upon four ball feet 32” H x 21” W x 20.75” D $500-700

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1448

An English tall case clock

Late 19th/early 20th century Movement marked: Made in England The painted metal dial with black Arabic numeral hour markers, outer minute track, subseconds dial, two train movement, calendar, moon face, and floral designed face plate, set in a mahogany case with column supports and swan neck pediment 92” H x 22” W x 12.25” D $800-1,200

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1449

A Connecticut Copper Smiths boat sculpture

1986; Guilford, Connecticut Signed to underside of base: Connecticut Copper Smiths / 1986 The patinated sailboat sculpture on weathered wood base created by master coppersmith Rob Bunting 19.5” H x 17.5” W x 5.25” D $300-500 Provenance: Property of the American Broadcasting Company, New York Walt Disney Co., Burbank, California, acquired by corporate merger with the above Private Collection, Los Angeles, California, acquired from the above

1450

An English campaign-style chest

Late 19th/early 20th century The large chest constructed of quarter-sawn oak and pine with brass banding and hardware, comprising three long drawers and two short drawers 31.75” H x 45” W x 19.25” D $600-800

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1451

A pair of Arts & Crafts period area rugs

Early 20th century Wool on cotton foundation, each with a repeating foliate pattern in hues of ochre, yellow, and pink on a sage green field, 2 pieces Larger: 25’ L x 9’11” W $1,000-2,000

4 7 4 The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1452

An Arts & Crafts period rug

Early 20th century Wool on cotton foundation, With a repeating foliate pattern in hues of ochre, yellow, and pink on a sage green field 6’ L x 4’ W $600-800

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1454

Two English sterling silver trays

1799 and 1913 With English hallmarks for Chester and Birmingham Each with repoussé scroll designs, one with foliate masks and one centering putti, 2 pieces Larger: 0.5” H x 12” W x 8.25” D; smaller: 0.25” H x 10.75” W x 8” D 16.385 oz. troy approximately $600-800

1453

An English sterling silver tray

1937 With English hallmarks for Sheffield, maker’s mark for Mappin & Webb Ltd. The rectangular tray with raised handles and chased scrolling foliate motif 1.5” H x 19.5” W x 10.875” D 57.11 oz. troy approximately $500-700

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1455

A pair of English sterling silver candlesticks

1843 Each with English hallmarks for Sheffield; maker’s marks for Henry Wilkinson & Co Each weighted candlestick with acanthus leaf design and removable bobeche, 2 pieces Each: 11.5” H x 5.375” W x 5.375” D $500-700

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1456

19th Century British School Portrait of a naval officer Oil on canvas Appears unsigned 50” H x 40” W $600-800

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1457

19th Century Continental School

Mary Magdalene with a skull, 1899 Oil canvas laid to panel Inscribed lower left: Copia Por Raphael Angel Palomino 1899 Sight: 45” H x 32” W $300-500

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1458

Jose Alves Cunha

(active 1860-1885) Snake, lizard, frog, snail, and various insects Portuguese Palissy glazed majolica ceramic Signed: Jose A. Cunha / Portugal / Caldas Rainha / 4 3.25” H x 10.5” Dia. $800-1,200

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1460

Manuel Cipriano Gomes Mafra

(1829-1905) Snake, lizard, frog, and various insects Portuguese Palissy glazed majolica ceramic Signed: M. Mafra / Caldes / Portugal 3.75” H x 12.5” Dia. $800-1,200

1459

Manuel Cipriano Gomes Mafra

(1829-1905) Three lizards, toad, and beetle Portuguese Palissy glazed majolica ceramic Signed: M. Mafra / Caldes / Portugal 2.5” H x 11.5” Dia. $800-1,200

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1461

A Syrian flip-top game table

Early 20th century With geometric mother-of-pearl and parquetry inlay, the flip top revealing an inset leather card surface, a backgammon board, and a chess board Closed: 31” H x 33.5” W x 17” D; open: 29.375” H x 33.5” W x 33.5” D $600-800

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1463

A Persian silver overlay bronze bowl

Late 19th/early 20th century; Iran The bowl with squat, tapering bottom and low relief script and foliate motifs 5” H x 10” Dia. $600-800

1462

A pair of Syrian inlaid chairs

Early 20th century Each armchair with geometric mother-of-pearl and parquetry inlay and spindle arm supports, 2 pieces Each: 31.5” H x 22.75” W x 19” D $600-800

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1464

A Persian Tabriz rug

20th century; Iran Silk on silk foundation, with polychrome floral and figural motifs on a blue field with a beige border 7’3” L x 4’6” W $800-1,200

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1466

An Iranian pictorial rug

20th century Silk on silk foundation, with polychrome figural motifs on a blue field 7’ L x 4’7” W $600-800

1465

A Persian pictorial rug

20th century; Iran Silk on silk foundation, with polychrome figural motifs on a dark blue field with a tan border 5’5” L x 3’5” W $600-800

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1467

An English Sheffield plate tray

Circa 1930s-40s Marked for James, Dixon & Sons Sheffield The large, handled tray with a beaded border and chased key and scroll designs, personalized 2.5” H x 35” W x 25.5” D $600-800

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1468

A silver-plated plateau centerpiece

19th century The round centerpiece with an inset mirror, chased floral motifs, and raised on three feet 4.625” H x 19.5” Dia. $500-700

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1469

A group of English silver-plated serving trays

Late 19th/early 20th century Two marked: Harvey & Co. / Regent St / London Each with a gadrooned rim, comprising one large oval tray and a pair of smaller oval trays, personalized, 3 pieces Larger: 1.25” H x 22.25” W x 19” D; smaller: 1.25” H x 17.125” W x 14.25” D $500-700

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1470

Two Chinese Han Dynasty earthenware warrior figures

Han Dynasty (206 BCE-220 CE) Each appears unmarked Each with painted visage, wearing black robes with red sashes and blue underskirts, one brandishing a (now lost) staff and the other a shield; each with custom wood and metal stand, 4 pieces Each (with stand): 20.25” H x7” W x 6” D $1,000-1,500

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1471

A Chinese Han Dynasty green glazed earthenware vase

Eastern Han Dynasty (25-220 CE) Appears unmarked The squat globular vase with widely flaring trumpet neck covered overall with a thick green-glaze 5” H x 4” Dia. $500-700

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1472

A Chinese Han Dynasty green glazed earthenware vase

Eastern Han Dynasty (25-220 CE) Appears unmarked The squat globular vase with widely flaring trumpet neck covered overall with a thick green-glaze 5” H x 4” Dia. $500-700

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1473

A pair of Chinese cloisonné floral vases

Mid-20th century Each appear unmarks Two enameled brass vases, each with an all-over polychromed floral and butterfly motif on the exterior and turquoise interior, each with carved wood stand, 2 pieces Each (with stand): 17” H x 7.25” Dia. $800-1,200

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1474

A Chinese lacquered altar table

20th century The cinnabar-style red lacquered table decorated with gilt geometric designs, with rectangular top over carved brackets and raised on straight legs with brass feet 30.125” H x 46.25” W x 16.25” D $500-700

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1475

A Chinoiserie blue and white porcelain table lamp

20th century Appears unmarked The baluster form porcelain vase, decorated with domestic scenes in blue underglaze on a white glazed ground and three-dimensional floral branches to either side, retrofitted as a lamp with a hexagonal silk shade, electrified 27” H x 17” Dia. $400-600

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1477

Attributed to Gerard Jozef Portielje

(1856-1929) Figures in an interior Oil on canvas Bears signature lower left: J. Gerard Portielje 11” H x 14” W $600-800

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1476

Johann Christoph Frisch

(1738-1815) Harbor scene Oil on canvas Signed lower right: J.C. Frisch 18” H x 30” W $800-1,200

1478

A Rosenthal porcelain portrait plaque

19th century Marked on the verso with a gold Rosenthal backstamp, a gold stamped title, and a 3 stamped in blue After “Der Mann mit dem Goldhelm” within an ornate giltwood frame Plaque: 10.5 x 10.25; frame: 17.5” H x 15.5” W x 2.5” D $600-800

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1479

A French parquetry and carved oak trestle table

Early 20th century; Nord, France Metal tag to the underside: Au confortable / Ramboux / Decoratuer / Douai-Valenciennes With Versailles parquetry tabletop, carved foliate border, scrolled legs, and wrought iron stylized crossed swords trestle 30” H x 47” W x 31.5” D $600-800

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1480

A pair of Italian carved walnut hall chairs

Early 20th century Each appears unmarked Two carved walnut armchairs with woven wool upholstery, each with scrolled armrests terminating in lion masks and scrolled cabriole forelegs on a spindle work frame, 2 pieces Each: 49.75” x 28” W x 26.25” D $800-1,200

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1481

A Persian rug

20th century; Iran Wool on cotton foundation, with floral motifs in hues of blue centering a medallion on cream field 7’1” L x 4’2” W $400-600

1482

A Persian rug

20th century; Iran Wool on cotton foundation, with polychrome floral motifs in hues of pink and blue on a cream field 7’9” L x 4’11” W $300-500

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1483

A Persian runner

20th century; Iran Wool on cotton foundation, with polychrome floral motifs in hues of pink and blue on a cream field 21’ L x 2’7” W $300-500

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1484

A Flemish-style repoussé wall mirror

19th century With brass repoussé overlay on a multi-panel beveled mirror 64.75” H x 40.5” W x 1.5” D $700-900

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1486

A pair of opaline glass and gilt-bronze table lamps

Early/mid-20th century Each appear unmarked Two table lamps, each with pale green milky glass body flanked by gilt bronze finial and base with foliate motifs; each with hexagonal silk shade, electrified, 2 pieces Each: 25” H x 14.25” Dia. $500-700

1485

A Jacobean English oak credenza

17th century The oak table with long, rectangular top over two drawers with iron pulls and carved quatrefoil decoration, raised on turned wood legs with cup and cover design, joined by an H-stretcher, and raised on bun feet 32.5” H x 84” W x 26.75” D $1,000-1,500

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1487

A pair of Italian Venetian-style giltwood wall mirrors

Late 19th/early 20th century Each appears unmarked Two Grotto-style, gilt-framed mirrors, each with stacked oval mirrors in Rococo carved frames replete with a decorative faux fountain basin at the base of each, 2 pieces Each: 39” H x 13.5” W x 6.75” D $1,000-1,500

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1488

A pair of French parquetry commodes

Early 20th century Each with brown marble top over a carcass with parquetry inlay, giltbronze mounts, shaped apron, and two drawers, 2 pieces Each: 30” H x 15” W x 27.5” D $600-800

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1489

A Tiffany & Co. “Clinton” engraved sterling silver flatware service

Circa 1912-1947, directorship of John C. Moore II Each marked: Tiffany & Co. / Sterling / M Comprising 20 hollow-handled dinner knives (10.25”), 20 hollow-handled place knives (9.375”), 19 hollow-handled fish knives (8”), 1 hollow-handled dessert/tea knife (7.75”), 20 butter spreaders (6”), 13 place forks with straight tines (7.5”), 6 place forks with angled tines (7.5”), 20 luncheon forks (7.125”), 22 salad forks (6.75”), 18 fish forks (6.875”), 15 oyster forks (6”), 1 bon bon serving/ olive fork (6.625”), 39 teaspoons (6”), 18 demitasse spoons (4.25”), 20 oval soup spoons (7.125”), 20 round bowl cream soup spoons (7.375”), 20 bouillon spoons (5.5”), 21 orange spoons (5.875”), 1 small jelly spoon (7”), 1 bon bon spoon (4.5”), 2 serving forks (8.5”), 6 tablespoons (8.75”), 1 fish serving fork (9”), 1 gravy ladle (7.625”), 1 hollow-handled pie server (10.25”), 1 hollow-handled carving fork (11.25”), 1 hollow-handled carving knife (14.5”), 312 pieces Weighable sterling: 368.23 oz. troy approximately $3,000-5,000 Provenance: The Estate of Lady Leslie Ridley-Tree

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1490

A Tiffany & Co. sterling silver tipping kettle

Circa 1907-1947, directorship of John C. Moore II Marked: Tiffany & Co. / 18105 Makers 8336 / Sterling Silver / 925-1000 / M With wood handle and finial, raised on a pedestal base with burner 14.25” H x 9.5” W x 7” D 65.24 gross oz. troy approximately $1,200-1,800

1491

Two carved giltwood angels

19th century Each possible architectural fragment, depicting a robed angel, 2 pieces Each: 16.5” H x 39” W x 17” D $1,500-2,500

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1492

An Italian Lacca Povera diminutive cabinet

18th century The polychrome painted cabinet with floral designs on a green ground featuring a single-door cupboard with etched Venetian mirror revealing a red interior with painted figures over two small drawers atop a larger chest with three drawers 59.25” H x 17.25” W x 14.25” D $1,200-1,800

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1493

An Italian Grotto-style carved wood shell piano bench

Late 19th/early 20th century Appears unmarked The scallop shell seat set upon an architectural pedestal and four foliate scrolled feet 25.25” H x 17” W x 16” D $500-700

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1494

A pair of Italian giltwood wall console tables

Late 19th/early 20th century Each carved giltwood with climbing floral vines and marble tops, 2 pieces Each: 35” H x 24” W x 13.5” D $800-1,200

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1495

Attributed to Guillaume Francois Colson

(1785-1850) Landscape with ducks and a woman resting beneath a tree Oil on canvas laid to board Signed lower left: Colson; the artist’s full name, as attributed, on a typed informational paragraph affixed to the frame’s backboard. Sight: 23.25 x “ H 35.25” W $800-1,200

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1497

Alphonse-Henri Mazard

(1865-1939) “Les Meules” Oil on canvas Signed lower right: A. Mazard; inscribed verso: no 44 18.25” H x 25.75” W x 0.75” D $300-500 Provenance: Sold: Jean Pierre Osenat Commissaire Priseur, Paris, France, Lot 45

1496

Carl Amann

(1908-1971) Horse-drawn wagon Oil on canvas laid to canvas Signed lower right: Carl Amann 20” H x 30” W $700-900

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1498

After Ludwig Eisenberger

(1895-1920) “Classical Warrior” Patinated bronze Signed to the base: L. Eisenberger; further marked for foundry: Akt=Ges: Gladenbeck. Berlin. 13.75” H x 10.75” W x 6” D $400-600

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1499

After Frederic Remington

(1861-1909) “Trooper of the Plains” Patinated bronze on marble base Signed to the bronze base: Frederic Remington 28” H x 30” W $600-800

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1500

A Continental tapestry

20th century The wool tapestry with floral motif in hues of pink and blue on a cream field with ribbon border 8’1” L x 8’1” W $800-1,200

1501

An Indian Agra-style rug

Late 20th century Wool on cotton foundation, with polychrome floral motifs in hues of pink, red, and light teal on a beige field with light teal border 8’5” L x 6’ W $600-800

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1502

A Persian rug

20th century; Iran Wool on cotton foundation, with polychrome floral motifs centering a medallion on a plain mauve field with light blue border 12’3’ L x 9’2” W $300-500

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1503

An English Aesthetic Period drop-front cabinet

Late 19th century With all-over floral and foliate marquetry inlay and mortise-and-tenon joints featuring a drop-front upper compartment over one long drawer and a two-door lower cabinet 57.75” H x 39” W x 11.75” D $800-1,200

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1504

An American Queen Anne Revival highboy dresser

Late19th century Constructed of cherry and pine wood, with an upper cabinet with eight drawers over a base with five drawers, finished with fan carving, brass batwing hardware, and a shaped apron 74” H x 38” W x 20.25” D $800-1,200

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1505

An American carved wood tall case clock

19th Century With a painted metal dial with black Roman numeral hour markers, outer minute track, and three train movement, set in a carved wood case with inlaid banding, marquetry medallions with birds, and swan neck pediment 98” H x 25.5” W x 12” D $800-1,200

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1506

A Damascene inlaid wood sewing table

19th century; Damascus, Syria With hinged top revealing a fitted interior with various compartments raised on an octagonal pedestal base, with mother-of-pearl and brass inlay 25.75” H x 21” Dia. $700-900

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1507

A pair of Continental-style plant stands

20th century Each carved fruitwood/mahogany with tooled leather stretcher, carved lion legs, and polished copper liners, 2 pieces Each: 33.5” H x 22.5” Dia. $800-1,200

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1508

A Muller Fréres art glass table lamp

Circa 1920s; Luneville, France With partial etched signature: Muller Fréres / Luneville The single-light lamp with a mottled purple and green frosted glass bowl, previously part of a hanging chandelier, retrofitted to a later-added shaped metal base, electrified Shade: 5” H x 14.5” Dia.; overall: 18” H x 14.5” Dia. $500-700

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1509

After James Pollard (1792-1867)

“Doncaster Races, Horses passing the Judges Stand,” circa 1833, by Smart & Hunt Aquatint in colors with hand-coloring and gum arabic on paper From the edition of unknown size and date With the printed name of the artist, engravers, and title in the plate below the image; S. & J. Fuller, London, England, pub. Plate: 16.5” H x 26” W; Sheet: 21” H x 30.5” W “Doncaster Races, Horses Starting for the Great St. Leger Stakes, circa 1832, by Smart & Hunt Aquatint in colors with hand-coloring and gum arabic on paper From the edition of unknown size and date With the printed name of the artist, engravers, and title in the plate below the image; S. & J. Fuller, London, England, pub. Sight: 16.5” H x 26.5” W 2 pieces $600-800 Notes: The first print was examined out of its frame. Since these two framed pieces came to us together, it seems reasonable to assume that the condition of the second, if unframed, would be similar to that of the first.

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1510

An Italian carved walnut and velvet upholstered hall chair Early 20th century Appears unmarked The carved walnut frame with scrolled armrests and feet, acanthus leaves, and egg and dart decoration and sage green velvet upholstery 54” H x 30” W x 26” D $600-800

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1511

A Chinese carved hornbill snuff bottle 20th century With an all-over rat motif 2.5” H x 1.625” W x 0.75” D $600-800

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1512

A Chinese carved hornbill snuff bottle

20th century With a dragon and various other animal and human figures 2.375” H x 1.875” W x 0.75” D $400-600

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1513

A group of Chinese snuff bottles

20th century Comprising fifteen bottles of varied traditional shapes and of various materials, including glass and carved stone, 15 pieces Largest: 3.5” H x 1.5” Dia.; smallest: 2.125” H x 1.75” W x 0.875” D $600-800

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1514

A Chinese carved hardstone archaistic censer

20th century Possibly serpentine or bowenite, the urn-form censer with pierced scrollwork and protruding dragon’s heads issuing ring elements topped by a dragon lid and affixed to a wood stand Overall: 13” H x 7.75” W x 4.25” D $200-400

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1515

A group of Chinese hardstone carvings

20th century Likely serpentine and nephrite, comprising a lidded vase with cranes and pines, a lidded vase with birds in blossoms, two models of a dragon boat, a figural group of fawns and cranes amidst trees, and a figural carving of a pheasant on a branch, each on a carved wood base, 6 pieces Largest: 11.5” H x 8.25” W x 5” D; smallest: 9.25” H x 5.5” W x 2.5” D $300-600

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5 3 2 The Tr ad i t i o n a l C o lle c t o r l A p ril 2 5 th & 2 6 th , 2 0 2 3

1516

A large Chinese carved hardstone archaistic censer

20th century In the form of a pagoda tower with two tiered eaves decorated with bells and on a bulbous base issuing dragon’s heads suspending rings raised on three scrolled dragon feet, sold together with a red lacquered carved wood stand not pictured 42” H x 29” Dia. $400-600

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Condition Reports

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1001 Each overall good condition with tarnishing and light scratches commensurate with age. Each monogrammed to underside. 1002 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: one with chipped losses to the crest feathers and one claw, the other with chipped losses to the crest feathers and a prior repair. 1003 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: model 20 with small chips along the bottom edge. 1004 Visual: Overall good condition. A few scattered areas of craquelure or paint shrinkage. Occasional small and unobtrusive areas of canvas show through in places, however, these appear to be in the hand of the artist. Blacklight: No evidence of restoration. Frame: 25” H x 27.5” W x 3” D 1005 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 1006 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

Condition Reports

1007 Overall good condition with wear and light scratches commensurate with age. The cuticle knife head is loose from handle and the nail buff is loose. Each monogrammed “NR.”

536

1008 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. As well, the gilt surface has scattered losses, exposing the both the white gesso plaster and red bole priming layers beneath. There is heavy surface grime and dust to the interior of the cage and the feather surface of the birds. Likewise, each bird has losses to the feathered surface and degradation to the remaining feathers. Working condition unknown. Possibly lacking a winding key. 1009 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1010 Overall good condition with heavy tarnishing and light scratches commensurate with age.

1011 Each overall good condition with tarnishing and light scratches commensurate with age. 1012 Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Pinhead-sized holes at each of the four corners. Blacklight: No evidence of restoration. Frame: 22” H x 26” W x 2” D 1013 Visual: Overall good condition. Dust accumulation, grime, and scattered craquelure commensurate with age. Blacklight: A few small spots of touch-up, pea-sized or smaller, in the woman’s reflected face. Frame: 33.5” H x 28.5” W x 2” D 1014 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollowhandled items. 1015 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollowhandled items. 1016 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 1017 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 1018 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 1019 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent production flaws commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles. 1020 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing production commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles 1021 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1022 Each overall good condition with minor shelf wear, scuffs, tarnishing, and light scratches commensurate with age.

1024 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. With etched personalized motto “Honi soit qui mal y pense” and heraldic devices. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1025 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With certificate of authenticity and original fitted box. 1026 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1027 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1028 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1029 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Minor worn abrasions to some raised edges. 1030 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: rubbed wear and small flaked losses to the painted designs, scattered inherent pinholing, scattered spots of inherent oxidation to the glaze, a 2” repaired chip to the lid’s rim, and two chips to the jar’s rim. 1031 Overall fair to good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Issues include, but are not limited to: scattered chips to the rim and lower corners, a large U-shaped hairline running from one side to another side, rubbed wear and small flaked losses to the painted designs, scattered inherent pinholing, and scattered spots of inherent oxidation to the glaze. 1032 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Issues include, but are not limited to: rubbed wear and small flaked losses to the painted designs, scattered inherent pinholing, and scattered spots of inherent oxidation to the glaze. One vase with more prominent, inherent flaws to the glaze at the rim, appear to be ruptured air bubbles with attendant dust accumulation.

1033 Overall fair to good condition with scattered scuffs, scratches, and wear commensurate with age. Issues and repairs include, but are not limited to: extensive restoration to paper for insect damage with remaining traces of insect grazing, restoration to joints of paper, typical surface soiling, areas of fading and darkening, some losses to surface decoration, and wear to the wood frame. There is a 4” H x 24” W areas across two joined panels where there is no decoration, perhaps indicating a missing surface element, does not appear to be from restoration. 1034 Overall fair to good condition with scattered scuffs, scratches, and wear commensurate with age. Issues and repairs include, but are not limited to: extensive restoration to paper for insect damage with remaining traces of insect grazing, restoration to joints of paper, typical surface soiling, areas of fading and darkening, some losses to surface decoration, and wear to the wood frame. 1035 Overall good condition with minor scuffs, scratches, and darkening/oxidation to bronze commensurate with age. 1036 Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Delicate craquelure scattered throughout. Two pea-sized soft pressure marks near the upper left edge. A pinheadsized unobtrusive pigment loss in the lower left corner. Flecks of unobtrusive white house paint scattered in parts of the upper and lower section. Blacklight: Areas of touch-up throughout. The largest measuring 19” horizontally along the upper edge, at right. Frame: 40.375” H x 32.875” W x 2.5” D 1037 Visual: Overall good condition. Dust accumulation, grime, varnish discoloration, and craquelure commensurate with age. A 0.75” H x 1.25” W area of craquelure with attendant pinhead-sized paint losses at the upper left, and another 1.5” H x 1.5” W similar area at the lower left. The painting appears to be strip lined. Blacklight: Occasional scattered touch-up. Difficult to read under heavy varnish. Frame: 57” H x 48” W x 3” D 1038 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with areas of lifting, chips, and losses. Areas of regilding and oxidation to the mounts, two mounts detached. The marble top with scattered small chips and repairs. Includes key.

Condition Reports

1023 Each overall good condition with rubbed wear to surface decoration, scattered minor scuffs, and inherent firing flaws commensurate with age.

537

1039 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with areas of lifting, chips, and losses. Areas of regilding and oxidation to the mounts. The marble top with scattered small chips. Includes key.

1047 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Varnish discoloration throughout. A rice-sized area of pigment loss near the upper edge, at right. A pea-sized area of pigment loss in the red near the lower right edge. A dime-sized reverse pressure mark on the figure’s lower arm holding the pear.

1040 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. The stone with some abrasions and chipping along edges. The figure is detached from base. Lacking key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches.

Blacklight: No evidence of restoration. Difficult to read under very heavy varnish.

1041 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1042 Overall good visual condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some chipping to veneer around upper figural finial. Lacking key, includes weights. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1043 Overall fair to good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. The sculpture has multiple breaks including the pointer finger of the left hand and the caduceus has broken off entirely, as well, as multiple chips to the marble base. Likewise, the mount connecting the figure to the base is very loose and unable to stand fully upright. 1044 Visual: Overall good condition. The canvas is loose and rippled. Varnish discoloration, craquelure, dust accumulation and grime commensurate with age. A soft pressure mark in the form of a nearly horizontal 3” line extending through the dome of the church and adjoining bell tower, visible mostly in raking light. Stretcher bar creases showing along all four edges.

Condition Reports

Blacklight: No evidence of restoration. Difficult to read under heavy varnish.

538

Frame: 25” H x 37” W x 2.5” D 1045 Overall good condition with scuffs, scratches, and wear commensurate with age. Moran’s does not guarantee to working condition of musical instruments. 1046 Overall good condition. Scattered pale foxing. Slight remains of old glue along the verso of the sheet edges. The extreme tip of the lower left sheet corner has been skillfully replaced. Hinged to the back mat from the verso of the upper sheet corners. Framed under glass: 19.5” H x 23.5” W x 1.5” D

Frame: 35” H x 41” W x 2” D 1048 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Sold together with an extra spacer for the tiered serving tray, to make it three tiers, but lacking additional plate. 1049 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollowhandled items. Accompanied by storage case. Three soup/ dessert spoons with bent handles. 1050 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 1051 Overall good condition with scattered scuffs, scratches, nicks, small chips to veneer, shrinkage cracks, and indentations commensurate with age. Includes case key and pendulum, lacking winding key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1052 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. There is surface grime and waxy residue present throughout. As well, there is a residual, partial paper label on the porcelain. No evidence of repairs or restorations under blacklight. 1053 Each overall good condition with tarnishing, shelf wear, light scratches, scattered minor scuffs, and inherent firing flaws commensurate with age. The porcelain with scattered spots of dark oxidation in the glaze and pinholing. 1054 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One foot bracket detached but accompanies the piece. 1055 Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear to finish on each. some components appear to have been repaired or re-adhered on each.

Blacklight: No evidence of restoration. Frame: 17” H x 20.5” W x 2” D 1057 Each porcelain body in overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Some rubbed wear to the gilt touches on each vessel. And minor discoloration/ yellowing to the celeste blue ground on each porcelain vessel. Each gilt bronze base and rim in overall good condition with minor scuffs and darkening/oxidation to gilt surface commensurate with age. Each appear to be regilt.

1065 Each overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Some breaks and repairs to the flowers. 1066 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The wood with areas of heavier wear from use and crazing to lacquer finish. The silver plate with oxidation, rubbed wear, and some small dents. Working condition of burner unknown. 1067 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. The patination with heavy rubbed wear throughout.

1058 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, and indentations. With scattered restorations, the drawers with modern reinforcements. The marble top with scattered chips. Lacking key.

1068 Each overall good condition with tarnishing and light scratches commensurate with age. One monogrammed to interior.

1059 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The painted panels with some craquelure and chips. Includes key.

1070 Overall good condition with tarnishing and light scratches commensurate with age. A break to one bow. Weight does not include glass.

1060 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. Wear and light abrasion to vermeil finish on some pieces. 1061 Each overall good condition with tarnishing and scratches commensurate with age. 1062 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. As well, there is minor chipping to the onyx body and slight bending to the gilt-bronze rim. 1063 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Scattered darker inclusions throughout white marble plaque. Inherent surface-reaching fractures, inclusions, and abrasions in various stones throughout. 1064 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. The dial with some crazing and chipping around one winding slot. Lacking key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches.

1069 Each overall good condition with tarnishing and light scratches commensurate with age. Monogrammed “V.”

1071 Each overall good condition with tarnishing and light scratches commensurate with age. The insulators have likely been replaced. 1072 Each overall good condition with tarnishing and light scratches commensurate with age. 1073 Overall good condition with general scratches, scuffs and wear commensurate with age. Scattered shallow surface scratches to sides of clock case. Retains key. Moran’s does not guarantee working condition of clocks and watches. 1074 Overall good condition with tarnishing, shelf wear, light scratches, scattered minor scuffs, and inherent firing flaws commensurate with age. 1075 Each overall good condition with tarnishing, shelf wear, light scratches, scattered minor scuffs, and inherent firing flaws commensurate with age. One with a 0.5” chip to the foot. 1076 Overall good condition. Occasional specks of grime, delicate craquelure, unobtrusive scratches, and specks of pigment wear scattered throughout and commensurate with age. Framed under glass: 21” H x 17” W x 0.75” D

Condition Reports

1056 Visual: Overall good condition. Dust accumulation and grime commensurate with age.

539

1077 Overall poor to good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: staining, wear to the fringe and selvage edges and various areas of cuts throughout. The size has been reduced, with a 9’3” rectangular section cut out, the related fragment is included with this lot. Needs conservation. 1078 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear and fraying to the fringe and selvage edges and scattered holes and repairs throughout. 1079 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges, the fringe added later and with some fringe detaching from the rug. 1080 Visual: Overall good condition. Dust accumulation, dirt, grime, darkening, and varnish discoloration commensurate with age. Fine craquelure scattered throughout. Very minor frame abrasion along the upper edge. Two pinhead-sized areas of pigment loss in the lower right edge. Blacklight: Areas of touch-up throughout. Difficult to read under heavy varnish. Frame: 23.5” H x 30.5” W x 3” D 1081 Overall good condition with scratches, scuffs, wear, shrinkage cracks, separation at joints commensurate with age. Has been restored. Moran’s does not guarantee to working condition of musical instruments.

Condition Reports

1082 Each overall good condition with scuffs, scrtaches, darkening/oxidation to bronze, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: each with surface wear to the enameled decoration, crazing to the glaze, and one wit a repaired break to the neck.

540

1083 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The inlay with raised grain, lifting, surface abrasions, some losses, primarily to the top. The top with possible moisture rings or surface wear the to finish. 1084 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. 1085 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: evidence of very minimal moth damage.

1086 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered chips to the gessoed gilt surface. The upholstery with some small areas of soiling/staining. 1087 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. The porcelain portrait plaque on the lower level depicting a blond boy with a crack and loss of porcelain along the left edge. 1088 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized heavier pilewear wear and pulled stitches. 1089 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges and possible moth damage. 1090 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 1091 Visual: Overall good condition. Dust accumulation commensurate with age. Fine craquelure throughout, and with scattered areas of unstable craquelure with attendant pigment loss. A 3.5” diagonal scratch in the lower left corner. Flecks of pigment loss scattered throughout. Blacklight: No evidence of restoration. Frame: 30.75” H x 36.75” W x 3” D 1092 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Delicate craquelure in the hair of the central figure. A rice-sized slight pressure mark with attendant very unobtrusive paint abrasion at the upper center Blacklight: No evidence of restoration. Frame: 33” H x 26” W x 1.75” D

1093 Visual: Overall good condition. Dust accumulation commensurate with age. An unobtrusive crease in the canvas near the lower edge. Blacklight: No evidence of restoration. Frame: 15.5” H x 13.125” W x 1.125” D

1095 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Crazing throughout the glaze layer with losses at the neck exposing the clay beneath. As well, chipping and losses to the glaze layer at the foot. No evidence of repairs or restorations under blacklight. 1096 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. The dial with crazing and some chipping near the V, IX, and X. Some mounts are loose. Lacking key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1097 Visual: Overall good condition. Dust accumulation, dirt, occasional specks of grime, and minor darkening commensurate with age. Heavy craquelure throughout, some areas of unstable craquelure with specks of pigment loss, mostly near the lower edge. Frame abrasion along the upper and right edges, with attendant pea-sized or smaller areas of pigment loss. Scattered areas of the canvas slightly puckered. The canvas is slightly detached from the frame along the upper edge, at left. The canvas has been striplined. Blacklight: Areas of touch-up throughout, mostly in the background. Difficult to read under very heavy and uneven varnish. Frame: 27.75” H x 23.75” W x 2.25” D 1098 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, chips, and indentations. Marble top with substantial cracks. 1099 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The tapestry upholstery with fading, wear, and moth grazing commensurate with age and use. Likewise, there are scattered holes in the seat, exposing the batting beneath. 1100 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered surface chips and repaired chips, predominantly to flowers.

1101 Each overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. One lamp with an area of loose soldering toward the base, the column is slightly wobbly. Lacking shades. Wiring should be checked by a qualified electrician prior to use. Moranís does not guarantee the working condition of electronic equipment. 1102 Each overall good condition with wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The wood frames with wear and scratches. One frame opening has been reinforced on verso. The porcelain unmarked. 1103 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. As well, it appears as though several lengths of chain and attached jade teardrop-shaped stones are missing from the both the right and left side of the horse’s saddle. As well, the chain “bridle” appears to have loosened and fallen from certain adhesion points throughout. 1104 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 1105 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 1106 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 1107 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered repairs and chipped losses throughout. 1108 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: a small chip to the bottom edge. 1109 Overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered chipped losses to elements throughout with painted restorations. 1110 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered losses and repairs to the foliage. 1111 Overall good condition with tarnishing and light scratches commensurate with age. The rim with heavy tarnishing. The urn sits slightly crooked.

Condition Reports

1094 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Variations in glaze color throughout, likely due to firing method. Pinholing throughout, heaviest at the base of the neck. Some chipping to the white glaze at the foot. One large reverse c-shaped crack to the body, approximately 4.5” long. No evidence of repairs or restorations under blacklight.

541

1112 Overall good condition with tarnishing and light scratches commensurate with age. Possibly lacking a liner. 1113 Overall good condition with tarnishing and light scratches commensurate with age. The handle is slightly bent. 1114 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. Scattered minor scratches throughout the marble base. 1115 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The glasses with scattered small fleabites. The veneered case with raised grain, buckling/lifting, and surface abrasions,

Frame: 26.5” H x 30.375” W x 2.875” D 1121 Each overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: each neck with repaired breaks and restorations and one lid with a repaired 1122 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Some surface wear to the silver-plate. One torch slightly wobbly. Lamp has been rewired. Fraying and wear to the cord. Wiring should be checked by a qualified electrician prior to use. Moranís does not guarantee the working condition of electronic equipment.

1117 Visual: Overall good condition. Minor dust accumulation commensurate with age. Two unobtrusive specks of pigment loss, one near the center, at left, and the second in the lower right corner.

1123 Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. A pea-sized area of unobtrusive pigment wear near the upper left edge.

Blacklight: No evidence of restoration.

Blacklight: No evidence of restoration. Difficult to read under varnish.

1118 Visual: Overall good condition. Slight surface grime commensurate with age. Delicate craquelure scattered in a few places. Blacklight: A few small spots of touch-up, pea-sized or smaller. Frame: 13.5” H x 17.5” W x 1.75” D

Condition Reports

Blacklight: Scattered areas of touch-up, the largest measuring 3” H x 5” W in the lower right corner.

1116 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some losses to the bronze mounts. The inlay with some areas of chipped losses, lifting, and crazing to veneer. The leather surface with cracking from use. Lacking key.

Frame: 19.375” H x 22.25” W x 2.25” D

542

1120 Visual: Dust accumulation, dirt, grime, and varnish discoloration commensurate with age. Craquelure throughout. Frame abrasion along the lower edge, with an attendant pea-sized pigment loss in the lower edge, at left. The canvas has been strip lined.

1119 Visual: Overall good condition. Dust accumulation and occasional specks of dirt and grime commensurate with age. Delicate craquelure scattered throughout. Blacklight: Areas of touch-up throughout. The largest measuring 5” along the upper edge, at left. Difficult to read under varnish. Frame: 27” H x 34.75” W x 3.75” D

Frame: 17” H x 13” W x 2.5” D 1124 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The marble top with various filled divots and repaired cracks. Lacking one bronze mount. The veneer with areas of lifting and raised grain. 1125 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some mounts loose. Includes key. 1126 Overall good condition with tarnishing, scuffs, and light scratches commensurate with age. The egg sits slightly crooked. Sold with the original fitted box. 1127 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 1128 Each overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1130 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges with fraying. 1131 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Very minor frame abrasion along the lower edge. A 4” horizontal reverse pressure mark along the upper edge, at right, with attendant pigment loss. Two dime-sized reverse pressure marks along the upper edge, at left. Pinhead-sized or smaller holes scattered along the upper right edge. Blacklight: Areas of touch-up throughout, mostly in the foreground of the trees. Frame: 40” H x 34.125” W x 3.25” D 1132 Visual: Dust accumulation, dirt, and grime commensurate with age. Fine craquelure scattered throughout. Frame abrasion along the four edges. Two 0.5” H x 1” W areas of pigment loss in the upper edge, at left. Three 11” long scratches near the upper, lower, and right edges. Three pinhead-sized areas of pigment loss along the upper edge. A 1” H x 1” W area of pigment loss in the lower left corner. A pinhead-sized hole in the left edge, at center. Blacklight: Areas of touch-up throughout. Difficult to read under heavy varnish. Frame: 21.25” H x 22” W x 3.375” D 1133 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Blade appears to have been possibly polished at some point. The sword is accompanied by a Japanese wrapping cloth and care oil 1134 Overall good condition with wear, scuffs, and scratches commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles, and minor surface chips. More localized chipping along bottom rim. A repaired area of cracking/damage to one flower of the panel of lilies. The brass liner with some separation along top rim. 1135 Each overall good condition with dust accumulation commensurate with age and use. Each structurally good condition. Each basket with scattered breaks and losses throughout. As well, the lacquered baskets each with losses to the finish.

1136 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The back panels are particularly loose. As well, it appears as though this chest has likely been stripped of its original finish, leaving the raw wood as the exposed surface. Lacking key(s). 1137 Overall good condition with areas of grime commensurate with age. Very soft and unobtrusive scratches, mostly in the upper section. Minor dents, scratches, scuffs, and darkening to the brass frame. 1138 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: wear to the surface decoration. 1139 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: each likely meant to have lids, each loose and wobbly on central rod joining the components, and each with museum putty throughout. 1140 Visual: Varnish discoloration and grime throughout. Stretcher bar creases along the four edges, showing mostly in the sky. The canvas texture under the paint is noticeable. Blacklight: Touch-up areas and lines scattered throughout the sky, the largest area approximately 6” H x 3” W in the upper portion of the left edge, and the longest irregular line of touch-up attendant with the middle half of the upper stretcher bar. Touch-ups to repairs in the sky, with two related fabric and glue patches, 1.5” H x 1.5” W and 4” H x 3.5” W, verso. Frame: 30” H x 40” W x 1” D 1141 Visual: Overall good condition. Varnish discoloration and grime commensurate with age. Stretcher bar creases along all sides. Blacklight: No evidence of restoration. 30.5” H x 37” W x 3” D 1142 Visual: Dust, grime, and varnish discoloration commensurate with age. Paint shrinkage and craquelure throughout. Stretcher bar creases along all four sides. Blacklight: Touch-up scattered throughout, concentrated mostly in the upper portion of the sky. Framed: 30” H x 42” W x1.75” D

Condition Reports

1129 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the selvage edges.

543

1143 Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Not examined out of the frame. Framed under glass: 33.75” H x 27.75” W x 1.625” D 1144 Visual: Overall good condition. Minor dust accumulation and occasional specks of grime commensurate with age. Craquelure scattered throughout, some areas with unstable craquelure, with attendant pinhead-sized scattered pigment losses. A pea-sized area of paint loss on the figure’s neck. A dime-sized pressure mark near the upper right edge. Blacklight: No evidence of restoration. Difficult to read under heavy varnish. Frame: 50” H x 38.75” W x 1.25” D 1145 Visual: Overall generally good condition aside from dust accumulation, varnish discoloration and scattered areas of splattered surface grime, the largest approximately quarter-sized. Frame abrasion showing in places along the left edge. Blacklight: Apparently no restoration. Difficult to read under varnish. Frame: 16” H x 18” W x 3” D 1146 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: light soiling. 1147 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Condition Reports

1148 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: heavy pile wear to one side

544

1149 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The glass shades with scattered chips and flea bites to the fitter rims. Wiring should be checked by a qualified electrician prior to use. 1150 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some chipped losses and repairs to carving.

1151 Visual: Dust accumulation and grime commensurate with age. The canvas has been relined. Scattered delicate craquelure throughout. Frame abrasion along the four edges. Areas of rubbing to the pigment. Blacklight: Areas of touch-ups throughout. The largest measuring 17” H x 12” along the upper and right edges. Frame: 38.5” H x 32.25” W x 1.375” D 1152 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Moisture spots visible to underside. 1153 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The embroidery with heavy wear, lost/pulled stitches, fading, and holes. 1154 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Likewise, each with scattered verdigris, more heavily concentrated in the crevices. Rubbed wear and losses to the gilt surface on each chenet. As well, one female face with a dented in nose, possibly from a fall. 1155 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. 1156 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. As well, the gilt surface with patination, rubbed wear, and small areas of verdigris in the crevices of the sculpture. 1157 Visual of each: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Blacklight of each: Possible areas of touch-up. Difficult to read under heavy varnish. Each framed under glass: 10.5” H x 10.125” W x 1.5” D 1158 Each overall good condition. Minor toning throughout, mostly in the margin edges. Soft rippling throughout. Two pea-sized foxmarks near the upper edge, at left, and appear on the hill in the background of the image. The second with pinhead-sized or smaller foxmarks scattered throughout the margin edges. Vertical creases throughout the image. Each framed under glass: Largest: 26.375” H x 31.125” W x 0.625” D

Blacklight: Areas of touch-up throughout. Difficult to read under heavy varnish. Frame: 44.25” H x 34.875” W x 3.25” D 1160 Each overall good condition with tarnishing and light scratches commensurate with age. The bobeches with slight bends. 1161 Overall good condition with tarnishing and light scratches commensurate with age. Sits slightly wobbly. With some scattered dents and an area of possible restoration to the shoulder. Areas of exposed base metal. 1162 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Repaired break to the lower third of the beak. Scattered minor chipping to wood base. 1163 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well there is rubbed wear to the gilt edge. No evidence of repairs or restorations under blacklight. 1164 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Issues include, but are not limited to: light rubbed wear to the surface designs, scattered inherent pinholing, scattered inherent spots of oxidation to the glaze, and an 2” area of adhesive residue to the lower rim. 1165 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With large shrinkage cracks to drawer interiors, Is slightly wobbly. Refinished. Lacking key. 1166 Each overall good condition. Dust accumulation and slight toning commensurate with age. Scattered pea-sized or smaller areas of insect damage. Pea-sized areas of pale staining scattered throughout. The blue hydrangeas scroll with slightly larger pale staining in the blank near the center of the left edge. Frame of each: 37” H x 21” W x 0.5” D

1167 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Varnish discoloration throughout. A dime-sized unobtrusive pressure mark at the upper right edge. Blacklight: No evidence of restoration, difficult to read under heavy varnish. Frame: 32” H x 28” W x 1.375” D 1168 Each overall good condition. Not examined out of the frame. Each framed under glass; Frame of larger: 19.5” H x 21” W x 1” D 1169 Overall good condition with tarnishing and light scratches commensurate with age. The glass with slight scuffs and scratches. 1170 Overall good condition with tarnishing and light scratches commensurate with age. 1171 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One with a repair to the arm of the stand. One bowl with a hairline and one with two chips to the frilled edge. Each are loose on stand. 1172 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. 1173 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered small chips to carving, 1174 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Very minor frame abrasion along the upper edge, at left. Blacklight: Possible areas of touch-up. Difficult to read under heavy varnish. Frame: 37.5” H x 47.5” x 2.5” D 1175 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of prior wood worm. Has been previously refinished. Lacking key.

Condition Reports

1159 Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Craquelure scattered throughout. Vertical and horizontal stretcher bar creases throughout the center. The canvas is strip-lined.

545

1176 Overall good condition with minor shelf wear, scuffs, light scratches, and oxidation commensurate with age. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches.

1185 Visual: Overall good condition. Dust accumulation, dirt, and occasional specks of grime commensurate with age. Delicate craquelure scattered throughout. Very minor frame abrasion along lower right edge.

1177 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Blacklight: Scattered areas of touch-up, the largest measuring 1” H x 1.5” W in the upper edge, at center. Difficult to read under heavy varnish.

1178 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges with fraying, fading, and abrash.

Frame: 17.5” H x 14.375” W x 2” D

1179 Overall good condition with even wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges, moth damage, fading, and abrash. 1180 Overall fair to good condition with wear, dust accumulation, and scuffs/scratches commensurate with age. Issues and repairs include, but are not limited to: scattered small chipped losses to some carved elements, including the tendrils, and restorations. 1181 Overall good condition with wear, dust, and scuffs/ scratches commensurate with age. Issues and repairs include, but are not limited to: inherent surface-reaching fractures and inclusions, abrasions, and approximately five previous small repairs. 1182 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. The stone with inherent surface-reaching fractures, inclusions, and abrasions. With scattered small chipped losses throughout.

Condition Reports

1183 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. The stone with inherent surface-reaching fractures, inclusions, and abrasions. The wood stand with scattered breaks and repairs.

546

1184 Visual: Overall good condition. Several tiny and very unobtrusive flecks of pigment loss, or possibly unrelated paint, at left. Blacklight: No evidence of restoration. Frame: 39” H x 46” W x 2.5” D

1186 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 1187 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Lacking key, drawers currently locked. Heavier wear to feet. Needs rewiring. Wiring should be checked by a qualified electrician prior to use. 1188 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some mounts detached from back panel but accompany the lot. Includes key. 1189 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. A 5” gouge to the front door, wear to veneer throughout. Some mountings and hardware loose. Includes case key, lacking winding key and pendulum. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1190 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Converted for electricity. Wiring should be checked by a qualified electrician prior to use. 1191 Visual: Overall good condition. Dust accumulation and specks of occasional grime commensurate with age. Stretcher bar creases along the four edges and at the center. Fine craquelure throughout. Minor frame abrasion along the lower edge. A quarter-sized area of specks of pigment loss near the upper edge, at center, above the figure’s head. Blacklight: Scattered areas of touch-up throughout. Difficult to read under heavy varnish. Frame: 36.25” H x 26.5” W x 2” D

1200 Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Minor frame abrasion along the upper edge, mostly at right. A pinhead-sized unobtrusive reverse pressure mark near the left edge, at center.

Blacklight: Areas of touch-up throughout. Difficult to read under heavy varnish.

Blacklight: No evidence of restoration.

Frame: 37” H x 31.75” W x 1.75” D

Frame: 19” H x 23” W x 1” D

1193 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been refinished. Evidence of wood worm to underside.

1201 Each overall good condition with wear, dust accumulation, chipped abrasions, scuffs, and weathering commensurate with age.

1194 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, there are scattered breaks in the lacquer finish throughout, exposing the dull wood beneath. Lacking key 1195 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. There are semi-circular moisture marked on the surface of the second tier. 1196 Overall good condition with tarnishing and light scratches commensurate with age. The bottom of the kettle with scorching marks. The kettle and stand personalized with crest. 1197 Overall good condition with tarnishing and light scratches commensurate with age. 1198 Each overall good condition with tarnishing and light scratches commensurate with age. One with a tear in the silver at the rim, the rim of the column is torn and stuck to the removeable bobeche. 1199 Visual: Dust accumulation and grime commensurate with age. Stretcher bar creases along the four edges. Craquelure scattered throughout, with some areas of unstable craquelure with attendant pigment loss. Abrasion along the four edges, with attendant pigment loss. Minor flaking to the pigment, mostly in the outer left and right edges. Pea-sized or smaller areas of pigment loss along the upper and lower edge, the largest being in the upper edge, at right. Flecks of stray blue pigment in the lower edge, at center. Two areas of pigment in the lower edge, one at left, and the other at right, possibly in the hand of the artist. Blacklight: Areas of touch-up throughout. Unframed

1202 Each overall good condition commensurate with age. Each with inherent imperfections, weathering, and features typical for the natural material. 1203 Each overall fair to good condition with wear, dust accumulation, and scuffs commensurate with age. Stones with inherent surface-reaching fractures, inclusions, and abrasions. With various chips and repairs. 1204 Visual: Dust accumulation and grime commensurate with age. Craquelure throughout. Frame abrasion along the upper edge. A 2” long vertical area of paint loss in the lower right edge. Scattered areas of rubbing, with attendant pigment wear, primarily in the right section. Blacklight: Areas of touch-up throughout. Difficult to read under heavy varnish. Frame: 22.5” H x 33” W x 2” D 1205 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 1206 Overall good condition with minor wear, scuffs, and light scratches commensurate with age. Scattered areas of darkening/oxidation to silvering. 1207 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, and chips/ indentations. Includes key. 1208 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. 1209 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Dial with localized crazing. Top urn finial element detached but accompanies the lot. Includes key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

1192 Visual: Dust accumulation, dirt, and grime commensurate with age. Craquelure throughout. Area of minor rubbing with attendant pigment wear. Specks of unobtrusive pigment loss scattered throughout.

547

1210 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, and indentations. 1211 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. 1212 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Each marble pedestal for the pair of putti with multiple restorations and chips, the largest being to the right rear corner of the child Venus’s pillar. As well, there are several small chips to the edges of the white marble base for the reading child bronze. 1213 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some wear to the gilt surface and scattered chipped losses to the carving on each. The glass of the barometer is cracked. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1214 Overall good condition. Occasional specks of grime commensurate with age. Minor toning to the paper and mat burn along the upper and left edges. Pea-sized or smaller foxmarks scattered throughout the sheet. Not examined out of the frame. Framed under glass: 24” H x 18.5” W x 2.5” D 1215 Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. A 0.5” unobtrusive diagonal scratch in the left edge, at center. Blacklight: No evidence of restoration.

Condition Reports

Frame: 16” H x 10” W x 2” D

548

1216 Overall good condition wear and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: glaze degraded and flaked, possible repairs to rear legs. 1217 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Given the age of this piece, the surface wear and loss to the painted surface is expected. Previous repair/ restoration to the neck of the figure, which was likely done post-excavation. It is possible that the figure was recovered at an archeological site already broken and this repair was performed at that time. There is visible brown adhesive around the fracture. The base of the statuette is adhered or mounted to base of the Plexiglass case and cannot be removed.

1218 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age and use. Likely an excavation discovery, this piece has an all over patina of soil and age-appropriate rubbed wear, flaking, and losses to the painted surface. As well, there are multiple restorations including: two repairs to the right rear leg, one repair to the left rear leg, and one repair to the front right leg. It also appears as though the adhesive used for repairing the break to the right front leg has dripped onto the base and dried behind the hoof. 1219 Visual: Dust accumulation, occasional specks of grime, and varnish discoloration commensurate with age. Craquelure scattered throughout, some areas with unstable craquelure, with attendant pigment losses. Stretcher bar creases along each of the four edges, and the vertical crease through the center. Frame abrasion along the upper edge. Two pea-sized holes in the canvas near the upper edge, at center, next to the monarch butterfly. Blacklight: Areas of touch-up scattered throughout, primarily in the lower right quadrant. Difficult to read under heavy varnish. Frame: 33” H x 45.5” W x 3.5” D 1220 Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Very delicate craquelure scattered mostly throughout the dogs. Scattered 0.50” or smaller areas of unobtrusive scratches to the pigment. A 1” H x 0.25” W pressure mark in the center, at right. Blacklight: Touch-ups scattered throughout, the largest measuring 20” horizontal throughout the center. Frame: 29.375” H x 41.125” W x 1.75” D 1221 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. 1222 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. One lacking finial. Wiring should be checked by a qualified electrician prior to use. 1223 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With chips to the putti crest’s wings. With all-over surface wear, craquelure, and chipping to painted surface. The velvet liner on the bottom with fading and soiling/staining. Includes key. Wiring should be checked by a qualified electrician prior to use. 1224 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1226 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One lid with a repair to the finial. 1227 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. Minor chipping to the corners of the marble base. 1228 Visual: Overall good condition. Dust accumulation, occasional specks of grime, and minor varnish discoloration commensurate with age. Delicate craquelure scattered throughout. Very minor and unobtrusive frame abrasion along the right edge.

1234 Overall fair to good condition with scattered scuffs, scratches, nicks/chips, prominent shrinkage cracks, indentations, and separation at joints commensurate with age. The figure is detachable from base. A large crack with repair and attendant chipped losses to the back of the head. 1235 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 1236 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The lids fit slightly askew.

Frame: 32.625” H x 41.375” W x 1.75” D

1237 The platter in overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. Each glass vase in overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1229 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Several very delicate and unobtrusive surface scratches, the longest measuring 2” along the straw floor at lower center.

1238 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each table with heavier wear and loss of finish to the feet.

Blacklight: A few small touch-ups, the largest approximately 3” H x 6” W at the center of the upper edge. Difficult to read under varnish.

1239 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Stretcher bar creasing showing along the lower edge.

Blacklight: Areas of touch-up throughout, mostly in the foreground. Difficult to read under heavy varnish.

Frame: 34” H x 42” W x 2.5” D 1230 Visual: Dust accumulation, dirt, grime, and varnish discoloration commensurate with age. Heavy craquelure throughout, and areas of unstable craquelure with attendant pigment loss mostly in the upper left quadrant. Stretcher bar creases and frame abrasion along the four edges. Pea-sized or smaller scattered areas of pigment loss. Areas of rubbing throughout with attendant pigment wear. Blacklight: Areas of touch-up throughout. Difficult to read under heavy and uneven varnish. Frame: 43.5” H x 55.125” W x 2.5” D 1231 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. 1232 Overall good condition with tarnishing and light scratches commensurate with age. Possibly lacking a glass bowl insert. Monogrammed to front. 1233 Overall good condition with tarnishing and light scratches commensurate with age.

Blacklight: No evidence of restoration. Frame: 14” H x 17.25” W x 1.25” D 1240 Visual: Overall good condition. Dust accumulation commensurate with age. Blacklight: No evidence of restoration. Frame: 17” H x 15” W x 1.75” D 1241 Visual: Overall good condition. Dust accumulation and grime commensurate with age. A 2” H x 1” W area of bubbling to the pigment and material adhered near the lower section, at center. Blacklight: No evidence of restoration. Frame: 35.25” H x 30.125” W x 1.25” D 1242 Visual: Overall good condition. Dust accumulation commensurate with age. Blacklight: No evidence of restoration. Frame: 17.25” H x 15.25” W x 1.75” D

Condition Reports

1225 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.

549

1243 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. As well, there are scattered chips to the corners and edges of the marble base. Wiring should be checked by a qualified electrician prior to use. Lamp has likely been rewired.

1251 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. As well, there are scattered scuffs and scratched to the marble base. Wiring should be checked by a qualified electrician prior to use. Lamp has likely been rewired.

1244 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. As well, there are scattered ships to the edges and corners of the marble base. Additionally, there are fleabite chips to the lower edge of the glass shade. Lastly, the white plastic surrounding the socket is cracking and falling off. Wiring should be checked by a qualified electrician prior to use. Lamp has likely been rewired.

1252 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures and chipped abrasions to edges.

1245 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with some scattered small chips and lifting. Heavier wear to the feet. Lacking keys. Doors currently locked closed.

1254 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollowhandled items. Each monogrammed “B.” One bouillon spoon with a subtly bent bowl.

1246 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. The stone with some scattered minor chipping and abrasions to edges. Includes key and pendulum. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1247 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, the tabletop has several areas of heavier wear to the finish and scattered paint and water rings. Lastly, the metal base has scattered areas of loss to the faux-patinated finish.

Condition Reports

1248 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age and use. Heavier wear to the painted finish of the frame. As well, there is fading and wear to the pile of the upholstery in addition to one tear to the corner, exposing the wood support.

550

1249 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Wiring should be checked by a qualified electrician prior to use. Lamp has likely been rewired. 1250 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. As well, there are chips to the right rear lower corners of the marble base. Wiring should be checked by a qualified electrician prior to use.

1253 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollowhandled items.

1255 Each overall good condition with tarnishing and light scratches commensurate with age. 1256 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at junctures commensurate with age. Rubbed wear to the gilt and polychrome surface throughout. Chipping to the edge of the base. As well, there are areas of loss of the gilt decoration, exposing the wood beneath on each knee and a 1.5” crack in the wood on the left knee. 1257 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Appears to have been part of a larger sculpture. 1258 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, there are scattered losses to both the lacquered finish as well as the shell inlay. Lastly, front right foot has a significant crack to the wood. Lacking key. 1259 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. There is a circular firing flaw within the glazing of the right ear of the guardian lion approximately 0.25” Dia. Each lacquered surface with scattered nicks, scuffs, and scratches commensurate with age and use. 1260 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: dye migration and wear to the fringe and selvage edges. 1261 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1262 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1274 Overall good condition with scattered scuffs and scratches commensurate with age.

1263 Overall good condition with wear, scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With areas of heavier shrinkage cracks. With evidence of prior restoration and filled areas to the top.

1275 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original fitted box.

1265 Each overall good condition with tarnishing and light scratches commensurate with age. The teapot with a small dent to the rim. 1266 Overall good condition with tarnishing and light scratches commensurate with age. 1267 Each overall good condition with tarnishing and light scratches commensurate with age. 1268 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Each table with scatted nicked and wea to the finish on the top. Likewise, one table has a larger rectangular water mark and several additional semicircular water markings on the tabletop, causing a change in the tonality of the overall finish. 1269 Overall good condition with wear, scuffs, and light scratches commensurate with age. Some of the glass panels with cracks. The wood eagle with some splits/cracks and chipped losses to the carving. 1270 Overall good condition with scuffs, scratches, and darkening/oxidation to bronze commensurate with age. 1271 Each overall good condition with tarnishing and light scratches commensurate with age. Some plates with slight bending. The Towle plates monogrammed. 1272 Each overall good condition with tarnishing and light scratches commensurate with age. Each monogrammed. 1273 Each overall good condition with tarnishing and light scratches commensurate with age.

1277 Overall good condition with tarnishing and light scratches commensurate with age. 1278 Each overall good condition with tarnishing and light scratches commensurate with age. 1279 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The glaze with inherent, typical crazing and pinholing. The bottom edge with small, unobtrusive chipped abrasions to the surface glaze. Wiring should be checked by a qualified electrician prior to use. 1280 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One with a chip to rim. 1281 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 1282 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One with a chip to the rim. 1283 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The back panel with a broken slat. Includes key and weights. Has been refinished. The well door, coin play attachment, and coin drawer added about 1880. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1284 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. As well, there is surface grime to the exterior and interior. Please Note: This machine is lacking a back panel and all interior mechanisms are exposed via the back. Likewise, it is possibly missing the auxiliary candy dispenser. 1285 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age.

Condition Reports

1264 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The tabletop has scattered areas of water and ink staining, as well as scattered losses to the finish.

1276 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

551

1286 Each overall good condition with minor shelf wear, scuffs, tarnishing, and light scratches commensurate with age. Some with minor fleabites to the cut edges.

1299 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1287 Each overall good condition with minor shelf wear, scuffs, tarnishing, and light scratches commensurate with age. Four monogrammed.

1300 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1288 Each overall good condition with minor shelf wear, scuffs, light scratches, tarnishing, and scattered small fleabites commensurate with age. Each monogrammed.

1301 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. The brass finish with spots of oxidized pitting throughout. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches.

1289 Each overall good condition with tarnishing and light scratches commensurate with age. Two monogrammed. 1290 Overall good condition with tarnishing and light scratches commensurate with age. 1291 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some scattered small areas of brown-colored splashed surface residue. No evidence of repairs or restorations. 1292 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The inlay with slight raised grain and lifting. Small traces of some splattered white residue to the undertray. Heavier wear to feet. 1293 Each overall good condition with minor shelf wear, scuffs, light scratches, and tarnishing commensurate with age. Each with fleabites and chips to the rim. Each’s bronze mounted collar loose with attendant surface scratching and chipped abrasions from the mounts’ movement. One with modern reinforcement of foot visible to underside.

Condition Reports

1294 Overall good condition with tarnishing and light scratches commensurate with age. A small dent to the upper handle.

552

1295 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. A chip to the metal top of the base. Dust accumulation. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1296 Each overall good condition with tarnishing and light scratches commensurate with age. 1297 Overall good condition. Issues include, but are not limited to: shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 1298 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1302 Overall good condition with scattered scuffs, scratches, nicks, small chips to veneer, shrinkage cracks, and indentations commensurate with age. Includes key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1303 Overall good condition with scattered scuffs, light scratches, and general wear commensurate with age. Includes canvas dust cover bag. 1304 Each in overall fair condition with extensive wear and dust accumulation commensurate with age and use. Issues include but not limited to: each with some soiling and small stains to canvas; metal components with light corrosion and oxidation. Suitcase is distorted from storage and missing a base foot. 1305 Overall good condition with tarnishing and light scratches commensurate with age. Fading to velvet. Lacking glass. Monogrammed. 1306 Overall good condition with tarnishing and light scratches commensurate with age. Velvet with fading. 1307 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. The bronze reproduction of the police badge on the base of the sculpture is inscribed: City of New York / Mounted Police / to / Max Levine. 1308 Overall good condition with tarnishing and light scratches commensurate with age. 1309 Each overall good condition with tarnishing and light scratches commensurate with age. The largest with slight bending. 1310 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chips and repairs to the carving. The marble with a crack running through the center.

1311 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The gilt surface has wear and oxidation commensurate with age and use. Likewise, there are scattered areas of loss to the gilt surface throughout, exposing the plaster priming layer and wood surfaces beneath. Select areas appear to be regilt.

1319 Overall good condition with tarnishing and light scratches commensurate with age.

1312 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. These are likely an excavation find and therefore have remnants of soil and rubbed wear to the surface. One figure appears to have a repair at the neck for a break that was likely reattached post-excavation.

1321 Overall good condition with tarnishing and light scratches commensurate with age.

1314 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent production flaws commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles 1315 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Likewise, there is scattered scuffing, scratching, moisture rings, and nicks to the lacquered surface. As well, the hardstone inlay with scattered losses throughout, some sizeable, exposing the substrate beneath. Lastly, the mirrored surface of the interior with patination to and flaking of the silvering. 1316 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The dial with crazing and rubbed wear. Evidence of wood worm. Veneer with raised grain and buckling/lifting. Includes key and pendulum. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1317 Each overall good condition with general wear, scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with scattered chips to carving and veneer, some repairs/fills. The top of the buffet with moisture rings and stains. Heavier wear to the feet and legs of each. The table and some chairs are wobbly. The table top possibly restored. 1318 Each overall good condition with tarnishing and light scratches commensurate with age. With scattered minor, unobtrusive surface indentations. Each monogrammed to underside “LCP.”

1322 Overall good condition with tarnishing and light scratches commensurate with age. The crest with some bending and small losses to the tip of the crown. 1323 Overall good condition with scuffs, scratches, oxidation to bronze, and inherent firing flaws commensurate with age. Minor rubbed wear to porcelain decoration. Central plaque with a repaired vertical crack. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1324 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with restorations and reinforcements. The glass with oxidation and desilvering. 1325 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, surface abrasions, chips, and indentations. The marble with professional restorations. 1326 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered chips to carved elements and wear to gilt surface. Each marble top with small chips and abrasions. 1327 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The marble top with a repaired crack. 1328 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 1329 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, there is waxy residue to the foot and underside.

Condition Reports

1313 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Multiple losses and overall wear to the painted surface exposing the wood beneath. This is likely an excavation find and therefore has allover patination appropriate to a formerly buried item.

1320 Each overall good condition with tarnishing and light scratches commensurate with age. Each monogrammed. Likely coin silver.

553

1330 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear to red surface throughout. 1331 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: dye migration, abrash, and wear to the fringe and selvage edges. 1332 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges and localized heavier wear to the pile. 1333 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Frame: 25.375” H x 22.25” W x 3.5” D

1342 Visual: Dust accumulation and grime commensurate with age. Delicate craquelure scattered throughout. Frame abrasion along the upper and left edges, and with attendant pea-sized or smaller pigment losses. Scattered pinhead-sized unobtrusive pigment losses. A 3.5” long vertical scratch to the pigment near the left edge, at center. Scattered areas of rubbing. Two pinhead-sized pressure marks near the upper edge, at center. Blacklight: Areas of touch-up throughout. Difficult to read under heavy varnish.

Frame: 14.375” H x 12.125” W x 2.125” D

1343 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, chips, and indentations. Marble top with scattered chipped abrasions to edges.

Blacklight: No evidence of restoration. Frame: 27” H x 23” W x 2” D 1336 Each overall good condition with tarnishing and light scratches commensurate with age. Each currently fitted with a Hebrew text.

Condition Reports

1341 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Bronze appears to have been recently regilt, Wiring should be checked by a qualified electrician prior to use for each. Each lamp appears to have been rewired and is lacking shade.

1334 Overall good condition with shelf wear, dust accumulation, minor frame abrasion, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

1335 Visual: Overall good condition. Dust accumulation commensurate with age. Two 0.125” vertical and unobtrusive scratches along the upper edge, at left.

554

1340 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. The marble with minor abrasions and chipping along edges. Lacking key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches.

1337 Overall fair to good condition with tarnishing and light scratches commensurate with age. The right leg of Goliath has completely detached from the rest of the sculpture and would require repair. 1338 Overall good condition with tarnishing and light scratches commensurate with age. As well, there is minor scuffing and chipping to the slate base. 1339 Each overall good condition with tarnishing and light scratches commensurate with age. One cup with slight bending to the rim. The trophy’s figure detachable from globe. Weight does not include trophy or plate.

Frame: 34.75” H x 28.75” W x 2.25” D

1344 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered repairs and chips to carving. 1345 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 1346 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. One candlestick with a patch to the back, likely applied at the time of manufacture to correct a casting flaw. 1347 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. The blotter with wear to the underside. 1348 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with lifting, surface abrasions, and chips. The leather surface with wear, staining, moisture rings, peeling/lifting, and a 2.25” dent near the front. Lacking key.

1349 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With some evidence of woodworm.

1358 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. Oxidization and darkening of the cloth garments for each.

1350 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The brass mounts with bending. The marble top with cracks. The veneer with crazing and inlay with lifting. Slightly wobbly with loose legs.

1359 Overall good condition with tarnishing, light scratches, and small dents commensurate with age. Interior with red oxides, possibly indicating a lower silver purity.

1352 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. 1353 Overall good condition with shelf wear, scuffs, and light scratches commensurate with age. 1354 Overall good condition with degradation, cracking, and misshaping of the metal as well as darkening/oxidation to bronze commensurate with an excavated object of antiquity. One of the griffin feet is loosed from its mount and rotates, but still supports the body of the vessel as intended. 1355 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Areas of rust throughout. Note: Item is solid and quite heavy. 1356 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. One significant loss of both wood trim and brass overlay on the left-side drawer’s left edge, about 1.5” long. Several losses to the brass decoration throughout, one piece retained. Lastly there is discoloration on the interior of both drawers. Latch has a loop for a lock, but no lock is present. 1357 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each horse is missing its respective ears. Likewise, the painted surface of both horses, as well as the platform upon which they are mounted, has numerous losses throughout, exposing both the gesso and wood ground layer. There is an exposed mental rod on the back of each horse, perhaps previously functioning as a mount for a box or other gift-bearing implement. Lastly, there in evidence of a more recent restoration in the form of wood glue between several joints.

1361 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. The wood shows evidence of woodworm throughout. The latter half of the child’s stylized hair is broken off and missing. Similarly, the right hand of the female figure has a loss, and the carved wood of the arm is completely separated from the hand. These typed of altar pieces often housed a shell mirror in the frame held by the female figure. This piece has only an empty frame, indicating the mirror component has likely been lost. 1362 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. As well, there is a large area of loss behind the nose, which may have originally functioned as sight holes for the wearer. Additionally, there is a sizable chip to the lower lip as well as the right ear. The mask has the expected patination of an item that was repeatedly worn and used in ceremony and possible evidence of woodworm. Lastly, there are holes present in the ears and various other areas that were likely adorned, but the ornament has since been lost. 1363 Visual: Overall good condition. Dust accumulation, dirt, grime, and varnish discoloration commensurate with age. Craquelure scattered throughout, some areas of unstable craquelure with attendant specks of pigment loss. Minor paint shrinkage in the lower right quadrant. Delicate frame abrasion along the upper edge. Blacklight: Possible areas of touch-up. Difficult to read under heavy varnish. Frame: 18” H x 21.75” W x 2.125” D

Condition Reports

1351 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One of the knobs on the lid of an interior compartment is loose from its mount. Velvet covering the writing surface has lost much of its pile. As well, gilt hardware has oxidation commensurate with age and use. Lacking key for lock.

1360 Overall good condition with minor scattered scuffs, scratches, and nicks commensurate with age and use. Slight abrasion to the carved surface of the right front ‘bun’ of the hair. The metal chain accents appear to have losses below the ears, as it seems the length there was free to dangle and is no longer present. One large shrinkage crack on the left rear quadrant of the head, about 9” in length. Possibly missing a stone, cowrie, or metal accent at the pinnacle, which is presently a small opening.

555

1364 Visual: Dust accumulation and grime commensurate with age. Scattered craquelure throughout much of the central area. A pea-sized puncture with attendant paint loss near the lower edge, to the left of center. Blacklight: No evidence of restoration. Frame: 13.5” H x 16.5” W x 3” D 1365 Overall fair to good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading and soiling/ staining. 1366 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized wear with scattered low spots. 1367 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 1368 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been previously restored. Evidence of some restorations to legs and possible wood worm. 1369 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One door with localized areas of lifting, surface abrasions, and chipping to the veneer at the corners. 1370 Visual: Overall good condition. Occasional scattered craquelure. Blacklight: A few touch-ups, the largest approximately 1” H x 1.5” W near the center of the upper edge.

Condition Reports

Frame: 25” H x 31” W x 2.5” D

556

1371 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 1372 Each overall good condition with shelf wear, scattered scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: rubbed wear to surface decoration. 1373 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: rubbed wear to the surface decoration.

1374 Visual: Dust accumulation, grime, craquelure, and varnish discoloration commensurate with age. Frame abrasion along the left edge. Areas of the pigment bubbled and scattered throughout the center. The canvas slightly puckered in the top right corner. A pea-sized pressure mark along the left edge, at center. Blacklight: Areas of touch-up. The largest 3” H x 2” W on the female figure’s face. Difficult to read under heavy varnish. Frame: 47.75” H x 40.25” W x 4” D 1375 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Frame abrasion along each of the four edges. A pea-sized hole with attendant pigment loss in the lower edge, at right. Blacklight: Areas of touch-up throughout. The largest measuring 3.5” H x 1” W, with an attendant patch verso. Frame: 43.25” H x 36.25” W x 1.625” D 1376 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, the Qilin with multiple losses to the pink enamel on both the head and the rump of the animal as well as a loss to the enamel of the right front hoof. Likewise, there are areas of rubbed wear and small losses to the enameled finish of each figure. No evidence of repairs or restorations under blacklight. 1377 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles As well, there are scattered dents to the metal rim. The carved wood stand with scattered scuffs, scratches, and rubbed wear to the finish throughout. Likewise. there are two breaks to one of the six carved wood supports that were previously taped in an attempt to repair. 1378 Overall good condition with scattered scuffs, scratches, nicks/chips, shrinkage cracks, indentations, and separation at joints commensurate with age. Includes key. 1379 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, each with rubbed wear to the glazed surface. 1380 1381 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. One plate with multiple chips along the edge on the verso. As well, there is rubbed wear to the enameled surface of each place. Wire mounts for hanging added to each plate.

1383 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. As well, there is scattered white paint residue throughout. 1384 Overall good condition with dust accumulation, minor scuffs, scratches, tarnishing, oxidation, and darkening to underpainting commensurate with age. The underpainting with delicate craquelure and darkening. Scattered areas of loose threading and missing pearls. 1385 Overall good condition with minor scuffs, scratches, tarnishing, and darkening to underpainting commensurate with age. The underpainting with dust accumulation, delicate craquelure, and darkening. Pinhead-sized or smaller scattered areas of pigment loss. Abrasion along the four edges of the wood. The riza, with felt lining, and is loose and removable. 1386 Overall good condition with minor scuffs, scratches, tarnishing, and darkening to underpainting commensurate with age. The applied halo with scattered areas of bending. The underpainting with dust accumulation, delicate craquelure, and darkening. Lifting to edges of vermeil from the wood. 1387 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Varnish discoloration. Delicate craquelure scattered throughout. Pinhead-sized or smaller scattered areas of pigment loss, mostly in the outer edges. Various cracks in the wood, the largest measuring 5” vertically through the center. Areas of surface in-filling and re-painting scattered throughout. Scuffs, scratches, tarnishing, and darkening to the silver-plated frame. Blacklight: Possible areas of touch-up. Difficult to read under heavy and uneven varnish. Frame: 19” H x 16.75” W x 2.25” D 1388 Each overall good condition with rubbed wear to surface decoration, scattered minor scuffs, and inherent firing flaws commensurate with age. 1389 Each overall good condition with rubbed wear to surface decoration, scattered minor scuffs, and inherent firing flaws commensurate with age.

1390 Overall good condition with minor scuffs, scratches, tarnishing, and darkening to underpainting commensurate with age. The applied halo with scattered areas of bending. A pinhead-sized hole in the riza right of center. The underpainting with dust accumulation, delicate craquelure, and darkening. Lifting to edges of the riza from the wood. 1391 Overall good condition with scuffs, scratches, and tarnishing commensurate with age. The high-relief halo with minor and scattered bending. The underpainting with dust accumulation and occasional specks of grime, delicate craquelure, and darkening. With a velvet backing and mounted for hanging. 1392 Overall good condition with minor scuffs, scratches, and tarnishing commensurate with age. The applied halo with scattered areas of bending. A pinhead-sized pressure mark to the riza, near the upper edge, at right. The underpainting with dust accumulation, delicate craquelure, and darkening. Lifting to the edges of the Russian silver riza, and with scattered pinhead-sized holes. A quarter-sized area of residue from an old white circular sticker. 1393 Visual: Overall good condition with minor scuffs, scratches, and tarnishing commensurate with age. The underpainting with dust accumulation, delicate craquelure, and darkening. Pinhead-sized or smaller scattered areas of pigment loss. Scattered peas-sized or smaller areas of white paint scattered throughout the underpainting, but not noticeable when the riza is attached to the wood. Abrasion along the four edges of the wood. Lifting and bending along the edges of the Russian silver riza. The riza is removable. Blacklight: No evidence of restoration. Difficult to read under uneven varnish. 1394 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 1395 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Given the age of this item, as it is likely 18th century and possibly an excavation find, this item has the breaks and wear one would associate with an object of this age. There is an obvious break to the ends of the mustache as well as a break where it was once previously mounted. 1396 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Given the age of this item, as it is likely 18th century and possibly an excavation find, this item has the breaks and wear one would associate with an object of this age. There is an obvious break to the ends of the mustache as well as a break where it was once previously mounted.

Condition Reports

1382 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. One jar’s finial with a significant chip to the apex. Lastly, there is some rubbed wear to the glazing throughout each vessel.

557

1397 Each overall good condition with shelf wear and minor scuffs commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles, and minor surface chips. 1398 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Likely refinished previously, with wear to varnish on top. Heavier wear to feet. The paper lining with heavier wear, soiling, and staining. 1399 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: staining/darkening. 1400 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges with fraying, areas of heavier pile-wear. 1401 Overall good condition with even pile-wear, soiling/ staining, and typical signs of wear commensurate with age and use. Issues include, but not limited to: 1402 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The finished and inlay with areas of wear, chipping, and lifting. Lacking key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches.

Condition Reports

1403 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting to veneer, surface abrasions, chipped losses, and indentations. Some evidence of wood worm. The marble with scattered chips and has been tinted to mask restorations, repair to one corner. Lacking key.

558

1404 Visual: The original canvas has been strip lined and restretched. Dust accumulation and grime commensurate with age. Very delicate craquelure scattered throughout. Two pea-sized repairs near the lower left corner and with a nearby 5” long vertical raised line in the canvas which may be attendant with the repairs previously mentioned. Blacklight: Areas of touch-up throughout. Difficult to read under heavy varnish. Frame: 40.5” H x 52” W x 3” D

1405 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipping to gilt surface throughout. Has been refinished and regilt. Evidence of woodworm. Marble with inherent surfacereaching fractures, inclusions, and abrasions, and repairs to center and both corners. 1406 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: each with scattered chipped losses throughout. 1407 Overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered chipped losses to elements throughout, predominantly to the tree, with painted restorations. 1408 Overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered chipped losses to elements throughout with painted restorations. 1409 Overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered chipped losses to elements throughout with painted restorations. 1410 Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with scattered repairs and losses to carving. 1411 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 1412 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, and surface abrasions. 1413 Visual: Dust accumulation, dirt, grime, and uneven varnish discoloration commensurate with age. Stretcher bar creases through the center and along all four sides. Pressure marks, often broken through as punctures, and with attendant paint losses, primarily in the lowest, onefoot-wide portion of the canvas. A pea-sized area of paint loss attendant with the stretcher bar crease at center. A small, 3” H x 3” W abraded area at the lower left corner. A 1” tear in the edge of the canvas upper right. Other minor defects. Blacklight: No evidence of restoration. Unframed

Blacklight: Possible areas of touch-up. Difficult to read under heavy and uneven varnish. Frame: 32” H x 44” W x 1.5” D 1415 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 1416 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges, and patches of soiling/staining. 1417 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading, abrash, and loss to fringe. 1418 Each overall good condition with shelf wear and minor scuffs commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles, and minor surface chips. One with a possible repair to the underside. 1419 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Additionally, there appears to be waxy buildup concentrated in two spots on one marble tabletop. 1420 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 1421 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. One vase with a repair to the rim as well as multiple chips and losses surrounding the repair. Likewise, each vase with scattered chips to the rim and applied three-dimensional decoration. 1422 Each overall good to fair condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. The lidded jars each with multiple chips to the rim and lid, the largest with a sizable loss approximately 1” long. As well, there is rubbed wear and dulling of the finish throughout each vessel’s glazed surface.

1423 Visual: Overall good condition. The canvas has been strip lined. Dust accumulation, occasional grime, and scattered craquelure commensurate with age. Stretcher bar creases along all four edges. Blacklight: Occasional spots, lines and areas of touchup throughout. The largest area approximately 1.5” Dia. near the center of the upper edge, and the longest line approximately 5” W. attendant with the lower stretcher bar crease. A 1” H line of touch-up near the sitter’s right elbow appears to be attendant with an old repair. Difficult to read under heavy varnish. Frame: 36.5” H x 31” W x 4” D 1424 Visual: Dust accumulation and grime commensurate with age. Craquelure throughout. Frame abrasion along the four edges. Areas of white pigment on the figure’s face, possibly in the hands of the artist or during restoration. Scattered areas of rubbing to the pigment. Pinhead-sized or smaller areas of pigment loss in the lower section. A quarter-sized reverse pressure mark in the center, at right. Blacklight: Areas of touch-up throughout. The largest measuring 5” H x 6” W in the center, at right. Frame: 37” H x 31.5” W x 2.75” D 1425 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Each handle is loose. 1426 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered chipped losses and repairs throughout. The mirror with heavy oxidation and desilvering. 1427 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, chips, and indentations. Marble top with scattered chipped abrasions to edges. Lacking key. 1428 Visual: Dust accumulation and grime commensurate with age. Stretcher bar creases along the four edges. Craquelure scattered throughout. Minor frame abrasion along the lower edge, with an attendant pea-sized pigment loss in the lower left corner. Various holes scattered throughout, the largest measuring 3” long near the upper edge, at right. Minor rubbing with attendant pigment wear. Scattered surface scratches, the largest measuring 5” along the lower edge, at left. Blacklight: Areas of touch-up throughout, the largest measuring 6” H x 4” W near the upper left edge. Frame: 48.75” H x33.75” W x 1.625” D

Condition Reports

1414 Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Soft stretcher bar creases along the upper and lower edge.

559

1429 Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Soft stretcher bar creases along the four edges. Very delicate craquelure scattered on the figure’s face. A dime-sized reverse pressure mark, with attendant pigment loss, with attendant loss on the figure’s right shoulder. A pinheadsized unobtrusive area of pigment loss near the upper edge, at left. Blacklight: Areas of touch-up throughout. Difficult to read under heavy and uneven varnish. Frame: 37” H x 32” W x 4” D 1430 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: wear to the surface decoration. 1431 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: one with scattered minor fleabites/chips along the foot. 1432 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, and indentations. 1433 Visual: Dust accumulation, grime, varnish discoloration, and scattered craquelure commensurate with age. Stretcher bar creases along the four sides. Scattered unobtrusive pinhead-sized pigment losses showing mostly in the lighter fabrics worn by the figure. A nail head protruding at the lower right.

Condition Reports

Blacklight: Scattered touch-ups throughout, some attendant with old repairs. Difficult to read under heavy varnish.

560

1436 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been refinished and with restorations. Evidence of wood worm to verso. Heavy wear to feet. Lacking key. 1437 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 1438 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, chips, and indentations. Marble top with scattered chipped abrasions to edges. 1439 Visual of each: Overall good condition. Dust accumulation and grime commensurate with age. Craquelure and fine paint shrinkage scattered throughout. Areas of scattered rubbing with attendant pigment wear. The male portrait with pea-sized or smaller areas of pigment loss along the upper and left edges. A pinhead-sized unobtrusive pressure mark right of center. The female figure with a 9” incised scratch along the upper curved edge. Flecks of pigment loss scattered throughout, mostly appearing in the female figure’s face. Two 0.5” horizontal and unobtrusive stray gold pigment at the upper right edge. Blacklight of each: Areas of touch-up throughout. Difficult to read under heavy and uneven varnish. Frame of each: 33” H x 28.5” D x 1.75” D 1440 Visual: Overall good condition. Dust accumulation and specks of occasional grime commensurate with age. Frame abrasion along the edges. Pinhead-sized or smaller areas of pigment loss scattered throughout. A 1” diagonal unobtrusive surface scratch near the right edge, at center. Blacklight: No evidence of restoration.

Frame: 57” H x 49” W x 5” D

Frame: 12.375” H x 10.75” W x 1.375” D

1434 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some of the mounts are loose.

1441 Each overall good condition with tarnishing and light scratches commensurate with age. Most pieces monogrammed. Weight does not include hollow-handled items.

1435 Visual: Good condition. Craquelure throughout. Frame abrasion along the edges. Varnish discoloration throughout. Losses scattered along the edges. Blacklight: Apparent touch-up throughout. Difficult to read under varnish. Frame: 17” H x 15.5” W x 2.5” D

1442 Overall good condition with tarnishing and light scratches commensurate with age. With personalized coat of arms to center. 1443 Overall good condition with tarnishing and light scratches commensurate with age. The glass with scattered small chips and fleabites. 1444 Overall good condition with scattered scuffs and scratches commensurate with age.

1446 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1447 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The tooled leather surface with losses to the gilt ornamentation as well as scattered scratches. The top drawer on the left-hand side is missing its carved wood pull. Likewise, the faux drawers on the righthand side are missing their carved wood pulls. One pull is retained inside of the interior left drawer. 1448 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear to veneer throughout and wear to dial. The bonnet with broken finials. Includes case key, lacking winding key. The clock stand slightly wobbly. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1449 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Wood base appears intentionally weathered. 1450 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and joint separation commensurate with age. Has been refinished and later modified, the lock plates have been relocated. The brass banding is slightly loose from shrinkage, one handle is loose. Lacking key. 1451 Each overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges, a 2’ area of fraying with loss to the selvage edge, and spots of staining. 1452 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 1453 Overall good condition with tarnishing and light scratches commensurate with age. 1454 Each overall good condition with tarnishing and light scratches commensurate with age. 1455 Each overall good condition with tarnishing and light scratches commensurate with age.

1456 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Stretcher bar creases along the four sides. Fine craquelure scattered throughout the figure. A 1” horizontal scratch with attendant pigment loss near the upper edge, at left. Blacklight: Areas of touch-up scattered throughout. Difficult to read under heavy varnish. Frame: 61.5” H x 51.5” W x 4” D 1457 Visual: Dust accumulation and grime commensurate with age. Very delicate craquelure scattered throughout. Frame abrasion along the right edge. Pea-sized or smaller areas of pigment loss scattered throughout. Areas of rubbing with attendant pigment loss. A 10” diagonal scratch from the upper edge to the center. A section in the center with various scratches. Blacklight: Areas of touch-up throughout. The largest measuring 9” H along the lower portion of the right edge. Difficult to read under heavy varnish. Frame: 51.75” H x 38.75” W x 1.5” D 1458 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Repair to the foot, which was damaged and glued back together. As well, the spider has several broken legs, damage which as fairly visually unobtrusive. 1459 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Several small breaks to the toes of the lizards scattered throughout. As well, there is one area on the verso, near the maker’s mark, without glaze. 1460 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Appears as though there are scattered surface paint splatters on the glazed surface. 1461 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer and inlay with wear, raised grain, buckling/lifting, surface abrasions, and losses to inlay throughout. 1462 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered restorations throughout, primarily to the spindles. The veneer and inlay with wear, raised grain, buckling/lifting, surface abrasions, and losses to inlay throughout. 1463 Overall good condition with tarnishing and light scratches commensurate with age.

Condition Reports

1445 Overall good condition with scattered scuffs and scratches commensurate with age.

561

1464 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered cuts/slices running across one edge. 1465 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 1466 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to the fringe and selvage edges and soiling/darkening. With some sewn on rings for hanging. 1467 Overall good condition with tarnishing and light scratches commensurate with age. Monogrammed to center. 1468 Overall good condition with tarnishing and light scratches commensurate with age. With a break to one foot, the piece is retained and accompanies the lot. 1469 Each overall good condition with tarnishing and light scratches commensurate with age. Each personalized with crest.

Condition Reports

1470 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age and use. Likely an excavation discovery, these pieces have an all over patina of soil and age-appropriate rubbed wear, flaking, and losses to the painted surface. One figure with a previous restoration to a break on the right foot. And the same figure with a chip to the underside of the left foot. As well, it is likely that the pigments were touched up post-excavation. Please note: Each later added stand with supports under one or both feet of each figure in order to level out the figures so that they will remain upright,

562

1471 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, this is likely an excavated piece, so it has rubbed wear throughout and has patinated to an even allover iridescent finish. No evidence of repairs or restorations under blacklight. Small cork feet later added to the underside. 1472 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. As well, this is likely an excavated piece, so it has rubbed wear throughout and has patinated to an even allover iridescent finish. There is one sizable chip to the rim, approximately 0.75” long. No evidence of repairs or restorations under blacklight. Small cork feet later added to the underside.

1473 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered inherent imperfections to the enameling throughout, including pinholing and air bubbles As well, there are scattered minor chips along the upper and lower rim of each vessel. Surface grime present on both the interior and exterior of each vase. 1474 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered small chips to the red lacquer. 1475 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1476 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Areas of unstable craquelure with attendant pigment loss. Minor frame abrasion along the lower edge, mostly at center. Blacklight: Areas of touch-up throughout, mostly in the background. Difficult to read under varnish. Frame: 30” H x 41.75” W x 4” D 1477 Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Frame abrasion along the upper edge, mostly at left, with attendant pinhead-sized pigment losses. Blacklight: Areas of touch-up throughout. Difficult to read under heavy varnish. Frame: 16.75” H x 19.75” W x 1.5” D 1478 Overall good condition with scattered minor scuffs, scratches, inherent firing flaws, and slight grime commensurate with age. 1479 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, there is sunlight fading and breaks in the finish on the tabletop. Likewise, there are some larger chips and losses to the wood legs. Lastly, the iron trestle appears to have been previously secured to the wood with hardware that is currently missing. Please note: There is scattered chewing gum residue to the underside 1480 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Heavier scratching and rubbed wear to the wood armrests and lion masks of each chair. Several obvious glue repairs to the dowel joints of each chair’s frame. Both chairs appear to have been recently reupholstered.

1482 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: slight soiling throughout and wear to the fringe and selvage edges. 1483 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 1484 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and tarnishing commensurate with age. Repousse with scattered bending and tears the sheeting. Mirror with desilvering. 1485 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. With typical signs over wear for given age, worn chips throughout, some restorations, a repair to a drawer front, and evidence of wood worm throughout with heavier localized areas. 1486 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Wiring should be checked by a qualified electrician prior to use. Fraying and wear to one of the cords. 1487 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, there are scattered losses to the gilt surface throughout each frame, exposing the white plaster priming layer and wood substrate. Likewise. the gilt surface has rubbed wear and oxidation on each frame. Lastly, the mirrored surfaces for each have scattered losses to the silvered surface and patination throughout. 1488 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, and indentations. One with a missing lock and handle to one drawer, the other also with a missing lock. Lacking key. 1489 Overall good condition with tarnishing and light scratches commensurate with age. The tea knife not engraved. Some pieces with maceration. Weight does not include hollowhandled items. 1490 Overall good condition with tarnishing and light scratches commensurate with age. 1491 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with scattered chipped losses to the gilt finish and general wear to carving.

1492 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With all-over wear and losses to painted surface. Prominent shrinkage cracks to the back panel. 1493 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. As well, there is heavier scratching and scattered chips to the carved details and flat of the seat. The largest chip is along the back right edge and measures approximately 0.75” long. 1494 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered chips to carved elements and wear to gilt surface. Each marble top with small chips and abrasions. 1495 Visual: Overall good condition. Dust accumulation and grime commensurate with age. Occasional, approximately pea-sized or smaller, lumps in the support board, mostly near the edges. Blacklight: A 4” H x 1.5” W area of touch-up near the upper left corner. Another touch-up, approximately pea-sized and attendant with a pinhead-sized hole in the canvas layer, at the center of the right edge. Frame: 28.75” H x 40.75” W x 1.5” D 1496 Visual: Overall good condition. Minor dust accumulation, grime, and varnish discoloration commensurate with age. Occasional craquelure. Frame abrasions along all four edges. Blacklight: Scattered touch-ups, mostly in the foliage near the left and right edges and in the horse on the left. Frame: 29” H x 39” W x 2.5” D 1497 Visual: Overall good condition. Dust accumulation, dirt, and specks of occasional grime commensurate with age. Minor stretcher bar creases along the four edges and down the center. Fine craquelure scattered throughout. Blacklight: Areas of touch-up throughout, the largest measuring 8” vertically along the left edge. Unframed 1498 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. Titled by repute. 1499 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. Titled by repute.

Condition Reports

1481 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

563

1500 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: soiling and pulled stitches. 1501 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 1502 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. 1503 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, and indentations. The lower cabinet lacking the lock plate. Lacking key. 1504 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 1505 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. A 5” gouge to the front door, wear to veneer throughout. Some mountings and hardware loose. Includes case key and pendulum, lacking winding key. Pendulum with bending. The clock stand slightly wobbly. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches. 1506 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered areas of lifting to metal trim and veneer with lifting, surface abrasions, and chipped losses. Top with spots of moisture damage. Table is wobbly. Interior compartments with wear and some lids detached. Lacking key.

Condition Reports

1507 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

564

1508 Overall good condition with wear, minor scuffs, and scratches commensurate with age. Some rubbed wear to the etched mark, which upside down due to the shade being repurposed from a chandelier. The base is newer with an oxidized/rubbed finish, likely intentional. The shade sits slightly crooked on mounting. Wiring should be checked by a qualified electrician prior to use.

1509 Each overall good condition. The first with full margins with deckled edges. A 1” diagonal crease through the image at right. Surface soiling showing near the outer edges of the margins and on the verso. A 1” vertical tear in the lower margin edge, at right, not affecting the plate, and with a related piece of white tape verso. Remains of old glue and paper along the extreme margin edges, verso. Hinged to overmat in two places at the verso of the upper margin edge. The second with three unobtrusive handling creases in the right margin, one of which affects the image very slightly. Two pinhead-sized foxmarks in the sky at left. Unexamined out of the frame. Each framed under glass: 29” H x 38” W x 1.25” D 1510 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Heavier rubbed wear to the high points of the decoration throughout. Likely recently reupholstered. 1511 Overall good condition with wear, minor scuffs, and abrasions commensurate with age. 1512 Overall good condition with wear, minor scuffs, and abrasions commensurate with age. Lacking stopper. A 1.25” visible fracture/hairline in the stone near the neck. 1513 Each overall good condition with wear, scuffs, and scratches commensurate with age. Some with small chips and abrasions, mostly to carved stone pieces. The reverse painted glass bottle’s stopper is stuck, appears to be glued. 1514 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Stone with inherent surface-reaching fractures, inclusions, and abrasions. With scattered small chipped losses and repairs to carving. 1515 Each overall good condition with shelf wear, scattered scuffs, and chipped losses with age. Issues and repairs include, but are not limited to: vase with cranes and pines with a 2” chip to the rim, each with scattered chipped losses and possible repairs. 1516 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. The stone with inherent surface-reaching fractures, inclusions, and abrasions. With scattered chipped losses throughout and repairs to some elements. Dimensions are for the censer only and do not include the accompanying red lacquered stand. With some detached ring elements that accompany the lot.

Consign Today

Fine Jewelry & Timepieces December 2023

A pear-shaped diamond ring / A pair of round diamond stud earrings Price Realized: $1,447,750.00 (Combined Aggregate) Consignment and Auction Inquiries: jewelry@johnmoran.com

SINCE 1969

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

SINCE 1969

AUCTIONEERS & APPRAISERS

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